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Monthly

.)

.

Authors

(

.

PRICE SIXPENCE

1911

.

OCTOBER

.
1
.

No

Society

,

Incorporated

2

of

=

.

XXII

CONTENTS

::

.

PAGE

Registration
Scenariosand Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
The late Jirs Thurston
The Foreign Reprints Act Again
Expired Copyrights
Few Words
Sorrows of
Freelance
Proposed Canadian Copyright Law
The ConciseOxford Dictionary
Japanese Poetry
Correspondence
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.. . .

's

Notices
The Society Funds
List of Members
The Pension Fund
CommitteeNotes
Books published by Members
Books published
America by Members
Literary Dramatic and Musical Notes
Paris Notes
Authors Agents Literary and Dramatic
Publishers Methods
Cinematograph Performances
Magazine Con ents
How
Use the Society
Warnings
the Producersof Books
Warnings
Dramatic Authors

of

=

.

VOL

-

( The Organ

the

The Author.

.

PUBLICATIONS OF THE SOCIETY
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By
with Comments
HERBERT THRING and Illustrative Examples
Sir WALTER BESANT
2nd Edition
Giving the Terms
Periodicals
and their contributors
which
different Magazines
and Periodicals deal with MSS and Contributions
Society
Authors
List
Members
Published October 1907 price

Forms
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Various Methods

MORRIS COLLES Barrister

Lettres

SQUIRE SPRIGGE
this work compiled from the
agreements proposed
offices the various forms
Publishers
carefully
explained
Authors
are
examined
and their meaning
with
account
the
various kinds
fraud which have been made possible
the different clauses therein
Being additional
Addenda
the Above
HERBERT THRING
facts
collected
the office
the Society since the publication
the
Methods
With comments and

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The Annual Report for the current year
The Author
Published ten months
the year Angust and September omitted devoted especially
Literary Dramatic
the protection
and maintenance
and
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Issued
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Members gratis
Price
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Back
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XXII

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VOL

List Members
the Society
Anthors
published October 1907 can now
obtained
the offices
the Society
the price
July
post free
includes elections
1907 and will be sold
members and associates
the Society only
dozen blank pages have been added
the
those who
end
tbe list for the conrenience
they are chronicled
desire
add future elections
from month
month
these pages
of

by

the

THE

A

be

39
,

,

.,

of

of all

invited

it

,

of

.

.

and letters are

literary matters treated from
Editor
the
standpoint
no other
art
business but
subjects whatever
Every effort will
made
accepted
retorn articles which cannot

to

in

he

for

.

,

in

or

,

of

its

,

S
.
W

's

,

to

of

Communications
for The
Author
should
addressed
the Offices
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor not later than the 21st
each
month
Communications

LIST OF MEMBERS

6d

.

to

58
.

a

if

a

on

of

, ,

to

of

of

to

is

be

in

or

CONTRIBUTIONS

(
2
)

AND

.

ARTICLES

THE Editor
the Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
Society
great many members did not forward
subscription for
the Secretary the modest
the year

in to

,

of

.

of

it

.

on

the publishers
the names
application
them

is

to

,

have
the Society who desire
concerned can obtain
to

of

of

those members

of

of

or

in

'

of

to

of

The Editor begs
inforın members
the
Authors Society and other readers
the Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Society and that
the Secretary

on

of

.

its

of

time
time members
the Society
desire
make donations
funds
recognition
work that has been done
them
The Committee acting
the suggestion
place
one
these members
have decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
paid
which these contributions may
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary
case
the Society
incor heavy
expenditure either
fighting
question
prin
ciple
assisting
obtain copyright reform
dealing
any other matter
closely
with
connected with the work
the Society
slowly
The Pension
Fund
This fund
increasing and
hoped will
time cover the
needs
all the members
the Society
to

case

to

is

of
to

be the

THE

as

be

.

of

or

D

papers that are
the opinions expressed
signed
initialled
the anthors alone are
para
responsible
None
the papers
graphs must
expressing the opinion
taken
especially stated
the Committee unless such

if

OR

is

to

.

,

,

be is

.

NOTICES

to

it

,

is

.

),

AUTORIDAI LONDON

be

of

of

.

As

:

VICTORIA

ADDRESS

PRICE SIXPENCE

,

TELEGRAPHIC

1911

ADVERTISEMENTS

:

374

2ND

.

OCTOBER

[

No

NUMBER

I'

ELEPHONE

Monthly

Authors

SIR WALTER BESANT

.
1
.

—

.

.

XXII

Society

.

FOUNDED
VOL

Incorporated

,

the

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(

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referring
publisher
case
the bankruptcy
reported
which many members were involved
practically
closed
the contracts had either
been determined
settled
He reported the
carry out the committee
steps
had taken
in

In

.

be

.

In

in

instructious
the cases chronicled
the last issue
The Author
one case further evidence was
required before action could
taken
another
reported that the defendant had been thrown
into bankruptcy
and two other cases bad been
finally
settled
and satisfactorily
One case
infringement
copyright started
the spring
tried before the
not
could
stated
the year
Long Vacation
and
another case proceedings
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Arnold

meeting before the vacation was held
Monday July
the offices
the
society and the committee decided not
meet again until October unless business of such
vital importance
the society came
for con
negotiated
sideration
that
could not
the
chairman with the assistance
the secretary and
the society solicitors
The usual vacation powers
the
behalf
act
the chairman
were given
committee
the absence
the members
bringing the
Three elections were chronicled
total number
the year up
154
There were
two resignations bringing the total resignations
59
The solicitor
the society attended the meeting
and reported
the cases
had
hand
The first

,

3

19

£4
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377

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Henry
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MacEwan Miss
April
and Mrs Williamson
April
Shirley Arthur
April
and Mrs Hinkson
April
Toplis Miss Grace
May Walter John
May
An Old Member
June
Wrench Mrs Stanley
July
Ingram
July
Fell Smith Miss
Sept
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April
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New Zealand
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Irish Land Act
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London
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£1 312

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Government
dated Inscribed Stock
London and North Western
ture Stock
Egyptian
Government
Trust
Certificates
Cape
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any

case

April
April

Coke Desmond
The XX Pen Club
Channon Mrs
Henry Miss Alice

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Local Loans

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Glasgow

April

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declare another pension
portant claim
forthcoming
Consols

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year

March
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the trustees
the Pension
the society
after the secretary
placed
before
them
the financial
position
the fund decided
invest £250
the purchase
Consols
The amount purchased
the present price
£312 13s
This brings the invested funds
377 198
The trustees however have been unable
recom
any further pensions
the
mend the payment
present exhausted
income
their disposal
They desire
draw the attention
the members
of the society
this fact
the hope that
additional subscriptions and donations there will

5

he

February

Fund
had

Hardy Harold
Hutton
Wilson Albert
Ward Dudley

March
March

5 10 $
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THE PENSION FUND

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THE AUTHOR .

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winding

on is

of

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for

the accounts have been rendered and part
the
money has been
paid
but the balance
still
disputed
One has been placed with the solicitors
and two are still
the hands
the secretary
Of
the three claims for accounts one has been satis
factorily settled one has been placed with the
negotiation
solicitors and one
still
course
agreements
Of four disputes
two have been
negotiation
concluded
Two are still
course
Matters
this kind sometimes take long time
question
cancelling the agreement and

of

as

by

in

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paid

of .

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a

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four have been brought
close the
having been rendered and the money
say
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accounts
accounts

up

or

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Sub Committee relating
the financial side
proposal for
dramatic agent
America
The
committee expressed sympathy with the efforts
promised
the dramatists
and
assist them
bearing some reasonable share
the cost
The date
the council meeting
the autumn

negli
but also that their loss due
Unless these facts can clearly be established
hardly worth while
take action when such
making copies can
great facilities
em
ployed
Authors
should always keep copies
their MSS
Of the seven ciaims for money and
the

gence

.

,

.

to

in

of

a

of

of

.

certain amendments
the Bill
The committee
decided
refer the matter
counsel Mr
MacGillivray with instructions
report
settle
be forwarded
the Canadian Government
from
the Society
Authors
question referred
Then followed discussion
Management
the Committee
the Dramatic

five have been settled
Thus four are
left unsettled two
the secretary
hands and
two
the solicitors hands
Of the seven claims
for the return
MSS one has been brought
satisfactory termination
placed
two have had
the hands
the solicitors and two owing
the claims being abroad
one
India and one
Australia
are still open
and two have only
recently come into the office
Members should
not forget that the legal position
the case
generally not very strong
the return
MSS
not only necessary
show
that the MSŠ
responsible party
have come into the hands

,

.

of

.

a

to

,

of

of

as of

,

by

of

to

desirable
The Canadian Copyright Bill was then discussed
and here the secretary reported the action taken
the Société des Gens
Lettres and the Société des
Auteurs Dramatiques and stated that
had
received letters from influential quarters
America
asking for the society
support
carry through

report that

in

in

,

in

to at

be be

were received from the committee that proceedings
should
taken
once and that the Swiss lawyer
urged
bring matters
prompt issue
should
The next business before the committee was the
consideration
the position
the Copyright Bill
The secretary reported the steps that had been taken
himself the chairman
the society and other
members
the committee
The committee was
informed
the meetings that had been held
and the negotiations that had been carried through
The secretary stated that
the clauses
the Bill
had been passed
Committee with the exception
the clauses dealing with the mechanical reproduc
tion
musical work which would
considered
immediately
He added that had been arranged
meeting
hold
the joint committee
that
the committee comprising representatives
the
Society
Authors the Publishers Association
and
the Copyright Association
after the Committee
stage
the Bill was
end and before the
Report stage
The joint committee would then
any was possible
decide what further action

of The Author there
placed into the hands
be divided as follows :
seven
claims for the
claims for accounts and
accounts
four disputes

return of MSS. ; seven
money ; three claims
agreements
copyright
one infringement
The average number
cases that come
the
office during any given month
from
fifteen
twenty
that the number that has come into the
during the last two months shows
society
diminution
Of the fourteen claims for money due authors
five have been
settled
and the cash has been
placed
forwarded
seven have had
the
hands
the solicitors
Of these we are glad

is

in

It

for the solicitors

cases

in

fresh

is

There were no

England , but the secretary reported that a case
which the society was conducting
Switzerland
had been delayed
settlement and instructions

Cases .
SINCE the last publication
have been thirty - six disputes
of the secretary . They may
fourteen claims for money ;

it

and costs ,
court .
There was one case of a very difficult nature .
which related to a publisher ' s accounts . The solicitor
put forward very fully the issues involved , and
after careful consideration the committee instructed
the solicitor to come to a reasonable compromise if
it were possible to do so , and indicated one or two
points which they considered should be an essential
part of any compromise reached .
sum

was settled and thefagenda for that meeting were
also discussed .
The date of the annual dinner was
left open , it being agreed that, as usual, some day
in the late autumn should be chosen .

.

been

it

commenced by the society some
closed by the payment of a small
without it being necessary to go into

had been

time ago had

is
a

which

�.

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EDWARDS

BETHAM

ENTICEMENT
DOROTHEA
Stanley Paul
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,

Sylvia

By

ALL

Hutchinson
THE CITY
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Introduction
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Edited by A . W. WARD , Litt . D., and A . R . WALLER .
553 pp .
and Puritan . 91 x 61 .
· Vol. VII . Cavalier
University Press . 98. n .
Cambridge
PRINCIPLES OF BIOGRAPHY . The Leslie Stephen Lecture

.

.

A HISTORY OF BRITISH MAMMALS . By G. E . H . BARBETT
HAMILTON .
Part VII . 10 X 7. pp . 25– 72. Gurney
&amp; Jackson . 28. 6d . n .
ALPINE PLANTS OF EUROPE . Together with Culture
Hints . By H . S . THOMPSON , F . C. E . 81 X 51 . 287
pp . Routledge . 78. 6d . n .
TO THE
: A GUIDE
YOUNG
ORNITHOLOGIST
THE
BIRDS .
HAUNTS , HOMES . AND HABITS OF BRITISH
By PERCIVAL WESTALL , F . L . S.
71 X 5. 308 pp.
Methuen . 58.

By

JUVENILE .
THE BOOK OF THE Zoo . By W . S. BERRIDGE , F . Z. S .,
and W . P. WESTELL . With 8 coloured plates and 64
photographs . 78 X 54. 304 pp . ( The Recreation
Library .) Dent . 58.
By CAPTAIN F . S.
Tom STAPLETON , THE Boy Scout.
BRERETON . 74 X 5 , 287 pp . Blackie . 38. 6d .

LITERARY

NATURAL HISTORY

57 .

9 x

128. 6d . n.

.

6d
.
n
.

&amp; Hall

Chapman

78
,

352 pp .

By RALPH NEVILL .

PAST.

THE ROMANTIC

.

51

�THE AUTHOR .
THE WONDERFUL WEALD , AND THE QUEST OF THE
By ARTHUR BECKETT . Illustrated
CROCK OF GOLD .
by ERNEST MARILLIER , 9 x 51. 439 pp . Mills &amp;
Boon . 108. 6d .

OF ALLAH . By ROBERT HICHENS . 490 pp .
New York : Stokes . $ 1.50.
THE SILENT BARRIER . By Louis TRACY . 350 pp . New
York : Clode . $ 1.25.

Nova SCOTIA : THE PROVINCE THAT HAS BEEN PASSED .
By BECKLES WILLSON . 9 X 54 . 256 pp . Constable .

HISTORY .
By T. RICE
CÆSAR ' S CONQUEST OF GAUL .
HOLMES .
(Second edition , revised throughout and largely rewritten . )
872 pp . New York : Oxford University Press .
$7.75 n .

TRAVEL .

108. 6d . n.
" CHICOT " IN AMERICA . By KEBLE HOWARD (" Chicot ” .
Hutchinson .
of “ The Sketch ." ) 74 x 48 . 204 pp .
18. n.
in
THE LAND OF VEILED WOMEN . Some Wanderings
Algeria . By JOHN FOSTER FRASER. 72 x õ.
288 pp .
Cassell . 68.
TWEEDIE .
MEXICO AS I SAW IT . By MRS . ALEC
61 x 47. 480 pp . Nelson . 18. n.
By
FRANCES
RAMBLES AROUND FRENCH CHÂTEAUX .
GOSTLING . 73 x 5. 372 pp . Mills &amp; Boon . 68.
By
I . A. R. WYLIE .
IN THE BLACK FOREST .
RAMBLES
325 pp . Mills &amp; Boon , 68.
73 X 5.
HOME LIFE IN HOLLAND . By D. S. MELDRUM . 9 x 59 .
108. 6d. n.
375 pp . Methuen .
THE BELGIANS AT HOME . By CLIVE HOLLAND . With
16 Hlustrations in colour by DOUGLAS SNOWDON , and
10s. 6d . n.
Photographs . 9 X 51. 326 pp . Methuen .
9 X 5 . 307 pp .
THE DANUBE . By WALTER JERROLD .
Methuen . 103. 6d . n .

THE GARDEN

POETRY .

RECESSIONAL ; AND OTHER POEMs . By RUDYARD KIPLING .
62 pp . New York : Crowell. 35 cents .

MISCELLANEOUS .
A POOR MAN ' S HOUSE , By STEPHEN REYNOLDS . 320 pp .
New York : Macmillan . 50 cents n .
PATRIOTISM
: a Biological Study . By H . G . F . SPURRELL.
168 pp . New York : Macmillan . $ 1 n.
SOCIOLOGY.
APPLIED

SOCIOLOGY

BEATTIE

CROZIER .

$3 n.

TO PRACTICAL
320 pp . New

TRAVEL .
THE DANUBE . By WALTER JERROLD . With 30 illustra
tions by L . WEIRTER . 31.5 pp . New
York : Stokes .
$3.50 n .
A ROMAN PILGRIMAGE . By R . ELLIS ROBERTS . 274 pp .
New York : Stokes . $2.50 .

LITERARY , DRAMATIC , AND MUSICAL
NOTES .

BIOGRAPHY .

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psychological studies

new book

and Death

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Love

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Mrs Havelock Ellis
Wing
series
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the same author
Miss Emma Brooke has also
Magazine entitled
story
Nash
the July issue
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Dutton
New York
366
By CONSTANCE ARMFIELD
GROWTH
LARGER
THE
Dutton
New York
382
Story
Soul By
the Evolution
THE SHADOW
Chicago
Revell
490
HAROLD BEGBIE
By
367
LOCKE
CLEMENTINA
THE GLOBY
New York
John Lane
VERE STACKPOOLE
CORAL
THE SHIP
Duffield
New York
311
FRANCES HODGSON BURNETT
THE SECRET GARDEN
Stokes
New Yörk
375

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pp

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York
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376 pp

$
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MISS
ADVENTURES
Philadelphia
314

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FILLET

A

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OR
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A

FICTION
THE
PLUCKY GIRL
By MAY BALDWIN
NELL
McKay
cents

QUEEN
THE
SHEEHAN

256 pp

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OF

ECONOMICS
THE SCIENCE

usually receives purely emotional treatment
the Outside
the title
new novel
Miss
Curtis Sherwood
described
story and satire
modern
An attempt
having been made
suppress
published
unusual way post free for one shilling from the
address
Sherwood
Clifford
Hereford
shire
can
ordered through
bookseller from
the same address
Messrs Smith Elder
Co have accepted
new
novel
Miss Emma Brooke which will probably
published
the early spring
The Windsor
Magazine had
story
entitled
Thirteen
the
Clock
Miss Emma Brooke
the June issue
The same magazine has accepted
second story

“

OF

CLASSICAL ,
Lectures
Course
EPIC
THE GREEK
Second edition revised
delivered at Harvard University
New York
368
MURRAY
and enlarged
Oxford University Press

THE RISE

H . G . F . Spurrell has
written , and
Messrs . George Bell &amp; Sons have published ,
a “ Biological Study of Patriotism .”
Mr.
Spurrell 's
explain the
this work has been
patriotism and
furnish the
natural history
subject which
scientific analysis
reader with
aim

Macmillan .

TR.

M

,

325 and

AUSTIN .
$7.50 n .

ALFRED

It

MARQUISE : A STUDY OF
CENTURY
AN EIGHTEENTH
EMILIE DU CHATELET AND HER TIMES . By FRANK
HAMEL . New York : Pott . $3.50 n.
OF

York :

BY

BOOKS PUBLISHED IN AMERICA
MEMBERS .

AUTOBIOGRAPHY
TAE
308 pp . New York .

By J .
Longmans .

POLITICS.

They

are Cornish

�THE AUTHOR .

a

is

.

,

by

of

of

,

“

of

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,

as

,

is in

's

,

Maxwell Grey new novel which Mr John Long
August
called
Unconfessed
and
the scene
laid
was that
The Silence

published

pen wbich
Pendered
entitled
Men while the September Novel
Magazine also has
story from the same writer
Miss Pendered
addition
these
stories has
recently finished
novel
which she has given the
title
The Anklebiter
Mr Ditchfield Rector
Barkham
has com
pleted
essays entitled
volume
Out
the
Ivory Palaces which will
pullished shortly
“

,

. .

's

-

fresh

from Miss
The Happiest

story

,

,

on

of

.

-g

the rude human nature
day
farm labourer

to

,

of to

from

of

—

or

is
,

Benlowes
the soil

,

on

to

and

on

been

is due , this month , from the publishing
Mr. Ham -Smith . The author describes it
as “ A Diversion , " as it is somewhat different from
her usual work , being written rather in a spirit of
August contains
frolic . 7 . P . 's Magazine

house of

“

the editor has followed , in her work , has
include any writers
the county and the
anything that
county writers
course
anything edifying
worth preserving
The reader
may flit from the stained lass conceits
Quarles
which

Minx, "

for

Lucy and Beatrice Mary Gould , and edited and
arranged , with
additions and a “ Biographical
Index , ” by Miss C . Fell Smith .
The method

,

Country . It is a study of a man of curious complex
nature - half -cynic , half - dreamer — who marries a
beautiful inexperienced girl , who thinks they are
going to live an ideal life .
Messrs . Sampson
Low &amp; Co . are the publishers
of an “ Anthology of Essex ,” collected by Isabel

Face ,” “ St . David of the Dust,” “ The Lady in
Grey , " and other novels .
“ The Bees ” is the title of a new book recently
issued by Messrs . Chapman
&amp; Hall .
It is by
Miss M . Ellen Thonger , and describes the nursery
adventures
of a bunch
of triplets , and belongs
to the same category of books as “ Helen ' s
Babies . "
Miss Mary L . Pendered ' s new novel , “ Daisy the

to

been

's

have

of

entertainments

Five Georges ” as new matter ,
for performance during the local festivities and
celebrations of the new reign .
Derek Vane 's new novel, “ The Soul of a Man , ”
running serially in The Throne and
is now
“ The

be

village

."

, with

of

and

reissued

,

school

Valley .”
“ As Flows the River " is the title of Mrs. Fred
Reynolds' new book , of which Messrs. Chapman &amp;
Hall are the publishers . The scene of the story is
laid amongst the Welsh mountains in the neighbour
by
hood of Llanbedr , a locality already utilised
Mrs . Reynolds in . “ The Man with the Wooden

”,

the Durand -Rueil Galleries , Paris , in
next.
Her Majesty the Queen has graciously accepted
a copy of “ Pageants and Plays ," by Miss Grace
Toplis , under which title the old favourites for

shown in
November

Messrs . Cassell &amp; Co . have included
in
their
autumn
list another story by Helen
H . Watson ,
author of “ Peggy , D . O . ”
The present story is
called “ Peggy, S. G .," and while the former book
dealt with Peggy the “ distinguished orthor," this
one has to do with her school career - hence the
title “ Peggy the School Girl."
Messrs. Cassell
will also publish , in the early spring of next year , a
new novel by Mrs . Watson , entitled “ The Open

,

the Brevet and handsome gold insignia of “ Officier
de
L 'Instruction Publique
et des Beaux -Arts ,
having been awarded him . Mr. Dewhurst has
spending the summer in France , where he
been
painting. His work will be
has been busily

The Queen has graciously been pleased to accept
copy of Mrs. Charlotte Cameron ' s new novel ,
“ A Passion in Morocco . "
Her Majesty has also
promised to accept a work of travel , entitled “ A
Woman ' s Winter in South America , " from Mrs .
Cameron , which is about to appear .

to

Mr. Wynford Dewhurst has received a second
mark of distinction from the French Government,

of

a

of

quote

the July number

in

a

the dedication
of the volume , which
seems to explain the title : “ I dedicate this book
to
those
who , with me, are gazing
in delight
towards where on the horizon there shall be dawn .
Henceforth , together , humble thongh fearless , we
must praise , worship , and obey the beautiful
Future , which alone we may call God . "

We

“ Ashes of Honor ," ended
the All Story Magazine .

,

person responsible
for the article , and has no
knowledge of the writer .
A new
collection of poems , entitled
“ Before
Dawn , " by Mr. Harold Monro , author of “ Judas , "
was published by Messrs. Constable &amp; Co . in July .

in

E.

not the

is

a

A.

of

the name

known that she

",

under
be

, unimaginative ,

esteemed

.

writes

stubborn , hard ; but
upright ,
by his world
as exceptionally
just and sagacious .
Edith C . Kenyon 's historical tale , “ Two Girls in
a Siege , " a Welsh story of the siege of Chepstow , is
now being issued by the Religious Tract Society in
sixpenny edition .
their
Miss Kenyon ' s serial ,
ambitious

a

Authors — who

Jacomb , desires it to

Dean Maitland , ” in the Isle of Wight .
The main
interest is the effect of strong spiritual emotion
suddenly awakened by a missioner preaching in his
own kitchen - on a prosperous middle -aged farmer ,

“

stories , and will recall to Mrs . Ellis ' readers her
Neighbours ."
book , “ My
Cornish
Messrs .
Stanley , Paul &amp; Co . are the publishers .
The Anti -Socialist League have republished and
circulated an article from a Socialist paper , over
the signature of “ A . E . Jacomb. " Miss A .
Jacomb -Hood — a member
of
the Society
of

�.R
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.

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as

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recently
Verse

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issued

Mr

.

and

by

has

,

Prose

"

edition

:

second

De Libris

of

.

Co
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by

.

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all

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to

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to

it

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&amp; be

Paul

Austin

Co
.

&amp;

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.

.

an

,

Dobson with illustations by Hugh Thomson and
Kate Greenaway
The new issue has
addi
tional chapter
Messrs Macmillan
are the
publishers
Mr Martin Secker announces the publication

of

.

,

and

of

song

Queen

,

The

Webb

this

the humour
the Renaissance
and adapted
the clear and sparkling
the grand siècle
He was closely
touch
with Boileau Racine and Molière and his story
remark
students
must therefore appeal
able period
French literary history
The volume
published immediately
will
Messrs Stanley
possessed

period
style

.

, in

.

K

Stanley

copy

.

.C
by.

,

W

by

published

H A
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",

.

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of

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to

in

is of

produced

Museum Street
was graciously accepted

He

.

a

in

of

la

chosen
Jean
Fontaine
biography
the subject
her latest volume
La Fontaine has unique place
French litera
ture
He stands between the old and the new

of

Frank Hamel has

.

-

and

he

-

of

of

to

.

“

the corsairs

.

the characteristics
descended

A

,

in

“

, of

bride

a

of

”

by

a

of

.

“

her lightly
The Buhl Cabinet
consists
cynical old French
number
letters collected
marquis
from women whose marriage
had proved
incompatibility
through
failure
tastes
temperament
Stories from Algiers are
subtle
study
day who retains many
the Algerine

“

on

,

“

.”

of

”

on

conventional

is to

in

's

of

to
a

In

of

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to

of

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by

and

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.

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by

,

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's

is

It

."
“

and his pretty

“

10
,

volume form

Irene Osgood
latest volume
Blood
and Other Stories
includes
Blood Moon
The Bubl Cabinet
and
Stories from Algiers
The titular story tells
devoted wife who
surprised her husband and his paramour discussing

Mrs

Moon

of

to

a

to

is

.

of

.

,

in

,

“

's

September
Vagabond

tells
their life
the New Forest
which
time
introduced the Genius the woman artist
his mate
The second edition
this book has
just appeared
Gallant Wales
the fifth song Miss
Everest
bas

&amp;

",

It

.

is

,

be

,

Sons published
Boggs new story

City
the author first novel since she won
the Daily Mail Prize Novel Competition
1907
Vaga
Richard
Carr
for
The Return
City
opens
bond
the honeymoon
the
vagabond

In

“

”

.

of by

on

“

of

"

a

,

Stanley

“

of

,

“

's

“

's

.

of

,

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in

to

by

”,

Co

&amp;

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P
.

G

Putnam

Miss Winifred

20

Messrs

Paul

“

,

.

de by

in

.

'

A

be at

immediately

them

a

-

.,

on

of

,

.

of

of

on

G

published

time Miss Wyllarde has decided

collection

number
hitherto unpublished poems
Wyllarde has entitled the book simply
Miss
Verses
The volume wbich has photogravure
frontispiece
also published
Messrs Stanley

is of

.

Co

.

,
"

«

a

Frederick Niven
volume short stories which
he has published through Mr Martin Secker
None
the stories has been published previously
all
them having been rejected
editors mainly
the ground that they would not appeal
the
public
The author has therefore put them before
the public
volume form
the hope that the
proved erroneous
editors view may
new novel
Harold Avery the author
Every Dog his Day
Week
the Sea
entitled

will
Paul

of

he

&amp;

of

”

“

of

.

.

to

&amp;

for

in

is

A

Association
the agricultural and
commercial
problems
sugar beet growing and beet sugar
manufacture
the writer
rural subjects who
guerre
uses the nom
Home Counties
has
been published from the Field office
extends
more than 400 pages and contains
hundred
illustrations
The aim
the author
discuss
impartial spirit
difficult subject
Above Your Heads
the title given by Mr

time

from

publish
adding

as

a

,

"

At

.

of

.

in

,

of

of as “

",

a

Archæological
work

of

A

. ; ,

, of
of

“

on

of

a

literary connection since the foundation
that
1889
Miss Edna Lyall book
Derrick
Vaughan and Mr Ditchfield
English Villages
were the two first books published
that house
He
also editing the Journal
the British
firm

was also accepted
the
Wales
new
humorous
novel entitled
Hodson
Voyage
from
the pen
Mr
Koebel
appears from
Stanley Paul
Messrs
Of
recent years Mr Koebel has been better known
taking up fiction
writer
books
travel but
again
has returned
his first love
Mr Koebel
has not however abandoned the writing
works
engaged
travel and
the present time
passing the proofs
new book dealing with up
country life
New Zealand which
has entitled
the Maoriland Bush
based
his own
personal experiences and observations and includes
intimate descriptions
the humours and tragedies
the fascinating country
the back blocks
response
desire expressed by many readers
Miss Doll Wyllarde
novels for the complete
poems from which she had quoted
her stories
copy

another
Prince

he

.

&amp;

Co

. ,

,

“

,

"

of

a

for

Messrs . Mills &amp; Boon . He has also written ,
History
private circulation
the Dawson
Family
Yorkshire
Berkshire and America
compiled from family papers letters and documents
being the publishers
Messrs George Allen
For the same firm
has long been engaged upon
large work
England
the Counties
review
their history and records
This will
appear this autumn
two volumes
the same
time his Memorials
Old Gloucestershire
will
appear
one
the volumes
the
Memorial
Series
which thirty volumes have been published
under his editorship
Mr Ditchfield has also
undertaken
write two more books for Messrs
Methuen
who have been his principal pub
many years and with whom he has had
lishers

by

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by

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on

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Paul Reboux and
René Blum have
therefore issued
manifesto from which we quote
few extracts
Our friends
not borrow our
pictures
our cushions and our knick knacks but
they
ask
our books
We have not the
courage
refuse
lend them and our volumes
disappear and
not return
our shelves
Every borrower may
considered
one buyer
less whilst every would
borrower
whom
we
buyer gained
refuse our books may
French writer commenting
this movement
says
Public libraries should
course
be
encouraged
those who cannot buy but well to
people who only read books bought
others
should be discouraged
One
the objects
fight against
help everyone
the League
sponging friends
the tyranny
A

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on

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In

Bathsheba

Miss Hilda

them

do
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In

,

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, ",

order
become possessed
the piece were Miss Eille Norwood
Dick and Mr Thomas Holding

league has been founded
France
entitled The League against the lending
books
One
the chief causes
the recent crisis
the
undoubtedly
book trade
the ease with which
people
obtain books
read without paying
for

NEW

of

,

by

,

", de

le

"

as at
“

the Imperial Theatre
Moscow which
known
théâtre
Molière Russe
Hope
The
Cecil Raleigh and Henry
Drury Lane Theatre
Hamilton was produced
last month
their latest sporting drama the
impecunious peer and
authors find their hero
the play takes
title from
horse which
representing the only chance
saving the peer
house from ruin
called
The Hope
the
caste are Mr Cyril Keightley Mr Lyston Lyle
Miss Fanny Brough and Miss Madge Fabian
Mr Hail Caine new play
The Quality
Mercy
was produced
the Theatre Royal Man
September 4th
chester
The play has for
intrigue similar
central theme
that recorded
Scripture
whereby King David disposed
in

-

.

”,

.

at

,
“

by

’s

in

Theatres
Madame Lydia Yavoiska
translated
into
Russian
Prince
Vladimir Bariatinsky and accepted for production
been

Uriah

PARIS NOTES

,

.

.

,

,

.

Kingsway

has

.

of .

25

,

,

on

,

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a

"

E

Temple
four acts
Wales
the Prince
July
The caste
includes Mr
Dennis Eadie Mr Holman
Clark
Miss Agnes
Thomas and Miss Daisy Markham
Mr John Pollock play Rosamond which was
produced
London last season
the Royalty and
at in

play
was produced

caste

Lyall

.

of

.

. .

,

.

,

.

Sally Bishop

Thurston
Theatre

were Mr Gerald
Maurier Mr
Miss
and
Maude
Millett
Miss
Swete
Henrietta Watson
was
Man and Superman
Mr Bernard Shaw
Septem
short run
the Criterion for
revived
ber
the caste were Miss Pauline Chase Mr
Robert Lorraine Mr Guy Standing Miss Florence
Haydon and Miss Agnes Thomas

the

28

,

is

in

a

is

- )

*

»

.

(
of in of

29

1805
and
the play
The period
the neighbourhood
Pomander Walk
comedy
which the
the centre
Chiswick
The
dramatist introduces many character studies
caste included Mr Cyril Maude Mr Norman
Forbes Miss Winifred Emery and Mr Frederick
Volpe

June

,

on

,

in

,

”

,

Pomander

at

.

's

N

comedy
Louis
Parker
three acts
Walk
was staged
the Playhouse

.

“

to

.

DRAMATIC

Mr

by

to

.

's

inst

12th

Mr. Henry Arthur Jones ' new
“ The Ogre ,"
play , was produced at the St. James' Theatre on
the 11th . “ The Ogre ” is the head of a house
hold , and is given this nickname by his wife and
children , who are in open rebellion against him .
The dramatist describes the method by which the
The caste
his household .
“ tamed ”
husband
E.
A.
Sir George Alexander , Mr.
included
Valentine, Miss Kate
Matthewe, Mr. Sydney
Cutler , and Miss Gladys Cooper .
Mr. Alfred Sutro ' s new comedy , " The Perplexed
Husband , ” was produced at Wyndham 's Theatre ,
The play opens with the return
on September 12 .
of a tea merchant from a visit to Russia , and the
first
shows the nature
the reception given
him
his wife
This lady has apparently
during her
Doll House
Ibsen
been reading
perplexed
husband
absence
and the husband
the best way
meet the situation which has
owing
arisen
the effect
the Norwegian
dramatist
the relations between the pair
,

on

.

.

&amp;

's

of

Michael Barrington 's new book dealing with
Grahame of Claverhouse , Viscount Dundee . In
this work -- the result of long study of the con flicting elements of Restoration and Revolution
politics — the author shows the intrigues of 1688
The book contains also a vivid
in a new light .
picture of the Highland campaign . New military
maps , an itinerary of the Highland campaign , and
a copious bibliography are added to the volume.
copies is
The ordinary edition of nine hundred
There is also an edition de
issued at £1 108 . net .
copies , numbered
fifty
to
luxe, strictly limited
The price of the copies
and signed by the author.
in this edition is £3 38 .
“ Nine English Consorts of Foreign Princes ” is
the title
Miss Ida Woodward
new book which
the
Methuen
Co are publishing
Messrs

to

10

�THE AUTHOR .

Salon
Carré
was thronged
with
visitors , and
certainly
never have any nails attracted more
attention than those upon which the favourite
picture had hung so many years . The doors of
the Museum and many of the rooms were guarded
by policemen , and very strict measures are being
taken in order to prevent the repetition of a similar
theft .

A great lover of books adds : “ I quite approve
this wise initiative , and I would add that, in order
not to be impolite , when it is a lady who wants to
borrow a book , a man has only to reply that . it
shall be sent to her the following day .' He can
then buy her a volume without giving up his own
copy .
Tactful people will soon take the hint , and
this will teach them the way to the book shops ." We
may add that the office of this new League is at
42 , Rue de Clichy , Paris , the annual subscription

In recent numbers of La Revue hebdomadaire
by Jean -Louis Vaudoyer “ Théophile
Gautier " ; by Péladan , on · La Joconde et le Saint
Jean , " and by Dr. Gustave Le Bon on “ L 'Evolution
are articles

three francs , and that each member receives a little
engraving on parchment to place on his bookshelf .
This little card is intended as a polite method of
explaining that books cannot be lent .

.

M

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volume
literary and
The
first question
whether
necessary
dramatic agents are essential
separate the two for their duties are the same yet
take
dramatists
The majority
different
the dramatic agent first would declare that
no doubt that
There
useless
dramatic agent
near
persevering
individual who lives
is

.

the

subject
possible

.

.

to

theft

AGENTS LITERARY
DRAMATIC

more than round the out
skirts
short paper and
state
few
without
the author
not always obvious
facts
many cases giving examples
reasons
write
fully
small
this subject would necessitate

so

of

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to

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the

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of

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HE

a

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to

be

to

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in

opening

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by

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31

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in

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to

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first day

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a

of

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of

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is

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to of

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in

of

-

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M

Monprofit
Boulevard des Italiens
Joconde from the
The disappearanee
necessary
institute
Louvre Museum has made
this celebrated picture gallery
various reforms
the

asquelle
Ville inconnue
Douceur
vivre
Calmann Lévy
Humour
Humoristes
Fischbacher
Italie contemporaine enquêtes sociales

AUTHORS

in

by ,

a

,

the
commemoration
astronomer
Astronomical Society
the French
Foundation
his
twenty five years ago and the publication
first book fifty years ago
The artist Zeitlin has been commissioned
presented
him
design the souvenir which
three hundred pounds have already been
Over
are received
subscribed and further subscriptions

On

“

“

de

,

“

,

a

of

of

a

l'

“

Contre
alcoolisme
the title
book
Joseph Reinach
which he shows the terrible
France
ravages made
alcoholism
Camille
English
work
the
admirers
his Jubilee
take part
Flammarion may like
presented
the
souvenir
Fête when

by

and
the

ALYS HALLARD

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,

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It

is

a

of

as

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H

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by

M An .

Noailles
extremely instructive book has been written
Joly
result
mission with
which the author was entrusted for the Académie
Italie
entitled
Morales
des Sciences
enquêtes sociales
The volume
contemporaine
great amount
reliable information
contains
Italy
life
about the social conditions

great

,

onet

is

.

of of

is

,

- a

a

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de s

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of

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In

"

et

by

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Mme

their

Abel Deval announces for his
adaptation
Mr Pickwick
theatre
The outdoor theatres have had
brilliant season
account
the exceptional summer
Camille
open
Sainte Croix has obtained permission
his Shakespeare Theatre
the
Cloud Woods
probable that
but
account
the delay
obtaining this
will now wait for next season

.

.

”

to

be

,
"

of

“

's

,

.

in A

of

In

de

,

Armstrong

is

It

is

open
The
theatres
are beginning
doors for the winter season
At the Comédie Française
Cher Maître
Le Goût
vice
have been given
Jimmy
mysterieux
Renaissance

on

,

in

of 's

of

”,

is

. , d'

'

d

La

“

of of

a

of

of

”
).

,

“ Sonia et ses amis ” (
Emile
une etrangère avec préface
by Paul Adam
Berr
Ville inconnue
one
the most remarkable
this author books
story
the French
Africa and
the influence
the climate and surroundings
certain
officers
very dramatic episode
the French army
the
arrival two officers
an aeroplane
Tinayre
Marcelle
new novel
La Douceur
many
vivre
the qualities
her
Maison
Péché are
found
Some
her descriptions
too are very fine
Humour
Humoristes
the title
clever
book
Paul Stapfer
this volume we find
Henry Fielding another
important
study
study
Jean Paul Frederick Richter
Anatole
portrait
France
work
and
well drawn

cahiers

by

latine du Socialisme . ”
In the Revue de Paris are “ Lettres de Danemark
Allemagne
Francois Coppée and
article
by Lieutenant Colonel Picard
Sedan
Maurice Muret writes
Antonio Fogazaro
son Oeuvre
and Barbe Doukhorskoy gives
chapter
Souvenirs

les

Among recent books are

petits

11

�as

.

so

an

or

of ;

of

is

,

is

It

is

,

to

's

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it

be

an

.

,

.

,

,

of

'

'

,

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is

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he

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,

to

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,

on

if

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an

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to

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in

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.

to

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goto

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it

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in

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to

to

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if

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to

at

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be

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to

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,

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of .

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he

to

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a

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to

he

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in
a

be

to

on

,

be

on

.

be

.

, .

to

.

is

if

In

.

in
a

of be

,

at

any
terminate the contract
time
he
dis
position
satisfied with the agent and must
moneys
obtain control
the collection

of

-

no

is

a

.

's

a

a

is

to

,

of

to

In

some

should
very often

success
one author
the detriment
another
handling
may
author whose work
The first point
the contract between the author
and the agent
Here again the agent must be
carefully watched
permitted
He must only
draw his agency charges
contracts actually com
any
pleted
him
He must not
allowed
agency fees
circumstances
claim
introduc
position
tions merely
The author must
by

be

,

as
a

to

be

of

.

an

is

as

.

,

Though
again

carefully watched
He
publisher
under the thumb
He not infre
principal himself and has the
quently
deals
pitting one
power
the very woeful power
against another
giving thereby
author
work

exceedingly

to

in

certain

be

,

it

is

.

is

.

is

To

he

.

in

an

to

is

another article

Next
the literary agent
authors his work
essential

as

,

, ,

.

's

is

is

it

,
to

cases and

agent
circumstances
essential
will
well
consider first the position
the agent and the
dramatist
The dramatist should
careful not
principal
deal with any agent who buys work
marketing his own work He should
careful
agent pure and simple and one
that the agent
quite independent
managers and syndi
who
cates
Next
the agent
remuneration
Sometimes the fees from
successful play reach
very high figure
such
case there
reason

or

dealt with

in

so

do or

,

,

a

is

it

If

agreed

a

is

an

,

is

to

of

authority
that
certain

some independent

is

-

of

at

is

of

to

or

to

.

to

market his

takes

,

. ,

of

he

,

a

on

,

and even enables
author
dramatist
own work who could not
other
even
those authors who employ
wise
Indeed
agents will find the society help essential
begin with
there
the contract with the agent
which
most serious and important matter and
very often
necessary that the
continue
work
the agent and the contracts
advises
the author
make should be carefully gone over by
own work

step

—

is
to a

to

of

he

To

.

is

useful
place their own literary
those who undertake
and dramatic work the Society
Authors
essen
tial because the knowledge
the disposal
the
society
contracts and prices which prevail
any dramatist
useful
author who markets his

This
where the Society of
use
No doubt however after
useful
made the agent can
collecting fees
After he has collected the full sum
expect for his work
placing the
entitled
play the agent might perhaps
allowed
small
percentage for collecting the subsequent fees
but
necessary
the author ought
all times
able
moneys himself
insist upon the collection
subject
the claim
the agent
his commission
any still unpaid and
be free
terminate the
agreement
case for any reason
dissatisfied
doing business
with the agent method
case the agent has broken any part
his contract
This
matter
the greatest importance
rising dramatists but space will not permit
necessary the subject must
into further details
every

Authors would
the contract

's

to

of

a

,
if

,

;

,

so

,

agent

full per
He will be

take

to

that the contract between the dramatist and the
good contract for the dramatist
but
many cases the agent
unfortunately
chief wish
get the contract off his hands and with this
give the author
end
view
sometimes inclined
bad advice
therefore
author employs
agent
cannot
too careful about watching

manager

,

.

a

.

;

of

own wares

,

can

be free

the contract lasts

any one play reach
paid
his fees
£500
These are hard statements
facts
indeed
already stated
the paper
full
these
quite possible that
statements
author
accept them without fuller
dramatist may refuse
evidence without some reason being forthcoming
stating nothing
The writer
which
not
fully cognisant and could
most cases from the
authors and dramatists points
view
show that
the deductions made are irrefutable
The agent
perhaps would traverse them
agent
Of course
should
business
see

is

,

on

.

to

.

a

is

,

do his

and has time market them
without the assistance
the agent
literary
however
loathes the business side
heavy output that
work has such
cannot spare
the time and hates the trouble then the literary
If, he

market

amply

he

,

to

be

-

to is

of

,

To

or ?

managers
influence
bear
the
agent may no doubt be useful
So far for the dramatic agent
The literary
agent comes next
There are many more reasons
why the author should employ
literary agent than
the dramatist
dramatic agent
The markets are
enormously wide
there are many rights
be
which
marketed
and there are many markets
ignorant but again
man
the author
sound man
business
and does not object

long

to

is

to

.

,

six of
,

,

be all

of

aid

It ,

.

a

or

to

or

,

up

by

of

no personal

an agent should

centage

if

is

a

by

by

;

by

.

to

,

is

exceedingly limited the competition
exceedingly
strong
place
The only way
dramatic piece
persisteni personal pressure
obtaining per
personal
sonal introductions and
the
things
influence wherever possible and above
keeping
good heart
easy
would
quote five
six cases
dramatists now well known
who had
wait for
seven
ten years before
they could get their work accepted
This process
forcing the strongholds
the managers
not
always pleasant but then how many roads
suc
living
cess are
dramatists who happen
abroad
some distance from London who can get

why

be

.

-

to

to as

is

is

own does not need one. In any case , the dramatic
necessary
agent not
dramatists as the lite
rary agent
the author
The dramatic market

his

THE AUTHOR .

12

�THE AUTHOR

his

.

is

an

. of , 's ,

at

be

to

,
a

,

in

of

.

.

, ,

to

to

to

asking
The agent therefore may
behalf
the publisher for
smaller rate
asking
pay
than
behalf
the author
The effect upon the author
rates cannot
such
circumstances
fail
disastrous
agent sometimes allows
Other rights which
rights
sign away are dramatic
author
To

,

. of

,

of

,

to

,

An is

he

an

to

.

it

six

price

on

in

's ,

of

,

of

a

It

of

.

in

to

a

himself as to the skill of the translator , and
competence for the work undertaken
agent who
An author who employs
also
employed
publisher may find that the agent
endeavouring
sell his work
different prices
keep the author
the publisher has no reason

's

a

If

.

(

.

in

),

be

,

It

gives the agent
great deal
place
trouble
work
America
takes longer and the agent
like all men
business
out
make money
quickly
agent ought
give
and
make
obtaining the American
good
months
attempts
market for
author before
obtain

effective veto over the translation of his work which
from satisfying
is made , and has prevented him

,

the

be

with

an

work

to

agent ' s

to

the

is

these examples

publisher is referred to only , and not the position
of the author working for himself . The agent
constantly tells the author that English books will
not sell in America , and that it is no use to try to
copyright .
This statement
obtain
American
again , is inaccurate . No market is better for the
author than the American market
book
touches the American market and all good literature
England
should
universal
for one copy sold
Again the agent
four would be sold
America
point
advises the author from his the agent
view
and not from the point
view
the author

by

all

a

trouble , but at one stroke has secured for himself
commission
on four books that are not written
books which might not even have been placed
through his agency in the ordinary course of affairs .
In one word , the agent benefits at the expense
of the author , and thus sares himself trouble rather
than advantages the best interests of the author.
The next point is the question of the United
States market .
It must be remembered that in

more for the book if he is allowed
this wider control. This statement proves utterly
false in practice .
The really serious matter is this ,
that it is not the publishers ' business to carry his .
labours beyond the publication of the work
in
book form ; that he cannot , therefore , have the
same power to market these minor rights that the
agent has , and , in consequence , is bound sometimes
himself to place these rights in the hands of an
agent , sometimes in the hands of the same agent
who made the contract which gave them to the
publisher .
It is exceedingly dangerous for an
author to employ an agent who is also acting as
agent for the sale of works or rights controlled by
a publisher .
Moreover, in allowing the publisher
to have translation rights in his control , the agent
exercising
any
has prevented the author from
can do so much

he of

to them is enormous ;
there is one clear fact , and that is , that if the
agent can make one contract serve for four books
he has not only saved himself a good deal of

and the danger of yielding

but

,

if

them , sometimes as high a fee as 50
per cent . of whatever
sum the rights realise .
Thus the author has to pay 50 per cent . to the
publisher , and then another 10 per cent . of what .
remains to the agent .
The position is , on the face
of it, absurd . Why does the agent do it ? Because
it saves him trouble ; and he tempts the author
with the words of the publisher , who asserts that he

handling

to

better for the author if he has control of
all his future work ; that the publisher cannot
advertise one book to the same extent as he could
he has the promise of three others ; that it takes
away from the author an immense amount of worry
if he knows that his contracts for the next four
All these statements are false ,
books are clear .
so much

.up

.

The first point relates to the practice of binding
the author to the publisher for future books . It
has been a growing custom of agents to pass
contracts of this kind , and the agent puts forward
the usual temptation which the publisher
has
whispered into his ear , that the publisher will do

as is

them

with an American house .
There is one further point in regard to markets
in which the agent is very strongly to blame , and
that is , in allowing the publisher to handle all the
minor rights . These are serial rights , translation
rights , Continental rights , etc . Not only does he
allow the publisher to handle these rights , which
it is his business as agent to handle , but he
allows the publisher to charge the author for

on

This naturally leads one to consider some of the
contracts which agents do advise authors to sign
with publishers - contracts which cannot be con sidered fair to the authors , though they may save
the agent a great deal of trouble . And this ,
apparently , is his only reason
for recommending

13

the British market . If then he has failed he
should still not give up trying , but should attempt
at the same time to market the work in England .
What happens now is, that as a rule , acting on the
agent 's advice , the author lets the American rights
go to the English
publisher who sells sheets to
America , and this , from the financial point of view
proves a better bargain
for the English publisher
than to allow the agent to place the American rights

an

order to do so he must forbid the agent , in any
circumstances , to put in the contract with the
publisher a clause giving him , the agent , the right
to collect the moneys under the contract and to
give a receipt in full discharge , a constant and
most reprehensible practice .

.

�THE AUTHOR .

or

to

at

so

,

.

of

be

,

.

do

.

,

;

if

a

of

,

an

so

.

to

of

.

'

to

,

a

he

he

,

's

.

to

on

By

.

of

of

he

,

to

a

D

of

to

to

, is

is

of ,

it

is

by

.

to

of

he

,

's

on

to

an

.

in on

,

,

is

“

to

,

is

of

is

,

.”

to

2,

term
mis statement
week before made radical

,

.

-

a

,

mildest

only

a

,

is

to

use the

has perhaps
,

He

to

to

,

making

,

in

, ,

In

.

”

no

into his

by

in

“

of

to

alterations
the knowledge
the secretary
one
his
unalterable
contracts
fact the
practice
one house grew quite notorious the
proprietor benefiting
forcing unfortunate authors

The authors
doubt had
other writers
renown publish
ing with the same house and naturally drew the
deduction from the publisher
statement that these
authors were publishing under
similar agreement
Another phrase frequently
the mouths
publishers
These agreements have been settled
King
Counsel and approved
the Publishers

,

of

,

curious that such

a

is

It

Association

'

by

“

is
,

in

of .

a

's

,

of

.

contracts

seen the names

."

,

,

to

.

as

as

. 's

as

some

happen
this house never varies
As bound
society with
this kind
000 members cases
are constantly brought
the secretary who
able
once
show
the author that the publisher

of

of

a

a

he

if

,

he

,

if

objecting

author

very stiff clauses
his agreement not infrequently
my printed agreement from which
says
This

's

.

.

,

to

,

an

,

If, is

, .
for

to

the author
publisher

A

, by
in

,

,

an be

to

be

't

,

in

he

a

to

;

in

;

.

,

to

:

,

,

as

as

,

up

,

of

of

to

be

.

in

;

in

.

,

an

to

If To

to

able without restriction
collect
royalties
agreement with
when criticising
publisher he pointed out that the clause he proposed
inserting dealing with his own position was
bad
gave the reasons
clause
the author and
clear and concise then the author would have no
complain
signed the agreement
reason
But
the agent never draws the author attention
the
clause and never gives the reasons
Never employ
principal
agent who deals
agent
well

ments

:

,

are

often strangely neglected
There are not merely first serial rights
rights
but second serial rights
the colonies
America
and
the provincial papers
Indeed
any real value ought
the real literary agent
and
communication
have
enormous field
knowledge and
possible
ubiquitous
far
preferably don
agent
sum
use
employ one
very careful
you are bound
your contract with him
Never give him too wide
control never give him uncontrovertible authority
any circumstances allow
collect moneys never
your publishing agreement
him
insert
clause

denied that
had made this wrongful use
the
society
name and was only brought
conviction
being confronted with his own handwriting
publishing
There
another method employed
houses which
while
not damaging
the
reputation
equally with the one
the society
injurious
already mentioned
the business settle

in
a

to

at

to

both

.

to

commission

years ago the society was forced
complain because
publisher had
more
than one occasion submitted
authors
agreement which
form
stated had received
the approval
the society
this means
signature which
certainly
obtained the author
would not have obtained had the agreement been
referred
the secretary
When
the society remonstrated the publisher

at

on

,

he

,

it

in

If

he

,

an

he

,

if

pay

COME

by

a

.
an

to

go

.

's

's

of

.”

to

it

“

),

if

an

in
a

,
I

ask

If

.

have

Serial rights

a

an

is

.

is

as

an
him

(

In

to to

be

,

. -

will

agents

an

PUBLISHERS METHODS

,

,

an

is

. ,

to

It

editor and
he desires stories from certain
mentioning names perhaps not even
authors
gets
his books
offer
will try
draw
the author into his hands and even
times from
drawing
another agent
does not succeed
may mean that
the author away from the agent

by which

by

to

an

a

of

of

to

on

a

as

as

.

,

to

an

It

.

,

may act the author who
rejected does not have
agent naïvely remarked
fair run
addition
large income but
author who brought
determined
cut down his charges
such
offer came
me
should naturally give
the
author who paid the highest agency fees
This
may
point
business from the agent
view
exceedingly dangerous from the author
Or
again the agent may sometimes
round

agents

't

as

's

to

be

It '
s

.

in as

few

a

frequently happens that
not
agent for
editor will write
serial story
certain length
The agent sitting
his judgment
seat will act
the proud arbiter
which
his
very
clients shall have the order
This position
dangerous for however straightforwardly the agent

the author

,

an

to

is

,

is

is .

position
This then
the agent
between
may
author and publisher
worth while
position with
make
remarks
the agent
the editor

he an

as

try

to

is

.

he

as

;

to to to

coin money

and never employ an agent who also acts for a
publisher . Be careful that the agent is permitted
only to collect moneys on contracts made by him
during the continuance
the agency
Never allow
the agent
have
indefinite contract
that
may
moneys
some future date
able
claim
contract that you yourself have made
some
other agent has made for you merely because he has
Finally against
introduced you
the principal
thickly round
all these difficulties which cluster
the employment
the agent
author may guard
becoming
himself
member
the society
employ
agent but
you
Don
watch him
to

such assignment would seem so absurd that
it would hardly be worth while to mention it were
it not the fact that such cases have occurred .
Naturally , the publisher will
get
many
rights
merely
legitimate
can
That
business
but that the agent should allow
author
concede these rights
criminal for he
there
protect the author and not
assist the publisher

allow

on
a

14

statement

�THE AUTHOR .

to

on

to

.

if

's by

of

fee

up

.

of

of

4

3

is

It

.

.

50

,

is

,

be

of

be

.

of

as

to

to

at

to

.

it

as

.

is

is

,
or

,

of .

,

he
,

on

to

no

,

.

,

a

,

a

is

a of
a
to

in

—

is

it

,

6

.

of

an

in

on

5

-

be

in

as

is

so

.

's

pleasant
run
to

,

a

no

is
,

.

an on

It

of

,

it

,

is

,

of

. it
of

' ,

as

a

of

is

,

a

in

doubt

enables the publisher
other people money

unsatisfactory clause although
great number
publishers agreements
saving
Publishers
assert that arbitration
money
This
not usually the case
the arbitra

Clause
appears

is

, ,

)

or

of

to

of

to

to as

be

few comments
detail the faults

his business

is

of

of

or

be

to

be

,

pass

explain

eighteen months
arrangement which
in
7
a

.

to

up

,

.

on

If

or

,

.7
-

it

well

to

to

by

,

in of

be

,

to 6
.
-

and

if

,

or

to

be

be

5

.
of -

be

to

(

,

may

these clauses

difficulty
matter
draft clauses
position and the same house has
meet such
occasion altered its unalterable agreement giving
the author this essential control
nothing further need be said save
On clause
royalty
that
no circumstances
the basis
publisher
remuneration should
author allow
the owner
the copyright
only necessary
point out
clause
January
that
the book were published
not
an unfavourable month for book publication
the
author would
out
his money for over twelve
months
This
indeed
not
bad
some
agreement where
posssible for the
forms
author
be kept out
his money for nearly

.
to of

,

of if

,

.

to

so

to

,

of

of

or

,

.

in

,

on

Perhaps

date from time
time
the
the disposal
the writers develops
only one person who should have control
There
over these alterations
That person
the author
Under the clause
stands he would be bound
have the book revised by another hand
revise
the publisher demanded such revision
even
though
the writer might deem
the process
wholly unnecessary

.

of

.

of

or

of

In

4
.
-

ofin an

to

up

to

to

,

to

, 3
.
to —

to

.

of

,

per

,

or

,

,

of

of

,

in
for

of In

of

Clause
the event
the publisher realising profits
rights
rights
production
from the sale
translation
plates
from claims
serial rights
other countries
copyright fifty
infringement
cent
the net
amount
such profits remaining
after deducting all
expenses relating thereto
Clause
The author agrees
revise the first and
necessary
edit and revise every subsequent edition
supply any new matter
the work and from time
time
keep the work
that may be needful
date
Clause
the event
the author neglecting
revise
edition after due notice shall have been given
him
by reason
do
the author being unable
the event
revising and preparing
death
otherwise the expense
each such future edition for press shall
borne
the
author and shall
deducted from the royalties payable
him
During the continuance
Clause
this agreement the
copyright
the work shall
vested
the publisher who
may
registered as the proprietor thereof accordingly
Clause
The publisher
shall make
the account
annually
December 31st and deliver the same
the
pay
author within two months thereafter and
the balance
due
the author
March 31st
any difference shall arise between the
Clause
publisher
touching
author and the
the meaning
this
agreement
the rights
liabilities
the parties there
under the same shall
referred
the arbitration
two
persons one
named by each party
their umpire
accordance with the provisions
the Arbitration
Act
1889

brought

knowledge

to

or

of

of

,

,

.

2 of
.
-

,

of

of

.

, of

in

of

-

1
.

- of

Clause
The publisher shall during the legal term
producing and pub
copyright have the exclusive right
lishing the work
the English language throughout the
world
The publisher shall have the entire control
the
publication and sale and terms
the sale
the book and
neither the author nor the publisher shall during the con
tinuance
this agreement without the consent
the other
publish any abridgment extract translation
dramatised
version
the work

the author and
contracts made without consul
equally
tation with the author
absurd
absurd that for mere agency business the publisher
per cent
should
allowed
Clauses
and
the
are both dangerous from the standpoint
writer
technical books
The great majority
technical books dealing with modern science require

Asbe

is

It

to

.

to

of

.

,

view

's

,

The

.

of

point

if

agreements
from
the author
only
were extremely bad
print some
necessary
the clauses
show
how bad they were
character

It

.

on

.

to

a certain
The agree
The books
technical

from

-

agreements

two

to

one week

of
a

In

publisher were offered
authors
very similar lines
ments were
be published were important books

further limitations , limitations to a certain
number of editions or to certain
countries . If
such a licence had been granted , then the publisher
might have been , under clause 2 , allowed an agency
for the sale
the rights mentioned
under
contracts signed and approved
the anthor
through
introduction
the publisher
obtained
That the publisher
should
have the exclusive
place these rights without reference
licence
even

to

instructions of his client ; and if the client is the
Publishers ' Association , the agreements will be
settled wholly in favour of the publishers .
This ,
indeed , was the case .
The members of the society
are referred to “ Forms of Agreement issued by the
Publishers ' Association , with Comments , ” published
from
the society ' s offices. In this pamphlet the
whole question is fully dealt with .
It is necessary , as these incidents recur , that
they should be recorded , and as the secretary
of the society has recently received further evidence ,
the following facts are laid before the members .

inherent in them .
Then the publisher ' s reply to
the author's remonstrance can be discussed .
The first clause practically
transfers
to the
publisher the copyright , and this position is further
confirmed by clause 5 .
As under clauses 1 and 5
the publisher holds the copyright it was , perhaps ,
unnecessary for him to insert clause 2. It cannot
be too often repeated in these columns that the
publishers should have a licence to produce the
work in book form only at a fixed price only in
the English language .
The clause might receive

to

should not repel rather than compel .
The author ,
however , does not always grasp the fact that a King 's
Counsel will settle an agreement according to the

15

�THE AUTHOR .

16

tor 's fees have to be paid
has also been claimed
way
settling disputes
some and unsatisfactory

,

as well as the other costs .
that it is an expeditious
Generally
cumber
The only real advantage
the publisher
that
which
that publicity

The Still
depicted -

The Greatest Fire

.”
to

an

of

,

an

of

.

,

,

of

a

in

of

,

a

in
a

a

be

,

of

it

he

a

of . , of ,

he

.

to

CONTENTS

.

.

BOOKMAN
By Walter Jerrold
Barry
By
William

.

“

's

." .

and

,

be

still authors may

.

,

be

,

is

position
untenable
but
probably will
deceived

Harriet Beecher Stowe
Napoleon
Fournier

Dr
.

's

.

an

,

to

.

,
if

.

is

of

a

,

to

,

to

to

thought
portion

MAGAZINE

a

,

it

.

.

to

,

might
held that
play
cinematograph
exhibition
where there was payment was within
Upon the facts
this case however
the statute
opinion that the defendants did not
was
place
represent the piece
dramatic
entertainment
HAROLD HARDY
Sone day
copying

.

it

.”

to

all

,

A

in 's

a

-

to

is

of

“

of

to

to

to

,

to

,

of

:

a

the

contracts from this very house been brought
the
society been criticised
and altered
suit the
author requirements and
make such
state
ment
the face
this fact
not only unfair
the author but
serious matter for the reputation
the house
Besides
the agreement had given
satisfaction
all parties there surely would be no
The publisher
for
arbitration clause
need
of

a

in

by

.

.

,

in

no

of

which we quote

letter from

agreement
The form
one which we always
give
and which experience has proved
satisfaction
concerned
would be
statement
more extraordinary
imagine
impossible
Over and over again have
lise

on

a

in

it

no

be

of

,

to

,

,

ment received
following extract

,

a

it

,

. of

to

to

to

view

at

—

by
all

Alarm

On

's

of

is

by

.

a

to

as

of

an

“

ever

-

is

so he

it

is

is

's

. .

of

—

—

Scenes
our offices
Evidence was given
witness
who bad
pur
attended the performance
with
view
chasing the films and
gained
and this
was contended
behalf
infringe
the plaintiff that there had been
shuns by arbitration
warning
necessary
ment
their dramatic rights
the fire scenes
other authors
Some
the clauses might have been passed
the play
yield gracefully some
was virged that there could
for the defendants
author who wished
copyright protection
advantage
the publisher
but the majority
mere scene and
cinematograph was not
that the representation
author should
the clauses quoted are such that
anyan infringement of dramatic rights
enter into any contract
allow them
publisher
circumstances between himself and the
Mr Justice Channell said that
was not neces
sary
exclusive
decide whether the plaintiff had
the secretary the author wrote
On the advice
portion
drawing the attention
the play
the right
the representation
the publisher
against anyone who might
exhibit the films
his astonish
difficulties above mentioned and

It

By

.

of

Expression

.

A

:

.

Book MONTHLY
Literary
New Mode
Wanted
Adam Gowans Whyte

.

.

. .
G
.

.

E

.

)

.

.

, .

.

L

.

By

.

Renascence

K

.

Celtic

.

Arthur Hill

J.

Agnostic Spiritualist

By

NATIONAL
an

of

an

The Creed

the

.
)
06 0

,

F
.

addressed

J.

All letters respectingAdvertisements should
BELMONT
Paternoster Square, London

per cent for
to

,
E be
.C

of

a

,

110

per inch

per centmade for Series Sixand
TwelveInsertions.

Co
.,
29
,

£4

0 0
0 0

.. ..
. .
..
.

..
.

of
of of a
a a

PER CENT
.. .
. .
3

OF THE SOCIETY

.. .
. .
0O0
6 7 15

MEMBERS

20

TO

(

of
20

in of

.

an

,

,

:

Reduction

&amp;

.

“

an ”

In

of

in

it

,

a

'

.

in

”

at in

ALLOWANCE

Front Page
Other Pages
Page
Half
Page
Quarter
Eighth
Page
Single Column Advertisements

of
25

“

SCALE FOR ADVERTISEMENTS

,

a

,

connected with
dramatic piece entitled
The
Still Alarm
which had been originally performed
England
the United States and subsequently
the Princess
Theatre
1904 the plaintiff
produced
new version with two
fire
scenes
respect
added and
was
these scenes that
injunction was asked for
The defendants who are manufacturers
cine
matograph
films issued
advertisement
the
following terms

.

of

to

(

of

FORTNIGHTLY
Some Aspects
Moutgomery

.

of

to

to

of

of

,

as
a

an

of

",

to

as

,

ENGLISH REVIEW
Wagner
Apel
Letters
his Schoolfellow
Words Thomas Hardy By Vernon Lee
The Handling

.

to

,

of

to

“
a

be of in

this case
the meaning
seems
dramatic entertainment
likely
appeal
the subject
stay
execution was granted and the Judge appears
have given special importance
the question
payment
injunction
The plaintiff claimed damages and
restrain
the representation
certain
scenes
decision
place

S
.
C

.

COMPANY

of

POLYSCOPE

.

.

SELIG

.

THE

v

.

Literary Genius

GLENVILLE

CONTEMPORARY
By Count
Japan
de Soissons
By
De Montmorency

J.

The Pictorial Art

of

PERFORMANCES

.

CINEMATOGRAPH

�THE AUTHOR .
HOW

TO

USE

obtained . But the transaction
should be managed by a
competent agent, or with the advice of the Secretary
of
the Society ,

THE SOCIETY .

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher, or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member . Moreover , where counsel ' s
,
opinion is favourable and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
N

VERY

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
3. Before signing any agreement whatever ,
the document to the Society for examination .

send

4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .
5. The Committee
have arranged for the reception of
members ' agreements and their preservation
in a fire .
proof safe. The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe .
The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
(3) To enforce
( 2) To keep agreements .
payments due according to agreements . Fuller particu .
lars of the Society ' s work can be obtained
in the

Prospectus .

6. No contract should be entered into with a literary
agent withont the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
consideration
the contracts with publishers submitted to
them by literary agents , and are recommended to submit
them for interpretation
and explanation
to the Secretary
of the Society .
7. Many agents neglect to stamp agreements .
This
must be done within fourteen days of first execution . The
Secretary will undertake it on behalf of members .
8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; 80
do some publishers . Members can make their own
deductions and act accordingly .
9. The subscription to the Society
annum , or £10 108. for life membership

.

is

£1

18.

are a few standing rules to be observed in an
agreement . There are four methods of dealing
with literary property

This is sometimes satisfactory

:

,

if a proper

IY .
The
(1.)
( 2.)
( 3.)

price can

Agreement .

A Commission

:

main points are
Be careful to obtain a fair cost of production
Keep control of the advertisements .
Keep control of the sale price of the book .

be

,

General.

All other formsof agreement are combinations of the four
above mentioned .
Such combinations are generally disastrous to the author .
Never sign any agreement without competent advice from
the Secretary of the Society .
Stamp all agreements with the Inland Revenue stamp .
A void agreements by letter if possible .
The main points which the Society has always demanded
from the outset are
(1. ) That both sides shall know what an agreement
means .
( 2.) The inspection of those account books which belong
to the author . We are advised that this is a right , in the
nature of a common law right , which cannot be denied or
withheld .

:

(3. ) Always avoid a transfer

WARNINGS

TO

of copyright .

DRAMATIC

AUTHORS .

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com
petent legal authority .
2. It is well to be extremely careful in negotiating
for
the production of a play with any one except an established
manager .
3. There are three forms of dramatic contract for plays
in three or more acts
(a.) Sale outright of the performing right . This
is unsatisfactory .
An author who enters into
such a contract should stipulate in the contract
for production of the piece by a certain date
and for proper publication
of his name on the
play - bills .

EVER

:

UTERE

it Outright .

III . The Royalty System ,
This is perhaps , with certain limitations , the best form
of agreement . It is above all things necessary to know
what the proposed royalty means to both sides . It is now
possible
approximately the
for an author to ascertain
truth . From time to time very important figures connected
with royalties are published in The Author .

N

TO THE PRODUCERS
OF BOOKS.

1. Selling

II

. A Profit - Sharing Agreement (a bad form of
agreement ).
In this case the following rules should be attended to :
( 1. ) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation ,
( 2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments . Therefore keep control of the advertisements .
(3 .) Not to allow a special charge for “ office expenses , "
unless the same allowance is made to the author.
(4.) Not to give up American , Colonial, or Continental
rights .
rights .
(5.) Not to give up serial or translation
(6.) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or
doctor !

per

WARNINGS

H

17

�THE AUTHOR .

STAMPING

or

Society

this

. be

a .

is

,

of

it

,

of

. .

,

,

.

is

as of
a

one guinea

.

fee

is

,

the

.

to

REMITTANCES

.

of

to

of
by

by

be

,

be

or

,

give potice
the Society hegs
post
are acknowledged
return
All remittances should
crossed Univn
London and
Chancery
registered
Smiths
Bank
Lane
sent
letter only

.

.

the same
charged for

The Secretary
that all remittances

of

.

be

filed subject
play will

to

of

to

.

.

6d

23
.

of

a be

at
a

Plays may also
with the exception that
per act
the price
,

at

at

be

in

of

.

of

Original

rules

's

to

.

.

assist

in

greatly

BRANCH

its work by informing young writers
existence
Their MSS
can
read and
composition
treated
treated by
coach
The term
only
MSS includes not
works
fiction
but poetry
possible
and dramatic works and when
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The

or
a

a

byof

to

,

of in

typewritten
duplicate
foolscap paper
the offices
forwarded
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared
the Secretary
tant One copy will be stamped and returned
the author
register
Society
Copies
and the other filed
the
the
may
any time by
the scenario thus filed
obtained
typing
the author only
small charge
cover cost

.

in

is

EMBERS will

,

.

, on

QCENARIOS

6d

of

'

THE READING
branch

REGISTRATION OF SCENARIOS AND
ORIGINAL PLAYS

MUSIC .

The Society undertakes to stamp copies of music on
per 100
part
behalf of
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

M

11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

can be added to the warnings given for the
assistance of producers
of books and
dramatic
authors .
It must , however , be pointed out that , as
,
publisher
&amp; rule the musical
demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
he warnings stated above .

ITTLE

T
L

of

.

MUSICAL COMPOSERS .

TO

its

the beginning

WARNINGS

its

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract ,
He should therefore guard himself all the more carefully in

authors should seek the advice of the
Society before putting plays into
the hands of
agents .
As the law stands at present , an agent
play
may
acquire
who has once had a
in his hands
a
perpetual claim to a percentage on the author ' s fees
placing
plays
from it. As far as the
of
is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations
with
different
individuals , and also for the collection
of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights . In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the

.

7. Authors should remember that performing rights in a
play are distinct from literary copyright. A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
consideration ,
should
be carefully
for collaboration
9. Agreements

AGENTS .

AND

RAMATIC

,

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time . This is most important .
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legal distinction
is of great importance .

AUTHORS

,

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .

DRAMATIC

of

( 6.) Sale of performing right or of a licence to
perform
on the basis
of percentages on
vary between
Percentages
gross receipts .
5
An author should obtain a
and 15 per cent.
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
right or of a licence to
(c. ) Sale of performing
perform
on the basis of royalties (i .e., fixed
nightly
fees) . This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (6. ) apply
also in this case.

.

18

�THE AUTHOR .
GENERAL NOTES .

NETT

.

so

in

to

its

so

as

be it

, it

do

,

of

a

of

,

at

,

as

be

a

of

.

of

to

in

,

in

of

.

.

2s
.

8d

"

“

.

to

If

.

in

a

is

of ”

,

of

be

be
,

of

on

be to

be

It

on 5s
.

.

on
a

.

3s
.

2d

58
.

a

.

.

58

"

“

at

“

of
of

—

It

,

so

is

on

.

,

,

,

of

,

,

un

;

in

in

be

a

to a

he

in

, If

an

.

”

a
“

to

”

a
“

.

-

of

to

the author

COPYRIGHT

LAW

.
in

to

is

.

be

as

,

a

It

.

,

20

on

Copyright Law came into
The new Russian
force
March
1911
marks
consider
able advance upon the previous legislation
but
might
far from being such
wished
Copy
The following particulars are interesting
right
accorded
all books published
is

It

RUSSIAN

.

THE NEW

is

.

to

is
a

it

be

It

.

to

to

as

of

is

.

subject
nett published price without
getting some quid pro quo
the publisher wants
make such
alteration
should make
corresponding
increase
the royalty payable

is

is

to

of

up

and bestirred
themselves
not for
remedy the evil
advise them
how
part
their own business
find the cause
and the remedy
But
clear fact that unless
something
done speedily and with judgment the
Colonial market will
lost both for English books
and magazines

.

that the books

outright but apart from anything

,

,

.

It

,

no

,

.
in

It

,
-

is

so

to

.

,

it

an

to ,

,

on

to

of

to

of

a to as

in

of

,

.
to

,

of

of

,

.

to

glad
we shall
their account though
little sorry for the earlier writers
may even

this

the series are being purchased
this particular
case which may possibly render our comment
necessary we would add for the general
informa
tion
writers
that they should never
when
making their agreements
permit any alteration

sular Report that the American
magazines are
also pushing the English
magazines
out
the
market
owing
This
doubt again
some
fault
the English distribution
really time
that publishers
editors and magazine proprietors
is us
a
to

be

-

is

,

at

,

on
a

it

,

;

it to

THE COLONIAL MARKETS
complained
from
time
time
the
poor sales
English
books
authors
the
Colonies and have pointed out that this
appa
rently
due
the supineness
the English
publisher and
the activity
the American book
agent
The latter
one occasion went
far
induce
Australian bookseller
allow him
may be taken for
decorate his window
and
certainty that he did not decorate the window with
English books
We now regret
see from
the American
Con

We have

woke

on

,

;

of

,

.

its

to

or

in

,

of

a

,

its

without interest
While we
not for one moment
question the justification
price
the alteration
suggest that the author should share
we
the
increased returns which will accrue
the pub
consequence
lisher
the change
forty
As the alteration extends over
series
books that increase cannot
dismissed as insignifi
subject
cant Whereas
5s
book the returns
the publisher would probably average about
per copy
the
nett book they would come
something like
per copy
out
will
clear from this that
fair royalty
book
might
subject
issued
rather poor
one
may
issued
nett
course that part
production
the increased cost
due
demand for better terms
the part
the writers
produced
the books yet
the series

,

.

its

of

its

of

;

confusing

tation
we notice that over forty volumes
far
have been issued
the lower price and
seems
us that
consideration
the matter
affects the payment
the writers may not

do

to

as

of a

so

it

an

,

be

supplement
issued
The
that members
the Society may have
opportunity
studying
terms
During
passage through
the Commons the
opposition
Bill met with considerable amount
wholly unexpected quarters
from
indeed
from
many whom one might have thought would have
actively supported
principles
Apart from various details there are two main
points which will make the passing
the Bill the
greatest benefit
authors
the first that
will
join
enable Great Britain
the Berlin Conven
tion
the second that
will bring into uniformity
copyright which
present
the law
scattered
through
twenty
more
different
enactments
making
highly complicated and
interpretation

,

will

at

it

,

of

House of Commons .
One or two small amend
ments , however , may be necessary .
The Bill was ordered to be printed on the 18th of
August
becomes
the present year and when

increase in the cost of production of the series, the
publishers had found it necessary to change the price
of the volumes from 58 . “ subject to discount,” to 5s.
nett . As it is conceivable that some may retort that
this alteration in price is a matter entirely between
the publisher and the bookselling trade , we think
it desirable , in the interest of authors , to point out
importance
the writers employed
the manu
We do
with the less hesi
facture of the series

to

to say more about the matter until the Bill has
become law , but there does not appear to be any
vital reason why the Bill should meet with any
violent opposition , and be altered to any large
extent from the form in which it emerged from the

.

congratulate
We
the Government
on
having carried the Copyright Bill through the
It would be inadvisable
House of Commons .

Books .

DISCOUNT

AND

recently
LOOKING
down the literary column
of a contemporary , we noticed an interesting
announcement respecting a popular series inaugu
publishing
rated by a well-known
house .
The
announcement was to the effect that, owing to an

to

THE COPYRIGHT BILL .
may

law
Author

19

�THE AUTHOR .

.

it to so

a

"

“

to

,

no

. it

in

of

,

its

in

,

of

to “

on

at

is

it

.

to

“

', .

of

's

,

on

a

.

.

in

at

,

COMPULSORY

an

1847
Act was
under the short title
the Colonial Copyright Act 1847
more
frequently known however
the Foreign
passed

,

,

as

,

,

Reprints Act

to

passing

:

.,

5
&amp;
6

of

,

in

the

By section
the Act
Vict
which
Act covered all the Colonies the importation into
of

a

,

.

The circumstances that led
this Act were
follows
17 as

of

,

a

Thurston joined the Society
her greatest success that which

up

.

.
L
.

B

.

M

LICENCE

.

UNDER

of

1

.

.

THURSTON

Mrs
of

REPRINTS ACT AGAIN

.

of

By

TN

Katherine Cecil Thurston
the Society
loyal member and
Authors loses
firm

.

,

an

a

on a

,

an

ofof

it

in

-

at

to to

,

be

,

"
a

of

,
a

if

.

a

it

.

us

to

an

of

-

THE LATE MRS

1

in

on

.
to

of

FOREIGN

ROYALTIES

friend
the full flush

,

a

.

a

of

to

of

so

As

“

.

a a

be

THE

,

ARTISTIC

The International Literary and Artistic Asso
sequence
consequence
announce that
epidemic
must
Rome reports
be without foundation
be admitted which appear
have taken place this
the congress which was
postponed and held
Rome
autumn will
the Easter week
1912

TN

is

,

.

of

,

of

.

to

,
so

.

to

a

,

”

,

AND

ASSOCIATION
ciation ask
reports

,

a

,

is

it

I

It

LITERARY

INTERNATIONAL

or

of

to

,

,

it

, to

an

back
for Mrs Thurstou did not begin
write
England
till she came
and
record
that
throughout girlhood spent entirely
home she
publication
never wrote
line with
view
may
doubted
even
her closest friends
knew much
Mrs Thurston
methods
work
however
curious fact that
The Circle
book which was much
her first long novel and
by the critics though
praised and commented
gave no promise of the immense success of its
short story
immediate successor was founded
early imaginative effort
which was
which

,

on

an

to

is

be

to

to

in

,

.

,

of

to

to

.
G
.

.

,

is

ineligible

knew was that which her readers liked the least
refer
The Fly
theWheel
close and
way
very powerful study
phase
Irish country
interesting
town society
This story was
throw

It

.
are

,

or

in

a

a

,
.

.

a

is

.

a

is

he

of

,

in

,

or

of

is

or
, ,
if

;

to

fact

is

,

an

-

in

of

,
.

COMMITTEE

that The Author does not
appear
August
September we
only now
Lady
position
the election
chronicle
Ritchie and Mr
Bernard Shaw
the Academic
Committee
join the Com
Lady Ritchie
the first lady
congratulated
mittee which may
election
sure
which
meet with general approval and
put
may also serve
the discontent felt
end
had been
and expressed
some quarters where
assumed quite erroneously that the women were
in

to

of

.

of

as as

of

ACADEMIC

the

.

of

of

.

of
to

as as

of

THE

Owing

discuss herself and her work which
Even
often typical
the literary temperament
her books and
her intimates she seldom spoke
stranger
would certainly have been possible for
have been acquainted with her for considerable
And yet
time without discovering that she wrote
great
clear that her work must have meant
The Circle
her stories from
deal her Each
showed marks
conscientious care and
onward
she once told the present writer that when engaged
absorbed her
new book she found that
everything
the exclusion
else
This
doubt
the Irish home she
work
was why she preferred
loved
well than when living her ordinary life
London
often happens the one
her
novels which most closely reflected the life she
desire

foreign author

three months imprisonment

,

in

of

.

of

a

of

,

In

of

These translations enjoy the full
copyright but the translator cannot forbid
term
Except
stipula
other translations
the case
the contrary
author who has sold the
tions
copyright
his work may publish another edition
print
any case
the work
out
soon
tive years have elapsed since the date
soon
preparing
complete
the first edition
his works three years after that date
edition
punished with
minimum
Piratical publication

followed the publication
of “ John Chilcot , M . P .,"
and she very early showed herself one of those
writers — it is pleasant to think there are many
such — who take a generous interest in the work of
those less fortunate and less successful than them
selves
singularly
agreeable
Mrs Thurston possessed
and gentle personality
Her dark glowing beauty
was
the type one associates with Irishwomen
She
and her voice was low and exquisitely clear
the very natural
the exuberance
had none

. .

is

a

,

.

If

for

Russia , independently of the nationality of the
copyright is for
author .
The
duration
of
any restrictions ).
life and fifty years ( without
Transformations
of novels into dramas , and vice
versâ , without the author 's consent are forbidden .
five
The exclusive right of translation exists
years only
translation
made within that
copyright
limit the translation has
ten years
the case
simultaneous publication
several
languages all the works enjoy equally the full term
copyright
all foreign
Russian translations
the
works may be published without the consent

on

20

�THE AUTHOR .

,

,

,

an

for

,

.

of

,

a

a

and

.

,

on

to

a

.

'

,

so

,

to

,

of

in

to

I

in

of

am

to

's

, to

of

of

by

am

,
I

,

CHAMBERS
281h July 1911
SIR
directed
the Lords Commissioners
His
your letter
acknowledge the receipt
Majesty Treasury
payment made
you
the 18th instant respecting
copyright
account
the Colonies
reply
express their Lordships
regret that
every case the
has not been found possible
trace
respect
far
which payment was madle but
books
they have been able
discover them the details are as

follows

,

.

.

of

) )

Unknown
Unknown

The Christian

Eternal City
Prodigal Son
Eternal City
Prodigal Son

1903
1906
1908

8

The Christian
10

,

to

The Christian

1897
1898
1900
1901
1904
1905

( (

,
Jamaica

to

to

transmit
the House

of

I

to

a

of am

of

these payments
further explanation
the Order
Return
the enclosed copy

of

are

In

copyright

.

a

,

,

,

.”

a

of

to

is

of

and owners

Foreign
the Act has proved complete failure
copyright works have been largely introduced

of

Duty Collected

:

is

it

authors

it

of ,
in

sat

as

,

far

British

Bermuda

,

.

in

at

to

it

,

in

So

concerned
reprints

Work

in

,

to

of

the standpoint

Title

Copy

inoperative

the author
the papers and figures were given
show
how
operation
ineffective
was
impossible
The reference
these figures
quote
find
the moment but
sufficient
from
the Report
the Royal Copyright Com
mission
which
1878
from

Date and Place
of Entry

delusion
this Act
was pointed out

to

“

These

of

The Law

measures were next
and the whole thing little better than
From
time
time the absurdity
"

so

,

“

the author

of

right

of

the words

be

collection

the different Colonies
that the
might
carried out properly
but
of

authorities

.

to

to

of

.

,

so

,

all

,

of

paid

TREASURY

in

.

A

of

's

to

to
a

of

.

to

to

,

,

a

adopted the Actin fact
the important Colonies
with the exception
Australia
did
Under
English books were bound
the Act the publishers
catalogues
forward
the Custom
House

percentage

Colonies involved
and the
copy
the Act
with

:

-

,

in as

of

be

, by

of

be

paid
royalty
the author
This really
grant
amounted
other words
the right
buy the author
sell and the right
books under
large number
compulsory licence
Colonies

is in abeyance .
The absurdity of the whole situation has again
become prominent, and has been brought to the
notice of The Author by Mr. Hall Caine , who
recently
received a payment of 8s . 10d . as an
amount due to him for royalties collected under
this Act .
explanation
and
Mr. Hall Caine wrote
received from the Treasury the following reply
setting out the
statement printed below
with

Act

of

is

,

,

in

to

,

,

,

in

,

by

in

The complaint was partly , no doubt , genuine ,
but to a great extent , especially as far as Canada
was concerned , was put forward as a political move .
The author has always been the slave of the
public , and as such is liable to be robbed of his
property , first by one constriction
and limitation
and then by another ; so in this case , with a show of
justice the Foreign Reprints Act which
still
many Colonies was passed enabling the
force
suspend the prohibi
Crown
Order
Council
tion against importation into the English Colonies
of English copyright works under certain conditions
one
the conditions being that certain Customs
duties should
collected
the Government
the Colony adopting the Act which duties should

In

circulating libraries , which did not exist .

It will be seen from this quotation that if the
Canada is left out, there is
from
contribution
nothing from the other colonies , and
practically
eren the sum received from Canada is absurdly small ,
taking into consideration the number and popularity
The Act is still in force in most
of the authors .
of the Colonies ; but as Capada refused to collect
the duties some twelve or thirteen years ago , as far
as that Colony is concerned the Foreign Reprints

it

Colonies complained that they were unable to get
English books .
Canada was the chief complainant , as she saw
the United States with their piratical trade flooded
English
to
works which she was unable
with
obtain ; but the complaint was strong also in the
other Colonies , because those who did read wanted
to buy books , as they could not borrow them from

into the colonies , and notably American reprints into the
of Canadla ; but no return , or returns of an
Dominion
absurdly small amount , have been made to the authors and
owners .
It appears from official reports that during the
ten years ending in 1876, the amount received from the
whole of the nineteen colonies which bave taken advantage
of the Act was only £1, 155 133. 2 d., of which £1,084 13s. 2 d .
was received
from Canada ; and that of these colonies
seven paid nothing whatever to the authors , while six now
and then paid small sums amounting to a few shillings .

as

the Colonies of books unlawfully printed was for bidden , without
the consent of the copyright
owner. Ar
Owing to three causes , firstly , the rapacity of the
pirates , who had no authors' royalties to pay
there was no United States Copyright Act in those
days , and International copyright was difficult and
involved ; secondly , owing to the lack of enter
prise in the Colonial book trade ; and thirdly , owing
publishers , the
to the supineness of the English

21

�THE AUTHOR .
:

.,
in

's

to

to of

be

to

,

be

11

&amp;

10

of

of

.

at

is

-

it

.

,

to

—

.

in

of

of

in

a

, of

in

,

,

is

It

.

in

of

to

,

,

a

.

as

of

's

.

in

is
a

,

in

in

to

is

;

in

,

be .

to

to

of

,

be

on

's

an

It

of ,

be

as

a

in

a

in

in

.

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,

of

it

,

in

so

in

to

as

.

all

,

,

to

's

to

on

the

-

a

to

made clear

Even with
the protection which the Board
rights
guard
Trade may invent
the author
will
almost impossible
follow the number
placed
different reproductions
the market
be

.
or

48

to

on

be

on

.

.

a

of

be

us

of

to

to

,
it

in

It

.

“

15

on

88

,

to

,

,

of

is

in

to it
a
to

in of

,

Mír

may

ni

,

as

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of

in

,

to

To

.
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,

us

,

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on

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it

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,

In

.

the society that

is

of

,

a

of

, to

,

of ,

,

of

to

of

,

of

of

to

to to

•

to

July 29th
this letter
Caine replied
He stated that he had forwarded all the papers

the other by the author but
Government and
the royalties that
much the collection
not
makes the compulsory licence impossible but the
compulsory
fact that the licence
What has
proved such
distinct misfortune
the past
slightly different circumstances will most prob
ably prove
distinct misfortune
the future and
may
that the author will obtain
little
his
true and just returns under the clauses
the Bill
present under discussion
he was able
who
under the Foreign Reprints Act

it

-g

time
such works
receiving the duties imposed transmits
The Colony
them
the Treasury and that Department
distributes
specified
them
the respective copyright holders
the
Customs list
Until 1881 was the practice
the Treasury
distribute
thesc sums however small but
that year
was decided
they
retain small sums until
accumulated
minimum
of £1 reduced
1903
108.
view however
the numerous small amounts due
the various copyright holders and
the time winich had
elapsed since these sums were collected
was decided this
year
pay over sums amounting
the aggregate
over

at
at

,

of

Good Hope
and
these Colonies becoming

of it of

on

,

in
be

Cape

.

to

Canada
effective

The Ordinance
the Colony fixes the amount
the
protection and the title
this protection depends upon
registration
the work the name
the holder and the
period
the copyright with the Commissioners
Customs
list supplemented from
the Colonial ports
who issue

to

the unfortunate author who was
freely
true that the
consequence
robbed
the
compulsory licences
which there are two
present Bill refer
Great Britain and Ireland
only but
possible that they may cover
good
many
But this fact gives
well
the Colonies
little hope that the compulsory licence will be
point
less dangerous from the author
view than
the past
was
All who have studied the Copyright Bill know that
compulsory licence twenty five years after
there
compulsory and
the author
death
and there
the unfortunate composers
unlimited licence
reproduced by
who care
allow their works
mechanical instruments
argued that the two
course
will
the
that
the least parallel
stances are not
be collected by the
one case the royalty
it

.

Grenada

The Ordinances
Natal ceased
self overning

time

the benefit

is

,

.

,

Vincent

Trinidad

obvious that the Governments
the
Colonies were hopelessly incapable
carrying out the Act
satisfactory manner for
was

separate

it

is by ,

,

,
as

-

:.

.

and

.

.

St

Good Hope and

. .

Natal

,

St
.
. St

.

of .

Canada
Cape

copyright properu
property
necessary however
with this idea
and
length Mr Hall
that we have set out
before
the com
consider the application
Caine case
pulsory licence
the present copyright legislation
is

in
in

,
or

or
in

in

by

.
.

British Guiana

the passing

obtained from

the new Copyright Law will be that this absurd
repealed
Ordinance
Victoria will
along with numerous other Statutes dealing with

's

to

an

as

,

so

Newfoundland
Lucia
Christopher
Nevis

collected
very
sinister

of

, of

.

.
c
.
95 in
)
to

in

.

11

( to
10
&amp;

be

of

beor

,

, .

Mauritius

10d

casts

One satisfaction

co

,

, to

of

36
),

of

of

an

,

,

to

to

.

Jamaica

nine books
light
the
licensing clauses
the Government new Copyright
Bill showing that the receipts
the descendants
authors during the years
free licensing
will
hardly sufficient
probably
pay their washing
bills
years

eleven

Itn

42

. of
.c

40

, (
of 39

of
in of

in

in

Antigua
Bahamas
Barbados
Bermuda

at

I

to

amounting

COLONIES

.

THE

It

IN

COPYRIGHT

Under Section
the Customs Laws Consolidation Act
copyright
foreign reprints
1876
and
Vict
works
which notice has been given
the Commissioners
Customs that the copyright subsists are prohibited from
being imported into the United Kingdom
Section 152
the same Act also prohibits importation
reprints
such works into the British Possessions abroad
but adds that this does not prevent Her Majesty from
exercising certain
powers vested
her under the Act
the colonies
amending the law relating
the protection
suspend
British Copyright Works
Vict
certain cases such prohibition
These powers were that should the Legislative Authorities
any British possession
disposed
make provision for
for
protecting the rights
that Possession
British authors
such
for that purpose
Act
Ordinance
and pass
Ordinance should
submitted
for approval
Her
Majesty and provided that reasonable protection
thus
secured
the British author
Order
Council should
long
the Ordinance remained
be issued declaring that
force the prohibition against importing selling letting
possessing such
out
hire exposing for sale
hire
regards
foreign reprints
that
should be suspended
Colony
the following Colonies
Authorities
The Legislative
duly passed the necessary protective Ordinances which have
been confirmed
Orders
Council

,

its

working and ended
comments on the Act and
his letter with the following words
afraid the statement you are good enough
per cent
send me representing
duties
“

.

T
.
L
.

HEATH

general body of British Authors what the small
payments represent . ”
He passed some drastic

am

,

Commons , dated the 25th of August , 1857, and of a memo randum prepared in this Department , which my Lords
trust will be of use to you .
I am , Sir ,
Your obedient Servant

�THE AUTHOR .

to

at “

of

, ,

,

in

of

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a

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in

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us

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on

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on
a an a a

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, six
-s

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so

on

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of ,

by

or

of

,

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to

is

a

few

system

of

thriving

years has

finance

which

on

to of to

in

”

-

is

.

“

a

is

.

on

in
a

to

's

a

all
,

course

the

built many palatial

offices

then

,

Why

it,

,

in
it

,

living

with

is

in

if

,

"

of

with the majority

,

in

as

,

“

,

to

be

of

.

well

,

it

,

,

to

.

of

,

.

from

book that takes much time and infinite pains are
your
publisher
object
while
use the
year and
same working capital thrice
earn
buoyant profit
each
turnover
You
are
godsend
your
stricken
but your work
publisher
You know the kuock out
small
ready
go
editions while your publisher
a

,
to

of

a

,

to

no

,

at

of

,

to

far

fares very

outlay
about £30
not more than
The author gets about
much under
good
agreement
and upon that he cannot
live during five
six months
work
his needs
publishing
citizen are opposed
the finance
Royalties
The opposition too
fundamental
£115

of

in

a

?

,

in

.

,

to

obedience
the belief that British homes are alms
houses filled with paupers
And newspapers
too
are trading with the property
dead authors
ring
the hope that they may
able
the
ordinary publishers
Meantime you will note

profit

.

,
of

-

of

of

a

of

in

I

If

.

'

?

connexion
the book market
where classic authors beg pleadingly for pence and
danger
ha pence
the classics are not now
our own work what else are they
One trader
dead copyrights saved
fortune
royalties
pay he knew
£500 000
He had
which classics had the greatest vogue and
was
large
easy
boom
them
into the market
reprints and
wheedling prices till the
little
copyright books seemed not only high
retail cost
by comparison but wrongful also Many publishers
do the same thing now and each tries
undercut
cheapness
the dwindling
standard

of

so

an

he

.

in

,

to

.

by

of

this

after a week without anything to eat . Oh ! In
the battle
the books
the war
the classic
against their humble successors
dead
knock
outs
are not
the the least enjoyable
least
those
who know how they act and how they
lapse with
are financed
allow copyrights
out paying royalities
the State
not only
giving
subsidise
the simple great ones gone
them unfair advantages
market competition
besides that
which
bad enough
endows
publishers with
fruitful capital
vast property
excellent books freed from royalities and from
the need
much advertising
and
this penalises
the daily efforts made by ourselves
living with royalties
author
earn
good and the
little editions the royalties must
price rationally high
else
will starve even
profitable interest
when his publisher banks
capital
trifle
not
all bad trade when
hilling novel
publisher prints and sells
edition
thousand copies gaining thereby

If

,

.

is

,

be

it

a

of

in

with skill
hand
think
with the frenzied competition

copy is greater than that in the large
classics ; and yet these reprints
royalities , while to -day ' s own
are exempt from
books cannot be , as authors somehow fail to live
without food and shelter , though many have had
experience in the school of long hunger . I can
recall a time when stale dry bread was delicious
the cost per

reprints of popular

a

to

,

,

old

a

of

in

a

may
awed into imitation and unfreedom
great things
accumulated riches
Goethe counted himself lucky that
inherited
array
weak German literature believing that
classic authors equal
the English would have
cooled his own ardour and hindered that growth
character which comes from thinking freely and
acting independently
And who has not observed
Italy how the deification
the old masters has
enfeebled modern art among
race
men wonder
fully equipped
nature with quick perception and
and

by

And another point is this , that when new copy
right books appear at a reasonable price they are
published more often than not in little editions , so

a

CRUSADER .

as

BY

THEN a type of society becomes ordered and
V
intricate , it retains a great deal of work
from
the past and produces many new
things in a traditional manner ; then market
rivalries between old products and modern efforts
bring in their train many evils of their own . To
speak figuratively , the young harvests have to
grow in fields already occupied by corn which time
has left unreaped and unharmed . Yet they are
expected not only to strike root under the shadow ing protection of the
push
corn
but
their
way upwards
without being stifled
till they
ripen
the sunshine
free air
Children are
lifelong competition with their parents
spared
but the generations are not for they inherit much
living genius that the present
ever the past also

a

WORDS ON EXPIRED
COPYRIGHTS .

FEW

A

Already there are copyright novels at
sevenpence the copy , not reprints , but first editions ,
yet not two writers in a hundred can hope to earn
bread by royalties on that price , being in constant
competition both with lending libraries and with
reprints of Dickens, of Scott , of Thackeray , and of
many other perennialists . Besides , however low
prices may be , the public is soon tired of their
repetition
and begins to think that they are
expensive .

writers .

a

when any pirate who cares to may begin manu
facturing with little or no fear of detection , and
with still less fear of conviction .

23

that the

State

favours

the

�THE AUTHOR .

for

.

a

of

;

of

a

to

all

.

it

be

-

,

at

us
a all

-

"

-

“

to

in

.

of

,

to

in

up

,

no

.

,

is

'
of to .s in

a

in

,

,

,

;

,

So

.

.

a

;

a

to

as

is

to

an

of

,

a

as

on

a

of

?

, of

to
a

,

be

a

of

,

it

is

a

of

!

as

?

.

it

;

as

to

is is

in

he

,

is

,

-

in

,

of

copy
his work everywhere
Yet this great Englishman
and
copyright
their generous

no

many others had

of at it

by

is

in to

.

of

in it
?

,

it

to

valued
and each
Chaucer himself

.

.
a

in

.

on

a

by

since

,

to

fewof

a

to

of

is

,

,

of

?

her laws

all

,

in

no

is

by

-

-

short lived copyrights granted

by.

of

to

to

to

a

's

a

Why does she not enrich her
her self interest
Exchequer
charging
royalty
her classics
buy the
And why does she not forbid publishers

he

a

.

's

in
a

of

of

is
a

of

.

of

point
And there
another
vital interest
Since Great Britain
from
the first claims every
authoi property allowing him only the use
years why
for
small term
she not logical

family neither lessens the land nor makes
barren
Mother Earth and true genins are equally stable
property
and equally bountiful
the distinction
between them
that genius merits the greater
protection since the permanent worlds built
belong for
time
the rare workers who are
once new and antique and the contemporaries
example
all the ages
For
Chaucer
more
day than
marketable
far
was
his own
time
lives
all countries where poetry

,

,

to

up

the requests
other nations
the extension
protection
the period
life and fifty years and
the domain
blessed compromise
this certainly
right
grant
illogic
For the State has
many forms
perpetuity
ownership
property
very
and
limited ownership
others
Logic and justice demand that all property
civilised nation should enjoy under the law the
same protection and the same privileges

,

. in

to

,

to

is

It

fructiſying value
nation
life and trade Lord
Alversione hopes that Great Britain will support

'

.

in
a

in

to

,

1,

on

,

a

to

principle
the following
that the property
copyright and literary work belongs
the author
pleasant
note that Lord Alverstone gladly
admits that books and copyrights are property
and that this property belongs
those who call
them
into literary presence and give them

of s

,
to

thoughts

produce

took
from those cloistral
books were manuscripts and
few
copies circulated among the religious
mainly
nunneries and monasteries
then Shakespeare
they belonged
own works were never his own
England from the first
farthing
and not
royalty has yet been claimed by the Exchequer
from the publishers and theatre managers who have
property
traded with Shakesperian
How com
pletely different
this from the legal protection
granted from age
family
age
such
the
Cecils whose landed estates have passed from heir
heir gathering
increase
value from the
progress
nation
Could anyone break through
hedge
legal
theirs without incurring
risk
punishment
And why
that land which
nature provides
mother for the nursing
all
living creatures should
property
handed
family than are any
more real and more native
imagination
fruitful works
Had Shakespeare
England would have lost inestim
died
child
great
able
riches
whereas the extinction
a

a

of

be

to

,

?

English

expect

fitted

ages when

as

in

If

of

,

,

.

He would

girdle around the world each generation
The Lord Chief Justice
November
1909
expressed
the hope that Great Britain and her
Colonies would do all
their power
draw the
civilised nations together
common accession
new

that the printing press

,

of

in

an

.

,

of

or

cheap

put

He could not
diminutive flurried

seas

all things

invaluable
this connection
think
the difference between Shakespeare and the great
Elizabethan landowners
The dramatist from the
inheriting the laisser faire
copyright
first had

for

,

to

be

it
,

to

.

the
petty

national ownership
wealth

;

of

of

if

a

,

,

si

which she has gemmed
like anything meagre

right while
koock out the author cannot
landowners and other property holders can bequeath
and entail their estates without any regard
for that poverty born ideal which sets before
To

of

.

,

do

.

it if if

support
very few votes would
given
their
present
tyranny
over the new breadwinners
overwhelming
literature
Milton would lead
opposition
seconded by the rich common
Shakespeare
sense of Latimer and
Johnson
would he not say
oke aſter many invitations
England ought ever
that the mind
repetitions
piece with the many
herself with

is not to her advantage nor to that of authors
that rich tradesmen should be able to force the
weak hand of poverty ? Many publishers bunger
for copyrights , and needy authors become the
victims of that appetite , being unsupported by their
self-made legatee , the State .
These anomalies , too , are in keeping with many
others .
It is said , for instance , that properties of
authorship are such inestimable gifts to mankind
that the State is justified in claiming them
her
people
This sounds like principle
Socialism
applies
property
the many forms
having more than
temporary and personal value

It

Why hand
to the injury of authors ?
over to him all expired copyrights in order that he
may issue them in reprints so cheap that they dis credit the rational value of new productions ?
It
can no longer be said with any semblance of truth
that the people need such cheap reprints , for the
poorest of the poor can well afford to read borrowed
books in these days of free libraries. Besides , the
first duty of a State is to cherish within each gene ration the hopeful courage that acts well , and the
higher aspirations that quicken and enlarge the
singing birds
mind
You cannot have aviaries
you
honey
not feed them nor hives full
you smother the bees
And we may depend upon
into the House
that
we could suininon
parliament
Commons
the simple great ones
Tennyson and Browning
gone from Chaucer
of

publisher

to

24

�THE AUTHOR

it

,

an

of

."

“

.

no

of

by

,

is

so

to

in

of

.

—

of

.

.

an

it

In

of

a

. , .

in

it

:

to

at aof

.

its

,

of

be
“

by

of

to

of

at

, ." of

of

.

to

it

a

of

to

.

of

in

—

-

to

a

its to

to

;

a

by

he

to

.

,

to

.

,

no

,

A

on

as

,

's

its

,

or

.

of

,

.

.

,

.

be of

to

,

a

.

it

.

a

in

or

,

9

us

of

—

,

as of

of

,

to

,

,

in

,

.

in

,

a

-

,

of

of

encouragement

an

;

,

in

as
a

to

a

,

to

,

,

,

to

,

as

a

as

potential profits than
budding talent
the main
deal with authors
favourites
with the reading

eye rather upon

publishers desire
already established
public
Speculative risk must beyond dispute play
part
the launching
unfamiliar names upon
the book market
the quality
their wares apart
Although then such
have suffered
the

a

a

,

“

or

of

.

a

on

",

in

,

.
an

philanthropic

in

in

in as

to

,

of

as

1

If

portraiture
Casting

to

fact that the sorrows

poignant
the full
the present
ever they were
the past no
writer
eminence has testified with greater force
than the late George Gissing whose novel
The
every man
New Grub Street
woman who com
templates embarking
literary career should
study closely and ponder deeply
the experience
the present writer whose
first attempts
that direction were taken twenty
five years ago may be accepted
corroboration
the
masterpiece
book should stand
faithful

Grub Street are

to

of

o

T

the plain unvarnished

is

do

by

in

"

.

of

as
a

to

it

it

.

A

FREELANCE

.

's

an

”

a

,

at

-

in

In

“

"

.

to an
a

in

.

of

,

.

,

a be

as

,

'

, -

to s

,

in an

to

-

a

a

to

to

as

,

,
or
,
if

a

, ,

of

by

in

as

to

a

to

at

we

up
,

To

be

as

old

of

SORROWS OF

in

The following
incident may serve
illustrate
Having completed
this point
short story during
the month
March 1893 the writer submitted
respectable weekly which
the following July
present purposes we will call
The Flagstone
During
interval
was promptly returned
four years the manuscript thenceforward
fulfilled
destiny
rolling stone gathering
moss
Then the writer impelled
one
those curious
impulses
which errant human nature
liable
presented
for the second time
the journal
previously
which had dealt with
uncere
monious fashion
The sands
the year 1897 rau
out
did those
1898
and the story neither
came back nor appeared
The year 1899 repeated
the process
its predecessors Respectful enquiries
elicited curtnotes
evasive tendency Eventually
affairs were brought
climax
After
interview
with the editor early
1900
the story made
his subscribers
belated bow
June
that
year
was paid for
For four years
had been
post
tossed about from pillar
for three
had
languished
sort
backwater without either
rhyme
reason
account for
fate
manuscript
Nor was this the only instance
receiving the honour
acceptation
the hands
one whom
had
first proved
unsuitable
Editorial antics
this kind are preferable
however
those sometimes performed
men
not only unbusinesslike but also unscrupulous
not
stronger term
use
their dealings with
obscure wielders
the pen
Take the case
booklet
twelve chapters posted
certain social
weekly
with
view
serial publication
on
Neglect
September
1891
the precaution
register the parcel may have been responsible for
complete disappearance
not but the simple fact
quitting the author
remains that upon
hands
though
the MS vanished into space
con
juring trick
lawyer
whose services were
requisitioned
the quest attached
blame
the
postal authorities
Though lost
the author
believed the labour expended upon his MS would
as

,
of

to

of

.

be

's

:

between the
and the new
fact the
would enter for all time into the people
endowed
infinitely fairer
education
This would
each
passing generation
harassed writers
books
who bid
the public fancy for their livelihood
sum
hare seen that copyrights should
protected
the least for life and fifty years and
that those which survive that period should
published with all other classics by the State
part
the national education
left free
all
speculators
royalty
should pay
fixed
the
Exchequer partly that the nation may benefit
setting
whole
time limit
author owner
ship
his own work and partly
order
check
possible the wrongful advantages now
far
given
publishers and newspapers
their pitting
books against the new
then

It for in

old

in no

be

old

.

of as

,

be

"

living authors would
outs
that now
harm
pass away because the classics would
welcomed
apart from trade speculations and the enrichment
competition
tradesmen
There would

rejection at their hands ,may or may .
view
that : “ Barabbas
comprehend their
can
disinclination
as business men to purchase goods
manufactured by untried makers .
The case against cditors is no whit more cheerful .
periodicals
which only first class matter
glance
serted
author signature will suffice
Popnlar
journals may and
here and there
copy
use
sent
outside contributors
but
they commonly make this concession
such
irregular and seemingly unaccountable manner that
the freelance who relies upon them
source
income will speedily perceive his conditiou
desperate

not endorse Lord Byron 's
was a - publisher ,” still we

its

-

“

”

to “

do ,

-

to

at

,

If

the State had her own printing works and
non copyright books
the public
their
rings
pet cost per copy many
knock
and
issued

25

of chronic

pangs

,

.

-

of of

by

all

property , and even now there is not the sinallest
chance that full justice will be done to authors and
artists, because no political party can win votes by
asking the public to sanction fair copyright laws .
Indeed , the man in the street is quite indignant
that anthors should want to bequeath to their
copies
families the right to demand royalties on
their work issued
tradesmen for the purpose
money getting

.

�It would be
spirit
cultivate
like altruistic
survey with equanimity the loss
story
order
monthly magazine
similarly
dealt with

:

—

22

a

!

,

by

—

-

be

!

,

as

us

,

16 in

for

' ,

of

as

of

he

of

, as

in

,

, ,

of

”

,

,

to

of

to

of

.

I

”,

contributors
he wrote
The
“

of

.

“

.

are

many struggling but talented

With some
the complaints
periodicals
entirely sympathise

as
a

,

a

a

by

to

,

an

,

“

on

helping hand
beginners

lent

.

?

Read

brain and pen alone
career treated
such
Nobody wants him
Every

of

,

.

-

no

of

-

so

!

.

him

in

November
Chambers
Journal and later
the Cornhill Magazine
occupied
elevated position
the world
letters
although
and
not infallible
his rejection
undoubtedly
John Inglesant
would show
editor

of

a

,

,

in

to

he

.

.

be

an

.

to

of

W

.

,

COPYRIGHT

LAW

of

.

of

a

,

be

to

,

on
a

to

.

is
in
a

,

"

.

”,

is

It

"

.'

is

to

,

is

at

in

be

,

in

,

as it
to a is

, ,
of

is
a

It

.

of

in

.

of

,

at ,

,

de
- -

,

of

,

,

by

,
so

of

In

.

a

in

.

,

of

to

known
facturing

to of

-

.

its

by

to

off

,

,

is

no

,

.

.

he

,

a

to

“

.

In

of

of

,

he

by

due season
with the pen
the same port and
another argosy
twenty
For period
another and yet another
this enterprise
three years he persevered
spatching cargoes
this that and the other kind
deeming them likely
suit their market until

right
well
the maxim that might
publishers
that the American manu
the behest and
clause was inserted
the Typographical Union which
insistence
the
the strongest labour union
well known
Its primary inclusion and sub
United States
Copyright Act
sequent retention
the American
were distinctly against the expressed wishes
good thing
course
American publishers
for American printers and paper makers and
either trade
those engaged
looked upon
protection much better
very beneficent mode
of

.

's
in

to to

by toilers

the

of

,

.

R

president

or

-

,

of

of

,

a

.

WISE

Macmillan Company

to

“

of

.

at

as

be

at

FRANK

Canada has given
the Press
statement correcting some
misconceptions already made and putting forward
afraid have escaped the
some points which
his
number
the Hon Mr Fisher and
notice
put
doubt while wishing
associates who
dignified basis would
Canadian copyright
bring hardship and pecuniary loss
the last ones
their publishers
Canadian authors
either
The manufacturing
clause
the present
good example
says Mr Wise
American Bill

I

it

be

M

a

“

.

,

to a

in

to

"

",

a

CANADIAN

,

31
,

)

as

,

PROPOSED

etc

of

SMITA

.

of

HERBERT

personal experience
the people
entire accord with the above
his early
one
forwarded
the year 1884
attempts
them under the belief its nature was
His con
meet their requirements
kind
return
swift
fidence was rudely shaken
paper
accompanied
that familiar slip
dreaded

them

(

”

of

is

so

,

as

Shareholders
this for them

accepted
marked
the offices and verify

The writer
implied are

he sent

as

.

,

“

uplift

.

to

let

us

"

“

selves

.”

of

is

,

no

.

of

back
nor handed back
peep into this mystery
MSS
Now
returning
Long years after
the sender unreal
The Sorrows
Satan
from which
novel our
quotation
borrowed
was first published
August
recently
well
1907
precise
known journal dealing with the affairs
extensive publishing business made the subjoined
Will
strictures upon its management
credited
asked the investigator
that manu
scripts submitted
for consideration
the firm
huge volume and
were solemnly entered
solemnly returned
their senders often
then
pages
this
Scores
without being looked
single
turned over without finding
volume may
contribution
should call

its

in

you say

,

all
,

his

so

,

exaggeration

be

;

derided
unread

him

.”

back

.

to

His efforts

,

tion and conrtesy
the editorial ranks since such
men
and Thackeray and Dickens ceased

.

solid truth
We have seen how MSS
simply kept indefinitely and neither
flung

be

may

News

London

This gentleman

there can
smoke without fire
can be no exaggeration where there
no

-

there
nucleus

Illustrated

1895

on

the

length
time their manuscripts are retained and
rejected the smallness
after
the remuneration
payment are genuine grounds
and the delay
grievance
And there has been
marked
deterioration as regards honesty taste discrimina

as

But

live

by

to

-

of

or

.

Lest these animadversions
should
taken
prejudiced
any degree overstated let
refer
commentary made
the late James Payn

to

,

up

on

's

to a

of

of

,

is

at

"

Whoever seeks
the beginning
sort
social pariah
body despises
manuscripts are flung
Wild words gross

on

of

,

to

no

-

,

in

the air
Were these tribulations exceptional
before answering the question

,

-

It

on

, .

,

it

of

bursting

up

of

on

a

of

a

by

18

October
1900
could have been used advan
tageously later
but the custodian
whose tender
mercies
had been committed denied cognisance
duplicate
the little stranger
and there was
By these and kindred devices fully one half
the
manuscripts despatched
their doleful journeys
from the beginning onwards have
the present
astray
moment gone hopelessly and irretrievably
fifty per cent
man merchandise proving
many soap bubbles
greater value
him than

a

,

in

a

to

to

least forty had been shipped
and
refused
the
precision somewhat
last
them turning
with
reminiscent
clockwork
December
1907
Yet consignments
condemned
shall we say
without the formality
examination
this par
ticular very particular house have been accepted
not altogether with reluctance by its rivals
of

in all probability benefit - somebody .
necessary

off

THE AUTHOR .

26

�THE AUTHOR .

of

in

of

,

of

no

is

,

at

."

,

;

in

or

on

or

to

in
soof , a

of

in

is

,

to

is

a

.

it

is

,

is

in

or so

.

of

of

so

is

.

-

its

,

in

is

is

,

it

in

clear and the price

,

is

.

a

be

hesi
not

moderate

JAPANESE

of

in

“

no

,

Basil

Hall

Chamberlain

.

of

1911

.

.

:

",

Poetry
John Murray

Japanese

by

.”

.

W

London

of , :

of

or

of

to

be

a

,

.*

his

1

.*

Clarendon

POETRY

preface Professor Chamberlain
confesses
years his taste respecting
that
the course
translations has changed
He has gone over
the camp
the literalists
and cares for
prose
poetry unless they
versions whether
scrupulously exact
We are entirely
the
*
"

the

.

”,

adapted
by

,

F
.
G
.

Dictionary
published

by
H

.”

.

recommended without
length

Although 900 pages
volume
The type

.

an

purchase can

tation
bulky

“
a

up

“

,

to

of

.

-

*
"
Press

Fowler

what

check

claim

TN

reviewing
are two distinct ways
dictionary
We are not leading
the
self evident and commonplace retort
Yes
the right way and the wrong way
The Concise Oxford

difficult

.

It

.

OXFORD DICTIONARY

HERE

Fowler and

becomes

Following out the principle
self erident
for common words
current use we
everything that
adapters
find the Dictionary

."

no

,

5

on of

in

CONCISE

a

its

:.
of

“

censured
apparently
looking

,

by

be

to

a

of

THE

procedure
This line
once rouses interest
and the checking the accuracy
this statement
afforded infinite pleasure
true that words
common use are
often overlooked
and their meaning
distorted
misapplied
severely
When suddenly
misuser

.

of

.

of

by

be

to at in

be is as

It

,

be

of

to

repressed almost
extinction
means
whole
sale piracy which
same conditions
would
possible
Canada
the terms
the Copyright
present outlined
Bill
copyright
hoped that this matter
given very careful consideration
will
and that
blindly persuaded that benefit will
no person will
any Canadian industry
accrue
the inclusion
manufacturing clause
will not mean
printing
per cent over the present
increase
amount now done
the principle that
full
pitcher can hold
more

space
One
these peculiarities
the large amount
given
the common words that
one goes through the
day without using scores
hundreds
times often dis
posed
line
two
the ground that they are plain
and simple and that every one knows all about them by
the light
nature
but
fact entangled with other
many alliances
words
during their
and antipathies
perpetual knocking about the world that the idiomatic use
them
far from easy

.

he

,

of

by

of

number
the American Review
Reviews
shows how American literature was stunted and

perusal
great source
lish ; and this makes
pleasure
The adapters themselves say
their
preface

Its

.

to

of

In

an

in

.

,

.

to

to

by

a

of

a

in to

by

,

a

,

be
,

or
,
if

,

,

in

a

only
served by books imported
must
from
the United States and the
limited market making separate Canadian edition
unprofitable neither paper makers nor printers can
possibly have anything
holding out for
gain
manufacturing
the new Canadian Bill
clause
As matter
fact Canada has much more
lose
following the bad example
gain
than
our
neighbours
admirable article
the south
by Mr Brander Matthews published
the June

is

of

,

is
,

therefore that there
Canada now best
preferably from England

a good one : first , the adapta
English
made from
the Great Oxford
Dictionary ; and , secondly , it is connected with the
names of the two Fowlers.
Are these reasons in
We have no
sufficient ?
the proof good and
in giving an affirmative answer .
hesitation
The Dictionary is a Dictionary of Current Eng

Dictionary should be

tion

It

is

financially

edition

There is the method of getting a learned
lexico
grapher to go carefully through the book and of
obtaining
a learned treatise from his pen .
This
present circumstances will not allow here
method
or elsewhere ; and there is the modern method of
choosing a certain number of words , looking them
out , checking
them
and seeing
that they are
correct , and leaving the rest to luck .
It is this
latter method that we acknowledge without shame.
There are two principal reasons why this

of

being

Canadian

Our contention
limited market

.

possibility

a

make

to

demand

a

,

of in

is

the printers in fact than would be protection by
tariff , since under the later arrangement importa
tion of foreign printed books could only be avoided
by keeping the prices of the home-made books
down to that of the foreign printed books plus
duty . Under the form of protection by copyright
foreign
the public is prohibited from importing
printed books at any price .
At the time this manufacturing clause was made
operative in the United States , they had a popula .
tion of some seventy millions , which made a market
of sufficient size to make profitable the setting up
and printing of an addition for consumption in the
United States .
Indeed , this would have been
possible , though , of course , to a lesser extent , with
population
With
of , say , twenty
millons .
a
Canada ' s population , however , of a possible eight
millions , to be shown by the new census , printing
utterly out
Canada for Canadian consumption
nothing like enough
the question since there

27

�THE AUTHOR .

.

,

,

, .

be

as

of of of

.

of

“
A

,

to

. .

.

'S

to

to

as

,

be

.

up

'

,

,

if

be

an

I

it

a

be

to

in

of

for

a

,

”

it “
by

to

it

of

to

not

,

Yours faithfully

,

ALGERNON

WARREN

.

like

.

by

,

to

.

of

to

.

.

of ,

,

be

or

.

be

in

.”

,

at

-

be

“

to

of

its

in

to

.

its

to

assurance company could
got
specify
would undertake
cover
this
way the controllers
organs would
unincluded
expedient
the most part find
the sake
prestige
getting
follow suit
similar public
form
cover
Otherwise they might lay them
suspicion
selves open
instability
When new
developments are organised people often have
come into line
adopting them
wbether they
once

what publications
for

in

to A

.

be

,

"

- to

be

“

of

of

—

is

to

he

is

a

,

all

,

is

or

",

enable the authors
know where
when the prize winning stories will
published
An author may
quite willing
sanction the
appearance
his work
one
the three magazines
and yet object strongly
appearance
either
the remaining two
Still stronger may
his
objection
appearance elsewhere

my previous suggestion that
Following
SIR
scheme for insuring contributors payments should
contemplated
add that
seems patent that

it

,

it

In

by.

-

“

Competitor

INSURANCE

to

of

"

is

.

,
if so
,

, ,

,

be

PEARSON
MAGAZINE
THE ROYAL MAGAZINE
THE NOVEL MAGAZINE

at
.

to

is

is

“

; ,

",

“

of

authors this criticism
any case
difficult

new

somewhat
curious
imagine that
anyone would pay £50 for
story
did not intend
publish
But may we allay any fears
this
assuring all those who read these lines
direction
that prize winning stories and those purchased
published
our ordinary rates will
nothing
There
continues
Would
to

is

"

.
Yours faithfully
The Editors

remarks
said
the fate
the successful stories
nothing
there
indicate whether they are
published though
this
hinted
As the stated object
the competition was

discover

as

of

,

to

,

is

in

as

of

in

.

be

be

,

-

,

“
A

endure

to

us

Nothing

he

raises

easier

1

,
”

in

of

,

to

. if

glad

-

your

Contributor
refers
our

to

As

correspondent
Would
your issue
July
obviously
£260 Story Competition
we shall
you will allow
deal with the points he

—

SIR

COMPETITIONS

.

PRIZE

,
of

,

be

to

,

,

a

in

I

.

CORRESPONDENCE

in

of

an

,

for

Your correspondent

for

'

.

a

in

a

of

,

in

.

as

be

up

is s

.

so

no

by

,

is

the originals , in Roman character . This is how poetry
ought to be translated ; and while the former part
of the work contains much that is neat in form and
pleasing
in substance , we have no hesitation
in
saying tbat the new translations represent the most
valuable part of the book . The terseness of Japanese
Epigram
remarkable and
means always
avoids obscurity
All the difficulties are here
admirably elucidated that Professor Chamberlain
regarded
book must
one which no one who
taking
Japanese seriously can neglect
As these
adding that
are however few we have pleasure
every one with
poetical value
true sense
will find
this volume great deal that will give
delight

this were not expected to compete .
proceeds next to deal with
the question of rights .
There again no diffi
culty will arise . While we shall , in the ordinary
way , expect to retain all rights in prize -winning
stories , we shall meet , in a reasonable spirit , authors
may desire to
republish
who
their
stories
subsequently .
“ No date is mentioned by which a decision may
be expected ,” complains " A Would -be Competitor ."
Since some thousands
of stories have been
entered
the competition each
which
case
rejection requires
individual letter
careful
criticism
was obviously impossible whilst the
competition was still running
announce
the
published
date when the result would
The
feature
the competition was that those actually
responsible
the editorial conduct
the three
magazines
should read the stories
and
the
number
these people
limited and they have
their ordinary work
addition
the competition
certain delay has been inevitable
Stories have
rapidly
possible however and
been dealt with
the full result
the competition will
announced
the November numbers
the three magazines
might add
conclusion that the terms
the
competition
have met with the approval
the
competitors
This being
the discontent
Competitor
Would
harder
understand
with

satisfied

it ,

are a reissue of the metri .
caltranslations published more than thirty years ago .
Part IV . contains a valuable essay on the Japanese
Poetical Epigram , and a number of absolutely literal
translations of Japanese Epigrams accompanied by

of

II., and III. of the volume

To this we need only repls that the prize
winning stories will not appear elsewhere. Every
story will be published within the next few months
in one or other of the Magazines, and authors not

of

same opinion , and yet conscious that , in the case of
poetry at least , the people are not a few who prefer
a metrical version .
Those on either side will be
able to find what they prefer in this new and much
enlarged edition of
Japanese Poetry ."
Parts I.,

of

.

28

�ADVERTISEMENTS .

TYPEWRITING .
HUBBRT WALES , ESQ . , of Hindhond , Surrey , writes

AUTHORS

:
you ments

“ I have just completes the rovision of my novel . . . which
typed, and I should like to thank you for the admirable way the
work was done. Considering that tho manuscript was sent to you
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OF AUTHORS

(INCORPORATED )

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.- No. 1.&#13;
=&#13;
OCTOBER 2, 1911.&#13;
(PRICE SIXPENCE.&#13;
=&#13;
CONTENTS.&#13;
PAGE&#13;
: :&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund ...&#13;
Committee Notes ....&#13;
Books published by Members,&#13;
Books published in America by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ... ...&#13;
Authors' Agents, Literary and Dramatic&#13;
Publishers' Methods&#13;
Cinematograph Performances&#13;
Magazine Con ents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors...&#13;
...&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents ...&#13;
Warnings to Musical Composers&#13;
Stamping Music ..&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The late Jirs, Thurston&#13;
The Foreign Reprints Act Again&#13;
A Few Words on Expired Copyrights&#13;
Sorrows of a Freelance ...&#13;
Proposed Canadian Copyright Law ...&#13;
The Concise Oxford Dictionary...&#13;
Japanese Poetry&#13;
Correspondence&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. ls.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 5s. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 2s.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 2s. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association ; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices not. Apply to the Secretary, 39, ou Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. (#394) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Tolegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL&#13;
SIB ROBERT ANDERSON, K.C.B. | The Right Hon. THE LORD CORZON | JUSTIN MCCABTHY,&#13;
SIBWM.REYNELL ANSON, Bart., D.C.L. | OF KEDLESTON, P.C.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR ARTHUR PINERO,&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
THE RIGHT Hon. SIR HORACE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARD, F.R.S.&#13;
H, RIDER HAGGARD,&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON (" LUCAS MALET'). OWEN SEAMAN.&#13;
THE RIGHT HON. AUGUSTINE BIE ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW.&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G. R. SIMs.&#13;
MRS. E. NESBIT BLAND,&#13;
MAURICE HEWLETT.&#13;
S. SQUIRE SPRIGGE, M.D.&#13;
THE REV. PROF. BONNEY, F.R.S.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON, JAMES BRYCE, P.C. HENRY JAMES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
- THE RIGHT HON. THE LORD BURGH JEROME K. JEROME.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mrs. HUMPHRY WARD,&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
H. G. WELLS.&#13;
EGERTON CASTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.B.8. PERCY WHITE.&#13;
EDWARD CLODD.&#13;
LADY LUGARD (Miss FLOBA" L. FIELD-MARSHAL THE RIGHT HON.&#13;
W, MORRIS COLLES.&#13;
Shaw).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON, JOHN COLLIER.&#13;
MRS. MAXWELL (M. E. BRADDON). P.C., &amp;c.&#13;
SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT,&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
SIR ALFRED BATEMAN, K.C.M.G. MAURICE HEWLETT,&#13;
G. BERNARD SHAW.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MRS. E. NESBIT BLAND.&#13;
AYLMER MAUDE.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
ARTHUR RACKHAM&#13;
RUDOLPH BESIER.&#13;
H. GRANVILLE BARKER.&#13;
C. HADDON CHAMBERS.&#13;
ANSTEY GUTHRIE.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-R. C. CARTON.&#13;
| Miss CICELY HAMILTON.&#13;
| CECIL RALEIGH,&#13;
CAPT. BASIL HOOD,&#13;
G. BERNARD SHAW.&#13;
JEROME K. JEROME.&#13;
MISS E. M. SYMONDS.&#13;
JUSTIN HUNTLY MCCARTHY.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
1 MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
| M. H. SPIELMANN.&#13;
| Mrs. HUMPHRY WARD&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
H. A. HINKSON.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, I HERBERT SOLLIVAN.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
1 M. H. SPIELMANN.&#13;
The Hon. JOHN COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. ſ Soucitors.&#13;
Solicitor in England to&#13;
La Société dos Gens de Lettres.&#13;
Legal Representatire in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39 OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. (#395) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
- PLAYS&#13;
MR. FORBES DAWSON&#13;
Special Announcement to Authors!&#13;
Many would be competitors in&#13;
Messrs. Hodder &amp; Stoughton's&#13;
new £1,000 Novel Competition&#13;
are prevented from entering simply&#13;
because they cannot at once spare&#13;
the money to have their MS. typed.&#13;
REMARKABLE OFFER!&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' experience in every&#13;
class of character, play, and theatre.&#13;
Master of Stage Craft &amp; Play Construction.&#13;
Author of plays produced in Great Britain&#13;
and America. Adapter of several novels to the&#13;
stage.&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE.&#13;
— NO THEORIES.&#13;
No charge for reading and giving a practical&#13;
opinion on a play.&#13;
Knows the best people in the dramatic world,&#13;
and has gained the necessary experience for this&#13;
class of work on the stage itself, in association&#13;
with the best dramatists, producers, actors, and&#13;
stage managers of his time.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
If you will send your MS. and&#13;
P.O. for 10/-, together with a&#13;
promise to pay the balance (at&#13;
the rate of 1/- per 1,000 words,&#13;
carbon duplicate 3d. per 1,000) in&#13;
monthly instalments of £1, I will&#13;
undertake to return you a per-&#13;
fectly correct type-written copy.&#13;
Absolute secrecy guaranteed.&#13;
One of my numerous testimonials for Members of the Society of&#13;
“I am especially pleased with your work.”&#13;
Authors-&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
SAVE YOUR NUMBERS carefully&#13;
until the Volume is complete&#13;
.. BY USING ..&#13;
G. P. PUTNAM'S SONS.&#13;
By MRS. BARCLAY,&#13;
Author of "The Rosary” (300th Thousand).&#13;
" THE AUTHOR"&#13;
MECHANICAL BINDER&#13;
THE&#13;
FOLLOWING OF THE STAR.&#13;
6-&#13;
Send for "The Throne of popularity" Circular concerning&#13;
Mrs. Barclay's stories.&#13;
By MISS WINIFRED BOGGS,&#13;
Author of “ The Return of Richard Carr."&#13;
VAGABOND CITY.&#13;
(Symons' Patent).&#13;
Price 2/8 net.&#13;
This useful invention enables subscribers to bind up.&#13;
number by number, the numbers of The Author as they are&#13;
published, and at the completion of the volume can be taken&#13;
off and sent to the bookbinder-leaving the Mechanical Binder&#13;
free for the next volume. Whether containing one number or&#13;
a complete volume it has the appearance of, and handles the&#13;
same as, an ordinarily bound book. It is the only method by&#13;
which The Author can be instantly bound with the same&#13;
facility as a single leaf, and there are no wires or elastic&#13;
strings to get out of order,&#13;
The whole invention is of English Manufacture. The&#13;
Cloth Covers are made by leading London Bookbinders, and&#13;
the Metal Fittings by a well-known West End Firm.&#13;
Should an accident cause any part of the mechanism to&#13;
break, it can be replaced by return of post at the cost of a few&#13;
pence.&#13;
A FEW PRESS OPINIONS.&#13;
ST. JAYES' BUDGET :-"The advantages of the Binder are so obvious ..."&#13;
LEEDS MERCURY "An ingenious and accommodating invention."&#13;
WESTMINSTER BUDGET "The construction of the Binder is simplicity&#13;
itself, and is serviceable from beginning to end."&#13;
LITERARY WORLD :-"A clever device-80 extremely simple and easy&#13;
in applying."&#13;
SHEFIELD DAILY TELEGRANTI:-"After use w can confidently&#13;
recommend."&#13;
29, Paternoster Square, London, E.C.&#13;
“ An effective blend of farce, pathos and tragedy."-Times.&#13;
(2nd Impression.)&#13;
By MISS EVELYN ST. LEGER.&#13;
THE&#13;
SHAPE OF THE WORD.&#13;
6/-,&#13;
A brilliant and witty first novel telling of a family&#13;
curse and its consequences, tragic and humorous.&#13;
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&#13;
&#13;
## p. (#396) ################################################&#13;
&#13;
iy&#13;
ADVERTISEMENTS.&#13;
MESSRS, STANLEY PAUL &amp; CO.'S LIST,&#13;
AN IMPERIAL VICTIM.&#13;
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By EDITH E. CUTHELL, F.R.H.S. In 2 Vols., Demy Svo, Cloth Gilt, with Illustrations. 24/- net the Set.&#13;
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OUR FIGHTING SEA MEN.&#13;
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VERSES BY DOLF WYLLARDE.&#13;
With Photogravure Frontispiece. Paper 1/6 net. Cloth 2/6 net.&#13;
NEW SIX SHILLING NOVELS NOW READY.&#13;
RUFÊLËS&#13;
L. T. Meade.&#13;
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HODSON'S VOYAGE ... ... W. H. Koebel.&#13;
OUR GUESTS ...&#13;
THE MARRIAGE OF LENORE... Alice M. Diehl.&#13;
Matilde Serao.&#13;
A PASSION IN MOROCCO ... Charlotte Cameron. THE CITY OF ENTICEMENT... Dorothea Gerard.&#13;
THE IMPERISHABLE WING ... Mrs. Havelock Ellis. MARRIED WHEN SUITED ... Mrs. Henry Dudeney.&#13;
A PRISONER IN PARADISE ... H. L. Vahey.&#13;
CLIVE LORIMER'S MARRIAGE E. Everett-Green.&#13;
WHEN SATAN TOOK FLESH ... A. J. Anderson. BECAUSE OF A KISS... ... Lady Constance.&#13;
MADGE CARRINGTON ... ... “ Draig Glas."&#13;
.&#13;
St. John Trevor.&#13;
THE DESIRE OF LIFE&#13;
STANLEY PAUL &amp; CO., 31, ESSEX STREET, LONDON.&#13;
To Authors and Journalists.&#13;
The writer, whether he aspires to write novels, short stories,&#13;
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Novels, plays, and short stories placed with London publishers&#13;
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&#13;
&#13;
## p. 1 (#397) ##############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.—No. 1.&#13;
OCTOBER 2ND, 1911.&#13;
[PRICE SIXPENCE.&#13;
I'ELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAI), LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
adrertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no uudesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
D OR the opinions expressed in papers that are&#13;
signed or initialled the anthors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inforın members of the&#13;
Authors' Society and other readers of the Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
TROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may he cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are: (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incor heavy&#13;
expenditure, either in fighting a question of prin;&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
LIST OF MEMBERS.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of the Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
retorn articles which cannot be accepted.&#13;
VOL XXII.&#13;
THE List of Members of the Society of Anthors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
end of tbe list for the conrenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
&#13;
&#13;
## p. 2 (#398) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
5 .esܚܢ ܗܘ ܙ ܝ ܝܕܕܙܘ ܝܙ seܟ ܗܘ ܕ&#13;
NOOCNO&#13;
THE PENSION FUND.&#13;
£ $. d.&#13;
March 9, Hardy, Harold .&#13;
0 10 0&#13;
March 9, Hutton, E. .&#13;
0&#13;
.&#13;
5 0&#13;
N February 1, the trustees of the Pension&#13;
March 10, Wilson, Albert .&#13;
0 5 0&#13;
Fund of the society—after the secretary&#13;
March 16, Ward, Dudley.&#13;
6&#13;
had&#13;
0 10&#13;
placed before them the financial&#13;
March 30, Coke, Desmond .&#13;
position of the fund-decided to invest £250 in&#13;
April 1, The XX Pen Club&#13;
0 1 9&#13;
the purchase of Consols.&#13;
April 6, Channon, Mrs. E. M.&#13;
The amount purchased at the present price is&#13;
April 7, Henry, Miss Alice&#13;
£312 13s. 4d.&#13;
April 10, Ralli, Scaramanga&#13;
2&#13;
This brings the invested funds to £4,377 198. 4d.&#13;
2 0&#13;
April 11, Robins, Miss Alice&#13;
1 1&#13;
The trustees, however, have been unable to recom-&#13;
April 20, MacEwan, Miss.&#13;
0 10 0&#13;
mend the payment of any further pensions, as the&#13;
April 20, C. N. and Mrs. Williamson .&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
April 21, Shirley, Arthur,&#13;
1 1 0&#13;
April 22, H. A. and Mrs. Hinkson 1 0 0&#13;
of the society to this fact, in the hope that by&#13;
April 24, Toplis, Miss Grace&#13;
0 10 0&#13;
additional subscriptions and donations there will&#13;
May, Walter John&#13;
;&#13;
be sufficient funds in hand in the course of the&#13;
.&#13;
. : . 2 2 0&#13;
May 19, An Old Member.&#13;
.&#13;
1&#13;
. 0&#13;
year to declare another pension in case any im.&#13;
0&#13;
I&#13;
June 2, Wrench, Mrs. Stanley&#13;
portant claim is forthcoming.&#13;
July 3, Ingram, J. H.&#13;
:&#13;
..&#13;
: : 0 5 0&#13;
Consols 21%.......... ............ £1,312 13 4 July 13, Fell-Smith, Miss C.&#13;
• . 0 5 0&#13;
Local Loans ..................&#13;
500 0 0 Sept. 18, Peacock, Mrs. F. M. .&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock ............;&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
COMMITTEE NOTES.&#13;
Trust 4% Certificates ..... 200 0 0&#13;
Cape of Good Hope 3 % Inscribed&#13;
M HE last meeting before the vacation was held&#13;
Stock ............................. 200 0 0&#13;
Glasgow and South-Western Railway&#13;
I on Monday, July 3, at the offices of the&#13;
4% Preference Stock..................&#13;
society, and the committee decided not to&#13;
228 0 0&#13;
meet again until October unless business of such&#13;
New Zealand 31% Stock......... 247 96&#13;
Irish Land Act 23% Guaranteed Stock&#13;
vital importance to the society came up for con-&#13;
258 0 0&#13;
Corporation of London 21% Stock,&#13;
sideration that it could not be negotiated by the&#13;
chairman with the assistance of the secretary and&#13;
1927-57 .............................. 438 2 4&#13;
the society's solicitors. The usual vacation powers&#13;
Jamaica 34% Stock, 1919-49 ......... 132 18 6&#13;
Mauritius 4% 1937 Stock...............&#13;
were given to the chairman to act on behalf of the&#13;
120 121&#13;
committee in the absence of the members.&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Granı Stock, 1938...&#13;
Three elections were chronicled, bringing the&#13;
198 3 8&#13;
total number for the year up to 154. There were&#13;
Total.&#13;
two resignations, bringing the total resignations&#13;
... £4,377 19 4&#13;
to 59.&#13;
The solicitor of the society attended the meeting&#13;
Subscriptions.&#13;
and reported on the cases he had in hand. The first&#13;
1911.&#13;
£ &amp; d. case, referring to the bankruptcy of a publisher in&#13;
March 9, Boughton, Rutland . . 0 5 0 which many members were involved, he reported to&#13;
March 10, Somers, John .&#13;
5 0 be practically closed, as the contracts had either&#13;
April 6, Rawlings, Burford&#13;
10 6 been determined or re-settled. He reported the&#13;
April 11, Wicks, Mark .&#13;
5 0 steps he had taken to carry out the committee's&#13;
June 15, Fitzgerald, Colin&#13;
0 5 0 instructious in the cases chronicled in the last issue&#13;
June 15, Fleming, Mrs. A. . . 2 0 0 of The Author. In one case further evidence was&#13;
June 15, Sabatini, Rafael . .&#13;
5 0 required before action could be taken. In another&#13;
June 16, Hamilton, Henry .&#13;
. 1 1 0 he reported that the defendant had been thrown&#13;
into bankruptcy, and two other cases bad been&#13;
Donations.&#13;
settled finally and satisfactorily. One case of&#13;
1911.&#13;
infringement of copyright, started in the spring of&#13;
March 3, Gibbs, F. L. A. .&#13;
. ( 10 0 the year, he stated could not be tried before the&#13;
March 6, Haultain, Arnold.&#13;
. 1 1 0 Long Vacation, and in another case, proceedings&#13;
..&#13;
. .&#13;
.&#13;
....&#13;
. .&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 3 (#399) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
which had been commenced by the society some was settled and thefagenda for that meeting were&#13;
time ago had been closed by the payment of a small also discussed. The date of the annual dinner was&#13;
sum and costs, without it being necessary to go into left open, it being agreed that, as usual, some day&#13;
court.&#13;
in the late autumn should be chosen.&#13;
There was one case of a very difficult nature.&#13;
which related to a publisher's accounts. The solicitor&#13;
put forward very fully the issues involved, and&#13;
after careful consideration the committee instructed&#13;
Cases.&#13;
the solicitor to come to a reasonable compromise if SINCE the last publication of The Author there&#13;
it were possible to do so, and indicated one or two have been thirty-six disputes placed into the hands&#13;
points which they considered should be an essential of the secretary. They may be divided as follows :&#13;
part of any compromise reached.&#13;
fourteen claims for money ; seven claims for the&#13;
There were no fresh cases for the solicitors in return of MSS. ; seven claims for accounts and&#13;
England, but the secretary reported that a case money ; three claims for accounts ; four disputes&#13;
which the society was conducting in Switzerland on agreements ; one infringement of copyright.&#13;
had been delayed in settlement, and instructions The average number of cases that come to the&#13;
were received from the committee that proceedings office during any given month is from fifteen to&#13;
should be taken at once, and that the Swiss lawyer twenty, so that the number that has come into the&#13;
should be urged to bring matters to a prompt issue. society during the last two months shows no&#13;
The next business before the committee was the diminution.&#13;
consideration of the position of the Copyright Bill. Of the fourteen claims for money due to authors,&#13;
The secretary reported the steps that had been taken five have been settled, and the cash has been&#13;
by himself, the chairman of the society, and other forwarded ; seven have had to be placed in the&#13;
members of the committee. The committee was hands of the solicitors. Of these we are glad to&#13;
informed as to the meetings that had been held, report that five have been settled. Thus four are&#13;
and the negotiations that had been carried through. left unsettled, two in the secretary's hands, and&#13;
The secretary stated that all the clauses of the Bill two in the solicitors' hands. Of the seven claims&#13;
had been passed in Committee with the exception for the return of MSS., one has been brought to a&#13;
of the clauses dealing with the mechanical reproduc- satisfactory termination, two have had to be placed&#13;
tion of musical work, which would be considered in the hands of the solicitors, and two, owing to&#13;
immediately. He added that it had been arranged the claims being abroad—one in India, and one in&#13;
to hold a meeting of the joint committee—that is, Australia—are still open, and two have only&#13;
the committee comprising representatives of the recently come into the office. Members should&#13;
Society of Authors, the Publishers Association, and not forget that the legal position in the case of&#13;
the Copyright Association-after the Committee the return of MSS. is generally not very strong.&#13;
stage of the Bill was at an end and before the It is not only necessary to show that the MSŠ.&#13;
Report stage. The joint committee would then have come into the hands of a responsible party&#13;
decide what further action, if any, was possible or in the office, but also that their loss is due to negli-&#13;
desirable.&#13;
gence. Unless these facts can clearly be established,&#13;
The Canadian Copyright Bill was then discussed, it is hardly worth while to take action, when such&#13;
and here the secretary reported the action taken by great facilities for making copies can be em-&#13;
the Société des Gens de Lettres and the Société des ployed. Authors should always keep copies of&#13;
Auteurs Dramatiques, and stated that he had their MSS. Of the seven ciaims for money and&#13;
received letters from influential quarters in America accounts, four have been brought to a close, the&#13;
asking for the society's support to carry through accounts having been rendered and the money&#13;
certain amendments on the Bill. The committee paid. One has been partly settled, that is to say,&#13;
decided to refer the matter to counsel (Mr. E. J. the accounts have been rendered, and part of the&#13;
MacGillivray) with instructions to settle a report money has been paid : but the balance is still&#13;
to be forwarded to the Canadian Government as disputed. One has been placed with the solicitors,&#13;
from the Society of Authors.&#13;
and two are still in the hands of the secretary. Of&#13;
Then followed discussion of a question referred the three claims for accounts, one has been satis-&#13;
to the Committee of Management by the Dramatic factorily settled, one has been placed with the&#13;
Sub-Committee relating to the financial side of a solicitors, and one is still in course of negotiation.&#13;
proposal for a dramatic agent in America. The Of four disputes on agreements, two have been&#13;
committee expressed sympathy with the efforts of concluded. Two are still in course of negotiation.&#13;
the dramatists, and promised to assist them by Matters of this kind sometimes take a long time if&#13;
bearing some reasonable share of the cost.&#13;
it is a question of cancelling the agreement and&#13;
The date of the council meeting for the autumn winding up the whole matter.&#13;
&#13;
&#13;
## p. 4 (#400) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
As the case of infringement of copyright has&#13;
occurred in India, it will take some time before an&#13;
answer can be obtained.&#13;
There are two cases still remaining over from&#13;
July. These are both cases of account and should&#13;
be settled shortly. The delay has arisen owing to&#13;
the transfer of the publishers' business.&#13;
In addition to the matters placed with the&#13;
London lawyers referred to above, there are other&#13;
nogo&#13;
cases which have had to be placed direct in their&#13;
hich have had to be placed direct in their&#13;
hands, besides two cases which have had to be&#13;
referred to the United States lawyers, and one&#13;
important issue to the lawyers in Germany.&#13;
Very little can be done during the long vacation&#13;
in the Courts, so that there is but little progress&#13;
to report on the matters in the hands of the Society&#13;
in which legal action has to be taken.&#13;
July Elections.&#13;
Haddon, John, M.A., M.D. (Edin.), Denholm,&#13;
Hawick, Sot-&#13;
land.&#13;
Kennion, Major R. L.&#13;
Varty Smith, J. C. . . Nandana, Penrith,&#13;
Cumberland.&#13;
. Nonetan&#13;
Cumberla&#13;
THE KALEVSKI MEMOIRS, 1869–1899. By ASHMORE&#13;
WINGATE. 77 x 43. 149 pp. Glasgow : Vicoll.&#13;
18. 6d. n.&#13;
AN IMPERIAL VICTIM, MARIE LOUISE, ARCHDTCHESS&#13;
OF AUSTRIA, EMPRESS OF THE FRENCH, DUCHESS OF&#13;
Parma. By EDITH E. CUTHELL. Two volumes.&#13;
9 x 51. 400 + 392 pp. Stanley Paul. 248. n.&#13;
DRAMA.&#13;
MARIAMNE. By F. STURGE MOORE. 83 x 51. 75 pp.&#13;
Duckworth. 28. n.&#13;
DESIDERIO. A Play in Three Acts. By MAURICE BARIXG.&#13;
D&#13;
7} x 5. 104 pp. Oxford: Blackwell ; London :&#13;
Simpkin Marshall.' 18. n.&#13;
THE LITTLE DREAM. An Allegory in Six Scenes. By&#13;
JOHN GALSWORTHY. 61 x 5. 38 pp. Duckworth.&#13;
18. 1.&#13;
THE MASTER OF MRS. CHILVERS. An Improbable&#13;
Comedy. By JEROME K. JEROME. 78 x 57. * 167 pp.&#13;
Fisher Unwin. 28. 6d. n.&#13;
THE SALE OF SAINT THOMAS. By LASCELLES ABER-&#13;
CROMBIE. 74 x 5. 29 pp. The Author : Ryton,&#13;
Dymock, Gloucester.&#13;
THE PASSING OF BALDUR; A WINTER'S MYSTERY. In&#13;
two parts. Part I. Odin the Watcher. 31 pp. (68. n.).&#13;
Part II, Forlorn Gods. 24 pp. (6d. n.). The Dweller&#13;
in the Body. 34 pp. (1s. n.). Dawn; a Folk Miracle&#13;
Play. 234 pp. (1x, n.). By HOPE REA (Garden City&#13;
Folk Plays).* 73 x 43. Theosophical Publishing Society.&#13;
ECONOMICS.&#13;
HISTORY OF MONEY IN THE BRITISH EMPIRE AND THE&#13;
UNITED STATES. By AGNES F. DODD. 8 X 54. 356 pp.&#13;
Longmans. 5x. n.&#13;
THE BRITISH TRADE BOOKS. By J. HOLT SCHOOLING.&#13;
(Fourth issue.) 10 x 67. 582 pp. Murray. 108. 6d. n.&#13;
FICTION&#13;
THE WONDER OF LOVE. By E. MARIA ALBANESI. 8} x 5.&#13;
148 pp. Stanley Paul. 6d.&#13;
WHITE ABBEY. By EFFIE ADELAIDE ROWLANDS.&#13;
8 X 58. 158 pp. Stanley Paul. 6d.&#13;
INTERPLAY. By BEATRICE HARRADEN. 61 x 1&#13;
463 pp. Nelson. 7d. n.&#13;
THE LONE ADVENTURE. By HALLIWELL SUTCLIFFE.&#13;
7. X 5. 445 pp. Fisher Unwin. 68.&#13;
INTELLECTUAL MARIE. By HARRY TIGHE. 8 x 51.&#13;
319 pp. John Long. 6s.&#13;
THE BEACON. By EDEN PHILLPOTTS. 73 x 5383 pp.&#13;
Fisher Unwin. 68.&#13;
THE INNOCENCE OF FATHER BROWN. By G. K.&#13;
CA ESTERTON. 73 x 5. 336 pp. Cassell. 6s.&#13;
LOVE IN&#13;
I&#13;
A LITTLE Town. By J. E. BUCKROSE.&#13;
78 x 5. 326 pp. Mills &amp; Boon. 6s.&#13;
ENTER CHARMIAN. By HAROLD VALLINGS. 71 x 3.&#13;
334 pp. Smith Elder. 6s.&#13;
HILARY ONSLOW. By HORACE WYNDHAM. 74 x 3.&#13;
323 pp. Grant Richards. 68.&#13;
TAE QUEEN'S FILLET. By the Rev. P. A. CAXOX&#13;
SHEEHAN, D.D. 73 x 51.376 pp. Longmans. 68.&#13;
A&#13;
a&#13;
CATHEDRAL COURTSHIP. By KATE DOUGLAS&#13;
WIGGIN. 7 x 43. 96 pp. Gay &amp; Hancock. 18. n.&#13;
THE LITTLE MINISTER. By J. M. BARRIE. 71 X 5.&#13;
340 pp. Cassell. ls. n.&#13;
A STORM-RENT SKY. By M. BETHAM EDWARDS.&#13;
8 X 51. 126 pp. Collins. 6d. n.&#13;
THE DAWN OF ALL. By R. H. BENSON. 7} x 5. 339 pp.&#13;
Hutchinson. 6s.&#13;
THE CITY OF ENTICEMENT, By DOROTHEA GERARD.&#13;
8 x 5. 320 pp. Stanley Paul. 68.&#13;
Sylvia's CHAUFFEUR. By LOUIS TRACY. 73 X 5.&#13;
320 pp. Ward, Lock, 6s.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
WHILE every effort is made by the compilers to keep&#13;
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some difficulty in attaining this object owing to the fact&#13;
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accurate.&#13;
ARCHÆOLOGY.&#13;
OUT OF THE IVORY PALACES. By P. H. DITCHFIELD.&#13;
73 X 5. 308 pp. Mills &amp; Boon. 6s.&#13;
ART.&#13;
THE PAINTERS OF JAPAN. By A. MORRISON. Two&#13;
volumes. 153–127 pp. Jack. £55 n.&#13;
IDEALS OF INDIAN ART. By E. B. HAVELL. Royal&#13;
octavo. 188 pp. Introduction. xx. pp. 33 Full-page&#13;
Plates. John Murray. 158. n.&#13;
BIOGRAPHY.&#13;
THE DIARY OF DR. JOHN WILLIAM POLIDORI, 1816. Re.&#13;
lating to Byron, Shelley, &amp;c. Edited by W. M. ROSSETTI.&#13;
73 X 5. 228 pp. Elkin Matthews. 48. 6d. n.&#13;
THE LIFE OF OSCAR WILDE. By R. H. SHERARD. 9 x 57.&#13;
403 pp. (New Edition). Werner Laurie.&#13;
AN EARLY VICTORIAN HEROINE : The Story of Harriette&#13;
McDougall. By M. BRAMSTON, S.T.L. 71 x 5. 95 pp.&#13;
S.P.C.K. 1s. 6d.&#13;
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&#13;
THE AUTHOR.&#13;
THE SHADOW OF A DWARF. By HOPE PROTHERO.&#13;
74 x 5. 328 pp. Century Press. 68.&#13;
THE REFUGEES. By A. CONAN DOYLE. 61 x 44.&#13;
383 pp. Nelsons. 7d. n.&#13;
THE GLORY OF CLEMENTINA WING. By W. J. LOCKE.&#13;
7 x 5. 375 pp. Lane. 6s.&#13;
THE SUMMER BOOK. By MAX PEMBERTON. 78 X 5.&#13;
306 pp. Mills &amp; Boon. 6s.&#13;
THE ARREST OF ARSÈNE LUPIN. By MAURICE&#13;
LEBLANC. Translated by ALEXANDER TEIXEIRA DE&#13;
MATTOS. 71 X 5. 277 pp. Nash. 28. n.&#13;
DESTINY. By ALICE and CLAUD ASKEW. 8 x 5.&#13;
328 pp. Hurst &amp; Blackett. 68.&#13;
NIGEL FERRARD. By MRS. BAILLIE REYNOLDS. (New&#13;
and Revised Edition.) 77 x 5. 380 pp. Mills &amp; Boon.&#13;
68.&#13;
VIRGINIA PERFECT. By PEGGY WEBLING. 63 x 47.&#13;
221 pp. (Cheap edition.) Metbuen. 18. n.&#13;
THE GARDEN OF MYSTERY. By RICHARD MARSH.&#13;
316 pp. John Long. 6d. n.&#13;
MASTER CHRISTOPHER. By MRS. HENRY DE LA PASTURE&#13;
(LADY CLIFFORD). 7 X 5. 393 pp, Smith Elder.&#13;
68.&#13;
IN SEARCH OF EGERIA. By W. L. COURTNEY. 78 x 5.&#13;
330 pp. Chapman &amp; Hall. 6s.&#13;
OUR LADY OF THE LEOPARDS. By ALBERT DORRING-&#13;
Tox. 73 x 5. 314 pp. Mills &amp; Boon. 6s.&#13;
THE SHADOW OF LOVE. By MARCELLE TINAYRE.&#13;
Translated by A. ALLINSON. 71 x 5. 310 pp. Lane.&#13;
68.&#13;
A GIRL WITH A HEART. By EFFIE ADELAIDE Row&#13;
LANDS. 7 x 5. 304 pp. Ward, Lock. 68.&#13;
THE ROMANCE OF A FRENCH PARSONAGE. By M.&#13;
BETHAM-EDWARDS. (Cheap Reprint.) 67 x 4. 270 pp.&#13;
Collins Clear Type Press. 3 d. n.&#13;
MRS. MAXON PROTESTS. By ANTHONY HOPE. 74 x 5.&#13;
351 pp. Methuen. 68.&#13;
THE NOTORIOUS Miss LISLE. By MRS. BAILLIE&#13;
REYNOLDS. 78 X 5. 308 pp. Hodder &amp; Stoughton,&#13;
6x,&#13;
THE YEAR'S ROUND. By MAUD RAWSON. 74 x 5.&#13;
401 pp. Mills &amp; Boon. 6s.&#13;
LOVE'S PRIVILEGE. By STELLA M. DÜRING. 74 x 5.&#13;
376 pp. Cassell. 6s.&#13;
ARDNAREE. The Story of an English Girl in Connaught.&#13;
Told by herself and edited by RANDAL MCDONNEL.&#13;
7* 5. Dublin : Gill.&#13;
THE IMPERISHABLE WING. By MRS. HAVELOOK ELLIS.&#13;
7 x 5. 283 pp. Stanley Paul. 68.&#13;
Fox FARM. By WARWICK DEEPING. 7{ x 5. 403 pp.&#13;
Cassell. 68.&#13;
Hodson's VOYAGE. By W. H. KOEBEL. 73 x 5. 310 pp.&#13;
Stanley Paul. 6s.&#13;
THE BEES. By M. ELLEN THONGER. 7{ x 5. 312 pp.&#13;
Chapman &amp; Hall. 68.&#13;
ROSE OF THE WORLD. By AGNES and EGERTON CASTLE.&#13;
61 x 47. 380 pp. Nelson. 7d. n.&#13;
LALAGE'S LOVERS, By GEORGE A. BIRMINGHAM. 73 x 5.&#13;
305 pp. Methuen. 6s.&#13;
THERE WAS A WIDOW. By MARY E. MANN. 74 x 5.&#13;
309 pp. Methuen. 68.&#13;
THE UNOFFICIAL HONEYMOON. By DOLF WYLLARDE.&#13;
73 X 5. 312 pp. Methuen. 68.&#13;
THE RAJAH, By F. E. PENNY. 74 x 5. 398 pp.&#13;
Chatto &amp; Windus. 68.&#13;
PETER AND JANE; OR, THE MISSING HEIR. By S.&#13;
MACNAUGHTAN. 73 X 5. 310 pp. Methuen. 68.&#13;
ALL AWRY. By MAUDE ANNESLEY. 78 X 5. 368 pp.&#13;
Mills &amp; Boon. 68.&#13;
THE MILLER OF OLD CHURCH. By ELLEN GLASGOW.&#13;
73 x . 432 pp. Murray. 68.&#13;
THE HOUSE OF CHANCE. By GERTIE DE S. WENTWORTH&#13;
JAMES. 73 5. 313 pp. Everett. 6s.&#13;
BERTRAND OF BRITTANY. By WARWICK DEEPING,&#13;
74 X 5. 370 pp. Cassell. 18. n.&#13;
A LONELY LITTLE LADY. By DOLF WYLLARDE.&#13;
61 x 47. 207 pp. Hutchinson. 7d. n.&#13;
MR. INGLESIDE." By E. V. LUCAS. 63 41. 316 pp.&#13;
(New Edition.) Methuen. 58.&#13;
THE COUNTRY OF THE BLIND, AND OTHER STORIES.&#13;
By H. G. WELLS. 78 X 5. 574 pp. Nelson. 28. n.&#13;
ANTHEA'S GUEST. By MRS. ALFRED SIDGWICK. 71 x 5.&#13;
313 pp. Methuen. 68.&#13;
THE Cost. By L. G. MOBERLY. 74 x 5. 325 pp.&#13;
Mills &amp; Boon.' 68.&#13;
A BLOOD-MOON; THE BUHL CABINET, AND STORIES&#13;
FROM ALGIERS. By IRENE OSGOOD. 71 X 41. 254 pp.&#13;
Everett. 28, n.&#13;
THE RIGHT OF WAY. By SIR GILBERT PARKER.&#13;
54 X 41. 378 pp. Nelson. 78. n.&#13;
A BAVARIAN VILLAGE PLAYER. By FRANCES G.&#13;
BURMESTER. Greening &amp; Co. 68.&#13;
RED Eve. By H. RIDER HAGGARD. 78 x 5. 296 pp.&#13;
Hodder &amp; Stoughton. 68.&#13;
ABOVE YOUR HEADS. By FREDERICK NITEN. 73 x 5.&#13;
299 pp. Martin Secker. 68.&#13;
No MAN'S LAND. By L. J. VANCE. 73 x 51. 309 pp.&#13;
Grant Richards. 68.&#13;
THE LOST IPHIGENIA. By AGNES and EGERTON&#13;
CASTLE. 78 X 5. 316 pp. Smith Elder. 68.&#13;
THE WOMAN WINs. By R. MACHRAY, 75 X 5. 347 pp.&#13;
Chatto &amp; Windus. 68.&#13;
IN DIFFERENT Keys. By I. A. R. WYLIE. 74 x 5.&#13;
320 pp. Mills &amp; Boon. 68.&#13;
A PASSION IN MOROCCO. By MRS. CHARLOTTE CAMERON.&#13;
84 x 51. 126 pp. Stanley Paul. 6d.&#13;
THE SILENT HOUSE. By LOUIS TRACY. 7 X 5. 320&#13;
pp. Nash. 28.&#13;
THE LADY OF THE HUNDRED DRESSES. By S. R.&#13;
CROCKETT. 73 X 5. 307 pp. Nash. 28.&#13;
UNCONFESSED. Ry MAXWELL GRAY. 74 x 5. 352 pp.&#13;
John Long. 68.&#13;
LIFE EVERLASTING: A REALITY OF ROMANCE. By&#13;
MARIE CORELLI. Methuen &amp; Co. 68.&#13;
HETTY : THE STORY OF AN ULSTER FAMILY. By SHAN&#13;
F. BULLOCK. 73 X 41. 322 pp. Werner Laurie. 68.&#13;
THE YOKE OF SILENCE. By Amy McLAREN. 73 x 5.&#13;
306 pp. Mills &amp; Boon. 58.&#13;
HILDA LESSWAYS. By ARNOLD BENNETT. 74 x 5.&#13;
408 pp. Methuen. 68.&#13;
DORMANT. By E. NESBIT. 73 x 5. 312 pp. Methuen. 6s.&#13;
MY BEAUTIFUL NEIGHBOUR. By ARABELLA KENEALY.&#13;
7 * 5. 352 pp. John Long. 6s.&#13;
THE EMOTIONS OF MARTHA. By CONSTANCE SMEDLEY&#13;
(Mrs. Maxwell Armfield). 8 x 57, 317 pp. Religious&#13;
Tract Society. 68.&#13;
THE APPLE OF HAPPINESS. By ETHEL TURNER (Mrs.&#13;
H. R. Curlewis). 73 5. 275 pp. Hodder &amp; Stoughton.&#13;
38. 6d.&#13;
VAGABOND CITY. By WINIFRED BOGGS. 74 x 5.&#13;
392 pp. Putnam. 68.&#13;
THE BRIDE OF DUTTON MARKET. By MARIE C.&#13;
LEIGHTON. 74 x 5. 320 pp. Ward, Lock. 68.&#13;
HISTORY.&#13;
BRITAIN'S RECORD. WHAT SHE HAS DONE FOR THE&#13;
WORLD. By E. KEBLE CHATTERTON. 9 X 54. 301 pp.&#13;
Sidgwick &amp; Jackson. 78. 6d. n.&#13;
A HISTORY OF ENGLAND. By C. R. L. FLETCHER and&#13;
RUDYARD KIPLING. Pictures by R. H. FORD. 10 x 74.&#13;
256 pp. Oxford: Clarendon Press ; London : Frowde.&#13;
78. 6d. n.&#13;
CÆSAR'S CONQUEST OF GAUL. By T. RICE HOLMES.&#13;
(Second edition. Revised and Largely Rewritten.)&#13;
9 x 51. 872 pp. Oxford : Clarendon Press; London :&#13;
Frowde. 248. n.&#13;
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THE AUTHOR.&#13;
THE ROMANTIC PAST. By RALPH NEVILL. 9 x 57.&#13;
352 pp. Chapman &amp; Hall. 128. 6d. n.&#13;
JUVENILE.&#13;
THE BOOK OF THE Zoo. By W. S. BERRIDGE, F.Z.S.,&#13;
and W. P. WESTELL. With 8 coloured plates and 64&#13;
photographs. 78 X 54. 304 pp. (The Recreation&#13;
Library.) Dent. 58.&#13;
Tom STAPLETON, THE Boy Scout. By CAPTAIN F. S.&#13;
BRERETON. 74 X 5, 287 pp. Blackie. 38. 6d.&#13;
LITERARY.&#13;
VARSITY TYPES. Scenes and Characters from Under-&#13;
graduate Life. By F. RUTTER. Second Edition (with&#13;
new Preface). 73 x 5. Cambridge: Heffer; London,&#13;
Simpkin, Marshall. 38. n.&#13;
THE CAMBRIDGE HISTORY OF ENGLISH LITERATURE.&#13;
Edited by A. W. WARD, Litt.D., and A. R. WALLER.&#13;
· Vol. VII. Cavalier and Puritan. 91 x 61. 553 pp.&#13;
Cambridge University Press. 98. n.&#13;
PRINCIPLES OF BIOGRAPHY. The Leslie Stephen Lecture&#13;
delivered in the Senate House, Cambridge, February&#13;
13th, 1911. By SIR SIDNEY LEE, Hon. D.Litt.&#13;
7} x 5. 54 pp. Cambridge University Press.&#13;
18. 6d, n.&#13;
SAMUEL RICHARDSON. By SHEILA KAYE-SMITH.&#13;
7 x 48.368 pp. (The Regent Library.) H. Daniel.&#13;
28. 60. n.&#13;
EAST AND WEST. By DAVID ALEC WILSON. 78 X 5.&#13;
306 pp. Methuen. 68.&#13;
EIGHTEENTH CENTURY VIGNETTES. By AUSTIN DOB.&#13;
son. 64 X 4. 381 pp. Nelson. 18. n.&#13;
BETWEEN TWO WORLDS. By A. E. LLOYD MAUNSELL.&#13;
7} 5. 141 pp. Moring. 58. n.&#13;
OLD LAMPS FOR NEW. By E. V. LUCAS. 64 x 41.&#13;
258 pp. Methuen. 58.&#13;
MEDICAL.&#13;
REFRACTION AND VISUAL ACUITY. By KENNETH&#13;
SCOTT. 77 x . 191 pp. Rebman. 68. n.&#13;
NATIONAL HEALTH AND MEDICAL RESEARCH. By&#13;
CHARLES REINHARDT, M.D.7 x 41. 29 pp. London&#13;
Publishing Co. Cloth, 6d. ; Paper, 2d.&#13;
NATURAL HISTORY&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARBETT&#13;
HAMILTON. Part VII. 10 X 7. pp. 25–72. Gurney&#13;
&amp; Jackson. 28. 6d. n.&#13;
ALPINE PLANTS OF EUROPE. Together with Culture&#13;
Hints. By H. S. THOMPSON, F.C.E. 81 X 51. 287&#13;
pp. Routledge. 78. 6d. n.&#13;
THE YOUNG ORNITHOLOGIST: A GUIDE TO THE&#13;
HAUNTS, HOMES. AND HABITS OF BRITISH BIRDS.&#13;
By PERCIVAL WESTALL, F.L.S. 71 X 5. 308 pp.&#13;
Methuen. 58.&#13;
ORIENTAL.&#13;
THE FLIGHT OF THE DRAGON. By LAURENCE BINYOX.&#13;
63 X 43. 112 pp. Murray. 28. 1.&#13;
POETRY.&#13;
THE CRUCIBLES ON TIME; AND OTHER POEMS. By&#13;
DARRELL FIGGIS. 71 X 5. 115 pp. Dent. 38. 6d. n.&#13;
PLUTO AND PROSERPINE. By JOHN SUMMERS STANLEY.&#13;
Panl. 28. n.&#13;
DREAMS AND GABLES. Sonnets. By E. HERRICK,&#13;
London: J. R. Allenson. 18. n.&#13;
BEFORE DAWN. (Poetry and Impressions.) By HAROLD&#13;
MONRO. 74 X 51. 144 pp. Constable. 58. n.&#13;
THE CALL OF THE Past. A Political Jingle. By A. H.&#13;
COCHRAN. 73 x 43. 64 pp. Simpkin, Marshall.&#13;
18. n.&#13;
VERSES. By DOLF WYLLARDE. 6 x 41. 114 pp.&#13;
Stanley Paul. 18. 6d. n. ; 2s.6d, n. (cloth).&#13;
THE BALLAD OF THE WHITE HORSE. By G. K.&#13;
CHESTERTON. 7 x 41. 182 pp. Methuen. 58.&#13;
REPRINTS&#13;
THE FOOTPATH WAY. An Anthology for Walkers, with an&#13;
Introduction. By HILAIRE BELLOC. 7 X 41. 240 pp.&#13;
Sedgwick &amp; Jackson. 28. 6d. n.&#13;
LETTERS FROM HELL. Given in English by JULIE&#13;
SUTTER. With a Preface by G. MacDONALD, LL.D.&#13;
7 x 41. 348 pp. Macmillan's Shilling Library.&#13;
SCIENCE.&#13;
THE TIDES AND KINDRED PHENOMENA IN THE SOLAR&#13;
SYSTEM. By SIR GEORGE HOWARD DARWIN. (Third&#13;
Edition.) 78 X 5. 437 pp. Murray. 78. 6d. n.&#13;
SCIENTIFIC PAPERS. By SIR GEORGE HOWARD DARWIN,&#13;
K.C.B., F.R.S. Vol. IV.(and last). Periodic Orbits and&#13;
Miscellaneous Papers. 104 x 69. 592 pp. Cambridge&#13;
University Press. 158. n.&#13;
SOCIOLOGY,&#13;
THE PREVENTION OF DESTITUTION. BY SIDNEY and&#13;
BEATRICE WEBB. 8} x 51. 348 pp. Longmans. 68. n.&#13;
AT THE WORKS. A Study of a Manufacturing Town, By&#13;
LADY BELL. 64 x 41 376 pp. Nelson. 18. n.&#13;
SOCIOLOGY APPLIED TO PRACTICAL POLITICS. By&#13;
• JOHN BEATTIE CROZIER. 9 x 53.320 pp. Longmans.&#13;
MILITARY&#13;
THE MILITARY LAW EXAMINER. By LIEUT.-COL. S. C.&#13;
PRATT. (Eighth Edition.) 71 X 5. 306 pp. Gale &amp;&#13;
Polden. Às. 6d. 1..&#13;
9s. n.&#13;
MISCELLANEOUS.&#13;
THE EYE WITNESS. Edited by HILAIRE BELLOC. 6d.&#13;
THE PROGRESS Book. An Illustrated Register of the&#13;
· Development of a Child from Birth till Coming of Age.&#13;
By J. J. PILLEY, PH.D. 8 x 62. 63 pp. Leadenhall&#13;
Press.&#13;
PATRIOTISM: A BIOLOGICAL STUDY. By H. G. F. SPUR.&#13;
RELL, M.A. 168 pp. George Bell &amp; Sons. 28. 6d. n.&#13;
BLACKPOOL TO-DAY. By ARTHUR LAYCOCK. 10 x 71.&#13;
48 pp. John Heywood. 3d.&#13;
AN ANTHOLOGY OF Essex. Collected by ISABEL LUCY&#13;
and BEATRICE MARY GOULD. Edited and arranged,&#13;
with additions and a Biographical Index, by&#13;
CHARLOTTE FELL SMITH. London: Sampson, Low &amp;&#13;
Co. 58. n.&#13;
WHAT A LIFE! By E. V. L. and G. M. 77 x 41.&#13;
126 pp. Methuen. Is. n.&#13;
BRITISH RURAL LIFE AND LABOUR, By F. G. HEATH.&#13;
84 x 58. 318 pp. P. S. King.&#13;
SPORT.&#13;
ANGLING FOR COARSE Fish. By JOHN BICKER'YKE.&#13;
7x 5. 140 pp. (Third edition.) Upcott Gill. 18&#13;
TOPOGRAPHY,&#13;
HIGHWAYS AND HEDGES. Painted by R. BENGER&#13;
. Described by H. A. MORRAH. 9 x 61. 144 pp. Black&#13;
78. 6d. n.&#13;
A BOOK OF THE WYE. By EDWARD HUTTON. 9 x 51&#13;
292 pp. Methuen. 78, 6d. n.&#13;
MUSIC.&#13;
MORE MASTERINGERS. Studies in the Art of Music. By&#13;
FILSON YOUNG. 8 X 51. 286 pp. Grant Richards.&#13;
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THE AUTHOR.&#13;
THE WONDERFUL WEALD, AND THE QUEST OF THE THE GARDEN OF ALLAH. By ROBERT HICHENS. 490 pp.&#13;
CROCK OF GOLD. By ARTHUR BECKETT. Illustrated New York : Stokes. $1.50.&#13;
by ERNEST MARILLIER, 9 x 51. 439 pp. Mills &amp; THE SILENT BARRIER. By Louis TRACY. 350 pp. New&#13;
Boon. 108. 6d.&#13;
York : Clode. $1.25.&#13;
TRAVEL.&#13;
HISTORY.&#13;
Nova SCOTIA: THE PROVINCE THAT HAS BEEN PASSED.&#13;
CÆSAR'S CONQUEST OF GAUL. By T. RICE HOLMES.&#13;
By BECKLES WILLSON. 9 X 54. 256 pp. Constable.&#13;
(Second edition, revised throughout and largely rewritten.)&#13;
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"CHICOT " IN AMERICA. By KEBLE HOWARD (" Chicot”.&#13;
872 pp. New York: Oxford University Press. $7.75 n.&#13;
of “The Sketch.") 74 x 48. 204 pp. Hutchinson.&#13;
POETRY.&#13;
18. n.&#13;
RECESSIONAL ; AND OTHER POEMs. By RUDYARD KIPLING.&#13;
THE LAND OF VEILED WOMEN. Some Wanderings in&#13;
Algeria. By JOHN FOSTER FRASER. 72 x õ. 288 pp.&#13;
62 pp. New York : Crowell. 35 cents.&#13;
Cassell. 68.&#13;
MISCELLANEOUS.&#13;
MEXICO AS I SAW IT. By MRS. ALEC TWEEDIE.&#13;
A POOR MAN'S HOUSE, By STEPHEN REYNOLDS. 320 pp.&#13;
61 x 47. 480 pp. Nelson. 18. n.&#13;
New York : Macmillan. 50 cents n.&#13;
RAMBLES AROUND FRENCH CHÂTEAUX. By FRANCES&#13;
PATRIOTISM : a Biological Study. By H. G. F. SPURRELL.&#13;
GOSTLING. 73 x 5. 372 pp. Mills &amp; Boon. 68.&#13;
RAMBLES IN THE BLACK FOREST. By I. A. R. WYLIE.&#13;
168 pp. New York : Macmillan. $1 n.&#13;
73 X 5. 325 pp. Mills &amp; Boon, 68.&#13;
SOCIOLOGY.&#13;
HOME LIFE IN HOLLAND. By D. S. MELDRUM. 9 x 59.&#13;
SOCIOLOGY APPLIED TO PRACTICAL POLITICS. By J.&#13;
375 pp. Methuen. 108. 6d. n.&#13;
THE BELGIANS AT HOME. By CLIVE HOLLAND. With&#13;
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$3 n.&#13;
16 Hlustrations in colour by DOUGLAS SNOWDON, and&#13;
TRAVEL.&#13;
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Methuen. 103. 6d. n.&#13;
tions by L. WEIRTER. 31.5 pp. New York: Stokes.&#13;
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HAMEL. New York : Pott. $3.50 n.&#13;
TR. H. G. F. Spurrell has written, and&#13;
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308 pp. New York. Macmillan. $7.50 n.&#13;
a “ Biological Study of Patriotism.” Mr.&#13;
CLASSICAL,&#13;
Spurrell's aim, in this work, has been to explain the&#13;
THE RISE OF THE GREEK EPIC : A Course of Lectures natural history of patriotism, and to furnish the&#13;
delivered at Harvard University. Second edition, revised reader with a scientific analysis of a subject which&#13;
and enlarged by G. G. A. MURRAY. 368 pp. New York:&#13;
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shire; or can be ordered through a bookseller from&#13;
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the same address.&#13;
THE QUEEN'S FILLET. By the Rev. Canon P. A. Messrs. Smith, Elder &amp; Co. have accepted a new&#13;
SHEEHAN, D.D. 376 pp. New York: Longmans.&#13;
novel by Miss Emma Brooke, which will probably&#13;
$1.35 n.&#13;
OPTE BOWEN be published in the early spring. The Windsor&#13;
DEFENDER O&#13;
366 pp. New York : Dutton. $1.35 n.&#13;
Magazine had a story, entitled “Thirteen o' the&#13;
THE LARGER GROWTH. By CONSTANCE ARMFIELD. Clock," by Miss Emma Brooke, in the June issue.&#13;
382 pp. New York : Dutton. $1.35 n.&#13;
The same magazine has accepted a second story by&#13;
THE SHADOW: A Story of the Evolution of a Soul. By&#13;
HAROLD BEGBIE. 490 pp. Chicago : Revell. $1.25 n.&#13;
the same author. Miss Emma Brooke has also a&#13;
THE GLOBY OF CLEMENTINA. By W.J. LOCKE. 367 pp. story in the July issue of Nash's Magazine, entitled&#13;
New York : John Lane. $1.30 n.&#13;
“ The Offer."&#13;
THE SHIP OF CORAL. By H. de VERE STACKPOOLE.&#13;
Mrs. Havelock Ellis' new book, “ The Imperish-&#13;
311 pp. New York : Duffield. $1.20 n.&#13;
Farable Wing," is a series of psychological studies in&#13;
THE SECRET GARDEN. By FRANCES HODGSON BURNETT.&#13;
375 pp. New Yörk : F. A. Stokes. $1.35 n.&#13;
Love and Passion and Death. They are Cornish&#13;
F THE FAITH.&#13;
&#13;
&#13;
## p. 8 (#404) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
stories, and will recall to Mrs. Ellis' readers her Dean Maitland,” in the Isle of Wight. The main&#13;
book, “ My Cornish Neighbours." Messrs. interest is the effect of strong spiritual emotion-&#13;
Stanley, Paul &amp; Co. are the publishers.&#13;
suddenly awakened by a missioner preaching in his&#13;
The Anti-Socialist League have republished and own kitchen-on a prosperous middle-aged farmer,&#13;
circulated an article from a Socialist paper, over ambitious, unimaginative, stubborn, hard ; but&#13;
the signature of “A. E. Jacomb." Miss A. esteemed by his world as exceptionally upright,&#13;
Jacomb-Hood—a member of the Society of just and sagacious.&#13;
Authors—who writes under the name of A. E. Edith C. Kenyon's historical tale, “ Two Girls in&#13;
Jacomb, desires it to be known that she is not the a Siege," a Welsh story of the siege of Chepstow, is&#13;
person responsible for the article, and has no now being issued by the Religious Tract Society in&#13;
knowledge of the writer.&#13;
their sixpenny edition. Miss Kenyon's serial,&#13;
A new collection of poems, entitled “Before “ Ashes of Honor," ended in the July number of&#13;
Dawn," by Mr. Harold Monro, author of “Judas," the All Story Magazine.&#13;
was published by Messrs. Constable &amp; Co. in July. The Queen has graciously been pleased to accept&#13;
We quote the dedication of the volume, which a copy of Mrs. Charlotte Cameron's new novel,&#13;
seems to explain the title: “I dedicate this book “A Passion in Morocco." Her Majesty has also&#13;
to those who, with me, are gazing in delight promised to accept a work of travel, entitled “A&#13;
towards where on the horizon there shall be dawn. Woman's Winter in South America," from Mrs.&#13;
Henceforth, together, humble thongh fearless, we Cameron, which is about to appear.&#13;
must praise, worship, and obey the beautiful Messrs. Cassell &amp; Co. have included in their&#13;
Future, which alone we may call God."&#13;
autumn list another story by Helen H. Watson,&#13;
Mr. Wynford Dewhurst has received a second author of “Peggy, D.O.” The present story is&#13;
mark of distinction from the French Government, called “Peggy, S.G.," and while the former book&#13;
the Brevet and handsome gold insignia of “ Officier dealt with Peggy the “distinguished orthor," this&#13;
de L'Instruction Publique et des Beaux-Arts, one has to do with her school career-hence the&#13;
having been awarded him. Mr. Dewhurst has title “Peggy the School Girl." Messrs. Cassell&#13;
been spending the summer in France, where he will also publish, in the early spring of next year, a&#13;
has been busily painting. His work will be new novel by Mrs. Watson, entitled “ The Open&#13;
shown in the Durand-Rueil Galleries, Paris, in Valley.”&#13;
November next.&#13;
“As Flows the River" is the title of Mrs. Fred&#13;
Her Majesty the Queen has graciously accepted Reynolds' new book, of which Messrs. Chapman &amp;&#13;
a copy of “Pageants and Plays," by Miss Grace Hall are the publishers. The scene of the story is&#13;
Toplis, under which title the old favourites for laid amongst the Welsh mountains in the neighbour-&#13;
school and village entertainments have been hood of Llanbedr, a locality already utilised by&#13;
reissued, with “ The Five Georges” as new matter, Mrs. Reynolds in .“ The Man with the Wooden&#13;
for performance during the local festivities and Face,” “St. David of the Dust,” “The Lady in&#13;
celebrations of the new reign.&#13;
Grey," and other novels.&#13;
Derek Vane's new novel, “ The Soul of a Man,” “The Bees” is the title of a new book recently&#13;
is now running serially in The Throne and issued by Messrs. Chapman &amp; Hall. It is by&#13;
Country. It is a study of a man of curious complex Miss M. Ellen Thonger, and describes the nursery&#13;
nature-half-cynic, half-dreamer—who marries a adventures of a bunch of triplets, and belongs&#13;
beautiful inexperienced girl, who thinks they are to the same category of books as “ Helen's&#13;
going to live an ideal life.&#13;
Babies."&#13;
Messrs. Sampson Low &amp; Co. are the publishers Miss Mary L. Pendered's new novel, “ Daisy the&#13;
of an “ Anthology of Essex,” collected by Isabel Minx," is due, this month, from the publishing&#13;
Lucy and Beatrice Mary Gould, and edited and house of Mr. Ham-Smith. The author describes it&#13;
arranged, with additions and a “ Biographical as “ A Diversion," as it is somewhat different from&#13;
Index,” by Miss C. Fell Smith. The method her usual work, being written rather in a spirit of&#13;
which the editor has followed, in her work, has frolic. 7. P.'s Magazine for August contains a&#13;
been to include any writers on the county, and the story from Miss Pendered's pen, wbich is entitled&#13;
county writers on anything—that is, of course, on “ The Happiest of Men,” while the September Novel&#13;
anything edifying or worth preserving. The reader Magazine also has a story from the same writer.&#13;
may flit from the stained-glass conceits of Quarles Miss Pendered, in addition to these stories, has&#13;
and Benlowes to the rude human nature, fresh recently finished a novel, to which she has given the&#13;
from the soil, of to-day's farm labourer.&#13;
title “ The Anklebiter."&#13;
Maxwell Grey's new novel, which Mr. John Long Mr. Ditchfield, Rector of Barkham, has com-&#13;
published in August, is called “Unconfessed," and pleted a volume of essays entitled “Out of the&#13;
the scene is laid, as was that of “The Silence of Ivory Palaces," which will be pullished shortly by&#13;
&#13;
&#13;
## p. 9 (#405) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
Messrs. Mills &amp; Boon. He has also written, for another copy was also accepted by H.R.H. the&#13;
private circulation, a “ History of the Dawson Prince of Wales.&#13;
Family" of Yorkshire, Berkshire, and America, A new humorous novel, entitled “ Hodson's&#13;
compiled from family papers, letters and documents; Voyage," from the pen of Mr. W. H. Koebel,&#13;
Messrs. George Allen &amp; Co. being the publishers. appears from Messrs. Stanley Paul &amp; Co. Of&#13;
For the same firm he has long been engaged upon recent years Mr. Koebel has been better known as&#13;
a large work on the “Counties of England," a &amp; writer of books of travel, but in taking up fiction&#13;
review of their history and records. This will again he has returned to his first love. Mr. Koebel,&#13;
appear this autumn, in two volumes. At the same has not, however, abandoned the writing of works&#13;
time his “Memorials of Old Gloucestershire” will of travel, and he is engaged at the present time in&#13;
appear as one of the volumes of the “ Memorial passing the proofs of a new book dealing with up-&#13;
Series," of which thirty volumes have been published country life in New Zealand, which he has entitled&#13;
under his editorship. Mr. Ditchfield has also “ In the Maoriland Bush." It is based on his own&#13;
undertaken to write two more books for Messrs. personal experiences and observations, and includes&#13;
Methuen &amp; Co., who have been his principal pub- intimate descriptions of the humours and tragedies&#13;
lishers for many years, and with whom he has had of the fascinating country of the “ back blocks."&#13;
a literary connection since the foundation of that In response to a desire expressed by many readers&#13;
firm in 1889. Miss Edna Lyall's book, “ Derrick of Miss Doll Wyllarde's novels, for the complete&#13;
Vaughan," and Mr. Ditchfield's “ English Villages” poems from which she had quoted in her stories&#13;
were the two first books published by that house. from time to time, Miss Wyllarde has decided to&#13;
He is also editing the Journal of the British publish a collection of them in volume form, and is&#13;
Archæological Association.&#13;
adding a number of hitherto unpublished poems.&#13;
A work on the agricultural and commercial Miss Wyllarde has entitled the book simply&#13;
problems of sugar beet growing and beet sugar “ Verses.” The volume, wbich has a photogravure&#13;
manufacture, by the writer on rural subjects who frontispiece, is also published by Messrs. Stanley&#13;
uses the nom de guerre of “Home Counties," has Paul &amp; Co.&#13;
been published from the Field office. It extends to Mrs. Irene Osgood's latest volume, “ A Blood&#13;
more than 400 pages, and contains a hundred Moon; and Other Stories," includes“ A Blood Moon,"&#13;
illustrations. The aim of the author is to discuss “ The Bubl Cabinet” and “ Stories from Algiers."&#13;
a difficult subject in an impartial spirit.&#13;
The titular story tells of a devoted wife who&#13;
« Above Your Heads" is the title given by Mr. surprised her husband and his paramour discussing&#13;
Frederick Niven to a volume of short stories, which her lightly. “The Buhl Cabinet” consists of a&#13;
he has published through Mr. Martin Secker. number of letters collected by a cynical old French&#13;
None of the stories has been published previously, marquis, from women whose marriage had proved&#13;
all of them having been rejected by editors mainly a failure through incompatibility of tastes or&#13;
on the ground that they would not appeal to the temperament. “Stories from Algiers " are a subtle&#13;
public. The author has, therefore, put them before study of the Algerine of to-day who retains many&#13;
the public in volume form, in the hope that the of the characteristics of the corsairs from whom he&#13;
editors' view may be proved erroneous.&#13;
is descended.&#13;
A new novel by Harold Avery, the author of “A Frank Hamel has chosen Jean de la Fontaine&#13;
Week at the Sea,” entitled “Every Dog his Day," as the subject of her latest volume of biography.&#13;
will be published immediately by Messrs. Stanley La Fontaine has a unique place in French litera-&#13;
Paul &amp; Co,&#13;
ture. He stands between the old and the new.&#13;
G. P. Putnam's Sons published on September He possessed the humour of the Renaissance&#13;
20, Miss Winifred Boggs' new story, “Vagabond period, and adapted it to the clear and sparkling&#13;
City." It is the author's first novel since she won style of the grand siècle. He was closely in touch&#13;
the Daily Mail Prize Novel Competition in 1907, with Boileau, Racine, and Molière, and his story&#13;
for “The Return of Richard Carr.” “Vaga- must therefore appeal to all students of a remark-&#13;
bond City” opens on the honeymoon of the able period of French literary history. The volume&#13;
vagabond and his pretty conventional bride, and will be published immediately by Messrs. Stanley&#13;
tells of their life in the New Forest, to which in Paul &amp; Co.&#13;
time is introduced the Genius, the woman artist, A second edition has recently been issued of&#13;
his mate. The second edition of this book has “De Libris : Prose and Verse," by Mr. Austin&#13;
just appeared.&#13;
Dobson, with illustations by Hugh Thomson and&#13;
“Gallant Wales," the fifth song Miss K. Everest Kate Greenaway. The new issue has an addi-&#13;
bas produced, is published by Stanley Webb, tional chapter. Messrs. Macmillan &amp; Co. are the&#13;
10, Museum Street, W.C. A copy of this song publishers.&#13;
was graciously accepted by H.M. The Queen, and Mr. Martin Secker announces the publication of&#13;
G&#13;
&#13;
&#13;
## p. 10 (#406) #############################################&#13;
&#13;
10&#13;
THE AUTHOR.&#13;
Michael Barrington's new book dealing with “ The Ogre," Mr. Henry Arthur Jones' new&#13;
Grahame of Claverhouse, Viscount Dundee. In play, was produced at the St. James' Theatre on&#13;
this work--the result of long study of the con- the 11th. “The Ogre” is the head of a house-&#13;
flicting elements of Restoration and Revolution hold, and is given this nickname by his wife and&#13;
politics—the author shows the intrigues of 1688 children, who are in open rebellion against him.&#13;
in a new light. The book contains also a vivid The dramatist describes the method by which the&#13;
picture of the Highland campaign. New military husband “tamed” his household. The caste&#13;
maps, an itinerary of the Highland campaign, and included Sir George Alexander, Mr. A. E.&#13;
a copious bibliography are added to the volume. Matthewe, Mr. Sydney Valentine, Miss Kate&#13;
The ordinary edition of nine hundred copies is Cutler, and Miss Gladys Cooper.&#13;
issued at £1 108. net. There is also an edition de Mr. Alfred Sutro's new comedy, "The Perplexed&#13;
luxe, strictly limited to fifty copies, numbered Husband,” was produced at Wyndham's Theatre,&#13;
and signed by the author. The price of the copies on September 12. The play opens with the return&#13;
in this edition is £3 38.&#13;
of a tea merchant from a visit to Russia, and the&#13;
“Nine English Consorts of Foreign Princes” is first act shows the nature of the reception given&#13;
the title of Miss Ida Woodward's new book which to him by his wife. This lady has, apparently,&#13;
Messrs. Methuen &amp; Co. are publishing on the been reading Ibsen's “Doll's House ” during her&#13;
12th inst.&#13;
husband's absence, and the husband is perplexed as&#13;
to the best way to meet the situation which has&#13;
DRAMATIC.&#13;
arisen owing to the effect of the Norwegian&#13;
Mr. Louis N. Parker's comedy, in three acts, dramatist on the relations between the pair. In&#13;
“ Pomander Walk,” was staged at the Playhouse on the caste were Mr. Gerald du Maurier, Mr. E.&#13;
June 29. The period of the play is 1805, and Lyall-Swete, Miss Maude Millett, and Miss&#13;
* Pomander Walk » (in the neighbourhood of Henrietta Watson.&#13;
Chiswick) is the centre of a comedy in which the Mr. Bernard Shaw's “ Man and Superman" was&#13;
dramatist-introduces many character studies. The revived at the Criterion for a short run on Septem-&#13;
caste included Mr. Cyril Maude, Mr. Norman ber 28. In the caste were Miss Pauline Chase, Mr.&#13;
Forbes, Miss Winifred Emery and Mr. Frederick Robert Lorraine, Mr. Guy Standing, Miss Florence&#13;
Volpe.&#13;
Haydon, and Miss Agnes Thomas.&#13;
"Sally Bishop,” a play in four acts, by E. Temple&#13;
Thurston, was produced at the Prince of Wales&#13;
Theatre on July 25. The caste includes Mr.&#13;
PARIS NOTES.&#13;
Dennis Eadie, Mr. Holman Clark, Miss Agnes&#13;
Thomas, and Miss Daisy Markham.&#13;
Mr. John Pollock’s play, “ Rosamond,” which was NEW league has been founded in France&#13;
produced in London last season at the Royalty and&#13;
entitled The League against the lending of&#13;
Kingsway Theatres, by Madame Lydia Yavoiska, books.&#13;
has been translated into Russian by Prince One of the chief causes of the recent crisis in the&#13;
Vladimir Bariatinsky, and accepted for production book trade is undoubtedly the ease with which&#13;
at the Imperial Theatre at Moscow, which is known people obtain books to read without paying for&#13;
as “ le théâtre de Molière Russe.”&#13;
them.&#13;
"The Hope," by Cecil Raleigh and Henry M. Paul Reboux and M. René Blum have&#13;
Hamilton, was produced at Drury Lane Theatre therefore issued a manifesto, from which we quote&#13;
last month. In their latest sporting drama, the a few extracts : “Our friends do not borrow our&#13;
authors find their hero in an impecunious peer, and pictures, our cushions and our knick-knacks, but&#13;
the play takes its title from a horse which, they do ask for our books. We have not the&#13;
representing the only chance of saving the peer's courage to refuse to lend them, and our volumes&#13;
house from ruin, is called “The Hope.” In the disappear and do not return to our shelves. ...&#13;
caste are Mr. Cyril Keightley, Mr. Lyston Lyle, Every borrower may be considered as one buyer&#13;
Miss Fanny Brough, and Miss Madge Fabian. less, whilst every would-be borrower to whom we&#13;
Mr. Hail Caine's new play, “The Quality of refuse our books may be a buyer gained."&#13;
Mercy," was produced at the Theatre Royal, Man- A French writer commenting on this movement&#13;
chester, on September 4th. The play has for its says: “Public libraries should, of course, be&#13;
central theme an intrigue similar to that recorded encouraged for those who cannot buy, but well-to-&#13;
in Scripture, whereby King David disposed of do-people who only read books bought by others&#13;
Uriah in order to become possessed of Bathsheba. should be discouraged. ... One of the objects&#13;
In the piece were Miss Eille Norwood, Miss Hilda of the League is to help everyone to fight against&#13;
Dick, and Mr. Thomas Holding.&#13;
the tyranny of sponging friends."&#13;
&#13;
&#13;
## p. 11 (#407) #############################################&#13;
&#13;
THE AUTHOR.&#13;
11&#13;
A great lover of books adds: “I quite approve Salon Carré was thronged with visitors, and&#13;
this wise initiative, and I would add that, in order certainly never have any nails attracted more&#13;
not to be impolite, when it is a lady who wants to attention than those upon which the favourite&#13;
borrow a book, a man has only to reply that .it picture had hung so many years. The doors of&#13;
shall be sent to her the following day.' He can the Museum and many of the rooms were guarded&#13;
then buy her a volume without giving up his own by policemen, and very strict measures are being&#13;
copy. Tactful people will soon take the hint, and taken in order to prevent the repetition of a similar&#13;
this will teach them the way to the book shops." We theft.&#13;
may add that the office of this new League is at In recent numbers of La Revue hebdomadaire&#13;
42, Rue de Clichy, Paris, the annual subscription are articles by Jean-Louis Vaudoyer “ Théophile&#13;
three francs, and that each member receives a little Gautier"; by Péladan, on · La Joconde et le Saint&#13;
engraving on parchment to place on his bookshelf. Jean," and by Dr. Gustave Le Bon on “L'Evolution&#13;
This little card is intended as a polite method of latine du Socialisme.”&#13;
explaining that books cannot be lent.&#13;
In the Revue de Paris are“ Lettres de Danemark&#13;
Among recent books are “ Sonia et ses amis” (les et d'Allemagne," by Francois Coppée, and an article&#13;
petits cahiers d'une etrangère, avec préface d'Emile on “Sedan” by Lieutenant-Colonel Picard. M.&#13;
Berr”). “La Ville inconnue,” by Paul Adam, is one Maurice Muret writes on “Antonio Fogazaro et&#13;
of the most remarkable of this author's books. It is son Oeuvre.” and Barbe Doukhorskoy gives a&#13;
a story of the French in Africa, and of the influence chapter of his “ Souvenirs."&#13;
of the climate and surroundings on certain officers The theatres are beginning to open their&#13;
of the French army. A very dramatic episode is the doors for the winter season.&#13;
arrival of two officers in an aeroplane.&#13;
At the Comédie Française, “ Cher Maître," and&#13;
In Marcelle Tinayre's new novel, “La Douceur “Le Goût du vice” have been given. At the&#13;
de vivre," many of the qualities of her “ Maison de Renaissance, “Le mysterieux Jimmy,” by M.&#13;
Péché” are to be found. Some of her descriptions, Armstrong. M. Abel Deval announces for his&#13;
too, are very fine.&#13;
theatre an adaptation of “Mr. Pickwick."&#13;
“ Humour et Humoristes " is the title of a clever The outdoor theatres have had a brilliant season&#13;
book by Paul Stapfer. In this volume we find an on account of the exceptional summer. M. Camille&#13;
important study of Henry Fielding, another of de Sainte Croix has obtained permission to open&#13;
Jean-Paul-Frederick Richter, a study of Anatole his Shakespeare Theatre in the St. Cloud Woods,&#13;
France's work, and a well-drawn portrait of but it is probable that, on account of the delay in&#13;
Mme. de Noailles.&#13;
obtaining this, he will now wait for next season.&#13;
An extremely instructive book has been written&#13;
ALYS HALLARD.&#13;
by M. H. Joly, as a result of a mission with&#13;
which the author was entrusted for the Académie&#13;
“ La Ville inconnue” (Fasquelle).&#13;
des Sciences Morales. It is entitled “L'Italie “ La Douceur de vivre” (Calmann Lévy).&#13;
contemporaine, enquêtes sociales." The volume * Humour et Humoristes ” (Fischbacher).&#13;
contains a great amount of reliable information “L'Italie contemporaine enquêtes sociales " (Bloud).&#13;
about the social conditions of life in Italy.&#13;
“Contre l'alcoolisme” is the title of a book by&#13;
Joseph Reinach, in which he shows the terrible AUTHORS' AGENTS, LITERARY AND&#13;
ravages made by alcoholism in France.&#13;
DRAMATIC.&#13;
English admirers of the work of Camille&#13;
Flammarion may like to take part in his Jubilee&#13;
Fête, when a souvenir is to be presented to the M HE subject is a very wide one. It is barely&#13;
great astronomer in commemoration of the&#13;
possible to go more than round the out-&#13;
Foundation of the French Astronomical Society&#13;
skirts in a short paper, and to state a few&#13;
twenty-five years ago, and the publication of his facts—not always obvious to the author—without in&#13;
first book fifty years ago.&#13;
many cases giving examples or reasons ; to write&#13;
The artist Zeitlin has been commissioned to fully on this subject would necessitate a small&#13;
design the souvenir which is to be presented to him. volume.&#13;
Over three hundred pounds have already been The first question is whether literary and&#13;
subscribed, and further subscriptions are received dramatic agents are essential. It is necessary to&#13;
by M. Monprofit, 31, Boulevard des Italiens. separate the two, for their duties are the same, yet&#13;
The disappearanee of La Joconde from the so different. The majority of dramatists—to take&#13;
Louvre Museum has made it necessary to institute the dramatic agent first-would declare that a&#13;
various reforms in this celebrated picture gallery. dramatic agent is useless. There is no doubt that&#13;
On the first day of opening after the theft, the a persevering individual who lives in or near&#13;
&#13;
&#13;
## p. 12 (#408) #############################################&#13;
&#13;
12&#13;
THE AUTHOR.&#13;
own does not need one. In any case, the dramatic why an agent should be free to take his full per-&#13;
agent is not as necessary to dramatists as the lite- centage so long as the contract lasts. He will be&#13;
rary agent is to the author. The dramatic market amply paid if his fees on any one play reach&#13;
is exceedingly limited, the competition is exceedingly £500. These are hard statements of facts ; indeed,&#13;
strong. The only way to place a dramatic piece is as already stated, the paper is full of these&#13;
by persisteni personal pressure ; by obtaining per- statements. It is quite possible that an author or&#13;
sonal introductions and by the aid of personal dramatist may refuse to accept them without fuller&#13;
influence wherever possible, and, above all things, evidence, without some reason being forthcoming.&#13;
by keeping up a good heart. It would be easy to The writer is stating nothing of which he is not&#13;
quote five or six cases of dramatists now well known fully cognisant, and could in most cases, from the&#13;
who had to wait for six, seven, or ten years before authors' and dramatists' points of view, show that&#13;
they could get their work accepted. This process the deductions made are irrefutable. The agent,&#13;
of forcing the strongholds of the managers is not perhaps, would traverse them.&#13;
always pleasant, but then how many roads to suc- Of course, it should be an agent's business to see&#13;
cess are? To dramatists who happen to be living that the contract between the dramatist and the&#13;
abroad or some distance from London, who can get manager is a good contract for the dramatist ; but,&#13;
no personal influence to bear on managers, the unfortunately, in many cases the agent's chief wish&#13;
agent may no doubt be useful.&#13;
is to get the contract off his hands, and with this&#13;
So far for the dramatic agent. The literary end in view is sometimes inclined to give the author&#13;
agent comes next. There are many more reasons bad advice. If, therefore, an author employs an&#13;
why the author should employ a literary agent than agent he cannot be too careful about watching&#13;
the dramatist a dramatic agent. The markets are every step he takes. This is where the Society of&#13;
enormously wide; there are many rights to be Authors would be of use. No doubt, however, after&#13;
marketed, and there are many markets of which the contract is made the agent can be useful in&#13;
the author is ignorant; but, again, if a man is a collecting fees. After he has collected the full sum&#13;
sound man of business and does not object to he is entitled to expect for his work in placing the&#13;
market his own wares, and has time to market them, play, the agent might, perhaps, be allowed a small&#13;
he can do so without the assistance of the agent. percentage for collecting the subsequent fees; but&#13;
If, however, he loathes the business side of literary the author ought at all times to be able, if necessary,&#13;
work, has such a heavy output that he cannot spare to insist upon the collection of moneys himself,&#13;
the time and hates the trouble, then the literary subject to the claim of the agent to his commission,&#13;
agent is useful.&#13;
if any is still unpaid, and to be free to terminate the&#13;
To those who undertake to place their own literary agreement in case, for any reason, he is dissatisfied&#13;
and dramatic work the Society of Authors is essen- with the agent's method of doing business, or in&#13;
tial, because the knowledge at the disposal of the case the agent has broken any part of his contract.&#13;
society on contracts and prices which prevail is This is a matter of the greatest importance to&#13;
useful to any dramatist or author who markets his rising dramatists, but space will not permit to go&#13;
own work, and even enables an author or dramatist into further details. If necessary, the subject must&#13;
to market his own work who could not do so other be dealt with in another article.&#13;
wise. Indeed, even those authors who employ Next, the literary agent. Though to some&#13;
agents will find the society's help essential. To authors his work is essential, again it should be&#13;
begin with, there is the contract with the agent, exceedingly carefully watched. He is very often&#13;
which is a most serious and important matter, and, under the thumb of a publisher. He not infre-&#13;
to continue, it is very often necessary that the quently deals as principal himself, and has the&#13;
work of the agent and the contracts he advises power—the very woeful power-of pitting one&#13;
the author to make should be carefully gone over by author's work against another's, giving thereby&#13;
some independent authority.&#13;
success to one author to the detriment of another&#13;
If it is agreed that in certain cases and in certain author whose work he may be handling.&#13;
circumstances an agent is essential, it will be well The first point is the contract between the author&#13;
to consider first the position of the agent and the and the agent. Here again the agent must be&#13;
dramatist. The dramatist should be careful not to carefully watched. He must only be permitted to&#13;
deal with any agent who buys work as a principal, draw his agency charges on contracts actually com-&#13;
or is marketing his own work. He should be careful pleted by him. He must not be allowed, in any&#13;
that the agent is an agent pure and simple, and one circumstances, to claim agency fees on introduc-&#13;
who is quite independent of managers and syndi- tions merely. The author must be in a position to&#13;
cates. Next, as to the agent's remuneration. terminate the contract at any time if he is dis-&#13;
Sometimes the fees from a successful play reach a satisfied with the agent, and must be in a position&#13;
very high figure. In such a case there is no reason to obtain control of the collection of moneys. In&#13;
&#13;
&#13;
## p. 13 (#409) #############################################&#13;
&#13;
THE AUTHOR.&#13;
13&#13;
order to do so he must forbid the agent, in any the British market. If then he has failed he&#13;
circumstances, to put in the contract with the should still not give up trying, but should attempt&#13;
publisher a clause giving him, the agent, the right at the same time to market the work in England.&#13;
to collect the moneys under the contract and to What happens now is, that as a rule, acting on the&#13;
give a receipt in full discharge, a constant and agent's advice, the author lets the American rights&#13;
most reprehensible practice.&#13;
go to the English publisher who sells sheets to&#13;
This naturally leads one to consider some of the America, and this, from the financial point of view&#13;
contracts which agents do advise authors to sign proves a better bargain for the English publisher&#13;
with publishers-contracts which cannot be con- than to allow the agent to place the American rights&#13;
sidered fair to the authors, though they may save with an American house.&#13;
the agent a great deal of trouble. And this, There is one further point in regard to markets&#13;
apparently, is his only reason for recommending in which the agent is very strongly to blame, and&#13;
them.&#13;
that is, in allowing the publisher to handle all the&#13;
The first point relates to the practice of binding minor rights. These are serial rights, translation&#13;
the author to the publisher for future books. It rights, Continental rights, etc. Not only does he&#13;
has been a growing custom of agents to pass allow the publisher to handle these rights, which&#13;
contracts of this kind, and the agent puts forward it is his business as agent to handle, but he&#13;
the usual temptation which the publisher has allows the publisher to charge the author for&#13;
whispered into his ear, that the publisher will do handling them, sometimes as high a fee as 50&#13;
so much better for the author if he has control of per cent. of whatever sum the rights realise.&#13;
all his future work ; that the publisher cannot Thus the author has to pay 50 per cent. to the&#13;
advertise one book to the same extent as he could publisher, and then another 10 per cent. of what.&#13;
if he has the promise of three others; that it takes remains to the agent. The position is, on the face&#13;
away from the author an immense amount of worry of it, absurd. Why does the agent do it? Because&#13;
if he knows that his contracts for the next four it saves him trouble; and he tempts the author&#13;
books are clear. All these statements are false, with the words of the publisher, who asserts that he&#13;
and the danger of yielding to them is enormous; can do so much more for the book if he is allowed&#13;
but there is one clear fact, and that is, that if the this wider control. This statement proves utterly&#13;
agent can make one contract serve for four books false in practice. The really serious matter is this,&#13;
he has not only saved himself a good deal of that it is not the publishers' business to carry his.&#13;
trouble, but at one stroke has secured for himself labours beyond the publication of the work in&#13;
commission on four books that are not written book form ; that he cannot, therefore, have the&#13;
books which might not even have been placed same power to market these minor rights that the&#13;
through his agency in the ordinary course of affairs. agent has, and, in consequence, is bound sometimes&#13;
In one word, the agent benefits at the expense himself to place these rights in the hands of an&#13;
of the author, and thus sares himself trouble rather agent, sometimes in the hands of the same agent&#13;
than advantages the best interests of the author. who made the contract which gave them to the&#13;
The next point is the question of the United publisher. It is exceedingly dangerous for an&#13;
States market. It must be remembered that in author to employ an agent who is also acting as&#13;
all these examples the agent's work with the agent for the sale of works or rights controlled by&#13;
publisher is referred to only, and not the position a publisher. Moreover, in allowing the publisher&#13;
of the author working for himself. The agent to have translation rights in his control, the agent&#13;
constantly tells the author that English books will has prevented the author from exercising any&#13;
not sell in America, and that it is no use to try to effective veto over the translation of his work which&#13;
obtain American copyright. This statement is made, and has prevented him from satisfying&#13;
again, is inaccurate. No market is better for the himself as to the skill of the translator, and his&#13;
author than the American market. If a book competence for the work undertaken.&#13;
touches the American market (and all good literature An author who employs an agent who is also&#13;
should be universal), for one copy sold in England employed by a publisher may find that the agent&#13;
four would be sold in America. Again, the agent is endeavouring to sell his work at different prices,&#13;
advises the author from his, the agent's, point of as the publisher has no reason to keep the author's&#13;
view, and not from the point of view of the author. price up. The agent, therefore, may be asking,&#13;
It gives the agent a great deal of trouble to place on behalf of the publisher, for a smaller rate of&#13;
work in America. It takes longer, and the agent, pay than he is asking on behalf of the author.&#13;
like all men of business, is out to make money, The effect upon the author's rates cannot, in such&#13;
and to make it quickly. An agent ought to give circumstances, fail to be disastrous.&#13;
a good six months to obtaining the American Other rights which an agent sometimes allows&#13;
market for an author before he attempts to obtain an author to sign away are dramatic rights. To&#13;
&#13;
&#13;
## p. 14 (#410) #############################################&#13;
&#13;
14&#13;
THE AUTHOR.&#13;
allow such assignment would seem so absurd that and never employ an agent who also acts for a&#13;
it would hardly be worth while to mention it were publisher. Be careful that the agent is permitted&#13;
it not the fact that such cases have occurred. only to collect moneys on contracts made by him&#13;
Naturally, the publisher will try to get as many during the continuance of the agency. Never allow&#13;
rights as he can. That is merely legitimate the agent to have an indefinite contract, so that at&#13;
business ; but that the agent should allow an author some future date he may be able to claim moneys&#13;
to concede these rights is criminal, for he is there on a contract that you yourself have made or some&#13;
to protect the author and not to assist the publisher other agent has made for you, merely because he has&#13;
to coin money.&#13;
introduced you to the principal. Finally, against&#13;
This then is the agent's position as between all these difficulties which cluster so thickly round&#13;
author and publisher. It may be worth while to the employment of the agent, an author may guard&#13;
make a few remarks as to the agent's position with himself by becoming a member of the society.&#13;
the editor. It not in frequently happens that an Don't employ an agent; but if you do, watch him.&#13;
editor will write to an agent for a serial story of a&#13;
certain length. The agent, sitting on his judgment&#13;
seat, will act as the proud arbiter as to which of his&#13;
clients shall have the order. This position is very&#13;
PUBLISHERS' METHODS.&#13;
dangerous, for, however straightforwardly the agent&#13;
may act, the author who is rejected does not have a&#13;
fair run. In addition (as an agent naïvely remarked COME years ago the society was forced to&#13;
to an author who brought him in a large income but D complain because a publisher had, on more&#13;
determined to cut down his charges), “if such an than one occasion, submitted to authors a&#13;
offer came to me, I should naturally give it to the form of agreement which he stated had received&#13;
author who paid the highest agency fees.” This the approval of the society. By this means he&#13;
may be business from the agent's point of view. obtained the author's signature, which he certainly&#13;
It is exceedingly dangerous from the author's. Or would not have obtained had the agreement been&#13;
again, the agent may sometimes go round to an referred to the secretary.&#13;
editor and ask if he desires stories from certain When the society remonstrated the publisher&#13;
authors-mentioning names, perhaps, not even on denied that he had made this wrongful use of the&#13;
his books. If he gets an offer he will try to draw society's name, and was only brought to conviction&#13;
the author into his hands and even, at times, from on being confronted with his own handwriting.&#13;
another agent. If he does not succeed in drawing There is another method employed by publishing&#13;
the author away from the agent, it may mean that houses which, while it is not damaging to the&#13;
the author will have to pay commission to both reputation of the society, is equally with the one&#13;
agents.&#13;
already mentioned injurious to the business settle-&#13;
Serial rights are often strangely neglected by ments of the author.&#13;
agents. There are not merely first serial rights, A publisher, on an author objecting to some&#13;
but second serial rights ; rights in the colonies, in very stiff clauses in his agreement, not infrequently&#13;
America, and in the provincial papers. Indeed, says: “ This is my printed agreement from which&#13;
the real literary agent to be of any real value ought this house never varies.” As is bound to happen&#13;
to have an enormous field of communication and in a society with 2,000 members, cases of this kind&#13;
knowledge, and, as far as possible, to be ubiquitous. are constantly brought to the secretary, who is able&#13;
To sum up: preferably, don't use an agent. at once to show to the author that the publisher is&#13;
If you are bound to employ one, be very careful of making, to use the mildest term, a mis-statement.&#13;
your contract with him. Never give him too wide He has, perhaps, only a week before, made radical&#13;
a control; never give him uncontrovertible authority alterations to the knowledge of the secretary, in&#13;
to collect moneys; never, in any circumstances, allow one of his “unalterable” contracts. In fact, the&#13;
him to insert a clause in your publishing agreement practice in one house grew quite notorious, the&#13;
by which he is able, without restriction, to collect proprietor benefiting by forcing unfortunate authors&#13;
royalties. If, when criticising an agreement with a into his contracts. The authors no doubt had&#13;
publisher, he pointed out that the clause he proposed seen the names of other writers of renown publish-&#13;
inserting dealing with his own position was a bad ing with the same house, and, naturally, drew the&#13;
clause for the author, and if he gave the reasons, deduction from the publisher's statement that these&#13;
clear and concise, then the author would have no authors were publishing under a similar agreement.&#13;
reason to complain if he signed the agreement. But Another phrase frequently in the mouths of&#13;
the agent never draws the author's attention to the publishers is, “ These agreements have been settled&#13;
clause and never gives the reasons. Never employ by King's Counsel and approved by the Publishers'&#13;
an agent who deals as principal as well as agent, Association." It is curious that such a statement&#13;
&#13;
&#13;
## p. 15 (#411) #############################################&#13;
&#13;
THE AUTHOR.&#13;
15&#13;
should not repel rather than compel. The author, inherent in them. Then the publisher's reply to&#13;
however, does not always grasp the fact that a King's the author's remonstrance can be discussed.&#13;
Counsel will settle an agreement according to the The first clause practically transfers to the&#13;
instructions of his client; and if the client is the publisher the copyright, and this position is further&#13;
Publishers' Association, the agreements will be confirmed by clause 5. As under clauses 1 and 5&#13;
settled wholly in favour of the publishers. This, the publisher holds the copyright it was, perhaps,&#13;
indeed, was the case. The members of the society unnecessary for him to insert clause 2. It cannot&#13;
are referred to “Forms of Agreement issued by the be too often repeated in these columns that the&#13;
Publishers' Association, with Comments,” published publishers should have a licence to produce the&#13;
from the society's offices. In this pamphlet the work in book form only at a fixed price only in&#13;
whole question is fully dealt with.&#13;
the English language. The clause might receive&#13;
It is necessary, as these incidents recur, that even further limitations, limitations to a certain&#13;
they should be recorded, and as the secretary number of editions or to certain countries. If&#13;
of the society has recently received further evidence, such a licence had been granted, then the publisher&#13;
the following facts are laid before the members. might have been, under clause 2, allowed an agency&#13;
In one week two agreements from a certain fee for the sale of the rights mentioned under&#13;
publisher were offered to authors. The agree- contracts signed and approved by the anthor if&#13;
ments were on very similar lines. The books to obtained through the publisher's introduction.&#13;
be published were important books of a technical That the publisher should have the exclusive&#13;
character. The agreements, from the author's licence to place these rights without reference to&#13;
point of view, were extremely bad. It is only the author, and on contracts made without consul-&#13;
necessary to print some of the clauses to show tation with the author, is absurd. It is equally&#13;
how bad they were.&#13;
absurd that for mere agency business the publisher&#13;
Clause 1.- The publisher shall during the legal term of&#13;
should be allowed 50 per cent. Clauses 3 and 4&#13;
copyright have the exclusive right of producing and pub- are both dangerous from the standpoint of the&#13;
lishing the work in the English language throughout the writer of technical books. The great majority of&#13;
world. The publisher shall have the entire control of the technical books dealing with modern science require&#13;
publication and sale and terms of the sale of the book, and&#13;
neither the author nor the publisher shall during the con-&#13;
to be brought up to date from time to time as the&#13;
tinuance of this agreement without the consent of the other&#13;
knowledge at the disposal of the writers develops.&#13;
publish any abridgment, extract, translation, or dramatised There is only one person who should have control&#13;
version of the work.&#13;
over these alterations. That person is the author.&#13;
Clause 2.-In the event of the publisher realising profits&#13;
Under the clause as it stands he would be bound&#13;
from the sale of rights of translation, rights of production&#13;
in other countries, serial rights, or plates, or from claims to revise, or have the book revised by another hand&#13;
for infringement of copyright, fifty per cent. of the net if the publisher demanded such revision, even&#13;
amount of such profits remaining after deducting all though he, the writer, might deem the process&#13;
expenses relating thereto.&#13;
wholly unnecessary.&#13;
Clause 3.—The author agrees to revise the first, and, if&#13;
necessary, to edit and revise every subsequent edition of It is a matter of no difficulty to draft clauses&#13;
the work, and from time to time to supply any new matter to meet such a position, and the same house has on&#13;
that may be needful to keep the work up to date.&#13;
occasion altered its unalterable agreement, giving&#13;
Clause 4.-In the event of the author neglecting to revise&#13;
the author this essential control.&#13;
an edition after due notice shall have been given to him, or&#13;
in the event of the author being unable to do so by reason On clause 5 nothing further need be said, save&#13;
of death or otherwise, the expense of revising and preparing that in no circumstances on the basis of a royalty&#13;
each such future edition for press shall be borne by the remuneration should an author allow a publisher&#13;
author, and shall be deducted from the royalties payable to&#13;
to be the owner of the copyright.&#13;
him.&#13;
Clause 5.-During the continuance of this agreement the As to clause 6, it is only necessary to point out&#13;
copyright of the work shall be vested in the publisher, who that if the book were published in January—not&#13;
may be registered as the proprietor thereof accordingly. an unfavourable month for book publication-the&#13;
Clause 6.-The publisher shall make up the account&#13;
annually to December 31st, and deliver the same to the&#13;
author would be out of his money for over twelve&#13;
author within two months thereafter, and pay the balance&#13;
months. This, indeed, is not so bad as in some&#13;
due to the author on March 31st.&#13;
forms of agreement, where it is posssible for the&#13;
Clause 7.-If any difference shall arise between the author to be kept out of his money for nearly&#13;
author and the publisher touching the meaning of this&#13;
agreement, or the rights or liabilities of the parties there-&#13;
eighteen months. It is, no doubt, a pleasant&#13;
under, the same shall be referred to the arbitration of two arrangement which enables the publisher to run&#13;
persons (one to be named by each party) or their umpire, his business on other people's money.&#13;
in accordance with the provisions of the Arbitration Act, Clause 7 is an unsatisfactory clause, although it&#13;
1889,&#13;
appears in a great number of publishers' agreements.&#13;
Perhaps it may be as well to pass a few comments Publishers assert that arbitration is a saving of&#13;
on these clauses, and to explain in detail the faults money. This is not usually the case, as the arbitra-&#13;
&#13;
&#13;
## p. 16 (#412) #############################################&#13;
&#13;
16&#13;
THE AUTHOR.&#13;
tor's fees have to be paid, as well as the other costs. “The Still Alarm—The Greatest Fire Scenes&#13;
It has also been claimed that it is an expeditious ever depicted-On view to all at our offices.”&#13;
way of settling disputes. Generally it is cumber- Evidence was given by a witness, who bad&#13;
some and unsatisfactory. The only real advantage attended the performance with a view to pur-&#13;
gained—and this is the publisher's—is that he chasing the films, and it was contended on behalf&#13;
shuns by arbitration that publicity which is so of the plaintiff's that there had been an infringe-&#13;
necessary as a warning to other authors.&#13;
ment of their dramatic rights in the fire scenes of&#13;
Some of the clauses might have been passed by the play.&#13;
an author who wished to yield gracefully some for the defendants it was virged that there could&#13;
advantage to the publisher, but the majority of be no copyright protection in a mere scene, and&#13;
the clauses quoted are such that no author should that the representation by cinematograph was not&#13;
allow them to enter into any contract, in anyan infringement of dramatic rights.&#13;
circumstances, between himself and the publisher. Mr. Justice Channell said that it was not neces-&#13;
On the advice of the secretary the author wrote sary to decide whether the plaintiff had an exclusive&#13;
drawing the attention of the publisher to the right to the representation of a portion of the play&#13;
difficulties above mentioned, and, to his astonish- against anyone who might exhibit the films.&#13;
ment, received a letter from which we quote the Sone day, he thought, it might be held that a&#13;
following extract:-&#13;
copying of a portion of a play in a cinematograph&#13;
“ The form of agreement is one which we always exhibition, where there was payment, was within&#13;
lise, and which experience has proved to give the statute. Upon the facts of this case, however,&#13;
satisfaction to all concerned.”&#13;
he was of opinion that the defendants did not&#13;
A more extraordinary statement it would be represent the piece in a place of dramatic&#13;
impossible to imagine. Over and over again have entertainment.&#13;
contracts from this very house been brought to the&#13;
HAROLD HARDY.&#13;
society, been criticised, and altered to suit the&#13;
author's requirements, and to make such a state-&#13;
ment in the face of this fact is not only unfair to&#13;
the author, but a serious matter for the reputation&#13;
MAGAZINE CONTENTS.&#13;
of the house. Besides, if the agreement had given&#13;
satisfaction to all parties, there surely would be no&#13;
BOOKMAN.&#13;
need for an arbitration clause. The publisher's&#13;
position is untenable, but still authors may be, and&#13;
Harriet Beecher Stowe. By Walter Jerrold.&#13;
Fournier's “ Napoleon." By Dr. William Barry.&#13;
probably will be, deceived.&#13;
Book MONTHLY.&#13;
Wanted: A New Mode of Literary Expression. By&#13;
Adam Gowans Whyte.&#13;
CINEMATOGRAPH PERFORMANCES.&#13;
CONTEMPORARY.&#13;
The Pictorial Art of Japan. By Count S. C. de Soissons.&#13;
Literary Genius. By J. E. G. De Montmorency.&#13;
GLENVILLE v. SELIG POLYSCOPE COMPANY.&#13;
ENGLISH REVIEW.&#13;
THE decision in this case, as to the meaning of Letters of Wagner to his Schoolfellow, Apel.&#13;
“a place of dramatic entertainment," seems The Handling of Words (Thomas Hardy). By Vernon Lee.&#13;
likely to be the subject of an appeal, as a&#13;
FORTNIGHTLY.&#13;
stay of execution was granted, and the Judge appears&#13;
Some Aspects of the Celtic Renascence. By K. L.&#13;
to have given special importance to the question of Moutgomery.&#13;
payment.&#13;
NATIONAL&#13;
The plaintiff claimed damages and an injunction The Creed of an Agnostic Spiritualist. By J. Arthur Hill.&#13;
to restrain the representation of certain scenes&#13;
connected with a dramatic piece, entitled “The&#13;
SCALE FOR ADVERTISEMENTS.&#13;
Still Alarm,” which had been originally performed&#13;
in the United States and subsequently in England&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
at the Princess' Theatre. In 1904 the plaintiff&#13;
Front Page&#13;
... ..£4 0 0&#13;
Other Pages&#13;
... ... 3 0 0&#13;
produced a new version with two “fire scenes”.&#13;
Quarter of a Page&#13;
...&#13;
added, and it was in respect of these scenes that an&#13;
... 0 15 0&#13;
Eighth of a Page&#13;
... O 7 6&#13;
injunction was asked for.&#13;
Single Column Advertisements&#13;
per inch 0 6 0&#13;
The defendants, who are manufacturers of cine Reduction of 20 per cent, made for a Series of Six and of 25 per cent, for&#13;
Twelve Insertions.&#13;
matograph films, issued an advertisement in the&#13;
following terms :&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C&#13;
Half of a Page ...&#13;
110&#13;
&#13;
&#13;
## p. 17 (#413) #############################################&#13;
&#13;
THE AUTHOR.&#13;
17&#13;
HOW TO USE THE SOCIETY.&#13;
N VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent withont the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society,&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System,&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
A void agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
UTERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 18 (#414) #############################################&#13;
&#13;
18&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract,&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
&amp; rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
he warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society hegs to give potice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Univn of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 19 (#415) #############################################&#13;
&#13;
THE AUTHOR.&#13;
19&#13;
GENERAL NOTES.&#13;
NETT AND DISCOUNT Books.&#13;
LOOKING recently down the literary column&#13;
THE COPYRIGHT BILL.&#13;
of a contemporary, we noticed an interesting&#13;
We may congratulate the Government on announcement respecting a popular series inaugu-&#13;
having carried the Copyright Bill through the rated by a well-known publishing house. The&#13;
House of Commons. It would be inadvisable announcement was to the effect that, owing to an&#13;
to say more about the matter until the Bill has increase in the cost of production of the series, the&#13;
become law, but there does not appear to be any publishers had found it necessary to change the price&#13;
vital reason why the Bill should meet with any of the volumes from 58.“ subject to discount,” to 5s.&#13;
violent opposition, and be altered to any large nett. As it is conceivable that some may retort that&#13;
extent from the form in which it emerged from the this alteration in price is a matter entirely between&#13;
House of Commons. One or two small amend the publisher and the bookselling trade, we think&#13;
ments, however, may be necessary.&#13;
it desirable, in the interest of authors, to point out&#13;
The Bill was ordered to be printed on the 18th of its importance to the writers employed in the manu-&#13;
August of the present year, and when it becomes facture of the series. We do so with the less hesi-&#13;
law it will be issued as a supplement to The tation, as we notice that over forty volumes so far&#13;
Author, so that members of the Society may have have been issued at the lower price, and it seems&#13;
an opportunity of studying its terms.&#13;
to us that a consideration of the matter, as it&#13;
During its passage through the Commons, the affects the payment of the writers, may not be&#13;
Bill met with a considerable amount of opposition without interest. While we do not for one moment&#13;
from wholly unexpected quarters ; indeed, from question the justification of the alteration in price,&#13;
many whom one might have thought would have we do suggest that the author should share in the&#13;
actively supported its principles.&#13;
increased returns which will accrue to the pub-&#13;
Apart from various details, there are two main lisher in consequence of the change.&#13;
points which will make the passing of the Bill the As the alteration extends over a series of forty&#13;
greatest benefit to authors; the first, that it will books, that increase cannot be dismissed as insignifi-&#13;
enable Great Britain to join the Berlin Conven- cant. Whereas on a 5s. “subject" book the returns&#13;
tion; the second, that it will bring into uniformity to the publisher would probably average about 2s. 8d.&#13;
the law of copyright which, at present, is scattered per copy, on the 58. nett book they would come&#13;
through twenty or more different enactments, out at something like 3s. 2d. per copy. It will be&#13;
making its interpretation highly complicated and clear from this that a fair royalty on a 5s. book&#13;
confusing&#13;
issued “subject" might be rather poor on one&#13;
issued at 58. nett. It may be, of course, that part&#13;
of the “increased cost of production” is due to a&#13;
THE COLONIAL MARKETS.&#13;
demand for better terms on the part of the writers&#13;
We have complained, from time to time, of the of the books yet to be produced in the series. If&#13;
poor sales of books of English authors in the this is so, we shall be glad on their account—though&#13;
Colonies, and have pointed out that this is appa- a little sorry for the earlier writers. It may even&#13;
rently due to the supineness of the English be that the books in the series are being purchased&#13;
publisher and to the activity of the American book outright; but apart from anything in this particular&#13;
agent. The latter, on one occasion, went so far as case which may possibly render our comment un-&#13;
to induce an Australian bookseller to allow him to necessary, we would add, for the general informa-&#13;
decorate his window, and it may be taken for a tion of writers, that they should never, when&#13;
certainty that he did not decorate the window with making their agreements, permit any alteration&#13;
English books.&#13;
of a “subject” to a “nett” published price without&#13;
We now regret to see from the American Con- getting some quid pro quo. If the publisher wants&#13;
sular Report that the American magazines are to make such an alteration, he should make a&#13;
also pushing the English magazines out of the corresponding increase in the royalty payable to&#13;
market. This, no doubt again, is owing to some the author.&#13;
fault in the English distribution. It is really time&#13;
that publishers, editors, and magazine proprietors&#13;
woke up and bestirred themselves. It is not for&#13;
THE NEW RUSSIAN COPYRIGHT LAW.&#13;
us to advise them as to how to remedy the evil. It The new Russian Copyright Law came into&#13;
is a part of their own business to find the cause force on March 20, 1911. It marks a consider-&#13;
and the remedy. But it is a clear fact that unless able advance upon the previous legislation, but&#13;
something is done speedily and with judgment the is far from being such as might be wished.&#13;
Colonial market will be lost both for English books The following particulars are interesting. Copy-&#13;
and magazines.&#13;
right is accorded to all books published in&#13;
&#13;
&#13;
## p. 20 (#416) #############################################&#13;
&#13;
20&#13;
THE AUTHOR.&#13;
Russia, independently of the nationality of the followed the publication of “ John Chilcot, M.P.,"&#13;
author. The duration of copyright is for and she very early showed herself one of those&#13;
life and fifty years (without any restrictions). writers—it is pleasant to think there are many&#13;
Transformations of novels into dramas, and vice such—who take a generous interest in the work of&#13;
versâ, without the author's consent are forbidden. those less fortunate and less successful than them-&#13;
The exclusive right of translation exists for five selves.&#13;
years only. If a translation is made within that Mrs. Thurston possessed a singularly agreeable&#13;
limit, the translation has a copyright of ten years. and gentle personality. Her dark, glowing beauty&#13;
In the case of simultaneous publication in several was of the type one associates with Irishwomen,&#13;
languages, all the works enjoy equally the full term and her voice was low and exquisitely clear. She&#13;
of copyright. Russian translations of all foreign had none of the exuberance, or the very natural&#13;
works may be published without the consent of the desire to discuss herself and her work, which is so&#13;
foreign author. These translations enjoy the full often typical of the literary temperament. Even to&#13;
term of copyright, but the translator cannot forbid her intimates she seldom spoke of her books, and it&#13;
other translations. Except in the case of stipula- would certainly have been possible for a stranger&#13;
tions to the contrary, an author who has sold the to have been acquainted with her for a considerable&#13;
copyright of his work may publish another edition time without discovering that she wrote. And yet&#13;
as soon as the work is out of print, or, in any case, it is clear that her work must have meant a great&#13;
as soon as tive years have elapsed since the date of .deal to her. Each of her stories, from “ The Circle"&#13;
the first edition ; or, if he is preparing a complete onward, showed marks of conscientious care, and&#13;
edition of his works, three years after that date. she once told the present writer that when engaged&#13;
Piratical publication is punished with a minimum on a new book she found that it absorbed her to&#13;
of three months imprisonment.&#13;
the exclusion of everything else. This no doubt&#13;
was why she preferred to work in the Irish home she&#13;
THE ACADEMIC COMMITTEE.&#13;
loved so well than when living her ordinary life in&#13;
Owing to the fact that The Author does not&#13;
London. As so often happens, the one of her&#13;
appear in August or September, we are only now&#13;
novels which most closely reflected the life she&#13;
knew was that which her readers liked the least-&#13;
in a position to chronicle the election of Lady&#13;
Ritchie and Mr. G. Bernard Shaw to the Academic&#13;
I refer to “The Fly on the Wheel," a close, and in its&#13;
Committee.&#13;
way, a very powerful study of a phase of Irish country&#13;
town society. This story was an interesting “throw&#13;
Lady Ritchie is the first lady to join the Com-&#13;
mittee, which may be congratulated on an election&#13;
back,” for Mrs. Thurstou did not begin to write&#13;
till she came to England, and it is on record that&#13;
which is sure to meet with general approval, and&#13;
throughout a girlhood spent entirely at home she&#13;
may also serve to put an end to the discontent felt&#13;
never wrote a line with a view to publication.&#13;
and expressed in some quarters, where it had been&#13;
It may be doubted if even her closest friends&#13;
assumed, quite erroneously, that the women were&#13;
knew much of Mrs. Thurston's methods of work.&#13;
ineligible.&#13;
It is, however, a curious fact that “The Circle,''&#13;
her first long novel, and a book which was much&#13;
INTERNATIONAL LITERARY AND ARTISTIC praised and commented on by the critics, though&#13;
ASSOCIATION.&#13;
it gave no promise of the immense success of its&#13;
The International Literary and Artistic Asso- immediate successor, was founded on a short story&#13;
ciation ask us to announce that in consequence of&#13;
sequence of&#13;
which&#13;
which was an early imaginative effort.&#13;
reports of an epidemic at Rome-reports it must&#13;
be admitted which appear to be without foundation&#13;
-the congress, which was to have taken place this&#13;
autumn, will be postponed, and held at Rome in&#13;
THE FOREIGN REPRINTS ACT AGAIN.&#13;
the Easter week of 1912.&#13;
ROYALTIES UNDER COMPULSORY LICENCE.&#13;
THE LATE MRS. THURSTON.&#13;
TN 1847 an Act was passed under the short title&#13;
1 of the Colonial Copyright Act, 1847, more&#13;
frequently known, however, as the Foreign&#13;
By M. B. L.&#13;
Reprints Act.&#13;
TN Katherine Cecil Thurston, the Society of The circumstances that led up to the passing&#13;
1 Authors loses a loyal member and a firm this Act were as follows:&#13;
friend. Mrs. Thurston joined the Society in By section 17 of the Act of 5 &amp; 6 Vict., which&#13;
the full flush of her greatest success, that which Act covered all the Colonies, the importation into&#13;
&#13;
&#13;
## p. 21 (#417) #############################################&#13;
&#13;
THE AUTHOR.&#13;
21&#13;
the Colonies of books unlawfully printed was for- into the colonies, and notably American reprints into the&#13;
bidden, without the consent of the copyright&#13;
Dominion of Canadla ; but no return, or returns of an&#13;
absurdly small amount, have been made to the authors and&#13;
owner. Ar&#13;
owners. It appears from official reports that during the&#13;
Owing to three causes, firstly, the rapacity of the ten years ending in 1876, the amount received from the&#13;
pirates, who had no authors' royalties to pay whole of the nineteen colonies which bave taken advantage&#13;
there was no United States Copyright Act in those&#13;
of the Act was only £1,155 133. 2 d., of which £1,084 13s. 2 d.&#13;
days, and International copyright was difficult and&#13;
was received from Canada ; and that of these colonies&#13;
seven paid nothing whatever to the authors, while six now&#13;
involved ; secondly, owing to the lack of enter-&#13;
and then paid small sums amounting to a few shillings.&#13;
prise in the Colonial book trade ; and thirdly, owing&#13;
to the supineness of the English publishers, the It will be seen from this quotation that if the&#13;
Colonies complained that they were unable to get contribution from Canada is left out, there is&#13;
English books.&#13;
practically nothing from the other colonies, and&#13;
Canada was the chief complainant, as she saw eren the sum received from Canada is absurdly small,&#13;
the United States with their piratical trade flooded taking into consideration the number and popularity&#13;
with English works which she was unable to of the authors. The Act is still in force in most&#13;
obtain ; but the complaint was strong also in the of the Colonies ; but as Capada refused to collect&#13;
other Colonies, because those who did read wanted the duties some twelve or thirteen years ago, as far&#13;
to buy books, as they could not borrow them from as that Colony is concerned the Foreign Reprints&#13;
circulating libraries, which did not exist.&#13;
Act is in abeyance.&#13;
The complaint was partly, no doubt, genuine, The absurdity of the whole situation has again&#13;
but to a great extent, especially as far as Canada become prominent, and has been brought to the&#13;
was concerned, was put forward as a political move. notice of The Author by Mr. Hall Caine, who&#13;
The author has always been the slave of the recently received a payment of 8s. 10d. as an&#13;
public, and as such is liable to be robbed of his amount due to him for royalties collected under&#13;
property, first by one constriction and limitation this Act.&#13;
and then by another ; so in this case, with a show of Mr. Hall Caine wrote for an explanation, and&#13;
justice, the Foreign Reprints Act, which is still in received from the Treasury the following reply,&#13;
force in many Colonies, was passed, enabling the with a statement, printed below, setting out the&#13;
Crown, by Order in Council, to suspend the prohibi- Colonies involved and the percentage paid, and&#13;
tion against importation into the English Colonies with a copy of the Act.&#13;
of English copyright works under certain conditions,&#13;
TREASURY CHAMBERS,&#13;
one of the conditions being that certain Customs&#13;
281h July, 1911.&#13;
duties should be collected by the Government of SIR, I am directed by the Lords Commissioners of His&#13;
the Colony adopting the Act, which duties should Majesty's Treasury to acknowledge the receipt of your letter&#13;
be paid as royalty to the author. This really&#13;
of the 18th instant, respecting a payment made to you on&#13;
account of copyright in the Colonies.&#13;
amounted, in other words, to a grant of the right to In reply I am to express their Lordships' regret that&#13;
sell and the right to buy the author's books under it has not been found possible to trace in every case the&#13;
a compulsory licence. A large number of Colonies books in respect of which payment was madle, but, so far&#13;
adopted the Actin fact, all the important Colonies,&#13;
as they have been able to discover them, the details are as&#13;
follows :-&#13;
with the exception of Australia, did so. Under&#13;
the Act the publishers of English books were bound&#13;
to forward catalogues to the Custom House&#13;
Date and Place&#13;
Title of Work. Duty Collected.&#13;
authorities of the different Colonies, so that the of Entry.&#13;
collection might be carried out properly, but, in&#13;
the words of the author of “The Law of Copy-&#13;
right" “ These measures were next to inoperative, Bermuda, 1897&#13;
The Christian&#13;
and the whole thing little better than a delusion.”&#13;
1898 (Unknown)&#13;
From time to time the absurdity of this Act,&#13;
(Unknown)&#13;
The Christian&#13;
from the standpoint of the author, was pointed out&#13;
1904 Eternal City&#13;
in the papers, and figures were given to show how&#13;
1905 Prodigal Son&#13;
ineffective it was in operation.&#13;
Jamaica, 1903&#13;
Eternal City&#13;
The reference to these figures it is impossible to&#13;
1906 Prodigal Son&#13;
1908 The Christian&#13;
find at the moment, but it is sufficient to quote&#13;
from the Report of the Royal Copyright Com-&#13;
8 10&#13;
mission, which sat in 1878:-&#13;
So far as British authors and owners of copyright are&#13;
concerned, the Act has proved a complete failure. Foreign In further explanation of these payments I am to transmit&#13;
reprints of copyright works have been largely introduced the enclosed copy of a Return to the Order of the House of&#13;
1900&#13;
1901&#13;
&#13;
&#13;
## p. 22 (#418) #############################################&#13;
&#13;
THE AUTHOR.&#13;
Commons, dated the 25th of August, 1857, and of a memo- general body of British Authors what the small&#13;
randum prepared in this Department, which my Lords&#13;
payments represent.” He passed some drastic&#13;
trust will be of use to you.&#13;
I am, Sir,&#13;
comments on the Act and its working, and ended&#13;
Your obedient Servant,&#13;
his letter with the following words :&#13;
T. L. HEATH. “I am afraid the statement you are good enough&#13;
to send me, representing duties at 15 per cent.,&#13;
COPYRIGHT IN THE COLONIES.&#13;
amounting to 88. 10d. collected on nine books in&#13;
Under Section 42 of the Customs Laws Consolidation Act, eleven years, casts a very sinister light on the&#13;
1876 (39 and 40 Vict. c. 36), foreign reprints of copyright&#13;
licensing clauses of the Government's new Copyright&#13;
works, of which notice has been given to the Commissioners&#13;
of Customs that the copyright subsists, are prohibited from&#13;
Bill, showing that the receipts to the descendants&#13;
being imported into the United Kingdom.&#13;
of authors during the years of free licensing will&#13;
Section 152 of the same Act also prohibits importation of probably be hardly sufficient to pay their washing&#13;
reprints of such works into the British Possessions abroad, bills."&#13;
but adds that this does not prevent Her Majesty from&#13;
exercising certain powers vested in her under the Act&#13;
One satisfaction to be obtained from the passing&#13;
amending the law relating to the protection in the colonies of the new Copyright Law will be that this absurd&#13;
of British Copyright Works (10 &amp; 11 Vict. c. 95) to suspend Ordinance of 10 &amp; 11 Victoria will be repealed,&#13;
in certain cases such prohibition.&#13;
along with numerous other Statutes dealing with&#13;
These powers were that should the Legislative Authorities&#13;
in any British possession be disposed to make provision for&#13;
for&#13;
co&#13;
copyright property.&#13;
n properu&#13;
protecting the rights of British authors in that Possession It is necessary, however--and it is with this idea&#13;
and pass an Act or Ordinance for that purpose, such before us that we have set out at length Mr. Hall&#13;
Ordinance should be submitted for approval by Her&#13;
Caine's case—to consider the application of the com-&#13;
Majesty, and, provided that reasonable protection is thus&#13;
secured to the British author, an Order in Council should&#13;
pulsory licence in the present copyright legislation.&#13;
be issued declaring that so long as the Ordinance remained It was obvious that the Governments of the&#13;
in force the prohibition against importing, selling, letting separate Colonies were hopelessly incapable of&#13;
out to hire, exposing for sale or hire, or possessing such carrying out the Act in a satisfactory manner for&#13;
foreign reprints should be suspended as regards that&#13;
the benefit of the unfortunate author, who was, in&#13;
Colony.&#13;
The Legislative Authorities in the following Colonies consequence, freely robbed. It is true that the&#13;
duly passed the necessary protective Ordinances, which have compulsory licences, of which there are two in the&#13;
been confirmed by Orders in Council :--&#13;
present Bill, refer to Great Britain and Ireland&#13;
Antigua.&#13;
Jamaica.&#13;
only, but it is possible that they may cover a good&#13;
Bahamas,&#13;
Mauritius.&#13;
many of the Colonies as well. But this fact gives&#13;
Barbados.&#13;
Newfoundland.&#13;
Bermuda.&#13;
St. Lucia,&#13;
us little hope that the compulsory licence will be&#13;
British Guiana.&#13;
St. Christopher and less dangerous from the author's point of view than&#13;
Canada.&#13;
Nevis,&#13;
it was in the past.&#13;
Cape of Good Hope and St. Vincent.&#13;
All who have studied the Copyright Bill know that&#13;
Natal.&#13;
Trinidad.&#13;
Grenada.&#13;
there is a compulsory licence twenty-five years after&#13;
the author's death, and there is a compulsory and&#13;
The Ordinances in Canada, Cape of Good Hope, and&#13;
Natal ceased to be effective on these Colonies becoming&#13;
an unlimited licence on the unfortunate composers&#13;
self-governing.&#13;
who care to allow their works to be reproduced by&#13;
The Ordinance of the Colony fixes the amount of the mechanical instruments.&#13;
protection, and the title to this protection depends upon&#13;
It will, of course, be argued that the two in-&#13;
registration of the work, the name of the holder, and the&#13;
period of the copyright, with the Commissioners of Customs,&#13;
stances are not in the least parallel ; that in the&#13;
who issue to the Colonial ports a list, supplemented from one case the royalty is to be collected by the&#13;
time to time, of such works.&#13;
Government and in the other by the author, but it&#13;
• The Colony, on receiving the duties imposed, transmits&#13;
is not so much the collection of the royalties that&#13;
them to the Treasury, and that Department distributes&#13;
them to the respective copyright holders as specified in the&#13;
makes the compulsory licence impossible, but the&#13;
Customs list.&#13;
fact that the licence is compulsory. What has&#13;
Until 1881 it was the practice of the Treasury to distribute proved such a distinct misfortune in the past in&#13;
thesc sums, however small, but in that year it was decided&#13;
slightly different circumstances will most prob-&#13;
to retain small sums until they accumulated to a minimum&#13;
of £1, reduced in 1903 to 108.&#13;
ably prove a distinct misfortune in the future, and&#13;
In view, however, of the numerous small amounts due to it may be that the author will obtain as little of his&#13;
the various copyright holders, and to the time winich had true and just returns under the clauses in the Bill&#13;
elapsed since these sums were collected, it was decided this at ni&#13;
at present under discussion as he was able to&#13;
year to pay over sums amounting in the aggregate to 48. or who&#13;
under the Foreign Reprints Act.&#13;
over.&#13;
Even with all the protection which the Board&#13;
To this letter Mír. Caine replied on July 29th of Trade may invent to guard the author's rights,&#13;
He stated that he had forwarded all the papers it will be almost impossible to follow the number&#13;
to the society that “ It may be made clear to the of different reproductions placed on the market,&#13;
&#13;
&#13;
## p. 23 (#419) #############################################&#13;
&#13;
THE AUTHOR.&#13;
23&#13;
when any pirate who cares to may begin manu writers. Already there are copyright novels at&#13;
facturing with little or no fear of detection, and sevenpence the copy, not reprints, but first editions,&#13;
with still less fear of conviction.&#13;
yet not two writers in a hundred can hope to earn&#13;
bread by royalties on that price, being in constant&#13;
competition both with lending libraries and with&#13;
reprints of Dickens, of Scott, of Thackeray, and of&#13;
A FEW WORDS ON EXPIRED many other perennialists. Besides, however low&#13;
COPYRIGHTS.&#13;
prices may be, the public is soon tired of their&#13;
repetition and begins to think that they are&#13;
expensive.&#13;
BY CRUSADER.&#13;
And another point is this, that when new copy-&#13;
THEN a type of society becomes ordered and right books appear at a reasonable price they are&#13;
V intricate, it retains a great deal of work published more often than not in little editions, so&#13;
from the past and produces many new the cost per copy is greater than that in the large&#13;
things in a traditional manner; then market reprints of popular classics ; and yet these reprints&#13;
rivalries between old products and modern efforts are exempt from royalities, while to-day's own&#13;
bring in their train many evils of their own. To books cannot be, as authors somehow fail to live&#13;
speak figuratively, the young harvests have to without food and shelter, though many have had&#13;
grow in fields already occupied by corn which time experience in the school of long hunger. I can&#13;
has left unreaped and unharmed. Yet they are recall a time when stale dry bread was delicious&#13;
expected not only to strike root under the shadow- after a week without anything to eat. Oh! In&#13;
ing protection of the old corn, but to push their the battle of the books, in the war of the classic&#13;
way upwards without being stifled, till they dead against their humble successors, “knock-&#13;
ripen in the sunshine of a free air. Children are outs" are not in the the least enjoyable, at least to&#13;
spared a lifelong competition with their parents, those of us who know how they act and how they&#13;
but the generations are not, for they inherit so much are financed. To allow copyrights to lapse, with-&#13;
living genius that the present is ever the past also, out paying royalities to the State, is not only to&#13;
and it may be awed into imitation and unfreedom subsidise “the simple great ones gone,” giving&#13;
by accumulated riches in great things.&#13;
them unfair advantages in market competition ;&#13;
Goethe counted himself lucky that he inherited besides that, which is bad enough, it endows&#13;
a weak German literature, believing that an array publishers with a fruitful capital—a vast property&#13;
of classic authors equal to the English would have of excellent books freed from royalities and from&#13;
cooled his own ardour and hindered that growth of the need of much advertising ; and all this penalises&#13;
character which comes from thinking freely and the daily efforts made by ourselves.&#13;
acting independently. And who has not observed If an author is to earn a living with royalties on&#13;
in Italy how the deification of the old masters has little editions, the royalties must be good and the&#13;
enfeebled modern art among a race of men wonder- price rationally high, or else be will starve even&#13;
fully equipped by nature with quick perception and when his publisher banks a profitable interest on a&#13;
with skill of hand ? I think of this in connexion trifle of capital. It is not at all bad trade when a&#13;
with the frenzied competition in the book market, publisher prints and sells a six-shilling novel in an&#13;
where classic authors beg pleadingly for pence and edition of a thousand copies, gaining thereby a&#13;
ha'pence. If the classics are not now a danger to profit of about £30, on an outlay of not more than&#13;
our own work, what else are they ?&#13;
£115. The author gets about as much under&#13;
One trader in dead copyrights saved a fortune of a good agreement, and upon that he cannot&#13;
£500,000. He had no royalties to pay, he knew live during five or six months of work, so his needs&#13;
which classics had the greatest vogue, and it was as a citizen are opposed by the finance of publishing.&#13;
easy to boom them into the market in large The opposition, too, is fundamental. Royalties on&#13;
reprints and at little, wheedling prices, till the a book that takes much time and infinite pains are&#13;
retail cost of copyright books seemed not only high your all, while a publisher's object is to use the&#13;
by comparison, but wrongful also. Many publishers same working capital thrice in a year and to earn&#13;
do the same thing now, and each tries to undercut a buoyant profit on each turnover. You are&#13;
the dwindling standard of cheapness, as if in stricken, but your work is a godsend to your&#13;
obedience to the belief that British homes are alms publisher. You know the “kuock-out” of small&#13;
houses filled with paupers.And newspapers, too, editions, while your publisher is ready to go on&#13;
are trading with the property of dead authors in with a thriving system of finance which in the&#13;
the hope that they may be able to “ring" the course of a few years has built many palatial&#13;
ordinary publishers. Meantime, you will note, it offices.&#13;
fares very far from well with the majority of living Why is it, then, that the State favours the&#13;
&#13;
&#13;
## p. 24 (#420) #############################################&#13;
&#13;
24&#13;
THE AUTHOR.&#13;
publisher to the injury of authors ? Why hand is not to her advantage nor to that of authors&#13;
over to him all expired copyrights in order that he that rich tradesmen should be able to force the&#13;
may issue them in reprints so cheap that they dis- weak hand of poverty ? Many publishers bunger&#13;
credit the rational value of new productions? It for copyrights, and needy authors become the&#13;
can no longer be said with any semblance of truth victims of that appetite, being unsupported by their&#13;
that the people need such cheap reprints, for the self-made legatee, the State.&#13;
poorest of the poor can well afford to read borrowed These anomalies, too, are in keeping with many&#13;
books in these days of free libraries. Besides, the others. It is said, for instance, that properties of&#13;
first duty of a State is to cherish within each gene- authorship are such inestimable gifts to mankind&#13;
ration the hopeful courage that acts well, and the that the State is justified in claiming them for her&#13;
higher aspirations that quicken and enlarge the people. This sounds like a principle of Socialism ;&#13;
mind. You cannot have aviaries of singing birds it applies to all the many forms of property&#13;
if you do not feed them, nor hives full of honey having more than a temporary and personal value.&#13;
if you smother the bees. And we may depend upon To“koock-out" the author cannot be right while&#13;
it that if we could suininon into the House of landowners and other property-holders can bequeath&#13;
Commons a parliament of the simple great ones and entail their estates, without any regard at all&#13;
gone, from Chaucer to Tennyson and Browning, for that poverty-born ideal which sets before us a&#13;
very few votes would be given in support of their national ownership in all things fitted to produce&#13;
present tyranny over the new breadwinners in wealth.&#13;
literature. Milton would lead an overwhelming It is invaluable, in this connection, to think of&#13;
opposition to it, seconded by the rich common the difference between Shakespeare and the great&#13;
sense of Latimer and Johnson. If Shakespeare Elizabethan landowners. The dramatist from the&#13;
si oke, aſter many invitations, would he not say first had no copyright, inheriting the laisser faire&#13;
that the mind of England ought ever to be of a that the printing press took up from those cloistral&#13;
piece with the many repetitions of herself with ages when books were manuscripts, and in a few&#13;
which she has gemmed the seas? He could not copies circulated among the religious, mainly in&#13;
like anything meagre, petty, diminutive, flurried, nunneries and monasteries. So, then, Shakespeare's.&#13;
or cheap. He would expect English thoughts to own works were never his own ; they belonged to&#13;
put a new girdle around the world each generation. England from the first; and not a farthing of&#13;
The Lord Chief Justice, on November 1, 1909, royalty has yet been claimed by the Exchequer&#13;
expressed the hope that Great Britain and her from the publishers and theatre managers who have&#13;
Colonies would do all in their power to draw the traded with Shakesperian property. How com-&#13;
civilised nations together in a common accession pletely different is this from the legal protection&#13;
to the following principle, that the property in granted from age to age to such a family as the&#13;
copyright and literary work belongs to the author. Cecils, whose landed estates have passed from heir&#13;
It is pleasant to note that Lord Alverstone gladly to heir, gathering an increase of value from the&#13;
admits that books and copyrights are property, nation's progress! Could anyone break through a&#13;
and that this property belongs to those who call hedge of theirs without incurring a risk of legal&#13;
them up into literary presence and give them a punishment ? And why is it that land, which&#13;
fructiſying value in a nation's life and trade. Lord nature provides as a mother for the nursing of all&#13;
Alversione hopes that Great Britain will support living creatures, should be handed on as property&#13;
the requests of other nations to the extension of more real and more native to a family than are any&#13;
the period of protection to life and fifty years, and fruitful works of imagination ? Had Shakespeare&#13;
this certainly is a blessed compromise in the domain died as a child, England would have lost inestim-&#13;
of illogic. For the State has no right to grant able riches, whereas the extinction of a great&#13;
perpetuity of ownership to many forms of property family neither lessens the land nor makes it barren.&#13;
and a very limited ownership to a few others. Mother Earth and true genins are equally stable&#13;
Logic and justice demand that all property in a and equally bountiful as property ; the distinction&#13;
civilised nation should enjoy under the law the between them is that genius merits the greater&#13;
same protection and the same privileges.&#13;
protection since the permanent worlds built by it&#13;
And there is another point of vital interest. belong for all time to the rare workers who are at&#13;
Since Great Britain from the first claims every once new and antique, and the contemporaries of&#13;
authoi's property, allowing him only the use of it all the ages. For example, Chaucer is more&#13;
for a small term of years, why is she not logical in marketable by far to-day than he was in his own&#13;
her self-interest ? Why does she not enrich her time, for he lives in all countries where poetry is&#13;
Exchequer by charging a royalty on her classics ? valued ; and each copy of his work everywhere is&#13;
And why does she not forbid publishers to buy the Chaucer himself. Yet this great Englishman, and&#13;
short-lived copyrights granted by her laws, since it many others, had no copyright in their generous&#13;
&#13;
&#13;
## p. 25 (#421) #############################################&#13;
&#13;
THE AUTHOR.&#13;
25&#13;
property, and even now there is not the sinallest pangs of chronic rejection at their hands, may or may.&#13;
chance that full justice will be done to authors and not endorse Lord Byron's view that : “ Barabbas&#13;
artists, because no political party can win votes by was a-publisher,” still we can comprehend their&#13;
asking the public to sanction fair copyright laws. disinclination as business men to purchase goods&#13;
Indeed, the man in the street is quite indignant manufactured by untried makers.&#13;
that anthors should want to bequeath to their The case against cditors is no whit more cheerful.&#13;
families the right to demand royalties on all copies In periodicals in which only first-class matter is in-&#13;
of their work issued by tradesmen for the purpose serted, a glance at an author's signature will suffice.&#13;
of money-getting.&#13;
“Popnlar” journals may and do here and there&#13;
If the State had her own printing works, and use "copy" sent in by outside contributors ; but&#13;
issued non-copyright books to the public at their they commonly make this concession in such an&#13;
pet cost per copy, many “rings” and “knock- irregular and seemingly unaccountable manner, that&#13;
outs" that now do harm to living authors would the freelance who relies upon them as a source of&#13;
pass away, because the classics would be welcomed income will speedily perceive his conditiou to be&#13;
as apart from trade speculations and the enrichment desperate.&#13;
of tradesmen. There would be no competition The following incident may serve to illustrate&#13;
then between the old and the new : in fact, the old this point. Having completed a short story during&#13;
would enter for all time into the people's endowed the month of March, 1893, the writer submitted it&#13;
education. This would be infinitely fairer to each in the following July to a respectable weekly, which,&#13;
passing generation of harassed writers of books, for present purposes, we will call “The Flagstone."&#13;
who bid to the public fancy for their livelihood. It was promptly returned. During an interval of&#13;
To sum up, we hare seen that copyrights should four years the manuscript thenceforward fulfilled&#13;
be protected at the least for life and fifty years, and its destiny as a rolling stone gathering no moss.&#13;
that those which survive that period should be Then the writer, impelled by one of those curious&#13;
published with all other classics by the State, as a impulses to which errant human nature is liable,&#13;
part of the national education, or, if left free to all presented it for the second time to the journal&#13;
speculators, should pay a fixed royalty to the which had dealt with it previously in so uncere-&#13;
Exchequer, partly that the nation may benefit as a monious a fashion. The sands of the year 1897 rau&#13;
whole by setting a time-limit to an author's owner- out, as did those of 1898—and the story neither&#13;
ship in his own work, and partly in order to check, came back nor appeared. The year 1899 repeated&#13;
as far as possible, the wrongful advantages now the process of its predecessors. Respectful enquiries&#13;
given to publishers and newspapers in their pitting elicited curtnotes of an evasive tendency. Eventually&#13;
of old books against the new.&#13;
affairs were brought to a climax. After an interview&#13;
with the editor early in 1900, the story made a&#13;
belated bow to his subscribers. In June of that&#13;
SORROWS OF A FREELANCE.&#13;
year it was paid for. For four years it had been&#13;
tossed about from pillar to post: for three it had&#13;
T o the plain unvarnished fact that the sorrows languished in a sort of backwater, without either&#13;
1 of Grub Street are to the full as poignant in rhyme or reason to account for its fate.&#13;
the present as ever they were in the past no Nor was this the only instance of a manuscript&#13;
writer of eminence has testified with greater force receiving the honour of acceptation at the hands of&#13;
than the late George Gissing, whose novel, “ The one to whom it had at first proved to be “unsuitable."&#13;
New Grub Street," every man or woman who com Editorial antics of this kind are preferable,&#13;
templates embarking on a literary career should however, to those sometimes performed by men&#13;
study closely and ponder deeply.&#13;
not only unbusinesslike but also unscrupulous-not&#13;
If the experience of the present writer, whose to use a stronger term—in their dealings with&#13;
first attempts in that direction were taken twenty- obscure wielders of the pen. Take the case of a&#13;
five years ago, may be accepted as corroboration, the booklet in twelve chapters posted to a certain social&#13;
book should stand as a masterpiece of faithful weekly with a view to serial publication on&#13;
portraiture.&#13;
September 9, 1891. Neglect of the precaution to&#13;
Casting an eye rather upon potential profits than register the parcel may have been responsible for its&#13;
philanthropic encouragement of budding talent, complete disappearance, or not; but the simple fact&#13;
publishers desire, in the main, to deal with authors remains that upon its quitting the author's hands&#13;
already established favourites with the reading the MS. vanished into space, as though by a con-&#13;
public. Speculative risk must, beyond dispute, play juring trick. A lawyer, whose services were&#13;
a part in the launching of unfamiliar names upon requisitioned on the quest, attached no blame to the&#13;
the book market—the quality of their wares apart. postal authorities. Though lost to the author, he&#13;
Although, then, such of us as have suffered the believed the labour expended upon his MS. would&#13;
&#13;
&#13;
## p. 26 (#422) #############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
in all probability benefit- somebody. It would be least forty had been shipped off and—refused : the&#13;
necessary to cultivate a like altruistic spirit, in last of them turning up with a precision somewhat&#13;
order to survey with equanimity the loss of a story reminiscent of clockwork on December 22, 1907 !&#13;
similarly dealt with by a monthly magazine on Yet consignments condemned — shall we say&#13;
October 18, 1900. It could have been used advan- without the formality of examination-by this par-&#13;
tageously later on, but the custodian to whose tender ticular, very particular, house, have been accepted&#13;
mercies it had been committed denied cognisance not altogether with reluctance by its rivals!&#13;
of the little stranger-and there was no duplicate. Lest these animadversions should be taken as&#13;
By these and kindred devices fully one-half of the prejudiced or in any degree overstated, let us refer&#13;
manuscripts despatched on their doleful journeys to a commentary made by the late James Payn in&#13;
from the beginning onwards have, up to the present the Illustrated London News for November 16,&#13;
moment, gone hopelessly and irretrievably astray- 1895. This gentleman, as editor of Chambers'&#13;
fifty per cent of a man's merchandise proving of no Journal, and later on, of the Cornhill Magazine,&#13;
greater value to him than so many soap-bubbles occupied an elevated position in the world of letters,&#13;
bursting in the air !&#13;
and although not infallible, as his rejection of&#13;
Were these tribulations exceptional ? Read on “John Inglesant” would show, he undoubtedly&#13;
before answering the question.&#13;
lent a helping hand to many struggling, but talented,&#13;
" Whoever seeks to live by brain and pen alone beginners.&#13;
is, at the beginning of such a career, treated as a “With some of the complaints of contributors to&#13;
sort of social pariah. Nobody wants him. Every periodicals I entirely sympathise,” he wrote. “The&#13;
body despises him. His efforts are derided ; his length of time their manuscripts are retained and,&#13;
manuscripts are flung back to him unread.” after all, rejected, the smallness of the remuneration&#13;
Wild words--gross exaggeration, you say. and the delay in its payment are genuine grounds&#13;
But as there can be no smoke without fire, so of grievance.” And there has been a marked&#13;
there can be no exaggeration where there is no deterioration as regards honesty, taste, discrimina-&#13;
nucleus of solid truth. We have seen how MSS. tion and conrtesy in the editorial ranks since such&#13;
may be simply kept indefinitely, and neither “flung men as he and Thackeray and Dickens ceased to&#13;
back" nor handed back.&#13;
uplift them.&#13;
Now let us peep into this mystery of MSS.&#13;
HERBERT W. SMITA.&#13;
returning to the sender unreal. Long years after&#13;
“ The Sorrows of Satan” (from which novel our&#13;
quotation is borrowed) was first published, to be PROPOSED CANADIAN COPYRIGHT LAW.&#13;
precise, so recently as August 31, 1907, a well-&#13;
known journal dealing with the affairs of an&#13;
extensive publishing business made the subjoined M R. FRANK WISE, president of the&#13;
strictures upon its management. “ Will it be I Macmillan Company of Canada, has given&#13;
credited," asked the investigator, “ that manu-&#13;
to the Press a statement correcting some&#13;
scripts submitted to the firm for consideration misconceptions already made, and putting forward&#13;
were solemnly entered in a huge volume, and some points which he is afraid have escaped the&#13;
then as solemnly returned to their senders often notice of the Hon. Mr. Fisher and a number of his&#13;
without being looked at. Scores of pages of this associates, who, no doubt, while wishing to put&#13;
volume may be turned over without finding a single Canadian copyright on a dignified basis, would be&#13;
contribution marked as accepted. Shareholders the last ones to bring hardship and pecuniary loss&#13;
should call at the offices and verify this for them- either to Canadian authors or their publishers.&#13;
selves," etc.&#13;
“The manufacturing clause in the present&#13;
The writer's personal experience of the people American Bill,” says Mr. Wise," is a good example&#13;
implied are in entire accord with the above. In of the maxim that might is right.'" It is well&#13;
the year 1884, he forwarded one of his early known to publishers that the American manu-&#13;
attempts to them under the belief its nature was facturing clause was inserted at the behest and&#13;
of a kind to meet their requirements. His con- insistence of the Typographical Union, which is&#13;
fidence was rudely shaken by its swift return, well known to be the strongest labour union in the&#13;
accompanied by that familiar slip of paper so United States. Its primary inclusion and sub-&#13;
dreaded by toilers with the pen. In due season sequent retention in the American Copyright Act&#13;
he sent off another argosy to the same port, and were distinctly against the expressed wishes of&#13;
another, and yet another. For a period of twenty- American publishers. It is a good thing, of course,&#13;
three years he persevered in this enterprise, de- for American printers and paper makers, and it is&#13;
spatching cargoes of this, that, and the other kind, looked upon by those engaged in either trade as a&#13;
deeming them likely to suit their market, until, at very beneficent mode of protection, much better to&#13;
&#13;
&#13;
## p. 27 (#423) #############################################&#13;
&#13;
THE AUTHOR.&#13;
27&#13;
the printers in fact than would be protection by There is the method of getting a learned lexico-&#13;
tariff, since under the later arrangement importa grapher to go carefully through the book and of&#13;
tion of foreign printed books could only be avoided obtaining a learned treatise from his pen. This&#13;
by keeping the prices of the home-made books method present circumstances will not allow here&#13;
down to that of the foreign printed books plus or elsewhere; and there is the modern method of&#13;
duty. Under the form of protection by copyright choosing a certain number of words, looking them&#13;
the public is prohibited from importing foreign out, checking them and seeing that they are&#13;
printed books at any price.&#13;
correct, and leaving the rest to luck. It is this&#13;
At the time this manufacturing clause was made latter method that we acknowledge without shame.&#13;
operative in the United States, they had a popula. There are two principal reasons why this&#13;
tion of some seventy millions, which made a market Dictionary should be a good one : first, the adapta-&#13;
of sufficient size to make profitable the setting up tion is made from the Great Oxford English&#13;
and printing of an addition for consumption in the Dictionary; and, secondly, it is connected with the&#13;
United States. Indeed, this would have been names of the two Fowlers. Are these reasons in&#13;
possible, though, of course, to a lesser extent, with the proof good and sufficient? We have no&#13;
a population of, say, twenty millons. With hesitation in giving an affirmative answer.&#13;
Canada's population, however, of a possible eight The Dictionary is a Dictionary of Current Eng-&#13;
millions, to be shown by the new census, printing lish ; and this makes its perusal a great source of&#13;
in Canada for Canadian consumption is utterly out pleasure. The adapters themselves say in their&#13;
of the question, since there is nothing like enough preface :-&#13;
demand to make a Canadian edition financially a&#13;
“One of these peculiarities is the large amount of space&#13;
possibility. Our contention is, therefore, that there&#13;
given to the common words that no one goes through the&#13;
being only a limited market in Canada, now best day without using scores or hundreds of times, often dis-&#13;
served by books imported preferably from England, posed of in a line or two on the ground that they are plain&#13;
or, if must be, from the United States, and the&#13;
and simple, and that every one knows all about them by&#13;
limited market making a separate Canadian edition&#13;
the light of nature; but, in fact, entangled with other&#13;
words in so many alliances and antipathies during their&#13;
unprofitable, neither paper makers nor printers can perpetual knocking about the world that the idiomatic use&#13;
possibly have anything to gain by holding out for of them is far from easy."&#13;
a manufacturing clause in the new Canadian Bill.&#13;
As a matter of fact Canada has much more to lose&#13;
This line of procedure at once rouses interest,&#13;
and the checking the accuracy of this statement&#13;
than to gain by following the bad example of our&#13;
afforded infinite pleasure.&#13;
neighbours to the south. In an admirable article&#13;
It is so true that words in common use are so&#13;
by Mr. Brander Matthews, published in the June&#13;
often overlooked, and their meaning is distorted or&#13;
number of the American Review of Reviews, he&#13;
shows how American literature was stunted and&#13;
misapplied. When suddenly a misuser is severely&#13;
repressed almost to extinction by means of whole-&#13;
censured it becomes difficult to check what is&#13;
sale piracy, which same conditions would be&#13;
apparently self-erident. Following out the principle&#13;
of looking for common words in current use, we&#13;
possible in Canada by the terms of the Copyright&#13;
Bill as at present outlined.&#13;
find the Dictionary is everything that its adapters&#13;
claim.&#13;
It is to be hoped that this matter of copyright&#13;
Its purchase can be recommended without hesi-&#13;
will be given very careful consideration, and that&#13;
no person will be blindly persuaded that benefit will&#13;
tation. Although 900 pages in length, it is not&#13;
accrue to any Canadian industry by the inclusion&#13;
a bulky volume. The type is clear, and the price&#13;
of a manufacturing clause. It will not mean an&#13;
moderate.&#13;
increase in printing of 5 per cent. over the present&#13;
amount now done, on the principle that “a full&#13;
pitcher can hold no more."&#13;
JAPANESE POETRY.*&#13;
THE CONCISE OXFORD DICTIONARY.*&#13;
HERE are two distinct ways of reviewing a&#13;
dictionary. We are not leading up to the&#13;
self-evident and commonplace retort, “ Yes,&#13;
the right way and the wrong way.”&#13;
TN his preface Professor Chamberlain confesses&#13;
1 that in the course of years his taste respecting&#13;
translations has changed : “He has gone over&#13;
to the camp of the literalists, and cares for no&#13;
versions whether of prose or of poetry, unless they&#13;
be scrupulously exact.” We are entirely of the&#13;
* " The Concise Oxford Dictionary,” adapted by H. W.&#13;
Fowler and F. G. Fowler, published by the Clarendon&#13;
Press.&#13;
Chamberlain.&#13;
*" Japanese Poetry," by Basil Hall&#13;
London : John Murray. 1911.&#13;
&#13;
&#13;
## p. 28 (#424) #############################################&#13;
&#13;
28&#13;
. THE AUTHOR.&#13;
same opinion, and yet conscious that, in the case of To this we need only repls that the prize-&#13;
poetry at least, the people are not a few who prefer winning stories will not appear elsewhere. Every&#13;
a metrical version. Those on either side will be story will be published within the next few months&#13;
able to find what they prefer in this new and much in one or other of the Magazines, and authors not&#13;
enlarged edition of Japanese Poetry." Parts I., satisfied with this were not expected to compete.&#13;
II., and III. of the volume are a reissue of the metri. Your correspondent proceeds next to deal with&#13;
caltranslations published more than thirty years ago. the question of rights. There again no diffi-&#13;
Part IV. contains a valuable essay on the Japanese culty will arise. While we shall, in the ordinary&#13;
Poetical Epigram, and a number of absolutely literal way, expect to retain all rights in prize-winning&#13;
translations of Japanese Epigrams accompanied by stories, we shall meet, in a reasonable spirit, authors&#13;
the originals, in Roman character. This is how poetry who may desire to republish their stories&#13;
ought to be translated ; and while the former part subsequently.&#13;
of the work contains much that is neat in form and “No date is mentioned by which a decision may&#13;
pleasing in substance, we have no hesitation in be expected,” complains "A Would-be Competitor."&#13;
saying tbat the new translations represent the most Since some thousands of stories have been&#13;
valuable part of the book. The terseness of Japanese entered for the competition, each of which, in case&#13;
Epigram is remarkable, and by no means always of rejection, requires an individual letter of careful&#13;
avoids obscurity. All the difficulties are here so criticism, it was obviously impossible, whilst the&#13;
admirably elucidated that Professor Chamberlain's competition was still running, to announce the&#13;
book must be regarded as one which no one who is date when the result would be published. The&#13;
taking up Japanese seriously can neglect. As these feature of the competition was that those actually&#13;
are however few, we have pleasure in adding that responsible for the editorial conduct of the three&#13;
every one with a true sense of poetical value magazines should read the stories, and as the&#13;
will find in this volume a great deal that will give number of these people is limited, and they have&#13;
delight.&#13;
their ordinary work in addition to the competition,&#13;
a certain delay has been inevitable. Stories have&#13;
been dealt with as rapidly as possible, however, and&#13;
the full result of the competition will be announced&#13;
CORRESPONDENCE.&#13;
in the November numbers of the three magazines.&#13;
I might add in conclusion that the terms of the&#13;
competition have met with the approval of the&#13;
PRIZE COMPETITIONS.&#13;
competitors. This being so, the discontent of “A&#13;
Would-be Competitor " is, if harder to understand,&#13;
SIR,—As your correspondent, “A Would-be&#13;
easier to endure.&#13;
Contributor,” in your issue of July 1, obviously&#13;
Yours faithfully,&#13;
refers to our £260 Story Competition, we shall be&#13;
The Editors,&#13;
glad if you will allow us to deal with the points he&#13;
PEARSON'S MAGAZINE.&#13;
raises.&#13;
“Nothing," he remarks, “is said as to the fate&#13;
THE ROYAL MAGAZINE.&#13;
THE NOVEL MAGAZINE.&#13;
of the successful stories ; there is nothing to&#13;
indicate whether they are to be published, though&#13;
this is hinted at."&#13;
As the stated object of the competition was to&#13;
INSURANCE.&#13;
discover new authors, this criticism is somewhat SIR,—Following up my previous suggestion that&#13;
curious. In any case it is difficult to imagine that a scheme for insuring contributors' payments should&#13;
anyone would pay £50 for a story he did not intend be contemplated, I add that it seems patent that if&#13;
to publish. But may we allay any fears in this once an assurance company could be got to specify&#13;
direction by assuring all those who read these lines what publications it would undertake to cover in this&#13;
that prize-winning stories, and those purchased at way, the controllers of “unincluded” organs would&#13;
our ordinary rates, will all be published.&#13;
for the most part find it expedient, for the sake of&#13;
“There is nothing," continues “A Would-be prestige, to follow suit by getting a similar public&#13;
Competitor," “ to enable the authors to know where form of cover. Otherwise they might lay them.&#13;
or when the prize-winning stories will be published. selves open to suspicion of instability. When new&#13;
An author may be quite willing to sanction the developments are organised, people often have to&#13;
appearance of his work in one of the three magazines, come into line by adopting them, wbether they&#13;
and yet object strongly to its appearance in either like it or not.&#13;
of the remaining two. Still stronger may be his&#13;
Yours faithfully,&#13;
objection to its appearance elsewhere.”&#13;
ALGERNON WARREN.&#13;
&#13;
&#13;
## p. 28 (#425) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
HUBBRT WALES, ESQ., of Hindhond, Surrey, writes :-&#13;
“I have just completes the rovision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that tho manuscript was sent to you&#13;
without baving been corrected or even read, and that my handwriting,&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something more than simple&#13;
mechanical accuracy, to produce such a resulta result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
TYPEWRITING. AUTHORS wishing to make arrange-&#13;
ments for Publishing are invited to&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Ltd., Publishers, 12, Paternoster Row,&#13;
London, E.C., who will be pleased&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices to consider MSS. and advise (free).&#13;
Please write before sending MSS.&#13;
(Established 1898),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
EWART RICKETTS&#13;
May be relied on to provide neat and&#13;
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MSS. Straightforward work, 10d. per&#13;
1,000 words; two copies, 18.; specimen&#13;
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COTTERILL &amp; CROMB&#13;
Literary&#13;
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LENNOX HOUSE,&#13;
LINDISFARNE, STONEHOUSE, GLOS.&#13;
NORFOLK ST., STRAND,&#13;
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-CLAUDIUS CLEAR, in the British Weekly.&#13;
Till March, 3/- weekly. Furnished Cottages, York-&#13;
| shire. Suit two people. Season 30%. Lester, Askrigg.&#13;
Yearly £15/1580. Town and Station 14 mile.&#13;
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BOOK MONTHLY.&#13;
AUTHORS.&#13;
Novels, Short Stories, Articles, Poems placed with 169&#13;
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CAMBRIDGE LITERARY AGENCY,&#13;
115, STRAND, W.C. Telephone, 1648 Gerrard.&#13;
You know the "Book Monthly" by name-you&#13;
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about the books and the literary affairs of the&#13;
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Well, you are missing something, and you&#13;
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It is an instructing. entertaining “guide.&#13;
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been enlarged, and made more popular and&#13;
practical in contents and style. Read it, and&#13;
you will know what to read : what's what and&#13;
who's who in the book world.&#13;
EXPERT TYPEWRITING.&#13;
Authors' MSS., Etc., and General Typing. od, per&#13;
1,000 words. (Quantity by contract.) Prompt and&#13;
accurate. Specimen supplied. Estimates given.&#13;
MRS. MASON,&#13;
Easthorpe Rectory, KELVEDON, Essex.&#13;
The Book Monthly is published on the first of each inonth by&#13;
Simpkin, Marshall &amp; Co., Ltd., Stationers' Hall Court, London.&#13;
It costs Sixpence, and it can be ordered from any Bookseller, Book.&#13;
stall, or Newsagent. The Publishers will send it, post free, for a&#13;
year, inland or abroad, on receipt of eight shillings. You can&#13;
have a copy of the current number posted to you by forwarding&#13;
6d., or a specimen back number for nothing.&#13;
--A well-known MAGAZINE&#13;
AUINUKO. EDITOR and PUBLISHER'S&#13;
READER offers to advise and assist AUTHORS. Success&#13;
secured.-EDITOR, c.o. Rudin's, 199, Strand, W.C.&#13;
&#13;
&#13;
## p. 28 (#426) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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I USE BRAINS as well as hands.&#13;
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Special terms for large contracts.&#13;
corrections. French and German typewriting undertaken, Translations-French, German, Spanish, Italian, etc.&#13;
and typewritten translations supplied. Testimonials&#13;
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but praise for the accuracy, speed and neatness with which she | 64, VICTORIA STRELT, S.W. Telephone : No. 5537 Westminster.&#13;
does her work.-FRANK ŠAVILE."&#13;
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New Address&#13;
thanks for the excellent work and the promptness with which it has&#13;
15, WIMPOLE ROAD, YIEWSLEY, MIDDLESEX.||&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
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10, VINUDD RUD, LIDWOUDI, WIDDUUDUA1 been done.'-</text>
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                    <text>The Author .
THE ORGAN

In
1

THE SOCIETY OF AUTHORS

OF

( INCORPORATED ).

BY

XXII .

the Society

,

LD
.
1912

.

.

CO

AGNEW

,

,

BRADBURY

&amp;

Publisbed

for

VOLUME

BESANT .

LONDON

AND

TONBRIDGE

.

SIR WALTER

by

FOUNDED

�BRADBUŁY, AGNEW, &amp; co. LD. , PRINI ERS ,
LONDON AND TONBRIDGE,

�INDEX
XXII .

Vol .

Nos.

1

-

TOBE

10

OCTOBER

,

1911

JULY , 1912

—

PAGE

Agency Agreement

...

...

...

...

...

...
...
20 i Colonial Markets ...
... 122, 159, 163, 191 | Committee Election

Authors

...

133
19

...

...

...

...

...

.. .

...

...

...

105, 159

..
.

Committee

Theatres and French

..
.

ACADEMIC

| Cinematograph

5
)

PAGE

...
191
...
Notes ... 2, 33, 59 , 88, 120, 145, 175, 203, 229 , 257
, 46, 53 , 54, 55, 74 , 75 , 1 Composers and
Dramatic
(
11
biterary and Dramatio ,
Collection of Fees on Mechanical !
229
80, 82, 83, 112, 113, 115 į
Instruments
..
...
...
...
...
Agreement (Mr . John Long )
.. .
...
...
Composers ' Agreements ...
... 160
...
...
...
... 275
,
Music Publisher 's ...
. ...
... 1871
and Gramophone Rights ...
...
216, 259
Annual Dinner ...
...
...
,
...
...
46, 106 ;
Sub - Committee
...
...
159, 177, 231
oy
Meeting ...
...
...
...
...
... 192 | Copyright Act ( 1911) ...
. ..
...
104, 132, 273
Authors and their Reviewers
...
... 77, 220,
Regulations under
American Society
274
Section
246
Composers and Music Publishers
British
and Society
British Composers
172
3
Society
Copyright
Australia
191
First Society
Canada

Agents as Principals

26

..
.

..
.

..
.

, ,

..
... ..
..
.

.
..
..
.

(

.
..
..
.

)

of

.
..

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..
..
.

..
.

56

116113

..
.

,

,

..
.

..
.

140
200
172

..
.

...
..
.

,

,
54
,
55
,
80
,

53

..
.

112

..
.

Copyright Act and Society

115

Suggestion

of ...

..
.

..
.

'

's

..
.

..
.

132

List

..
.

Black

..
.

Craft

...

,

,

,

Author

-

Agents

..

..
.

Rights

Authors

..
.

and Education

Sub Committee

...

.
..

Cinematograph

..
.

Chicago Dial

,

122 146 178 205 231 259

and Dramatic

,

,
90
,

60

35
,

, 3
,

..
.
,

Lord

Author and Publisher

a

Rights

American
Chamberlain

..
.

Review

Expired

Correspondence
CASES

.
..

Four Years

of

and Ireland

Progress

:

Copyrights

)

(
1

251

245

America

Legislation

,

..
.

280

..
.
..
.

..
.

..
.

..
.
States

..
.

..
.

„

,,
,,

,,

,

,

Russia
United

International

139

..
.

..
.

132 135
273 278
19

Bill

..
.

..
.

..
.

France

Holland

,

,

,

148 181
234

,

64 ,

..
.

1

7

,

,

37

of
)

Touraine

..
.

in

)

..
.

Robert

..
.

,

,
,
,
91
,

by

(

and Copyright Act

Writers and Journalists

Browning

123 147 178
206 232 261

61

Members

1911 Analysis

Society

(

Composers

of

in

America

,

.
,,
,

British

Members

(
4

by

Books Published

. .
.. ..

..
.

of

,

,

in

,,

47

.
..

(

,

,

)

(

..
.

..
.

..
.

...

of

,

1

..
.

of

,

of
)

,,

,

254

Agents

British Composers

�INDEX
PAG
Correspondence - continued .

. ..

..
.

..
.

.
..
.

..
.
.

.
, .

..
.

..
.
93
,

159

,
160

..
.

,

:

.
..

..
.

,

,

.

,

Ltd

124 149 181 207
234; 262

..
.

..
.

16

..
.

..
.
Co

..
.

Co
.

of

39

1 1
7

..
.

,

,

's

89

and

64
,

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,

r

.

.

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.

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,

to

Publish Limitation

,

,

,

...
..
.

..
.

..
.

..
.

.

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,

on ,

,

,

,

71
,

16

,

's

Agreement

187

Blake

-

.

.
K
.
C
. ..

..
.

,

,

..
.

Morel Henri
Thurston Mrs

October

go

-

Sophia

Justin

..
.

OBITUARY

Dr
.

,

Prize Committee

, ,

273

NOBEL

:

176

..
.

,

122

Chamberlain

..
.

101 129 156 188 213 242 270

Stamps

.

.
, .

,

146
258

,

230,

109
176 205

McCarthy

,

155

M

Jex

ELECTIONS
1911 July

Gramophone

MAGAZINE Contents
Mechanical Reproductions

..
.

.

89
, ..

,

60

121

.
..

.
..

.
..

„

and Lord

.
..

,

Rights

.

(

-

.,

Sub Committee

r

28 284

,

.

, ..

167

Polşscope

Progressive Newspapers

Literary Dramatic
Musical Notes
Long Agreement

140

..
.

.. ..
. .

Co
)

&amp;

Licence

Music Publisher

35 .
, .

..
.

DRAMATIC Section

Pall Mall Gazette
Selig

Monckton

Whitfield

D

.
C
.

Glenville

..
.

..
.

(

Leng

W

(

83
,

..
.

56

..
.

...

Court Case Romeike and Curtice

Critics and Criticism
Curious Suggestion

20

)

County

254

States Notes

..
.

United

Flanders

..
.

the Times

...

Signs

..
.

Register

of

Scenario

Council Meeting

...

Reports :

Law

116

226

..
.

,

Terms

.
..

'

Methods

56

.. ..
. .

Prize

225 252

..
.

71,

...

Novel Competitions
Publishers

International Literary and Artistic Association

...

. ..

and Modernity

Modern

... 281

...

..
.

Pen

.. .

INSPIRATION

199, 2

200
,

of the

Hazard

Insurance

PAGE

...
...

Editorial Courtesy

PAN AMERICAN

Convention

, , .
, 178

..

..

.. ..
. .
, 34
,

.

,

,

174

,

,

119 143 175 202
228 256
202
118 142
228 256

86
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86 ,
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104

105

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French

..
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.

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. .

,

118 142 174
178 201 228 256

..
.

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PAGE

::

247

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217
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99
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213 268

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140 194 265

,

97 68
, ,

Notes

..
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Law Cases

.. ..
. .

and International Relations

..
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137

Bill

..
.

UNITED States Copyright
,,

138

..
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53

..
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.. ..
. .

..
.

..
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Literary Year Book
Oxford Dictionary

..
.

..
.

.
G
.
.. ..
. .

Year Book

135

27

Poetry

..
.

Japanese

..
.

of

's

English woman

Fletcher and Kipling

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History

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137

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251

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University

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Copyright Law

52

:

Reviews - continued

..
.

PAGE

Reviews

-

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                    <text>COPYRIGHT FORMALITIES
THE
.S .A .

ON

o

U

Publishers' Weekly

natural right,

in

for

62

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of

)

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of

copyright
with the notice
affixed
each copy published
offered for sale
the
authority
United States
the copyright pro
prietor
this notice
the method and form
first importance
The Act
1909 provides sect
copyright required
section
That the notice
lication

,

"

,

to

sold

"

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to

or

as

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lished
offered
authority

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other

publication has
the date
the earliest date when copies
the first authorised
edition were placed
sale
publicly distributed
sold
the proprietor
the copyright
under his authority
This
indirectly
defines publication
the authorised
public offer sale
copies and the
distribution
requiring the copyright notice
clause sect
published
affixed
each copy
offered
for sale
authority
the United States
the copyright
proprietor
confirms the principle that the copy
right proprietor cannot be held responsible nor
pub
copies
can copyright
voided because
been

(

,
of

(

of

of a

of

book

this Act
the Act sect

,

or

of

in

)

of

(2
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of

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3
)

of

the best edition

photograph
deposit
work
art
date
of which last the law was not explicit and any
comply literally
failure
and exactly with these
conditions forfeited the copyright
The American Code
1909 substitutes an
entirely different basis for securing copy
right Copyright now depends upon
pub
copyright and
lication with the notice
deposit
copies these copies
the case
of books and certain other works
manufactured within
the United
States
The accidental omission
the copyright
particular copy
copies
notice from
formerly
does not invalidate the copyright
but only relieves
innocent trespasser
infringer
but failure
from penalty

five

"

not exist .

in

n

does

to

copyright

them

The American copyright law of 1909 prescribes
exactly the method of securing copyright , and
makes clear the cases in which non -compliance
copyright .
in validates
Previous to 1909 copy right was secured by complying exactly with the
statutory requirements of (1 ) the delivery to the
Librarian of Congress on or before the day of
publication , in this or any foreign country , of a
printed including typewritten
copy
title
description
every
the work
the insertion
copy published
the prescribed copyright notice
and
the deposit not later under the law
publication
1891 than such day
earlier law
allowing ten days after publication
two copies

The general provisions as to formalities
are as
follows (sect . 9) : “ That any person entitled thereto
by this Act may secure copyright for his work by
publication thereof with
the notice of copyright
required by this Act ; and such notice shall be
affixed to each copy thereof published
or offered
for sale in the United States by authority of the
copyright proprietor , except in the case of books
seeking ad interim protection under section twenty
one of this Act ; ” and (sect . 10) : “ That such
person may obtain registration
of his claim to
copyright by complying with the provisions of this
Act , including the deposit of copies , and upon such
compliance the Registrar of Copyrights shall issue
to him
the certificate provided
section fifty

“

without

within a specified time , or false
report as to manufacture , make the copy
right not valid .
deposit

,

as a

common law before the
Statute of Anne , without record or formali ties , but also without statutory protection ; or
formalities may be required only as a prerequisite
to protection by actions at law ; or formalities may
be required to validate and secure the copyright .
English formalities belong to the second class .
American formalities are of the third class and

by

inhere

. ,

may
English

as under

of the Editor . ]

the kind permission

of

COPYRIGHT

, with

“

[ Printed from the United States

u

IN

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of A in

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in for

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be

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copyright notice

relief

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.,

on

on

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a

Thus
book containing
the
notice
the third page
the
second leaf
elsewhere
than
the title page
might not
following
the page immediately
infringement
protectable
case
The
copyright notice can probably however
placed
being
safely and preferably
the first page
part
specially
copyrighted
the title page
book
introduction preceding
non
copyrighted work
appended notes
index
upon specific illustrations
perhaps
and this
preferable
copyrighting
editions with such fea
tures
works otherwise
the public domain
periodical
parts
the case
articles
composite work separately copyrighted
registered
copyright

or

In

a

of

or

.

in

a

in

to
an to

accidental omission
the copyright notice from
certain copies sect
the statute
otherwise
specific and there seems
be no means

as

A

,

,

(

each volume

periodical published

shall suffice
Although the Code
1909 relieves the copyright
proprietor from permanent forfeiture
the case

,

in

as

(

.

,

no

)

copyright

newspaper

in

-

-

,

.

v

of

in

That one notice
each number

of

of

in

in

as

(

of

of

,

a

who has been misled
the omission
the notice
permanent
infringement
and
suit
injunction shall
had unless the copyright pro
prietor shall reimburse
the innocent infringer
his reasonable outlay innocently incurred
the
court
discretion shall
direct
further provided
sect
That the
copyright shall
applied
notice
the case
upon
book
other printed publication
title
page
following
the page immediately
periodical either upon the title page
upon
the
first page
text
each separate number
under
the title heading
musical work either upon
title page
the first page
music
Provided

,

,
of

it

,

be

.

.

v

in

,

,

in

,

prevent re
shall not invalidate the copyright
covery for infringement against any person who
begivs
after actual notice
the copyright
infringe
undertaking
but shall prevent the
recovery
damages against
innocent infringer

of

,
of

to

,

in

,

,

or

,

of

,

of

in

or

)

in

Snow

proprietor has sought
comply with
this Act with respect
notice
the omission
accident
mistake
the pre
particular copy
copies
scribed notice from

an

-

is

be

;

or of

of

of

of

.

V

)

for

,

a

the true date was 1867 there was
harm done
year
the public because
the copyright which
really ended
1895 instead
1894 was given
the public
whereas
the previous
case

1895

the copyright

the provisions

be or

of

,

on

if

.

a

in

ofof

the date
the entry
the
Taylor when 1847 was
American case
Baker
put
1846 makes the copyright ivvalid
later
Myers held that
Callaghan
decision
1888
copyright notice gave the year 1866 while
where

was held

microscopic objec
Mast
within the law
Sarony instead
Napoleon Sarony
tion that
was not
name was promptly quashed
copyright law
An important safeguard new
enacted
the provision
sect
That where

a

.
, B.”

.

,

,

it

of

dersley

the abbreviated

of

,

A

at by

of

,

of

.
B
., .

.”

“

),

in

,

A

by

.,
be "

of

,

“

is

,

,

",

“

or as

is

omission
either
the three requisites
the word copyright
its abbreviation the
printed works and the
date
the case
name
the proprietor
the case
works
art his sign would make the notice
void and
no effect
The exact phraseology
and order
words must
followed and
has
been held that any inaccuracy
the name
the copyright proprietor
the English
case
Routledge by Vice Chancellor
Low
Kin

additional year was claimed .
This decision , how
ever , is not a safe precedent , as doubt was thrown
on it by Judge Wallace in the same year in Schu
macher v . Wogram .
The substitution
1894

or

of

be

of

-

. ,

of

.

of

to

of

(

in
in

in

or

of

by

in

of

,

go

is

in his-

in

of

,

be

of

,

or

or

on

.

-

-

(
C
or ),

,

on

:

,
or of ,

,

:

,

a

,

of

,

,

-

,

to

(f
)

,

-

of in

,

In

in

C

by

of

of of

pub
was secured
copies
lication
the case however
works
specified
sub sections
inclusive
sec
tion five
this Act the notice may consist
the
letter
inclosed within
circle thus
accom
symbol
panied
the initials monogram mark
the copyright proprietor
Provided That
some
accessible portion
such copies
the margin
pedestal
back permanent base
the sub
stance
which such copies shall
mounted
name shall appear
But
the case
works
subsisting when this Act shall
which copyright
copyright may
into effect the notice
either
one
the forms prescribed herein
one
those prescribed
the Act
June eighteenth
eighteen hundred and seventy four
Under the law
1874 the prescribed notice was
the old form Rev Stat 4962
Entered accord
ing
Congress
Act
the year
Congress
the office
the Librarian
Wash
ington with the optional alternative
the form
Copyright 184
Under the new Code
preserved with the alternative
the latter form
Copr
the provision
with date and name but
the longer form may
used
books copyrighted
reprinted after the
under the earlier Acts even
Except for books pre
passage
the later Act
viously copyrighted
the longer form
not now
dangerous
the legal notice and its use would
does not contain the specific word copyright
its abbreviation now made an obligatory part
the notice
The courts have been disposed
hold
that longer notice embodying the required words
merely pleonastic and not illegal but that any

(k ,
), of

copyright

which the

.

year

of by

,

nine of this Act shall consist either of the word
Copr .,' accom * Copyright ' or the abbreviation
panied by the name of the copyright proprietor ,
and if the work be a printed literary , musical , or
dramatic work the notice shall include also the

)

2

a

(

�A

,

.

old

.

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a

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in

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in

of

."

in

,

by

in

or

,

as

under any other circumstances
where some par
magazine publication
ticular right
dramatisa

probably invalidate

the copyright

A

.

has been sold and assigned
substitution
name under such specific assignments would

tion

.

. -

of as

,

,

on

it

give

later

applies only where the entire copyright has been
assigned and the assignment duly recorded
the
Copyright Office
provided
law
and does not
permit
change
name
the copyright notice
as

,

a

or

,

of

,

the

should
noted that the copyright
notice
not required
books published
language
abroad
the English
before
publication
this country
entered for
interim copyright and therefore that within
sixty days after the publication abroad
language
book
the English
such
book
may be protected by American registration
copyright
though containing no notice
and within this period inquiry at the Copy
right Office
necessary
determine the
status
the book
assign
provided
sect
that when
specified book
ment
the copyright
other
work has been recorded the assignee may substitute
his name
that
the assignor
the statutory
copyright prescribed by this Act
This
notice
for

in

,

no

,

,

in

notice

,

or
or

.

of

or

,

is as
“

of

v
.

,

safe and the wiser course
copyright notice and
proper sequence

the earlier

both

is

,

to

to

in

of

of

with old
two dates

of

,

be

of is

in

,
no

,

be

to

by

in

In

contents might
voided under
doubtful whether
new edition
and new matter one copyright notice with

the whole

sive

this rule

of

-

of

in

on

. ,
B
. .", in

A

in

on

,

Copyright 1910
such cases
same notice
though there
specific decision
1911 by
this point
Under the previous law
book
part the
published
more than one volume
portions not complete
themselves was probably
copyright entry
protected
the first part all
parts being
course ultimately deposited but the
change
pub
the new Code basing copyright
practice
lication with notice changes this rule
Dwight
Appleton
the case
1840
was

appear in every new edition newly copyrighted , as
well as the new notice , so long as it is desired to
protect the matter contained
the
edition
decision
Justice Clifford
Lawrence
Dana
superfluous but his decision
1869 ruled this
proprietor may not
contrary
the rule that
longer term
claim through the copyright notice
than the law permits since
later date referring
comprehen
only
new matter but apparently

a

of

-

In

it

pro

-

a

,

is

,

,

or

, .
of

in

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of

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at

or

at

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of

or

of

-

of

for

,

in

,

if

,

at

in

.

,

for

"

,

of

at

in

be

fee

The proviso ( sect . 61) “ that only one registra required
tion at one
shall
the case
several volumes
the same book deposited
the
same time
indicates that one copyright entry
suffices
several volumes simultaneously published
but each separate volume should contain the notice
Volumes published separately not only
successive
years but
successive dates within the year should
be separately registered and published separately
years must each bear its copyright
successive
publication
notice
the year
this being the
direct sequence from the provision that copyright
publication
dates from the specific date
and not
registration
from the year
date
The Copy
right Office will however under the law register
parts deposited
for one fee volumes
the same
time though published
various times
the
case
book issued
successive parts
which
only the first part includes
title page
title
headings the law
not specific but
seems
copyright
bable that
default
notice
and
registration for each part the parts not bearing
copyright notice might
legally reprinted
and
place the copyright
that the safer course
notice
the first page
each part and register
each part separately
which case the completed
work should have the date
dates
the year
years within which the several parts were published
objections within the law
There seem
coupling two dates
from
court decisions
the

deposit is the secondary and completing
act , and therefore no registry in the Copy .
right Office is necessary to authorise the
printing of the copyright notice , as was
formerly the case .
In the case of successive printings or editions of
entry
a copyrighted
book , the original copyright
must appear in every reprint of the first edition ;
and it would seem that this entry should also

is in

periodical .

may be emphasised
that publication with
notice is the first step in copyright under
the present Code , and that registration on

It

copyrightable
component parts of the work copy
righted and gives to the proprietor of a composite
work or periodical all the rights he would have if
each part were individually copyrighted .
It means
that there need be no repetition of the general
copyright notice on different pages of a book or

held that as the statute did not expressly prescribe
that the copyright notice should appear in succes
sive volumes after the first , this was not necessary ,
but the application of this doubtful decision under
the new Code would be more than questionable . It

It

right in each volume or in each number of a periodi
cal shall suffice , is complementary to the provision
protects all the
( sect . 3 ) by which a copyright

)

,

the copyright notice should appear on the same
page as the title heading . The copyright does not
depend upon the imprint date but on publication ;
thus the Copyright Office registered for copyright
in 1910 a book bearing
the imprint date 1904 on
the statement of the proprietor that it was not
really published till 1910 .
The proviso (sect . 19 ) that one notice of copy

3

of

(

�for

are

to

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on

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subsisting

any

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an

on

an

be

,

he

if to

D

respectively

card

may prefer

or A

to D
(2
(1 ). is
)

applicant should send for
he

card

as

dramatic

the seal

(3
),

as

A

-

or

to

separately
wishes the affidavit
should obtain also the special blue card
lithographic
photo engraving
used
should obtain also special blue card

,

.

in

,

with

renewal copyright

if

-

six

of ,

of

of

of

a

sealed

print
pictorial illustration
copyright subsisting
any work

.

,
,

In

.

by

as

of

to

,

be

certificate

or

set

A
(
2
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G
a

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to

as

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in or

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for which

copy

English
the
newspaper

he

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to

of

to

of

as

provided

binding

made
A

is

as in

be

, of of

of

of

a

of

of

,

as

stated
the said affidarit
The Registrar
Copyrights shall prepare
printed form for the
said certificate
filled out
each case
above

foreign

interim

applicant for copyright
work
Thus
American book should send for card
which
may enter his application and also include affi
printing and
davit
American typesetting

he

a

“

:

55
)

30

. ).

(

.

(

is

of

It

receipt

of K

,

"

;

, ,

in

of

book the certificate shall also state the
provided
the affidavit
section
teeu
this Act the date
the completion
the
printing
the date
the publication
the book
case

for sale
renewal
extension

or he ; as

or

in

of

of

claimant

of

any article bearing
and the importation
notice
copyright when no American copyright exists
absolutely prohibited
sect
further provided sect
That
the
entry the person
case
each
recorded
the

the copyright shall
entitled
registration under seal
certificate
the Copy
right Office
contain his name and address the
title
the work upon which copyright
claimed
the date
the deposit
the copies
such work
and such marks
class designation and entry
number
shall fully identify the entry
the

periodical
continously

book

Ad

newspaper
registered
supple
mented by
white blank for depositing single
subsequent issues
lecture sermon
address
prepared for oral delivery
published dramatic
dramatico musical composition
dramatic
dramatico musical composition not reproduced
published dramatico musical com
for sale
position
published musical composition
musical composition not reproduced for sale
these supplemented
blue card
notice
published map
use
mechanical instruments
drawing
sculpture
work
art painting
design for
reproduc
model
work
drawing
plastic work
tion
work
art
photograph
scientific
technical character
published for sale
photograph not reproduced
or or

-

a

of

of

of

a

or

a

to

periodical
periodical

(
2
)

:

“

)

29

be

.

,
or

be

States
foreign language
author
right
book published
abroad
language
contribution

E

,

in

or

a

,

by

or

,

or

of

by

,

,

.

(

by

or

,

within the United

(
)1,

specifically made against false notice

copyright
the enactment sect
That
any person who with fraudulent intent shall insert
copyright required
impress any notice
this
upon any
Act
words of the same purport
uncopyrighted
article
with fraudulent intent
shall remove
alter the copyright notice upon any
guilty
article duly copyrighted shall
mis
punishable
demeanor
fine
not less than
one hundred dollars and not more than one thousand
Any person who shall knowingly issue
dollars
sell any article bearing
notice
United States
copyright which has not been copyrighted
this
country
who shall knowingly import any article
bearing such notice
words
the same purport
which has not been copyrighted
this country
shall
liable
fine
one hundred dollars

or

of

is

.”

of

is

Provision

by

invalidate

in

“

or

any error
classification
copyright protection

]

[

of

claimed
nor shall
impair the

in

which copyright
incidentally provided

numbered
follows
book
citizen
resi
dent
the United States
edition printed
originally published
the United
States
book
abroad
the English language both these being
American manu
double cards including affidavit
supplemented
facture
these being
blue cards
providing
specific instructions
with
for
separate affidavit
American manufacture from
type
plates made
the United States and
photo engraving process
for lithographic
as

."

5

)
to “

.

(

is

it

”,

but

,

)

54

of

he

a

of

,

is

It

belongs

receipt
the copies
the work deposited
complete the registration
prepared
The Copyright Office has accordingly
library card form which
blanks
furnished
applicants free
charge for the several classes
applications mentioned
the law the cards being
pink except
hereafter stated
lettered and
of

to

of

.

in

"

(

,

by

as

to

“

of

the work

classes

of the Copyright Office , shall , upon payment of the
prescribed
fee , be given
to any person making
application
for the same, and the said certificate
shall be admitted
in any
court as prima facie
evidence of the facts stated therein . In addition
to such certificate the Registrar of Copyrights shall
furnish , upon request , without additional fee, a

in

,

of

of

be

of

The method of registration , or rather of applica tion therefor , is not specified in the law , for the
reason that under the code of 1909 deposit succeeding publication is made the act completing the
securing of copyright , and registration is incidental
thereto instead of the first requisite , as was the
case under the previous laws .
The Act provides ( sect . 53 ) : “ That , subject to
Congress
the approval
the Librarian
the
Copyrights shall
Registrar
make
authorised
rules and regulations for the registration
claims
copyright provided
this Act and sect
whenever deposit has been made
the Copyright
copy
any work under the provisions
Office
this Act
shall make entry thereof
provided
sect
that the application for
registration shall specify
which
the stated

)

—

4

in

(

specify

�by

of

,

.

of

,

a

of

to

or

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to

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by

.

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of

by

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is

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of

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six

“

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is

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to

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is

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if
.

,

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of

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by

is

an

of

:

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12

in be
as

)

.

or

(
by

of

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be

if

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in be

,

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of

of

to in

,

of

of

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by

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or

be is

if

or

; of

,

in

or

,

,

,

or in

.

be

to

,

or

by

,

,

,

of

of

.

contribution

contribution special registra

requested one copy
issues
the issue
tion
containing such contribution
the work
copies for sale there shall
not reproduced
deposited the copy print photograph
other
identifying reproduction provided
section eleven
copy print photograph
this Act such copies
accompanied
other reproduction
each
pro
copyright
case
claim
No action
ceeding shall
maintained
for infringement
copyright
any work until the provisions
this
of

.
be

of

in

as

work

be

of -

a

or

,

at

or

-

to

to

,

in in
a

him

to

his

at

of

),

in

(

such

periodical for which

,

.

of

,

of

a

to

a

of

,

cash
as

in

stamps
but not
the risk
the
Copyrights cannot receive
the Registrar
except
personal risk and there
persons known
frequent
fore from
sent

sender
cheques

this Act

in

-

it

,

of to

an be

In or is

no

-

."

,

to

is

.

periodical

the courts would have
decide
promptly
definition
the word
interpretation
and
the implied provision that
copyright
voided meaning that the right
obtain copyright lapses
the process
not com
pleted without undue delay
The completion
the copyright by deposit
copies
covered
the provision sect
That
publication
after copyright has been secured
copyright
provided
the work with the notice
promptly
section nine
this Act there shall
deposited
the Copyright Office
the mail
Copyrights Washing
addressed
the Registrar
ton District
Columbia two complete copies
the best edition thereof then published
which
periodical shall
copies
the work
book
have been produced
accordance with the manu
facturing provisions specified
section
fifteen

,
if

a

.
.
.
.

of

or

in

of

as

in

, ,

is

of in

regular

which case the
Copyright Office will receive
advance
sum
sufficient
cover registration
for the successive
periodical through
period
copies
specified
The fee should be sent by money order
can
issues

otherwise

the question

, ;

in

a

,

of

.

is

of

be

:

,

is

to

one dollar which sum
include
certificate
registration under seal
Provided
That
the case
photographs the fee shall
fifty cents where
certificate
not demanded
For every additional
registration made fifty cents
certificate
copyright
For recording the extension
renewal
provided for
sections twenty three and twenty
longer
four
this Act fifty cents
The law
contemplates record before publication
and
unnecessary and undesirable
send application
money previous
sending
deposit copies
publica
fact
the certificate must show date
anticipated and money
tion publication cannot
only
sent
advance
embarrassment
the
Copyright Office
The only exception
this state
the successive copyrights
ment
the case

ness

is

of
of

,

of

, ,

to ),

.

(

of

"

.,

viz

in

is

.

the Copyright Office
This certificate
sent without charge other than
the fees directly provided for
the law sect 61
any work subject
for the registration
copyright deposited under provisions
this Act

by

few

of

)

of

,

of

),

,

,

by

(

of

or of

(f

on

)

a

of

,

in

of

(p

of

or

,

of

or

of

of

of

The certificate bears on one side the
statement
the deposit
two copies
one copy
the article named herein and
registration for the first
renewal term with the
name
the claimant rinted
the case
making most applications and
the publishers
ollowing the
the other side the specification
wording
the application and the deposit copy
publication receipt
description
the title
date
receipt
copies and
affidavit where required
entry number
class together with
the seal

a

blanks.

cate

uniform

in case of a contribution to a periodical or for iden
tification of a work not reproduced for sale ) shall
be deposited ; and if a work is published with
notice of copyright , and copies are not promptly
deposited , the copyright
is voided and the pro
prietor becomes subject to penalty three months
(or in case of outlying possessions or foreign coun
tries
months after formal demand
the
Registrar
Copyrights
for deposit copies
The
promptly
word
indefinite and the status
undeposited works published with copyright notice
Copy
and not formally demanded
the Registrar
rights
also not defined by the law
such case
the copyright has not been secured
the complet
ing act and
impracticable
proceed
would
infringer and the proprietor might
against
copyright
penalty for false notice
liable
the event
such
case arising through
careless

in

Similar certificate cards, also of library size ,
uniformly white , are provided for the several classes
of registration , correspondingly lettered and num bered , except that in a few cases where one certifi cate blank serves for more than one class or sub divisions , with the addition of a general form Z to
cover anything unprovided
for in the other certifi -

relation with the Copyright Office . Postage must
be prepaid on the application blank , as there is no
provision for free transmission through
the mails ,
such as applies to deposit copies.
In practice the
application with remittance and the deposit copies
should be simultaneously
sent immediately
after
publication .
The law provides that deposit copies shall be sent
promptly after publication and that tuo complete
copies of the best edition then published (or one copy

,

the work as a dramatic and non -musical work , or
phrase of the law ;
to use the broader alternative
or for D (2 ) if he desires to copyright without
reproducing for sale .
The applicant for a musical
composition , as distinguished
from
a dramatico
musical work , should send for card E ( 1) or E (2 )
respectively .
The art applicant should send for
card G for an original work of art , or card H for a
reproduction , or for a photograph
card
J ( 1) or
card J ( 2) respectively .

)

5

or of

(

�in

of

to

to

a

,

,
if

in

."

,

in

as if

of

in

's

of

a

of

,

it

be

.

to

,

"

,

of of

A

in

be

to

in

.

ad

in is

“

:

)

21

. ,

(

of by

in in

of

, of

,

in

a

,

,

of

an

to

by

,

to

or

,

of

of of

of

a

of

a

foreign edition
request for the
with
the copyright and
reservation
statement
the name and nationality
the author
and
the copyright proprietor and
the
publication
date
the said book shall
proprietor
secure
the author
ad
copyright which shall have all the
interim
copyright
force and effect given
this
Act and shall endure until the expiration of
thirty days after such deposit
the Copy
in

Office

.”

right

On such works the provisional copyright
made permanent under the provision
sect
That whenever within the period
such
interim protection
authorised
published within
edition
such book shall
the United States
accordance with the
manufacturing provisions specified
section
fifteen
this Act and whenever the pro
deposit
copies
visions
this Act
filing
registration
affidavit and the print
ing
the copyright notice shall have been
duly complied with the copyright shall
“

,

of

to

,

of

,

as

,

of of

in

,

in

be

an

of ad :

22
)

.

be

of

(

-

of

are

In

the case
English language before publication
this
country the deposit
the Copyright Office
not later than thirty days after its publica
tion abroad
one complete copy
the

,

,

of

fee

a

of

,

is

published requiring one
lished copyrighted work
application fee and deposit
one identifying copy
for the unpublished
work and
second applica
tion
and deposit
two copies promptly after
publication

the

of

of

, - ,

of

in

by

of

in

an

is

,

is
a

It

be

copyright
should
noted that
this class
which
common law copyright fortified
statu
copyright law
tory protection
ideal example
required
double registration
case the unpub

abroad

protection
interim
the provision
sect
That
book published abroad
the

of

,
-

- -

a

be

."

is

reproduced

later

in of

of

the work

assured

books published

,

of

for

of

of

a

be

it

. if

a

or

of

or

;

a

or

it

if

or of

,

of

of

,

by

an

or

a

or

this Act where
copies for sale

respect

is

, .

are

of

be

of

be

secured

“

of )11

of

:

.

,

copyright may

.

a
is

as

)

of

in

or
,

in

to

.

the case

works not reproduced

sale
under
the provision
sect
That copyright may also
had
the
works
author
which copies are not repro
copy
duced for sale
the deposit with claim
right
one complete copy
such work
lecture
similar production
dramatic
musi
photograph
cal composition
other identi
fying reproduction thereof
work
art
drawing
plastic work
But the privilege
copyright secured hereunder shall
registration
not exempt the copyright proprietor from
the
deposit copies under sections twelve and thirteen
In

or

or -

,

of

English language

16

)

15 as

.

(

by

(

. ,

in

,

a

)

in

or

or

-

of

17

of

as

to

.

(

English from such text cannot
copyrighted
unless the deposit copies
the English translation
manufactured within the United States

,

a

or

be

in

copyright

this

,

, ,
,

of
of

of

of

of

case

twelve

domestic works except that the deposit copies need
not be manufactured within
the United States
thus giving the author the exclusive right
trans
Copies published
lation
America must
course
hear the copyright notice
translation
into

.

In .
”

printed book
periodical
photo engraving the copies deposited
must
manufactured
America
set forth
the manufacturing provision
sect
verified
sepa
the case
book
affidavit
sect
rately treated hereafter and the book copyright
forfeited sect
the event
false affidavit
deposit
Thus failure
the case
books
false affidavit
American manufacture
the
two lapses
formalities which work forfeiture

the

lithograph

(

by

,

to

of

,

to
a

be

to

,

copyright shall become

the

of

,

at

of

of

,

or

ofto

and

and

production
receipt
the postmaster
deposit copies
respect
foreign works
should
noted
foreign origin
that
the original text
work
language
languages other than English
may
formally copyrighted and fully protected
registration
under the same formalities as
claim

lien

“

of

as

of

,

of

of

of

an

work

sections eleven

requested give
receipt therefor and
Act shall
shall mail them
their destination without cost
the copyright claimant
Thus even
the deposit copies should not reach
Washington
case they were burned
the
mails
the copyright proprietor can validate his

be

“

:

)

.

by

(

,

be

in

of

the

void

provided

as

the

follows sect
That should the
copies called for
section twelve
this Act not
promptly deposited
herein provided
the
Registrar
Copyrights may
any time after the
publication
the work upon actual notice require
deposit them
the proprietor
the copyright
and after the said demand shall have been made
default
the deposit copies
the work within
three months from any part
the United States
outlying territorial possession
except
the
United States
within six months from any out
lying territorial possession
the United States
any foreign country
from
the proprietor
the
copyright shall
liable
fine
one hundred
pay
Congress twice
dollars and
the Library
the amount
the retail price of the best edition

to

as for

copyright

1909

of

of failure to deposit , the law of
penalties and finally voiding

case

13

In

provides

It should be noted that the deposit copies may
be deposited either in the Copyright Office or “ in
the mail , addressed to the Registrar of Copyrights ,"
and it is provided (sect . 14 ) : “ That the post
master
whom are delivered the articles deposited

In

to the deposit of copies and regis complied
of such work shall have been

in
a

Act with respect
tration
with ."

)

6

by

(

�of

of

.

in

its

of

an

be

be

In

.
“

.

:

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in

,

,

is

is

of

.

;

,

no

be no .

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in

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v

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on

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of

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v

in

of

in

in

it

be

,

be

,

it

copyright can

maintained

.

a

for violation

be

law

of

,

in

doctrine
Wheaton
Peters
refer
the statutes
1790
and 1802
and the
later statutes are most explicit
this point
the same case
Wheaton
Peters Justice
delivering
judgment
McLean
the
the
right
Supreme Court held
that
while
the
may
protected
accrues
that
chancery
compliance with the first require
perfected
ment
the prescribed process
must
complying with the other requisites before
suit
so

.

-

a

,

in

general

ence

on

,

an

in

-

say that the latter
indispens
ourselves
not
copyright than we can take
able requisite
The Supreme Court laid down this
the former

, ",

to

in

of

an

of

of

a

is

possible
room
for construction here
The
right shall attach until these acts
statute says
have been performed
and the court cannot say
the face
this express negative provision
that
right shall attach unless they are performed
prescribed there
Until the performance
right acquired
under the statute that can
play
violated
And
the
case
the
Shaughraun
Boucicault
Hart
1875 Justice
regards copyrights
general
Hunt held
Two acts are by the statute made necessary
upon
more take
be performed and we can

."

of to is

-

-

in

,

by

.

.

in English , from ad interim
Thus an American
author publishing
his work first in German in Berlin , must copyright
and deposit an American -made edition
of his
German text in this country to obtain American
protection , without which his work in German
imported into this country without his
could
independent translation
consent and
his text
publication
into English and
America
could
prevented
not
view
the exact prescription
the method
securing copyright unless the statute
precisely
complied with
Said
the copyright
not valid
There
Parkinson
Laselle
Justice Sawyer

.

protection

,

-

be

its

of

is

be

be

be

of

,

on

to

of

nothing , if his work is

of

,

an

.

of

;

ad

of

a

be noted that an American
author
his work abroad is not benefited by
either of these provisions respecting foreign works .
The provision regarding works in other languages
is specifically confined to a work of foreign origin ,
that is , not by an American author ; and he gains
should

publishing

to

,

or

to

,

-

an

to

,

ad

It

.

.

a

requirements
questionable practice
publish American made copies
failure
the United States would make such notice
false
copyright
notice
The copyright term
the
as

statutory

.

no

all

on

-

,

to

of

a

;

in
to

in

copies and must
included
the American made
publisher
desiring
edition
The
American
reprint
book published abroad
the English
language within sixty days
after publication
without consent
the copyright proprietor must
inquiry from
therefore
assure himself
the
Copyright Office whether the work has been
registered
interim
The printing
American
copyright notice
the foreign edition
antici
pation
the publication
American made
copies thereof within the
edition and the deposit

It

is

to be published an edition manufactured
America , and thus to complete his copyright
This gives a period of ad interim protection ranging
thirty days to sixty days within which to
from
obtain permanent copyright , the exact period
depending upon the number of days elapsing after
publication before deposit of the foreign copy in
the Copyright Office . Thus a copy deposited on
the day of publication will have thirty days in
within which
secure permanent copyright by
the publication
the American made edition
copy
deposited
while
the
thirtieth
day after publication
will have sixty days
deposit
foreign
all
but the failure
the
copy within thirty days after publication
the
publish
American made edition within
failure
thirty days after such deposit will forfeit the right
copyright protection
obtain
and throw
the
foreign work into the public domain despite the
ad interim registration
When
American made
copyright can
published
edition with notice
publication
America simultaneously
with
protection
abroad
interim
course rendered
unnecessary
and such simultaneous publication
the simplest and best practice for publishers
adopt
may
emphasised that the notice
copyright can
omitted only from foreign made
cause

in

term

“

or

,

“

provision requires the same for

interim

at by

The ad

malities and fee as in the case of domestic works
except that only one copy of the foreign work in
English need be deposited , and that this deposit
copy need not contain the statutory notice of
given
American copyright .
The claimant is
thirty days after publication abroad in which to
request reservation and a second thirty days after
deposit of the foreign copy within which to publish

of such foreign work in the English language ,
it would seem , from
the date of publication
abroad rather than from the date of publication
of the American -made edition ; but this would be
of importance only toward the expiration of the
original term and in connection with the renewal
case

dates

a in

extended to endure in such book for the full
term elsewhere provided in this Act .”

)

7

“

(

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                    <text>COPYRIGHT BILL .
,

(30 MARCH

ARRANGEMENT

1911

).

CLAUSES .

OF

PART I.
IMPERIAL COPYRIGHT .
Rights .

Clause .

licences .

.

. Civil

remedies

infringement

&amp;
c

,
.

to

.

.

Remedies

.

sessions

copies

Libraries

.

of

Books

British Museum and other libraries

.

copies

to

of

Delivery
Delivery

Copies

.

of

Importation

remedies

.

summary

.

provisions

to

quarter

as

Extent

.

warrants

Appeals

hawker

,
&amp;
c
.

of

.

,

of

pirated copies being hawked about and arrest

to

Search

of

.

. . .

15 14 13 12 11
.

.

16

architecture

Penalties for dealing with pirated copies
Seizure

,

or

the case

in

remedies
actious

&amp;
c

Limitation

.

Restriction

Importation

.

copyright

dealing with pirated copies
owner against persons possessing
Exemption
pay damages
innocent infringer from liability

Summary

17

.

Remedies

of

Rights

of on of

10
. 9

. 8. 7.

6

for

Civil

.

&amp;c

&amp;
c

of copyright,

.

Compulsory
Ownership

of

.
5.
4

Infringement of copyright..
Term of copyright.

of

.
.

3

to

2

Copyright .

of

1.

�(

)

2

Registration
Clause .
18. Registration

.
Special

.
20 .
19

.

Provisions as

to certain

Works .

Works of joint authors .
Posthumous works .

21. Collective works
22

.

.

to photographs

Provisions as

, records ,

&amp;c

.

23 . Provisions as to designs registrable under 7 Edw
24 . Works

of

foreign authors

first published

. 7 c.

parts

in

29.

of His Majesty 's dominions

which Act extends .

Existing works .
Application

.

-

PART

II
.

.

certain

.

Repeal

.

Short title and commencement
Schedules

.

.
.

Council

copyright

compensation

Interpretation

in

as

Orders

university

to

Saving

PROVISIONS

common law rights

.

Saving

of of

Provisions

to

of

Abrogation

.

.

38
. 32
.
. 36
. 35
. 37
. 34 33

SUPPLEMENTAL

III

.

to

.

possessions

British

.

of

Part

COPYRIGHT

foreign works
to

extend Act

II
.

to

31
. 30
.

INTERNATIONAL

Application

libraries

legislation

.

pass supplemental

.

PART

Power

to

possessions

of

Legislatures
Power
British
Application
protectorates
to

.
29
.

Application of Act to British Dominions .
Legislative powers of
governing Dominions
self

.
.

28

27

of

26

British Possessions .

to

.

.

.

25

to

�Be

it

THE LAW

,

the advice

and with

and

present Parliament

this

I.

PART

RELATING

:

as

, ,

's

of

by

,

assembled

,

King most Excellent Majesty
Spiritual
the Lords
and Temporal and Commons
and
the authority
the same
follows
by

enacted

of

consent

AMEND AND CONSOLIDATE
TO
COPYRIGHT.

TO

in

BILL

the

A

)

3

by

(

.

IMPERIAL COPYRIGHT

for

to

of of

parts

is

to

-

to

by

as

this Act
extended
which this Act
dominions

conferred

self governing

or

and

,

the

,

to

unpublished

publish

and

any

;

whatsoever

or

produce

deliver the work
to

in

any material form

lecture

of
a

is

if

the work

means the sole right

”

thereof

case

to

.
part

the

in

;

,

or

public

copyright

work

-

dram

performance

atic
in

into

a

or

by

way

other non dramatic

of it

convert

copies

,

work

to

multiplication

novel

or

it

other non dramatic

a

to

into

-

or

way

convert

of

either

of

a

,

novel
by

,

dramatic work

a

the case
work

of

case

work

of

the

;

in
in

(b
)

(a
)

sball include the sole right

or

to

,

,

of

by

means

wbich

,

or

,

any work

a

of

public

of

in

in

exhibition
for

of

,

a

of

the

public

such works

,

. of

copies

of

,

to

be

be

deemed

, ,

architectural work
art but
the purposes
paintings drawings works
sculpture

engravings

shall not

lecture

of

an in

of

public

means the issue

,

,

relation

,

art

and

any record

delivered
to

as

contrivance

make

.
in

of

work

aforesaid

the construction

photographs
works

other

performed

this Act publication

,

of

architectural

musical

the public and does not include the performance

of

,

artistic work

or

,

,

be

,

mechanically

musical work the delivery

this provision

and

to

the work

or

an

dramatic

of

of

copies

dramatic

cinematograph

any such acts

For the purposes
or

to

(
3
)

and

the work may
authorise

literary

a

case

perforated roll

film

of

the

in

(
©
)

;

public

.

.

of

of

's

at

the making
His Majesty

the date

such

;

so

far

a
to

perform

substantial part thereof

within

resident

the protection

“

of

this Act

any substantial

or
to

;

·

any language

the author was

foreign countries

purposes

,

For

and

;

,

or

'

aforesaid

,

in

work

British subject

in

in

not extend and

(
2
)

herein after

term

was first published within such parts

the work

aforesaid

Council thereunder relating

reproduce the work

in

unpublished

other works except

the

by

no

dominions

does

an s

of

case

dominions

as

a

,

published work

as

in

(6
)

the

the work

Orders

Copyright

,
if
—

's

of

the

in

in

(
a
)

case

His Majesty

but

the

copyright shall subsist throughout

His Majesty dominions
which this Act extends
the
every original literary dramatic musical and artistic work
mentioned
parts

-

this

,

provisions

Act

of

the

Subject

to

.

1

of (1
)

.

Rights

�(

shall be deemed

to

the do

,

:

:
of

research

the copyright

therein

,

or

,

,

study made

he

does not thereby repeat

of

of

photographs

a

work

or

,

engravings

or

that work

drawings

,

,

provided that

model

:

of

of

is

not the owner

the work

, , ,

,

of

private study

cast sketch plan

, ,

of

design

paintings

work

any mould

of

for

the purpose

The making

of

,

(

or

)
a

or

,

a

in

if

,

of

of

of in

lecture

:

art

,

in

at

the

in
a

the

of

build

place near

hire

sale

distributes

to or

for

possession

or

his

any person who sells

,

has

infringed

be

to

in
a

deemed

or by

or

offers

,

or

hire

,

lets

work shall also

exposes

,

for

or

(2
)

Copyright

in be

.

lecturer

or

given

of
the a

is

before the lecture

entrance door

,

lectures

one

or

the series

;

of

the

on

or
is

the lecture

if

,

on or

of
of

series

is

or

given

public

the same subject

printed notice affixed

of

of

the first lecture

written

delivered

either

the lecture

same lecturer

the series

the lecture

of

of
a

by

by

at

a

the )

ing

first lecture

report

notice given

the

the beginning

conspicuous

which

in

or

(6

by

,

same place

at

series

prohibited

the beginning

lectures given

of

(
a
)

orally

is

unless the report

newspaper

a

in

publication

The

(
iv
)

or

public place
building
artistic craftsmanship
situate
paintings drawings engravings
photographs
the making
which are not
any architectural work
plans
the nature
architectural drawings
or

sculpture

artistic

the author

imitate the main

or

(
iii
)

by

him use

by

the

an

the author

(
ii
):

Where

review

of

,

or

criticism

person who

:

(i
)

for

an

is

on

this Act conferred
following acts shall not constitute
infringement
copyright
Any fair dealing with any work
purposes
the

which

by any

,

the

by

infringed

to be

copyright does anything the sole right
copyright
owner
Provided that

,

a work

the

Copyright in

,

. - ( 1)

without the consent of the owner of

of of

2

the

Infringement

of copyright.

)

4

in

or or

or

's

or

in

or

,

,

for

for

to

he

,

the parts

,

death

of

his

of

as

fifty years after

elsewhere than

His

work which has been published
the Comptroller
the withholding

reproduce the work

the

the public with respect

licence

to

of to

reason

or

a

reasonable requirements

praying for the grant

interested

to

,

that

by

any person

of

presented

of
a

of

the author

of

and

the

,

public

,

work are not satisfied

otherwise expressly

in

,

period

except

.

petition

by

a

public

a

of

by

publication

any time after the death

the

from

the perform

used

the copyright unless

.

for

to

the author and

first

Patents Designs and Trade Marks alleging

the work

of

owner

be by

be

be

to
the

of

a

be

the life

is

at

in

of

the

of

he

If

(
1
)
of

or

of

entertainment

any person who

which this Act extends

.

performed

General

infringed

copyright shall subsist shall

which

determined

dominions

.-

4

's

Majesty
Compulsory
licences

this Act

previously

other place

work without the consent

,

.

provided
unless

theatre

deemed

innocently

acted

The term
by

,

3

copy

.

of

Term

work shall also
or

in
a

(3
)
in

public

proves that
right

,

.

took place

Copyright

private profit permits
ance

's

of

,

it

if

or

importation

of

hire into any part
to

imports for sale

or

,

in

public

or

His Majesty dominions
which this Act extends any work which
his knowledge infringes copyright
would
infringe copyright
had been made within the part
His Majesty dominions
hiring exposure
having
offering
possession for sale
into which the sale
bire
exhibits

�perform
the work in public , the Comptroller shall consider the petition , and if , after
inquiry , he is satisfied that the allegations contained therein are correct , then , unless
satisfactory reasons have been given for the with holding of the work , he may , if he thinks
it just and equitable to do so , order the owner of the copyright to grant to the petitioner
to reproduce

of

be

copies issued

is

:
be

made

a

first performance

of of

such

first publication

the

in

the date

undue limitation before the expiration
or

such

or to the

of

of or

to

be

:

a

from

for the right

of

excessive price

from

-

withheld

the work

the number

for

,

in

,

five years

limitation

the undue

deemed

for copies

the public
the work
not reasonably met
order for the grant
licence under this section shall not

an

of

Provided that
the ground

twenty

public

the demand

given

shall

work

charged

or

performances

this section
the excessive price

of

reason

the work

perform

on

of

by

(2
if, )

For the purposes

public

such terms and subject to such

public on

in

fit

or perform the work
Comptroller may think

or

as the

of

conditions

of

a licence

public

the

six

,

the work

,
in

,

it

if

as

to

in

the

such

the

in

be

as

in

be

be

of

's

to

,

of

,

in

of

of

to

to

be

.

to

be

.

made

dominion
for

performed

appeal

final

this section shall not
public
self governing

-

under

subject

any such dominion may provide
which this Act extends but the Legislature
granting
respect
operative
licences
such works which licences shall
Majesty
parts
may
specified
His
dominions
which this Act extends

to

be

to

to

of
a

,

to

by

.

of

of
of

shall

in
a

first published

licence

were embodied

the proceeding

that judge shall
in

any work

licence under this section

operate

enforcement

the decision

and

a

of

Court

order for the grant

what parties they are

the High Court

the grant

the Comptroller under this section

or

of

any other method

,

of

the High

An

(6
)
respect

a

,

to

,

judge

rule

and

how

the licence and made between the parties

Any decision

(5
)

in
a

deed

made

direct

the Comptroller directing

shall without prejudice
granting

be

order may

such

order

and

of

An

(4
)

by

him

and any

of

he

paid

,

as

may consider reasonable

costs

a

,

of

be

-

(3
)

General rules under section eighty
Patents and Designs Act 1907 may
any
made for regulating the procedure under this section and the Comptroller shall
proceeding before
power
any
party
under this section have
order
award
such

the copyright therein

work

a

,

of

this Act the author

shall

be

of

to

the provisions

the first

to

of

in

was

the con

the first owner

of

or

,

for

,

in

,

any agreement
be

by

the absence

the work

valuable consideration

the work was ordered shall

whom

agreement

the

any

to

absence

the person

by

person

,

that

of

of

some other person and the work was

by
the

shall

in

his employment

,

of

the employment

was employed

,

or

to

,

or

.

of

in

to

or

,

The owner

of

(
)2

and was made

portrait

the first ownes
the copyright
any work may assign the right either wholly
the copyright
subject
any particular country
place
and either generally
limitations

,

contrary

photograph

and

the course

author

whom

be

the

in

(6
)

the copyright

partially

,

that order then

person

in

,

some other person

where the author was
made

engraving

;

the

pursuance

trary

an

case

of

ordered

of

the
by

where

in

(a
)

,

Provided that

Ownership

,
&amp;
c
. of

owner

Subject

:

of

(
1
)

-

.

5

.

licence

copyright

�is

any

is

unless

made

or in

it

valid

the assignment

which

,

,

shall

and may grant

.

of

this

of

the purposes
Act shall have

treated

the provisions

and

for

shall

,

the copyright

and

,

so

of

be

,

as

copyright

in

copyright the assignee becomes entitled
assigned
respects
the assignee
the right

respects the rights not assigned

the owner

be

or

for

of

by

no

in

by

as

respect

assignment

,

as

assignment

such

the right

Where under any partial

of

to

Act

licence but

any part thereof

agent

any right comprised

the assignor

)

6

the copyright

term

the owner

duly authorised

(3
)

his

right

, of

the

signed

the whole

of

for

interest

writing
by

and either
in

(

this

effect

.

accordingly

Civil

.

copyright shall

be

of

way

law

.

be

conferred

of

by by

of

all

,

,

may

the infringement

of

the copyright

such remedies

to
as

be

,

,

,

by

in

respect

the owner

the Court

presumed

pre
be

plaintiff shall

the

be

,

the work shall

to

subsists and

the copyright unless the defendant

any work

be

copyright

which

copyright

in

for infringement

in

infringed

entitled

and otherwise

of

In
of be
a

in

(3
)
to

work

accounts

any proceedings

any action

Act

this

.

costs

the absolute discretion

sumed

in

,

or

(
2
)

.

damages

interdict

The

any work has been

provided

otherwise

of

shall except
injunction

in

(
)1

.—

Where copyright
as

.v
.

of

right

6

remedies

,

Civil

for infringe
copy
ment

Remedies

of

for to

or

.

be

,

.

of

particulars

have been entered

in

been

of

in

but nothing
this proviso
proof
any
aforesaid
in

as

onus

of

of

which

have

have had reasonable means

:

the work

such

particulars

of

from

to

if

,

in

subsisted

defendant

deemed

sufficient

register

.

relieving

first published

work

of
a

in

or

,
,

,

a

be

defendant shall

a

as

such

possession

a

case where

in

within that

the case

infringement

the

British possession under the laws

in

no

construed

making

:

in

the

that register

,

in

resident

established

of

if

at

to

be

of

he

of

of

not aware and had not reasonable means

established under this Act
a

a

in

register

the author whereof was

be

shall

its or

be

to

to

an

or

to

or

be

of

of

to

.

demolition

,

if

,

or

or

in

Where

a

(1
)

9

.—

building
completed
other structure which infringes
which
copyright
con
some other work has been commenced
would infringe the
injunction
obtain
entitled
the copyright shall not
structed the owner
order
structure
such building
restrain the construction
interdict

,

.

used

,

was

making himself aware that copyright

of in

all

,

of

of

in

or
in

of

in

the infringement

register has been

entered

architecture

plates

the conversion thereof

if

,

a

or

in

entered

remedies
the case

,

of

,

of

and

himself aware that copyright subsisted
the work
Provided that
sufficient particulars were before the date

Restri tion on

,

in

be
,

of the in

,
be

to

in

of

of

respect

,

in

or

the date

he

.

of

as

of

,
or
,

of

of

the possession thereof

Where proceedings

of

&amp;
c
.

,

pay damages

subsists

pirated copies
the production
such work shall
deemed
the owner
the copyright who accordingly may take proceedings

any work and the defendant
an

to

innocent
infringer from
liability

copyright

which

respect
taken
the infringement
the copyright
the existence
was not aware
his defence alleges that
remedy
any
plaintiff
other than
copyright
entitled
shall
not
the work the
the
injunction
respect
interdict
the infringement
the defendant proves that
8

of

Exemption

of

the recovery

any work

in are

to

7

the property

&amp;
c
.

,

or

possessing
dealing with
pirated copies

used

copies
for

intended
be

persons zannst

pirated
be

All

of

Rights

.

(

)

if

a

of

he

the

,

his pleadings
defence
states that
disputes
existence
the copyright
case may
the title
the plaintiff
the
and the name
such objection
the ground
statement
with the addition
copyright
alleges
the
any whom the defendant
person
the owner
the owner

�summary

not apply

any

case

a pirated

copy of

copyright

the

which

this

as

shall

owner

,

of

property

penalties

as provide that

of this Act

be the

or

to

,

impose

deemed

of

of the other provisions

Such

the

(2 )

work shall be

in

.
a

)

7

to

(

section

.

of

.

or

sale

or

or

;

copy

of

of

in

for

,

&amp;
c
.

o

in

his

of

a

,

or

;

of

,

or

,

or

or

an

any

shillings

or

but not exceeding

pounds

fifty

subsequent

without hard labour for

offence

not

term

a

second

this
for

forty

,

of

be

offence under

exceeding

of ,
a

he

,

a

with

or

to

to

of
in

or

in

or

case

for

of

of

be

to

any

of

the copyright

, ,

an

making

causes

with

case

of

the
or

in

,
or
,

offence under this Act

imprisonment

to

or

fine

section

.

for

guilty

profit

fine not exceeding fifty pounds

such

this

the purpose

private

the owner
of

be

consent

of

,

the

,

of

to

a

any plate
or

be

under

pirated copies

subsists

,

to

,

without

.

copyright

dealt with

be

,

copies

to

in

order

the offender which appear

making pirated

otherwise

addition

,

of

may

as

purpose

of

all

in

the

are taken

the possession
or

the owner

plates
the for

or

plates

of

up

the work

copies
to

to

delivered

any penalty

destroyed

the Court may

of

Seizure

about
arrest
hawker

.

order

of
and

or

oath

,

may issue

an

of

sale

on

by

is

offered

,

sold

information

any work are being

&amp;
c

authorising any constable

about

satisfied

that pirated copies

it

carried

jurisdiction

believing

for

hawked

summary

or

reasonable ground

for

court

of

a

Where

,

to

that there

be is

(1
)

.—

12

fit
.

it
or

pirated

or

of

copies

(b
)

of
his

in

has

or
he

possession

knowledge

acted innocently

conviction

name and address purporting

liable

his

without

this

any such offence

not exceeding two months

term

a

place

copyright

which

public

proves that

summary

which

not

paragraph

under

and who proves
the offence was committed had printed

to

,

shall

to
a

on

in in

be

he

to

or

performed

of

in

some

an

:

a

or in

respect

offence

The Court before which any such proceedings

(

be all 3
)

work

any pirated

guilty

fine not

convicted

subsequent offence either

labour for

•

possession

any such

Kingdom

section

convicted

publisher

of

If

is

it of

(2
)

,

liable

second

about

the

conspicuous

any person makes
any work

shall unless

think

this

previously

person

proved that the copies were

copies

be

He
a

of

the

-

thereon

such work

that

conviction

imprisonment

the work

the printer

hard

has

work

such

innocently

acted

contravention

has not been

or

•
sub

or

marked

and

Penalties for
dealing with
pirated
copies

:

he
that

section who
copies
that

pirated

summary

same transaction

fine

Provided

unless

copyright

which

two months

exceeding

that

work

public any pirated copy

;

be

to

the

such

any

offers

hire into the United

proves that

liable

of

in

either

copy

work

dealt with

respect

pirated

exposes

copy

exhibits

sale

on

(©
)
(d
)
he

,

copy

hire

pirated

distributes
imports for
such

and

for

lets

hire any

every

Limitation
actions

Remedies

in

or

If

or

(6
)

sells

any

hire

or

for

sale

makes
subsists

Act

commenced

any person

;

(a
)

.-

(1
)

11

Summary

shall unless

copyright shall not

next after the infringement

.

of

infringement
years

the three

of

respect

of

action

in

.

10

An

after the expiration

be

.

applies

�)

(a ) to seize without further warrant any copies of the work which may
for

;

of

,
by

of

an

,

order

proof that

fit

the owner

of

,

up

,

or

.

as

this section

shall
of

any

any such order

.

chief officer

police

”
—

by

under

without payment

of

of
“

of

the

such

,

;

;

of

as

in

as

,

of

to

in

means

Inspector

District

the

of

Ireland

in

;

,

)

district

said

;

for

Police

of

of

(

in

has the same meaning
the Police Scotland Act 1890
the police district
Dublin metropolis means either
the Commissioners

elsewhere

(
e
)

police

person

make extracts from

Scotland
of

(d
)

in in

(
c
)

.

67

any

this section the expression

the

(5
(6 (a )
) )

54 Vict

.

53

or

in

pursuance

City Police
City
London means the Commissioner
England has the same meaning
the Police Act 1890

with respect
elsewhere

the Court

and arrest any

of

of
a

work

officer

hours

of

,
C
.
&amp; 45 &amp;
.
.
54

Vict

c
.

53

a

to

and any person may take copies
For the purposes

chief

reasonable

or

at

to

all

orders sent

or

of

or

for

which

copies

jurisdiction and that Court

be

,

of

copies

inspection

was made

the Court which

the order

summary

or

fee

be

(
4
)

All

the work

.

by on

any such

destroyed
the copies are pirated may order that they
delivered
the copyright
otherwise dealt with
the Court may think
open

place

canvass

to

of

by

for

in

or

court

a

before

the clerk

any district within

any constable may seize

of

shall bring them

personal

whose application

in

and

police

work

public

copies

circulars

true copy

Where the constable seizes any copies

(3
)
he

chief officer

thereupon

accordance with the terms

in

such person

the

any street

sale any pirated

.

has jurisdiction

to

, )

made the order

certified

who

the person

be
a

thereof

advertisements
has been made

order

to

a

copy

any pirated copies

of

such

his possession

(

(2
)

send

delivering
an

personally

sale

who offers

Where

has

for

or

to

(b
)

or

exposes

being

be found

sale

arrest without further warrant any person
sells

may

about, sold or offered

or carried

the

hawked

it

8

on

(

Royal

the

Irish

.

Constabulary

.

to

be

an

is

or

;

for

on

before

up

used
to

to

.

fit

or

the Court may think

any

under

for

brought
be

plates

offence

or

,

in

any work

or

be

,

dealt with

oath that
under this

the constable

an

of

proof that the copies

of

otherwise

a

it

the

of

six

use force

and
seize any copies
ground for suspecting that

as

the copyright

form

the morning
making such entry

clock

in

,

necessary

or

,

on

has reasonable

summarily

warrant authorising

search

)

otherwise

information

to

,

if

(

and

by

satisfied

plates intended
the warrant are pirated copies
destroyed
delivered
making pirated copies order that they

pursuance

pirated

incidental feature and does not

to of

grant

,

or

contains

.

,
if
an

that

and may

because

offence punishable

a

for

on

or

,
or

of

the

the

evening

, he

to

of

of

or

of

which

sale

merely

may

believing

open doors

or

of

the purpose

of

is

the Court

several works

periodical

jurisdiction

any premises

being committed

in

this Act

breaking

respect

only

enter the premises between the hours

the clock

whether

offering

publication

copy

newspaper

summary

in

by of

and nine

owner

of

A

.

is

is

therein

named

plates

pirated

such

being committed

selling

periodical

reasonable ground

in

.

there

Act

court

copies

other

if

a

,

work

any person

of

(b
)

the seizure

substantial part
13

a

copy

Search
warrants

arrest

newspaper
of

any

made extending

order under this section shall not authorise

the

An

(a
)

(
7
)

(6
)

A

single order under this section may

the

�(
14

.

Any

)

9

aggrieved by a summary

person

offence

under the foregoing

sessions

.

conviction

provisions of this

Act

. The provisions of this Act with respect
United Kingdom .
Importation of

15
to the

.

16 — ( 1 ) Copies made

subsists which

out

of the United

appeal to

summary

to

remedies

Kingdom

!

to the forfeiture

Customs

and

may

Excise

information , conditions ,

the

to

of prohibitions and

Act,

1876

,

and

matters,

to

this section , whether as to
, and may satisfy them

complied

be

proceedings

with

that the copies are

as are prohibited

such

by

and forfeiture of copies the importation

the detention

of which

is

this section , and the conditions , if any , to be fulfilled before such detention
forfeiture , and may by such regulations determine the information , notices , and

prohibited

,

of

of

all

of

of

copies
works the importation
different regulations may
made respecting

be

,

consequent

notices under any enactment repealed

of

any detention

detention

such

this Act being treated

;

on

proceedings

in

incurred

Commissioners

the

respect

as

reimbursing

the informant

by

any

of

,

his

copies

and damages

expenses

information and
for

(5
)
on

may provide

and

works
all

and Excise

this section

.

apply
section

The regulations may provide

Customs

and

notices

under this section

the

as
if

of
in

the

section

the importation

works made out

of

,

of

apply

of

,
to

British

Kingdom

United

for

part

of

as

:

Provided

treated

they were part

that notwithstanding anything

to

of

1876

Man shall not

shall have effect

section

This section shall with the necessary modifications
possession
copies
which this Act extends

(7
)
a

this

Act

this
be

Consolidation

that Act the Isle
purposes

provisions

,

Customs

foregoing

of

(6
)

The

of

.

given

the

such

this

the purposes

.

different classes

made

by

is

of

prohibited

of

(4
)

The regulations may

which

any

evidence

such

or to

verification

evidence requisite

for

the mode

, and the
of

of

security to be given

for

by

.

and

of

not be

of Customs and Excise may make regulations, either general

( 3 ) The Commissioners

into

copies should

sball , subject

.

this section to be imported

, respecting

Importation
of copies .

with a view
the Customs , the Commissioners of

to

the regulations under

require

with those regulations

selves in accordance

or special

relating

the law

or other

Extent of
provisions as
to summary
remedies .

.

any such copies or taking any further

thereof under

Appeals to
Sessions

or his agent to the

section forty -two of the Customs Consolidation

that section shall apply accordingly

( 2 ) Before detaining

only

shall extend

of any work in which copyright
infringe copyright , and as to

,

in

an

would

which the owner of the copyright gives notice in writing by himself
copyrigh
Commissioners of Customs and decise
Excise , that he is desirous that such
thathe
imported into the United Kingdom , shall not
be
be so
so imported , and
im
provisions of this section , be deemed to be included
in the table
restrictions contained

of

court of quarter

a

.

Copies

the United Kingdom

if made in

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in

may

that

the

copies

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the book

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Books

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.-

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Delivery
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,

three months after publication

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of

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Library , Oxford , the University Library , Cambridge , the Library of the Faculty
Advocates at Edinburgh , and the Library of Trinity College , Dublin .

in

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be

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of the British Museum

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author

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3
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1907 except designs which
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the time when

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used

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as

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a

within the parts

.
7
,

the date

reproducing

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any part

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fifty years from

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who was owner

plate was made shall

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the first column
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25

entitled

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on

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24

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2
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General rules under section eighty
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determining
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29
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c
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a

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:

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person

have expired

option

mentioned

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months before the date

expired

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The notice above referred
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the work

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this

immediately

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date when the work was made and the work had been

:

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to copyright

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had been

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13

this Act

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Application
Application
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British
dominions .

This Act , except

.

)

14

to British

Possessions

.

of the provisions thereof as are expressly restricted to
,
throughout
Kingdom
the United
shall extend
His Majesty s dominions : Provided that it
,
governing
shall not extend to a self dominion unless declared by the Legislature of that
26 — ( 1)

dominion

to

be

such

force therein

in

such modifications

without

either
relating

and additions

sary to adapt this Act to the

'

any

exclusively to procedure

or with

and remedies or neces

of the dominion as may

circumstances

,

or additions

modifications

by

be enacted

such

Legislature .

Secretary of State certifies by notice published in the London
the

the

in

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dominion

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to

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to

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far

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which this Act extends apply
works the authors whereof were
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this Act except such parts
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His Majesty

law

unpublished
works whether published
authors who
time
subjects
the work were British
resident elsewhere than
that dominion
giving reciprocal protection direct that
Council may
the purpose

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(

dominion

force

which this Act does not extend provides adequate protection within the
the

for to

dominion

in of

(3
)

the Legislature

Where His Majesty

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Legislature

the

dominion

this Act shall

force until repealed

works under the

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repealed

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2
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,

by

as

for

are

the importation

operative within

thereof

continues

Act

this

and
shall
lawful
the Secretary
notwithstanding that the remedies
enforc

extends

-

,

(
)1

.
far

as of

or
so

or

any part

that

Gazette

authors whereof

rights substantially

whilst such legislation

any self governing

relating

the enactments

that dominion

,

those under this Act

The Legislature

they

then

prejudicially affect any legal rights existing

in

.

dominions

any

the restrictions

differ from

to

-

self governing

27
—

Legislative

works

the dominion

within

the rights conferred

aforesaid

to

the rights

the dominion

Act

this

certificate

a

to

give such

enjoy

this Act

the purposes

which

to

dominion

,

ing

State

or

a

were

shall

under which

)

(

this Act extends

identical with those conferred
the dominion

legislation

works British subjects resident elsewhere than
subjects were resident
the parts
His Majesty

not being British

which

to

dominions

the making

of

at

the date

dominion

or

the

were

has passed

dominion

of

any self-governing

on

If the

(2 )

which this

Act

�(

, may

extends

)

15

by Order , confer within that dominion

the like rights as His Majesty in
provisions of this sub -section authorised to confer within

Council is under the foregoing

other parts of His Majesty 's dominions .
treated

it

as
if

be

to

this Act

which

to

the making

pass supple

mental legis
lation

,

the work

British

pos

,

they

remedies

Power
Legislatures
of

the

the time

, ,

to

and

of

works the authors whereof were

procedure

of

of

to

its

in

this Act

of

.

to

this Act

which this Act extends may modify
application
possession but

modifications and additions relate

such
to

shall apply only

possession

to

far

any British

the provisions

at

except

of

.
so to

or

add

any

“ a dominion

the purposes

this Act extends

which

The Legislature
as

a

dominion

28

were

is

of

which

for

the purposes of this sub - section the expression

of

For

extends ” includes a dominion

in

to

if

II
.

parts

,

to

a

's

of

as

citizens

a

the authors

of

,

like manner

or

subjects

if

,

relates

in

to

the order

any class thereof

the work

as

,

artistic works

the making

of

at

of

and

or

;

to

in

shall apply

if

musical

whereof were
the time
foreign country
which

the authors

Act

the Order
of

parts

in

relates

Majesty

his

's

which
in

to

this

Act

and

the Order

,

this Part

of

of

;

extends

of

in

this

the provisions

Act shall apply accordingly

country

residence were residence

such

which

to

,

to

dominions
and thereupon subject

foreign

this

:

like manner

if

as

residence

a

of

in

(
©
)

;

were British subjects
respect

a

in

of

respect
any foreign
Council under this section
Majesty
country with which His
has entered into
in

an

other than

to a

country

Order

(

(i
.)

,

Prorided that

before making

,

Part

pro
of

the

I.

for

to

to

require

under the provisions

of

to

expedient

,

)

or

,

to

it

works entitled

copyright

the country

as

which

copyright within

such

shall not

that

exceed

the Order relates

:

law

to

's

in

the

of

conferred

Council may provide that the term
His Majesty
dominions
aforesaid

of

:

of

the Order
parts

His Majesty

Act

by

(
ii
.)

this

as

of

,

if

tection

appears

be

copyright His Majesty shall
convention relating
satisfied that that
foreign country has made
has
undertaken
make such provisions
any

Power
extend Act
foreign works

. to

,

(

such

to

.

Council direct that this Act except

the Order

)

in in

be

as

to

COPYRIGHT

which this Act extends

literary dramatic

protectorates

Cyprus

foreign country
works first published
which the Order relates
they were first published within the parts
like manner
His Majesty

to

(
b
)

in

(1
)

.-

30

,

(
a
)

if

by

INTERNATIONAL

dominions

Application

.

to

's

of

Part

Order

applies

or

as

of

the provisions
the Order have effect
the territories
which
were part
His Majesty dominions
which this Act extends

His Majesty may
any thereof
may
specified

under

. to

.

to

any territories

any such Order this Act shall subject
it

the making

on

,

the possession

Council extend this Act

in

His Majesty may
Order
Cyprus and
and

protection

of

to

works first published

by

in

the possession and

to

to his

.

29

resident

�-- -- -

except

compulsory

far

so

not

shall

as
is

books

of

of

,

in

to

as

of

copies

country

such

the Order

provided

in

or

to

of

the public

be

the

to

is

the reasonable requirements

shall

country

if

licences

not apply
works first published
first performed
such
His Majesty
satisfied that
laws thereof provide means

enabling

satisfied with regard

to

grant

for

the

Act

to

this

as

of

the provisions

(
iv
.)

the delivery

this Act
works first published

:

by

apply

)

16

of

the provisions

to

.)

(

iii

(

such

such
the

may

of

to

any

by

and

of

prescribed

be

formalities

rights

the

accomplishment

the
as

and

enjoyment

the

subject

if

conditions

provide that

Act shall

this

)

Council may

be

conferred

(

Order

by in

(v
.)

the

:

works

of

to

as

of

in

to

,

be

as
five

section

to

.

,

any translation

all the several

countries

His

all

of

to

and any other
Majesty
expedient
His

dominions

-

which

it

the Order with respect

shall apply

appears

to

this Act extends

which

this

self governing

to

in

Council under this Part

Act

.

in

dominions

possession specified

.

virtue

in

Order

to

(1
)

British
possessions

Majesty

as

ceased

construed

importation

the in

has

provide

reviving

of

the right

and may

described therein
An

or

(
2
)
to

of

II,

Application
Part

so

as

the production

preventing

of

where

or

any

applied shall

International Copyright Act 1886
Council under this section may extend
An Order

31
's .—

named

Order

works the Order

existing

appear necessary

by

of

in

those provisions

any right
case

copyright the

appear necessary having regard

as

of

Act

Council may make such modifications
that nothing

ownership

:

the foreign country
provisions
this
the

of

the
applying

law

in
to

as

this Act

of

provision

Council may make such modifications

in

(
vii
.)

the

applying

in

(
vi
.)

:

Order

force

.

the time being

's

of

Act

,

to

to

of

of

acquired previously

for

and
far

be

of
so

,

such

Order

except
to

it

,

,

part

any

lawful

the date

any

literary

III

in

right

similar

otherwise than under

any other statutory enactment

for

,

unpublished

of

or

published

this Act

any

or

or

.

PROVISIONS

,

to

any rights

shall

declare that such
to

to

Council

copyright

whether

of

be

artistic work

,

or

entitled

accordance with the provisions
in

and

dominions

.

.

.

of

No

dramatic musical
in

.

rights

32

SUPPLEMENTAL
person shall

this

this Act shall with

except from the provisions

-

to

any prejudice

Part
Abrogation
low
com

in

a

any other Order

Order

such

this Part

shall not and the same shall not apply

preventing

His Majesty

self governing dominion

,

Act

this

necessary

or

by

the same

this

which

under this Part

.

,

to

it

of

his dominions not being

for

is

of as

this Part

of

(
3
)

His Majesty

as

-

and the provisions

the necessary modifications apply accordingly
appears
Where
His Majesty expedient
order any part

dominion

make with respect

to

-

authorised

dominions

to

Council

other than self governing

self governing

make the like orders

,

in

Act His Majesty

any

of

,

respects that dominion
is

,

Council

in

The Governor

extends may

as

(
2
)

.

that the Order should not apply

�,
is

it

in

be

.

applied

in

to
a

-

,

any

and

.

or

cinematograph

form

or

work

acting

of

choreographic

arrangement

production

of

,
for

, ;

,

recitation

incidents

;

or

,

records
may

work

be

”

include

which

a

means

;
,

drawing

,

painting

works

architectural

art

of

delivered

musical work
of

”,

and

by “

or

tion

sculpture

and

artistic

engravings

and

and

an
in

but not

artistic
respect

;

,

design

prints

and other similar

,

-

cuts

cinematography

any work

any work produced

by

and

any

;

photography

produced

any process

analogous

to

includes

;

”

Cinematograph

photo lithograph

-

includes
to

”

;

,

,

”

,

or

or

construction

having

structure

,

its

of

of

”

in

of

"

,

methods

such character

include etchings lithographs wood
being
works not
photographs
process analogous

“

any building

means

respect

by

“

Photograph

art

design

the processes

Engravings

“

of

character

includes casts and models

or

or

Architectural work

;

;

of

“
“

sculpture

of

Interpreta

photographs
Work

of

the

.

in

for

library

form
the combination
original character

works

and

libraries

the library

acting

other contrivances

includes

,

craftsmanship

otherwise

dramatic work

performed
”

work

compensation
certain

.

any year unless the

Saving
to

of

of

to
a

library for the loss

in

-

before the commence

the previous year has been

piece

of

mechanically

Artistic

the work

“

,
”

work

perforated rolls

or

”
in

in

give

,

·

Literary

arrangement

.3
,

or

.

Fund

:

be

paid

the scenic

show

an

represented

writing

or

where

dumb

or

the

is

fixed

any

includes

Geo

53
.

such

Saving
University
Copyright
c
. 15

of

for

any

the Consolidated

as

as

may hereafter

infringement

was immediately
compensation

preserved

,

”

work

.

by

,

as

as be

of

of

on

London

after

books

shall not

to

possess

,

In

which

“

of

for

of

(
1
)

Dramatic

entertainment

“

and

the

this Act unless the context otherwise requires
Literary work
includes maps charts plans and tables

—

.

36

“

.“

the use

may

Act

and paid out

be

that this compensation

books

or

,

.
in

of

be

if

copies

Treasury are satisfied that the compensation
purchase

Orders
Council

interests

and colleges mentioned

the universities

any Act

of

in

pursuance

receive gratuitous

to

.

35

of

the
of

Provided

charged

annual compensation

such

published
soon

any copyright they already

but the remedies and penalties

this Act payable

the right

Parliament

under this Act and not under that

Kingdom

,

or

in

1775

There shall continue

United

ment

as

be

, ,

Act

Provisions

Act

this

this Act shall deprive any

acquire under that Act

copyright shall

enacted

be

Nothing

effect

to

.

34

,

have

Copyright

the

laid before both Houses

,

made and shall

this Act

interests

Council made under this Act shall

of

of

and shall

Gazette

and shall provide for

rights and

such

Every Order

in

•

(2
)

the protection

in

at

accrued

varying

the date when the Order comes into operation

in

or

acquired

,

altering revoking
His Majesty in Council may make Orders
any
Council made under this Act
under
enactments repealed
but any Order made under this section shall not affect prejudicially any rights
Order

to

for

. ( 1)

33 —

any

in
as

)

17

or

(

�(
Pirated ,” when applied

“

)

18

work in which copyright subsists , means

to a copy of a

any copy made without

the

copyright, or imported

contravention

consent

acquiescence

or

of

;

Africa

,

,

,

Commonwealth

South

and

performed

of

a

,

,

the author

copy

lecture
public

and

,

or

public

his in

to

published

,

,
if

or

in

in

(

infringements

performed

acquiescence

executors

be

in

in

be

to

or

,

such

copyright

's

of

His Majesty

extended

shall

part

be

that

dominions

to

has

conferring

of

a

of

.

in

it

,

,

,

of

one such

days

fourteen

the author was during any substantial

resident within the parts

be to

to

be

,

if

a

is

in
as

of

deemed

Council
the making
work

this Act

such

not intended

the publication

Order

unpublished work

if

work shall

,

in
a

by

fixed

the conditions

,

or

and

place does not exceed

the other
an

of

in

subject

only

the time between

be

in

period

and

within

first published

notwithstanding that

unless the publication

colourable

the public

as

the case

deemed

place

other

some

aforesaid

two places

have been complied with

British

Canada

the Union

which this Act extends

may for the time being

,

to

to a

of

's

the publication

considerable

a

period

the work

.

's

of

(3
)
of

(
4
)
a

over

deemed

public

work shall

requirements

simultaneously

Where

Zealand

New

published

without the consent

satisfy the reasonable

longer period

, per

records

assigns

has been published simultaneously
parts
His Majesty dominions

and

be

delivered

For the purposes
this Act
His Majesty dominions

published

and sermon

other than those relating

to

of

be

this Act

deemed

,

or

a

adıninistrators
the parts

of

,

in

delivered

to

be

deemed

public

by which

the acoustic representation

means the Dominion

the Dominion

be

)

), (2

work shall not

used

,

.

Newfoundland

,

,

-

of

Australia

any

made

includes address speech

For the purposes

shall not

be

to

Self governing dominion

”

“

Lecture

“

are intended

”

or

forated rolls or other contrivances
are

to be

or intended

and any matrix or other appliance

the

,

of

means

, mould , matrix
printing
for
or reproducing

of

copies of any work

by

plate , stone , block

other

of

transfer

or

stereotype

negative used

delivery

includes

;

, or

a

;

of

any

Plate ” includes

“

to

relation

instrument

for

in

mechanical

lecture ,

or

,”

Delivery

“

place

the

;

tation made by means of any mechanical instrument

is

“

right

of

of the owner

of the provisions of this Act ;
Performance ” means any acoustic representation
of a work and any visual
representation of any dramatic action in a work , including such a represen
in

to

a

of

,

's

an

to

as

of

of

in

of

within

author

dominions

which

any such part

.

is

he to

domiciled

residence

His Majesty

in

of

in

,

of

to

Schedule

resident

the parts

the Second
this Act the enactments mentioned
the provisions
the third column
the extent specified
this Act are hereby repealed

Subject
to

.

that schedule

comes

into operation

that part

.

until this Act

His Majesty

's

any part

of

that this repeal shall not take effect
in

Provided

in

:

Repeal

37

this Acts extends

if

deemed

to

work shall

this Act

the provisions

be
a

For the purposes

be

(5
)

.

which this Act extends

dominions

�(

This Act shall come into operation
the

be fixed by the Legislature
in the

Channel Islands at

;

islands respectively
in any other

British

possession

as may be fixed

SCHEDULES

.

FIRST SCHEDULE
EXISTING

.

RIGHTS .
Substituted Right .

Existing Right .

defined

as as

Act
Act except the sole
or any substantial part

public

public but
copyright

.

as

,

to

of

of

sole

in

right

perform
the work
none
the other rights comprised
defined
this Act

The

,

where used

the first column

:

,

of

)

(

if

at

in

;

)

to

.

(

if

at

in

, of
a

in

of

in

",

to

or

,

on

a

in

ofof

to

Copyright
the case
work which according
the law
force immediately before
the commencement
this Act has not been published before that date and statutory
any
copyright wherein depends
publication includes the right
common law
publication
other dealing with the work
restrain
Performing right
public before
the case
work which has not been performed
any
the commencement
this Act includes the right
common law
restrain
public
the performance thereof
",

“

this

.

thereof

Works

defined
this
perform
the work

to

right

Act

this

in

|
,

Dramatic

Copyright
Copyright

purposes
this Schedule the following expressions
have the following meanings

For the

*

defined

Musical and

.

,

. .
|

Both copyright and performing right
Copyright but not performing right
Performing right but not copyright

Copyright

of

In

(6
)

the case

as

.

Works other than Dramatic and Musical Works

in

case

by

(a ) In

of

the

- -

Copyright

thereof

on the proclamation

by the Governor .

thereof within the possession

- -

the states of those

by

which this Act extends ,

to

may

.*

(d )

of that dominion

such date

as

;

.*

(c )

twelve

,

in

--

first day of July nineteen hundred and
;
or such earlier date as may be fixed by Order in Council
,
a self -governing dominion to which this Act extends at such date

the United Kingdom

in

(b)

, on

Short title
and com
mencement .

.

in

by

(a )

by

( 2)

This Act may be cited as the Copyright Act , 1911 .

by

.

38 — ( 1 )

)

19

a

is

to

.

,

to

be

in

of

a

if

or

,

in

,

of
a

or

or ,

,

or

of

an

,

of

at

,

,

or

In

of ,

*

essay
forming part
portion
the case
article
and first published
review magazine
subject
other periodical
any
work
like nature the right shall
right
publishing the essay article
portion
separate
form
which the author
entitled
the commencement
this Act
would
this Act had not been passed have
become entitled under section eighteen
the Copyright Act 1842

�(

SECOND

20

)

SCHEDULE .

ENACTMENTS REPEALED .
Sessionand Chapter.
8 Geo . 2, c. 13 .

.
.
.

6 &amp; 7 Will . 4, c. 110 .
5 &amp; 6 Vict . c. 45
7 &amp; 8 Vict . c. 12
.
10 &amp; 11 Vict . c . 95

Engraving Copyright Act , 1734 |
Engraving Copyright Act , 1767
Copyright Act , 1775 .
Prints Copyright Act , 1777
.
The Sculpture Copyright Act , 1814 .
The Dramatic Coypright Act , 1833 .
The Lectures Copyright Act , 1835 .
Copy
The Prints and Engravings
right ( Ireland ) Act, 1836.
The Copyright Act , 1836 .
.
.
The Copyright Act , 1842 .
.
Copyright
The
International
Act ,
1844 .
The Colonial Copyright Act, 1847 .
Copyright Act ,
| The International
1852 .
The Fine Arts Copyright Act , 1862 . ,
/ The
The
The
The

7 Geo . 3, c. 38 .
15 Geo . 3, c. 53

17 Geo . 3, c . 57
54 Geo . 3, c . 56
3 Geo . 4 , c . 15 .
5 &amp; 6 Will . 4 , c. 65
6 &amp; 7 Will . 4 , c. 59

Extent of Repeal.

Short Title.

.

15 &amp; 16 Vict . c . 12

.

25 &amp; 26 Vict . c. 68

.

38 &amp; 39 Vict . c . 12

.

The

39 &amp; 40 Vict . c. 36

.

The Customs Consolidation Act , 1876

45 &amp; 46 Vict . c . 40

.

49 &amp; 50 Vict . c. 33

.

51

.

The Copyright
(Musical Composi tions ) Act , 1882 .
Copyright Act,
The
International
1886 .
The Copyright
(Musical Composi tions ) Act , 1888 .
The Revenue Act , 1889
.
.

&amp; 52 Vict . c. 17

52 &amp; 53 Vict

. c.

42

.

2 Edw

. 7, c.

15 .

.

6 Edw

. 7 , c.

36

.

.

International

Copyright

1875.

The Musical
Copyright
The Musical

Act ,

The whole
The whole

Act .
Act.

Sections two , four , and five .
The whole Act.
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act.

Sections one to six.
In section
eight the words “ and pursuunt
“ to any Act for the protection
copyright engravings . "
“ of
Sections nine to twelve .
The whole Act .
Section forty - two , from “ Books
copy
“ wherein ” to “ such
“ right will expire . " Sections
forty - four , forty - five , and one
hundred and fifty - two.
The whole Act .
The whole

Act.

The whole Act

.

Section
one , from “ Books first
" published ” to “ as provided
“ in that section ."

(Summary Proceedings ) | The whole Act .

Act ,

1902 .

Copyright Act , 1906

.

The whole Act

.

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                    <text>PAGR
239
239
239
240
241
243
244
247
248
250
252
254
254
254
255

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255
255
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256
256
257
258
259
264
264
265
265
267

::

..
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in

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of

.. ..
.

..
.

to

Dramatic Authors and Agents
Warnings
Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
Sir William SchwenckGilbert
The Roll
the Authors Society
Dinner of the Society of Women Journalists
Style
Literature
On Wordsworth
The History of the Novel
Dickensand Thackeray
Prize Competitions
Correspondence
..
.

the Press

of

of

to

.. ..
. .

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.

.

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CONTENTS

::

's

1911

Monthly

Authors

.

JULY

Notices
The Society Funds
List of Members
The Pension Fund
Committee Notes
Books published by Members
Literary Dramatic and Musical Notes
Paris Notes
United States Notes
Authors and Typists
The Fifteenth International Congress
How
Use the Society
Warnings
the Producers Books
Warnings
Dramatic Authors
Registration of Scenariosand Origir
toto

Society

,

Incorporated

10

.

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XXI No
.

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VOL

of

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Terms

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with Comments
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2nd Edition

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Action

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1892

Giving
Periodicals
and their contributors
and Periodicals deal with MSS and Contributions
Society
Authors List
Members
Published
prices

Copyright Bill
1890
With
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Publication
SQUIRE SPRIGGE
this work compiled from
agreements proposed
the Society
offices the various forms
Publishers
carefully explained
Authors
are examined
and their meaning
with
account
the
various kinds
fraud which have been made possible
the different clauses therein
By
Being additional facts
Addenda
the Above
HERBERT THRING
collected
the office
the Society since the publication
the
Methods
With comments and
advice
papers

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Production

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per vol

10s

and the Pension

The History
The Cost

1892

at .

all

to to

.

in

Published ten months
the year August and September omitted
devoted especially
Literary Dramatic
the protection
and maintenance
and Musical Property
Issued
per annum
post free
Members gratis
Price
non members
Back

numbers from

. B. 4.

1s

.

Literature

the current year

.

.
8

The Author

for

1

The Annual Report

3

.

PUBLICATIONS OF THE SOCIETY

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,

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ART .
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The

�ADVERTISEMENTS

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COTTERILL
,
,
Literary

Artistic

Brotherhoog

CROMB ,

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for

and Dramatic

on

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,

of

.

.

to

MR WILLIAM
.

MOLLISON

.

ADVISER

—

DRAMATIC

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dramatic adviser
for Messrs Cotterill
Cromb has played Richelieu
The Musketeers
the Haymarket
Cardinal
King Henry
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the Lyceum
partnership with Lewis Waller
and
was for some time
He produced
The Bonnie Briar Rose
the
James
and has since played the part
Lauchlan Campbell
the provinces over thousand times He
profound
impression when
also took
tour John Galsworthy remarkable play
Strife which created
great hit with
Mr Frohman produced
the Duke
York
Theatre
More recently
made
one
act sketch
The Touch
the Child
Messrs Cotterill
Cromb
clients have thus the advantage
Mr Mollison great influence and
experience

Mr

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Paper
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Third largeedition preparing
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By CHARLES

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LINCOLNSHIRE IDYLL

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Illustrated
168 net
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this interesting and
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curiously attractive personality and an absorbingly interesting
time

READY

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in

if

By

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Dorothy

Illustrated 128 6d net
Daily Chronicle says
The best account
Charles
and
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One may rejoice meeting an author who
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NEW

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:"
In .

Edmund Cox
Bart
Illustrated 128 6d net
Evening Standard says
perusing the many extraordinary
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which this book abounds the readerfeels as
he had
opened the Arabian Nights of Criminality
in

KATE HORN

India

Sir

By

Police and Crime

Co

&amp;

PUBLISHED BY STANLEY PAUL

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LONDON

.

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AUTORIDAD

be

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of

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impression among
seems
Committee are
the
that
Author
The
readers
the
for the bona fides
personally responsible
stated
desire
Committee
the
advertisers
the case
that this not and could not possibly
undesirable
Although care
exercised that
not accept and
inserted they
advertisements
any liability
never have accepted
the Secretary for advice
Members should apply

As

:

TELEGRAPHIC ADDRESS

.

[

.

:
VICTORIA

SIXPENCE

PRICE

ADVERTISEMENTS

NUMBER
374

.)

.

BESANT

1911

,

No

TELEPHONE

Monthly

Authors

.

JULY 1st

.
10
.

—

.

.

XXI

Society

BY SIR WALTER

FOUNDED
VOL

Incorporated

of

Organ

the

(

of

The

The Author .

FUNDS

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of

or

THE SOCIETY

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MEMBERS

Authors
the Society
Members
obtained
October 1907 can now
the price
the Society
the offices
July
post free 71d
includes elections
members and associates
sold
1907 and will
the Society only
the
dozen blank pages have been added
those who
end
the list for the convenience
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add future elections
desire
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Queen
each
reach the Editor not later than the 21st
month
the
Communications and letters are invited
literary matters treated from
the
Editor
standpoint
other
business but
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Every effort will
subjects whatever
made
accepted
return articles which cannot

of

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the year

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LIST

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production would
cost
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them
sent
the
the resources
very heavy charge
great many members did not forward
Society
subscription for
the Secretary the modest

The Editor

The
Society

in

or

CONTRIBUTIONS

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AND

is

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ARTICLES
members

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The Editor begs
The Author
Authors Society and other readers
The Author are
that the cases which are quoted
the
cases that have come before the notice
the Society and that
knowledge
the Secretary
have
the Society who desire
those members
the publishers concerned can obtain
the names
application
them
on

to

N

case

to of

the Society
time members
time
funds
make donations
desire
recognition
work that has been done
the suggestion
them
The Committee acting
place
decided
have
members
these
one
order
The Author
this permanent paragraph
cognisant
those funds
that members may
paid
which these contributions may
The
this purpose are
The funds suitable
kept
Capital Fund
reserve
This fund
necessary
incur heavy
the Society
case
prin
question
fighting
expenditure
either
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assisting
obtain copyright reforin
any other matter closely
dealing
with
the Society
connected with the work
slowly
This fund
Fund
The Pension
hoped will
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time cover the
the Society
the members
needs

TROM

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special information

if

papers that are
VOR the opinions expressed
signed
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the papers
None
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graphs must be taken
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The committee then turned their attention
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Copyright Bill
The secretary laid before the committee the steps
that had been taken since the last meeting and the
guard the interests
work that had been done
He had met the
the society
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the Publishers Association and others
President
had been
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members came up
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any rate they would not authorise the
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the
considerable length
discussed the issues
evidence that had been forthcoming
and decided
adopt the solicitor
advice unless some further
evidence was received

had

.,

in

to

.

on

of

as

.

a

up

to

in

be

to

to

to

for instructions
the future line
The committee decided
leave
the
matter
the solicitor hands
forward with
the action unless
was possible
come
some
satisfactory
settlement
There were two other
cases
which
author had got into difficulties
with two different publishers
The first claim
which was
small one the committee decided
arrange
take
and
suitable settlement with
ԿԱՆ
possible
the publisher
the second case
was
impossible for the committee
come
conclusion
the best course
take owing
the lack
sufficient evidence
The solicitor was instructed
enquire what further evidence the author would
produce
The last case was very difficult
copyright but breach
infringement
was not
was alleged that the author
confidence
ideas had
been
taken
The solicitor reported
asked

action

He reported that
Frederick Macmillan had
copy
forwarded
the resolution
the President
the Board
Trade
He read also
letter
Boosey
that Mr William
Messrs Chappell
Co had written
the same matter and
the
issues were
serious the committee decided
ask
the President
the Board
Trade
would
subject
depntation
receive
The deputation
comprise the following
their consent
was
gentlemen
Squire Sprigge
Dr
Chairman
the Com
Management
mittee
Comyns Carr
Mr
Sir Charles Villiers Stanford Mus Doc
to

.

,

to

a

.

If

.

July
matter would
reconsidered
The second
dispute
agree
case also had reference
ment between author and publisher
The society
decided
take the matter
the author had
failed
obtain any
the money due
answer
her applications
well
the applications
her solicitors
The solicitor then reported
case which had been
the Courts already and

withhold
his work altogether
make his first
bargain
opinion
his own terms
and
that
compulsory licence should operate
terms less favourable
the original bargain
the composer than those

It

an

of

to a

.

.

been forwarded
the author who was living
America
The committee
determined
wait
letter from
received
further
until they had
carry the case further the
he desired
him

It

to

. .

the
The first case considered referred
Cases
agreement between author and
interpretation
publisher
The solicitor reported that he had given
good case existed
This bad
his opinion that

that

of

,

of

-

present

gramophone pianola and mechanical records under
compulsory
the
The secretary read
licence
by the Joint
passed
resolution which had been
Authors the Copyright
the Society
Committee
the Publishers
Association
Association
and the
The resolution was
Music Publishers Association
the following effect
any
opposed
unanimously
That this meeting
dealing with mechanical instrument records
scheme
give
that does not
the composer the right either
of

for

After the elections the cases
the society being
the solicitor

.

fifty seven

to

up

were considered

.

to state that there has been another very
and
satisfactory
members
election , thirty - six
in
The list appears
associates being elected .
This keeps the elections for the
another column .
current year above the average of former years , as
elected
and associates have been
151 members
January .
There were six resignations ,
since
bringing the resignations
the current year
pleased

a

WING to the Whitsuntide holiday , the June
meeting of the committee was postponed
till Monday , June 12 . The committee are

,

.

to

NOTES .

COMMITTEE

241

the
the

�THE AUTHOR

plays produced in foreign
with lists of English
countries , and that the lists had proved so far very
useful and would be of great benefit to the drama
tists of the society .
Finally , the Geueral Treaty was reconsidered ,
and all the clauses already passed were read through .
Other clauses were also passed , and a few remain

SU
’

.

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Moite Venice
Woking
ham
Berks

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,

Miss Edith

.

,

the society

Charter

,

Trade

by

arrangement

of

an
to

to

The secretary then reported that
had been come
with the Board
which consular reports were sent

.

,

”

,

.

Bertolini Gino

,

at

their

. ,

, ,

's

,

Land Shipley
Horsham
Regina
Hotel
San

to

.

King

.

of

Management

Kildare Ireland
Brooklyn
Wade
bridge Cornwall

,

,

,

,

refer
the Committee
next meeting

Straffan

co

.

Newtown
“

Hillaire

.A
.

Belloc

M

Saxby

,
C
.
F
.,

Argyll

·

Mrs Evelyn

.

,

Alexander

,

of

.

a

of

in

June Elections

by

-

as

, ,

by

to

of

,

A

letter which had been received from one
representative
the members
the society from
dealing with
dramatist
the United
States
Canadian copyright was also laid before the Sub
Committee and the secretary was instructed
to

of

.

In

.

of

to

to

,

to

a

of

on

-

.

.

.

to

to

.

of

to

;

at

,

in

loss
MS
the United
States
possible may remain unsettled owing
enforcing the member
the impossibility
which the
accounts
one relates
demand
publisher has promised
render and the last
dispute
refers
contract which
still
negotiation
course

One refers

and

to

-

.

of

in

,

at
a

,

,

to

.

FIFTEEN cases have come into the hands
the
secretary during the last month
Three
these
relate
the loss
MSS
one the MS has been
returned
the member concerned and the other
negotiation
two are still
course
There have
been
five cases where money owing
members
has not been paid
One
these has been settled
one has been placed
the hands
the society
any
solicitors
was impossible
come
arrangement
negotiation
one
still
course
and the remaining two have only come into the
press
office just before going
two claims
for money and accounts the accounts have been
rendered and the money paid
One case relating
dispute
agreement has been
settled
Of four claims for accounts three are still
course
negotiation
often happens that some little
time must elapse the publisher having
through his books
order
collect the figures
the remaining one has been placed
the hands
the solicitors
There are still three cases open from last month

of a

to

.

to

as

,

be

.

in

of

Management and the action which
Committee
reported
the
take
that body proposed
secretary was confirmed
the Sub Committee

it

Cases

to

's
of

,

-

to

in

, in

-

in

of

of

of

.

as

as ,

on

of

.

to

-

,

of

.

,

to

in

,

it of

16

on

-

of

.

's

at
of

It

October

COMMITTEE

The last meeting
the Dramatic Sub Com
mittee before the vacation took place
June
the society
offices
After the minutes
the
previous meeting had been read and signed
was
decided that the next meeting should be held
October but the chairman was empowered
deal
with any emergency question which should arise
during the vacation
The secretary then reported the position
the
Copyright Bill and drew
the Sub Committee
attention
various concessions which the society
had obtained for dramatists
The question
sketch production
was then
by the chairman
touched
who suggested that
many instances
the secretary should collect
possible
sketch prosecution
Another letter from the counsel
the National
Play Producing Managers
Association
America
was laid before the Sub Committee
which the
stopping piracies
writer explained his procedure
dramatic pieces
the States and proceeded
make fresh proposals
the Sub Committee
The
secretary was instructed
continue the corre
spondence
the real difficulty was one
finance
may
necessary
dealing with
later date
this question
circularise the dramatists inside
the society
The matter will be rediscussed
the
meeting
October and laid before the Committee
Management
The next question related
the infringement
England through MS reproduc
dramatic rights
plays by touring companies
tion
The secretary
for
write
his correspondent
was instructed
further particulars
The next case had already been discussed
the

of

discussion

.

ing were left
DRAMATIC

in

As the sitting of the committee had lasted a
considerable time the question of the agency agree
ment was adjourned till the next meeting .
The secretary laid before the committee various
letters he had received during the past month .

.

for

242

�THE AUTHOR .

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Proposal
Criticism
and
SIDNEY WEBB
Longmans
135
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THE SCIENCE
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256
Home University Library
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DRAMA

PAINS AND PENALTIES
The Defence
By LAURENCE HOUSMAN
3
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Suburb
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Oxford

Close
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Hampstead

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EUROPE

Third Edition

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COOKERY
THE GOURMET
VEWNHAM

Granville

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pp

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BIOGRAPHY

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Boston

Mass
Berkeley

LEWIS

Study
THE MYSTIC BRIDE
the Life Story
Catherine
Siena
MRS AUBREY RICHARDSON
339
Werner Laurie
128
THE AUTOBIOGRAPHY OF ALFRED
AUSTIN
Two vols
54
325
308 pp
Macmillan
248
JAMES MCNEILL WHISTLER
An Estimate
and
Biography
By FRANK RUTTER
63
159
Grant Richards
THE NELSONS
BURNHAM
THORPE
Record
Compiled
Norfolk Family
npublished
from
Letters
and Note books
1787 1812
EYRE MATCHAM
306 pp
Lane
168.
JAMES JOHN GARTH WILKINSON
Memoir
his
Life with
By
Selection
from his Letters
Kegan Paul
WILKINSON
303 pp
10s.
THE LETTERS OF ROBERT LOUIS STEVENSON
vols
Edited
SIDNEY COLVIN 61
293
325
334
83
x

,

,

.

.

,

Wellington Place
Giles Oxford

W

.
.

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Sabatini Rafael

etc

ART

81
X

,

House

Youth
panion

.

K

,
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.,

of

Earl

the Right Hon

Longmans

THE
POST IMPRESSIONISTS
pp
104
Methuen
x
7

,

,

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S
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W

,

14

Harley

St

2

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Rosebery

243

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Rideing

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Morpeth

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Miss Mary

MARRIAGE
TOTEMISM
AND RELIGION
An Answer
By THE RIGHT Hon
Critics
LORD
AVEBURY

.

.

,

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.

c
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King

Boa

Plowman

ANTHROPOLOGY

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Messrs

Co

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Road

Hazel Dell Mussoorie
India

.

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Aubrey

WHILE every effort
keep
made
the compilers
this list
accurate and exhaustive
possible they have
attaining this object owing
some difficulty
the fact
that many
the books mentioned are not sent
the office
by the members
consequence
necessary
rely
largely upon lists
literary and
books which appear
papers
hoped
other
however
that members will
operate
the compiling
sending
this list and
particulars
help
their works
substantially
make
accurate
co
-

.
,

53
,

Ethesley

West Green
South Lancing Sussex
Sinclair Gardens
Kensington
Belcamp Faling
Tyhurst
Chaldon

, ,

,
:

,

Newman Miss Emma

Conor Lady

,

,

128

,
,

,

S
.
W

,

Grosvenor Square
.

Caterham

Connor

BOOKS PUBLISHED BY MEMBERS

,
N
.W
, .

Terrace

,

.
.

,

, ,

Stewart Marsden
Leo George Chiozza

Boa

Theatre

Charing CrossRoad

,

The
Barnes

10

.

.

.

H

Massey

,

Miss Annesley
Macauliffe Max Arthur

Brien

Garrick

.W
.

,

,

.

10
,

60
,

.

,

,

Kenealy

Money

.,

.

.

.

.

.

.

Mrs Ernest
John

Anthony

N

,

.

,

, ,

von

W

Ingram

.

/

c o
Dr
W
Sass
32 , Hillmarton
Road Holloway

,

Road London
129 Heathfield Road
Bir
Handsworth
mingham

Hamilton Henry
Hicks Seymour

Horlick

.

Ashford

,

.

.

.

,

Frederick

Holst Gustar

Winspeare

Kent
Bartholomew
,

Hackwood
William

.

15

.

G

.

23 "

,

,

)

. .

, .

.

,

(

,

Gardens

Dunster

London

Mrs Aglaia
Joshua Kismet
Grant John
Fleming

W

Piccadilly

D

,

,

Colin

Club ,

Lyceum

Chart Court

.
.)

K

D

(

.

M

Fitzgerald

, Will

Weld

N

.

Tu

,

Crawford Mrs ( Josephine
V . Rowe ).
Dowding , Margaret Keith

243

�THE AUTHOR .

EDUCATIONAL .
THE GIRLS ' SCHOOL YEAR BOOK (PUBLIC
SCHOOLS ).
The Official Book of Reference of the Association of Head
Mistresses .
The Year Book Press , 25, High
Street ,

61 x 4.
284 pp .
Nelson . 7d . n .
THE MARRIAGE
By F. FRANKFORT
OF BARBARA
MOORE . 7}
5 . 378 pp . Constable . 68.
THE BROKEN
By
PHIAL .
PERCY WHITE .
73 x 5 .
296 pp . Constable . 68.
THE CHOICE OF THEODORA . By THOMAS COBB . 73 x
5.
307 pp . Mills &amp; Boon . 6s.
AN EXCHANGE
OF Souls . By BARRY PAIN . 78 x 5.
256 pp . Nash . 28. n.
THE HEATH HOVER MYSTERY .
By BERTRAM MITFORD .
7 x 5 . 320 pp . Ward , Lock . 68.
THÚS SAITH MRS. GRUNDY . By ANNESLEY KENEALY ,
7 X 5. 320 pp . John Long . 38. 6d .
By M . E . FRANCIS . 78 x 5.
GENTLEMAN ROGER .
282 pp . Sands . 28. n.
PHYLLIS . By L . G . MOBERLY . 78 X 5. 302 pp . Ward ,
Lock . 68.

HISTORY

.

OF
STATE PAPERS, COLONIAL
SERIES ,
AMERICAN AND WEST INDIES , 1701. Preserved in the
Public
Record Office .
Edited by CECIL HEADLAM ,
103 X 77 . 818 pp . Wyman . 158.

CALENDAR

LITERARY .
GOLDRING ,

5.

x

BY

CHARLES

OF

.

.
S
.

.pp

P

.

COMMUNICATION

King

77

.

MISCELLANEOUS
IMPERIAL TELEGRAPHIC
BRIGHT
212

.

By MAUDE
ENGLAND ,
240 pp . Swift . 58. n.

LONELY

THE

.

.

, a

.

.

,

S
.
W

OF
.

,

,

,

.

By

.

6d
,
n

38
.

L
.

's

.1s
n

.

by
H
.
.
, R
.H

TO

.

.

by

:

SUBMERGED
CONTINENTS
ATLANTIS
AND
History and Civilization
Their
Being
Chapters
from
the
Akashic
Records
RUDOLF
The
Max Gysi
Translation
STEINER
Authorised
Theosophical Publishing Society
By
THE ARABS
FLORENCE
FFOULKES With
Preface
PRINCESS FREDERICA
HANOVER
George White Printer 396 King
Road Chelsea

LEMURIA

7 X 44.

48. 60 , n.

TOPOGRAPHY ,
NOOKS AND CORNERS OF OLD ENGLAND . By ALLAN FEA .
7 X 5. 274 pp . Martin , Secker . 58. n.
THE WELSH BORDER :
Its
Churches ,
Castles
and
Dyke .
By M . A . HOYER and M . L . HEPPEL . 74 x 5.
238 pp . . Nutt . 38. 6d . n .

TRAVEL
URUGUAY . By W. H. KOEBEL .
9 X 51 .
Fisher Unwin . 108. 6d . n.
By
THE FAIR DOMINION .
R. E . VERNEDE .
296 pp . KEGAN PAUL . 78. 6d . n .

LITERARY , DRAMATIC ,

AND

350 pp .
8 } x 51.

MUSICAL

NOTES .

“M

tions ,

HE

Mr

Fair Dominion ” is the title of
. R. E .
Vernede ' s new book , containing the record
of his Canadian impressions and observa
published by Messrs. Kegan
Paul &amp; Co .

There are twelve illustrations
in colour by Cyrus
Cuneo .
Messrs . Kegan Paul have also published “ Letters
from Finland ,” by Rosalind Travers .
The letters
deal with various aspects of life in the Grand
Duchy , social , educational , artistic , political , and
racial.
The volume is profusely illustrated , not
only with views of Finland but with reproductions
of the work of some of the best Finnish artists .
Through the same publishers Mr. Douglas Sladen
is publishing a new book , “ How to See Italy by

Rail .”
The work is the result of Mr . Sladen ' s long
experience of Italy , in which a great part of his
time during the last twenty years has been spent .
It contains a chapter on railway routes , which
shows how to see every important place in the

country , while in treating of scenery , architecture ,
painting , and sculpture , he points out
the most
examples
splendid
found
each
district
Italian
after first giving the characteristics

,

71 x 5. 667 pp .

LILIAN WHITING .

all

.

:

THEOLOGY .
TRANSFIGURED . By
314 pp . Gay &amp; Hancock .

LIFE

of

THE Divine FIRE . By MAY SINCLAIR
Nash .
28. n.
THE GIFT . By S. MACNAUGHTAN .

CANADA OF TO-DAY . By WILLIAM MAXWELL . Jarrold &amp;
Sons . 18, n.
PATRIOTISM . A Biological Study. By H. G . F . SPURRELL .
71 X 5. 168 pp . G . Bell . 28. 60 . n .

in

FICTION .
THE ESCAPE AGENTS . By C. J. CUTCLIFFE
HYNE . 71x
5 . 323 pp . Werner Laurie . ' 68 .
TWIN SISTERS . By RICHARD MARSH . 71 x 5.
326 pp .
Cassell . 68.
LADY BETTY ACROSS THE WATER . By C. N . and A. M .
WILLIAMSON . 61 X 44. 280 pp . (Cheap Reprint .)
Methuen . 18. n .
UNDER THE SALAMANDER . By J. BLOUNDELLE BURTON .
73 x 5. 320 pp . Everett . 68.
THE COUNT OF LUXEMBOURG .
The Novel of the Play .
By H . SIMPSON .
71 X 44 .
226 pp .
Mills &amp; Boon .
18. n.
THE MUZZLED Ox . A Romance of Riches . By
CORALIE
STANTON and HEATH HOSKEN .
78 X 5.
331 pp .
Stanley Paul. 6s.

POLITICAL

be

Bloomsbury , W .C. 28. 6d . n .
THE EDUCATION
OF CHILDREN FROM THE STANDPOINT
OF THEOSOPHY . By RUDOLF STEINER .
Authorised
Translation by Max Gysi. The Theosophical Publishing
Society , 161, New Bond Street , W . 18. n .

MUSIC .
A HYMN OF LOYALTY . Words and Music . By
MARGARET
PEDLER . Stanley Webb .

to

244

�THE AUTHOR .

to

.

.

"

in

to of

'

a s

“
A

“

In A

. . .

a

.

a

of

is

.

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the general committee was held
the chambers
the corporation
Denison
Wednesday June
House
when the sum
applicants
£360 was voted
Albert Dorrington
Indian story
Our Lady
the Leopards
will appear with Messrs Mills
July
Boon early
Mr Dorrington has another
sum

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Printer 396 King
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Mrs Havelock Ellis has new volume
Cornish
published
stories appearing
the autumn
Stanley Paul
called
The Imperishable
Wing
Trypbena Jane
One
these called
appearing
Revolt
the July Forum
The appeal
the recent dinner
the Royal
Literary Fund
presided
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Mr Birrell

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Captain Kettle
still
heroes and heroines Mr Cutcliffe Hyne
Algerian adventure from
that series
latest
book
The Escape Agents
Even
the last tale
the book
called
The Failure
nothing but name and the com
tells
failure
plete
vindication
much misunderstood
man
who
the pathetic hero
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Gemini
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has just been published by
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entitled
the
Arabs
and consists
two poems set
music
English are
The poems besides being printed
also printed
Arabic characters
and the little
preface
book has
Princess Frederica
Copies
published
Hanover
the work which

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Stoughton are issuing several
Hodder
Mr Charles Garvice novels which have
form
uniform edition
bound
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and published

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the autumn
novel
Mr Charles Garvice entitled The
Other Girl
running
Mr Garvice novel Just Girl

Silence

to

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of

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by

by

.

Creamland
and
will
illustrated
coloured
frontispiece and tail pieces
Mr Alec Carruthers
Gould
and
numerous photographs
The
price will be 10s

Messrs
reprints

Miss Amy McLaren

Yoke

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song the words and
Margaret Pedler published
which are
copy
Mr Stanley Webb
the song which
being sung
Miss Lucie Johnstone
has been
accepted
Her Majesty the Queen
Mr Charles Garvice long promised book
the
published
Devon countryside will
Messrs
Stoughton early
Hodder
the autumn
As
already announced
its title will be
Farm
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Morocco
Woman
Winter
South America
Mrs Cameron relates journey
some
000 miles the crossing
continent
Valparaiso
two occasions viz Buenos Aires
up the west coast and from Panama
Colon
Photographs and descriptions
the Incar Indians
Peru are features
the work
the first
time this entire coast has been written
from
point
woman
view
article
the subject
Women and Work
appears
The Fortnightly
for May
Mrs Alec
Tweedie
the writer
the article and
she
industry now covered
shows how wide
the field
women and pleads for
extension
this policy
Mrs Tweedie has been put
the councils
the
Eugenics
Society and the Cremation
Society
England

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July
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questions and love problems weave themselves into
anomaly
the story the plot
which develops
the Marriage and Divorce Laws
Auvergne and Its People
Miss Frances
Gostling deals with the country
ay
supersti
relates the quaint customs and lingering
tions
the people while
the same time making
the
the history
the reader acquainted with
province
Messrs Methuen
Co publish
the
book which
has eight illustrations
colour

and

's

Preface

a

An

contributed

,”

Vitæ

.

has

of Poems by Mr. Wilfrid Thorley , which
Mr. Elkin Mathews has published . “ Confessional
and Other
Poems ” is the title of Mr. Thorley ' s
volume .
Miss Annesley Kenealy ' s first novel, “ Thus
Saith
Mrs Grundy
has just been published
Intrigues
Mr John Long
Smart Set
sex

to a volume

well

Elixir

on of in

Hewlett

of such a mystery . “ The Race ,'
“ The Discontinued
Mail ” are
each characteristic productions .
The short sketch
“ How to Live on Nothing a Year in
Oaxaca "
shows Mr. Hyne in a more pensive mood , and inci
dentally reveals
his enthusiasm
for Mexico , but
the bulk of the book is dominated by Napoleon , the
stroke of whose anger is responsible for
the
yarns
Mr Werner Laurie
the publisher
Stanley Paul
Messrs
have completed
negotiations with Mrs Charlotte Cameron
publish
possible solution

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and

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Mr. Maurice

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245

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one act piece was staged
the
Theatre
June
The action
the play opens outside the walls
eastern
city
The story briefly
this
Three beggars
plying their trade with little success are persuaded
proclaim
themselves the local deities and
having come down from the hills
Many sacrifices
the shape
food are brought
them
and they
are able
deceive the people
virtue
the fact
that the real gods are out and abroad
The
close
the play shows the revenge taken
the
beggars by the real gods
The play was inter

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three acts by Lady
translation
Scapin
Les
Fourberies
and
Scapin
entitled
The Rougueries
The same
week saw the production
for the first time
London
three act play
The Casting Out
Ray
Martin Whelan
On the
Lady
same evening
one act comedy
Coats
Gregory was produced
The humour
the piece
exchange
arises
from
accidental
coats
between two rival editors leading
the discovery
obituary notices which each has written
the
other for use
occasion shall require
On the following evening Lady Gregory
one
act comedy concerning
the superstitions
the
peasants
the influence
The Full Moon
was produced
also
the same occasion was
Harvest by Lennox Robinson
play
Boyle entitled
three acts
William
The Mineral Workers
was staged
June
The chief personage
the play
Irishman
who returns from America and acquires
farm
dig for iron which
from
his cousin
order
The piece was

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Paderewski has
been translated from the Polish
Laurence Alma
Adlington
Tadema and published
Great

Haymarket

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Belfast manufacturing district
Birthright
play
two acts dealing with
Murray was
Irish peasant life written by
staged
which night also was
June
tragedy
included Mr
Yeat
Deirdre and
the
Lady Gregory
The Rising
humorous play
Moon
The second week
the company
visit opened
adaptation
with
one
Molière comedies

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papers addresses and articles contributed
periods
the British Association
different
London
the
for the Advancement of Science
Chamber
Commerce The Quarterly Review
The
Monthly
and
Review
Fortnightly
The
Rerieur

beautiful Italian girl who
the play centres round
large sum
money from the Bey
has borrowed
repay within
Algiers which she has undertaken
marry the Bey
The
default
fixed time
caste includes Mr Colin Coop Miss Florence Beech
Mr Mark Lester and Miss Connie Emerald
The company from the Abbey Theatre Dublin
the
has during June produced various plays
The tour was opened with Mr
Court Theatre
comedy
Synge
the Western
The Playboy
The Piedish
which was followed by
World
by George Fitzmaurice
and
one act play

M

its

to

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Initiation and
Results
the essays that
comprise the present volume he speaks about the
Angelus Silesius
Mystics from Meister Eckhart
devotion and acquiescence
full measure
with
new
novel by
Love
The Wonder
issued
Messrs
Madame Albanesi which
Stanley Paul
Clear Type Sixpenny Novel Series
Communication
Imperial Telegraphic
Communication
Charles Bright was published last month by Messrs
made
King
the main the book
Co

being
first
series
musical comedies which
presented
the Kennington
Theatre was pro
The action
June
that theatre
duced

-

Dr
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of

of

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publishing
Putnams
are
translation
authorised
the
Mystics
the Renaissance and
Rudolf Steiner
Thought
which Mr
Modern
their Relation
Bertram Keightley has prepared under the editorial
Steiner
supervision
Mr Max Gyse
already known
American readers by the volume

preted by a long caste in which were included Mr.
Charles V . France , Mr. Norman Page , Mr . Charles
Maude and Miss Enid Rose .
translated by
“ Hedda Gabler , ”
Ibsen 's play
was revived
Archer
William
Gosse
and
Edmund
May
the Kingsway Theatre towards the close
Kinsey Peile Madame
The caste included Mr
Lydia Yavorska and Miss Florence Haydon
The Algerian Girl
Herbert Shelley the

“

. ,

, 31
, .

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be

1912

be

already

.

immediately
desire
Messrs
September

January

returned
will
submitted
upon application should the competitor

MS

.

Any

.

of

will

first announced

,

as

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of

of

for

Company , New
York ,
the Macaulay
book with
Lady
entitled “ Our
of Darkness ."
We are informed by Messrs . Hodder &amp; Stoughton
that they have decided to grant an extension of
MSS under the terms
the submitting
time
The
their £1 000 Prize Novel Competition
being August
1911
closing date instead

a

246

�THE AUTHOR .

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Anti
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Drefusisme
Paris autrefois
Majesté Argent
aujourd hui
and
Majesté
Presse
Altogether
with regret that one comes
the end
the volume convinced though with
the author that malgré
défaillances
Paris
royauté dans
conserve
monde
Les Mours
Vie privée
autrefois
of

to

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monarchy
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Arthur Meyer

the funeral
perhaps the
The finest chapter
the book
Boulangisme
Meyer tells
one
the
whole tragic story
He tells
the hopes
the royalists
and
the fine generosity
the
Dowager Duchess
Uzès who took upon herself
the cost
the plan that had been devised and who

sa

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await with interest her next novel announced
appear shortly
Des Pas dans
Nuit
another
the series

la

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La
only
simple story but the charac
ters
are very human very true
life and are
drawn with great accuracy and skill
the
first book we have read by this author but we shall

moderne
Ravageuse

by

Gaston

Imperial and the visit
the Prince
Victoria and Princess Beatrice
Chislehurst

death
on

.

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by

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although the episode
which the story
adultery
Rebelle
and Marcelle
other books are distinctly amoral
Ravageuse
though the
would seem
mother were giving her opinion with regard
some
the theories set forth
her daughter
books
Qui says one
her personages
his
being duped by
emancipated
friend who
woman
travail qui donne independance
développer
complainte
fameux
moi
est
book

based
Tinayre

book

“

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one thing the mother possesses which she
inculcating
has not apparently succeeded
her
daughter
distinctly
La Ravageuse
moral

there

Ce que mes Yeux ont

Verre

souvenirs dating from
1870
1910
Meyer
manager
Gaulois the royalist
and ultra Catholic newspaper and these souvenirs
certainly well worth
reading
Faguet
are
whose political opinions are totally different from
Meyer
those
has written
admirable
preface
The first chapter
entitled
Chute
Empire
and begins with
the year 1870
Meyer describes graphically the various scenes he
September
the famous Fourth
witnessed
the next chapter
Les Premières Faillites
République
Meyer continues his description
Very graphically
seeing
tells
his anguish
from the heights
Germain
the Louvre
flames and very pathetic
his account
the

de

by

",

A

T

"

is

book
which
follows
La Rebelle
and
Ombre
Amour
Marcelle Tinayre
The daughter has learned
write
and
La
Maison
Pêché
and
La Vie amoureuse
François Barbazanges
her style
admirable
but

this

de

Le

of
by"

Prison

Chérau

Ravageuse
Louise Chasteau
extremely
simple story athe strength
which lies
absolute naturalness
human
true
life that among common
place people
similar experience must have been
made hundreds and hundreds
times
The
curious part about this book
that
should have
been written
Louise Chasteau the mother
my dear
Marcelle Tinayre
dedicated
daughter Marcelle
Tinayre
memory
those
loving hope
taught her
hours when full
something almost pathetic
write
There

Roi

Rue des Notaires
de

de

;

“

.

La

Métier

Princesses
Science
André Lichtenberger

La ”,

,

,

La

“

“

Demoiselle

“

recent novels are

by Colette Yver author
Juste Lobel Alsacien
Louis Latzarus

PARIS NOTES

”

is

.”

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La

les

containing also “ Un Concert chez
Fous
and
The new volume certainly one
Nuit Rouge
the most mysterious and thrilling stories
the
.

by

,

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's

.

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Mr

,

A

in

.

the farmer 's land .
The farmer refuses to sell and
for
the resultant situation provides the problem
the dramatist
tragedy
The Clancy Name
one act
Boyle
play
Lennox Robinson preceded

of mysterious novels in which Charles Foley is a
began , side by side
Foley
past màster .
M.
with his historical studies , a series of tragic and
extremely dramatic
stories
when
he published
some ten or twelve years ago .
“ Au Téléphone ”
He is at present bringing out a collection of
mysterious novels , the titles of which are : “ Kowa
au
Judas , "
Chambre
“ La
la Mystérieuse , "
d 'un
soir , " and " Au Téléphone . ”
“ Divettes

of

The scheme is ridi.
believes exists in the earth .
caled by a local farmer who , however , gains a rich
harvest by seiling his produce to the other ' s
Eventually, the iron is
employees .
numerous
reached , but almost immediately after the spring
which provides the water - power dries up and the
machinery is brought to a standstill .
The only
way out is to divert the water from the lake , and
to do this it is necessary to cut a channel through

247

�THE AUTHOR .
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Day
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and
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four Hours
The publishers advertisement pages
the various
literary organs
New York Chicago Boston
the capacity
furnish still further evidence
English authors
great number
attract the
fact
the present moment
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many are the names that
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select any
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studied
details given
There are very many
Revolution
this volume which explain much that otherwise
appears involved
France
Marseille
1720
La Peste
Duaranty
Paul Gaffarel and Marquis
the
the habits and customs
curious study
epoch and will doubtless
found interesting
special study
the public health
all who make
and
social economy
Eugène
Autour
une Dame
Honneur
Welvert
the story
Françoise
Chalus
Duchesse
Narbonne Lara
1734
1821
Jacques
Faye
Amitiés
Reine
preface
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with
the Marquis
Monseigneur Duchesne
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another volume compiled with the greatest care
illus
documents
from many unpublished
engravings
and gives many
trated with seven

La

the beginning
the publishing season
1911
the United States
statement was
representative
made
the firm
Harper Brothers
answer
some questions asked
the New York Times which should have been
English
very gratifying
whom
few
authors
usually have much occasion for joy over American
notable
the effect that
was
book sales
tendency
recent seasons had been the extent
English
writers appearances
America
As
though
Mr
the good news
confirm
Lippincott Company
Ridings
his
the
May announced that he had
the States
return
English authors he had
with him the finest lot
ever brought over
And
recent list
best
English
Mr Jeffery Farnol
novelist
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Louis XVII
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works are the following
Temple
Saint Léger with
évadé
preface by
Lenotre The author hasstudied many
hitherto unpublished documents and with the help
Madame Atkins
this book and that
any rate possible for the reader
Barbey
have

NOTES

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Correspondence

Delachaume

Calman Levy
Nuit
Jules Tallandier
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Comment
chapters
etait servi
the title
and
very curious are many
the stories told
the
devotion and fidelity
some
the old retainers
soignait
well known families
Comment
the last eight chapters and curiously
the title
enough among other things
find that the
Many
influenza raged
1782
the remedies
prescribed would amaze our modern medical men
distinctly
interesting
The book
and
seems
almost incredible that manners and customs should
radically
comparatively short
have changed

Byron

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La La

we have some interesting
information
about the luxury
and the everyday expenses
Hospitality was practised
former times
scale which would amaze the hosts and hostesses
our times
We are told that
took thirty sheep
year for the table
month and
000 fowl
the
Choiseul
He employed 400 per
he Duc
fifty four
sons
and
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248

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The Patient Observer
very
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the Indian
deals with
small section
the American people the people
boyhood we were taught
whom
call red
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Dr
Eastman
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claims advanced
the Monroe Doctrine and the
policy
the Open Door
the Far East
might serve
The United States from Within
the name for
book
Simeon Strumsky
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series
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countrymen and their ways
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One Way Out

Military and naval topics are dealt with
General
Greene
The Revolutionary War
and the Military Policy
the United States
Captain
Gettysburg
Beecham
the Pivotal
Captain Mahan
Battie
the Civil War
and
The Interest
America
International Con
perhaps
ditions
But the last named
should
merely naval work
not
classed
The
gallant author preaches
his countrymen
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fiction

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with the novels
No more powerful sermon
very long
the guise
fiction has appeared for
Europe
time either
America
Those
one
the question
the removal
interested
the great social evils
the Western world should
this book
note
make
One Way Out
author who adopts the
pseudonym
William
Carleton
still less
Plainly
novel
veiled autobiography
describ
ing how
England
family
middle class New
began
emigrated
America
life again

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She Buildeth
Comfort
The Cats
Perry
Osborne
and Francis
Pajamas
The Haunted
whose title
frivolous character
On the other
Bondage
Kauffman
The House
hardly seems appropriate
that
class

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Robert
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his own Words with which
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the six best sellers outside the realm

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with Stonewall Jackson
the dominating
Another Civil War story
Love
George Barr
under Fire
Randall Parrish
McCutcheon and Louis
Vance with
What
Cynthia
His Name
and
the Minute
the
byphens are the authors
may
remarked
promise
rival their former popular triumphs

the New York
curiously
cessful book
Napoleon

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Members
the Family
has reintroduced
some
the characters
The Virginian
the
The
his numerous admirers
satisfaction
Long Roll
Mary Johnston presents
very
ambitious tale
the struggle between North and

Jacques Futrelle has
The High Hand

very interesting piece
work and the critics
have given
warm welcome
Notable biographies and memoirs bave perhaps
been
rather few
far this year
But
Mark
Twain
Archibald Henderson and
John La
Farge
memoir and study
the late famous
Royal Cortissoz have deservedly had
artist
subject ever popular
many readers
the
United States
dealt with
The Recollections
Abraham Lincoln
1847
1865
written
the late Ward Hill Lamon
and edited
well
Dorothy Lamon Teillard
published
the
biographies
American
Crisis series
the new
Lloyd Garrison
volume
William
the author
being Lindsay Swift who has previously done
good work
this series
Another Garrison
represented
volume
Letters and Memorials
Wendell Phillips Garrison
who
1906
brought
editorship
end forty one years

a

all
-

to

.

Kester

of

.

of

,

is

flourish
successes

The Prodigal Judge
the scene
which
laid
the Southern States eighty years ago and the
really fine piece
central character
which
Judge Slocum ought
humorous characterisation
please English readers he certainly has delighted
Molly Make
one
The other best seller
Believe
Eleanor
Hallowell Abbott which
made quite
wonderful hit
the
outset
prolonged run
career and looks like having
Then Henry Sydnor Harrison
Queed
has
typical specimen
been hailed
American
just what
fiction
its best and
novel should
Mary
be
The Legacy
Watts has
high praise
come
for almost
Owen Wister

South
figure

249

is

imagine

,

in

of
fiction although there one would
the field particularly open
comers
On the contrary the American novel
ing exceedingly
One
the two greatest
the present year has been Vaughan

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thought anybody
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idea widely prevailing and some
Usually
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shall try
show
much besides mere copying
exactly
involved
anybody
the kind which
cannot
enough that
natural and reasonable
author should feel intense irritation
receiving
type script disfigured
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Arts
copyright has engaged
The question
good
deal
attention
the States
the early months
this year
An English correspondent
attack
has caused the editor
The Dial
reiterate the
deplorable and humiliating
that his country because
absurd copyright
law should
the only civilised nation excluded
from
the benefits
accrue
civilisation
froin the
attempts
Berne Convention
harmonise and sys
tematise the copyright requirements
the literary
Seeing that this
world
practically the riew
all reasonable people
the United States
seems
pity that the deplorable humiliation should

word
two
the subject may
acceptable
There
no need however
agitate the question
price which has been ably dealt with
the
latter correspondent
chiefly anxious
dwell

to

to

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in

Babbit
The New
Laokoon
has
the topic
most courageous and
stimulating way
He defines his work
sub
Essay
title
the Confusion
the

the present writer
member for thirteen
years
the Society
Authors and the
typewriting office
owner
ten years
seems that the above heading must suggest some
points
interest
fellow members
view
recent letter
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gross
type writing firm and
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the part
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but there
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the actual aeroplaner
Mention has already been made
the volume
John La Farge
There have been
few
attempts
large
discuss Art with

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serial form
both
sides
the
The
President also furnishes
com
mendatory foreword
Lassooing Wild Animals
Guy Scoll around
Africa
which
written
Buffalo
Jones
visit
the Dark Continent
Yet another book
the same part
the world

Hunting Adventures
Africa
the Big
Game Country
The author Mr McCutcheon
not George Barr but John
the cartoonist
his
adorns his text with numerous specimens
wit with the pencil
The Far East supplies the chief material for
discussion
The Obvious Orient
Professor
Bushnell Hart from letters written
the Boston
Transcript two
three years ago
and
Price
Collier
The West
the East from
American
Point
View
What
said
one
airship
the first
appropriately
travel books
from
the pen
Walter Wellman who calls
The Aerial Age

Canadian

- .

its

leaves

's

familiar
Atlantic

of

The literary obituary since the beginning of the
year includes David Graham Phillips (murdered by
a lunatic
in January ), a posthumous work
from
whose penis announced ;Mrs. Elizabeth Phelps Ward ,
whose
“ Gates Ajar " was a best -seller as long ago
1868 when
writer was only twenty four years
age Dr Maurice Fluegel the polyglot author
some well known books
historical religious
and scientific subjects
Dr
Wilson
novelist and writer for boys
and Colonel Thomas
Wentworth Higginson
Colonel Higginson
best
England probably for his Whittier
remembered
the Men
Letters Series was one
the last
England
survivors
the famous old group
New
authors
Not only did he write and fight but he
religion and
very
had also been
minister
strong abolitionist As
was eighty seven when
died even
his own land much
his high repute

title , “ Hunting
with the
the hesitating
reader in no
doubt as to what he will find within
covers
Warmer realms supply the scene
President
Roosevelt
African Game Trails
which
comparative newcomer
volume shape although
Eskimos ,"

alike

in

Whitney , and

Copyright Act , it has been discovered that this will
make Canada a paradise for pirates — to the loss

; ,

Expedition — the Commander 's own work , by the
way , is still selling well — is recalled by “ A Tender "
foot with Peary ," of which the author is George
Borup , who was the “ baby ” of the expedition .
Mr. Borup handles his pen gaily and light heartedly .
Another arctic book is by Harry

of as

250

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it

it

a

,

do

,

,

be

it -

as

in

.

so It

,

a

of

; .

-

,

in

let

in

.

half educated assistants
clearly written
said that
would speak only
Something should
MSS
first
said however
the other sort
Few authors realise how much
after
that
not
the bond has been done for
Surely
they may
them
the despised typist
think when they find lacunae
their MSS where
deciphering
the typist has given up the task
despair
long while before most typists
and
Surely
that
she had read
bit she
Very likely
would have seen what
would
but they
not propose
with
few honourable
exceptions
reading
pay for the time spent
Typists often spend time
reading
bit
looking back and comparing different passages
when he
intentions
determine the author
might himself have made them perfectly clear
writing and punctuation
elementary attention
money
Time
and
seems
me better
economy for the person who knows the facts
to on on
, a

as

by

. it

to

be

,

no

a

or

to

of

,

;

.

be

at

is

.

,

to

of

to or

of

as

a

how difficult
sure
word
even when
good serviceable hand
which you
written
really hare never heard and
which you have
clue
Even when the same word recurs again and
again
MS
will not always look the same
fact which presents no difficulty when the word
very real one when
absolutely
familiar but
in
a

.

no

,

to

it

is

.

in

a

a

as is of

which she has never heard
The context which
subject matter
often beyond her comprehension
style
well
will not help her
would
help
may
better read person
said that she
works under supervision
she does
under the
principal who
supervision
herself over
whelmed with work
besides correspondence and
gets
office management
but when
the check
ing stage the mistakes have been made and the
girl with every
you are
help
work wasted
sentence as she goes along you may as well do her
principals
work yourself
and the fact remains
only too well unless you have
offices know
girl
educated
often hopeless
And
me say here that few people will believe

is

the average typist who
nevertheless
putting much
hard and conscientious worker
very
care and common sense into her work for
low salary
not remarkable
she does not
spell paragraph
punctuate seeing
know how
people
good position
that large number
My point that
not know either
the present
pay
rates which the public are prepared
copying offices they have
employ
the heads

a

-

, . ,

,

at

a

,

a

necessary

insulting

It

to

.

.

of

at

,

or

,

TH

they have

the sense
the MS
some extent and such
girl cannot follow any sentence which
all
expected
involved
even long
She cannot
many
supply paragraphing
though
therefore
indenting the
authors seem never
have heard
paragraph
indicating
any
first line
recognised sign the lypist often has
clue Again
girl cannot
relied upon
read correctly words

follow

I

.

,

a

.
-

a

is

As for punctuation and paragraphing
real meaning for her
copying accurately
Now

imaginative

likely
know what the word
anything
but
novel might
was the
good type writing
remark made
me
clerk
office
the reason being
course that legal work
requires only
very small vocabulary
which
soon learnt by any girl constantly engaged
this may sound
conscious that much
you

in
a

so

is

said
supposed

is

I

that her mistakes are not
idiotic
bright girl and
Very often she
applies surprising care and intelligence
studying
the actual caligraphy
the MS
Her mistakes are
such as half educated person cannot avoid
She
school but she comes
has been taught something
from an illiterate
least
non literary home
very
and
familiar with
small vocabulary
probably
She reads nothing
but modern fiction
as

have

they are used

legal stuff

;

the

am

.

of

-

is
a

half educated girl

far the more serious consideration

ignorant of the word and
derivation
and
know
keeping
the difficulty
you are talking
says somebody
Oh but
about technical work
talking about words unfamiliar
the
ordinary typist
and any MS which has any claim
contain many
certain
be
the least literary
such words
Even when simple and homely they
they are unfamiliar
the way
are often rare
to

as

,

.

by

inflexion and

each

upreasonably

A

.

is

and

the typist

Very often

(
2
)

This
two

word

each

copy

This does not mean that the writing is
bad .
I have often had to write , for
my own clerks to copy , masses of unfamiliar matter
- proper names , botanical names , foreign matter
making every letter clear to a person absolutely

unknown.

be
,

of

a

,

's

decipher

present

a

(
to 1
)

,

is

.

.

to

do

,

mistakes are as idiotic as he thinks them - ignorant
no doubt they are in many cases . About the com mon difficulty of bad handwriting on the author ' s
part I will say nothing at present . Most authors
would admit that if their handwriting is illegible
the fault is with themselves . They do not so easily
understand however that
hand
which their
friends
not complain may still present difficulties
the typist
There are two important reasons
for this
One friends are not obliged
the typist

251

�THE AUTHOR .

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in

;

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or

,

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gold the ladies
old calf and elegantly tooled
taking the form
portfolio
bag
most
useful accompaniment was small card map
the
pass
Italian railways which when folded formed
entitling the bearer
travel
would over
the lines
Reception
the balcony and
the rooms
gave good opportunity for the
the Press Club
mutual greetings
the Congressists and the next
morning His Majesty the King
Italy attended the
opening
the Congress
the Capitol The business
meetings were held
the handsome hall
the
.

to

for

I

.

so

a

to as

in
a

,

to

,

The President
the Association
Mr Arthur
Spurgeon
unfortunately
prevented
was
from
attending
arrival
the charming
Press Club
the
Palace Colonna
Rome the delegates were
presented with their tickets and documents
portfolio representing
old folio volume bound
On

is it

—

it
-

of

bit

,

it

a

be

is

,
on

superficial
The
want the services

very

at

be

as

”

of

a

by

is

so

—

is

.

by —

it

all

,
if

they only knew

four

the
Comité
Direction
Mr James
Baker the Hon Sec
the British International
Association
Journalists Sir James Yoxall
Editor
the Schoolmaster
Mr
Barnes
the Daily Mirror
Mr Walter Jerrold and Mr
Burgin
and Mesdames Baker and Jerrold

Louis

.
B
.

,

in

be

;

is

it

as

a

of

be

as

.

.

,

at

a

at

all

of

grounding makes the effect

twenty

Rome during
celebrations
the National Fête
this
Italy unity was
compliment
Jubilee year
the Italian members and the success of the gather
ing proved the choice
place was satisfactory
the associations represented
But the Comité felt that the historic attractions
strong temptation
delegates
Rome would
neglect the work
the Congress and
some
matters which were down
discussion were post
poned and the agenda
Questions
ordre
jour
Congres
eight
were limited
and
although
the discussions were decidedly not
heated
other Congresses yet the attendance
the business gatherings was always good
delegation consisted
The English
Mr
the

in

,

to

;

be a

of

—
“

a

-

.

pay
the rate that office can afford
pupil and stay little
come
experience
salary
gain
while
low
but she
the while looking out and quite rightly
for
something better and
year
two
the out
leaving the permanent burden
side she passes
copying work
those who cannot
better
The principal may supervise with
her strength
long time with her she
and when girls have been
thorough
effects something
but the want

will

She

together
delegates
representing
countries and
000 members
The holding
the Congress

A

,
,

,

as

;

,

to

.

to is to be

—

it

,

a

at

ing office

now known
The Associ
ations
the Press
has grown from the
small beginning
the first International
Antwerp
Press Congress held
the year 1894
into the organisation which under the Central
Comité
this year
Direction
Rome drew

“

of

,

on

of

in

it
.

to ,

to at ,

corrected afterwards
each
and these corrections will not all
made
unless the principal sees that
done
and that
the mere arranging
the paper and carbon sheets
typists
packing the carbons
for the machine
large proportion
call
takes
the whole time
occupied
copying office requires
The work
careful checking
well
manual dexterity
forgotten that
high speed also
should not
constantly demanded
and every
carbon
copies and
produced
much hard manual
step
labour step
Some people seem
think
that the machine does
and the typist only winds
handle
Copying might
career
educated girls
present
say nothing about
not
shorthand which
not largely required by literary
people
copy
But no educated girl will stay
copy

HE organisation

G

to

,

.

I'

,

ve

see

;

,

an

a

,

mistake made must

.

.

,

,

to be

to

,

go

in
a "

to

in

,

the same time
the ink copy and
charged for
They seldom have
your explanation that
time however
listen
very great care
needed
that the stroke must
get
slow and hard
clear impression
that any

ought not

is

THE FIFTEENTH INTERNATIONAL CON
GRESS OF THE PRESS

or

,

on

,

to

up

“

are made

public

,

is

, all
”

ve

I'

“

't .

,

so

am

I

consistent
and have
altered
There are
people who expect
you
know nothing
and
precious minutes explaining
you that
take
these passages you
which
crossed
out
are not
and there are people who will
rush
with
sheaf
unnumbered sheets
different sizes some written
one side only some
on two much transposed and thickly interlined
beg for
table and pen and ink and remain any
your already crowded office
time under
hour
making the Chinese puzzle more Chinese than
when they brought
There are those who will
argue with you longer than you can afford
argue
with them
the effect that carbon copies

her

,

soundly educated girls from cultured homes ; but
they will not pay
them
and such girls with such
get something better
homes are generally able

was

which

,

MS.,

Her

highly technical , was spattered with instances of
the way
marked this
the familiar confusion
through
you won
have any difficulty
what
the MS
often told about some alteration
Very seldom indeed has the thing really been done
and consequently when two
three typists are
set
work
different portions unless they are
warned and are very careful their copies are not

to

.

air of assured abhorrence

for

252

�THE AUTHOR .

of

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of

of

by

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of

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be of

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to

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of

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BELMONT
Paternoster Square, London
Co
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29
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MEMBERS OF THE SOCIETY

£4
Front Page
Other Pages
Page
Hall of
Page
Quarter of
Eighth
Page
per inch
Single Column Advertisements
percent.
percent. made for Series Sixand
Reduction
Twelve Insertions.
&amp;

.

at ,

of

ALLOWANCE

.

,

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In

in

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BAKER

SCALE FOR ADVERTISEMENTS

as

it

”

to

he

in

in

by

“

at

.

or

,

,

might

not
Rome add and
honourable men
the end
point that the ques
Herr Schweitzer carried
tion was not one for the Congress
this conclusion
yet

of

In

at

,

.

at

of

,

,

far

JAMES

in

.

to

Mr James Baker called attention
the fact that
Eng
what was called honourable fifty years ago
land would now be esteemed ridiculous and that
frequently duels were now ridiculous
men were
not killed
even wounded
Was not possible that
this conclusion
all journalists would soon arrive
gentleman
The English
word
had
been
used
speakers
all tongues
denote men
honour
England had long ago arrived
and gentlemen

a

an

as

,

on

he

.

of

International Exhibition
Art now
pro
Rome
The writer had the honour
posing prosperity
the Italian Press
The Conference card linked with the card
the
railways
gave the members
the Congress not
only the advantage
travelling all over the State
Railways but also
free entrance
all Museums
privilege that was
and Collections
immense
writing upon any Italian
value
all studying
historical subject and one that makes
all
intensely indebted
our Italian hosts
seen

,

.

,

this

Rome where

British Art from Turner
time
our day
Isidore Spielman the British
Commissioner
gave
luncheon
the English and Italian
inter
the Press Congress and
Members
esting speech
gave
sketch
the development
English art and spoke
the importance
tion

to

.

G

,

”

of

a

“

to

,

-

,

of

opposed

sections

Sir

of

of

,

of

,

a

be

and Hon
Treasurer
stating the matter
was one the Congress could not take up and
spoke warmly
old military man
the question
point
honour
From
the English
view
the Association

the other

the

most heated
had brought
that
Tribunals
Honour
replace duels but Herr

forward
resolution
shall
established
Schweitzer the Vice President

before

of

in

,

. of

. ,

of

.

Berlin and

,

in no
a

, .
de
F
Dr
. .

of

as

Vienna

by

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in

,

. of

R

.
of J.

by

in

, .

a

an

of

on

.

H

.
J. ,

the Borghese Gardens the art section
the Italian
Jubilee Exhibition
located
the English section
glorious exposi
stands out above
others and

recent

Lubozynski
Saint Auban
duelling
Upon the question
Signor Crispolli
discussion ensued
Justice

The English section
the
well worthy
visit and was ready

sent beforehand

Exhibition

England
the Press
case had enforced the
divulging
the name
the writers not accept
ing general responsibility
Some most interesting
papers upon this intricate subject were written by
formerly Minister
His Excellence Dr
Klein
secrecy

Monsieur Camille

di .

.

.”

discussion
Delegates
interesting
speech
Mr
Barnes made
pointing out that recent events
England had
greatly altered
the position
Journalists since
the speech made
Mr
Fisher
Berlin
Now there was
the Judges

weather
Rome was wet and cold and the Fras
cati excursion was marred
torrents
rain
The
Pompeii and round the
Naples
excursions
Gulf were excellently organised
At Turin matters
were rather mixed
the programmes were not

,

Press

the Associations
the immense amount
work
done
the Hon Secretary Monsieur Taunay
The social functions were brilliant and crowded
the Foreign Embassy reception being exceptionally
Amongst
brilliant
others was present
Prince
Sicily
Curiously enough the
Pietro
Scalea

to

with

President

in

-

“

Connection

Matters
Upon the former question
warm
arose
and
behalf
the English

Singer the veteran
the Press and

or

Journalists

in

between

”,

in

“

”,

“

of

of "

of

",

-

",

of

Succour and Providence
Professional Tribu
nals
and
The Shifting
the Place
Trial
for Journalistic Offences
but the two subjects
that aroused the greatest interest were
Pro
Duelling
fessional Secrecy
Press Matters
and

Although it will be seen that many weighty
matters were omitted from the Rome programme ,
yet the Congress proved
that a great advance
internationally
Subjects
has been made .
were
debated in better order ; there were no tumultuous
twenty
spite
scenes
all talking
once
four nations being represented differences were
set aside and
least the journalists have proved
they can meet for the common good
their order
and lay aside all bitterness
This has largely been
brought about
the keen diplomacy
Herr
of

.

to

;

"

of

for

“

of

up

in

of “

,

de

by

-

of

by

,

of

a

,

for

Press
Club
on
the
Piazza
Colonna .
Their
Majesties the King and Queen further honoured
the Congress by giving a Garden Party at the
Quirinal , at which Members of the Diplomatic
Corps and a brilliant gathering of the aristocracy
of Italy were present . Their Majesties chatted
long time with Herr Wilhelm
Singer the Presi
dent
the Congress and honoured many delegates
conversing freely with them
the Congress
Although the subjects for debate had been cur
amongst other
tailed
the Comité
Direction
postponed was the
matters
Facilities given
yet
Pressmen
the Houses
Parliament
amongst matters brought
debate were the
questions
Institutions
The Development

253

�obtained
But the transaction should
competent agent
with the advice
the Society

of

,

of

(
a

:

to

be

.

a

of

in

to

for

by

",

.

or

,

,

up

is

to

“

a

.

of

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by

or

,

of

to

to

to

to

or .

to

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or

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,

to

to

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is

to

is

an

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in

.

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of

.

of of

a

of

:

to

Be

.

of

of

.

what

,

is
a

,
in

of

DRAMATIC

of an

or

be

copyright

.

transfer

of

,

AUTHORS

.

TO

to

it

or

of

.

an

in

of to
a
be

is

of

.

It

2

.

:

.

.

of

is

such
contract should stipulate
the contract
for production
the piece
certain date
and for proper publication
his name
the
play bills
of

,

-

price can

be

a

if

proper

on

of

:

a

by
a in

in

.3

There are three forms
dramatic contract for plays
three or more acts
Sale outright
the performing right
This
unsatisfactory
An author who enters into
(a
.)

an

of

in

observed
dealing
methods

.
,

agreement

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating for
well
play with any one except
the production
established
manager

Outright

sometimes satisfactory

an

:

.

if

.

.

of

to

.

18

is

.

be

to

a

it

know

.

WARNINGS
TEVER

THE PRODUCERS

.

is

.

A

(
1
.
. )

(
2
.)

withheld
Always avoid

per

BOOKS

are
few standing rules
agreement
There are four
with literary property

1

sides shall

a

;

80

of

TO

OF

both

The inspection
those account books which belong
the author
We are advised that this
right
the
nature
common law right which cannot
denied

.

to

for life membership

£1

.

.

9
.

,
or

£10 10s

Society

the

That

. of
a

.

of

to

. to

means
to

.

The

.

of

on

.

8

subscription

WARNINGS

This

-

)
.

.

.

!

.

.

All other forms agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
by letter
agreements
possible
Avoid
The main points which the Society has always demanded
from the outset are

)

.

to

to

to

This

prevent authors from
Some agents endeavour
referring matters
the Secretary
the Society
publishers
do some
Members can make their own
deductions and act accordingly

Selling

A

II
.

(
1
.) In

(
.2
)

in

(
3
.)

of

General

(
3
.

a

of

to

to

neglect
stamp agreements
done within fourteen days
first execution
will undertake
behalf
members
it

be

( 2
( (
3
1
). .) .)

: , as
.

in

of be

,

.

of

Many agents

TTERE

Commission Agreement

The main points are
careful
production
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

a

in

be

To

.

.

6

entered into with
literary
the Secretary
the Society
strongly
Members are
accept without careful
advised not
consideration
the contracts with publishers submitted
them by literary agents and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society
7
.

.

of .

,

( a
3
)

be
. .

's

of

to

.

(
2
)

To

in

.

of

to

be

by ,

of

,

'

.

To

(
)1

No contract should
agent without the advice

The
annum

The Royalty System

perhaps with certain limitations the
This
best form
agreement
above all things necessary
know
proposed
royalty means
what the
both sides
now
possible for
author
ascertain approximately
the
truth
very
From time
important figures connected
time
royalties
with
are published
The Author

IY

in

!f

,

,

if

to

of to of in

,

of

no

.

4

6
.

The Committee
have arranged for the reception
agreements and their preservation
members
fire
proof safe
The agreements will
regarded
course
confidential documents
read only
the Secretary
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu
Society
lars
the
work can
obtained
the

Secretary

III

.

to

,

send

Remember always that
belonging
the Society
you are fighting the battles
you
other writers even
yourse
are reaping
direct benefit
and that you are
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer

Prospectus

to to

.

to

do

.

.

,

'

of

3
.

Before signing any agreement whatever
the document
the Society for examination

must

(
4
.)

's

,

of

. of

do

2
.

that questions connected with copyright
agreements
not fall within the experi
ordinary solicitors
Therefore
not scruple
use
ence
the Society
Remember

and publishers

Profit Sharing Agreement
bad form
agreement
this case the following rules should
attended
sign any agreement
Not
pro
which the cost
part without the strictest investigation
duction forms
give the publisher the power
Not
putting the
profits into his own pocket
charging
advertisements
charging
his own organs
exchange advertise
ments
Therefore keep control
the advertisements
special charge for office expenses
Not
allow
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
give
up
Not
serial
translation rights
Not
any publisher
bind yourself for future work
yourself
As well bind
any one solicitor
for the future
doctor
76 (6
.) .)

of

his

of to
a

.

,

if

to is

if

;

,

's

on

by

be

,

,

all

,

is

is

.

to

,

it

.

of

is
a

of

of or

in

,
or

a

, to

right
ask for and
has
receive
pub
advice upon his agreements his choice
any
dispute
arising
lisher
the conduct
the administration
his property
The
business
any
Secretary
the Society
solicitor but
there
special reason the Secretary will refer the case
the
they
the Society
Further the Committee
Solicitors
opinion without
deem
desirable will obtain counsel
any cost
the member
Moreover
where counsel
opinion
favourable and the sanction
the Committee
obtained action will
taken
behalf
the aggrieved
the Society
member and
costs borne

E

or

.

VENDITA

DVBRY member

"

managed
the Secretary

by
of a

USE THE SOCIETY .

TO

.

HOW

be

THE AUTHOR .

254

�THE AUTHOR .

time. This is most important .
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legal distinction

is of great importance .
7. Authors should remember that performing rights in a
play are distinct from literary copyright.
A manager
holding the performing right or licence to perform cannot

print the book of the words .
8. Never forget that United States rights may be exceed .

ingly valuable .
They should never be included in English
agreements without the author obtaining
a substantial
consideration .

9. Agreements
for collaboration
should be carefully
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

WARNINGS

TITTLE

can be added to the warnings given for the
assistance of producers
of books and dramatic
authors .
It must, however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
L

STAMPING

SCENARIOS

THE READING

will greatly assist the Society in this
branch of its work by informing young writers
of
existence
Their MSS can be read and
composition
treated
treated
coach
The term
MSS includes not only works
fiction
but poetry
possible under
and dramatic works and when
special arrangement
technical and scientific works
The
competence
experience
Readers are writers
and
The
guinea
fee
one
as
a

PLAYS .

BRANCH .

EMBERS
its

AND

MUSIC .

The Society undertakes to stamp copies of music on
behalf of its members for the fee of 6d . per 100 or part
of 100.
The members ' stamps are kept in the Society ' s
safe . The musical publishers communicate direct with the
Secretary , and the voucher is then forwarded
to the
members , who are thus saved much unnecessary trouble .

M

of

,

. .

,

of

.

.

to

of
by

Lane

or

Chancery

be

Bank

letter only

.

of

give notice
post
return
London and
registered
sent
by
to

of

be

Smiths

,

.

The Secretary
the Society begs
that
remittances are acknowledged
All remittances should
crossed Union

.

to

of

at

.

.

6d

REMITTANCES

.

of

a be

a

to

at

of

.23

is

,

or
a

be

in

of

,

at

,

byof

to

a

.

be

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
shillings
two
and sixpence will
carefully compared
the Secretary
qualified assis
tant
One copy will
stamped and returned
the author
and the other filed
the register
Copies
the Society
the scenario thus filed may be obtained
any time by
the author only
charge
small
typing
cover cost
Original Plays may also
filed subject
the same
rules with the exception that
play will be charged for
per act
the price

all

SCENARIOS

on

,

it

REGISTRATION
OF
ORIGINAL

MUSICAL COMPOSERS .

TO

,

4. Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one - act plays should
be reserved .
5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and

.

( c.) Sale of performing right or of a licence to
perform
on the basis of royalties (i .e., fixed
nightly fees ). This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect .
The
other safeguards set out under heading (6.) apply
also in this case.

authors should seek the advice of the
Society
plays into the hands of
before putting
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire
a
perpetual claim to a percentage on the author 's fees
plays
from it . As far as the placing
of
is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself . The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations
with
different
individuals , and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights .
In any case , in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

,

be

.

RAMATIC

by
a .

which the play should

AND AGENTS

.

before

AUTHORS

is

date on or
performed .

DRAMATIC

is

(6.) Sale of performing right or of a licence to
perform
on the basis of percentages on
vary between
Percentages
gross receipts .
5
a
An author should obtain
and 15 per cent.
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages .
A fixed

255

�THE AUTHOR .
Mid Victorian

and London Society men
frequent
which
was
contributor
not
name familiar
those
brought up
the monthly perusal
the Strand
competitors junior
and
Young
itself
Gilbert however followed
course still not without
parallel thinking
the army and giving
clerkship
then passing from
Government
office
Chambers
the Inner Temple where
was called
the bar
1864
As young barrister
he did
others have done before and since his day
who have been too impatient
comparative
wait

,

,

to

of

is

a

he

.

to

a

in

it

up
,

a

,

at a of

a

.

in

,

he

a

to

to

in

to

,

as

of

to

,

or

's

at

for

by

-

.
G
. .

by

he

,

is

, ,

he

of

.

at

as

of

.

R

,
.

a

of

by

a

it

in

all

in

a

as

of

.

by

a

ten

to

he

,

, ,

,

”

to

,

he it

,

at

,

,

is

in

to

,

in

recapitulate

to

is

It

.

here

”

the Gaiety
1886
The Princess
Impulse

",
"
A ",

“

,
"

“

's

",

“

”,

“
“

.

in

career

of

the

of

“

,

or

,

in

opened

Ages Ago
An old Score
Randall Thumb
Creatures
Happy Arcadia
Sensation Novel

,
"

.”

,

to

at

“

at

"

“

.

to

of

,

by

in

“

“

“

.”

Pygmalion

”,

“

,

”

of

”,
“

The Palace
and Galatea
The
Charity
Wicked World
and
Of these his
biographer
the Daily Telegraph records that
Pygmalion ended
placing £40 000
his credit
and some
the others must have been small gold
mines
him
the time and for many years
afterwards
Happy Arcadia
was produced
the Gallery
Truth

(

as

a

for

for

in

.

of

,

)

's

by ",

Illustration
where the German Reeds better
occupying
remembered
those not yet elderly
George
public who were not
Hall catered
theatre goers and were responsible for the coming
together
Gilbert and Sullivan
But
that
place some time
introduction
which
took
the
early seventies the sentence quoted
the opening
at

's

of

for

”

which

of

recen
a

as

,

,

, .

to in

,

“

to

of

be

of
. bon

usus

to

in

in

as
a

at

”

in

fac

to
to

of

.

it go

,

“

of

days
in

he

not necessary

their correct order
with dates all the plays
including
which
followed
Robert
the Devil

St
.

.
S
.

it

of
up

its

a

the

W

in of
a

of

-

, ,

.”

So

1

M

whole English speaking world will hear
with deep regret
the death
Sir
leading
Gilbert
said the Times
article and none will gainsay the estimate thus
given though he may qualify
with the reflection
generation
young playgoers has been
that
born and has grown
since the Savoy Theatre
first opened
doors and that
those
whose
Pygmalion and Galatea
beyond
memories
the days when Mary Anderson played
the
Lyceum
acknowledge
have
rather more than
Whave
middle age
The biographical notices
Sir
William Gilbert havebiographicalken
indeed taken
back
period
history
the modern stage and
recent
journalism
which belongs
fact
the past
Not
many entries into the world can now
recorded
taking place
Southampton Street Strand where
first saw daylight
1836
We hardly recall
Fun
serious rival
Punch capturing Gilbert
and the Bab Ballads because the yarn
the Nancy
Bell was
too cannibalistic
Mark Lemon

,

.

GILBERT

sacrifice

HE

a to

as

,

of

, ,
to

up

a

of

.

SCHWENCK

to

,

of an

on

to

WILLIAM

SIR

the world

.

in

it

is

.

,

in

the other civilised countries

to

a

,

by

,

of

a

to

great pleasure from
notice
hand
Congress Washington
the Library
that
proclamation has been issued
the President by
which the United States and Sweden
are now
win
copyright alliance
The United States are gradually
coming forward and
hoped that the next move
copyright legislation
will abolish the manu
facturing clause once and for all and enable the
equal footing with
United States
stand

for Fun which
recorded
Mr
Sims
having been paid for
common with that
all
other contributors
the rate
£1
column
proportion
may not have been very
fractions
good
remunerative directly but
had attracted
deal
notice and when
was commissioned
Miss Herbert through Tom Robertson
write
Dulcamara
was well qualified
make the most
the chance
days and
He completed
duly accepted
cheque
full payment for
rights accompanied
the sound recommendation
good
again
piece
never
sell
for £30
say there was no secretary
Needless
the
Society
Authors
those days
administer
counsel
completed
before
the bargain
was
and the opportunity may well have been worth the

,

G

,

.

-

We see with

from

briefs and picking
odd ones
quarter sessions
themselves
who have succumbed
earning
the necessity
little money
He had been scribbling and
drawing
for the amusement
himself and his
early boyhood
friends from
and
credited
plays never accepted
with
least
fifteen
managers before
was twenty four
His work

of

H

to

C

.

a

-

of

.
,
B
. ,
;

.

W

Hewitt

E

,
J.

,

;

Frederick
Sidney Lee
Prof
Sandys and Frederic
Walter
Kenyon has been made
while the Order
Merit
that most exclusive Order has been
conferred upon Sir George Otto Trevelyan
Frederic
Raleigh

inactivity devilling other men

,

. . . .

Knighthoods

Osler

A

Sir

to

Sir

.

Sir

An Earldom of the United Kingdom has been
conferred upon the Earl of Rosebery , as also upon
The Lord Curzon of Kedleston .
Sir Frederick
Pollock ,
John Rhys and
William
Anson
Baronetcy
have been made Privy Councillors
has been granted
Robert Anderson and Prof

“

We have much pleasure in poting among the
Coronation list of awards various honours conferred
on Members of the Society , and others well known
in the profession of letters .

of

Members are reminded that The Author is
not published in August or September . The
next issue will appear in October .

William
Cowen

readers
magazine

-

tioned

in

GENERAL NOTES .

its

256

�THE AUTHOR .

of

his

of

,

of

80

”

“

,

to

be

an

he

of

A to

,

in

in

in

to

as

to

.

of

in

it

a

,

of

a

as

"

of

.

be

to

.
,

.

.

,

be

,

of

in

an

.

,

he

a

or

a

be

of did

he

he

,

,

,

by

of

by

,

is

.”

as

of

do

in

,

,

:

“

a

As

in

of

,

a

he

a

of

,
if

,

he in

his

.

in

.

by

of

at

.

of

,

his

by

,

in

of

the Society

SOCIETY

.

'

of

HE

of

,

,

.

in

,

s

1

in

Authors was last
October 1907 and all elections
ince then after each monthly committee
meeting
have been chronicled
The Author
list
published

,

a

as

M

he

a

;

a

,

.

to

,

by

in

,

THE ROLL OF THE AUTHORS

of

of

,

to

I

by

of

a

to

a

on

,

's

for

a

. ,

a

,

“

,

a

at ”,

”

“

.

to

of its

,

,

of

. I

in

,

En

“

“

in

becoming
member
1899
but
was warmly
appreciative
the assistance rendered
the
Society
Authors and
the time
death
had been
member
its council for many years

Sir

, of

.

,
its

by

,
of "

of

“

”

,

“

,

”

“

,

"

By those who knew him thus he will be
not
remembered with no less affection
different
kind than
his personal friends
He was knighted
1907
He joined the
Society
Authors somewhat late
career

,

a

,

The Wicked

opera

in

“

World
transformed
1909
The Hooligan
sketch was
rather dreary last word played
the
quite recently
Coliseum
but his latest works
added little
their author
fame
and
May 29th
William Gilbert met with the death
tragically unlooked
and sudden but enviably
swift and painless the details
which have been
recently recorded
As writer
was thoroughly
master
the requirements
the public for which
he wrote witty and incisive with
wit and satire
original and peculiar
himself
and
into comic

than whom none would speak with fuller and more
intimate knowledge said
him
his interviews
published
the Daily Telegraph
matter
generous kind true gentleman
fact
was
its purest and original
and
use the words
sense
not mean one
those men who with
regarded
little veneer pass
such
This may
suinming up his private life and he more fitly
judged
his works
what
for the stage
the days
the old burlesques
the seventies
and early eighties
what
wrote whether acted

,

,

"

, ,

in

”,

of

as
,

", “

His

any

clever men inclined
intolerant
shams and
merely gifted with
conventions
criticalmental
quick tongue
outlook and
has had sayings
quoted which
impression
the repetition give
discourtesy and
rather aimless facetiousness
Surely these had better
forgotten
however
amusing they may have been when originally
uttered
the man himself
Mr George Grossmith

of

, ,
of

“

in

,

be

“

."

"

,
or

a

,

“

“

,

"

”,

gaged

language
inventor
some instances seem
have
language
good
become
the English
deal has been written recently
his wit
hardly seems fair
private life but
him
that
any degree
his reputation
humorist should
depend upon the ready retorts
inan who could
not
suffer fools gladly
and whose naturally
caustic humour found rather too easily language
express himself
which
Like many other
which
part

of

",

in

.

,

“

at

of

”, to

“

,

"

,

-

Sweethearts
Broken
David
Druce
Excellency
Wedding
The

living author

phrases

a

at

“

be

it
to

.
”

,

“

of

“

“

10 ,
,
“

.

of

,

mentioned
Tom
Cobb

itself in

full apprecia

may
that
estimated
many years the most widely quoted

vehicle

been for

as

,

at

"

'

D

.”

its

of

,

its

to “

,

”,

,

”

,

it

at

",

of

already

Hearts

adapted

in

,
, at

to

,

at

.

or

in

of

at
by

to

in

to

on "

'

D
“

by

The Mountebanks
with music
during
temporary disunion
the
Utopia
two principal Savoy partners
Limited
after they had adjusted their differences
interspersed with
and
such
works
those
Cellier

expression

or

of

,

a

, ,

,

"

“

",

.M
.S
.

“
H

-

an

to

it

transference
the new house
that name built
for the associated trio Gilbert
Sullivan and
Oyly Carte and destined
the house
succeeding years
Iolanthe
Princess Ida
Ruddigore
The Mikado
The Yeomen
the Guard
and
The Gondoliers
From
the
Savoy
the operas went all
need hardly be said
being credited
over the world
The Mikado
performances
with
least
000
the United
Space does not permit of more than
States alone

the mention

to display

at times seemed

So

,

as a

to

of

“

,

in

“

Pinafore
That the last named
the fame
authors wide through the
English speaking world may have been partly due
produced without
error which enabled
royalties
the United States
At all events
though somewhat intimately
British
allusion
popular there and the error
was prodigiously
referred
was not repeated
The
Pirates
Penzance
followed and then
Patience
after
starting
famous career
the older theatre
inaugurated
Savoy
Opera
1882
carried

which

surroundings hardly conducive to
tion
humour and individuality

have

later made its first hit with the
Oyly
Sorcerer
and under
Carte
the
Opera Comique scored heavily with the Sorcerer
make its first tremendous hit
and proceeded

with

,

poetry

thought and
polished grace and precision
with
composer
form
which must have helped
enormously
His mastery
metre
the dexterity
expression
his rhymes
and his terseness
provided his quaint
Gilbertian
with
well

and

1876

librettist of light opera he is likely to wait long
for a rival . Combining , as he did , a sense of

in

of this note might never have been written . When
a few years later their partnership came into active
being , it was to produce plays calculated to bring
to the theatre a vast following
of admirers of
large proportion
musical comedy
whom
were
general rule
not playgoers
but who were
ready
welcome the opportunity
attend
theatrical performances witty and amusing but
every respect
the same time void
offence
plot dialogue
whether
costume
the Giībert
and Sullivan opera began
the Opera Comique
Thespis
with
and
the Gaiety
1875 and
Jury
continued with
Trial
the Royalty

257

�THE AUTHOR .
unnecessary
look to them
for protection
from
intrusion upon them .
Finally , the committee believe that the sale of
the list would in no way justify the annual issue ,
for during the four years the list has been issued ,
with the exception of the first year , when , of course ,
it was correct , only about sixty have been
sold ,
while the sale in the first year did not cover the
cost of labour and production . An annual issue
would not be quite so expensive to the society for

More

than 250 members have been elected in each
of the last few years , and the society loses about
in deaths , resignations and
100 to 120 annually
erasures for non - payment . It is clear , therefore ,
that by this time the list published in 1907 is
entirely out-of-date .
Indeed , any list would
be
out-of-date if it was not published annually . The
expense of publishing the 1907 list , when every

into consideration , was a heavy
is taken
pecuniary burden on the society and was in no way
justified by the number of copies that have been
sold .
The question has again been brought before
the committee whether it would be advisable to
publish a new list , but for the following reasons
they
not inclined
incur the expense Firstly

obvious reasons , but still the expense would be
considerable , and the committee press this point
specially because there are so many claims on the
Such
funds of the society which must be met .

,

to

an

.

to is

of

expres
society

,

.

in

to

be

,

so

as

.

, -

to

of

by

as

to

be of

,

in

,

,

,

,

of

to

.

its it

at

is

have
the

.

,

however like
members

from

generally and accordingly
have authorised
the
The Author
this short article
insertion
pleased
The secretary will
hear from any
express his opinion about
member who desires
the publication
annual roll
the committee
guided
will naturally
the opinion
the
members with regard
future action

as

of

to

be

,

is

be is

of

.

to

,

to

of

,

of

.

of

to

be

to if
it

as

.

,
of of
a

on

of

a

so

to

of

by

.
to

of

it

committee would
opinion
sion

anticipated that
high
will
maintained
figure
The number
erasures
also large and
subscrip
this inevitable
deaths and defaults
There are also resignations and these
tions occur
they have
heavy
say are not
we are glad
As our work gets more widely known there
been
are fewer people who join the society merely for
when they have used
personal benefit and leave
The feeling that the
the society
the services
is

,

of

is

do

to

,

of

,
to

to

is ,

be

'

as

,

of

to

a

in

without
circularise members can
having their
Members object
receipt
further circulars
printing
Secondly the expense
the society
very
the list
substantial especially
under
any use
present conditions
the list
produced annually
The
ought
members
may
very large and
yearly election
members
order

much difficulty
mails added

of

charges and
matters
the payment
solicitors
inoney for fighting actions whose
the finding
must
the members
issue will bring real benefit
the funds and the committee
have the first call
consider that the publishing
list
the appear
the members seem
ance
which the majority
the
indifferent should await the time when
stronger
pecuniary position
the society
The

considerable number
members who
strong objection
their names and
have
for although the list
addresses being printed
private and only sold
members
the society
get
copy
yet any outside advertiser who desires
a

there are

.

to

are

item

an

258

it

,

.

of

at

of

,

for

, .

of

,

on

20

of

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1

;

of

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of

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in to

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M

,

of

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,

, .

,

Mrs Herbert Thring
Sir
Arthur Diosy

.

Mr

,

and

,

Hamilton

.

),

,

Mr

.

.

Jacobs

Cosmo

.

,

.

;

,

S

to

.

.

to

of

,

;

to

,

of

be to

it

in

,

on be

,

as

Mr

W

of

of

a

of

to

to

,

(

is

of

.

a

to

be

of

's

Mrs Alec Tweedie Mrs Charles
the evening
Mrs Burnett Smith
Miss May Sinclair
Perrin
Miss Marjorie Bowen Mr
Swan
Annie

W

on

,

be
a

in

,
for

,

of

's

the Society
seventh annual dinner
Women Journalists which took place
the
Criterion Restaurant
June
was one
the most important gatherings ever brought together
that excellent institution
under the auspices
president
the year
Mrs Bedford Fenwick
occupied the chair and among the distinguished
Wesselitsky
writers who supported her were
Mrs
president
the Foreign Press Association
the Writers
Katherine Cecil Thurston chairman
Mr Herbert Baily editor the Connoisseur
Club
cardinal
robes
resplendent
the crimson
the Shakspere ball
archbishop
foretaste
those present were going later
which several

. .

is

in

,

to

.

;

HE

M

-

on

a

of

or

on

WOMEN

OF

in

co

.

of

he

if

THE SOCIETY

JOURNALISTS

.

of

a

in

is

operative association
which
society
trouble can help those who are
membere not
the personnel
growing
But still the changes
publica
the society are very numerous and the
the
yearly list would
serious tax
tion
Nothing
more
the clerical staff
funds and
names and
list
edit than such
difficult
Thirdly
member
the case
addresses
his
the society wanting the names and addresses
reasons connected with the
fellow members
the society the committee consider that
business
the
any member after sending proper notice
inspect the list and
secretary might
allowed
the names
make copies
she wanted
circularise
order
members
and addresses
reasonable
would
the society business
them
the
copies
made subject
such
allow
payment
the clerical
sanction and
committee
expenses the committee naturally would have
know the purpose for which the member desires
the members would
the names and addresses
to

OF

DINNER

�THE AUTHOR .
Bindon and Lady Blood , and Mr. and Mrs . Hodder
Williams .
The original intention had been to arrange small
tables , as well as a high table , to represent various
jouruals , but such was the demand for seats that
the scheme had to be abandoned , and only some
half -a - dozen groups could be accommodated apart

The Society is to be congratulated upon a highly
successful Coronation
dinner, upon an increasing
usefulness , an expanding membership , and upon
the possession
of an enterprising
and energetic
staff of honorary officials .

.

,

in

for

by

].

of

of

is
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in

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[

be

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be
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to

a

of

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in

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.”

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so

is

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a it
.

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of

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to

it

;

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a

us

so

to

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.”

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.

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”

of as

",

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:

no of

”

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a

of

.

or

is

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”,
“

is
a so ,
"
on *

a

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It

.

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in

in

in

to

:

pinned him
the facts
And when this
idea comes
still further elaborated
with polished writers then we shall find
subtle
and beautiful picture
the stars and
the
Carlyle phrase
heavens
Street lamps
the
City
God
Now
once noticeable that Synecdoche and
Metonymy are first cousins
not quite safe

of

in

to

,

”,

in

."

easy

it

in

to

in

.

“

:

,

of

-

.

picture
the former indefinite
And
thing
appreciate eren
abstract
evening
suggested
master
When
Stevenson says
the dew fell and the
stars were
the party
The dew and the stars
are familiar enough and their association with the
closing
the day inevitable
comparison obviously made
Simile
Like
giant refreshed
Fairer than
As still as death
the lily
and
Metaphor
suggested comparison by means
phrase
some qualifying adjective
There
mistaking the sense and force
stony stare
definite

becomes

“

M

,

in

a

as

of

of

of

as

.

on

,
, ,
.P
, .,
.

.
a

of

.

.

for

.

of

to

at

a

a

of

to

“

Synecdoche
idea
the illustration
then
part
through mention
some constituent
paints
dozen sabres
escort
Thus
sharper picture and more immediately than
we
dozen men
escort
write
were
Metonymy
the substitution
the concrete
for the abstract
the familiar and readily intel
ligible for the unfamiliar and less readily intelligible
significant
He put his strength into
not
say
He put his back into
the latter

a

of

of

of

.

,

.
H
.
of

president
represent the
extended
her
society
Westminster
service
the Coronation
Abbey
couple
days later
Earlier
the
evening
telegram
had been despatched
their
Majesties the King and Queen
We the members
the Society
Women Journalists
assembled
honour
the Coronation
offer loyal and dutiful
your most gracious majesties
devotion
which
the following reply arrived
due course
sincerely thank the
The King and Queen
members
the Society
Women Journalists for
the loyal message and good wishes contained
your telegram which their Majesties have received
BIGGE
with much pleasure

which images and symbols
methods
may
created
literature
set
Synecdoche
down under four headings
Metonymy Simile and Metaphor
and however
ungrateful the task
compiling
catalogue there
nothing for
take these terms
here but
singly and
order and explain
their meaning
may
concisely
course
are

as
“

-

of

,

,

affiliated

HE

of

.

.

to

,

now

.J
.,

of

L

IV .

or

byto

:

of

“

to

,
.C
.M
.G
.,
G

to

of

.

's

Press Club

S
.W

to

in

DUNN

The commencement
this article
the April issue
spoke
style
the broad requirements
Continued
Economy Climax and
the May number
the Laws
Variety were dealt with
And last month some
detail
writing
explanation was given
the need
Grace
for the introduction
that
the æsthetic
M

to

,

,

”

.

.

Women

the
who dwelt upon the happy relations
that existed between the press
the Mother and
Daughter Countries
The names
other promi
nent Canadian women journalists appearing
the
lists
those present were Mrs FitzGibbon Mrs
Simpson Hayes Miss Agnes Deans Cameron and
Miss
Birchall Mr Crawshay Williams
the picturesque negligé
Greek fisherman
was responsible
felicitous little speech
honour
Mrs Bedford Fenwick who
her reply
made mention
the invitation
that had been

of

ARCHIBALD

“

.

.

of ,
M
.P
., ,

Sir

by , a

to

.

as

Mr

,

“

to

the Canadian

By

“

,

.

,

.

,

of

.

",

.

Mr

LITERATURE .

IN

'

;

of

.

.

;

Miss Burford Rawlings hon treasurer
Joynson Hicks
spoke
the toast
Our
while
the Realm
Estates
the Three
Guests with
cordial reference
those from
beyond the seas was proposed from the Chair and
responded
Mortimer Durand
and Mrs
Thurston
who referred
the woman
journalist
modern products
the most modern
The Society
was allotted
Israel
Zangwill who remarked
that the distinction
between literature and journalism had long since
They both had too much imagina
broken down
the
On behalf
be kept really separate
tion
society Mrs Baillie Reynolds made reply while
supporting her was Miss MacMurchy president
and

STYLE

.

sat

from

.

the general company .
These
were
The
Englishwoman , distinguished
by the presence of
Mrs . Henry Fawcett ; The British Journal of
Nursing , The Lady , The Woman at Home , at
which , among others ,
Mrs Baillie Saunders and
Mr Harold Child the Ladies Army and Navy
and the Lyceum
Clubs also had tables allotted
them
The heads
other tables were taken
officials
the society Mrs Baillie Reynolds vice
hon secretary
Mrs Willoughby Hodgson
chair

259

�THE AUTHOR

; , is

a

It

its

, .

to

.

,

"

.

",

,

of

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it

a

,

a

,

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by

a

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of

a

,

in

&amp;

we

.

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of

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at

be

.

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no is,

is

of

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;

,
if

be

in

of

in

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by

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,

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on

no

in

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us
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of
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to an

to

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a

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of

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on

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it

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in

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Revolution

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-

French

,

.

a

in

to

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of

Carlyle

's

*

.”

's of is

his he
to

”

,

lighted

wrong
very
would certainly
have been
have expressed himself
such
manner
appeal been
humbler folk
Here for
incomprehensible
them
not for others
jargon
collection
unfamiliar and unrecognised
terms expressions without meaning the apotheosis
ture
indeed
had

if

,
of

of

.

I of

,

at

.

to is

so

of

in

it

-

”

,

—

“

of

,
if

a

be

by

if

we turn from
qualifying word and examine that
expressed
which demands the qualifying phrase
we con
sider once again those
Street lamps
the City
any rate
God
then economy
the reader
apparent
attention
not
For
do not think
possible
realise this picture without some break
thought
the continuity
The Metaphor

,

be

to

,

a

,

-

! !

But

marbled hearted fiend
and
fiend with heart like marble
the simple metaphor which can

into the Erebus Blackness

Hope
Yet though Carlyle may have been
right
indulge
this tirade because
wrote for
the student and for those highly cultured
litera

a

is

a

, .

by

as

is

,

,

,

;

thou
thou

.

is

,

to

in

; of ,

be

to

.

In

“
“

Ingratitude
Ingratitude

,

, in in

--

of

to

to

at

.

is

more effective than Simile and
rule
preferred
explanation
Herbert Spencer argues that
greater
the two Metaphor has the advantage
economy and he instances the comparison between

Enceladus revolt when the task
which
mortal would willingly enter has become impera
tive inevitable
not even
kindness
Nature
that she lures
forward
cheerful promises
fallacious
not and
whole generation plunges

,

it

,

to

, , of

in

;

is

to

aid —

of

.

"

“

of

obviousness
the one than
the other
Simile
Metaphor
species
the comparison openly made
stage
only
caught
aside
the quicker
witted
And experience has shown that Metaphor

?
to ”
*

is in

-

to “

a

,

of

.

.

of

,

a

in

,

of

this
littlement
The actual distinction
between
Simile
and
Metaphor the point
which they separate and
the greater
lies
sense lose relationship

Simplicity
and foremost
But understand me
qualification
simple
with
For what
one
may be unintelligible
another and therefore the
extent
author
licence
erudite figures
speech
measured always
the capacity
his reader
What for instance would the poorly
educated reader make
this
For Conservation
strengthened
that mightiest quality
our
indolence sits for long ages not victorious only
which she should
but tyrannical incommunica
annihilated
She holds her adversary
tive
such adversary lying
the while like some buried
gain the smallest freedom
Enceladus
who
has
stir whole Trinacria with its Aetnas Where
Paper Age too
fore
the whole we will honour
hope
Era
For
this same frightful process

,

of

,

an

.

so

,

to

,

as

so

,

is

,

's

be
-

the writer and
the reader
the logical mind
allow

too patent

overdone
The aim
and object
the whole business
the long run
enlightenment
enlightenment
and
there
then most certainly does failure ensue
Thus the law
applying
speech
the use
all figures
first

,

of

's

in

.

—

,

,

.

;

,

”,

as
a

practical

too obvious

humanity
But this thing must not

,

an

in

,

to

to

a

in

is

its more practical value
Well
course
possible with looseness
language
call any
thing that
useful ornamental
and
that sense
the assertion might pass
But otherwise
and
proof which
the absence
not forthcoming
Spencer
article
the outstanding worth
Simile

short one
sink into the mind
this we have come upon
clear
distraction from the main issue
Hence
seems
Metaphor
more likely that the greater force
springs from another cause its greater attractiveness
All men says Dr Whately
are more gratified
catching the resemblance for themselves than
having
pointed out
them
other words
vanity
we
are
creatures
small
fond
discovering our own cleverness and
giving our
approving
pat upon the back
selves
may bave committed
although
theoretical
fault
construction although we may have caused
passing delay and
break across the smooth
thought towards the main idea here
current
ample compensation and we may believe
every author
debt honestly due
the weakness

a

of
,

;

,

at

is

a

to

,

or

a

is

,

Simile and Metaphor derive their effectiveness
the same source the ease with which they
recognise the full significance
enable
reader
the main idea And here again we find
obvious
relationship
though perhaps not
close
Indeed
say that
Herbert Spencer goes
far
Simile
many cases used chiefly with
view
orna
ment
and thereby implies some shortcoming
from

complete significance
requires
period

an

-

"

a

of

.

of

tu

so

to

is

”

or

there results
the reader
mind
immediate suggestion and explanation
the less
definite and less readily intelligible thought which
express
the writer wishes

though maybe
and admitting

of

"

of

to

a
“

of

to

. ,
of

,

an

of

",

,

“

,

“

Metonymy

.

well-nigh perfect , but
not immediately obvious

to

is

“

;

of

's

—
" “
—

of

for nstance , to assert very confidently that Steven description
the evening
When the dew
Metonymy
fell and the stars were
the party
falling dew
rather than Synecdoche
the
and
the
stars
constituent parts certainly
ordi
nary evening seem
demand the inclusion
the
phrase under the heading
Synecdoche
And
again
speak
dozen sabres
instead
clearly
dozen men
substitute the concrete for
the abstract and
trench upon the ground
Metonymy
large
But whether we are
admit
distinction
small one
none
all
not
perhaps
much moment
the more important
consideration
that from the definite and readily
intelligible idea advanced
Synedoche
and
son

of an

260

�THE AUTHOR .
,

is

;

it

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to

is

of

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us

, ."

of

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.
.
.

,

by

is

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to

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be

of

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as

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it

to

on

a

;

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it

,

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of

on

the

.

.

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to

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“

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be

to

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all

of

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in

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of

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—
a

is

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to

its

,

is

it

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no

is

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it

as

do
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,
to

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"

an

in (

(

;

a

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is

”

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in

.

of

,

is

so
,

.”

Herbert Spencer

.

of

It

by

, of

*

a

'

,

an

no

,

.

,

-

a

of

, to

is

on

if,

',
is

If,

is

it

be

to

, ,
of
if a

or

;

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'

.

.

of

to
a

of

to

is

,

,

-

a

,

is

;

is

,

a

.

for no

,
;

is

on

,
to

to or

',

an

,

.

be

be

.

be made
The word
black
quality arouses
simply pre
definite idea
pares the mind
conceiving some object
that
kept suspended until
colour
and the attention
precedence
that object
known
then
always conveyed rightly
the adjective the idea

or

-

of

of

be

on

of

),

,

of

of

,

as

,

in

of
.
a
is

,

in

to

'

the other hand
mistake can
indicating
abstract
used

side

parts
we read and
embrace the thought not
whole
such circumstances
then the obvious course
experience
turn
and here there
doubt about the result
For whatever may have
originated
speaking
the habit amongst English
thinking
people
they
certain that for
them
the natural easy sequence
ideas has become
nowadays that
which the qualifying word epithet
phrase
stated before the subject qualified
and therefore
the mind works most smoothly and
consequently with the greatest rapidity under such
conditions
where impressiveness
desired the
need for observance
this law grows imperative
applies
practice
how
And then uprose
sensibly dramatic
picture
the great Montrose
strong
colours
but invert the verb which
qualifies
qualified
and Montrose who
and the
picture
wishy washy
instant
And then
the great Montrose uprose
Or perhaps
some
what longer quotation will point the moral better

but

,

, it
on

or

is

of .

,

a

a an an

,

of “
to to
of a
If

.

,

;

. ’

•

it

hindrance results
But
black horse
the expression

the other

But even ignoring this and turning
the
argument itself
logic
not easy
follow
not easy
see that the word
black
less
misunderstanding than
open
the word
horse
many things are black
nigger
look
deed
anticipate
And
the way with most
nigger
the chance may fall upon
then presently
when the word
horse
comes along there follows
obviously enough
very distinct check
the process
thought
first
the deletion
the nigger and
then
the fresh start off upon the picture
the
things there does
considering
horse
Indeed
any very satisfying reason why
not appear
the qualifying phrase should precede rather than
succeed
the subject qualified
either case the
thought
result may
check
the process
with one safeguard only the rapidity with which

S

;

,
-

in

cir

,

a

or

?

it

for

,

is
a

to

.

be

in

of

to

(

instead
black horse
then immediately
the
utterance
the word horse there arises
tends
arise
the mind
idea answering
that
word
and
there has been nothing
indicate
what kind
horse any image
horse may sug
gest itself
Very likely
however the image will
be that
brown horse
brown horses being the
most familiar
The result
that when the word
given
black
added
check
the process
thought
Either the picture
brown horse
already present
the imagination
has
suppressed
and the picture
black one sum
moned
its place
else
the picture
yet unformed the tendency
brown horse
form
has
be stopped
Whichever
the case some

sight

from

”
—

—

At

.

of

is

a

,

it

in

,

in

,

no
to

,

of

or

of

in

an

,

or

first
last
the middle what can
matter
ordinary way
passing remark
and
special import
hardly perhaps
sentence
consequence
But apart from this and
emphasise
cumstances when the writer desires
impressive then there
his point
maxim
Style
literature
his guidance which lays
phrase
down that any qualifying word epithet
shall precede the subject qualified
The philosophical explanation
this
based
process
the assumption that such
tends auto
matically
thought and
easier sequence
economy
therefore
effort
the part
the
reader
horse black
the arrangement

the

(

,

“

-

.

is

hidden

in

or

a

,

in

which qualifying phrases
any sentence
occupy
the formation
first
sight this would appear question
small moment

torms

page

as
it

in

,

?

word upon the position
general may most fitly

in

,

as ”

a

say

of in a

to

It

now

change

dependent for guidance
just the same dictates
nature
The Frenchman finds
easier
under
stand
the horse black
and the German reads
would seem when
sentence most comfortably
the verb governing and explaining the whole affair

,

of

a

of

in

”

of

a

,

of

or
of

”

to

.

,

,

we

,

of to

“

remains

What
here said
the adjective and sub

we see brings
curious
philosophy
For
this
founded
nature what shall we say
the Frenchman and
intelligent
people
the German
ourselves and
impasse

a

,

,
I

of

an

an

as

"

“

of
“ of

escort
dozen pairs
boots
instead
escort
dozen sabres we
should bave been
correct
the one case
the other but
should nevertheless have failed
paint the picture
pairs
And why
Because
infantry
any
boots
are common
escort
ragamuffins
police
whilst
admirers
crowd
cavalry
sabres
are distinctive

adverb and verb
All
which

as

, of

—

a

is

it

.

the main
had we spoken

therefore more forcible
respecting the succession
applicable
stantive

is )

.
, ;

of

—

or

,

,

Metaphor
Simile
they must form
distinctive part
thought
For
clear
think that

,

bow

Synecdoche
have yet another

whether

to

to

law

is

,

of

,

Metonymy

speech

of

”

to

figures

these

whereas precedence of the substantive is apt to
produce
misconception
follows that the one
gives the mind less trouble than the other and

,

Enceladus " and “ a

ee

buried

its

“ Some

,

style .

of bad

convey nothing
whole Trinacria with
Aetnas
those humbler folk and leave the picture blank
And beyond Simplicity there something more

261

�THE AUTHOR .
it

;

far

,

be as

no

it

a

,

in

no

be

at .

to

is

—

at

is

.

of

on

.

be .

to

,

is

in

,

,

to an
,

a

, ;

,

,

;

,

,

.

is

a

, is of

;

”

of

of

,

.

is

in

-

be
a

as
, to

in

in

—

.

It

.

“

it

to

,

to

is
—
”

on

“

in

be

to

is

of

a

as

to

of

a in

so

,

its

,

;

of

on

,

it

,

,

to

in

--

a

a

.

.

,

a

be of

a

,

is

or

of

to

is

the

the larger impression

on

—

the outcome

of

a

be

, to an

;

,

is

is

be

to of

be a

,

to

in

in

or a

;

correspondingly large impression
may
simply another instance
the thought can accentuate the
the long word
this case playing the
parenthesis
the construction

of it

It

of

itself

or

“
a

to

is

.

an

,

"
a

of

,

a

,

;

to

is

to

,

to

a

of ,

,

of

,

,

is

”

,

or be

,

.

as —

,

of

—

,

of

be ,

,

be

a

of

a

the

that this

But whether either
both are
the explanation the value
the long word
certain circumstances remains
fact
Thus
give
practical illustration
very
write
heary man
obviously
draw
somewhat indis
tinct and feeble picture
wbilst
write
ponderous man
arouse
immediate concep
tion of unusual weight and bulk
Then again the specific word
more readily
intelligible than the generic and should therefore
sentence
taken

”

."

,

-

,

,

a

as

as by
bya

of

,

in

At

conclusion
same part

.

.
a

.

in

of

,

.

-

a

.

it

and another has not

may

the word
the eye creating
the seuses
where suspension
size

as

—

to be

to

,

a

; be ,
it of
,
is

of

of

to

,

has

own

a

,

a

it

of

to ,
"

as

,

is

a

as

a

in

,

of

a

,
to

,

-

one man

preferable for habitual use
word
but where
impressive effect
desired where the object
subject
some quality
attract marked attention
peculiar emphasis
its
the long word produces

,

by

it

of

,

I

“

:

as

As

“

,

:

As
the handling
words the selection
one
rather than
another
certain that the word
chosen must always
the most appropriate
this
requires no argument
and of all the many words
that out
well stocked vocabulary might
express the meaning
made
one fashion
another only one
these can
the best the most
great extent
truly expressive
course the
To
aptitude for happy selection must
natural gift

,

we

,

.

-

as

a

-

it

natural

is

is

a

mind

.

to at

,

is

,

of

,

in

to

so

it

happens

which

on

a

of

—

is

of

,

,

;

,

such

though we shall have short words and long words
according
the circumstances words for the child
forgotten
not
and words for the student
general the short word will be the most
that
the resulting economy
account
effective
long sentence
for just
effort for the reader
greater strain
comprehension than
creates
many syllables
does
short one
will
word
greater impediment
become
the progress of
thought than will
word
few syllables
may
qualified
This
however
The short

in

of

.

,

it .

!

-

-

In

.

,

is

is to

be

from
the emotional mind
will demand
and foremost that
should know what the

under discussion
commence with
definite pronouncement
the matter
debate
For example
The first Lord
the Treasury was
Tory by many
favourite
detested by many
more direct and there
Scot
and by many
the purely reasoning mind
fore more satisfying
than the suspended thought created
this inver
Tory
sion
favourite and
Scot the
many
first Lord
the Treasury was detested
finally
And
the observance
these
laws
there must always be variety

For

,

of

would
tongue

The explanation
clear
the avoidance
suspension
monotony and
the
too long
main thought
But when discussion only
concerned when
the feelings and no attempt
no appeal
there
speak directly
the impressive when
short
this sequence ceases
the reason then observance
strictly necessary
the inversion
indeed
for this
The reason
often the most effective
been suggested
far
know
has not yet
tolerably fair assumption
anyone
but
seems
thing distinct one may
that the logical mind

subject

hard put
dissect his mother
An easier way then must be found and
simple
speak not
here
but
Every intelligent person
familiar
words
agreed
course
varies
the familiar word
different circles
the nursery and
the
academy
question
but there can never
given surroundings
Yet
what
suitable
be

,

a

rags

Stitch
stitch
stitch
poverty hunger and dirt

first

so

to

,

,

in

,

A

unwomanly

Plying her needle and thread

believe

;

,

-

as

it be
.

,

With fingers weary and worn
With eyelids heavy and red
woman sat

of

-

an

of

,

at

if

,

if

be

be

,

it

as

effec

,

( of

.”

“

,

of

,

,

added

be

,

is

”

“

is
,

)

."

to

in

then other qualifications may
tively after the subject
before

Simplicity and Variation
The simple words
the English language are
said
Saxon
and no doubt this
correct
We are told therefore that Saxon words are
preferred
words
Latin origin and again no
doubt this
correct
But somehow
the intro
suggests
complication
problem
duction
such
for many man and many
excellent writer too

,

of

;

“

England blew
forcible than
And our banner
ever upon the topmost roof
The important
qualification
course
Erer upon the topmost
roof
Where however many qualifications are applied
impor
one subject
will
found that
tant qualification
stated
once
the mind be
thought
set
this fashion into the proper train

same time there are principles which , if they do
not actually set us on the right road , at least pre
vent us wandering
from
and these principles
depend
the philosophy which has stood through
out for the mainstay
this discussion
This
you know
simply that the thought shall
expressed
that the reader can grasp
once and
obscurity and
without effort there
distraction through monotony
Hence
choice
words we are back again
the elementary laws

to

And ever upon the topmost roof our banner of
England blew ” grows weaker in steady proportion
as the subject
is advanced without qualification ,
England blew upon
thus
And ever our banner
the topmost roof
feeble yet one degree more

*

of of

262

�THE AUTHOR .

,

all

it

is it is

.

.

I .

of

is

—

it

it

,

.

,

’

,

of

it

of

of

of

is

:

,

,

,

of

,

a

,

,

,

,

:

if

a

,

of

.”

or

of

,

or

in
of
a

,

be

stock

and hackneyed

The Innocents

Abroad

."

.

*

.

on

a

It

!

It

.

,

by—

go

, of

, - of
its

in

the same letters

or

in

of

all

in

,

few

to

,

I

;

is

I

.”

be

—
in

is

, of

to

of

—
“

a

.

to

as

In

say

,

is

.

,

is

this
themselves

or

to

of

's

of

I

;

is

all of

a

,

is

nothing
distinct from

the music
their arrange
ment
all these principles
these maxims
something that
there
sure and practical
result something that will take the roughness off
polish
the edge and put
the surface
The
But

words

.

a of

it

.

an

for

no

,

of

is

on

an

,

, , ,

of its

,

in is

,

is

a

of of

to

,

from

,

a

climax

Lake
And this
what Stevenson says
the beauty
words
The names
the States and Territories
themselves form
chorus
sweet and most romantic
vocables Delaware Ohio Indiana Florida Dakota
Iowa Wyoming Minnesota and the Carolinas
poems with
there are
nobler music for the
songful tuneful land
ear
and
the new
Homer shall arise from the Western continent
his verse will
enriched his pages sing spon
taneously
with the names
States
and Cities
that would strike the fancy
business circular
nothing that we shall avoid the continuous
repetition
the same word
words with the
ending with
same sound
words beginning
“

,

so

,
is

.

,

.

;

by

,

.

for

,

at

of

be

,
as

a

working
recall the orator
trick
the eloquent and verbose
the
simple
from the magniloquent airing
ideas
the blunt repetition
statement
know
that
my cause
just
just
know
that the law
know that just ice will
done
And this mark
you
double repetition
the word and
the
setting
the phrase
but

have

roast their dead relatives
then mix the human
grease and ashes
gaum
bones with tar and
thick all over their heads and foreheads and ears
caterwauling about the hills and call
and
mourning
These are the gentry
that named the

:

perfectly

given intervals the
that now and then
good style must
first principles
the sake
why
Variety
set aside
And that
crude
thing
deliberate repetition
forbidden and yet
very essence
permissible
Repetition
string
monotonous
but after
florid passages
after series
sentences artistically varied then
the repetition
one idea and
insistence
becomes
force
contrast the most startling
example
variety
There
need
You
certain

,

a

fix

to

or
it

—

,

to

is

just there

is

is

it

-

a

.

in

of

So

dividing line
assert that just here
carrying routine too far
writer

Tahoe for a sea in the clouds ; a sea that has char
acter and asserts it in solemn calms at times , at
times in savage storms ; a sea whose royal seclu
sion is guarded by a cordon of sentinel peaks that
lift their frosty fronts nine thousand feet above the
level world : a sea whose every aspect is impres
sive , whose belongings
are
beautiful whose
lonely majesty types the Deity
Tahoe means
grasshopper
means grasshopper soup
They say
Indian
and suggestive
Indians
Digger
Piute possibly
feel sure
named
the Diggers
those low savages who

.”

the long word for impressiveness , the specific
rather than the generic and , finally , the illustrative word are to be the aim , throughout, of the
polished
writer . But only at the risk of failure
shall he insist on them too much . For here , as in
every branch of literary
construction and literary
style , is the law of Variation
stepping in to forbid
monotony . We may not weary the reader , and the
anything can become wearisome
best
tine
quite impossible
though
upon

:

,

word

word

,

Yet , not even the excellence of all these princi .
must ever tempt us into the indiscretion of
riding them to death .
The Saxon word , the short

ples

a

upon the ground , " convey a strengthened mean ing by the suggestiveness of the actual sound of
the words which are here italicised .
We under stand their meaning , of course , at any time ; but
we understand it all the more speedily and vividly
through this suggestiveness .

is

in themselves illustrative .
“ To smark
the face , "
“ To splash into the water ,” “ To fall with a thud

there is the stage beyond . It is indescribable , I
know , and like many other æsthetic effects
in
Nature incapable of analysis . You cannot say , for
instance , why one melody more than another is
beautiful ; why one voice is the more soothing and
sympathetic ; or why some passing glance should
betoken before the world an ardent admiration or
affection . These are the mysteries which humanity
acknowledges
but cannot explain . And so it is
with the music of words .
Thus, there is nothing
for it but to speak through themedium of examples
and leave the writer to work out his own salvation .
This , then , is what Mark Twain says about the
ugliness of words — he is discussing Lake Tahoe - :
“ Sorrow and misfortune overtake the Legislature
that still from year to year permits Tahoe to retain
its unmusical cognomen
!
Tahoe ! It suggests no
crystal waters , no picturesque shores , no sublimity .

is

” being too vague and conveying too
little to the minds of an average audience .
But
say , instead , that you are afraid of “ the surgeon 's
knife , " and the horror of the whole business
strikes the intelligence in a moment and creates a
picture which cannot be misunderstood .
Hence we see , in the advantages of realism , the
importance to be attached to those words which are

:

“ operation

writer who obeys these precepts with sincerity has
in a manner proved himself
and , to a degree at
Pity , then , that , if
least , assured his position .
this be the limit of his literary grace , he should
still be so far from ranking as a Master. For

It

when the alternative offers . For example ,
it will , as a rule , excite slight sympathy to say that
we are afraid of “ an operation ” — the generic term
be chosen

263

phrases

�THE AUTHOR .
.

of

a

all on

a

,

of

as

.

of

as

.

by"

),

,

6d

us
.

,

78
.

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is &amp;

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OF

.*
to

is

of

;

of

.

all

it

,

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a

,

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's

a

for

;

Harold

.

",

net

.

6d
,

7s
.

.

of

Novel

by

is

-

the English
Two Centuries
Smith Elder
Williams
,
M
.
A
.

&amp;

Chatto

*
-

.,

with

Arthur

do in

of

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of

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of

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"

NOVEL

larger scale than that
Professor
deserves
the laudatory epithets
The author knows his
proper
work
such
Thomas Nash
from
subject from
Thomas Hardy and his style
clear attractive
and
times epigrammatic
Works
erudition
having
too often give the reader
sensation
finished his day
work when he has reached the
paragraph
paragraph
but the end
end
We
the
next
desire
stimulates
this case
conclusions
not say that we endorse all the author
only obtained when writer and
that result

Novel

,
at

It

.

or

as

as

,
.

THE

not the only Richmond
think
but we are inclined
the English
His History
the best

of

as

he

;

or

or

R
.
.78B
.
A
6d.,
.

is

,

.

he

an

he

of

WILLIAMS

in
on
a is

.

ON

WORDSWORTH

Style
Technical Elements
by Eric Robertson
Wordsworthshire
forty seven plates after the original drawings
Published
and maps
Tucker
Windus
net

,

HISTORY

the field

forty years ago Wordsworth
was
almost forgotten
was looked upon
undistinguished
poet
who had lived
among the English Lakes
was acknowledged
that
had written one
two good sonnets but
the rest of his poetry was swept away with
broad
puerile and silly
sweep
the hand
There were
him
two fond admirers who believed
still one
and his writings
the poet
Nature
one

.

.

,

in

,

by

do

,

." if

,

,

.

,

THE

TR

† *
- “ *

.

;

—

of

It

.

in

a

We need not wonder then
has been exercised
perfect sentences are rare and perfect pages rarer

NHIRTY

on

,

,

It

.

of us

of

,

; * 's

,

he

to or

of

is
a

is

,

,

Tucker
We would recommend the book
those
who know and more
those who still ignorant
desire
know something
the beauties
the
verse
the Great Poet
Nature
of to

-

is
is

", in

of

it

,

is

.

to

's

in

of

be

It

it

.

,

it

,
a

up

is

,

altogether arabesque and
the elegant and
vigorous act
the
faculty
man but

sensual
the architecture
pregnant sentence which
pure intellect there
scarce

,

afford

should

the arrangement

From

exoteric Mr Robertson
esoteric
He commences by giving
account
Words
worth
forbears and his surroundings and then
most elaborate detail shows the effect
the lake
influence
not only the lake influence but the
every minute corner
influence
the lakes where
upon
Wordsworth
visited
his mental attitude
He shows again how this mental attitude reflected
good book
his poetry
and Mr Robert
worthy apostle
his
son has proved himself
copiously and attractively illustrated
prophet
from
black and white wash drawings by Arthur
in

,

to

to

,

as

;

of

in

in

is

an

.

“

to

-

.

,

of

,

a

of

to so

no

is

to

“

it
;
80

made

to

he

,

In

or

Wordsworth under the title
Wordsworthshire
ublished
Chatto
Windus
net
Eric Robertson
now before
would
for Wordsworth what Boswell bas
imagined
done for Johnson
can
that
exactly the opposite
the view point
Boswell

(p

.

,

,

yetof

so

is

.

so

?

of

,

is

to

in

;

is

,

in

of

Thus
this maze
the sure and
the vague
ample encouragement
there
and
matter for
despair
the outlook
There
much
see
many obligations
there not
fulfil
Writing
the practice
the Art
and
there
place anywhere for even the semblance
only
blemish
will failure
one particular
too apt
mean failure
all
the build
ing
house
cards where the single slip
will bring the whole flimsy structure clattering
the ground
And
hence
that one
may concur most whole heartedly
Stevenson
opinion
says
We begin
see now
any perfect passage
what
intricate affair
pure
whether
taste
how many faculties
make
reason
must be held upon the stretch
and why when
pleasure
complete
according letters which

of

us

,

to

the

the voices
the hills and dales
among which
lived
recent years
the study
Nature has grown
more and more fashionable
when hardly
week
passes that does not bring forth
book
wild
highways and byways
birds
animals
over
has come into his own
the country Wordsworth
again and takes his place
the High Priest
Nature
Those apostles
who
have
for years
worshipped
him
silence now take courage and
preach his gospel acknowledging
his teaching
One
the most interesting books dealing with

of

no

of in is

. .

to

is

the

,

of

a

to

before the Court
the Emotions
But there
give
man
Panacea for the Evil
This lies
most
domain
Art cloudy and obscure
triumph
and only
Artist
destined

giving utterance

,

,

.

of

,

of

to

so

,

,

;

be .

, ,

,

so

.

to

,

is

to

is

aim

— these are forbidden on the ground
of an offence
against Monotony .
higher than this
The
select the expressive word which
besides
melodious
the ear
Theoretically
And
too
with sentences
lacking
perfect perhaps they may still
crude
the necessary rhythm the even balance the easy
delightful
They may satisfy
flow
the senses
the intellect
course and yet fail most lamentably

.

264

�THE AUTHOR .

of

of

at

of

.

.

or of

“

of

,

,

on for

in

.

up

,

of

.

it

,

of

To

of .

of

(

a

to

,

.

,

is

it

in

.
an

of

in

of

."

“

in

to

although

the name

of

-

Sphere

,

The

a

to

,

of

is

of

“

tion

of

108

,

1

the June number
The Author
article
entitled
Prize Competitions
showing
This was written with the object
how indefinite editors and publishers usually are
framing the rules
these competitions and how
necessary
for authors
have
correct under
standing
the terms before submitting
their
MSS
One
the competitions referred
the
Ten Guinea Short Story Competi
article was the
appeared

”

”,

.

.
6d
.

in

,

of

,

,

in is

of

is

a

I

TN

.

;

the

PRIZE COMPETITIONS

of it

.

,

is

not

Three Novels

Fisher Unwin

.

T

:

.

.

G

.

,

his

on

:

no

,
is
,

,

,

To

.

to

)

,

as

, of
"

,

”

to

to

of

of

or

'

,

is

of

,

,

from

,

an

an

“

is

,

,

is

It

-

"
the

Studied

The essay
considerably more

it

he

,

to

“

of

,

,
”

“

-

that
from
the standpoint
one who
acquainted with Dickens
Thackeray
from
Dickens and Thackeray
Canning
Hon Albert

them

perhaps the most illumin
book
the point
view
the general
reader but tends by giving the reader too much
withdraw his interest from the book itself
We cannot say therefore that the book supplies
accomplishes the purpose for which
want
was written
those who have already studied
Thackeray
Dickens and
who know the beauties
characterisation for which both these authors are
famous the book
useless
those who are not
students
those
fact
which there are many
nowadays who delight
get the plot
book
without any
the literary subtleness and marvels
dangerous
the book
that
will rather prevent
study which
that intimate
essential
than
encourage
future perusal
ating

.

him

to

exposition
for beyond being
The Pickwick Papers
Nickleby
Vanity
and
Fair
the

plots and characters

Nicholas
book sets forth little that
fresh and illuminating
necessary however
endeavour
view
the work from the standpoint
the general reader

by *

with

which takes

,

,

.

of to

is

so

a

,

in

is

a

is

1

allotted

an

a

of

is

it

Vanity Fair
than half the

,

.

A

STUDY

difficult matter
criticise
the book
which
the subject
this review
The
prefatory note states that the
Author
work
not intended
much for those who are
well acquainted with Dickens and Thackeray
hopes
may
for the general reader
whom
prove useful
Therefore one well acquainted with
Thackeray
Dickens and
has
arduous task

the

as

by

of

.

acquaintance

closer

a

.*

DICKENS AND THACKERAY

TT

,

In a,

of

.

to

Dickens
characters
Pickwick
Weller
Jingle for
the characters
these works rather
than
their plots which strengthen the desire
"

to

or

Thackeray

of

."

preference

's

his

,

by

Dickens and of Jane Austen to George Eliot and
Charlotte Brontë . There are those who will wish
to argue with him
on both points ; and Walter
Besant would certainly have assigned a higher
place than he does to Charles Reade . But no
matter . The world would be a duller world than
it is if everybody agreed with everybody else about
everything . Mr. Williams's book is excellent for
the general reader , and will also be useful to
students who seek honours at the Universities in
English Literature .

,

represented

,

Hardy , be is at least as entitled to it as Mr. W .
Howells and Mr. Henry James , whose names do
occur .
Mr. Williams ' s critical standpoint is
D.

content with having obtained with little expen
diture
time superficial knowledge
the books
concerned
short the essays do not rouse one
enjoy the wonderful fascination
the two
pricking the curiosity suffici
writers concerned
ently
acting
appetiser
Instead
the
beginning
closing
dinner they have the effect
one
desires rather than increasing them
The
they lack originality
comments are not enlivening
Take for instance the comments
Pickwick
Papers
They give you
idea
the subtlety
him

's

Mr.

characters included in these books with running
comments by the author, but these comments hardly
rouse one 's interest , and it is possible that instead
of stimulating the reader to peruse Dickens or
Thackeray , they might deaden
interest leaving

“

conform .
The best English novels have seldom
stage -carpentry .
been
the strongest
in
The
adopted by
-detached
attitude , so splendidly
Flaubert , does not seem to flourish on our side of
the Channel. Even the followers of Flaubert , like
Mr. George Moore , have shown a tendency to fall
away from this method ; and it strikes us as curious
that Mr . Moore' s name is not mentioned
in
Mr . Williams 's pages. He says little , it is true ,
about contemporary writers ; but , if Mr. Moore
does not
claim
attention
as imperatively
as

point of view of one who may be anxious to read
these authors , or may be led to read them by having
his interest roused .
The question then arises , will
this book be of any use ? It contains studies of
Papers ,"
“ Pickwick
“ Nicholas Nickleby , " and
“ Vanity Fair . "
It is a revelation of the plot and

to

reader have an equal passion for the obvious ; but
it is only possible to differ from him with respect
and an apprehension lest , after all , he may turn out
to be right .
He is certainly right in maintaining
that great men must be judged by results , and not
by canons to which they deliberately refused to

265

the

�THE AUTHOR .

:

to

“ We pay Ten Guineas
this page

",

.

all

to

,

of

:

)

2

see

(

to

it

.

'

to

republishing
names

authors

of

is

of

,

,

to

,

of

,

is

,

it

)

,

to

(

all

.

in to

,

It

to is

,
?

for

,

a

.

If

so

to

on

as

,

to

a

of

,

,

in

of to

he be

to

of
at

,

If,

: at

."

in

",

of

“

of

,

in

of in
is

our article last month
set out
the words
the end
the story
the February
issue
Exclusive Copyright
The Sphere
the May
Complete Copyright
issue
The Sphere
But
“

,

of

the

."

in

“

in

.

of

."

in it
is

to

bebe

by

.

in

a

to

be

quite sure that our deductions are
subsequent issue
The Sphere

with

because neither the full serial rights nor the sole
and exclusive right
book publication are asked
for
therefore the author wished
issue the
story
serial form
later date there would
nothing
prevent him from
doing
republish the story
book form with
wished
others
his own writing there would be nothing
prevent this
The only hint
desire
the
part
the editor
have copyright
mentioned
in

of

“

:

as

'

.

,

to

order

correct we turn

himself the right
form

notice

What then
the legal interpretation
the
notices
that the author who accepts the
terms grants
The Sphere the serial use
his
story
the page referred
and further grants
the second notice
the editor the right
republish the story
presumably with others
book form
But the author
clear retains the
copyright and
reproduction
other rights

of

.

of

,

on

by

or .”

be

must
addressed
the large number
page
requested
week
March

“

of

in

,

would not have added

The Editor reserves
volume
these stories
attached

.

ill
-

to

,

,

of
of

,

on

-

“

anonymously
All stories submitted
Owing
The Editor The Sphere
already
short stories
received for this
that no more
sent
until the first

,

is

's
he

right

to

be

I

,

in of

.

,

of

Feb

We pay Ten Guineas for every short story accepted for
the most distinguished
this page
Whether written
published
novelist
the most obscure the story will

In

is

it

of

the second notice that the editor demands
possible rights
anyone
the story
Indeed
who reads the paragraph carefully
would seem
get the copy
that the editor does not expect

in

in

in

am
,

I

.

to

The Sphere

which was before the writer
the article
Prize Competitions we find that the notice
the
terms printed
the page which deals with
Our
Ten Guinea Short Story
runs
follows

in

nor

to

is

the

,

to

.

to

the issue

story accepted

or

of

,

,

nd

to

a

be

to

's

a

to

by
a

,

on an

of
2
,

a
by

is

of

.

a

of ,

so

is

it

to in

is is

it it

,
"

is

of "

am

I

.

in
a

it

,

On turning
ruary 11th

every short

these words
clear that only the serial
the story for The Sphere
asked for whatever
There
intention may have been
editor
copyright
the word
mention whatever
suggest either
there anything
the first

From
use

or

It

to
.

to ascertain what , in the mind
10 the
the editor , suggested the alteration
notices , but whether the first notice is taken or the
second
notice is taken our comment is equally
accurate and conclusive .
The first sentence we
repeat :

It is impossible

of

of

at

its

in

" We pay Ten Guineas for every short story accepted for
this page. The stories must be between 2, 000 and 3,000
words in length . Whether written by the most distin .
guished novelist
or the most obscure , the story will be
mitted must be
sher
S
addressed
The Story Editor , The Sphere , and must be
typewritten .
If not accepted the manuscript will be
returned if accompanied by stamp for postage . Not more
than one story may be submitted at a time.
The Editor
reserves to himself the right of republishing these stories in
volume form with the authors ' names attached . "

is

in

as

.

on

paper ) ."
I have always found in The Author many elements of
humour, but I did not expect to find statements that border
Everything points
this paragraph
the libellous
being the journal referred
The Sphere
true
that
the end
each story The Sphere states that the
story
copyright
said
Exclusive
but
not true that
offer
ten guineas for each story
not explicitly
only
accepting
any
stated
Not
stated but before
reprint
forwarding
given story
the habit
every successful competitor
these conditions
Not the
most exigent champion for the rights
authors can pre
pay for all
tend that ten guineas
not
fair price
rights
story
000 words
unknown writer and
may interest you
know that
one occasion quite
recently when
typist mistake successful competitor
paid three guineas for
was informed that she would
story the author wrote back
say that she was quite
willing
accept the three guineas although very sorry
that she had not been successful
the ten guinea com
question was promptly informed
petition
The author
quite
that she would receive ten guineas for the story and
fail
see what possible grievance
authors can
your
extracted from this competition
But
advised
give
crusade against editors you are not always careful
them full justice
Sir
Your obedient Servant
CLEMENT SHORTER
Editor
The Sphere

the

for

SIR , - In your issue of The Author
for June I find
the following statement
" One well - known weekly paper which invites the send
ing in of short stories , for the acceptance of which ten
guineas a story is promised , does not state in its offer that
the entire rights are required ; but at the bottom of the
page on which the story appears there is printed in small
type • Exclusive copyright of — ' (the name of the

of

:

for

June 20th, 1911.

The Editor , The Author ,
10, Bouverie Street , E . C.

dated May 27th .
There we find the notice
terms runs as follows

."

paper was not actually mentioned . We have now
received a letter from the editor objecting to the
criticism
contained in our article .
The letter is
printed here at full length , in spite of the irrelevant
matter it contains. Indeed , the irrelevant part of
the letter is interesting . It may afford indirect
testimony as to the attitude of the editor 's mind
when drawing up the terms for the “ Ten -Guinea
Short Story Competition . "

is no

266

�THE AUTHOR .
,

on

of

in

of

.

for to

is

.

.

,

of

.

of

,

,

If
To in if be

If

it

,

.

(
)

its

.

in

its

in

to of

to

.

or

to

to

is is

at
.

to

of

to

as

is

,

be

to

be

of to

or

.

so

- to

.

,

is

to

,

of

.

is

on a

by

.

is

be no

,

.

at

be

,

of

is

in

,

a

a

,

.

be

in

an

is is

it

it

so

!

on

.

on

,

to

.

or to

.

a

,

a

,

is

for
an
“

.

for

paid

rather more definite
Short Story £10
Essay
Moreover
the writer who has
story accepted
had
go

to

for

an

it to

to

is

,

to

is

.

. of ”

.

he

”.

is

,

In

,

is

In

“

on

an

article
call your

to

of

of

the publication
your last issue
venture

,
I

this subject

view
in

-

,

In

.

PRIZE COMPETITIONS
SIR

a

to

or

to

,

a

story before
Presumably
the £25
the winner
the competition who
able
fulfil
this condition
As the paragraph stands
offers
temptation
unscrupulous
people not being
authors
make embarrassing
demands merely
because they have either not written
have failed
story
publish
both competitions there
the demand
entrance fee for which the unsuccessful will receive
valuable criticism
and advice
the second
competition
the competitor
told that though

never written
published

or

.

CORRESPONDENCE

to

of

.

is

;

be

of

and

Poem

further £25

a

.”

to

,

of of

at

to

these difficulties
The second competition
guineas
The prizes are

,

,

,

This would mean unless
library
very large
near
purchase
magazines and though this principle
suggested
the former article may increase the
hardly fair
circulation
the magazines
Surely
unnecessary
the competing authors
and unfair strain both
his purse and his patience
easily have elucidated all
little care would
each

be 78

he

.

in

dates

three different monthlies
The
conceivably
announced

.

of

, , ,
,

at

is

If it
is

of

in

different

the author happens

to £7 40

a

it

in

,

as

if to to

, .

it

so

in

“

,

of

as of

.

did

,

be

to

,

on

of

of

Prize Competitions

behalf
quite

of

,

in

he

of

.
to

of

of

a

entitled

article

The Sphere indeed
the editor
inserting
The Author the

ducted

result may

of in

,

to

of

is

It

,

is

he

.

is as

is

it

to

The letter from
proves our wisdom

the author while the further fact that there
appeal from the decision
the judges makes
the position still worse
date
Moreover
mentioned
which
expected
This
the harder
decision may
being con
the author
that the competition

is

of

?

to

.

to

.

on

.

is

the moral obligations
considered
what
which the editor refers
The document
the paper
having been forwarded
successful competitors
the letter
stated
not within our ken but
reprint
the
the notice which now appears
printed
which the story
the page
head
does not provide
then we can only repeat that
copyright
the editor desired
for purchase
purchase the copyright
unfortunate that
many words
did not state this

fair

a

,

he

of

,

.

do

,

a

as

is

he

is
,

It

the
discuss the value
not necessary
prize given for the successful story
The
As far
Sphere
not criticise the
concerned the article
for
nor did
the bargain
financial side
moment suggest that the editor would not pay

all

.

,

in

,

to

to

,

It

so

knowledge

Similarly
say
difficult matter for them
they want the serial rights
either wholly
part they should mention this requirement
conjecture
hardly
leave
these questions

on

,
on

of of

is

ignorance
has arisen owing
say anything about the
hardly necessary
pleasing
learn that the
whole
letter
The Author
humour
writer has found elements
certainly has not found statements that
but
should think
That
the libellous
border
legal
perhaps further evidence
his lack

-

, to
.
to

in

of ,

,

to

the
the bottom
casts his eye down
which the stories appear
This statement will show that while the editor
The Sphere like other editors has been desirous
acquiring copyright
has failed
stories
owing
the competi
the loosely drawn terms
The Sphere
The editor
attain his desire
tion
for
we blame other editors
not blamed nor
But the difficulty
are they not all honourable men
chance

page

Nothing
said
the fate
the successful
nothing
stories
there
indicate whether they
published though this
are
hinted
published there
they are
still nothing
enable the authors
know when
where
An
quite willing
author may
sanction the appear
ance
his work
one
the three magazines and
yet very strongly object
appearance
either
the remaining two
Still stronger may be his
objection
appearance
quite possible under
the terms
this competition
elsewhere
the
proprietors want the copyright
surely should

to

is

no

of

"

it

"

to

he

a

is

,

as

of

of

,

as

,

If

to

It

is

may refer
not quite clear what
copyright
the question
the pronoun refers
mention
we have already shown there
then
the
the copyright
the transfer
whatever
lead the author
set out and nothing
terms
making such
transfer unless per
think he

of

it

of

.”

)
is

sic

(

its

" It is true that at the end of each story The Sphere
Copyright , ' but it is
states that the said story is Exclusive
ten guineas for each story
offer
not true that in
not explicitly stated

which authors
two other contests
invited
take part
Both
them
illustrate the need
the exercise
care
the
part of authors
which your contributor referred
his article
the end
being conducted
The first
these two contests
by the proprietors
three monthly magazines
Three prizes
£50 and eleven prizes
£10 each
are offered
And here apparently the matter ends
attention
have been

no

own

is

his

no

:

in

says

as

even

He

a

, which

for

cannot be definite
is printed above .

Shorter

letter

A

Mr.

267

�THE AUTHOR .
,
to

,

.

,

I

,

,

,

so

in

is

I

,
.
. ,

.

T

of

·

to

be

BULLEN

,

How

BOOKS ARE

BOUGHT

.

.

-

A

,

&amp;
c
.

it
.

of

-

for

.

conscience
Yours faithfully
F

a

,

.

it

be

,

1

it

be

I

an

of

?

is 28
.

,

of

in

like

develop something

appear
the Autumn
competitor
only remains
the would
assure himself
the financial standing
the
people behind
Yours
WOULD BE COMPETITOR

It

of is

a

,
if

of

in

. ,

6d

3s
.

to

In

at

A

would feel that the practice I have mentioned , a
practice which is in vogue in
our great cities
distinct fraud upon the author and ought
was
practised
put down
the law wherever
say
have the most complete proof
what
that
confidence
was given me
but unhappily
being done and hope
can only point out what
faintly that library
committees may
however
all

of

expenses

a

“ to the

, the

by

heavy

the
entrance fee shall be 2s . 6d . only ,"
examination
not typewritten
the story
the case
increased
additional
What does the hint
mean
contribution
purchased
100 short stories will
addition
per
000 words
£2
the rate
given for
decision and the
definite date
magazine for which the stories are required will

must contribute

,

268

or a

I

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in

no

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it

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at

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.

3d

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.

at

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,

booksellers
by

at

,

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off

.

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.
.

,

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,

.

's

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is

,

of ,

cutting firms
parties
far the best for
compen
going
cheap seller
The trouble
large sales and small risks
sated
the advantages
by the big cheap house
shared
the public and
increases the sales and the author benefit
Yours truly
MEMBER

.

an

ordinary
something

,

of

in

for

up

non payment

Yours faithfully

,

,

ALGERNON

WARREN

.

risk

?

against

be

of

be

.

no

a

or

a

of

of

.

of

is —

When
generally

CONTRIBUTORS

tradesman
fails
the creditors
the form
realisable stock
But
late years
gazettes and
various promoters
commercial
magazines
business nature have sprung
year
like mushrooms and collapsed after
two
leaving absolutely
convertible
assets
Could
organised whereby
not some seheme
insurance
publications
contributors
would
insured

,

SIR
there

-

he he to

to

he

I

,

so

do

.

's

or

a

to

INSURANCE

of to

.

made
his mind
endow many libraries
did
not give just moment
two thought
the men
whose brains produced the books he proposed
hand out
readers gratis
But although
apparently did not
really believe that

OF

of

on in

)

in

.

no

to a

is

he

at

up

It is

of

,
. if of a —

,

to

he

in

his

.

a

of

(

do

and many libraries
number
books are put

of

do

it

fluctuating price
should never
had sufficient offers
various prices
see which was best
that would never work
The old system
fixed price claimed
full
railway bookstalls
country booksellers
off

buy until

2d

of

in

,

to

a

is
,

of

is

it

A

.

,

of

,

their own binding
circulation which
not yield the author groat
Later
has the
hearing that
great
satisfaction
books are
demand
certain libraries and wonders much why
getting
royalties
that
pity that when Mr Carnegie
seems almost
a

binding
and

chances
there were

to

.

d

,

to

.

£ a
s

is

or

,

,

,

librarian
not one that
who can
deeply read man but
who
one who understands the
his business
buy for next
knows just where
waste paper
price Tauchpitz editions and Colonial editions
illegal
popular novels both
which
sell
very little more money spent
this country
a

Now
clever
guide readers

is

so to

of

am

I

.

of

)

(

by

a

of

.

his

of

of

.

,

late Mr Passmore
Edwards there are very many
where the local rate levied hardly does more thanh
pay for the upkeep
the building and the salaries
Very seldom
the librarian and
assistants
does any public spirited individual come forward
buying books
with
donation for the purpose
and when one does the genial committee managing
managing
any chance does
literary
the library never
get
are only concerned
man appear among them
the greatest number
books for the smallest pos
sible expenditure

or

.

.

.

to

to

as

I

,

,

in

,

,

—

many grievances and hardships
SIR
There
under which
authors labour
and are likely
labour generally
silence but know
none
shamefully unjust and illegal
the one
about
Among the multitude
now
call attention
Free Libraries founded by Mr Carnegie and the

prices were stated
advertisements
busy man has
pay chatty
time
squeezed
booksellers and
salesmen
few minutes over
review
settles
the book
sight
price
wanted
advertisement
quoted the book
not ordered
and unless some
probably
price
seen later
advertisement
forgotten
few days and there
the end

book
reviews
visits

so

AUTHORS

UPON

be

A

FRAUD

to

publish books
SIR
The grotesque proposal
without
fixed price was not met by the practical
point
view
the buyer
should never buy

�ADVERTISEMENTS

vii

.

TYPEWRITING . | AUTHORS

to

.,
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free

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Words

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Modern Medical Science by lead
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of

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as

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experience with the firm
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all
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to

Authors

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The Directors and Shareholders are
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.- No. 10.&#13;
JULY 1, 1911.&#13;
.&#13;
(PRICE SIXPENCE.&#13;
CONTENTS.&#13;
РДок&#13;
255&#13;
::&#13;
255&#13;
PAGR&#13;
239&#13;
239&#13;
239&#13;
240&#13;
241&#13;
243&#13;
244&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes&#13;
United States Notes ...&#13;
Authors and Typists ...&#13;
The Fifteenth International Congress of the Press&#13;
How to Use the Society&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Origir&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances ...&#13;
General Notes ...&#13;
Sir William Schwenck Gilbert&#13;
The Roll of the Authors' Society&#13;
Dinner of the Society of Women Journalists&#13;
Style in Literature&#13;
On Wordsworth ...&#13;
The History of the Novel&#13;
Dickens and Thackeray&#13;
Prize Competitions&#13;
Correspondence ...&#13;
255&#13;
255&#13;
255&#13;
256&#13;
256&#13;
257&#13;
247&#13;
258&#13;
248&#13;
250&#13;
252&#13;
254&#13;
: :&#13;
254&#13;
259&#13;
264&#13;
264&#13;
265&#13;
265&#13;
267&#13;
254&#13;
VS&#13;
255&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 1s.&#13;
8. The Author. Published ten months in the year (August and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58, 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
B. The Cost of Production. (Out of print.)&#13;
8. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 2s.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices not. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.&#13;
&#13;
&#13;
## p. 238 (#320) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
.&#13;
Telephone No. : 374 Victoria.&#13;
. PRESIDENT.&#13;
THOMAS HARDY, O..M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDERSON, K.C.B. 1 THE RIGHT HON, THE LORD CURZON JUSTIN MCCARTHY.&#13;
SIR WM.REYNELL ANSON, Bart., D.O.L. OF KEDLESTON, P.C.&#13;
THE REV. C. H, MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR ARTHUR PINERO.&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
The Right Hon. SIR HORACB&#13;
ROBERT BATEMAN.&#13;
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THE REV. PROF. BONNEY, F.R.S. W. W. JACOBS.&#13;
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SHAW).&#13;
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&#13;
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## p. 238 (#321) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
— PLAYS&#13;
MR. FORBES DAWSON&#13;
(Member of the Society of Authors),&#13;
Master of Stage Craft, Technique, and&#13;
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Special Announcement to Authors !&#13;
Many would-be Competitors in&#13;
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Over 25 years' continuous experience upon the&#13;
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Authors-&#13;
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## p. 238 (#322) ############################################&#13;
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&#13;
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## p. 238 (#323) ############################################&#13;
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&#13;
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## p. 238 (#324) ############################################&#13;
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&#13;
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## p. 239 (#325) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXI.—No. 10.&#13;
JULY 1st, 1911.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
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374 VICTORIA.&#13;
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VOL. XXI.&#13;
&#13;
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## p. 240 (#326) ############################################&#13;
&#13;
240&#13;
THE AUTHOR.&#13;
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year to declare another pension in case any im. Jan. 5, Crellin, H. N.&#13;
portant claim is forthcoming.&#13;
Jan. 5, S. F. G.. .&#13;
Jan. 6, Blake, J. P..&#13;
Consols 21%..............................£1,312 13 4&#13;
Local Loans&#13;
Jan. 7, Douglas, James A..&#13;
1&#13;
..........&#13;
.......... 500 0 0&#13;
Victorian Government 3% Consoli-&#13;
Jan. 9, Grisewood, R. Norman .&#13;
dated Inscribed Stock . .....&#13;
Jan. 10, Wharton, Leonard C. .&#13;
London and North-Western 3% Deben-&#13;
Jan. 12, Tanner, James T.. .&#13;
ture Stock .....&#13;
250 0 0&#13;
Jan. 16, Kaye-Smith, Miss Sheila .&#13;
Egyptian Government Irrigation&#13;
Jan. 17, Kemp, Miss Emily G..&#13;
Trust 4% Certificates&#13;
200 0 0&#13;
Jan. 21, Greenstreet, The Rev. W.J..&#13;
Cape of Good Hope 3 % Inscribed&#13;
Jan. 26, Blundell, Miss Alice .&#13;
Stock&#13;
Jan. 28, Benecke, Miss Ida&#13;
.............................&#13;
200 0 0&#13;
Glasgow and South-Western Railway&#13;
Jan. 30, Wilkinson, The Rev. C.J.&#13;
4% Preference Stock..................&#13;
Feb. 2, Lawes, T. C. .&#13;
228 0 0&#13;
. .&#13;
New Zealand 3% Stock...............&#13;
.&#13;
247 96&#13;
Feb. 3, Dawson, Mrs. T.&#13;
Irish Land Act 23% Guaranteed Stock 258 0 0&#13;
Feb. 3, Tweedie, Mrs. Alec&#13;
Corporation of London 21% Stock,&#13;
Feb. 10, Dale, T. F..&#13;
1927-57&#13;
Feb. 13, Machen, Arthur.&#13;
...............&#13;
438 2 4&#13;
Jamaica 31% Stock, 1919-49 ......... 132 18 6&#13;
Feb. 21, Strachey, Lady .&#13;
Feb. 25, Humphreys, Mrs. (Ri&#13;
Mauritius 4% 1937 Stock ............... 120 121&#13;
Dominion of Canada C.P.R. 31% Land&#13;
March 3, Gibbs, F. L. A. .&#13;
Granı Stock, 1938......... .... 198 3&#13;
March 6, Haultain, Arnold.&#13;
8&#13;
March 9, Hardy, Harold ,&#13;
March 9, Hutton, E. . .&#13;
Total ............... £4,377 19 4&#13;
March 10, Wilson, Albert .&#13;
March 16, Ward, Dudley.&#13;
Subscriptions.&#13;
March 30, Coke, Desmond . .&#13;
1911.&#13;
April 1, The XX Pen Club&#13;
£ $. d.&#13;
April 6, Channon, Mrs. E. M. .&#13;
Jan. 3, Yolland, Miss E. . . 0 5 0 April 7, Henry, Miss Alice . .&#13;
Jan. 3, Bowen, Miss Marjorie . • 1 1 0 April 10, Ralli, Scaramanga&#13;
Jan. 9, Bolton, Miss Anda . . : 0 5 0. April 11, Robins, Miss Alice&#13;
Jan. 13, Edginton, Miss Mayo : 0 5 0 April 20, MacEwan, Miss.&#13;
Feb. 11, Candan, Gilbert. . . 0 10 6 April 20, C. N. and Mrs. Williamson.&#13;
Feb. 15, Reynolds, Mrs. Baillie . 0 5 0 April 21, Shirley, Arthur . .&#13;
Feb. 21, Rhys, Ernest ..&#13;
0 10 6 April 22, H. A. and Mrs. Hinkson ..&#13;
Feb. 21, Cameron, Mrs. (Charlotte). i i 0 April 24, Toplis, Miss Grace&#13;
Feb. 21, Mulliken, Mrs. .. • 0 5 0 May, Walter John . . .&#13;
March 9, Boughton, Rutland . : 0 5 0 May 19, An Old Member.&#13;
: : .&#13;
March 10, Somers, John . . . 0 5 0 June 2, Wrench, Mrs. Stanley. .&#13;
0&#13;
....&#13;
0 10 0&#13;
2 2 0&#13;
·&#13;
·&#13;
0 10&#13;
1 1&#13;
0 10&#13;
0 5&#13;
0 5&#13;
0 10&#13;
1 0&#13;
0 1&#13;
0 5&#13;
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9&#13;
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·&#13;
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6&#13;
&#13;
&#13;
## p. 241 (#327) ############################################&#13;
&#13;
THE AUTHOR.&#13;
241&#13;
COMMITTEE NOTES.&#13;
WING to the Whitsuntide holiday, the June&#13;
meeting of the committee was postponed&#13;
till Monday, June 12. The committee are&#13;
pleased to state that there has been another very&#13;
satisfactory election, thirty-six members and&#13;
associates being elected. The list appears in&#13;
another column. This keeps the elections for the&#13;
current year above the average of former years, as&#13;
151 members and associates have been elected&#13;
since January. There were six resignations,&#13;
bringing the resignations for the current year&#13;
up to fifty-seven. After the elections the cases&#13;
were considered, the solicitor of the society being&#13;
present.&#13;
Cases. The first case considered referred to the&#13;
interpretation of an agreement between author and&#13;
publisher. The solicitor reported that he had given&#13;
his opinion that a good case existed. This bad&#13;
. been forwarded to the author, who was living in&#13;
America. The committee determined to wait&#13;
until they had received a further letter from&#13;
him. If he desired to carry the case further the&#13;
matter would be reconsidered in July. The second&#13;
case also had reference to a dispute on an agree-&#13;
ment between author and publisher. The society&#13;
decided to take the matter up as the author had&#13;
failed to obtain any of the money due in answer&#13;
to her applications as well as the applications of&#13;
her solicitors. The solicitor then reported on a&#13;
case which had been in the Courts already, and&#13;
asked for instructions as to the future line of&#13;
action. The committee decided to leave the&#13;
matter in the solicitor's hands to go forward with&#13;
the action unless it was possible to come to some&#13;
satisfactory settlement. There were two other&#13;
cases in which an author had got into difficulties&#13;
with two different publishers. The first claim,&#13;
which was a small one, the committee decided to&#13;
take up, and to arrange a suitable settlement with&#13;
the publisher if possible. In the second case it was&#13;
impossible for the committee to come to a conclusion&#13;
as to the best course to take, owing to the lack&#13;
of sufficient evidence. The solicitor was instructed&#13;
to enquire what further evidence the author would&#13;
produce. The last case was very difficult. It&#13;
was not an infringement of copyright but breach&#13;
of confidence. It was alleged that the author's&#13;
ideas had been taken. The solicitor reported&#13;
that he had seen the gentleman concerned and&#13;
had gone into the matter with him, and that&#13;
from the evidence produced he could not advise&#13;
the committee to take the case up. The committee&#13;
discussed the issues at considerable length on the&#13;
evidence that had been forthcoming, and decided&#13;
to adopt the solicitor's advice, unless some further&#13;
evidence was received.&#13;
The committee then turned their attention to the&#13;
Copyright Bill.&#13;
The secretary laid before the committee the steps&#13;
that had been taken since the last meeting, and the&#13;
work that had been done to guard the interests of&#13;
the members of the society. He had met the&#13;
President of the Publishers' Association and others&#13;
interested in the issues ; and he had been in&#13;
communication with the Board of Trade on certain&#13;
points. It appeared that the most serious matter&#13;
now left was the question of the reproduction of&#13;
gramophone, pianola and mechanical records under&#13;
a compulsory licence. The secretary read the&#13;
resolution which had been passed by the Joint&#13;
Committee of the Society of Authors, the Copyright&#13;
Association, the Publishers' Association and the&#13;
Music Publishers' Association. The resolution was&#13;
to the following effect :&#13;
“ That this meeting is unanimously opposed to any&#13;
scheme of dealing with mechanical instrument records&#13;
that does not give to the composer the right either&#13;
to withhold his work altogether or to make his first&#13;
bargain on his own terms; and is of opinion that no&#13;
compulsory licence should operate on terms less favourable&#13;
to the composer than those of the original bargain."&#13;
He reported that Sir Frederick Macmillan had&#13;
forwarded a copy of the resolution to the President&#13;
of the Board of Trade. He read, also, a letter&#13;
that Mr. William Boosey, of Messrs. Chappell &amp;&#13;
Co., had written on the same matter, and as the&#13;
issues were so serious the committee decided to ask&#13;
the President of the Board of Trade if he would&#13;
receive a depntation. The deputation, subject&#13;
to their consent, was to comprise the following&#13;
gentlemen :-&#13;
Dr. S. Squire Sprigge, Chairman of the Com-&#13;
mittee of Management.&#13;
Mr. J. W. Comyns Carr.&#13;
Sir Charles Villiers Stanford, Mus. Doc.&#13;
Mr. Herbert Sullivan.&#13;
Mr. Paul Reubens.&#13;
It was decided, if possible, to get the Labour&#13;
Members to meet the Committee of Management in&#13;
order to discuss some of the issues of the Bill.&#13;
Various other letters that the secretary had received,&#13;
and the secretary had written, were laid before the&#13;
committee.&#13;
The publication of the list of members came up&#13;
for discussion, and the committee decided that, at&#13;
present at any rate, they would not authorise the&#13;
publication of the list, as the expense to the society&#13;
was considerable and was not justified by the sales.&#13;
It was decided to “ waste " the surplus copies of&#13;
the publications of the society.&#13;
The Canadian Copyright Bill then came up for&#13;
discussion, but it was thought impossible to deal&#13;
with the matter till after the settlement of the&#13;
English Bill which was at present taking up all the&#13;
energies of the committee.&#13;
ԿԱՆ&#13;
&#13;
&#13;
## p. 242 (#328) ############################################&#13;
&#13;
242&#13;
THE AUTHOR.&#13;
As the sitting of the committee had lasted a with lists of English plays produced in foreign&#13;
considerable time the question of the agency agree countries, and that the lists had proved so far very&#13;
ment was adjourned till the next meeting.&#13;
useful and would be of great benefit to the drama-&#13;
The secretary laid before the committee various tists of the society.&#13;
letters he had received during the past month.&#13;
Finally, the Geueral Treaty was reconsidered,&#13;
and all the clauses already passed were read through.&#13;
Other clauses were also passed, and a few remain-&#13;
ing were left for discussion in October.&#13;
DRAMATIC SU’B-COMMITTEE.&#13;
The last meeting of the Dramatic Sub-Com-&#13;
mittee before the vacation took place on June 16&#13;
Cases.&#13;
at the society's offices. After the minutes of the&#13;
previous meeting had been read and signed, it was FIFTEEN cases have come into the hands of the&#13;
decided that the next meeting should be held in secretary during the last month. Three of these&#13;
October, but the chairman was empowered to deal relate to the loss of MSS. In one the MS. has been&#13;
with any emergency question which should arise returned to the member concerned, and the other&#13;
during the vacation.&#13;
two are still in course of negotiation. There have&#13;
The secretary then reported the position of the been five cases where money owing to members&#13;
Copyright Bill, and drew the Sub-Committee's has not been paid. One of these has been settled ;&#13;
attention to various concessions which the society one has been placed in the hands of the society's,&#13;
had obtained for dramatists.&#13;
solicitors, as it was impossible to come to any&#13;
The question of sketch production was then&#13;
arrangement ; one is still in course of negotiation,&#13;
touched on by the chairman, who suggested that and the remaining two have only come into the&#13;
the secretary should collect as many instances of office just before going to press. In two claims&#13;
sketch prosecution as possible.&#13;
for money and accounts the accounts have been&#13;
Another letter from the counsel of the National rendered and the money paid. One case relating&#13;
Association of Play Producing Managers of America to a dispute on an agreement has been settled&#13;
was laid before the Sub-Committee, in which the Of four claims for accounts, three are still in course&#13;
writer explained his procedure in stopping piracies of negotiation, as it often happens that some little&#13;
of dramatic pieces in the States, and proceeded to time must elapse, the publisher having to go&#13;
make fresh proposals to the Sub-Committee. The through his books in order to collect the figures ;&#13;
secretary was instructed to continue the corre- the remaining one has been placed in the hands of&#13;
spondence, as the real difficulty was one of finance. the solicitors,&#13;
It may be necessary, at a later date, in dealing with There are still three cases open from last month.&#13;
this question, to circularise the dramatists inside One refers to loss of a MS. in the United States,&#13;
the society. The matter will be rediscussed at the and it is possible may remain unsettled owing&#13;
meeting in October, and laid before the Committee to the impossibility of enforcing the member's&#13;
of Management.&#13;
demand; one relates to accounts which the&#13;
The next question related to the infringement of publisher has promised to render, and the last&#13;
dramatic rights in England through MS. reproduc- refers to a dispute on a contract which is still in&#13;
tion of plays by touring companies. The secretary course of negotiation.&#13;
was instructed to write to his correspondent for&#13;
further particulars.&#13;
The next case had already been discussed by the&#13;
Committee of Management, and the action which&#13;
June Elections.&#13;
that body proposed to take, as reported by the&#13;
secretary, was confirmed by the Sub-Committee. Alexander, Mrs. Evelyn · Newtown, Straffan, co.&#13;
A letter which had been received from one of&#13;
Kildare, Ireland.&#13;
the members of the society from a representative Argyll, Saxby, C. F., M.A. “ Brooklyn,” Wade-&#13;
dramatist in the United States, dealing with&#13;
bridge, Cornwall.&#13;
Canadian copyright, was also laid before the Sub. Belloc, Hillaire&#13;
King's Land, Shipley,&#13;
Committee, and the secretary was instructed to&#13;
Horsham.&#13;
refer it to the Committee of Management at their Bertolini, Gino&#13;
Hotel Regina, San&#13;
next meeting.&#13;
Moite, Venice.&#13;
The secretary then reported that an arrangement Charter, Miss Edith A. , “Peggotty," Woking-&#13;
had been come to with the Board of Trade by&#13;
ham, Berks.&#13;
which consular reports were sent to the society, Clark, Alfred.&#13;
&#13;
&#13;
## p. 243 (#329) ############################################&#13;
&#13;
THE AUTHOR.&#13;
243&#13;
W.&#13;
Crawford, Mrs. (Josephine&#13;
Weld, Will . . c/o Dr. W. Sass.,&#13;
V. Rowe).&#13;
32, Hillmarton&#13;
Dowding, Margaret Keith Lyceum Club, 128,&#13;
Road, Holloway, N.&#13;
(M. K. D.)&#13;
"Piccadilly, W. Winspeare, Anthony . Garrick Theatre,&#13;
Fitzgerald, Colin , , 23, Dunster Gardens,&#13;
Charing CrossRoad,&#13;
London, N.W.&#13;
W.C.&#13;
Fleming, Mrs. Aglaia D. Chart Court, Ashford,&#13;
(Joshua Kismet) . , Kent.&#13;
Grant, John G. . 15, Bartholomew&#13;
Road, London, N.W. BOOKS PUBLISHED BY MEMBERS.&#13;
Hackwood, Frederick 129, Heathfield Road,&#13;
William . . .&#13;
Handsworth, Bir-&#13;
mingham.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
Hamilton, Henry.&#13;
some difficulty in attaining this object owing to the fact&#13;
Hicks, Seymour.&#13;
that many of the books mentioned are not sent to the office&#13;
Holst, Gustar von . . 10, The Terrace, by the members. In consequence, it is necessary to rely&#13;
Barnes, S.W.&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
Horlick, Mrs. Ernest . 60, Grosvenor Square,&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
Ingram, John H. . . 53, Ethesley Road, accurate,&#13;
West Green, N.&#13;
ANTHROPOLOGY.&#13;
Kenealy, Miss Annesley, South Lancing, Sussex,&#13;
MARRIAGE, TOTEMISM AND RELIGION. An Answer to&#13;
Macauliffe, Max Arthur. 10, Sinclair Gardens,&#13;
Critics. By THE RIGHT Hon. LORD AVEBURY.&#13;
8 X 54. 243 pp. Longmans. 48. 6d. n.&#13;
Kensington, W.&#13;
Massey, Stewart Marsden. Belcamp, Faling, W.&#13;
ART.&#13;
Money, Leo George Chiozza "Tyhurst,' Chaldon, THE POST-IMPRESSIONISTS., By C. LEWIS HIND.&#13;
Caterham.&#13;
104 x 7. 94 pp. Methuen. 7s. 6d. n.&#13;
Newman, Miss Emma : Hazel Dell, Mussoorie,&#13;
U.P. India.&#13;
BIOGRAPHY.&#13;
O'Brien, Aubrey, Major, c/o Messrs. H. S. King THE MYSTIC BRIDE. A Study of the Life Story of Catherine&#13;
of Siena. By MRS. AUBREY RICHARDSON, 9 x 51.&#13;
C.I.E. (Boa). . . &amp; Co., 65, Cornhill,&#13;
339 pp. Werner Laurie. 128. 6d. 1.&#13;
E.C. (Occasional), THE AUTOBIOGRAPHY OF ALFRED AUSTIN. Two vols.&#13;
Boa.&#13;
83 x 54. 325 + 308 pp. Macmillan. 248. n.&#13;
O'Connor, T. P., M.P. 5, Morpeth Mansions,&#13;
JAMES MCNEILL WHISTLER. An Estimate and a&#13;
Biography By FRANK RUTTER. 63 X 41. 159 pp.&#13;
Grant Richards. 28. n.&#13;
O'Conor, Lady . . 14, Harley House,&#13;
THE NELSONS OF BURNHAM THORPE: A Record of a&#13;
N.W.&#13;
Norfolk Family. Compiled from l'npublished Letters&#13;
Plowman, Miss Mary . 2, Wellington Place, and Note-books, 1787–1812. By M. EYRE MATCHAM.&#13;
St. Giles, Oxford.&#13;
81 X 51. 306 pp. Lane. 168. n.&#13;
JAMES JOHN GARTH WILKINSON. A Memoir of his&#13;
Rideing, William Henry · c/o Youth's Com Life, with a Selection from his Letters. By C. J.&#13;
panion, Boston, WILKINSON. 9 X 53. 303 pp. Kegan Paul. 10s. n.&#13;
Mass., U.S.A.&#13;
THE LETTERS OF ROBERT LOUIS STEVENSON. 4 vols.&#13;
Rosebery, the Right Hon. 38, Berkeley Square,&#13;
Edited by SIDNEY COLVIN. 61 X 4. 293 + 325 + 334.&#13;
370 pp. Methuen. 58. n, each.&#13;
the Earl of, K.G., etc. W.&#13;
Sabatini, Rafael . . 32, Cyril Mansions,&#13;
COOKERY.&#13;
Davversed Tark,&#13;
Battersea Park,&#13;
THE GOURMET'S GUIDE TO EUROPE. By LIEUT.-COL.&#13;
Tu&#13;
S.W.&#13;
VEWNHAM DAVIS. Third Edition. 61 X 41. 400 pp.&#13;
Sil-Vara, G. . . . 22, Granville Place, Grant Richards. 58. n.&#13;
DRAMA.&#13;
Stobart, Mrs. St. Clair . 3, Reynolds Close,&#13;
Hampstead Garden&#13;
PAINS AND PENALTIES. The Defence of Queen Caroline.&#13;
Suburb, N.W.&#13;
By LAURENCE HOUSMAN. 7} * 5. 89 pp. Sidgwick &amp;&#13;
Jackson. 3.5. 6d, n.&#13;
Thompson, the Rev. J. M. Magdalen College,&#13;
Oxford.&#13;
ECONOMICS.&#13;
Veale, Edward Woodhouse Langford, R.S.O.,&#13;
GRANTS IN AID: A Criticism and a Proposal. By&#13;
SIDNEY WEBB. 9 x 57. 135 pp. Longmans. 58. n.&#13;
Somerset.&#13;
THE SCIENCE OF WEALTĀ. By J. A. HOBSON. 63 X 41.&#13;
Webster, Mrs. C. A. . 6, Stanthorpe Road,&#13;
256 pp. (Home University Library.) Williams &amp;&#13;
Streatham, S.W. Norgate. 18. n.&#13;
S.W.&#13;
W.&#13;
&#13;
&#13;
## p. 244 (#330) ############################################&#13;
&#13;
244&#13;
THE AUTHOR.&#13;
MUSIC.&#13;
A HYMN OF LOYALTY. Words and Music. By MARGARET&#13;
PEDLER. Stanley Webb.&#13;
EDUCATIONAL.&#13;
THE GIRLS' SCHOOL YEAR BOOK (PUBLIC SCHOOLS).&#13;
The Official Book of Reference of the Association of Head&#13;
Mistresses. The Year Book Press, 25, High Street,&#13;
Bloomsbury, W.C. 28. 6d. n.&#13;
THE EDUCATION OF CHILDREN FROM THE STANDPOINT&#13;
OF THEOSOPHY. By RUDOLF STEINER. Authorised&#13;
Translation by Max Gysi. The Theosophical Publishing&#13;
Society, 161, New Bond Street, W. 18. n.&#13;
POLITICAL&#13;
CANADA OF TO-DAY. By WILLIAM MAXWELL. Jarrold &amp;&#13;
Sons. 18, n.&#13;
PATRIOTISM. A Biological Study. By H. G. F. SPURRELL.&#13;
71 X 5. 168 pp. G. Bell. 28. 60. n.&#13;
THEOLOGY. :&#13;
LIFE TRANSFIGURED. By LILIAN WHITING. 7 X 44.&#13;
314 pp. Gay &amp; Hancock. 48. 60, n.&#13;
TOPOGRAPHY,&#13;
NOOKS AND CORNERS OF OLD ENGLAND. By ALLAN FEA.&#13;
7 X 5. 274 pp. Martin, Secker. 58. n.&#13;
THE WELSH BORDER : Its Churches, Castles and&#13;
Dyke. By M. A. HOYER and M. L. HEPPEL. 74 x 5.&#13;
238 pp.. Nutt. 38. 6d. n.&#13;
TRAVEL&#13;
URUGUAY. By W. H. KOEBEL. 9 X 51. 350 pp.&#13;
Fisher Unwin. 108. 6d. n.&#13;
THE FAIR DOMINION. By R. E. VERNEDE. 8} x 51.&#13;
296 pp. KEGAN PAUL. 78. 6d. n.&#13;
FICTION.&#13;
THE ESCAPE AGENTS. By C. J. CUTCLIFFE HYNE. 71x&#13;
5. 323 pp. Werner Laurie.' 68.&#13;
TWIN SISTERS. By RICHARD MARSH. 71 x 5. 326 pp.&#13;
Cassell. 68.&#13;
LADY BETTY ACROSS THE WATER. By C. N. and A. M.&#13;
WILLIAMSON. 61 X 44. 280 pp. (Cheap Reprint.)&#13;
Methuen. 18. n.&#13;
UNDER THE SALAMANDER. By J. BLOUNDELLE BURTON.&#13;
73 x 5. 320 pp. Everett. 68.&#13;
THE COUNT OF LUXEMBOURG. The Novel of the Play.&#13;
By H. SIMPSON. 71 X 44. 226 pp. Mills &amp; Boon.&#13;
18. n.&#13;
THE MUZZLED Ox. A Romance of Riches. By CORALIE&#13;
STANTON and HEATH HOSKEN. 78 X 5. 331 pp.&#13;
Stanley Paul. 6s.&#13;
THE Divine FIRE. By MAY SINCLAIR. 71 x 5.667 pp.&#13;
Nash. 28. n.&#13;
THE GIFT. By S. MACNAUGHTAN. 61 x 4. 284 pp.&#13;
Nelson. 7d. n.&#13;
THE MARRIAGE OF BARBARA By F. FRANKFORT&#13;
MOORE. 7} 5. 378 pp. Constable. 68.&#13;
THE BROKEN PHIAL. By PERCY WHITE. 73 x 5.&#13;
296 pp. Constable. 68.&#13;
THE CHOICE OF THEODORA. By THOMAS COBB. 73 x 5.&#13;
307 pp. Mills &amp; Boon. 6s.&#13;
AN EXCHANGE OF Souls. By BARRY PAIN. 78 x 5.&#13;
256 pp. Nash. 28. n.&#13;
THE HEATH HOVER MYSTERY. By BERTRAM MITFORD.&#13;
7 x 5. 320 pp. Ward, Lock. 68.&#13;
THÚS SAITH MRS. GRUNDY. By ANNESLEY KENEALY,&#13;
7 X 5. 320 pp. John Long. 38. 6d.&#13;
GENTLEMAN ROGER. By M. E. FRANCIS. 78 x 5.&#13;
282 pp. Sands. 28. n.&#13;
PHYLLIS. By L. G. MOBERLY. 78 X 5. 302 pp. Ward,&#13;
Lock. 68.&#13;
HISTORY.&#13;
CALENDAR OF STATE PAPERS, COLONIAL SERIES,&#13;
AMERICAN AND WEST INDIES, 1701. Preserved in the&#13;
Public Record Office. Edited by CECIL HEADLAM,&#13;
103 X 77. 818 pp. Wyman. 158.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
LITERARY.&#13;
LONELY ENGLAND, By MAUDE GOLDRING, 77 x 5.&#13;
240 pp. Swift. 58. n.&#13;
“M HE Fair Dominion” is the title of Mr. R. E.&#13;
Vernede's new book, containing the record&#13;
of his Canadian impressions and observa-&#13;
tions, published by Messrs. Kegan Paul &amp; Co.&#13;
There are twelve illustrations in colour by Cyrus&#13;
Cuneo.&#13;
Messrs. Kegan Paul have also published “Letters&#13;
from Finland,” by Rosalind Travers. The letters&#13;
deal with various aspects of life in the Grand&#13;
Duchy, social, educational, artistic, political, and&#13;
racial. The volume is profusely illustrated, not&#13;
only with views of Finland but with reproductions&#13;
of the work of some of the best Finnish artists.&#13;
Through the same publishers Mr. Douglas Sladen&#13;
is publishing a new book, “How to See Italy by&#13;
Rail.” The work is the result of Mr. Sladen's long&#13;
experience of Italy, in which a great part of his&#13;
time during the last twenty years has been spent.&#13;
It contains a chapter on railway routes, which&#13;
shows how to see every important place in the&#13;
country, while in treating of scenery, architecture,&#13;
painting, and sculpture, he points out all the most&#13;
splendid examples to be found in each district,&#13;
after first giving the characteristics of Italian&#13;
MISCELLANEOUS.&#13;
IMPERIAL TELEGRAPHIC COMMUNICATION. BY CHARLES&#13;
BRIGHT. 212 pp. P. S. King.&#13;
THE SUBMERGED CONTINENTS OF ATLANTIS AND&#13;
LEMURIA : Their History and Civilization. Being&#13;
Chapters from the Akashic Records. By RUDOLF&#13;
STEINER. Authorised Translation by Max Gysi. The&#13;
Theosophical Publishing Society. 38. 6d, n.&#13;
TO THE ARABS. By L. FLORENCE FFOULKES. With a&#13;
Preface by H.R.H. PRINCESS FREDERICA OF HANOVER,&#13;
George White, Printer, 396, King's Road, Chelsea, S.W.&#13;
1s. n.&#13;
&#13;
&#13;
## p. 245 (#331) ############################################&#13;
&#13;
THE AUTHOR.&#13;
245&#13;
scenery and art. There are a map and 160 possible solution of such a mystery. “ The Race,'&#13;
illustrations in the volume.&#13;
“Elixir Vitæ,” and “The Discontinued Mail” are&#13;
Mr. Maurice Hewlett has contributed a Preface each characteristic productions. The short sketch&#13;
to a volume of Poems by Mr. Wilfrid Thorley, which “How to Live on Nothing a Year in Oaxaca"&#13;
Mr. Elkin Mathews has published. “Confessional shows Mr. Hyne in a more pensive mood, and inci-&#13;
and Other Poems” is the title of Mr. Thorley's dentally reveals his enthusiasm for Mexico, but&#13;
volume.&#13;
the bulk of the book is dominated by Napoleon, the&#13;
Miss Annesley Kenealy's first novel, “ Thus stroke of whose anger is responsible for six of the&#13;
Saith Mrs. Grundy,” has just been published by yarns. Mr. Werner Laurie is the publisher.&#13;
Mr. John Long. “Smart Set ” Intrigues, sex Messrs. Stanley Paul &amp; Co. have completed&#13;
questions and love problems weave themselves into negotiations with Mrs. Charlotte Cameron to publish&#13;
the story, the plot of which develops an anomaly of two books from her pen. “A Passion in Morocco "&#13;
the Marriage and Divorce Laws.&#13;
will appear early in July. In “ A Woman's Winter&#13;
In“ Auvergne and Its People" Miss Frances M. in South America ” Mrs. Cameron relates a journey&#13;
Gostling deals with the country as it is to-day, of some 24,000 miles, the crossing of a continent&#13;
relates the quaint customs and lingering supersti- on two occasions, viz., Buenos Aires to Valparaiso,&#13;
tions of the people, while at the same time making up the west coast, and from Panama to Colon,&#13;
the reader acquainted with the history of the Photographs and descriptions of the Incar Indians&#13;
province. Messrs. Methuen &amp; Co. publish the of Peru are features of the work. It is the first&#13;
book, which has eight illustrations in colour, time this entire coast has been written of from a&#13;
as well as thirty-two other illustrations and a woman's point of view.&#13;
map.&#13;
An article on the subject of “ Women and Work"&#13;
The Treasury for June contains an article by appears in The Fortnightly for May. Mrs. Alec&#13;
Miss F. Bayford Harrison, entitled “Before Penny Tweedie is the writer of the article, and in it she&#13;
Postage."&#13;
shows how wide is the field of industry now covered&#13;
“A Hymn of Loyalty " is a song, the words and by women and pleads for an extension of this policy.&#13;
music of which are by Margaret Pedler, published Mrs. Tweedie has been put on the councils of the&#13;
by Mr. Stanley Webb. A copy of the song, which Eugenics Society and the Cremation Society of&#13;
is being sung by Miss Lucie Johnstone, has been England.&#13;
accepted by Her Majesty the Queen.&#13;
Miss Amy McLaren's new novel is called “The&#13;
Mr. Charles Garvice's long-promised book of the Yoke of Silence.” It will appear early in August&#13;
Devon countryside will be published by Messrs. through Messrs. Mills and Boon.&#13;
Hodder &amp; Stoughton early in the autumn. As An appeal to the Arabs to treat their beasts of&#13;
already announced, its title will be " A Farm in burden kindly and to refrain from an application&#13;
Creamland," and it will be illustrated by a coloured of the lash to them has just been published by&#13;
frontispiece and tail pieces by Mr. Alec Carruthers L. Florence Ffoulkes. It is entitled “To the&#13;
Gould, R.B.A., and by numerous photographs. The Arabs,” and consists of two poems, set to music.&#13;
price will be 10s, 6d.&#13;
The poems, besides being printed in English, are&#13;
The same firm will issue, later in the autumn, a also printed in Arabic characters, and the little&#13;
68. novel by Mr. Charles Garvice, entitled “ The book has a preface by H.R.H. Princess Frederica&#13;
Other Girl."&#13;
of Hanover. Copies of the work, which is published&#13;
Mr. Garvice's novel “ Just a Girl" is running, in at 1s. net, are obtainable from Mr. George White,&#13;
serial form, under the title of “L'Australienne,” Printer, 396, King's Road, Chelsea.&#13;
in La Liberté.&#13;
Mrs. Havelock Ellis has a new volume of Cornish&#13;
Messrs. Hodder &amp; Stoughton are issuing several stories appearing in the autumn (published by&#13;
reprints of Mr. Charles Garvice's novels, which have Stanley Paul at 68.) called “ The Imperishable&#13;
appeared in 6s. form, in a uniform edition, bound Wing.” One of these, called “Trypbena Jane's&#13;
in cloth with coloured vignettes, and published Revolt,” is appearing in the July Forum.&#13;
at 28.&#13;
The appeal at the recent dinner of the Royal&#13;
As proof that the spirit of Captain Kettle still Literary Fund, presided over by Mr. Birrell,&#13;
animates his heroes and heroines, Mr. Cutcliffe Hyne produced a sum of £1,600.&#13;
includes an Algerian adventure from that series A meeting of the general committee was held at&#13;
in his latest book, “The Escape Agents.” Even the chambers of the corporation, 40, Denison&#13;
the last tale in the book, called “The Failure,” House, on Wednesday, June 14, when the sum of&#13;
tells of a failure in nothing but name and the com £360 was voted to applicants.&#13;
plete vindication of a much-misunderstood man, Albert Dorrington's Indian story “ Our Lady of&#13;
who is the pathetic hero. The story “ Gemini” the Leopards," will appear with Messrs. Mills &amp;&#13;
will recall a recent shipping disaster, and suggest a Boon early in July. Mr. Dorrington has another&#13;
&#13;
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## p. 246 (#332) ############################################&#13;
&#13;
246&#13;
THE AUTHOR.&#13;
book with the Macaulay Company, New York, preted by a long caste in which were included Mr.&#13;
entitled “Our Lady of Darkness."&#13;
Charles V. France, Mr. Norman Page, Mr. Charles&#13;
We are informed by Messrs. Hodder &amp; Stoughton Maude and Miss Enid Rose.&#13;
that they have decided to grant an extension of Ibsen's play“ Hedda Gabler,” translated by&#13;
time for the submitting of MSS. under the terms Edmund Gosse and William Archer, was revived&#13;
of their £1,000 Prize Novel Competition. The at the Kingsway Theatre towards the close of May.&#13;
closing date, instead of being August 31, 1911, The caste included Mr. F. Kinsey Peile, Madame&#13;
as first announced, will be January 1, 1912. Lydia Yavorska, and Miss Florence Haydon.&#13;
Any MS. already submitted will be returned “The Algerian Girl," by Herbert Shelley, the&#13;
immediately upon application should the competitor first of a series of musical comedies which is being&#13;
desire.&#13;
presented at the Kennington Theatre, was pro-&#13;
Messrs. G. P. Putnams are publishing in duced at that theatre on June 5. The action of&#13;
September the authorised translation of Dr. the play centres round a beautiful Italian girl who&#13;
Rudolf Steiner's “Mystics of the Renaissance and has borrowed a large sum of money from the Bey of&#13;
their Relation to Modern Thought,” which Mr. Algiers, which she has undertaken to repay within&#13;
Bertram Keightley has prepared under the editorial a fixed time, or, in default, to marry the Bey. The&#13;
supervision of Mr. Max Gyse. Dr. Steiner is caste includes Mr. Colin Coop, Miss Florence Beech,&#13;
already known to American readers by the volume, Mr. Mark Lester and Miss Connie Emerald.&#13;
“ Initiation and its Results.” In the essays that&#13;
The company from the Abbey Theatre, Dublin,&#13;
comprise the present volume he speaks about the has during June produced various plays at the&#13;
Mystics from Meister Eckhart to Angelus Silesius, Court Theatre. The tour was opened with Mr. J.&#13;
with a full measure of devotion and acquiescence. M. Synge's comedy “The Playboy of the Western&#13;
“The Wonder of Love” is a new novel by World,” which was followed by “The Piedish,” a&#13;
Madame Albanesi, which is to be issued in Messrs. one-act play by George Fitzmaurice, and on&#13;
Stanley Paul's Clear Type Sixpenny Novel Series.&#13;
June 7 * Mixed Marriage,” by St. John G.&#13;
“ Imperial Telegraphic Communication,"&#13;
Communication." by&#13;
by&#13;
Ervine, which has for its theme the bigotry of an&#13;
Charles Bright, was published last month by Messrs. Irish Protestant and its effect upon a strike in a&#13;
P. S. King &amp; Co. In the main the book is made Belfast manufacturing district.&#13;
up of papers, addresses and articles contributed,&#13;
“ Birthright," a play in two acts, dealing with&#13;
at different periods, to the British Association Irish peasant life, written by T. C. Murray, was&#13;
for the Advancement of Science. the London staged on June 8, on which night also was&#13;
Chamber of Commerce, The Quarterly Review, The&#13;
included Mr. W. B. Yeat's tragedy “ Deirdre," and&#13;
Fortnightly Rerieur, The Monthly Review, and Lady Gregory's humorous play “The Rising of the&#13;
elsewhere.&#13;
Moon."&#13;
Miss Regina Miriam Bloch has written, and&#13;
The second week of the company's visit opened&#13;
Messrs. Greening &amp; Co. have published, a&#13;
with an adaptation of one of Molière's comedies.&#13;
Coronation souvenir, entitled “The Vision of the The piece was a translation in three acts, by Lady&#13;
King."&#13;
Gregory, of “ Les Fourberies de Scapin," and&#13;
“ Chopin," a discourse by I. J. Paderewski, has&#13;
entitled “ The Rougueries of Scapin.” The same&#13;
been translated from the Polish by Laurence Alma&#13;
week saw the production, for the first time in&#13;
Tadema, and published by W. Adlington, 18, Great&#13;
London, of a three-act play “ The Casting Out of&#13;
Marlborough Street, W.&#13;
Martin Whelan," by R. J. Ray. On the&#13;
same evening a one-act comedy “ Coats," by Lady&#13;
Gregory, was produced. The humour of the piece&#13;
DRAMATIC&#13;
arises from an accidental exchange of coats&#13;
between two rival editors, leading to the discovery&#13;
Lord Dunsany's one-act piece was staged at the of obituary notices which each has written of the&#13;
Haymarket Theatre on June 1. The action of other for use as occasion shall require.&#13;
the play opens outside the walls of an eastern On the following evening Lady Gregory's one-&#13;
city. The story briefly is this : Three beggars act comedy, concerning the superstitions of the&#13;
plying their trade with little success, are persuaded peasants as to the influence of “The Full Moon,"&#13;
to proclaim themselves the local deities and as was produced, as also on the same occasion was&#13;
having come down from the hills. Many sacrifices « Harvest," by Lennox Robinson.&#13;
in the shape of food are brought to them, and they A play in three acts, by William Boyle, entitled&#13;
are able to deceive the people by virtue of the fact "The Mineral Workers," was staged on June 19.&#13;
that the real gods are out and abroad. The The chief personage of the play is an Irishman&#13;
close of the play shows the revenge taken on the who returns from America and acquires a farm&#13;
beggars by the real gods. The play was inter- from his cousin in order to dig for iron which he&#13;
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## p. 247 (#333) ############################################&#13;
&#13;
THE AUTHOR.&#13;
247&#13;
believes exists in the earth. The scheme is ridi. of mysterious novels in which Charles Foley is a&#13;
caled by a local farmer who, however, gains a rich past màster. M. Foley began, side by side&#13;
harvest by seiling his produce to the other's with his historical studies, a series of tragic and&#13;
numerous employees. Eventually, the iron is extremely dramatic stories when he published&#13;
reached, but almost immediately after the spring “ Au Téléphone ” some ten or twelve years ago.&#13;
which provides the water-power dries up and the He is at present bringing out a collection of&#13;
machinery is brought to a standstill. The only mysterious novels, the titles of which are : “Kowa&#13;
way out is to divert the water from the lake, and la Mystérieuse," “ La Chambre au Judas,"&#13;
to do this it is necessary to cut a channel through “ Divettes d'un soir," and " Au Téléphone.”&#13;
the farmer's land. The farmer refuses to sell and containing also “Un Concert chez les Fous” and&#13;
the resultant situation provides the problem for “ La Nuit Rouge.” The new volume is certainly one&#13;
the dramatist.&#13;
of the most mysterious and thrilling stories of the&#13;
A tragedy in one act " The Clancy Name," by collection.&#13;
Lennox Robinson, preceded Mr. Boyle's play.&#13;
Among recent novels are “ Le Métier de Roi,"&#13;
by Colette Yver, author of "Princesses de Science";&#13;
“Juste Lobel, Alsacien,” by André Lichtenberger;&#13;
“ La Demoiselle de La Rue des Notaires," by&#13;
PARIS NOTES.&#13;
Louis Latzarus ; “ La Prison de Verre," by Gaston&#13;
Chérau.&#13;
“Ce que mes Yeux ont vu ” by Arthur Meyer,&#13;
"T A Ravageuse," by Louise Chasteau, is an is a book of souvenirs dating from 1870 to 1910.&#13;
extremely simple story, athe strength of M. Meyer is manager of Le Gaulois, the royalist&#13;
which lies in its absolute naturalness. It and ultra-Catholic newspaper, and these souvenirs&#13;
is so human, so true to life that, among common- are certainly well worth reading. M. Faguet,&#13;
place people, a similar experience must have been whose political opinions are totally different from&#13;
made hundreds and hundreds of times. The those of M. Meyer, has written an admirable&#13;
curious part about this book is that it should have preface.&#13;
been written by Louise Chasteau, the mother of The first chapter is entitled “ La Chute de&#13;
Marcelle Tinayre. It is dedicated : “ To my dear l'Empire," and begins with the year 1870. M.&#13;
daughter Marcelle Tinayre in memory of those Meyer describes graphically the various scenes he&#13;
hours when, full of loving hope, I taught her to witnessed up to the famous Fourth of September.&#13;
write.” There is something almost pathetic in In the next chapter “ Les Premières Faillites de&#13;
this book, which follows “ La Rebelle” and la République,” M. Meyer continues his description.&#13;
“L'Ombre de l'Amour," by Marcelle Tinayre. Very graphically he tells us of his anguish on seeing,&#13;
The daughter has learned to write, and in “La from the heights of St. Germain, the Louvre in&#13;
Maison du Pêché” and “La Vie amoureuse de flames, and very pathetic is his account of the&#13;
François Barbazanges” her style is admirable, but death of the Prince Imperial and the visit of&#13;
there is one thing the mother possesses which she Queen Victoria and Princess Beatrice to Chislehurst&#13;
has not apparently succeeded in inculcating in her on the day of the funeral.&#13;
daughter. « La Ravageuse " is distinctly a moral The finest chapter in the book is perhaps the&#13;
book, although the episode on which the story is one on “Boulangisme.” M. Meyer tells us the&#13;
based is adultery. “La Rebelle " and Marcelle whole tragic story. He tells us of the hopes of&#13;
Tinayre's other books are distinctly amoral. It the royalists and of the fine generosity of the&#13;
would seem in “ La Ravageuse” as though the Dowager Duchess d’Uzès, who took upon herself&#13;
mother were giving her opinion with regard to the cost of the plan that had been devised, and who&#13;
some of the theories set forth in her daughter's worked with enthusiasm for the restoration of the&#13;
books. “Qui,” says one of her personages to his monarchy.&#13;
friend who is being duped by an emancipated The other subjects treated are “ L'Anti-&#13;
woman, “ le travail qui donne l'independance, le sémitisme,” “Le Drefusisme,” “ Paris autrefois et&#13;
fameux moi' à développer ; c'est la complainte aujourd'hui,” “ Sa Majesté l'Argent,” and “ Sa&#13;
moderne, air connu, etc.” As we have said, “ La Majesté la Presse.”&#13;
Ravageuse” is only a simple story, but the charac- Altogether it is with regret that one comes to&#13;
ters in it are very human, very true to life, and are the end of the volume, convinced though, with&#13;
drawn with great accuracy and skill. It is the the author, that malgré ses défaillances Paris&#13;
first book we have read by this author, but we shall conserve sa royauté dans le monde.&#13;
await with interest her next novel, announced to “Les Mours et la Vie privée d'autrefois” is&#13;
appear shortly.&#13;
the title of a curious book by M. Humbert&#13;
“Des Pas dans la Nuit" is another of the series de Gallier. From the chapter “Comment on&#13;
&#13;
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## p. 248 (#334) ############################################&#13;
&#13;
248&#13;
THE AUTHOR.&#13;
he Duce de fer-hours after being the Chatever the&#13;
dépensait” we have some interesting information the volume of Lord Byron's “ Correspondence,"&#13;
about the luxury and the everyday expenses of compiled by M. Jean Delachaume.&#13;
former times. Hospitality was practised on a&#13;
ALYS HALLARD.&#13;
scale which would amaze the hosts and hostesses of&#13;
our times. We are told that it took thirty sheep “La Ravageuse" (Calman Levy).&#13;
a month and 4,000 fowl a year for the table of&#13;
" Des Pas dans la Nuit" (Jules Tallandier).&#13;
the Duc de Choiseul. He employed 400 per-&#13;
“Le Métier de Roi" (Calmann Lévy).&#13;
“ Juste Lobel, Alsacien ” (Plon).&#13;
sons and fifty-four of his domestics wore&#13;
“La Demoiselle de La Rue des Notaires" (Calmann&#13;
livery. We are told that in the Château of Lévy).&#13;
Saverne, Rohan constantly put 700 beds at the “La Prison de Verre" (Calmann Lévy).&#13;
disposal of his friends, and that he could put up “Ce que mes Yeux ont vu ” (Plon).&#13;
“Les Meurs et la Vie privée d'autrefois ” (Calmann&#13;
180 horses in his stables. The chapters on&#13;
Lévy).&#13;
marriage are also very instructive. “Comment "Etait-ce Louis XVII. évadé du Temple" (Perrin).&#13;
on etait servi" is the title of six chapters, and "La Princesse de Lamballe" (Perrin).&#13;
very curious are many of the stories told of the&#13;
** La Conquête des Communes » (Perrin).&#13;
“La Peste de 1720 à Marseille et en France" (Perrin).&#13;
devotion and fidelity of some of the old retainers&#13;
“Autour d'une Dame d'Honneur" (Calmann Lévy).&#13;
of well-known families. “Comment on se soignait" “ Amitiés de Reine" (Emile Paul).&#13;
is the title of the last eight chapters, and curiously "Monseigneur Duchesne" (E. Sansot).&#13;
enough among other things we find that the&#13;
influenza raged in 1782. Many of the remedies&#13;
prescribed would amaze our modern medical men.&#13;
UNITED STATES NOTES.&#13;
The book is distinctly interesting, and it seems&#13;
almost incredible that manners and customs should&#13;
have changed so radically in so comparatively short A T the beginning of the publishing season of&#13;
a time.&#13;
4 1911 in the United States a statement was&#13;
Among other recent historical and biographical&#13;
made—by a representative of the firm of&#13;
works are the following :-“ Etait-ce Louis XVII. Harper Brothers, in answer to some questions asked&#13;
évadé du Temple ? " by J. de Saint Léger, with a by the New York Times—which should have been&#13;
preface by G. Lenotre. The author has studied many very gratifying to English authors, few of whom&#13;
hitherto unpublished documents, and, with the help usually have much occasion for joy over American&#13;
of this book and that on “ Madame Atkins," by M. book-sales. It was to the effect that a notable&#13;
F. Barbey, it is at any rate possible for the reader tendency of recent seasons had been the extent of&#13;
to have an opinion on the subject.&#13;
English writers' appearances in America. As&#13;
“La Princesse de Lamballe,” by Raoul Arnaud, though to confirm the good news, Mr. H. S.&#13;
is another volume compiled with the greatest care Ridings, of the J. B. Lippincott Company, on his&#13;
from many unpublished documents. It is illus- return to the States in May announced that he had&#13;
trated with seven engravings, and gives many with him the finest lot of English authors he had&#13;
details hitherto unknown.&#13;
ever brought over. And in a recent list of “ best&#13;
“ La Conquête des Communes," by M. E. sellers," an English novelist, Mr. Jeffery Farnol,&#13;
Hocquart de Turtot, is a book which should be was in the first six in the fiction class, while&#13;
studied by anyone interested in the History of the Messrs. Arnold Bennett and Bernard Shaw beaded&#13;
Revolution. There are very many details given the non-fiction list with “How to Live on Twenty-&#13;
in this volume which explain much that otherwise four Hours a Day” and “The Doctor's Dilemma.”&#13;
appears involved.&#13;
The publishers' advertisement pages in the various&#13;
“La Peste de 1720 à Marseille et en France," literary organs of New York, Chicago, Boston, &amp;c.,&#13;
by M. Paul Gaffarel and Marquis de Duaranty, is furnish still further evidence of the capacity of a&#13;
a curious study of the habits and customs of the great number of English authors to attract the&#13;
epoch, and will doubtless be found interesting to American reader at the present moment. In fact,&#13;
all who make a special study of the public health so many are the names that it would be invidious&#13;
and of social economy.&#13;
to select any of them for particular mention.&#13;
“Autour d'une Dame d'Honneur," by Eugène It is clear, therefore, that the competition with&#13;
Welvert, is the story of Françoise de Chalus, which the native-born writers in the United States&#13;
Duchesse de Narbonne-Lara (1734–1821). have to cope is very severe, especially when “ Marie-&#13;
“Amitiés de Reine,” by Jacques de la Faye, Claire ” and “ Jean Christophe” have had to be&#13;
with a preface by the Marquis de Ségur.&#13;
reckoned with lately as well as books from England.&#13;
“ Monseigneur Duchesne," by Claude d'Hab. But, in spite of this, there are no signs of a slump&#13;
loville.&#13;
in American authorship or of diminished output in&#13;
M. G. Clemenceau has written the preface for any branch of literature across the Atlantic, least&#13;
&#13;
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## p. 249 (#335) ############################################&#13;
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THE AUTHOR.&#13;
249&#13;
of all in fiction, although there one would imagine is a very interesting piece of work, and the critics&#13;
the field particularly open to all-comers.&#13;
have given it a warm welcome.&#13;
On the contrary, the American novel is flourish Notable biographies and memoirs bave, perhaps,&#13;
ing exceedingly. One of the two greatest successes been rather few so far this year. But “ Mark&#13;
of the present year has been Vaughan Kester's Twain," by Archibald Henderson, and “ John La&#13;
“The Prodigal Judge,” the scene of which is laid Farge," a memoir and study of the late famous&#13;
in the Southern States eighty years ago and the artist, by Royal Cortissoz, have deservedly had&#13;
central character of which is a really fine piece of many readers. A subject ever popular in the&#13;
humorous characterisation. Judge Slocum ought United States is dealt with in “The Recollections&#13;
to please English readers ; he certainly has delighted of Abraham Lincoln (1847–1865)," written by&#13;
one. The other best-seller is “Molly Make- the late Ward Hill Lamon, and edited as well as&#13;
Believe," by Eleanor Hallowell Abbott, which published by Dorothy Lamon Teillard. In the&#13;
made quite a wonderful hit at the outset of American Crisis series of biographies the new&#13;
its career and looks like having a prolonged run. volume is on William Lloyd Garrison, the author&#13;
Then Henry Sydnor Harrison's “Queed ” has being Lindsay Swift, who has previously done&#13;
been hailed as a typical specimen of American good work for this series. Another Garrison is&#13;
fiction at its best, and “just what a novel should represented in a volume of " Letters and Memorials,"&#13;
be"! “The Legacy," by Mary S. Watts, has viz., Wendell Phillips Garrison, who in 1906&#13;
come in for almost as high praise. Owen Wister brought to an end forty-one years of editorship of&#13;
in “ Members of the Family' has reintroduced the New York Nation.&#13;
some of the characters in “ The Virginian,” to the A curiously manufactured, but extremely suc-&#13;
satisfaction of his numerous admirers. In “The cessful, book is entitled “ The Corsican : A Diary&#13;
Long Roll” Mary Johnston presents a very of Napoleon's Life in his own Words," with which&#13;
ambitious tale of the struggle between North and R. M. Johnston has made his way into the select&#13;
South, with Stonewall Jackson as the dominating circle of the six best-sellers outside the realm of&#13;
figure in it. Another Civil War story is “Love fiction.&#13;
under Fire," by Randall Parrish. George Barr Military and naval topics are dealt with in&#13;
McCutcheon and Louis J. Vance with “What's. General F. V. Greene's “The Revolutionary War&#13;
His-Name” and “ Cynthia-of-the-Minute "—the and the Military Policy of the United States”; in&#13;
byphens are the authors', it may be remarked— Captain Beecham's “ Gettysburg : the Pivotal&#13;
promise to rival their former popular triumphs. Battie of the Civil War”; and in Captain Mahan's&#13;
Jacques Futrelle has a new thrill for his readers “The Interest of America in International Con-&#13;
in “The High Hand.” Very stirring, too, is ditions.” But the last-named, perhaps, should&#13;
“ Yellow Men and Gold,” by Gouverneur Morris, not be classed as a merely naval work. The&#13;
which has been seen serially in this country. gallant author preaches to his countrymen on the&#13;
Mention must be made also of “ John Sherwood, reality of the menace to them of Germany's grow-&#13;
Ironmaster," by Dr. Weir Mitchell; “Robert ing power and her irritation over the American&#13;
Kimberley," by Frank H. Spearman; “The Root claims advanced in the Monroe Doctrine and the&#13;
of Evil," by Thomas Dixon ; “ She Buildeth a policy of the Open Door in the Far East.&#13;
House," by W. Levington Comfort ; “The Cats "The United States from Within "might serve&#13;
paw," by W. H. Osborne ; and Francis Perry as the name for a book by Simeon Strumsky,&#13;
Elliott's “ The Haunted Pajamas," whose title is who in a series of satirical and humorous essays&#13;
a clue to its frivolous character. On the other criticises his fellow countrymen and their ways.&#13;
hand, Mr. Kauffman's “The House of Bondage" As a matter of fact, however, Mr. Strumsky&#13;
is so grim that it hardly seems appropriate to class calls his collection “The Patient Observer.”&#13;
it with the novels. No more powerful sermon in “The Soul of the Indian " deals with a very&#13;
the guise of fiction has appeared for a very long small section of the American people, the people&#13;
time, either in America or in Europe. Those whom in boyhood we were taught to call red-&#13;
interested in the question of the removal of one of skins. The author, Dr. C. A. Eastman, as his&#13;
the great social evils in the Western world should title indicates, is concerned with the religious&#13;
make a note of this book.&#13;
side of the American Indian's character ; and he&#13;
“One Way Out," by an author who adopts the has produced an interesting study of it. Psychical&#13;
pseudonym of William Carleton, is still less of a matters are also the subject of an oddly simple&#13;
novel. Plainly it is veiled autobiography, describ- volume, “ The Gleam,” by Helen Albee, which has&#13;
ing how a middle-class New England family been described as the autobiography of a woman's&#13;
emigrated to America, i.e., began life again in a soul between the ages of six and forty-seven.&#13;
big town on the bottom rung of the ladder, after Travel and adventure books have been well&#13;
starting and failing higher up. “One Way Out” represented of late. Peary's famous North Pole&#13;
&#13;
&#13;
## p. 250 (#336) ############################################&#13;
&#13;
250&#13;
THE AUTHOR.&#13;
Expedition—the Commander's own work, by the Copyright Act, it has been discovered that this will&#13;
way, is still selling well—is recalled by “ A Tender" make Canada a paradise for pirates—to the loss&#13;
foot with Peary," of which the author is George alike of Canadian, American and English authors.&#13;
Borup, who was the “baby” of the expedition. The literary obituary since the beginning of the&#13;
Mr. Borup handles his pen gaily and light- year includes David Graham Phillips (murdered by&#13;
heartedly. Another arctic book is by Harry a lunatic in January), a posthumous work from&#13;
Whitney, and its title, “Hunting with the whose penis announced; Mrs. Elizabeth Phelps Ward,&#13;
Eskimos," leaves the hesitating reader in no whose “Gates Ajar " was a best-seller as long ago&#13;
doubt as to what he will find within its covers. as 1868, when its writer was only twenty-four years&#13;
Warmer realms supply the scene of ex-President of age; Dr. Maurice Fluegel, the polyglot author of&#13;
Roosevelt's “ African Game Trails,” which is a some well-known books on historical, religious&#13;
comparative newcomer in volume shape, although and scientific subjects ; Dr. W. R. A. Wilson,&#13;
familiar in serial form on both sides of the novelist and writer for boys; and Colonel Thomas&#13;
Atlantic. The ex-President also furnishes a com- Wentworth Higginson. Colonel Higginson, best&#13;
mendatory foreword to “Lassooing Wild Animals remembered in England probably for his “ Whittier”&#13;
in Africa,” which is written by Guy Scoll around in the Men of Letters Series, was one of the last&#13;
“Buffalo " Jones's visit to the Dark Continent. survivors of the famous old group of New England&#13;
Yet another book on the same part of the world authors. Not only did he write and fight, but he&#13;
is “In Africa : Hunting Adventures in the Big had also been a minister of religion and a very&#13;
Game Country.” The author, Mr. McCutcheon- strong abolitionist. As he was eighty-seven when he&#13;
not George Barr, but John T., the cartoonist, died, even in his own land much of his high repute&#13;
adorns his text with numerous specimens of his had been forgotten until his obituaries appeared.&#13;
wit with the pencil.&#13;
But the tributes to his memory last May were&#13;
The Far East supplies the chief material for universal and generous.&#13;
discussion in “The Obvious Orient,” by Professor&#13;
Philip WALSH.&#13;
Bushnell Hart (from letters written to the Boston&#13;
Transcript two or three years ago); and in Price&#13;
Collier's “ The West in the East from an American&#13;
AUTHORS AND TYPISTS.&#13;
Point of View."&#13;
What is said to be one of the first of airship M o the present writer, a member for thirteen&#13;
travel-books is appropriately from the pen of&#13;
years of the Society of Authors, and the&#13;
Walter Wellman, who calls it “ The Aerial Age.”&#13;
owner for ten years of a typewriting office,&#13;
This is likely to be the most generally read it seems that the above heading must suggest some&#13;
American work on the air, perhaps ; but there points of interest to fellow-members. In view of a&#13;
are numerous more technical books which appeal recent letter to The Author, complaining of gross&#13;
to the actual aeroplaner.&#13;
carelessness on the part of a type-writing firm, and&#13;
Mention has already been made of the volume an able reply by a “A trained and certificated Typist,"&#13;
on “ John La Farge.” There have been few a word or two on the subject may be acceptable.&#13;
attempts to discuss Art with a large A. But There is no need, however, to agitate the question&#13;
Irving Babbit in “The New Laokoon” has of price, which has been ably dealt with by the&#13;
attacked the topic in a most courageous and latter correspondent. I am chiefly anxious to dwell&#13;
stimulating way. He defines his work in a sub on a point which authors often do not understand,&#13;
title as “ An Essay on the Confusion of the that the intelligent copying of literary or learned&#13;
Arts.”&#13;
work involves close 'attention (a trained faculty),&#13;
The question of copyright has engaged a good accuracy (also a trained faculty), a great deal of&#13;
deal of attention in the States in the early months hard manual work, and, above all, sound education&#13;
of this year. An English correspondent's attack in the copyist. This is why the rates at present&#13;
has caused the editor of The Dial to reiterate the charged even by the best offices do not enable them&#13;
at it is “ deplorable and humiliating" to secure qualitied workers. “I thought anybody&#13;
that his country, because of its absurd copyright could copy," is an idea widely prevailing and some-&#13;
law, should be the only civilised nation excluded times expressed. Usually, as I shall try to show,&#13;
from the benefits to accrue to civilisation froin the much besides mere copying is involved, of exactly&#13;
Berne Convention's attempts to harmonise and sys- the kind which “ anybody ” cannot do.&#13;
tematise the copyright requirements of the literary It is natural and reasonable enough that an&#13;
world. Seeing that this is practically the riew of author should feel intense irritation on receiving a&#13;
all reasonable people in the United States, it seems type-script disfigured by ignorant and what appear&#13;
a pity that the deplorable humiliation should be to him idiotic mistakes. As an author I sympa-&#13;
allowed to continue. With regard to the Canadian thize. The question is, however, whether those&#13;
&#13;
&#13;
## p. 251 (#337) ############################################&#13;
&#13;
THE AUTHOR.&#13;
251&#13;
A&#13;
TH&#13;
mistakes are as idiotic as he thinks them-ignorant unknown. This does not mean that the writing is&#13;
no doubt they are in many cases. About the com- upreasonably bad. I have often had to write, for&#13;
mon difficulty of bad handwriting on the author's my own clerks to copy, masses of unfamiliar matter&#13;
part I will say nothing at present. Most authors - proper names, botanical names, foreign matter-&#13;
would admit that if their handwriting is illegible making every letter clear to a person absolutely&#13;
the fault is with themselves. They do not so easily ignorant of the word and its derivation, and I know&#13;
understand, however, that a hand of which their the difficulty of keeping it up.&#13;
friends do not complain may still present difficulties “Oh, but,” says somebody, “you are talking&#13;
to the typist. There are two important reasons about technical work.”&#13;
for this.&#13;
I am talking about words unfamiliar to the&#13;
(1) One's friends are not obliged, as the typist ordinary typist; and any MS. which has any claim&#13;
is, to decipher each word and each inflexion and to be in the least literary is certain to contain many&#13;
present a copy.&#13;
such words. Even when simple and homely they&#13;
(2) Very often the typist is a half-educated girl. are often rare, or they are unfamiliar in the way&#13;
This is by far the more serious consideration of the they are used, if it is at all imaginative. “In&#13;
two.&#13;
legal stuff you do know what the word's likely to&#13;
I have said that her mistakes are not so idiotic be, but in a novel it might be anything," was the&#13;
as is supposed. Very often she is a bright girl, and remark made to me by a clerk in a good type-writing&#13;
applies surprising care and intelligence to studying office; the reason being, of course, that legal work&#13;
the actual caligraphy of the MS. Her mistakes are requires only a very small vocabulary, which is&#13;
such as a half-educated person cannot avoid. She soon learnt by any girl constantly engaged on it.&#13;
has been taught something at school, but she comes I am conscious that much of this may sound&#13;
from an illiterate, or at least a non-literary home, insulting to the average typist, who is nevertheless&#13;
and is familiar with a very small vocabulary. a hard and conscientious worker, putting much&#13;
She reads nothing, probably, but modern fiction, care and common sense into her work, for a very&#13;
As for punctuation and paragraphing, they have no low salary. It is not remarkable if she does not&#13;
real meaning for her.&#13;
know how to spell, paragraph, or punctuate, seeing&#13;
Now in copying accurately it is necessary to that a large number of people of good position do&#13;
follow the sense of the MS. to some extent, and such not know either. My point is that at the present&#13;
a girl cannot follow any sentence which is at all low rates which the public are prepared to pay&#13;
involved or even long. She cannot be expected the heads of copying offices they have to employ&#13;
therefore to supply paragraphing ; though, as many half-educated assistants.&#13;
authors seem never to have heard of indenting the I said that I would speak only of clearly written&#13;
first line of a paragraph or indicating it by any MSS. at first. Something should be said, however,&#13;
recognised sign, the lypist often has no clue. Again, of the other sort. Few authors realise how much,&#13;
a girl cannot be relied upon to read correctly words after all, that is not in the bond has been done for&#13;
of which she has never heard. The context, which them by the despised typist. “Surely,” they may&#13;
is often beyond her comprehension in subject-matter think, when they find lacunae in their MSS. where&#13;
as well as in style, will not help her as it would the typist has given up the task of deciphering in&#13;
help a better-read person. It may be said that she despair-and it is a long while before most typists&#13;
works under supervision ; so she does ; under the do that—“Surely, if she had read on a bit she&#13;
supervision of a principal who is herself over would have seen what it would be." Very likely ;&#13;
whelmed with work, besides correspondence and but they do not propose (with a few honourable&#13;
office management; but when it gets to the check- exceptions) to pay for the time spent in “reading&#13;
ing stage the mistakes have been made and the on a bit.” Typists often spend time in reading&#13;
work wasted ; if you are to help a girl with every on, looking back, and comparing different passages&#13;
sentence as she goes along you may as well do her to determine the author's intentions when he&#13;
work yourself; and the fact remains-principals of might himself have made them perfectly clear by&#13;
offices know it only too well—unless you have an elementary attention to writing and punctuation.&#13;
educated girl it is often hopeless.&#13;
Time is money; and it seems to me better&#13;
And let me say here that few people will believe economy for the person who knows the facts to&#13;
how difficult it is to be sure of a word, even when make them clear, than for the person who does&#13;
written in a good serviceable hand, of which you not know to guess them. Most of us have a&#13;
really hare never heard and to which you have no tendency to think that our MSS. must be clear to&#13;
clue. Even when the same word recurs again and other people, because we know what is in them&#13;
again in a MS. it will not always look the same, &amp; ourselves. I once said something to a distinguished&#13;
fact which presents no difficulty when the word client about the practice of writing “u” and “n”&#13;
is familiar, but a very real one when it is absolutely alike. “Oh, I don't do that," was the reply, with an&#13;
&#13;
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## p. 252 (#338) ############################################&#13;
&#13;
252&#13;
THE AUTHOR.&#13;
air of assured abhorrence. Her MS., which was soundly educated girls from cultured homes; but&#13;
highly technical, was spattered with instances of they will not pay for them, and such girls, with such&#13;
the familiar confusion. “I've marked this all the way homes, are generally able to get something better.&#13;
through, so you won't have any difficulty,” is what&#13;
I am often told about some alteration in the MS.&#13;
Very seldom indeed has the thing really been done; THE FIFTEENTH INTERNATIONAL CON-&#13;
and consequently, when two or three typists are&#13;
GRESS OF THE PRESS.&#13;
set to work on different portions, unless they are&#13;
warned, and are very careful, their copies are not&#13;
consistent and have to be altered. There are M HE organisation now known as “ The Associ-&#13;
people who expect you to know nothing, and&#13;
ations of the Press” has grown from the&#13;
take up precious minutes explaining to you that small beginning of the first International&#13;
“ these passages, you see, which I've crossed out, Press Congress held at Antwerp in the year 1894,&#13;
are not to go in"; and there are people who will into the organisation which under the Central&#13;
rush in with a sheaf of unnumbered sheets of “Comité de Direction " this year at Rome drew&#13;
different sizes, some written on one side only, some together delegates representing twenty-four&#13;
on two, much transposed and thickly interlined, countries and 17,000 members.&#13;
beg for a table and pen and ink, and remain any The holding of the Congress at Rome during&#13;
time under an hour in your already crowded office, the celebrations of the National Fête of this&#13;
making the Chinese puzzle more Chinese than Jubilee year of Italy's unity, was a compliment to&#13;
when they brought it. There are those who will the Italian members, and the success of the gather-&#13;
argue with you, longer than you can afford to argue ing proved the choice of place was satisfactory to&#13;
with them, to the effect that carbon copies the associations represented.&#13;
are made at the same time as the ink copy, and But the Comité felt that the historic attractions&#13;
ought not to be charged for. They seldom have of Rome would be a strong temptation to delegates&#13;
time, however, to listen to your explanation that to neglect the work of the Congress, and so some&#13;
very great care is needed ; that the stroke must be matters which were down for discussion were post-&#13;
slow and hard to get a clear impression ; that any poned, and the agenda, or “Questions a l'ordre du&#13;
mistake made must be corrected afterwards in each jour du Congres,” were limited to eight, and&#13;
copy—and these corrections will not all be made although the discussions were decidedly not so&#13;
unless the principal sees that it is done ; and that heated as in other Congresses, yet the attendance&#13;
the mere arranging of the paper and carbon sheets at the business gatherings was always good.&#13;
for the machine—“packing the carbons ” as typists The English delegation consisted of Mr. D, A.&#13;
call it-takes a large proportion of the whole time Louis, of the “ Comité de Direction"; Mr. James&#13;
occupied. The work of a copying office requires Baker, the Hon. Sec. of the British International&#13;
careful checking as well as manual dexterity—it Association of Journalists ; Sir James Yoxall, M.P.,&#13;
should not be forgotten that a high speed also is Editor of the Schoolmaster ; Mr. J. H. Barnes, of&#13;
constantly demanded—and every bit of it-carbon the Daily Mirror ; Mr. Walter Jerrold and Mr.&#13;
copies and all—is produced by so much hard manual G. B. Burgin, and Mesdames Baker and Jerrold.&#13;
labour, step by step. Some people seem to think The President of the Association, Mr. Arthur&#13;
that the machine does it, and the typist only winds Spurgeon, unfortunately was prevented from&#13;
a handle.&#13;
attending&#13;
Copying might be a career for educated girls ; On arrival at the charming Press Club in the&#13;
at present it is not so. I say nothing about Palace Colonna at Rome, the delegates were&#13;
shorthand, which is not largely required by literary presented with their tickets and documents in s&#13;
people. But no educated girl will stay in a copy- portfolio representing an old folio volume bound&#13;
ing office at the rate that office can afford to pay in old calf and elegantly tooled in gold, the ladies'&#13;
her. She will come as a pupil, and stay a little portfolio taking the form of a bag. A most&#13;
while at a low salary to gain experience ; but she useful accompaniment was a small card map of the&#13;
is all the while looking out, and quite rightly, for Italian railways, which, when folded, formed a pass&#13;
something better, and in a year or two at the out- entitling the bearer to travel as he would over all&#13;
side she passes on, leaving the permanent burden the lines.&#13;
of copying work to those who cannot do better. A Reception on the balcony, and in the rooms of&#13;
The principal may supervise with all her strength, the Press Club, gave good opportunity for the&#13;
and when girls have been a long time with her she mutual greetings of the Congressists, and the next&#13;
effects something, but the want of a thorough morning His Majesty the King of Italy attended the&#13;
grounding makes the effect very superficial. The opening of the Congress on the Capitol. The business&#13;
public, if they only knew it, want the services of meetings were held in the handsome hall of the&#13;
&#13;
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## p. 253 (#339) ############################################&#13;
&#13;
THE AUTHOR.&#13;
253&#13;
Press Club on the Piazza Colonna. Their Although it will be seen that many weighty&#13;
Majesties the King and Queen further honoured matters were omitted from the Rome programme,&#13;
the Congress by giving a Garden Party at the yet the Congress proved that a great advance&#13;
Quirinal, at which Members of the Diplomatic internationally has been made. Subjects were&#13;
Corps and a brilliant gathering of the aristocracy debated in better order; there were no tumultuous&#13;
of Italy were present. Their Majesties chatted for scenes of all talking at once. In spite of twenty-&#13;
a long time with Herr Wilhelm Singer, the Presi four nations being represented, differences were&#13;
dent of the Congress, and honoured many delegates set aside, and at least the journalists have proved&#13;
of the Congress by conversing freely with them. they can meet for the common good of their order&#13;
Although the subjects for debate had been cur- and lay aside all bitterness. This has largely been&#13;
tailed by the Comité de Direction, amongst other brought about by the keen diplomacy of Herr&#13;
matters postponed was the “ Facilities given to Singer, the veteran President of the Associations&#13;
Pressmen in the Houses of Parliament;" yet of the Press, and by the immense amount of work&#13;
amongst matters brought up for debate were the done by the Hon. Secretary, Monsieur Taunay.&#13;
questions of “The Development of Institutions The social functions were brilliant and crowded,&#13;
of Succour and Providence," "Professional Tribu- the Foreign Embassy reception being exceptionally&#13;
nals," and of “The Shifting of the Place of Trial brilliant. Amongst others was present Prince&#13;
for Journalistic Offences,” but the two subjects Pietro di Scalea of Sicily. Curiously enough the&#13;
that aroused the greatest interest were “Pro- weather in Rome was wet and cold, and the Fras-&#13;
fessional Secrecy in Press Matters,” and “Duelling cati excursion was marred by torrents of rain. The&#13;
between Journalists in Connection with Press excursions to Naples, to Pompeii, and round the&#13;
Matters.”&#13;
Gulf were excellently organised. At Turin matters&#13;
Upon the former question a warm discussion were rather mixed, as the programmes were not&#13;
arose, and on behalf of the English Delegates, sent beforehand. The English section of the&#13;
Mr. J. H. Barnes made an interesting speech, Exhibition is well worthy of a visit, and was ready&#13;
pointing out that recent events in England had far before the other sections ; at Rome, where in&#13;
greatly altered the position of Journalists, since the Borghese Gardens the art section of the Italian&#13;
the speech made by Mr. J. R. Fisher in Berlin. Jubilee Exhibition is located, the English section&#13;
Now there was no secrecy of the Press in England, stands out above all others, and is a glorious exposi-&#13;
as the Judges in a recent case had enforced the tion of British Art from Turner's time to our day.&#13;
divulging of the name of the writers, not accept- Sir Isidore Spielman, the British Commissioner,&#13;
ing general responsibility. Some most interesting gave a luncheon to the English and Italian&#13;
papers upon this intricate subject were written by Members of the Press Congress, and in an inter-&#13;
His Excellence Dr. F. Klein, formerly Minister of esting speech gave a sketch of the development&#13;
Justice of Vienna, Dr. Lubozynski, of Berlin, and of English art, and spoke of the importance of&#13;
Monsieur. Camille de Saint Auban.&#13;
the International Exhibition of Art now to be&#13;
Upon the question of duelling a most heated seen at Rome. The writer had the honour of pro-&#13;
discussion ensued, Signor Crispolli had brought posing prosperity to the Italian Press.&#13;
forward a resolution that “ Tribunals of Honour” The Conference card, linked with the card of the&#13;
shall be established to replace duels, but Herr G. railways, gave the members of the Congress not&#13;
Schweitzer, the Vice-President and Hon. Treasurer only the advantage of travelling all over the State&#13;
of the Association, opposed this, stating the matter Railways, but also of free entrance to all Museums&#13;
was one the Congress could not take up, and as an and Collections, a privilege that was of immense&#13;
old military man he spoke warmly on the question value to all studying or writing upon any Italian&#13;
of honour. From the English point of view, or historical subject, and one that makes us all&#13;
Mr. James Baker called attention to the fact that intensely indebted to our Italian hosts.&#13;
what was called honourable fifty years ago in Eng-&#13;
JAMES BAKER.&#13;
land, would now be esteemed ridiculous, and that&#13;
frequently duels were now ridiculous, as men were&#13;
SCALE FOR ADVERTISEMENTS.&#13;
not killed or even wounded. Was it not possible that&#13;
all journalists would soon arrive at this conclusion.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.]&#13;
The English word “gentleman” had been used&#13;
Other Pages ... ... ... ... ... ... ... ... 3 0 0&#13;
by speakers in all tongues to denote men of honour, Hall of a Page ...&#13;
... ... ... ... ... ... 0 15&#13;
and gentlemen in England had long ago arrived at&#13;
0&#13;
0 7 6&#13;
this conclusion, might he not, in Rome, add, and&#13;
Single Column Advertisements&#13;
yet they be all honourable men. In the end&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Herr Schweitzer carried his point, that the ques-&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
tion was not one for the Congress.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
Front Page&#13;
0&#13;
0&#13;
***&#13;
...&#13;
...£4&#13;
...&#13;
...&#13;
1 10&#13;
0&#13;
Quarter of a Page&#13;
Eighth of a Page&#13;
per inch 0&#13;
6&#13;
0&#13;
Twelve Insertions.&#13;
&#13;
&#13;
## p. 254 (#340) ############################################&#13;
&#13;
254&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
" E VENDITA&#13;
DVBRY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(6.) Not to give up serial or translation rights.&#13;
76.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author,&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills,&#13;
TTERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
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## p. 255 (#341) ############################################&#13;
&#13;
THE AUTHOR.&#13;
255&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
TITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
SCENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane or be sent by registered&#13;
letter only.&#13;
&#13;
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## p. 256 (#342) ############################################&#13;
&#13;
256&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
Members are reminded that The Author is&#13;
not published in August or September. The&#13;
next issue will appear in October.&#13;
We have much pleasure in poting among the&#13;
Coronation list of awards various honours conferred&#13;
on Members of the Society, and others well known&#13;
in the profession of letters.&#13;
An Earldom of the United Kingdom has been&#13;
conferred upon the Earl of Rosebery, as also upon&#13;
The Lord Curzon of Kedleston. Sir Frederick&#13;
Pollock, Sir John Rhys and Sir William Anson&#13;
have been made Privy Councillors. A Baronetcy&#13;
has been granted to Sir Robert Anderson and Prof.&#13;
William Osler ; Knighthoods to Frederick H.&#13;
Cowen, Frederic W. Hewitt, Sidney Lee, Prof.&#13;
Walter Raleigh, J. E. Sandys, and Frederic G.&#13;
Kenyon has been made a C. B.; while the Order&#13;
of Merit-that most exclusive Order-has been&#13;
conferred upon Sir George Otto Trevelyan.&#13;
We see with great pleasure from a notice to hand&#13;
from the Library of Congress, Washington, that a&#13;
proclamation has been issued by the President by&#13;
which the United States and Sweden are now in&#13;
win&#13;
copyright alliance. The United States are gradually&#13;
coming forward, and it is hoped that the next move&#13;
in copyright legislation will abolish the manu-&#13;
facturing clause once and for all, and enable the&#13;
United States to stand on an equal footing with&#13;
the other civilised countries of the world.&#13;
Mid-Victorian readers, and London Society, men-&#13;
tioned as a magazine to which he was a frequent&#13;
contributor, is not a name familiar to those&#13;
brought up to the monthly perusal of the Strand&#13;
and of its competitors junior to itself. Young&#13;
Gilbert, however, followed a course still not without&#13;
parallel, thinking of the army and giving it up,&#13;
then passing from a clerkship in a Government&#13;
office to Chambers at the Inner Temple, where he&#13;
was called to the bar in 1864. As a young barrister&#13;
he did as others have done before and since his day,&#13;
who have been too impatient to wait in comparative&#13;
inactivity devilling other men's briefs and picking&#13;
up odd ones for themselves at quarter sessions, or&#13;
who have succumbed to the necessity of earning&#13;
a little money. He had been scribbling and&#13;
drawing for the amusement of himself and his&#13;
friends from early boyhood, and he is credited&#13;
with at least fifteen plays, never accepted by&#13;
managers, before he was twenty-four. His work&#13;
for Fun, which is recorded by Mr. G. R. Sims as&#13;
having been paid for, in common with that of all&#13;
other contributors, at the rate of £1 a column, .&#13;
fractions in proportion, may not have been very&#13;
remunerative directly, but it had attracted a good&#13;
deal of notice, and when he was commissioned by&#13;
Miss Herbert, through Tom Robertson, to write&#13;
“Dulcamara,” he was well qualified to make the most&#13;
of the chance. He completed it in ten days and&#13;
duly accepted a cheque in full payment for all&#13;
rights, accompanied by the sound recommendation&#13;
never again to sell as good a piece for £30.&#13;
Needless to say there was no secretary of the&#13;
Society of Authors in those days to administer&#13;
counsel before the bargain was completed,&#13;
and the opportunity may well have been worth the&#13;
sacrifice. It is not necessary to recapitulate here&#13;
in their correct order or with dates all the plays&#13;
which followed, including “Robert the Devil,”&#13;
which opened the career of the Gaiety in 1886.&#13;
“An old Score,” “ Ages Ago," “ The Princess,"&#13;
“Randall's Thumb," “ Creatures of Impulse," " A&#13;
Sensation Novel,” “Happy Arcadia.” “ The Palace&#13;
of Truth,” “Pygmalion and Galatea," “ The&#13;
Wicked World,” and “Charity.” Of these his&#13;
biographer in the Daily Telegraph records that&#13;
Pygmalion ended by placing £40,000 to his credit,&#13;
and some of the others must have been small gold&#13;
mines to him at the time and for many years&#13;
afterwards.&#13;
“Happy Arcadia" was produced at the “Gallery&#13;
of Illustration," where the German Reeds (better&#13;
remembered by those not yet elderly as occupying&#13;
St. George's Hall) catered for a public who were not&#13;
theatre goers, and were responsible for the coming&#13;
together of Gilbert and Sullivan. But for that&#13;
introduction which took place some time in the&#13;
early seventies, the sentence quoted at the opening&#13;
SIR WILLIAM SCHWENCK GILBERT.&#13;
the days Whave to fac biographicalken us bon recen&#13;
M HE whole English-speaking world will hear&#13;
1 with deep regret of the death of Sir W. S.&#13;
Gilbert.” So said the Times in a leading&#13;
article, and none will gainsay the estimate thus&#13;
given, though he may qualify it with the reflection&#13;
that a generation of young playgoers has been&#13;
born and has grown up since the Savoy Theatre&#13;
first opened its doors, and that those whose&#13;
memories of “ Pygmalion and Galatea” go beyond&#13;
the days when Mary Anderson played in it at the&#13;
Lyceum have to acknowledge rather more than&#13;
middle age. The biographical notices of Sir&#13;
William Gilbert have indeed taken us back to a&#13;
period in history of the modern stage and of recent&#13;
journalism which belongs in fact to the past. Not&#13;
many entries into the world can now be recorded as&#13;
taking place in Southampton Street, Strand, where&#13;
he first saw daylight in 1836. We hardly recall&#13;
Fun as a serious rival to Punch, capturing Gilbert&#13;
and the Bab Ballads, because the yarn of the Nancy&#13;
Bell was “too cannibalistic” for Mark Lemon's&#13;
&#13;
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## p. 257 (#343) ############################################&#13;
&#13;
THE AUTHOR.&#13;
257&#13;
of this note might never have been written. When librettist of light opera he is likely to wait long&#13;
a few years later their partnership came into active for a rival. Combining, as he did, a sense of&#13;
being, it was to produce plays calculated to bring poetry, which at times seemed to display itself in&#13;
to the theatre a vast following of admirers of surroundings hardly conducive to its full apprecia-&#13;
musical comedy, a large proportion of whom were tion, humour and individuality of thought and&#13;
not playgoers as a general rule, but who were expression, with a polished grace and precision of&#13;
ready to welcome the opportunity to attend form, which must have helped his composer&#13;
theatrical performances witty and amusing, but, at enormously. His mastery of metre, the dexterity&#13;
the same time, void of offence in every respect, of his rhymes, and his terseness of expression&#13;
whether of plot, dialogue or costume. So the Giībert provided his quaint “ Gilbertian” with 80 well&#13;
and Sullivan opera began at the Opera Comique adapted a vehicle that he may be estimated to&#13;
with “ Thespis," and at the Gaiety in 1875, and have been for many years the most widely quoted&#13;
continued with “Trial by Jury" at the Royalty living author in any language, an inventor of&#13;
in 1876, and later made its first hit with the phrases which in some instances seem to have&#13;
“ Sorcerer," and under D'Oyly Carte at the become part of the English language. A good&#13;
Opera Comique scored heavily with the “Sorcerer," deal has been written recently as to his wit in&#13;
and proceeded to make its first tremendous hit private life, but it hardly seems fair to him that&#13;
with “H.M.S. Pinafore.” That the last named his reputation as a humorist should in any degree&#13;
carried the fame of its authors wide through the depend upon the ready retorts of a inan who could&#13;
English-speaking world may have been partly due not “suffer fools gladly," and whose naturally&#13;
to an error which enabled it to be produced without caustic humour found rather too easily language&#13;
royalties in the United States. At all events, in which to express himself. Like many other&#13;
though somewhat intimately British in allusion, clever men inclined to be intolerant of shams and&#13;
it was prodigiously popular there, and the error conventions, or merely gifted with a critical mental&#13;
referred to was not repeated. The “ Pirates of outlook and a quick tongue, he has had sayings.&#13;
Penzance" followed, and then “ Patience," after quoted, which in the repetition give an impression&#13;
starting on its famous career at the older theatre, of discourtesy, and of rather aimless facetiousness.&#13;
inaugurated “Savoy Opera” in 1882 by its Surely these had better be forgotten, however&#13;
transference to the new house of that name, built amusing they may have been when originally&#13;
for the associated trio, Gilbert, Sullivan, and uttered by the man himself. Mr. George Grossmith,&#13;
D'Oyly Carte, and destined to be the house in than whom none would speak with fuller and more&#13;
succeeding years of “Iolanthe,” “ Princess Ida," intimate knowledge, said of him in his interviews&#13;
“The Mikado,” “Ruddigore," “ The Yeomen of published in the Daily Telegraph : “ As a matter&#13;
the Guard,” and “ The Gondoliers." From the of fact he was a generous, kind, true gentleman-&#13;
Savoy, it need hardly be said, the operas went all and I use the words in its purest and original&#13;
over the world, “The Mikado" being credited sense. I do not mean one of those men who with&#13;
with at least 10,000 performances in the United a little veneer pass as such.” This may be regarded&#13;
States alone. Space does not permit of more than as suinming up his private life, and he is more fitly&#13;
the mention of - The Mountebanks,” with music judged by his works, by what he did for the stage&#13;
by Cellier, during a temporary disunion of the in the days of the old burlesques of the seventies&#13;
two principal Savoy partners, or of “Utopia and early eighties, by what he wrote, whether acted&#13;
Limited," after they had adjusted their differences, or not. By those who knew him thus he will be&#13;
and of such works as, interspersed with those remembered with no less affection, if of a different&#13;
already mentioned, “Sweethearts,” “Broken kind, than by his personal friends.&#13;
Hearts," “ Tom Cobb," “ David Druce,” “En He was knighted in 1907. He joined the&#13;
gaged,” “ His Excellency," “ The Wedding Society of Authors somewhat late in his career,&#13;
“The Wicked World” transformed becoming a member in 1899, but he was warmly&#13;
into comic opera in 1909. “The Hooligan,” a appreciative of the assistance rendered by the&#13;
sketch, was a rather dreary last word played at the Society to Authors, and at the time of his death&#13;
Coliseum quite recently, but his latest works had been a member of its council for many years.&#13;
added little to their author's fame, and on&#13;
May 29th Sir William Gilbert met with the death&#13;
tragically unlooked for and sudden, but enviably THE ROLL OF THE AUTHORS' SOCIETY.&#13;
swift and painless, the details of which have been&#13;
recently recorded. As a writer he was thoroughly M HE list of the Society of Authors was last&#13;
master of the requirements of the public for which 1 published in October, 1907, and all elections&#13;
he wrote, witty and incisive, with a wit and satire&#13;
s ince then, after each monthly committee&#13;
original and peculiar to himself ; and as a meeting, have been chronicled in The Author.&#13;
&#13;
&#13;
## p. 258 (#344) ############################################&#13;
&#13;
258&#13;
THE AUTHOR.&#13;
More than 250 members have been elected in each look to them for protection from unnecessary&#13;
of the last few years, and the society loses about intrusion upon them.&#13;
100 to 120 annually in deaths, resignations and Finally, the committee believe that the sale of&#13;
erasures for non-payment. It is clear, therefore, the list would in no way justify the annual issue,&#13;
that by this time the list published in 1907 is for during the four years the list has been issued,&#13;
entirely out-of-date. Indeed, any list would be with the exception of the first year, when, of course,&#13;
out-of-date if it was not published annually. The it was correct, only about sixty have been sold,&#13;
expense of publishing the 1907 list, when every while the sale in the first year did not cover the&#13;
item is taken into consideration, was a heavy cost of labour and production. An annual issue&#13;
pecuniary burden on the society and was in no way would not be quite so expensive to the society for&#13;
justified by the number of copies that have been obvious reasons, but still the expense would be&#13;
sold. The question has again been brought before considerable, and the committee press this point&#13;
the committee whether it would be advisable to specially because there are so many claims on the&#13;
publish a new list, but for the following reasons funds of the society which must be met. Such&#13;
they are not inclined to incur the expense. Firstly, matters as the payment of solicitors' charges and&#13;
there are a considerable number of members who the finding of inoney for fighting actions, whose&#13;
have a strong objection to their names and issue will bring real benefit to the members, must&#13;
addresses being printed, for although the list is have the first call on the funds, and the committee&#13;
private and only sold to members of the society, consider that the publishing of a list, to the appear-&#13;
yet any outside advertiser who desires to get a copy ance of which the majority of the members seem&#13;
in order to circularise members can do so without indifferent, should await the time when the&#13;
much difficulty. Members object to having their pecuniary position of the society is stronger. The&#13;
mails added to by receipt of further circulars. committee would, however, like to have an expres-&#13;
Secondly, the expense to the society of printing sion of opinion from members of the society&#13;
the list is very substantial, especially as under generally and, accordingly, have authorised the&#13;
present conditions if the list is to be of any use to insertion of this short article in The Author.&#13;
members it ought to be produced annually. The The secretary will be pleased to hear from any&#13;
yearly election of members is very large and it may member who desires to express his opinion about&#13;
be anticipated that it will be maintained at its high the publication of an annual roll, as the committee&#13;
figure. The number of erasures is also large, and will naturally be guided by the opinion of the&#13;
this is inevitable as deaths and defaults in subscrip- members with regard to future action.&#13;
tions occur. There are also resignations, and these,&#13;
we are glad to say, are not so heavy as they have&#13;
been. As our work gets more widely known there&#13;
are fewer people who join the society merely for&#13;
personal benefit, and leave it when they have used DINNER OF THE SOCIETY OF WOMEN&#13;
the services of the society. The feeling that the&#13;
JOURNALISTS.&#13;
society is a co-operative association in which&#13;
membere not in trouble can help those who are is&#13;
growing. But still, the changes in the personnel M HE seventh annual dinner of the Society of&#13;
of the society are very numerous, and the publica 1 Women Journalists, which took place at the&#13;
tion of a yearly list would be a serious tax on the&#13;
Criterion Restaurant on June 20, was one of&#13;
funds and on the clerical staff. Nothing is more the most important gatherings ever brought together&#13;
difficult to edit than such a list of names and under the auspices of that excellent institution.&#13;
addresses. Thirdly, in the case of a member of Mrs. Bedford Fenwick, president for the year,&#13;
the society wanting the names and addresses of his occupied the chair, and among the distinguished&#13;
fellow members for reasons connected with the writers who supported her were M. Wesselitsky,&#13;
business of the society, the committee consider that president of the Foreign Press Association ; Mrs.&#13;
any member after sending proper notice to the Katherine Cecil Thurston, chairman of the Writers'&#13;
secretary might be allowed to inspect the list, and Club ; Mr. Herbert Baily, editor of the Connoisseur,&#13;
if he or she wanted to make copies of the names resplendent in the crimson robes of a cardinal-&#13;
and addresses of members in order to circularise archbishop, a foretaste of the Shakspere ball to&#13;
them on the society's business, it would be reasonable which several of those present were going later in&#13;
to allow such copies to be made subject to the the evening ; Mrs. Alec Tweedie, Mrs. Charles&#13;
committee's sanction and on payment of the clerical Perrin, Miss May Sinclair, Mrs. Burnett Smith&#13;
expenses ; the committee, naturally, would have to (Annie S. Swan), Miss Marjorie Bowen, Mr.&#13;
know the purpose for which the member desires W. W. Jacobs, Mr. and Mrs. Herbert Thring,&#13;
the names and addresses, as the members would Mr. Cosmo Hamilton, Mr. Arthur Diosy, Sir&#13;
&#13;
&#13;
## p. 259 (#345) ############################################&#13;
&#13;
THE AUTHOR.&#13;
259&#13;
IV.&#13;
Bindon and Lady Blood, and Mr. and Mrs. Hodder The Society is to be congratulated upon a highly&#13;
Williams.&#13;
successful Coronation dinner, upon an increasing&#13;
The original intention had been to arrange small usefulness, an expanding membership, and upon&#13;
tables, as well as a high table, to represent various the possession of an enterprising and energetic&#13;
jouruals, but such was the demand for seats that staff of honorary officials.&#13;
the scheme had to be abandoned, and only some&#13;
half-a-dozen groups could be accommodated apart&#13;
from the general company. These were The&#13;
Englishwoman, distinguished by the presence of&#13;
STYLE IN LITERATURE.&#13;
Mrs. Henry Fawcett; The British Journal of&#13;
Nursing, The Lady, The Woman at Home, at&#13;
which, among others, sat Mrs. Baillie Saunders and&#13;
By ARCHIBALD DUNN.&#13;
Mr. Harold Child ; the Ladies' Army and Navy&#13;
and the Lyceum Clubs also had tables allotted to&#13;
[The commencement of this article, in the April issue.&#13;
them. The heads of other tables were taken by&#13;
spoke of the broad requirements of style. Continued in&#13;
officials of the society, Mrs. Baillie Reynolds, vice the May number, the Laws of Economy, Climax and&#13;
chair; Mrs. Willoughby Hodgson, hon. secretary : Variety were dealt with in detail. And, last month, some&#13;
explanation was given of the need for Grace in writing-&#13;
and Miss Burford Rawlings, hon. treasurer.&#13;
for the introduction, that is, of the æsthetic].&#13;
Mr. Joynson Hicks, M.P., spoke to the toast of&#13;
the Three Estates of the Realm, while “ Our M HE methods by which images and symbols&#13;
Guests," with a cordial reference to those from&#13;
are created in literature may be set&#13;
beyond the seas, was proposed from the Chair and&#13;
down under four headings—Synecdoche,&#13;
responded to by Sir Mortimer Durand, G.C.M.G., Metonymy, Simile and Metaphor; and however&#13;
and Mrs. Thurston, who referred to the woman ungrateful the task of compiling a catalogue, there&#13;
journalist as the most modern of modern products. is nothing for it here but to take these terms,&#13;
“ The Society” was allotted to Mr. Israel singly and in order, and explain their meaning-&#13;
Zangwill, who remarked that the distinction of course, as concisely as may be.&#13;
between literature and journalism had long since Synecdoche, then, is the illustration of an idea&#13;
broken down. They both had too much imagina- through mention of some constituent part of it.&#13;
tion to be kept really separate. On behalf of the Thus, “an escort of a dozen sabres" paints a&#13;
society Mrs. Baillie Reynolds made reply, while sharper picture and more immediately than if we&#13;
supporting her was Miss MacMurchy, president of were to write “an escort of a dozen men.”&#13;
the Canadian Women's Press Club, now affiliated Metonymy is the substitution of the concrete&#13;
to the S.W.J., who dwelt upon the happy relations for the abstract, of the familiar and readily intel-&#13;
that existed between the press of the Mother and ligible for the unfamiliar and less readily intelligible.&#13;
Daughter Countries. The names of other promi. “He put his strength into it" is not so significant&#13;
nent Canadian women journalists appearing on the as to say “ He put his back into it”-the latter is&#13;
lists of those present were Mrs. FitzGibbon, Mrs. a definite picture, the former indefinite. And it&#13;
Simpson Hayes, Miss Agnes Deans Cameron, and becomes easy to appreciate eren so abstract a thing&#13;
Miss L. H. Birchall. Mr. Crawshay Williams, M.P., as “evening” if suggested to us by a master;&#13;
in the picturesque negligé of a Greek fisherman, “When," as Stevenson says, “ the dew fell and the&#13;
was responsible for a felicitous little speech in stars were of the party.” The dew and the stars&#13;
honour of Mrs. Bedford Fenwick, who in her reply are familiar enough, and their association with the&#13;
made mention of the invitation that had been closing of the day inevitable.&#13;
extended to her as president to represent the Simile is a comparison obviously made : “ Like a&#13;
society at the Coronation service in Westminster giant refreshed," * As still as death,” “ Fairer than&#13;
Abbey a couple of days later. Earlier in the the lily," and so on.&#13;
evening a telegram had been despatched to their Metaphor is a suggested comparison by means of&#13;
Majesties the King and Queen :“We, the members some qualifying adjective or phrase. There is no&#13;
of the Society of Women Journalists assembled in mistaking the sense and force of a “stony stare”&#13;
honour of the Coronation, offer loyal and dutiful or of “I pinned him to the facts.” And when this&#13;
devotion to your most gracious majesties,” to which idea comes to be still further elaborated, as it is&#13;
the following reply arrived in due course :&#13;
with polished writers, then we shall find a subtle&#13;
“ The King and Queen sincerely thank the and beautiful picture of the stars and of the&#13;
members of the Society of Women Journalists for heavens in Carlyle's phrase, “ Street lamps of the&#13;
the loyal message and good wishes contained in City of God."&#13;
your telegram which their Majesties have received Now it is at once noticeable that Synecdoche and&#13;
with much pleasure.-BIGGE."&#13;
Metonymy are first cousins. It is not quite safe,&#13;
&#13;
&#13;
## p. 260 (#346) ############################################&#13;
&#13;
260&#13;
THE AUTHOR.&#13;
for nstance, to assert very confidently that Steven- well-nigh perfect, but its complete significance is&#13;
son's description of the evening—“When the dew not immediately obvious. It requires a period,&#13;
fell and the stars were of the party "—is Metonymy though maybe a short one, to sink into the mind;&#13;
rather than Synecdoche; the “ falling dew" and and, admitting this, we have come upon a clear&#13;
the “stars," constituent parts certainly of an ordi- distraction from the main issue. Hence it seems&#13;
nary evening, seem to demand the inclusion of the more likely that the greater force of Metaphor&#13;
phrase under the heading of Synecdoche. And springs from another cause, its greater attractiveness.&#13;
again, to speak of a “dozen sabres " instead of a “All men," says Dr. Whately, "are more gratified&#13;
“dozen men” is clearly tu substitute the concrete for at catching the resemblance for themselves than in&#13;
the abstract, and so to trench upon the ground of having it pointed out to them"; or, in other words,&#13;
Metonymy. But whether we are to admit a large we are creatures of a small vanity, fond of&#13;
distinction or a small one, or none at all, is not, discovering our own cleverness and of giving our-&#13;
perhaps, of much moment; the more important selves an approving pat upon the back. So,&#13;
consideration is that, from the definite and readily although we may bave committed &amp; theoretical&#13;
intelligible idea advanced in Synedoche and fault in construction, although we may have caused&#13;
Metonymy, there results in the reader's mind an a passing delay and a break across the smooth&#13;
immediate suggestion and explanation of the less current of thought towards the main idea, here is&#13;
definite and less readily intelligible thought which an ample compensation and, we may believe, a&#13;
the writer wishes to express.&#13;
debt honestly due by every author to the weakness&#13;
Simile and Metaphor derive their effectiveness of humanity.&#13;
from the same source—the ease with which they But this thing must not be overdone. The aim&#13;
enable a reader to recognise the full significance of and object of the whole business is, in the long run,&#13;
the main idea. And here, again, we find an obvious enlightenment; and, if there be no enlightenment,&#13;
relationship ; though, perhaps, not so close. Indeed, then most certainly does failure ensue. Thus, the law&#13;
Herbert Spencer goes so far as to say that “Simile applying in the use of all figures of speech is first&#13;
is in many cases used chiefly with a view to orna- and foremost-Simplicity. But, understand me,&#13;
ment,” and, thereby, implies some shortcoming in with a qualification. For, what is simple to one&#13;
its more practical value. Well, of course, it is may be unintelligible to another and, therefore, the&#13;
possible, with looseness of language, to call any- extent of an author's licence in erudite figures of&#13;
thing that is useful ornamental ; and, in that sense, speech is to be measured always by the capacity of&#13;
the assertion might pass. But otherwise--and in his reader. What, for instance, would the poorly&#13;
the absence of proof which is not forthcoming in educated reader make of this : "For Conservation,&#13;
Spencer's article—the outstanding worth of Simile strengthened by that mightiest quality in us, our&#13;
as a practical aid to the writer and to the reader is indolence, sits for long ages, not victorious only,&#13;
too obvious, too patent to the logical mind, to allow which she should be ; but tyrannical, incommunica-&#13;
of this be-littlement.&#13;
tive. She holds her adversary as if annihilated ;&#13;
The actual distinction between Simile and such adversary lying, all the while, like some buried&#13;
Metaphor, the point at which they separate and Enceladus ; who, to gain the smallest freedom, has&#13;
in a sense lose relationship, lies in the greater to stir a whole Trinacria with its Aetnas. Where-&#13;
obviousness of the one than of the other. Simile is fore, on the whole, we will honour a Paper Age, too ;&#13;
the comparison openly made ; Metaphor, a species an Era of hope! For in this same frightful process&#13;
of stage “ aside" only to be caught by the quicker of Enceladus revolt; when the task, on which no&#13;
witted. And experience has shown that Metaphor mortal would willingly enter, has become impera-&#13;
is more effective than Simile, and is, as a rule, to be tive, inevitable—is it not even a kindness of Nature&#13;
preferred.&#13;
that she lures us forward by cheerful promises,&#13;
In explanation, Herbert Spencer argues that, of fallacious or not; and a whole generation plunges&#13;
the two, Metaphor has the advantage of greater into the Erebus Blackness, lighted on by an Era of&#13;
economy ; and he instances the comparison between Hope ?”* Yet, though Carlyle may have been&#13;
“Ingratitude ! thou marbled-hearted fiend” and right to indulge in this tirade because he wrote for&#13;
“ Ingratitude ! thou fiend with heart like marble.” the student and for those highly cultured in litera-&#13;
But if we turn from the simple metaphor which can ture, he would certainly have been very wrong&#13;
be expressed by a qualifying word and examine that indeed to have expressed himself in such a manner&#13;
which demands the qualifying phrase, if we con- had his appeal been to humbler folk. Here, for&#13;
sider once again those“ Street lamps of the City of them, if not for others, is an incomprehensible&#13;
God,” then economy—at any rate, of the reader's jargon, a collection of unfamiliar and unrecognised&#13;
attention-is not so apparent. For, I do not think terms, expressions without meaning, the apotheosis&#13;
it possible to realise this picture without some break&#13;
in the continuity of thought. The Metaphor is&#13;
* Carlyle's - French Revolution."&#13;
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&#13;
## p. 261 (#347) ############################################&#13;
&#13;
THE AUTHOR.&#13;
261&#13;
of bad style. “Some buried Enceladus" and “a whereas precedence of the substantive is apt to&#13;
whole Trinacria with its Aetnas” convey nothing produce a misconception ; it follows that the one&#13;
to those humbler folk and leave the picture blank. gives the mind less trouble than the other, and is&#13;
And, beyond Simplicity, there is something more; therefore more forcible. . . . What is here said&#13;
these figures of speech—whether of Synecdoche, respecting the succession of the adjective and sub-&#13;
Metonymy, Simile, or Metaphor—have yet another stantive is applicable, by change of torms, to the&#13;
law to bow to, they must form a distinctive part of adverb and verb." *&#13;
the main thought. For it is clear, I think, that, All of which, we see, brings us to a curious&#13;
had we spoken of “an escort of a dozen pairs of impasse. For, if this be philosophy founded on&#13;
boots " instead of “an escort of a dozen sabres,” we nature, what shall we say to the Frenchman and&#13;
should bave been as correct in the one case as in the German ? people as intelligent as ourselves and&#13;
the other, but we should, nevertheless, have failed dependent for guidance on just the same dictates&#13;
to paint the picture. And, why? Because “pairs of nature. The Frenchman finds it easier to under-&#13;
of boots” are common to any escort-infantry, stand “the horse black”; and the German reads a&#13;
police, a crowd of admirers or of ragamuffins—whilst sentence most comfortably, it would seem, when&#13;
“ sabres” are distinctive of cavalry.&#13;
the verb (governing and explaining the whole affair)&#13;
is hidden from sight on the other side of the&#13;
It remains now to say a word upon the position page.&#13;
which qualifying phrases in general may most fitly But even ignoring this, and turning to the&#13;
occupy in the formation of any sentence. At first argument itself, it is not easy to follow its logic. It&#13;
sight, this would appear a question of small moment; is not easy to see that the word “black” is less&#13;
first or last, or in the middle, what can it matter ? open to misunderstanding than is the word “horse."&#13;
and in an ordinary way, in a passing remark or a So many things are black—a nigger, a look, a deed.&#13;
sentence of no special import, it is hardly, perhaps, And, as it is the way with most of us to anticipate,&#13;
of consequence. But, apart from this and in cir- the chance may fall upon a nigger ; then, presently,&#13;
cumstances when the writer desires to emphasise when the word " horse" comes along, there follows,&#13;
his point or to be impressive, then there is a maxim obviously enough, a very distinct “check to the process&#13;
of Style in literature for his guidance which lays it of thought”—first, in the deletion of the nigger and,&#13;
down that any qualifying word, epithet or phrase, then, in the fresh start off upon the picture of the&#13;
shall precede the subject qualified.&#13;
horse. Indeed, considering all things, there does&#13;
The philosophical explanation of this is based on not appear to be any very satisfying reason why&#13;
the assumption that such a process tends auto- the qualifying phrase should precede rather than&#13;
matically to an easier sequence of thought and succeed the subject qualified ; in either case, the&#13;
therefore, to an economy of effort on the part of the result may be a “check to the process of thought "&#13;
reader. “If a horse black be the arrangement with one safeguard only—the rapidity with which&#13;
(instead of a black horse), then immediately on the we read and, so, embrace the thought not in parts&#13;
utterance of the word horse,' there arises, or tends but as a whole. .&#13;
to arise, in the mind, an idea answering to that In such circumstances, then, the obvious course&#13;
word ; and, as there has been nothing to indicate is to turn to experience ; and, here, there is no&#13;
what kind of horse, any image of a horse may sug- doubt about the result. For, whatever may have&#13;
gest itself. Very likely, however, the image will originated the habit amongst English-speaking&#13;
be that of a brown horse ; brown horses being the people of thinking as they do, it is certain that, for&#13;
most familiar. The result is that when the word them, the natural easy sequence of ideas has become&#13;
• black ’ is added, a check is given to the process of nowadays that in which the qualifying word, epithet&#13;
thought. Either the picture of a brown horse or phrase, is stated before the subject qualified ;&#13;
already present to the imagination has to be and, therefore, as the mind works most smoothly, and&#13;
suppressed, and the picture of a black one sum consequently with the greatest rapidity, under such&#13;
moned in its place; or else, if the picture of a conditions. so, where impressiveness is desired, the&#13;
brown horse be yet unformed, the tendency to form need for observance of this law grows imperative.&#13;
it has to be stopped. Whichever is the case, some S ee how it applies in practice. “And then uprose&#13;
hindrance results. But if, on the other hand, 'a the great Montrose” is sensibly dramatic, a picture&#13;
black horse' be the expression used, no mistake can in strong colours ; but invert the verb (which&#13;
be made. The word 'black,' indicating an abstract qualifies) and Montrose (who is qualified), and the&#13;
quality, arouses no definite idea. It simply pre picture is wishy-washy in an instant—"And then&#13;
pares the mind for conceiving some object of that the great Montrose uprose.” Or, perhaps, a some-&#13;
colour ; and the attention is kept suspended until what longer quotation will point the moral better.&#13;
that object is known. If, then, by precedence of&#13;
the adjective, the idea is always conveyed rightly,&#13;
* Herbert Spencer.&#13;
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## p. 262 (#348) ############################################&#13;
&#13;
262&#13;
THE AUTHOR.&#13;
* And ever upon the topmost roof our banner of same time there are principles which, if they do&#13;
England blew” grows weaker in steady proportion not actually set us on the right road, at least pre-&#13;
as the subject is advanced without qualification, vent us wandering far from it ; and these principles&#13;
thus ; “ And ever our banner of England blew upon depend on the philosophy which has stood through-&#13;
the topmost roof” is feeble, yet one degree more out for the mainstay of this discussion. This, as&#13;
forcible than “And our banner of England blew you know, is simply that the thought shall be&#13;
ever upon the topmost roof.” (The important expressed so that the reader can grasp it at once and&#13;
qualification is, of course, “ Erer upon the topmost without effort—there is to be no obscurity and no&#13;
roof.")&#13;
distraction through monotony. Hence, in a choice&#13;
Where, however, many qualifications are applied of words, we are back again at the elementary laws&#13;
to one subject, it will be found that, if an impor- of Simplicity and Variation.&#13;
tant qualification be stated at once, if the mind be The simple words in the English language are&#13;
set in this fashion into the proper train of thought, said to be Saxon ; and, no doubt, this is correct.&#13;
then other qualifications may be added as effec- We are told, therefore, that Saxon words are to be&#13;
tively after the subject as before it.&#13;
preferred to words of Latin origin ; and again, no&#13;
doubt, this is correct. But, somehow, the intro-&#13;
With fingers weary and worn,&#13;
With eyelids heavy and red,&#13;
duction of such a problem suggests a complication ;&#13;
A woman sat, in unwomanly rags,&#13;
for many a man and many an excellent writer, too,&#13;
Plying her needle and thread-&#13;
would be hard put to it to dissect his mother-&#13;
Stitch-stitch-stitch!&#13;
tongue. An easier way, then, must be found ; and&#13;
In poverty, hunger and dirt.&#13;
here it is — to speak not of “simple” but of&#13;
The explanation is clear — the avoidance of “familiar” words. Every intelligent person is&#13;
monotony and of too long a suspension of the agreed on the familiar word. It varies, of course,&#13;
main thought.&#13;
in different circles—in the nursery and in the&#13;
But when discussion only is concerned, when academy-but there can never be a question as to&#13;
there is no appeal to the feelings and no attempt at what is suitable in given surroundings. Yet,&#13;
the impressive, when, in short, we speak directly to though we shall have short words and long words&#13;
the reason, then observance of this sequence ceases according to the circumstances, words for the child&#13;
to be strictly necessary-indeed, the inversion of it and words for the student, it is not to be forgotten&#13;
is often the most effective. The reason for this that, in general, the short word will be the most&#13;
has not yet, so far as I know, been suggested by effective---on account of the resulting economy of&#13;
anyone; but it seems a tolerably fair assumption effort for the reader ; for, just as a long sentence&#13;
that the logical mind-a thing distinct, one may creates a greater strain in its comprehension than&#13;
believe, from the emotional mind—will demand does a short one, so will a word of many syllables&#13;
first and foremost that it should know what the become a greater impediment to the progress of&#13;
subject is which happens to be under discussion. thought than will a word of few syllables.&#13;
For such a mind it is natural to commence with a This, however, may be qualified. The short&#13;
definite pronouncement of the matter in debate. word is preferable for habitual use ; but where an&#13;
For example : “ The first Lord of the Treasury was impressive effect is desired, where the object is to&#13;
detested by many as a Tory, by many as a favourite, attract marked attention to some quality or subject,&#13;
and by many as a Scot," is more direct and, there the long word produces a peculiar emphasis of its&#13;
fore, more satisfying to the purely reasoning mind own. It may be that this is the outcome of the&#13;
than the suspended thought created by this inver- size of the word itself—the larger impression on&#13;
sion : “ As a Tory, as a favourite, and as a Scot, the the eye creating a correspondingly large impression&#13;
first Lord of the Treasury was detested by many." on the seuses ; or it may be simply another instance&#13;
And, finally, in the observance of these laws, where suspension of the thought can accentuate the&#13;
there must always be variety.&#13;
conclusion—the long word in this case playing the&#13;
same part as parenthesis in the construction of a&#13;
As to the handling of words, the selection of one sentence. But, whether either or both are to be&#13;
rather than of another, it is certain that the word taken as the explanation, the value of the long word&#13;
chosen must always be the most appropriate—this in certain circumstances remains a fact, Thus, to&#13;
requires no argument; and, of all the many words give a practical illustration, to write of “a very&#13;
that, out of a well-stocked vocabulary, might be heary man” is, obviously, to draw a somewhat indis-&#13;
made to express the meaning in one fashion or tinct and feeble picture; wbilst, to write of "a&#13;
another, only one of these can be the best, the most ponderous man” is to arouse an immediate concep-&#13;
truly expressive. To a great extent, of course, the tion of unusual weight and bulk.&#13;
aptitude for happy selection must be a natural gift Then, again, the specific word is more readily&#13;
-one man has it and another has not. At the intelligible than the generic, and should therefore&#13;
&#13;
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## p. 263 (#349) ############################################&#13;
&#13;
THE AUTHOR.&#13;
263&#13;
be chosen when the alternative offers. For example, writer who obeys these precepts with sincerity has&#13;
it will, as a rule, excite slight sympathy to say that in a manner proved himself and, to a degree at&#13;
we are afraid of “ an operation ”—the generic term least, assured his position. Pity, then, that, if&#13;
“ operation” being too vague and conveying too this be the limit of his literary grace, he should&#13;
little to the minds of an average audience. But still be so far from ranking as a Master. For&#13;
say, instead, that you are afraid of “the surgeon's there is the stage beyond. It is indescribable, I&#13;
knife," and the horror of the whole business know, and like many other æsthetic effects in&#13;
strikes the intelligence in a moment and creates a Nature incapable of analysis. You cannot say, for&#13;
picture which cannot be misunderstood.&#13;
instance, why one melody more than another is&#13;
Hence we see, in the advantages of realism, the beautiful ; why one voice is the more soothing and&#13;
importance to be attached to those words which are sympathetic ; or why some passing glance should&#13;
in themselves illustrative. “ To smark the face," betoken before the world an ardent admiration or&#13;
“ To splash into the water,” “To fall with a thud affection. These are the mysteries which humanity&#13;
upon the ground," convey a strengthened mean- acknowledges but cannot explain. And so it is&#13;
ing by the suggestiveness of the actual sound of with the music of words. Thus, there is nothing&#13;
the words which are here italicised. We under- for it but to speak through the medium of examples&#13;
stand their meaning, of course, at any time; but and leave the writer to work out his own salvation.&#13;
we understand it all the more speedily and vividly This, then, is what Mark Twain says about the&#13;
through this suggestiveness.&#13;
ugliness of words—he is discussing Lake Tahoe-:&#13;
Yet, not even the excellence of all these princi. “Sorrow and misfortune overtake the Legislature&#13;
ples must ever tempt us into the indiscretion of that still from year to year permits Tahoe to retain&#13;
riding them to death. The Saxon word, the short its unmusical cognomen! Tahoe! It suggests no&#13;
word, the long word for impressiveness, the specific crystal waters, no picturesque shores, no sublimity.&#13;
word rather than the generic and, finally, the illus- Tahoe for a sea in the clouds ; a sea that has char-&#13;
trative word are to be the aim, throughout, of the acter and asserts it in solemn calms at times, at&#13;
polished writer. But only at the risk of failure times in savage storms ; a sea whose royal seclu-&#13;
shall he insist on them too much. For here, as in sion is guarded by a cordon of sentinel peaks that&#13;
every branch of literary construction and literary lift their frosty fronts nine thousand feet above the&#13;
style, is the law of Variation stepping in to forbid level world : a sea whose every aspect is impres-&#13;
monotony. We may not weary the reader, and the sive, whose belongings are all beautiful, whose&#13;
best of anything can become wearisome in tine. lonely majesty types the Deity! Tahoe means&#13;
So--though it is quite impossible to fix upon a grasshopper. It means grasshopper soup. It is&#13;
dividing line, to assert that just here or just there Indian, and suggestive of Indians. They say it&#13;
a writer is carrying routine too far—it is perfectly is Piute—possibly it is Digger. I feel sure it is&#13;
certain that now and then, at given intervals, the named by the Diggers — those low savages who&#13;
first principles of good style must, for the sake of roast their dead relatives, then mix the human&#13;
Variety, be set aside. And that is why so crude a grease and ashes of bones with tar, and .gaum’ it&#13;
thing as deliberate repetition is forbidden and, yet, thick all over their heads and foreheads and ears,&#13;
permissible. Repetition is, in its very essence, and go caterwauling about the hills and call it&#13;
monotonous ; but, after a string of florid passages, mourning. These are the gentry that named the&#13;
after a series of sentences artistically varied, then Lake.”&#13;
the repetition of one idea and an insistence on it And this is what Stevenson says of the beauty of&#13;
becomes, by force of contrast, the most startling words : “ The names of the States and Territories&#13;
variety. There is no need for an example. You themselves form a chorus of sweet and most romantic&#13;
have but to recall the orator's trick of working to vocables : Delaware, Ohio, Indiana, Florida, Dakota,&#13;
a climax, from the eloquent and verbose to the Iowa, Wyoming, Minnesota and the Carolinas :&#13;
simple, from the magniloquent airing of ideas to there are few poems with a nobler music for the&#13;
the blunt repetition of a statement—“I know that ear : a songful, tuneful land : and, if the new&#13;
my cause is just ; I know that the law is just ; I Homer shall arise from the Western continent,&#13;
know that just ice will be done.” And this, mark his verse will be enriched, his pages sing spon-&#13;
you, is a double repetition—in the word and in the taneously, with the names of States and Cities&#13;
setting of the phrase.&#13;
that would strike the fancy in a business circular.”&#13;
But all this is to say nothing of the music of It is nothing that we shall avoid the continuous&#13;
words themselves, as distinct from their arrange- repetition of the same word, or of words with the&#13;
ment. In all these principles, in all these maxims, same sound, or of words beginning or ending with&#13;
there is something that is sure and practical in its the same letters, or of stock and hackneyed phrases&#13;
result, something that will take the roughness off&#13;
the edge and put a polish on the surface. The&#13;
* . The Innocents Abroad."&#13;
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## p. 264 (#350) ############################################&#13;
&#13;
264&#13;
THE AUTHOR.&#13;
—these are forbidden on the ground of an offence&#13;
against Monotony. The aim is higher than this&#13;
to select the expressive word which is, besides,&#13;
melodious to the ear.&#13;
And so, too, with sentences. Theoretically&#13;
perfect perhaps, they may still be crude ; lacking&#13;
the necessary rhythm, the even balance, the easy&#13;
flow so delightful to the senses. They may satisfy&#13;
the intellect of course, and yet fail most lamentably&#13;
before the Court of the Emotions. But there is no&#13;
man to give a Panacea for the Evil. This lies in the&#13;
domain of Art, cloudy and obscure to most of us,&#13;
and only the Artist is destined to triumph.&#13;
Thus, in this maze of the sure and of the vague,&#13;
there is ample encouragement; and, yet, matter for&#13;
despair in the outlook. There is so much to see&#13;
to, is there not ? so many obligations to fulfil in&#13;
the practice of the Art of Writing ; and, as there&#13;
is no place anywhere for even the semblance of&#13;
blemish, so will failure in one particular be only&#13;
too apt to mean failure in all. It is the build-&#13;
ing of a house of cards where the single slip&#13;
will bring the whole flimsy structure clattering&#13;
to the ground. And, hence it is that one&#13;
may concur most whole-heartedly in Stevenson's&#13;
opinion. “We begin to see now," he says, *&#13;
“ what an intricate affair is any perfect passage;&#13;
how many faculties, whether of taste or pure&#13;
reason, must be held upon the stretch to make&#13;
it ; and why, when it is made, it should afford us&#13;
80 complete a pleasure. From the arrangement of&#13;
according letters which is altogether arabesque and&#13;
sensual, up to the architecture of the elegant and&#13;
pregnant sentence, which is a vigorous act of the&#13;
pure intellect, there is scarce a faculty in man but&#13;
has been exercised. We need not wonder, then, if&#13;
perfect sentences are rare, and perfect pages rarer."&#13;
giving utterance to the voices of the hills and dales.&#13;
among which he lived.&#13;
In recent years, as the study of Nature has grown&#13;
more and more fashionable, when hardly a week&#13;
passes that does not bring forth a book on wild&#13;
birds or animals, on highways and byways all over&#13;
the country, Wordsworth has come into his own&#13;
again, and takes his place as the High Priest of&#13;
Nature. Those apostles who have for years.&#13;
worshipped him in silence now take courage and&#13;
preach his gospel, acknowledging his teaching.&#13;
One of the most interesting books dealing with&#13;
Wordsworth, under the title of “ Wordsworthshire"&#13;
(published by Chatto &amp; Windus, 78. 6d, net), by&#13;
Eric Robertson, M.A., is now before us.&#13;
It would do for Wordsworth what Boswell bas.&#13;
done for Johnson, if it can be imagined that&#13;
the view point is exactly the opposite. Boswell is.&#13;
exoteric ; Mr. Robertson is esoteric.&#13;
He commences by giving an account of Words-&#13;
worth's forbears and his surroundings, and then in&#13;
most elaborate detail shows the effect of the lake&#13;
influence—not only the lake influence, but the&#13;
influence of every minute corner of the lakes where&#13;
Wordsworth visited-upon his mental attitude.&#13;
He shows again how this mental attitude is reflected&#13;
in his poetry. It is a good book ; and Mr. Robert-&#13;
son has proved himself a worthy apostle of his&#13;
prophet. It is copiously and attractively illustrated&#13;
from black and white wash drawings by Arthur&#13;
Tucker. We would recommend the book to those&#13;
who know, and more to those who, still ignorant, .&#13;
desire to know, something of the beauties in the&#13;
verse of the Great Poet of Nature.&#13;
THE HISTORY OF THE NOVEL.*&#13;
ON WORDSWORTH.&#13;
NHIRTY or forty years ago Wordsworth was&#13;
almost forgotten ; he was looked upon as&#13;
an undistinguished poet who had lived&#13;
among the English Lakes. It was acknowledged&#13;
that he had written one or two good sonnets, but&#13;
the rest of his poetry was swept away with a broad&#13;
sweep of the hand as puerile and silly. There were&#13;
still one or two fond admirers who believed in him&#13;
and his writings, as the poet of Nature, as one&#13;
TR. WILLIAMS is not the only Richmond&#13;
in the field ; but we are inclined to think&#13;
he is the best. His History of the English&#13;
Novel is on a larger scale than that of Professor&#13;
Raleigh, and it deserves all the laudatory epithets&#13;
proper to such a work. The author knows his&#13;
subject from A to Z—from Thomas Nash to&#13;
Thomas Hardy—and his style is clear, attractive,&#13;
and, at times, epigrammatic. Works of erudition&#13;
too often give the reader a sensation of having&#13;
finished his day's work when he has reached the&#13;
end of a paragraph ; but the end of a paragraph, in&#13;
this case, stimulates a desire for the next. We do&#13;
not say that we endorse all the author's conclusions,&#13;
-that result is only obtained when writer and&#13;
* * Technical Elements of Style."&#13;
† “ Wordsworthshire" by Eric Robertson, M.A., with&#13;
forty-seven plates after the original drawings by Arthur&#13;
Tucker, R.B.A., and maps. Published by Chatto &amp;&#13;
Windus. 78. 6d. net.&#13;
* - Two Centuries of the English Novel," by Harold.&#13;
Williams, M.A. Smith Elder. 7s.6d, net.&#13;
&#13;
&#13;
## p. 265 (#351) ############################################&#13;
&#13;
THE AUTHOR.&#13;
265&#13;
reader have an equal passion for the obvious ; but&#13;
it is only possible to differ from him with respect&#13;
and an apprehension lest, after all, he may turn out&#13;
to be right. He is certainly right in maintaining&#13;
that great men must be judged by results, and not&#13;
by canons to which they deliberately refused to&#13;
conform. The best English novels have seldom&#13;
been the strongest in stage-carpentry. The&#13;
-detached attitude, so splendidly adopted by&#13;
Flaubert, does not seem to flourish on our side of&#13;
the Channel. Even the followers of Flaubert, like&#13;
Mr. George Moore, have shown a tendency to fall&#13;
away from this method ; and it strikes us as curious&#13;
that Mr. Moore's name is not mentioned in&#13;
Mr. Williams's pages. He says little, it is true,&#13;
about contemporary writers; but, if Mr. Moore&#13;
does not claim attention as imperatively as&#13;
Mr. Hardy, be is at least as entitled to it as Mr. W.&#13;
D. Howells and Mr. Henry James, whose names do&#13;
occur. Mr. Williams's critical standpoint is&#13;
represented by his preference of Thackeray to&#13;
Dickens and of Jane Austen to George Eliot and&#13;
Charlotte Brontë. There are those who will wish&#13;
to argue with him on both points; and Walter&#13;
Besant would certainly have assigned a higher&#13;
place than he does to Charles Reade. But no&#13;
matter. The world would be a duller world than&#13;
it is if everybody agreed with everybody else about&#13;
everything. Mr. Williams's book is excellent for&#13;
the general reader, and will also be useful to&#13;
students who seek honours at the Universities in&#13;
English Literature.&#13;
point of view of one who may be anxious to read&#13;
these authors, or may be led to read them by having&#13;
his interest roused. The question then arises, will&#13;
this book be of any use ? It contains studies of&#13;
“ Pickwick Papers," “ Nicholas Nickleby," and&#13;
“Vanity Fair." It is a revelation of the plot and&#13;
characters included in these books with running&#13;
comments by the author, but these comments hardly&#13;
rouse one's interest, and it is possible that instead&#13;
of stimulating the reader to peruse Dickens or&#13;
Thackeray, they might deaden his interest, leaving&#13;
him content with having obtained with little expen-&#13;
diture of time, a superficial knowledge of the books&#13;
concerned. In short, the essays do not rouse one&#13;
to enjoy the wonderful fascination of the two&#13;
writers concerned by pricking the curiosity suffici-&#13;
ently. Instead of acting as an appetiser at the&#13;
beginning of a dinner they have the effect of closing&#13;
one's desires rather than increasing them. The&#13;
comments are not enlivening : they lack originality.&#13;
Take for instance the comments on “ Pickwick&#13;
Papers." They give you no idea of the subtlety of&#13;
Dickens's characters, of Pickwick, Weller, or&#13;
Jingle, for it is the characters in these works rather&#13;
than their plots which strengthen the desire for&#13;
closer acquaintance with them. The essay on&#13;
“Vanity Fair," which takes up considerably more&#13;
than half the book, is, perhaps, the most illumin-&#13;
ating from the point of view of the general&#13;
reader, but tends, by giving the reader too much,&#13;
to withdraw his interest from the book itself.&#13;
We cannot say, therefore, that the book supplies&#13;
a want, or accomplishes the purpose, for which it&#13;
was written. To those who have already studied&#13;
Dickens and Thackeray, who know the beauties of&#13;
characterisation for which both these authors are&#13;
famous, the book is useless. To those who are not&#13;
students, to those in fact (of which there are many&#13;
nowadays) who delight to get the plot of a book&#13;
without any of the literary subtleness and marvels,&#13;
the book is dangerous in that it will rather prevent&#13;
that intimate study which is essential, than&#13;
encourage a future perusal.&#13;
DICKENS AND THACKERAY.*&#13;
A STUDY.&#13;
TT is a difficult matter to criticise the book&#13;
1 which is the subject of this review. The&#13;
Author, in a prefatory note, states that the&#13;
work is not intended so much for those who are&#13;
well acquainted with Dickens and Thackeray, as&#13;
for the general reader to whom, he hopes, it may&#13;
prove useful. Therefore one well acquainted with&#13;
Dickens and Thackeray has an arduous task&#13;
allotted to him, for beyond being an exposition of&#13;
the plots and characters of “The Pickwick Papers,"&#13;
“ Nicholas Nickleby,” and “Vanity Fair,” the&#13;
-book sets forth little that is fresh and illuminating.&#13;
It is necessary, however, to endeavour to view&#13;
the work from the standpoint of the general reader,&#13;
that is, 'from the standpoint of one who is not&#13;
- acquainted with Dickens or Thackeray; from the&#13;
I&#13;
PRIZE COMPETITIONS.&#13;
TN the June number of The Author an article&#13;
1 appeared, entitled “Prize Competitions."&#13;
This was written with the object of showing&#13;
how indefinite editors and publishers usually are in&#13;
framing the rules of these competitions, and how&#13;
necessary it is for authors to have a correct under-&#13;
standing of the terms before submitting their&#13;
MSS. One of the competitions referred to in the&#13;
article was the “Ten-Guinea Short Story Competi-&#13;
tion” of The Sphere, although the name of the&#13;
* " Dickens and Thackeray: Studied in Three Novels,”&#13;
by the Hon. Albert G. Canning. T. Fisher Unwin. 108.6d.&#13;
&#13;
&#13;
## p. 266 (#352) ############################################&#13;
&#13;
266&#13;
THE AUTHOR.&#13;
sher&#13;
S&#13;
mitted must be&#13;
paper was not actually mentioned. We have now dated May 27th. There we find the notice of the&#13;
received a letter from the editor objecting to the terms runs as follows :-&#13;
criticism contained in our article. The letter is&#13;
printed here at full length, in spite of the irrelevant "We pay Ten Guineas for every short story accepted for&#13;
matter it contains. Indeed, the irrelevant part of&#13;
this page. The stories must be between 2,000 and 3,000&#13;
words in length. Whether written by the most distin.&#13;
the letter is interesting. It may afford indirect&#13;
guished novelist or the most obscure, the story will be&#13;
testimony as to the attitude of the editor's mind&#13;
when drawing up the terms for the “Ten-Guinea addressed The Story Editor, The Sphere, and must be&#13;
Short Story Competition."&#13;
typewritten. If not accepted the manuscript will be&#13;
returned if accompanied by stamp for postage. Not more&#13;
than one story may be submitted at a time. The Editor&#13;
The Editor, The Author,&#13;
June 20th, 1911. reserves to himself the right of republishing these stories in&#13;
10, Bouverie Street, E.C.&#13;
volume form with the authors' names attached."&#13;
SIR, -In your issue of The Author for June I find&#13;
the following statement :-&#13;
It is impossible to ascertain what, in the mind&#13;
" One well-known weekly paper which invites the send-&#13;
ing in of short stories, for the acceptance of which ten of the editor, suggested the alteration 10 the&#13;
guineas a story is promised, does not state in its offer that notices, but whether the first notice is taken or the&#13;
the entire rights are required ; but at the bottom of the second notice is taken our comment is equally&#13;
page on which the story appears there is printed in small&#13;
accurate and conclusive. The first sentence we&#13;
type • Exclusive copyright of — ' (the name of the&#13;
paper)."&#13;
repeat :&#13;
I have always found in The Author many elements of&#13;
humour, but I did not expect to find statements that border&#13;
“We pay Ten Guineas for every short story accepted for&#13;
on the libellous. Everything points in this paragraph to this page."&#13;
The Sphere as being the journal referred to. It is true&#13;
that at the end of each story The Sphere states that the From these words it is clear that only the serial&#13;
said story is " Exclusive copyright," but it is not true that&#13;
use of the story for The Sphere is asked for, whatever&#13;
in its offer of ten guineas for each story it is not explicitly&#13;
stated. Not only is it so stated, but before accepting any&#13;
the editor's intention may have been. There&#13;
given story I am in the habit of forwarding a reprint of is no mention whatever of the word “ copyright,"&#13;
these conditions to every successful competitor. Not the nor is there anything to suggest either in the first&#13;
most exigent champion for the rights of authors can pre-&#13;
or the second notice that the editor demands all&#13;
tend that ten guineas is not a fair price to pay for all&#13;
rights in a story of 2,000 words by an unknown writer, and&#13;
nd possible rights in the story. Indeed, to anyone&#13;
it may interest you to know that on one occasion, quite who reads the paragraph carefully it would seem&#13;
recently, when by a typist's mistake a successful competitor that the editor does not expect to get the copy-&#13;
was informed that she would be paid three guineas for a&#13;
right, or he would not have added (see notice 2):&#13;
story, the author wrote back to say that she was quite&#13;
willing to accept the three guineas, although very sorry&#13;
that she had not been successful in the ten guinea com-&#13;
“ The Editor reserves to himself the right of republishing&#13;
petition. The author in question was promptly informed these stories in volume form with the authors' names&#13;
that she would receive ten guineas for the story, and I quite attached."&#13;
fail to see what possible grievance of authors can be&#13;
extracted from this competition. But in your ill-advised What, then, is the legal interpretation of the&#13;
crusade against editors you are not always careful to give&#13;
notices? It is that the author who accepts the&#13;
them full justice.&#13;
I am, Sir,&#13;
terms grants to The Sphere the serial use of his&#13;
Your obedient Servant,&#13;
story for the page referred to, and further grants,&#13;
CLEMENT SHORTER, in the second notice, to the editor the right to&#13;
Editor of The Sphere.&#13;
republish the story (presumably with others) in&#13;
book form. But the author, it is clear, retains the&#13;
On turning to the issue of The Sphere of Feb-&#13;
copyright and all other rights of reproduction,&#13;
ruary 11th, which was before the writer of the article&#13;
because neither the full serial rights nor the sole&#13;
on Prize Competitions, we find that the notice of the&#13;
and exclusive right of book publication are asked&#13;
terms printed on the page which deals with “ Our&#13;
for. If, therefore, the author wished to issue the&#13;
Ten-Guinea Short Story 'runs as follows :-&#13;
story in serial form at a later date, there would be&#13;
“We pay Ten Guineas for every short story accepted for&#13;
nothing to prevent him from doing so. If he&#13;
this page.” Whether written by the most distinguished wished to republish the story in book form, with&#13;
novelist or by the most obscure the story will be published others of his own writing, there would be nothing&#13;
anonymously. All stories submitted must be addressed&#13;
to prevent this. The only hint of a desire on the&#13;
The Editor, The Sphere. Owing to the large number of&#13;
short stories already received for this page it is requested&#13;
part of the editor to have copyright, as mentioned&#13;
that no more be sent in until the first week in March." in our article last month, is set out in the words at&#13;
the end of the story in the February issue :&#13;
In order to be quite sure that our deductions are “ Exclusive Copyright of The Sphere," in the May&#13;
correct we turn to a subsequent issue of The Sphere, issue “ Complete Copyright of The Sphere." But&#13;
&#13;
&#13;
## p. 267 (#353) ############################################&#13;
&#13;
THE AUTHOR.&#13;
267&#13;
Mr. Shorter cannot be definite even in his own&#13;
letter, which is printed above. He says :-&#13;
"It is true that at the end of each story The Sphere&#13;
states that the said story is Exclusive Copyright,' but it is&#13;
not true that in its offer of ten guineas for each story it&#13;
(sic) is not explicitly stated.”&#13;
It is not quite clear what "it" may refer to.&#13;
If the pronoun refers to the question of copyright,&#13;
then, as we have already shown, there is no mention&#13;
whatever of the transfer of the copyright in the&#13;
terms as set out, and nothing to lead the author to&#13;
think he is making such a transfer, unless, per-&#13;
chance, he casts his eye down to the bottom of the&#13;
page on which the stories appear.&#13;
This statement will show that while the editor&#13;
of The Sphere, like other editors, has been desirous&#13;
of acquiring copyright in stories, he has failed,&#13;
owing to the loosely drawn terms of the competi-&#13;
tion, to attain his desire. The editor of The Sphere&#13;
is not blamed, nor do we blame other editors, for&#13;
are they not all honourable men ? But the difficulty&#13;
has arisen owing to ignorance.&#13;
It is hardly necessary to say anything about the&#13;
letter as a whole. It is pleasing to learn that the&#13;
writer has found elements of humour in The Author,&#13;
but he certainly has not found statements that&#13;
border on the libellous. That he should think&#13;
so is, perhaps, further evidence of his lack of legal&#13;
knowledge.&#13;
It is not necessary to discuss the value of the&#13;
prize given for the successful story. As far as The&#13;
Sphere is concerned the article did not criticise the&#13;
financial side of the bargain, nor did it for a&#13;
moment suggest that the editor would not pay&#13;
what he considered to be the moral obligations of&#13;
the paper. The document to which the editor refers,&#13;
as having been forwarded to successful competitors,&#13;
is not within our ken, but if, as stated in the letter,&#13;
it is a reprint of the notice which now appears at the&#13;
head of the page on which the story is printed,&#13;
then we can only repeat that it does not provide&#13;
for purchase of copyright. If the editor desired&#13;
to purchase the copyright, it is unfortunate that he&#13;
did not state this in so many words.&#13;
The letter from the editor of The Sphere, indeed,&#13;
proves our wisdom in inserting in The Author the&#13;
article entitled “Prize Competitions.”&#13;
attention to two other contests in which authors&#13;
have been invited to take part. Both of them&#13;
illustrate the need for the exercise of care, on the&#13;
part of authors, to which your contributor referred&#13;
at the end of his article.&#13;
The first of these two contests is being conducted&#13;
by the proprietors of three monthly magazines.&#13;
Three prizes of £50 and eleven prizes of £10 each&#13;
are offered. And here, apparently, the matter ends.&#13;
Nothing is said as to the fate of the successful&#13;
stories ; there is nothing to indicate whether they&#13;
are to be published, though this is hinted at. If&#13;
they are to be published, there is still nothing to&#13;
enable the authors to know when or where. An&#13;
author may be quite willing to sanction the appear-&#13;
ance of his work in one of the three magazines and&#13;
yet very strongly object to its appearance in either&#13;
of the remaining two. Still stronger may be his&#13;
objection to its appearance (quite possible under&#13;
the terms of this competition) elsewhere. If the&#13;
proprietors want the copyright, it surely should be&#13;
no difficult matter for them to say so. Similarly if&#13;
they want the serial rights-either wholly or in&#13;
part-they should mention this requirement. To&#13;
leave all these questions to conjecture, is hardly&#13;
fair to the author, while the further fact that there&#13;
is no appeal from the decision of the judges makes&#13;
the position still worse.&#13;
Moreover, no date is mentioned by which a&#13;
decision may be expected. This is the harder on&#13;
the author in that the competition is being con-&#13;
ducted on behalf of three different monthlies. The&#13;
result may, quite conceivably, be announced at&#13;
different dates in each. This would mean, unless&#13;
the author happens to be near a library, a very large&#13;
purchase of magazines, and though this principle&#13;
as suggested in the former article may increase the&#13;
circulation of the magazines it is hardly fair on&#13;
the competing authors. Surely it is an unnecessary&#13;
and unfair strain both on his purse and his patience !&#13;
A little care would so easily have elucidated all&#13;
these difficulties.&#13;
The second competition is rather more definite.&#13;
The prizes are 40 guineas for a Short Story, £10&#13;
for a Poem and £7 78. for an Essay. Moreover, a&#13;
further £25 is to be paid “ to the writer who has&#13;
never written a story before or had a story accepted&#13;
or published.” Presumably, the £25 is to go to&#13;
the winner of the competition who is able to fulfil&#13;
this condition. As the paragraph stands it offers&#13;
a temptation to unscrupulous people, not being&#13;
authors, to make embarrassing demands merely&#13;
because they have either not written or have failed&#13;
to publish a story.&#13;
In both competitions there is the demand for an&#13;
entrance fee, for which the unsuccessful will receive&#13;
“valuable criticism and advice.” In the second&#13;
competition, the competitor is told that though he&#13;
CORRESPONDENCE.&#13;
PRIZE COMPETITIONS.&#13;
SIR,-In view of the publication of an article on&#13;
this subject in your last issue, I venture to call your&#13;
&#13;
&#13;
## p. 268 (#354) ############################################&#13;
&#13;
268&#13;
THE AUTHOR.&#13;
must contribute “to the heavy expenses of the would feel that the practice I have mentioned, a&#13;
examination, the entrance fee shall be 2s. 6d. only," practice which is in vogue in all our great cities,&#13;
increased, in the case of the story, if not typewritten was a distinct fraud upon the author, and ought to&#13;
to 3s. 6d. What does the hint of an additional be put down by the law wherever it is practised.&#13;
contribution mean?&#13;
I have the most complete proof of what I say,&#13;
In addition, 100 short stories will be purchased but unhappily it was given me in confidence, so that&#13;
at the rate of £2 28. per 1,000 words.&#13;
I can only point out what is being done, and hope,&#13;
A definite date is given for a decision, and the however faintly, that library committees may&#13;
magazine for which the stories are required will develop something like a conscience.&#13;
appear in the Autumn.&#13;
Yours faithfully,&#13;
It only remains for the would-be competitor to&#13;
· F, T. BULLEN.&#13;
assure himself of the financial standing of the&#13;
people behind it.&#13;
Yours, &amp;c.,&#13;
A WOULD-BE COMPETITOR.&#13;
How BOOKS ARE BOUGHT.&#13;
SIR,—The grotesque proposal to publish books&#13;
without a fixed price was not met by the practical&#13;
point of view of the buyer. I should never buy a&#13;
book if no prices were stated in advertisements or&#13;
A FRAUD UPON AUTHORS.&#13;
reviews. A busy man has no time to pay chatty&#13;
visits to booksellers and be squeezed by salesmen.&#13;
SIR,—There be many grievances and hardships&#13;
A few minutes over a review settles if the book is&#13;
under which authors labour, and are likely to&#13;
wanted, or a sight of an advertisement. If no price&#13;
labour, generally in silence, but I know of none so&#13;
is quoted the book is not ordered ; and unless some&#13;
shamefully unjust and illegal as the one I am about&#13;
advertisement of a price is seen later, it is probably&#13;
to call attention to now. Among the multitude of&#13;
forgotten in a few days, and there is the end of its&#13;
Free Libraries founded by Mr. Carnegie and the&#13;
chances.&#13;
late Mr. Passmore Edwards, there are very many&#13;
If there were a fluctuating price I should never&#13;
where the local rate levied hardly does more thanh&#13;
in buy until I had sufficient offers at various prices, to&#13;
pay for the upkeep of the building and the salaries&#13;
see which was best, so that would never work.&#13;
of the librarian and his assistants. Very seldom&#13;
The old system of a fixed price claimed in full at&#13;
does any public spirited individual come forward&#13;
railway bookstalls, or id. off at country booksellers',&#13;
with a donation for the purpose of buying books,&#13;
or 2d. off at town booksellers', or 3d. off at a few&#13;
and when one does the genial committee managing&#13;
managing cutting firms, is by far the best for all parties.&#13;
the library (never by any chance does a literary&#13;
The trouble of going to a cheap seller is compen-&#13;
man appear among them) are only concerned to get&#13;
sated, the advantages of large sales and small risks&#13;
the greatest number of books for the smallest pos-&#13;
by the big cheap house is shared by the public, and.&#13;
sible expenditure.&#13;
so increases the sales and the author's benefit.&#13;
Now a clever librarian, not one, that is, who can&#13;
Yours truly,&#13;
guide readers, or who is a deeply read man, but&#13;
A MEMBER&#13;
one who understands the £ s. d. of his business,&#13;
knows just where to buy, for next to waste paper&#13;
price, Tauchpitz editions and Colonial editions of&#13;
popular novels, both of which it is illegal to sell in&#13;
INSURANCE OF CONTRIBUTORS.&#13;
this country. A very little more money spent on&#13;
binding (and many libraries do their own binding) SIR,—When an ordinary tradesman fails,&#13;
and a number of books are put in circulation which there is generally something for the creditors in&#13;
do not yield the author a groat. Later he has the the form of realisable stock. But of late years&#13;
satisfaction of hearing that his books are in great various promoters of commercial gazettes and&#13;
demand at certain libraries and wonders much why magazines of a business nature have sprung up&#13;
it is that he is getting no royalties.&#13;
like mushrooms and collapsed after a year or two,&#13;
It seems almost a pity that when Mr. Carnegie leaving absolutely no convertible assets. Could&#13;
made up his mind to endow many libraries he did not some seheme of insurance be organised whereby&#13;
not give just a moment or two's thought to the men contributors to publications would be insured&#13;
whose brains produced the books he proposed to against risk of non-payment ?&#13;
hand out to readers gratis. But although he&#13;
Yours faithfully,&#13;
apparently did not do so, I really believe that he&#13;
ALGERNON WARREN.&#13;
&#13;
&#13;
## p. (#355) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING. | AUTHORS wishing to make arrange-&#13;
Authors' MSS. 10. 1,000 words; over 40,000, 10d.&#13;
ments for Publishing are invited to&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Plays and Actors' Parts. Legal, General and Commercial&#13;
Documents. Duplicating. Facsimile Typewriting.&#13;
Ltd., Publishers, 12, Paternoster Row,&#13;
FULL TERMS ON APPLICATION. REFERENCES.&#13;
SIKES and SIKES, London, E.C., who will be pleased&#13;
The West Kensington Typewriting Offices, to consider MSS. and advise (free)&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W. Please write before sending MSS.&#13;
TYPEWRITING.&#13;
EWART RICKETTS&#13;
May be relied on to provide neat and&#13;
accurate typewritten copies of Authors'&#13;
MSS. Straightforward work, 10d. per&#13;
1,000 words ;-two copies, ls.; specimen&#13;
free.&#13;
Accurate Work. Good Paper. Prompt Execution.&#13;
9d. 1,000 Words.&#13;
DUPLICATING.&#13;
Special terms for large quantities.&#13;
LINDISFARNE, STONEHOUSE, GLOS.&#13;
PERCY ADAMS,&#13;
49, Springfield Road, Brighton.&#13;
800 ft. altitude, grand scenery. Pleasant&#13;
airy, sunny COTTAGE, well furnished; small garden ;&#13;
private situation. Suit author. Near Port. Hawes&#13;
Station one mile. £14 YEARLY.--Lester, Blundellsands.&#13;
Important Announcement&#13;
to Authors.&#13;
BARGAINS IN BOOKS.&#13;
MHE firm of SPRIGG, PEDRIOK, Ltd., has&#13;
I been formed to take over and carry on the&#13;
business of Sprigg, Pedrick &amp; Co., Ltd., now in&#13;
liquidation. The Directors and Shareholders are an&#13;
entirely new body, and no one connected with the&#13;
former firm has any part in the management of the&#13;
new Company.&#13;
SPRIGG, PEDRICK, Ltd., have appointed&#13;
as Manager Mr. J. W. GILMEK, who had sixteen years'&#13;
experience with the firm of Mr. William Heinemann,&#13;
and is familiar with the business of publishing in all&#13;
its branches.&#13;
They are in personal touch with all the leading&#13;
London, American, and Continental publishers and&#13;
editors, and MSS. are considered promptly and&#13;
submitted to the firms most likely to use them.&#13;
Plays are read by one of the principal actors&#13;
and producers in London.&#13;
Music is considered by a well-known composer,&#13;
who is in touch with the leading publishers of songs,&#13;
dances, and light music.&#13;
Write for Prospectus and Terms to&#13;
SPRIGG, PEDRICK, Ltd.,&#13;
110, St. Martin's Lane, W.C.&#13;
Terms—Cash with order. The Tissot Pictures&#13;
illustrating the Life of Christ, £6 68. net ;&#13;
Splendid Copy, absolutely good as new for £3 58.&#13;
The Great Barrier Reef of Australia ; magnifi-&#13;
cent photographic enlargements of the illustrations&#13;
from that well-known work of Coral, etc. ;&#13;
published £4 4s. net, for £1 9s. 6d. The Twentieth&#13;
Century Practice of Medicine; an international&#13;
Encyclopædia of Modern Medical Science by lead.&#13;
ing authorities of Europe and America ; 20&#13;
volumes, published 20 guineas; new, uncut, original&#13;
binding, £7 108. Random Recollections of a&#13;
Publisher, by WM. TINSLEY; 2 vols., demy 8vo,&#13;
218., for 58. 9d. A parcel of 12 Six Shilling&#13;
Novels, all nearly new and in good condition, for&#13;
78. 6d. Cross cheques and postal orders L. &amp; S.W.&#13;
Bank, Fleet Street Branch.-J. F. BELMONT &amp;&#13;
Co., 29, Paternoster Square, E.C.&#13;
&#13;
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## p. (#356) ################################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
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Opposite the British Museum.&#13;
TYPEWRITING&#13;
WITH BRAINS.&#13;
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My work is always the same—THE BEST.&#13;
INDIFFERENT COPY TYPED WELL stands a better&#13;
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GOOD WORK TYPED BADLY.&#13;
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Every Order I have executed has been followed&#13;
by Repeats.&#13;
I have many Testimonials from Members of the&#13;
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MY WORK IS MY BEST REFERENCE!&#13;
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Telegraphic Addresses :&#13;
Thackeray Hotel— " Thackeray, London."&#13;
Kingsley Hotel—“Bookcraft, London."&#13;
MISS RALLING,&#13;
176, Loughborough Road, LONDON, S.W. I&#13;
MRS. GILL'S TYPEWRITING, SHORTHAND, Literary &amp; Dramatic Typewriting.&#13;
AND TRANSLATION OFFICE,&#13;
Story work, 9d. 1,000 words; 2 copies, 1/-.&#13;
36, LUDGATE HILL, LONDON, E.C. Plays, ruled and covered, 1/- 1,000 words.&#13;
Opinions selected from letters received during the past twelve years: -&#13;
Established 1883.&#13;
Telephone-8464 Central.&#13;
MRS. E. NESBIT BLAND (E. NESBIT): "I am extremely&#13;
Manuscripts of every description promptly and intel pleas-d.... It is beautiful work."&#13;
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MRS. TOM GODFREY: "I think you must be a treasure trove&#13;
to all authors who have the good fortune to hear of you...&#13;
with work rendered indistinct by hasty writing and by&#13;
You certainly evince an intimate knowledge of French."&#13;
corrections. French and German typewriting undertaken, MRS. HINKSON (KATHARINE TYNAN): “I bare never met&#13;
and typewritten translations supplied. Testimonials with anything approaching your intelligence, carefulness and&#13;
from authors, scientists, engineers, architects, barristers.&#13;
promptitude."&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
RICHARD PRYCE, ESQ.: "The work could not be better&#13;
done."&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
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LOUIS A. ST. JOHN. L'Isle, Dimond Road, Southamnton&#13;
Bitterne Park,&#13;
TYPEWRITING.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/-. Plays and General&#13;
Copying. List and specimen of work on appli-&#13;
cation.&#13;
one of NUMEROUS TESTIMONIALS.&#13;
TYPEWRITING.&#13;
Authors' MSS. neatly and accurately typed, 9d.&#13;
per 1,000 words, including carbon copy.&#13;
Also General Copying, Plays, Actors' Parts, etc.&#13;
MISS B. KERRY, Rohilla, Carshalton.&#13;
Typewriting and Secretarial Work.&#13;
** Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I bave no&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
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64, VICTORIA STREET, S.W. Telephone: No. 5637 Westminster.&#13;
Recommended by Mr. O, K. Chesterton, Baron de Worms.&#13;
Miss Gertrude Tuckwell, Canon Swallow, and Others.&#13;
Many Testimonials, of which the following is a specimen : "Many&#13;
thanks for the excellent work and the promptness with which it has&#13;
been done."&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.&#13;
&#13;
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## p. 1 (#357) ##############################################&#13;
&#13;
ON COPYRIGHT FORMALITIES IN&#13;
THE U.S.A.&#13;
o&#13;
[Printed from the United States Publishers' Weekly, with the kind permission of the Editor.]&#13;
n&#13;
COPYRIGHT may inhere as a natural right, deposit within a specified time, or false&#13;
u as under English common law before the report as to manufacture, make the copy-&#13;
Statute of Anne, without record or formali- right not valid.&#13;
ties, but also without statutory protection; or The general provisions as to formalities are as&#13;
formalities may be required only as a prerequisite follows (sect. 9): “That any person entitled thereto&#13;
to protection by actions at law; or formalities may by this Act may secure copyright for his work by&#13;
be required to validate and secure the copyright. publication thereof with the notice of copyright&#13;
English formalities belong to the second class. required by this Act; and such notice shall be&#13;
American formalities are of the third class and affixed to each copy thereof published or offered&#13;
without them copyright does not exist.&#13;
for sale in the United States by authority of the&#13;
The American copyright law of 1909 prescribes copyright proprietor, except in the case of books&#13;
exactly the method of securing copyright, and seeking ad interim protection under section twenty-&#13;
makes clear the cases in which non-compliance one of this Act ; ” and (sect. 10): “That such&#13;
in validates copyright. Previous to 1909 copy- person may obtain registration of his claim to&#13;
right was secured by complying exactly with the copyright by complying with the provisions of this&#13;
statutory requirements of (1) the delivery to the Act, including the deposit of copies, and upon such&#13;
Librarian of Congress on or before the day of compliance the Registrar of Copyrights shall issue&#13;
publication, in this or any foreign country, of a to him the certificate provided for in section fifty-&#13;
printed (including typewritten) copy of title or five of this Act.”&#13;
description of the work, (2) the insertion in every In the Act (sect. 62) the date of publication has&#13;
copy published of the prescribed copyright notice, been fixed as “the earliest date when copies of&#13;
and (3) the deposit not later (under the law of the first authorised edition were placed on sale,&#13;
1891) than such day of publication (earlier law sold or publicly distributed by the proprietor of&#13;
allowing ten days after publication) of two copies the copyright or under his authority.” This&#13;
of the best edition of a book or other article, or a indirectly defines publication as the authorised&#13;
photograph of a work of art (as to date of deposit public offer, sale or distribution of copies, and the&#13;
of which last the law was not explicit), and any clause (sect. 9) requiring the copyright notice to be&#13;
failure to comply literally and exactly with these affixed to each copy "published or offered for sale&#13;
conditions forfeited the copyright.&#13;
in the United States by authority of the copyright&#13;
The American Code of 1909 substitutes an proprietor” confirms the principle that the copy-&#13;
entirely different basis for securing copy right proprietor cannot be held responsible, nor&#13;
right. Copyright now depends upon (1) pub- can copyright be voided because of copies “pub-&#13;
lication with the notice of copyright, and lished," offered, sold or distributed without his&#13;
(2) deposit of copies, these copies in the case authority.&#13;
of books and certain other works to be The first step in securing copyright being pub-&#13;
manufactured within the United States. lication “with the notice of copyright”" affixed&#13;
The accidental omission of the copyright to each copy published or offered for sale in the&#13;
notice from “a particular copy or copies" United States by authority of the copyright pro-&#13;
does not invalidate the copyright as formerly, prietor," the method and form of this notice is of&#13;
but only relieves an innocent trespasser first importance. The Act of 1909 provides (sect. 18)&#13;
from penalty as an infringer; but failure to “That the notice of copyright required by section&#13;
&#13;
&#13;
## p. 2 (#358) ##############################################&#13;
&#13;
(&#13;
)&#13;
2&#13;
nine of this Act shall consist either of the word additional year was claimed. This decision, how-&#13;
* Copyright' or the abbreviation Copr.,' accom- ever, is not a safe precedent, as doubt was thrown&#13;
panied by the name of the copyright proprietor, on it by Judge Wallace in the same year in Schu-&#13;
and if the work be a printed literary, musical, or macher v. Wogram. The substitution for 1894 of&#13;
dramatic work, the notice shall include also the the abbreviated '94 was held in 1895, in Snow v.&#13;
year in which the copyright was secured by pub- Mast, to be within the law. A microscopic objec-&#13;
lication. In the case, however, of copies of works tion that N. Sarony (instead of Napoleon Sarony&#13;
specified in sub-sections (f) to (k), inclusive, of sec- was not a name was promptly quashed.&#13;
tion five of this Act, the notice may consist of the An important safeguard new in copyright law is&#13;
letter C inclosed within a circle, thus : (C), accom- enacted in the provision (sect. 20) “That where&#13;
panied by the initials, monogram, mark, or symbol the copyright proprietor has sought to comply with&#13;
of the copyright proprietor: Provided, That on some the provisions of this Act with respect to notice,&#13;
accessible portion of such copies or of the margin, the omission by accident or mistake of the pre-&#13;
back, permanent base, or pedestal, or of the sub- scribed notice from a particular copy or copies&#13;
stance on which such copies shall be mounted, his shall not invalidate the copyright or prevent re-&#13;
name shall appear. But in the case of works in covery for infringement against any person who,&#13;
which copyright is subsisting when this Act shall after actual notice of the copyright, begivs an&#13;
go into effect, the notice of copyright may be either undertaking to infringe it, but shall prevent the&#13;
in one of the forms prescribed herein or in one of recovery of damages against an innocent infringer&#13;
those prescribed by the Act of June eighteenth, who has been misled by the omission of the notice;&#13;
eighteen hundred and seventy-four.”&#13;
and in a suit for infringement no permanent&#13;
Under the law of 1874, the prescribed notice was injunction shall be had unless the copyright pro-&#13;
in the old form (Rev. Stat. 4962), “ Entered accord. prietor shall reimburse to the innocent infringer&#13;
ing to Act of Congress, in the year by A. B., his reasonable outlay innocently incurred if the&#13;
in the office of the Librarian of Congress, at Wash court, in its discretion, shall so direct."&#13;
ington," with the optional alternative of the form It is further provided (sect. 19) “That the&#13;
“ Copyright, 184, by A. B.” Under the new Code notice of copyright shall be applied, in the case of&#13;
the latter form is preserved, with the alternative of a book or other printed publication, upon its title-&#13;
the provision “Copr.," with date and name, but page or the page immediately following, or if a&#13;
the longer form may be used on books copyrighted periodical either upon the title-page or upon the&#13;
under the earlier Acts, even if reprinted after the first page of text of each separate number or under&#13;
passage of the later Act. Except for books pre- the title heading, or if a musical work either upon&#13;
viously copyrighted, the longer form is not now its title-page or the first page of music: Provided,&#13;
the legal notice, and its use would be dangerous, That one notice of copyright in each volume or in&#13;
as it does not contain the specific word copyright each number of a newspaper or periodical published&#13;
or its abbreviation now made an obligatory part of shall suffice."&#13;
the notice. The courts have been disposed to hold Although the Code of 1909 relieves the copyright&#13;
that a longer notice embodying the required words proprietor from permanent forfeiture in the case of&#13;
is merely pleonastic and not illegal ; but that any an accidental omission of the copyright notice from&#13;
omission of either of the three requisites, certain copies (sect. 20), the statute is otherwise&#13;
the word copyright or its abbreviation, the specific, and there seems to be no means of&#13;
date in the case of printed works, and the relief where the copyright notice is, how-&#13;
name of the proprietor, or in the case of ever innocently, in the wrong place or in&#13;
works of art his sign, would make the notice the wrong form. Thus a book containing the&#13;
void and of no effect. The exact phraseology copyright notice on the third page, i.e., on the&#13;
and order of words must be followed, and it has second leaf or elsewhere than on the title-page&#13;
been held that any inaccuracy in the name of or the page immediately following, might not&#13;
the copyright proprietor (as in the English case be protectable in case of infringement. The&#13;
of Low V. Routledge, by Vice-Chancellor Kin- copyright notice can probably, however, be placed&#13;
dersley) or in the date of the entry (as in the safely and preferably on the first page, being&#13;
American case of Baker v. Taylor, when 1847 was the title-page, of a specially copyrighted part&#13;
put for 1846) makes the copyright ivvalid. A later of a book, as an introduction preceding a non-&#13;
decision, in 1888, in Callaghan v. Myers, held, that copyrighted work or an index or appended notes,&#13;
where a copyright notice gave the year 1866, while or upon specific illustrations ; and this is perhaps&#13;
the true date was 1867, there was no harm done to preferable in copyrighting editions with such fea-&#13;
the public, because a year of the copyright (which tures of works otherwise in the public domain. In&#13;
really ended in 1895 instead of 1894) was given to the case of articles in a periodical or parts of a&#13;
the public, whereas in the previous case an composite work separately copyrighted or registered&#13;
&#13;
&#13;
## p. 3 (#359) ##############################################&#13;
&#13;
( 3 )&#13;
the copyright notice should appear on the same held that as the statute did not expressly prescribe&#13;
page as the title heading. The copyright does not that the copyright notice should appear in succes-&#13;
depend upon the imprint date but on publication ; sive volumes after the first, this was not necessary,&#13;
thus the Copyright Office registered for copyright but the application of this doubtful decision under&#13;
in 1910 a book bearing the imprint date 1904 on the new Code would be more than questionable. It&#13;
the statement of the proprietor that it was not may be emphasised that publication with&#13;
really published till 1910.&#13;
notice is the first step in copyright under&#13;
The proviso (sect. 19) that one notice of copy the present Code, and that registration on&#13;
right in each volume or in each number of a periodi deposit is the secondary and completing&#13;
cal shall suffice, is complementary to the provision act, and therefore no registry in the Copy.&#13;
(sect. 3) by which a copyright protects all the right Office is necessary to authorise the&#13;
copyrightable component parts of the work copy printing of the copyright notice, as was&#13;
righted and gives to the proprietor of a composite formerly the case.&#13;
work or periodical all the rights he would have if In the case of successive printings or editions of&#13;
each part were individually copyrighted. It means a copyrighted book, the original copyright entry&#13;
that there need be no repetition of the general must appear in every reprint of the first edition ;&#13;
copyright notice on different pages of a book or and it would seem that this entry should also&#13;
periodical.&#13;
appear in every new edition newly copyrighted, as&#13;
The proviso (sect. 61) “ that only one registra- well as the new notice, so long as it is desired to&#13;
tion at one fee shall be required in the case of protect the matter contained in the old edition. A&#13;
several volumes of the same book deposited at the decision by Justice Clifford, in Lawrence v. Dana,&#13;
same time," indicates that one copyright entry in 1869, ruled this to be superfluous, but his decision&#13;
suffices for several volumes simultaneously published, is contrary to the rule that a proprietor may not&#13;
but each separate volume should contain the notice. claim through the copyright notice a longer term&#13;
Volumes published separately not only in successive than the law permits, since a later date, referring&#13;
years but at successive dates within the year, should only to new matter, but apparently comprehen-&#13;
be separately registered, and if published separately sive of the whole contents, might be voided under&#13;
in successive years, must each bear its copyright this rule. It is doubtful whether on a new edition&#13;
notice for the year of publication-this being the with old and new matter one copyright notice with&#13;
direct sequence from the provision that copyright two dates is safe, and the wiser course is to give&#13;
dates from the specific date of publication and not both the earlier copyright notice and the later&#13;
from the year or date of registration. The Copy- notice in proper sequence.&#13;
right Office will, however, under the law, register It should be noted that the copyright&#13;
for one fee volumes or parts deposited at the same notice is not required on books published&#13;
time, though published at various times. In the abroad in the English language before&#13;
case of a book issued in successive parts, of which publication in this country, entered for ad&#13;
only the first part includes a title-page or title interim copyright, and therefore that within&#13;
headings, the law is not specific, but it seems pro- sixty days after the publication abroad of a&#13;
bable that, in default of copyright notice and book in the English language, such book&#13;
registration for each part, the parts not bearing may be protected by American registration,&#13;
copyright notice might be legally reprinted, and though containing no notice of copyright;&#13;
that the safer course is to place the copyright and within this period inquiry at the Copy-&#13;
notice on the first page of each part and register right Office is necessary to determine the&#13;
each part separately, in which case the completed status of the book.&#13;
work should have the date or dates of the year or It is provided (sect. 46) “ that when an assign-&#13;
years within which the several parts were published. ment of the copyright in a specified book or other&#13;
There seem to be no objections, within the law or work has been recorded the assignee may substitute&#13;
from court decisions, to coupling two dates in the his name for that of the assignor in the statutory&#13;
same notice, in such cases as “ Copyright, 1910, notice of copyright prescribed by this Act." This&#13;
1911, by A.B.," though there is no specific decision applies only where the entire copyright has been&#13;
on this point. Under the previous law a book assigned and the assignment duly recorded in the&#13;
published in more than one volume or part, the Copyright Office as provided by law, and does not&#13;
portions not complete in themselves, was probably permit a change of name in the copyright notice&#13;
protected by copyright entry of the first part, all under any other circumstances, as where some par-&#13;
parts being of course ultimately deposited, but the ticular right, as magazine publication or dramatisa-&#13;
change in the new Code basing copyright on pub- tion, has been sold and assigned. A substitution&#13;
lication with notice, changes this rule of practice. of name under such specific assignments would&#13;
In the case of Dwight v. Appleton, in 1840, it was probably invalidate the copyright.&#13;
&#13;
&#13;
## p. 4 (#360) ##############################################&#13;
&#13;
( 4&#13;
)&#13;
The method of registration, or rather of applica- of the Copyright Office, shall, upon payment of the&#13;
tion therefor, is not specified in the law, for the prescribed fee, be given to any person making&#13;
reason that under the code of 1909 deposit suc- application for the same, and the said certificate&#13;
ceeding publication is made the act completing the shall be admitted in any court as prima facie&#13;
securing of copyright, and registration is incidental evidence of the facts stated therein. In addition&#13;
thereto instead of the first requisite, as was the to such certificate the Registrar of Copyrights shall&#13;
case under the previous laws.&#13;
furnish, upon request, without additional fee, a&#13;
The Act provides (sect. 53): “ That, subject to receipt for the copies of the work deposited to&#13;
the approval of the Librarian of Congress, the complete the registration.”&#13;
Registrar of Copyrights shall be authorised to make The Copyright Office has accordingly prepared&#13;
rules and regulations for the registration of claims blanks in library card form which are furnished&#13;
to copyright as provided by this Act," and (sect. 54) applicants free of charge for the several classes of&#13;
“ whenever deposit has been made in the Copyright applications mentioned in the law, the cards being&#13;
Office of a copy of any work under the provisions in pink, except as hereafter stated, lettered and&#13;
of this Act, he shall make entry thereof."&#13;
numbered as follows: A (1) book by citizen or resi-&#13;
It is provided (sect. 5) “ that the application for dent of the United States, A (2) edition printed in&#13;
registration shall specify to which of the [stated] the United States of book originally published&#13;
classes the work in which copyright is claimed abroad in the English language, both these being&#13;
belongs,” but it is incidentally provided “nor shall double cards including affidavit of American manu.&#13;
any error in classification invalidate or impair the facture—these being supplemented by blue cards&#13;
copyright protection.”&#13;
providing with specific instructions A (1) for&#13;
Provision is specifically made against false notice separate affidavit of American manufacture from&#13;
of copyright by the enactment (sect. 29): “That type set or plates made in the United States and&#13;
any person who, with fraudulent intent, shall insert A (2) for lithographic or photo-engraving process&#13;
or impress any notice of copyright required by this within the United States ; A (3) book by foreign&#13;
Act, or words of the same purport, in or upon any author in foreign language, A (4) Ad interim copy-&#13;
uncopyrighted article, or with fraudulent intent right-book published abroad in the English&#13;
shall remove or alter the copyright notice upon any language, A (5) contribution to a newspaper or&#13;
article duly copyrighted shall be guilty of a mis- periodical; B (1) periodical, B (2) newspaper or&#13;
demeanor, punishable by a fine of not less than periodical to be continously registered, supple-&#13;
one hundred dollars and not more than one thousand mented by a white blank for depositing single&#13;
dollars. Any person who shall knowingly issue or subsequent issues ; C lecture, sermon or address&#13;
sell any article bearing a notice of United States prepared for oral delivery ; D (1) published dramatic&#13;
copyright which has not been copyrighted in this or dramatico-musical composition, D (2) dramatic&#13;
country, or who shall knowingly import any article or dramatico-musical composition not reproduced&#13;
bearing such notice or words of the same purport, for sale, D (3) published dramatico-musical com-&#13;
which has not been copyrighted in this country, position; E (1) published musical composition,&#13;
shall be liable to a fine of one hundred dollars," E (2) musical composition not reproduced for sale&#13;
and the importation of any article bearing a notice these supplemented by a blue card U notice of&#13;
of copyright when no American copyright exists is use on mechanical instruments; F published map;&#13;
absolutely prohibited (sect. 30).&#13;
G work of art (painting, drawing, or sculpture) ;&#13;
It is further provided (sect. 55): “That in the or model or design for a work of art; H reproduc-&#13;
case of each entry the person recorded as the tion of a work of art; I drawing or plastic work of&#13;
claimant of the copyright shall be entitled to a a scientific or technical character; J (1) photograph&#13;
certificate of registration under seal of the Copy- published for sale, J (2) photograph not reproduced&#13;
right Office, to contain his name and address, the for sale; K print or pictorial illustration, R (1)&#13;
title of the work upon which copyright is claimed, renewal of copyright subsisting in any work, R (2)&#13;
the date of the deposit of the copies of such work, extension of a renewal copyright subsisting in any&#13;
and such marks as to class designation and entry work. Thus an applicant for copyright on an&#13;
number as shall fully identify the entry. In the American book should send for card A (1) on which&#13;
case of a book the certificate shall also state the he may enter his application and also include affi-&#13;
receipt of the affidavit as provided by section six- davit as to American typesetting, printing and&#13;
teeu of this Act, the date of the completion of the binding ; if he wishes the affidavit to be separately&#13;
printing, or the date of the publication of the book, made he should obtain also the special blue card&#13;
as stated in the said affidarit. The Registrar of A (1), or if lithographic or photo-engraving is used&#13;
Copyrights shall prepare a printed form for the he should obtain also special blue card A (2). A&#13;
said certificate, to be filled out in each case as above dramatic applicant should send for card D (1) or&#13;
provided for, which certificate, sealed with the seal card D (3), respectively, as he may prefer to specify&#13;
&#13;
&#13;
## p. 5 (#361) ##############################################&#13;
&#13;
( 5&#13;
)&#13;
the work as a dramatic and non-musical work, or relation with the Copyright Office. Postage must&#13;
to use the broader alternative phrase of the law ; be prepaid on the application blank, as there is no&#13;
or for D (2) if he desires to copyright without provision for free transmission through the mails,&#13;
reproducing for sale. The applicant for a musical such as applies to deposit copies. In practice the&#13;
composition, as distinguished from a dramatico application with remittance and the deposit copies&#13;
musical work, should send for card E (1) or E (2) should be simultaneously sent immediately after&#13;
respectively. The art applicant should send for publication.&#13;
card G for an original work of art, or card H for a The law provides that deposit copies shall be sent&#13;
reproduction, or for a photograph card J(1) or promptly after publication and that tuo complete&#13;
card J (2) respectively.&#13;
copies of the best edition then published (or one copy&#13;
Similar certificate cards, also of library size, in case of a contribution to a periodical or for iden-&#13;
uniformly white, are provided for the several classes tification of a work not reproduced for sale) shall&#13;
of registration, correspondingly lettered and num- be deposited ; and if a work is published with&#13;
bered, except that in a few cases where one certifi- notice of copyright, and copies are not promptly&#13;
cate blank serves for more than one class or sub- deposited, the copyright is voided and the pro-&#13;
divisions, with the addition of a general form Z to prietor becomes subject to penalty three months&#13;
cover anything unprovided for in the other certifi- (or in case of outlying possessions or foreign coun-&#13;
cate blanks. The certificate bears on one side the tries six months) after formal demand by the&#13;
uniform statement of the deposit of two copies Registrar of Copyrights for deposit copies. The&#13;
or one copy of the article named herein, and of word“ promptly” is indefinite, and the status of&#13;
registration for the first or renewal term, with the undeposited works published with copyright notice&#13;
name of the claimant (printed in the case of a few and not formally demanded by the Registrar of Copy-&#13;
of the publishers making most applications) and rights, is also not defined by the law. In such case&#13;
on the other side the specification (following the the copyright has not been secured by the complet-&#13;
wording of the application and the deposit copy) of ing act, and it would be impracticable to proceed&#13;
the title or description, date of publication, receipt against an infringer and the proprietor might be&#13;
of affidavit (where required), receipt of copies and liable to penalty for false notice of copyright. In&#13;
entry number by class, together with the seal of the event of such a case arising, through careless-&#13;
the Copyright Office.&#13;
ness or otherwise, the courts would have to decide&#13;
This certificate is sent without charge other than the question by definition of the word "promptly”&#13;
the fees directly provided for in the law (sect. 61), and an interpretation of the implied provision that&#13;
viz., "for the registration of any work subject to copyright is voided, meaning that the right to&#13;
copyright, deposited under provisions of this Act, obtain copyright lapses, if the process is not com&#13;
one dollar, which sum is to include a certificate of pleted without undue delay.&#13;
registration under seal : Provided, That in the case The completion of the copyright by deposit of&#13;
of photographs the fee shall be fifty cents where a copies is covered by the provision (sect. 12): “That&#13;
certificate is not demanded. For every additional after copyright has been secured by publication of&#13;
certificate of registration made, fifty cents. ... the work with the notice of copyright as provided&#13;
For recording the extension or renewal of copyright in section nine of this Act, there shall be promptly&#13;
provided for in sections twenty-three and twenty- deposited in the Copyright Office or in the mail&#13;
four of this Act, fifty cents." The law no longer addressed to the Registrar of Copyrights, Washing-&#13;
contemplates record before publication, and it is ton, District of Columbia, two complete copies of&#13;
unnecessary and undesirable to send application or the best edition thereof then published, which&#13;
money previous to sending of deposit copies. In copies, if the work be a book or periodical, shall&#13;
fact, as the certificate must show date of publica- have been produced in accordance with the manu-&#13;
tion, publication cannot be anticipated, and money facturing provisions specified in section fifteen of&#13;
sent in advance is only an embarrassment to the this Act ; or if such work be a contribution to a&#13;
Copyright Office. The only exception to this state- periodical, for which contribution special registra-&#13;
ment is in the case of the successive copyrights of tion is requested, one copy of the issue or issues&#13;
issues of a regular periodical, in which case the containing such contribution ; or if the work is&#13;
Copyright Office will receive in advance a sum not reproduced in copies for sale, there shall be&#13;
sufficient to cover registration for the successive deposited the copy, print, photograph, or other&#13;
copies of a periodical through a specified period. identifying reproduction provided by section eleven&#13;
The fee should be sent by money order, or can be of this Act, such copies or copy, print, photograph,&#13;
sent in cash (but not in stamps), at the risk of the or other reproduction to be accompanied in each&#13;
sender, as the Registrar of Copyrights cannot receive case by a claim of copyright. No action or pro-&#13;
cheques except at his personal risk and there. ceeding shall be maintained for infringement of&#13;
fore from persons known to him as in frequent copyright in any work until the provisions of this&#13;
&#13;
&#13;
## p. 6 (#362) ##############################################&#13;
&#13;
( 6 )&#13;
Act with respect to the deposit of copies and regis- It should be noted that the deposit copies may&#13;
tration of such work shall have been complied be deposited either in the Copyright Office or “in&#13;
with."&#13;
the mail, addressed to the Registrar of Copyrights,"&#13;
In case of failure to deposit, the law of 1909 and it is provided (sect. 14): “That the post-&#13;
provides for penalties and finally voiding of the master to whom are delivered the articles deposited&#13;
copyright, as follows (sect. 13): “That should the as provided in sections eleven and twelve of this&#13;
copies called for by section twelve of this Act not Act shall, if requested, give a receipt therefor and&#13;
be promptly deposited as herein provided, the shall mail them to their destination without cost&#13;
Registrar of Copyrights may at any time after the to the copyright claimant."&#13;
publication of the work, upon actual notice, require Thus even if the deposit copies should not reach&#13;
the proprietor of the copyright to deposit them, Washington, as in case they were burned in the&#13;
and after the said demand shall have been made, mails, the copyright proprietor can validate his&#13;
in default of the deposit copies of the work within claim by production of the postmaster's receipt in&#13;
three months from any part of the United States, lien of deposit copies.&#13;
except an outlying territorial possession of the In respect to foreign works, it should be noted&#13;
United States, or within six months from any out- that “the original text of a work of foreign origin&#13;
lying territorial possession of the United States, or in a language or languages other than English,"&#13;
from any foreign country, the proprietor of the may be formally copyrighted and fully protected&#13;
copyright shall be liable to a fine of one hundred by registration under the same formalities as&#13;
dollars and to pay to the Library of Congress twice domestic works except that the deposit copies need&#13;
the amount of the retail price of the best edition not be manufactured within the United States,&#13;
of the work, and the copyright shall become thus giving the author the exclusive right of trans-&#13;
void.”&#13;
lation. Copies published in America must of course&#13;
In the case of a printed book or periodical or of a hear the copyright notice. A translation into&#13;
lithograph or photo-engraving, the copies deposited English from such text cannot be copyrighted&#13;
must be manufactured in America, as set forth in unless the deposit copies of the English translation&#13;
the manufacturing provision (sect. 15) as verified are manufactured within the United States.&#13;
in the case of a book by affidavit (sect. 16) sepa In respect to books published abroad in the&#13;
rately treated hereafter, and the book copyright is English language ad interim, protection is&#13;
forfeited (sect. 17) in the event of false affidavit. assured by the provision (sect. 21): “That in&#13;
Thus failure to deposit or, in the case of books, the case of a book published abroad in the&#13;
false affidavit as to American manufacture are the English language before publication in this&#13;
two lapses of formalities which work forfeiture of country, the deposit in the Copyright Office,&#13;
copyright.&#13;
not later than thirty days after its publica-&#13;
In the case of works not reproduced for sale, tion abroad, of one complete copy of the&#13;
copyright may be secured under the provision foreign edition, with a request for the&#13;
(sect. 11): “ That copyright may also be had of the reservation of the copyright and a statement&#13;
works of an author of which copies are not repro of the name and nationality of the author&#13;
duced for sale, by the deposit, with claim of copy- and of the copyright proprietor and of the&#13;
right, of one complete copy of such work if it be a date of publication of the said book, shall&#13;
lecture or similar production or a dramatic or musi- secure to the author or proprietor an ad&#13;
cal composition ; of a photograph or other identi- interim copyright, which shall have all the&#13;
fying reproduction thereof if it be a work of art force and effect given to copyright by this&#13;
or a plastic work or drawing. But the privilege of Act, and shall endure until the expiration of&#13;
registration of copyright secured hereunder shall thirty days after such deposit in the Copy-&#13;
not exempt the copyright proprietor from the right Office.”&#13;
deposit copies under sections twelve and thirteen of On such works the provisional copyright&#13;
this Act where the work is later reproduced in is made permanent under the provision&#13;
copies for sale."&#13;
(sect. 22): “That whenever within the period&#13;
It should be noted that in this class of copyright, of such ad interim protection an authorised&#13;
which is a common law copyright fortified by statu- edition of such book shall be published within&#13;
tory protection, an ideal example of copyright law, the United States, in accordance with the&#13;
double registration is required in case the unpub manufacturing provisions specified in section&#13;
lished copyrighted work is published, requiring one fifteen of this Act, and whenever the pro-&#13;
application fee and deposit of one identifying copy visions of this Act as to deposit of copies,&#13;
for the unpublished work and a second applica- registration, filing of affidavit, and the print-&#13;
tion fee and deposit of two copies promptly after ing of the copyright notice shall have been&#13;
publication,&#13;
duly complied with, the copyright shall be&#13;
&#13;
&#13;
## p. 7 (#363) ##############################################&#13;
&#13;
(&#13;
)&#13;
7&#13;
extended to endure in such book for the full case of such foreign work in the English language,&#13;
term elsewhere provided in this Act.”&#13;
dates, it would seem, from the date of publication&#13;
The ad interim provision requires the same for abroad rather than from the date of publication&#13;
malities and fee as in the case of domestic works of the American-made edition ; but this would be&#13;
except that only one copy of the foreign work in of importance only toward the expiration of the&#13;
English need be deposited, and that this deposit original term and in connection with the renewal&#13;
copy need not contain the statutory notice of term.&#13;
American copyright. The claimant is given It should be noted that an American author&#13;
thirty days after publication abroad in which to publishing his work abroad is not benefited by&#13;
request reservation and a second thirty days after either of these provisions respecting foreign works.&#13;
deposit of the foreign copy within which to publish The provision regarding works in other languages&#13;
or cause to be published an edition manufactured is specifically confined to a work of foreign origin,&#13;
in America, and thus to complete his copyright that is, not by an American author ; and he gains&#13;
This gives a period of ad interim protection ranging nothing, if his work is in English, from ad interim&#13;
from thirty days to sixty days within which to protection. Thus an American author publishing&#13;
obtain permanent copyright, the exact period his work first in German in Berlin, must copyright&#13;
depending upon the number of days elapsing after and deposit an American-made edition of his&#13;
publication before deposit of the foreign copy in German text in this country to obtain American&#13;
the Copyright Office. Thus a copy deposited on protection, without which his work in German&#13;
the day of publication will have thirty days in all could be imported into this country without his&#13;
within which to secure permanent copyright by consent and an independent translation of his text&#13;
the publication of the American-made edition, into English and its publication in America could&#13;
while a copy deposited on the thirtieth not be prevented.&#13;
day after publication will have sixty days In view of the exact prescription of the method&#13;
in all ; but the failure to deposit the foreign of securing copyright unless the statute is precisely&#13;
copy within thirty days after publication, or the complied with, the copyright is not valid. Said&#13;
failure to publish an American-made edition within Justice Sawyer, in Parkinson v. Laselle : “ There&#13;
thirty days after such deposit, will forfeit the right is no possible room for construction here. The&#13;
to obtain copyright protection and throw the statute says no right shall attach until these acts&#13;
foreign work into the public domain, despite the have been performed ; and the court cannot say,&#13;
ad interim registration. When an American-made in the face of this express negative provision, that&#13;
edition with notice of copyright can be published a right shall attach unless they are performed.&#13;
in America simultaneously with its publication Until the performance as prescribed, there is no&#13;
abroad, ad interim protection is of course rendered right acquired under the statute that can be&#13;
unnecessary; and such simultaneous publication is violated." And in the case of the play&#13;
the simplest and best practice for publishers to “Shaughraun," Boucicault v. Hart, in 1875, Justice&#13;
adopt. It may be emphasised that the notice of Hunt held, as regards copyrights in general :&#13;
copyright can be omitted only from foreign-made “ Two acts are by the statute made necessary to&#13;
copies and must be included in the American-made be performed, and we can no more take it upon&#13;
edition. The American publisher desiring to ourselves to say that the latter is not an indispens-&#13;
reprint a book published abroad in the English able requisite to a copyright than we can take it of&#13;
language within sixty days after publication the former.” The Supreme Court laid down this&#13;
without consent of the copyright proprietor, must general doctrine in Wheaton v. Peters, in refer-&#13;
therefore assure himself, by inquiry from the ence to the statutes of 1790 and 1802, and the&#13;
Copyright Office, whether the work has been later statutes are most explicit on this point. In&#13;
registered ad interim. The printing of an American the same case of Wheaton v. Peters, Justice&#13;
copyright notice on the foreign edition in antici. McLean, in delivering the judgment of the&#13;
pation of the publication of an American-made Supreme Court, held that while the right&#13;
edition and the deposit of copies thereof within the “accrues," so that it may be protected in&#13;
statutory requirements is a questionable practice, chancery, on compliance with the first require-&#13;
as a failure to publish American-made copies in ment of the prescribed process, it must be perfected&#13;
the United States would make such notice a false by complying with the other requisites before a suit&#13;
notice of copyright. The copyright term, in the at law for violation of copyright can be maintained.&#13;
&#13;
&#13;
## p. (#364) ################################################&#13;
&#13;
&#13;
&#13;
## p. 1 (#365) ##############################################&#13;
&#13;
COPYRIGHT BILL.&#13;
(30 MARCH, 1911).&#13;
ARRANGEMENT OF CLAUSES.&#13;
PART I.&#13;
IMPERIAL COPYRIGHT.&#13;
Rights.&#13;
.&#13;
Clause.&#13;
1. Copyright.&#13;
2. Infringement of copyright.&#13;
3. Term of copyright.&#13;
4. Compulsory licences.&#13;
5. Ownership of copyright, &amp;c.&#13;
Civil Remedies.&#13;
6. Civil remedies for infringement of copyright.&#13;
7. Rights of owner against persons possessing or dealing with pirated copies, &amp;c.&#13;
8. Exemption of innocent infringer from liability to pay damages, &amp;c.&#13;
9. Restriction on remedies in the case of architecture.&#13;
10. Limitation of actious.&#13;
Summary Remedies.&#13;
11. Penalties for dealing with pirated copies, &amp;c.&#13;
12. Seizure of pirated copies being hawked about and arrest of hawker, &amp;c.&#13;
13. Search warrants.&#13;
14. Appeals to quarter sessions.&#13;
15. Extent of provisions as to summary remedies.&#13;
Importation of Copies.&#13;
16. Importation of copies.&#13;
Delivery of Books to Libraries.&#13;
17. Delivery of copies to British Museum and other libraries.&#13;
&#13;
&#13;
## p. 2 (#366) ##############################################&#13;
&#13;
( 2&#13;
)&#13;
Registration.&#13;
Clause.&#13;
18. Registration.&#13;
Special Provisions as to certain Works.&#13;
19. Works of joint authors.&#13;
20. Posthumous works.&#13;
21. Collective works.&#13;
22. Provisions as to photographs, records, &amp;c.&#13;
23. Provisions as to designs registrable under 7 Edw. 7 c. 29.&#13;
24. Works of foreign authors first published in parts of His Majesty's dominions to&#13;
which Act extends.&#13;
25. Existing works.&#13;
Application to British Possessions.&#13;
26. Application of Act to British Dominions.&#13;
27. Legislative powers of self-governing Dominions.&#13;
28. Power of Legislatures of British possessions to pass supplemental legislation.&#13;
29. Application to protectorates.&#13;
PART II.&#13;
INTERNATIONAL COPYRIGHT.&#13;
30. Power to extend Act to foreign works.&#13;
31. Application of Part II. to British possessions.&#13;
PART III.&#13;
SUPPLEMENTAL PROVISIONS.&#13;
32. Abrogation of common law rights.&#13;
33. Provisions as to Orders in Council.&#13;
34. Saving of university copyright.&#13;
35. Saving of compensation to certain libraries.&#13;
36. Interpretation.&#13;
37. Repeal.&#13;
38. Short title and commencement.&#13;
Schedules.&#13;
&#13;
&#13;
## p. 3 (#367) ##############################################&#13;
&#13;
( 3 )&#13;
A BILL TO AMEND AND CONSOLIDATE THE LAW RELATING&#13;
TO COPYRIGHT.&#13;
Be it enacted by the King's most Excellent Majesty, by and with the advice and&#13;
consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament&#13;
assembled, and by the authority of the same, as follows :-&#13;
PART I.&#13;
IMPERIAL COPYRIGHT.&#13;
Rights.&#13;
1.-(1) Subject to the provisions of this Act, copyright shall subsist throughout the Copyright.&#13;
parts of His Majesty's dominions to which this Act extends for the term herein-after&#13;
mentioned in every original literary dramatic musical and artistic work, if—&#13;
(a) in the case of a published work, the work was first published within such parts of .&#13;
His Majesty's dominions as aforesaid ; and&#13;
(6) in the case of an unpublished work, the author was at the date of the making of&#13;
the work a British subject or resident within such parts of His Majesty's&#13;
dominions as aforesaid ;&#13;
but in no other works, except so far as the protection conferred by this Act is extended&#13;
by Orders in Council thereunder relating to self-governing dominions to which this Act&#13;
does not extend and to foreign countries.&#13;
(2) For the purposes of this Act “copyright” means the sole right to produce or&#13;
· reproduce the work or any substantial part thereof in any material form whatsoever and&#13;
in any language ; to perform, or in the case of a lecture to deliver, the work or any&#13;
substantial part thereof in public ; if the work is unpublished, to publish the work ; and&#13;
sball include the sole right,-&#13;
(a) in the case of a dramatic work, to convert it into a novel or other non-dramatic&#13;
work ;&#13;
(b) in the case of a novel or other non-dramatic work, to convert it into a dram atic&#13;
work, either by way of multiplication of copies or by way of performance in&#13;
public ;&#13;
(©) in the case of a literary, dramatic, or musical work, to make any record,&#13;
perforated roll, cinematograph film, or other contrivance by means of wbich&#13;
the work may be mechanically performed or delivered,&#13;
and to authorise any such acts as aforesaid.&#13;
(3) For the purposes of this Act publication, in relation to any work, means the issue&#13;
of copies of the work to the public, and does not include the performance in public of a&#13;
dramatic or musical work, the delivery in public of a lecture, the exhibition in public of&#13;
an artistic work, or the construction of an architectural work of art, but for the purposes&#13;
of this provision photographs and engravings of paintings, drawings, works of sculpture,&#13;
and architectural works of art shall not be deemed to be copies of such works.&#13;
&#13;
&#13;
## p. 4 (#368) ##############################################&#13;
&#13;
( 4&#13;
)&#13;
Infringement 2.-(1) Copyright in a work shall be deemed to be infringed by any person who,&#13;
of copyright.&#13;
without the consent of the owner of the copyright, does anything the sole right to do&#13;
which is by this Act conferred on the owner of the copyright : Provided that the&#13;
following acts shall not constitute an infringement of copyright :-&#13;
(i) Any fair dealing with any work for the purposes of private study, research,&#13;
criticism, or review :&#13;
(ii): Where the author of an artistic work is not the owner of the copyright therein,&#13;
the use by the author of any mould, cast, sketch, plan, model, or study made&#13;
by him for the purpose of the work, provided that he does not thereby repeat&#13;
or imitate the main design of that work :&#13;
(iii) The making of paintings, drawings, engravings, or photographs of a work of&#13;
sculpture or artistic craftsmanship, if situate in a public place or building, or&#13;
the making of paintings, drawings, engravings, or photographs (which are not&#13;
in the nature of architectural drawings or plans) of any architectural work&#13;
of art :&#13;
(iv) The publication in a newspaper of a report of a lecture delivered in public,&#13;
unless the report is prohibited by notice given either-&#13;
(a) orally at the beginning of the lecture, or if the lecture is one of a&#13;
series of lectures given by the same lecturer on the same subject at the&#13;
same place, at the beginning of the first lecture of the series ; or&#13;
(6) by a conspicuous written or printed notice affixed before the lecture&#13;
or the first lecture of the series is given on the entrance door of the build-&#13;
ing in which the lecture or series of lectures is given, or in a place near the&#13;
lecturer.&#13;
(2) Copyright in a work shall also be deemed to be infringed by any person who sells&#13;
or lets for hire, or exposes, offers, or has in his possession for sale or hire, or distributes or&#13;
exhibits in public, or imports for sale or hire into any part of His Majesty's dominions to&#13;
which this Act extends, any work which to his knowledge infringes copyright or would&#13;
infringe copyright if it had been made within the part of His Majesty's dominions in or&#13;
into which the sale or hiring, exposure, offering, or having in possession for sale or bire or&#13;
importation took place.&#13;
(3) Copyright in a work shall also be deemed to be infringed by any person who for&#13;
private profit permits a theatre or other place of entertainment to be used for the perform-&#13;
ance in public of the work without the consent of the owner of the copyright, unless he&#13;
proves that he acted innocently.&#13;
Term of copy. 3. The term for which copyright shall subsist shall, except as otherwise expressly&#13;
right,&#13;
provided by this Act, be the life of the author and a period of fifty years after his death,&#13;
unless previously determined by first publication elsewhere than in the parts of His&#13;
Majesty's dominions to which this Act extends.&#13;
Compulsory 4.-(1) If at any time after the death of the author of a work which has been published&#13;
licences.&#13;
or performed in public a petition is presented by any person interested to the Comptroller-&#13;
General of Patents Designs and Trade Marks alleging that, by reason of the withholding&#13;
of the work from the public, the reasonable requirements of the public with respect to the&#13;
work are not satisfied, and praying for the grant of a licence to reproduce the work or&#13;
&#13;
&#13;
## p. 5 (#369) ##############################################&#13;
&#13;
perform the work in public, the Comptroller shall consider the petition, and if, after&#13;
inquiry, he is satisfied that the allegations contained therein are correct, then, unless&#13;
satisfactory reasons have been given for the with holding of the work, he may, if he thinks&#13;
it just and equitable to do so, order the owner of the copyright to grant to the petitioner&#13;
a licence to reproduce or perform the work in public on such terms and subject to such&#13;
conditions as the Comptroller may think fit:&#13;
(2) For the purposes of this section a work shall be deemed to be withheld from the&#13;
public if, by reason of the excessive price charged for copies of the work or for the right to&#13;
perform the work in public, or the undue limitation of the number of copies issued or&#13;
performances given, the demand of the public for the work is not reasonably met :&#13;
Provided that an order for the grant of a licence under this section shall not be made&#13;
on the ground of such excessive price or such undue limitation before the expiration of&#13;
twenty-five years from the date of the first publication or first performance in public of&#13;
the work,&#13;
(3) General rules under section eighty-six of the Patents and Designs Act, 1907, may&#13;
be made for regulating the procedure under this section, and the Comptroller shall in any&#13;
proceeding before him under this section have power by order to award to any party such&#13;
costs as he may consider reasonable, and to direct how and by what parties they are to be&#13;
paid, and any such order may be made a rule of the High Court.&#13;
(4) An order of the Comptroller directing the grant of a licence under this section&#13;
shall, without prejudice to any other method of enforcement, operate as if it were embodied&#13;
in a deed granting the licence and made between the parties to the proceeding.&#13;
(5) Any decision of the Comptroller under this section shall be subject to appeal to&#13;
a judge of the High Court, and the decision of that judge shall be final.&#13;
(6) An order for the grant of a licence under this section shall not be made in&#13;
respect of any work first published or performed in public in a self-governing dominion&#13;
to which this Act extends, but the Legislature of any such dominion may provide for the&#13;
granting of licences in respect of such works, which licences shall be operative in such&#13;
parts of His Majesty's dominions to which this Act extends as may be specified in the&#13;
licence.&#13;
5.-(1) Subject to the provisions of this Act, the author of a work shall be the first Ownership of&#13;
owner of the copyright therein :&#13;
copyright, &amp;c.&#13;
Provided that,&#13;
(a) where in the case of an engraving, photograph, or portrait the work was&#13;
ordered by some other person and was made for valuable consideration in&#13;
pursuance of that order, then, in the absence of any agreement to the con-&#13;
trary, the person by whom the work was ordered shall be the first owner of&#13;
the copyright ; and&#13;
(6) where the author was in the employment of some other person and the work was&#13;
made in the course of his employment by that person, the person by whom&#13;
the author was employed shall, in the absence of any agreement to the&#13;
contrary, be the first ownes of the copyright.&#13;
(2) The owner of the copyright in any work may assign the right, either wholly or&#13;
partially, and either generally or subject to limitations to any particular country or place,&#13;
&#13;
&#13;
## p. 6 (#370) ##############################################&#13;
&#13;
( 6&#13;
)&#13;
and either for the whole term of the copyright or for any part thereof, and may grant any&#13;
interest in the right by licence, but no such assignment shall be valid unless it is in&#13;
writing signed by the owner of the right in respect of which the assignment is made, or&#13;
by his duly authorised agent.&#13;
(3) Where under any partial assignment of copyright the assignee becomes entitled&#13;
to any right comprised in copyright, the assignee as respects the right so assigned, and&#13;
the assignor as respects the rights not assigned, shall be treated for the purposes of this&#13;
Act as the owner of the copyright, and the provisions of this Act shall have effect&#13;
accordingly.&#13;
Civil Remedies.&#13;
Civil remedies 6.—(1) Where copyright in any work has been infringed, the owner of the copyright&#13;
for infringe-&#13;
ment of copy.&#13;
v. shall, except as otherwise provided by this Act, be entitled to all such remedies by way of&#13;
right. injunction or interdict, damages, accounts, and otherwise, as may be conferred by law.&#13;
(2) The costs in any proceedings in respect of the infringement of copyright shall be&#13;
in the absolute discretion of the Court.&#13;
(3) In any action for infringement of copyright in any work, the work shall be pre-&#13;
sumed to be a work in which copyright subsists and the plaintiff shall be presumed to be&#13;
the owner of the copyright, unless the defendant, in his pleadings in defence, states that&#13;
he disputes the existence of the copyright, or, as the case may be, the title of the plaintiff,&#13;
with the addition of a statement of the ground of such objection, and the name of the&#13;
person (if any) whom the defendant alleges to be the owner of the copyright.&#13;
Rights of&#13;
7. All pirated copies of any work in which copyright subsists, and all plates used or&#13;
zannst intended to be used for the production of pirated copies of such work, shall be deemed to&#13;
persons&#13;
possessing or be the property of the owner of the copyright, who accordingly may take proceedings for&#13;
dealing with&#13;
pirated copies, the recovery of the possession thereof or in respect of the conversion thereof.&#13;
8. Where proceedings are taken in respect of the infringement of the copyright in&#13;
Exemption of&#13;
innocent any work and the defendant in his defence alleges that he was not aware of the existence&#13;
infringer from&#13;
liability to of the copyright in the work, the plaintiff shall not be entitled to any remedy other than&#13;
pay damages, an injunction or interdict in respect of the infringement if the defendant proves that at&#13;
the date of the infringement he was not aware and had not reasonable means of making&#13;
himself aware that copyright subsisted in the work :&#13;
Provided that if sufficient particulars were before the date of the infringement&#13;
entered in a register established under this Act, or, in the case of a work first published&#13;
in, or the author whereof was a resident in, a British possession under the laws of which&#13;
a register has been established within that possession, if sufficient particulars have been&#13;
entered in that register, the defendant shall be deemed to have had reasonable means of&#13;
making himself aware that copyright subsisted in the work : but nothing in this proviso&#13;
shall be construed as relieving a defendant from such onus of proof as aforesaid in any&#13;
case where no such particulars have been entered in a register.&#13;
9.—(1) Where a building or other structure which infringes or which, if completed,&#13;
remedies in&#13;
the case of&#13;
would infringe the copyright in some other work has been commenced to be con-&#13;
architecture. structed, the owner of the copyright shall not be entitled to obtain an injunction or&#13;
interdict to restrain the construction of such building or structure or to order its&#13;
demolition.&#13;
&amp;c.&#13;
&amp;c.&#13;
Restri&#13;
tion on&#13;
&#13;
&#13;
## p. 7 (#371) ##############################################&#13;
&#13;
( 7 )&#13;
. (2) Such of the other provisions of this Act as provide that a pirated copy of&#13;
a work shall be deemed to be the property of the owner of the copyright, or as&#13;
impose summary penalties, shall not apply in any case to which this section&#13;
applies.&#13;
10. An action in respect of infringement of copyright shall not be commenced Limitation&#13;
of actions.&#13;
after the expiration of the three years next after the infringement.&#13;
Summary Remedies.&#13;
11.-(1) If any person-&#13;
Penalties for&#13;
dealing with&#13;
(a) makes for sale or hire any pirated copy of a work in which copyright o&#13;
pirated&#13;
subsists; or&#13;
copies, &amp;c.&#13;
(6) sells or lets for hire, or exposes, offers, or has in his possession for sale or&#13;
hire any pirated copy of any such work; or&#13;
(©) distributes or exhibits in public any pirated copy of any such work ; or&#13;
(d) imports for sale or hire into the United Kingdom any pirated copy of any&#13;
such work :&#13;
he shall, unless he proves that he acted innocently, be guilty of an offence under this&#13;
Act and be liable on summary conviction to a fine not exceeding forty shillings for&#13;
every copy dealt with in contravention of this section, but not exceeding fifty pounds&#13;
in respect of the same transaction ; or in the case of a second or subsequent offence,&#13;
either to such fine or to imprisonment with or without hard labour for a term not&#13;
exceeding two months :&#13;
• Provided that a person convicted of an offence under paragraph (b) of this&#13;
sub-section who has not been previously convicted of any such offence, and who proves&#13;
that the copies of the work in respect of which the offence was committed had printed&#13;
or marked thereon in some conspicuous place a name and address purporting to be&#13;
that of the printer or publisher, shall not be liable to any penalty under this section&#13;
unless it is proved that the copies were to his knowledge pirated copies.&#13;
(2) If any person makes or has in his possession any plate for the purpose of making&#13;
pirated copies of any work in which copyright subsists, or for private profit causes any&#13;
such work to be performed in public without the consent of the owner of the copyright,&#13;
He shall, unless he proves that he acted innocently, be guilty of an offence under this Act,&#13;
and be liable on summary conviction to a fine not exceeding fifty pounds, or, in the case of&#13;
a second or subsequent offence, either to such fine or to imprisonment with or without&#13;
hard labour for a term not exceeding two months.&#13;
(3) The Court before which any such proceedings are taken may in addition order&#13;
that all copies of the work or all plates in the possession of the offender, which appear to&#13;
it to be pirated copies or plates for the purpose of making pirated copies, be destroyed&#13;
or delivered up to the owner of the copyright or otherwise dealt with as the Court may&#13;
think fit.&#13;
• 12.—(1) Where a court of summary jurisdiction is satisfied by information on oath Seizure of&#13;
that there is reasonable ground for believing that pirated copies of any work are being or&#13;
about to be hawked or carried about, sold or offered for sale, it may issue an order about and&#13;
arrest of&#13;
authorising any constable-&#13;
hawker, &amp;c.&#13;
&#13;
&#13;
## p. 8 (#372) ##############################################&#13;
&#13;
( 8 )&#13;
(a) to seize without further warrant any copies of the work which may be found being&#13;
hawked or carried about, sold or offered for sale ;&#13;
(b) to arrest without further warrant any person who in any street or public place&#13;
sells or exposes or has in his possession for sale any pirated copies of the work,&#13;
or who offers for sale any pirated copies of the work by personal canvass or by&#13;
personally delivering advertisements or circulars.&#13;
(2) Where such an order has been made the person on whose application it was made&#13;
may send a copy thereof (certified to be a true copy by the clerk of the Court which&#13;
made the order) to the chief officer of police for any district within which the Court&#13;
has jurisdiction, and thereupon any constable may seize any such copies and arrest any&#13;
such person in accordance with the terms of the order.&#13;
(3) Where the constable seizes any copies of a work in pursuance of such an order,&#13;
he shall bring them before a court of summary jurisdiction, and that Court, on proof that&#13;
the copies are pirated, may order that they be destroyed or delivered up to the owner of&#13;
the copyright or otherwise dealt with as the Court may think fit.&#13;
(4) All copies of orders sent to a chief officer of police under this section shall&#13;
be open to inspection at all reasonable hours by any person without payment of any&#13;
fee, and any person may take copies of or make extracts from any such order.&#13;
(5) For the purposes of this section the expression “chief officer of police ”—&#13;
(a) with respect to the City of London, means the Commissioner of City Police ;&#13;
(6) elsewhere in England has the same meaning as in the Police Act, 1890 ;&#13;
(c) in Scotland has the same meaning as in the Police (Scotland) Act, 1890 ;&#13;
(d) in the police district of Dublin metropolis means either of the Commissioners&#13;
of Police for the said district ;&#13;
(e) elsewhere in Ireland means the District Inspector of the Royal Irish&#13;
Constabulary.&#13;
(6) A single order under this section may be made extending to several works.&#13;
(7) An order under this section shall not authorise-&#13;
(a) the arrest of any person selling or offering for sale ; or&#13;
(b) the seizure of copies of,&#13;
any newspaper or other periodical publication merely because it contains a pirated&#13;
copy of a work, if such pirated copy is only an incidental feature and does not form&#13;
a substantial part of the newspaper or periodical.&#13;
53 &amp; 54 Vict.&#13;
C. 45.&#13;
53 &amp; 54 Vict.&#13;
c. 67.&#13;
Search&#13;
warrants.&#13;
13. A court of summary jurisdiction may, if satisfied by information on oath that&#13;
there is reasonable ground for believing that an offence punishable summarily under this&#13;
Act is being committed on any premises, grant a search warrant authorising the constable&#13;
named therein to enter the premises between the hours of six of the clock in the morning&#13;
and nine of the clock in the evening (and, if necessary, to use force in making such entry,&#13;
whether by breaking open doors or otherwise) and to seize any copies of any work or any&#13;
plates in respect of which he has reasonable ground for suspecting that an offence under&#13;
this Act is being committed, and may, on proof that the copies or plates brought before&#13;
the Court in pursuance of the warrant are pirated copies or plates intended to be used for&#13;
the purpose of making pirated copies, order that they be destroyed or delivered up to the&#13;
owner of the copyright or otherwise dealt with as the Court may think fit.&#13;
&#13;
&#13;
## p. 9 (#373) ##############################################&#13;
&#13;
( 9&#13;
)&#13;
copyrigh decise, that he be so im!&#13;
14. Any person aggrieved by a summary conviction in England or Ireland of an Appeals to&#13;
offence under the foregoing provisions of this Act may appeal to a court of quarter Sessions&#13;
sessions.&#13;
15. The provisions of this Act with respect to summary remedies shall extend only Extent of&#13;
provisions as&#13;
to the United Kingdom.&#13;
to summary&#13;
Importation of Copies.&#13;
remedies.&#13;
16.—(1) Copies made out of the United Kingdom of any work in which copyright Importation&#13;
of copies.&#13;
subsists which if made in the United Kingdom would infringe copyright, and as to&#13;
which the owner of the copyright gives notice in writing by himself or his agent to the&#13;
Commissioners of Customs and Excise, that he is desirous that such copies should not be&#13;
imported into the United Kingdom, shall not be so imported, and sball, subject to the&#13;
provisions of this section, be deemed to be included in the table of prohibitions and&#13;
restrictions contained in section forty-two of the Customs Consolidation Act, 1876, and&#13;
that section shall apply accordingly.&#13;
(2) Before detaining any such copies or taking any further proceedings with a view&#13;
to the forfeiture thereof under the law relating to the Customs, the Commissioners of&#13;
Customs and Excise may require the regulations under this section, whether as to&#13;
information, conditions, or other matters, to be complied with, and may satisfy them-&#13;
selves in accordance with those regulations that the copies are such as are prohibited by&#13;
this section to be imported.&#13;
(3) The Commissioners of Customs and Excise may make regulations, either general&#13;
or special, respecting the detention and forfeiture of copies the importation of which is&#13;
prohibited by this section, and the conditions, if any, to be fulfilled before such detention&#13;
and forfeiture, and may by such regulations determine the information, notices, and&#13;
security to be given, and the evidence requisite for any of the purposes of this section, and&#13;
the mode of verification of such evidence.&#13;
(4) The regulations may apply to copies of all works the importation of copies&#13;
of which is prohibited by this section, or different regulations may be made respecting&#13;
different classes of such works.&#13;
(5) The regulations may provide for the informant reimbursing the Commissioners&#13;
of Customs and Excise all expenses and damages incurred in respect of any detention&#13;
made on his information, and of any proceedings consequent on such detention ; and&#13;
may provide for notices under any enactment repealed by this Act being treated as notices&#13;
given under this section.&#13;
(6) The foregoing provisions of this section shall have effect as if they were part of&#13;
the Customs Consolidation Act, 1876 : Provided that notwithstanding anything in&#13;
that Act the Isle of Man shall not be treated as part of the United Kingdom for the&#13;
purposes of this section.&#13;
(7) This section shall, with the necessary modifications, apply to the importation&#13;
into a British possession to which this Act extends of copies of works made out of that&#13;
possession.&#13;
Delivery of Books to Libraries.&#13;
17.-(1) The publisher of every book published in the United Kingdom shall within Delivery of&#13;
one month after the publication deliver, at his own expense, a copy of the book to the copies to&#13;
trustees of the British Museum, who shall give a written receipt for it.&#13;
Museum and&#13;
other libraries.&#13;
&#13;
&#13;
## p. 10 (#374) #############################################&#13;
&#13;
( 10&#13;
)&#13;
(2) He shall also, if written demand is made within three months after publication,&#13;
deliver within one month after receipt of that written demand to some depôt in London&#13;
named in the demand a copy of the book for, or in accordance with the directions of, the&#13;
authority having the control of each of the following libraries, namely : the Bodleian&#13;
Library, Oxford, the University Library, Cambridge, the Library of the Faculty of&#13;
Advocates at Edinburgh, and the Library of Trinity College, Dublin.&#13;
(3) The copy delivered to the trustees of the British Museum shall be a copy of the&#13;
whole book with all maps and illustrations belonging thereto, finished and coloured in&#13;
the same manner as the best copies of the book are published, and shall be bound, sewed,&#13;
or stitched together, and on the best paper on which the book is printed.&#13;
(4) The copy delivered for the other authorities mentioned in this section shall be on&#13;
the paper on which the largest number of copies of the book is printed for sale, and shall&#13;
be in the like condition as the books prepared for sale.&#13;
(5) If a publisher fails to comply with this section, he shall be liable on summary&#13;
conviction to a fine not exceeding fire pounds and the value of the book, and the fine&#13;
shall be paid to the trustees or authority to whom the book ought to have been delivered.&#13;
(6) For the purposes of this section the expression “ book " includes every part or&#13;
division of a book, pamphlet, sheet of letter-press, sheet of music, map, plan, chart or&#13;
table, but shall not include any second or subsequent edition of a book unless such edition&#13;
contains additions or alterations either in the letterpress or in the maps, prints, or other&#13;
engravings belonging thereto.&#13;
Registration.&#13;
18.—(1) There shall be kept in the Hall of the Stationers' : Company by an officer&#13;
(hereinafter called the registrar) to be appointed by the Stationers' Company subject to&#13;
the approval of the Board of Trade such one or more registers as may be prescribed, in&#13;
which shall be entered the names or titles of works and the names of authors, and such&#13;
other particulars as may be prescribed.&#13;
(2) The author or publisher of, or the owner of or other person interested in the&#13;
copyright in, any work may at any time cause the particulars respecting the work to be&#13;
entered in the register, but it shall not be obligatory on him to do so.&#13;
(3) In the case of an encyclopædia, newspaper, review, magazine, or other periodical&#13;
work or work published in a series of books or parts, it shall not be necessary to make a&#13;
separate entry for each number or part, but a single entry for the whole work shall&#13;
suffice.&#13;
(4) There shall also be kept in the Hall of the Stationers' Company by the registrar&#13;
such indexes of the registers established under this section as may be prescribed.&#13;
(5) The registers and indexes established under this section shall be in the pre-&#13;
scribed form, and shall at all reasonable times be open to inspection, and any person shall&#13;
be entitled to take copies of or make extracts from any such register, and the registrar&#13;
shall, if so required, give a copy of any entry in any such register certified by him to be&#13;
a true copy.&#13;
(6) An entry in a register kept under this Act shall be primâ facie evidence of the&#13;
facts thereby recorded, and an entry in a register may be proved by the production of a&#13;
copy thereof certified to be a true copy by the registrar.&#13;
Registration.&#13;
&#13;
&#13;
## p. 11 (#375) #############################################&#13;
&#13;
(&#13;
11 )&#13;
(7) There shall be charged in respect of entries in registers, the inspection of&#13;
registers, taking copies of or making extracts from registers, and certificates by the&#13;
registrar under this section, such fees as may be prescribed.&#13;
(8) The Stationers' Company shall annually render to the Board of Trade such&#13;
accounts of their receipts and expenditure under this section as may be prescribed.&#13;
(9) The Board of Trade may make regulations prescribing any matters which under&#13;
this section are to be prescribed, and generally for carrying this section into effect, and any&#13;
such regulations-&#13;
(a) may provide for the periodical publication and sale of lists of all works or of&#13;
works of any prescribed class in respect of which particulars have been&#13;
entered in any register since the publication of the last preceding list ; and&#13;
(6) may provide for entries in any register kept under any enactment repealed by&#13;
this Act being treated as entries in a register under this section ; and&#13;
(c) may require that, in the case of an artistic work desired to be registered, there&#13;
shall be furnished a representation of the work sufficient for the identification&#13;
thereof.&#13;
(10) If any person for the purpose of the registration of a work under this section&#13;
makes or causes to be made any statement which is to his knowledge false in any&#13;
particular, he shall be guilty of a misdemeanour, and shall be liable on conviction to&#13;
imprisonment with or without hard labour for a term not exceeding two years.&#13;
author&#13;
Special Provisions as to certain Works.&#13;
19.-(1) In a case of a work of joint authorship copyright shall subsist during the Works of&#13;
life of the author who first dies and for a term of fifty years after his death, or during the joint&#13;
life of the author who dies last, whichever period is the longer.&#13;
(2) Where in the case of an unpublished work of joint authorship some one or more&#13;
of the joint authors do not satisfy the conditions conferring copyright laid down by this&#13;
Act, the work shall be treated for the purposes of this Act as if the other author or&#13;
authors had been the sole author or authors thereof :&#13;
Provided that the term of the copyright shall be the same as it would have been if&#13;
all the authors had satisfied such conditions as aforesaid.&#13;
(3) For the purposes of this Act “a work of joint authorship” means a work&#13;
produced by the collaboration of two or more authors in which the contribution of one&#13;
author is not distinct from the contribution of the other author or authors.&#13;
orks.&#13;
20. In the case of a literary dramatic or musical work, or an engraving, in which Posthumous&#13;
copyright subsists at the date of the death of the author or, in the case of a work of joint "&#13;
authorship, at or immediately before the date of the death of the author who dies last, but&#13;
which has not been published, nor, in the case of a dramatic or musical work, been&#13;
performed in public, nor, in the case of a lecture, been delivered in public, before that&#13;
date, copyright shall subsist till publication, or performance or delivery in public, which-&#13;
ever may first happen, and for a term of fifty years thereafter, unless previously&#13;
determined by first publication elsewhere than in the parts of His Majesty's dominions to&#13;
which this Act extends.&#13;
&#13;
&#13;
## p. 12 (#376) #############################################&#13;
&#13;
( 12 )&#13;
Collective&#13;
works.&#13;
Provisions as&#13;
to photo-&#13;
graphs,&#13;
records, &amp;c.&#13;
21. Where the work of an author is first published as an article or other contribution&#13;
in a collective work (that is to say) =&#13;
(a) an encyclopædia, dictionary, year book, or similar work ;&#13;
(6) a newspaper, review, magazine, or other similar periodical ;&#13;
(©) a work written in distinct parts by different authors ;&#13;
and the proprietor of the collective work is not the owner of the copyright in the article&#13;
or contribution, then, subject to any agreement to the contrary, the owner of the copy-&#13;
right in each article or contribution shall retain his copyright therein, but the proprietor&#13;
of the collective work shall at all times have the right of reproducing and authorising the&#13;
reproduction of the work as a whole, and for a period of fifty years from the date of first&#13;
publication of the collective work shall have the sole right of reproducing and authorising&#13;
the reproduction of the work as a whole, and shall be entitled to the same remedies in&#13;
respect of the infringement of the copyright in any part of the works as if he were the&#13;
owner of the copyright.&#13;
22. The term for which copyright shall subsist in photographs, and in records, per-&#13;
forated rolls, and other contrivances by means of which a work may be mechanically&#13;
performed or delivered, shall be fifty years from the making of the negative or plate, and&#13;
the person who was owner of the original negative or plate from which the photograph or&#13;
other contrivance was directly or indirectly derived at the time when such negative or&#13;
plate was made shall be deemed to be the author of the work, and where such owner is a&#13;
body corporate the body corporate shall be deemed for the purposes of this Act to reside&#13;
within the parts of His Majesty's dominions to which this Act extends if it has established&#13;
a place of business within such parts.&#13;
23.—(1) This Act shall not apply to designs capable of being registered under the&#13;
Patents and Designs Act, 1907, except designs which, though capable of being so regis-&#13;
tered, are not used or intended to be used as models or patterns to be multiplied by any&#13;
industrial process.&#13;
(2) General rules under section eighty-six of the Patents and Designs Act, 1907, may&#13;
be made for determining the conditions under which a design shall be deemed to be used&#13;
for such purposes as aforesaid.&#13;
24. If it appears to His Majesty that a foreign country does not give, or has not&#13;
undertaken to give, adequate protection to the works of British authors, it shall be lawful&#13;
for His Majesty by Order in Council to direct that such of the provisions of this Act as&#13;
confer copyright on works first published within the parts of His Majesty's dominions to&#13;
which this Act extends, shall not apply to works published after the date specified in the&#13;
Order, the authors whereof are subjects or citizens of such foreign country, and are not&#13;
resident in His Majesty's dominions, and thereupon those provisions shall not apply to&#13;
such works.&#13;
25.-(1) Where any person is immediately before the commencement of this Act&#13;
entitled to any such right in any work as is specified in the first column of the First&#13;
Schedule to this Act, or to any interest in such a right, he shall as from that date be&#13;
entitled to the substituted right set forth in the second column of that Schedule, or to the&#13;
same interest in such a substituted right, and to no other right or interest, and such&#13;
substituted right shall subsist for the term for which it would have subsisted if this Act&#13;
Provisions as&#13;
to designs&#13;
registrable&#13;
under&#13;
7 Edw. 7,&#13;
c. 29.&#13;
Works of&#13;
foreign&#13;
authors first&#13;
published in&#13;
parts of His&#13;
Majesty's&#13;
dominions to&#13;
which Act&#13;
extends.&#13;
Existing&#13;
works.&#13;
&#13;
&#13;
## p. 13 (#377) #############################################&#13;
&#13;
( 13 )&#13;
had been in force at the date when the work was made and the work had been one entitled&#13;
to copyright thereunder :&#13;
Provided that-&#13;
(a) if the author of any work in which any such right as is specified in the first&#13;
column of the First Schedule to this Act subsists at the commencement of&#13;
this Act has before that date assigned the right or granted any interest&#13;
therein for the whole term of the right, then at the date when but for the&#13;
passing of this Act the right would have expired the substituted right con-&#13;
ferred by this section shall, in the absence of express agreement, pass to the&#13;
author of the work, and any interest therein created before the commence-&#13;
ment of this Act and then subsisting shall determine ; but the person who&#13;
immediately before the date at which the right would so have expired was&#13;
the owner of the right or interest shall be entitled at his option either-&#13;
(i) on giving such notice as hereinafter mentioned, to an assignment of&#13;
the right or the grant of a similar interest therein for the remainder of&#13;
the term of the right for such consideration as, failing agreement, may be&#13;
determined by arbitration ; or&#13;
(ii) without any such assignment or grant, to continue to reproduce or&#13;
perform the work in like manner as theretofore subject to the payment of&#13;
such royalties to the author as, failing agreement, may be determined by&#13;
arbitration, or, where the work is incorporated in a composite work and&#13;
the owner of the right or interest is the proprietor of that composite work,&#13;
without any such payment;&#13;
The notice above referred to must be given not more than one year nor&#13;
less than six months before the date at which the right would have so&#13;
expired, and must be sent by registered post to the author, or, if he cannot&#13;
with reasonable diligence be found, advertised in the Lonilon Gazette and in&#13;
two London newspapers :&#13;
(b) where any person has, before the twenty-sixth day of July nineteen hundred&#13;
and ten, taken any action whereby he has incurred any expenditure or&#13;
liability in connexion with the reproduction or performance of any work in&#13;
a manner which at the time was lawful, or for the purpose of or with a view&#13;
to the reproduction or performance of a work at a time when such reproduc-&#13;
tion or performance would, but for the passing of this Act, have been lawful,&#13;
nothing in this section shall diminish or prejudice any rights or interest&#13;
arising from or in connexion with such action which are subsisting and&#13;
valuable at the said date, unless the person who by virtue of this section&#13;
becomes entitled to restrain such reproduction or performance agrees to pay&#13;
such compensation as, failing agreement, may be determined by arbitration.&#13;
(2) For the purposes of this section the expression "author" includes the legal&#13;
personal representatives of a deceased author, and the expression “composite work”&#13;
means any work in which works or parts of works of various authors are incorporated.&#13;
(3) Subject to the provisions of this Act as to copyright under the Copyright Act,&#13;
1775, copyright shall not subsist in any work made before the commencement of this Act,&#13;
otherwise than onder and in accordance with the provisions of this section.&#13;
&#13;
&#13;
## p. 14 (#378) #############################################&#13;
&#13;
( 14 )&#13;
British&#13;
Application to British Possessions.&#13;
Application&#13;
26.—(1) This Act, except such of the provisions thereof as are expressly restricted to&#13;
of Act to&#13;
the United Kingdom, shall extend throughout His Majesty's dominions : Provided that it&#13;
dominions. shall not extend to a self-governing dominion, unless declared by the Legislature of that&#13;
dominion to be in force therein either without any modifications or additions, or with&#13;
such modifications and additions relating exclusively to procedure and remedies or neces-&#13;
sary to adapt this Act to the circumstances of the dominion as may be enacted by such&#13;
Legislature.&#13;
(2) If the Secretary of State certifies by notice published in the London Gazette that&#13;
any self-governing dominion has passed legislation under which works, the authors whereof&#13;
were at the date of the making of the works British subjects resident elsewhere than in&#13;
the dominion or (not being British subjects) were resident in the parts of His Majesty's&#13;
dominions to which this Act extends, enjoy within the dominion rights substantially&#13;
identical with those conferred by this Act, then, whilst such legislation continues in force,&#13;
the dominion shall for the purposes of the rights conferred by this Act be treated as if it&#13;
were a dominion to which this Act extends ; and it shall be lawful for the Secretary of&#13;
State to give such a certificate as aforesaid notwithstanding that the remedies for enforc-&#13;
ing the rights, or the restrictions on the importation of copies of works, under the law of&#13;
the dominion, differ from those under this Act.&#13;
Legislative 27.—(1) The Legislature of any self-governing dominion may at any time repeal all&#13;
self-governing or any of the enactments relating to copyright passed by Parliament (including this Act)&#13;
dominions. so far as they are operative within that dominion : Provided that no such repeal shall&#13;
prejudicially affect any legal rights existing at the time of the repeal and that on this Act&#13;
or any part thereof being so repealed by the Legislature of a self-governing dominion,&#13;
that dominion shall cease to be a dominion to which this Act extends.&#13;
(2) In any self-governing dominion to which this Act does not extend, the enact-&#13;
ments repealed by this Act shall, so far as they are operative in that dominion, continue&#13;
in force until repealed by the Legislature of that dominion.&#13;
(3) Where His Majesty in Council is satisfied that the law of a self-governing&#13;
dominion to which this Act does not extend provides adequate protection within the&#13;
dominion for the works (whether published or unpublished) of authors who at the time of&#13;
the making of the work were British subjects resident elsewhere than in that dominion,&#13;
His Majesty in Council may for the purpose of giving reciprocal protection direct that&#13;
this Act, except such parts (if any) thereof as may be specified in the Order, and subject&#13;
to any conditions contained therein, shall, within the parts of His Majesty's dominions to&#13;
which this Act extends, apply to works the authors whereof were at the time of the&#13;
making of the work resident within the first-mentioned dominion, and to works first&#13;
published in that dominion ; but, save as provided by such an Order, works the authors&#13;
whereof were resident in a dominion to which this Act does not extend shall not, whether&#13;
they are British subjects or not, be entitled to any protection under this Act except such&#13;
protection as is by this Act conferred on works first published within the parts of His&#13;
Majesty's dominions to which this Act extends :&#13;
Provided that no such Order shall confer any rights within a self-governing&#13;
dominion, but the Governor in Council of any self-governing dominion to which this Act&#13;
&#13;
&#13;
## p. 15 (#379) #############################################&#13;
&#13;
( 15 )&#13;
extends, may by Order, confer within that dominion the like rights as His Majesty in&#13;
Council is under the foregoing provisions of this sub-section authorised to confer within&#13;
other parts of His Majesty's dominions.&#13;
For the purposes of this sub-section the expression “a dominion to which this Act&#13;
extends ” includes a dominion which is for the purposes of this Act to be treated as if it&#13;
were a dominion to which this Act extends.&#13;
28. The Legislature of any British possession to which this Act extends may modify Power of&#13;
Legislatures&#13;
or add to any of the provisions of this Act in its application to the possession, but, of British&#13;
except so far as such modifications and additions relate to procedure and remedies, they pos&#13;
pass supple-&#13;
shall apply only to works the authors whereof were at the time of the making of the work mental legis-&#13;
lation,&#13;
resident in the possession and to works first published in the possession.&#13;
29. His Majesty may by Order in Council extend this Act to any territories under Application to&#13;
his protection and to Cyprus, and on the making of any such Order this Act shall subject&#13;
to the provisions of the Order have effect as if the territories to which it applies or Cyprus&#13;
were part of His Majesty's dominions to which this Act extends.&#13;
protectorates.&#13;
Part II.&#13;
INTERNATIONAL COPYRIGHT.&#13;
30.-(1) His Majesty may by Order in Council direct that this Act (except such parts, Power to&#13;
if any, thereof as may be specified in the Order) shall apply-&#13;
extend Act to&#13;
foreign works.&#13;
(a) to works first published in a foreign country to which the Order relates, in&#13;
like manner as if they were first published within the parts of His Majesty's&#13;
dominions to which this Act extends ;&#13;
(b) to literary dramatic musical and artistic works, or any class thereof, the authors&#13;
whereof were at the time of the making of the work subjects or citizens of a&#13;
foreign country to which the order relates, in like manner as if the authors&#13;
were British subjects;&#13;
(©) in respect of residence in a foreign country to which the Order relates in&#13;
like manner as if such residence were residence in parts of his Majesty's&#13;
dominions to which this Act extends;&#13;
and thereupon, subject to the provisions of this Part of this Act and of the Order, this&#13;
Act shall apply accordingly :&#13;
Prorided that,&#13;
(i.) before making an Order in Council under this section in respect of any foreign&#13;
country (other than a country with which His Majesty has entered into a&#13;
convention relating to copyright) His Majesty shall be satisfied that that&#13;
foreign country has made, or has undertaken to make, such provisions,&#13;
if any, as it appears to His Majesty expedient to require for the pro-&#13;
tection of works entitled to copyright under the provisions of Part I. of&#13;
this Act:&#13;
(ii.) the Order in Council may provide that the term of copyright within such&#13;
parts of His Majesty's dominions as aforesaid shall not exceed that&#13;
conferred by the law of the country to which the Order relates :&#13;
&#13;
&#13;
## p. 16 (#380) #############################################&#13;
&#13;
(&#13;
)&#13;
16&#13;
-&#13;
-&#13;
-&#13;
-&#13;
-&#13;
(iii.) the provisions of this Act as to the delivery of copies of books shall not&#13;
apply to works first published in such country, except so far as is provided&#13;
by the Order :&#13;
(iv.) the provisions of this Act as to the grant of compulsory licences shall&#13;
not apply to works first published or first performed in such country if&#13;
His Majesty is satisfied that the laws thereof provide means for enabling&#13;
the reasonable requirements of the public to be satisfied with regard to such&#13;
works :&#13;
(v.) the Order in Council may provide that the enjoyment of the rights&#13;
conferred by this Act shall be subject to the accomplishment of such&#13;
conditions and formalities (and if any) as may be prescribed by the&#13;
Order:&#13;
(vi.) in applying the provision of this Act as to ownership of copyright the Order&#13;
in Council may make such modifications as appear necessary having regard&#13;
to the law of the foreign country :&#13;
(vii.) in applying the provisions of this Act as to existing works the Order in&#13;
Council may make such modifications as appear necessary, and may provide&#13;
that nothing in those provisions as so applied shall be construed as reviving&#13;
any right of preventing the production or importation of any translation in&#13;
any case where the right has ceased by virtue of section five of the&#13;
International Copyright Act, 1886.&#13;
(2) An Order in Council under this section may extend to all the several countries&#13;
named or described therein.&#13;
31.—(1) An Order in Council under this Part of this Act shall apply to all His&#13;
Majesty's dominions to which this Act extends self-governing dominions and any other&#13;
possession specified in the Order with respect to which it appears to His Majesty expedient&#13;
that the Order should not apply.&#13;
(2) The Governor in Council of any self-governing dominion to which this Act&#13;
extends may, as respects that dominion, make the like orders as under this Part of this&#13;
Act His Majesty in Council is authorised to make with respect to His Majesty's dominions&#13;
other than self-governing dominions, and the provisions of this Part of this Act shall, with&#13;
the necessary modifications, apply accordingly.&#13;
(3) Where it appears to His Majesty expedient to except from the provisions of any&#13;
order any part of his dominions not being a self-governing dominion, it shall be lawful for&#13;
His Majesty by the same or any other Order in Council to declare that such Order and&#13;
this Part of this Act shall not, and the same shall not, apply to such part, except so far&#13;
as is necessary for preventing any prejudice to any rights acquired previously to the date&#13;
of such Order.&#13;
Part III.&#13;
SUPPLEMENTAL PROVISIONS.&#13;
32. No person shall be entitled to copyright or any similar right in any literary&#13;
dramatic musical or artistic work, whether published or unpublished, otherwise than under&#13;
and in accordance with the provisions of this Act, or of any other statutory enactment for&#13;
the time being in force.&#13;
Application&#13;
of Part II, to&#13;
British&#13;
possessions.&#13;
Abrogation of&#13;
low&#13;
com&#13;
rights.&#13;
&#13;
&#13;
## p. 17 (#381) #############################################&#13;
&#13;
( 17 )&#13;
33.—(1) His Majesty in Council may make Orders for altering, revoking, or varying Provisions as&#13;
to Orders in&#13;
any Order in Council made under this Act, or under any enactments repealed by this Act, Council.&#13;
but any Order made under this section shall not affect prejudicially any rights or interests&#13;
acquired or accrued at the date when the Order comes into operation, and shall provide for&#13;
the protection of such rights and interests.&#13;
• (2) Every Order in Council made under this Act shall be published in the London&#13;
Gazette and shall be laid before both Houses of Parliament as soon as may be after it is&#13;
made, and shall have effect as if enacted in this Act.&#13;
34. Nothing in this Act shall deprive any of the universities and colleges mentioned Saving of&#13;
University&#13;
in the Copyright Act, 1775, of any copyright they already possess or may hereafter Copyright&#13;
acquire under that Act, but the remedies and penalties for infringement of any such 15 Geo. 3,&#13;
c. 53.&#13;
copyright shall be under this Act and not under that Act.&#13;
35. There shall continue to be charged on and paid out of the Consolidated Fund of Saving of&#13;
compensation&#13;
the United Kingdom such annual compensation as was immediately before the commence- to certain&#13;
ment of this Act payable in pursuance of any Act as compensation to a library for the loss libraries.&#13;
of the right to receive gratuitous copies of books :&#13;
Provided that this compensation shall not be paid to a library in any year unless the&#13;
Treasury are satisfied that the compensation for the previous year has been applied in the&#13;
purchase of books for the use of and to be preserved in the library.&#13;
36.—(1) In this Act, unless the context otherwise requires --&#13;
Interpreta-&#13;
tion.&#13;
“ Literary work ” includes maps, charts, plans, and tables ;&#13;
.“ Dramatic work” includes any piece for recitation, choreographic work or&#13;
entertainment in dumb show the scenic arrangement or acting form of&#13;
which is fixed in writing or otherwise, and any cinematograph production&#13;
where the arrangement or acting form or the combination of incidents&#13;
represented give the work an original character ;&#13;
“ Literary work,” “ dramatic work,” and “musical work” include records,&#13;
· perforated rolls, or other contrivances by means of which a work may be&#13;
mechanically performed or delivered ;&#13;
“ Artistic work ” includes works of painting, drawing, sculpture and artistic&#13;
craftsmanship, and architectural works of art and engravings and&#13;
photographs ;&#13;
“ Work of sculpture " includes casts and models ;&#13;
“ Architectural work of art” means any building or structure having an artistic&#13;
character or design, in respect of such character or design, but not in respect&#13;
of the processes or methods of its construction ;&#13;
“ Engravings ” include etchings, lithographs, wood-cuts, prints, and other similar&#13;
works, not being photographs ;&#13;
“ Photograph” includes photo-lithograph and any work produced by any&#13;
process analogous to photography;&#13;
“ Cinematograph ” includes any work produced by any process analogous to&#13;
cinematography ;&#13;
&#13;
&#13;
## p. 18 (#382) #############################################&#13;
&#13;
(&#13;
)&#13;
18&#13;
“ Pirated,” when applied to a copy of a work in which copyright subsists, means&#13;
any copy made without the consent or acquiescence of the owner of the&#13;
copyright, or imported in contravention of the provisions of this Act ;&#13;
“ Performance ” means any acoustic representation of a work and any visual&#13;
representation of any dramatic action in a work, including such a represen-&#13;
tation made by means of any mechanical instrument ;&#13;
“ Delivery,” in relation to a lecture, includes delivery by means of any&#13;
mechanical instrument ;&#13;
“ Plate ” includes any stereotype or other plate, stone, block, mould, matrix,&#13;
transfer, or negative used or intended to be used for printing or reproducing&#13;
copies of any work, and any matrix or other appliance by which records, per-&#13;
forated rolls or other contrivances for the acoustic representation of the work&#13;
are or are intended to be made ;&#13;
“Lecture ”includes address, speech, and sermon ;&#13;
“ Self-governing dominion ” means the Dominion of Canada, the Commonwealth&#13;
of Australia, the Dominion of New Zealand, the Union of South Africa, and&#13;
Newfoundland.&#13;
(2) For the purposes of this Act (other than those relating to infringements of copy-&#13;
right), a work shall not be deemed to be published or performed in public, and a lecture&#13;
shall not be deemed to be delivered in public, if published, performed in public, or&#13;
delivered in public, without the consent or acquiescence of the author, his executors&#13;
adıninistrators or assigns.&#13;
(3) For the purposes of this Act a work shall be deemed to be first published within&#13;
the parts of His Majesty's dominions to which this Act extends, notwithstanding that it&#13;
has been published simultaneously in some other place, unless the publication in such&#13;
parts of His Majesty's dominions as aforesaid is colourable only and is not intended to&#13;
satisfy the reasonable requirements of the public, and a work shall be deemed to be&#13;
published simultaneously in two places if the time between the publication in one such&#13;
place and the publication in the other place does not exceed fourteen days, or such&#13;
longer period as may for the time being be fixed by Order in Council.&#13;
(4) Where, in the case of an unpublished work, the making of a work has extended&#13;
over a considerable period, the conditions of this Act, conferring copyright shall be&#13;
deemed to have been complied with if the author was during any substantial part of that&#13;
period a British subject or a resident within the parts of His Majesty's dominions to&#13;
which this Act extends.&#13;
(5) For the purposes of the provisions of this Act as to residence, an author of a&#13;
work shall be deemed to be a resident in the parts of His Majesty's dominions to which&#13;
this Acts extends if he is domiciled within any such part.&#13;
Repeal&#13;
37. Subject to the provisions of this Act, the enactments mentioned in the Second&#13;
Schedule to this Act are hereby repealed to the extent specified in the third column of&#13;
that schedule :&#13;
Provided that this repeal shall not take effect in any part of His Majesty's dominions&#13;
until this Act comes into operation in that part.&#13;
&#13;
&#13;
## p. 19 (#383) #############################################&#13;
&#13;
( 19 )&#13;
38.—(1) This Act may be cited as the Copyright Act, 1911.&#13;
Short title&#13;
and com-&#13;
(2) This Act shall come into operation--&#13;
mencement.&#13;
(a) in the United Kingdom, on the first day of July nineteen hundred and twelve&#13;
or such earlier date as may be fixed by Order in Council ;&#13;
(b) in a self-governing dominion to which this Act extends, at such date as may&#13;
be fixed by the Legislature of that dominion ;&#13;
(c) in the Channel Islands at such date as may be fixed by the states of those&#13;
islands respectively ;&#13;
(d) in any other British possession to which this Act extends, on the proclamation&#13;
thereof within the possession by the Governor.&#13;
SCHEDULES.&#13;
FIRST SCHEDULE.&#13;
EXISTING RIGHTS.&#13;
-&#13;
-&#13;
Existing Right.&#13;
Substituted Right.&#13;
- -&#13;
(a) In the case of Works other than Dramatic and Musical Works.&#13;
Copyright&#13;
| Copyright as defined by this Act.*&#13;
(6) In the case of Musical and Dramatic Works.&#13;
Both copyright and performing right . | Copyright as defined by this Act.*&#13;
Copyright, but not performing right . Copyright as defined by this Act, except the sole&#13;
right to perform the work or any substantial part&#13;
thereof in public.&#13;
Performing right, but not copyright. The sole right to perform the work in public, but&#13;
none of the other rights comprised in copyright as&#13;
defined by this Act.&#13;
For the purposes of this Schedule the following expressions, where used in the first column&#13;
thereof, have the following meanings :-&#13;
“ Copyright," in the case of a work which according to the law in force immediately before&#13;
the commencement of this Act has not been published before that date and statutory&#13;
copyright wherein depends on publication, includes the right at common law (if any)&#13;
to restrain publication or other dealing with the work ;&#13;
* Performing right," in the case of a work which has not been performed in public before&#13;
the commencement of this Act, includes the right at common law (if any) to restrain&#13;
the performance thereof in public.&#13;
* In the case of an essay, article, or portion forming part of and first published in a&#13;
review, magazine, or other periodical or work of a like nature, the right shall be subject to any&#13;
right of publishing the essay, article, or portion in a separate form to which the author is&#13;
entitled at the commencement of this Act, or would if this Act had not been passed have&#13;
become entitled under section eighteen of the Copyright Act, 1842.&#13;
&#13;
&#13;
## p. 20 (#384) #############################################&#13;
&#13;
(20&#13;
)&#13;
SECOND SCHEDULE.&#13;
ENACTMENTS REPEALED.&#13;
Session and Chapter.&#13;
Short Title.&#13;
Extent of Repeal.&#13;
8 Geo. 2, c. 13. / The Engraving Copyright Act, 1734 | The whole Act.&#13;
7 Geo. 3, c. 38. The Engraving Copyright Act, 1767 The whole Act.&#13;
15 Geo. 3, c. 53&#13;
The Copyright Act, 1775 .&#13;
Sections two, four, and five.&#13;
17 Geo. 3, c. 57 The Prints Copyright Act, 1777 . The whole Act.&#13;
54 Geo. 3, c. 56 The Sculpture Copyright Act, 1814 . The whole Act.&#13;
3 Geo. 4, c. 15. . The Dramatic Coypright Act, 1833 . The whole Act.&#13;
5 &amp; 6 Will. 4, c. 65 . The Lectures Copyright Act, 1835 . The whole Act.&#13;
6 &amp; 7 Will. 4, c. 59. The Prints and Engravings Copy The whole Act.&#13;
right (Ireland) Act, 1836.&#13;
6 &amp; 7 Will. 4, c. 110. The Copyright Act, 1836 . . . The whole Act.&#13;
5 &amp; 6 Vict. c. 45 The Copyright Act, 1842 . . The whole Act.&#13;
7 &amp; 8 Vict. c. 12 . The International Copyright Act, The whole Act.&#13;
1844.&#13;
10 &amp; 11 Vict. c. 95. The Colonial Copyright Act, 1847 . The whole Act.&#13;
15 &amp; 16 Vict. c. 12 . | The International Copyright Act, The whole Act.&#13;
1852.&#13;
25 &amp; 26 Vict. c. 68 . The Fine Arts Copyright Act, 1862 ., Sections one to six. In section&#13;
eight the words “and pursuunt&#13;
“to any Act for the protection&#13;
“of copyright engravings."&#13;
Sections nine to twelve.&#13;
38 &amp; 39 Vict. c. 12 . The International Copyright Act, The whole Act.&#13;
1875.&#13;
39 &amp; 40 Vict. c. 36 . The Customs Consolidation Act, 1876 Section forty-two, from “ Books&#13;
“ wherein” to “such copy-&#13;
“right will expire." Sections&#13;
forty-four, forty-five, and one&#13;
hundred and fifty-two.&#13;
45 &amp; 46 Vict. c. 40 . The Copyright (Musical Composi- The whole Act.&#13;
tions) Act, 1882.&#13;
49 &amp; 50 Vict. c. 33. The International Copyright Act, The whole Act.&#13;
1886.&#13;
51 &amp; 52 Vict. c. 17. The Copyright (Musical Composi- The whole Act.&#13;
tions) Act, 1888.&#13;
52 &amp; 53 Vict. c. 42. The Revenue Act, 1889. . Section one, from “ Books first&#13;
"published” to “as provided&#13;
“in that section."&#13;
2 Edw. 7, c. 15. . The Musical (Summary Proceedings) | The whole Act.&#13;
Copyright Act, 1902.&#13;
6 Edw. 7, c. 36. . The Musical Copyright Act, 1906 . The whole Act.&#13;
&#13;
&#13;
## p. (#385) ################################################&#13;
&#13;
The Author.&#13;
In&#13;
1&#13;
THE ORGAN OF THE SOCIETY OF AUTHORS&#13;
(INCORPORATED).&#13;
FOUNDED BY&#13;
SIR WALTER BESANT.&#13;
VOLUME XXII.&#13;
Publisbed for the Society by&#13;
BRADBURY, AGNEW, &amp; CO. LD., LONDON AND TONBRIDGE.&#13;
1912.&#13;
&#13;
&#13;
## p. (#386) ################################################&#13;
&#13;
BRADBUŁY, AGNEW, &amp; co. LD., PRINI ERS,&#13;
LONDON AND TONBRIDGE,</text>
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Registration
Scenarios and Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
StampingMusic
The Reading Branch
Remittances
General Notes
Sir Alfred Comyn Lyall
Books and their Published Price
Prize Competitions
Style
Literature
Short Reviews
Thirty six Dramatic Situations
Essays
Russian Novelists
Correspondence
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CONTENTS
Notices
TheSociety Funds
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Notes
Bookspublishedby Members
Bookspublished
America
Members
Literary Dramatic and Musical Notes
ParisNotes
AcademicCommittee
DramaticRights
America
MagazineContents
How Use the Society
Warnings the Producers
Books
Wamings Dramatic Authors

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Agreement issued
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HERBERT THRING and Illustrative Examples
Sir WALTER BESANT
2nd Edition

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SQUIRE SPRIGGE

SQUIRE SPRIGGE
this work compiled from the
agreements proposed
offices the various forms
Publishers
Authors are examined and their meaning carefully explained
with
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Addenda
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HERBERT THRING
the office
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TOWERS

THE RIDING MASTER
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BROKEN BUTTERFLY

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168 net
Théroigne de Mericourt was
The Bookman says
puzzling
character and the estimates her differ much as her portraits
The truth seems
interesting
have been reached
this
and
picturesque and stirring story
instructive volume.
curiously attractive personality and
absorbingly interesting
time
,

.

M

Alice

BOSTOCKS

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A

FEAR OF

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Stanton

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ADVERTISEMENTS

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of

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an

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impression among
As there seems
readers of The Author that the Committee are
personally responsible for the bona fides
the

.

it

,

to

.

,

,

do

no

.

,

,

be is

.

NOTICES

to

advertisers the Committee desire
be stated
that this
not and could not possibly be the case
Although care
exercised that
undesirable
advertisements
inserted they
not accept and
never have accepted any liability
Members should apply
the Secretary for advice
special information
desired

LONDON

is

,

AUTORIDAD

,

374
TELEGRAPHIC

PRICE SIXPENCE

1911

to

NUMBER

.

TELEPHONE

1ST

.

JUNE

:

-

No

Monthly

Authors

WALTER BESANT

BY SIR

.
9
.

XXI

.

.

VOL

Society

[

FOUNDED

Incorporated

.

The Organ of

,

(

the

The Author .

.

is

or

expressing the opinion
especially stated

.

in

its

of

in to

,

of

to

in

in

of

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in

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1
)

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to in

for

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in

is

,

in

.

of

,

is

it

.

. of

in

.

6d

a

of

if

,

on

heavy charge
the resources
the
great many members did not forward
subscription for
the Secretary the modest
58
.

is

it

,

of

(2
)

, ,

of

or

to

of

of

to

be is
a
to

or

CONTRIBUTIONS

.

AND

very

Society

on

,

be

to

.

ARTICLES

Editor
The Author begs
remind
the Society that although the paper
members
sent
them
free
cost its production would
THE

to

of

of

to

or

,

of

of

of

place
these members
have decided
paragraph
The Author
order
cognisant
that members may
those funds
which these contributions may
paid
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary
case
the Society
incur heavy
prin
fighting question
expenditure
either
copyright reform
ciple
assisting
obtain
dealing
any other matter
with
closely
connected with the work
the Society
slowly
The Pension
Fund
This fund
increasing
hoped will
and
time cover the
needs
all the members
the Society
one

perma
this permanent
this

of

on

application

of

.

them

in

'

of

to

The Editor begs
inform
members
the
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Secretary
the Society and that
those members
the Society who desire
have
the names
the publishers concerned can obtain

time
time members
the Society
desire
make donations
funds
recognition
work that has been done for
The Committee acting
the suggestion
to

of

TROM

to

the case

them

FUNDS

'S

THE SOCIETY

is

such

be

taken
unless

.

be

the Committee

is

be

graphs must
to of

as

.

of

or

in

if

papers that are
OR the opinions expressed
signed
initialled the authors alone are
para
responsible
None
the papers

.

the year

,

.
be of

of

HE

,

to

at

, of

,

.

dozen

blank

pages have been

added

at

A

to

,

be

.

,

6d
.

at

It of

1

,

of

List
Members
the Society
Authors
published October 1907 can now
obtained
the offices
the Society
the price
July
post free 71d
includes elections
1907 and will
sold
members and associates
the Society only
of

to

no

on

M

of

by

.

.

.

be

,

be

.

or

of all

on

Communications and letters are invited
the
literary matters treated from the
Editor
standpoint
art
business but
other
Every effort will
subjects whatever
made
return articles which cannot
accepted

XXI

MEMBERS

OF

.,

,

.

month

VOL

LIST

S
.W

's

,

The
of

to

for

the Offices

39
,

Author
should be
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor not later than the 21st
each
Communications

addressed

the

�THE AUTHOR .

end of the list for the convenience of those who
desire to add future elections as they are chronicled
month

from

to month

in these pages

.

THE PENSION FUND .
1, the

trustees of the Pension
Fund of the society - after the secretary
had placed before
them
the financial
position of the fund — decided to invest £250 in
the purchase of Consols .
rice is
The amount purchased at the present price is
£312 13s . 4d .
This brings the invested funds to £4 , 377 198 . 4d .
The trustees , however , have been unable to recom
as the
mend the payment of any further pensions , as
the
income at their disposal is at present exhausted .
They desire to draw the attention of the members
of the society to this fact , in the hope that by
additional subscriptions and donations there will
be sufficient funds in hand in the course of the
gear to declare another pension in case any im
portant claim is forthcoming .
February

N

21 %. ....... .......... ... ... ... ... £1 ,312
Local Loans .. . . .. . .... . . .. . . .. . . . .. . . .. . . . 500
Victorian Government 3 % Consoli

Consols

dated Inscribed
Stock . . .. . . . .. . . . .. .
London and North -Western 3% Deben
ture Stock . . . . . . .
. . . . .

Egyptian

Irrigation

Government

Trust 4 % Certificates
.. . .
Cape of Good Hope 32 % Inscribed
..
Stock . . . . . . . . . . . . . . . . . . .. . ... ....
.. .. ..
Glasgow and South -Western Railway
4 % Preference
Stock .. .. .. ... ..
New Zealand 3 % Stock ... ....... .....
Irish Land Act 27 % Guaranteed Stock
Corporation
of London
21 % Stock ,
1927 - 57
. . . . .. . .
Jamaica 31 % Stock , 1919 - 49 ..........
Mauritius 4 % 1937 Stock . . . . . . . . . . . . . . . .
Dcminion of Canada C . P . R . 31 % Land
Grant Stock , 1938 ... ... ... .. . ......

13

4

0

0

291 19 11
250

0

0

200

0

0

200

0

0

228

0

0

258

0

0

438

2

4

132 18

6

120

121

198

3

8

Total ....... ... ... .. £4 , 377

19

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9 3 3
15 11 13 ,
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Jan
Feb
Feb

Yolland

. .

Miss
Bowen
Miss Marjorie
Bolton Miss Anna
Edginton
Miss May
Canpan Gilbert
Reynolds Mrs Baillie

. .
, ,

Jan
Jan
Jan

.

.

1911

£

.

Subscriptions

21 ,

Rhys , Ernest
Feb . 21, Cameron , Mrs . ( Charlotte )
Feb . 21 , Mulliken , Mrs.
.
March 9 , Boughton , Rutland
March 10 , Somers , John
..
April 6 , Rawlings , Burford
April 11 , Wicks , Mark
.
.
May 2, Walter , J .
.
.
Feb

.

Donations

Jan . 2 , Northcote , The Rev. H .
Jan . 2, Mackenzie , Miss J .

Jan . 3, Church , Sir Arthur H .
Jan . 3, Wasteneys , Lady .

. 4,

P . H . and

M

.

K

.

.

.
.
.

··
··
··

Jan . 4 , Randall , F . J .
.
Jan . 5, W .
Jan . 5 , Crellin , H . N .
Jan . 5 , S . F . G . .
Jan . 6, Blake , J . P . . .
Jan . 7 , Douglas , James A . .
Jan . 9, Grisewood , R . Norman .
Jan . 10 , Wharton , Leonard C . .
Jan . 12 , Tanner , James T. .
Jan . 16 , Kaye - Smith , Miss Sheila
Jan . 17 , Kemp , Miss Emily G . .
Jan . 21, Greenstreet , The Rev . W . J.
Jan . 26 , Blundell , Miss Alice
.
Jan . 28 , Benecke , Miss Ida
.
Jan . 30 , Wilkinson , The Rev . C . J .
Feb . 2, Lawes, T . C . .
.
.
Feb . 3, Dawson , Mrs . T .
.

. 3, Tweedie , Mrs. Alec
. 10, Dale , T . F . .
Feb . 13 . Machen , Arthur
Feb . 21, Strachey , Lady
i
Feb . 25 , Humphreys , Mrs . (Ri
March 3 , Gibbs , F . L . A . .
Feb

Feb

6,

Haultain , Arnold
9 , Hardy , Harold
9. Hutton , E . .
March 10, Wilson , Albert
March 16 , Ward , Dudley
March 30 , Coke , Desmond

March
March
March

···
.

.

3. d.

110
6

0

5

0

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1911 .

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.
.
.

April 1, The XX Pen Club
April 6 , Channon , Mrs . E . M . .
April 7 , Henry , Miss Alice .
.
April 10 , Ralli , Scaramanga
. .
April 11 , Robins , Miss Alice
.
April 20 , MacEwan , Miss .
April 20 , C . N . and Mrs . Williamson
April 21 , Shirley , Arthur .
.
April 22 , H , A . and Mrs . Hinkson
April 24 , Toplis , Miss Grace
.
May 19 , An Old Member
.
.

1

wa

5
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212

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�THE AUTHOR .

of

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right Bill having taken
time was adjourned

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for he

him

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old

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of

documents which had been settled
He
various
that letters had been written
the society who were also members
members
considering the Bill asking for
the Committee
their support
the society
amendments when
they came before the committee
The chairman
stated that the work had been exceedingly heavy
hear that the result
but that he was pleased
far had proved distinctly satisfactory
agency
The question
the settlement
agreement
owing
the discussion
the Copy
various

added

,

a

or

if of ,

,

see

to up

in

.,

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to
to

to

by
a

Bill had been overruled owing
amendment
which
was understood
the Government were
going
put down
regard
the clause
The chairman reported fully
the steps that
the
the table copies
had been taken and laid
it

on

of

in

be

,

to

of

,

a

to

.

of

It
as

a

It

.

be

A

the Publishers Association
the Copyright Associa
Society
appointed
tion
and
the
Authors
watch the bill through Parlia
some time ago
ment the society
amendments
had been read
approved
and were
the whole
but that the
proposal
regard
society
Clause
the

to

to

of
old

.
to

.

was decided
leave the matter
seventeen members
sixteen

were involved
The solicitor then
case which had been taken against
pay over moneys
agent who had neglected
had
receired for contributions placed
the
author
was decided
take what steps might
necessary
throw the agent into bankruptcy
claim against the proprietor
Indian paper
was next considered and the committee determined
take action
the author
with the approval
the Indian Courts
the claim was not satisfied
The committee regretted they were unable
take
question
republi
the next case which was
publisher
cation
work
member
reported

of

its

.

,

's

of
A

.

it

the by

of in of

settlement
his hands
the society

up

---

were

claim

Commons
one
two occasions and discussing
Laren
whose name
matters with Mr
The
amendments are now placed
the society
meeting
chairman further reported that
the
representatives
Joint Committee consisting

,

of

he

unable
take the matter
member against the English
management was considered
Review under the
put the facts
and
was decided
the case
present
proprietor
order
before the
whether any sum
could
obtained
behalf
the member
The solicitor then reported the action taken
regard
the society since the last meeting
bankruptcy
Mr
Drare
The solicitor
proposal
suggested
mentioned
the committee
further

to

to

to

,

to

.

to

.

to

to

he

,

as

of

,

him

of
a

it

they

decided

amendments
This was done and
the com
the House
Commons was commencing
sittings
immediately
became necessary for
order
see one
the members
the secretary
get the amendments put down
This also was
the House
time the secretary attending
done

mittee

the original publisher who claimed
that
still had rights under the contract
After
discussing
the
the legal aspects and hearing
opinion
solicitor the committee
the society
the action

-

:—

full facts
fixing the figure which
desired
claim
damages The next case referred
the cancellation
right
publish
The author had given
notice
terminate the agreement but had found
get the book republished owing
impossible

of

,

to

-

up

to

subject

M

-

committee who decided
the member con
the position were before

before the

take the case
cerned when the

sub

,

.

of

.

,

's

,

ment was laid

both the committee and
the opinions
copyright had been fully
committee
important members
ascertained
well
those
that after
The chairman stated
the society
chronicled
the Joint Committee
the meeting
the May issue
The Author
the Copyright Sub
report dealing with
Committee met and settled
the Joint Committee
the points brought forward
MacGillivray
meeting
That Mr
had
the Copyright Sub Committee
member
report
kindly consented
the form
draft
Fortunately

the

of

to

by

an

in

to

.

.

up
to

,

for

-

.

of

.

to

to

Mr Hewlett and convey
the
the committee
Twenty three members
and associates were
elected bringing the total elections
the current
year
115
One resignation was accepted
The
The committee then considered the cases
cinematograph
infringement
first related
performance
America
The opinion
the
society
American lawyers with full information
respecting the infringe
America
obtained from
write

feeling

The Copyright Bill was next considered
the
that since the
The chairman stated
committee
had been necessary for himself and
last meeting
the secretary
move rapidly and independently
get
otherwise
would not have been possible
the necessary amendments settled and into shape
as

,
-

him

, .

.

S

,

Dr
.

to

.

to

a

of of

the previous meeting had been signed
thanks was passed
Mr Maurice Hewlett
the good work accom
reference being made
plished during his chairmanship
The present
Squire Sprigge
chairman
was authorised
vote

of

meeting of the committee was held
Monday , May
After the minutes
1st
.

on

of the society .
The committee had already taken
counsel ' s opinion and found themselves unable to
depart from the conclusion they had already come
to on a previous occasion .
It was quite clear that
chance
the author
there was very little
legal right
establishing
stop publication

of

HE May

M

.

,

NOTES

,

COMMITTEE

213

�THE AUTHOR .
meeting for revision , not as to their substance ,
but as to their drafting . The remaining clauses ,
which were of a contentious nature , will be dis

,

at the next meeting

cussed

is completed

draft

one by one ,

Cases

THIRTEEN cases have been placed
the secre
tary
hands since the last issue
Three
these
relate
accounts
one the accounts have been
rendered and forwarded
the author
and the
negotiation
other two are still
course
Though
publishers have answered the secre
Though the
the publishe
tary
yet
get
letters they have not had time

of

.

In

of

be

in

.

Ilfra

combe
Launceston
Kensington

Place
W

,

.

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R
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B
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Judge

His Hon

c
/o

Cator Mrs

,

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Bryngoleu

24

Thomas Walker

:

Arnold

Cator

,

British
,

Consulate

stantinople

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Ladbroke Grove

195

W

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Chatterton

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Eaton Place

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3

59a
South
Street

Audley

Maryville
Dublin

.

.

Mrs Florence
.

,

Eaton

,

.

, W,

,

. .

.

.

.

,

Colville Mrs Arthur
Cox Robert

Ashstead

.

Surrey

S
.W

Merryhall

. ,

The Rev

.
A
.
H
.
.

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Cochran

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May Elections

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laid before the

, Of

,

is
a

of

;

of

.

printed

is

number

.

,

of

,

-

the sub committee

,

is

in

is it

to

of

of

.

's

solicitors
There
one case dealing with
the settlement
terms
contract
This
negotiation
course
and one case for infringe
copyright which has only just come into
ment
the office
There are still several cases open from
former months but there
not one
which
negotiations are not going forward satisfactorily
hoped that they will
closed before the July

.

,

a

-

to

of

bers

to

.

.

of

in

:

.

be

Society

still unsettled and
the hands
the

be

It

on a at

the meeting held

March
treaty
negotiate with the
draft such
and
managers
The secretary had
behalf
their
drafted
series
clauses for the consideration
the sub committee and
these twelve were passed
without any discussion
The secretary was in
structed
have these typed and sent
all the mem
assembled

.

of

as

in

,

's

are

the authors
The third
may
necessary
place

of

.

had been inserted in the Board of Trade draft and
what amendments had been
down
Finally the question
Treaty
the General
between dramatists and managers was discussed
may
remembered that the Dramatic Sub
Committee received authority
from the dramatists

MSS

two
due course one has been returned but the last
demand has only just come into the office
three applications for money two have been settled
the cheques having been received and forwarded

,

read a letter he had received from
the counsel of
Play - Producing
the National
Association
of
Managers of America , and he was instructed to
write to the counsel for further information .
Certain vacancies having occurred in the sub
committee , the secretary was instructed to write to
Mr. Justin Huntley McCarthy and Mr. C . Haddon
Chambers , and inquire whether they would be will
ing to undertake the duties of the post . Subject
to their acceptance their names were approved .
The secretary reported the work during the past
month on the Copyright Bill , stating what clauses

There have been five cases for
One
these lying with the
the United States
still unsettled
lying with agents and will
returned

the return
publisher

is

followed as to the line of action the committee
should take .
The next question was the practicability
of
stopping infringement of performing
rights in
by criminal prosecution .
America
The secretary

out the accounts

,

duction , and the secretary read an opinion he bad
received from the solicitors , obtained on the instruc
tions of the committee at their last meeting , with
regard to sketch prosecutions . Some discussion

set

,

to

.

to

.

,

SUB - COMMITTEE

the

A long letter
from Mr. Cecil Raleigh
to the
chairman on the treaty , was read to the sub
committee .

It

DRAMATIC

The meeting of the Dramatic Sub - Committee
for May was held at the offices of the society on
Friday the 19th .
After the minutes of the
previous meeting had been read and signed the
sub -committee turned to the agenda .
The first matter was the question of sketch pro

until

.

's

for

in

committee sanctioned the payment of a
rugs for the society 's offices .
They
tendered a vote of thanks to Mr. C . Scaramanga
Ralli for his donation of £3 38. to the capital
fund of the society .
The secretary reported the receipt of a letter
from the secretary of the Board of Trade touching
a proposal made by the Dramatic Sub - Committee
that the Consuls at the various ports should send
performances
records
of dramatic
of English
pieces . He reported that £170 78 . 11d . of consols
had been bought with the £140 which the Com
mittee had instructed him to invest .
The

bill

.

214

Blackrock

�THE AUTHOR .
Fernald , C.

B

.

.

Sarath Kumar
Hartree , Clarence
.

,

Marlborough Road .

4.

N. W.

Ghosh

Higgins

.

.

Clifford

,

18 ,

.

Havering , Tunbridge

.

3,

Elgin Avenue,

Wells .

Derby

W.

Street ,

Poulton - le - Gylde ,
Lancs .

Knott

Stephen

Martyn

Rachel

Martin , Miss C . I.

,

Mathews Gregory M

.

Langley Mount

Pedler, Margaret ( Mrs. W .
J . Q . Pedler )
Philips , F . C . .
.
.

ford

.

Barons Wood
N . Devon .
King 's
12 ,

Walk ,

E .C .

, Wat
Bow

,

Bench

Romanné - James , Mrs . C .
(George Rayne ) Lyceum Club , London ,
W.
Sheane , Hubert
.
.
The Residency , Tife ,
Virgo

,

Eustace

Wallace

, G.

F . A.

Carlton

N . E . Rhodesia

.

.

c /o

.

27 , Golder s Gardens ,

Messrs . Cook
&amp;
Son ,
Place de la
Constitution ,
Athens .

'

Golder's Green ,
N . W.

( Two members

of

their

name,

BOOKS

object

pseudonym

to the publication

,

either

or address ) .

PUBLISHED BY MEMBERS .

WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
somedifficulty in attaining
this object owing to the fact
that many of the books mentioned are not sent to the office
by the members .
In consequence , it is necessary to rely
largely upon lists of books which appear in literary
and
other papers . It is hoped , however , that members will
co-operate in the compiling of this list and , by sending
particulars of their works, help to make it substantially
accurate.

BIBLIOGRAPHY .
JAGGARD (WILLIAM
SHAKESPEARE BIBLIOGRAPHY : A
dictionary of every known issue of the writings of our
national poet and of recorded opinion thereon in the
English language . With historical
introduction . Thirty
facsimilies , portraits and other illustrations .
9 X 7] .
Pp . xxiv . - 732 and Plates .
Shakespeare Press , 4, Sheep
,
Street Stratford - on - Avon .
Limited issue . 638. n. Or
hand-woven
paper , with
watermarked
hand -made
Japanese vellum Plates , 843. n .

BIOGRAPHY .
RUSKIN : A STUDY IN PERSONALITY .
By A . C. BENSON .
84 x 51. 264 pp . Smith , Elder . 78. 6d . n .

215

THE LIFE , TRIAL , AND DEATH OF FRANCISCO FERRIER .
By WILLIAM
ARCHER . 9 x 58 . 332 pp . Chapman &amp;
Hall , 108. 6d . n.
FRIENDLY FACES OF THREE NATIONALITIES . By M .
BETHAM -EDWARDS.
Chapman &amp;
9 x 54.
294 pp.
Hall . 108, 6d , n.

DRAMA .

QUEEN HERZELEID , OR SORROW - OF- HEART . An Episode
in the Boyhood of the Hero , Parzival . A Poetic Play in
Three Acts . By ISABEL HEARNE .
78 pp .
David
Nutt .
THREE PLAYS BY BRIEUX , With a Preface by BERNARD
SHAW . The English Versions by MRS . BERNARD SHAW ,
ST. JOHN HANKIN , and JOHN POLLOCK . 78 X 5.
321 pp . Fifield . 58. n.
THE TRAGEDY OF NAN . By JOHN MASEFIELD . 7 X 41.
71 pp . Grant Richards.
is. 6d . n .
THE BRASS BOTTLE. A Farcical Fantastic Play in Four
By
Acts .
F . ANSTEY . . 7 X 5.
212 pp . Heinemann .
18. 6 .
ENGINEERING .
IMPERIAL TELEGRAPHIC
COMMUNICATION . By CHARLES
BRIGHT , F. R . S. E . 74 x 5. 212 pp . P. S. King . 38. 60 . n .

FICTION

.

THE
By A .
LAST GALLEY . Impressions and Tales .
CONAN DOYLE . 74 x 5 . 298 pp . Smith , Elder. 68.
A TRUE WOMAN . By BARONESS ORCZY . 74 x 5. 351 pp .
Hutchinson . 68.
WHEN WE ARE Rich . By WARD MUIR . 74 x 5. 318 pp .
Stanley Paul. 68. n .
THE KING OVER THE WATER , OR THE MARRIAGE OF
MR. MELANCHOLY . By JUSTIN HUNTLY MCCARTHY .
8 X 5. 328 pp . Hurst &amp; Blackett . 68.
JUSTUS WISE . By ALFRED WILSON BARRETT. 74 x 5.
320 pp . Ward , Lock . 68.
A CHARITY GIRL .
By EFFIE ADELAIDE ROWLANDS .
81 x 54 . 190 pp .
(Cheap edition . ) Stanley Paul. 6d .
By F . F, MONTRESOR .
AT THE CROSS ROADS .
320 pp .
Hutchinson . 7d . n.
TIM BOBBIN RESURRECTED . By TEDDY ASHTON . 47 pp .
Blackpool : Teddy Ashton . 3d. n.
STACPOOLE .
THE SHIP OF CORAL . By H . DE VERE
7% X 5. 368 pp . Hutchinson . 6s .
THE CELESTIAL OMNIBUS
AND OTHER STORIES . By
E . M . FORSTER . 74 x 51 . 164 pp . Sidgwick &amp; Jackson .
38. 60 . n.
THE HORSE SHOE . By MRS. FRED REYNOLDS . 78 x 5 .
Chapman &amp; Hall . 68.
334 pp .
LILAMANI : A STUDY IN POSSIBILITIES . By MAUD
DIVER . 74 x 5. 424 pp . Hutchinson . 68.
TABLE D' HOTE . By W . PETT RIDGE , 74 x 5. 248 pp .
Hodder &amp; Stoughton . 68. n .
SAM 'S KID , By F . E . MILLS YOUNG . 71 X 5. 372 pp .
Lane. 68.
Ivor . A Tale of Lundy Island and the West Country . By
GEORGE HANSBY RUSSELL , 77 x 5. 333 pp . Murray . 68.
THAT WICKED Miss KEANE . By F . C. PHILIPS . 78 x 5 .
247 pp .
F . V . White . 28. n .
By MRS . WILFRID
THE
JOB
SECRETARY .
WARD .
78 x 51 . 275 pp . Longmans . 48. 6d . n .
By KATE DOUGLAS
REBECCA OF SUNNYBROOK FARM .
WIGGIN . 71 x 5. 347 pp . ( Cheap edition .) Gay &amp;
Hancock . ls. n.
MULTITUDE
AND SOLITUDE . By JOHN
MASEFIELD ,
64 x 47 . 286 pp . Nelson . 7d.
MEN - AT-ARMS .
Stories and Sketches .
236 pp .
THE
SHADOW OF THE QUARTER
DECK . 308 pp . By MAJOR
W . P. DRURY .
New and cheaper editions .
71 X 5 .
Chapman &amp; Hall. 28. n .
RAFFLES , THE AMATEUR CRACKSMAN , By E . W . HORNUNG .
73 X 44. 368 pp . Nash . 28. n.

�THE AUTHOR .

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MEMBERS

Isaac

BY

AMERICA

IN

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Sir

.

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BOOKS PUBLISHED

Collector

for the

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NATURAL HISTORY
BRITISH
By

.

.

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By FREDERICK NOEL
INDIA
SUGAR
NOTES
Superinten
pp Calcutta
Third edition
PATON
dent Government Printing India
IN

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275

By
OF TECK AND ITS NEIGHBOURHOOD
108
Lane
327
BARING GOULD
By
ROBERTS
ROMAN PILGRIMAGE
108
Methuen
274
By LADY WILSON
Macleod
LETTERS FROM INDIA
6d
Blackwood
417
51
Life
ARGENTINE PLAINS AND ANDINE GLACIERS
By
Expedition into the Andes
and
Estancia
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Fisher Unwin
320
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THE LAND

9
x

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508
Paris

By the Right

HOLIDAY IN SOUTH AFRICA .
MORTIMER DURAND

9
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DAVID GARRICK
Docteur
HEDGCOCK

Et

ès

.

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60
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lettres
Docteur

ès

78
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6d
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THOMAS
HEDGCOCK

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THEOLOGY .

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LITERARY

DIALECTS FROM THE EIGATEENTH CENTURY
ENGLISH
By the Rev . WALTER
W.
TO THE PRESENT DAY .
SKEAT , Litt. D. 67 x 43. 139 pp . ( Cambridge Manuals
University Press .
of Science and Literature . ) Cambridge
18. n.
By
Seven
BENSON
COLLEGE WINDOW
FROM
326 pp
fourth edition
teenth impression

BICKERDYKE.
148 pp .

X 41.

by the Rev . S. BARING
SONGS . Collected
CHURCH
GOULD . Music by the Rev . H. F. SHEPPARD and
71 X 5. 52 pp .
R. VAUGHAN -WILLIAMS , Mus . Doc .
S. P. C. K . 6d .

-

By GERALDINE
ACROSS THE FOREST AND FAR AWAY .
E . HODGSON , D. Litt . 74 X 5. 109 pp . Clifton : Baker .
London : Simpkin , Marshall . 18. 6d. n.

SPORT.
FOR GAME FISH . By JOHN
ANGLING
75
Third edition , revised and enlarged .
Upcott Gill . 18. 6d . n.

.

JUVENILE .

WILLIAM THOMSON LORD KELVIN : His WAY OF TEACH .
ING NATURAL PHILOSOPHY. By D . Wilson . 8} X 51.
56 pp . Glasgow : J . Smith . 28. n .

Sir
H

HISTORY
THE
YEAR - BOOKS OF THE REIGN OF KING EDWARD
by LUKE
THIRD . Year 20. (Second Part .) Edited
OWEN PIKE. 104 x 67. 627 pp . Wyman &amp; Sons , for
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.pp

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THE CHIEF AIM
OF PERSONALITY
THE UNFOLDING
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New York
319
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POLITICAL

History and Study
THE IMPERIAL CONFERENCE
104
401
Two volumes
RICHARD JEBB

295

DRAMATIC
Play for Children and grown
Three Acts By FRANCIS HODGSON BURNETT

THE LITTLE PRINCESS

ls
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ANDERSON

ROBERT
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MAURICE HEWLETT

Interpretations
the Symbolical
THE HOUSE OF LIFE
HARROLD
Watts
the late
Pictures
With twenty two Reproductions
JOHNSON
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MY OFFICIAL

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and development
the year books
law reports
legal
French
and has shown their relation
and social history
connection with other sources
information
Miss Grace Toplis
little plays for amateurs
schools and villages after flourishing for twenty
They are being
large demand
five years are still
reissued by the publishers
Messrs George Gill
pageant specially
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John Verney
Mr Vachell
day
vivid picture
the political life
introducing the characters
The Hill
and
the same theme the eternal struggle between good
and evil
Mr John Murray
the publisher
Hollingsworth has published through
Mr
Engle
poem entitled
Gibbs
Messrs Minchin

by

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$
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under the editorship
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illustrations
423

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THE HISTORY
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BEATRICE WEBB
558

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have written
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1911
The prose narrative
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contributes twenty three new
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There are
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drawn
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FINGER . “ By E . PHILLIPS OPPENHEIM .
THE MOVING
301 pp. Boston : Little , Brown . $1.25 n .
MORE THAN KIN . By PATRICIA WENTWORTH . 363 pp .
New York : Putnams. $1.35 n.
By W. B. MAXWELL . 367 pp . New
MRS. THOMPSON .
York : Appleton . $1. 30 n.
A WILDERNESS
OF MONKEYS . By F . NIVEN . 283 pp .

BENSON .

a

364 pp .

.

HARDY .

CHURCH . By FATHER ROBERT
225 pp . St . Louis : Herder . $1 n.

CHRIST IN THE

|

By THOMAS
$ 1.25 n.

THEOLOGY .

CASTLE .

AGNES and EGERTON
Doubleday , Page . $1. 20.

"
A

By
PANTHER 'S CUB .
411 pp. New York :
THE WOODLANDERS .
New York : Harper .

217

�THE AUTHOR .
W.

L

,

Courtney

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's

18

on

”

be

.

,

's

.

the season

.

is

May
Theatre commenced
when Mr Shaw
staged
Arms and the Man
was
the cast
were Mr Arnold Daly Miss Margaret Halstain
Mr Dawson Millward and Miss Geraldine Oliffe
produced during
Other
Mr Shaw plays will

.

, ,

,

,

,

and

including
his repertoire
Mr
South Africa Mr Rafael Sabatini
for his tour
Bardelys the Magnificent
play
founded
novel
that name Messrs Stanley Paul
are the publishers
the novel
which
edition has been issued
The Bernard
Shaw
Season
the Criterion

of

,

,

.

,

to

, . ,

been

poet

Co

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&amp;
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DRAMATIC
Matheson Lang

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of

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of

of

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has hitherto

, dramatist ,

critic , is shortly to appear as novelist , Messrs .
Chapman and Hall announcing the publication of
first novel which will
called
Search
Egeria

.

,

its

on

,

6

of

of

the rarer entries
There
are also
references
incidental Shakespearean
editors
celebrations
actors actresses biographers
manuscripts
translators
monuments
festivals
societies theatres
The volume
illustrated
with thirty facsimiles portraits and other appro
priate plates

many

who

as editor

.”

-

,

on

It

.

, .

by

of

values

Mr.

known to the public

a

-

,

book consists of a series of sketches written during
a visit to South Africa in order to see the country
and to watch on the spot the progress
of the
movement which has now resulted in the birth of
a new nation .
The Shakespeare Press Stratford
Avon have
just published
Shakespeare bibliography
com
piled
Mr William Jaggard
contains
and references
000 distinct entries
730 pages
including many hitherto unrecorded editions with
thousands
illustrated
notes and extracts
gives minute details and available locations
writings also
every known issue
Shakespeare
Shakespearean comment and
every article
all engraved Shakespeare portraits with market

his

218

,

.,
“

engaged

,

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contains fifty

, .

.

and

,

Mills

“

.

Messrs

the book which

the French literary prizes has been
Constantin
Photiadès for his book
George Meredith
admirable study
the English author and
his work
Photiadès visited George Meredith
Box
Hill and the latter confided
him
his horror
the modern
interviewer
He explained that the
interviewing
everyone had come
fashion
England from America and that English reporters

One

awarded

of

of

.

in

to

up

,

of

to

In

.
in

adventures

the publishers
illustrations

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title
The Crucibles
Time
Messrs
Mills and Boon are publishing
The
Story
the British Navy
Keble Chatterton
Sailing Ships
this book the author
aims
telling
non technical language the story
the British Navy from the earliest times
the
present day
addition
the historical detail
contained
the book there are stories
sea fights

our heads was greeted with ringing cheers
The
people for miles round
every vantage ground
awaited
vain the fifth one With marvellous speed
the news
the terrible accident travelled miles
every direction
and with one accord the thousands
people who only few minutes before
and thousands
lustily now turned away from
had been cheering
the theatre
the accident and wended their way
homewards
The printed supplements
two
three newspapers were already
the streets before
numbers
the spectators
the far distance had
comprehended

.

.

.

We

have just returned from
the
terrible
tragedy
the Paris Madrid
aviation
fête
For miles and miles all available
places were thronged with people
Trees telegraph
posts the roofs
the
houses and even the tops
trains were
utilized
the gay good humoured
spectators
The first aviators mounted with admir
able dexterity and ease and
each one passed over
,

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net
magazine
understand that
new
called
appearing early this
The Blackpool Magazine
month under the editorship
Mr Allen Clarke
published from Black
The new magazine will
pool will appear monthly
and will
sold
publish
Messrs
Dent
Sons are
during the month
poems with the
volume
128

TE

.

now

Morgan Douglas
the pseudonym
Scottish
lady resident
France
has written
booklet
entitled
Corner
the Garden
France
deals descriptively and historically with the district
lying around Loches
the province
Touraine
historic town
historical region
The
publishers are Reymond
Loches
Périeat Tours
The price
50c
just publishing
Werner Laurie
The
Mystic Bride
Study
the Life
Catherine
Siena
Mrs Aubrey Richardson
The book
fully illustrated
which will
will
issued

Mr

.

of

,

is

Paris

”,

of

Queen

PARIS NOTES

.

a

of

,

.

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&amp;

Doubleday Page
City
Messrs
Garden
New York have acquired the option upon the
rights
story upon which Mrs
American
Janet Macdonald Clark author
The Bourgeois

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has been drawing
crowded house
The new society
formed with
view
more wholesome plays
Les Amis
a

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,

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or
,

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by

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et

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to

of

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,

.

David Garrick
ses amis Français
Hedgcock
extremely interesting book and
published
most opportune moment
Just
The Shakespearean
rather
Ariel League has

Militaire

which this author has accustomed
The Odéon has been extremely active this winter
and among
new pieces we have had
Mère
Nouy
Dick May
Maud
Lecomte
Rivoli
René Fauchois
Lumière
Georges Duhamel and
Vers
Amour
Léon Gandillot
the Renaissance
Gamine
four act
play
Pierre Veber and Henry
Goisse
”

-

,

to

in

is

.

,

, of

-

highest degree

Preparation

Comedie Française
Le Goût
Vice
by Henri Lavedan
being given with great success
play
greatly belied
four acts and
by
extremely
literary
title
and
brilliant piece with
the sparkling witty dialogue

.

in

,

of

,

.

the details contained
this volume seem
decidedly superfluous
One
inclined
overlook
all faults though
when we are told that the
compiler
this little work wished
show that
great talent
his master besides being
man
was kind hearted straightforward
and loyal
the

At the
its a

.

to

a

in

of

many

Légende

by

by
an

is

it

,

of to

de

having
fortunate
devoted attendant who
his spare time took notes some
which are dis
tinctly interesting
On the other hand very

series
articles
the different ministries
has given the
Ministères
Marine
Guerre
Intérieur
Postes
Telegraphes
and the
Ministère
Travail
completed his ten
Maurice Donnay has now
lectures
Molière which have
been reproduced
this review
and Emile Ollivier writes
La

lent

M

.

"

'

of )
.

(

–

",

de

do

,

In

,

de

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un

d “

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”,

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monarchie
Les Filles
Louis XV
La
Barry
vraie Madame
Les Déboires
héros
etc
Guy
Maupassant
Souvenirs
sur
François his valet
chambre
1883
1893
these days when the literary works
author
not suffice for the public
advisable
provide themselves
for literary
men
with
writing their biographies
domestics capable
Guy
Maupassant seems
have been singularly

is

de

., l'
"

sous

Condé
ancienne

,

Grand

It

de

of

XIII

.

du :“

Médecin
une
faniille

'

d

"

",

l'

-

Le

Coppée
Poems
his uncle the late François
The volume
entitled
Sonnets inédits
Poèmes
poems composed
inédits
and
collection
between
1862 and 1908
continuing its excel
The Revue hebdomadaire

la

,
he

"

by

a

”

of

of by

by

,

of

a

is

,

us

to

de

Histoire
Etapes
Les

month
Hélène Vacaresco recited some
her
latest poems and Mme Jules Martin two
three
Mme Alphonse Daudet later ones
Mme Judith Gauthier has just published
exquisite volume
Poésies
and
Jean
Monval has published
volume
Sonnets

in

of

a

in

to

of

“

by

, .
”

to

“

of

,

by

of

by

, ,

to

a

.

s

us to

PHIM '
be

“

Historiques
Silhouettes
the Marquis
Ségur
volume containing
series
short
many
historical sketches
which have been
treated more fully
authors who are introduced
Among the
the compiler
this volume
titles
the various chapters are
Le Louis

we have heard Jean
Rameau
Jules Bois the
Duchesse
Rohan and many other poets recite
their verses there
The Duchessé
Rohan gave
two very delightful matinées
this kind last

It

“

to

,

,

,

.

M

on

.

incredible now
analyse some
Photiadès goes
his
explaining
works criticising
and comparing
way that shows how thoroughly he has studied his
subject
George
He devotes
whole chapter
imagination
Meredith
another one
his art
way
another
his doctrine and
conclusion
he tells
that the author
The Egoist will
posterity and that
posterity
ever
read
every generation
means the imperishable élite
from
one century
another

to

-

all

this

by

un

The
seems

refused

's

”,

Ordeal

the friends he made
the French capital
his
life there and
his correspondence later
with
many celebrities
his time
There are also many
curious details with regard
various translations
Shakespeare
and adaptations
days
the midst
these most prosaic
the
poetry
French
seem
have taken refuge
vogue
poetry
Matinées devoted
are greatly
Poétique
The review
under the direction
Gignoux
gives
Saint Chamarand and
one
these matinées every week
Quite recently

“

-up

,

Library
when Mudie
Richard
Feverel

and

of

read

Paris

curious
meet with
cosmopolitan actor
who was
such an excellent Shakespearean
and
find that
was
French
Irish and English extraction
many interest
The writer
this volume gives
ing details with regard
the acting and talent
Garrick
He tells
first journey
France
founded

been

this history

. by
At M
.

as is

as

,

,

of

.

of

,

to

by

,

's

of

. ,

he

or

be

.

to

a

,

to

-

believed that their sans gêne was force
journalists Meredith declared that young
As
author only had two courses open
him
He
diplomatic with
must either shun journalists
them
and
confessed that critics gave him goose
Only the bare outline
flesh
Meredith
life
given
endeavouring
his biographer
far
possible
explain
atavism
the characteristic
traits
the great novelist
The story
his literary career
the long
hill
struggle the time when his masterpieces were

219

M

the

fondly

on

. ,

of

-

-

of

acting
rough way
now copied the brutally
Cow boys and rough riders
the press and

of

THE AUTHOR .

�THE AUTHOR .

.

To

up

-

co

.

in

of

to

,

of

.

of

By

of

of

to

To

To

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in

is

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as

to

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of

or

to

,

to

sub committee

appointed

-

A

,
.C
.

not more

three members shall be
annually
select
from time
time one
more persons who
one
whom
shall be
appointed by the Academic Committee
deliver
any such address
contemplated
section
province and duties

.

of

at

,

;

non

Laurence Binyon
Andrew Cecil Bradley
Robert Bridges
Joseph Conrad

Pember

William
John Courthope
Austin Dobson
Edward Dowden
James George Frazer
Edmund Gosse
Richard Burdon Haldane
Thomas Hardy

the Academic Committee
General Purposes Committee

appointed annually
than five members shall
watch for occasions
which the Academic Com
report
mittee may fitly take action and
the
any matters which they
Academic Committee
bring before them
Any two
think
desirable
members
the General Purposes Committee may
meeting
call upon the secretary
summon
always three
that committee
The quorum
4

.

Arthur Christopher
Benson

to

,

Mr Edward Henry

K

and

. of

,

Lyall

Alfred Austin

members

or

of in

,

,

so of

E

W

publishing herewith
have much pleasure
the list
members
the Academic Com
mittee
far elected their province and
duties and the rules that will guide their actions
We regret however
announce
that since
this list was issued two vacancies have been caused
on account
the deaths
Sir Alfred Comyn

or

be

.

as

COMMITTEE

at

be

.

be

.

2

of

.

).

of

)
.

Hachette

).

ACADEMIC

a

to

To

in

of

,

of

1
.

.

2

3
.

.

.

be or

.

1

.

on

its

Lévy

"
(

"
(

Elections
the Academic Committee shall
the
resolved
Whenever
follows
made
every
elect new members
Academic Committee
writing
candidate must be proposed and seconded
meeting
read
and every such nomination must
Any member
the Academic Committee can pro
pose
second
candidate
The election thereafter
shall
ballot through the post and only one
candidate shall
elected
one time
candi
date
elected must have
absolute majority
votes
Not fewer than four ordinary meetings
the
year
Academic Committee
shall
held
each
Special meetings shall also
held
such times
may
recommended
the General Purposes
any three
Committee
the recommendation

).

"
(

et

"
(

RULES

,

be

to

is

is

it

,

ALYS HALLARD
“ “ " “

4

,

.

to

.

of

,

of

.

a
in

England

George Meredith
Armand Colin
Calmann
Silhouettes Historiques
David Garrick
ses amis Français
Fasquelle
Poésies

particular literary

works

.

be

.

,

,

of

,

”

of

Shakespeare Company will then
start
foreign tour
and may possibly begin

,

tournée

receive the medals
the society
make awards
merit

.

’

d

.

in

to

be

up

.

of

3

,

is

It

,

Le

“

has consented
Italian
correspondent for the Ariel League
Cruz
Mlle
daughter
the late Minister
Guatemala
and
poetess
herself correspondent for South America
organised
An outdoor Shakespearean play
probable that the
Jūne and
for the month

DUTIES

take all possible measures
maintain the
purity
the English language and
hold
good taste
style
standard
encourage fellowship
operation
and
among those who are disinterestedly striving for the
perfection
English literature
reception
discourses
and obituary
literary history
addresses
mark the current
this country
persons fitted
recommend the names
5

-

by

a

"

,

. of
or

,

of

Jardin Fermé

AND

.

of

on

a

,

is

de

-

de

.

“

of

.

M

Beethoven
estimated
that over
000
the Sor
persons were present
The Recteur
put
bonne gave orders for posters
the
Lycées
public colleges
The Duchess Rohan
Dowager
had
each
Uzes
Duchess
the
and
Bishop
boxes and the English
Ambassador and
Ormsby the Chaplain
the Embassy bave joined
this Shakespeare Committee
Marc Helys author

French

Arthur Woolgar Verrall
George Wyndham
William Butler Yeats

PROVINCE

.

M

by

in

active part
this movement
and
series
being given
excellent critical lectures
the new
Jacques Duval
plays
gala perform
Camille
Sainte Croix gave
ance
the Merchant
Venice
his Com
pagnie française du Théâtre Shakespeare for the
benefit
the Ligue Ariel and the monument

Walter Raleigh

to

very

a

is

taking

Henry Newbolt
Henry Pember
Sir Arthur Wing Pinero
George Walter Prothero
Edward

. of

by

"

de

Le

“

Le

.

Henry Bordeaux
Roy Liberge
Madame

George Gilbert Murray

Maurice Hewlett
Henry James
William
Paton Ker
Andrew Lang
Comyn
Alfred
Lyall
John William Mackail
Thomas Sturge Moore
Viscount Morley

to

,” gave a gala performance at the
Renaissance Theatre . The profits were for the
Society for the
Preservation
of the
French
Churches , founded by Maurice Barrès , and two
plays were given , “ Au Clocher ” by M . de Nion ,
Campagne
and the other
Médecin
Dramatique

Sir

· 220

�THE AUTHOR .
5. Any three members of the Academic
Com mittee may propose the name of a book or an author
public recognition by the committee ,
as deserving
and any such proposal shall thereon be referred for
report to a sub -committee appointed
for that

purpose .

DRAMATIC RIGHTS

AMERICA .

IN

221

for $ 1. 00 ( entry fee ) should be sent
the same parcel . The law provides that post

a money order
in

masters to whom are delivered the copies to be
deposited
receipt
shall , if requested , give
à
therefore , and shall mail them to their destination
without cost to the copyright claimant .
Address : The Register of Copyrights , Copyright
Office , Library of Congress , Washington , D . C .
THORVALD

,
Copyrights
of
.

SOLBERG

Register

.
MAGAZINE

July
law effective
abrogates
statutory
the
former
provisions permitting
the filing
the title
composition
dramatic
advance
the
complete copies
deposit
the composition

,

.

.

.

.

.

.

.

M
.

of

be

Louis

.

By

.

Gerald

Robert

.
,

.

.

W

.

in

J.

.

.

of .

.

G

.

.

.

.

.

COPYRIGHT

.

NATIONAL

.

Dobson

.

.

Critic

By
X

.

be
a

to of

By Austin

Carmontelle
Dramatic

.

.
T
.

By
R

. as

.

of

.

to

.

NINETEENTH CENTURY
Poetry
Latin
Distinguished
from
Poetry
Tyrrell
the Silver Age

FOR ADVERTISEMENTS

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SCALE

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20

TO

PER CENT

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,

.. .. **
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.*

....
..

.....
.

for
a

.....
.

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,
29
,

."

All letters respecting Advertisements should
BELMONT
Paternoster Square London
Co
.

as .

in

OF THE SOCIETY

MEMBERS

of
20

of
a

00
,

be

for

,

of

“

a

of at

The statute fixes the
for registration
dramatic composition
which includes the
registration
under seal
certificate
cost of
any court
Such certificate
shall
admitted
prima facie evidence
the facts stated therein
The work
registration and
the application

ALLOWANCE

Front Page
Other Pages
Hall of Page
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Page
Quarter of
Eighth
Page
Single Column Advertisements
per inch
per centmade
percent. for
Reduction
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Twelve Insertions.
&amp;

$
1 fee
.

.

FEES

[

.

or

.

by

Debt

II
.

.

.

Our
Greek

in

of

or

by ”

”

.

*

In

“ of

.

the United States
The notice required by law
pubnsned aramas consists either
the case
Copyright
the
word
the abbreviation
Copr
accompanied
the name
the copy
right proprietor and the year
which the copy
right was secured
publication
The notice
should appear upon the title page
the page
immediately following

The Portraits
Why
Ceased

I

to

a

or of

to

copyright
offered for sale

The law requires
notice
affixed
each copy published

in be

.

NOTICE

OF

.

,

office upon request

FORTNIGHTLY

The Englishman
By
18th Century
French Comedy
Eaton
Prof Gerothwohl and
By Roger Fry
Post Impressionism
By Walter Sichel
Thackeray
Historian
Copyright
The
Bill 1911 By
Herbert Thring
By Vernon
Wagner
The Religious and Moral Status
Lee
as

.

by

,

fee

be

,

of

in

.

.

.

G
.
W
.
.
E
.

.

of

.

's

in

Charlotte
Brönte
Street
Brussels
Cumberland
and Haunts
Homes
The Scottish
By Flora Masson
Stephenson
By
Charles Dickens
Russell
By Andrew Lang
Walter Scott
Sir

to

.
1
."

“
D

.

,

of

a

,

to

is

.

.

.
.

,

CORNHILL

D

,

,
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an .,

of

to

,

Thomas Seccombe

CONTEMPORARY
By Dora
Antonio Fogazzaro
Jones
Programme Music
By George Lilley
The Gardens
Chaucer and Shakespeare

:

in

is

If

00

If

By

.

or

by

a

be

$
1
.

.

of

in

of

of

a

-

of

A

,

of

BOOKMAN
The English Bible

Under the new law copyright registration may
secured for dramatic
dramatico musical com
taking the following steps
position
reproduced
copies for sale two
the work
copies
the best edition published should
sent
the Copyright Office Washington

promptly
publication
together with
after
application for registration and
money order for
Copyrights
payable
the Register
Use for
cover the statutory fee for registration
this purpose application form
copies
the work
afterwards reproduced
for sale two copies
the best edition published
deposited promptly after publication
should also
with application
for second registration
and
Application forms are supplied
above
this

.

1

BLACKWOODS

Mystery
By Andrew Lang
Dickens
By Alfred Noyes
About Marie Claire

1909

as

CONTENTS

.

copyright

new

on

M

HE

registration

.

copyright

of

securing

under the new

.

Instructions

law

for

DRAMAS

�THE AUTHOR .

is

.

It to

to

all

:

to

to

‘
an

,

in

.

.

.

of

.

.

a

of

:

to

of of

of

.

General
All other forms

.

if

by

.

.

.

to

.

of

agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements
letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld
an

or

,

be

,

is
a

in

of

TO

copyright

.

of

transfer

AUTHORS

.

DRAMATIC

of an

EVER

a

Always avoid

WARNINGS

to

an

in

a

or

of

dramatic

contract

a

,

.

on

of

of

a

a in

.

.

of

the performing right
This
unsatisfactory
An author who enters into
stipulate
such
contract should
the contract
for production
the piece by
certain date
and for proper publication
his name
the
play bills
-

.

proper price

for plays

:

more acts
Sale outright
is

be

Outright

sometimes satisfactory

if

is

it

:

of

to

a

.

u

I.

Selling

There are three forms

three
(a
.)

an

can

are
few standing rules
observed
agreement
dealing
There are four methods
with literary property

This

is

.

3
.
in

be

LTERE

of to

THE PRODUCERS
BOOKS

in

OF

.

TO

WARNINGS

It

2
.

.

or

of

it

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
negotiating
well
be extremely careful
for
play with any one except
the production
established
manager

N

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; 80
do some publishers . Members can make their own
deductions and act accordingly .
9. The subscription to the Society
is £1 18. per
annum , or £10 108. for life membership .

(
3
.)

.

7. Many agents neglect to stamp agreements .
This
must be done within fourteen days of first execution . The
Secretary will undertake it on behalf of members .

Commission Agreement

The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

:

consideration
the contracts with publishers
submitted to
them by literary agents , and are recommended to submit
them for interpretation
and explanation to the Secretary
of the Society .

The Royalty System .
This is perhaps , with certain limitations , the best form
of agreement . “ It is above
things necessary
know
rovalt means
what
the proposed
proposed royalty
what the
both sides
now
possible
approximately
for
author
ascertain
the
truth
From time
time very important figures connected
with royalties are published
The Author

of

literary
6. No contract
entered into
act should
should be entered
into with
with aa literary
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful

III .

."

Prospectus .

of

doctor !

a

6. The Committee have arranged for the reception of
members ' agreements and their preservation
in a fire
proof safe. The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe. The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
(2) To keep agreements .
(3) To enforce
payments due according to agreements . Fuller particu .
lars of the Society ' s work can be obtained in the

form

rights.
(5. ) Not to give up serial or translation
rights .
(6 .) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or

A

4. Remember always that in belonging to the Society
you are fighting the battles of other writers, even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist, the composer .

(a bad

profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments . Therefore keep control of the advertisements .
(3.) Not to allow a special charge for “ office expenses , "
unless the same allowance is made to the author .
(4.) Not to give up American , Colonial, or Continental

.

send

Agreement

of

3. Before signing any agreement whatever ,
the document to the Society for examination .

- Sharing

In this case the following rules should be attended to :
( 1. ) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation .
( 2.) Not to give the publisher the power of putting the

IV

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .

II . A Profit
agreement ) .

.

has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher, or any dispute arising in the conduct of his
of his property . The
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society .
Further , the Committee , if they
deem it desirable , will obtain counsel ' s opinion
without
any
Moreover , where counsel ' s
cost to the member .
,
opinion is favourable and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .

(3 2
( (
.) .) 1).

VERY member

T

(
.1)

.

obtained .
But the transaction should be managed by a
competent agent , or with the advice of the Secretary of
the Society .

USE THE SOCIETY .

TO

(2
.)

HOW

to

222

�THE AUTHOR .

can be added to the warnings given for the
assistance of producers
of books and
dramatic
authors .
It must, however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .

STAMPING

THE READING

,

of

. . ,

it

,

,

of

.

.

of

of
by

be

crossed Union
Lane
sent
or

be

remittances
should
Chancery
Smiths Bank
letter only

to

of

All

,

.

of

to

be

give notice
The Secretary
the Society begs
that all remittances are acknowledged by return
post

.

.

.

.

,

to

at

a be

a

to

at

6d

of

.2s

,

at

REMITTANCES

.

of

of

in

.

be

or
a

be

a

of

D

to

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration
fee
two shillings and sixpence will
carefully compared by the Secretary
qualified assis
stamped and returned
tant
One copy will
the author
and the other filed
the register
Copies
the Society
the scenario thus filed may be obtained
any time by
the author only
typing
small charge
cover cost
Original Plays may also
filed subject
the same
rules with the exception that
play will
charged for
per act
the price

is

, on

CENARIOS

. be

branch

as of
a

AND

EMBERS will

BRANCH .

greatly assist the Society in this
informing young writers
of
work
existence
Their MSS can
read and
composition
treated
treated
coach
The term
MSS includes not only works
fiction
but poetry
and dramatic works
possible
and when
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The
fee
one guinea
M

.

SCENARIOS
PLAYS .

MUSIC .

The Society undertakes to stamp copies of music on
behalf of its members for the fee of 6d . per 100 or part
of 100.
The members ' stamps are kept in the Society ' s
safe .
The musical publishers communicate direct with the
Secretary , and the voucher is then forwarded
to the
members , who are thus saved much unnecessary trouble .

M

REGISTRATION
OF
ORIGINAL

ITTLE

T

by
a .

is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

MUSICAL COMPOSERS .

TO

is

9. Agreements
for collaboration
should be carefully
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
is exceedingly
limited , and that for a novice the first object

WARNINGS

by

7. Authors should remember that performing rights in a
copyright.
play are distinct from literary
A manager
holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author
obtaining
a substantial
consideration .

authors should seek the advice of the
Society
plays into the hands of
before putting
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual claim to a percentage on the author 's fees
from it. As far as the placing
of plays is concerned ,
it may be taken as a general rule that there are only
. very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection
of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations with
different
individuals , and also for the collection of fees in foreign
,
; and
employ
agents
countries almost all dramatic authors
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
by offering to purchase
who propose to act as principals
the author ' s rights .
In any case , in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society

is

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time .
This is most important .
6. Authors should not assign performing rights, but
should grant a licence to perform . The legal distinction
is of great importance .

AND AGENTS .

RAMATIC

D

its

.

AUTHORS

.

also in this case.

4. Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .

DRAMATIC

its

right or of a licence to
(6.) Sale of performing
perform
of percentages on
on the basis
vary between
Percentages
gross receipts .
5
An author should obtain a
and 15 per cent.
receipts
gross
percentage on the sliding scale of
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
Sale of performing right or of a licence to
perform
on the basis of royalties ( i .e. , fixed
nightly fees ). This method should be always
except in cases where
the fees are
avoided
likely to be small or difficult to collect .
The
other safeguards set out under heading (6. ) apply

223

London and
registered

�THE AUTHOR

224

.

GENERAL NOTES .

.

of

all

as

.

-a

.

, of

to

an

of

on

It

,

,

of

of

(
2
)

, ,

's

as

.

a

,

to

in

a

to

go

to

to

II
.
To

a

in

,

.

.

,

,

in

in

:

.

a

of

.

to

,

for

,

is

in is

,

,

of

,

to

in

I

“

,

to

.

,

of an

.

it

."

of

to to

to

,

,
is

,

a

,

.

to

.

in
”

“

of

he

-

a

in

be

.
to

a

!

of

,

a

to

-

in

-

an

an

of

,

a

,

to

.

English tuthors not only
worth the while
secure the American copyright but
transfer
the American publisher the Ausralian New Zealand
Thoughwe should desire all
and Canadian rights
patriotic
asking too much
authors
to

in

in

he

it
.

to

,

.

of In

combat

,

at

be

, ,

to

.

a

,

,

.

journal
for the same MS from
old established
story
another instance
author who offered
more than four thousand
words received
proposal
five guineas for all rights
He was
fortunately
long practical experience
man
editorial work and knew the ways
the market
thoroughly
but his pen name doubtless led the
imagine that
editor
was dealing with
beginner and
greenhorn
These sidelights are
not without their own humour but they also
tendency which
indicate
writers are bound

to

, .

,

.

he

it

if

an

,

named
effort would
made
use
Not
being pressed for money and regretting his initial
folly the author refused
and said that
future
would not sell for less than two guineas per
thousand
rate which
he has no difficulty
obtaining elsewhere
From that day he has been
ques
unable
find acceptance with the editor
tion
Soon after he obtained satisfactory terms

show
how true our conjectures
have been
we relate with some chagrin the experience
of
member
the society who has taken much interest
these issues
Last year he published
book and
gave the American publishers the Canadian rights
the latter copyrighted the book
Canada and
although the sales
that country were he con
fesses not enormous the American publishers
sold
more than the English publishers
could sell
England He did not transfer the Australian rights
although they asked
the American publishers
jobber sent
for them
An Australian
the
publishers
American
order
seven
hundred
and fifty copies which
course the American pub
lishers could not fulfil
The author concludes with
some bitterness
The net result
me
that by
upholding the English publisher
have lost not
only some small return
loyalties but what
more important
me the excellent opening
becoming better
Australia along with the chante
known
the public there
may become
The conclusion seems clear that

yet
it

-

explain the labour and expense
ments and try
which they are willing
obtain
sale
the
Colonies

,

of

for
a

", In
a

.

,

on

.

, of

a
“

to

to

of

an

,

,

of of

the craft ought
obtain publicity
some reputation but moderate vogue
story
quite
received
offer
five guineas
four thousand words
rash moment thinking
secure
connection
he agreed
For thenext
MS
the same length
was offered
three
guineas and was told that the editor was not very
keen
the story but
were given
the sum

the benefit
An author

;

in

.

for

to

so

of

on

.

of

to

of

a

is

THERE
the part
the
editors
the more commercial popular magazines
cheapen
unduly the work
authors who are
not very widely known
Several instructive experi
ences have come under
our notice and these
for
growing tendency

he

.

EDITORS

..

COMMERCIAL

how

to

on

of
to

arranged

classes

.

of

article

the

bybe

the third
the
the Convention

23 in

ranked

of

,

to

Regarding contributions
the expenses
International Bureau Portugal has requested

;

March

from

,

effect

29

takes

Australia

and

Canada

naturally
pushed
markets and
the sales
the works
American authors
seemed that there were two main causes for this
enterprise
result
the lack
the part
Colonial publishers who wait till the books are
brought
them
rather than make
effort
secure the Colonial rights for themselves
direct
enterprise
from
the authors
and
the lack
English
publishers who snatching
the part
every right they possibly can from the author
neglect
market those rights
their full extent
caring little
reputation and pros
the author
perity
long
they recover the money they have
put into the book and turn over
fair percentage
The publishers naturally repudiate these state

of

on to

of

as

(

)

.

adhesion

.

This
1911

.

its

of

of

.

,

13

to

property

and artistic

competitor
usurped
those

to

,

,

of

to

the Swiss Federal
Council that the
Provisional Government
the Portuguese Republic
Colonies
for Portugal and
has decided
adhere
the Convention
Berne
revised
literary
November
1908
for the protection
notified

of

,

in

a

The marketing of Colonial rights presents some
facts . Although the Colonial markets
are vast and growing larger every day , yet the
sale of English books in
the Colonies put
together
copies
seldom
reaches the amount
England
sold
We pointed out how dangerous
gent had proved himself
the American book

(
1
)

note , dated March 29 , 1911, M . Alb .
Extraordinary , and Minister
Envoy
Plenipotentiary
Portugal
Switzerland
has

'

d Olviera

.

extraordinary

in

By

THE BERNE

TO

CONVENTION

:

PORTUGAL

OF

a

ADHESION

MARKETS

COLONIAL

of

�THE AUTHOR

all

.

of

to

is

,

,

a

at

,
a

,
,
to

,

.

if ,

,

to to
an

to

;

,

,

in

,

to

:

as

.

.
S
.
A
.

U
be

at

on

an

of

a

to

'

to

$
1
.
,
50
, ,

at

.

,

,

,

six

so
on

20

it

on

15 up

to
8
,

of

.

in

to

.

A

;

6
,

of

,

is

to

,

as

of

.

.

of

of

the temptation

be

-

of

an

no

fill

,

is

it

's if

,

yielding

to

trying

of

,

as
as $

to

of

is

It

is

it

.

the publishers

follows

.

,

A

.

by

as

,

on
a

for this reason that we

see

is

to

to

in

in

The fact that English authors get much less for
England than
America
becoming known not only
the astute English
Perhaps
American jobbers
dealers but also
their serial work

MARKETS

quite clear that this
issuing
cheap
not very carefully watched
editions will
book shops
kill the author remuneration and
space room will
left
extent that
such
The Committee
the Society
Authors have
against
over and over again
warned authors
to

IN

UNITED STATES

THE

AMERICA

.

OF

RIGHTS

to

.

to

in

of

, is

1

at an

“

.

SERIAL

is

it

in

An
"

of

,

,
of

is

it

,

be

dangers

on
a

to

as

to

to

,

, to

warn
both dramatic and literary agents yield
principals and
only
the temptation
act
right that authors should
made aware
the

need
fortunately

, .
$ I
1
.
50

instances

be

these

time there would
authors against them but un

writes

if

of

.

future

time

If

be

in

the

from

THE

taking
The book market seems
trend towards
England
the state
affairs
The output
mediocre
appalling
average
novels
and they seem
sell
English books are put
about
500 copies
number
English publishers
the market
who get
all rights
ignorant client and these are offered
publishers
from
here
little
100 which the English publisher
fairly
course pockets
found money
book
well adapted
American tastes and well published
can
and
000
000 copies
sale
from
count
cheap
publishers
they
pay
the
edition
take
will
the usual five cent royalty
from
000
000
copies
The worst seller
the
called
best sellers
bring
royalties
copies
should
am told
about 40 000
the
edition
And the best anything between
100 000 and 200 000
threatening
The cheap edition
scuttle the higher
priced one especially
even the best seller cannot count
year
life
of

,

an

,

's

no

dealing

not arisen

BOOKS AND

American correspondent

,

to

,

,

an

a

,

a

at

at

he

-

it

to

to

If

.

at

agent
had

him

a

,

to

is

,

,

,

CHEAP

he

,

an

outright from
author the author should
once look upon that offer with
considerable
exceedingly careful
suspicion
and should
the
chase

,

It

of
to

.

I

“

a

of

of

,

,

.

to

in

to

for

is

an

,

's

of

he

of

case merely
siderable amount

an

;

,

pockets the difference
but we take the
agent who has
author
con
copyright property
his own
which
has purchased
He will naturally desire
preference
sell this
the work
the authors
whom
he acts and again may be tempted
good from
when
receives anything particularly
purchase
author
offer
not because he
has any special market
the moment where
profit but because he knows
knows he can sell
from his experience that
handsome profit can be
pur
agent offers
obtained
therefore

purchased

in

an

agent

for
work
the author and says
you
having
and then
",

to

,

price
certain
turns
will purchase this from

a

's of

.

the question
author
sell

in
a

in

“

be

.

”

an

,

who

do

We

take the trouble
secure the American market
they consent
good many cases
and while
transfer these minor rights
the publisher
the
English author
Again we
not likely
benefit
should impress upon the English
author that
he
agent he must see
works off his rights through
that the agent
well up
his business
he
must see that the agent makes every effort
obtain the American serial and book rights before
places the English serial and book rights and
must see also that the agent does not slack off
his efforts merely because
harder and there
place work
fore brings him
less profit
England
America than

,

to

; as

of

to

an to

motto
not discuss
knowing he can

established

be

as

of

put before our
like once more
the danger arising from placing work
the hands
those agents who undertake from time
principals
time
deal with work
Once
agent
agent always
the
this should

We should

members

in he he

.

PRINCIPALS

,

AS

AGENTS

to

.

of

are

.

States

sometimes that
American editor who might
entirely patriotic
adopts
not
similar plan
coming direct
the author and offering
sụm
for the American
use
his work which
though
considerably
advance
the price the
England
author might receive
does not reach
the price which would have been made for
as high
for the benefit
This ought
American work
the English
author but while agents will not

,

that time the United
the Colonial markets

all

Unless by
dealing with

.

of the same .
Cannot the English publisher really put some
more energy into the Colonial markets , which ,
they may not pay him in 1911 or 1912 ,
though
may, if fairly dealt with , bring him in his largest
in 1920 .
circulation
stereos

,

well - known and
, the complete

in in

a

as a gift

an

,

also offered

.

,

of

illustrations done by

expensive man

to

the American
rights in the

lay hold
their utmost
these rights
What
happens
this
The English dealers obtain
the serial rights from authors and then sell
the
magazines
price which pays the
American
English dealers exceedingly well underselling the
market
American
The dealer thereby gets the
profit instead
the author
does happen also

,

of

. Our correspondent informs us that
house , besides giving over the English

be

to give up a great portion

time

them at the same
their livelihood

225

.

the

cheap

edition

�THE AUTHOR .
,

at

in

to

.

to

,

in

,

in

of .

'

as
a

of

-

of

of

lie

in

.

,

to

to

,

of

,

a

, ;

he

as

au

.

as

, ,

of

.

,

to

to

's

of

In , byin

by

;

so

of

in

,

of

in

is

,

.

in

,

,

-

to

on

by

,

of

,

.

in ,

to

to

its

in

a

of

,

to

so

as

,

's as,

,

,

is

he

,
”

a

so

.

in

,

is

of

its

a

am

I

“

, .

to

of

,

to

, ,

,

as

,

,

of

of to

in

,

of is

on

,

of

of

of

the obituary notice
Sir Alfred
the occurrence
his death
the eve
the issue
the May
number
this journal warrant for supplemental
tribute
the memory
one
whom
soldier
to of

.

in

1911

Lyall which was due

,

in

in

of

a

,

as

by .

in

all

is

in

of

of

came hesitation
theorize the more
complexity and tangle
the materials
were
upon him
reported
borne
Lord Ripon
have said
and the remark has independent con
many sides
firmation that Sir Alfred Lyall saw
question that he rarely reached
definite
conclusion
born sceptic
would
often say
and the more
coherent any theory
the more did he suspect
seemed
soundness
for example
seen
his criticism
Dr Frazer
the

).

–

LYALL

a

HE brevity

- |

M

(

1835

COMYN

to

ALFRED

of

of

a

.

,

of

of

he

of
is

living men into the ranks
dead sometimes
ghosts into godlings
the deified
whom
the
place
pantheon
venerable faith accords
the retention
its own vitality
All this and
much cognate thereto Lyall has described
the
brilliant essays composing the two volumes
every
revealing
page
Asiatic
Studies
what
appeal the magic and mystery
the East made
his contemplative speculative temperament where
from

SIR

of

of

,

.

,

in

of

fast dogmas
Western creeds insulates the old
day the absorption
the new
there goes
barbaric conceptions
Brahmanism
the passage

from

of

of

Peter

.

,

,

of

.

Mrs Flower was
third daughter
Highbury London
Martineau

and

,

in

the palm

incisive

”

,

.

reared

,

botany

the

.

Avonbank

in

,

of

a

,

.

of

,

of

of

, ,

in

on

of

,

a

great interest

at

took
house

of

,

a

to

,

,

.

to

.

,

of

of

of

the meeting
the Governors
mural
beaten copper designed
commemorate
Mr and Mrs Flower was deposited
the library
eventually
be fixed
the house
Avonbank
which under the terms
her will became the
property
the Governors
The beaten work
large
this introduces the Monstera
Delisciosa
variety
the arum lily which Mrs Flower who
occasion
plaque

,

,

It

.

by

.

of

likeness besides
was subscribed
those who had
On the same

; as

of

,

.

,

of

an

,

.

a

its

as

is

considered
excellent
qualities
work
art
exclusively
for and presented
known Mrs
Flower personally

,

at to

.
in

,

in

no

to

.

,

's ,

.

which

service

beliefs and
customs
His bent
mind reflective tinged with
melancholy and steeped
uncertainty
found con
genial employment
study
the great religions
potent
which remain living forces
factors
life that man
known
his creed more than
his race
There
not one India but many Indias
and the various religions are their boundaries
Lyall work was centred
the districts where some
was his fortune not only
measure the power
ancient faiths but
observe the continuous
merging
the lower
the higher
No hard and

.

.

of

.

.

Charles Edward Flower
chief we owe the Memorial Theatre
Shakes
peare
native town
which they devoted money
portrait
and care without stint
But
her
photographs Mr Frank
existed
With the help
Carter painted from memory the present picture

never has there been
more accurate
sympathetic
interpreter
Hindu

a

To

.

Flower of Avonbank
Mr and Mrs

.

.

's

Day falling

there was handed over
Shakespeare Memorial
portrait
the late Mrs

years

fourteen

Council
The results
his
administrative
labours are writ large
the history
British rule
India but the details
these
outside the scope
this notice the space allotted
permit reference
which
too scanty
Lyall other than
philosophic essayist and poet
No man knew the East
fond
did
and

,

.

of

-

-

George

St
.

,

a

-

-

of

,

a

on

Sunday
this year
the Governors
the
Stratford upon Avon

in

' -

,

'

,

,

OF

in

,

April

24

,

On Monday

LATE MRS FLOWER
UPON Avon

THE

STRATFORD

Lieutenant Governor
the North
His retirement from that

of

,

of

at an

of

or

a

OF AVONBANK

position

Western
Provinces
post was followed
member
the India

to

in

.

in

In

be .

an

as

to

go

,

,

to

of

MEMORIAL PORTRAIT

before the terrible time
the Mutiny
the sup
pression
which
member of the Volunteer
Cavalry
that event
did heroic work
From
continuous service
onwards his record was one
advancing grades until he reached the
India

of it

his

are

is ,

authors who can
certain
enormous circu
the publishers
lation can get put forward
very often
expense and
enormous circulation
the producer
the highest literature
does not
forty years struggle and some
till after thirty
times not even
then
the cheap edition really
means
certain
extent depriving the public
the highest and best
the world
letters

administrator
and scholar there was the rare and
enviable combination
man
action and man
letters
Probably only
few members
our Society know
what large part Sir Alfred Lyall played
events
Eton
Born
1835
he went
now historical
Haileybury
the age
ten
and
1853
He
1856
the vear
the Bengal Civil Service
entered

of of of

book has had three years ' run at least ;
indeed , the longer an author can stop the issuing
of his book in a cheap edition the more likely
subsequent
he will be to bave a success for
novels but we
afraid too often
£25
the
The French
the bush
hand
better than £100
market has already suffered tremendously from this
consequence only those
cheapening process

until their

“

226

�THE AUTHOR .
for

&amp;

-

.

-

,
or

to

of

is

of

so

.

is be

to

a

to

's

a

to

a

of

an

as

-

a

is
a

a or

or ,

he

of

it

by.

of

in

.”

,

.
J.
G
.

by

of

be

in

of

“

H

.
J.

by

to

in
a

,

is

it

be

,

be

It

is

to

to

of

.”

to

at

“

it

of be

of

),

or

(

, -

of

.

to

us

'

of

18

,

of

,

of

at

six

.

.

.

so

as

It

,

he

many
the trade but
submitted that
perhaps they might not have considered the matter
might merely have conservative prejudices
may here be said that
far
can be gathered
from
and others the procedure which would
follow upon abolition
the published price must
publisher would issue
almost necessarily be this
lists of new books with no prices named
them
With these lists he would furnish
the book
sellers particulars
the terms upon which he
supply
would
them
with
the
various
books
specified
The booksellers would then show the
from

in

,

.

.

in

or

in by

to

in

or

,

to

,

so

.

to

fix

:

.

's

fixed

price had

not prevented

under

.

.

The

,

by

,

as in

1

.

it
a

2

travel

selling

or

the book

.

,

it

to

that

of

state

no

.

is

or

to

publisher

books stocked
them
their customers
send
inquiries
doing
reply
them lists and
addressed
them
would quote prices
The book
prices
sellers
short would
suit their own
trade
individuals
Mr Crocket opinion
In

its ”

"

,

,

is “

a

,

of

to

a
“

at

we

to

at

to

by

V

is
a

a

to

so

E

W

every new
are
accustomed
book
being issued
the public
retail
price fixed
the publisher
and
this
being usually
price
the present time
net
forget that the
published price
that
are apt
dependent for
matter
custom only and
tacit convention between the
existence upon
publisher and the retailer who are used
and
wrongly are quite willing that
who rightly
should continue
There
law that compels

.

of

.

to

THEIR PUBLISHED PRICE

BOOKS AND

A

.

of

.

or

is

of

,

CLODD

,

of

in

all

, -

to

EDWARD

the National

him

in

”

,

“

,

,

is

to

's

of

an

.

; by

a

a

a

at

,

he

,

he

on

an

.

be

of

intercourse
His conversation and expression were
becoming
marked
old world courtesy which
lost art
these
and
the kindred graces that
attract
man
his fellows were his full possession
and their memory will abide till the end with those
who had the privilege and profit
his friendship

the

now customary
discussed again
auspices
the

votes
the close
the discussion but the full
report
the arguments used which will
found
the Publishers Circular
March
does not
many were present
inform
how
supply the
majority against him
will
observed that the
terins
the motion considered only the interests
the trade presumably
the retail booksellers
exclusively
principally
but the question
one
obviously affecting authors and
interest
them
though
present
even
cannot
deemed
practical politics
range
within
the
Reference has been made above
the fall report
debate and only the principal arguments
are
quoted
summarised below
Mr Crocket was
aware that his proposal would meet with opposition
in

'

on s

a

;

is

of

,

in

.

of on

,

in

of

of

-

"

,

in

,

with the suddenness that
desired
was pre
paring
article
Edward FitzGerald
whose
Rubáiyát
paraphrase
Omar Khayyam
are
thoughts and speculations
which his own were
Nothing
responsive
said here because nothing
concerning the ineffable
can
communicated
charm
Sir Alfred Lyall
the intimacy
social

The

from

Book
Trade
debate opened
Mr
Crocket who invited those present
affirm
their votes
that
the opinion
this meeting
desirable
the interests
the trade that the
published price
books should
abolished
He
met with
considerable opposition
from
other
speakers led
Mr
Wilson and secured only

of

Life

had brief refer
ence
above
smaller
discriminating assessment
scale full
the poet
place
Victorian literature
his monograph
Tennyson
At the time his death which came
1905

Branch

Provident Society

be

in

“

of

he

.

a

of

”

in
a

published
the notice spoken

had

His

himin

of

,

in

,

on

, ,

of

of
,

,

of

,

of

“

manner showing that
great historian

makings
Lord Dufferin
the

London

freed

or

?

be

to

A

India worthy
the subject has yet
written
but once and for all Lyall has told
the story
British conquest
and
the whole
beneficent
rule over
the vast peninsula
his
Rise
and Expansion
the British Dominion
India

,

do

,

as

Do

the wisest

to

the

,

,

across

doing

prevent him from
business man
question whether books should
contract
sale price which
has been raised before and
was
great length recently under the
as

Westward across the ocean
and Northward
snow
they all stand gazing
ever and what
know

history

if

or

of

signs and steps

,

I

the

never have

?

God

of at

of

;

it

:

"

in

,

,

,
I

stanza

that

in

the world over
wonder
lands
trod
Are the people eternally seeking for
a

",

in

"

“

to

All

the opening

Hindu Prince

a

“

of is

struck

Meditations

,

to

in “

to

it

is

a

is

of

's

keynote

whose

biography that he issues must be sold
guinea
particular novel
two
that
six shilling
book
three and sixpenny one
He would be
regarded
innovator
somewhat startling
kind
declined thus
dictate
sellers and
buyers the price
which they must deal during the
years
months
book
effective existence
during period arbitrarily fixed
cover that exist
nothing but the prudence
ence but there
or

If Montaigne 's “ Que sçais je ? "
Asiatic Studies
still more
applicable
the
Verses Written
India
some
the poems
which
was Sir Leslie
delight
poems
Stephen
recite again and again
Bough . "
fitting motto

“ Golden

227

The fixed

price had been

directly

responsible

�THE AUTHOR .
of

of

.

to

.

2

to is .

or

to

it

.

a

3

of

a

.

a

.

4

.

to

or

,

in

.

5

.

6

.

if

no

.

in

of

.

in

to

to

.

of

.

,

or

.

25

be

a

,

,

it

of

be

. .

of

in

of

by

a

he

of

be

to

,
to

a

is

be

”

raised

be

of

Slightly

if )

by

It
“

(

of

if It in

),

. if
,

,

be

to

,

(
or
,

.

,

a

at

it

,

if

,

,

an

.

,

at

To

tendency
output

strange

,

be of

,

he

is

of

submitted for the consideration
the
author that under the present system
he knows
fairly exactly before
enters upon his contract
what the gross receipts
himself the publisher and

of

,

is

if

the bookseller should
over every edition that
his agreement contemplates
that edition
sold
out
That knowledge
the basis
his estimate
the respective net profits
the three parties

of

is

to

:-

,

case

would not diminish
this were
the
vague word
but the
prices must
diminish

the booksellers

,

of an

in

in

be

of

would

.

,

as

in

it

.

.
J.
G
.

of

1
.

,

or

a

to

a

.

of

by

be

A

if

be

.

.

12

particular book
opposition
The principal points made
the
above by Mr
Wilson and others were
The question must
considered from
the
point
view
the new book only leaving out

increased
sales

. .

to or

of

,

,
if

an

,

of he

if

in

,

to

if

no

.

11

presents
more often
there were
means
which the recipient
could know the price
the gift
Fixed price gave the public too much for
higher price
their money
some instances
got
could
the public did not know that
official price existed and what
was
the case
given

It

of

.

be

be

.

in

.

a

,

as

to

sale

Books would

a

accrue
some retailers
the case
some books
the authors
those books would not
concerned
any rate the extra price would bring
them
no increased profit
The bookseller might
he
could obtain such
increased price for particular
selling
volume make more out
than
would
publisher
two copies
the lower price which
would have fixed
This however would not con
sole the author
indeed
the publisher
fact one copy were
sold instead
two
was suggested
that slightly
increased prices

.

of

at
a

by

as

,

-

.

10

the customer
the case
more
less
expensive books whereas
went
bookseller
inquire
the price
book which he
thought might suit him
expert salesman might
scare

effect

consult one
The booksellers would have
fixing prices
another
make mistakes and lose
rs .
Persons ordering from
reviews which stated
price would cancel orders
they found the price
higher than they expected
Large stores would send out their price lists
and capture the trade from smaller dealers
particular would
Heavy cutting
prices
dealing with libraries
take place
the
Those who remembered the trade before
say
net system stopped universal discounts would
whether they wished
return
still worse com pe
prices
tition and cutting
Under fixed prices and the net system book
guaranteed
per cent
sellers had
thereabouts
which might
lost without fixed prices
From the above authors will gather the nature
the points put forward and will form their own
opinions
They will however
observe that with
prices which
the increase
was suggested might

of

.

.

9

official prices the advertising
second hand books
libraries
reduction would
comparison with the price
lose its effect
the
impossible
books when new would
There would
no prices advertised
high were apt
mentioned
reviews
These

from

be checked

to

booksellers

his bookseller

from

already
tendency
among
There
some
publishers
deal direct with members
the
public
published
price this mode of
Without
doing business would be increased and could
not

.

to

,

.

by

not

out

.

5

,

in

.

,

of

go

in

,

were

find

7

to

so

. ,

he

,

,

's

to

.

to

go

to

and

would have
the publisher

.

in

in

so

it

—

trade

of print

out

prices from advertisements
The omission
and reviews would mean much extra trouble and
expense
the booksellers
prospectus giving no price
The recipient

8

, .

to

of

to

be

to

In

be

,

other

,

remainders

.

as

of

In

,

, it of

it
.

in

,

-

he

It

.

of

of

in

.

6

.

7

.

8

at of be

their

all
Without

,

9

a

.

in

so

to

;
it

.

to in

.

5

71

to

per cent would not diminish
his sales but
would increase his profits and would only be doing
already does
the case
other books what
the case
bound books Bibles and remainders
opinion
the
differences
the speaker
slight between individual shops that
would
customers would not complain
them
nor would
they find
worth wbile
from one bookseller
another and compare the prices asked
them
The public would not follow the advertiser
but would
the man who best advised his
select
customers what
The drapers and their underselling
need not
they dealt
fancy books for the good
feared

Bibles

.

to

.

,

.
.3

to

.
If

4

obtained
would
better for the retailer
be
the position
raise prices for himself
and
secure all the benefit accruing from them
raising prices all round
The bookseller

bound books ,
books , etc .

10

(

no

he

if

so

In

to

.

as
a

)

do

all

upon as
for underselling , because it was looked
official , and the bookseller who advertised his offer
to give 25 per cent . off
books not being net
published
books could not
there was
price
standard
that case
would have
advertise his own price for each book
expected
The net system
had
been
living
revolutionise the trade giving every one
profit
had failed
do
Terms
the
trade had never been better but were not such
induce investment
the opinion
the
profit was
speaker no increase
be obtained
from the publishers
must come from the public
instead
the bookseller
the publisher
raised prices
would expect
share
the profit

of

228

�THE AUTHOR ,

it,

to to

a

,
if

to

is

.

It

is

to

of

a

by

.

to

no

,

in s

,

.

,

in

of

, .

a

of to

a

,

, he

of

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a

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,

of

as

in

in

of

,

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in

.”

of

of of

a

is

to

an

in

,

of

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.

of

,

,

to

,

to

to

in

.

to

,

or

to

-

a

a

,

,

.
A
.
A
.

E

it

.

PRIZE COMPETITIONS

difference between

to

byof

be

,

byto

"
—

some

"

commencing author
on

M

people

Atlantic Ocean
are likely
bait
reasonable prize for the

the

.

or

,

a

of

—

attracted
the
best novel short
story poem
essay
And even writers who have
already commenced are capable
being attracted

,

as

it

as

,

a

at by

,

he be

that the main

adopt

the beautiful expression coined
body presumably
the other side

of

been

,

might have

,

It

to

,

sellers but that two collars
the same manufac
recognised
turer are not
customer
identical when
sees them
two
different
hosiers
was not however pointed out

.

VTOST

by

a

,

of

,

A

.

themselves

is

It

in

take care

of

it

if

.

of be

,

a

it

,

a

of

to

,

,

an

If

a

.

on

of

a

a

of

as

.

did

to

,

to

.

,

,

to

a

book has cost him
and subject
against selling below cost price
should speculate upon the appearance
known
peculiarities
asking him the best
his customer
price likely
obtainable
submitted that
doing business would not please
such
method
book buyers and that
became general
would
rapidly diminish the sale
books very consider
ably
good many arguments were put forward
against the collar analogy including the forcible
one that two copies
book
are the same book
although exposed for sale by two different book

what
this precaution

mark

of

,

,

a

.

ld

which
in in

of

In

increased
the discussion the outline
speaker who
has been given above
open prices snggested the analogy
advocated
the
trade
collars
His point was that the booksellers
were
business
make money just like other
tradesmen and that
take another trade
example the inan who sold collars
not put
published price
them
He suggested private
mark
show cost price being put upon
book
this means anything
recommends that
book
private
seller should keep himself reminded by
wou

demand for books
the result
education had
not himself moved sufficiently rapidly with the
times
The machinery
for the distribution
antiquated condition and publishers
books was
receipt
were constantly
letters regarding the
difficulty experienced
getting information
from
booksellers
With this quotation the subject may
any authors who may
left for the criticism
think that the abolition
the published price
question sufficiently within the
their books
practical politics
range
be worth serious con
sideration
individual not greatly affected
author but with some experience
trade
may hazard any further opinion than those sug
question would
gested
above the abolition
uncertainty
introduce
state
into the book
something like chaos which
trade amounting
highly irritating and perplexing
would
the
public
financially
and
detrimental
author
publisher and bookseller
possibly equal propor
tions
However the last two may be trusted

.

is

do
,

to

be

in

is

it

,

of

,

in

it

. ;

in

a

is in

of

to

discussed the matter seem
big
have been impressed with the danger
monoply
firms getting
the book trade
submitted that their fear
not unreasonable
The
big firm taking books
large quantities would
prices probably command
the absence
fixed
preferential terms even more advantageous than
now
their power
and their opportunities
for underselling and cutting out smaller competitors

of

-

The booksellers who

Crocket
motion
and who held that the net
pub
was
the best interests
bookseller
lisher and author when
said
that Mr Wilson
just one that
had made
serious charge but
tendency
certain publishers were showing
supply retail orders direct
The explanation
spite
this was that the bookseller
the growing
system

be

to

of

.

be

to

is

,

it

is
a

.
.

of

author
The amount
confusion likely
result
suggested
specula
from the system
matter
tion but
not likely
inconsiderable

Mr

,

be

of

at

in

an

,

to

do

,

is

the author
more
less fixed
the terms
printing
and other
trades which
not yield
pressure the reduction will eventually
readily
made
unfair proportion
the expense
the

is at

.

or

of to of -

be

byit

of

,

or

,

a

as to

is

It

its

up

sellers

.

publisher will know what the book are getting , or how much they may be
diminishing (or perhaps , in some cases, increasing )
price
the sale of the book by putting
down
also submitted
that the tendency towards
put book
general competition
introduced will
prices down rather than up and that
the cost
book other than that portion
which goes
neither he nor the

an

the terms offered to him .
He will not know more
as to the price obtained per volume by the publisher
than the latter may be willing to tell him , and

such articles as collars and books lies in the fact
that the buying public always know who the whole
they
sale dealer is from whom
can
obtain any
particular book , and so have no difficulty in getting
at him if he will sell to them .
In the case of collars
is who
a man does not know who the manufacturer
makes the particular article that he fancies at his
hosier ' s, and probably he could not get supplied
by him if he did know . The question of the public
taking
dealing direct with the publishers
perhaps the most serious point for the consideration
prevent
booksellers
not easy for them
the public
sell
and quite easy for publishers
oply
trifle over their usual trade terms
there
Very pertinent
published price
bind them
gentleman who opposed
observations were made

.

the

“

as to

be

he founds his opinion

fairness of the terms offered
to him . Without a
nothing beyond
sale price he will know apparently

as

named upon wbich

229

�THE AUTHOR .
be

.

, .

in

to

,

is

he

,

to to

.

:

to

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]

of

,

to

is be ."

of as

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in to

of

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,

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is

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of

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of

in

;

in

on

“

).

of

or

,

a

if

,

a

,

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of

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,

.” or

of

a

an

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[

.,

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,

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is

to

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it

, or as
I

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(

—

is

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of

at

it

it

.

it

.,

,

to

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of

a to

in

a

$

a

,

at

he

,

to

be

to

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.

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,

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a

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in

of

,

to s'

of

of

,

in

in

.

's

,

,

to

return for
few guineas and thus preclude oneself
ever republishing
them
book form without
the purchaser
consent
Moreover cases have
occurred both
the past and recently
the
republication
juvenile work without the author
consent indeed much against his wishes owing
copyright
the assignment
such work
the
selling
date
When
writer disposes
all
rights
any
his productions however short
prepared for the possibility
annoyance
must
ought not
necessary
the future
from

be in of

to
to of

If
, -

,

by

to

as

of

seek the advice of those whose business
know about such matters
Need
be said
that
100 would not be adequate remuneration for
prize winning novel unless the
the rights
entries were very bad indeed
With regard
short stories poems etc
would
assign the copyright
still more
mistake

to

at

.

,

at

be or

a

,

,

is

he

the

similarly
is

.

. ,

to

of

It is

or is

to

to

,

a

.

if

rights

but
the bottom
the page
which the story
printed
appears there
Exclusive
small type
copyright of
the name
the paper
As far
know
the invariable rule for the
publisher
editor
demand either beforehand
afterwards the entire copyright
the prize winning
work
Readers
The Author perhaps
not need
reminded
the words which appear every
month under the heading
How
Use the
Society
Selling
literary property out
viz
right
proper
This
sometimes satisfactory
price can
obtained
But the transaction should
managed
competent agent
with the
advice
the secretary
the society
Unless
therefore
author
himself fully capable
copyright
judging the value
the entire
big competition
successful novel
he should

all

;

of a

of

he

it

.

to

an as of is

by

's

.

,

etc he

-w

as

a

,
- to

to

to

·

a

.

(1
)

(
4
)
in

“

,

to

in

to

as

“

of

a

of ;
:

an

(3
)

. ;

be

to

.

of

a

;

of

,

in

.

been

the assignment

all

and

The winners
the competition agree
cede
every kind
the publishers all rights
the
inning novels
prize
Payments will
made
successful writers
soon
the decision
made when the copyright
the stories becomes the property
the proprietors
certain magazine
One well known weekly paper which invites the
sending
short stories for the acceptance
promised does not
story
which ten guineas
state
its offer that the entire rights are required
“

in

of

is

It

in

in

.

of
in

,

be in

in

,

a

.

.

,

be is

,

publisher
Again

copyright

the entire
publishers
to

of to at

to

,

to

,

is
,

it

,

of a

a

as

a

is

is

,

”

at

an

,

it to

done
readers employed
the
for that purpose
the fair price
the reward
the
competitor
winners being announced beforehand
knows what
will get
selected
best
second best
He has formal notice
the price

out has

the successful author
for

.

to

a a
at

to

he

,

?

of so

to

,

It

if if (2
)
it he
it

to

secure
them
with
no damned nonsense about
actually shown by the work apart from the
merit
author
But
the competitions
the merit
the work which alone
count
usual
adjudica
announce the names
the adjudicator
the competition itself
tors
the same time
objection
therefore anyone has
the judges he
easy remedy
has
abstain from submitting his
work
them
Where novels are concerned more
over
the regular practice
ask that they
pseudonym
should
sent
under
least
state that the author real name will
concealed
from the adjudicators after the preliminary weeding

is

in

a

I

“

-

is

)

-

a

.

an

in

to

(

of

no

;

he

perhaps not out
place
put forward
The Author
few
warnings
competitors
the many prize competi
newspapers
tions which one sees advertised
magazines
very human
and elsewhere
any kind without due con
enter upon
contest
sideration
the real conditions
and authors are
spite
very human beings
the firm belief
the contrary
the unliterary
world
may
reasonably assumed
that
writer
taking part
prize competition expects certain
things
matter
course
Reduced
their
lowest terms these seem
fair field
publication
fair price
assurance
wins prize
and
the return
his MS
unsuccessful
Unless the first two conditions appear
exist
extremely improbable that
will compete
All organisers
these prize competitions are eager
disclaim
favouritism
the selection
the prize
They pay for their big names
winner
other
times giving the big prices which are necessary

of

be

it

an

.

.

of ,

in

-

be

of

to

This contract which
must sign
will provide

sending his productions
people whom
has
reason
believe
all anxious
look
them
but when
sees
cordial invitation
specious guarantee
submit them coupled with
perfectly impartial consideration
how can he resist
the temptation
This being
the columns

if be

for

,

It

of

on

to

a

glowing language
terms often set forth
the
literary
benefit
the constantly increasing army
literary persons
and would
Nor can
appreci
doubted that these competitions have
inducing the timid
able influence
submit their
Normally
publishers
work
and
editors
appre
untried
and many
well tried
author
hensive

to be paid for his work .
But here arises the
necessity
the first warning
His eyes should
giving
open
what
return for the prize
feared
however that they are often shut
though
only the competitor took care
read the
ignorance
conditions he could not remain
From
competitions now before me
few announcements
take the following statements
for

if

is not

in be

It

of

the prize offered appears of sufficient size .
, therefore , unnatural that there should be
growing tendency
publishers and
the part
organise prize competitions
editors
with their
also

in

230

�THE AUTHOR .

231

accept

expected
know indirectly that the full copyright
the stories submitted for its prize page also
say anything
omits
about
the return
unsuccessful
stories
looks rather from
poetical
announcement
the same page about
competition
rejected poems will not
that

is

it

,

to

a

a

no

a

in

a

be

by

is

,

.

re
-

,

for

are

.

of

.

be

in to

an

,

as

to

“

be

a

on

.

It

to

of

,

of

-

for

if

on

to

be

.

It

at

of

,

or

.

in

a

”,

be

is

,

,
a

to

in .

to

to

to

as
a

of

.

be

,

it

of

—

to

a

in

of

?

of

in

be an

to

If

.
of

to

-

failure

of

in

.

IN

.

.

as

].

in ,

of

of

I

to

,

.

,

to

is it

,

of

have
literature
speak
we have now
Up
the stage beyond

in

Form
call
which

from

ventured
Grace

(

-

of

—

,

,

,

[

ASSING

D

in

style were discussed
the
The broad requirements
Economy Climax
April issue and last month the laws
detail
form
were dealt with
the laws
and Variety

of

,

of

its

monotonous

a

and deserving

very comforting

. ,

to

be in ,

's
is

not

all those particulars within
of

;

,

knowledge

then

in

varied withal

Excellent

!

and

as

,

;
it

,

to

us
—

-

a

to

point that point
Form
which the rules
have carried
our author task we may believe
pur
concise direct
well and truly done
sequence
pose clearly expressed and satisfying
so

is

a

be

.

imperative

DUNN

III

is

to

at

.

to

,

it

of

. to
, all

as
it
or

a at

,

it

,

to by
a

up ,
or

of

it

,

be

By

I

.

;

no

is

by.

be

in

.

In

,

hung
indefinitely
awarded
may
some authors
the case

ARCHIBALD

no

is

,

be

,

it

is

,

it

be in
or

be

LITERATURE

it
,

,

in

of

.

in

of

a

have the
which
short story competition
with
advertisement
front
me there
statement
By impli
published
that the stories will ever
appears that they will come out
cation
true
may
just
the magazine purchasing them
inferred that the novels awarded prizes will one
day see the light
agreement
But there
publish
any particular date
them
They might
bought and then buried destroyed
some one other than the
some way
used
ought
author With regard
novel
least
specified that
will be published within certain
period
Nor should
the award
from the date
prize
which
article
short story poem

a

STYLE

in

as

,

he

i

—

of

.

of

is

.

either success

.

is

is

to

of

all

at

in

as

of

.

”

or

as

“

of

,

,

such

or

But

's

award

the

fate

,

the

sender

be

date

.

certain

for

lately

possible after the
indefinite wording
soon
scarcely
close
the competition
the like
satisfactory
closely
The third
the essential points
connected with the subject just mentioned
one does not want
wait indefinitely for the
publication
the award and the payment
the
prizes
neither does one wish
be without
assurance that the prize winning work will
published
Yet
one
the novel competition
nothing whatever
announcements before me there
the successful novels
about the publication
every kind
The authors cede all rights
them
the prospectus explains
and there as far
Similarly
matter might end
connection

the

on

latitude

a

reasonable

A

must , of course , be allowed , as the possibility of a very
big entry makes it impracticable to name an abso

In

made and the money paid .

a
of go to it

ordinary story , seeing that it has won first place in
an open field .
Authors should , therefore , always
look for a statement as to when the award will be

short story
their MSS
matter
which
competitors should
There are
left
doubt
unwary authors who keep no copy
least none
but rough copy
work which they send out
would certainly
unsafe for such people
enter
prize competition where the editor does not
for
promise
endeavour
send back
all MSS
accompanied by stamps
and
send them back
may
Can
added
time
reasonable space
adding
legitimate way
looked upon
paper
induce the unhappy writer
sales
purchasing copies indefinitely
the hope
print
seeing his work
short before entering any
the numerous
prize competitions authors cannot be too careful
reading the conditions and seeing that they
offer sufficient guarantees concerning the treatment
which will be accorded
their work
event
returned

writers must expect the same
surely not
This however

in

They should
them .
discover , moreover ,
whether they are expected to sell the copyright or
merely the serial rights in return for the ordinary
rates of the magazine .
The provisions as to the date of payment to
successful competitors
should be carefully
con
sidered . The question of “ payment on acceptance "
has been discussed recently in The Author .
It can
easily be seen that prompt payment is even more
desirable in the case of a prize -story , which is pre sumably a more readily saleable thing than the

be

published
know that
novel shall not
before
certain date for
not uncommon
include
contract the provision that
other
published
book
the writer shall
within
fixed time
The return
unsuccessful MSS seems generally
arranged
provided that stamps
sent
postage
for the
But the weekly paper
mentioned above as only letting the competitors
to

insist on this , were it not that the lure of a prize of
some guineas is apt to blind the eyes of the
ordinary author to the existence of a small -type
claim of exclusive copyright .
Still less necessary ought it to be to say that any
provision for the use of non - successful stories , etc.,
at “ ordinary ” rates in the magazine offering prizes
for competition
should at once warn off writers ,
unless they know these rates and are prepared to

our
pat

�THE AUTHOR .
for

.

is

an

on

to

by

is an

,

its

be

for

by
be

be

,

, ,

as
a

,

;

to

an

is

.

.

of

“

,

:

.,
" ,

an

,

to

of

a

,

of

.

a

,

;

by

of

30

of

by

,

a

,

no

be
,

;

in

,

a

-

it

,

of

;

to

in

is

,

.

,

to

it

",

be

,

a

:

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It

,

.

of

an

as

to

in

, of
it

”
— "

,

,
I

,

.

,

,

of

,

,

it

so

of

by

,

,

be

:

an

in to

of

.

- of

,

-

is

at

is

.

of

of

is

charm

of to

the

of

's

of

of

-

,

;

clear that the use
the fulfilment
the
economy
the reader

to

it

,

's

thought

is of .

in

as

of

,

if

,

,

to

a be

,
to

moment

symbols and images tends
first principle
literature
in

.

be byIt
its is
,

I
.

,

to

,

is

in
a

—is

,

forward

evolving the finished picture out
the senses
these symbols and images
At the same time we
certainly treating
are
the practical for with
a

of

*

I

?

,

it

,

of

,

in

and Images
Thus we speak
the æsthetic

,
of

,

In

Symbols

of

-

have already pointed out the impossibility
dis
tinguishing exactly between the entirely æsthetic and the
entirely practical and have explained that my division
arbitrary
the subject
however
observed that
Form
which becomes
orderliness
charm
the
certainly
senses
only
considered æsthetic
perhaps
modified sense

all stands

.

,

is

?

of ,

. it
is

,

In

,
I

.

in

to

and the true sense

instant the yellow fogs the thinning foliage
the dying
the year
sure inference then
think that the imagina
tion
aroused most certainly and most readily by
pictures which suggest and explain the
means
main thought
On the evidence
our examples
the vague
made distinct by the introduction of
some familiar idea
autumn
realised
mention
the falling leaves the stormy night comes home
when we think
the moaning wind and the
splashing
the rain drops
And
would
seem wehave come direct
obvious law
that
comprehensible
the less
literature
shall
approached through the more comprehensible
the
through the more familiar and that
less familiar
brought about
this sball
the use
suitable
be

;

it

of )

to or
a

of

,

of

I

,

;

of

leaves

Collins does
his beautiful Ode
While sallow autumn fills thy lap with

all

of

,

if

a

If

to

.

it

,

so (

autumn
Evening
an

.

on

?
*

is

,

,
in
in

Is

in

.

is

it

—

if

— is
so

Described however
the novelist
after this fashion
was
wild night
with the rain splasbing against the verandab and
the wind moaning dismally through the nooks and
very
crannies
the house
then
would
remarkably humdrum individual indeed who failed
become fully alive
the wet and boisterous con
ditions outside
Or again speak
autumn and
wanting
significance
while the word
takes
effort
fulfil its meaning
but speak of
something

us

.

he

;

to

of

an

by

,

to

's

is

?

on

—

-

the scene

,

a

,
,

so

,

of

be

it

-

be

-

;

is

,

be

.

In

,

is

in
a

as

.

to

-

a

,
or ,

,

,

so

if,

is

,

but not
whole thing
partially clear

in

to

;

to

, ,

so

,

of

—

in

,

.

is

,

,
of —

,

.
in

's

,

in of

are observed throughout
completely

shall still follow
the one case the
only
clear
the other
incomplete
Now
the picture
Why surely that
what
the meaning
this
we have come straight
the bed rock
the
Form
you

orderly

appeal

not think much
the stormy
there would
doubt
certain interest
the meteorological details but no actual vision of

individual would

night

to

to

,

.

in

it

,

's

to

at

well heave
and take our bearings
literary question
This process
we know
seldom
difficult matter
other affairs than
literature there may
and there generally are
many considerations
only one
here there
the
requirement that the thought shall
reader
adequately and attractively expressed and
con
veyed that
comprehension
easy
shall
That
was the author business from the outset
had
satisfy come what might
these conditions
Are
they then satisfied
observance
the rules
supplement those rules
there need
Form
any way
there
fact any solid reason for
Style
the aesthetic
literature
That
the
problem
and such are the principles
which the
solution depends
you have simple
Well this how
stands
lay before me and
you
business proposition
will
state
that the principles
Form
are
observed throughout
shall follow your meaning
but
the other hand you would speak
some
say the emotions
less definite idea
season
the year and
without resorting
other aids
you will again
state
that the principles

only

elucidation
grasped

the
whilst the latter which
not exact
explained
nature and which can not therefore
precise terms
consequence only
can
appeal
grasped
the imagination
and the
thing
arousing the imagination
method
distinctive and apart
illustration
consider the description
stormy night from two different points
view
According
the scientist perhaps
Rate
wind
forty miles
hour rainfall two inches tempera
degs Fahr
ture
and the ordinary
humdrum
reason

can

for
a

,

,

,

,

is

-

to

attain
the finished and inspiring model
For
any
the early processes
art are but the
labourer
work
remains for the artist himself
come and give the final touch
life and
beauty
Thus the aesthetic
literature
but
they are marching
the same time the practical
hand
hand
Which
all
course rather
make assertions without proof and
steer
passage
for those troubled waters where we may

dependent
presentation

in

,

;

,

in
a

,

in
a

,

a is

,

But later the mist clears and then
brighter light we
with
calmer judgment and
perceive though dimly perhaps that the trouble
lies
certain coldness and unreality that though
the rough hewn figure
there
we have still

that

limitations of Form . As you see , it will suffice
the presentation
the simple and familiar thought
but alone and unaided
will not suffice for the
more
abstract
and less familiar
And why
readily intelligible and
Because the first which

A

us

,

,

all
. ;

we

is

,

At

,

it

-

of

.

is

.

is

is

us

,

as

upon the back . But , presently , the vision changes ;
and
we read through the masterpiece again the
fancy takes
grows upon
and what
worse
lacking
that something
As we see
now this
the chrysalis and not the butterfly
first the
precise
hardly
character
the shortcoming
apparent
recognise the imperfect thing and

to of

232

�THE AUTHOR .

in

the

of

or

of

, ;

-

,
if

,

.

;

of

is

,

?

I

,

of

if
it of

in

of

,

?

in

,

in

of

in

is

in

,

be

on

-

a

to

of

,

I

—
is a

It
on

a

, a

,

is is

ill
- ,

of

.

of

,

,

a

,

.

of

in

, -

.

it

to

,

we

,

;

a

all

,

,

of

on

,

is

of

,

to

is

it

,

.

It

a

in

an

in

.

,

to

of

to

it

on

,

as
a

or is

a

in

to

,

.

”

“

”

“

, ,

,

,

in

at

,

.

in

,

,

—

,

in

To

?

of

in

,

of

in

-

it

in

,

in

of

,

.

in

be

i

;
it

or

,
be of .
of

of

I

-

in

.

in

--

for

is

all an

of

of
a

or

,

is

it

;

of

of

is

,

is

, ,

It
is

,

in

”

.

,
is it

,

,

—

-

in

“

,

.

it

to

in
a

by

of

is
a

or

;

is

it

of at

,

is

of

setting
harmonious
the
the phrase
the unlets
incomprehensible
this

their

tered
course
Wagner
meaningless
like the music
the sun
set perhaps
Turner
but
true never
question
pose
theless
affectation
æsthetic effect
the genuine appreciation
proof
you tell me again that
But
this
nothing
these highly cultured people may
very sincerely and very whole heartediy wrong
past
agree
not proof
But
the light
experience
the kuowledge that the verdict

,

,

- is

, -

in

no

or

.

ill
-

it

of

a

it

of

.

to

,

of

to

priateness

rhythmical swing

if

of

a

in

is
in ”,

,

.

,

, of
a

of

,

at

is

melody music
Then
once with this advance
ment arose naturally the demand for every subtle
nicety which could aid
beautifying the thought
the demand that not only the thought itself should
well conceived but also that its treatment should
every detail
be perfect
What wonder then
when the cultured mind demanded and very soon
words
the
the arrangement
found beauty
medium
literature through which the thought
conveyed
found
their euphony and appro
is

.

as

at

is
a

a

,

.

to

;

; -

you know
month
better stage still
the
fairly practised writer and
one again beyond
this when you first experience the gratifying ease
reading
and comfort
work
Stevenson
Thus without touching upon debatable ground
expression
once obvious that one method
and that we may believe the
better than another
gamut
progression
move evenly from the very
worst
the very best
But
fact that
anything the
the accomplishment
best
creates invariably some sense
æsthetic charm
Watch the expert billiard player
the champion

earth

,

-

as

,

to

,

to

is

,

an

is

If

to

,

it

.

"

.

it
! all
”

at

«

he is

as

would meet with
month
For here
man coming along and
asserting roundly that there
charm
lan
guage
there
adds significantly
prove
And then
sober truth there
nothing for
but
stand down from the witness
box silent and abashed
At the same time point two calls for remark
and comment
You know
for instance that
possible
write very badly
We laugh
and
essay
expressed
the
stumble over the halting
schoolboy
you know that
possible
write
better the schoolboy himself improves
twelve
you

the penny dreadful
was the best book
Pop goes the Weasel
and
the best music
The deeper insight came afterwards
rule and
the discovery
our surprise
that there
some
thing more than
story
incident
than
stages

is

of

be

is

of be
;

it

;

,

as

a a

nut

Sundays

idea

the most talented will realise
moment
the complete beauty
unfamiliar design
takes time and study
cultivate the mind and
pinnacle
the earlier
Thus
advance

it

all
.

.
is

But that
not
The conditions
the game
presented
are that the thought shall
attrac
tively
may
and there
therefore still the
language itself
be discussed
attractiveness
step uncommonly near
And this believe me
quicksand
attempt
cracking
hard

a

in

on

,

so

,

to

, of

is

be

to

,

in

and images

eye

has not always
find great
artists slow
reach
even
critics
delaying the triumph
and Tschai
kowsky
And this
no matter for surprise for
any art depends largely
the appreciation
education and
not likely therefore that even

a

as

it to

aid

to

and
acceptance
Wagner

no

in of

?

force

still not
denied
and
any sort
any subject
follows that writing
good abound freely
symbols
must
order

.

as

,

is

,

“

at ?

a

a

; as
of
an it

,

its

be

if

, ,

an

as

,

,

as

of .

if

it

,

in

a

,

”

”

of

at

you please

the original and unaccustomed
met with immediate approval

.

,

's

to

,

its

,

“

it as

that
comprehension

sure delight

is a

remarkably strong presumption
next door
Besides there
another thing which must not
overlooked
the verdict
the cultured
final you know
the world
Art and there
appeal beyond
court
The
educated taste
the multitude may create and often has created
the success of moment and set nonentity
pedestal
Similarly the more advanced thought
be

.

, -

a

in

to

an

so

, an

of .

a

, ,

stroke
the pen
Need we wonder
suggesting
that this ready means
idea
should have found
time wider application that
valuable
asset
the writer
account should
have been pressed more fully into the service and
that by degrees
use should have extended from
the obscure thought
the simple
Black
night
strikes the imagination
once
whilst
simple enough thought
black
alone though
conception because
never too definite
the
many different conditions with which we are
the
habit of associating
And
this be matter
emphasis
interpretation
much
distinction
explanation
much
well what
Take
then

there

grace
touch
movement
piano organ and
listen
well constructed
mechanical and inartistic though the performance
be the ear will still dwell with pleasure
the accu
Why then
racy
the playing
this
the
any pursuit deny
common effect
excellence
Why deny
the same conditions
literature
language
attractiveness
the balancing
the
phrase
you still
the choice
words
And
agree
tell me that this
not proof
course
adding
just
but
take the liberty
that

,

a

-

ex

of

of

a

,

is

of

it

of

ally

by

In

, of in

,

a

,

of

purpose
directness
clear transparency
pression
which carries its own recommendation
lightens the task
most fully
that
the reader
place
much verbosity and
wearisome
explanation
vividly
the scene
sketched
realistic

athlete , and

that delicacy

of no

is

is

.

in

"

;

attention .
The “ angry ” man is an indefinite
affair the man standing
with upraised fist
the
picture illustrated
two words
There
here

233

�THE AUTHOR .

.

,

an be

as

of

a

,

of

of in

“

byno

in

of

it ,

a

,

he

,

?

“

to

of

;

be

.”

A

to

it

,

.

no

,

”
“

in

is

a

."

In

.”

of

a

of

;

.

's

to

is

,

.)

to

,

:

.

is

of

—

of

as

. it

is

,

.

continued

in

of

.

to

is

to

is

,

of

to

,

a

of

of

.

, —

of

is

.
is

in ,

us

as

of

,

a

byof

be

a

of

,

(
To

is

of

that

They are
our authors feel
hesitation
the household names
the writers whose indis
putable claim
attention
based upon their
works having found response
the thoughts and
feelings
millions
And we are warned against
the personal satisfaction which modern
critics
derive from drawing some almost unknown writer
out
his obscurity and demonstrating that his
work has merits
the rarest quality
other
words we are recommended
the world
classics
though
Well we suppose this
sound doctrine
assuredly some
sigh
us will think with
some
Great

to

,

is

—

of

to

It

is

*

a

writer can make
beauty
style
such
My meaning
only this that
enhanced by the charm
its

course
virtue

ship
uncertain
track
but
beaten
road
many and
trodden
who would walk
securely has only
follow the footprints
the
great who have gone before him
counsel of
might doubtless
perfection
objected
but are
perfection
not the best counsels always counsels
About the answer
the question
Who are the

of

to

.*

in

's

to

to

of

symbols and images
the practical application
may help
and into such considerations
any way
the effective handling
words

anthology
letters
not
the form
were
that
sermon richly illustrated
They hold that
the pathway
author

”
?

is

;

is
a

of

;

It

particulars and
examine into the working details
the conclusions we have reached
that
into

men
but
texts

of

is
a

to

,

to

?

in

clause here
cloak
the nakedness
here
holding the reader
the means
attention until
the conception becomes more attractive
itself
only remains now
reduce generalities

a bad odour

,

a

is

,
no

is

of a

is of

,

to

it

,

at

all
;

.

,

is

a

as

,

in

is

; ,

if

—

in

in

so

so

to

a

.

's

to

its

reasonably to be denied , I shall take it that the
case is established , that language
itself is capable
of creating an æsthetic charm ; and with this
admitted , then at the same time the real practical
advantage of polished writing becomes obvious —
power
hold the reader attention
Here
thing
pleasure
itself
these words which run
smoothly
spoken
the eye and which
glibly off the tongue
would slip
there
following them
lazily
effort
no more than
watching
river
flows onward
the sea but
surely
there
music
like the music
those
rippling waters
And maybe the thought
but
poor affair and never much worth the trouble
expressing
indeed
wbere
the writer who
many
thoughts
has not uttered
be rightly
saving
scheduled
this category
Well here

not suggested
worthless book valuable
always worthless
book
composition
the value
expression

The word , it must be confessed , has
nowadays , and it would surprise us if
any writer willingly branded his work as didactic .
Nevertheless , there are people who would not deny
that something may be learnt from their writings ,
and among these we suspect that our two present
authors may be classed . At any rate, we shall not
scruple
state that there
much
the book
which
worth taking
heart
The keynote
the advice which Messrs Colles
and Cresswell give
Learn from the Great
To
help those who would learn they have
use their
many sources such
own words collected
from
may
counsels
writers
renown
serviceable

.”

“ didactic

not

are

,

the first .

by

of

With two presumptions , then , which

“

too , on top

Cresswell professed to teach in the course of this
book how authors may become successful .
But
any intention
they expressly disclaim
of being

in

these cultured people has stood the test of time in
other artistic affairs , I submit that we have reached ,
at any rate , a second “ strong presumption ” — this ,

"

234

.

an

of

of

of

,

to

or

a

in

of

.

in

lie

to to ,

not where they

failed

,

masters

in

of

.

"

to

”

“

of

"

,

to

.

'

of

,

so

on

in

,

's

be

is

Morris Colles and Henry

,

&amp; by
W
Co.
.

",

:

-

*
"

in

Success
Literature
Cresswell
London
Methuen

few

is

,

is

if

be

.

an

.

in

it

so

a "

in

be

.

the world

to

an

it

at

”,

“

of

a

to

is

is in

be

its

at

It

:

of

in
a
“

places among
the award
accepting
we will pass
classics
precept
interpretation
Learn
their
our authors
from the Great
the
learn from the Great
what we are
As
arrive at
two supreme lessons we are told are
the consummate
some adequate appreciation
perceive more
work
the masters
and
less lucidly the art by which the effects are secured
the great master
the weak points
Criticism
pieces
deprecated and the wisdom
of literary
man
declared
the opposite direction
recognize
He must
able
the works
the

many and the

of

,

of

a

as

.

.

be

of

on

be

to

authors
this little work are certainly
congratulated
one point
which may
proof
regarded
collaborative
their success
wonderfully
The style throughout
literature
may
homogeneous
added that
style
best somehow faintly
attractive
yet
Spectator
suggestive of the old
the same
modern
time
directness and simplicity that
good sense
the term
ambitious
sounds
Literature
Success
subject
volume of 360 small
tackled
pages
Messrs Colles and
would
And

is

The joint

do

,

of

.*

of

to

LITERATURE

IN

SUCCESS

us
,

,

namus which are not household but are certainly
dear
some works which
not touch the
feelings
millions but yet touch ours deeply
argument
However this
not the place for
on
the comparative value
the judgments
the

but where

they

�THE AUTHOR .

,

-

to

to

of

of

big

a

;

a

further

.

.

its

will not

com

to

be

arrived also

Yet we believe
those who hare
appeal
without

and

of

,

advancing
the beginners

,

to

,

,

in

all it

,

in

difficulty

that

in

as

be

,

in

,

to

say the authors
proceed
discuss the best
literary work the equipment required
methods
appropriate
style and form
before engaging
and treatment
which subjects they put

safely .
Perhaps it should be added , in conclusion , that
“ Success
in Literature ”
is primarily addressed
day nor
not (of course ) to the
authors
yet
letters
but
the men
the beginners
find
certain way and
who have advanced

,

?

After laying down these two fundamental con taken
ditions that the great masters must
our examples and that we must have something

editions will not find it here . If, however , some
thing is required which will stimulate profitably
thought and at the same time please the literary
judgment , then this book may be commended

it

saying

Another passage, illustrative of the fact that a
work of indisputable merit may be judged worth
less before it becomes a classic - a consolation
often to writers whose belief in themselves exceeds
their literary income - we would gladly quote if
we had space .
But perhaps enough has been said
to show that “ Success in Literature ” is both an
interesting and an instructive work .
Those who
want a handbook showing them how to construct
volumes which will go at once into four large

to

criticism

to

successful , and must reserve destructive
for his own work .
Obviously the inculcation of admiration for the
Great without insistance on the need of originality
would be an incitement to merely imitative
work .
chapter
So it is not surprising to find a whole
devoted to the subject of originality - and a very
good chapter , too , though
it does not readily
lend itself to quotation .
It could be wished in
these days , when
the
market
( the word
is
objectionable from the literary point of view , but
so is the literature
of which we are speaking ) is
being swamped with weak books on all kinds of
subjects , that the writers would take to heart what
is here said on the desirability of asking oneself
the question , is what I am going to say worth
were

235

a

.*

of

”

a

a

,

as

we

of

on

.

of

,

in

on

a

.

,

of

to to

of

to

is

(

on

to

's

“

so of

did a

be "

“

)

,

- to

(

"

)

's

.

.

M

's

of

Dramatiques

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1895
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Gozzi
will
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tragic
not
dramatic
situations are here
thirty six
considerable
difference
limited
as

,

of

of

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;

to

's

from

which
here revert
the
whole question
one
considerable interest
dramatists and perhaps also
some importance
novelists
At present Gozzi assertion seems
rest
the authority
Goethe
Polti quotes without
Entretiens
giving any reference from Goethe
presumably
Eckermann
avec
Eckermann
Gespräche mit Goethe
Gozzi used
maintain
that there could not
more than thirty six tragic
good deal
situations
Schiller gave himself

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William Beckford
states that
wrote Vathek
single sitting
took me three days and two nights
hard labour
never took off my clothes the whole time
The severe application made me very
This feat
really
accomplished
very doubtful about
was
which
probably
largest
single
spell
literary
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record
More has been dictated
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less time
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print
edition
his work
four pages
about 300 words
He laid down his pen
soon
the
four pages were completed
even
that was
the middle
sentence
but he wrote the four pages
the morning
Anthony Trollope all
directly after breakfast every day
regu
whose work was conducted with extraordinary
larity and much
busy Post
written whilst he was
page
office functionary
wrote
250 words and made
produce
pages every week
rule
certain number
The average was forty
but he sometimes required
himself more and sometimes only twenty
He rose
five and had his literary work
finished before break
fast He regarded three hours
the limit
time for
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Walter Scott had made
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SITUATIONS

our April issue we printed

Chicago
“

1

.

of

have done their

DRAMATIC

Italian
dramatist Count Carlo Gozzi with
the same subject
treatise
further mention
by
Georges Polti and published
written
space
Want
Paris some fifteen years since
forbade
the time any remarks
our own

, "

the latter furnish
parts
the book

of

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ourselves
we must confess
some
the most interesting
We cannot refrain from quoting
one passage
from
the chapter
entitled
The
Worker and his Work
After saying that exact
note
which writers
the manner
records
various

THIRTY SIX

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most excellent advice before their readers collected
Augustus and
from authorities
far apart
Anthony
Trollope
Metastasio
and
Crombie
author
The Gymnasium
and supplemented
literary men
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impression because
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not speaking
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he
translations
and relying merely
mention
careful
Russian scholar why
whom
translations
from
the Russian have been
Russian scholar
not
he
made for him
the Russian style which
he
what judge
We
praises
another
one case and condemns
agree with the opening asser
are entirely unable
the world
the best
tion that Russian fiction
made
and do not understand why that assertion
his work freely admits
author who later
Russian fiction and justly
the intense gloom

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work
just estimate
give
great
Here
true and also very farniliar yet hardly
deal that
fiction
Russian
omitted from any work
good deal that
intended for general perusal
open
indeed hardly defensible theasser
debate

by

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of

,

.

enormous
have been
must
situations
precise results
laborious
esearch
merit any
praise
Poltihas deserved
At the same time whilst willingly according
Polti
labours all the admiration which they
deserve and freely admitting that his work may
perused with interest we have always felt that
not very
be derived from
the advantage
rather
great
curious
are
The results reached
than illuminating
having
felt that
We must also confess
what
Polti has entirely misunderstood
tragic situation
We say this with
meant
those who may
all deference for the opinions
that unless
and freely admit
think otherwise
Gozzi original statement and what he himself
his
found the interpretation
can
meant
open
less
more
words must always remain

the matter has
question
ourselves however
tragic situations
always appeared thus
that
dramatic action
are the individual moments
play
many
and that
which may occur
Polti has been illustrating are rather the
what
fundamental themes upon which various plays are
Supplication
built
Thus his first example
Aeschylus
appears
The Suppliants
but
that the great situation
that play
the

SSAYS
LISSAYS

of

,

every one
cases several examples
dramas and other works
The number
classical and modern European
the imagination
astounding
and the toil
and Oriental quoted
grouping
under the several
them
involved

to is

NOVELISTS
by

06

of of ,

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as

as

.

many

them

RUSSIAN

ON

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in

be

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of

in

,

succession
our April number
This mere enumeration however conveys
idea
either
the gigantic labour
the very wide
acquaintance with the world
literature which the
Sup
little book shows
Polti having mentioned
plication
Implorer
his first situation demon
many
Supplication
strates how
can assume
nine different aspects and then quotes examples
in

sets forth

“

.

of

XIII

devotes himself
the
situations are and
the thirty six enumerated
six

thereafter

what the thirty

by

a

M

no

murder
which the king obtained his throne
Polti groups
Hamlet
under
Situation
Hatred between Relatives
That such
naturally
productive
tragic
hatred might
situations
evident
but
does not appear
tragic situation
that
itself
short
whilst admitting that there
much
that
interesting
Polti work we are unable
see that
offers any answer
the problem
What
thirty six tragic situations
were Gozzi

.

,

.

M

Polti

question

at

in

“

.

de (

,

of

)

M

. -

situations
were
We learn
who again vouchsafes
reference that Gérard
Nerval occupied himself
possible
with
the question
the number
situations and could find only twenty four
He
also does not mention
what they were
All this
and much more may
read
Polti
preface where little that
interesting
lacking
except correct references

Polti

is is

six

what his thirty
further from

it

;

or in

Pelasgus
scene
conclusion
when
repels the insolent attempt
the herald
seize the
Aegyptus
suppliants
the name
Hamlet
highly dramatic
we should say that there
tragic situation
when
the court assembled
play find themselves witness
entertained with
minutely accurate representation
ing
the

)

. .

(

.

spirited

,

no

us

)

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It

–

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( six

these thirty situations mentioned anywhere
Gozzi works they fill twenty two volumes
was this hearsay only for Goethe
1749
1830
contemporaries
and
Gozzi
1772
1806
are
Respecting this
Polti gives
information
appears however that Gozzi did not mention

its

THE AUTHOR .

236

Russian

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This year although financial con

DEAR SIR

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PROFESSIONAL

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may interest some
English women who

itinerary

American

England villages

ALCOTT

the many English
children enjoyed
Louisa Alcott
Little Women
and other stories
know that
Concord Massachusetts
keep
movement has been started
intact the
Orchard
House
which the Alcott family lived
for many years
Americans
late have shown
preserve such literary and artistic
disposition
shrines
there are
their country
The birthplace
Irving
Longfellow
former residences
Poe
Whittier

their

New

.

A

,

Yours faithfully
MEMBER

LOUISA

in

by by

.

Miss
SIR
men and

in

's

in

of

in

believe all the other

indignation

Miss Alcott

loved

in

that

I

say

the book

seen

visitors who have
stories and the characters she
original state
has created
Restored
will
charm the many people from overseas who include
miseration

.

.

,

,

”

to

?

if

stocked

It

but fair

libraries

, ,

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a

is

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the demand
is

to

even
largely

Amy

many memo
This house about which cluster
ries
one
the most helpful writers for the
young
hoped not only
purchase but
maintain
permanent Alcott memorial
plain
maintain
wooden dwelling after the fashion common
New
England
general
almost unchanged
features but now
desolate
move the com
it

.

,
a

as

to
a

if

;

at

,

baffled what hope
there for the new
Such action nullifies any good which
reviews might have worked
Would
Marie Claire
for instance
have sold
the supply had not responded instantly

is

,

larger

author
laudatory

places may

Louisa
younger sister whose death shortly after her happy
marriage
young Swiss gentle
Ernest Nieriker
man was one
the tragic events
the author
middle age

,

,

be

,

of

to

to

it
.

so
."

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to

a

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so

as " a

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in

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or

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of

ago

Mudie

On the woodwork

paintings and sketches by

it

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s'

,

it

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to

as

at

,

of

stories

little

pointed note
when
answer
reply
returned
that
the
yet procured
demand was
small they had not
but would now do
This action of Mudie
boycott
appears
me
amount practically
all new authors
the demand for whose work
must necessarily
small
first and
the small
widen into
which should legitimately
demand
inquiry

of

I

,

.

to

a

,

-

,

new
author may
draw your
the following facts
My first novel published about three months
ago received very favourable press notices
and
being obtainable
all libraries
was advertised
my friends wbo belong
Several
Mudie
repeatedly
applied for
without success until

As

attention

view

Miss Alcott

.

.

LIBRARIES

THE

.

AND

In

the
works the
the woman
club has felt itself
issuing
international appeal for

.

Massachusetts

management
justified
assistance
The Orchard House
Concord
situated near
Ralph Waldo Emerson
the house owned
was first occupied
Bronson Alcott and his family
1857
continued
their home for twenty
five years when
was sold
the late William
Harris for many years United States Commissioner
were written
Little Women
Education
and several others
best liked
Miss Alcott
and

a

SiR

AUTHORS

of

to

is

.,

,

Concord

international interest

CORRESPONDENCE

,

its

of to to

,

's

Savings

,

.

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be

in

,

in

A

.

Russian must
peruse faithful

from

the original texts

of

renderings

translations

readers who desire

to

by of

exercised

. in of

,

of

-

,

selection

F

setting forth the
Russian
novelists
translations
them
which
have appeared
English
French
and German
note should
the
that the greatest caution
have been added
best known

237

ditions in the States are not altogether so propitious
as at some times , the woman 's club of the New
England village through
president Mrs Henry
Rolfe has been appealing
all lovers
Miss
Alcott books
contribute toward
fund
guarantee the preservation
least £1 600
and
maintenance
this ancient historic home
portion
the fund has already been subscribed
mostly
small amounts
and
the hands
junr Middlesex Institution for
Henry
Smith

.

of

by

of

)

cannot be elsewhere found
English volume . The work
concludes with a bibliography (which we could wish
more perfect
the stories written
nine
the

C

one focus things that
together in any single

.

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the society which
now firmly established
the
result
work for authors dramatists
and
scarcely calculated
musicians
the circula
appeared
tion
the paper
which
The
paragraph
have quoted
much more likely
appear ridiculous than the
make Mr
Society
Authors
write
direct your attention
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though you may not consider
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notice

either wilfully
that
the work that the Society
Authors
continuing
has done and
for authors and
dramatists
that
remarks are merely the
pique which he has
outcome
some spite
against the society
such
statement while
The publication
injure
day the prestige
unlikely
this time

ignorant

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very

not

regret

recent number
illustrated weekly the following state
literary letter published
ment by the writer
that journal and signed
have always looked upon the Royal Society
Literature
ridiculous body even worse than
Authors
the Society
SIR
certain

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hearts both
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Authors
have unfortunately
forced
this cheap work into
insisting
the market
lowest terms
irre
Cheap type
spective
the work
the quality
cheap and nasty
writing
and good work
deserves fair pay
purchase
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time have received accurate well typed and well
turned out work which would have rejoiced the
fair and reasonable rates
easily
have found the names

English writer should
rated for the
Canada
her countrymen who
Evidently Canadian
understand
somewhat hard
free trade
not believe
editors
Believe me Yours faithfully
EDITH DART
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ream
paper
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6d
from
profit out
pay
wants somehow
make
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How
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Member

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We
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English magazine published
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read magazines with English character they
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use
buy
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The fact that Englishmen
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customs into Canada
instead
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those
selves
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CANADIAN

SIR , - It may possibly interest some readers of
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his letter :
English contributors. I quote from
not use your work because it is too
“ We could

an

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and

a

238

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.-No. 9.&#13;
JUNE 1, 1911.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGR&#13;
211&#13;
...&#13;
211&#13;
211&#13;
212&#13;
213&#13;
215&#13;
216&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Books published in America by Members...&#13;
Literary. Dramatic and Musical Notes&#13;
Paris Notes ... ...&#13;
Academic Committee ...&#13;
Dramatic Rights in America&#13;
Magazine Contents ...&#13;
How to Use the Society&#13;
Warnings to the Producers of Books&#13;
Wamings to Dramatic Authors&#13;
PAOK&#13;
223&#13;
223&#13;
223&#13;
223&#13;
223&#13;
223&#13;
224&#13;
226&#13;
227&#13;
229&#13;
231&#13;
234&#13;
235&#13;
236&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
Sir Alfred Comyn Lyall&#13;
Books and their Published Price&#13;
Prize Competitions&#13;
Style in Literature ... ...&#13;
Short Reviews&#13;
Thirty-six Dramatic Situations&#13;
Essays on Russian Novelists...&#13;
Correspondence ...&#13;
217&#13;
218&#13;
220&#13;
:&#13;
221&#13;
221&#13;
222&#13;
222&#13;
222&#13;
237&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 1s.&#13;
8. The Author. Published ten months in the year (August and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
8. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
1. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. 210 (#284) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telographic Address : “ AUTORIDAD, LONDON."&#13;
Telephone No. : 314 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M&#13;
COUNCIL&#13;
SIR ROBERT ANDERSON, K.C.B.&#13;
AUSTIN DOBSON.&#13;
THE REV. C. H. MIDDLETON-WABE&#13;
SIBWM.REYNELL ANSON, Bart.,D.C.L. | SIR ARTHUR CONAN DOYLE.&#13;
SIR HENRY NORMAN, M.P.&#13;
THE RIGHT HON. THE LORD AVE- DOUGLAS FRESH FIELD.&#13;
SIR GILBERT PARKER, M.P.&#13;
J, M, BARRIE.&#13;
[BURY, P.C. SIR W. S, GILBERT.&#13;
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THE RIGHT HON. THE LORD BURGH. JEROME K. JEROME.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
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HALL CAINE.&#13;
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EDWARD CLODD.&#13;
THE REV, W.J. LOFTIE, F.S.A.&#13;
FIELD-MARSHAL THE RIGHT Hox.&#13;
W. MORRIS COLLES.&#13;
LADY LUGARD (M188 FLORA L. THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON. JOHN COLLIER.&#13;
SHAW).&#13;
P.C., &amp;c.&#13;
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MRS. MAXWELL (M. E. BRADDON).&#13;
THE RIGHT HON. THE LORD CORZON AYLMER MAUDE.&#13;
• OF KEDLESTON, P.C.&#13;
JUSTIN MCCARTHY.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT.&#13;
G. BERNARD SHAW.&#13;
MR. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIR STORR,&#13;
MAS. E. NESBIT BLAND,&#13;
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| CAPT. BASIL Hood.&#13;
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| MRS. HUMPHRY WARD.&#13;
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ANTHONY HOPE HAWKINS,&#13;
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SIR CHARLES VILLIERS STANFORD, I HERBERT SOLLIVAN.&#13;
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The Hon. John COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
| J. G. MILLAIS.&#13;
| ARTHUR RACKHAM.&#13;
| M. H. SPIELMANN.&#13;
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G, HERBERT THRING,&#13;
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Solicitor in England to&#13;
Li Société des Gens de Lotures&#13;
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OFFICES.&#13;
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## p. 210 (#285) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Special Announcement to Authors !&#13;
- PLAYS -&#13;
MR. FORBES DAWSON&#13;
Many would-be Competitors in&#13;
Messrs. Hodder &amp; Stoughton's&#13;
new £1,000 Novel Competition&#13;
are prevented from entering simply&#13;
because they cannot at once spare&#13;
the money to have their MS. typed.&#13;
A REMARKABLE OFFER!&#13;
(Member of the Society of Authors),&#13;
Master of Stage Craft, Technique, and&#13;
Play Construction.&#13;
Over 25 years' continuous experience upon the&#13;
stage itself as an actor in every class of play.&#13;
Author of plays produced in England and&#13;
America. Adapter of several novels to the stage.&#13;
READS AND GIVES PRACTICAL ADVICE&#13;
UPON PLAYS.&#13;
TURNS SHORT STORIES INTO PLAYS.&#13;
Makes no charge for reading and giving a&#13;
practical opinion on a play from the point of&#13;
view of stage craft and construction.&#13;
If you will send your MS. and&#13;
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promise to pay the balance (at&#13;
the rate of 1/- per 1,000 words,&#13;
carbon duplicate 3d. per 1,000) in&#13;
monthly instalments of £1, I will&#13;
undertake to return you a per-&#13;
fectly correct type-written copy.&#13;
Absolute secrecy guaranteed.&#13;
One of my numerous testimonials for Members of the Society of&#13;
“I am especially pleased with your work."&#13;
Authors-&#13;
Knows the best men in the dramatic profession&#13;
all over the world, and helps in the placing of&#13;
those plays he is connected with.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W. ||&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
STABLISHED)&#13;
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The Wessex Press, Taunton.&#13;
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ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
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Stiff Paper Cover, bd.; Cloth, ls.&#13;
J. F. BELMONT &amp; CO., 29, PATERNOSTER SQUARE, E.C.&#13;
&#13;
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## p. 210 (#286) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Just out, 1/- paper, 2/- cloth, net.&#13;
SMITH &amp; Son, Renfield Street, GLASGOW.&#13;
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pleasant and readable publication."&#13;
-CLAUDIUS CLEAR, in the British Weekly.&#13;
WILLIAM THOMSON&#13;
,THE ..&#13;
BOOK MONTHLY.&#13;
(LORD KELVIN).&#13;
His Way of Teaching Natural Philosophy,&#13;
By DAVID WILSON.&#13;
You know the "Pook Monthly" by name-you&#13;
very often see it quoted in the papers. It is a&#13;
brightly written, brightly illustrated magazine&#13;
about the books and the literary affairs of the&#13;
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It is an instructing. entertaining “guide,&#13;
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ANECDOTES OF BIG&#13;
CATS AND OTHER BEASTS.&#13;
By DAVID WILSON.&#13;
METAUEN &amp; Co., 6/-,&#13;
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step further ... by telling his readers something&#13;
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Guardian.-—“Mr. Wilson is the right person to tell&#13;
stories of sport."&#13;
Pall Mall Gazette.-“Captivating and engrossing."&#13;
Labour Leader.-" This book is one of the most&#13;
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Morning Post.--" Delightfully sympathetic... Noth-&#13;
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Humanitarian.—“We advise all our friends to read&#13;
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The Book Monthly is published on the first of each month by&#13;
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It costs Sixpence, and it can be ordered from any Bookseller, Book.&#13;
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Save your Numbers carefully until the Volume is complete&#13;
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Sheffield Daily Telegraph :-"After use we can confidently&#13;
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&#13;
The BINDER OPEN.&#13;
&#13;
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## p. 210 (#287) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
THE AGENCY WITH INFLUENCE.&#13;
Thanks to its straightforward business methods, and its strictly selective principle, the C.L.A. is now&#13;
placing literary matter with over 160 (one hundred and sixty) English Publishers and&#13;
Periodicals.&#13;
THE HIGHEST TEST of an agency's proficiency is the placing of novels by unknown authors at the&#13;
Publisher's entire risk. Clever FIRST BOOKS, recommended by the C.L.A., have been accepted&#13;
by George Allen &amp; Sons, Ouseley, Ltd., Greening &amp; Co., Digby Long &amp; Co., Gardner Darton &amp; Co., Newnes&#13;
Ltd., Bennett &amp; Co. (The Century Press), Alston Rivers, Ltd., Andrew Melrose, Longmans, Green &amp; Co.,&#13;
Stanley Paul &amp; Co., John Long, Ltd., etc., at the Publisher's entire expense.&#13;
Below is reproduced one from many hundreds of generous appreciations :-&#13;
365, Glossop Road, Sheffield,&#13;
DEAR MR. MAGNUS, .&#13;
Wednesday, May 10th, 1911.&#13;
Please accept my sincere thanks for placing my first novel so quickly and so well after my own&#13;
failures; and your courtesy and valuable advice have increased the obligation. You refused my&#13;
inferior work, but gave generous praise where you could to a literary aspirant quite unknown to you.&#13;
Yours truly,&#13;
(Signed) CLARA TURNBULL.&#13;
16-page Prospectus free on application to-&#13;
The CAMBRIDGE LITERARY AGENCY, 115, Strand, W.C.&#13;
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To Authors and Journalists.&#13;
GENEALOGY AND&#13;
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M., c/o J. F. BELMONT &amp; CO., 29, PATERNOSTER SQ., LONDON, E.C.&#13;
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THE COURSE OF LITERARY TRAINING promoted by&#13;
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The College also undertakes Literary Agency business of all&#13;
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For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
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Copies of recent Testimonials :&#13;
W. Shaw SPARROW: “I'm glad I don't hear the steady noise of your machine,&#13;
but I appreciate the excellence of your work."&#13;
DANTEL WOODROFFE: "Miss A. B. Stevenson is very accurate in her type-&#13;
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"First Lessons in Story Writing.'&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. 6d. net. 28. 8d. post free.&#13;
of this work the Westminster Gazette writes "The&#13;
beginner who takes these lessons to heart may be quite&#13;
assured of an advantage over his competitors."&#13;
TYPEWRITING.&#13;
"How to become an Author.'&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide; full of useful hints.&#13;
2nd Edition. 5s. net. 58. 4d. post free.&#13;
MISS FOWLER, Maxwell House, Arundel&#13;
Street, Strand, W.C.&#13;
EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
Extract from Unsolicited Testimonial.-"I send you work com-&#13;
pared to which Evyptian hieroglyphics would be child's play, and you&#13;
return the manuscript at the time requested without one single&#13;
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TYPEWRITING&#13;
The Literary Correspondence College,&#13;
9, Arundel Street, Strand, W.C.&#13;
Undertaken by highly educated Women (Classical Tripos,&#13;
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Research, Revision, Shorthand.&#13;
THE CAMBRIDGE TYPEWRITING AGENCY,&#13;
Telephone 2308 City. 5, Duke Street, Adelphi, W.C.&#13;
&#13;
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## p. 210 (#288) ############################################&#13;
&#13;
ADVERTISEMENTS&#13;
meri. soooooooowwe Dodomewoo0000000omuever be&#13;
p&#13;
o&#13;
COTTERILL &amp; CROMB,&#13;
Literary, Artistic, and Dramatic Agents.&#13;
000000000do&#13;
om 0000000000vnn.nonn0000000000&#13;
The Managers of this Agency have exceptional facilities for placing Novels with the best&#13;
Publishers. They have also a unique knowledge of the Buying and Selling of Magazine, Periodical and&#13;
Newspaper Fiction. During the past six years they have placed Serials, Short Stories, Articles and&#13;
Black and White Illustrations in all the leading British, Colonial and American publications on very&#13;
favourable terms. New Authors of real promise receive encouragement and helpful advice. Expert&#13;
knowledge is brought to bear upon every MS. with a view to placing it to the best advantage. Many&#13;
Authors whose names are now well known were introduced to the reading public through the Managers of&#13;
this Agency who have a long and close personal and business connection with the principal Publishers&#13;
and Editors.&#13;
DRAMATIC ADVISER—MR. WILLIAM MOLLISON.&#13;
Mr. William Mollison, the well-known London and provincial actor, who acts as dramatic adviser&#13;
for Messrs. Cotterill &amp; Cromb, has played Richelieu in "The Musketeers," at the Haymarket ; Cardinal&#13;
Colonne in “ Dante" with Henry Irving at Drury Lane; and Pistol in “King Henry V." at the Lyceum ;&#13;
and he was for some time in partnership with Lewis Waller. He produced “ The Bonnie Briar Rose" at&#13;
the St. James's, and has since played the part of Lauchlan Campbell in the provinces over a thousand times. He&#13;
also took on tour John Galsworthy's remarkable play, “Strife," which created so profound an impression when&#13;
Mr. Frohman produced it at the Duke of York's Theatre. More recently he made a great hit with a one-&#13;
act sketch “The Touch of the Child."&#13;
Messrs. Cotterill &amp; Cromb's clients have thus the advantage of Mr. Mollison's great influence and&#13;
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Write for terms to- .&#13;
ovocouco&#13;
Lennox House, Norfolk Street, Strand, W.C.&#13;
J&#13;
acoconcoccouvommangono0oomma0000000monuncoo0000000000&#13;
From STANLEY PAUL &amp; CO.'S LIST.&#13;
NEW 6/- NOVELS.&#13;
A Woman of the Revolution. By Frank Hamel.&#13;
Demy 8vo. Illustrated. 168. net.&#13;
A MYSTERIOUS LOVER . . . Alice M. Diehl The Bookman says:-" Théroigne de Mericourt was a puzzling&#13;
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&#13;
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## p. 211 (#289) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXI.-No. 9.&#13;
JUNE 1ST, 1911.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
OR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inform members of the&#13;
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that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
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TROM time to time members of the Society&#13;
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Communications and letters are invited by the&#13;
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VOL. XXI.&#13;
LIST OF MEMBERS.&#13;
M HE List of Members of the Society of Authors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 71d. It includes elections to July,&#13;
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of the Society only.&#13;
A dozen blank pages have been added at the&#13;
&#13;
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## p. 212 (#290) ############################################&#13;
&#13;
212&#13;
THE AUTHOR.&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
·&#13;
·&#13;
·&#13;
THE PENSION FUND.&#13;
·&#13;
·&#13;
· ·&#13;
· ·&#13;
· ·&#13;
· ·&#13;
·&#13;
·&#13;
· ·&#13;
· ·&#13;
N February 1, the trustees of the Pension&#13;
Fund of the society-after the secretary&#13;
had placed before them the financial&#13;
position of the fund—decided to invest £250 in&#13;
the purchase of Consols.&#13;
The amount purchased at the present price is&#13;
rice is&#13;
£312 13s. 4d.&#13;
This brings the invested funds to £4,377 198. 4d.&#13;
The trustees, however, have been unable to recom-&#13;
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as the&#13;
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portant claim is forthcoming.&#13;
Consols 21%.............................. £1,312 13 4&#13;
Local Loans ............................... 500 0 0&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock .......&#13;
..... 250 0 0&#13;
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Corporation of London 21% Stock,&#13;
1927-57 ........&#13;
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Grant Stock, 1938........... ....... 198 3 8&#13;
· · ·&#13;
3&#13;
3&#13;
£ 3. d.&#13;
Feb. 21, Rhys, Ernest&#13;
0 10 6&#13;
Feb. 21, Cameron, Mrs. (Charlotte) 110&#13;
Feb. 21, Mulliken, Mrs. .&#13;
March 9, Boughton, Rutland&#13;
0 5&#13;
March 10, Somers, John ..&#13;
0 5 0&#13;
April 6, Rawlings, Burford&#13;
. 0 10 6&#13;
April 11, Wicks, Mark . . . 0 5 0&#13;
May 2, Walter, J. . .&#13;
2 2 0&#13;
Donations.&#13;
1911.&#13;
Jan. 2, Northcote, The Rev. H.. 0 5 0&#13;
Jan. 2, Mackenzie, Miss J. . . 0 5 0&#13;
Jan. 3, Church, Sir Arthur H. . . 1 1 0&#13;
Jan. 3, Wasteneys, Lady.&#13;
0 5 0&#13;
va&#13;
Jan. 4, P. H. and M. K. .&#13;
· 2 2 0&#13;
Jan. 4, Randall, F. J. .&#13;
. 1 1 6&#13;
Jan. 5, W.&#13;
0 10 0&#13;
Jan. 5, Crellin, H. N.&#13;
0 5 0&#13;
Jan. 5, S. F. G..&#13;
0 10 0&#13;
Jan. 6, Blake, J. P...&#13;
1 1 0&#13;
Jan. 7, Douglas, James A..&#13;
1 0 0&#13;
Jan. 9, Grisewood, R. Norman . . 0 5 0&#13;
Jan. 10, Wharton, Leonard C. . . 0 10 0&#13;
Jan. 12, Tanner, James T..&#13;
Jan. 16, Kaye-Smith, Miss Sheila : 0 5 0&#13;
Jan. 17, Kemp, Miss Emily G.. 1 1 0&#13;
Jan. 21, Greenstreet, The Rev. W.J.. 0 5 9&#13;
Jan. 26, Blundell, Miss Alice . .&#13;
Jan. 28, Benecke, Miss Ida . . 0 5 0&#13;
Jan. 30, Wilkinson, The Rev. C.J. 1 1 0&#13;
Feb. 2, Lawes, T. C. . . . .&#13;
0 5 0&#13;
Feb. 3, Dawson, Mrs. T. .&#13;
05&#13;
Feb. 3, Tweedie, Mrs. Alec&#13;
Feb. 10, Dale, T. F. .&#13;
0 5 0&#13;
Feb. 13. Machen, Arthur&#13;
0 10 0&#13;
Feb. 21, Strachey, Lady i&#13;
2 2 0&#13;
Feb. 25, Humphreys, Mrs. (Ri&#13;
2 0 0&#13;
March 3, Gibbs, F. L. A. .&#13;
0 10 0&#13;
March 6, Haultain, Arnold.&#13;
1 1 0&#13;
March 9, Hardy, Harold&#13;
0 100&#13;
March 9. Hutton, E. . .&#13;
05&#13;
March 10, Wilson, Albert .&#13;
0 5 0&#13;
March 16, Ward, Dudley.&#13;
0 10 6&#13;
March 30, Coke, Desmond.&#13;
April 1, The XX Pen Club&#13;
0 1&#13;
April 6, Channon, Mrs. E. M. . : 0 5 0&#13;
April 7, Henry, Miss Alice . .&#13;
0 5 0&#13;
April 10, Ralli, Scaramanga&#13;
.&#13;
.&#13;
. . 2 2 0&#13;
April 11, Robins, Miss Alice . . 1 1 0&#13;
April 20, MacEwan, Miss.&#13;
. 010 0&#13;
April 20, C. N. and Mrs. Williamson . 5 5 0&#13;
April 21, Shirley, Arthur . . . 1 1 0&#13;
April 22, H, A. and Mrs. Hinkson . 1 0 0&#13;
April 24, Toplis, Miss Grace . . ( 10 0&#13;
May 19, An Old Member. . . 1 0 0&#13;
·&#13;
· ·&#13;
·&#13;
· · ·&#13;
·&#13;
· ·&#13;
· ·&#13;
· ·&#13;
Total ............... £4,377 19&#13;
4&#13;
· ·&#13;
wa&#13;
·&#13;
· ·&#13;
Anger&#13;
Subscriptions.&#13;
1911.&#13;
Jan. 3, Yolland, Miss E. .&#13;
Jan. 3, Bowen, Miss Marjorie .&#13;
Jan. 9, Bolton, Miss Anna. .&#13;
Jan. 13, Edginton, Miss May .&#13;
Feb. 11, Canpan, Gilbert . .&#13;
Feb. 15, Reynolds, Mrs. Baillie .&#13;
· ·&#13;
£ &amp;&#13;
0 5&#13;
1 1&#13;
0 5&#13;
( 5&#13;
0 10&#13;
0 5&#13;
er mer&#13;
d.&#13;
0&#13;
0&#13;
0&#13;
0&#13;
6&#13;
0&#13;
·&#13;
· ·&#13;
&#13;
&#13;
## p. 213 (#291) ############################################&#13;
&#13;
THE AUTHOR.&#13;
213&#13;
COMMITTEE NOTES.&#13;
of the society. The committee had already taken&#13;
counsel's opinion and found themselves unable to&#13;
depart from the conclusion they had already come&#13;
M HE May meeting of the committee was held to on a previous occasion. It was quite clear that&#13;
on Monday, May 1st. After the minutes there was very little chance of the author&#13;
of the previous meeting had been signed a establishing a legal right to stop publication.&#13;
vote of thanks was passed to Mr. Maurice Hewlett, The Copyright Bill was next considered by the&#13;
reference being made to the good work accom- committee. The chairman stated that since the&#13;
plished during his chairmanship. The present last meeting it had been necessary for himself and&#13;
chairman, Dr. S. Squire Sprigge, was authorised the secretary to move rapidly and independently,&#13;
to write to Mr. Hewlett and convey to him the as otherwise it would not have been possible to get&#13;
feeling of the committee.&#13;
the necessary amendments settled and into shape.&#13;
Twenty-three members and associates were Fortunately the opinions of both the committee and&#13;
elected, bringing the total elections for the current the sub-committee on copyright had been fully&#13;
year up to 115. One resignation was accepted. ascertained, as well as those of important members&#13;
The committee then considered the cases. The of the society. The chairman stated that after&#13;
first related to an infringement by cinematograph the meeting of the Joint Committee, chronicled in&#13;
performance in America. The opinion of the the May issue of The Author, the Copyright Sub-&#13;
society's American lawyers, with full information Committee met and settled a report dealing with&#13;
obtained from America respecting the infringe- the points brought forward at the Joint Committee&#13;
ment, was laid before the committee, who decided meeting :—That Mr. E. J. MacGillivray, a&#13;
to take the case up subject to the member con- member of the Copyright Sub-Committee, had&#13;
cerned, when the full facts of the position were before kindly consented to draft a report in the form of&#13;
him, fixing the figure which he desired to claim as amendments. This was done, and as the com-&#13;
damages. The next case referred to the cancellation mittee of the House of Commons was commencing&#13;
of a right to publish. The author had given its sittings immediately it became necessary for&#13;
notice to terminate the agreement, but had found the secretary to see one of the members in order&#13;
it impossible to get the book republished owing to to get the amendments put down. This also was&#13;
the action of the original publisher who claimed done in time, the secretary attending at the House&#13;
that he still had rights under the contract. After of Commons on one or two occasions and discussing&#13;
discussing the legal aspects and hearing the matters with Mr. H. D. M‘Laren, in whose name&#13;
opinion of the society's solicitor, the committee the society's amendments are now placed. The&#13;
decided they were unable to take the matter chairman further reported that at a meeting of the&#13;
further. A claim of a member against the English Joint Committee, consisting of representatives of&#13;
Review under the old management was considered, the Publishers' Association, the Copyright Associa-&#13;
and it was decided to put the facts of the case tion and the Society of Authors, appointed&#13;
before the present proprietor, in order to see some time ago to watch the bill through Parlia-&#13;
whether any sum could be obtained on behalf of ment, the society's amendments had been read&#13;
the member.&#13;
and were, on the whole, approved ; but that the&#13;
The solicitor then reported the action taken up society's proposal in regard to Clause 4 of the&#13;
by the society since the last meeting in regard to Bill had been overruled owing to an amendment&#13;
the bankruptcy of Mr. H. Drare., The solicitor which, it was understood, the Government were&#13;
mentioned to the committee a suggested proposal going to put down in regard to the clause.&#13;
of settlement. It was decided to leave the matter The chairman reported fully all the steps that&#13;
in his hands as sixteen or seventeen members had been taken, and laid on the table copies of the&#13;
of the society were involved. The solicitor then various documents which had been settled. He&#13;
reported a case which had been taken against an added that letters had been written to various&#13;
agent who had neglected to pay over moneys he had members of the society, who were also members&#13;
receired for contributions placed by him for the of the Committee considering the Bill, asking for&#13;
author. It was decided to take what steps might' their support to the society's amendments when&#13;
be necessary to throw the agent into bankruptcy. they came before the committee. The chairman&#13;
A claim against the proprietor of an Indian paper stated that the work had been exceedingly heavy,&#13;
was next considered, and the committee determined but that he was pleased to hear that the result, so&#13;
with the approval of the author to take action in far, had proved distinctly satisfactory.&#13;
the Indian Courts if the claim was not satisfied. The question of the settlement of an agency&#13;
The committee regretted they were unable to take agreement, owing to the discussion of the Copy-&#13;
up the next case which was a question of republi- right Bill having taken up much of the committee's&#13;
cation by a publisher of an old work by a member time, was adjourned.&#13;
--&#13;
- -&#13;
&#13;
&#13;
## p. 214 (#292) ############################################&#13;
&#13;
214&#13;
THE AUTHOR.&#13;
The committee sanctioned the payment of a&#13;
bill for rugs for the society's offices. They&#13;
tendered a vote of thanks to Mr. C. Scaramanga&#13;
Ralli for his donation of £3 38. to the capital&#13;
fund of the society.&#13;
The secretary reported the receipt of a letter&#13;
from the secretary of the Board of Trade touching&#13;
a proposal made by the Dramatic Sub-Committee&#13;
that the Consuls at the various ports should send&#13;
records of dramatic performances of English&#13;
pieces. He reported that £170 78. 11d. of consols&#13;
had been bought with the £140 which the Com-&#13;
mittee had instructed him to invest.&#13;
meeting for revision, not as to their substance,&#13;
but as to their drafting. The remaining clauses,&#13;
which were of a contentious nature, will be dis-&#13;
cussed at the next meeting, one by one, until the&#13;
draft is completed.&#13;
A long letter from Mr. Cecil Raleigh to the&#13;
chairman on the treaty, was read to the sub-&#13;
committee.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The meeting of the Dramatic Sub-Committee&#13;
for May was held at the offices of the society on&#13;
Friday the 19th. After the minutes of the&#13;
previous meeting had been read and signed the&#13;
sub-committee turned to the agenda.&#13;
The first matter was the question of sketch pro-&#13;
duction, and the secretary read an opinion he bad&#13;
received from the solicitors, obtained on the instruc-&#13;
tions of the committee at their last meeting, with&#13;
regard to sketch prosecutions. Some discussion&#13;
followed as to the line of action the committee&#13;
should take.&#13;
The next question was the practicability of&#13;
stopping infringement of performing rights in&#13;
America by criminal prosecution. The secretary&#13;
read a letter he had received from the counsel of&#13;
the National Association of Play-Producing&#13;
Managers of America, and he was instructed to&#13;
write to the counsel for further information.&#13;
Certain vacancies having occurred in the sub-&#13;
committee, the secretary was instructed to write to&#13;
Mr. Justin Huntley McCarthy and Mr. C. Haddon&#13;
Chambers, and inquire whether they would be will-&#13;
ing to undertake the duties of the post. Subject&#13;
to their acceptance their names were approved.&#13;
The secretary reported the work during the past&#13;
month on the Copyright Bill, stating what clauses&#13;
had been inserted in the Board of Trade draft and&#13;
what amendments had been set down.&#13;
Finally, the question of the General Treaty&#13;
between dramatists and managers was discussed.&#13;
It may be remembered that the Dramatic Sub-&#13;
Committee received authority from the dramatists&#13;
assembled at the meeting held on March 31 to&#13;
draft such a treaty, and to negotiate with the&#13;
managers on their behalf. The secretary had&#13;
drafted a series of clauses for the consideration of&#13;
the sub-committee, and of these twelve were passed&#13;
without any discussion. The secretary was in-&#13;
structed to have these typed and sent to all the mem-&#13;
bers of the sub-committee to be laid before the next&#13;
Cases.&#13;
THIRTEEN cases have been placed in the secre-&#13;
tary's hands since the last issue. Three of these&#13;
relate to accounts. In one the accounts have been&#13;
rendered and forwarded to the author, and the&#13;
other two are still in course of negotiation.&#13;
Though the publishers have answered the secre-&#13;
Though the publishe&#13;
tary's letters, they have not had time as yet to get&#13;
out the accounts. There have been five cases for&#13;
the return of MSS. One of these lying with the&#13;
publisher in the United States is still unsettled,&#13;
two are lying with agents and will be returned in&#13;
due course : one has been returned, but the last&#13;
demand has only just come into the office. Of&#13;
three applications for money two have been settled,&#13;
the cheques having been received and forwarded to&#13;
the authors. The third is still unsettled and it&#13;
may be necessary to place it in the hands of the&#13;
Society's solicitors. There is one case dealing with&#13;
the settlement of terms of a contract. This is in&#13;
course of negotiation ; and one case for infringe-&#13;
ment of copyright which has only just come into&#13;
the office. There are still several cases open from&#13;
former months but there is not one in which&#13;
negotiations are not going forward satisfactorily.&#13;
It is hoped that they will be closed before the July&#13;
number is printed.&#13;
May Elections.&#13;
Allen, Lily L. .... . “ Bryngoleu," Ilfra-&#13;
combe.&#13;
Arnold, Thomas Walker 24, Launceston Place,&#13;
Kensington, W.&#13;
Cator, Mrs. R. B. P. : c/o His Hon. Judge&#13;
Cator, British&#13;
Consulate, Con-&#13;
stantinople.&#13;
Chatterton, E. Keble . 195, Ladbroke Grove,&#13;
W.&#13;
Cochran, The Rev. A. H. . Merryhall, Ashstead,&#13;
Surrey.&#13;
Colville, Mrs. Arthur . 3, Eaton Place, S.W.&#13;
Cox, Robert . . . 59a, South Audley&#13;
Street, W.&#13;
Eaton, Mrs. Florence . Maryville, Blackrock,&#13;
Dublin.&#13;
&#13;
&#13;
## p. 215 (#293) ############################################&#13;
&#13;
THE AUTHOR.&#13;
215&#13;
Fernald, C. B. . . 4. Marlborough Road.&#13;
N.W.&#13;
Ghosh Sarath Kumar , 18, Elgin Avenue, W.&#13;
Hartree, Clarence . . Havering, Tunbridge&#13;
Wells.&#13;
Higgins, Clifford . . 3, Derby Street,&#13;
Poulton - le - Gylde,&#13;
Lancs.&#13;
Stephen Knott&#13;
Rachel Martyn&#13;
Martin, Miss C. I.&#13;
Mathews, Gregory M. Langley Mount, Wat-&#13;
ford.&#13;
Pedler, Margaret (Mrs. W. Barons Wood Bow,&#13;
J. Q. Pedler)&#13;
N. Devon.&#13;
Philips, F. C. . . . 12, King's Bench&#13;
Walk, E.C.&#13;
Romanné-James, Mrs. C.&#13;
(George Rayne) Lyceum Club, London,&#13;
W.&#13;
Sheane, Hubert . . The Residency, Tife,&#13;
N.E. Rhodesia.&#13;
Virgo, Eustace F. A. . c/o Messrs. Cook &amp;&#13;
Son, Place de la&#13;
Constitution,&#13;
Athens.&#13;
Wallace, G. Carlton . 27, Golder's Gardens,&#13;
Golder's Green,&#13;
N.W.&#13;
(Two members object to the publication either&#13;
of their name, pseudonym, or address).&#13;
THE LIFE, TRIAL, AND DEATH OF FRANCISCO FERRIER.&#13;
By WILLIAM ARCHER. 9 x 58. 332 pp. Chapman &amp;&#13;
Hall, 108. 6d. n.&#13;
FRIENDLY FACES OF THREE NATIONALITIES. By M.&#13;
BETHAM-EDWARDS. 9 x 54. 294 pp. Chapman &amp;&#13;
Hall. 108, 6d, n.&#13;
DRAMA.&#13;
QUEEN HERZELEID, OR SORROW-OF-HEART. An Episode&#13;
in the Boyhood of the Hero, Parzival. A Poetic Play in&#13;
Three Acts. By ISABEL HEARNE. 78 pp. David&#13;
Nutt.&#13;
THREE PLAYS BY BRIEUX, With a Preface by BERNARD&#13;
SHAW. The English Versions by MRS. BERNARD SHAW,&#13;
ST. JOHN HANKIN, and JOHN POLLOCK. 78 X 5.&#13;
321 pp. Fifield. 58. n.&#13;
THE TRAGEDY OF NAN. By JOHN MASEFIELD. 7 X 41.&#13;
71 pp. Grant Richards. is. 6d. n.&#13;
THE BRASS BOTTLE. A Farcical Fantastic Play in Four&#13;
Acts. By F. ANSTEY.. 7 X 5. 212 pp. Heinemann.&#13;
18. 6.&#13;
ENGINEERING.&#13;
IMPERIAL TELEGRAPHIC COMMUNICATION. By CHARLES&#13;
BRIGHT, F.R.S.E. 74 x 5. 212 pp. P.S. King. 38.60.n.&#13;
FICTION.&#13;
THE LAST GALLEY. Impressions and Tales. By A.&#13;
CONAN DOYLE. 74 x 5. 298 pp. Smith, Elder. 68.&#13;
A TRUE WOMAN. By BARONESS ORCZY. 74 x 5. 351 pp.&#13;
Hutchinson. 68.&#13;
WHEN WE ARE Rich. By WARD MUIR. 74 x 5. 318 pp.&#13;
Stanley Paul. 68. n.&#13;
THE KING OVER THE WATER, OR THE MARRIAGE OF&#13;
MR. MELANCHOLY. By JUSTIN HUNTLY MCCARTHY.&#13;
8 X 5. 328 pp. Hurst &amp; Blackett. 68.&#13;
JUSTUS WISE. By ALFRED WILSON BARRETT. 74 x 5.&#13;
320 pp. Ward, Lock. 68.&#13;
A CHARITY GIRL. By EFFIE ADELAIDE ROWLANDS.&#13;
81 x 54. 190 pp. (Cheap edition.) Stanley Paul. 6d.&#13;
AT THE CROSS ROADS. By F. F, MONTRESOR. 320 pp.&#13;
Hutchinson. 7d. n.&#13;
TIM BOBBIN RESURRECTED. By TEDDY ASHTON. 47 pp.&#13;
Blackpool : Teddy Ashton. 3d. n.&#13;
THE SHIP OF CORAL. By H. DE VERE STACPOOLE.&#13;
7% X 5. 368 pp. Hutchinson. 6s.&#13;
THE CELESTIAL OMNIBUS AND OTHER STORIES. By&#13;
E.M. FORSTER. 74 x 51. 164 pp. Sidgwick &amp; Jackson.&#13;
38. 60. n.&#13;
THE HORSE SHOE. By MRS. FRED REYNOLDS. 78 x 5.&#13;
334 pp. Chapman &amp; Hall. 68.&#13;
LILAMANI: A STUDY IN POSSIBILITIES. By MAUD&#13;
DIVER. 74 x 5. 424 pp. Hutchinson. 68.&#13;
TABLE D'HOTE. By W. PETT RIDGE, 74 x 5. 248 pp.&#13;
Hodder &amp; Stoughton. 68. n.&#13;
SAM'S KID, By F. E. MILLS YOUNG. 71 X 5. 372 pp.&#13;
Lane. 68.&#13;
Ivor. A Tale of Lundy Island and the West Country. By&#13;
GEORGE HANSBY RUSSELL, 77 x 5. 333 pp. Murray. 68.&#13;
THAT WICKED Miss KEANE. By F. C. PHILIPS. 78 x 5.&#13;
247 pp. F. V. White. 28. n.&#13;
THE JOB SECRETARY. By MRS. WILFRID WARD.&#13;
78 x 51. 275 pp. Longmans. 48.6d. n.&#13;
REBECCA OF SUNNYBROOK FARM. By KATE DOUGLAS&#13;
WIGGIN. 71 x 5. 347 pp. (Cheap edition.) Gay &amp;&#13;
Hancock. ls. n.&#13;
MULTITUDE AND SOLITUDE. By JOHN MASEFIELD,&#13;
64 x 47. 286 pp. Nelson. 7d.&#13;
MEN-AT-ARMS. Stories and Sketches. 236 pp. THE&#13;
SHADOW OF THE QUARTER DECK. 308 pp. By MAJOR&#13;
W. P. DRURY. New and cheaper editions. 71 X 5.&#13;
Chapman &amp; Hall. 28. n.&#13;
RAFFLES, THE AMATEUR CRACKSMAN, By E. W. HORNUNG.&#13;
73 X 44. 368 pp. Nash. 28. n.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
BIBLIOGRAPHY.&#13;
JAGGARD (WILLIAM SHAKESPEARE BIBLIOGRAPHY : A&#13;
dictionary of every known issue of the writings of our&#13;
national poet and of recorded opinion thereon in the&#13;
English language. With historical introduction. Thirty&#13;
facsimilies, portraits and other illustrations. 9 X 7].&#13;
Pp. xxiv.-732 and Plates. Shakespeare Press, 4, Sheep&#13;
Street, Stratford-on-Avon. Limited issue. 638. n. Or&#13;
hand-woven watermarked paper, with hand-made&#13;
Japanese vellum Plates, 843. n.&#13;
BIOGRAPHY.&#13;
RUSKIN : A STUDY IN PERSONALITY. By A. C. BENSON.&#13;
84 x 51. 264 pp. Smith, Elder. 78. 6d. n.&#13;
&#13;
&#13;
## p. 216 (#294) ############################################&#13;
&#13;
216&#13;
THE AUTHOR.&#13;
18. n.&#13;
HISTORY&#13;
WILLIAM THOMSON LORD KELVIN : His WAY OF TEACH.&#13;
YEAR-BOOKS OF THE REIGN OF KING EDWARD THE ING NATURAL PHILOSOPHY. By D. Wilson. 8} X 51.&#13;
THIRD. Year 20. (Second Part.) Edited by LUKE 56 pp. Glasgow : J. Smith. 28. n.&#13;
OWEN PIKE. 104 x 67. 627 pp. Wyman &amp; Sons, for&#13;
SPORT.&#13;
His Majesty's Stationery Office.&#13;
ANGLING FOR GAME FISH. By JOHN BICKERDYKE.&#13;
JUVENILE.&#13;
Third edition, revised and enlarged. 75 X 41. 148 pp.&#13;
ACROSS THE FOREST AND FAR AWAY. By GERALDINE Upcott Gill. 18. 6d. n.&#13;
E. HODGSON, D.Litt. 74 X 5. 109 pp. Clifton : Baker.&#13;
THEOLOGY.&#13;
London : Simpkin, Marshall. 18. 6d. n.&#13;
CHURCH SONGS. Collected by the Rev. S. BARING-&#13;
LITERARY.&#13;
GOULD. Music by the Rev. H. F. SHEPPARD and&#13;
ENGLISH DIALECTS FROM THE EIGATEENTH CENTURY R. VAUGHAN-WILLIAMS, Mus.Doc. 71 X 5. 52 pp.&#13;
TO THE PRESENT DAY. By the Rev. WALTER W. S.P.C.K. 6d.&#13;
SKEAT, Litt.D. 67 x 43. 139 pp. (Cambridge Manuals&#13;
TRAVEL&#13;
of Science and Literature.) Cambridge University Press.&#13;
A HOLIDAY IN SOUTH AFRICA. By the Right Hon&#13;
Sir H. MORTIMER DURAND, G.C.M.G. 7} x 5. 275 pp..&#13;
FROM A COLLEGE WINDOW. By A. C. BENSON. Seven-&#13;
Blackwood. 68. n.&#13;
teenth impression, fourth edition. 7 X 5. 326 pp. THE LAND OF TECK AND ITS NEIGHBOURHOOD. By S.&#13;
Smith, Elder. 38. 60, n.&#13;
BARING-GOULD. 9 X 6.' 327 pp. Lane. 108. 6d. n.&#13;
THOMAS HARDY. Penseur et Artiste. Par F. A. AR&#13;
A ROMAN PILGRIMAGE. By R. E. ROBERTS. 9 x 5.&#13;
HEDGCOCK. Docteur ès lettres, Paris. 508 pp. Hachette.&#13;
274 pp. Methuen. 108. 6d. n.&#13;
78. 6d.&#13;
LETTERS FROM INDIA. By LADY WILSON (A. C. Macleod).&#13;
DAVID GARRICK. Et ses amis françis. Par F. A.&#13;
9 x 51. 417 pp. Blackwood. 78.6d. n.&#13;
HEDGCOCK. Docteur ès lettres, Paris. 283 pp. Hachette.&#13;
ARGENTINE PLAINS AND ANDINE GLACIERS. Life on an&#13;
58.&#13;
Estancia and an Expedition into the Andes. By W.&#13;
MISCELLANEOUS.&#13;
LARDEN. 9 x 54 320 pp. Fisher, Unwin, 148, n.&#13;
NOTES ON SUGAR IN INDIA. By FREDERICK NOEL&#13;
PATON. Third edition. 63 pp. Calcutta : Superinten-&#13;
dent Government Printing, India. 28. 6d.&#13;
NATURAL HISTORY.&#13;
BRITISH FERN. A Pocket - Help” for the Collector. BOOKS PUBLISHED IN AMERICA BY&#13;
By F. G. HEATH. 6.2 x 31. 130 pp. Sir Isaac&#13;
MEMBERS.&#13;
Pitman. 28. n.&#13;
PHILOSOPHY.&#13;
IDEALISM, POSSIBLE AND IMPOSSIBLE. By ALICE&#13;
AGRICULTURE.&#13;
BLUNDELL. 71 X 5. 100 pp. Ouseley. 28. 6d. n.&#13;
RURAL DENMARK AND ITS LESSONS. With 28 Illustra-&#13;
POETRY.&#13;
tions. By H. RIDER HAGGARD. 335 pp. New York:&#13;
ENGLESIDE TOWERS. A Poem. By J. W. HOLLINGS-&#13;
Longmans. $2.25 n.&#13;
WORTH. Gloucester : Minchin &amp; Gibbs.&#13;
BIOGRAPHY.&#13;
MIRAGE. Poems. By DOUGLAS AINSLIE. 161 pp. Elkin&#13;
THE LIGHTER SIDE OF MY OFFICIAL LIFE. By Sir&#13;
Mathews. 35. 6d, net.&#13;
ROBERT ANDERSON, K.C.B. 295 pp. New York:&#13;
THE GARDENS OF GRAY'S INN, AND OTHER VERSES. By&#13;
Doran. $3.50.&#13;
C. TEARLE. 75 X 5. 82 pp. Longmans. 58. n.&#13;
DRAMATIC.&#13;
GREEK LOVE SONGS AND EPIGRAMS. From the&#13;
Anthology. Translated by J. A. POTT. 6 X 4. 153 pp. THE LITTLE PRINCESS : A Play for Children and grown-up&#13;
Kegan Paul. 18. 60, n.&#13;
Children in Three Acts. By FRANCIS HODGSON BURNETT.&#13;
CONFESSIONAL AND OTHER POEMs. By WILFRID 68 pp. New York : French. 25 cents.&#13;
THURLEY. With a Preface by MAURICE HEWLETT.&#13;
64 pp. Elkin Mathews. ls. n.&#13;
EDUCATION.&#13;
THE HOUSE OF LIFE. Interpretations of the Symbolical A DICTIONARY OF ORIENTAL QUOTATIONS (ARABIC AND&#13;
Pictures of the late G. F. Watts. By HARROLD PERSIAN). By CLAUD FIELD. 351 pp. New York:&#13;
JOHNSON. With twenty-two Reproductions. 73 X 44. Macmillan. $2 n.&#13;
62 pp. Dent. 28. 6d. n.&#13;
THE UNFOLDING OF PERSONALITY AS THE CHIEF AIM IN&#13;
EDUCATION ; Some Chapters in Educational Psychology.&#13;
POLITICAL.&#13;
By H. THISELTON MARK. 224 pp. Chicago : l'niversity&#13;
THE IMPERIAL CONFERENCE. A History and Study. By of Chicago. $1 n.&#13;
RICHARD JEBB. Two volumes. 97 X 6. 401 + 104 pp.&#13;
FICTION.&#13;
Longmans. 258. n.&#13;
JOHN MERRIDEW: A Romance. By F. ARTHUR. 334 pp.&#13;
** REPRINTS.&#13;
New York : Longmans. $1.35 n.&#13;
UNDER THE JUNIPER TREE : COMFORT FOR THE CLOUDY ACCOUNT RENDERED. By E. F. BENSON. 367 pp. New&#13;
Day. Selected, Edited and Arranged by J. M. COLLIS.&#13;
York. Doubleday Page. $1.20.&#13;
· 63 X 41. 128 pp. Stock. 38.&#13;
THE BROWN MASK. By PERCY J. BREBNER.&#13;
DEMETER'S DAUGHTER. By EDEN PHILLPOTTS. 384 pp.&#13;
SCIENCE.&#13;
New York : Lane. $1.35 n.&#13;
AN INTRODUCTION TO EXPERIMENTAL PSYCHOLOGY. By CYNTHIA-OF-THE-MINUTES : A Romance. By L. J. VANCE.&#13;
C. S. MYERS, M.D., Sc. D. 63 X 44. 156 pp. (Cam- 319 pp. New York. $1.25 n.&#13;
• bridge Manuals of Science and Literature.) Cambridge THE GOLDEN SILENCE. By C. N. and A. M. WILLIAMSON.&#13;
University Press. 1s. n.&#13;
524 pp. New York, $1.10.&#13;
&#13;
&#13;
## p. 217 (#295) ############################################&#13;
&#13;
THE AUTHOR.&#13;
217&#13;
THEOLOGY.&#13;
CHRIST IN THE CHURCH. By FATHER ROBERT HUGH&#13;
BENSON. 225 pp. St. Louis : Herder. $1 n.&#13;
TRAVEL.&#13;
THE DANUBE WITH PEN AND PENCIL. With 99 Illustra&#13;
tions (part in colour). By CAPTAIN B. GRANVILLE&#13;
BAKER. 191 pp. New York : Macmillan Co. $1 n.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES&#13;
PANTHER'S CUB. By AGNES and EGERTON CASTLE.&#13;
411 pp. New York : Doubleday, Page. $1.20.&#13;
THE WOODLANDERS. By THOMAS HARDY. 364 pp.&#13;
New York : Harper. $1.25 n.&#13;
BRAZENHEAD THE GREAT. By MAURICE HEWLETT.&#13;
316 pp. New York : Scribner. $1.50.&#13;
THE KING OVER THE WATER; OR, THE MARRIAGE OF&#13;
MR. MELANCHOLY. By JUSTIN HUNTLY MCCARTHY,&#13;
377 pp. New York: Harper. $1.50.&#13;
JANE OGLANDER. By M. A. BELLOC LOWNDES. 314 pp.&#13;
New York : Scribner. $1.25 n.&#13;
THE WELL BELOVED : A Sketch of Temperament. By&#13;
THOMAS HARDY. 338 pp. Harper. $1.25 n.&#13;
THE MOVING FINGER. “By E. PHILLIPS OPPENHEIM.&#13;
301 pp. Boston: Little, Brown. $1.25 n.&#13;
MORE THAN KIN. By PATRICIA WENTWORTH. 363 pp.&#13;
New York : Putnams. $1.35 n.&#13;
MRS. THOMPSON. By W. B. MAXWELL. 367 pp. New&#13;
York : Appleton. $1.30 n.&#13;
A WILDERNESS OF MONKEYS. By F. NIVEN. 283 pp.&#13;
New York : Lane. $1.50.&#13;
THE QUIETNESS OF Dick. By R. E. VERNEDE. 290 pp.&#13;
New York : Holt. $1.25 n.&#13;
LITERARY.'&#13;
SUCCESS IN LITERATURE. By W. MORRIS Colles and&#13;
HENRY CRESSWELL. 360 pp. New York: Duffield.&#13;
$1.25 n.&#13;
MISCELLANEOUS.&#13;
MAN: KING OP MIND, BODY AND CIRCUNSTANCE. By&#13;
JAMES ALLEX. 70 pp. New York: T. Y. Crowell &amp; Co.&#13;
THE HUMAN MACHINE. By ARNOLD BENNETT. 123 pp.&#13;
New York: Doran. 75 cents. n.&#13;
THE WORLD OF DREAMS. By H. HAVELOCK ELLIS.&#13;
288 pp. Boston: Houghton, Mifflin. $2 n.&#13;
CLIFF CASTLES AND CAVE DWELLINGS OF EUROPE. By&#13;
the Rev. S. BARING-GOULD. 319 pp. Philadelphia:&#13;
Lippincott. $3.50.&#13;
THE COMMONSENSE COLLECTOR: A Handbook of Hints&#13;
on the Collection and the Housing of Antique Furniture.&#13;
With 52 Illustrations. By F. FRANKFORT MOORE.&#13;
220 pp. New York : Doran. $3.&#13;
ORIENTAL CAIRO. By Douglas SLADEN. 417 pp.&#13;
Philadelphia : Lippincott. $5 n.&#13;
POETRY&#13;
THE COLLECTED POEMS OF MAURICE BARING. By the&#13;
Hon. MAURICE BARING. 236 pp. New York : Lane.&#13;
$1.30 n.&#13;
THE GREAT COMPANIONS. By H. BRYAN BINNs. 96 pp.&#13;
New York: Huebsch. $1 n.&#13;
SCIENCE.&#13;
EXTINCT MONSTERS AND CREATURES OF OTHER DAYS:&#13;
A Popular Account of some of the Larger Forms of&#13;
Ancient Animal Life. By the Rev. H. N. HUTCHINSON.&#13;
New York : Appleton. $3 n.&#13;
SCIENCE FROM AN EASY CHAIR. By Sir EDWIN RAY&#13;
LANKESTER. With 84 illustrations. 423 pp. New&#13;
York : Macmillan. $1.75 n.&#13;
SOCIOLOGY.&#13;
THE HISTORY OF TRADE UNIONISM. By SIDNEY and&#13;
BEATRICE WEBB. 558 pp. New York : Longmans. $2.&#13;
SPORT.&#13;
MODERN DEVELOPMENT OF THE DRY FLY; THE NEW&#13;
DRY FLY PATTERNS ; THE MANIPULATION OF DRESS-&#13;
ING THEM; AND PRACTICAL EXPERIENCES OF THEIR&#13;
USE. By FREDERIC HALFORD. 220 pp. New York :&#13;
Dutton. $5 n. Edition de luxe, large paper. With&#13;
nine plates of sample fies, i levant. $50 n.&#13;
TR. C. R. L. FLETCHER and Mr. Rudyard&#13;
| Kipling have written a new school History&#13;
of England from the earliest times to 1911.&#13;
The prose narrative is the work of Mr. Fletcher,&#13;
and Mr. Kipling contributes twenty-three new&#13;
poems, specially written to illustrate periods and&#13;
episodes in the tale. There are as many pictures&#13;
as poems-in colour and in black and white-&#13;
drawn by Mr. Henry Ford, and seven maps. The&#13;
volume will be publishea&#13;
volume will be published at a very low price by&#13;
the Oxford University Press in a few weeks'&#13;
time.&#13;
Messi's. Wyman &amp; Sons have published the&#13;
second part of the “ Year:book of the Reign of&#13;
King Edward the Third,” under the editorship of&#13;
Mr. Luke Owen Pike. The present volume com-&#13;
pletes the Rolls series of year-books extending&#13;
(in fifteen volumes) from the eleventh to the&#13;
twentieth year of the reign, inclusive. In the&#13;
introduction the editor has traced the beginning&#13;
and development of the year-books (law reports&#13;
in French) and has shown their relation to legal&#13;
and social history in connection with other sources&#13;
of information.&#13;
Miss Grace Toplis's little plays for amateurs in&#13;
schools and villages, after flourishing for twenty-&#13;
five years, are still in large demand. They are being&#13;
reissued by the publishers, Messrs. George Gill &amp;&#13;
Sons, with the addition of a pageant specially&#13;
written for the coronation, and entitled “The Five&#13;
Georges.”&#13;
In his new novel “ John Verney,” Mr. Vachell&#13;
gives a vivid picture of the political life of to-day,&#13;
introducing the characters of “ The Hill," and&#13;
the same theme, the eternal struggle between good&#13;
and evil. Mr. John Murray is the publisher.&#13;
Mr. J. W. Hollingsworth has published, through&#13;
Messrs. Minchin &amp; Gibbs, a poem entitled “Engle-&#13;
side Towers."&#13;
"A Holiday in South Africa" is the title of a&#13;
book by Sir H. Mortimer Durand which Messrs.&#13;
William Blackwoods &amp; Sons have published. The&#13;
&#13;
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## p. 218 (#296) ############################################&#13;
&#13;
218&#13;
THE AUTHOR.&#13;
book consists of a series of sketches written during Mr. W. L, Courtney who has hitherto been&#13;
a visit to South Africa in order to see the country known to the public as editor, dramatist, poet and&#13;
and to watch on the spot the progress of the critic, is shortly to appear as novelist, Messrs.&#13;
movement which has now resulted in the birth of Chapman and Hall announcing the publication of&#13;
a new nation.&#13;
his first novel, which will be called, “In Search of&#13;
The Shakespeare Press, Stratford-on-Avon, have Egeria.”&#13;
just published a Shakespeare bibliography com-&#13;
DRAMATIC.&#13;
piled by Mr. William Jaggard. It contains on its&#13;
730 pages 6,000 distinct entries and references, Mr. Matheson Lang is including in his repertoire&#13;
including many hitherto unrecorded editions, with for his tour in South Africa Mr. Rafael Sabatini's&#13;
thousands of illustrated notes and extracts. It play “Bardelys the Magnificent," founded on his.&#13;
gives minute details and available locations of novel of that name. Messrs. Stanley Paul &amp; Co.&#13;
every known issue of Shakespeare's writings, also are the publishers of the novel, of which a 1s.&#13;
of every article of Shakespearean comment, and edition has been issued.&#13;
all engraved Shakespeare portraits, with market The Bernard Shaw Season at the Criterion&#13;
values of the rarer entries. There are also Theatre commenced on May 18, when Mr. Shaw's&#13;
many references to incidental Shakespearean “Arms and the Man” was re-staged. In the cast&#13;
actors, actresses, biographers, celebrations, editors, were Mr. Arnold Daly, Miss Margaret Halstain,&#13;
festivals, manuscripts, monuments, translators, Mr. Dawson Millward, and Miss Geraldine Oliffe.&#13;
societies, theatres, &amp;c. The volume is illustrated Other of Mr. Shaw's plays will be produced during&#13;
with thirty facsimiles, portraits, and other appro- the season.&#13;
priate plates.&#13;
Messrs. Doubleday, Page &amp; Co., Garden City,&#13;
New York, have acquired the option upon the&#13;
American rights of a story upon which Mrs.&#13;
PARIS NOTES.&#13;
Janet Macdonald Clark, author of “ The Bourgeois&#13;
Queen of Paris,” is now engaged.&#13;
Morgan Douglas (the pseudonym of a Scottish&#13;
TE have just returned from the terrible&#13;
lady resident in France) has written a booklet&#13;
tragedy of the Paris - Madrid aviation&#13;
entitled “ A Corner of the Garden of France." It&#13;
fête. For miles and miles all available&#13;
deals descriptively and historically with the district&#13;
places were thronged with people. Trees, telegraph&#13;
lying around Loches, in the province of Touraine,&#13;
posts, the roofs of houses and even the tops of the&#13;
an historic town in an historical region. The&#13;
trains were all utilized by the gay, good-humoured&#13;
publishers are Reymond, Loches &amp; Périeat, Tours.&#13;
The price is 1f. 50c. (1s.)&#13;
spectators. The first aviators mounted with admir-&#13;
able dexterity and ease, and as each one passed over&#13;
Mr. Werner Laurie is just publishing “ The&#13;
Mystic Bride: a Study of the Life of Catherine of&#13;
our heads was greeted with ringing cheers. The&#13;
people for miles round on every vantage ground&#13;
Siena," by Mrs. Aubrey Richardson. The book,&#13;
awaited in vain the fifth one. With marvellous speed&#13;
which will be fully illustrated, will be issued at&#13;
128. 6d. net.&#13;
the news of the terrible accident travelled miles in&#13;
We understand that a new magazine called&#13;
every direction, and with one accord the thousands&#13;
and thousands of people who only a few minutes before&#13;
The Blackpool Magazine is appearing early this&#13;
had been cheering so lustily, now turned away from&#13;
month under the editorship of Mr. Allen Clarke.&#13;
the theatre of the accident and wended their way&#13;
The new magazine will be published from Black-&#13;
homewards. The printed supplements of two or&#13;
pool, will appear monthly, and will be sold at 4d.&#13;
Messrs. J. M. Dent &amp; Sons are to publish&#13;
three newspapers were already in the streets before&#13;
numbers of the spectators in the far distance had&#13;
during the month a volume of poems, with the&#13;
title “The Crucibles of Time."&#13;
comprehended.&#13;
Messrs. Mills and Boon are publishing “The&#13;
Story of the British Navy,” by E. Keble Chatterton. One of the French literary prizes has been&#13;
In this book, the author of "Sailing Ships," aims awarded to Constantin Photiadès for his book&#13;
at telling in non-technical language the story of on “George Meredith.” It is an admirable study&#13;
the British Navy from the earliest times up to the of the English author and of his work.&#13;
present day. In addition to the historical detail M. Photiadès visited George Meredith at Box&#13;
contained in the book, there are stories of sea fights Hill, and the latter confided to him his horror of&#13;
and adventures. Messrs. Mills and Boon are the modern “ interviewer." He explained that the&#13;
the publishers of the book which contains fifty fashion of interviewing everyone had come to&#13;
illustrations in colour.&#13;
England from America, and that English reporters&#13;
T&#13;
&#13;
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## p. 219 (#297) ############################################&#13;
&#13;
THE AUTHOR.&#13;
219&#13;
PHIM&#13;
now copied the brutally rough way of acting of the been founded in Paris, it is curious to meet with&#13;
Cow-boys and rough-riders of the press, and fondly this history of “a cosmopolitan actor " who was&#13;
believed that their sans-gêne was force.&#13;
such an excellent Shakespearean, and to find that&#13;
As to journalists, Meredith declared that a young he was of French, Irish, and English extraction.&#13;
author only had two courses open to him. He The writer of this volume gives us many interest-&#13;
must either shun journalists or be diplomatic with ing details with regard to the acting and talent of&#13;
them, and he confessed that critics gave him goose Garrick. He tells us of his first journey to France,&#13;
flesh. Only the bare outline of Meredith's life is of the friends he made in the French capital, of his&#13;
given, his biographer endeavouring, as far as life there and of his correspondence later on with&#13;
possible, to explain by atavism the characteristic many celebrities of his time. There are also many&#13;
traits of the great novelist.&#13;
curious details with regard to various translations&#13;
The story of his literary career, the long up-hill and adaptations of Shakespeare.&#13;
struggle, the time when his masterpieces were un- In the midst of these most prosaic days, the&#13;
read and when Mudie's Library refused “The French seem to have taken refuge in poetry,&#13;
Ordeal of Richard Feverel,” all this seems Matinées devoted to poetry are greatly in vogue.&#13;
incredible now.&#13;
The review La Poétique, under the direction of&#13;
M. Photiadès goes on to analyse some of his M. Saint Chamarand and M. E. Gignoux, gives&#13;
works, criticising, explaining, and comparing in a one of these matinées every week. Quite recently&#13;
way that shows how thoroughly he has studied his we have heard Jean Rameau, Jules Bois, the&#13;
subject. He devotes a whole chapter to George Duchesse de Rohan, and many other poets recite&#13;
Meredith's imagination, another one to his art, their verses there. The Duchessé de Rohan gave&#13;
another to his doctrine, and by way of conclusion two very delightful matinées of this kind last&#13;
he tells us that the author of “The Egoist " will month. Hélène Vacaresco recited some of her&#13;
ever be read by posterity, and that by posterity he latest poems and Mme. Jules Martin two or three&#13;
means the “imperishable élite of every generation of Mme. Alphonse Daudet's later ones.&#13;
from one century to another.”&#13;
Mme. Judith Gauthier has just published an&#13;
“ Silhouettes Historiques,” by the Marquis de exquisite volume of “ Poésies,” and M. Jean&#13;
Ségur, is a volume containing a series of short Monval has published a volume of Sonnets et&#13;
historical sketches, many of which have been Poems, by his uncle the late François Coppée.&#13;
treated more fully by authors who are introduced The volume is entitled “ Sonnets inédits et Poèmes&#13;
to us by the compiler of this volume. Among the inédits,” and is a collection of poems composed&#13;
titles of the various chapters are: “Le Louis XIII. between 1862 and 1908.&#13;
de l'Histoire," "Le Médecin du Grand Condé," The Revue hebdomadaire is continuing its excel-&#13;
- Les Etapes d'une faniille sous l'ancienne lent series of articles on the different ministries..&#13;
monarchie," “ Les Filles de Louis XV.," “ La It has given the “ Ministères de la Marine," " de&#13;
vraie Madame du Barry," " Les Déboires d'un la Guerre," “ de l'Intérieur," “ Postes et&#13;
héros,” etc.&#13;
Telegraphes," and the “Ministère du Travail."&#13;
“Souvenirs sur Guy de Maupassant," by Maurice Donnay has now completed his ten&#13;
François, his valet de chambre (1883–1893). lectures on Molière, which have all been reproduced&#13;
In these days, when the literary works of an in this review, and Emile Ollivier writes on “ La&#13;
author do not suffice for the public, it is advisable Légende de la Preparation Militaire.”&#13;
for literary men to provide themselves with At the Comedie-Française “ Le Goût du Vice”&#13;
domestics capable of writing their biographies. by Henri Lavedan is being given with great success.&#13;
Guy de Maupassant seems to have been singularly It is a play in four acts, and is greatly belied&#13;
fortunate in having a devoted attendant, who in by its title. It is an extremely literary and&#13;
his spare time took notes, some of which are dis- brilliant piece with all the sparkling witty dialogue&#13;
tinctly interesting. On the other hand, very to which this author has accustomed us.&#13;
many of the details contained in this volume seem The Odéon has been extremely active this winter,&#13;
decidedly superfluous. One is inclined to overlook and among its new pieces we have had “ Mère"&#13;
all faults though, when we are told that the by Dick May, “ Maud " by M. Lecomte de Nouy,&#13;
compiler of this little work wished to show that “Rivoli ” by M. René Fauchois, “La Lumière"&#13;
his master, besides being a man of great talent, by M. Georges Duhamel, and “ Vers l'Amour " by&#13;
was kind-hearted, straightforward, and loyal in the M. Léon Gandillot.&#13;
highest degree.&#13;
At the Renaissance “ La Gamine," a four-act&#13;
“David Garrick et ses amis Français,” by F. A. play by M. M. Pierre Veber and Henry de Goisse&#13;
Hedgcock, is an extremely interesting book and is has been drawing a crowded house.&#13;
published at a most opportune moment. Just as The new society formed with a view to putting&#13;
The Shakespearean or, rather, “ Ariel League ” has on more wholesome plays, “Les Amis de l'Art&#13;
&#13;
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## p. 220 (#298) ############################################&#13;
&#13;
· 220&#13;
THE AUTHOR.&#13;
Dramatique,” gave a gala performance at the Maurice Hewlett George Gilbert Murray&#13;
Renaissance Theatre. The profits were for the Henry James&#13;
Henry Newbolt&#13;
Society for the Preservation of the French William Paton Ker Edward Henry Pember&#13;
Churches, founded by Maurice Barrès, and two Andrew Lang&#13;
Sir Arthur Wing Pinero&#13;
plays were given, “ Au Clocher ” by M. de Nion, Sir Alfred Comyn George Walter Prothero&#13;
and the other “Le Médecin de Campagne" by Lyall&#13;
Walter Raleigh&#13;
Henry Bordeaux.&#13;
John William Mackail Arthur Woolgar Verrall&#13;
Madame Le Roy Liberge is taking a very Thomas Sturge Moore George Wyndham&#13;
active part in this movement, and a series of Viscount Morley&#13;
William Butler Yeats.&#13;
excellent critical lectures is being given on the new&#13;
plays by M. Jacques Duval.&#13;
PROVINCE AND DUTIES.&#13;
M. Camille de Sainte-Croix gave a gala perform- 1. To take all possible measures to maintain the&#13;
ance of the “Merchant de Venice" by his Com purity of the English language, and to hold up a&#13;
pagnie française du Théâtre Shakespeare, for the standard of good taste in style&#13;
benefit of the Ligue Ariel and the monument&#13;
2. To encourage fellowship and co-operation&#13;
Beethoven. It is estimated that over 3,000 among those who are disinterestedly striving for the&#13;
persons were present. The Recteur of the Sor-&#13;
perfection of English literature.&#13;
bonne gave orders for posters to be put up in the 3. By discourses of reception, and obituary&#13;
Lycées or public colleges. The Duchess Rohan addresses to mark the current of literary history in&#13;
and the Dowager Duchess d’Uzes each had&#13;
this country.&#13;
boxes, and the English Ambassador and Bishop&#13;
4. To recommend the names of persons fitted to&#13;
Ormsby, the Chaplain of the Embassy, bave joined receive the medals of the society.&#13;
this Shakespeare Committee. Marc Helys, author 5. To make awards of merit to particular literary&#13;
of “ Le Jardin Fermé,” has consented to be Italian&#13;
works.&#13;
correspondent for the Ariel League. Mlle. Cruz,&#13;
RULES.&#13;
daughter of the late Minister of Guatemala, and&#13;
poetess herself, correspondent for South America. 1. Elections to the Academic Committee shall be&#13;
An outdoor Shakespearean play is to be organised made as follows :—Whenever it is resolved by the&#13;
for the month of Jūne, and it is probable that the Academic Committee to elect new members, every&#13;
French Shakespeare Company will then start on candidate must be proposed and seconded in writing,&#13;
a tournée, and may possibly begin its foreign tour and every such nomination must be read at a meeting.&#13;
in England.&#13;
Any member of the Academic Committee can pro-&#13;
ALYS HALLARD. pose or second a candidate. The election thereafter&#13;
shall be by ballot through the post, and only one&#13;
“ George Meredith " (Armand Colin).&#13;
candidate shall be elected at one time. A candi-&#13;
" Silhouettes Historiques" (Calmann Lévy).&#13;
date to be elected must have an absolute majority&#13;
“ David Garrick et ses amis Français " (Hachette).&#13;
of votes.&#13;
“ Poésies" (Fasquelle).&#13;
2. Not fewer than four ordinary meetings of the&#13;
Academic Committee shall be held each year.&#13;
Special meetings shall also be held at such times&#13;
ACADEMIC COMMITTEE.&#13;
as may be recommended by the General Purposes&#13;
Committee, or at the recommendation of any three&#13;
members of the Academic Committee.&#13;
W E have much pleasure in publishing herewith&#13;
3. A General Purposes Committee of not more&#13;
the list of members of the Academic Com-&#13;
than five members shall be appointed annually to&#13;
mittee so far elected, their province and&#13;
watch for occasions on which the Academic Com-&#13;
duties, and the rules that will guide their actions.&#13;
mittee may fitly take action, and to report to the&#13;
We regret, however, to announce that since&#13;
Academic Committee on any matters which they&#13;
this list was issued two vacancies have been caused&#13;
think it desirable to bring before them. Any two&#13;
on account of the deaths of Sir Alfred Comyn&#13;
members of the General Purposes Committee may&#13;
Lyall and Mr. Edward Henry Pember, K.C.&#13;
call upon the secretary to summon a meeting of&#13;
Alfred Austin&#13;
William John Courthope that committee. The quorum to be always three.&#13;
Arthur Christopher Austin Dobson&#13;
4. A sub-committee of three members shall be&#13;
Benson&#13;
Edward Dowden&#13;
appointed annually to select from time to time one&#13;
Laurence Binyon James George Frazer or more persons who, or one of whom, shall be&#13;
Andrew Cecil Bradley Edmund Gosse&#13;
appointed by the Academic Committee to deliver&#13;
Robert Bridges&#13;
Richard Burdon Haldane any such address as is contemplated in section 3 of&#13;
Joseph Conrad&#13;
Thomas Hardy&#13;
province and duties.&#13;
;non&#13;
&#13;
&#13;
## p. 221 (#299) ############################################&#13;
&#13;
THE AUTHOR.&#13;
221&#13;
5. Any three members of the Academic Com- a money order for $1.00 (entry fee) should be sent&#13;
mittee may propose the name of a book or an author in the same parcel. The law provides that post-&#13;
as deserving public recognition by the committee, masters to whom are delivered the copies to be&#13;
and any such proposal shall thereon be referred for deposited shall, if requested, give à receipt&#13;
report to a sub-committee appointed for that therefore, and shall mail them to their destination&#13;
purpose.&#13;
without cost to the copyright claimant.&#13;
Address : The Register of Copyrights, Copyright&#13;
Office, Library of Congress, Washington, D.C.&#13;
DRAMATIC RIGHTS IN AMERICA.&#13;
THORVALD SOLBERG,&#13;
Register of Copyrights.&#13;
DRAMAS.&#13;
Instructions for securing copyright registration&#13;
MAGAZINE CONTENTS.&#13;
under the new law.&#13;
M HE new copyright law effective on July 1,&#13;
BLACKWOODS.&#13;
1909, abrogates the former statutory A Mystery of Dickens. By Andrew Lang.&#13;
provisions permitting the filing of the title About Marie-Claire. By Alfred Noyes.&#13;
of a dramatic composition in advance of the&#13;
BOOKMAN.&#13;
deposit of complete copies of the composition.&#13;
Under the new law copyright registration may&#13;
The English Bible. By Thomas Seccombe.&#13;
be secured for a dramatic or dramatico musical com-&#13;
CONTEMPORARY.&#13;
position by taking the following steps :-&#13;
Antonio Fogazzaro. By Dora M. Jones.&#13;
If the work is reproduced in copies for sale, two Programme Music By George Lilley.&#13;
copies of the best edition published should be&#13;
The Gardens of Chaucer and Shakespeare.&#13;
sent to the Copyright Office, Washington, D.C.,&#13;
CORNHILL.&#13;
promptly after publication, together with an&#13;
Charlotte Brönte's Street in Brussels. By Gerald&#13;
application for registration and a money order for Cumberland.&#13;
$1.00, payable to the Register of Copyrights, to The Scottish Homes and Haunts of Robert Louis&#13;
cover the statutory fee for registration. Use for&#13;
Stephenson. By Flora Masson.&#13;
Charles Dickens. By G. W. E. Russell.&#13;
this purpose application form “ D. 1."&#13;
Sir Walter Scott. By Andrew Lang.&#13;
If the work is afterwards reproduced in copies&#13;
for sale, two copies of the best edition published&#13;
FORTNIGHTLY.&#13;
should also be deposited promptly after publication&#13;
The Englishman in 18th Century French Comedy. By&#13;
with application for second registration and fee,&#13;
Prof. Gerothwohl and J. W. Eaton.&#13;
Post Impressionism. By Roger Fry,&#13;
as above. Application forms are supplied by this&#13;
Thackeray as Historian. By Walter Sichel.&#13;
office upon request.&#13;
The Copyright Bill, 1911. By G. Herbert Thring.&#13;
The Religious and Moral Status of Wagner. By Vernon&#13;
NOTICE OF COPYRIGHT.&#13;
NATIONAL.&#13;
The law requires a notice of copyright to be The Portraits of Carmontelle. By Austin Dobson.&#13;
affixed to each copy published or offered for sale in Why I Ceased to be a Dramatic Critic. By X.&#13;
the United States. The notice required by law&#13;
NINETEENTH CENTURY.&#13;
In the case of pubnsned aramas consists. either. Our Debt to Latin. Poetry as Distinguished from&#13;
the word “ Copyright” or the abbreviation Greek. II. Poetry of the Silver Age. By R. T. Tyrrell.&#13;
* Copr. ” accompanied by the name of the copy-&#13;
right proprietor and the year in which the copy-&#13;
right was secured by publication. The notice&#13;
SCALE FOR ADVERTISEMENTS.&#13;
should appear upon the title page or the page&#13;
immediately following.&#13;
[ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
FEES.&#13;
Front Page&#13;
Other Pages ... ... ... ... ... ... ... ... 3 0&#13;
Hall of a Page ...&#13;
The statute fixes the fee for registration of a&#13;
... ... 1 100&#13;
Quarter of a Page&#13;
... O 15 0&#13;
dramatic composition at $1.00, which includes the Eighth of a Page&#13;
Single Column Advertisements&#13;
per inch 0 0 0&#13;
cost of a certificate of registration under seal.&#13;
Reduction of 20 per cent, made for a Series of Six and of 25 per cent. for&#13;
Such certificate “ shall be admitted in any court as&#13;
Twelve Insertions.&#13;
prima facie evidence of the facts stated therein."&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
The work, the application for registration and BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
Lee.&#13;
£4 0 0&#13;
...&#13;
...&#13;
...&#13;
...&#13;
**&#13;
***&#13;
0&#13;
7&#13;
6&#13;
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## p. 222 (#300) ############################################&#13;
&#13;
222&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
.T VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
act should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. “It is above all things necessary to know&#13;
what the proposed rovalt:&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for ‘an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author,&#13;
IV. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author." We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
LTERE are a few standing rules to be observed in an&#13;
u agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 223 (#301) ############################################&#13;
&#13;
THE AUTHOR.&#13;
223&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case..&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
.very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
M branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 2s.6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane or be sent by registered&#13;
letter only.&#13;
&#13;
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## p. 224 (#302) ############################################&#13;
&#13;
224&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
COLONIAL MARKETS.&#13;
ADHESION OF PORTUGAL TO THE BERNE&#13;
The marketing of Colonial rights presents some&#13;
CONVENTION.&#13;
extraordinary facts. Although the Colonial markets&#13;
By a note, dated March 29, 1911, M. Alb. are vast and growing larger every day, yet the&#13;
d'Olviera, Envoy Extraordinary, and Minister&#13;
sale of English books in all the Colonies put&#13;
Plenipotentiary of Portugal, in Switzerland, has&#13;
together seldom reaches the amount of copies&#13;
notified to the Swiss Federal Council that the&#13;
sold in England. We pointed out how dangerous&#13;
Provisional Government of the Portuguese Republic&#13;
the American book-agent had proved himself as&#13;
has decided. for Portugal and its Colonies. to a competitor in Canada and Australia ; how he&#13;
adhere to the Convention of Berne (as revised on&#13;
usurped those markets and, naturally, pushed&#13;
November 13, 1908) for the protection of literary&#13;
the sales of the works of American authors. It&#13;
and artistic property.&#13;
seemed that there were two main causes for this&#13;
This adhesion takes effect from March 29,&#13;
result : (1) the lack of enterprise on the part of&#13;
1911.&#13;
Colonial publishers who wait till the books are&#13;
Regarding contributions to the expenses of the brought to them. rather than make an effort to&#13;
International Bureau, Portugal has requested to be&#13;
secure the Colonial rights for themselves direct&#13;
ranked in the third of the classes arranged by&#13;
from the authors; and (2) the lack of enterprise&#13;
article 23 of the Convention.&#13;
on the part of English publishers who, snatching&#13;
every right they possibly can from the author,&#13;
neglect to market those rights to their full extent,&#13;
caring little for the author's reputation and pros-&#13;
COMMERCIAL EDITORS..&#13;
perity so long as they recover the money they have&#13;
put into the book, and turn over a fair percentage.&#13;
THERE is a growing tendency on the part of the&#13;
The publishers naturally repudiate these state-&#13;
editors of the more commercial popular magazines ments and try to explain the labour and expense to&#13;
to cheapen unduly the work of authors who are which they are willing to go to obtain a sale in the&#13;
not very widely known. Several instructive experi- Colonies.&#13;
ences have come under our notice and these, for&#13;
II.&#13;
the benefit of the craft, ought to obtain publicity.&#13;
An author of some reputation, but moderate vogue, To show how true our conjectures have been&#13;
received an offer of five guineas for a story of quite we relate with some chagrin the experience of a&#13;
four thousand words. In a rash moment, thinking member of the society who has taken much interest&#13;
to secure a “connection," he agreed. For the next in these issues. Last year he published a book and&#13;
MS. of the same length he was offered three gave the American publishers the Canadian rights :&#13;
guineas, and was told that the editor was not very the latter copyrighted the book in Canada, and.&#13;
keen on the story, but if it were given at the sum although the sales in that country were, he con.&#13;
named, an effort would be made to use it. Not fesses, not enormous, the American publishers sold&#13;
being pressed for money, and regretting his initial more than the English publishers could sell in&#13;
folly, the author refused, and said that in future he England. He did not transfer the Australian rights&#13;
would not sell for less than two guineas per to the American publishers, although they asked&#13;
thousand, a rate which he has no difficulty in for them. An Australian jobber sent to the&#13;
obtaining elsewhere. From that day he has been American publishers an order for seven hundred&#13;
unable to find acceptance with the editor in ques- and fifty copies which, of course, the American pub-&#13;
tion. Soon after, he obtained satisfactory terms lishers could not fulfil. The author concludes with&#13;
for the same MS. from an old-established journal. some bitterness, “ The net result to me is that by&#13;
In another instance an author who offered a story upholding the English publisher I have lost not&#13;
of more than four thousand words received to only some small return in loyalties, but, what is&#13;
proposal of five guineas for all rights ! He was more important to me, the excellent opening in&#13;
fortunately, a man of long practical experience in Australia along with the chante of becoming better&#13;
editorial work, and knew the ways of the “ market” known to the public there."&#13;
thoroughly, but his pen-name doubtless led the The conclusion seems clear that it may become&#13;
editor to imagine that he was dealing with a worth the while of English tuthors not only to&#13;
beginner and a greenhorn. These sidelights are secure the American copyright, but to transfer to&#13;
not without their own humour, but they also the American publisher the Ausralian, New Zealand&#13;
indicate a tendency which writers are bound to and Canadian rights. Thoughwe should desire all&#13;
combat.&#13;
authors to be patriotic, yet it is asking too much of&#13;
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## p. 225 (#303) ############################################&#13;
&#13;
THE AUTHOR.&#13;
225&#13;
them at the same time to give up a great portion of&#13;
their livelihood. Our correspondent informs us that&#13;
the American house, besides giving over the English&#13;
rights in the illustrations done by a well-known and&#13;
expensive man, also offered, as a gift, the complete&#13;
stereos of the same.&#13;
Cannot the English publisher really put some&#13;
more energy into the Colonial markets, which,&#13;
though they may not pay him in 1911 or 1912,&#13;
may, if fairly dealt with, bring him in his largest&#13;
circulation in 1920.&#13;
Unless by that time the United States are&#13;
dealing with all the Colonial markets.&#13;
their utmost to lay hold of these rights. What&#13;
happens is this. The English dealers obtain all&#13;
the serial rights from authors, and then sell to the&#13;
American magazines at a price which pays the&#13;
English dealers exceedingly well, underselling the&#13;
American market. The dealer thereby gets the&#13;
profit instead of the author. It does happen also,&#13;
sometimes, that an American editor who might&#13;
not be entirely patriotic, adopts a similar plan,&#13;
coming direct to the author and offering him a&#13;
sụm for the American use of his work which,&#13;
though considerably in advance of the price the&#13;
author might receive in England, does not reach&#13;
as high as the price which would have been made for&#13;
American work. This ought to be for the benefit&#13;
of the English author, but while agents will not&#13;
take the trouble to secure the American market,&#13;
and while, in a good many cases, they consent to&#13;
transfer these minor rights to the publisher, the&#13;
English author is not likely to benefit. Again, we&#13;
should impress upon the English author that if he&#13;
works off his rights through an agent he must see&#13;
that the agent is well up to his business ; he&#13;
must see that the agent makes every effort to&#13;
obtain the American serial and book rights before&#13;
he places the English serial and book rights, and&#13;
he must see also that the agent does not slack off&#13;
in his efforts merely because it is harder, and there-&#13;
fore, brings him in less profit, to place work in&#13;
America than in England.&#13;
AGENTS AS PRINCIPALS.&#13;
We should like once more to put before our&#13;
members the danger arising from placing work in&#13;
the hands of those agents who undertake from time&#13;
to time to deal with work as principals. “Once&#13;
an agent always an agent” ; this should be the&#13;
established motto.&#13;
We do not discuss the question of an agent&#13;
who, knowing he can sell an author's work for&#13;
a certain price, turns to the author and says “I&#13;
will purchase this from you," and then, having&#13;
purchased, pockets the difference ; but we take the&#13;
case merely of an author's agent who has a con-&#13;
siderable amount of copyright property of his own&#13;
which he has purchased. He will, naturally, desire&#13;
to sell this in preference to the work of the authors&#13;
for whom he acts, and again, may be tempted,&#13;
when he receives anything particularly good from&#13;
an author, to offer to purchase it-not because he&#13;
has any special market at the moment where he&#13;
knows he can sell at a profit, but because he knows&#13;
from his experience that a handsome profit can be&#13;
obtained. If, therefore, an agent offers to pur-&#13;
chase outright from an author, the author should&#13;
at once look upon that offer with considerable&#13;
suspicion, and should be exceedingly careful of the&#13;
agent's dealing in the future. If these instances&#13;
had not arisen from time to time there would be&#13;
no need to warn authors against them, but, un-&#13;
fortunately, both dramatic and literary agents yield&#13;
to the temptation to act as principals, and it is only&#13;
right that authors should be made aware of the&#13;
dangers.&#13;
CHEAP BOOKS AND THE U. S. A. MARKETS.&#13;
An American correspondent writes as follows :&#13;
" The book market seems to be taking a trend towards&#13;
the state of affairs in England. The output of mediocre&#13;
novels is appalling, and they seem to sell at an average&#13;
about 1,500 copies. A number of English books are put on&#13;
the market by English publishers who get all rights'&#13;
from an ignorant client, and these are offered to publishers&#13;
here at as little as $100 ; which the English publisher&#13;
of course pockets as found money. A book, fairly&#13;
well adapted to American tastes and well published, can&#13;
count on a sale of from 6,000 to 8,000 copies at $1.50, and&#13;
if the cheap edition publishers take it up they will pay&#13;
the usual five cent. royalty on from 15,000 to 20,000&#13;
copies. The worst seller of the so-called six best sellers&#13;
should, I am told, bring in royalties on about 40,000 copies&#13;
of the $1.50 edition. And the best anything between&#13;
100,000 and 200,000,&#13;
“The cheap edition is threatening to scuttle the higher-&#13;
priced one, especially as even the best seller cannot count&#13;
on a year of life.&#13;
It is quite clear that this issuing of cheap&#13;
editions will, if it is not very carefully watched,&#13;
kill the author's remuneration and fill book shops&#13;
to such an extent that no space-room will be left.&#13;
The Committee of the Society of Authors have&#13;
warned authors over and over again against&#13;
yielding to the temptation of the cheap edition&#13;
SERIAL RIGHTS IN THE UNITED STATES&#13;
OF AMERICA.&#13;
The fact that English authors get much less for&#13;
their serial work in England than in America is&#13;
becoming known not only to the astute English&#13;
dealers but also to American jobbers. Perhaps it&#13;
is for this reason that we see the publishers trying&#13;
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## p. 226 (#304) ############################################&#13;
&#13;
226&#13;
THE AUTHOR.&#13;
until their book has had three years' run at least;&#13;
indeed, the longer an author can stop the issuing&#13;
of his book in a cheap edition the more likely&#13;
he will be to bave a success for his subsequent&#13;
novels, but we are afraid too often £25 in the&#13;
hand is better than £100 in the bush. The French&#13;
market has already suffered tremendously from this&#13;
cheapening process. In consequence, only those&#13;
authors who can be certain of an enormous circu-&#13;
lation can get put forward at the publishers'&#13;
expense, and as an enormous circulation very often&#13;
does not go to the producer of the highest literature&#13;
till after thirty or forty years' struggle, and some-&#13;
times not even then, the cheap edition really&#13;
means, to a certain extent, depriving the public&#13;
of the highest and best in the world of letters.&#13;
MEMORIAL PORTRAIT OF THE LATE MRS. FLOWER&#13;
OF AVONBANK, STRATFORD-UPON-Avon.&#13;
On Monday, April 24, St. George's Day falling&#13;
this year on a Sunday, there was handed over to&#13;
the Governors of the Shakespeare Memorial at&#13;
Stratford-upon-Avon a portrait of the late Mrs.&#13;
Flower of Avonbank.&#13;
To Mr. and Mrs. Charles Edward Flower, in&#13;
chief, we owe the Memorial Theatre in Shakes-&#13;
peare's native town, to which they devoted money&#13;
and care without stint. But no portrait of her&#13;
existed. With the help of photographs, Mr. Frank&#13;
Carter painted, from memory, the present picture&#13;
which is considered an excellent likeness, besides&#13;
its qualities as a work of art. It was subscribed&#13;
for and presented exclusively by those who had&#13;
known Mrs. Flower personally. On the same&#13;
occasion of the meeting of the Governors, a mural&#13;
plaque, of beaten copper, designed to commemorate&#13;
Mr. and Mrs. Flower, was deposited in the library,&#13;
eventually to be fixed on the house of Avonbank,&#13;
which, under the terms of her will, became the&#13;
property of the Governors. The beaten work of&#13;
this introduces the Monstera Delisciosa, a large&#13;
variety of the arum lily, which Mrs. Flower, who&#13;
took a great interest in botany, reared in the palm-&#13;
house at Avonbank.&#13;
Mrs. Flower was the third daughter of Peter&#13;
Martineau, of Highbury, London.&#13;
administrator, and scholar, there was the rare and&#13;
enviable combination of man of action and man of&#13;
letters.&#13;
Probably only a few members of our Society know&#13;
what large part Sir Alfred Lyall played in events&#13;
now historical. Born in 1835, he went to Eton at&#13;
the age of ten, and in 1853 to Haileybury. He&#13;
entered the Bengal Civil Service in 1856, the vear&#13;
before the terrible time of the Mutiny, in the sup-&#13;
pression of which, as a member of the Volunteer&#13;
Cavalry, he did heroic work. From that event&#13;
onwards his record was one of continuous service&#13;
in India in advancing grades until he reached the&#13;
position of Lieutenant-Governor of the North-&#13;
Western Provinces. His retirement from that&#13;
post was followed by fourteen years' service as a&#13;
member of the India Council. The results of his&#13;
administrative labours are writ large in the history&#13;
of British rule in India, but the details of these lie&#13;
outside the scope of this notice, the space allotted&#13;
to which is all too scanty to permit reference to&#13;
Lyall other than as philosophic essayist and poet.&#13;
No man knew the East au fond as he did ; and&#13;
never has there been a more accurate, incisive, and&#13;
sympathetic interpreter of Hindu beliefs and&#13;
customs. His bent of mind, reflective, tinged with&#13;
melancholy and steeped in uncertainty, found con-&#13;
genial employment in study of the great religions&#13;
which remain living forces ; factors so potent in&#13;
life that a man is known by his creed more than by&#13;
his race. There is not one India, but many Indias,&#13;
and the various religions are their boundaries. In&#13;
the districts where some of Lyall's work was centred&#13;
it was his fortune not only to measure the power&#13;
of ancient faiths, but to observe the continuous&#13;
merging of the lower in the higher. No hard and&#13;
fast dogmas, as in Western creeds, insulates the old&#13;
from the new; there goes on to-day the absorption&#13;
of barbaric conceptions by Brahmanism, the passage&#13;
of dead, sometimes of living, men into the ranks&#13;
of the deified, of ghosts into godlings to whom the&#13;
venerable faith accords a place in its pantheon, to&#13;
the retention of its own vitality. All this, and&#13;
much cognate thereto, Lyall has described in the&#13;
brilliant essays composing the two volumes of&#13;
“Asiatic Studies,” every page revealing what&#13;
appeal the magic and mystery of the East made to&#13;
his contemplative, speculative temperament, where-&#13;
from came hesitation to theorize, the more so as&#13;
the complexity and tangle of the materials were&#13;
borne in upon him. Lord Ripon is reported to&#13;
have said, and the remark has independent con-&#13;
firmation, that Sir Alfred Lyall saw so many sides&#13;
to a question that he rarely reached a definite&#13;
conclusion. “I am a born sceptic,” he would&#13;
often say, and the more coherent any theory&#13;
seemed, the more did he suspect its soundness, as,&#13;
for example, is seen in his criticism of Dr. Frazer's&#13;
SIR ALFRED COMYN LYALL&#13;
(1835–1911).&#13;
M HE brevity of the obituary notice of Sir Alfred&#13;
| Lyall, which was due to the occurrence of&#13;
- his death on the eve of the issue of the May&#13;
number of this journal, is warrant for supplemental&#13;
tribute to the memory of one in whom, as soldier,&#13;
&#13;
&#13;
## p. 227 (#305) ############################################&#13;
&#13;
THE AUTHOR.&#13;
227&#13;
“Golden Bough." If Montaigne's “Que sçais je ?" biography that he issues must be sold for &amp; guinea&#13;
is a fitting motto to “ Asiatic Studies," still more or two, or that a particular novel is a six-shilling&#13;
applicable is it to the “ Verses Written in India," book or a three-and-sixpenny one. He would be&#13;
some of the poems in which it was Sir Leslie regarded as an innovator of a somewhat startling&#13;
Stephen's delight to recite again and again ; poems kind if he declined thus to dictate to sellers and&#13;
whose keynote is struck in the opening stanza of buyers the price at which they must deal during the&#13;
“Meditations of a Hindu Prince" :&#13;
months or years of a book's effective existence, or&#13;
during a period arbitrarily fixed to cover that exist-&#13;
All the world over, I wonder, in lands that I never have&#13;
trod,&#13;
ence, but there is nothing but the prudence of a&#13;
Are the people eternally seeking for the signs and steps of business man to prevent him from doing so. The&#13;
a God?&#13;
question whether books should be freed from the&#13;
Westward across the ocean, and Northward across the&#13;
contract as to sale price which is now customary&#13;
snow,&#13;
Do they all stand gazing as ever, and what do the wisest&#13;
has been raised before, and it was discussed again&#13;
know?&#13;
at great length recently under the auspices of the&#13;
London Branch of the National Book Trade&#13;
A history of India worthy of the subject has yet&#13;
Provident Society in a debate opened by Mr. J. H.&#13;
to be written, but, once and for all, Lyall has told&#13;
Crocket, who invited those present to affirm by&#13;
the story of British conquest of, and, on the whole,&#13;
their votes “ that in the opinion of this meeting&#13;
beneficent rule over, the vast peninsula in his&#13;
it is desirable in the interests of the trade that the&#13;
“ Rise and Expansion of the British Dominion in&#13;
published price of books should be abolished.” He&#13;
India” in a manner showing that he had in him&#13;
met with considerable opposition from other&#13;
the makings of a great historian. His “Life of&#13;
speakers led by Mr. J. G. Wilson, and secured only&#13;
Lord Dufferin," published in 1905, had brief refer-&#13;
six votes at the close of the discussion, but the full&#13;
ence in the notice spoken-of above ; on a smaller&#13;
report of the arguments used, which will be found&#13;
scale, full of discriminating assessment of the poet's&#13;
in the Publishers' Circular of March 18, does not&#13;
place in Victorian literature, is his monograph on inform us how many were present to supply the&#13;
Tennyson. At the time of his death, which came majority against him. It will be observed that the&#13;
with the suddenness that he desired, he was pre-&#13;
terins of the motion considered only the interests -&#13;
paring an article on Edward FitzGerald, in whose&#13;
of the trade (presumably the retail booksellers,&#13;
paraphrase of Omar Khayyam's “Rubáiyát” are&#13;
exclusively or principally), but the question is one&#13;
thoughts and speculations to which his own were&#13;
obviously affecting authors and of interest to them&#13;
responsive. Nothing is said here, because nothing&#13;
even though it cannot be deemed at present to&#13;
can be communicated, concerning the ineffable&#13;
be within the range of “practical politics.”&#13;
charm of Sir Alfred Lyall in the intimacy of social&#13;
Reference has been made above to the fall report of&#13;
intercourse. His conversation and expression were&#13;
debate, and only the principal arguments are&#13;
marked by an old-world courtesy which is becoming&#13;
quoted or summarised below. Mr. Crocket was&#13;
a lost art; these, and all the kindred graces that&#13;
aware that his proposal would meet with opposition&#13;
attract a man to his fellows, were his full possession,&#13;
from many in the trade, but he submitted that&#13;
and their memory will abide till the end with those&#13;
perhaps they might not have considered the matter&#13;
who had the privilege and profit of his friendship.&#13;
or might merely have conservative prejudices. It&#13;
EDWARD CLODD. may here be said that so far as can be gathered&#13;
from him and others the procedure which would&#13;
follow upon abolition of the published price must&#13;
almost necessarily be this. A publisher would issue&#13;
BOOKS AND THEIR PUBLISHED PRICE.&#13;
lists of new books with no prices named in them.&#13;
With these lists he would furnish to the book-&#13;
sellers particulars of the terms upon which he&#13;
W E are so accustomed to every new book would supply them with the various books&#13;
V being issued to the public at a retail specified. The booksellers would then show the&#13;
price fixed by the publisher, and to this books stocked by them to their customers, or send&#13;
being usually at the present time a “ net " price, them lists, and in doing so, or in reply to inquiries&#13;
that we are apt to forget that the“ published price” addressed by them, would quote prices. The book-&#13;
is a matter of custom only, and is dependent for its sellers in short would fix prices to suit their own&#13;
existence upon a tacit convention between the trade as individuals.&#13;
publisher and the retailer who are used to it, and In Mr. Crocket's opinion :-&#13;
who rightly or wrongly are quite willing that it 1. The fixed price had not prevented under-&#13;
should continue. There is no law that compels a selling.&#13;
publisher to state that the book of travel or 2 . The fixed price had been directly responsible&#13;
&#13;
&#13;
## p. 228 (#306) ############################################&#13;
&#13;
228&#13;
THE AUTHOR.&#13;
rs.&#13;
for underselling, because it was looked upon as bound books, Bibles, remainders, out of print&#13;
official, and the bookseller who advertised his offer books, etc.&#13;
to give 25 per cent. off all books (not being net 2. The omission of prices from advertisements&#13;
books) could not do so if there was no published and reviews would mean much extra trouble and&#13;
price as a standard. In that case he would have expense to the booksellers.&#13;
to advertise his own price for each book.&#13;
3. The recipient of a prospectus giving no price&#13;
.3. The net system had been expected to would have to find it out from his bookseller or from&#13;
revolutionise the trade, giving every one a living the publisher.&#13;
profit ; it had failed to do so. Terms in the 4. There is already a tendency among some&#13;
trade had never been better, but were not such as publishers to deal direct with members of the&#13;
to induce investment in it. In the opinion of the public. Without a published price this mode of&#13;
speaker no increase of profit was to be obtained doing business would be increased and could not&#13;
from the publishers,-it must come from the public. be checked.&#13;
4. If the publisher, instead of the bookseller, 5. The booksellers would have to consult one&#13;
raised prices he would expect to share in the profit another in fixing prices, or make mistakes and lose&#13;
obtained. It would be better for the retailer to be&#13;
in the position to raise prices for himself, and so 6. Persons ordering from reviews which stated&#13;
to secure all the benefit accruing from them. no price would cancel orders if they found the price&#13;
5. The bookseller in raising prices all round 5 higher than they expected.&#13;
to 71 per cent. would not diminish his sales, but 7. Large stores would send out their price lists&#13;
would increase his profits, and would only be doing and capture the trade from smaller dealers.&#13;
in the case of other books what he already does in 8. Heavy cutting of prices in particular would&#13;
the case of bound books, Bibles and remainders. take place in dealing with libraries.&#13;
6. In the speaker's opinion the differences 9. Those who remembered the trade before the&#13;
would be so slight between individual shops that net system stopped universal discounts would say&#13;
customers would not complain of them, nor would whether they wished to return to still worse com pe-&#13;
they find it worth wbile to go from one bookseller to tition and cutting of prices.&#13;
another and compare the prices asked by them.&#13;
10. Under fixed prices and the net system book-&#13;
7. The public would not follow the advertiser, sellers had a guaranteed 25 per cent. or thereabouts,&#13;
but would go to the man who best advised his which might be lost without fixed prices.&#13;
customers what to select.&#13;
From the above authors will gather the nature&#13;
8. The drapers and their underselling need not of the points put forward and will form their own&#13;
be feared,—they dealt in fancy books for the good opinions. They will, however, observe that with&#13;
of their other trade, and were not booksellers the increase of prices which it was suggested might&#13;
at all.&#13;
accrue to some retailers in the case of some books.&#13;
9. Without official prices the advertising of the authors of those books would not be concerned.&#13;
second-hand books by libraries at a reduction would To them, at any rate, the extra price would bring&#13;
lose its effect, as comparison with the price of the no increased profit. The bookseller might, if he&#13;
books when new would be impossible.&#13;
could obtain such an increased price for a particular&#13;
10. There would be no prices advertised or volume, make more out of it than he would by selling&#13;
mentioned in reviews. These, if high, were apt to two copies at the lower price which a publisher&#13;
scare the customer in the case of more or less would have fixed. This, however, would not con-&#13;
expensive books, whereas if he went to a bookseller sole the author (or, indeed, the publisher), if, in&#13;
to inquire as to the price of a book which, he fact, one copy were to be sold instead of two. It&#13;
thought, might suit him, an expert salesman might was suggested that slightly increased prices (if&#13;
effect a sale.&#13;
increased by the booksellers) would not diminish&#13;
11. Books would be given more often as presents sales. It would be strange if this were to be the&#13;
if there were no means by which the recipient case. “Slightly” is a vague word, but the&#13;
could know the price of the gift.&#13;
tendency of raised prices must be to diminish&#13;
12. Fixed price gave the public too much for output.&#13;
their money. A higher price in some instances It is submitted for the consideration of the&#13;
could be got if the public did not know that an author that under the present system he knows&#13;
official price existed and what it was in the case of fairly exactly, before he enters upon his contract,&#13;
a particular book.&#13;
what the gross receipts of himself, the publisher and&#13;
The principal points made in opposition to the the bookseller should be over every edition that&#13;
above by Mr. J. G. Wilson and others were :- his agreement contemplates, if that edition is sold&#13;
1. The question must be considered from the out. That knowledge is the basis of his estimate&#13;
point of view of the new book only, leaving out of the respective net profits of the three parties&#13;
&#13;
&#13;
## p. 229 (#307) ############################################&#13;
&#13;
THE AUTHOR,&#13;
229&#13;
named upon wbich he founds his opinion as to the such articles as collars and books lies in the fact&#13;
fairness of the terms offered to him. Without a that the buying public always know who the whole-&#13;
sale price he will know apparently nothing beyond sale dealer is from whom they can obtain any&#13;
the terms offered to him. He will not know more particular book, and so have no difficulty in getting&#13;
as to the price obtained per volume by the publisher at him if he will sell to them. In the case of collars&#13;
than the latter may be willing to tell him, and a man does not know who the manufacturer is who&#13;
neither he nor the publisher will know what the book- makes the particular article that he fancies at his&#13;
sellers are getting, or how much they may be hosier's, and probably he could not get supplied&#13;
diminishing (or perhaps, in some cases, increasing) by him if he did know. The question of the public&#13;
the sale of the book by putting its price up or down. taking to dealing direct with the publishers is&#13;
It is also submitted that the tendency towards perhaps the most serious point for the consideration&#13;
general competition introduced will be to put book- of booksellers. It is not easy for them to prevent it,&#13;
prices down rather than up, and that as the cost of and quite easy for publishers to sell to the public&#13;
a book, other than that portion of it which goes to at oply a trifle over their usual trade terms, if there&#13;
the author, is more or less fixed by the terms of is no published price to bind them. Very pertinent&#13;
printing and other trades which do not yield observations were made by a gentleman who opposed&#13;
readily to pressure, the reduction will eventually be Mr. Crocket's motion, and who held that the net&#13;
made in an unfair proportion at the expense of the system was in the best interests of bookseller, pub-&#13;
author. . The amount of confusion likely to result lisher and author, when he said that Mr. Wilson&#13;
from the system suggested is a matter of specula- “had made a serious charge, but a just one, that&#13;
tion, but it is not likely to be inconsiderable. certain publishers were showing a tendency to&#13;
The booksellers who discussed the matter seem supply retail orders direct. The explanation of&#13;
to have been impressed with the danger of big this was that the bookseller, in spite of the growing&#13;
firms getting a monoply in the book trade ; it is demand for books as the result of education, had&#13;
submitted that their fear is not unreasonable. The not himself moved sufficiently rapidly with the&#13;
big firm taking books in large quantities would, in times. The machinery for the distribution of&#13;
the absence of fixed prices, probably command books was in an antiquated condition, and publishers&#13;
preferential terms even more advantageous than it were constantly in receipt of letters regarding the&#13;
is now in their power to do, and their opportunities difficulty experienced in getting information from&#13;
for underselling and cutting out smaller competitors booksellers.” With this quotation the subject may&#13;
wou ld be increased. In the discussion, the outline be left for the criticism of any authors who may&#13;
of which has been given above, a speaker who think that the abolition of the published price of&#13;
advocated open prices snggested the analogy of the their books is a question sufficiently within the&#13;
trade in collars. His point was that the booksellers range of practical politics to be worth serious con-&#13;
were in business to make money just like other sideration. If an individual not greatly affected&#13;
tradesmen, and that, to take another trade as an as an author, but with some experience of trade,&#13;
example, the inan who sold collars did not put may hazard any further opinion than those sug-&#13;
a published price on them. He suggested a private gested above, the abolition in question would&#13;
mark to show cost price being put upon a book. If introduce a state of uncertainty into the book&#13;
this means anything, it recommends that a book- trade amounting to something like chaos, which&#13;
seller should keep himself reminded by a private would be highly irritating and perplexing to the&#13;
mark of what a book has cost him, and, subject to public, and financially detrimental to author,&#13;
this precaution against selling below cost price, publisher and bookseller in possibly equal propor-&#13;
should speculate upon the appearance or known tions. However, the last two may be trusted to&#13;
peculiarities of his customer in asking him the best take care of themselves.&#13;
price likely to be obtainable. It is submitted that&#13;
E. A. A.&#13;
such a method of doing business would not please&#13;
book buyers, and that if it became general it would&#13;
rapidly diminish the sale of books very consider-&#13;
PRIZE COMPETITIONS.&#13;
ably. A good many arguments were put forward&#13;
against the collar analogy, including the forcible&#13;
one, that two copies of a book are the same book VTOST people"commencing author"—to adopt&#13;
although exposed for sale by two different book M the beautiful expression coined by some-&#13;
sellers, but that two collars by the same manufac-&#13;
body, presumably on the other side of the&#13;
turer are not to be recognised by a customer as Atlantic Ocean—are likely to be attracted by the&#13;
identical when he sees them at two different bait of a reasonable prize for the best novel, short&#13;
hosiers. It was not, however, pointed out, as it story, poem or essay. And even writers who have&#13;
might have been, that the main difference between already commenced are capable of being attracted&#13;
&#13;
&#13;
## p. 230 (#308) ############################################&#13;
&#13;
230&#13;
THE AUTHOR.&#13;
also if the prize offered appears of sufficient size. to be paid for his work. But here arises the&#13;
It is not, therefore, unnatural that there should be necessity for the first warning. His eyes should be&#13;
a growing tendency on the part of publishers and open to what he is giving in return for the prize.&#13;
editors to organise prize competitions, with their It is to be feared, however, that they are often shut,&#13;
terms often set forth in glowing language, for the though if only the competitor took care to read the&#13;
benefit of the constantly increasing army of literary conditions he could not remain in ignorance. From&#13;
and would-be literary persons. Nor can it be a few announcements of competitions now before me&#13;
doubted that these competitions have an appreci. I take the following statements :-&#13;
able influence in inducing the timid to submit their “This contract (which the successful author&#13;
work to publishers and editors. Normally an must sign] will provide for the assignment of&#13;
untried (and many a well-tried) author is appre- the entire copyright and all rights to the&#13;
hensive of sending his productions to people whom publishers.&#13;
he has no reason to believe at all anxious to look at “ The winners of the competition agree to cede&#13;
them ; but when he sees a cordial invitation to to the publishers all rights of every kind in the&#13;
submit them, coupled with a specious guarantee of prize-winning novels."&#13;
perfectly impartial consideration, how can he resist “Payments will be made to successful writers as&#13;
the temptation ?&#13;
soon as the decision is made, when the copyright of&#13;
This being so, it is, perhaps, not out of place in the stories becomes the property of” the proprietors&#13;
the columns of The Author to put forward a few of a certain magazine.&#13;
warnings to competitors in the many prize competi One well-known weekly paper which invites the&#13;
tions which one sees advertised in newspapers, sending in of short stories, for the acceptance of&#13;
magazines, and elsewhere. It is very human to which ten guineas a story is promised, does not&#13;
enter upon a contest of any kind without due con- state in its offer that the entire rights are required;&#13;
sideration of the real conditions ; and authors are but at the bottom of the page on which the story&#13;
very human beings, in spite of the firm belief to appears there is printed in small type “ Exclusive&#13;
the contrary in the unliterary world.&#13;
copyright of — ” (the name of the paper).&#13;
It may be reasonably assumed that a writer As far as I know, it is the invariable rule for the&#13;
taking part in a prize competition expects certain · publisher or editor to demand, either beforehand or&#13;
things as a matter of course. Reduced to their afterwards, the entire copyright in the prize-winning&#13;
lowest terms, these seem to be: (1) a fair field; work. Readers of The Author, perhaps, do not need&#13;
(2) a fair price ; (3) an assurance of publication to be reminded of the words which appear every&#13;
if he wins a prize ; and (4) the return of his MS. month under the heading of “How to Use the&#13;
if it is unsuccessful.&#13;
Society," viz., “ Selling it [literary property out-&#13;
Unless the first two conditions appear to exist, right. This is sometimes satisfactory, if a proper&#13;
it is extremely improbable that he will compete. price can be obtained. But the transaction should&#13;
All organisers of these prize competitions are eager be managed by a competent agent, or with the&#13;
to disclaim favouritism in the selection of the prize advice of the secretary of the society.” Unless,&#13;
winner. They pay for their big names at other therefore, an author is himself fully capable of&#13;
times, giving the big prices which are necessary to judging the value of the entire copyright of a&#13;
secure them, with “no damned nonsense about successful novel in a big competition, he should&#13;
merit” actually shown by the work apart from the similarly seek the advice of those whose business it&#13;
author. But in the competitions it is the merit of is to know about such matters. Need it be said&#13;
the work which alone is to count. It is usual to that $100 would not be adequate remuneration for&#13;
announce the names of the adjudicator or adjudica- all the rights in a prize-winning novel, unless the&#13;
tors at the same time as the competition itself. If, entries were very bad indeed ?&#13;
therefore, anyone has an objection to the judges, he With regard to short stories, poems, etc., it would&#13;
has an easy remedy, to abstain from submitting his be still more of a mistake to assign the copyright&#13;
work to them. Where novels are concerned, more in return for a few guineas and thus preclude oneself&#13;
over, it is the regular practice to ask that they from ever republishing them in book form without&#13;
should be sent in under a pseudonym, or at least to the purchaser's consent. Moreover, cases have&#13;
state that the author's real name will be concealed occurred, both in the past and recently, of the&#13;
from the adjudicators after the preliminary weeding republication of juvenile work without the author's&#13;
out has been done by readers employed by the consent, indeed much against his wishes, owing to&#13;
publisher for that purpose.&#13;
the assignment of copyright in such work at the&#13;
Again, as to the fair price, the reward to the date of selling. When a writer disposes of all&#13;
winners being announced beforehand, a competitor rights in any of his productions, however short, he&#13;
knows what he will get if he is selected as best must be prepared for the possibility of annoyance&#13;
second best, etc. He has formal notice of the price in the future. It ought not to be necessary to&#13;
&#13;
&#13;
## p. 231 (#309) ############################################&#13;
&#13;
THE AUTHOR.&#13;
231&#13;
insist on this, were it not that the lure of a prize of&#13;
some guineas is apt to blind the eyes of the&#13;
ordinary author to the existence of a small-type&#13;
claim of exclusive copyright.&#13;
Still less necessary ought it to be to say that any&#13;
provision for the use of non-successful stories, etc.,&#13;
at “ordinary” rates in the magazine offering prizes&#13;
for competition should at once warn off writers,&#13;
unless they know these rates and are prepared to&#13;
accept them. They should discover, moreover,&#13;
whether they are expected to sell the copyright or&#13;
merely the serial rights in return for the ordinary&#13;
rates of the magazine.&#13;
The provisions as to the date of payment to&#13;
successful competitors should be carefully con-&#13;
sidered. The question of “payment on acceptance"&#13;
has been discussed recently in The Author. It can&#13;
easily be seen that prompt payment is even more&#13;
desirable in the case of a prize-story, which is pre-&#13;
sumably a more readily saleable thing than the&#13;
ordinary story, seeing that it has won first place in&#13;
an open field. Authors should, therefore, always&#13;
look for a statement as to when the award will be&#13;
made and the money paid. A reasonable latitude&#13;
must, of course, be allowed, as the possibility of a very&#13;
big entry makes it impracticable to name an abso-&#13;
lately certain date for the award. But such&#13;
indefinite wording “as soon as possible after the&#13;
close of the competition” or the like is scarcely&#13;
satisfactory.&#13;
The third of the essential points is closely&#13;
connected with the subject just mentioned. If&#13;
one does not want to wait indefinitely for the&#13;
publication of the award and the payment of the&#13;
prizes, neither does one wish to be without an&#13;
assurance that the prize-winning work will be&#13;
published at all. Yet in one of the novel competition&#13;
announcements before me there is nothing whatever&#13;
about the publication of the successful novels.&#13;
The authors cede all rights of every kind in them&#13;
—and there, as far as the prospectus explains it,&#13;
i he matter might end. Similarly, in connection&#13;
with a short story competition of which I have the&#13;
advertisement in front of me, there is no statement&#13;
that the stories will ever be published. By impli-&#13;
cation, it is true, it appears that they will come out&#13;
in the magazine purchasing them ; just as it may&#13;
be inferred that the novels awarded prizes will one&#13;
day see the light. But there is no agreement to&#13;
publish them by any particular date or at all.&#13;
They might be bought and then buried, destroyed,&#13;
or used in some way by some one other than the&#13;
author. With regard to a novel, it ought at least to&#13;
be specified that it will be published within a certain&#13;
period from the date of the award. Nor should&#13;
a short story, poem, or article, to which a prize is&#13;
awarded, be hung up indefinitely.&#13;
In the case of some authors it may be imperative&#13;
to know that a novel shall not be published&#13;
before a certain date, for it is not uncommon to&#13;
include in a contract the provision that no other&#13;
book by the writer shall be published within a&#13;
fixed time.&#13;
The return of unsuccessful MSS. seems generally&#13;
to be arranged for, provided that stamps are sent&#13;
in for the re-postage. But the weekly paper&#13;
mentioned above, as only letting the competitors&#13;
know indirectly that the full copyright is expected&#13;
of the stories submitted for its prize page, also&#13;
omits to say anything about the return of&#13;
unsuccessful stories. It looks rather, from an&#13;
announcement on the same page about a poetical&#13;
competition that “ rejected poems will not be&#13;
returned to the sender,” as if the short-story&#13;
writers must expect the same fate for their MSS&#13;
This, however, is surely not a matter on which&#13;
competitors should be left in doubt. There are&#13;
unwary authors who keep no copy, or at least none&#13;
but a rough copy of work which they send out. It&#13;
would certainly be unsafe for such people to enter&#13;
for a prize competition where the editor does not&#13;
promise to endeavour to send back all MSS.&#13;
accompanied by stamps—and to send them back in&#13;
a reasonable space of time, it may be added. Can&#13;
it be looked upon as a legitimate way of adding&#13;
to a paper's sales to induce the unhappy writer to&#13;
go on purchasing copies indefinitely in the hope&#13;
of seeing his work in print ?&#13;
In short, before entering any of the numerous&#13;
prize competitions, authors cannot be too careful&#13;
in reading the conditions and seeing that they&#13;
offer sufficient guarantees concerning the treatment&#13;
which will be accorded to their work in event of&#13;
either success or failure.&#13;
STYLE IN LITERATURE.&#13;
By ARCHIBALD DUNN.&#13;
III.&#13;
[The broad requirements of style were discussed in the&#13;
April issue, and, last month, the laws of Economy, Climax&#13;
and Variety—the laws of form-were dealt with in detail].&#13;
D ASSING from Form in literature, as I have&#13;
( ventured to call it, we have now to speak&#13;
of Grace, which is the stage beyond. Up&#13;
to a point-that point to which the rules of Form&#13;
have carried us—our author's task, we may believe,&#13;
is well and truly done ; it is concise, direct of pur-&#13;
pose, clearly expressed and satisfying in its sequence,&#13;
and so varied withal as not to be monotonous.&#13;
Excellent, then ! in all those particulars within our&#13;
knowledge ; and deserving of a very comforting pat&#13;
&#13;
&#13;
## p. 232 (#310) ############################################&#13;
&#13;
232&#13;
THE AUTHOR.&#13;
upon the back. But, presently, the vision changes; limitations of Form. As you see, it will suffice for&#13;
and, as we read through the masterpiece again, the the presentation of the simple and familiar thought,&#13;
fancy takes us and what is worse-grows upon us but, alone and unaided, it will not suffice for the&#13;
that something is lacking. As we see it now, this more abstract and less familiar. And why?&#13;
is the chrysalis and not the butterfly. At first, the Because the first, which is readily intelligible and&#13;
precise character of the shortcoming is hardly dependent for its elucidation only on an orderly&#13;
apparent ; we recognise the imperfect thing, and presentation, can be grasped by an appeal to the&#13;
that is all. But, later, the mist clears; and then, reason ; whilst the latter, which is not exact by&#13;
with a calmer judgment and in a brighter light, we nature and which can not, therefore, be explained&#13;
perceive, though dimly perhaps, that the trouble in precise terms, can as a consequence only be&#13;
lies in a certain coldness and unreality, that, though grasped by an appeal to the imagination; and the&#13;
the rough-hewn figure is there, we have still to method of arousing the imagination is a thing&#13;
attain to the finished and inspiring model. For, distinctive and apart.&#13;
the early processes in any art are but the In illustration, consider the description of a&#13;
labourer's work, it remains for the artist himself stormy night from two different points of view.&#13;
to come and give the final touch—of life and According to the scientist, perhaps : “Rate of wind&#13;
beauty. Thus, the aesthetic in literature ; but, forty miles an hour, rainfall two inches, tempera-&#13;
at the same time, the practical—they are marching ture 30 degs. Fahr.," and the ordinary humdrum&#13;
hand in hand. Which is all, of course, rather to individual would not think much of the stormy&#13;
make assertions without proof and, so, to steer a night; there would be, no doubt, a certain interest&#13;
passage for those troubled waters where we may in the meteorological details, but no actual vision of&#13;
well heave-to and take our bearings.&#13;
the scene. Described, however, by the novelist in&#13;
This process in a literary question is, as we know, something after this fashion : “It was a wild night&#13;
seldom a difficult matter. In other affairs than with the rain splasbing against the verandab, and&#13;
literature there may be, and there generally are, the wind moaning dismally through the nooks and&#13;
many considerations ; here there is only one-the crannies of the house," then it would be a very&#13;
reader's requirement that the thought shall be remarkably humdrum individual indeed who failed&#13;
adequately and attractively expressed, and so con- to become fully alive to the wet and boisterous con-&#13;
veyed that it shall be easy of comprehension. That ditions outside. Or, again, speak of autumn, and&#13;
was the author's business from the outset ; he had for a while the word is wanting in significance-it&#13;
these conditions to satisfy, come what might. Are takes an effort to fulfil its meaning ; but speak of&#13;
they, then, satisfied by an observance of the rules autumn as Collins does in his beautiful Ode to&#13;
of Form, or is there need to supplement those rules Evening-"While sallow autumn fills thy lap with&#13;
in any way? Is there, in fact, any solid reason for leaves ”—and the true sense of it all stands forward&#13;
the aesthetic in Style in literature ? * That is the in an instant, the yellow fogs, the thinning foliage,&#13;
problem, and such are the principles on which the the dying of the year.&#13;
solution depends.&#13;
A sure inference, then, I think, that the imagina-&#13;
Well, this is how it stands. If you have a simple tion is aroused most certainly and most readily by&#13;
business proposition to lay before me, and if you means of pictures which suggest and explain the&#13;
will so state it that the principles of Form are main thought. On the evidence of our examples,&#13;
observed throughout, I shall follow your meaning; the vague is made distinct by the introduction of&#13;
but if, on the other hand, you would speak of some some familiar idea-autumn is realised at mention&#13;
less definite idea—say, the emotions or a season of of the falling leaves, the stormy night comes home&#13;
the year—and if (without resorting to other aids) to us when we think of the moaning wind and the&#13;
you will again so state it that the principles of splashing of the rain-drops. And so, it would&#13;
Form are observed throughout, I shall still follow seem, we have come direct to an obvious law : that&#13;
you, but-not so completely. In the one case, the the less comprehensible in literature shall be&#13;
whole thing is clear ; in the other it is only approached through the more comprehensible, the&#13;
partially clear—the picture is incomplete. Now, less familiar through the more familiar, and that&#13;
what is the meaning of this ? Why, surely, that this sball all be brought about by the use of suitable&#13;
we have come straight to the bed-rock of the Symbols and Images.&#13;
Thus we speak of the æsthetic, of the charm to&#13;
* I have already pointed out the impossibility of dis-&#13;
the senses in evolving the finished picture out of&#13;
tinguishing exactly between the entirely æsthetic and the these symbols and images. At the same time we&#13;
entirely practical, and I have explained that my division of are as certainly treating of the practical ; for, with&#13;
the subject is arbitrary. It is, however, to be observed that&#13;
Form- which becomes, by its orderliness, a charm to the&#13;
a moment's thought, it is clear that the use of&#13;
senses—is certainly to be considered æsthetic, if only,&#13;
symbols and images tends to the fulfilment of the&#13;
perhaps, in a modified sense.&#13;
first principle in literature-economy of the reader's&#13;
&#13;
&#13;
## p. 233 (#311) ############################################&#13;
&#13;
THE AUTHOR.&#13;
233&#13;
attention. The “angry” man is an indefinite athlete, and there is a sure delight to the eye in&#13;
affair ; the man standing with upraised fist" is the that delicacy of touch or grace of movement ;&#13;
picture illustrated in two words. There is here a listen to a well-constructed piano-organ and,&#13;
directness of purpose, a clear transparency of ex- mechanical and inartistic though the performance&#13;
pression, which carries its own recommendation be, the ear will still dwell with pleasure on the accu-&#13;
most fully in that it lightens the task of the reader. racy of the playing. Why, then, if this be the&#13;
In place of much verbosity and of a wearisome common effect of excellence in any pursuit, deny&#13;
explanation, the scene is sketched vividly, realistic- the same conditions in literature ? Why deny&#13;
ally, by a stroke of the pen. Need we wonder, attractiveness in language, in the balancing of the&#13;
then, that this ready means of suggesting an idea phrase, in the choice of words ? And if you still&#13;
should have found in time a wider application, that tell me that this is not proof, I agree, of course ;&#13;
so valuable an asset to the writer's account should but I take the liberty of adding that it is just&#13;
have been pressed more fully into the service, and next door to it—a remarkably strong presumption.&#13;
that, by degrees, its use should have extended from Besides, there is another thing which must not&#13;
the obscure thought to the simple ? “ Black as be overlooked-the verdict of the cultured. It is&#13;
night” strikes the imagination at once, whilst final, you know, in the world of Art, and there is&#13;
“black” alone, though a simple enough thought, is no court of appeal beyond. The ill-educated taste&#13;
never too definite in conception, because of the of the multitude may create, and often has created,&#13;
many different conditions with which we are in the the success of a moment, and set a nonentity on a&#13;
habit of associating it. And if this be a matter as pedestal. Similarly, the more advanced thought,&#13;
much of emphasis as of interpretation, a distinction the original and unaccustomed idea, has not always&#13;
as much as an explanation, well, what of it ? Take met with immediate approval ; and we find great&#13;
it at that, if you please, its force as an aid to artists slow to reach acceptance, even critics&#13;
comprehension is still not to be denied; and, so, it delaying the triumph of a Wagner and Tschai-&#13;
follows that writing of any sort on any subject kowsky. And this is no matter for surprise, for&#13;
must, in order to be good, abound freely in symbols the appreciation of any art depends largely on&#13;
and images.&#13;
education, and it is not likely, therefore, that even&#13;
But that is not all. The conditions of the game the most talented will realise all in a moment&#13;
are that the thought shall be presented as attrac- the complete beauty of an unfamiliar design. It&#13;
tively as may be; and there is, therefore, still the takes time and study to cultivate the mind and&#13;
attractiveness of language itself to be discussed. advance it to a pinnacle. Thus, in the earlier&#13;
And this, believe me, is to step uncommonly near stages, the “penny dreadful” was the best book on&#13;
a quicksand ; it is an attempt at cracking as hard earth, and “Pop goes the Weasel ” the best music.&#13;
a nut as you would meet with in a month of The deeper insight came afterwards, as a rule, and&#13;
Sundays. For here is a man coming along and the discovery to our surprise that there is some-&#13;
asserting roundly that there is no charm in lan- thing more than incident in a story or than&#13;
guage at all. "If there is,” he adds significantly, melody in music. Then, at once, with this advance-&#13;
«prove it !” And then, in sober truth, there is ment arose naturally the demand for every subtle&#13;
nothing for it but to stand down from the witness- nicety which could aid in beautifying the thought,&#13;
box, silent and abashed.&#13;
the demand that not only the thought itself should&#13;
At the same time, a point or two calls for remark be well conceived but also that its treatment should&#13;
and comment. You know, for instance, that it is be perfect in every detail. What wonder, then,&#13;
possible to write very badly. We laugh at and when the cultured mind demanded, and very soon&#13;
stumble over the halting ill-expressed essay of the found, beauty in the arrangement of words—the&#13;
schoolboy ; you know that it is possible to write medium in literature through which the thought&#13;
better--the schoolboy himself improves in a twelve- is conveyed-found it in their euphony and appro-&#13;
month ; you know of a better stage still in the priateness, in their harmonious setting, in the&#13;
fairly practised writer, and of one again beyond rhythmical swing of the phrase ? To the unlets&#13;
this when you first experience the gratifying ease tered, of course, this is incomprehensible ; it i-&#13;
and comfort of reading a work by Stevenson, meaningless, like the music of Wagner or the sun-&#13;
Thus, without touching upon debatable ground, it set, perhaps, of a Turner ; but it is true, never-&#13;
is at once obvious that one method of expression is theless. It is no question of a pose or affectation,&#13;
better than another, and that we may believe the it is the genuine appreciation of an æsthetic effect.&#13;
gamut of progression to move evenly from the very But if you tell me again that all this is proof of&#13;
worst to the very best. But it is a fact that, in nothing—for these highly cultured people may be&#13;
the accomplishment of anything, the “best” very sincerely and very whole-heartediy wrong--I&#13;
creates invariably some sense of æsthetic charm. agree; it is not proof. But in the light of past&#13;
Watch the expert billiard player or the champion experience, in the kuowledge that the verdict of&#13;
&#13;
&#13;
## p. 234 (#312) ############################################&#13;
&#13;
234&#13;
THE AUTHOR.&#13;
these cultured people has stood the test of time in Cresswell professed to teach in the course of this&#13;
other artistic affairs, I submit that we have reached, book how authors may become successful. But&#13;
at any rate, a second “strong presumption”—this, they expressly disclaim any intention of being&#13;
too, on top of the first.&#13;
“ didactic.” The word, it must be confessed, has&#13;
With two presumptions, then, which are not a bad odour nowadays, and it would surprise us if&#13;
reasonably to be denied, I shall take it that the any writer willingly branded his work as didactic.&#13;
case is established, that language itself is capable Nevertheless, there are people who would not deny&#13;
of creating an æsthetic charm ; and with this that something may be learnt from their writings,&#13;
admitted, then at the same time the real practical and among these we suspect that our two present&#13;
advantage of polished writing becomes obvious— authors may be classed. At any rate, we shall not&#13;
its power to hold the reader's attention. Here is a scruple to state that there is much in the book&#13;
thing a pleasure in itself—these words which run which is worth taking to heart.&#13;
so smoothly to the eye and which, if spoken, The keynote of the advice which Messrs. Colles&#13;
would slip so glibly off the tongue; there is no and Cresswell give is : Learn from the Great. To&#13;
effort in following them, no more than in lazily help those who would learn, they have, to use their&#13;
watching a river as it flows onward to the sea, but own words, collected from many sources such&#13;
there is music surely, like the music of those counsels of writers of renown as may be serviceable&#13;
rippling waters. And maybe the thought is but a to men of letters—not in the form of an anthology,&#13;
poor affair and never much worth the trouble of but, as it were, in that of a sermon richly illustrated&#13;
expressing at all ; indeed, wbere is the writer who by texts. They hold that “the pathway of author-&#13;
has not uttered many thoughts to be rightly ship is no uncertain track, but a beaten road,&#13;
scheduled in this category? Well, here is a saving trodden by many, and he who would walk in it&#13;
clause ; here is a cloak to the nakedness; here is securely has only to follow the footprints of the&#13;
the means of holding the reader's attention until great who have gone before him.” A counsel of&#13;
the conception becomes more attractive in itself.* perfection, it might doubtless be objected; but are&#13;
It only remains now to reduce generalities to not the best counsels always counsels of perfection ?&#13;
particulars and to examine into the working details About the answer to the question “Who are the&#13;
of the conclusions we have reached—that is, into Great” ? our authors feel no hesitation. They are&#13;
the practical application of symbols and images, “the household names,” “the writers whose indis-&#13;
and into such considerations as may help us in putable claim to attention is based upon their&#13;
any way to the effective handling of words. works having found a response in the thoughts and&#13;
feelings of millions." And we are warned against&#13;
" the personal satisfaction which modern critics&#13;
* It is not suggested, of course, that a writer can make a&#13;
worthless book valuable by virtue of beauty of style—such&#13;
derive from drawing some almost unknown writer&#13;
a book is always worthless. My meaning is only this, that&#13;
out of his obscurity, and demonstrating that his&#13;
the value of a composition is enhanced by the charm of its work has merits of the rarest quality.” In other&#13;
expression.&#13;
words, we are recommended to the world's classics.&#13;
(To be continued.)&#13;
Well, we suppose this is sound doctrine ; though&#13;
assuredly some of us will think with a sigh of some&#13;
namus which are not household, but are certainly&#13;
SUCCESS IN LITERATURE.*&#13;
dear to us, of some works which do not touch the&#13;
feelings of millions, but yet touch ours deeply.&#13;
However, this is not the place for an argument on&#13;
The joint authors of this little work are certainly the comparative value of the judgments of the&#13;
to be congratulated on one point, which may be many and the few in the award of places among&#13;
regarded as a proof of their success in collaborative the world's classics, so we will pass on, accepting&#13;
literature. The style throughout is wonderfully our authors' interpretation of their precept, Learn&#13;
homogeneous. It may be added that it is an from the Great.&#13;
attractive style : at its best somehow faintly As to what we are to learn from the Great, the&#13;
suggestive of the old “Spectator,” yet at the same two supreme lessons we are told are "to arrive at&#13;
time of a directness and simplicity that is modern some adequate appreciation of the consummate&#13;
in a good sense of the term.&#13;
work of the masters” and “to perceive more or&#13;
“ Success in Literature" sounds an ambitious less lucidly the art by which the effects are secured."&#13;
subject to be tackled in a volume of 360 small Criticism of the weak points in the great master-&#13;
pages. And so it would be if Messrs. Colles and pieces is deprecated, and the wisdom of a literary&#13;
man is declared to lie in the opposite direction.&#13;
* " Success in Literature," by W. Morris Colles and Henry&#13;
He must be able to recognize in the works of the&#13;
Cresswell-London : Methuen &amp; Co.&#13;
masters, not where they failed, but where they&#13;
&#13;
&#13;
## p. 235 (#313) ############################################&#13;
&#13;
THE AUTHOR.&#13;
235&#13;
were successful, and must reserve destructive Another passage, illustrative of the fact that a&#13;
criticism for his own work.&#13;
work of indisputable merit may be judged worth-&#13;
Obviously the inculcation of admiration for the less before it becomes a classic-a consolation&#13;
Great without insistance on the need of originality often to writers whose belief in themselves exceeds&#13;
would be an incitement to merely imitative work. their literary income-we would gladly quote if&#13;
So it is not surprising to find a whole chapter we had space. But perhaps enough has been said&#13;
devoted to the subject of originality-and a very to show that “Success in Literature” is both an&#13;
good chapter, too, though it does not readily interesting and an instructive work. Those who&#13;
lend itself to quotation. It could be wished in want a handbook showing them how to construct&#13;
these days, when the market (the word is volumes which will go at once into four large&#13;
objectionable from the literary point of view, but editions will not find it here. If, however, some-&#13;
so is the literature of which we are speaking) is thing is required which will stimulate profitably&#13;
being swamped with weak books on all kinds of thought and at the same time please the literary&#13;
subjects, that the writers would take to heart what judgment, then this book may be commended&#13;
is here said on the desirability of asking oneself safely.&#13;
the question, is what I am going to say worth Perhaps it should be added, in conclusion, that&#13;
saying?&#13;
“ Success in Literature ” is primarily addressed&#13;
After laying down these two fundamental con- not (of course) to the big authors of to-day, nor&#13;
ditions, that the great masters must be taken as yet to the beginners ; but to the men of letters&#13;
our examples and that we must have something who have advanced a certain way and find a&#13;
to say, the authors proceed to discuss the best difficulty in advancing further. Yet we believe&#13;
methods in literary work, the equipment required that to the beginners, and to those who hare&#13;
before engaging in it, appropriate style, and form arrived also, it will not be without its appeal. com&#13;
and treatment, in all of which subjects they put&#13;
most excellent advice before their readers, collected&#13;
from authorities as far apart as Augustus and&#13;
Anthony Trollope, Metastasio and Crombie,&#13;
author of “ The Gymnasium,” and supplemented by THIRTY-SIX DRAMATIC SITUATIONS.*&#13;
facts taken from the lives of literary men of&#13;
various lands. To ourselves, we must confess,&#13;
the latter furnish some of the most interesting TN our April issue we printed (quoting from a&#13;
parts of the book. We cannot refrain from quoting 1 Chicago contemporary) a paragraph respecting&#13;
one passage from the chapter entitled “ The the “ Thirty-six Dramatic Situations ” of the&#13;
Worker and his Work.” After saying that exact Italian dramatist, Count Carlo Gozzi, with a&#13;
records of the manner in which writers of note further mention of a treatise on the same subject&#13;
have done their work, of their hours, and of the written by M. Georges Polti, and published in&#13;
rules which they made for themselves, are not to Paris some fifteen years since. Want of space&#13;
be easily had, our authors continue:&#13;
forbade at the time any remarks of our own on&#13;
the subject, to which we here revert, as the&#13;
" William Beckford states that he wrote Vathek at a&#13;
whole question is one of considerable interest to&#13;
single sitting. • It took me three days and two nights of&#13;
hard labour. I never took off my clothes the whole time.&#13;
dramatists, and perhaps also of some importance to&#13;
The severe application made me very ill.' This feat, if it novelists.&#13;
was really accomplished, which is very doubtful, about At present Gozzi's assertion seems to rest on&#13;
25,000 words is probably the largest single spell of literary&#13;
the authority of Goethe. M. Polti quotes (without&#13;
work with a pen on record. More has been dictated;&#13;
naturally in less time. Zola's daily output of fiction was giving any reference) from Goethe's “ Entretiens&#13;
four pages of print of Charpentier's edition of his work avec Eckermann" (presumably Eckermann's&#13;
(about 1,300 words). He laid down his pen as soon as the “Gespräche mit Goethe "), “ Gozzi used to maintain&#13;
four pages were completed-even if that was in the middle&#13;
that there could not be more than thirty-six tragic&#13;
of a sentence ; but he wrote the four pages in the morning&#13;
directly after breakfast, every day. Anthony Trollope, all&#13;
situations. Schiller gave himself a good deal of&#13;
of whose work was conducted with extraordinary regu. trouble to find some more, but did not find so&#13;
larity, and much of it written whilst he was a busy Post many as Gozzi.” It will be at once observed that&#13;
office functionary, wrote a page of 250 words, and made&#13;
“ tragic ” not “ dramatic" situations are here&#13;
it a rule to produce a certain number of pages every week.&#13;
The average was forty ; but he sometimes required of&#13;
limited to thirty-six, a difference of considerable&#13;
himself more, and sometimes only twenty. He rose at importance. Next, an evident first question is :&#13;
five, and had his literary work finished before break “Whence has Goethe this information ? " Are&#13;
fast. He regarded three hours as the limit of time for a&#13;
single day's work. ... Sir Walter Scott had made&#13;
himself a rule of six pages of close MS.=thirty pages of "Les Trente-six Situations Dramatiques," par Georges&#13;
letterpresse about 6,450 words per diem,"&#13;
Polti, Paris. 1895.&#13;
&#13;
&#13;
## p. 236 (#314) ############################################&#13;
&#13;
236&#13;
THE AUTHOR.&#13;
06&#13;
these thirty-six situations mentioned anywhere in spirited scene at its conclusion when Pelasgus&#13;
Gozzi's works (they fill twenty-two volumes); or repels the insolent attempt of the herald to seize the&#13;
was this hearsay only, for Goethe (1749–1830) suppliants in the name of Aegyptus. In “ Hamlet”&#13;
and Gozzi (1772-1806) are contemporaries. we should say that there is a highly dramatic&#13;
Respecting this M. Polti gives us no information. “tragic situation " when the court, assembled to be&#13;
It appears, however, that Gozzi did not mention entertained with a play, find themselves witness-&#13;
what his thirty-six situations were. We learn ing a minutely accurate representation of the&#13;
further from M. Polti (who again vouchsafes no murder by which the king obtained his throne.&#13;
reference) that Gérard de Nerval occupied himself M. Polti groups “Hamlet” under “ Situation&#13;
with the question of the number of possible XIII: Hatred between Relatives.” That such&#13;
situations, and could find only twenty-four. He hatred might be naturally productive of “ tragic&#13;
also does not mention what they were. All this situations "is evident ; but it does not appear to&#13;
and much more may be read in M. Polti's us that it is itself a tragic situation. In short,&#13;
preface, where little that is interesting is lacking, whilst admitting that there is much that is&#13;
except correct references.&#13;
interesting in M. Polti's work, we are unable to&#13;
M. Polti thereafter devotes himself to the see that it offers any answer to the problem, “ What&#13;
question of what the thirty-six situations are, and were Gozzi's thirty-six tragic situations ?”&#13;
sets forth, in succession, the thirty-six enumerated&#13;
in our April number.&#13;
This mere enumeration, however, conveys no idea&#13;
either of the gigantic labour, or of the very wide&#13;
acquaintance with the world's literature which the ESSAYS ON RUSSIAN NOVELISTS.*&#13;
little book shows. M. Polti having mentioned “Sup-&#13;
plication ” (Implorer) as his first situation demon-&#13;
strates how“ Supplication ” can assume as many" LISSAYS&#13;
T SSAYS on Russian Novelists,” by Prof.&#13;
as nine different aspects, and then quotes examples, D Phelps, is a work of which it is not easy&#13;
in many cases several examples, of every one of&#13;
to give a just estimate. Here is a great&#13;
them. The number of dramas and other works of deal that is true and also very farniliar, yet hardly&#13;
the imagination, classical and modern, European to be omitted from any work on Russian fiction&#13;
and Oriental, quoted is astounding, and the toil intended for general perusal; a good deal that is&#13;
involved in grouping them under the several open to debate,or, indeed, hardly defensible(theasser-&#13;
“ situations ” must have been enormous. If tion, for instance, that Russian literature is a new&#13;
precise results of laborious l'esearch merit any literature); and much that must be pronounced&#13;
praise, M. Polti has deserved it.&#13;
exaggerated, even after every allowance has been&#13;
At the same time, whilst willingly according&#13;
made for the author's exuberant enthusiasm for his&#13;
M. Polti's labours all the admiration which they&#13;
subject. The book produces an uncomfortable&#13;
deserve, and freely admitting that his work may impression because it is nowhere made quite plain&#13;
be perused with interest, we have always felt that that the author is not speaking at second hand ;&#13;
the advantage to be derived from it is not very and relying merely on translations. If he is a&#13;
great. The results reached are curious rather Russian scholar why is he so careful to mention by&#13;
than illuminating.&#13;
whom translations from the Russian have been&#13;
We must also confess to having felt that made for him ? If he is not a Russian scholar&#13;
M. Polti has entirely misunderstood what is what judge is he of the Russian style which bo&#13;
meant by a “tragic situation.” We say this with praises in one case and condemns in another ? We&#13;
all deference for the opinions of those who may are entirely unable to agree with the opening asser-&#13;
think otherwise. and freely admit that unless tion that Russian fiction is the best in the world ;&#13;
Gozzi's original statement, and what he himself and do not understand why that assertion is made&#13;
meant by it, can be found, the interpretation of his by an author, who, later in his work, freely admits&#13;
words must always remain a more or less open the “intense gloom” of Russian fiction, and justly&#13;
question. To ourselves, however, the matter has describes reductio ad absurtlum as the characteristic&#13;
always appeared thus : that “tragic situations” of Russian thought. That cannot be great which&#13;
are the individual moments of a dramatic action, can see only the grey aspects of life. Notwith-&#13;
many of which may occur in a play; and that standing the shortcomings of the book, the reader&#13;
what M. Polti has been illustrating are rather the who is on his guard against being misled may,&#13;
fundamental themes upon which various plays are however, gather much from it; for it brings into&#13;
built. Thus, his first example of “ Supplication ”..&#13;
is“ The Suppliants" of Aeschylus ; but it appears * William Lyon Phelps, Ph.D. : " Essays on Russian&#13;
to us that the great situation of that play is the Novelists." New York : Macmillan Co. 1911.&#13;
&#13;
&#13;
## p. 237 (#315) ############################################&#13;
&#13;
THE AUTHOR.&#13;
237&#13;
one focus things that cannot be elsewhere found ditions in the States are not altogether so propitious&#13;
together in any single English volume. The work as at some times, the woman's club of the New&#13;
concludes with a bibliography (which we could wish England village through its president, Mrs. Henry&#13;
more perfect) of the stories written by nine of the C. Rolfe, has been appealing to all lovers of Miss&#13;
best-known Russian novelists, setting forth the Alcott's books to contribute toward a fund of at&#13;
translations of them which have appeared in least £1,600 to guarantee the preservation and&#13;
English, French and German. A note should maintenance of this ancient historic home. A&#13;
have been added that the greatest caution in the portion of the fund has already been subscribed,&#13;
selection of translations from Russian must be mostly in small amounts, and is in the hands of&#13;
exercised by readers who desire to peruse faithful Henry F. Smith, junr., Middlesex Institution for&#13;
renderings of the original texts.&#13;
Savings, Concord, Massachusetts. In view of the&#13;
international interest in Miss Alcott's works the&#13;
management of the woman's club has felt itself&#13;
justified in issuing an international appeal for&#13;
CORRESPONDENCE.&#13;
assistance.&#13;
The Orchard House at Concord is situated near&#13;
AUTHORS AND THE LIBRARIES.&#13;
the house owned by Ralph Waldo Emerson. It&#13;
was first occupied by Bronson Alcott and his family&#13;
SiR, -As a new author, may I draw your in 1857. It continued to be their home for twenty-&#13;
attention to the following facts.&#13;
five years when it was sold to the late William T.&#13;
My first novel, published about three months Harris, for many years United States Commissioner&#13;
ago, received very favourable press notices, and of Education. In it were written "Little Women"&#13;
was advertised as being obtainable at all libraries.&#13;
and several others of Miss Alcott's best liked&#13;
and&#13;
Several of my friends, wbo belong to Mudie's, stories. On the woodwork, in places, may be seen&#13;
repeatedly applied for it without success, until a little paintings and sketches by 6 Amy." Louisa's&#13;
ek or so ago, when, in answer to a pointed note younger sister whose death, shortly after her happy&#13;
of inquiry, Mudie's returned a reply "that, as the marriage to Ernest Nieriker, a young Swiss gentle-&#13;
demand was so small, they had not as yet procured&#13;
man, was one of the tragic events of the author's&#13;
it. but would now do so." This action of Mudie's middle age.&#13;
appears to me to amount practically to a boycott This house, about which cluster so many memo-&#13;
of all new authors, the demand for whose work ries of one of the most helpful writers for the&#13;
must necessarily be small at first; and if the small&#13;
young, it is hoped not only to purchase but to&#13;
demand, which should legitimately widen into a&#13;
maintain as a permanent Alcott memorial.&#13;
maintain as&#13;
A plain&#13;
larger, is baffled, what hope is there for the new wooden dwelling, after the fashion common in New&#13;
author ? Such action nullifies any good which England, it is almost unchanged in its general&#13;
laudatory reviews might have worked. Would features, but now so desolate as to move the com-&#13;
even “Marie Claire,” for instance, have sold&#13;
miseration or indignation of visitors who have&#13;
largely if the supply had not responded instantly&#13;
loved Miss Alcott's stories and the characters she&#13;
to the demand ?&#13;
has created. Restored to its original state it will&#13;
It is but fair to say that I believe all the other charm the many people from overseas who include&#13;
libraries stocked the book.&#13;
in their American itinerary the most famous of&#13;
Yours faithfully,&#13;
New England villages.&#13;
A MEMBER.&#13;
F. W. COBURN.&#13;
Miss LOUISA ALCOTT.&#13;
SIR,-It may interest some of the many English&#13;
men and English women who as children enjoyed&#13;
Louisa Alcott's “Little Women” and other stories,&#13;
to know that at Concord, Massachusetts, U.S.A., a&#13;
movement has been started to keep intact the&#13;
Orchard House in which the Alcott family lived&#13;
for many years. Americans of late have shown a&#13;
disposition to preserve such literary and artistic&#13;
shrines as there are in their country. The birthplace&#13;
or former residences of Longfellow, Poe, Irving,&#13;
Whittier, Whitman, Whistler and others have been&#13;
commemorated. This year, although financial con-&#13;
PROFESSIONAL TYPISTS.&#13;
DEAR SIR,-May I, as a “ Professional Typist"&#13;
of nearly fifteen years' experience, while offering&#13;
my sincere sympathy to “A Member," ask him&#13;
with all deference what else he could have expected&#13;
at the price ? 85,000 words and a duplicate for £4!&#13;
This means that the 85,000 or 84,000 words were&#13;
typed at about 8d. per 1,000 words, the duplicate&#13;
being charged at less than half price. He does not&#13;
tell us if the paper was included—more than a ream&#13;
would be required. Copying from MS. (even if fairly&#13;
clear, and most author's MS. is anything but that),&#13;
a thousand words would take a good typist from&#13;
&#13;
&#13;
## p. 238 (#316) ############################################&#13;
&#13;
238&#13;
THE AUTHOR.&#13;
half to three quarters of an hour, or longer in pro-&#13;
CANADIAN MAGAZINES.&#13;
portion to the difficulty of the MS. But in addition&#13;
to this it should be read, carefully compared and&#13;
SIR,-It may possibly interest some readers of&#13;
checked with the MS., corrected, if necessary, and&#13;
The Author, particularly when the question of the&#13;
the words counted. This means over an hour's&#13;
Canadian Copyright Bill is being discussed, to hear&#13;
work for each 1,000 words. If there are duplicate the opinion of one Canadian editor with regard to&#13;
copies, any errors have to be corrected separately English contributors. I quote from his letter :&#13;
in each, taking still further time and work, and ail “ We could not use your work because it is too&#13;
this is expected for less than a shilling! The English for us. We are essentially &amp; Ca&#13;
“ firm"has, moreover, to pay the typist employed, publication for the Canadian people, and our own&#13;
to provide all necessaries for the work, i.e., ribbons big land has enough interest to provide exhaustless&#13;
for machine (the best are 38. 6d. each), carbons for topics for stories and verse. You will readily&#13;
duplicates (best 2s. 6d. per dozen), erasers, paper understand that Canadian people do not want an&#13;
fasteners. packing materials. wear and repair of English magazine published in Canada. If they&#13;
machines, and very often is expected also to provide wish to read magazines with English character they&#13;
paper at from 28. 6d. to 38. or more a ream. He buy an English publication, but they have no use&#13;
wants somehow to make a profit out of which to pay&#13;
for a magazine which is part Canadian and part&#13;
office rent, insurance. lights and heating, also board English. The fact that Englishmen who come to&#13;
and lodging, travelling expenses, and all other items Canada constantly try to introduce their home&#13;
incidental to one's being alive, including clothes. customs into Canada, instead of adapting them-&#13;
How is this to be done at the price quoted ? Only, selves to those of the country, has built and fostered&#13;
as “ A Member's " sad experience proves, by scamp- an antagonism to Englishmen."&#13;
ing the work, employing uneducated, inefficient and Why an English writer should be rated for the&#13;
“cheap" assistants, using cheap materials and third- failings of her countrymen who go to Canada is&#13;
rate machines, and so sending out work which merits somewhat hard to understand. Evidently Canadian&#13;
“A Member's” graphic description. I have had editors do not believe in free trade.&#13;
reams of such useless stuff to re-type for other dis-&#13;
Believe me, Yours faithfully,&#13;
gusted authors who have made trial of the cheap&#13;
EDITH DART.&#13;
typist. Years ago I myself tried to give really good&#13;
work at these low rates, to work up a “connection,"&#13;
but I found that it meant literally starvation. I&#13;
JOURNALISM AGAIN.&#13;
am writing, therefore, in defence of those—most of SIR,—I regret to notice in a recent number of&#13;
them well-educated and cultivated women—who are a certain illustrated weekly, the following state-&#13;
trying to make a living and to put by something for ment by the writer of a literary letter published in&#13;
their old age, by giving really good and honest work that journal, and signed “C. K. S.”&#13;
at fair and reasonable rates. “ A Member" might “I have always looked upon the Royal Society&#13;
easily have found the names of several of these of Literature as a ridiculous body, even worse than&#13;
(even “ good wine " needs an alluring “bush ” in the Society of Authors.”&#13;
these days of competition !), and would, in far less It is clear that C. K. S. is either wilfully&#13;
time, have received accurate, well-typed, and well ignorant of the work that the Society of Authors&#13;
turned-out work which would have rejoiced the has done, and is continuing to do for authors and&#13;
hearts both of himself and his publisher. Authors dramatists, or that his remarks are merely the&#13;
have, unfortunately, forced this cheap work into outcome of some spite or pique which he has&#13;
the market by insisting on "lowest terms,” irre- against the society.&#13;
spective of the quality of the work. Cheap type- The publication of such a statement, while it is&#13;
writing is “cheap and nasty," and good work unlikely to injure, at this time of day, the prestige&#13;
deserves fair pay.&#13;
of the society which is now firmly established as the&#13;
Should“ A Member” be so rash as to purchase a result of its work for authors, dramatists and&#13;
suit at 18s. 6d. in the City Road, would he expect musicians, is scarcely calculated to aid the circula-&#13;
the cut and style of Bond Street ? I think not. tion of the paper in which it appeared. The&#13;
Yours faithfully,&#13;
paragraph I have quoted is much more likely to&#13;
A TRAINED AND CERTIFICATED TYPIST. make Mr. C. K. S. appear ridiculous than the&#13;
Society of Authors.&#13;
P.S.-A hint to typists. It is said that a well- I write to direct your attention to the matter,&#13;
known author, when asked to supply a certain though you may not consider it worth while to&#13;
editor with a serial at a very cheap rate, replied take notice of it by printing this letter.&#13;
briefly : “Dear Sir, I am not a charitable institu-&#13;
Yours, etc.,&#13;
A SYMPATHISER.&#13;
tion.”&#13;
&#13;
&#13;
## p. 238 (#317) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
AUTHORS wishing to make arrange-&#13;
Commi&#13;
Authors' MSS. 10. 1,000 words; over 40,000, 10d.&#13;
Educated Operators, GOOD PAPER, Standard Machines. .&#13;
Plays and Actors' Parts. Legal, General and Commercial&#13;
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SIKES and SIKES,&#13;
The West Kensington Typewriting Offices,&#13;
(Established 1893),&#13;
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ments for Publishing are invited to&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Ltd., Publishers, 12, Paternoster Row,&#13;
London, E.C., who will be pleased&#13;
to consider MSS. and advise (free).&#13;
Please write before sending MSS.&#13;
THE AUTHORS' ALLIANCE&#13;
BARGAINS IN BOOKS.&#13;
Are prepared to consider and place MSS.&#13;
Literary Work of all kinds dealt with by Experts who&#13;
place Authors' interests first. Twenty years' experience.&#13;
2, CLEMENT'S INN, W.C.&#13;
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Terms—Cash with order. The Tissot Pictures Illustrating&#13;
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postal orders L. &amp; S.W. Bank, Fleet Street Branch.-&#13;
'J. F. BELMONT, &amp; Co., 29, Paternoster Square, E.C.:&#13;
Authors' MSS, and General Copying carefully&#13;
typed at rates from 8d. per 1,000 words. Recommended&#13;
by a member of the Authors' Society.&#13;
Miss E. S. MURDOCH,&#13;
Glenfairlie, Avondale Road, Wolverhampton.&#13;
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THE BROAD HIGHWAY.&#13;
A Romance. By JEFFERY FARNOL.&#13;
THE NOVEL THAT DELIGHTS EVERYBODY.&#13;
At all Libraries and Booksellers. Price 6s.&#13;
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&amp; romance of Kent, a story which helps you to love England and the English language."-The Graphic.&#13;
Also put down on your library list of books to read :&#13;
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FROM MEMORY'S SHRINE. By CARMEN SYLVA, H.M. The Queen of Roumania. 108. 6d, net.&#13;
LOUISA MAY ALCOTT: Dreamer and Worker. By BELLE MOSES. 6s. net.&#13;
GLEANINGS FROM FIFTY YEARS IN CHINA. By ARCHIBALD LITTLE. 78. 6d, net.&#13;
ACROSS YUNNAN. BY ARCHIBALD LITTLE. 38. 6d. net.&#13;
TRIUMPHS AND WONDERS OF MODERN CHEMISTRY. By GEOFFREY MARTIN.&#13;
78. 6d. net.&#13;
FROM THE FOUR WINDS. By FRANCIS SINCLAIR. 68.&#13;
OUR NAVY FOR 1,000 YEARS. By Rear-Admiral Sir S. EARDLEY-WILMOT, R.N. Price&#13;
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THE INNOCENT MURDERERS. By WILLIAM JOHNSTON and PAUL WEST. Price 6s.&#13;
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THE EVENING TIMES: “A quasi-scientific novel on the most approved lines. ..."&#13;
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From the Polish of ALEXANDER GLOVATSKI.&#13;
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Should any difficulty be experienced in obtaining copies of the above from your bookseller or library, please communicate with the&#13;
publishers:&#13;
Sampson Low, Marston &amp; Co., Ltd., 100, Southwark Street, London, S.E.&#13;
&#13;
&#13;
## p. 238 (#318) ############################################&#13;
&#13;
Vuu&#13;
ADVERTISEMENTS.&#13;
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Opinions selected from letters received during the past twelve years :-&#13;
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ligently copied, from 1s. per 1,000 words; special success MRS. TOM GODFREY: “I think you must be a treasure trove&#13;
to all authors who have the good fortune to bear of you...&#13;
with work rendered indistinct by hasty writing and by&#13;
You certainly evince an intimate knowledge of French."&#13;
corrections. French and German typewriting undertaken,&#13;
MRS. HINSON (KATHARINE TYNAN): “I have never met.&#13;
and typewritten translations supplied. Testimonials with anything approaching your intelligence, carefulness and&#13;
from authors, scientists, engineers, architects, barristers. promptitude."&#13;
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Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED&#13;
at 10, Bouverie Street, London, E.C.</text>
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who acts
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Cromb has played Richelieu
The Musketeers
the Haymarket
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with
Lane and Pistol
the Lyceum
partnership
produced
and
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with Lewis Waller
He
The Bonnie Briar Rose
the
James
and has since played the part
Lauchlan Campbell
the provinces over thousand times He
Galsworthy
play
profound
impression when
also took
tour John
remarkable
Strife which created
great hit with
Mr Frohman produced
the Duke
York
Theatre
More recently
made
one
the Child
The Touch
act sketch
Messrs Cotterill
Cromb
clients have thus the advantage
Mr Mollison great influence and
experience

.

William

MR WILLIAM

as

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ADVISER

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DRAMATIC

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Captivating and engrossing
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Labour Leader
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Times
Theodore Roosevelt can recount many
stories
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DAVID WILSON

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Authors are invited
send their names
and particulars of their publications
the Editor for insertion
the next issue
notice of which will be sent them
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68

His Way

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SOCIETY

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cost its production would
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The funds suitable
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kept
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necessary for the Society
case
incur heavy
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fighting
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assisting
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dealing
any other matter closely
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connected with the work
slowly
This fund
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hoped will
increasing and
time cover the
the Society
all the members
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is

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.

members

inform

of

of

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Authors Society and other readers
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that the cases which are quoted
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papers that are
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None
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NOTICES

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374
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1911

,

.
8
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NUMBER

TELEPHONE

Monthly

Authors

.

May 1st

No

.

.

XXI

Society

BY SIR WALTER

FOUNDED
Vol

Incorporated

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Organ

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Every effort will
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.

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XXI

,

or

of

whatever

return articles which
VOL

List
Members
the Society
Authors
published October 1907 can now
obtained
the offices
the Society
the price
July
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includes elections
sold
members and associates
1907 and will
A

by

.
on

Communications
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all literary matters treated from the
Editor
standpoint
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business but
art
subjects

THE

of

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of

month

LIST OF MEMBERS

39

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March

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March 9 , Boughton , Rutland

THE PENSION FUND .

ON

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Feb .
Feb

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end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages .

.

184

�THE AUTHOR .

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due had been
for the recovery
MS had
portion
been settled
and
one case where
MS had been lost the defendant had promised
pay reasonable compensation
The solicitor accord
ingly was instructed
proceed
this case
regard
certain
cases taken
the society
against Mr Henry
Drane judgment was obtained
before Mr Justice Eady
There was another case
literary agent for money
taken
hand against
case

one

as

as

of

of

to

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to

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of

,

of

.

a

of

by

to ,

of

the members which the committee
quickly
the solicitor
settle
service
writ
After theconsideration
the cases the committee
discussed the question
the new Copyright Bill
which had just been printed and made public
The committee instructed
the secretary
send
copies
the Bill
members
the Committee
instructed
possible

the Copyright and Dramatic
Sub Committees
and
refer the Bill
both the
last mentioned
sub committees
for report
The
to

to

Management and

.

the invoices

as

far

of

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a

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to

he

checked the sales

recovery

settled

- -

.

in

a

to of

-

.-

motion for injunction and
now
closed
The
result illustrated forcibly the practical value
the
society
intervention
The next case had been before the society for
some months
the member concerned asking the
society
put
accountant
check the
accounts
firm with which he was dealing
this case the society had already obtained
con
gum
siderable
from
the publisher
with
full
statement
account and
the copies printed and
the author had received
the stock
The only
question
remaining
was
whether
the printers
voucher
for the number printed
the first
instance was correct
The solicitor added that
inspected
had
the books
the publisher

there

the members

to

to
of

of

.

The first matter related
the infringement
the dramatic rights
two members
This case
the solicitor reported
had been
settled
the
payment
sum after the society had issued

claims

,

.

-

up

of

to

satisfaction

Cases
The solicitor
the society attended the
meeting and made
report
the cases
hand

-

.

,

up

to

,

to

up

at

,

of

of

of

,

.

of

.

1910

unreasonable excuse the committee decided
commence proceedings
The solicitor then made
the committee
report
the small cases which
had dealt with
during the past month
three claims against
magazine
had proved impossible
obtain any
as

by

for

.

by

,

,

bringing the
and associates were elected
ninety two
total elections for the current year
bringing the total
There were five resignations
resignations for the current year
number
report that the
fifty
The committee are pleased
elections are well
the average
former
years
whereas
the resignations
are
somewhat
below the number
the corresponding period

members

by

. -

,

on

of

, ,

Sir Alfred Bateman
seconded
Mr
Shaw and supported
Mr Francis
unanimously
Storr
elected
chairman
the
current year
After the minutes
the former
meeting had been read and signed the committee
Twenty
proceeded with the election
members
Bernard

India was next discussed and the
secretary was instructed
place the matter
the
hands
the Indian solicitors
the society
dispute affecting
The committee then discussed
magazine
paragraph
some contributors
and
dealing with the matter will
found elsewhere
this issue
The Author
The magazine referred
was The English Review
The editor
Indian paper having
lifted
story
member
the society which had been
first published
The Westminster Gazette and
having
his letters
the secretary avoided
coming
any settlement
what appeared
a

,

so

a

to

.
S
.

.

in

of

's

much

Walter
posal

his play

to in

elect
chairman
for the
Squire Sprigge who did
Dr
the early days
the society under Sir
chairmanship
Besant
was
the pro
was

it

of

.

,

Management
carrent year

of .

,

Sprigge

of

.

,

, ,

,
.

Squire

another book of a similar character .
The solicitor
reported that as
had been able
look
into the matter the infringement seemed clear and
copyright had been committed
that
breach
support the action for
The committee decided
taking the case through the courts
the member
infringement
necessary
case
the dramatic
rights
performance
one
the members

on

Sir

—

:

-

.

W

, .

W

.

.

Shaw

S

.C
.
M
.
, .
G
J. .,

K

G

,

,

Bernard

Francis Storr Sidney Webb
The first business before the Committee

.D
.,

M

Rackham

W

.

E

,

of

I

to

HE April

meeting
of the Committee
of
Management of the Society of Authors was
held on Monday , April 3 , at 4 p . m .
This was the first meeting after the Committee
Election for 1911 .
The present Committee
of
Management consists
the following
Alfred
Bateman
Mrs Belloc Lowndes Mrs
Comyns Carr Maurice
Nesbit Bland
Aylmer Maude Arthur
Hewlett
Jacobs

M

and , in short , did not think anything more could
auditor than he had
be done by a professional
done already .
The committee decided , in these
circumstances , that it would be a waste of money
to send in a professional auditor .
The next question related to the infringement of
the copyright of a member 's work - - work dealing
subject by the publication
with a technical
of

an

NOTES .

a

COMMITTEE

185

�THE AUTHOR .
the , or

.

,
of

of

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of

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.)
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in

two were unimportant but
two points
least
the committee considered that the views
society must
pressed
the bill which
Members are referred
printed
supplement
this number
The
Author
As regards clause
sub section
the
society had suggested that the importation
illegal even though not for sale
copies should

their assent
undertake the duties
Sub Committee
1911 will
Rudolph Besier
Granville Barker
Carton
Anstey Guthrie Miss Cicely Hamilton
Captain

,

a

,

,

of

few

-

-

of

-

re

re
-

of

course

The Dramatic

by

The committee were glad to see that , with very
exceptions ,
the suggestions made
the
Society
Authors
had been accepted
There
were however
few exceptions
which one

Committee of Management decided also to have a
special meeting for consideration of the Bill .
The
election
the sub committees followed
and the Copyright and Art Sub Committees were
elected
due course
The Committee
accepted
Management
the recommendations
the dramatists
the society and elected the
persons whose names were laid before them subject

a

186

the committee

clause

be

of

.

no

to
it

to

,
of

be

,

.

of

as

a

25

to

on

drawn
of

to

to

;

;

as

it

,

it

to

,

.

B

a

of

of

on of

.

,

it

.

in

in

of

.

at

a

to

-

was settled that the Copyright Sub Committee
Manage
report
should make
the Committee
ment
their next meeting

HE

.
re

its

-

21
.

,

a on

of

of

to

of

1

of
by

of

first meeting
the Dramatic Sub Com
mittee
the Society
Authors since
Management was
election
the Committee
Friday April
held
the offices
the society
The first business was
elect
chairman for the
at

-

.

of

M

.

,

.

,

in

-

of

the Copyright Sub Committee
had been
embodied
the present bill
This
course was adopted
and Mr MacGillivray
went
through the bill indicating
the alterations that
had been made and the places where they con
suggestions
formed
the society

SUB COMMITTEE

-

on

DRAMATIC

of

of

of

,

-

at

of

it

,

of -

,

he

.

of

go
.

be

of

11

to

be

to

.

to to

,

on

be

to

,

of

a

of

of

it

no

to

,

,

in

pressed

Joint Com

the 1910
bill and were glad
see that several
their
suggestions had been accepted but they did not
approve section
they decided
stood
subsequent meeting when here
reconsider
they hoped
too
suggest
would be possible
some compromise
All these points
discussion arose out
the
report
Management
the Committee
the
bill when
was introduced
1910
Other matters
the bill were discussed and
,

·

by

an

Chairman opened the proceedings
nouncing that there were
agenda before
the meeting except
consider and report
the Copyright Bill and accordingly
suggested that
adopted
the first instance the broad lines
by the Society
Authors should be considered
report should then be formulated con
and that
taining the suggestions which the Committee
the Society
Authors considered should
made
when the bill was being carried through Com
mittee
the House
Commons
Mr Mac
Gillivray then proposed that
through
should
considering how far the
the new bill
1911
Management
report
the Committee
the
bill
1910 had been accepted and their sugges

to

on

's

or

's

(4
.)

considered this clause
now
distinct improvement
the clause

mittee

.

-

THE

tions and those

be

of

,

to

as

,

be

.

considered that the alteration should
With regard
clause
the

JOINT MEETING OF THE COMMITTEE OF
MANAGEMENT AND THE COPYRIGHT
SUB COMMITTEE

.

as

a

,

on

be It

should
withdrawn
under that proviso
possible for any piratical printer
print
would
publisher
printer
name
the pirated copy
and thus the onus probandi would
shifted from
prove innocence
the shoulders
the pirate
prove guilt
the author
The Joint Committee

a

of ,

to

.

(3
).

£3

.

.

he

A

.

of

.

at
a

of

to

,

of

Miss Emma Brooke towards the capital fund
Eggar towards the same fund
from Mr
purchase £140
and the committee decided
consols out
the life membership account
£5

4

of

to

of

on

in

on

,

as

(
.2)

.

ofat ,

to to

,

to

of

and
letters from members
Academic Committee
the library censorship
the subject
The secretary reported that
had received
from

an

,
.
G

,

.

M

.

E

,

.

.

The
Joint Committee considered that
drafted
should not stand
Several proposals were made and these will
subsequent meeting
considered
the Com
Management
mittee
when
definite report will
points
be laid before them
these
At the
meeting
the Joint Committee
form
com
promise which seemed likely
be acceptable
all parties was suggested
was felt that the proviso
clause

was again laid before
The agency agreement
and after discussion the secretary
was instructed
send fresh copies
the members
the committee
who decided
consider the
terms and clauses
the next meeting
The attention
the committee was called
the letters
The Times
the subject
the

and

"

,

.

K

W

,

or

hire
and the Joint Committee considered that
this point should
still pressed upon the Govern
ment
amendment

,

Basil Hood
Jerome
Jerome Henry Arthur
Jones
Somerset Maugham
Cecil Raleigh
Symonds
Bernard Shaw
Miss

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p
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Bernard Shaw

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follows
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John Galsworthy

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the ballot which was
Henry Arthur Jones
R

result

G

,
he

contracts
the dramatists
This was the first meeting
apart from the other members
the Society since
the Dramatic Sub Committee
the reconstitution
two years ago
Proceedings
commenced with the reading
the chairman
the
the request
the secretary
of

of

,
by

to

.

Dramatic Sub Committee take into early considera
general treaty
negotiating
tion the possibility
embodying
the
with the Managers Association
agree
all dramatic authors
clauses common
simplifying dramatic
view
with
ments

. .

,

A

it
.

's

-

of

adoption

Henry Arthur

and
Jones will propose
motion
That the
Carton will second
carry out the recom
called upon
Government
the establish
the Joint Committee
mendation
single licence
ment
Mr Bernard Shaw will propose and Miss
Cicely Hamilton will second
motion
That the

Mr

2 1

to

,

to

at

,

in

be

An

Mr

.

for

in

.

it

.

to

.

,

was decided

move

discussion

3

he

a

of

a

,

an

of

-

, -

-

A

and
office was also read
Chamberlain
present not
take any steps
the
await the further action promised
Lord Chamberlain
who had stated that no time
putting forward the points raised
would
lost
the Dramatic Sub Committee
important
letter was then read from the
Producing
general
counsel
the Theatrical

the Lord

year

4

a

of

,

an

by

,

.
of

to

of

the Copyright
refer them
was instructed
Sub Committee
the late
letter which
Sir Arthur Pinero
West
from
the Society
had received
chairman
and the secretary
End Managers was next read
acknowledge
was instructed
letter from

for the
Dramatic
Sub Committee
seconded
The motion will
Mr Henry Arthur Jones the vice chairman
the
The Chairinan will present the report
general
Dramatic Sub Committee and will after
ensuing

.

of

in

.

a

on

.

in

to

.

of

Finally

appointing the

. .

of

, to

in

it

's

of

payment
sum
the case
the secretary reported that
2001
some plays which had been
MSS
had recovered
lying with the proprietor
Indian theatre and
letter from the
read
the Sub Committee
the
the plays expressing his thanks
author
work the society had done
The Sub Committee next considered the Copy
touching
right Bill
and
various points
rights were discussed
The secretary
dramatic
settled

defendants

he

next

OF DRAMATISTS

2

be

.upof

on

, ,

the hands
that
had been placed
The third
case was
Indian lawyer
cinematograph
the performance
one
England
After the society had
dramatic work
injunction the
applied
for
the courts
reported

the society

it

their

the
the dramatist members
Society
Authors was held
Friday March 31
the Large Room
Arts
John Street Adelphi Sir
the Society
The agenda
the chair
Arthur Pinero being
was
follows
Sir Arthur Pinero the chairman will call
the ballot
announce the result
the secretary
the
communicated
and move that the result
guidance
Management for
Committee

. 3.
R
.
C .
.
,

of

of

,

he

the Sub
the recommendation
taken
the case would
the infringement
The next case related
rights
dramatic
India
and
the secretary
hoped

Committee

MEETING

.

as

go

to

,

's

was now waiting for further evidence

but
to

THE MEETING

4

.

he

,

he

in In

of

in

hand

society

a

of

of

the

before the next
title and that the matter would
Management when
meeting
the Committee

by

Sub Committee

The consideration
the managerial treaty was
adjourned
the next meeting
and
the
the secretary was instructed
meanwhile
draft
form
contract and
circularise
the Sub
Committee with
that they might consider
carefully before they reassembled

cases that

behalf
the dramatic
since the last meeting
performance
cinematograph
one case
had obtained
the secretary reported
America
lawyer and
American
the opinion of the society
had been taken

that

the

before

of

of -

the legal

reported
on

The secretary then
members

matter

meeting

.

successfully

set out at length the
procedure for stopping infringements
of dramatic
rights
secretary
that country .
in
The
was
instructed to write to the counsel , Mr. Ligon
Johnson , for further particulars , and to
the

to

be

he

he

.

-

of -

to

he

of

of

-

a

.

to

-

,

,

of

the former meeting had been read
and signed
the Sub Committee turned
their attention
the agenda
The secretary laid
report that Sir Alfred
before the Sub Committee
from
Bateman had received
the Advisory Com
mittee
Commercial Intelligence
the Board
Trade with regard
the applications
had been
making for reports from the consuls and commer
cial correspondents touching the performance
English plays
The Sub Committee thanked Sir
had taken and hoped
Alfred for the steps
carry the matter through
able
would

minutes
approved

Managers of America , which

a

R

.
.
C
.

, .

.

Carton

.

,

Barker

of

byon

year and
the proposal
Mr Granville
seconded
Mr Bernard Shaw Mr
was unanimously
elected
After the

,

current

187

82
79

�THE AUTHOR .
on

-

to

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it

.

,

.

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as

to

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in

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,

.

to

,

.

a

to

of

.

to

enable the theatres
cut into their business
But
right
really the public had
see whatever sort
entertainment they desired
Mr
Carton seconding the motion
said
emphasize what Mr Jones
he could add little

,

-

,
viz
.,

.
H
.
A
.

.

.

be

to

. of

.

a

-

a

of

of

of

to

sketch

produced
fifteen years before his sketch could
the music hall stage
He pointed out that there
people
were really four bodies
considered
managers the authors
the matter
the two sets
and the public
And why should theatrical
managers object
the performance
the music
things
hall sketch
He instanced the state
prevailing elsewhere than
London
At the
they had
Theatre Royal Dublin
double licence
for stage plays and music hall performances
This
having
clumsy way
single
was really only
manager could give
variety enter
licence
tainment
certain
seasons of the year this would
carry
help
his theatrical business
him
Perhaps music ball managers were afraid
others
single licence would
that the introduction

If

.

a

it

a of

in a

of

for

Dolly

for

to at

of

,

be as

.

,

a

,

.

to

of

at

, .

,

thanked

own

Dolly
detachable scene from his comedy
Reforming Herself
was refused just before
the
agreement between
Coliseum
because
the
theatre and music hall managers
For the present
therefore he was deprived
his right over his own
By this absurd agreement he must wait
property
easily

.

.

,

of

to

,

it

,

.

,

be

-

- .

.

they

His

the whole business

C

.

to

,

-

of

.

to

,

in

on

Mr

which

to

.

,

to

he

at

-

.

if

,

.

in

as

.

.

,

's

.

him

congratulation

the case seemed
think that Mr Waller and the
management had done something criminal
pro
ducing the forum
scene
from
Julius Cæsar
greater reductio
There could
absurdum

,

to

.

.

be

to

.

of

.
J.
be

it of
of

of

Hope

the

.

.

to

-

of

to

to

a

W

.

Mr

he

would serve again
desired
Locke then proposed
and Mr
Cecil Raleigh seconded
that the result
the ballot
should
communicated
the Committee
Management
The Chairman then proceeding
the report
the Dramatic Sub Committee proposed that
was
the hands
all present
should
read
taken
Mr Cecil Raleigh having proposed and Mr
Henry Arthur Jones having seconded
motion that
adopted
the report should
Mr Anthony Hope said that Mr Raleigh was too
quick for his slow moving brain
Before the report
say
was adopted he would like
few words
Referring
the history
the Dramatic Sub Com
question
mittee he stated that
one time
was
whether the dramatists
this country should
separate body
not form themselves into
look
after their interests
The members
the Society
strong feeling that there
Authors however had
charge
should be only one body
the interests
this was that the
The result
all authors
Dramatic Sub Committee
the Society was formed
which was
existence
He heartily congratulated
all concerned
the procedure adopted
the sub
The Chairman said that the members
Anthony
receive
committee were very glad
date

out

single licence
establishment
Mr Jones said that was about time that this
Nearly two years bad
sketch business was settled
elapsed since the Parliamentary Committee reported
the point
That committee came
the con
clusion that the only way
settle the question was
single licence
institute
the meantime
Shakespeare and
however the scandal continued
himself
continued amid laughter were consis
tently
and foully boycotted
the music halls
Mr Lewis Waller
recent appearance
the
charge
Palladium cost £160 and the magistrate

-

by
, .

his

be

on

.
R
.
C
.

.

,

M

.

E

from
the Dramatic
Sub Committee
He
that the collective voice
those present
would ask him
reconsider his decision
Sir Arthur Pinero was sorry
unable
accede
this request
He had served for two
years as chairman
now
the sub committee and
Probably
asked for
little holiday
some future

retire
hoped

carry
That the Government
called upon
the recommendation
the Joint Committee

.

9

.

.

.

.

The Chairman announced that Mr. John Gals
worthy had written to him to the effect that,
living as he did in the country , he felt that he
would be unable to serve on the sub -committee , and
accordingly begged
to withdraw
name
The
vacancy thus created
would
filled
Miss
Symonds the thirteenth
the list
express
At this point Mr
Carton rose
his regret that Sir Arthur Pinero had decided

R

.

forward
anything further
say concern
ing the report after
brief discussion
who
adoption
should properly move
Mr Walkes
proposed and Mr Hope seconded that the report
adopted
should now
The motion was put and
carried unanimously
The Chairman then called upon Mr
Jones
propose the motion standing
his name

.

.

bring

No one having

to

Mrs . Cohen

16 .

done

been

“

K

on

. Jerome .
10 . Cecil Raleigh
.
.
11 . Rudolph Besier
.
12 . Miss Cicely Hamilton
13 . Miss E . M . Symonds .
14 . J . H . McCarthy
.
15 . Mrs . K . C . Thurston .
Jerome

point out that now
Mr Bernard Shaw rose
was the time during the discussion
the report
for anyone who had any grievance over what had

71

to

...
..
...
.

7 . Captain Basil Hood .
8 . W . Somerset Maugham
9.

.
...
..
..
..
.

.

.

.

of

5 . H . Granville Barker
6 . Anstey Guthrie

on

188

�THE AUTHOR .

all

in

in

“

“

.

in

in

no did

as

be

a

In

”

or of

of

,

to

an

a

in

as

a

,

-

,

by
be

to

.

- it

it

to

a

.

to

as

to

he

to

of

in in

,

In

.

he

the Lord Chamberlain
Mr Raleigh said they the dramatists were the
meeting
people
call such
he had suggested
He would not hesitate even democratic as he
present
petition direct
was
the King

.

in

;

in

In

.

a

of

of

,

“

,

to

in

,

in

a

on

be

a

it

to

,

,

,

"

be
,

,

to

-

in

.

;

,

of it

,

to

it

.

,

.

he

-

Mr Cecil Raleigh

the fact that not only
had the sub committee petitioned the Lord Cham
reply
berlain
and received
mentioned
applica
the report but also had made
second
tion
and within the last three days received
answer
the effect that the Lord Chamberlain was
putting the proposals before the London County
Council from which
would be seen that matters
were not standing still
Mr Raleigh concluded
saying that what was wanted was one licence for
question
entertainment leaving
the drink
settled
itself since
was this question which
now apparently stood
the way
He hoped that
big
they would one day
the near future call
public meeting
all parties interested
enforce
their rights
The Chairman said that
had been going
ask
Mr Raleigh for suggestion
what further
measures they should take beyond their petition

,

to

he

, bis

.

an ”

“

.

,

to

anybody
shall not

legal
After calling attention

.

,

, . ,

.

of

.

;

.

an

's

to

.

,

Tree who had done more for Shakespeare
say
else who stepping
No
this
was responsible for the existing
anomaly
Not only
Dublin
but also
other
provincial towns the other system was
use
and
the double licence worked very well
conclusion
was glad
see that they had got their Dramatic
Sub Committee
dimocratic footing
the
future the sub committee would feel that they had
something
the nature
mandate
behind
them
and thy would not
unmindful
their
responsibility
Herbert

than

.”

.

-

on

be

.

to

a

,

.

to

III

boil down
Richard
into thirty
impossible
minutes
Mr Hicks found his task
one and the result was that
had
cancel
engagement and about two hundred poor supers
who had their bread
earn
and did not find
nowadays were thrown out
easy
earn
employment
say that
He regretted
was Sir
attempted

of

to

at

he

he

if

for

would call him
order
Mr Jones had
particularly painful and cruel injustice
colleague Mr
and Mr
Jones late distinguished
equivalent sufferer
Shakespeare
was almost
He
referred
the case
Mr Seymour Hicks who
chairman

soffered

to

had

by

have

.

old

should

prevent dramatic
to a miserable
law
performed
works being
the music halls
He
thought
could not say all that
the subject
did his language would
such that the
recourse

-

that the managers

treachery

,

vailing at present .

their sketches , if they were free to produce them
there . Music - halls in the provinces were , as a rule ,
far more attractive than the theatres , clean , bri gh
and cheerful .
The drama there had gone down ,
down down until
that would draw good houses
was something
the class
The Best Girl
Birmingham
The Worst Woman
Wolver
hampton
London what was wanted was
got
double licence such
could
the provinces
Perhaps authors
not realise that
the present
state
affairs
sketch agreement
was even

.

not imagine a more dangerous ,
state of affairs than was pre It was a contemptible piece of

had said . He could
a more treacherous

189

a

to

,

.

as

(

a

to

to

he

.

,

to

.

to

of

of

.

to

'

in

,

in

a

,

,

up

to

of

,

it

,

.

,

.

.

a

a

of

a

a

to

an

it

be

be

-

an

.

for .

Sub Committee
should draw
general treaty which managers should
called
upon
accept and
should then
understood
thing that when
manager came
author and
terms the provisions
the general treaty were
great
adopted
ipso
facto
This would mean
great
saving
time for one thing
There were

, ,

be

in

-

the Dramatic

,

of

on

licence
The motion
was then put and was carried
unanimously
Miss Cicely Hamilton proposing the motion stand
ing her name said that was absolutely necessary
remedy the present state
order
affairs that

of

in

,

,

agreed

said

in

of

a

if

— he

—

a

.

were

,

There

stop the representations

that this was the case and
that Sir Herbert Tree
his
personal capacity had strongly advocated
single
Shaw

to

.

-

,

of

.

It

a of

of

a

if

In

?

.

a

to

240 theatres

to

to

be

to

to

.

no or

in

of

.

.

England
But there were not
suitable for putting
their plays
however
sufficient music halls

240 dramatists

Association

The Chairman

Mr

.

, in

of

an

as

as

,

-

-

were
performances

in

to

,

on

of

to

”

be an
“
for

some other blank verse blackleg
fewer
than
150 000
sketch
England
every year
could
assure them
the correctness
the figure and
they took the estimate
£10
week they could
huge
work out the sum for themselves
was
industry and
capital
involved
millions
pounds
great grievance
Dramatists had
the
question was what could they do
matter
The
producing
with
their failures
the right
their worst plays there
sketches was cut off
was generally one good scene which could
used
make
sketch
Those present represented
of

Shakespeare

There

)

Managers
referred

.

from the halls was desirable during those intervals
produce the works
when the actor manager chose

as

himself
Mr Locke said
would like
draw attention
the fact that Sir Herbert Tree had only taken
steps
his capacity
Chairman
the Theatrical

.

said that
had been called
expert
the sketch question
and
such
was obliged
draw attention
the practical
side
the matter that the number
theatres
large
England was not
dramatists could wish
opening for
and the music halls offered them
they might earn money
pay
work by which
got
their daily bread
The remuneration

�THE AUTHOR .

.

a

bargain

A

.

be

.
.

prefer

that was

of

M

.

of

to

.

,

by

.

.
S
.
do

' 's

.

It

be

,

to

.

to

,

.

.

.

.

an

as

to "

,

'

“

a

of

it be

.
,

.

at

a

he

If

to

he

.

of

.

to

do

."

in

if

,

all

in

-

if

by

.

.

:

-

as

a

,

.

to

be .

to

to

of

in

,

-

two years
the Dramatic
Sub Committee
had
always borne this
mind and
the future also
they would never forget the interests
the young

author

.

The resolution was put and carried unanimously
The proceedings then terminated

.

in

a

a

to

.

of

of

business would
both sides

,

, be

of

it

,

,

to

.

in

to

,

on

good

for

man

the small people whom trades unionism might
out
existence
Let them not make the
rules
the game too hard for the small people
play
The Chairman explained that during the past
crush

.

—

,

it

to

?

to

'

in

in

already
existence
France
was
incredible
stringency
For instance the French manager
had
account
the author for every seat
the
large
house and
addition
furnish him with
general
number
seats
He did not say that
Indeed he
treaty
this model was needed here
tyrannical
hoped that they would not
good

and

Mr Charles Garvice asked
well known
dramatists would stand
the Society
whatever
might take
action
Mr Shaw said they might say We will not
deal with any theatres not accepting this treaty
Mr Raleigh said that when they stuck together
they would get their treaty just
the music hall
object by com
gained
artistes recently
their
bination
But they would not get
trades union
country
yet for dramatists
this
Let the
instruction
the meeting
the Dramatic Sub
slowly and carefully
Committee
too bard
Miss Festing bebought them not
go

at

“

:

or

.

,

.

.

That would
general treaty

blacklegging

bundle

to

.

it

a

A

?

he

?
”

.

It

West End Managers Association
sufficient
With regard
the

unscrupulous

in

?
”

,

.

as

be

,

a

.

he

would sign
did not matter Mr Shaw continued whether
they converted all the managers
accepting the
Why not negotiate
general treaty
with the

discourage

undercutting and
they failed
this they would
broken
like the sticks separated from the

be of

,

to

,

.

all

of

a

clauses

was

of

all

,

—

in
a

a

suggested
such
least
would
found necessary
and
young author each time he made
could
contract
argue over twenty
general treaty
clauses
would
include
these clauses and obviate dis
cussion He himself when
dealt with managers
put forward
long agreement and said
Will
you sign these twenty clauses
will you argue
them out with me
The manager always said

In

general treaty

twenty

“

.,

he

.

he

s

very well for you

. :

.

no

to

to

,

it
'

Oh

"

him

:

to

said

for Pinero for the leading lights
make your
terms but what about the beginner
But this
wrong
argument was
The beginner might
well be
better position than Sir Arthur Pinero
When
the managers wanted plays
was the
opportunity
the young beginner

to

-

of

.

a

at

a

of

of

.

he

a

to

-

of

people

hearing
all
Mr Grundy agreed that they must consider the
position
young
untried authors
were
beginner
would not hesitate
write across his
play
You may play this for nothing
Mr Shaw said that what they wanted

.

to

of

to

as he
a

by

working
dock labourer
One
the difficulties
met with was that

Managers Association
proposed
adopt this
The Chairman
amendment which was accordingly done
Mrs Cohen expressed her fear that the general
against the interests
treaty would
the young
author whom
would prevent from obtaining
the

it

,

in

by

be

to

it

no

.

of

in

the country
producing actable stage plays
There
monopoly
was
like
the world and they
ought
get
combining
together
able
making
almost any terms short
the business
unprofitable
the speculator
Yet only within
the last three weeks
had heard
the case
play produced
dramatist who had
first class
London theatre and got one per cent
the proceeds
The author appeared
have made
conditions
whatever save with regard
this one per cent
get less than
from which
was likely
would
capable

.

240

the work much better themselves
Sydney Grundy
referring
Mr Shaw
suggestion concerning the West End Managers
Association
said that this was the right body
approach
would
useless negotiating with

Mr

.

in

of .

of

The

Authors were

could

of

.

.

dramatic
extraordinary

dramatist members
the Society
practically all the dramatic authors

the

The condition
authors
this

to

of

regard
really

affairs with
country
was

seconded

agreement

.

.

he

be

that

Mr

.

said

point on the Dramatic Sub - Committee , Mr. Shaw
said those present at the meeting might guess that
the spade - work had been done .
Fox bringing up the subject
con
agents
tracts made
Mr Shaw derided the
pretensions
agents
place plays
Authors

.

Shaw

Mr

. Carton having remarked that there had
already been
given
a lot of consideration
to this

it
.

.

Bernard

as

Mr

motion with great pleasure
Such
that suggested was badly needed

an

to

of

fit

conditions which were essential in
every contract , and to which no one could possibly
object . She had herself suffered much from
the
absence
of such a treaty . She was subject , as she
supposed others too were subject , to hot fits and
cold fits concerning her work .
And in a cold
bargains
one was ready
make the worst

in

many general

on

190

�THE AUTHOR .
Cases .
been

Perhaps

it

term

. ,

,

Sevenoaks
Wullenweberstrasse

.

.

,

,

31

)

.

,

A

.

7

.

.

.

,

,

Sligo

Ire

Brondesbury
279

Knightsbridge
Liverpool

,

Road

.)

Thornton Heath
One member does not desire publication

.

19
,

.

,

Wicks Mark

.

.

.SW

,

Leslie

.

,

Ward

road

, .W
.
,
,

Cavendish

N

,

30

"

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H

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E

(

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Phrainly

H

.

M

Urquhart

Vis
Visiak

.

.

land

for
a

.

sent

.

to

,

as

is

to to

the letters

BY MEMBERS

keep
made by the compilers
WHILE every effort
possible they have
this list
accurate and exhaustive
attaining this object owing
the fact
some difficulty
the office
the books mentioned are not sent
that many
in

in

the
has been

as

it

be a

as

placed

BOOKS PUBLISHED

of

to

's

,

to

to

,

of

hands

,

an

,

of

Co
.

is

an

of

of

in

.up

editor will have
the society
solicitors
get any answer
impossible
from this office

due from

W

,

Kildonagh

.

.

A

,

Rupert

(

is

.

former months have been closing
Two cases
America are still open
difficult matter dealing with the settlement and
agreement
waiting
cancellation
board meeting
the Publishing
The only
money
case remaining open besides these
case
The cases from

.

,

57
,

.
.

E

,

cent
Thorold

E

is

to

German

,

.

,

on
-

17

Wolverton Gardens
West Kensington
Warrington Cres

.

J.
K
.

,

Miss

Robbins Miss Alice

,

. it

.

,

the

Church

Leonards

Sea

Prothero

is

in

, .

,

an to

an

it

as

as

as

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of on

is

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to

through

St
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Helensdene
Road

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of

in

ley

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in

in

settle

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Phibbs Miss Lena Stan

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In

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endeavouring

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Molyneux

.

,
G
.

Palmer

,

of

of

,

of

.

of

two
these the MSS have been
the editors
the office and
the
dispute
agent
other
with
the matter
practically
settled
the agent has undertaken
return the MS
soon
comes
back from
the publisher with whom
lies
agreement for publication
One dispute
negotiation
still
course
The matter needs
careful adjustment
Finally there
one case with regard
trans
Germany
lation rights
which the secretary
MSS

returned

.
W
.,

,

.

.
D

.
C
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. .

Clay
Fuchsias
gate Surrey
Tullagee
Willingdon
The

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for the return

been made

N

,

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Eversleigh

Worthing

Langworthy Mrs
Ferrier Langworthy
(

for

is

John

Eustace

.

's

of

Kitts

.

to

applications have

West

Berlin
many

.

of

of

,

of

In

, .

in

infringement
have been two cases
copyright one
which has been placed
the
hands
the solicitors
and the other has been
satisfactorily settled

Ger

,

Frau Kathleen

Gamble

press

There

Three

,

S
.W

.

.

.

.

M

E

.

(

Eton College Windsor
Rutland Gate
Kippington Grange

.

money
have been four applications
part
one
these
the money has been
paid and the secretary has given fnrther time for
payment
placed
the balance before the matter
the hands
the society
solicitors
The other
three cases only came into the office just before
There

going

Westminster

Mrs

Channon

Francis Channon
Knoop Baroness
Fox Miss Agnes

.

There bas been one application
for accounts
and money
Here the
accounts
have been
rendered and the money paid
only

Man

Augustine

sions

,

Rudolf

de

In

,

to in

.

In

.

of

items

certain

,

.

E
.
C

Besier

.

There have been three cases dealing with the
accounts
all three the accounts
have been rendered
one the matter has been
settled absolutely
but the other two are still
course of negotiation
for particulars with regard

Cheapside

Street

advice

question

40

, ,
”

.
.

's

for action

.
.

Bean , C. E . W .

,

,
S
.
W
. .

either

Arthur . Lady

Terrace

Hyde Park , W .
23 . The Boltons , S . W .
Morning
" Sydney
King
Herald

.

society

the

the
for

3 , Gloucester

.

.

solicitors

to its

in

or of

of

in

,

,
or

to those matters in which
the society , through
gives advice merely
opposition
secretary
the hands
those matters which are placed

April Elections .

Albanesi , Madame

,

the secre
intervening between an author , dramatist
the other
or composer , and the disputant on
side , takes up the matter in order to obtain
a
settlement of the member ' s rights ; in opposition
tary ,

St

the

will

hands

.

have

'

statement of the cases in the solicitors
be found in the committee notes .

The

DURING the past month fifteen oases
placed in the hands of the secretary ,
would be as well once again to explain
“ cases . "
These
are matters in which

191

�47
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By JOHN
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320 pp
John Long
68
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in Three Acts .
RUDOLF
BESIER . 78 X 51 . 215 pp . Fisher Unwin . 28. n.
"THE FOUNTAIN . By GEORGE CALDERON . 54 X 4. 161 pp .
Gowans &amp; Gray . 6d , n .

REYNOLDS

Tom GALLON

DIVIDING WATERS
Mills
Boon 6s
Two GIRLS AND MANNIKIN

73
X
o
5 '
.

DRAMA.

,

68

78
X
5
.

BIOGRAPHY .
: Her Stage Life and her Real Life . By FRANCIS
GRIBBLE . 9 x 58 . 276 pp . Chapman &amp; Hall. 158. n .

RACHEL

ECONOMICS

Hutchinson

.

ART .
OLD CHINESE PORCELAIN
AND WORKS OF ART IN CAINA .
By A . W. BAHR . 104 X 61 .
160 pp . Cassell .
308.

BAILLIE

WOMAN
THE FIRELIGAT
Jong Long
54
283 pp

MRS THOMPSON

A

.

OUSELEY

Long

THE

By H . RIDER
AND ITS LESSONS .
9 X 54 . 335 pp . Longman 's. 6s. 6d . n.

DENMARK

HAGGARD

John Ouseley
THALLASSA
MRS
320
Hutchinson
THE GREAT GAY ROAD

.

AGRICULTURE .
RURAL

By MOLVY

THE JEWESS
“

by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
other papers .
It is hoped , however , that members will
co -operate in the compiling
of this list and , by sending
particulars of their works, help to make it substantially
accurate ,

78
x

THE AUTHOR .

192

�THE AUTHOR .
POETRY .
FLINTS AND FLASHES . By E . H . VISIAK
Elkin Mathews. ls. 6d . n .

.

7 * 47.

42 pp .

POLITICAL
RUSSIAN FLASHLIGHTS . By JAAKOFF PRELOOKER . With
a Biographical Sketch of the Author . 9 x 51. 310 pp .
Chapman &amp; Hall ,

REPRINT

By GILBERT
THE NATURAL HISTORY OF SELBORNE .
WHITE . With notes by R. KEARTON . 73 x 54. 294 pp .
Cassell . 3x. 6d .
THE DOUBLE
GARDEN , By MAURICE MAETERINCK .
by ALEXANDER TEIXEIRA
DE MATTOS.
Translated
(Pocket edition ) . 61 X 4. 293 pp . Allen . 28. 63 , n.
SOCIOLOGY .
THE POSITION OF WOMAN : ACTUAL AND IDEAL . With a
Preface by SIR OLIVER LODGE . 8 x 51 . 170 pp . Nisbet .
38. 60. n.

SPORT .

RACING AT HENLEY . From reports printed in The Field
newspaper from 1903 onwards . Edited , with a Preface ,
by T. A. Cook . 7 X 44 . 209 pp .
Horace Cox . 38. 6d . n.

TOPOGRAPHY .
THE PLACE -NAMES OF BERKSHIRE. By the Rev . WALTER
W. SKEAT. 67 x 43 . 118 pp . Oxford : Clarendon Press .
London : Frowde . 28. n .

TRAVEL .
AS EASTERN MISCELLANY . By the EARL OF RONALDSHAY
M. P . 9 x 58 . 422 pp. Blackwood . 108. 6d . n .

,

LITERARY , DRAMATIC , AND MUSICAL
NOTES .

THE

6

l

NEW LIFE , " by Dante , has been
published by Messrs . Kegan , Paul &amp; Co .,
in the Italian text with English transla -

The work is edited by Mr. Luigi Ricci .
also
received the second and third
of the lectures of the Dante Society .
volumes
Among the lecturers we notice the names of the
of the society , Mr. Luigi Ricci , Mrs.
founder

tion

.

We have

, Mr. Alfred Austin , Dean Kitchin , and
Mr. Gladstone .
At a meeting of the Sociological Society , held at
Royal Society of Arts , 18 , John Street ,
the
Adelphi, W .C ., on April 4, Dr . D . S. Margoliouth ,
Laudian Professor of Arabic , University of Oxford ,
read a paper on the Universal Races Congress .
The chair was taken by Sir Edward
Brabrook ,
Craigie

K .C . B .

Great Betrayal ” is the title of a new
Mr. Harold Wintle , author of “ The
Cleansing of the Lords .”
The theme of the story
is the efforts of a foreign Power to obtain British
“ The
povel by

State secrets with the connivance
Secretary . Messrs . John Ouseley ,

pablishers.

of the Foreign
are the

Limited ,

193

Messrs . Chapman &amp; Hall are publishing
a new
“ The
novel by Mrs . Fred . Reynolds, entitled
Horseshoe .”
It deals largely with the life ,
customs and quaint beliefs of the Cornish people ,
for the study of whom
Mrs. Fred . Reynolds has
opportunities , having recently
had exceptional
passed
two years in a fisherman ' s cottage at
Sennen Cove , a tiny village under the granite
cliffs within a mile of Land 's End .
Mr. Elliot Stock is issuing " A Marriage
Hymnal ,” by James Saunders , consisting of over
eighty new hymns specially suited
for weddings ,
present or souvenir .
African novel from Miss Louise
Gerard may be expected some time before the
autumn .
Messrs. Mills &amp; Boon will publish the
novel , which will be called “ A Tropical Tangle . ”
Messrs. James Baker &amp; Son
(Clifton ) will
publish early in May a book of Fairy
Tales of
Ashdown Forest , Sussex , called “ Across the
Forest and Far Awas . " by Geraldine E . Hodgson .
D . Litt .
The volume will contain three illustra
tions by Gerald G . Hodgson , M . R . C. S ., and will be
published at 1s , 6d . net .
and fitted
A

for a wedding

third West

Miss Renée M . Deacon , whose book “ Bernard
Shaw as Artist Philosopher , ” published in England
in these
and America last year , was mentioned
columns , was also represented
in
The Lady ' s
Pictorial of October
1 and
October
8, 1910 ,
by two articles . To the former issue Miss Deacon
contributed an article on “ The Art of Life ,” and to
the latter one entitled “ The Spell of London .”
At a session held on the 10th instant , the Royal
Academy of Arts of Madrid elected Mr. James
Baker as an Hon . Corresponding
Member of
England .
Mr. Baker has written much upon
Spain .
Miss A . E . Keeton will give a course of three
lectures on the individuality of modern British
music as shown in the songs of our younger school
of composers , at 133 , Queen 's Gate , S. W . (by kind
permission of Miss Douglas ), on the three first
Friday evenings in May . Miss Grainger -Kerr will
sing the vocal illustrations with Miss Marjorie
Adam at the piano .
At the head of the contem
porary school of British musicians , dealt with by
Miss Keeton , stand in priority of age Elgar ,
Granville Bantock , Ernest Walker , and William
Wallace . Amongst the younger men are Ernest
Austin , Alfred Hale , J . Holbrooke , Frederick
C.
Nicholls , Norman
O'Neill, Percy Rideout , Cyril
Scott , and R . Vaughan Williams .
A group of
representative songs by British women composers
is also included .
“ The Evolution of Katherine ," one of Mr. E .
Temple Thurston 's novels , will shortly be issued
in sixpenny
form in Mesars . Stanley Paul &amp; Co .'s
Series of “ clear type ” sixpenny novels .

�THE AUTHOR .

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Maeterlinck
Monna Vanna
Thursday
Alfred
Sutro
and
Friday June
and
the Royal Court Theatre
for the members
their league and their friends
English
This
the first production
this
play

formances
translated

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At the Court
Xerxes
Mildred Wetton
April
was produced
the Little Theatre
opens with the
biblical play
four acts
appear unveiled before
refusal
Queen Vashti
the king and his court
The second act
con
plot
cerned with Haman
successful
make
Ahasuerus order the destruction
the Jews and
the third and fourth acts deal with the final deliver
ance
the Jews
the intercession
Queen
Esther
The caste included
Miss Marguerite
Walton Miss Mary Whittall
and Miss Jean
Colmer
organising per
The Women
Aerial League
.

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DRAMATIC

James and John
one act play
Gilbert
Cannan was produced
the Haymarket Theatre
March
The theme
the return
his
family
man who has been sentenced
prisonment for embezzlement and the receptions
which the different members
the family give
him
his arrival
The play was performed
caste including Mr James Hearne Miss Helen
Haye and Mr
Fisher White
Mr Keble Howard comedy The Girl Who
Couldn
Lie
based upon his story
that name

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the faith

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psychology

,

.

&amp;

.

.

.

. .
T
.

Circumstance
Dr Charles Reinhardt
new
book
Faith
Medicine and the Mind published
the London
Publicity Company
attempt
offer
rational
explanation
faith healing hypnotism and kindred
phenomena
possible
The author has
far
religious opinion alone whilst
left subjects
light upon the
endeavouring
throw
some

politician and
characters are
wife
who meet
conflict
the political field
Miss
Mary Rorke Miss Lena Ashwell
Mr Dennis
Eadie
and Mr Leon Quartermaine
are
the
two main

.

Co

,

at

-

.

from
Francis downward
Everett
are the
publishers
Mr James Allen has just published through
England and
Messrs William
Rider
Son
Messrs
Crowell
New
York
new
King
work entitled
Man
Mind Body and

included Miss Frances Wetherall Mr Frede
rick Worlock and Miss Adeline Bourne
comedy
The Master
Mrs Chilvers
four
acts
Jerome
Jerome was produced
King Theatre Glasgow
April
The play
treats
the women
franchise question and the
caste

of

to

of

,

an

;

,

a

,

,

,

,

with
period

the

.

the romantic adventure for
was renowned
The heroine
who under another name was also
existent
personage also plays
strong part
and indeed
while trusting
his powers
construction
and
invention Mr Bloundelle Burton scarcely depicts
one character that did not exist
the period
character

which

ments in Piccadilly , and when the curtain rises it
is seen that the bachelor ' s man has admitted a
cabman and treated him to his master ' s cigars . At
first angry , the bachelor eventually repents , and , in
deed , goes so far as to call in other passers - by.
The story begins when
he calls in a woman with
whom he has had in the past a serious love affair ,
and the rest of the play deals with situations arising
out
this
the caste were Mr Gerald
Heggie
Maurier Miss Irene Vanbrugh and Mr
poetic play
Queen Herzeleid
three acts
Isabel Hearne was produced
the Play Actors
Sunday April
the Court Theatre
The

is

,

all

Mr. Bloundelle - Burton ' s new novel “ Under the
Salamander ” - the badge of Francis
1. - deals ,
obviously , with the reign of that monarch , and ,
also , with the betrayal of France to Charles
V. of
Spain by the notorious
favourite , La Duchesse
Etampse .
To a very considerable extent the
author has followed closely the manner of that
betrayal , while investing
the hero , an actual

at by
“

the foot of the rainbow ."
It is therefore a
record of “ high adventure " in the mediæval
manner . The pilgrims set out after the fashion
of Don Quixote , with a donkey for their Rosinante .
twenty
The book is illustrated
with
full- page
drawings in colour , and forty -one black - and -white
chapter initials , illustrating Wealden incidents and
scenery , by the Sussex artist, Mr. E . F . Marillier .

“

at

listeners , nothing but the truth .
Miss Muriel
Pope , Mr. Frank Dyall , and Miss Agnes Imlay
were three members of the caste.
“ The
Sins of Society ," by Cecil Raleigh and
Henry Hamilton , was revived at Drury Lane
Theatre on March
30 .
In the caste were Mr.
George Barrett , Mr. Frederick Ross , Miss Fanny
Brough , and Mrs. Langtry .
Mr. C . Haddon Chambers ' new play “ Passers
By ” was produced
at Wyndham 's Theatre on
March 29 .
The play opens in a bachelor 's apart

,

The volume is entitled “ The Wonderful Weald ,
the Quest of the Crock of Gold .”
It tells the
story of how the author and his companion made
century pilgrimage in the Weald
a twentieth
of
Sussex in quest of the “ crock of gold which lies
and

was produced at the Royalty Theatre , Glasgow , on
March 29 .
The play relates to the determination
of a young lady to make a bold stand against con
by telling , however distasteful
vention
to the

“

Beckett ' s new book is announced
July by Messrs. Mills &amp; Boon .

in

a

Mr. Arthur

for publication

is

194

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to

England that the volume could not fail
give
pleasure there
The book has been compiled with
great care and many interesting letters are published
world
artist
Albert Besnard whose fame
all he under
be able
succeed
wide appears
takes
At the exhibition
his collected pictures
many
some years ago
Paris
was revelation
many
his admirers that he had worked
Widely different
different lines
the subjects

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femme
La Mystique
Grand Amour
internelle
consolation
Le Catholicisme comme symbolique
amour
amour
enfant
The post
Evangile
script
entitled
femme
The
book
written
Frenchwoman
and some
the ideas contained
are both new and pro
extremely
found whilst much
the psychology
subtle
Marie Malibran
Arthur Pougin
the
story
this gifted woman
life
The whole Garcia family have led interesting
intimately connected with
lives and have been
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Jules
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Jules
portraits are always true

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long
The list
deaths this year
Quentin
Bauchard
Albert Vandal Jules Renard
André
Chadourne
Des Granges
Boussenard
Bertol
Graivil Charles Legrand Jules Breynat José
Dubarry
Campos
Jean Lionnet Léon
Armand
Bienvenu
Mme Elise Michel better known
Jean Dalvy
Mme Piazzi who wrote
Leila
Hanoum
and Mme
Saint Vidal
The Langlois prize for the best translation
prose
from
work from the Greek
verse
language has been divided between
any modern
Pelisson
for his translation
Heine Songs
Coussange
and
Poems
for
Indi
by Ellen Key
vidualism
and Georges Grappe
day
Barett Wendel
France

.

the

.

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of
a

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responsible for the founding
Prevost for the

Lucien

Emigration
Gyp has just published another
her amusing
dialogues
volumes
Affaire Debrouillar
Delatamize
The first one
the book gives
title
the
volume
There are
fifteen
dialogues
and each one
full
this author
brilliant wit satire and humour
Revision des Valeurs
Femme
the
thoughts
title
curious and interesting book
and ideas
Léonie Bernardini Sjoestedt
parts
divided into
Revision des Valeurs

Portugal

Pierre Decourcelle
the widows fund
authors loan fund

Liseuse

by

.

.

.

to

.

“

,

a

to

,

,

to

literary events
the year are
the literary rights
French
Portugal and
authors
the Argentine Republic
Brazil
the founding
the fund for the widows
authors and
the loan fund for authors
Jules Huret Pierre Baudin
and Georges
Clémenceau
that French authors may attribute
their triumph
the Argentine Republic and largely
Jules Mary for the recognition
authors rights

M

;

by

at

of

a

of

be

,

to

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The four great
the rocognition

for

hui

aujourd

we have

his

“ Silhouettes

Duchesne
Beaunier
life and those contained
this volume
remarkably well drawn
La Société française
XVI° siècle
XX
siècle
another volume
Victor
Bled
belonging
eighth series
books
the sub
just
ject
French society
This volume
interesting
his earlier ones and will
read
eagerly
those who have attended
delightful lectures
Bled
The second part
the
book contains
account
Le Monde

.
. ,

Le

Vergniol

hier

aujourd hui
Mgr
Huret
Lemaitre

the Legion
Honour has been
Henry Bordeaux Ernest Gay Eugène
Mouël Léon Riotor Jules Troubat and Camille

The decoration

are

Beaumier
the title
the volume
given
this author with great delicacy
Among the
visages
rectness
hier
Vogüé Jean Moréas Albert
Vicomte
Edouard Rod Jules Renard Mark Twain
among
and Lombroso
whilst
the

Cagnac
awarded

Visages

“

,

.

.

A

as
a
A

or

a

Among members
the society who have won
prizes this year are Mmes Thélen Leroy
AHais and Mlle
Mestral Combremont
Mme
Delorme
Jules Simon MM
Charles Géniaux
Barry
Bonnefoy
Fernand
Dacre
Lucien
Léon
Henri Allorge Ernest Gaubert and the Abbé Moïse
Academy

Frapié

Léon

books

Marquis
Ségur
Figures Littéraires

Maury

M

de

T

of

the recent general meeting
the Société
Gens
Lettres
Funck
Brentano
read the report
Bonaparte had
placed
Prince
Roland
the
command
the society
second annuity
1201
prize for literary work
The two annuities
Georges Lecomte
have been attributed this year
and Louis Bertrand
biennial prize has been founded
Dr Charles
Richet
awarded
without distinction
sex
nationality
doctor
medicine
science
years
who has written within the preceding
the French language the best literary work
prize
Jean Revel has founded
awarded
provincial writer whose work shall give the phy
siognomy habits and customs
province
The
Hugues Lapaire
prize has been awarded this year
des

the new

toriques, ” by

“

Among

195

“

PARIS NOTES .

.

”

THE AUTHOR

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action brought
Edward
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author against Hurst
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interesting
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for

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PUBLISHERS NEED NOT PRESERVE
PSEUDONYMITY
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that
reason
their dedication
the
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public the defendants had the right
publish and sell these books
contended
however that the dedication
limited
the books
published under the nom
plume that
the
any permission
absence
consent
the part
print his real name
plaintiff
use
con
question defen
nection with the publications
right
publish them
dants had
with the
imprint
his true name
the covers and
wrappers
and that this use
his name
violation
the statute
which reference has been
made
The statute reads
follows
Sec
Right
Privacy
person
corporation
firm
that uses for advertising purposes
for the pur
poses of trade the name portrait
picture
any
living person without having obtained the written
person
consent
such
minor
his
guardian
guilty
her parent
misdemeanor
right
Section
confers
action for injunction
and for damages
favor
the person aggrieved
under the provisions
section
ambiguous
Where
statute
doubtful
resort may
had
the title
the act
the
Village
matter
Middletown
195
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Silhouettes historiques
Calmann Lévy
Liseuse
Calmann Lévy
Figures Littéraires
Perrin
Visages
aujourd hui
hier
Plon
La Société française
XVIe siècle
XXe siècle
Perrin
Affaire Debrouillar
Delatamize
Calmann Lévy

La

the United States
Defendants
publishers
have published and offered
copies
pro
sale printed
each
said literary
plaintiff under his nom
plume
ductions
Jayne
the name
with
Lieutenant
Edward
Ellis
and
Ellis printed
the
covers and wrappers
the books
Plaintiff con
book

of

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in

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ALYS HALLARD

Vaugirard

copyright laws

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60

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50 and

Laws
enjoin the publication and
1909 page 308
sale
defendants
certain books with the
plaintiff name
imprint
the covers
which
they are bound and the wrappers
which they
standing
inclosed
The plaintiff
author
juvenile and
and reputation
who has written
historical works during the past forty years
Among his earlier juvenile works are two entitled
Country and
the Apache
The White
Mustang
published
which
1888 and 1889
respectively
under the assumed name
Lieu
Jayne and which have never been
tenant
published by plaintiff
his authority
connection
appears that neither
with his own proper name
these publications was ever copyrighted
and
respect
claim
said stories
made under the

,

.

the Trocadero
people are joining the league the
Numbers
object
give publicity and help
which
the
attempt
Shakespeare Theatre and also
recon
stitution
the literature
and theatre
the
Shakespearean epoch
the various European
By means
countries
théâtre comparé
thought that
interesting literary revival may
paper containing details will
arrived
sent
any readers desirous
have further particulars
receipt
post card
of

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the readers
The Author who have sent
England
particulars
Shakespearean Societies
performance
The Merchant
Venice
given
French
his Shakespeare Theatre

Company

:

This action

“

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Les Frères Karamazov
The Shakespeare League
now
Camille de Sainte Croix wishes

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De Marseilles Port Saïd
the first
the
series
admirable description
the impressions
noting the details which
artist accustomed
rendering the values and effects with
count and
inimitable skill and feeling
play
Paul Bourget
Le Tribun
still being
given
the Vaudeville
and
Oiseau bleu
the Théâtre Rejane
the Renaissance
La
being played and
Gamine
the Théâtre des
à

of life and colour as

favour of the defendants .
appeared
Nathan
Burkan
for the plaintiff .
Andrew Gilhooly was counsel for Hurst &amp; Co .
The following is the opinion of Judge Green

as

his

light . M . and Mme . Albert Besnard have been
travelling in India , and the painter is now giving
us a series of word pictures as graphic and as full

.

donymous and non - copyright books , was decided
by the Supreme Court of the State of New York in

“

styles , colouring , and technique were , the master
hand could be traced unmistakably .
The collec tion was a huge one ; there seemed to be the work of
two or three lifetimes on the walls , and since that
exhibition the great artist 's hand has never been
idle . At present we are to see him under a new

“

196

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the record that the defendant sold
records using
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the defendants acts here complained
not
come within the prohibition
the statute here
invoked and that the judgment should
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Or
misdemeanor
advertises the sale
certain garments and uses

SCALE

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name picture
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perhaps
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intended
also have been
picture
unauthorised use
one name portrait
when such use
asserted
related
con
sold
but
the things advertised
nected with
relationship
fact
connection
where such
pretended
the
false
unreal unsubstantial
broadly
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construed
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was evidently designed
forbid the
unauthorised and wanton appropriation
use
portrait for trade
person
name picture
advertising purposes where such use
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Collier
Jones
Misc
relied upon
the plaintiff was not brought under
the statute here invoked but under the doctrine
unfair competition and
the case
Victor Herbert
Universal Talking Machine
Law
appears from
Journal March
1904

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any statute
the subject the right
legal doctrine enforcible
privacy
equity
did not exist
this State
enable
woman
prevent the use
her portrait by others for
advertising purposes without her consent
we
turn
the opinion
the Roberson Case supra
length
we find that
discusses learnedly and
Privacy
the doctrine
the Right
and the
incorporation
the phrase
the title
the act
given due signifi
under review
should therefore
538

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193
223 227
the opening paragraph
which reads
the
Folding Box
case
Roberson
Rochester
171

right over another who
increase
copyright
own name
the absence
publishing the plaintiff name
the volumes
the defendants published
under consideration
directly
truthful statement
connected with the
right
authorship
the books which they had
print
This
therefore unlike the case
Eliot
Jones
Misc
without opinion
the
Appellate Division
Law Journal October
1910
where President Eliot
name was used with
respect
publication not made
him
with
his authority and whicb was therefore
use based
decep
upon
false statement
fact and upon

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doubted whether
the statute
was
intended
to cover every case of the unauthorised
portrait
another
name picture
con
nection
with trade purposes
whether
was
be limited
intended
class
cases where
provision
before the enactment
the statute
wrongs
law existed for redressing certain
The
Right
Privacy
title
the act
and
general knowledge that the act
now
matter
consequence
was passed
the suggestions con
Rochester
expressly

nom

In

it may

be seriously

tained

and this right carried
state the true name
the
author
such
form
the book either upon the
title page
otherwise
show who was the
writer
author thereof
the Mark Twain Case
plume
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The nom
author
but the synonym
true name and
was said
the Mark Twain Case supra
page 731
the invention
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, 443 ) .

broadest terms
bar the defendants concededly
publish the books
suit with the

the case
had the right

.

N . Y . , 437

156

the light of this rule of construction

“ In

the act

v

,

( Blaschko v . Wurster

were made without the latter
consent then would
guilty
misdemeanor
Instances might
multiplied showing the absurdity
construing
be he

written consent to be a misdemeanor , the court
will consider the mischief which the statute was
aimed at , and
in order
to give it effect words
absolute
in
themselves and language
the most
may be qualified and
broad and comprehensive
restricted by other parts of the same statute , or by
the facts and circumstances to which they relate

197

the advertisements the name
the person who
the cloth from which the garments
manufactured

“

court declaring the use
for advertising purposes
or for the purposes of trade ' of the name , por trait , or picture of any living person ' without his

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DRAMATIC

AUTHORS

.

WARNINGS

£1 18. per

,
in

of

Always avoid

.

of

or

it
to

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
play with any one except
the production
established
manager
There are three forms
dramatic contract for plays
of

:

of

on

by
a in

.

. of

of

,

-

can

be

proper price

for

an

in

is

the performing right This
unsatisfactory
An author who enters into
such
contract should stipulate
the contract
production
the piece
certain date
proper
publication
the
his name
and for
play bills
a

:
,

.

it

Outright

sometimes satisfactory

if
a

is

I.

Selling

This

three or more acts
Sale outright
is

of

in

to

a

.

u

are
few standing rules
be observed
an
dealing
agreement
There are four methods
with literary property

for

TTERE

(a
).

in

.

3

.

.

THE PRODUCERS
OF BOOKS

of to
a
be

TO

WARNINGS

It

.

2

.

.

is

N

9. The subscription to the Society
annum , or £10 108. for life membership

agreement are combinations
the four
above mentioned
generally
Such combinations are
disastrous
the author
Never sign any agreement without competent advice from
Secretary
Society
the
the
Stamp all agreements with the Inland Revenue stamp
by letter possible
agreements
Avoid
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld

of

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; 80
do some publishers . Members can make their own
deductions and act accordingly .

General
All other forms

a

This
The

Agreement
Commission
The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

TO

7. Many agents neglect to stamp agreements .
must be done within fourteen days of first execution .
Secretary will undertake it on behalf of members .

System

of an

them by literary agents , and are recommended to submit
them for interpretation
and explanation to the Secretary
of the Society .

The Royalty

.

6. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
the contracts with publishers submitted to
consideration

form

.

Prospectus .

(a

perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible for
approximately
author
ascertain
the
truth
From time
time very important figures connected
with royalties are published
The Author

. of
a

5. The Committee bave arranged for the reception of
in a fire .
members ' agreements and their preservation
proof safe.
The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
The Society now offers :
who will keep the key of the safe .
( 1) To stamp agreements in readiness for a possible action
upon them .
(3) To enforce
(2) To keep agreements
payments due according to agreements . Fuller particu
in the
Lars of the Society ' s work can be obtained

III
of

always

that in belonging to the Society
the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .
4. Remember
you are fighting

Agreement

this case the following rules should
attended
sign any agreement
pro
Not
which the cost
part
investigation
duction forms
without the strictest
give the publisher the power
putting
Not
profits into his own pocket
charging for advertisements
organs
charging exchange advertise
his own
ments
Therefore keep control
the advertisements
special
charge for
Not
allow
office expenses
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
give
Not
serial
translation rights
any publisher
Not
bind yourself for future work
any one solicitor
As well bind yourself for the future
doctor

IY
.

, send
3. Before signing any agreement whatever
the document to the Society for examination ,

- Sharing

( ( (
3 2 .1
.) .) )

the Society ,

II

. A Profit
agreement

(
1
.)

eive
has a right to ask for and to receive
pub .
,
advice upon his agreements his choice of a
lisher , or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member . Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
aggrieved
is obtained , action will be taken on behalf of the
member , and all costs borne by the Society .
copyright
2. Remember that questions connected with
within the experi .
and publishers ' agreements do not fall
scruple to
a Therefore , do not scruple
to use
ence of ordinary solicitors . Therefore , do not

VERY member

1.

bad

But the transaction should be managed by a
obtained
competent agent, or with the advice of the Secretary of
the Society .

USE THE SOCIETY .

(
2
.)

TO

to

HOW

(3
.)

198

-

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informing young writers

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REMITTANCES

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to

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by

be

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to

of

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of

to

The Secretary
give notice
the Society begs
by return
that all remittances are acknowledged
post
All remittonces should
crossed Union
London and
chanoery
registered
Smiths Bunr
Lane
sent
letter only
.

.

be

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in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
carefully compared by the Secretary
qualified assis
stamped and returned
tant One copy will
theauthor
and the other filed
the register
Copies
the Society
any time by
scenario thus filed may
obtained
the author only
typing
small charge
cover cost
Original Plays may also
filed subject
the same
play will
rules with the exception that
charged for
the price
per act

is

, on

CENARIOS

the

in

.

assist

by

of

greatly

its work

BRANCH

existence
Their MSS
can
read and
composition
treated by
coach
The term
MSS includes not only works
fiction
but poetry
and dramatic works and when
possible
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
Tbe
fee
one guinea
treated

.

of

is

READING

is

AND

its

branch
asof
a

OF

SCENARIOS

ORIGINAL PLAYS

in

of

'

THE

UTEMBERS will
REGISTRATION

6d
.

to

its

of

.

.

of

to

, ,

of

of

,
. on

be

.

of

of

,

stamp copies
The Society undertakes
music
per 100
part
behalf
members for the fee
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble
.

a

,

As to

is is

.

An author inust remember that the dramatic market
exceedingly limited and that for novice the first object
obtain adequate publication
incomplete
these warnings must necessarily
account
the wide range
the subject
dramatic con
tracts those authors desirous
further information
Secretary
Society
are referred
the
the

of

11

.

.

STAMPING

in

all

10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract .
He should therefore guard himself
the more carefully
the beginning

can
added
the warnings given for the
producers
assistance
books and
dramatic
pointed out that
authors
must however
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
performing right and copyright
deal with
He
especially careful therefore when entering into
should
agreement and should take into particular consideration
the warnings stated above
-

for collaboration
should
be carefully
drawn and executed before collaboration
is commenced .

MUSICAL COMPOSERS

,

consideration ,
9. Agreements

ITTLE

a

8. Never forget that United States rights may be exceed
ingly valuable .
They should never be included in English
agreements without the author
obtaining
a substantial

WARNINGS

to .

7. Authors should remember that performing rigbts in a
play are distinct from literary
copyright .
A manager
bolding the performing right or licence to perform cannot
print the book of the words.

be

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important .
6. Authors should not assign performing rights, but
should grant a licence to perform . The legal distinction
is of great importance ,

authors should seek the advice
the
plays into the hands
before putting
present
agent
As the law stands
play
who has once had
his hands may acquire
percentage
perpetual
fees
the author
claim
plays
from
far
the placing
concerned
general rule that there are only
may be taken
anything for
very few agents who can
author
that he cannot under the guidance
the Society do
equally well
better for himself
The collection
fees
many cases
intermediary
also
matter
which
required
purposes
For certain
such
the collection
general the trans
fees
amateur performances
and
frequent petty authorisations
action
with
different
foreign
individuals and also for the collection
fees
countries almost all dramatic authors employ agents
and
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals by offering
purchase
who propose
act
any case
rights
the author
the present state
agent
employed under any
the law
should not
agreement approved
circumstances without
the
Society
to

be reserved.

AGENTS .

AND

Society
agents

T

one act are often sold outright, but it is
a small nightly fee if possible , and a sum
of such fees in any event . It is extremely
the amateur rights of one - act plays should

AUTHORS

RAMATIC

a

4. Plays in
better to obtain
paid in advance
important that

DRAMATIC

an

(6.) Sale of performing right or of a licence to
perform
on
the basis
of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent .
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which
the play should be
performed .
( c. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i .e., fixed
nightly
fees ) .
This method should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case .

199

�com

THE AUTHOR .
,

his

,

or of

in

a

the

's

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to

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of

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as

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in

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.,

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to it

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,

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,

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to

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“

is

in

, , .

is

Perhaps the book
best
which
most likely
and the book which
published
Lord Dufferin
his
Life
endure
great work ably
two volumes
1905
addition many other books
He wrote
written
referring
India and among these we would
career

.

on

obtained

is

is it

.
.

to

to

—

of

a

to

and

by

it as

,

-

to

re to

likewise

abilities
not this side

known

it

had

1908
council
not deal with his great talents
India
the Empire
worker

to

,

of
.

is

publisher

elected
need

We

as

go

or

or

.

was

interest
his life which
may
The Author however distinguished
letters that
man
rather
have been but
the field
authors and his work
will appeal
less distinguished than his public
literature was

A

.

-

.

other

ALFRED LYALL

.

of

SIR

We regret
record the death
the Right Hon
Sir Alfred Comyn Lyall
1905 and
Authors
who joined the Society

.

be

,

the

to

,

the matter

by

a

is

an

.

on

is

that

he

,

if

.

as

be
11

,

settling

.

to

of

.

an

,

at in

of

in

be

he

;

hands
promise

report

.

or

that the undisputed
the
the society placed
the secretary have been met under this
Mond
and we must thank Sir Alfred

We are now able
members
claims

,

of

in

he

on

of

future
editor
the English Reriew which
Chapman
published
and Hall
from Messrs
offices
Henrietta Street Covent Garden
We are
further informed that the unsatisfied claims
contributors
management
the Review under the old
will
settled
the new management
We are very pleased
able
make this announce
ment officially
not often that
new proprietor
taking over the assets
old company also takes over
satisfy them
its liabilities and undertakes

will
to

.

of

.

in

an

,

of

—
a

on

placed his whole reputation
stake owing
his
folly
ignorance
such
We have also pointed out the danger
royalty
transfer when
author remunerated
publisher
the sales
Should the company
become bankrupt the author
into liquidation
who has transferred his copyright can only obtain
damages against the bankrupt estate The position
There are also other difficulties which
absurd
But what has recently
lost sight
must not
and
case
the following
come forward
musical copyright
occurred with regard
this
perhaps more likely
occur with regard
musical composer transferred
same property
right unfortu
his copyright and performing
nately most musical composers still refuse
band
together against this demand
the publishers
every
royalty
was
receive
The composer
copy sold
The publishers were threatened
may be taken for granted
another publisher

REVIEW

1910

"

to

copyright

our notice
has come
these columns the evils
Time without number
copyright have
connected with the assignment
been put forward
and especial emphasis has been
technical
author engaged
the case
laid
writing
specialist
his own particular subject
may
By such transfer
excluded from writing
agree
again
enters into
his subject unless
ment wholly unfair and unsatisfactory with the
fact he may have
his own copyright
holder

ENGLISH

issue
The Author
state
the following effect
We understand that Mr Austin Harrison has been

the March
ment appeared
appointed

COPYRIGHT

the transfer

in

evil inherent

new

OF

TRANSFER

. 's
,

is

THE

“

.

A

THE

firm

of

. .

;

-

,

William Heinemann Vice President
and Mr James
Blackwood has been appointed Treasurer

H

bankrupt

.

'

; of

.

is

'

on
a

of

to

We are glad
see that the Council
the
Publishers Association have been firm
matter
which
of most vital importance
We see from the same issue that Sir Frederick
MacMillan has been appointed President
the
Publisbers
Association
for the current year
Mr

,

.

."

to

.

of

to

to

a

of

of

no

he

forbe

“
A

member
the association
received
from
request
tax collector
furnished with par
payments
ticulars
authors
the purpose
the
assessment
their income The council are advised that
right
had
make the request
income

is

of

an

.

'

TAX
COLLECTORS
FOR
AUTHORS
ACCOUNTS

no be

follows

:

It

.

OF

runs

INCOME
CONCERNING

as

of

of '

of

of

a

.

to

all authors

REQUESTS
INFORMATION

stances would
should find that his composer
once
not selling and not catching
work
acknowledge the infringement and withdraw the
composition from the market rather than face
complicated copy
expense and inconvenience
right action
The unfortunate composer who may
entirely innocent
any infringement can take
steps whatever
have his property
estab
lished for the publisher
owner
the copyright
keep the work
not obliged
the market
he does not desire
The position
this
case
ridiculous
the case
the unfor
tunate author who has
claim damages against
is

of

In

interest
THE

an

of

TAX

In

INCOME

AND

' .

AUTHORS

the April issue
the Publishers Circular
report
the Publishers
the Council
we find
this report must be
One item
Association

in

-

a

transfer of the copyright from the unfortunate
poser making
claim for infringement
the
publisher
copyright
setting
certain air
air
The first publisher
these circum

“

NOTES .

GENERAL

it

200

�THE AUTHOR .

,

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by

in

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six

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to

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—

up

be It

Tit
-

of

papers like Answers
who have been fed
Bits
the babies
food
the young
remains
seen whether this public
anything better
will ever
educated
but
present they are incapable
absorbing any para
graph
length
They
more than five
lines
or

;

.

public

and
reader

of

of

of

on

of

a

at

,
to

of

in

on

,

its

of

,

of

,

;

.

to

to

a

on

of

in

“

to

) a

:

.

did

of

books
But
few months
happened
the Westminster
actually invite the opinions
Gazette
readers
the momentous question
the Length
enough
Modern Novels
and curiously
this
departure from the old tradition met with consider
able success
For some weeks the novelists
England entrusted their opinions
this fascinating
topic
the correspondence columns
our premier
paper commonly
length inversely
evening
proportioned
the importance
the writer
The
diversity
opinion registered was
remarkable

,

about the making
ago the unexpected

chapter

third

writing undistinguished
ungrammatical but the author has gener
ally the merit
keeping the story well
view from
start
finish He has discovered that the one thing
he must not
allow the reader attention
wander
far more likely
wander than
was
the old days and this
not entirely due
inferiority
the artist
the twentieth century
due rather
the rise
new and half educated
characters wooden

even

.

,

to

be

.

to

is

as

( it

"

its

;

is

a

or

,

if

they deal with
formidable proportions especially
religious
moral subject
With literature the
general public
justly supposed
less con
paper
opening
cerned
and
rare
find
any discussion
columns
the phrase runs

the

The fact
that
far
construction goes the
technique of the novel has been improved out
all
great
recognition during the last thirty years
very poor novels are published year
number
year but bad
they are they
not generally err
technique
the direction
The plot may be thin
in

,

in

to

of

treating
the office
indicate the best methods
truly
the topic these arguments sometimes reach

The Stroller
Tale
The Pickwick Papers

the

-

of

a

,

.

a

on

a

of

,

view
starting
habit now and again
dis
the subject
cussion and inviting correspondence
from interested readers
With
little judicious
fostering
and
certain number
letters written
pleasant

or

V

,

of

.)

of ,

(

from

there
happening

is

The Dial Chicago
nothing
great importance
from the journalistic point
press has the
our enterprising

Reprinted

VHEN

it

ITS PUBLIC

AND

at

NOVEL

.

MODERN

is

THE

he

,

off

to
-

of
to

.

behalf

as

it

the work

on

for

the
the
their

but because their authors had not learned the art
excluding matter not germane
the story
Scott
prefatory and introductory remarks alone would
many pages
often fill
modern novelist re
quires for
Thackeray they would
whole book
say was always introducing long apostrophic reflec
things
general
tions
Dickens invented
many subsidiary characters and side issues that he
was forced
were
strike balance sheet
the end
the book telling
anxious readers
few words what had become
the secondary
personages who had fitted across his pages
dare
not imagine what the modern publisher would say
interpolating whole stories such
his other habit
his

,

its

,

,

it be
,

,

,

or

society

whether members
deeply indebted
has undertaken

be by

's
of

on

.

of

all its to

to

before them
and authors
society
not must

,

is

in
a

is

,

of

a

,

it

,

is

it

of ,

of

THE Copyright Bill
1911
now
before the
public and though
not from the author
point
perfect bill
view
more advanced
condition than the bill
1910
The Society
Authors may congratulate itself
the fact that
the Board
Trade not only gave every oppor
tunity
through
the society
committee
put
views before the Board
but accepted
nearly
the important suggestions which
laid

”

,

1911

.

Bill

COPYRIGHT

I

.

.

is

as

in

to

,

of

in

Alfred
took considerable
interest
the
the society from his election
and was
prominent
the debates that occurred relative
The Times Book War
known
what
affairs

do

read his work

at last one sensible man propounded
the
theory that a novel , like a pair of trousers , should
be cut to the measure of the material it was meant
shortly
to contain .
The correspondence closed
afterwards .
Generally
speaking , the public prefers a good
long novel to a good short one , as is only natural..
The more the buyer gets for his money assuming
equal the better
pleased
the quality
But
also true that the modern reader does not
any
want his attention taken
the main theme
irrelevant matter
not think the ordinary
day spends much time
consumer of novels
read
ing the old masters
London that
Most houses
have any library
doubt possess editions
Scott Thackeray and Dickens but they are rarely
taken down from the shelves
Quentin Dur
Vanity Fair
ward
Martin Chuzzlewit
day
were offered
the London trade
new
books
unknown
authors
confident they
would
refused not because
their mere length
be

widely

how

show

Sir

to

until

to

fact will tend
has been .

i

is

English

it

his “ Life of Warren Hastings ” in the
Men of Action Series , published in 1889 .
He was also a poet of no mean distinction , his
" Verses
Written
in
India ” having been
re quite recently , in a cheap edition .
published
This

mention

201

�THE AUTHOR .
re

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it

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in

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in

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."

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;

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in

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is

”

is
a
;

.

which the reader
the proposition

is

,

it

as

it

,

.
to
of

”,

Style

more extended proof

be

may

because
must
make
Words therefore
to

used

fashion

as — is

be

-

,

as

,

it

hindrance

The Philosophy

referred

shall
such
of

little

then

but

it

.

a

,

.

,

So

of

,

of

;

to

,

in

is

It

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,

or

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used

in

is

,
I

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of .

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a

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very well

for

to

of

a

,

of

far a

.
to

,

of

in

.

,

,

a

;

.

it

,

theological argument
fact the elementary
nothing beyond the elementary
thought
and
by action
which thus lends itself
illustration
but
that event we see the significance
the
action reaches
the intelligence more immediately
and more forcibly than could the significance
though Herbert
the spoken
written word
Spencer has come near the reductio ad absurdum
Language
valuable lesson
he has taught
thought but
indispensable
hindrance
—

.

;

-

,

, to

,

a

of

?

it at

in

,

clear however
that the possibilities
pantomime are limited
We can suggest
Come
gesture but all the
here
most dramatically by
gestures
the world will pot convey the sense

a

of

is
a

It

.

of

of

a

.

it

I of
;
.

language
action will convey the idea more
readily
consequently
and
we had better
without language altogether

of

—

of

.

a

an of

to

of of

all

in

.

to

a

in

,

to .

in

if

be

in

to

am

to

in

;

do

is

a

moments
emotional stress
There
big
thus formula for the construction
the
anyone could ever work
seller
formula and
Personally
the literary agents are correct

last month
style

the hilt and reasonable method
after
reasoning
fully
better remembered when
Turning then
philosophy we find
understood
perhaps
the point argued most convincingly
Language
says
Herbert Spencer
must
regarded
thought
hindrance
Placing
finger
the lips
more forcible than
whispering Do not speak
beck
the hand
shrug
better than Come here
the shoulders
would lose much
translation into words
danger
and
short there
the use

It

to

;

.

I ,

-

possessed
curious and
instructive fact that the most popular writers
the
present day
the world
fiction are novelists for
good word
say
whom
the reviewers never have
The people are not only uneducated
then
but
they hear the voice
obstinate
their master but
deliberately stuff their ears with cotton wool
they
not wish
learn
And the critics can only
sigh and point out for their own satisfaction
that
all branches
art the public has ever
admired with
curious consistency the worst that
put before
What does sell
novel
The irresponsible
my
chatter
women
afternoon tea say some
great
friends
think
fact that women have
They read
say
deal
the matter
more
they take their reading more
novels than the men
seriously
and are more likely
discuss their
favourites afterwards
Thus some
the literary
agents now lay
down as
cardinal rule that
successful story the feminine interest should be
they argue like
dominant
Women
read about
especially
themselves and
learn how they should

II.

the omission
the superfluous
word and the inclusion only
the neces
sary
hardly calls for justification
seem
ingly
after what has been
said
carries
endorsement upon
face and there
need
the introduction
more pbilosophy
Still good
cause you know
none the worse for being proved

be

.

to

on

of

In a

a

a

in

;

or

that our forefathers

CONOMY

"

been

DUNN

The commencement
this article
issue discussed the broad requirements
T

this would have

ago

of

.

a in

,

.

on

be

E

of

to

By ARCHIBALD

.
it

years

Sometimes
almost inclined
think that
damps the ardour
chorus
commendation
things
they suspect
the public
sorts
organised attempt
personal
boom the work
perhaps even bribery
They have lost
friend
their child like faith
the infallibility
the critic

,
" a

LACON WATSON

LITERATURE

IN

.

STYLE

to

of

; .

Some

sufficient there was time when
few enthusiastic
acclamations
the more important papers sent
new book gaily forward
the road
success
these days the criticisms
the press seem
have
lost their effect upon readers
the reviewers may
praise until they have exhausted every adjective
their vocabulary yet the buyers will refuse
come

if

a

art

a

.

of

in

of to

too much concerned with the
his work

,

side

-

be

to

is

,

it

is

easy

reviewers

behave

, of

of

is
a

-w

he

un

of

up

as

not

commercial

incorrigible

theorise about the production
books but
still extraordinarily difficult predict
accuracy how the public will
with any approach
receive any given specimen
Yet one can generally
reception
will meet with from the
tell what sort

It

well for

,

.

a

of

)

of (

is

in he

.

in as

to

found

fear that the great secret eludes analysis . Like many
so - called games of chance , the
successful
novel riting
matter
fortune with
servation
favour
the better player
The good
man will commonly achieve
modest independence
trying
goes
time
For the rest

,
himif

- of

if

a

:

of

a

a

.

in

of

require a series of shocks to keep them awake , and
consequently the modern novelist has learned the
indulging
prolixity The page
imprudence
physical appear
new novelmust not even present
solidity
publisher sees the proofs come
ance
from the printer with more than ten inches
quite capable
broken matter
has bappened
my own case
breaking
more than once
the
Only
paragraphs himself
few
the old guard
such
Mr Henry James are permitted some lati
probably because they were
tude
this respect

in

202

�THE AUTHOR .

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.

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;

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as

-

a

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or

to

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,

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in

an

an

is

of a

,

;

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in

of

do

,

a

of ,

an

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an

of

,

is

a

It to

;

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,

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to

to

a

so

is

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,

a

;

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,

in

is
a

to

in
a

to

it

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fit

its

of

--

,

-

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to its be

.

of

!

,

is

It

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of

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to

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is

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!

of is

of

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in

's

,

,

, ,

to

it

.

,

to

is

.

,

;

so

as to

,

of

a

is

a

,

species
but rather
absence
order and
imperatively
aimlessness and this
what calls
for the drill sergeant
the author
and demands
him that he shall set each one
these trouble
some units into
and proper place
And
Why then depend upon
failing this
we
twinkling
have drifted back again
that Old
Man
the Sea
literature
that bogey
rule which will have the way paved smooth for the
reader
Here
blessed muddle
and that was
part
never
the bargain
a

it

.

to

of

's

of

,

of

as

a

,

is

. ,

a

at
to

for
a

do

units
handled
the
company
the management
army
men
easier than the manoeuvring
propor
grow
will the problem
for
author
tion
the length
and number
sentences
necessary
the expression of his thought
For
these sentences unluckily
not take position
themselves
but with
most irritating perverse
straggle
ness
tend
and fall into
certain
confusion
not perhaps
actual disorder
of

of by

.

,

by

be

ignorant
profundity with
the depth
spend you
crowd
Yet given
few shillings
may bay
you please
much
this profundity
any stationer
shop
and then equipped with
English words and phrases
safely
Thesaurus
pomposity and affectation
unfurl the standard
long word for everything believe me
There
repay the mere trouble
the clerk
work
searching through
the pages and nothing
this
prevent you beating record
world but laziness
vocabulary
Yet when all
said and done
travesty
what
comes
when setting out
gravely accomplished
one thing
another
enlightening
when with the object
the reader
against this
the end
fuddle him
forsooth

the quantity
and just

author
80

is

to

of

is

,

,

,
of

I

in

is

-

, .

of

is

,

in

,

—

both must
suited
know
course that amongst the illiterate
mighty fine thing
use long words
here

reader
is
a

of ,

,

a

as

of .

a

of

,

or

a

set

many
instead
resort must
had
the use
words and these words build up
sentence
with
may
without subsidiary clauses
Advance
the thought once more
and the single sentence
becomes inadequate
the need has arisen now for
group
explain the
sentences each helping
meaning and when completed forming
intelli
gible paragraph
steady increase
fact

,

is

it

.

?

,

all

,

,
I

One would not for instance
ploughmen
gathering
write
scientific text book
the
phraseology
the nursery
There
the wide
distinction
the conditions and the simple fact
incomprehensible
that what
the one
often
the common language
the other
The whole
regulated
question
short
relative
the
subject
regulated again
the capacity
the
the circumstances

address
students

“ Halt ! " and every reader recognises the command
to stop . But as the thought advances in com
plexity , the simple word will no longer suffice but ,

of

But , is this to say that the erudite is to be
and that the nearer a writer approaches to
the one -syllabled language of a child the greater
he shall be ?
Is that the inference to be drawn
from this law of simplicity and economy , the real
meaning of it
Well surely not
For
most obvious
think that much will depend upon
taboo

come now to the treatment of the sentence and of
the paragraph , and here , again , we shall find that
the whole aim and object is to make things easy
for the reader .
The position , then , is simply this .
The elemen
tary thought is expressed
in a single word — write

a

shall be few , direct of meaning
and expressive ,
familiar and , consequently , easy of comprehension ,
there is the treatment of them in the compass of a
putshell , the commonsense solution of the difficulty .

203

Thus
clear that some definite order must
decided upon
some order whicb
virtue
natural sequence shall seem the natural order

genius
amongst those who find their
and
writing there
livelihood
their pleasure
not
one
contradict
For somehow
some
unlucky chance
expression
the natural process
seldom precise and
the point but something
speak the truth and ever ready
wobble
upon the wander
happens
and
rule
training and
only after years
that
infinity
say
labour that
man learns
the end
just exactly what he wants
say and nothing more

considering this one essential
always
Now
remembered
that proposition must neces
sarily
discussed
one
two ways
either
inductively
deductively
that
we may first
group together our facts and particolars and
lead
and prove the main proposition
stating the propo
alternatively
we may begin
prove
sition itself and then proceed
One
adopted always
other
these methods must

to

of

,

or so
,
it

*

Literature

."

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in

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in

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of

of

)

to
a

(

as
a

Climax
which necessarily implies sequence
preliminary brings us
broader consideration
style
the subject
We have spoken
the
general sense
treatment
the word
we

in or

it
.

,

be to by

,

to

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;

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in

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a

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up

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in

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so ,

;

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by

it

in

minimum

intelligent debate
brought
the subject
definitely and sharply before the mind
outside
person
the better method autho
As
which
suggests that
rities
are disagreed
Lewes
if

.

of

to
an

to

in

to

a

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a

the reader and
reduce his effort
visualising the picture
to

,
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in

.

to

him

or

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;

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,
"

"

To

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so

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as

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,

stands

is

economy and simplicity
that the law
the surest safeguard
Pity then
that its fulfilment should be
gather much thought into few
difficult
says Schopenhauer
stamps the man of
words
danger

�THE AUTHOR .
a

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depravity
proper objects

In

devil

,

or

fiction whether man
summate and universal
qualities which are the
and the qualities which
contempt
preserve

to

in

in

or

:

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about me when the time comes
Based
the law
nature
the law
climax
that the progression
sentences shall not only
logical order but that
easy stages and
follow
addition they shall
cumulatire
effect
point the moral take an extract from
To
Macaulay
This
what he says about Barère
Our opinion then
this
that Barère approached
history
nearer than any person mentioned
then

.

.
I

or

an

its

my

on

a

;

,

;
it

,

-

no

,

it

is
a

a

the series
increasing force
noted
the way
Moreover
heighten the final result
you step
this
for
from the shady corridor into the sunlight the sun
you will explain
will never look brighter and
me beforehand the utmost possibilities of some
danger there
terrible
no surer means
creasing my fear though mark you
shall have
steadily

in

in

to

to

of
it

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if

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distract and

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be

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as

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more import
move
each detail can
allowed

,

of

a

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it

.

's
is

its

,

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to

is
a

It

blank
ever there was one hopeless and
complete
easily
And yet
could be cleared up
by starting just
little lower down the ladder
knowledge
complex matter but
origin
Here
origin
was simple
Then start with
neces
sary with simple and familiar facts
any rate
carrying the attention with you lead
and
progressive and explanatory fashion
those facts
simple and not
which are not
familiar
question
easy stages that
all and when the
really complex
reached
last believe me there

is
a

,

of

-

to is

is

“

it,

.”

,

,

a

,

this
the fault
common
bad writing that the
equal
author assumes the reader knowledge
his own
Then
moment the mind
often
not goes
abroad
has nothing
catch hold
stand by nothing that
has
starting point
work
ever come across before
nothing anywhere but
from
indescribable haze

It

,

so

be

,

as to
a

.

—

be it

of

to

rightly
backwards
and
forwards
order
connect them
That however
not the end
for you may
sequence without
tangle and yet sequence
have
very nature
incomprehensible
which from
complex
mean
course
where
unfamiliar
subject has been introduced
too suddenly
And

it

a be

,

In

in

or

of

, .
a ”

to

be

,

to to

be

tion
the reader
comfort
he shall not
left
disentangle the tangled threads
Herbert
Spencer puts
stated
the events should
go
ench sequence that the mind may not have

have this inevitable conclusion
that the mental
faculties like all our senses are subject
deaden
ing reaction after any very vivid impression
and
that the extent
the reaction
commensurate
some degree with the strength
the impression
case
fact
the greater overshadowing
the less and when this occurs
literature need
period
we wonder
blankness ensues which
appre
does not actually destroy the power
least weakens
On the other hand
ciation
nothing
the trifle can claim attention when there

if

familiar truths

of

light

of

the

is

best when
wish
and
rouse
upon details
emotions upon new particulars
unsuspected relation
those truths
short
lighten the task
proposition
then
the reader
likely
accepted
without question should
stated at once and afterwards emphasised whilst
proposition unlikely
accepted
should first
proved and then
consequence
such proof
finally stated
adopted
But whichever method
and the writer
will select according
the conditions
the
moment
certain that the process
either
progressive
ques
case must
Here again

direct

deductive method

I I

But the

to

or

a

to at
. of

,

is

that the most effective method
the inductive
culminating wave
which leads your mind upon
evidence
emotion
the very point
aim

appeal direct to the reason . Unluckily , this is but
completion there
half the task . For
still
another phase
the mind activity
consider
phase which
the emotional rather than the
reasoning type
example
This
best illustrated by
Walk
suddenly from
shady corridor
the sunshine into
light enough
and though perhaps there
read
the corridor will seem absolutely
dark
again
remember how
the unexpected presence
startling sight the mind
some horrible
blinded sometimes wholly always partially
other
considerations
Common experiences such
these
carry their
the effect
which cannot
denied
own inference and accepting
we must do we

in

is

it

,

to

a

a

of

to

is

,

“

”,

or he
to

depends upon the circumstances , and that certainly
seems the commonsense way of looking at it . “ If
my object
says
convince you
general truth
impress you with
feeling which
accept
you are not already prepared
obvious

“

204

con
the

of

an

to
as

.

, .

as

as

But when we put
poltroonery
base

,

, .

,

of

or

,

,

a

as

as

a

;

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In

.

,

a

to , an

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we have made our

him

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.

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do

the most obvious and

fashion

;

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in

to

as

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is

,

is

is it
. , is

so

of

,

be

It

to

,

a
a

nothing complex about

as

So

will

of

met with them
read
them
everything together
sensuality

in

convey and we convey
most easily appreciable

so

logical order
far then
concerned
far
we have nothing else
than follow out
explanatory system which can be readily grasped
thought
the course
clear enough
We have

hatred
are the proper objects
exquisite
and
absolute
harmony
every particular
almost
sort
wickedness he has had rivals
His sensuality was
failing common
immoderate
but this was
with many great and amiable men
There
cowardly
have been many men
he some
impudent
There
mean
few
cruel
few
may also have been as great liars though we never

�THE AUTHOR .

for

,

to

,

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in

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softening overpowering

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knell
the dinner bell
-

the soul

-

The tocsin

of

That

-

writing

all

to

of
it

.

a

is

be

to

is

of

worth noting that the imposing thought succeeded
tendency towards the ridiculous
Hence
the trivial has
humorous
be made out
some capital
there
. is

ofof
of

is

.

an

in

I

.

seeing that they were all crucial moments
when nurse was called away and you were left
kicking
your bare legs
legs about the floor
Do you re
kicking your
bare
about
how you
member then how you watched the door
Do you
and listened for footstep
crawled up
degrees
remember how your excitement grew
you know
You had been interested before
but

moment

by *

It to

?

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of—

,

to

,

of

do

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or

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-

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to

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of

: a

:

journeying back
should
Eternal
the Islands
the Blessed
the land
the Hereafter
not know how this
emotionally
But
do
more truly
more
may
ruined by the mere stroke of
know how
simply transposing the third and fourth
casting them for the conclusion
lines and
the

Hiawatha

Oh

at

,

of

ToIn In
To To To

Is
it

improve this picture
make
more impressive
the
glory
the
glory
closing
beautiful life
the glory
the mists
sadness the sadness
the sunset
everlasting happiness
that
too
evening
but

it

possible

a

of

in

,

Thus departed Hiawatha
Hiawatha the Beloved
the glory
the sunset
evening
the purple mists
regions
the
the home wind
Of the North west wind Keewaydin
the Islands
the Blessed
the Kingdom of Ponemah
the land
the Hereafter

more realistic

the smallness
the thought
And the
certainty
you see
that romance must
scotched
find ourselves thus thrust back from
the fascinating dream
ethereal things which we
only
believe
beautiful and
which
natural for the imagination
rest
back again with
out warning
the commonplaces
life
the
damp
had
you please and
everyday siidset
nearly written
unpleasant mist
damned
near
As Longfellow has
however
the glory
evening
the sunset
and
the purple mists
well nigh perfect
its artistic setting
has
painted the scene
course
and brought the
picture realistically
before the eye
but more
introducing
has heightened the final effect
momentary suspension
the main thought
That
strength rather than
this should be
source
weakness
not
first sight quite apparent
economy and simplicity
Here we have the law
jogging
the elbow and demanding the direct and
straightway
concise statement and putting
troublesome quandary
But
would remind you
what
the nursery and
the days
once again
happened when that story you were listening
attentively was unexpectedly interrupted
was
just near the end
any rate
the crucial

,

a

:

itself

evening

—

suggests

the purple mists

is

-&amp;

be

so

,

of

-

,

,

"

“

;

,

or

,

a

,

,

old

in

go

to

the

over

Islands
the Blessed
Kingdom
Ponemah
land
the Hereafter
glory
the sunset

-

it

,

no

is

to

is

of of

-

by

a

in

,
if

be

.

,

is

,

,

is
.

.

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it

so

,

-

,

--

, on

.

a

in

as

of

at

?

,
-

is

of

.

no

the weakness

.

is

need

Hiawatha

pen

the
the
the
In the

,

,

us

,

if

do
,

,

the other and
there
ground
argument
again
inay however
given
One
show
passage will read and
instance how differently
impress the mind when without changing
either
meaning we get anti climax instead
words
climax
and for this purpose the final scene
evidence

a

mist

of

thoughts

reward

,

.

,

that terrific whacking
the big
drum
each stroke heavier than
the one before
along
must carry
whirlwind irresistibly
We may amend our judgment later
and sball
the evidence be insufficient
but meanwhile
the art
the writer has triumphed and for the
Illogical
any rate we condemn Barère
moment
you say
And
At the same time
getting
very real human nature and there
away from that
Clearly then
climax
essential
effective
sequence
which the imposing
ness anti climax
thought
succeeded
the trivial must
for
bidden
The strength
the one
sufficient
and

and

of

,

in

—

.

a to

of

-

in

of

individual forms wicked
the crescendo treatment
And
the end though we
assertion without the backing
proof that tempest
words

a

-

of

only
have listened
the shadow

,

;

,

a

no

is

,

individual rivals

a

of

to

by

,

&amp;

to

,

had

ness
neat contrast
goes steadily forward

paragraph .
It is a small thing , with the sense
remaining just the same and the words too , but
life and truth have gone out of the picture ;
the
mind tuned
the fever pitch cannot drop back
thus suddenly
the inconsiderable
The thing
that has really mattered all along the thing that
concerned
the reader and held him was the fate
Hiawatha
that was
the culmination
the
end
and yet just
the secret
revealed just
the attention would dwell upon
and grasp its
why just then
full significance and revel
dig
bless your heart
there comes
the ribs and
silly idiotic distracting remark about
sunset

a

."

in

in

up

so

a

A

be

ness, effrontery , mendacity , barbarity , the result is
something which in a novel we should condemn as
caricature and to which , we venture
to say , no
history
parallel can
found
writer less gifted than Macaulay
the art
building
begin
climax might have hesitated
slashing and violent
with
sentence
lest those
comparison
others
follow should seem weak
But analysed
this sentence
more than
general statement preparing the mind
and then
starting with the admission that Barère perhaps

205

�THE AUTHOR .
of

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in

in

,

in

,

is

is

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to

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.

is

, ,
it

a

writing
endured
the art
some
infrequent periods
where somehow
and
there must come those moments
relaxation those
change which shall serve
short intervals
the
keep the faculties alive
fresh stimulus
things
adjust
But
difficult job
fine
balance
where
sure
does
routine and stereotyped order cease
assist and
instead begin
tire
We must observe the rules
and
must break them
the trouble
choose
the fitting moment
and
not know that the true
pass word
this tricky Sesame has yet been found
to

is to

-

a

of

up ;

it

a

,
of

to

of

of

;

it

an

half
hour
Think
the bare statement and
school boy
bare statements
iteration
every turn
essay
think
the author who
introducing
ego
the inevitable
think
Macaulay with the everlasting grand crescendo and
see
the end how feeble
was
fine
thing that
crescendo
course the first time
you met
rouge one like
soul tirring and apt
bugle call
vexing
passed
but later
into
irritation and finally like the bugle call too often
repeated fell still born
the senses
Such
this
vengeance and
depend
dead levelness with
upon
complete
presentation
flatness
not

so

us

it

,
if

we

is

,

!

,

it

in

,

at

a

to

,
of if

to

.

,

,

a

,

of

brings
Variety the third law
literature
really strange and surprising result
For
appear that
now
shall bave been truly
Economy and Climax
faithful
the laws
we
sturdy
shall have followed these principles with
persistence and without ever once kicking over the
traces we shall
the same time have gone far
towards becoming the very worst writers
the
astonisbing
world
Yes
direct contra
building
diction seemingly
the edifice for
knocking down again
the mere pleasure
But
listen
the explanation
When
student bends his mind too intently
pro
one subject
common knowledge that
rapidity and
cess
time the intellect loses
the
power
ready appreciation
and the student grows
stale
also common knowledge
Herbert
Spencer points out that
we hold flower
the
nose for long we become insensible
scent

so

,

,

of

is

to

of

to
a

the explanation and justification
Variety
and there
little
said
its practical use
literature that
not
avoiding
self evident
matter you see
Nothing however good
groove
itself may
served
too often
too regular
order
give only the necessary word the shortest possible
intelligible sentence the cumulative progression
give
On the other hand
events
excellent
paragraph after paragraph
page after page
them
with never
break
the routine
the catalogue
monotony against
perfection
achieve
which
reader could hope
hold
his head
then

the law
concerning

to

,

,

.

shorter the sentence the better

different stimulus

Such

;

.

in

-

as

.

of

,

,

-

of , ,
a

,

a

all

a

be

of

in

of

to

to

.

a to

,

to

a

,

a

, is,

in

of

it or

,

—

to

is

,

of

creating
then the risk
deliberate distraction
only this
And now there
add that what
applies
the paragraph applies also
the sentence
subordinate
The sentence often enough contains
thought
thoughts within the main
series
thought
fact
miniature paragraph
Clearly
then
there must
well observed
sequence
the order
the sentence
the
order
the paragragh
well defined progression
the climax and never under any circumstances
suspension
Subject
too long
the main issue
economy the
this then
for the sake

we move from the flower
the
open drain there
doubt
that we shall smell the drain
the student
translated from his study
the chess board pro
vided
course that
cares for chess there
that the brain will start again
doubt about
working
freshly and
vigorously
ever
Thus
there
second
inference
draw
that whilst
the faculties most certainly collapse
the presence
monotony
their real power remains unimpaired
merely resorting
and they can
set going anew

in

,

is

a

to

of

;

.

in

to

to

it

to

,

;

for

mind would wander from the main issue — the fate
of Hiawatha — and become centred instead on the
scene itself .
So much so , indeed , that the final
lines might seem out of place — in fact,
the
moment almost without meaning
we might have
stop and worry
out for ourselves we might even
have
refer back
the first line
all
find
true connection
the passage
This
the danger

But now
neighbourhood

of

anything but an impediment and a source of weak ness . Supposing that Longfellow , instead of using
only two lines to describe the scene , bad used
twenty , what would happen ? Why , clearly the

flower
the faculty
seems
the other the
dulled
case
the student the mind has become
accomplished
accomplished
that what
with effort less speedily than usual less satisfactorily
Why surely that monotony
What
the inference
enfeebling the faculties and tends
has the knack
make them inoperative

the one case the case
smell has been killed

-

end ! how
deepened
with

is

The

-

little brain was working into a fever .
the mystery and the wonder of it
suspense !
Ah ! you remember ?
Very well, then , we have whittled down the pencil
and come to the lead , for this idea of suspending
the main thought in literature is only that same
pleasant old idea resurrected from the nursery though played of course more artistically nowa days for the benefit of those bigger children , the
grown -ups .
But there is danger in it , nevertheless . For ,
just as the slight suspension can prove a source of
strength , the really lengthy suspension is seldom
your

now

re
-

206

�THE AUTHOR .

be a of

,
a

,

;

,

as

,

of

so

.

,

to

,

,

as

by

a

,

,

if

.

it

it

be

a

of

's

it
in
— of

to

an

-

,

a

in

!

as
in

.

,

's

on

it

of

To

, .

,

,

be

it to

?

or his

he

?

of

its

;

of

,

in

a

, . ,

all

is

to

, '
s

all

at

be

be

,

a

in

.

its

to

an

,

of

,

;

in

be

of

,

so

in

do

;

to to

a

at

is

it

,

.

up

-

of

.

a

in

,

of

it

to

;

to

in

to

.

up

,

an

,
,

to

?

be

at

of

,

of

-

,

of

all ,

as

—

.

,

inquired

the vacant eye
Was he out
what
And when after moment
his former friends those gay spark

and

?

back

a

a

Literature

.”

in

of

Success

show

, ,

-

do

I

.

the bent

?

is
a .

,

is

,

in

Principles

.

of

a

— to

an

,
a

The

of

,

of

so

it
,

to

,

so

to

.

,

to

.

*
*

Presently
puzzling
broken man
he stood
over the array
new buildings the strange names
upon the doors the absence
the familiar land
marks which had once meant his home presently
the young men and maidens gathered round him
youth
and
the frivolous way
started
nudging one another and giggling
sight
the
tattered rag bag
Who could this stranger
This quaint old man with the long white beard

,

,
to an

;

a

's ,

of is

of

,

.

of

in

endeavour

for or

be

.

,

it

we

as

,

aim

to

Hence
fulfil
author
shall be
order his mind
train
thought may always
himself that the expression
logical
tend
fall automatically into some sort
intelligible and pleasant phraseology
sequence and
With regard
the latter requisite there
study
ready suggestion
good
that
we should
models
For believe me there
no more con
tagious thing
the world than frequent inter
course with
writer wbo can write
not
the obvious law

is

,

a

practical affairs
The
nowadays mnst always
understand
anything
accomplish
with the least possible
expenditure
effort
This
the safeguard
many achieve
against
overstrain
the secret
ments
the short period
life and therefore
against the accepted view

-

. ill
. .

,

of

-

in

,

business and

of a

wasting

setting
wholly
wearisome and time
labour saving age all

good
its finished state
least
commence
ment
the right direction
and
have gone
far
have left little enough
the final
polishing
regard
variety
And just one more thing
language
We have considered its application
applies equally
we may well believe that
the
thought itself that the character
the thought
shall not remain
one groove for too long period
Rip
You remember
the home coming
Van
Winkle
He had been asleep for twenty years
the Katskill Mountains and then awaking he
trudged
back
his native village
old and

?

of

of

it

in
is re
- a
a

.

,

is

The disentangling
and
expressioned
composition

.

to
“

I
an

, ,

to is

—

,

an to ;

,

In

80
.

by
simplest fashion
too
honest
back
time and again
the laws
Economy and Climax
that
author shall
submit his spontaneous
effort
the test
those
conditions and never pass
until the conditions
have been fulfilled
But even this
sense unsatisfactory
the

reference

seems inevitable
has assayed the worth
own material and instinctively
whether he will
not the trifles must drop into the background and
the features
real consequence stand prominently
forward
And though this may not
order
to in

.

,

.

”
?

think

is

;

,

?

is

of

Sincerity

.

a its

,

to

,

cardinal principle

as

. ;

of

,

,
I

to

be

be

it

great

to

a

be

to

is

of a

be

,

,

.

—

is

at

,

no

is

system

,

.

of

be

to

—

which brings about
ask you will adopt

downfall
for
which
likely
Clearly
lead
confusion
none
There must
order that
essential
Then can
obtained whilst abandoning ourselves
the

author

,

of

no

,

is

'

,
.”
of

to

be

to

,

in

is In

is
,

It

proposition
what

the ear

orderly pre
And for the other condition
sentation
the thought
seems that this must
spring primarily from clear vision
the author
explain he must first have understood
part
fog but with
And mark you
not vaguely
each detail sharply outlined
his own sight and
with
illustrative value distinctly set forth
He
thought
picture
has
which some things
thought
matter more others less but
which
nothing must
blurred
Need we doubt then
that
author business before ever he puts pen
paper
sure
himself
sure
aright
that he sees the finished picture and sees
painting
too through
the processes
And then
Then
the practical consequence

in

in

is to

It

"

:-

?
"

in

secured
And
answer he says
for
obey the great cardinal principle
the writer
Sincerity and
express himself
brave enough
his own way
Lewes idea
course
that
man can speak
straight from
the heart and speak montonously
the moment the meaning
the impetuosity
blurted out anyhow and with words scarcely
weighed and thoughts but indifferently
considered
monotony ceases
possible
There may
tangle
good
there generally
and
deal
Variety too
confusion but
least there must
likely
quarrel with the contention
and
one
just the very completeness
however
this

,

-

,

is

“

, ,

.

, ",

.*

“

-

of

,

of

,

a

,

its

,

is

sideration and here
method which
whatever
demerits will nevertheless compel more often
than not the accomplishment
the end
view
Variety
Style
The suggestion comes from
variety
Lewes
How
he asks
be

mean that we shall ever hope actually to imitate
him
or that we should do so if we could , but that ,
process
time and after fashion something
may
the master
charm
but
shadow
will fall inevitably upon the student like
blessing
Under such circumstances
will
slowly none the
found the habit modifies and
less surely
takes
smoother turn
and
the
vocabulary widens day
day
the niceties
expression grow
familiar with experience
will
the appropriate word come more promptly
hand
and the sentence round itself off more pleasantly

heof

-

,

,

,

.

to

,

-

is

,

fix

see

Still , where the aim is at the practical, it does
up the sponge too readily .
not do to throw
As
upon the definite border line
we
we cannot
Very well then
that
certain
abandon the
precise turn
the more general the broader con

207

�THE AUTHOR .

208

'

us
,

its

of

,

at

,

no I

,

in

,

it

,
I .

be

be

to

,

, 's

be of

as

to
a

of

am

.

I

is

to

's

,

of

,

of

to in

.
I

of

to

,

us

of

.

ill
-

of

is

.

on

”

to

“

”

by it

in has ,

.

Is

"

“

in

"

”
?

“

to

an

.

,

of

of

which

they

may

enter

, .
Sir
,

the

FRESHFIELD

II
.

.

W

,

am

I

with

into

.

women

by

for

interest the utterances
Ward
with regard
the
many
Committee
She deplores
that the unfortunate method
to

with

its

of

Academic
occasions

have read

Humphry

on

Mrs

.

of

by

. I

.
to

by

so

a

, of

.

at

,

.

if

to

door

.

to

of in

of

to

,

.

to

a

by

at

,

,

to

to

,
,

in

the action
our Committee
this business
On the contrary
open
the Committee has done its best
leave

COMMITTEE

of

It

of

,

is

,

it

-

co

an

as

I

up

dignity

Management

SIR

on

the
game

the bad behaviour
our
dawned slowly
her
This
way
grave slights
which
and
indignities generally strike their victims
not possible that Miss Toplis has been deceived
false dawn
When real daylight reaches her
appreciate
she will probably
that her sex
slighted
subjected
neither been
nor
by

all .

,

in

Miss Toplis tells

Committee
hardly
the

DOUGLAS

SIR
must confess
some surprise that you
you
have published the letter addressed
Miss Toplis
the absence
women from
the

,
I

the

even
understand
rules
which
timed examples have been
given
lately by ladies from whom we might have
hoped for better things

in

,
fill

to

of

,

THE ACADEMIC

my mind

play

honour and without unseemly disputes
coveted dignity
Yours obediently

.)

be

CORRESPONDENCE

not only
affairs but

“

in

;

;

be

of

.

,
is

of

's

(
To

the conduct
us ,

at

of

of

of
it

,

,

is

it

,

of

,

.

contains

have

incapacity

”

an

.
to to

,

in

it

to

.

,

of of

*

to

respect

a

, .

of

,

to

,

in

.
is

;

of

“

”,

us

up

To

if

,

or
,

only given verbatim
This scene
course
Rip Van Winkle
concluding
remark which
the whole point
continued

of

,

of

,

in

in

; of

of

,

,

let

tears
sum
then there are the two leading
principles
economy and climax
and the third
principle
variety which controls the other two
transposed
you please
the position may
But anyway
the suitable harmonising
good writing and the
three that makes the basis
first trouble
all writers

apparent
in

to

,

to

in

,

of

by

is

,

an

of

of no

to

the eyes with

reluctant witnesses

its

”
*

.

of

,

to

it

as

, ,

of

I

,

do

be

in

.

to

a

of

is

,

at

,

Rip

clients that
their cause
not more successful they
have largely themselves
thank
not now
referring
the too notorious exhibitions
intem
perate conduct and
language
petulance and
the followers
the women movement
silliness
which their friends have been recently the

“

! !

it

“

's

,

he

,

”

So .

,

,

”

!

's

do

,

-s

in

It

active
state
That the home
any
Van Winkle
sad enough
time
one will dispute
but
needs the magic
wand
the artist that little touch
antithesis
opposition
the end
that
two thoughts
which are the reverse
each
other
some
just
prominent trait
emphasise the sadness
just
just
grip the real truth
to

their most

coming

practical difficulty
vacancies there can
Speaking for myself
this course being followed
may
interested outsider
trust
and
without delay
may however
one who some years ago gave
not unimportant post for the sake
women
claim
admission
scientific society
allowed
perhaps
take this opportunity
warn my former

a
“

. -

,

!

!

of

at

,

for

,

“

“

to

I

of

the situation lies wholly
the use
contrast
grave from the
the sudden change from gay
humorous
the pathetic
and
the certain
exaggeration
effect which results
from
the
unexpected transformation
the point
view
open air
like the first breath
the invalid
the tonic
fresh idea
and the mind startled
responds with
and stirred
the surprise
alacrity and magnifies the picture
unaccustomed
thought
This then
the work of variation
energetic capacity
create
the reader and
insight and appreciation
stimulate his powers

on did

Academic Committee
seemed
most
when the question was mooted that the better and
carry out
important and
less contentious way
possibly
step
controversial
would be
the
option
the Academic Committee itself
first lady members
Since
dozen
vacant seats
were left
the disposal
the nominated members
present
and there are
believe
least ten

like the rest and buried these nineteen
Rip
Then
Van
Winkle laughed too
That funny
said
that damned funny
damned funny nearly breaks my poor old heart
There may
more affecting incidents than this
be found
fiction but
not know
them
any other which strikes more
not know
straight
surely more rapidly more directly
the
heart trings
And
seems
me the strength

of

course
years

in in
a

first list of the Academic Committee of the Royal
Society of Literature without the editorial note ,
which , I venture to think , the occasion might have
suggested .
The Committee
the Authors Society
not
true express any formal opinion
the question
the inclusion
women
the

his

with whom he had been wont to drink and make
merry in other days , the laugh burst out openly .
“ Dead ! " they cried .
“ Dead ! the whole drunken
lot of them ! "
And when , a little later , he asked
them
wife they held their sides
merri
ment and the answer came back
him
shout
Why
Gretchen
Old
Gretchen
dead

�THE AUTHOR .

to

is

I

.

of

be

,
to

a

,

"

is

to

of .

to

as
a

-

of

as

if

.

a

of

,

on

a

?

as

to

I

,

,

to

.

-o

.

;

to

of

,

of

he

be

a

to

an

,

,

aa

pl

a

,

if

a

no .

in

of

,

he
is

it

,

in

;

of

be

If

And

.

of

am

the society
suggesting

would

.

-

to

,
it

is

infinite labour and much thinking
the first and most important step towards
organisation
operation
and
All accom
co

real

I

plishment that

entail

to

if

so

.
. It

be

is

it

;

to

is

to

it

of

on

.

in

,

to

,

—

,

in
a

be

worth while
difficult
cannot
done
moment but
can
done
There
are born reactionaries
even amongst dramatists
hopeless pessimists
content
let things slide
fearful lest change should bring tyranny
its
wake
Such people have always been the brakes
the wheel
human progress
But
seems
me that
the society
is

.
a is

to

,

it

if

of

its

.

,

.

under the banner
the scheme that

my mind

.

5

to

be of

,

it

If

?

a

and
would
obtain businesslike
treatment
and
courtesy
they are
But
stand together they
must
although

in

is

a

do

-

a

a

success

upon

do .

so

;

10

—

to

is

to

it of

if

to

if

us

;

; us

it

to

a

,

. an

to

as so
a

,

,

of

.

,

is

—

to

be

to

diseased

time limit
should
considered then that
has
accepted that play and that
liable for
sum
royalties
advance
connection with that play
dramatists would stand together they would
longer
the victims
abuses they could demand
-

.

“

. ,

is

in

,

a

of

co

can

if .

:

do

. .

F

be

agreed

him

DRAMATISTS AND THE SOCIETY
incapable
The average dramatist
after his own financial interests
he
agent and pays him
employs
per cent
commission
But
seems
me that what the
agents are doing the Society
Authors
represent
officially
become
necessity
the inducements
come
are
obvious that not
be
member
not
exist
dramatist
could
much better
purely commercial point
And
from
view
why does the society philosophically
accept the
large portion
fact that
these commissions
might with
little trouble
diverted
own
charged only
per cent for
bank account
collecting
royalties and
drafting
contracts
its
increased income would more
than balance its
increased expenditure
SIR
looking

most

Certain

and every dramatist should demand
percentage and certain
minimum
recognised conditions
which should be
one
manager having requested
that
author
play keeps that play beyond
send
certain
send him

dramatist

,

to

.

)

-

to

of

to

,

a

:

to

,

to

be

,

in

is

on a

is

of

in

.

,

an

,

POLLOCK

yet the

-

.

to

,

is

,

as

so

's

in

-

very careful

an

,

I

of

of

a

of

to

at

(

,

,

eren then they should

written

the dramatists
But
theatre
organised body went out
strike what would
commercial enterprise
the theatre
become
Personally
cannot understand the selfishness
organisa
the individual dramatist who objects
peration
Whatever consideration he
tion and
his own interests he still owes some
owes
Naturally
and rightly
his profession
those
larger
standing
fees than
can
demand
dramatists
but any
win
those who still have their spurs
of

a

have always understood that
being fully respon
anonymous
articles
editor
As
alter them
entitled
sible for the contents
courtesy and prudence he will consult
matter
practicable
the case
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far
the writer
signed contributions
editor except with the
consent may only correct manifest errors
writer
spelling and punctuation and
conformity
see
objectionable
require
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matter
need
pub
really
limited refusal
case
but this
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Managers cannot exist without plays
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managers look upon him
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parasite

-

'

IN

ALTERATIONS
AUTHORS MANUSCRIPTS
Surely the statement that
editor
right
publisher has
MS
author
alter
the April issue
too wide
literal terms
agree
signed work
and
author
Read
pretty
through
editor
and
contributor
Both
SIR

:

to

,

.

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INTERESTED

he

for

am

-

?

's

Yours truly ONE

,

of

the com

of

favour

in

the public the best argument
abolition
mittee

formances
but how
know that
has not
serenty
given
And there
that very fruitful
source
income
the Stock Company
America
permission
perform
play together with the
prompt copy
that play had
obtained from
representative
the society
authorised
those
managers who perform
plays
and those agents
forget
who lease plays for stock work and
?

of

it

in

an

in

its

it

Is

give
advancement
would
the public the best
argument for the abolition of the House of Lords .
possible that the Royal Society
Literature
bas pursued this peculiar method
election
may give
Academic Committee
order that

—

The
this

said

to

Prime Minister .
, hoped that

a certain

of

Minister , it was

Prime

's

on the advice

of

the profession , and from the public generally .
A king once raised a gentleman to the peerage

If my play is pirated , I instruct my agent to
sally forth and capture the pirate ; but pirate
chasing annoys him , because , as likely as not, he is
chasing a future client , and your agent cannot
afford to offend managers .
All managers are
honest , but some are absent -minded . The manager
who produces my play in New Zealand or India on
a royalty basis sends me returns
seventeen per
;

of the trust which
other members of

to have from

of

the way

in

a body

If

will stand
ought

election
such

209

�THE AUTHOR .
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From work
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very sane and proper
find that she Madame Audoux had
curiosity
prices and conditions
England
After
equally
had somewhat satisfied this curiosity she showed
English
proper
annoyance
and
that
the
at
the
fact
sane and
American rights
Marie Claire had been sold outright
for
ridiculous sum
She told me the exact sum
was
forget which
either £16
£20
the success
the
England
book
America equals its success
and
will

who knows the market
trusts his wealth
agent with greater confidence
literature
than he would entrust his earnings
stock
broker
his legal business
solicitor
with
many cases
fatal results
The agent
order
wholly
save himself trouble gives advice which
unsatisfactory
spend
lest
should
asked
obtaining
more
time and energy
sounder
agreement
This refers not only
the rights
England but also
placed
the rights
America
person

of

to

,

he

:

,

has had with
that work
After
their conversation

of of

which

”

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of

interview

Madame Audoux the author
recording the commencement
Jacob Topson
continues

to

.

,

Rights

(?
)

MINOR

SIR
The following paragraph from the weekly
literary causerie
Books and Persons
London
and Paris
Jacob Tonson
The New Age
your readers
may
interest
some
having stated that
Jacob Tonson
000 copies
the English translation
Marie Claire were
publication
goes
sold within
week
describe

is

"

“

's

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A

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DRAMATIST

,

Yours truly

an

is

an

,

(

'

SIR

--

ofof

worthy

is

it

I

,

think

AGENTS

Through
long and varied experience
have found that the author agent rather than the
author himself ruins the prospects of the minor
constantly
author
The Society
Authors
dinning into the ears
its members that they
should not write under
certain price per
000
periodical contributions that they should
words
subsequent books
not publish their first
their
own expense and
think that many authors have
wisely and
their benefit followed the advice that
has been given them
But what are they
sign con
when the author agent advises them
sign
tracts
ruinons rates
contracts giving
sign
all their minor rights
the publisher
contracts
for the payment
sums towards the
production
their books
for the production
their books
deferred royalty which when
microscopically
The author
small
does come
goes
agent being ignorant himself

.

a

,

;

.

but

,

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(

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AUTHORS

;

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.

to

all

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the collection
only
This

,

an

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to

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of

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expert
would seem then that the
who
good enough
assure the author that his foreign
rights are too trifling
and translation
worth
bothering about
and
had therefore better
entrusted
the said expert
sole
care
individual whose activities are not confined
this
side
the Channel
Yours faithfully WARD MUIR

so

of

I

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a

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or

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in

—

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on

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it

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if

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brought no accusation of any kind against anybody .
agreement and
absolute sale
absolute sale
matter how the financial consequences
may
thereof
work out
New Age March
that

An agreement

It

to

are

a

be

;

to

be

dramatists as a body ; if the induce
greater than the
ments to come in
stay out the Dramatic Sub Com
temptations
doing
very usefulwork both for the
mittee would
body
individual dramatist and for dramatists
during the coming year
would draft
scheme
which
could either shunt the agent and take his
place
appoint certain agents
various places
who would act solely through and
behalf
the
Society
experience discretion
Authors men
and integrity who could keep
touch through the
theatrical papers
other sources with the move
managers
ments and productions
all classes
safeguard the dramatist from unauthorised
and
performances
his work
thus making itself not
only
luxury
the individual dramatist but
necessity
dramatists
while the extra expense
involved could be met by the percentage charged on
represent

of

210

it

,

he to

if

in

.

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to

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In

and other countries
fact
has almost become
impossible
persuade
agent
obtain the
American rights for his client
The result
the
long run would be much better for the author
fair
add that
his next week causerie
pay
agent
per cent
per cent
published
following
Jacob
Tonson
the
could be quite sure that the agent would conscien
paragraph
tiously fight through his contracts with publisher
spcaking
Last week
Marie Claire
said that
editor but then the question would always
the author was not getting the author
share
the profits
dispute whether by increasing the percentage
and that
Marie Claire
the very successful sale
Theyou increase the efficiency
general rule
not know who was getting the author
share
As
publishers
Chapman and Hall have satisfied me
Messrs
body
when
author
authors has estab
paying
quite proper royalties
that they are
the circulation
lished his
their price
difficult
beat the
very glad
ten thousand copies
date
make
Chapman
Price down again
contract
and
Hall
Messrs
known this fact
however
not with the author direct
need not say
Yours truly
LITERARY WATCHER
probably surpass
profits under
proper
author
agreement should be the
upwards
getting
£800
Who
these profits
cannot say but the author
not getting
them
New Age March

�ADVERTISEMENTS .

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XXI.- No. 8.&#13;
MAY 1, 1911.&#13;
(PRICE SIXPENCE.&#13;
CONTENTS.&#13;
РАОЕ&#13;
198&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
The Meeting of Dramatists.&#13;
Books published by Members&#13;
Literary, Dramatic and Musical Notes&#13;
PAGR&#13;
183&#13;
183&#13;
183&#13;
184&#13;
185&#13;
187&#13;
191&#13;
193&#13;
195&#13;
196&#13;
198&#13;
198&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The Modern Novel a&#13;
Style in Literature&#13;
Correspondence ...&#13;
199&#13;
199&#13;
199&#13;
199&#13;
199&#13;
199&#13;
200&#13;
201&#13;
202&#13;
208&#13;
Publishers need not preserve Pseudonymity (U.S.A.)&#13;
Warnings to the Producers of Books&#13;
How to Use the Society&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By 8. SQUIRE SPRIGGE. 1s.&#13;
8. The Cost of Production. (Out of print.)&#13;
8. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 13. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association ; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright. Convention as Revised at Berlin, 1909. 1s.&#13;
(All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. 182 (#248) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON."&#13;
Telephone No. : 314 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M&#13;
COUNCIL&#13;
SIR ROBERT ANDEREON, K.C.B. AUSTIN DOBSON.&#13;
SIR WM.REYNELL ANSON, Bart., D.C.L. | SIR ARTHUR CONAN DOYLE.&#13;
THE RIGHT Hon. THE LORD AVE. DOUGLAS FRESHFIELD.&#13;
J. M. BARRIE.&#13;
(BURY, P.C. SIR W. S. GILBERT.&#13;
SIR ALFRAD BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
F. E. BEDDARD, F.R.S.&#13;
H. RIDER HAGGARD,&#13;
MRS. BELLOC-LOWNDER.&#13;
MRS. HARRISON (“LUCAS MALET').&#13;
THE RIGHT HON. AUGUSTINE BIR. ANTHONY HOPE HAWKING,&#13;
BELL, P.C.&#13;
E. W. HORNUNG.&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
THE REV. PROF. BONNEY, F.R.S. W. W. JACOBS.&#13;
THE RIGHT Hon. JAMES BRYCE, P.C. | HENRY JAMES.&#13;
The Right Hon. TRE LORD BORGH. JEROME K. JEROME.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
HALL CAINE.&#13;
J. Scott KELTIE, LL.D.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
EGERTON CASTLK, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.8,&#13;
EDWARD CLODD.&#13;
THE REV. W. J. LOFTIE, F.8.A.&#13;
W. MORRIS COLLES.&#13;
LADY LUGARD (M188 FLORA L.&#13;
THE HON. JOHN COLLIER,&#13;
SHAW).&#13;
BIR W. MARTIN CONWAY.&#13;
MRS. MAXWELL (M. E. BRADDON).&#13;
THE RIGHT HON. THE LOBD CURZON AYLMER MAUDE.&#13;
OF KEDLESTON, P.C.&#13;
JUSTIN MCCARTHY.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
SIR HENRY NORMAN, M.P.&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ARTHUR PINERO.&#13;
THE RIGHT HON, SIR HORACE&#13;
PLUNKETT, K.P.&#13;
ARTHUR RACKHAM.&#13;
OWEN SEAMAN.&#13;
G. BERNARD SHAW,&#13;
G. R. SIMs.&#13;
S. SQUIRE SPRIGGE,&#13;
FRANCIS STORR.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
Mus. Doc.&#13;
MRS. HUMPHRY WARD,&#13;
SIDNEY WEBB.&#13;
H. G. WELLS.&#13;
PERCY WHITE.&#13;
FIELD-MARSHAL THE RIGHT Hox.&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
P.C., &amp;c.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-S. SQUIRE SPRIGGE, M.P.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT,&#13;
G. BERNARD SHAW.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIA STORR,&#13;
MRS. E. NESBIT BLAND.&#13;
AYLMER MAUDE.&#13;
SIDNEY WEBB,&#13;
J. W. COMENS CARR.&#13;
ARTHUR RACKHAM.&#13;
RUDOLPH BESIER.&#13;
H. GRANVILLE BARKER.&#13;
ANSTEY GUTHRIE.&#13;
Miss CICELY HAMILTON.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-R. C. CARTON.&#13;
| CAPT. BASIL HOOD.&#13;
G. BERNARD SHAW.&#13;
JEROME K. JEROME.&#13;
MISS E. M. SYMONDS.&#13;
W. SOMERSET MAUGHAM.&#13;
CECIL RALEIGH.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-8. SQUIRE SPRIGGE, M.P.&#13;
MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
M. H. SPIELMANN,&#13;
MRS. HUMPHRY WARD,&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
H. A. HINKSON.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, HERBERT SULLIVAN.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
| M. H. SPIELMANN.&#13;
THE Hon. JoAN COLLIER,&#13;
Sir W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM,&#13;
M. H. SPIELMANN.&#13;
FIELD, ROSCOK &amp; Co., 36, Lincolu's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W.J&#13;
Solicitor in England to&#13;
La Société des gens de Lettres.&#13;
Legal Adviser in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES&#13;
39, OLD QUEEN STREET, STOREY'S GATB, 8.W.&#13;
&#13;
&#13;
## p. 182 (#249) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
-PLAYS&#13;
Mr. Forbes Dawson&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' continuous experience of the stage in every class of theatre, and every&#13;
class of play in all parts of the world.&#13;
Late of:—The Theatre Royal, Haymarket, Prince of Wales', Vaudeville, Gaiety, Comedy, Wyndham's,&#13;
the new and old Strand, the Playhouse (late Avenue), Terry's, and the Adelphi.&#13;
MASTER OF STAGE CRAFT AND PLAY CONSTRUCTION.&#13;
Author of many plays produced in Great Britain and America.&#13;
Adapter of several Novels to the Stage.&#13;
Gives Practical Advice upon Plays.&#13;
Dramatises Books and Short Stories.&#13;
NO THEORIES.&#13;
No charge for reading and giving a practical report on a play.&#13;
MR. FORBES DAWSON is qualified to advise upon play construction and stage craft, having gone through a practical&#13;
training-not upon the London stage only-but also in the hard and varied mill of the provinces, and the dramatic&#13;
stock companies in the Canadas, California, and the United States of America.&#13;
ADDRESS: 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
ESTABLISHED)&#13;
(XVIII. CENT.&#13;
The Wessex Press, Taunton.&#13;
BARNICOTT &amp; PEARCE&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
"Feeding and Management&#13;
in Infancy.”&#13;
By ARTHUR A. BEALE, M.B.&#13;
Containing Chapters on-CAUSES OF INFANT MORTALITY; FOOD, AND HOW TO&#13;
FEED; ARTIFICIAL FEEDING ; SPECIAL INFORMATION FOR MOTHERS, &amp;c.&#13;
Stiff Paper Cover, 6d.; Cloth, ls.&#13;
J. F. BELMONT &amp; CO., 29, PATERNOSTER SQUARE, E.C.&#13;
&#13;
&#13;
## p. 182 (#250) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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## p. 182 (#251) ############################################&#13;
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&#13;
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## p. 182 (#252) ############################################&#13;
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&#13;
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## p. 183 (#253) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
Vol. XXI.-No. 8.&#13;
May 1st, 1911.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
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that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
DOR the opinions expressed in papers that are&#13;
I signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
THE Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
LROM time to time members of the Society&#13;
T desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are : (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 5s. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
VOL. XXI.&#13;
LIST OF MEMBERS.&#13;
THE List of Members of the Society of Authors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages bave been added at the&#13;
&#13;
&#13;
## p. 184 (#254) ############################################&#13;
&#13;
184&#13;
THE AUTHOR.&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
Feb. 15, Reynolds, Mrs. Baillie . .&#13;
Feb. 21, Rhys, Ernest ..&#13;
Feb. 21, Cameron, Mrs. (Charlotte) .&#13;
Feb. 21, Mulliken, Mrs.&#13;
. .&#13;
March 9, Boughton, Rutland .&#13;
March 10, Somers, John . . .&#13;
April 6, Rawlings, Burford . ;&#13;
April 11, Wicks, Mark&#13;
nicks, Mark . . .&#13;
£ s. d.&#13;
0 5 0&#13;
0 10 6&#13;
1 1&#13;
0 5 0&#13;
0 5 0&#13;
0 5 0&#13;
0 10 6&#13;
0 5 0&#13;
THE PENSION FUND.&#13;
.&#13;
· ·&#13;
.&#13;
· ·&#13;
.&#13;
· ·&#13;
.&#13;
·&#13;
.&#13;
·&#13;
en coworoc Ener&#13;
· ·&#13;
ON February 1, the trustees of the Pension&#13;
U Fund of the society-after the secretary&#13;
had placed before them the financial&#13;
position of the fund—decided to invest £250 in&#13;
the purchase of Consols.&#13;
The amount purchased at the present price is&#13;
£312 1.8. 4d.&#13;
This brings the invested funds to £4,377 19s. 4d.&#13;
The trustees, however, have been unable to recom-&#13;
mend the payment of any further pensions, as the&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
of the society to this fact, in the hope that by&#13;
additional subscriptions and donations there will&#13;
be sufficient funds in hand in the course of the&#13;
gear to declare another pension in case any im.&#13;
portant claim is forthcoming.&#13;
Consols 24%..............................&#13;
.........£1,312 18 4&#13;
Local Loans ...............&#13;
... 500 0 0&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ......... 291 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock .....................&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates .... 200 0 0&#13;
Cape of Good Hope 3% Inscribed&#13;
Stock ............................. 200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock.........&#13;
228 0 0&#13;
New Zealand 3% Stock............... 247 9 6&#13;
Irish Land Act 23% Guaranteed Stock 258 0 0&#13;
Corporation of London 22% Stock,&#13;
1927-57 ..........&#13;
... 438 2 4&#13;
Jamaica 31% Stock, 1919–49 .........&#13;
Mauritius 4% 1937 Stock............... 120 121&#13;
Dcminion of Canada C.P.R. 31% Land&#13;
Grant Stock, 1938........... .... 198 3 8&#13;
.&#13;
· · ·&#13;
·&#13;
...&#13;
· ·&#13;
· ·&#13;
·&#13;
Donations.&#13;
1911.&#13;
Jan. 2, Northcote, The Rev. H.. . 050&#13;
Jan. 2, Mackenzie, Miss J.&#13;
0 5 U&#13;
Jan. 3, Church, Sir Arthur H. .&#13;
1 1&#13;
Jan. 3, Wasteneys, Lady .&#13;
Jan. 4, P. H. and M. K.&#13;
Jan. 4, Randall, F. J. .&#13;
. . . 1 1 6&#13;
Jan. 5, W.&#13;
;&#13;
. .&#13;
. . . 0 10 0&#13;
Jan. 5, Crellin, H. N.&#13;
0 5 0&#13;
Jan. 5, S. F. G. . . .&#13;
Jan. 6, Blake, J. P...&#13;
lake, J. P. . . . . 1 1 0&#13;
Jan. 7, Douglas, James A..&#13;
Jan. 9, Grisewood, R. Norman .&#13;
Jan. 10, Wharton, Leonard C. . . () 10 0&#13;
Jan. 12, Tanner, James T.. . . 3 3 0&#13;
Jan. 16, Kaye-Smith, Miss Sheila&#13;
. 0 5&#13;
Jan. 17, Kemp, Miss Emily G... 1 1 0&#13;
Jan. 21, Greenstreet, The Rev. W.J.&#13;
Jan. 26, Blundell, Miss Alice . . 0 5 0&#13;
Jan. 28, Benecke, Miss Ida&#13;
. 0 5 0&#13;
Jan. 30, Wilkinson, The Rev.C.J. 1 1 0&#13;
Feb. 2, Lawes, T. C...&#13;
Feb. 3, Dawson, Mrs. F. . . 05 0&#13;
Feb. 3, Tweedie, Mrs. Alec . . 1 1 0&#13;
Feb. 10, Dale, T. F. , .&#13;
Feb. 13. Machen, Arthur ..&#13;
. 0 10 0&#13;
Feb. 21, Strachey, Lady ..&#13;
• 2 2 0&#13;
Feb. 25, Humphreys, Mrs. (Rita) . 2 0 0&#13;
March 3, Gibbs, F. L. A. .&#13;
: 010 0&#13;
March 6, Haultain, Arnold.&#13;
.. 1 1 0&#13;
March 9, Hardy, Harold . .&#13;
• 0 10 0&#13;
March 9, Hutton, E. . .&#13;
. 0 5 0&#13;
March 10, Wilson, Albert .&#13;
• 0 5 0&#13;
March 16, Ward, Dudley.&#13;
0 10 6&#13;
March 30, Coke, Desmond .&#13;
April 1, The XX Pen Club&#13;
April 6, Channon, Mrs. E. M. . 0 5 0&#13;
April 7, Henry, Miss Alice. .&#13;
April 10, Ralli, Scaramanga . . 2 2 0&#13;
April 11, Robins, Miss Alice&#13;
April 20, MacEwan, Miss.&#13;
10&#13;
April 20, C. N. and Mrs. Williamson. 5 5 0&#13;
April 21, Shirley, Arthur . . 1 1 0&#13;
April 22, H. A. and Mrs. Hinkson . 1 0 0&#13;
April 24, Toplis, Miss Grace . . 0 10 0.&#13;
· ·&#13;
· · ·&#13;
·&#13;
བྱr ༤&#13;
Total ............. .. £4,377 19 4&#13;
··············&#13;
£&#13;
$. d.&#13;
Subscriptions.&#13;
1911.&#13;
Jan. 3, Yolland, Miss E.&#13;
Jan. 3, Bowen, Miss Marjorie .&#13;
Jan. 9, Bolton, Miss Anna . .&#13;
Jan. 13, Edginton, Miss May .&#13;
Feb. 11, Cannap, Gilbert . .&#13;
0 5&#13;
1 1&#13;
0 5&#13;
( 5&#13;
0 10&#13;
0&#13;
0&#13;
0&#13;
.&#13;
.&#13;
.&#13;
.&#13;
6&#13;
&#13;
&#13;
## p. 185 (#255) ############################################&#13;
&#13;
THE AUTHOR.&#13;
185&#13;
COMMITTEE NOTES.&#13;
and, in short, did not think anything more could&#13;
be done by a professional auditor than he had&#13;
done already. The committee decided, in these&#13;
circumstances, that it would be a waste of money&#13;
to send in a professional auditor.&#13;
M HE April meeting of the Committee of The next question related to the infringement of&#13;
I Management of the Society of Authors was the copyright of a member's work--work dealing&#13;
held on Monday, April 3, at 4 p.m.&#13;
with a technical subject by the publication of&#13;
This was the first meeting after the Committee another book of a similar character. The solicitor&#13;
Election for 1911. The present Committee of reported that as far as he had been able to look&#13;
Management consists of the following:—Sir Alfred into the matter the infringement seemed clear, and&#13;
Bateman, K.C.M.G., Mrs. Belloc-Lowndes, Mrs. that a breach of copyright had been committed.&#13;
E. Nesbit Bland, J. W. Comyns Carr, Maurice The committee decided to support the action for&#13;
Hewlett, W. W. Jacobs, Aylmer Maude, Arthur the member, taking the case through the courts if&#13;
Rackham, G. Bernard Shaw, S. Squire Sprigge, necessary. A case of infringement of the dramatic&#13;
M.D., Francis Storr, Sidney Webb.&#13;
rights of one of the members by a performance of&#13;
The first business before the Committee of his play in India was next discussed, and the&#13;
Management was to elect a chairman for the secretary was instructed to place the matter in the&#13;
carrent year. Dr. S. Squire Sprigge, who did so hands of the Indian solicitors of the society.&#13;
much in the early days of the society under Sir The committee then discussed a dispute affecting&#13;
Walter Besant's chairmanship, was, on the pro- some contributors to a magazine, and a paragraph&#13;
posal of Sir Alfred Bateman, seconded by Mr. dealing with the matter will be found elsewhere in&#13;
Bernard Shaw, and supported by Mr. Francis this issue of The Author. The magazine referred&#13;
Storr, unanimously elected chairman for the to was The English Review.&#13;
current year. After the minutes of the former The editor of an Indian paper having “ lifted”&#13;
meeting had been read and signed, the committee a story by a member of the society which had been&#13;
proceeded with the election of members. Twenty first published in The Westminster Gazette, and&#13;
members and associates were elected, bringing the having in his letters to the secretary avoided&#13;
total elections for the current year up to ninety-two. coming to any settlement on what appeared to be&#13;
There were five resignations, bringing the total an unreasonable excuse, the committee decided to&#13;
number of resignations for the current year up to commence proceedings.&#13;
fifty. The committee are pleased to report that the The solicitor then made to the committee a&#13;
elections are well up to the average of former report on the small cases which he had dealt with&#13;
years, whereas the resignations are somewhat during the past month. In three claims against a&#13;
below the number at the corresponding period of magazine it had proved impossible to obtain any&#13;
1910.&#13;
satisfaction, as there were no assets to meet the&#13;
Cases.--The solicitor of the society attended the claims of the members. Two small cases for&#13;
meeting and made a report of the cases in hand. recovery of money due had been satisfactorily&#13;
The first matter related to the infringement of settled. One case for the recovery of a MS. had&#13;
the dramatic rights of two members. This case, been settled, and in one case, where a portion of a&#13;
the solicitor reported, had been settled by the MS. had been lost, the defendant had promised to&#13;
payment of a sum after the society had issued a pay reasonable compensation. The solicitor, accord-&#13;
motion for injunction, and is now closed. The ingly, was instructed to proceed in this case. In&#13;
result illustrated forcibly the practical value of the regard to certain cases taken up by the society&#13;
society's intervention.&#13;
against Mr. Henry J. Drane, judgment was obtained&#13;
The next case had been before the society for before Mr. Justice Eady. There was another case&#13;
some months, the member concerned asking the taken in hand against a literary agent for money&#13;
society to put in an accountant to check the due to one of the members, which the committee&#13;
accounts of a firm with which he was dealing. In instructed the solicitor to settle as quickly as&#13;
this case the society had already obtained a con-, possible by service of a writ.&#13;
siderable gum from the publisher, with a full After theconsideration of the cases, the committee&#13;
statement of account and of the copies printed, and discussed the question of the new Copyright Bill,&#13;
the author had received the stock. The only which had just been printed and made public.&#13;
question remaining was whether the printers' The committee instructed the secretary to send&#13;
voucher for the number printed in the first copies of the Bill to members of the Committee of&#13;
instance was correct. The solicitor added that Management and to the Copyright and Dramatic&#13;
he had inspected the books of the publisher, Sub-Committees, and to refer the Bill to both the&#13;
checked the sales' account and seen the invoices, last-mentioned sub-committees for report. The&#13;
&#13;
&#13;
## p. 186 (#256) ############################################&#13;
&#13;
186&#13;
THE AUTHOR.&#13;
Committee of Management decided also to have a The committee were glad to see that, with very&#13;
special meeting for consideration of the Bill. few exceptions, all the suggestions made by the&#13;
The re-election of the sub-committees followed, Society of Authors had been accepted. There&#13;
and the Copyright and Art Sub-Committees were were, however, a few exceptions, of which one or&#13;
re-elected in due course. The Committee of two were unimportant; but on two points, at least,&#13;
Management accepted the recommendations of the committee considered that the views of the&#13;
the dramatists of the society and elected the society must be pressed.&#13;
persons whose names were laid before them, subject, (1.) (Members are referred to the bill which is&#13;
of course, to their assent to undertake the duties. printed as a supplement to this number of The&#13;
The Dramatic Sub-Committee for 1911 will be :- Author). As regards clause 2, sub-section 2, the&#13;
Rudolph Besier, H. Granville Barker, R. C. Carton, society had suggested that the importation of&#13;
Anstey Guthrie, Miss Cicely Hamilton, Captain copies should be illegal even though not “ for sale&#13;
Basil Hood, Jerome K. Jerome, Henry Arthur or hire," and the Joint Committee considered that&#13;
Jones, W. Somerset Maugham, Cecil Raleigh, G. this point should be still pressed upon the Govern-&#13;
Bernard Shaw, Miss E. M. Symonds.&#13;
ment as an amendment.&#13;
The agency agreement was again laid before (2.) The Joint Committee considered that&#13;
the committee, and after discussion the secretary clause 4 should not stand as drafted.&#13;
was instructed to send fresh copies to the members Several proposals were made, and these will be&#13;
of the committee, who decided to consider the considered at a subsequent meeting of the Com-&#13;
terms and clauses at the next meeting.&#13;
mittee of Management, when a definite report will&#13;
The attention of the committee was called to be laid before them on these points. At the&#13;
the letters in The Times on the subject of the meeting of the Joint Committee no form of com-&#13;
Academic Committee, and to letters from members promise which seemed likely to be acceptable to&#13;
on the subject of the library censorship.&#13;
all parties was suggested.&#13;
The secretary reported that he had received £3 (3.) It was felt that the proviso to clause 11&#13;
from Miss Emma Brooke towards the capital fund should be withdrawn, as under that proviso it&#13;
and £5 from Mr. A. Eggar towards the same fund, would be possible for any piratical printer to print&#13;
and the committee decided to purchase £140 of a publisher's or printer's name on the pirated copy,&#13;
consols out of the life membership account.&#13;
and thus the onus probandi would be shifted from&#13;
the pirate to prove innocence to the shoulders of&#13;
the author to prove guilt. The Joint Committee&#13;
considered that the alteration should be pressed.&#13;
JOINT MEETING OF THE COMMITTEE OF&#13;
(4.) With regard to clause 25, the Joint Com-&#13;
MANAGEMENT AND THE COPYRIGHT mittee considered this clause as now drawn a&#13;
SUB-COMMITTEE.&#13;
distinct improvement on the clause of the 1910&#13;
bill, and were glad to see that several of their&#13;
· suggestions had been accepted ; but they did not&#13;
THE Chairman opened the proceedings by an approve section B. as it stood ; they decided to&#13;
nouncing that there were no agenda before reconsider it at a subsequent meeting, when here,&#13;
the meeting except to consider and report on too, they hoped it would be possible to suggest&#13;
the Copyright Bill, and, accordingly, suggested that some compromise.&#13;
in the first instance the broad lines to be adopted All these points of discussion arose out of the&#13;
by the Society of Authors should be considered, report of the Committee of Management on the&#13;
and that a report should then be formulated, con- bill when it was introduced in 1910.&#13;
taining the suggestions which the Committee of Other matters in the bill were discussed, and it&#13;
the Society of Authors considered should be made was settled that the Copyright Sub-Committee&#13;
when the bill was being carried through Com should make a report to the Committee of Manage-&#13;
mittee of the House of Commons. Mr. Mac- ment at their next meeting.&#13;
Gillivray then proposed that he should go through&#13;
the new bill of 1911, considering how far the&#13;
report of the Committee of Management on the&#13;
DRAMATIC SUB-COMMITTEE.&#13;
bill of 1910 had been accepted and their sugges-&#13;
tions and those of the Copyright Sub-Committee&#13;
had been embodied in the present bill. This M HE first meeting of the Dramatic Sub-Com-&#13;
course was adopted, and Mr. MacGillivray went 1 mittee of the Society of Authors since its re-&#13;
through the bill, indicating the alterations that election by the Committee of Management was&#13;
had been made and the places where they con- held at the offices of the society on Friday, April 21.&#13;
formed to suggestions of the society.&#13;
The first business was to elect a chairman for the&#13;
&#13;
&#13;
## p. 187 (#257) ############################################&#13;
&#13;
THE AUTHOR.&#13;
187&#13;
Managers of America, which set out at length the&#13;
procedure for stopping infringements of dramatic&#13;
rights in that country. The secretary was&#13;
instructed to write to the counsel, Mr. Ligon&#13;
Johnson, for further particulars, and to lay the&#13;
matter before the Sub-Committee at their next&#13;
meeting.&#13;
The consideration of the managerial treaty was&#13;
adjourned to the next meeting, and in the&#13;
meanwhile the secretary was instructed to draft&#13;
a form of contract and to circularise the Sub-&#13;
Committee with it that they might consider it&#13;
carefully before they reassembled.&#13;
THE MEETING OF DRAMATISTS.&#13;
current year, and on the proposal of Mr. Granville&#13;
Barker, seconded by Mr. Bernard Shaw, Mr. R. C.&#13;
Carton was unanimously elected. After the&#13;
minutes of the former meeting had been read,&#13;
approved and signed, the Sub-Committee turned&#13;
their attention to the agenda. The secretary laid&#13;
before the Sub-Committee a report that Sir Alfred&#13;
Bateman had received from the Advisory Com-&#13;
mittee of Commercial Intelligence of the Board of&#13;
Trade with regard to the applications he had been&#13;
making for reports from the consuls and commer-&#13;
cial correspondents touching the performance of&#13;
English plays. The Sub-Committee thanked Sir&#13;
Alfred for the steps he had taken and hoped he&#13;
would be able to carry the matter through&#13;
successfully.&#13;
The secretary then reported the legal cases that&#13;
had been taken in hand on behalf of the dramatic&#13;
members of the society since the last meeting. In&#13;
one case of a cinematograph performance in&#13;
America, the secretary reported he had obtained&#13;
the opinion of the society's American lawyer, and&#13;
that he was now waiting for further evidence as to&#13;
title, and that the matter would go before the next&#13;
meeting of the Committee of Management when&#13;
he hoped, on the recommendation of the Sub-&#13;
Committee, the case would be taken up.&#13;
The next case related to the infringement of&#13;
dramatic rights in India, and the secretary&#13;
reported that it had been placed in the hands of&#13;
the society's Indian lawyer. The third case was&#13;
one of the performance on a cinematograph of a&#13;
dramatic work in England. After the society had&#13;
applied to the courts for an injunction, the&#13;
defendants settled the case by payment of a sum&#13;
of 2001. Finally, the secretary reported that he&#13;
had recovered MSS. of some plays which had been&#13;
lying with the proprietor of an Indian theatre, and&#13;
he read to the Sub-Committee a letter from the&#13;
author of the plays expressing his thanks for the&#13;
work the society had done.&#13;
The Sub-Committee next considered the Copy-&#13;
right Bill, and various points in it touching&#13;
dramatic rights were discussed. The secretary&#13;
was instructed to refer them to the Copyright&#13;
Sub-Committee.&#13;
A letter which Sir Arthur Pinero, the late&#13;
chairman, had received from the Society of West&#13;
End Managers was next read, and the secretary&#13;
was instructed to acknowledge it. A letter from&#13;
the Lord Chamberlain's office was also read, and&#13;
it was decided at present not to take any steps,&#13;
but to await the further action promised by the&#13;
Lord Chamberlain, who had stated that no time&#13;
he&#13;
would be lost in putting forward the points raised&#13;
by the Dramatic Sub-Committee.&#13;
An important letter was then read from the&#13;
general counsel of the Theatrical Producing&#13;
MEETING of the dramatist members of the&#13;
Society of Authors was held at 3.30 p.m. on&#13;
Friday, March 31, in the Large Room of&#13;
the Society of Arts, 18, John Street, Adelphi, Sir&#13;
Arthur Pinero being in the chair. The agenda-list&#13;
was as follows:-&#13;
1. Sir Arthur Pinero, the chairman, will call on&#13;
the secretary to announce the result of the ballot,&#13;
and move that the result be communicated to the&#13;
Committee of Management for its guidance in&#13;
appointing the Dramatic Sub-Committee for the&#13;
ensuing year. The motion will be seconded by&#13;
Mr. Henry Arthur Jones, the vice-chairman.&#13;
2. The Chairinan will present the report of the&#13;
Dramatic Sub-Committee, and will, after a general&#13;
discussion, move its adoption.&#13;
3. Mr. Henry Arthur Jones will propose, and&#13;
Mr. R. C. Carton will second, a motion “That the&#13;
Government be called upon to carry out the recom-&#13;
mendation of the Joint Committee by the establish-&#13;
ment of single licence.”&#13;
4. Mr. Bernard Shaw will propose, and Miss&#13;
Cicely Hamilton will second, a motion “ That the&#13;
Dramatic Sub-Committee take into early considera-&#13;
tion the possibility of negotiating a general treaty&#13;
with the Managers Association, embodying the&#13;
clauses common to all dramatic authors' agree-&#13;
ments, with a view to simplifying dramatic&#13;
contracts."&#13;
This was the first meeting of the dramatists, as&#13;
apart from the other members of the Society, since&#13;
the reconstitution of the Dramatic Sub-Committee&#13;
two years ago.&#13;
Proceedings commenced with the reading by&#13;
the secretary, at the request of the chairman, of the&#13;
result of the ballot, which was as follows:-&#13;
1. Henry Arthur Jones .&#13;
. 85&#13;
2. R. C. Carton . . . . 82&#13;
3. John Galsworthy . . . 79&#13;
4. G. Bernard Shaw&#13;
&#13;
&#13;
## p. 188 (#258) ############################################&#13;
&#13;
188&#13;
THE AUTHOR.&#13;
.&#13;
.&#13;
. 71&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
5. H. Granville Barker.&#13;
6. Anstey Guthrie&#13;
7. Captain Basil Hood.&#13;
8. W. Somerset Maugham&#13;
9. Jerome K. Jerome .&#13;
10. Cecil Raleigh. .&#13;
11. Rudolph Besier .&#13;
12. Miss Cicely Hamilton&#13;
13. Miss E. M. Symonds .&#13;
14. J. H. McCarthy .&#13;
15. Mrs. K. C. Thurston.&#13;
16. Mrs. Cohen . . . . 9&#13;
The Chairman announced that Mr. John Gals-&#13;
worthy had written to him to the effect that,&#13;
living as he did in the country, he felt that he&#13;
would be unable to serve on the sub-committee, and&#13;
accordingly begged to withdraw his name. The&#13;
vacancy thus created would be filled by, Miss&#13;
E. M. Symonds, the thirteenth on the list.&#13;
At this point Mr. R. C. Carton rose to express&#13;
his regret that Sir Arthur Pinero had decided to&#13;
retire from the Dramatic Sub-Committee. He&#13;
hoped that the collective voice of those present&#13;
would ask him to reconsider his decision.&#13;
Sir Arthur Pinero was sorry to be unable to&#13;
accede to this request. He had served for two&#13;
years as chairman of the sub-committee and he now&#13;
asked for a little holiday. Probably at some future&#13;
date he would serve again if desired.&#13;
Mr. W. J. Locke then proposed, and Mr.&#13;
Cecil Raleigh seconded, that the result of the ballot&#13;
should be communicated to the Committee of&#13;
Management.&#13;
The Chairman then, proceeding to the report&#13;
of the Dramatic Sub-Committee, proposed that, as&#13;
it was in the hands of all present, it should be&#13;
taken as read.&#13;
Mr. Cecil Raleigh having proposed, and Mr.&#13;
Henry Arthur Jones having seconded, a motion that&#13;
the report should be adopted,&#13;
Mr. Anthony Hope said that Mr. Raleigh was too&#13;
quick for his slow-moving brain. Before the report&#13;
was adopted he would like to say a few words.&#13;
Referring to the history of the Dramatic Sub-Com-&#13;
mittee, he stated that at one time it was a question&#13;
whether the dramatists of this country should&#13;
not form themselves into a separate body to look&#13;
after their interests. The members of the Society&#13;
of Authors, however, had a strong feeling that there&#13;
should be only one body in charge of the interests&#13;
of all authors. The result of this was that the&#13;
Dramatic Sub-Committee of the Society was formed&#13;
which was in existence. He heartily congratulated&#13;
all concerned on the procedure adopted.&#13;
The Chairman said that the members of the sub-&#13;
committee were very glad to receive Mr. Anthony&#13;
Hope's congratulation, for which they thanked&#13;
him.&#13;
Mr. Bernard Shaw rose to point out that now&#13;
was the time-during the discussion on the report-&#13;
for anyone who had any grievance over what had&#13;
been done to bring it forward.&#13;
No one having anything further to say concern-&#13;
ing the report, after a brief discussion as to who&#13;
should properly move its adoption, Mr. Walkes&#13;
proposed, and Mr. Hope seconded, that the report&#13;
should now be adopted. The motion was put and&#13;
carried unanimously.&#13;
The Chairman then called upon Mr. H. A. Jones&#13;
to propose the motion standing in his name, viz.,&#13;
“That the Government be called upon to carry out&#13;
the recommendation of the Joint Committee by the&#13;
establishment of single licence.”&#13;
Mr. Jones said that it was about time that this&#13;
sketch business was settled. Nearly two years bad&#13;
elapsed since the Parliamentary Committee reported&#13;
on the point. That committee came to the con-&#13;
clusion that the only way to settle the question was&#13;
to institute a single licence. In the meantime,&#13;
however, the scandal continued. Shakespeare and&#13;
himself, he continued amid laughter, were consis-&#13;
tently and foully boycotted at the music-halls.&#13;
Mr. Lewis Waller's recent appearance at the&#13;
Palladium cost £160, and the magistrate in charge&#13;
of the case seemed to think that Mr. Waller and the&#13;
management had done something criminal in pro-&#13;
ducing the forum scene from “ Julius Cæsar."&#13;
There could be no greater reductio ad absurdum of&#13;
the whole business. His own “ Dolly ” sketch, an&#13;
easily detachable scene from his comedy “Dolly&#13;
Reforming Herself,” was refused just before at the&#13;
Coliseum because of an agreement between the&#13;
theatre and music-hall managers. For the present,&#13;
therefore, he was deprived of his right over his own&#13;
property. By this absurd agreement he must wait&#13;
for fifteen years before his sketch could be produced&#13;
on the music-hall stage. He pointed out that there&#13;
were really four bodies of people to be considered in&#13;
the matter—the two sets of managers, the authors,&#13;
and the public. And why should theatrical&#13;
managers object to the performance of the music-&#13;
hall sketch ? He instanced the state of things&#13;
prevailing elsewhere than in London. At the&#13;
Theatre Royal, Dublin, they had a double licence,&#13;
for stage-plays and music-hall performances. This&#13;
was really only a clumsy way of having a single&#13;
licence. If a manager could give a variety enter-&#13;
tainment at certain seasons of the year, this would&#13;
help him to carry on his theatrical business at&#13;
others. Perhaps music-ball managers were afraid&#13;
that the introduction of a single licence would&#13;
enable the theatres to cut into their business. But&#13;
really the public had a right to see whatever sort of&#13;
entertainment they desired.&#13;
Mr. R. C. Carton, seconding the motion, said&#13;
he could add little to emphasize what Mr. Jones&#13;
&#13;
&#13;
## p. 189 (#259) ############################################&#13;
&#13;
THE AUTHOR.&#13;
189&#13;
had said. He could not imagine a more dangerous, their sketches, if they were free to produce them&#13;
a more treacherous state of affairs than was pre- there. Music-halls in the provinces were, as a rule,&#13;
vailing at present. It was a contemptible piece of far more attractive than the theatres, clean, bri gh&#13;
treachery that the managers should have had and cheerful. The drama there had gone down,&#13;
recourse to a miserable old law to prevent dramatic down, down until all that would draw good houses&#13;
works being performed at the music-halls. He was something of the class of “ The Best Girl in&#13;
could not say all that he thought on the subject, Birmingham ” or “ The Worst Woman in Wolver-&#13;
for if he did his language would be such that the hampton.” In London what was wanted was a&#13;
chairman would call him to order. Mr. Jones had double licence such as could be got in the provinces.&#13;
soffered a particularly painful and cruel injustice ; Perhaps authors did not realise that in the present&#13;
and Mr. Jones's late distinguished colleague, Mr. state of affairs no sketch agreement was even&#13;
Shakespeare, was almost an equivalent sufferer. He legal.&#13;
referred to the case of Mr. Seymour Hicks, who After calling attention to the fact that not only&#13;
attempted to boil down“ Richard III.” into thirty had the sub-committee petitioned the Lord Cham-&#13;
minutes. Mr. Hicks found his task an impossible berlain and received a reply, as mentioned in&#13;
one, and the result was that he had to cancel bis the report, but also had made a second applica-&#13;
engagement, and about two hundred poor supers, tion, and within the last three days received an&#13;
who had their bread to earn, and did not find it answer to the effect that the Lord Chamberlain was&#13;
easy to earn it nowadays, were thrown out of putting the proposals before the London County&#13;
employment. He regretted to say that it was Sir Council-from which it would be seen that matters&#13;
Herbert Tree, who had done more for Shakespeare were not standing still-Mr. Raleigh concluded by&#13;
than anybody else, who, stepping in to say, “No, saying that what was wanted was one licence for&#13;
this shall not be," was responsible for the existing entertainment, leaving the drink question to be&#13;
anomaly. Not only in Dublin, but also in other settled by itself, since it was this question which&#13;
provincial towns, the other system was in use ; and now apparently stood in the way. He hoped that&#13;
the double licence worked very well. In conclusion, they would one day in the near future call a big&#13;
he was glad to see that they had got their Dramatic public meeting of all parties interested to enforce&#13;
Sub-Committee on a dimocratic footing. In the their rights.&#13;
future the sub-committee would feel that they had The Chairman said that he had been going to ask&#13;
something in the nature of a mandate behind Mr. Raleigh for a suggestion as to what further&#13;
them ; and thy would not be unmindful of their measures they should take beyond their petition to&#13;
responsibility.&#13;
the Lord Chamberlain.&#13;
Mr. Cecil Raleigh said that he had been called Mr. Raleigh said they (the dramatists) were the&#13;
an “expert” on the sketch question, and as such people to call such a meeting as he had suggested.&#13;
be was obliged to draw attention to the practical He would not hesitate even, democratic as he&#13;
side of the matter, that the number of theatres in was, to present a petition direct to the King&#13;
England was not as large as dramatists could wish, himself.&#13;
and the music-halls offered them an opening for Mr. Locke said he would like to draw attention&#13;
work by which they might earn money to pay to the fact that Sir Herbert Tree had only taken&#13;
for their daily bread. The remuneration to be got steps in his capacity of Chairman of the Theatrical&#13;
from the halls was desirable during those intervals Managers' Association to stop the representations&#13;
when the actor-manager chose to produce the works referred to.&#13;
of Shakespeare or some other blank-verse blackleg. The Chairman agreed that this was the case, and&#13;
There were no fewer than 150,000 sketch Mr. Shaw said that Sir Herbert Tree in his&#13;
performances in England every year—he could personal capacity had strongly advocated a single&#13;
assure them of the correctness of the figure—and if licence.&#13;
they took the estimate of £10 a week they could The motion was then put, and was carried&#13;
work out the sum for themselves. It was a huge unanimously.&#13;
industry and involved a capital of millions of Miss Cicely Hamilton, proposing the motion stand-&#13;
pounds. Dramatists had a great grievance in the ing in her name, said that it was absolutely necessary,&#13;
matter. The question was, what could they do in order to remedy the present state of affairs, that&#13;
with their failures if the right of producing the Dramatic Sub-Committee should draw up a&#13;
sketches was cut off ? In their worst plays there general treaty, which managers should be called&#13;
was generally one good scene which could be used upon to accept, and it should then be an understood&#13;
to make a sketch. Those present represented thing that when an author and a manager came to&#13;
240 dramatists. But there were not in England terms the provisions of the general treaty were&#13;
240 theatres suitable for putting on their plays. adopted ipso facto. This would mean a great&#13;
There were, however, sufficient music-halls for saving of time, for one thing. There were a great&#13;
&#13;
&#13;
## p. 190 (#260) ############################################&#13;
&#13;
190&#13;
THE AUTHOR.&#13;
many general conditions which were essential in Mr. Carton having remarked that there had&#13;
every contract, and to which no one could possibly already been a lot of consideration given to this&#13;
object. She had herself suffered much from the point on the Dramatic Sub-Committee, Mr. Shaw&#13;
absence of such a treaty. She was subject, as she said those present at the meeting might guess that&#13;
supposed others too were subject, to hot fits and the spade-work had been done.&#13;
cold fits concerning her work. And in a cold fit Mr. S. M. Fox bringing up the subject of con-&#13;
one was ready to make the worst of bargains. tracts made by agents, Mr. Shaw derided the&#13;
Mr. Bernard Shaw said that he seconded the pretensions of agents to place plays. Authors&#13;
motion with great pleasure. Such an agreement as could do the work much better themselves.&#13;
that suggested was badly needed. The condition Mr. Sydney Grundy, referring to Mr. Shaw's&#13;
of affairs with regard to dramatic authors in this suggestion concerning the West End Managers'&#13;
country was really extraordinary. The 240 Association, said that this was the right body to&#13;
dramatist members of the Society of Authors were approach. It would be useless negotiating with&#13;
practically all the dramatic authors in the country the “ Managers' Association."&#13;
capable of producing actable stage plays. There The Chairman proposed to adopt this as an&#13;
was no monopoly like it in the world, and they amendment, which was accordingly done.&#13;
ought to be able by combining together to get Mrs. Cohen expressed her fear that the general&#13;
almost any terms short of making the business treaty would be against the interests of the young&#13;
unprofitable to the speculator. Yet only within author, whom it would prevent from obtaining a&#13;
the last three weeks he had heard of the case of a hearing at all.&#13;
dramatist who had a play produced at a first-class Mr. Grundy agreed that they must consider the&#13;
London theatre and got one per cent. of the proceeds. position of untried authors. If he were a young&#13;
The author appeared to have made no conditions beginner he would not hesitate to write across his&#13;
whatever save with regard to this one per cent., play : “You may play this for nothing."&#13;
from which he was likely to get less than he would Mr. Shaw said that what they wanted to do&#13;
by working as a dock-labourer.&#13;
was to discourage unscrupulous blacklegging and&#13;
One of the difficulties he met with was that undercutting, and if they failed in this they would&#13;
people said to him : " Oh, it's all very well for you, be broken like the sticks separated from the&#13;
for Pinero, for the leading lights, to make your bundle.&#13;
terms—but what about the beginner ? ” But this Mr. Charles Garvice asked if all well-known&#13;
argument was all wrong. The beginner might dramatists would stand by the Society in whatever&#13;
well be in a better position than Sir Arthur Pinero. action it might take.&#13;
When the managers wanted plays, it was the Mr. Shaw said they might say : We will not&#13;
opportunity of the young beginner.&#13;
deal with any theatres not accepting this treaty.&#13;
In a general treaty such as suggested at least Mr. Raleigh said that when they stuck together&#13;
twenty clauses would be found necessary—and they would get their treaty, just as the music-hall&#13;
could a young author each time he made a contract artistes recently gained their object by com-&#13;
argue over twenty clauses ? A general treaty bination. But they would not get a trades union&#13;
would include these clauses and obviate dis- in this country yet for dramatists. Let the&#13;
cussion. He himself, when he dealt with managers, instruction of the meeting to the Dramatic Sub-&#13;
put forward a long agreement and said : “ Will Committee be to go slowly and carefully.&#13;
you sign these twenty clauses or will you argue Miss Festing bebought them not to be too bard&#13;
them out with me?” The manager always said on the small people, whom trades unionism might&#13;
he would sign.&#13;
crush out of existence. Let them not make the&#13;
It did not matter, Mr. Shaw continued, whether rules of the game too hard for the small people to&#13;
they converted all the managers to accepting the play it.&#13;
general treaty. Why not negotiate it with the The Chairman explained that during the past&#13;
West End Managers' Association ? That would be two years the Dramatic Sub-Committee had&#13;
sufficient. With regard to the general treaty always borne this in mind, and in the future also&#13;
already in existence in France, it was of incredible they would never forget the interests of the young&#13;
stringency. For instance, the French manager author.&#13;
had to account to the author for every seat in the The resolution was put and carried unanimously.&#13;
house, and in addition to furnish him with a large The proceedings then terminated.&#13;
number of seats. He did not say that a general&#13;
treaty on this model was needed here. Indeed he&#13;
hoped that they would not be tyrannical. A good&#13;
man of business would prefer a bargain that was&#13;
good for both sides..&#13;
&#13;
&#13;
## p. 191 (#261) ############################################&#13;
&#13;
THE AUTHOR.&#13;
191&#13;
Cases.&#13;
The statement of the cases in the solicitors'&#13;
DURING the past month fifteen oases have been hands will be found in the committee notes.&#13;
placed in the hands of the secretary, Perhaps it&#13;
would be as well once again to explain the term&#13;
“ cases." These are matters in which the secre-&#13;
April Elections.&#13;
tary, intervening between an author, dramatist Albanesi, Madame . 3, Gloucester Terrace,&#13;
or composer, and the disputant on the other&#13;
Hyde Park, W.&#13;
side, takes up the matter in order to obtain a Arthur. Lady . . 23. The Boltons, S.W.&#13;
settlement of the member's rights ; in opposition Bean, C. E. W. . . " Sydney Morning&#13;
to those matters in which the society, through its&#13;
Herald,” 40, King&#13;
secretary, gives advice merely, or in opposition to&#13;
Street, Cheapside,&#13;
those matters which are placed in the hands of the&#13;
E.C.&#13;
solicitors of the society either for action or for Besier, Rudolf . . St. Augustine's Man-&#13;
advice.&#13;
sions, Westminster,&#13;
There have been three cases dealing with the&#13;
S.W.&#13;
question of accounts. In all three the accounts E. M. Channon (Mrs.&#13;
have been rendered. In one the matter has been Francis Channon) Eton College, Windsor.&#13;
settled absolutely, but the other two are still in de Knoop. Baroness , 31, Rutland Gate, S.W.&#13;
course of negotiation for particulars with regard to Fox, Miss Agnes . . Kippington Grange.&#13;
certain items.&#13;
Sevenoaks.&#13;
There bas been one application for accounts Gamble, Frau Kathleen. Wullenweberstrasse. 7.&#13;
and money. Here the accounts have been&#13;
Berlin, N.W., Ger-&#13;
rendered and the money paid.&#13;
many.&#13;
There have been four applications for money Kitts. Eustace John . Eversleigh, West&#13;
only. In one of these, part of the money has been&#13;
Worthing.&#13;
paid, and the secretary has given fnrther time for Langworthy, Mrs. C. D.&#13;
payment of the balance before the matter is placed (Ferrier Langworthy). The Fuchsias, Clay-&#13;
in the hands of the society's solicitors. The other&#13;
gate, Surrey.&#13;
three cases only came into the office just before Palmer, G. Molyneux . Tullagee, Willingdon,&#13;
going to press.&#13;
Eastbourne.&#13;
There have been two cases of infringement of Phibbs, Miss Lena Stan-&#13;
copyright, one of which has been placed in the ley . . . . Helensdene, Church&#13;
hands of the solicitors, and the other has been&#13;
Road, St. Leonards-&#13;
satisfactorily settled.&#13;
on-Sea.&#13;
Three applications have been made for the return Prothero, Miss J. K. . 17, Wolverton Gardens.&#13;
of MSS. In two of these the MSS. have been&#13;
West Kensington.&#13;
returned by the editors to the office, and in the Robbins, Miss Alice E. . 57, Warrington Cres-&#13;
other, a dispute with an agent, the matter is&#13;
cent, W.&#13;
practically settled, as the agent has undertaken Thorold, Rupert A. . Kildonagh, Sligo, Ire-&#13;
to return the MS. as soon as it comes back from&#13;
land.&#13;
the publisher with whom it lies.&#13;
Urquhart M. .&#13;
One dispute on an agreement for publication is&#13;
Visiak, E. H. (E.&#13;
Vis&#13;
H.&#13;
still in course of negotiation. The matter needs Phrainly&#13;
". 30, Cavendish - road,&#13;
careful adjustment.&#13;
Brondesbury, N.W.&#13;
Finally, there is one case with regard to trans-&#13;
Ward, Leslie . 279, Knightsbridge,&#13;
lation rights in Germany, which the secretary is&#13;
S.W.&#13;
endeavouring to settle through the German&#13;
Wicks, Mark . . 19, Liverpool Road,&#13;
Consul.&#13;
Thornton Heath.&#13;
The cases from former months have been closing&#13;
(One member does not desire publication.)&#13;
up. Two cases in America are still open. A&#13;
difficult matter dealing with the settlement and&#13;
cancellation of an agreement is waiting for a&#13;
board meeting of the Publishing Co. The only BOOKS PUBLISHED BY MEMBERS.&#13;
case remaining open besides these, a case of money&#13;
due from an editor, will have to be placed in the&#13;
hands of the society's solicitors, as it has been&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
impossible to get any answer to the letters sent&#13;
some difficulty in attaining this object owing to the fact&#13;
from this office,&#13;
that many of the books mentioned are not sent to the office&#13;
&#13;
&#13;
## p. 192 (#262) ############################################&#13;
&#13;
192&#13;
THE AUTHOR.&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate,&#13;
AGRICULTURE.&#13;
RURAL DENMARK AND ITS LESSONS. By H. RIDER&#13;
HAGGARD. 9 X 54. 335 pp. Longman's. 6s. 6d. n.&#13;
ART.&#13;
OLD CHINESE PORCELAIN AND WORKS OF ART IN CAINA.&#13;
By A. W. BAHR. 104 X 61. 160 pp. Cassell. 308.&#13;
BIOGRAPHY.&#13;
RACHEL : Her Stage Life and her Real Life. By FRANCIS&#13;
GRIBBLE. 9 x 58. 276 pp. Chapman &amp; Hall. 158. n.&#13;
DRAMA.&#13;
LYSISTRATA : A Modern Paraphrase from the Greek of&#13;
Aristophanes. By LAURENCE HOUSMAN. 74 x 5.&#13;
77 pp. The Woman's Press. 18. n.&#13;
LADY PATRICIA : A Comedy in Three Acts. By RUDOLF&#13;
BESIER. 78 X 51. 215 pp. Fisher Unwin. 28. n.&#13;
"THE FOUNTAIN. By GEORGE CALDERON. 54 X 4. 161 pp.&#13;
Gowans &amp; Gray. 6d, n.&#13;
ECONOMICS.&#13;
SELLING SCHEMES FOR RETAILERS. Proved Methods&#13;
which will Help the Retailer to do More Trade. By&#13;
MAX RITTENBURG. 7} X 5. 188 pp. Routledge. 18.&#13;
FICTION.&#13;
BRAZENHEAD THE GREAT. By MAURICE HEWLETT,&#13;
71 x 5. 333 pp. Smith, Elder. 68.&#13;
THE STREET OF TO-DAY. By John MASEFIELD. 74 x 5.&#13;
392 pp. Dent. 68.&#13;
DOUBLE LIVES. By FRANCIS GRIBBLE. 71 X 5. 352 pp.&#13;
Nash. 68,&#13;
THE ELDEST SON. By ARCHIBALD MARSHALL. 7* X 51.&#13;
344 pp. Methuen. 6s.&#13;
DICK COMERFORD'S WAGER. By A. P. CROUCH. 74 X 5.&#13;
283 pp. Robert Scott. 6s.&#13;
THE SHADOW OF THE MALREWARD. By J. B. HARRIS-&#13;
BURLAND. 78 X 5. 411 pp. Chapman &amp; Hall. 68.&#13;
THE SEA LION. "By PATRICK RUSHDEN. 78 x 5. 448 pp.&#13;
Mills &amp; Boon. 68.&#13;
PHYLLIS IN MIDDLEWYCH. By MARGARET WESTRUP&#13;
(MRS. W. SYDNEY STACEY). 71 x 44. 320 pp. Lane.&#13;
1s.&#13;
JOHN CHRISTOPHER: STORM AND STRESS. By ROMAIN&#13;
ROLLAND. Translated by GILBERT CANNAN. 71 x 5.&#13;
412 pp. Heinemann. 6s.&#13;
VITTORIA VICTRIX. By W. E. NORRIS. 73 5. 283 pp.&#13;
Constable. 68.&#13;
LOVE IN PERNICKETTY Town. By S. R. CROCKETT.&#13;
73 X 5. 320 pp. Hodder &amp; Stoughton. 68.&#13;
CAPTAIN BLACK. By Max PEMBERTON. 78 x 5. 338 pp.&#13;
Cassell. 6s.&#13;
THE GENERAL PLAN. By EDMUND CANDLER. 74 x 5.&#13;
306 pp. Blackwood. 68.&#13;
A BED OF Roses. By W. L. GEORGE. 74 5. 384 pp.&#13;
F. Palmer. 6s.&#13;
LOVE IN THE BALANCE. By ALICE WILSON Fox. 77 x 5.&#13;
311 pp. F. V. White. 68.&#13;
THE PRICE. By GERTIE DE S.WENTWORTH JAMES. 78 X 5.&#13;
319 pp. Everett. 68.&#13;
A ROGUE IN AMBUSH. By HEADON HILL. 74 x 5. 316 pp.&#13;
Ward, Lock, 68.&#13;
DEAD MAN'S LOVE. By Tom GALLON. 74 x 5. 316 pp.&#13;
Ward, Lock. 68.&#13;
THE JEWESS. By MOLVY OUSELEY. 78 x 5. 366 pp.&#13;
John Ouseley. 68.&#13;
“THALLASSA I" By MRS. BAILLIE REYNOLDS. 61 X 45.&#13;
320 pp. Hutchinson. 7d. n.&#13;
THE GREAT GAY ROAD. By Tom GALLON. 7 x 47. 317 pp.&#13;
Long. 1$. n.&#13;
THE WOMAN IN THE FIRELIGAT. By OLIVER SANDYS.&#13;
78 x 54. 283 pp. Jong Long. 68.&#13;
MRS. THOMPSON. By W. B. MAXWELL. 74 x 5.383 pp.&#13;
Hutchinson. 68.&#13;
DIVIDING WATERS. By J. A. R. WYLIE. 74 x 5. 411 pp.&#13;
Mills &amp; Boon. 6s.&#13;
Two GIRLS AND A MANNIKIN. By WILKINSON SHERREN,&#13;
74 X 5. 336 pp. Stanley Paul. 68.&#13;
THE MAGIC OF THE HILL: A ROMANCE OF MONTMARTRE,&#13;
By DUNCAN SCHWANN. 78 X 5. 284 pp. Heinemann. 68,&#13;
JOHN VERNEY. By H. A. VACHELL. 71 X 5. 338 pp.&#13;
Murray. 6$.&#13;
JOAN OF THE TOWER. By WARWICK DEEPING. 74 x 5.&#13;
399 pp. Cassell. 6s.&#13;
THE SOCIALIST COUNTESS. By HORACE W. C. NEWTE.&#13;
78 X 5. 312 pp. Mills &amp; Boon. 68.&#13;
Moil o' THE TOLL BAR. By THEODORA WILSON-WILSON.&#13;
73 X 5. 350 pp. Hutchinson. 6s.&#13;
THE GOVERNOR'S DAUGHTER. By NORMAN INXES.&#13;
78 X 5. 352 pp. Ward, Lock. 6s.&#13;
THE WOMAN IN IT. By CHARLES GARVICE. 71 x 5.&#13;
349 pp. Hodder &amp; Stoughton. 68.&#13;
HAUNTED. By GERTRUDE WARDEN. 74 X 5. 320 pp.&#13;
Ward, Lock. 68.&#13;
JANE. By MARIE CORELLI. 7 X 41. 142 pp. Methuen.&#13;
18. n.&#13;
TONO-BUNGAY. By H. G. Wells. 67 x 47. 383 pp.&#13;
Macmillan. id.n.&#13;
THE PILGRIMAGE OF DELILAH. By JOHN L. CARTER.&#13;
74 X 5. 320 pp. John Long. 68.&#13;
THE QUEEN'S HAND. By MRS. BAILLIE REYNOLDS.&#13;
7 X 5. 344 pp. Mills &amp; Boon. 68.&#13;
THE YELLOW GOD: AN IDOL OF AFRICA. By H. RIDER&#13;
HAGGARD. 78 X 5. 352 pp. Cassell. 18. n.&#13;
THE WATERS OF JORDAN. By H. A. VACHELL. 64 X 44.&#13;
281 pp. Nelson. 7d. n.&#13;
THE HOUSE of INTRIGUE. By PERCY WHITE. 61 X 41.&#13;
320 pp. Hurst &amp; Blackett. 7d. n.&#13;
A QUESTION OF QUALITY. By MADAME ALBANESI.&#13;
64 X 41. 320 pp. Hurst &amp; Blackett. 7d. n.&#13;
THE GREAT BETRAYAL. By HAROLD WINTLE. 312 pp.&#13;
John Ouseley, Ltd. 68.&#13;
JOHN MERRIDEW. By F. ARTHUR. Longmans. 68.&#13;
LITERARY.&#13;
SUCCESS IN LITERATURE. By W. MORRIS COLLES and&#13;
HENRY CRESSWELL. 7 x 41. 360 pp. Methuen. 58. n.&#13;
SOME SUPPOSED SHAKESPEARE FORGERIES. By ERNEST&#13;
LAW. 81 x 63. 80 pp. Bell. 38. 6d. n.&#13;
LOVE AND EXTRĀs. By FRANK RICHARDSON. 78 X 6.&#13;
305 pp. Grant Richards. 68.&#13;
MEDICAL.&#13;
FAITH MEDICINE AND THE MIND. By CHARLES&#13;
REINHARDT, M.D. 74 X 41. 281 pp. London&#13;
Publicity Company.&#13;
MISCELLANEOUS.&#13;
A SHORT HISTORY OF WAR AND PEACE. By G. H. PERRIS.&#13;
63 X 41. 256 pp, Williams &amp; Norgate. 18. n.&#13;
MAN : KING OF MIND, BODY AND CIRCUMSTANCE, By&#13;
JAMES ALLEN. 70 pp. William Rider &amp; Son,&#13;
NATURAL HISTORY,&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARRETT-&#13;
HAMILTON. Part V. Gurney &amp; Jackson. 28. 6d. n.&#13;
&#13;
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## p. 193 (#263) ############################################&#13;
&#13;
THE AUTHOR.&#13;
193&#13;
POETRY.&#13;
Messrs. Chapman &amp; Hall are publishing a new&#13;
FLINTS AND FLASHES. By E. H. VISIAK. 7 * 47. 42 pp. novel by Mrs. Fred. Reynolds, entitled “The&#13;
Elkin Mathews. ls. 6d. n.&#13;
Horseshoe.” It deals largely with the life,&#13;
POLITICAL&#13;
customs and quaint beliefs of the Cornish people,&#13;
for the study of whom Mrs. Fred. Reynolds has&#13;
RUSSIAN FLASHLIGHTS. By JAAKOFF PRELOOKER. With&#13;
a Biographical Sketch of the Author. 9 x 51. 310 pp.&#13;
had exceptional opportunities, having recently&#13;
Chapman &amp; Hall,&#13;
passed two years in a fisherman's cottage at&#13;
REPRINT&#13;
Sennen Cove, a tiny village under the granite&#13;
THE NATURAL HISTORY OF SELBORNE. By GILBERT cliffs within a mile of Land's End.&#13;
WHITE. With notes by R. KEARTON. 73 x 54. 294 pp. Mr. Elliot Stock is issuing "A Marriage&#13;
Cassell. 3x. 6d.&#13;
THE DOUBLE GARDEN, By MAURICE MAETERINCK.&#13;
Hymnal,” by James Saunders, consisting of over&#13;
Translated by ALEXANDER TEIXEIRA DE MATTOS. eighty new hymns specially suited for weddings,&#13;
(Pocket edition). 61 X 4. 293 pp. Allen. 28. 63, n. and fitted for a wedding present or souvenir.&#13;
SOCIOLOGY.&#13;
A third West African novel from Miss Louise&#13;
Gerard may be expected some time before the&#13;
THE POSITION OF WOMAN: ACTUAL AND IDEAL. With a&#13;
Preface by SIR OLIVER LODGE. 8 x 51. 170 pp. Nisbet.&#13;
autumn. Messrs. Mills &amp; Boon will publish the&#13;
38. 60. n.&#13;
novel, which will be called “A Tropical Tangle.”&#13;
SPORT.&#13;
Messrs. James Baker &amp; Son (Clifton) will&#13;
RACING AT HENLEY. From reports printed in The Field publish early in May a book of Fairy Tales of&#13;
newspaper from 1903 onwards. Edited, with a Preface, Ashdown Forest, Sussex, called “ Across the&#13;
by T. A. Cook. 7 X 44. 209 pp. Horace Cox. 38. 6d. n. Forest and Far Awas." by Geraldine E. Hodgson.&#13;
TOPOGRAPHY.&#13;
D.Litt. The volume will contain three illustra-&#13;
THE PLACE-NAMES OF BERKSHIRE. By the Rev. WALTER tions by Gerald G. Hodgson, M.R.C.S., and will be&#13;
W.SKEAT. 67 x 43. 118 pp. Oxford: Clarendon Press. published at 1s, 6d. net.&#13;
London : Frowde. 28. n.&#13;
Miss Renée M. Deacon, whose book “ Bernard&#13;
TRAVEL.&#13;
Shaw as Artist Philosopher,” published in England&#13;
AS EASTERN MISCELLANY. By the EARL OF RONALDSHAY,&#13;
and America last year, was mentioned in these&#13;
M.P. 9 x 58. 422 pp. Blackwood. 108. 6d. n. columns, was also represented in The Lady's&#13;
Pictorial of October 1 and October 8, 1910,&#13;
by two articles. To the former issue Miss Deacon&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
contributed an article on “ The Art of Life,” and to&#13;
the latter one entitled “ The Spell of London.”&#13;
NOTES.&#13;
At a session held on the 10th instant, the Royal&#13;
Academy of Arts of Madrid elected Mr. James&#13;
6 THE NEW LIFE," by Dante, has been Baker as an Hon. Corresponding Member of&#13;
l published by Messrs. Kegan, Paul &amp; Co., England. Mr. Baker has written much upon&#13;
in the Italian text with English transla- Spain.&#13;
tion. The work is edited by Mr. Luigi Ricci. Miss A. E. Keeton will give a course of three&#13;
We have also received the second and third&#13;
lectures on the individuality of modern British&#13;
volumes of the lectures of the Dante Society. music as shown in the songs of our younger school&#13;
Among the lecturers we notice the names of the of composers, at 133, Queen's Gate, S.W. (by kind&#13;
founder of the society, Mr. Luigi Ricci, Mrs. permission of Miss Douglas), on the three first&#13;
Craigie, Mr. Alfred Austin, Dean Kitchin, and Friday evenings in May. Miss Grainger-Kerr will&#13;
Mr. Gladstone.&#13;
sing the vocal illustrations with Miss Marjorie&#13;
At a meeting of the Sociological Society, held at Adam at the piano. At the head of the contem-&#13;
the Royal Society of Arts, 18, John Street, porary school of British musicians, dealt with by&#13;
Adelphi, W.C., on April 4, Dr. D. S. Margoliouth, Miss Keeton, stand in priority of age Elgar,&#13;
Laudian Professor of Arabic, University of Oxford, Granville Bantock, Ernest Walker, and William&#13;
read a paper on the Universal Races Congress. Wallace. Amongst the younger men are Ernest&#13;
The chair was taken by Sir Edward Brabrook, Austin, Alfred Hale, J. Holbrooke, Frederick C.&#13;
K.C.B.&#13;
Nicholls, Norman O'Neill, Percy Rideout, Cyril&#13;
“ The Great Betrayal” is the title of a new Scott, and R. Vaughan Williams. A group of&#13;
povel by Mr. Harold Wintle, author of “The representative songs by British women composers&#13;
Cleansing of the Lords.” The theme of the story is also included.&#13;
is the efforts of a foreign Power to obtain British “The Evolution of Katherine," one of Mr. E.&#13;
State secrets with the connivance of the Foreign Temple Thurston's novels, will shortly be issued&#13;
Secretary. Messrs. John Ouseley, Limited, are the in sixpenny form in Mesars. Stanley Paul &amp; Co.'s&#13;
pablishers.&#13;
Series of “ clear type” sixpenny novels.&#13;
&#13;
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## p. 194 (#264) ############################################&#13;
&#13;
194&#13;
THE AUTHOR.&#13;
Mr. Arthur Beckett's new book is announced was produced at the Royalty Theatre, Glasgow, on&#13;
for publication in July by Messrs. Mills &amp; Boon. March 29. The play relates to the determination&#13;
The volume is entitled “The Wonderful Weald, of a young lady to make a bold stand against con-&#13;
and the Quest of the Crock of Gold.” It tells the vention by telling, however distasteful to the&#13;
story of how the author and his companion made listeners, nothing but the truth. Miss Muriel&#13;
a twentieth century pilgrimage in the Weald of Pope, Mr. Frank Dyall, and Miss Agnes Imlay&#13;
Sussex in quest of the “crock of gold which lies were three members of the caste.&#13;
at the foot of the rainbow." It is therefore a “The Sins of Society," by Cecil Raleigh and&#13;
record of “high adventure" in the mediæval Henry Hamilton, was revived at Drury Lane&#13;
manner. The pilgrims set out after the fashion Theatre on March 30. In the caste were Mr.&#13;
of Don Quixote, with a donkey for their Rosinante. George Barrett, Mr. Frederick Ross, Miss Fanny&#13;
The book is illustrated with twenty full-page Brough, and Mrs. Langtry.&#13;
drawings in colour, and forty-one black-and-white Mr. C. Haddon Chambers' new play “ Passers&#13;
chapter initials, illustrating Wealden incidents and By” was produced at Wyndham's Theatre on&#13;
scenery, by the Sussex artist, Mr. E. F. Marillier. March 29. The play opens in a bachelor's apart-&#13;
Mr. Bloundelle-Burton's new novel “ Under the ments in Piccadilly, and when the curtain rises it&#13;
Salamander”-the badge of Francis 1.-deals, is seen that the bachelor's man has admitted a&#13;
obviously, with the reign of that monarch, and, cabman and treated him to his master's cigars. At&#13;
also, with the betrayal of France to Charles V. of first angry, the bachelor eventually repents, and, in-&#13;
Spain by the notorious favourite, La Duchesse deed, goes so far as to call in other passers-by.&#13;
Etampse. To a very considerable extent the The story begins when he calls in a woman with&#13;
author has followed closely the manner of that whom he has had in the past a serious love affair,&#13;
betrayal, while investing the hero, an actual and the rest of the play deals with situations arising&#13;
character, with all the romantic adventure for out of this. In the caste were Mr. Gerald Du&#13;
which the period was renowned. The heroine Maurier, Miss Irene Vanbrugh, and Mr. O.P. Heggie&#13;
who, under another name, was also an existent “Queen Herzeleid," a poetic play in three acts,&#13;
personage, also plays a strong part ; and, indeed, by Isabel Hearne, was produced by the Play Actors&#13;
while trusting to his powers of construction and at the Court Theatre on Sunday, April 2. The&#13;
invention, Mr. Bloundelle-Burton scarcely depicts caste included Miss Frances Wetherall, Mr. Frede-&#13;
one character that did not exist at the period, rick Worlock, and Miss Adeline Bourne.&#13;
from Francis downward. Everett &amp; Co. are the “ The Master of Mrs. Chilvers," a comedy in four&#13;
publishers.&#13;
acts, by Jerome K. Jerome, was produced at the&#13;
Mr. James Allen has just published, through King's Theatre, Glasgow, on April 10. The play&#13;
Messrs. William Rider &amp; Son in England. and treats of the women's franchise question, and the&#13;
Messrs. T. W. Crowell &amp; Co. in New York, a new two main characters are a politician and his wife,&#13;
work entitled “Man: King of Mind, Body and who meet in conflict on the political field. Miss&#13;
Circumstance."&#13;
Mary Rorke, Miss Lena Ashwell, Mr. Dennis&#13;
Dr. Charles Reinhardt's new book, “Faith, Eadie, and Mr. Leon Quartermaine are in the&#13;
Medicine, and the Mind," published by the London caste.&#13;
Publicity Company, is an attempt to offer a rational “At the Court of Xerxes," by Mildred Wetton,&#13;
explanation of faith healing, hypnotism and kindred was produced at the Little Theatre on April 6. It&#13;
phenomena. The author has, as far as possible, is a biblical play in four acts. It opens with the&#13;
left subjects of religious opinion alone, whilst refusal of Queen Vashti to appear unveiled before&#13;
endeavouring to throw some light upon the the king and his court. The second act is con-&#13;
psychology of the faith that heals.&#13;
cerned with Haman's successful plot to make&#13;
Ahasuerus order the destruction of the Jews, and&#13;
DRAMATIC.&#13;
the third and fourth acts deal with the final deliver-&#13;
“James and John," a one-act play by Gilbert ance of the Jews at the intercession of Queen&#13;
Cannan, was produced at the Haymarket Theatre Esther. The caste included Miss Marguerite&#13;
on March 27. The theme is the return to his Walton, Miss Mary Whittall, and Miss Jean&#13;
family of a man who has been sentenced to im- Colmer.&#13;
prisonment for embezzlement, and the receptions The Women's Aerial League is organising per-&#13;
which the different members of the family give to formances of Maeterlinck's “ Monna Vanna,"&#13;
him on his arrival. The play was performed by translated by Alfred Sutro, on Thursday and&#13;
a caste including Mr. James Hearne, Miss Helen Friday, June 1 and 2, at the Royal Court Theatre,&#13;
Haye, and Mr. J. Fisher White.&#13;
for the members of their league and their friends.&#13;
Mr. Keble Howard's comedy “The Girl Who This is the first production in English of this&#13;
Couldn't Lie,” based upon his story of that name, play.&#13;
&#13;
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## p. 195 (#265) ############################################&#13;
&#13;
THE AUTHOR.&#13;
195&#13;
PARIS NOTES.&#13;
Among the new books are “ Silhouettes his-&#13;
toriques,” by the Marquis de Ségur; “ La Liseuse,”&#13;
T the recent general meeting of the Société by Léon Frapié; “ Figures Littéraires,” by Lucien&#13;
A des Gens de Lettres, M. Funck Brentano Maury.&#13;
read the report.&#13;
“ Visages d'hier et d'aujourd'hui," by André&#13;
Prince Roland Bonaparte had placed at the Beaumier, is the title of the volume of sketches&#13;
command of the society a second annuity of 1201. given by this author with great delicacy and cor-&#13;
as a prize for literary work. The two annuities rectness. Among the “ visages d'hier” are the&#13;
have been attributed this year to Georges Lecomte Vicomte de Vogüé, Jean Moréas, Albert-Vandal,&#13;
and Louis Bertrand.&#13;
Edouard Rod, Jules Renard, Mark Twain, Frémiet&#13;
A biennial prize has been founded by Dr. Charles and Lombroso, whilst among the “ visages&#13;
Richet, to be awarded “ without distinction of sex d'aujourd'hui” we have Henri Poincaré, Jules&#13;
or nationality, to a doctor of medicine or of science Huret, Mgr. Duchesne, Gabriel Faure, Jules&#13;
who has written within the preceding six years, in Lemaitre. M. Beaunier's portraits are always true&#13;
the French language, the best literary work.” to life, and those contained in this volume are&#13;
Jean Revel has founded a prize to be awarded to remarkably well drawn.&#13;
a provincial writer whose work shall give the phy- “La Société française du XVI° siècle au XX ®&#13;
siognomy, habits and customs of his province. The siècle” is another volume by M. Victor du Bled&#13;
prize has been awarded this year to Hugues Lapaire. belonging to his eighth series of books on the sub-&#13;
Among members of the society who have won ject of French society. This volume is just as&#13;
Academy prizes this year are Mmes. Thélen, Leroy- interesting as his earlier ones, and will be read&#13;
AHais, and Mlle. de Mestral-Combremont, Mme. eagerly by all those who have attended M. dn&#13;
Delorme, Jules Simon, MM. Charles Géniaux, Bled's delightful lectures. The second part of the&#13;
Fernand Dacre, Lucien Bonnefoy, Léon Barry, book contains an account of “Le Monde de&#13;
Henri Allorge, Ernest Gaubert, and the Abbé Moïse l’Emigration.”&#13;
Cagnac.&#13;
Gyp has just published another of her amusing&#13;
The decoration of the Legion of Honour has been volumes of dialogues, “L'Affaire Debrouillar-&#13;
awarded to Henry Bordeaux, Ernest Gay, Eugène Delatamize.” The first one in the book, gives&#13;
Le Mouël, Léon Riotor, Jules Troubat, and Camille its title to the volume. There are fifteen&#13;
Vergniol.&#13;
dialogues, and each one full of this author's&#13;
The four great literary events of the year are brilliant wit, satire and humour.&#13;
the rocognition of the literary rights of French “ La Revision des Valeurs de la Femme " is the&#13;
authors in the Argentine Republic, in Portugal and title of a curious and interesting book of thoughts&#13;
Brazil ; the founding of the fund for the widows and ideas by Léonie Bernardini-Sjoestedt. It is&#13;
of authors, and of the loan fund for authors. divided into six parts : “ La Revision des Valeurs&#13;
It is to Jules Huret, Pierre Baudin, and Georges de la femme,” “La Généalogie des Valeurs de la&#13;
Clémenceau that French authors may attribute femme," “ L'inferiorité intellectuelle de la femme,”&#13;
their triumph in the Argentine Republic, and largely “ La Mystique du Grand Amour," “ L'internelle&#13;
to Jules Mary for the recognition of authors' rights consolation," " Le Catholicisme comme symbolique&#13;
in Portugal.&#13;
de l'amour,” “L'amour de l'enfant.” The post-&#13;
Pierre Decourcelle is responsible for the founding script is entitled “L'Evangile de la femme.” The&#13;
of the widows' fund, and Marcel Prevost for the book is written by a Frenchwoman, and some of&#13;
authors' loan fund.&#13;
the ideas contained in it are both new and pro-&#13;
The list of deaths this year is long; Quentin found, whilst much of the psychology is extremely&#13;
Bauchard, Albert Vandal, Jules Renard, André subtle.&#13;
Chadourne, Des Granges, Boussenard, Bertol- “Marie Malibran," by Arthur Pougin, is the&#13;
Graivil, Charles Legrand, Jules Breynat, José de story of this gifted woman's life.&#13;
Campos, Armand Dubarry, Jean Lionnet, Léon The whole Garcia family have led interesting&#13;
Bienvenu; Mme. Elise Michel, better known as lives, and have been so intimately connected with&#13;
Jean Dalvy; Mme. Piazzi, who wrote as Leila England that the volume could not fail to give&#13;
Hanoum ; and Mme. de Saint-Vidal.&#13;
pleasure there. The book has been compiled with&#13;
The Langlois prize for the best translation in great care, and many interesting letters are published.&#13;
verse or prose of a work from the Greek or from Albert Besnard, whose fame as an artist is world-&#13;
any modern language has been divided between wide, appears to be able to succeed in all he under-&#13;
M. Pelisson, for his translation of “ Heine's Songs takes. At the exhibition of his collected pictures&#13;
and Poems”; M. de Coussange, for “Indi. some years ago in Paris, it was a revelation to many&#13;
vidualism,” by Ellen Key; and Georges Grappe, of his admirers that he had worked on so many&#13;
for Barett Wendel's “ France of To-day.”&#13;
· different lines. Widely different as the subjects,&#13;
&#13;
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## p. 196 (#266) ############################################&#13;
&#13;
196&#13;
THE AUTHOR.&#13;
styles, colouring, and technique were, the master donymous and non-copyright books, was decided&#13;
hand could be traced unmistakably. The collec- by the Supreme Court of the State of New York in&#13;
tion was a huge one; there seemed to be the work of favour of the defendants.&#13;
two or three lifetimes on the walls, and since that Nathan Burkan appeared for the plaintiff.&#13;
exhibition the great artist's hand has never been Andrew Gilhooly was counsel for Hurst &amp; Co.&#13;
idle. At present we are to see him under a new The following is the opinion of Judge Green-&#13;
light. M. and Mme. Albert Besnard have been baum:&#13;
travelling in India, and the painter is now giving “This action is brought under sections 50 and&#13;
us a series of word pictures as graphic and as full 51 of the Civil Rights Law (1 Consolidated Laws&#13;
of life and colour as his canvases.&#13;
of 1909, page 308) to enjoin the publication and&#13;
" De Marseilles à Port Saïd " is the first of the sale by defendants of certain books with the&#13;
series, an admirable description of the impressions imprint of plaintiff's name on the covers in which&#13;
of an artist accustomed to noting the details which they are bound and the wrappers in which they are&#13;
count, and of rendering the values and effects with inclosed. The plaintiff is an author of standing&#13;
inimitable skill and feeling.&#13;
and reputation, who has written juvenile and&#13;
Paul Bourget's play, “Le Tribun,” is still being historical works during the past forty years.&#13;
given at the Vaudeville, and “L'Oiseau bleu” at Among his earlier juvenile works are two, entitled&#13;
the Théâtre Rejane. At the Renaissance “ La “In the Apache Country and The White&#13;
Gamine" is being played, and at the Théâtre des Mustang,' which he published in 1888 and 1889&#13;
Arts “ Les Frères Karamazov."&#13;
respectively under the assumed name of · Lieu-&#13;
The Shakespeare League is now formed, and tenant R. H. Jayne,' and which have never been&#13;
M. Camille de Sainte-Croix wishes to express his published by plaintiff or his authority in connection&#13;
thanks to the readers of The Author who have sent with his own proper name. It appears that neither&#13;
particulars of Shakespearean Societies in England. of these publications was ever copyrighted, and no&#13;
À performance of “The Merchant of Venice" is claim in respect of said stories is made under the&#13;
to be given in French by his Shakespeare Theatre copyright laws of the United States. Defendants,&#13;
Company on May 11 as a matinée at the Trocadero. book publishers, have published and offered for&#13;
Numbers of people are joining the league, the sale printed copies of each of said literary pro-&#13;
object of which is to give publicity and help to the ductions of plaintiff under his nom de plume of&#13;
Shakespeare Theatre, and also to attempt a recon- Lieutenant R. H. Jayne,' with the name of&#13;
stitution of the literature and theatre of the “Edward S. Ellis' and 'Ellis' printed on the&#13;
Shakespearean epoch in the various European covers and wrappers of the books. Plaintiff con-&#13;
countries. By means of a théâtre comparé it is cedes that by reason of their dedication to the&#13;
thought that an interesting literary revival may be public, the defendants had the right to ieprint,&#13;
arrived at. A paper containing details will be sent publish and sell these books. It is contended,&#13;
to any readers desirous to have further particulars, however, that the dedication is limited to the books&#13;
on receipt of a post-card.&#13;
as published under the nom de plume ; that in the&#13;
ALYS HALLARD. absence of any permission or consent on the part&#13;
60, Rue de Vaugirard, Paris.'&#13;
of plaintiff to use or print his real name in con-&#13;
nection with the publications in question, defen-&#13;
* Silhouettes historiques” (Calmann Lévy).&#13;
dants had no right to publish them with the&#13;
“La Liseuse" (Calmann Lévy).&#13;
“Figures Littéraires" (Perrin).&#13;
imprint of his true name on the covers and&#13;
“ Visages d'hier et d'aujourd'hui” (Plon).&#13;
wrappers, and that this use of his name is in&#13;
"La Société française du XVIe siècle au XXe siècle violation of the statute to which reference has been&#13;
(Perrin).&#13;
made. The statute reads as follows : Sec. 50,&#13;
"L'Affaire Debrouillar--Delatamize” (Calmann Lévy).&#13;
" Marie Malibran " (Plon).&#13;
Right of Privacy.-A person, firm or corporation&#13;
that uses for advertising purposes or for the pur-&#13;
poses of trade the name, portrait or picture of any&#13;
living person, without having obtained the written&#13;
PUBLISHERS NEED NOT PRESERVE&#13;
consent of such a person, or if a minor, of his or&#13;
PSEUDONYMITY (U.S.A.).&#13;
her parent or guardian, is guilty of a misdemeanor.'&#13;
Section 51 confers a right of action for injunction&#13;
(From the U.S.A. Publishers' Weekly.)&#13;
and for damages in favor of the person aggrieved&#13;
under the provisions of section 50.&#13;
N action brought by Edward S. Ellis, the “Where a statute is doubtful or ambiguous&#13;
A author, against Hurst &amp; Company, involv- resort may be had to the title of the act (In the&#13;
ing a number of interesting questions matter of Village of Middletown, 82 N. Y., 195,&#13;
regarding publishers' and authors' rights in pseu- 199). In construing the broad language of the&#13;
&#13;
&#13;
## p. 197 (#267) ############################################&#13;
&#13;
THE AUTHOR.&#13;
197&#13;
court declaring the use for advertising purposes&#13;
or for the purposes of trade' of the name, por-&#13;
trait, or picture of any living person' without his&#13;
written consent to be a misdemeanor, the court&#13;
will consider the mischief which the statute was&#13;
aimed at, and in order to give it effect words&#13;
absolute in themselves and language the most&#13;
broad and comprehensive may be qualified and&#13;
restricted by other parts of the same statute, or by&#13;
the facts and circumstances to which they relate&#13;
(Blaschko v. Wurster, 156 N. Y., 437, 443).&#13;
“In the light of this rule of construction it may&#13;
be seriously doubted whether the statute was&#13;
intended to cover every case of the unauthorised&#13;
use of another's name, picture or portrait in con-&#13;
nection with trade purposes, or whether it was&#13;
intended to be limited to a class of cases where,&#13;
before the enactment of the statute, no provision&#13;
of law existed for redressing certain wrongs. The&#13;
title of the act is “Right of Privacy,' and it is&#13;
now a matter of general knowledge that the act&#13;
was passed in consequence of the suggestions con-&#13;
tained in the opinion in the case of Roberson v.&#13;
Rochester Folding Box Co. (171 N. Y., 538), a view&#13;
expressly recognised in the opinion of Rhodes v.&#13;
Sperry &amp; Hutchinson Co. (193 N. Y., 223, 227),&#13;
the opening paragraph of which reads : 'In the&#13;
case of Roberson v. Rochester Folding Box Co. (171&#13;
N. Y., 538) this court determined that in the&#13;
absence of any statute on the subject, the right of&#13;
privacy as a legal doctrine enforcible in equity,&#13;
did not exist in this State so as to enable a woman&#13;
to prevent the use of her portrait by others for&#13;
advertising purposes without her consent.' If we&#13;
turn to the opinion in the Roberson Case (supra)&#13;
we find that it discusses learnedly and at length&#13;
the doctrine of the Right of Privacy,' and the&#13;
incorporation of the phrase in the title of the act&#13;
under review should therefore be given due signifi-&#13;
cance.&#13;
was evidently designed to forbid the&#13;
unauthorised and wanton appropriation or use of&#13;
a person's name, picture or portrait for trade or&#13;
advertising purposes where such use is wholly un-&#13;
related to the matters or things with which said&#13;
name, picture or portrait is associated, and it may&#13;
perhaps also have been intended to forbid the&#13;
unauthorised use of one's name, portrait or picture&#13;
when such use is asserted to be related to or con-&#13;
nected with the things advertised or sold, but&#13;
where such a relationship or connection is in fact&#13;
unreal, unsubstantial, pretended or false. If the&#13;
act were to be construed as broadly as here claimed,&#13;
then one who advertises the sale of a well-known&#13;
brand of flour by using without his written consent&#13;
the name of the manufacturer of the flour would&#13;
be guilty of a misdemeanor. Or if a clothier&#13;
• advertises the sale of certain garments and uses in&#13;
the advertisements the name of the person who&#13;
manufactured the cloth from which the garments&#13;
were made without the latter's consent, then would&#13;
he be guilty of a misdemeanor. Instances might&#13;
be multiplied showing the absurdity of construing&#13;
the act in its broadest terms.&#13;
“In the case at bar, the defendants concededly&#13;
had the right to publish the books in suit with the&#13;
nom de plume of plaintiff, and this right carried&#13;
with it the right to state the true name of the&#13;
author in such form in the book, either upon the&#13;
title-page or otherwise, as to show who was the&#13;
writer or author thereof' (the Mark Twain Case,&#13;
14 Fed. Rep., 728, 730). The nom de plume of an&#13;
author is but the synonym of his true name and,&#13;
as was said in the Mark Twain Case (supra) at&#13;
page 731, 'the invention of a nom de plume gives&#13;
the writer no increase of right over another who&#13;
uses his own name in the absence of a copyright.'&#13;
In publishing the plaintiff's name on the volumes&#13;
under consideration the defendants published a&#13;
truthful statement, directly connected with the&#13;
authorship of the books, which they had a right to&#13;
print. This is therefore unlike the case of Eliot v.&#13;
Jones (66 Misc., 95, aff'd without opinion by the&#13;
Appellate Division, N. Y. Law Journal, October 29,&#13;
1910), where President Eliot's name was used with&#13;
respect to a publication not made by him or with&#13;
his authority, and whicb was therefore a use based&#13;
upon a false statement of fact and upon a decep-&#13;
tion. The case of Collier v. Jones (66 Misc., 97).&#13;
relied upon by the plaintiff, was not brought under&#13;
the statute here invoked, but under the doctrine of&#13;
unfair competition, and in the case of Victor Herbert&#13;
v. Universal Talking Machine Co. (N. Y. Law&#13;
Journal, March 9, 1904) it appears from an&#13;
examination of the record that the defendant sold&#13;
gramophone records, using in connection there-&#13;
with the name of the plaintiff, who had nothing&#13;
whatever to do with them. I am of opinion that&#13;
the defendants' acts here complained of do not&#13;
come within the prohibition of the statute here&#13;
invoked and that the judgment should go for the&#13;
defendants."&#13;
SCALE FOR ADVERTISEMENTS.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
Front Page&#13;
Other Pages&#13;
...£4 0 0&#13;
...&#13;
Half of a Page ...&#13;
Quarter of &amp; Page&#13;
... 1 100&#13;
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Eighth of a Page&#13;
O 15 0&#13;
..076&#13;
Single Column Advertisemontis .&#13;
per inch ở ó o&#13;
Roduction of 20 per cent. made for a Series e Six and of 25 per cont, for&#13;
Twelve Insertions.&#13;
Oo&#13;
All letters respecting Advertisernents should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
&#13;
&#13;
## p. 198 (#268) ############################################&#13;
&#13;
198&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
eive&#13;
1. VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
a Therefore, do not scruple to use&#13;
the Society,&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee bave arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
Lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro.&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author,&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
-&#13;
-&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills,&#13;
TTERE are a few standing rules to be observed in an&#13;
u agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 199 (#269) ############################################&#13;
&#13;
THE AUTHOR.&#13;
199&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance,&#13;
7. Authors should remember that performing rigbts in a&#13;
play are distinct from literary copyright. A manager&#13;
bolding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author inust remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration.&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
UTEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. Tbe&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 26. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittonces should be crossed Union of London and&#13;
Smiths Bunr, chanoery, Lane or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 200 (#270) ############################################&#13;
&#13;
200&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
transfer of the copyright from the unfortunate com&#13;
poser-making a claim for infringement of his, the&#13;
publisher's, copyright in a certain air, or setting&#13;
AUTHORS AND INCOME TAX.&#13;
of an air. The first publisher in these circum-&#13;
In the April issue of the Publishers' Circular stances would, if he should find that his composer's&#13;
we find a report of the Council of the Publishers' work is not selling and not catching on, at once&#13;
Association. One item of this report must be of acknowledge the infringement and withdraw the&#13;
interest to all authors. It runs as follows :&#13;
composition from the market rather than face the&#13;
expense and inconvenience of a complicated copy-&#13;
THE REQUESTS OF INCOME TAX COLLECTORS FOR&#13;
INFORMATION CONCERNING AUTHORS' ACCOUNTS.&#13;
right action. The unfortunate composer who may&#13;
“A member of the association received&#13;
be entirely innocent of any infringement can take&#13;
from an&#13;
income tax collector a request to be furnished with par.&#13;
no steps whatever to have his property re-estab-&#13;
ticulars of payments to authors for the purpose of the lished, for the publisher, as owner of the copyright,&#13;
assessment of their income. The council are advised that is not obliged to keep the work on the market if&#13;
he had no right to make the request."&#13;
he does not desire to do so. The position in this&#13;
We are glad to see that the Council of the case is as ridiculous as in the case of the unfor-&#13;
Publishers' Association have been firm on a matter tunate author who has to claim damages against a&#13;
which is of most vital importance.&#13;
bankrupt firm.&#13;
We see from the same issue that Sir Frederick&#13;
MacMillan has been appointed President of the&#13;
Publisbers' Association for the current year ; Mr.&#13;
THE “ENGLISH REVIEW."&#13;
William Heinemann, Vice-President; and Mr. James In the March, 1910, issue of The Author a state-&#13;
H. Blackwood has been appointed Treasurer.&#13;
ment appeared to the following effect :-&#13;
“We understand that Mr. Austin Harrison has been&#13;
THE TRANSFER OF COPYRIGHT.&#13;
appointed editor of the English Reriew which, in future,&#13;
will be published from Messrs. Chapman and Hall's&#13;
A new evil inherent in the transfer of copyright offices, 11, Henrietta Street, Covent Garden, W.C. We are&#13;
has come to our notice.&#13;
further informed that the unsatisfied claims of contributors&#13;
Time without number in these columns the evils&#13;
to the Review under the old management will be settled by&#13;
the new management.&#13;
connected with the assignment of copyright have&#13;
"We are very pleased to be able to make this announce-&#13;
been put forward, and especial emphasis has been ment officially, as it is not often that a new proprietor,&#13;
laid on the case of an author engaged in technical taking over the assets of an old company, also takes over&#13;
writing—a specialist in his own particular subject.&#13;
its liabilities and undertakes to satisfy them."&#13;
By such transfer he may be excluded from writing We are now able to report that the undisputed&#13;
again on his subject unless he enters into an agree claims of members of the society placed in the&#13;
ment wholly unfair and unsatisfactory with the hands of the secretary have been met under this&#13;
holder of his own copyright; in fact, he may have promise, and we must thank Sir Alfred Mond for&#13;
placed his whole reputation at stake owing to his settling the matter.&#13;
ignorance or folly.&#13;
We have also pointed out the danger of such&#13;
SIR ALFRED LYALL.&#13;
transfer when an author is remunerated by a royalty&#13;
on the sales. Should the company or publisher go&#13;
We regret to record the death of the Right Hon.&#13;
into liquidation or become bankrupt, the author Sir Alfred Comyn Lyall, G.C.I.E., K.C.B., D.C.L.,&#13;
who has transferred his copyright can only obtain who joined the Society of Authors in 1905 and&#13;
damages against the bankrupt estate. The position was elected to its council in 1908.&#13;
is absurd. There are also other difficulties which We need not deal with his great talents and&#13;
must not be lost sight of. But what has recently abilities as a worker in the Empire of India, as it&#13;
come forward is the following case, and as it is not this side of his life which is of interest to&#13;
occurred with regard to musical copyright it is readers of The Author, however distinguished it may&#13;
perhaps more likely to re-occur with regard to this have been, but it is rather as a man of letters that he&#13;
same property. A musical composer transferred will appeal to authors, and his work in the field of&#13;
his copyright and performing right—unfortu. literature was no less distinguished than his public&#13;
nately, most musical composers still refuse to band career. Perhaps the book by which he is best&#13;
together against this demand of the publishers. known, and the book which is most likely to&#13;
The composer was to receive a royalty on every endure, is his “ Life of Lord Dufferin," published in&#13;
copy sold. The publishers were threatened by 1905, in two volumes. It is a great work, ably&#13;
another publisher-it may be taken for granted written. He wrote, in addition, many other books&#13;
that the other publisher had likewise obtained referring to India, and among these we would&#13;
&#13;
&#13;
## p. 201 (#271) ############################################&#13;
&#13;
THE AUTHOR.&#13;
201&#13;
mention his “ Life of Warren Hastings ” in the until at last one sensible man propounded the&#13;
English Men of Action Series, published in 1889. i theory that a novel, like a pair of trousers, should&#13;
He was also a poet of no mean distinction, his be cut to the measure of the material it was meant&#13;
" Verses Written in India ” having been re- to contain. The correspondence closed shortly&#13;
published quite recently, in a cheap edition. This afterwards.&#13;
fact will tend to show how widely read his work Generally speaking, the public prefers a good&#13;
has been.&#13;
long novel to a good short one, as is only natural..&#13;
Sir Alfred took considerable interest in the The more the buyer gets for his money, assuming&#13;
affairs of the society from his election, and was the quality to be equal, the better he is pleased.&#13;
prominent in the debates that occurred relative to But it is also true that the modern reader does not&#13;
what is known as The Times Book War.&#13;
want his attention taken off the main theme by any&#13;
irrelevant matter. I do not think the ordinary&#13;
COPYRIGHT Bill, 1911.&#13;
consumer of novels to-day spends much time in read-&#13;
ing the old masters. Most houses in London that&#13;
THE Copyright Bill of 1911 is now before the&#13;
have any library at all no doubt possess editions of&#13;
public, and though it is not, from the author's&#13;
Scott, Thackeray, and Dickens; but they are rarely&#13;
point of view, a perfect bill, it is in a more advanced&#13;
taken down from the shelves. If “ Quentin Dur-&#13;
condition than the bill of 1910. The Society of&#13;
ward,” or “ Vanity Fair,” or “ Martin Chuzzlewit"&#13;
Authors may congratulate itself on the fact that&#13;
were offered to the London trade to-day as new&#13;
the Board of Trade not only gave every oppor-&#13;
books by unknown authors I am confident they&#13;
tunity to the society, through its committee,&#13;
would be refused, not because of their mere length,&#13;
to put its views before the Board, but accepted&#13;
but because their authors had not learned the art of&#13;
nearly all the important suggestions which it laid&#13;
excluding matter not germane to the story. Scott's&#13;
before them, and authors, whether members of the&#13;
prefatory and introductory remarks alone would&#13;
society or not, must be deeply indebted to the&#13;
often fill as many pages as a modern novelist re-&#13;
society for the work it has undertaken on their&#13;
quires for his whole book. Thackeray, they would&#13;
behalf.&#13;
say, was always introducing long apostrophic reflec-&#13;
tions on things in general. Dickens invented so.&#13;
THE MODERN NOVEL AND ITS PUBLIC. many subsidiary characters and side-issues that he&#13;
was forced, as it were, to strike a balance-sheet at&#13;
the end of the book, telling his anxious readers in a&#13;
(Reprinted from The Dial, Chicago.)&#13;
few words what had become of all the secondary&#13;
VHEN there is nothing of great importance personages who had fitted across his pages. I dare&#13;
V happening, from the journalistic point of not imagine what the modern publisher would say&#13;
view, our enterprising press has the of his other habit of interpolating whole stories, such&#13;
pleasant habit now and again of starting a dis- as “The Stroller's Tale' in the third chapter of&#13;
cussion and inviting correspondence on the subject “The Pickwick Papers."&#13;
from interested readers. With a little judicious The fact is that, so far as construction goes, the&#13;
fostering, and a certain number of letters written technique of the novel has been improved out of all&#13;
in the office to indicate the best methods of treating recognition during the last thirty years. A great&#13;
the topic, these arguments sometimes reach truly number of very poor novels are published year by&#13;
formidable proportions, especially if they deal with year ; but, bad as they are, they do not generally err&#13;
a religious or moral subject. With literature, the in the direction of technique. The plot may be thin&#13;
general public is justly supposed to be less con the characters wooden, the writing undistinguished&#13;
cerned ; and it is rare to find a paper “opening or even ungrammatical ; but the author has gener-&#13;
its columns" (as the phrase runs) to any discussion ally the merit of keeping the story well in view from&#13;
about the making of books. But a few months start to finish. He has discovered that the one thing&#13;
ago the unexpected happened: the Westminster he must not do is to allow the reader's attention to&#13;
Gazette did actually invite the opinions of its wander. It is far more likely to wander than it&#13;
readers on the momentous question of the Length was in the old days; and this is not entirely due to&#13;
of Modern Novels; and, curiously enough, this inferiority in the artist of the twentieth century,&#13;
departure from the old tradition met with consider it is due rather to the rise of a new and half-educated&#13;
able success. For some weeks the novelists of public, who have been fed on papers like Answers&#13;
England entrusted their opinions on this fascinating and Tit-Bits—the babies' food of the young&#13;
topic to the correspondence columns of our premier reader. It remains to be seen whether this public&#13;
evening paper, commonly at a length inversely will ever be educated up to anything better ; but&#13;
proportioned to the importance of the writer. The at present they are incapable of absorbing any para-&#13;
diversity of opinion registered was remarkable ; graph of more than five or six lines in length. They&#13;
&#13;
&#13;
## p. 202 (#272) ############################################&#13;
&#13;
202&#13;
THE AUTHOR.&#13;
II.&#13;
require a series of shocks to keep them awake, and fear that the great secret eludes analysis. Like many&#13;
consequently the modern novelist has learned the so-called games of chance, the art of successful&#13;
imprudence of indulging in prolixity. The page of novel-writing is a matter of fortune, with a re-&#13;
a new novel must not even present a physical appear- servation in favour of the better player. The good&#13;
ance of solidity : if a publisher sees the proofs come man will commonly achieve a modest independence&#13;
from the printer with more than ten inches of un in time, if he goes on trying. For the rest, it is&#13;
broken matter he is quite capable (as has bappened well for him not to be too much concerned with the&#13;
more than once in my own case) of breaking up the commercial side of his work.&#13;
paragraphs himself. Only a few of the old guard,&#13;
E. H. LACON WATSON.&#13;
such as Mr. Henry James, are permitted some lati-&#13;
tude in this respect-probably because they were&#13;
found to be incorrigible.&#13;
STYLE IN LITERATURE.&#13;
It is easy to theorise about the production of&#13;
books, but it is still extraordinarily difficult to predict&#13;
By ARCHIBALD DUNN.&#13;
with any approach to accuracy how the public will&#13;
receive any given specimen. Yet one can generally&#13;
tell what sort of reception it will meet with from the [The commencement of this article, in last month's&#13;
reviewers. Some years ago this would have been&#13;
issue, discussed the broad requirements of style.]&#13;
sufficient; there was a time when a few enthusiastic T CONOMY—the omission of the superfluous&#13;
acclamations in the more important papers sent a&#13;
word and the inclusion only of the neces-&#13;
new book gaily forward on the road to success. In&#13;
sary-hardly calls for justification ; seem-&#13;
these days the criticisms of the press seem to have ingly, after what has been said, it carries its&#13;
lost their effect. upon readers ; the reviewers may endorsement upon its face and there is no need for&#13;
praise until they have exhausted every adjective in the introduction of more pbilosophy. Still, a good&#13;
their vocabulary, yet the buyers will refuse to come cause, you know, is none the worse for being proved&#13;
in. Sometimes I am almost inclined to think that up to the hilt, and a reasonable method is after all&#13;
a chorus of commendation damps the ardour of better remembered when its reasoning is fully&#13;
the public ; they suspect all sorts of things—an understood. Turning, then, to philosophy, we find&#13;
organised attempt to boom the work of a personal the point argued most convincingly, perhaps, by&#13;
friend, or perhaps even bribery. They have lost Herbert Spencer.* “ Language," he says, “ must&#13;
their child-like faith in the infallibility of the critic be regarded as a hindrance to thought. ...&#13;
that our forefathers possessed. It is a curious and Placing a finger on the lips is more forcible than&#13;
instructive fact that the most popular writers of the whispering, ‘Do not speak. A beck of the hand is&#13;
present day in the world of fiction are novelists for better than • Come here.' A shrug of the shoulders&#13;
whom the reviewers never have a good word to say. would lose much by translation into words ..."&#13;
The people are not only uneducated, then, but and so on. In short, there is danger in the use of&#13;
obstinate ; they hear the voice of their master, but language at all ; action will convey the idea more&#13;
deliberately stuff their ears with cotton-wool ; they readily ; and, consequently, we had better do&#13;
do not wish to learn. And the critics can only without language altogether.&#13;
sigh and point out for their own satisfaction. It is clear, however, that the possibilities of&#13;
that in all branches of art the public has ever pantomime are limited. We can suggest “ Come&#13;
admired, with a curious consistency, the worst that here” most dramatically by a gesture, but all the&#13;
is put before it.&#13;
gestures in the world will pot convey the sense of a&#13;
What does sell a novel ? The irresponsible theological argument. It is in fact the elementary&#13;
chatter of women at afternoon tea, say some of my thought, and nothing beyond the elementary,&#13;
friends. I think it a fact that women have a great which thus lends itself to illustration by action ;&#13;
deal to say in the matter. They read far more but in that event, we see, the significance of the&#13;
novels than the men ; they take their reading more action reaches the intelligence more immediately&#13;
seriously; and are more likely to discuss their and more forcibly than could the significance of&#13;
favourites afterwards. Thus some of the literary the spoken or written word. So, though Herbert&#13;
agents now lay it down as a cardinal rule that, in Spencer has come near the reductio ad absurdum,&#13;
a successful story, the feminine interest should be he has taught a valuable lesson. Language is a&#13;
dominant. Women, they argue, like to read about hindrance to thought, but-it is indispensable ;&#13;
themselves, and especially to learn how they should very well, then, it shall be used—because it must&#13;
behave in moments of emotional stress. There is be used—but in such fashion as to make it as&#13;
thus a formula for the construction of the “big little of a hindrance as may be. Words, therefore,&#13;
seller," if anyone could ever work to a formula, and "The Philosophy of Style,” to which the reader is&#13;
if the literary agents are correct. Personally, I referred for more extended proof of the proposition.&#13;
&#13;
&#13;
## p. 203 (#273) ############################################&#13;
&#13;
THE AUTHOR.&#13;
203&#13;
shall be few, direct of meaning and expressive, come now to the treatment of the sentence and of&#13;
familiar and, consequently, easy of comprehension, the paragraph, and here, again, we shall find that&#13;
there is the treatment of them in the compass of a the whole aim and object is to make things easy&#13;
putshell, the commonsense solution of the difficulty. for the reader.&#13;
But, is this to say that the erudite is to be The position, then, is simply this. The elemen-&#13;
taboo and that the nearer a writer approaches to tary thought is expressed in a single word—write&#13;
the one-syllabled language of a child the greater “Halt!" and every reader recognises the command&#13;
he shall be ? Is that the inference to be drawn to stop. But as the thought advances in com-&#13;
from this law of simplicity and economy, the real plexity, the simple word will no longer suffice but,&#13;
meaning of it all ? Well, surely not. For it is instead, a resort must be had to the use of many&#13;
most obvious, I think, that much will depend upon words, and these words build up a sentence-with&#13;
the circumstances. One would not, for instance, or without subsidiary clauses, as may be. Advance&#13;
address a set of ploughmen as a gathering of the thought once more, and the single sentence&#13;
students, or write a scientific text-book in the becomes inadequate ; the need has arisen now for&#13;
phraseology of the nursery. There is the wide a group of sentences each helping to explain the&#13;
distinction of the conditions, and the simple fact meaning and, when completed, forming an intelli-&#13;
that what is incomprehensible to the one is often gible paragraph. It is, in fact, a steady increase&#13;
the common language of the other. The whole in the quantity of units to be handled by the&#13;
question, in short, is relative, regulated by the author; and, just as the management of a company&#13;
subject, regulated again by the capacity of the of men is easier than the manoeuvring of an army,&#13;
reader—both must be suited.&#13;
80 will the problem grow for an author in propor-&#13;
I know, of course, that amongst the illiterate it tion to the length and number of sentences&#13;
is a mighty fine thing to use long words ; here, necessary to the expression of his thought. For&#13;
forsooth, is the depth of profundity with so ignorant these sentences, unluckily, do not take position of&#13;
a crowd. Yet, given a few shillings to spend, you themselves; but, with a most irritating perverse-&#13;
may bay as much of this profundity as you please ness, tend to straggle and fall into a certain&#13;
at any stationer's shop, and then, equipped with a confusion. It is not, perhaps, an actual disorder,&#13;
Thesaurus of English words and phrases, safely but rather an absence of order and a species of&#13;
unfurl the standard of pomposity and affectation. aimlessness, and this is what calls so imperatively&#13;
There is a long word for everything, believe me, for the drill-sergeant--the author and demands&#13;
to repay the mere trouble, the clerk's work, of of him that he shall set each one of these trouble-&#13;
searching through the pages, and nothing in this some units into its fit and proper place. And,&#13;
world but laziness to prevent you beating record failing this ? Why, then, depend upon it, we&#13;
for a vocabulary. Yet, when all is said and done, have drifted back again in a twinkling to that Old&#13;
what a travesty it comes to ! when, setting out to Man of the Sea in literature, to that bogey of a&#13;
do one thing, another is gravely accomplished ! rule which will have the way paved smooth for the&#13;
when, with the object of enlightening the reader, reader. Here is a blessed muddle ; and that was&#13;
the end is to fuddle him! It is against this never a part of the bargain.&#13;
danger that the law of economy and simplicity Thus it is clear that some definite order must be&#13;
stands as the surest safeguard.&#13;
decided upon ; some order whicb, by virtue of its&#13;
Pity, then, that its fulfilment should be so natural sequence, shall seem the natural order to&#13;
difficult! "To gather much thought into few the reader and so reduce his effort to a minimum&#13;
words," says Schopenhauer, “stamps the man of in visualising the picture.&#13;
genius"; and, amongst those who find their Now, in considering this, one essential is always&#13;
livelihood or their pleasure in writing, there is not to be remembered—that a proposition must neces-&#13;
one to contradict him. For somehow, by some sarily be discussed in one of two ways, either&#13;
unlucky chance, the natural process of expression inductively or deductively; that is, we may first&#13;
is seldom precise and to the point but something group together our facts and particolars and so&#13;
of a wobble, to speak the truth, and ever ready to lead up to and prove the main proposition, or,&#13;
go upon the wander ; and so it happens, as a rule, alternatively, we may begin by stating the propo-&#13;
that it is only after years of training and an sition itself and then proceed to prove it. One or&#13;
infinity of labour that a man learns in the end to say other of these methods must be adopted always in&#13;
just exactly what he wants to say and nothing more. intelligent debate if the subject is to be brought&#13;
definitely and sharply before the mind of an outside&#13;
Climax (which necessarily implies sequence as a person. As to which is the better method autho-&#13;
preliminary) brings us to a broader consideration rities are disagreed. Lewes* suggests that it&#13;
of the subject of style. We have spoken of the&#13;
treatment of the word-in a general sense ; we&#13;
* “ Principles of Success in Literature."&#13;
&#13;
&#13;
## p. 204 (#274) ############################################&#13;
&#13;
204&#13;
THE AUTHOR.&#13;
depends upon the circumstances, and that certainly appeal direct to the reason. Unluckily, this is but&#13;
seems the commonsense way of looking at it. “If half the task. For its completion there is still&#13;
my object,” he says, “is to convince you of a another phase of the mind's activity to consider ; a&#13;
general truth or to impress you with a feeling which phase which is of the emotional rather than the&#13;
you are not already prepared to accept, it is obvious reasoning type.&#13;
that the most effective method is the inductive, This is best illustrated by an example. Walk&#13;
which leads your mind upon a culminating wave of suddenly from the sunshine into a shady corridor,&#13;
evidence or emotion to the very point I aim at. and though perhaps there is light enough to read&#13;
But the deductive method is best when I wish to by, the corridor will seem absolutely dark; or,&#13;
direct the light of familiar truths and rouse again, remember how, in the unexpected presence&#13;
emotions upon new particulars or upon details in of some horrible or startling sight, the mind is&#13;
unsuspected relation to those truths.” In short, blinded sometimes wholly, always partially, to other&#13;
then, to lighten the task of the reader, a proposition considerations. Common experiences such as these,&#13;
likely to be accepted without question should be the effect of which cannot be denied, carry their&#13;
stated at once and afterwards emphasised, whilst a own inference, and accepting it, as we must do, we&#13;
proposition unlikely to be so accepted should first have this inevitable conclusion—that the mental&#13;
be proved and then, as a consequence of such proof, faculties, like all our senses, are subject to a deaden-&#13;
finally stated.&#13;
ing reaction after any very vivid impression, and&#13;
But whichever method is adopted-and the writer that the extent of the reaction is commensurate in&#13;
will select according to the conditions of the some degree with the strength of the impression.&#13;
moment—it is certain that the process in either It is a case, in fact, of the greater overshadowing&#13;
case must be progressive. Here again it is a ques- the less; and when this occurs in literature need&#13;
tion of the reader's comfort ; he shall not be left we wonder if a period of blankness ensues which,&#13;
to disentangle the tangled threads. As Herbert if it does not actually destroy the power of appre-&#13;
Spencer puts it, “the events should be stated in ciation, at least weakens it ? On the other hand,&#13;
ench sequence that the mind may not have to go the trifle can claim attention when there is nothing&#13;
backwards and forwards in order to rightly of more import to distract, and if the series be&#13;
connect them.”&#13;
allowed to move with a steadily increasing force&#13;
That, however, is not the end of it; for you may each detail can be noted by the way. Moreover,&#13;
have a sequence without a tangle and yet a sequence this is to heighten the final result ; for if you step&#13;
which from its very nature is incomprehensible. I from the shady corridor into the sunlight the sun&#13;
mean, of course, where a complex or unfamiliar will never look brighter; and, if you will explain to&#13;
subject has been introduced too suddenly. And me beforehand the utmost possibilities of some&#13;
this is the fault so common to bad writing, that the terrible danger, there is no surer means of in-&#13;
author assumes the reader's knowledge to be equal creasing my fear, though, mark you! I shall have&#13;
to his own. Then, in a moment, the mind as my wits about me when the time comes. Based,&#13;
often as not, goes all abroad ; it has nothing to then, on the law of nature is the law of climax,&#13;
catch hold of as a stand-by, nothing that it has that the progression of sentences shall not only&#13;
ever come across before, no starting point to work follow in easy stages and in logical order, but that,&#13;
from, nothing anywhere but an indescribable haze. in addition, they shall be cumulatire in effect.&#13;
It is a blank, if ever there was one, hopeless and To point the moral, take an extract from&#13;
complete. And yet it could be cleared up so easily Macaulay. This is what he says about Barère :-&#13;
by starting just a little lower down the ladder of “Our opinion, then, is this : that Barère approached&#13;
knowledge. Here is a complex matter, but its origin nearer than any person mentioned in history or in&#13;
was simple. Then start with its origin if neces- fiction, whether man or devil, to the idea of con-&#13;
sary, with simple and familiar facts, at any rate, summate and universal depravity. In him the&#13;
and so, carrying the attention with you, lead on in qualities which are the proper objects of hatred&#13;
a progressive and explanatory fashion to those facts and the qualities which are the proper objects of&#13;
which are not so simple and not so familiar. It is contempt preserve an exquisite and absolute&#13;
a question of easy stages, that is all, and when the harmony. In almost every particular sort of&#13;
really complex is reached at last, believe me, there wickedness he has had rivals. His sensuality was&#13;
will be nothing complex about it.&#13;
immoderate; but this was a failing common to&#13;
So far, then, as logical order is concerned, so far him with many great and amiable men. There&#13;
as we have nothing else to do than follow out an have been many men as cowardly as he, some as&#13;
explanatory system which can be readily grasped, cruel, a few as mean, a few as impudent. There&#13;
the course is clear enough. We have a thought to may also have been as great liars, though we never&#13;
convey and we convey it in the most obvious and met with them or read of them. But when we put&#13;
most easily appreciable fashion ; we have made our everything together, sensuality, poltroonery, base-&#13;
&#13;
&#13;
## p. 205 (#275) ############################################&#13;
&#13;
THE AUTHOR.&#13;
205&#13;
ness, effrontery, mendacity, barbarity, the result is paragraph. It is a small thing, with the sense&#13;
something which in a novel we should condemn as remaining just the same and the words too, but&#13;
caricature and to which, we venture to say, no life and truth have gone out of the picture; for the&#13;
parallel can be found in history."&#13;
mind, tuned to the fever pitch, cannot drop back&#13;
A writer less gifted than Macaulay in the art of thus suddenly to the inconsiderable. The thing&#13;
building up a climax might have hesitated to begin that has really mattered all along, the thing that&#13;
with so slashing and violent &amp; sentence, lest those concerned the reader and held him, was the fate of&#13;
others to follow should seem weak by comparison. Hiawatha, that was to be the culmination, the&#13;
But, analysed, this sentence is no more than a end ; and yet, just as the secret is revealed, just as&#13;
general statement preparing the mind ; and, then, the attention would dwell upon it and grasp its&#13;
starting with the admission that Barère perhaps full significance and revel in it, why, just then,&#13;
had individual rivals in individual forms of wicked- bless your heart! there comes a dig in the ribs and&#13;
ness-a neat contrast—the crescendo treatment a silly, idiotic, distracting remark about a sunset&#13;
goes steadily forward. And in the end, though we and a mist.&#13;
have listened only to assertion without the backing&#13;
of the shadow of a proof, that tempest of words&#13;
To the Islands of the Blessed,&#13;
and thoughts, that terrific whacking of the big&#13;
To the Kingdom of Ponemah,&#13;
To the land of the Hereafter!&#13;
drum, each stroke heavier than the one before,&#13;
In the glory of the sunset,&#13;
must carry us along as in a whirlwind irresistibly.&#13;
In the purple mists of evening.&#13;
We may amend our judgment later on--and sball&#13;
do, if the evidence be insufficient-but, meanwhile,&#13;
Oh, the smallness of the thought! And the&#13;
the art of the writer has triumphed, and, for the&#13;
certainty, as you see, that romance must be&#13;
moment at any rate, we condemn Barère. Illogical,&#13;
scotched to find ourselves thus thrust back from&#13;
you say? And so it is. At the same time, it is&#13;
the fascinating dream—of ethereal things, which we&#13;
very real human nature, and there is no getting&#13;
believe to be beautiful and on which it is only&#13;
away from that.&#13;
natural for the imagination to rest-back again with-&#13;
Clearly, then, if climax be essential to effective-&#13;
out warning to the commonplaces of life, to the&#13;
ness, anti-climax-a sequence in which the imposing everyday siidset, if you please, and a damp-I had&#13;
thought is succeeded by the trivial-must be for-&#13;
&amp;&#13;
near&#13;
nearly written “damned”-unpleasant mist !*&#13;
bidden. The strength of the one is sufficient&#13;
As Longfellow has it, however, “the glory of&#13;
evidence of the weakness of the other, and so there&#13;
the sunset” and “the purple mists of evening” is&#13;
is no need to go over the old ground of argument&#13;
well-nigh perfect in its artistic setting. It has&#13;
again. One inay, however, show in a given&#13;
painted the scene, of course, and brought the&#13;
instance how differently a passage will read and&#13;
picture realistically before the eye; but more, it&#13;
impress the mind when, without changing either&#13;
has heightened the final effect by introducing a&#13;
words or meaning, we get anti-climax instead of&#13;
momentary suspension of the main thought. That&#13;
this should be a source of strength rather than of&#13;
climax; and, for this purpose, the final scene in&#13;
“Hiawatha " suggests itself :&#13;
weakness is not, at first sight, quite apparent.&#13;
Here we have the law of economy and simplicity&#13;
Thus departed Hiawatha,&#13;
Hiawatha the Beloved,&#13;
jogging at the elbow and demanding the direct and&#13;
In the glory of the sunset,&#13;
concise statement and putting us straightway in a&#13;
In the purple mists of evening,&#13;
troublesome quandary. But I would remind you&#13;
To the regions of the home-wind,&#13;
once again of the days of the nursery and of what&#13;
Of the North-west wind Keewaydin.&#13;
To the Islands of the Blessed,&#13;
happened when that story you were listening to so&#13;
To the Kingdom of Ponemah,&#13;
attentively was unexpectedly interrupted. It was&#13;
To the land of the Hereafter !&#13;
just near the end, or at any rate at the crucial&#13;
Is it possible to improve this picture ? to make moment-seeing that they were all crucial moments&#13;
it more realistic ? more impressive? It is the&#13;
—when nurse was called away and you were left&#13;
closing of a beautiful life in glory—the glory of kicking your bare legs about&#13;
the glory of kicking your bare legs about the floor. Do you re-&#13;
the sunset: in sadness-the sadness of the mists of member, then, how you watched the door! how you&#13;
evening : but in everlasting happiness, too. that crawled up to it and listened for a footstep? Do you&#13;
Hiawatha should be journeying back to an Eternal&#13;
remember how your excitement grew by degrees ?&#13;
reward in the Islands of the Blessed, in the land&#13;
You had been interested before, you know, but&#13;
of the Hereafter! I do not know how this is to be * It is worth noting that the imposing thought succeeded&#13;
get more emotionally or more truly. But I do by the trivial has a tendency towards the ridiculous. Hence&#13;
know how it may be ruined by the mere stroke of there is some capital to be made out of it in humorous&#13;
writing.&#13;
a pen, by simply transposing the third and fourth&#13;
That all-softening overpowering knell,&#13;
lines and re-casting them for the conclusion of the&#13;
The tocsin of the soul-the dinner-bell,&#13;
&#13;
&#13;
## p. 206 (#276) ############################################&#13;
&#13;
206&#13;
THE AUTHOR.&#13;
now your little brain was working into a fever.&#13;
The end ! how the mystery and the wonder of it&#13;
deepened with suspense! Ah! you remember?&#13;
Very well, then, we have whittled down the pencil&#13;
and come to the lead, for this idea of suspending&#13;
the main thought in literature is only that same&#13;
pleasant old idea resurrected from the nursery-&#13;
though played of course more artistically nowa-&#13;
days for the benefit of those bigger children, the&#13;
grown-ups.&#13;
But there is danger in it, nevertheless. For,&#13;
just as the slight suspension can prove a source of&#13;
strength, the really lengthy suspension is seldom&#13;
anything but an impediment and a source of weak-&#13;
ness. Supposing that Longfellow, instead of using&#13;
only two lines to describe the scene, bad used&#13;
twenty, what would happen ? Why, clearly the&#13;
mind would wander from the main issue—the fate&#13;
of Hiawatha—and become centred instead on the&#13;
scene itself. So much so, indeed, that the final&#13;
lines might seem out of place—in fact, for the&#13;
moment, almost without meaning ; we might have&#13;
to stop and worry it out for ourselves; we might even&#13;
have to refer back to the first line of all to find a&#13;
true connection in the passage. This is the danger,&#13;
then, the risk of creating a deliberate distraction&#13;
And now there is only this to add, that what&#13;
applies to the paragraph applies also to the sentence.&#13;
The sentence often enough contains a subordinate&#13;
thought or series of thoughts within the main&#13;
thought—it is, in fact, a miniature paragraph.&#13;
Clearly, then, there must be a well-observed&#13;
sequence in the order of the sentence as in the&#13;
order of the paragragh, a well-defined progression&#13;
to the climax, and never, under any circumstances,&#13;
too long a suspension of the main issue. Subject&#13;
to all this, then, for the sake of economy, the&#13;
shorter the sentence the better.&#13;
the one case, the case of a flower, the faculty of&#13;
smell has been killed, so it seems; in the other, the&#13;
case of the student, the mind has become so dulled&#13;
that what is accomplished at all is accomplished&#13;
with effort, less speedily than usual, less satisfactorily.&#13;
What is the inference? Why, surely, that monotony&#13;
has the knack of enfeebling the faculties and tends&#13;
to make them inoperative.&#13;
But, now, if we move from the flower to the&#13;
neighbourhood of an open drain, there is no doubt&#13;
that we shall smell the drain ; or, if the student be&#13;
translated from his study to the chess-board, pro-&#13;
vided of course that he cares for chess, there is no&#13;
doubt about it that the brain will start again&#13;
working as freshly and as vigorously as ever. Thus,&#13;
there is a second inference to draw-that, whilst&#13;
the faculties most certainly collapse in the presence&#13;
of monotony, their real power remains unimpaired&#13;
and they can be set going anew by merely resorting&#13;
to a different stimulus.&#13;
Such, then, is the explanation and justification&#13;
of the law of Variety ; and there is little to be said&#13;
concerning its practical use in literature that is not&#13;
self-evident. It is a matter, you see, of avoiding a&#13;
groove. Nothing, however good in itself, may be&#13;
served up too often or in too regular an order. To&#13;
give only the necessary word, the shortest possible&#13;
intelligible sentence, the cumulative progression of&#13;
events, is excellent. On the other hand to give&#13;
them, paragraph after paragraph, page after page,&#13;
with never a break in the routine of the catalogue,&#13;
is to achieve a perfection of monotony against&#13;
which no reader could hope to hold up his head for&#13;
half-an-hour. Think of the bare statement and&#13;
re-iteration of bare statements in a school-boy's&#13;
essay; think of the author who at every turn is&#13;
introducing the inevitable “ego"; think of&#13;
Macaulay with the everlasting grand crescendo and&#13;
see, in the end, how feeble he is. It was a fine&#13;
thing that “crescendo," of course, the first time&#13;
you met it, soul-stirring and apt to rouge one like&#13;
a bugle-call ; but, later, it passed into a vexing&#13;
irritation, and finally, like the bugle-call too often&#13;
repeated, fell still-born on the senses. Such as this&#13;
is dead-levelness with a vengeance and, depend&#13;
upon it, so complete a flatness of presentation is not&#13;
to be endured. So, in the art of writing-some-&#13;
where, somehow, and at no infrequent periods-&#13;
there must come those moments of relaxation, those&#13;
short intervals of change, which shall serve as the&#13;
fresh stimulus to keep the faculties alive.&#13;
But it is a difficult job, as things go, to adjust&#13;
so fine a balance ; for where, to be sure, does&#13;
routine and stereotyped order cease to assist and,&#13;
instead, begin to tire? We must observe the rules&#13;
and we must break them--the trouble is to choose&#13;
the fitting moment; and I do not know that the true&#13;
pass-word to this tricky Sesame has yet been found.&#13;
Variety, the third law of literature, brings us to&#13;
a really strange and surprising result. For, it is&#13;
now to appear that, if we shall bave been truly&#13;
faithful to the laws of Economy and Climax, if we&#13;
shall have followed these principles with a sturdy&#13;
persistence and without ever once kicking over the&#13;
traces, we shall at the same time have gone far&#13;
towards becoming the very worst writers in the&#13;
world ! Yes, it is astonisbing ; a direct contra-&#13;
diction, seemingly, a building up of the edifice for&#13;
the mere pleasure of knocking it down again! But,&#13;
listen to the explanation.&#13;
When a student bends his mind too intently to&#13;
one subject, it is common knowledge that, in pro-&#13;
cess of time, the intellect loses in rapidity and in the&#13;
power of ready appreciation, and the student grows&#13;
stale ; it is also common knowledge, as Herbert&#13;
Spencer points out, that " if we hold a flower to the&#13;
nose for long, we become insensible to its scent." In&#13;
&#13;
&#13;
## p. 207 (#277) ############################################&#13;
&#13;
THE AUTHOR.&#13;
207&#13;
Still, where the aim is at the practical, it does mean that we shall ever hope actually to imitate&#13;
not do to throw up the sponge too readily. As him or that we should do so if we could, but that,&#13;
we see, we cannot fix upon the definite border-line in process of time and after a fashion, something&#13;
-that is certain. Very well, then, abandon the of the master's charm-it may be but a shadow of&#13;
precise, turn to the more general, the broader con- it—will fall inevitably upon the student like a&#13;
sideration, and here is a method which, whatever blessing. Under such circumstances, it will be&#13;
its demerits, will nevertheless compel, more often found, the habit modifies and, if slowly none the&#13;
than not, the accomplishment of the end in view less surely, takes a smoother turn; and, as the&#13;
-Variety of Style. The suggestion comes from vocabulary widens day by day, as the niceties of&#13;
Lewes.* “How," he asks, “is variety to be expression grow familiar with experience, so will&#13;
secured ?" And, in answer, he says :-" It is for the appropriate word come more promptly to hand,&#13;
the writer to obey the great cardinal principle of and the sentence round itself off more pleasantly&#13;
Sincerity, and be brave enough to express himself to the ear.&#13;
in his own way.”&#13;
And for the other condition-an orderly pre-&#13;
Lewes' idea, of course, is that no man can speak sentation of the thought-it seems that this must&#13;
straight from the heart and speak montonously. spring primarily from clear vision on the author's&#13;
In the impetuosity of the moment the meaning part. To explain, he must first have understood.&#13;
is blurted out anyhow and, with words scarcely And, mark you ! not vaguely as in a fog, but with&#13;
weighed and thoughts but indifferently considered, each detail sharply outlined in his own sight and&#13;
monotony ceases to be possible. There may be a with its illustrative value distinctly set forth. He&#13;
tangle—there generally is—and a good deal of has to picture a thought in which some things&#13;
confusion, but at least there must be Variety too; matter more, others less, but a thought in which&#13;
and no one is likely to quarrel with the contention. nothing must be blurred. Need we doubt, then,&#13;
It is, however, just the very completeness of this that an author's business, before ever he puts pen&#13;
proposition which brings about its downfall; for to paper at all, is to be sure of himself; to be sure&#13;
what author, I ask you, will adopt a system which that he sees the finished picture and sees it aright,&#13;
is likely to lead to confusion ? Clearly, none. too, through all the processes of its painting ?&#13;
There must be order, that is essential. Then, can And, then? Then the practical consequence&#13;
it be obtained whilst abandoning ourselves to “the seems inevitable ; he has assayed the worth of his&#13;
great cardinal principle of Sincerity”? I think own material and instinctively, whether he will or&#13;
80. In the simplest fashion, too; by an honest not, the trifles must drop into the background and&#13;
reference back, time and again, to the laws of the features of real consequence stand prominently&#13;
Economy and Climax—that is, an author shall forward. And, though this may not be order in&#13;
submit his spontaneous effort to the test of those its finished state, it is at least a good commence-&#13;
conditions and never pass it until the conditions ment in the right direction ; and to have gone so&#13;
have been fulfilled.&#13;
far is to have left little enough to do in the final&#13;
But even this is, in a sense, unsatisfactory. polishing up.&#13;
The disentangling and re-setting of a wholly ill. And just one more thing in regard to variety.&#13;
expressioned composition is a wearisome and time. We have considered its application to language;&#13;
wasting business and, in a labour-saving age, all we may well believe that it applies equally to the&#13;
against the accepted view of practical affairs. The thought itself, that the character of the thought&#13;
aim, as we understand it nowadays, mnst always be shall not remain in one groove for too long a period.&#13;
to accomplish anything with the least possible You remember the home-coming of Rip Van&#13;
expenditure of effort. This is the safeguard Winkle. He had been asleep for twenty years up&#13;
against overstrain, the secret of many achieve in the Katskill Mountains and then, awaking, he&#13;
ments in the short period of a life; and, therefore, trudged back to his native village, an old and&#13;
the obvious law. Hence, to fulfil it, an author's broken man. Presently—as he stood puzzling&#13;
endeavour shall be to so order his mind, to so train over the array of new buildings, the strange names&#13;
himself, that the expression of a thought may always upon the doors, the absence of all the familiar land-&#13;
tend to fall automatically into some sort of logical marks which had once meant his home-presently,&#13;
sequence and an intelligible and pleasant phraseology. the young men and maidens gathered round him&#13;
With regard to the latter requisite, there is a and, as is the frivolous way of youth, started&#13;
ready suggestion—that we should study good nudging one another and giggling at sight of the&#13;
models. For, believe me, there is no more con tattered rag-bag. Who could this stranger be ?&#13;
tagious thing in the world than frequent inter- This quaint old man with the long white beard,&#13;
course with a writer wbo can write. I do not the bent back and the vacant eye? Was he out&#13;
of a show ? or what? And when, after a moment&#13;
* * The Principles of Success in Literature.” he inquired for his former friends, those gay spark&#13;
&#13;
&#13;
## p. 208 (#278) ############################################&#13;
&#13;
208&#13;
THE AUTHOR.&#13;
with whom he had been wont to drink and make first list of the Academic Committee of the Royal&#13;
merry in other days, the laugh burst out openly. Society of Literature without the editorial note,&#13;
“Dead !"they cried. “ Dead! the whole drunken which, I venture to think, the occasion might have&#13;
lot of them !" And when, a little later, he asked suggested.&#13;
them for his wife, they held their sides in merri- The Committee of the Authors' Society did&#13;
ment, and the answer came back at him in a shout. not, it is true, express any formal opinion on&#13;
“ Gretchen! Old Gretchen! Why, dead of the question of the inclusion of women in the&#13;
course, like the rest, and buried these nineteen Academic Committee. It seemed to most of us,&#13;
years !” Then Rip Van Winkle laughed too. when the question was mooted, that the better and&#13;
“That's funny,” he said, “that's damned funny! So less contentious way to carry out so important and&#13;
damned funny it nearly breaks my poor old heart!”* possibly controversial a step would be by the&#13;
There may be more affecting incidents than this co-option by the Academic Committee itself of its&#13;
to be found in fiction, but I do not know of them. first lady members. Since a dozen vacant seats&#13;
I do not know of any other which strikes more were left at the disposal of the nominated members,&#13;
surely, more rapidly, more directly, straight to the and there are at present, I believe, at least ten&#13;
heart-strings. And, as it seems to me, the strength vacancies, there can be no practical difficulty in&#13;
of the situation lies wholly in the use of contrast, this course being followed. Speaking for myself,&#13;
in the sudden change from gay to grave, from the as an interested outsider, I trust it may be, and&#13;
humorous to the pathetic, and in the certain without delay.&#13;
exaggeration of effect which results from the I may, however, as one who some years ago gave&#13;
unexpected transformation in the point of view. up a not unimportant post for the sake of women's&#13;
It is like the first breath of open air to the invalid, claim to admission to a scientific society, be allowed,&#13;
the tonic of a fresh idea ; and the mind, startled perhaps, to take this opportunity to warn my former&#13;
and stirred by the surprise, responds with an clients that if their cause is not more successful they&#13;
unaccustomed alacrity and magnifies the picture. have largely themselves to thank. I am not now&#13;
This, then, is the work of variation in thought, to referring to the too notorious exhibitions of intem-&#13;
create an energetic capacity in the reader and to perate conduct and language, of petulance and&#13;
stimulate his powers of insight and appreciation silliness, in the followers of the women's movement,&#13;
to their most active state. That the home of which their friends have been recently the&#13;
coming of Rip Van Winkle is sad enough at any reluctant witnesses. I have in my mind the&#13;
time, no one will dispute ; but it needs the magic apparent incapacity not only to play the game&#13;
wand of the artist, that little touch of antithesis in the conduct of affairs, but even to understand&#13;
at the end, that “ opposition of two thoughts its rules, of which ill-timed examples have been&#13;
which are the reverse of each other in some given us lately by ladies from whom we might have&#13;
prominent trait,” just to emphasise the sadness, hoped for better things.&#13;
just to let us grip the real truth of it; just to fill Miss Toplis tells us the bad behaviour of our&#13;
the eyes with tears.&#13;
Committee “dawned slowly” on her. This is&#13;
To sum up, then, there are the two leading hardly the way in which “grave slights" and&#13;
principles of economy and climax; and the third “indignities" generally strike their victims. Is it&#13;
principle of variety which controls the other two, not possible that Miss Toplis has been deceived by&#13;
or, if you please, the position may be transposed. a“ false dawn”? When real daylight reaches her,&#13;
But, anyway, it is the suitable harmonising of all she will probably appreciate that her sex has&#13;
three that makes the basis of good writing and the neither been “slighted” nor “subjected to in-&#13;
first trouble of all writers.&#13;
dignity” by the action of our Committee of&#13;
Management in this business. On the contrary,&#13;
* This scene, of course, is only given verbatim in respect&#13;
to Rip Van Winkle's concluding remark, which contains&#13;
the Committee has done its best to leave an open&#13;
the whole point.&#13;
door for women by which they may enter with&#13;
(To be continued.)&#13;
honour and without unseemly disputes into the&#13;
coveted dignity.&#13;
I am, Sir, Yours obediently,&#13;
CORRESPONDENCE.&#13;
DOUGLAS W. FRESHFIELD.&#13;
THE ACADEMIC COMMITTEE.&#13;
SIR,-I must confess to some surprise that you&#13;
have published the letter addressed to you by&#13;
Miss Toplis on the absence of women from the&#13;
II.&#13;
SIR-I have read with interest the utterances&#13;
of Mrs. Humphry Ward with regard to the&#13;
Academic Committee. She deplores on many&#13;
occasions that the unfortunate method of its&#13;
&#13;
&#13;
## p. 209 (#279) ############################################&#13;
&#13;
THE AUTHOR.&#13;
209&#13;
election will stand in the way of the trust which If my play is pirated, I instruct my agent to&#13;
such a body ought to have from other members of sally forth and capture the pirate ; but pirate-&#13;
the profession, and from the public generally. chasing annoys him, because, as likely as not, he is&#13;
A king once raised a gentleman to the peerage chasing a future client, and your agent cannot&#13;
on the advice of a certain Prime Minister. The afford to offend managers. All managers are&#13;
Prime Minister, it was said, hoped that this honest, but some are absent-minded. The manager&#13;
advancement would give the public the best who produces my play in New Zealand or India on&#13;
argument for the abolition of the House of Lords. a royalty basis sends me returns for seventeen per-&#13;
Is it possible that the Royal Society of Literature formances ; but how am I to know that he has not&#13;
bas pursued this peculiar method in its election of given serenty? And there is that very fruitful&#13;
an Academic Committee in order that it may give source of income—the Stock Company of America.&#13;
the public the best argument in favour of the com If permission to perform a play, together with the&#13;
mittee's abolition ?&#13;
prompt-copy of that play, had to be obtained from&#13;
Yours truly, ONE INTERESTED. the society's authorised representative, those&#13;
managers who perform plays, and those agents&#13;
who lease plays for stock work and forget to&#13;
ALTERATIONS IN AUTHORS' MANUSCRIPTS. inform the author, could have “exeunt" written&#13;
SIR,-Surely the statement that “no editor or before their names.&#13;
publisher has a right to alter an author's MS." Managers cannot exist without plays : yet the&#13;
in the April issue is too wide in its literal terms. author is the person to whom payment is most&#13;
Read " an author's signed work." and I agree. grudged in times of box-office famine. Certain&#13;
Both as contributor and editor, through a pretty managers look upon him as a kind of diseased&#13;
long experience, I have always understood that an parasite, a being totally unnecessary to the success-&#13;
editor of anonymous articles, being fully respon- ful working of a theatre. But if the dramatists as&#13;
sible for the contents, is entitled to alter them. As an organised body went out on strike, what would&#13;
a matter of courtesy and prudence he will consult become of the theatre as a commercial enterprise ?&#13;
the writer so far as practicable. But in the case Personally, I cannot understand the selfishness&#13;
of signed contributions an editor, except with the&#13;
of the individual dramatist who objects to organisa-&#13;
writer's consent, may only correct manifest errors, tion and co-operation. Whatever consideration he&#13;
see to conformity in spelling and punctuation, and owes to his own interests, he still owes some to&#13;
at need require objectionable matter to be omitted those of his profession. Naturally and rightly&#13;
(but this is really a case of limited refusal to pub- dramatists of standing can demand larger fees than&#13;
lisb, which is not on the same footing). Publishers those who still have their spurs to win; but any&#13;
and proof-readers ought not to interfere except to dramatist can, and every dramatist should, demand&#13;
stop, in emergency, a flagrant error which has an agreed-upon minimum percentage and certain&#13;
escaped the author : such things do happen : but recognised conditions, one of which should be&#13;
eren then they should be very careful.&#13;
that if a manager, having requested an author to&#13;
F. POLLOCK. send him a play, keeps that play beyond a certain&#13;
send him a pl&#13;
time-limit, it should be considered then that he has&#13;
accepted that play, and that he is liable for a sum&#13;
DRAMATISTS AND THE SOCIETY.&#13;
in advance of royalties in connection with that play.&#13;
SIR,—The average dramatist is incapable of If dramatists would stand together they would no&#13;
looking after his own financial interests; so he longer be the victims of abuses ; they could demand&#13;
employs an agent, and pays him a 10 per cent. and would obtain businesslike treatment and&#13;
commission. But it seems to me that what the courtesy. But if they are to stand together they&#13;
agents are doing the Society of Authors—if it is must do so under the banner of the society. And&#13;
to represent us officially; if it is to become a although the scheme that I am suggesting would&#13;
necessity to us; if the inducements to come in are entail infinite labour and much thinking, it is to&#13;
to be so obvious that not to be a member is not to my mind the first and most important step towards&#13;
exist as a dramatist-could do much better.&#13;
real organisation and co-operation. All accom-&#13;
And, from a purely commercial point of view, plishment that is worth while is difficult. It cannot&#13;
why does the society philosophically accept the be done in a moment, but it can be done. There&#13;
fact that a large portion of these commissions are born reactionaries—even amongst dramatists ;&#13;
might, with a little trouble, be diverted to its own hopeless pessimists, content to let things slide,&#13;
bank account? If it charged only 5 per cent. for fearful lest change should bring tyranny in its&#13;
collecting royalties and drafting contracts, its wake. Such people have always been the brakes&#13;
increased income would more than balance its on the wheel of human progress.&#13;
increased expenditure.&#13;
But it seems to me that if the society is to&#13;
&#13;
&#13;
## p. 210 (#280) ############################################&#13;
&#13;
210&#13;
THE AUTHOR.&#13;
represent dramatists as a body; if the induce that I brought no accusation of any kind against anybody.&#13;
ments to come in are to be greater than the&#13;
An agreement is an agreement, and an absolute sale is an&#13;
absolute sale, no matter how the financial consequences&#13;
temptations to stay out; the Dramatic Sub-Com-&#13;
thereof may work out." (New Age, March 9.)&#13;
mittee would be doing a very useful work both for the&#13;
It would seem, then, that the “ expert " who is&#13;
individual dramatist and for dramatists as a body&#13;
if, during the coming year, it would draft a scheme&#13;
good enough to assure the author that his foreign&#13;
and translation rights are too trifling to be worth&#13;
by which it could either shunt the agent and take his&#13;
bothering about (and had therefore better be&#13;
place, or appoint certain agents in various places&#13;
entrusted to the said expert's sole care) is an&#13;
who would act solely through and on behalf of the&#13;
individual whose activities are not confined to this&#13;
Society of Authors—men of experience, discretion&#13;
side of the Channel.&#13;
and integrity, who could keep in touch, through the&#13;
Yours faithfully, WARD MUIR.&#13;
theatrical papers or other sources, with the move-&#13;
ments and productions of all classes of managers,&#13;
and so safeguard the dramatist from unauthorised&#13;
AUTHORS' AGENTS.&#13;
performances of his work ; thus making itself not&#13;
only a luxury to the individual dramatist, but a SIR,--Through a long and varied experience I&#13;
necessity to all dramatists ; while the extra expense have found that the author's agent rather than the&#13;
involved could be met by the percentage charged on author himself ruins the prospects of the minor&#13;
the collection of fees.&#13;
author. The Society of Authors is constantly&#13;
This is only a suggestion, but I think it is worthy dinning into the ears of its members that they&#13;
of consideration.&#13;
should not write under a certain price per 1,000&#13;
Yours truly, A DRAMATIST. words in periodical contributions ; that they should&#13;
not publish their first or subsequent books at their&#13;
own expense, and I think that many authors have&#13;
MINOR (?) Rights.&#13;
wisely, and to their benefit, followed the advice that&#13;
SIR,—The following paragraph from the weekly&#13;
has been given them. But what are they to do&#13;
literary causerie, “ Books and Persons in London&#13;
when the author's agent advises them to sign con-&#13;
and Paris,” by “ Jacob Tonson” in The New Age,&#13;
tracts at ruinons rates ; to sign contracts giving&#13;
may be of interest to some of your readers.&#13;
all their minor rights to the publisher ; to sign&#13;
“ Jacob Tonson," having stated that 5,000 copies&#13;
contracts for the payment of sums towards the&#13;
of the English translation of “Marie Claire ” were&#13;
production of their books, or for the production of&#13;
sold within a week of publication, goes on to&#13;
their books on a deferred royalty which, when it&#13;
describe an interview which he has had with&#13;
does come, is microscopically small ? The author&#13;
Madame Audoux, the author of that work. After&#13;
goes to an agent, being ignorant himself, as to a&#13;
recording the commencement of their conversation,&#13;
person who knows the market; he trusts his wealth&#13;
“ Jacob Topson ” continues :-&#13;
of literature to an agent with greater confidence&#13;
"From work to prices, naturally! It was pleasing to&#13;
than he would entrust his earnings to a stock-&#13;
find that she (Madame Audoux] had a very sane and proper&#13;
broker or his legal business to a solicitor-with&#13;
curiosity as to prices and conditions in England. After I fatal results. The agent in many cases, in order&#13;
had somewhat satisfied this curiosity she showed an equally to save himself trouble, gives advice which is wholly&#13;
sane and proper annoyance at the fact that the English and&#13;
unsatisfactory lest he should be asked to spend&#13;
American rights of 'Marie Claire' had been sold outright&#13;
for a ridiculous sum. She told me the exact sum. It was&#13;
more time and energy in obtaining a sounder&#13;
either £16 or £20-I forget which. If the success of the agreement. This refers not only to the rights&#13;
book in America equals its success in England (and it will placed in England, but also to the rights in America&#13;
probably surpass it), the author's profits under a proper and other countries. In fact, it has almost become&#13;
agreement should be upwards of £800. Who is getting&#13;
these profits I cannot say, but the author is not getting&#13;
impossible to persuade an agent to obtain the&#13;
them.” (New Age, March 2.)&#13;
American rights for his client. The result in the&#13;
It is fair to add that in his next week's causerie&#13;
long run would be much better for the author to&#13;
“ Jacob Tonson” published the following&#13;
pay an agent 15 per cent. to 20 per cent. if he&#13;
could be quite sure that the agent would conscien-&#13;
paragraph :-&#13;
tiously fight through his contracts with publisher&#13;
"Last week, in spcaking of Marie Claire,' I said that&#13;
or editor, but then the question would always be&#13;
the author was not getting the author's share of the profits&#13;
on the very successful sale of Marie Claire,' and that I in dispute whether by increasing the percentage&#13;
did not know who was getting the author's share. Theyou increase the efficiency. As a general rule,&#13;
publishers, Messrs. Chapman and Hall, have satisfied me when an author, or a body of authors, has estab-&#13;
that they are paying quite proper royalties on the circulation&#13;
lished his or their price, it is difficult to beat the&#13;
(ten thousand copies up to date). I am very glad to make&#13;
known this fact. Messrs. Chapman and Hall's contract. Price down again.&#13;
however, is not with the author direct. I need not say&#13;
Yours truly, A LITERARY WATCHER.&#13;
&#13;
&#13;
## p. 210 (#281) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
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Glenfairlie, Avondale Road, Wolverhampton. | MISS M. HOWARD, 147, Strand, W.&#13;
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Another writes-&#13;
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C. HERBERT CÆSAR, Homefield, Woodstock Road, St. Albans, Herts.&#13;
&#13;
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## p. 210 (#282) ############################################&#13;
&#13;
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                    <text>The Elutbor .
( The Organ

VOL .

XXI . - No.

the Incorporated

of

1,

APRIL

7.

of Authors .

Society

Monthly . )

1911 .

[ PRICE SIXPENCE

CONTENTS.
PAGE
153
153
153
154
154
157
158
159
162
163
164
164
165
165
165

Notices
TheSocietys Funds
List of Members...
The PensionFund
CommitteeNotes
Bookspublishedby Members
Bookspublished in America by Members...
Literary, Dramaticand Musical Notes
Paris Notes
...
...
...
...
The Public Domain
Copyright in Fiction and Cinematograph Representations
MagazineContents
.
How to Use the Society
Warnings to the Producers of Books
Warnings to Dramatic Authors
...

'

PAGE
166
166
166
166
166
166
167
168
168
171
175
179
180
181

Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch ...
Remittances
General Notes ...
Committee Election
General Meetings
Thackerayand the Dig
Literature
Style in Literature
About Edwin Drood
Short Reviews ...
Correspondence

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HERBERT THRING and Illustrative Examples
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Authors

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COMMITTEE

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|

.

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GUTHRIE .
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SIR

|

.

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AYLMER MAUDE
ARTHUR RACKHAM .
G , BERNARD SHAW .

SIDNEY WEBB ,

FUND

COMMITTEE .

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HEWLETT .

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COPYRIGHT SUB - COMMITTEE
M , H. SPIELMANN ,
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STANFORD

,

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Hox . JOHN COLLIER .
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ANSTEY

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AUSTIN
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EDMUND GOSSE , LL . D.
SYDNEY GRUNDY ,

in America

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39 OLD QUEEN

ARTHUR RACKHAM
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York

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---

�ADVERTISEMENTS

.

PLAYS
Mr
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Advice upon Plays

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THEORIES

NO
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play

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a

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for reading and giving

charge

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Great Britain and America

Dramatises Books and Short Stories
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and the Adelphi
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Romance of Kent

AND HOW
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GIVEN

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qualified
advise upon play construction and stage craft having gone through
FORBES Dawson
training
the provinces and the dramatic
the hard and varied mill
not upon the London stage only but also
stock companies
the Canadas California
and the United States
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Communications and letters are invited
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LIST

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Communications
for
The Author should
the Offices
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Old
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Gate
and should
reach the Editor not later than the 21st
each
addressed

.

be

.

to

or

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.

of

of

a

if

on

of

paid
which these contributions may
The funds suitable for this purpose
The
Capital Fund
kept
This fund
reserve
necessary for the Society
case
incur heavy
prin
fighting question
expenditure
either
ciple
assisting
obtain copyright reform
dealing
any other matter closely
with
connected with the work
the Society
slowly
The Pension
Fund
This fund
increasing and
hoped will
time cover the
needs
the members
the Society
is

to

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CONTRIBUTIONS

Editor
The Author begs
the Society that although

to

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AND

remind
the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
great many members did not forward
Society
subscription for
the Secretary the modest
the year
THE

FUNDS

ROM time
time members
the Society
desire
make donations
its funds
recognition
work that has been done for
them
The Committee acting
the suggestion
place
one
these members
have decided
this permanent paragraph
The Author
order
that members may be cognisant
those funds

of

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ARTICLES

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SOCIETY

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inform
members
the
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
the
cases that have come before the notice
knowledge
the Secretary
the Society and that
those members
the Society who desire
have
the names
the publishers concerned can obtain
them

Members should apply
the Secretary for advice
special information
desired

or

of

or

the Committee

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in

the opinions expressed
papers that are
signed
initialled the authors alone are
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care
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undesirable
advertisements be inserted they
not accept and
any liability
never have accepted

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advertisers

LONDON

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AUTORIDAD

of

readers
personally

impression
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responsible for the bona fides
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ADDRESS

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:

TELEGRAPHIC

ADVERTISEMENTS

VICTORIA

.

374

PRICE SIXPENCE

1911

:

NUMBER

1ST

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APRIL

BESANT
[

No

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Authors

SIR WALTER

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March meeting
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1911 .

Jan . 2, Northcote , The Rev .
Jan . 2, Mackenzie, Miss J .
Jan . 3 , Church ,
Arthur
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March
March

THE PENSION FUND .

year

Feb

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Feb

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end of the list for the convenience
of those who
desire to add future elections as they are chronicled
from month to month in these pages .

.

.

.

.

154

-

-

�THE AUTHOR .
arrangements could be made by which Consuls or
Commercial Correspondents
could notify to the
Commercial Intelligence Branch for transmission
to the Society of Authors the title of any English
play mentioned in the local newspapers as being in
the course of performance , so as to safeguard
British authors' interests . He reported that the
matter was now being considered by the departments concerned , and he hoped that good might
result .

Following this statement , the committee turned

155

purpose , the secretary was instructed to apply to
the member for the fullest information
as to th
ownership of the copyright , date of publication ,
and other particulars necessary to make the case
clear .
On the receipt of the opinion
the matter
will be reconsidered by the committee .
The solicitor then furnished the committee with
a report of the work he had in hand for the society .
Of ten small County Court cases four had been
settled .
In two others default summonses had been
issued and served .
In one of the remaining
cases

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In

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this case the committee
take the opinion
United States
any could
ascertain what relief
obtained under the United States law
For this

the United

under discussion
expenditure incidental
The question
the
summoning
the Dramatists
Conference was next
considered
the committee who sanctioned pay
ments for the hiring
the hall printing
etc
circulars
The literary agency agreement drafted by the
secretary was laid before the meeting and
was
adjourn discussion
decided
this document
establishing
well
the question
loan fund
the next meeting when
was possible both matters
be

out

rights
one
performance

of of of

the dramatic
cinematograph

of

of

.

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the members

by
a

the infringement

the Board
Trade the view
the important point that was

to

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take the matter further
The next case before the committee arose

be

to

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to

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the committee

to

had pressed
the case
before
had sent the papers
the society
solicitor and the solicitor had expressed the same
opinion
that given
the secretary
the
circumstances the committee decided they could not

the member

communicate

the committee

by
of

a

go ,

but

.

in

,

he

.

no
in

for

could

in

of

to

,

of

of

.

,

a

claim

question

,

it,

,

.

a

of

a

,

to

,

.

,

of

in

by

,

a
to

the conclusion that
against the magazine

the magazine
the author would
bound
prove
the bankruptcy
After the conclusion
the cases the committee
proceeded with the consideration
the ordinary
business
the society
The first matter related
the Copyright Bill and
letter from the president
covering
the Publishers
Association
certain
resolutions
from
that body was laid before the
committee together with correspondence that had
passed between the secretary
the society and the
permanent secretary
the Board
Trade
The
secretary was instructed
write
the president
the
Publishers
Association
and also
of

,

a

to

if

to

—

,

of

to

up
in

had come
established

paid for
that some
the instalments should
full but for the balance owing
the liquidation

of

,

's

to

to

were involved
The solicitor
having made
report
the society
the history
the publishing
concern the committee decided
after some discussion
take steps
throw
the
whole concern into bankruptcy not only for the
benefit
authors already involved
but also
becoming mixed
order
save other writers from
this company
reported
The secretary
case
laid before the
brought charge
society
member
which
against one
the big magazines
He stated that
having investigated and considered the papers he

-

twelve members

that
the end the MS would
found
the
portion
the MS had been returned
last case
and
was hoped that the balance would be
forthcoming
magazine
money due
one claim against
for serial matter supplied
had been arranged

of

a

In

to of

's

in
a

an

to

.

willingly reconsider the matter
bankrupt publisher
the next case
that

decided
lawyer

.
;

of

by

.

.

.

an

investigate
consideration

accountant

After careful

to

In

would

,

to

ill

for

of

is

of

.

-

,

up

to

he

the publisher
the committee
came
the conclusion that the case was hardly
justify such
enough
strong
course
and
they were unable
proceed with
regretted
but stated
that
the author could produce any
further evidence
establish his contention they
pay for

books

to

they were waiting for the affidavit of the member
before issuing the default summons . One claim it
current year up to seventy - two .
There were ten
had been necessary to abandon owing to the author
resignations , bringing the resignations
being too
give evidence and the two remain
the year
rathering claims had been arranged
forty five
the satisfaction
The number
elections
resignations rather below
above and the number
the authors
Three claims had been raised
the
the average
return
MSS one had been abandoned owing
Cases
The
first
case
considered
the
insufficient evidence
another the paper had
alleged error
publisher
gone into bankruptcy and matters were
committee related
state
present
accounts
statement prepared by the member
confusion
that
was impossible
satisfactory answer though
expressed
his desire that the society should
obtain
was hoped

Twenty to the election of members and associates .
five were elected , bringing the elections for the

the

�THE AUTHOR .

156

society had become life members ; that Mr. Arnold
Haultain had made a donation of £1 ls. to the

correct title , and

to

of
in

to

to

, of

,

on

.

of

in

or

to

these cases the negotiations must
long time

,

take

in

to

to

.

a

to

on

,

.

In

,

In

necessarily

.

.

Germany

a

of on

.

to

,

be

be

,

should be laid before the conference for discussion
put forward
and that other subjects should
which resolutions should
moved one subject
particular interest
dramatists being the single
licence for music halls and theatres

Nearly all the cases open from last month have
placed
either been closed
the hands
the
Society
solicitors
two cases the Society was
carry the matters further owing
unable
lack
proper evidence
legal claim
which
base
Three cases that are still open refer two
matters
the United States and one
an action
'
to s

Sub Committee

of

,

Dramatic

-

of

be

a

to

for

,

-

present

the

publisher

in

to

to

of

a

be

.

of

.

a

,

.

of

a

to

It

ment candidates for appointment
the Dramatic
Sub Committee
the current year and that the
report

.

for

is impossible

so

do

to

it

if

how when that title is proved it
to take action if the infringement has
Capital Fund ; and Miss E . M . Ducat a donation
occurred before registration . Holders of literary
of £1 to the same fund , out of money recovered by copyright have, at least , the satisfaction of knowing
the society .
that they may register at any time before action is
coinmenced , and thus far they have a considerable
advantage over their unfortunate
brethren , the
artists .
DRAMATIC SUB- COMMITTEE .
There was one claim for the return of MSS ., and
A SPECIAL meeting of the Dramatic
Sub -Com
this has been successful , and two matters came into
mittee was held on Friday , March 3. After thethe Secretary ' s hands in regard to the duplication
minutes of the previous meeting had been signed ,
of titles .
These matters are very often difficult to
the secretary placed before the members a case
settle , but in the present instances , the Secretary
which had recently come into his hands , with refer
was bound to advise the members that they had not
ence to the infringement of a work of one of the
established any property in their titles by user . In
members by a cinematograph performance in the
most of these cases , if any question arises before the
United States of America .
The sub - committee
book is published or the play performed , it is
referred the matter to the Committee
of Manage
possible to come to some arrangement satisfactory
ment , with a strong recommendation that the Com
to both parties , as the offending party is usually
mittee of Management should give the matter their
an innocent offender and is willing
to fall in with
earnest consideration , first , by ascertaining the exact
the views of a brother author, if such views do
legal rights of the member , and , secondly , by guard
not necessitate a heavy financial loss .
ing those rights by an action for injunction and
There were three demands
accounts
One
damages
was possible
these has terminated satisfactorily and two are still
The next matter under discussion was
proposal
the course of negotiation
There have been two
call conference
the dramatists
disputes
the Society
agreements one
which has had
was decided that
vote should
taken with
transferred
the solicitors and one has been
recommending
view
Manage
the Committee
settled owing
by the
given
the explanation
a

.

Cases

it

.

,

.

,

Glover

Road

's

,

Gun

Plain

, .

,

.

,

.

W

Lauderdale
sions
Writers Club
folk Street
Harrow
the

Man

134

,

10

.C

,

W

Hill

-

-

on

,

Alexander

-

is

Kinloch

Nor

. .

,

.

,

W

'

,

.

,

-

Mrs

,

Bond Street Ealing

,

.

.

,

39
,

Birmingham

Comins Miss Catherine
May Clapham
Hutton Edward
Hynes Hurst

Institute

Midland

, .

,

Rutland

,

,
in

to

17

.

.

,
.
B
.
.
H

,

to

Boughton

,

a

to

is

it

;

Salisbury

Reigate

.

of

to

be

It

.

Blair

,

,

.

at

a

,

. .
.

. .

.
G
.

,

Winterbourne

in

is

,

of

in

is

come before
serious matter which will have
the Committee
their next meeting
One case
copyright the
dealing with the infringement
Secretary was obliged
advise the member could
not
carried forward owing
defect
the
title
dealt with artistic copyright and all those
who know anything about Copyright Law know
hopelessly unsatisfactory artistic copyright
how
prove
for the artist
how
almost impossible

Broomfield
Sheffield
The Manor House
ner

.

of

,

, of

.

.

one has been settled and one
still
the course
negotiation
Of five for money only two have
been satisfactorily settled and the remaining three
negotiation
are
the course
One however

Arnold Mrs
Ayscough
John

0

,

March Elections

to

in

of

DURING the past month sixteen cases have been
the hands
the Secretary when
has been
necessary for him
intervene between the author
The cases have been
and the opposite party
Of two for accounts and money
various kinds

�THE AUTHOR .

, Gordon Terrace ,
Wightman Road ,
,

25 ,

Chenies
Chambers ,

'

U .S .A .

327 pp . Melrose . 68.
TREVOR LORDSHIP . By Mrs . HUBERT BARCLAY . 78 X 53 .
389 pp . Macmillan . 68.

: .

,

68
.

.

6d

.38

.

(

.

By
ROAD
Second Edition

Mason

.pp
.

x
5

.

.

By

.

.

.

.

. 7
.n58 5X
. ..

,

. W

:

.

:

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.

51
.

,

71
X

.

.

.

. .

.

&amp;

.

87
X

.

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by

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THE
BROKEN
Impression
Smith Elder

..

of

A

.

.”

.
.6d
n
.

.

OF

REFERENCE

OF

BOOKS

THE GREEN BOOK
February 1911
LONDON SOCIETY
Edited
DOUGLAS SLADEN and
WIGMORE
524
Whittaker
CONCISEETYMOLOGICAL
DICTIONARY OF THE ENGLISH
By the Reverend WALTER
LANGUAGE
SKEAT
Litt
etc New and Corrected Impression
664
Oxford Clarendon Press London Frowde

Seventh
352

.pp

of

.

9
x

.

6d
.
n
.

of

.

.pp

By LAURENCE NORTH . Martin .
Secker . 68.
By Mulvy OUSELEY .
THE JEWESS .
John
Ouseley
THE LORD
By HARPER CURTIS
DOLLAR
319
Blackwoods
Sons
By Mrs BELLOC LOWNDES
JANE OGLANDER
268 pp
Heinemann
THE INTELLECTUALS
AN EXPERIMENT
IRISH CLUB
LIFE
CANON SHEEHAN
386 pp
Longmans

.pp

.

.

.

.pp

in

:

IN

"

J

.of .

ls

IMPATIENT GRISELDA .

73

in

it

to

,

of

,

,

,

,

BIOGRAPHY

Being Reminiscences
CASTLE AND COURT HOUSE
Thirty Years
By RAMSAY COLLES
Ireland
53
320
Werner Laurie
128.
TIMOTHE BRICH
DOCTOR OF PHISICKE
Memoir
By WILLIAM
The Father
Modern
Shorthand
CARLTON
With Photographs and Facsimiles
205
Elliot Stock
108

306

to

to

is

,
it

ofIn

.

It

in .

of

Co
-

is

by

of

in

to to ,

as

as

is

WHILE every effort
keep
made
the compilers
this list
accurate and exhaustive
possible they have
attaining this object owing
somedifficulty
the fact
that many
the books mentioned are not sent
the cffice
consequence
the members
necessary
rely
largely upon lists
books which appear
literary and
hoped however
other papers
that members will
operate
the compiling
this list and by sending
particulars
their works help
substantially
make
accurate

THE LONELY ROAD . By A . E . JACOMB . 73
x 5. 307 pp .
Melrose . 6s.
A REAPER OF THE WHIRLWIND . By
VIOLET TWEEDALE .
74 x 5. 480 pp .
John Long . 6.
CANTACUTE
TOWERS . By CECIL ADAIR . 78 X 5. 315 pp .
Stanley Paul . 68.
THE KESTREL . By REGINALD
E . SALWEY .
73 x 5.
288 pp . Digby Long . 6s.
THE SECRET OF THE DRAGON . By MARY L . PENDERED .
7 x 5. 347 pp . Harpers. 6s .
THE STRANGER FROM IONIA . By W . P. KELLY. 78 X 5 .
426 pp . Routledge . 6s .
A WILDERNESS OF MONKEYS .
By FREDERICK NIVEN .
78 x 5 . 283 pp . Martin Secker . 6s .
By E. PHILLIPS OPPENHEIM .
THE FALLING
STAR .
78 x 5 . 366 pp . Hodder &amp; Stoughton . 68.
VICTIMISED . By C. E . BASEVI . 78 x 5. 320 pp . John
Long . 6s.
THE GREEN CURVE AND OTHER STORIES . By OLE LUK
OIE . Cheap edition . 7
X 5. 318 pp .
Blackwood .

.

by

PUBLISHED BY MEMBERS .

BOOKS

By MAUDE ANNESLEY .
SHADOW SHAPES .
73 x
.
312 pp . Methuen . 68.
OIL OF SPIKENARD . By E . M . SMITH -DAMPIER . 78 X 5.

.

.

52
.

Whiting , Miss Lilian

,

Langham
Street ,
Portland Place , W .
The Brunswick , Boston ,

22

.

.

.

. .

.

84
X IN

, Albert ,

Street .

van der

M D

Wilson

, France .

,
Club
Club , Dover

Bath
Bath

FICTION

MOTHERS AND FATHERS . By MRS . MAXWELL
ARMFIELD
(CONSTANCE SMEDLEY ).
7.1 X 43. Chatto &amp; Windus .
68.
Por AU FEU . By MARMADUKE PICKTHALL . 73 x 5 .
374 pp . Murray . 6s .
THE STORY OF CECILIA . By KATHERINE
TYNAN . 73 x 5 .
304 pp . Smith , Elder . 6s.
KNIGHT CHECKS QUEEN . By Mrs. L . LOCKHART LANG .
74 x 5. 325 pp . Alston Rivers, 68.
JUST TO GET MARRIED . By CICELY HAMILTON . 8 x 5.
309 pp . Chapman &amp; Hall . 6s .
THE PATRICIAN . By JOHN GALSWORTHY . 71 x 5 . 339 pp .
Heinemann . 68.

5

Veer , Miss Lenore

Street

Blooms

Bastia , Corsica

..

.

Francis

,

bury .
Langford Place , Lang
ford , Bristol .

.

Southwell , Miss Edith H .
Toye ,

Park

S. E .

X

.

Street , S . W .
72 , Lewisham

Victoria

.

Somers, John

Palace

Gardens ,

Charlotte

Miss

Fell

35 Westminster

W

.

N.

.

.

,

Hornsey

Minster Court , York .

71

.
.

THE ADVENTURE : A Romantic
Variation on a Homeric
Theme . By HENRY BRYAN BINNS . 7} x 51 .
104 pp .
Firfield . 28. 6d . n .
MUSIC - DRAMA OF THE FUTURE : UTHER AND IGRAINE
By R. BOUGHTON and R. R.
CHORAL DRAMA.
BUCK
LEY . 8.1 x 51 . 93 pp . Reeves . 28, n .

D
.
D

.
.

DRAMA .

1

E

.

.

Smith ,

Street ,

.)

, E . A.

heath , S. E .
Wimpole
W.

.

Max

Noble , T . Tertius
Nye , Reginald R .

Seaforth

96 .

6s
. .

,

.

.

68
.

Montesole

.

CLASSICAL .
BEOWULF
AND THE FINNSBURG
FRAGMENT. A Trans
lation into Modern English Prose . By John R .
CLARK
HALL . Second Edition , Revised and Enlarged . 8 x 5 .
287 pp . Swan Sonnenschien &amp; Co . 78. 6d . n .

.

Matthay , Tobias

, West

minster , S . W .
59 , Lee Road , Black -

6
,

Malim , Miss M . C .

Barton Street

157

.
A
.

. 9,

.
n
.

Lowndes , F .S .A . .

�THE AUTHOR .

158

. Nelson .
VIXEN . By M . E . BRADDON . 73 X 41 . 565
7d . n .
Popular Edition .)
POTIPHAR 'S WIFE . By L . PARKES . (
77 X 44 . 303 pp . Milne . 18. n.
By ROBERT HICHENS .
THE DWELLER ON THE THRESHOLD .
71 x 5. 313 pp . Methuen . 68.
By REGINALD TURNER . 71 x 5.
KING PHILIP THE GAY .
349 pp . Greening . 68.
,
RIDEOUT , QUAKER . By UNA L . SILBERRAD
SAMPSON
pp

71 x 5. 411 pp . Nelson . 28. n.
By X . MARCEL BOULE
THE SWING OF THE PENDULUM .
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STiN and FRANCIS TOYE . 78 X 5. 320
NEXT - OF -Kin . By M. BETHAM - EDWARDS . 6 X 4 .
316 pp. Collins. 31d . n .
Palmer .
A BED OF ROSES . By W . L . GEORGE . Frank
68.

.

.

. .

SCIENCE .

of Experiments
THE ORIGIN OF LIFE : Being an Account
in Hermetically
with certain Superheated Saline Solutions ,
, .R.S.
Sealed Vessels . * By H . CHARLTON BASTIAN M . D. F
Containing numerous
pp
Plates.
ten
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Johnson ' s Court , Fleet Street . 38. 6d. n .
SOCIOLOGY .

. By B. L . HUT
A HISTORY OF FACTORY LEGISLATION
by SIDNEY
CHINS and A . S. HARRISON . With a Preface
King . 68. n .
WEBB . 83 x 53 . 304 pp . P . S.
.

.

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.pp

54 n
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X 6d G

. .

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B
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.pp.

.

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.

:

. ;

pp

.

.

.

$
3
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. 50
n By
By. F
:
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Co

John

&amp;

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:

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By

12
pp

FULLER
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J.

,

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OF
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A

OF

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4
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in

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3

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OF

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by

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DRAMATIC

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n

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1
n

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A

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W.

.pp

OF

'S :

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B

Play
HENRY BRYAN BIxxs
THE ADVENTURE
Huebsch
New York
DILEMMA GETTING MARRIED and THE
THE DOCTOR
BERNARD
BLANCO POSNET
SHOWING UP
Brentanos
New York
443
SHAW

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57
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7 48
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X
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60
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THE GROWTH

McClurg

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.

OF
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.

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58
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Lane

Longmans

JOHN

Illustrations
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With
BRAHMS
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POETRY
Demotic
From
NEFREKEPTA
THE STORY
Put into verse by GILBERT MURRAY
Frowde
London
Clarendon Press
Oxford
By
CONAN DOYLE
SONGS OF THE ROAD
Smith Elder
137 pp
MAURICE BARING
THE COLLECTED POEMS
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THE FATE OF HENRY
New
349
DELLE BURTON
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Being the Adventures and
CAMERA
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THE WORKS
CHESTERTON

CRITICISMS

APPRECIATIONS AND
CHARLES DICKENS
THE
Critics

REPRINT.

Country House
THE SENTIMENT OF THE SWORD : A
By the late CAPTAIN SIR RICHARD F.
Dialogue .
by A . F . SIEVEKING , F .S.A.
BURTON . Edited with notes

TRAVEL

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POLITICAL

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Sons

PRINCIPLES
FREDERICK
Stevens

OF

.

LAW

96 pp.

78 X 5.

.

RICHARDSON

AND PROBLEMS
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IN THE NEAR EAST.
108. 60 , n.
54 . 328 pp . Fisher Unwin .

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Edited by
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With

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GARDENING .
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�THE AUTHOR .

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By

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edition of his “ Etymological
Dictionary
of the English Language, ”
published at the price of 58 . nett with thick paper ,
6s . nett with thin paper , by the Oxford University
Press .
The dictionary was originally published in
1882 , and after passing through several editions,
appeared
in 1901 so largely rearranged
and re
practically
book .
a new
as to become
written
The present edition is a revision of the edition of
1901.
There is no need to recommend this book to the
English student and the British public .
The Rev .
Prof . Skeat 's position as an English scholar is so

W

E

V

must

congratulate

on the fresh

well known and his work has become so well estab
lished that the public is sure to welcome this fresh

Of the two different publications the edition
with thin paper is perhaps the more satisfactory ;
it is easily handled , lighter , and does not lack dis
tinctness or careful production .
“ Oil of Spike nard ,' a romance by E . N . Smith
Dampier , was published
Mr. Andrew Melrose .

at the end of February

by

“ Old Chinese Porcelain
and Works of Art in
China ,” by A . W . Bahr , contains illustrations and
brief descriptions of pottery , Porcelain , jade and
other artıc 'es selected from the first Art Exhibition
held in China , viz . , at Shanghai in 1908 .
There
are 12 coloured plates from the pictures by the
Chinese artist , Wong Chun Hai , and more than
100 black -and -white illustrations. Messrs . Cassell
&amp; Co . are the publishers .
“ The Great Betrayal ,” by Harold Wintle , is a

novel that deals with the efforts of

a foreign

power

to obtain British State secrets with the connivance
of the Foreign Secretary . Messrs. John Ouseley ,
Limited , are the publishers .
The new edition of Dr. Clark Hall 's “ Beowulf ”
contains , besides a revised translation , a great deal
of matter intended to form a sort of introduction
to the study of the poem , and an interesting and

exhaustive index of the things mentioned
in it ,
with numerous illustrations . It is hoped that this
illustrated index will be useful to archæologists as
well as to students of Beowulf . As an experiment ,
a metrical rendering
of the Finnsburg Fragment
has been inserted , as well as the prose translation .

Messrs . Swan Sonnenschien &amp; Co . are the publishers .
In “ A Small Collection of Japanese Lacquer , "
Mr. James Orage gives a brief account of the
history and manufacture of lacquer and of the
various kinds of lacquer work , followed by a detailed
description
of the articles , which are of varied

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for the promotion
travel has
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article from the pen
the Director
the Prague Art Museums Imperial
upon
Councillor Franz Borovsky
the numerous

The first number

journal
Vestnik
just appeared

Mr Birrell would take the chair
the dinner
May
Thursday
Lord Tennyson was
president
elected
the society and Sir Alfred
Bateman was elected treasurer
the retirement
Mr Edward Dicey who had held that post since
1888 Those present included Sir Edward Brabrook
Mr Percy
Thornton
Mr Richard Bentley
Mr Sidney Lee Mr Maurice Hewlett Mr Edmund
Gosse Mr Anthony Hope Hawkins and Mr
Spielmann
Miss
Everest has just published her fourth
song
The Love
the Night for the Day
dedicated
Her Highness the Princess Pretiva
Cooch Behar
had from the publishers
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book form
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September 1911
The Polar Star
the title
new novel
Lady Helen Forbes which Messrs Duckworth
have just published

,

else .

authors whose literary work was valuable though
appeal and
limited
these writers exist
ence
the proceeds
their works was impossible
The report showed that the income
the fund
the year amounted
088 and that £2 770 was
grants
forty one applicants
voted
Since the
society
foundation
1790
the total sum dis
grants was £160 757
tributed
Professor
Ker seconded the adoption
the report which was
carried
The chairman announced that the King
had consented
become patron
the society and

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the autumn
serial
The Emotions
Martha
Mrs
Maxwell Armfield has been running
The Girls
Messrs

Liverpool

Lundy
North Devon and the Island
The annual general meeting
the Royal Literary
Fund was held
March
Sir Alfred Bateman
submitting the report mentioned that among the
Fund cases was one
author whose name was
not unknown who was receiving only £10
Every month they had cases
novel from his pen

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which
give the complete biography
she has endeavoured
each separately before their marriage and his
again after death
from
some new material gained
friendship
from
Miss Whiting
with their son
Mr Barrett Browning
The book comes from

,

Manchester

in

where , was published in the Scottish Geographical
Magazine for February
Mrs Vassel responsible also for the articles
Paris which have been appearing
the Evening
Standard
since June last and now bear her signa
Burlington
ture
On January
she lectured
House
Annam for the Royal Geographical
Society
Mr George Hansby Russell new novel will
April
published
early
Mr John Murray
May
The title will
Ivor
and the story

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Court House
There
besides the political
interest
the book much literary interest
con
nection with the Young Ireland literary movement
and the work
the Dublin University dons
Mr Andrew Melrose announces the publication
Jacomb new novel
The Lonely Road
Miss Lilian Whiting has just completed
book

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and denls with
social interest not touched
his previous
England
volume contrasting present day life
century ago
with that
Mr
Werner Laurie has just published Mr
thirty
Ramsay Colles volume
reminiscences
years
Ireland under the title
Castle and
work

in the summer .
An article by the same
writer, entitled “ An Elephant Hunt ” appeared in
the February issue of The Badminton Magazine,
while Mrs. Vassel ' s lecture on the Philippines
form

is

and include over 60 inros (medicine boxes ) .
by Messrs . Y . Imaizumi ,
examined
S . Fujiya , assistant director of the
Department
of Fine Arts, Imperial Museum ,
Tokyo .
A limited
edition of the book has been
printed , and the publishers are The Times Book
Club of 376 - 384 Oxford Street , W .
Mr. J . C . Wright is shortly to publish through
Changes
Mr. Robert Scott ,
new book
Century
This
continuation
his previous

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Mr James Welch and
Mr Leslie Carter are
the caste
comedy
The Caravanners
one act
Beatrice Heron Maxwell was produced
for the
Hastings
first time
the Gaiety
Theatre

woman
life torn
shreds
the mere
story
for existence
shattered ideals
triumpbs
and sorry
The title of the novel
application
path
ironical
the heroine
difficulty and
beset
with every kind
published by Mr Frank
danger
The book
Palmer
Count Plunkett
author
has been nominated
Royal Irish Academy

Mr

play
Mr Anthony Hope
The Prisoner
Zenda
was revived
the Lyceum
Theatre
March
where
was played by
caste which
included Mr Henry Ainley Miss Ethel Warwick
and Mr Fred Morgan
one act play
William
Gilbert called
The Hooligan
was produced
the Coliseum
February
the end
Its theme
the agony
condemned murderer who with apparently but
to

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which won
£200
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Daily News competition
and was after
wards published
book form
America
be
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brought out
eight different
Cassell
has run serially
English newspapers
George
Bed
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read
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May
International Press Congress
Rome
journalists
the facilities given
the English
Houses
Parliament
His novel
John Westa
cott
has just been issued
the popular two
shilling series
Privilege
Love
the mystery story
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At the annual meeting of the Bristol District of
the Institute of Journalists held in Bristol on the
10th
Mr James Baker
the special
correspondent and honorary secretary
the British
International Association
Journalists
was

“

3s. 6d . each

a

Granville Bantock , Hubert Bath , William Wallace ,
Young, and many
R . Vaughan Williams , Dalhousie
others .
Tickets are procurable from the honorary
secretary of the club by members at 2s . 6d . each
( five tickets half -a - guinea ) and by non -members at

play

published

was

last month
simultaneously
London and New York
the
former city
Mr
Fifield and
the latter
Mr
Buesch
described
romantic variation
Homeric theme
While
the episode which suggested the play
told
the
Odyssey
belongs
the folk lore
all times
symbolical rather than classical
and races
and
such Mr Binns has treated
with some
thing
the breadth and freedom
demanded
prospect
motive
There
the play being
seen
the London stage
Rococo
one act farce
Mr Granville
Barker which was produced
the Court Theatre
last month
quarrel
The piece relates
middle class home respecting the ownership
rococo vase
The caste included Mr Norman
Montagu Love and
Page Miss Kate Bishop
Miss Agnes Thomas
The same occasion witnessed
peasant
play
the revival
Mr John Masefield
life
The Tragedy
Nan
was interpreted
company
which
included
Miss Lillah

,

The committee of the Imperial Club , Hove ,
Miss
hare arranged with Miss A . E . Keeton
Keeton and
and Miss
Grainger Kerr to give one of their studies of
modern British song , at the club ' s premises , 2 and
Saturday afternoon ,
4 First Avenue, Hove , on
April 8. at 3. 15 .
The illustrations
include
works by the following composers : Ernest Austin ,

DRAMATIC
The Adventure
Bryan Binns which

by

announces for publication
a
(author of “ A Wife
from
the
Forbidden
Land " ) entitled “ Dick
Comerford 's Wager .”
The scene of the story is
laid in the country amidst the hunting gentry of a
hundred years ago .
A . P . Crouch

A

Scott

novel by

at

Mr. Robert

new

Messrs . Constable &amp; Co . , à volume called
of Britain : Scenes from
Shepherd
Life Past and Present ," from the best authorities ,
by Adelaide L . J. Gosset . There are to be sixty
illustrations from drawings and photographs .
through

“ Shepherds

“

edition of Tom Gallon 's popular novel, “ The
Great Gay Road , " a dramatised version of which
produced
touring
has been
and is now
the
provinces .

161

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the Triple
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Russia
France
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Louis Bertrand pub
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Gustave Flaubert
excel
lent series
articles has been organised
this
Revue
the various French ministries
Jules
Méline writes the first one
the Ministry
Agriculture
The second article was written
Foreign Affairs
René Millet
the Ministry
The third
the Colonial Ministry was
Demartial
These articles give the public
excellent
idea
the working
the various

d

to

of

d

of

us

.

of

“

attractive psychological study
Egypte
Visions
Dr
Le Dentu
impressions
another volume
traveller who
descriptions
gives
the landscape ruins life
day together with some notions
the
past history
the legends myths religion
and
art
the Egyptians
The volume
written
conscientious
critic and
illustrated
with about

medals

Academy

XIII

for June

M

This

Roty

has awarded one
the
francs for the
history
most eloquent piece
French
Brédier professor
the College
France for
Légendes épiques
work
and another
one
thousand francs
Louis Battifol for his work
vingt ans
Roi Louis
The reception
arranged
General Langlois
the Academy

M “

is

,

novel

a

.

as M

by

,

"

de
as

Emile Collas

the first Duc and Duchesse
Orléans
takes
back
the beginning
the fifteenth
century
The story
Valentine
Milan
one
the most fascinating
French history
La Plus Forte
Alain
Valvert
extremely modern novel
We see the young girl
who
medical student imagines her indepen
dence
dearer
her than
else
the world
She witnesses the results
the vaunted indepen
dence
some
her women friends
The whole
book

Sorbonne
The French

Gobert Prizes

' .

history

Milan

interesting

of

to

.

in

is

is

,

.

a

“

Valentine
biography

of

.

a

In

,

.

to

,

of

as

as

as

book

of

,

the series

Luxembourg Museum and the interesting series
peasants
Mme Merignac
the types
the
various provinces
France ordered from her
the Mint
the Museum
the Monnaie
At the Sorbonne this winter two American
professors are giving
series
lectures one
which consists
four lectures
Chaucer Malory
Spenser and Shakespeare
When will there be
English lecturer
English
literature
the
,

"

,

by

Revanche

Madame Juliette Adam
describes many
political events from 1877
1880
life
active
that
Madame Adam surrounded
she has always been by the men who have made
history there
naturally
very much
that
intensely interesting
this volume
The letters
which she publishes add greatly
the value
the

's

to

”,

of to

.

l'

Abandon

la

de

PRÈS

To

Roty works
the best known
those visitors
study the metallic history
Paris who wish
the nation
we would recommend among other
collections

PARIS NOTES

of

,

our

byà

a

by

.

has ruined

ago , in reply to a letter bearing the new French
stamp with Roty ' s incomparable
design of La
Semeuse
(the simple figure of a woman scattering
seed
as she passes along with
the rising sun
beyond her ), I received an eloquent letter ending
with the words : “ How is it that they do these

de

he

the girl whom

an

of

at

in

ult
.
of

sister

The death
of Roty , the celebrated
French
medallist , will be regretted by the whole French
nation .
As M . Roger -Milés very aptly says :
“ The metallic history of a nation
bears the exact
reflection of the psychology of that nation .” From
part of Africa , some years
an almost uninhabited

of

Maugham ' s new
comedy
Somerset
and Fishes ” was produced at the Duke
of York 's Theatre on February 24 . The chief
character is a Canon of the Church , and the action
of the piece centres round the various schemes of
this very worldly church dignitary for his social
advancement .
The play was interpreted by a caste
which included Mr. Robert Loraine , Mr. Athol
Stewart , Miss Florence Haydon , and Miss Mary
Barton .
A copyright performance
of Mr . Spencer
T.
James ' piece in one act, “ The Death - Trap , "
took place at the Alexandra Hall , Leeds , on the
18th
The story concerns the trapping
midnight
army officer
London flat
the
W.

M

Mr.

“ Loaves

.
.
."

162

�THE AUTHOR .
to

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in ),

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pr

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a

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at

..

probably meant although

,

Date
first publication
the writer does not specify

is

I

.

's

be

-

,

.

,

of

of

a

;

.

a

is

at

compel
The common sense remedy would
print
publishers
each volume the date
publication
and
decide that during
number
years
say sixty years
determined
the
property
literary work shall
vested
the
author
his representatives
After sixty years
perty
the work should become public
this
way there would no longer
any uncertainty On
opening
book we should know immediately what
was its position with regard
the public
quitable
would
once simple and
two
very good reasons against its adoption
a

to is

-

a

ity

;

he

of .

is

is

a

recall the incident the most that comes into my
vague sound which formulates itself into
mind
is
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have

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a

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to

oblivion

I

once conceived the idea
reveal
writer who had fallen into
the public
forgotten the writer
name
When

this neglected

property for fifty years only
whereas another
the mere fact
the author living fifty years after
publication
will remain private property
century
anomaly which nothing can
This
justify

of

of

a

's

be

In

of to

a

friend

all
-

's

so
—

in

of
.

;

of

in

In

,

.

and not
the death
author
its author
the event
One literary work
dying the day after publication
remains private

It

12

,

of

,

,

St
.

,

.”

in

a

to

friend
through

to

U

publisher
mine
was
some second hand books
shop
suburban brooker
and
disappoint the dealer who was very attentive
not
he purchased
few volumes at random
nothing remarkable
this there
what
more remarkable
that
had the curio
literary
read these
derelicts
And
still more
remarkable thing
that one
these books seemed
very valuable work
him
The discovery
masterpiece
always
publisher
treat for

my

an

,

's

,
a

a

thought

was compelled much against his will
abandon his project
and
the same time the
public was also deprived
interesting literary
exhumation
This demonstrates
that the laws governing
public property
the field
literature are
defective
what way are they defective
literary copy
this respect that the termination
right ought only
based upon the age
work

.

DOMAIN

an

92

“

.

,

[

in

, Le

day
looking

be

to

to

.

:

,

—

My friend

.

”
(

Ber

Translated from
article signed Fred Isly appearing
Pèle Véle
rue
Lazare
Paris
March
1911 headed
Domaine Public

NE

on

;

on

,

,

,

?

was not

to

.

)

médicosociale

).

PUBLIC

THE

ing

us

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a

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no

A

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(

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et (
la

d

).

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'l

La

Le

Lemerre

"
(

Abandon
Revanche
Valentine
Milan
Plon
Plus Forte
Perrin
Egypte
Visions
Perrin
Milieu médical
Question
nard Grasset

?

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in

be

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de
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la
(

Après

Paris

.

de

Vaugirard

to

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As

in us

if

Rue

since

be

,

'

.

of

.

HALLARD

ALYS

ascertained whether fifty years
the day when Savourot had
this life
Without consulting the death
every parish
France and the colonies

elapsed

had

departed
registers

country

any other

How was

it

he
is ”

d

-

,

d

.

M

du

,

-

M

Sous Secrétaire
Etat
Estournelles
Constant
Chef
Service des Théâtres have both joined
English delegate
the Shakespeare Committee
this French Shakespeare League
should
particulars
any readers could give
glad
England
existing Shakespearean Societies
and

of

Beaux Arts

' ,

is

.”

of ,

's

's ,

-

“

,

“

at to
a

A

.

Dujardin Beaumetz

that direction
important
And yet there was one question
one that arose had Savourot work become public
property
Certainly
the typographical appear
style furnished
ance
the book and the author
some indications but respectable publisher cannot
content himself with uncertain information
The
literary property
courts protect and rightly
Now we know that
work does not become public
property until fifty years after the author
death
of

of

de

.

M

Camille
Sainte Croix
founder
the
Théâtre Shakespeare gave
Love Labour Lost
crowded house for two performances and
present rehearsing
The Merchant
Venice
Shakespeare League
now being formed and

and

call him

the
leaf but
was that
unknown book
light and die during
seller
whom dozens come
the year
There was nothing
found out

,

,
"

,

.

is

“

M

in .

.

being played

aux

an

to

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is by

-

a

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At

the Varietés
Les Midinettes
four acts by
Louis Artus
still

being given
comedy

a

et

de

“

. At

all

be

Maeterlinck 's play is
that could
desired
Papa
the Gymnase
three act play
MM Robert
Flers
Armand de Caillavet

60
,

Let

Savourot

The question for the publisher was
resuscitate
Yes but
fact was Savourot dead
There was
date
the book which would help
approximate idea
form
the point and the
encyclopædias eagerly consulted were mute
the
subject
publisher
name certainly figured on

Savourot

to

" L Oiseau
bleu " at the Théâtre Réjane is
the great sensation
at present .
It certainly is
admirably
staged
and , with Georgette Leblanc ,

" " " " "

name

some such

Savourot

.

of the Comédie

,

'

the programme

from

.

Française

as

moi ”

" Après

163

�COPYRIGHT IN FICTION AND CINEMATO
GRAPH REPRESENTATIONS

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MAGAZINE

CONTENTS

.

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a

an

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film

“

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of

,

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a

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in
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the title
Bossu
At the same time
ordered
that the bills exposed
the entrances
cinemato
graph halls should
all cases exhibit the names
the authors
represented
the scenes
and
pay costs
condemned the
Société Pathé

.

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FORTNIGHTLY

By Ford Madox Hueffer
By Filson Young
Composer
The Musician
By Francis Gribble
the Fifties
The Theâtre Français
By
Björnstjerne Björnson
Robert Machray
.

.

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as

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It
be

is

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Frank Harris

.

SCALE FOR ADVERTISEMENTS

PER

CENT

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20

OF

TO

THE SOCIETY

300

.. .. ..
. . .
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7 1510
60
for

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to

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be

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aa

of
20

Co
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All letters respecting Advertisements should
BELMONT
Paternoster Square London
&amp;

-

MEMBERS

Front Page
Other Pages
Page
Half
Page
Quarter of
Page
Eighth of
per inch
Single Column Advertisements
por cont.
per cent. made for Series Sixand
Reduction
Twelve Insertions.
of
a

of

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to

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ALLOWANCE

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The Romance

Christina Rossetti

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Mary

Dame Eleanor and Lady Macbeth
Montmorency

ENGLISH REVIEW
Renan

true

when
chooses
name
word
But the celebrity
property which
the word constitutes
attained
respected
ought
Edmond Rostand
As you ask what are my views regarding
wrote
literary works
property
the title
may
opinion that
title howsoever commonplace
has
the author when
becomes the property
stranger
such
success that
been consecrated
his
by adopting
reckons upon doing
profit
personal advantage and hopes
the con

Dewhurst
the late

:

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"

of

Literary Supplement

an

of

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to

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Ben
Suddard

no

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CONTEMPORARY

Impressionism
By Wynford
Shakespeare
Jonson
and

What

Clarette wrote
assert that any word
would
Le Cid

very
would
commonplace
becomes
commonplace
and
Le Misanthrope
author cannot annex the dictionary
that

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DIVIS au

Bossu
question
whether
arose
now
The
original
regarded
Hunchback
was
doubt
authors had
The great majority
title
given
The
about the answer which should
Paul Feval case produced
counsel conducting
the
letters from leading literary men
number

day addressed

Book MONTHLY
Burns

"
M

“

de

a

“

.

's

M

nection with
Paul Feval celebrated novel
previous action against
La Société Gaumont
Lagadère
Paul
respecting the title
Le Fils

Feval had obtained
sentence that there was
commonplace title which
distinction between
might
freely used and
VIVIC
title VI some originality
which was entitled
the protection
the law

By
F

.

”

,

to

.

“

- a ”

.

,

,

BOOKMAN

Bettany
Bennett
An Appreciation
By Professor John Adams
Psychologist
Mark Twain
great American Journalist
Note
the Centenary
John Adcock
Horace Geeley
Arnold

.

M

à

in

'

by

“

In

.

's

Leon Gandillot
title
cease
particular value

opinions was
consensus
however
convince the court
The sentence
play which
decreed that the success
norel
was really the point under discussion
has
influence
the commonplace nature
title and
rejected the demand
Paul Féval fils respecting
Such
insufficient

.

of

,

In

a

by

to of

in

1

M

than 200 francs
The court however reaffirmed
the decision that the reproduction
work for
infringement
the cinematograph constitutes
author rights and condemned the defendants
pay
Madame Hémon one thousand francs
damages
Société Pathé
the second case the same
The
Paul Feval fils
was proceeded against
question was
work
novel entitled
Bossu
The Société Pathé had given
this title
had no con
cinematograph film which however

similar opinions

expressed

declared
Success causes
commonplace and gives

courts and present some features
interest
the first case Madame Hémon
who holds
rights
Prosper Mérimée brought
works
action against
La Société des anciens établissements
Pathé Frères
for having published
and offered
catalogue under the title
for sale
Châti
cinematograph
reproducing
ment
Corse
the striking episodes
the well known story
Matteo Falcone
The
Société Patbé
admitted
the fact and
pleaded
that the damage did not amount
more

“

be

named
his work ·
certainly intending
profit
would
reputation that has been already made
Marcel Prévost
Francis
Croisset
Madame
Alfonse Daudet and Madame Claude Farrère

cases
which the copyright
well
known French novels was alleged
have
represen
been infringed by cinematograph
tations have recently come before the French

to an

Anyone who

.

fusion

Misérables

.

WO

Les

THE AUTHOR .

164

�THE AUTHOR .

be managed by
the Secretary

of

.

of a

obtained
But the transaction should
competent agent
with the advice
Society
the

THE SOCIETY .

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TO

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or

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EVER

or

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DRAMATIC

AUTHORS

.

a

so

per

transfer

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established

proper

price

can

be

a

,
if

sometimes satisfactory

it
to

or

of

an

in

of to
a
be

is

of

contract

for plays
.

the performing right
This
An author who enters into
on

by
a in

should stipulate
the contract
the piece
certain date
publication
his name
the

of

a

play bills

dramatic

of

unsatisfactory

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contract
for production
and for proper

.

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:

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is

Sale outright

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it

Selling

This

is

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in

observed
dealing
methods

There are three forms
more acts

three

-

.

3
an

be

a

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n

are
few standing rules
agreement
There are four
with literary property

to

TTERE

It

manager

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THE PRODUCERS
BOOKS

in

OF

(a
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WARNINGS

.

TO

.

2

.

N

of an

£1

is

to

the Society
life membership

for

.

.

or

.

,

£10 10s

Always avoid

WARNINGS

.

;

(3
.)

to

. to

8
.

do

subscription

9

The
annum

is

of

( (2 (
3
1
). .) .)

The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld

TO

.

of

.

of

on

it

prevent authors from
Some agents endeavour
referring matters
the Secretary of the Society
some publishers
Members
can make their own
deductions and act accordingly

means

. of
a

.

to

be

7
.

This
The

(1
.)

to

.

Many agents neglect
stamp agreements
must
done within fourteen days
first execution
Secretary will undertake
behalf
members

(2
.)

to

to

to

.

of

a

of be

,

by

All other forms agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the
Secreta
the Secretary of the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
to

.

No

.

6

literary
contract should
entered into with
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not
consideration the contracts with publishers submitted
literary agents and are recommended
them
submit
them for interpretation
and explanation
the Secretary
the Society
of

General

To

the

A

.
of
, as

:

a

(3
)

obtained

in

's

be

to

. .

To

(2
)

.

of

can

System

Agreement
Commission
The main points are
production
careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

a

be

,

of

.

in

To

of

to

,

. '

in

.

5

work

The Royalty

perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible for
approximately the
author
ascertain
truth
From time
time very important figures connected
with royalties are published
The Author

IY
.

in

The Committee
have arranged for the reception
members agreements and their preservation
fire
proof safe
regarded
The agreements will
course
only
by
Secretary
confidential documents
be read
the
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu
lars
the Society
Prospectus

A

II
.

(1
.) In

(2
.)

.

III

Be

.

to

,

if

to

,

,

,

of to of in

belonging

,

of

4
.

.

of

.

do

,

always

Remember
that
the Society
you are fighting the battles
you
other writers even
reaping
yourself
are
no direct benefit
and that you are
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer

(1
)

doctor

,

to

send

give
Not
serial
translation rights
any publisher
Not
bind yourself for future work
As well bind yourself for the future
any one solicitor
!

,

's

's

on

by

.

.

document

any agreement whatever
for examination

the Society

in

,

if

,

.

,

'

of

.

the3

signing

Before

(3
.)

if

to is

.

of

;

is
a

.

,

to

,

2
.

Remember that questions connected with copyright
and publishers agreements do not fall within the experi
ordinary solicitors
use
not scruple
Therefore
ence
the Society

Profit Sharing Agreement
bad form
agreement
following
this case the
rules should
attended
pro
sign any agreement
Not
which the cost
part
investigation
duction forms
without the strictest
give the publisher the power
putting the
Not
profits into his own pocket
charging for advertisements
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for
Not
allow
office expenses
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
(
(6 5
(4
.) .)
.
. )

.

a

in

of

,

his

,

or

of or

of

it

is

,

is

of

member has a right to ask for and to receive
pub
agreements his choice
advice upon
any dispute arising
his
the conduct
lisher
business
the administration
his property
The
any
Secretary
but
there
solicitor
the Society
the
special reason the Secretary will refer the case
they
Further the Committee
the Society
Solicitors
opinion without
counsel
deem
desirable will obtain
any cost
where counsel
Moreover
the member
opinion
the Committee
favourable and the sanction
obtained action will be taken
behalf of the aggrieved
member and all costs borne
the Society

VERY

1. D

�THE AUTHOR .
( 6.) Sale

's

,
do

,

of

. of is

;

in

of

.

,
or

of

in

of

to

in

of

by

be

,

an

.

TO

,
as

, of

to

,

.

.

of

.

.

or

on

of

's

in

.

to

.

in

.

this

. . ,

,

it

.

of

is

.

. be

of

of

,

and experience

The

,

competence

.
by

be

,

or

of

.

of

to

of

,

to

the same
charged for

give notice
The Secretary
the Society heys
posi
that all remittances are acknowledged by return
All remittances should be crossed Union
London and
registered
Smiths Bank Chancery
Lane
sent
letter only

.

will

.

of

at

filed
play

subject
be

a be

.

.

6d

per act

Society

.

of

be

to

at
a

.

,

at

of
28

Plays may also
with the exception that

the

REMITTANCES

to

be

in

.

Original

rules
ibe price

Readers are writers
fee
one guinea

or
a

,

byof

to

be

a

D

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration
fee
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
stamped and returned
tant
One copy will
the author
Copies
and the other filed
the register
the Society
any time by
of the scenario thus filed may
obtained
the author only
typing
small charge
cover cost

is

, on

OCENARIOS

is

an

of

no

as

in

,

,

of

as

In

.

It of be

.

-

assist

.

.

a

his

.

in

in

,

to

an 's

a

as of
a

SCENARIOS AND

PLAYS

greatly

BRANCH

its work by informing young writers
existence
Their MSS
can
read and
composition
treated
treated by
coach
The term
MSS includes not only works
fiction but poetry
possible under
and dramatic works and when
special arrangement
technical and scientific works
The
branch

its

OF

CEMBERS will

REGISTRATION
ORIGINAL

ofon

,

or

a

.

on

of

,

,

.

THE READING

a .

authors desirous of further information
are referred to the Secretary of the Society .

stamp copies
The Society undertakes
music
part
behalf of
members for the fee
6d per 100
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
Secretary
and the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

is

tracts , those

MUSIC
of

11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con

to
as as
a
a

As

it
.

be

it
is

in

to

STAMPING

in

is

the more carefully

to

all

'

therefore guard himself
the beginning .

added
the warnings given for the
producers
books and dramatic
must however be pointed out that
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
deal with performing right and copyright
He
especially careful therefore when entering into
should
agreement and should take into particular consideration
the warnings stated above
can
assistance
authors

its

He should

COMPOSERS

,

be carefully

should

MUSICAL

, ,

collaboration

ITTLE

of

for

WARNINGS

.

9. Agreements

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .

Society
agents .

,

8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
. consideration .

AGENTS .

AND

RAMATIC

to
be .

.

6 . Authors should not assign performing rights, but
should grant a licence to perform . The legal distinction
is of great importance .
rights in a
7. Authors should remember that performing
copyright . A manager
play are distinct from literary
holding the performing right or licence to perform cannot
words .
print the book of the
the words

AUTHORS

authors should seek the advice of the
plays into the hands of
before putting
As the law stands at present , an agent
who has once had a play in
hands may acquire
perpetual
percentage
claim
the author
fees
plays
from
far
the placing
concerned
may
general rule that there are only
taken
very few agents who can do anything for
author
that he cannot under the guidance
the Society
equally well
better for himself
The collection
fees
many cases
intermediary
also
matter
which
required
purposes
For certain
such
the collection
general the trans
fees
amateur performances
and
frequent petty authorisations
action
with different
foreign
individuals and also for the collection
fees
countries almost all dramatic authors employ agents and
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals by offering
purchase
who propose
act
any case
rights
the author
the present state
agent
employed under any
the law
should not
agreement approved
circumstances without
the
Society
D

a

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event .
It is extremely
important that the amateur rights of one - act plays should
be reserved .
rights can
5 . Authors should remember that performing
be limited , and are usually limited , by town , country , and
time. This is most important .

DRAMATIC

an

of performing right or of a licence to
perform
on the basis of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent.
An author should obtain
a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
( o. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i .e. , fixed
nightly fees) . This method should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case.

.

166

�THE AUTHOR .
GENERAL
ALTERATIONS

NOTES .

IN AUTHORS

' MANUSCRIPTS .

that no
contended
THE society has always
has a right to alter an
editor or publisher
, on behalf
Indeed
behalf of
of one
the
author ' s MS.
Indeed , on
one of
of the
of the society a very important case was
members
An editor
taken through the Courts on this basis .
of a responsible paper , who is also an author , has
state that an editor has absolute
right to alter an author' s MS . should he so desire
without reference to the author . On being asked
known

six

his

.

,

,

14

he

,

to

by

up

a

in

in

it

,

."

-

“

,

of

of

.

of

a

,

is

of

4

To

. .

2

; ;

.

.

;

; 9.

14

;

.

8

.

;

13

; of

.

11

off

A

;
.
7

10

;

5

.

1

:-

;

;

;
.
6

To

12

Revolt
The riddle
kinsmen

;

.

To

; to To

22

;

.

28

;

27 of

be

To

23
.

of

.

.

;

a

To

To

. ;
19
.
20

;

;

.

24

;

of 26

's

;

.

.

of ;

17

or

To

21
.

to

;

15

.

;

of

.

;

16

.

.

18

.

.

; : ;

.

. ;

;

;

35

.

32

30

is

'

Recovery

.

.

;

error
Remorse
kinsmen

lose one

s

To

Judicial

34

;

an

To

.

;

29

the dishonour
one who
loved
Loves
enemy
obstructed
love
Ambition
Struggle against God
Mistaken jealousy

an

of

from

DURATION

another column we publish
article taken
French paper dealing with the question

a

.

In

for

is

is

an

he

if

,

,

COPYRIGHT

.

on

on

of

.

to

25

in

If

,

it

to

;

,

be

.

,

.

of

at

,

go

In

the author but still the matter
serious
the
produces
expensive
author
and
book
limited edition the tax
almost impossible
in
a

prey

obtain
Hatred
kinsmen
friends
Murderous
adulterer
Madness
Fatal imprudence
Involuntary crime
love
kill kins
recognition
man
before
sacrifice to
the ideal
sacrifice for kinsmen
passion
obliged
sacrifice all
Rivalry
unequals
sacrifice one kinsmen
Adultery
Crimes
Love
learn
Rivalry

36

.

to

be

.

no

to

of

an

be

.

in

of

by

a

Deputation
see that
from
the Committee
the Welsh National Library was received
Mr
Sydney Buxton
The deputation asked that
the
obligation
new Copyright Bill there should
upon authors
send copies
their books
the
Welsh Library
We can only trust that
extra
placed upon authors and publishers
tax will
supplying gratis copies
the matter
As the law
present the tax comes very hard
stands
any steps were taken
they should
towards
reducing rather than increasing the burden
but
impossible
perhaps the Government will find
back upon the rights that have already been
granted by statute
the five libraries
supplying these gratis
most cases the cost
books comes heavier
the publisher than

. 33
. 31
.

We

hunted
Disaster
Daring effort
Carrying

COPIES

.

LIBRARY

if

to

, ,

.

so

so

,

of

off

.

"

-

“

to

,

,

of in

It

's

in

as

.
to

his

of

as

.

book called
The Thirty six Dramatic Situations
this book he digested the whole subject not only
from the point
view
the drama but from the
point
view
literature and history
The
correspondent
the Chicago Dial has set down the
analysed
brief headings under which each group
but suggests that such
list does but scant justice
Monsieur Polti ingenuity and skill
Supplication
The list
follows
The
Vengeance pursuing crime
Saviour
avenge kinsman upon kinsman
The fugitive
3 is
.

he

,

,

at

.

at

to

do

.

as

to

-

,

,

.

situations

of

a

,

as

,

in

a

be
.

to

be

it

'

to

a

as

no .

,
do

of

.

to

it it

,

he

for

to

MSS still occur

authors

SITUATIONS .
correspondence has been recorded
Dial with regard to thirty -

Goethe
conversation with
February
Eckermann under date
1830
attributed
Gozzi the statement that there could
tragic situations
but thirty six
This state
ment
Goethe set Schiller
see
could
not discover any more but according
the record
many though he took much
he could not find
pains
appears was followed
The question
Georges Polti who published
1895
Paris
be

.

to

of in

In

.

In an

In

knew
better than the author how
the
should
laid before the public
own
discretion headed all the chapters
We are glad
report that the publisher
has made amends
this mistake
but
the same time we
necessary
think
call the attention
authors
the fact that such things
alterations

THIRTY - SIX DRAMATIC
An interestimg
in the Chicago
original dramatic
appears that

In

his own MS. during publica

what he would
if
tion was altered he is reported to have answered
that the issue was not the same
We have only
quoted this instance
show how authors rightly
personal
consider any alteration
their MSS
duelling
matter
the days
doubt such
alterations might have been looked upon
personal insult
But still cases
occur and one
has come
the notice
the society recently where
England and America
book
anthor produced
the author
England
was produced exactly
had meant
For special reasons
had
carefully avoided any headings
the chapters
reader Think
America
however some proof reader think
book

.

statements

to

say

ing

It has been the custom lately at Christmas to
produce beautiful illustrated
books
in
editions
limited
to 250
to 500 copies .
The prices of
these books range from
£2 28 . to £5 5s.
The
tax , therefore , that is laid upon these editions , if
the book is £5 58 ., would be £26 58 . ; if the book
is £2 28 ., the tax would be £10 10s .
This is a serious item to be considered by the
publisher and author in working out their financial

to

been

167

�THE AUTHOR .
a

,

I.

,

,

of

,

to

,

of

to

to

.

,

of

a

on

,

. ,

,

as

.

re
-

&amp;

II
.

.
of

.,

4

a of

To

(
1
)

-

:
;

(
2
)

of

To

,

-

,

re

; the ,

in

,

of

of

of

,

to

as

3

on

for

of

to

.

no

,

be

by

,

at

262

244
209

committee
despatched
This business having
been
Mr
Hewlett said that the present occasion was the
second time that he had presided over the general
the last
meeting
would als
the society
He con
office now closd
his annual tenure
was with mixed feelīgs that
fessed that
The hairmanship
the past year
looked back
was
very difficult post and one
hich
was
glad
very easy
But
make mistakes

.

,

be

be

it

to

is

.

'

he in

,

.

on

it

he

.

It

of .

of

as

to

he

of

. ,

le

to
M

to

,

on

.
as

W

.
P
.
to

his
the assiance
think that thanks
able
Thring
colleagues
the committee and
rocks
had kept the ship under way and off
to

of

the election

.

in

in

in

,

. ,
E
.
H .
.

,

scrutineers

,

to

of

.

a

society may nominate
third member
The thanks
the society are due
the Reverend
Henry Cresswell Mr Francis Gribble Mr
Lacon Watson for their
Sergeant and Mr
act
order
sacrificing their time
kindness

a

,

a

, -

.

of

,

or .

to

of

of

.

to

of

It

be

.

123
Mackenzie Bell
repeat that one third
may
worth while
Therefore
the committee retires annually
four
members
twelve
committee consisting
The committee have the
retire
members have
any two members
the
right
nomination

,

.

.

.

re
-

.

:-

,

of

the

267

Maurice Hewlett
Sir Alfred Bateman
Aylmer Maude

. .

Jacobs

.

,

.

W

.

W

the signed
statement
recording the votes for 1911
is

following

THE

THEscrutineers

.

of

.

2

to

,

's

..

to

To

(
3
)

.

ELECTION

on

.

p
.
m

of

at

Maurice

Manage

receive
the paper were
The agenda
discuss the accounts and report
desired
and
Management
elect
the Committee
Fund Committee under the
the
Pension
member
the Pension Fund
scheme for the management
due order
Mrs Alec Tweedie having resigned
but submitting her name for
election while
name
no other candidate had been put forward
appoint scrutineers
count the votes under
the society CONSUILUIon
constitution
The chairman proposed
last year
take
Nos
and
before proceeding
the main business
the meeting
No other candidate having been
proposed
the vacancy
the Pension Fund
Committee Mrs Alec Tweedie was automatically
elected
With regard
the appointment
name being put forward and seconded
scrutineers
the meeting the chairman announced that the
necessary appointment
would
made
the

.

.

was held

Mr

the Committee

to on .

,

,

Hewlett
ment presiding

of 23
,

,

March
chairman

if

to
is

,

is

,

by

the best

under existing conditions

Thursday

,

- be

to

,

.

of

on

of

23
,

,

of

In

.

be

,

.

a

it

THE SOCIETY
The general meeting
the society

of

it

's up
,

of

,

which

that the present method
the Berlin Convention

COMMITTEE

at

.

the

to

D

,

,

of

no

,

,

of

to

registration
self
and any formalities
tend
endanger his position
Whereas under the present
arrangement for
certain fixed time the descen
an author must benefit by the work he has
dants
survival We cannot
has any power
done

if of

held

.

.

's

in

is

's

it

to

be

,

by

annual general meeting

Thursday
the Royal Society
Arts
March
the general meeting
the share
The
the Society was held
holders the Council
pass
meeting was
the annual
formal one
report
Management
the Committee
elect
adopt the accounts
the accountants for 1911 and
for the past year
As the report and accounts had been circulated
they were taken
read
and the three items
the agenda put from
the chair were duly carried
being
Messrs
Oscar Berry
elected
accountants

.

If,

.

a

is

is

of

if

THE COUNCIL MEETING

RIOR

f

of if

.

in

his all

he

for

is

,

it
an

to

's

,

of

pub
the copyright should run from the date
lication and
was the author
first book his
descendants might reap but little perhaps
value
from
the length
duration
and that which the
legislature set out
acquire would
lost
addi
publication
tion the difficult question
the date
might
constantly cropping
would
and
him
necessary
the author property
confirm

help thinking
promulgated

MEETINGS .

of

is
,

,
a

if

's ,

in

, of to of

.

family the
secure
author and
benefit
that author
work for
certain time
therefore perpetual copyright
outside the range
practical politics then the French author sug
wholly unsatisfactory
gestion
when the main
copyright protection
kept
object
mind for

,

namely

GENERAL

a

of

of

for

the duration of copyright . The author thinks it
would be a better thing for copyright to run
publication
fixed time from the date
the book
rather than for the life
the author and
fixed
time after his death and his deduction
that
copyright runs for
fixed time after the death
published just before
the author
the book
might only last
fifty
the author
death
misses the chief
years
this argument
But
copyright legislation
object
countries

Co

168

�THE AUTHOR .
in

all

.

of

to

's

as

.

.

,

's

in

,

as

in

of

At

,

, .

,

of

on

.

,

,

of

to

of

in

to

,

of

of

.

a

of

in

of

to

in

, . .

as on

in

if

in

be

of

.

of

to

,

it

,

no

no

,

to
by

of

.

to

.

,

as

to

in

,

on

.

,

go

to

, it

of

a

to

.

,

of

.

a

.

,

of

on

,

at

of

of

.

of

of

of

.

's

to

it

in

to

.

of

of

.

of

a

at

.

in

a

.

of

on

to to

.

appealed
Ward
Mrs Ward later
support the views she
the council
had just expressed and
censure the Committee
Management
The result was
council meeting

specially

a

to

,

Humphry

,

of

of

. of

as

,

of

the society he could
insist upon the right

. ;

by.

.

-

of as
a

of

of

of

,

influence

and above the members
the Committee
Management there was exactly one member
the
council present
and that member was not Mrs

.

to

of

of

of

he
,

up
a

.

-

and

have done otherwise than

really representative Academic Committee
Baillie Reynolds after complaining
the
sparse attendance
the general meeting indicative
the lack
interest
the part
the members
supported Mrs Humphry Ward
Mr Bernard Shaw said that the members
the
Management felt more strongly than
Committee
anyone else the apparent impossibility
inducing
most
the members
take any interest
the
get them out
society except when they wanted
some personal trouble
Mrs Humphry Ward
attempt
agitate the question
the Academic
point
case
The chairman put
Committee was
council
that question fully before the council
meeting
the annual meeting
that body Over
form

Mrs

to

in

to

a

,

-

in

,

of

of

importance

women
the nominating committee there cer
tainly ought
have been
substantial representa
tion on that committee of the women
the Society
Authors
Mistakes had been made
Was
beginning again
impossible now
back and

at

to

he

of

as

.

-

a

of

to

for

a

Manage
without the approval
the Committee
ment
the Society
Authors and Mr Hewlett
the
he was
did not believe that convinced

now stands Mrs
representative authority
though
its members
doubt were
The unfortunate procedure adopted
stood
the way
the trust which ought
have
given
been
the Academic
Committee
the
general body of authors
Then
the question

to

of

of

a

it

.

,

of

,

finally

Management

address Mrs
the general meet
council the question

chairman

The Academic Committee
Ward continued had
personally
distinguished

.

,

.

in

of

he

,

, ,

of

to

question

Committee

the

.

he

on

as

a

request was made
the
the Society
Authors
recommend
fourteen members
the society for
nomination upon the Academic Committee
Mr
having been selected
Douglas Freshfield and
sub committee
the Committee of Management
drew
list
names and then
this purpose
joined the sub committee
the Royal Society
joint session with whom they prepared
Literature
Nothing was done
twenty eight names
list
whole

this

the consultation
the society
the action taken
the formation
the Academic
Committee
She submitted
that
paragraph
The Author was not sufficient official
notice
intended action
She thought that the
authority and prestige
the society would be more
likely
raised
the manner hoped for by
general
Mr Hewlett the council and the society
important business
were more fully consulted

of

as to

to

of

.

&amp;

of

.

,

to

as an an in of

society was not considered
His name having then
sub committee
deal with the

been added

the adequacy

with regard

.

to .

to

of

to

.

on

,

which matter
felt that he ought
being partly responsible for the action
the society had taken
the matter
He said that
being
member
the Council
the Royal Society
meeting
Literature
attended
that body
November 1909 when
was proposed
form
Academy
Letters subsequently modified into
Academic Committee
He had explained that
chairman
the Society
Authors
could not
practical
regard any such proposal
which that
Literature
speak

close

Humphry Ward raised again
ing
she had already done

of

,

,

on

,

.

of

a

.

.

be

,

of

it

of

or

.

an

as to
it
say

stands
After calling attention
what the report had
the subject
the Musical Agreement
settled between
the society and Messrs Stainer
Bell Mr Hewlett came
the appointment
the
Academic
Committee by the Royal Society of
now

literature

office

the

of

of

in

one

of

term

to

.

,

collect

Parliament every process
But the details
the Bill were now
under consideration
the Government and
hoped for this year
could not
He had recently
had
instructive conversation with his friend Mr
William Heinemann
the subject and he sug
gested that Mr Heinemann
should be invited
meeting
Management
attend
the Committee
discuss the very important objections
the Bill

schemes affecting

Having alluded
the subject
the Pension
Fund Committee and the gratitude which every
member
the society was bound
feel with regard
Miss May Crommelin
the generous action
the report Mr Hewlett concluded by
recorded
very sincerely thanking his colleagues
the Com
Maoagement
mittee
and Mr Thring now
right hand for the sapport
always the committee
which they had given him throughout his second

of

it

's

of

least attempt

to

.

,

of

at

in

of

did

circuit

in

of

of

it

to

.

to of

,

he

in

its

a

,

in

to

.

of

a

in

in is
,

-

,

,

of

to

be

.

of

£2
, in

its

in

the

£6

for

he

Bill

the new
ambit
copyright

intervene
country

of

Mr

Turning to the report ,
. Hewlett pointed to
continued
increase both
the membership
the society and
income which was now only
short
000
Nevertheless
the member
larger than
ship
the society ought
great many more authors
there
were
England than
Also
the ranks
the society
very heavy increases
its
the society was liable
expenditure
which rendered necessary
consider
able increase
income With regard
this
felt hopeful and
was confident that
would
prestige
the society
follow upon the growth
He would not attempt
deal with the immensely
copyright which was mentioned
difficult subject
part
the report
He would however say that

169

�THE AUTHOR .
had

in

to

of

a

no

,

In

in

.

of

:

to of

iis

it

to

at

he

by the

)

it

as

(

in

to

;

,

a

of

in

to

of

the of

he

?

.

to

an

of

to

of

by

of

of

,

to

a

,

of .

her

.

,

.

in

to

to

to

a

.

in

.

,

to

he

.
of

.

's

of

Mr

to

to

of

—

were

having expressed
desire
point out
Hewlett said
would like
with reference
what Mrs Ward and Mr Shaw
had said that the Society sole part
the business
No other members

speak

.

,

of of

of

.

—

of

of

-

of

. .

,

a

to

.

of

of

in

of

the whole

which

Mrs Humphry Ward rose
second time
personal explanation
make
Mr Shaw having
apparently
misunderstood
her
Whatever
objections
certain activities
women she had
represented
the very strongest desire
see them
every way
the intellectual sphere
a

;

)

a

,

Academy

Letters
This stroke
the anarchism
characteristic
men
letters was completely successful
The
Society
Authors could have immediately repu
a

British

and ratified
the members

women

,

.

on

,

of in

,

on

,

a

of

a

fledged

had been submitted
Committee
two

,

to

,

.

,

;

lay

;

.

on

its

,

if

of
of

(

of
as

full

views on the suffrage question , what other con
clusion could
be come to than the one he
expressed
Mr Douglas Freshfield said
would only refer
two points
the first place the Committee
Management was
way
free agent
matter
the constitution
the Academic Com
mittee
all that was possible was
make the best
use
invitation from the Royal Society
join
Literature
constitution and
nominate
certain number
members
out
our own body next that
had been
point out
pains
The Author
was incorrect
allege that women had been excluded from
constituting committee since every step taken
Management
the delegates
our Committee
of

its

in

of

.

; of

of

attended that the committee was in an
overwhelming majority , and the vote of censure
could have been
carried only by the votes
the
censured
No doubt this showed the confidence
the society and
the council
committee
but
the society and the council left everything
the committee they must not complain when the
committee acted
own responsibility
On the
point raised by Mrs Humphry Ward however she
was virtually quite right the Academic Committee
had not been democratically constituted by the Society
Authors but the fault
outside the society
promptly insisting
The chairman
the rights
the Society
Authors when the proposal was
sprung
him
had done precisely the right thing
Hear hear
and the next steps were the forma
provisional committee the drawing up
tion
constitution for the proposed Academy
and
finally
list
the Academicians
These could
general meeting
have been submitted
the
Society which could thus have become one
the
constituents
the new body
But whilst this
progress
was
whilst drafts
statutes were
actually being circulated among members
our
Management somebody wrote
Committee
the Times announcing
the provisional committee

to

so thinly

in

170

to

for Its

.

.

to

.

to

,

as
to to .

be

of

à

to a

be

,

in

.

's

an

.

at

general

.

at

to

to

to

—

of

,

'

be

.

to

him

to

so

of

of

, .

.

, .

()
.

, .

. .
M
.

B R

.

C

(

)

.

,

of

to

he

.

,
.
,
L
. - . E
.
N
T
.
. S.
P
.
, ,
, :

-

; if

so

the society

the annual

Marras
seconded
the vote
was carried unanimously
Mr Hewlett having briefly acknowleged this and
again referred
the help
had received through
office the meeting terminated
out his term
Chairman Mr
The members present included
Burge
Bates
Maurice Hewlett
Beddoes Sir Alfred
Bell Dr
Mackenzie
Bateman Mrs Belloc Lowndes Miss
Blods
Clements
Chase
Miss
Chase Mrs

,

of

of

do

to

interest

Mr Mowbray

,

- of

,

to

in

to

,

show

times than

thanks which

.
N
.

.

off

, ,

of

of

,

.

to

.

.)

.

she would
and when
well known

affairs

L

of

.

of

to

to

on

her

.

,

on :

As

.

a

of

.

it an to of

,

of

it

,

support her

so

do

to

or

it

to

of

.

as

on

:

a

to

an

,

.

offering

She had declined
her refusal was taken along with

thanks

doubt
get anyone
able
With regard
Mrs

exhorted them
other
meeting

herself
the question
the right
the women
representation
the society
the provisional com
mittee
Mr Shaw continuing said that he had
urged Mrs Humphry Ward
secure the rote
having women
favour
the council meeting
Academicians

Mr Charles Garvice moved
vote
the retiring chairman and expressed

whether the Society would
good
succeed
Baillie Reynolds complaint
said that members
all others too
this society were like those
apt
He
the committee
leave everything

that point but had confined

she had not dealt with

move that

its

It

to on

of

to

to

,

the Society could not have
the present list which
contained
sufficient number
eminent men
dignity and authority
give
letters
the women
that exclusion was
scandal
English Academy
Letters without women
absurdity
But even here the quaint
was
difficulty
had arisen that Mrs Humphry Ward
who championed the claims
the women
the
society wished
keep them
the committee
Mrs Humphry Ward dissented explaining that
men were concerned
improved materially

(

no to

;

,

be

.

a

.

as

,

.

of

-

nominate
Committee was
the Academic
could
not call upon the Academic
members
diated the whole affair and withdrawn from the
project
past action
Mr George Trevelyan did but that Committee
overhaul
The
right
authority
Society had
would have simply knocked the whole affair
generation
the head for
There was nothing
róle was over when
had recommended names
appointment
done but accept the situation
and allow the
the committee
As for the repre
prevent
Academic Committee
make the best
itselfsentation
women
there was nothing
origin
the committee and there
their being elected
its illegitimate
without calling attention
elected
far as the
was not the slightest doubt they would
After all there was no harm done

�THE AUTHOR

in

all

of

to

be

a

is of

to

, ,

,

.”

as he

of

be
a

--

.

of a -

a

of

by

,

or

,

as

,

?

,

,

in

-

,

on

be

“

.

,

of

,

in

in

so

it be

to

to

to

in

,

,

for

'

,

of

of

or

,

,

of

?

to

in

.

it

is to

as
,

be

of

or

,

of of

,

is

or

,

to

in

;

,

a

in

,
;

't

“

at

for

I .

;

a

.”

of as

he

is

by

,

-

to

he

of

by
no

be
, it

,

it
.

,

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;

to

is

in

;

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to

of

, 's

?

of It

?

I I

't

of
.
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of

did

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is

, .

,
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in

of

”,

do
,
a

I

.
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's

.
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.

or

,
I

; or

as

,

of

to

;

by

a

as

a

of

no

,

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us
,
or

as

's

",

he

he In

I

.

“

?
”

,

as

.

as

if

.

he

”,

do
, be

to

to

in

he

a

,

in

in

he

I

a

of

.

“

In

,

,

to

,

in

of

in

at

for

of

of

“

to

's

."

.

to

of
-

I

as

,

,

he

“

,

if

as

a

in

."

of

“

of

;

of in

“

in

,

to

permit me
my part
say
absurd
ungrateful What
would
that fills mechanics
the great provincial towns when
institutes
literary men are invited
attend their festivals
Has not every literary man
mark his friends and
his circle his hundreds
his tens
thousands
readers
And has not every one had from these
constant and affecting testimonials
the esteem
which they hold him
course one
writer lot from the nature
his subject
his
genins
command the syınpathies
awaken the
many more readers than shall choose
curiosity
listen
another author but surely all get their
hearing
The literary profession
not held
disrepute
nobody wants
disparage
man
may
prac
loses his social rank whatever
tising
place
On the contrary the pen gives
the world
men who had none before
fair place
fairly achiered by their genius
any other degree
any other kind
eminence
merit
The sub
repeated when
stance
this passage
the follow
ing year
replied
literature
the Royal Literary
Fund Annual Dinner
We don
want patrons
we want friends and
thank God we have thein
despised by
and
for any idea that our calling
the world
for my part protest against and
deny the whole statement
declared
have
society
been
all sorts
this world and have
never been despised that know
don
believe
literary man
there has been
the slightest merit
the slightest mark who
not greatly advance
uis literary labours
himself
see along this
in

a

it

,

to

,
by

;

-

in

to

,

to

”

to

”

“

-

man
letters
some one not unlike
prison and have watched the beautiful
devotion
his wife
that dreary place
wrote
Why are these things not
they
described
they appear
illustrate
that strange and
good and wrong which take place
awful struggle
our hearts and
the world
the second
place
expressed the opinion that
was entirely
justified
hope
what
had written
said
that
comic writer because he describes
improvident and another
one author
may not only be guiltless
parasite
desire
vilify his profession but may really have its
spendthrifts
honour
heart
there are
parasites amongst
the satire becomes unjust
they are
good
but
such exist
have existed
subjects
comedy
men
other callings
never heard that the Bar
felt itself aggrieved
because Punch
chose
describe
Mr Dunup
insolvency
notorious state
that the picture
Shandon

ungenerously awarded
they are honestly won
That generous faith
men
letters that kindly
regard
which the whole reading nation holds
appear
clearly
them
me
be
shown
our
country every day that
question them would

of

.

noof

“

;

by

,

in

,

is1

was always proud
hold brief
for the dignity
his calling and
was
therefore with
little irritation that one
day early
1850 he found himself arraigned by
two London papers the Examiner and the Morning
fostering
Chronicle
the latter for
baneful
prejudice
against literary men
the former
stooping
for
flatter this prejudice
the public
mind
and condescending
caricature his literary
pay court
fellow labourers
order
the
non literary class
The attack was based upon
the portrayal
the literary men who figured
Thackeray
reply was
the novel
Pendennis
very much
the point
the first place
denied that the characters were exaggerated
Bludyer robbed
have seen the bookseller
whom
his books
have carried money and from
noble
brother

.

,

?
”

he

ing
asked
Does
not
the contrary
get friends sympathy applause money perhaps
all good and pleasant things
themselves and not

or

MELVILLE

LEWIS

HACKERAY

,

by

.

LITERATURE
By

if

in

,

,
I
be

at

OF

—

AND THE DIGNITY

— a

an

of its

to a

?

, if

at

is

a

to

scorn the notion that men
letters
class
were looked
askance
the non literary class
Does any man who has written
book worth
any poet novelist man
reading
lose
science
reputation
his character for genius
for learn

“

THACKERAY

is be to

.

,

,

of

at

;

or

all

be

to

one and
balance
vice and virtue
struck
novels
think would become impossible
they would
intolerably stupid and unnatural
and there would
lamentable end
writers and
Thirdly
laughed
readers
such compositions

of

. -

. , ,
E
.
S
.
H

.

,

W

.

.

R

W E
.

Tiddemann

—

Ser

Shaw

passed
over because we cannot afford
laughed
every character
story
And
represent
every
class
not
individual
obliged contrast
good
bad figure
have

,

-

H

, - . ,

P

.
G
.

,

Mrs

,

, ,
G
.
. F.

Toplis
mouth

Bernard

Miss Grace
Wey
Wilson
Walkes
Humphry Ward
Williamson

,

Francis

Mrs

. .

.

.

,

Bernard Shaw
Storr Miss

G

geant

.

,

'

,

O

Pendlebury
Conal
Riordan
Charles
Mountray Read Mrs Baillie Reynolds

W D

,

S

G
,
. ,
,
.

,

,

E
.
, M
C .
, .

Hine Hubert Haes Mrs Willoughby Hodg
Lowry Mowbray
Lincoln Miss Mary
Macquoid
Marras Gilbert
Marshall
son

171

of Stiggins in ‘ Pickwick ' was intended as an insult
to
dissenters
that
the attorneys
the
empire were indignant
the famous history
the firm
Quirk Gammon and Snap
Are we

as

,

,
G
, . . J.
H
F
.
.

,

Henry , Mrs . Herbert
Joseph
Cohen ,
Fisher ,
Douglas Freshfield , Charles Garvice , Anthony
Hope Hawkins Frank Hamel
Hunter Miss

.

�THE AUTHOR .

of

lot

he by

of

.”

his ,

to

a

as

,

or
he a

.

of

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no

's

to

a

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of

.

of

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in

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of to

of

of

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“

.

.

of

he

lt

"

.

of

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,

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,

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“

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a

to

,

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in
a

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in

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to

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-

.

a

a

of a

an

or

Dr
.

.

of

, ,

of

.

be

as

an

,

or

,

.

,

no

,

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,

as

.

.

.

as

as

,

of

; on

,

.

or

'

at

it,

it

,

; ,

would have had
and Byron
and Shelley and
Hazlitt and Hunt would have been without
and
had Keats been proposed
officer how the Tory
prints would have yelled with rage and scorn

,

.

be

to

a

dinner
How Peter Pindar would have railed
Fifty years later the noble Scott would have
worn theGrand Cross and deserved
but Gifford
as

,

he

as

of

claimed the Grand Cross
Mr Gibbon would not
eligible
been
account
his dangerous
thinking opinions
and her sex
well
her
republican sentiments might have interfered with
the knighthood
the immortal Mrs
Catherine
Macaulay
How Goldsmith
would have paraded
the ribbon
Madame Cornelys
the Academy
have
free

!

“

on

-

,

of

was the first
admit that the status
improved
men
letters
class might
The money prizes which the chief among them

of

the other

suppose

,

,

-

-

to

,

to

be

.,
be

to

.”

,

on

If,

the one hand Thackeray vehemently pro
tested against the idea that those who followed the
pursuit
letters required pity and sympathy

too

have been called the Order
Minerva
badge
with
owl for
The knights
were
have worn
star
sixteen points and
yellow ribbon and good old Samuel Johnson was
talked
President
Grand Cross
Grand
Owl
the society
Now about such
Order
this there certainly may
doubts
Consider the
settling their claims the
claimants the difficulty
rows and squabbles amongst the candidates and
posterity
the subsequent decision
Beattie
would have ranked
first poet and twenty years
after the sublime Mr Hayley would
doubt hare
was

of

I

he

of

viz

.
.
.

to

,

of

,

to

is

genius

honour

While Thackeray thus declared that men
letters should share
the rewards for meritorious
services distributed
the Government
con
fessed frankly that
did not see how these honours
were
be distributed
have heard
lecture
about George the Third that
his accession the
king had mind
establish
Order for literary
Roundabout Paper
men
he wrote

it
;

.

,

us

let

Do

be

it

,

.

If

,

's

,

of or

or

,

,

am

called

for their share

,

's

or

,

in

a

. ,

of

of

be of

no

,

a

is

of

put forward

that men
letters
exempt from
are
the prose duties
this daily bread wanting tax
paying life and are not
made
work and pay
like their neighbours
inclined
and what

come
declared

at

,

at :

's

. , .

,

.
.

him

gets
cut
the whip
the driver
not
however
too prodigal
our pity upon Pegasus
exempt
There
reason why this animal should
decay any more than any
from labour
illness
gets
the other creatures
God world
the whip Pegasus very often deserves
and
for
quite ready
protest
against the
one
doctrine
which
some poetical sympathisers
are

will

as

to

by

,

,

,

.

)

property
farewell poetry and aerial flights Pegasus
only rises now like Mr Green
periods
balloon
advertised beforehand
and when the spectator
money has been paid
Pegasus trots
harness
over the stony pavement and pulls
cart
cab
behind
Often Pegasus does his work with
panting sides and trembling knees and not seldom

statesmen
and artists and civil servants why
should they
withheld from authors
He attri
buted the fact that the fountain
honour did
play upon men
letters
their comparative
poverty
Directly men
letters get rich they
and

to

,
-

,

on

to

is or his

.

“
A

himof

to

“

,
"

,

or
of

,

of

in

or

to

or

“

in

he

,

"

to

,

of

as

(

- it

us
is

,

he

,

?
”

in

his

of

I

,
',
to

of as

a

as

of

or

,

“

have you
good
you which
know
that
questions the dignity
the literary profession my
neighbour
soup
quiet
who would like
eat
the man
letters who commences the argu
thought the man
ment
Indeed
letters
received more sympathy than was due
literary man
wrote
Pendennis
has often
against
work for his bread against time
spite
will
his health
his indolence
his repugnance
the subject
which he
called
exert himself just like any other daily
Pegasus
toiler
When you want
make money
he must perhaps who has no other saleable
would

of

but

of

,

he I

,

as

a

's

literary man

,

- as

of

at

I

sit

If

.

be

a

people
sense
your table
my neighbour equal
that
begin straightway with
protest

am

I I

to

all

,

as

Sir
,
I I .
amamIf

to of is

mine

question which

settled

Brompton

.

to

a

,
it

as

“

of

troversies upon
must take
suppose that

might well have been created
was not how
any such
ever that
was particularly desirous
thought
distinction for himself but
titles and
stars and ribands are good for soldiers and sailors
tive man
letters
Thackeray

Lord

!

of

.

-

a

of

us

Ministers
men
letters and
feelings
that Thackeray
doubt had
slighted merit because
part
the debt was
paid
Thackeray
probably
him
would have
barony and
baronetcy
representa
liked

added

of

of

.”

to

accusing the public
persecuting and
class
seems
me that men
letters had best silently assume that they are
any other gentlemen nor raise piteous con
good

Instead
disparaging

the Queen

,

but

friends

,
to ”

my

never have called

should

-

I

whom

for the humble literary labours I have been engaged
in .
And therefore
I say, don 't let us be pitied
any more
Thackeray had little patience with those men
letters who suffered from the impression that they
were despised and with those who made strenuous
prejudice that was non existent
efforts
combat

get are not so high as those which fall to men of
other callings — to bishops , or to judges , or to opera
singers and actors ; nor have they received stars
and garters as yet, or peerages and governorships
military
of islands , such as fall to the
Anthony Trollope
officers
has stated
that
Thackeray held strong views that much was due

!

august table gentlemen whom
I have had the
honour of shaking by the hand , and gentlemen

it

172

�THE AUTHOR .

“

of .

by

to

to

,

of

.

"

“

,

,

in

'

a s

to

he

of

for

? be
”

to

's

aid to

by

,

be

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as

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to

(

of

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an

'(

to

a

,

,

be

or

no

;

's To ,

, ,

's

;

;

,

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,
if

be

it

, ,

in

,

of

's

of

is

of

a

to

,

,

a

to

. ,
.
.
. ,
if

to to

.
)

of

.

it

"

,

.”

In

,

be

Be

on

,

of

to

a

“
, of

, ,

.

,

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of

!

't

.

of

,

-

;

,

be
in

to

to

,

to

,

;

to

-

;

un

a

,

in

;

,

,

?

,

-

,

of

or
, by

as

a

,

of

us

,

dear

;

his life

just

to

honest

his dealings

;

each
in

him

irreproachable

in

;

:

of

.
.
.
.

an

as

,

,

to

of

;

to

of

;

of

in

;

;

as

and

;

,

of

,

God bade

-

a

on

;

a un
-

- a

.

in be

,

!

porary
merit always kind and affable with the
young members
his calling
his professional
bargains and mercantile dealings delicately honest
and grateful
one
the most charming masters
our lighter language
the constant friend
and our nation
men
letters doubly dear not
exemplar
for his wit and genius merely but
goodness probity and pure life
Here
are two examples
men most differently gifted
each pursuing bis calling
each speaking his truth

,

”,

“

at
;
if

of
do

it

to

good
what
man
letters should
man my dear
One can
but think
these last
words
the veteran Chief
Letters who had
worldly success
tasted and tested the value
prosperity
admiration
Was Irving not good
and
his works was not his life the best part
good humoured
his family gentle generous
delightful
society
affectionate
self denying
example
complete gentlemanhood
quite
spoiled
prosperity
never obsequious
the
great
worse still
the base and mean
his and other
some public men are forced
acknowledge every contem
eager
countries
)

in

,

,

as

,

, .

If
a

's

be !

to

as

as

and rest and the
yet another
call for supper
writing after
Thackeray
Roundabout Paper
Irving and Macaulay
Washington
the deaths
point his arguments
the dignity
was happy
literature by showing how they fulfilled his ideal

of

is
a

,

as

-

is

, of

a

.

on

a

:

to

,

more want warmth

(

of

us
it ,

,

,
be

is

a

to is

of

ones

's

of

,

as

,

is

its

-l

in

-

to

if

,
in

to

he

de

is

of

,

of

,

,

.

,

- .

to

,
“

old

of

him

young

of of

is

a

,

'

'

on

so

,

, if

it

;

's

to

as

is

labour

,

-

,

of

,

to

,

to

.

to

of

,

,

,

.

as

,

in

all
an

,

You would

keep

In

of

I

to

of

to

to

,

fix
?

of ”

to

, at

as

of
on

't

the same
and
your honour pure and transmit
right
name unstained
those who have
bear
though this quality
giving
You would
qualities
one
the easiest
the literary man
your earnings great
you would
out
small
help
poor brother
able
need
dress his
give him
wounds and
were but twopence
your vocation
succour
You will
letters
find saving harder than giving and spending
against the night
save be your endeavour too
coming when no man may work
when
the arm
weary with the long day
labour
when
the
brain perhaps grows dark
when the old who can
children
blessing

of

to

,
of " ,

,

his

in

I

at —

all
; amif

I
is

,

to

in

,

on

of

changed
and
Grub Street
still with
more temperate more clean iving neighbourhood
than ever
was before and
inhabitants also
general have lofty ideal
well
the literary man
Jealousy was once the bane
their calling
kept
day that noxious
passion
the calling
the whole well under control
The Croker
Macaulay feud could not
day
fought out
the
quarterlies
Human nature
not altered since
Richardson
time and
there are rakes male and
female
there were
hundred years since there
then
are
like manner envious critics now
Fielding
Thackeray wrote
his paper
How
predict
eager are they
man
fall how
willing
acknowledge his rise
man write
popular work
sure
snarled
literary man
rise
eminence out
his profes
They
sion
his
comrades are against him
can pardon his success
would
not
wiser for
they
gentlemen
France
the pen
do
esprit
corps declare that their body and
have
calling
any other feel their own
honourable
crying down any member
power and instead
light
prize
their profession who happens
support
with all their strength
The con

gracious
children
First all and
Heaven
you would pray and strive
give them such
help
endowment
love
should last certainly for
all their lives and perhaps
transmitted
their

of

-

be

for

,

in

be

“

.

be

't

to

would you
The dignity
literature however depends not
its rewards but upon the dignity
the men
letters and the contempt that was felt for Grub
Thackeray
Street
the eighteenth century was
point out largely the fault
pains
was
Grub
Street too many
the inhabitants
which
improvident
were intemperate
and
far from
respectable
and not only the minor lights but some
Things happily have
the great men also

“

to

“

.

to

.,
I

Blanchard
believe
most men
letters
pensioned
sorry
say
were
believe
they wouldn
work
and
others that the
labour which
answer the calls
the day
Suppose Sir
the one best suited
their genius
enclosing
you and
Robert Peel were
write
pension any
cheque for £20 000
instruct you
fifty deserving authors
that they might have
leisure
retire and write great work
whom

dition of literary men might be very soon changed
by a manly literary union of this kind ."
Thackeray towards the end of his life laid down
once
all the qualities that ensure the dignity
belonged
the calling
which
What ought
point
the literary man
honour nowa
days
he wrote
Roundabout Paper
Suppose friendly reader you are one
the craft
your
what legacy would you like
leave

“

!

of

!

”

of

!

Had the Star of Minerva lasted to our present
time — but I pause , not because the idea is dazzling ,
Fancy the claimants , and the row
but too awful.
Fancy the
precedence ! . .
about
their
Fancy the squabble
struggle
Fancy the dis
prizes
tribution
pensions was open
The bestowal
the same
objections
prevailing
Even
that
sentiment
provided
which regrets that means should not
enabling
for giving
them
leisure
them
perfect great works
retirement that they should
waste away their strength with fugitive literature
etc
hold
often uncalled for and dangerous
Thackeray
appreciation
had written

173

his

�THE AUTHOR .

to

it

it

to

,

I

“

as

,

?

,

to

?

be

to is a

in

a

or

to

up

it

Is

.

at

I

as

as

't

,

an

of

.

a

I

in

,

of

be

,

,

of

his

, ”.

;

;

;

be

;

to

in

in it

be To

.

if,

in

to

of

to

,

to

,

. I
or

of

,

a

in

's

of

;

ou of

us

to

,

of

.

to

say

,
“

he

,

”

to a

in

;

to

in

.

to

.do
”

as

,

I

“

faith

as
a

as
a

."

unworthiness
Therein may

.

's

,

at ,

a

of

us

LEWIS MELVILLE

.

to

,

sense

of

,

to

our shame and
poor people
Thackeray
found
confession
novelist and weekday preacher
common

"

,

,

;

.

be
,

as

no

feel otherwise
you

me

us
,

to

.

no -

us

,

as

,

't

,

to

If

?

let

to

a

as

to
a

as

able
tell the truth always and
aright according
the eyes which God
Almighty gives me
my
And
the exercise
calling
get friends and find encouragement and
sympathy
need
not tell you how very much
support
feel and
thankful for this kind
reply lightly upon this subject
Indeed
can

's

all

are

,

.”

of

,

to

as ,

may

see

,
am I

, ,
a

of

in

as

,

of

as

it,

of

-

be

.

Be

,

for

as

.

.

to

!

!

of

ye

!

to

I

to

us

,

let

for

it

to

no

of

of

of

In

,

puffery
servile
manly and honourable

.”

“

all

hope

might inspire

May honour
knights
the pen
Ah
your shield and truth tip your lances
gentie
gentle people
Be
women
Be modest
the Ogre Humbug
And
children
tender
to

the

hitting

;
if

of
to

,
a

condescending
very lofty but

may

sense

responsibility
which falls upon
man
such
station
deserved
undeserved
Who
preach
this that sets
mankind and
many things which men reverence
laugh
it

a

,

Is

a

of?

?

so

be

in

on

be

blow

filling not
part

far

who

assure you these
acknowledging
grateful
well

what
make me humble
and make me feel
almost awful

tokens
popularity

to

byto

it

all

.

."

“

at

do

To

go

us

foul

,

telling the truth

the novelist

teacher
help
can

,
I

,
to it
, " as

.

is

Is

it

“

.

,

?

it

so

,

.

do

*

men

even

should

than very grave when people praise
Thus he wrote
Dr John Brown
organising
who had been instrumental
testi
reply
monial
him
and
the Rev Joseph
Sortain who had sent him
volume
sermons
my way that
want too
wrote
love and truth are the greatest
Heaven
com
mandments and blessings
that the best
the many especially who pride themselves
their virtues most are wretchedly weak vain and
charity
preach
selfish
and
such
least

the end
the firing ceases and the
falls upon the field
Thus the weekday
preacher
the chances
the literary profession
your work honestly
amuse and instruct
your reader
day
die when your time comes
may be
and
hence with
clean
breast
may these be all yours and ours by God
will
literary crafts
Let
content with our status
Deo

night

the writer

opinion

,
I

or

us

,

,

,

or

attain
Of
the quill drivers how many have
ever drawn that prodigious prize
even right
regard
poor
ask that many should
Out
dear posterity and men
letters
come
number comes
be glad that the great immortality
up
rarely
Mankind would have
time other
gorged with old masterpieces
wise and would
that they would not occupy themselves with new
and future literary men would have no chance
livelihood
There are great men and little men
working
the field
letters
other fields
and all cannot hope for the spoils that come
the
going
victor
the battle
life
we
try for the honours
championship
we can
our duty
we can keep our place pretty
honourably ihroughout the combat
say Laus

rate truth is best , from whatever chair - from those
whence grave writers or thinkers argue , as from
Thackeray
that at which the storyteller
sits ,”
wrote in the Preface to “ Pendennis , " and else
where , in the lecture on “ Charity and Humour ,"
he enlarged on the theme . “ I can ' t help telling
the truth as I view it , and describing what I see.
describe
otherwise than
seems
me would
falsehood
that calling
which
has pleased
place me treason
Heaven
that conscience
which says that men are weak
that truth must
told
that fault must be owned
that pardon
must be prayed for and that Love reigns supreme
Thackeray took
over all
his profession very
seriously and never undervalued the responsibilities
;

;

;

as A it

a

.

at

,

“

.

it

It

in

of

it

;

; ;

do

go

it it

at

a

.

its

But the rewards of these men are rewards paid to
our service . We may not win the baton or the
epaulettes ; but God give us strength to guard the
honour of the flag ! "
To such qualities as these two men , to mention
no others , possessed , fame comes second . Fame is
an accident, a happy glorious accident, for those
upon whom
may come with
mantle falls
may come
first book
middle life
may
come
the
end
career hitherto
may come after death
may come
obscure
may not come
and
all
man can
may come
but
his best and take such reward
hope
his way
The literary character let
admit writes quite honestly but no man supposes
And
he would work perpetually but for money
quite beside the bargain
for immortality
Thackeray wrote
reasonable
look for
pretend that you are actuated
desire

out sword , and have at him .”
In this passage
Thackeray outlined his own course . Truth was
in his eyes, and it was the
the first consideration
want of truth in such works as are commonly
grouped as the Newgate School of Fiction that make
him attack them as being dishonest and therefore
immoral. “ If truth is not always pleasant , at any

of

friends ; honoured by his country ; beloved at his
fireside .
It has been the fortunate lot of both to
happiness and delight to the
give unaccountable
world , which thanks them in return with an
immense kindliness , respect , affection .
It may
not be our chance , brother scribe , to be endowed
with such , merit , or lewarded with such fame .

be

174

�THE AUTHOR .
.

flowery language of the poet , or to the
bumourist who explained his joke
he went with
treatise
scientific
all the nice exactness
Even
Scotsman
who
the way has been
jokes
much libelled
this matter
would not
stand that
obscuring

as

?

-

of

,

-

a

-

,

is

,

-

onof

of

by a

in

,

.
a

of

.
I

to

in a

,

on

it

be
,

a

,

is
a

it

,

's

on

on

be

,

or

;

to

he

by

,
I
or

by

.

a

,

,

,

.

.

,

is be

.

so

all

,

So
,

.

,

,

to

, .
.

,
I

?

's

an

of

to

,

of

of

,

of

,

,

;

in

of

be

on

as

;

-

, of

-

,

by

of

is

so

to

, for

it

,

is

,

.

as

,

is

is

, is

,

's

is

—

,

that
is

that

it

believe

personality
freely
the
on

?

of

be

it

for
to
all

.

in

be

by

be

to

a

at

is

be —

is

is

,

would
safe
played
should
the same
said
author obtrude himself

Is

.

worth

May

, in

.

it

,

of

is

,

it

.

be

,

this restriction

individuality
an

on

.

1907

;

December

,

,

at

of

to

,

in

,

.

the

the work
the moment
are simple and

,

—

a

a

it

is to

better men
But where this valuable asset
genuine property where
that quality
which can distinguish
rather than belittle
then
surely the more of
the better
Of course and
forgotten
nothing
this must never
there
all the world that cannot
overdone
times
and there
no prompting of man
soul which
why
does not need
held
check
that
every art
governed
rules
But admitting
from

to be

,

or

he
-

,

at

is

,

it

,

allin

,

in

to

in

.

,

.
it

is

, ,

November

May June 1908
,

, in

be

to

he

,

*

The Author

of

It

*

.

be

of

a

to

faithfully

and
characteristics
happens
engaged
which
The philosophical
reasons for this
necessities

See papers
February March

from
the ruck and for better
raise him
stamp
indelibly
worse
him
himself
highly
Indeed
the virtue rated that
the
evidence
our own eyes
the goal
which
struggling day by day and
the scribe
the
commodity
scarce and not
be attained by
merely trying
the end
the pitiful hunt too
olten only cheap jack mannerisms affectations
speech
the score
tricks
learnt parrot wise
can

,

,

a

,
be

in

in

of

a

.

,

;

,

; is

a

clear
the first place
his entire style with the

adapt

and

circumstances

the man the instinctive
expression
and
which
must
different from the common method
the first requisite
the equipment
perhaps
author
more than anything
else
thought

so

to ;

as

is

,

it

.

.

in

in

the right direction

The obligation
then
that
writer must rary

the natural habit

method

,

.

a

,

a

,

as

an

is

it

,

a

of

of ,

a

by

,

be

all

of

,

in

well

with

of

-

an

of

a

be

is
to

of

of

of A

.

, of

.

Of

sympathetic

treatment and that
fact the artistic result would
limited
likelihood
the degree
artistic instinct
inherent
the writer
At the same time there
remain certain practical considerations which can
ignored
not
for whilst
man may fail
see
the beauties tbat are possible
treatment
may still with study and care aroid the perpetra
tion
the ugly and the unsuitable
And though
any
this perhaps
not
achieve much
rate something
one step forward however small
could ensure

o

an

,

,

in in

of

in

stylist

S

or

,

;

,

is

,

all

,

a

be

literature

language
mere mastery
neat
stringing
dandling
words and epithets
pretty
together
musical phrases just
ever
you please
will not do when standing alone
admirable though
be and delightful enough
incomplete thing
the æsthetic sense here
duty but half fulfilled
The real need
clear
goes beyond this again and the further demand
authorsbip
comes that
the stylist
shall
šrmpathetic
master too
selection
the
treatment
his subject
this latter aspect
the question something
has been said
another place
was there
sympathetic temperament
pointed out that only

come outdoor exercise

a

be

in

,

,

to

.

it

;

,

it

of

,

to

a —
a

,

to

stylist

the absurdity
text book
the incessant intro

again there
subject
say

a

of

in

it

is or

is

's

To

in

or

Hence

twice over

Then

simple

quotations from the classics
duction
have
such
book
me
the table and despite
certain excellence
have come
see nothing
now but irritation
for when
man starts out
golf
study cricket
may
whatever
interrupted
not too well pleased
almost
every page
Shakespeare
views
some other
Apart from the distraction
subject
waste
time under the circumstances
and
clear
annoyance
too with preciosity
with pom
posity and with
the exaggerated verbiage
common amongst the earlier writers
These are
forgiven
the deadly sins that cannot
far then the position
obvious
But now
more troublesome issue arises when we ask our
right
selves
decide the extent
author
introduce
his personality
into his work
Of
course understand me
ain distinguishing be
Individuality
tween personality and individuality

—

to

is

a

of

no

of

of

I

—

I

—

author
brain
become equally fact
fancy before the reader
may be said there are twomeans
this end
Construction and Description
that
first the
marshalling
the testimony into
effective
order and then with this accomplished
the subse
quent setting forth
that testimony
effective
plan
begin with whether
essay
terms
fairy tale then the expounding
that
plan through
the medium
written
words

the

or it an is

literature in
broadest meaning
thought
reckoned the written expression
and
know
better definition than
style
this then the measure
literature can
expres
neither more nor less than the measure
conveys that thought
siveness with which
fancy one supposes
Here
some fact
the

is

its

DUNN

will

be

BY ARCHIBALD
I.

TF

become apparent later on .
Meanwhile , it
suffices to speak of examples which , in truth , are
here just as convincing as any logic .
For, what
would you say to the mathematician
who wrote in

LITERATURE .

IN

. -

STYLE

175

�THE AUTHOR .
too

,

a

he
is in

it

he

,

,

of

,

by

,

.

off

-

,

,

of

;

as

as

;
it in

it

a

,

it

,

he

of

in

-

;

of
-

to

,

a

,

in

is

an

.

,

as

,

m

!

”

I

I'

I,

am

,

It

it

,

is

,

of

his

of

,
or of

,

.

,

. in

,

to

,
I

?

at

he

I

,

,

“

,

in

,

to

be

of

an

,
an

.

;

In of a

to

is

-

, ”,

,

in
“

so

a

so

in

, ,

of

in

,

as at

,

.

is
,

's

it

.

a

,

.

is

's

—

,

specific instance and besides
good specimen
Thackeray
there
the clearest proof
work
are all the fine qualities just enumerated but
jowl with them and ready jumping
cheek
the
eye
that one overwhelming
defect
mean
walking deliberately
course that habit
before
grarely making
the curtain
bow
and

of

I

-

am

I

,

Here

ostentation

“

a

with

,

even

of

of

,

to

by

exclaiming

of

's

period
That much
least must
conceded
toughened steel
and these qualities are
author armour bright with the promise
success
Pity
then that
this armour there should
large and gaping
bave been
flaw
that the
transparently through
Achilles heel should show
Vanity Fair
take
which
For
all

, ,

.

it

,

is

; !

a

,

will be
author

,
it

of

an
an

a

is

,

.

of

Style
the Laws
insistence
the
unsatisfactory
result

the

,

a

,

.

, of

,

an

of

If,

,

in

as

-

,

is

of

of

a

up

be

is

to

.

,

of

,

is

of

,

,

on
,
in

discussing
Later
shown that too frequent
personality must produce

-

of

,

a

A

?

it

is

,

by

a

it

,
; I

,

a

,

a

is

,

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to

's

set

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;

he

a

to

it

is

,
to

no

of

,

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,

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.

in

an

as

or

or ”

I

“

.

of

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in
a it

it ,

at

or

.

a

;

in

no

*

is
, .

—

at

in

as

;

”

“

of

be

,

,

's

straw who have never
are some puppets men
lived
but the reader for his enjoyment must have
faith
their existence
then there
bare
*

to

,

or

,

of

's

of

) ( to

or

he

of

is

a

of in

,

,

tale

,

;

it

to

.

,

an

of

an

of

it

,

of

,

–

of

to

a

of

.

course another story
give
romance which
life
will often
the facts wbich most
any rate dressing
need hiding
into such
form that the real truth
them shall not be too
crudely apparent
the
For the art
fiction
game
juggler
which the
art
make believe
nothing unless indeed
actual happenings are
reality
they can be cloaked with
Here
air
Indeed
picture

your novel
comes
read
will look upon
believe me with the matter
fact eye he will see
merely the novelist
your clumsiness and sim
plicity the poor devil
scribe earning his bread
right and proper
and butter and
the case
precious little jam
How then will
author stand who advances
boldly
upon his
the footlights
sets his hand
heart and says
effect
Here
and
busy writing this book
remember
and
think
this and
think that and
think the other
How does
stand when he ventures upon this
without any attempt whatever
concealment
delicate question
know
because
throws
many who are famous and
down the glove
deservedly
famous
literature
There
Thackeray for example
suppose will deny that Thackeray
Now
one
great writer no one will challenge his powers
humanity
observation
his knowledge
the
men and women
virtues and weaknesses
ability
these forth fairly and squarely upon
paper together with
picture
unmistakable

,

on

.

,

,

it

on

,

In

I

do

an

of

mind
But with fiction

might
Of course were we children
for you may take away the heartbrug
laboriously
crawling over for
which
child
Sahara Desert and shake
out before his eyes and
dust
and replace
and never trouble his faith
moment
two seconds
that Sahara for
crawling over
laboriously and
back again
delightedly
before because you know
has
strange and weird power
self deception and
can run the pleasantry
his own bat
But later
imagination
few short years
that blessed
will have passed away scotched
the hard and
practical experiences
life and when that child

,

of

to
a

to

its

of

to

the extent
which
can convince the reason
the other primarily
the extent
which
can
stir up and convince the imagination
essay
the construction
therefore the
personality
introduction
author
the
omission
would seem
small account
Of
thought that
course his individuality
every turn
has any
will show itself
But
whether he elect
make his address
the first
person singular
like Macaulay and the inflated
critics
his time
the more imposing plural
appear
amusing
whether
company
finally
called
we
whether
decide
discard both and efface himself entirely
going
not know that anyone
care single
solitary brass farthing
How can
matter from
the point
view
construction
how the subject
approached provided only that the
essay
main need
attended
that
the end we
have sequence
ideas easy
follow
clearness
misunderstanding
which
shall admit
brevity which shall expound the meaning with
completeness and
more
This
the practical
aim
the whole business that the facts shall be
brought most comprehensively before the reader

string
not matter

as

;

to

)

a

,

of ,

of

an

to

an

,

of

to ,

(

's

, —

the writer art
the former
facts sometimes perhaps
attempt
give fancies the semblance
the latter
impart
imagined
facts
air
life
set
people and
reality
imagined incidents
The
one depends for
success
we see primarily

bit too obvious
bit too plain
this pulling
the Peter Waggies

in
a

of

,

as .
it

an

,

in

in

an

,

Here we
were
attempt
convey
speculative nature

pot

a

conditions

instance
consider
the different
essay and
which obtain
fiction
touch upon the two extreme poles

on
,

.

a

on

of

it,

,

.

For

thin

and aboveboard

,

' know that anyone is going to
question with any marked degree of
beyond doubt , it is something of a
discussing
But
we may start
assumption that the character
the
bearing
must have
the subject

don t

answer this
confidence ;
conundrum
off upon the
composition

statement of facts , without any skill in their pre
sentation , without deception , without finesse , a clear
exposition , in short, of a writer
and unmistakable
writing a book , in what respect , I ask , are we
playing
the game of make -believe ?
It is

is
a

his

are

a

not, what

if

it

Well, I

,

And

?

it

?

,

page

limitations

in

printed

of is

176

�THE AUTHOR .

,

it

,

as

,
”

so

I

,

as
“

for

,

, -

"

"

"

"

,

of

.

-

an

,

of

in to

is

,

,

,

in

in

of

,

as

,

,

; is

,

,

if

,

in
a

-

;

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is ;

at

of

,

be
.

to of

is

to

.

in

of

-

or

,

;

or
,

-

it
is

in

provided

he

,
.

as

, ,
by

is

of

.

-

a

of

,

it

of

,

it

for

,

us of

let

him

.

,

,

of

is

of

of

-

is
to

question
And then you

the inevitable
?
"

,

silly fellow tell that

the game

Description

,

to

,

—

-

be

and there
adorning

the further
with such

it
,

of ;

,

it

,

course
forth
may belong

is

ofto

of

is

.

of

—

so

at in

is a

thought

of

at

of

to

,
of

is

comprehensible
setting

need

,

. of

in

,

,
I

is

it

;

at

,

of

—

,

,

be

be

it

;

is
,

of

. of

to

as

effective
the choice
phrases
Thus
words and the musical balancing
we may say that there exists the technical side
theory
the subject and the beautiful
that
practice
will
found that these two cannot
clear
think that
for
well
dissociated
the technical the first step towards the beautiful
necessary ingredient
the beautiful and
all without
that the beautiful which cannot arise

attractions

.

of

to

so

or to

would
not
the functions

,

At

technical

are

be

part and parcel
the
any rate
closely
they allied that
possible
say just exactly wnere
end
the one
the other begin

the technical must itself
of be

of

Art

the art that
many words this
certain
the outset that the
two fold
artistic writing must
business
satisfy the intelligence and
charm
the esthetic
making the thought
There
the need
sense

the
expressing
least
much

.

to

be

Turning

In

-

.
in

,

be of

so

, ;

—

,

,

its

we ask

is
a

;

of
"

- - up

of

he

be

an

,

,

views and opinions
expressed by
let them
resolutely upon
eye fixed

means but with
the danger ahead
that one might add this
perhaps that all extraneous matter shall
reservation
the
find
utterance only through the medium
all

know

—

of by It -

.

or

he

as

at

at

it

,

.

.

and important
Very well then

can the

.up

"

,

,

,

as

, ,

to

,
”

is

his

weighty
express

How

it

a

all 's

,

, ,

an it

;

on

a

to

at , as
in
,
in
a

often and
story

for

soon

,

is

it

"

.

in

,

,

It

.

80

pleases
ostensibly
ever
he may try the same experiment
showing
only
the risk
his peril always
always
jacking
hand
the risk
irre
trievably this deligbtful game
make believe
tongue tied
say that
shall
Nor
this
may
supposed have many
any way
He will
just

whilst

,

a

—

,

be

is

—

a

to

showman

-

's !

to

,
if

-

-

.”

At -

and
his
puppets
such
time
that the grown
years when
man will sigh for the bygone
the
reality
impossible
pass for
would
when the
пе
hearthrug was still Sahara
would seem then
the end that the con
clusion reaches further than we bad thought
vague thing this limit set
was
have been but
construction
the author
outward show
nearly
proves after
personality
definable
clearly the author may beat
essay
For
sound the trumpets and make his entry
the drum

*

the

interest

always
and this
the important point that
keeps within the confines
the actualities
life
that he arrogates
himself no Divine insight that
depicts the minds
other people only
humanly possible under the circumstances
the
evidence
their actions
But once let him break
away
step beyond the
from
this once
possible and the man and his abuse
logic the
palpable unreality
all will startle
out
the
whip crack
reverie with
the suddenness

is

-

!

a

of

-

of

!

desire

continuous

general

of

a

!

off

of

a

!

,

a

.

a

natural

the writer his presence
gotten
the more
—

as

is

!

,

,

ye

.

.

a

suffocatingly level headed douche upon romance
What
final knock out blow
the reader
imagination
After this
there remain
true
and deep study
life which
the fact there
fairly called
does not remain anything that may
story
The exposure has gone too far and one
inevitably and all against the
has slipped
back

mere colloquialisms must
unheeded
the run
the
story avowedly recorded by

,

.

to

different

as

a

in

)

I

,

at

(

of

dozen

that
clear
pikestaff
gods and little fishes what
But
wholesale rubbing
the gilt
the ginger
bread
What
candid display
the ropes and
pulleys
the trapdoors and machinery
What

",

is

a

of
" it
-- .
I

a

,

—

easily
course

speech
which
pass off well nigh
sentence
whilst

,

a

he

is

is

in be
“

to

is

to
a

Why

bring him forward
forth
which would seem
against his will
again
the diary form
narrative
where the author speaks throughout
from his note book
his memory
there
the
suggestion
nearly every word
his presence
hardly
But this
state the truth
for
the
practical effect
these two conditions
not quite
appears
you may observe
what
Indeed
personality
figures
there
no suggestion
all
of

is a

to

so

,

an

be

quite

presented

fashions

Then , for a last word , there is the chance that
over obtrusiveness may steal
were upon
the writer and take him unawares
There are certain
expression
terms
such
instance
upon my word
know
believe me
and

he

,

,

.

,

is

of it

,

is

it

worth there
Later
however with
the introduction
the chapters there follows
more real aggravation when direct reference back
made every here and there
antecedent happen
ings and that with
precision
nice and exact
openly reminded that
that the reader
the
story
reader and that the story
no more than
invented and recited by
much self evident writer
Nor this
the worst
For one may
Vanity Fair
point
page
have not the
novel by me and therefore cannot quote chapter
and verse
where Thackeray actually stops
make
address and explain how
this juncture some
particular character Becky Sharp
believe might

characters or as the natural outcome of the action
of the piece . A slight restriction at the most , it is in
this way that the semblance of reality is kept alive .

“

on

;

,

of

is

is

a

all
,

you

“

!”
There is that most unfortunate Preface ,
may remember , where the author announces
himself as a “ showman ” and his characters as
“ puppets .”
A small thing , perhaps , if that were
when
Preface
not
much account with
most folks and
often left unread
still for what

again

177

�THE AUTHOR .
.

of

be

a

,

,

!

,

-

to

?

-

it

,

at

,

In

.

in

a

to

a

,

in

of

.

is

of

on

,

is

to

.

,

of

to

an

,

be

in

to

it

is

, so

- its setto

,

is

.

in

no to

,

-

or

is

it

of

,

as

?

in

,

a

at

is

, :

in by of

, it

;

in

,

,

so

;

.

to

,

its

all

by

,

to

is

a

As

,

.

to

a

is

it to

,

in
a

no

it

in

a

exercise
needs
going some
energies
we
commonly
meet
half developed thing
receptive
large measure but only
doubt
though capable
modest degree perceptive
and
appreciating
picture seldom able
create one
thought
Hence
be readily communicated
a

;
.

is be

which

prompting
vigorous handling
arouse

be

to

of

's
it

,

,

.

it

in

of

.

,

's

in

he

,

,

so

clear field

some outside
it

-

on

a

it

,

is

it

,

writing

more than

is ,
to if

,
.

be

is

If
be

com

rare occasion indeed
which
not very promptly cast aside
Whence
follows
the author interest and
that
his
art that
must first discover and then fulfil those
conditions which enable the reader mind
work
thus easily and with the least expenditure
effort
by its very inevitableness
just
and
must
good
this that comes Dearest the root of all that

to

all

;
no

to
a is

in

;

.

with

concentrated
the one endeavour distracts the
necessary
attention which
for the accomplishment
the other because until advanced and perfected
apt
training the human mind
find its limit
doing one thing
time What question then
writing the author shall
that
this business
eliminate anything and everything that may distract
the reader
But just
not enough
stand aside from
the path
the over wrought athlete
refrain
pushing
from
the drowning
man
still further
beneath the surface
not enough that
appeal
the intellect we should
content merely
put
impediment
the way
The intellect
requires something
the average intellect that

a

of

in

of

,

—

of

,
—

's

not read

,

is

it

;
in

,

,

I

,

,

an

,

In

to at
to

.

of

the book

to

, !

a

in

to

;
it

as

as

.

making
inquiry into the laws
Style
Literature there are two main considerations which
prefer
once suggest themselves
first that we
and
do things easily rather than with effort
second that the mind works with greater facility
under one set
conditions than under another
These
such obvious truisms that there
need
proving them
waste time
lead
valuable
they teach us unmistakably
conclusion
that the
the comfort
author consideration must always

will

a

,
.

as

as

to

be

,

in

.

; of

in

in

is

is

,
it

to
to

a

.

Form

the reader

,

to to

,

of

,

,

always something
discussion
could wish
have reduced the final issue
its component
may be
parts
enables the attention
near
concentrate
itself more restrictedly
makes
for
better understanding
believe
the long
run
This section then deals with the question

fort

play at once and , during the earlier stages at
many dismal hours
failure
least there will
conversation rolling and listen the
Or again set
while
some talker on another subject and hey
presto
Or
confusion worse confounded
there
your head horizontally
finally rub the top
and
your belly with
the pit
circular motion and
twinkling the machinery comes
dead lock
and paralysis sets
short ask the mind
once and the simplest
issue two distinct orders
rnagnified into an achievement
act
can only
be accomplished after incessant and often laborious
practice And why
Simply because the attention
in

-

be

a

fix

Nevertheless , for the purpose B of clearer explana dividing line and
upon
tion , I propose to
taken
assume that the technical may
cover the broad principles which govern the con
the sentence and the paragraph and
struction
literature may be suitably
that all other qualities
set down under the heading
the beautiful
Form
we might say
one case
Grace
the other
precise
And though this
not
one

of

178

,

;

it

-

a of see
,

,

be

.

a

is

,

,

-

in

.

its

all

,

.

to

,

to

,

!

,

!

to

he

,

of in

it

if

a

,

,

of

.

At

in

visualised
the reader
full
significance
first glance then we are upon the brink
then the further duty
the author
most ponderous philosophical
discussion
The
stares him fairly and squarely
the face
must
helping hand
human mind
indeed
with
unfathomable
lend
The brief statement we
mystery
may
And thinking thus the temptation
insufficient for this lazy and too matter
therefore shall
be presented with
fact mind
close the volume and
shut down the page
wegreater completeness and with adequate detail lest
simpler things
Strangely
though
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happens
should not too readily tind them
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the omissiou
some particular
the whole become
scarcely
problem
this problem
all barely
obscure
worthy
the name when the truth comes out
these two principles
then
that the reader
Jast and we learn that this most intricate affairshall
no circumstances
distracted but
all
depends for its elucidation
nothing more abstruse
circumstances helped
true and full understand
jug we find the basis
those laws which govern
one elementary fact that
than the admission
Style
They are
the mind can work more easily when concentrated
Literature
set forth
Economy
than when distracted
That
wet blanket
Lewes
five
number
the law
the
great ideas
Simplicity
Sequence
outburst
trifle stowed away
law
the law
the law
Variety
nutshell
Five conditions
Climax and the law
See for yourself how true this
Consider the
then
fulfilled five terms
noted
suffi
good luck will have
ciently alarming
Juggle for
But
hand
first example that comes
single ball and
instance with
the innocence
these are again
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master

�THE AUTHOR .
necessarily
Simplicity , and
Climax
Sequence - we fall back , on Lewes ' sugonly - Economy ,
gestion , to three main headings
Climar , and Variety .

embracing
implying

be continued .)

ABOUT EDWIN DROOD .*

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Edwin Drood
and
Andrew Lang
Puzzle
Dickens
last Plot
He considers that
Edwin Drood was dead but gives much ground for
disagreement
his conclusion
those who find
such an issue improbable and disappointing
By what machinery
The second question
, in to “

(2
)

—

.

in

.

-

”

to ?

was the crime brought home
its author
must
whether
relation
some extent
answered
no and centres round
Edwin Drood was dead
or

,
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.

4s
,

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,

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's

90

.

.

net

Mystery

to

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of

,

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.

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his

up

"
"

About Edwin Droo
University Press
1911

“

's

, .

of

,

.

an

mysterious person
she does not know
Datchery obviously someone disguised and
probably someone already pamed
the book takes
Jasper
gather
abode
elbow and begins

which

named

show
the
man was alive when he meant
development
the story that he was dead
marshals fairly all the arguments that can be found
the
one answer and
the other
favour
question
Was Edwin Drood dead
with reference
throughout
Mr Cuming Walter
Clues
the

of of

, of

,

,

,

is

.

,
in

is

,

must
taken
woman
who keeps the
opium den where Jasper goes for regular debauches
unexplained
grudge against Jasper
has
and
possesses evidence against him the importance

to

to

-

to

us

,

's

that action

old

,

in

.

to

at

,

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,

to

on

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of of

and her bosom friend
Jasper
against
An

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Edwin

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an

.

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of

would have been
Rosa
the heroine
and
Drood
sweetheart
for wicked
love
opium fiend
whom Jasper
led into the crime
suspect the identity
comes
the villain
guardian and Edwin
Grewgious Rosa
solicitor
also
the same track
Helena Landless sister
the wrongfully accused Neville and confidante
her brother
behalf both
Rosa
determined
above

,

on

,

,

of

of

of

Drood has disappeared but certain further informa
conjecture what the
given which helps
tion
reply
the two questions formulated
Dickens

of as

of - of -

,

of

.

of

“

.

.

fragment

to

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it

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in

be

,

brought home
author
The
breaks
the place where Edwin

was the crime

up

to

is in

it

, ;

of

all

to

questions are
Was
By what machinery

succeeded
The main vexed
Edwin Drood dead
and

intended
which would ensure the identification
the body
The first obvious explanation
this
picture
reproduced
which
book
that Jasper
who had previously
we know
removed from the body all the jewellery of whose
existence
was aware had returned
the vault
recover the incriminating ring
One school
gone
critics says that the whole meaning
Edwin
Drood
not dead
these explain the cover
the
monthly instalment by saying that the figure
the
vault
not Edwin Drood at all but someone made
resemble him
and preferably
that the
Jasper and
figure portrays
terrible hallucination
not
real flesh and blood presence
This latter by
the way
view
Another school
critics
put such
figure
says that
the cover would
unjustifiable artifice
any
have been
the part
romancer
the part
author and unthinkable
being able
like Dickens able and conscious
make any explanation
the world possible
his
obligation
readers and therefore under
cheat
them from the outset by deliberately indicating that
a

in

,

is

to

,

tell

Edwin Drood
should
added here that Jasper
the crime ass
the scene
would naturally return
after his attempt
his nephew
found out that
his action had been quite purposeless that Edwin
longer betrothed
and Rosa were
but that the
ring not given
former carried upon him
Rosa

a

at

an

,

.

.
J

of .'s

H

brochure

Edwin Drood

the story

,

in

,

,

in

a

any detailed manner
probably familiar
readers
The Author
and
not they are
cordially recommended
remove the reproach
Something
their ignorance without delay
how
recapitulation
ever must
said
the way
the plot
make any remarks
the subject intel
ligible
The Mystery
Edwin Drood
tells
jealous
the murder
the eponymous hero by
Jasper suspicion
uncle John
the murder
murder there has been falling upon
named
Neville Landless
The mystery does not
the
anthorship
the crime for almost from the first
attempt
guilty
we know
that Jasper
and believes that he has
murder
his nephew
upon

him

“

, . -

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an

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around
famous unfinished povel
which
anony
the latest contribution written by
interesting addition
mous author
The book
dated from Trinity College Cambridge
which fact together
with the scholarly
acumen
accusing finger
displayed
the writing puints
commenting
There
no need
famous professor

Dickens

dead ?
If he was not , what had become of
for the story progresses to a point
months
disappearance
after
Death alone would seem
account for his silence
But
he was dead
what was the meaning
one
the illustrations
the cover
the monthly parts which clearly shows
Jasper entering
vaulted chamber with
lantern
and finding
that chamber the erect figure

Drood

, up

UITE

together the various clues . The indications given by
Dickens himself , therefore , are that the keeper of
Puffer " ), Helena
den (“ the Princess
the opium
Landless , Grewgious , and Datchery (the unknown
tracker ) will somehow , singly or in combination ,
bring justice home to Jasper.
( 1) Was Edwin
To go back to our questions .

be

( To

179

�THE AUTHOR .

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sub title
this work
The Confessions
Publisher
we shall
anticipate what we did not find
have bestowed
probably appear
the author
has
upon his book the highest possible praise
push
For
its sale
calculated
title which

of

WHEN we admit that the

of

.

:

of

Getting On The Confessions
Werner Laurie

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.

a

at

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at

he

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:

”

II.

John Adams Thayer
Publisher
London

“

er

of of

),

collection

must refer our readers
the pages
Book prices
may
where
seen
how widely
George Meredith
published
work often differed
from
what
had
first written
The whole
amount realised
the MSS
the sale exceeded
£1 500

Current

by

,

of on

In

.
in

(

miscellaneous

minutely accurate descrip

given
and
will
found
great deal more than might
suspected from
mere enumeration
their
titles
For these most interesting particulars

.
J.

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1910
2023

the MSS
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tion

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least one
sequel
American
the book makes Datchery
professional detective introduced
new character
spy upon Jasper
Edwin
Drood
friends
something
There
said
favour
these
theories and more
said against them
But
the various pros and cons will
found closely con
sidered
who plumps for Helena Landless
Mr Cuming Walters has done This
the
face
the most preposterous solution
the
puzzle
Datchery but
support
well does
cogent
and
his reasoning against any other
theory that
will find many supporters
the
course
his reasoning
shows that the
probability
Helena
Landless being Datchery
would be greatly increased by the transposition
place immediately
front
Chapter XVIII
Chapter XXIII
the last and unfinished chapter

high , but the information is , as always , of an inter
esting character . In the present case the attention
by
of authors is likely to be particularly
attracted
the sale of a number of autograph manuscripts of
George Meredith , of which all but one were the
property of his nurse , Mrs. Nicholls . (Sotheby .

be

disguise

male

at

Datchery

beneath

;

of

a

as

a

,

him

the identity
of Datchery . Datchery
is clearly
tracking Jasper down — there is no mystery about
that . Some have suggested that he was Edwin
Drood himself ; some have thought that Datchery
was an impersonation
either by the solicitor
Grewgious , or by his clerk Bazzard , who appears in
particularly foolish
the brief mention of
person but with
theatrical bent
mind
some
have thought that Helena Landless was hidden

,

180

.

its

of

or

,

of

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”,

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a
by

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Theatrical
Arthur

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theme

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which

“

the lucid manner

in

very

the

modern stage
Introduction
Mr Arthur
Bouchier
sufficient guarantee
the value
the little work which we have much pleasure
recom
mending We have been particularly
struck

.

In

.

be

,

8

1910

to

us

to

December

to

“

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of

unfolding
the man who has the right stuff
writing
the technique
the difficult

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not appear

1910

the prices

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Elliot

Book prices Current for
record
the sales from

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6

October

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London

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1911

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of

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III

Companion
The Dramatic Author
Manager
Reader
with
introduction
Bouchier
Mills and Boon

FRANKLY admitting that
make
dramatist
impossible the author
The Dramatic Author
Companion
doing more than
makes no pretence

.

Part

literature

.

.

Current

first part
911 contains

cases

of

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self evident

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the generous side and welcome
interesting
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secure readers
the grim tragedy
Cloisterham
scholarly and thoroughly exciting note upon
very intriguing matter

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legiti
and his pleading for their transposition
history
while this work
the one hand
very
piece
mate correction
astute
criticism
Jasper seems plucky and successful struggle from small begin
That the crime was brought home
painful
nings
the other hand
ease
we
Dickens
Life
for from Forster
undoubted
everything
else
exposition
subordination
the
Jasper
confess his crime
was intended
learn that
the scramble for remunerative advertisements
unwittingly while Sir Luke Fildes received instruc
first
advertisement makes
prison
Jasper
The
blessed word
prepare
illustration
tions
page
the preface
appearance
the second
whom detection was brought
but exactly how and
called
Confidence
and
last
the last
mystery that still defies solution
about
page but one
the last chapter and dominates the
Exactly where
some competitive
order
anyone needs
be convinced that
whole story
The Mystery
works we should place
Dickens
becoming
has
least periodical publication
considerable
matter
Drood
Edwin
hoarding
for adrertise
already become merely
many this fragment seems the promise
dispute
That such
here
that fact
English
whilements the evidence
of the finest sensational novel
things
evil absolutely destructive
state
weariness
the author
indications
others see

and

�distinguished

DRAMATISTS

.

,

brought the

23
,

I

,

it

it,

a

then

the

I

wish

now

this Society
and
must
me unjustly inade

,
I

—

of

to

say
wanted
and what
the members and associates
feel that very inadequate

to

.

of

,
of

on

of

of

Authors

would
much smaller number

,

of

to

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no of

of as ;

as

,

to

,

it is

it

be

It

of

.

or

),

,

.

.

,

W

PERCY
AMES
Secretary
the Royal Society
Literature
the United Kingdom
of of

of

it

,

,

Yours faithfully

or or
,

which

it ,

's

on

on

occasion

fifteenth

.

has

been presented

,
if

of

of

to

is

It

his

of

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to

“

”

,

in

?

was the

whereas this

of an

—

to

SIR
Will you allow me
correct
your account under
General Notes
the presentation
Mr William Meredith
the
gold medal
the Royal Society
Literature which
bad been voted during
lifetime
the late George
gold
Meredith
there stated that the society
only two occasions
medal had been awarded
DEAR

error

,

a

O
M

,
.
.

GEORGE MEREDITH

,

it

I

,

am

in

,

to

reluctantly
add
what seem
steps have been taken
deciding wbo are
quate
and who are not its dramatic members for
informed that
has been decided that they are
play produced
those who have had
and that there
fore
was only
such that
notice
the pro
point out
posed
wish
confereuce was sent
accepted the being
that
that definition
piece
dramatist will become purely
luck depen
dent not upon what the writer the member
Associate
the Society
has done bas conceived
and created
but upon what has been done by
may
others with his
her work
that
just the existing condition
things that makes
perhaps
impossible
difficult
even
some
get their dramatic work
members
associates
produced and which might therefore prevent such
persons from ever being recognised
dramatists
hence the inclusion among dramatists
such
although
play
have done dramatic work
theirs may have been before the public might lead
some suggestions being made which would be

-

.

the

at

,

is

that

I all I

What
inform

CORRESPONDENCE

given

-

perhaps have reached
public than
now will
it

.

he
is

Had the opportunity been
annual meeting
the Society
might have
Thursday
March
subject
this letter before
but
SIR

,

's

of to

to

is

.”

"

in

be

.

the

of

the rest

is of

the value

to

by

"

,

and not less
the advice
particularly con
the book
The author
gratulated upon having bad the sense
insist upon
importance
every
dramatist
Aristotle
Poetics
That
evidence that the author under
writing
stands the subject upon which
" construction
impressed

181

,

are

THE AUTHOR .

by

to

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to

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era

new

lead

the

the play

.

a

introduction
performing world

in

of

“

dramatists

speedier

to

“

” it

of to in

so

HUBERT HAES

.

is !

in

of

play writers among

If, as

be

.

.

a

described
dramatist
untenable
however his
great many people who have

us

to
a

to

should
entitled
This view seems
argument
that

a

to

the above letter seems
play

,

:—

be

[

The writer

any person who has written

is

a

.

,

Faithfully yours
GRACE TOPLIS

NOTE
argue that

of

--

.

.

to

of

so

so

—

,

at

a

-

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?

to

be

blunder

! do
!

it

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of

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to

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file

to

't

on

.

entirely for themselves
They nominated not one
One
will
The harm
The pity
And this
always sorry
chance missed
see
slight
their fellow workers has been iniicted
the rank
As one
the whole world
the sight
impossible not
resent the undeserved
and
indignity
and all who
whom we
the leaders
justly proud
love literature
are
Can nothing
silly and mischievous
remedy
done

in

of

of
of

.

a

of

,

three names which even then would not have been
fourth
the representation the gentlemen kept

tion even might
devised
Every dramatic writer must have
beginning
just
production
every book writer
the matter
publication
must
the matter
but this seems
have been curiously overlooked
the very quarter
which one would have expected
have found
unproduced
regarded and
the inclusion

-

or

to

a

of

it

on

's

of of for

man

,

to

of

.

that not

had thought
name down

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It

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a

to
-

the council
com
put any
worth while
the list they recommended
Royal Society
Society
the Academic
Committee
the Royal
demic Committee
the
Literature We women members
the Society
Authors could have promptly suggested
least

the fact
mittee
woman

the play
any
Some distinction might
made
there
real need
between those who have and have
play produced
not had
inst
distinction
made
means
the words
member
and
associate
between those authors who have and
have not had
book published
some new designa
tör

.

COMMITTEE

only dawned
me very slowly
great slight had been shown
day what
women writers by their own Society
Authors by

in to

THE ACADEMIC
DEAR SIR

making the road
world
the writer
the dramatist

the dramatic
production easier

use

�THE AUTHOR .
of

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�ADVERTISEMENTS .

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AUTHORS wishing

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223a HAMMERSMITH

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,
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LONDON

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The former Editor
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Many thanks for your advice
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              <text>The Elutbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.-No. 7.&#13;
APRIL 1, 1911.&#13;
[PRICE SIXPENCE&#13;
CONTENTS.&#13;
PAGE&#13;
153&#13;
153&#13;
153&#13;
154&#13;
154&#13;
157&#13;
158&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Books published in America by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ... ... ...&#13;
The Public Domain&#13;
Copyright in Fiction and Cinematograph Representations&#13;
Magazine Contents .&#13;
How to Use the Society&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors ...&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch ...&#13;
Remittances&#13;
General Notes ...&#13;
Committee Election&#13;
General Meetings&#13;
Thackeray and the Dig&#13;
Literature&#13;
Style in Literature&#13;
About Edwin Drood&#13;
Short Reviews ...&#13;
Correspondence&#13;
PAGE&#13;
166&#13;
166&#13;
166&#13;
166&#13;
166&#13;
166&#13;
167&#13;
168&#13;
168&#13;
171&#13;
175&#13;
179&#13;
180&#13;
181&#13;
159&#13;
162&#13;
163&#13;
164&#13;
164&#13;
165&#13;
165&#13;
165&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 1s.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
8. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
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&#13;
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## p. 152 (#210) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegrapbic Address : "AUTORIDAD, LONDON,"&#13;
Telephone No.: 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, OM&#13;
COUNCIL&#13;
SIR ROBERT ANDERSON, K.C.B. AUSTIN DOBSON.&#13;
AYLMER MAUDE.&#13;
SIR WM.REYNELL ANSON, Bart., D.O.L. SIR ARTHUR CONAN DOYLE,&#13;
JOSTIN MCCARTHY.&#13;
THE RIGHT HON. THE LORD AVE DOUGLAS FRESHFIELD.&#13;
THE REV. C. H. MIDDLETON-WAKE,&#13;
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(BOBY, P.C. SIR W. S. GILBERT.&#13;
SIB HENRY NORMAN,&#13;
SIB ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
SIR GILBERT PARKER, M.P.&#13;
ROBERT BATEMAN.&#13;
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SIR ARTHUR PINERO.&#13;
F. E. BEDDARD, F.R.8.&#13;
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MRS. HARRISON (“LUCAS MALET''). PLUNKETT, K.P.&#13;
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ARTHUR RACKHAM.&#13;
BELL, P.C.&#13;
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MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
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THE REV. PROF. BONNEY, P.R.S. W. W. JACOBS,&#13;
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THE RIGHT Hon, THE LORD BURGH. JEROME K. JEROMR.&#13;
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CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
HALL CAINE,&#13;
J. SCOTT KELTIE, LL.D.&#13;
Mus. Doc.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
MRS. HUMPHRY WARD,&#13;
KGERTON CASTLE, F.S.A.&#13;
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THE REV. W.J. LOFTIE, F.S.A.&#13;
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SHAW).&#13;
FIELD-MARSHAL THE RIGHT Hox.&#13;
BIB W, MARTIN CONWAY,&#13;
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THE RIGHT HON. THE LORD CURZON LYALL, P.C.&#13;
P.O., &amp;c.&#13;
OF KEDLESTON, P.C.&#13;
MRS. MAXWELL (M. E, BRADDON).&#13;
-&#13;
---&#13;
-&#13;
--&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | W. W. JACOBS.&#13;
S, SQUIRE SPRIGGE,&#13;
MR. BELLOC-LOWNDES.&#13;
AYLMER MAUDE&#13;
FRANCIS STOBR.&#13;
MRS. E. NESBIT BLAND,&#13;
ARTHUR RACKHAM.&#13;
SIDNEY WEBB,&#13;
J. W. COMYNS CARR.&#13;
G, BERNARD SHAW.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-SIR ARTHUR PINERO. Vice-Chairman-HENRY ARTHUR JONES.&#13;
H. GRANVILLE BARKER,&#13;
Miss CICELY HAMILTON.&#13;
CECIL RALEIGH.&#13;
J. M, BARRIE.&#13;
CAPT. BASIL HOOD.&#13;
G. BERNARD SHAW.&#13;
R. C. CARTON.&#13;
JEROME K. JEROME.&#13;
ALFRED SUTRO.&#13;
ANSTEY GUTHRIE,&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-MAURICE HEWLETT.&#13;
MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
| M. H. SPIELMANN.&#13;
MRS. HUMPHRY WARD,&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS,&#13;
H, A. HINKSON.&#13;
E, J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
M, H. SPIELMANN,&#13;
| HERBERT SULLIVAN.&#13;
SIR CHARLES VILLIERS STANFORD, SIR JAMES YOXALL, M.P.&#13;
Mus. Doc.&#13;
WAAN&#13;
ART.&#13;
THE Hox. JOHN COLLIER.&#13;
JOHN HASSALL, R.I.&#13;
ARTHUR RACKHAM.&#13;
SIR W. MARTIN CONWAY.&#13;
J. G. MILLAIS.&#13;
| M. H, SPIELMANN.&#13;
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
cround . .. --*.!!&#13;
G. HERBERT THRINC. 39. Old Queen Street Storeva Gate, gw } Solicitors.&#13;
Solicitor in England to&#13;
La Société des gens de Lettres.&#13;
Legal Adviser in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
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## p. 152 (#211) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
-PLAYS&#13;
Mr. Forbes Dawson&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' continuous experience of the stage in every class of theatre, and every&#13;
class of play in all parts of the world.&#13;
Late of:—The Theatre Royal, Haymarket, Prince of Wales', Vaudeville, Gaiety, Comedy, Wyndham's,&#13;
the new and old Strand, the Playhouse (late Avenue), Terry's, and the Adelphi.&#13;
MASTER OF STAGE CRAFT AND PLAY CONSTRUCTION.&#13;
Author of many plays produced in Great Britain and America.&#13;
Adapter of several Novels to the Stage.&#13;
Gives Practical Advice upon Plays.&#13;
Dramatises Books and Short Stories.&#13;
NO THEORIES.&#13;
No charge for reading and giving a practical report on a play.&#13;
NR. FORBES Dawson is qualified to advise upon play construction and stage craft, having gone through a practica&#13;
training—not upon the London stage only--but also in the hard and varied mill of the provinces, and the dramatic&#13;
stock companies in the Canadas, California, and the United States of America.&#13;
ADDRESS: 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
ESTABLISHED)&#13;
(XVIII. CENT.&#13;
The Wessex Press, Taunton.&#13;
BARNICOTT &amp; PEARCE&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
BEING PERSONAL REMINISCENCBS OF&#13;
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SAMPSON LOW, MARSTON &amp; CO., LIMITED.&#13;
NOW READY. Demy 8vo, gilt, gilt top, buckram, illustrated. Price 10s. 6d. net.&#13;
FROM MEMORY’S SHRINE. By CARMEN SYLVA. BEING&#13;
“Is an inspiration."-Evening Standard. “Written with a charm that is quite real."---Daily Express.&#13;
PHENOMENAL SUCCESS OF A NEW AUTHOR.&#13;
ELEVENTH EDITION IN THE PRESS. Crown 8vo, cloth. Price 6s.&#13;
THE BROAD HIGHWAY: A Romance of Kent. By JEFFERY FARNOL.&#13;
LONDON: SAMPSON LOW, MARSTON &amp; CO., LD.&#13;
"FEEDING AND MANAGEMENT IN INFANCY.'&#13;
By ARTHUR A. BEALE, M.B.&#13;
Containing Chapters on-CAUSES OF INFANT MORTALITY; FOOD, AND HOW TO&#13;
FEED; ARTIFICIAL FEEDING ; SPECIAL INFORMATION FOR MOTHERS, &amp;c.&#13;
Stiff Paper Cover, 6d.; Cloth, ls.&#13;
J. F. BELMONT &amp; CO., 29, Paternoster Square, E.C.&#13;
&#13;
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## p. 152 (#212) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
“The Book Monthly is now enlarged and makes an exceedingly&#13;
pleasant and readable publication."&#13;
- CLAUDIUS CLEAR, in the British Weekly.&#13;
•&#13;
THE ..&#13;
BOOK MONTHLY.&#13;
BARGAINS IN BOOKS.&#13;
Terms—Cash with order. The Tissot&#13;
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Novels, all nearly new and in good&#13;
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and postal orders L. &amp; S.W. Bank,&#13;
Fleet Street Branch.J. F. BELMONT&#13;
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You know the "Book Monthly" by name-you&#13;
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It is an instructing. entertaining "guide,&#13;
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you will know what to read; what's what and&#13;
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The Book Monthly is published on the first of each month by&#13;
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It costs Sixpence, and it can be ordered from any Bookseller. Book.&#13;
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The whole invention is of English Manufacture. The Cloth&#13;
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Should an accident cause any part of the mechanism to break,&#13;
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A FEW PRESS OPINIONS.&#13;
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&#13;
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## p. 152 (#213) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
THE AGENCY WITH INFLUENCE&#13;
Thanks to its straightforward business methods, and its strictly selective principle, the C.L.A. is now&#13;
placing literary matter with over 160 (one hundred and sixty) English Publishers and&#13;
Periodicals.&#13;
THE HIGHEST TEST of an agency's proficiency is the placing of novels by unknown authors at the&#13;
Publisher's entire risk. Clever FIRST BOOKS, recommended by the C.L.A., have been accepted&#13;
by George Allen &amp; Sons, Ouseley Ltd., Greening &amp; Co., Digby Long &amp; Co., Gardner Darton &amp; Co., Newnes Ltd.,&#13;
The Century Press, Alston Rivers, Ltd., Andrew Melrose, Longmans, Green &amp; Co., Stanley Paul &amp; Co., John&#13;
Long, Ltd., etc., at the Publisher's entire expense.&#13;
Below is reproduced one from many hundreds of generous appreciations :-&#13;
Rose Farm, Thornwood Common, Epping, Essex,&#13;
Wednesday, Varch 15th, 1911.&#13;
DEAR MR. MAGNUS,&#13;
I feel it is only due to you that I should write an unofficial letter to thank you for the very excellent terms&#13;
you have arranged for me for my first novel. If authors only knew the advantage of employing a Literary&#13;
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With many and sincere thanks, faithfully yours,&#13;
C. JAMES (Lt.-Colonel).&#13;
16-page Prospectus free on application to-&#13;
The CAMBRIDGE LITERARY AGENCY, 115, Strand, W.C.&#13;
Or by 'Phone-1648 GERRARD.&#13;
To Authors and Journalists.&#13;
WANTED!&#13;
AUTHORS' MSS., PLAYS, AND GENERAL COPYING.&#13;
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C. HERBERT CÆSAR.&#13;
Homefield, Woodstock Rd., ST. ALBANS, HERTS.&#13;
The writer, whether he aspires to write novels, short stories,&#13;
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THE COURSE OF LITERARY TRAINING promoted by&#13;
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For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
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AUTHORS' TYPEWRITING.&#13;
.&#13;
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MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD.&#13;
"First Lessons in Story Writing."&#13;
TYPEWRITING.&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. 8d. net. 26. 8d. post free.&#13;
of this work the Westminster Gazette writes :" The&#13;
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MISS FOWLER, Maxwell House, Arundel&#13;
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EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
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A Practical Guide ; full of useful hints.&#13;
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Telephone 2308 City. 5, Duke Street, Adelphi, W.C.&#13;
&#13;
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## p. 152 (#214) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
83&#13;
www boondocomm&#13;
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0000000ommen bei&#13;
YO&#13;
COTTERILL &amp; CROMB,&#13;
Literary, Artistic, and Dramatic Agents.&#13;
The Managers of this Agency have exceptional facilities for placing Novels with the best&#13;
Publishers. They have also a unique knowledge of the Buying and Selling of Magazine, Periodical and&#13;
Newspaper Fiction. During the past six years they have placed Serials, Short Stories, Articles and&#13;
Black and White Illustrations in all the leading British, Colonial and American publications on very&#13;
favourable terms. New Authors of real promise receive encouragement and helpful advice. Expert&#13;
knowledge is brought to bear upon every MS. with a view to placing it to the best advantage. Many&#13;
Authors whose names are now well known were introduced to the reading public through the Managers of&#13;
this Agency who have a long and close personal and business connection with the principal Publishers&#13;
and Editors.&#13;
DRAMATIC ADVISER—MR. WILLIAM MOLLISON.&#13;
Mr. William Mollison, the well-known London and provincial actor, who acts as dramatic adviser&#13;
for Messrs. Cotterill &amp; Cromb, has played Richelieu in " The Musketeers," at the Haymarket ; Cardinal&#13;
Colonne in “ Daute" with Henry Irving at Drury Lane; and Pistol in “ King Henry V." at the Lyceum ;&#13;
and he was for some time in partnership with Lewis Waller. He produced " The Bonnie Briar Rose" at&#13;
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Messrs. Cotterill &amp; ('romb's clients have thus the advantage of Mr. Mollison's great influence and&#13;
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"An indispensable book of reference for authors and&#13;
journalists."-Daily Graphic.&#13;
Special Announcement to Authors!&#13;
LITERARY YEAR-BOOK (1911)&#13;
Crown 8vo.]&#13;
Price 6s. net.&#13;
[970 pages.&#13;
Many would-be Competitors in&#13;
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are prevented from entering simply&#13;
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REMARKABLE OFFER!&#13;
PRINCIPAL CONTENTS : --- Authors' Directory ;&#13;
Literary Agents ; Typists ; Indexers ; Translators ;&#13;
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and Clubs ; A classified list of cheap reprints (95&#13;
different series), etc., etc.&#13;
Opinions of Authors:--"Many thanks for the help which the&#13;
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"A work with a wide reputation and one justly earned."-&#13;
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If you will send your MS. and&#13;
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DONT HESITATE! WRITE AT ONCE !&#13;
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Address : c/o GEORGE ROUTLEDGE &amp; SONS, Ltd.,&#13;
68, Carter Lane, London, E.C. |&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
&#13;
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## p. 153 (#215) ############################################&#13;
&#13;
The Autbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
Vol. XXI.—No. 7.&#13;
APRIL 1ST, 1911.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
DOR the opinions expressed in papers that are&#13;
T signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
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ROM time to time members of the Society&#13;
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increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
LIST OF MEMBERS.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
VOL. XXI.&#13;
M HE List of Members of the Society of Authors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post frec 74d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
&#13;
&#13;
## p. 154 (#216) ############################################&#13;
&#13;
154&#13;
THE AUTHOR.&#13;
1-&#13;
.&#13;
-&#13;
-&#13;
:&#13;
:&#13;
0 10&#13;
6&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
. end of the list for the convenience of those who&#13;
£ &amp;. d.&#13;
desire to add future elections as they are chronicled Feb. 21, Rhys, Ernest ,&#13;
from month to month in these pages.&#13;
Feb. 21, Cameron, Mrs. (Charlotte) . 1 1 0&#13;
Feb. 21, Mulliken, Mrs. .&#13;
. () 5 0&#13;
March 9, Boughton, Rutland . . 0 5 0&#13;
March 10, Somers, John . . .&#13;
THE PENSION FUND.&#13;
0 5 0&#13;
Donations.&#13;
N February 1, the trustees of the Pension&#13;
1911.&#13;
Fund of the society—after the secretary&#13;
had placed before them the financial Jan. 2, Northcote, The Rev. H.. . ( 5 0&#13;
position of the fund-decided to invest £250 in Jan. 2, Mackenzie, Miss J. .&#13;
0 50&#13;
the purchase of Consols.&#13;
Jan. 3, Church, Sir Arthur H. .&#13;
1 1 0&#13;
The amount purchased at the present price is Jan. 3, Wasteneys, Lady&#13;
0 5 0&#13;
£312 13s. 4d.&#13;
Jan. 4, P. H. and M. K. ..&#13;
2 2&#13;
This brings the invested funds to £4,377 19s. 4d. Jan. 4, Randall, F. J.&#13;
1 l&#13;
The trustees, however, have been unable to recom-&#13;
Jan. 5, W. .&#13;
0 10 0&#13;
mend the payment of any further pensions, as the Jan. 5, Crellin, H. N.&#13;
0 5 0&#13;
income at their disposal is at present exhausted. Jan. 5, S. F. G..&#13;
0 10 0&#13;
They desire to draw the attention of the members Jan. 6, Blake, J. P. .&#13;
1 1 0&#13;
of the society to this fact, in the hope that by Jan. 7, Douglas, James A. .&#13;
1 0 0&#13;
additional subscriptions and donations there will Jan. 9, Grisewood, R. Norman.&#13;
0 5 0&#13;
be sufficient funds in hand in the course of the&#13;
Jan. 10, Wharton, Leonard C. .. o) 10 0&#13;
year to declare another pension in case any im. Jan. 12, Tanner, James T.. .&#13;
portant claim is forthcoming.&#13;
Jan. 16, Kaye-Smith, Miss Sheila . () 5 0&#13;
Jan. 17, Kemp, Miss Emily G.. . 1 1 0&#13;
Consols 24%...&#13;
........... £1,312 13 4&#13;
Jan. 21, Greenstreet, The Rev. W.&#13;
0 5 9&#13;
Local Loans ........&#13;
... 500 0 0&#13;
Jan. 26, Blundell, Miss Alice . . 0 5 0&#13;
Victorian Government 3% Consoli-&#13;
Jan. 28, Benecke, Miss Ida . 0 5 0&#13;
dated Inscribed Stock&#13;
291 19 11&#13;
Jan. 30, Wilkinson, The Rev. C.J. 1 1 0&#13;
London and North-Western 3% Deben-&#13;
Feb. 2, Lawes, T. C. .&#13;
0&#13;
ture Stock .....................&#13;
.&#13;
5&#13;
250&#13;
.&#13;
0&#13;
0&#13;
.&#13;
0&#13;
Feb. 3, Dawson, Mrs. F. .&#13;
( 5 0&#13;
Egyptian Government Irrigation&#13;
Feb. 3, Tweedie, Mrs. Alec&#13;
Trust 4% Certificates ......&#13;
Feb. 10, Dale, T. F. . .&#13;
Cape of Good Hope 32% Inscribed&#13;
Feb. 13, Machen, Arthur.&#13;
( 10 )&#13;
Stock ........................&#13;
200 0 0&#13;
Feb. 21, Strachey, Lady .&#13;
Glasgow and South-Western Railway&#13;
Feb. 25, Humphreys, Mrs. (Rita)&#13;
4% Preference Stock.&#13;
228 0 0&#13;
March 3, Gibbs, F. L. A. .&#13;
( 10 0&#13;
New Zealand 32% Stock ............... 247 96&#13;
March 6, Haultain, Arnold.&#13;
1 1&#13;
Irish Land Act 23% Guaranteed Stock&#13;
0&#13;
•&#13;
258 0 0&#13;
March 9, Hardy, Harold .&#13;
: 0 10 0&#13;
Corporation of London 2% Stock,&#13;
March 9, Hutton, E. . .&#13;
. . j 0&#13;
1927-57 ...&#13;
438 2 4&#13;
March 10, Wilson, Albert .&#13;
. 0 5 0&#13;
Jamaica 31% Stock, 1919-49. ........ 132 18 6&#13;
March 16, Ward, Dudley . . .&#13;
Mauritius 4% 1937 Stock............&#13;
( 10 6&#13;
120 121&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Grant Stock, 1938.......... .......... 198 3 8&#13;
COMMITTEE NOTES.&#13;
Total ............... £4,377 19 4&#13;
DHE March meeting of the Committee of the&#13;
Subscriptions,&#13;
society was held on the 6th ult., at the&#13;
1911.&#13;
£ $, d.&#13;
society's offices, 39, Old Queen Street, S.W.&#13;
After the reading of the minutes of the previous&#13;
Jan. 3, Yolland, Miss E. .&#13;
0 5 0 meeting, and arising out of them, Sir Alfred&#13;
Jan. 3, Bowen, Miss Marjorie . 1 1 0 Bateman stated that he had drawn the attention of&#13;
Jan. 9, Bolton, Miss Anna . . 0 5 0 the Advisory Committee on Commercial Intelligence&#13;
Jan. 13, Edginton, Miss May . () 5 () of the Board of Trade to the large number of&#13;
Feb. 11, Canpan, Gilbert . . . 0 10 6 dramas of British authors which were being&#13;
Feb. 15. Reynolds, Mrs. Baillie . 0 5 0 produced in the chief cities abroad. He asked if&#13;
.&#13;
-&#13;
.&#13;
-&#13;
-&#13;
.&#13;
.&#13;
200&#13;
.&#13;
.&#13;
- Conduru&#13;
.&#13;
.&#13;
.................&#13;
.&#13;
. .&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 155 (#217) ############################################&#13;
&#13;
THE AUTHOR.&#13;
155&#13;
arrangements could be made by which Consuls or purpose, the secretary was instructed to apply to&#13;
Commercial Correspondents could notify to the the member for the fullest information as to th&#13;
Commercial Intelligence Branch for transmission ownership of the copyright, date of publication,&#13;
to the Society of Authors the title of any English and other particulars necessary to make the case&#13;
play mentioned in the local newspapers as being in clear. On the receipt of the opinion the matter&#13;
the course of performance, so as to safeguard will be reconsidered by the committee.&#13;
British authors' interests. He reported that the The solicitor then furnished the committee with&#13;
matter was now being considered by the depart- a report of the work he had in hand for the society.&#13;
ments concerned, and he hoped that good might Of ten small County Court cases four had been&#13;
result.&#13;
settled. In two others default summonses had been&#13;
Following this statement, the committee turned issued and served. In one of the remaining cases&#13;
to the election of members and associates. Twenty- they were waiting for the affidavit of the member&#13;
five were elected, bringing the elections for the before issuing the default summons. One claim it&#13;
current year up to seventy-two. There were ten had been necessary to abandon owing to the author&#13;
resignations, bringing the resignations for the year being too ill to give evidence, and the two remain-&#13;
up to forty-five. The number of elections is rathering claims had been arranged to the satisfaction of&#13;
above, and the number of resignations rather below the authors. Three claims had been raised for the&#13;
the average.&#13;
return of MSS. ; one had been abandoned owing to&#13;
Cases. The first case considered by the insufficient evidence. In another the paper had&#13;
committee related to an alleged error in a publisher's gone into bankruptcy and matters were in a state&#13;
accounts. In a statement prepared by the member of confusion, so that it was impossible at present&#13;
he expressed his desire that the society should to obtain a satisfactory answer, though it was hoped&#13;
pay for an accountant to investigate the publisher's that, in the end, the MS. would be found. In the&#13;
books. After careful consideration, the committee last case a portion of the MS. had been returned.&#13;
came to the conclusion that the case was hardly and it was hoped that the balance would be&#13;
strong enough to justify such a course, and forthcoming.&#13;
regretted they were unable to proceed with it, In one claim against a magazine for money due&#13;
but stated that if the author could produce any for serial matter supplied, it had been arranged&#13;
further evidence to establish his contention, they that some of the instalments should be paid for in&#13;
would willingly reconsider the matter.&#13;
full, but for the balance, owing to the liquidation&#13;
In the next case—that of a bankrupt publisher of the magazine, the author would be bound to&#13;
-twelve members were involved. The solicitor of prove in the bankruptcy.&#13;
the society, having made a report of the history of After the conclusion of the cases, the committee&#13;
the publishing concern, the committee decided, proceeded with the consideration of the ordinary&#13;
after some discussion, to take steps to throw the business of the society. The first matter related to&#13;
whole concern into bankruptcy, not only for the the Copyright Bill, and a letter from the president&#13;
benefit of authors already involved, but also in of the Publishers' Association covering certain&#13;
order to save other writers from becoming mixed resolutions from that body was laid before the&#13;
up in this company.&#13;
committee, together with correspondence that had&#13;
The secretary reported a case laid before the passed between the secretary of the society and the&#13;
society, by a member, in which he brought a charge permanent secretary of the Board of Trade. The&#13;
against one of the big magazines. He stated that secretary was instructed to write to the president&#13;
having investigated and considered the papers, he of the Publishers' Association, and also to&#13;
had come to the conclusion that no claim could be communicate to the Board of Trade the view of&#13;
established against the magazine in question, but as the committee on the important point that was&#13;
the member had pressed for the case to go before under discussion.&#13;
the committee, he had sent the papers to the society's The question of expenditure incidental to the&#13;
solicitor, and the solicitor had expressed the same summoning of the Dramatists' Conference was next&#13;
opinion as that given by the secretary. In the considered by the committee, who sanctioned pay-&#13;
circumstances, the committee decided they could not ments for the hiring of the hall, printing of&#13;
take the matter further.&#13;
circulars, etc.&#13;
The next case before the committee arose out of The literary agency agreement drafted by the&#13;
the infringement of the dramatic rights of one of secretary was laid before the meeting, and it was&#13;
the members, by a cinematograph performance of decided to adjourn discussion of this document, as&#13;
the United States. In this case the committee well as the question of establishing a loan fund to&#13;
decided to take the opinion of a United States the next meeting, when it was possible both matters&#13;
lawyer so as to ascertain what relief (if any) could would be referred to a sub-committee.&#13;
be obtained under the United States law. For this The secretary reported that two members of the&#13;
&#13;
&#13;
## p. 156 (#218) ############################################&#13;
&#13;
156&#13;
THE AUTHOR.&#13;
society had become life members ; that Mr. Arnold a correct title, and how when that title is proved it&#13;
Haultain had made a donation of £1 ls. to the is impossible to take action if the infringement has&#13;
Capital Fund ; and Miss E. M. Ducat a donation occurred before registration. Holders of literary&#13;
of £1 to the same fund, out of money recovered by copyright have, at least, the satisfaction of knowing&#13;
the society.&#13;
that they may register at any time before action is&#13;
coinmenced, and thus far they have a considerable&#13;
advantage over their unfortunate brethren, the&#13;
DRAMATIC SUB-COMMITTEE.&#13;
artists.&#13;
There was one claim for the return of MSS., and&#13;
A SPECIAL meeting of the Dramatic Sub-Com this has been successful, and two matters came into&#13;
mittee was held on Friday, March 3. After thethe Secretary's hands in regard to the duplication&#13;
minutes of the previous meeting had been signed,&#13;
of titles. These matters are very often difficult to&#13;
the secretary placed before the members a case&#13;
settle, but in the present instances, the Secretary&#13;
which had recently come into his hands, with refer-&#13;
was bound to advise the members that they had not&#13;
ence to the infringement of a work of one of the&#13;
established any property in their titles by user. In&#13;
members by a cinematograph performance in the&#13;
most of these cases, if any question arises before the&#13;
United States of America. The sub-committee&#13;
book is published or the play performed, it is&#13;
referred the matter to the Committee of Manage-&#13;
possible to come to some arrangement satisfactory&#13;
ment, with a strong recommendation that the Com-&#13;
to both parties, as the offending party is usually&#13;
mittee of Management should give the matter their&#13;
an innocent offender and is willing to fall in with&#13;
earnest consideration, first, by ascertaining the exact&#13;
the views of a brother author, if such views do&#13;
legal rights of the member, and, secondly, by guard-&#13;
not necessitate a heavy financial loss.&#13;
ing those rights by an action for injunction and There were three demands for accounts. One of&#13;
damages if it was possible to do so.&#13;
these has terminated satisfactorily, and two are still in&#13;
The next matter under discussion was a proposal the course of negotiation. There have been two&#13;
to call a conference of the dramatists of the Society. disputes on agreements, one of which has had to&#13;
It was decided that a vote should be taken with a be transferred to the solicitors, and one has been&#13;
view to recommending to the Committee of Manage settled owing to the explanation given by the&#13;
ment, candidates for appointment to the Dramatic&#13;
publisher.&#13;
Sub-Committee for the current year, and that the&#13;
Nearly all the cases open from last month have&#13;
report of the present Dramatic Sub-Committee either been closed, or placed in the hands of the&#13;
should be laid before the conference for discussion, Society's solicitors. In two cases the Society was&#13;
and that other subjects should be put forward on unable to carry the matters further, owing to lack&#13;
which resolutions should be moved, one subject of of proper evidence on which to base a legal claim.&#13;
particular interest to dramatists being the single Three cases that are still open refer two to matters&#13;
licence for music halls and theatres.&#13;
in the United States and one to an action in&#13;
Germany. In these cases, the negotiations must&#13;
necessarily take a long time.&#13;
Cases.&#13;
DURING the past month sixteen cases have been&#13;
in the hands of the Secretary, when it has been&#13;
March Elections.&#13;
necessary for him to intervene between the author&#13;
and the opposite party. The cases have been of Arnold, Mrs. G. 0. .. Broomfield, Sheffield.&#13;
various kinds. Of two for accounts and money, Ayscough, John . . The Manor House,&#13;
one has been settled and one is still in the course&#13;
Winterbourne, Gun-&#13;
of negotiation. Of five for money only two have&#13;
ner, Salisbury Plain.&#13;
been satisfactorily settled, and the remaining three Blair, H. B. . . . 17, Glover's Road,&#13;
are in the course of negotiation. One, however,&#13;
Reigate.&#13;
is a serious matter which will have to come before Boughton, Rutland , Midland Institute,&#13;
the Committee at their next meeting. One case&#13;
Birmingham.&#13;
dealing with the infringement of copyright, the Comins, Miss Catherine 39, Bond Street, Ealing,&#13;
Secretary was obliged to advise the member could May Clapham&#13;
W.&#13;
not be carried forward owing to a defect in the Hutton, Edward . . 134, Lauderdale Man-&#13;
title. It dealt with artistic copyright, and all those&#13;
sions, W.&#13;
who know anything about Copyright Law know Hynes-Hurst, Mrs. , Writers' Club, 10, Nor-&#13;
how hopelessly unsatisfactory artistic copyright is&#13;
folk Street, W.C.&#13;
for the artist ; how it is almost impossible to prove Kinloch, Alexander Harrow-on-the-Hill.&#13;
&#13;
&#13;
## p. 157 (#219) ############################################&#13;
&#13;
THE AUTHOR.&#13;
157&#13;
Lowndes, F.S.A. .&#13;
Malim, Miss M. C.&#13;
. 9, Barton Street, West-&#13;
minster, S.W.&#13;
. 59, Lee Road, Black-&#13;
heath, S.E.&#13;
. 96. Wimpole Street,&#13;
CLASSICAL.&#13;
BEOWULF AND THE FINNSBURG FRAGMENT. A Trans-&#13;
lation into Modern English Prose. By John R. CLARK&#13;
HALL. Second Edition, Revised and Enlarged. 8 x 5.&#13;
287 pp. Swan Sonnenschien &amp; Co. 78. 6d. n.&#13;
Matthay, Tobias&#13;
.&#13;
W.&#13;
DRAMA.&#13;
THE ADVENTURE: A Romantic Variation on a Homeric&#13;
Theme. By HENRY BRYAN BINNS. 7} x 51. 104 pp.&#13;
Firfield. 28. 6d. n.&#13;
MUSIC-DRAMA OF THE FUTURE: UTHER AND IGRAINE&#13;
CHORAL DRAMA. By R. BOUGHTON and R. R. BUCK-&#13;
LEY. 8.1 x 51. 93 pp. Reeves. 28, n.&#13;
Montesole, Max . . 1, Gordon Terrace,&#13;
Wightman Road,&#13;
Hornsey, N.&#13;
Noble, T. Tertius. . Minster Court, York.&#13;
Nye, Reginald R. . . 35, Westminster Palace&#13;
Gardens, Victoria&#13;
Street, S.W.&#13;
Seaforth, E. A. . . 72, Lewisham Park,&#13;
S.E.&#13;
Smith, Miss Charlotte 25, Chenies Street&#13;
Fell&#13;
Chambers, Blooms-&#13;
bury.&#13;
Somers, John . . Langford Place, Lang-&#13;
ford, Bristol.&#13;
Southwell, Miss Edith H. Bastia, Corsica, France.&#13;
Toye, Francis . . Bath Club, Dover&#13;
. Bath Club,&#13;
Street.&#13;
Veer, Miss Lenore van der&#13;
Wilson, Albert, M.D. . 22, Langham Street,&#13;
Portland Place, W.'&#13;
Whiting, Miss Lilian . The Brunswick, Boston,&#13;
U.S.A.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
FICTION.&#13;
MOTHERS AND FATHERS. By MRS. MAXWELL ARMFIELD&#13;
(CONSTANCE SMEDLEY). 7.1 X 43. Chatto &amp; Windus.&#13;
68.&#13;
Por AU FEU. By MARMADUKE PICKTHALL. 73 x 5.&#13;
374 pp. Murray. 6s.&#13;
THE STORY OF CECILIA. By KATHERINE TYNAN. 73 x 5.&#13;
304 pp. Smith, Elder. 6s.&#13;
KNIGHT CHECKS QUEEN. By Mrs. L. LOCKHART LANG.&#13;
74 x 5. 325 pp. Alston Rivers, 68.&#13;
JUST TO GET MARRIED. By CICELY HAMILTON. 8 x 5.&#13;
309 pp. Chapman &amp; Hall. 6s.&#13;
THE PATRICIAN. By JOHN GALSWORTHY. 71 x 5. 339 pp.&#13;
Heinemann. 68.&#13;
SHADOW SHAPES. By MAUDE ANNESLEY. 73 x .&#13;
312 pp. Methuen. 68.&#13;
OIL OF SPIKENARD. By E. M. SMITH-DAMPIER. 78 X 5.&#13;
327 pp. Melrose. 68.&#13;
TREVOR LORDSHIP. By Mrs. HUBERT BARCLAY. 78 X 53.&#13;
389 pp. Macmillan. 68.&#13;
THE LONELY ROAD. By A. E. JACOMB. 73 x 5. 307 pp.&#13;
Melrose. 6s.&#13;
A REAPER OF THE WHIRLWIND. By VIOLET TWEEDALE.&#13;
74 x 5. 480 pp. John Long. 6.&#13;
CANTACUTE TOWERS. By CECIL ADAIR. 78 X 5. 315 pp.&#13;
Stanley Paul. 68.&#13;
THE KESTREL. By REGINALD E. SALWEY. 73 x 5.&#13;
288 pp. Digby Long. 6s.&#13;
THE SECRET OF THE DRAGON. By MARY L. PENDERED.&#13;
7 x 5. 347 pp. Harpers. 6s.&#13;
THE STRANGER FROM IONIA. By W. P. KELLY. 78 X 5.&#13;
426 pp. Routledge. 6s.&#13;
A WILDERNESS OF MONKEYS. By FREDERICK NIVEN.&#13;
78 x 5. 283 pp. Martin Secker. 6s.&#13;
THE FALLING STAR. By E. PHILLIPS OPPENHEIM.&#13;
78 x 5. 366 pp. Hodder &amp; Stoughton. 68.&#13;
VICTIMISED. By C. E. BASEVI. 78 x 5. 320 pp. John&#13;
Long. 6s.&#13;
THE GREEN CURVE AND OTHER STORIES. By OLE LUK-&#13;
OIE. Cheap edition. 7 X 5. 318 pp. Blackwood.&#13;
IMPATIENT GRISELDA. By LAURENCE NORTH. Martin.&#13;
Secker. 68.&#13;
THE JEWESS. By Mulvy OUSELEY. 306 pp. John&#13;
Ouseley. 6,&#13;
THE LORD DOLLAR. By HARPER CURTIS. 319 pp.&#13;
Blackwoods &amp; Sons. 68.&#13;
JANE OGLANDER. By Mrs. BELLOC LOWNDES. 73 x 5.&#13;
268 pp. Heinemann. 6s.&#13;
THE INTELLECTUALS : AN EXPERIMENT IN IRISH CLUB-&#13;
LIFE. By CANON SHEEHAN, D.D. 84 X 52. 386 pp..&#13;
Longmans. 68.&#13;
THE BROKEN ROAD. By.A. E. W. Mason. Seventh&#13;
Impression. (Second Edition.) 71 X 5. 352 pp.&#13;
Smith, Elder. 38. 6d.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
Co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate,&#13;
BIOGRAPHY.&#13;
IN CASTLE AND COURT HOUSE: Being Reminiscences of&#13;
Thirty Years in Ireland. By RAMSAY COLLES. 9 x 53.&#13;
320 pp. Werner Laurie. 128. 6d. n.&#13;
TIMOTHE BRICH DOCTOR OF PHISICKE. A Memoir of&#13;
" The Father of Modern Shorthand.” By WILLIAM&#13;
J. CARLTON. With Photographs and Facsimiles. 87 X&#13;
of. 205 pp. Elliot Stock. 108. 6d. n.&#13;
BOOKS OF REFERENCE.&#13;
THE GREEN BOOK OF LONDON SOCIETY : February, 1911.&#13;
Edited by DOUGLAS SLADEN and W. WIGMORE. 71 X 51.&#13;
524 pp. Whittaker.&#13;
A CONCISE ETYMOLOGICAL DICTIONARY OF THE ENGLISH&#13;
LANGUAGE. By the Reverend WALTER W. SKEAT,&#13;
Litt.D., etc. New and Corrected Impression. 7 X 5..&#13;
664 pp. Oxford: Clarendon Press. London: Frowde. 58. n.&#13;
ls. n.&#13;
&#13;
&#13;
## p. 158 (#220) ############################################&#13;
&#13;
158&#13;
THE AUTHOR.&#13;
VIXEN. By M. E. BRADDON. 73 X 41. 565 pp. Nelson.&#13;
7d. n.&#13;
POTIPHAR'S WIFE. By L. PARKES. (Popular Edition.)&#13;
77 X 44. 303 pp. Milne. 18. n.&#13;
THE DWELLER ON THE THRESHOLD. By ROBERT HICHENS.&#13;
71 x 5. 313 pp. Methuen. 68.&#13;
KING PHILIP THE GAY. By REGINALD TURNER. 71 x 5.&#13;
349 pp. Greening. 68.&#13;
SAMPSON RIDEOUT, QUAKER. By UNA L. SILBERRAD,&#13;
71 x 5. 411 pp. Nelson. 28. n.&#13;
THE SWING OF THE PENDULUM. By X. MARCEL BOULE-&#13;
STiN and FRANCIS TOYE. 78 X 5. 320 pp. Nash. 68.&#13;
NEXT-OF-Kin. By M. BETHAM-EDWARDS. 6 X 4.&#13;
316 pp. Collins. 31d. n.&#13;
A BED OF ROSES. By W. L. GEORGE. Frank Palmer.&#13;
SHAVINGS. By FRANK RICHARDSON. 78 X 5. 96 pp.&#13;
Nash. 28. 6d. n.&#13;
POLITICAL&#13;
THE DANGER ZONE OF EUROPE : CHANGES AND PROBLEMS&#13;
IN THE NEAR EAST. By H. C. WOODS, F.R.G.S. 9X&#13;
54. 328 pp. Fisher Unwin. 108. 60, n.&#13;
REPRINT.&#13;
THE SENTIMENT OF THE SWORD : A Country House&#13;
Dialogue. By the late CAPTAIN SIR RICHARD F.&#13;
BURTON. Edited with notes by A. F. SIEVEKING, F.S.A.&#13;
7 X 41. 151 pp. H. Cox. 28. 6d. n.&#13;
SCIENCE.&#13;
THE ORIGIN OF LIFE: Being an Account of Experiments&#13;
with certain Superheated Saline Solutions in Hermetically&#13;
Sealed Vessels. * By H. CHARLTON BASTIAN, M.D., F.R.S.&#13;
10 x 61. 76 pp. With ten Plates. Containing numerous&#13;
Illustrations from Photomicrographs. Watts &amp; Co.,&#13;
Johnson's Court, Fleet Street. 38. 6d. n.&#13;
SOCIOLOGY.&#13;
A HISTORY OF FACTORY LEGISLATION. By B. L. HUT-&#13;
CHINS and A. S. HARRISON. With a Preface by SIDNEY&#13;
WEBB. 83 x 53. 304 pp. P. S. King. 68. n.&#13;
68.&#13;
GARDENING.&#13;
POPULAR GARDEN FLOWERS. By WALTER P. WRIGHT,&#13;
With six illustrations in colour and forty-eight photo-&#13;
graphs. 81 x 54. 367 pp. Grant Richards. 68. n.&#13;
CASSELL'S POPULAR GARDENING. Part I. Edited by&#13;
W. P. WRIGHT. 11 x 8. 48 pp. Cassell, 7d, n.&#13;
LAW.&#13;
PRINCIPLES OF CONTRACT. Eighth edition. By SIR&#13;
FREDERICK POLLOCK, D.C.L. 83 x 51. 812 pp.&#13;
Stevens &amp; Sons. 288.&#13;
LITERARY.&#13;
APPRECIATIONS AND CRITICISMS OF THE WORKS OF&#13;
CHARLES DICKENS. By G. K. CHESTERTON. 88 X 54.&#13;
243 pp. Dent. 78. 6d. n.&#13;
THE VINDICATORS OF SHAKESPEARE: A Reply to&#13;
Critics. By G. G. GREENWOOD, M.P. 71 X 5. 220 pp.&#13;
Sweeting. 35. n.&#13;
THE BURIED TEMPLE. By MAURICE MAETERLINCK,&#13;
Translated by ALFRED SUTRO. (Pocket Edition.) 68 x&#13;
47. 276 pp. Allan. 28. 6d. n.&#13;
MILITARY.&#13;
THE OUTLINES OF MILITARY GEOGRAPHY. By Col. A,&#13;
C. MACDONNELL. Two Volumes. With 19 Maps. 81x&#13;
5. 227 pp. Hugh Rees, Ltd. 128. 6d. n.&#13;
MISCELLANEOUS.&#13;
LONDON CLUBS : THE HISTORY AND TREASURES. By&#13;
RALPH NEVILL. 9 x 51. 316 pp. Chatto &amp; Windus.&#13;
MUSIC.&#13;
THE LOVE OF THE NIGHT FOR THE DAY. By KITTY&#13;
EVEREST, Stanley Webb, 1s. 4d.&#13;
TRAVEL.&#13;
A SAGA OF THE “SUNBEAM.” By HORACE G. HUTCHIN.&#13;
SON. 9 x 51. 211 pp. Longmans. 6s. 6d. n.&#13;
SOMALILAND. By ANGUS HAMILTON. 8 X 54. 366 pp.&#13;
Hutchinson. 128. 6d. n.&#13;
THE DANUBE WITH PEN AND PENCIL. By CAPT. B.&#13;
GRANVILLE BAKER. 94 X 61. 191 pp. Swan Sonnen-&#13;
schien. 158.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
NATURAL HISTORY.&#13;
WITH NATURE AND A CAMERA : Being the Adventures and&#13;
Observations of a Field Naturalist and an Animal Photo-&#13;
grapher. By R. and CHERRY KEARTON. Popular edition.&#13;
83 X 51. 368 pp. Cassell. 58.&#13;
PHILOSOPHY.&#13;
THE WORLD OF DREAMS. By HAVELOCK ELLIS. 9 X 6.&#13;
288 pp, Constable. 78. 6d. n.&#13;
POETRY&#13;
THE STORY OF NEFREKEPTA. From a Demotic Papyrus.&#13;
Put into verse by GILBERT MURRAY. 98 x 7. 47 pp.&#13;
Oxford : Clarendon Press. London : Frowde. 48. 60, n.&#13;
SONGS OF THE ROAD. By A. CONAN DOYLE. 7 X 41.&#13;
137 pp. Smith, Elder. 58.&#13;
THE COLLECTED POEMS OF MAURICE BARING. 78 x 57,&#13;
237 pp. Lane. 58. n.&#13;
ART.&#13;
ESSAYS ON THE PURPOSE OF ART ; PAST AND PRESENT&#13;
CREEDS OF ENGLISH PAINTERS. By Mrs. RUSSELL&#13;
BARRINGTON. 421 pp. New York : Longmans.&#13;
$4.25 n.&#13;
BIOGRAPHY.&#13;
THE LIFE OF OLIVER GOLDSMITH. By F. FRANKFORT&#13;
MOORE. New York : Dutton, $3.50 n.&#13;
THE FATE OF HENRY OF NAVARRE. By JOHN BLOUN-&#13;
DELLE-BURTON. 349 pp. New York : John Lane.&#13;
$4 n.&#13;
BRAHMS. With 12 Illustrations. By J. A. FULLER-&#13;
MAITLAND. 263 pp. New York: John Lane &amp; Co.&#13;
$2.50.&#13;
THE GROWTH OF NAPOLEON: A Study in Environment.&#13;
By NORWOOD YOUNG. With Portraits and Illustrations.&#13;
418 pp. New York : Duffield. $3.75.&#13;
FRENCH MEN, WOMEN AND Books : A Series of Nineteenth&#13;
Century Studies. With 8 Portraits reproduced by special&#13;
permission. By M. BETHAM-EDWARDS. Chicago :&#13;
McClurg. $2.50 n.&#13;
DRAMATIC.&#13;
THE ADVENTURE. A Play by HENRY BRYAN BIxxs.&#13;
New York: B. W. Huebsch. $1 n.&#13;
THE DOCTOR'S DILEMMA, GETTING MARRIED, and THE&#13;
SHOWING UP OF BLANCO POSNET. By G. BERNARD&#13;
SHAW. 443 pp. New York : Brentanos. $1.50 n.&#13;
&#13;
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## p. 159 (#221) ############################################&#13;
&#13;
THE AUTHOR.&#13;
159&#13;
FICTION.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
MASTER AND MAID. By Mrs. L. ALLEN HARKER.&#13;
NOTES.&#13;
315 pp. New York: Scribner &amp; Sons. $1.25 n.&#13;
BERENICE. By E. PHILLIPS OPPENHEIM. 264 pp.&#13;
Boston : Little, Brown. $1.25 n.&#13;
W E must congratulate the Rev. Prof. Skeat&#13;
THE HUMAN CHORD. By ALGERNON BLACKWOOD,&#13;
V on the fresh edition of his “ Etymological&#13;
326 pp. New York : Macmillan. $1.50 n.&#13;
THE NEW MACHIAVELLI. By H. G. WELLS. New York:&#13;
Dictionary of the English Language,”&#13;
DUFFIELD. $1.35 n.&#13;
published at the price of 58. nett with thick paper,&#13;
THE ANDERSONS. By S. MACNAUGHTAN. 372 pp. New&#13;
6s. nett with thin paper, by the Oxford University&#13;
York: Dutton. $1.25 n.&#13;
THE RIDING MASTER. By DOLF WYLLARDE. 354 pp.&#13;
Press. The dictionary was originally published in&#13;
New York: John Lane &amp; Co. $1.50.&#13;
1882, and after passing through several editions,&#13;
THE VENTURE: A STORY OF THE SHADOW WORLD. By appeared in 1901 so largely rearranged and re-&#13;
R. NORMAN GRISEWOOD. New York: R. W. Fenno.&#13;
written as to become practically a new book.&#13;
TWO ON A TOWER. By THOMAS HARDY. 332 pp. New&#13;
The present edition is a revision of the edition of&#13;
York: Harper Bros. $1.25 n.&#13;
THE GREEN CURVE AND OTHER STORIES. By OLE 1901.&#13;
LUK-OIE. 313 pp. New York: Doubleday Page. There is no need to recommend this book to the&#13;
$1.20.&#13;
English student and the British public. The Rev.&#13;
THE GIRL FROM NOWHERE. By Mrs. BAILLIE REYNOLDS.&#13;
Prof. Skeat's position as an English scholar is so&#13;
307 pp. New York : Doran. $1.20 n.&#13;
THE LAME ENGLISHMAN. By WARWICK DEEPING.&#13;
well known and his work has become so well estab-&#13;
368 pp. New York: Cassell. $1.20 n.&#13;
lished that the public is sure to welcome this fresh&#13;
TREVOR LORDSHIP. By Mrs. HUBERT BARCLAY. 389 pp.&#13;
New York : Macmillan. $1.20 n.&#13;
DENRY THE AUDACIOUS. By ARNOLD BENNETT. 350 pp.&#13;
Of the two different publications the edition&#13;
New York: Dutton. $1.35 n.&#13;
with thin paper is perhaps the more satisfactory;&#13;
NONE OTHER GODS. By R. H. BENSON. St. Louis : it is easily handled, lighter, and does not lack dis-&#13;
Herder. $1.50.&#13;
tinctness or careful production.&#13;
THE JUSTICE OF THE KING. By HAMILTON DRUMMOND.&#13;
“ Oil of Spike nard,' a romance by E. N. Smith-&#13;
335 pp. New York : Macmillan. $1.20 n.&#13;
THE ROGUE'S HEIRESS. By TOM GALLON. 315 pp.&#13;
Dampier, was published at the end of February by&#13;
New York : Dillingham. $1.50.&#13;
Mr. Andrew Melrose.&#13;
THE PATRICIAN. By JOHN GALSWORTHY. 393 pp. New “Old Chinese Porcelain and Works of Art in&#13;
York : Scribner. $1.35 n.&#13;
China,” by A. W. Bahr, contains illustrations and&#13;
THE DWELLER ON THE THRESHOLD. BY ROBERT&#13;
HICHENS. 273 pp. New York: Century Co. $1.10 n.&#13;
brief descriptions of pottery, Porcelain, jade and&#13;
THE CAMERA FIEND. By E. W. HORNUNG. 346 pp. other artıc'es selected from the first Art Exhibition&#13;
New York : $1.25 n.&#13;
held in China, viz., at Shanghai in 1908. There&#13;
THE SINS OF THE CHILDREN. By HORACE NEWTE.&#13;
are 12 coloured plates from the pictures by the&#13;
407 pp. New York : John Lane Co. $1.50.&#13;
THE INTELLECTUALS: AN EXPERIMENT IN IRISH CLUB&#13;
Chinese artist, Wong Chun Hai, and more than&#13;
LIFE. By The Rev. CANON P. A. SUEEHAN. New 100 black-and-white illustrations. Messrs. Cassell&#13;
York : Longmans. $1.50 n.&#13;
&amp; Co. are the publishers.&#13;
“The Great Betrayal,” by Harold Wintle, is a&#13;
JUVENILE.&#13;
novel that deals with the efforts of a foreign power&#13;
WE OF THE NEVER-NEVER. By Mrs. ÆNEAS GUNN, to obtain British State secrets with the connivance&#13;
340 pp. Macmillan. $1.50.&#13;
of the Foreign Secretary. Messrs. John Ouseley,&#13;
Limited, are the publishers.&#13;
LITERARY.&#13;
The new edition of Dr. Clark Hall's “ Beowulf”&#13;
LIFE OF JOHN RUSKIN. By ASHMORE WINGATE. 203 pp.&#13;
contains, besides a revised translation, a great deal&#13;
Scribner. $1.&#13;
of matter intended to form a sort of introduction&#13;
DIMINUTIVE DRAMAS. By MAURICE BARING. 224 pp. to the study of the poem, and an interesting and&#13;
Boston: Houghton Mifflin. $1.25 n.&#13;
exhaustive index of the things mentioned in it,&#13;
ALARMS AND DISCURSIONS. By G. K. CHESTERTON,&#13;
New York: Dodd Mead. $1.50 n.&#13;
with numerous illustrations. It is hoped that this&#13;
illustrated index will be useful to archæologists as&#13;
MEDICAL.&#13;
well as to students of Beowulf. As an experiment,&#13;
a metrical rendering of the Finnsburg Fragment&#13;
ALCOHOL AND THE HUMAN BODY. BY SIR VICTOR&#13;
HORSLEY and DR. MARY D. STURGE. 290 pp. New&#13;
has been inserted, as well as the prose translation.&#13;
York : Macmillan 40 cents n.&#13;
Messrs. Swan Sonnenschien &amp; Co. are the publishers.&#13;
In “ A Small Collection of Japanese Lacquer,"&#13;
SOCIOLOGY.&#13;
Mr. James Orage gives a brief account of the&#13;
SOULS IN ACTION IN THE CRUCIBLE OF THE NEW LIFE:&#13;
history and manufacture of lacquer and of the&#13;
Expanding the Narrative of Twice-born Men. By various kinds of lacquer work, followed by a detailed&#13;
HAROLD BEGBIE. 310 pp. New York : Doran. $1.25 n. description of the articles, which are of varied&#13;
&#13;
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## p. 160 (#222) ############################################&#13;
&#13;
160&#13;
THE AUTHOR.&#13;
objects, and include over 60 inros (medicine boxes). form in the summer. An article by the same&#13;
All have been examined by Messrs. Y. Imaizumi, writer, entitled “ An Elephant Hunt” appeared in&#13;
director, and S. Fujiya, assistant director of the the February issue of The Badminton Magazine,&#13;
Department of Fine Arts, Imperial Museum, while Mrs. Vassel's lecture on the Philippines&#13;
Tokyo. A limited edition of the book has been delivered in December, in Manchester, Liverpool,&#13;
printed, and the publishers are The Times Book Edinburgh, Glasgow, Dundee, Rugby, and else.&#13;
Club of 376-384 Oxford Street, W.&#13;
where, was published in the Scottish Geographical&#13;
Mr. J. C. Wright is shortly to publish through Magazine for February&#13;
Mr. Robert Scott, his new book, “ Changes of a Mrs. Vassel is responsible also for the articles on&#13;
Century." This is a continuation of his previous Paris which have been appearing in the Evening&#13;
work "In the Good Old Times," and denls with Standard since June last, and now bear her signa-&#13;
topics of social interest not touched in his previous ture. On January 6 she lectured at Burlington&#13;
volume, contrasting present day life in England House on Annam for the Royal Geographical&#13;
with that of a century ago.&#13;
Society.&#13;
Mr. T. Werner Laurie has just published Mr. Mr. George Hansby Russell's new novel will be&#13;
Ramsay Colles' volume of reminiscences of thirty published by Mr. John Murray in April or early in&#13;
years in Ireland, under the title of “ In Castle and May. The title will be “Ivor," and the story is of&#13;
Court House." There is, besides the political North Devon and the Island of Lundy.&#13;
interest in the book, much literary interest in con- The annual general meeting of the Royal Literary&#13;
nection with the Young Ireland literary movement Fund was held on March 9. Sir Alfred Bateman,&#13;
and the work of the Dublin University dons. in submitting the report, mentioned that among the&#13;
Mr. Andrew Melrose announces the publication Fund's cases was one of an author, whose name was&#13;
of A. E. Jacomb's new novel “ The Lonely Road.” not unknown, who was receiving only £10 for a&#13;
Miss Lilian Whiting has just completed a book novel from his pen. Every month they had cases&#13;
on “ The Brownings : Their Life and Art,” in which of authors whose literary work was valuable, though&#13;
she has endeavoured to give the complete biography limited in its appeal, and for these writers exist-&#13;
of each, separately, before their marriage, and his, ence on the proceeds of their works was impossible.&#13;
again after death, from some new material gained The report showed that the income of the fund for&#13;
from Miss Whiting's friendship with their son, the year amounted to £4,088, and that £2,770 was&#13;
Mr. Barrett Browning. The book, comes from voted in grants to forty-one applicants. Since the&#13;
Messrs. Little, Brown &amp; Co. in the autumn.&#13;
society's foundation in 1790, the total sum dis-&#13;
A serial, “ The Emotions of Martha,” by Mrs. tributed in grants was £160,757. Professor W. P.&#13;
Maxwell Armfield, has been running in The Girls' Ker seconded the adoption of the report, which was&#13;
Own Paper since October. 1910, and will be pub. carried. The chairman announced that the King&#13;
lished in book form by the Religious Tract Society had consented to become patron of the society, and&#13;
in September, 1911.&#13;
that Mr. Birrell would take the chair at the dinner&#13;
“The Polar Star" is the title of a new novel by on Thursday, May 18. Lord Tennyson was re-&#13;
Lady Helen Forbes, which Messrs. Duckworth &amp; Co. elected president of the society, and Sir Alfred&#13;
have just published.&#13;
Bateman was elected treasurer on the retirement of&#13;
The first number of a new literary and patriotic Mr. Edward Dicey, who had held that post since&#13;
journal“ Vestnik” for the promotion of travel, has 1888. Those present included Sir Edward Brabrook,&#13;
just appeared in Prague, edited by Fr. Hlavacek. Mr. Percy M. Thornton, Mr. Richard Bentley,&#13;
In it, space is given to an article from the pen of Mr. Sidney Lee, Mr. Maurice Hewlett, Mr. Edmund&#13;
the Director of the Prague Art Museums, Imperial Gosse, Mr. Anthony Hope Hawkins, and Mr. M. H.&#13;
Councillor Franz Borovsky, upon the numerous Spielmann.&#13;
articles and books by James Baker. In this Miss K. Everest has just published her fourth&#13;
article the names of Dr. Herbert Warren, John song, “ The Love of the Night for the Day.” It&#13;
Addington Symons, Henry Whatley, the artist, is dedicated to Her Highness the Princess Pretiva of&#13;
and Walter Crane are also mentioned.&#13;
Cooch Behar. It is to be had from the publishers,&#13;
A fourth and enlarged edition has been published Messrs. Stanley Webb, 10, Museum Street, London,&#13;
of Mr. F. W. Frankland's series of short studies on W.C.&#13;
theological and metaphysical subjects, under the “Impatient Griselda " is the title of Mr. Laurence&#13;
title of “ Thoughts on Ultimate Problems." Mr. North's new novel which Mr. Martin Secker has&#13;
David Nutt is the publisher.&#13;
published recently. Mr. Laurence North has also,&#13;
Mrs. Vassel's book “ On and off Duty in Annam," in the current number of the Oxford and Cambridge&#13;
published by Messrs. Heinemann last year, is now Review, an article on “ The Earlier Oxford&#13;
appearing in French in the “ Tour du Monde,” and Magazines.”&#13;
will be published by Messrs. Hachette in volume Messrs. John Long have just published a 1s.&#13;
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## p. 161 (#223) ############################################&#13;
&#13;
THE AUTHOR.&#13;
161&#13;
through Messrs. Constable &amp; Co., à volume called&#13;
“Shepherds of Britain : Scenes from Shepherd&#13;
Life Past and Present," from the best authorities,&#13;
by Adelaide L. J. Gosset. There are to be sixty&#13;
illustrations from drawings and photographs.&#13;
edition of Tom Gallon's popular novel, “ The&#13;
Great Gay Road," a dramatised version of which&#13;
has been produced and is now touring the&#13;
provinces.&#13;
Mr. Robert Scott announces for publication a&#13;
new novel by A. P. Crouch (author of “A Wife&#13;
from the Forbidden Land ") entitled “ Dick&#13;
Comerford's Wager.” The scene of the story is&#13;
laid in the country amidst the hunting gentry of a&#13;
hundred years ago.&#13;
The committee of the Imperial Club, Hove,&#13;
hare arranged with Miss A. E. Keeton and Miss&#13;
Keeton and Miss&#13;
Grainger Kerr to give one of their studies of&#13;
modern British song, at the club's premises, 2 and&#13;
4 First Avenue, Hove, on Saturday afternoon,&#13;
April 8. at 3.15. The illustrations include&#13;
works by the following composers: Ernest Austin,&#13;
Granville Bantock, Hubert Bath, William Wallace,&#13;
R. Vaughan Williams, Dalhousie Young, and many&#13;
others. Tickets are procurable from the honorary&#13;
secretary of the club by members at 2s. 6d. each&#13;
(five tickets half-a-guinea) and by non-members at&#13;
3s. 6d. each (five tickets, 158.).&#13;
At the annual meeting of the Bristol District of&#13;
the Institute of Journalists held in Bristol on the&#13;
10th ult., Mr. James Baker, F.R.G.S., the special&#13;
correspondent and honorary secretary of the British&#13;
International Association of Journalists, was&#13;
unanimously elected as chairman of the district,&#13;
the retiring chairman, Mr. R. J. Mickie, referring&#13;
to Mr. James Baker's work for journalism in many&#13;
countries. Mr. James Baker has been asked by&#13;
the Comité de Direction to read a paper at the&#13;
International Press Congress in Rome in May on&#13;
the facilities given to journalists in the English&#13;
Houses of Parliament. His novel “ John Westa-&#13;
cott” has just been issued in the popular two&#13;
shilling series.&#13;
“Love's Privilege," the mystery story by Stella&#13;
M. Düring, which won a £200 prize in the&#13;
Chicago Daily News competition, and was after&#13;
wards published in book form in America, is to be&#13;
brought out in England this summer by Messrs.&#13;
Cassell &amp; Co. It has run serially in eight different&#13;
English newspapers.&#13;
“A Bed of Roses," by W. L. George, is the&#13;
story of a woman's life, torn to shreds in the mere&#13;
struggle for existence a story of shattered ideals&#13;
and sorry triumpbs. The title of the novel is&#13;
ironical in its application to the heroine's path,&#13;
beset as it is with every kind of difficulty and&#13;
danger. The book is published by Mr. Frank&#13;
Palmer.&#13;
Count Plunkett (author of “Sandro Botticelli,”&#13;
&amp;c.) has been nominated a vice-president of the&#13;
Royal Irish Academy by the newly-appointed&#13;
president, Dr. Mahaffy.&#13;
Miss Adelaide L. J. Gosset is shortly to publish,&#13;
DRAMATIC.&#13;
“ The Adventure" is a play by Mr. Henry&#13;
Bryan Binns which was published last month&#13;
simultaneously in London and New York, in the&#13;
former city by Mr. A. C. Fifield and in the latter&#13;
by Mr. B. W. Buesch. It is described as “a&#13;
romantic variation on a Homeric theme." While&#13;
the episode which suggested the play is told in the&#13;
Odyssey, it belongs to the folk-lore of all times&#13;
and races. It is symbolical rather than classical,&#13;
and as such Mr. Binns has treated it with some-&#13;
thing of the breadth and freedom demanded by its&#13;
motive. There is a prospect of the play being&#13;
seen on the London stage.&#13;
“Rococo" is a one-act farce by Mr. Granville&#13;
Barker which was produced at the Court Theatre&#13;
last month. The piece relates to a quarrel in a&#13;
middle-class home respecting the ownership of&#13;
a rococo vase. The caste included Mr. Norman&#13;
Page, Miss Kate Bishop, Mr. Montagu Love, and&#13;
Miss Agnes Thomas. The same occasion witnessed&#13;
the revival of Mr. John Masefield's play of peasant&#13;
life, “The Tragedy of Nan.” It was interpreted&#13;
by a company which included Miss Lillah&#13;
McCarthy, Mr. Horace Hodges and Miss Mary&#13;
Mr. Anthony Hope's play “The Prisoner of&#13;
Zenda ” was revived at the Lyceum Theatre on&#13;
March 1, where it was played by a caste which&#13;
included Mr. Henry Ainley, Miss Ethel Warwick,&#13;
and Mr. Fred Morgan.&#13;
A one-act play by Sir William Gilbert, called&#13;
“ The Hooligan,” was produced at the Coliseum at&#13;
the end of February. Its theme is the agony of a&#13;
condemned murderer, who, with apparently but&#13;
two hours to live, works himself into such a state&#13;
of mind torture that, when at length he learns of&#13;
his reprieve, he falls dead. Mr. James Welch and&#13;
Mr. Leslie Carter are in the caste.&#13;
“The Caravanners,” a comedy in one act, by&#13;
Beatrice Heron-Maxwell, was produced for the&#13;
first time at the Gaiety Theatre, Hastings, on&#13;
February 27. It relates how a lord, travelling&#13;
incognito in a caravan, meets the lady of his heart.&#13;
Mr. J. H. Lindell and Miss V. Vallis were two of&#13;
the caste.&#13;
“Peggy," Mr. George Grossmith's adaptation of&#13;
Xamoff and Guérin's “L'Amorçage,” was produced&#13;
at the Gaiety Theatre on March 4. Mr. George&#13;
Grossmith, Mr. Edmund Payne, Miss Gabrielle&#13;
Ray and Miss Phyllis Dare are in the caste.&#13;
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&#13;
162&#13;
THE AUTHOR.&#13;
Mr. W. Somerset Maugham's new comedy The death of Roty, the celebrated French&#13;
“ Loaves and Fishes” was produced at the Duke medallist, will be regretted by the whole French&#13;
of York's Theatre on February 24. The chief nation. As M. Roger-Milés very aptly says :&#13;
character is a Canon of the Church, and the action “The metallic history of a nation bears the exact&#13;
of the piece centres round the various schemes of reflection of the psychology of that nation.” From&#13;
this very worldly church dignitary for his social an almost uninhabited part of Africa, some years&#13;
advancement. The play was interpreted by a caste ago, in reply to a letter bearing the new French&#13;
which included Mr. Robert Loraine, Mr. Athol stamp with Roty's incomparable design of La&#13;
Stewart, Miss Florence Haydon, and Miss Mary Semeuse (the simple figure of a woman scattering&#13;
Barton.&#13;
seed as she passes along with the rising sun&#13;
A copyright performance of Mr. Spencer T. beyond her), I received an eloquent letter ending&#13;
James' piece in one act, “ The Death-Trap," with the words : “ How is it that they do these&#13;
took place at the Alexandra Hall, Leeds, on the things so much better in France ? Compare&#13;
18th ult. The story concerns the trapping in a our postage stamps with theirs, our coins with&#13;
London flat at midnight of an army officer by the theirs ..." The Semeuse design is, of course,&#13;
sister of the girl whom he has ruined.&#13;
the best known of Roty's works. To those visitors&#13;
to Paris who wish to study “the metallic history&#13;
of the nation,” we would recommend, among other&#13;
collections, the series of Roty's medals in the&#13;
PARIS NOTES.&#13;
Luxembourg Museum and the interesting series by&#13;
Mme. Merignac of the types of peasants in the&#13;
various provinces of France, ordered from her by&#13;
PRÈS l'Abandon de la Revanche," by the Mint for the Museum of the Monnaie.&#13;
Madame Juliette Adam, describes many At the Sorbonne this winter two American&#13;
political events from 1877 to 1880. In a professors are giving a series of lectures, one of&#13;
life as active as that of Madame Adam, surrounded which consists of four lectures on Chaucer, Malory,&#13;
as she has always been by the men who have made Spenser, and Shakespeare. When will there be an&#13;
history, there is naturally very much that is English lecturer on English literature at the&#13;
intensely interesting in this volume. The letters Sorbonne ?&#13;
which she publishes add greatly to the value of the The French Academy has awarded one of the&#13;
book.&#13;
Gobert Prizes of nine thousand francs for the&#13;
“ Valentine de Milan," by M. Emile Collas, is “most eloquent piece of French history" to&#13;
a biography as interesting as a novel. This M. Brédier, professor at the College of France, for&#13;
history of the first Duc and Duchesse d'Orléans his work “ Légendes épiques,” and another of one&#13;
takes us back to the beginning of the fifteenth thousand francs to M. Louis Battifol for his work&#13;
century. The story of Valentine de Milan is one “Le Roi Louis XIII. à vingt ans.” The reception&#13;
of the most fascinating in French history.&#13;
of General Langlois by the Academy is arranged&#13;
“ La Plus Forte," by Alain Valvert, is an for June 15.&#13;
extremely modern novel. We see the young girl in the Revue hebdomadaire M. Gabriel Hano-&#13;
who, as a medical student, imagines her indepen- taux writes an article entitled “Il faut choisir ?&#13;
dence is dearer to her than all else in the world. on the subject of the Triple Entente (Russia,&#13;
She witnesses the results of the vaunted indepen- France, and England). M. Louis Bertrand pub-&#13;
dence of some of her women friends. The whole lishes his lecture on Gustave Flaubert. An excel-&#13;
book is an attractive psychological study.&#13;
lent series of articles has been organised by this&#13;
“ Visions d'Egypte," by Dr. A. Le Dentu, is Revue on the various French ministries. M. Jules&#13;
another volume of impressions by a traveller who Méline writes the first one on the Ministry of&#13;
gives us descriptions of the landscape, ruins, life Agriculture. The second article was written by&#13;
as it is to-day, together with some notions of the M. René Millet on the Ministry of Foreign Affairs.&#13;
past history, of the legends, myths, religion, and The third on the Colonial Ministry was by M. G.&#13;
art of the Egyptians. The volume is written by a Demartial. These articles give the public an&#13;
conscientious critic, and is illustrated with about excellent idea of the working of the various&#13;
ten engravings.&#13;
machines of Government. There is also an&#13;
“ Le Milieu médical et la Question médico- extremely interesting article by the Marquis de&#13;
sociale" is the title of Dr. Grasset's latest publica- Massa on General Bourbaki. M. Germain Breton&#13;
tion, the summing up of which is contained in the writes on “ The Clergy and Politics,” M. Augustin&#13;
last chapters under the heading of “ Necessity for Filon on “Le Prince Impérial,” and Comte Jean&#13;
union and collaboration among doctors. Advice d'Elbée on “ Armand de Chateaubriand.”&#13;
to future doctors.”&#13;
M. Henry Bernstein has withdrawn his play&#13;
&#13;
&#13;
## p. 163 (#225) ############################################&#13;
&#13;
THE AUTHOR.&#13;
163&#13;
" Après moi” from the programme of the Comédie&#13;
Française.&#13;
"L'Oiseau bleu" at the Théâtre Réjane is&#13;
the great sensation at present. It certainly is&#13;
admirably staged and, with Georgette Leblanc,&#13;
Maeterlinck's play is all that could be desired.&#13;
At the Gymnase “Papa,” a three-act play by&#13;
MM. Robert de Flers et Armand de Caillavet, is&#13;
being given. At the Varietés “ Les Midinettes,"&#13;
a comedy in four acts by M. Louis Artus, is still&#13;
being played.&#13;
M. Camille de Sainte-Croix, founder of the&#13;
Théâtre Shakespeare, gave “ Love's Labour's Lost”&#13;
to a crowded house for two performances, and he is&#13;
at present rehearsing “ The Merchant of Venice.”&#13;
A Shakespeare League is now being formed, and&#13;
M. Dujardin-Beaumetz, Sous-Secrétaire d'Etat&#13;
aux Beaux Arts, and M. d'Estournelles Constant,&#13;
Chef du Service des Théâtres, have both joined&#13;
the Shakespeare Committee. As English delegate&#13;
of this French Shakespeare League I should be so&#13;
glad if any readers could give us particulars of&#13;
existing Shakespearean Societies in England or in&#13;
any other country.&#13;
ALYS HALLARD.&#13;
60, Rue de Vaugirard, Paris.&#13;
"Après l'Abandon de la Revanche" (Lemerre).&#13;
" Valentine de Milan" (Plon).&#13;
"La Plus Forte” (Perrin).&#13;
" Visions d'Egypte" (Perrin).&#13;
"Le Milieu médical et la Question médicosociale” (Ber-&#13;
nard Grasset).&#13;
some such name as Savourot. Let us call him&#13;
Savourot.&#13;
The question for the publisher was to resuscitate&#13;
Savourot. Yes; but, as a fact, was Savourot dead ?&#13;
There was no date on the book, which would help&#13;
to form an approximate idea on the point; and the&#13;
encyclopædias, eagerly consulted, were mute on the&#13;
subject. A publisher's name certainly figured on&#13;
the fly-leaf, but it was that of an unknown book-&#13;
seller, of whom dozens come to light and die during&#13;
the year. There was nothing to be found out in&#13;
that direction.&#13;
And yet there was one question, an all-important&#13;
one, that arose : had Savourot's work become public&#13;
property ? Certainly, the typographical appear-&#13;
ance of the book and the author's style furnished&#13;
some indications, but a respectable publisher cannot&#13;
content himself with uncertain information. The&#13;
courts protect—and rightly so— literary property.&#13;
Now, we know that a work does not become public&#13;
property until fifty years after the author's death.&#13;
How was it to be ascertained whether fifty years&#13;
had elapsed since the day when Savourot had&#13;
departed this life? Without consulting the death&#13;
registers of every parish in France and the colonies,&#13;
it was not to be thought of.&#13;
My friend was compelled, much against his will,&#13;
to abandon his project; and at the same time the&#13;
public was also deprived of an interesting literary&#13;
exhumation.&#13;
This demonstrates that the laws governing&#13;
public property in the field of literature are&#13;
defective. In what way are they defective ? In&#13;
this respect, that the termination of literary copy-&#13;
right ought only to be based upon the age of a&#13;
work, and not on the death of its author.&#13;
One literary work, in the event of its author&#13;
dying the day after publication, remains private&#13;
property for fifty years only ; whereas another, by&#13;
the mere fact of the author living fifty years after&#13;
its publication, will remain private property for a&#13;
century. This is an anomaly which nothing can&#13;
justify.&#13;
The common-sense remedy would be to compel&#13;
publishers to print on each volume the date* of&#13;
publication ; and to decide that during a number&#13;
of years, to be determined (say sixty years), the&#13;
property of a literary work shall be vested in the&#13;
author or his representatives. After sixty years&#13;
the work should become public pr perty. In this&#13;
way there would no longer be any uncertainty. On&#13;
opening a book we should know immediately what&#13;
was its position with regard to the public.&#13;
It would be at once simple and quitable—two&#13;
very good reasons against its adoption.&#13;
THE PUBLIC DOMAIN.&#13;
[Translated from an article signed Fred Isly, appearing&#13;
in Le Pèle. Véle, 92, rue St. Lazare, Paris, of March 12,&#13;
1911, headed “ Domaine Public.”&#13;
NE day a friend of mine, a publisher, was&#13;
U looking through some second-hand books&#13;
in a suburban brooker's shop; and so as&#13;
not to disappoint the dealer, who was very attentive,&#13;
he purchased a few volumes at random.&#13;
In this there is nothing remarkable ; what is&#13;
more remarkable is that he had the curio-ity to&#13;
read these literary derelicts. And a still more&#13;
remarkable thing is that one of these books seemed&#13;
to him to be a very valuable work. The discovery&#13;
of a masterpiece is always a treat for a publisher;&#13;
and my friend at once conceived the idea of reveal-&#13;
ing this neglected writer, who had fallen into&#13;
oblivion, to the public.&#13;
I have forgotten the writer's name. When I&#13;
recall the incident, the most that comes into my&#13;
mind is a vague sound which formulates itself into&#13;
Date of first publication is probably meant, although&#13;
the writer does not specify..&#13;
&#13;
&#13;
## p. 164 (#226) ############################################&#13;
&#13;
164&#13;
THE AUTHOR.&#13;
COPYRIGHT IN FICTION AND CINEMATO fusion. Anyone who named his work · Les&#13;
GRAPH REPRESENTATIONS. Misérables' would be certainly intending to profit&#13;
by a reputation that has been already made." M.&#13;
Marcel Prévost, M. Francis de Croisset, Madame&#13;
M WO cases in which the copyright of well Alfonse Daudet, and Madame Claude Farrère all&#13;
1 known French novels was alleged to have expressed similar opinions. M. Leon Gandillot&#13;
been infringed by cinematograph represen- declared, “ Success causes a title to cease to be&#13;
tations have recently come before the French commonplace, and gives it a particular value.”&#13;
courts, and present some features of interest.&#13;
Such a consensus of opinions was, however,&#13;
In the first case Madame Hémon, who holds insufficient to convince the court. The sentence&#13;
rights in works by Prosper Mérimée brought an decreed that the success of a norel or a play (which&#13;
action against “La Société des anciens établissements was really the point under discussion) has no&#13;
Pathé Frères” for having published, and offered influence on the commonplace nature of a title, and&#13;
for sale in a catalogue, under the title of “ Châti- rejected the demand of M. Paul Féval fils respecting&#13;
ment de Corse," a cinematograph film reproducing the title “ Bossu.” At the same time it ordered&#13;
the striking episodes of the well-known story that the bills exposed at the entrances of cinemato-&#13;
“ Matteo Falcone."&#13;
graph halls should in all cases exhibit the names&#13;
The " Société Patbé” admitted the fact, and of the authors of the scenes represented ; and&#13;
pleaded that the damage did not amount to more condemned the “ Société Pathé ” to pay costs.&#13;
than 200 francs. The court, however, reaffirmed&#13;
the decision that the reproduction of a work for&#13;
the cinematograph constitutes an infringement of&#13;
an author's rights, and condemned the defendants&#13;
MAGAZINE CONTENTS.&#13;
to pay Madame Hémon one thousand francs&#13;
damages.&#13;
In the second case the same “Société Pathé”&#13;
BOOKMAN.&#13;
was proceeded against by M. Paul Feval fils. The&#13;
Arnold Bennett: An Appreciation. By F, G, Bettany.&#13;
work' in question was à novel entitled “ Bossu.” Mark Twain as Psychologist. By Professor John Adams.&#13;
The Société Pathé had given this title to a A great American Journalist. A Note on the Centenary&#13;
cinematograph film, which, however, had no con- of Horace Geeley. By A. St. John Adcock.&#13;
nection with M. Paul Feval's celebrated novel. In&#13;
Book MONTHLY.&#13;
a previous action against “ La Société Gaumont "&#13;
Burns in London.&#13;
respecting the title “ Le Fils de Lagadère "M. Paul&#13;
CONTEMPORARY.&#13;
Feval had obtained a sentence that there was a&#13;
distinction between a commonplace title, which&#13;
What is Impressionism. By Wynford Dewhurst.&#13;
Ben Jonson and Shakespeare. By the late Mary&#13;
might be freely used, and a title of some originality s&#13;
which was entitled to the protection of the law. Literary Supplement : Dame Eleanor and Lady Macbeth.&#13;
The question now arose whether “Bossu" By J. E. G. de Montmorency.&#13;
(Hunchback) was to be regarded as an original&#13;
ENGLISH REVIEW.&#13;
title. The great majority of authors had no doubt&#13;
about the answer which should be given. The Renan : The Romance of Religion. By Frank Harris.&#13;
counsel conducting M. Paul Feval's case produced&#13;
FORTNIGHTLY.&#13;
a number of letters from leading literary men of the&#13;
day addressed to his client. M. Clarette wrote, “ It&#13;
Christina Rossetti. By Ford Madox Hueffer.&#13;
would be a very bold thing to assert that any word&#13;
The Musician as Composer. By Filson Young.&#13;
The Theâtre Français in the Fifties. By Francis Gribble.&#13;
becomes 'commonplace. ' Le Cid' would be&#13;
Björnstjerne Björnson. By Robert Machray.&#13;
commonplace and · Le Misanthrope.' It is true&#13;
that an author cannot annex the dictionary when&#13;
SCALE FOR ADVERTISEMENTS.&#13;
he chooses a name or a word. But the celebrity&#13;
attained by the word constitutes a property which&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
ought to be respected.” M. Edmond Rostand&#13;
Front Page&#13;
wrote, “ As you ask what are my views regarding&#13;
Other Pages&#13;
... ... 300&#13;
property in the title of literary works, I am of Half of a Page ...&#13;
Quarter of a Page&#13;
... O 15 0&#13;
opinion that a title, howsoever commonplace it may&#13;
0 7 6&#13;
Single Column Advertisements ...&#13;
per inch&#13;
be, becomes the property of the author when it has&#13;
60&#13;
been consecrated by such a success that a stranger&#13;
Reduction of 20 per cent. made for a Series w Six and of 25 por cont. for&#13;
Twelve Insertions.&#13;
by adopting it reckons upon doing so to his&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
personal advantage, and hopes to profit by the con- BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
CU VIVIC VI DIVIS"au&#13;
Suddard.&#13;
..&#13;
...&#13;
1 10&#13;
Eighth of a Page&#13;
&#13;
&#13;
## p. 165 (#227) ############################################&#13;
&#13;
THE AUTHOR.&#13;
165&#13;
HOW TO USE THE SOCIETY.&#13;
1. D VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor op&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secreta&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager,&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
TTERE are a few standing rules to be observed in an&#13;
n agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 166 (#228) ############################################&#13;
&#13;
166&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(o.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
.consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans.&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
the words.&#13;
ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
CEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction. but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea,&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at ibe price of 28. 6d. per act.&#13;
The Secretary of the Society heys to give notice&#13;
that all remittances are acknowledged by return of posi.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 167 (#229) ############################################&#13;
&#13;
THE AUTHOR.&#13;
167&#13;
GENERAL NOTES.&#13;
It has been the custom lately at Christmas to&#13;
produce beautiful illustrated books in editions&#13;
limited to 250 to 500 copies. The prices of&#13;
ALTERATIONS IN AUTHORS' MANUSCRIPTS.&#13;
these books range from £2 28. to £5 5s. The&#13;
THE society has always contended that no tax, therefore, that is laid upon these editions, if&#13;
editor or publisher has a right to alter an the book is £5 58., would be £26 58. ; if the book&#13;
author's MS.&#13;
Indeed, on behalf of one of the&#13;
Indeed, on behalf of one of the&#13;
is £2 28., the tax would be £10 10s.&#13;
members of the society a very important case was&#13;
This is a serious item to be considered by the&#13;
taken through the Courts on this basis. An editor publisher and author in working out their financial&#13;
of a responsible paper, who is also an author, has&#13;
statements.&#13;
been known to state that an editor has absolute&#13;
right to alter an author's MS. should he so desire&#13;
THIRTY-SIX DRAMATIC SITUATIONS.&#13;
without reference to the author. On being asked&#13;
what he would say if his own MS. during publica-&#13;
An interestimg correspondence has been recorded&#13;
tion was altered he is reported to have answered&#13;
in the Chicago Dial with regard to thirty-six&#13;
that the issue was not the same. We have only&#13;
original dramatic situations.&#13;
quoted this instance to show how authors rightly&#13;
It appears that Goethe, in his conversation with&#13;
consider any alteration in their MSS. as a personal&#13;
Eckermann, under date of February 14, 1830,&#13;
matter. In the days of duelling, no doubt, such&#13;
attributed to Gozzi the statement that there could&#13;
alterations might have been looked upon as a&#13;
be but thirty-six “tragic" situations. This state-&#13;
personal insult. But still cases do occur, and one&#13;
ment of Goethe set Schiller off to see if he could&#13;
has come to the notice of the society recently where&#13;
not discover any more, but, according to the record,&#13;
an anthor produced a book in England and America. he could not find so many, though he took much&#13;
In England it was produced exactly as the author pains to do so.&#13;
had meant it to be. For special reasons he had&#13;
The question it appears was followed up by&#13;
carefully avoided any headings to the chapters.&#13;
Georges Polti, who published in 1895 in Paris a&#13;
In America, however, some proof-reader, think-&#13;
reader Think book called “ The Thirty-six Dramatic Situations."&#13;
ing he knew better than the author how the&#13;
In this book he digested the whole subject not only&#13;
book should be laid before the public, at his own&#13;
from the point of view of the drama, but from the&#13;
discretion headed all the chapters. We are glad to&#13;
point of view of literature and history. The&#13;
report that the publisher has made amends&#13;
correspondent of the Chicago Dial has set down the&#13;
for this mistake, but at the same time we&#13;
brief headings under which each group is analysed,&#13;
think it necessary to call the attention of authors&#13;
but suggests that such a list does but scant justice&#13;
to the fact that such things as alterations in&#13;
to Monsieur Polti's ingenuity and skill.&#13;
authors' MSS. still occur.&#13;
The list is as follows:-1. Supplication ; 2. The&#13;
Saviour; 3. Vengeance pursuing crime ; 4. To&#13;
avenge kinsman upon kinsman ; 5. The fugitive&#13;
hunted ; 6. Disaster ; 7. A prey ; 8. Revolt ; 9.&#13;
LIBRARY COPIES.&#13;
Daring effort ; 10. Carrying off; 11. The riddle ;&#13;
We see that a Deputation from the Committee 12. To obtain ; 13. Hatred of kinsmen; 14.&#13;
of the Welsh National Library was received by Mr. Rivalry of kinsmen or friends ; 15. Murderous&#13;
Sydney Buxton. The deputation asked that in the adulterer ; 16. Madness ; 17. Fatal imprudence ;&#13;
new Copyright Bill there should be an obligation 18. Involuntary crime of love ; 19. To kill a kins-&#13;
upon authors to send copies of their books to the man before recognition ; 20. To sacrifice to-&#13;
Welsh Library. We can only trust that no extra the ideal ; 21. To sacrifice for kinsmen ; 22. To&#13;
tax will be placed upon authors and publishers in sacrifice all to passion ; 23. To be obliged to&#13;
the matter of supplying gratis copies. As the law sacrifice one's kinsmen ; 24. Rivalry of unequals ;&#13;
stands at present, the tax comes very hard. If 25. Adultery ; 26. Crimes of Love ; 27. To learn&#13;
any steps were taken, they should be towards the dishonour of one who is loved ; 28. Loves&#13;
reducing rather than increasing the burden ; but, obstructed ; 29. To love an enemy; 30. Ambition ;&#13;
perhaps, the Government will find it impossible to 31. Struggle against God; 32. Mistaken jealousy :&#13;
go back upon the rights that have already been 33. Judicial error ; 34. Remorse ; 35. Recovery ;&#13;
granted by statute to the five libraries.&#13;
36. To lose one's kinsmen.&#13;
In most cases the cost of supplying these gratis&#13;
books comes heavier on the publisher than on&#13;
the author, but still the matter is serious for the&#13;
COPYRIGHT DURATION.&#13;
author, and if he produces an expensive book In another column we publish an article taken&#13;
in a limited edition the tax is almost impossible. from a French paper dealing with the question of&#13;
&#13;
&#13;
## p. 168 (#230) ############################################&#13;
&#13;
168&#13;
THE AUTHOR.&#13;
the duration of copyright. The author thinks it&#13;
GENERAL MEETINGS.&#13;
would be a better thing for copyright to run for a&#13;
fixed time from the date of publication of the book&#13;
I.&#13;
rather than for the life of the author and a fixed&#13;
time after his death, and his deduction is, that if&#13;
THE COUNCIL MEETING.&#13;
copyright runs for a fixed time after the death of&#13;
D RIOR to the annual general meeting, held at&#13;
the author, if the book is published just before&#13;
f the Royal Society of Arts on Thursday,&#13;
the author's death, it might only last for fifty&#13;
March 23, the general meeting of the share-&#13;
years. But in this argument he misses the chief holders, the Council of the Society, was held. The&#13;
object of copyright legislation in all countries. meeting was a formal one to pass the annual&#13;
namely, to secure to an author and his family the&#13;
report of the Committee of Management, to elect&#13;
benefit of that author's work for a certain time. If,&#13;
the accountants for 1911, and to adopt the accounts&#13;
therefore, perpetual copyright is outside the range&#13;
for the past year.&#13;
of practical politics, then the French author's sug.&#13;
As the report and accounts had been circulated&#13;
gestion is wholly unsatisfactory when the main&#13;
they were taken as read, and the three items on&#13;
object of copyright protection is kept in mind for,&#13;
the agenda, put from the chair, were duly carried,&#13;
if the copyright should run from the date of pub-&#13;
Messrs. Oscar Berry &amp; Co. being re-elected&#13;
lication and it was the author's first book, his&#13;
accountants.&#13;
descendants might reap but little, perhaps no value&#13;
from the length of duration, and that which the&#13;
II.&#13;
legislature set out to acquire would be lost. In addi-&#13;
tion, the difficult question of the date of publication&#13;
THE SOCIETY.&#13;
would be constantly cropping up, and it might be The general meeting of the society was held on&#13;
necessary to confirm the author's property to him- Thursday, March 23, at 4 p.m., Mr. Maurice&#13;
self by registration, and any formalities tend to Hewlett, chairman of the Committee of Manage-&#13;
endanger his position. Whereas, under the present ment, presiding.&#13;
arrangement for a certain fixed time, the descen- The agenda on the paper were :-(1) To receive&#13;
dants of an author must benefit by the work he has and, if desired, to discuss the accounts and report of&#13;
done if it has any power of survival. We cannot the Committee of Management ; (2) To elect a&#13;
help thinking that the present method, which is member of the Pension Fund Committee under the&#13;
promulgated by the Berlin Convention, is the best scheme for the management of the Pension Fund,&#13;
under existing conditions.&#13;
Mrs. Alec Tweedie having resigned in due order,&#13;
but submitting her name for re-election, while the&#13;
name of no other candidate had been put forward ;&#13;
(3) To appoint scrutineers to count the votes under&#13;
the society's constitution.&#13;
COMMITTEE ELECTION.&#13;
The chairman proposed, as last year, to take&#13;
Nos. 2 and 3 before proceeding to the main business&#13;
of the meeting. No other candidate having been&#13;
THE following is the signed statement of the proposed for the vacancy on the Pension Fund&#13;
scrutineers, recording the votes for 1911 :-.&#13;
Committee, Mrs. Alec Tweedie was automatically&#13;
W. W. Jacobs .&#13;
267&#13;
re-elected. With regard to the appointment of&#13;
Maurice Hewlett&#13;
262&#13;
scrutineers, no name being put forward and seconded&#13;
Sir Alfred Bateman.&#13;
at the meeting, the chairman announced that the&#13;
Aylmer Maude . .&#13;
209&#13;
necessary appointment would be made by the&#13;
committee.&#13;
Mackenzie Bell . .&#13;
123&#13;
This business having been despatched, Mr.&#13;
It may be worth while to repeat that one-third Hewlett said that the present occasion was the&#13;
of the committee retires annually. Therefore, of a second time that he had presided over the general&#13;
committee consisting of twelve members, four meeting of the society. It would als be the last,&#13;
members have to retire. The committee have the as his annual tenure of office now closd. He con-&#13;
right of nomination, or any two members of the fessed that it was with mixed feelīgs that he&#13;
society may nominate a third member.&#13;
looked back on the past year. The hairmanship&#13;
The thanks of the society are due to the Reverend was a very difficult post, and one in 'hich it was&#13;
Henry Cresswell, Mr. Francis Gribble, Mr. P. W. very easy to make mistakes. But he is glad to be&#13;
Sergeant, and Mr. E. H. Lacon Watson, for their able to think that, thanks to the assiance of his&#13;
kindness in sacrificing their time in order to act as colleagues on the committee and to M Thring, he&#13;
scrutineers in the election.&#13;
had kept the ship under way and off le rocks.&#13;
CONSUILUIon.&#13;
THE&#13;
244&#13;
&#13;
&#13;
## p. 169 (#231) ############################################&#13;
&#13;
THE AUTHOR.&#13;
169&#13;
Turning to the report, Mr. Hewlett pointed to intervene in all schemes affecting literature in this&#13;
the continued increase both in the membership of country.&#13;
the society and in its income, which was now only Having alluded to the subject of the Pension&#13;
£6 short of £2,000. Nevertheless, the member- Fund Committee and the gratitude which every&#13;
ship of the society ought to be larger than it is, member of the society was bound to feel with regard&#13;
for there were a great many more authors in to the generous action of Miss May Crommelin,&#13;
England than in the ranks of the society. Also recorded in the report, Mr. Hewlett concluded by&#13;
the society was liable to very heavy increases in its very sincerely thanking his colleagues on the Com-&#13;
expenditure, which rendered necessary a consider mittee of Maoagement, and Mr. Thring, now as&#13;
able increase in its income. With regard to this always the committee's right hand, for the sapport&#13;
he felt hopeful, and he was confident that it would which they had given him throughout his second&#13;
follow upon the growth of the society's prestige. term of office.&#13;
He would not attempt to deal with the immensely At the close of the chairman's address, Mrs.&#13;
difficult subject of copyright which was mentioned Humphry Ward raised again in the general meet-&#13;
in part of the report. He would, however, say that ing, as she had already done in council, the question&#13;
the new Bill did at least attempt to collect in one of the adequacy of the consultation of the society&#13;
ambit or circuit of Parliament every process of with regard to the action taken in the formation of&#13;
copyright. But the details of the Bill were now the Academic Committee. She submitted that a&#13;
under consideration of the Government, and it paragraph in The Author was not sufficient official&#13;
could not be hoped for this year. He had recently notice of intended action. She thought that the&#13;
had an instructive conversation with his friend, Mr. authority and prestige of the society would be more&#13;
William Heinemann, on the subject, and he sug. likely to be raised in the manner hoped for by&#13;
gested that Mr. Heinemann should be invited to Mr. Hewlett if the council and the society in general&#13;
attend a meeting of the Committee of Management were more fully consulted on important business.&#13;
to discuss the very important objections to the Bill The Academic Committee, as it now stands, Mrs.&#13;
as it now stands.&#13;
Ward continued, had no representative authority,&#13;
After calling attention to what the report had to personally distinguished though its members no&#13;
say on the subject of the Musical Agreement as doubt were. The unfortunate procedure adopted&#13;
settled between the society and Messrs. Stainer &amp; stood in the way of the trust which ought to have&#13;
Bell, Mr. Hewlett came to the appointment of the been given to the Academic Committee by the&#13;
Academic Committee by the Royal Society of general body of authors. Then, as to the question&#13;
Literature, on which matter he felt that he ought of women on the nominating committee, there cer-&#13;
to speak as being partly responsible for the action tainly ought to have been a substantial representa-&#13;
the society had taken in the matter. He said that, tion on that committee of the women of the Society&#13;
being a member of the Council of the Royal Society of Authors. Mistakes had been made. Was it&#13;
of Literature, he attended a meeting of that body impossible now to go back and, beginning again,&#13;
in November, 1909, when it was proposed to form to form a really representative Academic Committee.&#13;
an Academy of Letters, subsequently modified into Mrs. Baillie Reynolds, after complaining of the&#13;
an Academic Committee. He had explained that sparse attendance at the general meeting, indicative&#13;
as chairman of the Society of Authors he could not of the lack of interest on the part of the members,&#13;
regard any such proposal as practical in which that supported Mrs. Humphry Ward.&#13;
society was not considered. His name having then Mr. Bernard Shaw said that the members of the&#13;
been added to a sub-committee to deal with the Committee of Management felt more strongly than&#13;
whole question, finally a request was made to the anyone else the apparent impossibility of inducing&#13;
Committee of Management of the Society of Authors most of the members to take any interest in the&#13;
to recommend fourteen members of the society for society except when they wanted it to get them out&#13;
nomination upon the Academic Committee. Mr. of some personal trouble. Mrs. Humphry Ward's&#13;
Douglas Freshfield and he, having been selected by attempt to agitate the question of the Academic&#13;
the Committee of Management as a sub-committee Committee was a case in point. The chairman put&#13;
for this purpose, drew up a list of names and then that question fully before the council at a council&#13;
joined the sub-committee of the Royal Society of meeting at the annual meeting of that body. Over&#13;
Literature, in joint session with whom they prepared and above the members of the Committee of&#13;
a list of twenty-eight names. Nothing was done Management there was exactly one member of the&#13;
without the approval of the Committee of Manage council present; and that member was not Mrs.&#13;
ment of the Society of Authors, and Mr. Hewlett Humphry Ward. Mrs. Ward later on appealed&#13;
did not believe that, convinced as he was of the specially to the council to support the views she&#13;
importance and influence of the society, he could had just expressed, and to censure the Committee&#13;
have done otherwise than insist upon the right to of Management. The result was a council meeting&#13;
&#13;
&#13;
## p. 170 (#232) ############################################&#13;
&#13;
170&#13;
THE AUTHOR.&#13;
so thinly attended that the committee was in an views on the suffrage question, what other con-&#13;
overwhelming majority, and the vote of censure clusion could be come to than the one he had&#13;
could have been carried only by the votes of the expressed ?&#13;
censured. No doubt this showed the confidence of Mr. Douglas Freshfield said he would only refer&#13;
the society and of the council in its committee; to two points. In the first place, the Committee of&#13;
but if the society and the council left everything to Management was in no way a free agent in the&#13;
the committee, they must not complain when the matter of the constitution of the Academic Com-&#13;
committee acted on its own responsibility. On the mittee : all that was possible was to make the best&#13;
point raised by Mrs. Humphry Ward, however, she use of an invitation from the Royal Society of&#13;
was virtually quite right ; the Academic Committee Literature to join in iis constitution and to&#13;
had not been democratically constituted by the Society nominate a certain number of members to it out&#13;
of Authors ; but the fault lay outside the society. of our own body ; next, that (as he had been at&#13;
The chairman, in promptly insisting on the rights pains to point out in The Author) it was incorrect&#13;
of the Society of Authors when the proposal was to allege that women had been excluded from the&#13;
sprung on him, had done precisely the right thing constituting committee since every step taken by&#13;
(Hear, hear); and the next steps were the forma the delegates of our Committee of Management&#13;
tion of a provisional committee, the drawing up had been submitted to and ratified by the whole&#13;
of a constitution for the proposed Academy, and Committee, two of the members of which were&#13;
finally a list of the Academicians. These could women.&#13;
have been submitted to a general meeting of the Mrs. Humphry Ward rose a second time to&#13;
Society, which could thus have become one of the make a personal explanation, Mr. Shaw having&#13;
constituents of the new body. But whilst this apparently misunderstood her. Whatever her&#13;
was in progress—whilst drafts of statutes were objections to certain activities of women, she had&#13;
actually being circulated among members of our the very strongest desire to see them represented&#13;
Committee of Management—somebody wrote to in every way in the intellectual sphere.&#13;
the Times announcing the provisional committee No other members having expressed a desire to&#13;
as a full-fledged British Academy of Letters. speak, Mr. Hewlett said he would like to point out,&#13;
This stroke of the anarchism characteristic of with reference to what Mrs. Ward and Mr. Shaw&#13;
men of letters was completely successful. The had said, that the Society's sole part in the business&#13;
Society of Authors could have immediately repu- of the Academic Committee was to nominate&#13;
diated the whole affair and withdrawn from the members. It could not call upon the Academic&#13;
project, as Mr. George Trevelyan did ; but that Committee to overhaul its past action. The&#13;
would have simply knocked the whole affair on Society had no right or authority to do so. Its&#13;
the head for a generation. There was nothing to róle was over when it had recommended names for&#13;
be done but accept the situation, and allow the appointment to the committee. As for the repre-&#13;
Academic Committee to make the best of itselfsentation of women, there was nothing to prevent&#13;
without calling attention to its illegitimate origin. their being elected to the committee and there&#13;
After all, there was no harm done as far as the was not the slightest doubt they would be elected.&#13;
men were concerned : the Society could not have Mr. Charles Garvice moved à vote of thanks to&#13;
improved materially on the present list, which the retiring chairman, and expressed a doubt as to&#13;
contained a sufficient number of eminent men of whether the Society would be able to get anyone&#13;
letters to give it dignity and authority. As to so good to succeed him. With regard to Mrs.&#13;
the women, that exclusion was a scandal : an Baillie Reynolds' complaint, be said that members&#13;
English Academy of Letters without women on it of this society were like those of all others—too&#13;
was an absurdity. But even here the quaint apt to leave everything to the committee. He&#13;
difficulty had arisen that Mrs. Humphry Ward, exhorted them to show an interest in the society's&#13;
who championed the claims of the women of the affairs at other times than at the annual general&#13;
society, wished to keep them off the committee. meeting.&#13;
(Mrs. Humphry Ward dissented, explaining that Mr. Mowbray Marras seconded the vote of&#13;
she had not dealt with that point, but had confined thanks, which was carried unanimously.&#13;
herself to the question of the right of the women of Mr. Hewlett having briefly acknowleged this and&#13;
the society to representation on the provisional com- again referred to the help he had received through-&#13;
mittee.) Mr. Shaw, continuing, said that he had out his term of office, the meeting terminated.&#13;
urged Mrs. Humphry Ward to secure the rote of The members present included : (Chairman) Mr.&#13;
the council meeting in favour of having women Maurice Hewlett, E. S. Bates, C. (). Burge,&#13;
Academicians, offering to support her if she would Mackenzie Bell, Dr. T. P. Beddoes, Sir Alfred&#13;
move that. She had declined to do so ; and when Bateman, Mrs. Belloc-Lowndes, Miss R. M. Blods&#13;
her refusal was taken along with her well-known L. N. Chase, Mrs. L. N. Chase, Miss B. Clements-&#13;
&#13;
&#13;
## p. 171 (#233) ############################################&#13;
&#13;
THE AUTHOR.&#13;
171&#13;
Henry, Mrs. Herbert Cohen, Joseph Fisher, of Stiggins in ‘Pickwick' was intended as an insult&#13;
Douglas Freshfield, Charles Garvice, Anthony to all dissenters ; or that all the attorneys in the&#13;
Hope Hawkins, Frank Hamel, J. F. Hunter, Miss empire were indignant at the famous history of&#13;
E. M. Hine, Hubert Haes, Mrs. Willoughby Hodg- the firm of Quirk, Gammon, and Snap. Are we to&#13;
son, C. Lincoln, Miss Mary G. Lowry, Mowbray be passed over because we cannot afford to be&#13;
Marras, Gilbert S. Macquoid, H. G. Marshall, laughed at ? And if every character in a story is&#13;
Conal O'Riordan, Charles Pendlebury, D. H. to represent a class, not an individual—if every&#13;
Mountray Read, Mrs. Baillie Reynolds, P. W. Ser- bad figure is to have its obliged contrast of a good&#13;
geant, G. Bernard Shaw, Mrs. G. Bernard Shaw, one, and a balance of vice and virtue is to be&#13;
Francis Storr, Miss E. Tiddemann, Miss Grace struck—novels, I think, would become impossible,&#13;
Toplis, G. F. Wilson, W. R. Walkes, E. S. Wey- as they would be intolerably stupid and unnatural,&#13;
mouth, Mrs. Humphry Ward, W. H. Williamson. and there would be a lamentable end of writers and&#13;
readers of such compositions.” Thirdly, he laughed&#13;
to scorn the notion that men of letters as a class&#13;
were looked at askance by the non-literary class.&#13;
THACKERAY AND THE DIGNITY OF “Does any man who has written a book worth&#13;
LITERATURE.&#13;
reading—any poet, novelist, man of science--lose&#13;
reputation by his character for genius or for learn-&#13;
ing?” he asked. “Does be not, on the contrary,&#13;
By LEWIS MELVILLE.&#13;
get friends, sympathy, applause-money, perhaps ?&#13;
all good and pleasant things in themselves, and not&#13;
HACKERAY was always proud to hold a brief ungenerously awarded, as they are honestly won.&#13;
1 for the dignity of his calling, and it was, That generous faith in men of letters, that kindly&#13;
is therefore, with no little irritation that one regard in which the whole reading nation holds&#13;
day early in 1850 he found himself arraigned by them, appear to me to be so clearly shown in our&#13;
two London papers, the Examiner and the Morning country every day that to question them would be&#13;
Chronicle ; by the latter for “ fostering a baneful as absurd as, permit me to say for my part, it&#13;
prejudice” against literary men ; by the former would be ungrateful. What is it that fills mechanics'&#13;
for“ stooping to flatter” this prejudice in the public institutes in the great provincial towns when&#13;
mind, and condescending to caricature his literary literary men are invited to attend their festivals ?&#13;
fellow-labourers in order to pay court to “the Has not every literary man of mark his friends and&#13;
non-literary class." The attack was based upon his circle, his hundreds, or his tens of thousands, of&#13;
the portrayal of the literary men who figured in readers ? And has not every one had from these&#13;
the novel of “Pendennis." Thackeray's reply was constant and affecting testimonials of the esteem&#13;
very much to the point. In the first place he in which they hold him ? It is, of course, one&#13;
denied that the characters were exaggerated. “I writer's lot, from the nature of his subject or of his&#13;
have seen the bookseller whom Bludyer robbed of genins, to command the syınpathies or awaken the&#13;
his books ; I have carried money, and from a noble curiosity of many more readers than shall choose to&#13;
brother man-of-letters, to some one not unlike listen to another author; but surely all get their&#13;
Shandon in prison, and have watched the beautiful hearing. The literary profession is not held in&#13;
devotion of his wife in that dreary place,” he wrote. disrepute ; nobody wants to disparage it; no man&#13;
“Why are these things not to be described if they loses his social rank, whatever it may be, by prac-&#13;
illustrate, as they appear to do, that strange and tising it. On the contrary, the pen gives a place in&#13;
awful struggle of good and wrong which take place the world to men who had none before-a fair place,&#13;
in our hearts and in the world ? ” In the second fairly achiered by their genius, as any other degree&#13;
place, he expressed the opinion that he was entirely of eminence is by any other kind of merit.” The sub-&#13;
justified in what he had written. “I hope," he stance of this passage he repeated when in the follow-&#13;
said, “ that a comic writer, because he describes ing year he replied for literature at the Royal Literary&#13;
one author as improvident and another as a Fund's Annual Dinner. “We don't want patrons,&#13;
parasite, may not only be guiltless of a desire we want friends ; and I thank God we have thein ;&#13;
to vilify his profession, but may really have its and as for any idea that our calling is despised by&#13;
honour at heart. If there are no spendthrifts or the world, I do, for my part, protest against and&#13;
parasites amongst us, the satire becomes unjust; deny the whole statement,” he declared. “I have&#13;
but if such exist, or have existed, they are as good been in all sorts of society in this world, and I have&#13;
subjects for comedy as men of other callings. I never been despised that I know of. I don't believe&#13;
never heard that the Bar felt itself aggrieved there has been a literary man of the slightest merit&#13;
because Punch chose to describe Mr. Dunup's or of the slightest mark who did not greatly advance&#13;
notorious state of insolvency; or that the picture himself by uis literary labours. I see along this&#13;
&#13;
&#13;
## p. 172 (#234) ############################################&#13;
&#13;
172&#13;
THE AUTHOR.&#13;
august table gentlemen whom I have had the get are not so high as those which fall to men of&#13;
honour of shaking by the hand, and gentlemen other callings—to bishops, or to judges, or to opera&#13;
whom I should never have called my friends but singers and actors ; nor have they received stars&#13;
for the humble literary labours I have been engaged and garters as yet, or peerages and governorships&#13;
in. And therefore I say, don't let us be pitied of islands, such as fall to the lot of military&#13;
any more.”&#13;
officers.” Anthony Trollope has stated that&#13;
Thackeray had little patience with those men of Thackeray held strong views that much was due by&#13;
letters who suffered from the impression that they the Queen's Ministers to men of letters, and he&#13;
were despised and with those who made strenuous added that Thackeray “no doubt had his feelings&#13;
efforts to combat a prejudice that was non-existent. of slighted merit because no part of the debt was&#13;
“ Instead of accusing the public of persecuting and paid to him. Thackeray probably would have&#13;
disparaging us as a class, it seems to me that men liked a baronetcy or a barony, and as a representa-&#13;
of letters had best silently assume that they are as tive man of letters he might well have been created&#13;
good as any other gentlemen, nor raise piteous con- Lord Thackeray of Brompton. It was not, how-&#13;
troversies upon a question which all people of sense ever, that he was particularly desirous of any such&#13;
must take to be settled. If I sit at your table, I distinction for himself, but he thought if titles and&#13;
suppose that I am my neighbour's equal, as that he stars and ribands are good for soldiers and sailors&#13;
is mine. If I begin straightway with a protest and statesmen and artists and civil servants, why&#13;
of “Sir, I am a literary man, but I would have you should they be withheld from authors ? He attri-&#13;
to know I am as good as you,' which of us is it that buted the fact that the fountain of honour did not&#13;
questions the dignity of the literary profession-my play upon men of letters to their comparative&#13;
neighbour, who would like to eat his soup in quiet, poverty. “ Directly men of letters get rich they&#13;
or the man of letters, who commences the argu- will come in for their share of honour too,” he&#13;
ment ? ” Indeed, he thought the man of letters declared.&#13;
received more sympathy than was due to him. “A While Thackeray thus declared that men of&#13;
literary man," he wrote in “Pendennis," “ has often letters should share in the rewards for meritorious&#13;
to work for his bread against time, or against his services distributed by the Government, he con-&#13;
will, or in spite of his health, or of his indolence, or fessed frankly that he did not see how these honours&#13;
of his repugnance to the subject on which he is were to be distributed. “I have heard, in a lecture&#13;
called to exert himself, just like any other daily about George the Third, that, at his accession, the&#13;
toiler. When you want to make money by Pegasus king had a mind to establish an Order for literary&#13;
(as he must, perhaps, who has no other saleable men,” he wrote in a “Roundabout Paper." “lt&#13;
property) farewell poetry and aerial flights : Pegasus was to have been called the Order of Minerva-I&#13;
only rises now like Mr. Green's balloon, at periods suppose with an owl for a badge. The knights&#13;
advertised beforehand, and when the spectator's were to have worn a star of sixteen points and a&#13;
money has been paid. Pegasus trots in harness, yellow ribbon, and good old Samuel Johnson was&#13;
over the stony pavement, and pulls a cart or cab talked of as President, or Grand Cross, or Grand&#13;
behind him..Often Pegasus does his work with Owl of the society. Now about such an Order as&#13;
panting sides and trembling knees, and not seldom this there certainly may be doubts. Consider the&#13;
gets a cut of the whip of the driver. Do not let us, claimants, the difficulty of settling their claims, the&#13;
however, be too prodigal of our pity upon Pegasus. rows and squabbles amongst the candidates, and&#13;
There is no reason why this animal should be exempt the subsequent decision of posterity. Dr. Beattie&#13;
from labour, or illness, or decay, any more than any would have ranked as first poet, and twenty years&#13;
of the other creatures of God's world. If he gets after the sublime Mr. Hayley, would, no doubt, hare&#13;
the whip, Pegasus very often deserves it, and I for claimed the Grand Cross. Mr. Gibbon would not&#13;
one am quite ready to protest . . . against the have been eligible, on account of his dangerous&#13;
doctrine which some poetical sympathisers are free-thinking opinions; and her sex, as well as her&#13;
inclined to put forward, viz., that men of letters, republican sentiments, might have interfered with&#13;
and what is called genius, are to be exempt from the knighthood of the immortal Mrs. Catherine&#13;
the prose duties of this daily bread-wanting, tax- Macaulay. How Goldsmith would have paraded&#13;
paying life, and are not to be made to work and pay the ribbon at Madame Cornelys' or the Academy&#13;
like their neighbours.”&#13;
dinner! How Peter Pindar would have railed at&#13;
If, on the one hand, Thackeray vehemently pro- it! Fifty years later the noble Scott would have&#13;
tested against the idea that those who followed the worn the Grand Cross and deserved it, but Gifford&#13;
pursuit of letters required pity and sympathy, on would have had it; and Byron, and Shelley, and&#13;
the other he was the first to admit that the status Hazlitt and Hunt would have been without it; and&#13;
of men of letters as a class might be improved. had Keats been proposed as officer, how the Tory&#13;
“The money prizes which the chief among them prints would have yelled with rage and scorn!&#13;
&#13;
&#13;
## p. 173 (#235) ############################################&#13;
&#13;
THE AUTHOR.&#13;
173&#13;
Had the Star of Minerva lasted to our present dition of literary men might be very soon changed&#13;
time—but I pause, not because the idea is dazzling, by a manly literary union of this kind."&#13;
but too awful. Fancy the claimants, and the row Thackeray towards the end of his life laid down&#13;
about their precedence ! ..Fancy the once for all the qualities that ensure the dignity of&#13;
struggle! Fancy the squabble! Fancy the dis- the calling to which he belonged. “What ought&#13;
tribution of prizes !”&#13;
to be the literary man's point of honour nowa-&#13;
The bestowal of pensions was open to the same days ?” he wrote in a “ Roundabout Paper."&#13;
objections. “Even that prevailing sentiment “Suppose, friendly reader, you are one of the craft,&#13;
which regrets that means should not be provided what legacy would you like to leave to your&#13;
for giving them leisure, for enabling them to children ? First of all (and by Heaven's gracious&#13;
perfect great works in retirement, that they should help you would pray and strive to give them such&#13;
waste away their strength with fugitive literature, an endowment of love, as should last certainly for&#13;
etc., I hold to be often uncalled for and dangerous," all their lives, and perhaps be transmitted to their&#13;
Thackeray had written in his appreciation of children. You would '(by the same aid and&#13;
Blanchard. “I believe if most men of letters blessing) keep your honour pure, and transmit a&#13;
were to be pensioned— I am sorry to say I believe- name unstained to those who have a right to bear&#13;
they wouldn't work at all ; and of others, that the it. You would, though this quality of giving is&#13;
labour which is to answer the calls of the day is one of the easiest of the literary man's qualities-&#13;
the one best suited to their genius. Suppose Sir you would, out of your earnings, great or small, be&#13;
Robert Peel were to write to you, and, enclosing a able to help a poor brother in need, to dress his&#13;
cheque for £20,000, instruct you to pension any wounds, and, if it were but twopence, to give him&#13;
fifty deserving authors, so that they might have succour. . . . You will, if letters be your vocation,&#13;
leisure to retire and write 'great' work, on whom find saving harder than giving and spending. To&#13;
would you fix ?”&#13;
save be your endeavour too, against the night's&#13;
The dignity of literature, however, depends not coming when no man may work ; when the arm&#13;
on its rewards but upon the dignity of the men of is weary with the long day's labour; when the&#13;
letters, and the contempt that was felt for Grub brain perhaps grows dark ; when the old, who can&#13;
Street in the eighteenth century was, as Thackeray labour no more, want warmth and rest, and the&#13;
was at pains to point out, largely the fault of Grub young ones call for supper.” In yet another&#13;
Street, too many of the inhabitants of which “ Roundabout Paper " Thackeray, writing after&#13;
were intemperate, improvident, and far from the deaths of Washington Irving and Macaulay,&#13;
respectable, and not only the minor lights but some was happy to point his arguments on the dignity&#13;
of the great men also. Things, happily, have of literature by showing how they fulfilled his ideal&#13;
changed, and if Grub Street is still with us it is a of what a man of letters should be. “Be a good&#13;
more temperate, more clean-living neighbourhood man, my dear! One can't but think of these last&#13;
than ever it was before, and its inhabitants also, as words of the veteran Chief of Letters, who had&#13;
well as the literary man in general, have a lofty ideal tasted and tested the value of worldly success,&#13;
of their calling. Jealousy was once the bane of admiration, prosperity. Was Irving not good,&#13;
the calling ; to-day that noxious passion is kept, and, of his works, was not his life the best part ?&#13;
on the whole, well under control. The Croker- In his family gentle, generous, good-humoured,&#13;
Macaulay feud could not to-day be fought out in the affectionate, self-denying ; in society, a delightful&#13;
quarterlies. “Human nature is not altered since example of complete gentlemanhood ; quite un- ,&#13;
Richardson's time, and if there are rakes, male and spoiled by prosperity ; never obsequious to the&#13;
female, as there were a hundred years since, there great (or, worse still, to the base and mean, as&#13;
are in like manner envious critics now, as then,” some public men are forced to be in his and other&#13;
Thackeray wrote in his paper on Fielding. “How countries) ; eager to acknowledge every contem-&#13;
eager are they to predict a man's fall, how un- porary's merit ; always kind and affable with the&#13;
willing to acknowledge his rise! If a man write a young members of his calling ; in his professional&#13;
popular work he is sure to be snarled at; if a bargains and mercantile dealings delicately honest&#13;
literary man rise to eminence out of his profes- and grateful; one of the most charming masters&#13;
sion all his old comrades are against him. They of our lighter language; the constant friend to us&#13;
can't pardon his success : would it not be wiser for and our nation ; to men of letters doubly dear, not&#13;
gentlemen of the pen to do as they do in France, for his wit and genius merely, but as an exemplar&#13;
have an esprit de corps, declare that their body and of goodness, probity, and pure life. ... Here&#13;
calling is as honourable as any other, feel their own are two examples of men most differently gifted :&#13;
power, and instead of crying down any member of each pursuing bis calling ; each speaking his truth&#13;
their profession who happens to light on a prize, as God bade him ; each honest in his life ; just&#13;
support him with all their strength! The con- and irreproachable in his dealings ; dear to his&#13;
&#13;
&#13;
## p. 174 (#236) ############################################&#13;
&#13;
174&#13;
THE AUTHOR.&#13;
friends ; honoured by his country ; beloved at his out sword, and have at him.” In this passage&#13;
fireside. It has been the fortunate lot of both to Thackeray outlined his own course. Truth was&#13;
give unaccountable happiness and delight to the the first consideration in his eyes, and it was the&#13;
world, which thanks them in return with an want of truth in such works as are commonly&#13;
immense kindliness, respect, affection. It may grouped as the Newgate School of Fiction that make&#13;
not be our chance, brother scribe, to be endowed him attack them as being dishonest and therefore&#13;
with such, merit, or lewarded with such fame. immoral. “If truth is not always pleasant, at any&#13;
But the rewards of these men are rewards paid to rate truth is best, from whatever chair-from those&#13;
our service. We may not win the baton or the whence grave writers or thinkers argue, as from&#13;
epaulettes ; but God give us strength to guard the that at which the storyteller sits,” Thackeray&#13;
honour of the flag !"&#13;
wrote in the Preface to “Pendennis," and else-&#13;
To such qualities as these two men, to mention where, in the lecture on “ Charity and Humour,"&#13;
no others, possessed, fame comes second. Fame is he enlarged on the theme. “I can't help telling&#13;
an accident, a happy glorious accident, for those the truth as I view it, and describing what I see.&#13;
upon whom its mantle falls. It may come with To describe it otherwise than it seems to me would&#13;
a first book ; it may come in middle life; it be falsehood in that calling in which it has pleased&#13;
may come at the end of a career hitherto Heaven to place me ; treason to that conscience&#13;
obscure ; it may come after death ; it may come which says that men are weak ; that truth must be&#13;
and go ; it may not come at all. A man can told ; that fault must be owned ; that pardon&#13;
but do his best, and take such reward as may come must be prayed for ; and that Love reigns supreme&#13;
his way. “The literary character, let us hope or over all.” Thackeray took his profession very&#13;
admit, writes quite honestly, but no man supposes seriously, and never undervalued the responsibilities&#13;
he would work perpetually but for money. And as of the writer, even of the novelist, who, in his&#13;
for immortality, it is quite beside the bargain," opinion, should be a teacher. “I assure you these&#13;
Thackeray wrote. “Is it reasonable to look for it, tokens of what I can't help acknowledging as&#13;
or pretend that you are actuated by a desire to popularity, make me humble as well as grateful,&#13;
attain it? Of all the quill drivers, how many have and make me feel an almost awful sense of the&#13;
ever drawn that prodigious prize ? Is it even right to responsibility which falls upon a man in such a&#13;
ask that many should ? Out of a regard for poor station. Is it deserved or undeserved? Who is&#13;
dear posterity and men of letters to come, let us this that sets up to preach to mankind, and to&#13;
be glad that the great immortality number comes laugh at many things which men reverence ? I&#13;
up so rarely. Mankind would have no time other hope I may be able to tell the truth always, and to&#13;
wise, and would be so gorged with old masterpieces, see to it aright, according to the eyes which God&#13;
that they would not occupy themselves with new, Almighty gives me. And if, in the exercise of my&#13;
and future literary men would have no chance of a calling, I get friends and find encouragement and&#13;
livelihood." There are great men and little men sympathy, I need not tell you how very much I&#13;
working in the field of letters, as in other fields, feel and am thankful for this kind of support.&#13;
and all cannot hope for the spoils that come to the Indeed, I can't reply lightly upon this subject or&#13;
victor. “In the battle of life are we all going to feel otherwise than very grave when people praise&#13;
try for the honours of championship ? If we can me as you do.” Thus he wrote to Dr. John Brown,&#13;
do our duty ; if we can keep our place pretty who had been instrumental in organising a testi-&#13;
honourably ihroughout the combat, let us say Laus monial to him ; and in reply to the Rev. Joseph&#13;
Deo at the end of it, as the firing ceases, and the Sortain, who had sent him a volume of sermons,&#13;
night falls upon the field.” Thus the weekday “I want too,” he wrote, “ to say in my way that&#13;
preacher on the chances of the literary profession. love and truth are the greatest of Heaven's com-&#13;
* To do your work honestly, to amuse and instruct mandments and blessings to us ; that the best of&#13;
your reader of to-day, to die when your time comes us, the many especially who pride themselves ou&#13;
and go hence with as clean a breast as may be, their virtues most, are wretchedly weak, vain, and&#13;
may these be all yours and ours, by God's will. selfish ; and to preach such a charity at least as a&#13;
Let us be content with our status as literary crafts- common sense of our shame and unworthiness&#13;
men, telling the truth as far as may be, hitting no might inspire, to us poor people." Therein may&#13;
foul blow, condescending to no servile puffery, be found "Thackeray's confession of faith as a&#13;
filling not a very lofty, but a manly and honourable novelist and weekday preacher.&#13;
part.”&#13;
LEWIS MELVILLE.&#13;
“Ah! ye knights of the pen ! May honour be&#13;
your shield and truth tip your lances ! Be gentie&#13;
to all gentle people. Be modest to women. Be&#13;
tender to children. And as for the Ogre Humbug,&#13;
&#13;
&#13;
## p. 175 (#237) ############################################&#13;
&#13;
THE AUTHOR.&#13;
175&#13;
STYLE IN LITERATURE.&#13;
will become apparent later on. Meanwhile, it&#13;
suffices to speak of examples which, in truth, are&#13;
BY ARCHIBALD DUNN.&#13;
here just as convincing as any logic. For, what&#13;
would you say to the mathematician who wrote in&#13;
I.&#13;
the flowery language of the poet, or to the&#13;
TF literature in its broadest meaning is to be bumourist who explained his joke as he went with&#13;
I reckoned the written expression of a thought all the nice exactness of a scientific treatise ?&#13;
—and I know of no better definition than Even a Scotsman—who, by the way, has been&#13;
this—then the measure of style in literature can be much libelled in this matter of jokes--would not&#13;
neither more nor less than the measure of expres- stand that. Then, again, there is the absurdity of&#13;
siveness with which it conveys that thought. obscuring a simple subject - say, a text-book on&#13;
Here is some fact or fancy, one supposes, in the come outdoor exercise-- with the incessant intro-&#13;
author's brain ; it is to become equally fact or duction of quotations from the classics. I have&#13;
fancy before the reader.&#13;
such a book by me on the table and, despite a&#13;
To this end, it may be said, there are two means, certain excellence, I have come to see nothing in&#13;
Construction and Description; that is, first the it now but irritation ; for, when a man starts out&#13;
marshalling of all the testimony into an effective to study cricket or golf, or whatever it may be, he&#13;
order and then, with this accomplished, the subse- is not too well pleased to be interrupted on almost&#13;
quent setting forth of that testimony in effective every page by Shakespeare's views on some other&#13;
terms—a plan to begin with, whether in an essay subject. Apart from the distraction, it is a waste&#13;
or in a fairy tale, then the expounding of that of time under the circumstances and a clear&#13;
plan through the medium of written words. annoyance. So, too, with preciosity, with pom-&#13;
Hence, to be a stylist in literature is to be a stylist posity, and with all the exaggerated verbiage so&#13;
twice over. A mere mastery of language, a neat common amongst the earlier writers. These are&#13;
dandling of words and epithets, a stringing the deadly sins that cannot be forgiven.&#13;
together of musical phrases just as pretty as ever S o far, then, the position is obvious. But, now,&#13;
you please, will not do when standing alone; a more troublesome issue arises when we ask our-&#13;
admirable though it be and delightful enough to selves to decide the extent of an author's right to&#13;
the æsthetic sense, here is an incomplete thing, a introduce his personality into his work? Of&#13;
duty but half fulfilled. The real need, it is clear, course, understand me, I ain distinguishing be-&#13;
goes beyond this again and the further demand tween personality and individuality.. Individuality&#13;
comes that the stylist in authorsbip shall be —the natural habit of the man, the instinctive&#13;
master. too, of a šrmpathetic selection in the method of thought and of expression, which&#13;
treatment of his subject.&#13;
must be different from the common method-&#13;
Of this latter aspect of the question something is the first requisite in the equipment of&#13;
has been said in another place. * It was there an author ; more than anything else, perhaps,&#13;
pointed out that only a sympathetic temperament it can raise him from the ruck and, for better&#13;
could ensure a sympathetic treatment and that, in or worse, stamp him indelibly as himself.&#13;
fact, the artistic result would be limited in all Indeed, so highly is the virtue rated that, on the&#13;
likelihood by the degree of artistic instinct evidence of our own eyes, it is the goal for which&#13;
inherent in the writer. At the same time there the scribe is struggling day by day; and, as the&#13;
remain certain practical considerations which can commodity is scarce and not to be attained by&#13;
not be ignored; for, whilst a man may fail to see merely trying, so is the end of the pitiful hunt too&#13;
all the beauties tbat are possible in treatment, he olten only cheap-jack mannerisms, affectations by&#13;
may still with study and care aroid the perpetra- the score, or tricks of speech learnt parrot-wise&#13;
tion of the ugly and the unsuitable. And though from better men. But, where this valuable asset&#13;
this, perhaps, is not to achieve much, it is at any is a genuine property, where it is of that quality&#13;
rate something ; one step forward, however small, which can distinguish rather than belittle, then,&#13;
well in the right direction.&#13;
surely, the more of it the better. Of course and&#13;
The obligation then is clear, in the first place, this must never be forgotten—there is nothing in&#13;
that a writer must rary his entire style with the all the world that cannot be overdone at times,&#13;
circumstances and adapt it faithfully to the and there is no prompting of a man's soul which&#13;
necessities and characteristics of the work on does not need to be held in check—that is why&#13;
which he happens to be engaged at the moment. every art is governed by rules. But, admitting&#13;
The philosophical reasons for this are simple and this restriction, it would be safe to believe that&#13;
individuality should be played for all that it is&#13;
* See papers in The Author, November, December, 1907; worth. Is the same to be said of personality ?&#13;
February, March, May, June, 1908.&#13;
May an author obtrude himself freely on the&#13;
&#13;
&#13;
## p. 176 (#238) ############################################&#13;
&#13;
176&#13;
THE AUTHOR.&#13;
printed page? And, if not, what are his statement of facts, without any skill in their pre-&#13;
limitations ?&#13;
sentation, without deception, without finesse, a clear&#13;
Well, I don't know that anyone is going to and unmistakable exposition, in short, of a writer&#13;
answer this question with any marked degree of writing a book, in what respect, I ask, are we&#13;
confidence ; beyond doubt, it is something of a playing the game of make-believe? It is too&#13;
conundrum. But, in discussing it, we may start thin, is it pot? A bit too obvious, a bit too plain&#13;
off upon the assumption that the character of the and aboveboard, this pulling of the Peter-Waggies&#13;
composition must have a bearing on the subject. by a string! Of course, were we children it might&#13;
For instance, consider the different conditions not matter; for you may take away the heartbrug&#13;
which obtain in an essay and in fiction. Here we which a child is laboriously crawling over for a&#13;
touch upon the two extreme poles, as it were, of Sahara Desert and shake it out before his eyes and&#13;
the writer's art—the former, an attempt to convey dust it and replace it and never trouble his faith in&#13;
facts (sometimes, perhaps, of a speculative nature); that Sahara for a moment ; in two seconds he is&#13;
the latter, an attempt to give fancies the semblance back again, crawling over it as laboriously and&#13;
of facts, to impart an air of life to a set of imagined as delightedly as before ; because, you know, he has&#13;
people and of reality to imagined incidents. The a strange and weird power of self-deception and&#13;
one depends for its success, we see, primarily on can run the pleasantry off his own bat. But, later&#13;
the extent to which it can convince the reason ; on, in a few short years, that blessed imagination&#13;
the other, primarily on the extent to which it can will have passed away, scotched by the hard and&#13;
stir up and convince the imagination.&#13;
practical experiences of life, and when that child&#13;
In the construction of an essay, therefore, the comes to read your novel he will look upon it,&#13;
introduction of an author's personality, or the believe me, with the matter-of-fact eye ; he will see&#13;
omission of it, would seem of small account.* Of merely the novelist in your clumsiness and sim-&#13;
course, his individuality of thought—that is, if he plicity, the poor devil of a scribe earning his bread&#13;
has any–will show itself at every turn. But, and butter and, as is right and proper in the case,&#13;
whether he elect to make his address in the first precious little jam.&#13;
person singular or (like Macaulay and the inflated How, then, will an author stand who advances&#13;
critics of his time) in the more imposing plural; boldly to the footlights, sets his hand upon his&#13;
whether he appear as “I” or as an amusing heart, and says in effect, “ Here am I, and I'm&#13;
company called “we”; or whether he finally busy writing this book, remember, and I think&#13;
decide to discard both and efface himself entirely, this, and I think that, and I think the other ! ”&#13;
I do not know that anyone is going to care a single How does he stand when he ventures upon this&#13;
solitary brass farthing. How can it matter, from without any attempt whatever at concealment? It&#13;
the point of view of construction, how the subject is a delicate question, I know, because it throws&#13;
of an essay be approached, provided only that the down the glove to many who are famous, and&#13;
main need is attended to-that, in the end, we deservedly famous, in literature. There is&#13;
have a sequence of ideas easy to follow, a clearness Thackeray, for example.&#13;
which shall admit of no misunderstanding, a Now no one, I suppose, will deny that Thackeray&#13;
brevity which shall expound the meaning with is a great writer ; no one will challenge his powers&#13;
completeness and no more? This is the practical of observation, his knowledge of humanity, of the&#13;
aim of the whole business that the facts shall be virtues and weaknesses of men and women, or his&#13;
brought most comprehensively before the reader's ability to set these forth fairly and squarely upon&#13;
mind.&#13;
paper, together with an unmistakable picture of&#13;
But with fiction it is, of course, another story. the period. That much, at least, must be conceded,&#13;
Indeed, in a tale, in a romance which is to give a and these qualities are as toughened steel in an&#13;
picture of life, it will often be the facts wbich most author's armour, bright with the promise of success.&#13;
need hiding, or at any rate dressing up into such a Pity it is, then, that in this armour there should&#13;
form that the real truth of them shall not be too bave been so large and gaping a flaw ; that the&#13;
crudely apparent. For the art of fiction is the Achilles heel should show so transparently through&#13;
juggler's art, a game of make-believe, in which the it all. For, in “ Vanity Fair,”- which is to take a&#13;
actual happenings are as nothing unless, indeed, specific instance and, besides, a good specimen of&#13;
they can be cloaked with an air of reality. Here Thackeray's work—there is the clearest proof. In&#13;
are some puppets, men of straw, who have never it are all the fine qualities just enumerated but,&#13;
lived ; but the reader, for his enjoyment, must have cheek by jowl with them and ready jumping to the&#13;
faith in their existence. If, then, there is a bare eye, that one overwhelming defect-I mean, of&#13;
* Later on, in discussing the Laws of Style, it will be&#13;
course, that habit of walking deliberately before&#13;
shown that too frequent an insistence of the author's&#13;
the curtain, of grarely making a bow, and of&#13;
personality must produce an unsatisfactory result.&#13;
exclaiming, even with ostentation, “Here I am&#13;
&#13;
&#13;
## p. 177 (#239) ############################################&#13;
&#13;
THE AUTHOR.&#13;
177&#13;
again !” There is that most unfortunate Preface, characters or as the natural outcome of the action&#13;
you may remember, where the author announces of the piece. A slight restriction at the most, it is in&#13;
himself as a “showman” and his characters as this way that the semblance of reality is kept alive.&#13;
“puppets.” A small thing, perhaps, if that were Then, for a last word, there is the chance that&#13;
all, when a Preface is not of much account with an over-obtrusiveness may steal, as it were, upon&#13;
most folks and is often left unread; still, for what the writer and take him unawares. There are certain&#13;
it is worth, there it is. Later on, however, with terms of expression--such, for instance, as “I&#13;
the introduction of the chapters, there follows a know," "believe me," "upon my word,” and so&#13;
more real aggravation when direct reference back is forth-which would seem to bring him forward&#13;
made every here and there to antecedent happen against his will ; or, again, in the diary form of&#13;
ings, and that with so nice and exact a precision narrative, where the author speaks throughout&#13;
that the reader is openly reminded that he is the from his note-book or his memory, there is the&#13;
reader and that the story is no more than a story suggestion of his presence in nearly every word.&#13;
invented and recited by a much self-evident writer. But this is hardly to state the truth ; for, the&#13;
Nor is this to be the worst of it. For one may practical effect of these two conditions is not quite&#13;
point to a page in “ Vanity Fair"--I have not the what it appears to be. Indeed, as you may observe,&#13;
novel by me, and therefore cannot quote chapter there is no suggestion at all of personality in figures&#13;
and verse—where Thackeray actually stops to make of speech which, as mere colloquialisms, must&#13;
an address and explain how at this juncture some pass off well-nigh unheeded in the run of the&#13;
particular character (Becky Sharp, I believe) might sentence ; whilst, in a story avowedly recorded by&#13;
be presented quite easily in a dozen different the writer, his presence, if continuous, is soon for-&#13;
fashions. Why, of course! that is as clear as a gotten in the more general interest ; provided&#13;
pikestaff. But, ye gods and little fishes ! what always—and this is the important point-that he&#13;
a wholesale rubbing of the gilt off the ginger- keeps within the confines of the actualities of life,&#13;
bread! What a candid display of the ropes and that he arrogates to himself no Divine insight, that&#13;
pulleys, the trapdoors and machinery! What a he depicts the minds of other people only, as is.&#13;
suffocatingly level-headed douche upon romance ! humanly possible under the circumstances, by the&#13;
What a final knock-out blow to the reader's evidence of their actions. But, once let him break&#13;
imagination ! After this, if there remain a true away from this, once let him step beyond the&#13;
and deep study of life—which is the fact—there possible, and the man and his abuse of logic, the&#13;
does not remain anything that may be fairly called palpable unreality of it all, will startle us out of the&#13;
a story. The exposure has gone too far, and one reverie with the suddenness of a whip-crack.&#13;
has slipped back-inevitably and all against the “How," we ask - for, it is the inevitable question-&#13;
natural desire-to the "showman" and his “can the silly fellow tell that?" And then, you&#13;
* puppets.” At such a time it is that the grown know, the game is up.&#13;
man will sigh for the bygone years when the&#13;
impossible would pass for a reality, when the&#13;
hearthrug was still Sahara.&#13;
Turning to the Art of Description—the art, that&#13;
It would seem, then, in the end, that the con- is, of expressing a thought in so many words—this&#13;
clusion reaches further than we bad thought. It much at least is certain at the outset that the&#13;
was to have been but a vague thing, this limit set by business of artistic writing must be two-fold, to&#13;
construction on the author's outward show of satisfy the intelligence and to charm the esthetic&#13;
personality ; it proves, after all, definable or nearly sense. There is the need of making the thought&#13;
80. For in an essay, clearly, the author may beat comprehensible, of course ; and there is the further&#13;
the drum, sound the trumpets and make his entry need of setting it forth, of adorning it, with such&#13;
just as often and as ostensibly as ever he pleases ; attractions as may belong to the choice of effective&#13;
whilst, in a story, he may try the same experiment words and the musical balancing of phrases. Thus,&#13;
only at his peril, always at the risk of "showing we may say that there exists the technical side of&#13;
his hand,” always at the risk of jacking-up irre- the subject and the beautiful; that is, in theory.&#13;
trievably this deligbtful game of make-believe. In practice, it will be found that these two cannot&#13;
Nor is this to say that he shall be tongue-tied in well be dissociated; for, it is clear, I think, that&#13;
any way. He will, it may be supposed, have many the technical—the first step towards the beautiful&#13;
weighty and important views and opinions to —is a necessary ingredient of the beautiful, and&#13;
express. Very well, then, let them be expressed by that the beautiful which cannot arise at all without&#13;
all means, but—with an eye fixed resolutely upon the technical must itself be part and parcel of the&#13;
the danger ahead ; so that one might add this technical. At any rate, so closely are they allied that&#13;
reservation, perhaps, that all extraneous matter shall it would not be possible to say just exactly wnere&#13;
find its utterance only through the medium of the the functions of the one or the other begin to end.&#13;
пе&#13;
&#13;
&#13;
## p. 178 (#240) ############################################&#13;
&#13;
178&#13;
THE AUTHOR.&#13;
Nevertheless, for the purpose B of clearer explana- in play at once and, during the earlier stages at&#13;
tion, I propose to fix upon a dividing line and to least, there will be many dismal hours of failure.&#13;
assume that the technical may be taken to Or, again, set a conversation rolling and listen the&#13;
cover the broad principles which govern the con- while to some talker on another subject and, hey!&#13;
struction of the sentence and the paragraph, and presto! there is confusion worse confounded. Or,&#13;
that all other qualities in literature may be suitably finally, rub the top of your head horizontally and&#13;
set down under the heading of the beautiful. Form, the pit of your belly with a circular motion and, in&#13;
we might say, in one case ; Grace, in the other. a twinkling, the machinery comes to a dead-lock&#13;
And, though this is not to be as precise as one and paralysis sets in. In short, ask the mind to&#13;
could wish, it is always something in a discussion issue two distinct orders at once, and the simplest&#13;
to have reduced the final issue to its component act is rnagnified into an achievement-it can only&#13;
parts as near as may be ; it enables the attention be accomplished after incessant and often laborious&#13;
to concentrate itself more restrictedly ; it makes practice. And why? Simply because the attention&#13;
for a better understanding, I believe, in the long concentrated on the one endeavour distracts the&#13;
run.&#13;
attention which is necessary for the accomplishment&#13;
This section, then, deals with the question of of the other: because, until advanced and perfected&#13;
Form.&#13;
by training, the human mind is apt to find its limit&#13;
In making an inquiry into the laws of Style in in doing one thing at a time. What question then&#13;
Literature, there are two main considerations which that, in this business of writing, the author shall&#13;
at once suggest themselves—first, that we all prefer eliminate anything and everything that may distract&#13;
to do things easily rather than with effort ; and, the reader ?&#13;
second, that the mind works with greater facility But, just as it is not enough to stand aside from&#13;
under one set of conditions than under another. the path of the over-wrought athlete or to refrain&#13;
These—such obvious truisms that there is no need from pushing the drowning man still further&#13;
to waste time in proving them lead to a valuable beneath the surface, so is it not enough that, in an&#13;
.conclusion ; they teach us unmistakably that the appeal to the intellect, we should be content merely&#13;
author's consideration must always be the comfort to put no impediment in the way. The intellect-&#13;
of the reader. If the book is not read with com- the average intellect, that is requires something&#13;
fort, it will be a rare occasion indeed on which more than a clear field in which to exercise, it needs&#13;
it is not very promptly cast aside. Whence it some outside prompting to set it going, some&#13;
follows, in the author's interest, and in that of his vigorous handling to arouse its energies. As we&#13;
art, that he must first discover and then fulfil those meet it commonly, it is a half-developed thing ;&#13;
conditions which enable the reader's mind to work receptive no doubt in a large measure, but only in&#13;
thus easily and with the least expenditure of effort; a modest degree perceptive ; and so, though capable&#13;
and so, by its very inevitableness, it must be just of appreciating a picture, seldom able to create one.&#13;
this that comes Dearest the root of all that is good. Hence, if a thought is to be readily communicated,&#13;
in writing.&#13;
if it is to be visualised by the reader in all its full&#13;
At first glance, then, we are upon the brink of a significance, then the further duty of the author&#13;
most ponderous philosophical discussion. The stares him fairly and squarely in the face-he must&#13;
human mind, indeed! with all its unfathomable lend a helping hand. The brief statement, we see,&#13;
mystery! And, thinking thus, the temptation is may be insufficient for this lazy and too matter-of-&#13;
to shut down the page, to close the volume and fact mind; therefore shall it be presented with a&#13;
turn to simpler things. Strangely, though, wegreater completeness and with adequate detail lest,&#13;
should not too readily tind them. For, as it happens, the omissiou of some particular, the whole become&#13;
this problem is scarcely a problem at all ; barely obscure.&#13;
worthy of the name when the truth comes out at In these two principles, then that the reader&#13;
Jast and we learn that this most intricate affairshall in no circumstances be distracted, but in all&#13;
depends for its elucidation on nothing more abstruse circumstances helped to a true and full understand-&#13;
than the admission of one elementary fact—that jug---we find the basis of those laws which govern&#13;
the mind can work more easily when concentrated Style in Literature. They are, as set forth by&#13;
than when distracted. That is all ; a wet blanket Lewes, * five in number—the law of Economy, the&#13;
on an outburst of great ideas; a trifle stowed away law of Simplicity, the law of Sequence, the law of&#13;
in a nutshell.&#13;
Climax, and the law of Variety. Five conditions,&#13;
See for yourself how true this is. Consider the then, to be fulfilled, five terms to be noted, all suffi-&#13;
first example that comes to hand. Juggle, for ciently alarming. But, as good luck will have it,&#13;
instance, with a single ball and, in the innocence of these are again to be condensed and—with Economy&#13;
your beart, you may count yourself a master-&#13;
perhaps ; add a second to the trick, keep them both&#13;
* * The Principles of Success in Literature."&#13;
&#13;
&#13;
## p. 179 (#241) ############################################&#13;
&#13;
THE AUTHOR.&#13;
179&#13;
embracing Simplicity, and Climax necessarily together the various clues. The indications given by&#13;
implying Sequence-we fall back, on Lewes' sug- Dickens himself, therefore, are that the keeper of&#13;
gestion, to three main headings only-Economy, the opium den (“the Princess Puffer"), Helena&#13;
Climar, and Variety.&#13;
Landless, Grewgious, and Datchery (the unknown&#13;
(To be continued.)&#13;
tracker) will somehow, singly or in combination,&#13;
bring justice home to Jasper.&#13;
To go back to our questions. (1) Was Edwin&#13;
ABOUT EDWIN DROOD.*&#13;
Drood dead? If he was not, what had become of&#13;
him, for the story progresses to a point six months&#13;
UITE a literature is growing up around after his disappearance ? Death alone would seem&#13;
W Dickens's famous unfinished povel, to which to account for his silence. But if he was dead,&#13;
the latest contribution, written by an anony- what was the meaning of one of the illustrations on&#13;
mous author, “ H. J.," is an interesting addition. the cover to the monthly parts, which clearly shows&#13;
The book is dated from Trinity College, Cambridge, Jasper entering a vaulted chamber with a lantern,&#13;
which fact, together with the scholarly acumen and finding in that chamber the erect figure of&#13;
displayed in the writing, puints an accusing finger at Edwin Drood ? It should be added here that Jasper&#13;
a famous professor. There is no need, in commenting would naturally return to the scene of the crime, ass&#13;
upon H. J.'s brochure, to tell in any detailed manner after his attempt on his nephew he found out that&#13;
the story of Edwin Drood ; it is probably familiar to his action had been quite purposeless, that Edwin&#13;
all readers of The Author , and, if it is not, they are and Rosa were no longer betrothed, but that the&#13;
cordially recommended to remove the reproach of former carried upon him a ring, not given to Rosa&#13;
their ignorance without delay. Something, how- as intended, which would ensure the identification,&#13;
ever, must be said in the way of recapitulation of of the body. The first obvious explanation of this&#13;
the plot to make any remarks on the subject intel- picture, which is reproduced in H. J.'s book, is.&#13;
ligible. “The Mystery of Edwin Drood” tells of that Jasper, who had previously, as we know,&#13;
the murder of the eponymous hero by a jealous removed from the body all the jewellery of whose&#13;
uncle John Jasper, suspicion of the murder, if existence he was aware, had returned to the vault&#13;
murder there has been, falling upon a lad named to recover the incriminating ring. One school of&#13;
Neville Landless. The mystery does not lie in the critics says that the whole meaning is gone if Edwin&#13;
anthorship of the crime, for almost from the first Drood is not dead ; these explain the cover of the&#13;
we know that Jasper is guilty of an attempt to monthly instalment by saying that the figure in the&#13;
murder his nephew, and believes that he has vault is not Edwin Drood at all, but someone made&#13;
succeeded. The main vexed questions are (1) Was up to resemble him, or, and preferably, that the&#13;
Edwin Drood dead ? and (2) By what machinery figure portrays a terrible hallucination of Jasper, and&#13;
was the crime brought home to its author. The not a real flesh and blood presence. This latter, by&#13;
fragment breaks off at the place where Edwin the way, is H. J.'s view. Another school of critics&#13;
Drood has disappeared, but certain further informa- says that to put such a figure on the cover would&#13;
tion is given which helps us to conjecture what the have been an unjustifiable artifice on the part of any&#13;
reply of Dickens to the two questions formulated author, and unthinkable on the part of a romancer&#13;
above would have been. Rosa, the heroine, and like Dickens, able, and conscious of being able, to&#13;
Edwin Drood's sweetheart, for wicked love of make any explanation in the world possible to his&#13;
whom Jasper, an opium fiend, is led into the crime, readers, and therefore under no obligation to cheat&#13;
comes to suspect the identity of the villain. them from the outset by deliberately indicating that&#13;
Grewgious, Rosa's guardian and Edwin's solicitor, a man was alive when he meant to show in the&#13;
is also on the same track. Helena Landless, sister development of the story that he was dead. H. J.&#13;
of the wrongfully accused Neville and confidante marshals fairly all the arguments that can be found&#13;
of Rosa, is determined, in behalf both of her brother in favour of one answer and of the other to the&#13;
and her bosom friend, that action must be taken question, “ Was Edwin Drood dead ?” with reference&#13;
against Jasper. An old woman, who keeps the throughout to Mr. Cuming Walter's “ Clues to the&#13;
opium den where Jasper goes for regular debauches, Mystery of Edwin Drood,” and Mr. Andrew Lang's&#13;
has an unexplained grudge against Jasper, and “Puzzle of Dickens's last Plot.” He considers that&#13;
possesses evidence against him the importance of Edwin Drood was dead, but gives much ground for&#13;
which she does not know. A mysterious person disagreement in his conclusion to those who find&#13;
named Datchery, obviously someone disguised, and such an issue improbable and disappointing.&#13;
probably someone already pamed in the book, takes The second question—(2) “ By what machinery&#13;
up his abode at Jasper's elbow and begins to gather was the crime brought home to its author ? ”-must&#13;
be answered to some extent in relation to whether&#13;
University Press. 1911. 90 pp., 4s, net.&#13;
Edwin Drood was dead or no, and centres round.&#13;
" " About Edwin Droo&#13;
&#13;
&#13;
## p. 180 (#242) ############################################&#13;
&#13;
180&#13;
THE AUTHOR.&#13;
II.&#13;
the identity of Datchery. Datchery is clearly high, but the information is, as always, of an inter-&#13;
tracking Jasper down—there is no mystery about esting character. In the present case the attention&#13;
that. Some have suggested that he was Edwin of authors is likely to be particularly attracted by&#13;
Drood himself ; some have thought that Datchery the sale of a number of autograph manuscripts of&#13;
was an impersonation either by the solicitor George Meredith, of which all but one were the&#13;
Grewgious, or by his clerk Bazzard, who appears in property of his nurse, Mrs. Nicholls. (Sotheby.&#13;
the brief mention of him as a particularly foolish December 1, 1910. A miscellaneous collection.&#13;
person, but with a theatrical bent of mind ; some Nos. 2008—2023). A minutely accurate descrip-&#13;
have thought that Helena Landless was hidden tion of the MSS. is given ; and it will be found&#13;
beneath Datchery's male disguise ; at least, one that they represent a great deal more than might&#13;
American sequel to the book makes Datchery a be suspected from a mere enumeration of their&#13;
new character, a professional detective introduced titles. For these most interesting particulars we&#13;
by Edwin Drood's friends to spy upon Jasper. must refer our readers to the pages of“ Book-prices&#13;
There is something to be said in favour of all these Current”: where it may be seen how widely&#13;
theories, and more to be said against them. But George Meredith's published work often differed&#13;
the various pros and cons will be found closely con from what he had at first written. The whole&#13;
sidered by H. J., who plumps for Helena Landless, amount realised by the MSS. at the sale exceeded&#13;
as Mr. Cuming Walters has done. This is, on the £1,500.&#13;
face of it, the most preposterous solution of the&#13;
puzzle of Datchery, but so well does H. J. support&#13;
- John Adams Thayer : Getting On, The Confessions of&#13;
it, and so cogent is his reasoning against any other&#13;
er a Publisher.” London : T. Werner Laurie.&#13;
theory, that he will find many supporters. In the&#13;
course of his reasoning H. J. shows that the&#13;
WHEN we admit that the sub-title of this work,&#13;
probability of Helena Landless being Datchery&#13;
“ The Confessions of a Publisher,” led us to&#13;
would be greatly increased by the transposition of anticipate what we did not find in it, we shall&#13;
Chapter XVIII. to a place immediately in front of probably appear to the author to have bestowed&#13;
Chapter XXIII. (the last and unfinished chapter), upon his book the highest possible praise—it has&#13;
and his pleading for their transposition as a legiti- a title which is calculated to push its sale. For&#13;
mate correction is a very astute piece of criticism.&#13;
while this work is on the one hand a history of a&#13;
That the crime was brought home to Jasper seems&#13;
plucky and successful struggle from small begin-&#13;
undoubted, for from Forster's Life of Dickens " we nings to ease, it is on the other hand a painful&#13;
learn that Jasper was intended to confess his crime exposition of the subordination of everything else&#13;
unwittingly, while Sir Luke Fildes received instruc- to the scramble for remunerative advertisements.&#13;
tions to prepare an illustration of Jasper in prison; The “ blessed word " advertisement makes its first&#13;
but exactly how and by whom detection was brought appearance on the second page of the preface&#13;
about is a mystery that still defies solution.&#13;
(called “A Confidence”), and its last on the last&#13;
Exactly where in some competitive order of&#13;
page but one of the last chapter, and dominates the&#13;
Dickens's works we should place “ The Mystery whole story. If anyone needs to be convinced that&#13;
of Edwin Drood” is a matter of considerable at least periodical publication is becoming, or has&#13;
dispute ; to many this fragment seems the promise already become, merely hoarding for adrertise-&#13;
of the finest sensational novel in English. whilements, the evidence of that fact is here. That such&#13;
others see in it indications of the author's weariness. a state of things is an evil absolutely destructive of&#13;
We are wholly on the generous side, and welcome&#13;
literature, is self-evident.&#13;
H. J.'s interesting little book as being sure to&#13;
secure readers for the grim tragedy of Cloisterham.&#13;
III.&#13;
It is a scholarly and thoroughly exciting note upon "The Dramatic Author's Companion,” by a Theatrical&#13;
a very intriguing matter.&#13;
Manager's Reader, with an introduction by Arthur&#13;
Bouchier, M.A. Mills and Boon.&#13;
FRANKLY admitting that “ to make" a dramatist&#13;
SHORT REVIEWS.&#13;
is impossible, the author of “The Dramatic Author's&#13;
Companion” makes no pretence to doing more than&#13;
unfolding to the man who has the right stuff in bim&#13;
" Book.prices Current.” Part I. 1911. London : Elliot the technique of the difficult art of writing for the&#13;
Stock.&#13;
modern stage. An Introduction" by Mr. Arthur&#13;
M H E first part of “ Book-prices Current for Bouchier is a sufficient guarantee of the value of&#13;
1 1 911” contains a record of the sales from the little work which we have much pleasure in recom-&#13;
October 6, 1910, to December 8, 1910. In mending. We have been particularly struck by&#13;
many cases the prices do not appear to us to be very the lucid manner in which “theme," " plot," and&#13;
&#13;
&#13;
## p. 181 (#243) ############################################&#13;
&#13;
THE AUTHOR.&#13;
181&#13;
" construction" are distinguished, and not less&#13;
impressed by the value of the rest of the advice in&#13;
the book. The author is to be particularly con-&#13;
gratulated upon having bad the sense to insist upon&#13;
the importance to every dramatist of Aristotle's&#13;
"Poetics.” That is evidence that the author under-&#13;
stands the subject upon which he is writing.&#13;
CORRESPONDENCE.&#13;
GEORGE MEREDITH, O.M.&#13;
DEAR SIR,—Will you allow me to correct an&#13;
error in your account under “ General Notes ” of&#13;
the presentation to Mr. William Meredith of the&#13;
gold medal of the Royal Society of Literature which&#13;
bad been voted during his lifetime to the late George&#13;
Meredith ? It is there stated that the society's gold&#13;
medal had been awarded on only two occasions,&#13;
whereas this was the fifteenth occasion on which it&#13;
has been presented.&#13;
Yours faithfully,&#13;
PERCY W. AMES,&#13;
Secretary of the Royal Society&#13;
of Literature of the United Kingdom.&#13;
DRAMATISTS.&#13;
SIR,-Had the opportunity been given at the&#13;
annual meeting of the Society of Authors, on&#13;
Thursday, March 23, I might have brought the&#13;
subject of this letter before it, but it would then,&#13;
perhaps, have reached a much smaller number of the&#13;
public than it now will.&#13;
What I wanted to say, and what I now wish to&#13;
inform all the members and associates of this Society&#13;
is that I feel that very inadequate—and, I must&#13;
reluctantly add, what seem to me unjustly inade-&#13;
quate-steps have been taken in deciding wbo are&#13;
and who are not its dramatic members, for I am&#13;
informed that it has been decided that they are&#13;
those who have had a play produced, and that, there-&#13;
fore, it was only to such that a notice of the pro-&#13;
posed confereuce was sent. I wish to point out&#13;
that, if that definition is accepted, the being a&#13;
dramatist will become purely a piece of luck, depen-&#13;
dent not upon what the writer—the member or&#13;
Associate of the Society-has done (bas conceived&#13;
and created), but upon what has been done by&#13;
others with his or her work. It may be that it is&#13;
just the existing condition of things that makes it&#13;
difficult, or, perhaps, even impossible, for some&#13;
members or associates to get their dramatic work&#13;
produced, and which might, therefore, prevent such&#13;
persons from ever being recognised as dramatists ;&#13;
hence the inclusion among dramatists of such as&#13;
have done dramatic work, although no play of&#13;
theirs may have been before the public, might lead&#13;
to some suggestions being made which would be of&#13;
use to the dramatic world by making the road of&#13;
production easier to the dramatist-the writer of&#13;
the play.&#13;
Some distinction might be made-if there is any&#13;
real need for it-between those who have and have&#13;
not had a play produced, inst as a distinction is&#13;
made by means of the words “member” and&#13;
“associate” between those authors who have and&#13;
have not had a book published: some new designa-&#13;
tör&#13;
tion, even, might be devised.&#13;
Every dramatic writer must have a beginning in&#13;
the matter of production, just as every book-writer&#13;
must in the matter of publication, but this seems&#13;
to have been curiously overlooked in the very quarter&#13;
in which one would have expected to have found it&#13;
regarded, and so the inclusion of “unproduced”&#13;
play-writers among “dramatists " may lead to the&#13;
speedier introduction of a new era in the play-&#13;
performing world.&#13;
HUBERT HAES.&#13;
[NOTE :—The writer of the above letter seems to&#13;
argue that any person who has written a play&#13;
should be entitled to be described as a dramatist.&#13;
This view seems to us untenable. If, however, his&#13;
argument is that a great many people who have&#13;
THE ACADEMIC COMMITTEE.&#13;
DEAR SIR,- It only dawned on me very slowly&#13;
to-day what a great slight had been shown to&#13;
women writers by. their own Society of Authors by&#13;
the fact that not a man of the council or com-&#13;
mittee had thought it worth while to put any&#13;
woman's name down on the list they recommended&#13;
for the Academic Committee of the Royal Society&#13;
demic Committee of the Royal Society&#13;
of Literature. We women members of the Society&#13;
of Authors could have promptly suggested at least&#13;
three names, which even then would not have been&#13;
a fourth of the representation the gentlemen kept&#13;
entirely for themselves. They nominated not one!&#13;
The pity on't! The harm it will do ! One is&#13;
always sorry to see a chance missed! And this&#13;
slight to their fellow-workers has been iniicted in&#13;
the sight of the whole world. As one of the rank&#13;
and file, it is impossible not to resent the undeserved&#13;
indignity to the leaders of whom we--and all who&#13;
love literature—are so justly proud. Can nothing&#13;
be done to remedy so silly and mischievous a&#13;
blunder ?&#13;
Faithfully yours,&#13;
GRACE TOPLIS.&#13;
&#13;
&#13;
## p. 182 (#244) ############################################&#13;
&#13;
182&#13;
THE AUTHOR.&#13;
written plays but have not had them acted, are than two or three lines at a time and who pretend&#13;
dramatists, there is a good deal in favour of the to improve our work, must be at the root of many&#13;
argument; but if this view is to be adopted, in failures.&#13;
order to arrive at any satisfactory settlement, it&#13;
Yours truly,&#13;
would be necessary for the Society to establish a&#13;
A MEMBER.&#13;
reading branch which should confine its work to&#13;
deciding whether an unacted dramatist should be&#13;
included in the company of dramatists or not.&#13;
EDITORIAL DELAY.&#13;
This proposition would seem to be equally unten.&#13;
able. In consequence, it would seem to be much&#13;
DEAR SIR,I was pleased to see that my sugges-&#13;
better to draw the hard-and-fast line already tion in The Author as to "payment on acceptance"&#13;
settled by the Dramatic Sub-committee.-Ed.] instead of “ payment on publication” for manu-&#13;
scripts of magazine articles had met with approval;&#13;
for I have little doubt that the support accorded&#13;
to it in the letter of Mr. Frank E. Verney represents&#13;
PROFESSIONAL TYPISTS.&#13;
very wide concurrence amongst authors generally&#13;
-in any case amongst magazine writers.&#13;
DEAR SIR,— Without wishing to seem unreason. If, however, this question is one that should be&#13;
ably exacting, I must say I should like to know taken up in the interests of what I may call the&#13;
whether my experiences of professional typists are “Literary Brotherhood," what better instru-&#13;
normal.&#13;
mentality could there possibly be for effecting&#13;
Early in January, I contracted with a firm I such a purpose than that excellent and powerful&#13;
knew for the typing in duplicate of a book of about syndicate the Council of the Society of Authors ?&#13;
84,000 words; I asked the typist to quote his It gives me, therefore, great pleasure to “move"&#13;
lowest terms for a MS. of 85,000 words, and the that our influential Council should take this&#13;
agreement was for £4. I had to wait over six course.&#13;
weeks for the typescripts, though the work was No individual author, or group of authors, out-&#13;
divided up and undertaken by different hands. side the Council could possibly have the same weight&#13;
When I came to revising it and comparing it as our “Committee of Management” in so desirable&#13;
with my MSS. (which I might add was clear and a movement.&#13;
legible and ready for the printer) I found, in two. It is not, I think, possible to add to the argu-&#13;
thirds of the book the following mistakes :-&#13;
ments already used in favour of such a course ; and&#13;
“Twenty sentences, of from three to twenty it would be well if editors and proprietors of English&#13;
seven words, omitted.&#13;
magazines were to consider whether the change&#13;
“ Seventy single words omitted.&#13;
proposed would not be distinctly for their own, as&#13;
“ The punctuation and lengths of paragraphs well as for the author's benefit. The best pay and&#13;
changed, and my sentences adjusted to Procrustes' the promptest payment naturally attract the best&#13;
bed.&#13;
work; and the quality of English “material ” is&#13;
“Footnotes embodied into the matter of the very likely under the present English custom to&#13;
book.&#13;
suffer when that material is provided for English&#13;
“Fifty-three of the typists' words were substituted publications.&#13;
for mine." A few of the worst examples follow : I recall, when looking through for a friend, many&#13;
MSS.&#13;
TYPESCRIPT. years ago, the proof sheets of a book this friend had&#13;
men&#13;
those&#13;
written on America, a means he had made of a&#13;
heart . . . .&#13;
least&#13;
“ notice to the public" posted at the entrance to a&#13;
any .&#13;
many&#13;
big San Francisco hotel. It was, “In God we&#13;
compliment . . .&#13;
complaint trust : ALL OTHERS, Cash !” and really the under-&#13;
defeudants&#13;
independants lying principle seems to be reflected now, so to&#13;
mirage .&#13;
marriage speak, in American publications, for on looking&#13;
speeches.&#13;
spectacles haphazard through the principal lines and ticking&#13;
curiously&#13;
seriously off from a list of American journals and magazines&#13;
succumbing&#13;
recovering those open to general contributions, I find in my list&#13;
rempant.&#13;
permanent of twenty-four no less than twenty which announce&#13;
symptoms .&#13;
sympathy. “payment on acceptance ” one of these says, " Pay-&#13;
My handwriting, by the wildest stretch of ment from 3 cents. a word upwards on acceptance."&#13;
imagination, can scarcely be responsible for this. Nota bene, that the lowest rate is qrer £6 per&#13;
But I cannot help thinking that professional typists, thousand words! and dollars down!&#13;
who cannot keep their attention fixed for more&#13;
FRANCIS GEORGE HEATH.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 182 (#245) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
Authors' MSS. 10. 1,000 words; over 40,000, 10d. No unfair&#13;
"cutting" of prices.&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
Plays and Actors' Parts. Legal, General and Commercial&#13;
Documents. Duplicating. Facsimile Typewriting.&#13;
FULL TERMS ON APPLICATION. REFERENCES.&#13;
TYPEWRITING. AUTHORS wishing to make arrange-&#13;
ments for Publishing are invited to&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Ltd., Publishers, 12, Paternoster Row,&#13;
SIKES and SIKES, London, E.C., who will be pleased&#13;
The West Kensington Typewriting Offices, to consider MSS. and advise (free).&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W. Please write before sending MSS.&#13;
free&#13;
Rider's Catalogue of Psychio, Oooult,&#13;
and New Thought Publications sent post&#13;
rospectuses of New Buoks, and Sample Copy&#13;
Are prepared to consider and place MSS.&#13;
of the OCCULT REVIEW, to all applicants.&#13;
Literary Work of all kinds dealt with by Experts who&#13;
place Authors' interests first. Twenty years' experience.&#13;
Address-WILLIAM RIDER &amp; SON, Ltd.,&#13;
2, CLEMENT'S INN, W.C.&#13;
164, Aldersgate Street, London, E.C.&#13;
-M88., 9d. per 1,000 words. One&#13;
TYPEWRITING.&#13;
duplicate free ; others, 3d. per&#13;
1,000. Estimates given.&#13;
Authors' MSS. and General Copying carefully BADENOCH, 8, MOLISON STREET, DUNDEE.&#13;
typed at rates from 8d. per 1,000 words. Recommended&#13;
by a member of the Authors' Society.&#13;
TYPEWRITING.&#13;
DUPLICATING. SHORTHAND. TRANSLATIONS.&#13;
Miss E. S. MURDOCH,&#13;
First-Class Work. Excellent Testimonialy.&#13;
Glenfairlie, Avondale Road, Wolverhampton. I MISS M. HOWARD, 147, Strand, W.C.&#13;
NOTICE TO AUTHORS.&#13;
N case of any difficulties, authors may now, for a small stated fee, obtain the expert&#13;
T advice and practical assistance of a literary consultant. Mr. Stanhope W. Sprigg&#13;
(formerly Editor of “Cassell's Magazine" and reader for Messrs. Cassell &amp; Co.,&#13;
Reviewer on the “ Standard,” and Hon. Literary Adviser to the Society of Women&#13;
Journalists) has lately set up in business in this capacity, and his services have been&#13;
already utilised with marked success by a large number of writers who were not satisfied&#13;
with their work or their sales.&#13;
" MOST PROFITABLE.”&#13;
The Author of a well-known translation, which is selling by thousands, writes :-&#13;
“Many thanks for your advice. It has been most profitable.”&#13;
A popular writer of serial stories in daily newspapers says :-“You have proved a&#13;
perfect mascot to me. You seem to know unerringly the right channels of publication."&#13;
6S INYALUABLE HELP.»&#13;
The Author of one of the most successful novels this season declares :-“Your help&#13;
has been invaluable. I have done everything you advised."&#13;
The former Editor of a powerful London weekly states :-" Thanks to your kind&#13;
suggestions, I am busier than I have been for some years."&#13;
The writer of a well-known biography also writes :—“Will you allow me to express my&#13;
thanks for the extremely able and careful manner in which you have acted.”&#13;
Correspondence from authors is cordially invited. Many other letters in a similar&#13;
strain can be shown.&#13;
Address: Mr. STANHOPE W. SPRIGG, The Anchora SPSSPHAM,&#13;
TVIS&#13;
INU&#13;
B OGNOR, SUSSEX.&#13;
&#13;
&#13;
## p. 182 (#246) ############################################&#13;
&#13;
vii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
Opposite the British Museum.&#13;
TYPEWRITING&#13;
BRAINS.&#13;
THACKERAY HOTEL&#13;
WITH&#13;
Great Russell Street, London.&#13;
Near the British Museum.&#13;
KINGSLEY HOTEL.&#13;
Hart Street, Bloomsbury Square, London.&#13;
My work is always the same-THE BEST.&#13;
INDIFFERENT COPY TYPED WELL stands a better&#13;
chance with Editors and Publishers than&#13;
GOOD WORK TYPED BADLY.&#13;
I USE BRAINS as well as hands.&#13;
HIGH-CLASS WORK AT LOW CHARGES.&#13;
Every Order I have executed has been followed&#13;
by Repeats.&#13;
I have many Testimonials from Members of the&#13;
Authors' Society.&#13;
MY WORK IS MY BEST REFERENCE!&#13;
I work for Authors, Clergymen, Playwrights,&#13;
Business Houses, &amp;c.&#13;
SEND ME A TRIAL ORDER NOW.&#13;
Passenger Lifts. Bathrooms on every Floor. Lounges&#13;
and Spacious Dining, Drawing, Writing, Reading, Billiard&#13;
and Smoking Rooms. Fireproof Floors. Perfect Sanita-&#13;
tion. Telephones. Night Porters.&#13;
Bedrooms (including attendance), single, from&#13;
3/6 to 6/-,&#13;
Inclusive Charge for Bedroom, Attendance, Table d'Hote,&#13;
Breakfast and Dinner, from 8/6 to 1016 per day.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel _“Thackeray, London."&#13;
Kingsley Hotel—"Bookcraft, London."&#13;
MISS RALLING,&#13;
176, Loughborough Road, LONDON, S.W.&#13;
MRS. GILL, Typewriting Office,&#13;
writing Office, Literary &amp; Dramatic Typewriting&#13;
(Established 1883.) 35, LUDGATE HILL, E.C.&#13;
Authors' MSS. carefully copied from 1s. per 1,000&#13;
words. Duplicate copies third price, French and German&#13;
MSS. accurately copied; or typewritten English trans-&#13;
lations supplied References kindly permitted to Messrs.&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.C. Telephone 8464 Central.&#13;
AUTHORS &amp; PLAYWRIGHTS&#13;
Special facilities for placing work of every description,&#13;
Particulars from Manager, Literary Department,&#13;
WIENER AGENCY, LD.,&#13;
64, Strand, LONDON,&#13;
AND TRIBUNE BUILDING, NEW YORK.&#13;
Story work, 9d. 1,000 words; 2 copies, 1-.&#13;
Plays, ruled and covered, 1/- 1,000 words.&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E, NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased. ... It is beautiful work."&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove&#13;
to all authors who have the good fortune to hear of you. ...&#13;
You certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN: "I have never met&#13;
with anything approaching your intelligence, carefulness and&#13;
promptitude."&#13;
RICHARD PRYCE, ESQ.: “The work could not be better&#13;
done."&#13;
LOUIS A. ST. JOHN, L'Isleite ei morda Road, Southampton.&#13;
To Authors and Dramatists.&#13;
TYPEWRITING.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/-. Plays and Generaal&#13;
Copying. List and specimen of work on appli-&#13;
sation.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
" Migs M. R. HORNE bas typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I bavo nothing&#13;
but praise for the accuracy, speed and neatness with wbich she&#13;
does her work.-FRANK SAVILE."&#13;
AUTHORS' MS. accurately typed&#13;
from 10d. 1,000 words; over 10,000,&#13;
9d.; in duplicate, 1/-. Excellent&#13;
credentials. Yost machine. Out-&#13;
door Work also undertaken.&#13;
Miss M. M. WEST, 59, Gray's Inn Road. W.C.&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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                    <text>Monthly

.

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Authors

of

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CONTENTS
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Warnings
Dramatic Authors
Registration of Scenariosand Original Pla
Original
and Acand
Warnings Authors
Musical Composers
Warninge
Stamping Music
The Reading Branch
Remittances
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General Notes
On the Ethics of Advertising
The Dickens Copyright Stamp
The Aeronautical Society and
Anthologies
The Musician Encyclopedia
Correspondence

139

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Society Funds
List Members
ThePensionFund
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Books publishedby Members
Books published America by Members
Literary, Dramatic and Musical Notes
Paris Notes
Agents, Literary and Dramatic
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the various forms
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Authors
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and their meaning
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various kinds
fraud which have been made possible
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Being additional facts collected
Addenda
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HERBERT THRING
the office
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Literature and the Pension List
MORRIS
The History
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ADVERTISEMENTS

The Society
Telegraphic

of

Address : "

AUTORIDAD ,

(Incorporated ) .

Authors
LONDON

Telephone No. : 374 Victoria

."

PRESIDENT .

THOMAS HARDY ,

O

.M .

COUNCIL
SIR ROBERT ANDERSON , K . C. B.
SIR WM . REYNELL ANSON , Bart., D. C. L .
THE RIGHT HON . THE LORD AVE
( BURY, P. C.
J . M . BARRIE .
SIR ALFRED BATEMAN , K . C. M . G .
ROBERT BATEMAN .
F . E. BEDDARD , F . R. S.
MR6 . BELLOC - LOWNDES .
THE RIGHT HON . AUGUSTINE BIR
RELL , P. C.
MRS . E . NESBIT BLAND .
THE REV . PROF , BONNEY , F . R. S.
THE RIGHT HON , JAMES BRYCE, P. C.
THE RIGHT HON . THE LORD BURGH .
CLERE , P. C .
HALL CAINE .
J . W . COMYNS CARR .
EGERTON CASTLE , F. 8. A .
EDWARD CLODD .
W. MORRIS COLLES ,
THE Hon . JOHN COLLIER ,
SIR W. MARTIN CONWAY .
THE Right Hon . THE LORD CORZON
OF KEDLESTON , P. C.

OWEN SEAMAX .
G . BERNARD SHAW .
G . R. SIMS .
S. SQUIRE SPRIGGE .
FRANCIS STORR .
VILLIERS STANFORD
SIR CHARLES
Mus . Doc .
MRS . HUMPHRY WARD .
SIDNEY WEBB ,
H. G . WELLS .
PERCY WHITE .
FIELD - MARSHAL THE RIGHT HON.
THE VISCOUNT WOLSELEY , K. P.,
P . C., &amp;c .

E . W. HORNUNG .

MAURICE HEWLETT .
W . W. JACOBS .

HENRY JAMES .
JEROME K . JEROME .
HENRY ARTHUR JONES .
J . SCOTT KELTIE , LL . D.
RUDYARD KIPLING .
SIR EDWIN RAY LANKESTER , F. R .8.
THE REV . W. J , LOFTIE , F. S. A.
LADY LUGARD (Miss
FLORA
L.
SHAW ) .

THE Right HON SIR ALFRED
LYALL , P. C.
MRS .MAXWELL ( M . E . BRADDON ) .

OF

MANAGEMENT

Chairman - MAURICE

SIR ALFRED BATEMAN , K . C. M . G .
MRS . BELLOC -LOWNDES .
MRS. E . NESBIT BLAND .
J . W. COMENS CARR .

MCCARTHY .
THE Rev. C. H . MIDDLETON -WAKE.
SIR HENRY NORMAN .
SIR GILBERT PARKER , M .P.
SIR ARTHUR PINERO .
THE RIGHT HON . SIR HORACE
PLUNKETT , K . P .
ARTHUR RACKHAM .
JUSTIN

AUSTIN
DOBSON .
SIR ARTHUR CONAN DOYLE ,
DOUGLAS FRESHFIELD .
SIR W. S, GILBERT .
EDMUND GOSSE , LL . D.
SYDNEY GRUNDY .
H . RIDER HAGGARD .
MRS . HARRISON (" LUCAS MALET " ).
ANTHONY HOPE HAWKINS ,

COMMITTEE

SUB

S. SQUIRE SPRIGGE ,
FRANCIS STORR ,
SIDNEY WEBB ,

-COMMITTEE .
- HENRY ARTHUR JONES .
CECIL RALEIGH ,

Chairman - SIR ARTHUR PINERO .
Vice - Chairman
H. GRANVILLE BARKER ,
Miss CICELY HAMILTON .
CAPT . BASIL HOOD .
J . M . BARRIE ,
R . C. CARTON .
JEROME K . JEROME .
,
ANSTEY GUTHRIE

PENSION

FUND

.

HEWLETT .

1 DOUGLAS FRESHFIELD .
W . W . JACOBS .
ARTHUR RACKHAM .
G. BERNARD SHAW .

DRAMATIC

.

G , BERNARD

SHAW ,

ALFRED SUTRO .

COMMITTEE .

- MAURICE HEWLETT .
MORLEY ROBERTS .
M. H . SPIELMANN .
Chairman

ANSTEY GUTHRIE .
ANTHONY HOPE HAWKINS ,
K . J . MACGILLIVRAY .
SIR GILBERT PARKER , M . P .

The Hon . JOHN COLLIER .
SIR W , MARTIN CONWAY ,

|

MRS . ALEC TWEEDIE .
MRS . HUMPHRY WARD .

COPYRIGHT SUB -COMMITTEE .
SIR

CHARLES

Mus . Doc .

STANFORD , I

VILLIERS

HERBERT SOLLIVAN .
| SIR JAMES YOXALL , M . P.

ART.

JOHN HASSALL , R. I .
J. G. MILLAIS .

FIELD , Roscoe &amp; Co., 36, Lincoln 's Inn Fields, W . C.
G . HERBERT THRING , 39, Old
Street , Storey 's Gate
Old Queen
BT THRING
Queen Street , Legal Adviser in America — JAMES
39, OLD QUEEN

sw

|
Solicitors.

ARTHUR RACKHAM ,
M. H . SPIELMANN .

BYRNE , 24, Broad Street , New

OFFICES .

,

Secretary - G . HERBERT THRING
Solicitor in England to
La Sociétédes gens de Lettres

STREET , STOREY 'S GATE , S.W .

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exercised that
undesirable
advertisements
inserted they
not accept and
never have accepted any liability
Members should apply
the Secretary for advice
special information
desired
advertisers

.

,

impression among
The Author that the Committee are
responsible for the bona fides
the
of

readers
personally

to

As there seems

AUTORIDAD LONDON

.

PRICE SIXPENCE

is ,

ADDRESS

.)

.

1911

ADVERTISEMENTS

VICTORIA

.

374
TELEGRAPHIC

1st

:

NUMBER

WALTER BESANT

:

TELEPHONE

MARCH

Monthly

Authors

.

No

Society

.

SIR

.
6
.

.

.

XXI

-

FOUNDED
Vol

Incorporated

,

Organ of

BY

( The

the

The Author .

,

39

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to

of

at

It of

.

at

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be

,

.,

6d

A

to

at

1

,

of

of

List
Members
the Society
Authors
published October 1907 can now
obtained
the offices
the Society
the price
July
post free 74d
includes elections
1907 and will
sold
members and associates
the Society only
dozen blank pages have been
added
the
of

by

no

on

.

be

,

be

.

or

of all

on

Communications and letters are invited
the
literary matters treated from the
Editor
standpoint
art
business but
other
Every effort will
subjects whatever
made
accepted
return articles which cannot

XXI

M

of

.,

.

month

VOL

LIST OF MEMBERS

S
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,

's

,

to

of

Communications
for The Author should
the Offices
the Society
Old
Storey Gate
Queen Street
and should
reach the Editor not later than the 21st
each

addressed

.

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and South Western Railway
Preference Stock
New
Zealand
Stock
Irish Land Act
Guaranteed Stock
Corporation
London
Stock
1927 57
Jamaica
Stock 1919
Mauritius
1937 Stock
Dcminion
Canada
Land
Grant Stock 1938

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London and North Western
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Egyptian
Government
Trust
Certificates
Cape
Good Hope
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Scoon

1911

Feb

.

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of

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Victorian

Clifton Mrs

her present subscription

Jan
Jan

The trustees however have been unable
recom
any further pensions
mend the payment
the
present exhausted
income
their disposal
They desire
draw the attention
the members
the society
this fact
the hope that by
additional subscriptions and donations there will
sufficient funds
hand
the course
the
year
declare another pension
case any im
portant claim
forthcoming

Local Loans

William
Samuel

,

9 8

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. . .
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of

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position
the fund
decided
invest £250
the purchase
Consols
the present price
The amount purchased
£312 138 4d
This brings the invested funds
£4 377 198

Consols 21

Sproston
George

31 22 21 12
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in

to

the Pension
the trustees
Fund
the society
after the secretary
placed
had
before
them
the
financial

n

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Dec
February

De Morgan

W

THE PENSION FUND

Dec
Dec

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Dec
Dec
Dec
Dec

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add future elections
from month
month
these pages

10 1

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THE AUTHOR .

130

�THE AUTHOR .

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to

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Sub Com
the Lord
Chamberlain
the question
theatrical licences
music halls was next reported
the secretary
reply
who added that
had received
that
petition
agents
letter from the advertising
the
society was also laid before the committee who
reply
instructed the secretary
Two further life members were reported bringing
The action taken
forwarding

mittee

-

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his

of an

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's

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in

Cases
The first case was one which had been
adjourned from the previous meeting
order that
opinion might
counsel
taken
the issues
The
opinion was laid before the committee and carefully
considered
As counsel advised against the member
chance
success
the committee felt they were
unable
take legal action
behalf but they
instructed the secretary
forward the member
having
copy
the opinion
with
intimation
regard
tbe importance
the case
their
willingness
any other
assist the member
might
course
action which
advisable
dispute
adopt
The next
related
the non
delivery
publisher
accounts and money from

.

. .

,

.

,

in

,

as

-

received

,

to

in

of

, is

,

is

of

.

-

of

,

Eight resignations
were accepted with regret
bringing the total number
resignations
thirty five
resignations
The number
the
naturally greater than
early months
the year
during the later months but the number for the
current year
not above the average
thirty six resignations had been
February
1910
,

as

.

-

,

,

of

.

of

old

of

in

to

members
who
use desired

and from the Publishers Association with reference
the Joint Committee suggested
the previous
meeting
deal with the Copyright Bill when
comes before Parliament
After careful considera
conjunction
tion the comınittee decided
act
with the Publishers Association who had nominated
Mr Heinemann and Mr Longman
their repre
sentatives
suggestion for
The committee next considered
providing
loan fund
authors
from
which
money could
advanced
them
contracts
reasonable rate
interest
order that not
being pressed for want
means they might
enabled
secure more satisfactory contracts from
publishers
editors theatrical managers and others
The committee gave the matter their careful con
sideration but while they saw that some advantages
might
gained
the establishment
such
fund they also saw that the whole matter was beset
with difficulties
The secretary was instructed
bring the question
again
the next meeting
to

.

6

on

to

up

-

,

's

at

of

second meeting
the Committee
Management
year was
for the current
February
held
the society
offices
Twenty two members were elected bringing the
forty seven
elections for the current year
Included
the elections the committee were glad
notice the names
some
finding the work
the society
rejoin

in their contract .
The annual report
last year was laid
the
Management
table and passed
the Committee
Letters were read from the Copyright Association
on

NOTES .

HE

obtained .
The fourth and last case had also been
adjourned from the previous meeting in order that
the opinion of counsel might be obtained . Here ,
also , counsel advised that the author had no ground
for legal action . The matter referred to the power
of a publisher to insert advertisements in a book
published on the author ' s behalf.
The committee
instructed the secretary to send a copy of the
opinion to the member concerned , with suggested
advice as to further action , and recommended that
an article should be published in The Author deal
ing with the subject , as it appeared from counsel ' s
opinion that members could only guard themselves
against this form of annoyance by a special clause

,

.

COMMITTEE
M

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for

, Arthur

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Feb . 13, Machen

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Feb . 3, Tweedie , Mrs . Alec

0
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Feb . 3, Dawson ,

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Feb . 2, Lawes , T . C . .

C

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Miss Ida
Wilkinson , The Rev .

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28, Benecke ,

Jan . 30,

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James T . .
.
16, Kaye - Smith , Miss Sheila
17, Kemp , Miss Emily G . .

1

(

after application from the secretary , and the com
mittee sanctioned the transfer of the papers to the
society ' s solicitors . The third case was one affecting
the dramatists of the society . Counsel 's opinion
had been obtained on questions relating to the
production
of sketches , and the committee , alter
reading the opinion , referred the matter to the
Dramatic Sub - Committee , as it was at the direction
of this sub - committee that the opinion had been

a

10, Wharton
12 , Tanner ,

Jan . 21, Greenstreet , The Rev
Jan , 26 , Blundell , Miss Alice
Jan

.

, R . Norman
, Leonard C .

0

to

9 , Grisewood

2

,

Jan . 6, Blake , J . P . ,
Jan. 7, Douglas , James A . .

Jan .
Jan .
Jan ,
Jan .
Jan .

2

to

Jan . 5, Crellin , H
Jan . 5, S . F . G . .

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Jac . 4 , Randall , F . J .
Jan

131

�THE AUTHOR .
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act independently

in

committee decided

to

,

In

by

in

.

to

certain

letter from Sir Arthur Pinero who was unable
attend the meeting
the sub committee and the
chairman Mr
Carton who was also one
the delegates gave
detailed statement
what
Among other points raised
appeared
took place
that the music hall managers were opposed
the
double licence
view
the unsatisfactory
result
the meeting with the managers the sub

, .

of
of

a

of

of

of

of

in

dramatists

the sub committee work
delegates had been
meeting
appointed
the Theatrical
attend
and Music hall Managers
the subject
agreement that had been arrived
relating
the production
sketches
The secretary read

. -

's

-

to

in

to it

,

in

of

importance

request

the last statement
was mentioned that

.

.

to

of to

of

is

considerable

's

to

at

of

,

to

at

,

related
the Copyright Bill
the hands
the
Board
Trade and
was decided
send
small
deputation
order
discuss the question
the
responsibility
managers and lessees
theatres
for the infringement
the rights
dramatists
touring
companies
the provinces and
the
dependencies
Kingdom
the
United
The

mittee

,

.

After

of

on

,

in

a

the former

this answer
mittee
After careful consideration
the sub committee
the proposal
Mr Cecil
Raleigh seconded
Captain Basil Hood instructed
the secretary
write
the Lord Chamberlain
asking
information
certain matters referred
his letter
without any betrayal confidence
he felt himself able
accede
the sub com
in

.
-

to

A

.

of

on

settled

production

the
The secretary then reported
sketches
receipt
answer from the Lord Chamberlain
the petition despatched
from the snb com

to

of

,

,

.

C

.

R

.

of

to

,

been

the table for signature

tists who are making contracts for the

In

on at

be

to -

to

-

.

in

to

,

-

—

of

,

-

all

had

MEETING
the Dramatic Sub Committee was
Friday Feb
held
the offices
the society
ruary
After the reading
the minutes the
secretary laid before the meeting counsel opinion
respect
which had been taken
certain phases
music ball sketch production
This opinion
drama
filed for the benefit
was read and will

it

'

a

of to

to

a

at

it
a

on

which

the members present had signed the secretary
the few
obtain signatures
was instructed
absentees
the earliest possible opportunity and
transmit the petition
the Lord Chamberlain
office
question before
The next
the sub committee

matter

be

-

,

on of

of

a

he

,

.

to of

know
whether the Dramatic
Sub Committee
deputation
meeting
would send
held
the Whitehall Rooms
the Hotel Metropole
day
discuss the position under
the following
regard
the present law
the production
After some discussion
sketches
the music halls
accept the invitation
was decided
and Sir
Arthur Pinero
Mr
Carton
and Mr
repre
Granville Barker were appointed delegates
sent the sub committee
further point was then
considered
the line
action they should take
behalf
the dramatic authors
the society and
satisfactory course was decided upon
touching
The petition
the Lord Chamberlain
granting
the question
theatrical licence

music halls

.

,

a

of

on

's

.

I.
of

at

of

THE third meeting
the
Dramatic
Sub
during the month
January was
Committtee
Thursday the
held
the offices
the society
26th
After the minutes
the previous meeting
had been signed
the secretary laid before the com
mittee
letter
had received from the secretary
the Theatrical Managers Association desiring

meeting was laid

,

Sir

.

of G

,

on

to

,
for

on

SUB COMMITTEE

-

single
and music halls either
double licence
comprehensive licence was adjourned
the next
meeting
the sub committee when the delegates
attending the meeting
theatrical managers would
report
able
the sub committee the attitude
taken
the theatrical managers
that
occasion
reported
The secretary
had been unable
opinion
obtain counsel
the two points regard
ing the music hall sketches but that the opinion
ready
would
the next meeting

by

- of

on

it

. ,
etc
.,

to

on

of

Granville Barker and Mr
Bernard Shaw were
asked
act
behalf
the Dramatic Sub
and the secretary was instructed
Committee
arrange
Thursday February
possible
deputation
The question
the Home
Secretary
granting
the subject
theatres
-

"

,

at s'

re
-

to
at
a

of

.

to

,

,

to

DRAMATIC

whom
bare suffered from their inability
obtain any redress against touring managers
who constantly change their abode and have no
attachable property .
Arthur Pinero Mr
to

of

on

of

of

-

“

re

to

a

A

.

-

in

A letter from
the Public Trustee — the text of
which appears
another column
was laid
the
table
letter from
member
the society desiring
the committee
issue the
Cost
Production
was also read
The committee regretted that
owing
the great pressure
work
the society
they did not see their way
office
issue
present but stated that those members who desired
questions relating
information
the cost
production
applica
books
could obtain
tion
the secretary

many of

. upto

the total number of those who had taken up life
membership since the commencement of the year
to five .

be

132

�.

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on

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is

in

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month before the number was small the increase
will only keep up the average
The cases inay
divided
follows
Nine
applications for money
four applications for
agent
manuscripts
four
one dispute with
agreements
application
disputes
one
for
money
accounts
Of the cases
three have
satisfactorily
money has been
terminated
the

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record was printed
February number there have been nineteen
Cases placed
the hands
the secretary
large number for
short month but

the authors

of by

,

In

of

to

February

last

paid and forwarded

money

.

deal with the collection

Cases
the

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in

he

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English dramatists

be

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in

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of

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as

be

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it .

send
the sub committee
full
adopted
suppressing
the method
piracy
dramatic works
that country
On
receipt
the promised information the sub com
possible
mittee will consider whether
come
country

statement

forwards
One with reference
accounts will
hoped
satisfactorily
settled
the pub
lishers have written
America
the details
required
Here again the fact
the matter rest
ing with
publisher
American
makes rapid
settlement difficult
There
one case referring
the loss
MS still open and here again
possible owing
lack
evidence the society
may
unable
take the matter further
Two
the remaining
cases that were left open have
they
the hands
the solicitors
been placed
is to

a

,

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of

be

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to on

The matter must
treated
confidence
may
but
stated that the views
the deputa
tion were placed before the authorities and were
very favourably received
piracy
The question
the United States was
long
also considered and the secretary reported
gentleman from the
interview
had had with
United States who promised
his return
that
place

agree
money has been paid
Of the disputes
ments two have been settled and two are still
negotiation
and
the matter
accounts the
accounts have been rendered and handed
the
author
Of the cases still open from the former month
one
America
unsettled owing
the time
takes for correspondence
backwards
and

of

of

proposal was
out
the discussion
and unanimously adopted that
con
ference
the dramatists inside the society should
called
the earliest possible moment
and
consisting
sub committee
Mr
Carton
Mr
Bernard
Shaw
and
the secretary
was
appointed
consider the agenda
laid before
the meeting
Mr
Bernard Shaw
one
the delegates
regard
the deputation
the Board
Trade
the Copyright Bill reported what had taken

SINCE

all

in

be

In to

a

is

to

of

-

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Arising

put forward

an

's .

,

be

as

,

,

Sir

,

to

.

It

value

to

cations for manuscripts
two have been successful
Germany
negotiation
one
still
course
the last although the company who received the
MS has been corresponding with the secretary
possible that the
has been unable
find
society will be unable
take the matter further owing
lack
evidence but the matter has been placed
before the solicitors
order
obtain their opinion
practically
The agency matter
settled
and the

,

.

K

Mr

G

, ,

,

Basil Hood Mr Jerome
Jerome Mr
Henry Arthur Jones Mr Cecil Raleigh and
Bernard Shaw
was regretted
that owing
his absence
abroad
Arthur Pinero would
unable
attend
the deputation
the sub committee
great
considered
his presence would have been
Captain

placed
the hands
the society
solicitors
one case the paper has gone into voluntary
liquidation and
bankruptcy cases the
carry
Solicitors
the details through
behalf
the members
the other two cases the editors
although they promised
pay
certain date
cheque
have sent
two
the remaining
cases the editors have promised
send cheques
within
few days
the money
not forth
coming these also will
placed
the hands
our solicitors
The last case has only come into
the secretary hands recently
Of the four appli
in

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The next matter
consideration
was the
question
deputation
the Home Secretary
lay before him the grievances
dramatic authors
dispute
with special reference
the licensing
approach the Home
The secretary was instructed
request that
Secretary
with
receive this
deputation which will consist
subject
their
consent
the following members
Mr
Barrie Mr
Carton Miss Cicely Hamilton

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135

ZANGWILL

New

�THE AUTHOR

POETRY .

New York : Lane

.

John

.

arts science and literature from the oldest writers
the present century
The volume
which the
Bishop
pub
Madras contributes
foreword
lished
20s
the author

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to

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Mr Elliot Stock has published
work
Mr
Extempore Speaking
Harold Ford
The Art
attaining fluency
The work contains chapters
retaining ideas preparing
discourse memorizing
,

on

.

&amp;
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.

book

of

.

$
3
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.

the days of Marlborough
Psychical Research
New Evidences
Investigations with selected examples
Record
by
recent
results
Arthur Hill has been
published
Messrs William
Rider
Sons
Oliver Lodge contributes
iutroduction
the

a

By. to

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$
5
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the 10th Foot with the
and active service from

on
“

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a

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OF

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their commissions

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$
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TRAVEL

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THE GROWTH OF THE GOSPELS AS SHOWN BY STRUC
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WAYS
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SPORTING
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regiment which fought
Malplaquet
Oudenarde
and other famous battles from the year 1685
1910
The author has compiled an alphabetical

.

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OF

A

Paper Edition

at

.

Europe and can
obtained from
Manonmani Vilas Madras
The History
the Tenth Foot
Lincolnshire
Regiment
published
Mr Albert Lee
for the Regimental Committee
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Polden
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two illustrated volumes

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In

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the State Govern
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The
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at It

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By W . P. WESTELL .
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Plates , and 260
Photographs from Life , by W . S, BERRIDGE , New York :
Dutton . $4 n .

,

THE

to public and preparatory schools .
The same pub
lishers have also sent us a copy of the ninth annual
issue of “ The Schoolmasters '
Year - Book and
Directory ," which , besides much general informa
tion interesting
to educationists , contains alpha
betical lists of secondary schoolmasters and a list
of secondary schools .
. P . Ramanathan has issued a new encyclo
pædic dictionary of the Tamil language , giving
meanings
words phrases and terms relating

,

Selous.

.

of

NATURAL HISTORY .
WONDERS OF THE INSECT World . By EDMUND
Philadelphia : Lippincott . 75 cents .

,

136

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on
“

on

imagination

and senti

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reference
the Headmasters
Conference
The
the editors Mr
Deane and Mr
provide
Evans has been
record
once
comprehensive and concise
matters
educa
parents schoolmasters
tional interest
and boys
summary
The first part
the book
devoted
the work
the committee
the conference
and
abstract
the resolutions adopted
the
last annual meeting and
full information relative
public schools
prepara
There are also lists
tory schools and further matters
interest relating
aim

geographical

ment the poetic genius
northern
and southern
Russia religious crusades against musical instru
ments influence
folk lore
modern Russian
literature and opera
The lecture will
illus
special gramophone records
trated
On the
16th Mr Prelooker will lecture before
the Geo
graphical Society Liverpool
Old and New
Russia
with limelight illustrations
writing
preface
Mr Maurice Hewlett
small volume
verse entitled
Confessional and
Thorley
other Poems
Wilfrid
which
being brought out
Mr Elkin Mathews
Trevor Lordship
the title
novel
Mrs Hubert Barclay which Messrs Macmillan
“

of

. ' as

-

in

is

,

,

of of

“

&amp;

”

,

'

.

Messrs Swan Sonnenschein
The
Public Schools Year Book
for 1911
The work which
now
its twenty second year
issue was adopted last year
the official book

.

publishers

the

from

,

received

Co
.

E

W

have

,

&amp; ”

MUSICAL

AND

by“

,

Mr Jaakoff Prelooker whose new book Russian
Flashlight
just been published
has
Messrs
Chapman
Hall will lecture
the 14th inst
before the Geographical Society
Newcastle on
Tyne
The Native Folk lore and Folk songs
Russia
The lecture will deal with such subjects
.

,

DRAMATIC
NOTES

.

,

LITERARY

�,

,

, .”

us is

“

's

of

of

.

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by

',

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by

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shortly

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novel
which deals with hereditary

,

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Tweedale

to

in

John Long

the

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by

.

DRAMATIC

.

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on

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"

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an

in

,

a

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,
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play
Mr Jarvis
four acts
Leon
adaptation
from
Lion and Malcolm Cherry
Miss Beth Ellis novel Madame Will You Walk
of

an

,

.

to

is

.
V
.

H

,

.

.

,

up

of

II
.

,

.

is

16

's

at

Wyndham
Feb
Theatre
was produced
the
ruary
the beginning
The period
eighteenth century and the play describes how
presented
and
illegitimate son
Charles
family with strong Stuart sympathies
taken
Esmond Miss
the caste are Mr
Included
Mary Rorke Mr Marsh Allen and Miss Florence
in by
a

Harwood

play

“

Lord Dunsany

's

.

”,

.

a

of

-

of

,

to

.

is

.

,

. 's

Mrs Violet

Mr

and

London

Switzerland

.

,

of

at
in

of

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,

is
of a

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a

Reaper
published

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of

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an

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of

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a

"

of

to

the most
the manners and customs
antiquity
interesting peoples
now complete
Norwood
The House
tale
The same author
the Daily
has just completed serial publication
book form
Telegraph and will shortly appear
new
We have received from Chicago copies
fashion

The scenes are laid

of

of

of

of

,

,

,

he

“

to

as

of

as

"

,

and
Bride
originally

"

—
“

the series
the other three volumes
Memphis
The Assyrian
The series
The Senator Licinius
entertaining
designed
illustrate

The Stonecutter

shores

.

,

a

is

It

,

,

,

in

.

his

with

uniform

Marie

.”

of “

to

“

,

.

in

Co
.

&amp;

,

to

to

,
”

but we are not authorised
this
fourth volume
Mr William Patrick Kelly
series
historical romances namely
The
Stranger from
Ionia
tale
ancient Athens
Routledge
has just been brought out by Messrs

fresh title
1912
speak with certitude

,

,

in

&amp;

in

's

,

a

.

.
to no C

to

a

which we have referred
these notes
end
come
various occasions has now
may appear under
possible that the publication

tion

novel
Moll
the Toll Bar
She
also
publishing with Messrs Blackie
Son
Christmas
Judith
The Taming
book entitled
children
Messrs John Long Ltd will publish this month
the third
Mr Harry Tighe
novels through
their firm
The book
entitled
Intellectual
new

.

a

's

of

,
”

. ,

to

",
W

Sir

of

by

Picture

In

,

.

.” ,

-

in

In

Sea

is

it

commenced
the first number
the
Paper
daily brought out
new illustrated
Leng
close study
principles but charming marners who
man
get everything
manages
wants and his rival
much more worthy but weaker character who
despair drugs himself with morphia
driven
hear that
Travel and Explora
We regret
Pleasure

Messrs Constable
series
Old Roads
Way
which Mr Belloc
The Pilgrim
was the
first there will very shortly appear another volume
by Mr Edward Thomas
The Ickneald Way
Miss Wilson Wilson has arranged with Messrs
Hutchinson for the publication this spring
her
on
“

in

.

is

.

by

a

is

"

“

is

S

an

byof

-

.

,

be

&amp;

by “

a

of

our notice
Patrick Rushden
novel
The
Lion
which appeared
the last issue
The
Author we regret we omitted
mention
that
Messrs
Mills
Boon are the publishers and that
appear
March
Derek
Vane new serial story
The God

Ireland
here reprinted for the first time
The
Stringfellow
section devoted
contains inter alia
complete account
the famous Henson String
fellow monoplane with the text
several unpub
lished letters from Henson and the original agree
ment and prospectus

“
A

of

",

the name
new novel
published soon
Messrs
Sons
The scene
laid
Spanish American republic
The Journal
the Royal Asiatic Society con
Beveridge the title
tains
article
Annette
passage judged
which
The Bātar Dāma
spurious
the Haydarābād MS

Harper Curtis
William
Blackwood

to

Lord Dollar

The

profusely illustrated
lished
one shilling
diagrams and portraits and
with photographs
contains much matter never before published
There
full memoir with details
his
gliders
Pilcher the young English pioneer
Society
whose lecture before the Military

.

almost immediately

Jock

“

. 's

,

Putnams are also issuing the American
Amy McLaren
last novel
Bawbee

,

.

Work

of

.

Messrs

Pilcher
which
added the Aeronautical
John Stringfellow
The volume pub

,

.

in

be

the

Mr

magazine

organ

,
"

P ”,
.

.

,

byin E
.

a

,

It

. '

.

F

H

Townsend

Messrs

story
for publication
illustrated
colour

new

will

autumn

publishers

her

The Rosary

“

,

delivered
Patnams Sons
.

of

Barclay author
to

.

.
C
.

W

Mrs
has

.

for

.

Service

S

in

is

,

,

as

,

at

is

of

",

,

“

of

or

at

'

at

,

state

novel

as s

,

to

that the scene
Victoria
Self and the Other
not
laid
some critics have erroneously stated
Cambridge
Oxford
but
stated
the
book
one
the numerous London colleges
prepare
where students
the Indian
Civil
asked

new

edition

called
Life and Labour being
The National Women
Trade Union
League
America
Miss Alice Henry
the
editor
the journal and the copies before
con
tain
mass
information
the economic position
women
the United States and the various
unions existent there for the guarding
their
interests
The Aeronautical Society
Great Britain have
just published
No
the
Aeronautical
Classics
edited
Hubbard
and
Gliding
Percy
Ledeboer
entitled

the

.

We are

Cross

monthly

to It

England

137

at of

York and

New

in

publishing this month

in

are

THE AUTHOR .

King Argimenes

and

the

�THE AUTHOR .

just

seeis

thenotas

“

,

As

is

he

he

as

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Italy

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in

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Chartreuse

and understand

is

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"

La Petite Papacoda
Paul Rebous
story the scene
Naples
which
laid
The
characters are all very living particularly Gennaro
curiosity shop who
Visotti the owner
the
devoted
the old works
art
discovers
part with them and
that
cannot bear
therefore invariably has copies made
these
foreign customers
Lorenzo
the artist who
Papacoda and her family are
works for him
is

for

of

,

to

all

.

Larisse

novel which
Figaro
The

of has

the

.

a

is

,

serial

in

by

as

a

,

”

Paul Acker

of

in

is

,

on

a

of

in

all

,

to

,

be

to

,

is

of

.

exiles are the Alsatians
Maurice Barrès
treated the same subject from another point
view
This novel
the story
child brought
returning
France
educated
who
after years
his native country
stirred
patriotism and
spite
his education
France
feels
the hardships
the conquered
country under
foreign yoke

.

Ernest

first

a

,

,

,

Mun

Les Exilés

appeared

,

,

;

de ,

-

,

Comte

de . is

- :
—

,

.

de

,

,

Jules Claretie

A

he
is

,

M

,

,

of

as

is
a

is to

.

,

.

M

-

of

present
the forty fauteuils
are
occupied
The following
list
the Academi
according
ages
ians
their respective
eighty six
Emile Ollivier
the eldest
years
age and
Edmond Rostand who
forty three
the youngest
Emile Ollivier
Marquis
Freycinet
Mézières
Charles
Vogüé
Langlois
Thureau Dangin
General

.

At

"

.

all

w

in

V

the last few years there have been
many changes
the French Academy

byin to

ITHIN

.

a

of

"

",

,

”,

of

.

“

PARIS NOTES

by

.

.

interesting
thoroughly Neapolitan novel
and very human
Les Pâques véronaises
Paul Gaulot the
author
the famous book
Chemises Rouges
very dramatic historical novel
the
has written
tragic times between 1792 and 1800
a

to

,

in

began

is

,

on

.

the human heart which

to

St
. -

by

.

1

an

of

, .

.

Rome
and
study enjoy

dans

It .

,

, .

“

at

”,

on

in to he

"

.

,

in

's

W

's

,

.

Miss Ethel Irving

complete his knowledge

,
"

It

to
a

.

.

. ,

.

a

of

.
A
.
E
.

play
Mason
four acts
Wit
for the Defence
was produced
the
February
James
Theatre
The play deals
with the shooting
Indian official
his
wife whom
had treated badly and the events
subsequent
the tragedy
her return
her
native place
Sussex
Included
the caste are
Mr George Alexander Mr Sydney Valentine and

soon

my diary

was the study
his whole life
The great interest
the volume
seeing how the future writer
Arbelet says
Naples
Florence
Promenades
Rome
",

at

a

by

.

M

by

30

,

on

by

of

,

,

.

Mr

ness

says

himself
interesting

Italy
went
that unlike Chateaubriand
Byron Hugo and many other writers instead
many
describing
the beauties
the country
Stendhal was living his life there
fragment
unpublished
explains
object
Italy
this journey
He went
there

Italians

to

.

at

.

'

W

.

W

.

-

,

“

"
a

,

.

“

”

A

of

dramatic version
Mr
Jacobs short
The Grey Parrot
was produced
the
Tivoli Music Hall last month
Promotion
one act play
Leon
Lion
story
and Austin Philips adapted from
the
the Grand
latter was produced for the first time
January
Theatre Swansea
relates the
story
postmaster
the promotion which came
and the with
the authorities
after long neglect
certain appointment which had been
drawal
offered him
The caste included Mr Roy Byford
Mr Cyril Percy and Miss Eileen Terrence
story

reserved and
journey
gets
interesting
He

my

,

. ’s

,

in

,

.

,

a

of

performances
Theatre
limited number
Mr Dennis Eadie Miss Lillah McCarthy Miss
the caste
Irene Vanbrugb and Lady Tree were

Barrès and Marcel Prévost , Henri de Régnier ,
Edmond Rostand .
The “ Journal d 'Italie , " by Stendhal , bas
diary
been published
Paul Arbelet
give
which the author certainly never intended
the public
The unfortunate part
that
impressions
frequently
extremely
these

he

,

of

. .

at

"

'

fors

•

in

.
0
.
P
.

,

.

.

”

at

by Miss Lillah McCarthy , Mr. Nigel Playfair , and
Miss Gertrude Robins .
Sir Arthur Conan Doyle 's play “ The Speckled
Band was revived
the Strand
Theatre last
Heggie and
month
Mr Lyn Harding Mr
Miss Christine Silver were
the caste
Another revival last month was Mr Somerset
Maugham
play
Grace
the Duke
York

to

You 'll Hear No Stories ” was the first of these
dialogues , and it was followed by “ A Farewell
Supper ” and “ A Wedding Morning . "
Mr. Gran ville Barker in these sketches has been supported

In

been appearing at the Palace Theatre in a sequence
of dialogues by Arthur Schnitzler which Mr. Barker
has done into English . “ Ask No Questions and

and A . Ribot , Comte d 'Haussonville and Mgr .
Duchesne , Anatole France , Etienne Lamy , Emile
Faguet and Frédéric Masson , Jean Aicard , Henry
Houssaye and Francis Charmes , Jean Richepin ,
Pierre Loti, Denys Cochin , Paul Bourget , Jules
Ségur,
Lemaître , Marquis de
René
Bazin ,
Gabriel Hanotaux
and Henry Roujon , Henri
and Paul Hervien ,
Poincaré , Paul Deschanel
Donnay ,
E . Brieux , Henri Lavedan and Maurice
Poincaré , Maurice
René Doumic and Raymond

“

on

“

in Dublin

a

at the Abbey

first acted

” was

January 26 .
During the past month Mr. Granville Barker has

Theatre

so

Unknown Warrior

is

138

�THE AUTHOR .
for

its

to

,

at de

.

.”

M

”,

so on

“

“

an on

.

an

."

in

'

L

on

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et

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in

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.

is

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la

’

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all

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de

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fil
,
an

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).

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).

)
.

”
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(

).

"
(

at

a

Italie
Calmann Levy
Fasquelle
La Petite Papacoda
Les Pâques véronaises
ollendorff
Les Exilés
Plon

,

to

,

,

for

or

,

no

.

, of

,

or

,

.

.

to

a

is

of

1

to

be

,

to

.

he it

,

is

,

to

.

on

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to

on

,

is

,

a

to

an be

is

as

It

to

in

,

of

-

so

. of

of

to

,

be

is

of

on

.

as

;

,

.

,

such

.

the

a

-

of

,

.

house

,

-

's ,

(

”

-

de

2

the

has various excellent schemes

There are some
called agents who mix
principals
two kinds
business
that
agents
with that
Under the first heading they
literary and dramatic
are dealers and tradesmen
wares
under the second they are supposed
serve purely
middlemen
Even with the best
intentions
the part
the agent the position
unsatisfactory
and may
disastrous
the
author
There are some agents again who while acting
agents make such stringent agreements with
authors who act without advice that their power
principals
that
of

at

; by

”,

de

,

“

.

M

,
”

by

.

.

1

,

at

meets

Rohan

point

.

,

as

to

.

“

:

M

' .

d M

by

)

which

de

,

committee
Duchesse

on

“

Lost
March
and
This enter
meeting with cordial support and the

uttering
mere platitude
state
agent he must act as an agent but
very pecessary and all authors and
the statement
dramatists must be very careful indeed
this
up

,

of

is

as

,
at
by

,
”

“

at ;

, ,

”

is

prise

undertake
seems
that
he

as

, ,

of

is

an

,

It

.

's

on

It

.

at

.

M
"

is

Labour

there are others who do not want
waste their
time
mere business transactions
many the
we accept the fact then that
literary and dramatic agent
essential
will
necessary
consider what duties
should

In

to

.

is

it

is

,

for

,

,

in

a is

is

the Bouffes
elsewhere
Apres moi
Among the new plays are
Henry Bernstein
the Comédie française
Les Midinettes
Louis Artus
the
Variétés
Le Vieil Homme
Porto
Riche
the Renaissance
The
Théâtre Sbake
speare
founded
Camille
Sainte Croix
giving
perdues
Peines
amour
Love

success

DRAMATIC

AND

certain
fact that the literary and
stay
dramatic agent has come
There are
several reasons for the appearance and inter
ference
this middleman
First there are many authors who desire
publish one
two books only who are entirely
ignorant
literary values and literary markets
Secondly there are many authors who have
making bargains while
capacity for business

is

at

.M
.

M

to

,

a

is

It

a

, .

at

,

.

It

at

is

it

,

"

by

.

.

de

a

.

Le

"

in

whom she does not care
love without being aware
the fact
young Frenchman
Albert Delpierre who
her father
clerk
admirable and
Belgian manners and customs
delicate satire
certainly that
and the beau rôle
the young
great
Frenchman
seems likely
have
Séraphin Meulemester

and
with

TT

LITERARY

.

.
-

is

,

as

as

of

to

of

of .

to

be

The grief
the wife and
the stern judgment
the Abbess have the result
leading Hélène back
the yoke she was
renouncing
The play has had great success
the Odéon and still draws
full house
Mariage
Mlle Beulemann
Fonson
and Wickeler
has had such
success
travelling from
that
theatre
theatre
Paris
was first given
the Renais
Réjane and
sance then at the
Théâtre
now
the Bouffes
most amusing play
Belgian girl
engaged
Suzanne Beulemann
believed herself

AGENTS

,

a

,

is

to

to

go

,

is

to

for

in

.

.

a

« “ “ -

to

,

Journal

'd

,

ALYS HALLARD

a

in ,
-

to

,

,

,

is

writes
Inventeur
sans
that Dr Branly
last
having justice done him
sides
The Marquis
Ségur publishes
article
Louis Veuillot
and Max Turrmann
Les Transformations
publicité
on
“

by

is

,

.

”, .

,

,

Perrinquière

Télégraphies

."

,

“

on

.

on

.

M

'

of

a

of l

”

.

de

“

to

,

,
"

M

.

"

.
à

of

of

helping the Théâtre Shakespeare
make
way both
France and abroad
publishes
Revue
hebdomadaire
Maurice
Donnay
first lecture
Molière
Enfance
Education
These lectures are continued
the
following
numbers
Paul Bourget
writes
Théophile Gautier
article
and Charles Le
Goffie
article entitled
Nos poètes

de

of
is

-

so

.”

in

to

in

“

Le

,

by

"

,

“

,

by

translations is an excellent
volume of
stories
Selma Lagerlof
entitled
Le
Vieux Manoin
and admirably
translated into
French
Marc Helys the well known author
Jardin
fermé
The Swedish authoress
having her stories
fortunate
well presented
the public
France
The society
Amis
Art dramatique
has
arranged
Jacques
have
series
lectures by
Duval dramatic
the Revue française
critic
the new plays
The first one was
Le Vieil
Homme
and the lecturer was introduced
Henry Bordeaux
essentially
Les Affranchies by Mlle Lenéru
play and the curtain falls
modern
note
philo
Philippe Alquier
interrogation
living
tranquil life with
sopher and positivist
his wife and daughter
when
thanks
the
religious separation his sister
law the Abbess
Fontenault
comes
take refuge for
time
young novice
his house
She brings with her
Hélène
Before very long the philosopher
and
the novice are passionately
love with each other
apply
Philippe
prepared
divorce
and
believing herself quite emancipated
Hélène
away with him when her con
almost ready
science proves
her that she
not
free
she

l’

Among

short

139

contract the agent expressly states that

�THE AUTHOR

be
on

to a

's

be

onhe

an

he

he

,

on

;

be to

An

.
;

as

.”

is

;

to

est

to or

all

time
an be

,

is a

of

to

as

is

,

it

.

.,

10

he

an

,

an

.

is

to

It

.

;

a

a

or

contract
letter
series
letters
binding legal arrangement may
possible that
exist
series of letters
but the terms are
generally uncertain and difficult
interpretation
likely
and the contract
include
addition

to

in

,

,

of

to

is

.
as

.

an

.

in
a

of

,

, ;

is

as

,

as

,

of

commission many faults
omission
There are agents
there are publishers who
binding upon them
assert that their letter
their word
but really this
not the question
agency contract
The author then should avoid
embraced
series
letters
Finally the author should have
formal agree
ment carefully drawn and supervised
An author

its faults

is

.

a

.

Most

of

typewritten doca

the agent
contracts are unsatisfactory
him

.

such

printed

or

should not accept
ment thrust before

by

.

time

from

certain
clear first that
anthor must not
content with
indefinite verbal contract with
agent
per cent
the effect that
will take
some other percentage
Secondly
unsatisfactory
almost
have

a

a

10

The agent that makes
the best agent

errare

,

.

10

on ;

.

?

author

.

Humanum

naturally
the fewest mistakes
but that they
make mistakes

,

to

.

as

:

at

of

mere

able
claim
indefinite contracts either
could not carry through himself

of

.

.

-

a

?

strictly

sign

in

,

to

be

do

.
10

to

up

or on

claim

.

ROYALTY

.

of
at a

of

in

.

is

a

,

in

,

,

to

a

of

to

of

or

,

,

a

to

as

is

a

to It of

to in

to

,

of

a

to

.

upis

,

it

of

S

all

or

of ,

is

in

be

to

to

or

to

to

is a

in

.

of

.

he

or

good

of

.

or

a

on

.

may not

the musical papers are run
the
publishers
pleasing
interests
see
the Musical Times take
the question
royalty agreements and discuss the equities
draws attention
fact already well known
readers
The Author that the contract
pay
royalty does not run with the copyright
the same way
pay rent
covenant
other
covenant affecting land runs with the land
The
result
this
that while the original publisher
the assignment
his contract
often
difficult
impossible
trace his assignee whether
purchaser
bankruptcy
trustee
becomes
entitled
the copyright without any concurrent
obligation
pay the royalty
The writer
the article
which we refer bas
pointed out that this question
matter
contract

a

an to

to

is

in

,

examples may

most

or on

on

or

.

,

on

an

or

so

,

.

s

All '

COMPOSERS AND
AGREEMENTS

or

.

it

,

be

an

an

,

an

or

he

these

BRITISH

of a

,

an

a

or

or

a

a

to

an

.

to

't

,

?

a

,
or

?

on

.

a

of

not

a

be 's .

's

an

to

or

of
be

.

.

agency contracts
the question
Some agents say they
not make formal written
They simply state that
contracts with their clients
they charge the usual
per cent
per
but
cent
what
On an introduction
the placing
publisher
book with
dramatic work with
manager Or
Again
per cent
each contract
Agents who
for how long
what sum
don make formal contracts may prove dangerous
agents
deal with
An agent may give
author
introduction
publisher
theatrical manager
and
contract may be arranged for the publication
piece
book
the performance
The agency
may then
any rate the author
terminated
may consider
terminated
He will naturally be
astonished when the agent claims his fees
other
books placed with the same firm
other pieces
with the same manager
The agent again may
give
introduction
and contrary
all proper
sign
advice persuade the author
agreement
giving
option
plays
future books
The author subsequently makes
fresh contract
himself
and the agent claims
the ground that
the second contract
the outcome
the first
Again
author may sell certain rights
book
play through
agent
The agency
then
Subsequently
terminated
the author thinks
sells other rights
play
the same book
again
the same person
pay the
and
has
agent
fees

able

indefinite sums
contracts that
such
should never have advised

in

an he

,

be

to in

,

be

to

a

at

is

. 1.

2

.

3

publishers
Next comes

rights must

agent

he must not
introduction
must

“

of

.

a

,

.

of

,

to

,

of

.

he

how
can handle the new control
has obtained
put the matter into
agent hand
and proceeds
trying
Thus one agent may
sell
author
price below what the author may
work
obtaining himself
through his usual agent and
the consequences may
disastrous
the author
many arguments against giving
This
one
publishers anything but book rights
These con
justly arrived
clusions may
principals
Never deal with agents who act
Never deal with agents who want
take too
much control
Never deal with agents who also act for

avoided
limited

is

.

his

,

,

.

the

as

as

as

danger
following example will show
put their
Some authors are foolish enough
serial rights
translation rights
and minor rights
Many time has the
publishers
into the hands
danger
such
action been emphasised
these
columns
The publisher who ought only
the
agent for the author for book production
thinks

law , but they are the result of indefinite contracts
between
the author and agent , and must be

It

the author 's approval , and
proceeds to obtain from the author the full power
to sign and execute any agreement on
behalf
There are someagents again who act for publishers
well
authors
This produces another kind

he need not obtain

.

or

140

�THE AUTHOR .

,

to

.

,

If bein

be

if

is

,

,

,

to

in

to
be

be
2

.”

to

-

to

if

is

,

,

of

,

if in of

.

In

,

to

a

to

in

-

of

.

an

in

,

to

his

it

if

is

to

is

of

.

3

to

In

, it

.

of

.

5

to

In

to in be

it

,

no

of a

be

a

to

.

a

is

6

.

,

to

.

,

a

of

be

to

.

To

to

if

to

a

on

to it

,

7

in

.

of

to

to

it

,

is

to
a

,

in

,

.

of

tations

to for

to

is

as

is

an

,

he

,

of

of

.

In

.

a

to

his

of

For many years the composer has suffered
ignorance
market values and copyright

,

to

be

to

in

if

in he.

,

in

If

"

or

in

of ,

.

of

12

,

:

which

either party bas reasonable cause for believing that
the copyright
the said composition has been infringed
they shall give immediate notice
the other party
respect
the composer takes proceedings
the
infringement and
joined
the publishers desire

If he

as
a

,

'

.

in

to

of

the most vital
the
the writer has put forward
answered by clause
the draft

agreement which was printed last year and
runs
follows
as

It

an

to

)

is

Question

answering

which
1

questions

by (

,

secondly

as .

out
? , to

is

he

be

to

is

in

,

,

is

of of

settling
agreement for
last year
those composers who are members
bring forward the matter
worth while therefore
again
first by referring members
an article
the May
1910
number
The
Author
and
the benefit

a

to

of
a

or

,

,

of

beginning

of

of

an
“

as

to

on

is

It

quite clear from these questions that the
must have been written without knowledge
through
the work
the society carried
the

article

publisher
composer
between
the
and
but
composer would
seems quite clear that
fool
enough
change
take his work away
the
partnership
was likely
benefit
the
parties concerned
advise those publishers who
protect themselves
read the Musical Times how
point
legally
this kind would
work
supererogation
Surely they are fully aware
practice how
from
their
constant business
protect themselves
practical question
Question
not
We do
not agree with the statement that the increment
right
The composer has
unearned
all the
profits that spring from
the publication
his
work with
the exception
those which
may choose
pay away
business reasons
another
no sense
there
unearned incre
ment
far
the composer
concerned and
impossible
say how the composer will care
deal with the capital value
his work
question
The answer
lies
the fact
only one member
that business
which there
nowadays
rare occurrence
and
seems
hardly worth while
dealing with general issues
question referring
particular limi
answer
tation
The composer makes no suggestion
is

to

or

is

do

wiped

personal
then become equally binding upon
representatives
Everything must
question
answer
depend upon the wording
the contract existing

is

bea of of

of ,

of

,

or
of

or

of
a

of

,

?

of

as

of

by

a

practically

answers questions

question
The personality
personal
this kind
the publisher
but
not personal
the composer
the same
sense
for
the agreement deals with work which
has already been
done by the composer
would
answer
agreement

is

,

a

,

to

, of

of
a

?

a

,

his

business

in

4

·

.
,

?

If on ,

,

of

to

?

to

is

anto

,

"

to

entire

or

in

to

to

if

so
?

is to

,

If

?

And this clause practically

and

a

?

?

,

. a be

,

of

's

:

to

or

,

If

2
.

her

.

3

is

4
.

to at

.

5

or

If

6
.

an

Is .
it

7
.

and that

of

in

,
if

of

.

on

,

,

to

to

as

a

If

the composer retains his copyright who will
entitled
sue for infringements
the right
Can
licensee sue
take criminal proceedings while the com
poser retains the copyright
not will the composer undertake
sue when
And if he will not
? And
do
called upon by the licensee
give that undertaking
protect
how
the licensee
him
self against infringements
the composer does not give the undertaking
and
afterwards assigns his royalties will the liability
that
undertaking bind the assignee
the royalties
not
protect himself against infringe
how
the licensee
ments and pirates
any legal proceedings
Who
bear the costs
for
copyright
having regard
the protection
the fact
any moment
that
for various reasons
licence may
come an end
firm
the business
Would the conversion
publishers into
limited company
the amalgamation
two
company with
more firms into one partnership
improving the financial position
view
all
them
assignment
such
would involve the cancellation
all
the licences held
all
them
merely
protect
the object
the composers
impecunious
their royalties
as against
fraudulent
capital
assignees what will they
with the
value
the
publication which will revert
them
unearned
any
whenever
increment
licence for
reason comes
end
suggested that
the death
retirement
publisher who has no partners and who publishes exclu
sively under royalty agreements his entire catalogue
published
revert
the various composers whose works
1
.

,

has not transferred his copyright but has
given
publish
licence
the publisher
follows
The questions are

poser

only

41

the action , they may give written notice to that effect , and
on an undertaking on their part to pay an equal share in
the entire costs of the litigation the composer shall join
them as parties . In such case the composer shall diligently
prosecute the action , but shall retain control of the pro
ceedings , and may make any reasonable settlement with the
composer and publisher
defendants
the interests
and
any recovered shall
firstly applied
the damages
payment
any
surplus
costs and
there
shall
divided equally between the composer and publisher
composer
infringement
the
after the
has come
his
neglects
respect
notice refuses
take proceedings
thereof the publishers shall
entitled
take proceedings
giving the composer
and
sufficient and reasonable
demnity against liability for costs shall be entitled
use the
composer name
party
such proceedings
such case
the publishers shall retain control
the proceedings and may
make any reasonable settlement
the interest of composer
publisher
damages
any
and
and the
recovered shall
firstly applied
payment
any
costs and
there
proportion
of one third
the
surplus shall be divided
the composer
the publishers
and two thirds
the

,

a

on

of

.

on

a

,

his

It
rather than a matter of copyright legislation .
rests , therefore , with the British composer to insist
upon a more equitable contract , i .e. , a contract not
to transfer the copyright, not to transfer his per
forming right, and to keep a proper control over
property
whilst giving the publisher
fair
return
for putting his work
the market
Towards the end
the article the writer puts
forward certain questions
the basis that
com

1

while

the publisher

has taken

from

limi

advantage

�THE AUTHOR .

entry
the first
was not effective
because
the plaintiff was the owner
the copy
right the drawings having been executed
his behalf and Mr Varley had
proprietary
interest
but was registered under
mistake
The later registration
however
was sufficient
Under the provisions
the Fine Arts Copyright
Act 1862 the plaintiff could not recover damages
for infringements
committed before the proper
registration
injunction
His Lordship granted
with costs and ordered delivery
the prints

on

of an

up

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Frank Harris
Modern Life
the Editor

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NATIONAL
Drama

Marriott Watson

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English

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FORTNIGHTLY
By Zinaida Vengerowa
Last Days
By Kaufmann Spiers
Two Lyrics
Tolstoy

bad

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at

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The Place
Music
The New Censorship

Phillipps

March

By Classicus

ENGLISH

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Baily

CONTEMPORARY
Renaissance Sculpture
The Next Renaissance

behalf
the defendants
and that the plaintiff
was also stated that
engrave the block for the
the person employed
copy the plain
defendants was instructed not
tiff picture and
was urged that the copyright
had not been infringed

,

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By
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as

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was contended

that the registration was
therefore could not sue

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The Serial Story
The Canadian Reader
Literary Base Coin

Arthur Whitehead
Brad
Printing Com
trading
ford
the
Bradford
pany sued Messrs Wellington
printers
Gloucester
for damages for infringement
copyright but owing
the time
mistake
Stationers
when the copyright was registered
it

By

. "

of

.
of

Book MONTHLY

“

of

Steer

used

.

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Co

&amp;

.

Mr

The plaintiff

Hall

CONTENTS

.

of

on

“

in

Landscape and Head
Cattle Group
which
were reproduced
oil paper
Wrappers
meat

HARDY

Gallery
The Bookman
Mr Edgar Jepson
William Morris
Edward Thomas
Jackson
Holbrook
William Morris
The Ideas

"

in

certain

. .

a

,

of

HAROLD

copy
action for infringement
drawings entitled
Cattle
Highland Steer
Landscape and Head
was

right
in

WELLINGTON

.

of

no

.

,

complained

BOOKMAN

an

THIS

v

WHITEHEAD

COPYRIGHT

of

registration

MAGAZINE
ARTISTIC

to

the

.

taken

of to

his

to

,

; be
a

been

change the position
the picture
defendants
As
the

and

substantial parts

by

had

copy

but

.

rights bring no monetary returns
the performing
whaterer to the composers . It behoves all com
posers , therefore , to keep careful control not only
of the rights of reproduction , but also of the rights
of performance , and to obtain a just financial
return for both rights . .

the animals

of
.

to obtain better control and better value for the
property which they are constantly creating .
In a composition
of music , unlike a work of
right of
literature , there
are
two rights — the
reproducing copies , and the right of performance .
In England , with the exception of tbe music for
comic operas and for some few dramatic pieces ,

appear

to

were taken away from
them by
men of keen business instinct, and that there was
no society and no power
to fight against
this
position .
It is for the composers , therefore , to
band together , and by the strength of combination

,

same way as
that their rights

Mr. Justice Warrington held that the plaintiff' s
copyright had been infringed . The engraver of
design
the blocks was told not to allow

,

For many

,

.

bitterly in the
authors complained bitterly in the past

,

of business

,

his extensive knowledge

years the composers have complained

,

of

,

142

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of

per
0

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a

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All etters respecting Advertisements should
BELMONT Co
Paternoster Square London
.,
29
,

PER

per inoh

per cent made
Series Six and
TwelveInsertions.

of

TO
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of
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OF THE SOCIETY

MEMBERS

Front Page
Other Pages
Page
Hall of
Page
Quarter
Eighth of
Page
Single Column Advertisements
a
a of
a

,

)

.
a

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,

.

as

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the copyright

ALLOWANCE

(

of

if

as

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it

of

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),

to

of

SCALE FOR ADVERTISEMENTS

,

as

(

.

as

of

in

,

on

The drawings had been made
behalf
Mr
Whitehead
the plaintiff but the copyright was
originally registered
the names
the plaintiff
they were partners
and
Mr James Varley
trading
the Bradford Printing Company
Mr
Varley was connected with the firm but was not
Subsequently Mr Varley assigned
member
Mr Whitehead such rights
he possessed
any and Mr Whitehead
shortly before
com
menced the action was registered
the proprietor

�THE AUTHOR .
obtained
But the transaction should
competent agent
with the advice
the Society

of

,

of

(a

-

:

of

.

",

.

,
or

to

or .

to

.

or

to to

up

,

to

is

to

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a

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of

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or

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to

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in

to

to

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to

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III
.

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is

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to

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in

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of

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3
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copyright

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of

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or

in

is
a

'

.

DRAMATIC

AUTHORS

.

a

80

,

of

.

(
.1
)

EVER

TO

transfer

of an

.

18

:

of

dramatic

.

or

for

an

contract

.

of

play bills

on

a

a in

.

is

of

can

.

price

for plays

the performing right
This
unsatisfactory
An author who enters into
such
contract should stipulate
the contract
for production
the piece by
certain date
and for proper publication
his name
the
-

proper

be

if
a

,

sometimes satisfactory

more acts
Sale outright

of

Outright

.

it

Selling

This

is

1
.

:

.

of

in

to

a

D

are
few standing rules
observed
agreement
dealing
There are four methods
with literary property

three

or

.

.

in
an

be

ERE

in

It
is

There are three forms

.

2

3

THE PRODUCERS
BOOKS

(a
.)

OF

.

TO

WARNINGS

of to
a
be

.

N

it
to

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
play with any one except
the production
established
manager
of

£1

per

.

is

to

.

,
or

9
.

Always avoid

WARNINGS

.

;

. of
a

.

of

. to

The subscription
the Society
annum
£10 108 for life membership

A

)

.

II

(1
.) In

(2
.)

in

|

.
.

of

of

to

8
.

(2
.)

to

to

on

it

prevent authors from
Some agents endeavour
referring matters
the Secretary
the Society
some publishers
Members
can make their own
deductions and act accordingly

agreement are combinations
All other forms
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
Secretary
Society
the
the
Stamp all agreements with the Inland Revenue stamp
by letter
agreements
possible
Avoid
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot be denied
withheld
to

.

to

to

to

,

.

be

.

This
The

General

(3
).

in

To

a

of

of

.

of

Many agents neglect
stamp agreements
must
done within fourteen days
first execution
Secretary will undertake
behalf
members

Commission Agreement

The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
price
the sale
the book

a

(
3
)

. .

to

's

.

6

literary
No contract should be entered into with
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not
consideration the contracts with publishers submitted
them by literary agents and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society
7

IV

: , as . of

a

.

To

(2
)

.

of

be

by ,

,

be

to

of

in

To

(
1
)

of

. '

in

6. The Committee have arranged
the reception
members agreements and their preservation
fire
proof safe
regarded
The agreements will
course
confidential documents
read only
the Secretary
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu
the
work can be obtained
the Society
lars
Prospectus

A

for

4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourse ! f , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer ,

The Royalty System
perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible for
approximately
author
ascertain
the
very
figures
important
truth
From time
time
connected
royalties
published
with
are
The Author

.

send

of

any agreement whatever ,
signing
3. Before
the document to the Society for examination .

do

Profit Sharing Agreement
form
agreement
this case the following rules should
attended
pro
sign any agreement
Not
which the cost
duction forms part without the strictest investigation
putting the
give the publisher the power
Not
profits into his own pocket by charging for advertisements
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for
Not
allow
office expenses
unless the same allowance
made
the author
give up American
Not
Colonial
Continental
rights
rights
give
Not
serial
translation
any publisher
Not bind yourself for future work
yourself
any one solicitor
As well bind
for the future
doctor
(3
.)

has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher , or any dispute arising in the conduct of his
business or the administration
of his property .
The
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary
will refer the case to the
Solicitors of the Society .
Further , the Committee , if they
,
deem it desirable will obtain counsel ' s opinion
without
any cost to the member .
Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi .
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .

(6 5
(4
(
.)
.) .)
.

VERY member

1. T

bad

.

or

managed by
Secretary

the

of a

be

USE THE SOCIETY .

TO

.

HOW

143

�THE AUTHOR .

.

.

or

's

to

.

.
in

,

is

it

,

of

.

a .

.

is

,

. .

of

.

,

or

.

of

to

of

by

of

give notice
post
return
All remittances should be crossed Union
London and
Smiths
Bank Chancery Lane
be sent by registered
letter only
,

of

to

.

at

be

The Secretary
the Society begs
that all remittances are acknowledged

.

.

be

of

,

,

is

to

REMITTANCES

.

of

to

a be

a

.

6d

23
.

of

,

at

on

of

.

of

BRANCH

greatly assist the Society
this
branch
its work by informing young writers
its existence
Their MSS can
read and
composition
treated
treated by
coach
The term
only
MSS includes not
works
fiction
but poetry
possible
and dramatic works and when
under
special arrangement
technical and scientific works The
competence
Readers are writers
and experience
The
fee
one guinea

.

a

or

,

of

fee
byof

at

be

of

in

.

be

be

a

D

to

,

in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
stamped and returned
tant One copy will
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may
obtained
typing
the author only
small charge
cover cost
Original Plays may also
filed subject
the same
play will
charged for
rules with the exception that
per act
the price

.

,
as

.

.

READING

.

.
, on

CENARIOS

or
of

of

be

, of

to

,

of

-

THE

as of
a

SCENARIOS AND

OF

ORIGINAL PLAYS

by

be

an

TO
be

It of

.

stamp copies
The Society undertakes
music
part
members for the fee
6d per 100
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
Secretary
and the voucher
then forwarded
the
members who are thus saved much unnecessary trouble
behalf

CEMBERS will

REGISTRATION

,

to

, in
in by

as

.

In

to

an 's

of

.

of

;

all

in

to

,

MUSIC

in

is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

STAMPING

is

11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object

can
added
the warnings given for the
producers
assistance
books and
dramatic
pointed out that
authors
must however
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
performing right and copyright
deal with
He
especially careful therefore when entering into
should
agreement and should take into particular consideration
the warnings stated above

to

.

ITTLE

COMPOSERS

'

the beginning

MUSICAL

,

should
be carefully
for collaboration
9. Agreements
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself all the more carefully in

WARNINGS

its

consideration .

.

, and

a

country

,

,

to
be .

town

of

, by

Society
agents .

.

limited

AND AGENTS .

RAMATIC

, ,

are usually

1 T

, and

a

be limited

time. This is most important .
rights , but
performing
should not assign
6 . Authors
should grant a licence to perform . The legal distinction
is of great importance .
7. Authors should remember that performing rights in a
copyright .
play are distinct from literary
A manager
holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining a substantial

AUTHORS

authors should seek the advice of the
plays into
before putting
the hands of
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual claim to a percentage on the author 's fees
from it . As far as the placing
of plays is concerned,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself . The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations with different
individuals , and also for the collection of fees in foreign
countries , almost
dramatic authors employ agents and
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals
offering
purchase
who propose
act
rights
any case
the author
the present state
agent
employed under any
the law
should not
agreement approved
circumstances without
the
Society
D

an

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .
rights can
5 . Authors should remember that performing

DRAMATIC

of

(6.) Sale of performing right or of a licence to
perform
on
of percentages
on the basis
vary between
Percentages
gross receipts .
5
a
An author should obtain
and 15 per cent .
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which
the play should be
performed .
right
or of a licence to
( 0.) Sale of performing
perform
on the basis of royalties ( i .e., fixed
nightly fees) . This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect. The
other safeguards set out under heading (6. ) apply
also in this case,

.

144

�THE AUTHOR .

145

in the November
issue of The Author , expressing
her intention to leave a sum to the Pension Fund
of the society on her death .

GENERAL NOTES .
On
the ballot paper which accompanies
this month 's “ Author ” subscribers have full
details as to the manner in which their votes
should
be recorded .
Those members who
have not received ballot papers with their
“ Authors ” are requested
to write to the
Secretary at once .
Associates are not qualified , under the
constitution of the Society , to vote for the
election of the Committee .

The committee have now received a letter
the Public Trustee in the following terms

from

:

DEAR SIR , —I have to inform you that by a settlement
dated the 2nd December , 1910, Miss Crommelin has trans
ferred to the Public Trustee certain securities having the
present approximate value of £650.
Under the settlement the Public Trustee is directed to
the income of the Trust Funds to Miss Crommelin
during her life , and after her death to stand possessed of
the trust premises in trust for the Pension Fund Committee
pay

Incorporated Society .
I am , dear Sir ,

of the Authors

Yours faithfully ,
( Signed ) Č

.'J. STEWART ,

Public Trustee .

GENERAL MEETING

,

in

-

to

's

,

,

,

so

a

,

of

in

.

for

The committee desire to thank Miss Crommelin
cordially
her generosity
When
the Pension
Fund
Committee
the
autumn
last year granted Miss Crommelin
absolutely without any
small pension they did
condition whatsoever and they feel all the more
part show
strongly this act
Miss Crommelin
ing her earnest desire
help her fellow writers
on

.

.

.C
.

,

,

W

of

at

,

in

4
o
'

at

,

18

,

of

,

on

MEMBERS and associates are reminded that the
Annual General Meeting of the society will be held
Thursday
March
23rd
the rooms
the
Society
Arts
John Street Adelphi
The chair will be taken
clock
Members and associates will receive the usual
notice with agenda
due course

of

In

in on

to

to

. of

,

in

,

to

is

a

to

or

an a

or

,

,

he

in

,

in

to

or

a

to

,

or

,

no

,

.

of

to

,

of

.

a

if

,

,

of

a

to

of

the society may call
mind the
Miss May Crommelin which appeared

no

is

.

letter from

in

to

it

to

be

,

or

.

THE PENSION FUND
MEMBERS

If

father

work

of

Meredith

.

their

the
feel

's

George
of

of

at

,

to

have done honour
themselves and though
presentation
has come
this late date we

a

,

,

in

to

of

We congratulate the Royal Society
Literature
doing honour
that
our late President they
sure that the
descendants
will appreciate
this recognition

with
the
author
We mention this because
one
two cases have come
the office
which
England has
after the contract for publication
been signed the publisher
editor has stated
only too pleased
give
would
date for
publication
but has given
doubt inadvertently
wrong date publishing
either before
after the
date mentioned
Either
these mistakes may lose the author his
copyright
American
the obligation
the
publisher
give the date had been part
editor
and parcel
the contract then the author would
good action for damages but
have
the arrange
simply
friendly correspondence
ment
matter
then
the author loses his American copyright and
legal remedy
has

,

inscribed

.

is

of

George Meredith

name

, of

a

the central one

on

.,

and

is

the medal
the head
the reverse stand three figures
holding
wreath under which the

obverse

IV

the

George

of

.

Walter Scott

he

the

presented

.

,

was

States
order
make assurance doubly sure
absolutely essential
embody
the contract
English
with the English publisher
editor
give
elause under which
undertakes either
publication
arrange
exact date
date
for

medal
to

gold

occasions

United

In

of

when

it

on

being

occasion

On

Sir

former

that this
two

PUBLICATION

the last issue
The Author reference was
made not only
serial but also
book publica
tion
America
and emphasis was laid
the
importance
guarding
the copyright
the

or

of

, .

.

,

of

to

,

famous father and mentioning
had only been presented

SIMULTANEOUS

.

of

of

,

,

"

"

Sir

, ,

of he of

at

one
the dinners
the Society
Literature when
was the guest
the evening
After the toast
The King
the chairman
presented Mr Meredith
Edward Brabrook
with the gold medal
the society stating that
the society desired
honour the memory
his

Meredith

.

byof

,

of

to

a

,

late

to

the

making

.

,

to

record that the Royal Society
has done honour
the memory
President
the Society
Authors
presentation
his son Mr William

are pleased

Literature

of

of

We

.

a

,

the future
desire which the committee feel sure
every member will appreciate

O
.M

GEORGE MEREDITH

�for

,

-

so

in do

.

so

him

in

as

,

as

of ,

in

,

in

, --

,

at

,

,

.

to

of of

.

of

,

.

to

at

or

6s

of

at

by

this

of

,

to in
a

.

of

,

at

.

,

a

be

it

,

,
in or

a

is

,

as

,

to

to

of

,

is

20

.

's

in

,

of

in is

for

.

,

of

,

of

in

,

,

of

,

be

's

of

.

of

at

,

of be

it

,

is

.
of ,

etc

a

his

a

,

as

,

of

.

for

to

,

,

of

he

to

up to

of

of of

is

it

;

on

,

,

, 's

of

.

,

-

,

if

be

larger

.

on

,

,

is

by

a

,

of

of

can

obtained

for advertisements

,
fee

a

as

,

of

,

of

,

would hold good here also but with trebly increased
advertising
force
first
that this method
destroys entirely the dignity
the production
larger
and secondly the practical that

,

, -

thereby

however
more serious method
adopted
which has been
some
producing cheap editions that
the
pages facing the
introduction
advertisements
literary matter
the book
The same arguments
put forward against the ordinary advertisements
There
advertising
publishers

be

.

of of
to

,
of

on

,
,

.

of

mankind

will

and that the

author should
entitled therefore
payment
the cheap issue
fair reward
larger popularity

,

to
in

a

on

to

-

a

at

the most modest

the beginning and end
the book
obtain considerable sums
money

is

·.
in

in

,

in

,

,

in

of

pose the health

he

,

of
ofgn

a

is in ,

a

,

be

,

.

,

a

let

ADVERTISING

the members
the committee
the
Society
proposing the health
the
publishers
public dinner declared
gave him the greatest satisfaction
pro

,

it

that

OF

or

,

to in

,

.

NE

of

THE ETHICS

a

,

no

do

,
in

in

.

at

,

ON

a

of

as

as

.
is

.

. an

,

in

librettos
once
him work
his composition
and without any middlemen
cut down his profits
deal direct with the music hall manager

to

.

, ,

.

"

in

“

,

of

if

is .

is

innovation
He thinks he will lose his
But let all composers acting
livelihood
com
bination make
stand and the issues will not be
long
declaring
themselves favourable
the
composer
But let the composer be first
the field
this
new outlet for his genius let him get
few suitable

to

fill

is

he

a

to

a

is

.

an

.

to

,

At

.

It

It

making

advertises his own wares
the end
book
but
pill
soap
from
canvasses for advertisements
the
often happens
manufacturers and others
cheap editions
nothing
case
then
there
pedantic
the author objections
As the issue
cheap edition
seldom less than
000 copies
no doubt that the publisher takes this
there
keep down the cost
production
course
order
put some extra profits into
enable him
and
his own pockets
The question
advertisements
the publisher
own
though
own books may for the time
set aside
they may spoil the appearance
the issue whether
expensive
cheap
some authors
the eyes
they are
any rate advertisements
books
Butto other advertisements two objections might
But
raised
first the ideal secondly the practical
might
point
view
the author
From
rich
rightly
argned
first that the advertisements
pills soaps toilet powders
might damage and
perhaps destroy the dignity
the work that
being put
the market secondly the practical
point that
the publisher
the intention
large number
fill
advertisements
obtain

of

to

at

.

in

,

to

if

,

is s

'

copies

present the publishers persuading the com
poser that there
money
the former take
both rights and market them
their own advan
tage
they
Even
not make money directly
irectly
rights
they use them for
from
the performing
advertising purposes indirectly swelling their own
profits
foreign countries with foreign
not like this
composers
Their works are not crushed out
out
money value for
existence because they maintain
What therefore can and
their performing rights
has been done
one country can
done
another
the same story the composer
timid

between author and publisher has precluded them
from taking any action
Indeed
case
may
object unless
kind
little pedantic
the author can put forward some very special
reason
When however
the publisher not only

be
be

,

is

it

,

in

be

.

to

-

to

be

reproducing

the authors whose books suffer
Complaints have been made that publishers have
inserting their own catalogues
advertised
books
the end
the
novels
the end
other books
This
some authors has been
exceedingly annoying
agreement
but the form
but mud

,

for

.

on

,

sound work and high class entertainment
desire
turn their attention
little operas
Those
who
write
classical music must not think the
matter beneath them
for
their work which
specially
will
demand
We desire
draw particular attention
this
the present time for the music publishers
are
moving and
getting
they succeed
firm hold
the unfortunate composer will again find
losing his valuable rights and working
other
people
pockets
great opportunity
This
important opening which should not
There
neglected
Opera
Serious
Little
will not
take long
become popular
Again
we must impress upon composers that
seizing their chance they can work both their rights
performance
the right
well
the right

,

of

.”
as

-

-

are

in

is

as

It

to

“

time that composers turned their attention
Opera
Little
Some
the best drama
writing short sketches
tists have written and
for music hall
well
theatre
The musical ball managers
the look out
the

always understood that publishers
added
least authors told
never advertised
There are cases however
which publishers
quarters
advertise
but
the wrong
and
objectionable manner and
the man
science
the wrong place
matter
describes mud
these wrongly placed advertisements are nothing

in

.

SKETCHES

:

COMPOSERS AND MUSIC - HALL

he

THE AUTHOR .

146

facing matter

�of

:

.

of

a

is

“

:

-

a

to

.

to

,

of

,

to

the

we cele

citizen
death
snatch his watch

no '

's

.”

s

date when

though

a

,

of as

legalised much
brate the seventh anniversary
authorising any footpad
pocket
from his orphan

,

an to

.

of

“

”,

of

“

,

is

to

.

a

a

”

“

,
”

to

it

is

,

of

its

to

be

,

be

of

of

it

,

,

of

at

is

of

,

There are
doubt many and divers opinions
upon this question
copyright
the duration
and
not desirable
this moment
discuss
the ethics
the same but
does seem
astound
ing fact that the descendants
one
the greatest
novelists that England has ever seen and the world
receiving State aid and
has ever known should
that there should
the necessity for the public
support
Putting aside
come forward with
copyright
all question
hoped
the great
attachment everyone must feel
the writer
Pickwick
Our Mutual Friend
and
David
Copperfield
response
will readily ensure
warm
ready contribution
and
The question certainly for all authors
ask
themselves
Are there any volumes
Dickens
my own shelves upon which the author
his
farthing
heirs have never received
the way

of

or

in

then

let

each

follow

the

example

of

?
”

a

,

so

copyright

If

a

of

if of

.

are
a

,

so

,

is

to of

“

by

in

is

true that we defer the

on

of

,

of

of

,

,

of

of

of

of

in

pillage
theft shall

of

of

to

's ,

of

an

of

.

of

is

It

by

of

to

to

is

.

to

in

to

in

by

a

be

be

. ,

to

to

a

, ,

as

;

"

of

a

.

in is

of

,

, .

that copyright
natural
State but only ratified

the

says
The children and
Charles Dickens have been robbed
long established
due form
law according
principle
civilisation
Authors and their depen
dants are weak
numbers and the property they
peculiarly easy
have created
attack which
sanctify the
reasons are considered sufficient

grandchildren

“

at by

.

Author

The idea was started
the Strand Magazine
issue
Dickens Stamp
the price
one penny
bought
everyone interested
the author
novels and
be inserted
their editions
his
works
The proceeds resulting from
the sale are
handed over
his descendants
This
the first practical step that has ever
been taken
secure
the heirs
author
benefit arising from the fame
his works not
provided
copyright law
quite true that out
the thousands

is or

's

to

'

it

,

in
in

,

by
Mr Arthur Morrison

it

.

of

is
a

it
The

to

,

O

N

doubt nearly everyone has heard
the
Charles Dickens Testimonial Stamp but
duty also
make some mention

I
in

it

STAMP

and

of

it
. ”. , . it

Caine says

not created

It

,
if -

Mr Hall

right

.

to

he

in

DICKENS COPYRIGHT

THE

heirs

Times the Morning Post the Spectator the Book
man and some
the provincial papers
few
those whose articles have given the scheme their
support
Sundry authors too have written
warm
closely con
their approval but the question
copyright
cerned with the legal one
the period
separate the two
that
has been difficult

by

, of

he

be

to

to

be

,

in

.

his

.

I

“

.

lie to of

.
-

.

,
if

of

in

If

,

be

,

to

is

and

only right that the claim
existence then
should be recognised
some other way
There has been almost
unanimous expression
approval
the papers
the scheme
The

is

it

.

68

is

as
it

,

of

,

,

of

his

.

of

be

of

in

of

,

of

in

in

a

.

,

he

side
should see that
obtains
the profit which owing
the popularity
work may
derived from the advertise
especially careful
ments
The author should
keep the reproduction
expensive
unable
and cheap form separate
that these clauses should
included
the one agreement which includes
both issues
share

the maker

Charles Dickens
own phrase runs
follows
my
rest my claims
the remembrance
country upon my published works
and
the
country does not recognise this claim by the laws

in

of of

,

in

of

,

practical

with the

by

as
a

of

,

.

of

,

,

be
a
in

to

to

literature that advertisements are not
inserted
save with his sanction
and
no circumstances
facing the literary matter
he desires
deal

of in

a

'

in

'

of

,

.

of be

in

a

in

,

a

of

separate contract

no

is

be

-

,

,

or

.

is

to

of

to

be

of

not have control

both
for the publica
cheap form
tion
book
the author should
take particular care
insert clause
desires
maintain the point
view
the dignity

a

the hands
representatives

as

,

of

is

It

let

lisher should
Secondly

he

a

be

a

,

to

,

it

is

affecting
the publishers control
the style and
production
manner
the work the author would
object
hare little power
Publishers are
course tradesmen
and look upon the production
any tradesman would look upon the
books
production and sale
commerce
other articles
natural that they should look
the first
consequence
instance
the profits and
not
surprising that these methods
advertisement
employed
should
Members
the Society
Authors must
cautioned
the first place not
reproduction
cheap form
the rights
with the publisher who produces the
book
separate contract for the
There should always
right
reproduction
cheap form
often
important for financial reasons that the same pub

147

books that are written there are perhaps tens only
copyright
that have
life beyond the usual term
but there
reason why these teps should not
valuable property
the hands
the descen
piece
piece
dants just
land bought
property
furniture made
one
own hands

of

at

ordinary advertisements
the end
the
therefore
still larger payment should
made
the author
Whatever view
taken
the ideal
the prac
tical
seems quite clear that under the clause
publishers
agreements
which
not uncommon
than

book

be is

for

THE AUTHOR .

�is
,

;

in

of

to

to

air
"

-

-

"

-

or

_

of

.

.

of

-

-

“

or

—

of

.

.

.

-

-

in

—

aerial

.

is

of

.

.

of of

In

In

— —

—

do

in

,

its

of

-

.

or

artificial shelter
set apart for flying pur
not recommend this
term
but
view
somewhat general use
suggest that
should be employed only
the
above sense
This suggestion
made without
prejudice either
derivation
its application
Langley
another sense
authors
such
Lanchester

,

as

to

or

and Graham

Bell

.

AND

,

in

AERONAUTICAL
SOCIETY
ENGLISH
TERMINOLOGY

.

-

been
ecom

of

in

or by

on

.

"

-

“

,

as

A

in

-

—
A

.

or

employed

aerostation
flying machine provided with
AEROPLANE
fixed planes supported dynamically
movement
through the

.

A

-

its

the

to

to

,

An .

P

-

"

or

-

-

.

in
in

-

body

.

a

a

of of

which may consist
either side

pair

of

a

,

plane

outstretched

on

wings

central

or

,
if

;

,

of

than

In

STEPPED
some cases aeroplanes
wings which may
one pair
they
the same level such planes
—

TANDEM

hare more
may not

on

in

.

,

of is
,

to

—

to

be

;

of

of —

buoyancy
The
science
displacement
air
means
this
therefore
applied
the term
the science
aerostation
AERODYNAMICS
The science relating
the

supporting

,

aerial

be

science

.

entire

of

-

.

be

.

.

This term should not
used
denote the
planes themselves but should only apply
whole machine
aeroplane unprovided with motive
GLIDER
power
MULTIPLANE
An aeroplane with two
more
plan form
main planes orerlapping
BIPLANE An aeroplane with two superposed
plan form
main planes overlapping
single main
An aeroplane with
MONOPLANE
—

of

—

The

.

AERONAUTICS
navigation
AEROSTATICS
to

in

supported

machine

.

.

curious

GENERAL TERMS

by

order

.
A

flying

screw propellers

P

.

language
as

to

in

be

of

,

this may

the list
old hunting terms defined
hunting books
as

,

more

by

of

of

of

on

,

no

,

a

in

English

the

than the mere student
Perhaps
years
come
the early

dirigible

air

as

,

on

in

-

There must
several members
the Society
They
Authors who write
aeronautical matters
will
doubt study the list with even greater care

document

the sense

rotating
vertical
approximately
vertical shafts
flapping wing
ORNITHOPTER
machine
generic term
denoting
FLYING
MACHINE
machines used
ariation
distinct from those
one

in

to

of

a

of

in

of

co

be

.

subjects will
these terms

hope
and the committee
that
essential all writers
aeronautical
operate
the systematic use

,

,
is

uniformity

-

"

of

.

a

to

by

us it

to

of

be

.”

terminology

“

Technical Words Committee
As this
may
interest
students
the English
language we print
below
that committee was appointed
The report tells
the Aeronautical Society
draft
list and
define the meaning
the terms
view
the
aeronantical
somewhat
confused
state
aeronautical

e

is

ofof

a

mend its use only
avoid confusion
HELICOPTER
to

the Aeronautical
their
report
their

have received from
Society
preliminary

E

W

"

_

-

A

power driven balloon
DIRIGIBLE
AIRSHIP
This term having occasionally

.

THE

by

to

its

.

is

it

.C
.

,

W

HARBOUR
natural
ground
AERODOME
poses
The
committee
—
A
A

,

.

qualified

aeronaut

in

of

W

H

Street Covent Garden

,

Tavistock

. .

is

.

,

21
,

17
—

M

.
, P. ,

son

An

charge
ENGINEER
the power plant
charge
HELMSMAN
the steering
SHED
The use
the term shed
recommended
instead of hangar

, .

to

as

of

.

,

.

as

of

.

&amp;

.

.

be H

W

.

It

The trustees
the Fund are the Earl
Rose
Lord Alverstone and Hon
Lawson
The honorary secretary
Mr Beckles Will

bery

PILOT

navigation

.

of

of -

in

of

as

AVIATION
That part
aerial navigation
dealing with dynamically raised
heavier than
air machines
AERONAUT
One who practises any branch
aerial navigation
One who practises aviation
AVIATOR

of

,

machines

,

of

,

2

,

to

,

1

as

,

,

to

is

It

.

.

of

,

,

of

of

,

to

of

be

,

,
a

as

,

's

's

of of

.

,

the number
volumes
Dickens
their posses
their appreciation
sion but as some measure
were the almost equally large
this movement
orders
the King and the Royal Family through
Messrs
Smith
Son
may
Dickens
well for purchasers
note that all volumes published by Messrs Mac
they already bear the
millan pay copyright
Dickens Stamp

effects produced by
motion
this
there
applied
fore the term
the science
aviation
AEROSTATION
That part
aerial navigation
lighter than
dealing
gas borne
with

"

Mr

Hardy ,
. Kipling , Mr. Andrew Lang , Sir A .
Conan Doyle
and the leading authors
this
country and America
and affix these copyright
stamps which can
any bookseller
had
his
practical way
celebrating
volumes
the
centenary
interesting
novelist
learn that
Mr Lang order for stamps amounted
500
that
Mr William De Morgan 000 which
any indication
course not be taken
must

Mr.

be air

THE AUTHOR .

148

�THE AUTHOR .
ANTHOLOGISING

of

-

a

as

by

all

of

of in

of

no

's

an

to

—

-

,

at

of

up

.

to

be

as

,

is

no

.

be

by

of

as

,

,

in is

to

.

all

a

of ,

an

of

in

of

), on

(

.

in

as

it

as

a

-p

to

of

,
I

,

-w

in

,

of

,

of

*

of

an

,

to

no

.

,

all

by

,

for

be

—

of

,

an

of

.”

de

,

“

a

it

in

,

he

:

set

he

.

of

to

,

he

?

,

Σαπφούς βαια μέν άλλα ρόδα
to

as
a

is

A

.

-

from

a

.

is

;

to
a of
a

of at

is

is

on

,

in

,

business

is

to

all

to

be

if

—

—

view

of

,

an

of

is
a

'

it

as

of

,

Strictly speaking we should not call this
anthology
picked examples
the
collection not
however
special contributions
various authors
works but
from
their pens
.

.
a

.

-

anthology making

the artist will pardon the
say that
inclined
we might
horrid phrase
written
that
read
short
too
much
life

,

of

for

of

,

an

.

or

or

In

to —
—
A

Looking
like point
is

or

—
A

for

memorial
wore the wreath
that
few collectors have fol
the illustrious Diokles
his steps but more often no such excuse
lowed
the world
launched
made and the anthology
pious fiction
what
for this
without the aid
friend really
the dedication
stated

*

or

or

of .

.

on

,

a

,

,

.

planes
group
movable plane
ELEVATOR
directing and controlling the machine vertically
guiding
plane
group
planes
RUDDER
right
machine
left
aeroplanes
organ
usually
BALANCER
plane
for maintaining lateral equilibrium

he

,

of are

to

_

In

-

flowers

.

a

,

a

on

of

a

,

of

, of

,

by

to

."

of

–

In

-

if

,

of

planes

—

to

.”

is

“

as

an "

“

the complete
restricted
aero
The prefix
aeroplane
machine defined
analogy
this term
The present use
WING
planes
pair
with natural flight denotes each
central body which
either side
ontstretched
wings
single plane
continuous
would form
fying machines
Body
the central longi
which the planes and organs
tudinal framework
control and propulsion
attached
beneath
the machine
That part
CARRIAGE
water
land
the body intended for its support
group
plane
flying macbines
TAIL
may
planes
include both
subsidiary
which
horizontal and vertical planes behind the main

a

the
The thought that was
verse
the present writer when
out the
Why should we
heading
over this article was
Meleager when
anthologise
made the collec
prefaced those immortal lines
which
tion
likening the poems
different
various poets
anthologies

mind

cambered

of

“

,

as

flat

of ,

in

be

only

should
such

"

for

.

of

dynamic

.

used

qualifying adjective

"

or a

",

“

area

the term

In

or -

PLANE
support
pure aerodynamics
used with
curved

PARTS

,

PRINCIPAL
Any element
control

of is

.,

,

i.e

its

is

by of
a

.

,

&amp;
c all

,

.

in

—

,

GROSS WEIGHT — The weight of the complete
machine inclusive of
variable quantities
pilot fuel lubricants
gross
LOADING
The loading
machine
weight
pounds divided
the supporting area
square feet

Nor indeed
the present

from particular
riting
authors who have excelled
short story
believe
and there have
have appeared lately
been collections
tales from different pens bound
one volume after the style
the celebrated
French experiment
Soirées
Médan
Never
anthology
theless when one speaks
one
poems
nearly always means
and
collection
may
happily
short poems
added
the
barbarity
tearing single passages from
epic
play
appreciated
the
save perhaps
works for the Juvenile Reciter
authors
any but
attention here
we will pay

και

as

of

such

,

,

it
. ,

quantities

making should
poetry
confined
we have abundant evidence
time
Volumes made
tales

in

The
machine exclusive of variable
pilot , fuel, lubricants , &amp; c .

complete

So

weight of the

is

the plan - form , and is therefore measured in units of
double surface . That is to say , both sides or surfaces
Thus, by an area of
are counted as one unit of area .
500 square feet is implied a surface of twice 500
square feet .
SURFACE - Attention is drawn to the distinction
that exists between surface and area .
See AREA .
WEIGHT _ This being a general term , should only
be used when qualified by an adjective, such as
“ net weight . "

up

– This term
is not a technical definition
qualified by an adjective , as , for instance ,
“ supporting " or " effective ” area .
By area is meant , in case of planes , the area of

a

AREA

unless

NET WeighT —

to
a

,

.

DIMENSIONS

is

time honoured
literary
with
certain
class
apparently
man
whom
comes
natural
ordinary flower icking
child
the country
they
Unless the Chinese anticipated the practice
anticipated most
the things
which we have
long prided ourselves
the West
the Greeks were
making
anthology
the first
think
which
they understood the weaving together
wreath
poetical flowers
nations who
Since their time
literary taste have followed
have had any claim
any decline
sign
their example and there
spite
the practice nowadays
the existence
copyright which after
such things
laws
can
skilfully worded appeals
evaded
author
vanity
necessary reason why anthology
There

pursuit

or

PRINCIPAL

.

ANTHOLOGIES

to

do not overlap in plan - form , must necessarily be
arranged in “ tandem ” ; when not on the same
level they are said to be “ stepped .”
For instance , “ an aeroplane having three pairs
of wings stepped in tandem .”

149

�all

.
of

,

be

in

be

be

)

a

,

,

if

a

"

."

.
W
.
S
.

P

.*

'S

of

's

.

,

To

an

on

of

. of

a

in

,

in

,

of

,

in .

-

of

of

of

of

.

A

J.

.

to

is

an

of

.

,

,

.

s'
is

to

It

on

.

to

by

Co
. ,

&amp;

of

.
V
.

's

,

J.
A
.

a

*

,

is

of in

as

,

as

Dictionary
Music and Musicians edited
Fuller Maitland Vol
Macmillan

Grove

:-

'

in

us
a

to

in

is
a

,

.

of

of

of "

. its

, .

so

he

of

of

or

;

in

,

fewer than 184 writers have contributed
these
How many articles the editor himself
volumes
has written we have failed
enumerate
will
every page
suffice that bis industry
manifest

.

,

“

.

to
a

to

is
(

he ,
)

a

,

,

to

.

of

,

,

,

If

a

Browning and Meredith
the cases
for instance
he may gather together
real
Anthologia like that known
the Palatine which

the fifth volume
the revised
the late
Sir George Grove
Dictionary
Music completes the impor
tant work which the well known musical critic
the Times undertook some seven years ago
The
first
these five volumes was published
1904
arerage
the subsequent volumes appearing
about eighteen months after each other
ensure
such
series
volumes
absolute
correctness
the thousands
statements made
has
course been impossible
Hence the great
joy with which certain carping critics have pointed
printer errors after diligent search for them
To insinuate
however
that Mr
Fuller
Maitland
not one
the most careful and pains
taking
convey
editors
untruth
No
issue

edition

to

is

of

a

is

it

,

a

be

universally approved
The Golden Treasury
anthology
was perhaps
the most admired
English
verse down
certain date
But its
limitations have been freely criticised
and
sequel did not win nearly
much commendation
the anthologiser
looks farther
than
the
making his
immediate pleasure which
has felt
pleasure also
collection
and wishes
rouse
provided again that he
person
others
fine taste
benefactor
his kind
He may make
selection from the works
one poet
has been

HE

of of

M

am

of

an

.

is

he in

if

,

'
to s

is

a

.

a

to

them

ENCYCLOPÆDIA

-

so

I

”,

“

to

Now
collection
formed
bound
be
valuable help
the estimation
the
collector
character and
artist his choice
sure
be charming
No doubt some modern
anthologies
are the direct descendants
these
manuscript books and
perhaps
matter for
regret that every great man does not thus give
the public
collection
his favourite poems
He
would not expect naturally that his choice should

well done

it

-

a

,

,

,

is

to

old

;

,
.

of is
a

it

a

THE MUSICIAN

.

in

write out

to

referring

of

,

to
a

by in
“

.

us
,

at

a

to

of

.

of

If

?

.

of
to

I

(

his

be
,

I

,

a

,

is
, a

to

.

in

as

manuscript book their
favourite poems
Even young ladies did this and
Elegant Extracts
called them
but
not
people

byfor

,

in

,

In

.

is

in

(

, ,
to

of

.

it

in

”

or

in

,
to

or

.

;

to

he

he

it

of -

a

of

if

—

'

is

it

is

it

.

for

of

it

of

.

,

as
is

,

a

of

did

.”
or

“

or

”

,

,

,

,

for
moment think
What scanty pittance comes from pen and ink

of

an

.

in

he

of

do

,

as

otherwise not know ever
have written
line
verse
their lives
some other collections this
still more the case
anthologies
Should the making
then
encouraged
we could always be sure that the
certainly the answer
maker was worthy
trust
the Parliamentary phrase would
the
But there must not
affirmative
too many
anthologies
for there
after all only
limited
supply
material
draw
from
and with
regard
modern poetry Free Trade
authors
wares cannot appear
desirable thing
we

introducing
secondly the desire which
has
others what has taken his own fancy
leave out
account
course the commercial person who
anthology because
makes
sees
readiest
way
getting money without much
personal
labour
The two motives are commonly blended
they should
though they are both
indeed
very worthy
themselves
sufficient
the collector alone
The pleasure
person
provided that he
fine taste
reason
was not rare for
believe
time
Once upon

.)

for

,

an

or

who but
Nowadays
greater extent than
the antediluvian days before
the cheap printing press oblivion can still overtake
things worthy
preservation
Even
The
Čentury
people
Sonnets
are
few poems
nearly all of
any rate
whom we
would

,

,

-

-

to
in

“

a

in

of

preserved

be

to

by
a

is

of

he

or

in

.

16

writers
Anthology
much

good for them
could not read
much poetry
only
the ordinary editions
the poets works
they had the taste and
not prefer reading the
Daily Mail
quite certain
Star
But
that the average man
woman does not want
read poetry and therefore
not for him
her
that anthologies are made
Really their reasons
existence are two
First
the pleasure which they give
their maker
and

of

poems from
sources and
kinds
tongue
the Greek
The Palatine
justifiable
was particularly
however
we could have spared
has
great many beautiful things
writers
would
have entirely perished
although litera scripta manet
much

assembles

a

to

worth reading , and that therefore it is an obvious
advantage
have
kind person come forward and
put together
one
two volumes the best
can
find
Now we may freely admit that
this age
aeroplanes
anyone except the
and motor cars
Troglodytic anchorite
liable
snatched away
collapsed biplane
from the world
erratic
horse power 1910 model
fitted
with elegant
high class landaulette body before
has had time
get farther than the poetry
the Lake School
we
not believe that with average
Nevertheless
great number
people
luck and domestic habits

all

THE AUTHOR .

150

---

�it

.

, Sir .

,

an

,

he

a

to

if

.

of

If

.

,

as

,

of

a

as

as

to

of

to

of

,

,

,

.

to to

of

a

by

to
is

to

on

.

a

,

of

's

on

.

a

of

,

,

,

,

,

if of

.

or

is

.

a

,

he

to

is

on

his

be of

.

W

.

W

-

to

.

us

.

of ,

a

to

,

,

no

,

,

,

as

. :
A

to

of

.

J.

by

.

a

is

in

to

is

.

It

of

,

's

an

,

If

of of

.

,

.

in

it

,

To

.

a

in

by

manner

dix
that
includes the names
some three
dozen British musicians hitherto unmentioned
Amongst these we notice Messrs
the dictionary
Hubert Bath York Bowen Percy Buck Von Ahn

, .

on

to

's
an

such

;

his

of of

be

to

.
"

.

80 are

Dr
.

essay

.

a is

”

to by
a

“

, on

to

of

,

,

its in
a

in

.

good

Kappey had been altered
matters
Professor
Ebenezer Prout might with equal reason have been
impertinence such revision
amended
but what
would have been
particularly praiseworthy feature
the appen
is

as

"

is

.

to

's

.

it

as

,

fever for
printed
variety
types
convey the peculiarity
meaning may deplore that their own apostle
fling
the keyboard has not been allowed
have
the new Grove
Wagner
The extra notes added
the article
Mr Herbert Thompson are valuable and
interesting
Phillip Spitta
eighty columns concerning
Weber
not spoilt
curtailment
have

would have been numerous
footnotes
such
volumes and
doubt long since the original
German would have been translated into English
and French
About the Wind Band the new Grove contains
Kappey
the same article
before
and
one cannot help feeling that this subject might
have been supplemented
On the other hand the
alter the articles
editor
resolve was wise not
writers who have passed away and unfortunately
original contributors
the obituary list
now
long one
difficult
draw the line
such

A

—

in

“

of

Sir it

is

as

few pianiste who have been smitten
queer technical verbiage which needs

by

,

,

.,

V

- .

is

.

,

,
so

, ,

of

.

of

,

its

-

.

is

it

The way
which Mrs Newmarch tells the
sympathetic
the Pathetic Symphony

delightful
Walter Parratt
article
Touch
reprinted
well deserved
be although not

treated

a

of

in

to

in

the chief articles
Volume
these are reprints from the former edition
with
editorial corrections
We have succinct
biographies
Weber
Verdi Wagner the two
Wesleys Tchaikovsky
and
forth
Mrs Rosa
responsible for the last named article
Newmarch
first appearance
and exceedingly interesting
story

of

.

to

of

of

.

As

regards

many

to

to

in

as

be

to

is

to

an

.

It

of

to

as

to so

up ,

, ,

's

student

.

,

;

Z

to

T

-

,

of an
as

,

as

was the case with the first issue
Grovera
which proved
infinite value
the

supplement

.

.

This
volume deals with all musical matters
beginning with the letter
inclusive
and
further there are seventy three pages devoted
Appendix recording data omitted
the body
the work and errata which have come
the
bring
many articles
editor notice
possible
the date
the publication
hoped that
this the last volume
due course
index
the entire work will appear

is

far

of

to

importance

than
less

It

to

to

music

many departments

as

,

of

given

is

space

is

be

it

,

less

have been
have appointed
Board
has been mooted
certain musical
wiseacres who no doubt would have liked
body
have been chosen members
such
Hubert Parry
article
Variations
admirable
one
the original contributions
by
supplemented
brief editorial addendum
Mr
Cobbett has added
the article
violin playing criticisms
small value and
praised for
Mr Barclay Squire
excellent
Virginal Music
subject
contribution
has
long studied
But there
one article which might have been
expanded with profit
entirely rewritten
We
refer
the life
Vincent Wallace whose extra
ordinary
properly
career
told
would afford
thrilling and bulky romance
material for
Had
Wallace been
German we should by this time
have had the history
his life revealed
through every document musical antiquarians
concerning
could
have collected
him
There
would

Advisers

, ,

to

,

,

if

as

if

do

in is

It

.

works

accorded

intentions and wishes
the late editor
Indeed
the best way not
have carried out such ideas

Sir

'

to s

,

of

on

to

,

is

it

is in

-

it

is

realised how indispensable Grove
has become
late years not only
the writer
musical subjects but
the per
former
the teacher amateur and general reader
imagine what the intelligent music
difficult
deprived
lover would
this monumental
work
not
reference
the subjects
contained
Grove could
made through the
usual encyclopædias because
well known that
Dictionary

such

rule
his essays
count the number
words
wrote when the spirit moved him
Mr Fuller
Maitland had cut down
has been suggested
some
the longer biographies and had padded
out others he would have been unworthy
the
present
possible
task he undertook
far
corrected edition
Grove whilst adhering
the

no

,

of

as in

praise

When

in

,

as

-

or

(

),

attention
worthy

.

all

by

water draw
the light

is

to

'
of s

by

to

of to oil

which rise
the surface
reflecting
their presence

or

in

.

in

so

over garrulity
apt
which are
printed
make themselves unduly conspicuous
catching the reader eye just
drops
copy

checking here undue exuberance
and correcting there inaccuracies

By some critics
would
have been sacrilege
has been maintained that undue space has been
allotted
certain subjects and names whilst
others have been dismissed with
scant notice
easy
raise objections
but the late
George Grove was nothing
not
enthusiast
apply
and the last person
the world
foot
to

consists

to

entire work

is

the

151

to

which

guiding
Maitland has displayed
many musical authorities
the right way by

It

Mr

.

,

of
000
The skill

of

the
4

THE AUTHOR .

�THE AUTHOR .

he

be On .

I

.

In

,

in

to

's

which call for correction
proclamation
line eleven
should
proclamations
On
190 line
our has been
left out before
writers
On page 190 line fifteen
not has been inserted after
would
This
insertion reverses the intention
the original
sentence and destroys
connection
with
the
context
Tramps
Further the Lieutenant
referred
six
,

p

.”

It

.

W

.

F

.

is

,

.

AN

,

, .

ill
-

,

)
)

(p

”

,

Sir

I

am

to

in on

.

in “

in

as

(

L

of

's

,

,

ORIGINAL TRAMP

SERMONS

I

a

,

"

's

of

“

,

of

a

., ,

a

,

to

be

of

I

.

to

of ,

a

,

or

of

to

I

;

in

the Gospel

publisher

and

the minister

Yours faithfully

ECCLESIASTES

.

,

.

TWEEDIE

of

the

of

,

-

,

.

E

incomes

of

,

I

am

to

on

of

a

,

of

.

beg leave
enquire
remunerated
nevertheless
obtaining
whether
such
methods
marketable
material for the press are conducive
the interests
general
worthy
respectable
authors
particular
especially considering the enor
firm
mous difference between the average professional

.

of

in

on

is

in

,

Truly yours
ALEC

their work
would not insinuate for one moment
that any one
these
contributors
was not dnly
informed exactly
what extent he would

in

of

,

in

be

is

,

.

No conditions were imposed
Miss Crommelin
purely one
courtesy
therefore this act
her
part and shows her earnest desire
help fellow
workers
the future
desire which
sure the
other members
the Society will appreciate most
fully

to

on

,

on

by

to

be

In

.

,

to

of

at

name

Pulpit
several volumes entitled the Churchman
living clergy
which
considerable number
purely
have contributed their remuneration being
honorary one viz copies
the volumes containing

of

,

of

,

us

,

in

,

There
the ordinary course
events
the
matter would have ended but Miss Crommelin has
signal service for though the interest
done
the money remains hers till her death
she has
already handed over
the Public Trustee the large
sum
£650
held
him
behalf
the
Pension
Fund
other words this means that
her death we shall
absolute possession
already standing
that suin
which
our

of

-

.

an

enterprising firm
SIR
understand that
recently published
large collection
sermons

,

ago

in has

.

OF

a

THE PUBLICATION

a

a

of

,

to

,

in

.

an

with

yours obediently

to

be

in

.

In

a

to

.

go

to

to

at

it

ofof of in

It

as

,

It

to

seems
me that we should not allow
generosity
we have received from Miss May
Crommelin
unnoticed
was this writer
intention
leave
certain sum
the Pension
Fund
her death
the meantime her Irish
rents having decreased greatly
value she was
necessary
afraid
would
invest the money
annuity
Hearing the circumstances
buying
the case and more especially
consideration
her contributions
literature
the Society
granted her
pension
Authors
£25
year from
the Pension
Fund
few
months
SIR

such

footnote

This identification
inadmissible
he mentions
his Life and Letters
Stephen
ublished
joined
Sir
1906
the Tramps
several occasions but his removal
Cambridge
1884 and his subsequent
health
prevented him from going out with them for many
years before his death
.

Fund

.

The Pension

to

"

of

new

biographer

,

and

a

identified
subsequent
in

Meredith

his nephew
Maitland
Maitland

is

.

by

CORRESPONDENCE

“

,

.

its

of

“

,

." .

,

,

189

"

.

tant inaccuracies

.

.

Freshfield , as a prelude to a review of Sir Leslie
Stephen
work
literature
which
himself
contributed
the same number
the reprint
question
note sundry small but not unimpor

"

.

R

late President contributed
in April , 1904 , to The
Author . This note was written at the suggestion of
our then chairman of committee , Mr. Douglas

,

at

.

-

's

,

of

in of

to

.

of

re
-

of

so

for

must , however , be no small solace to Mr. Fuller
Maitland , who deserves the thanks of all English speaking musicians
carrying through with
much courage the
issue
Grove Dictionary
Verily
Music
the editor and Messrs Mac
millan can afford
smile
the many columns
adverse criticism which appeared not long sincep
one
the musical monthlies

.

SIR , — The final volume ( vol . xxxiv . ) of the col
lected edition of George Meredith ' s works published
by Messrs. Constable (1910 ) includes a reprint of
the obituary note on Sir Leslie Stephen , which our

in

of a conscientious editor who will not be coerced to
log -roll his friend 's friends is unenviable ! The
knowledge of good work conscientiously performed

CORRECTION

A

,

Dale , Tertius Noble , Roger
Barclay
Squire , and
Richard Terry .
Appreciations , nevertheless , of only a few out of
many living British composers of merit may only
Truly , the position
serve to accentuate jealousies .

Benjamin

.

Carse ,

Quilter ,

"

152

�ADVERTISEMENTS .

TYPEWRITING of the
HIGHEST QUALITY .

.

.

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1

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,

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Published by

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XXI.—No. 6.&#13;
MARCH 1, 1911.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGE&#13;
129&#13;
129&#13;
129&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original Pla&#13;
130&#13;
Warninge Authors and Acand Original Phi&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Books published in America by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ...&#13;
Agents, Literary and Dramatic&#13;
British Composers and Royalty Agreements&#13;
Artistic Copyright&#13;
Magazine Contents .&#13;
How to Use the Society&#13;
W to use the society&#13;
.. ... ..&#13;
Warnings to the Producers of Books ...&#13;
131&#13;
134&#13;
135&#13;
136&#13;
PAGE&#13;
143&#13;
144&#13;
144&#13;
144&#13;
144&#13;
144&#13;
144&#13;
145&#13;
146&#13;
147&#13;
148&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances ...&#13;
otse "&#13;
General Notes&#13;
. ...&#13;
..&#13;
On the Ethics of Advertising...&#13;
The Dickens Copyright Stamp&#13;
The Aeronautical Society and&#13;
Anthologies ...&#13;
The Musician's Encyclopedia&#13;
Correspondence ...&#13;
138&#13;
139&#13;
140&#13;
142&#13;
142&#13;
143&#13;
...&#13;
149&#13;
150&#13;
152&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 1s.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 5s. 6d. per annum, post free. Back&#13;
dumbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By 8. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTEE BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 15.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. 128 (#178) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON."&#13;
Telephone No.: 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL&#13;
SIR ROBERT ANDERSON, K.C.B. AUSTIN DOBSON.&#13;
JUSTIN MCCARTHY.&#13;
SIR WM.REYNELL ANSON, Bart., D.C.L. SIR ARTHUR CONAN DOYLE,&#13;
THE Rev. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT HON. THE LORD AVE DOUGLAS FRESHFIELD.&#13;
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(BURY, P.C. SIR W. S, GILBERT.&#13;
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THE RIGHT HON. AUGUSTINE BIR ANTHONY HOPE HAWKINS,&#13;
OWEN SEAMAX.&#13;
RELL, P.C.&#13;
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THE REV. PROF, BONNEY, F.R.S. W. W. JACOBS.&#13;
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THE RIGHT HON, JAMES BRYCE, P.C. HENRY JAMES.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON. THE LORD BURGH. JEROME K. JEROME.&#13;
SIR CHARLES VILLIERS STANFORD&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mus. Doc.&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD.&#13;
J. W. COMYNS CARR.&#13;
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SIDNEY WEBB,&#13;
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SIR EDWIN RAY LANKESTER, F.R.8. H. G. WELLS.&#13;
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THE REV. W. J, LOFTIE, F.S.A.&#13;
PERCY WHITE.&#13;
W. MORRIS COLLES,&#13;
LADY LUGARD (Miss FLORA L. FIELD-MARSHAL THE RIGHT HON.&#13;
THE Hon. JOHN COLLIER,&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
SIR W. MARTIN CONWAY.&#13;
THE Right HON SIR ALFRED P.C., &amp;c.&#13;
THE Right Hon. THE LORD CORZON LYALL, P.C.&#13;
OF KEDLESTON, P.C.&#13;
MRS. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT.&#13;
SIR ALFRED BATEMAN, K.C.M.G. 1 DOUGLAS FRESHFIELD.&#13;
S. SQUIRE SPRIGGE,&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MRS. E. NESBIT BLAND.&#13;
ARTHUR RACKHAM.&#13;
SIDNEY WEBB,&#13;
J. W. COMENS CARR.&#13;
G. BERNARD SHAW.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-SIR ARTHUR PINERO. Vice-Chairman-HENRY ARTHUR JONES.&#13;
H. GRANVILLE BARKER,&#13;
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| MRS. ALEC TWEEDIE.&#13;
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SIR CHARLES VILLIERS STANFORD, I HERBERT SOLLIVAN.&#13;
Mus. Doc.&#13;
| SIR JAMES YOXALL, M.P.&#13;
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ART.&#13;
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| M. H. SPIELMANN.&#13;
FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
G. HERBERT THRING, 39, Old Queen Street, -&#13;
Solicitors. Secretary-G. HERBERT THRING,&#13;
BT THRING, 39, Old Queen Street, Storey's Gate sw&#13;
Solicitor in England to&#13;
La Société des gens de Lettres&#13;
Legal Adviser in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. 128 (#179) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
COTTERILL &amp; CROMB,&#13;
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## p. 128 (#180) ############################################&#13;
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## p. 128 (#181) ############################################&#13;
&#13;
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MR. FORBES DAWSON&#13;
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## p. 128 (#182) ############################################&#13;
&#13;
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MESSRS. CHAPMAN &amp; HALL'S SPRING LIST.&#13;
DR. ALFRED RUSSEL WALLACE'S GREAT WORK.&#13;
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THE WORLD OF LIFE:&#13;
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--&#13;
--&#13;
-&#13;
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&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
Vol. XXI.-No. 6.&#13;
MARCH 1st, 1911.&#13;
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## p. 130 (#184) ############################################&#13;
&#13;
130&#13;
THE AUTHOR.&#13;
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2 2 0&#13;
Corporation of London 21% Stock,&#13;
Nov. 12, Buè, Henri . .&#13;
0 11 0&#13;
1927-57 ....................&#13;
438 24 Nov. 19, Ellis, Mrs. Harelock&#13;
0 5 0&#13;
Jamaica 31% Stock, 1919-49 ......... 132 18 6 Nov. 28, Campbell, Cyril,&#13;
0 10 6&#13;
Mauritius 4% 1937 Stock............... 120 121 Dec. 1, Laws, T. C. . .&#13;
. 0 5 0&#13;
Dcminion of Canada C.P.R. 31% Land&#13;
Dec. 10, Dalliba, Mrs. Kate&#13;
Grant Stock, 1938....................... 198 3 8 Dec. 10, Douglas, James A.&#13;
0 9 0&#13;
Dec. 12, Bennett, Arnold .&#13;
2 2 0&#13;
Total ................ £4,377 19 4 Dec. 13, Powell, Lieut.-Genl. Sir R&#13;
Baden, K.C.B., etc. .&#13;
. 3 3 0&#13;
Subscriptions.&#13;
Dec. 19, Watson, Mrs. Herbert .&#13;
Dec. 21, Wallis-Healy, F. C.&#13;
1910.&#13;
£ f. d. Dec. 28, “ Olivia Ramsay". . . 0 10 6&#13;
July 15, Stereni, William Barnes . 0 5 0&#13;
Oct. 6, Graham, Capt. Harry . . 1 1&#13;
1911.&#13;
0&#13;
Nov. 6, Capes, Mrs. Marion . 0 5 0 Jan. 2, Northcote, The Rev. H.. : 0 5 0&#13;
Nov. 11, Phillpotts, Eden. . . 0 5 0 Jan. 2, Mackenzie, Miss J. . . 0 5 0&#13;
Nov. 11, Parry, Sir Hubert . . . 1 1 0 Jan. 3, Church, Sir Arthur H. . . 1 1 0&#13;
Nov. 17, Coben, Mrs. Herbert. . 0 10 6 Jan. 3, Wasteneys, Lady . . 0 5 0&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
obert&#13;
&#13;
&#13;
## p. 131 (#185) ############################################&#13;
&#13;
THE AUTHOR.&#13;
131&#13;
.......&#13;
£ s d. after application from the secretary, and the com-&#13;
Jan. 4, P. H. and M. K. .&#13;
. 2 2 0 mittee sanctioned the transfer of the papers to the&#13;
Jac. 4, Randall, F. J. .&#13;
. 1 1 0 society's solicitors. The third case was one affecting&#13;
Jan, 5, W.&#13;
( 10 6 the dramatists of the society. Counsel's opinion&#13;
Jan. 5, Crellin, H. N.&#13;
0 5 0 had been obtained on questions relating to the&#13;
Jan. 5, S. F. G..&#13;
. 0.10 0 production of sketches, and the committee, alter&#13;
Jan. 6, Blake, J. P. ,&#13;
reading the opinion, referred the matter to the&#13;
Jan. 7, Douglas, James A.. . . 1 0 0 Dramatic Sub-Committee, as it was at the direction&#13;
Jan. 9, Grisewood, R. Norman&#13;
( 5 0 of this sub-committee that the opinion had been&#13;
Jan. 10, Wharton, Leonard C.&#13;
0 10 0 obtained. The fourth and last case had also been&#13;
Jan, 12, Tanner, James T.. . . 3 3 0 adjourned from the previous meeting in order that&#13;
Jan. 16, Kaye-Smith, Miss Sheila : 0 5 0 the opinion of counsel might be obtained. Here,&#13;
Jan. 17, Kemp, Miss Emily G..&#13;
10 also, counsel advised that the author had no ground&#13;
Jan. 21, Greenstreet, The Rev. W.J. 0 5 0 for legal action. The matter referred to the power&#13;
Jan, 26, Blundell, Miss Alice , . 0 5 0 of a publisher to insert advertisements in a book&#13;
Jan. 28, Benecke, Miss Ida .&#13;
5 9 published on the author's behalf. The committee&#13;
Jan. 30, Wilkinson, The Rev. C.J. 1 1 0 instructed the secretary to send a copy of the&#13;
Feb. 2, Lawes, T. C. . . . . 0 5 0 opinion to the member concerned, with suggested&#13;
Feb. 3, Dawson, Mrs. F. . . . 0 5 0 advice as to further action, and recommended that&#13;
Feb. 3, Tweedie, Mrs. Alec&#13;
. 1 1 0 an article should be published in The Author deal-&#13;
Feb. 10, Dale, T. F..&#13;
. () 5 0 ing with the subject, as it appeared from counsel's&#13;
Feb. 13, Machen, Arthur.&#13;
. 0 10 0 opinion that members could only guard themselves&#13;
against this form of annoyance by a special clause&#13;
in their contract.&#13;
COMMITTEE NOTES.&#13;
The annual report for last year was laid on the&#13;
table and passed by the Committee of Management.&#13;
Letters were read from the Copyright Association&#13;
M HE second meeting of the Committee of and from the Publishers' Association with reference&#13;
Management for the current year was to the Joint Committee suggested at the previous&#13;
held at the society's offices on February 6. meeting to deal with the Copyright Bill when it&#13;
Twenty-two members were elected, bringing the comes before Parliament. After careful considera-&#13;
elections for the current year up to forty-seven. tion the comınittee decided to act in conjunction&#13;
Included in the elections the committee were glad with the Publishers' Association, who had nominated&#13;
to notice the names of some old members, who, Mr. Heinemann and Mr. Longman as their repre-&#13;
finding the work of the society of use, desired to sentatives.&#13;
rejoin.&#13;
The committee next considered a suggestion for&#13;
Eight resignations were accepted with regret, providing a loan fund for authors, from which&#13;
bringing the total number of resignations to money could be advanced to them on contracts at&#13;
thirty-five. The number of resignations in the a reasonable rate of interest, in order that, not&#13;
early months of the year is naturally greater than being pressed for want of means, they might be&#13;
during the later months, but the number for the enabled to secure more satisfactory contracts from&#13;
current year is not above the average, as in publishers, editors, theatrical managers, and others.&#13;
February, 1910, thirty-six resignations had been The committee gave the matter their careful con-&#13;
received.&#13;
sideration, but while they saw that some advantages&#13;
Cases. The first case was one which had been might be gained by the establishment of such a&#13;
adjourned from the previous meeting in order that fund, they also saw that the whole matter was beset&#13;
counsel's opinion might be taken on the issues. The with difficulties. The secretary was instructed to&#13;
opinion was laid before the committee and carefully bring the question up again at the next meeting.&#13;
considered. As counsel advised against the member's The action taken by the Dramatic Sub-Com-&#13;
chance of success, the committee felt they were mittee in forwarding a petition to the Lord&#13;
unable to take legal action on his behalf, but they Chamberlain on the question of theatrical licences&#13;
instructed the secretary to forward the member å for music-halls was next reported by the secretary,&#13;
copy of the opinion, with an intimation, having who added that he had received a reply to that&#13;
regard to tbe importance of the case, of their petition.&#13;
willingness to assist the member in any other A letter from the advertising agents of the&#13;
course of action which it might be advisable to society was also laid before the committee, who&#13;
adopt. The next dispute related to the non- instructed the secretary to reply to it.&#13;
delivery of accounts and money from a publisher Two further life members were reported, bringing&#13;
&#13;
&#13;
## p. 132 (#186) ############################################&#13;
&#13;
132&#13;
THE AUTHOR.&#13;
the total number of those who had taken up life many of whom bare suffered from their inability&#13;
membership since the commencement of the year to obtain any redress against touring managers&#13;
to five.&#13;
who constantly change their abode and have no&#13;
A letter from the Public Trustee—the text of attachable property. Sir Arthur Pinero, Mr. H.&#13;
which appears in another column-was laid on the Granville Barker, and Mr. G. Bernard Shaw were&#13;
table.&#13;
asked to act on behalf of the Dramatic Sub-&#13;
A letter from a member of the society desiring Committee, and the secretary was instructed to&#13;
the committee to re-issue the “Cost of Production" arrange for Thursday, February 2, if possible.&#13;
was also read. The committee regretted that, The question of a deputation to the Home&#13;
owing to the great pressure of work at the society's Secretary on the subject of granting to theatres&#13;
office, they did not see their way to a re-issue at and music-halls either a double licence or a single&#13;
present, but stated that those members who desired comprehensive licence was adjourned to the next&#13;
information on questions relating to the cost of meeting of the sub-committee, when the delegates&#13;
production of books, etc., could obtain it on applica- attending the meeting of theatrical managers would&#13;
tion to the secretary.&#13;
be able to report to the sub-committee the attitude&#13;
taken up by the theatrical managers on that&#13;
occasion.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The secretary reported he had been unable to&#13;
I.&#13;
obtain counsel's opinion on the two points regard-&#13;
ing the music-hall sketches, but that the opinion&#13;
THE third meeting of the Dramatic Sub- would be ready at the next meeting.&#13;
Committtee during the month of January was&#13;
held at the offices of the society on Thursday, the&#13;
II.&#13;
26th. After the minutes of the previous meeting&#13;
had been signed, the secretary laid before the com A MEETING of the Dramatic Sub-Committee was&#13;
mittee a letter he had received from the secretary held at the offices of the society on Friday, Feb-&#13;
of the Theatrical Managers' Association desiring ruary 17. After the reading of the minutes, the&#13;
to know whether the Dramatic Sub-Committee secretary laid before the meeting counsel's opinion&#13;
would send a deputation to a meeting to be held at which had been taken in respect of certain phases&#13;
the Whitehall Rooms of the Hotel Metropole on of music-ball sketch production. This opinion&#13;
the following day to discuss the position under was read, and will be filed for the benefit of drama-&#13;
the present law in regard to the production of tists who are making contracts for the production&#13;
sketches at the music-halls. After some discussion of sketches. The secretary then reported the&#13;
it was decided to accept the invitation, and Sir receipt of an answer from the Lord Chamberlain to&#13;
Arthur Pinero, Mr. R. C. Carton, and Mr. the petition despatched to him from the snb-com-&#13;
Granville Barker were appointed delegates to repre- mittee. After careful consideration of this answer,&#13;
sent the sub-committee. A further point was then the sub-committee, on the proposal of Mr. Cecil&#13;
considered—the line of action they should take on Raleigh, seconded by Captain Basil Hood, instructed&#13;
behalf of the dramatic authors in the society, and the secretary to write to the Lord Chamberlain,&#13;
a satisfactory course was decided upon.&#13;
asking for information on certain matters referred&#13;
The petition to the Lord Chamberlain touching to in his letter, if without any betrayal of confidence&#13;
on the question of granting a theatrical licence to he felt himself able to accede to the sub-com-&#13;
music-halls, which had been settled at the former mittee's request.&#13;
meeting, was laid on the table for signature. After In the last statement of the sub-committee's work&#13;
all the members present had signed, the secretary it was mentioned that certain delegates had been&#13;
was instructed to obtain signatures of the few appointed to attend a meeting of the Theatrical&#13;
absentees at the earliest possible opportunity and and Music-hall Managers on the subject of an&#13;
transmit the petition to the Lord Chamberlain's agreement that had been arrived at relating to&#13;
office,&#13;
the production of sketches. The secretary read a&#13;
The next question before the sub-committee letter from Sir Arthur Pinero, who was unable to&#13;
related to the Copyright Bill in the hands of the attend the meeting of the sub-committee, and the&#13;
Board of Trade, and it was decided to send a small chairman, Mr. R. C. Carton, who was also one of&#13;
deputation in order to discuss the question of the the delegates, gave a detailed statement of what&#13;
responsibility of managers and lessees of theatres took place. Among other points raised, it appeared&#13;
for the infringement of the rights of dramatists by that the music-hall managers were opposed to the&#13;
touring companies in the provinces and in the double licence. In view of the unsatisfactory&#13;
dependencies of the United Kingdom. The result of the meeting with the managers, the sub-&#13;
matter is of considerable importance to dramatists, committee decided to act independently in future.&#13;
&#13;
&#13;
## p. 133 (#187) ############################################&#13;
&#13;
THE AUTHOR.&#13;
133&#13;
The next matter for consideration was the to be placed in the hands of the society's solicitors.&#13;
question of a deputation to the Home Secretary, to In one case the paper has gone into voluntary&#13;
lay before him the grievances of dramatic authors, liquidation, and in all bankruptcy cases the&#13;
with special reference to the licensing dispute. Solicitors carry the details through on behalf of&#13;
The secretary was instructed to approach the Home the members. In the other two cases, the editors,&#13;
Secretary with a request that he receive this although they promised to pay by a certain date,&#13;
deputation, which will consist, subject to their have sent no cheque. In two of the remaining&#13;
consent, of the following members :-Mr. J. M. cases the editors have promised to send cheques&#13;
Barrie, Mr. R. C. Carton, Miss Cicely Hamilton, within a few days. If the money is not forth-&#13;
Captain Basil Hood, Mr. Jerome K. Jerome, Mr. coming these also will be placed in the hands of&#13;
Henry Arthur Jones, Mr. Cecil Raleigh, and Mr. our solicitors. The last case has only come into&#13;
G. Bernard Shaw&#13;
the secretary's hands recently. Of the four appli-&#13;
It was regretted that, owing to his absence cations for manuscripts, two have been successful;&#13;
abroad, Sir Arthur Pinero would be unable to one in Germany is still in course of negotiation. In&#13;
attend the deputation, as the sub-committee the last, although the company who received the&#13;
considered his presence would have been of great MS. has been corresponding with the secretary, it&#13;
value.&#13;
has been unable to find it. It is possible that the&#13;
Arising out of the discussion, a proposal was society will be unable to take the matter further owing&#13;
put forward, and unanimously adopted, that a con- to lack of evidence ; but the matter has been placed&#13;
ference of the dramatists inside the society should before the solicitors in order to obtain their opinion.&#13;
be called at the earliest possible moment, and a The agency matter is practically settled, and the&#13;
sub-committee, consisting of Mr. R. C. Carton, money has been paid. Of the disputes on agree-&#13;
Mr. G. Bernard Shaw, and the secretary, was ments, two have been settled and two are still in&#13;
appointed to consider the agenda to be laid before negotiation, and in the matter of accounts, the&#13;
the meeting.&#13;
accounts have been rendered and handed on to the&#13;
Mr. G. Bernard Shaw, as one of the delegates author.&#13;
on the deputation to the Board of Trade in regard Of the cases still open from the former month,&#13;
to the Copyright Bill, reported what had taken one in America is unsettled owing to the time it&#13;
place. The matter must be treated in confidence, takes for correspondence to go backwards and&#13;
but it may be stated that the views of the deputa- forwards. One, with reference to accounts, will,&#13;
tion were placed before the authorities and were it is hoped, be settled satisfactorily, as the pub-&#13;
very favourably received.&#13;
lishers have written to America for the details&#13;
The question of piracy in the United States was required. Here, again, the fact of the matter rest.&#13;
also considered, and the secretary reported a long ing with an American publisher makes rapid&#13;
interview he had had with a gentleman from the settlement difficult. There is one case referring&#13;
United States, who promised, on his return to that to the loss of a MS, still open, and here again, it&#13;
country, to send to the sub-committee a full is possible, owing to lack of evidence, the society&#13;
statement of the method he adopted in suppressing may be unable to take the matter further. Two&#13;
piracy of dramatic works in that country. On of the remaining cases that were left open have&#13;
receipt of the promised information the sub-com- been placed in the hands of the solicitors ; they&#13;
mittee will consider whether it is possible to come deal with the collection of money.&#13;
to an arrangement on behalf of English dramatists.&#13;
Cases,&#13;
February Elections.&#13;
SINCE the last record was printed in the Boulding, J. Winsett . “Ilium,” Park Road,&#13;
February number there have been nineteen fresh&#13;
Chiswick.&#13;
Cases placed in the hands of the secretary. This Canziani, Miss Estella . 3, Palace Green, W.&#13;
is a large number for a short month, but as in the Carmichael, Montgomery Leghorn, Italy.&#13;
month before the number was small, the increase Davies, Ernest&#13;
will only keep up the average.&#13;
Dawbarn, Charles . . 3, Place du Palais&#13;
The cases inay be divided as follows :—Nine&#13;
Bourbon, Paris.&#13;
applications for money, four applications for Duval, Mrs. R. R. . . 27, Quai d'Orsay, Paris.&#13;
manuscripts, one dispute with an agent, four Green, Mrs. C. D. B. . Penticton, British&#13;
disputes on agreements, one application for&#13;
Columbia.&#13;
accounts. Of the cases for money, three have Green, Mrs. Alice Chayter 43, Queen Anne Street,&#13;
terminated satisfactorily—the money has been&#13;
Cavendish Square,&#13;
paid and forwarded to the authors. Three have had&#13;
W.&#13;
&#13;
&#13;
## p. 134 (#188) ############################################&#13;
&#13;
134&#13;
THE AUTHOR.&#13;
Haultain, Arnold . . 49, Springhurst Avenue,&#13;
Toronto, Canada.&#13;
Hullah, Miss Annette , 8, Aubrey Road, Camp-&#13;
den Hill, W.&#13;
Lawson, Mrs. Frank . 8, Cromwell Place, S.W.&#13;
MacDonald, Greville, M.D. 85, Harley Street, W.&#13;
MacEwan, Miss Madge&#13;
(Clunie Maxton). . 50, Avonmore Road, W.&#13;
Moggridge, Mrs. Dorothea 19, York Mansions,&#13;
Battersea Park, S.W.&#13;
Northcott, Miss Gladys M. Alderley, Church Road,&#13;
- (Jean Talbot)&#13;
W. Kirby, W. Birken-&#13;
head.&#13;
Paten, Miss Mabel Lillian via Red Hill, Brisbane,&#13;
Walton&#13;
Queensland.&#13;
Pope, John R. • Runcorn.&#13;
Salaman, Mrs. Redcliffe N. Homestall, Barley, near&#13;
Royston, Herts.&#13;
Smith, Adolphe, F.C.S.&#13;
Tayler, E. Douglas, . “Inglescote,” Clifton&#13;
Roud, Wallington,&#13;
Surrey.&#13;
Thomson, E. W. . . 361, Concession Street,&#13;
hression Street.&#13;
Ottawa, Ontario,&#13;
Canada.&#13;
ANNALS OF A YORKSHIRE HOUSE: From the Papers of&#13;
a Macaroni and his Kindred. By A. M. W. STIRLING.&#13;
Two volumes. 88 x 51. 361 + 365 pp. Lane. 328. n.&#13;
BOOKS OF REFERENCE.&#13;
A DICTIONARY OF ORIENTAL QUOTATIONS (ARABIC AND&#13;
PERSIAN). By CLAUDE FIELD. 8 X 5. 351 pp.&#13;
Sonnenschein. 78. 6d.&#13;
THE SCHOOLMASTERS' YEAR BOOK AND DIRECTORY.&#13;
A Reference Book of Secondary Education in England&#13;
and Wales. The Year Book Press : clo Swan, Sonnen.&#13;
schein &amp; Co. 128. 6d, n.&#13;
THE PUBLIC SCHOOLS' YEAR BOOK. The Official Book of&#13;
Reference of the Headmasters' Conference. Edited by&#13;
H. F. W. DEANE, F.S.A., and W. A. Evans, M.A. The&#13;
Year Book Press : c/o Swan, Sonnenschein &amp; Co.&#13;
DRAMA.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exbaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
ARCHÆOLOGY.&#13;
THE ORIGIN OF CIVILIZATION AND THE l'RIMITIVE CON-&#13;
DITION OF MAN : MENTAL AND SOCIAL CONDITION OF&#13;
SAVAGES. By the Right Honourable LORD AVEBURY,&#13;
P.C. Sixth edition. Re-issue with a new preface. 8{ x 51.&#13;
577 pp. Longmans. 78. 6d. n.&#13;
ARCHITECTURE&#13;
ARCHITECTURAL COPYRIGHT. A comprehensive handbook.&#13;
Edited by LAWRENCE WEAVER, including a correspon.&#13;
dence from “ Country Life," three appendices, and an&#13;
introduction by John W. SIMPSON. 87 X 61. 32 pp.&#13;
“ Country Life.” ls. n.&#13;
ART.&#13;
INDIAN DRAWINGS. By A. K. COOMARASWAMY, D.Sc.&#13;
114 x 84. 32 pp. Twenty-nine plates. The Essex&#13;
House Press.&#13;
BIOGRAPHY.&#13;
MARTHA LADY GIFFARD: HER LIFE AND CORRESPON.&#13;
DENCE (1664—1722). A Sequel to the Letters of Dorothy&#13;
Osborne. Edited by JULIA G. LONGE. With a Preface&#13;
by His Honour Judge PARRY. 9 x 57. 370 pp. Allen.&#13;
158..n.&#13;
ANATOL : A Sequence of Dialogues. By A, SCHNITZLER,&#13;
Paraphrased for the English Stage by GRANVILLE&#13;
BARKER. 7 X 41. 125 pp. Sidgwick &amp; Jackson.&#13;
18. 60. n.&#13;
EDUCATIONAL.&#13;
.&#13;
THE YEAR'S WORK IN CLASSIC STUDIES, 1910. Edited by&#13;
W. H. D. Rouse. 74 x 5. 180 pp. Murray. 28. 6d. n.&#13;
FICTION.&#13;
Billy. By PAUL METHVEN. 7.1 x 5. 356 pp. Chatto&#13;
&amp; Windus. 6x.&#13;
THE INEVITABLE MARRIAGE. By DOROTHEA GERARD.&#13;
73 x 5. 320 pp. John Long. 68.&#13;
THE TYRANNY OF HONOUR, By CONSTANTINE SCARA-&#13;
MANGA-RALLI. 7 X 5. 308 pp. Chapman &amp; Hall.&#13;
68.&#13;
THE JUSTICE OF THE KING. By HAMILTON DRUMMOND.&#13;
78 X 5. 328 pp. Stanley Paul. 68.&#13;
THE THIRD WIFE. By HERBERT FLOWERDEW. 74 x 5.&#13;
314 pp. Stanley Paul. 68.&#13;
A FAIR HOUSE. By HUGH DE SELINCOURT. 74 x 5.&#13;
Lane. 68.&#13;
THORPE'S WAY. By MORLEY ROBERTS. 74 x 5. 343 pp.&#13;
Nash. 68.&#13;
SPLENDID ZIPPORAH. By MAUD STEPNEY RAWSON,&#13;
78 x 5. 388 pp. Methuen. 68.&#13;
A HOUSEHOLD SAINT. By JERRARD SYRETT. 7 x 5.&#13;
320 pp. John Long. 68.&#13;
WILSONS. By DESMOND COKE. 7} x . 278 pp. Chap-&#13;
man &amp; Hall. 68.&#13;
BREAKERS OF THE LAW. By A. STODART WALKER.&#13;
73 X 5. 288 pp. Nash. 68.&#13;
ODD COME SHORTS. By MRS. ALFRED SIDGWICK. 74 x 5.&#13;
310 pp. Mills &amp; Boon. 68.&#13;
A RUSSIAN JUDAS. By FRED WHISHAW, 7} x 5. 319 pp.&#13;
C. H. White.&#13;
THE DOLLY DIALOGUES. By ANTHONY HOPE. 61 x 41.&#13;
273 pp. Nelson. 7d. n.&#13;
THE GIFT OF ST. ANTHONY. By C. GRANVILLE. 71 x 5.&#13;
213 pp. Daniel. 18. n.&#13;
John WESTACOTT. By JAMES BAKER. 78 X 5. 440 pp.&#13;
Chapman &amp; Hall. 28. n.&#13;
ACCOUNT RENDERED. By E. F. BENSON. 78 x 5.&#13;
321 pp. Heinemani). 68.&#13;
THE DOWNSMAN. A Story of Sussex. By MAUD&#13;
GOLDRING. 7} * 5. 378 pp. Murray. 68.&#13;
THE CAMERA FIEND. By E. W. HORNUNG. 73 x 5.&#13;
352 pp. Unwin. 6s.&#13;
SOME NEIGHBOURS : STORIES, SKETCHES AND STUDIES.&#13;
By C. GRANVILLE. 7 X 5. 232 pp. Daniel. 68.&#13;
ELIZA GETTING Ox. By BARRY PAIN. 78 x 5. 118 pp.&#13;
Cassell. ls.&#13;
THE POUND OF FLESH. By BURFORD DELAXXOY.&#13;
7} * 5. 288 pp. Digby, Long. 6s.&#13;
&#13;
&#13;
## p. 135 (#189) ############################################&#13;
&#13;
THE AUTHOR.&#13;
135&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
7. n.&#13;
THE DAVOSERS. By D. BRANDON. 78 X 5. 288 pp.&#13;
John Long. 6s.&#13;
HEARTS OP GOLD. By L. G. MOBERLEY. 74 x 5.&#13;
303 pp. Ward, Lock. 6s.&#13;
THE IMPREGNABLE CITY. By Max PEMBERTON.&#13;
(Popular Edition.) 7 X 5. 310 pp. Cassell. 18, n.&#13;
WHEN VALMOND CAME TO PONTIAC. The Story of a Lost&#13;
Napoleon. By SIR GILBERT PARKER. 282 pp. Nelson.&#13;
ADA VERNHAM, ACTRESS. By RICHARD MARSH.&#13;
(Popular Edition.) 73 X 44. 272 pp. John Long.&#13;
ls.&#13;
THE BOURGEOIS QUEEN OF PARIS. By JANET CLARK.&#13;
Greening. 68.&#13;
FOLKLORE.&#13;
THE KULTARTAN WONDER-Book. By LADY GREGORY.&#13;
Illustrated by MARGARET GREGORY. 8. X 7. 103 pp.&#13;
Dublin : Maunsel, 3s. 6d. n.&#13;
JUVENILE.&#13;
OVERHEARD AT THE 200. By GLADYS DAVIDSON. (Many&#13;
Photographs.) 8! 6*. 168 pp. Sir Isaac Pitman.&#13;
2s. 68. n.&#13;
LITERARY.&#13;
A CHESTERTON CALENDAR. Compiled from the writings&#13;
of "G. K. C." 84 x 51. 421 pp. Kegan Paul. 58. n.&#13;
MILITARY.&#13;
THE BRITON'S FIRST Dury. By G. F. SHEE. With an&#13;
Introduction by FIELD-MARSHAL EARL ROBERTS, V.C.&#13;
Fifth Edition. 7 X 41. 191 pp. National Service&#13;
League. 6d. n.&#13;
MILITARY LAW. Its Procedure and Practice. By LIEUT.-&#13;
COL. SISSON C. PRATT. Eighteenth edition. Revised&#13;
and corrected up to November, 1910. 63 X 44. 292 pp&#13;
Kegan Paul. 45. 6d. n.&#13;
BIOGRAPHICAL.&#13;
THE LOVE AFFAIRS OF LORD BYRON. By FRANCIS&#13;
GRIBBLE. New York : Scribner. $3.75 n.&#13;
FOUR FASCINATING FRENCHWOMEN : The Comtesse de&#13;
Flauhaut, the Duchess de Berry, the Princess Bonaparte.&#13;
By Mrs. BEARNE. New York : Brentano's. $3.50 n.&#13;
LIFE AND LETTERS OF ALEXANDER MACMILLAN. By&#13;
C. L. GRAVES. New York : Macmillan. $3.50 n.&#13;
THE BEAUX AND THE DANDIES : Nash, Brummell, and&#13;
D'Orsay, with their Courts. With Frontispiece and 16&#13;
Illustrations. By CLARE JERROLD. New York: John&#13;
Lane Co, $5 n.&#13;
NINON DE L'ENCLOS AND HER CENTURY. By MARY C.&#13;
ROWSELL. New York: Brentano's. $3.75 p.&#13;
THE LIFE AND LETTERS OF JAMES WOLFF. By BECKLES&#13;
WILLSON. New York: Dodd Mead. $4 n.&#13;
FICTION.&#13;
THE DEVIL'S MOTOR: A Fantasy. By MARIE CORELLI.&#13;
Illustrated in colour) by ARTHUR SEVERN. New&#13;
York: Doran $3 n.&#13;
THE GOLDEN GALLEON. By MRS. ST. LEGER HARRISON&#13;
(“Lucas Malet”). New York: Doran. $1.20.&#13;
COTTAGE PIE: A Country Spread. By A. NEIL LYONS.&#13;
New York : John Lane Co. $1.50.&#13;
FREDA. By KATHERINE TYNAN-HINKSON. New York :&#13;
Cassell. $1.20 n.&#13;
SPELL LAND : the Story of a Sussex Farm. By SHEILA&#13;
KAYE-SMITH. New York : Macmillan, $1.75 n.&#13;
THE LOVELY MRS. BLAKE. By RICHARD MARSH. New&#13;
York : Cassell. $1.20 n.&#13;
JUVENILE.&#13;
Poor UNCLE HARRY. By RAYMOND JACBERNS. Illus-&#13;
trated in colours. Philadelphia : Lippincott. $1.50.&#13;
THREE AMATEUR Scouts." By RAYMOND JACBERNS.&#13;
Illustrated in colour. Philadelphia : Lippincott. $1.50.&#13;
KIDDIE OF THE CAMP. By ROBERT LEIGHTON. Illus-&#13;
• trated. Philadelphia : Lippincott. $1.&#13;
THE SLOWCOACH. By E. V. Lucas. New York : Mac-&#13;
millan. $1.50 n.&#13;
ROUND THE WORLD IN SEVEN DAYS. By HERBERT&#13;
STRANG. Illustrated by A. C. MICHALL. New York :&#13;
Doran. $1.25 n.&#13;
A SCHOOLGIRL'S BATTLEFIELD. By RAYMOND JAC-&#13;
BERNS. With 6 Coloured Illustrations by W. H. C.&#13;
GROOME. New York : Dutton. $1.50.&#13;
LITERARY.&#13;
DANTE ALIGHIERI: His Life and Works. With 16&#13;
Illustrations. By PAGET TOYNBEE. New York: Mac-&#13;
millan. $1.50.&#13;
THE WRITINGS OF FIONA MACLEOD. Edited by MRS.&#13;
WILLIAM SHARP. Uniform edition. In 7 volumes.&#13;
Vol. VII., Poems and Dramas. New York: Duffield.&#13;
$1.50 n.&#13;
MEDICAL.&#13;
PRACTICAL MOTHERHOOD. By HELEN Y. CAMPBELL.&#13;
New York : Longmans, Green &amp; Co. $2.50.&#13;
MISCELLANEOUS,&#13;
THE A B C ABOUT COLLECTING. By SIR JAMES&#13;
YOXALL, M.P. Philadelphia : Jacobs. $2 n.&#13;
ITALIAN FANTASIES. By ISRAEL ZANGWILL New&#13;
York: Macmillan. $2 n.&#13;
MISCELLANEOUS.&#13;
A CORONATION SOUVENIR. By the Rev. S. BARING&#13;
GOULD, 53 x 47. 55 pp. Skeffington. 6d. n.&#13;
BIRTHDAY READINGS. By M. E. F. HYLAND. Chester-&#13;
field : The Derbyshire Courier, Limited, Broad Oaks,&#13;
Chesterfield. 1s.&#13;
NATURAL HISTORY.&#13;
How TO ATTRACT AND PROTECT WILD BIRDS. By&#13;
MARTIN HIESEMANN. Translated by EMMA S. BUCH&#13;
HEIM. With an introduction by HER GRACE THE&#13;
DUCHESS OF BEDFORD. Second Edition. With many&#13;
revisions. 89 x 51. 101 pp. Witherby. 1s. 60. n.&#13;
SCIENCE&#13;
NEW EVIDENCES IN PSYCHICAL RESEARCH. A Record of&#13;
Investigations, with Selected Examples of recent S.P.R.&#13;
Results. By J. ARTHUR HILL. With an introduction&#13;
by Sir OLIVER LODGE. 74 x 5. 218 pp. Rider.&#13;
38. 6d. n.&#13;
THEOLOGY.&#13;
IN THE HAND OF THE POTTER. A Study of Christianity&#13;
in Action. By HAROLD BEGBIE. 75. 288 pp.&#13;
Hodder &amp; Stoughton.&#13;
TRAVEL.&#13;
AMERICA-THROUGH ENGLISH EYES. By “Rita."&#13;
7 X 5. 247 pp. Stanley Paul.&#13;
&#13;
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## p. 136 (#190) ############################################&#13;
&#13;
136&#13;
THE AUTHOR.&#13;
NATURAL HISTORY.&#13;
to public and preparatory schools. The same pub-&#13;
WONDERS OF THE INSECT World. By EDMUND Selous. lishers have also sent us a copy of the ninth annual&#13;
Philadelphia: Lippincott. 75 cents.&#13;
issue of “ The Schoolmasters' Year-Book and&#13;
THE BOOK OF THE ANIMAL KINGDOM (MAMMALS).&#13;
By W. P. WESTELL. 14 Coloured Plates, and 260&#13;
Directory," which, besides much general informa-&#13;
Photographs from Life, by W. S, BERRIDGE, New York: tion interesting to educationists, contains alpha-&#13;
Dutton. $4 n.&#13;
betical lists of secondary schoolmasters and a list&#13;
POETRY.&#13;
of secondary schools.&#13;
WILD FRUIT, By EDEN PHILLPOTTS. New York : Lane. Mr. P. Ramanathan has issued a new encyclo-&#13;
$1.50 n.&#13;
POLITICAL&#13;
pædic dictionary of the Tamil language, giving the&#13;
meanings of words, phrases, and terms relating to&#13;
REBEL WOMEN. By EVELYN SHARP. New York : John&#13;
arts, science, and literature from the oldest writers&#13;
Lane Co. $1 n.&#13;
REPRINTS.&#13;
to the present century. The volume, to which the&#13;
Bishop of Madras contributes a foreword, is pub-&#13;
THE AMERICAN COMMONWEALTH. In Two Volumes.&#13;
Vol. I., The National Government ; the State Govern-&#13;
lished at 20s. in Europe, and can be obtained from&#13;
ments.' Vol. II., The Party System ; Public Opinion; the author, at Manonmani Vilas, Madras, S.C.&#13;
Ilustrations and Reflections ; Social Institutions. Com “The History of the Tenth Foot” (Lincolnshire&#13;
pletely revised, with additional chapters. By JAMES&#13;
Regiment), by Mr. Albert Lee, is to be published&#13;
BRYCE, P.C. New York : Macmillan. $4.&#13;
THE MAYOR OF CASTERBRIDGE. By THOMAS HARDY. for the Regimental Committee by Messrs. Gale &amp;&#13;
Thin Paper Edition. New York: Harper. $1.25 n. Polden, of Aldershot, in two illustrated volumes.&#13;
A PAIR OF BLUE EYES. BY THOMAS HARDY. Thin&#13;
It traces the fortunes of a regiment which fought&#13;
Paper Edition. New York : Harper. $1.25 n.&#13;
at Blenheim, Ramillies, Oudenarde, Malplaquet,&#13;
SPORT.&#13;
and other famous battles from the year 1685 to&#13;
SPORTING DAYS AND SPORTING WAYS. By RALPH 1910. The author has compiled an alphabetical&#13;
NEVILL, New York: Brentano's. $3.50 n.&#13;
list of all the officers of the 10th Foot, with the&#13;
THEOLOGY.&#13;
dates of their commissions and active service from&#13;
THE GROWTH OF THE GOSPELS AS SHOWN BY STRUC.&#13;
the days of Marlborough.&#13;
the days of Marlborough.&#13;
TURAL CRITICISM. By PROF, W. FLINDERS PETRIE. “New Evidences in Psychical Research: a&#13;
New York : Baker and Taylor. 90 cents n.&#13;
Record of Investigations, with selected examples of&#13;
CHRIST AND HIS CRITICS. By the Rev. F. R. MONT-&#13;
recent S.P.R. results," by J. Arthur Hill, has been&#13;
GOMERY HITCHCOCK, New York and Chicago : Revell.&#13;
$1 n.&#13;
published by Messrs. William Rider &amp; Sons. Sir&#13;
TRAVEL.&#13;
Oliver Lodge contributes an iutroduction to the&#13;
THE High ROADS OF THE ALPS : a Motoring Guide to book.&#13;
100 Mountain Passes ; with 106 Itineraries, 102 Photo. Mr. Elliot Stock has published a work by Mr.&#13;
graphic Illustrations, and 11 Maps and Diagrams. By&#13;
Harold Ford on “The Art of Extempore Speaking."&#13;
C. L. FREESTON. New York : Scribner. $3.&#13;
QUEER THINGS ABOUT EGYPT, By DOUGLAS SLADEN.&#13;
The work contains chapters on attaining fluency,&#13;
New York : Lippincott. $5 n.&#13;
retaining ideas, preparing a discourse, memorizing,&#13;
&amp;c.&#13;
Mr. Jaakoff Prelooker, whose new book “Russian&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
Flashlight” has just been published by Messrs.&#13;
NOTES.&#13;
Chapman &amp; Hall, will lecture on the 14th inst.&#13;
before the Geographical Society, Newcastle-on-&#13;
Tyne, on “ The Native Folk-lore and Folk-songs of&#13;
W E have received from the publishers, Russia.” The lecture will deal with such subjects&#13;
Messrs. Swan, Sonnenschein &amp; Co., “ The as geographical influence on imagination and senti-&#13;
Public Schools' Year Book” for 1911. ment, the poetic genius in northern and southern&#13;
The work, which is now in its twenty-second year Russia, religious crusades against musical instru-&#13;
of issue, was adopted last year as the official book ments, influence of folk-lore on modern Russian&#13;
of reference of the Headmasters' Conference. The literature and opera. The lecture will be illus-&#13;
aim of the editors, Mr. H. F. W. Deane and Mr. trated by special gramophone records. On the&#13;
W. A. Evans, has been to provide a record, at once 16th Mr. Prelooker will lecture before the Geo-&#13;
comprehensive and concise, of all matters of educa- graphical Society, Liverpool, on “Old and New&#13;
tional interest to parents, schoolmasters, and boys. Russia," with limelight illustrations.&#13;
The first part of the book is devoted to a summary Mr. Maurice Hewlett is writing a preface to a&#13;
of the work of the committee of the conference small volume of verse, entitled “Confessional, and&#13;
and an abstract of the resolutions adopted at the other Poems,” by Wilfrid C. Thorley, which is&#13;
last annual meeting, and to full information relative being brought out by Mr. Elkin Mathews.&#13;
to public schools. There are also lists of prepara- “Trevor Lordship” is the title of a novel by&#13;
tory schools and further matters of interest relating Mrs. Hubert Barclay which Messrs. Macmillan &amp; Co.&#13;
&#13;
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## p. 137 (#191) ############################################&#13;
&#13;
THE AUTHOR.&#13;
137&#13;
are publishing this month in New York and in&#13;
England.&#13;
We are asked to state that the scene of Victoria&#13;
Cross's new novel, “ Self and the Other," is not&#13;
laid, as some critics have erroneously stated, at&#13;
Oxford or at Cambridge, but, as is stated in the&#13;
book, at one of the numerous London colleges&#13;
where students prepare for the Indian Civil&#13;
Service.&#13;
Mrs. C. W. Barclay, author of “The Rosary,”&#13;
has delivered to her publishers, Messrs. E. P.&#13;
Patnams' Sons, a new story for publication in the&#13;
autumn. It will be illustrated in colour by Mr.&#13;
F. H. Townsend.&#13;
Messrs. Putnams are also issuing the American&#13;
edition of Amy McLaren's last novel, “ Bawbee&#13;
Jock," almost immediately.&#13;
“The Lord Dollar" is the name of a new novel&#13;
by Harper Curtis, to be published soon by Messrs.&#13;
William Blackwood &amp; Sons. The scene is laid in&#13;
a Spanish-American republic.&#13;
The Journal of the Royal Asiatic Society con-&#13;
tains an article by Annette S. Beveridge, the title&#13;
of which is “ The Bātar-Dāma, a passage judged&#13;
spurious in the Haydarābād MS.”&#13;
In our notice of Patrick Rushden's novel, “ The&#13;
Sea Lion,” which appeared in the last issue of The&#13;
Author, we regret we omitted to mention that&#13;
Messrs. Mills &amp; Boon are the publishers, and that&#13;
it is to appear in March.&#13;
Derek Vane's new serial story, “ The God of&#13;
Pleasure," commenced in the first number of the&#13;
Picture Paper, a new illustrated daily brought out&#13;
by Sir W. C. Leng &amp; Co. It is a close study of a&#13;
man of no principles, but charming marners, who&#13;
manages to get everything he wants, and his rival,&#13;
a much more worthy but weaker character, who,&#13;
driven to despair, drugs himself with morphia.&#13;
We regret to hear that “Travel and Explora.&#13;
tion,” to which we have referred in these notes on&#13;
various occasions, has now come to an end. It is&#13;
possible that the publication may appear under a&#13;
fresh title in 1912, but we are not authorised to&#13;
speak with certitude as to this.&#13;
Mr. William Patrick Kelly's fourth volume of&#13;
his series of historical romances, namely, “The&#13;
Stranger from Ionia," a tale of ancient Athens,&#13;
has just been brought out by Messrs. Routledge,&#13;
uniform with the other three volumes of the series&#13;
—“The Stonecutter of Memphis,” “ The Assyrian&#13;
Bride," and " The Senator Licinius.” The series,&#13;
as originally designed to illustrate, in entertaining&#13;
fashion, the manners and customs, &amp;c., of the most&#13;
interesting peoples of antiquity, is now complete.&#13;
The same author's tale, “ The House at Norwood,”&#13;
has just completed serial publication in the Daily&#13;
Telegraph, and will shortly appear in book form.&#13;
We have received from Chicago copies of a new&#13;
monthly magazine, called Life and Labour, being&#13;
the organ of “ The National Women's Trade Union&#13;
League of America.” Miss Alice Henry is the&#13;
editor of the journal, and the copies before us con-&#13;
tain a mass of information on the economic position&#13;
of women in the United States and the various&#13;
unions existent there for the guarding of their&#13;
interests.&#13;
The Aeronautical Society of Great Britain have&#13;
just published No. 5 of the “Aeronautical&#13;
Classics," edited by T. 0. B. Hubbard and J. H.&#13;
Ledeboer. It is entitled “Gliding,' by Percy&#13;
S. Pilcher, to which is added the Aeronautical&#13;
Work of John Stringfellow.” The volume, pub-&#13;
lished at one shilling, is profusely illustrated&#13;
with photographs, diagrams, and portraits, and&#13;
contains much matter never before published.&#13;
There is a full memoir, with details of all his&#13;
gliders, of Pilcher, the young English pioneer,&#13;
whose lecture before the Military Society of&#13;
Ireland is here reprinted for the first time. The&#13;
section devoted to Stringfellow contains, inter alia,&#13;
a complete account of the famous Henson-String-&#13;
fellow monoplane, with the text of several unpub-&#13;
lished letters from Henson and the original agree-&#13;
ment and prospectus.&#13;
In Messrs. Constable's series of " Old Roads," of&#13;
which Mr. Belloc's “ The Pilgrim's Way” was the&#13;
first, there will very shortly appear another volume&#13;
on “ The Ickneald Way,” by Mr. Edward Thomas.&#13;
Miss Wilson Wilson has arranged with Messrs.&#13;
Hutchinson for the publication this spring of her&#13;
new novel, “Moll o' the Toll-Bar.” She is also&#13;
publishing with Messrs. Blackie &amp; Son a Christmas&#13;
children's book, entitled “ The Taming of Judith."&#13;
Messrs. John Long, Ltd., will publish this month&#13;
the third of Mr. Harry Tighe's novels through&#13;
their firm. The book is entitled “Intellectual&#13;
Marie.” The scenes are laid in London and on the&#13;
shores of Lake Leman, Switzerland.&#13;
“A Reaper of the Whirlwind,” to be shortly&#13;
published by Mr. John Long, is a new novel by&#13;
Mrs. Violet Tweedale, which deals with hereditary&#13;
insanity.&#13;
DRAMATIC.&#13;
“Mr. Jarvis," a play in four acts by Leon M.&#13;
Lion and Malcolm Cherry, an adaptation from&#13;
Miss Beth Ellis' novel “ Madame, Will You Walk ?"&#13;
was produced at Wyndham's Theatre on Feb-&#13;
ruary 16. The period is the beginning of the&#13;
eighteenth century, and the play describes how an&#13;
illegitimate son of Charles II. is presented to and&#13;
taken up by a family with strong Stuart sympathies.&#13;
Included in the caste are Mr. H. V. Esmond, Miss&#13;
Mary Rorke, Mr. Marsh Allen, and Miss Florence&#13;
Harwood.&#13;
Lord Dunsany's play “King Argimenes and the&#13;
&#13;
&#13;
## p. 138 (#192) ############################################&#13;
&#13;
138&#13;
THE AUTHOR.&#13;
Unknown Warrior” was first acted at the Abbey and A. Ribot, Comte d'Haussonville and Mgr.&#13;
Theatre in Dublin on January 26.&#13;
Duchesne, Anatole France, Etienne Lamy, Emile&#13;
During the past month Mr. Granville Barker has Faguet and Frédéric Masson, Jean Aicard, Henry&#13;
been appearing at the Palace Theatre in a sequence Houssaye and Francis Charmes, Jean Richepin,&#13;
of dialogues by Arthur Schnitzler which Mr. Barker Pierre Loti, Denys Cochin, Paul Bourget, Jules&#13;
has done into English. “Ask No Questions and Lemaître, Marquis de Ségur, René Bazin,&#13;
You'll Hear No Stories” was the first of these Gabriel Hanotaux and Henry Roujon, Henri&#13;
dialogues, and it was followed by “A Farewell Poincaré, Paul Deschanel and Paul Hervien,&#13;
Supper” and “A Wedding Morning." Mr. Gran- E. Brieux, Henri Lavedan and Maurice Donnay,&#13;
ville Barker in these sketches has been supported René Doumic and Raymond Poincaré, Maurice&#13;
by Miss Lillah McCarthy, Mr. Nigel Playfair, and Barrès and Marcel Prévost, Henri de Régnier,&#13;
Miss Gertrude Robins.&#13;
Edmond Rostand.&#13;
Sir Arthur Conan Doyle's play “The Speckled The “ Journal d'Italie," by Stendhal, bas just&#13;
Band” was revived at the Strand Theatre last been published by Paul Arbelet. It is a diary&#13;
month. Mr. Lyn Harding, Mr. 0. P. Heggie, and which the author certainly never intended to give&#13;
Miss Christine Silver were in the caste.&#13;
to the public. The unfortunate part is that in&#13;
Another revival last month was Mr. Somerset these impressions he is frequently extremely&#13;
Maugham's play • Grace" at the Duke of York’s reserved, and, as he himself says, “ As soon as&#13;
Theatre for a limited number of performances. my journey gets interesting my diary is not&#13;
Mr. Dennis Eadie, Miss Lillah McCarthy, Miss interesting.” He went to Italy to see the&#13;
Irene Vanbrugb, and Lady Tree were in the caste. Italians there, so that, unlike Chateaubriand,&#13;
A dramatic version of Mr. W. W. Jacobs' short Byron, Hugo, and many other writers, instead of&#13;
story “The Grey Parrot” was produced at the describing so many of the beauties of the country,&#13;
Tivoli Music Hall last month.&#13;
Stendhal was living his life there.&#13;
“Promotion," a one-act play by Leon M. Lion In an unpublished fragment he explains the&#13;
and Austin Philips, adapted from a story by the object of this journey. He went to Italy to&#13;
latter, was produced for the first time at the Grand complete his knowledge of the human heart, which&#13;
Theatre, Swansea, on January 30. It relates the was the study of his whole life.&#13;
story of the promotion which came to a postmaster The great interest of the volume is, as M.&#13;
after long neglect by the authorities, and the with. Arbelet says, in seeing how the future writer of&#13;
drawal of a certain appointment which had been “Rome," "Naples et Florence," “Promenades&#13;
offered him. The caste included Mr. Roy Byford, dans Rome," and “ La Chartreuse de Parme"&#13;
Mr. Cyril Percy, and Miss Eileen Terrence.&#13;
began to study, enjoy, and understand Italy.&#13;
Mr. A. E. W. Mason's play in four acts, “Wit- “ La Petite Papacoda," by M. Paul Rebous, is&#13;
ness for the Defence,” was produced at the St. a story the scene of which is laid in Naples. The&#13;
James's Theatre on February 1. The play deals characters are all very living, particularly Gennaro&#13;
with the shooting of an Indian official by his Visotti, the owner of the old curiosity shop, who&#13;
wife, whom he had treated badly, and the events is so devoted to the old works of art he discovers&#13;
subsequent to the tragedy on her return to her that he cannot bear to part with them, and&#13;
native place in Sussex. Included in the caste are therefore invariably has copies made of these for&#13;
Mr. George Alexander, Mr. Sydney Valentine, and foreign customers. Lorenzo is the artist who&#13;
Miss Ethel Irving.&#13;
works for him. Papacoda and her family are all&#13;
interesting. It is a thoroughly Neapolitan novel&#13;
and very human.&#13;
PARIS NOTES.&#13;
“ Les Pâques véronaises,” by Paul Gaulot, the&#13;
author of the famous book " Chemises Rouges,"&#13;
has written a very dramatic historical novel of the&#13;
V ITHIN the last few years there have been tragic times between 1792 and 1800.&#13;
w many changes in the French Academy. "Les Exilés,” by Paul Acker, is a novel which&#13;
At present all the forty fauteuils are appeared first as a serial in the Figaro. The&#13;
occupied. The following is a list of the Academi exiles are the Alsatians. Maurice Barrès has&#13;
ians, according to their respective ages :— treated the same subject from another point of&#13;
M. Emile Ollivier is the eldest, as he is eighty-six view. This novel is the story of a child brought&#13;
years of age, and M. Edmond Rostand, who is to France to be educated, who, on returning&#13;
forty-three, the youngest ; Emile Ollivier, A. in after years to his native country, is stirred&#13;
Mézières, Charles de Freycinet, Marquis de by patriotism and, in spite of his education in&#13;
Vogüé, Thureau-Dangin, General Langlois, France, feels all the hardships of the conquered&#13;
Jules Claretie, Comte de Mun, Ernest Larisse country under a foreign yoke.&#13;
&#13;
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## p. 139 (#193) ############################################&#13;
&#13;
THE AUTHOR.&#13;
139&#13;
Among translations is an excellent volume of for helping the Théâtre Shakespeare to make its&#13;
short stories by Selma Lagerlof, entitled “Le way both in France and abroad.&#13;
Vieux Manoin," and admirably translated into La Revue hebdomadaire publishes Maurice&#13;
French by Marc Helys, the well-known author of Donnay's first lecture on “ Molière, L'Enfance et&#13;
“Le Jardin fermé.” The Swedish authoress is l’Education." These lectures are continued in the&#13;
fortunate in having her stories so well presented following numbers. Paul Bourget writes an&#13;
to the public in France.&#13;
article on “ Théophile Gautier,” and Charles Le&#13;
The society “ Amis de l'Art dramatique” has Goffie an article entitled “Nos poètes.” M.&#13;
arranged to have a series of lectures by M. Jacques Perrinquière writes on “L’Inventeur de la&#13;
Duval, dramatic critic of the Revue française, on Télégraphies sans fil," so that Dr. Branly is at last&#13;
the new plays. The first one was on “Le Vieil having justice done him on all sides. The Marquis&#13;
Homme," and the lecturer was introduced by de Ségur publishes an article on “ Louis Veuillot,"&#13;
M. Henry Bordeaux.&#13;
and Max Turrmann on “ Les Transformations de la&#13;
. "Les Affranchies,” by Mlle. Lenéru, is essentially publicité."&#13;
à modern play, and the curtain falls on a note&#13;
ALYS HALLARD.&#13;
of interrogation Philippe Alquier, a philo-&#13;
sopher and positivist, is living a tranquil life with&#13;
- Journal d' Italie" (Calmann Levy).&#13;
his wife and daughter, when, thanks to the&#13;
“ La Petite Papacoda” (Fasquelle).&#13;
religious separation, his sister-in-law, the Abbess “Les Pâques véronaises ” (ollendorff).&#13;
of Fontenault, comes to take refuge for a time at&#13;
« Les Exilés" (Plon).&#13;
his house. She brings with her a young novice&#13;
Hélène. Before very long the philosopher and&#13;
the novice are passionately in love with each other.&#13;
Philippe is prepared to apply for a divorce, and AGENTS, LITERARY AND DRAMATIC.&#13;
Hélène, believing herself quite emancipated, is&#13;
almost ready to go away with him, when her con- TT is a certain fact that the literary and&#13;
science proves to her that she is not as free as she 1 dramatic agent has come to stay. There are&#13;
believed herself to be. The grief of the wife and several reasons for the appearance and inter-&#13;
the stern judgment of the Abbess have the result ference of this middleman.&#13;
of leading Hélène back to the yoke she was First, there are many authors, who desire to&#13;
renouncing. The play has had great success at publish one or two books only, who are entirely&#13;
the Odéon and still draws a full house.&#13;
ignorant of literary values and literary markets.&#13;
"Le Mariage de Mlle. Beulemann" by M.M. Secondly, there are many authors who have no&#13;
Fonson and Wickeler, has had such success capacity for business, or for making bargains, while&#13;
that it is travelling from theatre to theatre there are others who do not want to waste their&#13;
in Paris. It was first given at the Renais- time on mere business transactions.&#13;
sance, then at the Théâtre Réjane, and it is If we accept the fact, then, that to many the&#13;
now at the Bouffes. It is a most amusing play. literary and dramatic agent is essential, it will be&#13;
Suzanne Beulemann, a Belgian girl, is engaged to necessary to consider what duties he should&#13;
Séraphin Meulemester, for whom she does not care, undertake.&#13;
and is in love, without being aware of the fact, It seems to be uttering a mere platitude to state&#13;
with a young Frenchman, Albert Delpierre, who that as he is an agent he must act as an agent, but&#13;
is her father's clerk. It is an admirable and the statement is very pecessary, and all authors and&#13;
delicate satire on Belgian manners and customs, dramatists must be very careful indeed on this&#13;
and the beau rôle is certainly that of the young point. There are some so-called agents who mix&#13;
Frenchman. It seems likely to have as great up two kinds of business, that of principals&#13;
success at the Bouffes as elsewhere.&#13;
with that of agents. Under the first heading they&#13;
Among the new plays are: “Apres moi,” by are dealers and tradesmen in literary and dramatic&#13;
M. Henry Bernstein, at the Comédie française ; wares ; under the second they are supposed to&#13;
"Les Midinettes,” by M. Louis Artus, at the serve purely as middlemen. Even with the best&#13;
Variétés ; “Le Vieil Homme,” by M. de Porto intentions on the part of the agent the position is&#13;
Riche, at the Renaissance. The “Théâtre Sbake- unsatisfactory, and may be disastrous to the&#13;
speare,” founded by M. Camille de Sainte-Croix, author.&#13;
is giving “Peines d'amour perdues” (Love's There are some agents again who, while acting&#13;
Labour Lost) on March 1 and 2. This enter- as agents, make such stringent agreements with&#13;
prise is meeting with cordial support, and the authors who act without advice, that their power&#13;
committee, which meets at the house of the is that of principals.&#13;
Duchesse de Rohan, has various excellent schemes In such a contract the agent expressly states that&#13;
&#13;
&#13;
## p. 140 (#194) ############################################&#13;
&#13;
140&#13;
THE AUTHOR.&#13;
he need not obtain the author's approval, and law, but they are the result of indefinite contracts&#13;
proceeds to obtain from the author the full power between the author and agent, and must be&#13;
to sign and execute any agreement on his behalf. avoided. An agent's rights must be strictly&#13;
There are someagents, again, who act for publishers limited; he must not be able to claim on a mere&#13;
as well as authors. This produces another kind of introduction ; he must not be able to claim&#13;
danger, as the following example will show. indefinite sums on indefinite contracts, either on&#13;
Some authors are foolish enough to put their contracts that he could not carry through himself&#13;
serial rights, translation rights, and minor rights or such as he should never have advised an author&#13;
into the hands of publishers. Many a time has the to sign.&#13;
danger of such action been emphasised in these “Humanum est errare.” The agent that makes&#13;
columns. The publisher, who ought only to be the the fewest mistakes is naturally the best agent;&#13;
agent for the author for book production, thinks but that they all make mistakes from time to time&#13;
how he can handle the new control he has obtained is certain.&#13;
and proceeds to put the matter into an agent's hand. It is clear, first, that an anthor must not be&#13;
Thus one agent may be trying to sell an author's content with an indefinite verbal contract with an&#13;
work at a price below what the author may be agent to the effect that he will take 10 per cent.,&#13;
obtaining himself or through his usual agent, and or some other percentage.&#13;
the consequences may be disastrous to the author. Secondly, it is almost as unsatisfactory to have a&#13;
This is one of many arguments against giving contract in a letter or series of letters. It is&#13;
publishers anything but book-rights. These con possible that a binding legal arrangement may&#13;
clusions may be justly arrived at :-&#13;
exist in a series of letters ; but the terms are&#13;
1. Never deal with agents who act as principals. generally uncertain and difficult of interpretation,&#13;
2. Never deal with agents who want to take too and the contract is likely to include, in addition to&#13;
much control.&#13;
its faults of commission, many faults of omission.&#13;
3. Never deal with agents who also act for There are agents, as there are publishers, who&#13;
publishers.&#13;
assert that their letter is as binding upon them as&#13;
Next comes the question of agency contracts. their word; but really this is not the question.&#13;
Some agents say they do not make formal written The author, then, should avoid an agency contract&#13;
contracts with their clients. They simply state that embraced in a series of letters.&#13;
they charge the usual 10 per cent. ; but 10 per Finally, the author should have a formal agree-&#13;
cent. on what ? On an introduction on the placing ment carefully drawn and supervised. An author&#13;
of a book with a publisher, or a dramatic work with a should not accept a printed or typewritten doca-&#13;
manager ? Or on each contract ? Again 10 per cent. ment thrust before him by the agent. Most of&#13;
for how long, or up to what sum ? Agents who such contracts are unsatisfactory.&#13;
don't make formal contracts may prove dangerous&#13;
agents to deal with.&#13;
An agent may give an author an introduction&#13;
to a publisher or a theatrical manager, and a&#13;
BRITISH COMPOSERS AND ROYALTY&#13;
contract may be arranged for the publication of&#13;
AGREEMENTS.&#13;
a book or the performance of a piece. The agency&#13;
may then be terminated, or at any rate the author&#13;
may consider it terminated. He will naturally be S most of the musical papers are run in the&#13;
astonished when the agent claims his fees on other&#13;
interests of publishers, it is pleasing to see&#13;
books placed with the same firm or other pieces&#13;
the Musical Times take up the question of&#13;
with the same manager. The agent again may royalty agreements and discuss the equities. It&#13;
give an introduction, and contrary to all proper draws attention to a fact already well known to&#13;
advice persuade the author to sign an agreement all readers of The Author, that the contract to pay&#13;
giving an option on future books or plays.&#13;
a royalty does not run with the copyright in&#13;
The author subsequently makes a fresh contract the same way as a covenant to pay rent, or other&#13;
himself, and the agent claims on the ground that covenant affecting land, runs with the land. The&#13;
the second contract is the outcome of the first. result of this is that, while the original publisher&#13;
Again an author may sell certain rights in a book on the assignment of his contract is often difficult&#13;
or play through an agent. The agency is then or impossible to trace, his assignee, whether a&#13;
terminated, or so the author thinks. Subsequently purchaser or a trustee in bankruptcy, becomes&#13;
he sells other rights in the same book or play to entitled to the copyright without any concurrent&#13;
the same person, and again he has to pay the obligation to pay the royalty&#13;
agent's fees.&#13;
The writer of the article to which we refer bas&#13;
All these examples may or may not be good in pointed out that this question is a matter of contract&#13;
&#13;
&#13;
## p. 141 (#195) ############################################&#13;
&#13;
THE AUTHOR.&#13;
1 41&#13;
? And if he will not&#13;
the&#13;
rather than a matter of copyright legislation. It the action, they may give written notice to that effect, and&#13;
rests, therefore, with the British composer to insist&#13;
on an undertaking on their part to pay an equal share in&#13;
the entire costs of the litigation the composer shall join&#13;
upon a more equitable contract, i.e., a contract not&#13;
them as parties. In such case the composer shall diligently&#13;
to transfer the copyright, not to transfer his per prosecute the action, but shall retain control of the pro-&#13;
forming right, and to keep a proper control over ceedings, and may make any reasonable settlement with the&#13;
his property, whilst giving the publisher a fair&#13;
defendants in the interests of composer and publisher, and&#13;
the damages, if any, recovered shall be firstly applied in&#13;
return for putting his work on the market.&#13;
payment of costs, and if there is any surplus, shall be&#13;
Towards the end of the article the writer puts divided equally between the composer and publisher. If&#13;
forward certain questions on the basis that a com the composer, after the infringement has come to his&#13;
poser has not transferred his copyright, but has&#13;
notice, refuses or neglects to take proceedings in respect&#13;
thereof, the publishers shall be entitled to take proceedings,&#13;
only given a licence to publish to the publisher.&#13;
and on giving the composer a sufficient and reasonable in-&#13;
The questions are as follows:&#13;
demnity against liability for costs, shall be entitled to use the&#13;
composer's name as a party to such proceedings. In such case&#13;
1. If the composer retains his copyright, who will be&#13;
the publishers shall retain control of the proceedings and may&#13;
entitled to sue for infringements of the right ? Can a make any reasonable settlement in the interest of composer&#13;
licensee sue or take criminal proceedings while the com. and publisher, and the damages, if any, recovered shall be&#13;
poser retains the copyright ?&#13;
firstly applied in payment of costs, and if there is any&#13;
2. If not, will the composer undertake to sue when&#13;
surplus, shall be divided in the proportion of one-third to&#13;
called upon by the licensee to do so? And if her&#13;
· the composer and two-thirds to the publishers.”&#13;
give that undertaking, how is the licensee to protect him.&#13;
self against infringements ?&#13;
And this clause practically answers questions 2&#13;
3. If the composer does not give the undertaking, and and 4.&#13;
afterwards assigns his royalties, will the liability on that In answer to question 3. The personality of an&#13;
undertaking bind the assignee of the royalties? If not,&#13;
how is the licensee to protect himself against infringe&#13;
agreement of this kind is personal to the publisher,&#13;
ments and pirates ?&#13;
but it is not personal to the composer in the same&#13;
4. Who is to bear the costs of any legal proceedings for sense, for if the agreement deals with work which&#13;
the protection of a copyright, having regard to the fact has already been done by the composer it would&#13;
that at any moment, for various reasons, a licence may&#13;
come to an end ?&#13;
then become equally binding upon his personal&#13;
5. Would the conversion of the business of a firm of representatives.&#13;
publishers into a limited company, or the amalgamation of In answer to question 5. Everything must&#13;
two or more firms into one partnership or company, with a depend upon the wording of the contract existing&#13;
view to improving the financial position of all of them, be&#13;
such an assignment as would involve the cancellation of all&#13;
between the publisher and composer, but it&#13;
the licences held by all of them ?&#13;
seems quite clear that no composer would be fool&#13;
6. If the object of the composers is merely to protect enough to take his work away if a change in the&#13;
their royalties as against fraudulent or impecunious partnership was likely to be of benefit to the&#13;
assignees, what will they do with the capital value of the&#13;
publication, which will revert to them as an “ unearned&#13;
parties concerned. To advise those publishers who&#13;
increment " whenever a licence for any reason comes to&#13;
read the Musical Times how to protect themselves&#13;
an end.&#13;
legally on a point of this kind would be a work&#13;
7. Is it suggested that on the death or retirement of a of supererogation. Surely they are fully aware,&#13;
publisher who has no partners, and who publishes exclu-&#13;
from their constant business practice, how&#13;
sively under royalty agreements, his entire catalogue is to&#13;
to&#13;
revert to the various composers whose works he published,&#13;
protect themselves.&#13;
and that his entire business is to be practically wiped out ?' Question 6 is not a practical question. We do&#13;
It is quite clear from these questions that the&#13;
not agree with the statement that the increment&#13;
article must have been written without knowledge&#13;
is unearned. The composer has a right to all the&#13;
of the work the society carried through the&#13;
profits that spring from the publication of his&#13;
beginning of last year in settling an agreement for&#13;
work with the exception of those which, for&#13;
the benefit of those composers who are members. It&#13;
business reasons, he may choose to pay away to&#13;
is worth while, therefore, to bring forward the matter&#13;
another. In no sense is there an unearned incre-&#13;
ment as far as the composer is concerned, and it&#13;
again, first by referring members to an article in&#13;
the May (1910) number of The Author, and&#13;
is impossible to say how the composer will care to&#13;
secondly by answering the most vital of the&#13;
deal with the capital value of his work.&#13;
The answer to question 7 lies in the fact&#13;
questions which the writer has put forward.&#13;
that a business in which there is only one member&#13;
Question 1 is answered by clause 12 of the draft&#13;
agreement which was printed last year, and which&#13;
is a rare occurrence nowadays, and it seems&#13;
runs as follows:-&#13;
hardly worth while, in dealing with general issues,&#13;
to answer a question referring to a particular limi-&#13;
"If either party bas reasonable cause for believing that tation. The composer makes no suggestion.&#13;
the copyright in the said composition has been infringed,&#13;
he or they shall give immediate notice to the other party.&#13;
For many years the composer has suffered from&#13;
If the composer takes proceedings in respect of the&#13;
he his ignorance of market values and copyright limi-&#13;
infringement and if the publishers desire to be joined in tations, while the publisher has taken advantage&#13;
&#13;
&#13;
## p. 142 (#196) ############################################&#13;
&#13;
142&#13;
THE AUTHOR.&#13;
of his extensive knowledge of business. For many&#13;
years the composers have complained bitterly in the&#13;
same way as authors complained bitterly in the past&#13;
that their rights were taken away from them by&#13;
men of keen business instinct, and that there was&#13;
no society and no power to fight against this&#13;
position. It is for the composers, therefore, to&#13;
band together, and by the strength of combination&#13;
to obtain better control and better value for the&#13;
property which they are constantly creating.&#13;
In a composition of music, unlike a work of&#13;
literature, there are two rights—the right of&#13;
reproducing copies, and the right of performance.&#13;
In England, with the exception of tbe music for&#13;
comic operas and for some few dramatic pieces,&#13;
the performing rights bring no monetary returns&#13;
whaterer to the composers. It behoves all com&#13;
posers, therefore, to keep careful control not only&#13;
of the rights of reproduction, but also of the rights&#13;
of performance, and to obtain a just financial&#13;
return for both rights..&#13;
Mr. Justice Warrington held that the plaintiff's&#13;
copyright had been infringed. The engraver of&#13;
the blocks was told not to allow his design to&#13;
appear to be a copy, and to change the position of&#13;
the animals ; but substantial parts of the picture&#13;
had been taken by the defendants. As to the&#13;
registration, the first entry was not effective&#13;
because the plaintiff was the owner of the copy.&#13;
right, the drawings having been executed on&#13;
his behalf, and Mr. Varley had no proprietary&#13;
interest, but was registered under a mistake.&#13;
The later registration, however, was sufficient.&#13;
Under the provisions of the Fine Arts Copyright&#13;
Act, 1862, the plaintiff could not recover damages&#13;
for infringements committed before the proper&#13;
registration. His Lordship granted an injunction&#13;
with costs, and ordered delivery up of the prints&#13;
complained of.&#13;
HAROLD HARDY.&#13;
MAGAZINE CONTENTS.&#13;
ARTISTIC COPYRIGHT.&#13;
WHITEHEAD v. WELLINGTON &amp; Co.&#13;
THIS was an action for infringement of copy-&#13;
right in certain drawings entitled “ Cattle&#13;
in Landscape and Head of a Highland Steer,"&#13;
“ Cattle Group in Landscape and Head of Steer,"&#13;
which were reproduced on oil paper used for&#13;
Wrappers of meat.&#13;
The plaintiff, Mr. Arthur Whitehead, of Brad-&#13;
ford, trading as the Bradford Printing Com-&#13;
pany, sued Messrs. Wellington &amp; Co., printers, of&#13;
Gloucester, for damages for infringement of his&#13;
copyright, but owing to a mistake at the time&#13;
when the copyright was registered at Stationers'&#13;
Hall it was contended on behalf of the defendants&#13;
that the registration was bad, and that the plaintiff&#13;
therefore could not sue. It was also stated that&#13;
the person employed to engrave the block for the&#13;
defendants was instructed not to copy the plain-&#13;
tiff's picture, and it was urged that the copyright&#13;
had not been infringed.&#13;
The drawings had been made on behalf of Mr.&#13;
Whitehead, the plaintiff, but the copyright was&#13;
originally registered in the names of the plaintiff&#13;
and of Mr. James Varley (as if they were partners),&#13;
trading as the Bradford Printing Company. Mr.&#13;
Varley was connected with the firm, but was not a&#13;
member of it. Subsequently Mr. Varley assigned&#13;
to Mr. Whitehead such rights as he possessed (if&#13;
any), and Mr. Whitehead, shortly before he com-&#13;
menced the action, was registered as the proprietor&#13;
of the copyright.&#13;
BOOKMAN.&#13;
The Bookman" Gallery. Mr. Edgar Jepson.&#13;
William Morris. By Edward Thomas.&#13;
The Ideas of William Morris. By Holbrook Jackson.&#13;
Book MONTHLY,&#13;
The Serial Story.&#13;
The Canadian Reader.&#13;
Literary Base Coin. By W. Baily Kempling.&#13;
CONTEMPORARY.&#13;
Renaissance Sculpture. By L. March Phillipps.&#13;
The Next Renaissance. By Classicus.&#13;
ENGLISH REVIEW.&#13;
Talks with Carlyle. By Frank Harris.&#13;
The Place of Music in Modern Life. By Filson Young.&#13;
The New Censorship. By the Editor.&#13;
FORTNIGHTLY.&#13;
Tolstoy's Last Days. By Zinaida Vengerowa.&#13;
Two Lyrics. By Kaufmann Spiers.&#13;
NATIONAL&#13;
The Native English Drama. By H. B. Marriott Watson&#13;
SCALE FOR ADVERTISEMENTS.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
...&#13;
...&#13;
***&#13;
...&#13;
...£4 0&#13;
... 3 0&#13;
"1 10&#13;
... 0 15&#13;
0&#13;
0&#13;
0&#13;
Front Page&#13;
Other Pages&#13;
Hall of a Page ...&#13;
Quarter of a Page&#13;
Eighth of a Page&#13;
Single Column Advertisements&#13;
... per inoh 0 6 0&#13;
Reduction of 20 per cent. made for a Series / Six and of 25 per cent for&#13;
Twelve Insertions.&#13;
All etters respecting Advertisements should be addressed to J. F..&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
&#13;
&#13;
## p. 143 (#197) ############################################&#13;
&#13;
THE AUTHOR.&#13;
143&#13;
HOW TO USE THE SOCIETY.&#13;
1. T VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer,&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements,&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor |&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IV. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author.' We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
D&#13;
ERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 144 (#198) ############################################&#13;
&#13;
144&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case,&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
1 assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
CEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea,&#13;
REMITTANCES.&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis.&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 145 (#199) ############################################&#13;
&#13;
THE AUTHOR.&#13;
145&#13;
GENERAL NOTES.&#13;
in the November issue of The Author, expressing&#13;
her intention to leave a sum to the Pension Fund&#13;
of the society on her death.&#13;
On the ballot paper which accompanies The committee have now received a letter from&#13;
this month's “Author” subscribers have full the Public Trustee in the following terms :-&#13;
details as to the manner in which their votes&#13;
DEAR SIR,—I have to inform you that by a settlement&#13;
should be recorded. Those members who dated the 2nd December, 1910, Miss Crommelin has trans-&#13;
have not received ballot papers with their ferred to the Public Trustee certain securities having the&#13;
“Authors” are requested to write to the&#13;
present approximate value of £650.&#13;
Under the settlement the Public Trustee is directed to&#13;
Secretary at once.&#13;
pay the income of the Trust Funds to Miss Crommelin&#13;
Associates are not qualified, under the during her life, and after her death to stand possessed of&#13;
constitution of the Society, to vote for the&#13;
the trust premises in trust for the Pension Fund Committee&#13;
of the Authors Incorporated Society.&#13;
election of the Committee.&#13;
I am, dear Sir,&#13;
Yours faithfully,&#13;
(Signed) Č. 'J. STEWART,&#13;
Public Trustee.&#13;
GENERAL MEETING&#13;
MEMBERS and associates are reminded that the&#13;
The committee desire to thank Miss Crommelin&#13;
Annual General Meeting of the society will be held cordially for her generosity.&#13;
on Thursday, March 23rd, at the rooms of the&#13;
When the Pension Fund Committee, in the&#13;
Society of Arts, 18, John Street, Adelphi, W.C.&#13;
autumn of last year, granted Miss Crommelin a&#13;
The chair will be taken at 4 o'clock.&#13;
small pension, they did so absolutely without any&#13;
Members and associates will receive the usual condition whatsoever, and they feel all the more&#13;
notice with agenda in due course.&#13;
strongly this act on Miss Crommelin's part, show-&#13;
ing her earnest desire to help her fellow-writers in&#13;
the future, a desire which the committee feel sure&#13;
GEORGE MEREDITH, O.M.&#13;
every member will appreciate.&#13;
We are pleased to record that the Royal Society&#13;
of Literature has done honour to the memory of&#13;
the late President of the Society of Authors, by&#13;
SIMULTANEOUS PUBLICATION.&#13;
making a presentation to his son, Mr. William&#13;
Meredith, at one of the dinners of the Society of In the last issue of The Author reference was&#13;
Literature, when he was the guest of the evening. made not only to serial but also to book publica-&#13;
After the toast of "The King," the chairman, tion in America, and emphasis was laid on the&#13;
Sir Edward Brabrook, presented Mr. Meredith importance of guarding the copyright in the&#13;
with the gold medal of the society, stating that United States.&#13;
the society desired to honour the memory of his In order to make assurance doubly sure it is&#13;
famous father, and mentioning that this gold medal absolutely essential to embody in the contract&#13;
had only been presented on two occasions, the with the English publisher, or English editor, a&#13;
former occasion being when it was presented to elause under which he undertakes either to give an&#13;
Sir Walter Scott.&#13;
exact date for publication, or to arrange a date&#13;
On the obverse of the medal is the head of with the author. We mention this because&#13;
George IV., and on the reverse stand three figures, one or two cases have come to the office in which,&#13;
the central one holding a wreath under which the after the contract for publication in England has&#13;
name of George Meredith is inscribed.&#13;
been signed, the publisher or editor has stated he&#13;
We congratulate the Royal Society of Literature would be only too pleased to give a date for&#13;
that, in doing honour to our late President, they publication, but has given, no doubt inadvertently,&#13;
have done honour to themselves, and though the a wrong date, publishing either before or after the&#13;
presentation has come at this late date we feel date mentioned.&#13;
sure that the descendants of George Meredith Either of these mistakes may lose the author his&#13;
will appreciate this recognition of their father's American copyright. If the obligation of the&#13;
work.&#13;
editor or publisher to give the date had been part&#13;
and parcel of the contract, then the author would&#13;
have a good action for damages, but if the arrange-&#13;
THE PENSION FUND.&#13;
ment is simply a matter of friendly correspondence,&#13;
MEMBERS of the society may call to mind the then the author loses his American copyright and&#13;
letter from Miss May Crommelin which appeared has no legal remedy.&#13;
&#13;
&#13;
## p. 146 (#200) ############################################&#13;
&#13;
146&#13;
THE AUTHOR.&#13;
COMPOSERS AND MUSIC-HALL SKETCHES. for, he added, he always understood that publishers&#13;
It is time that composers turned their attention&#13;
never advertised--at least, authors told him so.&#13;
There are cases, however, in which publishers do&#13;
to the “Opera in Little.” Some of the best drama-&#13;
advertise, but in the wrong quarters, and in&#13;
tists have written and are writing short sketches&#13;
objectionable manner, and as the man of science&#13;
for music-hall as well as theatre.&#13;
describes mud as matter in the wrong place, so&#13;
The musical-ball managers, on the look out for&#13;
these wrongly-placed advertisements are nothing&#13;
sound work and high-class entertainment, desire&#13;
but mud to the authors whose books suffer.&#13;
to turn their attention to little operas. Those&#13;
Complaints have been made that publishers have&#13;
who write classical music must not think the&#13;
advertised by inserting their own catalogues of&#13;
matter beneath them, for it is their work which&#13;
books at the end of the 6s. novels or at the end of&#13;
will be specially in demand.&#13;
other books. This to some authors has been&#13;
We desire to draw particular attention to this at&#13;
exceedingly annoying, but the form of agreement&#13;
the present time, for the music publishers are&#13;
between author and publisher has precluded them&#13;
moving, and if they succeed in getting a firm hold&#13;
from taking any action. Indeed, in a case of this&#13;
the unfortunate composer will again find he is&#13;
kind, it may be a little pedantic to object unless&#13;
losing his valuable rights and working to fill other&#13;
the author can put forward some very special&#13;
people's pockets. This is a great opportunity.&#13;
reason. When, however, the publisher not only&#13;
There is an important opening which should not&#13;
advertises his own wares at the end of a book, but&#13;
be neglected. Serious “ Opera in Little" will not&#13;
canvasses for advertisements from soap or pill&#13;
take long to become popular.&#13;
manufacturers and others, as often happens in the&#13;
Again, we must impress upon composers that,&#13;
case of cheap editions, then there is nothing&#13;
seizing their chance, they can work both their rights,&#13;
pedantic in the author's objections. As the issue&#13;
the right of performance as well as the right of&#13;
of a cheap edition is seldom less than 20,000 copies,&#13;
reproducing copies.&#13;
there is no doubt that the publisher takes this&#13;
At present the publishers, persuading the com-&#13;
course in order to keep down the cost of production&#13;
poser that there is no money in the former, take&#13;
and to enable him to put some extra profits into&#13;
both rights and market them to their own advan-&#13;
his own pockets.&#13;
tage. Even if they do not make money directly&#13;
irectly The question of advertisements of the publisher's&#13;
from the performing rights, they use them for&#13;
own books may for the time be set aside, for though&#13;
own&#13;
advertising purposes, indirectly swelling their own&#13;
they may spoil the appearance of the issue, whether&#13;
profits.&#13;
cheap or expensive, in the eyes of some authors,&#13;
It is not like this in foreign countries with foreign&#13;
gn they are, at any rate, advertisements of books.&#13;
composers. Their works are not crushed out of&#13;
a out of But to other advertisements two objections might&#13;
Butto&#13;
existence because they maintain a money value for be&#13;
be raised-first the ideal, secondly the practical.&#13;
their performing rights. What, therefore, can and&#13;
From the author's point of view it might be&#13;
has been done in one country can be done in another.&#13;
· rightly argned, first, that the advertisements of&#13;
rich&#13;
It is the same story, the composer is timid in&#13;
pills, soaps, toilet powders, etc., might damage and&#13;
making an innovation. He thinks he will lose his&#13;
perhaps destroy the dignity of the work that is&#13;
livelihood. But let all composers, acting in com-&#13;
being put on the market; secondly, the practical&#13;
bination, make a stand, and the issues will not be&#13;
point, that if it is the intention of the publisher to&#13;
long in declaring themselves favourable to the&#13;
obtain a large number of advertisements to fill up&#13;
composer.&#13;
the beginning and end of the book, he will thereby&#13;
But let the composer be first in the field in this obtain considerable sums of money, and that the&#13;
new outlet for his genius, let him get a few suitable&#13;
author should be entitled, therefore, to a larger&#13;
librettos at once, let him work on his composition,&#13;
payment on the cheap issue as a fair reward for his&#13;
and, without any middlemen to cut down his profits,&#13;
larger popularity.&#13;
deal direct with the music-hall manager.&#13;
There is, however, a more serious method of&#13;
advertising which has been adopted by some&#13;
publishers in producing cheap editions, that is, the&#13;
ON THE ETHICS OF ADVERTISING.&#13;
introduction of advertisements on pages facing the&#13;
literary matter of the book. The same arguments&#13;
put forward against the ordinary advertisements&#13;
NE of the members of the committee of the would hold good here also, but with trebly increased&#13;
Society, in proposing the health of the force : first, that this method of advertising&#13;
publishers at a public dinner, declared destroys entirely the dignity of the production,&#13;
that it gave him the greatest satisfaction to pro- and secondly, the practical, that as a larger fee&#13;
pose the health of the most modest of mankind, can be obtained for advertisements facing matter&#13;
&#13;
&#13;
## p. 147 (#201) ############################################&#13;
&#13;
THE AUTHOR.&#13;
147&#13;
than for ordinary advertisements at the end of the books that are written there are perhaps tens only&#13;
book, therefore a still larger payment should be that have a life beyond the usual term of copyright,&#13;
made to the author.&#13;
but there is no reason why these teps should not&#13;
Whatever view is taken, the ideal or the prac- be a valuable property in the hands of the descen-&#13;
tical, it seems quite clear that, under the clause dants just as a piece of land bought, or a piece of&#13;
which is not uncommon in publishers' agreements furniture made by one's own hands, is property&#13;
affecting the publishers' control of the style and in the hands of the maker and his heirs and&#13;
manner of production of the work, the author would representatives.&#13;
hare little power to object. Publishers are, of Charles Dickens' own phrase runs as follows:&#13;
course, tradesmen, and look upon the production “I rest my claims to the remembrance of my&#13;
of books as any tradesman would look upon the country upon my published works"; and if the&#13;
production and sale of other articles of commerce. country does not recognise this claim by the laws&#13;
It is natural that they should look in the first in existence, then it is only right that the claim&#13;
instance to the profits, and, in consequence, it is not should be recognised in some other way.&#13;
surprising that these methods of advertisement There has been almost a unanimous expression&#13;
should be employed. Members of the Society of in the papers of approval of the scheme. The&#13;
Authors must be cautioned in the first place not to Times, the Morning Post, the Spectator, the Book-&#13;
let the rights of reproduction in cheap form lie man, and some of the provincial papers are a few&#13;
with the publisher who produces the 68. book. of those whose articles have given the scheme their&#13;
There should always be a separate contract for the warm support. Sundry authors, too, have written&#13;
right of reproduction in cheap form, as it is often their approval, but the question is so closely con-&#13;
important for financial reasons that the same pub- cerned with the legal one of the period of copyright&#13;
lisher should not have control of both.&#13;
that it has been difficult to separate the two.&#13;
Secondly, in a separate contract for the publica Mr. Hall Caine says “that copyright is a natural&#13;
tion of a book in cheap form, the author should right, not created by the State but only ratified&#13;
take particular care to insert a clause, if he desires by it.”&#13;
to maintain the point of view of the dignity of Mr. Arthur Morrison says: “ The children and&#13;
literature, that advertisements are not to be inserted, grandchildren of Charles Dickens have been robbed&#13;
save with his sanction, and in no circumstances in due form of law according to a long-established&#13;
facing the literary matter. If he desires to deal principle of civilisation. Authors and their depen-&#13;
with the practical side, he should see that he obtains dants are weak in numbers, and the property they&#13;
a share of the profit which, owing to the popularity have created is peculiarly easy of attack, which&#13;
of his work, may be derived from the advertise- reasons are considered sufficient to sanctify the&#13;
ments. The author should be especially careful, if pillage. It is true that we defer the date when the&#13;
he is unable to keep the reproduction in expensive theft shall be legalised, much as though we cele-&#13;
and cheap form separate, that these clauses should brate the seventh anniversary of a citizen's death&#13;
be included in the one agreement which includes by authorising any footpad to snatch his watch&#13;
both issues.&#13;
from his orphan's pocket.”&#13;
There are, no doubt, many and divers opinions&#13;
upon this question of the duration of copyright,&#13;
THE DICKENS COPYRIGHT STAMP.&#13;
and it is not desirable at this moment to discuss&#13;
the ethics of the same, but it does seem an astound-&#13;
ing fact that the descendants of one of the greatest&#13;
N O doubt nearly everyone has heard of the novelists that England has ever seen and the world&#13;
I Charles Dickens Testimonial Stamp, but has ever known should be receiving State aid, and&#13;
it is a duty also to make some mention of that there should be the necessity for the public to&#13;
it in The Author.&#13;
come forward with its support. Putting aside&#13;
The idea was started by the Strand Magazine to all question of copyright, it is hoped the great&#13;
issue a Dickens Stamp at the price of one penny, attachment everyone must feel to the writer of&#13;
to be bought by everyone interested in the author's “Pickwick,” “Our Mutual Friend,” and “David&#13;
novels, and to be inserted in their editions of his Copperfield ” will readily ensure a warm response&#13;
works. The proceeds resulting from the sale are and a ready contribution.&#13;
to be handed over to his descendants.&#13;
The question certainly for all authors to ask&#13;
This is the first practical step that has ever themselves is, “ Are there any volumes of Dickens&#13;
been taken to secure to the heirs of an author a on my own shelves upon which the author or his&#13;
benefit arising from the fame of his works not heirs have never received a farthing in the way of&#13;
provided by copyright law.&#13;
copyright?”&#13;
It is quite true that out of the thousands of If so, then let each follow the example of&#13;
&#13;
&#13;
## p. 148 (#202) ############################################&#13;
&#13;
148&#13;
THE AUTHOR.&#13;
Mr. Hardy, Mr. Kipling, Mr. Andrew Lang, Sir A. effects produced by air in motion ; this is, there-&#13;
Conan Doyle, and the leading authors of this fore, the term to be applied to the science of&#13;
country and America, and affix these copyright aviation.&#13;
stamps, which can be had of any bookseller, to his AEROSTATION_That part of aerial navigation&#13;
volumes as a practical way of celebrating the dealing with gas-borne or "lighter-than-air"&#13;
novelist's centenary. It is interesting to learn that machines.&#13;
Mr. Lang's order for stamps amounted to 2,500, AVIATION—That part of aerial navigation&#13;
that of Mr. William De Morgan 1,000, which dealing with dynamically-raised or “heavier-than-&#13;
must, of course, not be taken as any indication of air " machines.&#13;
the number of volumes of Dickens in their posses- AERONAUT-One who practises any branch of&#13;
sion, but as some measure of their appreciation of aerial navigation.&#13;
this movement, as were the almost equally large AVIATOR-One who practises aviation.&#13;
orders of the King and the Royal Family through PILOT—An aeronaut qualified in aerial&#13;
Messrs. W. H. Smith &amp; Son.&#13;
navigation.&#13;
It may be as well for purchasers of Dickens to ENGINEER—In charge of the power plant.&#13;
note that all volumes published by Messrs. Mac HELMSMAN—In charge of the steering.&#13;
millan pay copyright, as they already bear the SHED—The use of the term shed is recommended&#13;
Dickens Stamp.&#13;
instead of hangar.&#13;
The trustees of the Fund are the Earl of Rose HARBOUR-A natural or artificial shelter.&#13;
bery, Lord Alverstone, and Hon. H. W. Lawson, AERODOME—A ground set apart for flying pur-&#13;
M.P. The honorary secretary is Mr. Beckles Will poses. The committee do not recommend this&#13;
son, 17—21, Tavistock Street, Covent Garden, W.C. term, but, in view of its somewhat general use,&#13;
suggest that it should be employed only in the&#13;
above sense. This suggestion is made without&#13;
prejudice either to its derivation or to its application&#13;
THE AERONAUTICAL SOCIETY AND in another sense by authors such as Langley,&#13;
Lanchester, and Graham Bell.&#13;
ENGLISH TERMINOLOGY.&#13;
DIRIGIBLE-A power-driven balloon.&#13;
AIRSHIP_This term having occasionally been&#13;
W E have received from the Aeronautical&#13;
Society a preliminary report of their&#13;
of their mend its use only in the sense of dirigible in order&#13;
“Technical Words Committee.” As this&#13;
is to avoid confusion.&#13;
may be of interest to students of the English&#13;
HELICOPTER-A flying machine supported by&#13;
language we print it below.&#13;
one or more screw propellers rotating on vertical or&#13;
The report tells us that a committee was appointed approximately vertical shafts.&#13;
by the Aeronautical Society to draft a list and to&#13;
ORNITHOPTER—A “ flapping-wing" machine.&#13;
define the meaning of the terms in view of the&#13;
FLYING MACHINE-A generic term denoting&#13;
somewhat confused state of&#13;
aeronantical machines used in ariation, as distinct from those&#13;
aeronautical "&#13;
terminology, and the committee hope that, as e&#13;
employed in aerostation.&#13;
uniformity is essential, all writers on aeronautical&#13;
AEROPLANE-A flying machine provided with&#13;
subjects will co-operate in the systematic use of&#13;
fixed planes supported dynamically by its movement&#13;
these terms.&#13;
through the air.&#13;
There must be several members of the Society of&#13;
This term should not be used to denote the&#13;
Authors who write on aeronautical matters. They&#13;
planes themselves, but should only apply to the&#13;
P&#13;
will, no doubt, study the list with even greater care&#13;
whole machine.&#13;
"&#13;
than the mere student of the English language.&#13;
GLIDER-An aeroplane unprovided with motive&#13;
Perhaps, in years to come, this may be as curious&#13;
power.&#13;
P&#13;
MULTIPLANE-An aeroplane with two or more&#13;
a document as the list of old hunting terms defined&#13;
in the early hunting books.&#13;
main planes orerlapping in plan-form.&#13;
BIPLANE—An aeroplane with two superposed&#13;
GENERAL TERMS.&#13;
main planes overlapping in plan-form.&#13;
MONOPLANE-An aeroplane with a single main&#13;
AERONAUTICS—The entire science of aerial supporting plane, which may consist of a pair of&#13;
navigation.&#13;
wings outstretched on either side of a central&#13;
AEROSTATICS—The science of buoyancy in body.&#13;
air by means of displacement ; this is, therefore, TANDEM, STEPPED—In some cases aeroplanes&#13;
the term to be applied to the science of aerostation. hare more than one pair of wings, which may or&#13;
AERODYNAMICS—The science relating to the may not be on the same level ; such planes, if they&#13;
"ecom-&#13;
&#13;
&#13;
## p. 149 (#203) ############################################&#13;
&#13;
THE AUTHOR.&#13;
149&#13;
ANTHOLOGIES.&#13;
do not overlap in plan-form, must necessarily be&#13;
arranged in “ tandem ”; when not on the same&#13;
level they are said to be “stepped.”&#13;
For instance, “an aeroplane having three pairs&#13;
of wings stepped in tandem.”&#13;
PRINCIPAL DIMENSIONS.&#13;
AREA–This term is not a technical definition&#13;
unless qualified by an adjective, as, for instance,&#13;
“supporting " or " effective” area.&#13;
By area is meant, in case of planes, the area of&#13;
the plan-form, and is therefore measured in units of&#13;
double surface. That is to say, both sides or surfaces&#13;
are counted as one unit of area. Thus, by an area of&#13;
500 square feet is implied a surface of twice 500&#13;
square feet.&#13;
SURFACE-Attention is drawn to the distinction&#13;
that exists between surface and area. See AREA.&#13;
WEIGHT_This being a general term, should only&#13;
be used when qualified by an adjective, such as&#13;
“net weight."&#13;
NET WeighT—The weight of the complete&#13;
machine exclusive of variable quantities, such as&#13;
pilot, fuel, lubricants, &amp;c.&#13;
GROSS WEIGHT—The weight of the complete&#13;
machine inclusive of all variable quantities, i.e.,&#13;
pilot, fuel, lubricants, &amp;c.&#13;
LOADING—The loading of a machine is its gross&#13;
weight in pounds divided by the supporting area in&#13;
square feet.&#13;
PRINCIPAL PARTS.&#13;
PLANE-Any element of area used for dynamic&#13;
support or control.&#13;
In pure aerodynamics the term should only be&#13;
used with a qualifying adjective such as “flat,"&#13;
“ curved," or " cambered.”&#13;
The prefix “aero" is restricted to the complete&#13;
machine defined as an “ aeroplane."&#13;
WING– The present use of this term, by analogy&#13;
with natural flight, denotes each of a pair of planes&#13;
ontstretched on either side of a central body, which&#13;
wings, if continuous, would form a single plane.&#13;
Body-In fying machines, the central longi-&#13;
tudinal framework to which the planes and organs&#13;
of control and propulsion are attached.&#13;
CARRIAGE_That part of the machine beneath&#13;
the body intended for its support on land or water.&#13;
TAIL-In flying macbines, a plane or group of&#13;
subsidiary planes, which may include both&#13;
horizontal and vertical planes, behind the main&#13;
planes.&#13;
ELEVATOR—A movable plane or group of planes&#13;
for directing and controlling the machine vertically.&#13;
RUDDER— A plane or group of planes for guiding&#13;
a machine to right or left.&#13;
BALANCER—In aeroplanes, an organ-usually a&#13;
plane—for maintaining lateral equilibrium.&#13;
ANTHOLOGISING is a time-honoured&#13;
pursuit with a certain class of literary&#13;
man, to whom apparently it comes as natural as&#13;
ordinary flower-picking to a child in the country.&#13;
Unless the Chinese anticipated the practice (as they&#13;
anticipated most of the things on which we have&#13;
long prided ourselves in the West), the Greeks were&#13;
the first to think of making an anthology, by which&#13;
they understood the weaving together of a wreath&#13;
of poetical flowers. Since their time all nations who&#13;
have had any claim to literary taste have followed&#13;
their example, and there is no sign of any decline in&#13;
the practice nowadays, in spite of the existence of&#13;
such things as laws of copyright—which after all can&#13;
be evaded by skilfully-worded appeals to an author's&#13;
vanity.&#13;
There is no necessary reason why anthology-&#13;
making should be confined to poetry. Nor, indeed,&#13;
is it, as we have abundant evidence at the present&#13;
time. Volumes made up of tales from particular&#13;
authors who have excelled in short story-writing&#13;
have appeared lately, and there have, I believe,&#13;
been collections of tales from different pens, bound&#13;
up in one volume after the style of the celebrated&#13;
French experiment, “ Soirées de Médan.”* Never-&#13;
theless, when one speaks of an anthology, one&#13;
nearly always means a collection of poems—and of&#13;
short poems, it may be added, for happily the&#13;
barbarity of tearing single passages from an epic&#13;
or a play is appreciated by all save, perhaps, the&#13;
authors of works for the Juvenile Reciter.&#13;
So we will pay no attention here to any but&#13;
anthologies of verse. The thought that was in the&#13;
mind of the present writer when he set out the&#13;
heading over this article was: Why should we&#13;
anthologise ? Meleager, when he made the collec-&#13;
tion to which he prefaced those immortal lines,&#13;
likening the poems of various poets to different&#13;
flowers,&#13;
και Σαπφούς βαια μέν, άλλα ρόδα&#13;
stated that he wore the wreath as a memorial to&#13;
the illustrious Diokles. A few collectors have fol-&#13;
lowed in his steps, but more often no such excuse is&#13;
made, and the anthology is launched on the world&#13;
without the aid of a pious fiction ; for this is what&#13;
the dedication to a friend really is.&#13;
Looking at anthology-making from a business-&#13;
like point of view—if the artist will pardon the&#13;
horrid phrase—we might be inclined to say that&#13;
life is much too short to read all that is written&#13;
* Strictly speaking, we should not call this an anthology&#13;
however, as it is a collection not of picked examples of the&#13;
various authors' works, but of special contributions from&#13;
their pens.&#13;
&#13;
&#13;
## p. 150 (#204) ############################################&#13;
&#13;
150&#13;
THE AUTHOR.&#13;
: -&#13;
-&#13;
--&#13;
-&#13;
- --&#13;
-&#13;
worth reading, and that therefore it is an obvious assembles poems from all sources and all kinds of&#13;
advantage to have a kind person come forward and writers in the Greek tongue. The Palatine&#13;
put together in one or two volumes the best he can Anthology was particularly justifiable, however&#13;
find. Now we may freely admit that in this age of much of it we could have spared, for it has&#13;
aeroplanes and motor cars anyone except the preserved a great many beautiful things by writers&#13;
Troglodytic anchorite is liable to be snatched away who but for it would have entirely perished.&#13;
from the world by a collapsed biplane or an erratic Nowadays, although litera scripta manet to a much&#13;
16 horse-power 1910 model, fitted with elegant greater extent than in the antediluvian days before&#13;
high-class landaulette body, before he has had time the cheap printing-press, oblivion can still overtake&#13;
to get farther than the poetry of the Lake School. things worthy of preservation. Even in “The&#13;
Nevertheless, we do not believe that, with average Sonnets of a Čentury” are a few poems by people&#13;
luck and domestic habits, a great number of people whom we or nearly all of us, at any rate-would&#13;
could not read as much poetry as is good for them, otherwise not know ever to have written a line of&#13;
in the ordinary editions of the poets' works—if only verse in their lives. In some other collections this&#13;
they had the taste and did not prefer reading the is still more the case.&#13;
“ Daily Mail” or “ Star.” But it is quite certain Should the making of anthologies, then, be&#13;
that the average man or woman does not want to encouraged ? If we could always be sure that the&#13;
read poetry, and therefore it is not for him or her maker was worthy of trust, certainly the answer&#13;
that anthologies are made.&#13;
(in the Parliamentary phrase) would be in the&#13;
Really their reasons for existence are two. First, affirmative. But there must not be too many&#13;
the pleasure which they give to their maker ; and, anthologies ; for there is, after all, only a limited&#13;
secondly, the desire which he has of introducing to supply of old material to draw from, and with&#13;
others what has taken his own fancy. (I leave out regard to modern poetry Free Trade in authors'&#13;
of account, of course, the commercial person who wares cannot appear to us a desirable thing if we&#13;
makes an anthology because he sees in it his readiest&#13;
" for a moment think&#13;
way of getting money without much personal&#13;
What scanty pittance comes from pen and ink."&#13;
labour.) The two motives are commonly blended,&#13;
as indeed they should be, though they are both&#13;
P. W. S.&#13;
very worthy in themselves.&#13;
The pleasure to the collector alone is a sufficient&#13;
reason, provided that he is a person of fine taste.&#13;
Once upon a time, I believe, it was not rare for&#13;
THE MUSICIAN'S ENCYCLOPÆDIA.*&#13;
people to write out in a manuscript-book their&#13;
favourite poems. Even young ladies did this and&#13;
called them “Elegant Extracts,” but I am not M HE issue of the fifth volume of the revised&#13;
referring to them. Now a collection so formed is&#13;
edition of the late Sir George Grove's&#13;
bound to be a valuable help in the estimation of the&#13;
Dictionary of Music completes the impor-&#13;
collector's character, and if he is an artist his choice tant work which the well-known musical critic of&#13;
is sure to be charming. No doubt some modern the Times undertook some seven years ago. The&#13;
anthologies are the direct descendants of these first of these five volumes was published in 1904,&#13;
manuscript-books, and it is perhaps a matter for the subsequent volumes appearing on an arerage&#13;
regret that every great man does not thus give to of about eighteen months after each other. To&#13;
the public a collection of his favourite poems. He ensure, in such a series of volumes, absolute&#13;
would not expect, naturally, that his choice should correctness in the thousands of statements made&#13;
be universally approved. “The Golden Treasury" has, of course, been impossible. Hence the great&#13;
was, perhaps, the most admired anthology of joy with which certain carping critics have pointed&#13;
English verse down to a certain date. But its to printer's errors after diligent search for them.&#13;
limitations have been freely criticised, and its To insinuate, however, that Mr. J. A. Fuller&#13;
sequel did not win nearly so much commendation. Maitland is not one of the most careful and pains-&#13;
If the anthologiser looks farther than the taking of editors is to convey an untruth. No&#13;
immediate pleasure which he has felt in making his fewer than 184 writers have contributed to these&#13;
collection, and wishes to rouse pleasure also in volumes. How many articles the editor himself&#13;
others, he is (provided again that he is a person of has written we have failed to enumerate. It will&#13;
fine taste) a benefactor of his kind. He may make suffice that bis industry is manifest on every page&#13;
a selection from the works of one poet, as has been&#13;
well done in the cases of Browning and Meredith,&#13;
for instance; or he may gather together a real * Grove's Dictionary of Music and Musicians, edited by&#13;
Anthologia, like that known as the Palatine, which J. A. Fuller Maitland, Vol. V. Macmillan &amp; Co.&#13;
&#13;
&#13;
## p. 151 (#205) ############################################&#13;
&#13;
THE AUTHOR.&#13;
151&#13;
of the 4,000 of which the entire work consists.&#13;
The skill Mr. Maitland has displayed in guiding&#13;
so many musical authorities in the right way, by&#13;
checking here undue exuberance or over-garrulity,&#13;
and correcting there inaccuracies which are as apt&#13;
to make themselves unduly conspicuous in printed&#13;
copy by catching the reader's eye (just as drops of&#13;
oil which rise to the surface of water draw attention&#13;
to their presence by reflecting the light), is worthy&#13;
of all praise.&#13;
When it is realised how indispensable Grove's&#13;
Dictionary has become of late years, not only to&#13;
the writer on musical subjects but to the per-&#13;
former, the teacher, amateur, and general reader,&#13;
it is difficult to imagine what the intelligent music&#13;
lover would do if deprived of this monumental&#13;
work. It is not as if reference to the subjects&#13;
contained in Grove could be made through the&#13;
usual encyclopædias, because it is well known that&#13;
in such works less space is given to music than&#13;
is accorded to many departments of far less&#13;
importance.&#13;
This volume deals with all musical matters&#13;
beginning with the letter T to Z inclusive ; and,&#13;
further, there are seventy-three pages devoted to&#13;
an Appendix, recording data omitted in the body&#13;
of the work, and errata which have come to the&#13;
editor's notice, so as to bring as many articles&#13;
as possible up to the date of the publication of&#13;
this, the last volume. It is to be hoped that in&#13;
due course an index to the entire work will appear,&#13;
as was the case with the first issue of Grovera&#13;
supplement which proved of infinite value to the&#13;
student.&#13;
As regards the chief articles in Volume V.,&#13;
many of these are reprints from the former edition&#13;
with editorial corrections. We have succinct&#13;
biographies of Weber, Verdi, Wagner, the two&#13;
Wesleys, Tchaikovsky, and so forth. Mrs. Rosa&#13;
Newmarch is responsible for the last-named article&#13;
-its first appearance—and exceedingly interesting&#13;
it is. The way in which Mrs. Newmarch tells the&#13;
story of the “Pathetic Symphony" is as sympathetic&#13;
as it is delightful.&#13;
Sir Walter Parratt's article on “ Touch” is&#13;
reprinted, as it well deserved to be, although not a&#13;
few pianiste, who have been smitten by a fever for&#13;
queer technical verbiage which needs to be printed&#13;
in a variety of types to convey the peculiarity of&#13;
its meaning, may deplore that their own apostle of&#13;
the keyboard has not been allowed to have his fling&#13;
in the new Grove.&#13;
The extra notes added to the article on Wagner&#13;
by Mr. Herbert Thompson are valuable and&#13;
interesting.&#13;
Dr. Phillip Spitta's eighty columns concerning&#13;
Weber are not spoilt by curtailment. To have&#13;
treated 80 good" an essay in such a manner&#13;
would have been sacrilege. By some critics it&#13;
has been maintained that undue space has been&#13;
allotted to certain subjects and names, whilst&#13;
others have been dismissed with scant notice.&#13;
It is easy to raise objections, but the late Sir&#13;
George Grove was nothing if not an enthusiast,&#13;
and the last person in the world to apply a foot-&#13;
rule to his essays or count the number of words he&#13;
wrote when the spirit moved him. If Mr. Fuller&#13;
Maitland had cut down, as has been suggested,&#13;
some of the longer biographies and had padded&#13;
out others, he would have been unworthy of the&#13;
task he undertook, to present as far as possible a&#13;
corrected edition of Grove whilst adhering to the&#13;
intentions and wishes of the late editor. Indeed,&#13;
the best way not to have carried out such ideas&#13;
would have been to have appointed a Board of&#13;
Advisers, as has been mooted by certain musical&#13;
wiseacres, who, no doubt, would have liked to&#13;
have been chosen members of such a body.&#13;
Sir Hubert Parry's article on Variations is&#13;
admirable. It is one of the original contributions,&#13;
supplemented by a brief editorial addendum.&#13;
Mr. W. W. Cobbett has added to the article on&#13;
violin-playing criticisms of no small value, and&#13;
Mr. Barclay Squire is to be praised for his excellent&#13;
contribution on Virginal Music, a subject he has&#13;
long studied.&#13;
But there is one article which might have been&#13;
expanded with profit or entirely rewritten. We&#13;
refer to the life of Vincent Wallace, whose extra-&#13;
ordinary career, if properly told, would afford&#13;
material for a thrilling and bulky romance. Had&#13;
Wallace been a German, we should by this time&#13;
have had the history of his life revealed to us&#13;
through every document musical antiquarians&#13;
could have collected concerning him. There&#13;
would have been numerous footnotes to such&#13;
volumes, and no doubt, long since, the original&#13;
German would have been translated into English&#13;
and French.&#13;
About the Wind Band : the new Grove contains&#13;
the same article by J. A. Kappey as before, and&#13;
one cannot help feeling that this subject might&#13;
have been supplemented. On the other hand, the&#13;
editor's resolve was wise not to alter the articles of&#13;
writers who have passed away, and unfortunately&#13;
the obituary list of original contributors is now a&#13;
long one. It is difficult to draw the line in such&#13;
matters. If Kappey had been altered, Professor&#13;
Ebenezer Prout might with equal reason have been&#13;
amended ; but what an impertinence such revision&#13;
would have been.&#13;
A particularly praiseworthy feature of the appen-&#13;
dix is that it includes the names of some three&#13;
dozen British musicians hitherto unmentioned in&#13;
the dictionary. Amongst these we notice Messrs.&#13;
Hubert Bath, York Bowen, Percy Buck, Von Ahn&#13;
&#13;
&#13;
## p. 152 (#206) ############################################&#13;
&#13;
152&#13;
THE AUTHOR.&#13;
R.&#13;
Carse, Benjamin Dale, Tertius Noble, Roger&#13;
A CORRECTION.&#13;
Quilter, Barclay Squire, and Richard Terry.&#13;
Appreciations, nevertheless, of only a few out of SIR,—The final volume (vol. xxxiv.) of the col-&#13;
many living British composers of merit may only lected edition of George Meredith's works published&#13;
serve to accentuate jealousies. Truly, the position by Messrs. Constable (1910) includes a reprint of&#13;
of a conscientious editor who will not be coerced to the obituary note on Sir Leslie Stephen, which our&#13;
log-roll his friend's friends is unenviable! The late President contributed in April, 1904, to The&#13;
knowledge of good work conscientiously performed Author. This note was written at the suggestion of&#13;
must, however, be no small solace to Mr. Fuller our then chairman of committee, Mr. Douglas&#13;
Maitland, who deserves the thanks of all English- Freshfield, as a prelude to a review of Sir Leslie&#13;
speaking musicians for carrying through with so Stephen's work in literature, which he himself&#13;
much courage the re-issue of Grove's Dictionary contributed to the same number. In the reprint&#13;
of Music. Verily, the editor and Messrs. Mac- in question I note sundry small but not unimpor.&#13;
millan can afford to smile at the many columns tant inaccuracies which call for correction. On&#13;
of adverse criticism which appeared not long sincep. 189, line eleven, "proclamation " should be&#13;
in one of the musical monthlies.&#13;
proclamations. On p. 190, line six, our has been&#13;
left out before " writers." On page 190, line fifteen,&#13;
not has been inserted after “It would.” This&#13;
insertion reverses the intention of the original&#13;
sentence and destroys its connection with the&#13;
context.&#13;
Further, the “Lieutenant of Tramps "referred to&#13;
CORRESPONDENCE.&#13;
by Meredith is identified in a new footnote with&#13;
his nephew and subsequent biographer, F. W.&#13;
Maitland. This identification is inadmissible.&#13;
The Pension Fund.&#13;
Maitland (as he mentions in his “ Life and Letters&#13;
of Sir L. Stephen” (published in 1906)), joined&#13;
SIR,-It seems to me that we should not allow the Tramps on several occasions, but his removal&#13;
such generosity as we have received from Miss May to Cambridge in 1884 and his subsequent ill-health&#13;
Crommelin to go unnoticed. It was this writer's prevented him from going out with them for many&#13;
intention to leave a certain sum to the Pension years before his death.&#13;
Fund at her death. In the meantime, her Irish&#13;
I am, Sir, yours obediently,&#13;
rents having decreased greatly in value, she was&#13;
AN ORIGINAL TRAMP.&#13;
afraid it would be necessary to invest the money&#13;
in buying an annuity. Hearing the circumstances&#13;
of the case, and more especially in consideration&#13;
of her contributions to literature, the Society&#13;
of Authors granted her a pension of £25 a&#13;
THE PUBLICATION OF SERMONS.&#13;
year from the Pension Fund a few months&#13;
ago.&#13;
SIR,-I understand that an enterprising firm has&#13;
There, in the ordinary course of events, the recently published a large collection of sermons in&#13;
matter would have ended, but Miss Crommelin has several volumes, entitled the “Churchman's Pulpit,"&#13;
done us signal service, for though the interest on to which a considerable number of living clergy&#13;
the money remains hers till her death, she has have contributed, their remuneration being a purely&#13;
already handed over to the Public Trustee the large honorary one, viz., copies of the volumes containing&#13;
sum of £650, to be held by him on behalf of the their work. I would not insinuate for one moment&#13;
Pension Fund. In other words, this means that that any one of these contributors was not dnly&#13;
at her death we shall be in absolute possession of informed exactly to what extent he would be&#13;
that suin, which is already standing in our remunerated ; nevertheless, I beg leave to enquire&#13;
name.&#13;
whether such methods of obtaining marketable&#13;
No conditions were imposed on Miss Crommelin, material for the press are conducive to the interests&#13;
therefore this act is purely one of courtesy on her of authors in general, or worthy of a respectable&#13;
part, and shows her earnest desire to help fellow- firm in particular, especially considering the enor-&#13;
workers in the future, a desire which I am sure the mous difference between the average professional&#13;
other members of the Society will appreciate most incomes of the publisher and of the minister of&#13;
fully.&#13;
the Gospel.&#13;
Yours faithfully,&#13;
E. ALEC TWEEDIE.&#13;
ECCLESIASTES.&#13;
Truly yours,&#13;
&#13;
&#13;
## p. 152 (#207) ############################################&#13;
&#13;
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&#13;
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                    <text>The Author .
( The

Vol. XXI. -

No

Organ

of

the Incorporated

. 5.

of Authors . Monthly .)

Society

1, 1911 .

FEBRUARY
FE

CONTENTS
PAGE
103
103
103
104
105
108
109
112
114
115
116
116
117
117
117

Notices
.
's Funds
The Society
List of Members...
The PensionFund
CommitteeNotes
Books publishedby Members
Literary, Dramatic and Musical Notes
Paris Notes
.. .
Copyrigbt Legislation in U. S. A.
Copy
Photographs
Licenceto
Libel in a Novel ...
...
...
MagazineContents
How to Use the Society
Warningsto Producers of Books ...
Warningsto Dramatic Authors

.

( PRICE

SIXPENCE

.

Registration of Scenariosand Musical Plays
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ... .
The Reading Branch
Remittances
General Notes ...
Music-hall and Theatrical Sketches...
Copyright Convention of Pan-American Congress at Buenos
Aires ...
Thackeray and TheNewgate Schoolof Fiction ...
The United States Copyright Register
...
SomeAmerican Writers
Correspondence...

PAGE
118
118
118
118
118
118
119
120
122
123
126
126
127

PUBLICATIONS OF THE SOCIETY .
.

Annual Report for the current year .

The

. Literature

8

.

18

1892

Foundation

By WALTER BESANT

.

its

from

and Switzerland

.

Hungary

,

Austria

By

.

Germany

ERNST
By

.

6d

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.]

Gate

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Storey

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18

.

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Street

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1909

's .1s

Old Queen

,

at

Berlin

,

Secretary

,

,

.

6d

.

Revised

,
39
,

Apply

the

.

[

All

prices net

to

International Copyright Convention

as

.

of

.

of

.

.

on

,

by

'

;

Agreement issued by the Publishers Association
with Comments
HERBERT THRING and Illustrative Examples
Sir WALTER BESANT
2nd Edition
Giving the Terms
Periodicals
and
their
contributors
which the different Magazines
and Periodicals deal with MSS and Contributions
Society
Authors
List
Members
Published October 1907 price

Forms

.

. .

1s. 6d .

Action

,

in

of

).

1888

its

. LELY.

18

M

,

.D of
.

J.

J.

Record

Publication

U

of ,

By
A

Committee

G

.

10

.

Bill.

Copyright

Society of Authors .

The Contract

11

An Exposition of Lord Monkswell ' s Copyright Bill of 1890 . With
Report of the Commission
of
1878 , the Berne
Convention , and the

the

–

from

(

.

.

Copyright Law Reform .

LUNGE

13 12

SQUIRE SPRIGGE .

38

. (Out of
Various Methods of Publication . By S.
papers in the Society 's offices, the various

Chairman

|

, Barrister -at - Law .

By S .

SQUIRE SPRIGGE . In this work , compiled from the
forms of agreements proposed by Publishers to
carefully
explained , with
Authors are examined , and their meaning
an account
of the
various kinds of fraud which have been made possible by the different clauses therein . 38 .
By G . HERBERT THRING . Being additional facts collected at
Addenda to the Above .
the office of the Society since the publication
of the “ Methods ."
With
comments and
advice . 28 .

The

8 . The

ATED

COLLES

print .)

The Cost of Production

Extracts
American

9

. MORRIS

History of the Société des Gens de Lettres .

The

,

7.

W

.

.

6.

By

6d

6

.

and the Pension List .

.

4

.

18

Published ten months in the year (Angust and September omitted ), devoted especially
to the protection
and maintenance
of Literary , Dramatic , and Musical Property . “ Issued
gratis . Price to non -members , 6d ., or 58. 6d . per annum , post free . Back
to all Members
numbers from 1892 , at 108 . 6d . per vol.

The Author

28

2.

of

1

�ADVERTISEMENTS .

of Authors (Incorporated ).

The Society
Telegraphic

Address : " AUTORIDAD

, LONDON , "

Telepbone No. : 374 Victoria

PRESIDENT .

THOMAS HARDY ,

O

.

.M .

COUNCIL .
JUSTIN MCCARTHY .
THE REV . C. H . MIDDLETON -WAKE ,
SIR HENRY NORMAN .
SIR GILBERT PARKER , M . P .
SIR ARTHUR PINERO .
THE RIGHT Hon . SIR HORACE
PLUNKETT , K . P.
ARTHUR RACKHAM .

SIR ROBERT ANDERSON , K . C . B.
1 AUSTIN
DOBSON .
SIR ARTHUR CONAN DOYLE .
SIR WM .REYNELL ANSON , Bart. , D. C. L.
DOUGLAS FRESHFIELD ,
THE RIGHT HON , THE LORD AVE
SIR W. S. GILBERT.
J . M. BARRIE .
( BURY , P. C.
,
SIR ALFRED BATEMAN
K . C. M . G .
EDMUND GOSSE , LL . D.
ROBERT BATEMAN
SYDNEY GRUNDY .
F . E . BEDDARD , F. R . S.
H . RIDER HAGGARD ,
MAS . BELLOC - LOWNDES .
MRS . HARRISON (" LUCAS MALET " ).
ANTHONY HOPE HAWKINS .
THE RIGHT HON . AUGUSTINE BIR
E . W . HORNUNG .
RELL , P. C.
MAURICE
HEWLETT ,
MRS . E. NESBIT BLAND .
THE REV . PROF . BONNEY , F. R. S.
W . W. JACOBS .
THE RIGHT HON . JAMES BRYCE , P. C.
HENRY JAMES .
THE RIGHT Hon . THE LORD BURGH
JEROME K . JEROME .
CLERE , P. C.
HENRY ARTHUR JONES .
HALL CAINE ,
J . SCOTT KELTIE , LL . D.
J . W. COMYNS CARR .
RUDYARD KIPLING .
SIR EDWIN RAY LANKESTER , F. R. 8.
EGERTON CASTLE , F. S. A.
EDWARD CLODD .
THE REV . W. J . LOFTIE , F. S. A.
LADY LUGARD (M188 FLORA
L.
W . MORRIS COLLES .
Shaw ).
THE HON . JOHN COLLIER .
SIR W . MARTIN CONWAY .
THE Right Hon . SIR ALFRED
LYALL , P. C.
THE Right Hon . THE LORD CURZON
OF KEDLESTON , P . C.
Mrs . MAXWELL ( M . E . BRADDON ) .

OWEN SEAMAN .
G , BERNARD SHAW ,
G . R , SIMS .
S. SQUIRE SPRIGGE ,
FRANCIS STORR .
SIR CHARLES VILLIERS STANFORD ,
Mus . Doc .
MRS . HUMPHRY WARD .
SIDNEY WEBB .
H . G. WELLS .
PERCY WHITE .
FIELD -MARSHAL THE RIGHT HON .
THE VISCOUNT WOLSELEY , K . P. ,
P . C., &amp;c.

COMMITTEE OF MANAGEMENT .
- MAURICE

Chairman
ALFRED
BATEMAN , K . C. M . G .
MR8 . BELLOC -LOWNDES .
MRS . E . NESBIT BLAND .
J . W . COMYNS CARR .
SIR

DRAMATIC
Chairman

HEWLETT .

DOUGLAS FRESHFIELD .
W. W . JACOBS .
ARTHUR RACKHAM .
G . BERNARD SHAW .

|

S. SQUIRE SPRIGGE .
FRANCIS STORR .
SIDNEY WEBB .

SUB -COMMITTEE

.

ARTHUR PINERO .
Vice- Chairman - HENRY ARTHUR Jones .
| MISS CICELY HAMILTON .
| CECIL RALEIGH .
CAPT . BASIL HOOD .
G. BERNARD SHAW .
JEROME K . JEROME .
ALFRED SUTRO ,

- SIR

H . GRANVILLE BARKER .
J . M , BARRIE .
R . C. CARTON .
ANSTEY GUTHRIE .

FUND COMMITTEE

PENSION

.

Chairman - MAURICE HEWLETT .

ART.

New

,
S
.W
.

'S

GATE

York

,
to

England
Solicitor
Société des Gens
Lettres
de

La

Street

,

Broad

HERBERT THRING
in

,

G

.

.

.

,

24
,

STREET 81OREY

,

QUEEN

Secretary

tors

Solicitors

.

JAMES BYRNE

OFFICES
OLD

ARTHUR RACKHAM .
M. H . SPIELMANN .

|

,
.
..J}

Gate
,
S
.s
W
w

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America

—

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Inh

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Lincoln
Inn Fields
storeys Gate
Old Queen Street Storey
in

,

,

&amp;

,

FIELD ROSCOE
HEKBERT THRING

SUB - COMMITTEE .
VILLIERS STANFORD , I HERBERT SULLIVAN ,
SIR JAMES YoxaLL , M . P .

JOHN HASSALL , R. I.
J . G . MILLAIS .

COLLIER .
CONWAY .

39
,

The Hon . JOHN
SIR W . MARTIN

G

CHARLES
Mus . Doc .

PARKER , M . P.

Co
.,
36
39
, ,

SIR GILBERT

SIR

.

-

COPYRIGHT
E . J . MACGILLIVRAY

MRS . ALEC TWEEDIE .
MRS . HUMPHRY WARD ,

MORLEY ROBERTS .
M. H. SPIELMANN .

,
U
.S
.A
.

ANSTEY GUTHRIE .
ANTHONY HOPE HAWKINS .

�ADVERTISEMENTS
Telegrams —“ Cottocrom

, London ."

.

COTTERILL

CROMB ,

&amp;

Literary , Artistic , and Dramatic

HOUSE , NORFOLK

LENNOX

1093.

Telephone - Gerrard

Agents ,

STREET , STRAND ,

W

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The Managers
of this Agency have exceptional facilities for placing Novels with the best Publishers . They
have also a unique knowledge of the Buying and Selling of Magazine , Periodical and Newspaper Fiction . During the
past six years they have placed Serials , Short Stories, Articles and Black and White Illustrations in all the leading
British , Colonial and American publications on very favourable terms. New Authors of real promise receive encourage
ment and helpful advice . Expert knowledge is brought to bear upon every MS. with a view to placing it to the best
advantage . Many Authors whose names are now well known were introduced to the reading public through the Managers
of this Agency who have a long and close personal and business connection with the principal Publishers and Editors .
The Newspaper Owner , January 21st , 1911, says :
" Mr. D. L. Cromb has also many friends in the newspaper
" Mr. J . A. Cotterill is best known to readers of TheNewspaper
Ownerby his long connectionwith the National Press Agency,
world . He is one of the latest of the Scottish journalists to come
to London, his earlier years having beenspent with Messrs. Leng,
where he has closely studied the demand for serial fiction and
of Dundee. Mr. Cromb is no experimentalist, for he has been
other special features. Prior to that, he was in chargeof Messrs.
right through the journalistic mill , ending his provincial
T. B. Browne' s department in the sameline, and, as a journalist,
experiences as editor of The People
he has travelled extensively both at home and abroad, and
' s Journal .
He has also
is familiarwith many phasesof newspaperwork . Betweenleav.
written several successful serials.
Two years ago Mr. Cromb
ing Messrs. T. B. Browne and joining the National Press Agency,
Agency,
cameto town as fiction editor of the National Press
a post
Mr. Cotterill edited the Demerara Daily Chronicle, the Times of
which he has relinquished to establish the new business in
,
published
Georgetown
,
Gaiapa,
carry
the West Indies
in
British
and
association with Mr. Cotterill . Thus both
to their new
spherenseful knowledge of newspaperneedsand the methods by
also made an intimate study of North American newspaper
affairs,"
which the alert editor and managermay meet them."

Cromb, Lennox House , Norfolk

Prominent and Valuable Feature

[ 970 pages .

LETTERS " section ,
Is its “ LAW AND
which contains a very careful and able exposi
tion of the law of copyright - home , colonial ,
and international ; discusses all recent legal
cases of interest to authors , and the conclusions
to be drawn therefrom ; describes the various
forms of Publishing Agreements , pointing out
the meaning
of their clauses and advising
thereon .
This section alone will repay the cost
of the book many times over , if carefully studied .

Authors are invited to send their names
and particulars of their publications to
the Editor for insertion in the next issue ,
notice of which will be sent them in due

philosopher and friend ” for the reader near
the centre of things or far away . Being now
seven years old , and so grown up , it has just
been enlarged , and made more popular and
practical in contents and style . Read it , and
you will know what to read ; what ' s what and
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E
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C

c/ o GEORGE ROUTLEDGE

.

published on the first of eachmonth by
The Book Monthly
Simpkin Marshall
Co. Ltd Stationers Hall Court London
costs Sixpence, and can orderedfrom any Bookseller Book
post free for
stall or Newsagent The Publishers will send
receipt of eight shillings
year, inland or broad
You can
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copy
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have
specimen back number for nothing

course .

:

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You know the " Book Monthly " by name - you
very often see it quoted in the papers . It is a
brightly written , brightly illustrated magazine
about the books and the literary affairs of the
day . But as yet you have not taken it in !
Well , you are missing something , and you
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It is an instructing , entertaining “ guide ,

" Its section of law and letters is a very careful and able
exposition." - NottinghamGuardian.
* A work with a wide reputation and one justly earned.' Author.
“ We have tested the accuracy and fulness of the Literary
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BOOK MONTHLY

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W

“ The BookMonthly is now enlargedand makes an exceedingly
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of the

LITERARY YEAR

Street , Strand ,

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By ADMIRAL
MAHAN
Admiral Mahan
this timely and important pronouncement
International Naval Policies deals with
The
Origin and Character
Europe
Germany
Present
International Groupings
The Present Predominance
Open
Europe
Door
The
Relations between East and West
Foundations and Tendencies

�ADVERTISEMENTS .
Authors and Journalists .

MR . FORBES

Over

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in

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FUNDS

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the resources
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TELEGRAPHIC

PRICE SIXPENCE

1911

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Crellin

Jan

··
··
··
··
··

··
··
··
··

.

. ,
. H .

Jan

F

Jan

,
. M
J. .
K
.

and
Randall

. .

. Jan
. . . Jan
.
5 5 5 4 4
, , , , ,
S
W
P
.
.
.
F
H
.
.

THE AUTHOR .

which
obtain advice
The difficulties which started thenext case were
as follows
infancy and
father during his son
his
agreement
behalf entered into
the publication
on

's

.

for
an
a

.

of

's

for

,

his

of

to a

to

of

an to
to

.

In

of

,

to

.

In

on

's

,

led

.

's

in

of

,

of

.

a

's

an

.

an

re
-

of

ts
,

.

re
-

in

to

to

to

,

,

be

,

.

a

in

a to

of

's

in

's

an

up

,

of

to

of

be

if
it

of

of it

to it

,

as

,
if

on

.

infringement

in

The secretary also reported that
another case
copyright the infringement had

infringement

of

.

it
a

later

was

an

, ,

,

's

new

as

if

,

If,

to

of

the

.

the

had been

long time

books
The committee
the greatest importance
stop
case
this kind
were possible
appeared that there might
and
chance owing
the peculiarity
the terms
the
opinion
take counsel
contract they decided
favour
counsel opinion was
and further
publi
stop the
action
take
action
cation
The secretary then reported that the chairman
during the month had given leave
take action
the Dublin Courts
case of infringement of
copyright by
Irish paper
The committee con
firmed the sanction given by the chairman
The
secretary stated that the matter was being carried
satisfactorily and would most probably
settled
very shortly
the defendant had confessed
the
to

on

's

in

's

.up

in

of

last meeting
the committee
opinion
decided
take counsel
next dispute
This opinion was read
secretary
The cause
action was

the
been

.

by in

had

At

.

,

to

refuse
take the matter
fail the claim for damages

,

to

duty

fortber
the case would
being too remote

his

considered that
a

to

to

,

in

to

of

to

their
as

it

lelt

Such
contra
circulation

,

,

a

of

.

be

.

to

.”

lathor was content
claim damages
accordance
with the advice
the society
solicitors
the
lociety would take the matter
however the
uthor desired
claim damages
accordance with
they
the statement now laid before the committee

book

dead

issue
But this
author might suffer
existing
publication olten upset
author
and might also check considerably the

,

to a

of

a

,

at

,

a

to

of an

"

Out

think that the book was
was not the only damage

. ,

a

,

so

It

.

,

of

,

,

In

r

returning the answer
order was sent
print
The committee decided that
the

when

an

A

. of

on

.

.

of

's

ecretary was accordingly instructed
write
the
rathor advising him
wait
publisher had failed
the next case
one
provide the author
volume
two occasions

This

assignment
had obtained
bring out
this contract and proposed
new
edition
the work
direct opposition
the
author wishes
Similar difficulties have not infrequently
arisen
years past the publisher
aim being clearly
gain money
the advanced reputation
author
some cases the author had been unable
take any step and had
endure the republica
tion
his juvenile efforts without any public and
definite statement from the publisher setting out
consequence the public were
the facts

so

on

an

;

of

ind be

the contract between the author
judge and jury
the publisher
what view
night take that the committee decided further
present especially taking
iction was inadvisable
further
nto account the fact that after the sale
which was still selling the
100 copies of the book
quite
atbor
demand
would
clear
The
vagueness

book

print and

Another publisher

in

of -

of

-

the number
both the elections
resignations are about
average with
previous years
hat
The names
the new
members are chronicled
another page
Cases
The committee then considered
series of
egal cases which had collected since the last meeting
The first dispute under discussion
arose out
owing
question
account
was
uncertain
wenty seven

ind

out

to

were elected and the com
regret the resignation

,

five members
accepted
with

first

son

practically

do to

-

,

9

.

'

o

ut

clock

Twenty
pittee

,

on

of

I

at

of

of

Manage
first meeting
the Committee
ment for the year 1911 was held
the
Monday January
offices
the society

of

MHE
four

,

:

.

to

NOTES

.

COMMITTEE

�THE AUTHOR .

,

' ,

,

and.

,

of

of

.

to

,

Sir

Sir

,

to

to

to

alsothe.

,

to

the

of

.

out

'

,

to

.

-

the

to

's

.

of 070

for

,

,

on

in

of

, as

,

of

to

of

as

,

.

&amp; had

,

by

,

Dorothy

.

of

.

-

.

,

.

up

of

donation
10s had been made
Miss
Fox
the Capital Fund
the society

,

-

in

of

to

a

at

subsequent meeting
They
the committee
take this course follow
instructed the secretary
ing
the Dramatic Sub Committee
the footsteps

to

of

,

, . be

's

an

as

,

of

a

,

to

pre
The committee instructed the secretary
specimen
draft agreement
between agent
and author
for the marketing
author
literary wares which agreement would
settled

. be by of

its

or

on

it

,

to

he

be

as

,

,

A

.

.

of

to

in

.

Mr Douglas Freshfield for his work both
the committee
committeeman and chairman
present chairman
since 1897
Mr Hewlett
convey the resolution
the cominittee undertook
Mr Freshfield
The secretary reported that three members
taken
life membership
and finally
that
to

to

,

of

-

in

of

by

,

,

's

:

order
pare

solicitors
were again
discussed and the matter was adjourned
February meeting
suggestion that membership
the society
should
made compulsory
election
years
was the case
the Italian Society
Authors was rejected by the committee
hearty vote
thanks was unanimously passed

to

.
or

One
two important points with regard
the
production
sketches
music halls brought
forward
one
the dramatic authors
the
society were laid before the committee by the
secretary and the committee
decided
take
opinion
counsel
The other matters were taken
the following

and carry

the legal work

Certain issues regarding
society and the society

A

again

Publishers
Association
had proposed

to

,

defendant
the piece

to

an

was

Copyright Sub Committee
The secretary was
write
the Copyright Association

instructed
and
the
the points

.

virtually settled the
undertaking not
play

the matter
giving

subject
nominated
their consent
Charles
represent the composers
Villiers Stanford
represent the dramatists and Mr
Arthur Pinero
MacGillivray and the secretary
represent

,

it

as

,

of

.

to

.

in

to

,

an

to

an

.

of

,

.

it

to

a

,

to

a

,

The next was also
dramatic case and the
secretary was able
report that the case had been
settled satisfactorily
and read
letter from the
author giving her thanks
the society for the
had taken
action
The last was another dramatic case and another
infringement
performing rights
Again
might have been necessary
bring
action
injunction the chairman had given his
for
place the matter
leave
the hands
the
solicitors
This action the committee now con
report that
firmed
Tbe secretary was able

to be laid before Parliament were in harmony on
the main issues , and suggested that it might there
fore be worth while
to have a joint committee
ready to take action when the Bill was passing
through
Parliament . It was quite clear , under
the present organisation , if each body had to report
back to
own committee the opportunity
taking action through members
Parliament
opposing
proposing certain measures might
lost
The secretary mentioned
that he had sog
gested the idea
Mr Heinemann
who had
approved
behalf
the Publishers Association
adopted
The committee
the suggestion
.

to

.

.

,

to

's

an

been acknowledged .
This also would be settled as
soon
as a satisfactory arrangement between the
parties
could be come to on the question of
damages .
The next question dealt with an infringement of
dramatic copyright . It was found , however , when
the society commenced investigation , that the
alleged infringement had taken place under
authority given by the author
agent
The author
allowed the authority
stand deciding
settle
the matter himself with his agent

to

106

a

who had already drafted
similar agreement for
dealing with dramatic property
special sub committee was appointed
settle
placed
the report for last year which report will
before the members
the general meeting
the votes for the
The date for the return
the committee was settled
members
election
the general meeting and the place
The date
where
will be held were provisionally settled
placed before the members
These items will all
The Author
the society either through

.

-

I.

of

of of

at -

theto

to

.

the ou

in

of

of

.

on of

of

it

communica

had

shown

a

's

a

after having received
solicitors
the society

,

one case
from

as

,

-

to

.

an

it

A

tion

Sub

,

to

in

,

-

'

of

at

.

of

might have been
Committee
take immediate action and apply
injunction
He stated that the defendants

Dramatic
necessary
for

.
.

or

by

be

of

circular
the meeting
The secretary reported that
the Copyright Sub Committee with the Publishers
and
the Copyright Association
Association
appeared that all the reports sent
the Board
Trade dealing with the Copyright Bill sbortly

SUB COMMITTEE

Sub Committee
the Dramatic
MEETING
the offices
Authors was held
the Society
January 10th
The first business
the society
the minutes was the report
after the signing
the hands
the theatrical cases that were
the society since the last meeting
solicitors
that two cases had
The secretary mentioned
reference
be dealt with without previous

in

. be
to

,

it

,

of

to

of

of

at

,

-

A

.

DRAMATIC

�THE AUTHOR .
from the agents of the dramatist
ignorant.
dramatist
was
The
accordingly had to be dropped , and the
matter
dramatist decided to settle the issues with his

In

acknowledged

,

the member thanking the society
for the
it had done .
The next matter for discussion was the question
of the production
of sketches in music halls .
After careful consideration it was decided to put
the whole matter before counsel , with an instruc tion to settle a petition
to be presented to the
torily

work

Lord Chamberlain on behalf of the Dramatic Sub
secretary was
Committee of the society .
The
instructed
to take the matter in hand at once ,
decided
and the Sub - Committee
Tuesday , the 17th , to discuss the
settled .

of

on
to meet
petition
thus

It was decided that it should be en
and sent to all the members of the Dramatic
Sub - Committee for signature , and forwarded
to
the Lord Chamberlain
at the earliest possible
opportunity .
to .

agreed

grossed

Cases .
SINCE the last issue of The Author there have
been only eleven fresh cases in the hands of the
secretary . Four of these deal with the return of
MSS . ; two of them have ended satisfactorily , one
refers to a matter in Germany , and , in consequence ,
will occupy some time in settlement , and the othe
has only just come into the office .
Of the three claims for money one has been
satisfactorily
two reached
settled ; the remaining
the office a few days before the magazine went to
press.
Of the three claims
accounts and money two
for

The secretary reported that the Committee of
Management had decided to take counsel 's opinion
on two important points affecting the representa
tion of dramatic property in music - halls , and the
Dramatic Sub -Committee gave their approval to
the action taken by the Committee of Management.

be approached .
The secretary then laid before the sub -committee
the petition as settled by counsel , together with
counsel ' s opinion on the papers submitted to him ,
and after some slight discussion the petition was

have been settled
of negotiation

and the

other

still

course
an

to

now

.

.

,

on

to of

in

The last case referred
the settlement
agreement
The terms put forward have
been accepted

.

Elections

.

,

.

,
E
.C
.

.

29
,

.

Daintree

Bridge

New
Street
Hampden

Allen

Phenix

Club
Street

N

.
W
.

, ,

,

Gilfillan

Tunbridge

Road

,

Queen

's

,
7

.

.

,
M
.
E
.

Glancey

Wells

.

,

W

,

Chipping Norton

.

Fletcher Banister

.

,

Miss May

,

To

,
,

.
.

,

42

.
.

.

,

Edginton

to

.

to

for

,

,

a

to

.

to

be

was

it

,

",

,

.
.

,

,

Blundell Miss Alice
Dart Miss Edith

.

to

it of .
In

Byculla
Bombay
India
Lyonnais
Credit
Paris
Powis Square
The Orchard
Credi
ton Devon
Merris
Court near

.

to

of

of

Albert Bonsteel

,

striking

Bates

,

': ,

of

e

,

of

'

the advisability

Association

alluded
the clause affecting
the rights
authors
order thoroughly
defend the position
authors
however
Mr
pointed out
Raleigh
was very necessary
public
support the Bill relating
authors
which Mr Robert Harcourt shortly
amusements
lay before Parliament
intended
this end
deemed
desirable that the Home Secretary
should
deputation
invited
receive
con

ont

the agreement

in

of

-

of

.

.

-

he

Managers

mentioned that
good authority
End Managers
End
the Theatrical

Street

Victoria Hall

"

Balfour John Alexander

,

of

,

to

music halls
Mr Cecil Raleigh
had heard indirectly
but upon
West
that the chairman
the West
urging
upon
Association
was

New Bond

W
.

.
.

.

,

Anstey Mre Helen

in

,

.

by

that had passed between the chairman Sir Arthur
regard
Pinero
and Sir Herbert Beerbohm Tree
the matter
the agreement between
the
dealing with
theatrical and music ball managers
the question
the production
sketches

45
,

by

to

,

at

-

of

THE
Dramatic Sub Committee
the society
Tuesday
met again
the offices
the society
January 17th
order
discuss and settle finally
the petition
the Lord Chamberlain which had
been drafted
counsel
The secretary opened
reading the correspondence
the proceedings

of

.

,

II .

in

.

dramatists and the chief officials

the Authors ' Society .
Another meeting of the Dramatic Sub -Com
mittee was then called for Thursday , the 26th inst . .
of such deputation ,
to decide upon the constitution
and the form in which the Home Secretary should

the

had
the other case the defendant
infringement , and had given an
undertaking not to deal illegally with the member 's
property again . The third case , which was a threat
by the defendant to infringe the member ' s rights ,
reported had been settled
the secretary
satisfac agent

of some

sisting

obtained

of which

is

licence

107

�THE AUTHOR .

108

Hill , W . Neave

.

Iliowizi , Henry

.

.
.

49,
Dover
Piccadilly ,

Collingwood

63 ,

,
Hill , N .

Muswell

Avenue

Kemp , Emily

G

.

Knight,

E

Lawrence

, T. J .

.

F

.

.

.

.

.

, Miss Linda .
Maud , Mrs . Dorothy
.
ary , Robert E .
i
.
Lindemann

Yorick
Club ,
30 ,
Bedford Street , W .
Upton Lovel Rectory ,
*

Wilts .

Sidholme

10, Pelham

,

Sidmouth

.

Simpson , Horace

-

Wanless

,

M

. V.

J.
,

Wentworth , C . L . G .
Wilson, Lady A . C .

.

.

Street, S . W .
c /o
Messrs. Curtis ,
Brown and Massie ,
5, Henrietta

Scott - James , R . A .

Street ,
W.

15 ,

W .C .

Street ,

Porchester
Gar
dens , W .
Beech
Hill Cottage ,
Bury St. Edmunds.
c /o English , Scottish
and Australian
Bank , 38 , Lombard
Street , E . C .

Ochilview
N . B.

,

Crieff ,

BOOKS PUBLISHED BY MEMBERS .
every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the effice
by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
It is hoped , however , that members will
other papers .
co- operate in the compiling of this list and , by sending
particulars
of their works, help to make it substantially
accurate .
ART .

WHILE

By A . K .
EXAMPLES OF INDIAN ART.
SELECTED
40 Coloured and
COOMARASWAMY , D. Sc . Containing
Collotype Plates of Indian Painting and Sculpture, either
bound or in portfolio form , and with Introduction
and
Notes by the Author . Quaritch .
3 38.
By
,
INDIAN
DRAWINGS .
A . K . COOMARASWAMY
D. Sc.
A Study of the Studies of Indian Artists of the Mughal
Rajput
many
Collotype
and
Schools . With 29
Plates and
Line Drawings in the Text . Probst bain &amp; Co . Great
Russell Street . 258.
ESSAYS ON THE PURPOSE
OF ART . Past and Present
By MRS . RUSSELL
Creeds
of English
Painters .
BARRINGTON . 9 x 6.
421 pp . Longmans. 128. 6d . n .

BIOGRAPHY .

MRS. E . M . WARD ' S REMINISCENCES . Edited by ELLIOT
O' DONNELL . 93 x 6. 296 pp . Pitman . 128. 6d . 1 .
BOOKS OF REFERENCE .
LITERARY YEAR BOOK AND BOOKMAN 'S DIRECTORY .
Edited by BASIL STEWART . 74 x 43 . 927 pp . Routledge .

68. n.

DRAMA .
SOUVENIR OF “ THE BLUE BIRD . " By HERBERT TRENCH .
84 x 11. John Long . 6d . n .
By
THE MADRAS HOUSE : A Comedy in Four Acts .
GRANVILLE BARKER . 74 x 44. 144 pp . Sidgwick &amp;
Jackson . 1s. 6d . n .
A MESSAGE FROM THE GODs. By MELCHIOR MACBRIDE .

Hunter &amp; Longhurst. 18. 6d . n.
FROM THE ITALIAN . Edited , with Essay .
Introduction , and Notes , by R. WARWICK BOND .
72
x 51 . 332 pp .
Oxford : Clarendon Press . London :
,
Frowde. 78. 60 n.
By ABTHUR
MID - CHANNEL .
A Play in Four
Acts .
PINERO . 68 x 5 . 351 pp . Heinemann .
ls . 6d .
LUCILLA . A Drama in Three Scenes . By SIR EDWARD
,
,
DURAND . 72 pp . Doherty
&amp; Co. 6 Great Newport
Street , W. C.
74 x 5.

EARLY PLAYS

EDUCATION
A PROGRAMME OF EDUCATION . By NASAWANJI
READYMONEY . Bombay : “ Times " Press .

JIVANJI

FICTION .
DRAMA
OF THE TELEPHONE . By RICHARD MARSH .
7} x 5 . 318 pp . Digby Long . 68.
PAM THE FIDDLER . By HALLIWELL
SUTCLIFFE . 74 x
5.
379 pp . Werner Laurie . 6s.
Comedy
DOWN OUR STREET .
A Provincial
. By J . E .
BUCKROSE . 74 X 5 . 352 pp . Mills &amp; Boon , 68.
CHILDREN OF THE CLOVEN Hoof . By ALBERT DORRING
TON. 78 X 5. 316 pp . Mills &amp; Boon . 68.
GILEAD BALM . By BERNARD CAPES . 74 x 5 . 320 pp .
Fisher Unwin . 6s.
PHYLLIDA . By THOMAS COBB . 74 x 5 . 312 pp . Mills
&amp; Boon . 68.
A

MACHIAVELLI . By H . G. WELLS . 74 x 5 .
528 pp . Lane . 68.
By D. HUGH
THE MARRIAGE OF COUNT MALORTO .
PRYCE . 8 x 5.
311 pp . Everett . 68.
THE MATING OF ANTHEA . By ARABELLA KENEALY .
73 x 5. 352 pp .
John Long . 68.
THE NEW

THE RIDING MASTER . BY DOLF WYLLARDE . 8 x
354 pp . Stanley Paul. 68.
THE OTHER
WIFE. By OLIVIA RAMSEY . 73 X
320 pp . John Long. 68.
SELF AND THE OTHER . By VICTORIA CROSS . 71 x

5.
5.

5.
303 pp . Werner Laurie . 68.
By
A PRIESTESS
OF HUMANITY .
MRS. STANLEY
WRENCH . 73 x 5. 319 pp .
John Long . 6s .
NATURE 'S LADY . By EDMUND LEE . 73 x 5. 288 pp .
Digby Long . 68.
IN WASTE PLACES . By MRS . C. L . WOOLLASTON WHITE .
7 x 5.
246 pp . Barnet : St. Andrews Press .
THE QUAKER GIRL. By HAROLD
SIMPSON . 71 x 5 .
255 pp . Mills &amp; Boon .
18. n .
By GEORGE
THE DEUCE AND ALL .
RAFFALOVICH .
298 pp .
The Equinox , 124, Victoria
Street ,
S. W .
38. 6d . n .
THE HISTORY OF A SOUL . An Attempt at Psychology .
By GEORGE RAFFALOVICH ,
296 pp .
The Equinos ,
124, Victoria Street , S. W.
ON THE LOOSE . By GEORGE RAFFalovich , The Equinox .
124, Victoria Street , S. W. 18. n.
IN WASTE PLACES . By Mrs. C. L . WOOLLASTON WHITE .
74 x 51 .
With
Illustrations. 250 pp . Barnet : St .
Andrews Press . 38. n.
Doctor GREY . By STEPHEN ANDREW . 71 X 5. 320 pp .
Greening . 68.
A CORN OF WHEAT . By E . H . Young . Heinemann . Gs .

�THE AUTHOR .

109

JUVENILE .

SCIENCE .

TRAVEL .

III

.

6d

LITERARY , DRAMATIC , AND MUSICAL
NOTES .

.

POETRY

,

.
28
.
W
6d .
.
n
.

of

“

,

",

,

.

,

re
in -

of

of

.

in

”

. “

of

in

a

Wolff

last book

,

Fée

of

Jetta

's

Miss

de

Autres Contes

,

of

the title

. et

,

,

by

,

-

as

.

by

-

”

,

.

“

on

be

Homme Vert

'

“
L

.

by.

73
x

.

-

.

.
n
.

.

.

of .)

,

'S

.

(

.

.
T
pp.

,

-

.

.

REPRINTS

ALL THE WORLD
AIRSHIPS AEROPLANES
AND DIRI
Flying Annual
GIBLES
Founded
and edited
JANE Second year
issue 1910 1911
128
Sampson Low
218
464
F

on

, .

by .

+

Vice President
Briggs

:

X

54
.

.,

Toronto

The Rev Professor Skeat has completed
small
which will
Berkshire Place names
treatise
shortly
published
the Clarendon
Press
written
the same lines
the Place names
Huntingdonshire
Cambridgeshire
Bedfordshire
already published for him
and Hertfordshire
the Cambridge Antiquarian Society and the East
Hertfordshire Archæological Society

is

.
.

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.pp

70

.

.

WOLLEY

7
}
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PHILLIPPS

Navy League

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CLIVE

Concise Etymological Dictionary
the
Language
Professor Skeat
after passing through
three editions
was
almost entirely
written and appeared
much
improved form
has now been once
1901
bring
more revised and corrected
more
the level
the new edition
his larger Etymo
logical Dictionary that appeared
1910
The
Dictionary
new
edition
ihe
Concise
will
appear early
1911

English

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,

POLITICAL

By JAMES BRYCE
AMERICAN
COMMONWEALTH
Completely revised throughout
New edition
vols
with Additional Chapters
742
962 pp
The Macmillan Co
218
Address delivered
THE CANADIAN NAVAL QUESTION

THE

HE

-

F

.

.

E
.

80

.

74
x

Of

pp
. .

By the Rev
ORDE WARD
SUSSEX
Macdonald
54
Being an Anthology
THE BOOK OF SCOTTISH POETRY
the Best Scottish Verse from the Earliest Times
the
by
Present
Chosen and Edited
SIR GEORGE DOUGLAS
Unwin
928
BART
POEMS OF HEROISM
AND DEVOTION
Selected from the
Works
RICHARD
TISSINGTON
The New
High
Treasury
Banks
Ashwell 180
Holborn
By
The
GEORGE RAFFALOVICH
PAN
THE TRIUMPH
Equinox 124 Victoria Street

Songs

S

.

108

LL

,

ORIENTAL .
by
Translated
SACRED BOOKS OF THE BUDDHISTS .
by T. W. RHYS
Various Oriental Scholars .
Edited
DAVIDS ,
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. Dialogues of the Buddha .
Translated from the Pāli of the Digha Nikäya . By T. W .
and C. A . F . Rhys DAVIDS .
Part II . 9 X 54. 382 pp .
Frowde .

to

III

WRERE BLACK RULES WHITE . A Journey
Across and
About Hayti . By H . H . PRICHARD , F. R. G . S.
by
TRAVEL AND EXPLORATION .
Edited
EUSTACE
REYNOLDS BALL , F. R .G . S. With 140 Illustrations from
original Photographs . Vol . 4.
July - December , 1910.
8.3 X 61 . 480 pp . Witherby . 7s. 6d . n .

.

NATURAL HISTORY .
OF BRITISH MAMMALS . By G . E . H . BARRETT .
HAMILTON .
With
Illustrations by E . A . WILSON .
Part
. 10 x 7. Gurney &amp; Jackson . 28. 6d . n .

A HISTORY

of It

MISCELLANEOUS .
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before the Association of Teachers of Domestic Science .
By ANANDA K . COOMARASWAMY , D.Sc .

is

SIR
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IN THE

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THE

THEOLOGY .

CHURCH . A Volume of Religious Essays,
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CHRIST

in
a

LIEUT .-GEN .

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it

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Heinemann .

by

of the Physiological
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University of London Press . Hodder &amp; Stoughton , War .
wick Square, E . C. 58. n .

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Being an Account of the Social
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Army in Great
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By H . RIDER HAGGARD . 78 X 51 . 264 pp . Long
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25. 6d . n .
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MARRIOTT .

It

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the Laboratory and in the Hospital : being the Hitch
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California , Berkeley , Cal . By AUGUSTUS

SCIENCE OF HISTORY OR SCIENCE OF NATURE HISTORY ,
A Line of Study for Assigning
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Creation in order of time, showing their Genesis , which
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Office , 121, Fleet Street , E .C .

to

THE GOLDEN BOOK OF YOUTH : Noble Deeds of Boys
and Girls . By A. B . BARNARD , L .L . A . Pilgrim
Press .
35. 6d. n .

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the under world
sacrifices himself
well
his art
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hopefulness and
ends
note
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show
there
much good
the worst of us
Miss
Keeton will give during the month
February
three
her
Studies
Modern
Hampstead
British Song
Wimbledon and
sung
Camberley
Vocal illustrations will
Miss Grainger Kerr accompanied
Miss Marjorie
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Texts

this issue

Stanley Thornfield lives luxuri
her
the other
ously and passes
the author
the writings
keeps
poor lodging
his half brother
whom
ignorant
and who
the fact
the relationship
expose
the end Stanley Thornfield
made
his imposture through the hypnotic power of
old man who has exploited him
for his own ends
and the dénouement
achieved
dramatic and
tragic manner
The story ends
the spring sun
shine
Florence
where the true
Sea Lion
dangerous operation
almost
sound man after
comes
last into his own
Humanity
Priestess
Mrs Stanley
published
psycho
Wrench
John Long
logical study
woman who has gone under
but
good man
who
reclaimed by the love
He
writer unconsciously falls
love with
woman

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Woollaston White
We have rectified the

Lion
Patrick Rushden
the
story
two half brothers one
whom
has been
Through
sea and
the real
Sea
Lion
injuries
entirely
paralytic and
has become
dependent
his half brother who markets his
writings for him
They
are extremely alike
appearance and the spurious
Lion wins the love
the heroine Sybil Lethbridge
the strength
this
she cared for the real
Sea Lion
Brian
Thornfield who went out
her life
and transfers
forcibly reminds
her affections
the man who

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subject
day
for the security
her frontier
Imperial importance
which the creation
Canadian navy and the recommendations
the
Imperial Defence Conference
1909 add special
Wellington
interest
The grounds for the dictum
that naval superiority
the lakes
sine qua
even

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Major
Canada and Canadian Defence
General
Robinson
which discusses
closely the general character
naval and military
defence required under the circumstances
Canada

success

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new novel
Victoria Cross called
Self and the
story
Other
love and self sacrifice and
Cambridge University and
the scenes are laid
Constantinople
Hugh Rees Ltd
Messrs
are the publishers

fully explained
frontier
Canada
Among books shortly
published may

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Syrinx
Laurence North
author
has
for Mr Martin Secker
new novel entitled
Impatient Griselda
comedy
The book
published early
modern life will
the present
year
January
Mr Werner Laurie published early

non

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the last issue

the Juvenile Works Mrs
novel
Waste Places

to

.

be

to of

we included

trained
The tricks taught
Flot and referred
dog known
the book were taught
the
writer without the introduction
harsh word
shortly
Mrs Barclay novel
The Rosary
appear
German translation
Messrs
Putnams Sons have arranged also for the Nor
wegian serial translation rights
this story
Mrs Desmond Humphreys
Rita
has just
published her impressions
America which she
recently visited
The book
entitled
America
Through English
Eyes
Rita
new novel
published
will
Messrs Hutchinson early
the spring
entitled
Half Truth
written

,

, .

of is

as a

is
,

is

,

,

Flot
Purdon
Irish mongrel his hardships and
joys
The object
the book
induce owners
dogs
remember that these animals have rights
respected and whatever trouble they give
man
due
their being misunderstood and badly
“

The Fortunes

the story

military
for the first time treated
and
shown that all the evidence
indicates that they took London first and settled
round
and that they then fought
the Valley
the Thames
We regret that through
error
classification

Saxons
question

of

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it

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be
.

to

commemoration
the
Authorised
Version
1611
Mary
1911
The author Mr
Pells
Hove
the editor
The First English Transla
tion
the Septuagint and the publishers are
Messrs Simpkin Marshall
London
Major
Godsal has published through
Messrs
Harrison
Sons
The Storming
London
and the Thames Valley Campaign
this book the conquest
Britain
the Anglo

&amp;

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M
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a

it - of

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English
Translations
Tercentenary
the

at

for

young people
stories
Messrs
Dent Sons
are the publishers
Down Our Street
Buckrose
the
provincial town and gives
comedy
picture
really
people
middle class life
not
imagine
There
some humour
the
book and the irrepressible Mrs Bean
the chief
Sophia supplies
character though the love story
the thread upon which the novel hangs
The
whole narrative concerns the inhabitants
one
street and the reader makes the acquaintance
small social community
each
character being
definitely pourtrayed
Messrs Mills
Boon are
the publishers

of

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with Messrs Methuen
England and Mr Pitis Duffield
America

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on for in

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small work
likely
Success
Literature
which
prove interesting
authors
The scope
the
book
harvest and elucidate such counsels
the literary great
are accessible and likely
prove practically useful
authors
their work
pretensions
The book makes no didactic
the

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publishing
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the compilers having been simply
adduce
from many sources such precepts obser
may serve
vacions and thoughts
reveal the
nearly ready
secrets
success
literature
Mr Lurence Irving contributes
introduction
and appreciation
Fedor Dostoieffsky and his
work
the Everyman
Edition
his novel

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more sensational character
and cheap edition
Lombard Street
Lent
announced
Mr Robert Scott This
issue
under the general editorship
the Rev
Percy Dearmer and contains
new chapter from
another

to

Heinemann

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5th
she has been
invited
deliver
critical essay
Heinrich
Heine
She also contemplates giving
lecture
Hampstead soon after her return
Prison
life
affects the more highly
portion
educated
the community
the theme
novel which Mr Roy Horniman has just
completed
Mr Horniman has also completed
Swansea

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The
Morden

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placed
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which
the south east
England
coast
paper
Miss Regina Miriam
Bloch
whose
Longfellow
Three Great American Poets
Emerson and Poe was recently delivered before the
Bedford
Park Literary and Philosophical Society
giving several smaller readings during February

A

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by

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of

of

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of

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John Morden
Blackheath
of

social life
Calcutta
Messrs Digby Long
are the publishers
The same firm issue also Mr
Reginald
Salwey
new
novel
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a

little volume
the Rev
Charity
Princess
Alfrida
Princess
Alfrida was the third and youngest
daughter
Alfred the Great
and the Grant
copy
mentioned
the Charter
which Dr
Lansdell obtained from the State Archives
Ghent details the princess gift
her inheritance
Lewisham
Greenwich
and Woolwich
Dr
Lansdell traces the history
the Charity
which
involved the history
the first five hundred
years
the reputed manor
Old Court Green
wich now the principal possession
the properties

worth
already

The Other Wife
the title
Miss Olivia
Ramsey
new novel published
Messrs
John
Long
young wife
relates the experiences
introduced into London society after
dull and
isolated girlhood
This
Miss Ramsey
fifth
novel
The Reproof
Chance
novel
Mrs
presented
picture
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Searle Gross
being
The Heart
the Bush
the John Lane Company New York

American

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of

Modern English
Travel and Exploration may
cungratulated
their first issue
1911
which fully maintains the standard
this magazine
Among the contributors are
inception
since
Malay Klongs
Mr Edmund Forbes who writes
and Rivers
Mr Ernest Young who describes
Bear Shooting
Finland
and Mr
Reynolds Ball who has
article
Six Flemish
New

An
mann

.

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&amp;

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Partridge
announce
the
publication
the fourth edition
The Com
plete Bible
Modern English
Ferrar Fenton
The same publishers have also Mr Fenton
New
Testament
Modern English
ninih edition
The Five Books
Moses
fourth edition
The Six Historical Books
The Books
the Prophets
The Psalıns and Poetical Books
Epistles
the Bible
Paul
sixth
edition
All
these with
the exception
the
last mentioned
are published
The
Paul Epistles
are issued
which price
published
special People
also
Edition
The
Messrs

production
yet
date
the two plays not
performed
The same writer
now working
another play

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by

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are

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Lucre
Edith
Gerrard
the
important problem
author deals with
which
rastly different ways by the different
faced
people whom
concerns
Messrs
White

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the
Ernest Austin
Granville
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Bright
Bantock
Hubert Bath
Dora
Arthur
Bright
Barclay Walford Davies Katherine
Eggar Joseph
Holbrooke
Frederick
Nicholls Norman
Neill
Roger Quilter Katherine Ramsay Marchioness
Percy Rideout Jervis Read Ethel
Tullibardine
Cyril Scott
Smyth
Ernest Walker
William
Wallace
Walthew
Dalhousie Young
following

.

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The studies
composers

Adam

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For the Defence
comedy by Lady Gregory was pro
January
duced
the Abbey Theatre Dublin
The theme
the play
the rivalry between two
obituary
editors
each
whom
has written

in

to

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an

political interest and

It

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on

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the Naziomora
Theatre New York
was also
played
the London Scala
the same evening
for copyright purposes
Mr George Alexander will produce this month
play
new play
Mr
Mason

,

, .
P

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,

comedy
Mr
Granville Barker
four acts
The Madras House
was published last month
Messrs Sidgwick
Jackson
consequence
Miss Neilson
and Mr Terry
return
the New Theatre Mr Oscar Asche and
Brayton
Miss Lily
have
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Count
the Garrick Theatre
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Mr Henry Arthur Jones new play We Can
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Miss Marie Löhr and Mr Dion
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relates how Mrs
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married
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how she was
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the
family governess
how the governess endeavoured
persuade other males
take the guilt
order
that she might spare Mrs Panmure
whom
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pain
secretary who
loved
how
love with the governess takes the blame for the
offence
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The
Parliament for her husband
member

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passes in a bungalow

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DRAMATIC

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public and
patriotic
participation
many
space has been accorded
entertaining
contemporary letters which are
they are interesting
family

political affairs

India .

in

In

,

to

.

of

-

by

original research come within the scope
two
volumes
But wbilst presenting
continuous
typical county
century
record century

is laid

in the Plains , the latter two in a
tery in the Himalaya
of Bhutan

.

wrote - The Serpent and

so

, who

Andrew

&amp;

Stephen

the Cross ,” has published a new novel, “ Doctor
Grey , ” in which he describes the life of an average
Incidentally
doctor of to -day .
the author has
pictures of many little
drawn sharp impressionist
known sides of English
life . Messrs . Greening &amp;
Co . are the publishers .
“ The Family and Heirs of Sir Francis Drake , "
Lady Eliott Drake should prove interesting
from many points
view
Hitherto unpublished
relating
documents
Sir Francis ancestry and
circumnavigation
sidelights
national and
county history local politics and the fortunes
several west country families
based
recent

“

Africa .

Daly 's
January
Theatre
on
7.
The present
version has been strengthened by certain altera
The cast
in
the last
act .
tions introduced
includes Mr . Robert Michaelis , Mr. W . H . Berry ,
and Miss Lily Elsie .
Mrs. Percy Dearmer 's mystery play , “ The Play .
mate , " which was performed last year , has been
published by Messrs . Mowbray &amp; Co. , with illus
trations by Helen Stratton .
Mr. J . B . Fagan has just completed a modern
three -act play , “ The Wheel ," the scene of which

by

Miss Agnes Deans Cameron was sent through
Canada by the Canadian Government to prepare
delivered in
for lectures , which she has since
England , showing the desirability of emigration
The example of the Canadian Government has
been followed by the Australian Government , who
have sent Miss Beatrice Grimshaw
to explore
Papua , while the British South African Company
have also engaged a woman , Miss E . A . Maidmend ,
promotion work
to
do agricultural
for South

at be

112

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matinée and soirée entirely
composed
the poet
works were both greatly
appreciated
the admirers
Musset
the theatrical
the season
One
the events
pening
world has been the
the Shakespeare
The
Camille
Sainte Croix with
Theatre by
Taming
the Shrew
Ecole
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Grièche
plays
Shakespeare
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the Revue
Deux
Faguet writes
Liberalisme
Etatisme
René Doumic studies the works
Alfred Capus and
Paul Leroy Beaulieu

writes
Eventualité
Syndicaliste
Correspondant

rescue
the family
Geneviève
then discorers
his real worth breaks off her engagement and
marries him
Carnaval des enfants
Saint
Georges
Bouhélier has had great success
the
Théâtre des Arts
Alfred de Musset was com
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Among other new books are
Auteurs
Vicomte
Broc
Lions
Emile
Baumann
Claude Farrère
Pour
tuer
Georges Ohnet

uncle who
the brink
ruin
willing
this provided that his cousin
engaged
Geneviève
will marry him
She
Etienne
then
inflexible
but when Geneviève
brother
about
commit suicide and his sister
appeals
him
he finally yields and comes
the
rescue

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be

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Du Bosc
Gabriel Decrues Goussault Duchess
Other books
Liancourt and James Lawrence
this author are entitled
Le Mensonge
Au Caur
Autour du Féminisme
Féminisme
Féminisine
La Trouée Féministe and
Suffrago des Femmes
ent writing

Capus
Aventurier
Alfred
still
the bill
the Porte Saint Martin
Like
happy
this author plays the
Aventurier
has
ending
Etienne Ranson the scapegrace
the
family leaves the country
debt and comes back
wealthy man
He
then invited
come
the

to

by

.

given

many different lines from women
society
according
various classes
the
quoted Christine
passages
Pisan expected com
petence
matters
economics
administration
agriculture and finance from the women for whom
she wrote
The other chapters
the volume are
Aubigné
Erasmus Corneille Agrippa Agrippa
Gournay
Joseph
Maistre De Escale Mlle

Mondes

”

of on

- .

is

it

which we ourselves

book written
Joran entitled
Les
Féministes avant
Féminisme
curious and
interesting and might
read with profit
the
saffragettes and the suffragists
day
The
volume
dedicated
woman and the preface
written by
woman
Joran endeavours
show the
difference between
the ideals
the
large
women
former times and the demands
day
group
the women
The first chapter
this book
devoted
Christine
Pisan and her book
Le Trésor
Cité des Dames
one
the works written by her
interesting
between
1399 and 1405
find
many centuries ago
that
woman should expect
The

competence

Guy
Montbel pnblishes the souvenirs
his grandfather Comte
Montbel under the
title
Sur les routes
exil
and Jules
Lemaître
lecture
Les Péchés
Sainte
published
Beuve
full
the Odéon
Roméo
Juliette
now being
At

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avocats
M

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appreciated
for very many years
His book
literary questions and another one
questions
present
social economy were both eagerly read
giving
series
articles
the Argentine
published later
which will
volume form
England
pro
When
turns
attention

among others
Europe
Balance politique
very
Orient
Gabriel Hanotaux and
Orients and
curious
Cheñu
ab instructive article
instructive
former Batonnier
de Ordre des avocats
Le
Centennaire
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all readers
the Figaro Jules
investigations have
thoroughly
Huret
been

113

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THE AUTHOR .

114

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LICENCE

BOWDEN BROS . v . AMALGAMATED

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the offer could
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The contention that the defen
dants had
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photographs was erroneous
The plaintiffs were
injunction
The damages
therefore entitled
to

of

.

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-

176 179

Lotinga
doubt convinced himself that the
arrangement entitled him
what
claimed
but the legal effect
was that Mr Lotinga
was not bound
use the photographs supplied
any photographs the offer
and until acceptance
could
withdrawn
After acceptance and com
munication thereof
the plaintiffs there would
concluded contract
each photograph accepted

,

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W ,
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WICKERSHAM
Attorney General
the
the Attorneys General

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And the same rule should
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the copyright that the book should
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but the entire work can
then
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provisions
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Respectfully

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find any authorities showing that
construed
other similar statutes have been
For these reasons
the opinion that
application should
refused when the deposit
made
shown
either
the first three inquiries

right

law

restrain publication
which was threatened
and
intended
the defendants
On behalf
the defendants
was urged that the
produce and reproduce
contract entitled them
the photographs which had been supplied
them
publish
and that they had
irrevocable licence
those which they had used
selected for produc
tion
the terms arranged between the plaintiffs
and Mr Lotinga
Mr Justice Parker
his judgment said that
on

able

the plaintiffs claimed their common

.

been

and Lotinga ' s Weekly .
supplied
photographs
The plaintiffs
to Mr.
Lotinga when he was proprietor of the Throne ,
and agreed to a reduction in the price owing to
the financial condition of that paper .
The price
for the first use of a photo was reduced to 5s., and
for any subsequent reproduction
the price was
2s . 6d .
In 1910 , when Mr. Lotinga caused the
defendant company to be incorporated
for the
purpose of taking over the Throne and Lotinga ' s
Weekly , the plaintiffs pointed out that a statement
in the prospectus that their blocks were of great
value was erroneous , as the permission
of the
plaintiffs was required for any reproduction of
their photographs .
In April the plaintiffs terminated their arrange
ments as to the supply of photographs
these
papers
The defendants
however
continued
use the photographs and blocks and the plaintiffs
who had registered their copyright
the photo
graphs which
published
had been
sued
the
copyright
defendants for infringement
As
those photographs which had not been published

.

part

of

in

,

of

.

stantial merit would become the custom
But
independent
this consideration there appears
be nothing
the statute which implies that but

H

in

is

- of

to

of

a

of

,

to

be

.

it If

,

-

im

of

; .

to

.

in

sect

31

15

nor the prohibitions against importations
would apply
the parts not copy
righted
and the publisher
could have the entire
remainder
the book printed
abroad and
ported
and here bound with the four chapters
printed within the United
States
the law
permit this
quite
should
construed
probable that the copyrighting
part
but
very sub
books which are not supposed
be
sect

, LTD .

PICTORIALS

I

a

,

in

purports

.

E plaintiffs in this case are a firm of photo
graphers supplying photographs for publi
cation in the Press at the usual trade price
of 10s . 6d ., and the defendant company is pro
prietor of the papers called Throne and Country

M

to be a complete work .
If
be afforded these four chapters , no other
could
afford to publish the remainder of
the book , and though not legally protected by
copyright get the protection of the remaining
portion would in fact be perfect . But at the same
time peither the manufacturing provisions

pamphlet
protection
publisher

COPY PHOTOGRAPHS

TO

of

tion of copyrighted books not manufactured
in
accordance with the provisions of sect . 15 is pro
hibited . Each part of the Act should be so con
strued as to give effect to the legislative intent in
the enactment of every other part.
And to hold
that a mere fragment of a book could be copy
righted , would open the door to the most extensive
evasions of the manufacturing provisions of the Act .
For illustration , the Librarian of Congress
transmits through you what appears to be a
booklet in pamphlet form of fifty -one pages , on
the last of which appear the words “ The end .”
This has been filed with the Register of Copyrights
under sect . 21 for ad interim protection .
But as
a matter of fact, this pamphlet
contains only the
first four chapters of the book , and how many more
there are and of how many volumes the entire
work consists there is nothing to indicate ; nor
could
the extent of the work make any difference
; nor
so far as the principle involved is concerned
can the principle be affected by the fact that the

115

�THE AUTHOR

HARDY .

HAROLD

LIBEL

NOVEL .

A

it

“ Harold ” because

The jury found
£200 damages

to balance

seemed

verdict

a

Belcher
the plaintiff

.

.

IN

of being attacked by her .
Some years ago she
obtained an engagement in a chorus , in order to
get knowledge and local colour for her story .
The
Bedford Hotel was certainly in her mind when she
mentioned the “ Cambridge Head . "
She had not
depicted Belcher
as a scamp , but he was so
described by one of the characters in the story ,
being upset through
jealousy .
She chose the
name “ Belcher " because it was euphonious , and
for

were assessed at 108. Gd . for each iŋfringement ,
and a penalty for the same amount was held to be
sufficient, because the defendants bona fide believed
they had a right to do what they had done .

.

for

116

in

,

he

an it

, .

,

in

.

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to *

up

a

,

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,

in

an

,

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to

if

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of

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in

to

be

.

1910

.

January

,

The Author

,

•

,

of

Reported

in

.

of

"

"

",

.
Dr
.

.

,

.

de

.

.

.

.

Imagination

.

.

.

.

CENTURY

By

NINETEENTH

.

to

.
By

.

of

.

-

A

.

.

of

.

,

Ph
. ”
D

“

The Modernism
Thomas Aquinas
the Rev
Francis Aveling
Plea for the Nationalisation
our Sculpture
Reynolds Stephens

W

,

By
H .

.

By

.

.

in

for

no

.

.

His Excellency the Hon Whitelaw Reid
Tolstoy
Francis Gribble
Two German Theatres
Granville Barker

,

,

,

.

.

By

Byron

it

”,

.

Pollock
Benson

FORTNIGHTLY

.

in

of

in

,

.
C
.

.

.

K

J.

to

it

Stephen

By Sir Frederick

a

it

Arabiniana

By
A

of .

,

A

of

of
a

“

Popular

Christ and

CORNHILL

witnesses were called who said that
the story and thought
referred
general topic
the plaintiff and that
had been
theatrical circies
conversation
On behalf
the defendants
was urged that
Motley and Tinsel
was mere fiction
the form
sensational novel and that the most powerful
agent
the world could not have been taken
the plaintiff
Among witnesses called
the defence Miss
Jones the authoress stated that she had written
about forty serials and
one had ever complained
be

.

's

of

II
.

:

-

”

's

or

of

“

Collins
Literary Supplement

meant himself
number
they had read

REVIEW

.

"

in

CONTEMPORARY

Tolstoy
The Unity
Life and Work
Charles
Sarollea
By
Anatole France
Count
Soissons
By George Lilley
Debussy
Pélleas
Mélisande
By
Shakespearean
Theatres
the late Prof Thornton

,

,

“

to

“

, ,

.

of

,

.

hood were mentioned
their own
similar
names
Mr Marshall the proprietor
the Bed
ford Hotel for instance stated that he considered
Marshall
the characters named
that one

CONTENTS

By

to in

his

,
”

by

of

“

,
” 's
,
"

.

In

on

.”

MAGAZINE

et

to

”

,

on

“
“

HARDY

HAROLD

“

,

,

for

to

to

to

in
a a

.

,

an

,
a

“
a

;

as

a

of

-

",

,

an 's in

of

as

of

it

in a

as

in
a

of

a

a

”

,

in

in

he

,

,

and stated that the authoress
had drawn
her own real experiences
that the story was
true
life
and that
the characters were real
men and women
agency business
The plaintiff carried
Maiden Lane
the story reference was made
Rule
and the Bodega
also
the Bedford
Cambridge Head
Hotel under the name
the
and several persons well known
the neighbour
life

ter

in

,

.

,

's ,
“

of

.

in

“

of

1

,

M

action
libel
which the
Harold
Belcher
theatrical
agent claimed damages against the proprie
Lloyd
Weekly News
respect
tors
serial
Motley and Tinsel which appeared
story entitled
that paper
The story was written by Miss Ada Jones under
Margaret Hamilton
the name
and the open
ing scene was laid
the offices
theatrical
agent called Harold Belcher who was described
the most powerful agent
the world
The
narrative dealt with Belcher
behaviour towards
girl for whom
important part
obtained
play and the jealousy
her lover
actor who
scamp and
denounced Belcher
thief
The advertisement
the newspaper announcing
story
the serial described
the stage
stage
revealing one
the most vivid pictures

Mr

plaintiff

This case recalls the recent decision
the
House
Lords when Mr Artemus Jones recovered
damages
libel
and Mr Justice
Bucknill
his summing
the jury pointed out that
was not necessary that there should have been
intention
libel the plaintiff
but that
was
damages
they believed that people
entitled
understood the story
refer
him
Novelists
should bear
mind however that local surround
ings and coincidences are evidence from which the
jury may infer that
naming
author
charac
particular individual
work
fiction had
mind
and under such circumstances the jury
might more readily conclude that that individual
was understood
referred
the story
of

.

,

LTD

in

was

LLOYD

for

.

EDWARD

an

HIS

v

BELCHER

�THE AUTHOR .

obtained . But the transaction
should be managed by a
competent agent , or with the advice of the Secretary of
the Society .

18.

is

.

It to

to

all

to

to

an

.

in

.

.

.

,

of

.

of of

a

of

:

to

.

of

of

an

:

.

if

by

.

.

.

to

.

is
a

,
in

of

or

be

,

.

DRAMATIC

AUTHORS

.

WARNINGS

per

EVER

it
to

sign an agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
manager
or

for

£1

copyright

an

in

be

. of

:

dramatic

contract

.

on

of

of

a

by
a in

unsatisfactory
such
contract should stipulate
the contract
for production
the piece
certain date
and for proper publication
his name
the
play bills

-

a

,

satisfactory

for plays

performing right
This
An author who enters into

the

.

three forms

more acts
outright

of

a

or

Sale
is

of

:

.

it

Outright

sometimes

if

is

1
.

Selling

This

are

.

.

an
be

to

a

.

n

observed
few standing rules
agreement
dealing
There are four methods
with literary property

three

(a
.)

in

proper price can

be

ITERE are

of to

It

There

is

2
.

THE PRODUCERS
BOOKS

in

OF

3

WARNINGS

.

TO

.

of

or £10 108.

to the Society
is
life membership .

transfer

of

annum

,

N

9. The subscription

Always avoid

of

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; so
do some publishers . Members can make their own
deductions and act accordingly .

agreement are combinations
All other forms
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary of the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements
letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
inspection
The
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld
a

This
The

General

TO

7. Many agents neglect to stamp agreements .
must be done within fourteen days of first execution .
Secretary will undertake it on behalf of members .

The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

.

6. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
consideration the contracts with publishers
submitted to
them by literary agents , and are recommended to submit
them for interpretation and explanation
to the Secretary
of the Society .

Commission Agreement

A

5. The Committee
have arranged for the reception of
members ' agreements and their preservation
in a fire
proof safe.
The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe .
The Society now offers :
(1) To stamp agreements in readiness for a possible action
upon them .
( 2) To keep agreements .
( 3) To enforce
payments due according to agreements . Fuller particu
lars of the Society ' s work can be obtained
in the
Prospectus .

.

if

The Royalty System .
This is perhaps , with certain limitations , the best form
of agreement . It is above
things necessary
know
what the proposed royalty means
both sides
now
possible for
author
ascertain approximately
the
truth
From time
time very important figures connected
with royalties are published
The Author

. of
a

4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even
you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .

III.

IV

send

( (
(3 2
.) .) .1)

any agreement whatever ,
3. Before signing
the document to the Society for examination .

II . A Profit - Sharing Agreement ( a bad form of
agreement ).
In this case the following rules should be attended to :
(1.) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation .
( 2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments .
Therefore keep control of the advertisements .
(3.) Not to allow a special charge for “ office expenses ,"
unless the same allowance is made to the author ,
( 4. ) Not to give up American , Colonial, or Continental
rights .
(5. ) Not to give up serial or translation rights .
(6.) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or
doctor |

(1
).

VERY

U

.

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , wili obtain counsel ' s opinion
any cost to the member .
Moreover , where counsel ' s
opinion is favourable, and the sanction of the Committee
is obtained , action will be iaken on behalf of the aggrieved
member , and all costs borne by the Society .
2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi.
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
1.

(
2
.)

.

USE THE SOCIETY

to

TO

(3
.)

HOW

117

�THE AUTHOR .

or

by

of

.

,
as

,

be

of

to

,

.

of

.

-

.

.

on

of

.

or

6d

's

in

of

fee

to

'

to

is

.

.
in

,
. .

is

it

,

of

of

,

,

. be

.

by
a .

of

.

to

REMITTANCES

sent

of
by

be

Lane

,

Chancery

or

.

be

of

to

of

Smiths
Bank
letter only

,

the same
charged for

give notice
The Secretary
the Society begs
post
that all remittances are acknowledged by return
All remittances should
crossed Union
London and

.

to

of

will

.

at

.

of

play

of

to

,

in

be

an

TO
of be

It

.

,

.

,

.

6d
.

.

28

of

at

,

rules with the exception that
per act
the price

filed subject

be

Plays may also

a be

Original

to

at
a

of

be

in

.

be

or
a

a

of

D

to

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
be carefully compared by the Secretary
qualified assis
stamped and returned
tant
One copy will
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may
obtained
the author only
typing
small charge
cover cost

is

, on

OCENARIOS

,

in

of

.

of

as

,

.

.

In

to

.

'
ans

.

greatly assist the Society
this
its work by informing young writers
existence
Their MSS can
read and
composition
treated
treated
coach
The term
MSS includes not only works
fiction
but poetry
possible
and dramatic works and when
under
special arrangement
technical and scientific works
The
competence
experience
Readers are writers
and
The
guinea
fee
one
is

AND

BRANCH

will

EMBERS
its

SCENARIOS

,

a

to .

THE READING
branch

PLAYS

MUSIC

stamp copies
The Society undertakes
music
per 100
part
behalf
its members for the
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
Secretary
and the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

as of
a

OF

REGISTRATION
ORIGINAL

;

all

in
to

STAMPING

M

11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily
be incomplete , on
account of the wide range of the subject of dramatic con
,
tracts those authors desirous of further information
are referred to the Secretary of the Society .

can
added
the warnings given for the
producers
assistance
books and
dramatic
pointed out that
authors
must however
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
performing right and copyright
deal with
He
especially
should
careful therefore when entering into
particular
agreement
an
and should take into
consideration
the warnings stated above
be

for collaboration
should
be carefully
drawn and executed before collaboration
is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .

MUSICAL COMPOS ERS

of

consideration .
9. Agreements

TITTLE

.

8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining a substantial

WARNINGS

, ,

7. Authors should remember that performing rights in a
play are distinct from literary copyright .
A manager
holding the performing right or licence to perform cannot
print the book of the words .

AND AGENTS .

authors should seek the advice of the
Society
plays into the hands of
before putting
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual claim to a percentage on the author ' s fees
from it . As far as the placing
of plays is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations
with different
individuals , and also for the collection of fees in foreign
countries , almost
dramatic authors employ agents
and
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
bave influence with managers
the placing
principals by offering
purchase
who propose
act
rights
any case
the author
the present state
agent
employed under any
the law
should not
agreement approved
circumstances without
the
Society

L

5 . Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important .
rights , but
6 . Authors
should not assign performing
should grant a licence to perform . The legal distinction
is of great importance ,

AUTHORS

RAMATIC

a

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .

DRAMATIC

of

(6.) Sale of performing right or of a licence to
perform
on the basis
of percentages
on
gross receipts .
Percentages
vary between
5
and 15 per cent.
An author should obtain
a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
(c. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i .e. , fixed
nightly fees). This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case.

.

118

registered

�THE AUTHOR .

and other articles entering into the manufacture
of books , for there is a decided public demand
the freeing
books
well
works
art from
duty
and unless book materials are freed from
publishers will
excessive duties
the American
placed
the inverted position
manufacturers
paying high duties
all their materials and
having their products subject
competition from
countries where the materials
books are less
burdened with tariff duties
altogether free from
burdened

,

of

as

be

or

of

to

on

,

,

as

,

-

“

“

”

”,

in

.

in

an

-

It

be

a

is

on

of

of

by

.

a

,

be

to

.

it

is to

,

to

to

is

by

all

of

It

to

.

.

.

,

in

is

of

of ,

If

,

?

of

no

to

be

-

. -

of

countries standing outside the Berne Convention
their allegiance and the countries
have given
whose legislation has been backward have gradually
gone forward towards the ideal
possible for England also
join
Would
not
this Pan American
Union the text
which
printed
another column
this were the case
doubt
the next meeting
the Delegates

it

of

,

be

in

ignorant legislation than
step back
from
the
that they have laid before themselves
Gradually this policy has borne good fruit
The
ideals

in -

in

, .

If

as

,

in

of

,

has been
the policy
countries
bear patiently the burden imposed
this

,

is

,

an

be

,

in

-

world
rather

by

it

of

be

of

If

.

by

its

be

for

to

market
South America
for American books
the Spanish language such
have already been
the
produced here
the educatioual field
Pan American Union can be completed with the
participation
the United States the next and
the consolidation
indeed final step should
the International Copyright Union and the Pan
American Union
one body
world wide rela
tionship like the Universal Postal Union

Congress may be
extra
The Pan American
do away with
power
force the United States
the printing clause and the greater the pressure
brought
that
bear the better will
for
not impossible that with the
all parties
freedom
obtained by Canada with regard
new
printing clause will
set
copyright legislation
Any
up by the Canadians against the Americans
retrograde step
any country
this kind
very serious blemish
the copyright ideals
the

.

:

.

of

it

in

of
of a

other formalities
than those
and
work
the country of origin
ratification
difficult
its broader lines make
Under
1909
under our copyright legislation
that legislation the United States could accept
only with reservation
deposit
the necessity
any way could
and manufacture here
found
acceptance
early ratification that
most
increasing
desired for there should
required

Pan American
headed
The two paragraphs
Tariffs and Book Produc
American
and
Union
give an insight into the views taken by some
tion
the parties
the United
States who are
interested
these important questions

to

-

of

.

It

of

to

as

to

Buenos Aires convention bears
the Mexico con
the same relation
the Berlin
the Berne Paris
bears
1908
convention
provides
agreement
that copyright should
the American
the republics
extend throughout

continents without

.

of

of

The

1896

.

agreement

Paris

the

of

and

them

in to

.

- at

by

to

on

a

,

a

is

at

at

,

a

,

THE President announces that he will lay before
ore
the Senate with
recommendation for ratification
adopted
the copyright convention
the Pan
American Congress
Buenos Aires
The United
tardy ratification
already
party
States
the convention agreed upon
Mexico City
1902
which constituted
Pan American Union
the International
lines somewhat similar
Copyright Union under the Berne convention

in

(

.)

by

of

'

of

York

)

-

(

Reprinted from the Publishers Weekly New
kind permission
the Editor

1886

,

,

UNION

.

PAN AMERICAN

as

of

for

GENERAL NOTES .

119

.

be
a

of no

at

,

for

.

;

THE

UNITED STATES

.

AND

We have

to

of

a

,

,

of

a

by

on

of

Congress
received from the Library
note stating that
the 8th day
proclamation was issued
December 1910
the
President
the United
States under
which
Germany and America are entitled
reciprocal

Washington

,

is
a

all

,

in

be

for

GERMANY

,

be to

. ,

to

of

be

,

in

,

to

is

,

for

,

,

serious danger before American book publishers
unless the tariff should
reduced
the matter
paper making and
paper
the materials

of

.

.

to

have heard from the country
The
duties
wood pulp
instance have had more
likely
give
examination than any tariff board
them
and newspaper publishers though
sure
urging that
interested parties
are unanimous
duty which would
wood pulp
made free
afford some check
the paper trust
There
on

pot seem

-

,

of

on

to

postpone tariff reduction
The President seeks
specific
until the tariff commission shall report
schedules some time during the sessions
the sixty
second Congress 1911 1912
The President does

be

,

International Copyright the Berlin Convention
and the Buenos Aires Conference would
consoli
dated
into one and copyright would practically
great
become worldwide
There will
doubt
English books
market
the future
the sale
South America
indeed
even
the present time
Tauchnitz editions sell well there

,

PRODUCTION

in

BooK

AND

in

TARIFFS

.

AMERICAN

�THE AUTHOR .

benefits under the American and German Copyright
Laws.
It is to be hoped that with the extension of these
reciprocal rights the United States will see their
way finally to join the Berne Convention , and

COPYRIGHT.

a

to in

is

.

of

of

an

by

to

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in a

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in

of

.

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,

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to

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if

,

to

is a

,

is

if

that

seen

even

it

or It

will

weekly
interim protection

by

,

cover this point
English authors

running monthly
serial
impossible
obtain
the
granted under the present Act
and even
was issued daily
would
doubtful
story
say
whether
100 000 words could
daily paper
possible
run through
make
for the author
file the complete story
Washington within thirty days
the first issue

,

,

in ,

by

,

,

of

up

forward
sinall Bill
brings
serious hardship

which

,

If

bring

,

to

it,

.

in

to

in

to

on

an

of

in

.

in

a

of

to

be

an

, It

of

an

,

in

to

.

,

.

,

.

in

.

six

is

(

of

American
contract
the
advance
the other
America and making
copies
formal publication
certain number
English
England while the story runs serially
magazine
Both these methods are unsatisfactory
great pity when the American authorities
were drafting the new Bill that they did not take
into some consideration
the question
serials
running through English magazines
possible
Would
not
the United
States

a

's

to

or

the

author well
having the book set up

in

,

of

no

It

is

to in

of

secure

English

AND
THEATRICAL
SKETCHES

-

,

If
,

MUSIC HALL

of

of

is

,

;
in

,

in

on

in

to

as

of

of

A

A

to

, . of

be

II
.,

25

of

to

",

is

of

,

is

as

as

to

to

,

,

,

is

.

with music halls

-

accordingly

,

licences and

,

,

"

,

to

,

in

E

36

of

in

lie

in

it to

;

.

of

,

;

,

as

lie
,

;

It

.

is
in

sheets

it ,

of

of

)

.

does not
some assert
the fact
read American authors
that Americans prefer
English anthors that
this fact
does not
America and
evident from the book reviews
books that are sent over
from the great number

lisher

ND

places
whereas the multitude
entertain
people
ment for the lower sort
another great
they are thereby
cause
thefts and robberies
tempted
spend their small substance
rioious
consequence are put
pleasures and
unlawful methods
supplying their wants and renewing their pleasures
prevent the said temptation
order therefore
thefts
may
and robberies and
correct
far
the habit
idleness which
become too general over the whole king
productive
much mischief and inconvenience
dom and
be
enacted
George
the Act
the preamble
This
chapter
which deals with music and dancing

,

in

to

is

( it

,

,

.

,

is

.

a

,

in

is

it or

a

to

an

.

(

'

,

we

of

all

,

the American copyright should
included
their
agreement have never made any effort
obtain
but have merely sold
edition
sheets
the
say that many
United States market
We regret
agents have not only approved these agreements
but have thrown cold water
the wishes
their
authors that they should take
with keenness the
placing
their works with
American publisher
doubt matter which causes the agent con
siderable inconvenience and trouble and perhaps
the first instance will not bring
much money
brings but little pecuniary
the agent pocket
return
the publisher who gains more
the sale
spite
the sheets
But
this we insist that
all authors should begin early
their endeavour
they began
say
secure the American market
three
months before they allowed the agent
the publisher
offer
the English publication
most probable that the American market would
be secured and the author would receive
conse
quence double payment for his work
however
pursued that the English
the alternative course
publisher gets the first offer and that then only the
agent commences with the Ainerican negotiations
almost impossible
succeed
the time
necessarily limited
between the signing
the
English contract and the date
English publica
tion
The fault lies primarily with the author
secondly
himself for not being more insistent
with the agent and thirdly with the English pub

be

to

of

of

,

).

to

trying

to

of

,

of

register
affects the ability
serial which
English magazine
running through
There
meeting the difficulty
appear
only two ways
satisfactorily
running the serial
The first
production
simultaneously
through
American
magazine
this again emphasises the importance

be

U S A

is
a

. . .

AND

the

AUTHORS

liberty
printing
have taken
this
number
The Author statements referring
the
American Copyright Law and the position under
Copy
that law from the report
the Register
rights
and from
the Publishers Weekly
New
things are
York
As
these
the greatest
English
interest
authors
wish that they
obtaining
would realise more fully the importance
say that
full American copyright We regret
English publishers
recently before the
cases
society having insisted that the power
deal with

It

ENGLISH

,

themselves from the shackles which make
at present the laughing -stock of civilised
nations as far as copyright is concerned .
them

in

We have taken the liberty of publishing in
full in another column the opinion of the Attorney
General of the U .S .A . on the registration
of a
fragment of a book . All authors should read it
with diligence and discernment , as many believe
that copyright can be obtained in the United States
by such an incomplete registration .
This opinion ,
while it does not so much affect the ability to
register
seriously
very
work
book
form

deliver

We

REGISTRATION
IN
THE U . S. A . AND
ENGLISH
SERIAL RIGHTS .

BOOK

to

120

The

�THE AUTHOR .
;

to

is

or

be

(

no

of

,

by

or

.

an

its

as
a to

of

to

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.

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a

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.

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as
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-

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is

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of

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to

,

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it

in

.

be

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paragraph

amusing aspect
affords
the views
misrepresents the position entirely
Having regard
The paragraph runs
follows

.

“

:

taken

as

,

We need
Entertainment Protection Association
far
that letter except
not discuss the points
deals with the legality
the position taken
these associations
but the commencement
one
an

by-

a

-

of

in

be

,

illegal Indeed
the face
the fact that the theatrical managers and the music
hall managers were somewhat afraid
the position
shown
letter signed
the three solicitors
the Society
West End Theatres
the
Theatrical Managers
Association
and
the

ment which was

it

.
by

-

of

,

a

be

of

.

,

be

,

.

,

,

.

.

of

ill
-

of

of

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,

of

,

.P
.,

M

,

,

-

a

at

its a

for

at

,

at
,

in

then held and again the dramatists were ignored
merely
The second conference appeared
confirming
the sake
the first conference
suggested however
reduction
the time limit
years
upon
seven
and for impressing
the
members
the two associations that they were
agree
gentlemen
bound
act
honour

as

of

.
a

,

a

in

of

in a

,

as
a

;

be

.

an

a

,

,

of -

,

a

comment was excited
the time
conference
was called between the theatrical and music hall
managers
which
certain agreement was
having
object the end
arrived
sketch
prosecutions
The main points
this agreement were that not
any
presented
more than two sketches should
Of these two sketches one should
one programme
per
not last more than twenty minutes should
represented
formed
one scene and should
only four characters
The second sketch might
presented with any number
scenes and supers
but should be represented by no more than six

Richard
was likely
lower the tone
music
hall entertainment
was clear that the only
end
view was the desire
the managers
protect their own pockets
Another conference was
in

by

a

at

so

of

,

,

on

.

,

be

-

Parliament

III
III

to

to

,

a

,

a

.

a

short Bill making the perform
ance of sketches
music halls legal
This Bill
by the friends
was blocked
the theatrical
managers
and being
Bill brought forward
private member had little chance
being dis
great deal
feeling and Press
cussed
but
before

produce dramatic pieces contrary
were allowed
the agreement the wrath
the managers was
aroused when Seymour Hicks produced part
Richard
No one could possibly say that Sarah
Bernhardt performance
that Seymour Hicks

of

,

,

,

.

,

's

,

of

his

.

to

,

to

test case and were successful using for their own
entirely different
ends an Act which was passed for
purpose
This action
the part
the theatrical
managers naturally raised stir amongst the music
hall managers who found the kind
theatrical
entertainment that they were putting before their
They realised
customers popular and successful
stage play could
however that strictly speaking
building that was licensed
only
performed
presenting stage plays
for the purpose
The
music halls had only music and dancing licences
The music ball managers
therefore
excited
the
Captain
interest
Jessel
who brought

copyright
This agreement was faithfully followed for some
began
time but then again
broken
needless
mention the many cases
which
was
Although Sarah Bernhardt and others
broken

,

it it

,

as

-

of

.,
,
"

,

etc

“

to

which they were already
doing
method
the fact that
theatrical performance
music
hall was illegal and rendered the manager subject
prosecution
They accordingly
carried through

,

crush out the competition
feeling immediately saw

It

.

at

-

one

tains
scene that would make
excellent sketch
though the play
whole may
failure
extraordinary
thing that the
seems
managers
theatres and music halls should have
called this conference and entered into this agree
ment putting limitations
the use
another
person
property without taking the trouble
this
consult those who were the originators
property
the same spirit which animated
those who called for the type setting clauses
America
and which animates the public generally
legislate for the holders
when they endeavour

to

be of it

it to

,

of

at

of
to

produce sketches

deprive both the
open attempt
This was
dramatist and the touring manager
the right
utilise stage play
sketch after
value
Many
stage play had been exhausted
play con

to

to

a

In

.

,

a

,

be

.

to

be

worth while

the turns
instead
comic songs dancing
acrobats
etc
The manager
idea naturally
performance
was
raise the tone
and
incidentally
secure broader
custom
The
theatrical managers fearing that the custom might
be taken away from the theatres and wishing

adapted from any
sketch should
taken
stage play
dramatic
entertainment
which had
been
licensed
the Lord Chamberlain
until
after the expiration
fifteen years from the first
performance

( is
1
)

-

of

by

in

an

,

it

of

an

,

of

might

singing or speaking characters , and should not
perform
take longer than thirty minutes
and
this
the point which materially affects dramatists

it

therefore , which was passed for the protection
the public and
the raising
music hall
entertainments
would appear has been arbitrarily
used by theatrical managers
endeavour
preventing the
debase these entertainments
performance
legitimate theatrical pieces
few words the managers are for their own selfish
purpose for which
Act for
ends utilising
Perhaps although
was never intended
most
may
our readers they may
well known
repeat the facts
worth while
the case
When the performances
the music ball reached
present hold
the high standard which they
struck the managers
the music halls that
for

Act ,

of

121

�THE AUTHOR

or

to

,

it

as

.

or

be

or to

or

,

of or

his

,

by

,

. ,

.

,

,

,

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of

to

or

it

in

.

fix

of

,

it

be

in

of

in

,

,

;

a

of

in

of

as

be

.

its

.
7
.

of

in

as

or

,

as

of

.
.

of

of ,

in

by

,

,

or

,

of

its

.

3

,

in

of

of

to

be

no

. be

in

-

to

in

or

in

is

as

of

in

,

of

— so

in

its

.
8
.
.
9
.

.

in

,

, .

of

of

to

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in

be

, ,

of

.

or

10

of

of

in

be

of

,

of in

or

,

,

be

or

,

authors

With

the

exception

of

of

in

its

-

of

of

in

,

,

11
.

,

or

,

. be

,

;

,

, ,

;

or

a

in

,

Literary scientific
ART
artistic works
whaterer may
the subject thereof published
newspapers
any
reviews
the countries
reproduced
the Union shall not
the other
countries without the previous consent
the

.

,

or -

,

en

or

a

,

,

to

or

.
3
.

,

in

,

it

to

,

it

a

of

,

of

,

of

;

or

,

;

;

geographical
spheres
plans sketches
plastic
geography geology topography
works relating
any science
architecture
and finally they also
comprise every production that can
published
by any printing
reproducing process
pro
ART
The recognition
the right
perty obtained
conformity with its
State
laws shall fully and legally have
effects
the
complying
other States
without the necessity
provided there shall
with any other formality

other translations
the work
ART
The speeches delivered
read
deliberating assemblies before the courts
justice
public meetings may
published
the
newspapers without any authorisation
whatever
this right being subject
the provisions
the
internal laws
each State concerning the matter

.

is

all

of

,

be

-

be

,

"

“

.
2
.

By
literary and artistic works
ART
meant the books articles pamphlets
kinds
whatever may
the subject they deal with and
whatever
the number
the pages thereof
choregraphic
dramatic
musical works those
character musical compositions with
without
sculptures
words drawings paintings
and
gravings
photographic
works
astronomical

in

conventions

.

in

of

of

.
1
.

ART
The signatory
States recognise and
protect the rights
literary and artistic property
conformity with the stipulations
the present

successors
the same
authorise the
any form

Any work that did not obtain
ART
literary property from
the beginning shall not
acquire the same
subsequent editions
pro
ART
Authorised
translations shall
original works
tected
the same manner
The translators
works
which there
guaranteed property
which the same has
expired shall have the right
obtain
far
the translations
thereof
are concerned
the
right
property specified
article
but they
prevent the publication
shall not
able

.

Con
Aires

a literary

of

as

American
Buenos

:

in

,

1

.)

International
assembled

, -

Fourth

ference
resolves

or

(

'

of

M

HE

York

)

Weekly
the Publishers
New
kind permission
the Editor

from

by

.

(

Reprinted

,

to

COPYRIGHT CONVENTION OF THE
PAN AMERICAN
CONGRESS
AT
BUENOS AIRES
-

THE

or of

its

to

,

it

to

of

it,

in

.

of 5.

in

to

-

of

.

to

one licence

Authors

,

in

be

in

by

,

of

be subject

the

their successors whether
foreign shall enjoy
the signatory
States the rights granted
the respective laws
but said rights shall not exceed the period
protection granted
origin
the country
works consisting
several volumes
the case
which are not published together
well
the
periodical publications
case
bulletins serials
property shall commence
the term
the right
count with regard
each volume
bulletin
periodical publication
serial
from the respective
publication
date
regarded
ART
The following shall
the
country
origin
work
that
which
was
pub
first published
America and
case said
lication has been simultaneously made
several
the signatory countries
then
shall
the one
protection
which shall
the shortest term
resident

of

-

is

be

by

a

of

to on

it

to

no

(
2
)

;

exploit him
that every effort must
made
accordance with the view
have the law altered
already adopted
the Dramatic Sub Committee
entertainment should
the society that places

ART

or

, to -

be

,

?

to

(
1
)

is

it

if

:

's

of

,

?

why have not the dramatists been consulted
What therefore must
done from the drama
tist point
view
There are two main lines
illegal
find out how far this action
take
illegal
prevent
and
the sound prin
right
ciple that
hampered
artist has
the production
his art
the tradesmen who

showing

regarded
ART
The following shall
the
protected work except when proofs
author
the contrary are produced
He whose name
pseudonym
shall be expressed therein and conse
quently the action brought
the author
infringers
representative
against plagiarists
the several
shall
admitted before the courts
signatory countries

,

the hands

,

if

,

the authorities have
the parties interested

and

,

in

left the issue

passed

of

that the Act was

be

,

it

to

it,

to

to

-

at

This is an absurd view of the situation .
The authorities have not enforced action against
those who have run sketches
music balls because
they saw that these sketches tended
raise the
and
was only
debase
entertainment and not
protect the public against improper performances

the work any statement
of the property .
ART . 4 . The right of property
or artistic work includes for
author
dispose
the exclusive right
publish
sell
translate
reproduce
translation
and
partially
either
its entirety
in

.
6
.

etc . , etc . ”

appear

reservation

,

to the fact that the present Act of Parliament has
by apparently the common consent of the authori ties been left to the parties interested to enforce,

.

In

122

the

aforesaid

�THE AUTHOR .

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in

.

so

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to

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of

of so

of

,

it

be

,

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.

a

so

of

of

'

of

the thirties
the last century arose the
Newgate
School
Fiction which made
highwaymen
heroes
and other offenders
and
created
false sympathy for the vicious and
The ingenious Bulwer ytton
criminal
was

At

TN

NEWGATE

THE

FICTION

.

SCHOOL

a

of

in

,

of

I

of

.

“ “

to

of

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to

to

other

,
”

AND
OF

THACKERAY

in

,

,

a

,

,

in
in a

,

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one

“

no to

passage which must also
extraordinary
you had
that
tragedy under the title
Eugene
commenced
Aram
had already sketched
burletta with the
title
Elizabeth Brownrigge
had indeed
my dramatic piece been guilty
egregious ani
unpardonable error
had attempted
excite
the sympathies
the audience
favour
the
apprentices
murdered
but your novel has dis
my
vulgar
prejudice
abused me
and
present version
her case all the interest
the
reader and all the pathetic powers
the author
engaged
will
the side
the murderess
the end
the satire there
Advertise
ment
which runs
The author
the foregoing
prepared
tale begs leave
state that he
treat

There
quoted

a

all

.

be

all

calculating
soldier though

is

- to

its

to

in

of

to

Wanting
shrewd
selfish
valet you describe him
single trait
bears not
the character which might have been moulded
military service but
long course
the con
trary
marked by
the distinguishing
features
bankrupt attorney
lame duck from the
Having
paint
Stock Exchange
cat you
endow her with the idiosyncrasies
dog
with

worldly

:

in or

,

of

,

its

or

of

to

be

,

a

.

possession

met

I

.
be

,

to

of

.

of

in

as

be

.

16

to

.

The present convention
shall com
force among such signatory States
ratify the same three months after
ratifica
tion shall
communicated
the Argentine
Government and shall remain
force among
year after the date
denouncement
until
This denouncement shall
communicated
the Argentine Government and shall have
effect with regard
the country making the
same

mence

him
the list
men who have
person
for money among whom
qualities could not have been
such

and looked
cut throats

of ',

as

of

or

to

the aforesaid

exercise

am

an

of

of

, ,

on

as

be

as

or

.

,

or

,

,

.

15

have

.

right
ART

would

I

be

,

.

,

in

,

of
or or

.

a

in

authorities

literary enter
the world
prise and
reverence you
the father
new
passage
lusus nature school
ran
the
dedication
the satire
There
other title
by which your manner could
aptly designated
told
for instance that
former work
having
paint
adulterer you described him
belonging
country curates among
the class
perhaps such
whom
criminal
not met with
once
hundred years
while
the contrary
being
generous
search
tender hearted
high minded
sentimental
hero
romance you
Newgate Calendar
turned
the pages
the

old

.

a

,

of

-

of

,

.

of

or

14

.

seized

countries wherein the original
right
work has
be legally protected this right
being without prejudice
such
indemnities
punishment
may incur
the plagiarists
accordance with the laws
the country where the
fraud has been committed
ART
Each
the Governments
the
signatory countries shall preserve the right
prohibit the circulation
permit guard
repre
repro
sentation
exhibition
such works
concerning
dactions
which
constituted
signatory

the

original discoverer

a

,

,

all

,

of

13

in

be

.

or

,

,

unlawful
considered
work shall also
Every plagiarised work may
ART

there
dissentient voice was heard and
Fraser
Magazine for August and September 1832
tre
story called
mendous onslaught
the form
Elizabeth Brownrigge
which dealt with the
murderess
that name
was made upon the
Eugene Aram
author
whom
was
regard you
dedicated
inclined

of

of

chrestomathy
does not
property
and consequently
made freely
the signatory countries
ART
For the purposes
civil responsi
bility indirect appropriations not authorised
literary
artistic work not representing
the
character
the original work shall
considered
unlawful reproductions
The reproduction
whatever form
entire
work
the greater part thereof accompanied
by notes
literary
comments
the pretext
complement
criticism
extension
said

right

any

confer
can

or

purposes

educational

manners , and noble heart ; never before had
there been depicted a murderer - a murderer who
money
murdered
boot whose character was
endearing and
sympathetic
enslave most
The book was
those who read about him
favourably received
most quarters but here and

“

of

in

.

.

or 12

article has been obtained should be duly cited .
Such miscellaneous newspaper news which repre sent merely Press reports shall not enjoy the
protection of this convention .
fragments
ART
The reproduction
publications
literary
for
artistic
works

who led the way and scored a great success with
Aram .”
Never before in an English
novel had a murderer been portrayed as an earnest
student
of philosophy , of grave
mien , gentle
“ Eugene

a

works , any newspaper article may be reproduced
by others , if this has not been expressly prohibited ,
and , in any event , the source from which
said

123

�THE AUTHOR .

it

a

of , of

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paint their heroes

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the
the
Thackeray wrote subsequently

them

to

he

knew

to

not dare

did

)

of

.

;

Fiction

scoundrels
highwayman

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virtue
was however
Rookwood
and
Jack Sheppard
Bentley
the earlier part
which had appeared
Miscellany that Thackeray tilted
Catherine
Ikey Solomons
which purported
written
Esq
Ikey Solomons having been
notori
ous
fence
and was dated from Horsemonger
particularly unsavoury district Thackeray
Lane
stated again that the writers
the Newgate School
statements

mainly against

.,

,

,

it

“

,

in

to

an

his

,

,
to

as

who have their virtues
too
but not good
company for any man
We had better pass them
decent silence
for
writer can
dare
tell the whole truth concerning them and faithfully
explain their vices there
give
parte
need
indeed

“

“

.

or

of

,

as

,

”, a “

',

;

’

say
one
Dickens books
No one
wrote
has read that remarkable tale
Oliver
poor Nancy
Twist
without being interested
and her murderer
and especially
amused
and
tickled
the gambols
the Artful Dodger and
his companions
The power
the writer
amazing that the reader
once becomes his cap
tive and must follow him wherever
leads
and
what are we led
Breathless
watch
the
Fagin
tenderly
deplore the errors
crimes
Nancy
pity and
have for Bill Sikes
kind
admiration
and
absolute love for the society
the Dodger
most agreeable
rascals

,

,

(

on

—

to

it

,

",

“
•

.

",

's

on

,

of

.

;

to

.

*

for

·

Forster and Thackeray
now
the attack
against the Newgate School
Fiction
Bad
we think the morals we think the puffs even more
dangerous
Forster wrote
the
Examiner
Public morality and public decency have rarely
endangered than
been more
the trumpeted
exploits
Jack Sheppard
Thackeray had something
Catherine

a

's

on

an

in

.

in

is

no

be

“

be

A

Hamlet
Macbeth
Othello
are but
murderers
Falstaff
robber and worse
Scott
Fielding for Jonathan
must answer for Rob Roy
Gay for
Wild
The Beggars Opera
Schiller
The Robbers
Hood for his magnificent
Eugene
Aram
Dumas
his
Celebrated

inadvertently
heroes not
malefactors but
admits that Ainsworth
threw
romantic glamour
gives
over his merry sinners
and
line
away the case he has fought
strenuously
many pages
as

as

(

is to at

to

It

as

it

a

or

,

to

or

of

its

.

to

,

)

”

rigge
particularly interesting because whether
Thackeray did
did not write the story there can
question but that
was directly responsible
for
Catherine
which had the same object
the
ought
Brownrigge
earlier story
Elizabeth
Thackeray
Swinburne wrote
Mr Richard
Herne Shepherd
1880
for
not he stole
the idea and
some extent the style
his
parodies
novels
criminal life from this first
sketch
the kind
couple
years after
Eugene Aram
was
published
William
Harrison
Ainsworth came
exponent
the fore
the Newgate School
Lytton had taken
Fiction
murderer for his
highwaymen
hero
Ainsworth
selected
Dick
Turpin was
jeune premier
Rookwood
and
that sorry young scoundrel Jack Sheppard gave his
name
and the raison
être for another book
These novels too caught the public taste and were
widely read and praised highly even
those who
should
have known better
Ainsworth
recent
biographer
Mr
Ellis for one can see
no objection
the
Jack Sheppard
class
novel
The outcry against Ainsworth for having
chosen
robber for
hero cannot seriously
justified
inherently
has written
literary purposes
immoral
take
criminal
and make him picturesque and interesting
then
the same
stand
the greatest writers will have
pillory
the author
Jack Sheppard
The
principal characters
Shakespeare
tragedies

Fiction

“

at

”

it

if

it ,
)

article
the
February
novelist
the North British Review
1864
attributed
him
what evidence he
does not state though he may well have had the
information from the author
Elizabeth Brown

might
well have added
Catherine
Mr Ellis insists that the
Newgate novels
Ainsworth are moral because
the villains end
the gallows
He ignores the
fact that while they do
the gallows they
School
the list

to

to of

."

's

of

)

]

"

Dr John Brown

death that

through literature
Crimes
and
all times
and countries
This brilliant band
criminals
limelight
literary
illuminated
and idealised
poor
cannot deny the consanguineous claims
abused
Jack Sheppard
would indeed be
this
dwell upon the fallacies
time
waste
argument
may
but
remarked that Ains
worth
enthusiastic defender has strangely misread
Jonathan
Wild
since he can mention
that
brilliant satire
connection with the Newgate

by

of

,

; .

-

,

,

(

,

(p

.'

'

.,

Z

.

Y

·

.

X

or
,

3

in

in

',

of

of ,

of

for
a

publisher , who
with any liberal and enterprising
may be inclined to embark in the speculation ,
series
novels
each
vols 8vo under the
title
Tales
the Old Bailey
Romances
Tyburn
Newgate
Tree
which
the whole
Calendar
shall be travestied after the manner
Eugene Aram
ost paid addressed
Letters
215 Regent Street the offices
Fraser
Magazine
will receive immediate attention
Brownrigge
Elizabeth
was published anony
mously and
attracted any attention
the
certainly did not attract sufficient
time
make
may
people desirous
discover the author
publication have been attributed
the time
this writer
that but
was not
far
Thackeray
known until
month
two after

of

124

Freeny

�THE AUTHOR

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nausea and afterwards bring about
habit
And
thank Heaven
this
very many instances
effect has been produced
and that the Catherine
cathartic has acted most
efficaciously
The author has been pleased
the
disgust which his work has excited and has watched
with benevolent carefulness the wry faces that have
many
been made
the patients who have
swallowed the dose
granted
Be
the book concludes
that
Solomons
dull but don
attack his morality
humbly submits that
his poem
man shall
wholesome

more healthy

,

-

of

of

as

as

.

to

to

so

it

to

so

as

,

for

,

,

he be

a

At At

;

-

,

.

of

,

to

.”

in

us

it,

to

characters were villains
vile
the prototypes
were
that
was impossible
do
the page
magazine but
nearly
life
the public could
expected
tolerate
With this object
view
searched
the Newgate Calendar
and found
story
therein
the very heroine for such
Hayes
contemplated
Mrs
Catherine
whose
history has been admirably
summarised
the
Dictionary
National Biography
Mr
Alsager Vian
Catherine
Hall was her maiden
name and she was born near Birmingham
1690
very early age she was led into evil courses
carpenter John
the age
sixteen she married
hoped she had twelve
Hayes
whom
they
children
Some years after the marriage
went
London where near Tyburn they set up
small shop and supplemented their income from

,

.
is

it

to

,

be

to

an

to

so

as

,

,

be

which all the principal
portrayed
not indeed

to

so

,

,

,

,

to

pro
drunkenness which never passed the limits
priety but only went
amusing would
far
object
rather
excite youth
intoxication
than
deter him from
and some late novels
have always struck
the same light
Thackeray decided that his castigation
these
story
immoral novels should take the form

one
the dullest most vulgar and immoral
bighly gratifying
works extant
the author
they con
find that such opinions are
road
vince him that the taste for Newgate literature
the wane
and that when the public critic has
right down undisguised immorality set before him
the lowest creature
shocked
should
good round
and can declare his indignation
terms
abuse
The characters
the tale are
immoral and
doubt
but the writer
humbly hopes the end
not
The public was
our notion dosed and poisoned by the prevailing
style
literary practice
and
was necessary
administer
some medicine that would produce
of

he

be

, ;

to

he

in

is

'

.

slaves
their children took care no doubt that
the slaves should be really and truly drunk
Sham

.

of

his

'

's

.

to

.

as

a

immoral than anything Fielding ever wrote
Jack
Sheppard
immoral actually because
decor
ous
The Spartans
who used
show
drunken

is

of

go

,

Ainsworth

to

of -

,

its

.

a

!

of

through every page
but would
Jack Sheppard
with perfect
comfort
herself
Ainsworth dared not paint
hero
the scoundrel
knew him
must
keep his brutalities
the background
else the
public morals will be outraged and
he produces
book quite absurd and unreal and infinitely more

with horror

Mr

, of

confuse

of

to

it

,

immorality

in

and

a

dishonesty

as

virtue and vice . “ Vice , " he wrote in his paper
on the author of
Tom
Jones , ' “ is vice , and is
never to be mistaken
for virtue in Fielding ' s
honest downright books ; it goes by
name and
invariably gets its punishment
See the conse
Many
honesty
squeamish lady
quences
our time would fing down one
these romances

his

well

in

for

selected

the three of them one night in March ,
John Hayes drunk and killed him ,
cutting up the body and disposing of the different
parts
places . One portion of the
in
different
remains was discovered
and then
another , and
eventually Mrs. Hayes and Billings were arrested
for murder , and presently Wood was captured and
confessed . Hayes pleaded not guilty , but was con
victed of petty treason and sentenced to be burnt
alive .
The men were sentenced to be hanged .
Wood died in Newgate the day before the execu
tion , and Hayes made an abortive attempt to poison
herself . No story could be more sordid or un
pleasant , and Thackeray deliberately mitigated the
horrors as little as possible . “ Catherine " appeared
Magazine from May 1839
February
Fraser
1840 and the author was heartily pleased when the
Having finished our
conclusion was reached
say
delectable meal
wrote
behoves
way
grace
word
two
its conclusion
heartily thankful that
and
over
has
object carefully
beeu the writer
exclude from
insignificant
drama except
two very
parts
any
instances
mere walking gentlemen
characters but those
scoundrels
the very
highest degree
That he has not altogether failed
the object
had
view
evident from some
newspaper critiques which
has had the good
fortune
see and which abase the tale
Catherine
as

his principal character ; he himself
Barry Lyndon for one such post of
honour , but he insisted that it was bad art , as
villain

, and
, made

intimate

1726

to

venience of the heroic highwayman 's life — which a
certain
Ainsworth in company with a certain
Cruikshank , have represented as so poetic and
brilliant , so prodigal of delightful adventure , so
adorned with champagne , gold lace, and brocade . "
Thackeray had no objection to a novelist taking a

this source by letting lodgings . With two of the
lodgers , Woods and Billings , she became criminally

on

see

125

be
,

may

in

The

“

“

Irish Sketch Book ” ( ch . xv .), “ one
the evil of drinking , another the
harm of horse - racing , another the danger attendant
on early marriage , a fourth the exceeding
incon in

man

.

single

�THE AUTHOR .

to

.

1

as

.

on

,

to

.

or

for

on

to

be

to

to

-

.

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,

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to

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,

,

to

,

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in

,

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to

an

of

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of ; ;

of

;

;

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of

;

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of

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,

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Ph
.
&amp; D
.

:

",

,

by John Erskine
Novelists
Henry Holt
Sons
New York
.

,

Leading American
Lone
George Bell
London

&amp;

or -

- , .

W

,

of

,

,
of

or

13

.

on

in

,

of .

,

,

the Hon George
The second
May
Tennessee presented
1910
infringe
provided specific damages
the case

monopoly

Gordon

sidered the principal novelist
America has been
and why also Oliver Wendeil Holmes
omitted
name does not appear Professor Erskive does not
explain
the preface where we looked for some
in

1,

-

on

.

P

.

used

by

,

copy
when any patent
any trust
leased

,
or

protection

right was owned

by

of

,

,

23

on

,

by

-

.

,

suspension

American novelists
taken by Professor
representative leaders are Charles
Brockden
Brown James Fenimore Cooper
William Gilmore Simms Nathaniel Hawthorne
This
Harriet Beecher Stowe and Bret Harte
selection both by its inclusions and exclusions
many
The name for
little puzzling
will
example
practically
Simms
unknown
Charles Brockden
England
while the readers
very few although
Brown must
new and fine
edition
his works has been published com
Why Edgar Allen Poe who
paratively recently
right
con
certainly challenges Hawthorne

Erskine

:

to

note

WRITERS

THE

•
"

.
is

interesting

that notwithstanding the new general consolidated
July
Copyright Act which went into effect
1909 three new copyright bills have been intro
The first
duced during the sixty first Congress
Campbell
the Hon Philip
was presented
July
for the
1909 providing
Kansas

AMERICAN

SOME

.

of

—

,

.

him

It

on

-

Legislation

Copyright

.

re
-

of

,

of

:

off

,

a

in

,

in

of

be

to

to

by

is

of

the course
mere statistics
the
and the opinions
certain copyright questions

Attorney General
that have been laid before

of

.

; ;

.

as

no

in of

.

It

10

–

for

of

.

in

,

,

,

.

be

the second
June
the end
the first year
steady increase
the work
There continues
this department and the increased business
done
But
satisfactorily and methodically
carried
considerably
there are some points which are
than

's

, -

's

of

the

as

in

as

of

Thorvald Solberg America would
doubt
the best governed country
the world
the Register
We have received the report
Copyrights
runs from July
1909

interest

Importation
copyrighted books
labels and
prints
post card
for articles
manufacture
lithographs renewal and extension
subsisting
copyrights
deposit
complete book required
importation
copyrighted
book
bound
copyright proclamation
typewritten
abroad
copies
book
opinions dealwith the
The Treasury Department
following
Importation
book upon abandonment
copyright
importation
translation
American
copyright

Co

--

.

---

I

State Department
United
States
ably
was conducted
well and
the
Register
Copyrights under the hands

copyright legislation

as

;

no

”

,

in

,

to

.

COPYRIGHT

THE UNITED STATES
REGISTER

greater

of

or

its to

all

its of to

a

and made
further
School
Fiction

LEWIS MELVILLE

Mr

expected

some questions
copyright interpretation
provisions
and certain
the new legislation have been submitted
the
Report states from time
time
the Attorney
these
The full text
General for his opinion
opinions rendered during the year together with
certain
decisions
the Treasury department
regard
importation under the new copyright law
appendix
are printed
full
the Report
opinions deal with the
The Attorney General
-

it

of

so

,

to

to

as

before the attack
the Newgate

TF every

the Report
July
Act
1909
was
that the new law would give rise

,

”,

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It

“

It

.

to

.

—

up

,

."

“

gave way

contribution

a foreigner to a citizen of the United States
shall operate to permit the purchaser
to repro
duce the work when not
commercial use
sale
No action was taken
these bills other than
refer them
the House Committee
Patents
The full texts are printed
Addendum
No

of art by

in

he ;

to

no

.”

to

,

a

is

It

“

the book and
kind
whereas you
sneaking kindness for his
the author had
heroine
and did not like
make her quite worth
spite
less
Yet
the author
lament
object for Ainsworth
Catherine
achieved
throw

see

Andrew

of

,

,

in

he

;

of

modern authors whom he has mentioned , in wit or
descriptive power
yet
the point
moral he
meekly believes that
has been their superior
feeling the greatest disgust for the characters
cause
describes and using his humble endeavour
hate them
the public also
disgusting subject and
mistake
Thackeray wrote
his mother
was
mis
take all through
was not made disgusting
enough
that was the fact and the triumph
horribly
make readers
would have been
give up
horrified
cause them
rather

of copyright. The third , by the Hon .
J. Peters , of Massachusetts , introduced on
June 11 , 1910 , provided that the sale of a work

ment

to

sentiment of pity to enter his bosom
for any
character of the piece ; it being , from beginning to
performed by
end , a scene of unmixed rascality
people who never deviate into good feeling ; and ,
although
he doth not pretend to equal the great

ofof

126

�THE AUTHOR .

of

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FRANK SAVILE

.

EDITORIAL DELAY

.

a

I

to

—

May
SIR
venture
move that your corre
spondent Mr Francis George Heath has opened
topic
considerable importance and keen general
authorship
interest
the profession
his
English

custom

of

in

of

publication

."

prevailing

the

on

to to

allusion
payment

is

is

;

must always be

or

a

,

it

a

means

,

private

to

,

.

is

it

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it

a

of

From
business point
view
the practice
unjust and undesirable
ethically
practi
bad
cally
inconvenient and disliked
What
still
struggling author possessed
more obvious
;

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the

,

,

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in

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is

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develop

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that the publisher
anxious
possible avenues
Of
sale
course
but
the agent
his own
Wherein
the author
benefit and for the benefit
great difference
story are
lies
The values
much more likely
ascertained and marketed
agent
selling them year
and year out
publisher gushes into such activities
inter
have asked myself Mr
mittent intervals
Nayler
concluding question
better
agent
leave such minor rights
the hand
per cent commission basis
share equally
Why
publisher
answer itself
seems
with
per cent for
pay
accommodation when
Faithfully yours
will suffice
his

no

years and

of

a

(?
)

Rights
MINOR
diligent reader

”

80

an

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capable agents should amount
£300 and are easily worth
much
Mr Nayler idea the whole sum
more
integrity
commercial acumen and commercial
publishers
concentrated
the hands
He gives
ence

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PUBLISHERS
SIR

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CORRESPONDENCE

100
30

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average book

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boring
congratulating Professor Erskine
the book
cannot help wishing that
would give
companion
volume similar appreciations
the
authors
Arthur Gordon Pym
The Epic
Huckleberry Finn
Mr Isaacs and
Wheat
living writers
say nothing
Elsie Venner
phrases rather

British

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150
80

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other books five
which were written con
when
was about twenty eight years
many ways the chapter
age
Brown with
the most interesting
which the book opens
highly romantic character and
subject was
the brief résumés
the novels make amusing
reading
Those who tackle the books themselves
sadly disappointed
for
however will we think
say Brown
mechanical his
invention
truth
insight little and
eloquent
psychological
several

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American
Canadian

50 a

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to

to

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Ormond
and

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to

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Charles Brockden
Brown
Edgar Huntley
Wieland

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British
Australian

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us

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romances
Simms was
south
Cooper and suffered
com
Cooper did by comparison
parison with him
with Scott
Simms life was greater one than
suggest but undoubtedly the trials
novels would
his career prevented him from
and hardsbips
doing justice
fine impulse towards roinance
begin
usually supposed
The American novel
situations
country follower

below

to

,

of

on to

The essay
Bret Harte and that
obvious lines but Professor
Mrs Stowe also run
appreciation
Fenimore Cooper will
Erskine
surprise
who have fallen into
those
somewhat
thinking that the day
the most
the bad habit
vigorous
American story tellers
over
Professor
admirable raconteur Cooper
Erskine shows what
easily
the reader
could display
was how
complicated scenes
action and how skilfully
personal experiences
brought
bear upon the
clusions

a

of

, .

many

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,

is

,

which

from

to

drawn
justice

10

on

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for

us

.

six

of -

is is

,

his

;

to

far the longest
has been
obvious
sources
does
imagination
the powers
the irony
poetical genius
and the truly
its subject
throughout
commonly accepted con
coming

Hawthorne

“

'

that the reader should desire
to challenge
title which
not the title pre
fixed
this note
but that
the only word
grumbling we shall utter
essays
All the
which
the author has given
are thoroughly
well written
The information
the one
as it is inevitable

opinions expressed by my fellow workers with
agreement mainly , with bare tolerance sometimes ,
with protest rarely .
Mr. John Nayler , in the
current issue , is the first who has aroused
and
sustained my indignation
Minor rights worth two guineas
May
permitted
assert
the writer
average
what Mr Nayler terms
books that
THE excuse capitals
mere italics will give
require
the emphasis
Minor Right
the Very
ordinary
story
Minutest
000 word
My experience
that
British Book Publication
place the values
any such work
leads me

an

down for

he had laid

A

limits which

himself in writing this book .
It seems to us a
pity that the author s design is not made clear ,

a

hint as to the

127

definite

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clear
all my affairs before departing
expedition through
certain tropical country
where lethal dangers from climate and native were
ordinary features and might possibly prevent return
asking for
footnote
communication
further contributions my request was answered
Payment
always made
publication
thus

wished

ALLOWANCE

•
24
Front Page
•
Other Pages
Page
•
100
Hall
Page
•
Quarter of
Eighth of
Page
per inch
Single Column Advertisements
per cent. made
per cent
Reduction
Series Six and
Twelve Insertions.
Advertisements should reach the Office not later than the 20th
insertion
the following month issue
All letters respecting Advertisements should
addressed
BELMONT
Paternoster Square London
&amp;

up

I

,

a of
a

for

to

I

SCALE

.

I

ADA

etc

Hutchinson
Paternoster Row

THE AUTHOR

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34

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ill
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founded
not add
the felicity
future relations with the
put
editor
whom
one case within my own experience
wrote
prominent magazine requesting
the editor
payment
contribution
which
had been
accepted several weeks before
explaining that

,

a

.

Messrs

get his
think there

often

can

36

to

to

,

a

as

byI

a

is

,

.

recommended addresses etc
district where
April
equable and
the climate from October
dry but not
warm
unfit me for residence
England during the other half
the year

but
this course apart from the
feeling that such
request does

not

In

SKEAT

your readers tell me
Can any
DEAR SIR
English reference library
there
the island
necessary
Madeira
writer
take
out all ordinary works
reference
well
the
special books needed for the subject engaged
Perhaps
some author who has had personal
experience
life out there will
kind enough
give me
little practical information
not only
the above very essential question but also with
living sanitary conditions
regard
the cost
on to

in

to -

a

to

an

for

an

author

specially asking

natural objection

on

to

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a

SIR

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old

it

of

In

to

.

is

a

double somersault
my acquaintance goes this
far
not
authorship
correct definition
Therefore
think
time concerted action was taken
literary men and representations made
the
English
periodicals
persuade
effort
more equitable system into general adoption

may

SLANG

January
The Author
1911
stated
that some have supposed
mayhem
the word
American slang
English legal term
whereas
fact
merely one
Please allow me
add that
the
spellings
numerous
the word
maim
Your correspondent implies this
doubt but
may
definitely stated
well
be

,

at

.

on

in

It

no

,

in

invested £3 500
MS which
had not room
great financial acumen
for
needs
deduce from this that
the case
the magazine
providing
publication the author
which pays
the capital
other words more literally exact
rightfully
the money
which
the author
entitled upon the delivery
his completed work
held back until the purchaser himself the editor
published
has sold the work
which latter
process takes place when
suits the editorial plans
authors
excellent
Now this system would
engaged
looking
were
class
men expressly
financing journalistic
for opportunities
enter
purely
pleasurable motives
prises
from
person would present
coin
tumbler
turn

AMERICAN

observe that

as

,

on

,

I

“

to

: an

an

.

.

,

The author does
far
the
literary contents are concerned
As
illustration your correspondent referring
acceptance
American journal which pays
says
the time Scribners had
understand

2

as

so

the proprietor

.”

is

?

.

in

-

is

in

.

a

,

a

be

,

up

i

of

.

periodical
periodical
Apparently
modern conditions
publication
magazine
demand that
shall
made
several months ahead
For instance
August
Christmas number
often
hand
Who capitalises this post preparation
Not

This
Americanism
which
feel sure
most
not
the members
the Incorporated
Society
Authors would like
see
use
this
country
dear Sir Yours truly
FRANK
VERNEY

of

”

of

is

"

advance

,
if

is

.

on

“

providing
The author
programme
the

this

.

to

the capital for the

“

amounts

It

of

air

its

of

,

to
?

amount

The cheque I asked
came
hand five
months later
nearly
As
contrast
this
from
the
periodicals
American
which
contribute
cheque arrives
acceptance
either
with
despatched
acceptance
the end
month

.

is

to

at

a

it

doubt
considered
more than
times
the author who
neither
struggling nor lacking private means
philanthropic
dignified
Shorn
promise what does
payment
publication

;

and

nuisance

in

hardship

no

128

�vii

ADVERTISEMENTS .
of

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ALL

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MISS

TRANSLATIONS

Excellent Testimonials

to

for

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,

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.

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of

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SHORTHAND

First Class Work

That many Authors only require the help and commercial advice that are freely
sterling practical
Publishers
readers and advisers
make their work
literary
large
value
For want
such assistance
amount
work
now
published does not meet
any way with the anticipated recognition
doomed
Magazine
Mr STANHOPE
late Editor
SPRIGG
Cassell
and
reader for Messrs Cassell
for some years one
the principal reviewers
The Standard and Hon Literary Adviser
the Society
Women Journalists
begs
Literary Consultant largely
announce that
has now set
business
supply
Authors with this necessary help and expert commercial knowledge
His advice has already proved
substantial assistance
number
well known
Authors whose names can be given
and he
now prepared for
small fee
read
revise other writers manuscripts and
advise Authors generally
where
literary work
place articles stories books
travel critical studies
other kinds
those instances where he feels
cannot advise
Author profit
advantage Mr SPRIGG frankly declines employment but
the cases
actually undertakes
supplies his clients with
report
the same outspoken
publishers
commercial character
that which he furnishes
the different firms
rendered

, .

,

,

1s

.

or

;

.

&amp;

.
P
.

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.

,

Wolverhampton

E

,

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.

.

.

A

TYPEWRITING

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XXI.- No. 5.&#13;
FE&#13;
FEBRUARY 1, 1911.&#13;
(PRICE SIXPENCE&#13;
CONTENTS.&#13;
Notices&#13;
The Society's Funds . .&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ...&#13;
Copyrigbt Legislation in U.S.A.&#13;
Licence to Copy Photographs&#13;
Libel in a Novel ... ... ...&#13;
Magazine Contents&#13;
How to Use the Society&#13;
Warnings to Producers of Books ...&#13;
Warnings to Dramatic Authors&#13;
PAGE&#13;
103&#13;
103&#13;
103&#13;
104&#13;
105&#13;
108&#13;
109&#13;
112&#13;
114&#13;
115&#13;
116&#13;
116&#13;
117&#13;
117&#13;
117&#13;
Registration of Scenarios and Musical Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ....&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes ...&#13;
Music-hall and Theatrical Sketches...&#13;
Copyright Convention of Pan-American Congress at Buenos&#13;
Aires ...&#13;
Thackeray and The Newgate School of Fiction ...&#13;
The United States Copyright Register ...&#13;
Some American Writers&#13;
Correspondence ...&#13;
PAGE&#13;
118&#13;
118&#13;
118&#13;
118&#13;
118&#13;
118&#13;
119&#13;
120&#13;
122&#13;
123&#13;
126&#13;
126&#13;
127&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. “Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 108. 6d. per vol.&#13;
8. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
6. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 1s. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
| 12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
ATED&#13;
&#13;
&#13;
## p. 102 (#144) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON,"&#13;
Telepbone No.: 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDERSON, K.C.B. 1 AUSTIN DOBSON.&#13;
JUSTIN MCCARTHY.&#13;
SIR WM.REYNELL ANSON, Bart., D.C.L. SIR ARTHUR CONAN DOYLE.&#13;
THE REV. C. H. MIDDLETON-WAKE,&#13;
THE RIGHT HON, THE LORD AVE DOUGLAS FRESHFIELD,&#13;
SIR HENRY NORMAN.&#13;
J. M. BARRIE.&#13;
(BURY, P.C. SIR W. S. GILBERT.&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
SIR ARTHUR PINERO.&#13;
ROBERT BATEMAN&#13;
SYDNEY GRUNDY.&#13;
THE RIGHT Hon. SIR HORACE&#13;
F. E. BEDDARD, F.R.S.&#13;
H. RIDER HAGGARD,&#13;
PLUNKETT, K.P.&#13;
MAS. BELLOC-LOWNDES.&#13;
MRS. HARRISON ("LUCAS MALET"). ARTHUR RACKHAM.&#13;
THE RIGHT HON. AUGUSTINE BIR ANTHONY HOPE HAWKINS.&#13;
OWEN SEAMAN.&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G, BERNARD SHAW,&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT,&#13;
G. R, SIMS.&#13;
THE REV. PROF. BONNEY, F.R.S. W. W. JACOBS.&#13;
S. SQUIRE SPRIGGE,&#13;
THE RIGHT HON. JAMES BRYCE, P.C. HENRY JAMES.&#13;
FRANCIS STORR.&#13;
THE RIGHT Hon. THE LORD BURGH JEROME K. JEROME.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mus. Doc.&#13;
HALL CAINE,&#13;
J. SCOTT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
SIDNEY WEBB.&#13;
EGERTON CASTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.8. H. G. WELLS.&#13;
EDWARD CLODD.&#13;
THE REV. W. J. LOFTIE, F.S.A.&#13;
PERCY WHITE.&#13;
W. MORRIS COLLES.&#13;
LADY LUGARD (M188 FLORA L. FIELD-MARSHAL THE RIGHT HON.&#13;
THE HON. JOHN COLLIER.&#13;
Shaw).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
SIR W. MARTIN CONWAY.&#13;
THE Right Hon. SIR ALFRED P.C., &amp;c.&#13;
THE Right Hon. THE LORD CURZON LYALL, P.C.&#13;
OF KEDLESTON, P.C.&#13;
Mrs. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | DOUGLAS FRESHFIELD.&#13;
S. SQUIRE SPRIGGE.&#13;
MR8. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
MRS. E. NESBIT BLAND.&#13;
ARTHUR RACKHAM.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
G. BERNARD SHAW.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-SIR ARTHUR PINERO. Vice-Chairman-HENRY ARTHUR Jones.&#13;
H. GRANVILLE BARKER.&#13;
| MISS CICELY HAMILTON.&#13;
| CECIL RALEIGH.&#13;
J. M, BARRIE.&#13;
CAPT. BASIL HOOD.&#13;
G. BERNARD SHAW.&#13;
R. C. CARTON.&#13;
JEROME K. JEROME.&#13;
ALFRED SUTRO,&#13;
ANSTEY GUTHRIE.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-MAURICE HEWLETT.&#13;
MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
M. H. SPIELMANN.&#13;
MRS. HUMPHRY WARD,&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, I HERBERT SULLIVAN,&#13;
Mus. Doc.&#13;
SIR JAMES YoxaLL, M.P.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
The Hon. JOHN COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
| M. H. SPIELMANN.&#13;
Inh. Felet, storeys Gate, s.w.} Solicitors.&#13;
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G, HERBERT THRING,&#13;
tors.&#13;
G, HEKBERT THRING, 39, Old Queen Street, Storey's Gate, S.W.J.&#13;
Solicitor in England to&#13;
La Société des Gens de Lettres&#13;
Legal Adviser in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, 81OREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. 102 (#145) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Telegrams—“Cottocrom, London."&#13;
Telephone-Gerrard 1093.&#13;
COTTERILL &amp; CROMB,&#13;
Literary, Artistic, and Dramatic Agents,&#13;
LENNOX HOUSE, NORFOLK STREET, STRAND, W.C.&#13;
The Managers of this Agency have exceptional facilities for placing Novels with the best Publishers. They&#13;
have also a unique knowledge of the Buying and Selling of Magazine, Periodical and Newspaper Fiction. During the&#13;
past six years they have placed Serials, Short Stories, Articles and Black and White Illustrations in all the leading&#13;
British, Colonial and American publications on very favourable terms. New Authors of real promise receive encourage-&#13;
ment and helpful advice. Expert knowledge is brought to bear upon every MS. with a view to placing it to the best&#13;
advantage. Many Authors whose names are now well known were introduced to the reading public through the Managers&#13;
of this Agency who have a long and close personal and business connection with the principal Publishers and Editors.&#13;
The Newspaper Owner, January 21st, 1911, says:&#13;
"Mr. J. A. Cotterill is best known to readers of The Newspaper&#13;
"Mr. D. L. Cromb has also many friends in the newspaper&#13;
Owner by his long connection with the National Press Agency,&#13;
world. He is one of the latest of the Scottish journalists to come&#13;
where he has closely studied the demand for serial fiction and&#13;
to London, his earlier years having been spent with Messrs. Leng,&#13;
other special features. Prior to that, he was in charge of Messrs.&#13;
of Dundee. Mr. Cromb is no experimentalist, for he has been&#13;
T. B. Browne's department in the same line, and, as a journalist,&#13;
right through the journalistic mill, ending his provincial&#13;
he has travelled extensively both at home and abroad, and&#13;
experiences as editor of The People's Journal. He has also&#13;
is familiar with many phases of newspaper work. Between leav.&#13;
written several successful serials. Two years ago Mr. Cromb&#13;
ing Messrs. T. B. Browne and joining the National Press Agency,&#13;
came to town as fiction editor of the National Press Agency, a post&#13;
Mr. Cotterill edited the Demerara Daily Chronicle, the Times of&#13;
which he has relinquished to establish the new business in&#13;
the West Indies, published in Georgetown, British Gaiapa, and&#13;
association with Mr. Cotterill. Thus both carry to their new&#13;
also made an intimate study of North American newspaper&#13;
sphere nseful knowledge of newspaper needs and the methods by&#13;
affairs,"&#13;
which the alert editor and manager may meet them."&#13;
Cotterill &amp; Cromb, Lennox House, Norfolk Street, Strand, W.C.&#13;
A Prominent and Valuable Feature&#13;
of the&#13;
LITERARY YEAR-BOOK (1911)&#13;
“ The Book Monthly is now enlarged and makes an exceedingly&#13;
pleasant and readable publication.'&#13;
-CLAUDIUS CLEAR, in the British Weekly.&#13;
,, THE ..&#13;
BOOK MONTHLY&#13;
Crown 8vo.] Price 6s. net. [970 pages.&#13;
Is its “LAW AND LETTERS" section,&#13;
which contains a very careful and able exposi-&#13;
tion of the law of copyright-home, colonial,&#13;
and international; discusses all recent legal&#13;
cases of interest to authors, and the conclusions&#13;
to be drawn therefrom; describes the various&#13;
forms of Publishing Agreements, pointing out&#13;
the meaning of their clauses and advising&#13;
thereon. This section alone will repay the cost&#13;
of the book many times over, if carefully studied.&#13;
" Its section of law and letters is a very careful and able&#13;
exposition."- Nottingham Guardian.&#13;
* A work with a wide reputation and one justly earned.' -&#13;
Author.&#13;
“We have tested the accuracy and fulness of the Literary&#13;
Year-Book'and have rarely found it wanting."-Yorkshire Daily&#13;
Post.&#13;
You know the "Book Monthly" by name-you&#13;
very often see it quoted in the papers. It is a&#13;
brightly written, brightly illustrated magazine&#13;
about the books and the literary affairs of the&#13;
day. But as yet you have not taken it in!&#13;
Well, you are missing something, and you&#13;
should at once arrange to get it regularly.&#13;
It is an instructing, entertaining “guide,&#13;
philosopher and friend” for the reader near&#13;
the centre of things or far away. Being now&#13;
seven years old, and so grown up, it has just&#13;
been enlarged, and made more popular and&#13;
practical in contents and style. Read it, and&#13;
you will know what to read; what's what and&#13;
who's who in the book world.&#13;
Authors are invited to send their names&#13;
and particulars of their publications to&#13;
the Editor for insertion in the next issue,&#13;
notice of which will be sent them in due&#13;
course.&#13;
Address : c/o GEORGE ROUTLEDGE &amp; SONS, Ltd.,&#13;
68, Carter Lane, London, E.C.&#13;
The Book Monthly is published on the first of each month by&#13;
Simpkin, Marshall &amp; Co., Ltd., Stationers' Hall Court, London.&#13;
It costs Sixpence, and it can be ordered from any Bookseller, Book.&#13;
stall, or Newsagent. The Publishers will send it, post free, for a&#13;
year, inland or a broad, on receipt of eight shillings. You can&#13;
have a copy of the current number posted to you by forwarding&#13;
6d., or a specimen back number for nothing&#13;
&#13;
&#13;
## p. 102 (#146) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Established 1797.&#13;
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## p. 102 (#147) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
To Authors and Journalists.&#13;
-PLAYS&#13;
MR. FORBES DAWSON&#13;
The writer, whether he aspires to write novels, short stories,&#13;
or articles, often spends years in uncongenial work,&#13;
rebuffs and drudgery being the only return for the time&#13;
and labour spent.&#13;
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For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
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(Member of the Society of Authors),&#13;
Master of Stage Craft, Technique, and&#13;
Play Construction.&#13;
"First Lessons in Story Writing.".&#13;
Over 25 years' continuous experience upon the&#13;
stage itself as an actor in every class of play.&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. 6d. net. 28. 8d. post free.&#13;
of this work the Westminster Gazette writes :-“The&#13;
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"How to become an Author."&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide ; full of useful hints.&#13;
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Author of plays produced in England and&#13;
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READS AND GIVES PRACTICAL ADVICE&#13;
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those plays he is connected with.&#13;
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Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
ESTABLISHED)&#13;
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[XVIII. CENT.&#13;
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INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
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"..&#13;
"&#13;
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"&#13;
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"&#13;
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AUTHORS wishing to make arrange-&#13;
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communicate with LYNWOOD &amp; Co.,&#13;
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Undertaken by highly educated Women (Classical Tripos,&#13;
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Please write before sending MSS.&#13;
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## p. 102 (#148) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Messrs. STANLEY PAUL &amp; Co.&#13;
announce&#13;
AMERICA-THROUGH ENGLISH EYES. By “Rita." The outcome of a visit of some months&#13;
to the United States, and gives the Author's personal impressions of the cities, life, manners&#13;
and hospitality. 2s. 6d. net.&#13;
SIDELIGHTS ON THE COURT OF FRANCE, By Lieut.-Col. ANDREW C. P. HAGGARD,&#13;
1s. net. An unabridged edition of this author's best known volume, originally published at&#13;
16s, net.&#13;
Now Ready. 6s. each.&#13;
The Third Wife. By HERBERT FLOWERDEW, author of “The Second Elopement,” &amp;c.&#13;
A Lady of the Garter. By FRANK HAMEL, author of "An Eighteenth Century Marquise."&#13;
The Riding Master. By Dolf WYLLARDE. A story of the world's pettiness, vanities, and passions.&#13;
The Justice of the King. A Romance of Louis XI. By HAMILTON DRUMMOND. Author of “Shoes&#13;
of Gold,” &amp;c.&#13;
The Werewolf. By W. B. BEATTIE.&#13;
“ An historical romance which rivets attention.”—Morning Post.&#13;
An Empress in Love. By FRED Whishaw. A dazzling historical romance of Catherine the Great.&#13;
Across the Gulf. By NEWTON V. STEWART.&#13;
“A good novel which touches life at many points."--Scotsman.&#13;
Bungalow under the Lake. By CHARLES E. PEARCE. A powerful novel of mystery and intrigue.&#13;
The Beaux and the Dandies : Nash, Brummell, D'Orsay with the Courts. By CLARE&#13;
JERROLD. Illustrated, 16s. net.&#13;
“A lively anecdotic volume.”—Daily Telegraph.&#13;
The Romance of a Medici Warrior. By CHRISTOPHER HARE. Illustrated. 10s. 6d. net.&#13;
“An eminently readable book.”—The Times.&#13;
The Amours of Henri De Navarre and of Marguerite de Valois. By Lieut.-Col. ANDREW&#13;
C. P. HAGGARD. Illustrated. 16s. net.&#13;
“Calculated to take away the breath of all save the hardiest of readers.”—Daily Graphic.&#13;
Two Russian Reformers : Ivan Turgenev and Leo Tolstoy. By J. A. T. LLOYD. Illus-&#13;
trated. 10s. 6d. net.&#13;
A Chateau in Brittany. By M. J. ATKINSON. Illustrated. 10s. 6d. net.&#13;
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Joy of Tyrol. By J. M. BLAKE. With 111 Original Drawings by the Author. 6s. net. A series&#13;
of entertaining after-dinner letters. There are many pages of racy description and amusing&#13;
anecdote.&#13;
THREE NEW “COLLECTORS” BOOKS. Each in large crown 8vo, profusely illustrated,&#13;
beautifully printed and bound, 5s. net each.&#13;
The A B C of Collecting Old English China. By J. F. BLACKER.&#13;
The A B C about Collecting. By Sir JAMES YOXALL, M.P.&#13;
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(Publishers of “The Lady's Realm," etc.)&#13;
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## p. 103 (#149) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXI.-No. 5.&#13;
FEBRUARY 1st, 1911.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
DIOR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
DROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
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The funds suitable for this purpose are: (1) The&#13;
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case it is necessary for the Society to incur heavy&#13;
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ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
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members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
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Communications for The Author should be&#13;
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Communications and letters are invited by the&#13;
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standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
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VOL. XXI.&#13;
LIST OF MEMBERS.&#13;
M HE List of Members of the Society of Authors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
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## p. 104 (#150) ############################################&#13;
&#13;
104&#13;
THE AUTHOR.&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
• •&#13;
THE PENSION FUND.&#13;
£ s d.&#13;
Nov. 11, Parry, Sir Hubert&#13;
1 1 0&#13;
Nov. 17, Coben, Mrs. Herbert . . 0 10 6&#13;
Dec. 8, De Morgan, William . . 1 1 0&#13;
Dec. 9, Sproston, Samuel.&#13;
1 1 0&#13;
Dec. 9, George, W. L. ... . 010 0&#13;
Dec. 12, Clifton, Mrs. .&#13;
0 100&#13;
Dec. 21, Scoon, W. G. .&#13;
0 5 0&#13;
Dec. 22, Purdon, K. F. .&#13;
. 050&#13;
Dec. 31, Sinclair, Miss (in addition to&#13;
her present subscription)&#13;
1911.&#13;
Jan. 3. Yolland, Miss E. . . . 0 5 0&#13;
Jan. 3, Bowen, Miss Marjorie . . 1 1 0&#13;
Jan. 9. Bolton, Miss Anda. . . 0 5 0&#13;
Jan. 13. Edginton, Miss May . . () 50&#13;
·&#13;
·&#13;
Once 19&#13;
·&#13;
N N February 1, 1910, the trustees of the&#13;
Pension Fund of the society—after the secre-&#13;
tary had placed before them the financial&#13;
position of the fund-decided to invest £260 in&#13;
the following securities : £130 in the purchase of&#13;
Jamaica 31 per cent. Stock 1919-49, and £130 in&#13;
the purchase of Mauritius 4 per cent. Stock 1937.&#13;
The amount purchased is £132 188. 6d.&#13;
Jamaica 37 per cent. Stock and £120 12s. ld.&#13;
Mauritius 4 per cent. Stock.&#13;
This brings the invested funds to over £4,000.&#13;
The trustees, however, have been unable to recom-&#13;
mend the payment of any further pensions, as the&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
tention of the members&#13;
of the society to this fact, in the hope that by&#13;
ety to this fact in the hope that by&#13;
ubscriptions and donations. there wiii&#13;
be sufficient funds in hand in the course of the&#13;
year to declare another pension in case any im-&#13;
portant claim is forthcoming.&#13;
Consols 24%.................. ........... £1,000 0 0&#13;
Local Loans ..............&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ....&#13;
DLOCK ................&#13;
291 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock .......&#13;
25000&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates ...&#13;
200 0 0&#13;
Cape of Good Hope 32% Inscribed&#13;
Stock ......&#13;
200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock.......&#13;
228 0 0&#13;
New Zealand 3% Stock............... 247 96&#13;
Irish Land Act 22% Guaranteed Stock 258 ( 0&#13;
Corporation of London 2% Stock,&#13;
1927-57 ......&#13;
.................. 438 2 4&#13;
Jamaica 31% Stock, 1919-49 ......... 132 18 6&#13;
Mauritius 4% 1937 Stock................ 120 121&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Grant Stock, 1938........... .... 198 3 8&#13;
·&#13;
.&#13;
1&#13;
1 0&#13;
Donations.&#13;
1910.&#13;
July 4, O'Higgins, Harvey .&#13;
.&#13;
1&#13;
. 0&#13;
vey.&#13;
0&#13;
July 5, Muir, Ward . . .&#13;
. 1 1 0&#13;
July 5, Peacock, Mrs. .&#13;
July 11, March, Miss A. M.&#13;
July 18, Ralli, C. Scaramanga .&#13;
July 20, Ellis, Havelock .&#13;
Aug. 22, Myers, C. S.&#13;
Sept. 9, Bristow-Noble, J. C.&#13;
Sept. 30, Sidgwick, Mrs. Alfred . . 1&#13;
Oct. 4, Pakington, The Honourable&#13;
Mary .&#13;
. 1 1 0&#13;
Oct. 11, Caws, Luther W. . . . 0 10 0&#13;
Oct. 11, Knowles-Foster, Miss Frances G. 0 10 0&#13;
Oct. 28, Tuite, Hugh. ..&#13;
Oct. 28, Margoliouth, George&#13;
Oct. 31, Gribble, F. . .&#13;
. 0 5 0&#13;
Nov. 1, Rankin, Miss. .&#13;
. 0 5 0&#13;
Nov. 5, Buckrose, J. E. .&#13;
Nov. 11, Phillpotts, Eden ..&#13;
Nov. 12, Buè, Henri .&#13;
. 011 91&#13;
Nov. 19, Ellis, Mrs. Havelock&#13;
Nov. 28, Campbell, Cyril.&#13;
0 10 6&#13;
Dec. 1, Laws, T.C. : .&#13;
Dec. 10, Dalliba, Mrs. Kate&#13;
O 100&#13;
Dec. 10, Douglas, James A.&#13;
Dec. 12. Bennett, Arnold .&#13;
Dec. 13, Powell, Lieut.-Genl. Sir Robert&#13;
Baden, K.C.B. etc.&#13;
Dec. 19, Watson, Mrs. Herbert . . (5!&#13;
Dec. 21, Wallis-Healy, F. G. . .025&#13;
Dec. 28, “ Olivia Ramsay ” . .&#13;
1911.&#13;
Jan. 2, Northcote, The Rev. H.. . 0 5"|&#13;
Jan. 2, Mackenzie, Miss J.&#13;
Jan. 3, Church, Sir Arthur H.. . 11&#13;
Jan. 3, Wasteneys, Lady. . 03&#13;
3&#13;
3&#13;
Total ............... £4,065&#13;
6&#13;
0&#13;
0 10 6&#13;
Subscriptions.&#13;
1910.&#13;
July 15, Steveni, William Barnes&#13;
Oct. 6, Graham, Capt. Harry&#13;
Nov. 6, Capes, Mrs. Marion .&#13;
Nov. 11, Phillpotts, Eden.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
£ $. d.&#13;
0. 5 0.&#13;
1 1 0&#13;
0 5 0&#13;
0 5 0&#13;
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THE AUTHOR.&#13;
105&#13;
·&#13;
·&#13;
·&#13;
· ·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
.&#13;
P&#13;
.&#13;
.&#13;
· ·&#13;
Jan. 6, Blake J&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
orco Eero&#13;
· ·&#13;
£ 8. d. question of set-off in the publisher's account.&#13;
Jan. 4, P. H. and M. K. .&#13;
2 2 0 Counsel advised that he did not think any special&#13;
Jan. 4, Randall, F. J. .&#13;
1 1 0 principle was involved, as the case would have to&#13;
Jan. 5, W. . .&#13;
0 10 6 be decided on ipsissima verba of this particular&#13;
Jan. 5, Crellin, H. N.&#13;
0 5 0 contract. Accordingly, the committee instructed&#13;
Jan. 5, S. F. G.. .&#13;
• 0 10 0 the secretary to report counsel's opinion to the&#13;
author concerned, and regretted that they were&#13;
Jan, 7, Douglas, James A. .&#13;
0 unable to take the matter further.&#13;
Jan. 9, Grisewood, Norman&#13;
0 5 0 In the next case, which was a question of the&#13;
Jan. 10, Wharton, Leonard C. . . ( 10 0 right of a publisher to insert advertisements in&#13;
Jan. 12, Tanner, James T.. .. . 3 3 0 an author's book without his consent, the committee&#13;
Jan. 16, Kaye-Smith, Miss Sheila . 0 5 0 decided to take counsel's opinion, as this habit of&#13;
Jan. 17, Kemp, Miss Emily G. . . 1 1 0 advertising without reference to the author was&#13;
on the increase, and the committee considered the&#13;
present example before them a good test case on&#13;
which to obtain advice.&#13;
COMMITTEE NOTES.&#13;
The difficulties which started the next case were&#13;
as follows:&#13;
A father, during his son's infancy and on his&#13;
MHE first meeting of the Committee of Manage- behalf, entered into an agreement for the publication&#13;
I ment for the year 1911 was held at the of his son's first book. This book had been&#13;
offices of the society on Monday, January 9, practically out of print and dead for a long time.&#13;
ut four o'clock.&#13;
Another publisher had obtained an assignment&#13;
Twenty-five members were elected, and the com- of this contract, and proposed to bring out a new&#13;
pittee accepted with regret the resignation of edition of the work in direct opposition to the&#13;
wenty-seven ; the number of both the elections author's wishes.&#13;
ind resignations are about on an average with Similar difficulties have not infrequently arisen&#13;
hat of previous years. The names of the new in years past, the publisher's aim being clearly to&#13;
members are chronicled on another page.&#13;
gain money on the advanced reputation of an&#13;
Cases. The committee then considered a series of author. In some cases the author had been unable&#13;
egal cases which had collected since the last meeting to take any step, and had to endure the republica-&#13;
The first dispute under discussion arose out of a tion of his juvenile efforts without any public and&#13;
question of account. It was so uncertain, owing to definite statement from the publisher setting out&#13;
be vagueness of the contract between the author the facts. In consequence the public were led to&#13;
ind the publisher, what view a judge and jury think that the book was a new issue. But this&#13;
night take, that the committee decided further was not the only damage an author might suffer.&#13;
iction was inadvisable at present, especially taking Such re-publication olten upset an author's existing&#13;
nto account the fact that after the sale of a further contrats, and might also check considerably the&#13;
100 copies of the book, which was still selling, the circulation of his later books. The committee&#13;
atbor's demand would be quite clear. The considered that it was of the greatest importance&#13;
ecretary was accordingly instructed to write to the to stop a case of this kind if it were possible to&#13;
rathor, advising him to wait.&#13;
do so, and, as it appeared that there might be a&#13;
In the next case a publisher had failed on one chance owing to the peculiarity of the terms of the&#13;
r two occasions to provide the author's volume contract, they decided to take counsel's opinion,&#13;
when an order was sent in, returning the answer and further, if counsel's opinion was in favour of&#13;
"Out of print.” The committee decided that, if the action, to take up an action to stop the re-publi-&#13;
lathor was content to claim damages in accordance cation.&#13;
with the advice of the society's solicitors, the The secretary then reported that the chairman&#13;
lociety would take the matter up. If, however, the during the month had given leave to take action in&#13;
uthor desired to claim damages in accordance with the Dublin Courts in a case of infringement of&#13;
the statement now laid before the committee, they copyright by an Irish paper. The committee con-&#13;
lelt it their duty to refuse to take the matter firmed the sanction given by the chairman, The&#13;
fortber, as the case would fail, the claim for damages secretary stated that the matter was being carried&#13;
being too remote.&#13;
on satisfactorily, and would most probably be settled&#13;
At the last meeting of the committee it very shortly, as the defendant had confessed to the&#13;
had been decided to take counsel's opinion infringement.&#13;
in the next dispute. This opinion was read . The secretary also reported that in another case&#13;
by the secretary. The cause of action was a of infringement of copyright the infringement had&#13;
&#13;
&#13;
## p. 106 (#152) ############################################&#13;
&#13;
106&#13;
THE AUTHOR.&#13;
been acknowledged. This also would be settled as to be laid before Parliament were in harmony on&#13;
soon as a satisfactory arrangement between the the main issues, and suggested that it might there-&#13;
parties could be come to on the question of fore be worth while to have a joint committee&#13;
damages.&#13;
ready to take action when the Bill was passing&#13;
The next question dealt with an infringement of through Parliament. It was quite clear, under&#13;
dramatic copyright. It was found, however, when the present organisation, if each body had to report&#13;
the society commenced investigation, that the back to its own committee the opportunity of&#13;
alleged infringement had taken place under an taking action through members of Parliament, by&#13;
authority given by the author's agent. The author opposing or proposing certain measures, might be&#13;
allowed the authority to stand, deciding to settle lost. The secretary mentioned that he had sog.&#13;
the matter himself with his agent.&#13;
gested the idea to Mr. Heinemann, who had&#13;
The next was also a dramatic case, and the approved it on behalf of the Publishers' Association.&#13;
secretary was able to report that the case had been The committee adopted the suggestion, and&#13;
settled satisfactorily, and read a letter from the nominated, subject to their consent, Sir Charles&#13;
author giving her thanks to the society for the Villiers Stanford to represent the composers, Sir&#13;
action it had taken.&#13;
Arthur Pinero to represent the dramatists, and Mr.&#13;
The last was another dramatic case, and another MacGillivray and the secretary to represent the&#13;
infringement of performing rights. Again, as it Copyright Sub-Committee. The secretary was also&#13;
might have been necessary to bring an action instructed to write to the Copyright Association&#13;
for an injunction, the chairman had given his and to the Publishers' Association, and carry out&#13;
leave to place the matter in the hands of the the points he had proposed.&#13;
solicitors. This action the committee now con Certain issues regarding the legal work of the&#13;
firmed. Tbe secretary was able to report that society and the society's solicitors were again&#13;
the matter was virtually settled, the defendant discussed, and the matter was adjourned to the&#13;
giving an undertaking not to play the piece February meeting.&#13;
again.&#13;
A suggestion that membership to the society&#13;
One or two important points with regard to the should be made compulsory, on election, for 070&#13;
production of sketches in music-halls, brought years, as was the case in the Italian Society of&#13;
forward by one of the dramatic authors of the Authors, was rejected by the committee.&#13;
society, were laid before the committee by the A hearty vote of thanks was unanimously passed&#13;
secretary, and the committee decided to take to Mr. Douglas Freshfield for his work, both as&#13;
counsel's opinion.&#13;
committeeman and chairman of the committee,&#13;
The other matters were taken in the following since 1897. Mr. Hewlett, as present chairman of&#13;
order :-&#13;
the cominittee, undertook to convey the resolution&#13;
The committee instructed the secretary to pre- to Mr. Freshfield.&#13;
pare a specimen draft agreement, as between agent The secretary reported that three members had&#13;
and author, for the marketing of an author's taken up life membership, and finally, that &amp;&#13;
literary wares, which agreement would be settled donation of 10s. had been made by Miss Dorothy&#13;
at a subsequent meeting of the committee. They Fox to the Capital Fund of the society.&#13;
instructed the secretary to take this course, follow-&#13;
ing in the footsteps of the Dramatic Sub-Committee,&#13;
who had already drafted a similar agreement for&#13;
dealing with dramatic property.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
A special sub-committee was appointed to settle&#13;
I.&#13;
the report for last year, which report will be placed&#13;
before the members at the general meeting.&#13;
A MEETING of the Dramatic Sub-Committee of&#13;
The date for the return of the votes for the the Society of Authors was held at the offices of&#13;
election of members to the committee was settled. the society on January 10th. The first business&#13;
The date of the general meeting, and the place after the signing of the minutes was the report ou&#13;
where it will be held, were provisionally settled. the theatrical cases that were in the hands of the&#13;
These items will all be placed before the members solicitors of the society since the last meeting.&#13;
of the society either through The Author or by The secretary mentioned that two cases had to&#13;
circular.&#13;
be dealt with without previous reference to the&#13;
The secretary reported that at the meeting of Dramatic Sub-Committee, as it might have been&#13;
the Copyright Sub-Committee with the Publishers' necessary to take immediate action and apply&#13;
Association and the Copyright Association, it for an injunction. He stated that the defendants&#13;
appeared that all the reports sent in to the Board in one case, after having received a communica-&#13;
of Trade dealing with the Copyright Bill sbortly tion from the society's solicitors, had shown a&#13;
&#13;
&#13;
## p. 107 (#153) ############################################&#13;
&#13;
THE AUTHOR.&#13;
107&#13;
licence obtained from the agents of the dramatist sisting of some dramatists and the chief officials of&#13;
of which the dramatist was ignorant. The the Authors' Society.&#13;
matter accordingly had to be dropped, and the Another meeting of the Dramatic Sub-Com-&#13;
dramatist decided to settle the issues with his mittee was then called for Thursday, the 26th inst..&#13;
agent. In the other case the defendant had to decide upon the constitution of such deputation,&#13;
acknowledged infringement, and had given an and the form in which the Home Secretary should&#13;
undertaking not to deal illegally with the member's be approached.&#13;
property again. The third case, which was a threat The secretary then laid before the sub-committee&#13;
by the defendant to infringe the member's rights, the petition as settled by counsel, together with&#13;
the secretary reported had been settled satisfac- counsel's opinion on the papers submitted to him,&#13;
torily, the member thanking the society for the and after some slight discussion the petition was&#13;
work it had done.&#13;
agreed to. It was decided that it should be en-&#13;
The next matter for discussion was the question grossed and sent to all the members of the Dramatic&#13;
of the production of sketches in music halls. Sub-Committee for signature, and forwarded to&#13;
After careful consideration it was decided to put the Lord Chamberlain at the earliest possible&#13;
the whole matter before counsel, with an instruc- opportunity.&#13;
tion to settle a petition to be presented to the&#13;
Lord Chamberlain on behalf of the Dramatic Sub-&#13;
Cases.&#13;
Committee of the society. The secretary was&#13;
instructed to take the matter in hand at once, SINCE the last issue of The Author there have&#13;
and the Sub-Committee decided to meet on been only eleven fresh cases in the hands of the&#13;
Tuesday, the 17th, to discuss the petition thus secretary. Four of these deal with the return of&#13;
settled.&#13;
MSS. ; two of them have ended satisfactorily, one&#13;
The secretary reported that the Committee of refers to a matter in Germany, and, in consequence,&#13;
Management had decided to take counsel's opinion will occupy some time in settlement, and the othe&#13;
on two important points affecting the representa has only just come into the office.&#13;
tion of dramatic property in music-halls, and the Of the three claims for money one has been&#13;
Dramatic Sub-Committee gave their approval to satisfactorily settled ; the remaining two reached&#13;
the action taken by the Committee of Management. the office a few days before the magazine went to&#13;
press.&#13;
II.&#13;
Of the three claims for accounts and money two&#13;
have been settled, and the other is still in course&#13;
of negotiation.&#13;
The last case referred to the settlement of an&#13;
agreement. The terms put forward have now&#13;
been accepted.&#13;
THE Dramatic Sub-Committee of the society&#13;
met again at the offices of the society on Tuesday,&#13;
January 17th, in order to discuss and settle finally&#13;
the petition to the Lord Chamberlain which had&#13;
been drafted by counsel. The secretary opened&#13;
the proceedings by reading the correspondence&#13;
that had passed between the chairman, Sir Arthur&#13;
Pinero, and Sir Herbert Beerbohm Tree in regard&#13;
to the matter of the agreement between the&#13;
theatrical and music-ball managers dealing with&#13;
the question of the production of sketches in&#13;
music-halls. Mr. Cecil Raleigh mentioned that&#13;
he had heard indirectly, but upon good authority,&#13;
that the chairman of the West End Managers'&#13;
e West End Managers:&#13;
Association was urging upon the Theatrical&#13;
Managers' Association the advisability of striking&#13;
ont of the agreement alluded to the clause affecting&#13;
the rights of authors. In order thoroughly to&#13;
defend the position of authors, however, Mr.&#13;
Raleigh pointed out it was very necessary for&#13;
authors to support the Bill relating to public&#13;
amusements which Mr. Robert Harcourt shortly&#13;
intended to lay before Parliament. To this end,&#13;
it was deemed desirable that the Home Secretary&#13;
should be invited to receive a deputation, con-&#13;
Elections.&#13;
Anstey, Mre. Helen . . 45, New Bond Street,&#13;
W.&#13;
Balfour, John Alexander. " Victoria Hall,"&#13;
Byculla, Bombay,&#13;
India.&#13;
Bates, Albert Bonsteel . Credit Lyonnais,&#13;
Paris.&#13;
Blundell, Miss Alice . 42, Powis Square, W.&#13;
Dart, Miss Edith .. The Orchard, Credi-&#13;
ton, Devon.&#13;
Edginton, Miss May . Merris Court, near&#13;
Chipping Norton.&#13;
Fletcher Banister . . 29, New Bridge&#13;
Street, E.C.&#13;
Gilfillan, Allen Daintree. Hampden Club,&#13;
Phenix Street,&#13;
N.W.&#13;
Glancey, M. E. . . 7, Queen's Road,&#13;
Tunbridge Wells.&#13;
&#13;
&#13;
## p. 108 (#154) ############################################&#13;
&#13;
108&#13;
THE AUTHOR.&#13;
Hill, W. Neave . . 49, Dover Street,&#13;
Piccadilly, W.&#13;
Iliowizi, Henry . . 63, Collingwood&#13;
Avenue, Muswell&#13;
Hill, N.&#13;
Kemp, Emily G.&#13;
Knight, E. F. . . Yorick Club, 30,&#13;
Bedford Street, W.&#13;
Lawrence, T.J. . . Upton Lovel Rectory,&#13;
* Wilts.&#13;
Lindemann, Miss Linda. Sidholme, Sidmouth.&#13;
Maud, Mrs. Dorothy . 10, Pelham Street, S.W.&#13;
ary, Robert E. i . c/o Messrs. Curtis,&#13;
Brown and Massie,&#13;
5, Henrietta Street,&#13;
W.C.&#13;
Scott-James, R. A. . 15, Porchester Gar-&#13;
dens, W.&#13;
Simpson, Horace J. - Beech Hill Cottage,&#13;
Bury St. Edmunds.&#13;
Wanless, M. V. , . c/o English, Scottish&#13;
and Australian&#13;
Bank, 38, Lombard&#13;
Street, E.C.&#13;
Wentworth, C. L. G.&#13;
Wilson, Lady A. C. Ochilview, Crieff,&#13;
N.B.&#13;
DRAMA.&#13;
SOUVENIR OF “ THE BLUE BIRD." By HERBERT TRENCH.&#13;
84 x 11. John Long. 6d. n.&#13;
THE MADRAS HOUSE: A Comedy in Four Acts. By&#13;
GRANVILLE BARKER. 74 x 44. 144 pp. Sidgwick &amp;&#13;
Jackson. 1s. 6d. n.&#13;
A MESSAGE FROM THE GODs. By MELCHIOR MACBRIDE.&#13;
74 x 5. Hunter &amp; Longhurst. 18. 6d. n.&#13;
EARLY PLAYS FROM THE ITALIAN. Edited, with Essay.&#13;
Introduction, and Notes, by R. WARWICK BOND. 72&#13;
x 51. 332 pp. Oxford: Clarendon Press. London :&#13;
Frowde. 78. 60, n.&#13;
MID-CHANNEL. A Play in Four Acts. By ABTHUR&#13;
PINERO. 68 x 5. 351 pp. Heinemann. ls. 6d.&#13;
LUCILLA. A Drama in Three Scenes. By SIR EDWARD&#13;
DURAND. 72 pp. Doherty &amp; Co., 6, Great Newport&#13;
Street, W.C.&#13;
EDUCATION&#13;
A PROGRAMME OF EDUCATION. By NASAWANJI JIVANJI&#13;
READYMONEY. Bombay : “ Times " Press.&#13;
FICTION.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the effice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
ART.&#13;
SELECTED EXAMPLES OF INDIAN ART. By A. K.&#13;
COOMARASWAMY, D.Sc. Containing 40 Coloured and&#13;
Collotype Plates of Indian Painting and Sculpture, either&#13;
bound or in portfolio form, and with Introduction and&#13;
Notes by the Author. Quaritch. €3 38.&#13;
INDIAN DRAWINGS. By A. K. COOMARASWAMY, D.Sc.&#13;
A Study of the Studies of Indian Artists of the Mughal&#13;
and Rajput Schools. With 29 Collotype Plates and many&#13;
Line Drawings in the Text. Probst bain &amp; Co. Great&#13;
Russell Street. 258.&#13;
ESSAYS ON THE PURPOSE OF ART. Past and Present&#13;
Creeds of English Painters. By MRS. RUSSELL&#13;
BARRINGTON. 9 x 6. 421 pp. Longmans. 128. 6d. n.&#13;
BIOGRAPHY.&#13;
MRS. E. M. WARD'S REMINISCENCES. Edited by ELLIOT&#13;
O'DONNELL. 93 x 6. 296 pp. Pitman. 128. 6d. 1.&#13;
BOOKS OF REFERENCE.&#13;
LITERARY YEAR BOOK AND BOOKMAN'S DIRECTORY.&#13;
Edited by BASIL STEWART. 74 x 43.927 pp. Rout-&#13;
ledge. 68. n.&#13;
A DRAMA OF THE TELEPHONE. By RICHARD MARSH.&#13;
7} x 5. 318 pp. Digby Long. 68.&#13;
PAM THE FIDDLER. By HALLIWELL SUTCLIFFE. 74 x&#13;
5. 379 pp. Werner Laurie. 6s.&#13;
DOWN OUR STREET. A Provincial Comedy. By J. E.&#13;
BUCKROSE. 74 X 5. 352 pp. Mills &amp; Boon, 68.&#13;
CHILDREN OF THE CLOVEN Hoof. By ALBERT DORRING-&#13;
TON. 78 X 5. 316 pp. Mills &amp; Boon. 68.&#13;
GILEAD BALM. By BERNARD CAPES. 74 x 5. 320 pp.&#13;
Fisher Unwin. 6s.&#13;
PHYLLIDA. By THOMAS COBB. 74 x 5. 312 pp. Mills&#13;
&amp; Boon. 68.&#13;
THE NEW MACHIAVELLI. By H. G. WELLS. 74 x 5.&#13;
528 pp. Lane. 68.&#13;
THE MARRIAGE OF COUNT MALORTO. By D. HUGH&#13;
PRYCE. 8 x 5. 311 pp. Everett. 68.&#13;
THE MATING OF ANTHEA. By ARABELLA KENEALY.&#13;
73 x 5. 352 pp. John Long. 68.&#13;
THE RIDING MASTER. BY DOLF WYLLARDE. 8 x 5.&#13;
354 pp. Stanley Paul. 68.&#13;
THE OTHER WIFE. By OLIVIA RAMSEY. 73 X 5.&#13;
320 pp. John Long. 68.&#13;
SELF AND THE OTHER. By VICTORIA CROSS. 71 x 5.&#13;
303 pp. Werner Laurie. 68.&#13;
A PRIESTESS OF HUMANITY. By MRS. STANLEY&#13;
WRENCH. 73 x 5. 319 pp. John Long. 6s.&#13;
NATURE'S LADY. By EDMUND LEE. 73 x 5. 288 pp.&#13;
Digby Long. 68.&#13;
IN WASTE PLACES. By MRS. C. L. WOOLLASTON WHITE.&#13;
7 x 5. 246 pp. Barnet : St. Andrews Press.&#13;
THE QUAKER GIRL. By HAROLD SIMPSON. 71 x 5.&#13;
255 pp. Mills &amp; Boon. 18. n.&#13;
THE DEUCE AND ALL. By GEORGE RAFFALOVICH.&#13;
298 pp. The Equinox, 124, Victoria Street, S.W.&#13;
38. 6d. n.&#13;
THE HISTORY OF A SOUL. An Attempt at Psychology.&#13;
By GEORGE RAFFALOVICH, 296 pp. The Equinos,&#13;
124, Victoria Street, S.W.&#13;
ON THE LOOSE. By GEORGE RAFFalovich, The Equinox.&#13;
124, Victoria Street, S.W. 18. n.&#13;
IN WASTE PLACES. By Mrs. C. L. WOOLLASTON WHITE.&#13;
74 x 51. With Illustrations. 250 pp. Barnet : St.&#13;
Andrews Press. 38. n.&#13;
Doctor GREY. By STEPHEN ANDREW. 71 X 5. 320 pp.&#13;
Greening. 68.&#13;
A CORN OF WHEAT. By E. H. Young. Heinemann. Gs.&#13;
&#13;
&#13;
## p. 109 (#155) ############################################&#13;
&#13;
THE AUTHOR.&#13;
109&#13;
JUVENILE.&#13;
THE GOLDEN BOOK OF YOUTH : Noble Deeds of Boys&#13;
and Girls. By A. B. BARNARD, L.L.A. Pilgrim Press.&#13;
35. 6d. n.&#13;
MEDICAL&#13;
ALCOHOL AND THE HUMAN BODY. BY SIR VICTOR&#13;
HORSLEY, M.D., and MARY D. STURGE, M.D. 7 X 48.&#13;
290 pp. Macmillan. 18. n.&#13;
PHYSIOLOGY THE SERVANT OF MEDICINE : Chloroform in&#13;
the Laboratory and in the Hospital : being the Hitch-&#13;
cock Lectures for 1909, delivered at the University of&#13;
California, Berkeley, Cal. By AUGUSTUS D. WALLER,&#13;
M.D., LL.D., F.R.S., Director of the Physiological&#13;
Laboratory of the University of London. London: The&#13;
University of London Press. Hodder &amp; Stoughton, War.&#13;
wick Square, E.C. 58. n.&#13;
SCIENCE.&#13;
SCIENCE OF HISTORY OR SCIENCE OF NATURE HISTORY,&#13;
A Line of Study for Assigning Places to all Events in&#13;
Creation in order of time, showing their Genesis, which&#13;
define themselves. By NASAWANJI JIVANJI READY-&#13;
MONEY. Bombay : “ Times of India" Office. London&#13;
Office, 121, Fleet Street, E.C.&#13;
SOCIOLOGY.&#13;
REGENERATION. Being an Account of the Social&#13;
Work of the Salvation Army in Great Britain.&#13;
By H. RIDER HAGGARD. 78 X 51. 264 pp. Long-&#13;
mans. 25. 6d. n.&#13;
BROTHER EAST AND BROTHER WEST : A Searchlight&#13;
on the Unemployed. By CONSTANCE MARRIOTT.&#13;
Heinemann. 38. 6d.&#13;
THEOLOGY.&#13;
CHRIST IN THE CHURCH. A Volume of Religious Essays,&#13;
By ROBERT Hugh BENSON. 78 X 54. 221 pp. Long-&#13;
mans. 38, 60, n.&#13;
REUNION AND ROME. By the REV. PERCY DEARMER.&#13;
Mowbray. 18. 6d.&#13;
EGYPT AND ISRAEL. By W. M. FLINDERS PETRIE.&#13;
74 x 5. 150 pp. S.P.C.K. 2s. 6d.&#13;
THEOLOGY FOR PARENTS. By EIRENE WIGRAM. 8 x 51.&#13;
181 pp. Mowbray.&#13;
THE BOOK OF PEACE. Made by PAMELA TENNANT. 8 X 6..&#13;
124 pp. Chiswick Press. 6s. n.&#13;
MILITARY.&#13;
THE MATABELE CAMPAIGN. By LIEUT.-GEN. SIR&#13;
ROBERT BADEN-POWELL, K.C.B. 7 x 41 192 pp.&#13;
Bennett, 4d. n.&#13;
MISCELLANEOUS.&#13;
DOMESTIC HANDICRAFT AND CULTURE. A Lecture read&#13;
before the Association of Teachers of Domestic Science.&#13;
By ANANDA K. COOMARASWAMY, D.Sc.&#13;
NATURAL HISTORY.&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARRETT.&#13;
HAMILTON. With Illustrations by E. A. WILSON.&#13;
Part III. 10 x 7. Gurney &amp; Jackson. 28. 6d. n.&#13;
TRAVEL.&#13;
WRERE BLACK RULES WHITE. A Journey Across and&#13;
About Hayti. By H. H. PRICHARD, F.R.G.S.&#13;
TRAVEL AND EXPLORATION. Edited by EUSTACE&#13;
REYNOLDS BALL, F.R.G.S. With 140 Illustrations from&#13;
original Photographs. Vol. 4. July-December, 1910.&#13;
8.3 X 61. 480 pp. Witherby. 7s.6d. n.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
ORIENTAL.&#13;
SACRED BOOKS OF THE BUDDHISTS. Translated by&#13;
Various Oriental Scholars. Edited by T. W. RHYS&#13;
DAVIDS, LL.D. Vol. III. Dialogues of the Buddha.&#13;
Translated from the Pāli of the Digha Nikäya. By T. W.&#13;
and C. A. F. Rhys DAVIDS. Part II. 9 X 54. 382 pp.&#13;
Frowde. 108. 6d.&#13;
POETRY.&#13;
Songs Of SUSSEX. By the Rev. F. W. ORDE WARD,&#13;
74 x 54. 80 pp. E. Macdonald. 28. 6d. n.&#13;
THE BOOK OF SCOTTISH POETRY. Being an Anthology of&#13;
the Best Scottish Verse from the Earliest Times to the&#13;
Present. Chosen and Edited by SIR GEORGE DOUGLAS,&#13;
BART. 71 x 5. 928 pp. Unwin. 78. 6d. n.&#13;
POEMS OF HEROISM AND DEVOTION. Selected from the&#13;
Works of RICHARD TISSINGTON. 6 X 4. (The New&#13;
Treasury.) Banks &amp; Ashwell, 180, High Holborn, W.C.&#13;
THE TRIUMPH OF PAN. By GEORGE RAFFALOVICH. The&#13;
Equinox, 124, Victoria Street, S.W. 58. n.&#13;
POLITICAL.&#13;
THE AMERICAN COMMONWEALTH. By JAMES BRYCE.&#13;
2 vols. New edition. Completely revised throughout,&#13;
with Additional Chapters. 8 X 54. 742 + 962 pp.&#13;
The Macmillan Co. 218. n.&#13;
THE CANADIAN NAVAL QUESTION. Address delivered by&#13;
CLIVE PHILLIPPS-WOLLEY, F.R.C.S., Vice-President&#13;
Navy League. 7} x . 70 pp. Toronto : Briggs.&#13;
HE“ Concise Etymological Dictionary of the&#13;
T English Language," by Professor Skeat,&#13;
- after passing through three editions, was&#13;
almost entirely re-written, and appeared in a much&#13;
improved form in 1901. It has now been once&#13;
more revised and corrected, to bring it more up to&#13;
the level of the new edition of his larger Etymo.&#13;
logical Dictionary that appeared in 1910. The&#13;
new edition of ihe “Concise ” Dictionary will&#13;
appear early in 1911.&#13;
The Rev. Professor Skeat has completed a small&#13;
treatise on “ Berkshire Place-names,” which will&#13;
shortly be published by the Clarendon Press. It&#13;
is written on the same lines as the Place-names of&#13;
Cambridgeshire, Bedfordshire, Huntingdonshire&#13;
and Hertfordshire, already published for him by&#13;
the Cambridge Antiquarian Society and the East&#13;
Hertfordshire Archæological Society,&#13;
“L'Homme Vert, et Autres Contes de Fée,” is&#13;
the title of Miss Jetta S. Wolff's last book of French&#13;
REPRINTS.&#13;
ALL THE WORLD'S AIRSHIPS, AEROPLANES AND DIRI.&#13;
GIBLES. (Flying Annual.) Founded and edited by&#13;
F. T. JANE. Second year of issue. 1910-1911. 73 x 128.&#13;
464 pp. Sampson Low. 218. n.&#13;
&#13;
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## p. 110 (#156) ############################################&#13;
&#13;
110&#13;
THE AUTHOR.&#13;
stories for young people. Messrs. J. M. Dent &amp; Sons English Translations,” in commemoration of the&#13;
are the publishers.&#13;
Tercentenary of the Authorised Version, 1611-&#13;
“Down Our Street," by J. E. Buckrose, is the 1911. The author, Mr. S. F. Pells, of St. Mary's,&#13;
comedy of a provincial town, and gives a picture Hove, is the editor of “The First English Transla-&#13;
of middle-class life as it really is, not as people tion of the Septuagint," and the publishers are&#13;
imagine it to be. There is some humour in the Messrs. Simpkin Marshall &amp; Co., London.&#13;
book, and the irrepressible Mrs. Bean is the chief Major P. T. Godsal has published through&#13;
character, though the love story of Sophia supplies Messrs. Harrison &amp; Sons “The Storming of&#13;
the thread upon which the novel hangs. The London, and the Thames Valley Campaign." In&#13;
whole narrative concerns the inhabitants of one this book the conquest of Britain by the Anglo-&#13;
street, and the reader makes the acquaintance of a Saxons is for the first time treated as a military&#13;
small social community, each character being question, and it is shown that all the evidence&#13;
definitely pourtrayed. Messrs. Mills &amp; Boon are indicates that they took London first, and settled&#13;
the publishers&#13;
round it, and that they then fought up the Valley&#13;
“The Fortunes of Flot," by K. F. Purdon, is of the Thames.&#13;
the story of an Irish mongrel, his hardships and We regret that, through an error of classification,&#13;
joys. The object of the book is to induce owners we included in the last issue of The Author among&#13;
of dogs to remember that these animals have rights the Juvenile Works, Mrs. C. L. Woollaston White's&#13;
to be respected, and whatever trouble they give to novel “ In Waste Places." We have rectified the&#13;
man is due to their being misunderstood and badly error in another column of this issue.&#13;
trained.' The tricks taught to “Flot,” and referred “The Sea Lion,” by Patrick Rushden, is the&#13;
to in the book, were taught to a dog known to the story of two half-brothers, one of whom has been&#13;
writer without the introduction of a harsh word. to sea, and is the real “Sea Lion.” Through&#13;
Mrs. Barclay's novel, “The Rosary," is shortly injuries he has become a paralytic, and is entirely&#13;
to appear in a German translation. Messrs. G. P. dependent on his half-brother, who markets his&#13;
Putnams' Sons have arranged also for the Nor- writings for him. They are extremely alike in&#13;
wegian serial translation rights of this story. appearance, and the spurious “Lion” wins the love&#13;
Mrs. Desmond Humphreys (“Rita ") has just of the heroine, Sybil Lethbridge, on the strength&#13;
published her impressions of America, which she of this; she cared for the real "Sea Lion," Brian&#13;
recently visited. The book is entitled “America Thornfield, who went out of her life; and transfers&#13;
-Through English Eyes.” “Rita's” new novel her affections to the man who so forcibly reminds&#13;
will be published by Messrs. Hutchinson early in her of the other. Stanley Thornfield lives luxuri.&#13;
the spring. It is entitled “Half a Truth."&#13;
ously and passes as the author of the writings of&#13;
Mr. Laurence North, author of “Syrinx," has his half-brother—whom he keeps in a poor lodging,&#13;
written for Mr. Martin Secker a new novel entitled and who is ignorant of the fact of the relationship.&#13;
“Impatient Griselda.” The book, a comedy of In the end Stanley Thornfield is made to expose&#13;
modern life, will be published early in the present his imposture through the hypnotic power of an&#13;
year.&#13;
old man who has exploited him for his own ends ;&#13;
Mr. Werner Laurie published early in January and the dénouement is achieved in a dramatic and&#13;
a new novel by Victoria Cross, called “Self and the tragic manner. The story ends in the spring sun-&#13;
Other." It is a story of love and self-sacrifice, and shine of Florence, where the true “Sea Lion,"&#13;
the scenes are laid at Cambridge University and almost a sound man after a dangerous operation,&#13;
Constantinople.&#13;
comes at last into his own.&#13;
Messrs. Hugh Rees, Ltd., are the publishers “A Priestess of Humanity," by Mrs. Stanley&#13;
of “Canada and Canadian Defence,” by Major- Wrench, published by John Long, is a psycho-&#13;
General C. W. Robinson, C.B., which discusses logical study of a woman who has gone under, but&#13;
closely the general character of naval and military who is reclaimed by the love of a good man. He,&#13;
defence required under the circumstances of Canada a writer, unconsciously falls in love with a woman&#13;
for the security of her frontier to-day—a subject of of the same calibre as himself, but rather than&#13;
Imperial importance, to which the creation of a break faith with the woman of the under world,&#13;
Canadian navy and the recommendations of the sacrifices himself as well as his art. The book&#13;
Imperial Defence Conference of 1909, add special ends on a note of hopefulness, and is intended to&#13;
interest. The grounds for the dictum of Wellington show “there is so much good in the worst of us."&#13;
that naval, superiority on the lakes is a sine qua Miss A. E. Keeton will give, during the month&#13;
non of success (even in defensive war) on the of February, three of her “Studies of Modern&#13;
frontier of Canada are fully explained.&#13;
British Song” at Hampstead, at Wimbledon and&#13;
Among books shortly to be published may be at Camberley. Vocal illustrations will be sung by&#13;
mentioned “The Great Texts of the Bible and our Miss Grainger-Kerr, accompanied by Miss Marjorie&#13;
&#13;
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## p. 111 (#157) ############################################&#13;
&#13;
THE AUTHOR.&#13;
111&#13;
dies will immest A Bright,&#13;
Adam. The studies will include examples by the date of production of the two plays not as yet&#13;
following composers :-Ernest Austin, Granville performed. The same writer is now working on&#13;
Bantock, Hubert Bath, Dora Bright, Arthur another play.&#13;
Barclay, Walford Davies, Katherine Eggar, Joseph An American edition of Edith Searle Gross-&#13;
Holbrooke, Frederick C. Nicholls, Norman O'Neill, mann's novel, “ The Heart of the Bush," is being&#13;
Roger Quilter, Katherine Ramsay (Marchioness of published by the John Lane Company, New York.&#13;
Tullibardine), Percy Rideout, Jervis Read, Ethel “The Other Wife" is the title of Miss Olivia&#13;
Smyth, Cyril Scott, Ernest Walker, William Ramsey's new novel, published by Messrs. John&#13;
Wallace, R. H. Walthew, Dalhousie Young. Long. It relates the experiences of a young wife,&#13;
In “ Love or Lucre," by Edith C. Gerrard, the introduced into London society after a dull and&#13;
author deals with an important problem, which is isolated girlhood. This is Miss Ramsey's fifth&#13;
faced in rastly different ways by 'the different novel.&#13;
people whom it concerns. Messrs. F. V. White &amp; “ The Reproof of Chance" is a novel by Mrs.&#13;
Co. are the publishers.&#13;
E. W. Savi, in which is presented a picture of the&#13;
Messrs. S. W. Partridge &amp; Co. announce the social life in Calcutta. Messrs. Digby Long &amp; Co.&#13;
publication of the fourth edition of "The Com- are the publishers. The same firm issue also Mr.&#13;
plete Bible in Modern English,” by Ferrar Fenton. Reginald E. Salwey's new novel, “The Kestrel,”&#13;
The same publishers have also Mr. Fenton's "New the scene of which is placed on the south-east&#13;
Testament in Modern English ” (ninih edition); coast of England.&#13;
“The Five Books of Moses” (fourth edition); Miss Regina Miriam Bloch, whose paper on&#13;
“ The Six Historical Books”; “The Books of “Three Great American Poets" (Longfellow,&#13;
the Prophets”; “ The Psalıns and Poetical Books Emerson and Poe) was recently delivered before the&#13;
of the Bible”; “St. Paul's Epistles” (sixth Bedford Park Literary and Philosophical Society,&#13;
edition). All of these, with the exception of the is giving several smaller readings during February,&#13;
last-mentioned, are published at 28. 6d. The “St. whilst on March 5th she has been invited to&#13;
Paul's Epistles” are issued at 1s., at which price Swansea, to deliver a critical essay on “ Heinrich&#13;
also is published a special People's Edition of “The Heine.” She also contemplates giving a lecture at&#13;
New Testament in Modern English.”&#13;
Hampstead soon after her return.&#13;
The proprietors of Travel and Exploration may Prison life as it affects the more highly-&#13;
be cungratulated on their first issue for 1911, educated portion of the community is the theme&#13;
which fully maintains the standard of this magazine of a novel which Mr. Roy Horniman has just&#13;
since its inception. Among the contributors are completed. Mr. Horniman has also completed&#13;
Mr. Edmund Forbes, who writes on “Malay Klongs another novel of a more sensational character.&#13;
and Rivers ” ; Mr. Ernest Young, who describes A revised and cheap edition of “Lombard Street&#13;
“ Bear Shooting in Finland”; and Mr. E. A. in Lent” is announced by Mr. Robert Scott. This&#13;
Reynolds Ball, who has an article on “ Six Flemish re-issue is under the general editorship of the Rev.&#13;
Percy Dearmer, and contains a new chapter from&#13;
We have received a little volume by the Rev. Dr. his pen, as well as an introduction by the Rev.&#13;
Lapsilell, called “Princess Alfrida's Charity.” Canon Scott Holland.&#13;
Princess Alfrida was the third and youngest Mr. Morris Colles and Mr. Henry Cresswell have&#13;
daughter of Alfred the Great, and the Grant made arrangements with Messrs. Methuen &amp; Co.&#13;
mentioned in the Charter, a copy of which Dr. in England, and Mr. Pitis Duffield in America,&#13;
Lansdell obtained from the State Archives in for the simultaneous publication of a small work&#13;
Ghent, details the princess's gift of her inheritance on " Success in Literature,” which is likely to&#13;
of Lewisham, Greenwich and Woolwich. Dr. prove interesting to authors. The scope of the&#13;
Lansdell traces the history of the Charity, in which book is to harvest and elucidate such counsels of&#13;
is involved the history of the first five hundred the literary great as are accessible and likely to&#13;
years of the reputed manor of Old Court, Green prove practically useful to authors in their work.&#13;
wich, now the principal possession of the properties The book makes no didactic pretensions, the&#13;
bequeathed to Morden College by the founder, Sir object of the compilers having been simply to&#13;
John Morden, Baronet. Messrs. Burnside, Ltd., adduce, from many sources, such precepts, obser-&#13;
of Blackheath, are the publishers.&#13;
vacions, and thoughts as may serve to reveal the&#13;
Mr. John Galsworthy's new novel, called “The secrets of success in literature. It is nearly ready.&#13;
Patrician," will be published by Mr. Heinemann Mr. Lurence Irving contributes an introduction&#13;
early in March. Later in the year Messrs. Duck- and appreciation of Fedor Dostoieffsky and his&#13;
worth &amp; Co. will publishi a volume of three plays, work to the Everyman Edition of his novel,&#13;
already written (including “ Justice," by Mr. “ Crime and Punishment," wbich Messrs. J. M.&#13;
Galsworthy), the date of issue depending on the Dent &amp; Sons are publishing.&#13;
Cities."&#13;
&#13;
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## p. 112 (#158) ############################################&#13;
&#13;
112&#13;
THE AUTHOR.&#13;
Miss Agnes Deans Cameron was sent through Daly's Theatre on January 7. The present&#13;
Canada by the Canadian Government to prepare version has been strengthened by certain altera-&#13;
for lectures, which she has since delivered in tions introduced in the last act. The cast&#13;
England, showing the desirability of emigration includes Mr. Robert Michaelis, Mr. W. H. Berry,&#13;
The example of the Canadian Government has and Miss Lily Elsie.&#13;
been followed by the Australian Government, who Mrs. Percy Dearmer's mystery play, “ The Play.&#13;
have sent Miss Beatrice Grimshaw to explore mate," which was performed last year, has been&#13;
Papua, while the British South African Company published by Messrs. Mowbray &amp; Co., with illus-&#13;
have also engaged a woman, Miss E. A. Maidmend, trations by Helen Stratton.&#13;
to do agricultural promotion work for South Mr. J. B. Fagan has just completed a modern&#13;
Africa.&#13;
three-act play, “The Wheel," the scene of which&#13;
Stephen Andrew, who wrote - The Serpent and is laid in India. The first act passes in a bungalow&#13;
the Cross,” has published a new novel, “ Doctor in the Plains, the latter two in a Buddhist monas-&#13;
Grey,” in which he describes the life of an average tery in the Himalaya of Bhutan. The play is a&#13;
doctor of to-day. Incidentally the author has love tragedy. Mr. Fagan has also dramatised Mr.&#13;
drawn sharp impressionist pictures of many little Robert Hichens' novel, “Bella Donna." This&#13;
known sides of English life. Messrs. Greening &amp; play will be produced later by Mr. George&#13;
Co. are the publishers.&#13;
Alexander.&#13;
“ The Family and Heirs of Sir Francis Drake," "Lucilla" is a drama in three scenes by Sir&#13;
by Lady Eliott-Drake, should prove interesting Edward Durand, published by Messrs. Doherty&#13;
from many points of view. Hitherto unpublished &amp; Co., 6, Great Newport Street, St. Martin's&#13;
documents relating to Sir Francis' ancestry and Lane, W.C.&#13;
circumnavigation, sidelights on national and Mr. H. Granville Barker's comedy in four acts,&#13;
county history, local politics, and the fortunes of “The Madras House," was published last month&#13;
several west country families—all based on recent by Messrs. Sidgwick &amp; Jackson.&#13;
original research-come within the scope of two In consequence of Miss Neilson's and Mr. Terry's&#13;
volumes. But wbilst presenting a continuous return to the New Theatre, Mr. Oscar Asche and&#13;
record, century by century, of a typical county Miss Lily Brayton have transferred “Count&#13;
family's patriotic participation in public and Hannibal ” to the Garrick Theatre.&#13;
political affairs, space has been accorded to many Mr. Henry Arthur Jones's new play, “We Can't&#13;
contemporary letters, which are as entertaining as be so Bad as all That !” had its first performance&#13;
they are interesting.&#13;
at the Naziomora Theatre, New York. It was also&#13;
played at the London Scala on the same evening,&#13;
DRAMATIC.&#13;
for copyright purposes.&#13;
Mr. George Alexander will produce this month a&#13;
Sir Arthur Pinero's new play in four acts, new play by Mr. A. E. W. Mason. It is a play of&#13;
“ Preserving Mr. Panmure," was produced on political interest and is called “ For the Defence."&#13;
January 19 at the Comedy Theatre. The play “Coats," a comedy, by Lady Gregory, was pro-&#13;
relates how Mrs. Panmure, a lady with ideals, duced at the Abbey Theatre, Dublin, in January.&#13;
married a worn-out rake whom she hoped to reform ; The theme of the play is the rivalry between two&#13;
how she was so far unsuccessful that her husband editors, each of whom has written an obituary&#13;
was guilty of paying an osculatory attention to the notice of the other.&#13;
family governess; how the governess endeavoured Mr. Roy Horniman bas arranged to dramatise,&#13;
to persuade other males to take the guilt, in order for early production, a novel by Mr. Charles&#13;
that she might spare Mrs. Panmure (whom she Garvice.&#13;
loved) pain ; how an M.P.'s secretary, who is in&#13;
love with the governess, takes the blame for the&#13;
offence; and finally, how the governess obtains the&#13;
member of Parliament for her husband. The&#13;
PARIS NOTES.&#13;
cast includes Mr. Arthur Playfair, Miss Lilian&#13;
Braithwaite, Miss Marie Löhr, and Mr. Dion&#13;
Boucicault.&#13;
JULES HURET has just brought out&#13;
“ Vice Versâ,” having been transferred from .. his fourth book on Germany. It is&#13;
the Comedy Theatre to the Court, is now houscd&#13;
entitled “ La Bavière et la Saxe."&#13;
at the Strand Theatre.&#13;
The former ones are “Rhin et Westphalie,"&#13;
“A Waltz Dream,” the operetta in three acts, “ De Hambourg aux marches de la Pologne,"&#13;
adapted for the English stage by Captain Basil and “ Berlin." Jules Huret does not write his&#13;
Hood, with lyrics by Adrian Ross, was revived at books after a month's residence in the countries&#13;
&#13;
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## p. 113 (#159) ############################################&#13;
&#13;
THE AUTHOR.&#13;
113&#13;
Orients ab instructive cardie les avocats are des&#13;
he describes. He has been living in the various&#13;
parts of Germany, and, as he is a keen observer,&#13;
this work is a chef-d'ouvre of knowledge and shrewd&#13;
observation. To all readers of the Figaro Jules&#13;
Huret's investigations have been thoroughly&#13;
appreciated for very many years. His book on&#13;
literary questions, and another one on questions of&#13;
social economy, were both eagerly read. At present,&#13;
he is giving us a series of articles on the Argentine,&#13;
which will be published later on in volume form.&#13;
When he turns his attention to England it is pro-&#13;
bable that he will tell us much of which we ourselves&#13;
are ignorant.&#13;
The book written by M. Joran entitled, “ Les&#13;
Féministes avant le Féminisme” is curious and&#13;
interesting, and might be read with profit by the&#13;
saffragettes and the suffragists of to-day. The&#13;
volume is dedicated to a woman and the preface is&#13;
written by a woman. M. Joran endeavours to&#13;
show the difference between the ideals of the&#13;
women of former times and the demands of a large&#13;
group of the women of to-day.&#13;
The first chapter of this book is devoted to&#13;
Christine de Pisan and her book, “ Le Trésor de la&#13;
Cité des Dames," one of the works written by her&#13;
between 1399 and 1405. It is interesting to find&#13;
that so many centuries ago a woman should expect&#13;
competence in so many different lines from women&#13;
in various classes of society, for, according to the&#13;
passages quoted, Christine de Pisan expected com-&#13;
petence in matters of economics, in administration,&#13;
agriculture and finance from the women for whom&#13;
she wrote. The other chapters of the volume are&#13;
on Erasmus, Corneille Agrippa, Agrippa d’Aubigné,&#13;
Joseph de Maistre, De l'Escale, Mlle. de Gournay,&#13;
Du Bosc, St. Gabriel, Decrues Goussault, Duchess&#13;
de Liancourt and James Lawrence. Other books&#13;
by this author are entitled : “Le Mensonge du&#13;
Féminisme," " Autour du Féminisme," " Au Caur&#13;
du Féminisine,” “La Trouée Féministe," and he is&#13;
is at pre-ent writing “ Le Suffrago des Femmes."&#13;
Among other new books are: “Les Femmes&#13;
Auteurs," by Vicomte de Broc; “La Fosse aux&#13;
Lions," by Emile Baumann; “La Bataille,” by&#13;
Claude Farrère ; “Pour tuer Bonaparte," by&#13;
Georges Ohnet.&#13;
In the recent numbers of the Revue de Deux&#13;
Mondes M. Faguet writes on “Liberalisme et&#13;
Etatisme” : M. René Doumic studies the works of&#13;
M. Alfred Capus, and M. Paul Leroy Beaulieu&#13;
writes on “L'Eventualité d'une Révolution&#13;
Syndicaliste."&#13;
In Le Correspondant M. Tavernier gives an&#13;
article on Tolstoi, and M. Thureau Dangin on&#13;
" La Vie du Cardinal Vaughan et celle de Colonel&#13;
Vaughan."&#13;
La Rerue hebdomadaire has published some&#13;
extremely interesting articles in recent numbers ;&#13;
among others “ La Balance politique ; l'Europe en&#13;
Orient” by M. Gabriel Hanotaux, and a very&#13;
curious and instructive article by M. Ch. Cheñu,&#13;
former Batonnier de l'Ordre des avocats, on “ Le&#13;
Centennaire de la restauration de l'Ordre des&#13;
avocats.”&#13;
M. Guy de Montbel pnblishes the souvenirs&#13;
of his grandfather, Comte de Montbel, under the&#13;
title of “ Sur les routes de l'exil,” and Jules&#13;
Lemaître's lecture on “Les Péchés de Sainte-&#13;
Beuve ” is published in full.&#13;
At the Odéon Roméo et Juliette is now being&#13;
given.&#13;
“L'Aventurier,” by Alfred Capus, is still on&#13;
the bill at the Porte-Saint-Martin. Like all of&#13;
this author's plays, the “ Aventurier" has a happy&#13;
ending. Etienne Ranson, the scapegrace of the&#13;
family, leaves the country in debt and comes back a&#13;
wealthy man. He is then invited to come to the&#13;
rescue of an uncle who is on the brink of ruin.&#13;
He is willing to do this provided that his cousin&#13;
Geneviève will marry him. She is engaged.&#13;
Etienne is then inflexible, but when Geneviève's&#13;
brother is about to commit suicide and his sister&#13;
appeals to him, he finally yields and comes to the&#13;
rescue of the family. Geneviève then discorers&#13;
his real worth, breaks off her engagement and&#13;
marries him.&#13;
“Le Carnaval des enfants,” by M. Saint-&#13;
Georges de Bouhélier, has had great success at the&#13;
Théâtre des Arts.&#13;
The centenary of Alfred de Musset was com-&#13;
memorated at the Comédie Française with all the&#13;
honours possible. A matinée and soirée entirely&#13;
composed of the poet's works were both greatly&#13;
appreciated by the admirers of Musset.&#13;
One of the events of the season in the theatrical&#13;
world has been the re-opening of the Shakespeare&#13;
Theatre by M. Camille de Sainte-Croix with “ The&#13;
Taming of the Shrew” (“L'Ecole de la Pie&#13;
Grièche"). The play was given two nights, and&#13;
every fortnight another of Shakespeare's plays is&#13;
to be represented. Rarely is such an excellent&#13;
ensemble seen. M. de Sainte-Croix has chosen each&#13;
actor and trained the whole company specially for&#13;
these plays. The result is admirable, and the&#13;
Parisians are enthusiastic in their appreciation and&#13;
praise. It is very probable that at the end of the&#13;
French season M. de Sainte-Croix will take his&#13;
company for a tour through England with his&#13;
Shakespeare repertory.&#13;
ALYS HALLARD.&#13;
“ La Bavière" (Fasquelle).&#13;
" Les Feministes avant Féminisme (Arthur Savaète).&#13;
" Les Femmes Auteurs” (Plon).&#13;
"La Fosse aux Lions" (Bernard Grasset).&#13;
“La Bataille” (Ollendorff).&#13;
“ Pour tuer Bonaparte " (Ollendorff).&#13;
&#13;
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## p. 114 (#160) ############################################&#13;
&#13;
114&#13;
THE AUTHOR.&#13;
COPYRIGHT REGISTRATION IN U.S.A.&#13;
DEPOSIT OF FRAGMENT OF BOOK.&#13;
A PPLICATION for registration of copyright&#13;
should be denied, (1) Where the ad interim&#13;
deposit under sect. 21 of the Copyright&#13;
Act of March 4, 1909 (35 Stat., 1080), is a com-&#13;
plete book, and the permanent deposit under&#13;
sect. 22 is only a part of such book ; (2) Where&#13;
both the ad interim and permanent deposits are&#13;
fragments of the work ; (3) Where the copy&#13;
printed and bound in accordance with the manu-&#13;
facturing provisions of sect. 15 of the Act and&#13;
deposited in the first instance, is only a fragment&#13;
of the work; and (4) Where a complete book is&#13;
deposited, but the affidavit correctly indicates that&#13;
only a part of the work is printed in the United&#13;
States.&#13;
The word “book," as used in sects. 21 and 22&#13;
and in class (a) of sect. 5 and elsewhere in that&#13;
Act, means the entire book and not a fragment&#13;
thereof.&#13;
DEPARTMENT OF JUSTICE,&#13;
Washington, February 9, 1910.&#13;
SIR, --Your communication of January 18,&#13;
1910, wherewith you transmit certain documents&#13;
from the Librarian of Congress, was duly received.&#13;
From the statement of the Librarian it appears&#13;
that in a number of instances in attempting to&#13;
comply with the provisions of the copyright law of&#13;
March 4, 1909 (35 Stat., ,1080), only parts of&#13;
books hare been deposited by applicants with the&#13;
Register of Copyrights and copyrights applied for&#13;
thereon ; and I am asked what action should be&#13;
taken by the Register of Copyrights when an&#13;
application is made which presents either of the&#13;
following conditions :-&#13;
1. Where the ad interim deposit under sect. 21&#13;
is a complete book, and the permanent deposit&#13;
under sect. 22 is only a part of such book.&#13;
2. Where both the ad interim and permanent&#13;
deposits are fragments of the work.&#13;
3. Where the copy, printed and bound in&#13;
accordance with the manufacturing provisions of&#13;
sect. 15 of the Act and deposited in the first&#13;
instance, is only a fragment of the work.&#13;
4. Where a complete book is deposited, but the&#13;
affidavit correctly indicates that only part of the&#13;
work is printed in the United States.&#13;
In reply to these questions I have the honour to&#13;
say:&#13;
The first two questions in rolve a construction&#13;
of sects. 21 and 22 of the Copyright Act, which&#13;
relate to procuring a copyright in a book published&#13;
abroad in the Euglish language, while the last two&#13;
involve the general provisions of the Act.&#13;
Sects. 21 and 22 read as follows:&#13;
Sect. 21. That in the case of a book published&#13;
abroad in the English language before publication&#13;
in this country, the deposit in the Copyright Office,&#13;
not later than thirty days after its publication&#13;
abroad, of one complete copy of the foreign edition,&#13;
with a request for the reservation of the copyright&#13;
and a statement of the name and nationality of the&#13;
author and of the copyright proprietor and of the&#13;
date of publication of the said book, shall secure to&#13;
the author or proprietor an ad interim copyright,&#13;
which shall have all the force and effect given to&#13;
copyright by this Act, and shall endure until the&#13;
expiration of thirty days after such deposit in the&#13;
copyright Office&#13;
Sect. 22. That whenever within the period of&#13;
such ad interim protection an authorised edition&#13;
of such book shall be published within the United&#13;
States, in accordance with the manufacturing pro-&#13;
visions specified in section fifteen of this Act, and&#13;
whenever the provisions of this Act as to deposit of&#13;
copies, registration, filing of affidavit, and the&#13;
printing of the copyright notice shall have been&#13;
duly complied with, the copyright shall be extended&#13;
to endure in such book for the full term elsewhere&#13;
provided in this Act.&#13;
Does the word "book" as here used, mean the&#13;
entire book, or a fragment of a book ? It appears&#13;
to me that there can be but one answer to this&#13;
question. The requirement in sect. 21 that a&#13;
deposit in the Copyright Office within the time&#13;
specified “of one complete copy of the foreign&#13;
edition,” clearly indicates that in the enactment of&#13;
these sections the entire book was in the minds of&#13;
Congress, and not a fragment thereof.&#13;
I am also of the opinion that the same meaning&#13;
should be given the word “ book " as it appears in&#13;
class (a), sect. 5, and elsewhere in the Act. When&#13;
it was enacted in sect. 8 “ that the author or pro-&#13;
prietor of any work made the subject of copyright&#13;
by this Act ... shall have copyright for such&#13;
work under the conditions and for the term speci-&#13;
fied in this Act" it certainly was not intended&#13;
that a chapter or two—a mere fragment of a book&#13;
should fall within the meaning of the word&#13;
“work." Such fragment is not a “ work," and&#13;
cannot be so considered. It is only a part of a&#13;
work. There is a special reason why this meaning&#13;
should be given the words “ book” and “ work"&#13;
in this Act which did not exist before the passage&#13;
of the Act of March 3, 1891. The Copyright&#13;
Acts before the one of that date contained no pro-&#13;
visions with reference to where and on what type&#13;
or plates the book should be printed. But by&#13;
sect. 15 of the present Act it is provided in sub-&#13;
stance that all the work in connection with the&#13;
printing and binding of every book accorded pro-&#13;
tection by the Act shall be done within the limits&#13;
of the United States, and by sect. 31 the importa-&#13;
&#13;
&#13;
## p. 115 (#161) ############################################&#13;
&#13;
THE AUTHOR.&#13;
115&#13;
tion of copyrighted books not manufactured in LICENCE TO COPY PHOTOGRAPHS.&#13;
accordance with the provisions of sect. 15 is pro-&#13;
hibited. Each part of the Act should be so con-&#13;
strued as to give effect to the legislative intent in&#13;
BOWDEN BROS. v. AMALGAMATED PICTORIALS, LTD.&#13;
the enactment of every other part. And to hold&#13;
that a mere fragment of a book could be copy M H E plaintiffs in this case are a firm of photo-&#13;
righted, would open the door to the most extensive I graphers supplying photographs for publi-&#13;
evasions of the manufacturing provisions of the Act. - cation in the Press at the usual trade price&#13;
For illustration, the Librarian of Congress of 10s. 6d., and the defendant company is pro-&#13;
transmits through you what appears to be a prietor of the papers called Throne and Country&#13;
booklet in pamphlet form of fifty-one pages, on and Lotinga's Weekly.&#13;
the last of which appear the words “ The end.” The plaintiffs supplied photographs to Mr.&#13;
This has been filed with the Register of Copyrights Lotinga when he was proprietor of the Throne,&#13;
under sect. 21 for ad interim protection. But as and agreed to a reduction in the price owing to&#13;
a matter of fact, this pamphlet contains only the the financial condition of that paper. The price&#13;
first four chapters of the book, and how many more for the first use of a photo was reduced to 5s., and&#13;
there are and of how many volumes the entire for any subsequent reproduction the price was&#13;
work consists there is nothing to indicate ; nor 2s.6d. In 1910, when Mr. Lotinga caused the&#13;
could the extent of the work make any difference defendant company to be incorporated for the&#13;
so far as the principle involved is concerned ; nor purpose of taking over the Throne and Lotinga's&#13;
can the principle be affected by the fact that the Weekly, the plaintiffs pointed out that a statement&#13;
pamphlet purports to be a complete work. If in the prospectus that their blocks were of great&#13;
protection be afforded these four chapters, no other value was erroneous, as the permission of the&#13;
publisher could afford to publish the remainder of plaintiffs was required for any reproduction of&#13;
the book, and though not legally protected by their photographs.&#13;
copyright get the protection of the remaining In April the plaintiffs terminated their arrange-&#13;
portion would in fact be perfect. But at the same ments as to the supply of photographs for these&#13;
time, peither the manufacturing provisions in papers. The defendants, however, continued to&#13;
sect. 15 nor the prohibitions against importations use the photographs and blocks, and the plaintiffs,&#13;
in sect. 31 would apply to the parts not copy who had registered their copyright in the photo-&#13;
righted ; and the publisher could have the entire graphs which had been published, sued the&#13;
remainder of the book printed abroad and im- defendants for infringement of copyright. As to&#13;
ported, and here bound with the four chapters those photographs which had not been published,&#13;
printed within the United States. If the law the plaintiffs claimed their common law right to&#13;
should be construed to permit this, it is quite restrain publication, which was threatened and&#13;
probable that the copyrighting of but a part of intended by the defendants.&#13;
books which are not supposed to be of very sub- On behalf of the defendants it was urged that the&#13;
stantial merit would become the custom. But contract entitled them to produce and reproduce&#13;
independent of this consideration, there appears to the photographs which had been supplied to them ;&#13;
be nothing in the statute which implies that but a and that they had an irrevocable licence to publish&#13;
part of a work may be copyrighted, nor have I those which they had used, or selected for produc-&#13;
been able to find any authorities showing that tion, on the terms arranged between the plaintiffs&#13;
other similar statutes have been so construed. and Mr. Lotinga.&#13;
For these reasons, I am of the opinion that an Mr. Justice Parker in his judgment said that&#13;
application should be refused when the deposit is Mr. Lotinga no doubt convinced himself that the&#13;
made as shown in either of the first three inquiries. arrangement entitled him to do what he claimed,&#13;
And the same rule should be applied to the fourth; but the legal effect of it was that Mr. Lotinga&#13;
because it is a necessary prerequisite to the regis- was not bound to use the photographs supplied,&#13;
tration of the copyright that the book should be and until acceptance of any photographs the offer&#13;
printed as required by sect. 15; and if nothing could be withdrawn. After acceptance and com-&#13;
but the entire work can be copyrighted, then all munication thereof to the plaintiffs, there would be&#13;
parts of it must be printed in accordance with the a concluded contract as to each photograph accepted,&#13;
provisions of that section.&#13;
but in the case of first user and in the case&#13;
Respectfully,&#13;
of subsequent user the offer could be withdrawn&#13;
Geo. W. WICKERSHAM,&#13;
before acceptance. The contention that the defen-&#13;
The President.&#13;
Attorney-General. dants had an unlimited right to use and re-use the&#13;
P" Official Opinions of the Attorneys-General of the photographs was erroneous. The plaintiffs were,&#13;
United States," Vol. 28, pp. 176-179.]&#13;
therefore, entitled to an injunction. The damages&#13;
&#13;
&#13;
## p. 116 (#162) ############################################&#13;
&#13;
116&#13;
THE AUTHOR.&#13;
were assessed at 108. Gd. for each iŋfringement,&#13;
and a penalty for the same amount was held to be&#13;
sufficient, because the defendants bona fide believed&#13;
they had a right to do what they had done.&#13;
HAROLD HARDY.&#13;
LIBEL IN A NOVEL.&#13;
of being attacked by her. Some years ago she&#13;
obtained an engagement in a chorus, in order to&#13;
get knowledge and local colour for her story. The&#13;
Bedford Hotel was certainly in her mind when she&#13;
mentioned the “Cambridge Head." She had not&#13;
depicted Belcher as a scamp, but he was so&#13;
described by one of the characters in the story,&#13;
being upset through jealousy. She chose the&#13;
name “ Belcher" because it was euphonious, and&#13;
“Harold” because it seemed to balance Belcher.&#13;
The jury found a verdict for the plaintiff for&#13;
£200 damages.&#13;
This case recalls the recent decision in the&#13;
House of Lords, when Mr. Artemus Jones recovered&#13;
damages for libel : * and Mr. Justice Bucknill, in&#13;
his summing up to the jury, pointed out that it&#13;
was not necessary that there should have been an&#13;
intention to libel the plaintiff, but that he was&#13;
entitled to damages if they believed that people&#13;
understood the story to refer to him. Novelists&#13;
should bear in mind, however, that local surround-&#13;
ings and coincidences are evidence from which the&#13;
jury may infer that an author, in naming a charac-&#13;
ter in a work of fiction, had a particular individual&#13;
in mind ; and under such circumstances the jury&#13;
might more readily conclude that that individual&#13;
was understood to be referred to in the story.&#13;
HAROLD HARDY.&#13;
• Reported in The Author, January, 1910.&#13;
BELCHER v. EDWARD LLOYD, LTD.&#13;
M HIS was an action for libel, in which the&#13;
1 plaintiff, Mr. Harold Belcher, a theatrical&#13;
agent, claimed damages against the proprie-&#13;
tors of Lloyd's Weekly News in respect of a serial&#13;
story entitled “Motley and Tinsel,” which appeared&#13;
in that paper.&#13;
The story was written by Miss Ada Jones under&#13;
the name of “ Margaret Hamilton," and the open-&#13;
ing scene was laid in the offices of a theatrical&#13;
agent called Harold Belcher, who was described as&#13;
the most powerful agent in the world. The&#13;
narrative dealt with Belcher's behaviour towards a&#13;
girl, for whom he obtained an important part in a&#13;
play, and the jealousy of her lover, an actor, who&#13;
denounced Belcher as a scamp and a thief.&#13;
The advertisement in the newspaper announcing&#13;
the serial described it as “a story of the stage,&#13;
revealing one of the most vivid pictures of stage&#13;
life," and stated that the authoress “ had drawn&#13;
on her own real experiences,” that the story was&#13;
“true to life," and that "the characters were real&#13;
men and women.”&#13;
The plaintiff carried on his agency business in&#13;
Maiden Lane. In the story reference was made to&#13;
“Rule's," and the “ Bodega,” also to the “ Bedford&#13;
Hotel,” under the name of the “Cambridge Head,"&#13;
and several persons well known in the neighbour-&#13;
hood were mentioned by their own or similar&#13;
names. Mr. Marshall, the proprietor of the Bed-&#13;
ford Hotel, for instance, stated that he considered&#13;
that one of the characters named “ Marshall ”&#13;
meant himself.&#13;
A number of witnesses were called who said that&#13;
they had read the story and thought it referred to&#13;
the plaintiff, and that it had been a general topic&#13;
of conversation in theatrical circies.&#13;
On behalf of the defendants it was urged that&#13;
“Motley and Tinsel,” was mere fiction in the form&#13;
of a sensational novel, and that the most powerful&#13;
agent in the world could not have been taken to&#13;
be the plaintiff.&#13;
Among witnesses called for the defence, Miss&#13;
Jones, the authoress, stated that she had written&#13;
about forty serials, and no one had ever complained&#13;
MAGAZINE CONTENTS.&#13;
CONTEMPORARY REVIEW.&#13;
The Unity of Tolstoy's Life and Work. By Dr. Charles&#13;
Sarollea.&#13;
Anatole France II. By Count de Soissons.&#13;
Debussy's Pélleas et Mélisande. By George Lilley,&#13;
Shakespearean Theatres. By the late Prof. Thornton&#13;
Collins,&#13;
Literary Supplement : Christ and Popular Imagination.&#13;
CORNHILL&#13;
Arabiniana. By Sir Frederick Pollock.&#13;
J. K. Stephen. By A. C. Benson.&#13;
FORTNIGHTLY.&#13;
Byron. By His Excellency the Hon. Whitelaw Reid.&#13;
Tolstoy. By Francis Gribble.&#13;
Two German Theatres. By H. Granville Barker.&#13;
NINETEENTH CENTURY.&#13;
The “ Modernism” of Thomas Aquinas. By the Rev.&#13;
Francis Aveling, Ph.D.&#13;
A Plea for the Nationalisation of our Sculpture. By&#13;
W. Reynolds-Stephens.&#13;
&#13;
&#13;
## p. 117 (#163) ############################################&#13;
&#13;
THE AUTHOR.&#13;
117&#13;
HOW TO USE THE SOCIETY.&#13;
1. U VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, wili obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be iaken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author,&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor |&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IV. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
ITERE are a few standing rules to be observed in an&#13;
n agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 118 (#164) ############################################&#13;
&#13;
118&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance,&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to bave influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOS ERS.&#13;
TITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 28. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 119 (#165) ############################################&#13;
&#13;
THE AUTHOR.&#13;
119&#13;
them.&#13;
GENERAL NOTES.&#13;
and other articles entering into the manufacture&#13;
of books, for there is a decided public demand for&#13;
the freeing of books, as well as works of art, from&#13;
PAN-AMERICAN UNION.&#13;
duty, and unless book materials are freed from&#13;
excessive duties, the American publishers will be&#13;
(Reprinted from the Publishers' Weekly (New York) by&#13;
kind permission of the Editor.)&#13;
placed in the inverted position, as manufacturers,&#13;
of paying high duties on all their materials and&#13;
THE President announces that he will lay before&#13;
ore having their products subject to competition from&#13;
the Senate, with a recommendation for ratification, countries where the materials of books are less&#13;
the copyright convention adopted at the Pan&#13;
burdened with tariff duties or altogether free from&#13;
burdened&#13;
American Congress at Buenos Aires. The United&#13;
States is already a party by tardy ratification to&#13;
the convention agreed upon at Mexico City in&#13;
1902, which constituted a Pan-American Union&#13;
on lines somewhat similar to the International The two paragraphs headed “Pan-American&#13;
Copyright Union under the Berne convention of Union” and “ American Tariffs and Book Produc-&#13;
1886 and the Paris agreement of 1896. The tion,” give an insight into the views taken by some&#13;
Buenos Aires convention bears to the Mexico con-&#13;
of the parties in the United States who are&#13;
the same relation as the Berlin interested in these important questions.&#13;
convention of 1908 bears to the Berne-Paris The Pan-American Congress may be an extra&#13;
agreement. It provides that copyright should power to force the United States to do away with&#13;
extend throughout the republics of the American the printing clause, and the greater the pressure&#13;
continents without other formalities than those&#13;
that is brought to bear the better will it be for&#13;
required in the country of origin of a work : and all parties. It is not impossible that with the&#13;
its broader lines make it difficult of ratification new freedom obtained by Canada with regard to&#13;
under our copyright legislation of 1909. Under copyright legislation, a printing clause will be set&#13;
that legislation the United States could accept it up by the Canadians against the Americans. Any&#13;
only with reservation of the necessity of deposit&#13;
retrograde step of this kind by any country is a&#13;
and manufacture here. If any way could be found&#13;
very serious blemish on the copyright ideals of the&#13;
for its acceptance by early ratification, that is most&#13;
world. It has been the policy of all countries&#13;
to be desired, for there should be an increasing&#13;
rather to bear patiently the burden imposed by this&#13;
market in South America for American books in&#13;
ignorant legislation than to step back from the&#13;
the Spanish language, such as have already been&#13;
ideals that they have laid before themselves.&#13;
produced here in the educatioual field. If the Gradually this policy has borne good fruit. The&#13;
Pan-American Union can be completed, with the countries standing outside the Berne Convention&#13;
participation of the United States, the next and have given in their allegiance, and the countries&#13;
indeed final step should be the consolidation of whose legislation has been backward have gradually&#13;
the International Copyright Union and the Pan- gone forward towards the ideal.&#13;
American Union in one body of world-wide rela Would it not be possible for England also to join&#13;
tionship, like the Universal Postal Union.&#13;
this Pan-American Union, the text of which is&#13;
printed in another column ? If this were the case,&#13;
no doubt, by the next meeting of the Delegates of&#13;
International Copyright, the Berlin Convention&#13;
AMERICAN TARIFFS AND BooK PRODUCTION.&#13;
and the Buenos Aires Conference would be consoli-&#13;
The President seeks to postpone tariff reduction&#13;
dated into one, and copyright would practically&#13;
until the tariff commission shall report on specific&#13;
become worldwide. There will no doubt be a great&#13;
schedules some time during the sessions of the sixty-&#13;
market in the future for the sale of English books&#13;
second Congress, 1911-1912. The President does&#13;
in South America ; indeed, even at the present time&#13;
pot seem to have heard from the country. The&#13;
Tauchnitz editions sell well there.&#13;
duties on wood pulp, for instance, have had more&#13;
examination than any tariff board is likely to give&#13;
them, and newspaper publishers, though to be sure&#13;
GERMANY AND THE UNITED STATES.&#13;
interested parties, are unanimous in urging that&#13;
wood pulp be made free of duty, which would We have received from the Library of Congress,&#13;
afford some check to the paper trust. There is a Washington, a note stating that on the 8th day of&#13;
serious danger before American book publishers December, 1910, a proclamation was issued by the&#13;
unless the tariff should be reduced in the matter President of the United States under which&#13;
of the materials for paper making, and all paper Germany and America are entitled to reciprocal&#13;
&#13;
&#13;
## p. 120 (#166) ############################################&#13;
&#13;
120&#13;
THE AUTHOR.&#13;
benefits under the American and German Copyright BOOK REGISTRATION IN THE U.S.A. AND&#13;
Laws.&#13;
ENGLISH SERIAL RIGHTS.&#13;
It is to be hoped that with the extension of these&#13;
reciprocal rights the United States will see their&#13;
We have taken the liberty of publishing in&#13;
way finally to join the Berne Convention, and&#13;
full in another column the opinion of the Attorney-&#13;
deliver themselves from the shackles which make&#13;
General of the U.S.A. on the registration of a&#13;
fragment of a book. All authors should read it&#13;
them at present the laughing-stock of civilised&#13;
with diligence and discernment, as many believe&#13;
nations as far as copyright is concerned.&#13;
that copyright can be obtained in the United States&#13;
by such an incomplete registration. This opinion,&#13;
ENGLISH AUTHORS AND U.S.A. COPYRIGHT. while it does not so much affect the ability to&#13;
We have taken the liberty of printing in this&#13;
register a work in book form, very seriously&#13;
number of The Author statements referring to the&#13;
affects the ability to register a serial which is&#13;
American Copyright Law, and the position under&#13;
running through an English magazine. There&#13;
that law, from the report of the Register of Copy-&#13;
appear to be only two ways of meeting the difficulty&#13;
rights and from the Publishers' Weekly (New&#13;
satisfactorily. The first is by running the serial&#13;
York). As all these things are of the greatest&#13;
production simultaneously through an American&#13;
interest to English authors, we wish that they&#13;
magazine (this again emphasises the importance of&#13;
would realise more fully the importance of obtaining&#13;
trying to secure the American contract to the&#13;
full American copyright. We regret to say that&#13;
English author well in advance); the other, by&#13;
English publishers, in cases recently before the&#13;
having the book set up in America and making a&#13;
society, having insisted that the power to deal with&#13;
formal publication of a certain number of copies in&#13;
the American copyright should be included in their&#13;
England while the story runs serially in an English&#13;
agreement, have never made any effort to obtain it,&#13;
magazine. Both these methods are unsatisfactory.&#13;
but have merely sold an edition in sheets to the&#13;
It is a great pity, when the American authorities&#13;
United States market. We regret to say that many&#13;
were drafting the new Bill, that they did not take&#13;
agents have not only approved these agreements,&#13;
into some consideration the question of serials&#13;
but have thrown cold water on the wishes of their&#13;
running through English magazines.&#13;
authors that they should take up with keenness the&#13;
Would it not be possible for the United States&#13;
placing of their works with an American publisher.&#13;
to bring forward a sinall Bill to cover this point,&#13;
It is no doubt a matter which causes the agent con-&#13;
which brings a serious hardship on English authors?&#13;
siderable inconvenience and trouble, and, perhaps,&#13;
It will be seen that if a serial is running monthly,&#13;
in the first instance, will not bring in much money&#13;
or even weekly, it is impossible to obtain the&#13;
interim protection granted under the present Act,&#13;
to the agent's pocket. It brings but little pecuniary&#13;
return to the publisher, who gains more by the sale&#13;
and even if it was issued daily it would be doubtful&#13;
of the sheets. But in spite of this, we insist that&#13;
whether a story of, say, 100,000 words could be&#13;
all authors should begin early in their endeavour to&#13;
run through a daily paper so as to make it possible&#13;
secure the American market. If they began, say,&#13;
for the author to file the complete story in&#13;
three or six months before they allowed the agent,&#13;
Washington within thirty days of the first issue.&#13;
or the publisher, an offer of the English publication,&#13;
it is most probable that the American market would&#13;
be secured, and the author would receive in conse-&#13;
quence a double payment for his work. If, however,&#13;
MUSIC-HALL AND THEATRICAL&#13;
the alternative course is pursued, that the English&#13;
SKETCHES.&#13;
publisher gets the first offer, and that then only the&#13;
agent commences with the Ainerican negotiations,&#13;
it is almost impossible to succeed in the time," A&#13;
A ND whereas the multitude of places of entertain-&#13;
ment for the lower sort of people is another great&#13;
(necessarily limited) between the signing of the E&#13;
cause of thefts and robberies, as they are thereby&#13;
English contract and the date of English publica-&#13;
tempted to spend their small substance in rioious&#13;
tion. The fault lies primarily with the author pleasures, and in consequence are put on unlawful methods&#13;
himself for not being more insistent ; secondly,&#13;
of supplying their wants and renewing their pleasures ; in&#13;
order, therefore, to prevent the said temptation to thefts&#13;
with the agent; and thirdly, with the English pub-&#13;
and robberies, and to correct as far as may be the habit of&#13;
lisher. It does not lie, as some assert, in the fact idleness, which is become too general over the whole king.&#13;
that Americans prefer to read American authors to dom, and is productive of much mischief and inconvenience,&#13;
English anthors ; that it does not lie in this fact be it enacted,"&#13;
is evident from the book reviews in America, and This is the preamble to the Act of 25 George II.,&#13;
from the great number of books that are sent over chapter 36, which deals with music and dancing&#13;
in sheets.&#13;
licences and, accordingly, with music-halls. The&#13;
&#13;
&#13;
## p. 121 (#167) ############################################&#13;
&#13;
THE AUTHOR.&#13;
121&#13;
Act, therefore, which was passed for the protection singing or speaking characters, and should not&#13;
of the public and for the raising of music-hall take longer than thirty minutes to perform ; and&#13;
entertainments, it would appear has been arbitrarily (this is the point which materially affects dramatists)&#13;
used by theatrical managers in an endeavour to no sketch should be taken or adapted from any&#13;
debase these entertainments by preventing the stage play or dramatic entertainment which had&#13;
performance of legitimate theatrical pieces. In a been licensed by the Lord Chamberlain, until&#13;
few words the managers are, for their own selfish after the expiration of fifteen years from the first&#13;
ends, utilising an Act for a purpose for which it performance.&#13;
was never intended. Perhaps, although to most of This was an open attempt to deprive both the&#13;
our readers they may be well known, it may be dramatist and the touring manager of the right to&#13;
worth while to repeat the facts of the case.&#13;
utilise a stage play as a sketch after its value as a&#13;
When the performances at the music-ball reached stage play had been exhausted. Many a play con-&#13;
the high standard which they at present hold, it tains a scene that would make an excellent sketch,&#13;
struck the managers of the music-halls that it though the play as a whole may be a failure.&#13;
might be worth while to produce sketches as one It seems an extraordinary thing that the&#13;
of the “turns," instead of comic songs, dancing, managers of theatres and music-halls should have&#13;
acrobats, etc., etc. The manager's idea naturally called this conference and entered into this agree-&#13;
was to raise the tone of his performance, and, ment putting limitations on the use of another&#13;
incidentally, to secure broader custom. The person's property without taking the trouble to&#13;
theatrical managers, fearing that the custom might consult those who were the originators of this&#13;
be taken away from the theatres, and wishing to property. It is the same spirit which animated&#13;
crush out the competition which they were already those who called for the type-setting clauses in&#13;
feeling, immediately saw a method of doing so by America, and which animates the public generally&#13;
the fact that a theatrical performance at a music when they endeavour to legislate for the holders of&#13;
hall was illegal and rendered the manager subject copyright.&#13;
to prosecution. They, accordingly, carried through This agreement was faithfully followed for some&#13;
a test case and were successful, using for their own time, but then again it began to be broken. It is&#13;
ends an Act which was passed for an entirely different needless to mention the many cases in which it was&#13;
purpose. This action on the part of the theatrical broken. Although Sarah Bernhardt and others&#13;
managers naturally raised a stir amongst the music were allowed to produce dramatic pieces contrary&#13;
hall managers, who found the kind of theatrical to the agreement, the wrath of the managers was&#13;
entertainment that they were putting before their aroused when Seymour Hicks produced part of&#13;
customers popular and successful. They realised, Richard III. No one could possibly say that Sarah&#13;
however, that, strictly speaking, a stage play could Bernhardt's performance, or that Seymour Hicks'&#13;
only be performed in a building that was licensed Richard III. was likely to lower the tone of music-&#13;
for the purpose of presenting stage plays. The hall entertainment, so it was clear that the only&#13;
music-halls had only music and dancing licences. end in view was the desire of the managers to&#13;
The music-ball managers, therefore, excited the protect their own pockets. Another conference was&#13;
interest of Captain Jessel, M.P., who brought then held, and again the dramatists were ignored.&#13;
before Parliament a short Bill making the perform- The second conference appeared to be merely for&#13;
ance of sketches in music-halls legal. This Bill the sake of confirming the first conference-it&#13;
was blocked by the friends of the theatrical suggested, however, a reduction in the time limit&#13;
managers, and being a Bill brought forward by to seven years—and for impressing upon the&#13;
a private member, had little chance of being dis- members of the two associations that they were&#13;
cussed; but as a great deal of ill-feeling and Press bound to act as gentlemen of honour in an agree-&#13;
comment was excited at the time, a conference ment which was, on the face of it, illegal. Indeed,&#13;
was called between the theatrical and music-hall the fact that the theatrical managers and the music-&#13;
managers, at which a certain agreement was hall managers were somewhat afraid of the position&#13;
arrived at, having for its object the end of sketch is shown by a letter signed by the three solicitors :&#13;
prosecutions.&#13;
(1) of the Society of West End Theatres, (2) of the&#13;
The main points of this agreement were that not Theatrical Managers' Association, and (3) of the&#13;
more than two sketches should be presented in any Entertainment Protection Association. We need&#13;
one programme. Of these two sketches, one should not discuss the points of that letter except as far as&#13;
not last more than twenty minutes, should be per- it deals with the legality of the position taken by&#13;
formed in one scene, and should be represented by these associations, but the commencement of one&#13;
only four characters. The second sketch might paragraph affords an amusing aspect of the views&#13;
be presented with any number of scenes and supers, taken, as it misrepresents the position entirely.&#13;
but should be represented by no more than six The paragraph runs as follows: “Having regard&#13;
&#13;
&#13;
## p. 122 (#168) ############################################&#13;
&#13;
122&#13;
THE AUTHOR.&#13;
to the fact that the present Act of Parliament has appear in the work any statement showing the&#13;
by apparently the common consent of the authori- reservation of the property.&#13;
ties been left to the parties interested to enforce, ART. 4. The right of property of a literary&#13;
etc., etc.” This is an absurd view of the situation. or artistic work includes for its author or successors&#13;
The authorities have not enforced action against the exclusive right to dispose of the same, to&#13;
those who have run sketches at music-balls, because publish it, to sell it, translate it, or authorise the&#13;
they saw that these sketches tended to raise the translation of it, and to reproduce it in any form&#13;
entertainment and not to debase it, and it was only either in its entirety or partially.&#13;
to protect the public against improper performances ART. 5. The following shall be regarded as the&#13;
that the Act was passed, and if the authorities have author of a protected work, except when proofs to&#13;
left the issue in the hands of the parties, interested, the contrary are produced. He whose name or&#13;
why have not the dramatists been consulted ? pseudonym shall be expressed therein, and, conse-&#13;
What, therefore, must be done from the drama- quently, the action brought by the author or his&#13;
tist's point of view ? There are two main lines to representative against plagiarists or infringers,&#13;
take : (1) to find out how far this action is illegal, shall be admitted before the courts of the several&#13;
and if it is illegal to prevent it on the sound prin- signatory countries.&#13;
ciple that no artist has a right to be hampered in ART. 6. Authors or their successors, whether&#13;
the production of his art by the tradesmen who resident or foreign, shall enjoy, in the signatory&#13;
exploit him ; (2) that every effort must be made to States, the rights granted by the respective laws,&#13;
have the law altered in accordance with the view but said rights shall not exceed the period of&#13;
already adopted by the Dramatic Sub-Committee protection granted in the country of origin..&#13;
of the society, that places of entertainment should In the case of works consisting of several volumes&#13;
be subject to one licence.&#13;
which are not published together, as well as in the&#13;
case of bulletins, serials or periodical publications,&#13;
the term of the right of property shall commence&#13;
to count with regard to each volume, bulletin,&#13;
THE COPYRIGHT CONVENTION OF THE serial, or periodical publication, from the respective&#13;
PAN-AMERICAN CONGRESS AT date of its publication.&#13;
BUENOS AIRES.&#13;
ART. 7. The following shall be regarded as the&#13;
country of origin of a work; that in which it was&#13;
first published in America, and, in case said pub-&#13;
(Reprinted from the Publishers' Weekly (New York) by lication has been simultaneously made in several of&#13;
kind permission of the Editor.)&#13;
the signatory countries, then it shall be the one&#13;
M HE Fourth International American Con- which shall fix the shortest term of protection.&#13;
1 ference, assembled in Buenos Aires, ART. 8. Any work that did not obtain its&#13;
resolves :-&#13;
literary property from the beginning shall not&#13;
ART. 1. The signatory States recognise and acquire the same in its subsequent editions.&#13;
protect the rights of literary and artistic property ART. 9. Authorised translations shall be pro-&#13;
in conformity with the stipulations of the present tected in the same manner as original works.&#13;
conventions.&#13;
The translators of works in which there is no&#13;
ART. 2. By “literary and artistic works" is guaranteed property or in which the same has&#13;
meant the books, articles, pamphlets of all kinds expired, shall have the right to obtain-in so far&#13;
--whatever may be the subject they deal with, and as the translations thereof are concerned—the&#13;
whatever be the number of the pages thereof, right of property specified in article 3, but they&#13;
dramatic or musical works ; those of a choregraphic shall not be able to prevent the publication of&#13;
character, musical compositions with or without other translations of the work.&#13;
words ; drawings, paintings, sculptures, and en- ART. 10. The speeches delivered or read in&#13;
gravings ; photographic works, astronomical or deliberating assemblies, before the courts of justice,&#13;
geographical spheres; plans, sketches or plastic or in public meetings, may be published in the&#13;
works relating to geography, geology, topography, newspapers without any authorisation whatever,&#13;
architecture or any science; and, finally, they also this right being subject to the provisions of the&#13;
comprise every production that can be published internal laws of each State concerning the matter.&#13;
by any printing or reproducing process.&#13;
ART. 11. Literary, scientific, or artistic works,&#13;
ART. 3. The recognition of the right of pro- whaterer may be the subject thereof, published in&#13;
perty obtained in a State, in conformity with its newspapers or reviews of any of the countries of&#13;
laws, shall fully and legally have its effects in the the Union, shall not be reproduced in the other&#13;
other States, without the necessity of complying countries without the previous consent of the&#13;
with any other formality, provided there shall authors. With the exception of the aforesaid&#13;
&#13;
&#13;
## p. 123 (#169) ############################################&#13;
&#13;
THE AUTHOR.&#13;
123&#13;
works, any newspaper article may be reproduced who led the way and scored a great success with&#13;
by others, if this has not been expressly prohibited, “Eugene Aram.” Never before in an English&#13;
and, in any event, the source from which said novel had a murderer been portrayed as an earnest&#13;
article has been obtained should be duly cited. student of philosophy, of grave mien, gentle&#13;
Such miscellaneous newspaper news which repre- manners, and noble heart; never before had&#13;
sent merely Press reports shall not enjoy the there been depicted a murderer-a murderer who&#13;
protection of this convention.&#13;
murdered for money, to boot—whose character was&#13;
ART. 12. The reproduction of fragments of so endearing and so sympathetic as to enslave most&#13;
literary or artistic works in publications for of those who read about him. The book was&#13;
educational purposes or chrestomathy does not favourably received in most quarters, but here and&#13;
confer any right of property, and, consequently, there a dissentient voice was heard, and in Fraser's&#13;
can be made freely in all the signatory countries. Magazine for August and September, 1832, a tre-&#13;
ART. 13. For the purposes of civil responsi- mendous onslaught, in the form of a story called&#13;
bility indirect appropriations, not authorised, of a “Elizabeth Brownrigge” (which dealt with the&#13;
literary or artistic work not representing the murderess of that name), was made upon the&#13;
character of the original work, shall be considered author of “ Eugene Aram," to whom it was&#13;
unlawful reproductions.&#13;
dedicated. “I am inclined to regard you as an&#13;
The reproduction, in whatever form, of an entire original discoverer in the world of literary enter-&#13;
work or of the greater part thereof, accompanied prise, and to reverence you as the father of a new&#13;
by notes or comments, on the pretext of literary lusus nature school," so ran a passage in the&#13;
criticism, or as extension or complement of said dedication of the satire. “There is no other title&#13;
work, shall also be considered as unlawful.&#13;
by which your manner could be so aptly designated.&#13;
ART. 14. Every plagiarised work may be seized I am told, for instance, that in a former work,&#13;
in the signatory countries wherein the original having to paint an adulterer, you described him as&#13;
work has a right to be legally protected, this right belonging to the class of country curates, among&#13;
being without prejudice to such indemnities or whom, perhaps, such a criminal is not met with&#13;
punishment as the plagiarists may incur, in once in a hundred years ; while, on the contrary,&#13;
accordance with the laws of the country where the being in search of a tender-hearted, generous,&#13;
fraud has been committed.&#13;
sentimental, high-minded hero of romance, you&#13;
ART. 15. Each of the Governments of the turned to the pages of the “Newgate Calendar,"&#13;
signatory countries shall preserve the right to and looked for him in the list of men who have&#13;
permit, guard, or prohibit the circulation, repre- cut throats for money, among whom a person in&#13;
sentation, or exhibition of such works or repro possession of such qualities could not have been&#13;
dactions concerning which its constituted met with at all. Wanting a shrewd, selfish,&#13;
authorities would have to exercise the aforesaid worldly, calculating valet, you describe him as an&#13;
right.&#13;
old soldier, though he bears not a single trait of&#13;
ART. 16. The present convention shall com the character which might have been moulded by&#13;
mence to be in force among such signatory States a long course of military service, but, on the con-&#13;
as ratify the same three months after its ratifica trary, is marked by all the distinguishing features&#13;
tion shall be communicated to the Argentine of a bankrupt attorney or a lame duck from the&#13;
Government, and shall remain in force among all Stock Exchange. Having to paint a cat, you&#13;
until a year after the date of denouncement. endow her with the idiosyncrasies of a dog."&#13;
This denouncement shall be communicated to There is one other passage which must also be&#13;
the Argentine Government and shall have no quoted : “ It is extraordinary that, as you had&#13;
effect with regard to the country making the commenced a tragedy under the title of Eugene&#13;
same.&#13;
Aram,' I had already sketched a burletta with the&#13;
title of Elizabeth Brownrigge.' I had, indeed, in&#13;
my dramatic piece, been guilty of an egregious ani&#13;
unpardonable error ; I had attempted to excite&#13;
THACKERAY AND THE NEWGATE&#13;
the sympathies of the audience in favour of the&#13;
SCHOOL OF FICTION.&#13;
murdered apprentices, but your novel has dis-&#13;
abused me of so vulgar a prejudice, and in my&#13;
present version of her case, all the interest of the&#13;
TN the 'thirties of the last century arose the reader and all the pathetic powers of the author&#13;
Newgate School of Fiction, which made will be engaged on the side of the murderess.”&#13;
heroes of highwaymen and other offenders, At the end of the satire, there is an “ Advertise-&#13;
and so created a false sympathy for the vicious and ment,” which runs :-“ The author of the foregoing&#13;
criminal. The ingenious Bulwer-Lytton it was tale begs leave to state that he is prepared to treat&#13;
&#13;
&#13;
## p. 124 (#170) ############################################&#13;
&#13;
124&#13;
THE AUTHOR.&#13;
with any liberal and enterprising publisher, who&#13;
may be inclined to embark in the speculation, for a&#13;
series of novels, each in 3 vols. 8vo, under the&#13;
title of Tales of the Old Bailey ; or, Romances of&#13;
Tyburn Tree,' in which the whole Newgate&#13;
Calendar' shall be travestied, after the manner of&#13;
· Eugene Aram.' Letters (post-paid) addressed to&#13;
X. Y. Z., 215, Regent Street (the offices of Fraser's&#13;
Magazine], will receive immediate attention."&#13;
" Elizabeth Brownrigge” was published anony-&#13;
mously, and if it attracted any attention at the&#13;
time, it certainly did not attract sufficient to make&#13;
people desirous to discover the author. It may at&#13;
the time of its publication have been attributed to&#13;
this writer or to that, but it was not (as far as is&#13;
known) until a month or two after Thackeray's&#13;
death that Dr. John Brown in an article on the&#13;
novelist in the North British Review (February,&#13;
1864) attributed it to him—on what evidence he&#13;
does not state, though he may well have had the&#13;
information from the author. “Elizabeth Brown-&#13;
rigge” is particularly interesting, because, whether&#13;
Thackeray did or did not write the story, there can&#13;
be no question but that it was directly responsible&#13;
for “Catherine," which had the same object as the&#13;
earlier story. “• Elizabeth Brownrigge' ought to&#13;
be Thackeray's," Swinburne wrote to Mr. Richard&#13;
Herne Shepherd in 1880, “ for if it is not, he stole&#13;
the idea, and to some extent the style, of his&#13;
parodies on novels of criminal life, from this first&#13;
sketch of the kind.”&#13;
A couple of years after “Eugene Aram ” was&#13;
published, William Harrison Ainsworth came to&#13;
the fore as an exponent or the Newgate School of&#13;
Fiction. Lytton had taken a murderer for his&#13;
hero ; Ainsworth selected highwaymen. Dick&#13;
Turpin was his jeune premier in “ Rookwood," and&#13;
that sorry young scoundrel Jack Sheppard gave his&#13;
name to, and the raison d'être for, another book.&#13;
These novels, too, caught the public taste, and were&#13;
widely read and praised highly even by those who&#13;
should have known better. Ainsworth’s recent&#13;
biographer, Mr. S. M. Ellis, for one, can see&#13;
no objection to the “ Jack Sheppard ” class of&#13;
novel.“ The outcry against Ainsworth for having&#13;
chosen a robber for a hero cannot seriously be&#13;
justified,” he has written. “If it is inherently&#13;
immoral to take a criminal for literary purposes&#13;
and make him picturesque and interesting, then&#13;
the greatest writers will have to stand in the same&#13;
pillory as the author of Jack Sheppard.' The&#13;
principal characters of Shakespeare's tragedies of&#13;
* Hamlet,' of Macbeth,' of Othello,' are but&#13;
murderers; Falstaff is a robber and worse. Scott&#13;
must answer for 'Rob Roy’; Fielding for Jonathan&#13;
Wild’; Gay for “The Beggars' Opera'; Schiller&#13;
for The Robbers’; Hood for his magnificent&#13;
· Eugene Aram’; Dumas for his “Celebrated&#13;
Crimes,' and so on through literature of all times&#13;
and countries. This brilliant band of criminals,&#13;
illuminated and idealised by literary limelight,&#13;
cannot deny the consanguineous claims of poor,&#13;
abused · Jack Sheppard.'” It would, indeed, be a&#13;
waste of time to dwell upon the fallacies of this&#13;
argument; but it may be remarked that Ains-&#13;
worth's enthusiastic defender has strangely misread&#13;
" Jonathan Wild.” since he can mention that&#13;
brilliant satire in connection with the Newgate&#13;
School of Fiction ; he might as well have added to&#13;
the list “ Catherine.” Mr. Ellis insists that the&#13;
Newgate novels of Ainsworth are moral because&#13;
the villains end on the gallows. He ignores the&#13;
fact that, while they do go to the gallows, they go&#13;
as heroes, not as malefactors ; but he inadvertently&#13;
admits that Ainsworth “threw a romantic glamour&#13;
over his merry sinners,” and so, in a line, he gives&#13;
away the case he has fought so strenuously in&#13;
many pages.&#13;
Forster and Thackeray now led the attack&#13;
against the Newgate School of Fiction. “ Bad as&#13;
we think the morals, we think the puffs even more&#13;
dangerous," Forster wrote in the Examiner.&#13;
“Public morality and public decency have rarely&#13;
been more endangered than by the trumpeted&#13;
exploits of Jack Sheppard.'"&#13;
In “Catherine,” Thackeray had something to&#13;
say of one of Dickens's books. “No one,” he&#13;
wrote, “has read that remarkable tale of Oliver&#13;
Twist' without being interested in poor Nancy&#13;
and her murderer ; and especially amused and&#13;
tickled by the gambols of the Artful Dodger and&#13;
his companions. The power of the writer is so&#13;
amazing, that the reader at once becomes his cap-&#13;
tive, and must follow him wherever he leads ; and&#13;
to what are we led ? Breathless to watch all the&#13;
crimes of Fagin, tenderly to deplore the errors of&#13;
Nancy, to have for Bill Sikes a kind of pity and&#13;
admiration, and an absolute love for the society of&#13;
the Dodger. . . . A most agreeable set of rascals&#13;
indeed, who have their virtues, too, but not good&#13;
company for any man. We had better pass them&#13;
by in decent silence ; for, as no writer can or dare&#13;
tell the whole truth concerning them, and faithfully&#13;
explain their vices, there is no need to give er parte&#13;
statements of their virtue." It was, however,&#13;
mainly against Rookwood" and "Jack Sheppard”&#13;
the earlier part of which had appeared in Bentley's&#13;
Miscellany), that Thackeray tilted in “Catherine,"&#13;
which purported to be written by“ Ikey Solomons,&#13;
Esq., jr."- Ikey Solomons having been a notori-&#13;
ous “fence,"—and was dated from Horsemonger&#13;
Lane, a particularly unsavoury district. Thackeray&#13;
stated again that the writers of the Newgate School&#13;
of Fiction did not dare to paint their heroes as the&#13;
scoundrels he knew them to be. “In Freeny (the&#13;
highwayman's) life," Thackeray wrote subsequently&#13;
&#13;
&#13;
## p. 125 (#171) ############################################&#13;
&#13;
THE AUTHOR.&#13;
125&#13;
in “The Irish Sketch Book” (ch. xv.), “one this source by letting lodgings. With two of the&#13;
man may see the evil of drinking, another the lodgers, Woods and Billings, she became criminally&#13;
harm of horse-racing, another the danger attendant intimate, and the three of them one night in March,&#13;
on early marriage, a fourth the exceeding incon- 1726, made John Hayes drunk and killed him,&#13;
venience of the heroic highwayman's life—which a cutting up the body and disposing of the different&#13;
certain Ainsworth in company with a certain parts in different places. One portion of the&#13;
Cruikshank, have represented as so poetic and remains was discovered and then another, and&#13;
brilliant, so prodigal of delightful adventure, so eventually Mrs. Hayes and Billings were arrested&#13;
adorned with champagne, gold lace, and brocade." for murder, and presently Wood was captured and&#13;
Thackeray had no objection to a novelist taking a confessed. Hayes pleaded not guilty, but was con-&#13;
villain for his principal character ; he himself victed of petty treason and sentenced to be burnt&#13;
selected Barry Lyndon for one such post of alive. The men were sentenced to be hanged.&#13;
honour, but he insisted that it was bad art, as Wood died in Newgate the day before the execu-&#13;
well as dishonesty and immorality, to confuse tion, and Hayes made an abortive attempt to poison&#13;
virtue and vice.“ Vice," he wrote in his paper herself. No story could be more sordid or un-&#13;
on the author of Tom Jones,' “is vice, and is pleasant, and Thackeray deliberately mitigated the&#13;
never to be mistaken for virtue in Fielding's horrors as little as possible. “Catherine" appeared&#13;
honest downright books ; it goes by its name, and in Fraser's Magazine from May, 1839, to February,&#13;
invariably gets its punishment. See the conse- 1840, and the author was heartily pleased when the&#13;
quences of honesty! Many a squeamish lady of conclusion was reached. “ Having finished our&#13;
our time would fing down one of these romances delectable meal,” he wrote, “it behoves us to say&#13;
with horror, but would go through every page of a word or two by way of grace at its conclusion,&#13;
Mr. Ainsworth's Jack Sheppard' with perfect and to be heartily thankful that it is over. It has&#13;
comfort to herself. Ainsworth dared not paint his beeu the writer's object carefully to exclude from&#13;
hero as the scoundrel he knew him to be ; he must his drama (except in two very insignificant&#13;
keep his brutalities in the background, else the instances---mere walking gentlemen parts) any&#13;
public morals will be outraged, and so he produces characters but those of scoundrels of the very&#13;
a book quite absurd and unreal, and infinitely more highest degree. That he has not altogether failed&#13;
immoral than anything Fielding ever wrote. Jack in the object he had in view is evident from some&#13;
Sheppard' is immoral actually because it is decor- newspaper critiques which he has had the good&#13;
ous. The Spartans, who used to show drunken fortune to see; and which abase the tale of Catherine'&#13;
slaves to their children, took care, no doubt, that as one of the dullest, most vulgar and immoral&#13;
the slaves should be really and truly drunk. Sham works extant. It is bighly gratifying to the author&#13;
drunkenness, which never passed the limits of pro- to find that such opinions are al road, as they con-&#13;
priety, but only went so far as to be amusing, would vince him that the taste for Newgate literature is&#13;
be rather an object to excite youth to intoxication on the wane ; and that when the public critic has&#13;
than to deter him from it, and some late novels right down undisguised immorality set before him,&#13;
have always struck us in the same light.”&#13;
the lowest creature is shocked at it, as he should&#13;
Thackeray decided that his castigation of these be, and can declare his indignation in good round&#13;
immoral novels should take the form of a story in terms of abuse. The characters of the tale are&#13;
which all the principal characters were villains, immoral, and no doubt of it; but the writer&#13;
portrayed, not indeed as so vile as the prototypes humbly hopes the end is not so. The public was,&#13;
were, for that it was impossible to do in the page of a in our notion, dosed and poisoned by the prevailing&#13;
magazine, but so nearly to life as the public could style of literary practice, and it was necessary to&#13;
be expected to tolerate. With this object in view administer some medicine that would produce a&#13;
he searched the “Newgate Calendar," and found wholesome nausea, and afterwards bring about a&#13;
therein the very heroine for such a story as he more healthy habit. And, thank Heaven, this&#13;
contemplated - Mrs. Catherine Hayes, whose effect has been produced in very many instances,&#13;
history has been admirably summarised in the and that the Catherine' cathartic has acted most&#13;
Dictionary of National Biography by Mr. efficaciously. The author has been pleased at the&#13;
Alsager Vian. Catherine Hall was her maiden disgust which his work has excited, and has watched&#13;
name, and she was born near Birmingham in 1690. with benevolent carefulness the wry faces that have&#13;
At a very early age she was led into evil courses. been made by many of the patients who have&#13;
At the age of sixteen she married a carpenter, John swallowed the dose.”&#13;
Hayes, by whom (it is to be hoped) she had twelve “Be it granted,” so the book concludes, “ that&#13;
children. Some years after the marriage, they Solomons is dull, but don't attack his morality ; he&#13;
went to London, where near Tyburn they set up a humbly submits that, in his poem, no man shall&#13;
small shop and supplemented their income from mistake virtue for vice, no man shall allow a single&#13;
&#13;
&#13;
## p. 126 (#172) ############################################&#13;
&#13;
126&#13;
THE AUTHOR.&#13;
sentiment of pity to enter his bosom for any ment of copyright. The third, by the Hon.&#13;
character of the piece ; it being, from beginning to Andrew J. Peters, of Massachusetts, introduced on&#13;
end, a scene of unmixed rascality performed by June 11, 1910, provided that the sale of a work&#13;
people who never deviate into good feeling ; and, of art by a foreigner to a citizen of the United States&#13;
although he doth not pretend to equal the great shall operate to permit the purchaser to repro-&#13;
modern authors whom he has mentioned, in wit or duce the work when not for commercial use or sale.&#13;
descriptive power ; yet, in the point of moral, he No action was taken on these bills, other than to&#13;
meekly believes that he has been their superior ; refer them to the House Committee on Patents.&#13;
feeling the greatest disgust for the characters he The full texts are printed as Addendum No. 1 to&#13;
describes, and using his humble endeavour to cause the Report.&#13;
the public also to hate them.”&#13;
Act of July 1, 1909.-It was to be expected&#13;
“It is a disgusting subject and no mistake,” that the new law would give rise to some questions&#13;
Thackeray wrote to his mother. “It was a mis- of copyright interpretation, and certain provisions&#13;
take all through. It was not made disgusting of the new legislation have been submitted, so the&#13;
enough—that was the fact, and the triumph of it Report states, from time to time to the Attorney-&#13;
would have been to make readers so horribly General for his opinion. The full text of these&#13;
horrified as to cause them to give up or rather opinions rendered during the year, together with&#13;
throw up the book and all its kind ; whereas you certain decisions of the Treasury department in&#13;
see the author had a sneaking kindness for his regard to importation under the new copyright law,&#13;
heroine, and did not like to make her quite worth- are printed in full as an appendix to the Report.&#13;
less." Yet, in spite of the author's lament, The Attorney-General's opinions deal with the&#13;
“ Catherine ” achieved its object, for Ainsworth&#13;
gave way before the attack and made no further Importation of copyrighted books ; labels and&#13;
contribution to the Newgate School of Fiction. prints for articles of manufacture ; post-card&#13;
LEWIS MELVILLE. lithographs; renewal and extension of subsisting&#13;
----. -- .&#13;
copyrights ; deposit of complete book required ;&#13;
re-importation&#13;
THE UNITED STATES COPYRIGHT&#13;
of copyrighted book re-bound&#13;
abroad; copyright&#13;
REGISTER&#13;
proclamation ; typewritten&#13;
copies of a book.&#13;
The Treasury Department's opinions deal with the&#13;
TF every State Department in the United States following:&#13;
I was conducted as well and as ably as the Importation of a book upon abandonment of&#13;
Register of Copyrights under the hands of copyright: importation of translation of American&#13;
Mr. Thorvald Solberg, America, would, no doubt, copyright.&#13;
be the best governed country in the world.&#13;
We have received the report of the Register of&#13;
SOME AMERICAN WRITERS.*&#13;
Copyrights for 1909–10. It runs from July in&#13;
the first year to the end of June in the second,&#13;
There continues to be a steady increase in the work&#13;
THE American novelists taken by Professor&#13;
done by this department, and the increased business&#13;
Erskine as representative leaders are Charles&#13;
is carried off satisfactorily and methodically : But&#13;
Brockden Brown, James Fenimore Cooper,&#13;
there are some points which are of considerably William Gilmore Simms, Nathaniel Hawthorne,&#13;
greater interest than mere statistics—the course Harriet Beecher Stowe, and Bret Harte. This&#13;
of copyright legislation, and the opinions of the selection, both by its inclusions and exclusions,&#13;
Attorney-General on certain copyright questions will be a little puzzling to many. The name, for&#13;
that have been laid before him.&#13;
example, of Simms is practically unknown in&#13;
Copyright Legislation. It is interesting to note England, while the readers of Charles Brockden&#13;
that notwithstanding the new general consolidated&#13;
Brown must be very few, although a new and fine&#13;
Copyright Act which went into effect on July 1, edition of his works has been published com-&#13;
1909, three new copyright bills have been intro- paratively recently. Why Edgar Allen Poe, who&#13;
duced during the sixty-first Congress. The first certainly challenges Hawthorne's right to be con-&#13;
was presented by the Hon. Philip P. Campbell, of sidered the principal novelist of America, has been&#13;
Kansas, on July 23, 1909, providing for the omitted, and why, also, Oliver Wendeil Holmes's&#13;
suspension of protection when any patent or copy- name does not appear, Professor Erskive does not&#13;
right was owned, used, or leased by any trust or explain in the preface, where we looked for some&#13;
monopoly. The second, by the Hon. George W.&#13;
• "Leading American Novelists," by John Erskine, Ph.D.&#13;
Gordon, of Tennessee, presented on May 13, 1910,&#13;
London : George Bell &amp; Sons. New York : Henry Holt &amp;&#13;
Lone&#13;
provided specific damages in the case of infringe- Co.&#13;
&#13;
&#13;
## p. 127 (#173) ############################################&#13;
&#13;
THE AUTHOR.&#13;
127&#13;
80&#13;
30&#13;
30&#13;
hint as to the limits which he had laid down for opinions expressed by my fellow workers with&#13;
himself in writing this book. It seems to us a agreement mainly, with bare tolerance sometimes,&#13;
pity that the author's design is not made clear, with protest rarely. Mr. John Nayler, in the&#13;
as it is inevitable that the reader should desire current issue, is the first who has aroused and&#13;
to challenge his title, which is not the title pre- sustained my indignation.&#13;
fixed to this note; but that is the only word of Minor rights worth two guineas !&#13;
grumbling we shall utter. All the six essays May I be permitted to assert, as the writer of&#13;
which the author has given us are thoroughly what Mr. Nayler terms “average” books, that&#13;
well written. The information for the one on THE (excuse capitals : no mere italics will give&#13;
Hawthorne, which is far the longest, has been the emphasis I require) Minor Right—the Very&#13;
drawn from many obvious sources. It does Minutest—in an ordinary 80,000 word story is&#13;
justice to the powers of imagination, the irony that of British Book Publication. My experience&#13;
and the truly poetical genius of its subject, leads me to place the values in any such work as&#13;
coming throughout to commonly accepted con below :-&#13;
clusions. The essay on Bret Harte and that on American Serial Publication - Upwards of 150&#13;
Mrs. Stowe also run on obvious lines ; but Professor British&#13;
Erskine's appreciation of Fenimore Cooper will Australian ,&#13;
20&#13;
somewhat surprise those of us who have fallen into Foreign&#13;
20&#13;
the bad habit of thinking that the day of the most American Bo cation&#13;
100&#13;
vigorous of American story-tellers is over. Professor Canadian ,&#13;
,&#13;
Erskine shows what an admirable raconteur Cooper British ,&#13;
was, how easily he could display to the reader In fact, Mr. Nayler's “trifling sums " for the&#13;
complicated scenes of action, and how skilfully he average book of the average writer of any experi-&#13;
brought up personal experiences to bear upon the ence, in the hands of capable agents should amount&#13;
situations in his romances. Simms was à south to not less than £300 and are easily worth as much&#13;
country follower of Cooper, and suffered by com- more. In Mr. Nayler's idea the whole sum of&#13;
parison with him, as Cooper did by comparison commercial acumen and commercial integrity is&#13;
with Scott. Simms's life was a greater one than his concentrated in the hands of publishers. He gives&#13;
novels would suggest, but undoubtedly the trials his reason. It is that the publisher is anxious&#13;
and hardsbips of his career prevented him from “to develop all possible avenues of sale.” Of&#13;
doing justice to a fine impulse towards roinance. course be is, but so is the agent, for his own&#13;
The American novel is usually supposed to begin benefit and for the benefit of the author. Wherein&#13;
with Charles Brockden Brown, the author of lies a great difference. The values of a story are&#13;
“ Edgar Huntley," “ Wieland," “ Ormond," and much more likely to be ascertained and marketed by&#13;
several other books, five of which were written con- an agent—he is selling them year in and year out.&#13;
currently, when he was about twenty-eight years of A publisher gushes into such activities at inter-&#13;
age. In many ways the chapter on Brown, with mittent intervals. I have asked myself Mr.&#13;
which the book opens, is the most interesting, for Nayler's concluding question. Is it better to&#13;
its subject was a highly romantic character, and leave such minor rights in the hand of an agent on&#13;
the brief résumés of the novels make amusing a 10 per cent. commission basis, or to share equally&#13;
reading. Those who tackle the books themselves, with a publisher ? It seems to answer itself. Why&#13;
however, will, we think, be sadly disappointed, for, pay 50 per cent, for an accommodation when 10&#13;
truth to say, Brown's invention is mechanical, his will suffice ?&#13;
Faithfully yours,&#13;
psychological insight little, and his eloquent&#13;
FRANK SAVILE.&#13;
phrases rather boring.&#13;
-&#13;
In congratulating Professor Erskine on the book,&#13;
EDITORIAL DELAY.&#13;
we cannot help wishing that he would give us in&#13;
a companion volume similar appreciations of the SIR,—May I venture to move that your corre-&#13;
authors of " Arthur Gordon Pym,” “ The Epic of spondent Mr. Francis George Heath has opened a&#13;
Wheat," “ Huckleberry Finn,” “Mr. Isaacs," and topic of considerable importance and keen general&#13;
“Elsie Venner," to say nothing of living writers. interest to the profession of authorship in his&#13;
allusion to the prevailing English custom of&#13;
CORRESPONDENCE.&#13;
“ payment on publication."&#13;
From a business point of view the practice is&#13;
bad ; ethically it is unjust and undesirable ; practi-&#13;
PUBLISHERS AND MINOR (?) Rights. cally it is inconvenient and disliked. What is still&#13;
SIR,—I have been a diligent reader of The more obvious, to a struggling author, possessed or&#13;
Author for many years and have perused the no private means, it must always be a definite&#13;
&#13;
&#13;
## p. 128 (#174) ############################################&#13;
&#13;
128&#13;
THE AUTHOR.&#13;
T&#13;
The cheque I asked for came to hand five or six&#13;
months later.&#13;
As a contrast to this, from nearly all the&#13;
American periodicals to which I contribute a&#13;
cheque arrives either with acceptance or is&#13;
despatched at the end of month of acceptance.&#13;
This is an “ Americanism” which I feel sure&#13;
most, if not all, of the members of the Incorporated&#13;
Society of Authors would like to see in use in this&#13;
country. I am, dear Sir, Yours truly,&#13;
FRANK E. VERNEY.&#13;
“AMERICAN SLANG.”&#13;
SIR,—I observe that in The Author for January&#13;
2, 1911, it is stated that some have supposed&#13;
the word “mayhem ” to be “ American slang,"&#13;
whereas in fact it is an “English legal term.”&#13;
Please allow me to add that it is merely one of the&#13;
numerous old spellings of the word “maim."&#13;
Your correspondent implies this, no doubt, but it&#13;
may as well be definitely stated.&#13;
WALTER W. SKEAT.&#13;
i&#13;
hardship ; and no doubt it is considered more than&#13;
a nuisance at times to the author who is neither&#13;
struggling nor lacking private means.&#13;
Shorn of its dignified air of philanthropic&#13;
promise, what does “ payment on publication”&#13;
amount to?&#13;
It amounts to this. The author is providing&#13;
the capital for the “ advance" programme of the&#13;
periodical.&#13;
Apparently, modern conditions of periodical&#13;
publication demand that a magazine shall be&#13;
made up several months ahead. For instance, a&#13;
Christmas number is often in hand in August.&#13;
Who capitalises this post-preparation ? Not&#13;
the proprietor. The author does, so far as the&#13;
literary contents are concerned.&#13;
As an illustration, your correspondent, referring&#13;
to an American journal which pays on acceptance,&#13;
says : “I understand at the time Scribners had&#13;
invested £3,500 in MS. which it had not room&#13;
for.” It needs no great financial acumen to&#13;
deduce from this that in the case of the magazine&#13;
which pays on publication the author is providing&#13;
the capital. In other words more literally exact,&#13;
the money to which the author is rightfully&#13;
entitled upon the delivery of his completed work&#13;
is held back until the purchaser himself (the editor)&#13;
has sold the work (i.e., published it), which latter&#13;
process takes place when it suits the editorial plans.&#13;
Now this system would be excellent if authors&#13;
were a class of men expressly engaged in looking&#13;
for opportunities of financing journalistic enter-&#13;
prises—purely from pleasurable motives--as a&#13;
person would present a coin to a tumbler to turn&#13;
a double somersault.&#13;
So far as my acquaintance goes, this is not a&#13;
correct definition of authorship. Therefore I&#13;
think it is time concerted action was taken by&#13;
literary men, and representations made to the&#13;
English periodicals, in an effort to persuade a&#13;
more equitable system into general adoption.&#13;
It may be that an author can often get his&#13;
is&#13;
money by specially asking for it, but I think there&#13;
is a natural objection to this course, apart from the&#13;
not ill-founded feeling that such a request does&#13;
not add to the felicity of future relations with the&#13;
editor to whom it is put.&#13;
In one case within my own experience I wrote&#13;
to the editor of a prominent magazine requesting&#13;
payment for a contribution which had been&#13;
accepted several weeks before, explaining that I&#13;
wished to clear up all my affairs before departing&#13;
on an expedition through a certain tropical country&#13;
where lethal dangers from climate and native were&#13;
ordinary features and might possibly prevent return.&#13;
In a footnote to a communication asking for&#13;
further contributions my request was answered&#13;
3&#13;
thus : “ Payment is always made on publication.”&#13;
DEAR SIR,_Can any of your readers tell me if&#13;
there is an English reference library on the island&#13;
of Madeira, or is it necessary for a writer to take&#13;
out all ordinary works of reference, as well as the&#13;
special books needed for the subject engaged on?&#13;
Perhaps some author who has had personal&#13;
experience of life out there will be kind enough&#13;
to give me a little practical information, not only&#13;
on the above very essential question, but also with&#13;
regard to the cost of living, sanitary conditions,&#13;
recommended addresses, etc., in a district where&#13;
the climate from October to April is equable and&#13;
dry, but not so warm as to unfit me for residence&#13;
in England during the other half of the year.&#13;
I am, etc., ADA EARLAND.&#13;
c/&#13;
c/o Messrs. Hutchinson &amp; Co.,&#13;
34-36, Paternoster Row, E.C.&#13;
“THE AUTHOR.”&#13;
SCALE FOR ADVERTISEMENTS.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.&#13;
•&#13;
•&#13;
...24 0 0&#13;
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... O 15 0&#13;
•&#13;
*.&#13;
•&#13;
Front Page&#13;
Other Pages&#13;
Hall of a Page ...&#13;
Quarter of a Page&#13;
...&#13;
Eighth of a Page&#13;
Single Column Advertisements&#13;
.. per inch 0 6 0&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Twelve Insertions.&#13;
Advertisements should reach the Office not later than the 20th for&#13;
insertion in the following month's issue.&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
&#13;
&#13;
## p. 128 (#175) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING.&#13;
infall | ACCURACY GUARANTEED.&#13;
TYPEWRITING of the&#13;
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Plays and Actors' Parts. Legal, General and Commercial GENERAL MSS., 10d. per 1,000 words.&#13;
Documents. Duplicating. Facsimile Typewriting.&#13;
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SIKES and SIKES, DRAMATIC WORK. DUPLICATING.&#13;
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NORA DICKINSON,&#13;
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THE AUTHORS' ALLIANCE MRS. GILL, Typewriting Office,&#13;
(Established 1888.) 35, LUDGATE HILL, E.C.&#13;
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Authors' MSS. carefully copied from 1s. per 1,000&#13;
words. Duplicate copies third price. French and German&#13;
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MSS. accurately copied; or typewritten English trans-&#13;
place Authors' interests first. Twenty years' experience. lations supplied. References kindly permitted to Messrs.&#13;
2, CLEMENT'S INN, W.C.&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.c. Telephone 8464 Central.&#13;
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TYPEWRITING.&#13;
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DUPLICATING. SHORTHAND. TRANSLATIONS.&#13;
First-Class Work. Excellent Testimonials.&#13;
Glenfairlie, Avondale Road, Wolverhampton. I MISS M. HOWARD, 147, Strand, W.C.&#13;
That many Authors only require the help and commercial advice that are freely&#13;
rendered to Publishers by readers and advisers to make their work of sterling practical&#13;
value. For want of such assistance a large amount of literary work is now&#13;
doomed, or, if published, does not meet in any way with the anticipated recognition.&#13;
Mr. STANHOPE W. SPRIGG (late Editor of Cassell's Magazine, and&#13;
reader for Messrs. Cassell &amp; Co. ; for some years one of the principal reviewers of&#13;
The Standard and Hon. Literary Adviser to the Society of Women Journalists)&#13;
begs to announce that he has now set up in business as a Literary Consultant largely&#13;
to supply Authors with this necessary help and expert commercial knowledge.&#13;
His advice has already proved of substantial assistance to a number of well-known&#13;
Authors (whose names can be given), and he is now prepared, for a small fee, to&#13;
read or revise other writers' manuscripts, and to advise Authors generally where to&#13;
place articles, stories, books of travel, critical studies, or other kinds of literary work.&#13;
In those instances where he feels he cannot advise to an Author's profit or&#13;
advantage, Mr. SPRIGG frankly declines employment, but in all the cases he&#13;
actually undertakes he supplies his clients with a report of the same outspoken&#13;
commercial character as that which he furnishes to the different firms of publishers&#13;
for whom he now reads. Address :-&#13;
The Anchorage, Felpham, Bognor, Sussex,&#13;
Consultations in London or at the above address by appointment.&#13;
&#13;
&#13;
## p. 128 (#176) ############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
TYPEWRITING&#13;
WITH BRAINS.&#13;
Opposite the British Museum.&#13;
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Near the British Museum,&#13;
KINGSLEY HOTEL.&#13;
Hart Street, Bloomsbury Square, London,&#13;
Every Order I have executed has been followed&#13;
by Repeats. Why?&#13;
My work is always the same-THE BEST.&#13;
Indifferent copy TYPED WELL stands a better&#13;
chance with Editors and Publishers than GOOD&#13;
WORK TYPED BADLY.&#13;
An AUTHOR has sent me the following:&#13;
“Cricklewood, N.W.&#13;
"I am exceedingly pleased with the type-&#13;
written copies. I have read them carefully&#13;
through and consider you have taken great&#13;
pains with the work. Also the type is excel.&#13;
lent. I have had 5 MSS. done and YOURS&#13;
IS FAR THE BEST.&#13;
"I shall certainly remember you when I want&#13;
anything typed.”&#13;
I USE BRAINS AS WELL AS HANDS.&#13;
HIGH-CLASS WORK AT LOW CHARGES.&#13;
I have many Testimonials from Members of the Authors' Society.&#13;
SEND IN ORDER NOW.&#13;
MISS RALLING,&#13;
176, Loughborough Road, LONDON, S.W.&#13;
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Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel —"Thackeray, London."&#13;
Kingsley Hotel —"Bookcraft, London."&#13;
TYPEWRITING.&#13;
AUTHORS &amp; PLAYWRIGHTS&#13;
Special facilities for placing work of every description.&#13;
Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Particulars from Manager, Literary Department,&#13;
Plays, ruled and covered, 1/- 1,000 words.&#13;
WIENER AGENCY, LD.,&#13;
Opinions selected from letters received during the past twelve years :-&#13;
64, Strand, LONDON,&#13;
MRS. E. NESBIT BLAND (E. NESBIT); “I am extremely&#13;
pleased, . . . It is beautiful work."&#13;
AND TRIBUNE BUILDING, NEW YORK.&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove&#13;
to all authors who have the good fortune to hear of you. ...&#13;
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MRS. HINKSON (KATHARINE TYNAN): “I hare never met&#13;
with anything approaching your intelligence, carefulness and&#13;
promptitude."&#13;
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done."&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
LOUIS A. ST. JOHN. L'Isle, Dimond Road, Southamnton&#13;
words; in duplicate, 1/-. Plays and General&#13;
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Copying. List and specimen of work on appli-&#13;
PRIZE NOVEL COMPETITION&#13;
cation.&#13;
(Third Year).&#13;
The Literary Agency of London has again been instructed&#13;
ONE OF NUMEROUS TBSTIMONIALS.&#13;
to conduct the above Competition. «.&#13;
Prize-250 Guineas.&#13;
"Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some bundreds of thousands of words. I have nothing&#13;
Adjudicators:&#13;
but praise for the accuracy, speed and neatness with wbich she | Mr. A. C. BENSON, Mr. A. E. W. MASON,&#13;
does her work.-FRANK SAVILE.'&#13;
Mr. W. J. LOCKE.&#13;
Papers relating to the Competition may be had on&#13;
MISS M. R. HORNE,&#13;
application to the Literary Agency of London. All&#13;
applications must enclose a stamped addressed&#13;
envelope for reply.&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX. 5. Henrietta Street, Covent Garden. W.C.&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for The SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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                    <text>.)

.

1911

PRICE SIXPENCE

[

.
.

Monthly

Authors

.

JANUARY

of

Society

,

Incorporated

4

No

.

XXI

-

.

Vol

of

Organ

2

( The

the

The Author .
.

CONTENTS
РДО

to

Warnings
Dramatic Authors
Registration
Scenariosand Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
Committee Election
The Pension Fund Com
The Council Meeting
Books of Reference for
The Trade
Correspondence
.
..

.
19

Sketch

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of

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Notices
TheSociety Funds
List Members
ThePensionFund
CommitteeNotes
Bookspublishedby Members
Bookspublished America by Members
Literary, Dramaticand Musical Notes
ParisNotes
UnitedStates Notes
Reproduction Music
Gramophone
Agreementbetween Author and Producer
MagazineContents
How Use the Society
Warnings Producers
Books

),

.

,

.

,

6d
.

58
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108

Literature and the Pension List
The History
the Société des Gens

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all Members

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with Comments

Sir WALTER BESANT

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compiled from the
SQUIRE SPRIGGE
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agreements proposed
offices the various forms
Publishers
explained
Authors
are
examined
and their meaning carefully
with
account
the
various kinds
fraud which have been made possible by the different clauses therein
By
Being additional facts
Addenda
the Above
HERBERT THRING
collected
the office
the Society since the publication
the
Methods
With
comments and
papers

�ADVERTISEMENTS

The Society
Telegrapbic

.

(Incorporated ).

of Authors

Address : “ AUTORIDAD

,

LONDON

."

Telephone No. : 374 Victoria

PRESIDENT .

THOMAS HARDY ,

O

.

.M .

COUNCIL .
SIR ROBERT ANDERSON , K . C. B.
SIBWM .REYNELL ANSON, Bart ., D.C. L .
THE RIGHT HON . THE LORD AVE
J . M. BARRIE .
( BURY, P . C.

SIR ALFRED
BATHMAN , K . C. M . G.
ROBERT BATEMAN .
F . E. BEDDARD , F . R. S.
MR . BELLOC -LOWNDES .
THE RIGHT HON . AUGUSTINE BIR
RELL , P. C.
MRS. E . NESBIT BLAND .
THE REV . PROF . BONNEY , F . R.8.
THE Right Hon . JAN ES BRYCE , P . C.
THE Right Hox . THE LORD BURGH .
CLERE , P . C.

HALL CAINE .

J . W. COYYNS CARR .
EQERTON CABTLK , F. S. A.
EDWARD CLODD .
W. MORRIS COLLES .
THE HON . JOHN COLLIER .
8IR W . MARTIN CONWAY .
THE RIGHT Hon . THE LORD CURZON
OF KEDLESTON , P. C.

DOBSON .
SIR ARTHUR CONAN DOYLE .
DOUGLAS FRESHFIELD .
SIR W. S. GILBERT .
EDMUND GOSBE , LL . D.
SYDNEY GRUNDY .
H. RIDER HAGGARD .
MRS . HARRISON (“ LUCAS MALET ' ).
ANTHONY HOPE HAWKINS ,
E . W . HORNUNG .
MAUBICB HEWLETT .
W . W. JACOBS .
HENRY JAMES .
JEROME K . JEROME .
HENRY ARTHUR JONES .
J. SCOTT KELTIE , LL . D.
RUDYARD KIPLING .
SIR EDWIN RAY LANKESTER , F. R. S.
THE Rev . W . J . LOFTIE , F. S. A.
LADY LUGARD
(M188
FLORA L .
SHAW ) .
THE RIGHT HON . SIR ALFRED
LYALL , P. C.
Mrs .MAXWELL ( M . E . BRADDON ) .

COMMITTEE
Chairman
ALFRED
BATEMAN , K . C. M. G .
. BELLOC - LOWNDES .
ns. E . NESBIT BLAND .
J . W. COMYNS CARR .

SIR

MR

JUSTIN MCCARTHY .
THE REV. C. H . MIDDLETON -WAKE ,
SIR HENRY NORMAN .
SIR GILBERT PARKER , M. P .
SIR ARTHUR PINERO .
THE RIGHT HON . SIR HORACE
PLUNKETT , K . P .
ARTHUR RACKHAM .

AUSTIN

OF

OWEN SEAMAN .
G , BERNARD SHAW .
G . R . SIMS .
S. SQUIRE SPRIGGE .
FRANCIS STORR .
SIR CHARLES VILLIERS
Mus . Doc .
MRS . HUMPHRY WARD .
SIDNEY WEBB .
H . G. WELLS .
PERCY WHITE .
FIELD -MARSHAL
THE VISCOUNT
P . C., &amp;c.

MANAGEMENT

STANFORD,

THE RIGHT HON
WOLSELEY , K. P.

.

- MAURICE HEWLETT .

S, SQUIRE SPRIGGE ,
FRANCIS STORB ,
SIDNEY WEBB .

DOUGLAS FRESHFIELD .
W. W. JACOBS .
ARTHUR RACKHAM .
G . BERNARD
SHAW .

DRAMATIC SUB - COMMITTEE .

Chairman - SIR ARTHUR PINERO .
Vice - Chairman - HENRY ARTHUR JONES .
H. GRANVILLE BABKER .
Miss CICELY HAMILTON .
CECIL RALBIGH .
J . M . BABRIE .
CAPT . BASIL HOOD .
G . BERNARD SHAW .
R . C. CARTON .
ALFRED SUTRO .
JEROME K . JEROME .
ANSTEY GUTHRIE .

PENSION

FUND

COMMITTEE .

Chairman - MAURICE HEWLETT .

| MORLEY ROBERTS .
| M . H . SPIELMANN .

ANSTEY GUTHRIE .
ANTHONY HOTE HAWKINS .

K . J . MACGILLIVRAY

SIR GILBERT

COPYRIGHT SUB - COMMITTEE .
SIR CHARLES
Mus . Doc .

.

PARKER , M . P .

THE Hon . John
BIR W . MARTIN

MRS . ALEC TWEEDIE .
MRS . HUMPHRY WARD .

|

STANFORD , |

VILLIERS

HERBERT SULLIVAN .
JAMES YOXALL , M . P.

ISIR

ART .

COLLIER ,
CONWAY .

ARTHUR RACKHAM .

JOHN HASSALL , R . I .
J . G . MILLAIS .

FIELD , ROBCOE &amp; Co . , 36, Lincoln ' s Inn Fields, W . C.
G . HERBERT THRING , 39, Old Queen Street , Storey ' s Gate , S. W.
Legal Adriser in

America

- JAMES BYRNE ,

39, OLD QUEEN

M.

son
24, Broad

OFFICES .

H. SPIELMANN

,

Secretary - G . HERBERT THRING ,
Solicitor in England to
La Société dos Gens de Lettre
Street

,

New

STREET , STOREY 'S GATE , S. W.

York

, U .S. A.

�ADVERTISEMENTS .

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on

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).

,

Church Road FOLKESTONE

,

John

's

(

1,

.. ** .. .
.
11
. /1
1

.

Accurate

words

Miss EMILY BATE

free

MSS

000

No pupils
Machines
prompt
References
and

Standard

.

work

per

10d

From

materials

and Mimeograph

Carbon

"

pleased

113

Yew Tree Cottage

MACCLESFIELD

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WALL

by

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.

before sending

Technical
Technical

TYPEWRITING
DUPLICATING
.

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advise

experienced

and

TO

Kindly mention

and

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write

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Please

MISS

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London

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Publishers

We

make arrange

LYNWOOD

words

000

Authors
Authors

LONDON

WIMBLEDON

9d per 000words
Novel and Story Work
General Copying
Plays ruled
application
Specimens and Price List

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communicate with

of

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THORS TYPEWRITING
COPYING

ST ALBANS HERTS

are

the placing

connected with

,

10d

work

122

,

,

. .
,

'

PLAYS AND GENERAL

Publishing

the stage

the dramatic profession

and helps

MIDMOOR

Typist
Typist

guarantee
trial order now
Send
Don hesitate
satisfaction
One Carbon Duplicate supplied gratis
application
with first order
Terms

ments

of

'
an

as

."

.

.C
.

from

!

WANTED

AUTHORS wishing

play

PLAYS

in

.

."

.

,

Address

MISS LUETCHFORD

Woodstock

upon the

England and

several novels

best men

over the world

those plays

W

.

produced

ORDERS BY POST PROMPTLY ATTENDED

Homefield

every class

GIVES PRACTICAL ADVICE

AND

Knows the

.

4d

of

58

;

plays

Adapter

UPON

TYPEWRITING

CÆSAR

and

College

Arundel Street Strand
,

,

.

.

58
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The

net

HERBERT

experience

continuous

actor

of

.

to

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be-"

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Author
America

useful hints
post free

Correspondence

9

,

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(

years

stage itself

of

8d

. .

28

,

an

"

to

full

end Edition

AUTHORS MSS

Technique

Craft

PAIN

.

.

.

25

Over

Writing

READS

Literary

Authors

Play Construction

become
Author
By ARNOLD BENNETT

Practical Guide

DAWSON

the Society

Stage

of

Master

post free
Edition
net
The
this work the Westminster Gazette writes
beginner who takes these lessons
may
quite
heart
advantage over his competitors
assured

How

FORBES

Member

."

in
6d

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Lessons

2nd

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First

PLAYS

-

The writer , whether he aspires to write novels , short stories ,
or articles , often spends years in uncongenial work ,
rebuffs and drudgery being the only return for the time
end labour spent .
THE COURSE OF LITERARY TRAINING promoted by
Correspondence
College teaches the
the Literary
aspirant to serve his apprenticeship to Literature in the
possible
briefest time
.
The College also undertakes Literary Agency business of all
kinds.
particularswrite
oncefor Pamphlet
the LITERARY
CORRESPONDENCECOLLEGE
Arundel Street Strand

of

Authors and Journalists.

To

�ADVERTISEMENTS .

NOVELS

,

,

STORIES

SHORT

ARTICLES

,

,

POEMS

PLACED WITH OVER ONE HUNDRED AND FIFTY (150 )
PUBLISHERS AND PERIODICALS AT HIGHEST PRICES .

FIVE STATEMENTS which we are prepared to prove :
Publishers and Editors recommend this Agency to Authors , and ask us for contributions .
On the same day we have placed three novels —at publisher ' s risk - and a short story with the Strand Magazine .
We have obtained for the serial use of a 50, 000 word story , by an unknown writer , £25 more than was
first offered .

At far better terms than first offered , we have placed with a well - known firm of publishers a novel which the
author' s own agent , seeing no hope of success , refused to deal with .
For the serial use of a 65 ,000 word novel by a well- known author , we have succeeded in obtaining an offer £20
in advance of the price previously paid by the same editor to the author direct.

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small

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fee

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report

unbiassed

commercial

advise

be

.

cases where

author

advantage

BOGNOR

SUSSEX

's

feels he cannot

in

Sprigg declines work

all

he

to

thatwhich hefurnishes
the different
publishers for whom
reads
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and

to

firms

stated

each

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character

and

work

state

place articles

travel critical studies

literary

one

revise manu

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profit

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;

."
TO

An

“

.

SONS

employ

that
now prepared
read
scripts and advise authors where

,

of )

.

.

Magazine

.

"

STANHOPE

Cassell
the

publishers only

?

Mr

.

. '

of

,

-s

.,

and money
people who send round their wilai
We wish
suitable MSS would procure the book and cease their
activities
Athenaeum
OTHER CONTENTS are Directory and Index
Pseudonyms and
Authors
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BE HAD
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G

ASSISTANCE

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(

of

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,

payment and other necessary information
The
CLASSIFIED
INDEX will tell you AT ONCE the
particular
periodicals
your
most suitable
for
MS thereby saving you much mis pent time

ROUTLEDGE

1648 GERRARD

?

)

(

Why should

970 pages

of

,

; ,
.;
,

)

,

,

(

.

:

net

1911

[

.

.]

8vo
Price 6s
give you all particulars

BOOK

.

YEAR

Literary Agents
Indexers Typists
Publishers
British and
Foreign
publishers
will explain all forms
agreements
copy
recent legal cases law
right etc
also all periodicals and magazines
British
American
Canadian
and
Indian
accepting
outside contributions with rate

will

STRAND LONDON

LITERARY

HAVE YOU
DISPOSE OF
-

LITERARY

THE
Crown

TO

.

A

MS

,

,

115

Director

Telephone

!

AUTHORS

TUKE PRIESTMAN

Managing

TESTIMONIALS

,

MAGNUS

CAMBRIDGE LITERARY AGENCY
AMERICAN REPRESENTATIVE

OF UNIQUE

,

GEORGE

.

.

MSS submitted

G

-

the fact that we submit only carefully selected work - we decline
a thousand MSS . annually ! Editors know this , and READ the
a client admits previously “ trotting round for four years , " has
receipt, with a magazine which had returned it when submitted

containing HUNDREDS

Prospectus

by

page

All

Write

16

for

is due largely to
to deal with over
MSS . we send them . A story which
been placed by us within ten days of
by the author !

,

OUR SUCCESS

�.)

.

.

,

2ND

1911

PRICE

NUMBER

.

be

to

be

.

,

no

,

do

to

.

.

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of

in

its

to

on

in

,

in to

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(
)1

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to

any

,

in

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or

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in

of

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is

it

of
all ,

.

(
2
)

of

.

6d

a

5s
,

question

copyright reform
other matter closely

obtain

with the work
the Society
The Pension Fund
slowly
This fund
increasing and
hoped will
time cover the
needs
the members
the Society

its

on

fighting

connected

if

to

or

.

, ,

to

of

of

to

The Author begs
remind
the Society that although the paper
sent
them
production would
free
cost
very heavy charge
the resources
the
Society
great many members did not forward
the Secretary the modest
subscription for

be is
a

is

it

.

.

expenditure
either
ciple
assisting
dealing
with

CONTRIBUTIONS

of

AND

S

of

of

Editor

THE

members

to

to

.

of

to

of

,

be

or

to

in

of

of

is

if

of

of

to

'

on

The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary for the Society
case
incur heavy

application
ARTICLES

FUNDS

time
time members
the Society
desire
make donations
funds
recognition
work that has been done for
them
The Committee acting
the suggestion
one
these members have decided
place
this permanent paragraph
The Author
order
that members may
cognisant
those funds
which these contributions may be paid

The Editor begs
inform
members
the
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Secretary
the Society and that
those members
the Society who desire
have
the names
the publishers concerned can obtain
them

.

,

is

TROM

of

as

.

be

THE SOCIETY

especially stated

.

be

graphs must
taken
the Committee
unless such
the case
to of

papers that are

the anthors alone are
para
the papers
expressing
the opinion
or

or

T

in

expressed

signed
initialled
responsible
None

of

the opinions

,

be is

.

NOTICES

TOR

,

is

it

,

LONDON

.

,

of

:

to

seems
impression
among
readers
The Author that the Committee are
personally responsible
for the bona fides
the
advertisers
the Committee desire
stated
that this not and could not possibly
the case
Although
care
exercised that
undesirable
advertisements
inserted they
not accept and
never have accepted any liability
Members should apply
the Secretary for advice
special information
desired

TELEGRAPHIC ADDRESS

AUTORIDAD

there

an

As

of

VICTORIA

.

374

be

ADVERTISEMENTS

:

TELEPHONE

SIXPENCE

.

JANUARY

.
.

of

WALTER BESANT

SIR

4

-

.

No

Monthly

Authors

=

.

XXI

Society

[

FOUNDED
VOL

Incorporated

.

the

Organ

BY

(

of

The

The Author .

,

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.

to

at

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at

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blank

pages have

been

added

at

.

of

,

Members
the Society
Authors
published October 1907 can now
obtained
the offices
the Society
the price
post
July
6d
free 74d
includes elections
1907
and will
sold
members and associates
the Society only
A

.

to

be

,

on

accepted

.

of

HE List

MEMBERS

to

of

by

.

.

articles which cannot

XXI

be

.

or

of

on

Communications and letters are invited
the
Editor
all literary matters treated from the
standpoint
art
business
but
no other
subjects whatever
Every effort will
made
VOL

OF

39
,

,

.,

,

,

month

return

LIST

S
.W

's

,

of

to

Author
should
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor not later than the 21st
each

the Offices

of

The

be

Communications

addressed

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for

.

the year

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THE

NOTES

.

COMMITTEE

, . ,

of

.

5

,

on

Management for the year 1910 took place
Monday
December
After the
minutes
the previous meeting had been signed

.

up

.

to

to

-

proceeded
the committee
with
the
elections
Twenty eight members and associates were elected
bringing the total for the current year
276
congratulate the society
The committee desire
continued prosperity
With the exception
its

0
0
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0

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76

6

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1910

Steveni William Barnes
Capt Harry
Graham
Capes Mrs Marion
Eden

apologies

8

3

Subscriptions

Phillpotts

28 28 11
,

.

0
0
0
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0
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18

4
0

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,

.
..
.
...
..
..
..
..

Total

120

121
6

198

James

···
···
···
·

Arnold
Powell Lieut Genl Sir Robert
Bennett

We have much

on

%

Land

Douglas

Baden

,
120

.

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31
% .

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132

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,

Canada
Grant Stock 1938

49

.R .
. .. -

Stock

438

Buè Henri
Ellis Mrs Havelock
Campbell Cyril
Laws
Dalliba Mrs Kate

a

0
0

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Nov
Nov

0

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0
0
9 0

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1919

1937

Gribble

Rankin
Miss
Buckrose
Philliotts Eden

Nov

-

27 %
%

3

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of %
%

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Stock

247
258

Ellis Havelock
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Bristow Noble
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Mrs Alfred
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Oct
Nov

Dec
Dec
Dec

228

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Oct
Mary
Caws Luther
Oct
Oct
Knowles Foster Miss Frances
Oct
Tuite Hugh
Margoliouth George
Oct

Dec

200

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28 19 12 11 , , 31
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of

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Sept
Sept

Dec
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.
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July
Aug

Nov

Inscribed

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Oct
Nov
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July

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July

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Muir Ward
Peacock Mrs
March Miss

..
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1910

July

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of

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500

and South Western Railway
Preference Stock
New Zealand
Stock
Irish Land Act
Guaranteed Stock
Corporation
London
Stock
1927

000

Consoli

4
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Good Hope

of

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Donations

-

in to

:

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33

34

4

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at

of

to

£1

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Local Long
Victorian
Government
dated Inscribed
Stock
London and North Western
ture Stock
Egyptian
Government
Cape

L

,

.

,

Clifton Mrs

of

,

,

1

-

of

of

N

1910
the trustees
the
Pension Fund
the society
after the secre
tary had placed before them the financial
position
the fund
decided
invest £260
the following securities
£130
the purchase
per cent Stock 1919 49 and £130
Jamaica
per cent Stock 1937
the purchase
Mauritius
purchased
The
amount
£132
188
per cent Stock and £120
Jamaica
12s
per cent Stock
Mauritius
This brings the invested funds
over £4 000
The trustees however have been unable
recom
any further pensions
mend the payment
the
present exhausted
income
their disposal
They desire
draw the attention
the members
the society
this fact
the hope that by
additional subscriptions and donations there will
be sufficient funds
hand
the course
the
year
declare another pension
case any
portant claim
forthcoming

Trust

.

.

Dec
February

Samuel

W ,

Sproston
George

Dec

Dec

..
..
.

Hubert
Mrs Herbert
Morgan William

Coben

.

Dec

THE PENSION FUND

Parry

, ,

Nov
Nov

, ,

are

.

in

to

those who
chronicled

de

of

end of the list for the convenience
desire to add future elections as they
from month
month
these pages

. . . . .
9 9 8
, , , 17
12
11
,

THE AUTHOR .

80

�by

caused

the

in

. 's

of

.

be

to

of

.

by

fill

,

to

-

'

.

further

to a

to

of

,

of

,

in

of

letters were laid before the committee
suggestions
respect
the library
but though the committee are watching
they did not find any
the issues very carefully
practicable
them
the suggestions made
nature and accordingly
felt bound
reserve their
containing
censorship

action
request

secretary the committee
devoted
Christmas
finally acknowledged with
Mr Cyril Campbell
the
to

to

.

.

,

a

be

the

set aside
certain sum
boxes for the staff and
thanks donation from
funds
the society

to

the

of

At

.

course

of a

to In

the vacancy

.

of

of

as

.

be

of

.

of in

is

's

:

,

's

of

in

In

,

.

.

of

to

to

to

.

.

of

it

be

,

is

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's

of

is

no

to

as

to

be

.

In

.

. 's

.

on

A

1
.

.

2

in

to

of

in

in

. .

,

is

.

,

to

.

in

's

in

.

of of

of

as in

of

Infringement
copyright
There have been
infringement One has been placed
two cases
the hands
the society
solicitors
Ireland
the infringement occurred
that country
The
other has only recently come
hand and
still
negotiation
course

of

be

,

to

.

for

Claims
MSS
Of the four claims that
during this month
have come
one had
abandoned
the author could not prove that the
MS had actually reached the office
the paper
partially
which
was sent
one has been
;

,
.

,

,

to

.

-

re

re
-

of

,

of

the nominee

rendered the accounts due

as in

as

he

on

Fund Committee
which
had served
management and
the committee
submitting his name for
election
was unani
mously
elected
proceeded
The committee
then
elect their
Pension

have

it

to

. ,

.

,

on

of

to

of

. ,

in

.

a

to

the

The solicitors

.

.

committee
two
were instructed
write
further letter
order
elucidate the
issues which were complicated and difficult
and
report
the next meeting
the committee
The report
the council meeting which appears
another page was finally settled
Mr Anthony Hope Hawkins retired from the
been

before

on a

in

occasions

to

had

former

3

to in

.

a

to

's

on

of

,

of

which

.

,

to

,

of

,

order that authors creditors
the estate should obtain fair treatment
payment
The next question related
royalties and the committee decided
advance
opinion
behalf
the member
take counsel
Progress was reported by the secretary
case

necessary

4

it

.
in a

do to
so

file

The committee authorised
bankruptcy petition
was

if

of

trade

dispute
contract
This has been
satisfactorily
settled between the author and the
publisher by the society
intervention
Claims for money
There have been nine
cases for money claims
two cases the matter
placed
has had
the hands
the society
satisfactory
solicitors
answer could
be
obtained
the secretary
letters
One case
negotiation
every
still
course
and there
chance that
will
settled without being referred
the legal advisers
the society
two cases
the money has been paid and the claims satisfied
As the three remaining cases only came into the
just before going
press there has been
office
any settlement
the issues
come
no time
There have been two
Claims for accounts
cases
the office
both
which the publishers

in

to

the

,

,

the
the solicitors
benefit

the

follows

.

-

of

had been entered into without reference
authors
who were creditors and chiefly for

THERE
the stream
cases that
flows into the offices
the society
Since the publication
the last issue
The
Author eighteen fresh cases have come under the
secretary
They may
catalogned
notice

5

's

of

a a

of
it

,

sidered

deed

stay

.

the

no

a

.

understanding

publisher
settlement with his
assignment was next con
assignment
appeared that the deed

under

for

A

case

creditors

Cases

to

proper

the

.

for

of

necessary
position

It

.
in

in

's

of

to

of

as

by

an

by

a

of

a

in

.

.

to

The names
the committee
nominees will
found elsewhere
this number
Mr Anthony Hope Hawkins retirement from
the Copyright Sub committee was acknowledged
with regret and the committee proceeded
elect
another member
the society
the vacancy
caused
his resignation

a

on

to

it

.

of

in

nominee

,

is

.

of

a

of

up

,

.

for ,

a

and this the committee consider
congratulation
Following the elections and resignations the
legal cases came
for consideration
The first matter before the committee was the
complaint by one
outcome
the members
that the advice
the secretary
certain
agreement was unreasonable and unfair
these
circumstances the secretary thought
best
refer
dispute
the points
the committee
The
committee confirmed
the opinion
the secretary
had expressed
on the agreement
dispute had
The next matter was one
which
occurred
between
member
the society and
agreement limited
publisher
under
time
appeared that the publisher did not take the same
view
the agreement
was taken
the author
After the matter had been carefully considered the
place the papers
secretary was instructed
the
hands
the society solicitors
order that they
might obtain
certain
accounts
and particulars

the same
matter

fourth

annual retirement

of

is

it

,

.

,

to

.

is

77

to

,

.

of last year this is the largest annual election since
the society was incorporated
accepted
regret
The
committee
with
three
bringing the total resignations for
resignations
Though the number
the current year up
high the committee are glad
report that
not
above the average
While the elections for the
current year are considerably above the average for
the last ten years the resignations remain about

fill

THE AUTHOR .

�THE AUTHOR .

Hamilton

13,

William

J. .

.

47 Ravenswood

Clifton , Mrs . ..

.

Queen

Waterloo ,

Street

,

Road

,

Liver

pool .

,

, S. W .
Hall , Lyt .
ham , Lancs .
Elangeni , Amersham .
Balham

Lytham

.

.

11 -

Dalliba, Kate Lyon ( Kate

-

6

.
.

.
.

.
.

,

Cross , S. W .
Finchley

E , Kensington
Gardens Studio , -

31, High

-

Street ,

A

.'.

.

Hitchcock .
Montgomery

,

Miller , Elizabeth

, Wm . De

Kensington , S. W .

R.

.

.

.

.

.

York

.

.
.

.

418 ,
College Street , Mel
bourne , Australia .
4 , Elwick Road , Ash ford , Kent.
Rectory . Kin .
The

, King 's Co .,
.
Weihaiwei , China .
netty

Ireland

Hillcrest .
Hill , S. W .
4,

Brixton

Clement 's
Strand , W . C .
Church
Chelsea

Inn ,

Lewes

.
House

,

,

Castlegate
.

Frank Frankfort

·

,

Moore

Le

.

.

York .
Devonshire

.

.

James ' s

de

Street ,

S. W .

Basil Street ,
Knightsbridge,

,

.

Club , St.

3

S.W.

18

, Kensington

Court

House ,

Nant

Place , W .
Vailima , Torquay .
Elm

Mattos , Alex .

wich .

9,

Cheltenham
race , S. W .

BOOKS PUBLISHED BY MEMBERS

Ter

.

WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the cffice
by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
It is hoped , however , that members will
other papers .
co- operate in the compiling of this list and , by sending
particulars
of their works, help to make it substantially
accurate .

ARCHÆOLOGY .
THE ARTS AND CRAFTS OF ANCIENT EGYPT . By W. M.
Second Edition , with additional
FLINDERS PETRIE .
chapter . 8 X 51 .
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Hamilton , Norah

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Square ,

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Carlton

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x A

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Queux

,

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9 .

William

Preston

Savill , Mrs .

December Elections .

Bahr , Abel

Orange , James

P.

in

have to report that it was necessary to
hand over as many as five different claims to the
solicitors of the society for them to deal with .
to

, Mrs. T.

.

regret

'

O Connor

51
.

— that is , some of the MSS . claimed
have
returned , and the editor
has promised to
search for the remainder ; and in one case , still
unsettled , the editor has promised
to make a
thorough
search , and
the last
case
has only
recently come into the office .
Of the cases published in the last number of The
Author the majority have been settled , but we
settled

been

.
n
.

82

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OF

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DIARY AND
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THE

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and Public Orator in the
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Cambridge
University Press .
188. n.
DEMOSTHENES .
Select
Private
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Edited by J . E . SANDYS , Litt . D . 7} x 5 . 288 pp .
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A

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pp

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5

X

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x 68
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,

of

S

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pp

Cambridge

175 pp .

(Cambridge
Press .

University

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By E . NESBIT . With Illustrations
by H , R. MILLAR . 78 X 5. 333 pp . Macmillan . 68.
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MISCELLANEOUS .

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,

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H

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of 68
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'

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. .57

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A

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74
x

78
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County
18. 6. n.

By J . FOSTER
Geographies . )

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58
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28
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71

68
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84
x

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AN

.pp .

7
}
x
5

pp

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5
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6s
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F

White
ABOLITIONIST

V

.pp

310
THE BLACK

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J.

By
68
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OF

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68
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312

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83

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POETRY .

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�THE AUTHOR .

84
THEOLOGY .

NON - CATHOLIC
DENOMINATIONS . By the Rev. ROBERT
Library . A Series
HUGH
BENSON . The Westminster
of Manuals for Catholic Priests and Students . 73 x 5.
217 pp . Longmans . 38. 6d . n.

,

photogravure

There

are

in

colour

three

last month by Messrs . Stanley Webb ,
Street , W . C . Miss Everest 's verses,
of his
in memory
“ Beyond these Voices ,"
Majesty King Edward have been graciously received
Queen Alexandra
Mr Albert Dorrington whose Australian novel
Children
the Cloven Hoof appeared serially
the Teaninh has another long story
the
late

,

."

-

of

.

of Ex
A Narrative
the Northern
Frontier
and FANNY BULLOCK
Constable , 218. n.

,

Co.

,

With

in

Radium
The
Mall Magazine
the latter
serial rights
The
American
Terrors
Munsey
the Frank
work have been purchased
Company
collection
Greece
The Englishman
many English poets with
intro
the verse

Pall

A of

of

,

"

be

.

.

(

at

)

be

)

be

,

.;

at

6d

April
those for February
December double numbers will
issued
triple number
issued
will
and the August
Copies
6d
All other months will be issued
Fowler Cornfield Road
can
obtained

,

.'

at

E

.
S
.

of

be

Eastbourne

on .

's

government
civilisation
and
revolution
reform
aristocracy and democracy
Mr Bruce Williams has published through
Principles
Organisa
same firm
the Science
diagrams which
tion
book
charts
and
exposition
the principles upon which
contains
conjunction
with
axiom
science
organisation
founded

,

A , R.

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of

of

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January

1908

West Perthshire
but such dialect
present
written
difficulties
the English reader
The Kestrel
the name
new novel
Reginald
Salwey
published soon
Digby
Long
Co
The title has reference
the leading
character
the story
Messrs Longmans
are the publishers
diary
Lacey
the Rev
entitled
laid

used

&amp;

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an

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to

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of

Telegraph

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for

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by

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Heather

Harold
Thomson
novel
which was first published
brought out
cheap edition
Rivers

“

by

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A

”,

,

in

A

Stirling

.

by

a

, of

Yorkshire House
announced
Mr John Lane
for publication
has just
November
publication being due
been issued
the delay
published
the General Election
two
volumes and contains the history
some two
years
hundred
two great Yorkshire
families
intermarriage
allied
and their cadets and
intimates drawn entirely from family papers
The
book treats
the antecedents life and surroundings
Walter Spencer Stanhope
the Macaroni
the youth about town the politician
for nearly
forty years during
enthralling
period
our
of

a

MUSICAL

"

,

AND

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,

DRAMATIC
NOTES

the

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By

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&amp;

MISCELLANEOUS .
LONDON ; with thirty - two Plates in Colour
HOPE MONCRIEFF . 312 pp . $2.50 n.

.

by

a

is

”

of

Maxims
Government
little book
published
Marshall Bruce Williams
Messrs
Chapman
Hall and divided into five sections
thoughts
the author
The book contains

,

$ 1.50 n.

“

THE SILENT ISLE . By ARTHUR C. BENSON . 444 pp . New

by

.

LITERARY .

9d
at ., andis in by

,

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A

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published

18
.

RED CAP TALES FROM SIR WALTER SCOTT . By S. R.
CROCKETT . New York : Macmillan . 75c. n .

,

of

“

Woods with floral illustrations
Woods
The calendar will
issued
twelve monthly parts
The January issue
Ellen

(

FICTION .

by Mary
M

DRAMATIC .

,

.

BLOUN

by

John

of
a

.

,

by

duction
Rennell Rodd just issued
Clarendon Press
publica
We have received the first number
Day
Day with
tion entitled
the Poets
English
calendar and treasury
verse compiled
by

By

SAVOY OPERAS ; Second Series : IOLANTHE , THE MIKADO ,
THE GONDOLIERS , RUDDIGORE . By SIR W. S. GIL
BERT. Coloured and Illustrated by W . RUSSELL FLINT .
254 pp . New York : Macmillan . $5 n.

NNALS

the

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a

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by

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BY

“

January

,

&amp;

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CARR.

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THE FATE OF HENRY OF NAVARRE .
DELLE -BURTON . John Lane Co.

LITERARY

in

other

Miss K . Everest' s third song , “ That Evening in
June ” (dedicated to Miss Lillah McCarthy ), was

by

W . COMYNS
18. n .
MANSFIELD .
Stanley
Paul

BIOGRAPHY .

York : Putnam .

thirty

and

published

J.

PUBLISHED IN AMERICA
MEMBERS .

BOOKS

portraits

three

,

in

TRAVEL .

NORTH ITALIAN FOLK . By MRS .
63 X 41. 282 pp . Macmillan .
VIA RHODESIA . By CHARLOTTE
150 Illustrations and Maps .
168. n.
THE CALL OF THE SNOWY HISPAR
ploration and Mountaineering on
of India . By W. H. WORKMAN
WOBKMAN. 94 x 61 . 297 pp .

national history .

�THE AUTHOR .

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not
There
long
style
that betokens
has the simplicity
unnecessary
experience and
detail
omission
woman writer
almost miraculous for
which
the story appears
The only unreal part
The episode
the convent
life
the account
strength
the rest
the
from
detracts
related

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the book which has this year been
the Die Heureuse for the
chosen
dress
prize
The authoress
000 francs
The
her first publication
maker and this book
diary
very simple
story
indeed more
and
certainly
somewhat surprising
than story
woman should
amateur and particularly
that
first book with such concision and brevity

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George
Warren
Bell
Weymouth
started
short tour last month
The company
under the direction
Miss May
Palfrey
Mrs Weedon Grossmith
who ran the
piece
the Kingsway
Mr John Masefield play
Pompey the Great
Stage Society
was produced by the Incorporated
the Aldwych
Theatre last month
The cast
included Aloer
Mr Herbert Grimwood
included
Miss
Jean

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Australia
adventures
spendthrift
the Empire
fleeing
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from
young Highland laird
who
million
debts and his ancestral weird becomes
money
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in

Miss Dorothea

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December
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Irving Miss Stella Patrick Campbell and

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Co
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the author down the Athabasca
the Arctic Ocean
the shores
Mackenzie rivers
Bay Company records are also
The Hudson
which there are many
the book
feature
photographs
the end
and
illustrations from
passenger and freight
distances
some tables
the route
small sketch map
and
tariffs etc
Blair

DRAMATIC

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by

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as

in

childless
Via Rhodesia
Charlotte Mansfield
journey undertaken
record
the author
through Southern Africa
Messrs Štanley Paul
are the publishers
Cameron
Miss
The New North
published
London and New
Messrs Appleton
journey made
book which deals with
York

relates the romantic
many other parts

friend

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for whom the world waits
Miss Kenealy view
great men and women have been the
that
great mothers
children
the high variation
greatness originates with
species which
results
the mother
On the other hand women notable
diverting
the arts and professions
their
powers have produced inferior offspring
have

entitled
An Introduction
The book will contain some
portraits taken
Dickens

which

yet unpublished

at

of by

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by

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Chambers
Miss Arabella Kenealy
new novel
The Mating
published this week
Anthea
Messrs John
Long Ltd
This
the first novel
written
engepics
young person who has
Anthea
eugenics enthusiast
been reared
her guardian
order that she may be the mother of that genius

one

Introductions

to

,

books include

story

adults
written
and published
the
Pilgrim
published
Press
Love
Lessons
the Religious Tract Society
Adventures
published
Jasmin
Jarrold
published
Next Door Gwennie
the
published
and
All About Me
Messrs

been

written

.
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on .

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an

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and Waiting
Temperance lines

for

Winning

several correspondents
Tiddeman
Christmas

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* Round

Dickens , Mr. Chesterton
bas discovered a
great deal more to say on the subject . Messrs .
J. M . Dent &amp; Sons, Ltd ., have , therefore , to
announce that Mr Chesterton
has prepared
Everyman
revised and enlarged edition
the
introductions and collected them into one volume
addition two entirely new chapters have been

of

“

.

Since the publication of Mr . G . K . Chesterton ' s
introductions, written for the “ Everyman " edition

“

1886

number of papers bearing on that inquiry and
result
Most
them are from his own pen but
they include
memorandum
Mr Gladstone
elaborate criticism
his own pamphlet
De Re
Anglicana
Gasquet and Canon Moyes
Dom

Messrs . John Ouseley , Ltd ., publish

cannot buy .
the story .

In

Roman Diary , and other Documents Relating to
the Papal Inquiry into English Ordinations ." The
diary is one which was kept by Mr. Lacey during
two months of work in Rome, while rendering
outside help to members of the Papal Commission
of Inquiry into English Ordinations in the year

85

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La Guerre
1870
Leroy Beaulieu
and
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Revue
Fouillée and Dr Grasset write
La Criminalité
Presse
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also
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career until we come
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De Profundis
The whole
literary criticism
volume
valuable addition
Some
the suggestions
the writer will probably
Many
accepted
Pater
the disciples
not
chapters

book
The French public owes much
Savine
the long list
translations
has already
made
Champs Usines
Ateliers by Pierre Kropot
kine
translated
Francis Leray from the
English
This volume forms one
the series
Bibliothèque Sociologique
published
entitled
“

-

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is

,

a

is

of

an

,

.

.

literary

his

Théodore Joran entitled
Les Féministes avant
Feminisme
dedicated
Mademoiselle
Lya Berger and the preface
written
Louise
Faure Favièr
Marque appears
Les Lettres
excellent
Rudyard Kipling
translation
Albert Savine

.

is

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in

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various stages
his evolution
We see him
among that famous group
the disciples
preraphaelitism
disciple and admirer
Pater
and we follow him through the various stages

uns
les autres veuillent mêmes choses repoussent
les mêmes choses
curious book has just been published

P

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of

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Coleridge
terre
Walter
these
The last
the volume
Criticism
this kind
fine
art
The author knows his subject and endea
vours with
unbiassed mind
forth what
extremely
sees
The psychological analysis
subtle
The strength and the weakness
Wilde
are set forth
We follow him through
the

ideal government proposed
plèbe est aristocrate
Le peuple
aristo
peuple sain
says the author
cratie démophile est
La synergie sociale doit être aussi forte que
synergie familiale
faut que les petits aiment
patrie dans
grands
que les grands aiment
patrie dans les petits
que par suite

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essays
The volume contains
Preraphaélisme
Angle
Pater
and
Oscar
Wilde
undoubtedly
essays
the finest

particularly instructive
the legislators elected
Faguet desires
could have the qualities which
would
well with the countries governed
them
the summing
La Rêve
have

M

.

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The author therefore concludes that the real home
the Englishman
within himself
his own
âme impénetrée
whole chaper
devoted
Quelques
insensibilité
and another
entitled
propos
rêveries
amour
this chapter love
and friendship are treated
The other essays are
Notre ascétisme
leur sensualité
Fair
Play
Religion
Le Sport
sens
Après
esthétique
Amour des Jardins and
midi morose
by Raymond
Etudes anglaises
Laurent
unfortunately only published after the death
the

author

Charles Gustave
Lilienfeld and
the Princesse
Augusta de Wurteinberg are
tragic
the one
which gives
name
the volume
by Emil
Incompétence
Le Culte
Faguet
book
read with profit
other
countries than
France
The following are the
Principes
headings
chapters
the
Régimes
Refuges
Confusion
des fonctions
Compétence
Le Législateur compétent
Incompétence
Les Lois
Démocratie
gouvernementale
Incompétence
judiciaire
Incompétences
générales
Autres
Mæurs
professionnelles
Les
Habitudes
Remèdes
Faguet not only shows
tentes
La Rêve
present but
the incompetence which reigns
point out the remedy
endeavours
the
things
existing state
Législateur compétent
The chapter

,

of

we

,

up

all

of

to

of

.

of

measure for many
our characteristics
speaking
that intense love
home supposed
be peculiar
the English
are asked
notice
Europeans the English
that
travel the most
and take
their abode more easily
other
any other nation
countries
than
the people

three historical studies . Much has already been
written
about
the Comte de Fersen , but
biographer has obtained fresh documents and
compiled another account
one
the most
history
interesting and attractive figures
The
thoroughly interesting
book
and the stories

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a series of articles
which
Figaro , under the
were published
first
in the
signature
Femina
Some years ago this
author wrote
novel entitled
La Lueur sur
very remarkable psychological study
cime
the present volume the writer endeavours
explain
the English
French readers
After the
introduction
which the author styles
Excuses
Hypothèses impertinentes
for her
liminaires
she
proceeds
England
introduce the inhabitants
explain the influence
and
which
race and
climate must necessarily have had
the present
According
Jacque Vontade the
generation
great
climate
the British Isles accounts

an on
“

86

�THE AUTHOR
one by G . Saint -Aubin
Etats - Unis . "

on

In the recent numbers of La Revue hebdomadaire
are some excellent articles by Jacques Bardoux on
“ Edward
VII ,” as king , man and politician .
There is also an article by Paul Pompéi on “ Les
en Portugal ,” and Mlle .
Causes de la Révolution
Halperine -Kaminsky gives some hitherto unpub

letters from Tolstoï .
Odéon “ Les Affranchis ” has been pro
nounced a success .
“ L 'Aventurier ” is still being
given at the Porte Saint-Martin ; “ La Fugitive "
at the Gymnase ; and “ Elektra ” at the Théâtre
Mr. Charles Foley 's play , “
de l' Euvre .
put on again , at
Téléphones , " has just been
lished

At the

87

UNITED STATES NOTES .

La Catholicisme aux

“

.

VILLARD ' S “ John
Fifty Years After," is
and meritorious piece

SWALD GARRISON

:

A Biography
no doubt an interesting

Brown

of work . But when it is described as “ One of the
great biographies of our literature , " and compared
to Gibbons ' “ Decline and Fall , ” one calls out for
critical quarter . Yet these two judgments were
delivered not by anonymous young lions of obscure
organs , but by two veterans of literature !
Perhaps a still more remarkable recent publica
of the Houghton Mifflin Company is “ The
Digressions
The artist -autobiographer
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Lincoln
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ably edited
Margarita Spalding Gerry
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Hamilton
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letters from
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graphic impression
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Bernard Grasset
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Calmann Lévy
Etudes Anglaises
Bernard Grasset
Comte
Fersen
Perrin
Incompétence
Bernard Grasset
Culte
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Les Lettres de
Champs Usines
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Besides the works

that her own personality has
extent mastered that she has
constantly had the feeling that he Stedman was
directing what
should not
should say and what
my own planning
say even sometimes contrary
The Japanese Letters
Lafcadio Hearn
with
biographical and critical introduction by Elizabeth
With Stevenson
Moors
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Bisland
appendix
the
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Samoa
political
The year has also been pretty prolific
biography
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favour
January
the Shrew
The Taming
Pie
title
Ecole
under the French
Grieche
committee has been formed with the idea
helping
the task
has
Sainte Croix
Rohan
most
assumed and the Duchesse
active and capable president
ALYS HALLARD

daughter

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the Jury
Examiners
member
but
Musique
has
Déclamation
Conservatoire
selecting his artistes
admirable opportunities
for the various rôles
these plays
greatly appreciated here and
The initiative

late

we have had Miss Lilian
Whiting
notable
Louise Chandler Moulton
memorial containing numerous unpublished letters
leading
posthumous
from
authors
auto
biography
con
Edmund Clarence Stedman
cerning which the author the subject
grand

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,

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prolific writer
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translating them himself and his one ambition
put the thirty four comedies and dramas
the
stage
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the well known scene
painter
responsible for
the Opéra Comique
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the stage scenery

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The Théâtre Shakespeare is now established in
Paris thanks
the enterprise and perseverance
Camille
Sainte Croix
Last season seven
had
comedies and dramas were given here which
France and twelve
never before been produced
for Wednesday
announced
fresh plays are now
evenings
the Champs
Femina
the Théâtre

describes his work — a medley of poems in art
lettering , discursive prose , and pictorial interpola
tions - as “ written
his own fun and that
his friends
He tells
his early adventures
Cuba
sketches his student life
Rome Paris and
self criticism
Florence and indulges occasionally
the lover
fact appeals equally
Elihu Vedder
canvas
art
books and
The Author will probably have long
Readers
My
since made acquaintance with Mr Howells
Literary biography has been
Mark Twain

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Ingersoll
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Father Lambert
Monroe Taylor the best American authority
doys
Vaughan Moody one
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the
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REPRODUCTION
OF MUSIC
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narrative skill
No Man
Land
and
Weir Mitchell has written four excellent short
stories entitled
The Guillotine
Club
by Emerson Hough
exciting
Purchase Price
tale
the Civil War
and Margaret Deland
The Way
Peace
solves
matrimonial
difficulty
religion
the aid
literature
Recent losses suffered by American
besides those
Prof William James Mrs Julia
Ward Howe and John La Farge the artist have
included Mrs Rebecca Harding Davis novelist and

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tion
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Douglas Sedgwick
Franklin Winslow
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aspect
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Jack
London
Burning Daylight
has produced some strong
character studies and
has also published some
good short stories
but Mrs Wharton
Tales
Men
Ghosts though displaying technical skill
attractive
before

(

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Journals have
also appeared this year the period covered including
England
his voyage
the Mediterranean
his stay
Paris and Italy and his marriage after his return
Sage
correspondence
and
the Concord
with
Henry Furness has been edited
William
the
latter
son
From the Yale Press have come several note
worthy historical works
such
Prof
Max
Farrand
Records
the Federal Convention
Major John Bigelow
strategic study
1787
The
Campaign
Chancellorsville
and Prof Charles
High
Howard Molliwain
The
Court
Supremacy
Parliament and
the last
which

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from
Poland
one continent
California
another
and
will have special attraction
for
well
the life story
students
the stage
given
Edison and his work which
the world
Frank Lewis Dyer and Thomas Commerford

is

Brander Matthews has issued through
excellent
life
Molière
and
Eugene Field
verse
has been
They have also
the same house
President Eliot
Barbourt Page lectures

issued
collected under the title
The Conflict between
Collectivism and Individualism
the region
fiction nothing very sensational
The
late
James Lane Allen
has happened
Doctor Christmas Eve deals attractively with

our ambassador
Russia
wife
Theodore
Stanton
Reminiscences
Rosa Bonheur
with
George
illustrations
and
Wharton
James
Heroes
California
should also
mentioned
Amidst the abundance
life studies showered
upon
forgotten
had almost
volume
such world wide interest
the Impressions
Madame Modjeska Macmillan Co
which range

Science

discerning

Professor
Scribner
collection
published

the Confederates
The Seven Great Statesmen
whom the Hon
Andrew
White has written studies are Sarpi
Turgot Stein
Grotius Thomasius
Cavour and
Bismarck
wide field well covered
biography Mrs
Before leaving
the field
Lothrop
Court
Alexander
III the letters

Martin Harper
Two more volumes

its sober estimate
the works
the author
Hiawatha
but will commend itself
the

J.

,

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In

.

in

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of

“

of

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1909 his last prose work and
means his
worst
The Autobiography
Thomas Collier Platt
record
the life work
the able Republican
very frank and
boss
covers much ground and
outspoken
tone
fact the book
what the
longer
allowing
man was
for the reticence
Lang
necessary
The editor
Louis
Joseph Foot Newton
Lincoln and Herndon
based upon
the correspondence
Theodore
Parker and Herndon
the years 1854
and
throws light upon the Douglas Greeley compact
against
amongst
Lincoln
other events
the
period
the succeeding decade belongs
The Recol
Stephens
consisting for
lections
Alexander
prisoner with
the most part
his journal whilst

Pollak ' s “ The Hygiene of the Soul,” though
sanity may
too great for some
them
Longfellow
Prof Trent
and other Essays
may
unpopular
some quarters
account
“

no

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of Friendship ,"
Century articles

by

of

on

“ Grover
Cleveland : A Record
based
Richard Watson Gilder

its

THE AUTHOR .

88

�THE AUTHOR .

undertakes
to

royalties : £
foreeach company performing

the

pay the author
per performance

in
a

at

by

.

the said sketch
night
the
one hall
Two performances
Note
same company are generally counted as one performance
customary
the same company performs the sketch
night that the usual fee shall
more than one hall
the
be charged on the first performance and half the fee
this case the clause should
other performances and
accordingly
added

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in

be

on

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to

the
forward
The producer undertakes
per
author detailed returns and accounts
the Tuesday following the week
formances
performances
shall have taken place
such
which
rendering the accounts
the amount paid
royalties has been worked off
the
advance
performances then the producer under
number

of

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a

made

a

MEMORANDUM OF AGREEMENT

the performance
advance are essential
these payments
illegal and therefore
the
music hall
sketch
recover
means
not prepaid the author has
amount
ing the money due

of

AND

A

AGREEMENT BETWEEN AUTHOR
PRODUCER OF
SKETCH

6
.
-

to

.

,

to

do as

'

,

to

pay the balance due but
pay
takes not only
further sum amounting
two weeks royalties
per week
he
the same time
the rate
renders the account and shall continue
during the licence herein granted
General Note
Clause
has been suggested that

at

HARDY .

produce

to

the following

£

HAROLD

producer

The

to

the work may be

4.

sketch on or before
5 . The producer undertakes

of

by means of which
contrivance
mechanically performed .

note at end of clause 6. )

.

in dismissing the action , said
was made by the composer after his
song had been published , and that after publication
the only right was statutory copyright, which was
not claimed by the plaintiff .
It may be pointed out that under the new Copy
right Bill it is proposed to give the author of a
musical work the right to make or authorise the
making of any record , perforated roll , or other

This sum should be reckoned as the sum of
for about four weeks . (See further additional

,

Mr. Justice Joyce,

that the claim

Note :
royalties

to

statute .

after
the date of first
the said town .
2. The author undertakes that during the con
tinuance of this agreement he will not authorise
any other performance of the said sketch .
3 . In consideration
of the said licence the pro
ducer undertakes to pay the author on the signing
of this agreement a sum of £
which sum
shall be taken towards the payment of royalties
hereinafter mentioned , but shall not be repayable
in any event .

on

Musical Copyright Act, 1902 .
It was contended , however , on behalf of the
plaintiff , that he had a common law right to con
trol the use of his musical work , and that this
right continued
publication
common
law
after
concurrently with
provided by
the copyright

months

in

-

It appeared that the registered proprietors of
the copyright were Messrs . Chappell and Co . ; but
the plaintiff did not base his claims upon statutory
copyright , that point having been determined in
the recent cases relating to perforated rolls .
In Boosey
V. Wright it was
decided that a
reproduction
perforated
roll for mechanical
of
music was not a “ copy ” of a sheet of music , and
that such reproduction
was not an infringement
Similarly , in Mabe v.
of statutory copyright.
Connor , it was held that a perforated music roll
was not a “ pirated copy ” of a musical compo by
sition , and
that the reproduction
such
mechanical process was not an offence under the

three

performance

:

work .

within

to

of

of of

purpose

the

declaration
that the plaintiff was
entitled
to the exclusive right of making gramaphone sheets
for the reproduction
of his musical

for

brought for

defendant

at It
is

was

the

.

by

gramophones

on

"

6

reproduced

company .
The action
obtaining
a

the sketch written by the author entitled
for a period of twelve months from the
date of this agreement .
Provided that the author shall have the right to
license bona fide amateur performances of the said
sketch in London during the continuance of the
licence herein mentioned subsequent to the date
of the first London performance and in any town
perform

"

In

The plaintiff was Mr. Lionel Monckton , the wellknown song -writer, and the author of a musical
composition
called
“ Moonstruck ,"
which
was
first published
in
1909 , and was subsequently

89

week

performances

to as

at

him

to

by

weeks
per

the

rate

of

,

of

.

7

on

FOLLOWS

:

AS

IS

AGREED

author hereby licences the producer

for
the sketch
The producer shall perform
weeks during the existence
not less than
this licence and failing such performances will
shall make
the author
make such payment
equal
the amount received
the royalty

. '

The

to

1
.

WHEREBY

IT

of

of

of

|

between
the one
hereinafter called the author
part and
hereinafter called the producer
the other part

,

day

£

this

�to

in

time within the

.

to

,

he

If

of

.

its

of

.

in

all

,

ofon
to

,

.

a

to

10
.

.

of

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in

be

of

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,

: '
s
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of

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of

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:

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of

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(R

,

.

S
.

II
. C
.

,

I.

-

,

By
W

.

.

.

.

.

's

.

.

.

the

.

of

Beaconsfield

in

,

Earl

By

.

By

. .

C

. .

.

.

By

.

of

FORTNIGHTLY

Lewis

Rachael

.

The Childhood

Bill

.

Copyright

New

Francis Gribble

.

Art

.

The Position
Fine
Spielmann

By

of

,

.

.

By

.

in

of

.

of

.

W
C

by Dr
.

.

NINETEENTH CENTURY

By Emily Hockey
Biography
Secondary Education
The Place
Classics
Rouse
Modernism
Thomas Aquinas and the Ideas
Delisle Burns
.

.

Disraeli

Browning

,

.

.)

,

be 's ,

of

be

to

4

at

. in

-

.

,

.

at

to

to

By

.

in

.

to

,

Melville

.

be

.

at

present
the
rehearsals

and shall
summoned
such
call sent
his address
produce the
Should the producer fail
sketch by the date fixed
clause
hereof the
author may cancel this agreement
his option
15 a

Benjamin

.
D
.

in

)

English REVIEW
Paris Nights
Arnold Bennett
By Francis Grierson
Art Science and Beauty
By
Impressionism
The New
Lewis Hind
English Music
The Prospects
Francis Toye

M
.
H
.

of

,

to

by

June 1886
Holman Hunt
Literary Supplement
By Museus
Shakespeare
Moon

an

,

or

's

.

to

14

The author shall have the right
all rehearsals for the first production

sketch

.

CONTEMPORARY

's

(

if

all

.

request send the author his fees the producer would
bring
unable
raise objection
action for damages
against the manager
This clause constitutes the best safe
guard for the author
protection

Bright

Disraeli and

Paradox
the Pest
Literature
Anarchism
Wake Cook
By Count
Anatole France
de Soissons
eprinted with
The Pre Raphaelite Brotherhood
Contemporary
some omissions from the
Reriew May and

St H
.

to

,

to

to

,

BOOKMAN

Scimitar and Broadsword
Walter Sichel

Vote
This clause will not necessarily bind the manager
but should the manager under this clause
the author

by

Structure

E

,

to

of

to

.

Style and

in

.

13

. in

,

of ,

of by

or

as ,

in

interpolations
any alterations
omissions from
violations
the text and stage directions
supplied
the author without the previous written
consent
the author
The author shall have the right
case the
producer fails
carry out the agreement with
regard
accounts and making
the rendering
the payments under the clauses herein set forth
authorise the managers
deduct his fees from their
payments
the producer and pay them
him direct
and the author shall further have the option
ter
minating the agreement forthwith
notice
writing whereupon
rights
any herein con
property
veyed
shall again
become the author
and the licence hereby granted shall cease

Theory
Romance
The Humanity
Greece
Difference
the Poet

new

.

or

allow

Musings Without Method
Romance
Ancient Literature
The Individuality
and Rome
of

in

the sketch under this licence make

MAGAZINE

BLACKWOOD

.

of

-

at

.

in

12
.

of

MAGAZINE CONTENTS

to

11

.

or of

on of

veto against
the author shall have the right
any member
the said company
the ground
unsuitability
inefficiency
stage the sketch
The producer undertakes
the style customary
first class theatres dealing
production
with this method
any performance
The producer shall not

herein set forth , or should he retire from business ,
should he commit an act of bankruptcy , the
by notice in writing ter
author may forthwith
minate the licence contained in clause 3, and may
grant the licence therein to another person not
withstanding anything in this agreement
forth

or

of

,

,

9
.

The name
the author shall appear
play
customary form with due prominence
the sketch
bills programmes and advertisements
liquidated
and the producer shall
liable
damages
carry out
the author should
fail
this portion
his agreement
provide
satis
The producer undertakes
factory and efficient company for the sketch but

.

'

a

if

he

.

is
to

—

said four weeks
give the producer time
The idea
find out
should fail the
can book the piece ahead
author will have had
trial
his piece and four
weeks pay
Note

.

at

of

of

.

8

The producer may terminate this agreement
produc
four weeks after the date
the end
writing
tion by giving notice
the author any

.

in an .

a

.

to

be

fix

is

to be

,
it .

should
uncommon figure
the above clause

of

con
those entering into
stated that twenty weeks
not
for the number
inserted

For the guidance

Note

tract

16. The licence contained in this agreement
is
personal to the producer , and shall not be trans
by him to any other person without the
ferred
previous sanction of the author in writing , such
sanction to be entirely within the author' s own
discretion .
17. The author hereby agrees to take what steps
may be necessary to secure to the said producer
the full enjoyment of the licence conveyed under
this agreement , but only at the expense of the
producer and
and when
producer
producer has
when the
the producer
nas guaranteed
the author to the satisfaction of the author against
any loss or expense he may be likely to incur in
protecting the said licence .
18 . Should the producer at any time by himself
or anyone acting on his behalf fail to fulfil or
comply with any of the clauses and conditions

set

.

by

to

be

This clause shall
read subject
the power
the producer hereinafter contained

termination

of

THE AUTHOR .

90

�THE AUTHOR .
of

or

of

of

to
:

be

in

to

by

of

.

a

to

by

or

or

,

.

to

,

is

up

up

.

III
.

to

or .

to

.

or

to

to to

“

",

.

of

,

a

to

.

(3
.)

(
(6 6
(
4
). .) . .)

.

.

in

.

to

to

is

It to

.

,

to

is

an

.

"

It ,

is

of

.

A

.

of

.

of of

a

to

.

of

:

Be

General

an

:

.

if

.

.

,

to

.

of

of

All other forms agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary of the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
inspection
The
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld
in

,

or

be

,

.

of

a
TO

ofan

AUTHORS

to

it

or

of

.

a

an

in

be

of to

is

or

on

of

,

a in

.

.

of

the performing right
This
unsatisfactory
An author who enters into
such
contract should stipulate
the contract
for production
the piece by
certain date
the
and for proper publication
of his name
play bills
-

price can

contract for plays

:

dramatic

a

(a
).

more acts
Sale outright

.

of

.

of

proper

be

if
a

.

it

Outright

sometimes satisfactory

,

is

1
.

Selling

This

There are three forms

three

is

3
.
an

in

be

observed
dealing
methods

:

I

.

a

are
few standing rules
agreement
There are four
with literary property

It

V

2,

THE PRODUCERS
BOOKS

to

CTERE

DRAMATIC

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating for
well
play with any one except
the production
established
manager
in

OF

copyright

.

80

;

.

18

£1

TEVER

.

TO

WARNINGS

transfer

per

.

.

to

Society
£10 108 for life membership
the

is

subscription

,
or

9
.

The
annum

Always avoid

WARNINGS

.

do

. to

of

8
.

to

prevent authors from
Some agents endeavour
referring matters
the Secretary
the Society
some publishers
Members can make their own
deductions and act accordingly

(3
).

.

.

(
a

).

-

A

(1
.) In

(
2
.)

in

points are

production
careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

a

,

of

of

Commission Agreement

The main

of

.

to

on

it

System

is
a

.

be

7
.

This

The Royalty

perhaps with certain limitations
This
the best form
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible
approximately
for
author
ascertain
the
truth
From time
time very important figures connected
with royalties are published
The Author

of

.

to

to

to

,

for by

of

stamp agreements
Many agents neglect
done within fourteen days
must
first execution
Secretary will undertake
behalf
mem bers

charging for advertisements
into his own pocket
charging exchange advertise
own organs
Therefore keep control
the advertisements
special charge for office expenses
Not
allow
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
give
Not
serial
translation rights
any publisher
Not
bind yourself for future work
any one solicitor
As well bind yourself for the future
doctor

his
ments

.

in

of

to

of

a

6
.

No contract should be entered into with
literary
agent withont the advice
the Secretary
the Society
accept without careful
Members are strongly advised not
consideration the contracts with publishers
submitted
literary agents and are recommended
them
submit
interpretation
explanation
them
and
the Secretary
the Society

form

.

a

To

(3
)

a

. .

be

to

.

's

of

be

by ,

of

.

in

To

(
2
)

.

(1
)

To

of

to

be

,

, '

in

6
.

The Committee
have arranged
the reception
and their preservation
members agreements
fire
proof safe
regarded
The agreements will
course
confidential documents
read only
the Secretary
who will keep the key
the safe
The Society now offers
stamp agreements
possible
readiness for
action
keep agreements
upon them
enforce
particu
agreements
payments due according
Fuller
the
the Society
work can
obtained
lars
Prospectus

bad

.

for

: , as . of .

,

,

of

the

4. Remember always that in belonging
to the Society
you are fighting the battles of other writers , even if you
reaping
are
no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
independence
the writer the dramatist the composer

profits

IY
.

send

Agreement

attended
this case the following rules should
sign any agreement
pro
Not
which the cost
part
duction forms
without the strictest investigation
give the publisher the power
putting the
Not

(3 (2 (1
.) . .)

agreement whatever ,
for examination .

signing any
3. Before
the document to the Society

Profit Sharing

(
1
).

connected with copyright
2. Remember that questions
and publishers ' agreements do not fall within the experi .
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .

agreement

(2
).

T

to

VERY member

has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher , or any dispute arising in the conduct of his
property .
The
of his
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member .
Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
1.

II
.

.

of a

obtained
But the transaction should
competent agent
with the advice
the Society

,

managed by
the Secretary

be

THE SOCIETY ,

USE

TO

.

HOW

91

�THE AUTHOR .
( 6.) Sale

,

of is

in

in

of

in

by

of

an

be

,
in

of

to

as

.

In

to

,
or

of

;

,

,

of

of

,

on

.

,

as

in

no

.

of

,

do

of

,

or

in

a

is

an

for

authors should seek the advice of the
Society before putting plays into
the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual
claim to a percentage
on the author ' s fees
from it . As far as the placing
of plays is concerned,
it may be taken as a general rule that there are only
very few agents who can do anything
author
that he cannot
under the guidance
the Society
equally well
better for himself
The collection
fees
many cases
intermediary
also
matter
which
required
purposes
For certain
such
the collection
general the trans
fees
amateur performances
and
frequent
petty
action
authorisations
with different
foreign
individuals
and also for the collection
fees
countries almost all dramatic authors employ agents and
agents are real and valuable.
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals by offering
purchase
who propose
act
rights
any case
the author
the present state
agent should not
employed under any
the law
agreement approved
circumstances without
the
Society

.

to

MUSICAL

COMPOSERS

.

.

WARNINGS

TO

a

of

is

RAMATIC

,

,

,

,

.

is

6
.

.

by

,

.

be 5

Authors should remember that performing rights can
limited and are usually limited
town country and
time
This
most important
Authors should not assign performing rights but
perform
should grant
licence
The legal distinction
great importance

AGENTS .

AND

.

reserved

AUTHORS

in

a

is

it

,

- .

is

It

any event
extremely
one act plays should

.

be

,

if

such fees

important that the amateur rights

of

advance

in

of

in

paid

a

to

.

4

in

Plays
one act are often sold outright but
possible and
better
obtain
small nightly fee
sum

DRAMATIC

to

(6
.) .

to

or

,

in

to

be

in

).

(
be i.
e
.,

of

on

of performing right or of a licence to
perform
on the basis of percentages
on
gross receipts .
Percentages
vary between
5
and 15 per cent.
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which
the play should be
performed .
( c.) Sale of performing right or of a licence to
royalties
perform
the basis
fixed
always
nightly
fees
This method should
except
avoided
cases where the
fees are
likely
small
difficult
collect
The
apply
other safeguards set out under heading
also
this case

an 's

92

,
as

, of

,

It

.

.

a

of

,

a

.

be

-

.

He

.

to

be

.

,

an

.

in . of

a

in

of

a

he

:

is

.

of
a

10

.

is

.

9

be

.

,

a

.

in

.

8

to

of be

T

.

of

L

to

or

.

A

.

7

in
a

Authors should remember that performing rights
copyright
manager
play are distinct from literary
ITTLE can
added
the warnings given for the
perform cannot
holding the performing right
licence
producers
assistance
books and dramatic
print the book
the words
authors
must however be pointed out that
Never forget that United States rights may
exceed
rule the musical publisher demands from the musical
English
They should never be included
ingly valuable
composer
transfer
fuller rights and less liberal finan
agreements without the author obtaining
substantialcial terms than those obtained for literary and dramatic
property
consideration
The musical composer has very often the two
rights
performing right and copyright
carefully
deal with
Agreements
should
for collaboration
especially careful therefore when entering into
should
commenced
drawn and executed before collaboration
agreement and should take into particular consideration
play
An author should remember that production
the warnings stated above
very great risk
highly speculative
runs
that
delay and
his contract
the fulfilment
breakdown
STAMPING MUSIC
He should therefore guard himself all the more carefully

.

the beginning

's

in

or

on

of

6d
.

to

is

.

in

.

,

.

coach
The term
fiction
but poetry
possible under
,

is

it

and when
technical and scientific works
competence and experience

The

. .
I

,

be

by
a .

of

is

.

by

its

its

a

treated

works

.

.

,

of

to

of
by

,

or

,

remittances
Smiths Bank
letter only

be

All

of

give notice
the Society begs
post
are acknowledged by return
should
crossed Union
London and
Chancery
registerel
Lane
be sent

The Secretary
that all remittances

.

.

of

filed subject
the same
play will be charged for
to

a be

.

this

.

at

to

a

.

Society

informing young writers
Their MSS
can
read and

REMITTANCES

to

of

be

in

at

6d

28
.

of

,

.
at

the

assist

,

,

or
a

,

byof

a

Plays may also
with the exception that
per act
the price

work

works

special arrangement
Readers are writers
fee
one guinea
is

of in

,

to

D

be

.

of

Original
rules

greatly

existence
composition
includes not only

MSS
and dramatic

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
tant One copy will be stamped and returned
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may
obtained
typing
the author only
small charge
cover cost

will

BRANCH

of

.

treated

asof

AND

PLAYS

branch

READING

of

W

SCENARIOS

, on

QCENARIOS

of

'

,

,

.

to

THE

MTEMBERS
REGISTRATION
OF
ORIGINAL

fee

to

its

.

,

on

be

of

of

of

of

.

.

of

of

for
a

.

,

is is
to
11
.

stamp copies
An author must remember that the dramatic market
The Society undertakes
music
exceedingly
per 100
part
limited and that
novice the first objectbehalf
members for the
kept
stamps
Society
adequate
publication
100
The
members
are
the
obtain
safe
The musical publishers communicate direct with the
incomplete
As these warnings must necessarily
Secretary
the
then forwarded
and
the voucher
account
the wide range
the subject
dramatic con
tracts those authors desirous
further information
members who are thus saved much unnecessary trouble
are referred
the Secretary of the Society

�THE AUTHOR .

,

,

ofof

it

on

to

.

to

.
as

to

is

of

at

:

.

,

which we have
have stated

to

.

In

REMARKS

in

at

.
I

,

of of

,

.

by

.

.”

is

I

.

-

it

.

of

-

,

,

.

, ,

.

, of

to

I

at

.

I

of

I

is

It

“

expected
more than
was surprised
the
England were
completeness
got
People
what
first
little startled
the position
took bnt they proved
amenable
reason
The conference that was held
this summer was presided over
Mr Buxton President
There were present representatives
Trade
the Board
the Foreign Colonial and other Offices
Lord Tennyson
represented Australia Sir Richard Solomon South Africa
Sir William
Hall Jones New Zealand and Sir Edward
Morris Newfoundland
The Society
Authors has always
stumbling block
now defunct
learned that
been
a

If

.

.

of

follows

be a

be

a

,

to

to

,

.

to

be

to

.

.

a

in

to to

,

by

he

be

,
he if .

,

of

, It

is

, of

.

is

a

to

.

,

to

It

is
a

,

by

' .

,

a

to

It

.

of

,

by

Parlia

,

are ,

we

.

in

be be

to

,

,

an

-

,

in

the Colonies
carried through
lation which may
Imperial
and that
indeed international copyright
may not
upset
the rash legislation
independent minister
by

, -

is

comes before the Canadian

-

,

of

of

fosters the original thought

have been

control their own property unfettered
any trade regulations
But
assured
and
sincerely trust that the promises which the Imperial
Copyright Conference has given
the Imperial
any legis
fully maintained
Government will

.

and retards rather than

a

of

to

its

up

to

.

a

it

a

is

be

to

the printing
books until
authorship
own school
printing
force
unwise
and even then
special country
Such
course
con
copyright legislation
trary
the great ideals
derived
from
country has raised

when legislation

ment

,

;

is

,

to

be

,

tracts

-

to

at

make con
the present time
the English authors
with English authors
very willing
would
reserve their Canadian
get the
markets and the Canadian printers would
very little benefit
benefit they desire
but there
take the trouble

be

.

,
if

Author has
publishers

pleased

seems
must foster the printing trade
We trust how
the tail wagging the dog
case
ever that the Canadian Authors Society may have
read this paragraph
and will show that they are
but will uphold their right
no means defunct

,

.
to by ,

so

by

in

up

a

of

As The
authors and copyright ideals
frequently pointed out
the Canadian

from

.

by

.

of

of

of

.

the

them

Fisher seems

the trammels which were thrown about
Society
order
the Canadian
his action
might have
that
free
hand
deal with
think that
We are inclined
the trade issues
this
bad omen for Canadian copyright legisla
The trades which would
the old story
tion
not exist but for the authors who produce the pro
property which
perty wish
not
have control
their own
would appear therefore that Mr
fostering authors
Fisher thinks that instead
produce
great Canadian literature
he wants
freed

,

. a,

of

on

,

,

's

in

printing
and publishing
foreshadow the danger that
legislation
separate Canadian
wrapped
entirely
Some
them
are
the
Protection
benefits they hope they may receive
and the Canadian printers are evidently elated
dangerous
cry
raising
the prospect
representatives

Some
trades
may arise from

Mr

and

to

COPYRIGHT

CANADIAN

.

·

,

to

.

,

to

We desire particularly
draw
attention
the
They refer we conclude not
last two sentences
the English but
the Canadian Society of Authors

of

as

,

to

FISHER

the issue
the paper
reported
referred Mr Fisher

to

to

it

,

,

in

to

is

a

SYDNEY

'S

in

do

.

he

,

to

to

if

be

com
clause

paper
The Canadian Bookseller and Stationer
issued from Toronto has been discussing Mr Sydney
Fisher
statement
the question
Canadian
Copyright which has already received some notice
the English papers
the
There are various opinions put forward

in

in

,

his

for

,

,

a

be

of

,
if

be

not
entitled
claim
his
allow such
he has consented

should

agreement
inserted
the publishing
agent then there should
the publisher
act
not be
double agency but we have never known
the agent
take this view
the position
to

.

is

of

,
as

he

In

.

in

to

agent

MR

to

is

.

To

is

either that
can
deal with them more
satisfactorily than can the agent who makes
his
any event
the publisher does
sole business
placing these rights
succeed
should
not
lastly the
able
claim more than the agent and

agree

mission

,

to

.

's ,

as to

in

to

.

,

It

an

as

to

.

an

a

of

in

in

publishing
We have much pleasure
the
Correspondence
letter dealing with the question
publishers and minor rights referring
article
that appeared
last month
Author
The writer appears
think that the publisher
agent for the sale
the rightman
act
these
we have always con
We contend
minor rights
employed
tended that the publisher should only
agent for the publication
the work
book
dangerous
form
hand over further rights
give him exclusive power
the publisher
wholly absurd
deal with these rights
We
not

be

MINOR RIGHTS.

AND

he

PUBLISHERS

and work , which might spring from the country ' s
school of authors .
The wider the circulation
an
author can obtain , unfettered by trade restrictions ,
the larger will be the remuneration he will get for
the production of
work the larger reputation
origin
will get
the country
and
original thinkers
consequence the larger number
persuaded
will
enter the literary profession
country desires
therefore
foster its native
literary genius the fewer restrictions
places
authorship the better

If,

GENERAL NOTES .

93

�THE AUTHOR .

to

to

to

.

of It
is

.

It

by

of

of

,

or

to

a

the

it
it is

a

of to

be

of

a

to in

as

it
be
of .

,

it

be

,

if

,

to

,

.

a

,

,

of ,

,

no

the as

he

.

an

for of ,

it

,

. theas

in for

,

it

in

in

no in

an

is

If

.

of

of

of

.

.

, ,

,

of

Sir

.

in

of

-

of

:

in

of

be

of

of

,

of

of

I

-

,

re

.

the

of

to

to

up

.

.

W

.

W

by.

by

is

of

fill

Jacobs

. .

.

W

.

. .

Mr
Mr

W

:

-

to

,

to

of ,

of

Alfred Bateman
Maurice Hewlett

.

Mr

.

.

(
1
)

,

in

an

of

to

's

to

committee nominate the following candidates being
subscribing members
the society
the
one third
vacancies caused by the retirement
the new constitution
the committee according

. Sir

,
,

in

a

10

$

of

in

(
2
)

in

,

of in

to

, to

(
3
)

it

so

to

no

,

in in

.

of

to

Maurice Hewlett and Mr
Jacobs
The date fixed
the committee
which nominations
the subscribing members
candidates for election
the new committee
may be made
February
the 15th day
Mr Freshfield not seeking
election

of

of

of

an

of

on

he

pursuance
Article
the Articles
Association
the society
the committee
give notice that the election
members
Management will
proceeded
the Committee
with
the following manner
One third
the members
the present
Management
Committee
retire from office
aceordance with Article 17
The names
the retiring members are
Alfred
Bateman
Mr Douglas Freshfield Mr

(
3
)

.

A
of

in

a

its in

.

as
,

.

for

,

19

.

of

,

at

of

on

..

, ,

in

to

.

-

no

to

oh of his
to

to he

,

of
up

of

,

,

of

,

.
A
.
D
.

by

.

It

of

,

of
in

,

,

It

to

of

., 's

Sir

.

of

, .

by

to

in

of

.

.

,

-

to

a

,

is if

,

.

.

,

,

on

a

,

.
himre
in

A

,

it

ELECTION

COMMITTEE

TN

CASE

to

.

If

Sir

.

-

of

,

.V
.O
.,

M

an

of

of
to

of

.

,

CURIOUS

MEMBER
the Society
Authors suddenly
received information that
article
his was
appearing
one
the best known American
magazines
appeared
The article referred
originally
magazine
England some years
prior
appearance
America
that
copyright
would appear that there was
the
article
the United States
The agent there
fore acting
behalf
the member concerned
wrote
letter
the magazine
the United
owing
States
the standing
the magazine
unlikely
seemed
both
the author and the
agent that
pirated
would have intentionally
reply
the article
The agent received
letter
the effect that the magazine had purchased the
agent
article
the sum
from
London whose name and address was given
The
matter was then placed
the hands
the Society
Authors but the secretary
letter
the agent
who had sold the article was returned through the
post
was found impossible
trace the where

of

It

Charles Garvice , and
Edward Brabrook
occupied the vice chair
The guest
the evening
was Sir Walter
Parratt
Mus Doc
The company numbered some 320 and there
was
excellent programme
music
The events
the evening however were
Walter Parratt
paper
Music
the Reign
Edward VII
presentation
and
Mr Charles Garvice the
chairman
the committee
his fellow members
the club
The presentation consisted
portrait painted
Mr
McCormick one
the members
Mr Garvice has been chairman since the club
was
founded and allmembers feel deeply grateful
for the time and attention
has given
the details
the management and
the comfort
the members
was with the greatest pleasure
therefore that those who constantly use the club
consequence are especially interested
and
its
good management
took this opportunity
show
their appreciation
his self denying labours
Members
the society will remember also that
the
Mr Garvice gave
inconsiderable
time
the
affairs
the society when he was
the sub
committee which dealt
the beginning
the
year with the price
novels

Mr.

abouts
necessary
put these
the culprit
facts before members
the society and
draw
certain conclusions
probable that the author could not have
succeeded
action against the agent
copyright
there was
the United States
article anyone could reproduce
the States
the agent made any misrepresentations
and
seems from the evidence that he must have done
then
action would lie from
the proprietor
the American magazine against the agent
misrepresentation
the agent represented that
was acting
agent for the author and money was paid
proprietor because
this misrepresentation
the
against the
author would
doubt have
claim
agent
he could discover his whereabouts
impossible however
find out any other
any members
details about the matter and
likely that they may
the society think
placed
regard
their work
similar position the
secretary will
give the name
pleased
agent concerned
importance that inembers should
We think
appears
look alive
there
considerable
agents and others
illicit traffic by certain class
literary wares either pirated
stolen
and
put
stop
well
this kind
traffic before
spreads widely
spreads
widely
of

.

CLUB

in

'

THE AUTHORS

WE regret , that space did not allow us to mention
the annual ladies ' dinner of the Authors ' Club in
the last number ,
The dinner was held under the chairmanship of

as in

94

Aylmer Maude

�The committee remind the members that , under
Article 19 of the amended Articles of Association ,
* any two subscribing members of the society may
nominate one or more subscribing members , other
than themselves , not exceeding the number of
vacancies
to be filled up , by notice in writing sent
to the secretary , accompanied by a letter signed by
the candidate or candidates expressing willingness
to accept the duties of the post .”
Members desiring to exercise their powers under

to

at in

. -

of

,

to

a

,

,

of

.

as

to

be

in

in

to

,

as

to

.
all

is

of

or

of

It

of

.

in

be

.

,

of

.
.

.

,

22

,

at

20

of

of

,

on

.,

,

.

:

.

. , ,

,

K

Jerome

,

.

,

S

. .

.
S , , ,
.

.

)

(

.

Jerome

Lyall
Alfred
Mr
Sprigge Mrs Humphry

Sir

of

.

,

Mr

.

.

of

:

as

of

.

on

in

to

,

Mr

of

of

,

of of

women

Joint

from

the

Mrs

Humphry

.

"

to

and
the exclusion
Committee

on

:

to

to

of

:

it

to by

”

which
nominated
the
recently formed
the Royal
Literature that
desires
draw the
the society
the inadequacy
the
under which action was taken
the
the subject
council
members

of

attention
authority

so
-

on

of

Committee
Committee

to

of

.

statement
She
the committee
sometime towards
proposed
form

of

,

it

of a

at

of

.

of

support
her resolution
Ward then made the following
meeting
understood that
the Royal Society
Literature
the end
last year
had been

,

.

;

,

of

of

a

of

of

Academy
Letters
that Mr Maurice Hewlett
who was
member
that committee naturally
wished that the Society
Authors should have
something
say
the appointment
this
Academy and had urged this point upon the Royal
in

upto

Maurice Hewlett

,

Joint

Academic
Society

to

on

to

to

,

Mr

the last meeting had been
Hewlett asked Mrs Humphry
standing
Ward
move the resolution
her
name which was the only matter
the agenda
The terms
the resolution were
follows
That this meeting
council protests against the
appointment
manner
those representatives
the Society
Authors who acted
the
called
signed

and

,

of

to

of

be

.

the

Dr

After the minutes

read

In

-

in a

,

to

be
A

be

is
to

.

of

so

,

of

Shaw

an

:

(

be

)

at

of

,

,

the

Bernard
Ward

of

,
-

.

re
-

to

of

by

of

to

of of at
at

In
list

Hope Hawkins
Belloc Lowndes

Mrs

ignorance

any member should desire
refer
members the list taking the elections

case

Mr

of

,

.

,

as

to

for

9

follows

the council during the
held
Hanover
Tuesday
November

present
members
were
Mr
Maurice Hewlett chairman
Sir Alfred Bateman
Mrs
Nesbit
Bland Mr Douglas Freshfield

of

.

.

H

in

.

M

.

,

.

,

.
H
.

of .

runs

,

which

Any candidate
election
the Pension Fund Com
retiring
mittee
the members
the society not being
writing
member
such committee
shall
nominated
the secretary
least three weeks prior
the general
meeting at which such candidate
proposed and the
nomination
each such candidate shall
subscribed by
least three members
the society
list
the names
the candidates
nominated shall be sent
the members
the society
with the annual report
the Managing
Committee and those candidates obtaining the most votes
general meeting shall
elected
serve
the
Pension Fund Committee

MEETING

following

The

. . .
A
. E.

a

.
of

at of

is

of

.

,

M re
-

.

.

in

,

under clause

under the chairmanship

“

it to

,

to

in

of

of

of

,

ex

,
.

.

,

re re
- -

Spielmann resigned and was
elected
Mr
elected
1910
This year Mrs Alec Tweedie
under the rules
the scheme tenders her resigna
tion and submits her name for
election
The
put forward other names
members have power

Square

W

M

second meeting
present year was

"

,
,

of

to ,
a

to

to

,

at

the general meeting when the fund was
Spiel
Mr Morley Roberts Mr
mann and Mrs Alec Tweedie
These have
turn
during the past years resigned and
submitting
their names for
election have been unanimously
were

was published
was complete

COUNCIL

HE

in

accordance with annual custom and
order
give members
the society should they
appoint
desire
fresh member
the
Pension Fund Committee
full time
act
has
place
been thought advisable
The Author
complete statement
the method
election under
the scheme for administration
the Pension Fund
composed
Under that scheme the committee
three members elected by the committee
the
society
three members elected by the society
the
general meeting and the chairman
the society
for the time being
officio
The three members
elected
started

,

,

.
be

of

.

FUND COMMITTEE

TN

list

.

THE
THE PENSION

1907

This

.

to

of

of

.

in

July

a

It

-

by

,

of

or

or an

,

on

all

end

that year

the matter within their immediate consideration
The general meeting
the society has usually
February
been held towards the end
the
beginning
March
essential that
nominations should
the hands
the secretary
January
before the 31st
1911

this rule must send in the name of the candidate
or candidates they nominate , not exceeding four in
February together
before the 15th day
accompanying letter written
with
the candi
accept
date
candidates expressing readiness
nomination
The complete list
candidates will
printed
The Author
the March issue
be

95

October
the date
issue with the exception
the thirty eight
members referred
the short preface
All
further elections have been duly notified
The
They can easily
Author
referred
members
copy every month
receive
will
well therefore
should any
the
put forward
members desire
candidate
take
of of

the

of

THE AUTHOR .

�THE AUTHOR

did

of

of he

;

in

he

to

a

it

to

.

,

in

of

a

he

of

he

,

of

of

.

,

a

,

as

,

as

or

,

to

of

as

,

.

,
so

do

of

of

of

).

at

he

an

of

an

,

of

,

of

,

to .

-

of ; a

.

to a

in

's

of

to

of

of

,

but.

.

-

a

,

.

.

its

of

as

Hawkins and Mr
for this purpose
.

to

Hawkins was unable

.

Mr Hewlett
act
Freshfield then joined the sub committee
the Royal Society
Literature Mr Freshfield
upon invitation from
twenty eight
and
list
joint session which was
names was prepared
Nothing
Management
proved by the Committee
the Committee
was done without the approval
Management
which believed itself competent
Mr Hewlett justified the
deal with the matter
-

Mr

.

ap

-

of

.

.

,

to of

of

.

of

in

a

,

(

it of
)

and

,

in

, an

in

to

2

,

to

of

,

of

he

that

in

had taken
the first instance saying
believer
the importance and influence
the Society
Authors
could not have acted
otherwise than
insist upon the right
000 members
association which numbered over
any scheme which
intervene
all writers

action

England
literature
pointed out that the
Douglas Freshfield
terms
Mrs Ward
resolution
indicated
that
her main incentive
the action she had taken
was indignation
the exclusion
she held
women from the committee which nominated
original members of the Academic Committee
emphasise the fact
therefore
seemed desirable
that every step taken by the former committee had
the Committee
been submitted for confirmation
Management
which two ladies were sitting
practical purposes
and that those ladies were for

.

in

affected

Mr

's

16 theof

to

to

,

,

.

,

as

,

at

to

.

,

all

the nominating committee
Ward
main
contention
however

,

w

Mrs

.

members

,

an

.

it

Mr

on

of

it

of

by

the committee alone
He
the country had gone without
might have gone
long
time
a

so as

for

Academy

with

it

.

dealt

thought that

Hewlett

sub committee

,

-

of in

he

,

he

to

.

of

of

been

Mr

Mr

's

- be

;

on

.

.

Mr Anthony Hope Hawkins seconded the
resolution
He said that
had not been
the
past addicted
whittling down the powers
the
executive committee but
considered that the
matter
the Academic Committee was one for fair
the council and that
discussion by members
the
was rather outside the ordinary routine
He did not consider the question
committee
was
such urgency that
need necessarily have

selected

Freshfield

,

of

on

to

to

an

sub

ment

of

did

,

,

of

to an

of

the

consider
Management
Committee
the Society
Authors was requested
recommend fourteen
members
own body for nomination upon the
Manage
Academic Committee
The Committee

.

.

to

in

of

,

to

.

its of

to

on

;

the society

committee

Hewlett

he

, - .

of

to

.

;

of

,

to

,

of

,

of

of

as

the representatives

consideration
which that
After
short discussion Mr
name was added
sub committee
the whole question
and finally the

as
a

of

.

.

if

,

in

an

,

in

—

of

of

of

of

the present discussion
but she
consider that
the Society
Authors
was composed not
only
men
but
women not only ought the
the
the council
but the women
women
although
society
she
have been
consulted
the
that there were two women
understood
Management when the matter was
Committee
brought
notice She did not desire
drive
any practical issue but she did
her resolution
consider that the feeling
the council ought
put
inadequate founda
record
that this was
important matter
and that
tion for such
among
ought
have been
included
women

November

.

of

to

of

so in
by a

exclusion
women from the Joint Committee
any way
She said that she did not want
raise
from the
the exclusion
women
the point
Academic Committee
She considered that outside

practical
the
society had no part

of

of

of

.

by

do ,

to

the two societies
the Society
Authors
joint session
and the Royal Society
Literature
opinion that
impor
She was strongly
such
tant matter the council
not the whole society
Humphry
should have been
consulted
Mrs
Ward then referred
the question
the

that body

when
resolutions
were proposed
Academy
towards the formation
Letters
ubsequently
modified
into
Academic Com
mittee
He had explained
once that
was
chairman for the time being
the Society
Authors and could not regard any such proposal

.

by

Committee had been
formed
the
Authors
and the Royal Society
Literature
That this was the case was confirmed
the fact that one
the members
the
join that
Academic Committee had been asked
body
circular letter stating that he was invited

meeting

year

last

(s

.

on

of

Academic
Society

attended

as

of ,

of to

,

brought forward and that those members
the
council who were not present knew nothing what
ever
what was going
until they opened their
Times one morning
later and saw
that the

the reasons for the action
had taken
Mr Maurice Hewlett
the mouthpiece
the
committee then proceeded
state exactly what
taking part one way
had taken place not
the
other for he felt that
chairman
could not
the
member
He said that being
Literature
the Royal Society
Council

.

at

on

no

in

.

of

.

She understood
that
the first
meeting
the council this year Mr Hewlett had
reported what steps had been taken
the matter
but that
notice was placed
the agenda
be
the council meeting that this question was

of

,
of -

to

Literature

impair the harmony
desire
the society
considered
was
case
which the chairman
give more fully
the committee might be asked

of

of

a

of

he

to

of

Management
then come
the Committee
the
Society
Authors explaining what
had done
and the committee forthwith had appointed
sub
negotiate with the Royal Society
committee

.

without for another month or so . He was rery
pleased to hear that Mrs. Humphry Ward
not

of

Society of Literature ; and that the Society of
Literature had approved his suggestion . He had

.

96

�THE AUTHOR .

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This motion was put
Mr Hewlett
the
meeting
seconded
Sir Alfred Lyall and carried
unanimously

.

.

to

.

of

,

of

.

Mrs Belloc Lowndes then confirmed the fact that
Management
the Committee
which she was

,

on

,

by
on

of

of to

personally thought that
the affair

have conducted

in

.

He

of

to

.

in

.

on

of

-

--

ladies
the lack
whom
the
had been
referred
Mrs
everything
had full cognisance

that was taking place
the chairman could not
any other way

Somebody had been
announcing
indiscreet
British Academy
Letters
the world whilst
the arrangements
were still
the provisional
stage
That announcement had taken the matter
out
their hands and left the incomplete Academy
unfriendly word
critical position
which
might be fatal
its chance
success
The
passing
the resolution would certainly
inter
unfriendly and
preted
unless they desired
presumed was out
wreck the project which
they should be content with having
the question
discussed the matter and not press the resolution
division
Mrs Ward expressed herself somewhat loath
withdraw her motion but desired
know
what
way the committee could meet the occasion
After further discussion Mrs Humphry Ward
withdrew her motion
Alfred Bateman pro
posed the following resolution
the outcome of
opinion
the debate
That this meeting
that
desirable that all business deemed
be
importance
sufficient
should be submitted
the council and that
business submitted
the
council should
inserted
the agenda

to

.

in

to

to

of

's

were two
joint committee
Humphry Ward

were

,

,

of

he

for

-

.

Sir

Alfred Bateman referred
one point
Mrs
Humphry Ward
resolution
which appeared
Management were
suggest that the Committee
not fully conversant with what was going
He
pointed out that the Committee
Management
which

the committee

the secretary for not indulging their remissness
giving them
friendly unofficial hint that some
thing particular was going
but they really
publicly and move
could not decently complain
votes
censure
He Mr Shaw did not always
read The Author carefully
but then
took the
consequences and did not blame the committee
vote
censure not only
The resolution was
their own committee but
the Academic Com
mittee
As such
had better not be pressed

,

of

of of

of

misjudged

of

-

-

for

,

It

.

be

in

,

of

.

in

,

to

him

members

.

,

on

.

a

it

to

it

an

's
in

a

seemed

in which

majority of nearly two to one ; and as the
committee did not wish to use their obvious
superiority to defeat Mrs . Ward , the best way to
end the matter would be to withdraw the resolution .
The council , by not attending, showed
that they
grievance
had
councillors would not read
The Author and would not attend even the annual
meeting
they might perhaps privately
reproach
in a

.

,

“

to

be

to it

to

of

,

.

had served

Mrs Ward
sincere and serious well wisher
the Authors
Society
but
the present instance her proposals

meeting

of

it .

in

to

in

's

of

, . .

in

by

of

or

"

,

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on

councillors
Management

's

.

of

on

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,

he

he
be

found
the list
attendances
not also members
the Committee
during the fourteen years
which
the latter body
He recognised

of the chairman

Mrs . Nesbit Bland confirmed
Mrs . Belloc
Lowdnes ' statement , and in reply to Mrs . Hum
phry Ward 's objection to the exclusion of women
from the Joint Committee , protested against the
suggestion that women were necessarily always
best represented by women .
Mr. Bernard Shaw pointed out that Mrs.
Humphry Ward ' s resolution was impossible under
the circumstances .
It was no use moving a vote
in a
of censure on the Committee of Management

of

have been better had the matter
the
put
Academic Committee
been
the agenda
He must however remind the council that
had already been three times referred
The
Author and also
the Times
Criticising the form
Mrs Ward resolution
saying that
concluded
his opinion she
where
would have met the case by proposing that
importance was
any business
be brought
before the council
should
notified
the
agenda
words
that effect
She had
preferred
complex and com
however
move
bative resolution
which
was impossible for the
Management
accept
Committee
was one
thought
which
would
difficult
the
adopt
council
That body had never shown any
desire
take
active part
the management
the society
affairs and the proof
this would
would

full cognisance

had

as

it he

.

to

for

nominations to the Academic Committee could be
published .
Nor would be insist that it was the
duty of councillors to attend the annual meeting of
council without any special inducement ,
agree with Mrs Ward that
was prepared

,

in
a

which
the business had been notified . Mrs.
Ward ' s strong point , in fact her only point , was
the omission of any such notice of the Academic
Committee on the agenda of the meeting held in
March
last. Mr. Freshfield would not inquire
whether
the omission had been accidental , or
whether it was due to a desire to meet the urgent
request of their colleagues of the Royal Society of
Literature to take no step likely to lead to discussion
in the Press before the first list of acceptances of

a member
action .

to
a

which the Council had to deal, was that it was
outside the functions of the Committee of Manage
ment to take any share in the creation of an
Academic
Committee without the assent of the
Council obtained at a meeting on the agenda of

97

�THE AUTHOR .

98

Mrs . Humphry Ward then proposed a further
resolution to the effect that “ This meeting regrets
that some representatives of women members of
the Society

of Authors should
not have been
placed on the joint committee which nominated
the Academic Committee .”
This was not seconded , and could not therefore

of many kinds of aids and assistances to literary
work of which they will probably have been pre
viously ignorant. At the same time, a work with a
wide reputation , and one justly earned , lies under
an obligation to be in every respect worthy of
renown and some particulars still remain
which
improvement
we should like
see
the case
in

of the

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YEAR BOOK

-

ARTISTS

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AND

of

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Year Book
and Artists
The Writers
previous
worthy
continuation
presents
1911

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THE WRITERS

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“

Directory
The Literary Year Book and Bookman
George Rout
London
Basil Stewart
vol
edited
ledge
Sons
The Writers and Artists
Year Book
Directory for Writers Artists and Photographers
London
Adam and Charles Black
Who Who 1911
London
and
Black
The English woman
Year Book and
Directory 1911 edited
Mitton
London
Adam
and Charles Black

a

of

compression

. as
to

to

to

.

,

can require
the difficult task
great dis
the editor
has shown
shown great
dis
editor has
crimination
and
the solution
the perpetually
recurring problems
what should
inserted and
nearly
what omitted
that although
must
impossible
any work
include
reference

kind that authors

hand
facts

kind
take that form
difficult
understand
such
rare and felicitous cases
any case we are
facts are best left alone
position
assert positively that nothing
farther
the Society
the aims and intentions
from
higay
Authors than any desire
mould facts
satisfactory
into any shape different from that
present
which they have
was desired
say that the Society
always
Authors
they
they are into facts
mould facts
hand
ought
be we are grateful for the compliment but
had been more lucidly expresse
could wish that
to

will

con

Preface

There appears
here some
distinguishing between facts
they
intention
they ought
are and facts
That facts
they are
this sublunary
world often differ
considerably from facts
they ought
found
painful truth with which very
will
Why however anyone should wish
disagree
they ought
be
when facts are
mould
facts
.

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that the work

they ought

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be

to

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of

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an

however

not know what
intended
the enigmatic assertion
the
always
that
The Authors Society
moulding
try and often
succeed

to to

to of

.

,

in

well known

need any recommendation
the attention
of authors
The present issue will be found
be
enlarged and contains information
almost every

We

veyed

so

.”

a

-

is

a

,

in

of

of

of

by

of

.

of

,

so

are

hardly

neither
full nor accurate
foreign publishers
should
the list
we miss the names
well known firms whose
addresses
are
farther
than Paris not
mention the names
others
more distant
localities
There
reason for introducing
letter
into Russian names and neither
Rome
speak
nor anywhere else
usual
the church
though some
Santa Maria Antigua
Spanish writer might have used the term

“

II
. “

)

I.

”

“

has been added
the end
Considerable additions have been made
literary and
societies
the inclusion
dramatic clubs and other institutions
similar
nature
The list
Indian periodicals has been
considerably increased and
separate
addition
given
list
Canadian publications
features
which deserve special recognition
The names
agents literary searchers and typists continue
appear
the second part where they are grouped
together under the general heading
Authors
arrangement which appears
Assistants
the
most convenient possible
The many merits
The Literary Year Book

Part
the list

nental information

“

,

all

of

to of

Agents

at

(

of

A

“

in

"

to

.

as

be

to

,

additions and alterations
which are
Obituary
improvements
welcomed
The
Notices are now transferred
Part
and are
alphabetical order after the Nobel Prizes
placed
new
section enumerating training offices and
formerly
appeared
institutions some
which

under

be

particular kinds Notwithstanding the
work
special pleading
the Preface we still remain very
doubtful about the value
the suggestions offered
respecting contracts with publishers
The Conti
of

."

for 1911
the
contains some

, "

1

-

Year Book
annual volume

fifteenth

is
a

if

)

to

.*

1911

YEAR BOOK

-

“

E

H

“
M

LITERARY

Literary

very
very

given
desirable
some cases could
special features which make particular collections
books especially serviceable
writers engaged
in

FOR

of

be

it

,

,

of

the London libraries
which there
full list
would
well
indications

BOOKS OF REFERENCE
THE

In

to

,

.

.

the council

business

an

There being
further
meeting was adjourned

,

no

its

be put.

everything that certain individuals may desire to
find , few will seek in the book anything that is
lacking , whilst those who use it will discover notes

�THE AUTHOR

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classified index
the end
the book
résumé
the quarters
which different
sorts
work are likely
find acceptance
The
volume contains also among other things indexes
syndicates for manuscripts
literary
agents
English
American and Canadian publishers and
colour printers and notes
Christmas cards post
offer
gives

often most difficult
discover
and we
are with each succeeding year impressed
the
real historical value
work that modestly
presents itself only
annual We have
previous occasions expressed
wish for some dis
provided
tinction between the information that
gathered
the persons named
and that which
from
other sources
word
see biography
distinguished from autobiography
The editor
the same time gives
much that we must confess
asking for more
certain shame
Notwith
standing
reputation
we believe that
Who
widely popular
Who
still far from being
ought
be
the various kinds
information
be gathered from its pages are
innumerable
We for example who are naturally most interested
the literary articles cannot help wondering how
many
how few
the people who are kind
enough
clearly realise
have
favourite authors
they want
that
know all the titles
the best
works which those authors have produced they
have only
consult the pages
Who Who
We have examined number
the literary articles
and find them excellent

which

to it

an a

to

,

be

of

.

very
self evident
however been made and
the writer
artist with this little book
his
position very different
hands will find himself
from that
the man who knows neither where
ought
offer his work nor what sort
work

Who

contemporary
This wonderful encyclopædia
biography
whose contents and unpretending
title
always appear
far
the poles asunder
awaking wonder
grow
continues
dimensions
actually
single empire
whether there can
many people who really deserve
claim the atten
tion
their fellow creatures
true that the
particulars recorded amount only
the barest
facts but these barest facts when they are accom
panied
they always are accompanied
this
book
accurate dates are exactly the things

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That these pages cannot contain the titles
nor indeed
tithe
the titles
the world

periodical literature
practical selection has

on

for

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practically
Writers and Artists Year Book
Nearly ninety pages not too great
invaluable
carefully perused
number
are devoted
alphabetical index
periodicals
which index
are
cases carefully indicated
the kind
accepted
matter that will
the average desired
literary contributions
length
the character
illustrations and the terms

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compelled to ask themselves how much they can
afford to give for a book ) as one of the most
practically useful of publications intended to assist
literary and artistic workers .
A superlative merit
of this annual is that it is not very large . How
great an excellence this is can be realised only
when the scope of the book has been understood .
Practically the primary aim of the “ Writers ' and
Artists ' Year - Book " is to assist the worker to find
recurring
questions ,
answers to the constantly
whom
sball
offer my work
Where
work
such and such
kind likely
find accept
ance
and What are the prospects
remunera
tion
The literary
and artistic worker when
generally
confronted with these problems
speaking painfully conscious
being able
find
saving such
solutions
them
are offered
equally unpractical
two extremes
both
The
periodicals publishing houses and
forth known
any single
individual are usually but few and
his acquaintance with their demands and business
rules more
less imperfect
with the result that
painfully aware
being ignorant what his
opportunities really are
On the other hand
vague way
certain
that every publisher
perpetually
editor
and agent
need
new
nothing
something
work and will pay for
tolerable
handsome prices
That neither
ignorance affords any practical help
these kinds
may therefore
most workers know too well
and
excepting those who
boldly asserted that
have already secured their public and consequently
perpetual demand for their work
find
The

cards and show cards .
In the notes on Publishers
we note one or two inaccuracies , which seem to
indicate that the correction of the work has not
been brought up to date quite so carefully as might
be desired ; and we are of opinion that the note on
Copyright would have been better omitted .
To
attempt to present , in little more than a single
page, any idea of the complicated laws of copyright ,
is palpably absurd .
We would venture to hope
that in a future issue ( and every one will wish the
work “ many happy New
Years ” ) there may be
Copyright
substituted
the page
few
paragraphs mentioning
only the complicated nature
recommending
professional
the statutes and
We are however unwilling
advice
dwell upon
very
very useful work
small
blemish
and strongly
The
recommend
Writers
and
literary and artistic
Artists Year Book
workers
of

this little annual (whose modest
within the reach of those who are

it

99

a

We regard

issues .
price places

.

�THE AUTHOR
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kings and courtiers
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wrote Carlyle
against the tenth part
book
one good history
sellers
The want thus picturesquely noted Mr
Mumby endeavours
supply
Others have sur
veyed the ground and even broken
before him

so

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urged for the Upper
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the ground
one can vindicate
Chamber
that hereditary legislators bave taken more liberal
the
the people
view than the representatives
rights
authors
the property which they create
time when the belief prevailed and
There was
upon
generally
the trade that
acted
was
principles
the common law made copyright
perpetual
The Courts upheld the view but
appeal
the reversal
their
the Lords resulted
Bill making
The Commons then passed
decision
out
copyright perpetual
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helped
Moreorer
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well
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work
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desirable
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and Bentley and Heinemann
Censorship
Almanacks
Auctions
ments
Catalogues
Copyright
Libraries
Novels
Copyright
Pitching upon
Printing
subject specially congenial
our tastes
reason why authors and publishers should
discover
see the limitation
their desire
be unanimous

subjects

to

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have
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excellent pages upon every word
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has information
possible
placed before
wider audience than
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reach
write
better than study every word
down
say
Year Book
bas
that The English woman

mature

woman

actually done
sufficiently well done
make the
expression
the hope no idle compliment He has
given
the ancient history
the modern
well
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publishing firms
well
those
the present day
Shakespeare Pope
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At the same
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time we are much impressed
sense
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ness
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with special illustrations that were certainly very
beautiful But the dollars
have said came
return mail without my asking
them
and
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after
that
Whilst
this subject may
allude
matter
great
interest
all authors and suggest
My impression
opinions
that payment for
magazine contributions
this country
not made
immediately
upon
until publication
instead
The
acceptance
the writer
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be

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to

date by the erection
the new lighthouse
about which there was not
word
the article
There were similar errors
under my name
full
That was the annoying part
clearly
understood
was this
What happened

out

all
,

,
in is

,

to

,

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a

the smoke lies rolled
than all mymention five years before
proposed new Eddystone lighthouse had been put
sun

at

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Yours faithfully
PERCY

proof none was sent me and
my
Fingle Bridge came out
Tingle Bridge
the snake lies rolled
the

by

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no

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of

an

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never saw
never wish
see one
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rather see than
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found that

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or

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to

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in

or

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pressed

horror

a

on

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on

(“

an

.

its

of

otherwise mutilating his body
fact
ignorance
Mr Walsh
the word
infrequent appearance
due
the fact
English writings owing
the crime seldom being
committed
America unfortunately
the offence
more common
Hence the more frequent use
the word
Burgess
Purple
The verse from Mr Gelett
Cow
the way runs

limb

maiming
Possibly

,

of

In

.

of

, 's.

,

discarded the electros
and sent artists
make special drawings
the States
point
The
however
that all this took time
and
was five years after
sent the MS before
my article
entitled
The
Fairest County
England
special
came out
the first
Christmas number
think
Mr Bennett says that
fancy declined
rather unreasonably
revise
My complaint was that though
his article
from

it

.

.

,

is

to

SIR
,
in —
”

.

be

mayhem
what
has
idea
But
any other kind
slang the word
American
Any reputable dictionary will contain
not
and
English legal term and
meaning
quite respectable antiquity
signifying the offence
depriving
any member
person
violence
that

be

It

,

a

to

as

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I
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but
that

to

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an

AMERICAN SLANG
With reference
the paper
American
possible that
Slang
the December Author
Mr Philip Walsh really imagines the word may
bem
How about this eight thousand
that
get
you committed mayhem
Filmore
Certainly
says
American slang word

forgive me

ask me
wrote
Devon
article

shire and he offered me £20 for about
000 words
agreed
due course and
sent the article
post
The editor
return
received payment
asked me
select
some
electros
from
magazine he indicated
for illustration
English
and the electros were duly despatched
did
This

,

',

in

,

is so

.”

think living now will
Scribner
famous editor
could oblige him by writing

not

I

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he

be

to

no

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CORRESPONDENCE

interesting

D

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Queries

and

may perhaps

monthly magazine
straitened dimensions
and the North
that respect no doubt Harper
the same position
American Review are very much
Many years ago Dr Holland who
Scribner
a

of

a .

of

of

it
.

of

a

.

Byron relics and other
Murray museum
literary curiosities
the chapter
the house
of Black we read how Adam Black declined the
explained
knighthood
me
honour
the title would only have been
incumbrance
my wife had
called My lady and
desire
my children
wonld only have fostered vanity
And
and
forth until we come
the
appendix
which
exhaustive bibliography
Notes
the subject reprinted by permission from

SIR

comparison between my treatment by
make
your correspondent Mr
American editor and that
publi
both cases the delay
Arnold Bennett
may
cause
same
the
from
arisen
have
cation
plethora
MS arranged for and paid for but
account of the naturally
be used
unable

I

of

in

.

of

a

of

,

of of

of

Mr

The account
Thomas Hardy
description
Murray includes

Mr

DEAR

—

all

;

on

's

:

of

to

of a

first success
the house

EDITORIAL DELAY ,

be

, and got many good
out of them . He tells us
about Martin
Tupper
amazing sales
all about the remark
Press prints
which the Clarendon
able paper
Robert
all abont the experiments
the Bible
publishing
Buchanan and Sir Walter Besant
the
He describes the rise
their own expense
Smith
Mudie and of the rival house
house
Longman
recalls
the house
The mention
lady who offered poetry was per
good story
cookery book instead and
compose
suaded
the
The section
fortune out
made
Tinsley relates the first failures and the
house
has raked in many memoirs

He

stories

101

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102
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work
done
mean
look out for and develop all possible avenues
Why
the compositor
not the writing composersale
Even The Author will probably agree with
who originates employment for the printer
and
that statement
His paragraphs
the Press
profit for the publisher treated with equal justice
advertisements
his sale lists and catalogues
travellers
London the provinces
the Conti
For books
course
authors often
and
nent and
the colonies and the free copies
royalty
always ipsist upon
advance
lavishly are
distributes
sent forth with one
FRANCIS GEORGE HEATH
object
call attention
the book and the
am .

author

I

by

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it

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,

to

a

of

the publisher and The more energetic
admitted
the more does he deserve success
regard
rights
more
and
the
sales
and
their
minor
these
pleased should
find his work has
author
be

. -

,

,

.

,

an

his books
does not seem
me that there
anything wro
wrong with the clause
anything
The better

an

in

,

in

--

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ing
isis

so

,
to -

to

to

's

in

.

is

us

take them
the order
which the
clause names them
American
colonial
conti
nental foreign translation
serial and dramatic
Probably
many authors
Words words words
signing
agreement for the publication
book
had no idea until they read some such printed
clause
their agreement that the book
be

to

it

to be

I

do

is

I

,

am

I

of

of

,

at

.

Let

attempting
create markets
and utilise rights
available for sale under their agreements
We
hear occasionally
success
these lines but
we
not hear
the many many failures
Writing with some knowledge
the cost entailed
by
publisher
following out his ideas and push

be
,

of

.

see

on to am

of

to

,

—

SIR
The tone
The Author
rule
distinctly
hostile
all who have
with
the publication
books that
doubt while
penning this letter whether
permitted
will
impelled
the light
But
write you
publishers
the subject
and minor rights
inability hitherto
because
The Author
under
regard
stand the chief point
the clause
which objection
taken
Minor rights are minor
rights and mean trifling sums picked up here and
there
wide intervals and often after very strenuous
effort

to

RIGHTS

.

MINOR

AND

to as
a

PUBLISHERS

of

I

say that
not revealing any secret when
our dramatists and theatrical managers have scores
books sent them
for perusal every season
publishers
the hope that they may
found
suitable for stage adaptation
Similarly copies
perusal are sent
continental
colonial
Publishers
and others
readers
American
are hopeful men
otherwise they would succumb
they meet
failures
under the hundreds

of

to

to (
a

is

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In

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probably
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found working
and
break
his critics have sat down
before some
any case
fast
knows
his business

arrange
into different
committee have entered
regard
the advertisements
ments
The tariff for advertisements remains the same
but the advertising agents
Messrs Belmon
Communica
Paternoster Square
Co
sent
tions respecting advertisements should

.,

he

.

in

of

to

a

to

in

publisher
sits
his office
think
twiddling his thumbs waiting for people
come
Nothing
and buy quantities
his books
further from the truth
He has
office
true

appear

of

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been brought
the notice
business people from
whom
never expected
hear
published possessed
many
and such
varied
author asked himself the question whether
rights
But
one thing
have the power
were better
leave such minor rights
the
sell and another thing
have the opportunity
agent
per cent commission
hands
agent hands the above rights for anbasis and effect no sales which
practically the
average sort
absolutely worthless
book would
publisher and share
position
cede them
Probably
the author offered the whole
equally with him whatever proceeds there may
the
long
above rights
his agent for two guineas cash
would
not think
such sales
from
down no agent would purchase them
answering
He knows
the question
And this
that the chances
sale are indescribably
problem
ninety nine
remote
which has
be dealt with
and that the rights would
valueless
him
out
hundred cases
publisher however
totally different
John NAYLER
position from
agent
The book when published
Wimbledon
regard
his hands
He has responsibilities
appreciates these fully
and
He has put
time and thought energy and money into its pro
against
duction
and publication
and
slang
him
excuse this lapse into American
your December number
inform mem
perusal
The Author begs
THE Editor
after
literary success
the society and advertisers that the
bers
Some people
make the book

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XXI.-No. 4.&#13;
JANUARY 2, 1911.&#13;
[PRICE SIXPENCE&#13;
CONTENTS.&#13;
РДО&#13;
...&#13;
Notices ...&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Books published in America by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ...&#13;
United States Notes.&#13;
Reproduction of Music by Gramophone ...&#13;
Agreement between Author and Producer of a Sketch...&#13;
Magazine Contents ... ...&#13;
How to Use the Society&#13;
Warnings to Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes ..&#13;
Committee Election&#13;
The Pension Fund Com&#13;
The Council Meeting .&#13;
Books of Reference for 19&#13;
The Trade...&#13;
Correspondence&#13;
iety"&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. ls.&#13;
8. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 108. 6d. per vol.&#13;
8. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Yarious Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bil. By J. M. LELY. 1s. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888—1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By Ernst&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT, 2nd Edition. 1s.&#13;
11. Periodicals and their Contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. ls.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. 78 (#114) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegrapbic Address : “ AUTORIDAD, LONDON."&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDERSON, K.C.B. AUSTIN DOBSON.&#13;
JUSTIN MCCARTHY.&#13;
SIBWM.REYNELL ANSON, Bart.,D.C.L. SIR ARTHUR CONAN DOYLE.&#13;
THE REV. C. H. MIDDLETON-WAKE,&#13;
THE RIGHT HON. THE LORD AVE DOUGLAS FRESHFIELD.&#13;
SIR HENRY NORMAN.&#13;
J. M. BARRIE.&#13;
(BURY, P.C. SIR W. S. GILBERT.&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ALFRED BATHMAN, K.C.M.G. EDMUND GOSBE, LL.D.&#13;
SIR ARTHUR PINERO.&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
THE RIGHT HON. SIR HORACE&#13;
F. E. BEDDARD, F.R.S.&#13;
H. RIDER HAGGARD.&#13;
PLUNKETT, K.P.&#13;
MR. BELLOC-LOWNDES.&#13;
MRS. HARRISON (“LUCAS MALET'). ARTHUR RACKHAM.&#13;
THE RIGHT HON. AUGUSTINE BIR ANTHONY HOPE HAWKINS,&#13;
OWEN SEAMAN.&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G, BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND.&#13;
MAUBICB HEWLETT.&#13;
G. R. SIMS.&#13;
THE REV. PROF. BONNEY, F.R.8. W. W. JACOBS.&#13;
S. SQUIRE SPRIGGE.&#13;
THE Right Hon. JAN ES BRYCE, P.C. HENRY JAMES.&#13;
FRANCIS STORR.&#13;
THE Right Hox. THE LORD BURGH. JEROME K. JEROME.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mus. Doc.&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD.&#13;
J. W. COYYNS CARR.&#13;
RUDYARD KIPLING.&#13;
SIDNEY WEBB.&#13;
EQERTON CABTLK, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.S. H. G. WELLS.&#13;
EDWARD CLODD.&#13;
THE Rev. W. J. LOFTIE, F.S.A.&#13;
PERCY WHITE.&#13;
W. MORRIS COLLES.&#13;
LADY LUGARD (M188 FLORA L. FIELD-MARSHAL THE RIGHT HON&#13;
THE HON. JOHN COLLIER.&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.&#13;
8IR W. MARTIN CONWAY.&#13;
THE RIGHT HON. SIR ALFRED P.C., &amp;c.&#13;
THE RIGHT Hon. THE LORD CURZON LYALL, P.C.&#13;
OF KEDLESTON, P.C.&#13;
Mrs. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT.&#13;
SIR ALFRED BATEMAN, K.C.M.G. DOUGLAS FRESHFIELD.&#13;
S, SQUIRE SPRIGGE,&#13;
MR. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORB,&#13;
ns. E. NESBIT BLAND.&#13;
ARTHUR RACKHAM.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
G. BERNARD SHAW.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-SIR ARTHUR PINERO. Vice-Chairman-HENRY ARTHUR JONES.&#13;
H. GRANVILLE BABKER.&#13;
Miss CICELY HAMILTON.&#13;
CECIL RALBIGH.&#13;
J. M. BABRIE.&#13;
CAPT. BASIL HOOD.&#13;
G. BERNARD SHAW.&#13;
R. C. CARTON.&#13;
JEROME K. JEROME.&#13;
ALFRED SUTRO.&#13;
ANSTEY GUTHRIE.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOTE HAWKINS.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-MAURICE HEWLETT.&#13;
| MORLEY ROBERTS.&#13;
| MRS. ALEC TWEEDIE.&#13;
| M. H. SPIELMANN.&#13;
MRS. HUMPHRY WARD.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, | HERBERT SULLIVAN.&#13;
Mus. Doc.&#13;
ISIR JAMES YOXALL, M.P.&#13;
K. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
THE Hon. John COLLIER,&#13;
BIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN,&#13;
FIELD, ROBCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. son&#13;
Solicitor in England to&#13;
La Société dos Gens de Lettre&#13;
Legal Adriser in America-JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. 78 (#115) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
To Authors and Journalists.&#13;
- PLAYS -&#13;
The writer, whether he aspires to write novels, short stories,&#13;
or articles, often spends years in uncongenial work,&#13;
rebuffs and drudgery being the only return for the time&#13;
end labour spent.&#13;
THE COURSE OF LITERARY TRAINING promoted by&#13;
the Literary Correspondence College teaches the&#13;
aspirant to serve his apprenticeship to Literature in the&#13;
briefest time possible.&#13;
The College also undertakes Literary Agency business of all&#13;
kinds.&#13;
For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
CORRESPONDENCE COLLEGE, 9, Arundel Street, Strand, W.C.&#13;
MR. FORBES DAWSON&#13;
(Member of the Society of Authors),&#13;
Master of Stage Craft, Technique, and&#13;
Play Construction.&#13;
"First Lessons in Story Writing."&#13;
Over 25 years' continuous experience upon the&#13;
stage itself as an actor in every class of play.&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. 6d, net. 28. 8d. post free.&#13;
of this work the Westminster Gazette writes :-"The&#13;
beginner who takes these lessons to heart may be quite&#13;
assured of an advantage over his competitors."&#13;
"How to become an Author."&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide; full of useful hints.&#13;
end Edition. 58. net. 58. 4d. post free.&#13;
The Literary Correspondence College,&#13;
9, Arundel Street, Strand, W.C.&#13;
Author of plays produced in England and&#13;
America. Adapter of several novels to the stage.&#13;
READS AND GIVES PRACTICAL ADVICE&#13;
UPON PLAYS.&#13;
Knows the best men in the dramatic profession&#13;
all over the world, and helps in the placing of&#13;
those plays he is connected with.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
TYPEWRITING&#13;
Typist. a. Authors" mss. and Technical&#13;
from 10d. per 1,000 words, by experienced : '&#13;
Typist. Authors' MSS. and Technical&#13;
work a speciality.&#13;
ORDERS BY POST PROMPTLY ATTENDED TO.&#13;
MISS LUETCHFORD, 122, LONDON WALL, E.C.&#13;
..&#13;
1/1&#13;
113&#13;
WANTED!&#13;
AUTHORS' MSS., PLAYS, AND GENERAL COPYING.&#13;
Don't hesitate. Send a trial order now. I guarantee&#13;
satisfaction. One Carbon Duplicate supplied gratis&#13;
with first order. Terms on application. We&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Rd., ST. ALBANS, HERTS.&#13;
THORS' TYPEWRITING.&#13;
Novel and Story Work .. 9d per 1,000 words; 2 Copies, 1/-&#13;
General Copying .&#13;
Plays, ruled ..&#13;
**&#13;
.. ..&#13;
Specimens and Price List on application.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD.&#13;
1.&#13;
__AND -&#13;
AUTHORS wishing to make arrange-&#13;
TYPEWRITING&#13;
ments for Publishing are invited to DUPLICATING&#13;
communicate with LYNWOOD &amp; Co., |&#13;
by Carbon and Mimeograph.&#13;
Publishers, 12, Paternoster Row,&#13;
From 10d. per 1,000 words. Good&#13;
materials. Standard Machines. No pupils'&#13;
London, E.C., who will be pleased work. Accurate and prompt. References.&#13;
Kindly mention "The Author.”&#13;
to consider MSS. and advise (free).&#13;
Miss EMILY BATE,&#13;
Please write before sending MSS. 15, St. John's Church Road, FOLKESTONE,&#13;
&#13;
&#13;
## p. 78 (#116) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
NOVELS, SHORT STORIES, ARTICLES, POEMS,&#13;
PLACED WITH OVER ONE HUNDRED AND FIFTY (150)&#13;
PUBLISHERS AND PERIODICALS AT HIGHEST PRICES.&#13;
FIVE STATEMENTS which we are prepared to prove:&#13;
Publishers and Editors recommend this Agency to Authors, and ask us for contributions.&#13;
On the same day we have placed three novels—at publisher's risk-and a short story with the Strand Magazine.&#13;
We have obtained for the serial use of a 50,000 word story, by an unknown writer, £25 more than was&#13;
first offered.&#13;
At far better terms than first offered, we have placed with a well-known firm of publishers a novel which the&#13;
author's own agent, seeing no hope of success, refused to deal with.&#13;
For the serial use of a 65,000 word novel by a well-known author, we have succeeded in obtaining an offer £20&#13;
in advance of the price previously paid by the same editor to the author direct.&#13;
OUR SUCCESS is due largely to the fact that we submit only carefully selected work-we decline&#13;
to deal with over a thousand MSS. annually! Editors know this, and READ the&#13;
MSS. we send them. A story which a client admits previously “trotting round for four years," has&#13;
been placed by us within ten days of receipt, with a magazine which had returned it when submitted&#13;
by the author !&#13;
Write for 16-page Prospectus containing HUNDREDS OF UNIQUE TESTIMONIALS.&#13;
All MSS. submitted by GEORGE G. MAGNUS, Managing Director,&#13;
CAMBRIDGE LITERARY AGENCY, 115, STRAND, LONDON.&#13;
AMERICAN REPRESENTATIVE : TUKE PRIESTMAN.&#13;
Telephone : 1648 GERRARD.&#13;
LITERARY ASSISTANCE.&#13;
AUTHORS! HAVE YOU&#13;
A MS. TO DISPOSE OF ?&#13;
THE LITERARY YEAR - BOOK (1911)&#13;
Crown 8vo.] Price 6s. net. [970 pages.&#13;
will give you all particulars of Literary Agents,&#13;
Indexers, Typists, Publishers (British and&#13;
Foreign); will explain all forms of publishers'&#13;
agreements, recent legal cases, law of copy.&#13;
right, etc.; also all periodicals and magazines&#13;
(British, American, Canadian and Indian)&#13;
accepting outside contributions, with rate of&#13;
payment and other necessary information. The&#13;
CLASSIFIED INDEX will tell you AT ONCE the&#13;
most suitable periodicals for your particular&#13;
MS., thereby saving you much mis-spent time&#13;
and money.&#13;
"We wish people who send round their wilai&#13;
suitable MSS. would procure the book and cease their&#13;
activities."-Athenaeum.&#13;
OTHER CONTENTS are: Directory and Index of&#13;
Authors; Pen-Names and Pseudonyms, and&#13;
Literary Clubs; Obituary Notices; Booksellers ;&#13;
Libraries; Royalty Tables ; Societies ; Classi.&#13;
fied List of Cheap Reprints, etc.&#13;
“An indispensable book of reference for authors and&#13;
journalists." - Daily Graphic.&#13;
TO BE HAD OF ALL BOOKSELLERS.&#13;
G. ROUTLEDGE &amp; SONS, Ltd., Carter Lane, E.&#13;
Why should publishers only employ readers&#13;
and revisers ?&#13;
Mr. STANHOPE W. SPRIGG (late Editor of&#13;
Cassell's Magazine, and for some years one of&#13;
the reviewers on The Standard) begs to state&#13;
that he is now prepared to read or revise manu-&#13;
scripts and advise authors where to place articles,&#13;
stories, books of travel, critical studies, or other&#13;
kinds of literary work. In each case a small&#13;
inclusive fee is stated, and his report is unbiassed,&#13;
practical, and of the same frank, commercial&#13;
character as that which hefurnishes to the different&#13;
firms of publishers for whom he reads.&#13;
Mr. Sprigg declines work in all cases where be&#13;
feels he cannot advise to an author's advantage&#13;
or profit.&#13;
ADDRESS:&#13;
THE ANCHORAGR. PELPHAM. BOGNOR. SUSSEX.&#13;
&#13;
&#13;
## p. 79 (#117) #############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXI.-No. 4.&#13;
JANUARY 2ND, 1911.&#13;
[PRICE SIXPENCE.&#13;
=&#13;
TELEPHONE NUMBER :&#13;
ADVERTISEMENTS.&#13;
374 VICTORIA.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
TELEGRAPHIC ADDRESS :&#13;
personally responsible for the bona fides of the&#13;
AUTORIDAD, LONDON. advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
NOTICES.&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
TOR the opinions expressed in papers that are if special information is desired.&#13;
T signed or initialled the anthors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
THE SOCIETY'S FUNDS.&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
TROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
The Editor begs to inform members of the&#13;
recognition of work that has been done for&#13;
Authors' Society and other readers of The Author them. The Committee, acting on the suggestion&#13;
that the cases which are quoted in The Author are of one of these members, have decided to place&#13;
cases that have come before the notice or to the this permanent paragraph in The Author in order&#13;
knowledge of the Secretary of the Society, and that that members may be cognisant of those funds to&#13;
those members of the Society who desire to have which these contributions may be paid.&#13;
the names of the publishers concerned can obtain The funds suitable for this purpose are: (1) The&#13;
them on application.&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
ciple, or in assisting to obtain copyright reform,&#13;
THE Editor of The Author begs to remind or in dealing with any other matter closely&#13;
members of the Society that, although the paper connected with the work of the Society.&#13;
is sent to them free of cost, its production would (2) The Pension Fund. This fund is slowly&#13;
be a very heavy charge on the resources of the increasing, and it is hoped will, in time, cover. the&#13;
Society if a great many members did not forward needs of all the members of the Society.&#13;
to the Secretary the modest 5s, 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
LIST OF MEMBERS.&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
M HE List of Members of the Society of Authors,&#13;
month,&#13;
1 published October, 1907, can now be obtained&#13;
Communications and letters are invited by the at the offices of the Society at the price of&#13;
Editor on all literary matters treated from the 6d., post free 74d. It includes elections to July.&#13;
standpoint of art or business, but on no other 1907, and will be sold to members and associates&#13;
subjects whatever. Every effort will be made to of the Society only.&#13;
return articles which cannot be accepted.&#13;
A dozen blank pages have been added at the&#13;
VOL. XXI.&#13;
&#13;
&#13;
## p. 80 (#118) #############################################&#13;
&#13;
80&#13;
THE AUTHOR.&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
.....&#13;
THE PENSION FUND.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
N February 1, 1910, the trustees of the&#13;
Pension Fund of the society-after the secre-&#13;
tary had placed before them the financial&#13;
position of the fund-decided to invest £260 in&#13;
the following securities : £130 in the purchase of&#13;
Jamaica 33 per cent. Stock 1919-49, and £130 in&#13;
the purchase of Mauritius 4 per cent. Stock 1937.&#13;
The amount purchased is £132 188. 6d.&#13;
Jamaica 34 per cent. Stock and £120 12s. id.&#13;
Mauritius 4 per cent. Stock.&#13;
This brings the invested funds to over £4,000.&#13;
The trustees, however, have been unable to recom-&#13;
mend the payment of any further pensions, as the&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
of the society to this fact, in the hope that by&#13;
additional subscriptions and donations there will&#13;
be sufficient funds in hand in the course of the&#13;
year to declare another pension in case any im-&#13;
portant claim is forthcoming.&#13;
Consols 21%...........&#13;
.....£1,000 0 0&#13;
Local Long .............................. 500 0 0&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ................&#13;
London and North-Western 3% Deben-&#13;
ture Stock ..........&#13;
....&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates&#13;
200 0 0&#13;
Cape of Good Hope 3% Inscribed&#13;
Stock .......&#13;
...... 200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock................... 228 0 0&#13;
New Zealand 3 % Stock............... 247 9 6&#13;
Irish Land Act 27% Guaranteed Stock 258 0 0&#13;
Corporation of London 2% Stock,&#13;
1927-57 .......&#13;
438 2 4&#13;
Jamaica 31% Stock, 1919-49 ......... 132 18 6&#13;
Mauritius 4% 1937 Stock.......... 120 121&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Grant Stock, 1938..................... 198 3 8&#13;
£ 8 d.&#13;
Nov. 11, Parry, Sir Hubert&#13;
. 1 1 0&#13;
Nov. 17, Coben, Mrs. Herbert&#13;
0 10 6&#13;
Dec. 8, de Morgan, William&#13;
. 1 1 0&#13;
Dec. 9, Sproston, Samuel . . . 1 1 0&#13;
Dec. 9, George, W. L. .&#13;
. 0 10 0&#13;
Dec. 12, Clifton, Mrs. . .&#13;
. 0 10 0&#13;
Donations.&#13;
1910.&#13;
July 4, O'Higgins, Harvey .&#13;
1 0 0&#13;
Jus Muir Ward&#13;
1 1 0&#13;
July 5. Peacock. Mrs.&#13;
2 2 0&#13;
July 11, March, Miss A. M.&#13;
0 120&#13;
July 18, Ralli,'C. Scaramanga&#13;
3 3 0&#13;
July 20, Ellis, Havelock . .&#13;
0 5 0&#13;
Aug. 22, Myers, C. S.&#13;
2 2 0&#13;
Sept. 9. Bristow-Noble, J. C. . 0 76&#13;
Sept. 30. Sidgwick. Mrs. Alfred. . 1 1 0&#13;
Oct. 4, Pakington. The Honourable&#13;
Mary . . .&#13;
. 1 1 0&#13;
Oct. 1i, Caws, Luther W..&#13;
0 10 0&#13;
Oct. 11, Knowles-Foster, Miss Frances G. 0 10 0&#13;
Oct. 28, Tuite, Hugh. . .&#13;
. 1 1 0&#13;
Oct. 28. Margoliouth, George . . 0 7 6&#13;
Oct. 31, Gribble, F...&#13;
.. 0 5 0&#13;
Nov. 1, Rankin, Miss. ..&#13;
Nov. 5, Buckrose, J. E. ..&#13;
1 1 0&#13;
Nov. 11, Philliotts, Eden .&#13;
2 2 0&#13;
Nov. 12, Buè, Henri . .&#13;
( 11 0&#13;
Nov. 19, Ellis, Mrs. Havelock&#13;
05&#13;
Nov. 28, Campbell, Cyril. . . ( 10 6&#13;
Dec. 1, Laws, T. C. . .&#13;
Dec. 10, Dalliba, Mrs. Kate&#13;
Dec. 10, Douglas, James A.&#13;
Dec. 12, Bennett, Arnold .&#13;
. 220&#13;
Dec. 13, Powell, Lieut.-Genl. Sir Robert&#13;
Baden, K.C.B. etc. . . . 3 3 U&#13;
We have much pleasure in acknowledging, with&#13;
apologies, a donation of 10s. from Mr. Harold&#13;
Hardy on January 13, which, through an over-&#13;
sight, had been omitted from the printed lists.&#13;
· ·&#13;
·&#13;
·&#13;
·&#13;
· ·&#13;
.&#13;
0&#13;
5&#13;
0&#13;
·&#13;
......&#13;
· ·&#13;
COMMITTEE NOTES.&#13;
Total ............... £4,065&#13;
6&#13;
0&#13;
Subscriptions.&#13;
1910.&#13;
July 15, Steveni, William Barnes&#13;
Oct. 6, Graham, Capt. Harry&#13;
Nov. 6, Capes, Mrs. Marion&#13;
Nov. 11, Phillpotts, Eden .&#13;
£&#13;
0&#13;
1&#13;
(&#13;
0&#13;
$. d.&#13;
5 0&#13;
1 0&#13;
5 0.&#13;
5 0&#13;
THE last meeting of the Committee of&#13;
Management for the year 1910 took place&#13;
on Monday, December 5. After the&#13;
minutes of the previous meeting had been signed,&#13;
the committee proceeded with the elections.&#13;
Twenty-eight members and associates were elected,&#13;
bringing the total for the current year up to 276.&#13;
The committee desire to congratulate the society&#13;
on its continued prosperity. With the exception&#13;
.&#13;
&#13;
&#13;
## p. 81 (#119) #############################################&#13;
&#13;
THE AUTHOR.&#13;
of last year this is the largest annual election since fourth nominee to fill the vacancy caused by the&#13;
the society was incorporated.&#13;
annual retirement. The names of the committee's&#13;
The committee accepted with regret three nominees will be found elsewhere in this number.&#13;
resignations, bringing the total resignations for Mr. Anthony Hope Hawkins' retirement from&#13;
the current year up to 77. Though the number is the Copyright Sub-committee was acknowledged&#13;
high, the committee are glad to report that it is not with regret, and the committee proceeded to elect&#13;
above the average. While the elections for the another member of the society to fill the vacancy&#13;
current year are considerably above the average for caused by his resignation.&#13;
the last ten years, the resignations remain about further letters were laid before the committee&#13;
the same, and this the committee consider is a containing suggestions in respect of the library&#13;
matter for congratulation.&#13;
censorship, but though the committee are watching&#13;
Following the elections and resignations, the the issues very carefully, they did not find any of&#13;
legal cases came up for consideration.&#13;
the suggestions made to them of a practicable&#13;
The first matter before the committee was the nature, and accordingly felt bound to reserve their&#13;
outcome of a complaint by one of the members course of action.&#13;
that the advice of the secretary on a certain At the request of the secretary the committee&#13;
agreement was unreasonable and unfair. In these set aside a certain sum to be devoted to Christmas&#13;
circumstances the secretary thought it best to refer boxes for the staff, and finally acknowledged with&#13;
the points in dispute to the committee. The thanks a donation from Mr. Cyril Campbell to the&#13;
committee confirmed the opinion the secretary funds of the society.&#13;
had expressed on the agreement.&#13;
The next matter was one in which a dispute had&#13;
occurred between a member of the society and a&#13;
Cases.&#13;
publisher under an agreement limited by time. It THERE is no stay in the stream of cases that&#13;
appeared that the publisher did not take the same flows into the offices of the society.&#13;
view of the agreement as was taken by the author. Since the publication of the last issue of The&#13;
After the matter had been carefully considered the Author eighteen fresh cases have come under the&#13;
secretary was instructed to place the papers in the secretary's notice. They may be catalogned as&#13;
hands of the society's solicitors in order that they follows :-&#13;
might obtain certain accounts and particulars 1. A dispute on contract. This has been&#13;
necessary for the proper understanding of the satisfactorily settled between the author and the&#13;
position.&#13;
publisher by the society's intervention.&#13;
A case of a publisher's settlement with his 2. Claims for money. There have been nine&#13;
creditors under a deed of assignment was next con- cases for money claims. In two cases, the matter&#13;
sidered, for it appeared that the deed of assignment has had to be placed in the hands of the society's&#13;
had been entered into without reference to the solicitors as no satisfactory answer could be&#13;
authors, who were creditors, and chiefly for the obtained to the secretary's letters. One case is&#13;
benefit of the trade. The committee authorised still in course of negotiation, and there is every&#13;
the solicitors to file a bankruptcy petition if it was chance that it will be settled without being referred&#13;
necessary to do so, in order that authors, creditors to the legal advisers of the society. In two cases&#13;
of the estate, should obtain fair treatment.&#13;
the money has been paid and the claims satisfied.&#13;
The next question related to a payment in As the three remaining cases only came into the&#13;
advance of royalties, and the committee decided to office just before going to press, there has been&#13;
take counsel's opinion on behalf of the member. no time to come to any settlement of the issues.&#13;
Progress was reported by the secretary in a case 3. Claims for accounts. There have been two&#13;
which had been before the committee on two cases in the office in both of which the publishers&#13;
former occasions. The solicitors were instructed have rendered the accounts due.&#13;
to write a further letter in order to elucidate the 4. Infringement of copyright. There have been&#13;
issues which were complicated and difficult, and to two cases of infringement. One has been placed in&#13;
report to the next meeting of the committee. the hands of the society's solicitors in Ireland, as&#13;
The report of the council meeting, which appears the infringement occurred in that country. The&#13;
on another page, was finally settled.&#13;
other has only recently come to hand, and is still&#13;
Mr. Anthony Hope Hawkins retired from the in course of negotiation.&#13;
Pension Fund Committee, on which he had served as 5. Claims for MSS. Of the four claims that&#13;
the nominee of the committee of management, and, have come in during this month, one had to be&#13;
submitting his name for re-election, was unani. abandoned as the author could not prove that the&#13;
mously re-elected.&#13;
MS. had actually reached the office of the paper&#13;
The committee then proceeded to elect their to which it was sent ; one has been partially&#13;
&#13;
&#13;
## p. 82 (#120) #############################################&#13;
&#13;
82&#13;
THE AUTHOR.&#13;
settled—that is, some of the MSS. claimed have O'Connor, Mrs. T. P. . 33, Warwick Square,&#13;
been returned, and the editor has promised to&#13;
S.W.&#13;
search for the remainder ; and in one case, still Orange, James . . 3, Gray's Inn Square,&#13;
unsettled, the editor has promised to make a&#13;
W.C.&#13;
thorough search, and the last case has only Preston, Chlöe . Middlethorpe Manor,&#13;
recently come into the office.&#13;
York.&#13;
Of the cases published in the last number of The Queux, Wm. Le . . Devonshire Club, St.&#13;
Author the majority have been settled, but we&#13;
James's Street,&#13;
regret to have to report that it was necessary to&#13;
S.W.&#13;
hand over as many as five different claims to the Savill, Mrs. . . . 3, Basil Street,&#13;
solicitors of the society for them to deal with.&#13;
Knightsbridge,&#13;
S.W.&#13;
Shepperson, Claude A., 18, Kensington Court&#13;
A.R.W.S. . . . Place, W.&#13;
December Elections.&#13;
Smale, Fred. C. . . Vailima, Torquay.&#13;
Sporston, Samuel, Junr. . Elm House, Nant-&#13;
Bahr, Abel William . . 12A, Upper Hamilton&#13;
wich.&#13;
Terrace, N.W.; Teixeira de Mattos, Alex. 9, Cheltenham Ter-&#13;
Hopkins, Dunn &amp; ander&#13;
race, S.W.&#13;
Co.,Ltd., Shanghai,&#13;
China.&#13;
Bone, Florence. . . 13, Queen Street,&#13;
Waterloo, Liver-&#13;
pool.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
Carlton, William J. . . 47, Ravenswood Road,&#13;
Balham, S.W.&#13;
Clifton, Mrs... . Lytham Hall, Lyt. WHILE every effort is made by the compilers to keep&#13;
ham, Lancs.&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
Colenso, Sophie J.. . Elangeni, Amersham.&#13;
that many of the books mentioned are not sent to the cffice&#13;
Cameron, Agnes Dean . 11-12, Charing by the members. In consequence, it is necessary to rely&#13;
Cross, S.W.&#13;
largely upon lists of books which appear in literary and&#13;
Dalliba, Kate Lyon (Kate- 6, Finchley Road,&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
Lyon-b-) . . . N.W.&#13;
particulars of their works, help to make it substantially&#13;
Dick, Stewart . . . Studio E, Kensington accurate.&#13;
Gardens Studio, -&#13;
ARCHÆOLOGY.&#13;
29 - 31, High THE ARTS AND CRAFTS OF ANCIENT EGYPT. By W. M.&#13;
Street, Notting&#13;
FLINDERS PETRIE. Second Edition, with additional&#13;
Hill Gate, W.&#13;
chapter. 8 X 51. 165 pp. Foulis, 58. n.&#13;
Douglas, James A. '. . 70, Iverna Mansions,&#13;
ARCHITECTURE.&#13;
Kensington, S.W. SMALL COUNTRY HOUSES OF TO-DAY. Edited by&#13;
Downes, Miss Marion Royal Insurance L. WEAVER. 111 X 84. 224 pp. Country Life Library.&#13;
Buildings, 418,&#13;
158, n.&#13;
ART.&#13;
College Street, Mel-&#13;
THE COMMONSENSE COLLECTOR. By F. FRANKFORT&#13;
bourne, Australia.&#13;
MOORE. With fifty-two illustrations. 81 x 51. 220 pp.&#13;
Hamilton, Norah . . 4, Elwick Road, Ash- Hodder &amp; Stoughton. 108. 6d. n.&#13;
ford, Kent.&#13;
HOGARTH. By EDWARD GARNETT. 52 x 33. 208 pp.&#13;
Hitchcock. Rev. F. R. The Rectory. Kin. Illustrated. (Popular Library of Art Series.) Duckwortu.&#13;
28. n.&#13;
Montgomery, M.A. . netty, King's Co.,&#13;
SELECTED EXAMPLES OF INDIAN ART. BY ANANDA&#13;
Ireland.&#13;
K. COOMARASWAMY, D.Sc. Portfolio, 19 pp. xl. Plates.&#13;
Johnston, R. F. . . Weihaiwei, China. Quaritch.&#13;
Lowes, Emily L. . . Hillcrest. Brixton WILLIAM BLAKE. By G. K. CHESTERTON. 210 PP:&#13;
Hill, S.W.&#13;
HOGARTH. By RICHARD GARNETT, 208 pp. 6 X t.&#13;
Duckworth. 28. n. each.&#13;
Miller, Elizabeth York . 4, Clement's Inn, Woop CARVINGS IN ENGLISH CHURCHES. By FRANCIS&#13;
. Strand, W.C.&#13;
Bond. 9 X 54. 138 pp. Frowde. 6s. n.&#13;
Morgan, Wm. De . . 127, Church Street,&#13;
BIOGRAPHY.&#13;
Chelsea, S.W.&#13;
THE GROWTH OF NAPOLEON. A Study in Environment.&#13;
Moore, Frank Frankfort · Castlegate House,&#13;
By NorwooD YOUNG. 9 x 51. 418 pp. Murray.&#13;
Lewes.&#13;
12s. n.&#13;
&#13;
&#13;
## p. 83 (#121) #############################################&#13;
&#13;
THE AUTHOR.&#13;
83&#13;
THE BEAUX AND THE DANDIES. Nash, Brummell, and&#13;
D'Orsay, with their Courts. By CLARE JERROLD.&#13;
9 x 51. 391 pp. Stanley Paul. 168. n.&#13;
THE LIFE OF OLIVER GOLDSMITH. By F. FRANKFORT&#13;
MOORE. 9 X 6. 492 pp. Constable. 128. 6d. n.&#13;
THE FATE OF HENRY OF NAVARRE. By JOHN&#13;
BLOUNDELLE-BURTON. 9 x 54. 350 pp. Everett.&#13;
10s. 6d. n.&#13;
NOTES OF A LIFE. By JOHN STUART BLACKIE. Edited&#13;
by his Nephew, A. STODART WALKER. 70 X 51.&#13;
342 pp. Blackwood. 6s. n.&#13;
GREAT ENGLISHMEN OF THE SIXTEENTH CENTURY.&#13;
By SIDNEY LEE. New Edition. 64 X 41. 382 pp.&#13;
Nelson. 18. n.&#13;
BOOKS OF REFERENCE.&#13;
THE CLERGYMAN'S READY REFERENCE DIARY AND&#13;
KALENDAR. FOR 1911. Edited by the REV. THEODORE&#13;
Johnson. 6 X 31. 367 pp. Allen.&#13;
CLASSICAL.&#13;
A COMPANION TO LATIN STUDIES. Edited for the&#13;
Syndics of the University Press by J. E. SANDYS, Litt.D.,&#13;
Fellow of St. John's College and Public Orator in the&#13;
University of Cambridge. 97 x 6. 891 pp. Cambridge&#13;
University Press. 188. n.&#13;
DEMOSTHENES. Select Private Orations. Part II.&#13;
Edited by J. E. SANDYS, Litt.D. 7} x 5. 288 pp.&#13;
Cambridge University Press. 78. 6d.&#13;
DRAMA.&#13;
FIORALISA. A Romantic Drama in Three Acts and a&#13;
Pageant. By A. MAQUARIE. 71 x 51. 102 pp.&#13;
Bickers. 38. 6d. n.&#13;
THE DISCOVERER AND THE QUEEN'S ROOM. By F.&#13;
FRANKFORT MOORE. 73 X 5. 189 pp. Elkin Mathews.&#13;
48. 6d. n.&#13;
THE WAY THE MONEY GOES. A Play in Three Acts.&#13;
By LADY BELL, 71 X 45. 104 pp. Sidgwick &amp;&#13;
GEOGRAPHY&#13;
AYRSHIRE. By J. FOSTER. 74 x ñ 175 pp. (Cambridge&#13;
County Geographies.) Cambridge University Press.&#13;
18. 6. n.&#13;
JUVENILE.&#13;
THE MAGIC CITY. By E. NESBIT. With Illustrations&#13;
by H, R. MILLAR. 78 X 5. 333 pp. Macmillan. 68.&#13;
THE BRITISH MUSEUM OF NATURAL HISTORY. By&#13;
W. P. PYCRAFT, F.Z.S. 273 pp. Wells, Gardner.&#13;
28. 6d. n.&#13;
THE WITCHES' KITCHEN ; OR, THE INDIA RUBBER&#13;
DOCTOR. By GERALD YOUNG. With Illustrations by&#13;
WILLY POGÁNY. 83 X 7. 224 pp. Harrap. 58. n.&#13;
IN WASTE PLACES. By MRS. C. L. WOOLLASTON&#13;
White. A Story of Pioneer Life in the Far West.&#13;
250 pp. Barnet : St. Andrew's Press. 38.&#13;
THE CHILD OF THE AIR. By M. H. SPIELMANN.&#13;
Pictured by C. WILHELM. 8 X 61. 126 pp.&#13;
Duckworth. 58. n.&#13;
FIFTY-TWO STORIES OF CLASSIC HEROES. With con-&#13;
tributions by HOPE MONCRIEFF and Others. Edited by&#13;
FRANCIS STORR. 8 X 51. 400 pp. Hutchinson.&#13;
58, n.&#13;
A SCHOOLGIRL'S BATTLEFIELD. By RAYMOND JACBERNS.&#13;
74 x 54. 387 pp. Chambers. 58. n.&#13;
THE GIRL NEXT DOOR. By CHRISTINA GOWANS WHYTE.&#13;
74 x 57. 336 pp. Partridge. 38. 6d.&#13;
THE BOY'S BOOK OF CHIVALRY. By HAMMOND HALL.&#13;
74 x 54. 332 pp. Partridge. 38. 6d.&#13;
LOVE'S LESSONS. "By L. E. TIDDEMAN. Religious Tract&#13;
Society. 28. 6d. n.&#13;
ADVENTURES OF JASMIN. By L. E. TIDDEMAN. Jarrold.&#13;
28. 6d. n.&#13;
NEXT DOOR GWENNIE. By L. E. TIDDEMAN, S.P.C.K.&#13;
1s. 6d. n.&#13;
ALL ABOUT ME. By L. E. TIDDEMAN. Chambers.&#13;
28. 6d. n.&#13;
LITERARY.&#13;
DOUGLAS JERROLD AND PUNCH. By WALTER JERROLD.&#13;
9 x 58. 447 pp. Macmillan. 128. 6d, n.&#13;
FIVE TYPES. By G. K. CHESTERTON. 70 pp. Humphreys.&#13;
28. 6d. n.&#13;
THE GLAMOUR OF OXFORD. Descriptive Passages in&#13;
Verse and Prose by Various Writers. Chosen and&#13;
Edited by PROF. W. KNIGHT. 74 x 51. 263 pp.&#13;
Oxford : Blackwell. London: Frowde. 68. n.&#13;
MILITARY.&#13;
CANADA AND CANADIAN DEFENCE. The Defensive&#13;
Policy of the Dominion in relation to the Character of&#13;
her Frontier, the Events of the War of 1812–14, and&#13;
her Position to-day. By MAJOR GENERAL C. W.&#13;
ROBINSON, C.B. 89 x 54. 186 pp. Hugh Rees.&#13;
68. n.&#13;
MISCELLANEOUS.&#13;
THE SCIENCE OF ORGANISATION. By MARSHALL BRUCE-,&#13;
WILLIAMS. 44 pp. With Charts and Tables. Chapman &amp;&#13;
Hall.&#13;
GHOSTLY PHENOMENA. By ELLIOT O'DONNELL.&#13;
7 x 5. 179 pp. Werner Laurie. 38. 6d. n.&#13;
NATURAL HISTORY.&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARRETT-&#13;
HAMILTON. Part II. 10 x 64. 128 pp. Gurney &amp;&#13;
Jackson. 28. 6d. n.&#13;
POETRY.&#13;
PARTY PORTRAITS, AND OTHER VERSES. By C. L.&#13;
GRAVES. 74 x 5. 68 pp. Smith Elder. 18. n.&#13;
SONGS OF SUSSEX. By the REV. F. WORDE WARD.&#13;
79 pp. Erskine Macdonald.&#13;
Jackson. 18. D.&#13;
FICTION.&#13;
OUT OF THE DARK. By the COUNTESS OF CROMARTIE.&#13;
74 x 51. 149 pp. Elkin Mathews. 38. 6d. n.&#13;
Faxcy FARM. By NEIL MUNRO. 71 X 5. 318 pp.&#13;
Blackwood, 68.&#13;
CHAINS. By EDWARD NOBLE. 74 x 5. 312 pp.&#13;
Constable. 68.&#13;
EMPIRE OF THE WORLD. By C. J. CUTCLIFFE HYNE.&#13;
8 x 5. 314 pp. Everett. 68.&#13;
LOVE OR LUCRE. By EDITH C. GERRARD. 8 x 5.&#13;
310 pp. F. V. White. 6s.&#13;
THE BLACK ABOLITIONIST. By FOVARQUE BRADLEY.&#13;
7} x 5. 317 pp. Greening. 68.&#13;
LOST ENDEAVOUR. By JOHN MASEFIELD. 71 x 5.&#13;
381 pp. Nelson. 28. n.&#13;
AN ADMIRAL'S YARNS. By VICE-ADMIRAL H. L.&#13;
FLEET. 77 x 5. 302 pp. Sonnenschein. 58. n.&#13;
THE BLUE LAGOON. By H. DE VERE STACPOOLE.&#13;
84 x 54 326 pp. Fisher Unwin. 58. n.&#13;
WINNING AND WAITING. By L. E. TIDDEMAN. Pilgrim&#13;
Press. 38. 6d. n.&#13;
THE GETTING OF WISDOM. By H. H, RICHARDSON.&#13;
Heinemann. 68.&#13;
BLACK HUMPHREY. By JAMES CASSIDY. 74 X 5&#13;
295 pp. Walter Scott, '68.&#13;
THE LESSON. A Story of Love, of Bohemia, and of&#13;
Human Philosophy. By GERTIE DE S. WENTWORTH.&#13;
JAMES. 74 x 57.319 pp. Everett. 68.&#13;
THE ONE BEFORE. By BARRY PAIN. 64 x 41. 272 pp.&#13;
Nelson. 78. n.&#13;
&#13;
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## p. 84 (#122) #############################################&#13;
&#13;
84&#13;
THE AUTHOR.&#13;
national history. There are three portraits in&#13;
photogravure, three in colour, and thirty other&#13;
THEOLOGY.&#13;
NON-CATHOLIC DENOMINATIONS. By the Rev. ROBERT&#13;
HUGH BENSON. The Westminster Library. A Series&#13;
of Manuals for Catholic Priests and Students. 73 x 5.&#13;
217 pp. Longmans. 38. 6d. n.&#13;
TRAVEL.&#13;
NORTH ITALIAN FOLK. By MRS. J. W. COMYNS CARR.&#13;
63 X 41. 282 pp. Macmillan. 18. n.&#13;
VIA RHODESIA. By CHARLOTTE MANSFIELD. With&#13;
150 Illustrations and Maps. Stanley Paul &amp; Co.&#13;
168. n.&#13;
THE CALL OF THE SNOWY HISPAR. A Narrative of Ex&#13;
ploration and Mountaineering on the Northern Frontier&#13;
of India. By W. H. WORKMAN and FANNY BULLOCK&#13;
WOBKMAN. 94 x 61. 297 pp. Constable, 218. n.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
BIOGRAPHY.&#13;
THE FATE OF HENRY OF NAVARRE. By John BLOUN.&#13;
DELLE-BURTON. John Lane Co.&#13;
DRAMATIC.&#13;
SAVOY OPERAS ; Second Series : IOLANTHE, THE MIKADO,&#13;
THE GONDOLIERS, RUDDIGORE. By SIR W. S. GIL-&#13;
BERT. Coloured and Illustrated by W. RUSSELL FLINT.&#13;
254 pp. New York : Macmillan. $5 n.&#13;
FICTION.&#13;
RED CAP TALES FROM SIR WALTER SCOTT. By S. R.&#13;
CROCKETT. New York : Macmillan. 75c. n.&#13;
LITERARY.&#13;
THE SILENT ISLE. By ARTHUR C. BENSON. 444 pp. New&#13;
York : Putnam. $1.50 n.&#13;
MISCELLANEOUS.&#13;
LONDON ; with thirty-two Plates in Colour. By A, R.&#13;
HOPE MONCRIEFF. 312 pp. $2.50 n.&#13;
Miss K. Everest's third song, “That Evening in&#13;
June” (dedicated to Miss Lillah McCarthy), was&#13;
published last month by Messrs. Stanley Webb,&#13;
10, Museum Street, W.C. Miss Everest's verses,&#13;
“ Beyond these Voices," in memory of his late&#13;
Majesty King Edward, have been graciously received&#13;
by Queen Alexandra.&#13;
Mr. Albert Dorrington, whose Australian novel,&#13;
- Children of the Cloven Hoof." appeared serially&#13;
in the Teaninh has another long story in the&#13;
January Pall Mall Magazine, “ The Radium&#13;
Terrors." The American serial rights of the latter&#13;
work have been purchased by the Frank A. Munsey&#13;
Company.&#13;
“The Englishman in Greece " is a collection of&#13;
the verse of many English poets, with an intro-&#13;
duction by Sir Rennell Rodd, just issued by the&#13;
Clarendon Press.&#13;
We have received the first number of a publica-&#13;
tion entitled “ Day by Day with the Poets,"&#13;
calendar and treasury of English verse, compiled&#13;
by Mary A. Woods, with floral illustrations by&#13;
Ellen M. Woods. The calendar will be issued in&#13;
twelve monthly parts. The January issue is&#13;
published at 6d. ; those for February, April and&#13;
December (double numbers) will be issued at 9d.,&#13;
and the August (triple number) will be issued at&#13;
18. All other months will be issued at 6d.' Copies&#13;
can be obtained of E. S. Fowler, Cornfield Road,&#13;
Eastbourne.&#13;
“Maxims of Government” is a little book by&#13;
Marshall Bruce Williams, published by Messrs.&#13;
Chapman &amp; Hall, and divided into five sections.&#13;
The book contains the author's thoughts on&#13;
government, reform and revolution, civilisation,&#13;
aristocracy and democracy.&#13;
Mr. Bruce-Williams has published through the&#13;
same firm, “ Principles of the Science of Organisa-&#13;
tion," a book of charts and diagrams, which&#13;
contains an exposition of the principles upon which,&#13;
in conjunction with an axiom, a science of&#13;
organisation is founded.&#13;
W. Harold Thomson's novel, “Heather o the&#13;
Rivers," which was first published in 1908, is being&#13;
brought out in a cheap edition by the Weekly&#13;
Telegraph, on January 23. The scene of the novel&#13;
is laid in West Perthshire, but such dialect as 15&#13;
used is so written as to present no difficulties to&#13;
the English reader.&#13;
“The Kestrel” is the name of a new novel by&#13;
Reginald E. Salwey, to be published soon by Digby&#13;
Long &amp; Co. The title has reference to the leading&#13;
character in the story.&#13;
Messrs. Longmans &amp; Co. are the publishers of a&#13;
diary by the Rev. T. A. Lacey, entitled "A&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
NNALS of a Yorkshire House,” by A. W.M.&#13;
A Stirling, announced by Mr. John Lane&#13;
for publication in November, has just&#13;
been issued, the delay in publication being due to&#13;
the General Election. It is published in two&#13;
volumes, and contains the history for some two&#13;
hundred years of two great Yorkshire families&#13;
allied by intermarriage, and their cadets and&#13;
intimates, drawn entirely from family papers. The&#13;
book treats of the antecedents, life and surroundings&#13;
of Walter Spencer-Stanhope, M.P., the Macaroni,&#13;
the youth about town, the politician for nearly&#13;
forty years during an enthralling period of our&#13;
&#13;
&#13;
## p. 85 (#123) #############################################&#13;
&#13;
THE AUTHOR.&#13;
85&#13;
Roman Diary, and other Documents Relating to cannot buy. Messrs. John Ouseley, Ltd., publish&#13;
the Papal Inquiry into English Ordinations." The the story.&#13;
diary is one which was kept by Mr. Lacey during Since the publication of Mr. G. K. Chesterton's&#13;
two months of work in Rome, while rendering introductions, written for the “ Everyman "edition&#13;
outside help to members of the Papal Commission of Dickens, Mr. Chesterton bas discovered a&#13;
of Inquiry into English Ordinations in the year great deal more to say on the subject. Messrs.&#13;
1886. * Round this he has gathered a considerable J. M. Dent &amp; Sons, Ltd., have, therefore, to&#13;
number of papers bearing on that inquiry and its announce that Mr. Chesterton has prepared a&#13;
result. Most of them are from his own pen, but revised and enlarged edition of the “Everyman"&#13;
they include a memorandum by Mr. Gladstone, an introductions, and collected them into one volume.&#13;
elaborate criticism of his own pamphlet, “ De Re In addition, two entirely new chapters have been&#13;
Anglicana,” by Dom Gasquet and Canon Moyes, written, one of which is entitled “An Introduction&#13;
and letters of several correspondents.&#13;
to Introductions." The book will contain some as&#13;
Miss L. E. Tiddeman's Christmas books include yet unpublished portraits taken of Dickens by a&#13;
“ Winning and Waiting," a story for adults, friend.&#13;
written on Temperance lines, and published by the&#13;
Pilgrim&#13;
DRAMATIC.&#13;
Press ; ' “ Love's Lessons,” published by&#13;
the Religious Tract Society; “ Adventures of&#13;
“The Princess Clementina," by George Pleydell&#13;
Jasmin,” published by Jarrold.&#13;
and A. E. W. Mason, was produced at the Queen's&#13;
“Next Door Gwennie,"published by the S.P.C.K.,&#13;
Theatre on December 14. The cast includes Mr.&#13;
and “All About Me,” published by Messrs.&#13;
H. B. Irving, Miss Stella Patrick Campbell, and&#13;
Chambers.&#13;
Miss Dorothea Baird.&#13;
Miss Arabella Kenealy's new novel,“ The Mating&#13;
“Company for George,” by R. S. Warren Bell,&#13;
of Anthea,” is published this week by Messrs. John&#13;
started a short tour last month at Weymouth.&#13;
Long, Ltd. This is the first novel to be written&#13;
The company is under the direction of Miss May&#13;
on engepics. Anthea 18 a young person who has Palfrey (Mrs. Weedon Grossmith) who ran the&#13;
been reared by her guardian, a eugenics enthusiast, piece at the Kingsway&#13;
in order that she may be the mother of that genius - Mr. John Masefield's play. " Pompey the Great,"&#13;
for whom the world waits. Miss Kenealy's view is&#13;
was produced by the Incorporated Stage Society&#13;
that as all great men and women have been the&#13;
at the Aldwych Theatre last month. The cast&#13;
children of great mothers, the high variation of&#13;
included Mr. Herbert Grimwood, Miss Jean&#13;
included Mr.&#13;
species which results in greatness, originates with&#13;
Stirling Mackinlay, and Mr. Edward Gurney.&#13;
the mother. On the other hand, women notable&#13;
in the arts and professions, by diverting their&#13;
powers, have produced inferior offspring, or have&#13;
been childless.&#13;
“Via Rhodesia," by Charlotte Mansfield, is a&#13;
record of a journey undertaken by the author,&#13;
PARIS NOTES.&#13;
through Southern Africa. Messrs. Štanley Paul &amp;&#13;
Co. are the publishers.&#13;
“The New North,” by Miss A. D. Cameron, “MTARIE-CLAIRE,” by Marguerite Audoux,&#13;
published by Messrs. Appleton in London and New 1 is the book which has this year been&#13;
York, is a book which deals with a journey made&#13;
chosen by the Die Heureuse for the&#13;
by the author down the Athabasca, Slave, and prize of 5,000 francs. The authoress is a dress-&#13;
Mackenzie rivers to the shores of the Arctic Ocean. maker, and this book is her first publication. The&#13;
The Hudson's Bay Company records are also a story is very simple, and is indeed more a diary&#13;
feature of the book, to which there are many than story. It certainly is somewhat surprising&#13;
illustrations from photographs, and at the end that an amateur, and particularly a woman, should&#13;
some tables of distances, passenger and freight write a first book with such concision and brevity.&#13;
tariffs, etc., and a small sketch map of the route There is not a word too much in the volume. It&#13;
followed.&#13;
has the simplicity of style that betokens long&#13;
In " Blair's Ken," W. S. Walker (“ Coo-ee") experience, and an omission of unnecessary detail&#13;
relates the romantic adventures in Australia (and which is almost miraculous for a woman writer,&#13;
in many other parts of the Empire) of a spendthrift The only unreal part of the story appears to be&#13;
young Highland laird, who, in fleeing from his the account of life in the convent. The episode&#13;
debts and his ancestral weird, becomes a million- related detracts from the strength of the rest of&#13;
aire, but finds there are some things which money the narrative.&#13;
“ L'Ame des Anglais," by Jacque Vontade, is&#13;
the Aloer. Herbend Mr.&#13;
&#13;
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## p. 86 (#124) #############################################&#13;
&#13;
86&#13;
THE AUTHOR.&#13;
à volume containing a series of articles which three historical studies. Much has already been&#13;
were published first in the Figaro, under the written about the Comte de Fersen, but his&#13;
signature of “Femina.” Some years ago this biographer has obtained fresh documents, and has&#13;
author wrote a novel entitled “ La Lueur sur la compiled another account of one of the most&#13;
cime," a very remarkable psychological study. interesting and attractive figures in history. The&#13;
In the present volume the writer endeavours to book is thoroughly interesting, and the stories of&#13;
explain the English to French readers. After the Charles Gustave de Lilienfeld and of the Princesse&#13;
introduction, which the author styles “Excuses Augusta de Wurteinberg are as tragic as the one&#13;
liminaires” for her “Hypothèses impertinentes,” she which gives its name to the volume.&#13;
proceeds to introduce the inhabitants of England “Le Culte de l'Incompétence,” by Emil&#13;
and to explain the influence which race and Faguet, is a book to be read with profit in other&#13;
climate must necessarily have had on the present countries than in France. The following are the&#13;
generation. According to Jacque Vontade, the headings of the chapters : –“ Principes des&#13;
climate of the British Isles accounts in a great Régimes,” “Confusion des fonctions,” “Refuges&#13;
measure for many of our characteristics. In de la Compétence," "Le Législateur compétent,"&#13;
speaking of that intense love of home supposed to “ Les Lois en Démocratie," “ Incompétence&#13;
be peculiar to the English, we are asked to notice gouvernementale,“ “ Incompétence judiciaire,”&#13;
that of all Europeans the English travel the most, “Autres Incompétences,” “Mæurs générales,"&#13;
and take up their abode more easily in other “Les Habitudes professionnelles," “Remèdes&#13;
countries, than the people of any other nation. tentes," “ La Rêve.” M. Faguet not only shows&#13;
The author therefore concludes that the real home up the incompetence which reigns at present, but&#13;
of the Englishman is within himself; it is his own he endeavours to point out the remedy for the&#13;
“ âme impénetrée !” A whole chaper is devoted to existing state of things.&#13;
“L'insensibilité,” and another is entitled “Quelques The chapter on “Le Législateur compétent" is&#13;
rêveries a propos de l'amour.” In this chapter love particularly instructive. If the legislators elected&#13;
and friendship are treated. The other essays are could have the qualities which M. Faguet desires,&#13;
on “Notre ascétisme et leur sensualité,” Fair all would be well with the countries governed by&#13;
Play,” “ La Religion," "Le Sport," “Le sens them. In the summing up, “ La Rêve," we have&#13;
esthétique,” « L'Amour des Jardins," and "L'Après- an ideal government proposed.&#13;
midi morose.”&#13;
“Le peuple où la plèbe est aristocrate et l'aristo-&#13;
“Etudes anglaises,” by Raymond Laurent, is cratie démophile est le peuple sain," says the author.&#13;
unfortunately only published after the death of the “La synergie sociale doit être aussi forte que la&#13;
author. It is preceded by an introduction written synergie familiale, ... Il faut que les petits aiment&#13;
by P. J. E. Tiddy. The volume contains essays la patrie dans les grands et que les grands aiment,&#13;
on “Coleridge," " Le Preraphaélisme en Angle- la patrie dans les petits ; et que par suite les&#13;
terre,” “ Walter Pater,” and “Oscar Wilde.” uns et les autres veuillent mêmes choses, repoussent&#13;
The last of these essays is undoubtedly the finest les mêmes choses."&#13;
in the volume. Criticism of this kind is a fine A curious book has just been published by&#13;
art. The author knows his subject, and endea- M. Théodore Joran, entitled “Les Féministes avant&#13;
vours, with an unbiassed mind, to set forth what le Feminisme." It is dedicated to Mademoiselle&#13;
he sees. The psychological analysis is extremely Lya Berger, and the preface is written by Louise&#13;
subtle. The strength and the weakness of Wilde Faure Favièr.&#13;
are set forth. We follow him through all the “Les Lettres de Marque "appears to be an excellent&#13;
various stages of his evolution. We see him translation by Albert Savine, of Rudyard Kipling's&#13;
among that famous group of the disciples of book. The French public owes much to M. Savine&#13;
preraphaelitism, a disciple and admirer of Pater, for the long list of translations he has already&#13;
and we follow him through the various stages of made.&#13;
his literary career until we come to the last “Champs, Usines et Ateliers," by Pierre Kropot-&#13;
chapters, to the “ De Profundis.” The whole kine, is translated by M. Francis Leray from the&#13;
volume is a valuable addition to literary criticism. English. This volume forms one of the series&#13;
Some of the suggestions of the writer will probably entitled “ Bibliothèque Sociologique," published by&#13;
not be accepted. Many of the disciples of Pater P. W. Stock.&#13;
will refute the idea that their master was a In the Revue des Deux Mondes, of December 15,&#13;
nominalist. There is perhaps too much generalisa- M. Emile Ollivier writes on “La Guerre de 1870,"&#13;
tion in some of the chapters, but there is very and M. Leroy-Beaulieu on “Léon Tolstoï.”&#13;
much that is well worth reading in each criticism. In La Revue A. Fouillée and Dr. Grasset write&#13;
“Le Comte de Fersen," by Princesse Schanove. on “ La Criminalité et la Presse." There is also&#13;
skoy-Strechneff, is the title of a volume containing an article on “ Bernard Shaw," by A. Hamon and&#13;
DOCK.&#13;
&#13;
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## p. 87 (#125) #############################################&#13;
&#13;
THE AUTHOR.&#13;
87&#13;
one by G. Saint-Aubin on “La Catholicisme aux&#13;
UNITED STATES NOTES.&#13;
Etats-Unis."&#13;
In the recent numbers of La Revue hebdomadaire&#13;
are some excellent articles by Jacques Bardoux on&#13;
SWALD GARRISON VILLARD'S “John&#13;
“Edward VII,” as king, man and politician. Brown : A Biography Fifty Years After," is&#13;
There is also an article by Paul Pompéi on “Les&#13;
no doubt an interesting and meritorious piece&#13;
Causes de la Révolution en Portugal,” and Mlle. of work. But when it is described as “ One of the&#13;
Halperine-Kaminsky gives some hitherto unpub-&#13;
great biographies of our literature," and compared&#13;
lished letters from Tolstoï.&#13;
to Gibbons' “ Decline and Fall,” one calls out for&#13;
At the Odéon “Les Affranchis” has been pro critical quarter. Yet these two judgments were&#13;
nounced a success. “L'Aventurier” is still being delivered not by anonymous young lions of obscure&#13;
given at the Porte Saint-Martin ; “La Fugitive" organs, but by two veterans of literature !&#13;
at the Gymnase ; and “Elektra” at the Théâtre Perhaps a still more remarkable recent publica-&#13;
de l'Euvre. Mr. Charles Foley's play, “Aution of the Houghton Mifflin Company is “The&#13;
Téléphones," has just been put on again, at Digressions of V." The artist-autobiographer&#13;
l'Ambigu, and is having greater success than describes his work—a medley of poems in art&#13;
ever.&#13;
lettering, discursive prose, and pictorial interpola-&#13;
The Théâtre Shakespeare is now established in tions-as “written for his own fun and that of&#13;
Paris, thanks to the enterprise and perseverance&#13;
his friends." He tells of his early adventures in&#13;
of M. Camille de Sainte-Croix. Last season seven Cuba ; sketches his student life at Rome, Paris and&#13;
comedies and dramas were given here which had Florence, and indulges occasionally in self-criticism.&#13;
never before been produced in France, and twelve Elihu Vedder, in fact, appeals equally to the lover&#13;
fresh plays are now announced for Wednesday of art in books and on canvas.&#13;
evenings at the Théâtre Femina, in the Champs Readers of The Author will probably have long&#13;
Elysées.&#13;
since made acquaintance with Mr. Howells's “ My&#13;
M. de Sainte-Croix is devoting his life to the Mark Twain.” Literary biography has been a&#13;
production of Shakespeare's works in French. He good deal in evidence of late. Besides the works&#13;
is translating them himself, and his one ambition is already touched upon we have had Miss Lilian&#13;
to put the thirty-four comedies and dramas on the Whiting's “ Louise Chandler Moulton," a notable&#13;
French stage. M. Simas, the well-known scene memorial, containing numerous unpublished letters&#13;
painter of the Opéra Comique, is responsible for&#13;
from leading authors; "a posthumous auto-&#13;
the stage scenery. He not only paints the back- biography” of Edmund Clarence Stedman, con-&#13;
ground, but he combines the colouring of the cerning which the author, the subject's grand-&#13;
costumes in order to ensure perfect harmony.&#13;
daughter, affirms that her own personality has&#13;
M. de Sainte-Croix is not only a prolific writer, been to such an extent mastered that she has&#13;
but as a member of the Jury of Examiners of the constantly had the feeling that “he 'Stedman) was&#13;
Conservatoire de Musique et Déclamation he has directing what I should say and what I should not&#13;
admirable opportunities of selecting his artistes say, even sometimes contrary to my own planning";&#13;
for the various rôles in these plays.&#13;
“ The Japanese Letters of Lafcadio Hearn," with a&#13;
The initiative is greatly appreciated here, and biographical and critical introduction by Elizabeth&#13;
these Shakespearean evenings once a fortnight are Bisland; and Mr. H. J. Moors's “ With Stevenson&#13;
highly in favour. The next play announced for in Samoa,” an appendix to the “ Vailima Letters.”&#13;
January 12 is “The Taming of the Shrew," The year has also been pretty prolific in political&#13;
under the French title of “L'Ecole de la Pie. biography of note. First place should probably be&#13;
Grieche.”&#13;
given to Dr. Allen McLane Hamilton's “Intimate&#13;
A committee has been formed with the idea of Life of Alexander Hamilton," his grandfather,&#13;
helping M. de Sainte-Croix in the task he has published by Scribner. Unpublished letters from&#13;
assumed, and the Duchesse de Rohan is a most Martha Washington, General Schuyler, and others&#13;
active and capable president.&#13;
are included, and a graphic impression is given of&#13;
ALYS HALLARD.&#13;
New York as it was when the great Federalist was&#13;
in his prime.&#13;
“Through&#13;
“Maire-Claire.”&#13;
Five Administrations,”&#13;
Fasquelle.&#13;
Colonel&#13;
"L'Ame des Anglais." Bernard Grasset.&#13;
Crook's record of service from Lincoln to Grant,&#13;
“La Lueur sur la cime." Calmann Lévy.&#13;
ably edited by Margarita Spalding Gerry, is one of&#13;
"Etudes Anglaises." Bernard Grasset.&#13;
Harper's most notable publications. Lincoln could&#13;
" Le Comte de Fersen." Perrin.&#13;
** Le Culte de l'Incompétence." Bernard Grasset.&#13;
not spare his bodyguard for army service, but kept&#13;
"Les Lettres de Marque." P. V. Stock.&#13;
him by him to the last.&#13;
*Champs. Usines et Ateliers." Stock.&#13;
Coming down to more recent times, we have&#13;
&#13;
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## p. 88 (#126) #############################################&#13;
&#13;
88&#13;
THE AUTHOR.&#13;
“Grover Cleveland : A Record of Friendship," Pollak's “ The Hygiene of the Soul,” though its&#13;
based on Richard Watson Gilder's Century articles sanity may be too great for some of them.&#13;
of 1909, his last prose work, and by no means his Prof. Trent's “ Longfellow and other Essays"&#13;
worst.&#13;
may be unpopular in some quarters on account of&#13;
“ The Autobiography of Thomas Collier Platt," its sober estimate of the works of the author of&#13;
a record of the life-work of the able Republican “Hiawatha," but will commend itself to the&#13;
“ boss,” covers much ground, and is very frank and discerning.&#13;
outspoken in tone. In fact, the book is what the Professor Brander Matthews has issued through&#13;
man was, allowing for the reticence no longer Scribner an excellent life of Molière : and a&#13;
necessary. The editor is Louis J. Lang.&#13;
collection of Eugene Field's verse has been&#13;
“Lincoln and Herndon,” by Joseph Foot Newton, published by the same house. They have also&#13;
is based upon the correspondence of Theodore issued President Eliot's Barbourt-Page lectures,&#13;
Parker and Herndon in the years 1854-9, and collected under the title “The Conflict between&#13;
throws light upon the Douglas-Greeley compact Collectivism and Individualism."&#13;
against Lincoln, amongst other events of the In the region of fiction nothing very sensational&#13;
period.&#13;
has happened of late. James Lane Allen's “The&#13;
To the succeeding decade belongs “The Recol. Doctor's Christmas Eve ” deals attractively with an&#13;
lections of Alexander H. Stephens," consisting for attractive theme which the writer has treated of&#13;
the most part of his journal whilst a prisoner with before in another aspect; Jack London, in&#13;
the Confederates.&#13;
“Burning Daylight," has produced some strong&#13;
The “Seven Great Statesmen," on whom the Hon. character studies, and he has also published some&#13;
Andrew D. White has written studies, are Sarpi, good short stories ; but Mrs. Wharton's “ Tales of&#13;
Grotius, Thomasius, Turgot, Stein, Cavour, and Men of Ghosts,” though displaying technical skill,&#13;
Bismarck—a wide field well covered.&#13;
is otherwise distinctly disappointing. Anne&#13;
Before leaving the field of biography, Mrs. Douglas Sedgwick's “ Franklin Winslow Kane"&#13;
Lothrop's “ Court of Alexander III.," the letters is ambitiously elaborated, but unattractive.&#13;
of our ambassador in Russia's wife ; Theodore “Flamsted Quarries,” by Mary E. Waller, is strong&#13;
Stanton's“ Reminiscences of Rosa Bonheur" (with in construction and not deficient in characterisa-&#13;
illustrations); and George Wharton James's tion. Mr. Louis J. Vance has again shown his&#13;
“Heroes of California" should also be mentioned. narrative skill in “No Man's Land”; and Dr.&#13;
Amidst the abundance of life studies showered Weir Mitchell has written four excellent short&#13;
upon us, we had almost forgotten à volume of stories entitled “The Guillotine Club." “ The&#13;
such world-wide interest as the “ Impressions” of Purchase Price," by Emerson Hough, is an exciting&#13;
Madame Modjeska (Macmillan Co.), which range tale of the Civil War ; and Margaret Deland's&#13;
from Poland in one continent to California in “The Way to Peace” solves a matrimonial&#13;
another, and will have special attraction for difficulty by the aid of religion.&#13;
students of the stage ; as well as the life story of Recent losses suffered by American literature,&#13;
Edison and his work, which is given to the world besides those of Prof. William James, Mrs. Julia&#13;
by Frank Lewis Dyer and Thomas Commerford Ward-Howe, and John La Farge the artist, have&#13;
Martin (Harper).&#13;
included Mrs. Rebecca Harding Davis, novelist and&#13;
Two more volumes of Emerson's Journals have mother of a novelist; the Rev. Louis Lambert&#13;
also appeared this year, the period covered including (Father Lambert), Ingersoll's opponent; Major&#13;
his voyage to the Mediterranean, his stay in England, J. Monroe Taylor, the best American authority on&#13;
Paris and Italy, and his marriage after his return; doys ; and William Vaughan Moody, one of the&#13;
and the Concord Sage's correspondence with thin line of American poets whose verse really&#13;
William Henry Furness has been edited by the counted.&#13;
latter's son.&#13;
From the Yale Press have come several note-&#13;
worthy historical works, such as Prof. Max REPRODUCTION OF MUSIC BY&#13;
Farrand's “ Records of the Federal Convention of&#13;
1787,” Major John Bigelow's strategic study, “The&#13;
GRAMOPHONE.&#13;
Campaign of Chancellorsville," and Prof. Charles&#13;
Howard Molliwain's “The High Court of&#13;
MONCKTON V. TAE GRAMOPHONE CO.&#13;
Parliament and its Supremacy,” the last of which&#13;
is certain to attract much attention across the TN this action another unsuccessful attempt was&#13;
Atlantic.&#13;
1 made to obtain for the musical composer con.&#13;
The recent death of the founder of Christian trol over mechanical reproductions of his&#13;
Science may help to gain readers for Gustav music.&#13;
&#13;
&#13;
## p. 89 (#127) #############################################&#13;
&#13;
THE AUTHOR.&#13;
89&#13;
The plaintiff was Mr. Lionel Monckton, the well-&#13;
known song-writer, and the author of a musical&#13;
composition called “Moonstruck," which was&#13;
first published in 1909, and was subsequently&#13;
reproduced on gramophones by the defendant&#13;
company.&#13;
The action was brought for the purpose of&#13;
obtaining a declaration that the plaintiff was&#13;
entitled to the exclusive right of making grama-&#13;
phone sheets for the reproduction of his musical&#13;
work.&#13;
It appeared that the registered proprietors of&#13;
the copyright were Messrs. Chappell and Co. ; but&#13;
the plaintiff did not base his claims upon statutory&#13;
copyright, that point having been determined in&#13;
the recent cases relating to perforated rolls.&#13;
In Boosey V. Wright it was decided that a&#13;
perforated roll for mechanical reproduction of&#13;
music was not a “copy ” of a sheet of music, and&#13;
that such reproduction was not an infringement&#13;
of statutory copyright. Similarly, in Mabe v.&#13;
Connor, it was held that a perforated music roll&#13;
was not a “ pirated copy” of a musical compo-&#13;
sition, and that the reproduction by such&#13;
mechanical process was not an offence under the&#13;
Musical Copyright Act, 1902.&#13;
It was contended, however, on behalf of the&#13;
plaintiff, that he had a common law right to con-&#13;
trol the use of his musical work, and that this&#13;
common law right continued after publication&#13;
concurrently with the copyright provided by&#13;
statute.&#13;
Mr. Justice Joyce, in dismissing the action, said&#13;
that the claim was made by the composer after his&#13;
song had been published, and that after publication&#13;
the only right was statutory copyright, which was&#13;
not claimed by the plaintiff.&#13;
It may be pointed out that under the new Copy-&#13;
right Bill it is proposed to give the author of a&#13;
musical work the right to make or authorise the&#13;
making of any record, perforated roll, or other&#13;
contrivance by means of which the work may be&#13;
mechanically performed.&#13;
HAROLD HARDY.&#13;
perform the sketch written by the author entitled&#13;
" " for a period of twelve months from the&#13;
date of this agreement.&#13;
Provided that the author shall have the right to&#13;
license bona fide amateur performances of the said&#13;
sketch in London during the continuance of the&#13;
licence herein mentioned subsequent to the date&#13;
of the first London performance and in any town&#13;
within three months after the date of first&#13;
performance in the said town.&#13;
2. The author undertakes that during the con-&#13;
tinuance of this agreement he will not authorise&#13;
any other performance of the said sketch.&#13;
3. In consideration of the said licence the pro-&#13;
ducer undertakes to pay the author on the signing&#13;
of this agreement a sum of £ which sum&#13;
shall be taken towards the payment of royalties&#13;
hereinafter mentioned, but shall not be repayable&#13;
in any event.&#13;
Note: This sum should be reckoned as the sum of&#13;
royalties for about four weeks. (See further additional&#13;
note at end of clause 6.)&#13;
4. The producer undertakes to produce the&#13;
sketch on or before&#13;
5. The producer undertakes to pay the author&#13;
the following royalties: £ per performance&#13;
fore&#13;
for each company performing the said sketch.&#13;
Note :-Two performances in a night at one hall by the&#13;
same company are generally counted as one performance,&#13;
It is customary, if the same company performs the sketch&#13;
at more than one hall in a night, that the usual fee shall&#13;
be charged on the first performance and half the fee on the&#13;
other performances, and in this case the clause should be&#13;
added to accordingly.&#13;
6. The producer undertakes to forward to the&#13;
author detailed returns and accounts of all per-&#13;
formances on the Tuesday following the week in&#13;
which such performances shall have taken place.&#13;
In rendering the accounts, if the amount paid in&#13;
advance of royalties has been worked off by the&#13;
number of performances, then the producer under-&#13;
takes not only to pay the balance due, but to pay a&#13;
further sum amounting to two weeks' royalties at&#13;
the rate of £ per week at the same time as he&#13;
renders the account, and shall continue to do so&#13;
during the licence herein granted.&#13;
General Note to Clause 6.-It has been suggested that&#13;
these payments in advance are essential, as the performance&#13;
of a sketch at a music-hall is illegal, and, therefore, if the&#13;
amount is not prepaid the author has no means of recover-&#13;
ing the money due.&#13;
7. The producer shall perform the sketch for&#13;
not less than weeks during the existence of&#13;
this licence, and failing such performances, will&#13;
make such payment to the author as shall make&#13;
the amount received by him equal to the royalty&#13;
on&#13;
weeks' performances at the rate of&#13;
£ per week.&#13;
AGREEMENT BETWEEN AUTHOR AND&#13;
PRODUCER OF A SKETCH.&#13;
MEMORANDUM OF AGREEMENT made&#13;
| this day of between&#13;
hereinafter called the author of the one&#13;
part and hereinafter called the producer of&#13;
the other part&#13;
WHEREBY IT IS AGREED AS FOLLOWS :-&#13;
1. The author hereby licences the producer to&#13;
&#13;
&#13;
## p. 90 (#128) #############################################&#13;
&#13;
90&#13;
THE AUTHOR.&#13;
16. The licence contained in this agreement is&#13;
personal to the producer, and shall not be trans-&#13;
ferred by him to any other person without the&#13;
previous sanction of the author in writing, such&#13;
sanction to be entirely within the author's own&#13;
discretion.&#13;
17. The author hereby agrees to take what steps&#13;
may be necessary to secure to the said producer&#13;
the full enjoyment of the licence conveyed under&#13;
this agreement, but only at the expense of the&#13;
producer and when the producer nas&#13;
producer and when the producer has guaranteed&#13;
the author to the satisfaction of the author against&#13;
any loss or expense he may be likely to incur in&#13;
protecting the said licence.&#13;
18. Should the producer at any time by himself&#13;
or anyone acting on his behalf fail to fulfil or&#13;
comply with any of the clauses and conditions&#13;
herein set forth, or should he retire from business,&#13;
or should he commit an act of bankruptcy, the&#13;
author may forthwith by notice in writing ter-&#13;
minate the licence contained in clause 3, and may&#13;
grant the licence therein to another person not-&#13;
withstanding anything in this agreement set forth.&#13;
MAGAZINE CONTENTS.&#13;
This clause shall be read subject to the power of&#13;
termination by the producer hereinafter contained.&#13;
Note. For the guidance of those entering into a con.&#13;
tract, it should be stated that twenty weeks is not an&#13;
uncommon figure to fix for the number to be inserted in&#13;
the above clause.&#13;
8. The producer may terminate this agreement&#13;
at the end of four weeks after the date of produc&#13;
tion by giving notice in writing to the author any&#13;
time within the said four weeks.&#13;
Note.—The idea is to give the producer time to find out&#13;
if he can book the piece ahead. If he should fail, the&#13;
author will have had a trial of his piece and four&#13;
weeks' pay.&#13;
9. The name of the author shall appear in its&#13;
customary form with due prominence on all play-&#13;
bills, programmes, and advertisements of the sketch,&#13;
and the producer shall be liable in liquidated&#13;
damages to the author should he fail to carry out&#13;
this portion of his agreement.&#13;
10. The producer undertakes to provide a satis.&#13;
factory and efficient company for the sketch, but&#13;
the author shall have the right of veto against&#13;
any member of the said company on the ground of&#13;
unsuitability or inefficiency.&#13;
11. The producer undertakes to stage the sketch&#13;
in the style customary at first-class theatres dealing&#13;
with this method of production.&#13;
12. The producer shall not in any performance&#13;
of the sketch under this licence make or allow&#13;
any alterations, interpolations in, omissions from,&#13;
or violations of the text and stage directions as&#13;
supplied by the author without the previous written&#13;
consent of the author.&#13;
13. The author shall have the right, in case the&#13;
producer fails to carry out the agreement with&#13;
regard to the rendering of accounts and making&#13;
the payments under the clauses herein set forth, to&#13;
authorise the managers to deduct his fees from their&#13;
payments to the producer and pay them to him direct,&#13;
and the author shall further have the option of ter-&#13;
minating the agreement forthwith by notice in&#13;
writing, whereupon all rights (if any) herein con-&#13;
veyed shall again become the author's property&#13;
and the licence hereby granted shall cease.&#13;
Vote.This clause will not necessarily bind the manager,&#13;
but should the manager under this clause at the author's&#13;
request send the author his fees, the producer would be&#13;
unable to raise objection or bring an action for damages&#13;
against the manager. This clause constitutes the best safe.&#13;
guard for the author's protection.&#13;
14. The author shall have the right to be present&#13;
at all rehearsals for the first production of the&#13;
sketch, and shall be summoned to such rehearsals&#13;
by a call sent to his address.&#13;
15. Should the producer fail to produce the&#13;
sketch by the date fixed in clause 4 hereof, the&#13;
author may cancel this agreement at his option.&#13;
BLACKWOOD's MAGAZINE,&#13;
Musings Without Method: A new Theory of Romance'&#13;
Romance in Ancient Literature. The Humanity of Greece&#13;
and Rome. The Individuality of the Poet. A Difference&#13;
of Style and Structure.&#13;
BOOKMAN.&#13;
Scimitar and Broadsword: Disraeli and Bright. By&#13;
Walter Sichel.&#13;
CONTEMPORARY.&#13;
Anarchism in Literature, the Pest of Paradox. By&#13;
E. Wake Cook.&#13;
Anatole France-I. By Count S. C. de Soissons.&#13;
The Pre Raphaelite-Brotherhood II. (Reprinted, with&#13;
some omissions, from the Contemporary Reriew, May and&#13;
June, 1886.) By W. Holman Hunt.&#13;
Literary Supplement.&#13;
Shakespeare's Moon. By Museus.&#13;
English REVIEW.&#13;
Paris Nights. By Arnold Bennett.&#13;
Art, Science and Beauty. By Francis Grierson.&#13;
The New Impressionism. By C. Lewis Hind.&#13;
The Prospects of English Music. By Francis Toye.&#13;
FORTNIGHTLY.&#13;
Benjamin Disraeli, Earl of Beaconsfield. By Lewis&#13;
Melville,&#13;
The Position of Fine Art in the New Copyright Bill.&#13;
By M. H. Spielmann.&#13;
The Childhood of Rachael. By Francis Gribble.&#13;
NINETEENTH CENTURY.&#13;
Browning Biography. By Emily Hockey.&#13;
The Place of Classics in Secondary Education. By Dr.&#13;
W. H. D. Rouse.&#13;
St. Thomas Aquinas and the Ideas of Modernism. by&#13;
C. Delisle Burns.&#13;
&#13;
&#13;
## p. 91 (#129) #############################################&#13;
&#13;
THE AUTHOR.&#13;
91&#13;
HOW TO USE THE SOCIETY,&#13;
1. T VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor ; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe, The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent withont the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution,&#13;
Secretary will undertake it on behalf of mem bers.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(6.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form.&#13;
of agreement. "It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2. Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
V Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2, It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays.&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills,&#13;
CTERE are a few standing rules to be observed in an&#13;
I agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 92 (#130) #############################################&#13;
&#13;
92&#13;
THE AUTHOR.&#13;
(6.) Sale of performing right or of a licence to DRAMATIC AUTHORS AND AGENTS.&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
RAMATIC authors should seek the advice of the&#13;
and 15 per cent. An author should obtain a&#13;
Society before putting plays into the hands of&#13;
percentage on the sliding scale of gross receipts&#13;
agents. As the law stands at present, an agent&#13;
in preference to the American system. Should&#13;
who has once had a play in his hands may acquire a&#13;
obtain a sum in advance of percentages. A fixed&#13;
perpetual claim to a percentage on the author's fees&#13;
date on or before which the play should be&#13;
from it. As far as the placing of plays is concerned,&#13;
performed.&#13;
it may be taken as a general rule that there are only&#13;
(c.) Sale of performing right or of a licence to&#13;
very few agents who can do anything for an author&#13;
perform on the basis of royalties (i.e., fixed&#13;
that he cannot, under the guidance of the Society, do&#13;
nightly fees). This method should be always&#13;
equally well or better for himself. The collection of fees&#13;
avoided except in cases where the fees are&#13;
is also a matter in which in many cases no intermediary is&#13;
likely to be small or difficult to collect. The&#13;
required. For certain purposes, such as the collection of&#13;
other safeguards set out under heading (6.) apply&#13;
fees on amateur performances, and in general the trans-&#13;
also in this case,&#13;
action of frequent petty authorisations with different&#13;
4. Plays in one act are often sold outright, but it is individuals, and also for the collection of fees in foreign&#13;
better to obtain a small nightly fee if possible, and a sum countries, almost all dramatic authors employ agents; and&#13;
paid in advance of such fees in any event. It is extremely in these ways the services of agents are real and valuable.&#13;
important that the amateur rights of one-act plays should But the Society warns authors against agents who profess&#13;
be reserved.&#13;
to have influence with managers in the placing of plays, or&#13;
5. Authors should remember that performing rights can&#13;
who propose to act as principals by offering to purchase&#13;
be limited, and are usually limited, by town, country, and&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
time. This is most important.&#13;
circumstances without an agreement approved of by the&#13;
6. Authors should not assign performing rights, but Society.&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
T ITTLE can be added to the warnings given for the&#13;
holding the performing right or licence to perform cannot&#13;
L assistance of producers of books and dramatic&#13;
print the book of the words.&#13;
authors. It must, however, be pointed out that, as&#13;
8. Never forget that United States rights may be exceed. a rule, the musical publisher demands from the musical&#13;
ingly valuable. They should never be included in English&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
agreements without the author obtaining a substantialcial terms than those obtained for literary and dramatic&#13;
.consideration,&#13;
property. The musical composer has very often the two&#13;
9. Agreements for collaboration should be carefully rights to deal with-performing right and copyright. He&#13;
drawn and executed before collaboration is commenced.&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
10. An author should remember that production of a play&#13;
the warnings stated above.&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
STAMPING MUSIC.&#13;
the beginning.&#13;
11. An author must remember that the dramatic market The Society undertakes to stamp copies of music on&#13;
is exceedingly limited, and that for a novice the first objectbehalf of its members for the fee of 6d. per 100 or part&#13;
is to obtain adequate publication.&#13;
of 100. The members' stamps are kept in the Society's&#13;
As these warnings must necessarily be incomplete, on&#13;
safe. The musical publishers communicate direct with the&#13;
account of the wide range of the subject of dramatic con-&#13;
Secretary, and the voucher is then forwarded to the&#13;
tracts. those authors desirous of further information members, who are thus saved much unnecessary trouble.&#13;
are referred to the Secretary of the Society.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
MTEMBERS will greatly assist the Society in this&#13;
W branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. I&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
.at the price of 28. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post,&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registerel&#13;
letter only.&#13;
&#13;
&#13;
## p. 93 (#131) #############################################&#13;
&#13;
THE AUTHOR.&#13;
93&#13;
GENERAL NOTES.&#13;
and work, which might spring from the country's&#13;
school of authors. The wider the circulation an&#13;
author can obtain, unfettered by trade restrictions,&#13;
PUBLISHERS AND MINOR RIGHTS.&#13;
the larger will be the remuneration he will get for&#13;
the production of his work, the larger reputation&#13;
We have much pleasure in publishing in the&#13;
he will get for the country of origin, and, in&#13;
Correspondence a letter dealing with the question of&#13;
consequence, the larger number of original thinkers&#13;
publishers and minor rights, referring to an article&#13;
will be persuaded to enter the literary profession.&#13;
that appeared in last month's Author.&#13;
If, therefore, a country desires to foster its native&#13;
The writer appears to think that the publisher is&#13;
literary genius, the fewer restrictions it places on&#13;
the right man to act as agent for the sale of these&#13;
authorship the better.&#13;
minor rights. We contend, as we have always con-&#13;
tended, that the publisher should only be employed&#13;
as an agent for the publication of the work in book&#13;
form. It is dangerous to hand over further rights&#13;
MR. SYDNEY FISHER'S REMARKS.&#13;
to the publisher. To give him exclusive power to&#13;
In the issue of the paper to which we have&#13;
deal with these rights is wholly absurd. We do not&#13;
referred, Mr. Fisher is reported to have stated as&#13;
agree either that he can deal with them more&#13;
follows:&#13;
satisfactorily than can the agent who makes it his&#13;
sole business. In any event, if the publisher does “It is more than I expected. I was surprised at the&#13;
succeed in placing these rights he should not be&#13;
completeness of what I got. People in England were at&#13;
first a little startled at the position I took, bnt they proved&#13;
able to claim more than the agent, and, lastly, the&#13;
to be amenable to reason. The conference that was held&#13;
agent should not be entitled to claim his com this summer was presided over by Mr. Buxton, President of&#13;
mission if he has consented to allow such a clause the Board of Trade. There were present representatives of&#13;
to be inserted in the publishing agreement.&#13;
the Foreign, Colonial, and other Offices. Lord Tennyson&#13;
If&#13;
represented Australia, Sir Richard Solomon South Africa,&#13;
the publisher is to act as agent, then there should Sir William Hall-Jones New Zealand, and Sir Edward&#13;
not be a double agency, but we have never known Morris Newfoundland. The Society of Authors has always&#13;
the agent to take this view of the position.&#13;
been a stumbling-block. I learned that it is now defunct.”&#13;
We desire particularly to draw attention to the&#13;
last two sentences. They refer, we conclude, not to&#13;
· CANADIAN COPYRIGHT.&#13;
the English, but to the Canadian Society of Authors.&#13;
and Mr. Fisher seems to be pleased to have been&#13;
The Canadian Bookseller and Stationer, a paper freed from the trammels which were thrown about&#13;
issued from Toronto, has been discussing Mr. Sydney his action by the Canadian Society, in order&#13;
Fisher's statement on the question of Canadian that he might have a free hand to deal with&#13;
Copyright, which has already received some notice the trade issues. We are inclined to think that&#13;
in the English papers.&#13;
this is a bad omen for Canadian copyright legisla-&#13;
There are various opinions put forward by the tion. It is the old story. The trades which would&#13;
representatives of the printing and publishing not exist but for the authors who produce the pro-&#13;
trades. Some of them foreshadow the danger that perty, wish to have control of property which is not&#13;
may arise from separate Canadian legislation. their own. It would appear, therefore, that Mr.&#13;
Some of them are wrapped up entirely in the Fisher thinks, that instead of fostering authors, if&#13;
benefits they hope they may receive by Protection, he wants to produce a great Canadian literature he&#13;
and the Canadian printers are evidently elated by must foster the printing trade. It seems to be a&#13;
the prospect of raising a cry so dangerous to case of the tail wagging the dog. We trust, how-&#13;
authors and copyright ideals. As The Author has ever, that the Canadian Authors' Society may have&#13;
frequently pointed out, if the Canadian publishers read this paragraph, and will show that they are by&#13;
take the trouble at the present time to make con- no means defunct, but will uphold their right&#13;
tracts with English authors, the English authors when legislation comes before the Canadian Parlia-&#13;
would be very willing to reserve their Canadian ment, to control their own property, unfettered by&#13;
markets, and the Canadian printers would get the any trade regulations. But we are assured, and&#13;
benefit they desire ; but there is very little benefit sincerely trust, that the promises which the Imperial&#13;
to be derived from the printing of books until a Copyright Conference has given to the Imperial&#13;
country has raised up its own school of authorship, Government, will be fully maintained in any legis-&#13;
and even then it is unwise to force printing lation which may be carried through in the Colonies,&#13;
in a special country. Such a course is con- and that Imperial-indeed, international-copyright&#13;
trary to the great ideals of copyright legislation, may not be upset by the rash legislation of an&#13;
and retards rather than fosters the original thought independent minister.&#13;
&#13;
&#13;
## p. 94 (#132) #############################################&#13;
&#13;
94&#13;
THE AUTHOR.&#13;
THE AUTHORS' CLUB.&#13;
WE regret, that space did not allow us to mention&#13;
the annual ladies' dinner of the Authors' Club in&#13;
the last number,&#13;
The dinner was held under the chairmanship of&#13;
Mr. Charles Garvice, and Sir Edward Brabrook&#13;
occupied the vice-chair.&#13;
The guest of the evening was Sir Walter&#13;
Parratt, M.V.O., Mus.Doc.&#13;
The company numbered some 320, and there&#13;
was an excellent programme of music. The events&#13;
of the evening, however, were Sir Walter Parratt's&#13;
paper on Music in the Reign of Edward VII.,&#13;
and a presentation to Mr. Charles Garvice, the&#13;
chairman of the committee, by his fellow members&#13;
of the club. The presentation consisted of his&#13;
portrait, painted by Mr. A. D. McCormick, one of&#13;
the members.&#13;
Mr. Garvice has been chairman since the club&#13;
oh&#13;
was re-founded, and all members feel deeply grateful&#13;
to him for the time and attention he has given to&#13;
the details of the management and to the comfort&#13;
of the members. It was with the greatest pleasure,&#13;
therefore, that those who constantly use the club,&#13;
and in consequence are especially interested in its&#13;
good management, took this opportunity to show&#13;
their appreciation of his self-denying labours.&#13;
Members of the society will remember also that&#13;
Mr. Garvice gave up no inconsiderable time to the&#13;
the&#13;
affairs of the society when he was on the sub-&#13;
committee which dealt, at the beginning of the&#13;
year, with the price of novels.&#13;
abouts of the culprit. It is necessary to put these&#13;
facts before members of the society and to draw&#13;
certain conclusions.&#13;
It is probable that the author could not have&#13;
succeeded in an action against the agent, for as&#13;
there was no copyright in the United States in the&#13;
article anyone could reproduce it in the States.&#13;
If the agent made any misrepresentations, and it&#13;
seems from the evidence that he must have done,&#13;
then an action would lie from the proprietor of&#13;
the American magazine against the agent for&#13;
misrepresentation.&#13;
If the agent represented that he was acting as&#13;
agent for the author, and money was paid by the&#13;
proprietor because of this misrepresentation, the&#13;
author would, no doubt, have a claim against the&#13;
agent if he could discover his whereabouts.&#13;
It is impossible, however, to find out any other&#13;
details about the matter, and if any members of&#13;
the society think it likely that they may be placed&#13;
in regard to their work in a similar position, the&#13;
secretary will be pleased to give the name of the&#13;
agent concerned.&#13;
We think it of importance that inembers should&#13;
look alive, as there appears to be considerable&#13;
illicit traffic by a certain class of agents and others&#13;
in literary wares either pirated or stolen, and it is&#13;
as well to put a stop to this kind of traffic before it&#13;
spreads widely.&#13;
spreads widely.&#13;
COMMITTEE ELECTION.&#13;
A CURIOUS CASE.&#13;
A MEMBER of the Society of Authors suddenly&#13;
received information that an article of his was&#13;
appearing in one of the best known American&#13;
magazines. The article referred to appeared&#13;
originally in a magazine in England some years&#13;
prior to its appearance in America, so that it&#13;
would appear that there was no copyright in the&#13;
article in the United States. The agent, there-&#13;
fore, acting on behalf of the member concerned,&#13;
wrote a letter to the magazine in the United&#13;
States, as, owing to the standing of the magazine,&#13;
it seemed unlikely, both to the author and the&#13;
agent, that he would have intentionally pirated&#13;
the article. The agent received a letter in reply&#13;
to the effect that the magazine had purchased the&#13;
article for the sum of $10 from an agent in&#13;
London, whose name and address was given. The&#13;
matter was then placed in the hands of the Society&#13;
of Authors, but the secretary's letter to the agent&#13;
who had sold the article was returned through the&#13;
post. It was found impossible to trace the where-&#13;
TN pursuance of Article 19 of the Articles of&#13;
I Association of the society, the committee&#13;
give notice that the election of members of&#13;
the Committee of Management will be proceeded&#13;
with in the following manner :-&#13;
(1) One-third of the members of the present&#13;
Committee of Management retire from office in&#13;
aceordance with Article 17.&#13;
(2) The names of the retiring members are Sir&#13;
Alfred Bateman, Mr. Douglas Freshfield, Mr.&#13;
Maurice Hewlett, and Mr. W. W. Jacobs.&#13;
(3) The date fixed by the committee up to&#13;
which nominations by the subscribing members&#13;
of candidates for election to the new committee&#13;
may be made is the 15th day of February&#13;
(3) Mr. Freshfield not seeking re-election, the&#13;
committee nominate the following candidates, being&#13;
subscribing members of the society, to fill the&#13;
vacancies caused by the retirement of one-third of&#13;
the committee, according to the new constitution :-&#13;
Sir Alfred Bateman. Mr. W. W. Jacobs.&#13;
Mr. Maurice Hewlett. Mr. Aylmer Maude.&#13;
&#13;
&#13;
## p. 95 (#133) #############################################&#13;
&#13;
THE AUTHOR.&#13;
95&#13;
The committee remind the members that, under&#13;
Article 19 of the amended Articles of Association,&#13;
* any two subscribing members of the society may&#13;
nominate one or more subscribing members, other&#13;
than themselves, not exceeding the number of&#13;
vacancies to be filled up, by notice in writing sent&#13;
to the secretary, accompanied by a letter signed by&#13;
the candidate or candidates expressing willingness&#13;
to accept the duties of the post.”&#13;
Members desiring to exercise their powers under&#13;
this rule must send in the name of the candidate&#13;
or candidates they nominate, not exceeding four in&#13;
all, on or before the 15th day of February, together&#13;
with an accompanying letter written by the candi-&#13;
date or candidates expressing readiness to accept&#13;
nomination. The complete list of candidates will&#13;
be printed in the March issue of The Author.&#13;
the end of July, 1907, was published in October&#13;
of that year. This list was complete at the date&#13;
of issue with the exception of the thirty-eight&#13;
members referred to in the short preface. All&#13;
further elections have been duly notified in The&#13;
Author. They can easily be referred to, as members&#13;
receive a copy every month.&#13;
It will be as well, therefore, should any of the&#13;
members desire to put forward a candidate, to take&#13;
the matter within their immediate consideration.&#13;
The general meeting of the society has usually&#13;
been held towards the end of February or the&#13;
beginning of March. It is essential that all&#13;
nominations should be in the hands of the secretary&#13;
before the 31st of January, 1911.&#13;
THE COUNCIL MEETING.&#13;
THE PENSION FUND COMMITTEE.&#13;
M HE second meeting of the council during the&#13;
present year was held at 20, Hanover&#13;
TN accordance with annual custom, and in order&#13;
Square, W., on Tuesday, November 22,&#13;
to give members of the society, should they under the chairmanship of Mr. Maurice Hewlett.&#13;
desire to appoint a fresh member to the The following members were present : Mr.&#13;
Pension Fund Committee, full time to act, it has Maurice Hewlett (chairman). Sir Alfred Bateman.&#13;
been thought advisable to place in The Author a Mrs. E. Nesbit Bland, Mr. Douglas Freshfield,&#13;
complete statement of the method of election under Mr. A. Hope Hawkins, Mr. Jerome K, Jerome,&#13;
the scheme for administration of the Pension Fund. Mrs. Belloc Lowndes, Sir Alfred Lyall, Mr.&#13;
Under that scheme the committee is composed of Bernard Shaw, Dr. S. S. Sprigge, Mrs. Humphry&#13;
three members elected by the committee of the Ward.&#13;
society, three members elected by the society at the After the minutes of the last meeting had been&#13;
general meeting, and the chairman of the society read and signed, Mr. Hewlett asked Mrs. Humphry&#13;
for the time being, ex officio. The three members Ward to move the resolution standing in her&#13;
elected at the general meeting when the fund was name, which was the only matter on the agenda.&#13;
started were Mr. Morley Roberts, Mr. M. H. Spiel. The terms of the resolution were as follows:&#13;
mann, and Mrs. Alec Tweedie. These have in turn "That this meeting of council protests against the&#13;
during the past years resigned, and, submitting manner of appointment of those representatives of&#13;
their names for re-election, have been unanimously the Society of Authors who acted on the so-called&#13;
re-elected. Mr. M. H. Spielmann resigned and was “Joint Committee” which nominated the&#13;
re-elected in 1910. This year Mrs. Alec Tweedie, Academic Committee recently formed by the Royal&#13;
under the rules of the scheme, tenders her resigna- Society of Literature : that it desires to draw the&#13;
tion, and submits her name for re-election. The attention of the society to the inadequacy of the&#13;
members have power to put forward other names authority under which action was taken : to the&#13;
under clause 9, which runs as follows :-&#13;
ignorance of members of council on the subject,&#13;
Any candidate for election to the Pension Fund Com- and to the exclusion of women from the Joint&#13;
mittee by the members of the society (not being a retiring Committee."&#13;
member of such committee) shall be nominated in writing&#13;
In support of her resolution Mrs. Humphry&#13;
to the secretary at least three weeks prior to the general&#13;
meeting at which such candidate is to be proposed, and the Ward then made the following statement. She&#13;
nomination of each such candidate shall be subscribed by understood that at a meeting of the committee of&#13;
at least three members of the society. A list of the names the Royal Society of Literature sometime towards&#13;
of the candidates so nominated shall be sent to the members&#13;
the end of last year, it had been proposed to form&#13;
of the society, with the annual report of the Managing&#13;
Committee, and those candidates obtaining the most votes an Academy of Letters ; that Mr. Maurice Hewlett,&#13;
at the general meeting shall be elected to serve on the who was a member of that committee, naturally&#13;
Pension Fund Committee.&#13;
wished that the Society of Authors should have&#13;
In case any member should desire to refer to the something to say in the appointment of this&#13;
list of members, the list, taking the elections up to Academy, and had urged this point upon the Royal&#13;
&#13;
&#13;
## p. 96 (#134) #############################################&#13;
&#13;
96&#13;
THE AUTHOR.&#13;
Society of Literature ; and that the Society of without for another month or so. He was rery&#13;
Literature had approved his suggestion. He had pleased to hear that Mrs. Humphry Ward did not&#13;
then come to the Committee of Management of the desire to impair the harmony of the society; he&#13;
Society of Authors explaining what he had done, considered it was a case in which the chairman of&#13;
and the committee forthwith had appointed a sub- the committee might be asked to give more fully&#13;
committee to negotiate with the Royal Society of the reasons for the action he had taken.&#13;
Literature. She understood that at the first Mr. Maurice Hewlett, as the mouthpiece of the&#13;
meeting of the council this year Mr. Hewlett had committee, then proceeded to state exactly what&#13;
reported what steps had been taken in the matter, had taken place, not as taking part one way or the&#13;
but that no notice was placed on the agenda of other, for he felt that, as chairman, he could not&#13;
the council meeting that this question was to be do so. He said that, being a member of the&#13;
brought forward, and that those members of the Council of the Royal Society of Literature, he&#13;
council who were not present knew nothing what. attended a meeting of that body in November&#13;
ever of what was going on until they opened their of last year, when resolutions were proposed&#13;
Times one morning later and saw that the towards the formation of an Academy of Letters&#13;
Academic Committee had been formed by the (subsequently modified into an Academic Com-&#13;
Society of Authors and the Royal Society of mittee). He had explained at once that he was&#13;
Literature. That this was the case was confirmed chairman for the time being of the Society of&#13;
by the fact that one of the members of the Authors, and could not regard any such proposal&#13;
Academic Committee had been asked to join that as practical in the consideration of which that&#13;
body, in a circular letter stating that he was invited society had no part. After a short discussion, Mr.&#13;
to do so by the two societies—the Society of Authors Hewlett's name was added to a sub-committee to&#13;
and the Royal Society of Literature, in joint session. consider the whole question; and finally the&#13;
She was strongly of opinion that in such an impor- Committee of Management of the Society of&#13;
tant matter the council, if not the whole society, Authors was requested to recommend fourteen&#13;
should have been consulted. Mrs. Humphry members of its own body for nomination upon the&#13;
Ward then referred to the question of the Academic Committee. The Committee of Manage-&#13;
exclusion of women from the Joint Committee. ment selected Mr. Hewlett, Mr. Hawkins and Mr.&#13;
She said that she did not want in any way to raise Freshfield as a sub-committee for this purpose, but&#13;
the point of the exclusion of women from the Mr. Hawkins was unable to act. Mr. Hewlett&#13;
Academic Committee. She considered that outside and Mr. Freshfield then joined the sub-committee&#13;
the present discussion ; but she did consider that of the Royal Society of Literature (Mr. Freshfield&#13;
as the Society of Authors was composed not upon invitation from it), and a list of twenty-eight&#13;
only of men, but of women, not only ought the names was prepared in joint session which was ap-&#13;
women of the council, but the women of the proved by the Committee of Management. Nothing&#13;
society, to have been consulted, although she was done without the approval of the Committee of&#13;
understood that there were two women on the Management, which believed itself competent to&#13;
Committee of Management when the matter was deal with the matter. Mr. Hewlett justified the&#13;
brought to its notice. She did not desire to drive action he had taken in the first instance, saying&#13;
her resolution to any practical issue, but she did that as a believer in the importance and influence&#13;
consider that the feeling of the council ought to be of the Society of Authors, he could not have acted&#13;
put on record ; that this was an inadequate founda- otherwise than to insist upon the right of an&#13;
tion for such an important matter ; and that association which numbered over 2,000 members,&#13;
women ought to have been included among all writers, to intervene in any scheme which&#13;
the representatives of the society on the sub- affected literature in England.&#13;
committee.&#13;
Mr. Douglas Freshfield pointed out that the&#13;
Mr. Anthony Hope Hawkins seconded the terms of Mrs. Ward's resolution indicated that&#13;
resolution. He said that he had not been in the her main incentive to the action she had taken&#13;
past addicted to whittling down the powers of the was indignation at the exclusion, as she held, of&#13;
executive committee, but he considered that the women from the committee which nominated the&#13;
matter of the Academic Committee was one for fair original members of the Academic Committee. 16&#13;
discussion by members of the council and that it seemed desirable, therefore, to emphasise the fact&#13;
was rather outside the ordinary routine of the that every step taken by the former committee had&#13;
committee. He did not consider the question been submitted for confirmation to the Committee&#13;
was of such urgency that it need necessarily have of Management, on which two ladies were sitting,&#13;
been dealt with by the committee alone. He and that those ladies were for all practical purposes&#13;
thought that as the country had gone without an members of the nominating committee.&#13;
Academy for so long a time it might have gone. Mrs. Ward's main contention, however, w&#13;
&#13;
&#13;
## p. 97 (#135) #############################################&#13;
&#13;
THE AUTHOR.&#13;
97&#13;
which the Council had to deal, was that it was a member, had full cognisance of the chairman's&#13;
outside the functions of the Committee of Manage action.&#13;
ment to take any share in the creation of an Mrs. Nesbit Bland confirmed Mrs. Belloc&#13;
Academic Committee without the assent of the Lowdnes' statement, and in reply to Mrs. Hum-&#13;
Council obtained at a meeting on the agenda of phry Ward's objection to the exclusion of women&#13;
which the business had been notified. Mrs. from the Joint Committee, protested against the&#13;
Ward's strong point, in fact her only point, was suggestion that women were necessarily always&#13;
the omission of any such notice of the Academic best represented by women.&#13;
Committee on the agenda of the meeting held in Mr. Bernard Shaw pointed out that Mrs.&#13;
March last. Mr. Freshfield would not inquire Humphry Ward's resolution was impossible under&#13;
whether the omission had been accidental, or the circumstances. It was no use moving a vote&#13;
whether it was due to a desire to meet the urgent of censure on the Committee of Management in a&#13;
request of their colleagues of the Royal Society of meeting in which members of the committee were&#13;
Literature to take no step likely to lead to discussion in a majority of nearly two to one; and as the&#13;
in the Press before the first list of acceptances of committee did not wish to use their obvious&#13;
nominations to the Academic Committee could be superiority to defeat Mrs. Ward, the best way to&#13;
published. Nor would be insist that it was the end the matter would be to withdraw the resolution.&#13;
duty of councillors to attend the annual meeting of The council, by not attending, showed that they&#13;
council without any special inducement, for he had no grievance. If councillors would not read&#13;
was prepared to agree with Mrs. Ward that it The Author, and would not attend even the annual&#13;
would have been better had the matter of the meeting, they might perhaps privately reproach&#13;
Academic Committee been put on the agenda. the secretary for not indulging their remissness by&#13;
He must, however, remind the council that it giving them a friendly unofficial hint that some-&#13;
had already been three times referred to in The thing particular was going on ; but they really&#13;
Author, and also in the Times.&#13;
could not decently complain publicly and move&#13;
Criticising the form of Mrs. Ward's resolution votes of censure. He (Mr. Shaw) did not always&#13;
he concluded by saying that, in his opinion, she read The Author carefully ; but then he took the&#13;
would have met the case by proposing that “where consequences, and did not blame the committee.&#13;
any business of importance was to be brought The resolution was a vote of censure not only on&#13;
before the council it should be notified on the their own committee but on the Academic Com-&#13;
agenda" or words to that effect. She had, mittee. As such, it had better not be pressed.&#13;
however, preferred to move a complex and com- Somebody had been indiscreet in announcing a&#13;
bative resolution which it was impossible for the British Academy of Letters to the world whilst&#13;
Committee of Management to accept. It was one, the arrangements were still in the provisional&#13;
he thought, which it would be difficult for the stage. That announcement had taken the matter&#13;
council to adopt. That body had never shown any out of their hands, and left the incomplete Academy&#13;
desire to take an active part in the management of in a critical position in which an unfriendly word&#13;
the society's affairs, and the proof of this would might be fatal to its chance of success. The&#13;
be found in the list of attendances of councillors passing of the resolution would certainly be inter-&#13;
not also members of the Committee of Management, preted as unfriendly; and—unless they desired to&#13;
during the fourteen years for which he had served wreck the project, which he presumed was out of&#13;
on the latter body. He recognised in Mrs. Ward the question-they should be content with having&#13;
a sincere and serious well-wisher to the Authors' discussed the matter, and not press the resolution&#13;
Society, but in the present instance her proposals to a division.&#13;
seemed to him misjudged.&#13;
Mrs. Ward expressed herself somewhat loath to&#13;
Sir Alfred Bateman referred to one point in Mrs. withdraw her motion, but desired to know in what&#13;
Humphry Ward's resolution which appeared to way the committee could meet the occasion.&#13;
suggest that the Committee of Management were After further discussion Mrs. Humphry Ward&#13;
not fully conversant with what was going on. He withdrew her motion. Sir Alfred Bateman pro-&#13;
pointed out that the Committee of Management, on posed the following resolution as the outcome of&#13;
which were two ladies--the lack of whom on the the debate :" That this meeting is of opinion&#13;
joint committee had been referred to by Mrs. that it is desirable that all business deemed to be&#13;
Humphry Ward-had full cognisance of everything of sufficient importance should be submitted to&#13;
that was taking place. He personally thought that the council, and that all business submitted to the&#13;
the chairman could not have conducted the affair council should be inserted on the agenda."&#13;
in any other way&#13;
This motion was put by Mr. Hewlett to the&#13;
Mrs. Belloc Lowndes then confirmed the fact that meeting, seconded by Sir Alfred Lyall, and carried&#13;
the Committee of Management, of which she was unanimously.&#13;
&#13;
&#13;
## p. 98 (#136) #############################################&#13;
&#13;
98&#13;
THE AUTHOR.&#13;
Mrs. Humphry Ward then proposed a further everything that certain individuals may desire to&#13;
resolution to the effect that “ This meeting regrets find, few will seek in the book anything that is&#13;
that some representatives of women members of lacking, whilst those who use it will discover notes&#13;
the Society of Authors should not have been of many kinds of aids and assistances to literary&#13;
placed on the joint committee which nominated work of which they will probably have been pre-&#13;
the Academic Committee.”&#13;
viously ignorant. At the same time, a work with a&#13;
This was not seconded, and could not therefore wide reputation, and one justly earned, lies under&#13;
be put.&#13;
an obligation to be in every respect worthy of its&#13;
There being no further business, the council renown, and some particulars still remain in which&#13;
meeting was adjourned.&#13;
we should like to see an improvement. In the case&#13;
of the London libraries, of which there is a very&#13;
full list, it would be well if indications (very&#13;
desirable in some cases) could be given of the&#13;
special features which make particular collections of&#13;
BOOKS OF REFERENCE FOR 1911.*&#13;
books especially serviceable to writers engaged on&#13;
work of particular kinds. Notwithstanding the&#13;
“THE LITERARY YEAR-BOOK."&#13;
special pleading of the Preface, we still remain very&#13;
doubtful about the value of the suggestions offered&#13;
“M H E Literary Year-Book " for 1911, the respecting contracts with publishers. The Conti-&#13;
1 fifteenth annual volume, contains some nental information is neither so full nor so accurate&#13;
additions and alterations, all of which are as it should be. In the list of foreign publishers&#13;
to be welcomed as improvements. The “Obituary we miss the names of well-known firms whose&#13;
Notices " are now transferred to Part II. and are addresses are no farther off than Paris, not to&#13;
placed in alphabetical order after the “Nobel Prizes.” mention the names of others in more distant&#13;
A new section enumerating training offices and localities. There is no reason for introducing the&#13;
institutions (some of which formerly appeared letter W into Russian names, and neither at Rome&#13;
under “ Agents”) has been added at the end of nor anywhere else is it usual to speak of the church&#13;
Part I. Considerable additions have been made to of “Santa Maria Antigua” [sic], though some&#13;
the list of societies by the inclusion of literary and Spanish writer might have used the term.&#13;
dramatic clubs and other institutions of a similar We do not know what is intended to be con-&#13;
nature. The list of Indian periodicals has been veyed by the enigmatic assertion in the Preface&#13;
considerably increased, and in addition a separate that “ The Authors' Society is always at hand to&#13;
list of Canadian publications is given-features try (and often to succeed) in moulding facts as&#13;
which deserve special recognition. The names of they ought to be.” There appears to be here some&#13;
agents, literary searchers and typists continue to intention of distinguishing between facts as they&#13;
appear in the second part, where they are grouped are and facts as they ought to be. That facts as&#13;
together under the general heading of “Authors' they are do, in this sublunary world, often differ&#13;
Assistants," an arrangement which appears to be the considerably from facts as they ought to be is a&#13;
most convenient possible.&#13;
painful truth with which very few will be found to&#13;
The many merits of " The Literary Year-Book" disagree. Why, however, anyone should wish to&#13;
are so well known, however, that the work will mould “facts as they ought to be," when facts are&#13;
hardly need any recommendation to the attention so kind as to take that form, it is difficult to&#13;
of authors. The present issue will be found to be understand. In such rare and felicitous cases&#13;
enlarged, and contains information of almost every facts are best left alone. In any case, we are in a&#13;
kind that authors can require. In the difficult task position to assert positively that nothing is farther.&#13;
of compression the editor has shown great dis-&#13;
editor has shown great dis- from the aims and intentions of the Society of&#13;
crimination, and in the solution of the perpetually Authors than any desire to mould facts so higay&#13;
recurring problems of what should be inserted and satisfactory into any shape different from that&#13;
what omitted, so that, although it must be nearly which they have at present. If it was desired to&#13;
impossible to include in any work of reference say that the Society of Authors is always at&#13;
hand to mould facts as they are into facts as they&#13;
* “ The Literary Year.Book and Bookman's Directory." ought to be we are grateful for the compliment, but&#13;
vol. xv., edited by Basil Stewart. London: George Rout. could wish that it had been more lucidly expresse&#13;
ledge &amp; Sons. “The Writers' and Artists' Year-Book : a&#13;
Directory for Writers, Artists and Photographers." London :&#13;
Adam and Charles Black. “Who's Who, 1911." London:&#13;
“THE WRITERS' AND ARTISTS' YEAR-BOOK."&#13;
A. and C. Black. “The English woman's Year Book and&#13;
Directory, 1911," edited by G. E. Mitton. London: Adam&#13;
“The Writers' and Artists' Year-Book" for&#13;
and Charles Black.&#13;
1911 presents a worthy continuation of previous&#13;
&#13;
&#13;
## p. 99 (#137) #############################################&#13;
&#13;
THE AUTHOR.&#13;
99&#13;
issues. We regard this little annual (whose modest cards and show cards. In the notes on Publishers&#13;
price places it within the reach of those who are we note one or two inaccuracies, which seem to&#13;
compelled to ask themselves how much they can indicate that the correction of the work has not&#13;
afford to give for a book) as one of the most been brought up to date quite so carefully as might&#13;
practically useful of publications intended to assist be desired; and we are of opinion that the note on&#13;
literary and artistic workers. A superlative merit Copyright would have been better omitted. To&#13;
of this annual is that it is not very large. How attempt to present, in little more than a single&#13;
great an excellence this is can be realised only page, any idea of the complicated laws of copyright,&#13;
when the scope of the book has been understood. is palpably absurd. We would venture to hope&#13;
Practically the primary aim of the “ Writers' and that in a future issue (and every one will wish the&#13;
Artists' Year-Book" is to assist the worker to find work“ many happy New Years”) there may be&#13;
answers to the constantly recurring questions, substituted for the page on Copyright a few&#13;
“ To whom sball I offer my work ?” “Where is paragraphs mentioning only the complicated nature&#13;
work of such and such a kind likely to find accept- of the statutes, and recommending professional&#13;
ance ?” and “What are the prospects of remunera- advice. We are, however, unwilling to dwell upon&#13;
tion ?" The literary and artistic worker, when a very small blemish in a very useful work,&#13;
confronted with these problems, is, generally and strongly recommend “The Writers' and&#13;
speaking, painfully conscious of being able to find Artists' Year-Book” to all literary and artistic&#13;
no solutions of them, saving such as are offered by workers.&#13;
two extremes, both equally unpractical. The&#13;
periodicals, publishing houses, and so forth, known&#13;
to any single individual are usually but few, and&#13;
“Who's Who.”&#13;
his acquaintance with their demands and business&#13;
rules more or less imperfect; with the result that This wonderful encyclopædia of contemporary&#13;
he is painfully aware of being ignorant what his biography, whose contents and unpretending title&#13;
opportunities really are. On the other hand, he is always appear to us to be far as the poles asunder,&#13;
certain, in a vague way, that every publisher, continues to grow in dimensions ; awaking a wonder&#13;
editor and agent is perpetually in need of new whether there can be actually in a single empire so&#13;
work, and will pay for it nothing, or something, many people who really deserve to claim the atten-&#13;
or tolerable or handsome prices. That neither of tion of their fellow creatures. It is true that the&#13;
these kinds of ignorance affords any practical help particulars recorded amount only to the barest&#13;
most workers know too well ; and it may, therefore, facts ; but these barest facts when they are accom-&#13;
be boldly asserted that to all (excepting those who panied, as they always are accompanied in this&#13;
have already secured their public, and consequently book, by accurate dates, are exactly the things&#13;
find &amp; perpetual demand for their work) “The which it is often most difficult to discover ; and we&#13;
Writers' and Artists' Year-Book” is practically are, with each succeeding year, impressed by the&#13;
invaluable. Nearly ninety pages-not too great a real historical value of a work that modestly&#13;
number to be carefully perused-are devoted to an presents itself only as an annual. We have, on&#13;
alphabetical index of periodicals; in which index previous occasions, expressed a wish for some dis-&#13;
are, in all cases, carefully indicated the kind of tinction between the information that is provided&#13;
matter that will be accepted, the average desired by the persons named, and that which is gathered&#13;
length of literary contributions, the character of from other sources—in a word, to see biography&#13;
illustrations, and the terms, or no terms, of remune- distinguished from autobiography. The editor at&#13;
ration. That these pages cannot contain the titles, the same time gives so much that we must confess&#13;
nor indeed a tithe of the titles of the world's to a certain shame in asking for more. Notwith-&#13;
periodical literature, is self-evident. A very standing its reputation, we believe that “Who's&#13;
practical selection has, however, been made, and Who” is still far from being as widely popular as&#13;
the writer or artist with this little book in his it ought to be : the various kinds of information&#13;
hands will find himself in a position very different to be gathered from its pages are so innumerable.&#13;
from that of the man who knows neither where to We, for example, who are naturally most interested&#13;
offer his work nor what sort of work he ought to in the literary articles, cannot help wondering how&#13;
offer. A classified index at the end of the book many, or how few, of the people who are kind&#13;
gives a résumé of the quarters in which different enough to have“ favourite authors ” clearly realise&#13;
sorts of work are likely to find acceptance. The that if they want to know all the titles of the best&#13;
volume contains also, among other things, indexes works which those authors have produced, they&#13;
of syndicates for manuscripts, literary agents, have only to consult the pages of " Who's Who?"&#13;
English, American and Canadian publishers and We have examined a number of the literary articles,&#13;
colour printers, and notes on Christmas cards, post and find them excellent.&#13;
&#13;
&#13;
## p. 100 (#138) ############################################&#13;
&#13;
100&#13;
THE AUTHOR.&#13;
“ THE ENGLISHWOMAN'S YEAR-Book." tinental fairs; Rousseau's troubles with the&#13;
This valuable annual, which bas now been issued&#13;
censorship; the difficulties which Diderot and&#13;
for thirty years, once more presents a concise review&#13;
d'Alembert encountered in producing their Encyclo-&#13;
of the immense field of activity at present open to&#13;
pædia ; the enthusiasm of the French Revolutionists&#13;
women ; with admirably digested particulars of the&#13;
for the rights of literary property :-here are a&#13;
few of the topics on which we hope to see him&#13;
requirements and prospects of remuneration in the&#13;
case of various callings. The few pages (Section VI.)&#13;
enlarge on a subsequent occasion. What he has&#13;
actually done is sufficiently well done to make the&#13;
devoted to literature and journalism of necessity&#13;
form but a small part of the whole of the book,&#13;
expression of the hope no idle compliment. He has&#13;
and any woman who takes up her pen with the&#13;
given us the modern as well as the ancient history&#13;
intention of doing serious work is likely soon to&#13;
of his subject, and related the fortunes of the great&#13;
find herself in need of fuller information than can&#13;
publishing firms of the present day as well as those&#13;
be gathered from this volume—which, we hasten&#13;
which flourished in the times of Shakespeare, Pope,&#13;
Dr. Johnson, and Gibbon.&#13;
to add, does not pretend to do more than to give&#13;
literary work its just mention among the many&#13;
The index is admirably copious, referring us to&#13;
opportunities for women with brains. At the same&#13;
subjects as well as to proper names, as is always&#13;
time we are much impressed by the singular good&#13;
desirable in a work of reference. We can look up&#13;
sense of all that is said, and by the perfect sound-&#13;
not only Cadell and Millar and Dodsley and Murray&#13;
ness of all the advice that is offered. Any girl or&#13;
and Bentley and Heinemann, but also “ Advertise-&#13;
woman of mature years who believes that it would&#13;
ments,” “ Almanacks," “ Auctions," “ Censorship,"&#13;
be possible for her to earn something with her pen,&#13;
“ Copyright,” “Catalogues,” “ Libraries,” “Novels,"&#13;
or, which is of by far greater importance, that she&#13;
“ Printing,” etc., etc. Pitching upon “ Copyright"&#13;
has information to communicate, deserving of being&#13;
as a subject specially congenial to our tastes, we&#13;
placed before a wider audience than it is possible&#13;
discover a reason why authors and publishers should&#13;
be unanimous in their desire to see the limitation&#13;
to reach in any other way, cannot, before sitting&#13;
of the Veto of the House of Lords. Whatever&#13;
down to write, do better than study every word&#13;
that “The English woman's Year-Book " bas to say&#13;
defences there may be to be urged for the Upper&#13;
on the subject of literature ; taking to heart both&#13;
Chamber, no one can vindicate it on the ground&#13;
warnings and the advice, and seeking to make her&#13;
that hereditary legislators bave taken a more liberal&#13;
beginning, if it is possible for her to make her&#13;
view than the representatives of the people of the&#13;
beginning, exactly on the lines suggested in these&#13;
rights of authors to the property which they create.&#13;
excellent pages, upon every word of which we have&#13;
There was a time when the belief prevailed, and&#13;
pleasure in bestowing the highest commendation.&#13;
was generally acted upon in the trade, that the&#13;
principles of the common law made copyright&#13;
perpetual. The Courts upheld the view, but an&#13;
THE TRADE.*&#13;
appeal to the Lords resulted in the reversal of their&#13;
decision. The Commons then passed a Bill making&#13;
copyright perpetual ; but the Lords threw it out,&#13;
“M EN ordinary histories of kings and courtiers,”&#13;
and so helped to “fill up the cup.” Moreorer, the&#13;
I wrote Carlyle, “were well exchanged&#13;
speech in which Lord Camden delivered judgment&#13;
against the tenth part of one good history of book-&#13;
was equally insolent to anthors and to the trade.&#13;
sellers.” The want thus picturesquely noted Mr. “ Glors," he said. " is the reward of science, and&#13;
Mumby endeavours to supply. Others have sur- those who deserve it scorn all meaner views; I&#13;
veyed the ground, and even broken it before him ; speak not of the scribblers for bread who tease the&#13;
but he has built on it. That he has built quite as Press with their wretched productions ; fourteen&#13;
complete an edifice as his title suggests cannot be&#13;
years is too long a privilege for their perishable&#13;
vears is too&#13;
said; but we note the limitations in no carping&#13;
no carping trash.&#13;
rash.&#13;
It was not for gain that Milton, Bacon,&#13;
It was no&#13;
spirit. The history of bookselling is too vast a Newton, and Locke instructed and delighted the&#13;
theme for any single volume. In passing straightworld: it would be unworthy such men to trajilo&#13;
from Rome to Britain, Mr. Mumby has made a with a dirty bookseller.” One wonders whether&#13;
necessary concession to the exigencies of space.&#13;
es of space, the Duke of Beaufort took that view when he&#13;
If he likes to return to the Continent, he will find&#13;
edited the Badminton Library, or Lord Rosebery&#13;
ample material for a second volume. The pro- when he negotiated for the publication of&#13;
pagation of the principles of the Reformation by&#13;
oy works on Napoleon, Pitt, and Chatham. It is a&#13;
the costermongers who hawked books at the con-&#13;
ne&#13;
view at any ra&#13;
view, at any rate, which amply justifies one side&#13;
* “ The Romance of Bookselling : a History from the&#13;
of the activities of the Society of Authors.&#13;
Earliest Times to the Present Century,” by Frank A. Mumby.&#13;
Mr. Mumby's book is of equal value (to different&#13;
Chapman &amp; Hall, 16s. net.&#13;
classes of readers) for its erudition and its anecdotes.&#13;
&#13;
&#13;
## p. 101 (#139) ############################################&#13;
&#13;
THE AUTHOR.&#13;
101&#13;
He has raked in many memoirs, and got many good&#13;
EDITORIAL DELAY,&#13;
stories out of them. He tells us all about Martin&#13;
Tupper's amazing sales ; all about the remark-&#13;
DEAR SIR,—It may perhaps be interesting to&#13;
able paper on which the Clarendon Press prints make a comparison between my treatment by an&#13;
the Bible: all abont the experiments of Robert American editor and that of your correspondent, Mr.&#13;
Buchanan and Sir Walter Besant in publishing at Arnold Bennett. In both cases the delay in publi-&#13;
their own expense. He describes the rise of the cation may have arisen from the same cause-&#13;
house of Mudie and of the rival house of Smith. a plethora of MS, arranged for and paid for, but&#13;
The mention of the house of Longman recalls a unable to be used on account of the naturally&#13;
good story of a lady who offered poetry, was per- straitened dimensions of a monthly magazine. In&#13;
suaded to compose a cookery book instead, and that respect no doubt Harper's and the North&#13;
made a fortune out of it. The section on the American Review are very much in the same position&#13;
house of Tinsley relates the first failures, and the as Scribner's. Many years ago Dr. Holland, who is&#13;
first success, of Mr. Thomas Hardy. The account not, I think, living now (will he forgive me if he is?),&#13;
of the house of Murray includes a description of a famous editor of Scribner's wrote to ask me if I&#13;
Mr. Murray's museum of Byron relics and other could oblige him by writing an article on Devon-&#13;
literary curiosities. In the chapter on the house&#13;
shire, and he offered me £20 for about 7,000 words.&#13;
of Black we read how Adam Black declined the I agreed, sent the article in due course, and&#13;
honour of knighthood. “To me,” he explained, received payment by return of post. The editor&#13;
" the title would only have been an incumbrance ;&#13;
asked me to select some “ electros ”—from an&#13;
my wife had no desire to be called My lady,' and English magazine he indicated—for illustration.&#13;
it wonld only have fostered vanity in my children." This I did, and the electros were duly despatched ;&#13;
And so on and so forth, until we come to the but D&#13;
appendix, which is an exhaustive bibliography of that be discarded the electros and sent artists&#13;
the subject, reprinted by permission from "Notes from the States to make special drawings.&#13;
and Queries.”&#13;
The point, however, is that all this took time;&#13;
and it was five years after I sent the MS. before&#13;
CORRESPONDENCE.&#13;
my article, entitled “The Fairest County of&#13;
England," came out as the first in a special&#13;
AMERICAN SLANG.&#13;
Christmas number, I think. Mr. Bennett says that&#13;
he (rather unreasonably, I fancy) declined to revise&#13;
SIR,— With reference to the paper on American&#13;
his article. My complaint was that, though I&#13;
Slang in the December Author, is it possible that&#13;
pressed for a proof, none was sent me; and to my&#13;
Mr. Philip Walsh really imagines the word “may.&#13;
horror I found that “ Fingle Bridge "came out as&#13;
bem” (“ How about this eight thousand or so that&#13;
“ Tingle Bridge "_“the snake lies rolled in the&#13;
you committed mayhem on Filmore to get ?") to&#13;
cheerful sun ” as “the smoke lies rolled,” etc. ;&#13;
be an American slang word ? Certainly he says&#13;
but worse than all, my mention, five years before, of&#13;
that what is mayhem he has no idea. But&#13;
a proposed new Eddystone lighthouse had been put&#13;
American or any other kind of slang. the word is&#13;
out of date by the erection of the new lighthouse,&#13;
not. Any reputable dictionary will contain it and&#13;
about which there was not a word in the article !&#13;
its meaning. It is an English legal term, and of&#13;
quite respectable antiquity, signifying the offence&#13;
There were similar errors—all under my name in&#13;
full ! That was the annoying part of it.&#13;
of depriving a person by violence of any member,&#13;
What happened-clearly-was this. I understood&#13;
limb or organ, or otherwise mutilating his body-&#13;
at the time that Scribner's had invested £3,500 in&#13;
maiming, in fact.&#13;
MS. it had not room for ; and perhaps the busy&#13;
Possibly Mr. Walsh's ignorance of the word is&#13;
and embarrassed editor had not looked at mine&#13;
due to the fact of its infrequent appearance in&#13;
for the whole five years, and when he did, as&#13;
English writings owing to the crime seldom being&#13;
amends to me, he put it in the front position,&#13;
committed. In America, unfortunately, the offence&#13;
with special illustrations that were certainly very&#13;
is more common. Hence the more frequent use&#13;
beautiful. But the “dollars," as I have said, came&#13;
of the word.&#13;
by return mail without my asking for them; and&#13;
The verse from Mr. Gelett Burgess's “ Purple&#13;
Cow," by the way, runs :-&#13;
after all, that is an important point.&#13;
Whilst on this subject, may I allude to a matter&#13;
“ I never saw a purple cow ;&#13;
of great interest to all authors, and suggest&#13;
I never wish to see one.&#13;
But I can tell you, anyhow,&#13;
opinions ? My impression is that payment for&#13;
I'd rather see than be one."&#13;
magazine contributions in this country is not made&#13;
Yours faithfully,&#13;
until publication, instead of immediately upon&#13;
PERCY LONGHURST. acceptance. Is this fair to the writer ? The&#13;
&#13;
&#13;
## p. 102 (#140) ############################################&#13;
&#13;
102&#13;
THE AUTHOR.&#13;
printer is paid directly his work is done-I mean look out for and develop all possible avenues of&#13;
the compositor. Why is not the writing-composersale. Even The Author will probably agree with&#13;
who originates employment for the printer and that statement. His paragraphs to the Press, his&#13;
profit for the publisher treated with equal justice ? advertisements, his sale lists and catalogues, his&#13;
For books, of course, authors often get (and I travellers in London, the provinces, on the Conti-&#13;
always ipsist upon) an advance of royalty.&#13;
nent and in the colonies, and the free copies he&#13;
FRANCIS GEORGE HEATH.&#13;
distributes so lavishly, are all sent forth with one&#13;
object to call attention to the book and the&#13;
author.&#13;
I am not revealing any secret when I say that&#13;
our dramatists and theatrical managers have scores&#13;
PUBLISHERS AND MINOR RIGHTS.&#13;
of books sent them for perusal every season by&#13;
publishers in the hope that they may be found&#13;
SIR,—The tone of The Author is as a rule so suitable for stage adaptation. Similarly, copies&#13;
distinctly hostile to all who have to do with&#13;
for perusal are sent to continental, colonial, and&#13;
the publication of books, that I doubt while I&#13;
American “readers” and others. Publishers&#13;
am penning this letter whether it will be permitted&#13;
are hopeful men, otherwise they would succumb&#13;
to see the light. But I am impelled to write you&#13;
under the hundreds of failures they meet in&#13;
on the subject of publishers and minor rights,&#13;
attempting to create markets and utilise rights&#13;
because of The Author's inability hitherto to under- available for sale under their agreements. We&#13;
stand the chief point in regard to the clause to&#13;
hear occasionally of a success on these lines, but&#13;
which objection is taken. Minor rights are minor&#13;
we do not hear of the many, many failures.&#13;
rights, and mean trifling sums picked up here and&#13;
Writing with some knowledge of the cost entailed&#13;
there at wide intervals and often after very strenuous by a publisher in following out his ideas and push-&#13;
effort.&#13;
ing his books, it does not seem to me that there&#13;
Let us take them in the order in which the&#13;
is anything wrong with the clause.&#13;
is anything wro&#13;
The better&#13;
clause names them -- American, colonial, conti- the publisher and The more energetic he is admitted&#13;
nental, foreign, translation, serial and dramatic. to be, the more does he deserve success in regard&#13;
Words, words, words. Probably many authors&#13;
to these minor rights and their sales, and the more&#13;
signing an agreement for the publication of a book&#13;
pleased should an author be to find his work has&#13;
had no idea until they read some such printed&#13;
been brought to the notice of business people from&#13;
clause in their agreement, that the book to be whom he never expected to hear.&#13;
published possessed so many and such varied&#13;
If an author asked himself the question whether&#13;
rights. But it is one thing to have the power to it were better to leave such minor rights in the&#13;
sell, and another thing to have the opportunity. hands of an agent on a 10 per cent. commission&#13;
In an agent's hands the above rights for anbasis, and effect no sales (which is practically the&#13;
average sort of book would be absolutely worthless.&#13;
position), or cede them to a publisher and share&#13;
Probably, if the author offered the whole of the equally with him whatever proceeds there may be&#13;
above rights to his agent for two guineas, cash&#13;
from such sales, I do not think he would be long&#13;
down, no agent would purchase them. He knows in answering the question. And this 18&#13;
that the chances of sale are indescribably remote problem which has to be dealt with in ninety-nine&#13;
and that the rights would be valueless to him.&#13;
out of a hundred cases.&#13;
A publisher, however, is in a totally different&#13;
John NAYLER.&#13;
position from an agent. The book when published&#13;
Wimbledon.&#13;
is in his hands. He has responsibilities in regard&#13;
to it and be appreciates these fully. He has put&#13;
time and thought, energy and money into its pro-&#13;
duction and publication, and it is “up against&#13;
him” (excuse this lapse into American slang&#13;
after a perusal of your December number) to THE Editor of The Author begs to inform mem-&#13;
make the book a literary success. Some people bers of the society and advertisers that the&#13;
appear to think a publisher sits in his office committee have entered into different arrange-&#13;
twiddling his thumbs waiting for people to come ments in regard to the advertisements.&#13;
in and buy quantities of his books. Nothing is The tariff for advertisements remains the same,&#13;
further from the truth. He has an office, it is true, but the advertising agents are Messrs. Belmon!&#13;
and he is probably to be found working there Co., of 29, Paternoster Square, E.C. Communica&#13;
before some of his critics have sat down to break- tions respecting advertisements should be sent to&#13;
fast. In any case, he knows it is his business to them or to the offices of the society.&#13;
&#13;
&#13;
## p. 102 (#141) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
ESTABLISHED!&#13;
TYPEWRITING.&#13;
TYPEWRITING of the&#13;
HIGHEST QUALITY.&#13;
Authors' MSS. 18. 1,000 words; over 40,000, 10d. No unfair&#13;
"cutting" of prices,&#13;
"| ACCURACY GUARANTEED.&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
Plays and Actors' Parts. Legal, General and Commercial GENERAL MSS., 10d. per 1,000 words.&#13;
Documents. Duplicating. Facsimile Typewriting.&#13;
FULL TERMS ON APPLICATION. REFERENCES. CARBON COPIES, 3d. per 1,000 words.&#13;
SIKES and SIKES,&#13;
DRAMATIC WORK. DUPLICATING.&#13;
The West Kensington Typewriting Offices,&#13;
ALL ORDERS ATTENDED TO PROMPTLY.&#13;
(Established 1893),&#13;
NORA DICKINSON,&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
1, SACKVILLE GARDENS, ILFORD, ESSEX.&#13;
The Wessex Press, Taunton.&#13;
(XVIII. CENT.&#13;
BARNICOTT &amp; PEARCE&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
TYPEWRITING.&#13;
About 2,000 Books Wanted&#13;
Authors' MSS. and General Copying carefully&#13;
Are advertised for weekly in&#13;
typed at rates from 8d. per 1,000 words. Recommended THE PUBLISHERS' CIRCULAR&#13;
by a member of the Authors' Society.&#13;
AND BOOKSELLERS' RECORD&#13;
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                    <text>PRICE SIXPENCE

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Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
TheSociety Anniversary Banane
The Rambling Essayist
SomeBeauties Ainerican Slang
Camille Lemonnier
The French Renaissance
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Books publishedby Members
Literary, Dramaticand Musical Notes
Paris Notes
Picture
UnauthorisedAlteration
Publishersand Minor Rights
MagazineContents
How Use the Society
Warnings Producers Books
Warnings Dramatic Authors

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SQUIRE SPRIGGE
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Authors
are
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and their meaning
with
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the
various kinds
fraud which have been made possible
the different clauses therein
By
Being additional facts collected
Addenda
the Above
HERBERT THRING
the office
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With comments and
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numbers from 1892

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devoted especially
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and Musical Property
Issued
per annum
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non members
Back

in

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gratis

all

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Annual Report for the current year
Author
Published ten months
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PUBLICATIONS OF THE SOCIETY

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GUTHRIE .

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.

PARKER , M . P .

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.

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|

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CHARLES

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STANFORD , '

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ART.

JOHN HASSALL , R. I .
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THEORIES

Mr

Forbes Dawson reconstructed revised made actable
Agitation
introduced and produced
The Outcome
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author Mr James
the Kingsway Theatre
November 5th when
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instantaneous success
Vide the Press
Mr Forbes Dawson knows every manager
any note
the theatrical world
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not
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revising
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Author
BENNETT

Practical Guide

the stage
England

Gives practical advice on construc
tion and stage craft
makes plays
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Writing

By ARNOLD
2nd Edition

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years continuous experience upon
With over
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The
this work the Westminster Gazette writes
beginner who takes these lessons
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or articles , often spends years in uncongenial work ,
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for
Messrs .
Cassell &amp; Co .
For nearly four years
Reviewer of fiction on
the Standard : Special
Correspondent
of the
Standard and Evening
Standard in the United
States .

Hon .
of the

By such means my clients should
secure solid financial returns ,

of

be saved many hours

Clients can be seen in London daily by appointment , and correspondence

is invited .

Mr. STANHOPE

Address:
W

SPRIG

.

The Anchorage, FELPHAM ,
BOGNOR , SUSSEX .

of the

TYPEWRITING

.

.

.

1

.

per

,

.

.

PROMPTLY

,

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GARDENS

ILFORD

ESSEX

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40

,

000
ovor
prices

10d

unfair

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,

Educated Operators GOOD PAPER

Standard Machines

.

"

cutting

of

;

words

, "

.
1,

18

000

.

REFERENCES

.

APPLICATION

ON

.

FULL TERMS

,

Legal General and Commercial
Plays and Actors Parts
Duplicating
Documents
Facsimile Typewriting

'

,

SIKES and SIKES
HAMMERSMITH

,

1893

),

Established

223a

Typewriting Offices
ROAD

,

The West Kensington
(

to

.

.

.,

Authors MSS

.

no

,

,
.C
.
E

SACKVILLE

.

,

.

."
-

&amp;

,

words

TYPEWRITING

,

; ,

(

etc ,

to

an

.
.
.

.

of

LONDON

LTD

ATTENDED

DICKINSON

a

;

)

,

.
on

.

SONS

TO

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ALL ORDERS

000 words

DUPLICATING

WORK

DRAMATIC

NORA

per

1

COPIES

10d

.

CARBON

..

MSS

.

,

,

; (

;

;

(

of

.

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be

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in

GENERAL

,

,

;

)

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of

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of

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,

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ACCURACY GUARANTEED

.
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(

;

(

, ;

;

); of

-

'

:

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)

,
)

."
60

"

An

“

“

"

."
-

"

68

ROUTLEDGE
CARTER LANE

QUALITY

,
3d
.

8th

CONTENTS
Authors Directory and Index
Authors
Literary
Pen Names and Pseudonyms new feature
Typists
and Press Agents
and Indexers
etc
Training Offices new feature
Booksellers town and
country
Law and Letters
Libraries
British
American
Canadian
and Indian Periodicals
with
particulars for contributors and
very complete
Obituary
Classified
Index
Publishers
British
Royalty Tables
Colonial Foreign and American
Literary
Societies and
Clubs British Colonial and
Foreign
Cheap Reprints
List
indispensable book
reference for authors and
journalists
Daily Graphic
excellently devised as
Has been
leave
room
Birmingham Post
for improvement
congratulated
The editor
excellent and
useful production
Queen
Carefully edited and thoroughly accurate and up
date
Dundee Advertiser
Full
the most interesting information
that con
cerns literary and book eading people
Immense care has
been taken
the compilation
this work
Irish Monthly

GEORGE

HIGHEST

.

.

pages

Dec

.

[

ready

.

1911

)

Annual Volume

970

Price 6s . net.

Crown 8vo

(

.]

(1911) .

BOOK

STEWART (Mem .Soc .Au . )

Edited by BASIL

15th

-

YEAR

'

LITERARY

useless labour

.

and

,

" Mr . Sprigg is a literary
authority of undoubted re.
putation. ”
New York Herald.

THE

my advice

I offer the use ofmy professional experience (which is wide ) and
(which ought to be worth having ) .

No

first

.

and

Editor of the Windsor
Magazine : late Literary
Editor of the Daily
Express .

will

LONDON

,
.

Journalists .
Founder

I will

advise upon any of the difficulties of authors
read manuscripts and suggest possible channels
of publication here and in the United States ; I can supply trustworthy
information as to the present state of the literary market for articles , serial
and short stories , novels and other books ; but I do not act as a Literary
Agent or take any commissions of any sort .

For a small stated fee
or writers for the press ; I

Society of Women

W

Formerly
Literary Adviser

LITERARY ADVICE .

TWELVE

000

Editor

Late

GOOD

W. Sprigg

,

Mr . Stanhope

Authors .

to

�ADVERTISEMENTS

:

an

be

to

it

be

no

,

do

or

.

is

if

to

.

,

,

be is

.

SOCIETY

FUNDS

.

.

is

THE

'S

be

the

TROM time
time members
the Society
desire
make donations
funds
recognition
work that has been done for
them
The Committee acting
the suggestion
place
one
these members
have
decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
which these contributions may
paid
The funds suitable
this purpose are
The
in

to

of

:

(
)

1

.

be

of

in

to in

a

in

,

of

I

. ,

in

,

is

.

. of

is

of

all ,

it

(
2
)

of

resources
the
did not forward
subscription for

.

6d

.

the modest 58

to

,

it

,

or

to

, ,

on

of

a

if

the

year

.
Authors

,

the Society

be of

M

Members

of

,

to

to

at

It of

.

at

.

,

.,

6d

at

,

October 1907 can now
obtained
the offices
the Society
the price
post free 71d
July
includes elections
1907 and will be sold
members and associate
the Society only
dozen
blank pages have been added
the
of

be

.

to

on

made

List

published

A

of

by

XXI

.

.

VOL

Every effort will
accepted
cannot
be

.

subjects whatever
return articles which

,

or

of all

on

Communications and letters are invited
the
literary matters treated
from
the
art
business but
no other

HE

MEMBERS

OF

of

39
,

,

.,

,

.

month

Editor
standpoint

LIST

S
.W

's

,

of

to

Communications
for The
Author
should
the Offices
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor pot later than the 21st
each

addressed

of

be

.

to

the Secretary

the

charge

great many members

in

of

of

to

be is
a

very heavy

Society

in

CONTRIBUTIONS

Editor
The
Author begs
remind
members
the Society that although the paper
sent
them
free
cost its production would

or

AND

is

.

is

kept
This fund
reserve
necessary for the Society
incur heavy
expenditure
fighting question
prin
either
ciple
copyright reform
assisting
obtain
dealing
any other matter closely
with
connected with the work
the Society
The Pension Fund
slowly
This fund
increasing and
hoped will
time cover the
needs
the members
the Society

.

ARTICLES

in to

,

of

in

to

Capital Fund

case

The

its

on

of

,

.

of

to

be

of

application

.

on

them

the Society who desire
have
the publishers concerned can obtain

for

of

those members
the names

,

of

or

in

'

of

to

of

THE Editor begs
inform
members
the
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
the
cases that have come before the notice
knowledge of the Secretary
the Society and that

to

to

to

of

of

be

to

as

.

of

or

in

the opinions expressed
papers that are
signed
initialled the authors alone are
responsible
para
None
the papers
graphs must
expressing the opinion
taken
especially stated
Committee unless such
the case

.

,

,

Although care
exercised that
undesirable
advertisements
inserted they
not accept and
never have accepted any liability
Members should apply
the Secretary for advice
special information
desired

NOTICES

ToR

to

of

of

,

LONDON

is

AUTORIDAD

.

ADDRESS

impression among
As there seems
readers
The Author that the Committee are
personally responsible for the bona
fides
the
advertisers
the Committee desire
be stated
that this not and could not possibly
the case

.

VICTORIA

,

374

.)
PRICE SIXPENCE

1910

.

,

1ST

:

TELEPHONE NUMBER

TELEGRAPHIC

.

DECEMBER

.

No

Monthly

Authors

WALTER BESANT

BY SIR

.
3
.

.

.-

XXI

Vol

Society

[

FOUNDED

Incorporated

.

of

of

Organ

.

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the

The Autbor .

�THE AUTHOR .

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Feb
Feb

,

W. F

. .

Bland Mrs
Nesbit
The XX Pen Club
Percy
Greenbank
Stopford Francis
Dawson
Ainslie Miss Kathleen

.

Gibbs
Wintle

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Riley Miss Josephine
Child Harold

Feb
Feb
Feb
Feb

1910

Jan
Jan

Feb

Feb

Subscriptions

0

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£4 065

0

198

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31
%

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Feb

Land

0
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Canada
Grant Stock 1938

0 10

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2

132

,

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438

,

4 Bowen Miss Marjorie
5 , Cameron , Mrs . Charlotte

.

. . .. . . . .. .. . . . . . .. .
31 % Stock , 1919 -49 .. ... ... .
Mauritius 4 % 1937 Stock . .. .. .. .. ... .. .

1927 - 57

Jamaica

Feb .
Feb .
Feb .
Feb .

.

0

.

0

.

258

. .

Irish Land Act 27 % Guaranteed Stock
Corporation
of London
2 % Stock ,

0

. 4 , Pryce , Richard
.
Jan . 4 , Wroughton , Miss Cicely .
Jan . 6, Kaye -Smith , Miss Sheila
Jan . 6 , Underdown , Miss E . M . .
Jan . 6 , Carolin , Mrs. .
.
Jan . 8 , P . H . and M . K . .
.
Jan . 8, Crellin , H . R .
Jan . 10 , Tanper , James T . .
Jan . 10 , Miller , Arthur
.
Jan . 10 , Bolton , Miss Anna
Jan . 10 , Parr , Miss Olive K .
Jan . 13 , Hardy , Harold
..
Jan . 17 , Harland , Mrs .
.
Jan . 21 , Benecke , Miss Ida
Jan . 25 , Fradd , Meredith
.
Jan . 29 , Stayton , F . .
.
Feb . 1, Wharton , L . C .

.

6

.
.

.
.

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9

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Jan

.

247

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228

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.

0

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,

0

200

s. d

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Jan . 1, Northcote , H .
,
,
Jan . 3 Watson Mrs . Herbert
Jan . 3 , Fursdon , Mrs . F . M .
Jan . 3, Smith , Miss Edith A .

.

200

Trust 4 % Certificates
.. . ..
Cape of Good Hope 32 % Inecribed
Stock . . . . . . . . . . . . . . . . . . .. . .. . .. . . .
Glasgow and South - Western Railway
4 % Preference Stock . . . .. . . .. . .. . . . . ..
New Zealand 32 % Stock .. ......... .. ..

Robinson , J. R .
Mackenzie , Miss

L

0

1910

. 1,
Jan . 1,
Jan

.

0

250

£

Donations .

, H.
. . R.

291 19 11

Caphilpotto
Parry, Sir Hubert

11 ,

, MrsHubert
17 , Coben
.. Herbert
Vunen , Mrs

E

Consoli

3%

dated Inscribed Stock ...............
London and North - Western 3% Deben
ture Stock . . . . . . . . . . . . . . . . . . . . .
Egyptian
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Government

,

,

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Nov .
Nov .

.
.
.
.
..

.

0

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0

15 ,

Oct . 6, Graham , Capt. Harry
Nov . 6 , Capes , Mrs . Marion
Octv
Nov. 11 , Phillpotts , Eden .

,

Victorian

500

. . . .. . . .. . . . . . . . .. . . .. . . .. . . . .

Truman , Miss Olivia Marie
Steveni , William
Barnes

,

.... ... .. £1, 000

21 % ...........

,

.
.
. , ,
,
A
.
J.

Consols

Local Loans

17

D

the course of the
year to declare another pension
in case any im .
portant claim is forthcoming .
hand in

in

May
July

,

be sufficient funds

1910

, ,

,

the trustees of the
Pension Fund of the society - after the secre tary had placed before them the financial
position of the fund — decided to invest £260 in
the following securities : £130 in the purchase of
Jamaica 37 per cent . Stock 1919 - 49 , and £130 in
the purchase of Mauritius 4 per cent. Stock 1937 .
purchased
The
amount
is
£132
18s . 6d .
Jamaica 31 per cent . Stock and £120 12s. ld .
Mauritius 4 per cent . Stock .
This brings the invested funds to over £4 ,000 .
The trustees , however , have been unable to recom mend the payment of any further pensions , as the
income at their disposal is at present exhausted .
They desire to draw the attention
of the members
of the society to this fact , in the hope that by
additional subscriptions and donations there will
1

14 , Desborough

. .
,

,

February

.

ON

FUND .

.

. .8 .
, 8,
,

THE PENSION

, The Right Hon .
the Lord , K . C . V . O .
Jan . 27 , Lion , Leon M .
..
Feb . 7, Fagan , J. B . .
.
.
.
Feb . 10 , Newton , Miss A . M .
March 7 , Smith , Bertram .
.
April 13 , Dillon , Mrs.
.
.
May 6, Inkster , Leonard
.
•
Jan

W

of those who

. . . .

end of the list for the convenience

desire to add future elections as they are chronicled
from month to month in these pages.

23 21 17 16 16 12 11 1110
, , ,
,
,

54

110

�-

to

,

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to

up

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in

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of

copyright the committee decided
take the matter
but
there was every
prospect
settlement they hoped
would
not
necessary
take the case into court
After consideration
the disputes the general
the
matters before the committee were heard
following order
Reference bad again been made
the committee
some members
the society
the point
the censorship
books
the libraries
The
report that
committee instructed the secretary
of

,

the matter was having their earnest consideration
they considered the issues
the greatest import
ance
authors
but the practical solution
the
question they considered was surrounded with many
difficulties
general question
the legal work
the
society was discussed and the committee appointed
Squire Sprigge and the secretary
delegates
Dr

of

,

it

-

on

.

of

, ,

,

,

-

of

to

any steps were
was decided
before
taken
memorialise
the Board
Trade
refer the
matter back
the Copyright Sub committee and
to

for

of

•

,

, of

the last meeting had been
the committee considered
those who were before
them

After the minutes
approved and signed
the names

of

as

.
S
.

confer with the solicitors
The report
the Copyright Sub committee
the Draft Bill was laid before the committee for
criticism and after many points had been raised
to

,

on

,

's

. at

M
1

the committee was
Monday
offices

of

November meeting
held
the society
the 7th

HE

to

NOTES

.

COMMITTEE

,

A

of

.

;

to

as

0
6 0 0
0 0
0
0 0 0

an

.

of

action might
should be con
question
sidered
The next matter dealt with
alleged collaboration
The committee decided
take the case
after
full investigation
opinion was
the
solicitors
favour
such
course
and the secretary was instructed
write
the member concerned asking her
call
upon the society
solicitors and give them
full
information
order that they might
position
question
advise the society
accounts which were the cause
adjusted before further steps

a

0 0
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13

a

on

,

of

in

acknowledging
with
We have much pleasure
10s from Mr Harold
donation
January
Hardy
through
which
over
sight had been omitted from the printed lists
apologies

.

.

.

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. . .

Phillpotts Eden
Henri
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Buè

Nov

,
.
, J.
E
.
.

Buckrose

Nov

2

. .

,
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C
.

,

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F

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Nov
Nov

,

Tuite Hugh
Margolionth George
Gribble
Rankin Miss

Oct
Oct

55

They proceeded
election
elect twenty eight
members and associates bringing the elections for
the current year
248
There were five
resignations
which the committee accepted with
regret
bring the resignations for the
These
current year
The committee then considered
the law cases
On the first case which dealt with the loss
score
music the secretary reported that
settlement
during the past month
had
been
come
the
money had been paid
the composer for the loss
and the claim
had been satisfied
and that the
composer had made
donation
towards the
Capital Fund
the society
The committee
thanked Mr McEwen the member whose property
had been lost for the donation that he had made
On the second matter which referred
disputes
which action had already been commenced
the courts the solicitors reported progress and the
adjourn the points brought
committee decided
forward
the next meeting
order that the

infringement

W

,

-

Oct

1 0

. .
.

,
.
S
.
C

-

Caws Luther
Knowles Foster Miss Frances

G

Mary

, ,

Sept
Oct

.

Sept

.

Ellis Havelock
Myers
Bristow Noble
Sidgwick
Mrs Alfred
Pakington
The Honourable

Aug

1

as of .
.

.

.

. . .

M

.

A

, ,
C , ,
.

Peacock Mrs
March Miss
Scaramanga
Ralli

July
July
July
July

.

.

.
.

C

,

,

Oct
Oct
. . . .
. . . . . . . . . .
5 5
5 1
4
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11
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19 12 11 , , 31
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Muir Ward

. .

July

'H

,

4

Wynne
Whitworth
Maunder
Harold
Atkinson
iggins Harvey

.

,

June

O 30
, 15
,

3,

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damages

.

,

7

19 10
,

Portion

Society

the

0 0

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John
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0

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Patricia Wentworth
Tynan
Hinkson Mrs

Sprigge
money recovered

June
July

crore

Bertram

Yould
Loraine Lady
Macdonnell Randall

2 4

Smith

Blake

May

June

2

Miss Grace
Hawtrey Miss Valentina

,

March

Bong

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March

March
March
March
March

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Toplis

Feb

May
May

Mrs

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8 6
24 24
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29 16
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Feb

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THE AUTHOR .

�THE AUTHOR .

to

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any

and

other

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,

and other bodies interested
forward one report rather
four separate documents

should

as

three

the

an

to

copyright

;

to

'

to

to

-

.

of

of

in

'

.

A

Publishers Association
or

of

to

.

of

.

of

to

, ,

at

'

on lay

to

it

a

.

,

to

Committee

was decided
meet the Publishers Association
the earliest possible moment
while the matter
was fresh
the minds
all concerned
Delegates
the Copyright Sub committee were
appointed
meet
meet the Publishers Associa
tion
and the secretary was instructed
write
fixing up
early appointment
with
view
good
The secretary suggested that
would
thing
possible that the Authors Society

,
if

by

'

- -

to

-

on

the

meeting
Copyright
further
the
Sub
committee was held
the offices
the Society
Monday
Authors
November
when
report
the Copyright Bill
submitted
the Board
Trade was finally settled
add the
Mr MacGillivray kindly undertook
alterations
the report already drafted and

,

. -

A

.

to

.

by

,

to

in

for

to

-

.

of

,

it

of

to

by

a

it

,

ask

It
is

.

than

instructed

II

He was also

on

Bill showing how far the
effect
the suggestions made
the
Society
Authors when the Berlin Convention
was under consideration and how far
embodied
the proposals
that Convention
The Sub com
gratitude
deep
mittee expressed
their
Mr
MacGillivray
the trouble
he had taken
drafting his report and then proceeded
consider
paragraph
paragraph
few alterations were
agreed
and the report passed
The Sub committee then turned
the sugges
tions
the Bill made by the Publishers Associa
tion and considered these suggestions point
point and reported upon them Mr MacGillivray
undertaking
look through the draft report before
Management
was submitted
the Committee
The secretary was instructed
the report
finally settled and the report
when
the Pub
suggestions
Jishers
before the Committee
Management
the next meeting
that body
gave

in
a

be

.

be

issue
pre

in

had

-

in

.
J.

November

as

- 24

on

.

-

E

.

, ,

of

the

MacGillivray

to

as

to

a

, to

,

.

1

The Copyright Sub committee met
October
consider the Copyright Bill
Since the pre

reported
vious meeting
The Author Mr
pared
report
the

the

,

for

,

to

-

.

it

any final decision
committee
come
Accordingly this matter
course they should adopt
subsequent meeting
was adjourned
carry the Report through
intended
however
with the smallest possible delay
that the Sub
position
committee may
take such action
may
considered desirable
the interests
the society
to

.

-

SUB COMMITTEE

of

on

.

of

Mr Shaw and Mr Carr attended the meeting
and put fully before the Sub committee their
views but
was impossible owing
the time
spent
discussing the various points
the Sub
,

he

an

,

.

pont

in

.

.

on

,

in

of

the Copyright Sub com
November
the offices
the society
The report which had been
before the Committee
Management was referred
back
the Sub committee
and Mr Shaw and
Mr Comyns Carr were asked
attend the meeting
order
discuss
certaa
of the Sub committee
points
The second meeting

mittee was held

.

,

of

of of

in

.

in

,

to

to

as the

,

in

of

.

as

committee urged the necessity
prompt action
that
the Board
any
Trade accepted
suggestions they might
embodied
the Bill
when
was again laid before the House

at

's

of

's

be

of

COPYRIGHT

Bill

bodies

copyright property
order that
memorial
the Board
Trade should
representative
possible
The Copyright Sub
interested

.

the conversazione
Three
the committee
candidates
for next
year
election were nominated
Their names will
printed
the January Author
accordance
with the articles
association
the society
The nomination
the fourth
candidate was
adjourned till the December meeting
the financial position
The secretary reported
the society that since the last meeting
had
gather
been able
some large cheques and that
thought
he
there would be no need for
over
draft before the end
the year

the

-

.

the

to empower the Copyright Sub.
committee to deal with the Publishers ' Associa
tion with
a view
of presenting a memorial
to the President of the Board of Trade at
earliest opportunity
The Sub committee asked
also
full powers
consult and act with
to in

-

'
in

,
to

It

.

of

no

at

or

of Management

for

to

.

,

to

of

to

of

to

of

a

to

-

to

.

to to

of

,

.

-

on

.

.

G

.

Management
Committee
appointed
Bernard Shaw and Mr Comyns Carr
confer
with
the Sub committee
certain important
issues
When
the matter had then been fully
discussed by the parties mentioned the Committee
Management gave
the Copyright Sub com
mittee full authority
act with the Dramatic
Sub committee and
confer with the Publishers
appointing and regu
Association with
view
lating the deputation
the Board
Trade
put the views
order
the society and other
bodies before those representatives
the Govern
carry the law through
ment who are about
The arrangements for the dinner and conver
sazione were finally settled
was decided
programme
have
entertainment
the dinner

if

the

it

Mr

of

66

�THE AUTHOR .
very much the same ground . On
reports covered
this basis it is proposed to meet the Publishers
Association .

Cases .

if

be

is

,

as

,

to

of

in

.

of
,

in

of

in

for

.

In

,

.,

in

to

do

,

.

a

is

an

re
-

to

is

It .

.

.

to

.

of

.

. .

of

it

,

it

.

a

or

of

to

no

is ,

of

of

.

a

to

.

of

-

of

on

,

to

,

on

.

of

.

of

,

.

to

,
an

as

of

As

.

be

,

of

,

of

return the MSS
very satisfactory
report that the infringe
copyright
ment
New
Zealand has been satis
factorily settled
happens
this case
often
the New Zealand paper had pirated from
infringing
American paper without any intention
copyright
English
the author
soon
the
letters

in

.

,

they

In

an

a

of

to

to

-

.

the names

.

, - - .

of

at

of few

a

in to

It

infallible
We regret

the MSS and the dates
were sent
The members
the
theatrical profession
the contrary unless legal
steps can
taken against them neglect
answer
lars

which

be

to

of

.

he

for

. -

ill

have ever
and the

offenders
the matter
the non return
MSS Pub
lishers and editors are generally glad
make
search when they are furnished with full particu

to

,

's

to

,

,

's

Sir

a

in

which had been sent them
the chairman
Arthur
authority and proceeded
Pinero
nominate three
delegates
The secretary was instructed
write
and ask for the consent
the members nominated
The secretary
the last meeting
the Sub
agree
committee had been instructed
draft
ment between the writer and producer
sketch
bad pointed out the frequency with which
these contracts were coming before him
This
draft had been forwarded
the members
the
Sub committee with the notice calling the meet
ing
was carefully considered and was passed
slight alterations and will
subject
printed
one
the coming issues
The Author
The Dramatic
Sub committee then adjourned
December
by

letter

the secretary under

's

suggested

authors have
evidence that the MSS
responsible parties
reached the hands
deduction
the author that the post
not one which the law can recognise
say that theatrical people are the worst

or

.

an

to

at

of of

to

,

on

of

its

the Copyright Bill and the appoint
delegates
represent the dramatists
the society
the deputation
the Board
Trade
The committee approved
amendment
report

ment

essential that they should show that
MS has
the office
the publisher
editor and
not sufficient
show merely that
was posted
the great majority
these MS
cases
the

reached

of

then

is

- .

considered

of

of

be

- .

's

in

,

in

to

,

-

of

Sub committee

been returned
the authors
Three
the remaining cases have only recently come
necessary
emphasise the
into the office
difficulties surrounding the legal position when
application
made for
MS
most cases the
secretary has found editors publishers and others
perfectly willing
everything
their power
return MSS
but authors must remember that

It

-

to

's

a

on
a

The Dramatic

MSS having

to

to

a

.

to

of

the
The Dramatic Sub committee
had been asked
recommend
the Committee
Management that counsel
opinion should
taken
point that
member had placed before them
The Dramatic
Sub committee after careful con
question
sideration
the point
came
the
opinion
conclusion that counsel
this particular
case was not necessary

is

,

,

. to

matter that referred

plays

it

,

for

was

The next
censorship

There were eight cases
which members
the
society applied
assistance
the recovery
MSS
Three of these cases have been settled the

In is

to in

case

and

to

-

to

performances
referred
the secretary was instructed
write
the Government Department which had
urge upon them
been dealing with this question
the need
immediate legislation
The second

music halls

in to is

.

in

.

This

.

of

Management

as

of

for

by

taken
the Committee
was readily given

of them will have to bo referred to the solicitors ,
two other clic : s against the same firm
left over from
last month .
One demand for
accounts and money has been settled , the money
having been sent and paid over to the member .
Two disputes occurred on agreements . One has
been transferred
to the solicitors , and with the
sanction
the committee action will
taken
necessary
The other
unsettled
the offending
party lives
the United States and some time
expended
the passage
letters
and from that
country

with

.

Dramatic
Sub - committee .
The
were fully explained , and the
their approval
the action

of the

decision

details of the case
secretary asked

paid and forwarded to the member , and
the third has only recently come to the office .
Three cases were demands for accounts .
These
are as yet unsatisfied , and it is possible that two

has been

,

.

NOTES

is

COMMITTEE

The November meeting of the Dramatic Sub committee was held on the 18th of that month .
After the minutes of the previous meeting had
been read and signed , the Sub - committee
con sidered the cases before them .
The first case
dispute
related
to
a
between
a member
of
the society , an agent and a collaborator .
The
explained
secretary
that
the
Committee
of
Management had decided to take the matter up ,
as it might have been necessary to apply for an
injunction , and there was not time to wait for the

DURING the past month the secretary has been
asked to intervene on behalf of members of the
society between themselves and publishers , editors ,
Three of these
and others in seventeen cases .
related to claims for money .
The first has been
placed
in the solicitors ' hands as no satisfactory
answer was forthcoming ; in the second the money

of

'

DRAMATIC

57

�THE AUTHOR .
Wetton , Miss Mildred

Wilkins, Philip

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MOVING
OBJECTS AND HAND
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153
AND HIS WORK
SHAW
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THE PHOTOGRAPHY
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NAPOLEON
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1795 1825
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HOLLAND
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WHILE every effort
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possible they have
attaining this object owing
some difficulty
the fact
that many
the books mentioned are not sent
office
consequence
necessary
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the members
largely upon lists
literary and
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There are only a few cases remaining open from
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Walkes , William

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his indebtedness .

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58

BIOGRAPHY

By

SIR

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THE KILTARTAN MOLIERE
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THE LIGHTER SIDE
MY OFFICIAL LIFE
ROBERT ANDERSON
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SHAKESPEARE AS
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DAMES AND NOTABLE MEN OF THE GEORGIAN
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THE FAIR QUAKER
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LIGHTFOOT AND HER
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RELATIONS WITH GEORGE
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NOTES .
TESSRS . HARPER BROS . will publish a
L
novel , by Mary L . Pendered , entitled “ The
Secret of the Dragon , " early in 1911 . Her

work on “ The Fair Quaker : Hannah Lightfoot
and her Relations with George
.,” has recently
been
issued by Messrs . Hurst &amp; Blackett .
She
has nearly finished a new novel, entitled “ The
Ankle - biter . "

III

Mrs . Yorke Smith 's translation of Père Paulin 's
work on “ Mystic Theology ” appeared last month
under the title of “ The Graces of Interior
Prayer ; a
Mystical
Theology ."
Treatise on
Messrs . Kegan Paul &amp; Co . are the publishers .

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the British Museum
Mr Walter Jerrold
the editor
The Big
Fairy Tales
published
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publish
Mr Werner Laurie
about
work
Ghostly Phenomena
entitled
Mr Elliott
Donnell
this book the author
cites
number
his own
well
other people
experiences with phantasms
the living and the
dead and with elementals and gives evidence
spirit and body through
the separate existence
the testimony
those who have either successfully
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volume
studies
word pictures
the under
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currents
life
portrays many
interpretation
life
difficulties
and problems
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one

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are the publishers

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Our Beloved King Edward
volume which
edited
Miss Elizabeth
Woodruff and contains various poetic tributes
King Edward
Mr Elkin Mathews
the
publisher
The same publisher has also added
his cabinet
series
The Flame and
Hamilton Moore
Behind the Blinds

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January next
the early days
The book
Essays
essays
the form
and entitled
the
Purpose
Art
Past and Present Creeds
English Painters
The first
the seven essays
deals
with the fact that present conditions are
any art which
unfavourable
the production
position
will maintain
the future among
national treasures
The last essay
entitled
The Reality
the Spiritual Life
Art
Two
other essays deal with
National Individuality
and
Personal Individuality
Art
The
purpose
the book
advocate the value
permanent art versus temporary
value which
Leighton and Watts
the teaching
enforced
Besides quotations from the books
Watts and
Leighton which Mrs Barrington has written she
includes several from writings
her brother in
law
the late Walter Bagehot Walter Pater
MacColl Arthur Symonds Lowes Dickinson and
Miss Marie Cailliard all bearing
the advantage
stay
those things that come
contradistinction
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annual has also
story from the same writer
pen

Reminiscences
Watts and her Life
Letters and Work
Frederic Leighton
which will
issued
Messrs Longmans Green

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the Child
This book
relates the vision
child who has never lived
earth
save for
hours who finds sorrow
Paradise and asks leave
return
earth
seek
for the reason
the sorrow
the eyes
God

which
story
called
The Lesson
and
love
idyll and the lesson which the heroine learns
the lesson
love
Fancy Farm
Mr Neil Munro new novel
published
Messrs Blackwoods
The characters
are
for the most part humorists
the old
meaning
say
they are
the term
that
type
the
Scottish men and women possessed
striking personalities and oddities
speech and
manner
sequel
Mrs Russell Barrington has written

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also published
Messrs Everett
published

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which
The
Northern Newspaper Syndicate
Messrs Headley
Bros have also published Miss Wilson Wilson
Miss

publication

in

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by

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Miss Barnicoat

deals
some length with the Alpine district
New Zealand
writer who veils his identity
Circumnavigator
gives
under the synonym
Portugal
account
China
that
Macao
described
the Monte Carlo
the Far East
Searchlight again tackles
favourite subject
taking
peg
Peary
Arctic exploration
recently published
North Pole
the courtesy
the publishers
advanced sheets were supplied
might appear
that
review
the Novem
ber
Travel and Exploration
Mr Eustace Rey
paper
nolds Ball whose sporting
Panther
Sanctuary
appeared
the October
number
describes
Sicilian puppet show from the point
view
detached spectator
Armchair
always
important
Travel
feature
this
magazine
following
important
the
books
are
reviewed
The Holy
Land
Robert
Uganda
Holiday
Hitchens
for
Sir
by
Jungle Byways
Frederick
Treres
India
Stebbing
Crespigny
and Sir Claude
Forty Years
Sportsman
Life

Wisdom

“

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Murray

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Mr

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Governor

H

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in

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The November number of Travel and Exploration
is certainly more varied than usual .
There are
dealing
no less than four exploration
articles
Tripoli New Zealand
respectively with Macao
and the Arctic regions while
the Exploring
Papua
World there are some notes
the

( to
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62

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Pleasure

the proprietors
Telegraph
Her
last
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and will
We have just received

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Lady
novel
just
Daily
Telegraph
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finished
the
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Co have published
novel
Irvine entitled
The Pro
bationer
which the author paints
realistic
style the first month
pro
and humorous
hospital
bationer
life
This book would
appeal
anyone who has undertaken
especially

including

material

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have lately brought out her
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Cabinet
those
the Fleet Street jester was wont
youth
out with the vigorous indignation
Mrs Caudle
Curtain
Lectures
one
the
most successful works nineteenth century humour
Douglas Jerrold
and
The Story
Feather
most popular novel appeared serially
Punch
but
was the author
much else
the journal
scarcely less notable
this new book Mr Walter
con
his grandfather
Jerrold tells the story
prefacing
nection with Punch and the Punch men

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literature
Humphrey
story
Black
the old
Cornish coaching and kidnapping days
James
Cassidy
which
the Walter Scott Publishing
the publishers
Marquess
Mrs Annie
Tibbits author
preparing another novel for publica
Splendid
tion
the spring
Messrs Leng
Sheffield
Jewish

Prime Minister

early years when

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The book
considerable
literary interest for Douglas Jerrold was one
the
most constant and voluminous
the original band
contributors
Punch and was the first writer
whose personality was popularly identified with the
paper
he was also the main political force
«

.

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Dr Edwin

Abbott
new work
The
Contributions
the Study
the
Thoughts
Jesus
The
the author has
help Christians
study the thoughts
been
they may
inferred
whole
far
Jesus
passages
from classifications and comparisons
the four Gospels illustrated
from
Hebrew
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life
the jungle which
sure
Englishmen
with sporting instincts
Mr
Gouldsbury knows the forest life
India well
powers are considerable
nor
and his descriptive
almost
does be ignore practical detail which
sine qua non nowadays
books
this sort
The
principal character
old Dulall the forest guard
whose loyalty
friends
sure
make him
general favourite
The Cambridge University Press have published
story

“

of

,
of '”

-

,

of

Gouldsbury

Gibbings

The Bourgeois Queen
Paris
novel
Janet
published
January
Macdonald Clark will
Messrs Greening
deals with the adven
Englishman
tures
France
the days
Henri deux and Catherine
Medici the two
daughter
heroines being
Benvenuto Cellini
Bourgeois
beautiful woman
Queen
and the
power and place
the people risen
Douglas Jerrold and Punch
Mr Walter
Jerrold
was published
last month
Messrs

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the Indian police

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religious
general social political
unique
Perhaps
the most
the
stories are
The Wonderful Buddhist Monk and
Ways
Shadai Adonai
and the story illus
trating the psychology
Russian aristocrat
turning revolutionary
Some
the stories have
magazines
already appeared
the Strand Wide
World and others but
have been revised
The
name
the publishers will
announced shortly
problem

something more than
usually taught
their
growth
The book contains 180 illustrations
fern subjects

“

"
pen

a

,

is

."

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“

“

completed
from
the
Jaakoff Prelooker
author
Heroes and Heroines
Russia
consists
series
sensational and deeply
instructive stories and studies from Russian life
throwing
flashlight
some purely

Russian

Mr. Harold Wintle 's new novel, “ The Better
Thing , ” will shortly be published by Messrs. John
Ouseley , Ltd .
· " Fairy Plants ” is the title of a fern book
children
Francis George Heath which Messrs
Ouseley have just issued
The author
aim
writing the book has been
excite the interest
convey
the young
ferns and
the young mind

for

new
series
of children ' s classics .
Crusoe , ” “ The Swiss Family Robin son ," “ Andersen ' s Fairy
Tales , " “ Grimm 's Fairy
Rhymes , "
Tales , " “ Old Mother Goose ' s Nursery
Nursery Tales
and Mother Goose
Russian Flashlights
new work practically

of in .

Nister 's

Ernest

“ Robinson

63

Routledge

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IMPÉRATRICE

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Baron
volume
title
interesting
details
many
containing
The author explains
first wife
about Napoleon
quantity
that thanks
his preface
his possession
letters which have come into
give much hitherto unpublished
able
Many
from
these letters
information
and forty
Abbé Bertrand
Queen
Hortense
destined
her son
are from
them
seven
to

,

the Sonnets

PARIS NOTES

of

of

In

.

play

November

is

,

in

at

.

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.

in

,
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, M
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by

The Dark Lady

one act
Miss
Hamilton
was produced for the first time
Suffrage
the benefit
the Women Writers
League and the Actresses Franchise League last
month
On the same occasion
Miss Hamilton
Pageant
Great Women
was revived
Just
Get Married
Miss Hamilton was
during
the Little
Theatre
also produced
Cicely

he

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the Censor
Hall
Bechstein
Housman read parts
the Men
the funds
aid
last month
Suffrage
League for Women
three acts
musical play
The Quaker Girl
by James
the Adelphi
Tanner was produced
the play
The lyrics
November
Theatre
and the
Adrian Ross and Percy Greenbank
are
the cast are Miss
music by Lionel Monckton

Mr

,

chapters

Theatre last month
aid
the funds
the
Shakespeare Memorial Theatre
The bill included
plays
George Paston
Barrie and Bernard
Slice
The Kiss
Shaw
encitled respectively

.

.

Pains and

of the play ,

George Alexander
given
the Haymarket

of

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play
Mr Laurence Housman
Penalties having been rejected

cast

in three

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by

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The Liars
the Criterion
October
was revived
the cast was Sir Charles Wyndham
Miss Mary
Moore Mr Alfred Bishop and Mr Sam Sothern
Mr Jones one act play treating with the subject
military service was also produced last month

the

In

Mr

Miss Compton and

“

Mr

.

Avon
Henry Arthur Jones comedy

-

on

of

a

“

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,

story
Lucas
Mr
The Slowcoach
dealing with
caravan journey through
beautiful
part
England including Oxford and Stratford

Theatre .

is described as a novelette

Two matiriées

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as

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as

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to

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present

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Messrs. Wells , Gardner &amp; Co ' s. announcements
include books by Mr John Masefield and Mr
Lucas
Mr Masefield
book
called
Book
Discoveries
and
the author gives
account
two boys who
discovered
small
England and tells how they learnt
piece
use
their eyes and their minds and
read
their
discoveries the story
the past
well
the

Laurence Irving .
Havelock Ellis has sold the whole rights of
ber play, “ The Subjection of Kezia ," to Miss Mar
bury ' s dramatic agency , of 10 , Leicester Square , W . C.
Mr. R . C . Carton ' s play, “ Eccentric Lord
Comberdene ," was produced on November 19, at

Mrs.

,

to the Marquise .

Mr.

and

,

entitled “ What ' s Right With the World , ” as well
Reynolds and
stories and articles by Stephen
other writers .
Messrs . Methuen
&amp; Co . hope to publish next
year the edition of Madame du Deffand ' s letters to
Horace Walpole , upon which the late Mrs . Paget
Toynbee had been
engaged
for some years , and
which was left nearly completed at her death .
The work , which has been prepared for the press
by Dr. Paget Toynbee , will contain nearly 500
unpublished letters of Madame du Deffand , besides
eleven recently -discovered letters of Horace Walpole
as

and Miss Mildred Cottell .
“ The Unwritten Law ," Mr. Laurence Irving 's
dramatisation
of the Russian novel “ Crime and
Punishment ,” was produced at theGarrick Theatre
on November
14 .
The play deals with
the
murder of a man who has been cruel to a girl , by
a young
student , and the confession
of guilt
extorted
from
the murderer by the examining
magistrate . In the cast are Miss Mabel Hackney

”

This volume can easily
and is published at
the very moderate price of 18 . Budding poets
could not be recommended
to
a more useful
production .
“ On the Middle Slopes ” is a short story by
Mr. Frederick Niven , which appears in the
Christmas number of T. Pi's Weekly . The same
issue contains an article by Mr. G . K . Chesterton

,

for

size and cumbersome .
placed
in
the pocket

in

be

Caumont , Mr. Joseph
Coyne and Mr. C . Hayden Coffin .
We have received a little play entitled “ Ready,"
by the Hon . M . A . Pakington .
It is in two acts ,
and is suitable for performance by boys . Messrs .
John Heywood are the publishers .
Mr. Cecil Raleigh ' s play , “ Behind the Veil ,"
was produced at the Coronet early in November .
The theme of the play is the conversion of a fast
young
Parisian
to better things .
The cast
includes Mr. Philip Desborough , Miss Viva Birkett ,

Gertie Millar , Mademoiselle

are

and Sons a compact rhyming dictionary published in
their Reference Library .
The work is by Mr. P .
R . Bennett .
A book of this nature
is, exceed .
ingly useful to a certain
class
of poetaster .
Other rhyming dictionaries
have preceded
it ;
but they have been , for the most part , large

“

64

�THE AUTHOR .
III

become Napoleon
., to Abbé Bertrand . In this
volume the author endeavours to show us how
much Joséphine has been slandered . He gives us
a brief outline of her life , and an account of her first
meeting with Napoleon . By the extracts from his

of children life is one long struggle
his daughters possesses a fine voice , and
becomes an operatic singer . She is burnt in a fire at
Brooklyn , and her father inherits her money . His
one idea is to refuse it , but he is over - persuaded
and accepts the legacy .
There is a subtle analysis
large family

One

letters to her during his absence , we see how
devotedly attached he was to her . The first eleven
chapters take us up to the time when the divorce
was first discussed .
In a later chapter we have an
account of the divorce ceremony , and of the part
ing between Napoleon and Joséphine. A detailed

character and a delicate irony throughout the
whole story .
The modern spirit is very evident ,
The worship of the golden calf fills the church
pastor
which
had been
deserted .
The poor

of Joséphine 's retreat to La
Czar ' s visit to her there . The

Malmaison , and of the
author concludes by affirming that Joséphine was
Napoleon ' s good genius , and that she will always

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conscientious and consequently poor
As
temperance advocate
considers
his duty
uproot the vineyard which
legacy
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the psychological studies
which this
past master
author was
This time the prin
cipal personage
Protestant pastor extremely

on

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appreciate more than
make
friends
the fairies

ever our early
Pasteur
“

charm

education between herself and her husband
The death
Robert Gangnat general agent
the Société des Auteurs
immense loss
Gangnat had been president
the society
the Cercle des Escholiers secretary
Pichon
and attaché
the Cabinet
Léon Bourgeois
Later
he was dramatic critic
the Matin and
Roger
the death
1902
was elected
agent general
the Société des Auteurs
He was
most active and energetic
his work there and
his efforts that French anthors
Canada
money for their
can claim
certain
amount
works there
The Revue hebdomadaire publishes
remarkable

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to

of ,

to

",

is

and reaches the soul

ing and helps

“

,

,

of

to

to

in

, of

,

to

.

of

,

of

.

*
*

George Sand
then
return
France
and
fairies and after these are introduced
the folk
lore
more northern countries
Andersen and
Wagner
then
the epilogue the author
quotes Chesterton speaks
Alice
Wonder
land
Barrie
Peter Pan
Yeats
Maeterlinck and
conclusion affirms that nothing
great except that
which comes from the soul

XVI

Henry Bordeaux
Robe
laine
subject very much the same theme
has
Raymond
Cernay
the
Princess
Thule
wealthy young man marries
daughter
steward
and transplants her with
her Puritan ideas
everything
very hard for her
Paris
Life there
fresh surprise
The book
fine psychological
study
not until after her death that her
husband realises the martyrdom
she has endured
thanks
her rigid notions and the difference
“

to , to on to

go ,

of

to

,

to

to

Shakespeare
Faërie Queen
fairies and
the Neapolitan fairyland
After this we pass
the French fairies and then
the Venetian fairy
land
German fairy stories and
the fairies
English poetry from Shelley
Tennyson
We

is
a

a In

.

us

.

of

to

us

Merlin and
the Round Table
We then
the times
heroes and fairies
Oberon
the fairy stories
the poems
Marie de France
the legend of the Swans
Brunhild
Mélusine
and
the last fairies
the Middle
Ages
We are then introduced into the fairy
garden
Spenser
the Italian Renaissance

Mort
Roi
Pierre
Vaissière
account
the last hours
Louis
We
are told almost minute
minute all that took
place
day when the king was
the tragic
conducted
the guillotine
The author of this
book has discovered
number of fresh documents
give details which have
which have enabled him
hitherto never been published

of

la

et

of

a

to

“

of to

It

in is

,

no .”

go

,

in

her exquisite book entitled
Vie
Mort
very evident that the author has
spared
pains
her attempt
the very root
of her subject and the writing
such
book must
patient work and research
mean some years
prologue the author
gives
the admirable
fairy stories
subtle definition
She then intro
duces
the fairies
the Breton cycle

des Fées

on

La

-

us

.

of

its

be known as “ la bonne Impératrice , ” thanks to her
kindly nature , ber affability , and gentleness .
It would be difficult indeed for any writer to
study more thoroughly the origin
fairy stories
than Madame Lucie Félix Faure Goyau has done

realises all this , and his death occurs in the pulpit ,
There is very little story , but the whole sketch
is
extremely suggestive , and leaves much
to
be
thought out by the reader .
" Les Devoilées du Caucase ," by the Duchesse
de Rohan , is not only an account of the author ' s
travels in the Caucasus , but an attempt to give at
the same time an idea
of the mentality of
many instances the author gives
inhabitants
admirable translations
some
the poetry
folklore
the places she visits
The photographs
taken during the voyage help
make the volume
still more interesting
There are no tedious guide
very clear
book descriptions and the reader has
eighteen places visited
vision
the seventeen
Constantinople
from Berlin

to

given

also

of

of

is

account is

65

�THE AUTHOR

is

to an its

.

-

,

to

,

,

to

compared

the original

with

It

in

It

be

to

is

it

if

,

a

of

,

.

in

by

,

Mr

Perrin

an

in

by

a

.

,

in

in

of in

-e

in

no

.

,

,

ofan

in
a

of

.

in

of

,

of

,

to

as

,

of

.

no

a

.

of

if

of

of

"

“

,

to

in

.

's at

an

in to be

to

as

it

so

a

.

of

it

a

be in

.

of

in

on

.

Upon
not come within the statute
the
very
facts
the present case
colour being
important element
the matter he had come

the conclusion

to

,

a

,

that there was

an

.

might

in

.

-

,

.

”

-

in

. 's

of

of

in

to

related
fraudulent acts but the
doing what
knowingly
question was
offence
was expressly prohibited
There was
breach
anybody represented
the statute
the provisions
particular artist something which
the work
that
not
he knew had been altered
any
He thought was apparent
artist
work
body that there had been
the
alteration
picture because no one could look
the two things
version
the
the defendant
without seeing
expression
the face
the woman was entirely
from
that
the original drawing
different
might
ambiguous
Alteration
word
was possible that some alterations
character and

,

as

to an

it

an

of

by

it

,

.

as

the statute

,

-

of

,

,

in

a

,

's

cause

of

.

,

,
in

."

“

of

.

of

,

appeared upon the poster and the defendant com
pany issued
circular
which Mr Garth Jones
was mentioned
the artist
The defendant com
publish the poster without the
pany had offered
artist name but the offer was not accepted

point during the
decision
which the Act had been

The firm
Carlton Illustrators had shown
action
the artist was the person
aggrieved who was entitled
recover the penalties
fraud some
the offences
On the question
force

's

.

in

by

in

is

,

,

of

,

.

to

to

drawing had been altered both
colouring and
face being
the woman
line the expression
entirely changed
The name
Mr Garth Jones

been
years

ight

forty

as

a a

to

on

of

a

is

.”

a

,

of

.

,

by

,

a

of

,

“

for the use
advertisers and others and Mr Garth
this
associated with them
the artist
question was made
work
The drawing
Mr
Garth Jones for advertisement purposes and was
sold
the defendant company who are the manu
the trans
Wincarnis
The effect
facturers
action was that the copyright
the drawing passed
for
the defendant company who required
but there was no agreement
advertisement
which the picture should be repro
the mode
enlarged
was
duced
The poster complained
copy
but
was alleged that the
the drawing

that there had

“

,

be of

a

large coloured poster which purported
drawing made
reproduction
Mr Garth
Jones depicting the classic figure
woman and
entitled
Caution
Carlton Illustrators
firm carrying
the
making and selling artistic illustrations
business

,

a

.
of

in

1

,

this action which was
novel character
the plaintiffs sued the defendant company for
penalties
respect
the publication

Jones

criminal nature for which
conviction could
proceed
obtained and the penalties recovered
ings
police court under the express provisions
the Act
action was not the proper method
the penalties
for recovery
giving judgment said
Mr Justice Channell
be of

Co

;

.

COLEMAN

of

TN

JONES

AND

v

ILLUSTRATORS
&amp;

CARLTON

,

;

.

to

PICTURE

,

of

it

of

company
On behalf
the defendant
was
contended that being proprietors
the copyright
they were entitled
reproduce the picture
enlarged form
that offences under the statute
and fraud
were acts which were done fraudulently
was not alleged
and that the alleged offence being

,

A

OF

UNAUTHORISED ALTERATION

.

of

in

,

for

it

by to

.

no

's

,

).

Levy

Garth Jones

.

was stated that
the colours and the drawing would be damaging
reputation but
the artist
was pointed out
damages but
the Court that there was
claim
only for the penalties recoverable under the Act
respect
the alleged offence

).

”
(
) ”
. (

as

.

.

Roi

the

the poster

drawing

).

du

”
( ”
(

et
la

“ “ “ *
L
La
La '

Mort

the Royal Academician and
well known contributor
evidence
the alterations appear

Reed

gave

Punch
ing

ALYS HALLARD

Impératrice Joséphine
Calmann
Vie
Mort des Fées
Perrin
Le Pasteur pauvre
Perrin

Mr
Mr

as

being given

the artist
Frank Dixie

work

by

at

”

a

is

"

'

.

is

"

Birotteau

and reproducing
the picture and
any means and
any size
offence
however
under the Act for any one
knowingly publish
copy
the work with any
represented
alteration
the unaltered

.

at

"

“

“
L

-

.

“

de

. ,

is

,

by

“

César

,

Comédie Française
Les Marionnettes
being given and
Pierre Wolf
the Théâtre
Réjane
Le Mariage
Mlle Beulemans
still
fills the house
Aventurier
success
the Porte Saint Martin
At the Théâtre Antoine

,

engraving
design

T

“

,

At the

.

The claim
for penalties was made under the
Fine Arts Copyright Act , 1862 , which created
copyright in paintings, drawings , and photographs .
Under the provisions of the Act the defendant
company , as proprietors of the copyright
in the
drawing , had the exclusive
right of copying ,

E
, . . of

'

d

.”

an

by

article by Dr. Grasset , of the Montpellier Univer
sity , entitled “ La Crise Médico - sociale .”
It is
shortly ,
taken from
a volume to be published
“ Le milieu médical et la crise médico -sociale . "
In later numbers of the same Revue we have a most
interesting study by the Vicomte de Reiset of
Catherine Worlée , Princesse de Talleyrand ; and
Impressions
article
Pierre Baudin
Argentine

.

66

alteration which

�THE AUTHOR

60

in

is

a

If

to

's .

of

for

a

is

he

in

he

forof

to

be an

to

all

,

.

.

its a

fee

be

all

.
.

.

W

.
.

B

By

.

Life and Work

.

W

M

.

.

E

.

.

.

.) (

,

Madame
from the
Holman

By
Caillard
By Charles Tennyson

and the Ideal
Architecture

. .

Imagination

Copyright

.

.

of

's

Hunt
Hy

Matz

Reprinted
Brotherhood
By
April 1886

The Pre Raphaelite
Contemporary
Reriew

in

,
.

,

to

Maeterling

Methods

-

,

no

in

CONTEMPORARY
Maeterlinck

.

if

By

,

By

.

.
D
.

,

.
A
.

M

.

.

de

.

.

Camille Mauclair
Gerothwohl Litt

.

.

By

Dion Calthrop
Stage

.

.

The Passing
Pierrot
French Life and the French

.

By Rosaline Masson

By

",

.

for

.

FORTNIGHTLY
King Proctor
Plays
Laurence Housman
An Inspired Little Creature
and the Poet Wordsworth

.

10

to

By Prof

Musset

of

is

to

,

he

,

,

Alfred

's

on of

he

to

he

ENGLISH REVIEW
Paris Nights
Arnold Bennett
La Musique française depuis Berlioz

" A

to in

to

an

,

,

,

on

up

as
a
in

he

's

to

BOOKMAN

Dickens and Reform

Charles

of

on

.”

,

no

, s',

of

a

.

of

.
or
,

is

he

,

.

to

of

do

, .

to

a

,

in

,

, ,

to

,

MAGAZINE CONTENTS

be

his
,

per

pay two
cent
other words
has
agents for placing his work
whose charges added

.,

an

no

in

, .

a

be

,

to

the same work and
position
carried
clear
the dullest intellect

be

by's

10

of

of

a is

As

50

all

the book unless
has control
the rights
The result
the author
that
pay the publisher
the sale
these rights
has
general rule and the agent
cent
per

brought the work
doing
three agents
claiming
When the
absurdity should
this point

of

,

in

.

of If

“

:

of

on 10

an

agent then
such clause should stand for the
agent should see that the publisher has
control
the work beyond the publication
book form
ich
and should retain for the author those rights which
agent
duty
place
the
and his alone
matter
fact however the agent not infre
sign
agreement
quently advises the author
which such
clause exists pressing the author
this conclusion
the ground that the publisher

will not take

.

a

.

a

he

he is

he

,

be

for

not

be

,

but

he

.

rights

if

He has

form

these

has obtained control
agent
place them
employing the very agent

the first instance
The result would

him

to is

in an

is

of

for

.

a

to

,

placing
the facilities
does place them his
remuneration should
the usual agency remunera
per cent The clause however might
tion
altered
the following lines
order
meet the
through the agency
difficulty
the
publisher any
the rights mentioned
are sold
approval
with the author
and subject
contract signed
the author then and
that case
publisher
the
shall
allowed the usual agency
charge
per cent
An arrangement
this
basis could
made when the author was dealing
direct with the publisher but
the author employs

book

who

in

of

never give away the absolute control
these
rights
publisher
The publisher
not
agent except
the publication
the work
should

these minor rights when
them
has appointed
him
He may even

, . ,

5

.

is

to

- is
a

's

of

to

of

,

I

a

is

clause

publishers

.

at

in

."

printed

above
clause
which
squeeze into their
endeavour
contracts with authors and
clause which
very unsatis
but little benefit
the publisher
factory from the author point
view
The author

it

M

HE

place

the
into
work
author
the
whom
he asks
another middleman
he
was himself
for which
the work
appointed
Cases have occurred
which the
publisher
owing
the fact that
not
literary agent and has not the facilities
placing

exist
hands

be

,

he

,

,

as

,

of

to

50

to .
of ,
be

of

of

,

in

,

,

"

to

or

That the publisher shall have the sole right
sell
assign the American
Colonial Continental foreign trans
rights
lation serial and dramatic
the above work
negotiating such sales and distributing
shall pay all costs
copies
the work for such purposes and the publisher
per cent
the receipts from
the author
shall pay
payable
the
the same such amounts
the sale
Clause
the royalties provided for
same time
hereof

to

.

, :

,

MINOR RIGHTS

AND

.

's

10

be

agent
should
circumstances
agent
sanction
this double delegation
should
recommend such
clause then the only
forego
fair course would
for the agent
his
advising
fees
first because
his principal
badly and secondly because
could
not see his
principal paying double fees when one agency fee
An author should watch carefully
should suffice
any agent who leads him
into this entanglement
The agent exists for the placing
the author
literary worlag middleman
hnt he does not
through

PUBLISHERS

to 10

to

to

.,

's

if

Even

If

.

per
something like
cent
amount
terms are cut down
the publisher
charges will have
per cent
still the agent
per cent added
No
reckoned and another
clause
contract containing
author should sign
dealing direct with the
this kind unless
publisher
and then only
the modified
form
publisher
dealing with
suggested

together

. ,
an

HARDY

HAROLD

87

of

.

of

for

by the Act . He found that the
was prohibited
defendant company had published the poster as
Mr. Garth Jones ' picture knowing that it had
The plaintiff , Mr. Garth Jones , was
been altered .
entitled to an injunction , and there would be
£10
judgment
one penalty

.

�THE AUTHOR .
by a
obtained . But the transaction should
be managed
competent agent , or with the advice of the Secretary
of
the Society .

or

,

,

.

to

is

to

or .

to

.

or

.

to

is

It to

,

.

to

to

.

in

.

.

of

.

,

of

:

a

to

of
of

are

of

of

.

to

.

if

.

.

an

:

in

.

of

,

or

,

is
a

of

TO

.

a

it
to

.

or

of

an

in

for

.

of

:

more acts
outright

of

of

.

proper price

on

by
a in

.

. of

This
the performing right
unsatisfactory
An author who enters into
the contract
contract should stipulate
such
certain date
the piece
for production
the
his name
and for proper publication
play bills

Sale

-

a

,

",

for
"

,

of

.

by

,

or

up

is

It

,

.

AUTHORS

a

three

or

.

of

:

.

it

Outright

sometimes satisfactory

if

is

DRAMATIC

3

an
be

to

a

.

H
1
.

Selling

copyright

sign
agreement without submitting
the
Secretary
some com
Authors
the Society
petent legal authority
negotiating
extremely careful
well
play with any one except
established
the production
manager
dramatic contract for plays
There are three forms

TEVER

in
in

can

observed
are
few standing rules
agreement
dealing
There are four methods
with literary property

This

transfer

.

BOOKS

be

STERE

up

to

to to

.

an

.

WARNINGS

2

THE PRODUCERS

a

to

.

!

.

is

Always avoid

(a
).

OF

.

TO

WARNINGS

by

his

in

(3
).

those account books which belong
The inspection
right
the
We are advised that this
the author
common law right which cannot be denied
nature
withheld

.
It

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; 80
do some publishers .
Members can make their own
deductions and act accordingly .
9. The subscription to the Society is £1 18. per
annum , or £10 10s. for life membership .

beans

of an

This
The

of to
a
be

7. Many agents neglect to stamp agreements .
must be done within fourteen days of first execution .
Secretary will undertake it on behalf of members .

agreement
All other forms
combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
of

.

6. No contract
be entered
entered into
into with
with a
a literary
literary
Lct should
should be
agent without the advice of the Secretary of the Society .
accept
strongly
without careful
advised not to
Members are
the contracts with publishers submitted to
consideration
them by literary agents , and are recommended to submit
them for interpretation
and explanation to the Secretary
of the Society .

General

is

Prospectus .

Agreement
Commission
The main points are
production
obtain
fair cost
Be careful
Keep control
the advertisements
Keep control
the sale price
the book

.

5. The Committee have arranged for the reception of
members ' agreements and their preservation
in a fire
proof safe.
The agreements will , of course , be regarded as
by
only
confidential
documents to be read
the Secretary ,
who will keep the key of the safe .
The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
(3) To enforce
( 2) To keep agreements .
payments due according to agreements . Fuller particu .
lars of the Society 's work can be obtained in the

III

The Royalty System
perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty mears
both sides
now
possible
approximately the
for
author
ascertain
truth
From time
time very important figures connected
with royalties are published
The Author
.

3. Before signing any agreement whatever , send
the document to the Society for examination ,
4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .

unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
give
Not
serial
translation rights
any publisher
Not
bind yourself for future work
any one solicitor
As well bind yourself for the future
doctor

A

all

. of
a

and

is

,

costs borne by the Society .
2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi.
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .

member

II . A Profit - Sharing Agreement (a bad form of
agreement ).
In this case the following rules should be attended to :
( 1.) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation .
( 2.) Not to give the publisher the power of putting the
profits into
charging for advertisements
own pocket
charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge
Not
allow
office expenses
(6 6
(4
(
.) .)
.
. )

VERY

A

of

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher , or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
deem it desirable , will obtain counsel ' s opinion without
any cost to the member . Moreover , where counsel 's
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
1.

.

.

IY

SOCIETY

THE

(3 ( (
2 1
). . .)

USE

(2
(1
.
.)
. )

TO

to

HOW

(3
.)

68

�THE AUTHOR .

.

.

.

on

's

to

.

in

.

,

is

it

,

of

,

of

. .

,

.

18

of

be

or

crossed Union
London and
Lane
sent by registered

,

be

of

to

of

All remittances should
Chancery
Smiths
Bank
letter only
,

.

the same
charged for

give notice
The Secretary
the Society begs
post
that all remittances are acknowledged by return

.

be

filed subject
play will

to

of

to

at

.

.

REMITTANCES

.

,

to

or
a

of

be

,

a be

a

68
.

2s
.

of

,

or

in

a .

.

,

.

byof

in

at

also
with the exception that
per act
the price

.

of

is

greatly assist the Society
this
branch
its work by informing young writers
its existence
Their MSS
can be read and
composition
treated
treated by
coach
The term
M88 includes not only works
fiction
but poetry
possible under
and dramatic works and when
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The
one guinea
tee
as of
a

AND

, on

of in

,

to

a

be

.

of

Original Plays may

6d

of

to

'

EMBERS will

is

SCENARIOS

PLAYS

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
shillings
and sixpence will
registration fee
two
carefully compared
qualified assis
the Secretary
tant One copy will be stamped and returned
the author
register
Society
Copies
and the other filed
the
the
may
any
the scenario thus filed
obtained
time by
typing
the author only
small charge
cover cost

QCENARIOS

at

,

.

.

of

-

BRANCH

of

M

OF

REGISTRATION
ORIGINAL

rules

as

be

,

, of

to

of be

It

.

,

of

.

.

THE READING

.

information

further

the Society

stamp copies
The Society undertakes
music
part
per 100
its members for the fee
behalf
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
Secretary
and the voucher
then forwarded
the
members who are thus saved much unnecessary trouble
, ,

,

be

of

of

of

of

authors desirous
the Secretary

to

those

are referred

on

a

.

,

of

,

MUSIC

.

is is
to
11
.

An author must remember that the dramatic market
exceedingly limited and that for
novice the first object
obtain adequate publication
incomplete
As these warnings must necessarily
dramatic con
the subject
the wide range
account

tracts

STAMPING

.

the more carefully

in

guard himself

should therefore

the beginning

.

He

all

should be carefully
for collaboration
9. Agreements
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that be runs a very great risk of
delay and a breakdown in the fulfilment of his contract .

can
added
the warnings given for the
producers
books and dramatic
assistance
pointed out that
authors
must however
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
deal with performing right and copyright
He
especially careful therefore when entering into
should
an agreement and should take into particular consideration
the warnings stated above

,

.

MUSICAL COMPOSERS

TO

a

the words

ITTLE

to .

of

the book

8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
consideration ,

WARNINGS

of

print

RAMATIC

be

reserved .
5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important.
should not assign performing rights , but
6 . Authors
should grant a licence to perform . The legal distinction
is of great importance .
7. Authors should remember that performing rights in a
A manager
play are distinct from literary copyright .
holding the performing right or licence to perform cannot

AGENTS .

AND

authors
should seek the advice of the
Society before putting plays into the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire
a
perpetual
claim to a percentage on the author 's fees
from it. As far as the placing
of plays is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
petty authorisations
with
different
action of frequent
individuals , and also for the collection
of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights .
In any case , in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society
D
U

T

be

AUTHORS

U

4 . Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should

DRAMATIC

a

(6. ) Sale of performing right or of a licence to
perform
on
the basis of percentages
on
vary between
Percentages
gross receipts .
5
a
An author should obtain
and 15 per cent .
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages .
A fixed
date on or before which the play should be
performed .
( c .) Sale of performing right or of a licence to
perform
on the basis of royalties (i .e. , fixed
nightly
fecs) . This method should be always
the fees are
avoided except in cases where
likely to be small or difficult to collect . The
safeguards
heading
other
set out under
(6. ) apply
also in this case.

69

�THE AUTHOR .
GENERAL NOTES .

in

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the Waverley
Routledge
Thackeray Dictionary
Earl Sears Routledge

88 By6d
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payment
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payment varies according
The scale
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the price
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For ordinary tales intended for Parochial
per
Libraries the scale
from
000 words
declined
returned post free
accepted

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the

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net

We have had two small books sent
which
contain useful information
for many members
the society who work
free lance journalists
They are entitled
free lance writers
fiction
What Editors Want and How
Write for the
paper covers
Press
and the price
net

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issues

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printed circular
signed
secretary
The attention
society
called
the last

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Edmund McClure
members
paragraph

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in be

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to

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for

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so

EDITORS WANT
FOR

Promoting Christian
The Society
ledge
Northumberland
Avenue
printed circular
those authors whose
receives

a no of

a

.
F
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A
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in

WHAT

KNOWLEDGE

,

CHRISTIAN

students

”,

PROMOTING

serviceable
literature

.1s

FOR

the book

We have also received from the same publishers
Thackeray
similar dictionary the characters

equally
English

“

THE SOCIETY

, Sir
.A
of
.

of

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to

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Butler Yeats

an of

The price

(

,

Sir

, ),

William

North

of

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.

,

.

Henry Newbolt Edward Henry Pember perpetual
secretary
Arthur Wing Pinero George Walter
Prothero Walter Raleigh Arthur Woollgar Verrall

.

,

,

Edmund Gosse Richard Burdon
Henry James William
Paton Ker Andrew Lang Sir Alfred Comyn Lyall
Norley
The Viscount
John William Mackail
George Gilbert Murray
president
Blackburn
Thomas Hardy

Haldane

of

,

,

,

,

,

William

George Frazer

dictionary and not
that
the book
the aim
encyclopædia
He points out that
that
Scott
novels
there are
less than
836
very large number
This
indeed
characters
this
would have
book
and without such
grasp
impossible
the fertility and wide
been
range
the
Wizard
the
the stories

's

,

,

Bridges

to

,

A

“

,

by

perhaps
Husband
book
this kind should have
large circulation
first
doubt because Walter
popular
Scott
not
novelist
was
the Victorian period
and secondly because those
who do read novels read rather for pleasure than
students
but books
reference well compiled
interesting
can seldom fail
those who use
rightly
them
and
this case there
doubt
that much careful labour has been spent
The author
his introductory note states that

that

of

,

Austin

Robert
Andrew Cecil Bradley
Joseph Conrad
Samuel Henry Butcher
John Courthope
Austin Dobson James
Binyon

Laurence

students

.
E
.
P
.

by

Co
.

&amp;

piled
impossible

,

.

Alfred

:-

of

List

COMMITTEE

original members

interest

."

THE ACADEMIC

as in

be

of

OF

of

A

exceeding

;

.

BOOK

Novels

THE WAVERLEY

Walter Scott has been issued
Messrs Routledge
and
Messrs
Dutton
Co New
Dictionary
York entitled
the Characters
the Waverley
Novels
Walter Scott
com

is

it

a

is

to

a

-

of

,

be

of

,

is

,

of
to

the members

DICTIONARY

as

,

,

at

to

is

it

whatever the result one thing
certain that the
position
the members
the Board
not
position
envied
and we must consider
exceedingly self sacrificing
them
have come
grave responsibility
forward and undertaken such

's

of

's

Sir

the notice

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of

by

to

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be

The Right Hon
Edward
Carson
Sir Squire Bancroft
Sir John Hare
Prof Walter Raleigh
Buckmaster Esq
Douglas Dawson
Col
Lord
Department
Chamberlain
officio
Advisory
Whether such
Board will
allay the clamour for reformation made
able
the Dramatic
Committee
the society and
impossible
present but
say
others

“

of

,

.

of on

to

.P
.)
.,
:
:

(
ex
-

officio
Members

, .”

.

CENSORSHIP

We are requested by the Lord Chamberlain to
publish the following list
gentlemen who have
consented
serve
the Advisory Board dealing
Plays
with the Censorship
The Earl Spencer Lord Chamberlain
President

it

DRAMATIC

This paragraph hardly needs any comment .
The
. is offering to purchase the whole copy
right of a work at 68. per 1,000 words .
Many members of the Society may have for
pamphlet written
gotten
Walter Besant
incorporation
the early days
the society
Literary Handmaiden
entitled
The
the
Perhaps
Church
view
the
recall this pamphlet
well
would
circular
S. P . C . K

to

70

�THE AUTHOR .
or

his

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to

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To

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it
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in

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of

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;

,

publisher
the second part the publisher having
money and nowits employed the author Laughter
the
the position
have been
What would
They might imagine the complication
rhapsodists
the
between the author and the rhapsodists
Imagine
what
stages
encounter
their
earlier
reciting
the rhapsodists would have charged
England Scotland the Colonies and the United
Morgan
Mr William
the works
States one
in

.

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,

In

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immortal work would undertake
written
throughout the length and breadth
disseminate
they knew that when
author
Great Britain
book nothing
had finished his second revision
Laughter
repeat word
would induce him
publishers did they think they
there had been
rhapsodists
The
the
would have resorted
bistory
the author and the publisher fell into
the first part the first having
two parts
money and having written
book employed the

If

of

.

a

, is

of

. of

,

on

.

-

would
and
saved
trouble would
market
author who was struggling for
save trouble
rule
make money

To

family

or

of

-

a

of

.

in

,

to

in

be

to

,

upon his initiative and originality
both for the journalist and
The second book
great deal
fiction and contains
the writer
magazines
the editors
from
useful information
story they want
kind
article
the kind
for their papers
which
cross index
We miss however
indispensable for
this
book
would seem
person
know
desired
For instance
kind
read
would have
what papers took poems
there was
through the whole book whereas
poems
and
the end mentioning
cross index
enormous
referring
the various magazines
amount

wives and
wife
he lived solitary with
the
and betook himself
families
diked enclosures ostensibly for protecting himself
more
against beasts but really for the purpose
Laughter
easily insulting his neighbours
such
anybody who interjected
the criticism
printing and
the invention
historical details
publishers
he replied
the successive invention
printing
perfectly
had
unless
true that
was
that
publishers would not have been
invented
been
author having
Did they think that
invented

which

naming the kind of subjects with which the papers
the matter
beforehand
how
deal
deal
articles for the papers and explains how
journalistic fashion
The
with these subjects
free lance journalist depends
whole success

help

71

in

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to

(

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of

in

of

of

,

.

of

it

and all societies he had ever
founded
the nick
time
forsook the cave dwelling

or

to

an

.

to

so

,

Authors

had been
neolithic man

in

of
,

of

of

when

all

to

of

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he

an

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,

for

,

It

to

to

a

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of

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to —

of

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to

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an

its of

Society

heard

say the
did not know whether
senses was
the infant phenomenon
veteran
letters Mr
Morgan
Applause
William
upon the company
drink
the
called
prosperity
the Incorporated Society
Authors
Sir Alfred
Bateman proposed the toast
the

de

enact

propose and
see that
the company drank the health
the
Incorporated
Society
society
Authors
congratulate
which many
them
had
reason
society
themselves they belonged
which
belong and
authors ought
which two thousand
them did belong
had fulfilled the hopes
part founder Sir Walter Besant
He said part
suggest
founder
was about
earlier
origin
origin
old that
stretched back into
the misty vestibules
the House
Time
The

,

,

,

to

to

”

“

-

." “of

It

said

between themselves and the other industries which
their art had certainly changed
were affected
the
chairman
his short experience
Even
society authors and publishers and booksellers had
green cloth and discussed
the same board
sat
They had with them
matters
common interest
publisher who looked happy Mr Heinemann
exceptional publisher who had maintained
single
struggle
against
handed
common enemy
Applause
would not name
He could not forbear calling attention
the
great many
fact that the guest
the evening

at

.C .
,
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.G
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.

In

.

L

now fell
him
the chairman
important ceremony which was

society
asked
Dealing with the work
whether they were making themselves unnecessary
corporation
That was their only justification
Relations
the way
and they were

e

,

hundred sat down
The vice chairmen
Sir Alfred Bateman
Mr Charles
were
Phillips Oppenheim Mr Charles
Garvice Mr
Sprigge
Freeston Mr
Jacobs Mr
and Mr
Herbert Thring
few and well chosen words the chairman gave
the toasts
The King and
The Queen and
Royal Family

a

. .

two

Nearly
Arnold Bennett
bad was
two writers employing the same rhapso
take
that case the rhapsodists might
dists for
lumber
example
three
sandwich two
one
ing pages into Mr Anthony Hope
sparkling
dialogue
Laughter

as

of

about

dinner under his presidency

Mr

imagine

a

and

to

Hewlett

by

on

in

of -

M

Twenty sixth Anniversary Dinner
the
Authors was held
the Criterion
Thursday evening
Restaurant
Mr Maurice
The guests were received
Society

H

UE

.

for

DINNER

.

'S

of

ANNIVERSARY

THE SOCIETY

�THE AUTHOR

if

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knows where
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.

beof

average novel
any one
the
find
However
soon saw that
been
run with
Rest Harrow
and
predecessors
legitimate sequel
which
commerce
dictate the length and breadth

should

received
the mind that
well
but universal love
not only universal admiration
Applause
conversazione
Alter the chairman had replied

the heart

as

!

.

of

.

an

as

.

I

to

,

I

did not feel sure that our chairman had not done
experiment
this with his last book
When
came
read the book carefully
was glad
say glad because
find that this was not the case
brilliant and original work should not
made the
subject
corpus vile
hazardous experiments

.)
.

of

to

t'

to

a to

,

in

-

be

a

It

it

in

fit

if

one
two
instructed subordinates
say that
libraries had not thought
the book was not their list because wasn proper
good solution
has been suggested that
the
two volume difficulty would
cut very long
stories
half and give each half
title
itself

been

in

ill
-

or

.

It

,

up

be

of

have been
circulating

extended
belated wanderer
the
literature
Mr Pember said
found himself the temporary
literary society with
representative
another
which the Society
Authors had been brought
into contact
the development
common
project
history
time
considered had
England been more thoroughly
the literature
They had poets they had novelists
they
alive
Personally he
had historians they had essayists
opinion that the topmost branches
was
the
very extensive literary plantation
the present
day were both fine and well grown
Applause
proposing the toast
Mr Charles Garvice
The Chairman
said that Mr Maurice Hewlett was
directly
one
those novelists who appealed
has

fields

.

.

in a

I

.

to

an

be

, I

.

of

an

as

ever felt concerned about was that the question
should not
mixed
with another question
that
the proposed library censorship
never would

whose behalf
have undertaken
much irrelevant rambling
should
ramble still more though less irrelevantly
try
express
were
the full my sense
the
generous hospitality
literal and metaphorical that
guests

speak

.

,

of

of

is

to

,

impostor
commiseration for myself
should
object
pity for the commercial
pose
results were particularly satisfactory
me
All

very young indeed
and was told that the gentle
my mother over
man who handed
tri volume
the counter was Mr Mudie himself
How sur
prised
would have been then
forsee my sequel
Let me conclude with my most grateful thanks
hope
for the honour that has been done me
my fellow
have not diminished
the gratitude

of

of

of
in to

of

,

of

I

in

of

,

I

of

to of of

to

say
What have
not criticism
any sort
the libraries but
disclaim

.

two volumes
the attitude

However
far
reminds me that we are very old acquaintances
depot
was first introduced sixty five years ago
Southampton
Row
Russell Square being then

Mudie

.

,

he

,
at -

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in

my

one place all the
longer
Authors were
the best
terms with
Referring
know
them

of

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did

in he to

,

a

.”

0
—

-

a

to an

books and authors reminds me
the
last year and
the share
own had
their rejection
books

the book
and

.

of

,

-

,
if

,

at

as ”

,

“
D

he

of

book

of -

of

If

of

of

up

of to
—

,

or

.

,

or

- 's

B

“

it

to

.”

I

is

,

,

.

in a

on is

,

it

,
I

to In

of

“
“

Reference

circulating libraries

the
another
wanted

I

of

“

of

:

,

of

de Morgan , rising on the right hand
Mercury
said
The words
My excuse
Apollo
are harsh after the songs
vary
for such
trite quotation
that wish
slightly
the present case
the words
Mer
cury are not this time harsh after the songs
Apollo
inexperience
public
not for want
Mercury videlicet myself
speaking
the part
fact
have
now devoted myself exclusively
private silence not without
the cultivation
Broadly speaking
success
one
the patriarchs
suppose we say Lamech
Methuselah
was
nearer my own age
had found himself
the age
710
thereabouts responding
the health
public dinner
The Guests
would probably
have done
the little boy
the story
Helen
Babies
You remember
had only
say
double
Book
and
succeeded
saying instead
Probably the
bubble
patriarch would have done something
the sort
for
had not even the advantage
had
beginning with
quotation from Shakespeare who
incorporated author
was not
those days

the chairman

of literature , we shall have to do as the poets did
in that country where the public refused to buy
sonnets that were quoted at over one shilling .
These poets were penny - a - liners , and ordinary
fourteen - line sonnets were one -and -twopence . Of
course the poets gave way and wrote only twelve
line sonnets . The consequence was that when nert
wages
the type - setters struck
rise
was
printing was all the
pointed out that the cost
fault
the authors who scattered the type about
compromise was come
the type setters
consenting
they might put
resume work

in

Mr. William

.

-

guests . After mentioning that Mr. de Morgan had
won fame in other fields of art before turning his
attention to fiction , he added that another of their
guests , Mr. E . H . Pember , K . C . , had not only pro duced some excellent verse but had been a guide ,
philosopher , and friend in
regard to literature .
(Applause .)

(

72

�THE AUTHOR .

,

as

be

ten

,

,

,

.

,

,

is

-

the point
once gentleman
who now and
explain that
then strides ferociously into print
hurrying
the country
meet
certain celebrity
juggling
with cloven hoofs
who confuses
figures
with bewildering masses
after
boring companion
rather
He pants along

all
so

a

is by

to

,

get

, us

,

!

to

,

nature which
the commencement will
more turbulent than mild and will call for the
handling
most skilful and tactful
What
love most about the rambling essayist
just this
and what he loves most about himself
very rambling
The serious business minded
and

,

; .

's

of

's

by

-

an

”

if
“

I

a

in

be

by

-

,

to

a

to

it

,

as

-

"
to To

already is very true , but they wield a bland
sceptre over a mild -mannered people .
There is
perhaps
future for them when the subjects over
they hold sway will
whom
ten times
dom

at

an

,
set

of

,

'

on s

,

to

to

-

in

a

,

!

,

for

essayist

of

professional

to

the decline of religion .
The
of the type referred to here
will talk blandly of " A Tree in My Garden ," or
* The Good Night Pipe, ” or “ An Argumentative
Man " - anything , in short , that occurs to him .
No doubt John Smith could write about a good .
night pipe ; no doubt the popular essayist could
write feelingly
about the probable
end
of the
world ; but the fact does not seem to strike them ,
and perhaps it is just as well .
How many of us there are who envy very
sincerely — though I hope not bitterly — this inan of
letters who may write just as he pleases on what
ever subject he pleases , with the certainty that
what he writes will be accepted , published , paid
and read
How delightful
sit down
hearty fire light one pipe and
evening before
with pencil
hand and note book
knee
paper the pleasant thoughts
about transcribing
that are stealing half dreamily across one
brain
transcribe them just
one conceived them
eschew everything that offended one
ear even
though
promised
great section
please
the
public and all the time
liave the sweet and
greatly prized knowledge that just what one wrote
just what thousands
there
the fire would
would read
little later
the printed sheet
essayist
wonder
such
known
fame
handsomely
retained
his publishers and
or deplore

world

The man who has never smoked fails to understand
what possible pleasure smoking can give ; the man
who has never accorded a hearing to the soft
tongued essayist has no desire to do so .
But the
essay - reader might say to the non -essay -reader ,
just as the smoker says to the non -smoker : “ My
friend ! you do not know what you have missed ."
I scarcely think , however , that he would follow
with the smoker ' s usual and hypocritical advice :
“ Don 't start !
I wish that I had never started .”
A rumour has gone forth
that the essay is
coming back into popular favour : that in the
course of time it will supersede fiction .
If ever
that time should come , the gentlemen who dawdle
so entertainingly
down a column headed by their
name or brought to a close by modest
initials ,
will come into their own . That they have a king

. of

a subject . John Smith , preparing a paper
for the local literary circle , will thunder forth his
views on the prospects of a war with some foreign
Power ; or , backed by a host of scientific facts and
phantasies , cheerfully predict the early end of the

on such

could scarcely avoid him .
In some ways I envy
those who have never allowed themselves to read
what the rambler has written ; they are still out
side the close -meshed net ; they are still ingloriously
free .
Their case is somewhat like the case of a
man who has never allowed himself to be tempted
by the offer of a cigar or a cigarette or a pipe .

.

; the subject always comes to
him .
For the most part he writes about what are
commonly thought to be trivial things , and it is
of course a tribute to his art that he is able to
hold one fascinated through two thousand words
a subject

chooses

-at

'

.

may not have met the modern rambling
- I mean in print . There are very many
who have not done so ; and yet he raises his
melodious voice not only in dainty volunies , not
only in sober quarterlies and disdainful weeklies ,
but in the democratic halfpenny
Press .
He is
everywhere : even if one wished to do so, one
You
essayist

,
or

'

pose

artistic

is

, say , “ Sorry ! I can t ! There s
in you ! " but dips his pen into the ink
gets
to work .
He never deliberately

seductively

to him

no money
pot and

assuredly there are those who will regard him with
still greater reverence should he chance to be in
debt ; assuredly he will assume a more heroic , more

a

HE

work of the rambling essayist frequently
makes delightful reading , and I should
judge that to the author it makes delightful
writing . The above title is applied to the literary
man who , having somehow or other , probably by
nothing more extraordinary than hard work , good
work , and perseverance , won editorial approval and
the attention of the more cultured reading classes ,
subject
upon
is permitted
to write
whatever
suggests itself to him as worthy of his pen and
capable of being “ worked up . "
He does not , when some choice subject whispers
T

a

.

of

THOMSON

I

HAROLD

-

.

a

W

be

By

heartily belauded by his followers — is just as
thankful as he ought to be ? I wonder if he
appreciates to its full extent the ease , the comfort ,
tbe loftiness of his position ? I do not refer to his
financial position
that may be good or it may be
poor .
If it be poor I do not know that anybody
is to blame other than the essayist himself , but

to
-

ESSAYIST.

RAMBLING

THE

73

�THE AUTHOR .

of

to

an

on

of

it

,

.

of

of

,

at

so

of

of

to

to

,

an

,
if

of

.

is

it

.

-

of ,

of
its a

-

by

of

,
I

in am of

I

,

its

,

of

no

.

)

of

I

.

to

at

I

of

is

.”

“

tie

pin-

-

as
as “
“

-

an a

”

an

or

,
. ",
"

of

as
"
as a "

as

of be

of

as

“

elaborate dress suit
evening shell
more
Still more hyperbolically

",

a

at

“
a

-

- ",

as

in

-

as
“

is

of

a

,

of

“

a

,

byin

."

“

glad rags
simply
Young Wallingford
very amusing book
imprison
George Randolph
Chester
term
spoken
ment
the short haired paleness
which comes from wearing horizontal stripes
game that
cement rooin
and swindling
has the brown and wbite striped clothes
the end

",

"

's

“

,

"

“

in

as

-

”

.

and also particularly
recondite
The objec
phoney
phoney business
the

"

tive

“
a

him

.” of

“

to

“

of

-

rich

as in

”

of

We are reminded
the sandwichmen
we have lately seen parading the streets
The Man from Mexico
advertisement of
guy that
got the
again
when we read
lock step coming
naturally particularly
crooks
The jargon
whom

,

by

of of

so

to

it

of

by

;

of

,

on

an

.

lie an

to

I

“
a

.

of

it

e

..
.o

of

.

,

of

coman

;

of

:

." -

-

,

“

is

it

is

It

on

is

in

The fact
embalmed
the now almost venerable
about the shop sign somewhere
the Con
English spoken
American
understood
cinent
the ordinary written languages
true even
but
even
more emphatically
true
the
Colloquial speeches
Great Britain and
the
United States
colloquial speech
largely
progresses
Now
means
the drafting into
that vigorous raw

Tungstenlight boulder
the gladdest kind

of
it
.

- -

are

,

in

,

-

is

-

I

as

1

of

a

is

fact which has long been recognised
intelligent observers
the two great nations
which are commonly miscalled Anglo Saxon
speak
one who
three quarters Celt
that
che English
and American tongues apart from the
nigh literary
diction
still preserved
both
slowly but surely drifting apart
countries
cale

or

"
a

,

SLANG

.

OF AMERICAN

by

TT

.

-

.

BEAUTIES

SOME

.

,

an a

is

aimself

few others besides myself
notable feature
American slang
the use
Thus
ornate alias
the
that expedient known
the country may
described
the hay fever
champagne
district
bottle
buzz water
quart
bubbles
diamond

least

is

smaller

in

of

-

, ;

,

for those

of

,

's

its

,

up
!

companion

giant

inspir
stature than

,

oh
,

-

to

;

,

a

is

,

is he

he

ng

and

palpi
delight
its exuberance
dash
tating absurdity
Perhaps those who read me now
my baving
hough
recognise the possibility
readers except the Editor
The Author will not
share my delight
But
cannot resist exhibiting
few
the gems across which
have come
recently
the hope that they will appeal
in

he

;
?

“

.

.

its

-

he column fills
giant this essayist
Well
when
mild and good humoured

fesses
bare the same mother tongue
Person
ally
will confess
derive infinite pleasure from
the collection
the fine flowers
American slang
puzzled
even when
the why ness
lot

a

he

,

it
.

of

.

to

.

be

for

It

.

nd re

contented
the lake

he

—

to

a

in

—
a

to

The lake
some
The two thousand words
get under weigh
written
was difficult
pen
the lake was attractive
but once one
dipping into the ink pot and
tarts
antics
pon the paper words somehow
accumulate and
ther time

Doubtless
better
This
least insures
that
inhabitant
either country can
his
tastes
that way have
intellectual treat when
has any time
devote
the study
the
popular speech
the other country which pro

,
I

,

he

.

he

is

e

is

hare

rou

United
another

.
I

a

a

on

,

-

;

or

to

a

,

rose tree
This over he remembers the
bject with which
started
remembers that
taking you
see the lake
and with
nthusiasm
tells you
But soon
reaks otf
cow
field near hy has claimed
calmly
attention
He forgets the lake
Lirects your gaze
the cow
And with the cow
wild

more than one side
But
the slangs
Britain and the
States are growing independently
one

have
audience
generally speaking

it

of

; of

he

;

is

in
a

of at

.

to

to ; .

,

to

,

to

.

to

re

ready and eager
start
Safely you step into the lane prepared
walk
riskly
your goal the lake
But your eccentric
hurry
ompanion refuses
will have none
side
the roadway
He straggles from side
discovering
dainty fern
vinces childlike joy
rowing
crevice
the dyke
wants
watch
perched upon the hedge top
wren which
erhaps more for his own pleasure than for yours
escribes with rapture
bud swaying shyly

(t

.

all

of

eculiarly -formed lake , where there are water -lilies
delights
nd stately swans and
manner
You

check
the passage from shore to shore of great
hordes of neologisms which might otherwise force
their way into the general speech of « Anglo
Saxondom .”
( The inverted commas may serve to
register anew the protest of a three - quarter Celt . )
The constant interchange of music -hall and vaude
ville artists doubtless does something
introduce
the latest slang
one land into the other
and
English and
would the interchange
novels
American authors were
not that the increasingly
publishers
protectionist attitude
both sides
author
difficult for
the Atlantic makes

a

Ie says that he is going to take you into a country
which will lead you to a charming
and

une

material which we designate by the name of slang .
And although the Atlantic Ocean nowadays has
become but a mere skip , it is still wide enough to

A

; he piles the facts one upon the other
quickly' ; he is so eager to convince one that
hat he is saying is right , and to reach his whirling
eroration , that , refusing to be bullied any longer ,
ne throws down the paper .
With the placid essayist how different it all is !

ceathlessly

�of

an

is

in
"

.

of

A

,
I

.
”

to

to

I

am",

of

as

,

I

",

.

to

it

a

tip
?

“
a

of

.

to

-

“

in
”

on

“

of

an

"

“

."

-

as

is

—
a

-

.

to

“
a

is

,

be A

,

by

"

It

'

a

un to
.”

as

,

,

of

,

of “ ,
”

,

as

.

to

”

of

“

A

“

to ”

“

of

I

's

to

as

,
"

“

,

in

't

if

"

!

“

,

of

”

,

to

of

of

is

it

,

of

of

the

“

a

."

,

it

is

"
*

,

on
“

of ,

of

.

, ,

is
a

a

of

.

of

an

,

,

it

of

be

,

in -

."

to

"

to

is

,

.

an

is by

,

it

or

on

,

do

in

reduce

I

if,

—

those readers

as

in

to

,

no

,

“

.”

to

is

of

,

suggested

themselves

upon

I

I

one

!

to

I

I

sooner see than

, , ,

a

:

.
I

is

as

Would

be

bottle

My memory
treacherous
think the poem ran
follows
purple cow
never saw
do not wish
see one
But this know full well that

somewhat

I

.

,

"

“

"

a

,

an

to

I

,

“

it

for

or

I

-

,
I

“

on

an

to

.

“

"

!

-

.
is "

tin of

”

”

of is

So

is
a

'
, s .
a

a

to

be “

be

“

to

a

,

he

is

,

a

fellow

excess
hit the bottle
But have now
doubt given enough examples
quaint development
language
satisfy the
my readers especially
majority
have

I

,

is

.

a

of

,

,

“

's

I

,

"

!

the more expensive

To

's

”

.

is

”

of

,

"

,

a

“

.”

, .”
on

in

I

"

to

is

soda

one sport

colour
cannot be denied
being
Occasionally the slang word instead
periphrastic expansion
older term
short
corruption
the original name
Thus since what
we call motor cars have from the first been called
automobiles
the United States we can under
popularly styled
stand why now they should
But why opium
should be called
bubbles
hop
not know seeing that Americans
dropping
pride themselves
not adding
aspirates
the wrong places
smoke opium
the way
hit the
pipe
Presumably
analogy that
drink

.”

;

."

.

of

to
a

old old

”
—
a

its in

a

that
was not
the first live
believe
some time though
had heard
properly applied
that expression
invitation
highball which
plain
have
drink whether

whisky and

.

,

?
"

,

to

”

“

,

”

a

is

,

”

.

by

a

on

a

"

am

not certain

noise

“

."

in do

,

“

do

at

a

in

“

“

is

“

“

“

,

man who owned
horse that
won the tapeovitch
face
close finish
sure
Someone
gone back
else
the book
felt like
ben that
feed
Even
once had
friend
natural
ised American
who was frequently
madder than
zoological
wet hen
He was inclined
remember for
found many things
more fun
monkeys
than
barrel full
your
type
expression now
Not
your three
familiar
this country
But
Not
sheet litho
came fresh
me the other day

full

“

.ie
of .,

he

“

an

,

so
? a

of

,

bark

*

if

one may hazard

when applied

slang should
That one piece
were
become the parent
another
but natural
talking
When people got tired
the limit
and
absolute limit
brains set
work
bring into the world
something better
speech
and then we got
Well
that isn
the pink
penultimate
whose acquaintance
first made
Mr Gellett Burgess taking novel
San Fran
Possibly Mr
cisco life
The Heart Line
Burgess being already known
fame
the
father
the little poem
The Purple Cow
was also directly responsible for the paternity
Anyhow
phrase
the pink penultimate

to

.

to

,
"

“

a

't

“

",

,

.

he to

I

.

of

a

Possibly
themselves
conjecture someone had been
handing them too much flossy talk
An informative contributor
the Press has told
us over here lately that the latest fashionable
endearment
the United States for one best girl
simply
peach
kid
and that
and the
statelier peacherino are dying out
This
sad
originality about
because there
distinct lack
kid
even when applied
best girl
caressing
Little
New
York
my little
salary
which the heroine
Diary
Miss Grace Luce Irwin
Show Girl
speaks
That heroine by the way
constant
joy and has some charming friends like the gentle

darkest corners and

baby
warm
sportsmen

a

a

",

a

is

the cold shoulder
But the maid
whom the
remark was addressed was obdurate because the
quitter
though she
man appeared
her
any pincher
admitted that
wasn
was
forget whether
not stingy
was one
the
ingrowing grouch
people who suffered from
That complaint howerer was certainly rife among
Why
they
set
men
whom
critic asked
Why
they sit
hate themselves
the

*

of

"

a

to
“

in

't

“

The

of

."
give me the marble mitt
exclaims
maid
another recent American novel
perchance
marble mitt
continuation

Don

man

in

the
delivery

“

“

"

-

free

"

decking

cold

rural

in

. of

.

in

,

“

on "

and
the

to

; ,
"

to

to

on

of

I

of ”

of

Easyville
unsophisticated

routes

all

“

or

”

is

”

“

is

so

so ?
”

“

or
or

“

Mark

“

“

.

to

another
How about this eight thousand
that you committed mayhem
Filmore
get
We may feel sure that the eight thousand
easy money
was
the fat money
get which
the ambition
crooks
but
Perhaps some
what mayhem
have no idea
enlighten me
wise prop
can
intervals
relieving
his superfluous
cash
some
Mr

which

75

the same
the afore mentioned
bubbles
admirably
expressive
rubberneck
inquisitive person
description
The term and
fancy
its companion verb
rubber
are
fairly well known
this side
the Atlantic
butter
and
butt
have also probably
stay
come
But have our racing prophets yet
got
the refinement
slice
hot dog
really good
which
sounds like
indebted for
Mr Chester
also for recalling
lallapalooza
methe word
which
heard some
jargon
seven years ago
the quaintly mixed
prevalent
jargon
our Far Eastern colonies
English American and dashes
compounded
Chinese Malay Hindustani and Portuguese
racing seems
lallapalooza
applied
the same as
real good
even more
indicative
admiration
than the expression
quart

to

in

is

's

pats

.

of

.

its

phoney stuff ” (flash notes ), “ the phoney pinch ”
( a bogus arrest) , is in common use , but I do not
origin
know
Another puzzler
enshrined
the question which one
Mr Chester characters

joy
,

THE AUTHOR .

�THE AUTHOR .
.

—

to

to

:

of of

is

in

a

is

; of

,

,

in of

- .

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human things
and this work was
followed
several tales
horror dealing with the
hidden cesspools
life
which most
us
unheeding
pass
Enfant
happily
For
Crapaud
1886
was summoned before the
To this
the Seine
Paris and fined
tribunal
class belongs also
Homme qui tue
femmes
story based
1893
the Jack the Ripper out

winter

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was indeed
mother while the latter were
startled
the frank animalism
this story
poacher and
dairymaid pulsing
the simple love
like the sap
the leaves
the woodland Eden
laid
where the scene
sumptuousness
these pages recalls
The
Pageant
but without
Summer
Jefferies
Jefferies
wistfulness
their directness and the
inherence
scene and
action
recall
Thomas
earth

(

the

by

; in

his
and

of

,

in

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:

a

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What
once his best known work and
masterpiece
appeared
Le Mâle
1881
great stir both among the lettered and
caused
the former recognised the arrival
unlettered
words
whom
rich painter
new stylist

.”

had been

of

by ”

It

."

,

work

pouring
green sieve
the leaves were like
the
day
the gray trunks looked like priests wrapped
processions
with their stoles
the incense
And little by little the sky unsheathed
hues
stainless silver
Of the recognition which this work brought him
perhaps the most prized expression was that
Alphonse Daudet who wrote
Venez vous verrez
chez moi Flaubert Goncourt Zola
Vous êtes
famille
Mort which
1882 saw the publication
paints with the same ruthless insistence the drab

-

-

“

that

ere

at

long

of
a

Débâcle

written

”

. La

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of

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on K

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a

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bosom
friends
Moved by the horrors
the Franco Prussian
war
which
had been
chance and unwilling
witness after Sedan
wrote
Les Charniers
the Shambles
which
has been described
Huysmans
plus terrifiant pampblet
guerre
ait jamais écrit contre
was
by Goncourt Maupassant and the author
praised

”

,

-

a

gentleman farmer
happy vagabondage

scattered hands and the earth
trembled
The morning broke
The tree tops emerged
light
paleness crept over
the beginning
the sky
increased and was like
truant
full
daylight awaiting the return
darkness
dis
tant and solemn music hummed through the thick
ness
the underwood
The milky clearness spread quickly like water
when the flood gates open
flowed between the
branches filtered through the leaves slowly swamp
ing the darkness
transparency
the brakes

a

of

he

Here

.

the still life
short spells

of of

byto

with

the Meuse

of

the banks

settled down
broken only

like the stroke

),

of

old he

his

of

a

on

in

,

,

Burnot
Dinant

death
father
retired into the
having bought the
priory house
valley midway between Namur and

.

he to

,

in

,
on

in

On .

the

country

A

.

,

at to

of

to

,

of

he

.

Stevens wanted
introduce him
the great Hugo then
exile
Brussels but
approaching
fled
terror
the doorway
the
deity

.

,

,

he

,

,

monographs

“

,

Brussels now conterminous

in

-

a

,

at

.

,

of

the outskirts

hovered over the wood drew nearer and nearer
yellow
then died away
shiver
leaves
the enormous silence began again
was
though the air sought annihilation
the depths
sleep
The beeches resumed their torpid stillness
living things
foliage
calm drowned
herbs
that loitered
the pale shadow
For
instant
only
Once more the rumbling arose louder this
time
The rigidity of the sleeping forms was
shaken
shiver that spread passing over things

“

, , ,

,

in

on

ship

with the rapidly expanding capital
studied like
Verhaeren for the law but with even less success
At nineteen he began writing art criticisms and
later made the acquaintance
Alfred Stevens
whose work
has devoted one
his best known

heard even
translation
freshness arose from the earth
and all
once the silence
the night was broken
slow
harmony was born
impalpable
the horizon

;

to

,

of

no

,

be of

,

is is

Camille Lemonnier
the veteran Bruxellois who
now approaching his seventieth year
Born
the year 1844
Ixelles
small town

perhaps

(

probably unknown
the majority
those who may read these lines there can
doubt that
the many novelists
essayists and critics now before the Belgian public
the sovereign pontiff acknowledged and acclaimed

THOUGH

of

to

-

.

LEMONNIER

of

his

,

of
a

.

of

CAMILLE

WALSH

he

PHILIP

is of

get

Hardy , but without
irony
note
To say that
the two chief gods
Lemonnier were
and are
enough
Rubens and Hugo
indicate the gulf
between his style and that
our English writers
unquiet Puritans
they come
long race
whom the very stirring
the sensuous gifts
betrayal Lemonnier has no dread
presentiment
the wine
life
sees
Nature nothing but
her beneficient opulence and full blooded joy that
clasp
there for whomsoever has strength enough
her unshrinking
The opening words
this book
strike the key note
the whole
which may
of

I

So

,

to
“

.

of

,

in

is a

will

.”

I

am

,

of

stricter investigation
to one whose reading
compulsion not
matter
choice
adjured
cease before
American
under the carpet

of

76

�THE AUTHOR .

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presumed that
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rob
really

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Sidney

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it

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in

England

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The French
Renaissance
Clarendon Press
108

du

,

both

echoes

.

,

in

Sidney

6d

Philip

him

butler
not quite easy
see how any agent how
ever felonious naturally can receive moneys without
accounting
nor accounts without reporting nor
conspire with
publisher
who must be willing

,

,

.

of

of

“

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of

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be

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to

a

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Sir

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Lee

put

with

embezzlement
falsification
and conspiracy
Now
the writer had made
clear that what
say was that such acts were possible
intended
all cases except those
responsible
which
agent had been appointed
little need have been
burglar may
Obviously
said
butler
also
apparently
suggested
steal the spoons and
the article
all agents
cover
his tracks
The fault would seem
lie
the selection
the
butler rather than
the principle
employing
he

in in

of

to

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Elizabethan

contract

in

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many leaders
England

the literary profession
original
forward
personal feel
compositions
and
declarations
poems which prove
ing
number
examina
tion
literal translations from the French
Spepser
early life translated
Bellay
Italian

muse

satisfactory

.

,

its

“

:

-

of

."

of

be

what Mr Lee calls
the Elizabethan

sonnet illustrates
the borrowing
tendencies

Elizabethan

settled

quite ready
most probably
leave the manage
hands
the agent
his business
ment
suggest that the same agent
He then goes
agreement without
would slip into
course
observing
the author
clause giving him
powers which
can
utilised
facilitate

It

.

,

,

"

in

"

“

French Renaissance
writes Mr Lee
Eogland almost exclu
was known
sively through its written word and only
slightly and subsidiarily
through
art
He
therefore gives his work the sub title
An account
England and France
the literary relations
the sixteenth century
The period was one
good deal more
which France influenced England
than England
influenced France though some
the English work has proved
the more vital
England that
and enduring
say needed
drawn
into the main
European
corrents
thought and culture though her voice when drawn
there was really
voice and not
echo
At first
plagiarism
good deal
indeed there was
The

a

THE

.

'

misconstruction

wording
Agency Clauses
the article entited
Publishers Agreements
the November Author
The writer says
When
author has gone
agent with
established reputation
and has
of

RENAISSANCE

AGREEMENTS

point out
arising out
the
of

,

FRENCH

.*

THE

PUBLISHERS
permitted

to

SIR
inevitable

I

CLAUSES

May

—

.
C
.
T
.

W

AGENCY

be IN

.” ,

CORRESPONDENCE

.

du

au

le

,
le

et

, le Il

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“

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le

le

le

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of

a

-e

in

—

of

— of

sense
clean wide space
and the
rudest things
even dunghills and swine
the all mbracing sun
No one has given
more generous appreciation
great
contemporary
Lemonnier
than
his
royaume
Maeterlinck who says
est
berger qui mêne
troupeau
plus vaste
verbe
plus divers
plus docile
plus magnifique

glory
troughs

deals with prose
well
verse with the Reforma
Learning and exhibits
tion
well
the Revival
our indebtedness
Calvin who was
less great
stylist than
theologian
well
the
Pleiad
His book admirably supplements the good
work which he has already done
connection with
Though written
the literary history
the period
eminently readable
students
it

of

,

”,
to
“

Ile

",

la

de

in

a

,

”

of

he

“

, .

"

“

Whitmanian

and passed unaccompanied
ahead
her
with the result that
when
later
epoch the consummated type
Elizabethan drama
caught foreign attention
was condemned
foreign observers
barbarism
That
brief
Mr Lee thesis though

.

by

of

.

La

topographical
vivid
and
his native land appeared
1888
After 1893
reverted
the style
Le
producing
Vierge
Mâle
Adam
Eve
quite
Cæur frais
forêt all imbued with
“

Belgique
descriptive survey

strings
guides

as
a

- he an of

of

of

,

his

,

—

be

on

.

It or

as

as

admitted that his realism and
lack
reticence
downright and unfliching
are
that
some
the famous
infamous
Flemish painters
may
questioned too whether
earlier age
appeal
has not sometimes weakened
over
very moving
insistence
the physical incidence
episodes

Ronsard .
Daniel , Lodge
and Constable
also
offended , and it was really with the drama that
English originality declared itself . Marlowe " framed
what , in spite of signs of French affinity , was
largely a new conception of tragedy ; ” and after
leading
Marlowe, “ England broke away from

for

of

his

rages , which the authorities
(this time Belgian )
again considered to overstep the limits of public
decency ; but , after a protracted
trial , he was
acquitted .
Though it is pity and horror that move him and
that he means to arouse in the reader , it must be

�THE AUTHOR .

signing them , and requires the customary vouchers
sent with accounts by any “ responsible ” agent .

of

is

"
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republish the
volume

Yours truly

,

ARNOLD

BENNETT

.

,

the meantime
had desired
article which was fairly elaborate
lite
literary essays

I of

the precaution

But supposing

of

taken

in
a

.

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had
delivery

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by
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the editor
stating that he had not yet
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from

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to

it
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Neatly cut
ma
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ma
chinery
Clean
opens flat com
and
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lie

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declined
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letter
received
Review
American
printed the article
a

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cutting

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but equally
clear and easy
read

pages before one
can read
Cut
pages
collect
Clumsy
dust
and wearying
the hand
Will
open pro
not
perly

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70
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6d
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000 words
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Book postage
Remarks

I

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78
. 24 70
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Dent

ozs

economy

The following
instance
editorial delay
was
may interest members
June 1902
Magazine
Harper
write
commissioned
the American Novel
The Future
article
July 1902 and delivered
imme
wrote
diately
once with my consent
was then
the North American Review between
transferred
Magazine there was
which
review
and Harper
some managerial connection
few months ago eight years after delivery

'

.

a

,

of

.

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same
the

Jenks

Project Empire
Macmillan
000 words

“

.. .. ..
. . .
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Price
Type

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Length

Weight

SIR

.

,

to

I

,

—

of

a

one
about the
some years
Here

Nicholson

comfort and

THE EDITORIAL ATTITUDE

SIR
protest
wish
make once more
against the artificial exvensiveness and cumbrous
English books
ness
have just been com

Author
Name
Publishers

for writers

ED

EXPENSIVE Books

paring
new one with
length already published
comparison

it

a

of

,
if

.

for

in

condition
and influence
readers

for the
the December
late

.]

it

to

as

.

.— it

[

profits would
reduced but
get the
commercial competition
the market anyhow
and granted that
the things
aim
are popularity

trust

books

TREVENA

too

6d

as

is

,

This letter was unfortunately
November Author We publish
issue just
came
our hand

publishers

some
could

.

JOHN

in

to

by

at of for

,

I

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is

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to

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to

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should

to

.

as

I

?

,

an

SIR

not

more
Add that
the shilling
which
printed
clear the book could
reason
able style and make the price half
crown
No
doubt Prof Nicholson like everyone else who ash
something
say would like
many
reach
possible provided his legitimate profit
readers
might
not reduced
not clear that
larger public the
have that satisfaction
and
advantage
reading him
greater
and that
only we could get
comfort
the system
Probably
making books big and ostentatious

CENSORSHIP

the November
mention
new book
Bracken
has been refused
all the great libraries without any reason given
seems
me that the time has come
the
Society
consider this matter which
the
highest importance
members since
the
present moment none are safe
have long held
the opinion that authors should publish their own
imperative that they
works
now becoming
should distribute them
Yours faithfully
DEAR

Author
that my

to

to

its

of

to

he

by

,

as

artificially high price out
and get
the public
don
for moment grudge
much
the price
goes
the author
author myself
issu
Dent made mistake
and perhaps Messrs
ing their
primers
cheap
but say Prof
copy
gets
Shield Nicholson
his book
probably
cheap
edition would bring

A

LIBRARIES

to

,

[ Does an agent - he need not be a burglar
when inserting this dangerous agency clause in
the agreement draw the author 's attention to
dangers
any clause
would
the dangers
proposed
the publishers
We have never
agent take this
known
the only fair course
against every
legal document
guard
should
contingency
Ed

6d
.

be 78
.

”

.

PARTEM

ALTERAM

what moves me
this letter
rather the
Project
than the price
Empire
would
two editions
were published
pay
preference
the small light one
get
glad
At the same time
and
clear that books are published
the large and
heavy form chiefly
produce
imposing effect

on

AUDI

Now

clumsiness

is

78

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XXI.- No. 3.&#13;
DECEMBER 1, 1910.&#13;
(PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGE&#13;
Notices&#13;
..&#13;
.&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes&#13;
Unauthorised Alteration of a Picture&#13;
Publishers' and Minor Rights&#13;
Magazine Contents ...&#13;
How to Use the Society&#13;
Warnings to Producers of Books&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The Society's Anniversary Ba&#13;
The Rambling Essayist&#13;
Some Beauties of Ainerican Slang&#13;
Camille Lemonnier&#13;
The French Renaissance&#13;
Correspondence ...&#13;
nane&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
8. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Yarious Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 60. i :&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and mustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors.' Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 18.&#13;
[All prices not. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.1&#13;
seronts from the Report of the Commons&#13;
&#13;
&#13;
## p. 52 (#82) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDEREOX, K.C.B. I AUSTIN DOBSON.&#13;
JOSTIN MCCABTHY.&#13;
SIR WM.REYNELL ANSON, Bart., D.C.L. | SIK ARTHUR CONAN DOYLE.&#13;
THE REV. C. H, MIDDLETON-WAKE,&#13;
THE RIGHT HON. THE LORD AVE DOUGLAS FRESHFIELD,&#13;
SIR HENRY NORMAN.&#13;
J. M. BARRIE.&#13;
(BURY, P.O. SIR W. S, GILBERT.&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ALFRD BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
SIR ARTHUR PINERO.&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
THE RIGHT Hon. SIR HORACE&#13;
F. E, BEDDARD, F.R.S.&#13;
H. RIDER HAGGARD.&#13;
PLUNKETT, K.P.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON ("Lucas MALET"). ARTHUR RACKHAM.&#13;
THE RIGHT HON. AUGUSTINE BIR ANTHONY HOPE HAWKINS.&#13;
OWEN SEAMAN.&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G. BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
G. R. SIMS.&#13;
THE REV. PROF. BONNEY, F.R.S. W. W. JACOBS.&#13;
S. SQUIRE SPRIGGE.&#13;
THE RIGHT HON. JAN ES BRYCE, P.C. HENRY JAMES.&#13;
FRANCIS STORR.&#13;
THE RIGHT Hox, THE LORD BURGH. JEROME K. JEROME.&#13;
SIR CHARLES VILLIERS STANFORD&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONE8.&#13;
Mus. Doc.&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD,&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
SIDNEY WEBB.&#13;
EGERTON CABTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.S. H. G. WELLS.&#13;
EDWARD CLODD.&#13;
THE REV. W. J. LOFTIE, F.S.A.&#13;
PERCY WHITE.&#13;
W. MORRIS COLLES.&#13;
LADY LUGARD (M198 FLORA L. FIELD-MARSHAL THE RIGHT HON,&#13;
THE HON. JOHN COLLIER,&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.&#13;
SIB W. MARTIN CONWAY.&#13;
THE RIGHT Hon. SIR ALFRED P.C., &amp;c.&#13;
THE Right Hon. THE LORD CORZON LYALL, P.C.&#13;
OF KEDLESTON, P.C.&#13;
MRS. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT.&#13;
SIB ALFRED BATEMAN, K.C.M.G. | DOUGLAS FRESHFIELD.&#13;
S. SQUIRE SPRIGGE,&#13;
MRS. BELLOO-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIR STOBR,&#13;
MAS. E. NESBIT BLAND.&#13;
ARTHUR RACKHAM.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
G. BERNARD SHAW.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-SIR ARTHUR PINERO. Vice-Chairman-HENRY ARTHUR JONES.&#13;
H. GRANVILLE BARKER.&#13;
Miss CICELY HAMILTON.&#13;
| CECIL RALEIGH.&#13;
J. M. BARRIE.&#13;
CAPT. BASIL HOOD.&#13;
G. BERNARD SHAW.&#13;
R, C. CARTON.&#13;
JEROME K, JEROME.&#13;
ALFRED SUTRO.&#13;
ANSTEY GUTHRIE.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-MAURICE HEWLETT.&#13;
MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
M. H. SPIELMANN,&#13;
MRS. HUMPHRY WARD,&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
| SIR CHARLES VILLIERS STANFORD,' HERBERT SULLIVAN.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
E. J. MAGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
THE Hon. John COLLIER,&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM,&#13;
| M. H. SPIELMANN.&#13;
Solioitor in England to&#13;
Sooibt das Gens do Letres.&#13;
FIKLD, ROSCOk &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Socretary-G, HERBERT THRING,&#13;
G. HEKBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. so&#13;
Legal Adriser in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
-&#13;
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&#13;
&#13;
## p. 52 (#83) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
1&#13;
To Authors and Journalists. — PLAYS&#13;
MR. FORBES DAWSON,&#13;
The writer, whether he aspires to write novels, short stories,&#13;
or articles, often spends years in uncongenial work,&#13;
rebuffs and drudgery being the only return for the time&#13;
and labour spent.&#13;
THE COURSE OF LITERARY TRAINING promoted by&#13;
the Literary Correspondence College teaches the&#13;
aspirant to serve his apprenticeship to Literature in the&#13;
briefest time possible.&#13;
The College also undertakes Literary Agency business of all&#13;
kinds.&#13;
For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
CORRESPONDENCE COLLEGE, 9, Arundel Street, Strand, W.C.&#13;
"First Lessons in Story Writing."&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. Ed. net. 28. 8d. post free.&#13;
Actor Dramatist, Play Constructor,&#13;
and Master of Stage Craft,&#13;
With over 25 years' continuous experience upon the stage&#13;
itself as an actor, author of many plays produced in England&#13;
and America,&#13;
Gives practical advice on construc-&#13;
tion and stage craft; makes plays&#13;
actable and ready for production.&#13;
NO THEORIES.&#13;
“Mr. Forbes Dawson reconstructed, revised, made actable,&#13;
introduced, and produced 'The Outcome of Agitation,' for its&#13;
author, Mr. James A. Douglas, at the Kingsway Theatre, on&#13;
November 5th, when it made an instantaneous success."-&#13;
Vide the Press.&#13;
Mr. Forbes Dawson knows every manager of any note&#13;
in the theatrical world, and every "star" actor and&#13;
actress of any importance on the English-speaking stage.&#13;
Mr. Dawson is not an agent, but helps on those plays he&#13;
is connected with in revising.&#13;
this work the Westminster Gazette writes: "The&#13;
beginner who takes these lessons to heart may be quite&#13;
Assured of an advantage over his competitors.&#13;
"How to become an Author."&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide ; full of useful hints.&#13;
2nd Edition. Ss. net. 58. 4d. post free.&#13;
The Literary Correspondence College,&#13;
9, Arundel Street, Strand, W.C.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
from 10d. per 1,000 words, by experienced&#13;
TYPEWR ITING Typist. Authors MSS. ' and Technical&#13;
work a speciality.&#13;
ORDERS BY POST PROMPTLY ATTENDED TO.&#13;
MISS LUETCHFORD, 122, LONDON WALL, E.C.&#13;
POC&#13;
ROMPTLY ATTENDED&#13;
1/3&#13;
WANTED!&#13;
AUTHORS' MSS., PLAYS, AND GENERAL COPYING.&#13;
Don't hesitate. Send a trial order now. I guarantee&#13;
satisfaction. One Carbon Duplicate supplied gratis&#13;
with first order. Terms on application.&#13;
C. HERBERT CÆSAR.&#13;
Homefield, Woodstock Rd., ST. ALBANS, HERTS.&#13;
AUTHORS' TYPEWRITING,&#13;
Novel and Story Work .. 90 por 1,000 words; 2 Copios, 1/-&#13;
General Copying .. " 1 " "&#13;
..&#13;
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Plays, ruled&#13;
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Specimens and Price List on applioation.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELI).&#13;
..&#13;
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--AND —&#13;
D&#13;
AUTHORS wishing to make arrange-Tiri&#13;
TYPEWRITING&#13;
ments for Publishing are invited to DUPLICATING&#13;
communicate with LYNWOOD &amp; Co., I&#13;
by Carbon and Mimeograph.&#13;
From 10d. per 1,000 words. Good&#13;
Publishers, 12, Paternoster Row,&#13;
materials. Standard Machines. No pupils'&#13;
London, E.C., who will be pleased work. Accurate and prompt. References.&#13;
Kindly meation “ The Author.".&#13;
to consider MSS. and advise (free).&#13;
Miss EMILY BATE,&#13;
Please write before sending MSS. 15, St. John's Church Road, FOLKESTONE&#13;
&#13;
&#13;
## p. 52 (#84) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Notice to Authors.&#13;
GOOD LITERARY ADVICE.&#13;
Mr. Stanhope W. Sprigg&#13;
Late Editor of&#13;
Cassell's Magazine and&#13;
Reader for Messrs.&#13;
Cassell &amp; Co.&#13;
For nearly four years&#13;
Reviewer of fiction on&#13;
the Standard : Special&#13;
Correspondent of the&#13;
Standard and Evening&#13;
Standard in the United&#13;
States.&#13;
Formerly Hon.&#13;
Literary Adviser of the&#13;
Society of Women&#13;
Journalists.&#13;
Founder and first&#13;
Editor of the Windsor&#13;
Magazine: late Literary&#13;
Editor of the Daily&#13;
Express.&#13;
TWELVE months ago I resigned the editorship of Cassell's Magazine&#13;
with the most friendly feelings, entirely on my own initiative, and&#13;
have now set up in business as a Literary Adviser and Consultant.&#13;
What is a Literary Consultant? This. If you are in bad health you go&#13;
to a doctor. If your literary work is not satisfactory you can come to me.&#13;
If there is anything wrong in your literary career I can diagnose it, and tell&#13;
you how to put it right.&#13;
There may be some department of your work not doing so well as you&#13;
expect. You may have searched for the cause without success. Can I help&#13;
you-not by an academic report but by genuine disinterested advice ?&#13;
Why should publishers only employ advisers ?&#13;
For a small stated fee I will advise upon any of the difficulties of authors&#13;
or writers for the press ; I will read manuscripts and suggest possible channels&#13;
of publication here and in the United States; I can supply trustworthy&#13;
information as to the present state of the literary market for articles, serial&#13;
and short stories, novels and other books; but I do not act as a Literary&#13;
Agent or take any commissions of any sort.&#13;
I offer the use of my professional experience (which is wide) and my advice&#13;
(which ought to be worth having).&#13;
By such means my clients should be saved many hours of useless labour&#13;
and secure solid financial returns,&#13;
Clients can be seen in London daily by appointment, and correspondence&#13;
is invited.&#13;
Address :&#13;
Mr. STANHOPE W. SPRIG&#13;
The Anchorage, FELPHAM,&#13;
BOGNOR, SUSSEX.&#13;
"Mr. Sprigg is a literary&#13;
authority of undoubted re.&#13;
putation.”&#13;
New York Herald.&#13;
THE LITERARY YEAR - BOOK (1911).&#13;
Edited by BASIL STEWART (Mem.Soc.Au.)&#13;
Crown 8vo.] Price 6s. net. [970 pages.&#13;
15th Annual Volume (1911) ready Dec. 8th.&#13;
TYPEWRITING of the&#13;
HIGHEST QUALITY.&#13;
ACCURACY GUARANTEED.&#13;
GENERAL MSS.. 10d. per 1.000 words.&#13;
CARBON COPIES, 3d. per 1,000 words.&#13;
DRAMATIC WORK. DUPLICATING.&#13;
ALL ORDERS ATTENDED TO PROMPTLY.&#13;
NORA DICKINSON,&#13;
1, SACKVILLE GARDENS, ILFORD, ESSEX-&#13;
CONTENTS :-Authors' Directory and Index of Authors;&#13;
Pen-Names and Pseudonyms (new feature); Literary&#13;
and Press Agents ; Typists and Indexers, etc. ;&#13;
Training Offices (new feature); Booksellers (town and&#13;
country); Law and Letters ; Libraries; British,&#13;
American, Canadian, and Indian Periodicals, with&#13;
particulars for contributors, and a very complete&#13;
Classified Index ; Obituary; Publishers (British,&#13;
Colonial, Foreign, and American); Royalty Tables ;&#13;
Societies and Literary Clubs (British, Colonial, and&#13;
Foreign); List of Cheap Reprints, etc.&#13;
"An indispensable book of reference for authors and&#13;
journalists." - Daily Graphic.&#13;
“Has been 60 excellently devised as to leave no room&#13;
for improvement."-Birmingham Post.&#13;
“The editor is to be congratulated on an excellent and&#13;
useful production."-Queen.&#13;
"Carefully edited and thoroughly accurate and up-to-&#13;
date." -Dundee Advertiser.&#13;
"Full of the most interesting information ... that con.&#13;
cerns literary and book-reading people. Immense care has&#13;
been taken in the compilation of this work."- Irish Monthly.&#13;
TYPEWRITING.&#13;
Authors' MSS. 18. 1,000 words; ovor 40,000, 10d. No unfair&#13;
"cutting" of prices.&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
Plays and Actors' Parts. Legal, General and Commercial&#13;
Documents. Duplicating. Facsimile Typewriting.&#13;
FULL TERMS ON APPLICATION. REFERENCES.&#13;
GEORGE ROUTLEDGE &amp; SONS, LTD.,&#13;
68-74, CARTER LANE, LONDON, E.C.&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices,&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
&#13;
&#13;
## p. 53 (#85) ##############################################&#13;
&#13;
The Autbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
Vol. XXI.-No. 3.&#13;
DECEMBER 1ST, 1910.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
ToR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
THE Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
TROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are: (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society. I&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
The Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor pot later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
VOL. XXI.&#13;
LIST OF MEMBERS.&#13;
M HE List of Members of the Society of Authors,&#13;
published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 71d. It includes elections to July&#13;
1907, and will be sold to members and associate&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
&#13;
&#13;
## p. 54 (#86) ##############################################&#13;
&#13;
54&#13;
THE AUTHOR.&#13;
Octv. 6, Caphilpotto, Hubert&#13;
.&#13;
..&#13;
:&#13;
0&#13;
0&#13;
end of the list for the convenience of those who&#13;
£ s. d&#13;
desire to add future elections as they are chronicled Jan. 14, Desborough, The Right Hon.&#13;
from month to month in these pages.&#13;
the Lord, K.C.V.O.&#13;
1 1 0&#13;
Jan. 27, Lion, Leon M. ..&#13;
05 0&#13;
Feb. 7, Fagan, J. B. . .&#13;
. 0 10 0&#13;
Feb. 10, Newton, Miss A. M. . 0 5 0&#13;
THE PENSION FUND.&#13;
March 7, Smith, Bertram . . 5 0 0&#13;
April 13, Dillon, Mrs. .&#13;
. 1 1 0&#13;
May 6, Inkster, Leonard.&#13;
• 0 5 0&#13;
ON February 1, 1910, the trustees of the May 17, Truman, Miss Olivia Marie. 0 10 0&#13;
Pension Fund of the society-after the secre- July 15, Steveni, William Barnes&#13;
tary had placed before them the financial Oct. 6, Graham, Capt. Harry . . 110&#13;
position of the fund—decided to invest £260 in Nov. 6, Capes, Mrs. Marion . : 0 5 0&#13;
the following securities : £130 in the purchase of Nov. 11, Phillpotts, Eden . . . 0 5 0&#13;
Jamaica 37 per cent. Stock 1919-49, and £130 in Nov. 11, Parry, Sir Hubert . . 1 1 0&#13;
the purchase of Mauritius 4 per cent. Stock 1937. Nov. 17, Coben, Mrs. Herbert ..&#13;
Vunen, Mrs. Herbert . . 0 10 6&#13;
The amount purchased is £132 18s. 6d.&#13;
Jamaica 31 per cent. Stock and £120 12s. ld.&#13;
Donations.&#13;
Mauritius 4 per cent. Stock.&#13;
1910.&#13;
This brings the invested funds to over £4,000. Jan. 1, Robinson, J. R.&#13;
: 0 5 0&#13;
The trustees, however, have been unable to recom- Jan. 1, Mackenzie, Miss J. (2nd dona-&#13;
mend the payment of any further pensions, as the tion) . .&#13;
v&#13;
. 0 5 0&#13;
income at their disposal is at present exhausted. Jan. 1, Northcote, H.&#13;
They desire to draw the attention of the members Jan. 3, Watson, Mrs. Herbert A. . 0 5 0&#13;
of the society to this fact, in the hope that by Jan. 3, Fursdon, Mrs. F. M. .&#13;
5 0&#13;
additional subscriptions and donations there will Jan. 3, Smith, Miss Edith A. . • 0 5 0&#13;
be sufficient funds in hand in the course of the Jan. 4, Pryce, Richard .&#13;
. 5 0 0&#13;
year to declare another pension in case any im. Jan. 4, Wroughton, Miss Cicely.&#13;
portant claim is forthcoming.&#13;
Jan. 6, Kaye-Smith, Miss Sheila&#13;
050&#13;
Consols 21%........... ......... £1,000 0 0&#13;
Jan. 6, Underdown, Miss E. M..&#13;
Local Loans .............................. 500 0 0&#13;
Jan. 6, Carolin, Mrs. . .&#13;
Victorian Government 3% Consoli-&#13;
Jan. 8, P. H. and M. K. .&#13;
dated Inscribed Stock ............... 291 19 11&#13;
Jan. 8, Crellin, H. R. .&#13;
London and North-Western 3% Deben-&#13;
Jan. 10, Tanper, James T..&#13;
ture Stock .....................&#13;
250 0 0&#13;
Jan. 10, Miller, Arthur .&#13;
Egyptian Government Irrigation&#13;
Jan. 10, Bolton, Miss Anna&#13;
Trust 4% Certificates .....&#13;
Jan. 10, Parr, Miss Olive K.&#13;
Cape of Good Hope 32% Inecribed&#13;
Jan. 13, Hardy, Harold ..&#13;
Stock .............................&#13;
200 0 0&#13;
Jan. 17, Harland, Mrs. .&#13;
Glasgow and South-Western Railway&#13;
Jan. 21, Benecke, Miss Ida&#13;
4% Preference Stock..................&#13;
228 0 0&#13;
Jan. 25, Fradd, Meredith .&#13;
05&#13;
New Zealand 32% Stock...............&#13;
247 9&#13;
Jan. 29, Stayton, F. .&#13;
6&#13;
.&#13;
6&#13;
. 0 10&#13;
Irish Land Act 27% Guaranteed Stock 258 0 0&#13;
Feb. 1, Wharton, L. C.&#13;
0 10 0&#13;
Corporation of London 2% Stock,&#13;
Feb. 4, Bowen, Miss Marjorie . 1 1 0&#13;
1927-57 ...................&#13;
438 2&#13;
Feb. 5, Cameron, Mrs. Charlotte&#13;
4&#13;
.&#13;
0&#13;
1 1&#13;
Jamaica 31% Stock, 1919-49 .........&#13;
6&#13;
132 18&#13;
Feb. 7, Pettigrew, W. F. . .&#13;
. () 5 0&#13;
Mauritius 4% 1937 Stock............... 120 121&#13;
Feb. 7, Church, Sir A. H. . .&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Feb. 8, Bland, Mrs. E. Nesbit.&#13;
Grant Stock, 1938......&#13;
198 3 8&#13;
Feb. 8, The XX. Pen Club&#13;
Feb. 10, Greenbank, Percy.&#13;
Total ................ £4,065 6 0&#13;
Feb. 11, Stopford, Francis .&#13;
Feb. 11, Dawson, A. J. .&#13;
05 0&#13;
Feb. 12, Ainslie, Miss Kathleen .&#13;
Subscriptions.&#13;
Feb. 16, W. D. .&#13;
. .1&#13;
1910.&#13;
c . Feb. 16, Gibbs, F. L. A. . . . 0 10 0&#13;
Feb. 17, Wintle, H. R. .. . 1 0 0&#13;
Jan. 12, Riley, Miss Josephine .. . 0.7 6 Feb. 21, Thurston, E. Temple. . 110&#13;
Jan. 13, Child, Harold H., , . 0 10 0 Feb. 23, Dawson, Mrs. Frederick&#13;
....&#13;
er er en o&#13;
no er is&#13;
.....&#13;
200&#13;
...&#13;
.....&#13;
·&#13;
· ·&#13;
.&#13;
oriconco-&#13;
Ewer er to creo Ewer&#13;
..&#13;
&#13;
&#13;
## p. 55 (#87) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
55&#13;
No crore Bong&#13;
0&#13;
s. d.&#13;
Feb. 24, Williamson, C. N.&#13;
2 0&#13;
Feb. 24, Williamson, Mrs. C. X.&#13;
0&#13;
Feb. 25, Westell, W. P. . .&#13;
O&#13;
March 2, Toplis, Miss Grace ..&#13;
March 3, Hawtrey, Miss Valentina&#13;
March 5, Smith, Bertram .&#13;
0&#13;
March 12, Yould, A. . .&#13;
O&#13;
March 16, Loraine, Lady,&#13;
0&#13;
March 29, Macdonnell, Randall&#13;
4 0 0&#13;
April 6, Blake, J. P.. .&#13;
. 2 2 0&#13;
April 8, “ Patricia Wentworth "&#13;
April 14. Hinkson, Mrs. K. Tynan&#13;
0&#13;
May 6. Greenstreet. W. J.. . . 0 5 0&#13;
May 7, Cousin, John W. . . 0 5 0&#13;
May 10, Zangwill, Israel.&#13;
. 1 1 0&#13;
May 19, Sprigge, Dr. S. S. (Portion of&#13;
money recovered by the Society as&#13;
damages) :&#13;
10 0 0&#13;
June 3, Wynne, C. Whitworth.&#13;
3 0&#13;
June 15, Maunder, J. H. .&#13;
1 0&#13;
June 30, Atkinson, Harold&#13;
0 6 0&#13;
July 4, O'Higgins, Harvey . . . 1 0 0&#13;
July 5, Muir, Ward . . . . 1 1 0&#13;
July 5, Peacock, Mrs. .&#13;
2 2 0&#13;
July 11, March, Miss A. M.&#13;
0 12 0&#13;
July 18, Ralli, C. Scaramanga ..&#13;
O&#13;
July 20, Ellis, Havelock . .&#13;
5 0&#13;
Aug. 22, Myers, C. S.&#13;
2 2 0&#13;
Sept. 9, Bristow-Noble, J. C. .&#13;
0 7 6&#13;
Sept. 30, Sidgwick, Mrs. Alfred . 1 1 0&#13;
Oct. 4, Pakington, The Honourable&#13;
Mary .&#13;
Oct. 11, Caws, Luther W...&#13;
0 10 0&#13;
Oct. 11, Knowles-Foster, Miss Frances G. 0 10 0&#13;
Oct. 28, Tuite, Hugh. .&#13;
1 1 0&#13;
Oct. 28, Margolionth, George&#13;
0 7 6&#13;
Oct. 31, Gribble, F.. . . : 0 5 0&#13;
Nov. 1, Rankin, Miss. . . . 0 5 0&#13;
Nov. 5, Buckrose, J. E. .&#13;
1 1 0&#13;
Nov. 11, Phillpotts, Eden.&#13;
2 2 0&#13;
Nov. 12, Buè, Henri . .&#13;
0 11 0&#13;
Nov. 19, Ellis, Mrs. Havelock&#13;
0 5 0&#13;
We have much pleasure in acknowledging, with&#13;
apologies, a donation of 10s. from Mr. Harold&#13;
Hardy on January 13, which, through an over-&#13;
sight, had been omitted from the printed lists.&#13;
election. They proceeded to elect twenty-eight&#13;
members and associates, bringing the elections for&#13;
the current year up to 248. There were five&#13;
resignations, which the committee accepted with&#13;
regret. These bring the resignations for the&#13;
current year to 74.&#13;
The committee then considered the law cases.&#13;
On the first case, which dealt with the loss of a score&#13;
of music, the secretary reported that a settlement&#13;
had been come to during the past month-the&#13;
money had been paid to the composer for the loss&#13;
and the claim had been satisfied-and that the&#13;
composer had made a donation of £5 towards the&#13;
Capital Fund of the society. The committee&#13;
thanked Mr. McEwen, the member whose property&#13;
had been lost, for the donation that he had made.&#13;
On the second matter, which referred to disputes&#13;
in which action had already been commenced in&#13;
the courts, the solicitors reported progress, and the&#13;
committee decided to adjourn the points brought&#13;
forward to the next meeting in order that the&#13;
accounts, which were the cause of action, might&#13;
be adjusted before further steps should be con-&#13;
sidered. The next matter dealt with a question&#13;
of alleged collaboration. The committee decided&#13;
to take the case up if, after a full investigation,&#13;
the solicitors' opinion was in favour of such&#13;
a course, and the secretary was instructed to&#13;
write to the member concerned asking her to call&#13;
upon the society's solicitors and give them full&#13;
information, in order that they might be in a&#13;
position to advise the society. In a question of&#13;
infringement of copyright the committee decided&#13;
to take the matter up, but as there was every&#13;
prospect of a settlement they hoped it would not&#13;
be necessary to take the case into court.&#13;
After consideration of the disputes, the general&#13;
matters before the committee were heard in the&#13;
following order :-&#13;
Reference bad again been made to the committee&#13;
by some members of the society on the point of&#13;
the censorship of books by the libraries. The&#13;
committee instructed the secretary to report that&#13;
the matter was having their earnest consideration,&#13;
as they considered the issues of the greatest import-&#13;
ance to authors; but the practical solution of the&#13;
question they considered was surrounded with many&#13;
difficulties.&#13;
A general question of the legal work of the&#13;
society was discussed, and the committee appointed&#13;
Dr. S. Squire Sprigge and the secretary as delegates&#13;
to confer with the solicitors.&#13;
• The report of the Copyright Sub-committee on&#13;
the Draft Bill was laid before the committee for&#13;
criticism, and, after many points had been raised, it&#13;
was decided, before any steps were taken to&#13;
memorialise the Board of Trade, to refer the&#13;
matter back to the Copyright Sub-committee, and&#13;
erex&#13;
:&#13;
COMMITTEE NOTES.&#13;
M HE November meeting of the committee was&#13;
1 held at the society's offices, on Monday,&#13;
the 7th.&#13;
After the minutes of the last meeting had been&#13;
approved and signed, the committee considered&#13;
the names of those who were before them for&#13;
&#13;
&#13;
## p. 56 (#88) ##############################################&#13;
&#13;
66&#13;
THE AUTHOR.&#13;
of Management to empower the Copyright Sub.&#13;
committee to deal with the Publishers' Associa-&#13;
tion with a view of presenting a memorial&#13;
to the President of the Board of Trade at the&#13;
earliest opportunity. The Sub-committee asked&#13;
also for full powers to consult and act with the&#13;
Publishers' Association and any other bodies&#13;
interested in copyright property, in order that the&#13;
memorial to the Board of Trade should be as&#13;
representative as possible. The Copyright Sub-&#13;
committee urged the necessity of prompt action so&#13;
that if the Board of Trade accepted any of the&#13;
suggestions they might be embodied in the Bill&#13;
when it was again laid before the House.&#13;
the Committee of Management appointed Mr.&#13;
G. Bernard Shaw and Mr. Comyns Carr to confer&#13;
with the Sub-committee on certain important&#13;
issues. When the matter had then been fully&#13;
discussed by the parties mentioned, the Committee&#13;
of Management gave to the Copyright Sub.com-&#13;
mittee full authority to act with the Dramatic&#13;
Sub-committee and to confer with the Publishers'&#13;
Association with a view to appointing and regu-&#13;
lating the deputation to the Board of Trade in&#13;
order to put the views of the society and other&#13;
bodies before those representatives of the Govern-&#13;
ment, who are about to carry the law through.&#13;
The arrangements for the dinner and conver,&#13;
sazione were finally settled. It was decided to&#13;
have no programme of entertainment at the dinner&#13;
or at the conversazione.&#13;
Three of the committee's candidates for next&#13;
year's election were nominated. Their names will&#13;
be printed in the January Author, in accordance&#13;
with the articles of association of the society.&#13;
The nomination of the fourth candidate was&#13;
adjourned till the December meeting.&#13;
The secretary reported, on the financial position&#13;
of the society, that since the last meeting he had&#13;
been able to gather in some large cheques, and that&#13;
he thought there would be no need for an over-&#13;
draft before the end of the year.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
1.&#13;
The Copyright Sub-committee met on October 24&#13;
to consider the Copyright Bill. Since the pre-&#13;
vious meeting, reported in the November issue&#13;
of The Author, Mr. E. J. MacGillivray had pre-&#13;
pared a report on the Bill showing how far the&#13;
Bill gave effect to the suggestions made by the&#13;
Society of Authors when the Berlin Convention&#13;
was under consideration, and how far it embodied&#13;
the proposals of that Convention. The Sub-com-&#13;
mittee expressed their deep gratitude to Mr.&#13;
MacGillivray for the trouble he had taken in&#13;
drafting his report, and then proceeded to consider&#13;
it paragraph by paragraph. A few alterations were&#13;
agreed to and the report passed.&#13;
The Sub-committee then turned to the sugges-&#13;
tions on the Bill made by the Publishers' Associa-&#13;
tion, and considered these suggestions point by&#13;
point and reported upon them, Mr. MacGillivray&#13;
undertaking to look through the draft report before&#13;
it was submitted to the Committee of Management.&#13;
The secretary was instructed to lay the report&#13;
when finally settled, and the report on the Pub.&#13;
Jishers' suggestions, before the Committee of&#13;
Management at the next meeting of that body.&#13;
He was also instructed to ask the Committee&#13;
II.&#13;
The second meeting of the Copyright Sub-com-&#13;
mittee was held on November 14, at the offices&#13;
of the society. The report which had been laid&#13;
before the Committee of Management was referred&#13;
back to the Sub-committee, and Mr. Shaw and&#13;
Mr. Comyns Carr were asked to attend the meeting&#13;
of the Sub-committee in order to discuss certaa&#13;
pont&#13;
points.&#13;
Mr. Shaw and Mr. Carr attended the meeting&#13;
and put fully before the Sub-committee their&#13;
views, but it was impossible, owing to the time&#13;
spent in discussing the various points, for the Sub-&#13;
committee to come to any final decision as to the&#13;
course they should adopt. Accordingly this matter&#13;
was adjourned to a subsequent meeting. It is&#13;
intended, however, to carry the Report through&#13;
with the smallest possible delay, so that the Sub-&#13;
committee may be in a position to take such action&#13;
as may be considered desirable in the interests of&#13;
the society.&#13;
II).&#13;
A further meeting of the Copyright Sub-&#13;
committee was held at the offices of the Society of&#13;
Authors on Monday, November 21, when the&#13;
report on the Copyright Bill to be submitted to&#13;
the Board of Trade was finally settled.&#13;
Mr. MacGillivray kindly undertook to add the&#13;
alterations to the report already drafted, and it&#13;
was decided to meet the Publishers' Association at&#13;
the earliest possible moment, while the matter&#13;
was fresh in the minds of all concerned.&#13;
Delegates of the Copyright Sub-committee were&#13;
appointed to meet to meet the Publishers' Associa-&#13;
tion, and the secretary was instructed to write&#13;
with a view to fixing up an early appointment. ;&#13;
The secretary suggested that it would be a good&#13;
thing, if possible, that the Authors' Society, the&#13;
Publishers' Association, and other bodies interested&#13;
in copyright should forward one report rather&#13;
than three or four separate documents as the&#13;
&#13;
&#13;
## p. 57 (#89) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
57&#13;
reports covered very much the same ground. On&#13;
Cases.&#13;
this basis it is proposed to meet the Publishers' DURING the past month the secretary has been&#13;
Association.&#13;
asked to intervene on behalf of members of the&#13;
society between themselves and publishers, editors,&#13;
and others in seventeen cases. Three of these&#13;
DRAMATIC COMMITTEE NOTES.&#13;
related to claims for money. The first has been&#13;
The November meeting of the Dramatic Sub- placed in the solicitors' hands as no satisfactory&#13;
committee was held on the 18th of that month. answer was forthcoming ; in the second the money&#13;
After the minutes of the previous meeting had has been paid and forwarded to the member, and&#13;
been read and signed, the Sub-committee con- the third has only recently come to the office.&#13;
sidered the cases before them. The first case Three cases were demands for accounts. These&#13;
related to a dispute between a member of are as yet unsatisfied, and it is possible that two&#13;
the society, an agent and a collaborator. The of them will have to bo referred to the solicitors,&#13;
secretary explained that the Committee of with two other clic:s against the same firm&#13;
Management had decided to take the matter up, left over from last month. One demand for&#13;
as it might have been necessary to apply for an accounts and money has been settled, the money&#13;
injunction, and there was not time to wait for the having been sent and paid over to the member.&#13;
decision of the Dramatic Sub-committee. The Two disputes occurred on agreements. One has&#13;
details of the case were fully explained, and the been transferred to the solicitors, and with the&#13;
secretary asked for their approval of the action sanction of the committee action will be taken if&#13;
taken by the Committee of Management. This necessary. The other is unsettled, as the offending&#13;
was readily given.&#13;
party lives in the United States, and some time is&#13;
The second case referred to performances in expended in the passage of letters to and from that&#13;
music-halls, and the secretary was instructed to country.&#13;
write to the Government Department, which had There were eight cases in which members of the&#13;
been dealing with this question, to urge upon them society applied for assistance in the recovery of&#13;
the need for immediate legislation.&#13;
MSS. Three of these cases have been settled, the&#13;
The next was a matter that referred to the MSS. having been returned to the authors. Three&#13;
censorship of plays. The Dramatic Sub-committee of the remaining . cases have only recently come&#13;
had been asked to recommend to the Committee of into the office. It is necessary to re-emphasise the&#13;
Management that counsel's opinion should be taken difficulties surrounding the legal position when an&#13;
on a point that a member had placed before them. application is made for a MS. In most cases the&#13;
The Dramatic Sub-committee, after careful con- secretary has found editors, publishers, and others&#13;
sideration of the point in question, came to the perfectly willing to do everything in their power&#13;
conclusion that counsel's opinion in this particular to return MSS., but authors must remember that&#13;
case was not necessary.&#13;
it is essential that they should show that a MS. has&#13;
The Dramatic Sub-committee considered then reached the office of the publisher or editor, and it&#13;
its report on the Copyright Bill, and the appoint is not sufficient to show merely that it was posted.&#13;
ment of delegates to represent the dramatists of In the great majority of these MS. cases the&#13;
the society at the deputation to the Board of authors have no evidence that the MSS. have ever&#13;
Trade. The committee approved an amendment reached the hands of responsible parties, and the&#13;
suggested in a letter which had been sent them deduction of the author that the post is infallible&#13;
by the secretary under the chairman's, Sir Arthur is not one which the law can recognise. We regret&#13;
Pinero's, authority, and proceeded to nominate three to say that theatrical people are the worst offenders&#13;
delegates. The secretary was instructed to write in the matter of the non-return of MSS. Pub-&#13;
and ask for the consent of the members nominated. lishers and editors are generally glad to make a&#13;
The secretary at the last meeting of the Sub- search when they are furnished with full particu-&#13;
committee had been instructed to draft an agree- lars of the names of the MSS. and the dates on&#13;
ment between the writer and producer of a sketch, which they were sent. The members of the&#13;
for he bad pointed out the frequency with which theatrical profession, on the contrary, unless legal&#13;
these contracts were coming before him. This steps can be taken against them, neglect to answer&#13;
draft had been forwarded to the members of the letters or to return the MSS.&#13;
Sub-committee with the notice calling the meet It is very satisfactory to report that the infringe-&#13;
ing. It was carefully considered, and was passed, ment of copyright in New Zealand has been satis-&#13;
subject to a few slight alterations, and will be factorily settled. In this case, as often happens,&#13;
printed in one of the coming issues of The Author. the New Zealand paper had pirated from an&#13;
The Dramatic Sub-committee then adjourned American paper without any intention of infringing&#13;
ill December.&#13;
the author's English copyright. As soon as the&#13;
&#13;
&#13;
## p. 58 (#90) ##############################################&#13;
&#13;
58&#13;
THE AUTHOR.&#13;
matter was pointed out, the editor acknowledged&#13;
his indebtedness.&#13;
There are only a few cases remaining open from&#13;
former months. These are either in the course of&#13;
favourable settlement or have been transferred to&#13;
the solicitors of the society.&#13;
Walkes, William Robert. 17, Rutland Court,&#13;
Knightsbridge&#13;
S.W.&#13;
Wetton, Miss Mildred C.. 100, Church Street,&#13;
Kensington, W.&#13;
Wilkins, Philip A. . . 14, Wilton Place,&#13;
S.W.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
Ele tions.&#13;
Barne, Miss Kitty . . Berrow, East-&#13;
bourne.&#13;
Bastian. H. Charlton, M.D., Chesha m Bois,&#13;
F.R.S., F.R.C.P.&#13;
Bucks..&#13;
Bijejko, Tan Felix . . Liebigstr 311 C, Leip-&#13;
zig, Germany.&#13;
Bland, C. C. Swinton · Bishopton Close,&#13;
Ripon.&#13;
Bué, Henri . . . 73, Gloucester Ter-&#13;
race, Hyde Park, W.&#13;
Cohen, Mrs. Herbert. . 2, Orme Court, W.&#13;
Dodge, Janet . . . Chipping Campden,&#13;
Gloucester.&#13;
Edgar, George . . . 54, Paulton's Square,&#13;
Chelsea.&#13;
Gorst, Mrs. Harold E. . 12, Foxmore Street,&#13;
S.W.&#13;
Graham-Burr, A. . . Hazeldene, Sunning-&#13;
hill, Berks.&#13;
Grantham, F. . . . 13, Cheyne Place,&#13;
S.W.&#13;
Hart, Dr. David Berry, 5, Randolph Cliff,&#13;
F.R.C.P.&#13;
Edinburgh.&#13;
Jerrold, Clare . . . Jessamine House,&#13;
Hampton-on-&#13;
Thames.&#13;
Lambert, Col. F. A. H. , Fairlawn House,&#13;
Woodmansterne.&#13;
Mozley, William E. (W.&#13;
Clinton Ellis).&#13;
Narramore, Wm., F.L.S. . “Devonia," Gt.&#13;
Crosby, Lancs.&#13;
Orr, Miss Janie B. W. . 3, New Parks Cres-&#13;
cent, Scarborough.&#13;
Parry, Sir Hubert H. . 17, Kensington&#13;
Square, W.&#13;
Phillpotts, Eden&#13;
Eltiham, Torquay.&#13;
Rittenberg, Max . . 158, Cromwell Road,&#13;
South Kensington,&#13;
S.W.&#13;
Thomson, Gladys Scott 15, Palace Gardens&#13;
Mansions, Bays-&#13;
water.&#13;
Tompkins, Edward S. De G. c/o Messrs. Brown,&#13;
Shipley &amp; Co.,&#13;
123, Pall Mall,&#13;
S.W&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate,&#13;
ART.&#13;
NAPOLEON IN CARICATURE, 1795-1825. By A. M.&#13;
BROADLEY. With an Introductory Essay on Pictorial&#13;
Satire as a Factor in Napoleonic History. By J. HOLLAND&#13;
ROSE. Two vols. 9 X 53. 391 + 441 pp. Lane. 424. n.&#13;
HOGARTH. By C. LEWIS HIND. 8 x 6. 80 pp. Jack.&#13;
18. 6d.&#13;
ORIENTAL SILVERWORK-MALAY AND CHINESE. With&#13;
O&#13;
over 250 Original Illustrations. By H. LING ROTH.&#13;
114 x 81. 300 pp. Truslove &amp; Hanson. 218. n.&#13;
SYMBOLISM OF THE SAINTS. Ry the Rev. P. H. DITCH-&#13;
FIELD. (The Arts of the Church.) 6 x 41. 198 pp.&#13;
Mowbray. ls. 6d. n.&#13;
THE PHOTOGRAPHY OF MOVING OBJECTS AND HAND&#13;
CAMERA WORK FOR ADVANCED WORKERS. By A.&#13;
ABRAHAMS. 71 X 43. 153 pp. Routledge. 18. n.&#13;
FRANK BRANGWYN AND HIS WORK. By W. SHAW&#13;
SPARROW. 104 x 71. 259 pp. Kegan Paul. 108. 6d. n.&#13;
BIOGRAPHY.&#13;
THE LIGHTER SIDE OF MY OFFICIAL LIFE. By SIR&#13;
ROBERT ANDERSON, K.C.B. 91 x 6. 295 pp. Hodder&#13;
&amp; Stoughton. 108. 6d. n.&#13;
SHAKESPEARE AS A GROOM OF THE CHAMBER. By&#13;
E. LAW, F.S.A. 87 x 61. 64 pp. Bell. 38. 6d. n.&#13;
NOBLE DAMES AND NOTABLE MEN OF THE GEORGIAN&#13;
ERA. By JOHN FYVIE. 9 X 54. 256 pp. Constable.&#13;
108, 6d. n.&#13;
WILLIAM SHARP (FIONA MACLEOD). A Memoir compiled&#13;
by his Wife, ELIZABETH A. SHARP. 98 x 61. 433 pp.&#13;
Heinemann. 168. n.&#13;
THE FAIR QUAKER : HANNAH LIGHTFOOT AND HER&#13;
RELATIONS WITH GEORGE III. By MARY L. PENDERED.&#13;
9 x 51. 355 pp. Hurst &amp; Blackett. 168. 1.&#13;
DOUGLAS JERROLD AND "Punch." By WALTER&#13;
JERROLD. Macmillan.&#13;
FIGHTING ADMIRALS. By JOHN BARNETT. 75 X 5.&#13;
339 pp. Smith Elder. 68.&#13;
DRAMA.&#13;
THE KILTARTAN MOLIERE. THE MISER. THE DOCTOR&#13;
IN SPITE OF HIMSELF. THE ROGUERIES OF SCAPIN.&#13;
Translated by LADY GREGORY, 74 x 51. 231 pp.&#13;
Dublin : Maunsell. 38. 6d. n.&#13;
READY ! A Play for Boys, in Two Acts. By Hox.&#13;
M. A, PAKINGTON. 36 pp. John Heywood.&#13;
&#13;
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## p. 59 (#91) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
59&#13;
ECONOMICS&#13;
THE INDUSTRIAL SYSTEM. An Inquiry into Earned&#13;
and Unearned Income. By J. Å. HOBSON. (New&#13;
and revised edition.) 84 x 54. 338 pp. Longmans.&#13;
78. 60, n.&#13;
EDUCATIONAL.&#13;
AX INTRODUCTION TO THE MAITHILI LANGUAGE OF THE&#13;
BIHĀRĪ LANGUAGE, AS SPOKEN IN NORTH BIHAR.&#13;
Part 1. Grammar. (Second Edition. Revised and&#13;
Greatly Enlarged.) By GEORGE A. GRIERSON, C.I.E.,&#13;
Ph.D., D.Litt. 10 x 67. 305 pp. Asiatic Society of&#13;
Bengal, Calcutta.&#13;
PARENT AND CHILD. A Treatise on the Moral and&#13;
Religious Education of Children. By SIR OLIVER&#13;
LODGE, D.Sc., F.R.S. 77 x 41. 73 pp. Funk &amp;&#13;
Wagnalls. 28. n.&#13;
FRENCH AND EXGLISH NEW POCKET DICTIONARY.&#13;
(Both Parts). By EDWARD LATHAM. 4 x 24. 275&#13;
pp. Routledge. 18, n.&#13;
THE INHERITANCE OF JOSEPH BIGGS. BF WILLIAM and&#13;
WINIFRID GUN. Ouseley. 68.&#13;
THE REPROOF OF CHANCE. By E. W. SAVI. 320 pp.&#13;
Digby Long. 68.&#13;
THE PROBATIONER. By A. M. IRVINE. 8 X 54. 300 pp.&#13;
Partridge. 28, 6d.&#13;
THROUGH THE CHRYSALIS. By F.F. MONTRÉSOR. 7} *&#13;
5. 365 pp. Murray. 68.&#13;
NONE OTHER Gods. By R. H. BENSON. 74 x 5. 347&#13;
pp. Alston Rivers. 68.&#13;
THE MISTRESS OF SHENSTONE, By FLORENCE L. BAR-&#13;
· CLAY. 74 x . 340 pp. Putnam. 68.&#13;
THE REVOLT AT ROSKELLY's. By WILLIAM CAINE.&#13;
71 x 5. 316 pp. Greening. 68.&#13;
MADAM MYSTERY. By MAY CROMMELIN. 71 x 48.&#13;
368 pp. Hutchinson. 6s.&#13;
BLAIR'S KEN. By WILLIAM SYLVESTER WALKER&#13;
(** COO-EE"). 8 * 5. 333 pp. John Ouseley. 68.&#13;
FICTION&#13;
THE WRECK OF THE GOLDEN GALLEON. By LUCAS&#13;
MALET (MRS. MARY ST. LEGER HARRISON). 73 x 5.&#13;
214 pp. Hodder &amp; Stoughton. 58.&#13;
THE WONDERFUL BISHOP, AND OTHER LONDON ADVEN-&#13;
TURES. By MORLEY ROBERTS. 74 x 5. 320 pp.&#13;
Nash. 68.&#13;
A DUAL RESURRECTION. By BERTRAM MITFORD.&#13;
7 x 5. 320 pp. Ward, Lock. 68.&#13;
THE SEARCH OF THE CHILD. By THEODORA WILSON-&#13;
Wilsox 71 x 5. 254 pp. Headley. 28. n.&#13;
BAWBEE JOCK. By AMY MCLAREN. 78 X 5. 359 pp.&#13;
Murray. 68.&#13;
THE ROGUE'S HEIRESS. By Tom GALLON. 73 x 5.&#13;
309 pp. Hutchinson. 68.&#13;
THE SPIDER OF ST. AUSTIN's. By NORMANDY VENNING.&#13;
376 pp. Chapman &amp; Hall. 68.&#13;
THE HUMAN CHORD. By ALGERNON BLACKWOOD. 78x57.&#13;
326 pp. Macmillan. 68.&#13;
HOWARD'S END. By E. M. FORSTER.) 74 x 51. 343 pp.&#13;
Arnold. 68.&#13;
PANTHERS' CLUB. By AGNES and EGERTON CASTLE.&#13;
7} 3. 312 pp. Nelson. 28. n.&#13;
COTTAGE PIE: A COUNTRY SPREAD. By A. NEIL&#13;
LYONS. 7 x 5. 362 pp. Lane. 68.&#13;
THE LADY OF TRIPOLI. By M. BARRINGTON, 74 x 51.&#13;
269 pp. Chatto &amp; Windus. 58.&#13;
THE CASE OF LADY BROADSTONE. By A. W. MARCH&#13;
MONT. 74 X 5. 310 pp. Hodder &amp; Stoughton. 68.&#13;
THE PATCHWORK PAPERS. By E. TEMPLE THURSTON.&#13;
73 x ö. 268 pp. Chapman &amp; Hall. 58. n.&#13;
LOVE, THE INTRUDER. "By HELEN H. WATSON (MRS.&#13;
HERBERT A. Watson). 456 pp. 8 X 54. Religious&#13;
Tract Society. 28. n.&#13;
THE MEN OF THE MOUNTAIN. By S. R. CROCKETT.&#13;
84 x 52. 173 pp. (Cheap Reprint.) “The Leisure&#13;
Hour.” 6d,&#13;
THE MEN OF THE MOUNTAIN. By S. R. CROCKETT.&#13;
8 X 54. 456 pp. Religious Tract Society. 28. n.&#13;
THE SILVER Fox. By Ě. A. SOMERVILLE and MARTIN&#13;
Ross. (Re-issue.) 7 x 5 350 pp. Bell. 68.&#13;
THE GIRL'S HEAD. By EDGAR JEPSON. 71 x 5. 320&#13;
Pp. Greening. 68.&#13;
MASTER AND MAID. By MRS. L. ALLEN HARKER. 78 X&#13;
5. 349 pp. Murray. 6s.&#13;
AT THE ALTAR STEPS. By JEAN MIDDLEMASS. 74 x 5.&#13;
288 pp. Digby Long. 68.&#13;
THE CITY OF BEAUTIFUL NONSENSE. By E. TEMPLE&#13;
THURSTON, (New and Illustrated Edition.) 84 X 6.&#13;
458 pp. Chapman &amp; Hall. 68. n.&#13;
HISTORY.&#13;
SEA-WOLVES OF THE MEDITERRANEAN. The Grand&#13;
Period of the Moslem Corsairs. By COMMANDER&#13;
E. HAMILTON CURREY, R.N. 9 X 54. 399 pp.&#13;
Murray. 108. 6d, n.&#13;
JUVENILE.&#13;
THE FORTUNES OF FLOT. A DOG STORY, MAINLY FACT.&#13;
By K. F. PURDON. 71 x 54. 318 pp. Nelson. 28, 6d.&#13;
THE SLOWCOACH. A Story of Roadside Adventure. By E.&#13;
V. LUCAS. 78 X 54. 284 pp. Wells Gardner. 68&#13;
TRUE ALL THROUGH. By J. HARWOOD PANTING. 74 x 5.&#13;
318 pp. Chambers. 38. 6d.&#13;
THREE AMATEUR SCOUTS. By RAYMOND JACBERNS.&#13;
7 X 54. 291 pp. Chambers. 38. 6d.&#13;
OFF THE WICKET. A School Story. By HAROLD AVERY.&#13;
8 X 54. 368 pp. Nelson. 38. 6d.&#13;
PETER PAN IN KENSINGTON GARDENS. By J. M. BARRIE.&#13;
Illustrated by ARTHUR RACKHAM. 87 x 6. 126 pp.&#13;
Hodder &amp; Stoughton. 68. n.&#13;
THE STRANGE LITTLE GIRL. By BELLA SIDNEY WOOLF.&#13;
Illustrated by P. B. HICKLING. 74 x 64. 129 pp.&#13;
Duckworth. 18. 6d.&#13;
THE BIG BOOK OF FAIRY TALES. Edited by WALTER&#13;
JERROLD. Illustrated by CHARLES ROBINSON. 10 X 7.&#13;
344 pp. Blackie. 78.6d.n.&#13;
THE STORY OF A BRAVE CHILD. A Child's Life of Joan&#13;
of Arc. By ANNIE MATHESON. 84 X 61. 140 pp.&#13;
Nelson. 38. 6d.&#13;
COO-EE! A STORY OF PERIL AND ADVENTURE IN THE&#13;
SOUTH SEAS. By R. LEIGHTON. 8 * 54. 256 pp&#13;
Pearson. 2.8. 6d.&#13;
HEROINES OF THE HOME AND THE WORLD OF DUTY.&#13;
Stories of Life Adventures. By F. W. ORDE WARD&#13;
and Others. 8 x 51. 382 pp. Stanley Paul. 58.&#13;
THE GREAT AEROPLANE. A Thrilling Tale of Adventure.&#13;
By CAPTAIN F. S. BRERETON. 73 x 51. 396 pp.&#13;
Blackie. 68&#13;
FIFTY-TWO STORIES OF THE SEA. By FRANK T. BULLEN&#13;
and Others. 8 x 57, 512 pp. Hutchinson. 58.&#13;
COMRADES THREE. A Story of the Canadian Prairies.&#13;
By ARGYLL SAXBY. 74 X 5. 300 pp. Part idge. 28.&#13;
INDIAN AND SCOUT. A Tale of the Gold Rush to Cali-&#13;
fornia. By CAPT. F. S. BRERETON. 77 x 57. 368 pp.&#13;
Blackie. 58.&#13;
THE CRUISE OF THE “KINGFISHER.” A Tale of Deep-Sea&#13;
Adventure. By H. DE VERE STACPOOLE. 74 x 57&#13;
308 pp. Wells Gardner. 2s. 6d.&#13;
MARTIN HYDE, THE DUKE'S MESSENGER. By JOHN&#13;
MASEFIELD. 87 x 57. 303 pp. Wells Gardner. 65.&#13;
Poor UNCLE HARRY. By RAYMOND JACBERNS. 74 X 51.&#13;
275 pp. Chambers. 38. 60.&#13;
&#13;
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## p. 60 (#92) ##############################################&#13;
&#13;
60&#13;
THE AUTHOR.&#13;
POETRY.&#13;
WILD Fruit. By EDEN PHILLPOTTS. 7} 5. 158 pp.&#13;
Lane. 68. n.&#13;
PASSING POEMS. By J. W. PoE, 6 X 43. 64 pp.&#13;
Henry J. Drane. 18.&#13;
THE FLAME, AND OTHER POEMS. By E. HAMILTON&#13;
MOORE. 64 x 54. 54 pp. Elkin Mathews. 18. n.&#13;
MISREPRESENTATIVE MEN. By HARRY GRAHAM. (New&#13;
and Enlarged Edition.) Illustrated by F. STROTHMAxx.&#13;
7 X 51. 148 pp. Gay &amp; Hancock. 28. 60, n.&#13;
POEMS OF HEROISM AND DEVOTION. Selected from the&#13;
Works of RICHARD TISSINGTON. 6 x 31. (The New&#13;
Treasury.) Bank &amp; Ashwell, 180, High Holborn,&#13;
W.C. 6d.&#13;
THE THIRD ROAD, AND OTHER SONGS AND VERSES. By&#13;
KATHLEEN CONYNGHAM GREENE. 60 pp. Fifield.&#13;
18. n.&#13;
OUR BELOVED KING EDWARD. Poems by HELEN&#13;
MATHERS, IRENE OSGOOD, CONSTANCE SUTCLIFFE,&#13;
and Others. 64 x 44. 46 pp. Elkin Mathews.&#13;
PEGGY D. 0. THE STORY OF THE SEVEN O'ROURKES.&#13;
, By HELEN H. WATSON. 87 X 6. 312 pp. Cassell.&#13;
r 38. 60.&#13;
THE STORY OF FLIP AND Fuzzy. A Picture Book for&#13;
Little Folk. Rhymes by JESSIE POPE. 10 x 7.&#13;
BLACKIE. 18, 6d.&#13;
LAW.&#13;
THE CONTRACT OF AFFREIGHTMENT AS EXPRESSED IN&#13;
CHARTER-PARTIES AND BILLS OF LADING. By SIR&#13;
THOMAS EDWARD SCRUTTON. (Sixth Edition.) By the&#13;
AUTHOR and F. D. MACKINNON, Barrister-at-Law.&#13;
8} 51. 463 pp. Sweet &amp; Maxwell. 188.&#13;
LITERARY.&#13;
ALARMS AND DISCUSSIONS. By G. K. CHESTERTON.&#13;
7 X 41. 260 pp. Methuen. 5$.&#13;
THE SECOND POST. A Companion to “ The Gentlest Art."&#13;
By E. V. LUCAS. 7 X 41. 266 pp. Methuen. 58.&#13;
THE ROUND OF THE CLOCK. “ The Story of our Lives&#13;
from Year to Year." By W. ROBERTSON NICOLL.&#13;
71 X 44. 324 pp. Hodder &amp; Stoughton. 68,&#13;
BEHIND THE BLINDS. BY VESTA TERENCE. H. R.&#13;
ALLENSON. 28. 6d. n.&#13;
THE LITERARY YEAR BOOK (1911). Fifteenth Annual&#13;
Volume. Edited by BASIL STEWART. Cr. 8vo. 970 pp.&#13;
Routledge. 68. n.&#13;
FEMININE INFLUENCE ON THE POETs. By E. THOMAS&#13;
84 x 51. 352 pp. Martin Secker. 108. 60, n.&#13;
THE VIEWS OF “ VANOC." AN ENGLISHMAN'S OUTLOOK.&#13;
By ARNOLD WHITE. 7 x 41. 419 pp. Kegan Paul.&#13;
58. n.&#13;
ENGLISH COUNTRY LIFE. By WALTER RAYMOND.&#13;
Illustrated in Colour. By WILFRID BALL, R.E. 8 x 51.&#13;
443 pp. Foulis. 58. n.&#13;
AUCASSIN AND NICOLETTE. Translated from the old&#13;
French by EUGENE Mason. With Coloured Illustra-&#13;
trations by MAXWELL ARMFIELD. 7 x 5. 72 pp.&#13;
Dent. 28. 6d, n.&#13;
OBITER DICTA. By AUGUSTINE BIRRELL. First and&#13;
Second Series Complete. 78 X 5. 326 pp. (The&#13;
Reader's Library.) Duckworth. 28. 60, n.&#13;
TAREE DAYS IN THE VILLAGE, AND OTHER SKETCHES.&#13;
Written from September, 1909, to July, 1910. By&#13;
LEO TOLSTOY. Translated by L. and A. MAUDE.&#13;
71 x 5. 88 pp. The Free Age Press. 18. n.&#13;
REPRINTS.&#13;
IN PRAISE OF OXFORD. An Anthology in Prose and&#13;
Verse. Compiled by THOMAS SECCOMBE and H. SPENCER&#13;
Scott. Vol. I. History and Topography. 329 pp.&#13;
Constable. 68. n.&#13;
Sylvia'S LOVERS. By MRS. GASKELL. With a Preface&#13;
by THOMAS SECCOMBE. 74 x 5. 542 pp. Bell.&#13;
THE RHINEGOLD AND THE VALKYRIE. By RICHARD&#13;
WAGNER. Illustrated by ARTHUR RACKHAM. Trans-&#13;
lated by MARGARET ARMOUR. 107 X 7. 160 pp.&#13;
Heinemann, 158. n.&#13;
THE SEASONS. An Anthology in Prose and Verse. By&#13;
HELEN and LEWIS MELVILLE. 7 x 5. 217 pp.&#13;
Williams &amp; Norgate. 38. 6d, n.&#13;
THE CRUISE OF THE “CACHALOT.” By F. T. BULLEX.&#13;
375 pp. Smith Elder. 18.&#13;
MEDICAL.&#13;
PRACTICAL MOTHERHOOD, By HELEN Y. CAMPBELL,&#13;
L.R.C.P. &amp; S., Edinburgh ; L.F.P. &amp; S., Glasgow.&#13;
With Illustrations. 87 x 51. 535 pp. Longmans.&#13;
78. 6d.&#13;
MISCELLANEOUS.&#13;
WILLIAM THOMSON (LORD KELVIN). His Way of&#13;
Teaching Natural Philosophy. By DAVID WILSON.&#13;
87 x 51. 56 pp. Smith &amp; Son, 19, Renfield Street,&#13;
Glasgow. Cloth 28. Paper 18. n.&#13;
A CORNER OF THE GARDEN OF FRANCE. By MORGAN&#13;
DOUGLAS. Loches : Raymond. 18. n.&#13;
THEOLOGY.&#13;
DIATESSARICA. Part VIII. “The Son of Man"; or, Con.&#13;
tributions to the Study of the Thoughts of Jesus. By&#13;
EDWIN A. ABBOTT. 9 x 54. 873 pp. Cambridge&#13;
University Press. 168. 6d. n.&#13;
THE EXPOSITOR'S DICTIONARY OF TEXTS. Edited by&#13;
SIR W. ROBERTSON NICOLL, LL.D., and JANE STOD-&#13;
ART, with the co-operation of the Rev.JAMES MOFFATT.&#13;
Vol. I. Genesis to St. Mark. 11} x 81. 1,058 pp.&#13;
Hodder &amp; Stoughton. 258, n.&#13;
BACK TO HOLY CHURCH. Experiences and Know-&#13;
ledge acquired by a Convert. By DR. ALBERT VON&#13;
RUVILLE. Translated by G. SCHOETENSACK. Edited&#13;
by the Rev. R. H. BENSON. 8 x 57. 166 pp. Long.&#13;
mans. 38. 6d. n.&#13;
REASON AND BELIEF. By SIR OLIVER LODGE. 74 x .&#13;
212 pp. Methuen. 38. 6d. n.&#13;
TOPOGRAPHY.&#13;
NORWICH AND THE BROADS. (Beautiful England Series.)&#13;
By WALTER JERROLD. Blackie.&#13;
MUSIC.&#13;
A CENTURY OF BALLADS, 1810-1910. THEIR COMPOSERS&#13;
AND SINGERS. By HAROLD SIMPSON. 9 x 54. 349&#13;
pp. Mills &amp; Boon. 108. 6d. n.&#13;
THE OLIPHANTS OF GASK. Records of a Jacobite&#13;
Family. By E. BLAIR OLIPHANT. James Nisbet.&#13;
TRAVEL&#13;
IN THE RHONE COUNTRY. By ROSE G. KINGSLEY.&#13;
8 x 54. 307 pp. Allen. 108. 6d, n.&#13;
ITALIAN FANTASIES. By T. Zangwill. 9 x 6. 369 pp.&#13;
Heinemann.&#13;
JAPAN FOR A WEEK (BRITAIN FOR EVER). By A. M.&#13;
THOMPson. 73 x 54. 248 pp. Lane, 58. n.&#13;
NATURE STUDY.&#13;
FAIRY PLANTS. A FERN BOOK FOR CHILDREN. By&#13;
F. G, HEATH. 226 pp. John Ouseley. 38. 6d. n.&#13;
&#13;
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## p. 61 (#93) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
BOOKS PUBLISHEMBERS&#13;
THINGS SEEN IN SPAIN. By C. GASQUOINE HARTLEY.&#13;
JUVENILE.&#13;
6 x 41. 254 pp. Seeley. 28. n.&#13;
HARDING's LUCK. By E. NESBIT. 308 pp. New York :&#13;
THROUGH PERSIA IN DISGUISE, WITH REMINISCENCES&#13;
Stokes &amp; Co. $1.50.&#13;
OF THE INDIAN MUTINY. Edited by BASIL STEWART TRUE STORIES ABOUT Dogs. By LILIAN GASK. 280 pp.&#13;
from the Diaries and MSS. of the late Col. C. E.&#13;
New York : Crowell. $1.50.&#13;
STEWART, C.B., C.M.G., C.I.E. Sq. 8vo. 430 pp.&#13;
THE TWINS IN CEYLON. By BELLA SIDNEY WOOLF,&#13;
Routledge. 158. n.&#13;
112 pp. Boston : Estes. 75 cents.&#13;
THE GUIDE TO SOUTH AFRICA, FOR THE USE OF TOURISTS,&#13;
SADLIER, INDIAN AND SCOUT: A Tale of the Gold Rush&#13;
1909–10. Edited annually by A. SAMLER BROWN for&#13;
to California. Illustrated by CYRUS CUNEO. By F.&#13;
the Union-Castle Mail Steamship Company. 71 x 5.&#13;
BRERETON. New York: Caldwell. $1.25.&#13;
478 pp. Sampson Low.&#13;
STORM AND SUNSHINE IN SOUTH AFRICA. By ROSA-&#13;
LITERARY.&#13;
MOND SOUTHEY. Edited by FRANCES SLAUGHTER. AHI&#13;
A HISTORY OF STORY-TELLING. By ARTHUR RANSOME.&#13;
9 x 54. 378 pp. Murray. 128. n.&#13;
317 pp. New York : Stokes. $3 n.&#13;
OXFREQUENTED FRANCE. By River and Mead and&#13;
THE BOOK OF FRIENDSHIP: Essays, Poems, Maxims, and&#13;
Town. By Miss M. BETHAM EDWARDS. 9 x 6.&#13;
Prose Passages. By ARTHUR RANSOME. 478 pp. New&#13;
204 pp. Chapman &amp; Hall. 108. 6d. n.&#13;
York : Stokes. $2.50 n.&#13;
GLEANINGS FROM FIFTY YEARS IN CHINA. By the&#13;
late ARCHIBALD LITTLE. Revised by MRS. ARCHIBALD&#13;
MISCELLANEOUS.&#13;
LITTLE. 98 x 54. 335 pp. Sampson Low. 78. 60. n.&#13;
ARTS AND CRAFTS OF ANCIENT EGYPT, Containing&#13;
140 Illustrations. 157 pp. By W. M. FLINDERS PETRIE.&#13;
Chicago : McClurg. $1,75 n.&#13;
MEDICAL.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
HYPNOTISM AND SUGGESTION IN DAILY LIFE, EDUCA-&#13;
MEMBERS.&#13;
TION, AND MEDICAL PRACTICE. By BERNARD&#13;
HOLLANDER. 295 pp. New York: Putnam. $1.75.&#13;
ART.&#13;
NATURAL HISTORY.&#13;
WATTEAU. Illustrated with 8 Reproductions in Colour.&#13;
THE ANIMAL WHY BOOK. By W. P. PYCRAFT. 88 pp.&#13;
By C. LEWIS HIND.&#13;
New York, $2.&#13;
80 pp. New York: Stokes.&#13;
Boards, 65 cents n. ; leather, $1.50 n.&#13;
PHILOSOPHICAL.&#13;
ECONOMIC.&#13;
ABOVE LIFE'S TURMOIL. By JAMES ALLEN. 163 pp.&#13;
New York : G. P. Putnam's Sons. $1.&#13;
SOCIALISM AND SUPERIOR BRAINS : A Reply to Mr. W. H FROM PASSION TO PEACE. BY JAMES ALLEN. 70 pp.&#13;
Malloek. By G. BERNARD SHAW. 59 pp. New York : New York : T, Y. Crowell &amp; Co. 50 cents.&#13;
John Lane Co. 75 cents n.&#13;
THEOLOGY.&#13;
EDUCATION.&#13;
SERMONS TO PASTORS AND MASTERS. By The Rev.J. H.&#13;
PARENT AND CHILD : A Treatise on the Moral and&#13;
SKRINE. 219 pp. New York. $1.50 n.&#13;
Religious Education of Children, By SIR OLIVER&#13;
TRAVEL.&#13;
LODGE. New York: Funk &amp; Wagnalls. 50 cents n.&#13;
PRINCIPLES AND METHODS OF UNIVERSITY REFORM. By AUSTRALIA : THE MAKING OF A NATION. By J. FOSTER&#13;
THE RIGHT HON, THE LORD CURZON. New York :&#13;
FRASER. New York : Cassell. $1.75.&#13;
Oxford University Press. 50 cents.&#13;
FICTION.&#13;
THE OSBORNES. By E. F. BENSON. 339 pp. New York : ,&#13;
Doubleday, Page. $1.20.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
QUEEN SHEBA'S Ring. By H. RIDER HAGGARD. 326 pp.&#13;
New York : Doubleday, Page. $1.50.&#13;
NOTES.&#13;
THE REFUGEE. By CAPTAIN CHARLES GILSON. 404 pp.&#13;
New York : The Century Co. $1.25.&#13;
THE WHEELS OF TIME. By Mrs. FLORENCE LOUISA TESSRS. HARPER BROS. will publish a&#13;
BARCLAY. 94 pp. New York: Crowell. 50 cents n.&#13;
L novel, by Mary L. Pendered, entitled “The&#13;
AT THE VILLA ROSE. 322 pp. By A. E. W. MASON.&#13;
New York : Scribner, $1.50.&#13;
Secret of the Dragon," early in 1911. Her&#13;
HEARTS AND CORONETS. By ALICE WILSON Fox. 349 pp. work on “The Fair Quaker : Hannah Lightfoot&#13;
New York : Macmillan. $1.50.&#13;
and her Relations with George III.,” has recently&#13;
THE LOST AMBASSADOR. By E. PHILLIPS OPPENHEIM. been issued by Messrs. Hurst &amp; Blackett. She&#13;
297 pp. With Illustrations in Colour by HOWARD&#13;
CHANDLER CHRISTY. Boston : Little, Brown. $1.50.&#13;
has nearly finished a new novel, entitled “The&#13;
CUNNER'S Sox, AND OTHER SOUTH SEA FOLK, By SIR&#13;
Ankle-biter."&#13;
GILBERT PARKER. 316 pp. New York : Harper. Mrs. Yorke Smith's translation of Père Paulin's&#13;
$1.20 D.&#13;
work on “Mystic Theology” appeared last month&#13;
THE GREATEST WISH IN THE WORLD. By E. TEMPLE&#13;
THURSTON. 396 pp. New York: Kennerley. $1.50.&#13;
under the title of “The Graces of Interior&#13;
Max. By KATHARINE CECIL THURSTON. 314 pp. New&#13;
Prayer ; a Treatise on Mystical Theology."&#13;
York: Harper. $1.50.&#13;
Messrs. Kegan Paul &amp; Co. are the publishers.&#13;
&#13;
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## p. 62 (#94) ##############################################&#13;
&#13;
62&#13;
THE AUTHOR.&#13;
The November number of Travel and Exploration Wisdom," published by Messrs. Everett &amp; Co., is&#13;
is certainly more varied than usual. There are in its third edition. The same writer's new book,&#13;
no less than four exploration articles, dealing which is also published by Messrs. Everett &amp; Co.,&#13;
respectively with Macao, Tripoli, New Zealand, is called “ The Lesson," and is a story of a love&#13;
and the Arctic regions, while in the Exploring idyll, and the lesson which the heroine learns is&#13;
World there are some notes on Papua, by the the lesson of love.&#13;
Governor, Mr. G. H. P. Murray. Miss Barnicoat Mr. Neil Munro's new novel, “Fancy Farm,” is&#13;
deals at some length with the Alpine district of published by Messrs. Blackwoods. The characters&#13;
New Zealand. A writer, who veils his identity are, for the most part, humorists—in the old&#13;
under the synonym of “Circumnavigator,” gives meaning of the term'; that is to say, they are of&#13;
an account of Portugal in China, that is Macao, the old type of Scottish men and women possessed&#13;
described as the Monte Carlo of the Far East. of striking personalities and oddities of speech and&#13;
“ Searchlight” again tackles his favourite subject, manner.&#13;
Arctic exploration, taking as a peg Peary's Mrs. Russell Barrington has written a sequel to&#13;
recently published “North Pole," as, by the courtesy her “Reminiscences of G. F.Watts," and her “ Life,&#13;
of the publishers, advanced sheets were supplied Letters and Work of Frederic Leighton," which will&#13;
so that a review might appear in the Novem- be issued by Messrs. Longmans, Green &amp; Co., in&#13;
ber Travel and Exploration. Mr. Eustace Rey- the early days of January next. The book is in&#13;
nolds-Ball, whose sporting paper, “ A Panther's the form of essays, and entitled “Essays on the&#13;
Sanctuary," appeared in the October number, Purpose of Art ; or, Past and Present Creeds of&#13;
describes a Sicilian puppet-show from the point of English Painters." The first of the seven essays&#13;
view of a detached spectator. In “ Armchair deals with the fact that present conditions are&#13;
Travel,” always an important feature of this unfavourable to the production of any art which&#13;
magazine, the following important books are will maintain a position in the future among&#13;
reviewed :-“ The Holy Land," by Robert national treasures. The last essay is entitled&#13;
Hitchens; “ Uganda for a Holiday," by Sir “The Reality of the Spiritual Life in Art.” Two&#13;
Frederick Treres ; “ Jungle Byways in India,” by other essays deal with “National Individuality,"&#13;
E. P. Stebbing ; and Sir Claude de Crespigny's and “Personal Individuality in Art.” The&#13;
“ Forty Years of a Sportsman's Life.”&#13;
purpose of the book is to advocate the value of&#13;
Miss T. Wilson-Wilson is re-writing for book permanent art versus temporary-a value which&#13;
publication a story of 1801, entitled “Mollo' the teaching of Leighton and Watts enforced.&#13;
the Toll-Bar," which is being serialised by The Besides quotations from the books on Watts and&#13;
Northern Newspaper Syndicate. Messrs. Headley Leighton which Mrs. Barrington has written, she&#13;
Bros. have also published Miss Wilson-Wilson's includes several from writings by her brother-in-&#13;
book, “ The Search of the Child.” This book law, the late Walter Bagehot, Walter Pater, D. G.&#13;
relates the vision of a child who has never lived MacColl, Arthur Symonds, Lowes Dickinson, and&#13;
on earth save for a few hours, who finds sorrow in Miss Marie Cailliard, all bearing on the advantage of&#13;
Paradise, and asks leave to return to earth to seek those things that come to stay in contradistinction&#13;
for the reason of the sorrow in the eyes of God. to those which in the inevitable course of events&#13;
Messrs. Blackie's annual has also an illustrated (to use Walter Bagehot's words) “ a gentle&#13;
story from the same writer's pen.&#13;
oblivion soon covers.”&#13;
"To a Miniature" is a poem by Irene Osgood, Mr. Werner Laurie is about to publish a work&#13;
which appears in “Our Beloved King Edward,” entitled “Ghostly Phenomena," by Mr. Elliott&#13;
a volume which is edited by Miss Elizabeth O'Donnell. In this book the author cites &amp;&#13;
Woodruff, and contains various poetic tributes to number of his own as well as other people's&#13;
King Edward. Mr. Elkin Mathews is the experiences with phantasms of the living and the&#13;
publisher.&#13;
dead, and with elementals, and gives evidence of&#13;
The same publisher has also added to his cabinet the separate existence of spirit and body through&#13;
series “The Flame, and other Poems,” by E. the testimony of those who have either successfully&#13;
Hamilton Moore.&#13;
projected themselves or witnessed the projections&#13;
“ Behind the Blinds," by Vesta Terence, is a of others. The work concludes with a criticism on&#13;
volume of studies or word-pictures on the under psychical research societies, and the author's own&#13;
currents of life by a sympathetic observer, who views with regard to the hauntings of Glamis&#13;
portrays many an interpretation of life's difficulties Castle, Berkeley Square, and the Oriental Depart-&#13;
and problems to which all are subjected at one ment of the British Museum.&#13;
time or another. Messrs. H. R. Allenson &amp; Co. Mr. Walter Jerrold is the editor of “ The Big&#13;
are the publishers.&#13;
Book of Fairy Tales," published by Messrs. Blackie&#13;
Mrs. de Wentworth James' last book, “White &amp; Sons. He is also editing the first six volumes of&#13;
&#13;
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## p. 63 (#95) ##############################################&#13;
&#13;
THE AUTHOR..&#13;
63&#13;
Ernest Nister's new series of children's classics. Mr. Harold Wintle's new novel, “ The Better&#13;
“ Robinson Crusoe,” “The Swiss Family Robin- Thing,” will shortly be published by Messrs. John&#13;
son," “ Andersen's Fairy Tales," “ Grimm's Fairy Ouseley, Ltd.&#13;
Tales," “Old Mother Goose's Nursery Rhymes," · "Fairy Plants” is the title of a fern book for&#13;
and “Mother Goose's Nursery Tales."&#13;
children by Francis George Heath, which Messrs.&#13;
“Russian Flashlights" is a new work, practically Ouseley have just issued. The author's aim in&#13;
completed, from the pen of Jaakoff Prelooker, writing the book has been to excite the interest of&#13;
author of “ Heroes and Heroines of Russia.” the young in ferns, and to convey to the young mind&#13;
It consists of a series of sensational and deeply something more than is usually taught of their&#13;
instructive stories and studies from Russian life, growth. The book contains 180 illustrations of&#13;
all throwing a “flashlight” on some purely fern subjects.&#13;
Russian, or general, social, political or religious “The Bourgeois’ Queen of Paris," a novel by Janet&#13;
problem. Perhaps the most unique of the Macdonald Clark, will be published in January by&#13;
stories are “The Wonderful Buddhist Monk and Messrs. Greening &amp; Co. It deals with the adven-&#13;
Ways to “Shadai-Adonai,'” and the story illus- tures of an Englishman in France in the days of&#13;
trating the psychology of a Russian aristocrat Henri deux and Catherine de Medici, the two&#13;
turning revolutionary. Some of the stories have heroines being a daughter of Benvenuto Cellini&#13;
already appeared in magazines, the Strand, Wide and the “ Bourgeois' Queen," a beautiful woman&#13;
World, and others, but all have been revised. The of the people risen to power and place.&#13;
name of the publishers will be announced shortly. “Douglas Jerrold and Punch," by Mr. Walter&#13;
“ Dulall, the Forest Guard,” by C. E. Gouldsbury, Jerrold, was published last month by Messrs.&#13;
formerly of the Indian police (Gibbings &amp; Co.), is a Macmillan &amp; Co. The book is of considerable&#13;
story of life in the jungle, which is sure to appeal literary interest, for Douglas Jerrold was one of the&#13;
to Englishmen with sporting instincts. Mr. most constant and voluminous of the original band&#13;
Gouldsbury knows the forest life of India well, of contributors to Punch, and was the first writer&#13;
and his descriptive powers are considerable ; nor whose personality was popularly identified with the&#13;
does be ignore practical detail, which is almost a paper ; he was also the main political force-&#13;
sine qua non nowadays in books of this sort. The « Prime Minister in Punch's Cabinet”-in those&#13;
principal character is old Dulall, the forest guard, early years when the Fleet Street jester was wont&#13;
whose loyalty to his friends is sure to make him a to hit out with the vigorous indignation of youth.&#13;
general favourite.&#13;
“Mrs. Caudle's Curtain Lectures”—one of the&#13;
The Cambridge University Press have published most successful works of nineteenth-century humour,&#13;
the Rev. Dr. Edwin A. Abbott's new work, “ The and “The Story of a Feather," Douglas Jerrold's&#13;
Son of Man ; or, Contributions to the Study of the most popular novel, appeared serially in Punch ;&#13;
Thoughts of Jesus." The aim of the author has but he was the author of much else in the journal&#13;
been to help Christians to study the thoughts of scarcely less notable. In this new book Mr. Walter&#13;
Jesus as a whole, so far as they may be inferred Jerrold tells the story of his grandfather's con-&#13;
from classifications and comparisons of passages in nection with Punch and the Punch men, prefacing&#13;
the four Gospels, illustrated from Hebrew and it with some account of Douglas Jerrold's earlier&#13;
Jewish literature.&#13;
Punch in London-short-lived prototype of the&#13;
" Black Humphrey” is a story of the old Punch-giving some particulars of his hitherto&#13;
Cornish coaching and kidnapping days, by James unidentified contributions, and reproducing some&#13;
Cassidy, of which the Walter Scott Publishing striking fresh material, including “ Our Honey-&#13;
Co. are the publishers.&#13;
moon."&#13;
Mrs. Annie 0. Tibbits, author of “ Marquess The Rev. S. Claude Tickell has invented a new&#13;
Splendid,” is preparing another novel for publica- system of shorthand differing from the modern&#13;
tion in the spring. Messrs. Leng, of Sheffield, systems of phonography. Mr. Tickell's system is&#13;
have lately brought out her “ Hunted Down" in a called the “Reverse of Clock” shorthand, and is&#13;
cheap edition.&#13;
published at 1s. net. Copies can be obtained direct&#13;
Messrs. S. W. Partridge &amp; Co. have published a from the author, c/o D. Wilton &amp; Co., 11, Cursitor&#13;
new novel by A. M. Irvine, entitled * The Pro- Street, W.C.&#13;
bationer," in which the author paints in a realistic “The God of Pleasure" is the title of Derek&#13;
and humorous style the first month of a pro Vane's new story, the serial rights of which have&#13;
bationer's life in a hospital. This book would been bought by the proprietors of the Sheffield&#13;
especially appeal to anyone who has undertaken Weekly Telegraph. Her last novel, “Lady&#13;
the arduous work of a trained nurse, and to those Vereker,” has just finished in the Daily Telegraph&#13;
contemplating the life. The volume is illustrated and will be published in volume form next year.&#13;
by six pictures by P. B. Hickling.&#13;
We have just received from Messrs. Routledge&#13;
&#13;
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## p. 64 (#96) ##############################################&#13;
&#13;
64&#13;
THE AUTHOR.&#13;
and Sons a compact rhyming dictionary published in Gertie Millar, Mademoiselle Caumont, Mr. Joseph&#13;
their Reference Library. The work is by Mr. P. Coyne and Mr. C. Hayden Coffin.&#13;
R. Bennett. A book of this nature is, exceed. We have received a little play entitled “Ready,"&#13;
ingly useful to a certain class of poetaster. by the Hon. M. A. Pakington. It is in two acts,&#13;
Other rhyming dictionaries have preceded it; and is suitable for performance by boys. Messrs.&#13;
but they have been, for the most part, large John Heywood are the publishers.&#13;
in size and cumbersome. This volume can easily Mr. Cecil Raleigh's play, “Behind the Veil,"&#13;
be placed in the pocket, and is published at was produced at the Coronet early in November.&#13;
the very moderate price of 18. Budding poets The theme of the play is the conversion of a fast&#13;
could not be recommended to a more useful young Parisian to better things. The cast&#13;
production.&#13;
includes Mr. Philip Desborough, Miss Viva Birkett,&#13;
“ On the Middle Slopes” is a short story by and Miss Mildred Cottell.&#13;
Mr. Frederick Niven, which appears in the “The Unwritten Law," Mr. Laurence Irving's&#13;
Christmas number of T. Pi's Weekly. The same dramatisation of the Russian novel “ Crime and&#13;
issue contains an article by Mr. G. K. Chesterton Punishment,” was produced at the Garrick Theatre&#13;
entitled “ What's Right With the World,” as well on November 14. The play deals with the&#13;
as stories and articles by Stephen Reynolds and murder of a man who has been cruel to a girl, by&#13;
other writers.&#13;
a young student, and the confession of guilt&#13;
Messrs. Methuen &amp; Co. hope to publish next extorted from the murderer by the examining&#13;
year the edition of Madame du Deffand's letters to magistrate. In the cast are Miss Mabel Hackney&#13;
Horace Walpole, upon which the late Mrs. Paget and Mr. Laurence Irving.&#13;
Toynbee had been engaged for some years, and Mrs. Havelock Ellis has sold the whole rights of&#13;
which was left nearly completed at her death. ber play, “ The Subjection of Kezia," to Miss Mar-&#13;
The work, which has been prepared for the press bury's dramatic agency, of 10, Leicester Square, W.C.&#13;
by Dr. Paget Toynbee, will contain nearly 500 Mr. R. C. Carton's play, “ Eccentric Lord&#13;
unpublished letters of Madame du Deffand, besides Comberdene," was produced on November 19, at&#13;
eleven recently-discovered letters of Horace Walpole the St. James' Theatre. In the cast of the play,&#13;
to the Marquise.&#13;
which is described as a novelette in three chapters,&#13;
Messrs. Wells, Gardner &amp; Co's. announcements are Miss Compton and Mr. George Alexander.&#13;
include books by Mr. John Masefield and Mr. E. V. Two matiriées were given at the Haymarket&#13;
Lucas. Mr. Masefield's book is called “A Book Theatre last month in aid of the funds of the&#13;
of Discoveries," and in it the author gives an Shakespeare Memorial Theatre. The bill included&#13;
account of two boys who “discovered” a small plays by George Paston, J. M. Barrie, and Bernard&#13;
piece of England, and tells how they learnt to use Shaw, encitled respectively, “ The Kiss," “ A Slice&#13;
their eyes and their minds, and to read, in their of Life,” and “ The Dark Lady of the Sonnets."&#13;
discoveries, the story of the past as well as the “ The Home Coming," a play in one act by Miss&#13;
present.&#13;
Cicely Hamilton, was produced for the first time,&#13;
“ The Slowcoach,” by Mr. E. V. Lucas, is a story for the benefit of the Women Writers' Suffrage&#13;
dealing with a caravan journey through a beautiful League and the Actresses’ Franchise League, last&#13;
part of England, including Oxford and Stratford- month. On the same occasion Miss Hamilton's&#13;
on-Avon.&#13;
“ Pageant of Great Women ” was revived.&#13;
Mr. Henry Arthur Jones' comedy, “The Liars," “ Just to Get Married,” by Miss Hamilton, was&#13;
was revived at the Criterion on October 27. In also produced at the Little Theatre during&#13;
the cast was Sir Charles Wyndham, Miss Mary November.&#13;
Moore, Mr. Alfred Bishop and Mr. Sam Sothern.&#13;
Mr. Jones' one-act play, treating with the subject of&#13;
PARIS NOTES.&#13;
military service, was also produced last month at&#13;
the Alhambra.&#13;
Mr. Laurence Housman's play, “Pains and “T'IMPÉRATRICE JOSÉPHINE” is the&#13;
Penalties," having been rejected by the Censor, D title of a volume by Baron de Méneval,&#13;
Mr. Housman read parts of it at Bechstein Hall&#13;
containing many interesting details&#13;
last month, in aid of the funds of the Men's about Napoleon's first wife. The author explains&#13;
League for Women's Suffrage.&#13;
in his preface that, thanks to a quantity of&#13;
“The Quaker Girl," a musical play in three acts, letters which have come into his possession,&#13;
by James T. Tanner, was produced at the Adelphi he is able to give much hitherto unpublished&#13;
Theatre on November 5. The lyrics of the play information. Many of these letters are from&#13;
are by Adrian Ross and Percy Greenbank, and the Queen Hortense to Abbé Bertrand, and forty-&#13;
music by Lionel Monckton. In the cast are Miss seven of them are from her son, destined to.&#13;
&#13;
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## p. 65 (#97) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
65&#13;
become Napoleon III., to Abbé Bertrand. In this large family of children life is one long struggle&#13;
volume the author endeavours to show us how One of his daughters possesses a fine voice, and&#13;
much Joséphine has been slandered. He gives us becomes an operatic singer. She is burnt in a fire at&#13;
a brief outline of her life, and an account of her first Brooklyn, and her father inherits her money. His&#13;
meeting with Napoleon. By the extracts from his one idea is to refuse it, but he is over-persuaded&#13;
letters to her during his absence, we see how and accepts the legacy. There is a subtle analysis&#13;
devotedly attached he was to her. The first eleven of character and a delicate irony throughout the&#13;
chapters take us up to the time when the divorce whole story. The modern spirit is very evident,&#13;
was first discussed. In a later chapter we have an The worship of the golden calf fills the church&#13;
account of the divorce ceremony, and of the part which had been deserted. The poor pastor&#13;
ing between Napoleon and Joséphine. A detailed realises all this, and his death occurs in the pulpit,&#13;
account is also given of Joséphine's retreat to La There is very little story, but the whole sketch is&#13;
Malmaison, and of the Czar's visit to her there. The extremely suggestive, and leaves much to be&#13;
author concludes by affirming that Joséphine was thought out by the reader.&#13;
Napoleon's good genius, and that she will always "Les Devoilées du Caucase," by the Duchesse&#13;
be known as “la bonne Impératrice,” thanks to her de Rohan, is not only an account of the author's&#13;
kindly nature, ber affability, and gentleness. travels in the Caucasus, but an attempt to give at&#13;
It would be difficult indeed for any writer to the same time an idea of the mentality of its&#13;
study more thoroughly the origin of fairy stories inhabitants. In many instances the author gives&#13;
than Madame Lucie Félix-Faure Goyau has done us admirable translations of some of the poetry or&#13;
in her exquisite book, entitled “ La Vie et la Mort folklore of the places she visits. The photographs&#13;
des Fées.” It is very evident that the author has taken during the voyage help to make the volume&#13;
spared no pains in her attempt to go to the very root still more interesting. There are no tedious guide-&#13;
of her subject, and the writing of such a book must book descriptions, and the reader has a very clear&#13;
mean some years of patient work and research. In vision of the seventeen or eighteen places visited,&#13;
the admirable prologue the author gives us a from Berlin to Constantinople.&#13;
subtle definition of fairy stories. She then intro “La Mort du Roi,” by Pierre de Vaissière, is&#13;
duces us to the fairies of the Breton cycle, to an account of the last hours of Louis XVI. We&#13;
Merlin, and to the Round Table. We then go on are told almost minute by minute all that took&#13;
to the times of heroes and fairies, to Oberon, to place on the tragic day when the king was&#13;
the fairy stories in the poems of Marie de France, conducted to the guillotine. The author of this&#13;
to the legend of the Swans, to Brunhild, to book has discovered a number of fresh documents&#13;
Mélusine, and to the last fairies of the Middle which have enabled him to give details which have&#13;
Ages. We are then introduced into the fairy hitherto never been published.&#13;
garden of the Italian Renaissance, to Spenser's “ La Robe de laine,” by M. Henry Bordeaux,&#13;
** Faërie Queen,” to Shakespeare's fairies, and to has for its subject very much the same theme as&#13;
the Neapolitan fairyland. After this we pass on to the “Princess of Thule.” Raymond Cernay, a&#13;
the French fairies, and then to the Venetian fairy- wealthy young man, marries his steward's daughter&#13;
land, to German fairy stories, and to the fairies of and transplants her with all her Puritan ideas to&#13;
English poetry from Shelley to Tennyson. We Paris. Life there is very hard for her, as everything&#13;
then return to France, and to George Sand's is a fresh surprise. The book is a fine psychological&#13;
fairies, and after these are introduced, to the folk study. It is not until after her death that her&#13;
lore of more northern countries, to Andersen, and husband realises the martyrdom she has endured,&#13;
then to Wagner. In the epilogue the author thanks to her rigid notions and the difference of&#13;
quotes Chesterton, speaks of “ Alice in Wonder- education between herself and her husband.&#13;
land," of Barrie's “ Peter Pan," of W. B. Yeats, of The death of M. Robert Gangnat, general agent&#13;
Maeterlinck, and in conclusion affirms that nothing of the Société des Auteurs, is an immense loss to&#13;
is great except that " which comes from the soul the society. M. Gangnat had been president of&#13;
and reaches the soul.” The whole book is charm the Cercle des Escholiers, secretary to M. Pichon,&#13;
ing, and helps to make us appreciate more than and attaché to the Cabinet of M. Léon Bourgeois.&#13;
ever our early friends the fairies&#13;
Later on he was dramatic critic to the Matin, and&#13;
“Le Pasteur pauvre,” by Edouard Rod, is on the death of M. Roger, in 1902, he was elected&#13;
another of the psychological studies in which this agent-general to the Société des Auteurs. He was&#13;
author was a past master. This time the prin- most active and energetic in his work there, and it&#13;
cipal personage is a Protestant pastor, extremely is to his efforts that French anthors in Canada&#13;
conscientious and consequently poor. As he is a can claim a certain amount of money for their&#13;
temperance advocate, he considers it his duty to works there.&#13;
uproot the vineyard which is his legacy. With a The Revue hebdomadaire publishes a remarkable&#13;
&#13;
&#13;
## p. 66 (#98) ##############################################&#13;
&#13;
66&#13;
THE AUTHOR.&#13;
article by Dr. Grasset, of the Montpellier Univer The claim for penalties was made under the&#13;
sity, entitled “La Crise Médico-sociale.” It is Fine Arts Copyright Act, 1862, which created&#13;
taken from a volume to be published shortly, copyright in paintings, drawings, and photographs.&#13;
“Le milieu médical et la crise médico-sociale." Under the provisions of the Act the defendant&#13;
In later numbers of the same Revue we have a most company, as proprietors of the copyright in the&#13;
interesting study by the Vicomte de Reiset of drawing, had the exclusive right of copying,&#13;
Catherine Worlée, Princesse de Talleyrand ; and engraving, and reproducing the picture and its&#13;
an article by Pierre Baudin, “ Impressions design by any means and in any size. It is an&#13;
d'Argentine.”&#13;
offence, however, under the Act for any one to&#13;
At the Comédie Française “ Les Marionnettes," knowingly publish a copy of the work with any&#13;
by Pierre Wolf, is being given, and at the Théâtre alteration, if it is represented to be the unaltered&#13;
Réjane “Le Mariage de Mlle. Beulemans” still work of the artist.&#13;
fills the house. “L'Aventurier" is a success at Mr. Frank Dixie, the Royal Academician, and&#13;
the Porte Saint-Martin. At the Théâtre Antoine Mr. E. T. Reed, the well-known contributor to&#13;
“ César Birotteau " is being given.&#13;
Punch, gave evidence as to the alterations appear-&#13;
ALYS HALLARD. ing in the poster as compared with the original&#13;
drawing by Mr. Garth Jones. It was stated that&#13;
* L'Impératrice Joséphine” (Calmann Levy).&#13;
“ La Vie et la Mort des Fées” (Perrin).&#13;
the colours and the drawing would be damaging to&#13;
“ Le Pasteur pauvre” (Perrin).&#13;
the artist's reputation, but it was pointed out by&#13;
“ La Mort du Roi ” (Perrin).&#13;
the Court that there was no claim for damages, but&#13;
only for the penalties recoverable under the Act in&#13;
respect of the alleged offence.&#13;
UNAUTHORISED ALTERATION OF A&#13;
On behalf of the defendant company it was&#13;
contended that, being proprietors of the copyright,&#13;
PICTURE.&#13;
they were entitled to reproduce the picture in an&#13;
enlarged form ; that offences under the statute&#13;
CARLTON ILLUSTRATORS AND JONES v. COLEMAN&#13;
were acts which were done fraudulently, and fraud&#13;
was not alleged ; and that the alleged offence being&#13;
&amp; Co.&#13;
of a criminal nature for which a conviction could&#13;
TN this action, which was of a novel character, be obtained, and the penalties recovered by proceed-&#13;
1 the plaintiffs sued the defendant company for ings in a police court under the express provisions&#13;
penalties in respect of the publication of a of the Act, an action was not the proper method&#13;
large coloured poster, which purported to be a for recovery of the penalties.&#13;
reproduction of a drawing, made by Mr. Garth Mr. Justice Channell, in giving judgment, said&#13;
Jones, depicting the classic figure of a woman, and that there had been no decision in point during the&#13;
entitled “Caution.”&#13;
forty-eight years in which the Act had been in&#13;
Carlton Illustrators is a firm carrying on the force. The firm of Carlton Illustrators had shown&#13;
business of making and selling artistic illustrations no cause of action, as the artist was the person&#13;
for the use of advertisers and others, and Mr. Garth aggrieved, who was entitled to recover the penalties.&#13;
Jones, the artist, is associated with them in this On the question of fraud, some of the offences in&#13;
work. The drawing in question was made by Mr. the statute related to fraudulent acts, but the&#13;
Garth Jones for advertisement purposes, and was offence in question was “knowingly" doing what&#13;
sold to the defendant company, who are the manu- was expressly prohibited. There was a breach of&#13;
facturers of “ Wincarnis." The effect of the trans- the provisions of the statute if anybody represented&#13;
action was that the copyright in the drawing passed as the work of a particular artist something which&#13;
to the defendant company, who required it for an he knew had been altered so as not to be that&#13;
advertisement, but there was no agreement as to artist's work. He thought it was apparent to any.&#13;
the mode in which the picture should be repro- body that there had been an alteration in the&#13;
duced. The poster complained of was an enlarged picture, because no one could look at the two things&#13;
copy of the drawing, but it was alleged that the without seeing in the defendant's version the&#13;
drawing had been altered both by colouring and in expression on the face of the woman was entirely&#13;
line, the expression of the woman's face being different from that in the original drawing.&#13;
entirely changed. The name of Mr. Garth Jones “ Alteration ” might be a word of ambiguous&#13;
appeared upon the poster, and the defendant com- character, and it was possible that some alterations&#13;
pany issued a circular in which Mr. Garth Jones might not come within the statute. Upon the&#13;
was mentioned as the artist. The defendant com facts of the present case, colour being a very&#13;
pany had offered to publish the poster without the important element in the matter, he had come to&#13;
artist's name, but the offer was not accepted. the conclusion that there was an alteration which&#13;
&#13;
&#13;
## p. 67 (#99) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
87&#13;
was prohibited by the Act. He found that the&#13;
defendant company had published the poster as&#13;
Mr. Garth Jones' picture knowing that it had&#13;
been altered. The plaintiff, Mr. Garth Jones, was&#13;
entitled to an injunction, and there would be&#13;
judgment for one penalty of £10.&#13;
HAROLD HARDY.&#13;
PUBLISHERS AND MINOR RIGHTS.&#13;
together amount to something like 60 per cent.&#13;
Even if the publisher's terms are cut down to 10&#13;
per cent., still the agent's charges will have to&#13;
be reckoned and another 10 per cent. added. No&#13;
author should sign a contract containing a clause&#13;
of this kind unless he is dealing direct with the&#13;
publisher, and then only in the modified form&#13;
suggested. If he is dealing with a publisher&#13;
through an agent, he should in no circumstances&#13;
sanction this double delegation. If an agent&#13;
should recommend such a clause, then the only&#13;
fair course would be for the agent to forego his&#13;
fees : first, because he is advising his principal&#13;
badly, and secondly, because he could not see his&#13;
principal paying double fees when one agency fee&#13;
should suffice. An author should watch carefully&#13;
any agent who leads him into this entanglement.&#13;
The agent exists for the placing of the author's&#13;
literary worlag middleman hnt he does not&#13;
exist to place the author's work into the&#13;
hands of another middleman whom he asks&#13;
to do the work for which he was himself&#13;
appointed. Cases have occurred in which the&#13;
publisher, owing to the fact that he is not a&#13;
literary agent and has not the facilities for placing&#13;
these minor rights when he has obtained control of&#13;
them, has appointed an agent to place them for&#13;
him. He may even be employing the very agent&#13;
who, in the first instance, brought the work to&#13;
him. The result would be three agents all doing&#13;
the same work and all claiming a fee. When the&#13;
position is carried to this point its absurdity should&#13;
be clear to the dullest intellect.&#13;
"That the publisher shall have the sole right to sell or&#13;
assign the American, Colonial, Continental, foreign, trans-&#13;
lation, serial and dramatic rights in the above work, he&#13;
shall pay all costs of negotiating such sales and distributing&#13;
copies of the work for such purposes, and the publisher&#13;
shall pay to the author 50 per cent. of the receipts from&#13;
the sale of the same, such amounts to be payable at the&#13;
same time as the royalties provided for in Clause 5&#13;
hereof."&#13;
M HE clause printed above is a clause which&#13;
I publishers endeavour to squeeze into their&#13;
contracts with authors, and is a clause which-&#13;
of but little benefit to the publisher-is very unsatis-&#13;
factory from the author's point of view. The author&#13;
should never give away the absolute control of these&#13;
rights to a publisher. The publisher is not an&#13;
agent, except for the publication of the work in&#13;
book form. He has not the facilities for placing&#13;
these rights, but if he does place them his&#13;
remuneration should be the usual agency remunera-&#13;
tion of 10 per cent. The clause, however, might be&#13;
altered on the following lines in order to meet the&#13;
difficulty : “If through the agency of the&#13;
publisher any of the rights mentioned are sold,&#13;
with the author's approval, and subject to a&#13;
contract signed by the author, then, and in that case,&#13;
the publisher shall be allowed the usual agency&#13;
charge of 10 per cent.” An arrangement on this&#13;
basis could be made when the author was dealing&#13;
direct with the publisher, but if the author employs&#13;
an agent then no such clause should stand, for the&#13;
agent should see that the publisher has no control&#13;
of the work beyond the publication in book form,&#13;
and should retain for the author those rights which&#13;
ich&#13;
it is his, the agent's, duty, and his alone, to place.&#13;
As a matter of fact, however, the agent not infre-&#13;
quently advises the author to sign an agreement in&#13;
which such a clause exists, pressing the author to&#13;
this conclusion on the ground that the publisher&#13;
will not take up the book unless he has control of&#13;
all the rights. The result to the author is that on&#13;
the sale of these rights he has to pay the publisher&#13;
50 per cent. as a general rule, and the agent 10&#13;
per cent., or, in other words, he has to pay two&#13;
agents for placing his work, whose charges added&#13;
MAGAZINE CONTENTS.&#13;
BOOKMAN.&#13;
Charles Dickens and Reform. By B. W. Matz.&#13;
CONTEMPORARY.&#13;
Maeterlinck's Methods of Life and Work. By Madame&#13;
Maeterling&#13;
The Pre-Raphaelite Brotherhood. (Reprinted from the&#13;
Contemporary Reriew of April, 1886.) By W. Holman&#13;
Hunt.&#13;
Hy&#13;
Imagination and the Ideal. By E. M. Caillard.&#13;
Copyright in Architecture. By Charles Tennyson.&#13;
ENGLISH REVIEW,&#13;
Paris Nights. By Arnold Bennett.&#13;
La Musique française depuis Berlioz. Camille Mauclair&#13;
Alfred de Musset. By Prof. M. A. Gerothwohl, Litt.D.&#13;
FORTNIGHTLY.&#13;
A King's Proctor for Plays. By Laurence Housman.&#13;
"An Inspired Little Creature," and the Poet Wordsworth.&#13;
By Rosaline Masson.&#13;
The Passing of Pierrot. By Dion Calthrop.&#13;
French Life and the French Stage.&#13;
&#13;
&#13;
## p. 68 (#100) #############################################&#13;
&#13;
68&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
1. A VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus. .&#13;
6. No contract should be entered into with a literary&#13;
Lct should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements,&#13;
(3.) Not to allow a special charge for " office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(6.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty mears to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2. Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
beans.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
STERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 69 (#101) #############################################&#13;
&#13;
THE AUTHOR.&#13;
69&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
D RAMATIC authors should seek the advice of the&#13;
U Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fecs). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that be runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
U assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
M88, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
tee 18 one guinea.&#13;
. REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 2s. 68. per act,&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 70 (#102) #############################################&#13;
&#13;
70&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
This paragraph hardly needs any comment. The&#13;
S.P.C.K. is offering to purchase the whole copy-&#13;
right of a work at 68. per 1,000 words.&#13;
DRAMATIC CENSORSHIP.&#13;
Many members of the Society may have for-&#13;
We are requested by the Lord Chamberlain to gotten Sir Walter Besant's pamphlet written in&#13;
publish the following list of gentlemen who have&#13;
the early days of the society's incorporation,&#13;
consented to serve on the Advisory Board dealing&#13;
entitled “The Literary Handmaiden of the&#13;
with the Censorship of Plays.&#13;
Church.” Perhaps, in view of the S.P.C.K.'s&#13;
President: The Earl Spencer, Lord Chamberlain circular, it would be as well to recall this pamphlet&#13;
(ex-officio).&#13;
to the notice of the members.&#13;
Members : The Right Hon. Sir Edward Carson,&#13;
K.C., M.P., Sir Squire Bancroft, Sir John Hare, DICTIONARY OF THE WAVERLEY Novels.*&#13;
Prof. Walter Raleigh, S. O. Buckmaster, Esq., K.C.,&#13;
Col. Sir Douglas Dawson, K.C.V.O., C.M.G., Lord&#13;
A BOOK of exceeding interest to students of&#13;
Chamberlain's Department (ex-officio).&#13;
Walter Scott has been issued by Messrs. Routledge&#13;
Whether such an Advisory Board will be&#13;
&amp; Co. and by Messrs. E. P. Dutton &amp; Co., New&#13;
able to allay the clamour for reformation made&#13;
York, entitled “ A Dictionary of the Characters in&#13;
by the Dramatic Committee of the society and&#13;
the Waverley Novels of Sir Walter Scott,” com-&#13;
others it is impossible to say at present, but,&#13;
piled by M. F. A. Husband, B.A. It is, perhaps,&#13;
whatever the result, one thing is certain, that the&#13;
impossible that a book of this kind should have a&#13;
position of the members of the Board is not a&#13;
large circulation : first, no doubt, because Walter&#13;
position to be envied, and we must consider it&#13;
Scott is not so popular a novelist as he was in&#13;
exceedingly self-sacrificing of them to have come&#13;
the Victorian period ; and secondly, because those&#13;
forward and undertaken such a grave responsibility.&#13;
who do read novels read rather for pleasure than&#13;
as students ; but books of reference well compiled&#13;
can seldom fail to be interesting to those who use&#13;
THE ACADEMIC COMMITTEE.&#13;
them rightly, and in this case there is no doubt&#13;
that much careful labour has been spent.&#13;
List of original members :- Alfred Austin,&#13;
The author in his introductory note states that&#13;
Laurence Binyon, Andrew Cecil Bradley, Robert the aim of the book is that of a dictionary and not&#13;
Bridges, Samuel Henry Butcher, Joseph Conrad, that of an encyclopædia. He points out that in&#13;
William John Courthope, Austin Dobson, James Scott's novels there are no less than 2,836&#13;
George Frazer, Edmund Gosse, Richard Burdon characters. This is, indeed, a very large number,&#13;
Haldane. Thomas Hardy. Henry James. William and without such a book as this it would have&#13;
Paton Ker, Andrew Lang, Sir Alfred Comyn Lyall, been impossible to grasp the fertility and wide&#13;
John William Mackail. The Viscount Norley of range of the stories of the “ Wizard of the&#13;
Blackburn (president), George Gilbert Murray, North."&#13;
Henry Newbolt, Edward Henry Pember (perpetual The price of the book is 8s. 6d. net.&#13;
secretary), Sir Arthur Wing Pinero, George Walter&#13;
We have also received from the same publishers&#13;
Prothero, Walter Raleigh, Arthur Woollgar Verrall,&#13;
a similar dictionary of the characters of Thackeray, t.&#13;
William Butler Yeats.&#13;
equally serviceable to students of the masters of&#13;
English literature.&#13;
THE SOCIETY FOR PROMOTING CHRISTIAN&#13;
“ WHAT EDITORS WANT,” AND “HOW TO WRITE&#13;
KNOWLEDGE.&#13;
FOR THE PRESS.”&#13;
The Society for Promoting Christian Know-&#13;
We have had two small books sent us which&#13;
ledge, Northumberland Avenue, W.C., issues contain useful information for many members of&#13;
a printed circular to those authors whose MSS. the society, who work as free-lance journalists or&#13;
it receives. The printed circular is signed by free-lance writers of fiction. They are entitled,&#13;
Edmund McClure (secretary). The attention of “What Editors Want" and “How to Write for the&#13;
members of the society is called to the last Press," and the price is 1s. net, in paper covers.&#13;
paragraph :-&#13;
“How to Write for the Press” is almost purely&#13;
“If a MS. is accepted, payment is made for the copy.&#13;
de for the copy.&#13;
100 The use 01 Jourt&#13;
for the use of journalists, and shows them, by&#13;
right. The scale of payment varies according to the&#13;
importance of the book, or to the price at which it is * “ Dictionary of the Waverley Novels." By M. F. A.&#13;
published. For ordinary tales intended for Parochial Husband, B.A. Routledge. 8s. 6d. net.&#13;
Libraries the scale is from £3 38. per 10,000 words. If it + “A Thackeray Dictionary." By Isadore Gilbert Mudge&#13;
is declined, it is returned post free."&#13;
and M. Earl Sears. Routledge. 88. 6d. net.&#13;
&#13;
&#13;
## p. 71 (#103) #############################################&#13;
&#13;
THE AUTHOR.&#13;
71&#13;
naming the kind of subjects with which the papers which he lived solitary with his wife or wives, and&#13;
deal, how to be beforehand in the matter of family or families, and betook himself to the&#13;
articles for the papers, and explains how to deal diked enclosures ostensibly for protecting himself&#13;
with these subjects in journalistic fashion. The against beasts, but really for the purpose of more&#13;
whole success of a free-lance journalist depends easily insulting his neighbours. (Laughter.) To&#13;
upon his initiative and originality.&#13;
anybody who interjected the criticism of such&#13;
The second book is both for the journalist and historical details as the invention of printing and&#13;
the writer of fiction, and contains a great deal of the successive invention of publishers, he replied&#13;
useful information from the editors of magazines that it was perfectly true that unless printing had&#13;
on the kind of article or kind of story they want been invented publishers would not have been&#13;
for their papers.&#13;
invented. Did they think that an author having&#13;
We miss, however, a cross-index, which to us written his immortal work would undertake to&#13;
would seem to be indispensable for a book of this disseminate it throughout the length and breadth&#13;
kind. For instance, if a person desired to know of Great Britain ; they knew that when an author&#13;
what papers took poems he would have to read had finished his second revision of a book nothing&#13;
through the whole book, whereas if there was a would induce him to repeat a word of it. (Laughter.)&#13;
cross-index at the end mentioning “ poems," and If there had been no publishers, did they think they&#13;
referring to the various magazines, an enormous would have resorted to the rhapsodists? The&#13;
amount of trouble would be saved, and it would bistory of the author and the publisher fell into&#13;
help an author who was struggling for a market. two parts. In the first part, the first, having no&#13;
To save trouble, as a rule, is to make money. money and having written a book, employed the&#13;
publisher ; in the second part, the publisher, having&#13;
money and nowits employed the author. (Laughter.)&#13;
What would have been the position of the&#13;
rhapsodists? They might imagine the complication&#13;
THE SOCIETY'S ANNIVERSARY&#13;
between the author and the rhapsodists in the&#13;
earlier stages of their encounter. Imagine what&#13;
DINNER&#13;
the rhapsodists would have charged for reciting in&#13;
England, Scotland, the Colonies and the United&#13;
States, one of the works of Mr. William de Morgan&#13;
M UE Twenty-sixth Anniversary Dinner of the or Mr. Arnold Bennett. Nearly as bad was to&#13;
Society of Authors was held in the Criterion imagine two writers employing the same rhapso-&#13;
Restaurant on Thursday evening.&#13;
dists, for in that case the rhapsodists might to take&#13;
The guests were received by Mr. Maurice&#13;
one example-sandwich two or three of his lumber-&#13;
Hewlett, and about two hundred sat down to ing pages into Mr. Anthony Hope's sparkling&#13;
dinner under his presidency. The vice-chairmen dialogue. (Laughter.)&#13;
were Sir Alfred Bateman, K.C.M.G., Mr. Charles&#13;
Dealing with the work of the society, he asked&#13;
Garvice, Mr. E. Phillips Oppenheim, Mr. Charles&#13;
whether they were making themselves unnecessary&#13;
L. Freeston, Mr. W. W. Jacobs, Mr. S. S. Sprigge as a corporation. That was their only justification,&#13;
and Mr. G. Herbert Thring.&#13;
and they were on the way to do it. Relations&#13;
In few and well-chosen words the chairman gave between themselves and the other industries which&#13;
the toasts of “ The King” and “ The Queen and were affected by their art had certainly changed.&#13;
Royal Family."&#13;
Even in his short experience as chairman of the&#13;
It now fell to him, the chairman said, to enact society, authors and publishers and booksellers had&#13;
an important ceremony, which was to propose and sat at the same board of green cloth and discussed&#13;
see that the company drank the health of the matters of common interest. They had with them&#13;
Incorporated Society of Authors—a society to a publisher who looked happy-Mr. Heinemann, an&#13;
which many of them had reason to congratulate exceptional publisher, who had maintained single-&#13;
themselves they belonged, a society to which all handed a struggle against a common enemy he&#13;
authors ought to belong and to which two thousand would not name. (Applause.)&#13;
of them did belong. It had fulfilled the hopes of He could not forbear calling attention to the&#13;
its part founder, Sir Walter Besant. He said part fact that the guest of the evening in a great many&#13;
founder, for he was about to suggest an earlier senses was—he did not know whether to say the&#13;
origin-an origin so old that it stretched back into veteran or the infant phenomenon of letters, Mr&#13;
the misty vestibules of the House of Time. The William de Morgan. (Applause.)&#13;
Society of Authors, and all societies he had ever H e called upon the company to drink to the&#13;
heard of, had been founded in the nick of time prosperity of the Incorporated Society of Authors.&#13;
when neolithic man forsook the cave dwelling in Sir Alfred Bateman proposed the toast of the&#13;
&#13;
&#13;
## p. 72 (#104) #############################################&#13;
&#13;
72&#13;
THE AUTHOR.&#13;
guests. After mentioning that Mr. de Morgan had of literature, we shall have to do as the poets did&#13;
won fame in other fields of art before turning his in that country where the public refused to buy&#13;
attention to fiction, he added that another of their sonnets that were quoted at over one shilling.&#13;
guests, Mr. E. H. Pember, K.C., had not only pro- These poets were penny-a-liners, and ordinary&#13;
duced some excellent verse but had been a guide, fourteen-line sonnets were one-and-twopence. Of&#13;
philosopher, and friend in regard to literature. course the poets gave way and wrote only twelve-&#13;
(Applause.)&#13;
line sonnets. The consequence was that when nert&#13;
Mr. William de Morgan, rising on the right hand the type-setters struck for a rise of wages, it was&#13;
of the chairman, said: “The words of Mercury pointed out that the cost of printing was all the&#13;
are harsh after the songs of Apollo.” My excuse fault of the authors, who scattered the type about&#13;
for such a trite quotation is that I wish to vary it so. A compromise was come to, the type-setters&#13;
slightly in the present case. If the words of Mer- consenting to resume work if they might put all&#13;
cury are not, this time, harsh after the songs of the A's in the book in one place, all the B's in&#13;
Apollo, it is not for want of inexperience of public another, and so on. Authors were no longer&#13;
speaking on the part of Mercury-videlicet, myself. wanted. However, I am on the best of terms with&#13;
In fact, I have up to now devoted myself exclusively Mudie's, so far as I know. Referring to them&#13;
to the cultivation of private silence, not without reminds me that we are very old acquaintances, as&#13;
success. Broadly speaking, if one of the patriarchs, I was first introduced sixty-five years ago to a depot&#13;
Methuselah, or suppose we say Lamech-he was in Southampton Row, Russell Square, being then&#13;
nearer my own age—had found himself, at the age very young indeed, and was told that the gentle-&#13;
of 710, or thereabouts, responding to the health of man who handed a tri-volume to my mother over&#13;
“ The Guests” at a public dinner, he would probably the counter was “ Mr. Mudie himself"! How sur-&#13;
have done as the little boy did in the story of prised he would have been then to forsee my sequel !&#13;
“ Helen's Babies.” You remember he had only to Let me conclude with my most grateful thanks&#13;
say “ B-double 0—K Book," and he succeeded in for the honour that has been done me. I hope I&#13;
saying instead, “ D-bubble 0–K.” Probably the have not diminished the gratitude of my fellow&#13;
patriarch would have done something of the sort, guests, on whose behalf I have undertaken to&#13;
for he had not even the advantage I had of speak, by so much irrelevant rambling. I should&#13;
beginning with a quotation from Shakespeare, who ramble still more, though less irrelevantly, if I&#13;
was not an incorporated author in those days. were to try to express to the full my sense of the&#13;
Reference to books and authors reminds me of the generous hospitality, literal and metaphorical, that&#13;
circulating libraries last year, and of the share a has been extended to a belated wanderer in the&#13;
book of my own had in their rejection of books in fields of literature.&#13;
two volumes. What I have to say is not criticism Mr. Pember said he found himself the temporary&#13;
of the attitude of the libraries, but to disclaim any sort representative of another literary society with&#13;
of commiseration for myself. I should be an impostor which the Society of Authors had been brought&#13;
to pose as an object of pity, for the commercial into contact in the development of a common&#13;
results were particularly satisfactory to me. All I project. At no time in history, he considered, had&#13;
ever felt concerned about was that the question the literature of England been more thoroughly&#13;
should not be mixed up with another question, that alive. They had poets, they had novelists, they&#13;
of the proposed library censorship. It never would had historians, they had essayists. Personally, he&#13;
have been if one or two ill-instructed subordinates of was of opinion that the topmost branches of the&#13;
circulating libraries had not thought fit to say that very extensive literary plantation of the present&#13;
the book was not in their list because it wasn't proper! day were both fine and well grown. (Applause.)&#13;
It has been suggested that a good solution of the Mr. Charles Garvice, in proposing the toast of&#13;
two-volume difficulty would be to cut very long - The Chairman,” said that Mr. Maurice Hewlett was&#13;
stories in half, and give each half a title to itself. one of those novelists who appealed so directly to&#13;
I did not feel sure that our chairman had not done&#13;
the heart as well as to the mind, that he received&#13;
this with his last book, as an experiment. When&#13;
not only universal admiration but universal love.&#13;
I came to read the book carefully I was glad to (Applause.).&#13;
find that this was not the case. I say glad, because&#13;
Alter the chairman had replied, a conversazione&#13;
brilliant and original work should not be made the was held in the adjoining Victoria Hall.&#13;
subject of hazardous experiments. A corpus vile&#13;
should be used--the “average novel," if any one&#13;
knows where to find it. However, I soon saw that&#13;
no risks had been run with “Rest Harrow” and&#13;
its predecessors of which it is a legitimate sequel.&#13;
If commerce is to dictate the length and breadth&#13;
&#13;
&#13;
## p. 73 (#105) #############################################&#13;
&#13;
THE AUTHOR.&#13;
73&#13;
THE RAMBLING ESSAYIST.&#13;
heartily belauded by his followers—is just as&#13;
thankful as he ought to be? I wonder if he&#13;
By W. HAROLD THOMSON.&#13;
appreciates to its full extent the ease, the comfort,&#13;
tbe loftiness of his position ? I do not refer to his&#13;
T HE work of the rambling essayist frequently financial position that may be good or it may be&#13;
makes delightful reading, and I should poor. If it be poor I do not know that anybody&#13;
- judge that to the author it makes delightful is to blame other than the essayist himself, but&#13;
writing. The above title is applied to the literary assuredly there are those who will regard him with&#13;
man who, having somehow or other, probably by still greater reverence should he chance to be in&#13;
nothing more extraordinary than hard work, good debt; assuredly he will assume a more heroic, more&#13;
work, and perseverance, won editorial approval and artistic pose.&#13;
the attention of the more cultured reading classes, You may not have met the modern rambling&#13;
is permitted to write upon whatever subject essayist-I mean in print. There are very many&#13;
suggests itself to him as worthy of his pen and who have not done so ; and yet he raises his&#13;
capable of being “worked up."&#13;
melodious voice not only in dainty volunies, not&#13;
He does not, when some choice subject whispers only in sober quarterlies and disdainful weeklies,&#13;
to him seductively, say, “Sorry! I can't ! There's but in the democratic halfpenny Press. He is&#13;
no money in you!" but dips his pen into the ink everywhere : even if one wished to do so, one&#13;
pot and gets to work. He never deliberately could scarcely avoid him. In some ways I envy&#13;
chooses a subject; the subject always comes to those who have never allowed themselves to read&#13;
him. For the most part he writes about what are what the rambler has written ; they are still out-&#13;
commonly thought to be trivial things, and it is side the close-meshed net; they are still ingloriously&#13;
of course a tribute to his art that he is able to free. Their case is somewhat like the case of a&#13;
hold one fascinated through two thousand words man who has never allowed himself to be tempted&#13;
on such a subject. John Smith, preparing a paper by the offer of a cigar or a cigarette or a pipe.&#13;
for the local literary circle, will thunder forth his The man who has never smoked fails to understand&#13;
views on the prospects of a war with some foreign what possible pleasure smoking can give ; the man&#13;
Power ; or, backed by a host of scientific facts and who has never accorded a hearing to the soft-&#13;
phantasies, cheerfully predict the early end of the tongued essayist has no desire to do so. But the&#13;
world or deplore the decline of religion. The essay-reader might say to the non-essay-reader,&#13;
professional essayist of the type referred to here just as the smoker says to the non-smoker : “My&#13;
will talk blandly of "A Tree in My Garden," or friend ! you do not know what you have missed."&#13;
* The Good Night Pipe,” or “An Argumentative I scarcely think, however, that he would follow&#13;
Man"-anything, in short, that occurs to him. with the smoker's usual and hypocritical advice :&#13;
No doubt John Smith could write about a good. “Don't start! I wish that I had never started.”&#13;
night pipe; no doubt the popular essayist could A rumour has gone forth that the essay is&#13;
write feelingly about the probable end of the coming back into popular favour : that in the&#13;
world; but the fact does not seem to strike them, course of time it will supersede fiction. If ever&#13;
and perhaps it is just as well.&#13;
that time should come, the gentlemen who dawdle&#13;
How many of us there are who envy very so entertainingly down a column headed by their&#13;
sincerely—though I hope not bitterly—this inan of name or brought to a close by modest initials,&#13;
letters who may write just as he pleases on what will come into their own. That they have a king-&#13;
ever subject he pleases, with the certainty that dom already is very true, but they wield a bland&#13;
what he writes will be accepted, published, paid sceptre over a mild-mannered people. There is&#13;
for, and read! How delightful to sit down of an perhaps a future for them, when the subjects over&#13;
evening before a hearty fire, light one's pipe, and, whom they hold sway will be as ten times ten,&#13;
with pencil in hand and note-book on knee, set and of a nature which at the commencement will&#13;
about transcribing to paper the pleasant thoughts be more turbulent than mild, and will call for the&#13;
that are stealing half-dreamily across one's brain. most skilful and tactful of handling.&#13;
"To transcribe them just as one conceived them; What I love most about the rambling essayist,&#13;
to eschew everything that offended one's ear, even and what he loves most about himself, is just this&#13;
though it promised to please a great section of the very rambling. The serious, business-minded,&#13;
public, and all the time to liave the sweet and get-to-the-point-at-once gentleman, who now and&#13;
greatly-prized knowledge that just what one wrote then strides ferociously into print to explain that&#13;
there by the fire would be just what thousands the country is hurrying to meet a certain celebrity&#13;
would read a little later in the printed sheet ! with cloven hoofs, or who confuses us by juggling&#13;
I wonder if such an essayist-known to fame, with bewildering masses of figures, is after all&#13;
handsomely “retained ” by his publishers, and rather a boring companion. He pants along so&#13;
&#13;
&#13;
## p. 74 (#106) #############################################&#13;
&#13;
THE AUTHOR.&#13;
ceathlessly ; he piles the facts one upon the other material which we designate by the name of slang.&#13;
quickly'; he is so eager to convince one that And although the Atlantic Ocean nowadays has&#13;
hat he is saying is right, and to reach his whirling become but a mere skip, it is still wide enough to&#13;
eroration, that, refusing to be bullied any longer, check the passage from shore to shore of great&#13;
ne throws down the paper.&#13;
hordes of neologisms which might otherwise force&#13;
With the placid essayist how different it all is ! their way into the general speech of « Anglo-&#13;
Ie says that he is going to take you into a country Saxondom.” (The inverted commas may serve to&#13;
une which will lead you to a charming and register anew the protest of a three-quarter Celt.)&#13;
eculiarly-formed lake, where there are water-lilies The constant interchange of music-hall and vaude-&#13;
nd stately swans and all manner of delights. You ville artists doubtless does something to introduce&#13;
re ready and eager to start.&#13;
the latest slang of one land into the other ; and so&#13;
Safely you step into the lane, prepared to walk would the interchange of novels by English and&#13;
riskly to your goal, the lake. But your eccentric American authors, were it not that the increasingly&#13;
ompanion refuses to hurry ; he will have none of protectionist attitude of publishers on both sides of&#13;
. He straggles from side to side of the roadway; the Atlantic makes it difficult for an author to&#13;
vinces childlike joy at discovering a dainty fern have an audience on more than one side. But,&#13;
rowing in a crevice of the dyke ; wants to watch generally speaking, the slangs of Britain and the&#13;
wren which is perched upon the hedge-top ; or United States are growing independently of one&#13;
erhaps, more for his own pleasure than for yours, another.&#13;
escribes with rapture a bud swaying shyly on a Doubtless it is better so. This at least insures&#13;
wild rose tree. This over, he remembers the that an inhabitant of either country can, if his&#13;
bject with which he started—remembers that tastes lie that way, have an intellectual treat when&#13;
e is taking you to see the lake, and with he has any time to devote to the study of the&#13;
nthusiasm he tells you of it. But soon he popular speech of the other country which pro-&#13;
reaks otf—a cow in a field near hy has claimed fesses to bare the same mother-tongue. Person-&#13;
is attention. He forgets the lake ; he calmly ally, I will confess, I derive infinite pleasure from&#13;
Lirects your gaze to the cow. And with the cow the collection of the fine flowers of American slang,&#13;
rou hare to be contented. “The lake ?-oh, some even when I am puzzled by the why-ness of a lot of&#13;
ther time for the lake. The two thousand words it. I delight in its exuberance, its dash, its palpi-&#13;
re written. It was difficult to get under weigh, tating absurdity. Perhaps those who read me now&#13;
nd the lake was attractive ; but once one's pen (though I recognise the possibility of my baving no&#13;
tarts its dipping into the ink pot, and its antics readers except the Editor of The Author) will not&#13;
-pon the paper, words somehow accumulate and share my delight. But I cannot resist exhibiting&#13;
he column fills up !&#13;
a few of the gems across which I have come&#13;
Well, he is a giant, this essayist; and a giant, recently, in the hope that they will appeal to at&#13;
when he is mild and good-humoured, is an inspir- least a few others besides myself.&#13;
ng companion for those of smaller stature than A notable feature in American slang is the use of&#13;
aimself.&#13;
that expedient known as the “ornate alias.” Thus&#13;
the country may be described as “the hay-fever&#13;
SOME BEAUTIES OF AMERICAN SLANG.&#13;
district," a bottle of champagne as “buzz-water"&#13;
or “a quart of bubbles," a diamond tie-pin as "a&#13;
Tungstenlight boulder,". an elaborate dress suit as&#13;
TT is a fact which has long been recognised by “the gladdest kind of an evening shell” or more&#13;
1 intelligent observers of the two great nations simply as “glad rags." Still more hyperbolically&#13;
which are commonly miscalled Anglo-Saxon in a very amusing book, “Young Wallingford,"&#13;
-I speak as one who is three-quarters Celt-that by George Randolph Chester, a term of imprison-&#13;
che English and American tongues, apart from the ment is spoken of as “the short-haired paleness&#13;
nigh literary diction still preserved in both which comes from wearing horizontal stripes in a&#13;
countries, are slowly but surely drifting apart. cement rooin," and swindling as “a game that&#13;
The fact is embalmed in the now almost venerable has the brown-and-wbite striped clothes at the end&#13;
cale about the shop-sign somewhere on the Con- of it.” We are reminded of the sandwichmen&#13;
cinent, “English spoken : American understood." whom we have lately seen parading the streets in&#13;
It is true even of the ordinary written languages ; advertisement of “ The Man from Mexico," as&#13;
but it is even more emphatically true of the again when we read of “a guy that's got the&#13;
Colloquial speeches of Great Britain and of the lock-step coming to him.” .&#13;
United States.&#13;
...o coman e The jargon of “crooks " is naturally particularly&#13;
Now, colloquial speech progresses largely by rich, and also particularly recondite. The objec-&#13;
means of the drafting into it of that vigorous raw tive "phoney”-as in “phoney business," “ the&#13;
&#13;
&#13;
## p. 75 (#107) #############################################&#13;
&#13;
THE AUTHOR.&#13;
75&#13;
phoney stuff” (flash notes), “the phoney pinch”&#13;
(a bogus arrest), is in common use, but I do not&#13;
know its origin. Another puzzler is enshrined in&#13;
the question which one of Mr. Chester's characters&#13;
pats to another. “How about this eight thousand&#13;
or so that you committed mayhem on Filmore to&#13;
get?” We may feel sure that the eight thousand&#13;
or so was “easy money” or “the fat money," to&#13;
get which is the ambition of all crooks; but&#13;
what “ mayhem” is I have no idea. Perhaps some&#13;
“ wise prop” can enlighten me, in intervals of&#13;
relieving of his superfluous cash some “ Mr.&#13;
Mark of Easyville" and "cold-decking " the&#13;
unsophisticated “on the rural free delivery&#13;
routes."&#13;
“ Don't give me the marble mitt," exclaims a&#13;
man to a maid in another recent American novel.&#13;
The “ marble mitt" is perchance a continuation&#13;
of the cold shoulder. But the maid to whom the&#13;
remark was addressed was obdurate, because the&#13;
man appeared to her a “ quitter," though she&#13;
admitted that he “wasn't any pincher," i.e., was&#13;
not stingy. I forget whether he was one of the&#13;
people who suffered from an “ingrowing grouch."&#13;
That complaint, howerer, was certainly rife among&#13;
a set of men of whom a critic asked, “ Why do they&#13;
hate themselves so? Why do they sit in the&#13;
darkest corners and bark at themselves ?" Possibly,&#13;
if one may hazard a conjecture, someone had been&#13;
* handing them too much flossy talk." ;&#13;
An informative contributor to the Press has told&#13;
us over here lately that the latest fashionable&#13;
endearment in the United States for one's best girl&#13;
is simply “kid,” and that “peach” and the&#13;
statelier “ peacherino” are dying out. This is sad,&#13;
because there is a distinct lack of originality about&#13;
“kid,” even when applied to a best girl.&#13;
“ Little old New York” is caressing. So is&#13;
“ my little old salary," of which the heroine of&#13;
Miss Grace Luce Irwin's “ Diary of a Show Girl ”&#13;
speaks. That heroine, by the way, is a constant&#13;
joy, and has some charming friends, like the gentle-&#13;
man who owned a horse that “won the tapeovitch&#13;
by a face”—a close finish, to be sure. Someone&#13;
else in the book “ felt like a ben that's gone back&#13;
on its feed.” Even I once had a friend, a natural-&#13;
ised American, who was frequently “madder than&#13;
a wet hen.” He was inclined to be zoological, I&#13;
remember, for he found many things “more fun&#13;
than a barrel full of monkeys."&#13;
"Not on your tin-type !" is an expression now&#13;
familiar in this country. But “ Not on your three-&#13;
sheet litho !" came fresh to me the other day. I&#13;
am not certain that it was not “ the first live&#13;
noise " I had heard for some time, though I believe&#13;
that expression is properly applied to an invitation&#13;
to have a drink, whether a plain " highball," which&#13;
is whisky and soda, or the more expensive“ bottle&#13;
of joy,” which is the same as the afore-mentioned&#13;
“quart of bubbles."&#13;
A “rubberneck" is an admirably expressive&#13;
description of an inquisitive person. The term and&#13;
its companion verb “to rubber” are, I fancy,&#13;
fairly well known on this side of the Atlantic. A&#13;
“butter-in” and “to butt in " have also probably&#13;
come to stay. But have our racing prophets yet&#13;
got to the refinement of “ a slice of hot dog,"&#13;
which sounds like a really good tip? I am&#13;
indebted for it to Mr. Chester, as also for recalling&#13;
to methe word “lallapalooza," which I heard some&#13;
seven years ago in the quaintly-mixed jargon&#13;
prevalent in our Far Eastern colonies—a jargon&#13;
compounded of English, American, and dashes of&#13;
Chinese, Malay, Hindustani, and Portuguese. A&#13;
“lallapalooza,” as applied to racing, seems to be&#13;
the same as “a real good 'un.” It is even more&#13;
indicative of admiration than the expression “a&#13;
warm baby" when applied by one sport to fellow&#13;
sportsmen.&#13;
That one piece of slang should, as it were,&#13;
become the parent of another is but natural.&#13;
When people got tired of talking of “the limit”&#13;
and “the absolute limit,” brains set to work to&#13;
bring into the world of speech something better,&#13;
and then we got “Well, if that isn't the pink&#13;
penultimate !" whose acquaintance I first made in&#13;
Mr. Gellett Burgess's taking novel of San Fran-&#13;
cisco life, “The Heart Line," Possibly Mr.&#13;
Burgess, being already known to fame as the&#13;
father of the little poem on “ The Purple Cow," *&#13;
was also directly responsible for the paternity of&#13;
“the pink penultimate." Anyhow, it is a phrase&#13;
full of colour, it cannot be denied.&#13;
Occasionally the slang word, instead of being a&#13;
periphrastic expansion of an older term, is a short&#13;
corruption of the original name. Thus, since what&#13;
we call motor-cars have from the first been called&#13;
automobiles in the United States, we can under-&#13;
stand why now they should be popularly styled&#13;
bubbles." But why opium should be called&#13;
“hop” I do not know, seeing that Americans&#13;
pride themselves on not adding or dropping&#13;
aspirates in the wrong places.&#13;
To smoke opium, by the way, is to "hit the&#13;
pipe.” Presumably it is an analogy that to drink&#13;
to excess is to “hit the bottle.”&#13;
But I have now, no doubt, given enough examples&#13;
of a quaint development in language to satisfy the&#13;
majority of my readers—especially if, as I have&#13;
suggested, those readers reduce themselves upon&#13;
* My memory is treacherous. I think the poem ran&#13;
somewhat as follows :-&#13;
I never saw a purple cow,&#13;
I do not wish to see one,&#13;
But this I know full well, that I&#13;
Would sooner see than be one!&#13;
&#13;
&#13;
## p. 76 (#108) #############################################&#13;
&#13;
76&#13;
THE AUTHOR.&#13;
stricter investigation to one whose reading is a Hardy, but without his note of irony. To say that&#13;
matter of compulsion, not of choice. So I will the two chief gods of Lemonnier were—and are&#13;
cease before I am adjured, in American, to “get Rubens and Hugo, is enough to indicate the gulf&#13;
under the carpet.”&#13;
between his style and that of our English writers :&#13;
PHILIP WALSH. they come of a long race of unquiet Puritans to&#13;
whom the very stirring of the sensuous gifts is a&#13;
presentiment of betrayal ; Lemonnier has no dread&#13;
CAMILLE LEMONNIER.&#13;
of the wine of life, he sees in Nature nothing but&#13;
her beneficient opulence and full-blooded joy that is&#13;
there for whomsoever has strength enough to clasp&#13;
THOUGH probably unknown to the majority her unshrinking. The opening words of this book&#13;
of those who may read these lines, there can strike the key-note of the whole, which may&#13;
be no doubt that, of the many novelists, perhaps be heard even in translation.&#13;
essayists, and critics now before the Belgian public, “A freshness arose from the earth, and all at&#13;
the sovereign pontiff, acknowledged and acclaimed, once the silence of the night was broken. A slow,&#13;
is Camille Lemonnier, the veteran Bruxellois who impalpable harmony was born on the horizon,&#13;
is now approaching his seventieth year.&#13;
hovered over the wood, drew nearer and nearer,&#13;
Born in the year 1844 at Ixelles, a small town- then died away in a shiver of yellow leaves :&#13;
ship on the outskirts of Brussels, now conterminous the enormous silence began again. It was as&#13;
with the rapidly expanding capital, he studied, like though the air sought annihilation in the depths of&#13;
Verhaeren, for the law, but with even less success. sleep. The beeches resumed their torpid stillness.&#13;
At nineteen he began writing art criticisms, and A calm drowned foliage, herbs, all living things&#13;
later made the acquaintance of Alfred Stevens, to that loitered in the pale shadow. For an instant&#13;
whose work he has devoted one of his best known only. Once more the rumbling arose, louder this&#13;
monographs. Stevens wanted to introduce him to time. The rigidity of the sleeping forms was&#13;
the great Hugo, then in exile at Brussels, but he shaken by a shiver that spread, passing over things&#13;
fled in terror on approaching the doorway of the like the stroke of scattered hands, and the earth&#13;
deity.&#13;
trembled.&#13;
On the death of his father he retired into the “The morning broke. The tree-tops emerged&#13;
country, having bought the old priory house of in the beginning of light; a paleness crept over&#13;
Burnot in a valley midway between Namur and the sky; it increased, and was like a truant in full&#13;
Dinant, on the banks of the Meuse. Here he daylight awaiting the return of darkness. A dis-&#13;
settled down to the still life of a gentleman-farmer, tant and solemn music hummed through the thick-&#13;
broken only by short spells of happy vagabondage ness of the underwood.&#13;
with bosom friends.&#13;
“ The milky clearness spread quickly like water&#13;
Moved by the horrors of the Franco-Prussian when the flood-gates open. It flowed between the&#13;
war, of which he had been a chance and unwilling branches, filtered through the leaves, slowly swamp-&#13;
witness after Sedan, he wrote “Les Charniers” ing the darkness. A transparency lit the brakes ;&#13;
(the Shambles), which has been described by the leaves were like a green sieve to the in-pouring&#13;
J. K. Huysmans as “le plus terrifiant pampblet day; the gray trunks looked like priests wrapped&#13;
qu'on ait jamais écrit contre la guerre." It was with their stoles in the incense of processions.&#13;
praised by Goncourt, Maupassant, and the author And little by little the sky unsheathed in hues of&#13;
of “ La Débâcle” long ere that work had been stainless silver.”&#13;
written.&#13;
Of the recognition which this work brought him&#13;
What is at once his best known work and his perhaps the most prized expression was that of&#13;
masterpiece, “Le Mâle," appeared in 1881, and Alphonse Daudet, who wrote -- Venez, vous verrez.&#13;
caused a great stir both among the lettered and the chez moi Flaubert, Goncourt, Zola. Vous êtes de la&#13;
unlettered : the former recognised the arrival of a famille.”&#13;
new stylist, a rich painter in words, to whom the 1882 saw the publication of “La Mort,” which&#13;
earth was indeed a mother ; while the latter were paints with the same ruthless insistence the drab&#13;
startled by the frank animalism of this story of winter of human things ; and this work was&#13;
the simple love of a poacher and a dairymaid, pulsing followed by several tales of horror dealing with the&#13;
like the sap in the leaves of the woodland Eden hidden cesspools of life by which most of us-&#13;
where the scene is laid.&#13;
happily - pass unheeding. For “ L'Enfant du&#13;
The sumptuousness of these pages recalls Crapaud” (1886) he was summoned before the&#13;
Jefferies' “Pageant of Summer," but without tribunal of the Seine at Paris and fined. To this&#13;
Jefferies' wistfulness; their directness and the class belongs also “ L'Homme qui tue les femmes"&#13;
inherence of scene and action recall Thomas (1893), a story based on the Jack-the-Ripper out-&#13;
&#13;
&#13;
## p. 77 (#109) #############################################&#13;
&#13;
THE AUTHOR.&#13;
rages, which the authorities (this time Belgian) Ronsard. Daniel, Lodge and Constable also&#13;
again considered to overstep the limits of public offended, and it was really with the drama that&#13;
decency; but, after a protracted trial, he was English originality declared itself. Marlowe "framed&#13;
acquitted.&#13;
what, in spite of signs of French affinity, was&#13;
Though it is pity and horror that move him and largely a new conception of tragedy ;” and after&#13;
that he means to arouse in the reader, it must be Marlowe, “England broke away from leading&#13;
admitted that his realism and his lack of reticence strings and passed unaccompanied ahead of her&#13;
are as downright and unfliching as that of some of guides,” with the result that “when at a later&#13;
the famous-or infamous—Flemish painters of an epoch the consummated type of Elizabethan drama&#13;
earlier age. It may be questioned, too, whether he caught foreign attention it was condemned by&#13;
has not sometimes weakened his appeal by over- foreign observers as barbarism.”&#13;
insistence on the physical incidence of very moving That, in brief, is Mr. Lee's thesis, though he&#13;
episodes.&#13;
deals with prose as well as verse, with the Reforma-&#13;
“ La Belgique,” a vivid topographical and tion as well as the Revival of Learning, and exhibits&#13;
descriptive survey of his native land, appeared in our indebtedness to Calvin, who was no less great&#13;
1888. After 1893 he reverted to the style of “Le as a stylist than as a theologian, as well as to the&#13;
Mâle," producing “Ile Vierge,” “ Adam et Eve," Pleiad. His book admirably supplements the good&#13;
“ Cæur frais de la forêt," all imbued with a quite work which he has already done in connection with&#13;
Whitmanian sense of clean wide space, and the the literary history of the period. Though written&#13;
glory of rudest things—even dunghills and swine for students, it is eminently readable.&#13;
troughs—in the all-embracing sun.&#13;
No one has given a more generous appreciation&#13;
of Lemonnier than his great contemporary&#13;
Maeterlinck, who says, “Il est, au royaume du&#13;
CORRESPONDENCE.&#13;
verbe, le berger qui mêne le troupeau le plus vaste,&#13;
le plus divers, le plus docile, et le plus magnifique.”&#13;
W. C. T.&#13;
AGENCY CLAUSES IN PUBLISHERS' AGREEMENTS.&#13;
SIR,—May I be permitted to point out an&#13;
inevitable misconstruction arising out of the&#13;
THE FRENCH RENAISSANCE.* wording of the article entited “ Agency Clauses in&#13;
Publishers' Agreements,” in the November Author ?&#13;
The writer says : “When an author has gone to&#13;
“THE French Renaissance," writes Mr. Lee,&#13;
an agent with an established reputation, and has&#13;
" was known in Eogland almost exclu-&#13;
settled a satisfactory contract with him, he then&#13;
sively through its written word, and only&#13;
most probably is quite ready to leave the manage-&#13;
slightly and subsidiarily through its art." He&#13;
ment of his business in the agent's hands."&#13;
therefore gives his work the sub-title : “ An account&#13;
He then goes on to suggest that the same agent&#13;
of the literary relations of England and France in&#13;
would slip into an agreement (without, of course,&#13;
the sixteenth century." The period was one in&#13;
the author's observing it) a clause giving him&#13;
which France influenced England a good deal more&#13;
powers which can be utilised so as to facilitate&#13;
than England influenced France, though some of&#13;
embezzlement, falsification, and conspiracy.&#13;
the English work has proved to be the more vital Now, if the writer had made it clear that what&#13;
and enduring. England, that is to say, needed to he intended to say was that such acts were possible&#13;
be drawn into the main corrents of European in all cases except those in which a responsible&#13;
thought and culture, though her voice when drawn&#13;
agent had been appointed, little need have been&#13;
there was really a voice and not an echo. At first,&#13;
said. Obviously a butler, if also a burglar, may&#13;
indeed, there was a good deal of plagiarism. The&#13;
steal the spoons and--as apparently suggested in&#13;
Elizabethan sonnet illustrates what Mr. Lee calls&#13;
the article of all agents—"cover up his tracks.”&#13;
the borrowing tendencies of the Elizabethan The fault would seem to lie in the selection of the&#13;
muse," and many leaders of the literary profession butler rather than in “the principle of employing"&#13;
in Elizabethan England “put forward as original&#13;
a butler.&#13;
compositions, and as declarations of personal feel.&#13;
It is not quite easy to see how any agent, how-&#13;
ing, a number of poems which prove on examina-&#13;
ever felonious naturally, can receive moneys without&#13;
tion to be literal translations from the French or&#13;
accounting, nor accounts without reporting, nor&#13;
Italian." Spepser, in early life, translated du Bellay.&#13;
conspire with a publisher (who must be willing) to&#13;
Sir Philip Sidney echoes both du Bellay and&#13;
rob an author who pays him by results. For&#13;
* " The French Renaissance in England," by Sidney&#13;
really, it must be presumed that an author is an&#13;
Lee. Clarendon Press. 108. 6d. net.&#13;
intelligent being who reads agreements before&#13;
&#13;
&#13;
## p. 78 (#110) #############################################&#13;
&#13;
78&#13;
THE AUTHOR.&#13;
signing them, and requires the customary vouchers&#13;
sent with accounts by any “responsible” agent.&#13;
AUDI ALTERAM PARTEM.&#13;
[Does an agent-he need not be a burglar-&#13;
when inserting this dangerous agency clause in&#13;
the agreement draw the author's attention to its&#13;
dangers, as he would to the dangers of any clause&#13;
proposed by the publishers ? We have never&#13;
known an agent take this, the only fair course.&#13;
A legal document should guard against every&#13;
contingency-Ed.]&#13;
LIBRARIES' CENSORSHIP.&#13;
DEAR SIR,—If not too late for the November&#13;
Author, I should be obliged if you would mention&#13;
that my new book, “ Bracken,” has been refused by&#13;
all the great libraries without any reason given.&#13;
It seems to me that the time has come for the&#13;
. Society to consider this matter, which is of the&#13;
highest importance to its members, since at the&#13;
present moment none are safe. I have long held&#13;
the opinion that authors should publish their own&#13;
works. It is now becoming imperative that they&#13;
should distribute them.&#13;
Yours faithfully,&#13;
JOHN TREVENA.&#13;
[This letter was unfortunately too late for the&#13;
November Author. We publish it in the December&#13;
issue just as it came to our hand.—ED.]&#13;
Now, what moves me to this letter is rather the&#13;
clumsiness than the price. If "A Project of&#13;
Empire” were published in two editions, I would&#13;
pay 78. 6d. for the small light one in preference,&#13;
and be glad to get it. At the same time it is&#13;
clear that books are published in the large and&#13;
heavy form chiefly to produce an imposing effect&#13;
and get an artificially high price out of the public.&#13;
I don't for a moment grudge so much of the price&#13;
as goes to the author (I am an author myself),&#13;
and perhaps Messrs. Dent made a mistake in issu.&#13;
ing their primers ” so cheap; but, say Prof.&#13;
Shield Nicholson gets 2s. 6d. a copy on his book,&#13;
probably 18. 6d, on a cheap edition would bring&#13;
him in more. Add that on to the shilling at which,&#13;
it is clear, the book could be printed in a reason-&#13;
able style, and make the price half-a-crown. No&#13;
doubt Prof. Nicholson, like everyone else who ash&#13;
something to say, would like to reach as many&#13;
readers as possible, provided his legitimate profit&#13;
is not reduced. It is not clear that he might&#13;
have that satisfaction, and a larger public the&#13;
advantage of reading him, and that in greater&#13;
comfort, if only we could get rid of the system of&#13;
making books big and ostentatious ? Probably&#13;
some publishers' profits would be reduced, but we&#13;
could trust to commercial competition to get the&#13;
books on the market anyhow; and, granted that&#13;
condition, the things to aim at are popularity&#13;
and influence for writers, comfort and economy&#13;
for readers.&#13;
R. A. L.&#13;
EXPENSIVE Books.&#13;
THE EDITORIAL ATTITUDE.&#13;
SIR,—I wish to make, once more, a protest&#13;
'SIR,—The following instance of editorial delay&#13;
against the artificial exvensiveness and cumbrous. may interest members. In June, 1902, I was&#13;
ness of English books. I have just been com-&#13;
commissioned by Harper's Magazine to write an&#13;
paring a new one with one of about the same&#13;
article on “ The Future of the American Novel."&#13;
length already published some years. Here is the&#13;
I wrote it in July, 1902, and delivered it imme-&#13;
comparison :&#13;
diately. It was then at once, with my consent,&#13;
Author&#13;
transferred to the North American Review, between&#13;
... Nicholson&#13;
Jenks.&#13;
Name&#13;
... “Project of Empire." “ History of Politics."&#13;
which review and Harper's Magazine there was&#13;
Publishers ... Macmillan.&#13;
Dent.&#13;
some managerial connection.&#13;
Length ... 70,000 words.&#13;
70,000 words. · A few months ago (eight years after delivery) I&#13;
Weight&#13;
... 24 ozs.&#13;
6 ozs.&#13;
received a letter from the editor of the North&#13;
Price&#13;
... 78. 6d.&#13;
1x.&#13;
Type&#13;
American Review stating that he had not yet&#13;
Smaller, but equally&#13;
... Large.&#13;
clear and easy to&#13;
printed the article, and requesting me to revise it&#13;
read.&#13;
and bring it up to date !&#13;
Book postage 6d.&#13;
1}d.&#13;
I declined.&#13;
Remarks ... Labour of cutting Neatly cut by ma-&#13;
cut by, ma- It is true that I had taken the precaution of&#13;
pages before one chinery. Clean,&#13;
can read it. Cut opens flat, com&#13;
getting paid on delivery. But supposing that I&#13;
pages collect fortable and had desired, in the meantime, to republish the&#13;
dust. Clumsy light to hold. article, which was fairly elaborate, in a volume of&#13;
and wearying to Decorative effect lite&#13;
the hand. Will&#13;
literary essays ?&#13;
better than the&#13;
not lie open pro-&#13;
Yours truly,&#13;
other.&#13;
perly.&#13;
ARNOLD BENNETT.&#13;
&#13;
&#13;
## p. 78 (#111) #############################################&#13;
&#13;
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THE AUTHORS' ALLIANCE&#13;
&#13;
&#13;
## p. 78 (#112) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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Every Order I have executed has been followed&#13;
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WORK TYPED BADLY.&#13;
An AUTHOR has sent me the following:&#13;
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                    <text>The Author .
VOL

XXI . - No . 2 .

.

Society of Authors .

Incorporated

the

Monthly .)

1, 1910 .

NOVEMBER

[PRICE SIXPENCE

CONTENTS .

:::
::

PAOE
25
25
25

PAGK
41

Warnings to Dramatic Authors
Registration of Scenarios and Origin
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch
Remittances
General Notes
...
The Influence of Reviews
Music Publishers and the Society' s Agreement ...
English Writers and Journalists in Galicia
The Inspiration of Poetry
...
The Literary Profession in the Elizabethan Age ...
Book Prices Current- Vol. XXIVlizabethan
. , No. 5 ...
Correspondence...
...

..
..
.

Notices
.
"The Society 's Funds
List of Members...
The Pension Fund
Committee Notes
Books pablished by Members of the Society
Literary , Dramatic and Musical Notes
Paris Notes
Arrency Clauses in Publishers' Agreements
Thirty -second Congress of the International Literary and
Artistic Association
The Cat from the Bag ...
Magazine Contents
...
How to Use the Society
Warnings to the Producersof Books

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HERBERT THRING and Illustrative Examples
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2nd Edition
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The Yarious Methods
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papers
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offices the various forms
Publishers
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with
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the office
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numbers

months
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ART.

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QUEEN

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�ADVERTISEMENTS

EVERY GOLFER

KNOWS

.

thrill that accompanies
that “ square drive from the tee " — the easy swing , the clean
hit ball , the perfect follow - through , and the sense that “ all ' s
right with the world .”
But what of the other side of the
picture ? - the day of misfortune , the foozled tee - shot , the
uncertain approach , or the six - inch putt missed and the
match given away ? The effect of such a day varies of course
in accordance
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,
all alike from crack player to beginner , there certainly remains
the desire for something , like the sugar plum
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away the taste .”
to “ take
This is within the reach of
everyone who is able and willing to look at
the

The Funny Side of
GOLF."
120

pictures
THE FUNNY SIDE OF GOLF ” is a book of
and sketches taken from the pages
Punch
and dealing
with the Royal and Ancient Game
all its foibles and
Every golfer will find something
phases
laugh
and
consequence
will play better round
"

to

be

is

it

.

."

of

to

on

be

of

.

of

.”
—

will

laugh
find something
consequence
round
The

,

at

”.
—

of

.

a

in

better
County Gentleman

to

"

golfer

.”

–

be

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Booksellers

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and

5s net
.

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Binding

all

Bouverie Street

".
-

a

.

“

.

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is

Their
humour
the richest
Golf
Illustrated
Extremely amusing No golf club should
copy
without
The Court Journal

,
E
.C
.,

,

10

,

Office

golf club

every

.

-

."

-

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be

Every

and play

Handsome Half Cloth
”

a

.

PUNCH

it

in

-

"

-

.

."
--

.

'

-

."

of

Citizen

In

Should
the table
house
The World
Golf
"

on

a

."
-

“

"

Is

“

“

All

“

•

To say that no golfer should
without
the merest truism
both men and lady golfers will
gratify their sense
find much
humour
The Lady
Pictorial

's

.”

of

–

to

hearty laugh
No one can resist
looking
over these pictures
The Queen
This delightful collection
The Daily Graphic
easily the best club house book that has
Golfing
appeared for years
Will provide abundant amusement
The
Scotsman
serious golfers will
the better for this
golf sketches
handsome volume
The Glasgow

"

.

a

in

.

a

.

appeared
Sportsman

capital idea
bring into one volume
the many golf sketches that have
the pages
PUNCH
The

in of

It

"

was

the cream

at
,

in

“

,

"

of

“

�The Elutbor .
the Incorporated

NOVEMBER

:

bona fides of the
advertisers , the Committee desire it to be stated
that this is not, and could not possibly be , the case .
Although
care is exercised that no undesirable
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Members should apply to the Secretary for advice
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, LONDON .

NOTICES .

oR

the opinions expressed
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responsible . None of the papers or para
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of the Committee
unless such is especially stated
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in to

be

to

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,

is

.

of

.

of

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in

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it

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to

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be

of

of

of

Author begs
remind
that although the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
great many members did not forward
Society
subscription for
the Secretary the modest
the year

or

CONTRIBUTIONS

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AND

THE Editor
The
members
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application .
ARTICLES

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in

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impression
among
the Committee are

As there seems to be an
readers of The Author that
personally responsible
for the

TELEGRAPHIC ADDRESS :

.

.

ADVERTISEMENTS

VICTORIA .

,

374

[PRICE SIXPENCE

of

TELEPHONE NUMBER

1ST, 1910 .

of

XXI. — No. 2.

.

VOL

BESANT.

WALTER

SIR

.)

Monthly

.

FOUNDED BY

.

Society - of Authors

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October 1907 can now be obtained
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1907 and will
sold
members and associates
the Society only

List

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VOL

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39
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LIST OF MEMBERS

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amount
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over £4 000
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N

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THE PENSION

Desborough
The Right Hon
Jan
the Lord
Jan
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Feb
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22
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the Committees

Management

of

the action taken

a

to

,

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The half yearly meeting
the Council was
settled for Tuesday
November
when
Mrs
bring forward
Hurnphry
proposes
Ward
motion referring
the Academic Committee and
byto

.

compensation
were proceeding for the payment
adjourn the matter
the author
was decided
till the next meeting
The consideration
the Copyright Bill was
Management
referred
the Committee
the
sub committees interested
was probable that
pushed forward during the next
the Bill would
.

-

in

November

.

to

of

to

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in

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returnable

in

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of

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of

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in

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.—

and

Music Publishers Association for the assistance
that had been given
the society
The last case
negotiations
referred
the loss
MS but
to

,

a

,

to

to

of
up

as

to

to

up

,

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in

of

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issued

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at

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first meeting after the vacation was held
Monday
the offices
the society
October
When the minutes had been read and signed
during
large number
elections which had come
the vacation
were laid before the committee and
64 members and associates were elected bringing
the total
number for the current year
220
The committee are very pleased
notice
the steady inflow
authors
the society
the
elections are well
the average
former
years
Four resignations were accepted with
regret bringing the total number
resignations
69
Cascs
The secretary then reported
the com
mittee the cases placed
the hands
the solicitors
during the vacation
There were seven county
court matters
Two
these have been settled and
the debt due has been paid
One
still
the
negotiation
course
another the summons
to

be

,

. by

,

.

for

,

is

It

.

,

in

,

appeal
was strongly against making
adopt
good one
not think the case was
test case
The committee decided
therefore
not
take the matter further
The member
the
acquiesced
society concerned
the decision
The next subject related
the making
certain
voluntary payments
agents who had been instru
judg
assisting the society
mental
obtain
ment against the defendants
the piracies
De
Profundis which have already been referred
previous Committee Notes
The committee agreed
payment and passed
vote
thanks
the

-

he

has been

to

,

,

to

a

,

,

to

in

be

Nereo

0
6
0
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There were two cases which had
conducted
foreign courts
Germany
One was
an
Judgment has
ordinary
claim
work done
The
not yet satisfied
been obtained but
infringement
other
Switzerland related
copyright
still
course
settlement
Those cases then came before the committee
which required their sanction before further steps
appeal
could
taken
The first related
judgment
from
the High Courts
The com
mittee were advised that the judgment had raised
important issue
authors namely the legality
personal contracts
the assignment
As the com
mittee were
advised they decided
take counsel
opinion which opinion was read
opinion
Counsel
a

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7

NOTES

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COMMITTEE

bring

In

issue

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now

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of

cases

is

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to

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the remaining

but not satisfied and
bankruptcy petition

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one

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another the defendant
company was
liquidation
and the society
claim
was met with the usual answer that the
debenture holders had foreclosed
and there was
pay the ordinary creditors
not sufficient money
bankrupt paper was one
The last case against
which the society had already acted
some
the
and here again the assets
its members
defendant company had been
claimed by the
debenture holders and the member was informed
after further investigation
the solicitors that
push the claim
was useless

.. 5
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Whitworth

,
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J.

Wynne

June
June

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Society

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the

judgment has

obtained
issue

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money recovered
damages

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Loraine Lady
Macdonnell Randall
Blake
Patricia Wentworth
Tynan
Hinkson Mrs
Greenstreet
John
Cousin
Zangwill Israel
Sprigge Dr
Portion

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May

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May

Smith Bertram
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March

Miss Valentina

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April
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27

�THE AUTHOR
be
at

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21

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is

the statement
his
received
and
the
reply
forward
from
the Italian Society

been

secretary was instructed
letter
The receipt
Authors which gave particulars
the work
undertaken
that society for dramatic authors
was next reported
get
The secretary was instructed
translation
lay before
made
the rules
the society and
the next meeting when the question
the advisa
of

-

's

.

be

.

it

to

tions and
what extent
accord with the
Berlin Convention
This report
was decided
should
laid before the next meeting
the Sub
committee

considered
the light
complaint which had

of

in to

-

to

a

to

.

.

to

-

to

of

,

of

The minutes
the previous meeting having
been read and signed the secretary explained that
Management
the Committee
had referred the
Copyright
new
Bill
the Copyright
Sub
report thereon
committee with instructions
After careful discussion Mr MacGillivray kindly
report
lay before the
draw up
undertook
Sub committee and
indicate
that report how
far the draft bill satisfies the Society
recommenda

,

of
to

of to
six

be

a

October

He was also instructed
see Messrs
French
the matter
the performances
dramatic pieces
South Africa
question discussed
the last meeting
the
regard
sub committee
member
the
society
since resigned
who
had called into
question the conduct
another member was
A

ihe society

on

-

13
.

of

at

A

.

-

of

Copyright Sub committee

MEETING
the
was held
the offices

in

SUB COMMITTEE

COPYRIGHT

in
a

,

to

in

of

a

of

,

,

at

39

of

17

to

,

a

,

.

of

on

.

FUND

The Committee
the Pension
Fund met
Monday October
Old Queen
Street
pension
and awarded
Miss May Crommelin
year
recognition
£25
her services
litera
ture extending over many years

a in

THE PENSION

of

.

.

to

;

to

to

Out
clubs
102 answers received
give the undertaking
asked by the sub
give
subject
five agreed
committee
certain
give
The
all
and seven refused
conditions
dramatists inside the society number some 250
The next question that arose was the appoint
agents for dramatic authors
ment
the various
colonies and dependencies
Great Britain
and
the secretary was instructed
write
the society
lawyers
request them
prepare and
India
forward
return
the theatrical performances
Calcutta and other centres
the Indian Empire
period
over
months
order that the sub
position
judge
committee may
what
prevalent
extent piracy
India
men

;

of

.

18
.

£1

of

a

of

Arthur

condolence
should
sent
Mrs Marshall
the loss she
had sustained by the death
her son the late
Captain Robert Marshall until recently
member
this sub committee
The secretary was accord
ingly instructed
convey this message
her
The secretary then reported the result
the
circular which was sent round
dramatists
regard
plays
working
the performances
to

of to

to

.

,

.

the previous meeting had
the chairman
expression

to

a

for of

on

,

.

of

-

to

W

the society
October
After the minutes
been read and signed
Pinero proposed that

of

it

in

to

of 's

of

to

,

.

the many sub committees
Various letters dealing with matters
interest
the society were laid before the committee and
considered
and the committee
have
thank
Durran
for
donation
the
Capital Fund
the society

The first meeting
the Dramatic Sub com
mittee after the Vacation was held
the offices

's

to

to

,

an

.

of It

,

to

.

.

member
the Council
The committee decided
the suggestion
the
secretary
purchase additional furniture
the
This course had become necessary owing
office
papers incidental
the increase
the working

SUB COMMITTEE

DRAMATIC

it
at

a

in to

.

,

in

in

A letter from the Publishers' Association , asking
for the support of the society with a view to
taking united action when the Bill should come
before Parliament, together with a copy of the
Copyright Bill containing
certain
amendments
suggested by that body , was also considered .
A
report of the proceedings of the meeting on
October 24 will appear in the December number .

in

,

to

of

by

of

.

to

24

be

, ,

of

. .

in

to

to

of the society in
Notices will
formation
sent
the Council
due course
regard
The notices
the dinner the date
which has been fixed for November
will
sent
round
members during the month
The financial position
the society was laid
Management
before the Committee
the
secretary who explained that certain sums due
consequence
the society had not been paid and
had left the society with rather
small balance
the bank
The committee sanctioned
over
draft
case the sums referred
were not received
due course
was proposed
order
increase
the usefulness
the society and
make
more
widely known
pay
extra clerk
circularise
papers those authors
with the society
the
various branches
literature who were not already
members
Mr Henry James was unanimously elected

.

it

in its

28

�THE AUTHOR .

of

,

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,

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.

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by

in

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Woodbury

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Park
Road
bridge Wells

Tun
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Wa rrendale

Combe Lane King
ston Hill Surrey

,

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Clappé Miss Marion

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23

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31
,

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Midmoor

Wimbledon

Road

,

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Forbes

near

Essex

Wellington Road

Dublin
Dawson

View

Thundersley

.

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K

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R
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the writers but have also omitted
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the remaining six has been settled
and the
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other five are still
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the interpreta
tion

14

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meet
careful search
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the eight clairns will
handed over
the solicitors for
both these cases although the
authors hold receipts the parties
whom
the
comply with
MSS were sent have not only failed
the demands

a

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of

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of

to

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Manville

Upper

88

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Miriam

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Block

destination
and come into the hands
responsible
party and that that party has not
very difficult
handled
with ordinary care
prove these points but the society
some cases
general rule that editors publishers and
finds
others
wishes

to

in

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has had
hand since the last
issue
The Author twenty cases
Of these eight
repeat the
were demands for MSS
well
difficulties from the legal point
view
that arise
when
MS
not returned
must
with the
author
show that the MS has actually reached

. ,

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of

In

for

of

Elections
Barnard

secretary

a

by

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on

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to

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the member

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recovered and paid over

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report

the Theatres Alliance upon
the sub committee
Report and he was
the Censorship Committee
forward
ask the Theatres Alliance
instructed
lay before the different members
copies
the

to

the table

of

laid

a

on

.

Agreement
The secretary then

During the month
one case
the German
courts has been settled
the amount claimed
the
society through its German lawyer having been

,

a

of

Hall

a

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to

of

at

of a -

to

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were

in

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the office
increasing numbers
indeed coming
sub committee
instructed
the secretary
prepare
lay the same before them
contract and
one
their future meetings
The consideration
the agreement for
run
was adjourned
till the settlement
the Music

and
The

bear
the society the books have been
the market while
the third case date
publication
has been fixed
There were five cases respecting money due
work done
As yet none
these has been settled
but two have only recently come into the office
the remaining three correspondence has passed and
they will probably be settled shortly except where
the case
one demand the proprietor
the
paper has gone into bankruptcy
There are still sundry cases open from former
months
which negotiations are being carried
satisfactory settlement
They
with
view
great importance
are none
them

placed

to

to

many music

brought

of

-

,

draft contract for music
the sub committee that

-

a

committee the need for
sketches assuring

hall

-

to

.

-

to

on

,

to

of

.

in

plays
England
The consideration
the Copyright Bill was
adjourned till the next meeting owing
the fact
lay
that the report
the Bill was not ready
before the sub committee
The secretary then pointed out
the sub

in

in

-

of

to

of

ness

of

power
what assistance was in
the settlement
contracts and the busi
arrangements for the production
French
its

give

regard

,

to

settled to the satisfaction of the authors and the
other parties concerned .
One case for infringement of copyright has been
placed in the hands of the solicitors .
In two cases
of non -delivery of accounts , one has been settled
and the other is still in the course of negotiation .
Three instances arose
unwarrantable delay
publication
two
these owing
the pressure

a

joining the society
of English dramatists
would be considered . The recommendation of the
sub - committee will appear later in The Author .
It was decided also to write to the French
Society of Dramatic Authors a letter indicating
the readiness of the English Society of Authors

in

bility

29

�THE AUTHOR .

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WHILE every effort
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necessary
consequence
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literary and
largely upon lists of books which appear
papers
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Potter, Mrs . Frances S uire

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225 , Shinagawa ,
Tokyo , Japan .

6d

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France .
43 , St. Paul 's Road ,
Bradford , Yorks .
Authors' Club , White
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Ozaki, Madame

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30

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THE FOUR FEATHERS
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TAE CREATORS
MAY SINCLAIR
525
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Benson
335
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TRADITION
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THE LAND OF HIS FATHERS
Dawson
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Fox
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Arnold
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THE EXHIBITIOy
of SEVENTEENTH
CENTURY FLEMISH
ART : BRUSSELS , 1910. By M. H. SPIELMANN . 11} x
84. 32 pp .
The Connoisseur .
ls. 60 .

.

�THE AUTHOR .

32
HISTORY .

HISTORICAL VIGNETTES . By BERNARD CAPES . 9 x 51 .
319 pp . Fisher Unwin . 78. 6d . n .
LONDON MUNICIPAL
GOVERNMENT
: HISTORY on
OF
A
GREAT REFORM , 1880- 1888. By JOHN LLOYD . 11 x 8] .
72 pp . P . S. King . 28. n .

ORIENTAL .

JUVENILE .

By
THE SPY : A TALE OF THE PENINSULAR WAR .
by CYRUS
CAPTAIN
CHARLES GILSON . Illustrated
CUNEO . 51 X 72.
379 pp .
Frowde and Hodder &amp;

Stoughton , 68.
By CAPTAIN CHARLES GILSON ,
THE LOST ISLAND .
by CYRUS
Illustrated
CUNEO .
5$ x 73.
288 pp .
,
Frowde and Hodder &amp; Stoughton . 38. 6d.
By
Yo - Ho ! FOR THE SPANISH MAIN !
S. WALKEY .
311 pp . 4 Coloured Illustrations by ARCHIE
WEBB .
Cassell . 38. 6d . n.
By
ADVENTURES OF JASMIN .
L . E . TIDDEMAN . Jarrold .
28. 68 .
By
ALL ABOUT ME.
L . E . TIDDEMAN . Chambers . 28. 6d .
JACK ' S INSECTS . By EDMUND SELOUS . 78 x 5 . 379 pp .
Methuen . 68.
WINNING AND WAITING .
A Story of Village and City .
By L . E . TIDDEMAN .
Pilgrim
8 * 51 .
280 pp .
Press . 38. 60 .

'

ODIN S TREASURY . By W . VICTOR
Cook .
74 x 5 .
253 pp . S. P. C. K . 28. 6d .
FIGHTING THE ICEBERGS . By F . BULLEN .
8 x 5.
372 pp . Nisbet , 68.
FAIRIES
I HAVE MET . By Mrs. R. STAWELL .
78 X 6. 117 pp . 18. 6d . Hodder &amp; Stoughton . 3s. 6d , n .
NEXT DOOR GWENNIE . By L . E . TIDDEMAN . 73 x 5 .
156 pp . S. P. C.K . 18. 6d .
PHILIP COMPTON ' S WILL . By MRS. HARDING KELLY ,
287 pp . Religious Tract Society .

LITERARY .
THE DEVIL ' S MOTOR . A Fantasy . By MARIE CORELLI .
114 x 8 . Hodder &amp; Stoughton . 68. n .
THE FRENCH RENAISSANCE
IN ENGLAND . An Account
of the Literary Relations of England and France in the
16th Century . By SIDNEY LEE . 87 x 51 . 494 pp .
Oxford : Clarendon Press ; London : Frowde . " 108, 6d . n .
OLD KENSINGTON
PALACE , AND OTHER PAPERS . By
AUSTIN DOBSON , 73 X5 . 316 pp . Chatto &amp; Windus . 68.
FRANCIS
BACON . A Sketch
of his Life , Works , and
Literary Friends ; chiefly from a Bibliographical Point of
By
,
View .
G. W. STEEVES
M . D.
78 x 5.
230 pp .
Methuen . 68. n .

MISCELLANEOUS .
CENTURY
OF BALLADS ( 1810 - 1910) ; THEIR
POSERS AND SINGERS . By HAROLD
SIMPSON .
&amp; Boon .
108. 6d . n .
By
OUR HOUSE .
ELIZABETH ROBINS PENNELL .
54 . 328 pp . Fisher Unwin . 48. 60 . n .
A

COM

Mills
81 X

NATURAL HISTORY .
A HISTORY OF BRITISH MAMMALS . By G . E . H. BARRETT
HAMILTON , F . Z. S . With 27 Full - Page Plates in Colour
By E . A. WILSON .
and Other Illustrations.
Part I. ,
&amp; Jackson .
10 X 61. 88 pp . Gurney
October , 1910.
28. 6d . n .
LIVES OF THE Fur FOLK . By M . D. HAVILAND . 78 X
Longmans . 58. n .
51 . 234 pp .
KEARTON ' S NATURE PICTURES . Reproduced in Photo
gravure , Colour , and Black and White from Photographs
by R. and C. KEARTON . With Descriptive
Text by R.
KEARTON .

12 x 9,

96 pp .

Cassell ,

THE FLOWER Book . By CONSTANCE SMEDLEY ARMFIELD .
Pictured by MAXWELL ARMFIELD . 94 X 64.
153 pp .
Chatto &amp; Windus . 78. 60 . n.
By
THE BOOK OF THE ANIMAL KINGDOM : MAMMALS .
by W . S .
W. PERCIVAL WESTELL , F. L. S.
Illustrated
BERRIDGE . 9 x 7. 379 pp . Dent . 108. 6d . n .

158. n.

AND SAINTS OF ISLAM . BY CLAUD
78 x 5. 215 pp . Francis Griffiths . 38. 6d . n .

MYSTICS

PHILOSOPHICAL

FIELD ,

.

FROM PASSION TO PEACE . By JAMES ALLEN . 70 pp .
William
Rider
&amp; Son , 164, Aldersgate
Street , E . C .
1x. n .
ABOVE
LIFE 's TURMOIL . By JAMES ALLEN . 163 pp .
G . P. Putnam ' s Sons. 38. 6d . n.

POETRY .
MARY AND THE BRAMBLE , By LASCELLES ABERCROMBIE ,
Published by the Author : Much Marcle , Herefordshire .

Post free , ls, ld .
By H . DE
POEMS AND BALLADS .
VERE STACPOOLE .
7 x 41.
120 pp . Murray . 38. 60 , n.
IN POETS ' CORNER . By LAUCHLAN MACLEAN
WATT ,
Hodder &amp; Stoughton . 38. 6d .
THE QUEEN OF THE FIORD . By JOHN CAVE . 8 X 51 .
201 pp . Kegan Paul. 58. n.
RUMBO RHYMES ; OR, THE GREAT COMBINE : A Satire .
By A. C. CALMOUR .
by WALTER CRANE .
Illustrated
93 x 64 . 99 pp . Harpers . 58. n .
LITTLE SONGs . By ELLA ERSKINE , 61 x 41 . 18 pp .
Truslove &amp; Hanson .

POLITICAL .
By CAPTAIN
HARRY
THE MOTHER OF PARLIAMENTS .
GRAHAM . 9 x 5 . 314 pp . Methuen . 108. 6d , n .
AFGHANISTAN : THE BUFFER STATE . GREAT BRITAIN
AND RUSSIA IN CENTRAL ASIA . By CAPTAIN GERVAIS
LYONS .
Madras : Higginbotham
&amp; Co .
London :
Luzac &amp; Co.

REPRINTS .

XIII

THE OXFORD BOOK OF ITALIAN VERSE .
. CENTURY
to XIX . CENTURY. Chosen by St . John Lucas . 6 *
41 . 576 pp .
Oxford : Clarendon
Press ; London :
Frowde . 68. n.
THE CAXTON SHAKESPEARE . Vol . 12 : KixG HENRY IV . ;
Vol . 13 : KING HENRY V. AND KING HENRY
. ;
Vol . 14 : ROMEO AND JULIET AND TITUS ANDRONICUS .
By
With Annotations
and a General Introduction .
SIDNEY LEE . 9 x 61 .
151 + 163 ; 155 + 155 ; 154
pp
. Caxton Publishing Co . 68. 6d . n.
+ 123
AN ANTHOLOGY
OF HUMOROUS
VERSE . FROM ROBERT
HERRICK TO OWEN SEAMAN . By HELEN AND LEWIS
pp
MELVILLE . 7% ~ 5. 255
. Harrap .

VIII

SPORT .
ANECDOTES OF BIG CATS AND OTHER BEASTS . By DAVID
WILSON . 74 x 5. 312 pp . Methuen . 68.
By H .
HUNTING
CAMPS IN WOOD AND WILDERNESS .
by LADY
HESKETH
PRICHARD , F . Z. S.
Illustrated
HELEN GRAHAM , E . G . CALDWELL , and from Photo
graphs . 104 x 71. 274 pp . Heinemann . 158. n .
SPORTING
DAYS
AND SPORTING
WAYS . BY RALPH
NEVILL . 9 x 6. 318 pp . Duckworth . 12s. 60. n .
By
RECOLLECTIONS
OF AN OLD MOUNTAINEER .
W.
LARDEN . 91 x 51. 320 pp . Arnold . 148. n .

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America
The central figure
the volume
seventeenth
and eighteenth century letters
edited
Miss
Julia Longe
Martha Lady Giffard the only
Temple
sister
Sir William
The letters which
are
from
various important people
the day
Lady Temple
notably
orothy
Sacharissa

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Allen Harker
new
novel
Master and
published this antuinn
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Mr John
Murray here and Messrs Charles Scribners Sons

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publishers

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on to

a

in

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humorous
and
the predominant
influence
the sea
set
men who even
when they are not afloat are always looking towards
bring out the
the
their daily bread
poetry
pathos and jollity
the life without
sacrificing
realism
The volume
illustrated
eight photographs
Mr Melville Mackay
descriptive

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Wm

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Miss Agnes
original illustrations for
book entitled
House
hold Foes
Miss Alice Ravenhill which Messrs
Sidgwick
Jackson are publishing
&amp;

Melrose

Mr
Norris has
serial entitled
Vittoria
running
Victrix
the Daily Telegraph
will
published
book form next spring
Messrs Macmillan have published Mr Stephen
Reynolds new novel
Alongshore
which the

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Pook
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interested
hear that Mr Rudyard Kipling new
book
Rewards and Fairies
further collection
stories told
Dan and Una
certain interest
ing personages
olden
times who
the
previous book are introduced
them
their
friend Robin Goodfellow
Messrs Macmillan
Co are the publishers

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passion
Messrs
Rider
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164 Aldersgate Street
the English and Messrs
Crowell
New

years ago when the
first Novel

three

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From

a

entitled

“

received
work
Mr Allen
Passion
Peace
Here starting
chapter
with
Passion the lowest level
human life the reader
shown
the chapter
Aspiration the way from the under darkness
the upper light
The causes leading
the birth
aspiration are dwelt upon and
character
Temptation
istics described
the subject
the
third chapter
shown
the reversion

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through self knowledge
and
and self discipline
rise above the turmoil
the world and without
shirking the duties and difficulties
life fortify
ourselves against anxiety regarding them
Messrs
England
Putnam
Sons are the publishers

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Above Life
Turmoil Mr
showing how surrounded
James Allen aims
quiet mind
noise we can still preserve

Dis

Charity

our forefathers
two hilling edition
Jacomb novel
The Faith
His Fathers has been issued
Mr Andrew Melrose The six shilling edition was
A

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but for those who care
the thought
the religious and devotional thought

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rendered into modern
Dr Geraldine
Hodgson
The book
not intended for the use
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312

By ROBERT HICHENS
THE SPELL
EGYPT
Stoughton
279 pp
Hodder
ELSA
TUSCANY
VAL
SANGIMIGNANO
JEAN CARLYLE GRAHAM AND ELIZABETH
DERBI
SHIRE
Rome
Ermano Loescher
128
TRAVEL AND EXPLORATION
Edited
REY
Witherby
NOLDS BALL
October
1910
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ENGLAND
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FRED
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Methuen
158
OLD ENGLISH HOUSES
The Record
By ALLAX FEA
51
273
108

.

III

Edward
cipline

TOPOGRAPHY
Black
VANISHING

Thomas Baker has just published
selection
the old English mystic and
the works

devotional writer Richard Rolle
pole
Yorkshire
the reigns

Robert Scott

LONDON

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Watt

Messrs . A . M . Gardner &amp; Co . have published
the
edition
Francis Bancroft
novel Of
published
Like Passions
The present issue
at

THEOLOGY .
COMMUNION
TABLE, By LAUCHLAN MACLEAN
Purple
Library
2nd Edition
Hodder
Stoughton
Chapters
THE LORD FROM HEAVEN
the Deity
By SIR ROBERT ANDERSON
Christ
Second
134
Nisbet
Edition with New Preface
3s 60
SUNDAY EVENIXG
FIFTY TWO SHORT SERMONS POR
By
HOME READING
ROBERTSON NICOLL
87x53
Stoughton
416 pp
Hodder
MESSAGES FROM THE THRONE By MRS HARDING KELLY

THE

33

�THE AUTHOR .

34

a foreword , and the volume is properly
with original portraits of many of the
writers , and autographs of Lady Giffard , Lady
Temple , and Dean
Swift . The publishers are
Messrs . Allen .
We have received a copy of a book entitled
Tuscany , " by
“ Sangimignano of Val D . Elsa in
Jean Carlyle Grahain and Elizabeth M . Derbishire.
The scope of the book may be best described in
words of the anthors in the preface : “ There is
nothing finally dogmatic in our little book . We
merely present to you a sketchy series of observa tions, realist or impressionist as circumstances

contains an article entitled “ In the Heart of an
Indian
Forest , "
from
the pen of Mr . C . E .
Gouldsbury . The same writer also has an article
in the Illustrated Sporting and Dramatic Neues
of September 24 , called “ Two Lucky Shots ,"
while “ Camp Life in Bengal,” which will appear
shortly
Young
in
the
current volume of
England , is another article from Mr. Gouldsbury 's
pep .
Miss Regina Miriam Bloch 's poem “ Song " has
Birthday
been
included
in “ The Biographical
Book of Prominent Poets of the Period , ” published
by Messrs . Kegan Paul &amp; Co ., Ltd .

elucidating documents which have never hitherto
put into print ; also a plan of the city ; and
above
we offer you
means
our pen and
Sangimignano
ink
illustrations the veritable
with its own peculiar rugged lines which
camera and no brush have ever succeeded
reproducing
Messrs
Ermano Loescher
Only 300 copies have
Rome are the publishers
price
been printed and the published
the work

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Steeves

Messrs
Dent
Sons Ltd
announce
Percival Westell
work
entitled
The Book
the Animal Kingdom
representa
and treats
over five hundred kinds
chapter
tive mammals
the world with
the
four footed beasts
Australia by Charles Barrett
There will
fourteen
coloured and
new

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Bacon
and short description
classification
chief works with certain considerations bearing
his Life and Letters
Selected title pages
the
earliest editions
Bacon
works appear
the

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Messrs Methuen
have issued
volume
Francis Bacon
Dr
Steeves
The
the author has been
sketch
the chief
freed
much
the life
Bacon
events
possible from general historical detail followed

The Downs
Socialist who

enlightened
into Sussex and
the old order and will
found
interest
students
social conditions
the same time the romance
not overburdened
publish the
with theories
Mr Murray hopes
volume before Christmas

comes down
representative

of

”

on

by
Co

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will

cat rabbit and badger
Ireland
Miss Maud Goldring
new novel
man
treats
the rivalry between

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The title
promised
The Rosary

Haviland book
Lives
the Fur Folk
animal biographies dealing with the

series

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Shenstone
and
many
the characters
appear again
the new story
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Putnam
Sons announce
Barclay
Florence
author

“
aim

in

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of

.

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.

The Fairbourn Papers
edited
Mr
Webb
and published
Messrs
John Ouseley
Ltd relate the history and career
solicitor
residing
the City
London
Century
Ballads 1810
1910
their
Composers and Singers
Simpson
Harold
popular song told
popular style
the story
abounds
anecdotes about well known songs
composers and singers from the beginning
the
19th century
the present day
illustrated
with photographs
all the best known composers
singers and lyric writers together with numerous
facsimiles and autographs
Messrs Mills
Boon
are the publishers

volume

“ I. B .
A . 1909 ”
hive , “ Claustral
Detention Chambers ," “ Searching for the Queen , "
Wight Disease
the
Isle
Recent Investiga
tions into the Cause
Foul Brood
and
Exhibiting and Judging Bee
new chapter
Twenty new
Products
has been introduced
blocks have been inserted
the new edition
and fifty three
the
edition disappear from
the present issue their places being taken
others more accurate
Mr Digges has deemed
rely upon pen and camera for the
wise
manipulations appliances etc
illustration
The
Simpkin
London publishers are Messrs
Marshall
while Messrs Eason
Son Ltd
are the
publishers
Dublin and Belfast
Lady Vereker
Derek Vane
new
novel
appearing
first serially
the Daily Telegraph
He has also recently been writing short stories for
the Bystander
Sicetch and
Black
and White
His last novel
The Secret Door
will shortly
brought out
cheap
edition by the Weekly
Telegraph
Messrs Longmans
have just issued Mr

,

in no

Co

&amp;

.

."

,

of

is

12s

We have received a copy of the second edition
of the Rev . J . C . Digges ' “ Practical Bee Guide ."
Many new paragraphs have been added to the new
edition , treating of such subjects as the “ W . B . C . "

"

-

of

,

,

by

all
,

been

-

insist or as occasion demands . We go about and
talk of what we see, we gossip of the past , we
digress at times , we wander at willi ; but you will
forgive , because with this we give you certain

-

illustrated

“

contributing

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South America
Afghanistan
the Buffer State
com
prehensive treatise
the entire Central Asian
question
Captain Gervais Lyons
The book
has two maps fully illustrating the subject and
showing all frontiers and existing and projecting
railways
introductory note by
There
also
Reginald
Lieut General
Hart
Messrs
are the publishers
Luzac
Miss Dorothy Margaret Stuart has just published
&amp;

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America
translated
successor
The
Messrs Stanley

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these systems
The
are the publishers
Messrs Chatto and Windus have just issued Mr
Michael Barrington
new romance
The Lady
Tripoli
his new book the author
The

Publicity

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London

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of is

new book
Diet and the Maximum
Duration
Life
Charles Reinhardt discusses
advantages and disadvantages
various foods
those who would preserve robust health
for the
longest possible
time
There are also chapters
infancy food
dealing with such matters
food
disease beverages and one
dietetic systems
which should be read by those who have committed

Herbert Flower

new novel
Edward Noble will
shortly
Messrs Constable
book dealing with the handicap imposed
our divorce laws
women
the impossibility
woman obtaining freedom
the same grounds
man and incidentally exposing some aspects
the White Slave traffic
seen
the seaports

Chains
published

as
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the famous castles
Touraine are bewildered
mysterious
claiming the heroine
double
name
This puzzle with
love affairs
and
under plot involving some French country gentry
the life current playing round the rock histories
the once English
owned châteaux

be a

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is

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Mr

published
also being

Swedish
announced
Paul
for publication early
1911
Mr Flowerdew has written
article
The
Psychology
Tariff Reform
for The English
Review
and
article from his pen
the price
early number
the novel will appear
The
Nineteenth Century and After
Crespigny
Mrs Philip
book
The Valley
Achor published by Messrs Mills
Boon has
gone into
second edition
The November issue
story
The Story Teller contains
Mrs
Crespigny

-

Dent

Sons Ltd
announce
Aacassin and Nicolette
from
Mr Eugene Mason The edition
illustrated
colour
Mr Maxwell Armfield
hoped
The book which will
the first
published
series
similar
romances will
the price
6d net
Miss May Crommelin
autumn novel will shortly
published by Messrs Hutchinson
Co under
the title
Madam Mystery
The scene
laid
party
happy sightseers
the Loire Valley where

addition
translation by

,

of

of

,

In

St
.
,

is

into German
Third Wife

“

.

Messrs

new

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in

of

in

“

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Messrs Brentano

.

by

The Second Elopement
being
1910 novel

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their

quest
the fourfold
love religion
and ideal beauty
story
Waste
Places
new
Mrs
Woollaston White
will
issued
December
The scene
laid
the early days
British
Columbia
and chiefly concerns the thrilling ex
periences
young wife
will
issued
the
Andrew
Press Barnet
Messages from the Throne
Mrs Harding
Kelly
little book compiled for the use
speaking
district visitors who find difficulty
the cottagers whom they visit
The readings are
suggestive and
intended
make the Bible
more interesting
and intelligible
the people
Mr Robert Scott the publisher
Mrs Harding
Kelly has also issued through the Religious Tract
Philip
Society
story
Compton
entitled
“

,
a

,
, of

of

,

of

of

of

to

to

,

in

,

of

of

an an

.

,

the diseased brain
the religious
enthusiast
Rasaillac
cleared up
The work will also contain
accurate description
the Paris
the time
Sully and also
exhaustive description
the
extraordinary manner
vanity he
which
out
identify himself
appears
have endeavoured
with the supposed poisoning
Gabrielle Estrées
Other leading
characters
the time will also
fully described some
whoin except
writers
the reading
are almost unknown
the period
Entragues
public
characters such
Henriette
Epernon
and the Duc
The book will
full
illustrated
with portraits
and some rare
published
views
Paris and will
Everett

symbolic

wisdom

.

ofold

,

of

a

or

of

it

of

as

of

's ”,

is is

's

-

of

,

“

de

.

In

John Bloundelle Burton
new
book
Henri
Navarre
which
not
novel the true story
that king
death
told
and the mystery
whether
took place
the
outcome
Court plot
was solely the result
Fate

The

King 's Fool ” has returned
once more
to the
Middle Ages, and has portrayed the soul 's history
of a famous Troubadour Prince . It is a romance
which the reader breathes the dream haunted
Aquitaine
air
the twelfth century
and

."

to

,

Mr

.

of a

to

be

a

in

to

aim

two hundred and sixty plain plates , chiefly from
photographs
of the living animals , by W . S .
Berridge , F . L . S . The work is divided into sixteen
sections , and it has been the author 's
eschew
dry and uninviting definitions and
present his
may
way that both young and
story
such
acquire
general knowledge
able
the
the world
mammalian fauna

35

romance entitled

�THE AUTHOR .
and the present volume is “ Le
Vingt Ans ."
à
The three
volumes are marvels
conscientious work and
give evidence
years
patient research
Perhaps
prince has been
misunderstood
Louis XIII
Thanks
the ambition and love
power
his mother Marie
Medicis
and the
influence
Concini and his wife Louis
young man was set aside
As be was powerless
obtain his proper position and was extremely
reserved
remained apparently
submissive and
resigned
his fate and for this reason
has
nonentity
been generally treated
historians
so

to

,

as

,

.

,

.,

,

de

.

of

of

a

he

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to

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us

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fit

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at

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on

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a

his friends
whom
Gradually
his intentions
little group
faithful accomplices gathered round Louis
The
whole nation was resenting the power and influence
the foreign favourites and Concini himself had
gradually usurped many
the privileges which
should have belonged
the young prince
April 1617
was finally decided that
Concini
arrest should take place
Louis had
received letters from
sides promising help and
loyal service and
Batiffol description
the
plot
necessary
arrest and
kill Concini most
graphically
and dramatically
told
He describes
the whole scene which took place
the courtyard
spoke

.

,

.

Irene

Luynes was the first

.

it

of

by

in

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e

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XIII

.

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XIII

in

.

on

.

M

Louis Batiffol has now published his third
volume
the period
Marie
Médicis
The
first was Au Temps
Louis
The second
was entitled La Vie intime une Reine
France
“

in

”

famous

the Louvre when the favourite escorted
his
young nobles
through the gate
passed
suite
known
the Porte de Bourbon
He was arrested
attempting
the name
the king
and
draw
his sword
was
once killed
The trans
formation which now took place
the apparently
submissive boy was most remarkable one
With
the promptness and decision
man three
four times his age Louis
now took his place
his kingdom
He appeared
one
the
cheering crowd
windows
the Louvre thanked
in

of .

et

“

de ;

'

“
L

I.
"

.

of .

“

.

M

.
a

"

et de

made him

to

to is

of

Albert Vandal
another loss
the French Academy and
French litera
ture
Vandal was formerly President
the Société des Gens de Lettres and he was
essentially
historian
Louis XV
Elisabeth
Napoléon
Russie
was one
his first books
Bonaparte
Alexandre
and
Avénement

“

HE death

I

M

to

.

,

PARIS NOTES

M

all

.

's

,

In

to

of

,

Miss

.

.

,

Leslie Faber Miss Lillah McCarthy
Vanbrugh and Mr Edmund Gwenn

of as

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of

of

no

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,

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of on

a

of

.

15

by

of

of on

,
”

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of -

at

.

's

W

.

Somerset Maugham
new
four act play
was produced
the Duke
York
October
The play deals with
gamekeeper her
the daughter
banishment
the family owning the estate and
the effect
the girl subsequent suicide
the
relations existing between husband and wife
the
family
The cast includes Mr Dennis Eadie Mr

,

Mr

Grace
Theatre
the fall

his insolence and left Paris
time
From
that
very
date forth
evident that Louis had
decided
his plan
action
Later
when
explaining his scheme
his friends he said
acted the child
For the next five months
plan
was silently preparing
without taking
anyone into his confidence
Charles
Albert

.”

.

cast

mere child
Concini and his wife the Queen
favourites
treated Louis with great insolence
Things came
climax after
violent
anger
the part
the young prince
the age
fifteen
Concini saw that he had gone too far

.

.

,

in

.

.

.

is

of

to

he

which
had been given him
The
had been invited
which
humour
the play
derived from the various
enjoyments which the unwelcome guest favours
during his stay
Mr Kenneth Douglas Miss
Eva Moore and Mr Fewlass Llewellyn are
the

of

at

a to

a of

of

a

.

it

15

on

do

to

to

by

.

,

at

-

is
a

”

“

.
R
.
S
.

the hospitality
country house

has studied the archives
this
more thoroughly than most
the historians
hitherto and has unearthed many curious docu
ments
He shows
how the young prince was
sympathy and affection
educated and the lack
between him and
mother
her anxiety
retain the regency she kept her son
the back
ground
treated
him
the age
sixteen

M

a

,

,

at

“

of

as

,

,

”

“

of

.

28

on

at by

.”

Miss Ursula Keene and Miss Clarice Laurence
Company for George
three act farce
Mr
Warren Bell which was produced
the
Kingsway
October
The story
disclosed
University
had
with the reluctance
student
admit the existence
time limit

Louis Batiffol

epoch

of

a

,

at

“

,

”,

.

at in 's

,

at

,

,

the Court Theatre
October
At the same
matinée was produced
The Servants
Pan
fantasy
Clarice
Laurence
which
was also
produced
the Theatre Royal Margate during
the same week
witnessed the staging
The
Tramp
The cast
these performances included

XIII

of

a

",

“

in

play
one
Ursula
Royal
was produced
the
Theatre
early
Margate
Ursula Keene
last month
comedy
The Eldest Miss Darrell
suburban
special matinée
three acts was produced
The

Keene

of

by

act

DRAMATIC

Tramp

on

third edition

au XVII . Siècle , "
Roi Louis XIII.

.

published on
Co . , is now

In

&amp;

.

in

,"

at

its

Mrs . Perrin 's novel , “ The Charm
September
1 by Messrs . Methuen

of

36

�THE AUTHOR
He
that he was now their king .
and told them
refused to see his mother , but sent her word that he
of the
decided to take the government
had now
State into his own hands .
From that time forth ,
until Richelieu was admitted into the State Council
in 1624 , the strong government and discipline of the
boy king are a revelation
been
to all who had
thinking of Louis
. as a
to
accustomed
nonentity .
It is to be hoped that M . Batiffol will
continue the study of this king 's character after
1624 , as the three volumes which take us up to
this period only serve to make us wish to continue
the study of history from authentic documents .

XIII

Lady Hamilton , ” by A . Fauchier Magnan , is a
which might very easily be taken for a
novel .
The writer gives us an account of this
extraordinary woman 's life in an extremely interest
ing manner . He begins with her early years in
Cheshire and her first visit to London in 1777 at
From this time forth we
the age of fourteen .
have all the romantic episodes of her life , her
liaisons with
Charles Francis Greville with Sir
William Hamilton her friendship
with the Queen

.

37

M . Pierre Berton ; “ Montmartre , " comedy in four
acts by M . Pierre Frondaie ; “ Sa Fille ,” comedy
in four acts by MM . Félix Duquesnel and André
Barde ; “ Crésus , " comedy in three acts by M .
At the Porte Saint -Martin
Henri de Rothschild .
given , and at the
is still being
“ Chantecler "
Théâtre Antoine “ Cesar Bírotteau .”

ALYS HALLARD .

XIII

" Le Roi Louis
. à Vingt Ans ” (Calmann
“ Lady Hamilton ” (Perrin ).
“ Quarante Ans Après " (Fasquelle ) .
** La Pologne Vivante " ( Perrin ) .
“ Les Petits Joyeux ” (Calmann Levy ) .

Levy ).

“

beto

I.
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of

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CLAUSE

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his said representative

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la

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the
Vandeville
are
comedy
Bonheur
three acts
Kistemaeckers
Rue
Paix
comedy
three acts
MM Abel Hermant
comedy
Toledo
Tribun
four acts
play
Paul Bourget
Raissa
four acts

authors

The Author
have settled
contract
agent
dramatist and
fact that there
less need for the employ
agent
place dramatic works than
ment
proper use
place literary works
made
the
society
assistance
But whether
writer
performed
author
works
works
exceedingly
read
should
careful
the
contracts
makes with agents

matter
between

It

de

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un

an

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on

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“

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of

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for

this scason

Marchand
Henry

agents
settle agreements
may
and publishers
but
proper that
the first place the author
agreement
should
settle and settle with care
with his agent
For
there are bad publishers
probable that there
and shifty authors
careless and possible that there are dishonest
agents
The Dramatic
Sub committee
the society
while expressing their disapproval
the principle
agent
employing
confer standing

,

.

-

:

la

de

.

.
A
.

In

the Revue hebdomadaire
Emile Guillaumin
Terre Delaissée
the same
Gailly
periodical
October
Taurines
interesting
gives
article
Un Projet de
Mariage dans
famille Bonaparte
Ernest
Seillière tells
Roman
futur Empereur
interesting article
and Maurice
Lanoire writes
Thackeray
France
Among the new plays announced
Porel
writes

the duty

between
often

of

; :

M

",

byl'

M

.

”,

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et

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de

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In

of

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consent

be
a to

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paid
All sums due under this agreement shall
the
author representative whose receipt alone shall
full
and sufficient discharge
the obligations and this authority
shall not
revocable by the author without the previous

's

,

“

"

a

be

"

A

CLAUSE

“

's

.

a

.”

paid

All accounts due and all moneys payable under this
agreement shall
rendered and paid
hereby agreed tbat their receipt shall
and
full and
sufficient discharge therefor and that
shall have
authority
treat for and
behalf
the said author
all matters under this agreement
on

of

the publishers

.

,

is

”

Petits Joyeux
September
the Revue des Deux Mondes
interesting articles
there were some exceptionally
by
Religion
Morale
Emile Boutroux
Deux Conceptions
Histoire
Révolution
Taine
Aulard
Albert Petit

shall

is

us

of

,

this agreement

the author representative whose receipt shall
full and sufficient discharge
the obligation and
hereby empowered
the said agent
the author
respect
conduct all negotiations
the said work with

to

of

.

a

's

by

CLAUSE

ALL moneys due under

it

in

of

.

M

. .

to

of

in

a

us

us

on

,

of

Naples and finally her liaison with Nelson
Fauchier Magnan takes
the very end
He
her death
her extreme poverty and
tells
poorly
she had
which
little room
furnished
Many lives
Lady Hamilton
rented
Calais
have been
written but this French book gives
perbaps
this beautiful
more impartial study
the accounts written
career than some
woman
her own compatriots
Among new books Jules Clarétie
Quarante
having great success
Marius Ary
ans Après
very welcome volume
Leblond has written
La
Pologne Vivante
mohlished
new
Les
new volume

AGENCY CLAUSES IN PUBLISHERS '
AGREEMENTS .

"

,

,

Sir

biography

�THE AUTHOR .

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in

for

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dispute will arise but
that
should put himself
chains even
they
not gall
the agent makes
fair statement
the case
happen

,

.

be

custodiet

ipsos custodes

?
"

Quis

is

to

and the author while unwilling
bind himself
under too stringent clauses with the publisher
willing
stringent clause affecting the
sign
agent then nothing can
said
a

It
on in

.

these and similar

,

,

in

to

,

“

agent got

The Author
would practically
able
drawing his percentage through the ages and the
author would bear the burden
two old men
the sea instead
one
Little need
added
criticism
Clause
what has already been said
The revocability
only with the agent
the clause
consent
speaks for itself
The position
serious one and the real difficulty
agent
many
arises from the fact that while
cases may protect
author interests most care
fully
between
author and publisher there
no
compelling him
means
turn
the author
point out the difficulties and dangers surrounding

to

of

I.

as

to to
is

”

all

in

happened that

himself for his next nine books
the basis
contract similar
the one recently printed

of

in

,

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I

is

“

I.

of II
.

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bind

do

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to

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per cent

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In

Clause
the said work
referred
clear that this would mean one book
but
Clause
the agent has authority
for and
behalf
the said author
matters under this
agreement

the author
next two works and
per cent may
tempted
induce
sign
the author
clause giving away the refusal
may possibly
future work
other words
neglect the author
interest
foster his own
The author may have many and crucial objec
tions after his first book has been published
the
agent but with the two
further employment
clauses
the one referring
the disposal
future
powers
work the other
the agent
bound
irrevocably
breaking the agreement
Should
employ another agent
his own work
pay
agent No
would still
bound
the

of

-

,

if
is

it

a

,

to

all

to is

.

is

.

Clause
even worse than Clause
The remarks already made
the payment
and receipt for the money apply
this clause but
there
subtle and important distinction
the
last sentence

the control
secure his

of to

-

“

;

to

an

a

if

agent

author and agent
also thoroughly
bad
for
obliged
under the above clause the author
let
pass through
work No
and perhaps work No
the agent hands
great temptation
premium
Here
here
dishonesty
For the agent
order
secure

It

, , . I.

all

to

of
is

an

if

,

,

is

he

is

an

an

If

be
.” a

's

,

.

clutches
this clause
But worse follows for the agent receipt
shall
full and sufficient discharge
the obliga
tion
agent
agent
careless
deceitful
agent
fraudulent
can still under this clause
give sufficient discharge
the publisher
and
doubtful how far the author could open the accounts
authority had given
the agent under such
full
receipt
But there
still worse
come for the
negotiations
agent
empowered
conduct
respect
the said work with the publishers
Practically
therefore the agent can always
covering
his own tracks and the author
powerless
The author may communicate with the
publisher direct and the publisher may say and
say
strict fairness
bound
cannot communicate
with you
can only conduct the business with the

contract.
wrong principle
The principle is a thoroughly
and should be fought on every possible occasion .
But the issue as between author and publisher is
this article
As between
discussion
not

no

.
in

an

it

a

In

to

of

of

,

.

If

to

,

is

if

to to

an

's

is

.

us

.

to

a

to In

and cannot
cancelled
between the
gives
consequence
the contract
power
the third party not party
the contract
which he ought not
possess
study the clauses closer
Let
Clause
moneys
the author representative
receive
However doubtful his financial position may be
however
author may come
distrust his agent
change his repre
even
the author may desire
pay him
sentative still the publisher
bound
the moneys
the position happens
be still
more serious the author cannot get out
the

,
to ”

interest
parties

as

“

is

. be an

a

.

its

of

a

it

if

in

the contract
was
matter
course
Yet this clause may bring all sorts
difficulties
train
Such
clause existing
between the publisher
authority coupled with
and the author

Now agents , unfortunately , among other clauses
which they have allowed to pass into currency ,
have not infrequently allowed a publisher to have
the refusal of other books by the saine author ,
sometimes on terms to be subsequently settled ,
sometimes on terms roughly agreed
in the one

If

of

as

--

of

There is , however , a danger beyond this , and the
clauses printed at the head of this paper , taken
at random from a large collection of agreements ,
are examples of this danger .
When an author has gone to an agent with an
established reputation , and has settled a satisfactory
contract
with him , he then most probably
is
quite ready to leave the management of his busi ness in the agent 's hands .
If the agent advises
him to accept certain terms and sign certain agree .
ments he will do so , trusting to the agent 's judg ment the agent placing one
the above clauses

“

38

�THE AUTHOR .

the

by

,

for

;

of

of

by

,

;

of

of

of

a

,

;

of by

a

,

of

,

or

a

of

;

's

of

;

;

by

a

.

of

a to

of

would

.

to

of

“

be

to

,
. of

K

,

.

of

-

,
,

,

to

,

“

a

. ,

to

by

,

"

,

of

of

In

.

,

particular

it

of

.

of

,

to

in

,

,

at

a

,

”

of

of

.

of

outside the direct action
the Berne Convention
the development
international treaties and
various cases presented
before the tribunals
different countries
addition
this Mr
explainod
representing
the
Denmark
Gahn

by means
by main
mechanical instruments
taining for photographs
protection identical with
that given artistic works
protecting
and
architectural designs
the same time the International Literary
and Artistic Association takes the liberty
draw
ing the attention
the British Government
certain particulars which will form the subject
special report which the executive committee
the
association proposes
submit
the Government
of

little

those
which have been
various dates held
various
cities
Switzerland
The labours
the Congress
general
were grouped principally
around
literary and artistic
review
affairs relating
copyright from the diplomatic
legislative and
judicial points
view
Mr Ernest Röthlis
berger
This report dealt with the Berlin Revision
legislative movements
the Berne Convention

of

similar

At

been

“

have

a

this

friendly kind

In

of

declares

,

congress

to

ciation

&amp;

of

-

IVT

,

who presided
over the thirty second Congress
the
International Literary and Artistic Asso

“

MAILLARD

GEORGES

as

1910

.

2
5

,

September

,

LUXEMBURG

;

ASSOCIATION

.

ARTISTIC

enactments at present existing , would codify
legislation respecting copyright and would repre
making
notably
sent
immense progress
copyright for the life
uniform the duration
by suppress
the author and fifty years afterwards
ing all formalities
necessary
the exercise
rights
completely assimilating
the author
by forbidding
translation
and reproduction
the
dramatisation
novel
the transformation
drama into
novel without the consent
the
declaring
author
the original
without
restrictions that the right
musical composer
includes the right
the reproduction
the work
an

THE THIRTY -SECOND CONGRESS OF THE
INTERNATIONAL
LITERARY
AND

39

especially regrettable

had hitherto prevented his country
ratifying the Convention
from
1908
Mr
Thorvald Solberg dealt with the present situation
Signor
the United States
Ferrari discussed
Italy
the objection which has been raised
against the prolongation
dramatic copyright
eighty years after the date
first performance

sidered too high

pro
apologised
delay
gress
which has been occasioned
give
the Government having been compelled
agrarian disturbances
its attention
the results
The Count
Suzor representing
Russia
dis
cassed the opposition
the Russian Duma
Among the
wholesome copyright legislation

rights and might lead
infraction
the author
serious abuses
much
desired that the English law
should affirm the absolute principle that copyright
originates
saving when there are agreements
the contrary
the person
the creator
the
art shall not
work
work and that the sale

,

of

,

a

,

or

,

a

to

,

of

of

of

the sale

the

of

,

.

of a

to

,

of

)

in

of

(

to

be

to

is

It

“

.

to

's

of

. of

,

,

in

no

be

of

to

of

itself

architecture

shall be pro
in

inin

be

it

,

of

for

.

,

,

,

of

,

.

by

of

,

.

of

by

in

,

be

,

of

works and
works produced
conformity with
collaboration
should
fixed
the provisions
the typical law suggested
the
association
to

be

of

is

it
is

force

the author

incompletenesses

in

into

the protection

of

of

is

opinion that
The Congress
that the abrogation
the common law may
particularly when the new law
result
first put
feared

in

of

a

; of

of

involve

posthumous

.

by

by

of

is

in

grave

tected without certain reservations contained
clearly stated that
the Bill and that
shall
works
architecture wbich are protected are
cluded designs plans sketches and plastic works
intended for architectural purposes
Also that the duration
the period
action
against piracy should not be less than three years
Also that the duration
the protection of

)

of

by

the

an

of

in

. of

amount

(

-

as

,

in

to

a

up

so

to

of

to

of

,

by to of

“

be

,
of

be

,

.

:

in

association
equally gratified
The Congress
the Bill
placed before Parliament
the President
the
Board
Trade
view
the adhesion
Great
Britain
the Revised Convention
Berlin
Bill
abrogating the different and incompatible
which

presumed

"

to -

,

by .

at

to

,

“

in

finding
the admirable final report
the
Copyright Committee
approval
the greater
principles proclaimed
number
the

This would

copyright
Also that works

“

to

of

of

,

de to

resolutions subsequently passed
the Congress
one which we give
full length below will
particular interest
English authors
Resolution respecting the new English Copyright
Bill
the following terms
The International Literary and Artistic Con
gress thanks the Copyright Committee constituted
by the British Government
draw
Bill
copyright for having been
relating
good
consult
the president
the association
the
course
the inquiry and has much satisfaction

“

to

a

in

. all by- .

of

for

,

in

.
T
.
G
.

M

Djuvara
Roumania

that after the death
the author the Controller
give
Patents should have power
licence for
the reproduction
the work not only when there
shall
more copies
circulation
but also
when
the price demanded for existing copies
public performance
for the rights
shall be con

“

.

.

of

in

.

A

.

in

of

reasons which

�he

!

is
"

of

at an !

a

.

,

Dr
.

-

of

-

,

.

.

.

.
Y
,
Z
.

X

.

.

's

.

-

A

:

in

.

.
E
.

R

.

a

at

”

“

By
H .

.

.

St .
.

.

,

.

A

.

Granville Barker
By James Moffatt
John Adcock
.

as

BOOKMAN

Barrie
Dramatist
Barrie and His Books
By
Mason

.

.

.

,

H

.

ByW
W .
. M

,

.
.

.

A

,

W

.

. A

.

J
.

.

E .
.

."

Figgis

.

By

.

of

Darrell

.

.

.

."

, ,

“ O
. .
M
.

in

.
E
.

Archer

William

,

By

By
A

.

. .

G

of

.

Situation

.

NATIONAL

Mr

William

Shakespeare

.

Lady

Dark

.

By

Holland

.

Bernard

By

.

II
.

Gibbon
Gibbon the Historian
Clarke
By Abbé Ernest Dimnet

.
T of
.

H

.

CENTURY

.

NINETEENTH
The Genius
the Rev
The Sillon

.

The

.

a

.

.

.

.

.

of

in

.

Keeton
The Theatrical

A

of

of

,

.

"

Drama

FORTNIGHTLY
By Charles Zeffertt
Fairyland
Shakespeare
By Ford Madox Hueffer
Holman Hunt
William
By Lewis
Forgotten
Pindar
Peter
Satirist
Melville
Imperial Copyright By
Herbert Thring
The Night Thoughts
Robert Schumann

.

to

's
In

REVIEW

.

by

,

The Vitality

to

..

.

.

Dillon

. .

of
it
.

a

.

Tooley

By Frank Harris
Shakespeare
The Women
By George Moore
Une Promenade Sentimentale
By
Contemporary
Nihilism
Russian Literature

.

,

is

is

it

, ;

.

I

By .

ENGLISH

Ward

By Sarah

.

to

.

to
to

to

to

as

,
it —

,

Cleghorn Gaskell
Edinburgh
Brown

.

to of

at

I

I

did

.

I

on

is

do

be

the advertiser
taste that
his distastes that must be

must
avoided
learn the great secret from the editor
very
well known and prosperous journal
the course

-

.

CORNHILL

Elizabeth
Dr John

A

—

is

is

it
.

old

an

.

.

.

by

—

,

a

all

am

,

I

. I
v

is

is

editors defer
considered

By

.

.

,

of

.

collins

.

to

,

I I

.

an

,

.

no

my side
either
present
the secret
make you
please
not choose
themselves
please
Nor
themselves
they choose
please
their public
Their
quite another tune
And that
made
choice
tune
called
most tunes are nowadays
him
who pays the piper
the Advertiser
The advertiser
would seem
the critic
one else

whom

X

CONTEMPORARY

By
Rossetti
Holman Hunt
Reminiscences
Massing
The Modern Press and Its Public
ham
Browning and Butler
the late Professor Churton

.

. .

?

on

any terms stand
not
We have speculated
we have questioned
And our speculation has
remained unfruitful
Our questions have never
Perhaps our questions never will
been answered
be answered
For my part
care little whether
they ever be answered for
now see that they
have nothing
do with the matter
There has
unsuspected reason for the choices
the
been
strange amazing choices made
editors
That
reason
has been
secret
and that secret
now
Nothing
mine
know
about
hidden
from me
hand
this game
author
editor and yet
never came near
guessing the riddle
And
venture
think that

Here
Editors

,

By

.

or

.

's

to

Book MONTHLY
James Milne
Life
Short By

,

a

,

is

,

Beaconsfield
Novels Long

it

or

; it;

:

it

.

wronged our editors
We have wondered sometimes whether
was
possible that editorial taste could be at fault
that
editors really did not know good stuff when they
saw
whether drivel really did and could appeal
them
whether
was merely that they knew
good story decently
their public and knew that
written
the one thing which that public will

BLACKWOOD

.

.

of

CONTENTS

Bengal Fair
By
Vernède
Hamlet
Musings Without Method
Journalists
Conclave
Stage
The Elizabethan Drama
Criticism
Dramatic
for the Poets
A J. .J
.
E MM
. . .
W

as

to

-

the journal

speculations we have

these

in

up

for

the make

that

see

MAGAZINE

us ,

of

,

so

a

all

-

, in of

I

now

a

of

for

so

so

,

1

as

are needed

of

to

,

is

's

So

.

taste
editors has long seemed
incal
mysterious their
culable their standard
selection
erratic that many
have
wondered whether they really exercise any discre
whether they do not rather madly
tion
choice
manuscripts
bearing unknown
mix
hat
many
pull out
names and order the office boy

But

you know

now

THE BAG

of

HE

do

M

THE CAT FROM

." as

of

,

of
be

.

he

letter concerning some work done
tells me that personally
likes my work
very much but that such work
mine
never
special interest
Adrertisers
advertisers
The cat
out
the bag
And what
cat
These are our censors these the arbiters
author destiny
Our struggling novelists are
the mercy
Non Fat Food Company
our
crescent poets are the sport
Pink and his
Purple People
Pale Pills

to

;

,

law
”

the English

in

to

,

of

or

this principle asserted

a charming

of

him

all

to

of in an

to

of

to

“ The International Literary and Artistic Asso ciation particularly
insists upon the necessity
protecting works
industry
art applied
and
come
calls upon the executive committee
understanding
with the Englishmen interested
this question
obtain protection for
works
the graphic and plastic arts whatsoever may
get
the merit
destination
the works and

for

THE AUTHOR .

40

�THE AUTHOR .
But the transaction should
obtained
competent agent
with the advice
the Society

of

managed
the Secretary

.

,

by
of a

be

SOCIETY .

THE

or

USE

TO

.

HOW

41

of

(
a

:

to

of

.

.

..

or

,

to

or .

to

.

or

up

,

up

is

to

“

a

to

to

.

",

.

of

,

or

to

of

.

a

in

to

be

).

-S

A

II
.

(1
.) In

(2
.)

in

,

.

It to
is

,

.

.

in

.

to

to

an

to

is

.

It ,

is

of

.

,

of

.

General
All other forms

,

of

a

of of

(3 ( (
2 1
). .) .)

to

:

.

A

.

.

an

:

.

if

.

.

of

or

copyright

,

transfer

of

,

be

.

is
a

,
in

of

.

(
1
.)

a

so

;

Always avoid

AUTHORS

to

it

agreement without submitting
the
the Society
Authors
some com

.

or

of an

sign
Secretary

DRAMATIC
of

.

£1

is

1s

TEVER

.

to

petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
an

in

be

a

.

for

of

.

stipulate

the contract
certain date
his name
the
on

of

the piece

by
a in

should

for proper publication

and
play bills

plays

the performing right
This
An author who enters into

of

a

contract

contract

dramatic

.

of

:

or

is

such

for production
-

price

be

a

proper

can

sometimes satisfactory

is

.

:

.

it

Outright

,
if

is

1
.

This

There are three forms
three
more acts
Sale outright
unsatisfactory

3
in
of

in

to

a

.

n

observed
are
few standing rules
agreement
dealing
There are four methods
literary
property
with

Selling

.

manager

an

be

ITERE

of to

THE PRODUCERS
BOOKS

(a
).

OF

.

TO

WARNINGS

It

2
.

.

.

,
or

.

9

per

.

WARNINGS

.

subscription
the Society
£10 10s for life membership

The
annum

TO

.

do

to

8
.

to

prevent authors from
Some agents endeavour
referring matters
the Secretary of the Society
some publishers
Members can make their own
deductions and act accordingly

. of
a

.

.

of

on

it

of

.

to

.

7

This
The

(2
.)

.

Many agents neglect
stamp agreements
must be done within fourteen days
first execution
Secretary will undertake
behalf
members

to

to

,

to

to

to

.

of

of

a

6
.

literary
No contract should be entered into with
agent without the advice
the Society
the Secretary
accept without careful
Members are strongly advised not
consideration
the contracts with publishers submitted
by
literary
agents
them
and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society

(3
).

.

to

.

of

agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
by letter
agreements
possible
Avoid
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld

of

of . .

: , as
.

To

in

Prospectus

System

Agreement
Commission
The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

a

in

be

(
3
)

.

.

's

of

to

(2
)

To

a

in

.

ofto

be

by ,

of

,

'

.

To

The Royalty

perhaps with certain limitations
This
the best form
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible for
approximately
author
ascertain
the
very
important
truth
figures
From time
time
connected
with royalties are published
The Author

IY

if

, to

ist
,,

in

,

of to of in

,

of

no

4
.

.

5

The Committee have arranged for the reception
agreements and their preservation
members
fire
proof safe
regarded
The agreements will
course
confidential documents
read only
the Secretary
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu
lars
the Society
work can be obtained
the

.

III

,

to

always that
belonging
Remember
the Society
you are fighting the battles
you
other writers
even
yourself and that you are
are reaping
direct benefit
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the
the composer
composer

(
1
)

(3
.) n

!

send

,

3
.

Before signing any agreement whatever
the document
the Society for examination

of

to to

.

to

,

do

.

.

of

'

do

2
.

Remember that questions connected with copyright
agreements
and publishers
not fall within the experi
ordinary solicitors
ence
Therefore
not scruple
use
the Society

Profit haring Agreement
bad form
agreement
this case the following rules should
attended
pro
sign any agreement
Not
which the cost
part without the strictest investigation
duction forms
putting the
give the publisher the power
Not
profits into his own pocket by charging for advertisements
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
otto
special charge for office expenses
Not
allow
anless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
give
rights
Not
serial
translation
any publisher
Not
bind yourself for future work
yourself
any one solicitor
As well bind
for the future
doctor
(4
.)

.

all

by

VERY

T
B

(6 (5
.) .)

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
business or the administration
of his property .
The
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
deem it desirable , will obtain counsel ' s opinion
without
any
Moreover , where counsel ' s
cost to the member .
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and
costs borne
the Society
1.

�TIIE AUTHOR .
AGENTS .
of

T

AND

authors should seek the advice
the
before putting plays into the hands
present an agent
As the law stands
play
who has once had
his hands may acquire
perpetual claim
percentage on the author
fees
plays
from
far
the placing
concerned
may
general rule that there are only
taken
anything for
very few agents who can
author
that he cannot under the guidance
the Society
equally well
better for himself
The collection
fees
many cases
intermediary
also
matter
which
required
purposes
For certain
such
the collection
general the trans
fees
amateur performances
and
frequent
petty
action
authorisations
with different
foreign
individuals
and also for the collection
fees
countries almost all dramatic authors employ agents
and
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals by offering
purchase
who propose
act
rights
any case
the author
the present state
agent should not
employed under any
the law
agreement approved
circumstances without
the
Society
,

a

do

,

of

as

.

or

,

of

of

to

by

.

of

an

be

,

in

In

.

an 's

,

to

as

in

to

in

of

,

;

in

,

of

of

,

in

,

.

on

of is

no

.

in

in

a

is

or

,

of

do

an

,

is

of

's

to
as as a
a
a

As

it
.

be

it

in

.

at

of

Society
agents

ITTLE

MUSICAL COMPOSERS

.

TO

WARNINGS

as

,

, of

be

.

.

be

-

to .

a

of

,

,

.

to

It of be

T

can
added
the warnings given for the
producers
assistance
books and
dramatic
pointed out that
authors
must however
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
performing right and copyright
deal with
He
especially
should
careful therefore when entering into
agreement and should take into particular consideration
the warnings stated above
.

,

MUSIC

.

STAMPING

in

all

time. This is most important.
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legaldistinction
is of great importance .
7. Authors should remember that performing rights in a
play are distinct from literary copyright . A manager
holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining a substantial
consideration ,
should
be carefully
for collaboration
9, Agreements
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself
the more carefully

AUTHORS

RAMATIC

U

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one- act plays should
be reserved .
5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and

DRAMATIC

a

(6.) Sale of performing right or of a licence to
perform
on
of percentages
on the basis
vary between
Percentages
gross receipts .
5
per
a
should
obtain
cent. An author
and 15
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
(0. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i.e., fixed
nightly fees ). This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (b. ) apply
also in this case.

an

42

on

.

in

.

,

. .

,

is

it

,

of

,

.

REMITTANCES

.
sent

by

be

or

Lane

,

Chancery

.

of

be

of

to

of

Smiths
Bank
letter only

,

to

give notice
The Secretary
the Society begs
that all remittances are acknowledged by return
post
All remittances should
crossed Union
London and

.

of

at

.

a

coach
The term
fiction
but poetry
possible
under
technical and scientific works
The
competence and experience
The
is

treated

.

of

a be

a

to

at

6d
.

2s
.

of

be

.

.

its

of

,

Readers are writers
fee
one guinea
is

,

special arrangement

to

be

in

.

of

,

at

's

to

.

will greatly assist the Society
this
work by informing young writers
existence
Their MSS can
read and

composition

or
a

a

of

to

D

,

of in

typewritten
duplicate
foolscap paper
the offices
forwarded
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared by the Secretary
stamped and returned
tant
One copy will
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may be obtained
the author only
typing
small charge
cover cost
Original Plays may also
filed subject
the same
play will be charged for
rules with the exception that
per act
the price

or

in

is

BRANCH

MSS includes not only works
and dramatic works
and when

, on

QCENARIOS

.

of

'

READING

of by

.

treated

a

AND

its

branch

asof

OF

SCENARIOS

PLAYS

6d

to

of

.

of

.

THE

MTEMBERS
REGISTRATION
ORIGINAL

of

stamp copies
The Society undertakes
music
part
per 100
behalf
its members for the fee
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
the
Secretary
then forwarded
and the voucher
members who are thus saved much unnecessary trouble
, ,

,

of

to

,

of

of

. on

be

.

,

a

An author must remember that the dramatic market
exceedingly limited and that for
novice the first object
obtain adequate publication
incomplete
As these warnings must necessarily
dramatic con
the subject
account of the wide range
further information
tracts those authors desirous
are referred
the Secretary of the Society

.

is is
to
11
.

.

the beginning

registered

�THE AUTHOR .
GENERAL NOTES .

by

.

de

to

,

do

“

,

I

a

.

all

of

.

is

a

is

.

.

its

,

of

I

,

.

,

,

it

a to

so

a

,

,

to
a
so

in

;

,

, .

-

its

of

of

norels soon become aware that
are peculiarly impartial
Just

.

,

as
a

.

or

,

by

—

.

of

or

so

,

far

of

as

in

or

-

a

in

of a

,

to

be

as

or

art
,

us

it
.

in

. , ,

a

is

,

a

—

I

what say
that
book
returned
reviewer with the plea that knowing the author
would prefer not
deal with
Let
however boldly face the fact that
some cases
to

)

me out

in

to

a

of

.

whole

fondly attached
you may
human being
and think but very indifferently
his
her taste
such
more homely and every day
thing
every
taste
dress
house decoration
writer must have many friends and acquaintances
whose literary work strikes them
less admir
every way than that
able
either the character
nature
intellect
its creator
coustantly
happens
every editor will bear

,

is

,

to

.

a

as

,

reviews

in

of on

of

a

,

.

of
to

,

is in

the book
Most writers

in

.

of

of

In

at

In

reviews can
certain
this case the rapid
appearance
reviewed
the poorly written books
the second hand market tells
own story
greater
The supply has been
than the demand
digest
and the reading public have declined

but

to

of

our

DRAMATISTS
consulting
the necessity
the
dramatists inside
the Society
Authors
separate list
questions affecting
their work
kept
dramatic authors has been compiled and
the office
the society
keep the list comprehensive and
order
accurate
members are asked
write
the
they become qualified for
secretary immediately
inclusion
the list
The qualification for such
play
inclusion
the public performance
performance for copyright purposes
other than
place licensed for public entertainment

in (
a

if,
,

of

continued

good

It

OF

LIST

view

of

.

“

is

-

,

a

.

,

he his

his
objects

On the other hand
extent sell bad stuff

he

in

,

and

No

it

,

its "

V

I

of

soof

on

,

showed

aims

speak
about
the top even
nothing than
few sentences however
notice of
enthusiastic
On the whole
doubt whether bad reviews have
really good work
though
ever
stifled
course
recognition
they have delayed

at

of

mio

a

In

.

of

. of

,

its

of

.

,

.

the

.

sympathy
with
organisation

.

of in

II
.

.

NOVELIST

sometimes hear
said that
one
reads reviews and this
both true and
companion saying
false
like
also
frequently heard among literary people that
No
one buys books
believe that many people
very much larger number
read reviews and that
people just glance through them
The length
review
most important
long review
your book
Better
with the name

in

.

W

.

A

to

W

.

A

a

the beginning he was not able
although
years
later

during
continue
many
occasions

at

be

A

.

as

A

OU

.”

;

an

.

.

of

is

REVIEWS

OF

WOMAN

,

.

is

,

of

.

a

to

,
to

,

of

,

30

,

,

it

go

p
.m
.

.

7

for

.

to

to

at

of

in

,

.

INFLUENCE

THE

on a

DUBOURG

.

of

of as

disinterestedly

.

.

to

Fisher
difficult

chronicle with regret the death
Dubourg
Another
dramatic author
Mr
the original members
the Society
Authors
has fallen out
ranks
He joined the society
very early member
dramatic author and was
the early days he supported
the council
the work
the society was doing
behalf
given
his fellow
dramatists but this support

We have

.

SOCIETY

.
very

this

Bill

on to

OF THE

the Society

.

to

is

is

in

Mr

see how

enforce
although

we quite under
stand that the United States have brought this
about through their own retrograde legislation we
pity that any country which has gone
think
forward
the great copyright ideals should now
back upon them
English works
With regard
the registration
great pity
we also think this
The action
retrogressive
not progressive
The less registra
tion the safer
the property
author but we
hardly care
criticise until after we have seen the
position

be

let

to

in

,

in

Bill
Personally
his

Ottawa

BY

proposes

interesting
to

It

is

be

their copyright

will

not

they

if

to

printing

going
register

is

It

in

.
do

to

it

done
Canada and that he
penalise the English
authors

to

,

United
the

the grass
steps with regard
say exactly
difficult

taking

till the draft Bill
our
would appear from his utterances that
stop the protection
awarded
States Copyright books
Canada unless

hands but
he intends

of

be

COPYRIGHT

Fisher has not

.

under his feet
Canadian Copyright
what he intends
grow

DINNER

of Authors will be
held on November 24 at the Criterion Restaurant
at 7
The chair will be taken
Mr Maurice Hewlett and the guest the evening
Morgan
will
Mr William
Members desiring
present are requested
make early applica
procured
tion for tickets which
can
the
offices
the society
conversazione will be
held after the dinner
indicated
the notice
the dinner sent
all subscribers
the society
to

Mr

that

see

THE

The Dinner

.

CANADIAN

We

43

�THE AUTHOR .

a

is

a

a

on

.

,

of

's

a

be

of

to

by

to go

.

It

is

or

it

;

to is To

.

a

to a

is

it

,

,

so

”

“

”

“

.

in

an

.

so

,

to -

is

-

is

—

no

.

a

of

.

of

in

as

,

is

?

a

of

of

iu

"

“

,

of

he

be

-

of

of

of

,

he

;

to
a

to

be

he

,

,

to

a

as

.

no

,

"

A

,

“

be

,

to

I

,

I

to in

a

,

. to

,

a

,

in

is

,

,

is

to

,

.

in

—

or

;

—

,

is to

's

an

in

to

,

.

a

of

,

to

is

it

,

,
, I

in

a

of

.

of

A

.

of

,

as

some

of

.

of

reviewers

.

have
honesty

minds

to

the best

as

.

or

in

which aroused the enthusiasm
the day
left
the last the question

,

it

.
L
.

R

of

his work

of

is

,

a

is

a

.

of

.

in

,

in

a

in

,

of

a

it

,

.

of

It

.

to

,

to

a

a

,

I

as

far

to

of

a

in

a

,

of

spite
Stevenson and
all that has been written
always had
the contrary Mr George Meredith
highly cultivated readers who
certain number

of

by

,

so

to

is

- of

-

of

in

,

happen
the one
with
Eliot
the formation about
him
small devoted phalanx
admirers who
print
whole heartedly proclaim
his merit both
and
conversation
has become the fashion
nowadays
group
call this kind
unofficial
group once formed
praisers
clique
Such
of inestimable value for
creates
demand for
the often very special and unusual work which
group
admires and such
often
the precursor
real popularity
This good fortune befel
never
country

said

this

,

.

of

it

-; ,

of

a

to

,

writer but which

a

to by

all

to

at

no

he

.

be

a

good

remember may
woman
writer
exception
George

he

,

's

;

,

of

is

by

,

a

,

to

happen

make some kind
effort
secure that the review
copies are sent out
good
the various papers
elementary
time
This which would seem
be
part
publisher
business
done
matter
perhaps
course by certain houses
but others
because their managers do not regard early reviews
particularly
important
take little
trouble
the matter
On the whole
editors and reviewers resent
special efforts being made
draw their attention
special book
though
this resentment
mitigated
altogether
even
removed when
the
absolutely disinterested
advice rendered
by
book
commercial sense may
made
fortunately
honest enthusiastic admirer who
large acquaint
for the writer happens
have
have
But though
ance
the literary world
my mind several such examples
cannot call
single example which was due
mind
the
personal friendship
the admirer with the author
power
Certain writers have
thus attracting
point
repeat was
sincere enthusiasm
case
quite
that
Robert Louis Stevenson who
clear never made the slightest personal effort
good
early review
secure
But there was
something
his personality
well
much

of

of

to an

of

an

or

's

be be

to

.

.

a is
,

when
reviewer receives
batch
books
newspaper
picks out almost instinctively
for early notice the books published
the good
Young writers
this
should remember
houses
when considering where
send their manuscripts
thinking over the terms which have
and when
been offered them
Probably the most fortunate thing which can
from

literature
would
well advised
make no
effort especially with regard
first book
when
has published several books
can
course

as

by
a

,

or

in

a

of

.

—

a

that

author influence reviews and
How far can
what every publisher will tell him
most impor
tant obtain early reviews
gifted with
Unless
most unusual power
push
and
business capacity which would
any walk
make his fortune
life except that

a

of

of

,

is
,
a

.

-

,

masterpiece
for by
unknown
every rule
There are
course exceptions
appreciative reviewer
the masterpiece may find
and the great man
the famous woman
book
may
treated with complete candour
but these
exceptions and will scarcely count among
will
the 69
100 reviews which every book issued
leading
publishers can now hope
firm
obtain
important
And this brings me
another
question
There
doubt
that reviewers
are impressed
the standing
the publisher
almost always they are quite candid about
can be hoped

writer

good was
the honest conviction that nothing
group greatly
done before
This kind
influenced that period
French literature known
puff
group
Romanticism
Such
each
appropriate
other
other term
the fervent
quite first rate
conviction that their work
On
the other hand rival groups are apt
crab
praised
the work
ever

to

,

or

-

of

-

upis

it .

,

to

by
a

written
well known statesman
woman
some other branch
who has made her fame
art will receive far more respectful treatment than

selfless

an

's

of

of

to
-

in
a

less value than
one which cuts
the volume
way which was more fashion
under discussion
day
able some years ago than
being
Human nature
what
reviewers are
generally
quite unconsciously
course influenced
by certain facts concerning the author
the book
they are about
very poor novel
notice
Even

touch of eager
enthusiasm
have the power of
eroking such
extremely valuable
sentiment
great mistake
suppose that
but
has
anything
personal
do with private friendship
popularity
often felt for
writer who
recluse and years may
before the master
and his disciple meet face
face
clique but
Akin
this type
lower
plane will
group
clever young writers
who all hold together and praise each other work

his work with that special

regarded

and

of in

is
-

It

to

.

a in

,

of of of

's

a

its

is

of

.

of

of

.

a

is

far

as

a book is given to a friend , and a friend who is
honestly anxious to extol the book as
possible
very
Yet such
review
seldom
satis
factory from the point
view
the author
invariably
better for any work
art
be
judged apart
from
creator
The personal
judging
element almost inevitably creeps
when
friend work and too often
friend
review
simply consists
that kind
mild praise which
perhaps
from
the point
view
the writer
infinitely
we should say
the publisher

I

44

the

�THE AUTHOR .

of to

in

up'

as
a

.

-

it
.

of

,

its

its to

,

at or

in

to

to

.

is

It

.

it

to

on

,

of

of

:

.

a

in

of

to

;

."

to to

!

is
a

a

to

a

,

of

of

at

.

,

it

.
, .

it

for

—

in

to

of

'

,

.”

of

to

.

as

a

of

's

of

of is

It

.'

a

a

.,

or

of

—

of

,

is
a

-

of

,

or

of

.

in

he

do
so

he

,

of

Society knows
found
allow
that the Authors
anything about the publication
books
music
composers
the value
the property
writers

'

,

or

or

of

of

of

its

of

'

This publisher does not affirm that the Authors
Society does not understand the question
the
production
music for
could not
but
carefully suggests that conclusion
his curiously
ungrammatical sentence
No publisher
books
music will ever be
to

of

in

is

,

in to

it

of

an

.

of

to

no

in

The Society
Authors may understand the production
very different thing
books but music
the author
years over the MS but many
book may spend months
composers
write dozen pieces day
composers could
could

or

was explained

The Author
extent
advance
the
present antiquated documents which most music
publishers
delight
issue
that the committee
accepting
had
hesitation
terms and
recommending
them
those composers who are
members
the society
issue

.

to

,

is
a

by

,.

as

such

. ,

May

is

the

But

It

a

management
perfect agreement

not
to

committee

.

of

.

&amp;&amp;

-

of

to

in

in

is

still being
stir has been made and
made
regard
the musical trade papers
the agreement that was settled by the
Copyright Sub committee
the society with
by the
approved
ner
Bell and
Messrs
Stainer
Bell
and approved
the

pub

assigning

Nearly one
Here
record
look back upon
hundred years during which time the publisher has
sole
the composer
obtained the assignment
rights
glaring example
indeed
the
ignorance
some owners
the value
their
own property

a

COME

as
a

:

.

to

our nearly one hundred years existence
lishing house no composer has yet complained
his sole rights

.

.

AGREEMENT

.

to

"

'
all
. s

at

the composers are

earnest and
this
they will make
necessary
doubt
this firm
concern itself about the agreement
Now
the time
come into closer combination
and
united effort
make firmer the advantage
that has already been obtained
Another publisher says
there

us

'S

MUSIC PUBLISHERS AND THE SOCIETY

Messrs
does not

of

But

of

,

by

do
&amp;
us

concern

to no

to a

of

a

.

not propose
criticise the details
really
inspiration
because

Bell

if

.

on

, ,

in

it

is

of

,

it

all

We

Stainer

is

,

be

to

is

it

In

by

.

at

to

leading
statement
come from
legal
Audi alteram partem
house
evidently
motto
which
this firm
has never
Why the whole band
musical composers
heard
wild with discontent
the agreement put for
this and other houses
ward

What

publishing

is

to of

he

a

of

say that our present agreement with
both their and our mutual satisfaction

by

of

in

in

to

a

as

;

,
if

to

,

it,

or

in is

We have only
composers works

In

.

of

,

or

are

in

.

or

a

to

'

or

;

,

-

of

to

on

,

on

or

?

,

,

or

hidden from those whose business
the watch for
and even the cleverest critic once
tried and found guilty
his editorial judge finds
gone
reality
his occupation
those
position
know
the facts must feel
absurd
discuss the question
for
obvious that
writing dishonest
no man
woman capable
likely
position
any
criticisms
attain
importance
the critical world

serious criticism
the agreement has been put
nothing but vague generalities and
forward
crude statements
facts relating
methods
publication
vogue
hundred years ago
Here are some examples
“

,

is

of

to

he

,

be

man
woman
His rewards
allows either
are
him
enmity
influence
friendsbip
extremely meagre and last but
very short time
impartiality can never be
lack
For such

work
adopt the same
The music publishers desire
position now
impossible
comment
detail
the numerous letters that have been
published but
say that no minute
will suffice

is

of

on

he

to

or

,

to

,

it

in

, -

a

community
every
There
dishonest people
profession and walk
life
but
matter
fact the modern critic has really less temptation
dishonest and less excuse for vielding
that
professional
any
other
temptation
almost
than

contempt

“

its

to

of ,

in

,

disappointment the author
the article had
nothing new
say
suggest
even
the
subject
fact
was very clear that
was not
critic and knew very few critics for he asserted
that the criticism
fiction
almost always
persons who are themselves novelists
entrusted
say that most
and
went
these story
tellers know each other and they naturally praise
each other
the quid pro quo principle
But why should the honesty
book reviewers
be discussed any more than the honesty
any other class
butchers
solicitors
the

imperfect shape the music publishers
E ven in
will have none
History repeats itself
About five and twenty
years ago the leading publishers tried either
society
laugh
down the Authors Society
lofty
amateurs
hold
their heads

"

,

I

?
"

“

I

a

as

Once when walking through a railway station
newspaper bill bearing
noticed
sole
question
contents
the ominous
Are Book
immediately
bought the
Reviewers Honest
paper feeling the interest which
every writer
my great
books must feel
this question but

45

�THE AUTHOR .
WRITERS AND JOURNALISTS
IN GALICIA
(SPAIN ).

ENGLISH

publishers would delight their public to think .

The remark of the publisher quoted referring to
composers might be reversed with

of

aim

of

all

,

of
it

aim

to

is

It

is

a

in of

“

to

is

of

of .

of

.

a

to To to

of

”

of

1

,

of

.

to

.

-

to

,

in

to

of

.

S
.
S

of

in

it

of

.

,

in

of

by

,

all

at

as

step

-

.

,

of ,

,
at

for

a

,

;

of

!

in

.

,

in

a

, .

!

-

,

to

a

up

,

At

”

its .

. .

,

of

,

.

“

a

-

by

,

in

;

in

.

,

.

,

of

vicinity proved full
Mondariz
and
the
pastoral scenery archæological problems
charms
history
and mediæval
The great feast
the
Virgin del Carmen was
picturesque scene
peasants devotion and gaiety
strange mingling
prayer and dance
bagpipes and
the drone
tap
Lastly
drum
Salve Regina was sung
before the bishop and monsignori clad
rich
vestments while the peasants
many colours and
the beau monile
Madrid
all bearing lighted
of

,

,

a

,

a

of

.

of

to

in

,

,

in

a

.

,

on

a

of

,

is

of

.

at

to

,

&amp;

an

,

his subject

proved indefatigable
their efforts
these
Spanish gentlemen spoke English perfectly
August
What surprise was Galicia
Not
dried
land
but one
rich valleys grey rocky
mountains and wooded hills
As one motored
away from Vigo
sharp con
Mondariz what
trast the scenery gave
palms and vines heath
and maize blackberry bush and mimosa grores
Dartmoor with its tors and Greece with its silver
grey bills and deep blue bays
Mondariz the
Spain are all bad was demolished
idea that hotels
palace
here was
and
the ball room the party
was received
the Señors Peinador and
brilliant
group
notables
God Save the King
and
the Spanish Royal March were played and Mr
Campion chairman
the delegation and the hon
secretary responded

,

in

for

is

,

;

a

.

in

,

.

,

indeed

of

."
&amp;

of

to

by

,
is

,

it

a

by

do .

is

.

is

, it

's

item

Galicia was made and
other places the party was
received
the dignitaries
the province
and
town and the ladies were presented with choice
bouquets
The president and the vice president
the Galician Tourist Society Señors Oya and
Barreras
once took charge
their guests and
here

'

“

.

,

do

,

to

,

of

.

. ,

is

member had some interesting

brought before him
At Vigo the first

,

in

In

.

,

. of

or

a

,

in

to

.

It

of

in

.

were

,

is

of
In 15

.

,

so

is

,

to

of or

do

.

,

in

If
,

case the attitude
Messrs Stainer
Bell the
publishers
They
attests
not desire
rob the
publishers
equitable control
All they ask
their own property
not infrequently the case that the public
and the individual who have been allowed the use
property for
long time impudently
other
assert that
Many examples there
their own
history and
are
history generally the strongest
has succeeded
Let the composers then show that they are the
stronger party and then they will succeed backed
with the knowledge that justice
also
their
side

Spain

those who joined the Booth
Hilary
journalists
special sub
who were experts
jects and
was remarkable how almost daily each

Most

-

a to

is fit

It

.

.

,

of

a

to

is

do

It

is

,

It

would appear from
careful perusal
the
whole correspondence
that the publishers either
ignorance fail
wilfully
grasp
not desire
the importance
the position adopted
the
composers
they
not think that the composers are
raising these points
real earnest
the
composers
show them
that they are mistaken
Let the composers combine and by
united front
force the publishers
recognise the great issues
stake
The composers backed
the society are not
asking for anything unreasonable
that this
the

to

is

.”

of

2

.

's

as

,

an

Lord Beaconsfield
political opponent
that
petulance
not sarcasm nor
insolence invective
impossible
think that letters
this kind
can
the writers any good
Messrs Stainer
against
any harm
Bell
whom they are written

of

Province

,

do a

,

"

,

to

issued from
important firm and published
September
the Music Trades Review
that
the firm has passed beyond argument
this case
that saying might be quoted
aptly applied by

, F . R .G . S.

BAKER

the
International Associations
the Press
spread knowledge
the
journalistic life and work
conditions
lands and
strive for
betterment
these con
ditions
work effectively for this
necessary
knoir the life and language
the
people
gain this know
other countries
ledge that the members
the British International
Association
Journalists have accepted invitations
Accordingly the writer
visit other countries
was glad
receive an invitation from some
the
principal residents
arrange
Galicia asking him
twenty one members
visit
the Galician

,

a

if

on

to

can
increase the value
his copyright
The inference left with the reader
that the
publisher will treat composer No
with but scant
courtesy and fairness
he has not thought
make himself the publisher
servant
candid and damaging confession
But perhaps the most curious letter
all
one

HE

of

will

enters into
publishing
agreement
the royalty basis only giving
publish because
licence
the publisher will

BY JAMES
M

à

a

he

to

he

a

larger sales than

he

get

all

his

if .

is no argument for or against the
agreement which has been published
Another publisher states that
composer
assigns
copyright subject
royalty

of

It

of

authors and
equal truth .

,

vet there is clear eridence every day in the work
of the society that it is not so ignorant as the

of

46

�THE AUTHOR .
candles in the procession , formed a veritable scène
d ' opéra .
From Mondariz , again in motors , the members
were conducted through a richly varied country ,
first to Pontevedra , the town where the ship of
Columbus, the Santa
Maria , was built , and
where the churches of the eleventh
to the six teenth centuries were intensely interesting ; and
then to sylvan Lerez , a town famous for its rich
mineral springs , where the party was received
with flowers and music , and the vivas of the

crowd .
From
Pontevedra a run was made inland
along the sea coast , to the island of La Toja .

and

All

the motors halted at the entrance to the new
bridge , some 400 met . long , linking the island to
the mainland , which the members of the British
International Association
of Journalists were to
open . On the island is a vast palace of an hotel,
and an extensive series of baths both for rich and
poor . The waters here are of the greatest value
for skin and other diseases . All Galicia makes
holiday in August . Here the local regattas with
twenty - four - oared fishing boats and the peculiar
little sailing boats , Gallegan singers , and peasant
dances and fireworks

,

afforded entertainment

Galician loves fireworks .
Fortunately, cool rains and

fresh breezes

.

population gave a hearty welcome - army and navy ,
Alcalde
and councillors, and the “ fashion " of
Corunna , never forgetting the courteous Pressmen ,
who arranged so much , and so assiduously aided a
better understanding
of the local history
and
customs .
The grave of Sir John Moore , the house
in which he died , and other places connected with
the famous campaign , were full of interest . Then
the hosts of Corunna motored
their guests to
Ferroll , where the dockyard authorities and the
English firms who are building the new Spanish
navy received
Quitting northern Galicia
them .
they made for Vigo , whence had emanated so
much organisation
for the tour ; here there were
fresh delights — courtesies from Alcalde, council and
other authorities , and from the Marquise Merced
del Paso at her castle of Montreal at Bayona . It
was with regret that the party bade good -bye to
their friends of Galicia ; much had been learnt
the developments under great difficulties , the gay ,
yet hard lot of the peasants . Surely with such men
to guide her , there is a great future
in store for

Galicia .

The

brought

alleviation
from
the heat , otherwise the work
before the members , with Señor Barreras to goad
them
on , might have been too much .
It was in rain
that they steamed round the island of Cortegada ,
which is soon to become the Osborne of Spain .
From here a salute of homage was sent to their
Majesties the King and Queen of Spain , and at
Santiago a gracious reply was receired saying that
their Majesties were deeply touched by the salute
and homage .
At Santiago - as everywhere - there was a warm

welcome ; the Press of the district , the learned
Eijo , Señor Don Oviedo , and the Alcalde
Canon
and councillors formally gare a greeting to the
party .
Three - and - a -half days were spent in this
vondrous city . So closely is it linked with English
history that the writer , speaking at the Ajunta miento , was able to give for the year 1395 the
pames of the ships leaving Hartlepool, Dartmouth ,
Newcastle , and , above all , Bristol , with pilgrims
for Santiago ; no less than 660 pilgrims sailed
from Bristol alone .
The churches , chapels , and hospitals , are full of
wondrous detail , and the Cathedral and Church of
study .
San Martin
demanded lengthened
The
swinging of the great cepser is an exciting and
strange rite , only gone through three times a year ,
but the visit was timed to see it .
.
After leaving mediaval Santiago the party ran
northward
to Corunna , where the whole of the

47

THE INSPIRATION

OF

POETRY .*

ais

book is warrantably , even appropriately
named .
The first chapter is entitled " Poetic
Madness , " the last “ Inspiration ,” and in one
as in the other the subject is not shirked or eyaded ,
but discussed .
The discussion takes the form of
marshalling the testimony of the poets , and the

M

I

author' s point of view is determined by his faith in
the reliability of the evidence massed , and amounts
against
to remonstrance
the attitude, based on
practice ," which would
“ academic , second -hand

reality to the poet 's experience . ”
These
chapters form a reminder of the constituent ele
ments of the waters at the fountain
head of
inspiration .
The elements are the emotional and
the intellectual , or , as Nietzsche synonymised them ,
the Dionysiac and the Apollonian . Without over
looking Apollo 's share , the Dionysiac
portion is
brought into greater conspicuousness than it has
appeared for a long time in such studies .
From
his definition of the poet as “ under excitement ,
presenting the phenomenon of a highly developed
“ deny

in a primitive way ,” Mr. Woodberry
into speculations on the history of emotion .
as a result of which he suggests the theory that the
emergence of man from the brute stage of life was
accompanied by an
outburst
and increase of

mind working
is led

emotional power , and he considers it plausible that
- - -- " The Inspiration
of Poetry , " by George
Woodberry . New York : The Macmillan Co .

Edward

�THE AUTHOR .

Golden

by

him

in

. .

no

,

on

of

.

It

to a

To

. of

to

of

to

.

is

to

as

"

“

the most simple
statements and the most innocent allusions
complaint
Heresy was
frequent
cause
Political topics were most risky
was dangerous
for the philosopher
the man
science
the
put his learning before the public lest
scholar
arraigned
he should
and fined
tortured
was indeed difficult for Christian
arrive
the
Promised Land
there were other censors still
lurking
and
the author passed
these the
monopolies
Stationers
Hall
the publishers
ruined him
get £2
was little use
£3 for
pamphlet
pay £50
you had
£100 fine
appear
Dramatists
have had rather more
in

that treason and sedition lurked

.

It

at.

to or

'

or

for

a

to

.

or

to

to

or

.

if

if

,

,

to
-

in

,

of

.

,

.

, , of

, of

of

by

.

all

to a

is

,

.

of

by

",

by

.

.

. ,

D

*
“

in

The Literary Profession
Age
the Elizabethan
Phoebe Shearyo
Litt
Published
the Manchester
University Press

careful research
Methods
advertisement
publication
prices theatrical takings
methods
and book earnings
sordid tale
Lastly the author has
explain
the many
supplementary
means
livelihood employed

It ,

too high

.

the standard

of

;

of

.

a

raise

.

not

to

is

to it

at

it,

but that

but their pay was miserable and even
their works were produced
under the highest
patronage the risk remained
All the horrors
this hand
mouth existence
many instances from the
are vividly put forth
mouths
the authors themselves
But the other sides
the literary profession are
also dealt with lucidly
and show the result
freedom

of

of

—

in

by

.

to

-

in

-

of ,

,

of

, is

at

in

the literary professor
the Elizabethan
perhaps more interesting than
any other
period because at that time the birth
printing
was bringing into
possibilities
existence new
wonderful and far reaching and
the opinion
authority
those
full
fearsome and startling
dangers
Men were beginning
live
their
writings without the aid of any other profession
poor livelihood
but
the best
was
The
dramatists seem
have had slightly the best

,

But

Age

It

of of

.

the society

-

to

to

,

A

of

BOOK dealing with the literary profession
must always be
interest
followers
that profession and therefore
members

of

,

,
if

THE

.*

IN

LITERARY PROFESSION
ELIZABETHAN AGE

THE

be

to

or

.

the

The most serious
these was the Privy Council
and the Star Chamber
breathe
word against
bring down
their ruling was as likely as not
their powers
crush
the unfortunate
doubt took some real courage
the part
Milton
Areopagitica
courage which the
write his
presentgeneration
inclined
undervalue
they read his perfect and easy periods
prove
There were
host
informers ready

or

to

second

the

of

of Gibraltar

Straits

with

.

the

dealt

are

of It

from

Horn ."

These

censors

chapter

a

criticism
is the skilfully sus tained assertion of the fourth chapter : “ It is an
poet . . . .
error to think of Byron as an English
He was rather a poet of the Mediterranean world .
There he found the main material of his works —
the motive , the stage, the incidents, and the inspira ranging
tion . . . the scene of bis imagination

if

a

of Mr. Woodberry 's

At the best the drawbacks and hindrances were
serious : there was , firstly , the drawback
of the
patron , which as likely as not turned the author
into a miserable whining tout ; but next , the draw
back of the Star Chamber , which might bring the
unfortunate
author to the torture - chamber or the
prison ; and thirdly , the bitter monopolies
of the
Stationers Company and the publishers .
The first chapters deal with the evils of the
system
of patronage , and many examples
from
contemporary writers are given of their unhappy
lot .
The whole picture would be contemptible
it
There were one
were not at the same time so sad .
or two notable exceptious , in which the author was
treated as friend , but generally he was handled worse
than his master 's dog . If, however , the author tried
to be of free and independent spirit , that spirit was
most probably crushed out of
the official

to

emotion was a main condition of the gradual
advent of intellectual life .
In the other chapters the general remarks illustra tive of that passion and power of life in which
poetic energy consists are applied specifically to
Marlowe , Camoens , Byron , Gray , Tasso and
Lucretius . The writer is aware of the apparent
inconsistency of Gray ' s position in such company ;
contending nevertheless , that though the work of
minor poets be in low relief, yet, if the theory is
sound , they should show in their degree the traits
of the grand style . The essay in itself is excellent ,
but the advisability of inserting it here without
fuller explanation is open to doubt , as it ushers in a
question separate
from , albeit related
to , the main
thesis .
The author ' s assignment of the poets treated to
their places in literature is marked by catholicity
of taste , breadth of scholarship , and an almost non chalant, logical , if not irrefutable reasoning which
lifts them from their traditionally allotted niches
and insists upon their association with other regions .
mental or physical , with which heretofore they have
not been sufficiently identified . One of the most
brilliant instances of this important characteristic
such

of

48

�THE AUTHOR .
a

a

as
of
a

is

.

,

, ,

others
value

“

,

less interest
whole

."

.

common with
very considerably

at

all

CORRESPONDENCE

FUND

Society

.

,

—

DEAR MR
THRING
Will you kindly convey
the Chairman and committee
the Authors
Pension Fund my heartfelt thanks for their generous
award
me the wording
which touches me
deeply
viz that
the only recognition
my long services
their power
literature and
high example
sincerity and sound work
Pray
assure them that
look upon this pension
honour that gladdens my autumn
life besides
also
handsome staff that will greatly help me
my road
the remaining stages
For however
hopefully
begin
mind
discern the Gate
looming nearer ahead
undeniable that declining
strength
body makes my work less
happiness
increasing years
and more weight added
that
my
For some time past the wish has been
help other writers like myself
mind
this
end
destined certain earnings
some £600
capital
now seems
me that
the Authors
accept this
gift
Pension Fund would see
allowing me the interest during my lifetime
should joyfully hand
over
them now
instead
bequeathing
later
help
The Society has
often been
me and
many
among my
number
its members
accept
friends that
trust this small gift may
able
and accepted
them
token
true
gratitude
sympathy and
their most kind act
comradeship

'

of

in

"

is

it

to

an

on

,

of

I

as

."

of

, .,

,

.

to

is

To

as
a

,
I , '

if

,

,

to

of

in

of

for

as
a

by

I

be

so

of

so

it

. it

to

to

fit to

It

. I

,

in

.

to

in

.

of

to

a

of

it

, I

in

of

a

.

,

,

.

CROMMELIN

.

,

,

21

,

.

May

of

”,

two

Contributor
Editorial Attitude

"

one

or

add

“
A

like

."

called

“

which

should

those related
forth
The

byto

.

1

,
-I

DEAR SIR
experiences

to

is to

ATTITUDE

.

THE EDITORIAL

at

by

"

)

17

,

.,

(S

-

16

, .

it

to

.

of

",

Once more thanking the committee
Believe me
Yours sincerely

,

“

's

Edward

the brown

,

to

of

a

(

Omar Khayyam
covers will attract the notice
those who remember that Mr Quaritch
one
persuade the public
time found
difficult
purchase the work
An opposite phenomenon
July
otheby
presented
Purchas his
Pilgramage
presentation
copy
3rd edit
1617

edition
wanting

Fitzgerald

a

July

of

of ,

(

Sotheby

Holy Cross and the
Edmundsbury
The sale
copy
for £38
the first
Waltham

21
)

Abbatial Library
Monastic Library

St
.

a

's

)

22

The Ruston sale Sotheby July
number of ancient MSS from the
of of

. of

an

of

.

by

21

sales
included

season

,

the

,

of a

at

, ,

18 of

on

,

of

-

in

,

of

publications

sixteen

Kelmscott Press were offered
June
and
July
respectively
Sotheby
The preface
unusually large proportion
remarks that
collections
books has been
feature
this

of

-

. ,

;

”

16

of 26

on

“

of

.

,

58
.

the other

in

and

of

,

”

by

“

,

entitled
Address
£190
and
July
sale
the same firm
another letter
his £235
At the same sale
June
the first
Aldine edition
the
Terze Rime
Dante the
first Aldine showing the well known anchor sold
eighteen
for £6
Collections
the one case
fetched

,

, -

15

to

Pitt

of of 16

as

's

At

'

,

17

.up

,

as

a

.)
,

of

(

,

18

's

.

,

29
,

to

, .

his letter
William
the Scottish Distillers

of

,

",

as

of

a

,

in

of be

,

in

to

-

“

of

is

1

T

the concluding number
the 24th
volume
Book Prices Current and
very full general
usual contains
addition
preface
Index
which will
found interesting
remarks respecting the sales
the season 1909
1910
The sales recorded are those from June
July
inclusively
1910
1910
Authors will
interesting Sotheby
probably
particularly
find
July
large pro
sale
etc
which included
portion
many books
belles lettres
well
Sotheby
which seldom turn
sale June
and
Burns original holograph MS draft

I

HIS

,

.
5
.

NO

of

XXIV

of

to

.

.

VOL

.

PRICES CURRENT

-

BOOK

Authors

.

of

.

PENSION
the

To

.

THE

Secretary

the

of

,

,

,

.

as

is

It

,

on

on

. all

.

schoolmasters
The book has undoubted claims not only
those who write but also
those who read
well that those who have received
times
infinite relaxation
from
the highest
literature
should know with what heartburnings from what
misery amid what sordid surroundings their
pleasure has been manufactured

,

in

,

fallen

in

,

at

,

have

in

,

by

i.e

. .,

in in

of

.

,

of

or

for

.

Dramatists took
shares
other
theatrical
some even shares
the house
the
patrons
theatre itself
Some werc salaried
While authors
books went into the professions
clergymen tutors private and
the Universities
ventures

inscriptions, knocked down at the same sale
July 1908 for £270
£101 having sold
As the preface points out the present
bad
good time for
time for selling rare books and
purchasing them
Rare and expensive books
with

,

make both ends

to

order

in

dramatists and authors

meet

49

�THE AUTHOR

to

.

is

it

,

?

I

is

to

no

.

I

an ?

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,

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of

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to

to

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of

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a

a

of

be

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to

,

,

.

's ,

any writer gamble
personal
we hanker after
success
must not complain
the rules
the
pure
table
chooses his own table
artist
investor not speculator
can
down
cheerfully
bread and cheese
his half crown
;

he

,

.

it

:

a

,

the publisher
This fact publishers who object
bankruptcy must take into consideration
On the
neglecting the
other hand should anyone
them
publish books only because they
travlesman
view
constitute
sound literature
would shortly find

-

far

.

to

,

.

,

advice

he choose he can even
novelist be
suc
cessful tradesman
few prove
ut
he respect himself
an artist let him
poverty
remember
too
that the crown
and ignominy honest artists
like the author
The City
Dreadful Night
and Clarence
Maugan attained
thousand
times better
present and passing
worth having than the crown
social and monetary success which
tradesmen
B

of

an

,

by

of

a

an

of

with

the other

one complain that publishers are trades
they were not tradesmen
men
and successful
they could not continue
tradesmen
exist
Personally
have the greatest admiration
for
trade
And let every writer remember too that

“

of

-

,

”

in

-

,

of

is

is

, ”

;

one

than

ought
Let

of

to

“

.
, of

of

,

”
“

is

.

“

-

*

he decided was by
The former
had published
anonymously
fell dead from the press
The
expected
latter had the success
book
published under his name
When
writer has
reputation then sheer drivel from his
established
pen will for awhile be read with pleasure and pay
novels

it

I

if

,

: t'

it

Roman the Unitarian
the Materialist
all under
preconceived ideas see contradictory
the influence
aspects
the same one thing they regard
Kipling his worshippers
drivel were possible from
would adore
the supreme
the supreme were
presented
us from
unknown writer we should
require the guidance
authority
imbue
with
preconceived ideas before we could worship
we

,

.II
in

"

“

do

"

-

_
"

,

",

Fair
Jane Eyre
Vice Versâ
and
doubtless
many others
The fact
that any well established firm
publishers
making money
one which
skilled
by the publication
books and any book
certainty
profit
established author gives almost
while the best
books by
unknown man may
fall dead from the press
James Payn
whom
On looker refers proved this
He wrote two

better

,

a

to

,

-

byin

.
for

;

-

,

Young

On looker
prove
his paper going
editors
not read the manuscripts
might perhaps have used for argu
unknown men
Vanity
ment the early history
the MSS
SIR

that

,

I

.

of

.

,

a

to

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all
-

of

to

."

,

to

he

-

I

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a

;

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if

in

ERNEST

success
have tried
more than once and
never failed
Let him take any more or less
unknown passage from some established romance
chance audience with an
writer and read
expression
contempt
All those who don
recognise the author will agree with him that what
he has read
rot
Publishers
have not
deal with reasonable
except myself and you who
customers
we
authority
read
think under the gouvernance
and preconceived
ideas
The Protestant
the

. I

,

.

.

in A

,

of
"

“

the

describe
the benefit
looker
interest
ing little experiment that he may try with certainty

of

,

;

to

,

of

and the names are enclosed for the benefit
editor
The Author who can show them
Editor
confidence
thinks desirable
Yours faithfully

for their own
even the skilled
labourer who
right
honest but starving has
demand
employment from any capitalist
will
And our revered clients the public

is
“

.
to

.

in

.

to
a

I

an is

it

a

(2
)

,

(
3
)

payment was made
Several months afterwards
wrote for my fees and
learned
the publication
received them
little later the same paper published
kept look out
another article
the same way
saw
the article waited another month
and then
wrote asking for payment
The three papers referred
are all well known

a

:
a

it to

in

to

a

,

.
I

.

,

is

It

He

and did
yet unpublished

be

-

of

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as

to

an

I

by

was asked

so

I

(
1
)

editor
write
short
received
two years ago
wrote
March last
complain
reply
and got
the effect that the
editor had been changed and the story mislaid
story
January
Another editor accepted
1909 but
still unpublished
paper
sent
article
the article was
published but no proof was sent
me and no

story

.

himself in the bankruptcy court or a lunatic asylum .
It was by sheer chance Hardy stuck to a profession
that carried him to the top of the tree ; and we all
know the history of Meredith and his works.
We must not kick against the pricks
hare
myself lately had the MS
book
returned
publish
me with most courteous refusal
And
from
like courteous explanation
clear the
possibly because
book has not been read
told
question that
the publisher
successful
would
read
four people and four people only
England
But what complaint have
Some
publishers don
produce books for my benefit bat
in

to

am

I

of

.

of

try

The editor who wrote the latter , remarks , “ The
waiting for years ' notion is far from being any .
thing like the rule , sporadic cases notwithstanding ,
and with it may be bracketed the notion that
wriggle
editors publish
contributions and
writing
paying for them
respon
out
sible editors
established journals
The experiences
refer
are
follows

of

50

�.

it

,

.

-

PUBLISHING

SIR

of

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is

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to

of

of

of

to

be

no

ebnliitions
Celtic
Latin blood
Shakespeare without
single
Our possession
permanent répertoire theatre where his works may
surely huge joke enough without
seen
new
academy composed
worthy professors
Yours etc
WAYFARER

if

do

,
or

,

to

se

it

,

is a

commentators
dead authors rather than creators
living literature and they are not
appraisers
likely
inspire confidence
the proposed awards
aspiring authors
made
many foreign critics
proved
the claim
once and for
time true that the Anglo Saxons
have
and that the seeming exceptions which
might prove the contrary are due merely
Is

an .”

as

"

per

-

or

,

Pure literature
has nothing
with
pre historical research
historical
the evolution
may contribute
language though
both
noticeable also that many
the learned
members whose interests are literary are critics and

or

say that
Publication
should like
think
would
unwise thing for the society
have
any business concern
any interest whatever
might prevent the officials
the society from
dealing
independent fashion
They might
feel bound
bolster
the society own publish
ing venture
Even
this was not the case those
who were anxious
find fault with
the society
would always claim that the action and dealings
the society must
biassed
was connected
agent business
any way with
publisher
any way agree with what your corre
do not
spondent states about Mr Thring advice and the
publishers
dictatorial position
have found
Mr Thring advice very useful and have found
publishers willing
alter their agreements
order
meet the authors
cannot say about
other authors but personally
have never been
publisher although
black balled
has
my connection with the society
known
Indeed
the publishers took
into their heads
black
ball
all those who were members
the Society
very few authors for
Authors there would
they would
publish
whom
able
be

be

.

“

of

unchallenged
apart from

accepted
these can
pure literature

"
?

in

workers
learning

not without amusement that
have
the October number
The Author the
letter signed
with regard
Co operative
read

in

-

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as

How many

be

to

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its

in

is

in

OPERATIVE

sic

(

“

,

original members

“

.

on

.

-

the

to

is

If

stating that
object
Times
correct
represent pure literature
the same way
that
the Royal Academy represents the fine
arts the Royal Society science and the British
Academy learning
then
most disastrous start
has been made
the selection
the twenty seven

It of

.”

.

last month
the

issue of The Author for some comment
newly constituted Academic Committee

to

or

.

hope

's

--

COMMITTEE

vain

in

looked

I

,

SIR

ACADEMIC

in

THE

an

to

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be in

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“

to

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.
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.

CONSTABLE

in

to

or

work which has undergone any revision
altera
tion
then the only objection seems
be
the
the term and the term must be altered
definition
the word
issue
which he suggests
his
letter
but the fixing
unit seems
not
only practicable but essential
Mr Hubert Haes
really
further says
his letter
does not
matter
the public how many copies constitute
beg
edition
issue
On this point
take
exactly the opposite view
Yours faithfully
ONE INTERESTED
”,

It .

?

be

,

in

.

in

,

in

us
.

honest striving
manifest the spiritual

is

God and his fellowmen
should there
not
fulfilment that we

Why

51

;

and write
result

room

will

no

- week

There

be

a

for

THE AUTHOR .

of

,

in

-

on

co

,

in

of

of

of
by

, ,

to

of

is

,

—

,

,

or
,

.

in

.
F
.
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as .

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or of
if

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at

.

to

if

,

“

30

”,

or

a

it

2
.

“

operative publishing
SIR
The subject
which there has been some correspondence
The
surpassing interest
Author
writers who
having adopted the usual methods
publication
pocket
have found themselves out
the trans
many months
receipt
action
after the lapse
exiguous remuneration
for their labour
gather from the letter
your last
proposes that the Incorporated
issue that
of

such

seems
me absurd
What reason makes
impossible
the unit was fixed
000
say
500 were published
half
edition pub
quarter
lished
edition published
were published
000 were published
twenty editions
Mr Hubert Haes inter
prets the term
every issue
edition
the

if

II
.

.

of

,

obtain

.

-

.

is

impracticable

to

is

”

an

that

it

suggestion

upit

under the signature
Mr
your last issue dealing with the
interesting
Edition
but the

in

-

of

*

Hubert Haes

Unit

Edition

The letter

,

SIR

OF

THE UNIT

AN

,

Yours faithfully
MIDDLE CLASS

�I

in

to

of

in

to

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co

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is

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a

is to

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to

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It

is

or

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a

on

,

on

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is

of

I

,

am

it

in

be

a

,

.

,

to

is

.

,

.

IN

,

.

of

of

,

to

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a

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is

,

of

an

of

be

be

of

To

of

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.

of

.

I

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of

or

,

an

a
am

in

I

of

a

for

be

to

be

to

then

from

pirate

.

sale

,

Yours faithfully
GIVE AND

TAKE

.

by

in

interfere with

photograph

the photographer
allowing not more than

its

,

or

a

work

a

a

.

to

,
?

from

.

in

of

.

-

be

of

of

—

.

; to

,

,
in

cent

of

.

,

safeguarded

publications

scientific

any book
material
copyright illustrations
No one could
per

.

,

at
,

be

of of

of

.

.

while

a

,

.

of of

to

co

on

extracts

not single detail may
used
without payment
The benefit
ten

have read with interest and sympathy
operative publication
letter
the
issue
The Author
As one
those
of

To

.

of

,

a

of

on
a on

book

would

III
.
F ,
'.s —
” I

to it
is

to

. of

.

to

so

.

be

I

CRUX

PHOTOGRAPHS

copyright must
SIR
The question
looked
not only from the personal point
view
but
knowledge
also from
the point
the advance
private rights should
The real test
that
the probable profits
the author should
not
uphold
reduced
entire right over every
photograph for about eighty years outside
every
expected
profit
knowledge
detriment
without any reasonable gain
give
instance many continental
writers
desire
use one
two illustrations from books
my own one man took nearly half his illustrations
from me without asking
raise no objection as
all for the good
science
But when want
photographs made by
few portions
use only
Germans
met with copyright claims that bar
any way detract from
the use which could not
Why should
newspaper
their expected profits
pick the plums
allowed for profit
new
be

a

to

,

he

,

of

a

of

,

it

in

COPYRIGHT

of

-

to

to

at

,

a

. of .

of it

had undoubted

kind that appealed
The author also printed

a

he of

I

to

as

of

.

,

a

,

The poem

limited class
readers
simple but attractive
leaflet which with the
assistance
his wife
addressed and posted
friends and likely customers
He also sent copies
the poem
various papers with some
which
slight journalistic connection
had
The
result bas
far been satisfactory
The total
amount
cash received has
course been small
printing and
but
has repaid the entire cost
publication
profit
with
fair margin
The
poem has been well reviewed and the author has
with quarters which
communications
established
give promise
literary employment
remunerative
the future
glad
shall
have your views and those
your readers
the prospects
this mode
larger scale
publication
Yours faithfully

“
D

Yours faithfully

to

on

to

as

a

very short poem
self
merit though
was

October

it

-

,

be

,

to

,

by

a

)

(
, it or

to 's

a

,

A

,
I

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as
a

”

be

.,

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,

art

.' of
s

F

.

“
D

to

for

of

provisions

is

is

,

is

probable

the

SIR

restricted circle
readers frequently
find themselves
this class belong the majority
popular science and philosophy
writers even
either
all those whose works
and practically
subject are technical
Either they must sign
hopelessly unsatisfactory
they must
contract
painful dilemma and
forego publication
operative
cannot but think the suggestion
worthy
publication
consideration
possible also
carefully hought out
that
scheme
the kind the swamping
works
real
but not catch penny merit might become less
common
than according
the confession
most
publishers
publication
now
The business
pronounced commercial aspect
bound
have
but
not the only one
which
should
regarded
a

,
in

of

at

.

as

as

”

.
as

If,

incorporated
the society
the Companies
Acts
relating
associations formed
the advance
ment
science etc and not for profit then
proposal
could
not
carried out
unless the society were reconstituted
limited
company
preferable course
think would
for the
competent advisers
society
after being assured
young author
that
work possessed
distinct
prove
defray
merit and was likely
success
printing and
the cost
some portion thereof
preparing
agreed
for publication
terms
repayment and
circulate the
leave the author
book
best he could
my knowledge
An instance has just come
young writer who printed
small cost
him
under

appeal

to

of

,

as

to

in

on

to to

no

to

of

“

founded

have

Thring
thing
but
to

as

a

,

to

,

,
I

is

.

F
.
”

.

a

private
firm
fear only too clear that
giving
the society although
the
regard
the
authors
most admirable advice
agreements they should enter into with publishers
bring
can
influence
bear
the latter
accept fair
order
induce them
instead
Authors who have not
unfair agreements
completely
arrived
are
the mercy
publishers
they were before the society was

“
D

through

than

, It

society rather
publishers
says

experience
get
found
that
kindly and admirable advice
one
get the slightest alteration
wholly another
publisher
dictatorial proffer
beg
operative publication
say that
some
form
seems
me
offer almost the only issue
which authors who necessarily
from the impasse
who

Mr

of

up

set

of

to

of

publishing
Society of Authors should
business for the benefit
such
its members
might prefer
issue
their works through the

by

THE AUTHOR .

52

�ADVERTISEMENTS .

.

PICTURES FROM

in

.

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; ;

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AND

OTHER

DETAILS

.

PRINTING
PROMPTLY

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of

;

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, )
. 40
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REFERENCES

BARNICOTT
ESTIMATES

.

,

,

on

an

of

,

?

SIKES and SIKES

The West Kensington

The Wessex

INVITE

or .

1,

.

,

,

1
/
4

3,

.)

Essex

Knight Hill West Norwood

,

109a

,

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.- No. 2.&#13;
NOVEMBER 1, 1910.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAOE&#13;
25&#13;
PAGK&#13;
41&#13;
25&#13;
25&#13;
:::::&#13;
Notices .&#13;
"The Society's Funds&#13;
List of Members...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books pablished by Members of the Society&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes&#13;
Arrency Clauses in Publishers' Agreements&#13;
Thirty-second Congress of the International Literary and&#13;
Artistic Association&#13;
The Cat from the Bag ...&#13;
Magazine Contents ...&#13;
How to Use the Society&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Origin&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes ...&#13;
The Influence of Reviews&#13;
Music Publishers and the Society's Agreement ...&#13;
English Writers and Journalists in Galicia&#13;
The Inspiration of Poetry ...&#13;
The Literary Profession in the Elizabethan Age ...&#13;
Book Prices Current-Vol. XXIV., No. 5...&#13;
Correspondence ... ...&#13;
奴必归纪绍的如打80p&#13;
lizabethan........&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58, 6d. per annum, post free. Back&#13;
numbers from 1892, at 108. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Yarious Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 1s. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreemont issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. ls.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices net. Apply to the Secretary, 39, Ou Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. 24 (#48) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No.: 374 Victoria,&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL&#13;
SIR ROBERT ANDEREON, K.C.B. | AUSTIN DOBSON.&#13;
JUSTIN MOCARTHY.&#13;
SIR WM.REYNELL ANSON, Bart., D.C.L. SIR ARTHUR CONAN DOYLE.&#13;
THE REV. C. H, MIDDLETON-WAKE,&#13;
THE RIGHT Hox. THE LORD AVE A. W. DOBOURG.&#13;
SIR HENRY NORMAN.&#13;
J. M. BARRIE.&#13;
[BURY, P.C. DOUGLAS FRESHFIELD,&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ALFRED BATEMAN, K.C.M.G. SIR W. S. GILBERT.&#13;
SIR ARTHUR PINERO.&#13;
ROBERT BATEMAN.&#13;
EDMUND GOSSE, LL.D.&#13;
THE RIGHT HÓN. SIR HORACE&#13;
F. E. BEDDARD, F.R.S.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
MRS. BELLOC-LOWNDES.&#13;
H. RIDER HAGGARD.&#13;
ARTHUR RACKHAM.&#13;
THE RIGHT HON. AUGUSTINE BIR MRS. HARRISON (“LOCAS MALET"). OWEN SEAMAN.&#13;
RELL, P.C.&#13;
ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND.&#13;
E. W. HORNUNG.&#13;
G. R, SIMS.&#13;
THE REV. PROF. BONNEY, F.R.S. MAURICE HEWLETT.&#13;
S. SQUIRE SPRIGGE.&#13;
THE RIGHT HON, JAMES BRYCE, P.C. W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON. THE LORD BURGH. JEROME K. JEROME.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mus. Doc.&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
PERCY WHITE.&#13;
EGERTON CASTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.8. FIELD-MARSHAL THE RIGHT HON.&#13;
EDWARD CLODD.&#13;
THE REV. W. J. LOFTIE, F.S.A,&#13;
THE VISCOUNT WOLSELEY, K.P.&#13;
W. MORRIS COLLES.&#13;
THE RIGHT Hon. SIR ALFRED P.C., &amp;c.&#13;
The Hon. JOHN COLLIER,&#13;
LYALL, P.C.&#13;
SIDNEY WEBE,&#13;
SIR W. MARTIN CONWAY.&#13;
LADY LUGARD (M188 FLORA L. | H. G. WELLS.&#13;
THE RIGHT HON. THE LORD CORZON SHAW).&#13;
OF KEDLESTON, P.C.&#13;
MRS. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT,&#13;
SIR ALFRED BATEMAN, K.C.M.G. DOUGLAS FRESHFIELD.&#13;
S. SQUIRE SPRIGGE,&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MRS. E. NESBIT BLAND.&#13;
ARTHUR RACKHAM.&#13;
SIDNEY WEBB,&#13;
J. W. COMYNS CARR,&#13;
| G. BERNARD SHAW.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-SIR ARTHUR PINERO. Vice-Chairman-HENRY ARTHUR JONES.&#13;
H. GRANVILLE BARKER.&#13;
Miss CICELY HAMILTON.&#13;
CECIL RALEIGH.&#13;
J. M. BARRIE.&#13;
CAPT. Basil Hoon.&#13;
G. BERNARD SHAW.&#13;
R. C. CARTON.&#13;
JEROME K. JEROME.&#13;
ALFRED SUTRO.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-MAURICE HEWLETT.&#13;
| MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
M. H. SPIELMANN.&#13;
| MRS. HUMPHRY WARD,&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
ANTHONY HOPE HAWKINS.&#13;
E. J. MACGILLIVRAY.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR GILBERT PARKER, M.P.&#13;
HERBERT SULLIVAN.&#13;
SIR CHARLES VILLIERS STANFORD, SIR JAMES YOXALL, M.P.&#13;
Mus. Doc.&#13;
THE HON. JOHN COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
| JOHN HASSALL, R.I.&#13;
| J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
FIELD, ROSCOE &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. soucit&#13;
Solicitor in England to&#13;
La Société des Gens de Lettres.&#13;
Legal Adviser in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. 24 (#49) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
To Authors and Journalists.&#13;
- PLAYS&#13;
The writer, whether he aspires to write novels, short stories,&#13;
or articles, often spends years in uncongenial work,&#13;
rebuffs and drudgery being the only return for the time&#13;
and labour spent.&#13;
THE COURSE OF LITERARY TRAINING promoted by&#13;
the Literary Correspondence College teaches the&#13;
aspirant to serve his apprenticeship to Literature in the&#13;
briefest time possible.&#13;
The College also undertakes Literary Agency business of all&#13;
kinds.&#13;
For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
CORRESPONDENCE COLLEGE, 9, Arundel Street, Strand, W.C.&#13;
"First Lessons in Story Writing."&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. Od: net. 28. 8d. post free.&#13;
of this work the Westminster Gazette writes :-"The&#13;
beginner who takes these lessons to heart may be quite&#13;
assured of an advantage over his competitors."&#13;
MR. FORBES DAWSON,&#13;
An actor of over 25 years' continuous experience&#13;
on the Stage and possessing a thoroughly practical&#13;
knowledge of .&#13;
PLAY CONSTRUCTION&#13;
AND STAGE CRAFT,&#13;
Author of plays produced in England and&#13;
America, adapter of several novels to the stage.&#13;
ADVISES UPON PLAYS,&#13;
Their Construction and&#13;
Stage Technique.&#13;
Knowing every manager of any note in the&#13;
theatrical world, MR. FORBES DAWSON uses his&#13;
influence in the placing of Plays.&#13;
"How to become an Author."&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide; full of useful hints.&#13;
2nd Edition. 58. net. 58. 4d. post free.&#13;
The Literary Correspondence College,&#13;
9, Arundel Street, Strand, w.c.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON,&#13;
from 10d. per 1,000 words, by experienced&#13;
Typist. Authors' MSS. and Technical&#13;
work a speciality.&#13;
ORDERS BY POST PROMPTLY ATTENDED TO.&#13;
MISS LUETCHFORD, 122, LONDON WALL, E.C.&#13;
TYPEWRITING OF HIGHEST QUALITY.&#13;
GENERAL MSS., 10d. per 1,000 words. CARBON COPIES, 3d. per 1,000 words.&#13;
DRAMATIC WORK. DUPLICATING.&#13;
NORA DICKINSON, 1, Sackville Gardens, ILFORD, ESSEX.&#13;
WANTED!&#13;
TYPEWRITING&#13;
AUTHORS' MSS., PLAYS, AND GENERAL COPYING.&#13;
Don't hesitate. Send a trial order now. I guarantee&#13;
AND -&#13;
satisfaction. One Carbon Duplicate supplied gratis&#13;
with first order. Terms on application&#13;
C. HERBERT CÆSAR,&#13;
by Carbon and Mimeograph.&#13;
Homefield, Woodstock Rd., ST. ALBANS, HERTS.&#13;
From 10d. per 1,000 words. Good&#13;
AUTHORS' TYPEWRITING. materials. Standard Machines. No pupils'&#13;
Novel and Story Work .. 9d per 1,000 words ; 2 Copies, 1/ work. Accurate and prompt. References.&#13;
General Copying .&#13;
..&#13;
Plays, ruled&#13;
"&#13;
.. ..&#13;
Kindly mention “ The Author.”&#13;
Specimens and Price List on application.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
Miss EMILY BATE,&#13;
SUTTON, MACCLESFIELD.&#13;
15, St. John's Church Road, FOLKESTONE.&#13;
DUPLICATING&#13;
.&#13;
1/1&#13;
&#13;
&#13;
## p. 24 (#50) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
EVERY GOLFER KNOWS the thrill that accompanies&#13;
that“ square drive from the tee"—the easy swing, the clean-&#13;
hit ball, the perfect follow-through, and the sense that “all's&#13;
right with the world.” But what of the other side of the&#13;
picture ?-the day of misfortune, the foozled tee-shot, the&#13;
uncertain approach, or the six-inch putt missed and the&#13;
match given away ? The effect of such a day varies of course&#13;
in accordance with the temperament of the sufferer, but in&#13;
all alike, from crack player to beginner, there certainly remains&#13;
the desire for something, like the sugar plum of childhood,&#13;
to “take away the taste.” This is within the reach of&#13;
everyone who is able and willing to look at&#13;
“The Funny Side of&#13;
GOLF."&#13;
"THE FUNNY SIDE OF GOLF” is a book of 120 pictures&#13;
and sketches, taken from the pages of “ Punch" and dealing&#13;
with the Royal and Ancient Game in all its foibles and&#13;
phases. Every golfer will find something to laugh at, and&#13;
will play a better round in consequence.&#13;
"It was a capital idea to bring into one volume&#13;
the cream of the many golf sketches that have&#13;
appeared in the pages of PUNCH.” – The&#13;
Sportsman.&#13;
“No one can resist a hearty laugh on looking&#13;
over these pictures."-The Queen.&#13;
"This delightful collection."--The Daily Graphic.&#13;
“Is easily the best club house book that has&#13;
appeared for years."'-Golfing.&#13;
“ Will provide abundant amusement." - The&#13;
Scotsman&#13;
“ All serious golfers will be the better for this&#13;
handsome volume of golf sketches."-The Glasgow&#13;
• Citizen.&#13;
"To say that no golfer should be without it is&#13;
the merest truism--both men and lady golfers will&#13;
find much in it to gratify their sense of humour."&#13;
-The Lady's Pictorial.&#13;
"Should be on the table of every golf club&#13;
house.”—The World of Golf.&#13;
"Every golfer will find something to laugh at,&#13;
and play a better round in consequence.”—The&#13;
County Gentleman.&#13;
" Their humour is of the richest.” – Golf&#13;
Illustrated.&#13;
“Extremely amusing. No golf club should be&#13;
without a copy."-The Court Journal.&#13;
In a Handsome Half Cloth Binding. 5s. net.&#13;
"PUNCH” Office, 10, Bouverie Street, E.C., and all Booksellers.&#13;
&#13;
&#13;
## p. 25 (#51) ##############################################&#13;
&#13;
The Elutbor.&#13;
(The Organ of the Incorporated Society-of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXI.—No. 2.&#13;
NOVEMBER 1ST, 1910.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
D oR the opinions expressed in papers that are&#13;
i signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases wbich are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
FROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are: (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time. cover the&#13;
needs of all the members of the Society.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
VOL. XXI.&#13;
LIST OF MEMBERS.&#13;
M HE List of Members of the Society of Authors,&#13;
1 published October, 1907,can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
&#13;
&#13;
## p. 26 (#52) ##############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
·&#13;
·&#13;
·&#13;
· ·&#13;
·&#13;
ܕ ܚ ܗܘ ܙܝܘ ܙ ܗ ܙܫ ܕܘ ܗ ܘ.t ܙ ܟܫ ܝܙ ܕ&#13;
·&#13;
· ·&#13;
·&#13;
·&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled Jan. 14, Desborough, The Right Hon.&#13;
from month to month in these pages.&#13;
the Lord, K.C.V.O. .&#13;
1 1 0&#13;
Jan. 27, Lion, Leon M. .&#13;
0 5 0&#13;
Feb. 7, Fagan, J. B. . · · · 0 10 0&#13;
Feb, 10, Newton, Miss A. M.&#13;
A. M. . . () 5 0&#13;
THE PENSION FUND.&#13;
March 7, Smith, Bertram.&#13;
April 13, Dillon, Mrs. .&#13;
May 6, Inkster, Leonard.&#13;
O N February 1, 1910, the trustees of the May 17, Truman, Miss Olivia Marie. 0 10 0&#13;
Pension Fund of the society-after the secre- July 15, Stereni, William Barnes : 0 5 0&#13;
tary had placed before them the financial Oct. 6, Graham, Capt. Harry . . 1 1 0&#13;
position of the fund-decided to invest £260 in&#13;
the following securities : £130 in the purchase of&#13;
Donations.&#13;
Jamaica 31 per cent. Stock 1919-49, and £130 in&#13;
the purchase of Mauritius 4 per cent. Stock 1937.&#13;
1910.&#13;
The amount purchased is £132 188. 6d. Jan. 1, Robinson, J. R. .&#13;
: :. 0 5 0&#13;
Jamaica 34 per cent. Stock and £120 128. ld. Jan. 1, Mackenzie, Miss J. (2nd lona-&#13;
Mauritius 4 per cent. Stock.&#13;
tion) . . .&#13;
0 5 0&#13;
This brings the invested funds to over £4,000. Jan. 1, Northcote, H.&#13;
The trustees, however, have been unable to recom- Jan. 3, Watson, Mrs. Herbert A.&#13;
mend the payment of any further pensions, as the Jan. 3, Fursdon, Mrs. F. M. .&#13;
inoome at their disposal is at present exhausted. Jan. 3, Smith, Miss Edith A. .&#13;
They desire to draw the attention of the members Jan. 4, Pryce, Richard . .&#13;
of the society to this fact, in the hope that by Jan. 4, Wroughton, Miss Cicely.&#13;
additional subscriptions and donations there will Jan. 6, Kaye-Smith, Miss Sheila&#13;
be sufficient funds in hand in the course of the Jan. 6, Underdown, Miss E. M..&#13;
year to declare another pension in case any im. Jan. 6, Carolin, Mrs. .&#13;
portant claim is forthcoming.&#13;
Jan. 8, P. H. and M. K. .&#13;
Consols 21%.&#13;
0 0&#13;
Jan. 8, Crellin, H. R.&#13;
............ ...........£1,000&#13;
.&#13;
Local Loant's ...................&#13;
500 0&#13;
Jan. 10; Tanner, James T..&#13;
0&#13;
....................&#13;
2. 2 0&#13;
Victorian Government 3% Consoli-&#13;
Jan. 10, Miller, Arthur .&#13;
dated Inscribed Stock ............... 291 19 11&#13;
Jan. 10, Bolton, Miss Anna&#13;
London and North-Western 3% Deben-&#13;
Jan. 10, Parr, Miss Olive K.&#13;
0 5 0&#13;
ture Stock ......&#13;
250&#13;
Jan. 17, Harland, Mrs. .&#13;
0 10 0&#13;
Egyptian Government Irrigation&#13;
Jan. 21, Benecke, Miss Ida&#13;
2 5 4&#13;
Trust 4% Certificates&#13;
Jan. 25, Fradd, Meredith&#13;
0 5 0&#13;
Cape of Good Hope 3% Inscribed&#13;
Jan. 29, Stayton, F. . . . 0 JO 6&#13;
Stock .............&#13;
200 0 0&#13;
Feb. 1, Wharton, L. C.&#13;
0 10 0&#13;
Glasgow and South-Western Railway&#13;
Feb. 4, Bowen, Miss Marjorie .&#13;
1 1 0&#13;
4% Preference Stock...................&#13;
228 0 0&#13;
Feb. 5, Cameron, Mrs. Charlotte&#13;
1 1 0&#13;
New Zealand 32% Stock ............... 247 9 6&#13;
Feb. 7, Pettigrew, W. F. .&#13;
. 0 5 0&#13;
Irish Land Act 27% Guaranteed Stock 258 0 0&#13;
Feb. 7, Church, Sir A. H. . .&#13;
1 1 0&#13;
Corporation of London 2% Stock,&#13;
Feb. 8, Bland, Mrs. E. Nesbit.&#13;
1927-57 ..............................&#13;
438 24&#13;
Feb. 8, The XX. Pen Club&#13;
Jamaica 31% Stock, 1919-49 .......... 132 18 6&#13;
Feb. 10, Greenbank, Percy.&#13;
. : 0 5 0&#13;
Mauritius 4% 1937 Stock......... 120 121&#13;
Feb. 11, Stopford, Francis .&#13;
2 2&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Feb. 11, Dairson, A. J. .&#13;
. 0 5 0&#13;
Grant Stock, 1938..................... 198 3 8&#13;
Feb. 12, Ainslie, Miss Kathleen&#13;
Feb. 16, W. D.&#13;
. . . . 1 1 0&#13;
Total ............... £4,065&#13;
Feb. 16, Gibbs, F. L. A.&#13;
6 0&#13;
Feb. 17, Wintle, H. R. ..&#13;
Feb. 21, Thurston, E. Temple.&#13;
Subscriptions.&#13;
Feb. 23, Dawson, Mrs. Frederick&#13;
1910.&#13;
£ 8. d.&#13;
Feb. 24, Williamson, C. N. . . 220&#13;
.&#13;
Feb. 24, Williamson, Mrs. C. X.&#13;
Jan. 12, Riley, Miss Josephine . . ( 7 6 Feb. 27, Westell, W. P. . .&#13;
Jan. 13, Child, Harold H.. . . 0 10 0 March 2, Toplis, Miss Grace . 0 5&#13;
·&#13;
·&#13;
· ·&#13;
ova.&#13;
· ·&#13;
·&#13;
0&#13;
·&#13;
· · ·&#13;
·&#13;
·&#13;
· ·&#13;
· ·&#13;
200&#13;
·&#13;
· ·&#13;
·&#13;
.&#13;
.&#13;
.&#13;
er er voor&#13;
.&#13;
.&#13;
.&#13;
...&#13;
.&#13;
.&#13;
.&#13;
.&#13;
0 10&#13;
.&#13;
&#13;
&#13;
## p. 27 (#53) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
27&#13;
..........&#13;
NOC ON LOCO 5&#13;
Nereo ON-OS coo&#13;
0&#13;
£ $. d. In one of the remaining cases judgment has been&#13;
March 3, Hawtrey, Miss Valentina . 1 1 0 obtained but not satisfied, and it is now proposed&#13;
March 5, Smith, Bertram .&#13;
5 0 0 to issue a bankruptcy petition in order to bring&#13;
March 12, Yould, A. . .&#13;
5 0&#13;
the matter to an issue. In another the defendant&#13;
March 16, Loraine, Lady.&#13;
company was in liquidation, and the society's&#13;
March 29, Macdonnell, Randall .&#13;
0 claim was met with the usual answer that the&#13;
April 6, Blake, J. P..&#13;
0 debenture holders had foreclosed, and there was&#13;
April 8, “ Patricia Wentworth "&#13;
1 0 not sufficient money to pay the ordinary creditors.&#13;
April 14, Hinkson, Mrs. K. Tynan&#13;
10 0 The last case, against a bankrupt paper, was one&#13;
May 6, Greenstreet, W. J.. . . 0 5 0 in which the society had already acted for some of&#13;
May 7, Cousin, John W. . . . 0 5 0 its members, and here again the assets of the&#13;
May 10, Zangwill, Israel . . 1 1 0 defendant company had been claimed by the&#13;
May 19, Sprigge, Dr. S. S. (Portion of&#13;
debenture holders, and the member was informed&#13;
money recovered by the Society as&#13;
after further investigation by the solicitors, that it&#13;
damages)&#13;
. 10 0 0 was useless to push the claim.&#13;
June 3, Wynne, C. Whitworth&#13;
3 0. There were two cases which had to be conducted&#13;
June 15, Maunder, J. H. . . . 1 1 0 in foreign courts. One was in Germany-an&#13;
June 30, Atkinson, Harold&#13;
6 0 ordinary claim for work done. Judgment has&#13;
July 4, O'Higgins, Harvey .&#13;
1 0 0 been obtained but is not yet satisfied. The&#13;
July 5, Muir, Ward . . .&#13;
1 0 other, in Switzerland, related to an infringement of&#13;
July 5, Peacock, Mrs. .&#13;
0 copyright. It is still in course of settlement.&#13;
July 11, March, Miss A. M..&#13;
0 Those cases then came before the committee&#13;
July 18, Ralli, C. Scaramanga&#13;
which required their sanction, before further steps&#13;
July 20, Ellis, Havelock . .&#13;
O could be taken. The first related to an appeal&#13;
Aug. 22, Myers, C. S. .&#13;
0 from a judgment in the High Courts. The com-&#13;
Sept. 9, Bristow-Noble, J. C.&#13;
0 7 6 mittee were advised that the judgment had raised an&#13;
Sept. 30, Sidgwick, Mrs. Alfred . 1 1 0 important issue to authors, namely, the legality of&#13;
Oct. 4, Pakington, The Honourable&#13;
the assignment of personal contracts. As the com-&#13;
Mary&#13;
. 1 1 0 mittee were so advised they decided to take counsel's&#13;
Oct. ii, Caws, Luther W. .&#13;
0 10 0 opinion, which opinion was read. Counsel's opinion&#13;
Oct. 11, Knowles-Foster, Miss Frances G. 0 10 0 was strongly against making the appeal, as he did&#13;
not think the case was a good one to adopt as a&#13;
test case. The committee decided, therefore, not&#13;
to take the matter further. The member of the&#13;
COMMITTEE NOTES.&#13;
society concerned acquiesced in the decision.&#13;
The next subject related to the making of certain&#13;
voluntary payments to agents who had been instru.&#13;
M he first meeting after the vacation was held mental in assisting the society to obtain a judg-&#13;
1 at the offices of the society on Monday, ment against the defendants in the piracies of De&#13;
October 3.&#13;
Profundis ” which have already been referred to in&#13;
When the minutes had been read and signed, a previous Committee Notes. The committee agreed&#13;
large number of elections which had come in during on a payment, and passed a vote of thanks to the&#13;
the vacation were laid before the committee, and Music Publishers' Association for the assistance&#13;
64 members and associates were elected, bringing that had been given to the society. The last case&#13;
the total number for the current year up to referred to the loss of a MS., but as negotiations&#13;
220. The committee are very pleased to notice were proceeding for the payment of compensation&#13;
the steady inflow of authors to the society, as the to the author, it was decided to adjourn the matter&#13;
elections are well up to the average of former till the next meeting.&#13;
years. Four resignations were accepted, with The consideration of the Copyright Bill was&#13;
regret, bringing the total number of resignations referred by the Committee of Management to the&#13;
to 69.&#13;
sub-committees interested, as it was probable that&#13;
Cascs.—The secretary then reported to the com- the Bill would be pushed forward during the next&#13;
mittee the cases placed in the hands of the solicitors session.&#13;
during the vacation. There were seven county The half-yearly meeting of the Council was&#13;
court matters. Two of these have been settled and settled for Tuesday, November 22, when Mrs.&#13;
the debt due has been paid. One is still in the Hurnphry Ward proposes to bring forward a&#13;
course of negotiation. In another the summons motion referring to the Academic Committee, and&#13;
has been issued, and is returnable in November. the action taken by the Committees of Management&#13;
&#13;
&#13;
## p. 28 (#54) ##############################################&#13;
&#13;
28&#13;
THE AUTHOR.&#13;
A letter from the Publishers' Association, asking&#13;
for the support of the society with a view to&#13;
taking united action when the Bill should come&#13;
before Parliament, together with a copy of the&#13;
Copyright Bill containing certain amendments&#13;
suggested by that body, was also considered. A&#13;
report of the proceedings of the meeting on&#13;
October 24 will appear in the December number.&#13;
of the society in its formation. Notices will be&#13;
sent to the Council in due course.&#13;
The notices in regard to the dinner, the date of&#13;
which has been fixed for November 24, will be sent&#13;
round to members during the month.&#13;
The financial position of the society was laid&#13;
before the Committee of Management by the&#13;
secretary, who explained that certain sums due to&#13;
the society had not been paid, and in consequence&#13;
had left the society with rather a small balance at&#13;
the bank. The committee sanctioned an over-&#13;
draft, in case the sums referred to were not received&#13;
in due course. It was proposed, in order to increase&#13;
the usefulness of the society and to make it more&#13;
widely known, to pay an extra clerk to circularise&#13;
with the society's papers those authors in the&#13;
various branches of literature who were not already&#13;
members.&#13;
Mr. Henry James was unanimously elected a&#13;
member of the Council.&#13;
The committee decided, on the suggestion of the&#13;
secretary, to purchase additional furniture for the&#13;
office. This course had become necessary owing to&#13;
the increase of papers incidental to the working of&#13;
the many sub-committees.&#13;
Various letters dealing with matters of interest&#13;
to the society were laid before the committee and&#13;
considered, and the committee have to thank&#13;
W. Durran for a donation of £1 18. to the&#13;
Capital Fund of the society.&#13;
THE PENSION FUND.&#13;
The Committee of the Pension Fund met on&#13;
Monday, October 17, at 39, Old Queen Street,&#13;
and awarded to Miss May Crommelin a pension of&#13;
£25 a year in recognition of her services to litera-&#13;
ture, extending over many years.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The first meeting of the Dramatic Sub-com-&#13;
mittee after the Vacation was held at the offices of&#13;
the society on October 21,&#13;
After the minutes of the previous meeting had&#13;
been read and signed, the chairman, Sir Arthur&#13;
Pinero, proposed that an expression of condolence&#13;
should be sent to Mrs. Marshall on the loss she&#13;
had sustained by the death of her son, the late&#13;
Captain Robert Marshall, until recently a member&#13;
of this sub-committee. The secretary was accord-&#13;
ingly instructed to convey this message to her.&#13;
The secretary then reported the result of the&#13;
circular which was sent round to dramatists in&#13;
regard to the performances of plays in working&#13;
men's clubs. Out of 102 answers received 89&#13;
agreed to give the undertaking asked by the sub-&#13;
committee ; five agreed to give it subject to certain&#13;
conditions ; and seven refused to give it at all. The&#13;
dramatists inside the society number some 250.&#13;
The next question that arose was the appoint-&#13;
ment of agents for dramatic authors in the various&#13;
colonies and dependencies of Great Britain, and&#13;
the secretary was instructed to write to the society's&#13;
lawyers in India to request them to prepare and&#13;
forward a return of the theatrical performances in&#13;
Calcutta and other centres of the Indian Empire,&#13;
over a period of six months, in order that the sub-&#13;
committee may be in a position to judge to what&#13;
extent piracy is prevalent in India.&#13;
He was also instructed to see Messrs. French in&#13;
the matter of the performances of dramatic pieces&#13;
in South Africa.&#13;
A question discussed at the last meeting of the&#13;
sub-committee, in regard to a member of the&#13;
society (since resigned), who had called into&#13;
question the conduct of another member, was re-&#13;
considered in the light of the statement of his&#13;
complaint which had been received, and the&#13;
secretary was instructed to forward a reply.&#13;
The receipt of a letter from the Italian Society&#13;
of Authors, which gave particulars of the work&#13;
undertaken by that society for dramatic authors,&#13;
was next reported.&#13;
The secretary was instructed to get a translation&#13;
made of the rules of the society and to lay it before&#13;
the next meeting, when the question of the advisa-&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
A MEETING of the Copyright Sub-committee&#13;
was held at the offices of ihe society on October&#13;
13.&#13;
The minutes of the previous meeting having&#13;
been read and signed, the secretary explained that&#13;
the Committee of Management had referred the&#13;
new Copyright Bill to the Copyright Sub-&#13;
committee with instructions to report thereon.&#13;
After careful discussion Mr. MacGillivray kindly&#13;
undertook to draw up a report to lay before the&#13;
Sub-committee and to indicate in that report how&#13;
far the draft bill satisfies the Society's recommenda-&#13;
tions and to what extent it is in accord with the&#13;
Berlin Convention. This report, it was decided,&#13;
should be laid before the next meeting of the Sub-&#13;
committee.&#13;
&#13;
&#13;
## p. 29 (#55) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
29&#13;
bility of English dramatists joining the society settled to the satisfaction of the authors and the&#13;
would be considered. The recommendation of the other parties concerned.&#13;
sub-committee will appear later in The Author. One case for infringement of copyright has been&#13;
It was decided also to write to the French placed in the hands of the solicitors. In two cases&#13;
Society of Dramatic Authors a letter indicating of non-delivery of accounts, one has been settled&#13;
the readiness of the English Society of Authors and the other is still in the course of negotiation.&#13;
to give what assistance was in its power in Three instances arose of unwarrantable delay in&#13;
regard to the settlement of contracts and the busi- publication. In two of these, owing to the pressure&#13;
ness arrangements for the production of French brought to bear by the society, the books have been&#13;
plays in England.&#13;
placed on the market, while in the third case a date&#13;
The consideration of the Copyright Bill was has been fixed for publication.&#13;
adjourned till the next meeting, owing to the fact There were five cases respecting money due for&#13;
that the report on the Bill was not ready to lay work done. As yet none of these has been settled,&#13;
before the sub-committee.&#13;
but two have only recently come into the office. In&#13;
The secretary then pointed out to the sub- the remaining three correspondence has passed and&#13;
committee the need for a draft contract for music- they will probably be settled shortly, except where,&#13;
hall sketches, assuring the sub-committee that in the case of one demand, the proprietor of the&#13;
many music-hall sketch contracts came to the office, paper has gone into bankruptcy.&#13;
and were, indeed, coming in increasing numbers. There are still sundry cases open from former&#13;
The sub-committee instructed the secretary to months in which negotiations are being carried on&#13;
prepare a contract and to lay the same before them with a view to a satisfactory settlement. They&#13;
at one of their future meetings.&#13;
are none of them of great importance.&#13;
The consideration of the agreement for a run During the month one case in the German&#13;
was adjourned till the settlement of the Music courts has been settled, the amount claimed by the&#13;
Hall Agreement.&#13;
society through its German lawyer having been&#13;
The secretary then laid on the table a report of recovered and paid over to the member.&#13;
the sub-committee of the Theatres Alliance upon&#13;
the Censorship Committee's Report, and he was&#13;
instructed to ask the Theatres Alliance to forward&#13;
copies to lay before the different members of the&#13;
Elections.&#13;
sub-committee.&#13;
Barnard, Amy B., L.L.A. 14, Manville Road,&#13;
Upper Tooting,&#13;
S.W.&#13;
Block, Regina Miriam . 88, Duke's Avenue,&#13;
The secretary has had in hand since the last&#13;
Chiswick, W.&#13;
issue of The Author twenty cases. Of these eight Broadley, A. M. . . The Knapp, Bradhole,&#13;
were demands for MSS. It is as well to repeat the&#13;
Bridport.&#13;
difficulties, from the legal point of view, that arise Brodie-Innes, J. W.. . Milton Brodie, Torres,&#13;
when a MS. is not returned. It must lie with the&#13;
Scotland.&#13;
author to show that the MS. has actually reached Campbell, Dr. Helen J. . Topsham, Devonshire.&#13;
its destination and come into the hands of a Capes, Mrs. Hawtrey . 81, Royal Parade,&#13;
responsible party, and that that party has not&#13;
Eastbourne.&#13;
handled it with ordinary care. It is very difficult Carter, J. L. J. . . Ifield Wood, Crawley.&#13;
in some cases to prove these points, but the society Carter, Miss Edith . 215, Ebury Street,&#13;
finds as a general rule that editors, publishers, and&#13;
S.W.&#13;
others will use their best endeavours to meet its Caws, The Rev. Luther W. Roslyn, Woodbury&#13;
wishes by a careful search.&#13;
Park Road, Tun-&#13;
Two of the eight clairns will be handed over to&#13;
bridge Wells.&#13;
the solicitors, for in both these cases, although the Clappé, Miss Marion A. . “ Wa rrendale,”&#13;
authors hold receipts, the parties to whom the&#13;
Combe Lane, King-&#13;
MSS. were sent have not only failed to comply with&#13;
ston Hill, Surrey.&#13;
the demands of the writers, but have also omitted Copping, Arthur E. . River View, near&#13;
to accede to the request of the secretary. One case&#13;
Thundersley, Essex.&#13;
of the remaining six has been settled, and the Crawford, R. K. . . 31, Wellington Road,&#13;
other five are still in course of negotiation.&#13;
Dublin.&#13;
Three disputes have arisen as to the interpreta- Dawson Forbes . . 23, Midmoor Road,&#13;
tion of clauses under contracts. These have been&#13;
Wimbledon.&#13;
Cases.&#13;
&#13;
&#13;
## p. 30 (#56) ##############################################&#13;
&#13;
30&#13;
THE AUTHOR.&#13;
Dodd, Miss Agnes F. . 3, Lincoln's Inn Ozaki, Madame Yukio . 225, Shinagawa,&#13;
Fields, W.C.&#13;
Tokyo, Japan.&#13;
Douglas, Morgan (Madame Le Manoir, Loches, Peto, D. 0. G..&#13;
Winterhalter)&#13;
Indre et Loire, Poe, John William, . 7, Longfield Terrace,&#13;
France.&#13;
(Pater Padus)&#13;
N.C.R., Dublin.&#13;
Edwards, Albert H. . . 43, St. Paul's Road, Potter, Mrs. Frances S uire 57 28, Madison&#13;
Bradford, Yorks.&#13;
Avenue, Chicago,&#13;
Edwards, Percy J. . . Authors' Club, White-&#13;
III., U.S.A.&#13;
hall Court, S.W. Ramsey, R. . . . Scaldhurst, Carewdon,&#13;
Fisher, F. W. A. . . 38, Guildford Street,&#13;
Rochford, Essex.&#13;
Russell Square, Reynolds, Stephen , Western Town, Sid-&#13;
W.C.&#13;
mouth.&#13;
Fleet, Vice - Admiral The Camber, Coley Rosen, Monsieur Jean H. 7, Av. du Grammont,&#13;
Henry L.&#13;
Avenue, Reading. de&#13;
Lausanne, Switzer-&#13;
Ford, Harold, LL.D., Taddington Rectory,&#13;
land.&#13;
D.C.L.&#13;
Buxton.&#13;
Skeaping, Emily J. . . Eccleston Park, Pres-&#13;
Glover, Wm. . . . Plasnewydd School,&#13;
cot, Lancs.&#13;
Maesteg, R.S.O., Simpson, Mrs. Alicia Isabel 14, Cadogan Court,&#13;
Glamorgan.&#13;
S.W.&#13;
Goetz, Mrs. Alma . . 26, Norfolk Crescent, Southey, Rosamond. . The Patch, Minehead,&#13;
Hyde Park, W.&#13;
Somerset.&#13;
Graham, Capt. H. (Col. 5, Tedworth Square, Sowerby, Mrs. . . . Pali Hill, Bandra,&#13;
D. Streamer)&#13;
Chelsea, S.W.&#13;
Bombay.&#13;
Grant, L. (Mrs.) . New County Club, 21, Sturge, Miss M. Carta .&#13;
Hanover Square, W. Sturt, George (George The Lower Bourne,&#13;
Guérin, E. W. de . . 14, Barclay Road, Bourne) . .&#13;
Farnham, Surrey.&#13;
Fulham, S.W. Trites, W. B. . . Bala, Philadelphia.&#13;
Hammerton - Gill, Mrs. Lower Green Road, Verney, Frank E. . . Cleveland, Combe&#13;
Beryl A. . . . Rusthall,Tunbridge&#13;
Martin, N. Devon.&#13;
Wells.&#13;
Waltham, Ernest . . 97, Upper Tulse Hill,&#13;
Hodges, Henry . . 31, High Street,&#13;
S.W.&#13;
Christchurch, Hants. Wentworth-James, Mrs. “ The Turret," Wim-&#13;
Hughes, The Rev. Geoffrey Woolston Vicarage,&#13;
. bledon Park Road.&#13;
Southampton. Wilkinson, Clement J. . 3, Osborne Villas,&#13;
Hunter, Mrs.. ... The Lyceum Club,&#13;
Windsor.&#13;
128, Piccadilly, W. Woolf, Miss Flora 9, Clinette Road,&#13;
James, Spencer Theodore 87, Brudenell Road, Sidney&#13;
Putney, S.W.&#13;
Leeds.&#13;
Wylie, Ida A. R. . . Krieg "Strasse 99,&#13;
J. E. Buckrose . . Hornsea, near Hull.&#13;
Karlsruhe, Baden,&#13;
Jameson, Mrs. Norab . Manasterwan, co. Kil-&#13;
Germany.&#13;
dare.&#13;
Zulueta, Pedro de . .&#13;
Keene, Viss Ursula . . 105, Elm Park Man-&#13;
sions, Chelsea, S.W.&#13;
Knowles · Foster, Miss St. James' Park, Har-&#13;
Frances G. ,&#13;
rogate.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
Lamport, Richard Fifield 24, St. John's Grove,&#13;
Croydon.&#13;
WHILE every effort is made by the compilers to keep&#13;
Lethaby, John W. . . Carisbrooke, Rother this list as accurate and exhaustive as possible, they have&#13;
field, Sussex.&#13;
some difficulty in attaining this object owing to the fact&#13;
MacDonnell, Col. A. C.,&#13;
that many of the books mentioned are not sent to the cffice&#13;
F.R.G.S., A.M.I.E.E. Sandhurst, Farnham.&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
Menon, T. K. Krishma . Ernakulam, Cochin other papers. It is hoped, however, that members will&#13;
• State, India.&#13;
co-operate in the compiling of this list and, by sending&#13;
Meredith, Mark . . 240, Anfield Road,&#13;
particulars of their works, help to make it substantially&#13;
Liverpool.&#13;
accurate,&#13;
ᎪᎡᎢ .&#13;
Methven, Paul . . . 117, Warwick Road,&#13;
Philbeach Gardens,&#13;
GEORGE MORLAND. Sixteen examples in colour of the&#13;
artist's work. With an Introduction by E. D. CUMING.&#13;
S.W.&#13;
9.1 x 7. 12 pp. Black. 28. 6d. 17.&#13;
G.&#13;
&#13;
&#13;
## p. 31 (#57) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
31&#13;
100 POPULAR PICTURES. Facsimile Reproductions in&#13;
· Colour of Popular Pictures. Selected froin the World's&#13;
Great Galleries. With an Introduction by M. H.&#13;
SPIELMANN, and Notes by A. Fish. 15 x 104. 50 pp.&#13;
Cassell. 12x.&#13;
THE EXHIBITIOy of SEVENTEENTH CENTURY FLEMISH&#13;
ART: BRUSSELS, 1910. By M. H. SPIELMANN. 11}x&#13;
84. 32 pp. The Connoisseur. ls. 60.&#13;
BIOGRAPHY.&#13;
LIFE AND LETTERS OF ALEXANDER MACMILLAN. By&#13;
C. L. GRAVES. 9 x 6. 418 pp. Macmillan. 108, n.&#13;
ForR FASCINATING FRENCHWOMEN. By MRS. BEARNE.&#13;
8 X 5.1. 480 pp. Unwin, 10s. 6d. n.&#13;
THE LIFE OF TOLSTOY : LATER YEARS. By AYLMER&#13;
• MAUDE, 94 X 6. 680 pp. Constable. 108.6d, n.&#13;
SAMUEL ROGERS AND HIS CIRCLE. By ELLIS ROBERTS.&#13;
8 X 51. 301 pp. Methuen. 108. 6d. n.&#13;
THE LOVE AFFAIRS OF LORD BYRON. By FRANCIS&#13;
GRIBBLE. 97 x 53. 381 pp. Eveleigh Nash. 158. n.&#13;
LIVES OF THE EARLY MEDICI. As told in their Corre-&#13;
spondence. Translated and Edited by JANET Ross.&#13;
9 x 58. 352 pp. Chatto &amp; Windus. 108. 60, n.&#13;
THE GREAT EMPRESS DOWAGER OF CHKA. By P. W.&#13;
SERGEANT. 83 x 51. 314 pp. Hutchinson, 168, n.&#13;
HORACE WALPOLE, By AUSTIN DOBSON. New Edition.&#13;
71 x 51 328 pp. Harpers. 58. n.&#13;
DRAMA.&#13;
IOLANTHE, AND OTHER OPERAS. By W. S. GILBERT.&#13;
· With Illustrations in Colour by W. RUSSELL FLINT.&#13;
104 x 71. 224 pp. Bell. 158. n.&#13;
The Cost OF A CROWN. A Story of Doway and Durham.&#13;
A Sacred Drama in Three Acts. By R. H. BENSON.&#13;
74 x 5. 101 pp. Longmans. 3.8. 6. n.&#13;
THE PASSING OF THE THIRD FLOOR BACK. By JEROME&#13;
K. JEROME. 74 X 5. 212 pp. Hurst &amp; Blackett.&#13;
18. 6d. n.&#13;
ECONOMICS.&#13;
THE GLASS MENDER, AND OTHER STORIES. By MAURICE&#13;
BARING. 81 x 5. 260 pp. Nisbet. 68.&#13;
THE GOLDEN SILENCE. By C. N. and A. M. WILLIAM-&#13;
son. 8 x 5. 507 pp. Methuen. 63.&#13;
THE MAN WHO DROVE THE CAR. By MAX PEMBERTON.&#13;
73 x 5, 218 pp. Nash. 28. n.&#13;
THE SKIPPER'S WOOING. By W. W. JACOBS. 6 X 44.&#13;
270 pp. Velson. 7d. n.&#13;
THE LADY OF TRIPOLI. By MICHAEL BARRINGTON.&#13;
With Frontispiece, Title-page, and Initials. By CELIA&#13;
MARTIN. Chatto &amp; Windus. . 5s.&#13;
THE FINER GRAIN. By HENRY JAMES. 73 x ö. 307 pp.&#13;
Methuen. 68.&#13;
MRS. FITZ. By J. C. SNAITH. 7} * 5. 330 pp. Smith,&#13;
Elder. 68.&#13;
THE WISDOM OF FOLLY. By ELLEX THORNEYCROFT&#13;
FOWLER (The Hon. MRS. ALFRED FELKIN). 78 x 5.&#13;
367 pp. Hodder &amp; Stoughton. 68.&#13;
AN EMPRESS IN LOVE. By FRED WHISHAW. 8 x 5.&#13;
311 pp. Stanley Paul. 6s.&#13;
A WAIF OF DESTINY. By L. G. MOBERLY. 73 x 5.&#13;
319 pp. Ward, Lock. 68.&#13;
THE DRIFTERs. By W. R. TITTERTON. 7.1 x 54. 169 pp.&#13;
E. Palmer. 18, n.&#13;
THE REST CURE. By W. B. MAXWELL. 78 X 5. 355 pp.&#13;
Methuen. 68.&#13;
ALONGSHORE, WHERE MAN AND THE SEA FACE ONE&#13;
ANOTHER. By STEPHEN REYNOLDS. 73 x 5. 325 pp.&#13;
Macmillan. 68.&#13;
BEYOND THESE VOICES. By M. E. BRADDON, 74 x 5.&#13;
373 pp. Hutchinson. 6s. n.&#13;
THE PRIZE. By SYDNEY GRIER. 74 x 5. 315 pp.&#13;
Blackwood. 68.&#13;
THE ANDERSONS. By S. MacNAUGHTAN. 74 x 5.&#13;
372 pp. Murray. 6s.&#13;
LIGHT REFRESHMENT. By W. PETT RIDGE. 246 pp.&#13;
Hodder &amp; Stoughton. 28. n.&#13;
THE PURSUIT. By FRANK SAVILE. 74 x 5. 316 pp.&#13;
Arnold. 6s.&#13;
THE DEW OF THEIR YOUTH. By S. R. CROCKETT.&#13;
78 x . 314 pp. Hodder &amp; Stoughton. 68.&#13;
THE HOUSE OF THE SECRET. By KATHARINE TYNAN.&#13;
8 X 81. 313 pp. James Clarke. 68.&#13;
A KNIGHT OF POLAND. By M. E. CARR. 74 x 5.&#13;
323 pp. Smith, Elder. 68.&#13;
Pan's MOUNTAIN. By AMÉLIE RIVES (PRINCESS&#13;
TROUBETZKOY). 7 X 5. 288 pp. Harpers. 68.&#13;
JUSTICE. By VARIE C. LEIGHTON, 8 X 5. 303 pp.&#13;
Ward, Lock. 68.&#13;
WHISKERS AND SODA. By FRANK RICHARDSON.&#13;
77 x 5. 255 pp. Eveleigh Nash. 68.&#13;
JOHN CHRISTOPHER : DAWN AND MORNING. By&#13;
ROMAIN ROLLAND. Translated by GILBERT CANNAN.&#13;
78 x 5. 285 pp. Heinemann. 68. n.&#13;
THE FOUR FEATHERS. By A. E. W. Mason. 17th&#13;
Impression. 7} X 5. 338 pp. Smith, Elder &amp; Co.&#13;
3s. 6d.&#13;
THE INVISIBLE MAx. By H. G. WELLS. 61 x 41.&#13;
275 pp. Nelson. 7d.&#13;
MARTIN THE MUMMER. BY DOROTHY MARGARET&#13;
STUART. 517 pp. Constable. 6s.&#13;
GARDENING.&#13;
ALPINE FLOWERS AND ROCK GARDENS. Illustrated in&#13;
Colour. By W. P. WRIGHT. 91 x 63. 292 pp.&#13;
Headley Bros. 125. 60. n.&#13;
THE FIRST PRINCIPLES OF INVESTMENT. A Sequel to&#13;
** The Wheels of Wealth.” By J. BEATTIE CROZIER,&#13;
LL.D. 8! X 51. 168 pp. The Financial Reriew of&#13;
Recievcs.&#13;
EDUCATIONAL.&#13;
PLUTARCH'S LIVES OF BRUTUS AND CORIOLANOS&#13;
(ENGLISH TEXTS). Edited by W. H. D. ROUSE, LITT. D.&#13;
61 X 41. 123 pp. Blackie. . 6d.&#13;
FICTION.&#13;
TAE CREATORS. By MAY SINCLAIR. 71 x 7. 525 pp.&#13;
Constable. 68.&#13;
THE OSBORNES. By E. F. Benson. 73 x õ. 335 pp.&#13;
Smith, Elder. 68.&#13;
THE TEMPLETOX TRADITION. By ADAM GOWANS&#13;
WHYTE. 78 X 5. 344 pp. Blackwood. 68.&#13;
TAE SHADOW. By HAROLD BEGBIE. 8 X 51. 491 pp.&#13;
R. T. S. 68.&#13;
THE LAND OF HIS FATHERS. By A. J. Dawson. 8 X 5.&#13;
384 pp. Constable. 68.&#13;
HEARTS AND CORONETS. By ALICE WILSON Fox.&#13;
7 x 5. 349 pp. Macmillan. 68.&#13;
REWARDS AND FAIRIES. By RUDYARD KIPLING. 8 x 51.&#13;
338 pp. Macmillan. 68.&#13;
LET THE ROOF FALL IN. By FRANK DANBY. 71 x .&#13;
476 pp. Hutchinson. 6s.&#13;
HEALTH.&#13;
DIET AND THE MAXIMUM DURATION OF LIFE. By&#13;
CHARLES REINHARDT, M.D. London Publicity Co.&#13;
ls, n.&#13;
&#13;
&#13;
## p. 32 (#58) ##############################################&#13;
&#13;
32&#13;
THE AUTHOR.&#13;
THE FLOWER Book. By CONSTANCE SMEDLEY ARMFIELD.&#13;
Pictured by MAXWELL ARMFIELD. 94 X 64. 153 pp.&#13;
Chatto &amp; Windus. 78. 60. n.&#13;
THE BOOK OF THE ANIMAL KINGDOM : MAMMALS. By&#13;
W. PERCIVAL WESTELL, F.L.S. Illustrated by W. S.&#13;
BERRIDGE. 9 x 7. 379 pp. Dent. 108. 6d. n.&#13;
ORIENTAL.&#13;
MYSTICS AND SAINTS OF ISLAM. BY CLAUD FIELD,&#13;
78 x 5. 215 pp. Francis Griffiths. 38. 6d. n.&#13;
PHILOSOPHICAL.&#13;
FROM PASSION TO PEACE. By JAMES ALLEN. 70 pp.&#13;
William Rider &amp; Son, 164, Aldersgate Street, E.C.&#13;
1x. n.&#13;
ABOVE LIFE's TURMOIL. By JAMES ALLEN. 163 pp.&#13;
G. P. Putnam's Sons. 38. 6d. n.&#13;
HISTORY.&#13;
HISTORICAL VIGNETTES. By BERNARD CAPES. 9 x 51.&#13;
319 pp. Fisher Unwin. 78. 6d. n.&#13;
LONDON MUNICIPAL GOVERNMENT : HISTORY OF A&#13;
on&#13;
GREAT REFORM, 1880-1888. By JOHN LLOYD. 11 x 8].&#13;
72 pp. P. S. King. 28. n.&#13;
JUVENILE.&#13;
THE SPY: A TALE OF THE PENINSULAR WAR. By&#13;
CAPTAIN CHARLES GILSON. Illustrated by CYRUS&#13;
CUNEO. 51 X 72. 379 pp. Frowde and Hodder &amp;&#13;
Stoughton, 68.&#13;
THE LOST ISLAND. By CAPTAIN CHARLES GILSON,&#13;
Illustrated by CYRUS CUNEO. 5$ x 73. 288 pp.&#13;
Frowde, and Hodder &amp; Stoughton. 38. 6d.&#13;
Yo-Ho! FOR THE SPANISH MAIN! By S. WALKEY.&#13;
311 pp. 4 Coloured Illustrations by ARCHIE WEBB.&#13;
Cassell. 38. 6d. n.&#13;
ADVENTURES OF JASMIN. By L. E. TIDDEMAN. Jarrold.&#13;
28. 68.&#13;
ALL ABOUT ME. By L. E. TIDDEMAN. Chambers. 28. 6d.&#13;
JACK'S INSECTS. By EDMUND SELOUS. 78 x 5. 379 pp.&#13;
Methuen. 68.&#13;
WINNING AND WAITING. A Story of Village and City.&#13;
By L. E. TIDDEMAN. 8 * 51. 280 pp. Pilgrim&#13;
Press. 38. 60.&#13;
ODIN'S TREASURY. By W. VICTOR Cook. 74 x 5.&#13;
253 pp. S.P.C.K. 28. 6d.&#13;
FIGHTING THE ICEBERGS. By F. BULLEN. 8 x 5.&#13;
372 pp. Nisbet, 68.&#13;
FAIRIES I HAVE MET. By Mrs. R. STAWELL.&#13;
78 X 6. 117 pp. 18. 6d. Hodder &amp; Stoughton. 3s.6d, n.&#13;
NEXT DOOR GWENNIE. By L. E. TIDDEMAN. 73 x 5.&#13;
156 pp. S.P.C.K. 18. 6d.&#13;
PHILIP COMPTON'S WILL. By MRS. HARDING KELLY,&#13;
287 pp. Religious Tract Society.&#13;
LITERARY.&#13;
THE DEVIL'S MOTOR. A Fantasy. By MARIE CORELLI.&#13;
114 x 8. Hodder &amp; Stoughton. 68. n.&#13;
THE FRENCH RENAISSANCE IN ENGLAND. An Account&#13;
of the Literary Relations of England and France in the&#13;
16th Century. By SIDNEY LEE. 87 x 51. 494 pp.&#13;
Oxford : Clarendon Press ; London : Frowde. " 108, 6d. n.&#13;
OLD KENSINGTON PALACE, AND OTHER PAPERS. By&#13;
AUSTIN DOBSON, 73 X5. 316 pp. Chatto &amp; Windus. 68.&#13;
FRANCIS BACON. A Sketch of his Life, Works, and&#13;
Literary Friends ; chiefly from a Bibliographical Point of&#13;
View. By G. W. STEEVES, M.D. 78 x 5. 230 pp.&#13;
Methuen. 68. n.&#13;
MISCELLANEOUS.&#13;
A CENTURY OF BALLADS (1810-1910); THEIR COM-&#13;
POSERS AND SINGERS. By HAROLD SIMPSON. Mills&#13;
&amp; Boon. 108. 6d. n.&#13;
OUR HOUSE. By ELIZABETH ROBINS PENNELL. 81 X&#13;
54. 328 pp. Fisher Unwin. 48. 60. n.&#13;
NATURAL HISTORY.&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARRETT&#13;
HAMILTON, F.Z.S. With 27 Full-Page Plates in Colour&#13;
and Other Illustrations. By E. A. WILSON. Part I.,&#13;
October, 1910. 10 X 61. 88 pp. Gurney &amp; Jackson.&#13;
28. 6d. n.&#13;
LIVES OF THE Fur FOLK. By M. D. HAVILAND. 78 X&#13;
51. 234 pp. Longmans. 58. n.&#13;
KEARTON'S NATURE PICTURES. Reproduced in Photo&#13;
gravure, Colour, and Black and White from Photographs&#13;
by R. and C. KEARTON. With Descriptive Text by R.&#13;
KEARTON. 12 x 9, 96 pp. Cassell, 158. n.&#13;
POETRY.&#13;
MARY AND THE BRAMBLE, By LASCELLES ABERCROMBIE,&#13;
Published by the Author : Much Marcle, Herefordshire.&#13;
Post free, ls, ld.&#13;
POEMS AND BALLADS. By H. DE VERE STACPOOLE.&#13;
7 x 41. 120 pp. Murray. 38. 60, n.&#13;
IN POETS' CORNER. By LAUCHLAN MACLEAN WATT,&#13;
Hodder &amp; Stoughton. 38. 6d.&#13;
THE QUEEN OF THE FIORD. By JOHN CAVE. 8 X 51.&#13;
201 pp. Kegan Paul. 58. n.&#13;
RUMBO RHYMES ; OR, THE GREAT COMBINE: A Satire.&#13;
By A. C. CALMOUR. Illustrated by WALTER CRANE.&#13;
93 x 64. 99 pp. Harpers. 58. n.&#13;
LITTLE SONGs. By ELLA ERSKINE, 61 x 41. 18 pp.&#13;
Truslove &amp; Hanson.&#13;
POLITICAL.&#13;
THE MOTHER OF PARLIAMENTS. By CAPTAIN HARRY&#13;
GRAHAM. 9 x 5. 314 pp. Methuen. 108. 6d, n.&#13;
AFGHANISTAN: THE BUFFER STATE. GREAT BRITAIN&#13;
AND RUSSIA IN CENTRAL ASIA. By CAPTAIN GERVAIS&#13;
LYONS. Madras : Higginbotham &amp; Co. London :&#13;
Luzac &amp; Co.&#13;
REPRINTS.&#13;
THE OXFORD BOOK OF ITALIAN VERSE. XIII. CENTURY&#13;
to XIX. CENTURY. Chosen by St. John Lucas. 6*&#13;
41. 576 pp. Oxford : Clarendon Press; London :&#13;
Frowde. 68. n.&#13;
THE CAXTON SHAKESPEARE. Vol. 12: KixG HENRY IV. ;&#13;
Vol. 13: KING HENRY V. AND KING HENRY VIII. ;&#13;
Vol. 14 : ROMEO AND JULIET AND TITUS ANDRONICUS.&#13;
With Annotations and a General Introduction. By&#13;
SIDNEY LEE. 9 x 61. 151 + 163; 155 + 155 ; 154&#13;
+ 123 pp. Caxton Publishing Co. 68. 6d. n.&#13;
AN ANTHOLOGY OF HUMOROUS VERSE. FROM ROBERT&#13;
HERRICK TO OWEN SEAMAN. By HELEN AND LEWIS&#13;
MELVILLE. 7% ~ 5. 255 pp. Harrap.&#13;
SPORT.&#13;
ANECDOTES OF BIG CATS AND OTHER BEASTS. By DAVID&#13;
WILSON. 74 x 5. 312 pp. Methuen. 68.&#13;
HUNTING CAMPS IN WOOD AND WILDERNESS. By H.&#13;
HESKETH PRICHARD, F.Z.S. Illustrated by LADY&#13;
HELEN GRAHAM, E. G. CALDWELL, and from Photo-&#13;
graphs. 104 x 71. 274 pp. Heinemann. 158. n.&#13;
SPORTING DAYS AND SPORTING WAYS. BY RALPH&#13;
NEVILL. 9 x 6. 318 pp. Duckworth. 12s. 60. n.&#13;
RECOLLECTIONS OF AN OLD MOUNTAINEER. By W.&#13;
LARDEN. 91 x 51. 320 pp. Arnold. 148. n.&#13;
&#13;
&#13;
## p. 33 (#59) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
33&#13;
THEOLOGY.&#13;
Messrs. A. M. Gardner &amp; Co. have published&#13;
THE COMMUNION TABLE, By LAUCHLAN MACLEAN the 8th edition of Francis Bancroft's novel “ Of&#13;
Watt. 2nd Edition. Purple Library. Hodder &amp; Like Passions.” The present issue is published&#13;
Stoughton. 28. 6d.&#13;
THE LORD FROM HEAVEN : Chapters on the Deity of&#13;
of at ls.&#13;
Christ. By SIR ROBERT ANDERSON, K.C.B. Second&#13;
Mr. Thomas Baker has just published a selection&#13;
Edition (with New Preface). 84 * 51. 134 pp. Nisbet. from the works of the old English mystic and&#13;
3s. 60.&#13;
devotional writer, Richard Rolle, Hermit of Ham-&#13;
SUNDAY EVENIXG. FIFTY-TWO SHORT SERMONS POR&#13;
pole, in Yorkshire, in the reigns of Edward II. and&#13;
HOME READING. By W. ROBERTSON NICOLL. 87x53.&#13;
416 pp. Hodder &amp; Stoughton. 58. n.&#13;
Edward III., comprising “ The Form of Perfect&#13;
MESSAGES FROM THE THRONE. By MRS, HARDING KELLY Living,” “ Our Daily Work: A Mission of Dis-&#13;
99 pp. Robert Scott.&#13;
cipline,” “A Treatise on Grace," “ On Charity,”&#13;
TOPOGRAPHY,&#13;
“On Contrition, etc., etc. The selection has been&#13;
LONDON. By A. R. HOPE MONCRIEFF. 91 x 7. 312 pp.&#13;
rendered into modern English by Dr. Geraldine&#13;
Black, 78. 6d. n.&#13;
Hodgson. The book is not intended for the use of&#13;
VANISHING ENGLAND. The Book by P. H. DITCHFIELD, those acquainted with Anglo-Saxon and Middle&#13;
F.S.A. The Illustrations by FRED ROE, R.I. 9 x 6.&#13;
English ; but for those who care for the thought,&#13;
403 pp. Methuen. 158, n.&#13;
OLD ENGLISH HOUSES. The Record of a Random Itinerary.&#13;
especially the religious and devotional thought of&#13;
By ALLAX FEA. 8} x 51. 273 pp. Martin Secker.&#13;
our forefathers.&#13;
108. 6d. n.&#13;
A two-shilling edition of A. E. Jacomb's novel&#13;
TRAVEL.&#13;
“ The Faith of His Fathers” has been issued by&#13;
THE SPELL OF EGYPT. By ROBERT HICHENS. 74 x 5.&#13;
Mr. Andrew Melrose. The six-shilling edition was&#13;
279 pp. Hodder &amp; Stoughton. 68.&#13;
published some two or three years ago when the&#13;
SANGIMIGNANO OF VAL D'ELSA IN TUSCANY. By novel was successful in Mr. Melrose's first Novel&#13;
JEAN CARLYLE GRAHAM AND ELIZABETH M. DERBI. Competition.&#13;
SHIRE. Rome : Ermano Loescher &amp; Co. 128.&#13;
Readers of “Pack of Pook's Hill" may be&#13;
TRAVEL AND EXPLORATION. Edited by E. A. REY.&#13;
NOLDS BALL. October, 1910. Witherby. 18. n.&#13;
interested to hear that Mr. Rudyard Kipling's new&#13;
book, “Rewards and Fairies," is a further collection&#13;
of stories told to Dan and Una by certain interest-&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
ing personages of olden times, who, as in the&#13;
previous book, are introduced to them by their&#13;
NOTES.&#13;
friend, Robin Goodfellow. Messrs. Macmillan &amp;&#13;
Co. are the publishers.&#13;
TN his new book, “ Above Life's Turmoil,” Mr. Mr. W. E. Norris has a serial entitled “ Vittoria&#13;
James Allen aims at showing how, surrounded Victrix,” running in the Daily Telegraph. It will&#13;
by noise, we can still preserve a quiet mind, be published in book form next spring.&#13;
and, through self-knowledge and self-discipline, Messrs. Macmillan have published Mr. Stephen&#13;
rise above the turmoil of the world, and without Reynolds' new novel, “ Alongshore,” in which the&#13;
shirking the duties and difficulties of life, fortify author aims, in a series of humorous and&#13;
ourselves against anxiety regarding them. Messrs. descriptive chapters, to show the predominant&#13;
G. P. Putnam's Sons are the publishers in England influence of the sea on a set of men who, even&#13;
and in America.&#13;
when they are not afloat, are always looking towards&#13;
We have also received a work by Mr. Allen the sea for their daily bread : to bring out the&#13;
entitled “From Passion to Peace.” Here, starting poetry, pathos, and jollity of the life without&#13;
with a chapter on Passion, the lowest level of sacrificing its realism. The volume is illustrated&#13;
human life, the reader is shown, in the chapter on by eight photographs by Mr. Melville Mackay.&#13;
Aspiration, the way from the under darkness to L. Allen Harker's new novel, “ Master and&#13;
the upper light. The causes leading to the birth Maid,” will be published this antuinn by Mr. John&#13;
of aspiration are dwelt upon, and its character. Murray here, and Messrs. Charles Scribners' Sons&#13;
istics described Temptation, the subject of the in America.&#13;
third chapter, is shown to be the reversion in The central figure of the volume of seventeenth&#13;
thought from purity to passion. Messrs. Wm. and eighteenth century letters, edited by Miss&#13;
Rider &amp; Son, of 164, Aldersgate Street, E.C., are Julia Longe, is Martha, Lady Giffard, the only&#13;
the English, and Messrs. T. Y. Crowell &amp; Co., of sister of Sir William Temple. The letters, which&#13;
New York, the American publishers.&#13;
are from various important people of the day,&#13;
Miss Agnes M. Kelly provides 100 new and notably “ Sacharissa " Lady Temple (Dorothy&#13;
original illustrations for a book entitled “ House- Osborn), the Duchess of Somerset, Sir William&#13;
hold Foes," by Miss Alice Ravenhill, which Messrs. Godolphin, etc., are arranged chronologically and&#13;
Sidgwick &amp; Jackson are publishing,&#13;
form a consecutive narrative. Judge Parry is&#13;
&#13;
&#13;
## p. 34 (#60) ##############################################&#13;
&#13;
34&#13;
THE AUTHOR.&#13;
contributing a foreword, and the volume is properly contains an article entitled “In the Heart of an&#13;
illustrated with original portraits of many of the Indian Forest," from the pen of Mr. C. E.&#13;
writers, and autographs of Lady Giffard, Lady Gouldsbury. The same writer also has an article&#13;
Temple, and Dean Swift. The publishers are in the Illustrated Sporting and Dramatic Neues&#13;
Messrs. Allen.&#13;
of September 24, called “Two Lucky Shots,"&#13;
We have received a copy of a book entitled while “ Camp Life in Bengal,” which will appear&#13;
“ Sangimignano of Val D. Elsa in Tuscany," by shortly in the current volume of Young&#13;
Jean Carlyle Grahain and Elizabeth M. Derbishire. England, is another article from Mr. Gouldsbury's&#13;
The scope of the book may be best described in pep.&#13;
words of the anthors in the preface : “ There is Miss Regina Miriam Bloch's poem “ Song" has&#13;
nothing finally dogmatic in our little book. We been included in “The Biographical Birthday&#13;
merely present to you a sketchy series of observa- Book of Prominent Poets of the Period,” published&#13;
tions, realist or impressionist as circumstances by Messrs. Kegan Paul &amp; Co., Ltd.&#13;
insist or as occasion demands. We go about and We have received a copy of the second edition&#13;
talk of what we see, we gossip of the past, we of the Rev. J. C. Digges' “ Practical Bee Guide."&#13;
digress at times, we wander at willi; but you will Many new paragraphs have been added to the new&#13;
forgive, because with this we give you certain edition, treating of such subjects as the “ W. B.C."&#13;
elucidating documents which have never hitherto hive, the “I. B. A. 1909” hive, “ Claustral&#13;
been put into print ; also a plan of the city ; and Detention Chambers," “ Searching for the Queen,"&#13;
above all, we offer you, by means of our pen-and- the “Isle of Wight Disease," “ Recent Investiga-&#13;
ink illustrations, the veritable Sangimignano tions into the Cause of Foul Brood," etc., and a&#13;
with its own peculiar rugged lines which no new chapter on “Exhibiting and Judging Bee&#13;
camera and no brush have ever succeeded in Products" has been introduced. Twenty new&#13;
reproducing." Messrs. Ermano Loescher &amp; Co., blocks have been inserted in the new edition,&#13;
of Rome, are the publishers. Only 300 copies have and fifty-three in the old edition disappear from&#13;
been printed, and the published price of the work the present issue, their places being taken by&#13;
is 12s.&#13;
others more accurate, as Mr. Digges has deemed&#13;
“The Fairbourn Papers," edited by Mr. G. E. it wise to rely upon pen and camera for the&#13;
Webb, and published by Messrs. John Ouseley, illustration of manipulations, appliances, etc. The&#13;
Ltd., relate the history and career of a solicitor London publishers are Messrs. Simpkin, Marshall&#13;
residing in the City of London.&#13;
&amp; Co., while Messrs. Eason &amp; Son, Ltd., are the&#13;
"A Century of Ballads (1810–1910), their publishers in Dublin and Belfast.&#13;
Composers and Singers,” by Harold Simpson, is Derek Vane's new novel, “ Lady Vereker,” is&#13;
the story of popular song, told in a popular style. appearing first serially in the Daily Telegraph.&#13;
It abounds in anecdotes about well-known songs, He has also recently been writing short stories for&#13;
composers and singers, from the beginning of the the Bystander, Sicetch, and Black and White.&#13;
19th century to the present day. It is illustrated His last novel, “ The Secret Door,” will shortly&#13;
with photographs of all the best known composers, be brought out in a cheap edition by the Weekly&#13;
singers and lyric writers, together with numerous Telegraph.&#13;
facsimiles and autographs. Messrs. Mills &amp; Boon Messrs. Longmans &amp; Co. have just issued Mr.&#13;
are the publishers.&#13;
D. Haviland's book, “ Lives of the Fur Folk,” a&#13;
G. P. Putnam's Sons announce a new novel by series of animal biographies dealing with the fox,&#13;
Florence L. Barclay, author of "The Rosary," cat, rabbit, and badger in Ireland.&#13;
now in its 120th thousand. The title is “ The Miss Maud Goldring's new novel, “ The Downs-&#13;
Mistress of Shenstone,” and it is promised that man,” treats of the rivalry between a Socialist who&#13;
many of the characters in “The Rosary” will comes down into Sussex and an enlightened&#13;
appear again in the new story.&#13;
representative of the old order, and will be found&#13;
Messrs. Methuen &amp; Co. have issued a volume on of interest to students of social conditions. At&#13;
“ Francis Bacon," by Dr. G. W. Steeves. The the same time the romance is not overburdened&#13;
aim of the author has been to sketch the chief with theories. Mr. Murray hopes to publish the&#13;
events in the life of Bacon, freed as much as volume before Christmas.&#13;
possible from general historical detail, followed by Messrs. J. M. Dent &amp; Sons, Ltd., announce a&#13;
a “classification” and short description of Bacon's new work by W. Percival Westell, F.L.S. It is&#13;
chief works, with certain considerations bearing on entitled “The Book of the Animal Kingdom,"&#13;
his Life and Letters. Selected title pages of the and treats of over five hundred kinds of representa-&#13;
earliest editions of Bacon's works appear in the tive mammals of the world, with a chapter on the&#13;
volume by Dr. Steeves.&#13;
four-footed beasts of Australia by Charles Barrett,&#13;
The October issue of the Boys On Paper M.A.O.U. There will be fourteen coloured and&#13;
&#13;
&#13;
## p. 35 (#61) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
35&#13;
two hundred and sixty plain plates, chiefly from King's Fool” has returned once more to the&#13;
photographs of the living animals, by W. S. Middle Ages, and has portrayed the soul's history&#13;
Berridge, F.L.S. The work is divided into sixteen of a famous Troubadour Prince. It is a romance&#13;
sections, and it has been the author's aim to eschew in which the reader breathes the dream-haunted&#13;
dry and uninviting definitions, and to present his air of Aquitaine in the twelfth century, and is&#13;
story in such a way that both young and old may symbolic of the fourfold quest of love, religion,&#13;
be able to acquire a general knowledge of the wisdom, and ideal beauty.&#13;
mammalian fauna of the world.&#13;
“In Waste Places," a new story by Mrs.&#13;
In Mr. John Bloundelle-Burton's new book, Woollaston White, will be issued in December.&#13;
“ The Fate of Henri de Navarre,” which is not a The scene is laid in the early days of British&#13;
novel, the true story of that king's death is told, Columbia, and chiefly concerns the thrilling ex-&#13;
and the mystery of whether it took place as the periences of a young wife. It will be issued by&#13;
outcome of a Court plot, or was solely the result of the St. Andrew's Press, Barnet.&#13;
the diseased brain of the religious enthusiast, “ Messages from the Throne,” by Mrs. Harding&#13;
Rasaillac, cleared up. The work will also contain Kelly, is a little book compiled for the use of&#13;
an accurate description of the Paris of the time, district visitors who find a difficulty in speaking to&#13;
an exhaustive description of Sully, and also of the the cottagers whom they visit. The readings are&#13;
extraordinary manner in which, out of vanity, he intended to be suggestive, and to make the Bible&#13;
appears to have endeavoured to identify himself more interesting and intelligible to the people.&#13;
with the supposed poisoning of Gabrielle d'Estrées. Mr. Robert Scott is the publisher. Mrs. Harding&#13;
Other leading characters of the time will also be Kelly has also issued, through the Religious Tract&#13;
fully described, some of whoin, except to writers Society, a story entitled “ Philip Compton's&#13;
on the period, are almost unknown to the reading Will."&#13;
public-characters such as Henriette d'Entragues “The Second Elopement,” Mr. Herbert Flower-&#13;
and the Duc d'Epernon. The book will be dew's 1910 novel, is being published in America&#13;
full; illustrated with portraits and some rare by Messrs. Brentano. It is also being translated&#13;
views of Paris, and will be published by Everett into German and Swedish. It successor, “The&#13;
&amp; Co.&#13;
Third Wife,” is announced by Messrs. Stanley&#13;
Messrs. J. M. Dent &amp; Sons, Ltd., announce Paul &amp; Co, for publication early in 1911.&#13;
a new addition of “ Aacassin and Nicolette” from Mr. Flowerdew has written an article on “The&#13;
a translation by Mr. Eugene Mason. The edition Psychology of Tariff Reform,” for The English&#13;
is illustrated in colour by Mr. Maxwell Armfield. Review', and an article from his pen on the price&#13;
The book, which will, it is hoped, be the first of a of the novel will appear in an early number of The&#13;
series of similar old romances, will be published Nineteenth Century and After.&#13;
at the price of 2s. 6d. net.&#13;
Mrs. Philip de Crespigny's book, “ The Valley&#13;
Miss May Crommelin's autumn novel will shortly of Achor," published by Messrs. Mills &amp; Boon, has&#13;
be published by Messrs. Hutchinson &amp; Co. under gone into a second edition. The November issue&#13;
the title “ Madam Mystery.” The scene is laid in of The Story Teller contains a story by Mrs. de&#13;
the Loire Valley, where a party of happy sightseers Crespigny.&#13;
to the famous castles of Touraine are bewildered "Chains," a new novel by Edward Noble, will&#13;
by a mysterious “ double” claiming the heroine's be published shortly by Messrs. Constable &amp; Co.&#13;
name. This puzzle, with love affairs and an It is a book dealing with the handicap imposed by&#13;
under-plot involving some French country gentry, our divorce laws on women ; the impossibility of&#13;
is the life-current playing round the rock-histories a woman obtaining freedom on the same grounds&#13;
of the once English-owned châteaux.&#13;
as a man, and incidentally exposing some aspects of&#13;
In his new book, “Diet and the Maximum the White Slave traffic as seen in the seaports of&#13;
Duration of Life,” Dr. Charles Reinhardt discusses South America.&#13;
the advantages and disadvantages of various foods - Afghanistan, the Buffer State,” is a com-&#13;
for those who would preserve robust health for the prehensive treatise on the entire Central Asian&#13;
longest possible time. There are also chapters question by Captain Gervais Lyons. The book&#13;
dealing with such matters as food in infancy, food has two maps fully illustrating the subject, and&#13;
in disease, beverages, and one on dietetic systems, showing all frontiers and existing and projecting&#13;
which should be read by those who have committed railways. There is also an introductory note by&#13;
their digestions to any of these systems. The Lieut.-General Sir Reginald C. Hart. Messrs.&#13;
London Publicity Co. are the publishers.&#13;
Luzac &amp; Co. are the publishers.&#13;
Messrs. Chatto and Windus have just issued Mr. Miss Dorothy Margaret Stuart has just published,&#13;
Michael Barrington's new romance, “ The Lady of through Messrs. Constable &amp; Co., a romance entitled&#13;
Tripoli.” In his new book the author of “The “ Martin the Mummer.”&#13;
&#13;
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## p. 36 (#62) ##############################################&#13;
&#13;
36&#13;
THE AUTHOR.&#13;
Mrs. Perrin's novel, “The Charm," published on au XVII. Siècle," and the present volume is “ Le&#13;
September 1 by Messrs. Methuen &amp; Co., is now Roi Louis XIII. à Vingt Ans." The three&#13;
in its third edition.&#13;
volumes are marvels of conscientious work and&#13;
give evidence of years of patient research.&#13;
DRAMATIC&#13;
Perhaps no prince has been so misunderstood as&#13;
“The Tramp," a play in one act by Ursula&#13;
Louis XIII. Thanks to the ambition and love of&#13;
Keene, was produced at the Theatre Royal,&#13;
power of his mother, Marie de Medicis, and the&#13;
Margate, early last month. Ursula Keene's&#13;
influence of Concini and his wife, Louis XIII., as&#13;
suburban comedy, “ The Eldest Miss Darrell,” in&#13;
a young man, was set aside. As be was powerless&#13;
three acts, was produced at a special matinée at&#13;
to obtain his proper position and was extremely&#13;
the Court Theatre on October 28. At the same&#13;
reserved, he remained apparently submissive and&#13;
matinée was produced “ The Servants of Pan,” a&#13;
resigned to his fate, and, for this reason, he has&#13;
fantasy by Clarice Laurence, which was also&#13;
been generally treated by historians as a nonentity.&#13;
produced at the Theatre Royal, Margate, during&#13;
M. Louis Batiffol has studied the archives of this&#13;
the same week as witnessed the staging of “The&#13;
epoch more thoroughly than most of the historians&#13;
Tramp.” The cast at these performances included&#13;
hitherto, and has unearthed many curious docu-&#13;
Miss Ursula Keene and Miss Clarice Laurence.&#13;
ments. He shows us how the young prince was&#13;
“ Company for George” is a three-act farce by&#13;
educated, and the lack of sympathy and affection&#13;
Mr. R. S. Warren Bell, which was produced at the&#13;
between him and his mother. "In her anxiety to&#13;
Kingsway on October 15. The story it disclosed&#13;
retain the regency she kept her son in the back-&#13;
had to do with the reluctance of a University&#13;
ground-treated him, at the age of sixteen, as a&#13;
student to admit the existence of a time limit to&#13;
mere child. Concini and his wife, the Queen's&#13;
the hospitality which had been given him at a&#13;
favourites, treated Louis with great insolence.&#13;
country house to which he had been invited. The&#13;
Things came to a climax after a violent fit of&#13;
humour of the play is derived from the various&#13;
anger on the part of the young prince at the age&#13;
enjoyments which the unwelcome guest favours&#13;
of fifteen. Concini saw that he had gone too far in&#13;
during his stay. Mr. Kenneth Douglas, Miss&#13;
his insolence, and left Paris for a time. From that&#13;
Eva Moore and Mr. Fewlass Llewellyn are in the&#13;
date forth, it is very evident that Louis had&#13;
decided on his plan of action. Later on, when&#13;
cast.&#13;
Mr. W. Somerset Maugham's new four-act play,&#13;
explaining his scheme to his friends, he said : “I&#13;
“Grace,” was produced at the Duke of York's&#13;
acted the child.” For the next five months he&#13;
Theatre on October 15. The play deals with&#13;
was silently preparing his plan, without taking&#13;
the fall of the daughter of a gamekeeper, her&#13;
anyone into his confidence. Charles d'Albert de&#13;
banishment by the family owning the estate, and&#13;
Luynes was the first of his friends to whom he&#13;
the effect of the girl's subsequent suicide on the&#13;
spoke of his intentions. Gradually a little group&#13;
relations existing between husband and wife of the&#13;
of faithful accomplices gathered round Louis. The&#13;
family. The cast includes Mr. Dennis Eadie, Mr.&#13;
whole nation was resenting the power and influence&#13;
Leslie Faber, Miss Lillah McCarthy, Miss Irene&#13;
of the foreign favourites, and Concini himself had&#13;
Vanbrugh and Mr. Edmund Gwenn.&#13;
gradually usurped many of the privileges which&#13;
should have belonged to the young prince.&#13;
In April, 1617, it was finally decided that&#13;
Concini's arrest should take place. Louis had&#13;
received letters from all sides promising help and&#13;
PARIS NOTES.&#13;
loyal service, and M. Batiffol's description of the&#13;
plot to arrest and, if necessary, kill Concini is most&#13;
graphically and dramatically told. He describes&#13;
M HE death of Albert Vandal is another loss to the whole scene which took place in the courtyard&#13;
I the French Academy and to French litera. of the Louvre, when the favourite, escorted by his&#13;
ture. M. Vandal was formerly President of suite of young nobles, passed through the gate&#13;
the Société des Gens de Lettres and he was known as the Porte de Bourbon. He was arrested&#13;
essentially a historian. “ Louis XV. et Elisabeth “in the name of the king," and on attempting to&#13;
de Russie" was one of his first books ; “Napoléon draw his sword was at once killed. The trans-&#13;
et Alexandre I." and“L'Avénement de Bonaparte” formation which now took place in the apparently&#13;
made him famous.&#13;
submissive boy was a most remarkable one. With&#13;
M. Louis Batiffol has now published his third the promptness and decision of a man three or&#13;
volume on the period of Marie de Médicis. The four times his age, Louis XIII, now took his place&#13;
first was “ Au Temps de Louis XIII.” The second in his kingdom. He appeared at one of the&#13;
was entitled “ La Vie intime d'une Reine de France windows of the Louvre, thanked th e cheering crowd,&#13;
&#13;
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## p. 37 (#63) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
37&#13;
M. Pierre Berton ; “Montmartre," comedy in four&#13;
acts by M. Pierre Frondaie ; “Sa Fille,” comedy&#13;
in four acts by MM. Félix Duquesnel and André&#13;
Barde ; “Crésus," comedy in three acts by M.&#13;
Henri de Rothschild. At the Porte Saint-Martin&#13;
“Chantecler" is still being given, and at the&#13;
Théâtre Antoine “Cesar Bírotteau.”&#13;
ALYS HALLARD.&#13;
" Le Roi Louis XIII. à Vingt Ans” (Calmann Levy).&#13;
“Lady Hamilton” (Perrin).&#13;
“Quarante Ans Après" (Fasquelle).&#13;
** La Pologne Vivante" (Perrin).&#13;
“Les Petits Joyeux” (Calmann Levy).&#13;
AGENCY CLAUSES IN PUBLISHERS'&#13;
AGREEMENTS.&#13;
and told them that he was now their king. He&#13;
refused to see his mother, but sent her word that he&#13;
had now decided to take the government of the&#13;
State into his own hands. From that time forth,&#13;
until Richelieu was admitted into the State Council&#13;
in 1624, the strong government and discipline of the&#13;
boy king are a revelation to all who had been&#13;
accustomed to thinking of Louis XIII. as a&#13;
nonentity. It is to be hoped that M. Batiffol will&#13;
continue the study of this king's character after&#13;
1624, as the three volumes which take us up to&#13;
this period only serve to make us wish to continue&#13;
the study of history from authentic documents.&#13;
“Lady Hamilton,” by A. Fauchier Magnan, is a&#13;
biography which might very easily be taken for a&#13;
novel. The writer gives us an account of this&#13;
extraordinary woman's life in an extremely interest-&#13;
ing manner. He begins with her early years in&#13;
Cheshire and her first visit to London in 1777 at&#13;
the age of fourteen. From this time forth we&#13;
have all the romantic episodes of her life, her&#13;
liaisons with Sir Charles Francis Greville, with Sir&#13;
William Hamilton, her friendship with the Queen&#13;
of Naples, and finally her liaison with Nelson. M.&#13;
Fauchier Magnan takes us on to the very end. He&#13;
tells us of her extreme poverty and of her death in&#13;
a poorly furnished little room which she had&#13;
rented in Calais. Many lives of Lady Hamilton&#13;
have been written, but this French book gives us&#13;
perbaps a more impartial study of this beautiful&#13;
woman's career than some of the accounts written&#13;
by her own compatriots.&#13;
Among new books, Jules Clarétie's “ Quarante&#13;
ans Après” is having great success. Marius Ary&#13;
Leblond has written a very welcome volume, “La&#13;
Pologne Vivante.”&#13;
mohlished a new volume "Les&#13;
Petits Joyeux."&#13;
In the Revue des Deux Mondes of September&#13;
there were some exceptionally interesting articles :&#13;
“Morale et Religion," by M. Emile Boutroux;&#13;
“Deux Conceptions de l'Histoire de la Révolution:&#13;
Taine et M. Aulard,” by M. A. Albert-Petit.&#13;
In the Revue hebdomadaire M. Emile Guillaumin&#13;
writes on “ La Terre Delaissée.” In the same&#13;
periodical of October 15, M. Gailly de Taurines&#13;
gives us an interesting article on “Un Projet de&#13;
Mariage dans la famille Bonaparte,” M. Ernest&#13;
Seillière tells us “Le Roman d'un futur Empereur,"&#13;
and Maurice Lanoire writes an interesting article&#13;
on "Thackeray et la France."&#13;
Among the new plays announced by M. Porel&#13;
for this scason at the Vandeville are: “Le&#13;
Marchand de Bonheur,” comedy in three acts by&#13;
M. Henry Kistemaeckers ; “Rue de la Paix,"&#13;
comedy in three acts by MM. Abel Hermant et&#13;
de Toledo ; “Le Tribun,” comedy in four acts by&#13;
M. Paul Bourget; "Raissa," play in four acts by&#13;
new&#13;
CLAUSE I.&#13;
" ALL moneys due under this agreement shall be paid to&#13;
A the author's representative, whose receipt shall be&#13;
a full and sufficient discharge of the obligation, and&#13;
the said agent is hereby empowered by the author to&#13;
conduct all negotiations in respect of the said work with&#13;
the publishers."&#13;
CLAUSE II.&#13;
"All accounts due and all moneys payable under this&#13;
agreement shall be rendered and paid to&#13;
and it is hereby agreed tbat their receipt shall be a full and&#13;
sufficient discharge therefor and that shall have&#13;
authority to treat for and on behalf of the said author in&#13;
all matters under this agreement.”&#13;
CLAUSE III.&#13;
"All sums due under this agreement shall be paid to the&#13;
author's representative, whose receipt alone shall be a full&#13;
and sufficient discharge of the obligations, and this authority&#13;
shall not be revocable by the author without the previous&#13;
consent of his said representative.”&#13;
It is the duty of agents to settle agreements&#13;
between authors and publishers; but it may&#13;
often be proper that in the first place the author&#13;
should settle, and settle with care, an agreement&#13;
with his agent. For if there are bad publishers&#13;
and shifty authors, it is probable that there are&#13;
careless, and possible that there are dishonest,&#13;
agents.&#13;
The Dramatic Sub-committee of the society,&#13;
while expressing their disapproval of the principle&#13;
of employing an agent at all (confer standing&#13;
matter in The Author), have settled a contract&#13;
between a dramatist and an agent.&#13;
It is a fact that there is less need for the employ-&#13;
ment of an agent to place dramatic works than to&#13;
place literary works, if proper use is made of the&#13;
society's assistance. But whether a writer is an&#13;
author of works to be performed or of works to be&#13;
read, he should be exceedingly careful of the&#13;
contracts he makes with agents.&#13;
&#13;
&#13;
## p. 38 (#64) ##############################################&#13;
&#13;
38&#13;
THE AUTHOR.&#13;
There is, however, a danger beyond this, and the Now agents, unfortunately, among other clauses&#13;
clauses printed at the head of this paper, taken which they have allowed to pass into currency,&#13;
at random from a large collection of agreements, have not infrequently allowed a publisher to have&#13;
are examples of this danger.&#13;
the refusal of other books by the saine author,&#13;
When an author has gone to an agent with an sometimes on terms to be subsequently settled,&#13;
established reputation, and has settled a satisfactory sometimes on terms roughly agreed in the one&#13;
contract with him, he then most probably is contract.&#13;
quite ready to leave the management of his busi- The principle is a thoroughly wrong principle&#13;
ness in the agent's hands. If the agent advises and should be fought on every possible occasion.&#13;
him to accept certain terms and sign certain agree. But the issue as between author and publisher is&#13;
ments he will do so, trusting to the agent's judg- not for discussion in this article. As between&#13;
ment--the agent placing one of the above clauses author and agent it is also thoroughly bad, for&#13;
in the contract as if it was a matter of course. under the above clause the author is obliged to let&#13;
Yet this clause may bring all sorts of difficulties in work No. 2, and perhaps work No. 3, pass through&#13;
its train.&#13;
the agent's hands.&#13;
Such a clause existing between the publisher Here is a great temptation, here is a premium&#13;
and the author is “an authority coupled with an on dishonesty. For the agent, in order to secure&#13;
interest,” and cannot be cancelled as between the the control of the author's next two works and&#13;
parties to the contract. In consequence it gives secure his 10 per cent., may be tempted to induce&#13;
the third party not a party to the contract a power the author to sign a clause giving away the refusal&#13;
which he ought not to possess.&#13;
of future work. In other words, he may possibly&#13;
Let us study the clauses closer. In Clause I. neglect the author's interest to foster his own,&#13;
the author's representative is to receive all moneys. The author may have many and crucial objec-&#13;
However doubtful his financial position may be, tions after his first book has been published to the&#13;
however an author may come to distrust his agent, further employment of an agent, but with the two&#13;
even if the author may desire to change his repre- clauses, the one referring to the disposal of future&#13;
sentative, still the publisher is bound to pay him work, the other to the agent's powers, he is bound&#13;
the moneys. If the position happens to be still irrevocably. Should he, breaking the agreement,&#13;
more serious, the author cannot get out of the do his own work or employ another agent, he&#13;
clutches of this clause.&#13;
would still be bound to pay to agent No. 1 the&#13;
But worse follows, for the agent's receipt “ shall 10 per cent.&#13;
be a full and sufficient discharge of the obliga- If it happened that an agent got an author to&#13;
tion.”&#13;
bind himself for his next nine books on the basis&#13;
If an agent is careless, if an agent is deceitful, if of a contract similar to the one recently printed in&#13;
an agent is fraudulent, he can still under this clause The Author, he would practically be able to go on&#13;
give a sufficient discharge to the publisher ; and it is drawing his percentage through the ages, and the&#13;
doubtful how far the author could open the accounts author would bear the burden of two old men of&#13;
if the agent under such an authority had given a full the sea instead of one.&#13;
receipt. But there is still worse to come, for the Little need be added in criticism of Clause III.&#13;
agent is empowered to conduct all negotiations in to what has already been said. The revocability&#13;
respect of the said work with the publishers. of the clause “only with the agent's consent "&#13;
Practically, therefore, the agent can always be speaks for itself.&#13;
covering up his own tracks and the author is The position is a serious one, and the real difficulty&#13;
powerless. The author may communicate with the arises from the fact that while an agent in many&#13;
publisher direct, and the publisher may say, and in cases may protect an author's interests most care-&#13;
strict fairness is bound to say, I cannot communicate fully as between author and publisher, there is no&#13;
with you, I can only conduct the business with the means of compelling him to turn to the author or&#13;
agent.&#13;
point out the difficulties and dangers surrounding&#13;
Clause II. is even worse than Clause I.&#13;
these and similar clauses.&#13;
The remarks already made as to the payment of It may happen that no dispute will arise ; but&#13;
and receipt for the money apply to this clause, but no author should put himself in chains, even if&#13;
there is a subtle and important distinction in the they do not gall.&#13;
last sentence.&#13;
If the agent makes a fair statement of the case&#13;
In Clause I. “the said work ” is referred to. It and the author, while unwilling to bind himself&#13;
is clear that this would mean one book, but in under too stringent clauses with the publisher, is&#13;
Clause II. the agent has authority “for and on willing to sign a stringent clause affecting the&#13;
behalf of the said author in all matters under this agent, then nothing can be said.&#13;
agreement.”&#13;
“Quis custodiet ipsos custodes ? "&#13;
&#13;
&#13;
## p. 39 (#65) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
39&#13;
THE THIRTY-SECOND CONGRESS OF THE enactments at present existing, would codify the&#13;
INTERNATIONAL LITERARY AND legislation respecting copyright, and would repre-&#13;
ARTISTIC ASSOCIATION.&#13;
sent an immense progress ; notably by making&#13;
uniform the duration of copyright for the life of&#13;
LUXEMBURG, September 2-5, 1910.&#13;
the author and fifty years afterwards ; by suppress-&#13;
ing all formalities, as necessary for the exercise&#13;
GEORGES MAILLARD, who presided of the author's rights ; by completely assimilating&#13;
IVT over the thirty-second Congress of the translation and reproduction ; by forbidding the&#13;
International Literary and Artistic Asso dramatisation of a novel, or the transformation of&#13;
ciation, declares this to have been a “ little &amp; drama into a novel, without the consent of the&#13;
congress” of a friendly kind, similar to those author of the original; by declaring, without&#13;
which have been, at various dates, held in various restrictions, that the right of a musical composer&#13;
cities of Switzerland. The labours of the Congress includes the right of the reproduction of the work&#13;
were grouped principally around a “ general by means of mechanical instruments ; by main-&#13;
review of affairs relating to literary and artistic taining for photographs a protection identical with&#13;
copyright from the diplomatic, legislative, and that given artistic works ; and by protecting&#13;
judicial points of view," by Mr. Ernest Röthlis- architectural designs.&#13;
berger. This report dealt with the Berlin Revision “ At the same time the International Literary&#13;
of the Berne Convention, legislative movements and Artistic Association takes the liberty of draw-&#13;
outside the direct action of the Berne Convention, ing the attention of the British Government to&#13;
the development of international treaties, and certain particulars, which will form the subject of a&#13;
various cases presented before the tribunals of special report which the executive committee of the&#13;
different countries. In addition to this, Mr. K. association proposes to submit to the Government.&#13;
Gahn, representing Denmark, explainod the “ In particular it would be especially regrettable&#13;
reasons which had hitherto prevented his country that, after the death of the author, the Controller&#13;
from ratifying the Convention of 1908. Mr. of Patents should have power to give a licence for&#13;
Thorvald Solberg dealt with the present situation the reproduction of the work, not only when there&#13;
in the United States. Signor A. Ferrari discussed shall be no more copies in circulation, but also&#13;
the objection which has been raised in Italy when the price demanded for existing copies, or&#13;
against the prolongation of dramatic copyright to for the rights of public performance, shall be con-&#13;
eighty years after the date of first performance. sidered too high. This would amount to a grave&#13;
M. T. G. Djuvara apologised for a delay in pro- infraction of the author's rights, and might lead&#13;
gress in Roumania, which has been occasioned by to serious abuses.&#13;
the Government having been compelled to give all “It is much to be desired that the English law&#13;
its attention to the results of agrarian disturbances. should affirm the absolute principle that copyright&#13;
The Count de Suzor, representing Russia, dis- originates (saving when there are agreements to&#13;
cassed the opposition of the Russian Duma to the contrary) in the person of the creator of the&#13;
wholesome copyright legislation. Among the work, and that the sale of a work of art shall not&#13;
resolutions subsequently passed by the Congress, be presumed to involve of itself the sale of the&#13;
one, which we give at full length below, will be of copyright.&#13;
particular interest to English authors.&#13;
" Also, that works of architecture shall be pro-&#13;
Resolution respecting the new English Copyright tected without certain reservations contained in&#13;
Bill in the following terms :-&#13;
the Bill, and that it shall be clearly stated that in&#13;
“ The International Literary and Artistic Con- works of architecture wbich are protected are in-&#13;
gress thanks the Copyright Committee constituted cluded designs, plans, sketches, and plastic works&#13;
by the British Government to draw up a Bill intended for architectural purposes.&#13;
relating to copyright for having been so good as to “ Also, that the duration of the period for action&#13;
consult the president of the association in the against piracy should not be less than three years.&#13;
course of the inquiry, and has much satisfaction “ Also, that the duration of the protection of&#13;
in finding in the admirable final report of the posthumous works, and of works produced by&#13;
Copyright Committee an approval of the greater collaboration, should be fixed in conformity with&#13;
number of the principles proclaimed by the the provisions of the typical law suggested by the&#13;
association.&#13;
association.&#13;
“ The Congress is equally gratified by the Bill “ The Congress is of opinion that it is to be&#13;
placed before Parliament by the President of the feared that the abrogation of the common law may&#13;
Board of Trade in view of the adhesion of Great result (particularly when the new law is first put&#13;
Britain to the Revised Convention of Berlin ; a Bill into force) in incompletenesses in the protection of&#13;
which, by abrogating the different and incompatible the author.&#13;
&#13;
&#13;
## p. 40 (#66) ##############################################&#13;
&#13;
40&#13;
THE AUTHOR.&#13;
“The International Literary and Artistic Asso- of a charming letter concerning some work done for&#13;
ciation particularly insists upon the necessity of him, he tells me that personally he likes my work&#13;
protecting works of art applied to industry ; and very much, but that such work as mine is "never&#13;
calls upon the executive committee to come to of special interest to advertisers." Adrertisers !&#13;
an understanding with the Englishmen interested The cat is out of the bag. And what a cat!&#13;
in this question to obtain protection for all works These are our censors, these the arbiters of an&#13;
of the graphic and plastic arts, whatsoever may be author's destiny. Our struggling novelists are at&#13;
the merit or destination of the works, and to get the mercy of a Non-Fat-Food Company, our&#13;
this principle asserted in the English law.” crescent poets are the sport of Dr. Pink and his&#13;
Pale Pills for Purple People.&#13;
So now you know.&#13;
THE CAT FROM THE BAG.&#13;
X. Y, Z.&#13;
MAGAZINE CONTENTS.&#13;
M HE taste of editors has long seemed so incal-&#13;
1 culable, their standard so mysterious, their&#13;
selection so erratic, that many of us have&#13;
wondered whether they really exercise any discre-&#13;
tion of choice-whether they do not rather madly&#13;
mix in a hat all manuscripts bearing unknown&#13;
names, and order the office boy to pull out as many&#13;
as are needed for the make-up of the journal.&#13;
But I now see that in these speculations we have&#13;
wronged our editors.&#13;
We have wondered sometimes whether it was&#13;
possible that editorial taste could be at fault : that&#13;
editors really did not know good stuff when they&#13;
saw it; whether drivel really did and could appeal to&#13;
them ; or whether it was merely that they knew&#13;
their public, and knew that a good story, decently&#13;
written, is the one thing which that public will&#13;
not on any terms stand? We have speculated,&#13;
we have questioned. And our speculation has&#13;
remained unfruitful. Our questions have never&#13;
been answered. Perhaps our questions never will&#13;
be answered. For my part I care little whether&#13;
they ever be answered, for I now see that they&#13;
have nothing to do with the matter. There has&#13;
been an unsuspected reason for the choices—the&#13;
strange, amazing choices—made by editors. That&#13;
reason has been a secret, and that secret is now&#13;
mine. I know all about it. Nothing is hidden&#13;
from me. I am an old hand at this game of&#13;
author v. editor, and yet I never came near to&#13;
guessing the riddle. And I venture to think that&#13;
no one else on my side did either.&#13;
Here is the secret. I make you a present of it.&#13;
Editors do not choose to please themselves. Nor&#13;
to please themselves. Nor&#13;
do they choose to please their public. Their&#13;
choice is made to quite another tune. And that&#13;
tune is called, as most tunes are nowadays, by him&#13;
who pays the piper—the Advertiser.&#13;
The advertiser, it would seem, is the critic to&#13;
whom editors defer; it is the advertiser's taste that&#13;
must be considered, his distastes that must be&#13;
avoided.&#13;
I learn the great secret from the editor of a very&#13;
well-known and prosperous journal. In the course&#13;
BLACKWOOD's.&#13;
“Hamlet” at a Bengal Fair. By R. E. Vernède.&#13;
Musings Without Method : Journalists in Conclave-&#13;
Dramatic Criticism-The Elizabethan Drama-A Stage&#13;
for the Poets.&#13;
BOOKMAN.&#13;
J. M. Barrie as Dramatist, By H. Granville Barker.&#13;
J. M. Barrie and His Books. By James Moffatt.&#13;
A. E. W. Mason. By A. St. John Adcock.&#13;
Book MONTHLY.&#13;
Beaconsfield's Life. By James Milne,&#13;
Novels Long or Short. By X.&#13;
CONTEMPORARY.&#13;
Reminiscences of Holman Hunt. By W. M. Rossetti.&#13;
The Modern Press and Its Public. By W. H, Massing.&#13;
ham.&#13;
Browning and Butler. By the late Professor Churton&#13;
collins.&#13;
CORNHILL.&#13;
Elizabeth Cleghorn Gaskell. By A, W, Ward.&#13;
Dr. John Brown, of Edinburgh. By Sarah A. Tooley.&#13;
ENGLISH REVIEW.&#13;
The Women of Shakespeare. By Frank Harris.&#13;
"Une Promenade Sentimentale." By George Moore.&#13;
Nihilism in Contemporary Russian Literature. By E. J.&#13;
Dillon.&#13;
The Vitality of Drama. By Darrell Figgis.&#13;
FORTNIGHTLY.&#13;
Shakespeare in Fairyland. By Charles Zeffertt.&#13;
William Holman Hunt, O.M. By Ford Madox Hueffer.&#13;
A Forgotten Satirist,“ Peter Pindar." By Lewis&#13;
Melville.&#13;
Imperial Copyright. By G. Herbert Thring.&#13;
The Night Thoughts of Robert Schumann. By A. E.&#13;
Keeton.&#13;
The Theatrical Situation. By William Archer,&#13;
NATIONAL.&#13;
The Dark Lady to Mr. William Shakespeare. By&#13;
Bernard Holland.&#13;
NINETEENTH CENTURY.&#13;
The Genius of Gibbon. II. Gibbon the Historian. By&#13;
the Rev. A. H. T. Clarke.&#13;
The Sillon. By Abbé Ernest Dimnet.&#13;
&#13;
&#13;
## p. 41 (#67) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
41&#13;
HOW TO USE THE SOCIETY.&#13;
1. T VERY member has a right to ask for and to receive&#13;
B advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
ist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
n otto&#13;
anless the same allowance is made to the author..&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System,&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright,&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
ITERE are a few standing rules to be observed in an&#13;
n agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 42 (#68) ##############################################&#13;
&#13;
42&#13;
TIIE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9, Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
T RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
U assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
MTEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 2s. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 43 (#69) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
43&#13;
GENERAL NOTES.&#13;
THE DINNER OF THE SOCIETY.&#13;
The Dinner of the Society of Authors will be&#13;
held on November 24 at the Criterion Restaurant&#13;
at 7 for 7.30 p.m. The chair will be taken by&#13;
Mr. Maurice Hewlett, and the guest of the evening&#13;
will be Mr. William de Morgan. Members desiring&#13;
to be present are requested to make early applica-&#13;
tion for tickets, which can be procured at the&#13;
offices of the society. A conversazione will be&#13;
held after the dinner as indicated in the notice of&#13;
the dinner sent to all subscribers of the society.&#13;
CANADIAN COPYRIGHT.&#13;
We see that Mr. Fisher has not let the grass&#13;
grow under his feet in taking steps with regard to&#13;
Canadian Copyright. It is difficult to say exactly&#13;
what he intends to do till the draft Bill is in our&#13;
hands, but it would appear from his utterances that&#13;
he intends to stop the protection awarded to&#13;
United States Copyright books in Canada unless&#13;
the printing is done in Canada, and that he is not&#13;
going to penalise the English authors if they&#13;
register their copyright at Ottawa.&#13;
It will be interesting to see how Mr. Fisher&#13;
proposes in his Bill to enforce this very difficult&#13;
position. Personally, although we quite under-&#13;
stand that the United States have brought this&#13;
about through their own retrograde legislation, we&#13;
think it a pity that any country which has gone&#13;
forward on the great copyright ideals should now&#13;
go back upon them.&#13;
With regard to the registration of English works,&#13;
we also think this a great pity. The action is&#13;
retrogressive, not progressive. The less registra-&#13;
tion, the safer is the property of an author ; but we&#13;
hardly care to criticise until after we have seen the&#13;
THE INFLUENCE OF REVIEWS.&#13;
Bill.&#13;
A. W. DUBOURG.&#13;
We have to chronicle with regret the death of&#13;
Mr. A. W. Dubourg, dramatic author. Another&#13;
of the original members of the Society of Authors&#13;
mio&#13;
has fallen out of its ranks. He joined the society&#13;
as a dramatic author, and was a very early member&#13;
of the council. In the early days he supported&#13;
the work the society was doing on behalf of&#13;
his fellow dramatists, but this support. given so&#13;
disinterestedly in the beginning, he was not able&#13;
to continue during his later years, although&#13;
on many occasions he showed his continued&#13;
sympathy with the aims and objects of our&#13;
organisation.&#13;
BY A WOMAN NOVELIST.&#13;
II.&#13;
V OU sometimes hear it said that “No one&#13;
I reads reviews," and this is both true and&#13;
false, like its companion-saying, also&#13;
frequently heard among literary people, that “No&#13;
one buys books.” I believe that many people do&#13;
read reviews, and that a very much larger number&#13;
of people just glance through them.&#13;
The length of a review is most important.&#13;
Better a long review, with the name of your book&#13;
at the top, even if, so to speak, it is all about&#13;
nothing, than a notice of a few sentences, however&#13;
enthusiastic.&#13;
On the whole, I doubt whether bad reviews have&#13;
ever stifled really good work, though of course.&#13;
they have delayed its recognition.&#13;
On the other hand, good reviews can to a certain&#13;
extent sell bad stuff ; but in this case the rapid&#13;
appearance of the poorly written books so reviewed&#13;
in the second-hand market tells its own story.&#13;
The supply has been greater than the demand,&#13;
and the reading public have declined to digest&#13;
the book.&#13;
Most writers of norels soon become aware that&#13;
reviews, as a whole, are peculiarly impartial. Just&#13;
as you may be fondly attached to a human being,&#13;
and think but very indifferently of his or her taste&#13;
in art, or in such a more homely and every-day&#13;
thing as taste in dress or house decoration, so every&#13;
writer must have many friends and acquaintances&#13;
whose literary work strikes them as far less admir-&#13;
able in every way than that of either the character,&#13;
nature or intellect of its creator.&#13;
It coustantly happens—every editor will bear&#13;
me out in what I say—that a book is returned by a&#13;
reviewer with the plea that, knowing the author,&#13;
he would prefer not to deal with it. Let us,&#13;
however, boldly face the fact that in some cases.&#13;
LIST OF DRAMATISTS.&#13;
In view of the necessity of consulting the&#13;
dramatists inside the Society of Authors on&#13;
questions affecting their work, a separate list of&#13;
dramatic authors has been compiled, and is kept&#13;
at the office of the society.&#13;
In order to keep the list comprehensive and&#13;
accurate, members are asked to write to the&#13;
secretary immediately they become qualified for&#13;
inclusion in the list. The qualification for such&#13;
inclusion is the public performance of a play&#13;
(other than a performance for copyright purposes)&#13;
in a place licensed for public entertainment.&#13;
&#13;
&#13;
## p. 44 (#70) ##############################################&#13;
&#13;
44&#13;
THE AUTHOR.&#13;
a book is given to a friend, and a friend who is regarded his work with that special touch of eager&#13;
honestly anxious to extol the book as far as is and selfless enthusiasm. To have the power of&#13;
possible. Yet such a review is very seldom satis- eroking such a sentiment is extremely valuable ;&#13;
factory from the point of view of the author. It but it is a great mistake to suppose that it has&#13;
is invariably better for any work of art to be anything to do with private friendship or personal&#13;
judged apart from its creator. The personal popularity. It is often felt for a writer who is a&#13;
element almost inevitably creeps in when judging recluse, and years may go by before the master&#13;
a friend's work, and too often a friend's review and his disciple meet face to face.&#13;
simply consists of that kind of mild praise which, Akin to this type of clique, but on a lower&#13;
from the point of view of the writer-or perhaps plane, will be a group of clever young writers&#13;
we should say of the publisher-is of infinitely who all hold together and praise each other's work&#13;
less value than one which cuts up the volume in the honest conviction that nothing so good was&#13;
under discussion in a way which was more fashion ever done before. This kind of group greatly&#13;
able some years ago than to-day.&#13;
influenced that period of French literature known&#13;
Human nature being what it is, reviewers are of as Romanticism. Such a group“ puff” each&#13;
course influenced, generally quite unconsciously, other—no other term is appropriate--in the fervent&#13;
by certain facts concerning the author of the book conviction that their work is quite first-rate. On&#13;
they are about to notice. Even a very poor novel the other hand, rival groups are apt to “ crab ”&#13;
written by a well-known statesman, or by a woman the work so praised.&#13;
who has made her fame in some other branch of How far can an author influence reviews, and&#13;
art, will receive far more respectful treatment than what every publisher will tell him is most impor-&#13;
can be hoped for by a masterpiece of an unknown tant-obtain early reviews ?&#13;
writer. There are of course exceptions to every rule Unless he be gifted with a most unusual power&#13;
—the masterpiece may find an appreciative reviewer, of “push," and of business capacity which would&#13;
and the great man's or the famous woman's book make his fortune iu any walk of life except that of&#13;
may be treated with complete candour ; but these literature, he would be well advised to make no&#13;
will be exceptions, and will scarcely count among effort, especially with regard to a first book ; when&#13;
the 69 to 100 reviews which every book issued by he has published several books, he can of course&#13;
a leading firm of publishers can now hope to make some kind of effort to secure that the review&#13;
obtain.&#13;
copies are sent out to the various papers in good&#13;
And this brings me to another important time. This, which would seem to be an elementary&#13;
question. There is no doubt at all that reviewers part of a publisher's business, is done as a matter&#13;
are impressed by the standing of the publisher, of course by certain houses ; but others—perhaps&#13;
almost always they are quite candid about it ;-. because their managers do not regard early reviews&#13;
that is, when a reviewer receives a batch of books as particularly important — take little or no&#13;
from a newspaper, he picks out almost instinctively trouble in the matter.&#13;
for early notice the books published by the good On the whole, editors and reviewers resent&#13;
houses, Young writers should remember this special efforts being made to draw their attention&#13;
when considering where to send their manuscripts, to a special book, though this resentment is&#13;
and when thinking over the terms which have mitigated, even altogether removed, when the&#13;
been offered them.&#13;
advice rendered is absolutely disinterested. A&#13;
Probably the most fortunate thing which can book, in a commercial sense, may be “made " by&#13;
happen to a good writer, but which, so far as I an honest, enthusiastic admirer who, fortunately&#13;
remember, may be said never to happen to a for the writer, happens to have a large acquaint-&#13;
woman writer in this country with the one ance in the literary world. But though I have in&#13;
exception of George Eliot-is the formation about my mind several such examples, I cannot call to&#13;
him of a small devoted phalanx of admirers who mind a single example which was due to the&#13;
whole-heartedly proclaim his merit both in print personal friendship of the admirer with the author.&#13;
and in conversation. It has become the fashion Certain writers have a power of thus attracting&#13;
nowadays to call this kind of group of unofficial sincere enthusiasm. A case in point, I repeat, was&#13;
praisers a clique. Such a group, once formed, is that of Robert Louis Stevenson, who, it is quite&#13;
of inestimable value, for it creates a demand for clear, never made the slightest personal effort to&#13;
the often very special and unusual work which it secure a good or early review. But there was&#13;
admires, and such a group is often the precursor something in his personality, as well as much&#13;
of real popularity. This good fortune befel R. L. in his work, which aroused the enthusiasm of some&#13;
Stevenson, and in spite of all that has been written of the best minds of the day.&#13;
to the contrary, Mr. George Meredith always had I have left to the last the question of the&#13;
a certain number of highly cultivated readers who honesty of reviewers.&#13;
&#13;
&#13;
## p. 45 (#71) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
45&#13;
Once when walking through a railway station E ven in its imperfect shape, the music publishers&#13;
I noticed a newspaper bill bearing as its sole will have none of it.&#13;
contents the ominous question, “ Are Book History repeats itself. About five-and-twenty&#13;
Reviewers Honest ?" I immediately bought the years ago the leading publishers tried either to&#13;
paper, feeling the interest which every writer of laugh down the Authors' Society as a society of&#13;
books must feel in this question, but to my great amateurs, or to hold up their heads in lofty&#13;
disappointment the author of the article had contempt at its work.&#13;
nothing new to say, or even to suggest on the The music publishers desire to adopt the same&#13;
subject-in fact, it was very clear that he was not position now. It is impossible to comment in&#13;
a critic, and knew very few critics, for he asserted detail on the numerous letters that have been&#13;
that the criticism of fiction is almost always published, but it will suffice to say that no minute&#13;
entrusted to persons who are themselves novelists ; or serious criticism of the agreement has been put&#13;
and he went on to say that most of these story- forward ; nothing but vague generalities and&#13;
tellers know each other, and they naturally praise crude statements of facts relating to methods of&#13;
each other, on the quid pro quo principle.&#13;
publication in vogue a hundred years ago.&#13;
But why should the honesty of book reviewers Here are some examples :-&#13;
be discussed any more than the honesty of&#13;
“We have only to say that our present agreement with&#13;
butchers, or solicitors, or any other class in the composers works to both their and our mutual satisfaction."&#13;
community? There are dishonest people in every&#13;
profession and walk in life ; but as a matter of&#13;
What a statement to come from a leading&#13;
fact the modern critic has really less temptation to publishing house! Audi alteram partem is a legal&#13;
be dishonest, and less excuse for vielding to that motto of which evidently this firm has never&#13;
temptation, than almost any other professional heard. Why, the whole band of musical composers&#13;
man or woman. His rewards, if he allows either&#13;
is wild with discontent at the agreement put for-&#13;
friendsbip or enmity to influence him, are ward by this and other houses,&#13;
extremely meagre, and last but a very short time. “We do not propose to criticise the details of Messrs.&#13;
For such a lack of impartiality can never be Stainer &amp; Bell's inspiration, because it really does not&#13;
hidden from those whose business it is to be on concern us at all."&#13;
the watch for it, and even the cleverest critic, once But if the composers are in earnest—and of this&#13;
tried and found guilty by his editorial judge, finds there is no doubt they will make it necessary for&#13;
his' occupation gone. In reality those in a this firm to concern itself about the agreement..&#13;
position to know the facts must feel it absurd to Now is the time to come into closer combination,&#13;
discuss the question at all, for it is obvious that and by united effort to make firmer the advantage&#13;
no man or woman capable of writing dishonest that has already been obtained.&#13;
criticisms is likely to attain a position of any Another publisher says :-&#13;
importance in the critical world.&#13;
"In our nearly one hundred years' existence as a pub-&#13;
lishing house, no composer has yet complained of assigning&#13;
us his sole rights.”&#13;
Here is a record to look back upon. Nearly one&#13;
MUSIC PUBLISHERS AND THE SOCIETY'S hundred years, during which time the publisher has&#13;
AGREEMENT.&#13;
obtained the assignment of the composer's sole&#13;
rights. It is indeed a glaring example of the&#13;
ignorance of some owners as to the value of their&#13;
COME stir has been made and is still being own property.&#13;
made in the musical trade papers in regard - The Society of Authors may understand the production&#13;
to the agreement that was settled by the of books, but music is a very different thing—the author of&#13;
Copyright Sub-committee of the society with a book may spend months or years over the MS., but many&#13;
Messrs. Stainer &amp; Bell, and approved by the&#13;
ner &amp; Bell. and approved by the&#13;
composers could&#13;
composers could write a dozen pieces a day.'&#13;
committee of management.&#13;
This publisher does not affirm that the Authors'&#13;
It is not a perfect agreement, as was explained Society does not understand the question of the&#13;
in the May issue of The Author.&#13;
production of music, for he could not do so, but he&#13;
But to such an extent is it in advance of the carefully suggests that conclusion in his curiously&#13;
present antiquated documents which most music ungrammatical sentence.&#13;
publishers delight to issue, that the committee No publisher of books or music will ever be&#13;
had no hesitation in accepting its terms and found to allow that the Authors' Society knows&#13;
recommending them to those composers who are anything about the publication of books or music&#13;
members of the society.&#13;
or the value of the property of writers or composers,&#13;
&#13;
&#13;
## p. 46 (#72) ##############################################&#13;
&#13;
46&#13;
THE AUTHOR.&#13;
vet there is clear eridence every day in the work ENGLISH WRITERS AND JOURNALISTS&#13;
of the society that it is not so ignorant as the&#13;
IN GALICIA (SPAIN).&#13;
publishers would delight their public to think.&#13;
The remark of the publisher quoted referring to&#13;
BY JAMES BAKER, F.R.G.S.&#13;
authors and composers might be reversed with&#13;
equal truth. It is no argument for or against the&#13;
M HE aim of the “International Associations&#13;
agreement which has been published.&#13;
1 of the Press” is to spread a knowledge of the&#13;
Another publisher states that if a composer&#13;
conditions of journalistic life and work in all&#13;
assigns his copyright subject to a royalty he will&#13;
lands, and to strive for a betterment of these con-&#13;
get larger sales than if he enters into a publishing&#13;
ditions. To work effectively for this aim, it is&#13;
agreement on the royalty basis, only giving a necessary to knoir the life and language of the&#13;
licence to publish, because " the publisher will do people of other countries. It is to gain this know-&#13;
all he can to increase the value of his copyright.”&#13;
ledge that the members of the British International&#13;
The inference left with the reader is that the Association of Journalists have accepted invitations&#13;
publisher will treat composer No. 2 with but scant to visit other countries. Accordingly the writer&#13;
courtesy and fairness, as he has not thought fit to was glad to receive an invitation from some of the&#13;
make himself the publisher's servant. It is a principal residents in Galicia, asking him to arrange&#13;
candid and damaging confession.&#13;
à visit of twenty-one members to the Galician&#13;
But perhaps the most curious letter of all is one Province of Spain.&#13;
issued from an important firm, and published in&#13;
Most of those who joined the Booth S.S. Hilary&#13;
the Music Trades Review of September 15. In that were journalists who were experts in special sub-&#13;
the firm has passed beyond argument. In this case jects, and it was remarkable how almost daily each&#13;
that saying might be quoted, so aptly applied by member had some interesting item of his subject&#13;
Lord Beaconsfield to a political opponent, “that&#13;
brought before him.&#13;
petulance is not sarcasm, nor is insolence invective." At Vigo the first step in Galicia was made, and&#13;
It is impossible to think that letters of this kind&#13;
here, as indeed at all other places, the party was&#13;
can do the writers any good or Messrs. Stainer &amp; received by the dignitaries of the province and&#13;
Bell, against whom they are written, any harm. town, and the ladies were presented with choice&#13;
It would appear from a careful perusal of the bouquets. The president and the vice-president&#13;
whole correspondence, that the publishers either of the Galician Tourist Society, Señors Oya and&#13;
in ignorance fail, or wilfully do not desire, to grasp&#13;
Barreras, at once took charge of their guests, and&#13;
the importance of the position adopted by the proved indefatigable in their efforts, for these&#13;
composers.&#13;
Spanish gentlemen spoke English perfectly.&#13;
If they do not think that the composers are in What a surprise was Galicia in August! Not a&#13;
real earnest in raising these points, it is for the dried-up land ; but one of rich valleys, grey rocky&#13;
composers to show them that they are mistaken. mountains, and wooded hills. As one motored&#13;
Let the composers combine, and by a united front away from Vigo to Mondariz, what a sharp con-&#13;
force the publishers to recognise the great issues at&#13;
trast the scenery gave ! - palms and vines, heath&#13;
stake. The composers, backed by the society, are not and maize, blackberry bush and mimosa grores.&#13;
asking for anything unreasonable ; that this is the Dartmoor with its tors, and Greece with its silver-&#13;
case, the attitude of Messrs. Stainer &amp; Bell, the grey bills and deep blue bays. At Mondariz the&#13;
publishers, attests. They do not desire to rob the idea that hotels in Spain are all bad was demolished ;&#13;
publishers. All they ask is an equitable control of here was a palace, and in the ball-room the party&#13;
their own property.&#13;
was received by the Señors Peinador and a brilliant&#13;
It is not infrequently the case that the public group of notables. “God Save the King” and&#13;
and the individual who have been allowed the use the Spanish Royal March were played, and Mr.&#13;
of other's property for a long time, impudently Campion, chairman of the delegation, and the hon.&#13;
assert that it is their own. Many examples there&#13;
secretary responded.&#13;
are in history, and in history generally the strongest&#13;
Mondariz and its vicinity proved full of the&#13;
has succeeded.&#13;
charms of pastoral scenery, archæological problems,&#13;
Let the composers, then, show that they are the and mediæval history. The great feast of the&#13;
stronger party, and then they will succeed, backed Virgin del Carmen was a picturesque scene of&#13;
with the knowledge that justice is also on their peasants' devotion and gaiety, a strange mingling&#13;
side.&#13;
of prayer and dance to the drone of bagpipes and&#13;
tap of drum. Lastly, a Salve Regina was sung&#13;
before the bishop and monsignori clad in rich&#13;
vestments, while the peasants in many colours, and&#13;
the beau monile of Madrid, all bearing lighted&#13;
&#13;
&#13;
## p. 47 (#73) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
47&#13;
candles in the procession, formed a veritable scène population gave a hearty welcome-army and navy,&#13;
d'opéra.&#13;
Alcalde and councillors, and the “fashion " of&#13;
From Mondariz, again in motors, the members Corunna, never forgetting the courteous Pressmen,&#13;
were conducted through a richly varied country, who arranged so much, and so assiduously aided a&#13;
first to Pontevedra, the town where the ship of better understanding of the local history and&#13;
Columbus, the Santa Maria, was built, and customs. The grave of Sir John Moore, the house&#13;
where the churches of the eleventh to the six- in which he died, and other places connected with&#13;
teenth centuries were intensely interesting ; and the famous campaign, were full of interest. Then&#13;
then to sylvan Lerez, a town famous for its rich the hosts of Corunna motored their guests to&#13;
mineral springs, where the party was received Ferroll, where the dockyard authorities and the&#13;
with flowers and music, and the vivas of the English firms who are building the new Spanish&#13;
crowd.&#13;
navy received them. Quitting northern Galicia&#13;
From Pontevedra a run was made inland and they made for Vigo, whence had emanated so&#13;
along the sea coast, to the island of La Toja. All much organisation for the tour ; here there were&#13;
the motors halted at the entrance to the new fresh delights—courtesies from Alcalde, council and&#13;
bridge, some 400 met. long, linking the island to other authorities, and from the Marquise Merced&#13;
the mainland, which the members of the British del Paso at her castle of Montreal at Bayona. It&#13;
International Association of Journalists were to was with regret that the party bade good-bye to&#13;
open. On the island is a vast palace of an hotel, their friends of Galicia ; much had been learnt-&#13;
and an extensive series of baths both for rich and the developments under great difficulties, the gay,&#13;
poor. The waters here are of the greatest value yet hard lot of the peasants. Surely with such men&#13;
for skin and other diseases. All Galicia makes to guide her, there is a great future in store for&#13;
holiday in August. Here the local regattas with Galicia.&#13;
twenty-four-oared fishing boats and the peculiar&#13;
little sailing boats, Gallegan singers, and peasant&#13;
dances and fireworks, afforded entertainment. The&#13;
THE INSPIRATION OF POETRY.*&#13;
Galician loves fireworks.&#13;
Fortunately, cool rains and fresh breezes brought&#13;
alleviation from the heat, otherwise the work M ais book is warrantably, even appropriately&#13;
before the members, with Señor Barreras to goad I named. The first chapter is entitled " Poetic&#13;
them on, might have been too much. It was in rain Madness," the last “ Inspiration,” and in one&#13;
that they steamed round the island of Cortegada, as in the other the subject is not shirked or eyaded,&#13;
which is soon to become the Osborne of Spain. but discussed. The discussion takes the form of&#13;
From here a salute of homage was sent to their marshalling the testimony of the poets, and the&#13;
Majesties the King and Queen of Spain, and at author's point of view is determined by his faith in&#13;
Santiago a gracious reply was receired saying that the reliability of the evidence massed, and amounts&#13;
their Majesties were deeply touched by the salute to remonstrance against the attitude, based on&#13;
and homage.&#13;
“ academic, second-hand practice," which would&#13;
At Santiago-as everywhere-there was a warm “ deny reality to the poet's experience.” These&#13;
welcome; the Press of the district, the learned chapters form a reminder of the constituent ele-&#13;
Canon Eijo, Señor Don Oviedo, and the Alcalde ments of the waters at the fountain head of&#13;
and councillors formally gare a greeting to the inspiration. The elements are the emotional and&#13;
party. Three-and-a-half days were spent in this the intellectual, or, as Nietzsche synonymised them,&#13;
vondrous city. So closely is it linked with English the Dionysiac and the Apollonian. Without over-&#13;
history that the writer, speaking at the Ajunta- looking Apollo's share, the Dionysiac portion is&#13;
miento, was able to give for the year 1395 the brought into greater conspicuousness than it has&#13;
pames of the ships leaving Hartlepool, Dartmouth, appeared for a long time in such studies. From&#13;
Newcastle, and, above all, Bristol, with pilgrims his definition of the poet as “under excitement,&#13;
for Santiago ; no less than 660 pilgrims sailed presenting the phenomenon of a highly developed&#13;
from Bristol alone.&#13;
mind working in a primitive way,” Mr. Woodberry&#13;
The churches, chapels, and hospitals, are full of is led into speculations on the history of emotion.&#13;
wondrous detail, and the Cathedral and Church of as a result of which he suggests the theory that the&#13;
San Martin demanded lengthened study. The emergence of man from the brute stage of life was&#13;
swinging of the great cepser is an exciting and accompanied by an outburst and increase of&#13;
strange rite, only gone through three times a year, emotional power, and he considers it plausible that&#13;
but the visit was timed to see it. .&#13;
-----&#13;
After leaving mediaval Santiago the party ran "The Inspiration of Poetry," by George Edward&#13;
northward to Corunna, where the whole of the Woodberry. New York: The Macmillan Co.&#13;
&#13;
&#13;
## p. 48 (#74) ##############################################&#13;
&#13;
48&#13;
THE AUTHOR.&#13;
such emotion was a main condition of the gradual&#13;
advent of intellectual life.&#13;
In the other chapters the general remarks illustra-&#13;
tive of that passion and power of life in which&#13;
poetic energy consists are applied specifically to&#13;
Marlowe, Camoens, Byron, Gray, Tasso and&#13;
Lucretius. The writer is aware of the apparent&#13;
inconsistency of Gray's position in such company;&#13;
contending nevertheless, that though the work of&#13;
minor poets be in low relief, yet, if the theory is&#13;
sound, they should show in their degree the traits&#13;
of the grand style. The essay in itself is excellent,&#13;
but the advisability of inserting it here without&#13;
fuller explanation is open to doubt, as it ushers in a&#13;
question separate from, albeit related to, the main&#13;
thesis.&#13;
The author's assignment of the poets treated to&#13;
their places in literature is marked by catholicity&#13;
of taste, breadth of scholarship, and an almost non-&#13;
chalant, logical, if not irrefutable reasoning which&#13;
lifts them from their traditionally allotted niches&#13;
and insists upon their association with other regions.&#13;
mental or physical, with which heretofore they have&#13;
not been sufficiently identified. One of the most&#13;
brilliant instances of this important characteristic&#13;
of Mr. Woodberry's criticism is the skilfully sus-&#13;
tained assertion of the fourth chapter : “It is an&#13;
error to think of Byron as an English poet. ...&#13;
He was rather a poet of the Mediterranean world.&#13;
There he found the main material of his works—&#13;
the motive, the stage, the incidents, and the inspira-&#13;
tion ... the scene of bis imagination ranging&#13;
from the Straits of Gibraltar to the Golden&#13;
Horn."&#13;
At the best the drawbacks and hindrances were&#13;
serious: there was, firstly, the drawback of the&#13;
patron, which as likely as not turned the author&#13;
into a miserable whining tout ; but next, the draw-&#13;
back of the Star Chamber, which might bring the&#13;
unfortunate author to the torture-chamber or the&#13;
prison ; and thirdly, the bitter monopolies of the&#13;
Stationers Company and the publishers.&#13;
The first chapters deal with the evils of the&#13;
system of patronage, and many examples from&#13;
contemporary writers are given of their unhappy&#13;
lot.&#13;
The whole picture would be contemptible if it&#13;
were not at the same time so sad. There were one&#13;
or two notable exceptious, in which the author was&#13;
treated as friend, but generally he was handled worse&#13;
than his master's dog. If, however, the author tried&#13;
to be of free and independent spirit, that spirit was&#13;
most probably crushed out of him by the official&#13;
censors. These are dealt with in the second&#13;
chapter.&#13;
The most serious of these was the Privy Council&#13;
and the Star Chamber. To breathe a word against&#13;
their ruling was as likely as not to bring down&#13;
their powers to crush the unfortunate. It no&#13;
doubt took some real courage on the part of Milton&#13;
to write his “ Areopagitica," courage which the&#13;
presentgeneration is inclined to undervalue as&#13;
they read his perfect and easy periods.&#13;
There were a host of informers ready to prove&#13;
that treason and sedition lurked in the most simple&#13;
of statements and the most innocent allusions.&#13;
Heresy was a frequent cause of complaint.&#13;
Political topics were most risky. It was dangerous&#13;
for the philosopher or the man of science or the&#13;
scholar to put his learning before the public lest&#13;
he should be arraigned and fined or tortured. It&#13;
was indeed difficult for Christian to arrive at the&#13;
Promised Land, for there were other censors still&#13;
lurking, and if the author passed these the&#13;
monopolies of Stationers' Hall or the publishers&#13;
ruined him.&#13;
It was little use to get £2 or £3 for a&#13;
pamphlet if you had to pay £50 or £100 fine.&#13;
- Dramatists appear to have had rather more&#13;
freedom, but their pay was miserable, and even if&#13;
their works were produced under the highest&#13;
patronage, the risk remained.&#13;
All the horrors of this hand-to-mouth existence&#13;
are vividly put forth, in many instances from the&#13;
mouths of the authors themselves.&#13;
But the other sides of the literary profession are&#13;
also dealt with lucidly, and show the result of&#13;
careful research. Methods of advertisement,&#13;
methods of publication, prices, theatrical takings,&#13;
and book earnings. It is all a sordid tale.&#13;
Lastly, the author has to explain the many&#13;
supplementary means of livelihood employed by&#13;
THE LITERARY PROFESSION IN THE&#13;
ELIZABETHAN AGE.*&#13;
BOOK dealing with the literary profession&#13;
A must always be of interest to followers of&#13;
that profession, and therefore to members of&#13;
the society.&#13;
But the literary professor in the Elizabethan&#13;
Age is perhaps more interesting than at any other&#13;
period, because at that time the birth of printing&#13;
was bringing into existence new possibilities,&#13;
wonderful and far-reaching, and—in the opinion of&#13;
those in authority-full of fearsome and startling&#13;
dangers. Men were beginning to live by their&#13;
writings without the aid of any other profession;&#13;
but at the best it was a poor livelihood. The&#13;
dramatists seem to have had slightly the best of&#13;
it, but that is not to raise the standard too high.&#13;
* “ The Literary Profession in the Elizabethan Age," by&#13;
Phoebe Shearyo, D.Litt. Published by the Manchester&#13;
University Press.&#13;
&#13;
&#13;
## p. 49 (#75) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
49&#13;
with inscriptions, knocked down at the same sale&#13;
for £101, having sold in July, 1908, for £270.&#13;
As the preface points out, the present is a bad&#13;
time for selling rare books, and a good time for&#13;
purchasing them. “ Rare and expensive books&#13;
have, in common with others of less interest,&#13;
fallen very considerably in value as a whole."&#13;
dramatists and authors in order to make both ends&#13;
meet.&#13;
Dramatists took shares in other theatrical&#13;
ventures, some even shares in the house, i.e., the&#13;
theatre itself. Some werc salaried by patrons.&#13;
While authors of books went into the professions&#13;
of clergymen, tutors private and at the Universities,&#13;
or schoolmasters.&#13;
The book has undoubted claims not only on all&#13;
those who write, but also on all those who read.&#13;
It is as well that those who have received at times&#13;
infinite relaxation from the highest literature,&#13;
should know with what heartburnings, from what&#13;
misery, amid what sordid surroundings their&#13;
pleasure has been manufactured.&#13;
CORRESPONDENCE.&#13;
BOOK-PRICES CURRENT. VOL. XXIV.&#13;
NO. 5.&#13;
T HIS is the concluding number of the 24th&#13;
1 volume of “Book-Prices Current," and, as&#13;
usual, contains in addition to very full general&#13;
Index, a preface in which will be found interesting&#13;
remarks respecting the sales of the season 1909-&#13;
1910. The sales recorded are those from June 15,&#13;
1910, to July 29, 1910, inclusively. Authors will&#13;
probably find particularly interesting Sotheby's&#13;
sale (July 18, etc.), which included a large pro-&#13;
portion of belles lettres, as well as many books&#13;
which seldom turn up. At Sotheby's sale, June 16&#13;
and 17, Burns' original holograph MS. draft of&#13;
his letter to William Pitt, entitled “ Address of&#13;
the Scottish Distillers,” fetched £190 ; and at a&#13;
sale by the same firm on July 26 another letter of&#13;
his £235. At the same sale of June 16 the first&#13;
Aldine edition of the “ Terze Rime” of Dante, the&#13;
first Aldine, showing the well-known anchor, sold&#13;
for £6 58. Collections, in the one case of eighteen&#13;
and in the other of sixteen publications, of the&#13;
Kelmscott Press were offered on June 18 and&#13;
July 21 respectively by Sotheby. The preface&#13;
remarks that an unusually large proportion of&#13;
collections of books has been a feature of this&#13;
season's sales. The Ruston sale (Sotheby, July 21-&#13;
22) included a number of ancient MSS. from the&#13;
Abbatial Library of Waltham Holy Cross, and the&#13;
Monastic Library of St. Edmundsbury. The sale&#13;
(Sotheby, July 21) for £38 of a copy of the first&#13;
edition of Edward Fitzgerald's “ Omar Khayyam,”&#13;
wanting the brown covers, will attract the notice&#13;
of those who remember that Mr. Quaritch at one&#13;
time found it difficult to persuade the public to&#13;
purchase the work. An opposite phenomenon is&#13;
presented (Sotheby, July 16-17) by " Purchas his&#13;
Pilgramage," 3rd edit., 1617, presentation copy&#13;
THE PENSION FUND.&#13;
To the Secretary of the Society of Authors.&#13;
DEAR MR. THRING,— Will you kindly convey&#13;
to the Chairman and committee of the Authors'&#13;
Pension Fund my heartfelt thanks for their generous&#13;
award to me, the wording of which touches me&#13;
deeply, viz., that it is "the only recognition in&#13;
their power, of my long services to literature and&#13;
high example of sincerity and sound work." Pray&#13;
assure them that I look upon this pension as an&#13;
honour that gladdens my autumn of life, besides&#13;
also a handsome staff that will greatly help me on&#13;
the remaining stages of my road. For, however&#13;
hopefully in mind I begin to discern the Gate&#13;
looming nearer ahead, it is undeniable that declining&#13;
strength of body makes my work less a happiness&#13;
and more weight added to that of increasing years.&#13;
For some time past the wish has been in my&#13;
mind to help other writers like myself. To this&#13;
end I destined certain earnings, some £600 in&#13;
capital. It now seems to me that if the Authors'&#13;
Pension Fund would see fit to accept this as a gift,&#13;
allowing me the interest during my lifetime, I&#13;
should joyfully hand it over to them now, instead&#13;
of bequeathing it later.&#13;
The Society has so often been of help to me, and&#13;
I number so many of its members among my&#13;
friends, that I trust this small gift may be accept-&#13;
able, and accepted by them as a token of true&#13;
sympathy, and in gratitude for their most kind act&#13;
of comradeship.&#13;
Once more thanking the committee,&#13;
Believe me,&#13;
Yours sincerely,&#13;
May CROMMELIN.&#13;
THE EDITORIAL ATTITUDE.&#13;
1.&#13;
DEAR SIR,--I should like to add one or two&#13;
experiences to those related by “A Contributor "&#13;
which called forth “The Editorial Attitude."&#13;
&#13;
&#13;
## p. 50 (#76) ##############################################&#13;
&#13;
50&#13;
THE AUTHOR.&#13;
The editor who wrote the latter, remarks, “The himself in the bankruptcy court or a lunatic asylum.&#13;
waiting for years' notion is far from being any. It was by sheer chance Hardy stuck to a profession&#13;
thing like the rule, sporadic cases notwithstanding, that carried him to the top of the tree ; and we all&#13;
and with it may be bracketed the notion that know the history of Meredith and his works.&#13;
editors publish contributions and try to wriggle We must not kick against the pricks. I hare,&#13;
out of paying for them. I am writing of respon- myself, lately had the MS. of a book returned to&#13;
sible editors of established journals."&#13;
me with a most courteous refusal to publish. And,&#13;
The experiences I refer to are as follows:-&#13;
from a like courteous explanation, it is clear the&#13;
(1) I was asked by an editor to write a short book has not been read-possibly because I told&#13;
story, and did so. He received it two years ago. the publisher in question that, if successful, it&#13;
It is yet unpublished. I wrote in March last to would be read by four people and four people only&#13;
complain, and got a reply to the effect that the in England. But what complaint have I ? Some&#13;
editor had been changed and the story mislaid. publishers don't produce books for my benefit bat&#13;
(2) Another editor accepted a story in January, for their own : even the skilled labourer who is&#13;
1909, but it is still unpublished.&#13;
honest but starving has no right to demand&#13;
(3) I sent an article to a paper ; the article was employment from any capitalist.&#13;
published, but no proof was sent to me, and no And our revered clients, the public ? I will&#13;
payment was made. Several months afterwards I describe for the benefit of “On-looker” an interest-&#13;
learned of the publication, wrote for my fees and ing little experiment that he may try with certainty&#13;
received them. A little later the same paper published of success-I have tried it more than once and&#13;
another article in the same way ; I kept a look-out, never failed. Let him take any more or less&#13;
saw the article, waited another month, and then unknown passage from some established romance&#13;
wrote asking for payment.&#13;
writer and read it to a chance audience with an&#13;
The three papers referred to are all well known, expression of contempt. All those who don't&#13;
and the names are enclosed for the benefit of the recognise the author will agree with him that what&#13;
editor of The Author, who can show them to he has read is “rot."&#13;
“ Editor" in confidence, if he thinks desirable. Publishers have not to deal with reasonable&#13;
Yours faithfully,&#13;
customers ; we all-except myself and you who&#13;
ERNEST Young, read-think under the gouvernance of authority&#13;
and preconceived ideas. The Protestant, the&#13;
Roman, the Unitarian, the Materialist—all, under&#13;
the influence of preconceived ideas, see contradictory&#13;
aspects of the same one thing they regard. If&#13;
SIR,_" On-looker" in his paper going to prove drivel were possible from a Kipling his worshippers&#13;
that editors “do not read the manuscripts of would adore it as the supreme ; if the supreme were&#13;
unknown men" might perhaps have used for argu- presented to us from an unknown writer we should&#13;
ment the early history of the MSS. of “Vanity require the guidance of authority to imbue us with&#13;
Fair," “ Jane Eyre,” “ Vice Versâ” and, doubtless, preconceived ideas before we could worship it as we&#13;
many others.&#13;
ought.&#13;
The fact is that any well-established firm of Let no one complain that publishers are trades-&#13;
publishers is one which is skilled in making money men ; if they were not tradesmen, and successful&#13;
by the publication of books, and any book by an tradesmen, they could not continue to exist.&#13;
established author gives almost a certainty of profit, Personally, I have the greatest admiration for&#13;
while the best of books by an unknown man may trade. And let every writer remember, too, that&#13;
fall dead from the press. James Payn, to whom if he choose he can, even as a novelist, be a suc-&#13;
* On-looker” refers, proved this. He wrote two cessful tradesman, as no few prove.&#13;
novels ; one, with advice, he decided was by far B ut if he respect himself as an artist let him&#13;
better than the other. The former he had published remember, too, that the crown of poverty&#13;
anonymously : it fell dead from the press. The and ignominy honest artists, like the author&#13;
latter had the success to be expected of a book of “ The City of Dreadful Night” and Clarence&#13;
published under his name. When a writer has Maugan attained to, is a thousand times better&#13;
established a reputation, then sheer drivel from his worth having than the crown of present and passing&#13;
pen will, for awhile, be read with pleasure and pay social and monetary success which, as tradesmen,&#13;
the publisher. This fact publishers who object to we hanker after. If any writer gamble for personal&#13;
bankruptcy must take into consideration. On the success he must not complain of the rules of the&#13;
other hand, should anyone of them, neglecting the table ; he chooses his own table. If he be a pure&#13;
travlesman's view, publish books only because they artist-an investor, not speculator-he can sit down&#13;
constitute sound literature, he would shortly find cheerfully to bread and cheese in his half-a-crown-&#13;
II.&#13;
&#13;
&#13;
## p. 51 (#77) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
51&#13;
a-week room and write for God and his fellowmen.&#13;
There will be no result. Why should there be? It&#13;
is in honest striving, not in fulfilment, that we&#13;
manifest the spiritual in us.&#13;
F. C. CONSTABLE.&#13;
work which has undergone any revision or altera-&#13;
tion,” then the only objection seems to be in the&#13;
definition of the term, and the term must be altered&#13;
to the word “issue,” which he suggests in his&#13;
letter ; but the fixing of a unit seems to be not&#13;
only practicable but essential. Mr. Hubert Haes&#13;
further says in his letter, “it really does not&#13;
matter to the public how many copies constitute&#13;
an edition or issue.” On this point I beg to take&#13;
exactly the opposite view.&#13;
Yours faithfully,&#13;
ONE INTERESTED.&#13;
THE ACADEMIC COMMITTEE.&#13;
SIR,--I looked in vain hope in last month's&#13;
issue of The Author for some comment on the&#13;
newly-constituted Academic Committee.&#13;
If the Times is correct in stating that its object&#13;
is “ to represent pure literature in the same way&#13;
that (sic) the Royal Academy represents the fine&#13;
arts, the Royal Society science, and the British&#13;
Academy learning," then a most disastrous start&#13;
has been made in the selection of the twenty-seven&#13;
original members.&#13;
How many of these can be accepted unchallenged&#13;
as workers in “pure literature" as apart from&#13;
“ learning"?&#13;
Pure literature, per se, has nothing to do with&#13;
historical or pre-historical research, or the evolution&#13;
of a language, though it may contribute to both.&#13;
It is noticeable also that many of the learned&#13;
members whose interests are literary are critics and&#13;
commentators of dead authors rather than creators&#13;
or appraisers of living literature, and they are not&#13;
likely to inspire confidence in the proposed awards&#13;
to be made to aspiring authors.&#13;
Is the claim of many foreign critics to be proved&#13;
once and for all time true, that the Anglo-Saxons&#13;
have no art, and that the seeming exceptions which&#13;
might prove the contrary are due merely to&#13;
ebnliitions of Celtic or Latin blood ?&#13;
Our possession of Shakespeare without a single&#13;
permanent répertoire theatre where his works may&#13;
be seen is surely huge joke enough, without a new&#13;
academy composed of worthy professors.&#13;
Yours, etc.&#13;
WAYFARER.&#13;
CO-OPERATIVE PUBLISHING.&#13;
I.&#13;
SIR,—It is not without amusement that I have&#13;
read in the October number of The Author the&#13;
letter signed “ D. F." with regard to “ Co-operative&#13;
Publication.” I should like to say that I think it&#13;
would be an unwise thing for the society to have&#13;
any interest whatever in any business concern.&#13;
It might prevent the officials of the society from&#13;
dealing in an independent fashion. They might&#13;
feel bound to bolster up the society's own publish-&#13;
ing venture. Even if this was not the case, those&#13;
who were anxious to find fault with the society&#13;
would always claim that the action and dealings&#13;
of the society must be biassed if it was connected&#13;
in any way with a publisher's or agent's business.&#13;
I do not in any way agree with what your corre-&#13;
spondent states about Mr. Thring's advice and the&#13;
dictatorial position of publishers. I have found&#13;
Mr. Thring's advice very useful and have found&#13;
publishers willing to alter their agreements in&#13;
order to meet the authors. I cannot say about&#13;
other authors, but personally I have never been&#13;
“ black-balled” by a publisher although he has&#13;
known of my connection with the society. Indeed,&#13;
if the publishers took it into their heads to “ black-&#13;
ball ” all those who were members of the Society&#13;
of Authors, there would be very few authors for&#13;
whom they would be able to publish.&#13;
Yours faithfully,&#13;
MIDDLE-CLASS.&#13;
THE UNIT OF AN Edition.&#13;
SIR, -The letter under the signature of Mr.&#13;
Hubert Haes in your last issue dealing with the&#13;
* Unit of an Edition” is interesting, but the&#13;
suggestion that it is impracticable to obtain such&#13;
a upit seems to me absurd. What reason makes&#13;
it impossible, if the unit was fixed at 1,000, if&#13;
500 were published to say " half an edition pub-&#13;
lished,” or “ quarter of an edition published"&#13;
if 2.30 were published, or if 20,000 were published,&#13;
“twenty editions"? If Mr. Hubert Haes inter-&#13;
prets the term "edition” as “every issue of the&#13;
II.&#13;
SIR,—The subject of co-operative publishing, on&#13;
which there has been some correspondence in The&#13;
Author, is of surpassing interest to writers who,&#13;
having adopted the usual methods of publication,&#13;
have found themselves out of pocket by the trans-&#13;
action, or, after the lapse of many months, in receipt&#13;
of an exiguous remuneration for their labour.&#13;
I gather from the letter of “ D. F.” in your last&#13;
issue that he proposes that the Incorporated&#13;
&#13;
&#13;
## p. 52 (#78) ##############################################&#13;
&#13;
52&#13;
THE AUTHOR.&#13;
Society of Authors should set up a publishing who have found by experience “that to get&#13;
business for the benefit of such of its members as Mr. Thring's kindly and admirable advice is one&#13;
might prefer to issue their works through the thing, but to get the slightest alteration in a&#13;
society rather than through a private firm of publisher's dictatorial proffer is wholly another," I&#13;
publishers. It is, I fear, only too clear that, as beg to say that co-operative publication in some&#13;
“D. F.” says, the society, although giving the form seems to me to offer almost the only issue&#13;
most admirable advice to authors in regard to the from the impasse in which authors who necessarily&#13;
agreements they should enter into with publishers, appeal to a restricted circle of readers frequently&#13;
can bring no influence to bear on the latter in find themselves. To this class belong the majority&#13;
order to induce them to accept fair instead of writers even on popular science and philosophy,&#13;
of unfair agreements. Authors who have not and practically all those whose works on either&#13;
“arrived” are as completely at the mercy of subject are technical. Either they must sign a&#13;
publishers as they were before the society was hopelessly unsatisfactory contract or they must&#13;
founded.&#13;
forego publication. It is a painful dilemma, and&#13;
If, as is probable, the society is incorporated I cannot but think the suggestion of co-operative&#13;
under the provisions of the Companies Acts publication is worthy of consideration. It is&#13;
relating to associations formed for the advance- possible also that by a carefully-thought-out&#13;
ment of art, science, etc., and not for profit, then scheme of the kind, the swamping of works of real&#13;
“D. F.'s” proposal could not be carried out but not catch-penny merit might become less&#13;
unless the society were reconstituted as a limited common than, according to the confession of most&#13;
company.&#13;
publishers, it now is. The business of publication&#13;
A preferable course, I think, would be for the is bound to have a pronounced commercial aspect,&#13;
society, after being assured by competent advisers but it is not the only one in which it should be&#13;
that a young author's work possessed distinct regarded.&#13;
merit and was likely to prove a success, to defray&#13;
I am,&#13;
the cost (or some portion thereof) of printing and&#13;
Yours faithfully,&#13;
preparing it for publication on agreed terms as to&#13;
repayment, and to leave the author to circulate the&#13;
book as best he could.&#13;
An instance has just come to my knowledge of&#13;
COPYRIGHT IN PHOTOGRAPHS.&#13;
a young writer who printed, at small cost to him- SIR,—The question of copyright must be looked&#13;
self, a very short poem. The poem had undoubted at, not only from the personal point of view, but&#13;
merit, though it was of a kind that appealed to a also from the point of the advance of knowledge.&#13;
limited class of readers. The author also printed The real test of private rights should be that&#13;
a simple but attractive leaflet which, with the the probable profits of the author should not be&#13;
assistance of his wife, he addressed and posted to reduced. To uphold an entire right over every&#13;
friends and likely customers. He also sent copies photograph for about eighty years, outside of every&#13;
of the poem to various papers with some of which expected profit, is a detriment to knowledge,&#13;
he had a slight journalistic connection. The without any reasonable gain.&#13;
result bas so far been satisfactory. The total To give an instance, many continental writers&#13;
amount of cash received has of course been small, desire to use one or two illustrations from books of&#13;
but it has repaid the entire cost of printing and my own; one man took nearly half his illustrations&#13;
publication, with a fair margin of profit. The from me without asking. I raise no objection, as&#13;
poem has been well reviewed, and the author has it is all for the good of science. But when I want&#13;
established communications with quarters which to use only a few portions of photographs made by&#13;
give promise of remunerative literary employment Germans, I am met with copyright claims that bar&#13;
in the future.&#13;
the use, which could not in any way detract from&#13;
I shall be glad to have your views and those of their expected profits. Why should a newspaper&#13;
your readers on the prospects of this mode of be allowed for profit to pick the plums of a new&#13;
publication on a larger scale.&#13;
book in extracts, while for scientific publications&#13;
Yours faithfully,&#13;
not a single detail may be used from a photograph&#13;
CRUX. without payment? The benefit to the photographer&#13;
would be safeguarded by allowing not more than&#13;
ten per cent. of material in any book to be from&#13;
III.&#13;
copyright illustrations. No one could then pirate&#13;
SIR,—I have read with interest and sympathy a work, or interfere with its sale.&#13;
“D. F.'s ” letter on co-operative publication in the&#13;
Yours faithfully,&#13;
October issue of The Author. As one of those&#13;
GIVE AND TAKE.&#13;
&#13;
&#13;
## p. 52 (#79) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
THE LITERARY YEAR BOOK.&#13;
.. A Library of Humour is a boon both to the busy&#13;
worker and to the man or woman of leisure.&#13;
The finest Library of Humour in the World is&#13;
PICTURES FROM “PUNCH”&#13;
Four Handsome Yolumes,&#13;
Two Thousand Pages,&#13;
Four Thousand Pictures.&#13;
AII the illustrations in “Pictures from&#13;
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They can be sent to you (carriage paid), bound&#13;
in cloth, for 40s., or bound in a remarkably rich&#13;
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Address: THE SECRETARY, “ PUNCH” OFFICE,&#13;
10, Bouverie Street, London, E.C.&#13;
Price 6s. net.&#13;
15th Annual Volume (1911) now in preparation, will contain&#13;
about 1,000 pages.&#13;
CONTENTS :-Authors' Directory and Index of Authors;&#13;
Pen-Names and Pseudonyms (new feature); Literary&#13;
and Press Agents ; Typists and Indexers, etc. ;&#13;
Booksellers (town and country); Law and Letters ;&#13;
Libraries; British, American, Canadian. and Indian&#13;
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very complete Classified Index; Obituary; Publishers&#13;
(British, Colonial, Foreign, and American); Royalty&#13;
Tables ; Societies and Literary Clubs (British,&#13;
Colonial, and Foreign); List of Cheap Reprints, etc.&#13;
“An indispensable book of reference for authors and&#13;
journalists." - Daily Graphic&#13;
"Has been so excellently devised as to leave no room&#13;
for improvement."-Birmingham Post.&#13;
“The editor is to be congratulated on an excellent and&#13;
useful production."- Queen.&#13;
"Carefully edited and thoroughly accurate and up-to-&#13;
date."-Dundee Advertiser.&#13;
* Full of the most intoresting information ... that con.&#13;
cerns literary and book-reading people. Immense care has&#13;
been taken in the compilation of this work."-Irish Monthly.&#13;
Literary &amp; Dramatic Typewriting.&#13;
Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words.&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased . , . It is beautiful work."&#13;
MRS. TOM GODFREY:"I think you must be a treasure&#13;
trove to all authors who have the good fortune to hear of you ...&#13;
You certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): “I have never&#13;
met with anything approaching your intelligence, carefulness&#13;
and promptitude."&#13;
RICHARD PRYCE, ESQ.:“The work could not be better&#13;
done."&#13;
LOUIS A. ST. JOHN. L'Isle: Dimond Road, sau&#13;
Bitterne Park,&#13;
Address the Editor, clo&#13;
GEORGE ROUTLEDGE &amp; SONS, Ltd.,&#13;
68-74, CARTER LANE, LONDON, E.C.&#13;
About 2,000 Books Wanted&#13;
TYPEWRITING.&#13;
Authors' MSS. and general typing, 10d. per 1,000&#13;
words (quantity by contract.) Prompt and accurate.&#13;
Trial order not exceeding 3,000 words, 1/4 post free, or&#13;
specimen supplied.&#13;
Mrs. MASON, Easthorpe Rectory, Kelvedon, Essex.&#13;
Are advertised for weekly in&#13;
THE PUBLISHERS' CIRCULAR&#13;
AND BOOKSELLERS' RECORD&#13;
(ESTABLISHED 1837),&#13;
Which also gives Lists of the New Books published&#13;
during the Week, Announcements of Forthcoming&#13;
Books, &amp;c.&#13;
Subscribers have the privilege of a Gratis Advertisement&#13;
in the Books Wanted Columns.&#13;
Sent for 52 weeks, post free, for 108. 60. home and&#13;
135. 68. foreign.&#13;
Specimen Copy Free on application.&#13;
Price TWOPENCE Weekly,&#13;
orfice : 19, Adam Street, Adelphi, W.c.&#13;
WHY NOT&#13;
Have your MANUSCRIPTS typed on the Best Pure&#13;
Linen Paper, the use of which greatly facilitates perusal&#13;
by Editor and Readers, and gives an attractive appearance&#13;
and finish to the work ?&#13;
Brochure Scale of Charges on request.&#13;
ARTHUR CARR, 109a, Knight's Hill, West Norwood, S.E.&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices,&#13;
(Extablished 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Authors' MSS. 18. 1,000 words; over 40,000, 10d. No unfair&#13;
"cutting" of prices.&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
REFERENCES.&#13;
ESTABLISHED)&#13;
(XVIII. CENT.&#13;
The Wessex Press, Taunton.&#13;
BARNICOTT &amp; PEARCE&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
&#13;
&#13;
## p. 52 (#80) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
Opposite the British Museum.&#13;
WITH&#13;
WITH BRAINS.&#13;
THACKERAY HOTEL.&#13;
Great Russell Street, London.&#13;
Near the British Museum.&#13;
KINGSLEY HOTEL.&#13;
exceedingly pread themen great&#13;
Hart Street, Bloomsbury Square, London.&#13;
Every Order I have executed has been followed&#13;
by Repeats. Why?&#13;
My work is always the same-THE BEST.&#13;
Indifferent copy TYPED WELL stands a better&#13;
chance with Editors and Publishers than GOOD&#13;
WORK TYPED BADLY.&#13;
An AUTHOR has sent me the following:&#13;
“Cricklewood, N.W.&#13;
"I am exceedingly pleased with the type-&#13;
written copies. I have read them carefully&#13;
through and consider you have taken great&#13;
pains with the work. Also the type is excel-&#13;
lent. I have had 5 MSS. done and YOURS&#13;
IS FAR THE BEST.&#13;
" I shall certainly remember you when I want&#13;
anything typed.”&#13;
I USE BRAINS AS WELL AS HANDS.&#13;
HIGH-CLASS WORK AT LOW CHARGES.&#13;
I have many Testimonials from Members of the Authors' Society.&#13;
SEND IN ORDER NOW.&#13;
MISS RALLING,&#13;
176, Loughborough Road, LONDON, s.w.&#13;
Passenger Lifts. Bathrooms on every Floor. Lounges&#13;
and Spacious Dining, Drawing, Writing. Reading, Billiard&#13;
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tion. Telephones. Night Porters.&#13;
Bedrooms (including attendance), single, from&#13;
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Inclusive Charge for Bedroom, Attendance, Table d'Hole,&#13;
Breakfast and Dinner, from 816 to 10/6 per day.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel- Thackeray, London."&#13;
Kingsley Hotel —"Bookcraft, London.”&#13;
MRS. GILL, Typewriting Office,' | AUTHORS &amp; PLAYWRIGHTS.&#13;
(Established 1883.) 35, LUDGATE HILL, E.C.&#13;
Special facilities for placing work of every description.&#13;
Authors' MSS. carefully copied from 1s. per 1,000 Particulars from Manager, Literary Department,&#13;
words. Duplicate copies third price. French and German&#13;
MSS. accurately copied; or typewritten English trans-&#13;
WIENER AGENCY, LD.,&#13;
lations supplied. References kindly permitted to Messrs.&#13;
64, Strand, LONDON,&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.C. Telephone 8464 Central.&#13;
AND TRIBUNE BUILDING, NEW YORK.&#13;
“THE AUTHOR.”&#13;
SCALE FOR ADVERTISEMENTS.&#13;
TYPEWRITING.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/- Plays and General&#13;
Copying List and specimen of work on appli-&#13;
cation.&#13;
[ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT...&#13;
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"Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent for&#13;
Twelve Insertions.&#13;
Advertisements should reach the Office not later than the 20th for&#13;
insertion in the following month's issue.&#13;
All letters respecting Advertisements should be addressed to the&#13;
ADVERTISEMENT MANAGER, The Author Office, 39, Old Queen Street,&#13;
Storey's Gatı, S.W.&#13;
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Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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Warnings
Dramatic Authors
Registration of Scenariosand Original
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
The Influence Reviews
Licence
Print and Publish
The Spirit of Romance
Book Prices Current
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PUBLICATIONS OF THE SOCIETY

�ADVERTISEMENTS .

The Society
Telegraphic

( Incorporated ).

of Authors

AUTORIDAD ,

Address : “

LONDON

Telephone No . : 374 Victoria

.”

PRESIDENT .

THOMAS HARDY ,

O

.

.M .

COUNCIL .

I AUSTIN
DOBSON .
SIR ROBERT ANDERSON , K . C. B.
SIR ARTHUR CONAN DOYLE ,
SIRWM . REYNELL ANSON , Bart ., D. C. L .
,
A W. DUBOU G .
THE RIGHT HON , THE LORD AVE
DOUGLAS FRESHFIELD .
J . M. BARRIE .
"
( BURY, P. C.
,
SIR W. S. GILBERT .
SIR ALFRED BAT EMAN K . C. M . G .

EDMOND GOSSE , LL . D.
SYDNEY GRUNDY .
H. RIDER HAGGARD .
MRS . HARRISON ( " LUCAS MALET ' ).
ANTHONY HOPE HAWKINS .
E . W. HORNUNG .
MAURICE HEWLETT .
W . W . JACOBS .
JEROME K . JEROME.
HENRY ARTHUR JONES .
J . SCOTT KELTIE , LL . D.
RUDYARD KIPLING .
SIR EDWIN RAY LANK ESTER , F . R. S.
THE REv . W. J . LOFTIE , F. S. A.
THE RIGHT HON . SIR ALFRED
LYALL , P. C.
LADY LUGARD (MISS FLORA
L. |
Shaw ).
Mrs . MÁXWELL ( M . E . BRADDON ) .

ROBERT BATEMAN .
F . E . BEDDARD , F . R. S.
MRS . BELLOC - LOWNDES .
THE RIGHT HON , AUGUSTINE BIB .
RELL , P. C.
MRS . E. NESBIT BLAND .
THE REV . PROF . BONNEY , F. R.S.
THE RIGHT Hon . JAMES BRYCE , P. C.
THE RIGHT HON , THE LORD BURGH .
CLERE , P. C.
HALL CAINE .
J . W . COMYNS CARR .
KQERTON CASTLE , F. S. A.
KDWARD CLODD .
W. MORRIS COLLES .
THE HON . JOHN COLLIER .
SIR W , MARTIN CONWAY .
THE RIGHT HON . THE LORD CORZON
OF KEDLESTON , P. C.

COMMITTEE
Chairman

ALFRED
BATEMAN , K . C. M .G .
MRS . BELLOC -LOWNDES .
MRS . E . NESBIT BLAND .
J . W. COMYNS CARR .

|

SIR

Chairman - SIR
H . GRANVILLE BARKER .
J . M , BARRIE .
R , C. CARTON .

|

STANFORD ,

PERCY WHITE .
FIELD -MARSHAL THE RIGHT Hon .
THE VISCOUNT WOLSELEY , K . P. ,
P. C. , &amp; c.

SIDNEY WEBB .
H. G. WELLS .

OF MANAGEMENT .

- MAURICE

HEWLETT .

S . SQUIRE SPRIGGE .
FRANCIS STOBR .
SIDNEY WEBB ,

DRAMATIC SUB - COMMITTEE .
ARTHUR PINERO .
Vice - Chairman - HENRY ARTHUR JONES .
Miss CICELY HAMILTON .
CECIL RALEIGH .
CAPT . BASIL HOOD .
G. BERNARD SHAW .
JEROME K . JEROME .
ALFRED SUTRO .
FUND

COMMITTEE ,
HEWLETT ,

Chairman - MAURICE

ANSTEY GUTHRIE .
ANTHONY HOPE HAWKINS .

MORLEY ROBERTS .
M. H. SPIELMANN ,

COPYRIGHT
SIR

MRS . ALEC TWEEDIE .
MRS . HUMPHRY WARD ,

- COMMITTEE .
M. P .
| HERBERT SULLIVAN ,
VILLIERS STANFORD ,
SIR JAMES YOXALL , M . P.

SUB

GILBERT PARKER ,

SIR CHARLES
Mus. Doc .

ART.

THE HON . JOHN COLLIER .
SIR W. MARTIN CONWAY ,

JOHN HASSALL , R. I .
J . G . MILLAIS .

FIELD , ROSCOE &amp; Co ., 36, Lincoln ' s Inn Fields , W . C.
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in Street
G . HERBERT THRING , 39, Old Queen
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OWEN SEAMAN .
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MRS . HUMPHRY WARD ,

DOUGLAS FRESHFIELD .
W . W . JACOBS .
ARTHUR RACKHAM .
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PENSION

ANTHONY HOPE HAWKINS .
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JUSTIN MCCABTHY .
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SIR GILBERT PARKER , M . P .
SIR ARTHUR PINERO .
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Old

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Storey
Street
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After the minutes had been
read and signed the committee proceeded with the
Twenty two
election
members and associates
members and associates were elected bringing the
156
One
total elections for the current year up
resignation
bringing the total
accepted
was

Monday

decided

.—

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sixty five
Committee
The
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before

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Cases

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committee
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the infringement
copyright
street
hawkers
The secretary
reported
the committee the action that had
been taken
that after some delay warrants had
been executed and the delinquents arrested
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report
present
was nothing further
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claim
bankrupt paper
against
America
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place the case
mittee authorised the secretary
American solicitors
the society
the hands

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if

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order
ascertain whether the report that had been
received from the other side was correct and
take what action was possible
obtain
satis
The next case
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hoped that all dramatists
whom
the questions put
sent will reply
which

issue

copyright

the Transvaal and
agents there for the society was
The secretary reported that he
in

to

a

be

to

by

a

times

was put

of

%

.

,

each

each month

to in

in

of

to

of

to

of

A

calling

meeting

about £2 100
request from
The next business considered was
advertise
allowed
the society
member
slip advertisement
but the
The Author
make
committee regretted they were unable

in

the attendance of members , to
month for ordinary meetings
special meetings when necessary
other
The day fixed was the third Friday

Marshall
circular

.

to

It

,

up

- COMMITTEE .

to facilitate
day

of

to

be

.

to

the chairman their
The committee delegated
cases
powers
act during the vacation
urgency and importance
£140
invest the sum
was decided
Canada 376 registered Stock 1930
Dominion
the capital fund
1950 bringing the investments

order

of

A

.

.

to

,

be to

of

King Edward
conversazione will
the death
held after the dinner which members will be
sent
will
Full information
attend
able
members and associates by circular

SUB

The last meeting of the Dramatic Sub -com
mittee before the vacation was held at the offices of
After the
the society on Tuesday , June 21 .
reading of the minutes a question with regard to
of the sub
members
non -attendance of certain
It was decided , in
committee was considered .

.

of

month of November . Formal notice will be sent
to members of the council in due course .
Thursday , November 24 , has been fixed as the
the annual dinner which was cancelled owing
date

DRAMATIC

in

take the case up on his behalf as it appeared on
legal
the papers before them that he had
no
defence .
The secretary pointed out to the committee
of the
that under the Articles of Association
society , it was necessary to have two meetings of
It was decided by the
the council every year .
committee to hold the second meeting in the

- .

the members was considered , and

.

of

.

The committee sanctioned the re - decoration of
offices which had become necessary under the lease
which the society beld .
The question of underselling of authors ' rights
in Sweden was referred to the committee , and the
secretary was instructed to send the information
he had received to the Publishers' Association and
to authors ' agents in order , if possible , to prevent
such underselling
in future .
Three letters received during the past month for
the consideration of the committee were read by the
secretary .

A

a story by one

it was decided to prosecute the offender under the
criminal law if possible . The last case referred to
a dispute between an author and an agent .
After
considering all the papers carefully the committee
decided to advise the author that they could not

sub -committee

by to

sug gested he should come to an amicable settle ment . A case which the society had been con ducting in San Francisco had to be abandoned
owing to complications likely to arise on the title
of the member under the United States Copyright
Act. A question of infringement of copyright in

his behalf .
It is desirable , while Holland is out
side the Berne Convention , to stop piracy there if
it is possible to do
so , and the present
case
appeared to the committee to afford
a fitting
opportunity for testing the position .
At the suggestion of the Dramatic Sub - com
mittee , Mr. Anstey Guthrie , subject
to
his
acceptance of the position , was elected
to that

a

case

.

which had been before the com their last meeting , referring
to a claim
against a limited
liability company , was again
brought forward , and the secretary reported the
action that had been taken during the past month .
The committee instructed the secretary to inform
the solicitors that immediate steps should be taken
to throw
the company into liquidation .
In a
complicated case , relating to a dispute on the con struction of an agreement and on the accounts , the
committee could not, after a perusal of the papers ,
ad vise the member
involved
to prosecute , but

at

The chairman then read a letter he had received
the president of the Publishers ' Association
relating to piracy in Holland , and the secretary
was instructed to see whether it was possible to
induce a member of the society , whose special case
was quoted , to allow the society to take it up on
from

to

Another

mittee

any departure from their usual practice not to allow
slip advertisements between
the pages
of the
magazine .

fix

against
involved the claim
of two members
a
publisher
for accounts
and settlement .
It was
decided to instruct the solicitors to carry the
through , and to ascertain the responsible
cases
parties and the exact position of the members '
property .
The recent death of the publisher con cerned added a fresh complication
to the matter .

�a

to

(

),

,
on

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.

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Lane

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.

.

Arthurs

.

,

co

S

' '

Club
James Street
Louth
Omeath
Ireland

,

Farm

Harcourt

,

Abbey Road

.
W
.

,

10

N

.

Leighton Robert

.

.

S
.W

,

Club
Authors
Whitehall
Court

'

Henry

.

Wm

.

Koebel

.

Stanton

, 2, .

Willowdale

-

.

,

Alfred

.

King

R

.

.

Miss Isabel

.

,

Hearne

R

-

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.
.

Gordon Smith

, ,
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.

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.W

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Guards

.

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3rd Dragoon

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.

.
.

A

Bryan

Miss Marion

,

,

Fox

,

of

. . ,

owing

House

Mrs

Curlewis

,

a

is

,

abandoned

of 's .

.

on

be

.

Chichester
Chancery

Aldershot
Avenel Mosman Syd
ney Australia
Square
Eaton
118

,

, .

to

be

on

be

for

account rendered
into the office
copy
infringement
come

to

were two claims
but one
these had

of

,

right

in

insignificant sum due
the other has only just

There

to

of

a

in

.

In

.

to

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, ,

. .

Binns Henry
Burt Major

of

In

to

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of

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Charles

.

is

be

be

to

to

be

,

.

Arlen

In

.

by

.

Adams Evelyn

;

, all

its

of to up

as

,

The accounts were rendered and forwarded
the remaining case the accounts
the authors
hand
have been promised and will probably
published
Of nine
the time this record
claims for money only two have been settled
the solicitors
transferred
Three have had
satisfied when the delinquents
and will no doubt
against
appreciate
taken
will
that action
one case some delay has occurred owing
them
fixing the responsibility for the
the difficulty
for
the remaining two one
debt while
settled
to

Elections

of

these

of

to

had

very

in a

of

,

of

of

is

,

is

of

.

of

two were successful
but
abandoned
the periodical
publication
offices
and given
bad ceased
the society
Nine claims for accounts were brought
With the exception
one case
these were

.,

and

be of

.

of

MSS

one

's

in

an

to

of

,

.

to

Cases

The
the July issue
Since the publication
Author thirty cases have come into the hands
Three were claims for the return
the secretary

.

should

in

. it

that
meeting

.

of

to

of

his statement
his case
The
write for the statement
received
time for the next

in

send

was instructed
be

secretary

in

to

of

by

a

a

-

to

omitted

to

of

.

complaint submitted
The consideration
the Dramatic Sub committee
member
the
society who had called into question
the action
another member was postponed owing
the fact
that the member who had made the complaint
had

so

of

.

them

again

to

of

to

suitable

a

,

should

the matter before

,

to

,

bring

of

of

In

.

,

and

events

in

of

's ,

to

in

it

at

watch

occur

in

as

,

.

of

in a

of

of

to

opportunity

perform
member desiring information relative
Italy under
ances
his play
licence granted
resident
that country
The information
has been received and the matter closed
Of two
cases relating
cancellation
contracts
one
still
the course
settlement and the other has
satisfactorily
terminated
the cancellation
been
the agreement and the delivery
the stock
the author who has since found
fresh publisher
publisher who had
The last case was one against
delayed publication
book which
had agreed
publish
every hope that the book
There
will shortly
the market
There are three cases open from former months
abeyance
One
these remains
the author
request
The second
America
course
settlement while
the last the society accountants
are
communication with the publisher
a

,

,

;

,

no

to

in

secretary

omitted
forward
the second case the death
the publisher has brought the negotiations for
the time being
standstill while the last one
the hands
the society
solicitors
The
secretary has conducted one case
behalf

to

-

,

Sir

.

,

as

in

for

information
contained
that letter the sub
committee regretted
was impossible
take
present but instructed the
any useful steps

irregularity
the author
title
due
copyright and affording another
transfer
illustration
the danger
such
transfer while
against
paper
the other
New Zealand
things
and
bound
the nature
take
some time
There have been three disputes
waiting
accounts
one
these the secretary
for figures which the publisher has promised but

of

by the Colonial Office to
been referred
Agent General for the
Richard
Solomon
the
Transvaal
Richard had stated that without
doubt the Imperial Copyright Act ran over the
Transvaal and Orange River Colony
that
far
the local Acts were concerned the Orange River
Colony had
local Copyright Act and that the
Transvaal Copyright Act was antiquated
and
unlikely
afford any assistance beyond that
already procurable under the Imperial Act for those
whose works were infringed
The question
the infringement
dramatic
rights
Calcutta
was also discussed
and the
secretary read
letter from the society
solicitors
regard
Calcutta
the position
the
manager
the company who had been responsible
most
the infringements
view
the
had

to

Sir

THE AUTHOR .

�THB AUTHOR .
McArthur ,

R.

.

Maffei , Sabatino
Mayo , Mark
Myers

,

P

..

.

. St.

., M . A .,

S

,

..

.

.

Morton , Dr . Wm . Cuthbert ,
M .A .
Stewart , Basil .
.
.
Tompkins,
M .A .

Frederick

Tyrwhitt - Drake , Miss
E.

Webb

H .
, George

Ernest

ham .
30 , Equitable

Rochdale

.

Petrovitch , Vasilii
Pleydell , George

St. George 's
Chelten

Street ,

.

Dr. Charles

M . D . , Sc . D .

42 ,

.

G

.,

M

.
.

Kilda , Wroxall ,

Isle of

Wight .

Great Shelford
bridge

.

6

,

Burwood

Hyde Park ,

27 ,

Street ,

, Lancs .

Stratford
Leeds .

,

Cam

Place ,,
sace
W.

Street ,

52 , Redcliffe Gardens,
S. W .
Apple “ Barnards , ”
ford . Abingdon .

Berks .
Dulas Court, Pontri
los , Herefordshire .
Maulden
Croft , near
Ampthill , Beds .

BOOKS PUBLISHED BY MEMBERS OF
THE SOCIETY .
WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the cffice
by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
It is hoped , however , that members will
other papers .
co -operate in the compiling
of this list and , by sending
particulars
of their works , help to make it substantially
accurate .
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74

41
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67
x

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x
5

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190

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Ward Lock , 6s.
By MARY GAUNT.
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74 x 5.
333 pp . Werner Laurie . 68.
By
THE DOCTOR ' S Lass .
E . C. Booth . 7* * 5. 469 pp .
Grant Richards . 68.
THE ADVENTURES
OF A RUNAWAY BRIDE . By ISABEL
SMITH . 328 pp . John Ouseley . 68.
By John BUCHAN . 77 x 5. 376 pp .
PRESTER
JOHN .
Nelson . 28. n .
HARMEN POLS , PEASANT . By MAARTEN MAARTENS .
73 x 5. 324 pp . Methuen . 68.
By M . E . FRANCIS (Mrs.
THE TENDER
PASSION .
Francis
Blundell ) .
73 x 5.
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68.
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A Chronicle .
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8 * 5. 286 pp . Everett . 28.
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277 pp .
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319
Nash
By WARWICK DEEPING
THE LAME ENGLISHMAN
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ASTRAY
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Methuen
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THE
day
By
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Tale
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Walter Scott
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PRIORY By
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Lane
SENTENCED
DEATH
ROBERT MACHRAY
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FATE AND DRUSILLA
222 pp
Everett

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68

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DRUMMOND

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THE VALLEY OF ACHOR , By MRS . PHILIP CHAMPION DE
CRESPIGNY . 73 x 5. 331 pp . Mills &amp; Boon . 68.
WRITTEN
IN THE
RAIN . By J. TREVENA . 74 x 5.
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OF
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Daniel . 58. n .
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Convict 413 L . By MARIE CONNOR LEIGHTON . 73 x 5.
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JAMES SAUNDERS
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COLMORE
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THE ENVELOPE
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By THOMAS COBB
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EVELYN SHARP
122
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�THE AUTHOR .

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AMAZING
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AND HEALTH . BY LIEUT . -GENERAL SIR
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MEDICAL

150 pp .

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By DOUGLAS
THINGS ABOUT EGYPT
SLADEN
67 428
Hurst
Blackett
218
TRAVEL AND EXPLORATION
An Illustrated Monthly
Exploration Adventure
Travel
and Sport
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Motoring Guide
THE HIGH ROAD
THE ALPS
By
100 Mountain
Passes
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381
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tions
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QUEER

FROM

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JANE

PAMPHLETS
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By
ASPECT
TAYLOR

201 pp
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CASTLE
WINDSOR
Described
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Described
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An Account
THOMPSON
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1,

pp

ERNEST
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By

.
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pp

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By CHARLES IGGLESDEN
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. .

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68
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TOPOGRAPHY

HISTORY

HISTORIES OF NORTHERN

:

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LIFE

18. n.

THEOLOGY .

MILITARY
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Greening .

By W . J .
OF NEGRO
RELIGION .
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ELEMENTS
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Street , Edinburgh . 68, n .
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PRAYER , WITH LITANY IN E FLAT . By the Rev . J .
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AND ROME By HAKLUYT EGERTON
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By
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AND IN THE HOSPITAL ) , being
at the
Lectures
for 1909 - delivered
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By
Berkeley ,
of
California ,
U . S. A.
AUGUSTUS
D. WALLER , M . D. , L . L . D . ( Director of the
Physiological Laboratory of the University of London ) .
Published for the University of London Press by Hodder

AND POLICY
New Edition

By M . BRUCE
Chapman
&amp; Hall .

PERICLES , CYMBELINE . 120 + 167 pp . THE WINTER 'S
TALE , THB TEMPEST . , 149 + 109 pp . THE CAXTON
SHAKESPEARE . Edited with Annotations and a General
Introduction . By SIDNEY LEE . 8 x 6. The Caxton
Publishing Company . £6 38. 6d , the set.
THE DIVINE ADVENTURE .
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History . The Works of " Fiona Macleod ." Vol. III.
74 x 57 . 434 pp. Heinemann . 58. n.
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SANITATION

WAR

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AND GOVERNMENT
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A

YAXIMS OF LIFE
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10

�THE AUTHOR .
PUBLISHED

BOOKS

IN

MEMBERS .

AMERICA

BY

BIOGRAPHY .
EDWARD
MARJORIBANKS , LORD TWEEDMOUTH . By
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$2 n.
ROBERT BLATCHFORD : THE SKETCH OF A PERSONALITY :
By
AN ESTIMATE
OF SOME ACHIEVEMENTS .
A.
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75 cents , n .

FICTION .

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THURSTON .
390 pp . New York : Kennerley . $1.50 .
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York : Scribner ,

$ 1. 20 n.

By ALICE and CLAUDE Askew .
350 pp . New York : Brentano . $ 1.50.
New
Tearle . 325 pp .
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HOLBORN
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THE ROD OF JUSTICE .

HISTORY .
ISLAND STORY : A CHILD ' S HISTORY OF ENGLAND .
By H . E . MARSHALL : with Pictures by A . S . FORREST .
523 pp . New York : Stokes . $ 2. 75.
SCOTLAND' S STORY : A CHILD ' S HISTORY OF SCOTLAND .
By H . E . MARSHALL , with Pictures by J . R. SKELTON ,
J. HASSALL , and J . SHAW COMPTON .
New
York :
Stokes . $2, 75 n.
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LITERARY .

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AND VERSE . By HELEN and LEWIS MELVILLE . 268 pp .
New York : Macmillan . $ 1.50 n .
By Professor
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AND ELIZABETHAN .
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$2 . n .
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GRIBBLE . New York : Scribner. $3.75 n .
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York : Macmillan . $5. 50 .

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with the assistance of J . P. A . KENWICK . Forty -seventh
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.

OXFORD

By

F . D. How

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Boston

:

Estes

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$1.25 .

LITERARY , DRAMATIC , AND MUSICAL
NOTES .
M

M . H . Spielmann 's new
book
is a
romantic fantasy , illustrated by Mr. C .
It will be published in the
Wilhelm .
by Messrs . Duckworth &amp; Co .

R S.
1

autumn

11

Miss May Crommelin 's last novel, “ Lovers on
the Green , " of which Messrs . Hutchinson &amp; Co .
are the publishers , is now in a second edition .
Long illness and a family bereavement
have
prevented Miss Crommelin from doing very much
literary work during the last two years : but she
is now engaged on another novel, the scene of
which is laid in the Loire valley .
Sir Isaac Pitman &amp; Sons are the publishers of a
work by the Rev . Percy Dearmer , entitled “ Body
and Soul,” representing an inquiry into the effects
of religion upon health , with a description of
Christian works of healing from the New Testa
ment to the present day .

The unction of the sick , shrines , and pilgrim
ages , amongst other things , are fully discussed ,
and the book
concludes with a collection
of
contemporary
records of therapeutic
miracles
the early Saints to Pastor Blumharat and
from

Father John of Cronstadt , and with tables of the
faith cures by " mental science ” and by hypnotism
at Nancy.
We have received Vol. 9 of “ A Saunter through
Kent with Pen and Pencil, ” by Charles Igglesden ,
which is published from the office of the Kentish
Express , Ashford .
In
the present
volume ,

Mr.

Igglesden

passes

through

Sissinghurst

,

Goodnestone -next - Wingham ,
Chartham ,
Loose ,
There are
Coxheath , Bridge , and Patrixbourne .
many sketches of old houses and historic spots ,
regard to the
and much that is interesting
in
legends
local traditions
places
and
of
the
described .
James
Hinton , F . Nietzsche , and
Edward
Carpenter are the Three Modern Seers of whom
Mrs. Havelock Ellis treats in her book of that
title published recently by Messrs . Stanley Paul
&amp; Co .

chosen
these three men as repre
of the various sides of the moral and
spiritual outlook of the age .
Messrs. Edmonston - Scott &amp; Co . , of Forth
Street , Edinburgh , are the publishers of a work
by Mr. W . J . Edmonston - Scott , called
“ The
Elements of Negro Religion .”
The author ' s aim
has been to give a lucid account of the history of
religious belief among the negroes , and to allow
the negro , as far as possible , to tell his own tale
in his own words.
Mr. Richard Steel has just published a second
and revised
edition of his book , “ Imitation :
The Mimetic Function in Human Nature and in
Nature . ”
The writer approaches the subject from
many sides , starting with imitation
in infant and

Mrs . Ellis has

sentatives

life , continuing in education , in later
youthful life , and early maturity .
Other chapters
deal with imitation in ethics , religion , and politics ,
child

in

language

,

poetry

,

and

the

fine

arts ,

in

�THE AUTHOR

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Africa

His Majesty the King
the Hellenes has been
confer the Order and Insignia
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her perplexities
Old World
and

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South

of

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an

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the attractions

by

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monthly which
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the new parliamentary capital
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a

dealt

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have

be is

and

of .

,

in

of

occur

to

as

cases

the watchful civil authorities
idyllic story
The Heart
the Bush
New
Zealand bush
life
Edith
Searle
England
educated
The heroine
Grossmann
with

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by

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of

of

is

Ganjam
Presidency

of

district

of

the Khonds
hill tribe
the
which
the northern part
the
Madras
The ancient
sacrificing
custom
some primitive peoples
young men and women
the Earth goddess
bring
good
order
fortune
and abundant
harvests
the tribe was observed among the
Khonds
recent times
The Government
India has put down the practice
far
able
sacrifices

Helen
Watson
Mrs Herbert
Watson
present running
serial
Little Folks will
published
book form
Messrs Cassell during
present
the coming autumn
Mrs Watson
engaged
sequel for older girls
this story
publication are
and arrangements for
course
completion
pamphlet dealing with the scientific cause
the present rising and rebellion
womanhood
against constitutional government
viewed
the
light
Theosophy has been published
Messrs
Swan Sonnenschien
The pamphlet written
Taylor bears the title
The Suffrage
Evolutionary Aspect
Movement from
appointed
Mr Sydney
Ford
has been
managing
editor
the South African
Insurance
H

&amp;

. .

."

“

a

.

&amp;

in

.

its

It contains a photogravure portrait , and other
rare portraits and illustrations.
by A . Vivanti Chartres ,
" ' T'he Devourers ,"
published by Mr. William
Heinemann , is in
third edition
Messrs Putnams
Sons are the
publishers
New York
Messrs
Chatto
Windus published early
Penny
September
new
novel
Mrs
called
Sacrifice
The story
the Meriah

on

Amélie ”

of

of Marie

.

Life

“

has just been published by John Long , Ltd .
Marie Amélie was the last Queen of the French ,
reigning
1782 to 1866 , and this rolume
from
contains some account of the principal personages
at the Courts of Naples and France in her time,
and of the careers of her sons and daughters .

E

the

in

Dyson 's

of

women

.

C. C.

and

the Grand Monarque.

to

Miss

famous men

XIII., and

Bohemia , Electress Palatine.
“ Sahib - log " is the title of a novel by Eva Mary
Bell, published by Messrs . S . Duckworth
&amp; Co .
It deals with the lives of a few of the ruling races
especially with those who have
in India , and
relations with the fighting races of that Empire .
The officers of the Indian army and the native
officers
and sepoys with their wives are among
those of whom the writer treats .
Mr. W . J . Wintle has resigned his position as
general manager of the Sunday School Union and
has joined the staff of John Ouseley , Ltd ., as
managing director , succeeding Mr. John Ouseley .
Mr . E . Elliot Stock recently joined the same firm
as manager of the technical department .
Peggy
story
the new children
“

gallery of the
times of Louis

narratives .
The book is fully illustrated in double
tone from pictures by old masters .
Messrs . Archibald Constable &amp; Co. are publish
ing a new historical novel by Marie Hay .
Its
title is “ The Winter Queen , ” and treats of the
unhappy history of Elizabeth
Stuart , Queen
of

.

Mary C . Rowsell 's work on Ninon de L ' Enclos
and Her Century . Besides telling Ninon 's story ,
Miss Rowsell provides the reader with a portrait

Alps of New Zealand . Messrs .
and Southern
Sands &amp; Co . are to publish the book on the 15th
of this month .
Mr. T . Werner Laurie has published “ The
Story :
Old
Testament
Told to the Young , "
by Miss Gladys Davidson , whose “ Stories from
the Operas " were published by the same firm .
The present work is written on broad lines , the
stories being treated in accordance with modern
views , yet strictly moderate in tone .
It contains
a complete outline of the Old
Testament story ,
special care having been taken
to preserve the
Oriental atmosphere , reverence , and beauty of the

of

The raison d 'être of “ The Enemy of Woman ,"
Graham 's new novel, is to portray
what disastrous consequences are engendered by a
mad desire for women 's suffrage , and the bad
effects on home life of unbalancing feminine minds .
Messrs . Mills &amp; Boon are the publishers .
Messrs . Hurst &amp; Blackett have published Miss

Miss Winifred

novel , which
in the bush

the

of life

A

of which is 3s. 6d . nett .
Mr. Maurice Hewlett ' s new novel , “ Rest
Harrow , " was issued in September by Messrs.
publishers
Macmillan
&amp;
Co ., the
of “ Open
Country ," the leading
characters of which re appear in the new story .
The same publishers have now the publishing
of Mr Stephen Reynolds ' two books , “ A Poor
Man ' s House ” and - The Holy Mountain .”

.

the New are worked out in
contains also some descriptions

by

economics , in heredity and inorganic matter, while
in an appendix the writer refers to imitation in the
reasoning
process .
Messrs . Young
&amp; Sons in
Liverpool , and Messrs. Simpkin , Marshall &amp; Co .,
price
in London , publish the book , the published

J. ,

12

�THE AUTHOR .

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when the
Buckland has illus
fourteen

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the work
Mr
the social problems

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yesterday and
September
Messrs

,
in "
is
a

“

the present day
Raymond
Jacberns new
Schoolgirl
this season are

.

for

-

George Bell
Sons
Hole and deals with

'

books

juveniles

.” ",

6d

.

3s
.

at

.

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.

&amp;

W

,

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,

,

Bawbee Jock
this month by
laid
the High

,

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in

is

,
of “

new novel
the close
The scene

at

Co
.

&amp;

of

.

,

's I.

Amy McLaren
published
will
Mr John Murray

“

be

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A

Battlefield
Three
They
Amateur Scouts
and
Poor Uncle Harry
are all published
Messrs
Chambers
the first one
and the others
The
same writer new novel
An Everyday Romance
published shortly
will
Messrs Wells Gardner
Darton
by Mrs Edith
new historical biography
Cuthell
Hist
author
Wilhelmina
Margravine
published early
Baireuth
will
Stanley Paul
the year
Messrs
that
Marie Louise Empress
the French the first
Napoleon
wife

.

,

,

a

Mr

fifteen

trated the book
The Chained Titan
day was published

&amp;

.

,
of by

is

,

to

,

as

,

so

in

in

-

of

.

the adventures

tells

be

in

to

as

of

”,
a
a

.

G

-

Holy Places
who are boys
story opens

,

,

at

is

,

.

of

first novel

love story
Naples
history and
Queen Jehanne
which
give
romance are blended
human picture
Jehanne her heroism
her waywardness
her
genius for dominion
her relations with everyone

the October number
the Westminster Review
article appears from the pen
Alfred Smythe
entitled
Ancient Coinage from
Non
Commercial Standpoint
Cross and Dagger
Scott Durrant
published
Messrs Methuen
last month
tens
the story
the amazing crusade
thousands
children
1212 for the recovery
the

of

in

,

be

,

to

near Maidstone
Jehanne
the Golden Lips
Frances
Knowles Foster

.

,

work
the Burmo Chinese frontier while Mr
Eustace Reynolds Ball who edits the magazine
amusing adventure with
Algerian
describes
panther

be

to

,

by

Sir

by

a

of

,

-

of

Aubrey

“

in the extreme west to the Burmo- Chinese frontier .
Colonel Beresford describes his tour through little
known tracts in the Caucasus ; Mr. H . G . A .
describing
survey
Leveson
contributes
a paper

to

- -

,

,

in

A

.

-

in

-

to

,

.

Le Blond would gratefully welcome
any private letters
that period
relative
the family and suggestions
suitable
Barming
illustrations
Her address
House

of

the Empire. " Mr. Barlow
Cumberland , President of the Ontario Historical
Society , is the author of the work , and in it he
explains the meanings of national ensigns , tracing
the development of the Jacks of England , Scotland ,
and Ireland , their union in the British Isles and
expansion
in
the dominions beyond the seas .
There are nine coloured plates of flags and sixty
nine engravings .
The September number of Travel and Exploration
covers a fairly wide field , ranging from Morocco

of

,

),

Sir

,

.

in

,

in

Hawkins Whitshed
cruise
himself and his
brother
law William Bentinck
1799 has also
light and may
come
included
the
together with some hitherto
volumes
inaccessible
letters from Lord Rodney found
the same time
the loan

to us

Union Jack and Flags of

A

is

a

,

of

,

by

to

(

),

by of
-

(

a

a

of

.

is

for

.

it

in

”

of

“

Co
.

,

or

,

&amp;

.”

Both

.

books are published
Messre
Methuen
The Spirit
Mirth
London story and all the characters
are
more
less
sketched from
life
Mrs Aubrey Le Blond
now preparing
the
interesting letters written
large number
press
Sophia
between
1789 and
1800
Countess
Bentinck
whose husband was
son
the first
Sophia
Earl
Portland
her granddaughter
Hawkins Whitshed née Bentinck
and her grand
marriage
Hawking
son
Admiral
James
only recently
Whitshed
These letters were
discovered amongst family papers and their great
interest lies
their comments upon current events
Europe and their frequent allusions
many
public characters
Germany
Austria
Holland
journal
and France
Admiral
James

Mrs

&amp; Co ., of Toronto , have forwarded
a tastefully - produced
volume entitled “ The

Messrs . Briggs

of in

,
of

by

Mirth

.

are the publishers

.

,

“

its

“

in

is

”

,

of

,

Webling whose book
The Story
Virginia Perfect
now
third edition
has published another entitled
The Spirit

enemies , and her lover ,
Messrs . Mills &amp; Boon

Prince Louis of Taranto .

-

-

his

.

sity services
Miss Peggy

, her

of her courtiers

and

on

gentlemen : Professor
on the following
Samuel Henry Butcher , M . P . for the University
of Cambridge , and President of the British Academy ;
the Hon . Canon Lyttelton , Headmaster
of Eton
College ; Mr. Walter Leaf, Vice- President of the
London Chamber of Cominerce ; and Mr. William
Angus Knight, of Malvern , Emeritus Professor of
Philosophy in the University of St . Andrew 's.
This is the outcome of his Majesty 's desire to
draw the University of Athens into closer relations
with
the Universities of Great Britain .
Mr.
Butcher is recognised as the most distinguished
of Greek scholars and teachers in England , and a
university representative of note ; Mr. Lyttelton
is honoured as a scholar , and the head of England ' s
most famous public school .
The Order is given
to Mr . Leaf as one of the founders of the London
Chamber of Commerce , from his eminence as a
Greek scholar and his writings on Homer ; and to
Mr. Knight from his numerous contributions to
philosophy and literature , and
varied univer
Redeemer

13

�THE AUTHOR .

realism

.

Locke' s new play, “ The Man from
was produced at the Queen ' s Theatre
last month . In the cast are Miss Nina Bouci
cault , Miss Beryl Faber , Mr. Robert Loraine, and
Mr. Arthur Lewis Vane Tempest .

Mr.

the

W.

Sea , ”

J.

DE

“

CONSPIRACY

TO

to six

the Central Criminal Court , in July ,
men were charged with offences relating
pirated copies
the sale
the late Mr
Oscar Wilde book
De Profundis
All the defendants pleaded guilty with the
exception
Arthur Puddifoot against whom
and
was accordingly
was offered
evidence

.

.

Mrs

:

.”

,

he

,

no

,

“

of

.

'

in
s
to a

It

to

to

.

a

of

to

:-

in

.

Puddifoot

Arthur

Philip

Puddifoot

Fleming

,

,

Abraham Kinsett Albert Bowden and
Bokenham
Edward Kelly
De Profundis
was stated that the book

.

at

,

27

the

, ,

in

.

by ,

"

on

Hill

“

Karpe

,

,

“

was given
Freedom
The Price
August
Saturday
Dundee
Theatre
Mr and
principal parts being taken

is

it

,

of

.

of A

,

he

a

under notice

before
narrative and publish
the work
has done
this
playright production
the play

appeared
statement that the
counsel
from
criminal conspiracy
defendants were concerned
infringe the copyright and
defraud the copy
legitimate
right owner
the profits derived from
sale of the work
give the names
the
show
necessary
part that each defendant took
connection with
John Wesley
The accused were
the conspiracy

It

's

an

-

a

of

,

.

.

an

,

a

a

,

-

is

as

continuous
production
and

discharged

It

“

-

to

. ,

to

of

a

It

a

in

an

in

is

an

-

is

.

by

.”

of

a

.

The Walter Scott Publishing Co bave published
The
Mr Deane Ballynn entitled
work
day which
tale
Price
Freedom
literary form
This
new
the author has cast
the volume
introduction
described
form
dis
which takes the form
introduction
old
actor
dramatist
cussion between
publisher
Mr Ballynn
and
actor manager
that the dramatist should write his play
view
new

INFRINGE COPYRIGHT .

T

's

.

DRAMATIC

.

PROFUNDIS .”

of

go far
to duty , implicit
obedience and pluck
towards the making up of the “ grit ” of the
world pioneers and empire builders .
“ The High
Road of the Alps ” is the title
of a Motoring Guide to One Hundred Mountain
by Mr. Charles L . Freeston . Published
Passes
by Messrs. Kegan , Paul l &amp; Co . , it contains 102
illustrations , for the most part from photographs
by the author , together with several sketch maps
indicating
the relationship
of the various groups
of passes to each other , a specially prepared map
of Alping territory generally , and a specially
designed cover . It is issued at 10s . 6d ., net .

“

.

taken into the wild , untamed region lying between
the great Limpopo river and the river of Inhambane ,
where the savage tribes recognise no laws but their
own .
There are many thrilling incidents
in the
story , which essays to prove that strict attention

, and Miss Lilian Braithwaite .
The Eternal Question , " Mr . Hall Caine ' s
play founded
new
on his novel , “ The Eternal
City , " was produced
at the Garrick Theatre on
August
27 .
The
cast
included
Mr. Gay
Standing , Miss Tittell -Brune, and Mr. Halliwell
Hobbes .
Mr. Stephen Grace has dramatised a short story
which appeared in his volume of “ Yarns . "
The
sketch will be produced by Mr . Henry Bagge , who
takes the part of Lient.- Commander Anson .
The
action takes place on
board a torpedo boat
during an
destroyer
upon
attack
a hostile
squadron , and is carried
out with the utmost
Allen

,
.

Co.

M

.

&amp;

. Düring 's latest novel , “ The End of
the Rainbow , " published in England by Messrs .
brought out in
Chapman
&amp; Hall, has been
America by the J . B . Lippincott Co . of Phila delphia .
Two of her earlier novels , “ Malicious
Fortune ” and “ Disinherited , ” have also been
added to “ The Daily Mail Sixpenny Series .”
Miss A. E . Keeton will lecture at the Women 's
Institute , 92, Victoria Street , S . W . , on Wednesday ,
October 5 , at 4 p . m .
The subject of her lecture
will be “ On Making a Musical Palate .”
Mr. George Hansby Russell's new novel , “ Grit ,”
which Mr. John Murray publishes , is a story of
the wilds of south -east Africa .
The reader is
Stella

,

Digby, Long

“ Nobody ' s Daughter , ” by George Paston , was
produced at Wyndham 's Theatre on September 3.
It is the story of a manufacturer
in the Midlands ,
who discovers that his wife' s supposed ward is , in
fact , her daughter born before marriage , the father
being the manufacturer ' s friend and a visitor at
the time of the discovery .
The cast includes Miss
Rosalie Toller , Mr. Sydney Valentine , Mr. Marsh

"

lands of Scotland , and the story bears on the
clan -sentiment of patriotism and love of country
which is so deeply rooted in the Celtic nature ,
Miss Jean Middlemass ' novel , “ At the Altar
Steps ," having run as a serial by the National
Press Syndicate , will be published shortly by Messrs .

of

14

�THE AUTHOR .

of

by

,

of

,

is

to

.

of

is

it

to to

,

in

-

of

a

of '

is

to

of

.

a

is

a

to

;

at

.

.

NOTICES

&amp;
c

.

,

,

,

,

,

of

be

to

“

be

.

of

be

.

be

.

or

— be

,

by

to
4

“

's of

is

is

,
&amp; .
c
.,

at

"

,
or
at
all
.

,

of

,

or

, he

is ,

It

be

.

,

1,

"

to

to

bound

is

,

the notice
very

that

doubtful

appears

in

by

to

It

,

in

to

.

as

author

the magazine

a

how

.

's

,

in

a

of

is

It

at

.

far
printed
magazine
the beginning
could legally bind the author who has sent
his
contribution
unless the editor could show that the
notice had come
the author
attention
notice

to

.

like
draw
attention
the
Contributors that appear
many magazines
and print above one
taken
random
often put forward by
editors that when they accept stories without any
notice whatever
the terms and price
the
should

Notices

is

he

no

in

,

he

ITTE

at

-

's

in

.

-

;

.

,

.
.

W

J.

to

.

.

in

,

'

to

,

it

,

be

to

of

“

,

of

,

of in

to

All stories articles poems photographs drawings
submitted
the editor for consideration must bear the
names and addresses
accompanied
the senders and
stamped and addressed envelopes
they
otherwise
cannot
considered
returned
MSS must
folded
typewritten
not rolled and should
The length
short stories submitted should
from
000
000 words
must
understood that while care
taken
they are sent
contributions
submitted
the author
risk and the editor
not responsible
for their safe
custody
return
nor does
invite contributions
acceptance
The
articles stories illustrations
no guarantee that contributions will be published within
any given time

W

.

inin

in

of
of

a

of
to

,

,

.

of

,

the second division
Bowden
was urged that
among the
merely allowed copies
distributed
hawkers who frequented his coffee house
order
obtain their custom
and that
made
any transaction connected with
direct gain out
the sale
the pirated work
He was fined £20
of

EDITORIAL

,

a

in to

,

of

on

.

of a

. .
as

,

a

at

,

to

at

be

,

to

in

a

.

W

HARDY

HAROLD

of

,

min

,

He

20
,

J.

to

.

at

a

in

by

of

of

-

by

,

.

a

6d

was said
the man who was most
actively concerned
though be
the conspiracy
kept himself
some extent
the background
the nosition of publisher
He
publisher
stood
the position
He had
had
manuscript copy
the book
taken
quotation for printing
Puddifoot and asked for
000 copies
the quotation being £16
He had
connection
offences
been previously convicted
pirated copies
with the sale
music and was
sentenced
this occasion
six months imprison
ment
Puddifoot the printer who had also been
previously convicted was sentenced
one month
imprisonment
Bokepham
Kinsett who acted
with
the
distribution
the pirated copies was sentenced
business

two months
On behalf

of

of

of

,

to

At

.

5

.

a

6d

,

, .28 in

,

in

thousands were sent
vans and stored
room
Whitechapel which was rented
Kinsett
week
the time
the arrest some
upon the premises
000 copies
were found
systematic
The method
distribution
was
Small parcels were taken
from
the store
neigh
required
from time
time and left
bouring coffee house
which Bowden was pro
prietor and the pirated copies were purchased
quire
hawkers visiting the house and
were sold
the streets
considerable profit
printing
who
had
failed
the
Bokepham
who
had
failed
the printing

it

-

a

.,
"

.

W

J.

.

,

of

in

“

,

of

was done upon
what was called the
Milton Press Ltd
com
pany merely
name
which
Puddifoot
and his son Arthur were directors
Bundles
many
these copies when printed
the number

important that hawkers
1906
but
should realise that conspiracy
sell pirated copies
any
book
criminal offence
No doubt
special efforts are required
obtain evidence
conspiracy and
well that the Authors Society
making
has not grudged the trouble and expense
inquiries and setting
watch upon premises and
upon the movements
street sellers
order
trace the method
distribution
and bring
justice the principal offenders

Act

”

offence

convicted
connection with
the premises
been

,

,

similar

in

in

—

of

.

a W

for
music

1906
pirated

Puddifoot who had

of

in

a

to

'

.

J.

to

traced

“

sufficient evidence was obtained to enable the
prosecution against
Authors Society
institute
principally concerned
those
who were
the
conspiracy
The printing
the pirated copies
which was
that

conditions .
The Court was asked to deal
with him leniently , and he was released upon his
recognisances .
The Authors ' Society is to be congratulated upon
successful exposure
this fraud which ought
put check upon the organised sale
street
pirated works
procedure
sellers
The method
respect
pirated music
simpler owing
the
such

to its

the profits bad been sufficient to
copyright
Ross ,
the
owner and
administrator of the estate of the deceased author,
to pay the latter's debts in full and to provide a
considerable sum for the benefit of his children .
In April last Mr. Ross discovered
that pirated
copies of the book were being sold in large numbers
Inquiries
in the streets at
the price of id .
kept , with the result
were made and observation

Mr.

in

editions , and

enable

With regard to Kelly , who was found selling
copies in the street and pleaded guilty to being in
possession of pirated copies, it was stated that he
was prosecuted in order that street -sellers might
know the risk they ran in selling books which bore
no printer's or publisher 's name upon them ,
especially when they were
sold
to them
under

of

which was originally published by Messrs . Methuen
in February , 1905 , ran through a large number of

15

�THE AUTHOR

16

.

notice would make the statement still more certain
that
author would not
bound
such
notice unless his attention was specially drawn
Otherwise the editor might make arbitrary
regulations by which
should not only have
absolute control
alterations
articles and
right
stories but should have also
the copyright
fact disputes
this point have from time
consequence
time arisen not
the printing
notice but from
editor demand after acceptance
story without any terms being expressed
The following case will explain this point

editors were more accurate and more careful
making
nay more
contracts
half the disputes
than half the disputes
would never
arise
and
there would be very little reason for publishing
The Author papers dealing with the
Editorial
Attitude
which have appeared
the last few

.

if

a

on

,

,

“

of

:-

.”

,

-

,

,

—

in

.

“

,

.

.

's

:

.

.
's .

.

.

.

.

of

on

By

CORNHILL

.

.

.

,

.
D
.

.

.

By.

.

of

in

.

CONTEMPORARY

By Mrs Geo Haven Putnam
the Salon
Poetry
Geraldine Hodgson Litt
English Poetry

.

,

A

,

.

.

By Frank Harris
By Vernon
Maurice Hewlett

.

:

Words

.

Lee

REVIEW

Shakespeare

of

of

ENGLISH
The Women
The Handling

,

,
K
.C
.
B
.

.

by
:

A

,

S
.

.

.

of

Tooley
The Centenary
Mrs Gaskell
Sarah
Concerning Guide Books
By Claude
Benson
Polar Laureate
Sir Francis Doyle
Sir Clements Markham
Communicated

. .

. .

Old Subscriber
Roberts

.

an

.

in

.

By
The Libraries and their Critics
English Pictures
German Galleries

By
W

REVIEW

.

NATIONAL

.

of

.

.
L
.

K

.

FORTNIGHTLY REVIEW
By
Montgomery
By Arthur Ransome

Elizabeth Cleghorn Gaskell
The Poetry
Yone Noguchis

.

Dr
.

.

the Rev

By.

.

.

Lore

-

Word

By

.

.

1,

.

of

of

Palmer

in

Folk Lore

. -

the

CENTURY

By Lewis Melville
The Centenary
Mrs Gaskell
The Genius
Gibbon
Gibbon the Man
Rev
Clarke
.
A
.
H
.
T
.

in

include

NINETEENTH

.

"

“

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By

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to

as

'”,
of

on

to

to

By Thomas Seccombe

Saintsbury

Professor

Book MONTHLY

a

a

.

to

be

Gaskell

the Time King Edward
Memoirs
Library Censorship
New Encyclopædia
Right
Christening
Word
the
Novel Heroines
George

Topics

?

by

to

of

if

—

In

of to

Cleghorn

Elizabeth
Balzac

W

to

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to

is

to up
a in

of

to

in

be

of

:

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“

:
of

of

BOOKMAN

to

in

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's

by

is

editor

An Unpublished

Puritans

Document

to

as

to

an

. for

,

as

.

BLACKWOOD

.

up .

a

he
is

of

in

it

.

to

.

a

a

it ,

,

,

is

as

:.
a

to

up

a

an

,

is

,

on

If

,

.

's

he

to
a
see

a

of
on

the

CONTENTS

King James and the English

Children

making the offer
follows
we included the copyright
but
there does not appear
the letters
copyright
acceptance any mention
the word
any indication
purchase the
the desire
copyright
nor
there any indication
the notice
contributors that where articles are accepted
or

MAGAZINE

The Lady
Some Irish

his attention being drawn
the matter after
publication
states
That the author never
suggested anything about serial rights
and

it to

no

a to

of

of

's

an in

,

,

to
a

.

the notice

the intention

numbers

paper

The natural

contributors
bind
contributors
should bind equally the editor
the
magazine
Does the editor
this notice say that
when he accepts
purchase
article he desires
copyright
the world
Yet this
the position
often adopts when asked for payment
the
put such
contributor
Would any editor care
copyright
claim
the world
his paper
Surely not
No author sending
contribution
magazine would be willing
sell the whole
copyright
magazine
the mere payment
contribution
light when we
But
worse feature comes
cheque issued
payment purport
that
receipt for the conveyance
the copyright
When signed
the author such receipt would not
course upset the contract which already existed
might
though
signed without
evidence
An editor
the contract
of the terms
demur

copyright

in

of

to

a

on

contribution

contribution
magazine
offering
that
the editor
the first serial use
that contribution
for the
magazine but
this instance
there was no
expression
what rights actually
either side

continues
customary

, ",

he

to

as

, ,

,

sent

which was accepted and published
deduction when
author sends

passed

in

It
to a

be

by

in

of

.

an

-

to to

in

an

to

,

for a

it
.

to

he

,

, if,

,

no

,

to

,

to

a to
to is

it
.

In

a

of

A

member

for

If editors were more businesslike , a dispute of
this kind could never have arisen ,
the editorial
acceptance would have run somewhat
letter
follows
We accept your article on the
understanding
that we pay you
for the world
copyright
Most editors
however
know
that
accept
author would
contract
these
conditions
We must emphasise the fact that

In

the notice which we print the editor would seem
have reserved
himself the right after accepting
story for publication
publish
refuse
possible that by law he could not be compelled
publish
publish
but
doubt
refused
he would subject himself
addition
claim
for payment
action for damages
non
publication
The absurdity
this clause
the

the

Smythe

�THE AUTHOR .

is

It to

.

.

in

.

,

.

of

.

of of

a

of

:

to

.

of

of

.

if

.

.

,

to

.

an

The inspection
those account books which belong
right
We are advised that this
the
nature
common law right which cannot
denied
withheld

,

or

,

be

in

is
a

the author

TEVER

TO

WARNINGS

copyright

.

transfer

of

a

Always avoid

.

DRAMATIC AUTHORS
it

an

in

for

of

:

.

of

of

of

.

-

a

on

by
a in

.

a

of

:

it

.

satisfactory

,
if

is

Outright

sometimes

unsatisfactory
An author who enters into
the contract
contract should stipulate
such
for production
the piece
certain date
the
his name
and for proper publication
play bills
is

to

a

.

u

I.

Selling

of to
a
be

.

an
be

in
in

be

proper price can

observed
are
few standing rules
agreement
dealing
There are four methods
with literary property

This

plays
There are three forms
dramatic contract
three or more acts
Sale outright
the performing right
This

3

.

ITERE

is

.

PRODUCERS

THE

OF BOOKS

(a
.)

TO

WARNINGS

It

2
.

.

of

or

to

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating for
well
play with any one except
the production
established
manager

of an

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; so
do some publishers .
Members can make their own
deductions
and act accordingly .
9. The subscription
to the Society is £1 18. per
annum , ar £10 10s. for life membership .

to

all

to

to

an

.

beans

a

This
The

agreement are combinations
All other forms
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what

.

7. Many agents neglect to stamp agreements .
must be done within fourteen days of first execution .
Secretary will undertake it on behalf of members .

General

of

consideration the contracts with publishers submitted to
them by literary agents , and are recommended to submit
them for interpretation
and explanation to the Secretary
of the Society .

Agreement
Commission
The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the book
the sale price

:

6. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful

System .

of

Prospectus .

The Royalty

This is perhaps , with certain limitations , the best form
things necessary
of agreement . It is above
know
what the proposed rovalty means
both sides
now
possible for
approximately
author
ascertain
the
important
figures connected
truth
From time
time very
The Author
with royalties are published

."

6. The Committee have arranged for the reception of
members ' agreements and their preservation
in a fire
proof safe . The agreements will , of course, be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe . The Society now offers :
(1) To stamp agreements in readiness for a possible action
upon them .
( 2) To keep agreements .
(3) To enforce
payments due according to agreements . Fuller particu
lars of the Society 's work can be obtained in the

III .

A

that in belonging to the Society
the battles of other writers, even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .

of

always

IY

4. Remember
you are fighting

agreement whatever , send
for examination .

.

3. Before signing any
the document to the Society

( (2 (1
3
). .) .)

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi .
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .

II . A Profit - Sharing Agreement (a bad form of
agreement ).
In this case the following rules should be attended to :
( 1.) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation .
(2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments . Therefore keep control of the advertisements
(3.) Not to allow a special charge for “ office expenses ,"
unless the same allowance is made to the author .
( 4.) Not to give up American , Colonial, or Continental
rights .
(5.) Not to give up serial or translation rights .
(6.) Not to bind yourself for future work to any publisher.
As well bind yourself for the future to any one solicitor or
doctor 1

(
1
.)

VERY

H

.

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
business or the administration
of his property .
The
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
deem it desirable , will obtain counsel ' s opinion
without
any cost to the member . Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
1.

obtained . But the transaction
should
be managed by a
competent agent , or with the advice of the Secretary of
the Society .

(2
.)

THE SOCIETY .

to

USE

TO

(3
).

HOW

17

�THE AUTHOR

DRAMATIC

(6.) Sale of performing right or of

AND

authors should seek the advice of the
Society before putting
plays into the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire
a
perpetual claim to a percentage on the author's fees
from it. As far as the placing
of plays is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything
author
that he cannot under the guidance
the Society
equally well
better for himself
The collection
fees
many cases no intermediary
also
matter
which
required
purposes
For certain
such
the collection
general the trans
fees
amateur performances
and
frequent
petty
action
authorisations
with
different
foreign
fees
and also for the collection
individuals
agents
employ
and
countries almost all dramatic authors
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals by offering
purchase
who propose
act
any case
the author rights
the present state
employed under any
the law an agent should not
agreement approved
circumstances without
the
Society

.

or

,

of

by

of

.
as

,

.

.

on

.
of

's

in

.

or

6d

of

to

is

.

.

assist

the

Society

in

greatly

by

will

this

. be

,

,

is

. .

technical and scientific works
competence and experience

The
The

.

is

Readers are writers
fee
one guinea

of

special arrangement

,

,

it

.

of

is

.

a .

of

its work

.

to

REMITTANCES

.

of

of
by

be

or

,

be

.

to

of

,

.

the same
charged for

give notice
the Society begs
The Secretary
post
that all remittances are acknowledged by return
London and
crossed Union
All remittances should
registered
Chancery Lane
sent
Smiths Bank
letter only

.

be

filed subject
play will

to

of

to

.

68
.

,

a be

at
a

Plays may also
with the exception that
per act
the price
28
.

at

be

of

in

of

Original

of

do

;

of

to

be

, of

to

.

to

'

EMBERS

BRANCH

or
a

,

byof

be

a

in

of

in

,
in
be

an

,

of

-

,

its

of

.

THE READING

as of
a

AND

, on

of in

,

to

D

.

. ofis

as

in

,

of

as

In

.

It of be

.

a

to
be .

stamp copies
The Society undertakes
music
part
per 100
behalf
members for the fee
stamps
kept
100
The members
are
the Society
The musical publishers communicate direct with the
safe
the
Secretary
then forwarded
the voucher
and
members who are thus saved much unnecessary trouble

informing young writers
existence
Their MSS
can
read and
composition
treated
treated by
coach
The term
MSS includes not only works
fiction
but poetry
possi ole under
and dramatic works and when

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared
the Secretary
stamped and returned
tant
One copy will
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may
obtained
typing
the author only
small charge
cover cost

at

,

of

.

in

,

,

to

's

,

.

,

MUSIC

STAMPING

its

SCENARIOS
PLAYS

ITTLE

branch

.

REGISTRATION OF
ORIGINAL

rules

an

for

of

,

or

in

.

on

,

in

to

L T

can
added
the warnings given for the
producers
assistance
books and dramatic
pointed out that
authors
must however
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
deal with performing right and copyright
He
especially careful therefore when entering into
should
an agreement and should take into particular consideration
the warnings stated above

M

is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con tracts , those authors desirous of further information
are referred to the Secretary of the Society .

MUSICAL COMPOSERS

TO

, ,

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object

WARNINGS

.

7. Authors should remember that performing rights in a
play are distinct
A manager
from literary copyright .
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
consideration .
be carefully
should
for collaboration
9. Agreements

a

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important .
rights , but
should not assign performing
6. Authors
should grant a licence to perform . The legal distinction
is of great importance .

of

one act are often sold outright, but it is
a small nightly fee if possible , and a sum
of such fees in any event . It is extremely
the amateur rights of one - act plays should

QCENARIOS

AGENTS .

of

also in this case.
4. Plays in
better to obtain
paid in advance
important that
be reserved .

AUTHORS

RAMATIC

D

is

a licence to
perform
on the basis of percentages on
vary
Percentages
5
gross receipts .
between
An author should obtain a
and 15 per cent .
receipts
gross
sliding
percentage on the
scale of
system . Should
in preference to the American
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
Sale of performing right or of a licence to
perform
on the basis of royalties (i .e. , fixed
nightly fees ) . This method should be always
except in cases where
the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (6. ) apply

.

a

18

�THE AUTHOR

19

a

.

W

.

its

to

,

of

,

in

a

.

as

'
. s

to

take

these

.

colonies will

on

essential

also

is

,

but

it

it

is

to to of

be

.

on

a

as

is

It

is , to

passed

the

do

is

to

be

,

,

,

,
of
if

it

in of

we

,

to

.

be

,

,
if

is

It

disguise the fact that there
useless
some danger
the colonies
not come into line
with the mother country that the English treaty
upset and inter
with the United States may
national relations prejudiced
regard
pleased
the Bill itself
shall
receive criticism upon
for the benefit
the
committees
the society that are interested
the
subject and
necessary for publication
but those
who criticise the Bill must remember that the great
.

is

,

it

.

to

,

of

a

is

.

is

,

at

in a

.

honour

to

of

in

as

it

to

wait till the Act
know what view
important issues

The Bill although not perfect
not unsatis
factory when this point
taken into consideration
Conorio
Copyright
property
protected for
longer period
present and the definitions
than
are con
siderably widened
the great benefit of the holders

of

is

It

.

"

to

BILL

COPYRIGHT

NEW

.-

as

an

),

as of

of

(

,

a

At

.

,

s'

THE

point before the draftsman was
bring the statute
law into uniformity with the Berlin Convention

,

,

“

to

Holman

supplement
We publish
this month
Author the memorandum
the Imperial Con
ference and the Copyright Bill
say what will
difficult
the result
the whole matter
not only essential

In

of

is

it

,

see

all

of

.
of

a

.

,

.

therefore owe
Mr
gratitude
deep debt

to

of

.

a

,

by

,
.M
.,

To

,

a

of

its

of

his

of

shrewd insight into rustic simplicity and
appreciation
rustic wit
time when
himself
only our late President George Meredith
Merit dis
the Order
member
the way
English
pated with him the supreme place
novelist Mr Hardy decided that his work
novelist was over and embarked upon his magnifi
cent epic exploit
The Dynasts
no part
praise the merits
attempt
this
our business
great work
proof of the
We only allude
high and serious intent which has always
ich has always charac
charac
terised
furnishing
our President
work and
further reason why the King should have him
broad

Hunt

to

.

in

of

us
.

he

of

,

no

of

of

of

,

of

know
gratification

O

.

OUR PRESIDENT

with
that our members will learn
the
that His Majesty has added
the
Thomas Hardy our President
name
Merit
very
the Order
roll
select
English
have
could the distinction
writer
come more appropriately
for
Thomas Hardy we
have the finest expression
the literary man now
remaining with
his
maintained
While
his
original rôle
novelist his work was model alike
conception and acate and delicate
for
breadth
and
woodland
His descriptions
treatment
heath are veritable translations
into words
the
dealing with
countryside
English
His power
the gravest passions that shake the human soulmake
great tragedian and this power
the
him
displayed alongside
more wonderful when we

We

. .

members

,

All

on

,

Sir

strong support which , with the untiring energy of
founder
Walter Besant carried the society
forward
difficult days
fortunate career

NOTES .

its

GENERAL

.

PEnsion Fund
of

.

,

, of

,

a

.

in

it

of

,

.

to

of

of

,

.

his

in

,

“

on in

a

work
Strong

.
A
.

A

Musical Law
the Era office

commending
the
and
Dramatic
published
from
preface
The writer states

by of

edition

LAW

.

AND MUSICAL

We have much pleasure
third

",

-

in

it

,

3

on

.

to

of

of

as

Holman
men
the society
surmount
path and
was this

such

its

of
in aid

to

DRAMATIC

.

in

its

in

he

The Author

,

,

.

to

time
copyright
The early support
Hant was necessary
ing the obstacles placed

at

,

of

,

,

.

increasing years

on

,

's

,

work

latterly

taking any active part
the
affairs
was not without interest
and
indeed
consulted the secretary from
points connected with the law
time

as

he

,

as

of

its

.

as in

as

,

its

Although
from

and fresh donations
the fund We mention this
happens
now
the beginning
the year
not infrequently
that the regular annual sub
scribers complain
the omission
their names

,

of

to

to

.

is

of

society

publish once
decided
the annual subscribers
the Pension
Fund
together with the amount subscribed
page
Members will find the full statement
We would remind members that the regular lists
printed monthly
donors and subscribers
The Author comprise only the fresh subscriptions

in

his

His work
own particular department
art
too well known
our readers
need
capitulation here
His association
with
the Society
Authors
dates practically from
commencement
joined
ranks
1885
He was therefore among
among the most distinguished
the first
well
those who have given the work
the society
their support
prevented him

several members
Management have
every year
full list

,

occurred

accordanoe with the wish

the society the Committee

of

In

which

death

of

the

to

,

0

O
M

,
.
.

Hunt

record

.

September

in 7

.

regret

with deep

Holman

W

on of

,

We hare

.M
,
., to

M

.
W
.

THE

HUNT

HOLMAN

�THE AUTHOR .

INFLUENCE

THE

himself by the author.

DRACTICALLY
reviews do

everyone
influence

is

a

of

.

be

do

far

at

of

too

are

it ,

as

of

of be

at

at

do

.

of

of

it

a

to

of

to

,

.

,

"

of

to

up

.

,

or

,

of

.

in so

of

as

of
is

of

,
on

all

's

so

,

on

,

—

,

,

as

,

;

it is

.

”

;

“

of

a

to

practically

.

to

or

of

as

.

are

of

for

it

he

,

to

,

to

,

is

it

,

an

;

rights

the

the works
writers who are either unknown
unsuccessful
But the new novel
the popular
author whose fame
established
matter
general interest and
must be reviewed
that
say the public must
told
the plot
the
day
publication
just
the last new book
gossipy
reminiscences
serious works
such
monograph
for instance
Lord Cronner
Egypt are reviewed
speak
hot from
the press
The surest sign
writer that
has
arrived
papers
are simultaneous notices
this sort

,

a

to

.

If

to

of

to

asto

is

,

he

these

looking

First there are the papers which have
sincere
respect for literature and are anxious
draw the
attention
their readers only
the best work
kinds that comes out ignoring the bad
discovering
papers
These
are rather fond
public admiration young and
and holding
unknown writers
Second there are the papers which look upon
They are not
books
much news material
interested
the vast majority
new publications

of

to

in

up

he

in

of

,

be

it

,

is

of

is

If

is

,

.

where

fond

angle

-

.

or

to

is

to

.

,

's
by

is

it

keep

perhaps

their own point
view
writers
may therefore
and
useful
we consider
from the point
view
the Press which publishes
reviews
books
we
this we shall
once perceive that
not every journal looks
literature from the same
from

If

of

,

.

,

in

£5

of

as

an

,

his advantage

high
possible
But whether
through
the fault arises
the laxity
the agent
sign
the publisher the author should forbear

reviews influence the fortunes

.

by

is

by

up

of in

,

be

presumed
that
the market price

Writers

question

of

in

.

to

A

to

pounds without much trouble
the amount
has already received out
the book
this was
also the view that the bona fide literary agent took
the matter
more serious but we hardly think
agent
equally
that the agent
blame for
lives
the fees
obtains and
therefore

book

to

for

mem

bers
the prices paid
translation
into the
Swedish language
gentleman who has had great success
marketing these rights
constantly met
the
publishers
contention set
and editors
papers
Sweden that they can get the translation
rights
England for the
the best authors
absurdly low figure
Either therefore those
agents for the author
who are acting
the
authors themselves are underselling their market
Sometimes
author
foolish enough
hand
over the power
market his rights
translation
quite
the publisher
this
the case
possible that the publisher who ought only
the agent for the production
the work
book
form
will sell them for anything
thinks they
keeping
will fetch having little interest
the
author prices and merely hoping
add
few

any contract
thrown away

How

“

.

the attention

draw

-

to

like

of

We should

the

?
"

SWEDEN

that

agreed

is

some extent

to

fortunes of a book , and the question there
fore becomes one of the degree in which they do
This is a problem of never -failing interest to
so .
all brothers and sisters of the pen , and it is perhaps
the one which they are the most fond of discussing
among themselves .
The most widely different
views are held on it , and that , too , by the same
individuals
at different periods of their literary
careers ; there is indeed room
for difference
of
opinion ,
the nature
the problem
such
finally settled
that
can never

all

RIGHTS

IN

TRANSLATION

I.

PART
T

.

is of
a

.

quoted

NOVELIST

if

might have

cases he

WOMAN

A

“

some of the precepts of the laws which bind
dramatic authors and govern contracts with agents.
It is possible , however , that the author , desirous of
doing away as far as possible with the mere formal
parts of case law , intentionally omitted many of the

BY

,

We are glad to note that , in spite of the para
graphs which have recently appeared in the Referee ,
Mr. Strong states that the society has done
excellent service in many ways to dramatic authors .
We can find no reference , however , to either of
the cases Scholz v . Amasis and Colles v . Maugham ,
in both of which the judge laid down very clearly

REVIEWS .

OF

he

Although
principally
the book
bears
on the
contracts of actors and artists , yet there are some
useful chapters for the consideration of dramatists
and composers carried out along the lines laid upon

to

as relate to subjects with wbich the profession
is concerned , and that legal terms have as far as
possible been avoided .
law

For book and serial rights it ought to be
possible to get at least £15 in Sweden , and more
when the work is sold for the three Scandinavian
countries .
We trust that authors will make a
careful note of this for their future guidance .

in

that an endeavour has been made to explain in
as simple a manner as possible such parts of the

or as be

20

�is

-

or

of

by

,

in

to

be

am

I

by

no .

-

it

is

.

on

of

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of "

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of

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at

it

a

I

praise and blame administered
very con
descending
hackneyed
very
tone and
bad
English has gone out
completely
have horse
practically
hair sofas and waxen fruit
Indeed
stray corners
the London and
survives only
provincial Press
The demand
more intelligent
more sym

the darkest
modern
was too true
artist
delight
the unrelieved darkness and horror
which
small group
modern novelists
now
exclusively turn their attention
Would Gissing and his work
treated
now
was treated during his comparatively
short
Probably not
Unfortunately
labour filled life
New Grub
wrote his best books
for him
Street
the Year
Jubilee
and
time when the battle was raging fiercely round
Unclassed
with
social problems
in

,
, I

to

at

or

,

is

it

;

to

,

of

us

,

it

,

within my own recollection
not wish
long historical digression but
plain
led into
reviewing
that the mid Victorian
method
may briefly describe
which
alternate slabs

would bar
the writer
fiction the whole
the sordid the terrible and
think we may add
the passionate side
life Gissing like life itself
held the balance even
rather like life itself
found that the scale turned very heavily for most
the men and women who compose the world
the darker side
But though
could deal
The
and
The Nether World
showed

a

is

of

a

a

for

be

of

,

of

a

us

If ,

the reviewers
are
believe their enemies who
chiefly unsuccessful authors they resemble some
times that quaint Australian bird called the laugh
ing jackass and
other times the cruel and
eagles
carnivorous
and vultures
The truth
highly specialised
that reviewing has become
literary work and although
branch
has not
yet with
attained
the dignity
creative
undoubtedly holds
art which
France
this
even
has made great progress
moment yet

we

masters
later Victorian literature
The lack
appreciation
with which
was treated
his
contemporary critics seems
me
indicate very
clearly
the truth
the theory that modern
criticism
divided into two hostile camps
one
composed
seriously
critics who only regard
worthy
consideration
the advanced realistic
people who
school
while the other consists

-

of

of

.

in

to

In

to

on

,

?

birds

astonished
see how little has survived
much
that was then praised and
seems
now
extravagantly
praised
also
what
more
important that sometimes really good work was
inadequately noticed and even
slated
George Gissing
perhaps the most startling
example
blindness
the part
the critics
He
acknowledged
now
have been one
the

,

,

on

,

to

a

on

a

six

,

be I

.

,

the fiction market
also clear that their sales
are affected
considerable extent
reviews
which are
the whole adequate and constant
This brings
the question
Who
the
critics
Who are those strange shy yet powerful

reviewers
are
means
most curious and also intruc
young author
tive occupation for
consult the
any well known literary journal
file
ten
years ago and just glance through
fifteen
the
reviews
see what was then being praised
have
lately been doing this and
really
have been

,

.

an

is

to

or

of

such

Nevertheless

infallible

"
“

of

is to

I

,

,

,

a

in
to

,

of
to

the case
other books such
travels and the like there are
you see
extremes
success and failure

novels

biographies

if

is

it

-

comic

pathetic
and wide minded reviewing has created
the supply with the result that the work
now
people
done largely
the sort who thirty
forty years ago would have shrunk
from
the
writing for the Press
notion
Reviewers are nowadays both better educated
generation ago
and better paid than they were
pretty far afield
Editors have had
their
search for people who possess
all the varied
qualifications necessary
you will
and though
sometimes hear the people thus discovered stig
gifted amateurs
matised
sure that
the whole body
writers
books are
congratulated
the change
Call them amateurs
you like
certain
that they write much
better than the old fashioned professional

is

quite

hear them
Tomahawk
for
the masterpiece
contemptuous lines when the Daily
few
Something Else had such
appreciative notice
There
little doubt that publishers
who
certainly ought
know are
the whole inclined
praise from
think that
universal chorus
publication
the Press
the day
the best
reception for
book
praise
Next
the simultaneous burst
understand that publishers like
book
have
say five
good long reviews
the moment
publication followed by
continual dropping
fire
reviews lasting
two
three months
parenthesis that my remarks
Here may say
applying
should
understood
the whole

,

indeed

wondering why
the Literary
instance should have dismissed

21

of

eulogy

to

to

.

of

so

it

is

to

allno

I

,

might add several more classes but
have
enough
likely
show that
book
receive the same treatment
round when
many points
regarded
from
view
Yet
expect universal
some young authors
seem
said

.

he

to

a

in

of

.

way

few

a

,

in

,

.

is

is

day
and the surest sign that
over
when
he no longer gets such notices
Third there are the papers which are interested
other things and only print from time
time
perfunctory
notices
books
sort

a

his

THE AUTHOR

�THE AUTHOR .

22

so- called " sex " novel , and so busy were the
critics of that day in either extolling or damning

the

the works of certain writers who are now , we may
venture to say , completely forgotten , that they had
no time to spare for the work of the author of
“ Demos ."

LICENCE

M

H

TO

PRINT

AND

PUBLISH .

Booth v . EDWARD LLOYD , LTD .
E plaintiff in this case , Mr. Josiah Booth ,
was the composer of a musical composition

entitled “ Commonwealth , ” and the owner
copyright . In October , 1907 , he gave a
licence to Messrs . Reid Bros ., music publishers ,
which was as follows :

His lordship accordinglydismissed the action , but
without costs , on account of the representation on

the book that it was printed and published by the
Daily Chronicle .
In the course of the case it was stated that it is
not unusual to put the name of the customer on
the book as the printer and publisher , at the
His lordship expressed the
customer ' s request .

opinion that if it is a common practice , the sooner
it becomes uncommon the better .
In cases of this kind , when the copyright owner
is led to believe
that his copyright
has been
infringed , it is advisable that he should com
municate at once with his licensee .
HAROLD

of the

from Messrs . Reid
Bros . , Ltd . , the
£4 4s . for permission
to print , publish ,
and sell separately and in book form my musical
setting of Elliott ' s words • When wilt thou save
the people ,' and known as “ Commonwealth .'
This permission
is not withdrawable
and is for
the term of the copyright.”
The composition was published by Reid Bros.
in a book
of sacred songs ; but , in January last,
the plaintiff discovered that the composition was
being circulated in a book of election songs ,
which
contained a statement on the front page
that it was printed and published by the Daily
Chronicle .

THE

“ Received

sum

SPIRIT

OF

HARDY .

ROMANCE .*

of

HE

Spirit of Romance

may be recom
circle of readers .
Mr. Pound has found the wit to write ,
subject , a book that will be
on a most interesting
perused with pleasure by the general reader , will
prove an excellent introduction to romance studies
those who are first entering upon
them , and
will recommend itself to those who have long
occupied themselves with those studies , on account
of the very suggestive nature of many of the .
author ' s remarks .
Mr. Pound explains in his first chapter what he
means by “ Romance ," the languages derived from
Latin , and the literature
of those languages .
Roumanian
is ignored , but even so the subject
is
immense , and could not be fully dealt with
in an
encyclopædia , to say nothing of a work of modest
dimensions .
That Mr. Pound at once admits .
He also disclaims, and for definite reasons , all
philological questions ; and we think his posi
tion — that there is such
a thing
as the study
of literature for the sake of the literature - both
sound and worthy of very serious consideration .
It is the opposite of knowing all about books and
M

mended

”

to a very wide

Sliby

The plaintiff , therefore , instructed his solicitor ,
and in the correspondence which followed he was
informed by the defendants ' solicitor that the book
had in fact been printed and published and sold
to the defendants by Reid Bros .
The action was brought against the printers
and publishers
of the Daily Chronicle
for an
injunction and damages
for infringement
of
copyright .

It appeared from the evidence that in December
last the defendants gave Reid Bros . an order for
100, 000 copies of the book of election songs , and
that Reid Bros . had the copies printed and sold
them
to the defendants , at whose request
the
published by the Daily
words " printed
and
Chronicle ” were inserted on the front page .
Mr. Justice Neville , in giving judgment for the
defendants , said that the question was whether
Messrs . Reid Bros . bad committed a breach of their
licence by printing and selling the copies to the
defendants , and he came to the conclusion
that
they had not .
The licence was in general terms .
the author intended to limit his licensee to

If

printing

and publishing the work in his own
name he should take care to insert words expressly
limiting the licensee to that personal right .

their authors without knowing anything about the
books themselves , of which humour we have at
present a great deal too much . Mr. Pound deals
That is a less justifiable
also with poetry only .
limitation ; but one, in the present case , very
pardonable , for we get a poet 's thoughts about
poets . Having thus cleared his ground , the author
presents us with ten chapters , isolated sketches ,
the immense perspective
so to say , gathered from
by his subject-- ranging
from the Latin
opened
post -classical authors
" The Spirit of
Sons ,

to the

Romance ,"

imitations of classical
London ,

J.

M. Dent

&amp;

�THE AUTHOR .
's

of . to by

of

,

,

(C

.

of

, )

(

25

.

's

.”

of to

a

£8
,

of

at

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of

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of

A

.
in

.

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&amp;

of

,

4

II
.

(2 21 ,
of
)

.

for

).,

.

),

.

8

,

,

, -

£5 24

.

for

by

be

-

8

),

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of

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a

.,

”

of

(S

,

“
, a

.

W

26

.

J.

of of

of

"

).

- is

of

for us

whole the most interesting
the sales was
further portion
the library
Mr
Ford
otheby May
Winchmore
Hill
and three
days following

.

of

.

,

.

in

I

it

by

a

a

of . I

?

a

.

do

it

to

a

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of

as .

. of

a

is to

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of

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In

.

no

?

.

.

,

A

-

of

in

operative

-

co

a

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its

,

few names
in

come across not
own merits believe

I

Management

of

of

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to

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be

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us

to

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21

PUBLICATION

those who

,

,

(

,

is

(

by of

13

11
,

. ,

.
F
.

of

CO OPERATIVE

REVIEWER

SIR
Mr Swallow letter
the last number
The Author brings
the front again the question
operative publication
authors
On looking
through the list
our Council and our Committee
co

is

.)

of

.

of

,

.

.

Yours faithfully

Stock

part
fourth
Vol
interesting the number
actually remarkable lots
necessarily varies and the part before
contains
fewer than usual
The sales recorded are those
between the dates April
and June
1910 inclu
sively
likely
The attention
authors
more
particularly attracted
the sale Sotheby May
the library
Mr Marion Crawford and that
Mr Lionel Brough Sotheby April
Mr

of of

do

which
the
always

to

of

.

Current

Mr Elliot
XXIV

on

from

(

Book Prices

we have received

"

Part

IV

.,

XXIV
-

M

HOUGH

“

.

Vol

of

do

'

Editors
rooms
and reviewers
studies
are
flooded with books which they
not want and
Why not leave
which they will take
notice
purchase those they
them
want

'

.

,

PRICES CURRENT

BOOK

of

do

to

?

to

all
,

,

—

is ?

at

.”

Is

itself

is

a
"

of of .

.

of

,

is
,

it

is

at

a

,

's

the work

avoid

circulation
by leaving

a

a

of

is “

was never
date when that was more true of every
literary period than
the present day
Mr
Pound book
however
full
observations
study
this sort and we strongly recommend

responsibility
for increasing the
denouncing
bad book either
lie about
But the others
what should we
with them
have
con
good book
science against destroying
newspaper
Mr Swallow says that the editor
copy gratis from
receives
review
the publisher
that quite true
Or the value
review
advertisement
least equal
the price
the
well paid for
that case the copy
book
that
not the case why are copies sent out
order

to

, .

is

There

,

lacking

.”

is
a

Everyone recognises the period but what
careful study
the works themselves

COPIES

.

consequence
the enormous amount
that most of them have produced
quotation from Ercole Cuccioli

of derivative verse
No less pertinent

or

of of

in

.

overlooked

REVIEW

SIR
What ought we
with review copies
storage room
We cannot keep them
for lack
Ought we
destroy them
do destroy some

?

a

a

of

THE FATE

.

at

,

's

CORRESPONDENCE
OF

is .

?
”

original research
That sentiment
evidence
how really Mr
Pound has made himself acquainted with Romance
literature for the literature
own sake and
the
same time
most pertinent statement
real
Many of the Romance writers are neglected
need
and the substantial merit
their original work

(

.

, of

to

and deliver their collection
those
true poetry and have not leisure

,

love

The Vicar
first edition
vols Salisbury 1776
for £67
Among curious items may
mentioned
two pro
hibitions
horse racing put forth
Oliver
Cromwell Feb
1645 and April
1658
sold
by Sotheby
and £13 respectively
Taken
(

of

.

-

of

;

no

,

of

,

to

Tasso

who

,

be

to

is

:

no of

an 's

of

byus

Is

“

poetry
this time from the Spanish translations
every foreign writer from Anacreon
and imitations

sold April
Wakefield

as
a

of

“

,

of

observations deserving of profound consideration
We were particularly struck by one that he makes
when writing
Quevedo
there
one who reads the poetry
this
period for love
sake and not for scholarship who
anthology
will make
one whose mind
eighteenth
undefiled
the pseudo classicism
century opinion who will separate the Spanish

Crawford ' s library fetched £6022s.
It was of a
miscellaneous
character , including well - known
expensive books
reference
but nothing very
great part
remarkable
Mr Brough library
was sold
lots
small prices
An unusual lot
original autograph MS
was Mrs
Inchbald
April
Sotheby sold
Animal Magnetism
orrespondence
650
collection
MSS
relating
etc
the American Colonies during the
last quarter
the 17th century including
inter
alia
the original draft
the grant made
Pennsylvania
Charles
the province
Co
1681 Hodgson
William Penn dated March

of

.

of

;

if

of

.”

’s

in

be

.

to

to

,

in

all

poetry written by the men of the Renaissance .
Between
the extreme limits , Provence , Italy ,
France , Spain , and Portugal
claim
attention
turn and about every one
them
Mr Pound
things
say
has interesting
and suggestive
thoughts
offer
The same authors appear that
will
found
Sismondi
Literature
Europe
They are the authors that
Southern
must appear
the work
the best
taken
into consideration
but the things that Mr Pound
originality and many
remarks are full
his

23

�THE AUTHOR .

,

.p

,

,

,

of

in

,

,

an

on on

of

of

,

a

or

a

to

,

(

.

M

,

,

.

In

to

to

to

a

",

.
J
. .

to

,

be

it

"

be

a

be

it ,

,

on

of

“

I

in in it

”

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,

,

is

to

in

to

be

of ;

(

or

.

a

in

of

“

,

,

it

I

a

of

or

a

, .
if

, -

or it

;

it

it

or

,

is

it

: -

,

of

or

a

it

at

, if

on

,

It

I

an

(

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,

to it

be

HUBERT HAEs

.

to

do

, '

,

in

of

.

,

all

in

.)

of

or to

of

use

of

,

.

,

a

of

in

;

is

,

be

a

be

an

of

on

- of

in

a

:

it

of
it
.

-

be

to

“

of

as

.

a

or

A

a

to

,

.

, p,

”

an

of

'

its

to

fix

to

it

,
"

stated
Second Edition Fourth Issue
whatever
really does not
number
each were
correct
matter
the public how many copies constitute
any work
edition
issue
think that the
these two words
the sense suggested would
existing difficulties and with the date
overcome
very much desired
give the public information
committee
the Publishers
Association
July 1898 but seems
reported
this matter
very little known and nothing appears
have
come
Its suggestions certainly
not appear
quite meet the case and
somewhat contra
dictory and unnecessarily complicated

to

'

",

,

of

“

In

'
“

.”

an

a

is

so

a

34

in

.

,

of ",

'

,

96

an

.

,

of

.
or

”

so

,

.

“

:

, -,

p

.

In

the February number
The Author
142 under the heading
Publishers Methods
occur the following words
We have often urged
that the Publishers Association should agree
unit for
edition
the April number
195
under the heading
The Unit
Edition there
letter from the Publishers Association stating
prac
that
does not appear
Council
any definite number
copies which
ticable
shall be regarded universally
the unit for an
edition
and setting forth the extreme difficulty
doing
The suggestion revived
the note pre
ceding the letter
agreed
that number should
upon and that
complete
should
stated that
quarter
half
edition was being issued
quite impracticable
also
the case
small
SIR

is

an it

;

in

it

.

of p,

,
"

in

.)

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work which had undergone any revision
altera
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book was
the second third fourth
other edition
work
one would know
once that
had undergone
oftener
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Yours faithfully

The Author
November
1905
under
Committee Notes
stated that the advisability
fixing the unit
edition was under discussion
and that
was decided
write
the Chairman
the Publishers Association
obtain the opinion
that body upon the subject
the following
appeared
number
letter from me entitled
Unit
Edition and
that
March
1906
Lely with the word
188 one from Mr
The
added
the title
The latter letter was
entered
the index wbile mine for some reason
fixing
was not
Mr Lely refers
number and
stating that say only half
quarter
edition
were being produced and lays great stress
the
having the date
importance
publication
the
title page
my letter
agreed
suggested
that should
publishers that the word
issue
should
mean all those copies
work published simul
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eagerly such
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provided
movement
basis
ready
hand
the society itself working from
publication
department
which
well conducted
should not only provide extra profits
but
should materially
aid the various
funds
the
society
any
necessary
Nor would
mean
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from
authors who can
command
substantial sums from publishers
the ordinary
way
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profits they would still have agreements arranged
They would not lose
detailed business lines
whereas younger and more harried authors would
gain enormously
any way the
One would not like
minimise
things now
use
the society
but
are how
many authors have found that
get Mr Thring
kindly and admirable advice
fair agreement
get the slightest alteration
one thing but
publisher
wholly another
dictatorial proffer
having difficulty with
And how many authors
their publisher shrink from turning
the society
for aid
this means they will
black balled
future
The whole position
obvious
The society
professed intention
must needs fail
much
proposed
step forward and consider
unless
why
publication
the prime question
And
operative lines
should this not
done

number it would be stated that , say , only a fifth of
an edition were being published , while in the case
of a large number it would have to be stated that,
say , twenty editions were being brought out , and
misleading
both would
staternents
for each
might
complete edition
This matter has been dealt with previously

«

movement ; and whose presence
in
our society
certainly might be advanced as proof of their more

to

24

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INTERNATIONAL COPYRIGHT BUREAU

The

Address the Editor

74 CARTER LANE

Agents

Plays
We act
for
Operettas Operas Sketches
England
and abroad
the best possible terms
We bave placed Plays with
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We copyright dramatic property and collect
authors fees
We arrange Invitation Performances
We review advise upon and remodel Plays
and Musical Compositions
We undertake translations and adaptations
languages
from and into all European
All English Plays submitted
the Bureau
are read
Mr
Ellis
well known
dramatic critic and now joint director
the
International Copyright Bureau
Mr Ellis
advice
and assistance
are placed
our
clients disposal

indispensable book
reference for authors and
journalists
Darly Graphic
excellently devised
Has been
leave no room
improvement
Birmingham
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The editor
excellent and
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Queen
Carefully edited and thoroughly accurate and
date.
Dundee Advertiser
Full of the most intoresting information
that con
cerns literary and book eading people
Immense care has
been taken
the compilation of this work
Irish Monthly

GEORGE ROUTLEDGE

service

to

.

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1,

can

CONTENTS
Authors Directory and Index
Authors
Literary
Pen Names and Pseudonyms new feature
Typists
and Press Agents
and Indexers
etc
Booksellers
town and country
Law and Letters
Libraries British American Canadian and Indian
Periodicals with particulars for contributors
and
very complete Classified Index
Obituary
Publishers
British Colonial Foreign and American Royalty
Tables
Societies
and Literary
Clubs
British
Cheap Reprints etc
Colonial and Foreign
List

Copyright Bureau

International

to

in .

.

The

Price 6s net

preparation will contain
15thAnnual Volume 1911 now
about 000 pages

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REFERENCES

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No.

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1893

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have the privilege
Gratis Advertisement
the Books Wanted Columns

Subscribers

�BRAINS

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ANOTHER TESTIMONIAL
AUTHOR has sent me the following

,

Great Russell Street London

:

An

London

THACKERAY HOTEL

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WITH

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INCORPORATED

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AUTHORS

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Bouverie Street London

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ADVERTISEMENTMANAGER The Author Office
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TO

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Miss
HORNE has typed for me literary matter
the
extent
some hundreds
thousands
words
have nothing
but praise for the accuracy speed and neatness with which she
does her work
FRANK SAVILE

MISS

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Half

OF NUMEROUS

London

London

000

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ONE

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Thackeray

Bookcraft

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Plays and General

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day

1016

whose writings those replying
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Who Who wishes
let large sunny
sitting toom and bedroom with good
service and use
bath room
beautiful country and easy reach
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possibly two girl friends
some young writer
there
small second bedroom and would be willing
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the literary interests of her tenants
good winter climate
Doctor considers
For terms and
details write
The Lyceum Club
128
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AUTHOR

TYPEWRITING

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Typewriting Office

HILL

Attendance

:

Addresses
Thackeray Hotel

copied from
Authors MSS carefully
per
000
wards Duplicate copies third price French and German
typewritten English trans
MSS accurately copied
lations supplied
References kindly permitted
Messrs
Hastings House
Watt
Son Literary Agents
Norfolk Street Strand
Telephone 8464 Central

ESKDALE

from

Full Tariff and Testimonials
Telegraphic

Loughborough Road

LUDGATE

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words

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NOTE MY CHARGES

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AUTHORS
to

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as

ALWAYS

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exceedingly
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written copies
carefully
have read them
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you have taken
and consider
great
pains with the work
type
Also the
excel
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              <text>The Author,&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.—No. 1.&#13;
OCTOBER 1, 1910.&#13;
(PRICE SIXPENCE.&#13;
_&#13;
CONTENTS.&#13;
PAGE&#13;
PAGE&#13;
17&#13;
The Society's Funds&#13;
CO&#13;
Notices&#13;
The Society's Funds&#13;
List of Members...&#13;
The Pension Fund&#13;
.(List of Annual Subscribers)...&#13;
Committee Notes&#13;
Books published by Members of the Society&#13;
Books published in America by Members...&#13;
Litertry, Dramatic and Musical Notes&#13;
"De Profundis "...&#13;
Editorial Notices&#13;
Magazine Contents&#13;
How to Use the Society&#13;
Warnings to the Producers of Books ...&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original]&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes ...&#13;
The Influence of Reviews&#13;
Licence to Print and Publish&#13;
The Spirit of Romance...&#13;
Book Prices Current&#13;
Correspondence ...&#13;
:::::::::::::&#13;
11&#13;
14&#13;
15&#13;
16&#13;
17&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 18.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. “Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 1s.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Yarious Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 35.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkewell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. ls.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. (#18) #################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : “ AUTORIDAD, LONDON.”&#13;
Telephone No.: 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDERSON, K.C.B. I AUSTIN DOBSON.&#13;
JUSTIN MCCABTHY.&#13;
SIRWM.REYNELL ANSON, Bart., D.C.L. SIR ARTHUR CONAN DOYLE,&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
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SYDNEY GRUNDY.&#13;
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ARTHUR RACKHAM.&#13;
THE RIGHT HON, AUGUSTINE BIB. MRS. HARRISON (" LUCAS MALET'). OWEN SEAMAN.&#13;
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THE REV. PROF. BONNEY, F.R.S. MAURICE HEWLETT.&#13;
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OF KEDLESTON, P.C.&#13;
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SIR ALFRED BATEMAN, K.C.M.G. | DOUGLAS FRESHFIELD.&#13;
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MRS. BELLOC-LOWNDES.&#13;
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FRANCIS STOBR.&#13;
MRS. E. NESBIT BLAND.&#13;
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&#13;
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## p. (#19) #################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
To Authors and Journalists.&#13;
The writer, whether he aspires to write novels, short stories,&#13;
or articles, often spends years in uncongenial work.&#13;
rebuffs and drudgery being the only return for the time&#13;
and labour spent.&#13;
THE COURSE OF LITERARY TRAINING promoted by&#13;
the Literary Correspondence College teaches the&#13;
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The College also undertakes Literary Agency business of all&#13;
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For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
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"First Lessons in Story Writing."&#13;
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Canada and the United States of America, also&#13;
well-known on the London Stage, Author of many&#13;
Plays produced in England and America, Adaptor&#13;
of several Novels to the Stage,&#13;
- ADVISES UPON, -&#13;
Points out and remedies faults&#13;
in construction and Stage&#13;
technique, strengthening weak&#13;
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PRACTICAL and ACTABLE.&#13;
Mr. FORBES Dawson knows personally most of&#13;
the Managers in England, the Colonies, and&#13;
America.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON.&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. bdi net. 26. 8d. post free.&#13;
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“How to become an Author."&#13;
By ARNOLD BENNETT.&#13;
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2nd Edition. 5s, net. 58. 4d. post free.&#13;
The Literary Correspondence College,&#13;
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TYPEWRITING Apps. Metho moshes by the&#13;
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Kovel and Story Work .. 90 per 1,000 words; 2 Copies, 1/ MRS. HIŇKSON (KATHARINE TYNAN):“I have never&#13;
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Specimens and Price List on application.&#13;
RICHARD PRYCE, ESQ.: “The work could not be better&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
done."&#13;
LOUIS A. ST.&#13;
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SUTTON, MACCLESFIELD.&#13;
General Copying&#13;
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&#13;
&#13;
## p. (#20) #################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
EVERY GOLFER KNOWS the thrill that accompanies&#13;
that “square drive from the tee”-the easy swing, the clean-&#13;
hit ball, the perfect follow-through, and the sense that “all's&#13;
right with the world.” But what of the other side of the&#13;
picture?—the day of misfortune, the foozled tee-shot, the&#13;
uncertain approach, or the six-inch putt missed and the&#13;
match given away ? The effect of such a day varies of course&#13;
in accordance with the temperament of the sufferer, but in&#13;
all alike, from crack player to beginner, there certainly remains&#13;
the desire for something, like the sugar plum of childhood,&#13;
to “take away the taste.” This is within the reach of&#13;
everyone who is able and willing to look at&#13;
“The Funny Side of&#13;
GOLF."&#13;
"THE FUNNY SIDE OF GOLF” is a book of 120 pictures&#13;
and sketches, taken from the pages of “ Punch” and dealing&#13;
with the Royal and Ancient Game in all its foibles and&#13;
phases. Every golfer will find something to laugh at, and&#13;
will play a better round in consequence.&#13;
• It was a capital idea to bring into one volume&#13;
the cream of the many golf sketches that have&#13;
appeared in the pages of PUNCH." - The&#13;
Sportsman.&#13;
"No one can resist a hearty laugh on looking&#13;
over these pictures."--The Queen.&#13;
"This delightful collection.”—The Daily Graphic.&#13;
"Is easily the best club house book that has&#13;
appeared for years."'-Golfing.&#13;
“ Will provide abundant amusement.” – The&#13;
Scotsman.&#13;
“All serious golfers will be the better for this&#13;
handsome volume of golf sketches."-The Glasgow&#13;
Citizen.&#13;
“To say that no golfer should be without it is&#13;
the merest truism-both men and lady golfers will&#13;
find much in it to gratify their sense of humour."&#13;
- The Lady's Pictorial.&#13;
“Should be on the table of every golf club&#13;
house.”—The World of Golf.&#13;
"Every golfer will find something to laugh at,&#13;
and play a better round in consequence."--The&#13;
County Gentleman.&#13;
" Their humour is of the richest.” – Golf&#13;
Illustrated.&#13;
“Extremely amusing. No golf club should be&#13;
without a copy.”—The Court Journal.&#13;
In a Handsome Half Cloth Binding. 5s. net.&#13;
“PUNCH” Office, 10, Bouverie Street, E.C., and all Booksellers.&#13;
&#13;
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## p. 1 (#21) ###############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT. .&#13;
VOL. XXI.-No. 1.&#13;
OCTOBER 18T, 1910.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
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ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
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Members should apply to the Secretary for advice&#13;
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M HE List of Members of the Society of Authors,&#13;
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## p. 2 (#22) ###############################################&#13;
&#13;
THE AUTHOR.&#13;
£ s. d.&#13;
1 1 0&#13;
0 5 0&#13;
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enerno erercro er er er er er er&#13;
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SS A, M.. . .&#13;
THE PENSION FUND.&#13;
March 7, Smith, Bertram .&#13;
.&#13;
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May 6, Inkster, Leonard ,&#13;
On February 1, 1910, the trustees of the May 17, Truman, Miss Olivia Marie.&#13;
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The amount purchased is £132 188. 6d. Jan. 1, Mackenzie, Miss J. (2nd dona-&#13;
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Mauritius 4 per cent. Stock&#13;
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of the society to this fact, in the hope that by Jan. 6. Kaye-Smith, Miss Sheila&#13;
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Jan. 8, Crellin, H. R. .&#13;
0&#13;
Consols 24%..............................£1,000&#13;
Jan. 10, Tanner, James T..&#13;
0&#13;
Jan. 10, Miller, Arthur&#13;
Local Loans .............................. 500 0 0&#13;
Victorian Government 3% Consoli-&#13;
Jan. 10, Bolton, Miss Anna&#13;
dated Inscribed Stock ............... 291 19 11&#13;
Jan. 10, Parr, Miss Olive K.&#13;
London and North-Western 3% Deben-&#13;
Jan. 17, Harland, Mrs. .&#13;
Jan. 21, Benecke, Miss Ida&#13;
250 00&#13;
ture Stock ....................&#13;
Jan. 25, Fradd, Meredith .&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates&#13;
200 0 0&#13;
Jan. 29, Stayton, F. . .&#13;
Feb. 1, Wharton, L. C.&#13;
Cape of Good Hope 32% Inscribed&#13;
.&#13;
Stock ............................. 200 0 0&#13;
Feb. 4, Bowen, Miss Marjorie .&#13;
Feb. 5, Cameron, Mrs. Charlotte .&#13;
Glasgow and South-Western Railway&#13;
4% Preforence Stock..................&#13;
Feb. 7, Pettigrew, W. F. ,&#13;
228 0 0&#13;
New Zealand 32% Stock.&#13;
.&#13;
Feb. 7, Church, Sir A. H. .&#13;
247 96&#13;
.&#13;
Irish Land Act 23% Guaranteed Stock 258 0 0&#13;
Feb. 8, Bland, Mrs. E. Nesbit. .&#13;
Corporation of London 2% Stock,&#13;
Feb. 8, The XX. Pen Club&#13;
..............................&#13;
1927-57&#13;
438 2&#13;
Feb. 10, Greenbank, Percy.&#13;
4&#13;
.&#13;
.&#13;
Jamaica 31% Stock, 1919-49 ......... 132 18&#13;
Feb. 11, Stopford, Francis .&#13;
6&#13;
Feb. 11, Dawson, A. J. .&#13;
Mauritius 4% 1937 Stock............... 120 121&#13;
Dominion of Canada C.P.R. 37% Land&#13;
Feb. 12, Ainslie, Miss Kathleen&#13;
Grant Stock, 1938.........&#13;
.&#13;
198 3&#13;
Feb. 16, W. D. .&#13;
8&#13;
.&#13;
Feb. 16, Gibbs, F. L. A. .&#13;
:&#13;
Feb. 17, Wintle, H. R. .. •&#13;
Total ...............£4,065 6 0&#13;
Feb. 21, Thurston, E. Temple.&#13;
Feb. 23, Dawson, Mrs. Frederick&#13;
Subscriptions.&#13;
Feb. 24, Williamson, C. N.&#13;
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Feb. 25, Westell, W. P. . . .&#13;
Jan. 12, Riley, Miss Josephine . . ( 7 6 March 2, Toplis, Miss Grace ..&#13;
Jau. 13, Child, Harold H. . . . 0 10 0 March 3, Hawtrey, Miss Valentina .&#13;
·&#13;
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THE AUTHOR.&#13;
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.&#13;
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. . . .&#13;
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10 Calderon, George . .&#13;
April 14, Hinkson, Mrs. K. Tynan 0 10 0 Capes, Bernard . . . . .&#13;
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Steel, Richard . .&#13;
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Todd, Margaret, M.D.&#13;
1 1 0 reported to the committee the action that had&#13;
Toynbee, William&#13;
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Trevelyan, G. M..&#13;
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Truman, Miss Olivia M.&#13;
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Tuckett, f. F. .&#13;
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Vachell, H. A. . . . . . 5 0 0 to take what action was possible to obtain satis-&#13;
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## p. 6 (#26) ###############################################&#13;
&#13;
THE AUTHOR.&#13;
involved the claim of two members against a any departure from their usual practice not to allow&#13;
publisher for accounts and settlement. It was slip advertisements between the pages of the&#13;
decided to instruct the solicitors to carry the magazine.&#13;
cases through, and to ascertain the responsible The chairman then read a letter he had received&#13;
parties and the exact position of the members' from the president of the Publishers' Association&#13;
property. The recent death of the publisher con- relating to piracy in Holland, and the secretary&#13;
cerned added a fresh complication to the matter. was instructed to see whether it was possible to&#13;
Another case which had been before the com- induce a member of the society, whose special case&#13;
mittee at their last meeting, referring to a claim was quoted, to allow the society to take it up on&#13;
against a limited liability company, was again his behalf. It is desirable, while Holland is out-&#13;
brought forward, and the secretary reported the side the Berne Convention, to stop piracy there if&#13;
action that had been taken during the past month. it is possible to do so, and the present case&#13;
The committee instructed the secretary to inform appeared to the committee to afford a fitting&#13;
the solicitors that immediate steps should be taken opportunity for testing the position.&#13;
to throw the company into liquidation. In a At the suggestion of the Dramatic Sub-com-&#13;
complicated case, relating to a dispute on the con- mittee, Mr. Anstey Guthrie, subject to his&#13;
struction of an agreement and on the accounts, the acceptance of the position, was elected to that&#13;
committee could not, after a perusal of the papers, sub-committee.&#13;
ad vise the member involved to prosecute, but The committee sanctioned the re-decoration of&#13;
sug gested he should come to an amicable settle- offices which had become necessary under the lease&#13;
ment. A case which the society had been con- which the society beld.&#13;
ducting in San Francisco had to be abandoned The question of underselling of authors' rights&#13;
owing to complications likely to arise on the title in Sweden was referred to the committee, and the&#13;
of the member under the United States Copyright secretary was instructed to send the information&#13;
Act. A question of infringement of copyright in he had received to the Publishers' Association and&#13;
a story by one of the members was considered, and to authors' agents in order, if possible, to prevent&#13;
it was decided to prosecute the offender under the such underselling in future.&#13;
criminal law if possible. The last case referred to Three letters received during the past month for&#13;
a dispute between an author and an agent. After the consideration of the committee were read by the&#13;
considering all the papers carefully the committee secretary.&#13;
decided to advise the author that they could not&#13;
take the case up on his behalf as it appeared on&#13;
the papers before them that he had no legal&#13;
DRAMATIC SUB-COMMITTEE.&#13;
defence.&#13;
The secretary pointed out to the committee The last meeting of the Dramatic Sub-com-&#13;
that under the Articles of Association of the mittee before the vacation was held at the offices of&#13;
society, it was necessary to have two meetings of the society on Tuesday, June 21. After the&#13;
the council every year. It was decided by the reading of the minutes a question with regard to&#13;
committee to hold the second meeting in the non-attendance of certain members of the sub-&#13;
month of November. Formal notice will be sent committee was considered. It was decided, in&#13;
to members of the council in due course.&#13;
order to facilitate the attendance of members, to&#13;
Thursday, November 24, has been fixed as the fix a day in each month for ordinary meetings,&#13;
date of the annual dinner which was cancelled owing calling special meetings when necessary at other&#13;
to the death of King Edward. A conversazione will times. The day fixed was the third Friday in&#13;
be held after the dinner, which members will be each month.&#13;
able to attend. Full information will be sent to The sub-committee decided to ask Mr. Anstey&#13;
members and associates by circular.&#13;
Guthrie to accept the duties to fill the vacancy&#13;
The committee delegated to the chairman their caused by the resignation of Captain Robert&#13;
powers to act during the vacation in cases of Marshall.&#13;
urgency and importance.&#13;
A circular, which it was decided at the last&#13;
It was decided to invest the sum of £140 in meeting to issue to dramatists inside the society,&#13;
Dominion of Canada 376% registered Stock 1930 to was put into final shape, and will be issued in due&#13;
1950, bringing the investments of the capital fund course. It is hoped that all dramatists to whom&#13;
up to about £2,100.&#13;
the circular is sent will reply to the questions put&#13;
The next business considered was a request from to them.&#13;
A member of the society to be allowed to advertise The question of copyright in the Transvaal and&#13;
in The Author by a slip advertisement, but the the appointment of agents there for the society was&#13;
committee regretted they were unable to make next considered. The secretary reported that he&#13;
&#13;
&#13;
## p. 7 (#27) ###############################################&#13;
&#13;
THE AUTHOR.&#13;
had been referred by the Colonial Office to Sir to an irregularity in the author's title (due to a&#13;
Richard Solomon, the Agent-General for the transfer of copyright, and affording another&#13;
Transvaal. Sir Richard had stated that, without illustration of the danger of such a transfer), while&#13;
doubt, the Imperial Copyright Act ran over the the other is against a paper in New Zealand,&#13;
Transvaal and Orange River Colony ; that, as far and is bound, in the nature of things, to take&#13;
as the local Acts were concerned, the Orange River some time. There have been three disputes on&#13;
Colony had no local Copyright Act, and that the accounts. In one of these the secretary is waiting&#13;
Transvaal Copyright Act was antiquated and for figures which the publisher has promised, but&#13;
unlikely to afford any assistance beyond that omitted to forward ; in the second case the death&#13;
already procurable under the Imperial Act for those of the publisher has brought the negotiations for&#13;
whose works were infringed.&#13;
the time being to a standstill, while the last one is&#13;
The question of the infringement of dramatic in the hands of the society's solicitors. The&#13;
rights in Calcutta was also discussed, and the secretary has conducted one case on behalf of a&#13;
secretary read a letter from the society's solicitors member desiring information relative to perform-&#13;
in Calcutta in regard to the position of the ances of his play in Italy under a licence granted&#13;
manager of the company who had been responsible to a resident of that country. The information&#13;
for most of the infringements. In view of the has been received and the matter closed. Of two&#13;
information contained in that letter the sub. cases relating to cancellation of contracts, one is&#13;
committee regretted it was impossible to take still in the course of settlement, and the other has&#13;
any useful steps at present, but instructed the been satisfactorily terminated by the cancellation&#13;
secretary to watch events and, should a suitable of the agreement and the delivery up of the stock&#13;
opportunity occur, to bring the matter before them to the author, who has since found a fresh publisher.&#13;
again.&#13;
The last case was one against a publisher who had&#13;
The consideration of a complaint submitted to delayed publication of a book which he had agreed&#13;
the Dramatic Sub-committee by a member of the to publish. There is every hope that the book&#13;
society who had called into question the action of will shortly be on the market.&#13;
another member was postponed owing to the fact There are three cases open from former months.&#13;
that the member who had made the complaint had One of these remains in abeyance at the author's&#13;
omitted to send in his statement of his case. The request. The second, in America, is in course of&#13;
secretary was instructed to write for the statement settlement, while in the last the society's accountants&#13;
so that it should be received in time for the next are in communication with the publisher.&#13;
meeting.&#13;
Cases.&#13;
Elections.&#13;
Since the publication of the July issue of The&#13;
Author thirty cases have come into the hands of Adams, Evelyn .&#13;
the secretary. Three were claims for the return Arlen, Charles R. . Chichester House,&#13;
of MSS., and of these two were successful ; but&#13;
Chancery Lane,&#13;
one had to be abandoned as the periodical&#13;
W.C.&#13;
bad ceased publication and given up its offices. Binns, Henry Bryan.&#13;
Nine claims for accounts were brought to the society. Burt, Major A.. . . 3rd Dragoon Guards,&#13;
With the exception of one case, all of these were&#13;
Aldershot.&#13;
settled. The accounts were rendered, and forwarded Curlewis, Mrs. . . . Avenel, Mosman, Syd-&#13;
to the authors. In the remaining case the accounts&#13;
ney, Australia.&#13;
have been promised, and will probably be to hand Fox, Miss Marion . . 118, Eaton Square,&#13;
by the time this record is published. Of nine&#13;
S.W.&#13;
claims for money only two have been settled. Gordon-Smith, R. . . Arthurs' Club, St.&#13;
Three have had to be transferred to the solicitors,&#13;
James' Street, S.W.&#13;
and will no doubt be satisfied when the delinquents Hearne, Miss Isabel . . Omeath, co. Louth,&#13;
appreciate that action will be taken against&#13;
Ireland.&#13;
them. In one case some delay has occurred owing King, Alfred R. , . Willowdale Farm,&#13;
to the difficulty of fixing the responsibility for the&#13;
Stanton - Harcourt.&#13;
debt, while in the remaining two, one is for a Koebel, Wm. Henry. . Authors' Club, 2,&#13;
very insignificant sum due on account rendered,&#13;
Whitehall Court,&#13;
and the other has only just come into the office.&#13;
S.W.&#13;
There were two claims for infringement of copy. Leighton, Robert . . 10, Abbey Road,&#13;
right, but one of these had to be abandoned owing&#13;
N.W.&#13;
&#13;
&#13;
## p. 8 (#28) ###############################################&#13;
&#13;
THB AUTHOR.&#13;
McArthur, R.. . 42, St. George's THE LIFE OF MARIE AMÉLIE, LAST QUEEN OF THE&#13;
Street, Chelten-&#13;
FRENCH. By C. C. Dyson. With Photogravure and&#13;
other rare Portraits and Illustrations.&#13;
ham.&#13;
John Long.&#13;
12s68. n.&#13;
Maffei, Sabatino . . 30, Equitable Street, NINON DE L'ENCLOS AND HER CENTURY. By MARY C.&#13;
Rochdale, Lancs. ROWSELL. With Hlustrations. Hurst &amp; Blackett.&#13;
Mayo, Mark P. . . . St. Kilda, Wroxall,&#13;
128. 6d.&#13;
THOMAS BECKETT, ARCHBISHOP OF CANTERBURY. By&#13;
Isle of Wight.&#13;
W. H. HUTTON, B.D. 71 X 5. 290 pp. Pitman.&#13;
Myers, Dr. Charles S., M.A., Great Shelford, Cam 38, 6d. n.&#13;
M.D., Sc.D.&#13;
bridge.&#13;
A GASCON ROYALIST IN REVOLUTIONARY PARIS : THE&#13;
Petrovitch, Vasilii, ..&#13;
BARON DE BATZ, 1792-1795. From the French of&#13;
G. Lenôtre. By MRS. RUDOLPH STAWELL. 94 x 64.&#13;
Pleydell, George . . 6, Burwood&#13;
sace,&#13;
Place,&#13;
275 pp. Heinemann. 10s. n.&#13;
Hyde Park, W. AN EIGHTEENTH CENTURY MARQUISE. A Study of&#13;
Morton, Dr. Wm. Cuthbert, 27, Stratford Street, Emilie du Châtelet and her Times. By FRANK HAMEL.&#13;
M.A.&#13;
Leeds.&#13;
8 X 54. 384 pp. Stanley Paul. 168. n.&#13;
Stewart, Basil . . . 52, Redcliffe Gardens,&#13;
YVETTE GUILBERT. Struggles and Victories. By YVETTE&#13;
GUILBERT and H. SIMPSON. 9 X 54. 348 pp. Mills&#13;
S.W.&#13;
&amp; Boon. 108. 6d, n.&#13;
Tompkins, Frederick G., “Barnards,” Apple- MRS. GASKELL : HAUNTS, HOMES, AND STORIES. By&#13;
M.A.&#13;
ford. Abingdon. MRS. ELLIS H. CHADWICK. 91 x 61. 472 pp. Pitman.&#13;
Berks.&#13;
168, n.&#13;
BOOKS OF REFERENCE.&#13;
Tyrwhitt-Drake, Miss M. Dulas Court, Pontri-&#13;
E. H.&#13;
los, Herefordshire.&#13;
GROVE'S DICTIONARY OF MUSIC AND MUSICIANS. Edited&#13;
Webb, George Ernest . Maulden Croft, near&#13;
by J. A. FULLER MAITLAND, F.S.A. Vol. 5. T-Z, and&#13;
Appendix. 9 x 6. 672 pp. Macmillan. 215. n.&#13;
Ampthill, Beds. THE STATESMAN'S YEAR BOOK, 1910. Edited by J.&#13;
SCOTT KELTIE, LL.D. 71 x 45. 1,404 pp. Macmillan.&#13;
108. 6d. n.&#13;
BOOKS FOR THE YOUNG.&#13;
BOOKS PUBLISHED BY MEMBERS OF&#13;
PHILIP COMPTON'S WILL. By MRS. HARDING KELLY.&#13;
THE SOCIETY.&#13;
287 pp. Religious Tract Society. 18. 6d.&#13;
COOKERY.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
THE BROADLANDS COOKERY BOOK AND COMPREHENSIVE&#13;
some difficulty in attaining this object owing to the fact GUIDE TO THE PRINCIPLES AND PRACTICE OF FOOD&#13;
that many of the books mentioned are not sent to the cffice&#13;
REFORM. By KATE EMIL BEHNKE and E. COLIN&#13;
by the members. In consequence, it is necessary to rely&#13;
HENSLOWE. 7 x 44. 239 pp. Bell. 28. 6d. n.&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
EDUCATION.&#13;
co-operate in the compiling of this list and, by sending&#13;
BOSWELL'S LIFE OF JOHNSON, 1763-1767, 126 pp. ESSAYS&#13;
particulars of their works, help to make it substantially&#13;
FROM THE "SPECTATOR” ; PARABLES FROM NATURE.&#13;
accurate.&#13;
By Mrs. GATTY. 126 pp. MILTON'S AREOPAGITICA&#13;
AGRICULTURE.&#13;
AND OTHER PROSE WRITINGS. 126 pp. (Blackie's&#13;
THE PRACTICAL BEE GUIDE. A Manual of Modern Bee English Texts. Edited by W. H. D. ROUSE, Litt.D.).&#13;
keeping. By the Rev. J. C, DIGGES. (Second Edition.) Blackie. 6d, each.&#13;
7 x 4f. 229 pp. Simpkin, Marshall. 28. n.&#13;
THE STUDENTS' COMPLETE COMMERCIAL BOOK-KEEPING.&#13;
By ARTHUR FIELDHOUSE. Fourteenth Edition. 74 x 5.&#13;
ART.&#13;
780 pp. Simpkin, Marshall. 48.&#13;
THE PAINTERS OF FLORENCE : FROM THE THIRTEENTH&#13;
KEY TO THE STUDENTS' ADVANCED COMMERCIAL BOOK-&#13;
TO THE SIXTEENTH CENTURY. By JULIA CART&#13;
KEEPING. By ARTHUR FIELDHOUSE and EDWIN&#13;
WRIGHT (MRS. ADY), New Edition. 7} ~ 5. 373 pp. Wilson. Second Edition. 88 x 54. 430 pp. Simpkin,&#13;
Murray. ls. n.&#13;
Marshall. 168.&#13;
BIOGRAPHY.&#13;
New POCKET DICTIONARY. French and English. By&#13;
Edward Latham. 41 x 3. 575 pp. Routledge. 18. n.&#13;
JEAN FRANCOIS MILLET. His Life and Letters. By&#13;
JULIA CARTWRIGHT (MRS. HENRY ADY). (Cheap&#13;
FICTION.&#13;
Edition.) 94 x 6. 400 pp. Sonnenscbien. 58.&#13;
BESS OF HARDWICK AND HER CIRCLE. By MAUD THE LOST HALO. By PERCY WHITE. 78 x 5. 309 pp.&#13;
STEPNEY RAWSON. 88 x 54 375 pp. Hutchinson. Methuen. 6s.&#13;
16s. n.&#13;
FEAR. By E. NESBIT. 74 x 5. 318 pp. Stanley Paul.&#13;
"SAINT” GILBERT. The Story of Gilbert White and&#13;
Selborne. By J. C. WRIGHT.7 x 5. 90 pp. Stock. VOCATION. By LILY GRANT DUFF. 78 x 5. 323 pp.&#13;
DUNBAR PEDIGREE : A BIOGRAPHICAL CHART TRACING Murray. 68.&#13;
DESCENT OF THE DUNBAR FAMILY THROUGH FOUR THE IDYLL OF AN IDLER. Being some Adventures of a&#13;
TEEN SUCCESSIVE CENTURIES, FROM THE EARLY Caravan in Cornwall. By MRS. FRED REYNOLDS. 8 x 5&#13;
ENGLISH AND SCOTTISH KINGS. 11 x 71. Printed&#13;
on pure linen. Stratford-on-Avon : Shakespeare Press. LOVE AND THE SPY. By C. N. AND A. M, WILLIAMSON.&#13;
108, 60, n.&#13;
288 pp. (Nelson's 7d. Library.) 67 x 44. Nelson.&#13;
6s.&#13;
Everett.&#13;
6&#13;
&#13;
&#13;
## p. 9 (#29) ###############################################&#13;
&#13;
THE AUTHOR.&#13;
THE VALLEY OF ACHOR, By MRS. PHILIP CHAMPION DE THE STOWAWAY. By LOUIS TRACY. 78 x 5. 320 pp&#13;
CRESPIGNY. 73 x 5. 331 pp. Mills &amp; Boon. 68.&#13;
Ward Lock, 6s.&#13;
WRITTEN IN THE RAIN. By J. TREVENA. 74 x 5. THE MUMMY MOVES. By MARY GAUNT. 74 x 5.&#13;
344 pp. Mills &amp; Boon. 68.&#13;
333 pp. Werner Laurie. 68.&#13;
THE WHEELS OF TIME. By FLORENCE L. BARCLAY. THE DOCTOR'S Lass. By E. C. Booth. 7* * 5. 469 pp.&#13;
74 x 5. 62 pp. Putnams. 18. n.&#13;
Grant Richards. 68.&#13;
VEILED HEARTS. By RACHEL WILLARD. 89 x 54. THE ADVENTURES OF A RUNAWAY BRIDE. By ISABEL&#13;
154 pp. The “ Leisure Hour" Library Office. 60.&#13;
SMITH. 328 pp. John Ouseley. 68.&#13;
THE LOST VALLEY, AND OTHER STORIES. By ALGERNON PRESTER JOHN. By John BUCHAN. 77 x 5. 376 pp.&#13;
BLACKWOOD. 73 x 5. 328 pp. Nash. 68.&#13;
Nelson. 28. n.&#13;
THE CRADLE OF A POET. By ELIZABETH GODFREY HARMEN POLS, PEASANT. By MAARTEN MAARTENS.&#13;
7} x 5. 333 pp. Lane. 6s.&#13;
73 x 5. 324 pp. Methuen. 68.&#13;
THE POOL OF FLAME : FURTHER ADVENTURES OF THE TENDER PASSION. By M. E. FRANCIS (Mrs.&#13;
TERENCE O'ROURKE. By LOUIS JOSEPH VANCE. Francis Blundell). 73 x 5. 320 pp. John Long.&#13;
70 x 5. 315 pp. Grant Richards. 68.&#13;
68.&#13;
THE LAND OF THE YELLOW SPRING, AND OTHER BARKER'S. A Chronicle. By E. H. LACON WATSON.&#13;
JAPANESE STORIES. By F. HADLAND DAVIS. 74 x 5. 7} x 5. 343 pp. Murray. 68.&#13;
317 pp. Daniel. 58. n.&#13;
WHITE WISDOM. By GERTIE DE S. WENTWORTH JAMES.&#13;
YOUNG NICK AND OLD NICK : YARNS FOR THE YEAR'S 8 * 5. 286 pp. Everett. 28.&#13;
END. By S. R. CROCKETT. 74 x 5. 312 pp. Stanley COUSIN Ivo. By MRS. A. SIDGWICK. 61 x 4 277 pp.&#13;
Paol. 68.&#13;
Nelson's Sevenpenny Library.&#13;
Convict 413 L. By MARIE CONNOR LEIGHTON. 73 x 5. THE SWORD DECIDES. By MARJORIE BOWEN. 71 X 44.&#13;
319 pp. Ward Lock. 68.&#13;
356 pp. Greening. ls. n.&#13;
HAD ČLOIZIBERL KNOWN! By JAMES SAUNDERS. QUEEN SHEBA'S RING. By H. RIDER HAGGARD.&#13;
228 pp. Wolverhampton : Whitehead Bros. 6d.&#13;
73 x 5. 319 pp. Nash. 68.&#13;
GRIT." By G. H. RUSSELL. John Murray. 68.&#13;
THE LAME ENGLISHMAN. By WARWICK DEEPING.&#13;
THE OTHER SIDE. By H. A. VACHELL. 73 x 5. 7 x 5. 368 pp. Cassell. 68.&#13;
382 pp. Nelson. 28. n.&#13;
ASTRAY IN ARCADY. By MARY E. MANN. 74 x 5.&#13;
THE CRIMSON GATE. By G. COLMORE. 78 x 5. 320 pp. 308 pp. Methuen. 68.&#13;
THE AFFAIR OF THE ENVELOPE. By EIRENE WIGRAM. COUNT FLORIO AND PHYLLIS K. By REGINALD TURNER.&#13;
.73 x 5. 338 pp. Methuen. . 68.&#13;
74 x 5. 313 pp. Chapman &amp; Hall. 68.&#13;
MARGARET RUTLAND. By THOMAS COBB. 74 x 57. THE PRICE OF FREEDOM, A Tale of To-day. By D.&#13;
307 pp. Mills and Boon. 6s.&#13;
BALLYNN. 78 X 5. 318 pp. Walter Scott. 6s.&#13;
REBEL WOMEN. By EVELYN SHARP. 77 x 41. 122 pp. BELLCROFT PRIORY. By W. BOURNE COOKE. 78 x 5.&#13;
Fifield. 18. n.&#13;
384 pp. Lane. 6s.&#13;
THE ELM TREE ON THE MALL. A Chronicle of our Own SENTENCED TO DEATH. By ROBERT MACHRAY. 77 x 5.&#13;
Times. By ANATOLE FRANCE. Translated by M. P. 348 pp. Chatto &amp; Windus. 68.&#13;
Willcocks. 84 x 5. 237 pp. Lane. 68.&#13;
FATE AND DRUSILLA. By ALICE and CLAUDE ASKEW.&#13;
TIMOTHY'S QUEST. By KATE DOUGLAS WIGGIN. 7} x 5. 222 pp. Everett. 28.&#13;
(Popular Edition.) 78 X 5. 201 pp. Gay &amp; Hancock. THE CHRONICLES OF COUNT ANTONIO, By ANTHONY&#13;
18. n.&#13;
HOPE. 61 X 41. 288 pp. Nelson. 78.&#13;
MRS. LORIMER. By Lucas MALET. 67 x 41. 265 pp. NINE TO Six-THIRTY. By W. PETT RIDGE. 78 x 5.&#13;
Macmillan. 7d. n.&#13;
344 pp. Methuen. 68.&#13;
SHOES OF GOLD. By HAMILTON DRUMMOND. 190 pp. JEMMY ABERCRAW. By BERNARD CAPES. 74 X 5.&#13;
Stanley Paul. 60.&#13;
311 pp. Methuen. 68.&#13;
THE WAY UP. By M. P. WILLCOCKS. 77 x 5. 403 pp. A SPIRIT OF MIRTH. By PEGGY WEBLING. 7} x 5.&#13;
Lane. 68.&#13;
312 pp. Methuen. 68.&#13;
ATONEMENT. By F. E. MILLS YOUNG. 74 x 5. WIND ALONG THE WASTE. By MAUDE ANNESLEY.&#13;
344 pp. Lane. 68.&#13;
73 x 5. 309 pp. Methuen. 68.&#13;
A FOOL'S ERRAND. By ANTHONY HAMILTON. 77 x 5. THE HYENA OF KALLU. By LOUISE GERARD. 74 x 5.&#13;
319 pp. Greening. 68.&#13;
312 pp. Methuen. 6s.&#13;
THE WICKER WORK WOMAN, By ANATOLE FRANCE. A JILT'S JOURNAL. By “RITA.” (Popular Edition.)&#13;
Translated by M. P. Willcocks. 83 x 51. 274 pp. 77 x 5. 364 pp. Long. 18. n.&#13;
Lane. 68.&#13;
CLAYHANGER. "By ARNOLD BENNETT. 74 X 5. 374 pp.&#13;
SIR GEORGE'S OBJECTION. By Mrs. W. K. CLIFFORD, Methuen. 68.&#13;
7 x 5. 478 pp. Nelson. 28. n.&#13;
SACRIFICE. By F. E. PENNY. 7} 5. 368 pp. Chatto&#13;
THE NEW COMMANDMENT. By A. VERRALL. 7} * 5. &amp; Windus. 68.&#13;
240 pp. Werner Laurie. 68.&#13;
THE SINS OF THE CHILDREN. By H, C. W. NEWTE.&#13;
VERITY LADS. By KEIGHLEY SNOWDEN. 74 x 5. 7 x 51. Mills &amp; Boon. 68.&#13;
237 pp. Werner Laurie. 68.&#13;
THE LANTERN BEARERS. By MRS. ALFRED SIDGWICK.&#13;
A WEEK AT THE SEA. By H. AVERY. 78 x 5. 288 pp. 7 x 5. 318 pp. Methuen. 68.&#13;
S. Paul, 68.&#13;
THE BROWN MASK. By P. J. BREBNER. 78 x 5. 344 pp.&#13;
À BORDER SCOURGE. By B. MITFORD. 78 x 5. 319 pp. Cassell, 6s.&#13;
J. Long.&#13;
OPAL FIRE. By MRS. CAMPBELL PRAED. 78 x 5.&#13;
JERANNE OF THE GOLDEN LIPs. By FRANCES G. 351 pp. Cassell. 6s.&#13;
KNOWLES-FOSTER. 78 x 5. 311 pp. Mills &amp; Boon. 6s. THE FORSYTHE WAY. By MRS. FRED REYNOLDS.&#13;
TRAFFIC. By E. TEMPLE-THURSTON. 81 x 6. 190 pp. 78 x 5. 312 pp. Chapman &amp; Hall. 68.&#13;
S. Paul, 6d.&#13;
THE MISSING DELORA. "By E. PHILLIPS OPPENHEIM.&#13;
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74 x 5. 222 pp. S. Paul. ls. n.&#13;
SIR HENDER O’HALLORAN, V.C. By HAROLD VALLINGS.&#13;
Not Guilty. By W. E. NORRIS. 74 x 57. 308 pp. 71 x 5. 371 pp. Bristol : Arrowsmith London :&#13;
Constable. 6s.&#13;
Simpkin, Marshall. 6s.&#13;
&#13;
&#13;
## p. 10 (#30) ##############################################&#13;
&#13;
10&#13;
THE AUTHOR.&#13;
THE AMAZING MUTES : THEIR WEEK IN LOVELY BALLADS FROM THE DANISH, AND ORIGINAL VERSES.&#13;
LUCERNE. By WARD MUIR. 8 x 5. 287 pp. Stanley By C. M. SMITH-DAMPIER. 7} * 5. 72 pp. Andrew&#13;
Paul. 6s.&#13;
Melrose. 28. n.&#13;
CROSS AND DAGGER : THE CRUSADE OF THE CHILDREN. EUDORA. By L. H. NORTH, 6 x 4, 64 pp. Ouseley. ls.&#13;
1212. By W. S, DURRANT. 7 x 5. 232 pp. Methuen.&#13;
38. 6d. n.&#13;
POLITICS.&#13;
HISTORY.&#13;
YAXIMS OF LIFE AND GOVERNMENT. By M. BRUCE&#13;
A TURNING POINT IN THE INDIAN MUTINY. By J. WILLIAMS. 61 x 41. 53 pp. Chapman &amp; Hall.&#13;
GIBERNE SIEVEKING. 9 x 54. 226 pp. David Nutt.&#13;
28. 6d. n.&#13;
78. 6d. n.&#13;
REPRINTS.&#13;
HYGIENE&#13;
PERICLES, CYMBELINE. 120 + 167 pp. THE WINTER'S&#13;
SANITATION AND HEALTH. BY LIEUT.-GENERAL SIR TALE, THB TEMPEST. , 149 + 109 pp. THE CAXTON&#13;
REGINALD CLARE HART, K.Č.B., K.C.V.O. Eleventh&#13;
SHAKESPEARE. Edited with Annotations and a General&#13;
Edition. Clowes. 60, n.&#13;
Introduction. By SIDNEY LEE. 8 x 6. The Caxton&#13;
Publishing Company. £6 38. 6d, the set.&#13;
LITERARY.&#13;
THE DIVINE ADVENTURE. IONA. Studies in Spiritual&#13;
THE THREAD OF GOLD. By A. C. BENSON. New Edition.&#13;
History. The Works of " Fiona Macleod." Vol. III.&#13;
74 x 5. 215 pp. Murray. 18. n.&#13;
74 x 57. 434 pp. Heinemann. 58. n.&#13;
THE SPHINX. By OSCAR WILDE. With Bibliographical&#13;
A MODERN HUMANIST. Miscellaneous Papers of B. Kirk-&#13;
man Gray. Edited, with a Biographical Introduction,&#13;
Note by ROBERT Ross. 64 xă. 46 pp. John Lane.&#13;
by H. B. BINNS. With an Appreciation by CLEMENTINA&#13;
28. 6d. n.&#13;
BLACK. 7* 5. 271 pp. Fifield.&#13;
SOCIOLOGY.&#13;
A COMMENTARY. By JOHN GALSWORTHY. (Readers' THE STATE AND THE DOCTOR. By SIDNEY AND BEATRICE&#13;
Library.) 7 * 5. 264 pp. Duckworth. 25. 6d. n. WEBB, 9 x 51. 276 pp. Longmans. 68. n.&#13;
LONDON BY NIGHT. BY GEORGE R. SIMS. 7 * 47.&#13;
MEDICAL&#13;
150 pp. Greening. 18. n.&#13;
PHYSIOLOGY, THE SERVANT OF MEDICINE (CHLOROFORM&#13;
IN THE LABORATORY AND IN THE HOSPITAL), being&#13;
THEOLOGY.&#13;
the Hitchcock Lectures for 1909-delivered at the THE ELEMENTS OF NEGRO RELIGION. By W. J.&#13;
University of California, Berkeley, U.S.A. By EDMONSTON-SCOTT. Edmonston-Scott &amp; Co., 15, Forth&#13;
AUGUSTUS D. WALLER, M.D., L.L.D. (Director of the Street, Edinburgh. 68, n.&#13;
Physiological Laboratory of the University of London). VERSICLES AND RESPONSES FOR MORNING AND EVENING&#13;
Published for the University of London Press by Hodder PRAYER, WITH LITANY IN E FLAT. By the Rev. J.&#13;
&amp; Stoughton.&#13;
ECKERSLEY. Novello &amp; Co. 4nd.&#13;
HYPNOTISM AND SUGGESTION. In Daily Life, Education ENGLAND AND ROME. By HAKLUYT EGERTON. 73 x 4}.&#13;
and Medical Practice. By BERNARD HOLLANDER, M.D. 57 pp. Leighton Buzzard : The Faith Press. 18. n.&#13;
74 x 5. 295 pp, Pitman. 68, n.&#13;
THE OLD TESTAMENT STORY. Told to the Young. By&#13;
THE MENTAL SYMPTOMS OF BRAIN DISEASE. By B. GLADYS DAVIDSON. 84 x 58. 330 pp. Werner Laurie.&#13;
HOLLANDER, M.D. 74 x 5. 237 pp. Rebman. 68. n. 65.&#13;
TOPOGRAPHY.&#13;
MILITARY.&#13;
A SAUNTER THROUGH KENT WITH PEN and PENCIL.&#13;
WAR AND POLICY. Essays by SPENCER WILKINSON. By CHARLES IGGLESDEN. Complete in 20 Volumes.&#13;
(New Edition.) 8} x 6.443 pp. Constable. 78. 6d, n. Vol. 9. 88 pp. “Kentish Express " Office, Ashford,&#13;
Kent. 28. 6d.&#13;
NATURAL HISTORY.&#13;
WINCHESTER. Painted by WILFRID BALE, R.E.&#13;
LIFE HISTORIES OF NORTHERN ANIMALS. An Account&#13;
Described by the REV. TELFORD VARLEY, D.Sc.&#13;
of the Mammals of Manitoba. By ERNEST THOMPSON&#13;
9 x 63. 201 pp. Black. 73. 6d. n.&#13;
SETON. Two Volumes. 103 x 74. 1,267 pp. Constable.&#13;
WINDSOR CASTLE. Described by E. THOMAS. 56 pp.&#13;
£3 138, 6d.&#13;
SHAKESPEARE-LAND. Described by WALTER JERROLD.&#13;
NAVAL.&#13;
91 x 64. 63 pp. Blackie. 28. n.&#13;
FIGHTING SHIPS. Edited by F. T. JANE. 74 x 121.&#13;
TRAVEL&#13;
525 pp. Sampson Low. 218. n.&#13;
QUEER THINGS ABOUT EGYPT, By DOUGLAS SLADEN.&#13;
PAMPHLETS.&#13;
94 x 67. 428 pp. Hurst &amp; Blackett. 218. n.&#13;
TRAVEL AND EXPLORATION. An Illustrated Monthly of&#13;
THE SUFFRAGE MOVEMENT FROM ITS EVOLUTIONARY - Travel, Exploration, Adventure, and Sport. Edited&#13;
ASPECT. By J. E. TAYLOR. Sonnenschein. 18. n.&#13;
by EUSTACE REYNOLDS-BALL, F.R.G.S. Vol. 3,&#13;
January-June, 1910. 8} x 61. 440 pp. Witherby.&#13;
PHILOSOPHY.&#13;
THE HIGH ROAD OF THE ALPS. A Motoring Guide to&#13;
THREE MODERN SEERS. By MRS. HAYELOCK ELLIS 100 Mountain Passes. By CHARLES L. FREESTON,&#13;
74 x 5. 227 pp. Stanley Paul.&#13;
F.R.G.S. 89 x 54. XV. + 381 pp. With 102 Illustra-&#13;
tions. Kegan Paul &amp; Co. 108, 60, n.&#13;
POETRY.&#13;
THE ALPS FROM END TO END. By Sir WILLIAM MARTIN&#13;
CONWAY, with a Chapter by the Rev. W. A. B. COOLIDGE.&#13;
SABLE AND PURPLE, WITH OTHER POEMS. By WILLIAM&#13;
61 X 41. 381 pp. (Library of Notable Books.) Nelson,&#13;
WATSON. 7* * 5. 48 pp. Nash. 28. 60, n.&#13;
18, n.&#13;
THE CHAINED TITAN: A POEM OF YESTERDAY AND&#13;
TO-DAY. By W. G. HOLT. 74 x 54. 104 pp. Bell.&#13;
43. 6d. n.&#13;
THE WANDERER, AND OTHER POEMB. By H. B. BINNS.&#13;
Fifield. 1s. n.&#13;
&#13;
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## p. 11 (#31) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
11&#13;
BOOKS PUBLISHED IN AMERICA BY Miss May Crommelin's last novel, “ Lovers on&#13;
MEMBERS.&#13;
the Green," of which Messrs. Hutchinson &amp; Co.&#13;
are the publishers, is now in a second edition.&#13;
Long illness and a family bereavement have&#13;
BIOGRAPHY.&#13;
prevented Miss Crommelin from doing very much&#13;
EDWARD MARJORIBANKS, LORD TWEEDMOUTH. By literary work during the last two years : but she&#13;
The Countess of Aberdeen. 158 pp. New York : Dutton.&#13;
is now engaged on another novel, the scene of&#13;
$2 n.&#13;
ROBERT BLATCHFORD : THE SKETCH OF A PERSONALITY:&#13;
which is laid in the Loire valley.&#13;
AN ESTIMATE OF SOME ACHIEVEMENTS. By A. Sir Isaac Pitman &amp; Sons are the publishers of a&#13;
O'NEIL LYONS. 189 pp. New York : John Lane &amp; Co. work by the Rev. Percy Dearmer, entitled “ Body&#13;
75 cents, n.&#13;
FICTION.&#13;
and Soul,” representing an inquiry into the effects&#13;
of religion upon health, with a description of&#13;
THE GREATEST WISH IN THE WORLD. By E. TEMPLE&#13;
Christian works of healing from the New Testa-&#13;
THURSTON. 390 pp. New York : Kennerley. $1.50.&#13;
BURIED ALIVE. By ARNOLD BENNETT. 272 pp. New ment to the present day.&#13;
York : Brentanos. $1.&#13;
The unction of the sick, shrines, and pilgrim-&#13;
A MOTLEY. By JOHN GALSWORTHY. 274 pp. New ages, amongst other things, are fully discussed,&#13;
York: Scribner, $1.20 n.&#13;
THE ROD OF JUSTICE. By ALICE and CLAUDE Askew.&#13;
and the book concludes with a collection of&#13;
350 pp. New York: Brentano. $1.50.&#13;
contemporary records of therapeutic miracles&#13;
HOLBORN HILL. By Christian Tearle. 325 pp. New from the early Saints to Pastor Blumharat and&#13;
York : Clode. $1.20.&#13;
Father John of Cronstadt, and with tables of the&#13;
HISTORY.&#13;
faith cures by "mental science” and by hypnotism&#13;
AN ISLAND STORY: A CHILD'S HISTORY OF ENGLAND.&#13;
at Nancy.&#13;
By H. E. MARSHALL : with Pictures by A. S. FORREST.&#13;
We have received Vol. 9 of “ A Saunter through&#13;
523 pp. New York : Stokes. $2.75.&#13;
Kent with Pen and Pencil,” by Charles Igglesden,&#13;
SCOTLAND'S STORY: A CHILD'S HISTORY OF SCOTLAND. which is published from the office of the Kentish&#13;
By H. E. MARSHALL, with Pictures by J. R. SKELTON,&#13;
Express, Ashford. In the present volume,&#13;
J. HASSALL, and J. SHAW COMPTON. New York :&#13;
Stokes. $2,75 n.&#13;
Mr. Igglesden passes through Sissinghurst,&#13;
LITERARY.&#13;
Goodnestone-next-Wingham, Chartham, Loose,&#13;
FULL FATHOM FIVE; A SEA ANTHOLOGY IN PROSE Coxheath, Bridge, and Patrixbourne. There are&#13;
AND VERSE. By HELEN and LEWIS MELVILLE. 268 pp. many sketches of old houses and historic spots,&#13;
New York : Macmillan. $1.50 n.&#13;
and much that is interesting in regard to the&#13;
ESSAYS MODERN AND ELIZABETHAN. By Professor E.&#13;
DOWDEN. 380 pp. New York : Dutton. $2. n.&#13;
We local traditions and legends of the places&#13;
THE PASSIONS OF THE FRENCH ROMANTICS. By FRANCIS described.&#13;
GRIBBLE. New York: Scribner. $3.75 n.&#13;
James Hinton, F. Nietzsche, and Edward&#13;
BERNARD SHAW AS' ARTIST-PHILOSOPHER.' By RENÉL Carpenter are the Three Modern Seers of whom&#13;
M. DEACON. New York : John Lane Co.&#13;
Mrs. Havelock Ellis treats in her book of that&#13;
MEDICAL&#13;
title published recently by Messrs. Stanley Paul&#13;
THE LAWS OF HEREDITY. By G. ARCHDALE REID. New &amp; Co.&#13;
York : Macmillan. $5.50.&#13;
Mrs. Ellis has chosen these three men as repre-&#13;
sentatives of the various sides of the moral and&#13;
POLITICAL.&#13;
spiritual outlook of the age.&#13;
STATESMAN'S YEAR BOOK. Edited by J. SCOTT KELTIE :&#13;
Messrs. Edmonston-Scott &amp; Co., of Forth&#13;
with the assistance of J. P. A. KENWICK. Forty-seventh&#13;
annual publication : revised after official returns. New&#13;
Street, Edinburgh, are the publishers of a work&#13;
York : Macmillan. $3 n.&#13;
by Mr. W. J. Edmonston-Scott, called “The&#13;
Elements of Negro Religion.” The author's aim&#13;
TOPOGRAPHY.&#13;
has been to give a lucid account of the history of&#13;
OXFORD. By F. D. How. Boston : Estes. $1.25.&#13;
religious belief among the negroes, and to allow&#13;
the negro, as far as possible, to tell his own tale&#13;
in his own words.&#13;
Mr. Richard Steel has just published a second&#13;
LITERARY, DRAMATIC, AND MUSICAL and revised edition of his book, “Imitation :&#13;
NOTES.&#13;
The Mimetic Function in Human Nature and in&#13;
Nature.” The writer approaches the subject from&#13;
many sides, starting with imitation in infant and&#13;
M R S. M. H. Spielmann's new book is a child life, continuing in education, in later&#13;
1 romantic fantasy, illustrated by Mr. C. youthful life, and early maturity. Other chapters&#13;
Wilhelm. It will be published in the deal with imitation in ethics, religion, and politics,&#13;
autumn by Messrs. Duckworth &amp; Co.&#13;
in language, poetry, and the fine arts, in&#13;
&#13;
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## p. 12 (#32) ##############################################&#13;
&#13;
12&#13;
THE AUTHOR.&#13;
economics, in heredity and inorganic matter, while the New are worked out in the novel, which&#13;
in an appendix the writer refers to imitation in the contains also some descriptions of life in the bush&#13;
reasoning process. Messrs. Young &amp; Sons in and Southern Alps of New Zealand. Messrs.&#13;
Liverpool, and Messrs. Simpkin, Marshall &amp; Co., Sands &amp; Co. are to publish the book on the 15th&#13;
in London, publish the book, the published price of this month.&#13;
of which is 3s. 6d. nett.&#13;
Mr. T. Werner Laurie has published “The&#13;
Mr. Maurice Hewlett's new novel, “Rest Old Testament Story: Told to the Young,"&#13;
Harrow," was issued in September by Messrs. by Miss Gladys Davidson, whose “Stories from&#13;
Macmillan &amp; Co., the publishers of “ Open the Operas" were published by the same firm.&#13;
Country," the leading characters of which re- The present work is written on broad lines, the&#13;
appear in the new story.&#13;
stories being treated in accordance with modern&#13;
The same publishers have now the publishing views, yet strictly moderate in tone. It contains&#13;
of Mr Stephen Reynolds' two books,“A Poor a complete outline of the Old Testament story,&#13;
Man's House” and - The Holy Mountain.”&#13;
special care having been taken to preserve the&#13;
The raison d'être of “The Enemy of Woman," Oriental atmosphere, reverence, and beauty of the&#13;
Miss Winifred Graham's new novel, is to portray narratives. The book is fully illustrated in double&#13;
what disastrous consequences are engendered by a tone from pictures by old masters.&#13;
mad desire for women's suffrage, and the bad Messrs. Archibald Constable &amp; Co. are publish-&#13;
effects on home life of unbalancing feminine minds. ing a new historical novel by Marie Hay. Its&#13;
Messrs. Mills &amp; Boon are the publishers.&#13;
title is “ The Winter Queen,” and treats of the&#13;
Messrs. Hurst &amp; Blackett have published Miss unhappy history of Elizabeth Stuart, Queen of&#13;
Mary C. Rowsell's work on Ninon de L'Enclos Bohemia, Electress Palatine.&#13;
and Her Century. Besides telling Ninon's story, “Sahib-log" is the title of a novel by Eva Mary&#13;
Miss Rowsell provides the reader with a portrait Bell, published by Messrs. S. Duckworth &amp; Co.&#13;
gallery of the famous men and women of the It deals with the lives of a few of the ruling races&#13;
times of Louis XIII., and the Grand Monarque. in India, and especially with those who have&#13;
Miss C. C. Dyson's “Life of Marie Amélie” relations with the fighting races of that Empire.&#13;
has just been published by John Long, Ltd. The officers of the Indian army and the native&#13;
Marie Amélie was the last Queen of the French, officers and sepoys with their wives are among&#13;
reigning from 1782 to 1866, and this rolume those of whom the writer treats.&#13;
contains some account of the principal personages Mr. W. J. Wintle has resigned his position as&#13;
at the Courts of Naples and France in her time, general manager of the Sunday School Union and&#13;
and of the careers of her sons and daughters. has joined the staff of John Ouseley, Ltd., as&#13;
It contains a photogravure portrait, and other managing director, succeeding Mr. John Ouseley.&#13;
rare portraits and illustrations.&#13;
Mr. E. Elliot Stock recently joined the same firm&#13;
" 'T'he Devourers," by A. Vivanti Chartres, as manager of the technical department.&#13;
published by Mr. William Heinemann, is in its “Peggy D. 0.," the new children's story by&#13;
third edition. Messrs. Putnams &amp; Sons are the Helen H. Watson (Mrs. Herbert A. Watson), at&#13;
publishers in New York.&#13;
present running as a serial in Little Folks, will be&#13;
Messrs. Chatto &amp; Windus published early in published in book form by Messrs. Cassell during&#13;
September a new novel by Mrs. F. E. Penny, the coming autumn. Mrs. Watson is at present&#13;
called “Sacrifice." The story is of the Meriah engaged on a sequel for older girls of this story,&#13;
sacrifices of the Khonds, a hill tribe in the and arrangements for its publication are in course&#13;
district of Ganjam, which is in the northern part of completion.&#13;
of the Presidency of Madras. The ancient A pamphlet dealing with the scientific cause of&#13;
custom of some primitive peoples of sacrificing the present rising and rebellion of womanhood&#13;
young men and women to the Earth goddess, in against constitutional government, viewed in the&#13;
order to bring good fortune and abundant light of Theosophy, has been published by Messrs.&#13;
harvests to the tribe was observed among the Swan, Sonnenschien &amp; Co. The pamphlet, written&#13;
Khonds up to recent times. The Government of by J. E. Taylor, bears the title “The Suffrage&#13;
India has put down the practice as far as it is able; Movement from its Evolutionary Aspect.”&#13;
but occasional cases occur and have to be dealt Mr. Sydney Y. Ford has been appointed&#13;
with by the watchful civil authorities.&#13;
managing editor of the South African Insurance&#13;
“ The Heart of the Bush ” is an idyllic story and Commercial Record—a monthly which is pub-&#13;
of New Zealand bush life, by Edith Searle lished in the new parliamentary capital of South&#13;
Grossmann. The heroine, educated in England, Africa.&#13;
returns to her native land, and her perplexities His Majesty the King of the Hellenes has been&#13;
between the attractions of the Old World and pleased to confer the Order and Insignia of the&#13;
&#13;
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## p. 13 (#33) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
13&#13;
Redeemer on the following gentlemen : Professor and of her courtiers, her enemies, and her lover,&#13;
Samuel Henry Butcher, M.P. for the University Prince Louis of Taranto. Messrs. Mills &amp; Boon&#13;
of Cambridge, and President of the British Academy; are the publishers.&#13;
the Hon. Canon Lyttelton, Headmaster of Eton Messrs. Briggs &amp; Co., of Toronto, have forwarded&#13;
College ; Mr. Walter Leaf, Vice-President of the to us a tastefully-produced volume entitled “The&#13;
London Chamber of Cominerce ; and Mr. William Union Jack and Flags of the Empire." Mr. Barlow&#13;
Angus Knight, of Malvern, Emeritus Professor of Cumberland, President of the Ontario Historical&#13;
Philosophy in the University of St. Andrew's. Society, is the author of the work, and in it he&#13;
This is the outcome of his Majesty's desire to explains the meanings of national ensigns, tracing&#13;
draw the University of Athens into closer relations the development of the Jacks of England, Scotland,&#13;
with the Universities of Great Britain. Mr. and Ireland, their union in the British Isles and&#13;
Butcher is recognised as the most distinguished expansion in the dominions beyond the seas.&#13;
of Greek scholars and teachers in England, and a There are nine coloured plates of flags and sixty-&#13;
university representative of note ; Mr. Lyttelton nine engravings.&#13;
is honoured as a scholar, and the head of England's The September number of Travel and Exploration&#13;
most famous public school. The Order is given covers a fairly wide field, ranging from Morocco&#13;
to Mr. Leaf as one of the founders of the London in the extreme west to the Burmo-Chinese frontier.&#13;
Chamber of Commerce, from his eminence as a Colonel Beresford describes his tour through little-&#13;
Greek scholar and his writings on Homer; and to known tracts in the Caucasus ; Mr. H. G. A.&#13;
Mr. Knight from his numerous contributions to Leveson contributes a paper describing survey&#13;
philosophy and literature, and his varied univer- work on the Burmo-Chinese frontier, while Mr.&#13;
sity services.&#13;
Eustace Reynolds-Ball (who edits the magazine)&#13;
Miss Peggy Webling, whose book, “ The Story describes an amusing adventure with an Algerian&#13;
of Virginia Perfect,” is now in its third edition, panther.&#13;
has published another entitled “The Spirit of In the October number of the Westminster Review&#13;
Mirth.” Both books are published by Messre. an article appears from the pen of Alfred Smythe,&#13;
Methuen &amp; Co. “The Spirit of Mirth” is a F.R.G.S., entitled “ Ancient Coinage from a Non-&#13;
London story, and all the characters in it are, Commercial Standpoint.”&#13;
more or less, sketched from life.&#13;
“ Cross and Dagger," by W. Scott Durrant,&#13;
Mrs. Aubrey Le Blond is now preparing for the published by Messrs. Methuen &amp; Co. last month,&#13;
press a large number of interesting letters written is the story of the amazing crusade of tens of&#13;
between 1789 and 1800 by Sophia, Countess thousands of children in 1212 for the recovery of the&#13;
Bentinck (whose husband was a son of the first Holy Places. It tells the adventures of two cousins,&#13;
Earl of Portland), to her granddaughter, Sophia who are boys of fifteen and fourteen when the&#13;
Hawkins-Whitshed (née Bentinck), and her grand- story opens. Mr. Arthur H. Buckland has illus-&#13;
son by marriage, Admiral Sir James Hawking- trated the book.&#13;
Whitshed. These letters were only recently “The Chained Titan," a poem of yesterday and&#13;
discovered amongst family papers, and their great to-day, was published in September by Messrs.&#13;
interest lies in their comments upon current events George Bell &amp; Sons. It is the work of Mr. W. G.&#13;
in Europe, and their frequent allusions to many Hole, and deals with some of the social problems&#13;
public characters in Austria, Germany, Holland of the present day.&#13;
and France. A journal by Admiral Sir James Raymond Jacberns' new books for juveniles&#13;
Hawkins-Whitshed of a cruise by himself and his this season are“ A Schoolgirl's Battlefield," “ Three&#13;
brother-in-law, William Bentinck, in 1799, has also Amateur Scouts,” and “Poor Uncle Harry.” They&#13;
come to light, and may be included in the are all published by Messrs. W. &amp; R. Chambers,&#13;
volumes, together with some hitherto inaccessible the first one at 58. and the others at 3s. 6d. The&#13;
letters from Lord Rodney found at the same time. same writer's new novel, “ An Everyday Romance,"&#13;
Mrs. Aubrey Le Blond would gratefully welcome will be published shortly by Messrs. Wells, Gardner,&#13;
the loan of any private letters of that period Darton &amp; Co. at 58.&#13;
relative to the family, and suggestions as to suitable A new historical biography by Mrs. Edith E.&#13;
illustrations. Her address is Barming House, Cuthell, F.R.Hist. S., author of “ Wilhelmina&#13;
near Maidstone.&#13;
Margravine of Baireuth,” will be published early&#13;
“ Jehanne of the Golden Lips,” a first novel by in the year by Messrs. Stanley Paul &amp; Co., that&#13;
Frances G. Knowles-Foster, is a love story of of Marie Louise, Empress of the French, the first&#13;
Queen Jehanne of Naples, in which history and wife of Napoleon I.&#13;
romance are blended so as to give a human picture Amy McLaren's new novel, “Bawbee Jock,”&#13;
of Jehanne-her heroism, her waywardness, her will be published at the close of this month by&#13;
genius for dominion in her relations with everyone, Mr. John Murray. The scene is laid in the High-&#13;
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## p. 14 (#34) ##############################################&#13;
&#13;
14&#13;
THE AUTHOR.&#13;
lands of Scotland, and the story bears on the “Nobody's Daughter,” by George Paston, was&#13;
clan-sentiment of patriotism and love of country produced at Wyndham's Theatre on September 3.&#13;
which is so deeply rooted in the Celtic nature, It is the story of a manufacturer in the Midlands,&#13;
Miss Jean Middlemass' novel, “At the Altar who discovers that his wife's supposed ward is, in&#13;
Steps," having run as a serial by the National fact, her daughter born before marriage, the father&#13;
Press Syndicate, will be published shortly by Messrs. being the manufacturer's friend and a visitor at&#13;
Digby, Long &amp; Co.&#13;
the time of the discovery. The cast includes Miss&#13;
Stella M. Düring's latest novel, “ The End of Rosalie Toller, Mr. Sydney Valentine, Mr. Marsh&#13;
the Rainbow," published in England by Messrs. Allen, and Miss Lilian Braithwaite.&#13;
Chapman &amp; Hall, has been brought out in “The Eternal Question," Mr. Hall Caine's&#13;
America by the J. B. Lippincott Co. of Phila- new play founded on his novel, “ The Eternal&#13;
delphia. Two of her earlier novels, “Malicious City," was produced at the Garrick Theatre on&#13;
Fortune ” and “Disinherited,” have also been August 27. The cast included Mr. Gay&#13;
added to “ The Daily Mail Sixpenny Series.” Standing, Miss Tittell-Brune, and Mr. Halliwell&#13;
Miss A. E. Keeton will lecture at the Women's Hobbes.&#13;
Institute, 92, Victoria Street, S.W., on Wednesday, Mr. Stephen Grace has dramatised a short story&#13;
October 5, at 4 p.m. The subject of her lecture which appeared in his volume of “Yarns." The&#13;
will be “On Making a Musical Palate.”&#13;
sketch will be produced by Mr. Henry Bagge, who&#13;
Mr. George Hansby Russell's new novel, “Grit,” takes the part of Lient.-Commander Anson. The&#13;
which Mr. John Murray publishes, is a story of action takes place on board a torpedo boat&#13;
the wilds of south-east Africa. The reader is destroyer during an attack upon a hostile&#13;
taken into the wild, untamed region lying between squadron, and is carried out with the utmost&#13;
the great Limpopo river and the river of Inhambane, realism.&#13;
where the savage tribes recognise no laws but their Mr. W. J. Locke's new play, “The Man from&#13;
own. There are many thrilling incidents in the the Sea,” was produced at the Queen's Theatre&#13;
story, which essays to prove that strict attention last month. In the cast are Miss Nina Bouci-&#13;
to duty, implicit obedience and pluck go far cault, Miss Beryl Faber, Mr. Robert Loraine, and.&#13;
towards the making up of the “grit” of the Mr. Arthur Lewis Vane Tempest.&#13;
world pioneers and empire builders.&#13;
“The High Road of the Alps” is the title&#13;
of a Motoring Guide to One Hundred Mountain&#13;
Passes by Mr. Charles L. Freeston. Published&#13;
by Messrs. Kegan, Paul l&amp; Co., it contains 102&#13;
illustrations, for the most part from photographs&#13;
“ DE PROFUNDIS.”&#13;
by the author, together with several sketch maps&#13;
indicating the relationship of the various groups&#13;
of passes to each other, a specially prepared map CONSPIRACY TO INFRINGE COPYRIGHT.&#13;
of Alping territory generally, and a specially&#13;
designed cover. It is issued at 10s. 6d., net.&#13;
T the Central Criminal Court, in July, six:&#13;
men were charged with offences relating to&#13;
DRAMATIC.&#13;
the sale of pirated copies of the late Mr.&#13;
Oscar Wilde's book “ De Profundis.”&#13;
The Walter Scott Publishing Co. bave published All the defendants pleaded guilty, with the&#13;
a new work by Mr. Deane Ballynn entitled “The exception of Arthur Puddifoot, against whom no&#13;
Price of Freedom.” It is a tale of to-day, which evidence was offered, and he was accordingly&#13;
the author has cast in a new literary form. This discharged.&#13;
form is described in an introduction to the volume It appeared from counsel's statement that the&#13;
-an introduction which takes the form of a dis- defendants were concerned in a criminal conspiracy&#13;
cussion between a dramatist, an old actor, an to infringe the copyright and to defraud the copy-&#13;
actor-manager, and a publisher. Mr. Ballynn's right owner of the profits derived from a legitimate&#13;
view is that the dramatist should write his play sale of the work.&#13;
as a continuous narrative, and publish it before It is necessary to give the names to show the&#13;
production, and this he has done in the work part that each defendant took in connection with&#13;
under notice. A playright production of the play the conspiracy. The accused were :-John Wesley&#13;
“ The Price of Freedom" was given at Hill Puddifoot, Arthur Puddifoot, Philip Fleming&#13;
Theatre, Dundee, on Saturday, August 27, the Bokenham, Abraham Kinsett, Albert Bowden, and&#13;
principal parts being taken by Mr. and Mrs. Edward Kelly.&#13;
Karpe.&#13;
It was stated that the book. “De Profundis,".&#13;
&#13;
&#13;
## p. 15 (#35) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
15&#13;
which was originally published by Messrs. Methuen With regard to Kelly, who was found selling&#13;
in February, 1905, ran through a large number of copies in the street and pleaded guilty to being in&#13;
editions, and the profits bad been sufficient to possession of pirated copies, it was stated that he&#13;
enable Mr. Ross, the copyright owner and was prosecuted in order that street-sellers might&#13;
administrator of the estate of the deceased author, know the risk they ran in selling books which bore&#13;
to pay the latter's debts in full and to provide a no printer's or publisher's name upon them,&#13;
considerable sum for the benefit of his children. especially when they were sold to them under&#13;
In April last Mr. Ross discovered that pirated such conditions. The Court was asked to deal&#13;
copies of the book were being sold in large numbers with him leniently, and he was released upon his&#13;
in the streets at the price of id. Inquiries recognisances.&#13;
were made and observation kept, with the result The Authors' Society is to be congratulated upon&#13;
that sufficient evidence was obtained to enable the its successful exposure of this fraud, which ought&#13;
Authors' Society to institute a prosecution against to put a check upon the organised sale by street-&#13;
those who were principally concerned in the sellers of pirated works. The method of procedure&#13;
conspiracy.&#13;
in respect of pirated music is simpler, owing to the&#13;
The printing of the pirated copies—which was Act of 1906; but it is important that hawkers&#13;
traced to J. W. Puddifoot, who had been convicted should realise that a conspiracy to sell pirated copies&#13;
in 1906 for a similar offence in connection with of any “book” is a criminal offence. No doubt&#13;
pirated music was done upon the premises of special efforts are required to obtain evidence of&#13;
what was called the “Milton Press, Ltd.," a com- conspiracy, and it is well that the Authors' Society&#13;
pany merely in name, of which J. W. Puddifoot has not grudged the trouble and expense of making&#13;
and his son Arthur were directors. Bundles of inquiries and setting a watch upon premises and&#13;
these copies when printed, to the number of many upon the movements of street-sellers, in order to&#13;
thousands, were sent in vans and stored in a room trace the method of distribution and bring to&#13;
in Whitechapel, which was rented by Kinsett at justice the principal offenders.&#13;
28. 6d. a week. At the time of the arrest some&#13;
5,000 copies were found upon the premises.&#13;
HAROLD HARDY.&#13;
The method of distribution was systematic.&#13;
Small parcels were taken from the store, as&#13;
required from time to time, and left at a neigh-&#13;
bouring coffee-house, of which Bowden was pro-&#13;
EDITORIAL NOTICES.&#13;
prietor, and the pirated copies were purchased at&#13;
6d. a quire by hawkers visiting the house, and&#13;
were sold in the streets at a considerable profit. “ All stories, articles, poems, photographs, drawings, &amp;c.&#13;
Bokepham, who had failed in the printing&#13;
m who had failed in the printing submitted to the editor for consideration must bear the&#13;
names and addresses of the senders and be accompanied&#13;
business, was said to be the man who was most&#13;
by stamped and addressed envelopes, otherwise they&#13;
actively concerned in the conspiracy, though be cannot be considered or returned. MSS. must be folded-&#13;
kept himself to some extent in the background. not rolled—and should be typewritten.&#13;
He stood in the position of publisher. He had&#13;
the nosition of publisher He had “The length of short stories submitted should be from&#13;
1,000 to 4,000 words.&#13;
taken a manuscript copy of the book to J. W.&#13;
" It must be understood that while care is taken of&#13;
Puddifoot and asked for a quotation for printing contributions submitted, they are sent at the author's&#13;
20,000 copies, the quotation being £16. He had risk, and the editor is not responsible for their safe&#13;
been previously convicted of offences in connection custody or return, nor does he invite contributions.&#13;
with the sale of pirated copies of music, and was&#13;
“The acceptance of articles, stories, illustrations, &amp;c., is&#13;
no guarantee that contributions will be published within&#13;
sentenced on this occasion to six months' imprison- any given time, or at all."&#13;
ment.&#13;
J. W. Puddifoot, the printer, who had also been ITTE should like to draw attention to the&#13;
previously convicted, was sentenced to one month's W Notices to Contributors that appear in&#13;
imprisonment.&#13;
many magazines, and print above one&#13;
Kinsett, who acted with Bokepham in the taken at random. It is often put forward by&#13;
distribution of the pirated copies, was sentenced editors that when they accept stories without any&#13;
to two months in the second division.&#13;
notice whatever as to the terms and price, the&#13;
On behalf of Bowden, it was urged that he author is bound by the notice that appears in&#13;
merely allowed copies to be distributed among the the magazine. It is very doubtful how far a&#13;
hawkers who frequented his coffee-house, in order notice printed at the beginning of a magazine&#13;
to obtain their custom; and that he made no could legally bind the author who has sent in his&#13;
direct gain out of any transaction connected with contribution, unless the editor could show that the&#13;
the sale of the pirated work. He was fined £20. notice had come to the author's attention.&#13;
&#13;
&#13;
## p. 16 (#36) ##############################################&#13;
&#13;
16&#13;
THE AUTHOR.&#13;
If editors were more businesslike, a dispute of&#13;
this kind could never have arisen, for the editorial&#13;
letter of acceptance would have run somewhat&#13;
as follows :-“We accept your article on the&#13;
understanding that we pay you for the world&#13;
copyright.” Most editors, however, know that&#13;
no author would accept a contract on these&#13;
conditions. We must emphasise the fact that if&#13;
editors were more accurate and more careful in&#13;
making contracts, half the disputes—nay, more&#13;
than half the disputes-would never arise, and&#13;
there would be very little reason for publishing&#13;
in The Author papers dealing with the “Editorial&#13;
Attitude," which have appeared in the last few&#13;
numbers,&#13;
MAGAZINE CONTENTS.&#13;
BLACKWOOD's.&#13;
King James and the English Puritans : An Unpublished&#13;
Document.&#13;
BOOKMAN.&#13;
Elizabeth Cleghorn Gaskell. By Thomas Seccombe.&#13;
Balzac. By Professor Saintsbury.&#13;
In the notice which we print the editor would seem&#13;
to have reserved to himself the right, after accepting&#13;
a story for publication, to refuse to publish it. It&#13;
is possible that by law he could not be compelled&#13;
to publish, but, no doubt, if he refused to publish&#13;
he would subject himself, in addition to a claim&#13;
for payment, to an action for damages for non-&#13;
publication. The absurdity of this clause in the&#13;
notice would make the statement still more certain&#13;
that an author would not be bound by such a&#13;
notice unless his attention was specially drawn to&#13;
it. Otherwise the editor might make arbitrary&#13;
regulations by which he should not only have&#13;
absolute control as to alterations of articles and&#13;
stories, but should have also a right to the copyright.&#13;
In fact, disputes on this point have from time to&#13;
time arisen, not in consequence of the printing of a&#13;
notice, but from an editor's demand after acceptance&#13;
of a story without any terms being expressed.&#13;
The following case will explain this point :-&#13;
A member sent up a contribution to a paper,&#13;
which was accepted and published. The natural&#13;
deduction, when an author sends up a contribution&#13;
to a magazine, is that he is offering to the editor&#13;
the first serial use of that contribution for the&#13;
magazine, but in this instance there was no&#13;
expression on either side as to what rights actually&#13;
passed. If the notice to contributors is to bind&#13;
contributors, it should bind equally the editor of the&#13;
magazine. Does the editor in this notice say that,&#13;
when he accepts an article, he desires to purchase&#13;
the world's copyright? Yet this is the position&#13;
he often adopts when asked for payment by the&#13;
contributor. Would any editor care to put such a&#13;
claim to the world's copyright in his paper ?&#13;
Surely not. No author sending up a contribution&#13;
to a magazine would be willing to sell the whole&#13;
copyright for the mere payment of a magazine&#13;
contribution.&#13;
But a worse feature comes to light when we&#13;
see that a cheque issued in payment purport to be&#13;
a receipt for the conveyance of the copyright.&#13;
When signed by the author such receipt would not,&#13;
of course, upset the contract which already existed,&#13;
though it might be evidence—if signed without&#13;
demur of the terms of the contract. An editor,&#13;
on his attention being drawn to the matter after&#13;
publication, states : “That the author never&#13;
suggested anything about serial rights,'” and he&#13;
continues as follows :-“In making the offer, as is&#13;
customary, we included the copyright of it,” but&#13;
there does not appear to be on the letters of&#13;
acceptance any mention of the word “copyright,"&#13;
or any indication of the desire to purchase the&#13;
copyright, nor is there any indication in the notice&#13;
to contributors that where articles are accepted&#13;
it is the intention of the editor to include the&#13;
copyright.&#13;
Book MONTHLY.&#13;
Topics of the Time : King Edward's Memoirs.&#13;
A New Encyclopædia : Library Censorship.&#13;
A Word on the Right Christening of Novel Heroines.&#13;
By W. L. George.&#13;
CONTEMPORARY.&#13;
The Lady of the Salon. By Mrs. Geo. Haven Putnam.&#13;
Some Irish Poetry. By Geraldine Hodgson, Litt.D.&#13;
Children in English Poetry.&#13;
CORNHILL.&#13;
The Centenary of Mrs. Gaskell. By Sarah A, Tooley.&#13;
Concerning Guide Books, By Claude S. Benson,&#13;
A Polar Laureate : Sir Francis Doyle.&#13;
Communicated by Sir Clements Markham, K.C.B.&#13;
ENGLISH REVIEW,&#13;
The Women of Shakespeare. By Frank Harris.&#13;
The Handling of Words : Maurice Hewlett. By Vernon&#13;
Lee.&#13;
FORTNIGHTLY REVIEW.&#13;
Elizabeth Cleghorn Gaskell. By K. L. Montgomery.&#13;
The Poetry of Yone Noguchis. By Arthur Ransome.&#13;
NATIONAL REVIEW.&#13;
The Libraries and their Critics. By an Old Subscriber.&#13;
English Pictures in German Galleries. By W. Roberts.&#13;
NINETEENTH CENTURY.&#13;
The Centenary of Mrs. Gaskell. By Lewis Melville.&#13;
The Genius of Gibbon. 1, Gibbon the Man. By the&#13;
Rev. A. H. T. Clarke.&#13;
Folk-Lore in Word-Lore. By the Rev. Dr. Smythe-&#13;
Palmer.&#13;
&#13;
&#13;
## p. 17 (#37) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
17&#13;
HOW TO USE THE SOCIETY.&#13;
1. H VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, ar £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor 1&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed rovalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
beans.&#13;
(2.) The inspection of those account books which belong&#13;
to the author." We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
ITERE are a few standing rules to be observed in an&#13;
u agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 18 (#38) ##############################################&#13;
&#13;
18&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans.&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possi ole, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 28. 68. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 19 (#39) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
19&#13;
GENERAL NOTES.&#13;
strong support which, with the untiring energy of&#13;
its founder, Sir Walter Besant, carried the society&#13;
forward in difficult days on its fortunate career.&#13;
All members, therefore, owe to Mr. W. Holman&#13;
Hunt, O.M., a deep debt of gratitude.&#13;
OUR PRESIDENT.&#13;
We know that our members will learn with&#13;
gratification that His Majesty has added the&#13;
name of Thomas Hardy, our President, to the&#13;
very select roll of the Order of Merit. To&#13;
no writer of English could the distinction have&#13;
come more appropriately, for in Thomas Hardy we&#13;
have the finest expression of the literary man now&#13;
remaining with us. While he maintained his&#13;
his&#13;
original rôle of novelist his work was a model alike&#13;
for its breadth of conception and acate and delicate&#13;
treatment. His descriptions of woodland and&#13;
heath are veritable translations into words of the&#13;
English countryside. His power of dealing with&#13;
the gravest passions that shake the human soul make&#13;
of him a great tragedian, and this power is all the&#13;
more wonderful when we see it displayed alongside&#13;
of his shrewd insight into rustic simplicity and&#13;
broad appreciation of rustic wit. At a time when&#13;
only our late President, George Meredith (himself,&#13;
by the way, a member of the Order of Merit), dis-&#13;
pated with him the supreme place as an English&#13;
novelist, Mr. Hardy decided that his work as a&#13;
novelist was over, and embarked upon his magnifi-&#13;
cent epic exploit, “The Dynasts." It is no part of&#13;
our business to attempt to praise the merits of this&#13;
great work. We only allude to it in proof of the&#13;
high and serious intent which has always charac-&#13;
ich has always charac.&#13;
terised our President's work and as furnishing a&#13;
further reason why the King should have him in&#13;
honour.&#13;
THE NEW COPYRIGHT BILL.&#13;
We publish as a supplement to this month's&#13;
Author the memorandum on the Imperial Con.&#13;
ference and the Copyright Bill.&#13;
It is difficult to say what will be the result of&#13;
the whole matter, as it is not only essential to&#13;
wait till the Act is passed, but it is also essential to&#13;
know what view the colonies will take on these&#13;
important issues.&#13;
It is useless to disguise the fact that there is&#13;
some danger, if the colonies do not come into line&#13;
with the mother country, that the English treaty&#13;
with the United States may be upset and inter-&#13;
national relations prejudiced.&#13;
In regard to the Bill itself, we shall be pleased&#13;
to receive criticism upon it for the benefit of the&#13;
committees of the society that are interested in the&#13;
subject, and, if necessary, for publication, but those&#13;
who criticise the Bill must remember that the great&#13;
point before the draftsman was to bring the statute&#13;
law into uniformity with the Berlin Convention.&#13;
The Bill, although not perfect, is not unsatis-&#13;
factory when this point is taken into consideration.&#13;
Conorio&#13;
Copyright property is protected for a longer period&#13;
than at present, and the definitions of it are con-&#13;
siderably widened to the great benefit of the holders.&#13;
THE PEnsion Fund.&#13;
M. W. HOLMAN HUNT, O.M.&#13;
In accordanoe with the wish of several members&#13;
We hare, with deep regret, to record the death of the society, the Committee of Management have&#13;
of W. Holman Hunt, 0.M., which occurred decided to publish, once every year, a full list of&#13;
on September 7.&#13;
the annual subscribers to the Pension Fund,&#13;
His work in his own particular department of together with the amount subscribed.&#13;
art is too well known to our readers to need Members will find the full statement on page 3.&#13;
capitulation here.&#13;
We would remind members that the regular lists&#13;
His association with the Society of Authors of donors and subscribers printed monthly in&#13;
dates practically from its commencement, as he The Author comprise only the fresh subscriptions&#13;
joined its ranks in 1885. He was therefore among and fresh donations to the fund. We mention this&#13;
the first, as well as among the most distinguished, now, as at the beginning of the year it happens,&#13;
of those who have given the work of the society not infrequently, that the regular annual sub-&#13;
their support. Although, latterly, increasing years scribers complain of the omission of their names&#13;
prevented him from taking any active part in the in The Author.&#13;
society's affairs, he was not without interest in its&#13;
work, and, indeed, consulted the secretary from&#13;
DRAMATIC AND MUSICAL LAW.&#13;
time to time on points connected with the law of&#13;
copyright.&#13;
We have much pleasure in commending the&#13;
The early support of such men as Holman third edition of a work on “ Dramatic and&#13;
Hant was necessary to aid the society in surmount- Musical Law," by A. A. Strong, published from&#13;
ing the obstacles placed in its path, and it was this the Era office. The writer states in his preface&#13;
&#13;
&#13;
## p. 20 (#40) ##############################################&#13;
&#13;
20&#13;
THE AUTHOR.&#13;
that an endeavour has been made to explain in For book and serial rights it ought to be&#13;
as simple a manner as possible such parts of the possible to get at least £15 in Sweden, and more&#13;
law as relate to subjects with wbich the profession when the work is sold for the three Scandinavian&#13;
is concerned, and that legal terms have as far as countries. We trust that authors will make a&#13;
possible been avoided.&#13;
careful note of this for their future guidance.&#13;
Although the book bears principally on the&#13;
contracts of actors and artists, yet there are some&#13;
useful chapters for the consideration of dramatists THE INFLUENCE OF REVIEWS.&#13;
and composers carried out along the lines laid upon&#13;
himself by the author.&#13;
We are glad to note that, in spite of the para-&#13;
BY A WOMAN NOVELIST.&#13;
graphs which have recently appeared in the Referee,&#13;
PART I.&#13;
Mr. Strong states that the society has done&#13;
excellent service in many ways to dramatic authors.&#13;
DRACTICALLY everyone is agreed that&#13;
We can find no reference, however, to either of T reviews do influence to some extent the&#13;
the cases Scholz v. Amasis and Colles v. Maugham,&#13;
fortunes of a book, and the question there-&#13;
in both of which the judge laid down very clearly fore becomes one of the degree in which they do&#13;
some of the precepts of the laws which bind so. This is a problem of never-failing interest to&#13;
dramatic authors and govern contracts with agents. all brothers and sisters of the pen, and it is perhaps&#13;
It is possible, however, that the author, desirous of the one which they are the most fond of discussing&#13;
doing away as far as possible with the mere formal among themselves. The most widely different&#13;
parts of case law, intentionally omitted many of the views are held on it, and that, too, by the same&#13;
cases he might have quoted.&#13;
individuals at different periods of their literary&#13;
careers ; there is indeed room for difference of&#13;
opinion, for the nature of the problem is such&#13;
TRANSLATION RIGHTS IN SWEDEN.&#13;
that it can never be finally settled.&#13;
“ How far do reviews influence the fortunes of a&#13;
We should like to draw the attention of mem- book ?"&#13;
bers to the prices paid for translation into the Writers are perhaps too fond of looking at the&#13;
Swedish language.&#13;
question from their own point of view as writers,&#13;
A gentleman who has had great success in and it may therefore be useful if we consider it&#13;
marketing these rights is constantly met by the from the point of view of the Press which publishes&#13;
contention set up by publishers and editors of reviews of books.&#13;
papers in Sweden that they can get the translation If we do this we shall at once perceive that&#13;
rights of the best authors in England for the not every journal looks at literature from the same&#13;
absurdly low figure of £5. Either, therefore, those angle.&#13;
who are acting as agents for the author or the First, there are the papers which have a sincere&#13;
authors themselves are underselling their market. respect for literature and are anxious to draw the&#13;
Sometimes an author is foolish enough to hand attention of their readers only to the best work&#13;
over the power to market his rights of translation of all kinds that comes out, ignoring the bad.&#13;
to the publisher. If this is the case, it is quite These papers are rather fond of “discovering"&#13;
possible that the publisher, who ought only to be and holding up to public admiration young and&#13;
the agent for the production of the work in book unknown writers.&#13;
form, will sell them for anything he thinks they Second, there are the papers which look upon&#13;
will fetch, having little interest in keeping up the books as so much news material. They are not&#13;
author's prices, and merely hoping to add a few interested in the vast majority of new publications,&#13;
pounds without much trouble to the amount he the works of writers who are either unknown or&#13;
has already received out of the book. If this was unsuccessful. But the new novel of the popular&#13;
also the view that the bona fide literary agent took, author whose fame is established is a matter of&#13;
the matter is more serious ; but we hardly think general interest and it must be reviewed ; that is&#13;
that the agent is equally to blame, for an agent to say, the public must be told the plot, on the&#13;
lives by the fees he obtains, and it is, therefore, to day of publication, just as the last new book of&#13;
be presumed that it is to his advantage to keep gossipy reminiscences, or serious works—such,&#13;
the market price as high as possible. But whether for instance, as Lord Cronner's monograph on&#13;
the fault arises through the laxity of the agent or Egypt-are reviewed, so to speak, all hot from&#13;
the publisher, the author should forbear to sign the press.&#13;
any contract where these rights are practically The surest sign to a writer that he has “arrived”&#13;
thrown away.&#13;
are simultaneous notices in papers of this sort ;&#13;
&#13;
&#13;
## p. 21 (#41) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
21&#13;
and the surest sign that his day is over is when pathetic and wide-minded reviewing has created&#13;
he no longer gets such notices.&#13;
the supply, with the result that the work is now&#13;
Third, there are the papers which are interested done largely by people of the sort who thirty or&#13;
in other things, and only print from time to time forty years ago would have shrunk from the&#13;
a few notices of books in a perfunctory sort of notion of "writing for the Press.”&#13;
way.&#13;
Reviewers are nowadays both better educated&#13;
I might add several more classes, but I have and better paid than they were a generation ago.&#13;
said enough to show that no book is likely to Editors have had to go pretty far afield in their&#13;
receive the same treatment all round when it is search for people who possess all the varied&#13;
regarded from so many points of view. Yet qualifications necessary, and though you will&#13;
some young authors seem to expect universal sometimes hear the people thus discovered stig-&#13;
eulogy-indeed, it is quite comic to hear them matised as “gifted amateurs," I am sure that&#13;
wondering why the Literary Tomahawk, for the whole body of writers of books are to be&#13;
instance, should have dismissed the masterpiece congratulated on the change. Call them amateurs&#13;
in a few contemptuous lines, when the Daily if you like—it is certain that they write much&#13;
Something Else had such an appreciative notice. better than the old-fashioned professional.&#13;
There is little doubt that publishers, who Nevertheless, reviewers are by no means&#13;
certainly ought to know, are on the whole inclined infallible. It is a most curious and also intruc-&#13;
to think that a universal chorus of praise from tive occupation for a young author to consult the&#13;
the Press on the day of publication is the best file of any well-known literary journal of ten or&#13;
reception for a book.&#13;
fifteen years ago, and just glance through the&#13;
Next to the simultaneous burst of praise, I reviews to see what was then being praised. I have&#13;
understand that publishers like a book to have, lately been doing this, and I have been really&#13;
say, five or six good long reviews at the moment astonished to see how little has survived of much&#13;
of publication, followed by a continual dropping that was then praised, and, as it seems to us now,&#13;
fire of reviews lasting for two or three months. extravagantly praised ; also, what is more&#13;
Here I may say in parenthesis that my remarks important, that sometimes really good work was&#13;
should be understood to be applying on the whole inadequately noticed and even “slated.”&#13;
to novels. In the case of other books, such as George Gissing is perhaps the most startling&#13;
biographies, travels, and the like, there are no example of blindness on the part of the critics. He&#13;
such extremes of success and failure as you see in is now acknowledged to have been one of the&#13;
the fiction market ; it is also clear that their sales masters of later Victorian literature. The lack of&#13;
are affected to a considerable extent by reviews, appreciation with which he was treated by his&#13;
which are, on the whole, adequate and constant. contemporary critics seems to me to indicate very&#13;
This brings us to the question, “ Who are the clearly the truth of the theory that modern&#13;
critics? Who are those strange, shy, yet powerful criticism is divided into two hostile camps-one&#13;
birds, the reviewers ?”&#13;
composed of critics who only regard as seriously&#13;
If we are to believe their enemies, who are worthy of consideration the advanced realistic&#13;
chiefly unsuccessful authors, they resemble some school ; while the other consists of people who&#13;
times that quaint Australian bird called the laugh- would bar to the writer of fiction the whole of&#13;
ing jackass, and at other times the cruel and the sordid, the terrible, and I think we may add,&#13;
carnivorous eagles and vultures. The truth is the passionate side of life. Gissing, like life itself,&#13;
that reviewing has become a highly specialised held the balance even, or rather, like life itself, he&#13;
branch of literary work, and although it has not found that the scale turned very heavily, for most&#13;
yet with us attained to the dignity of a creative of the men and women who compose the world, on&#13;
art, which it undoubtedly holds in France at this the darker side. But though he could deal, as he&#13;
moment, yet it has made great progress, even showed in “ The Nether World” and “ The&#13;
within my own recollection. I do not wish to be Unclassed,” with even the darkest of modern&#13;
led into a long historical digression, but it is plain social problems, he was too true an artist to&#13;
that the mid-Victorian method of reviewing, delight in the unrelieved darkness and horror to&#13;
which I may briefly describe as alternate slabs of which a small group of modern novelists now&#13;
praise and blame administered in a very con- exclusively turn their attention.&#13;
descending tone and in very bad, hackneyed Would Gissing and his work be treated now as&#13;
English, has gone out as completely as have horse- he was treated during his comparatively short,&#13;
hair sofas and waxen fruit. Indeed, it practically labour-filled life? Probably not. Unfortunately&#13;
survives only in stray corners of the London and for him, he wrote his best books—“ New Grub&#13;
provincial Press.&#13;
Street," “ In the Year of Jubilee," and so on-at&#13;
The demand for more intelligent, more sym- a time when the battle was raging fiercely round&#13;
&#13;
&#13;
## p. 22 (#42) ##############################################&#13;
&#13;
22&#13;
THE AUTHOR.&#13;
the so-called "sex" novel, and so busy were the His lordship accordinglydismissed the action, but&#13;
critics of that day in either extolling or damning without costs, on account of the representation on&#13;
the works of certain writers who are now, we may the book that it was printed and published by the&#13;
venture to say, completely forgotten, that they had Daily Chronicle.&#13;
no time to spare for the work of the author of In the course of the case it was stated that it is&#13;
“ Demos."&#13;
not unusual to put the name of the customer on&#13;
the book as the printer and publisher, at the&#13;
customer's request. His lordship expressed the&#13;
LICENCE TO PRINT AND PUBLISH. opinion that if it is a common practice, the sooner&#13;
it becomes uncommon the better.&#13;
In cases of this kind, when the copyright owner&#13;
Booth v. EDWARD LLOYD, LTD.&#13;
is led to believe that his copyright has been&#13;
M H E plaintiff in this case, Mr. Josiah Booth, infringed, it is advisable that he should com-&#13;
was the composer of a musical composition municate at once with his licensee.&#13;
entitled “ Commonwealth,” and the owner&#13;
HAROLD HARDY.&#13;
of the copyright. In October, 1907, he gave a&#13;
licence to Messrs. Reid Bros., music publishers,&#13;
which was as follows:&#13;
“Received from Messrs. Reid Bros., Ltd., the THE SPIRIT OF ROMANCE.*&#13;
sum of £4 4s. for permission to print, publish,&#13;
and sell separately and in book form my musical&#13;
M HE Spirit of Romance” may be recom-&#13;
setting of Elliott's words • When wilt thou save&#13;
mended to a very wide circle of readers.&#13;
the people,' and known as “Commonwealth.'&#13;
Mr. Pound has found the wit to write,&#13;
This permission is not withdrawable and is for&#13;
on a most interesting subject, a book that will be&#13;
the term of the copyright.”&#13;
The composition was published by Reid Bros.&#13;
perused with pleasure by the general reader, will&#13;
prove an excellent introduction to romance studies&#13;
in a book of sacred songs ; but, in January last,&#13;
Sliby those who are first entering upon them, and&#13;
the plaintiff discovered that the composition was&#13;
will recommend itself to those who have long&#13;
being circulated in a book of election songs,&#13;
occupied themselves with those studies, on account&#13;
which contained a statement on the front page&#13;
of the very suggestive nature of many of the.&#13;
that it was printed and published by the Daily&#13;
author's remarks.&#13;
Chronicle.&#13;
Mr. Pound explains in his first chapter what he&#13;
The plaintiff, therefore, instructed his solicitor,&#13;
means by “ Romance," the languages derived from&#13;
and in the correspondence which followed he was&#13;
Latin, and the literature of those languages.&#13;
informed by the defendants' solicitor that the book&#13;
Roumanian is ignored, but even so the subject is&#13;
had in fact been printed and published and sold&#13;
immense, and could not be fully dealt with in an&#13;
to the defendants by Reid Bros.&#13;
The action was brought against the printers&#13;
encyclopædia, to say nothing of a work of modest&#13;
dimensions. That Mr. Pound at once admits.&#13;
and publishers of the Daily Chronicle for an&#13;
He also disclaims, and for definite reasons, all&#13;
injunction and damages for infringement of&#13;
copyright.&#13;
philological questions; and we think his posi-&#13;
tion—that there is such a thing as the study&#13;
It appeared from the evidence that in December&#13;
last the defendants gave Reid Bros. an order for&#13;
of literature for the sake of the literature-both&#13;
sound and worthy of very serious consideration.&#13;
100,000 copies of the book of election songs, and&#13;
It is the opposite of knowing all about books and&#13;
that Reid Bros. had the copies printed and sold&#13;
their authors without knowing anything about the&#13;
them to the defendants, at whose request the&#13;
words "printed and published by the Daily&#13;
books themselves, of which humour we have at&#13;
Chronicle” were inserted on the front page.&#13;
present a great deal too much. Mr. Pound deals&#13;
also with poetry only. That is a less justifiable&#13;
Mr. Justice Neville, in giving judgment for the&#13;
limitation ; but one, in the present case, very&#13;
defendants, said that the question was whether&#13;
pardonable, for we get a poet's thoughts about&#13;
Messrs. Reid Bros. bad committed a breach of their&#13;
licence by printing and selling the copies to the&#13;
poets. Having thus cleared his ground, the author&#13;
defendants, and he came to the conclusion that&#13;
presents us with ten chapters, isolated sketches,&#13;
they had not. The licence was in general terms.&#13;
so to say, gathered from the immense perspective&#13;
If the author intended to limit his licensee to&#13;
opened by his subject--ranging from the Latin&#13;
post-classical authors to the imitations of classical&#13;
printing and publishing the work in his own&#13;
name he should take care to insert words expressly " The Spirit of Romance," London, J. M. Dent &amp;&#13;
limiting the licensee to that personal right.&#13;
Sons,&#13;
&#13;
&#13;
## p. 23 (#43) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
23&#13;
poetry written by the men of the Renaissance. Crawford's library fetched £6022s. It was of a&#13;
Between the extreme limits, Provence, Italy, miscellaneous character, including well-known&#13;
France, Spain, and Portugal all claim attention expensive books of reference, but nothing very&#13;
in turn, and about every one of them Mr. Pound remarkable. A great part of Mr. Brough's library&#13;
has interesting things to say and suggestive was sold in lots at small prices. An unusual lot&#13;
thoughts to offer. The same authors appear that was Mrs. Inchbald's original autograph MS. of&#13;
will be found in Sismondi’s “Literature of “Animal Magnetism.” Sotheby sold (April 25)&#13;
Southern Europe.” They are the authors that for £8,650 a collection of MSS. (Correspondence,&#13;
must appear if the work of the best is to be taken etc.), relating to the American Colonies during the&#13;
into consideration ; but the things that Mr. Pound last quarter of the 17th century, including, inter&#13;
remarks are full of originality, and many of his alia, the original draft of the grant made by&#13;
observations deserving of profound consideration. Charles II. of the province of Pennsylvania to&#13;
We were particularly struck by one that he makes William Penn, dated March 4,1681. Hodgson &amp; Co.&#13;
when writing of Quevedo :-&#13;
sold (April 21) a first edition of “The Vicar of&#13;
“Is there no one who reads the poetry of this Wakefield ” (2 vols., Salisbury, 1776-8), for £67.&#13;
period for love's sake, and not for scholarship, who Among curious items may be mentioned two pro-&#13;
will make us an anthology ; no one whose mind is hibitions of horse-racing put forth by Oliver&#13;
undefiled by the pseudo-classicism of eighteenth- Cromwell (Feb. 24, 1645, and April 8, 1658), sold&#13;
century opinion who will separate the Spanish by Sotheby for £5 and £13 respectively. Taken&#13;
poetry of this time from the Spanish translations as a whole the most interesting of the sales was “a&#13;
and imitations of every foreign writer from Anacreon further portion" of the library of Mr. J. W. Ford,&#13;
to Tasso, and deliver their collection to those of us of Winchmore Hill (Sotheby, May 26 and three&#13;
who love true poetry, and have not leisure for days following).&#13;
original research?”.&#13;
That sentiment is evidence of how really Mr.&#13;
Pound has made himself acquainted with Romance&#13;
CORRESPONDENCE.&#13;
literature for the literature's own sake, and at the&#13;
same time a most pertinent statement of a real&#13;
need. Many of the Romance writers are neglected,&#13;
THE FATE OF REVIEW COPIES.&#13;
and the substantial merit of their original work SIR,—What ought we to do with review copies ?&#13;
overlooked in consequence of the enormous amount We cannot keep them all, for lack of storage room.&#13;
of derivative verse that most of them have produced. Ought we to destroy them? I do destroy some in&#13;
No less pertinent is a quotation from Ercole Cuccioli, order to avoid responsibility for increasing the&#13;
“Everyone recognises the period, but what is lacking circulation of a bad book, either by denouncing it&#13;
is a careful study of the works themselves.” There or by leaving it to lie about. But the others-&#13;
was never a date when that was more true of every what should we do with them? I have a con-&#13;
literary period than it is at the present day. Mr. science against destroying a good book.&#13;
Pound's book is, however, full of observations of&#13;
Mr. Swallow says that the editor of a newspaper&#13;
this sort, and we strongly recommend a "study of receives a review copy gratis from the publisher.&#13;
the work itself.”&#13;
Is that quite true ? Or is the value of a review as&#13;
advertisement at least equal to the price of the&#13;
book ? In that case the copy is well paid for. If&#13;
BOOK PRICES CURRENT.&#13;
that is not the case, why are copies sent out ?&#13;
Editors' rooms and reviewers' studies are&#13;
flooded with books which they do not want and&#13;
Vol. XXIV., Part IV.&#13;
of which they will take no notice. Why not leave&#13;
them to purchase those they do want?&#13;
M HOUGH “Book-Prices Current" (of which&#13;
Yours faithfully,&#13;
we have received from Mr Elliot Stock the&#13;
A REVIEWER.&#13;
fourth part of Vol. XXIV.) is always&#13;
interesting, the number of actually remarkable lots&#13;
necessarily varies, and the part before us contains&#13;
CO-OPERATIVE PUBLICATION.&#13;
fewer than usual. The sales recorded are those SIR,-Mr. Swallow's letter in the last number of&#13;
between the dates April 13 and June 11, 1910, inclu- The Author brings to the front again the question&#13;
sively. The attention of authors is likely to be more of authors' co-operative publication. On looking&#13;
particularly attracted by the sale (Sotheby, May 9) through the list of our Council and our Committee&#13;
of the library of Mr. F. Marion Crawford, and that of Management I come across not a few names of&#13;
of Mr. Lionel Brough (Sotheby, April 21). Mr. those who, on its own merits, believe in co-operative&#13;
&#13;
&#13;
## p. 24 (#44) ##############################################&#13;
&#13;
24&#13;
THE AUTHOR.&#13;
movement ; and whose presence in our society number it would be stated that, say, only a fifth of&#13;
certainly might be advanced as proof of their more an edition were being published, while in the case&#13;
than merely perfunctory interest in browbeaten of a large number it would have to be stated that,&#13;
authors. One would imagine, therefore, that these say, twenty editions were being brought out, and&#13;
gentlemen would advance only too eagerly such a both would be misleading staternents, for each&#13;
movement. A basis of operations is provided might be a complete edition.&#13;
ready to hand in the society itself, working from This matter has been dealt with previously in&#13;
which, well conducted, a publication department The Author ; in November, 1905, p. 34, under&#13;
should not only provide extra profits to all, but “Committee Notes," it is stated that the advisability&#13;
should materially aid the various funds of the of fixing the unit of an edition was under discussion,&#13;
society. Nor would it mean any necessary and that it was decided to write to the Chairman&#13;
“ patronage” from authors who can command of the Publishers' Association to obtain the opinion&#13;
substantial sums from publishers in the ordinary of that body upon the subject. In the following&#13;
way; for apart from the subsequent division of number, p. 96, appeared a letter from me, entitled&#13;
profits they would still have agreements arranged “Unit of an Edition," and in that of March, 1906,&#13;
on detailed business lines. They would not lose, p. 188, one from Mr. J. M. Lely with the word&#13;
whereas younger and more harried authors would « The " added to the title. (The latter letter was&#13;
gain enormously.&#13;
entered in the index, wbile mine, for some reason,&#13;
One would not like to minimise in any way the was not.) Mr. Lely refers to fixing a number and&#13;
use of the society ; but, as things now are, how stating that, say, only a half or quarter of an edition&#13;
many authors have found that to get Mr. Thring's were being produced, and lays great stress on the&#13;
kindly and admirable advice as to a fair agreement importance of having the date of publication on the&#13;
is one thing, but to get the slightest alteration in title-page.&#13;
a publisher's dictatorial proffer is wholly another ? In my letter I suggested that it should be agreed&#13;
And how many authors, having difficulty with to by publishers that the word “issue" should&#13;
their publisher, shrink from turning to the society mean all those copies of a work published simul-&#13;
for aid, as this means they will be " black-balled " taneously. The work, on appearing, should bear&#13;
in future ?&#13;
its date, and it could be stated that it be the first,&#13;
The whole position is obvious. The society second' or any other issue thereof, and any word&#13;
must needs fail in much of its professed intention, expressing more than “first” would show that it&#13;
unless it is proposed to step forward and consider was a re-issue of a work in precisely the words in&#13;
the prime question of publication. And why which it originally appeared. The alteration in&#13;
should this not be done on co-operative lines ? the form of a work (type or arrangement) scarcely&#13;
I venture to assert that this is not a windy needs to be notified to the public in the book itself;&#13;
proposal, but a matter meriting the serious the important thing is to notify any change of&#13;
attention of the management.&#13;
matter. I suggested, further, that the word&#13;
Yours faithfully,&#13;
"edition” should be reserved for every issue of a&#13;
work which had undergone any revision or altera-&#13;
tion ; so that, if it were stated that a book was&#13;
the second, third, fourth or other edition of a work,&#13;
EDITION AND ISSUE.&#13;
one would know at once that it had undergone&#13;
alteration once, twice, thrice or oftener. The date&#13;
SIR, - In the February number of The Author, should appear on every edition ; and, if it were&#13;
p. 142, under the heading “Publishers' Methods," desired-though it is not necessary-it could be&#13;
occur the following words : “ We have often urged stated : Second Edition, Fourth Issue, or whatever&#13;
that the Publishers' Association should agree to a number of each were correct. (It really does not&#13;
unit for an edition.” In the April number, p. 195, matter to the public how many copies constitute an&#13;
under the heading “The Unit of an Edition,” there edition or issue of any work.) I think that the&#13;
is a letter from the Publishers' Association stating use of these two words in the sense suggested would&#13;
that it does not appear to its Council “to be prac- overcome all existing difficulties and, with the date,&#13;
ticable to fix any definite number of copies which give the public information very much desired.&#13;
shall be regarded universally as the unit for an A committee of the Publishers' Association&#13;
edition," and setting forth the extreme difficulty of reported on this matter in July, 1898, but it seems&#13;
so doing. The suggestion revived in the note pre- very little known and nothing appears to have&#13;
ceding the letter : that a number should be agreed come of it. Its suggestions certainly do not appear&#13;
upon and that it should be stated that a complete, to quite meet the case and to be somewhat contra-&#13;
a half or a quarter of an edition was being issued, is dictory and unnecessarily complicated.&#13;
also quite impracticable; in the case of a small&#13;
HUBERT HAEs.&#13;
D. F.&#13;
&#13;
&#13;
## p. 24 (#45) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
THE LITERARY YEAR BOOK. // DO YOU WRITE PLAYS ?&#13;
The International Copyright Bureau, Ltd.,&#13;
can be of service to you.&#13;
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Publishers, 12, Paternoster Row, London,&#13;
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Educated Operators, GOOD PAPER, Standard Machines,&#13;
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&#13;
&#13;
## p. 24 (#46) ##############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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sitting-toom and bedroom with good service and use of&#13;
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some young writer (or possibly two girl friends, as there is a&#13;
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Norfolk Street, Strand, W.C. Telephone 8464 Central. Piccadilly, W.&#13;
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TYPEWRITING.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/-. Plays and General&#13;
Copying. List and specimen of work on appli-&#13;
cation.&#13;
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...£4 0 0&#13;
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1 ... 3 oo&#13;
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... ... 1 100&#13;
Quarter of a Page .. . .. " **&#13;
...&#13;
***&#13;
... 015 0&#13;
"&#13;
Eighth of a Page ... ... ... ... ... ... ... 076&#13;
Single Column Advertisements&#13;
per inch 060&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Twelve Insertions.&#13;
Advertisements should reach the Office not later than the 20th for&#13;
Insertion in the following month's issue.&#13;
All letters respecting Advertisements should be addressed to the&#13;
ADVERTISEMENT MANAGER, The Author Office, 39, Old Queen Street,&#13;
Storey's Gate, S. W&#13;
"Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London E.C.</text>
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                    <text>The Author.
THE

ORGAN

THE

OF

SOCIETY

OF

AUTHORS

( INCORPORATED ).

FOUNDED

BY

SIR WALTER

BESANT.

.,

LD

1911

LONDON

AND

TONBRIDGE

.

the Society

.

CO

.

AGNEW

,

,

BRADBURY

&amp;

Published

by

for

VOLUME XXI.

�808
A937
v

.21-22

,
,
,
BRADAURY, AGNEW &amp; co . LD . PRINTERS
LONDON AND TONBRIDGE.

�Giki
Hartman

T42

- 139636

INDEX
. XXI.

Vol

Nos .

1

–

,

OCTOBER

10

1910

—

JULY ,

1911

Copyright Artistic
Bill

..
.
,

,

..
.

94

..
.

..
.

.
..
..
.

,

,

..
.

,

,

..
.

..
.

. .
I ..
1

167
120

.. ..
. .

..
.

..
.

14 93

19
,

..
.

..
.
43
,

..
.

..
.
..
.

56

.. I
.
28
,

..
.

200

..
.

.
..
..
.

..
.
..
.

of

...
..
.
..
.
.. "
. .

114

126

,

51

77

..
.

209

.
..

. *
.. *
.
..

..
.

237

.

101 128
210

268

238

..
.

,

..
.

..
.

and the Libraries

208

.. ...

Society and

.
..

... ... ...
. .
K
. .. .. ..
S . . .
.
'

'

1

Agreements

Authors and Free Libraries

,

|
|

..
.

..
.
..
.
..
.

Manuscripts

C

in

,

76
40

States

..
.

..
.
. in ..

Authors

Agency Clauses
Publishers
Alcott Miss Louisa
American Slang

,

,

.
..
..
.

122

Repre

..
.
*
**

Alterations

'

216

,

...

..
.

,

..
.
..
.

,

201

:

,

,

,

158

Correspondence

Authors Agents

225

the United

States Register

Academic Committee

,

135

of

-

Transfer

Cinematograph

...

in

Fiction and
sentations
Registration

United

..
.

..
.
..
.

,

107

..
.

..
.

...
..
.
.
..

..
.

Cheap Books and United States Markets

146

Con

Authors and United States

224

133 156 191 214 242

,

..
.

Infringe

..
.

Duration
English

227

238

.
..
..
.

..
.

Conspiracy

Convention
the Pan American
gress
Buenos Aires

in

.

.
, .

..
.

..
.

to

..
.
82
,

,
61
,
84
,

11

...

)

..
.

,
29
,
57
:
81
,

7

Cat from the Bag

”

“

Cases

Magazines

..
.

Canadian

.
..

CAMILLE Lemonnier

Sketches

of to ..
.

Canadian

257

108 134 157
191 215 243

,

,

30

,

in

America

{
8

by

Members

(

.

,

Published

Adhesion

Price

..
58 .
,

Portugal

's

,

Convention

145 168

105 131 154 185 213 241
Agreements
140

..
.

Hall

Sub Committee

Books and their Published

..
.

..
.
..
.

Honours

America

BERNE

..
.

..
.

..
.

,
27
,
55
,
80
,

5

Coronation

..
.

,

.. ...
.

..
.

..
.

..
.

..
.

..
.

and Royalty

British

and Music

145 168

..
.

..
.

,

President

Composers

250200

..
.

General Meeting
Roll

94

..
.
, 43
,

..
.

..
.

.
..

..
.
..
.

Dinner

..
.

Society

..
.

,

Club

.. .. .. .. ..
. . . . .

..
.

and Income Tax
and Typists

Authors

149
200

119

..
.

..
.

Anthologies

..
.

,

Tariffs and Book Production

•

,

Some Beauties

37
139

...
..
.

Slang

American

...

...

167

' Manuscripts

Notes

at

...

Literary and Dramatic

Alterations in Authors

146
148

.
, ..

...

·

' Agreements

Clauses in Publishers

,

of

Agency
agents

...

,

...

Terminology

224
224

,

...

Aeronautical Society and English

Editors
Committee Election

Commercial

,

...

70, 181, 208, 220

...

74 209

...

71

...

19

ACADEMIC Committee
Advertising , Ethics of

Colonial Markets

..
.

PAGE
PAGE

�INDEX
PAGE

1

..
.

43
39

,
I ...
20
,

..
.
of

..
.

..
.

!

..
.

..

...

.. ..
. .

88

...

..
.

&amp;

Co
.

22 116

.
.
..
.
.

r

...
...

164

Co

..
.

76

..
.

..
.

..
..
..
.

-

..
.

..
.

..
.

,

,

,

175 202 231 259

,

,

,

,

109 136 159 193
217 244

,

,

61

..
84
, .

.. ..
. .
..
.

,

11

Literary Dramatic and
Musical Notes

T

I ...

, in

Print and Publish
Style

167

..
.
!.
..
.

..
.
..
.

Copy Photographs

,

&amp;

Hurst

33
,

to

in
a

Libel
Novel
Library Copies
Licence

Ellis

Camille

..
.

,

)

York

(

New

Lemonnier

v
.

"

!

La

.r
“

)

,

.
..

r

.

Wellington
Whitehead
Paris
Hémon
Madame
Société des
Anciens établissements Pathé Frères

,

,

,

120
45

146

..
.

Agreement

88

,

. .
.. ..

.. ..
. .

..
.

..
.

,

,

..
.
67
,

..
.

..
.

of

.. ..
. .

's

102 127

..
.

N

..
.
..
.

.:
Public

..
.

Its
in

Libel

145 181
93

116

M

,
40
,
67
,
..
. 90
,

16

and the Society

Fublishers

..
.

,,

,

Reprocluction

Halls and Theatrical Sketches
Hall Sketches and Composers

Novel and
,

.
..

..
.

,

Music Gramophone

142 164 221

..
.

... ...

MAGAZINE Contents

George
Meredith
Minor Rights and Publishers

.

0

.
..

.. ..
. .

W

200

195
,

219

.
, 218..
,

162
. ..
.

,
.
,
,
,

,
,

145 152

,

, 54
,52
% ,
80
, ,

104 130
154 184 212 240

,

,

..
138
, .

..
.
28
28 85
,

.
36
19
19
,
,

Pension Fund

119

113 138 162 195 218 247

,
,
,
,

..
.

Union

{
22,

46

..
.

119

Paris Notes
od

Music

.

Reproduction

..
.

Gramophone

of

Writers and Journalists
and the United States

,

Germany

English

in

PAN American

GALICIA

.
26 64 .
26
,

P

Sir

.

..
.

,
A
.

W

, ,

226

..
.

..
.

. W
S .
.
.. .. ..
. . .

:

Dubourg

Gilbert Sir
Hunt
Holman
Lyall
Alfred Comyn

,

46

OBITUARY

-

,

,

***

..
.

.,

Memorial Portrait

of

F
Mrs

,

FLOWER

Coleman

..
.

..
.

..
.

..
.

,

,

,

in

200

..
.

.
..

"

..
.

"

Review

.
..

..
.

Gramopbone

.

Monckton

Pictorials

.Co

Illustrators and Jones

.
1
'.

Bros

Carlton

...
15 78

..
.

..

82

58
,

,

...
29
,

7

..
.

..
.

,

224
Editors Commercial
Elections
107 133 156 191 214
English Authors and United States Copyright
120
Writers and Journalists
Galicia
English

186

.

Amalgamated

Bowden

,

..
.

..
.

..
.

187

..
.
..
.

.

Notices

..
.

EDITORIAL ATTITUDE

and

L

...

.r r
.

Booth

,

14
70 19

,

,

132 156 186
214 242

..
.

... of

,

-

Edward Lloyd

Belcher

(

, ,

.

221

167 235

.

, ..

, 106

, .

,

57 ..

.
, ..

28

6

.
, , .

... ... .. *.

..
.

..
.

.
..

..
.

..
.
..
.

Meeting

..
.

Lists

252

:

Reports

LAW

147

of

,

Dramatists

isto

m

SI

..
.

Situations

1

in

America

Management

Committee
Sub Committee

Copyright

r

78
152
52 152

,

.. ..
. .

D

...

"

"

Dickens Copyright Stamp
and Musical Law
Rights

-

JOINT Meeting

Literature

Dramatic

Censorship

Association
Second Congress

Press Congress

,
95

..
.

Curious Case

DE PROFUNDIS

..
.

..
.

of

52 268
50 51
78

..
.
..
..
.
..
.

..
.

..
.

.. ..
. .

..
.

182

..
.

,

Council Meeting

267

102 127
94 16823715223

Publication

Sermons
Typists

181

..
.

,

Fate

268

210

and Minor Rights

Copies

Thirty

209

49

..
..
.

.

W

..
.
F

in

,

Copyright

Prize Competitions
Publishers
Review

..
.

Fund

of
of

Pension

..
.

(
?
)

Rights

Maitland

..
.

and

. ...

'
,

George

Photographs

Literary and Artistic

International

182

.. ...
.

Libraries Censorship

Minor

51
,

23
,

.
..

..
.

How Books are Bought
Meredith

Reviews

181

..
.
, .
. ..
127. .
,

.. ..
. .

101

.. ..
. .

,

Delay

INFLUENCE

..
.

of

Unit
Editorial Attitude
Expensive Books

. .
.. ..

"

.. ..
. .

..
.

..
.

and the Society

Edition and Issue

...

...

.. .of
. ..

operative Publication

-

Co

,

Contributors Insurance
Dramatists

PAGE

.

continued

-

Correspondence

�INDEX
PAGE
.
the English

235

..
.

..
.

.. ..
. .

..
.
20
,

99 70

"

..
.

..
.

..
.

..
.
..
.

264

..
.

225

..
.

..
.

.
..

43

..
.

140

145
89

..
.

..
.
..
.

,

,

..
.

256
20

..
.

..
.

..
.

America

..
.

,

175 202 231 259

..
.

..
.

..
.

..
.

..
.

.
..

Rights

in of

States

Knowledge

...

in

.

of .
.

Christian

..
.

in

180

49
,

23
,

"

"

Literature

America

..
.
..
.

Dinner

..
.

W

Journalists Society

'

Women

..
.
66

250

.. ..
. .
..
.
87
,

..
.

..
.

Fiction

.. ..
. .

of

of

..
.

..
.

of

..
.

Picture

..
.

,
98
236

Serial Rights

in

47

..
.
..
.

.. ..
. .

100

..
.

..
.
..
.

Alteration

United States Notes

Literature

School

's

..
.

..
.
..
.

"

..
.
..
.

..
.

UNAUTHORISED

..
.

,

..
.

Typists and Authors

..
.

"

..
.

and the Newgate

..
.

..
.

T

'

..
.

"

for Promotion

of

s

..
.

"

'

...

,

of

'

“

77

,

..
.

..
.

..
.

"

..
.
..
.
..
.

”

"

"

Bookselling
selling

Novelists

States

THACKERAY and the Dignity

the Elizabethan Aye

..
.

in

Novelists

*
*

of

"

Poetry

Literary Profession
Literary Year Book

-

England

Music and Musicians

”

of

Leadiny American

-

of in

's

'

to s

•
*

*.

Year Book

Write for the Press

Inspiration

Society

Translation

..
.

's

...

Dictionary

Romance

"

a

Grove
How

Russian

Companion

the United

Publication

Sweden and United

Novels

”

of
of

"

**
“

Renaissance

*

English woman

..
.

..
..
.

..
.
"

Who

"

's

”

What Editors Want

Sketch Agreement
Style

and Musical Law

French

..
.

Edwin Drood

Waverley

..
.

Dramatic

Publisher

180

”

"

Dramatic Author

“

..
.

..
.

“

Dictionary

"

"

Dickens and Thackeray

...

Who

Wordsworthshire

22

Novel

SERIAL Rights

163

:

*
“

Confessions

“

Prices Current

Book

.. ..
.

Situations

...

”

Dramatic

Centuries

Simultaneous

*

Reviews

..
.

RAMBLING Essayist

.. .. ..
. ..

"
"

Literature
of

** “

six in

"

-

Thirty
Two

Romance

73

“

,

,

of

"
*

..

94 3

of
.

..
.
..
.

Spirit

Success

Writers and Artists Year Book
Reviews Influence
Royalty Agreements and British Composers

102 127

..
.
37
,

93
,

..
.

..
.

..
.

..

..
.
..
.

Clauses

.
67
, ..

..
.

..
.
.
..
..
.

Agency

196

continued

R

,

,

Agreements

in

...

Publishers

and Minor Rights

Publishers

Reviews

229 265 267

and

Domain

..
.

..
.
..
.

..
.

to

Licence

.
..

Public

115

Convention

Prize Competitions
Pseudonymity

..
.

,

.
..

to

Berne

List

..
.

's

Adhesion

Print and Publish

Copy

Alteration

to

Unauthorised

Portugal

,

,

Picture

Licence

,

Photographs

..
.

Committee

Complete

of

y

Annual Subscribers

-

PAGE
Pension Fund

248

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                    <text>SUPBLEMENT

II

UNITED STATES COPYRIGHT.

��BILL

A

TO AMEND AND CONSOLIDATE

RESPECTING

THE ACTS

COPYRIGHT.

CONTENTS.
PAGES

NATURE

OF

COPYRIGHT

SUBJECT-MATTER
WHO

OF

MAY OBTAIN

HOW TO SECURE
DURATION

OF

COPYRIGHT

OF

COPYRIGHT

COPYRIGHT

COPYRIGHT
(Secs.

1 3)..................................................................

5

................................................... ...

5.

(Secs. 4 7)
(Sec. 8)

(Secs.

(Secs.

CopyRIGHT

OFFICE

MISOELLANEOUs

COPYRIGHT

COPYRIGHT

Protection of
TRANSFER

(Secs.

............................................................

6 7

.........................................................

7 9

............................................................

9 10

.........................................................

10 15

9 17)

18 20)

(Secs, 21 36)
(Secs. 37 45)

..................

******************************************

46 60).....................................................................

PROVISIONs

(Secs. 61 64)

.........................................................

15 16
16 19
19

��A B

AND CONSOLIDATE THE ACTS

RESPECTING

COPYRIG HT.

:

or

Copy

;

a

of or

or

in

of

to

of

of

of be of

or

a

of

or ; to

or

of

to by

or

to

or

or

in

let

or

;

or

of

to

in

or

of a

or

;

or

by

;

or

a

it

to

(e)

or

or

:

or

in

or

or

of

or

let

Be it enacted by the Senate and House of Representatives of the United
States of America in Congress assembled, That the copyright secured by Nature and Extent
right.
this Act shall include the sole and exclusive right
(a) For the purposes set forth in subsection (b) hereof, to make
any copy of any work or part thereof the subject of copyright
under the provisions of this Act, or to abridge, adapt, or translate
into another language or dialect any such work, or make any other
version thereof;
keep
(b) To sell, distribute, exhibit, or
for hire,
offer
for sale, distribution, exhibition,
hire any copy
such work
public for profit,
(c) To deliver,
authorize the delivery of,
any copyrighted
lecture, sermon, address,
similar production
prepared for oral delivery
represent
copyrighted dramatic
(d) To publicly perform
work,
convert
into novel
other non-dramatic work
To dramatize any copyrighted
non-dramatic
work and
produce the same either
publication
performance
copyrighted musical work,
any
(f) To publicly perform
part thereof,
public performance
for purpose
the purposes
set forth
subsection (b) hereof
make any arrangement
setting
any system
such work,
the melody thereof,
notation
(g) To make, sell, distribute
for hire any device, contri
appliance especially adapted
any manner whatsoever
Vance
reproduce
any material part
any
the ear the whole
work published and copyrighted after this Act shall have gone into
effect,
any such device
appliance publicly
means
reproduce
any material part
the ear the whole
such work
adaptation,
(h) To produce any abridgment, variation,
arrangement
copyrighted work
art.

of

TO AMEND

LL

|

or

to

or

by

to

or

at

an

to or

in

of

or

of

2.

in

SEC.
That nothing
this Act shall
construed
annul
limit
proprietor
unpublished
work,
the right
the author
equity,
prevent the copying, publication,
common law
use
such unpublished work without his consent,
obtain damages
therefor.
to

of

or

in

5

tories, gazetteers, and other compilations,

and new matter contained

Copyright.
1,

Subject Matter

Comp. Constitution,
Art.
Rev. Stat., sec. 4952.

sec.

8
;

of

is

in

5.

to

4.

SEC.
That the works for which copyright may
secured under
this Act shall include all the works of an author.
SEC.
That the application for registration shall specify
which
the following classes the work
which copyright
claimed belongs:
(a) Books, including composite and cyclopædic works, direc

of

be

of

is

in

or

all all

all

3.

SEC.
That the copyright provided
this Act shall extend
and
protect
the copyrightable component parts
the work copyrighted,
any and
reproductions
copies thereof,
whatever form, style
size, and
already
matter reproduced therein
which copyright
subsisting, but without extending the duration
such copyright.

�6

in new editions; but not including works specified in other sub
sections hereunder ;
(b) Periodicals, including newspapers;
(c) Oral lectures, sermons, addresses;
(d) Dramatic compositions;

of ;

a

work

;

or

designs for works
art
art
scientific
works

models

of

art;

(h) Reproductions

of

;

of

Works

of

g) (f) (e)

Musical compositions;

Maps

or

a

of

as

of

in

Comp. Act of June 18, 1874, Sec. 3
(18 Stat. at L., part III, p. 79).

to

(1)

(j)

or

(i)

plastic
Drawings
technical
character;
Photographs;
(k) Prints and pictorial illustrations;
manufacture,
articles
Labels and prints relating
June 18,
the Patent Office under the Act
heretofore registered
be

:

1874
Provided,

of

or

in

in

to

of

as

nevertheless,
held
That the above specifications shall not
copyright
section four
defined
limit the subject matter
impair the
classification invalidate
this Act, nor shall any error
copyright protection secured under this Act.

to

or

of

no

to

to

be

or

no

copyright shall subsist
any
any publication
the United States government
part, thereof: Provided, however, That the
reprint,
whole
republication
publication
the government, either separately
any material
public document,
which copyright
subsisting shall not
annul
cause any abridgment
taken
appropriation
authorize any use
the copyright
ment
the copyright
Such copyright material, without the consent

That

or

by

or

of

to

or

is

in

of

of

to

or

of

be

a

in

or

or

or

in

(a)

of

In

SEC.

in

copy

;

of

as

be

or

of

or

right.

of

the original works.
7.

Not subject
matter

of

or

use

in

to

copyrighted
works and alterations, re
That additions
SEC.
compilations,
translations,
dramatizations,
abridgments,
visions,
works, whether copyrighted
arrangements,
other versions
copyright
regarded
new works subject
the public domain, shall
such copyright shall affect the
but
this Act
under the provisions
validity
any subsisting copyright upon the matter employed
force
grant an exclusive right
any part thereof,
such
construed
6.

Rev. Stat., sec. 4959; Act
of March 3, 1891, sec. 5 (26 Stat.
at L., p. 1108).

Comp.

by

proprietor;

;

of

of

or

or or

or

an

to

or of

in

by

8.

by

1787, Art. 1,
Comp. Constitution,
Sec. 8 ; Rev. Stat., sec. 4952;
Act of March 3, 1891, sec. 13
(26 Stat. at L., p. 1110).

any work made the subject
proprietor
That the author
assigns,
copyright
his executors, administrators,
this Act,
shall have copyright for such work under the conditions and for the
this Act: Provided, however, That the copyright
terms specified
proprietor
author
the work
this Act shall extend
secured
SEC.

of

who May obtain Copyright

in

or

to

of

of

a

a

of

In

any author not
citizen
work
(b)
the original text
the
the United States first published without the limits
July first, eighteen hundred and ninety-one
United States prior
any work which has fallen into the
the original text
public domain.

a

of

or

of

or

or

by

to

as

of

on

or

is
a

or

or

of

or

of

;

of

or

of

at

be

or

a

is

nation, only when such
foreign state
subject
citizen
who
proprietor,
foreign author
living within the United States
the
the time
(a) Shall
making and first publication
cotem
shall first
his work,
poraneously publish his work within the limits
the United
States
which such author
nation
(b) When the foreign state
treaty, conven
subject grants either
proprietor
citizen
tion, agreement,
Comp. Act of March 3, 1891, Sec. 13
the United States the
law to citizens
(26 Stat. at L., p. 1110).
substantially the same basis
copyright
its own
benefit

�7

citizens, or copyright protection substantially equal to the protec
Secured to such foreign author under this Act ; or when such
foreign state or nation is a party to an international
agreement
which provides for reciprocity in the granting of copyright, by the
terms of which agreement the United States may at - pleasure
party thereto.
become
The existence
the reciprocal conditions
aforesaid shall
proclamation
determined
the President
the United States,
time,
made from time
the purposes
this Act may require.
by

of

or to

at

be

to
;

of

of

a

in

case

of

in

is

of

SEC. 11. That not later than thirty days (but
the
periodical not later than ten days) after the publication
upon which copyright
claimed, there shall
deposited

of of

in

to

an

by

is be

if

or

or

of

by
to a

in

be

to

or

or

in

be

;

or

of

is

to of

a

to

a

if

;

to

or

a

or be

if

of

;

or

of

or

in

is

be

the work
the Copy
right Office
the United States mail addressed
the Register
Copyrights, Washington, District
Columbia, two complete copies
print relating
the best edition
the work
label
article
manufacture, one such copy
periodical for
contribution
requested, one copy
which contribution special registration
the
issue
issues
the periodical containing
such contribution,
deposited not later than ten days after publication
the work
copies for sale, there shall
deposited the copy,
not reproduced
print, photograph
other identifying reproduction required
section
copy, print, photograph
ten above: such copies
other reproduction
copyright.
accompanied
each case
claim

Comp. Rev. Stat., Sec. 4961.

to

a

to

if

be

to

SEC. 12. That the postmaster
whom are delivered the articles
required
deposited under section eleven above shall,
requested,
give
receipt therefor; and shall mail them
their destination
without cost
the copyright claimant.

S.

of

by

or

be

if

or

of

or

of

of

by

be

of

or

a

of

printed book
periodical the text
type-set
SEC. 13. That
the copies
U.
deposited under section eleven above shall
printed from type set ting and litho
graphiº
within the limits
the United States, either
hand
the aid
any kind
typesetting machine,
from plates made from type set
produced by
within the limits
the United States,
the text

Pº

3, as

at

of

3

or
a
by

as in

p.

be

of a

it

a

of

of

it

if

of

Comp. Rev. Stat., Sec. 4956,
amended by the Act
March
L.,
1891, sec.
(26 Stat.
1107).

of

to

;

or

be ;
a

or

if

or of

of

of of

a

be

if

or a

a

or

or

or

by

be

of

of

be

in

by

of

SEC. 10. That such person may obtain registration
his claim
complying with the requirements prescribed
this Act
primá facie evidence
ownership.
and such registration shall
Registration may also
had
works
which copies are not repro
copyright,
duced for sale,
the deposit, with claim
the title and
manuscript copy
one complete printed
such work,
lecture
similar production,
dramatic
musical composition;
photographic print,
photograph
photograph
the work
art,
other identifying reproduction thereof,
work
plastic work
drawing
copyright
the notice
these latter
required
cases being affixed
the original before publication
registration secured hereunder
section nine above.
But the privilege
shall not exempt the copyright proprietor from the requirement
deposit
copies under section eleven herein where the work
later
reproduced
copies for sale.

copyright

Secure Copyright.

or by

to of

be

a

of

of

of

In

a

or

a be

of

In

or

in

;

by

by

9.

SEC.
That any person entitled thereto
this Act may secure How
copy
copyright for his work
publication thereof with the notice
right required
this Act and such notice shall
affixed
each
copy thereof published
offered for sale
the United States
authority
the copyright proprietor.
the case
work
art
plastic work
drawing, such notice shall
affixed
the original
also before publication thereof.
the case
lecture
similar work
copyright shall
given
intended only for oral delivery, notice
each public delivery thereof.

to

of

by

to

as

of

by

of

be

a

its

tion

�8

Comp. Act of March 3, 1891, sec. 3
(26 Stat. at L., p. 1107); H. R.
bill no. 13355, March 2, 1904,
passed by the House of Repre
sentatives April 26, 1904 (58th
Cong., 2d Sess.).

Comp. Act of March 3, 1905.

lithographic process, then by a process wholly performed within the
limits of the United States: which requirements shall extend also to
the illustrations produced by lithographic process within a printed book
consisting of text and illustrations, and also to separate lithographs,
except where in either case the subjects represented are located in a
foreign country ; but they shall not apply to works in raised characters
for the use of the blind, and they shall be subject to the provisions of
section sixteen with
reference to books published
abroad seeking
ad interim protection under this Act.
In the case of the book the copies so deposited shall be accompanied
by an affidavit, under the official seal of any officer authorized to
administer oaths within the United States, duly made by the person
claiming copyright or by his duly authorized agent or representative
residing in the United States or by the printer who has printed the
book, setting forth that the copies deposited have been printed from
type set within the limits of the United States or from plates made from
type set within the limits of the United States, or, if the text be pro
duced by lithographic process, that such process was wholly performed
within the limits of the United States.
Any person who for the purpose of obtaining a copyright shall

knowingly be guilty of making a false affidavit as to his having
complied with the above conditions
shall be deemed guilty of a
misdemeanor,

and upon conviction

thereof shall be punished by a fine
dollars, and all of his rights and
privileges under said copyright shall thereafter be forfeited.
Such affidavit shall state also the place within the United States, and
the establishment, in which such type was set or plates were made or
lithographic process was performed and the date of the completion of
the printing of the book or the date of publication.

of not more than one thousand

14. That the notice of copyright required by section nine shall
Copyright" or the abbreviation
Copr.
either of the word
any
specified
the
case
the
works
sub-sections
(f)
Comp. Rev. Stat., sec., 4962; Act
section five
this Act, the letter
enclosed within
of June 18, 1874, sec. 1 (18 Stat. inclusive,
at L., part III, p. 79); Act of circle,
(G), accompanied
every case
thus:
the
name
the author
March 3, 1905.
copyright proprietor
registered
or,
the Copyright Office
the
(l), inclusive,
case
works specified
subsections (f)
Section
symbol, provided
five
this Act,
his initials, monogram, mark,
that
some accessible portion
the work
the margin, back,
permanent base
pedestal thereof
the substance
which the
work shall
mounted his name shall appear.
But
the case
Works
subsisting when this Act shall
which copyright
into effect the
copyright may
notice
either
one
the forms prescribed herein
one
those prescribed
the Act
June 18, 1874.
copyright shall
applied,
The notice
the case
book
title-page
other printed publication, upon
the page immediately
following,
periodical, either upon the title-page
upon the first
page
text
each separate number
under the title heading
(l), inclusive,
work specified
subsections
section five
this
Act, upon some accessible portion
the work itself
the margin,
back, permanent base
pedestal thereof,
the substance
which
the work shall be mounted.
composite work one notice
copyright shall suffice.
Upon every copy
published musical composition
which the
right
public performance
imprinted under
reserved there shall
Right
copyright the words
public performance
the notice
reserved
default
which
action shall
maintained
nor
recovery
had for any such performance although without the consent
the copyright proprietor.
SEC.

of

in

go

in

be

of

is

no

be

of

a

of

if

or

of

on

or

of

or

of

or

of

of

;

or

(f)

in

of to

of

in of

be

or

a

or

or

in

of

of of

in

a

if

or

of

its be

by

be

is

of

of

of

a

of

;

(l)
a

of

;

on

of or

to

or

of

or

of

or

be

in

in

or

a

In

in

of

by

in

in

in as

by

on of of

or

to

C

of

in

of

of

of

in

or,

consist

of

Notice of copy
right,

�by

in if,

9

of

of

to

or

or

be of

of

of

;

of

an

liable

of

to
a

be or

of of

or

of

the copyright shall

ollars.

fine

one hundred

its

it.

to

of

an

a

in

of

of

of

1905.

of

of

ad

by

a

a

in

of

in

a

or

a

in

of

of

of

In

a

in

or

in

of

In

as

to

all

as

ad

to

or

an of

of

of

a

of

a

of

its

in

in

a

in

of

Ad interim pro
foreign country
SEC. 16. That
the case
book published
tection,
before publication
this country the deposit
the Copyright Office
publication abroad
March
not later than thirty days after
one complete Comp. Act
copy
request for the reservation
the foreign edition with
the
copyright, and
statement
the name and nationality
the author
publication
and
the copyright proprietor, and
the date
the
proprietor
said book shall secure
the author
interim copy
right.
Except
otherwise provided, the
interim copyright thus
copyright
secured shall have
the force and effect given
this
Act, and shall endure
follows:
foreign language,
(a)
the case
book printed abroad
for period
two years after the first publication
the book
the foreign country;
(b)
the case
book printed abroad
the English language
English and one
period
more foreign languages, for
thirty days after such deposit
the Copyright Office.

3,

a

or

an

of

to

by

to

as

of

to

copyright proprietor has sought
comply with the
this Act
notice and the notice has been duly
affixed
the bulk
the edition published,
omission
inadvertence
particular copy
copies, though preventing recourse against
from
innocent infringer without notice, shall not invalidate the copyright
nor prevent recovery for infringement against any person who after
infringe
undertaking
actual notification
the copyright begins
Where the
requirements

as

of

to

a

in

by

a

of

an

or

in

&gt;{&lt;

of

SEC. 18. That the copyright secured
this Act shall endure,
Duration
in
(a) For twenty-eight years after the date
first publication

of

by

in

to

of

of

be

in

in

a

in

of

of

or or

be

an

of

ad

17. That whenever within the period
such
interim pro
produced and published from type
authorized edition shall
set within the limits
the United States
from plates made there
from, (a)
foreign
book
the English language,
(b)
book
language, either
English translation
the original language
thereof, and whenever the requirements prescribed
this Act
deposit
copies, registration, filing
affidavit and the printing
the
copyright notice shall have been duly complied with, the copyright shall
extended
endure
such original book for the full terms elsewhere
provided
this Act.
SEC.

tection

the

Copyright.

3

3,

in

of

p.

at of

or

to of

by

at

º

of

a

of

of

in

of

of

:

of

be

in

no

a

of

it

or

by

if

to

or

or

of

any error
omission, the requirements
SEC. 15. That
Failure to com
reason
prescribed above
section eleven have not been complied with within ply with formali
the time therein specified,
failure
make registration has occurred ties.
any administrative officer
employee
the error
omission
the
permissible for the author
proprietor
United States,
shall
make the required deposit and secure the necessary registration within
period
one year after the first publication
the work: Provided,
brought for infringement
That
such case
action shall
the
Copyright until such requirements have been fully complied with
And
provided further, That the privilege above afforded
completing the Comp. Rev. Stat., sec. 4962.
registration and deposit after the expiration
the period prescribed
any article which bears Comp. Act
1865, sec.
Section eleven shall not exempt the proprietor
March
L.,
copyright from depositing the required copy
(13 Stat.
540).
copies upon
notice
Specific written demand therefor
Copyrights, who
the Register
may make such demand
any time subsequent
the expiration
such period
and after the said demand shall have been made,
default
the deposit
the copies
the work within one month from any
part
outlying territorial possession
the United States except
the United States,
within three months from any outlying territorial
possession
the United States
from any foreign country, the

�1()

the case of any print or label relating to articles of manufacture :
Provided, That the copyright which at the time of the passing of
this Act may be subsisting in any article named in this section
shall endure for the balance of the term of copyright fixed by the
laws then in force;
(b) For fifty years after the date of first publication in the case
of any composite or collective work; any work copyrighted by a
corporate body or by the employer of the author or authors; any
abridgment, compilation, dramatization, or translation ; any post
humous work; any arrangement or reproduction in some new form
of a musical composition ; any photograph ; any reproduction of
a work of art ; any print or pictorial illustration ; the copyrightable
contents of any newspaper or other periodical ; and the additions

as to prints or labels, the
Act of June 18, 1874, sec. 3 (18
Stat. at L., part III, p. 79).

Comp,

Comp. Rev.
4954.

Stat.,

secs. 4953 and

to works previously

or annotations

published.

*

of

In

of

all

(c) For the lifetime of the author and for fifty years after his
death, in the case of his original book, lecture, dramatic or musical
composition,
map, work of art, drawing or plastic work of a
scientific or technical character, or other original work, but not
including any work specified in subsections (a) or (b) hereof; and
in the case of joint authors, during their joint lives and for fifty
ears after the death of the last survivor of them.

an

if

as

a

or

in

of

to

the above cases the term shall extend
the end
the
expiration.
The copyright
work published anonymously
under
assumed
name shall subsist for the same period
the work had been produced
bearing the author's true name.
calendar year

at

be if

bya

by by

of

be

if

if

or

he

or be at

be

in he

or

if

in

Extension
of
any work
SEC. 19. That the copyright subsisting
the time when
term of subsist
this Act goes into effect may,
the expiration
the renewal term pro
ing copyright,
vided for under existing law,
further renewed and extended
the
dead, leaving
widow,
Comp. Act of Feb. 3, 1831, Sec. 16 author,
still living,
his
widow,
(4 Stat. at L., p. 439).
her default,
no widow survive him,
his children,

in

or

in

of

be

or
a

:

to

of

to

be

:

a

to

by

any survive him, for
further period such that the entire term shall
equal
Provided, That application for such
that secured
this Act
renewal and extension shall
made
the Copyright Office and duly
registered therein within one year prior
the expiration
the existing
term
And provided further, That, should such subsisting copyright
upon
have been assigned,
license granted therein for publication
royalty, the copyright shall
payment
renewed and extended only
case the assignee
licensee shall join
the application for such
renewal and extension.

by

a

in

of

injunction restraining such unauthorized

in

to

to

be

publication,

as

all

or

an

by

or

or

of

so

of

in

of

to or

or in

of

on

is

in

of

to

or

Right of trans
SEC. 20. That the author s exclusive right
dramatize
translate
lation.
any one
subsisting shall, after the
his works
which copyright
expiration
ten years from the day
which the work was registered
Comp. Act. of March 3, 1891, sec. 1
the Copyright Office, continue effective only
case
dramatization
(26 Stat. at L., p. 1107).
translation
thereof has been produced within that period
his
consent
that
his assigns, and
the case
translations shall be
any translation
produced.
confined
the language
SEC. 21. That every person who, without the consent
the author
Protection of the Copyright.
proprietor first obtained, shall publish
reproduce
any manner
Protection for
whatsoever any unpublished copyrightable
work shall
liable
the
un pub l is he d
proprietor for
damages occasioned
author
such injury, and
Works.
hereinafter

provided.

of

of

of

is

be or

of

is

of

Comp. Rev. Stat., sec. 3082.

SEC. 22. That any reproduction, without the consent
the author
copyright proprietor,
any work
any material part
any work
illegal and
subsisting shall
hereby prohibited.
which copyright
The provisions
section thirty-eight hundred and ninety-three

in or

In fringement
of copyright,

�11

the Revised Statutes, prohibiting the use of the mails in certain cases,
and also the provision of section thirty-eight hundred and ninety-five
of the Revised Statutes, shall apply, and the importation
into the
United States of any such fraudulent copies or reproductions is hereby

prohibited.

be

at

7,

of

3,

Comp. Rev. Stat., sec. 4964 (as
amended by Act
March
1891, Sec.
L.,
26 Stat.
1109) and Rev. Stat., sec. 4965
(as amended by Act
March
L.,
1895,
Stat,
965).

2,

p. of

at

28

in

to be

all

§

Remedies,

p.

SEC. 23. That if any person shall infringe the copyright in any
work protected under the copyright laws of the United States by doing
or causing to be done, without the consent of the copyright proprietor
first obtained in writing, any act the exclusive right to do or authorize
which is by such laws reserved to such proprietor, such person shall be
liable :
;
a) To an injunction restraining such infringement
To pay to the copyright proprietor such damages as the
copyright proprietor may have suffered due to the infringement,
as well as
the profits which the infringer may have made from
proving profits the plaintiff shall
such infringement,
and

of

in

or

to

or

to

of

in

or

or

of

In

;

a

or

of

In

a

or

of

In

or

or

by

to

a

or

of

:

In a

as

of

be

be

in to

as

of

he

to

required
prove sales only and defendant shall
required
claims;
prove every element
cost which
lieu
actual
damages and profits, such damages
the court shall appear
just,
upon the following basis, but such damages
assessed
shall
no case exceed the sum of five thousand dollars nor be less
than the sum
two hundred and fifty dollars, and shall not
regarded
penalty
painting, statue
sculpture
any
(1)
the case
reproduce
device especially adapted
the ear any copy
righted work, not less than ten dollars for every infringing
copy made
sold
found
the possession
the infringer
employees;
his agents
lecture, sermon,
address, not less
(2)
the case
than fifty dollars for every infringing delivery;
(3)
the case
dramatic
musical composition,
not
less than one hundred dollars for the first and not less than
fifty dollars for every subsequent infringing performance

the court

may

all :

a

to

up

all

as

the action, upon such terms and conditions
infringe copyright
prescribe,
goods alleged

of

or

of

in

to

be

or

on

or
up

or

by

of

(c)

in

the case
all other works enumerated
section five
this Act, not less than one dollar for every infringing copy
made
sold
found
the possession
the infringer
employees.
his agents
impounded during the pendency
To deliver
oath
(4)

a

or

to

of

in

of

of

or

all

as

as

or

on

oath for destruction
the infringing
devices,
plates, molds, matrices
well
other
means for making such infringing copies.
Any court given jurisdiction under section thirty-two
this Act may
proceed
any action instituted for violation
any provision hereof
judgment
any
enter
decree enforcing
the remedies herein
provided.

(d) To deliver

copies

in

be

of

byof

be

by
a

or

a

6,

of

Comp. Rev. Stat., sec. 4966 (as
1897,
amended by Act
Jan.
L.,
29 Stat.
481).
p.

or

in

or

in

or

by

SEC. 25. That any person who wilfully and for profit shall infringe
any copyright secured
this Act,
who shall knowingly and
wilfully aid
any wise knowingly and
abet such infringement
wilfully take part
guilty
any such infringement, shall
deemed
misdemeanor, and upon conviction
punished
thereof shall
imprisonment for not exceeding one year
fine
not less than

at

be

of

an

injunction, damages and profits,
SEC, 24. That the proceedings for
infringing copies, plates, molds, matrices,
and those for the Seizure
etc., aforementioned, may
united
One action.

�12

one hundred dollars nor more than one thousand dollars, or both, in
the discretion of the court.
False notice of &amp; Any person who, with fraudulent intent, shall insert or impress any
copyright.
notice of copyright required by this Act, or words of the same purport,
in or upon any article for which he has not obtained copyright, or with
fraudulent intent shall remove or alter the copyright notice upon an
article duly copyrighted, shall be guilty of a misdemeanor, punishable
by a fine of not less than one hundred dollars and not more than one
Any person who shall knowingly issue or sell any
thousand dollars.
article bearing a notice of United States copyright which has not been
copyrighted in this country, or who shall knowingly import any article
bearing such notice, or words of the same purport, which has not been
copyrighted in this country, shall be liable to a fine of one hundred
dollars.

all

to or

in

of

of

of

a

no

of

of

to

to

of

in

is

in

in

no

if

be

;

is

of in

of

is

in

be

or

If

a

in

of

by

;

is

in in

of

so

be

in

in

or be

by

SEC. 26. That any and
such fraudulent copies prohibited importa
this Act which are brought into the United States from any
foreign country shall
seized
the collector, surveyor
other
writing
any person authorized
officer
the customs,
make
seizures under the customs revenue laws,
the district
which they
are found; and the copies
seized shall without delay
delivered
into the custody
the principal customs officer
the collection
whereupon the said officer shall
district
which the seizure
made
importation
(except
cases
mail) publish
notice
such
seizure once
week for three successive weeks
some newspaper
the
county
place where such seizure shall have been made.
news
paper
published
published
such county, then such notice shall
some newspaper
the county
which the principal customs office
newspaper
published
the district
situated
and
such
county, then notices shall
posted
proper public places, which
notices shall describe the articles seized and state the time, cause, and
place
seizure, and shall require any person claiming such articles
appear and file with such customs officer his claim
such articles
within twenty days from the date
the first publication
such notice.

tion

of

of

;

by

Prohibition
importation.

...
.

this Act.

.

The importation into the United States of any article bearing such
notice of copyright when there is no existing copyright thereon in the
United States is prohibited, and such importations shall be proceeded
against as provided by sections twenty-six to twenty-nine, inclusive, of

a

as

to

or

of

a

by

be

in to in

so

of

in

as

of

by

to

a

of

or

to

of

all

of

case
the condemnation
the articles
claimed the obligors
shall pay
the costs and expenses
the proceedings
obtain such
condemnation.
Such collector,
other proper officer, shall transmit the said bond
duplicate list and description
with
the articles seized and claimed
the United States Attorney for the proper district, who shall proceed
for
condemnation
the property
information
customs revenue

that

a

be

be

Ca,SéS.

it

if

of

on

to

If

as

of

in

SEC. 28. That
case the property shall
condemned
shall
delivered into the custody
the United States Marshal and destroyed
such manner
the court may direct.
not condemned the said
payment
articles shall
delivered
the importer
the duty,
be

Rev. Stat., Sec. 838

in

Comp.

by or

in

Comp. Rev. Stat., Sec. 3076.

or

of

of at

so

SEC. 27. That any person claiming the property
seized may,
any time within twenty days from the date
such first publication
notice, file with the collector,
claim, stating
other proper officer,
his interest
the articles seized, and deposit with such collector,
other proper officer,
bond
the United States
now prescribed
law,
the penal sum
two hundred and fifty dollars, with two sure
ties,
approved
said collector,
other proper officer, conditioned

�13

If

any be due.
probable cause is found by the court as an existing
fact connected with the seizure, the officer or other person making the

seizure shall be entitled to a certificate affording him an absolute
defense to any action on account of seizure.
no such claim shall be
filed, or bond given, within the twenty days above specified, the
collector, or other proper officer of the customs who has custody of the
property, shall declare the same forfeited, and it shall be destroyed in
such manner as shall be prescribed by the Secretary of the Treasury.

If

to

so

be

is

of

if

be

in

of

to be of

to of

of

to

p.

1891, sec.

3

3,

or

L.,

1107).

of

or

:

is

be

Comp. Act
(26 Stat.

at of

Comp. Act

of

1,

or

of

an

of

of

of

as

by

limits
the United
lithographic process
a

or

;

as

or

an

of

be

in

or

been produced from type set within the
States,
from plates made therefrom,
performed therein
above provided

1905,

3

3,

March

L.,

p.

1891, sec.
1107).
3,

a

or

a

ad

an

of

in

(d)
:

March

:

in

a

of

a

in

of

(c)

;

p.

3

3,

Comp.

of

or by

1890, Free
Act
Oct.
List, sec. 513.
Comp. Act
1891, sec.
March
L.,
(26 Stat.
1108).

or

of

or

in

a

or

in

of

such prohibition shall not apply
(a) To works
raised characters for the use
the blind;
foreign newspaper
magazine, although containing
(b) To
reprinted
matter copyrighted
the United States printed
authority
the copyright proprietor, unless such newspaper
magazine
reprinted
contains also copyright
matter printed
without such authorization
foreign language
To the authorized edition
book
languages,
which only
translation into English has been copy
righted
this country
foreign language
languages, published
To books
without the limits
the United States, but deposited and
registered for
interim copyright under the provisions
this
copies
Act
which case importation
authorized foreign
permitted during the ad interim term
edition shall
two years,
until such time within this period
edition shall have

at of

of

in

of

of

or

of

by

March

or

of

or

by

of

in

of

any
SEC. 30. That during the existence
the American copyright
Comp. Act
any foreign edition
book the importation
into the United States
(26 Stat.
proprietor) not
editions thereof (although authorized
the author
printed from type set within the limits
the United States
from
plates made therefrom,
any plates
the same not made from type
any editions thereof pro
set within the limits
the United States,
lithographic process not performed within the limits
duced
the
United States,
accordance with the requirements
section thirteen
hereby prohibited
Provided, however, That
this Act, shall
and

at of

be be

if

of

If

to

of

of

be

to

If

as

in

be

if

to

in

of

to

be

If

its

SEC. 29. That mails from foreign countries
shall
be carefully
examined by postmasters, who shall forward to the principal customs
officer of the district in which the post office is situated any foreign
mail package supposed to contain any article imported in violation of
Upon receipt of such package the customs
the provisions of this Act.
officer shall detain the same in his custody and notify by mail the
detention, and require him
addressee of the package of
show
cause within thirty days why the supposed prohibited articles should
destroyed.
not
the person
addressed shall not appear and
show cause
the contrary, the customs officer shall make formal
pro
seizure
the articles contained
the package supposed
hibited importation, and
the package contains any prohibited articles
shall declare the same forfeited, whereupon
said articles shall
destroyed
such manner
the Secretary
the Treasury shall direct.
upon examination the articles prove
any violation
innocent
regular
law the package shall
forwarded
the addressee
mail, subject
any
course
the payment
customs duty,
due.
the addressee appears and shows
the satisfaction
the said
officer that the importation
the articles
not prohibited, the said
articles shall
delivered
the addressee upon payment
the customs
duty,
any
due.

�14
(e) To any book published abroad with the authorization of the
author or copyright proprietor when imported under the circum
stances stated in one of the four sub-divisions following, that is to say:
(1) When imported, not more than one copy at one time
for use and not for sale, under permission given by the pro
prietor of the American copyright :
(2) When imported, not more than one copy at one time,
by the authority or for the use of the United States;
(3) When specially imported, for use and not for sale, not
more than one copy of any such book in any one invoice, in
good faith, by or for any society or institution incorporated
for educational, literary, philosophical, scientific or religious
purposes, or for the encouragement of the fine arts, or for any
college, academy, school or Seminary of learning, or for any
State, school, college, university or free public library in the
United States: but such privilege of importation without the
consent of the American copyright proprietor shall not extend
to a foreign reprint of a book by an American author copy
righted in the United States unless copies of the American
publisher
edition can not be supplied by the American
or copyright proprietor ;
(4) When such books form parts of libraries or collections
purchased en bloc for the use of societies, institutions or
libraries designated in the foregoing paragraph ; or form
parts of the libraries or personal baggage belonging to persons
or families arriving from foreign countries,
and are not
intended for sale :

all

Provided, That copies imported as above may not lawfully
be used in any way to violate the rights of the American
copyright proprietor or annul or limit the copyright protection
secured by this Act ; and such unlawful use shall be deemed
an infringement of copyright.
be

of

to or

it

be

of

in

of

to

all

of
of

of of

in

in

in

or

of an

be

be

or

to

to

an

on by
to

as
bybe

of

of

of

of

by

or

of

is

be

of

of

of

be

by

of

SEC. 32. That
actions arising under the copyright laws
the
originally cognizable
United States shall
the circuit courts
any Territory, the Supreme
the United States, the district court
Columbia, the district courts
Alaska, Hawaii
Court
the District
and Porto Rico, and the courts
first instance
the Philipine
Islands.
Actions arising under this Act may
instituted
the district
inhabitant,
which the defendant
the district where the
any provision
violation
this Act has occurred.
Any such court,
judge thereof, shall have power, upon bill
grant
injunction
equity filed
any party aggrieved,
prevent
any right secured
the violation
said laws, according
the course
judge
equity,
and principles
courts
such terms
said court
Any injunction that may
may deem reasonable.
granted, restraining
anything forbidden
and enjoining the doing
this Act may
granted
served
the parties against whom such injunction may

of

Juris

on

Suits :
diction.

be

or

of

of

in

by

as

be

of

If

of

to

of

of of

to of

in

of

copies
copyright books
SEC. 31. That
authorized editions
imported
violation
the above provisions
this Act may
exported and returned
export, provided
the country
shown
the satisfaction
the Secretary
the Treasury upon written
application that such importation
does not involve wilful negligence
fraud.
absence
wilful negligence
fraud
not established
the satisfaction
the Secretary
the Treasury, the importation shall
proceeded against
the case
fraudulent copies
the manner
prescribed
twenty-nine, inclusive,
sections twenty-six
this Act.

�15

to

said marshal

or

of is

of of

by

be

an

a

of be

by

he

be

made

is

of

of

an

is

in

on

all

anywhere in the United States, and shall be operative throughout the
United States and be enforceable by proceedings in contempt, or other
by any other court or judge possessing jurisdiction of the
Wise,
defendant ; but the defendants, or any or either of them, may make a
motion in the proper court of any other district where such a violation
is alleged, to dissolve said injunction upon such reasonable notice to
the plaintiff as the court or judge before whom said motion shall be
made shall deem proper; service of said motion to be made on the
plaintiff in person or on his attorney in the action.
Said courts or
judges shall have authority to enforce said injunction and to hear and
determine a motion to dissolve the same, as herein provided, as fully as
if the action were pending or brought in the district in which said
motion is made.
The clerk of the court, or judge granting the injunction, shall, when
required so to do by the court hearing the application to dissolve or
enforce said injunction, transmit without delay to said court a certified
copy of
the papers
which the said injunction was granted that are
on file in his office.
brought
any place whereof the defendant
When any action
inhabitant, service
process shall
not
made
the marshal
inhabitant,
the district
which the defendant
the district
may
found, upon receiving
where
certified copy
the process
from the clerk
the court where the suit was brought, and return shall
said court.

no

of in

of

or

on

be

in

to

of

be

in

of

or

of

any court
SEC. 33. That the final orders, judgments
decrees
mentioned
section thirty-two
this Act arising under the copyright
appeal
laws
the United States may
reviewed
writ
error
the manner and
the extent now provided by law for the review
cases finally determined
said courts respectively.

is

of

SEC. 34. That
action shall
maintained under the provisions
this Act unless the same
commenced within three years after the
Cause of action arose.

all recoveries under this Act full costs shall

or

by

the

of

is

as

in of

in

of

in

of

of

a

of

of

a

of

of

to

a

or

a

be

a

or

of

to

of

or

of be

a

of

to

a

or

of

as

of

or

be

in

if

of

in

in

of

a

be

to

be

in

SEC. 39. That the copyright
work
art and the ownership
pro
the work shall
deemed
distinct properties, and, except
any artistic work shall remain
vided for
this Act, the copyright
disposed
by
the author
the work, even
such work
sold

of

in

itself

of

;

of or

of

is

of

is

or

of

the Transfer

con

translation, the right
dramatization, the
SEC. 38. That the right
lecture, the right
representation
oral delivery
the
performance
case
dramatic composition, the right
the case
provided
musical composition,
where the latter
reserved
section fourteen hereof, the right
make any mechanical device by
repro
reproduced
which music may
the ear, and the right
drawing
plastic work
duction
work
art
scientific
separate estate subject
technical character shall each
deemed
assignment, lease, license, gift, bequest,
inheritance.

right

Comp. Rev. Stat., sec. 972.

if

a

SEC. 37. That the copyright
distinct from the property
copyright, and the sale
material object which
the subject
gift
veyance,
otherwise,
the original object shall not
imply the cession
the copyright
nor shall the assignment
copyright imply the transfer
the material object.
by

be

this Act shall prevent, lessen, impeach,
equity which any party aggrieved
any
might have had
this Act had not been

in

of

at

or in

SEC. 36. That nothing
avoid any remedy
law
infringement
copyright
passed.

of

in

SEC. 35. That
allowed.

Copyright.

�16

such author, unless the copyright therein be expressly assigned or
disposed of in writing by him, or pass by operation of law or testamentary
disposition.
Assignment

SEC. 40. That every assignment of copyright under this Act shall be
by an instrument of writing signed by the assignor.
For eign a s
SEC. 41. That every assignment of copyright executed in a foreign
signment.
country shall be acknowledged by the assignor before a consular officer
Comp. Patent Act of March 3, 1897, or secretary of legation
of the United States authorized by law to
sec. 5 (29 Stat. at L., p. 693).
The certificate of such
oaths or perform notarial acts.
administer
acknowledgment
under the hand and official seal of such consular officer
or secretary of legation shall be primá facie evidence of the execution
of the instrument.
copyright.

of

Comp. Rev. Stat., sec. 4955.

SEC. 42. That every assignment of copyright shall be recorded in the
Copyright Office within ninety days after its execution in the United
States or within six calendar months after its execution without the
limits of the United States, in default of which it shall be void as
against any subsequent purchaser or mortgagee for a valuable con
sideration, without notice, whose assignment has been duly recorded.

SEC. 43. That in place of the original instrument of assignment there
may be sent for record a true copy of the same duly certified as such by
any official authorized to take an acknowledgment to a deed.
1874,
18,
Comp. Act of June
SEC. 44. That the Register of Copyrights shall, upon payment of
sec. 2
(18 Stat. at L., part III, p. 79).
the prescribed fee, record such assignment, and shall return to the
Sender, with a certificate of record attached, under seal, the original
instrument or the copy of the same so filed for record; and upon the
payment of the fee prescribed by this Act he shall furnish to any person
requesting
the same a certified copy thereof, under the seal of the

Copyright Office.

to

of

by

Congress

of

at
a be

of

of

of

to

appointed
the Librarian
SEC. 47. That there shall
salary
Copyrights,
Register
Copyrights,
dollars per annum, and one Assistant Register

a

at
a

salary
dollars per annum, who shall have
Copyrights
attach
authority during the absence
the Register
papers issued from the said office, and
the Copyright Office seal
necessary.
may
sign such certificates and other papers
There
appointed
the Librarian such subordinate assistants
shall also
may from time
law.
authorized
time
the Register

of

Comp. Act of Feb. 19, 1897 (29
Stat. at L., p. 545).

all

of

of

of

be

of

of

in

be

be

to

by

all

SEC. 45. That when an assignment of the copyright in a specified
book or other work has been recorded, the assignee shall have the
privilege of Substituting his name for that of the assignor in the
statutory notice of copyright prescribed by this Act.
copyrights,
records and other things relating
SEC. 46. That
The Copyright Office,
kept and preserved
preserved, shall
the
required
law
Comp. Rev. Stat., sec. 4948 ; Act of
Columbia, and shall
Congress, District
Copyright Office, Library
L.,
19,
at
Stat.
1897 (29
Feb.
Copyrights, who shall, under
the Register
under the control
p. 545).
Congress, perform
the Librarian
the direction and supervision
copyrights.
the registration
the duties relating

to

be

to

by

be

as

in

of

to

to

or

it

of

as

to

all

of

a

as

all

of

of

be

to

of

as

in

of

Copyrights shall make daily deposits
SEC. 48. That the Register
Columbia, designated for this purpose
the District
some bank
moneys
national depository,
the Treasury
the Secretary
copyright fees, and shall make weekly deposits
applied
received
the latter shall
such manner
the Treasury,
with the Secretary
copyright fees actually applied under the provisions
this
direct,
Act, and annual deposits
has not been
sums received which
copyright fees
apply
possible
the remitters, and
return
byin

Act of Feb. 19, 1897 (29
Stat. at L., p. 545).

Comp.

of to

as

be

by

to

as

all

to

of

of

Of

�17

on

all

shall also make monthly reports to the Secretary of the Treasury and to
the Librarian of Congress of the applied copyright fees for each calendar
month, together with a statement of
remittances received, trust
hand, moneys refunded, and unapplied balances.
funds

Copyrights shall make
SEC. 50. That the Register
annual
report
Congress,
printed
the Librarian
the Annual Report
Congress,
copyright business for the previous
the Library
fiscal year, including the number and kind
works which have been
deposited
the Copyright Office during the fiscal year, under the
provisions
this Act.

Comp. Rev. Stat., sec. 4951.

p.

at

be

to

to

Feb. 19, 1897 (29
545).

an

of

in

be

to

July

eighth,

authenticated.

of

Comp. Trade-mark
1905, sec. 26.

Act

Feb. 20,

of

no

to

of

to

or

of

as

by

of

of

to

be

to

of

Congress,
SEC. 52. That, subject
the approval
the Librarian
Copyrights shall
the Register
authorized
make reasonable rules
and regulations, not inconsistent with the provisions
this Act, for the
proceedings with reference
conduct
the registration
claims
copyright
provided
this Act: Provided, That
breach
such
regulations shall affect the validity
rules
the copyright.
of

Comp. Rev. Stat., sec. 4949.

of

in

the Copyright
papers issued

be all

by

it

be

to

at

SEC. 51. That the seal provided under the Act
eighteen hundred and seventy, and
present used
Office, shall continue
the seal thereof, and
from the Copyright Office requiring authentication shall

of

of

in

of

all

of

of

on

to

of

of

to

of

of

in

of

in

by

of

Comp. Act
L.,
Stat.

of

Copyrights shall give bond
SEC. 49. That the Register
the
twenty thousand dollars,
United States
the sum
form
approved
the Solicitor
the Treasury, and with sureties satisfactory
the Secretary
the Treasury, for the faithful discharge
his duties.

to

of

of

of

as

of

a

of

in

be

of

as

in

u
e

3,

p.

at of

of

at

to

copyright entries and the index volumes herein provided for shall
primá facie evidence
any court
admitted
the facts stated therein
regards any copyright registration.
as

a

t

C
a

of

of

a

at

of

all

log
Copyrights shall fully index
copy
of
SEC. 55. That the Register
copyright entries.
right registrations, and shall print
periodic intervals
catalogue
the titles
articles deposited and registered for copyright, together Comp. Act
1891,
March
L.,
with suitable indexes, and
stated intervals shall print complete and
(26 Stat.
1108).
copyright entries, and thereupon
indexed catalogues for each class
destroy the original manuscript catalogue cards
shall have authority
containing the titles included
such printed volumes and representing
the entries made during such intervals.
The current catalogues

Sec.

4

as

of

in

be

to

of

be

of

as

in

Feb. 20,

in of

a as

of

be

to

of

In

as

of

of

of

of of

as

or

Act

to

is

of

by

Comp. Trade-mark
1905, sec. 16.

of of

a

to

to

of

be

in

of

SEC. 54. That
the case
each entry the person recorded
the
claimant
the copyright shall
entitled
certificate under seal
copyright registration,
contain his name and address, the title
the
claimed, the date
work upon which copyright
the deposit
the
required copies
such work, and such marks
class designation
and entry number
shall fully identify the entry.
the case
book the certificate shall also state the receipt
the affidavit required
section thirteen
this Act, and the date
the completion
the
printing,
the date
the publication
the book,
stated
the
printed form
Copyrights shall prepare
said affidavit.
The Register
for the said certificate
filled out
each case
above provided
for, which certificate sealed with the seal
the Copyright Office shall,
upon payment
given
any person making
the prescribed fee,
application for the same, and the said certificate shall
admitted
any court
primá facie evidence
the facts stated therein.

of

he

a

or

of

in

of

as

in

of

Copyrights shall provide and keep such Comp. Rev. Stat., sec. 4957.
SEC. 53. That the Register
carry out the
record books
the Copyright Office
are required
provisions
this Act, and whenever deposit has been made
the
Copyright Office
copy
any work under the provisions
title
this Act
shall make entry thereof.

�18

of

be

to

be

as

be

of

be

at

all

to
bybe to

of

be

of

at
a

of all

to

of

be

of

by

in

of

all

SEC. 56. That the said printed current catalogues as they are issued
shall be promptly distributed by the Copyright Office to the collectors
exchange
of customs of the United States and to the postmasters of
receipt
foreign mails,
offices
accordance with revised lists
such collectors
customs and postmasters prepared
the Secretary
the Treasury and the Postmaster-General,
and they shall also
parties desiring them
price
furnished
determined by
Copyrights not exceeding five dollars per annum for the
the Register
complete catalogue
copyright entries and not exceeding one dollar
per annum for the catalogues issued during the year for any one class
subjects.
The consolidated catalogues and indexes shall also
Supplied
persons ordering them
may
such prices
deter
reasonable, and all subscriptions for the catalogues shall
mined
received
the Superintendent
Public Documents, who shall forward
paid into
the said publications; and the moneys thus received shall

of

Comp. Act. of March 3, 1891, Sec. 4
(26 Stat. at L., p. 1108).

of in

at

States and accounted for under such laws
shall
force
the time.
be

as

of

the Treasury
the United
and Treasury regulations

at

to

to of

be

in

be

to

all

SEC. 57. That the record books
the Copyright Office, together
with the indexes
such record books, and
works deposited and
public inspection
open
retained
the Copyright Office, shall
convenient times; and copies may
taken
the copyright entries

of

by

of

and
and

of

of

in

of

of

to

or

be

in

or be

or

to

of

or

of

of of

in

of

SEC. 58. That
the articles deposited
the Copyright Office under
the provisions
the copyright laws
the United States
this Act,
Congress shall determine what books and other articles
the Librarian
shall
transferred
the permanent collections
the Library
Congress, including the Law Library, and what other books
articles
placed
Congress for
shall
the reserve collections
the Library
exchange,
sale
transferred
other governmental libraries
the District of Columbia for use therein.
be

Disposal of ac
copy
Cumulated
right deposits.

be

by
as

in

actually made
such record books, subject
such safeguards
regulations
prescribed
Copyrights
shall
the Register
approved
Congress.
the Librarian

as

of

of

in

in

be

a

to

or

:

of

an

of

to

its

or

of

be

no

in

as

of

of

of

or

of

of to

a

or of

to

of

of

to

:

of of be

to

as

to

or

is

it

of

of

of

of

at

all

of

any articles undisposed
SEC. 59. That
above provided,
relating thereto, the
together with
titles and correspondence
Copyrights jointly shall
Congress and the Register
Librarian
suitable intervals determine what
these received during any period
years
preserve
desirable
useful
the permanent files
the
Copyright Office, and, after due notice
hereinafter provided, may
Within their discretion cause the remaining articles and other things
printed
destroyed
Provided, That there shall
the Catalogue
Copyright Entries from February
November, inclusive,
statement
receipt
permit any author,
the years
such articles and
notice
Copyright proprietor,
other lawful claimant
claim and remove
before the expiration
the month
November
that year anything
any
deposited
registered
found which relates
his productions
years stated, not reserved
disposed
for copyright within the period
provided for
sections fifty-eight and fifty-nine
this Act
manuscript
unpublished work shall
And provided further, That
copyright without specific notice
destroyed during the term
the author, copyright proprietor,
other lawful claimant, permitting
him to claim and remove it.
of

Copyrights
SEC. 60. That the Register
shall receive, and the
persons
whom the services designated are rendered shall pay, the
Comp. Rev. Stat., sec. 4958; Act of
following fees: For the registration
copyright
any work subject
June 18, 1874, sec. 2 (18 Stat. at
this Act, one dollar, which sum
L., part III, p. 79); Act of deposited under the provisions
March 3, 1891, sec. 4 (26 Stat. include
certificate under seal.
For every additional certificate under
at L., p. 1108).
registration made, fifty cents.
Seal
For recording and certifying any
a

to

to

is

of

of

to

fees,

of

Copyright

�19

of

to
a

a

at

it

or

in

of

(l)

instrument of writing for the assignment of copyright, or for any copy
of an assignment, duly certified, if not over three hundred words in
length, one dollar; if more than three hundred and less than one
thousand words in length, two dollars; if more than one thousand
words in length, one dollar for each one thousand words and fraction
thereof over three hundred words.
For comparing any copy of an
assignment with the record of such document in the Copyright Office
and certifying the same under seal, one dollar.
For recording the
transfer of the proprietorship of copyrighted articles, ten cents for each
title of a book or other article in addition to the fee prescribed for
recording the instrument of assignment.
For any requested search of
Copyright Office records, indexes, or deposits, fifty cents for each full
hour of time consumed in making such search. For the personal
inspection of copyright record books, indexes, applications, or any article
deposited, including the copying of an entry actually made in any such
record book, ten cents in the case of each book or other article:
Provided, That for such inspection or copying, or both, if made by or on
behalf of any person party to a copyright suit already begun or if the
inspection and use of a book or other deposited article is made in the
reading-room
of the Library of Congress, or in any division of the
Library to which the said article would naturally pertain, no charge
shall be made : Provided further, That only one registration at one fee
shall be required in the case of several volumes of the same book
or periodical deposited at the same time or of a numbered series of any
work specified in subsections (h), (j), (k), and
section five
this Act, where such series represents the same subject with variances
only
pose
composition and the items composing
are deposited
single registration.
the same time under one title with
view
Miscellaneous

of

is

or

be

to

all

to

in

of

SEC. 61. That
the interpretation and construction
this Act the
words United States
shall be construed
mean the United States
territory
and its territorial possessions, and
include and embrace
may hereafter
which
now
under the jurisdiction and control
the United States.

be

all

to

be

be

to

be

in

of

SEC. 62. That
the interpretation
and construction
this Act
words importing the singular number shall
held
include the
plural, and vice versd, except where such construction would
unreasonable, and words importing the masculine gender shall
held
genders, except where such construction would
include
absurd
or unreasonable.

of

;

or

in

an

all

of on

be

to

a

of

of

or

be

in

of

in

of

SEC. 63. That
the interpretation
and construction
this Act
publication
the date
shall
the case
work
which copies
are reproduced for sale
distribution
held
the earliest date
placed
when copies
the first authorized edition were sold
sale
employer
and the word author
shall include
the case
works
made for hire.

in

in

to

of

of

of

SEC. 64. That
acts and parts
acts inconsistent herewith are Repealing
hereby repealed, save and except section 4966
the Revised Statutes,
force,
the provisions
which are hereby confirmed and continued
anything
the contrary
this Act notwithstanding.

&amp;

BRADBURY,AGNEW,

Co. LD., PRINTERS, LONDONAND TONBRIDGE.

clause.

Provisions.

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                    <text>IMPERIAL COPYRIGHT CONFERENCE.

-

-

1910.

MEMORANDUM OF THE PROCEEDINGS,
PRESENTED To BOTH HOUSES OF PARLIAMENT

July,

BY

COMMAND

OF

HIS MAJESTY,

1910,

As long ago as 1878 a Royal Commission reported that the British Copyright Law stood in
urgent need of revision and amendment.
It has not hitherto been possible to give full effect to the
recommendations of the Royal Commission, owing to the difficulty of the questions involved, but a
new importance has been given to the matter by the revision of the International Copyright
Convention, carried out by the International Conference held at Berlin in October and November
1908.

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The revised Convention, which was signed ad referendum by the British delegates on behalf of
His Majesty's Government, embodies certain alterations which cannot be put into force in the British
Empire without a change in the existing law. The revised Convention was examined, from the point
of view of the interests of the United Kingdom, by a strong Departmental Committee, presided over
by Lord Gorell, which reported in December, 1909, substantially in favour of the ratification of the
Before, however, any action could be taken to carry out the recommendations of the
Convention.
Committee it was necessary to ascertàin the views of the other parts of the Empire.
Dominions, convened
subsidiary
A Conference of representatives of
the self-governing
representative
Conference
the Imperial Conference, and comprising also
the India Office,
accordingly met
copyright could best
consider
what manner the existing uniformity
law
be

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F.

F.

;

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:

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E.

Secretaries

Trade, acted

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and the Hon. Sir Edward Morris, K.C. (Newfoundland).
the Colonial Office, and Mr.
W. Phillips,
the Board
.
the Conference,

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Africa);

Keith,
of

B.

Joint

South

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(Union
Mr.

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modified, the basis for discussion
maintained and
what respects the existing law should
being the revised Copyright Convention.
May 18, 1910,
This Conference met
the Foreign Office.
The Right Honourable Sydney
Buxton, M.P., President
Trade, was
Llewellyn
the Board
the chair, and was assisted
Sir
Smith, K.C.B., Permanent Secretary, Mr.
Askwith, C.B., K.C., and Mr. W. Temple Franks,
Trade; Mr.
representing the Board
W. Just, C.B., C.M.G., Secretary
the Imperial Conference,
Law, C.B., representing the Foreign Office Sir Thomas
representing the Colonial Office; Mr.
Raleigh, K.C.S.I., Member
India, representing the India Office; and Mr.
the Council
Iiddell,
the Office
the Parliamentary Counsel.
The representatives
the self-governing Dominions were the Hon. Sydney Fisher, Minister
Agriculture, accompanied
Canada); the Right Hon. Lord
Mr.
Ritchie (Dominion
Australia); the Hon. Sir W. Hall Jones, K.C.M.G.
Tennyson,
G.C.M.G. (Commonwealth
(Dominion
New Zealand); the Hon. Sir Richard Solomon, K.C.B., K.C.M.G., K.C.V.O., K.C.

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follows:

the reasons which had
which attention should

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opening meeting the President, briefly outlined
the Conference, and indicated the chief points

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immediate reason for our meeting here
the Berlin Copyright Conference
two
which many
the great nations took part.
The outcome
the Conference was the
Revised Convention
which was signed
Berlin
behalf
the British Government signed,
ratify
say,
referendum, with full liberty
not,
desire
make reservations
the
Convention,
were subsequently thought advisable.
1887, when for the first
The first International Copyright Convention was that
Berne
attempt was made
time
form
International Union for the reciprocal protection
authors
among the various nations which were party
take
that the fundamental basis
that
Convention was that
the nations joining the Union should reciprocally give the advantage
their
very
various local Copyright Acts
other members
the Union.
The Berne Convention did not
years ago,

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providing
much further than that
the direction
code
International Copyright Law owing
the great divergencies which then existed between the various local Copyright Acts.
There was
further Conference
Paris
1896
which some amendments were made.
considerable time
in
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then passed, and during that interval, with the exception
the United Kingdom, where,
am sorry
copyright reform, nearly every other
say,
have not for very many years past made any progress
may suppose,
nation belonging
the Union, influenced partly,
the Berne Convention, remodelled
Copyright Acts, and brought them more into accord with present-day requirements and present
day views.
them,
anticipation
Some
the revision
the Convention, made reciprocal Treaties
give each other the advantages which accrued from their
with regard
these matters,
order
consequence,
local legislation.
desire sprang
the Continent
have
further Conference
framing
with view
revised and more complete Convention.
This Conference took place
1908, and was
very representative character.
Perhaps,
may just
Berlin
that connection,
refer
the great loss we
feel the copyright question has sustained
the death
Sir Henry
Bergne, who was the chief British delegate
that Conference.
proposed
The result
that Conference was the drafting
revised Convention which
shall supersede the various other Agreements and Conventions which are now
force.
The British
delegates were authorised
sign that Convention
subject
subsequent ratification,
after
consideration
His Majesty's Government and
those representing the Dominions,
was thought
ratify,
ratify subject
advisable
certain reservations.
provide
single document
The advance which was made
the Berlin Convention was partly
embody
important amendments.
instead
the three that previously existed, and partly
number
regards the United Kingdom especially, various proposals were adopted which
The result was that,
proposed
are somewhat new
our laws.
One
the principal alterations which
the Berlin
Convention indeed, many
proposals are dependent
it is the entire abolition,
Inter
say, that there should
necessity
national relations,
what are called formalities, that
for registration
other formalities
order
obtain
retain copyright.
The Convention dealt also with the question
the date from which copyright should run,
whether from the end
the author's life
from publication, and with the question
the period
copyright.
The proposal made was that copyright should run for life and for fifty years afterwards.
you know, differs
copyright.
This proposal,
considerable extent from our existing system
literary works, and
grant
give the protection
There are also proposals
wider copyright
copyright
for instance, music against its reproduction without payment
mechanical means.
Some
these points are new,
far
we are concerned,
are differently treated under our law.
All these points, and others
which
need not now refer, were very carefully examined
strong Departmental Committee appointed
the Board
Trade and presided over
Lord Gorell.
This Committee came unanimously
the conclusion that the Berlin Convention should
ratified
think, with regard
and, further, they came
very nearly every point,
substantial agreement
these various questions connected with the proposals
the Convention.
That
the International position.
With the Imperial position you are familiar and you are
now, have beset the path, and which have rendered
aware
the very great difficulties which,
impossible
difficult
deal with the reform
the Copyright Law.
But there
another strong reason for dealing with the question.
As long ago
1878
Royal Commission reported that the British Copyright Law stood
urgent need
reform, but,

�(

)

3

owing to the difficulties of the question inherent,
International and Imperial scarcely anything
has been done to carry their recommendations into effect.
The Berlin Convention has shown further defects, and the examination by the Gorell Committee
Indeed,
has further proved that the question is of great importance and of great urgency.
feel
sure that anyone who has studied the question of copyright must admit that the time has fully come
when, quite apart from any question of the Berlin Convention, or the Imperial aspect of the question,
the question of copyright really ought to be dealt with afresh.
found, as I think
When I came to examine the copyright question in view of this Conference,
everybody who has had to deal with it has found, that it abounds in questions of the utmost com
plexity.
I think it was the Commission of 1878 who reported that the law ' (that
the Copyright
any sort
arrangement, incomplete, often obscure, and even when
Law) is wholly destitute
intelligible upon long study,
many parts
ill-expressed that
one who does not give such
study
can expect
understand it ; and they
make other observations
the same sort
requires amendment, simplification
with regard
our Copyright Law, and urge strongly that
and
codification, and should
placed
systematic and uniform basis.
It clear from what have said that adherence the Berlin Convention would involve in some

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RATIFICATION

OF

REVISED

in

the subject

were agreed

to

The Conference then resolved itself into Committee for the discussion
Seven meetings were held, and after full discussion the following Resolutions

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respects
considerable departure from our copyright system and our Copyright Acts here, and would
involve, therefore,
Act
Parliament.
That being so,
became necessary
for His Majesty's
Government
consider what should
their attitude
reference
the Berlin Convention, and they
recognised,
course,
they have always done with regard
these copyright matters, that
was
Imperial
well
United Kingdom question, and that
was necessary, therefore,
take into
consultation those representing the Self-governing Dominions over the seas.
That
the reason,
you are aware, why delegates representative
Dominions,
the self-governing
the Dependency
India, and
the Home Government are met this morning.
In regard the general position, His Majesty's Government have come
the conclusion,
efficiency and from
the first place, that
the highest importance, both from the point
view
legislation
regards copyright
the point
view
the Imperial connection,
obtain uniformity
throughout
they desire
place before the
the British Empire.
That
the first proposition
Conference.
highly important
uniformity
great
degree
In the second place, they consider
attain
reasonably practicable among the principal nations
the world with regard
International
Taking those two points together, they consider
ratify the
copyright.
desirable, therefore,
practicable without any undue sacrifice
any important British
Berlin Convention,
this course
interests.
course, have
In examining this matter we shall,
consider the details
their merits and
opinion that
important that,
ratify
what they involve.
His Majesty's Government are
all, we should ratify with
possible.
the Berlin Convention
few alterations and reservations
desire, however,
say with regard
the detailed provisions
the Convention that
are not com
fully open
any sense
mitted
their terms, and that they will
discussion
the Conference,
applicable
order
see how far they may
here
the Dominions, and how far we may
modify them
wish
reserve points
connection with them.
detail.

:

CONVENTION.

on

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1.

in

The Conference, having considered
substance the revised Copyright Convention, recom
mends that the Convention should
ratified
the Imperial Government
behalf
the various
uniformity
parts
the Empire; and that with
view
International Copyright any reservations
possible.
made should
confined
few points
No ratification should, however,
made
self-governing Dominion until
ratification
has been received
and provision
behalf
assent
should
made for the separate withdrawal
each self-governing Dominion.
IMPERIAL COPYRIGHT

LAW.

of

a

of

all

by

be

of

Copyright
2.--(a) The Conference recognises the urgent need
new and uniform Law
the essentials of Imperial Copy
throughout the Empire, and recommends that an Act dealing with
its provisions
right Law should
passed
the Imperial Parliament, and that this Act, except such

�(

)
all

4

to the United Kingdom, should be expressed to extend to
the British
possessions: Provided that the Act shall not extend
self-governing Dominion unless declared
additions,
the Legislature
that Dominion
force therein, either without any modifications
procedure and remedies
may
with such modifications and additions relating exclusively
enacted
such Legislature.
Any self-governing Dominion which adopts the new Act should
liberty subsequently
repeal
operative
withdraw from the Act, and for that purpose
far
that Dominion,
subject always
treaty obligations and respect for existing rights.
self-governing Dominion has passed legislation substantially identical with the new
Where
Imperial Act, except for the omission
any provisions which are expressly restricted
the United
Ringdom,
adapt the Act
for such modifications
are verbal only,
are necessary
the circum
procedure
stances
the Dominion,
relate exclusively
remedies
works first published
within
the authors whereof are resident
the Dominion, the Dominion should, for the purposes

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(c)

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(b)

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as are expressly restricted

as

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if
it

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be

or,

in

by

of

the rights conferred
the Act,
treated
were
Dominion
which the Act extends.
(d)
A self-governing Dominion which neither adopts the Imperial Act nor passes substantially
may
identical legislation, should not enjoy
other parts
the Empire any rights except such
Council,
self-governing Dominion,
conferred
Order
within
Order
the Governor

Council.

in to

or

of

to

to

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to

ACTS.

in

as

so

COPYRIGHT

to

to

;

to

its

of

(e)

any British Possession (whether
self-governing
The Legislature
Dominion
not)
modify
any
which the new Imperial Act extends, should have power
add
its provisions
pro
application
but, except
the Possession
far
such modifications and additions relate
cedure and remedies, they should apply only
works the authors whereof are resident
the Possession
and
works first published therein.

REPEAL

EXISTING

OF

of

in

as

of

INTERNATIONAL

COPYRIGHT.
by

in

by

so

to

In

be

so

to as

on

as

3.

is
of

opinion that
The Conference
from the date
which the new Imperial Act takes
effect, the existing Imperial Copyright Acts should
repealed
regards the parts
far
the
Empire
any self-governing Dominion
which the new Act extends.
which the new Imperial
they are operative
Act does not extend the existing Imperial Acts should,
far
that Dominion,
continue
force until repealed
the Legislature
that Dominion.

of

in it

is
a in

be

as

so

to

of

in

on

be

the Empire.
(b)

of

if

be

in

of

in

of

is

or

is

opinion that, saye
may
4. (a) The Conference
far
extended
Orders
Council, copyright under the new Imperial Act should subsist only
works
which the author
boná, fide resident
British subject,
one
the parts
the British Empire
which the Act
extends; and that copyright should cease
the work
first published elsewhere than
such parts

it

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5.

to

by

so

it

in

or

of

on

by

if

is
of

opinion that,
possible,
The Conference
should
made clear
ratification that
the obligations imposed
the Convention
the British Empire should relate solely
works the
country
authors
which are subjects
citizens
the Union,
bomá fide resident therein; and
any case
regard
any self-governing
that
essential that the above reservation should
made
T}ominion which
desires.
His Majesty should have power
direct
Order
Council that the benefits
the new
Imperial Act,
any part thereof, shall
granted, with
authors,
without conditions,
the works
foreign country, and
being subjects
citizens
residents
works first published
that
country, conditionally
question making proper provision for the protection
the foreign country
copyright provided that Orders granting the benefits
British subjects entitled
the Act
foreign country within any self-governing Dominion
should
made
the Governor
Council
w

that Dominion.

DEFINITION OF COPYRIGHT.

The

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6.

opinion
that, subject
proper qualifications,
copyright
Conference
should
produce
reproduce
work,
any substantial part thereof,
any material
any language,
perform,
deliver, the Work
the case
lecture
public, and,
any substantial
part thereof
unpublished,
publish the work, and
the work
should include the sole right
dramatise novels and vice versá, and
make records, &amp;c.,
means
mechanically performed.
which work may

include the sole right
form whatsoever and

�(
TERM

5

)

COPYRIGHT.

OF

The Conference is of opinion that, in order to dispense
and to ensure that the whole of an author's works fall
taneously, the term of copyright ought to be based on the life of the
certain number of years,
(b) The Conference understands that it would be impossible to
on the basis of any other term of copyright than one of life and
importance to the attainment of such uniformity.
(c)

7. (a)
of copyright,

with formalities as a condition
into the public domain simul
author with the addition of a
obtain International uniformity
fifty years, and attaches great

in in

of

a

of

of

a

of

;

in

of

to

of

to

of

is to of

in

of

is

of

is

be

is

of

as

to

of

of

of

of

of

as

be

on in

it

to

be

it

a

if

of

(e)

or

is of of

of

be

is

to

to

to

at

be

of

copyright which
The Conference further understands that the enactment
term
many cases would
present subsists would introduce grave complications
less than that which
applying the new Act
existing works.
securing
(d) Having regard
these considerations, and especially
the importance
opinion that, subject
International uniformity, the Conference
the conditions hereafter
indicated, the term
copyright should
life and fifty years
but that
the case
work
joint authorship the term
copyright should
the life
the author who first dies and fifty years
after his death,
the life
the author who dies last, whichever period
the longer.
opinion that,
granted
literary,
The Conference
term
life and fifty years
dramatic, musical and aristic works,
published works, effective
essential that,
the case
provision should
made
secure that after the death
the author the reasonable requirements
regards the supply and the terms
publication
the public
met
the work, and permission
perform
public.
copyright
The recommendation
the Conference
the term
conditional
the enactment
some provision
this nature.
ABOLITION

OF

FORMALITIES.

be

a be

-

be

in to

be

if

of

of

in

of

no

he

if

be

no

an

of

of

of

or

as
by

no

of

of

as
a

is

8.

opinion that
formalities, such
registration, should
imposed
The Conference
condition
the existence
the exercise
the rights granted
the new Act.
damages should
For the purpose, however,
the protection
innocent infringer
making
recoverable
the infringer proves that
was not aware, and had
reasonable means
himself aware, that copyright subsisted
the work; but every person would
deemed
copyright
effected with notice
the existence
the proper particulars have been entered
register established for the purpose.
Registration, however, should
optional merely.
INCLUSION

OF ARCHITECTURE

AND ARTISTIC CRAFTs.

of

of

or

its

of

to

an is

by

to

TO

be

or
to

of

to

or

to

APPLICATION

of

of

in,

a

is

of,
an
or

it

be

it

;

of

is

9.

original Work
opinion that
Conference
art should not lose the protection
solely because
consists
embodied
work
architecture
craftsman
ship
clearly understood that such protection
but that
should
confined
artistic form
production,
and does not extend
the processes
methods
industrial design capable
registration under the law relating
designs and destined
multiplied
way
manufacture
or trade.

The

artistic copyright

ExISTING WORKS.

of

or,

of

of

on to

to
a

to

if

to

by

of

to

be

to

on

in

he

of

of

to

no

of

as

at

in

at

in

of

is

opinion that existing works
10. The Conference
which copyright actually subsists
existing rights, the same
the commencement
the Act (but
others) should enjoy, subject
protection
any extension
future works, but the benefit
terms should belong
the author
power
the work, subject,
the case where
has assigned his existing rights,
the part
the
assignee
purchase the full benefit
his option either
the copyright during the extended term
publish the work
payment
royalties, the
without acquiring the full copyright,
continue
payments
necessary.
either case
fixed
arbitration

of

to

stop the importation
made
Dominions
which the Imperial
to

of

a

of

of

opinion that provision should
work into any part
His Majesty's

is

11.
The Conference
pirated copies
copyright
Act extends.

be

MISCELLANEOUS.

�(

6

)

in

of

of

Copyright embodying the above
and amendment
the Law
the Conference, and generally approved, after discussion
detail.

the consolidation

was submitted

to

A draft Bill
conclusions

for

The Conference is further of opinion that it is not desirable to continue the special provisions
4.
of the Foreign Reprints Act, at least so far as regards self-governing Dominions.
12.
The Conference is of opinion that it is undesirable expressly to confer rights on the
authors of works which themselves infringe the copyright in other works, and that if necessary a
reservation to this effect should be made when the revised Convention is ratified.

�COPYRIGHT BILL.
ARRANGEMENT

OF CLAUSES.

I.

PART

IMPERIAL COPYRIGHT.
Clause.

Rights.

Copyright.
Term of copyright.
Ownership of copyright,

1.
2.
3.

&amp;c.

Civil
.
.

i

.

Remedies.

Rights of owner against persons possessing or dealing with pirated copies, &amp;c.
Infringement by sale, &amp;c.
Exemption of innocent infringer from liability to pay damages, &amp;c.
Remedies in the case of architecture.
Limitation of actions.
Summary

Remedies.

. Penalties for dealing with pirated copies, &amp;c.
10. Search warrant and hawking of pirated copies of works.
. Power to seize copies of works on hawkers.
12. Power to arrest without warrant persons selling, &amp;c., pirated copies of works.
13. Appeals to quarter sessions.
14. Extent of provisions as to summary remedies.

Importalion of

Copies.

i5. Importation of copies.
Delivery

of Books

to

Libraries.

Delivery of copies to British Museum and other libraries.

- 16.

Registration.
.

Registration.
Special

. Posthumous

Provisions

as

to certain

Works.

works.

. Works of joint authors.
. Collective works.
.
.
.
.

Provisions as to newspapers.
Provisions as to photographs.
Provisions as to designs registrable
Existing works.
Application

25.
26.
27.
28.

to

under 7

British

Edw.7,

c. 29.

Possessions.

Application of Act to British Dominions.
Legislative powers of self-governing Dominions.
Power of Legislatures of British possessions to pass supplemental
Application to protectorates.

legislation.

�(

8

)

PART

II.

INTERNATIONAL

Clause.

COPYRIGHT.

29. Power to extend Act to foreign works.
30. Evidence of foreign copyright.
31. Application of Part II. to British possessions.

PART
SUPPLEMENTAL

III.
PROVISIONS.

32. Abrogation of common law rights.
Provisions as to Orders in Council.
34. Saving of university copyright.
35. Saving of compensation to certain libraries.
33.

36. Interpretation.
37. Repeal.
38. Short title and commencement.
SCHEDULES.

BILL

A

TO AMEND AND CONSOLIDATE
TO COPYRIGHT.

THE LAW RELATING
-

A.D. 1910.

BE it enacted by the King's most Excellent Majesty, by and with the advice and
consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament
assembled, and by the authority of the same, as follows:
PART I.
IMPERIAL COPYRIGHT.
Rights,

1. (1) Subject to the provisions of this Act, copyright shall subsist throughout the
parts of His Majesty's dominions to which this Act extends for the term hereinafter
mentioned in every original literary, dramatic,
musical and artistic work the author
whereof was at the date of the making of the work a British subject, or a resident within
such parts of His Majesty's dominions as aforesaid:
Provided that if any work in which copyright subsists is first published elsewhere than
in the parts of His Majesty's dominions to which this Act extends, then, except as other
wise provided by this Act, the copyright in the work shall cease on such publication.
(2) For the purposes of this Act copyright " means the sole right to produce or
reproduce the work or any substantial part thereof in any material form whatsoever and in
any language ; to perform, or in the case of a lecture to deliver, the work or any sub
stantial part thereof in public ; if the work is unpublished, to publish the work; and
shall include the sole right,
(a) in the case of a dramatic

work;

work, to convert

it into

a novel or other non-dramatic

(b) in the case of a novel or other non-dramatic work, to convert
work, either by way of multiplication of copies or by way

public

it into a dramatic
of performance in

;
be

of

to

or

:

as

or

by

a

in

of

literary, dramatic,
the case
musical work,
make any record, perforated
roll,
mechanically
other contrivance
means
which the work may
performed,
authorise any such acts
aforesaid

(c)

and

to

Copyright.

�(

)

9

or or for

by

Provided that
or

an

an

or

or is ;

be

a

of

by

or,

is

by

be

in

in
a

a

or

of

an

if

or

in

a by

in

º

in

of

of

he

of

or

a or

of

of

a

in

or

an

an of or

be

or or of
a
by

or byof in

of

a

(i)

infringed
making
private use
abridgment
shall not
literary
adaptation, transposition,
translation
dramatic work,
arrangement
setting
musical work,
studies
sketches from
making fair extracts from
artistic work,
otherwise fairly dealing with
any such work for the purposes
the contents
criticism
review
(ii) nothing
this Act shall prevent the author
artistic work who
not the
owner
the copyright therein from using any mould, cast, sketches,
studies
made
him for the purpose
the work, provided that
does not thereby
repeat
imitate the main design
the work;
sculpture
(iii) copyright
public
work
artistic craftsmanship,
situate
place
building, and copyright
art, shall not
architectural work
infringed
making paintings, drawings, engravings,
photographs thereof;
public shall not
infringed
(iv) copyright
report
lecture delivered
newspaper unless the report
prohibited
lecture
notice given
Clther
copyright

an

a

of

a

in or
in

of

in

or

or

of

on

at is

if

of

on

by

or

of

to

of

a

of

to

of

as

in

or

of

in on

in

to

a he
is

to
a

to

to of

to

any Ownership
Copyright,

by

of

be

of

of,

of

by

of

of

;

of

of

in

in

if

he

as

in

of

of

to

in

in

or

is

an

byin

or

to

be

be

of a

an

or
is

of

to

of be in

in

of

where the work was ordered
some other person and was made for valuable
pursuance
any agree
consideration
that order, then,
the absence
writing
ment
the contrary, the person
whom the work was ordered
shall
the first owner
the copyright, unless the work
architectural
art,
public place
building,
work
artistic work intended for
which case the author shall
the first owner
the copyright, but shall not
make,
reproductions
entitled
authorise the making
the work
except with the consent
that other person, and that other person shall
respect
entitled
the same remedies
the infringement
the copyright
the work,
were the owner
the copyright
and
where the author was
the employment
some other person and the work
was made
the course
his employment
that person, the first owner

of

the copyright

in

of

this Act, the first owner

:

of

to

of

as

of

to

to

of

to

be

by

of

be

of

he

as

of 2)

A

(a)

of to

a

of

in

or

of

of

to of

to

or

to if,

3. (1) Subject
the provisions
work shall be the author
the work
Provided that

(b)

copy

:

is

a

in

by

a

of of

of

at

or

if

of

be

to

the provisions
this Act the term for which copyright shall Term
right.
period
fifty years after his death
the life
the author and
any time after the death
Provided that
the author
work which has been
published
public petition
performed
presented
any person interested
the
Comptroller-General
Patents, Designs, and Trade Marks alleging that,
reason
the
withholding
the work from the public
the price charged for copies
the work
perform the work
public, the reasonable requirements
for the right
the public with
respect
the Work are not satisfied, and praying for the grant
reproduce
licence
perform the work
public, the Comptroller shall consider the petition, and
the work
after inquiry,
satisfied that the allegations contained therein are correct may grant
reproduce
perform the work
public
the petitioner
licence
such terms
respects price and payment
royalties
the owner
the copyright
the work, and
otherwise,
may think fit.
Any decision
subject
appeal
the Comptroller under this section shall
judge
the High Court, and the decision
that judge shall
final.
(3)
any
licence granted
the Comptroller under this section shall not apply
Self-governing dominion, but the provisions
this Act with respect
the grant
every self-governing dominion
licences shall apply
which this Act extends, subject
such necessary modifications
the Legislature
that dominion may determine.
subsist shall

of

2. (1) Subject

is

in or

of

a

is or

at of
of by

of by

at

(a) orally,
the beginning
the lecture,
the lecture
one
series
lectures given
the same lecturer
the same subject
the same
place,
the beginning
the first lecture
the series;
printed notice affixed, before the lecture,
(b)
written
the first
given,
lecture
the series,
the entrance doors
the building
which
given,
conspicuous place near
the lecture
series
lectures
height.
the lecturer,
letters not less than
inch

&amp;c.

�(

)

10

the copyright shall, in the absence of any agreement to the contrary, be the
person by whom the author was employed.
(2) The transfer on sale or otherwise of an artistic work, other than an engraving or
photograph, by the owner of the copyright therein shall, in the absence of an express
agreement to the contrary, be deemed to transfer the copyright in the work in any case
where the transferor is not the author of the work.
(3) The owner of the copyright in any work may assign the right either wholly or
partially, and either generally or subject to limitations to any particular country or place,
and either for the whole term of the copyright or any part thereof, and may grant any
interest in the right by licence, but subject to the foregoing provisions of this section as
to the effect of the transfers of certain works, any such assignment or grant shall not be
valid unless it is in writing signed by the owner of the right in respect of which the
assignment or grant is made, or by his duly authorised agent.

Civil

his

of

of

the conversion thereof.
to or or

or

or

of

or

for

be

at

of

if

by

of

as

or

of

or an a

or

to

be

or

be

of

,

.

or

,

in

or

or

;

or

a

in

&amp;

of of

If

of

pºteacopies

Remedies.

any person commits any
the following offences
makes for sale any pirated copy
work
which copyright subsists
for sale or hire
exposes, offers,
(b) sells
lets for hire,
has
his possession
any pirated copy
any such work

9. (1)

or

for

with

(a)

Penalties

in on

it

to

of

in

in

if

of

as

a

as

of

of

to

of

a

of

8.

Summary

dealing

to

be

is in

of

in

or

in

Limitation of
actions.

of

in

a

a

in

infringed
any work
7. (1) Where the copyright
the construction
building
other structure, the owner
the copyright shall not
entitled
obtain
injunction
interdict
restrain the construction
such other building
structure
to order its demolition when constructed.
(2) Such
the other provisions
this Act
confer
the owner
the copyright
any work the same remedies against
person having
his possession for sale
dealing with
pirated copy
impose summary
the work
were his property,
penalties, shall not apply
any case
which this section applies.
infringement
copyright shall not
respect
An action
commenced after
the expiration
twelve months next after the infringement.
or

architecture

a

of

:

in

if

a

in

or

a

of
of

the case

of

Remedies in

in

to

if *f:

be

of

he

of

of

in

he

in

or

of

,
gº

º

...

in

in

6.

of

&amp;c.

g

to

iability

ºnages,

respect
Where proceedings are taken
the infringement
the copyright
any work and the defendant
his defence alleges that
was not aware
the existence
any remedy other than
the &amp;copyright
the *work, the plaintiff shall
not
entitled
--&gt;
:-- ſ--&gt;
injunction
respect
interdict
the infringement
the defendant proves that
making
the date
the infringement
was not aware and had not reasonable means
himself aware that copyright subsisted
the work
Provided that
the proper particulars were before the date
the infringement
correctly entered
register established under this Act, or,
the case
work first
published in,
the author whereof was
resident in,
British possession under the law
which register has been established within that possession,
similar particulars have
been correctly entered
that register, the defendant shall
deemed
have had means
making himself aware that copyright subsisted
the work.
an of

of

iºn
Exemption

innocent

as

it

if

of

to

or

to

be

exposes,

or in

or

a

in

infringed
any person who sells
work shall
deemed
offers,
hire,
has
his possession
sale
distributes
public,
imports for sale
exhibits
hire into any part
His Majesty's dominions
which this Act extends any work which
his knowledge infringes copyright
would
infringe copyright
had been made within such parts
His Majesty's dominions
aforesaid.
lets for hire,

or

Copyright

by

respect

in

sale,

&amp;

by

Infringement

in

...ith

pirated copies,
&amp;c.

5.

P.P.9°

sessing or

4. In addition to any remedies otherwise conferred by law, the owner of the copyright
in any work shall have the same remedies against a person having in his possession for
pirated
copies * of the work, or any
plate used
sale or dealing with any
or intended to be
g
g
e
*
º
used for the production of pirated copies of the work, as if the copies or plate were
property, and accordingly may take proceedings for the recovery
the possession thereof
or

Rights of
owner against

Remedies.

�(

)

11

;

:

an

in

of

a

to

or

of

be

of of

in
he

of

of an

it

to

is

be

to

a

be

of

be

on

he

he

he

in

an

of

of

be

to

of

in

all

or

º

as

;

of

or an

or

on

in

of

is

of

to

or

of

be

to

be

or

byin

of

of

to

he

of

in

or

if

to

in

in

of

of

the clock
the morning and nine
six
the clock
between the hours
making such entry, whether
necessary,
use force
the evening (and,
any
any work
breaking open doors
seize any copies
otherwise) and
respect
plates
which
has reasonable ground for suspecting that
proof that the copies
being committed, and may,
offence under this Act
pursuance
plates brought before the court
the warrant are pirated copies
making pirated copies, order
plates intended
used for the purpose
destroyed
the copyright.
the owner
delivered up
that they

.
...
lº

in

is

of

or of

be

is
a

of

it

a

by

be

on

so

up

to

seize

*

of

in

his

of

or

a

in

or

at

ofof

A

on

writing
the Power
the request
constable may, without warrant,
11.-(1)
writing,
agent thereto authorised
work,
apparent owner
the copyright
being hawked,
the work which
that owner, seize any pirated copy
and
the risk
offered for sale.
carried about, sold,
conveyed
court
the constable before
seized shall
(2) Every copy
destroyed
proof that
pirated copy, shall
summary jurisdiction, and,
the copyright.
the owner
delivered

to

a

to

is

on

is to

on

or

up

on to

a

be

by

to

or

of

by

an

if

of

ºple

is

by

in

A

of

of

summary jurisdiction upon the application
the apparent owner Search war
court
10.
any work may act
rant and
follows:
the copyright
reasonable ground for believing that pirated
satisfied
evidence that there
(a)
copies
offered for sale,
the work are being hawked, carried about, sold,
may
seize the copies without warrant and
constable
Order authorise
proof that the copies are pirated, may
bring them before the court, and,
destroyed
the owner
the copyright
delivered
order that they
reasonable ground for believing
oath that there
satisfied
information
(b)
any premises, may grant
being committed
offence under this Act
that
enter the premises
search warrant authorising the constable named therein

if

of

of

or

to

up

of

be all

or it
to

in

a

to

be

in

of

or

If

to

or

of

or

of

in

in

of

a

of

:

in

of

be

on

he

he

or

(e)

any such work
public any pirated copy
exhibits
distributes
any such work
(d) imports into the United Kingdom any pirated copy
guilty
proves that
shall, unless
offence under this Act
acted innocently,
summary conviction
fine not exceeding forty shillings for every copy
and
liable
respect
this section, but not exceeding fifty pounds
contravention
dealt with
the same transaction
this subsection
offence under paragraph (b)
Provided that person convicted
any such offence, and who proves that the
who has not been previously convicted
respect
copies
marked
which the offence was committed had printed
the work
that
the
name and address purporting
some conspicuous place,
thereon
any penalty under this section unless
printer
publisher, shall not
liable
proved that the copies were
his knowledge pirated copies.
making
any person makes
has
his possession any plate for the purpose
(2)
proves that
shall, unless
any work
pirated copies
which copyright subsists,
summary
guilty
liable
offence under this Act, and
acted innocently,
fine not exceeding fifty pounds.
conviction
addition order
(3) The court before which any such proceedings are taken may
plates
copies
the offender, which appear
the possession
the work
that
destroyed
making pirated copies,
plates for the purpose
pirated copies
the copyright.
the owner
delivered

authority.

ºpiº

in

of

by

of

to

in

or

of

to
a

by

or of

of

by

at

in

all

to

in

for

in

or

be

at

to

of
be

by or

of

A

or

of

of
all

or

in

to

of

as

of

or

or

Power
12.-(1) Any constable may take into custody without warrant any person who
public place sells
exposes, offers,
any street
sale any lºst Witº"
his possession
has
any general written authority
specified
may
any such work
pirated copies
police, and signed
the copyright
the apparent owner
the chief officer
addressed
writing, requesting the arrest,
the copies
his agent thereto authorised
such work
respect
persons found committing offences under this Act
Works.
risk
such owner,
personal
any such specified work
who offers for sale any pirated copies
such work,
personally delivering advertisements
circulars.
canvass
police under
copy
every written authority addressed
chief officer
(2)
any person without
inspection
open
reasonable hours
this section shall
any fee, and any person may take copies
payment
make extracts from any such

�(

)

12

of

in

of

in

(e)

;

of

of

in in

(c)

53 &amp; 54 Vict.
c. 45.
53 &amp; 54 Vict.
C. 67.

as

(3) For the purposes of this section the expression chief officer of police"
(a) with respect to the City of London, means the Commissioner of City Police ;
(b) elsewhere in England has the same meaning as in the Police Act, 1890 :
Scotland has the same meaning
the Police (Scotland) Act, 1890;
(d)
the police district
Dublin metropolis means either
the Commissioners
Police for the said district
elsewhere
Ireland means the District Inspector
the Royal Irish

of

of

court

a

to

of

Importation

an

of

Ireland

or

in

a

this Act with respect

to

14. The provisions
the United Kingdom.

of

SéSSIOI].S.

quarter

remedies shall extend only

summary

Copies.

or

by

in

in

of

so

be

is in

of be

to

of

in
is

of

be

is

of

all

of

to

or

by

of

of

be

to

of

be

of

to

by

if

by

or

of

be

to

as

by

be

to

or

as
to

to

to

a

or

in

to

of

be

be

of

he

of of

to

of

Copies made out
any work
the United Kingdom
which copyright
writing
subsists
which the owner
the copyright gives notice
himself
his
agent
the Commissioners
Customs and Excise, that
desirous that such copies
imported into the United Kingdom, shall not
imported, and shall,
should not
subject
the provisions
this section,
deemed
included
the table
prohibitions and restrictions contained
section forty-two
the Customs Consolidation
*
Act, 1876, and that section shall apply accordingly.
taking any further proceedings with
(2) Before detaining any such copies
view
the forfeiture thereof under the law relating
the Customs, the Commissioners
Customs and Excise may require the regulations under this section, whether
informa
tion, conditions,
complied with, and may satisfy themselves
other matters,
accordance with those regulations that the copies are such
are prohibited
this section
imported.
(3) The Commissioners
Customs and Excise may make regulations, either general
special, respecting the detention and forfeiture
copies the importation
which
prohibited
any,
this section, and the conditions,
fulfilled before such detention
and forfeiture, and may
such regulations determine the information, notices, and
security
given, and the evidence requisite for any
the purposes
this section, and
the mode
verification of such evidence.
copies
(4) The regulations may apply
works the importation
which
prohibited
this section,
different regulations may
made respecting different classes
of such works.

15.-(1)
to

of copies.

-

as

Importation

England
summary conviction
13. Any person aggrieved
offence under the foregoing provisions
this Act may appeal

to

Extent of
provisions as
to Summary
remedies.

by

Constabulary.

Appeals to
quarter
sessions.

of

if

of

of

to

of,

in

in

or

of

of

of

of

of

a

to

of

if

a

it.

a

of

in

at

of

in of

a

be

of

of

to

all

and

at

libraries.

every book published
16.-(1) The publisher
the United Kingdom shall within
copy
one month after the publication deliver,
his own expense,
the book
the
trustees
the British Museum, who shall give
written receipt for
(2) He shall also, after written demand
made within three months after publication,
deliver within one month after receipt
that written demand
some depôt
London
copy
named
the demand
the book for,
accordance with the directions
the
authority having the control
each
the following libraries, namely: the Bodleian
Library, Oxford, the University Library, Cambridge, the Library
the Faculty
Trinity College, Dublin.
Edinburgh, and the Library
Advocates
copy
(3) The copy delivered
the trustees
the British Museum shall
the
maps and illustrations belonging thereto, finished and coloured
whole book with
the

in

British

Museum
Other

Libraries.

of

copies to

Books

to

Delivery
Delivery of

of

a

to

of

to

as

of

on in

of

of

on

of

all

(5) The regulations may provide for the informant reimbursing
the Commissioners
expenses and damages incurred
respect
any detention
Customs and Excise
any proceedings consequent
made
his information, and
such detention.
they were part
(6) The foregoing provisions
this section shall have effect
the Customs Consolidation Act, 1876.
(7) This section shall, with the necessary modifications, apply
the importation into
copies
British possession
which this Act extends
works made out
that
possession.

�(

)

13

same manner as the best copies of the book are published, and shall be bound, sewed, or
Stitched together, and on the best paper on which the book is printed.
(4) The copy delivered for the other authorities mentioned in this section shall be on
the paper on which the largest number of copies of the book is printed for sale, and shall
be in the like condition as the books prepared for sale.
(5) If a publisher fails to comply with this section, he shall be liable on summary
conviction to a fine not exceeding five pounds and the value of the book, and the fine shall
be paid to the trustees or authority to whom the book ought to have been delivered.
book includes every part or
(6) For the purposes of this section the expression
division of a book, pamphlet, sheet of letter-press, sheet of music, map, plan, chart or table
relative to geography, topography, or science.
Registration.

in

so.

a

to

a

it

or

be

or

do

to

on

be

to

or

of

of,

be

or of

a

in an

or

of

In

it

in

at

in,

º

or

17.--(1) There shall be kept in the Hall of the Stationers' Company by an officer Registration.
(hereinafter called the registrar) to be appointed by the Stationers' Company subject to
the approval of the Board of Trade such one or more registers as may be prescribed, in
which shall be entered the names or titles of works and the names of authors, and such
other particulars as may be prescribed.
the copy
other person interested
the owner
(2) The author or publisher
any time cause the particulars respecting the work
right
entered
any work may
obligatory
him
shall not
the register, but
encyclopædia, newspaper, review, magazine,
other periodical
the case
(3)
necessary
parts,
published
make
not
shall
books
series
work
Work
single entry for the whole work shall
part, but
entry for each number
by

Sll IIICe.

be

be
a

to

by

of

of

by

in

be

of

in

be

of

to

as

to

of an

a

be

in

of

be of

Special Provisions

be

as

be

to

as

be

or

of

of

to

in

to

in

of

or

a of

be

all

so to

if

at

5)

be

of

as

be

of

in

be

kept
the registrar
the Stationers' Company
the Hall
(4) There shall also
prescribed.
may
the registers established under this section
such indexes
the prescribed
The registers and indexes established under this section shall
inspection, and any person shall
open
form, and shall
reasonable times
make extracts from any such register, and the registrar
take copies
entitled
any such register certified
any entry
copy
required, give
him
shall,
prima facie evidence
the matters thereby
true copy, and any such certificate shall
certified.
registers,
registers, the inspection
respect
charged
entries
(6) There shall
making extracts from registers, and certificates
taking copies
the registrar under
prescribed.
may
this section, such fees
Trade such
the Board
(7) The Stationers' Company shall annually render
prescribed.
may
their receipts and expenditure under this section
accounts
Trade may make regulations prescribing any matters which under
(8) The Board
prescribed, and generally for carrying this section into effect, and
this section are
any such regulations may require that,
artistic work desired
the case
representation
registered, there shall
the work sufficient for the
furnished
identification thereof.
certain Works.

to

a

in

of

or

in

of

a

in

or

or

in

of

of

in

to

as

to of

in a

in

of

or

a

or

of

In

engraving not published, Posthumous
literary, dramatic,
musical work
the case
18.
public, nor,
Works.
the case
nor,
musical work, performed
dramatic
the case
public,
the
lecture, delivered
the author, copyright shall, subject
the lifetime
His Majesty's
provisions
the parts
first publication elsewhere than
this Act
delivery
performance
which this Act extends, subsist till publication,
dominions
fifty years thereafter.
public, whichever may first happen, and for
term

of

of

a

of

by
or

do

in

(2)

is

or

of

a

of

of

a

of

of of

19.-(1)

In

joint authorship copyright shall subsist during the Works
work
the case
during the joint authors.
fifty years after his death,
term
the author who first dies and for
longer.
period
last,
the
whichever
who
dies
the author
joint authorship some one
the joint
more
work
the case
Where
Act,
copyright
conferring
Work
satisfy
the
this
down
laid
conditions
the
not
authors

life
life

�(

14

)

shall be treated for the purposes of this Act as if the other author or authors had been the
Sole author or authors thereof.

Collective
works.

20. Where the work of an author is first published as an article or other contribution
work (that is to say):
(a) an encyclopædia, dictionary, year book, or similar work ;
(b) a newspaper, review, magazine, or other similar periodical :
work written
distinct parts
different authors;
any assignment
and the proprietor
the collective work
not
virtue
this Act
contribution, then, subject
any
thereunder the owner
the copyright
the article
agreement
the contrary, the owner
the copyright
each article
contribution shall
retain his copyright therein, but the proprietor
the collective work shall
times
reproducing and authorising the reproduction
whole, and
have the right
the work
fifty years from the date
for period
first publication
the collective work shall
reproducing and authorising the reproduction
have the sole right
the work
Whole, and shall
respect
entitled
the same remedies
the infringement
the
copyright
any part
the work
were the owner
the copyright.
.

to

or

of

all

of

of

of

of

as
a

of

in

he

if

of

in

or

a

is of

is

it

if

in in

if

in

is

in

in
a

be in

an

article, not being
21. Notwithstanding anything
this Act,
tale
serial story,
newspaper, may
reproduced
first published
another newspaper
notice expressly
forbidding reproduction
not published
some conspicuous part
the newspaper
acknowledged
which
first published, and
the source from which
taken
so

as

it
is

Provisions
to newS
papers.

as

to

be

of

of

of

of

a

as
a at

of

or

in

of

to

or

of

by

in

of

of

a

in

is by

a collective

(c)

in

Such other newspaper.

shall for

a

of

photograph
the taking
the photograph.

and directs
the author

of

deemed

be

to

be

superintends

byso

be

to

or

be

to

as

a

be

of

as

be

to

or

of

to

of

designs capable
being registered under the
23. (1) This Act shall not apply
being
Patents and Designs Act, 1907, except designs which, though capable
multiplied
registered, are not used
patterns
intended
used
models
any industrial process.
(2) General rules under section eighty-six
the Patents and Designs Act, 1907, may
design shall
made for determining the conditions under which
deemed
used
for such purposes
aforesaid.
be

graphs.
Provisions as
to designs
registrable
under
7 Edw. 7,
c. 29.

22. The person who
the purposes
this Act

of

Provisions as
to photo

to to

in

to

if

it

or

to

or

of

no

to

a

be

as

he

in

a

in

in

of

is

in

to to

or

of

any person
immediately before the commencement
this Act
any work specified
the first column
the First Schedule
this
Act,
right,
any interest
such
shall
from that date
entitled
the
Corresponding right set forth
the second column
that Schedule,
the same interest
corresponding right, and
interest, and such corresponding
such
other right
right shall subsist for the term for which
would have subsisted
this Act had been
copyright
force
the date when the work was made, and the work had been one entitled
thereunder

24. (1) Where
any right

entitled

:

at

Provided that
of

in

in

of

any work
the author
which any right specified
the first column
the First Schedule to this Act subsists at the commencement of this Act has
of
of by

of

in

be

at

be

at

so ;

of

to

in

of

at

of

or

granted any interest therein for the
before that date assigned the right
whole term
the right, then
the date when but for the passing
this
Act the right would have expired the corresponding right conferred
this
express agreement, pass
section shall,
the absence
the author
the
work, and any interest therein created before the commencement
this Act
and then subsisting shall determine
but the person who immediately before
the date
which the right would
have expired was the owner
the right
writing not more
signified
interest shall
entitled
his option (to
than one year nor less than six months before the last-mentioned
date)
or

either

of

or

to or

a

of

;

to

on

as

in

or

therein

by

of or

be of

of

an

to

assignment
the right
the grant
similar interest
for the remainder
the term
the right for such consideration
as, failing agreement, may
determined
arbitration
grant,
reproduce
(ii) without any such assignment
continue
perform the work
like manner
theretofore
the payment
such

(i)

(a)

if

works.

in

Existing

�)

as,

15

of

:

in

:

be

failing agreement, may
to the author
determined
arbitration
(b) nothing
this section shall affect anything done before the commencement
this Act
royalties

by

(

or

be or by

or

or

of

by

be

by

of

to

as

of

in

to

in of

of

to

of

of

or

in

or

of

of

be

or

by

of

:

by

to

as,

to

of

at

or
in

or

in

or

of

a

at

a

or

to

a

of

or

of

of

(c)

July nineteen hundred
where any person has, before the twenty-sixth day
and ten, taken any action
incurred any expenditure for the purpose
performance
with view
the reproduction
work
time when
performance would, but for the passing
such reproduction
this Act,
prejudice any
have been lawful, nothing
this section shall diminish
rights
expenditure
interest arising from
connexion with such action
which are subsisting and valuable
the said date, unless the person who
virtue
this section becomes entitled
restrain such reproduction
failing agreement, may
performance agrees
pay such compensation
determined
arbitration
making and authorising the making
records, perforated
(d) the sole right
rolls,
other contrivances
means
which literary, dramatic,
musical
mechanically performed shall not
enjoyed
works may
the owner
any literary, dramatic,
the copyright
musical work for the mechanical
performance
which any such contrivances have been lawfully made within
any person
the parts
His Majesty's dominions
which this Act extends
July nineteen hundred and ten.
before the twenty-sixth day
copyright under the Copyright Act,
(2) Subject
the provisions
this Act
1775, copyright shall not subsist
any work made before the commencement
this
Act, otherwise than under and
accordance with the provisions
this section.
to

Application

British Possessions.

be

to

at

no

by

of

:

at

in

to

as

a

of

of

is

in

so

by

by

to

of

to

or

to

of

in in

by

be

as

of

in at

of

at

(if

self

of

a

it

if

as

to

in

be

to

are

as

In

in

authors who
the time
the making
the work were British
subjects resident elsewhere than
who, not being British subjects,
that Dominion,
were
such time residents within the parts
His Majesty's dominions
which this
Council, direct that this Act, except such
Act extends, His Majesty, may,
Order
parts
any) thereof
may
specified
any conditions
the Order, and subject

for the works

.

Legislative
powers

e

or

to

in

to

or

by

of

of

far

operative within that Dominion
Provided that
such repeal
shall prejudicially affect any legal rights existing
the time
the repeal.
any self-governing
(2)
Dominion
which this Act does not extend, the
they are operative
enactments repealed
this Act shall,
far
that Dominion,
continue
force until repealed
the Legislature
that Dominion.
self-governing
(3) Where His Majesty
Council
satisfied that the law
Dominion
which this Act does not extend, and which has not passed legislation
substantially identical with this Act, provides adequate protection within the Dominion
so

they

to

ºf

by or or

by

as

or

of

as

or

of

or

to

or to

of

any self-governing Dominion may
any time repeal
26. (1) The Legislature
(including this
any
copyright passed
the enactments relating
Parliament

or

all
Act)

*.

in

by

of

to

of

If

to

to

or

be

to

of

a

in to

it

to

as

of

25.-(1) This Act, except such
the provisions thereof
are expressly restricted Application
the United Kingdom, shall extend throughout
His Majesty's dominions: Provided
Act
self-governing Dominion, unless declared
that
shall not extend
the Legislature
additions,
that Dominion
force therein either without any modifications
procedure and remedies
with such modifications and additions relating exclusively
adapt this Act
may
..necessary
the circumstances
the Dominion
enacted
such Legislature.
(2)
the Secretary
State certifies
notice published
the London Gazette
that any self-governing Dominion has passed legislation substantially identical with this
Act, except for the omission
any provisions which are expressly restricted
the
adapt
United Kingdom,
for such modifications
are verbal only,
are necessary
procedure
the Act
the circumstances
the Dominion,
relate exclusively
remedies
works first published within
the authors whereof are residents
the
Dominion, then whilst such legislation continues
force, the Dominion shall for the
purposes
the rights conferred
this Act
treated
were
Dominion
which
this Act extends.

�(

)

16

contained therein, shall, within the parts of His Majesty's dominions to which this Act
extends, apply to works the authors whereof were at the time of the making of the work
Dominion, and that copyright subsisting by virtue
residents within the first-mentioned
of this Act in any work shall not cease by reason of the work being first published in
that Dominion ; but, save as provided by such an order, works the authors whereof were
residents in a Dominion to which this Act does not extend, and which has not passed
legislation
substantially
identical with this Act, shall not, whether they are British
Subjects or not, be entitled to any protection under this Act :
Provided that no such Order shall confer any rights within a self-governing
Dominion, but the Governor in Council of any self-governing Dominion to which this
Act extends, may by Order, confer within that Dominion the like rights as His Majesty
in Council is under the foregoing provisions of this subsection authorised to confer
within other parts of His Majesty's dominions.

to

by

of

to

in

to

in

lation.
Application

at

as

so

to

pass supple
mental legis-

to

its

27. The Legislature of any British possession to which this Act extends may modify
application
or add to any of the provisions of this Act in
the possession, but,
except
procedure and remedies, they
far
such modifications and additions relate
shall apply only
works the authors whereof were
the time
the making
the
work residents
the possession and
works first published
the possession.

of

*.
Power of

Pºslºes

of

or of

on

it

to

to

if

as

to

to

in

any territories under
28. His Majesty may
Order
Council extend this Act
Cyprus, and
any such Order this Act shall have
his protection and
the making
applies
Cyprus were part
effect
the territories
which
His Majesty's
dominions to which this Act extends.

protectorates.

PART II.
by

INTERNATIONAL

COPYRIGHT.

in

or

y

in

be

as

if

the

in

like
His Majesty s

relates

relates,

the Order, this

of

:

to

of

;

of

like
Majesty s

His

of

to

;

a

in

to if

to

as

of

in

a

to

in

if

to

as of

in

foreign country
residence
which the Order
such residence were residence
the parts
which this Act extends
and
foreign country
works first published
which the Order
they were first published within the parts
manner
dominions
which this Act extends
and thereupon, subject
the provisions
this Part
this Act, and
Act shall apply accordingly
(c)

respect
manner
dominions

in

(b)

;

if

in

of

of

at

to

a

of

citizens.

as or

to

authors whereof were
the time
the making
the work subjects
foreign country
which the order relates,
like manner
authors were British subjects
and

Provided that

of

in

or

by

of

by

is

so

as

of

of

to

in as

of

to

of

as

of

to

Order:

-

of of

by

to

be

as

(if

be

in

(iv) the Order
Council may provide that the enjoyment
subject
this Act shall
the accomplishment
any)
may
prescribed
formalities
the Order:
by

to

to

it

as

of

in

I.

of

of

to

if

to

be

in

an

respect
any foreign
before making
Order
Council under this section
country His Majesty shall
satisfied that that foreign country has made,
make, such provisions,
any,
appears
has undertaken
His Majesty
expedient
require for the protection
persons entitled
copyright under
the provisions
Part
this Act:
copyright within such parts
(ii) the Order
Council may provide that the term
His Majesty's dominions
aforesaid shall not exceed that conferred
the
law
the country
which the Order relates:
copies
(iii) the provisions
this Act
the delivery
books shall not apply
provided
works first published
such country, except
far
the
-

(i)

to

Power to
29. (1) His Majesty may
Order
Council direct that this Act (except such
parts,
any, thereof
may
specified
extend Act
the Order) shall apply
foreign works.
literary, dramatic, musical, and artistic works,
any class thereof, the
(a)

the rights conferred
such conditions and

�(

)

17

(v) in applying the provisions of this Act as to existing works the Order in Council
may make such modifications
as appear necessary, and may provide that
nothing in those provisions as so applied shall be construed as reviving any
right of preventing the production or importation of any translation in any
case where the right has ceased by virtue of section five of the International
-

named or described therein.

the several

countries
an

all

Copyright Act, 1886.
(2) An Order in Council under this section may extend to

*ºn

or

in

all

all

by

it.

is
in

as

byif

or

of

is

or of

of

in

of

to

or in

a

of

or
a

a

or

of

of

as

be

or

a

of of
a

by

of

of

an

of

in

to

is

in

it

necessary
prove the existence
foreign country
30. Where
which
Evidence
any work,
copy
Order
Council under this Part
this Act applies
the copyright
the
ownership
register,
certificate,
such right,
extract from
other document
stating the existence
such right,
the person who
the owner
such right,
authenticated
the official seal
Minister
State
the said foreign country,
the official seal
the signature
British diplomatic
consular officer acting
such
country, shall
admissible
evidence
the facts named therein, and
courts shall
every such official seal and signature
take judicial notice
this section mentioned,
evidence, without proof, the documents authenticated
and shall admit

...
...

to

e

to

it

in

to

to

in

of

31-(1) An Order
Council under this Part
this Act shall apply
His Application
Majesty's dominions
except
self-governing
any
which this Act extends
Dominions and
appears - His Majesty
other possession specified
the order with respect
which
of

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expedient that the Order should not apply.
any self-governing
(2) The Governor
Council
Dominion
which this Act
respects that Dominion, make the like orders
extends may,
under this Part
this
Act His Majesty
Council
authorised
make with respect
His Majesty's dominions
other than self-governing Dominions, and the provisions
this Part
this Act shall,
with the necessary modifications, apply accordingly.
appears
except from the provisions
any
(3) Where
His Majesty expedient
self-governing
order any part
his dominions not being
Dominion
shall
lawful
any other Order
for His Majesty
the same
Council
declare that such order and
this Part
this Act shall not, and the same shall not, apply
such part, except
far
necessary for preventing any prejudice
any rights acquired previously
the date
of such Order.

PART

III.

SUPPLEMENTAL

PROVISIONS.

*
9

or byor in

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copyright
any similar right
any literary, Abrogation
32. No person shall
entitled
dramatic, musical,
artistic work otherwise than under and
accordance with the ºmon law
provisions
any other statutory enactment
this Act,
the time being
force.
varying Provisions
33.--(1) His Majesty
Council may make Orders for altering, revoking,
1Il
any Order
Council made under this Act,
under any enactments repealed
this Act,
prejudicially
rights
any
any
but
Order made under this section shall not affect
interests
acquired
accrued
the date when the Order comes into operation, and shall provide
for the protection
such rights and interests.
published
(2) Every Order
Council made under this Act shall
the London
may
Gazette and shall
laid before both Houses
Parliament
soon
after
made, and shall have effect
enacted
this Act.

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be

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library
right
payable
pursuance
any Act
compensation
loss
receive gratuitous copies
books:
library
paid
any year unless the
Provided that this compensation shall not
Treasury are satisfied that the compensation for the previous year has been applied
the
purchase
preserved
books for the use
and
the library.

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tºº.

or

in

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of

in

34. Nothing
this Act shall deprive any
the universities and colleges mentioned Saving
Act, 1775,
any copyright they already possess
may hereafter
the Copyright
acquire under that Act, but the remedies and penalties for infringement
any such
copyright shall
under this Act and not under that Act.
charged
Saving
35. There shall continue
and paid out
the Consolidated Fund
the United Kingdom such annual compensation
the commencement
this Act ºompensation

..."
*

�(
36,-(1) In

Interpreta
tion.

)

18

requires,

this Act, unless the context otherwise

Literary

includes maps, charts, plans, and tables relative to geography,
and science ;
any piece for recitation,
choreographic
Dramatic work
includes
work or
entertainment in dumb show the scenic arrangement or acting form of which is
production
fixed in Writing or otherwise, and any cinematograph
where the
arrangement or acting form or the combination
of incidents represented give
the work an original character ;
Literary work,
records,
dramatic work, and
musical work
include
perforated rolls, or other contrivances intended for use in connexion with, or to
mechanically
form part
instruments
means
which
work may
performed
painting, drawing, sculpture and artistic
Artistic work includes works
craftsmanship, and architectural works
art and engravings and photographs;
Architectural work
art means any building
structure having
artistic
design,
respect
design, but not
respect
character
such character
the processes
methods
its construction
Engravings
include etchings, lithographs, wood-cuts, prints, and other similar
works, not being photographs
Photograph
any process
includes photo-lithograph
and any . work produced
analogous
photography
Cinematograph
any process analogous
includes any work produced
cinematography
Pirated, when applied
copy
work
which copyright subsists, means
any copy made without the consent
acquiescence
the owner
the copyright,
imported
contravention
the provisions
this Act
copies
Publication
means the issue
the public and does not include the
public
performance
dramatic
musical work, the exhibition
artistic
architecture;
work,
the construction
work
Performance
means any acoustic representation
work and any visual
representation
any dramatic action
work, including such
representation
any mechanical instrument
made by means
Delivery,
lecture, includes delivery
any mechanical
relation
means
instrument
negative
Plate
includes any stereotype
other plate, stone, matrix, transfer,
reproducing copies
any work,
used
intended
used for printing
and any matrix
other appliance
which records, perforated rolls
other
contrivances for the acoustic representation
the work are
are intended
be made
Lecture
includes address, speech, and sermon
Self-governing Dominion means the Dominion
Canada, the Commonwealth
Australia, the Dominion
New Zealand, the Union
South Africa, and
Newfoundland.

work

be

of

an

;

in

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a

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a

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the making
work has extended over
this Act conferring copyright shall
deemed

(4) Where

conditions

to a

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if

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this Act (other

a of

infringements
than those relating
public, and
published
performed
deemed
public,
published, performed
public,
lecture shall not
deemed
delivered
public, without the consent
acquiescence
delivered
the person entitled
public,
delivery
public.
authorise its publication, performance
purposes
published
(3) For the
this Act
work shall
deemed
first
within
the parts
His Majesty's dominions
which this Act extends, notwithstanding that
has been published simultaneously
some other place, unless the publication
such
parts
His Majesty's dominions
aforesaid
colourable only and
not intended
satisfy the reasonable requirements
the public, and
work shall
deemed
published simultaneously
two countries
the time between the publication
one
such country and the publication
the other country does not exceed fourteen days.

of

(2) For the purposes
copyright), work shall not

considerable period
have been complied

the

with

�(

19

)

if the author was during any substantial part of that period a British Subject or a
resident within the parts of His Majesty's dominions to which this Act extends.
(5) For the purposes of the provisions of this Act as to residence, an author of a
work shall be deemed to be a resident in the parts of His Majesty's dominions to which
this Act extends if he is domiciled within any such part.

º

37. Subject to the provisions of this Act, the enactments mentioned in the Second Repeal.
Schedule to this Act are hereby repealed to- the extent specified in the third column of
that Schedule.

38.-(1)

Short title

be cited as the Copyright Act, 1910.
shall come into operation
January nineteen hundred and
the United Kingdom,
the first day
may
twelve
such earlier date
fixed
order
council
self-governing Dominion
may
which this Act extends,
such date
fixed
the Legislature
that Dominion
any other British possession
which this Act extends,
the proclamation
thereof within the possession
the Governor.

This Act may

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This Act

(a)

(2)

SCHEDULES.

EIRST SCHEDUILE.
EXISTING
Right.

||

defined

by this Act.

Copyright
defined by this Act, except the
perform the work
any
sole right
public.
substantial part thereof
perform the work
public,
The sole right
but none
the other rights comprised
copyright
defined by this Act.
or

to

in

to

Copyright,

in

the

first
-

in

as of

of

For the purposes
this Schedule the following expressions, where used
column thereof, have the following meanings :
in

to

at

at

in

to

of

a

in

of

the case
work which has not been performed
before the commencement
this Act, includes the right
common law
public,
restrain the performance thereof

in

Performing right,

;

to

on

of

a

in

of

the case
work which according
the law
force immediately
before the commencement
this Act has not been published before that date and
statutory copyright wherein depends
publication, includes the right
common
law (if any)
restrain publication

public

(if

any)

,

-

-

right, but not copyright

Copyright

as

-

--

'

Performing

Works.

this Act.

Musical and Dramatic Works.

Both copyright and performing right
Copyright, but not performing right

defined

in

the case

Copyright

by

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of

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(b)

Dramatic and Musical

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Copyright.

as

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RIGHTS.

�(
SECOND

)

20

SCHEDUILE.

ENACTMENTS REPEALED.
Sessionand
Chapter.
18.

Copyright Act, 1734

38.

The Engraving

Copyright Act, 1767

The Sculpture Copyright Act, 1814

-

-

-

The whole Act.

-

The whole Act.

tº

-

-

The Copyright Act, 1842

12.

The International

Vict,

sº

ſº

The whole Act.

Copyright Act, 1844
cº

39
12.
40
36.

Wict.

The International

Vict.

The Customs Consolidation Act, 1876

46
40.
50
33.
52
17.
53
42.

Vict.
Vict.

Compositions)
The Copyright
(Musical
Act, 1882.
The International Copyright Act, 1886

&amp;

Act.

*E* Sections one

six.
section
eight the words and pur
any Act for the
suant
protection
copyright
engravings.
Sections nine
to twelve.
The whole Act.

c.

45

Copyright

(Musical

The Revenue Act, 1889

Compositions)
*

-

sº

to

The whole Act.
Section one, from
published
in that section.
The whole Act.
to

Vict.

18SS.

15.
36.

The Musical (Summary l roceedings) Copy
right Act, 1902.
The Musical Copyright Act, 1906

-

7,

The

Act,

c.

Edw.
--: ,

Vict,

c.

&amp;

c.

Edw.

7,

6

2

c.

t
2

*

&amp;

51

The whole Act.

..
.

c.

49

Section forty-two, from Books
wherein
such copy
right will expire.
Sec
forty-five,
tions forty-four,
and one hundred and fifty
two.
The whole Act.
''

c.

&amp;

39

Copyright Act, 1875

-

c. &amp;

38

-

of

to

C.

The Fine Arts Copyright Act, 1862

The whole

The whole Act.

Copyright Act, 1852
-

c.

&amp;

The International

&amp;

Act, 1847

&amp;

The Colonial-Copyright

The whole Act.

In

45.

16 Wict.
12.
26 Wict.
68.

25

The whole Act.

The whole Act.
Copyright
The Prints and Engravings
(Ireland) Act, 1836.
&amp;= The whole Act.
The Copyright Act, 1836

95.

c.
15

11

gºs

to

6

Vict,

The whole Act.

The Lectures Copyright Act, 1835

-

Will.

The Dramatic Copyright Act, 1833

Sections two, four, and five.

4,

Will.

The whole Act.
4

4,

4,

c.

Will.

110.
Wict.

&amp;

10

15.

*

-

c.

3,
c.
3,

c.

56.

3,

The Prints Copyright Act, 1777

4,

7

59.

57.

c.

3,

6
7

65.

8

5
6
6

&amp; c. &amp; c. &amp; c. &amp;

5
7

Geo.

&amp;

3

54 Geo.

The Copyright Act, 1775

c.

Geo.

wº The whole Act.

ºm

53.

c.

17

7

15

Geo.

Extent of Repeal.

The Engraving

8 Geo. 2, c.
Geo.

Short Title.

The whole Act.

Books first
as provided

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                    <text>SUPPLEMENT I.

AUSTRALIAN COPYRIGHT ACT.

��AUSTRALIAN COPYRIGHT ACT.
[AssBNTED

TO

21ST

enacted by the King's Most Excellent
Majesty, the Senate, and the House of
Representatives of the Commonwealth
of
Australia as follows:

E it

PART I.-PRELIMINARY.

|

1. Short Title. This Act may be cited as the
Copyright Act, 1905.
2. Commencement. This Act shall commence on
a day to be fixed by Proclamation.
3. Paris.--This Act is divided as

Part
Part
Part
Part
Part
Part

4.

follows:

I. Preliminary.
II.-Administration.

III.-Literary,
matic

IV.-Artistic

Musical, and
Copyright.

Dra

Copyright.

W. Infringement of Copyright.
VI.-International and State copy
right.
Part VII-Registration of Copyrights.
Part VIII.-Miscellaneous.
Interpretation. In this Act, unless the Con

trary intention

appears

Artistic work includes
(a) Any painting, drawing, or sculpture; and
(b) Any engraving, etching, print, lithograph,
Woodcut, photograph, or other work of
art produced by any process, mechanical
or otherwise, by which impressions or
representations of works of art can be
taken or multiplied:
includes the personal
of an author :

Author
Book

representatives

includes any book or volume, and any
part or division of a book or volume, and any
article in a book or volume, and any pamphlet,
periodical, sheet of letterpress, sheet of music,
map, chart, diagram, or plan separately pub
lished, and any illustration therein :
Dramatic work, in addition to being included
in the definition of book, means any tragedy,
comedy, play, drama, farce, burlesque, libretto,
of an opera, entertainment, or other work of
a like nature, whether set to music or other

DECEMBER,

1905.]

lyrical work set to music, or other scenic
or dramatic composition :
Lecture
includes a sermon :
Musical work in addition to being included
in the definition of book, includes any com
bination of melody and harmony, or either of
them, printed, reduced to writing, or other
wise graphically produced or reproduced :
Periodical" means a review, magazine, news
paper, or other periodicai
work of a like
Inature :
Wise,

Pirated artistic work means a reproduction
of an artistic work made in any manner with
out the authority of the owner of the copyright
in the artistic work :
Pirated book means a reproduction of a book
made in any manner without the authority of
the owner of the copyright in the book:
Portrait
includes any work the principal
object of which is the representation of a per
photo
Son by painting, drawing, engraving,
graphy, sculpture, or any form of art:
Publish
and Publication
in relation to a
book refer to offer for sale or distribution, in
each case with the privity of the author, so as
to make the book accessible to the public :
The Registrar means the Registrar of Copy
rights or a Deputy Registrar of Copyrights:
State Copyright Act means any State Act
relating to the registration of the copyright
right, or lecturing right in
or performing
books, or dramatic or musical works, or in
artistic works, or fine art works, or in lectures.
5. What is simultaneous publication or perform
ance. For
the purposes of this Act publication,
performance, or delivery in the Commonwealth
shall be deemed to be simultaneous with publica

tion, performance,
or delivery elsewhere if the
period between the publications, performances, or
deliveries does not exceed fourteen days.
6. Blasphemous, &amp;c., matter not projected. No
right, or lecturing right
copyright,
performing
shall subsist under this Act in any blasphemous,
indecent, seditious, or libellous work or matter.
7. Application of the Common Law. Subject to

�by

by

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as

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so

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to

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;

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in

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in

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;

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is

or

as

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it
:

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:

to

or

a

a

or

of

:

:

it

a

a

to

(f)

of
it,

to

of

or

a

a

in

its

right
dramatic and musical
The performing right
dramatic
a

Performing

in

14.

100%s. (1.)

in

or

in

in

or

or
up

in

in

or

of
it,

of
is

the case
musical work,
make
any new adaptation, transposition, arrange
ment,
setting
any part
any notation.
every book,
(2.) Copyright shall subsist
not,
whether the author
British subject
which
has been printed from type set
Australia,
plates made therefrom,
from plates
negatives made
Australia
cases where type
not necessarily used, and has, after the com
Australia,
mencement
this Act, been published
simultaneously with
before
first publication
elsewhere.

in

administration.

Cf.

of

of

transfer

the case
novel
other non-dramatic
Work,
convert
into dramatic work
and

of

or in

of

is

as

so

to,

in

to in

of,or
or to

be

or

of

(a) Effect

dramatic work,
convert
novel
other non-dramatic

or

in of of

to

or

in

so

as

of

a

in

proclamation, declare that, from
date specified
the proclamation, the
any
administration
the State Copyright Acts
they relate
State
far
the registration
the
copyright
any book, the performing right
any
musical
dramatic work, the lecturing right
any lecture, and the copyright
any artistic
any assign
fine art work,
the registration
grant
any such
ment
licence
relation
right, shall
transferred
the Commonwealth
necessary for the pur
and thereupon,
far
poses
this section
and after

into

is or

by

adminisfration. The Governor

AND DRAMATIC

of

in

of

of

2.

of
Transfer
General may,
12.

the case

work
(e)

Transfer
the Administration
the Slate Copyright Acts.

To translate

In

be

of

be
a

of

(d)

it In

(c)

judicially noticed.
7%e

MUSICAL,
COPYRIGHT.

13. Copyright
books.--(1.)
The copyright
do,
book means the exclusive right
authorize
do,
any
another person
the following
things
respect
:
(a) To make copies
(b) To abridge

called the Copyright Office.
Copyright Office. There
11. Seal
shall
seal
the Copyright Office, and impressions thereof

Division

III.-LITERARY,

In

of

on

by

all

PART

a

Registrar of

may appoint one or
(2.) The Governor-General
more Deputy Registrars of Copyrights who shall,
subject to the control of the Registrar of Copyrights,
have
the powers conferred
this Act
the
Registrar.
10. Copyright Office. For
the purposes
this
Act an office shall be established which shall be

shall

or

in

Copyright

Office.
be a

all

the Copyright Office
the State vested
subject
the control
the State
shall,
force
this Act,
vested
and made subject
the control
the
Commonwealth.

PART II.-ADMINISTRATION.

Registrar. (1.) There shall

and functions under any State
vested
the Governor
the State
the Governor with the
advice of the Executive Council
the
any Minister
State
officer
authority
the State shall vest
the
Governor-General
the Governor
General
Council
the Minister
authority exercising
officer
similar
powers under the Commonwealth
the
prescribed
Case requires
and
records registers deeds and documents

all

(6)

or fine art works acquired under or protected by
those laws before the commencement of this Act.

9.

powers

Copyright Act
of

(b)

forming right, or lecturing right, subsists under
this Act.
Saving of rights under State laws.-(2.) Subject
to Part II. of this Act, nothing in this Act shall
affect the application of the laws in force in any
State at the commencement of this Act to any
copyright or other right in relation to books or
dramatic or musical works or lectures or artistic

Copyrights.

be

to

the Commonwealth.
State Copyright Acts not to apply to copyright
under this Act. -(1.) The State Copyright Acts so
far as they relate to the copyright in any book,
right in any musical or dramatic
the performing
work, the lecturing right in any lecture, or the
copyright in any artistic or fine art work shall not
apply to any book, dramatic
or musical work,
lecture, or artistic work in which copyright, per
8.

the

and 19. The
the State shall
the State,

cease
administered
and shall thereafter
administered
necessary
the Commonwealth
far
completing then pending
for the purpose
giving effect
proceedings and
then
existing rights, and the Registrar shall
Collect for the State all fees which become
payable thereunder
and

throughout

Division 1. 77te Registrar and

of 18

Patents Act, 1903, ss.
State Copyright Acts

this and any other Acts of the Parliament, the
Common Law of England relating to proprietary
rights in unpublished literary compositions shall,
after the commencement
of this Act, apply

�of

be

of

or

a

or

a

to

by

to

in

by

be

is

in

in

or

of

in

or

of an

of

if to

in

to so to

its

be

a

in

to

in

of

in

be

in

to

to

of

-

of

its

in

in

its

he

be

so

in

is

be

a

of

of

of

th

in

of

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be

of

of

a

a

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be

to

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a

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to

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be

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to

be

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to

of

&gt;};

a

of

or

in a

be

a

in

or

a

in of
of

of of

the
the article, under this section.
periodicals
articles published
23. Copyright
any
author
without valuable consideration. The
article contributed without valuable consideration
periodical, shall
to, and first published in,
separate
copyright
the article
entitled
work.
personal property. The
24. Copyright, &amp;c.,
book, the performing right
copyright
musical work, and the lecturing right
dramatic
personal property, and shall
lecture shall
assignment and
capable
transmission
operation
law.
separate
25. Copyright and other rights
book, and the per
copyright
properties. The
forming right
musical work and the
dramatic
lecturing right
deemed
lecture shall
ownership,
distinct properties for the purposes
assignment, licence, transmission,
and all other
purposes.
author

or

as
of a

of

a

of

or

a

of

in

in

(b) his right shall not exclude the right

in

of of

or

a

or

is

in

of

be

a

or

of

or

as

a

a

of or

a

of

of in of

in

or

If

in a

in

or

or

or

a

in

a

in

a

in

of

of

by
a

is

of

cease.

copyright, performing right, and
18. Ownership
lecturing right. (1). The author
book shall be
the book.
the copyright
the first owner
musical
dramatic work
(2.) The author
the performing
the first owner
work shall
right
musical Work.
the dramatic
first owner
lecture shall
(3.) The author
the lecture.
the lecturing right
joint authors.
the case
19. Ownership
book,
Where there are joint authors

of

he as

or

in

a

in

in

its

or

musical work
dramatic
book
joint authors the copyright and the
written
right shall subsist for the term
performing
forty-two years
their joint lives and the life
them, and seven years, whichever
the survivor
shall last the longer.
published
book with the
lecture
(4.)
writing
the lecturing
the owner
consent

right, the lecturing right shall

a

of

a

a

in

in

in

of

in

in

right, and
copyright, performing
17. Term
book, the
lecturing right. (1.) The copyright
right
performing
musical work,
dramatic
lecture, shall subsist
and the lecturing right
forty-two years
for the author's
for the term
life and seven years whichever shall last the longer.
book, the
(2.) Where the first publication
public
dramatic
musical
first performance
public
work,
lecture
the first delivery
the author, the copy
takes place after the death
lecturing right,
right, performing right,
the
forty-two
case may be, shall subsist for the term

(3.) Where

it

be

in

or

public
Australia.
lecture shall begin
(3.) The lecturing right
public
Australia.
first delivery
with

-

periodicals.
articles published
any article, contributed
for
and first published
valuable consideration
copyright
periodical, shall
the
entitled
separate work, but
that
article
publish the article
entitled
shall not
(a)
publication until one year
authorise
which the
the year
after the end
article was first published, and
(b) his right shall not exclude the right
proprietor
under this
the periodical
section.
periodical
which an
(2.) The proprietor
article, which has been contributed
for valuable
consideration,
entitled
first published shall
copyright
that
the article, but
publish the article
entitled
shall not
(a)
publication except
the
authorise
publication,
original form
periodical
and
22. Copyright

(1.) The author

in

in

Australia, before
public

copyright performing right,
16. Commencement
book
and lecturing right. (1.) The copyright
Australia.
shall begin with its first publication
right
dramatic
(2.) The performing
musical work shall begin with its first performance

8] S.

if

or

of

is
a

or

to

in it.

in

its

in

public

with its first delivery

simultaneously
elsewhere.

as

to

in

in
or a

as it,

Act, been delivered

or

in byof in

in

or

its

of

in

in

lectures. (1.) The lectur
15. Lecturing right
lecture means the exclusive right
public, and,
delivery,
authorise
deliver
report
except
hereinafter provided,
every
(2.) Lecturing right shall subsist
lecture, whether the author
British subject
not, which has, after the commencement
this

ing right

written
book
20. Separate authors.--Where
separate authors and the name
distinct parts
the portion written
attached
each author
copyright
him, each author shall
entitled
the same manner
him
the portion written
separate book.
were
21. Encyclopædia and similar works.-The pro
encyclopædia
projector
prietor
other
reference who employs
similar permanent work
the
Some other person for valuable consideration
any part
composition
the work
the whole
the
the work
the copyright
entitled
shall
he were the author thereof.
same manner as
is

is
a

or

British subject

as or

in

or

musical work, whether the author
not, which has, after the com
public
this Act, been performed
mencement
simultaneously with
Australia, before
first
public elsewhere.
performance
dramatic

lecture, the copy
musical work,
right,
the lecturing
the performing
the property
the case may be, shall
the authors.
dramatic

right
right,

in

it,
or

its

or musical work means the exclusive right to per
public.
performance,
authorise
form
every
(2.) Performing right shall subsist

�to

of

(c)

If

or

in

if
it

as

in

a

of

a

in

an

is

of

he to

of

to

a

in

of

of

no

of

or

be

of

of

or

is

is

be it or

of

of

a

a

as

on

of

of

of

of

a

of

in

he
to

as

a a

in

of

or

of

in

of

of

in

of

of

of

to

be

to

of

by

he of

to

be

he
is

in

of

in

as

or

be

right,
judgment may
given
his favour either with
without costs
the Court,
its discretion,
any such case the owner
thinks fit; but
the performing right (if
not the owner
the
copyright) shall
entitled
recover from the
owner
respect
the copyright damages
the
injury
has incurred
the neglect
the owner
the copyright
given
cause due notice
the reservation
the performing right.

in

of

a

in

be

by
a

a

is

by
a

in
a

of of

newspaper. (1.) Unless
33. Report
lecture
prohibited
the reporting
lecture
notice
this section mentioned, the lecturing right
infringed
report
lecture shall not
the
newspaper.
lecture

a

or

on

a

;

of

at be

of

(2.) The notice prohibiting the reporting
given
the beginning
the lecture
conspicuous
written notice affixed,

lecture may
(a) orally

in

in

a

in of

it
is

is

or

is

given,
before the lecture
the
entrance doors
the building
which
given
place
the room
given.
which
be

to

of

on

is

of

be

a

(3.) When
series
lectures
intended
given
the same lecturer
the same subject,
given
one notice only need
respect
the
whole series.

in

such application should not be granted :

are taken for the infringe
ment
the performing right
dramatic
musical work published
book, and
proves
(b) the defendant
the satisfaction
the Court that
has
his posses
copy
sion
the book containing the
dramatic or musical work and that that
copy was published
with the consent
the owner
the copyright, and does
not contain the notice required by this
Act
the reservation
the performing

(a) proceedings

in it

person desirous of translating the
book into that language may make an
application in writing to the Minister
for permission so to do :
(b) The Minister may thereupon by notice in
writing inform the owner of the copy
right of such application
and request
him to make or cause to be made a
translation of the book into that lan
guage within such time as the Minister
deems reasonable or to show cause why

Notice

by

authority
(a) Any

performing right.
reservation
pub
dramatic
musical work
book, and
lished
intended
that the
performing right
reserved, the owner
copyright, whether
has parted with the per
forming right
not, shall cause notice
the
printed
reservation
the performing right
conspicuous part
the title page
every
copy
the book.
(2.) Defendant's rights where
notice
reserva
performing right. Where
tion
32.

(1.) Where

by

some person other than the author.
30. Failure of author to make or cause translation
of book.--Where a translation of a book into a par
ticular language is not made within ten years from
the date of the publication
of the book by the
owner of the copyright or by some person by his

translations. Copyright shall
31. Copyright
lawfully-produced
subsist
translation
abridgment
book
like manner
original work.
were

(b)

any interest therein by licence ; but an assignment

or grant shall not be valid unless it is in writing
signed by the owner of the right in respect of
which it is made or granted.
27. Welſ' editions. Any second or subsequent
edition of a book containing material or substan
tial alterations or additions shall be deemed to be
a new book, but so as not to prejudice the right of
any person to reproduce a former edition of the
book or any part thereof after the expiration of the
copyright in the former edition.
Provided that while the copyright in a book
Subsists no person, other than the owner of the
copyright in the book or a person authorised by
him, shall be entitled to publish a second or
Subsequent edition thereof.
28. Making of abridgment, &amp;c., for private use.
Copyright in a book shall not be infringed by a
person making an abridgment or translation of the
book for his private use (unless he uses it publicly
or allows it to be used publicly by some other
person), or by a person making fair extracts from
or otherwise fairly dealing with the contents of the
book for the purpose of a new work, or for the
purposes of criticism, review, or refutation,
or
in the ordinary course of reporting scientific in
formation.
29. Translations or abridgments.--Where the
author has parted with the copyright in his
book and a translation or abridgment of the book
is made with the consent of the owner of the copy
right by some person other than the author, notice
shall be given in the title-page of every copy of the
translation or abridgment that it has been made by

the owner
the copyright fails
comply with such notice the Minister
may grant such application.

a as
in

26. Assignment of copyright. The
owner of the
copyright in a book, or of the performing right in
a dramatic or musical work, or of the lecturing
right in a lecture, may assign his right either
wholly or partially and either generally or limited
to any particular place or period, and may grant

�in

is or

of

in a

or

or

to a

in

be

is

to

in

of

by

be

of

be

an

in

all

of

to

be

be

an

in

of

of

of

an

in

is an

of

it

be

;

by

or

or

in

in

or

of

or

or

of

an

or

in

or

a

by

of

of

in

in
a

in

in

of

or

of

to
of by

be

or

of

to

of in a of

or

of

in

by

by

in

be

of if

be

of

c.

of

to

of

is

on

of

in

in he

to

be

a

of

to

of

of by

is

it

or

49.

Property

pirated books

or

in

to

of

to

or
is

a

in

a

or

of

of

objection
47. Notice
title. The plaintiff
right con
any action for the infringement
presumed
ferred
this Act shall
the
claims, unless the
owner
the right which
defendant
his pleadings
defence pleads that
the defendant disputes the title
the plaintiff,
and states the grounds
which
the plea
founded, and the name
any, whom
the person,
the defendant alleges
the owner
the right.
45,
48. Limitation
actions.
(Cf. 5-6 Vict.
copy
26.).-No action for any infringement
right, performing right,
lecturing right under
this Act shall be maintainable unless
com
menced within two years next after the infringement
committed.

is

bybe

on

an

of of

of

a

an

or to

or

of

be

or

is

in

in

to

OF COPYRIGHT.

performing right
46. Damages
case
lectur
ing right. In assessing the damages
respect
right
the infringement
the performing
dramatic
musical work
the lecturing right
lecture, regard shall
had
the amount
profit made
the infringer
reason
the
infringement, and
the amount
actual damage
incurred
the owner
the performing

or of

of

to an

of

by

be

of

or

of of

other

rights under Act. If any
45. Infringement
person infringes any right conferred
this Act
respect
book, the perform
the copyright
ing right
dramatic
musical work, the lecturing
right
lecture,
the copyright
artistic
work, the owner
the right infringed may maintain
penalties
profits, and
action for damages
injunction,
for
for any
those remedies.

or

be on

by

an of

is

of

by

of in

or

in

of as

PART W.-INFRINGEMENT

in

a

if

he

it

as is

to

to

to

to

be

to

of

a

be

of to
or

bust. (1.) When the owner
the copyright
painting,
any artistic work being
statue, bust,
other like work, disposes
such work for valu
able consideration, but does not assign the copy
right therein, the owner
the copyright (except
this section mentioned) may
the absence
writing
any agreement
the contrary make
replica
such work.
Right
statues, etc.,
author
make replicas

and

copyright. The
44. Assignment
owner
the
copyright
artistic work may assign his right
partially and either generally
wholly
limited
any particular place
period and may grant
any interest therein
assignment
licence
but
writing
grant shall not
valid unless
signed
the owner
the copyright.

lecturing right.

(2.) When the plate
other instrument men
employee
tioned
this section
made by
behalf
his employer the employer shall
deemed
the author
the copies produced
means
the plate
instrument.
painting, statue,
41. Copyright
case
sale

transmission,

an

he

if

as is

it

to

to

in

is

be

(2.) Subject
sub-section (1)
this section,
photograph
employee
when
made
behalf
his employer the employer shall
deemed
the author
the photograph.
prints.--(1.)
Engravings
Subject
40.
and
section thirty-four
this Act the engraver
other person who makes the plate
other instru
ment
which copies
artistic work are
multipled shall
deemed
the author
the copies produceed
means
the plate
instrument.

licence,

in

an

is

a

be

photographs.-(1.) When
39. Copyright
photograph
made
order for valuable con
sideration
the person
whose order
made
shall
entitled
the copyright therein
were the author thereof.

a

assignment,
purposes.

to

work, being
portrait,
made
order for valuable
consideration, the person
whose order
made
shall
entitled
the copyright therein
were the author thereof.

works.

artistic

or

or

in

in in

of

of

copyright
37. Ownership
artistic work. The
author of an artistic work shall be the first owner
the copyright
the work.
portraits.--When
38. Copyright
artistic

and ownership

s.

in

of

of

an

of

36. Commencement
and term
artistic copyright.
copyright
artistic work shall begin
with the making
the work, and shall subsist for
forty-two years
the term
for the author's
life and seven years whichever shall last the
longer.

The

43. Copyright

The copyright
artistic work and the owner
ship
the artistic work shall
deemed
ownership,
distinct properties for the purposes

by

in

is

or

a

is

in

in

35. Copyright
artistic works.-Copyright shall
every artistic work whether the author
Subsist
not, which
British subject
made
Australia after the commencement of this Act.

of

any purpose.

statue, bust,
other
not,
placed
order
placed
intended
street
other like
public place, the author may,
any
the absence
agreement
the contrary, make replicas thereof.
personal property. The
42. Artistic copyright
copyright
personal
artistic work shall
property, and shall
capable
assignment and
operation
transmission
law.

to

or

or

by

it,

in

or in

copyright in an
34. Meaning of copyright. The
artistic work means the exclusive right of the
Owner of the copyright to reproduce or authorise
another person to reproduce the artistic work, or
any material part of
any manner, form,
size,
any material,
any process,
for

public places. (2.) When
like work, whether made

or

PART IV.--ARTISTIC CoPYRIGHT.

artistic work.--

�of

in

of

of

or

is

a

to

a

of

or

by

is

or

or

in

to

of

a

of

be or

to

or

to

or

to

a

be

in

to

to

as be

or

be

or

in

to to

to

of

of

to

in

by

of

in

or of of

of

to

in

to

up

.

if

or

to

of

in

or

A

or it

in

:

or

in

of

or

in

to

or

Penalty

this section without just cause.
Twenty pounds.
any prosecution under sub-section (2)
with

of

(3.)

or

in

or

in

of

he

at

of

he

to

this section the defendant shall be deemed
have
given the notice without just cause unless
proves,
the satisfaction
the court
the hearing, that
giving the notice
the time
was the owner
the copyright
the book
artistic work
writing,
was the agent
such owner appointed
of

is

of

to

he

accordance

:

of

of

he be

if

or

A

or
be or

in

to

in

to

to

of

of

he to

a

in

of

or by

a

at

or

be

he

if
a

of

of

or

of

no

copyright
require
53. Power
owner
delivery
pirated books and works.
him
any-book
(1.) The owner
the copyright
artistic work,
the agent
such owner
writing, may
appointed
notice,
accordance
with the prescribed form, require any person
deliver
him any pirated reproduction
the
work, and every person
book
whom such
notice has been given, and who has any pirated
reproduction
the book
work
his possession
power, shall deliver up the pirated reproduction
the book
work
accordance with the notice.
Penalty Ten pounds.
person shall
(2.)
not give any notice

ofor

or

of

at

is of

in

in

of

to
a an

of

of

the performing right

satisfied
evidence that
there
ground
reasonable
for believing
that
pirated books
pirated artistic works
any house, shop,
are
found
warrant,
other place issue
accord
ance with the form prescribed, authoris
ing any constable
search, between
sunrise and sunset, the place where the
pirated books
pirated artistic works
be,
are supposed
and
seize and
bring them
any books
artistic works
reasonably suspected
pirated books
pirated artistic works before
court
summary jurisdiction.
summary jurisdiction may, on
(2.)
court
proof that any books
artistic works brought
pursuance
before
this section are pirated
pirated artistic works, order them
books
destroyed
delivered up, subject
such con
ditions,
any,
the court thinks fit,
the owner
the copyright
the book
artistic work.

of at to

or

so

to

of

in

or

of
to

no

a

be

to

of

in

to

or

;

an

a

to of

if

in

of

or

of

or

to

to

be be

of

infringement
that right.

of

in

or

in

or

be be
or

to

or

or a
to

as to

performed
the owner

by

in

or

or

If

or or

or

or

or

or

(c)

he

of

an

of

respect
51. Liability
use
theatre. Where
performed
dramatic
musical work
theatre
infringement
other place
the performing
right
the owner
that right, the proprietor
occupier who permitted the theatre
tenant
place
used for the performance
shall
deemed
have infringed the performing right and
guilty
shall
offence against this Act, and
penalty not exceeding Five
shall
liable
pounds for each such offence and the court may,
pay
addition
the penalty, Order the defendant
respect
the owner
the performing right
way
damages
each such infringement
sum
the amount
Ten pounds,
such amount
the court deems equal
the profits made by
the performance
the work, whichever sum
greater.
person shall
Provided that
convicted
an
proves
offence under this section
the
satisfaction
the court
the hearing that
did
not know and could not with reasonable care have
ascertained that the dramatic
musical work was

of

of A

in

If

(b)

If

50. Penalties for dealing with pirated books.
any person
exposes offers
(a) sells,
lets for hire,
keeps for sale
hire, any pirated book
any pirated artistic work;
public, any pirated
(b) distributes,
exhibits
any pirated artistic work
book
imports into Australia any pirated book
any pirated artistic work,
guilty
shall
offence against this Act,
penalty not exceeding Five
and shall
liable
pounds for each copy
such pirated book
pirated artistic work dealt with
contravention
this section, and also
forfeit
the owner
the copyright every such copy
dealt with, and
also
forfeit the plates, blocks, stone, matrix,
thing,
negative,
any, from which the pirated
pirated artistic work was printed
book
made.
Provided that the whole penalties inflicted on
any one offender
respect
the same transaction
shall not exceed Fifty pounds.
person shall
Provided also that
convicted
proves
offence under this section
the
satisfaction
the court
the hearing that
did
not know, and could not with reasonable care have
ascertained, that the book was
pirated book
pirated artistic work.
the work was

satisfied
evidence that there
reason
able ground
for believing
that pirated
pirated artistic works are being
books
sold,
warrant,
offered for sale issue
accordance with the form prescribed,
authorising any constable
seize the
pirated books
pirated
artistic works
bring them before
and
court
summary jurisdiction.

(a)

In

of

pirated copies.
52. Search warrant and seizure
(1.)
Justice
the Peace may upon the applica
any book
tion
the owner
the copyright
any artistic work
the agent
such
writing :
owner appointed

or

by

or

be

by

if

or

or

of

be

in to

be

pirated books and
pirated artistic works
shall
deemed
the property
the owner
the copyright
the book
work and may,
together with the plates, blocks, stone, matrix,
thing,
negative,
any, from which they are
made,
rinted
recovered
him
action
other lawful method.

or

all

All

�all

or

or in

so

of

of

all

in

by

to

he

or

of

of

or

a

of

in

in

or

all

court

of

on

any

with

in

just

he

as

at

of

or

of of

A
A

person shall not lodge any request
(5.)
police station
accordance with this section
cause.

Twenty pounds.
any prosecution under sub-section (5)
(6.)
this section the defendant shall be deemed to have
lodged the request without just cause unless
proves,
the satisfaction
the court
the
lodging the request
hearing, that
the time
was the owner
the copyright
the book
artistic work,
was the agent
such owner
writing and had reasonable ground
appointed
believe that pirated reproductions
the book
work were being unlawfully sold,
let for hire,
exposed
kept for sale
hire,
offered
dis
tributed,
public,
exhibited
the town
district
which the police station
situated.
at

at

of

of

to

he

In

of

:

Penalty

or

of in

of

or

or

or

is in

in

or

or or

of

in

or or

in

by

of

by

in

or

in

to

be

In

he

to

be

of

by

or

of

of

penalties. Where proceedings
57. Application
for any penalty under this Act are instituted
any book
any
the owner
the copyright
artistic work
the owner
the artistic work,
paid
way
the penalty shall
him
com
pensation for the injury
any
has sustained.
paid
other case the penalty shall
the Consoli
dated Revenue Fund.

in

is

or

by

or

of

or

or

58. Aiders and abetfors.-Whoever aids, abets,
counsels,
procures,
act
omission
indirectly, knowingly concerned
any way, directly
any offence against this Act,
the commission
shall
deemed
have committed that offence,
punishable accordingly.
and shall
summary
59. Limitation
actions
court
jurisdiction. Proceedings may
any
instituted
summary jurisdiction for the recovery
court
any penalty under this Act, but
such proceed
ings shall
instituted after the expiration
six
respect
months from the date
the offence
imposed.
which the penalty
summary jurisdiction.
60. Appeal from courts
An appeal shall
from any conviction
Order
(including any dismissal
any information,
application)
complaint,
court
sum
jurisdiction with
mary jurisdiction, exercising

to

be

of

of

of

a

or

lie

of

is

in

of

be

of

no

of

in

be

in

of

be

of of

in

or

a

or

before

jurisdiction may,
interested, make such
books
works

thinks just.

or

in

of

by

in

at be
in

is

in

of

at

works

of

to

or

in

of

or

in

or

of

to

:

be

an

of of

(c)

the person to whom the notice was given was about
to perform or take part in the performance of the
musical or dramatic work in infringement of the
performing right of the owner.
55. Penalty for false representations in notices.
Any person, who in any notice given in pursuance
of this Act, makes a representation, which is false
in fact and which he knows to be false or does not
believe to be true, that he is
(a) the owner of the copyright in any book or
artistic work, or
right in a
(b) the owner of the performing
musical or dramatic work, or
any such owner,
the agent
guilty
shall
offence against this Act.
Penalty Two years' imprisonment.
police
56. Request
seize pirated books and
any
works.--(1.) The owner
the copyright
book
artistic work
the agent
such owner
writing may,
appointed
accordance with the
prescribed form, request that any pirated reproduc
tions
the book
work
seized
the police,
any police station.
and may lodge the request
(2.) Any police constable
the town
district
which the police station
situated (whether
State), may,
the service
the Commonwealth
any time
the day time within seven days

with bring
such books
summary jurisdiction.
summary
(4.)
court
any person
the application
order for the disposal
the

he

of the musical or dramatic work in infringement
of his right, and require any person to refrain
from performing or taking part in the performance
of the musical or dramatic work, and every person
to whom a notice has been given in accordance with
this section shall refrain from performing or taking
part in the performance of the musical or dramatic
Work specified in the notice in infringement of the
performing right of such owner.
Penalty : Ten pounds.
(2.) A person shall not give any notice in pur
Suance of this section without just cause.
Penalty : Twenty pounds.
(3.) In any prosecution under sub-section (2) of
this section, the defendant shall be deemed to have
given the notice without just cause unless he proves,
to the satisfaction of the court at the hearing, that
at the time of giving the notice he was the owner
of the performing right in the musical or dramatic
work, or the agent of the owner appointed in
writing, and had reasonable ground to believe that

or or to

54. Power of owner of performing right to forbid
performance in infringement of his right. (1.) The
right in a musical or
owner of the performing
dramatic work, or the agent of the owner appointed
in Writing, may, by notice in writing in accordance
with the prescribed form, forbid the performance

lodged, seize
pirated
after the request was
reproductions
the book
work mentioned
reproductions
the notice, and
the book
work which
has reasonable ground
believe
are pirated reproductions, found
him
the
possession
any person other than the owner
the copyright
the book
work.
(3.) Every police constable who seizes any books
pursuance
works
this section shall forth

in

and had reasonable ground to believe that the
person to whom the notice was given had pirated
reproductions of the book or work in his possession
or power.

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of

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dence
the particulars entered therein and docu
copies
any entry therein
ments purporting
extracts therefrom certified
the Registrar and
sealed with the seal
the Copyrights Office shall
admissible
evidence
all Federal
State
production
courts without further proof
the
Originals.
copies
70. Certified copies. Certified
entries
any register under this Act
extracts there
payment
from shall,
the prescribed fee,
given
any person applying for them.
register. Each
register under
71. Inspection
public inspection
open
this Act shall
to

STATE

AND

62. Protection
Australia
International and
any copyright
State Copyright. The owner
right
performing
any literary, musical,
protection
dramatic work
artistic work entitled
any Act
Australia
virtue
the Parliament
protection
the United Kingdom
entitled
any State
any State Copyright Act
virtue
force
the commencement of this Act shall on
obtaining
certificate
the registration
his
right under this part
Copyright
performing
this Act have the same protection
the
against the infringement
Commonwealth
his
copyright
right
performing
any
the owner
Copyright
performing right under this Act.
copyright.
63. Registration
International
any copyright
performing
(1.) The owner
right who desires
obtain the benefit
this part
this Act may,
manner and
accordance with
the form prescribed,
make application
the
Registrar for the registration
his copyright
right.
performing

in of in

any
Sions. When any person becomes entitled
lecturing right under
copyright performing right
any assignment
this Act
virtue
trans
mission,
any interest therein
licence,
may obtain registration
the assignment, trans
mission,
licence
the manner prescribed.
67. How registration effected. The registration
right
lecturing
any copyright
performing
right under this Act,
any assignment
trans
any interest therein
licence,
mission thereof
entering
shall
effected
the proper register
relating
the prescribed particulars
the right,
assignment, transmission,
licence.
any
68. Trusts not registered. (1.)
No notice
trust expressed, implied,
constructive
shall
Copyrights under this
any Register
entered
Act
receivable
the Registrar.
respect
(2.) Subject
this section, equities
performing right
any copyright
lecturing
right under this Act may
enforced
the same
equities
respect
manner
other personal
property.
evidence. Every
Register
69. Register
prima facie evi
copyrights under this Act shall

of

of of

VI.-INTERNATIONAL
COPYRIGHT.

of

registration. The
any
65. Method
owner
performing right
lecturing right
copyright
under this Act may obtain registration
his right
the manner prescribed.
assignments and transmis
66. Registration

of

PART

Literary Copyrights.
Fine Arts Copyrights.
International and State Copy

or
by

of of

by

have been given

to

byto

the Minister shall
deemed
the owner
the Minister.

to

by

or

be

a

in

or

of

of

A

to

of

of

the copyright and
its term.
(5.)
notice given
the Commissioners
Customs
the United Kingdom,
the owner
the copyright
his agent,
the existence
the
copyright
book
artistic work and
its
term, and communicated
the said Commissioners

Copyright Office:
The Register
The Register
The Register
rights.

or

to

of

or

his agent has
the existence

Copyright Registers.--The following Registers
copyrights shall
kept
the Registrar
the

64.

be

if

as

of

or

any book
owner
the copyright therein
given written notice
the Minister

of to

apply

this section shall not
artistic work unless the

OF COPYRIGHTS.

in

of

to

to

to

of

(4.) The provisions

PART WII.-REGISTRATION

of

to
by

be

be

or

this Act
otherwise).
(2.) All pirated books and pirated artistic works
imported into Australia contrary
this section
any officer
shall
forfeited and may
seized
of Customs.
3.) Subject
this Act the provisions
the
Customs Act, 1901, shall apply
the seizure and
pirated books and artistic works under
forfeiture
they were
this section
the same extent
prohibited imports under that Act.

(2.) The Registrar may thereupon, and
being satisfied
proof
the prescribed particu
payment
lars and
the prescribed fee, register
performing right and issue
the copyright
the
applicant
registration
certificate
accordance
with the prescribed form.

in

is

in

in

(b)

respect to any offence or matter under this Act, to
the court and in the manner and time provided by
the law of the State in which the proceedings were
instituted in the case of appeals from courts of
summary jurisdiction in that State.
61. Importafion
of pirated works.
(1.) The
following goods are prohibited to be imported :
copyright
(a) All pirated books in which
is
subsisting
in Australia (whether under
this Act or otherwise): and
All pirated artistic works
which copyright
subsisting
Australia (whether under

�or
a to

of

of

to

of

or

of

of

be

to

of

by

of

be

to

in

of

to

or

to

or

in

to

of or

or

:

of

of

or

or

by

to

a

as

its

at

to

in

or

to to

to

in

or

to

or

it

is

he

of

as
a

or

or

or

of

to

of

in

of

or

or

of

is

in

in

of

by

or

or

Co. LD., PRINTERs, LONDONAND TONBRIDGE.

of

to

be

to

or

be

all

giving effect
this Act,
for the conduct
business relating
the Copyrights Office.
to

is

&amp;

or

of

to

on

or

of

as

in

all to

of in

of

to

of of

or

or

in
a

of

BRADBURY,AGNEW,

may
79. Regulations. The
Governor-General
make regulations, not inconsistent
with this Act,
prescribing
matters which
this Act are
required
permitted
prescribed,
which
prescribed for
are necessary
convenient
to

to

or

or

of or

or

(3.) This section shall not affect the right
the
bring
owner
the lecturing right
lecture
actions
suits
institute proceedings for
infringements
his lecturing right.
registrar. (1.) Every
75. Delivery
books
person applying for the registration
the copyright
any book shall deliver
the Registrar two copies
maps and illustrations
the whole book with
belonging thereto, finished and coloured
the
same manner
the best copies
the book are
published and bound, sewed,
stitched together,
and
the best paper
which the book
printed.

or

in

\

or

right
interest has been
the owner thereof may, subject
this
Act, bring actions
suits
institute proceedings
performing
for infringements
the copyright
right, whether those infringements happened before
after the registration.
registered

77. Provision against suppression
books.--If
the Governor-General
satisfied that the owner
any book,
the copyright
the performing
right
any dramatic work
musical work,
right
any lecture, has refused,
the lecturing
republish
after the death
the author,
allow
republication
the book,
the public perform
ance
the dramatic
musical work,
the
publication
book
the lecture, and that
reason thereof the book, dramatic work, musical
work,
may
lecture
withheld from the public,
grant any person applying for
licence
republish the book,
perform the dramatic
Wolk,
publish the lecture
musical work,
book,
such manner and subject
such
conditions as
the Governor-General seem fit.
78. Power
award costs.-In any action
proceeding taken
any court under this Act, the
court shall have power
award costs
discretion.
or

to

or

or

or

of

or by

or

of

or

be

of

of this Act.
(2.) When such

to

S.

or

of

PART VIII.-MISCELLANEOUS.

of

or
a

by
a

74. Owner cannot sue before registration. (1.)
any copyright
performing right
The owner
any interest therein
under this Act
licence
bring any action
shall not
entitled
suit
institute any proceedings for any infringement
performing right unless such
the copyright
right
pursuance
interest has been registered

it.

of

in

in

by

registrar.
76. False representation
Patents
Act, 1903,
112. No person shall wilfully make
any false statement
representation
deceive
any officer
the Registrar
the execution
this
part
procure
this Act,
influence the
doing
anything
omission
relation
this
part
any matter thereunder.
this Act
Penalty Three years' imprisonment.

to

lie

(b) entering any prescribed
memorandum
or
particular
relating to copyright or other
right under this Act.
73. Rectification of Register by the Court. (1.)
Subject to this Act the Supreme Court of any State
or a judge thereof may, on the application of the
Registrar or of any person aggrieved, order the
rectification of any register under this Act by
(a) the making of any entry wrongly omitted to
be made in the register ; or
(b)
the expunging of any entry wrongly made in
or remaining on the register; or
(c) the correction of any error or defect in the
register.
(2.) An appeal shall
the High Court from
any order for the rectification
any register
Judge under this
Supreme Court
made
section.

Sections (1) and (2)
this section have been
complied with.
(4.) One copy
each book delivered
the
Registrar
pursuance
this section shall
forwarded
him
the librarian
the Parlia
ment, and the other copy shall
retained
the
Registrar, until otherwise prescribed.

or

Act by
(a) correcting any error in any name, address, or
particular ; and

of

person applying for the registration
any work
the copyright
art shall deliver
the Registrar one copy
the work
art
photograph
register the
(3.) The Registrar shall refuse
Copyright
any book
work
art until sub

of

72. Correction of register. The registrar may, in
prescribed cases and subject to the prescribed
conditions, amend or alter any register under this

on

(2) Every

to

the prescribed

of

on payment

in

times

a

convenient
fee.

of

11

any

�</text>
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                    <text>be El

C

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(The Organ of the Incorporated Society of Authors.
Wol. XX.

No.

JULY

10.

Monthly.)

1, 1910.

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SQUIRE SPRIGGE.
this work, compiled from
offices, the varibus forms
agreements proposed
Publishers
Authors
and their meahing
carefully explained, with
account
various kinds
fraud which have been made possible
the different clauses therein.
By
Addenda
the Above.
Being additional facts collected
HERBERT THRING.
the office
the Society
since the publication
the
Methods.
With comments
advice.
2s.
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papers

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An Exposition
Lord Monkswell's Copyright Bill
1890.
With
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the Commission
1878, the Berne
Convention,
and the
American Copyright Bill. By
M. LELY. 1s. 6d.
The Society
Authors.
Record
Action from
Foundation.
WALTER BESANT
Committee, 1888 1892).
(Chairman
of

7.

5s.

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Literature and the Pension List. By W. Morris Colles, Barrister-at-Law.
The History
the Société des Gens
By
Lettres.
SQUIRE SPRIGGE.
The Cost
print.)
Production.
(Out
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6.

5.

4.

3.

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and September omitted), devoted especially
and maintenance
Literary, Dramatic, and Musical Property.
Issued
Members gratis.
non-members, 6d.,
Price
6d. per annum, post free.
Back
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protection

the

all

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1.

PUBLICATIONS OF THE SOCIETY.

The Annual Report for the current year,
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prices net.

by

18.

*

Apply

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October, 1907, price

Berlin,

1909.

18.

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S.

[All

of

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6d.

of

12. Society

Sir WALTER BESANT.
2nd Edition,
Giving the Terms
which the different Magazines
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6d.

their Contributors.

on

Periodicals and
and Periodicals

13.

in

HERBERT THRING, and Illustrative Examples

to

11.

at

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9.

of

The Contract
Germany, Austria, Hungary, and Switzerland. By
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ERNST
LUNGE, J.U.D.
2s. 6d.
10. Forms of Agreement
issued by the Publishers' Association; with Comments.
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ART.

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"

FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C.
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10.

xx-No.

Incorporated Society

of

Organ of

FOUNDED
WOL.

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Feb.

Feb. 10, Greenbank, Percy.
Feb. 11, Stopford, Francis.
Feb. 11, Dawson,
Feb. 12, Ainslie, Miss Kathleen
Feb. 16, W.
Feb. 16, Gibbs,
Feb. 17, Wintle, H.
Feb. 21, Thurston,
Temple
Feb. 23, Dawson, Mrs. Frederick
º
Feb. 24, Williamson,
N.
Feb. 24, Williamson, Mrs.
N.
Feb. 25, Westell, W.
Toplis, Miss Grace
March
Hawtrey, Miss Valentina
March
Smith, Bertram
March

o

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C.

.

.

P.

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C.

10

d.

I

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.

.

R.

J.

.

Feb.
Feb.
Feb.

5, 3, 2,

.

.

0 0

.

£

1910.

H.

Feb.

Wharton,
Bowen, Miss Marjorie
Cameron, Mrs. Charlotte
Pettigrew, W.
Church, Sir
H.
Bland, Mrs.
Nesbit
The XX. Pen Club

.

Subscriptions.

12, Riley, Miss Josephine
13, Child, Harold

Feb.
Feb.

F.

d.

3

8

6

0

s.
7

0 6

198

Total ............... f4,065

Jan.
Jan.

&amp;
tion)
Northcote, H.
Jan.
Watson, Mrs. Herbert A.
Jan.
Fursdon, Mrs.
Jan.
M.
Smith, Miss Edith A.
Jan.
Pryce, Richard
Jan.
Wroughton, Miss Cicely
Jan.
Kaye-Smith, Miss Sheila
Jan.
Underdown, Miss
Jan.
M.
Carolin, Mrs.
Jan.
Jan.
H. and M. K.
Crellin,
Jan.
Jan. 10, Tanner, James T..
Jan. 10, Miller, Arthur
Jan. 10, Bolton, Miss Anna
Jan. 10, Parr, Miss Olive K.
e
Jan. 17, Harland, Mrs.
e
Jan. 21, Benecke, Miss Ida
Jan. 25, Fradd, Meredith

J.

2

6 4.

of

of

Mauritius 4%. 1937 Stock...............
Dominion
Canada C.P.R. 3% Land
Grant Stock, 1938.....................

º

(2nd dona

º

438
132 18
120 12

Miss

E. R. L.
A.

9 ()

258

29, Stayton,

Mackenzie,

A.

0

0

228
247

Glasgow

Jan.

Robinson,

D.

200

6 0

0

0

0

0

and South-Western Railway
4% Preference Stock..................
New Zealand 3% Stock...............
Irish Land Act 23% Guaranteed Stock
Corporation
London 24% Stock,
1927 57
..............................
Jamaica. 3%% Stock, 1919 49 .........

11

0

................

0
()

I

Hope 33% Inscribed

.
.
.
.
.
.
.
.
.
.
.
.
.

of

...

Consols 2%%..................
........... #1,000 0
Local Loans .............................. 500 0
Victorian Government 3% Consoli
dated Inscribed Stock ...............
291. 19
London and North-Western 3% Deben
ture Stock . . . . . . . . . . . . . . . . . . . .
250
0
Egyptian
Irrigation
Government
Trust 4% Certificates . . . . . . . .
200

1910.

Jan.
Jan.

1, 1,

portant claim is forthcoming.

Donations.

8, 8, 6, 6, 6, 4, 4, 3, 3, 3, 1,

ON

8, 8, 7, 7, 5, 4, 1,

February 1, 1910, the trustees of the
Pension Fund of the society after the secre
tary had placed before them the financial
position of the fund decided
to invest £260 in
the following securities: £130 in the purchase of
Jamaica. 3% per cent. Stock 1919 49, and £130 in
the purchase of Mauritius 4 per cent. Stock 1937.
purchased
The amount
is £132 18s. 6d.
Jamaica. 3% per cent. Stock and £120 12s. 1d.
Mauritius 4 per cent. Stock.
This brings the invested funds to over £4,000.
The trustees, however, have been unable to recom
mend the payment of any further pensions, as the
income at their disposal is at present exhausted.
They desire to draw the attention of the members
of the society to this fact, in the hope that by
additional subscriptions and donations there will
be sufficient funds in hand in the course of the
year to declare another pension in case any im

Good

May
Inkster, Leonard
May 17, Truman, Miss Olive Marie
6,

o-º-º

Stock

.

7,

THE PENSION FUND.

Cape

J.

Fagan,
Feb.
Feb. 10, Newton, Miss A. M.
Smith, Bertram
March
April 13, Dillon, Mrs.

e e

7,

*--º- a
v-u-v

S.

Jan. 14, Desborough, The Right Hon.
the Lord, K.C.V.O.
Jan. 27, Lion, Leon M.
B.

end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages.

#.

A UTISIOR.

TISIES

258

�TISIE AUTISIOR.

its

of

of of

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in A to

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to

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to

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as as

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It

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it

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In

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a

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in

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of

A

by
a

on

to

to

to

of to
of

he

it

be

a

of

in

to

taken
order
obtain
the amount due
the member.
The third case
engaging the committee's attention was one
which
member
the society had expressed dis
publisher's
satisfaction
with
accounts.
The

in

to

a

to

in

to

stringent measures

be

a

of to

to
a

a

by

a

by

to

it

to

to

of

to

at

in

an

to

of

to

in

to

in

the list, making 134 elections
the current
year.
Four resignations were received, bringing
the number
the year
64.
Cases before the Committee.
The first case related
rights
the infringement
author's
Germany, and had been discussed
previous
Owing
meetings.
the failure
the author
give the necessary information and assistance
through the committee
the Society's German
lawyers,
was decided, with regret,
abandon the
case, and the secretary was instructed
acquaint
the author with the committee's decision.
The
complaint raised
next case was
member that
judgment summons obtained
the society two
weekly
months ago for unpaid contributions
newspaper had not been satisfied, although the
offending party still continued
publish the paper
regularly.
After consideration
letter from the
society's solicitors, setting out the steps they had
already taken, the committee
authorised
more

A

to

of

on

of

In

the absence
Mr. Maurice Hewlett, Mr.
Douglas Freshfield
was,
the proposal
Sir
Alfred Bateman, invited
take the chair.
Sixteen new members and associates were added

a

of

to

was
the

to

the committee
the Society

in

of

meeting

the offices

of

held
6th ult.

of

June
at

HE

NOTES.

to to

º-º-º

on

COMMITTEE

be

*. -ºvº
~- **

of by

to

in

announcement.
The names of those subscribers and donors which
are not included
the lists printed above are
unavoidably held over
the next issue.

of

0 ()

1 3 ()

1

previous

the sale
one
the members
the copyright
publisher,
difficult question
law had arisen
which counsel's opinion had been obtained.
copy
The Secretary was instructed
send
the
Opinion
the member involved.
letter from
literary agent was submitted
the Solicitors
the secretary and reply was authorised.
The next
matter related
serious infringement
the
rights
dramatists
India.
The secretary
reported the matter from the Dramatic Sub
Committee, and the committee
sanctioned
the
course suggested
that body, namely, that inquiry
should
made
the society's Indian solicitors
the exact position under the Indian law, and
adopted.
the best course
From the cases the committee turned their
policy.
attention
other questions
was
publish once,
decided
the autumn
the year,
full list of the annual subscribers
the Pension
Fund with the amount
their subscriptions.
case any subscriber might object
the publication
his
her name,
was resolved, before printing
the list,
issue
circular
order
ascertain the
wishes
the individual subscribers
this point.
proposal
obtain advertisements for The Author
was next considered, and, after some discussion,
accept the proposal subject
was agreed
some
modification and
the terms being embodied
contract which should meet with the chairman s
approval.
question had
At the previous meeting
agents
arisen respecting the appointment
the
colonies who should keep the society informed
infringements
literary and dramatic rights.
Sir
Alfred Bateman reported that
had conferred
with the officials of the Board
Trade and felt
made,
that some arrangement could probably
yet
give any definite
but that
was too early
assurance.
The secretary reported also that
had
seen the president
the Publishers' Association
and was instructed
write
him.
The question
the censorship
novels was again before the
committee
whom the secretary reported.
He
was instructed
communicate with Mr. Hewlett
immediately
his return, who had the whole
proposal made
matter
hand.
member
the
Copyright Sub-committee that all copyright cases
should first
referred
that committee, was
to

donors

January, 1910, have been deleted from the present

in

()

to

()

5

by

IO

of

O
O

to

0

of

0

1

an

2

1

byto

2

to

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on to to
a

0

0

0 () ()

10

(),

0
4

committee authorised the secretary
write
the
put
publisher
the matter, and (if needful)
report
accountant
check the accounts.
regard
Was read from the solicitors
the society
the piracy
the works
one
members
means
street hawkers, and the secretary
was instructed
direct the solicitors
take
active steps
the lines taken
the music
publishers
somewhat similar circumstances, and
put
stop
hasten
the illegal sales and
bring the parties
book.
another case, owing

to

and

0

I

.

.

.

º

.

subscribers

d.

5

to

fresh

S.

O

1 3 ()

. as of .

.

S.

by
S.

J.

3.

C.

º

money recovered
the Society
ſº
©
damages)
Wynne,
June
Whitworth
c
June 15, Maunder,
H.

All

#

1 5

©
e
March 12, Yould, A. .
§
March 16, Loraine, Lady .
March 29, Macdonnell, Randall .
gº
&amp;
April 6, Blake, J. P. .
April 8, Patricia Wentworth ''
April 14, Hinkson, Mrs. K. Tynan
ſº
May 6, Greenstreet, W. J. .
May 7, Cousin, John W.
e
May 10, Zangwill, Israel
May 19, Sprigge, Dr.
(Portion

259

�TFIE AUTISIOR.

260

reconsidered in the light of the opinions of the
After a perusal
members of the sub-committee.
of these opinions it appeared to the Committee of
Management that it would be undesirable to carry
out the suggestion.
that, as
reported
immediate
The chairman
decision was necessary, he had taken on himself, in
Mr. Hewlett's absence, to postpone the dinner of
This action was approved and it was
the society.
decided to leave the question of an autumn dinner
to the committee at their meeting in July, when it
was hoped Mr. Hewlett would be present.
The committee sanctioned the expenditure neces
sary for the issue of a circular by the Dramatic
Sub-committee to the dramatists inside the society.
also referred a
The Dramatic Sub-committee
suggestion as to the reading of dramatic works by
a staff of readers appointed by the society, with a
special view to obtaining a market for such plays
as were favourably reported on by the readers.
The suggestion did not appear practicable to the
committee, and the secretary was instructed
to
write to the member who had made the suggestion
and report to the sub-committee in that sense. A
proposal that the names of the Nobel Prize Com
mittee should be added to the list of committees on
was
and publications
the society s letter-paper
negatived.
The receipt of a contribution of £2 2s. to the
Capital Account of the society in acknowledgment
of work done by the society, was reported to the
committee, as also was a contribution of £10 to

Pension Fund from Dr. S. Squire Sprigge,
part of moneys recovered by the society on his
the

behalf.

At

this, the first meeting of the committee after
the event, it was decided to send to Mr. Thomas
Hardy a letter of congratulation
on the attain
ment of his seventieth birthday, and the secretary
was instructed to ask Mr. Hewlett, the chairman of
out the committee's wishes
the committee, to carry
in this matter.

º-º-º

DRAMATIC

SUB-COMMITTEE.

A MEETING of the Dramatic Sub-committee was
held on Monday, May 30, at the offices of the
society, 39, Old Queen Street, Storey's Gate, S.W.,
at 3 p.m.
of
The first question for the consideration

related to the position of
the sub-committee
dramatic authors and their property in the Trans
At the suggestion
Vaal and Orange River Colony.
of the secretary, it was decided to write to the
Colonial Office and to inquire as to the position of
copyright property of English dramatists in South
Africa generally.

The next subject was the appointment of agents
in the colonies and the larger cities of those
countries united under the Berne Convention
agents who might be able to give information
The secretary
to the Society of infringements.
reported that he had seen a gentleman, a native of
Johannesburg and a lawyer of position, and that
he had explained to him exactly what the society
This gentleman had agreed to write a
desired.
letter to be laid before the Dramatic Sub-com
mittee, giving references and explaining how far
he would be able to undertake the duties required.
The letter not having arrived in time for the
meeting, the matter was adjourned
to the next
meeting.
The secretary also reported that Sir Alfred Bate

at the Board of
had seen the authorities
Trade and the Foreign Office in regard to the
question of the Consuls reporting infringements in
those countries of Europe bound by the Berne
and the Trade Commissioners in the
Convention
Sir Alfred Bateman having intimated a
colonies.

man

desire to have from the Dramatic Sub-committee
a note of the exact work which it was desired the
should
and the Trade Commissioners
Consuls
undertake,
the secretary was instructed to draft
such a note and to forward it to Sir Alfred.

Infringements of performing rights in India

appear to be on the increase, as the secretary had
to report to the sub-committee a long list of such
infringements
He
at the Opera House, Calcutta.
was instructed, with the consent of the Committee
of Management, to write to the society's solicitors
in India and ask them to see whether it would not
be possible to put a stop to these infringements
by communicating with the manager, and also to
inquire what further steps they would advise.
At
the same time the solicitors should be requested to
send a formal power of attorney, so that, in the
event of any action being necessary, they should
have full authority to take immediate proceedings.
It was also suggested that the secretary should be
instructed to write to the Council of the Actors
Association warning them of these infringements,
for members of
as it might be very unfortunate
that association who had entered into contracts to
play in certain pieces in India and the colonies
suddenly to find that their employment was at an
end owing to an injunction being obtained for
infringements of dramatic rights; and the Secretary
was so instructed.
A complaint made by one member of the Society
against another member was laid before the sub
committee, but as the full statements were not
forthcoming it was necessary to adjourn
the
matter.
The secretary, having called attention to certain
paragraphs
to
in The Referee, was instructed

�TFIE AUTISIOR.
forward a reply to the editor for insertion

journal.

former months.

in that

º-º-º
June Elections.
Alcock, Joseph Crosby

32,
Londesborough
Road, Scarborough.

Atkinson, Harold W.

West View, Eastbury
Avenue, Northwood,
Middlesex.
Yorick Club, 30, Bed
ford Street, Strand,

Baker, Capt. B. Granville.
-

Cambridge.
51,
Man
Beaufort
sions, Chelsea, S.W.
Chase, Mrs. Lewis Nathaniel 54, Digby Mansions,
H a m me r s m it h
Bridge, London, W.
Dalziel, James.
Taikoo Sugar Refining
Ltd., Hong
Co.,

Carey, Miss Winifred Rose.

Cases.

Four relating to settlement of terms of
agreements.
Of the two claims for accounts, one
has been settled the accounts have been handed
in. In the other case, the society is waiting for
having
the publishers
the accountant's report,
given every facility for the investigation
of their
Of the five claims for accounts and money,
books.
one has been settled and one is in the course of

MSS.

negotiation.
The other three accounts have been
handed in, but the money is not yet to hand ; the
Secretary is waiting for the member to pass the
returns, when the demand for the amount shown to
be due will be made. The three claims for MSS.
Out of the nine claims for
have been satisfied.
satisfied, two have been
money, one has been
placed in the hands of the society s solicitors as
no satisfactory reply was forthcoming, two are in
negotiation,
and the
the course of satisfactory
balance have only recently come into the office.
The cases of disputes on agreements are naturally
slow in settlement, as a good deal of negotiation is
necessary, but one has been settled,
two are
progressing.
The last one has to await the arrival
of the member in England. She is at present
abroad and cannot obtain the necessary documents
and evidence.
remaining
over
from
still
There are three cases

W.C.
Fen Ditton Hall, near

Campbell, Cyril S.

º-º-º

DURING the past month the number of cases
placed in the Secretary's hands has increased.
Twenty-three
have been brought to
new cases
They may be divided as
office.
the society's
follows: Two for accounts. Five for accounts
Nine for money only. Three for
and money.

One of these refers to a member

who lives in the Colonies, and one to a publisher in
America, and the third is still in the course of
negotiation.
The cases in the solicitor's hands
are being carried forward in accordance with the
legal procedure.
None have actually been settled
during the past month.

A suggestion, from one of the members of the
Society to institute a formal reading branch for the
benefit of unacted dramatists was, after some discus
sion, referred to the Committee of Management.
It was decided that the resolution passed at the
previous meeting of the sub-committee relating to
performances in working men's clubs should be
sent round to dramatists who were members of the
society, with a postcard asking whether they would
be ready to adhere to the resolution then passed.
The sub-committee authorised the secretary to
write to those dramatists, if any, still outside the
Society and call their attention to the work done
by the society for the benefit of the dramatic
profession and for the defence of dramatic property.
The repertory agreement was finally settled, but
the agreement for a run was deferred till the next
meeting, which was fixed for Tuesday, June 21.

261

Kong.
-

Dawson,

17,

Frank

Dixon, Thomas

º

.

Eggar, W. D.
Graham,
Mrs.

e

.

Maxtone

Jevons, Herbert
Thomson,

Ethel
Stanley

Lieut.-Col. S.

C.I.E., J.P.

.

Woodhill,

Rhiw

bina, near Cardiff.

Manor,
Kent.
Abbots Morton, Ink
berrow, Worcester

Scuttington

Sittingbourne,

Talbot, P. A., B.A., F.L.S.,
&amp;c.

verley, near Leeds.
Eton College, Windsor.
Bilston Lodge, Ivan
head, Midlothian.

.

J.,

Street,

Bedford

Marine
Parade,
Brighton.
Woodhall Road, Cal

shire.

Wilson, Mary D.

44,

Wilson, Mrs. S. Douglas

e
BOOKS

Princes

Square,

Hyde Park, W.
17, Buckley Road,

N.W.

º-e

PUBLISHED BY MEMBERS OF
THE SOCIETY.

e-º-º

WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible, they have
some difficulty in attaining this object owing to the fact

�TISIE AUTISIOR.

262

By
CE.
AN IRISH R.M.
FURTHER EXPERIENCES
53. 315 pp.
SOMERVILLE AND MARTIN Ross.

ART.

Human Documents from the Four
Selected, trans
Centuries preceding the Reformation.
CouTTON,
by
lated, and annotated
21s.
Constable.
727 pp.
By CAPTAIN
THE WALLS OF CONSTANTINOPLE.
BAKER,
Milnes.
6%. 262 pp.
GRAN VILLE
16s. n.
THE SECOND AFGHAN WAR, 1878-79-80 its Causes, its
HANNA,
By COL. H.
Conduct, and its Consequences.
15s.
Constable.
Delhi. Wol.
late Commanding
SERIES,
COLONIAL
STATE PAPERS,
OF
CALENDAR
AMERICA AND THE WEST INDIES, 1700, PRESERVED IN
THE PUBLIC RECORD OFFICE. Edited by CECIL HEAD
LAM, M.A.
7%. 851 pp. Wyman. 15s.
103

×

74

6.

×

B.

B.

:

n.

E.

n. P.

J.

A

C.

n.

A.

x

7%

5.

×

:

x

5%

&amp;

A.

&amp; :

168.

n.

By JULIAN CoRBETT.

Longmans.

ORIENTAL.
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Rendered
SWORD-OF-THE-CROWNS.
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POETRY.

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18.

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95

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ENGLAND s SON, AND OTHER POEMS. By MAXWELL
Digby Long. 38. 6d.
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GRAY.
53.
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THE DEAD KING. By RUDYARD
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REPRINTS.

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With an
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444 pp.
Introduction by FREDERIC HARRISON.
With an Introduction by
ESSAYS OF FRANCIS BACON.
POETICAL WORKS OF
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WILLIAM BLAKE. With an Introduction by W.
28. 6d.
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YEATs. 277 pp.
64
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94

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32 to

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IN

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5.
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5.

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73 A

5.

473 pp.

5.

×

8

5.
5.

J.

5.

×

73

5.

A

By
BLOUNDELLE-BURTON.
Everett. 68.
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By ALICE AND CLAUDE ASKEW.
THE ROD OF JUSTICE.
Fisher Unwin. 6s.
350 pp.
THE SILENT WATCHES. By IZA DUFFUS HARDY.
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By VICTORIA CROSS. (Cheap Edition.)
To-MoRRow
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BULLEN.
320 pp.

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L.

MOBERLY.
IN THE BALANCE. By
Ward, Lock. 6s.
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LOCKE.
W.
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7}

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8%.

THE CAMPAIGN OF TRAFALGAR.

pp.

336

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FRANK.
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To the opening

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accurate.

BRITISH

E.

OF

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In consequence, it is necessary to rely
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It is hoped, however, that members will
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m.

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K. -

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INSECT

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ner.

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YOUNG.

HAMILTON's SECOND MARRIAGE
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W.
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FOR TEIE

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263

�TFIE AUTISIOR.

by

is

of

III.

to

is

E.

A.

of

&amp;

many years, both for purposes of scientific investi
gation and for their practical utility
in the
treatment of various diseases.
Messrs. Pitman &amp;
Sons, Ltd., are the publishers.
Miss N. Smith Dampier's book, Ballads from
the Danish and Original Verses, was published
last month by Mr. Andrew Melrose.
There is shortly to be published in a popular
edition in America, by Messrs. Mitchell Kennerley,
Mary,
Miss Winifred Graham's novel,
a 1s.
edition of which has recently been published in
England by Messrs. Mills &amp; Boon, who are pub
lishing, early in July, Miss Graham's new novel,
The Enemy of Woman.
Mr. Arthur H. Stockwell has published a new
novel by Mr.
H. Brighouse, entitled,
With
Unseen Lips, a tale of mystery and humour.

of

and Suggestion in Daily Life,
Education, and Medical Practice, is the
title of a new work by Dr. Bernard
Hollander, who has studied these subjects for

to

YPNOTISM

a

to

of

in

to

by

in

a

a

on

at

is

by

J.

A.

J.

J.

of

3.

on

ni of

1,

on

6;

on

B.

at

of

a

B.

of

a

it

be

in

of

is

of

in

of

in

is

de

of

by

is

It be

of

&amp;

of

Reynolds-Ball the Editor
this volume.
Messrs. Methuen
Co. are just issuing
book
Big Cats and other Beasts, by
Anecdotes
Mr. David Wilson.
Crespigny s new book
Mrs. Champion
August.
published
Messrs. Mills and Boon
Achor, and deals with
J.
called The Walley
modern life.
The scene
the story
laid
England.
Miss Jetta S. Wolff, author of Le Français en
Ménage,
and
Le Français en Voyage, is
Rev. Telford Warley, B.Sc., who wrote the text
publishing a volume entitled
Hampshire"
Pour la Patrie, et
for Messrs. Black's series
autres Contes d'Enfants.
Mr. Edward Arnold
Colour-Books, has expanded the section
the
announces, also, the publication of Miss Wolff's
book dealing with Winchester and its immediate
surroundings, and
published
separate
Les Français d Aujourd hui.
will
scene of Mr. Wilfrid Balls' illustra
Mr. Michael Barrington, the author of
The form with
King's Fool, whose last novel, The Knight of tions from Hampshire.
Sword, was no mediaeval tale of
During the past month, the Abbey Theatre
the Golden
adventure,
Lady Gregory
Company, under the management
hazardous
but a study of the political
Yeats, has been on
and Mr. W.
visit
conditions of England and Scotland at the time of
Among the members
the Restoration and Revolution, has returned once
London.
the society
more to the Middle Ages; and Messrs. Chatto &amp;
whose plays have been staged
the Court Theatre
Windus will publish in October his new romance,
are Mr. William Boyle,
Lord Dunsany, Lady
Gregory, and Mr. W.
The Lady of Tripoli, which portrays the soul's
Yeats.
history of a famous Troubadour Prince.
Mr. Boyle's comedy, The Eloquent Dempsy,
Mr. Richard Steel has just published a second and Lord Dunsany's piece, The Glittering Gate,
Lady Gregory's three
and revised edition of his book, Imitation : The
were produced
June
Mimetic Function in Human Nature and in act play,
The Image,
June
followed
Nature.
The writer approaches the subject from
her one-act play,
The Rising
the Moon ;
Houlihan,
many sides, starting with imitation in infant and
while Mr. Yeats
Kathleen
child life, continuing in education, in later youthful
followed Lady Gregory s
Workhouse Ward,
June
life and early maturity. Other chapters deal with
religion and politics, in
Playboy
imitation in ethics,
The late Mr.
M. Synge's
the
Western World was also included in the com
language, poetry and the fine arts, in economics,
pany's répertoire.
in heredity and inorganic matter, while in an
The company's cast includes
appendix the writer refers to imitation in the
O Rouke, Miss
Miss Sarah Allgood, Mr.
Morgan.
reasoning process.
Messrs. Young &amp; Sons in
Eileen O'Doherty, and Mr. Sydney
Liverpool, and Messrs. Simpkin, Marshall &amp; Co.
Mrs. Angelo Savi's little sketch,
Love
Passing, was produced for the first time
Mr.
in London, publish the book.
Clive Currie
the Rehearsal Theatre,
Maiden
Mr. S. B. Banerjea is shortly publishing a serial
May 23, before crowded house.
story, entitled
Miss Ray of Krishnagar, which Lane,
Lady
will appear in a Madras paper.
It will deal with
The Image,
new play
three acts
by

.

(a

º-º-º

$

the Indian unrest, and point out wherein, in the
author's judgment, India s peril lies.
Dr. A. K. Coomaraswaney has an article on
Indian Bronzes in the May number of the
Burlington Magazine.
Miss K. Everest's new song, Wake up, Eng
copy
land
which was graciously accepted
Stanley
H.M. the King)
now published
Webb, 10, Museum Street, W.C.
We have just received Wol.
Travel and
Exploration, comprising the monthly issues from
January
June, 1900. The volume
copiously
illustrated from photographs which are well repro
duced, and contains many articles scarcely less
interesting
the
home-bird
than
the
Co.,
326, High
traveller.
Messrs. Witherby
Holborn, W.C., are the publishers, and Mr.

l

NOTES.

to

LITERARY, DRAMATIC, AND MUSICAL

by

264

�TFIE AUTISIOR.
in

an

a

of
by in

of

of

a

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in

us

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of be

to

is

to

its

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all a

of

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a

it

in to

of

so

is

of

by

is

to

of

C.

de

of

de

It

is

is

by

a

is

to

be

to

to

be

byto

it

by

of

a

a

in

is

is

to

a

in

on

of

de

English.

by

in

in

in

on

at

a

is

of

of

in

of

of

to

us

of

''
is

of

of

;

of

a

all

is

of

of

an

is

In

of

of

of

It

by

by

de

et

It

of de
in

a

to

dissolving
and her lectures have been illustrated
views
the pictures
which she has spoken.
She
French,
repeat these lectures
Brussels
and she will give them later
London
to

of

of

in

of a of

duc d'Aumale
Cuvillier Fleury' has just
appeared.
has been compiled
M. Limbourg,
preface
and has
M. René Wallery-Radot.
1848, when the Duc d'Aumale and
commences
the Prince
Joinville join the exiled royal family.
many
series
letters we have
account
tragic events.
1850 there
the death
the king;
then the Crimean War
the death
the Duchesse
Nemours and
the Duchesse d Orléans, and
the Italian war.
expect from
Pierre Mille has accustomed
his pen true pictures
colonial life, and
the
difficulties
the Westerner
his dealings with
the extreme Orient.
His stories are tragic and
running
pathetic, with
fine vein
humour
through them.
very living
Barnavaux
personage
who have read Pierre Mille's last
volumes.
La Biche écrasée
the title of this
new book
short stories.
The author shows

on of

Renard was known
his
play, Carrots.
He painted the peasants
Central France admirably.
He was essentially
realist, but there was poetry
his realism.
One
his critics very aptly calls him the Bastien
Lepage
literature.
The second volume
the Correspondance
du

Trois amies de Chateaubriand
the title of
charming book
André Beaunier.
both.
historical
and romantic.
The three principal
persons
whom the author writes are Pauline
Beaumont, Juliette Récamier and Hortense Allard.
Custine, Nathalie
The other friends are Delphine
de Noailles and Madame de
The love affairs of
many
Chateaubriand
have tempted the pen
always something fresh
tell,
writers but there
and André Beaumier has obtained fresh information
from many sources.
La Brèche,
Bradais one
the most dramatic
this popular author's novels. The story
based
one
those cruel problems
difficult for mere
on-lookers
solve.
The characters immediately
concerned
this problem solve
for themselves
Brada's story, knowing full well the sacrifices
prepared
that they must
make.
Their life
one long effort
bear the burden themselves,
silently
uncomplainingly.
and
Circumstances
necessary for others
occur which make
share
their secret. They pay
the uttermost farthing
the penalty
what
some people would
deemed
sin and
others the only natural solu
admirably
tion
their problem.
The story
living personage.
told and each character
atmosphere
every scene, common sense
There
mingled with romance, and fine robust philosophy
life pervading the whole story.
Bobadillo, the wife
Madame Emilio
the cele
brated Spanish writer (Fray Candil), has completed
Spanish art.
her series
lectures
Paris
She
Velasquez, Murillo and Zurbaran,
has spoken
in

England, Jules

famous

Mille.

of

to

of

a

by

In

of to

as

he

is,

late Jules Renard was a member of the
Goncourt Academy. He was a comparatively
young man, so that the news of his death
came as a surprise to all, but his intimate friends.
He was a literary man in the best sense of that
term.
His originality consisted in transcribing
life as he saw it. With Jules Renard there was no
seeking for effect, no novels written for the sake of
preaching a theory.
He saw nature as it
and
they are, and
human beings
endeavoured
great lover
show them
us.
He was
the
country and
the simple life.

is

HE

a

at

all

is

º-º-º

In

a

of

PARIS NOTES.

a

is

us

&amp; sºº- a
w
-

de

is
a

he in
a

he

he

on

On tour.

in

The Marriage of Kitty, with Mr. C. W.
Standing and Miss Winifred Pearson, and is now
-

himself here
new light. He
keen observer
always, and
handles his subjects with delicacy,
paints his pictures
but
this volume wherever
good subject.
finds
La Biche écrasée,
merely
which gives
title
the volume,
episode, too slight even
story. There
called
attempt
criticism
the things described,
words, but just
moral given
touch
artist, showing
up
with the brush
few strokes
the cruelty and the pity
the
incidents described, the crushing
the weak
the
strong, the barbarism
our vaunted civilisation.
Le Bon Père,
the same book,
veiled satire
Repos hebdomadaire
our social system.
voting laws.
shows
the utility
Le Secret
tragic domestic episode, and
La Peur
sculptor.
weird story told
There are
about twenty
these short stories, all told
the
concise, dramatic way which
the secret
Pierre
no

1.

no is

was produced at the Court. Theatre, on
In the cast were Arthur Sinclair, Fred
O'Donovan, and Miss Sara Allgood.
Mr. Henry Arthur Jones's comedy, The Case of
Rebellious Susan,
was revived at the Criterion
Theatre early last month. Sir Charles Wyndham,
Miss Mary Moore, Miss Ellis Jeffreys, and Mr.
Sam Sothern were in the cast.
Miss Myra Swan appeared at the Grand Opera
House, Middlesbrough,
on May 9, as Kitty in
Gregory,

June

265

�In

d'Aumale

duc

of

3.

1,
2,

as

of

of

to

to

3

1,
2, at

atbe on

3.

1,
2,

of

be

is
of
as to

of

9,

10

7,
8,

6,

at

to

of

to to
be

to of

Faithfully Yours,
(Signed) JOHN LONG.

in

a

of

in

of

an

of

to

of

in

;

as

of of

an

be

of

if

so

in

to

he

to

It

to
a it for

is is
a

of

in

be

at
a

in

a on a

to

is
a

a

very bad one
the author.
the publisher but
mistake
We would only add that, while
publisher for
bind himself
author
for
bind himself for nine
more than one book,
An author should make his
disastrous.
books
to

5

on

25

(if

of

or

(if

on

of

of

and
NOS.
the first nine
6s. Edition 1s. per copy, after the sale
hundred copies.
the
Colonial Edition 2d. per copy, after the sale
first four hundred copies.
copy
all
Sevenpenny Cloth Edition (if any) 3d. per
Sales.
per
Siapenny Edition (if any) 15s.
thousand Sales.
any)
Editions, except above
Cheaper Edition
price
published
all
per cent.
the nominal
copies sold.
per
any)
American, Foreign, and Serial Rights
cent. of the net sum received.

put from £40
and advertising, have been able
Probably
would
£50 into his own pocket.
six months, and thus have the
make this sum
turning over his capital
hand:
opportunity
noticed
will
the year.
some profit twice
that, even with
much smaller numbers,
sale
ample. This, then,
his capital
the percentage
good bargain for
fair sale,
the book has
of

3.

I

it.

I

of

I

an

I

is

5
that the sales of your
is much to be regretted
two novels have not come up to our expectations,
and, in the over-crowded
state of the fiction market,
it is difficult to know what to do with the above.
The tale is certainly well written, but then, on the other
hand, there is always a large number of well-written tales
be
before the public. Its publication must, therefore,
have already
attended with the greatest risk, but, as
third,
try
a
published two of your books,
should like to
only, however, on the clear and distinct understanding
your
next nine new novels,
that have the first refusal of
which, if accepted, shall be published on the terms set out
below.
understand you are not prepared to further finance
your literary work. Therefore
am willing to buy the
copyright of the present one for £15, and, over and above
should
that sum, find all the money for publishing
also find all the money for publishing the other nine new
novels.
TERMS FOR THE SAID NINE Nov FLS.

It

of In

Dear

The Author
We have printed previously
somewhat similar offers from the same publisher.
put the case clearly before the members
order
single
our society, we will consider the case
1,500 copies
book, and assume that
edition
the
printed and that 900
these are sold
English edition, 400 are sold
the Colonial
edition, and 100 are given away for review and other
100
purposes, leaving
unsold remainder
copies.
The result from the financial point
roughly
follows: the sale
view would then
900 copies would bring the publisher about £150
sheets might
the colonies
400 copies
the sale
that,
the
bring the publisher, say, another £20,
first edition was sold out, the publisher would have
The pub
obtained £170 and the author nothing.
production
lisher would, after covering the cost
is

offer that we print below was made
recently by Mr. John Long to a member of
our society.

HE

to

I.

I

be

I

º-º-º

I

of

#.

Jº

AGREEMENTS.

if

PUBLISHERS

to

is

a
º- a
w-v-w

1,
2,

68,

.

La Biche écrasée" (Calmann-Lévy).
La Brèche" (Plon).

|

at

Cuvillier

de

et

(Plon).

in

du

10

It

as 4,
10
5, If

if

68.

be

to

I

of

ALYS HALLARD.

Correspondance

of be

as

in

Le

M. Frantz Funck-Brentano
de la Jeune Turquie.
on L Eglise de France et la Révolution.

Fleury

18,9.

7,
8,

68.

the April number of France
vrai Roosevelt, by M. Gulglielmo
Ferrero, in Le Figaro.
In La Revue hebdomadaire M. René Moulin has
been writing some articles on Force et Faiblesse

Fanin Roy,
Amérique.

and
NOS.
the first five
68. Edition Is. per copy, after the sale
hundred copies.
the
Colonial Editions 2d. per copy, after the sale
first three hundred copies.
and
for Nos.
Other Royalties
and
Nos.
per copy, after the sale
the first four
Edition
hundred copies.
the
Colonial Edition 2d. per copy, after the sale
first two hundred copies.
and
for Nos.
Other Royalties
the
clearly understood that the royalties
must
paid
the above nine novels are
each
edition
published
this
only
the outset
the book
regards Nos.
not, then
the royalty
and
price.
1,750.
As
per cent. after the sale
the first
per cent. after the sale
the first 1,000,
and
Nos.
per
regards Nos.
cent. after the sale
and,
and
the first 750 copies.
less
novels being published
am bitterly opposed
the commencement, but we must provide for all
than
undoubtedly,
the publishing world, where,
eventualities
for cheapness.
the trend
present day life, with plenty
love
Each tale
incident, and
contain not less than 80,000 words
2,CIl.
published yearly about January
yours
Two novels
take place during September and
and delivery
2.TCI).
will send you the
from you
On hearing favourably
cheque for £15, also the agreement.
of

the Revue des Deua, Mondes there is an
extremely interesting article by M. Georges Goyau
on Bismarck et la Papauté.
A number of articles on Roosevelt have appeared
Théodore Roose
in the various French reviews.
velt et la Constitution américaine, by M. René
L'Opinion
Ambassador,
Millet,
in
French
by
M.
(April 23).
Le Président Roosevelt,

6.

4,
5,

TISIE AUTISIOR.

266

�TISIE AUTISIOR.

us

In the first instance
The agreement should

be let

In this particular case the firm which issued
this agreement stated, so we are informed, that no
publisher nowadays thinks of entering into an
agreement with an author unless the author con
sents to transfer his copyright.
In actual fact the
exact opposite is the case.

of

a

to of

to

of

be

in

as

of so

to
a

a

be is

it

3

is

be

it

If

is

as

to

no

is

to

to

is

2

in 1

be

to

be

consider the parties.
made between the author
and the publisher only.
The contract should
personal
the publisher and should not
with
his respective heirs, executors, successors and
assigns. Clause
does not call for any particular
comment, but
clause
the inequality
the
agreement
immediately evident.
The publisher
seeks
bind the author
deliver the MS. by
fixed date and to make time the essence of the
contract, but there
corresponding obligation
his part
make time the essence
the
contract
when the question arises
the
publication.
important
date
for
the publisher that time should
made the
essence
the contract
even more important
for the author.
Clause
clause
which
particular attention should
drawn.
The author
publisher.
should never transfer his copyright
How often has this statement been made in these
long
publishers insist upon
columns
But
inserting clauses
this kind
their agreements,
long must the repetition
the formula
printed
The author must never transfer his
copyright
the publisher.
The reasons for
this are manifold, but
not necessary
repeat them
the present time.
The author
publish
should grant
the publisher
licence

to

to

is

a

to at

it

to

work.
7. The author during his life shall, on the publishers'
request, Tevise, and if necessary edit, and prepare for the
press all future editions which the publishers shall decide
to publish, and from time to time supply any new matter
that may be needful to keep the work up to date. In the
event of the author's death, or of his inability, by reason of

No author can be recommended to sign this
agreement as it stands.
Many publishing firms
issue agreements drawn distinctly in their favour,
but when they find that the author has full know
ledge of the clauses likely to prove oppressive,
they are generally willing to make modifications
and not infrequently to accept all or most of the
author's emendations and alterations.

of

1. The publishers will, at their own expense, produce
and publish the author's work at present entitled
}
consisting of about
thousand words.
2. The author will deliver the complete manuscript to
the publishers on or before
next.
(This is of the
essence of the contract.)
And the publishers undertake to
issue the work not later than
º
3. The copyright is hereby vested in the publishers, who
shall have the entire control of the publication and terms
of sale of the work, and the author shall not, without the
consent of the publishers, publish any abridgment, trans
lation, or dramatised version of the work.
4. The publishing price in England of the first edition of
the work shall not be less than
, and the publishers
shall pay the following royalties, i.e.,
during
The author shall be entitled
the continuance of
the copyright to a royalty of
per cent. of the pub
price
copies
lished
of all
sold in Great
- Britain up to
copies.
pence per copy on all sold in the
A royalty of
British Colonies.
per cent. of the published price of all
A royalty of
copies exported to America, or, if the book be copyrighted
there, to one half the total amount received from the
American publishers.
A royalty of 10 per cent. on the amount realised in the
event of the book being sold as remainders.
5. Accounts shall be made up annually as on the 31st
December and shall be settled on or before the 30th April
following. In taking the accounts thirteen copies shall be
reckoned as twelve (or twenty-five
as twenty-four, as the
case may be); copies supplied for review and presentation
shall not be subject to royalty; and author's corrections
exceeding an average cost of
shillings per sheet of
thirty-two pages shall be at the author's expense and be
deducted from the author's royalty.
The author shall be
copies of the work free of charge.
entitled to
6. The author guarantees that the work does not infringe
the copyright of any other person, and that it contains
nothing of a Scandalous character, and will indemnify the
publishers from all loss, costs, and damages for actual or
alleged infringement
of copyright, libel, or otherwise, in
consequence of or arising out of the publication
of the

of

follows:

!

MEMORANDUM
OF AGREEMENT
made the
day of
, hereinafter referred to as the
19 , between
, hereinafter referred to
author of the one part and
as the publishers of the other part, whereby it is mutually
agreed between the parties thereto for themselves and
their respective heirs, successors, executors, and assigns, as

:

II.
The next agreement, to which we desire to draw
attention, is a common form of agreement issued
by Messrs. George Allen &amp; Sons.
We print this
document at length :

on

than one volume.

illness, absence from England, or otherwise, to do so, the
cost of such revision and preparation
shall be borne
equally by the author or his representatives, and the pub
lishers and the author's share of such cost shall be a charge
upon and be deducted from the author's royalty.
8. If the publishers shall, after the whole of the first or
any later edition shall have been sold, and after not less
than six months' notice in writing from the author,
decline or neglect to publish a new edition, they shall at
the author's cost assign the copyright to the author ; and
in case of such assignment the author shall take over all
plates, stones, blocks, moulds, etc., specially made for the
work and which could be used for the production
of
another edition, at two-thirds of the original cost.
9. The expression
the publishers
shall be deemed to
include, where the context so admits, the person or persons
e
for the time being constituting the firm of
AS WITNESS the hands of the author and of the said firm
Of
by two of its members.

so

an agent for the publication of the work
in book form only, subject to limitations of time,
price, country, and number of edition.
To hand
over to a publisher
other rights may be as
disastrous as handing over the publication of more

publisher

267

�268

TISIE AUTISIOR.

the work in book form only, at a fixed price and
in a form to be mutually agreed between the parties.
The latter part of clause 3 we have met in other
agreements.
It may be reasonable that the author
should not be permitted to publish an abridgment of
his work without the consent of the publisher, if
such abridgment
is likely to detract from the
value to the publisher of his contract, but that the
author should not be allowed to publish a trans
lation or dramatised version of his work is an absurd
prohibition.
To the ordinary author, who trusts
his publisher, it might appear that he had merely to
inform the publisher that he had received an offer
for such translation or dramatisation, and the pub
lisher would, as a matter of course, without any
demur, grant his consent.
We have, however, met
a publisher not the one whose agreement is before
us who has, in such circumstances, withheld his
consent until the author agreed to give him 50 per
cent. of the profits.
The words must, therefore, be
struck out of the clause.
In clause 4 it is quite
right that the published price should be settled, but
not for the first edition only. The publisher should
only be granted a licence to publish at agreed
prices. It will be noticed in clause 4 that although
the author has sold the copyright to the publisher,
there is no stipulation made for any payment to
the author if the work is placed serially, or if the
publisher chooses to sell translation rights.
The
royalties
to be paid are only on the English,
Colonial, and American editions, and in the last
mentioned case, supposing the author, by his own
unaided efforts, succeeds in obtaining American
copyright, he will have to pay half the total amount
to the publishers.
In the last paragraph of the
clause the author should be given a larger measure
of control. The publisher should not be allowed to
remainder when he likes without considering the
author's position.
The account clause, again, is
very unsatisfactory, for if the book were published in

January a not uncommon month in which to pub
lish books the author would not receive any money
until the following April year. As the largest sales
of a book occur during the first three or four
months, the publisher would hold the author's
money for twelve
months.
One enterprising

author has worked out an interesting mathematical
sum by which he shows how a publisher, by means
of an account clause drawn on these lines, could
run the expenses of his business on moneys belong

ing to authors which he had in hand. . The ques
tion of thirteen copies being reckoned as twelve
in the rendering of accounts has been explained
over and over again in these columns.
We do
not desire to repeat the warning.
Clause 7 should
be deleted entirely.
The author of the work alone
should have the right of revision.
The clause as to
revision refers only to technical books and Scientific

works et hoc genus omne which necessarily require
to be re-edited with the development of knowledge
or the alteration of methods.
If the author desires
to retain control as to revision, then he should
limit the publisher, in the first clause, not only to
the right of publication in book form at a fixed
price but also to a limited edition.
He can always
offer the publisher the option of producing further
editions, subject to any revisions or alterations he
may desire incorporated.
The clause as it stands
must, as we have remarked, be deleted.
Clause 8
would be unnecessary if the agreement were drawn
on the lines we have suggested, but if the author
has sold the copyright to the publisher, and the
latter chooses to assign it to some other house, it
is not likely that the assignee will be bound by
clause 8, and, in any event, that the book should
be out of print for six months is very unsatisfactory
to the author.
The publisher should be bound,
in order to show his bona fides, to publish a new
edition of at least five hundred copies, and the
author should not be bound to take over the
moulds, stones, etc.
He might have the option of

over at a valuation.
If he takes
them over at two-thirds cost, first, they may not
be in good condition, and secondly, he is practically
insuring the publisher against any loss from the

taking them

publication of the book.

deleted for the reason given
this article.

e

Clause 9 should be
at the beginning of

º-e

MAGAZINE

CONTENTS.

e-º-e
BOOKMAN.
*
By Barry Pain.
The Humour of Mark Twain.
Mark Twain, The Man and The Jester. By Walter
Jerrold.
.
Thomas Hardy.

ENGLISH REVIEW.
Handling of Words : Meredith.
Henry
The
By Vernon Lee.
The Dramatic Sense. By Gilbert Cannan.
By C. F. Keary.
Through the French Salons.
By Frank Harris.
The Women of Shakespeare.

James

FORTNIGHTLY.
By Francis Gribble.
Tourguenieff.
By Richard H. P.
Tourguenieff and the Life Illusion.
Curle.
A Philosophic Emperor. By W. L. Courtney.
By Mrs. Alec Tweedie.
Wm. Quiller Orchardson.
By J. Johnston,
Walt Whitman the Poet of Nature.

M.D.

By Lewis Melville.
Sterne's Eliza.
The Last Meeting with Bjornson.
NATIONAL.

Lyttelton as a Man of Letters.
By Austin Dobson.
By W. Roberts.
A King of Manuscript Collectors.
A Poet s Prose. By Mrs. T. A. Trollope.

�TISIE AUTISIOR.
HOW TO USE THE SOCIETY.

But the transaction should be managed by a
obtained.
of
competent agent, or with the advice of the Secretary
the Society.

e-C-0
WERY member has a right to ask for and to receive

1.

advice upon his agreements, his choice of a pub
lisher, or any dispute arising in the conduct of his
The
of his property.
business or the administration
Secretary of the Society is a solicitor; but if there is any
special reason the Secretary will refer the case to the
Further, the Committee, if they
Solicitors of the Society.
without
deem it desirable, will obtain counsel's opinion
Moreover, where counsel's
any cost to the member.
opinion is favourable, and the sanction of the Committee
is obtained, action will be taken on behalf of the aggrieved
member, and all costs borne by the Society.
2. Remember that questions connected with copyright
and publishers' agreements do not fall within the experi
Therefore, do not scruple to use
ence of ordinary solicitors.
the Society.
3. Before signing any agreement whatever,
the document to the Society for examination.

send

4. Remember always that in belonging to the Society
you are fighting the battles of other writers, even if you
are reaping no direct benefit to yourself, and that you are
advancing the best interests of your calling in promoting
the independence of the writer, the dramatist, the composer.
5. The Committee have arranged for the reception of
in a fire
members' agreements and their preservation
proof safe. The agreements will, of course, be regarded as
confidential documents to be read only by the Secretary,
who will keep the key of the safe. The Society now offers:
(1) To stamp agreements in readiness for a possible action
upon them.
(3) To enforce
(2) To keep agreements.
payments due according to agreements.
Fuller particu
Society
s
work can be obtained in the
lars of the

Prospectus.

6. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society.
Members are strongly advised not to accept without careful
consideration the contracts with publishers submitted to
them by literary agents, and are recommended to submit

them for interpretation
of the Society.

and explanation

to the Secretary

This

7. Many agents neglect to stamp agreements.
must be done within fourteen days of first execution.
Secretary will undertake it on behalf of members.

The

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society; so
Members can make their own
do some publishers.
deductions and act accordingly.
9. The

subscription to the Society is £1 1s.
annum, or £10 10s. for life membership.

WARNINGS TO THE PRODUCERS
OF

BOOKS,

e-Q-e
are a few standing rules to be observed in an
agreement.
There are four methods of dealing
with literary property :

ERE

I. Selling it Outright.

This is sometimes satisfactory,

if

a preper

price

II. A Profit-Sharing Agreement (a bad form of
agreement).
In this case the following rules should be attended to :
(1.) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation.
(2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs, or by charging exchange advertise
ments. Therefore keep control of the advertisements.
(3.) Not to allow a special charge for office expenses,
unless the same allowance is made to the author.
(4.) Not to give up American, Colonial, or Continental
rights.
(5.) Not to give up serial or translation rights.
(6.) Not to bind yourself for future work to any publisher.
As well bind yourself for the future to any one solicitor or
doctor |

The Royalty System.
This is perhaps, with certain limitations, the best form
It is above all things necessary to know
of agreement.

III.

What the proposed royalty means to both sides. It is now
approximately
the
possible for an author to ascertain
From time to time very important figures connected
truth.
with royalties are published in The Author.

IV.
The
(1.)
(2.)
(3.)

A Commission Agreement.
main points are :
Be careful to obtain a fair cost of production.
Keep control of the advertisements.
Keep control of the sale price of the book.

General.

All other forms of agreement are combinations of the four
above mentioned.
Such combinations are generally disastrous to the author,
Never sign any agreement without competent advice from
the Secretary of the Society.
Stamp all agreements with the Inland Revenue stamp.
Avoid agreements by letter if possible.
The main points which the Society has always demanded
from the outset are
(1.) That both sides shall know -what an agreement
In 62,DS.
(2.) The inspection of those account books which belong
We are advised that this is a right, in the
to the author.
nature of a common law right, which cannot be denied or
withheld.

:

(3.) Always avoid a transfer of copyright.

e

WARNINGS

º-e

TO DRAMATIC

AUTHORS,

per

a a a
v-v-w

-

269

can be

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com
petent legal authority.
for
2. It is well to be extremely careful in negotiating
the production of a play with any one except an established
manager.

EVER

3. There are three forms of dramatic contract for plays
in three or more acts:
This
(a.) Sale outright of the performing right.
An author who enters into
is unsatisfactory.
stipulate
in the contract
such a contract should
for production
and for proper

play-bills.

of the piece by a certain date
publication
of his name on the

�TFIE AUTISIOR.

of

as

in

in

of

of

in

of

of

in

of

to

as

In

of

as

be

or

on

of

in

of

to

is

BRANCH,

of

in

greatly assist the Society
this
branch
its work by informing young writers
of its existence.
Their MSS. can be read and
composition
treated
treated by
coach.
The term
fiction, but poetry
MSS. includes not only works
works,
possible,
and dramatic
and when
under
special arrangement, technical and scientific works.
The
competence and experience.
Readers are writers
The
fee
one guinea.
º
is

it

of

a

is

of

REMITTANCES.

º-º-º

The Secretary
that all remittances

the Society begs

of

to

give notice
post.
are acknowledged by return
All remittances should be crossed Union
London and
Bank, Chancery
Lane,
Smiths
sent by registered
letter only.

of

Original Plays may also be filed subject to the same
rules, with the exception that a play will be charged for
at the price of 28. 6d. per act.

of is

in

in

It

Q-e
e-e

of

typewritten in duplicate on foolscap paper
forwarded to the offices of the Society, together with
a registration fee of two shillings and sixpence, will
be carefully compared by the Secretary or a qualified assis
tant.
One copy will be stamped and returned to the author
Copies
and the other filed in the register of the Society.
of the scenario, thus filed may be obtained at any time by
the author only at a small charge to cover cost of typing.

is

of

or

of

a

as as

it.

a

a

to

e

THE READING

as
a

Sº

stamp copies
The Society undertakes
music
part
behalf
its members for the fee
6d. per 100
100.
The members stamps are kept
the Society's
safe. The musical publishers communicate direct with the
Secretary, and the voucher
then forwarded
the
members, who are thus saved much unnecessary trouble.

EMBERS will

AND

MUSIC.

is

REGISTRATION
OF SCENARIOS
ORIGINAL PLAYS.
0-sº-0

sº-0

be

A- a
~~

e

STAMPING

or

11. An author must remember that the dramatic market
is exceedingly limited, and that for a novice the first object
is to obtain adequate publication.
As these warnings must necessarily be incomplete, on
account of the wide range of the subject of dramatic con
tracts, those authors desirous of further information
are referred to the Secretary of the Society.

can be added
the warnings given for the
producers
assistance
books and dramatic
must, however,
pointed out that,
authors.
rule, the musical publisher demands from the musica)
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property.
The musical composer has very often the two
rights
deal with performing right and copyright.
He
especially
should
careful therefore when entering into
particular
agreement,
an
and should take into
consideration
the warnings stated above.

to

10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract.
He should therefore guard himself all the more carefully in
the beginning.

COMPOSERS.

be

9. Agreements
for collaboration
should be carefully
drawn and executed before collaboration is commenced.

Q-e

MUSICAL

of

consideration.

ITTLE

TO

a

8. Never forget that United States rights may be exceed
ingly valuable.
They should never be included in English
agreements without the author obtaining
a substantial

e

WARNINGS

of

7. Authors should remember that performing rights in a
play are distinct from literary copyright.
A manager
holding the performing right or licence to perform cannot
print the book of the words.

be

it

is of great importance.

to

rights, but
6. Authors should not assign performing
should grant a licence to perform. The legal distinction

of

5. Authors should remember that performing rights can
be limited, and are usually limited, by town, country, and
time,
This is most important.

of

one act are often sold outright, but it is
a small nightly fee if possible, and a sum
It is extremely
of such fees in any event.
the amateur rights of one-act plays should

AGENTS.

authors should seek the advice of the
Society before putting plays into the hands of
agents. . As the law stands at present, an agent
who has once had a play in his hands may acquire a
perpetual
claim to a percentage
on the author's fees
plays
concerned,
from
As far
the placing
may
general rule that there are only
taken
very few agents who can do anything for an author
that he cannot, under the guidance
the Society, do
equally well
better for himself.
The collection
fees
many
also
matter
which
cases no intermediary
required.
purposes,
For certain
such
the collection
general the trans
fees on amateur performances,
and
frequent
petty
action
authorisations
with different
individuals, and also for the collection
foreign
fees
countries, almost all dramatic authors employ agents; and
agents are real and valuable.
these ways the services
But the Society warns authors against agents who profess
plays, or
have influence with managers
the placing
principals by offering
purchase
who propose
act
any case,
the author's rights.
the present state
the law, an agent should not be employed under any
by the
circumstances without an agreement approved
Society.
to

4. Plays in
better to obtain
paid in advance
important that
be reserved.

AND

º-º-º

of

other safeguards set out under heading (b.) apply
also in this case.

AUTHORS

RAMATIC

is

of performing right or of a licence to
perform on the basis of royalties. (i.e., fixed
nightly fees). This method should be always
avoided except in cases where the fees are
likely to be small or difficult to collect. The

(c.) Sale

DRAMATIC

in

(b.) Sale of performing right or of a licence to
perform on the basis of percentages on
gross receipts.
Percentages
vary between
5
and 15 per cent.
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system.
Should
obtain a sum in advance of percentages.
A fixed
date on or before which the play should be
performed.

to

270

�TISIE AUTISIOR.
GENERAL NOTES.

271

THE PRESIDENT

of

as

to

of

in

of

of

in

It

is
of a

of

in

to

as

of

to

of

to

to

it

to

of

us

in

of

of

of

is
a

It

of

of

to

to

a

of

to

in

21

on

of

of

he

as
a

as

a

a

in

a

a

on

he

a

of

;

of

by

his

he

if

or

he

he

a

he

;

he

to

he

in

in

he

in

to

It

be

Sawyer,
Roughing It, and the travel books,
long ago anticipated that Autobiography
which
yet
come.
must also
said that
energy, versatility, acuteness, and
was American
humour,
superficiality
was also American
and deficiency
the aesthetic sense.
He was not
content
hate humbug,
must"also
contemn
what
could not appreciate
had but little
power
self-criticism.
great man,
But
was not precisely
even
perhaps
great writer,
greatness
had elements
both
his life and his work.
The spontaneity
itselfgave him
humour
high rank amongst men
letters
whilst the

of

as

is

April
death
Mark Twain
over
shadows everything
else
the recent
literature,
annals
American
for Mr.
Clemens was
national institution like Abraham
Lincoln and Mr. Roosevelt, and was
typical
American
other ways
well
humorist.
Before
commenced writing
had been painter,
pilot
able editor,
the Mississippi,
confederate
soldier,
Huckleberry Finn, , Tom
miner.

if of

to

of we

is

on

HE

a

;

J.

B.

on

R.

by

to

be

of

give precedence
accustomed
the public
the publishers that
note with some amuse
ment that the heading
the cricket cards issued
the ground runs
Publishers and Authors.
We are glad that the authors upset this position
far
the result
the match
concerned.
of

º-e

UNITED STATES NOTES.

in

1.

in

to

at

as

of

on

I

of

of a

on

to

in

on

an

In
So

first innings.

as

e

MAURICE HEWLETT.

º-º-º

authors who were successful, though the match was
exciting one.
Mr. Snaith and Mr. Hesketh
Prichard made the highest scores for the authors
Mr. Dene and Mr. Longman for the publishers.
As far
the bowling was concerned, Mr. Hesketh
Prichard and Mr. Irwin divided the honours for
the authors, and Mr. Longman took the largest
number
wickets for the publishers.
the second innings, there was one century
scored
behalf
the authors
Mr.
Scott, but the match had
decided
the

to

(Signed)

AND PUBLISHERS.

WE are interested
see that authors and pub
friendly rivalry
met
Lord's Cricket
Derby Day, June
Field
The match was
just too late
chronicle
the June number, but
we must even
this late date congratulate the
lishers

inspire and enhearten every one
great
us.
matter for us, and for those who yet remain outside our
body, that you should celebrate your seventieth year
life
by the publication
book
beautiful
and stirring
poetry.
We look forward with confidence
further
volumes, and sincerely wish you the health and vigour
accomplish what your mind may conceive.
be, my dear Hardy,
Believe me
Yours ever sincerely,

is

AUTHORS

:

forwarded under the signature
the Chairman
the Committee, Mr. Maurice Hewlett,
accordance
with this resolution
10th June, 1910.
MY DEAR HARDY,--I find that the Committee
our
Society,
my absence, has laid upon me the happy duty
congratulating you upon your recent seventieth birthday.
This do now, and heartily,
the name
all.
pride
matter
me that
has fallen within my term
office
invite you
the Presidency
the Authors
Society and
have received your acceptance
the post.
Collectively now,
individually always, we writers are
your successes. You have set
able
follow and rejoice
literary sincerity and
from the very outset an example
which,
apart
honour
from your genius, cannot have failed

on

of

be

a

of

of

a

in

of

by

in

sympathy (accompanied
the case
those
foreign languages
Russian translations) received
by the committee, the volume concludes with
list
the memorial wreaths offered. Two illustrations
present
portrait
Gogol and
view
the
Gogol Memorial Statue. The letter
the Society
page 245.
Authors will
found

of

of

of

in

of

all

THE Russian Society of the Friends of Russian
Iliterature" has very courteously
sent us the
Official Report of the Centenary of Gogol.
The
volume contains a very full record of the pro
ceedings on the actual centenary of the birth of
Gogol, March 29, and on the three days of the
April 26, 27, and 28, 1909.
festivities,
The
unveiling of the Gogol Memorial Statue at Moscow
took place on April 26, having been preceded by a
solemn requiem mass in the Cathedral
of the
Saviour.
A considerable number of papers on
Gogol were read during the festivities, and will be
welcomed by the students of Russian literature as
substantial additions to what has been hitherto
known of the celebrated novelist.
After a com
plete record of
congratulation and
the letters

us

1909.

to

GOGOL CENTENARY,

SOCIETY

AT the first meeting
the Committee after the
seventieth birthday
the President
the Society,
Mr. Thomas Hardy, the Committee,
representing
the members
the Society, decided
send Mr.
Hardy letter
congratulation.
We have much
pleasure
printing below the letter that has been
a

MEMBERS are reminded that The Author is not
published in August or September.
The next issue
will appear in October.

OF THE

of

º-º-º

�";

at

to

at

we

at

he of

of

of

by

by

of

is

he

It

it
is

on

a

byin is
a a

of

to

of

is

is

of

on

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of

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of

"

is

of

if

he

he

D.

In

to

-

is

so

of

of

in

of

it

at

in

an

to

to

fit or

to

of

of

on

of

It

S.

is

of

historical novel
rather unusual quality
Mary
purports
Nathan Burke,
Watts.
the autobiography
General Nathan Burke,
by

in

to

a

of

of

clear and unpre
numerous excellent

many other novelists,
Winston Churchill, like
has attacked the American marriage question.
His
latest work,
A Modern Chronicle,
admitted on
literary power.
hands
show
advance
On the other hand, Marion Crawford's posthum
ous book, The Undesirable Governess, can hardly
said
show him
his best, though
has
much undeniable cleverness.
Prof. Brander Matthews,
A Study
the
Drama,
has crystallised
the contents
much
periodical writing. Whilst his grasp
the subject
very generally conceded, not everyone will
will
accept his views
Ibsen,
the parochialism
writing plays
his defence
the practice
players.

of

of

he

at
a

;

to

a

in

a

of

is

do

a

is

to
a

a

he

to

of

to

describing them
sell books
methods
Walter Pater and
Henry James.
He tells how
heard
fellow
traveller give the straight dope
customer
and beheld the latter's nodding assent.
This
merchandise, and you want
novel here
hundred
copies; this
literature, and one will about
you.
buyer
big depart
The testimony
ment store, one Hammelstein,
was
the same
bought novels
genuine literary
effect
time, and this Hammelstein
merit one
was
one whose aim was to pick the winners.
Another customer, who was discovered
his
cellar, allowed there was quite
movement among
get their
some
the married ladies
the town
relates his efforts
according
the

history, written
tribution
tending style, and illustrated
maps.

be

he

by

of

a

to

a

of

return
better things; and we trust that
will prove right.
New York, through the Bookman, contributes
Literary Drummer,
The Confessions
who

of

of

in

of

to

of

a

be

in

;

we in

of

"

in

";

of

and practice
the dogma
blames the magazines (justly,
our
opinion) for their levelling-down tendencies; but
makes his
last indictment
the fact that of
late literature
has been edited for women.
He
but
improvement
finds signs
our prose
poetry
concludes wisely that until
believe
again, we shall not
saved.
Meanwhile there comes wail from Boston over
promising fiction
the way editors get hold
writers and turn them on
other and more lucra
tive tasks, filling up their places with the detective
story and
the frankly farcical adventures
missionaries
cannibal lands.
But the Wation
leader-writer, like Mr. Moore, discerns indications

In

an

preaching

all

the

realism

from the other

his Admiral s Log, Robley
Evans con
Amongst other
tinues his breezy Recollections.
things,
tells how, before
set out for his
Eastern cruise, President Roosevelt said that he
sailed with the confidence of the President more
completely than any admiral ever did before, and
bade him realise his responsibility
the cruise
should not turn out peaceful. The Admiral's account
his interview
with the Dowager Empress
China
still more remarkable.
George
his Recollections
Varied Life
Cary Eggleston draws
very attractive picture
Virginian life before the war, and later
narrates
many anecdotes
his literary and journalistic
career.
An interesting feature
the more favour
able estimate than that usually current which
Bryant,
given
whom the author was assistant
on the New York Evening Post.
book,
Miss Lois Kimball Matthews's
The
Expansion
New England
substantial con

be

to

to

He traces the existing comparative dulness and
poverty" more
appetite for the didactic than

home and read novels instead

material and requires supplementing
side.

A

of

of

an

in

a

as

to

is all

;

it

to

old and young, must have been very
print
our contemporary
formed
possible testimonials
the best
the apprecia
tion which
felt for the Chicago organ
force
in literature.
Mr. Charles Leonard Moore,
the anniversary
interesting
number
the paper, has
article
upon The Interregnum
American Literature.

of to

and west,
pleasant

stay

playing poker down
but,
the Elks' Club
added, that's sorter died out.
And
the last,
are told how the poor
capitulates
drummer
commercialism
and
drops Pater and Mr. James.
has been announced that Booth Tarkington's
being identical
father
also among the authors,
with John Steventon, author
The Hermit
Capri, issued some time since
the Harpers.
Two books
sailors stand out among spring
publications.
Rear-Admiral Chadwick has written
useful account of The Relations
the United
States and Spain,
which has historical merit,
naturally based chiefly
though
American

be

of

congratulating the Dial on
thirtieth birthday.
good wishes which came from east
The chorus

husbands

to

its

noble struggle which he made when entering upon
old age to retrieve the failure of the Webster
fiasco justifies a comparison with that of a great
British author a century before. But Mark Twain
was in this respect even more successful
than
Scott ; for he lived to see the fruit of his labours,
and to enjoy an abundantly honoured old age. It is
highly satisfactory to have the statement of the
Harpers that his daughter is amply provided for.
His other literary executor,
besides
Mrs.
Gabrilowitsch, is Mr. Albert Bigelow Paine.
We take this somewhat tardy opportunity of

to

TISIE AUTISIOR.

272

�TFIE AUTISIOR.
war and afterwards

mem

as

in

to

by

at

at

of

in

to

on

to

I.,

of

by

of

of

of

to

a

he

to

of

CONGRESS.

to

by

of

a

of

in

PRESS

an

THE FOURTEENTH INTERNATIONAL

of

a

on

of

A.

D.

a

a

byon

of of

in

of

of

of

of

at

of

of

on

of

Boston University, and author
some excel
Philosophy and Ethics, several
lent works
which have been translated into various European
languages; Myra Kelly (Mrs. Allan Macnaughton),
popular writer
short stories; William Graham
Yale, and
Sumner, Professor
Political Science
Banking,
author
A History
the United
States,
lives
Andrew Jackson, Alexander
Hamilton, Robert Morris, and other works.

at

no

of

of

;

;

in

in

of

of

at

Johns Hopkins, which was the chief but
means the only field
his achievements.
Our obituary
list includes Prof. Alexander
Agassiz, the well-known Zoologist, and President
Company,
the Calumet and Hecla Mining
who, born
Switzerland, graduated from Harvard
1855
Orville Victor, who wrote much upon
the Civil War
Dr. Borden Parker Bowne,
Dean
the Graduate School
Arts and Science,

Louis, were out
England, Major
represented the association, and Mr.
Gratwicke
James Baker took Mr. Louis' place
the Com
mittee of Direction.
After
drive round the
town,
banquet was held
the Hall
the
Then, on the return
Chamber
Commerce.
delightful run
Capo
Trieste after
boat
d Istria,
reception was given
Prince and
Princess Hohenlohe
their official residence.
The business
the Conference began
9.30 a.m.
board the Thalia. The assembly was presided over
President Singer, supported
Prince Hohen
Direction,
lohe, and the members
the Committee
including the General Secretary, M. Taunay, and
Herr Schweitzer, the Hon. Treasurer.
There were
about 200 journalists present.
The President,
respectful reference
after the usual word
His
Imperial and Apostolic Majesty Franz Joseph
which the whole assembly stood, went
speak
the historical event that had put the
mourning,
whole
the great English nation
King Edward the VII. Their thanks,
the death
continued, were due
their colleagues for the
success
of the
London Conference.
Prince
Hohenlohe,
the name
the Austrian Govern
ment, then welcomed the members
from the
various nations.
His words were emphatic upon
open and free Press, for
the value
said
Government
that was enforced
work without
the concurrence of the Press was like
deaf and
dumb man cut off from the outer world and con
demned
unfruitful life. After the general
meeting was over the Committee
Direction met,

Mr.

he

by

all

Jack London's latest volume, a collection of
stories entitled
Lost Face, will please a very
different set of readers, the hunters after realism.
The Life of Daniel Coit Gilman, by Dr.
Fabian Franklin, will be of interest to
educa
tionalists.
The author was Dr. Gilman's colleague

a

As
the case of the London Conference the
representatives
were
limited
two for each
association, and
both
the President,
Mr.
Arthur Spurgeon, and the Bureau representative,
to

a

in

a hero of the Mexican
ber of the Ohio bar.

273

of

an

at

en

I.,

to

of

of

of

;

;

:

by

as

A

in

on

at

a

of

a

to

of

at

of

of

a

to

of

of
of of

be

of

to

of

the Lloyds.

a

on of ;

of

at

a

of

on

to

at

a

of

P

of

to

an

:

be

by

on

as

a

It

in

in

the great Hall

and the statutes debated and passed
London
vigeur, and the officers for five
were declared
years,
the new statutes, were elected.
Vice-Presidents,
The President, Herr Singer
Paris;
Hebrard,
M. M. Schweitzer,
Berlin
Ralmondi, Rome
Secretan, Switzerland.
General
Secretaries, Taunay and Janzon. Signor Ralmondi,
Signor Cantalupi.
thus taking the place
Herr
Berlin, was re-elected Treasurer.
Schweitzer,
telegram
homage and good wishes from the
Imperial
Conference
was despatched
His
Majesty, Francis Joseph
which was acknowledged
by
marconigram from Buda Pest, the Emperor
wishing the Conference
pleasant sojourn
his
dominions.
This was read
the next business
sitting
board,
the Congress, which was held
May 20, after
visit
the fantastic
and
fascinating Blue Grotto
the Island
Busi.
The discussion
the meeting was upon the
journalist
power and right
judges
enforce
divulge professional Secrets.
The state
the
on

I

to

in

of

as

I

in

of

of

in

N

The Author for November, 1909,
the International Conference
London,
say
the Press held
had
could not follow the sequence,
the Thirteenth
Congress
the Press would take place
Rome
but
the Bureau Central has adopted the title
the Fourteenth Congress, for the one just held
board liner
the Adriatic, presumably the Rome
calling the
Congress will
the Fifteenth
intervening
Conference, did
London Congress
they wish
avoid the supposed evil number
thirteen
was
most happy idea
President Wilhelm
May
Singer
hold the Conference,
the end
1910,
board
liner.
The rendezvous was
Trieste, where the International Press men were
cordially received.
His Serene Highness
the
Governor
the Province, Prince Hohenlohe, His
Excellency Dr. von Derschatta, the President
the Austrian Lloyds (upon whose liner, the Thalia,
held), the President
the Conference was
Commerce, the Mayor
the Trieste Chamber
Trieste, and other notables received the members

to

writing

the account

to

a

0-0-0

�TFIE AUTISIOR.

unanimously.

The holding of this Congress on board ship,
instead of lessening the debates and opportunities
of intimate conversation, really increased these
opportunities.
And the excursions and banquets
did not occupy so much time as usual.
But the
views of the coast of Dalmatia, the scenes at Pola
and Brioni, and above all the entrance to the
Bocche di Cattaro, and the drive up to the frontier
of Montenegro were much enjoyed, as also was the
visit to lovely Ragusa.
At Abbazia an illuminated concert was given,
and the final banquet held.
The writer, having
been before on the Istrian coast with the British
journalists, was asked to speak.
He expressed
the wish that Austria, the country so full of
marvels, of glorious scenery, and of such varied
peoples whose history was so full of romance and
dramatic interest, might be more widely known and
English-speaking people.
better understood by
After the official close
the Congress many
the members visited
the astounding
Stalactite
Adelsberg, and halted
Caverns
the interest

e

suggested

Graz

º-e

route for

JAMES BAKER.

AND HOW TO PROTECT THEM.

º-º-º

BY CRUSADER.

?

Is
it

to

to

at

question concerning
able
write
his
provoke
ease,
because
sure
criticism from chivalrous-minded
readers.
What
the position
women
writers
not
now
no man

is

pass
which

on

III.

of

and gets a seat where he can ; and it was proposed
that the delegates of each country should bring the
members, to
matter before their parliamentary
secure proper facilities for journalists for their

IDEAS,

E

The second part of the question turned upon
the facilities given to journalists for carrying out
their work in the parliaments.
In some countries
the journalist is only admitted with the public,

of

at

Laibach and

en

ing towns
Vienna.

is

the Press had the power by adopting
absolute silence upon such calumnies.
Men who
uttered them did it for notoriety, and silence killed
that.

was carried

all

This was brought forward under two heads:
as to the right of Members of Parliament,
under the protection of their immunity, to slander
and revile, not in a political sense, but even upon
personal matters, individuals and associations, and
Signor Wittoria suggested
especially pressmen.
this matter should be left alone, and the writer
first,

repeated in an enthusiastic
manner by
Signor Cohen.
After some discussion the place
of the next Congress was then put and Rome
Rome

of

tribunals and the election of judges for each
country for arranging international disputes upon
professional matters.
Mr. D. A. Louis, who had
representative,
been re-elected
as bureau
had
already been elected to act in this capacity by the
English association, and other countries made
their elections.
The question of Conseils de
Prudhommes,
as in vogue in Italy where these
trade judges had given compensation which had
been accepted as legal, was debated, and the
question of provident societies was decided to be
brought up at Rome.
The subject that caused the most ardent debate
was that of the relations between Parliament and
the Press.

questions to be considered at the Congress were
to be sent in by December 31 of each year, but
they did not come, and he appealed to members
to send to their presidents subjects to be con
sidered by the Bureau Central.
The place where the next Congress should be
held was then discussed, and the invitation from

to
he is
a

gates of each nation should work.
Major Gratwicke drew the president's attention
to the fact that the English delegates did not vote
upon this matter.
The third sitting of the Congress took place on
the morning of May 22, and, as the heat was very
great, this time under the upper, awning-enclosed
deck of the Thalia, which made a very good
Congress Hall.
The first subject debated was the professional

work and for means of communication with M.P.'s.
Mr. James Baker referred to the gallery and
lobby facilities afforded to English pressmen, and
recent developments of these facilities.
He was
asked to prepare a report of the English arrange
ments for the Rome Congress, M. Taunay remark
ing that, if British journalists were satisfied,
perhaps some foreign journalists living in England
might have something to say.
M. Taunay then brought up the point that

of

law being so different in other countries from that of
England, during the discussion, which was very
animated, and at which the delegates of Italy,
Switzerland,
France, Germany spoke, Mr. James
Baker explained that the English delegates had at
the Berlin Conference, through Mr. J. R. Fisher, one
of their members, put forward the English position
in this matter : and by his statement the English
*.
delegates must abide.
It was decided that international propaganda be
adopted in favour of the preservation of professional
secrecy
for journalists, and a general inquiry be
instituted
with the view of discovering a general
formula towards the realisation of which the dele

of

274

�TFIE AUTHOR.
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by

of

;

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to

is to at

a

of

of

2

of

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a

by

in to

of to

no

at

of

of

he

if

;

of

2

in

to

do

on

to

all

an

do

P

a

to

go

so

2

of

of

to

to

in

of

of

or

of

in

;

of

to

a

as

of

at

2

to

an

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to

in

2

all

2

be

of

of

a

or

of

it

of

a

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is

:

to

of

a

of

in

a us

of

circulating libraries
and the owners
Can we,
under the conditions
modern trade and subject
the demon
mad gambling, support
those
agents and yet
sure that we are doing the best
pay our debts and
we can
useful citizens
be

to

at

of

of

to

be

a

in

of

of

to

by

of be

be

to

by

at

be

a

is is

to

is

to

be

A
to

It

impossible
financier once said
me
philanthropies
understand
the wasteful

;

on

to

of

of

It

be

it

jury
British Isles. Then there would
public opinion between
and the many grievances
literary life
ups and
and injustices that make
downs far more precarious and Onerous than
Yet, somehow, we hang
need
and should be.
maga
making The Author
back from the duty
zine which the public would gladly buy.

of

exceedingly deficient
honour
you articles
and try
foist
which you had never commissioned ; that the
jealousy which they will exhibit
amount
not
creditable
their sex, and that their style
full
truisms and base journalese conventionali
Wrong produces wrong invariably, and
ties.
women start work handicapped
the sweating
system which they inherit from age
age.
only
collecting facts,
shown
the
general public, that urgent matters
this sort can
Very little can
bettered.
done without help
from public opinion.
Yet authors are not
all
eager
speedy manner.
win that help
This
magazine, for instance, ought
something
much more than the official organ
our society;
literary papers, with
should
the head
household suffrage
its own
all parts
the
in

journalists are
able instincts,

2

"

in A

a

to

to

on

hazardous for themselves and less harmful
its
action
the market prices offered
men.
Far
tendency
too often their position has
debase
their character.
recent book on
Modern
says,
cowardly language, that lady
Journalism

a by

of

is

by

which women
be made less

common

as of

then the long struggle
have to encounter
can

business

publishing
the actual work
What
authors
gain
employing
many grasping agents that
Thackeray had
even
Dickens and
lecturing tours before they felt safe financially
These questions provoke the same astonishment
among many persons.
Authors
not know their
power.
Each feels isolated from his fellows, and
stumbles alone up
old and ill-kept road, with
many pitfalls lying about his feet.
that,
For
logic rules the world, and the day will come when
the pitiless logic
events will compel authors
Every
publish their own work.
unite and
competition brings this day nearer and
increase
nearer,
authors are always the first
suffer
from the waywardness
misfortune
trade. For
long time writers
fiction were exempt, more
less, from the dire hardships that pressed upon
other writers, essayists, historians, and students
many other kinds
the past
research
but now
that novels and stories are carried along
the
usual course
modern trade through over-produc
cheapness, our society,
tion into the cesspool
whole, has
very simple question
consider.
Whither are we going
Can we
the same
moment support ourselves and our homes and
yet encourage
competition
among
insane
tradesmen
We are subject
the law that the
fittest survive
but among which class connected
with literature are we
look for the fittest
Among ourselves,
among publishing speculators,
booksellers, printers, dealers
remainder copies,
in

business;

writers

all It

on ?

on

to

to

2

of

to

to

of

be

In

check their bad influence.
this inquiry atten
given
tion would
course
those magazines
and weekly papers which appeal
women.
What
payment, and what their probable
are their rates
revenue from advertisements
What influences
are brought
bear
contributors
neces
sary
gather full information
points

any

had

hands
the thousand traders who
the present
time treat authors with
more respect than mine
Owners used
show
colliers.
There are mines
literary ideas. Why aren't
gold and
silver
they worked
authors for their profession
publishing
whole
Don't you need the profits
for pension funds and for the encouragement
those types
literature which have never appealed
the great public
Authors cannot escape from
the commercial side
their profession
each must
understand publishing methods
feels called
upon
get fair treatment for his work; and this
being so, why not use this necessary knowledge

to

of

on

by

to to

of

a

a

a

of

to

at home with their parents; and
this hateful
dilettantism gives encouragement
the old business
paying women
custom
dwindled price for their
good many others,
labour.
These matters, and
need patient and thorough consideration from
sub-committee
women writers,
with special
reference
their effects
the profession
letters and
the means
which our society may

they

all they would see that they have the
power
own and run all the publishing that the
public
support.
able
Publishers are quite
unnecessary
their profits, and all the profits
magazines, ought
flow into the exchequer
Vast trade managed
authors for their common
good.
Instead
this organisation writers prefer
never-ending dispute for ordinary justice
the

to

all

Women can afford to write for one thing only the
pleasure of seeing their copy in print ; they forget
that their competition is a dastardly flanking attack
On the professional authoress who has to earn her
bread by her pen.
Other lady amateurs write for
pin-money because they are able to live in comfort

authors.
sense

a

Workmanship 2 This fact
too often it is discreditable

to

value of all
is indisputable,
and
to their sex.
Some

true that women lower the market

275

�TISIE AUTISIOR.

of

all

is

a of

at

be

or

as of of
a

a

in

to

by

is

of he

;

to

;

a

to is

to

a

is

so in

a

;

to

as

as

is

It
A

a

of

a

is

a

a

AA

in

2. 1.
3.

in

a

a

as

;

at

in

by

or

he

he

he

of

to

do

of

P

it

be

a

to

at

is

in

a

to

to

of

to

a

as

to

is

he

its
;

by

in

of

;

is

to

It

by

of

So, then, the follies
remaindering
are very
They discredit authors
the opinion
private buyers; they
both
booksellers and
give rise
belief that publishing methods ought
never
trusted
and they discourage the pur
chasing
expensive books, since they betray
everybody who buys
the full net price.

of

in

harmful.

at

;

to of

in an
is
be

the second-hand tradesmen and

a

is

It

byit

in

of

in

would
men who

just benefactor
their customers.

of be to

he

to

or

he

by
he
on

In

is,

a

at

a

of

to
a

chances are that the money invested
used more safely
novels written

?

in of

to

a

no

of

a

a

to

standing odds with the
its production is
publisher's
routine
finance.
does not
attract
the circulating libraries, its appeal
addressed
small section
the public, and the

as

of

to

of

a

he to of

is

in in

quite incalculable.
As rule
adds that his
loss has not been wiped off
the remainder
ing, and this has
great effect
the minds
authors, who, somehow, are usually prepared
take sides against their own interests.
Let us then see what aims the remainder
system
tries
make real.
the first place,
expensive book that
book that costs much

is a

at

to

to

is

or

to

is

a

I

that good sense cannot
Why should
more.
compile address books
those readers and students
Why should
special subjects
who take delight
he write to them and send attractive circulars not
once, but many times over
period
least two
years
done, but
All this ought
would
upset his system
finance and add greatly
his
work.
He would have
become thorough sales
publisher, and give personal and
man
well
prolonged attention
each author's work and
job his stock into the
interests.
far simpler
remainder market
then booksellers and second
hand dealers will
course
time find buyers.
Many book
own,
this means has come
and
sold to-day for more than its published
price.
Its author benefits not one farthing
certain

with justice ask him

a

as

to

by
a

is

in

able
tell his authors that
gave
has done the very best
could for them.
you
good display
says,
the shops,
writes
you
my lists
books, got out
advertised
circulars, but you know what the public
to-day

Stereotyped

of

a

to

of

of

to

a

in

of

is

all

publisher who

publisher now feels that
has done his routine
duty towards his author; and his methods being

to

a

of

us

it

of

a

is,

it,

issued
tradesman whose name
connected with remaindering
tactics.
Once
bitten, twice shy,
the motto
careful book
sellers
this matter.
From certain publishers,
well known, they are willing
take expensive
return,
books on sale
lamentable system
trade for authors, because booksellers are not
push the sale
the least likely
borrowed book
when they have their own purchased stock
turn
consequence
into profit.
That
the

4.

is

It

in

to

of

upof

work which

to

On

at

a

as

it

popular favourites whose sales are large must not
forget the less fortunate many who share, with our
waiting till tiny
late president, the difficulty
bigger one.
circle
readers grows slowly into
These facts alone call upon
consider with
publishing our
care and pluck the expediency
tossing
own work instead
into the maëlstrom
speculation and competition that now swallows
huge percentage
and destroys
books.
important.
But there are other facts every whit
There
for example, that dishonesty which
the
present time
remainders expensive books long
before they have had
chance
find their public.
One publisher,
revolt against this vile custom,
has appealed for help
the booksellers, but book
sellers,
course, are able
protect themselves
buy any expensive
from
since they can refuse

5.

to

a

or

in

in

of

a

a

editions are friendly
this rolling finance which
gathers profit
snowball gains
size when you
turn
over and over in the Snow.
not on
small editions that authors can live, and the few

Sale
thousand copies each. Six
novels
this type can
issued
about
the same cost
one book with many good illus
trations and 85,000 words
text. Every publisher
growing competition
knows this, and yet there
many kinds,
costly and
illustrated work
Why? The reasons are many
hazardous.
publisher s
novelties
must have variety.
good many illustrated books have had
huge sale, the largest known being more than
27,000 copies.
There
thus
chance that bold experiment
high cost
production may bring
large
profit and enhance the publisher's reputation.
often easy
sell good editions
sheets
the U.S.A.,
well
other editions
the
British Colonies
and
good book with illustrations fetches
better price
the remainder market than any
other book,
that this fact
from the first
comfort
the publisher.
When the price per
high, above £1,
copy
able with tact and
good deal
skill
cover
his cost
his first sales
outside Great Britain
then come the second sales,
bookseller here and there who happens
know
buyers
next, the third sales,
few certain
gathered
circulars, which are usually distributed
more
less
random
and then the reviews
important journals, when good, find some pur
chasers also, though not many
rule.
The

have

Seven

to
a

all

I

question that publishers
have proved beyond
could thrive while authors starved, owing
their
using the same
system
finance, which consists
money three
year, with the result
four times
that even
small profit per cent. On each turnover
very handsome profit per cent.
becomes
the
several turnovers.
There are publishers who aim
deliberately
little editions, just because little

a

276

�TFIE AUTISIOR.
to

is

no

to

;

to

to to

in

to

to

P

of to

I

so

of

a a

is

in

is

on

.

.
.

to

in a

in

a

a

It

as

be

a

in

of

in

a a

a

of

of

a

to

or

it

2

A

is

;

;

its or

of

or

is

to

an

if

in

of

to

an

It

to

of

it

to

of

a

of

at

of

in of

of

of

;

a

be

to

is to

a

in

or

It

be

as

at

an

is

it

be

it

a

a

a

final line for the author's signature.
very
official book
this kind would have
useful moral effect, for
would prove
men
patents, value
business that authors, like owners
their ideas and wish that fact
be known.
would prove, also, that authors, whom business
incurably unpractical, have
easy
men regard
keeping counterfoils
means
all their business
transactions.
Writers
short stories, for instance,
give
would
able
brief the main outlines
any
their plots, and this would help them
moment
find out whether any magazine had
used their ideas after rejecting their copy.
not suppose that
counterfoil book
to

to
a or

an

is

no

;

to

on

to by

of

of

(g)

An

of

to

if

is

of

it

;

or

to

in

a

is

or

(f)

be

be

to

of

as

in

a

or

thinking about
more likely
set tradesmen
This, unluckily,
variants
his planned treatment.
ever
risk.
You have an idea for book and
think out your plan, putting aside many other
ways
which
could
treated.
This done, you
try
market, and you cannot foresee by
find
opened.
may
whom your letter will
the
great business,
perhaps his secretary,
chief
perhaps
subordinate
some department

; (e)

of

in

overcrowded days.
Still, there's one more grievance
considered
Literary ideas
this drama
disenchantments.
they belonged
everybody,
are often stolen,
like expired copyrights.
To suggest
idea
scheme
work
often like offering money
tramp
goes, and you gain nothing.
Publisher
cribs from publisher, and says that competition
safe, either
drives him
the act
new idea
Again and again five
before
after publication.
six books
the same topic appear
the same
time, showing how hard
get
for
author
submitting projects.
commissions
He
far

(b) another line for the author's address
(c) and another for the date
eight lines, perhaps ten, for the
(d) seven
project and
planned treatment;
three lines for variants
the suggested
title
six
seven lines
show that the subject
This,
course,
can
treated
other ways.
very important,
protect his
author wants
idea
be

be

us

grumble and
unpractical.
easy.
As
let
last, and wasted lives don t count
The end comes
for much, after all,
the brief season
our

;

the market

their own work their position would
at is,

be

they controlled

as

if

If

to
it of do
2

to

as

of

Yet, into this hurly-burly
borrowing the
publishers
hurls his bombshells,
stop all private buying.
What are

remainderer
were eager
authors
publishers

a

a

A

it.

I

do

that they are defrauding authors.
To enjoy a book
without paying for that enjoyment is as mean as it
would be to beg for a free dinner at a public
eating-house.
A little time ago a friend wrote
to a novelist and said:
Your books are having a
splendid success.
I hope your average sales have
now reached 10,000 copies, for then you will be
able to demand a royalty of 25 per cent. On the
published price.
The novelist, writing from the
Continent, said in reply: Ten thousand copies
Good heavens ! Well do know my public. There's
an English colony in this town, and one poor,
draggled, battered copy of my last book has proved
enough.
Everyone here has thumbed it and read
single copy has
long life.

but, anyhow, your scheme
suggest
certain
practical
many variations
any mind having
intelligence.
again,
though
Those variations,
springing from your idea, have often
evident
your proposal, yet they cancel what
likeness
you wish
Consider, then, your risk.
do.
You
you
ask business minds
think for themselves
modify your ideas into new forms;
invite them
Why?
and yet you expect
succeed.
Novelists are not troubled
this way, but many
writers are all the year round.
Have you ever
received
letter beginning thus:
Curiously enough, we have already
hand
yours, but more popular
Scheme very similar
its treatment
But the matter does not end here. Short stories
run many dangers, for I m not aware that any
publishing office binds its staff
oath never
plot which
mention
read
the course
business.
also
fact that good plots, good
finding their way
ideas, once read, have
habit
into the reader's conversation.
And
believ
great many literary thefts are unintentional,
that
great many plagiarisms; but,
any case,
like
We must do what we can to set limits to their
harmfulness.
Our society, by its registration
right direction, and
plays, has taken one step
suggested.
think that another
useful may
Indeed, why should not our society issue for its
members
counterfoil book for projects, bearing
largish
the official stamp
the society, and
size
For
would need
(a)
line for the publisher
editor
whom
submitted;
the project

I

a time when

I

the great majority of persons
hire books from libraries or borrow them
from reading clubs, it is fatal to strike at the con
fidence of those who do buy new work from authors.
Free libraries, circulating libraries, reading clubs,
and other agencies to turn us into borrowers and
hirers, are surely enough for any author to com
pete against.
Yet any one who has a good book
People
is sure to be asked to lend it to his friends.
who would be ashamed to borrow knives and forks,
or boots and umbrellas, thank their lucky stars
when they are able to get books without paying a
penny for a day s reading.
It never seems to them

At

either

277

�TISIE AUTISIOR.
.

on

to

by

as or

of

in

of

to

to

of

to

of

a

de

of

by

as

as

of

if

be

to

to

I

an

of

on

on

it

of

an

of

an in

to

up

in

it,

I

to

it

to

on

he

on
a

he

of

a

to

an

by

of

of

lost
control
his temper which was not the
sweetest
the best
times threw the article
and magazine
the floor, snapped his fingers
wildly, paced the room
high dudgeon,
state

of

a

in

on

at

a

of

be

a

of

of

I

an

position
editor, but one occupying
author nor
affording
facilities for obtaining reliable data
respecting the relations subsisting between editors
and contributors, any remarks
make will
purely disinterested character.
Editor,
correspondent,
impugns
Your
An
the
assertion
A Contributor that editors do not
read the manuscripts
unknown men, and

it

the
an

of

neither

he

of

regarding

all

?

words

And being

I

a

a

few

"

say

a

to

to

of

a

S

reader of The Author and
member of the
literary and editorial staff
magazine,
your
will you extend
me the hospitality

Editorial Attitude

be

by

be

be

of

to

as

of

I

an

on

it to

be

to

THE EDITORIAL ATTITUDE.

columns

of

a

of

of

in

of

it
as

of

as

of

A
;

I

in

I

;

of

[O

to

in

on

to a

is

a

to

I

editor
this time
article also taken from
back number, but from the pen
one
the
happened
editor's most gifted contributors.
present when the editor rejected
and
point out
ventured
him his inconsistency
rejecting
the plea that
it was not
his
standard,
considering
had already appeared
his paper an assertion that not only met with
emphatic denial but brought about fervens difficil;
bile jocur, for
asserted with extreme acerbity
my part
say that
that
was preposterous
such unadulterated rubbish could ever have been
accepted
him.
As my veracity was questioned
compare
asked him
article
certain
page
specific date with that
his paper
which
was rejecting.
On this being done
same

OP-e

If

as

to

all

or is

he

In

A

literary work

tradesmen.

I

a

speculative

often needed just

by

what they

of

gain

to

have yet

control over the use made

so us

of

sorrows
their lives? And, since we who love their
work are their children, let
remember that we

the writings
men who command the ear
the
public, when their writings are submitted under
other names,
was revealed
means
ruse
guerre.
new writer complained
me
the
hopelessness
any one unknown
Securing fair
expressed great surprise, and was
treatment
my denial
confident
the accusation
An
Editor ; whereupon the writer replied,
will
prove what
say
you
the absolute truth
form one
the party and agree
the experi
ment being tried
the editor
the paper with
assented, and
which you are connected.
early number
article from
the paper was
copied and duly sent in, with the result that
was rejected.
further attempt was made
the

of

to

all

in
it

of

I

.

is

a

of

in

of

of a its

to

a

ghosts
the simple great ones gone, from
Chaucer to Meredith.
Who can estimate the total

characterises the accusation
all nonsense.
from this we are
believe
An Editor does
read
the manuscripts sent
his paper,
which
there for would-be contributors, and
accepts
rejects same entirely
their merits,
exception which
then
must constitute
that
curiosity well
proves the rule, and
certainly
worth paying
considerable sum
look at.
order
test the value
his opinion
this
matter,
will give An Editor
few examples
the discourteous treatment accorded contributors
which have come under my own personal know
ledge, and these not
connection with papers
magazines
stigmatised
the type that can
a queer lot, while the matter could not
the
imagination
widest expansion
said
justify payment
whisky
such
character
and cigars.
To this end,
will not take the case
new
reputation,
writers but men
established
which case
will be seen that the editorial false
hood, with regard
the incapability
new
writers,
finished and perfect with regard
is

a

to

of

of of

a

it

it

;

in

It

I

is

a

;

to

an

be

all to

to

at

no

in a

of

to

of

by

byto

is

to

;

as

;

a

it.

as
a

projects would be anything more than a deterrent
influence, because, as a judge once said in court,
there is no honour in trade.
Business life is a war,
pitiless and relentless, and the utmost we can do is
to scheme some protection for our work and our
selves. And everybody knows what happens when
an author tries to follow the business routine of
copied letters and the rest of
He cannot
rule afford
clerk his writing requires incessant
patience and concentration
and although,
Balzac said,
dream over literary projects
like
smoking enchanted cigarettes, the projects, when
realised, are often exceedingly difficult
So,
sell.
others,
absorbed
some things and harassed
adding
writer soon gets tired
his day s work
system
business routine, which clerks carry out
offices.
Publishers and editors know all this.
What they call business has
relation
all
work as authors know work.
Yet authors are
They are advised
expected
their own clerks.
copy
keep
their letters,
exact record
all their transactions, and what not besides
but
this advice will never be followed for more than
why
suggest this counter
few weeks.
That
doing
foil book for projects a simple means
much
little.
would save great deal
letter
writing
would give some real protection
ideas; and
would not be more troublesome than
cheque-book
size unusually large.
Ideas, and how
protect them
That
author
ship
long and tragic history.
think some
times
Parliament
the Dead, and see
the

a

27S

�TFIE AUTISIOR.
do

or

of

?

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on

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to

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in

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in

in

Prose and
Sir John Suckling
Works
notes, by A.
edited, with introduction and
Sons.
London George Routledge
Hamilton Thompson.
1910, 8vo.

The

of

Werse,

:

a

by

of

I

torrents from the press;
other books which fall
account
this account, but
not only
but
which the work has
the excellent manner
also
accomplished, that we tender our sincere
been
of it
is

of

a

is

of

be

a

texts (which time and human fallibility corrupt
only too rapidly without any barbarian's deliberately
destroyer's hand
setting
the work), and for
superficiality,
those who still
the propagation
solid affection for letters must feel always
retain
any worker who
more than ordinarily grateful
will embark upon the laborious task involved
any author's works
complete and critical edition
possible
edition from which
the only kind
right conception
gather
his
the man and
place
Publications
literature.
the history
comparison with the multitude
this kind are rare
to

of

to

it,

of

so

be

Here (pulling
used.
stuff that they cannot
long
MS. from the waste-paper, basket)
The Essence
Screed we received christened
more appro
American Humour, which would
Nonsense, for
priately termed The Essence
On
have never seen.
more absurd farrago
the article,
Lowell acknowledging the paternity
Field's wrath was greater than his astonishment.
unknown
this does not prove that articles

it

of

in to

?

"

to

in

editor who presents the world with
complete critical edition
the works
any author, even
not one
the author
the book
written very large
whose name
great grati
fame,
all times
whom
man
anthologies,
these latter days
due.
tude
abridgments, boudlerizations,
one knows
and
how many other inventions for the corruption

of

it
an

he

its

of

a

all I

as

it

º-º-º

HE

*

be

to

to

a

to

to

he

no

SUCKLING.&lt;

OF SIR JOHN

WORKS

THE

- -e-Q-6

&amp;

of

of

a

is

of

of

an

in

F.

to

of

If

is

do

to

so on

it

be to

be

a

up

*-**

of

to

it

up
was then
the standard.
was not
On its
and accepted.
another editor
appearance, the editor
had been offered
whom
first, lifted
his own
holus-bolus and printed
Now,
paper without acknowledgment.
an
article, when sent for payment,
the
not up
possessed
standard, how comes
merit
pay,
used without having
can
when
avoid payment
not
AN ONLOOKER.
Sent

bya

of

of

on

to

in

Fields, and adroitly turned the conversa
humour, expressed great
the subject
Surprise
which
one had ever written upon
No one ever written upon
the editor replied:
large amount
articles treating
...We receive
desperately poor
that subject, but they are

on it
!

payment,
think
the question
With regard
the following will prove that editors desire
evade paying for contributions: An article not
style, the matter good, was sent
negligent
prominent editor and rejected,
the plea that

it

of

a

of

2

to

on

placed
These episodes certainly deserve
alongside that
the Atlantic Monthly.
the editor
find out the
The Hon. Russell Lowell desiring
prefulgent article
his work, wrote
real worth
American Humour, had
the Essence
copied
unfamiliar handwriting and forwarded
was
which paper
the Atlantic Monthly,
appearance
Not making
esteemed contributor.
his
know the fate
due time, and anxious
literary offspring,
called upon the editor, Mr.

If

that

be

to

to

of

in

a

2

an

or

shield

the Classics)

it

to

it

of

it
be

to

of

a

of

at it

of

capability

first page, determine the writer's
Arrogance
incapability.
often
Ignorance.
the

James
tion

Hope (now included
destitute of merit,

to

tº

his

he

its

of

no

do

it
a

an

as

in

was

to it

In in

bit

an

by

on

so

continue writing
harm
the writer
would
was clear from his work he
such articles, but
secure
did not possess the ability necessary
acceptance.
Could anything more calculated
consequence
produce rigation
the
the eyes,
produced among those who
excessive laughter
and surely never
conceived
the ruse,
knew
did presumptuous pride and didactic ignorance
inspire
more
the commission
man
man, the darling
expiable crime
Here was
University, unconsciously passing verdict
the
low
his own work and declaring
Value
accepted,
expect
was absurd ever
that
yet,
the same time, arrogantly setting himself
authority
other men. Surely
the works
these examples explode the arrogant contention
certain illustrated weekly
the literary critic
glancing precipitately over
editor can,
that

a
of of

Expression of the Emotions.
Another
editor, who is just a little
too well known
world,
was similarly tested.
the literary
returning
article which had been sent him
did
himself many years previously)
(Written
not reaching
the plea
likewise
standard, and added the consoling words
that
his

not receive the treatment they deserve,
men
required, unless
not know what more
not, how also
the editors suffer from acrisy.
the
editor
that the late James Payn,
was
Cornhill, rejected
did
John Inglesant
reject it after the manner
the sapient editor
Greenock paper, which enjoyed the distinction
Campbell's
dying twice, with regard
Pleasures

it

I

is

and, addressing me, employed language which was
entirely neological, since it was well,
won't
disgrace the columns of The Author by even saying
What it was while a snapshot of his face would
have furnished Darwin with an excellent plate for

279

�of

is

of

a

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do

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he

in

to

it

by

no

I

I

of

a

of

as

at

by

if

a

J.

in

to

Yours faithfully,
HENRY
SWALLOW.

be

Y.

a

I

Y.

to

to

to

an

to

a

to

of a a of

as

to

I I

be

is

go

so

to

or

1

on

so

it

to

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of

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a

by

I

If if

a

of to

of

a

it.

I

an

a

C.

!

W.

of of

in

be

of

it

Y.

of

as

of

If a

of

six shilling
only half
out for review.
second-rate circulating libraries,

to

at

novel are sent
these are sold

had received

it

of
a

newspaper, who

by

a

by

I

of

editor

gratis from the publisher.
Usually
least sixty copies

struggling
that
need not
into
As
dramatic author
can testify
bundle
com
plimentary
letters, promises
production
made, and then nothing more.
alteration
the Society
Authors could help us,
the manner
suggested
Z.,
doing
X.
would
act
profound charity, with the ghost
chance
doing something for the Drama
well
is

a

a

of

a

of

I

of

I

a

certain seaside circulating library,
paid twopence for three days use
six shilling
novel.
From entries therein,
found that eighty
five other persons had made like payments, making
total
fourteen shillings and fourpence for the
use
book which was still in active circulation.
also discovered that the borrowed book was
Review Copy, evidently purchased
the proprietor
the circulating library for a mere song
from
the

to

of be

REVIEW COPY.

by

SIR,-At

A

º-º-º

OF

of

while afterwards
alteration, which

CORRESPONDENCE.
THE STORY

slight
was asked
make
did,
the satisfaction
those
concerned.
was then told that my play would
running
West End theatre
the middle
May provided the society could raise sufficient
May has now been post
funds.
The middle
poned
September, and without
the middle
delayed
doubt when September comes
will
until the spring, and
The difficulty for
get their plays considered,
new authors
even
read
established managers,
well-known
to

º-e

recent issue X.
Z. drew
attention
the extremely unsatisfactory conditions
which exist for those dramatic authors whose work
has not yet been produced.
individuals,
As one
these much-to-be-pitied
convey my thanks
should like
X.
Z. for
Taking into considera
having opened this subject.
tion the very rare exception who proves the rule,
get
one may say that for
unknown author
something very near
his play produced amounts
impossibility. The Societies specially organised
help new dramatists are, from
practical point
view,
unsatisfactory
the established manage
ments.
The first play
sent
one
these
societies was promptly accepted, although
short

I

e

UNACTED.

I

as

a

of

to

in

to

its

to

atmosphere not
occasions rose superior
development.
hostile
We have
pleasure
heartily recommending this work
all
English literature.
lovers

little

GREAT

as

a

an

if

on

a

an

to

he

is

to

Hamilton Thompson concludes his introduction:
impossible
gay
It
doubt that beneath
[Suckling] possessed sound
and careless exterior
practical sense, and that his ambition
excel
high,
amateur wit only too often concealed
happy
somewhat fragile, poetic gift, which

THE
DEAR SIR,--In

of to an

It

all

it

of

to

of

a

in

a

of

a

as

he

to

to

be

to

is

at

of

:

of

to

of

in

If

an

In

by

of

in

as is

I

is

as

of

us

to

of

to

concluded
some excellent notes,
his preface, Mr. Hamilton Thompson
exhibits the sound good taste (not always
being content
observed
editors)
record
represent the author
the truth, without labouring
greater man than
may
was.
confessed
that
careful perusal
Sir John Suckling's
disappointment
Works may result
for the
reader who has founded his expectations upon the
Suckling's that are
few very excellent things
all; but
known
will certainly convince him
of the truth
the remarks with which
Mr.

Volume
which,

in

of

all

asof

or

be

Sir John Suckling.
admirable introduction
Mr. Hamilton Thompson unfolds lucidly whatever
remains
Sir John Suckling's story, and
the same time shows the extent of his indebtedness
his contemporaries and
his age.
The various
works
Sir John Suckling (with reproductions
the original title-pages) then follow
The Frag
menta Aurea,
The Last Remains
Sir John
Suckling, the four plays, and the letters including
Religion and Reason.
An Account
The

eighty-six persons,
perused
them
that the author
the book secures
2,580 readers who
single farthing
not bring
&amp;nto his eachequer.
provincial towns
have noticed that the
circulating library
roprietor
frequently
bookseller, printer, and editor
local newspaper.
can get
six shilling novel for nothing,
nothing, and make fourteen shillings and
next
lending
eighty-six persons as
fourpence
the case
have noticed he
takes the biscuit
from publisher and author, and
mistake
have long contended
that authors might
become their own publishers, and distribute their
establishing bookstalls
hotels,
own books
America,
they had
sufficiency
co-operative
enterprise.
.
simply case
Wake up, Authors
and each

this means

It

to Mr. Hamilton Thompson on the
his edition of Sir John Suckling.
a few, of Suckling's poems are to be
anthology;
the rest
his works
are more
less difficult
access. Here everything
found,
will
well
all that
known about

congratulations
appearance of
One or two, or
found in every

by

TISIE AUTISIOR.

280

�book.

Crown 8vo, 966 pages, 6s. net.
PRINCIPAL ContFNTs: Authors Directory and Index
of Authors; Obituary Notices; Literary and Press
Agents ; Typists and Indexers, etc. ; Booksellers
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particulars for contributors, and a very complete
Classified
Index ; Publishers (British, Colonial,
Foreign, and American); Royalty Tables; Societies
and Literary Clubs (British, Colonial, and Foreign);
List of Cheap Reprints, etc.

in

as
a

of

so

at

ſ l

is
a

It

is

of

;

a

to

is

on

application

SIPKES and

1837),

of

MISS MACKINTOSH.

SIKES,

The West Kensington Typewriting

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AUTHORs

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              <text>C be El u t b or .&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Wol. XX. —No. 10. JULY 1, 1910. [PRICE SIXPENCE.&#13;
C O N T E N T S.&#13;
PAGE - PAGE&#13;
Notices ... tº - 0 - - - tº $ tº tº gº tº tº a tº tº º tº 6 &amp; ... 257 Registration of Scenarios and Original Plays ... tº e tº ..., 270&#13;
The Society's Funds ... ... ... ... ... ... ... 257 Dramatic Authors and Agents ... ... ... ... ... 270&#13;
List of Members... - - - - - e. tº a º • * * s e e * - a ... 257 Warnings to Musical Composers ... e - 9 - - e. © º e ... 270&#13;
The Pension Fund tº º is º g tº e tº º * * * * * * * * * ... 258 Stamping Music ... * * * &amp; © - e - e. e - e. e s tº • sº ... 270&#13;
Committee Notes - - - - e. e. - * &gt; tº e s e s - e - - ... 259 The Reading Branch ... * tº e tº e e tº º º tº º tº &amp; tº e ... 270&#13;
Books published by Members of the Society a tº - tº e - ... 261 Remittances - tº º tº e - tº º - e - - tº tº e tº tº a tº a tº ..., 270&#13;
Books published in America by Members... s &amp; © e - - ... 263 General Notes ... tº tº a tº e - - - - - a tº a s tº * * * ... 271&#13;
Literary, Dramatic and Musical Notes ..., sº tº e tº º ve ... 264 |United States Notes ... * - - • * * - - e. tº a tº * * * ... 271&#13;
Paris Notes - - - -- a - © e. - e tº tº 9 tº e tº e gº tº a ... 265 The Fourteenth International Press Congress ... * * * ... 273&#13;
Publishers' Agreements - e º – c - ... ... ... ... 266 Ideas, and How to Protect. Them ... tº º a ... ... ... 274&#13;
Magazine Contents ... tº e 4 º, º ſº tº tº º * * * tº a º ... 268 The Editorial Attitude • * * - - - -- tº - e º * A tº ..., 278&#13;
How to Use the Society - tº a © º º tº e - tº º º tº e º ... 269 The Works of Sir John Suckling ... • * * • e e * * * ..., 279&#13;
Warnings to the Producers of Books tº e - e e - º tº tº ... 269 Correspondence ... e e e * - - tº tº º - - - e tº Q * R 9 ..., 280&#13;
Warnings to Dramatic Authors - e. e. tº e - * * * * tº º ..., 269 -&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year, 1s.&#13;
2. The Author. Published ten months in the year (August and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 5s. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. Morris Colles, Barrister-at-Law. 8s.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
5. The Cost of Production. (Out of print.)&#13;
6. The Warious Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the varibus forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meahing carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 3s.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “Methods.” With comments and&#13;
advice. 2s. - -&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 1s. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 1s.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 2s. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition, 18.&#13;
11. Periodicals and their Contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d. *&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 18.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. (#666) ################################################&#13;
&#13;
ii&#13;
AD VERTISEMENTS.&#13;
(Ulje Šuriefly uf Autburg (jnrurpurated).&#13;
Telegraphic Address : “AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
SIR ROBERT ANDERSON, K.C.B.&#13;
SIR. W.M. REYNELL ANSON, Bart., D.C.L.&#13;
THE RIGHT HON. THE LORD AVE-&#13;
J. M. BARRIE. [BURY, P.C.&#13;
SIR ALFRED BATEMAN, K.C.M.G.&#13;
ROBERT BATEMAN.&#13;
F. E. BEDDARD, F.R.S.&#13;
MRS. BELLOC-LOWNDES.&#13;
THE RIGHT HON. AUGUSTINE BIR-&#13;
RELL, P.C.&#13;
MRS. E. NESBIT BLAND.&#13;
THE REv. PROF. Bonn EY, F.R.S.&#13;
THE RIGHT HON. JAMES BRyck, P.C.&#13;
THE RIGHT HON. THE LORD BURGH-&#13;
CLERE, P.C.&#13;
HALL CAINE.&#13;
J. W. COMYINS CARR.&#13;
EG ERTON CASTLE, F.S.A. -&#13;
S. L. CLEMENS (“MARK TwAIN").&#13;
EDWARD CLODD.&#13;
W. MORRIS COLLES.&#13;
THE HON. JOHN COLLIER.&#13;
SIR. W. MARTIN CONWAY.&#13;
THE RIGHT HON. THE LORD CURZON&#13;
OF KEDLESTON, P.C.&#13;
COIMIM&#13;
SIR ALFRED BATEMAN, K.C.M.G.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. E. NESBIT BLAND.&#13;
J. W. COMYNS CARR.&#13;
Chairman—SIR ARTHUR PINERO.&#13;
H. GRAN VILLE BARKER.&#13;
J. M. BARRIE.&#13;
R. C. CARTON.&#13;
PRESIDENT.&#13;
TIECOIN/I_A_S THILA-TERIDTY -&#13;
COUNCIL.&#13;
AUSTIN DOBSON.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
A. W. DUBOURG.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR. W. S. GILBERT.&#13;
EDMUND GOSSE, LL.D.&#13;
SYDNEY GRUNDY.&#13;
H. RIDER HAGGARD. - -&#13;
MRS. HARRISON (“LUCAS MALET").&#13;
ANTHONY HOPE HAWKINS,&#13;
E. W. HORNUNG.&#13;
MAURICE HEWLETT.&#13;
W. W. JACOBS.&#13;
JEROME. K. JEROME.&#13;
HENRY ARTHUR JONES.&#13;
J. SCOTT KELTIE, LL.D.&#13;
RUDYARD KIPLING.&#13;
SIR EDWIN RAY LANKESTER, F.R.S.&#13;
THE REv. W. J. LOFTIE, F.S.A.&#13;
THE RIGHT HON. SIR ALFRED&#13;
LYALL, P.C.&#13;
LADY LUGARD (MISS FLORA. L.&#13;
SHAW).&#13;
MRs. MAxw ELL (M. E. BRADDON).&#13;
DOUGLAS FRESHFIELD.&#13;
W. W. JACOBS.&#13;
ARTHUR RACKHAM.&#13;
G. BERNARD SHAW.&#13;
MISS CICELY HAMILTON.&#13;
CAPT. BASIL HOOD.&#13;
JEROME K. JEROME.&#13;
JUSTIN MCCARTHY,&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
SIR HENRY NORMAN.&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR ARTHUR PIN EBO.&#13;
THE RIGHT HON. SIR HORACE&#13;
PLUNKETT, K.P.&#13;
ARTHUR RACKEIAM.&#13;
OWEN SEAMAN.&#13;
G. BERNARD SHAW.&#13;
G. R. SIMS.&#13;
S. SQUIRE SPRIGGE.&#13;
FRANCIS STORR.&#13;
SIR CHARLES WILLIERS STANFORD,&#13;
Mus. Doc. .&#13;
WILLIAM MOY THOMAS.&#13;
MRS. HUMPHRY WARD.&#13;
PERCY WHITE.&#13;
FIELD-MARSHAL THE RIGHT HON&#13;
THE WIScount WolsFLEY, K.P.,&#13;
P.C., &amp;c.&#13;
SIDNEY WEBB.&#13;
H. G. WELLS.&#13;
ITTEE OF MANAGEMENT.&#13;
Chairman—MAURICE EIEWLETT.&#13;
S. SQUIRE SPRIGGE.&#13;
FRANCIS STORB,&#13;
SIDNEY WEBB,&#13;
IDRAMATIC SUB-COIMIMITTEE.&#13;
Vice-Chairman—HENRY ARTHUR JONES.&#13;
CECIL RALEIGH.&#13;
G. BERNARD SHAW.&#13;
ALFRED SUTRO.&#13;
PENSION FUND COMMITTEE.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY EIOPE HAWKINS.&#13;
HAROLD HARDY.&#13;
ANTHONY HOPE HAWKINS.&#13;
E. J. MACGILLIVRAY.&#13;
THE HON. JOHN COLLIER.&#13;
SIR. W. MARTIN CONWAY.&#13;
Chairman—MAURICE HEWLETT.&#13;
MORLEY ROBERTS.&#13;
M. H. SPIELMANN.&#13;
SIR GILBERT PARKER, M.P.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
Mus. Doc.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C. }s licitor&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. J. "“”&#13;
MRS. ALEC TWEEDIE.&#13;
MRS. HUMPHRY WARD.&#13;
COPYRIGHT SUB.com/MITTEE.&#13;
HERBERT SULLIVAN.&#13;
SIR JAMES YOxALL, M.P.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
Secretary—G. H. ERBERT THRING,&#13;
Solicitor im England to&#13;
La Société dés Géms de Lettres.&#13;
Legal Adviser in the United States—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY's GATE, S.W.&#13;
&#13;
&#13;
## p. (#667) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
iii&#13;
&#13;
TO Authors and Journalists,&#13;
The Writer, whether he aspires to write novels, short stories,&#13;
9x, articles, often spends years in uncongenial work,&#13;
rebuffs and drudgery being the only return for the timé&#13;
and labour spent.&#13;
THE COURSE OF LITERARY TRAINING promoted by&#13;
the Literary Correspondence College teaches the&#13;
aspirant to serve his apprenticeship to fliterature in the&#13;
briefest time possible.&#13;
Theºlºge also undertakes Literary Agency business of all&#13;
111C.S.&#13;
for full particulars. Write at once for Pamphlet D.M. to the LITERARY&#13;
00RRESPONDENCE COLLEGE, 9, Aruñdel Street, Strand, W.C.&#13;
“First Lessons in Story Writing."&#13;
By BARRY PAIN.&#13;
2nd Edition. 2s. 6ds net. 2s. 8d., post free,&#13;
Of this work the Westminster Gazette writes:—“The&#13;
beginner who takes these lessons to heart may be quite&#13;
assured of an advantage over his competitors.”&#13;
“How to become an Author.”&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide; full of useful hints,&#13;
2nd Edition. 5s, net. 5s= 4d. post free.&#13;
The Literary Gorrespondence College,&#13;
9, Arundel Street, Strand, W.C.&#13;
THE Editor of a New Popular PENNY&#13;
PERIODICAL requires SHORT,&#13;
BRIGHT ARTICLES of about 2,100&#13;
Words,also HUMOROUS and DETECTIVE&#13;
STORIES, and anything of an Unconventional&#13;
Character. — Letters only to “Editor,” clo&#13;
Dawson's, 121, Cannon Street, London, E.C.&#13;
Authors wishing to make arrange-&#13;
ments for PUBLISHINGi are invited&#13;
to communicate with LYNWOOD &amp; CO.,&#13;
Publishers, 12, Paternoster Row, London,.&#13;
E.C., who will be pleased to consider Mss.&#13;
and advise (free). Please write before&#13;
sending MSS.&#13;
&#13;
TYPE WRITING&#13;
from 10d. per 1,000 words, by experienced&#13;
Typist. Authors’ MSS. and Technical&#13;
work a speciality.&#13;
ORDERS BY POST PROMPTLY ATTENDED TO.&#13;
MISS LUETCHFORD, 122, LONDON WALL, E.C.&#13;
&#13;
&#13;
TYPEWRITING OF HIGHEST QUALITY.&#13;
GENERAL MSS., 10d. per 1,000 words.&#13;
DRAMATIC WORK.&#13;
GARBON GOPIES, 3d, per 1,000 words.&#13;
DUPLICATING-&#13;
NORA DICKINSON, I, Sackville Gardens, ILFORD, ESSEX.&#13;
YANTIE D 2&#13;
AUTHORS' MSS., PLAYS, AND GENERAL COPYING.&#13;
Don't hesitate. Send a trial order now. I guarantee&#13;
satisfaction. One Carbon Duplicate supplied gratis&#13;
with first order. Terms on application&#13;
C. HERBERT CAESAR,&#13;
Homefield, Woodstock Rd., ST. ALBANS, HERTs.&#13;
AUTHORS' TYPEWRITING.&#13;
Novel and Story Work . 9d per 1,000 words; 2 Copies, 1/-&#13;
General Copying * - ... 1/1 3 º 3 y 3 - 1|3&#13;
Plays, ruled tº tº • ... 1)- 9 y 2 3 * x 1/4&#13;
Specimens and Price List on application.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD.&#13;
TYPEWRITING.&#13;
Authors' MSS. neatly and accurately typed, 9d. per&#13;
1,000 words, including Carbon Copy.&#13;
Also General Copying, Plays, Actors' Parts, &amp;c.&#13;
MISS B. KERRY, Rohilla, CARSHALION, Surrey.&#13;
THE OMFORD LITERARY AGENGW&#13;
For Disposal of SHORT STORIES, NOVELS, PLAYS,&#13;
&amp;c. MSS. placed with Publishers. :&#13;
THE 0}(FORD B00K REVIEW AND LITERARY AGENCY,&#13;
235, HIGH HOLBORN, W.C.&#13;
&#13;
&#13;
## p. (#668) ################################################&#13;
&#13;
iv&#13;
AD VERTISEMENTS.&#13;
THE-SIGN.OF-QUALITY&#13;
&#13;
A PARABLE OF THE&#13;
..". MORNING MAIL. .”.&#13;
G| When a man opens his mail, if that&#13;
mail is of any size he first of all sorts it.&#13;
G| He divides the sheep from the goats.&#13;
Q. With the “sheep” go all the real&#13;
personal letters: with the “goats” the&#13;
printed circulars and the ordinary “imita.&#13;
tion” form letters.&#13;
G| The “sheep” are all read: as a rule&#13;
the “goats” are not.&#13;
G| If you want your facsimile personal&#13;
letters to be read, in short to resemble&#13;
real personal letters so closely as to be&#13;
indistinguishable from the “sheep,” there&#13;
is one way to ensure it.&#13;
BRADBURY, AGNEW, &amp; CO.&#13;
LTD.&#13;
10, BOUVERIE STREET, LONDON, E.C.&#13;
&#13;
&#13;
## p. (#669) ################################################&#13;
&#13;
C be El u t b or .&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
WOL. xx-No. 10.&#13;
JULY 1ST, 1910.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER:&#13;
374 WICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
—e—º-e—&#13;
NOTICES.&#13;
—º-º-º-&#13;
OR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 5s. 6d. Subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
WOL. XX.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the boma fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired. :&#13;
—e—º-e—&#13;
THE SOCIETY'S FUNDS.&#13;
—º-º-º-&#13;
ROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds.suitable for this purpose are : (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
—e—-tº-e—&#13;
LIST OF MEMBERS.&#13;
—º-º-º-&#13;
HE List of Members of the Society of Authors,&#13;
published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7#d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only. - -&#13;
A dozen blank pages have been added at the&#13;
&#13;
&#13;
## p. (#670) ################################################&#13;
&#13;
258&#13;
TISIES A UTISIOR.&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
* - -º- a&#13;
v-u-v&#13;
THE PENSION FUND.&#13;
—o-º-º-&#13;
ON February 1, 1910, the trustees of the&#13;
Pension Fund of the society—after the secre-&#13;
tary had placed before them the financial&#13;
position of the fund—decided to invest £260 in&#13;
the following securities: £130 in the purchase of&#13;
Jamaica. 3% per cent. Stock 1919–49, and £130 in&#13;
the purchase of Mauritius 4 per cent. Stock 1937.&#13;
The amount purchased is £132 18s. 6d.&#13;
Jamaica. 3% per cent. Stock and £120 12s. 1d.&#13;
Mauritius 4 per cent. Stock.&#13;
This brings the invested funds to over £4,000.&#13;
The trustees, however, have been unable to recom-&#13;
mend the payment of any further pensions, as the&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
of the society to this fact, in the hope that by&#13;
additional subscriptions and donations there will&#13;
be sufficient funds in hand in the course of the&#13;
year to declare another pension in case any im-&#13;
portant claim is forthcoming.&#13;
Consols 2%%.................. ........... #1,000 0 0&#13;
Local Loans .............................. 500 0 ()&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291. 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock . . . . . . . . . . . . . . . . . . . . 250 0 0&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates . . . . . . . . ... 200 0 0&#13;
Cape of Good Hope 33% Inscribed&#13;
Stock . . . . . . . . . . . . . ................ 200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock.................. 228 () 0&#13;
New Zealand 3% Stock............... 247 9 6&#13;
Irish Land Act 23% Guaranteed Stock 258 0 0&#13;
Corporation of London 24% Stock,&#13;
1927–57 .............................. 438 2 4.&#13;
Jamaica. 3%% Stock, 1919–49 ......... 132 18 6&#13;
Mauritius 4%. 1937 Stock............... 120 12 I&#13;
Dominion of Canada C.P.R. 3% Land&#13;
Grant Stock, 1938..................... 198 3 8&#13;
Total ............... f4,065 6 0&#13;
Subscriptions.&#13;
1910. £ s. d.&#13;
Jan. 12, Riley, Miss Josephine . . 0 7 6&#13;
Jan. 13, Child, Harold H. . 0 10 0&#13;
Feb.&#13;
Jan. 14, Desborough, The Right Hon.&#13;
the Lord, K.C.V.O.&#13;
Jan. 27, Lion, Leon M.&#13;
Feb. 7, Fagan, J. B. . º&#13;
Feb. 10, Newton, Miss A. M.&#13;
March 7, Smith, Bertram .&#13;
April 13, Dillon, Mrs. e e&#13;
May 6, Inkster, Leonard . e&#13;
May 17, Truman, Miss Olive Marie&#13;
Donations.&#13;
1910.&#13;
Jan. 1, Robinson, J. R. . &amp; º&#13;
Jan. 1, Mackenzie, Miss J. (2nd dona-&#13;
tion) . • * &amp; ſe e&#13;
Jan. 1, Northcote, H. e &amp;&#13;
Jan. 3, Watson, Mrs. Herbert A.&#13;
Jan. 3, Fursdon, Mrs. F. M.&#13;
Jan. 3, Smith, Miss Edith A.&#13;
Jan. 4, Pryce, Richard&#13;
Jan. 4, Wroughton, Miss Cicely .&#13;
Jan. 6, Kaye-Smith, Miss Sheila&#13;
Jan. 6, Underdown, Miss E. M. .&#13;
Jan. 6, Carolin, Mrs. . º&#13;
Jan. 8, P. H. and M. K.&#13;
Jan. 8, Crellin, H. R. ©&#13;
Jan. 10, Tanner, James T..&#13;
Jan. 10, Miller, Arthur .&#13;
Jan. 10, Bolton, Miss Anna&#13;
Jan. 10, Parr, Miss Olive K.&#13;
Jan. 17, Harland, Mrs. e&#13;
Jan. 21, Benecke, Miss Ida e&#13;
Jan. 25, Fradd, Meredith . C&#13;
Jan. 29, Stayton, F. . tº º&#13;
Feb. 1, Wharton, L. C.&#13;
4, Bowen, Miss Marjorie&#13;
5, Cameron, Mrs. Charlotte&#13;
7, Pettigrew, W. F. .&#13;
7, Church, Sir A. H. .&#13;
8, Bland, Mrs. E. Nesbit&#13;
8, The XX. Pen Club&#13;
10, Greenbank, Percy.&#13;
11, Stopford, Francis.&#13;
11, Dawson, A. J. . o&#13;
12, Ainslie, Miss Kathleen .&#13;
16, W. D. . º º •&#13;
16, Gibbs, F. L. A. . b&#13;
17, Wintle, H. R. e&#13;
21, Thurston, E. Temple&#13;
23, Dawson, Mrs. Frederick&#13;
Feb. 24, Williamson, C. N. º&#13;
Feb. 24, Williamson, Mrs. C. N. e&#13;
Feb. 25, Westell, W. P. . e ©&#13;
March 2, Toplis, Miss Grace o&#13;
March 3, Hawtrey, Miss Valentina&#13;
March 5, Smith, Bertram . *&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
Feb.&#13;
#.&#13;
S.&#13;
1&#13;
O&#13;
I&#13;
1|I&#13;
1&#13;
I&#13;
d.&#13;
:&#13;
O&#13;
&#13;
&#13;
## p. (#671) ################################################&#13;
&#13;
TISIE AUTISIOR.&#13;
259&#13;
# S. d.&#13;
March 12, Yould, A. . © e O 5 0&#13;
March 16, Loraine, Lady . § 0 10 0&#13;
March 29, Macdonnell, Randall . 4 0 0&#13;
April 6, Blake, J. P. . &amp; gº 2 2 0&#13;
April 8, “Patricia Wentworth '' 1 1 0&#13;
April 14, Hinkson, Mrs. K. Tynan O IO ()&#13;
May 6, Greenstreet, W. J. . ſº O 5 ()&#13;
May 7, Cousin, John W. (), 5 ()&#13;
May 10, Zangwill, Israel . e . 1 1 0&#13;
May 19, Sprigge, Dr. S. S. (Portion of&#13;
money recovered by the Society as&#13;
damages) ſº º º © . I () () ()&#13;
June 3. Wynne, C. Whitworth . . 3 3 ()&#13;
June 15, Maunder, J. H. . c . 1 1 0&#13;
All fresh subscribers and donors previous to&#13;
January, 1910, have been deleted from the present&#13;
announcement.&#13;
The names of those subscribers and donors which&#13;
are not included in the lists printed above are&#13;
unavoidably held over to the next issue.&#13;
*. -º- *&#13;
vº ~- *&#13;
COMMITTEE NOTES.&#13;
—º-º-º-&#13;
HE June meeting of the committee was&#13;
held at the offices of the Society on the&#13;
6th ult.&#13;
In the absence of Mr. Maurice Hewlett, Mr.&#13;
Douglas Freshfield was, on the proposal of Sir&#13;
Alfred Bateman, invited to take the chair.&#13;
Sixteen new members and associates were added&#13;
to the list, making 134 elections in the current&#13;
year. Four resignations were received, bringing&#13;
the number in the year to 64.&#13;
Cases before the Committee. The first case related&#13;
to the infringement of an author's rights in&#13;
Germany, and had been discussed at previous&#13;
meetings. Owing to the failure of the author to&#13;
give the necessary information and assistance&#13;
through the committee to the Society's German&#13;
lawyers, it was decided, with regret, to abandon the&#13;
case, and the secretary was instructed to acquaint&#13;
the author with the committee's decision. The&#13;
next case was a complaint raised by a member that&#13;
a judgment summons obtained by the society two&#13;
months ago for unpaid contributions to a weekly&#13;
newspaper had not been satisfied, although the&#13;
offending party still continued to publish the paper&#13;
regularly. After consideration of a letter from the&#13;
society's solicitors, setting out the steps they had&#13;
already taken, the committee authorised more&#13;
stringent measures to be taken in order to obtain&#13;
the amount due to the member. The third case&#13;
engaging the committee's attention was one in&#13;
which a member of the society had expressed dis-&#13;
satisfaction with a publisher's accounts. The&#13;
committee authorised the secretary to write to the&#13;
publisher on the matter, and (if needful) to put in&#13;
an accountant to check the accounts. A report&#13;
Was read from the solicitors of the society in regard&#13;
to the piracy of the works of one of its members&#13;
by means of street hawkers, and the secretary&#13;
was instructed to direct the solicitors to take&#13;
active steps on the lines taken by the music&#13;
publishers in somewhat similar circumstances, and&#13;
to hasten to put a stop to the illegal sales and&#13;
bring the parties to book. In another case, owing&#13;
to the sale by one of the members of the copyright&#13;
to a publisher, a difficult question of law had arisen&#13;
on which counsel's opinion had been obtained.&#13;
The Secretary was instructed to send a copy of the&#13;
Opinion to the member involved. A letter from&#13;
the Solicitors of a literary agent was submitted by&#13;
the secretary and a reply was authorised. The next&#13;
matter related to a serious infringement of the&#13;
rights of dramatists in India. The secretary&#13;
reported the matter from the Dramatic Sub-&#13;
Committee, and the committee sanctioned the&#13;
course suggested by that body, namely, that inquiry&#13;
should be made of the society's Indian solicitors as&#13;
to the exact position under the Indian law, and as&#13;
to the best course to be adopted.&#13;
From the cases the committee turned their&#13;
attention to other questions of policy. It was&#13;
decided to publish once, in the autumn of the year,&#13;
a full list of the annual subscribers to the Pension&#13;
Fund with the amount of their subscriptions. In&#13;
case any subscriber might object to the publication&#13;
of his or her name, it was resolved, before printing&#13;
the list, to issue a circular in order to ascertain the&#13;
wishes of the individual subscribers on this point.&#13;
A proposal to obtain advertisements for The Author&#13;
was next considered, and, after some discussion, it&#13;
was agreed to accept the proposal subject to some&#13;
modification and to the terms being embodied in a&#13;
contract which should meet with the chairman’s&#13;
approval. At the previous meeting a question had&#13;
arisen respecting the appointment of agents in the&#13;
colonies who should keep the society informed of&#13;
infringements of literary and dramatic rights. Sir&#13;
Alfred Bateman reported that he had conferred&#13;
with the officials of the Board of Trade and felt&#13;
that some arrangement could probably be made,&#13;
but that it was too early as yet to give any definite&#13;
assurance. The secretary reported also that he had&#13;
seen the president of the Publishers' Association&#13;
and was instructed to write to him. The question&#13;
of the censorship of novels was again before the&#13;
committee to whom the secretary reported. He&#13;
was instructed to communicate with Mr. Hewlett&#13;
immediately on his return, who had the whole&#13;
matter in hand. A proposal made by a member of the&#13;
Copyright Sub-committee that all copyright cases&#13;
should first be referred to that committee, was&#13;
&#13;
&#13;
## p. (#672) ################################################&#13;
&#13;
260&#13;
TFIE AUTISIOR.&#13;
reconsidered in the light of the opinions of the&#13;
members of the sub-committee. After a perusal&#13;
of these opinions it appeared to the Committee of&#13;
Management that it would be undesirable to carry&#13;
out the suggestion.&#13;
The chairman reported that, as immediate&#13;
decision was necessary, he had taken on himself, in&#13;
Mr. Hewlett's absence, to postpone the dinner of&#13;
the society. This action was approved and it was&#13;
decided to leave the question of an autumn dinner&#13;
to the committee at their meeting in July, when it&#13;
was hoped Mr. Hewlett would be present.&#13;
The committee sanctioned the expenditure neces-&#13;
sary for the issue of a circular by the Dramatic&#13;
Sub-committee to the dramatists inside the society.&#13;
The Dramatic Sub-committee also referred a&#13;
suggestion as to the reading of dramatic works by&#13;
a staff of readers appointed by the society, with a&#13;
special view to obtaining a market for such plays&#13;
as were favourably reported on by the readers.&#13;
The suggestion did not appear practicable to the&#13;
committee, and the secretary was instructed to&#13;
write to the member who had made the suggestion&#13;
and report to the sub-committee in that sense. A&#13;
proposal that the names of the Nobel Prize Com-&#13;
mittee should be added to the list of committees on&#13;
the society’s letter-paper and publications was&#13;
negatived.&#13;
The receipt of a contribution of £2 2s. to the&#13;
Capital Account of the society in acknowledgment&#13;
of work done by the society, was reported to the&#13;
committee, as also was a contribution of £10 to&#13;
the Pension Fund from Dr. S. Squire Sprigge,&#13;
part of moneys recovered by the society on his&#13;
behalf.&#13;
At this, the first meeting of the committee after&#13;
the event, it was decided to send to Mr. Thomas&#13;
Hardy a letter of congratulation on the attain-&#13;
ment of his seventieth birthday, and the secretary&#13;
was instructed to ask Mr. Hewlett, the chairman of&#13;
the committee, to carry out the committee's wishes&#13;
in this matter. -&#13;
—º-º-º-&#13;
DRAMATIC SUB-COMMITTEE.&#13;
A MEETING of the Dramatic Sub-committee was&#13;
held on Monday, May 30, at the offices of the&#13;
society, 39, Old Queen Street, Storey's Gate, S.W.,&#13;
at 3 p.m.&#13;
The first question for the consideration of&#13;
the sub-committee related to the position of&#13;
dramatic authors and their property in the Trans-&#13;
Vaal and Orange River Colony. At the suggestion&#13;
of the secretary, it was decided to write to the&#13;
Colonial Office and to inquire as to the position of&#13;
copyright property of English dramatists in South&#13;
Africa generally.&#13;
The next subject was the appointment of agents&#13;
in the colonies and the larger cities of those&#13;
countries united under the Berne Convention—&#13;
agents who might be able to give information&#13;
to the Society of infringements. The secretary&#13;
reported that he had seen a gentleman, a native of&#13;
Johannesburg and a lawyer of position, and that&#13;
he had explained to him exactly what the society&#13;
desired. This gentleman had agreed to write a&#13;
letter to be laid before the Dramatic Sub-com-&#13;
mittee, giving references and explaining how far&#13;
he would be able to undertake the duties required.&#13;
The letter not having arrived in time for the&#13;
meeting, the matter was adjourned to the next&#13;
meeting.&#13;
The secretary also reported that Sir Alfred Bate-&#13;
man had seen the authorities at the Board of&#13;
Trade and the Foreign Office in regard to the&#13;
question of the Consuls reporting infringements in&#13;
those countries of Europe bound by the Berne&#13;
Convention and the Trade Commissioners in the&#13;
colonies. Sir Alfred Bateman having intimated a&#13;
desire to have from the Dramatic Sub-committee&#13;
a note of the exact work which it was desired the&#13;
Consuls and the Trade Commissioners should&#13;
undertake, the secretary was instructed to draft&#13;
such a note and to forward it to Sir Alfred.&#13;
Infringements of performing rights in India&#13;
appear to be on the increase, as the secretary had&#13;
to report to the sub-committee a long list of such&#13;
infringements at the Opera House, Calcutta. He&#13;
was instructed, with the consent of the Committee&#13;
of Management, to write to the society's solicitors&#13;
in India and ask them to see whether it would not&#13;
be possible to put a stop to these infringements&#13;
by communicating with the manager, and also to&#13;
inquire what further steps they would advise. At&#13;
the same time the solicitors should be requested to&#13;
send a formal power of attorney, so that, in the&#13;
event of any action being necessary, they should&#13;
have full authority to take immediate proceedings.&#13;
It was also suggested that the secretary should be&#13;
instructed to write to the Council of the Actors’&#13;
Association warning them of these infringements,&#13;
as it might be very unfortunate for members of&#13;
that association who had entered into contracts to&#13;
play in certain pieces in India and the colonies&#13;
suddenly to find that their employment was at an&#13;
end owing to an injunction being obtained for&#13;
infringements of dramatic rights; and the Secretary&#13;
was so instructed.&#13;
A complaint made by one member of the Society&#13;
against another member was laid before the sub-&#13;
committee, but as the full statements were not&#13;
forthcoming it was necessary to adjourn the&#13;
matter.&#13;
The secretary, having called attention to certain&#13;
paragraphs in The Referee, was instructed to&#13;
&#13;
&#13;
## p. (#673) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
261&#13;
forward a reply to the editor for insertion in that&#13;
journal.&#13;
A suggestion, from one of the members of the&#13;
Society to institute a formal reading branch for the&#13;
benefit of unacted dramatists was, after some discus-&#13;
sion, referred to the Committee of Management.&#13;
It was decided that the resolution passed at the&#13;
previous meeting of the sub-committee relating to&#13;
performances in working men's clubs should be&#13;
sent round to dramatists who were members of the&#13;
society, with a postcard asking whether they would&#13;
be ready to adhere to the resolution then passed.&#13;
The sub-committee authorised the secretary to&#13;
write to those dramatists, if any, still outside the&#13;
Society and call their attention to the work done&#13;
by the society for the benefit of the dramatic&#13;
profession and for the defence of dramatic property.&#13;
The repertory agreement was finally settled, but&#13;
the agreement for a run was deferred till the next&#13;
meeting, which was fixed for Tuesday, June 21.&#13;
—º-º-º-&#13;
Cases.&#13;
DURING the past month the number of cases&#13;
placed in the Secretary's hands has increased.&#13;
Twenty-three new cases have been brought to&#13;
the society's office. They may be divided as&#13;
follows:–Two for accounts. Five for accounts&#13;
and money. Nine for money only. Three for&#13;
MSS. Four relating to settlement of terms of&#13;
agreements. Of the two claims for accounts, one&#13;
has been settled—the accounts have been handed&#13;
in. In the other case, the society is waiting for&#13;
the accountant's report, the publishers having&#13;
given every facility for the investigation of their&#13;
books. Of the five claims for accounts and money,&#13;
one has been settled and one is in the course of&#13;
negotiation. The other three accounts have been&#13;
handed in, but the money is not yet to hand ; the&#13;
Secretary is waiting for the member to pass the&#13;
returns, when the demand for the amount shown to&#13;
be due will be made. The three claims for MSS.&#13;
have been satisfied. Out of the nine claims for&#13;
money, one has been satisfied, two have been&#13;
placed in the hands of the society’s solicitors as&#13;
no satisfactory reply was forthcoming, two are in&#13;
the course of satisfactory negotiation, and the&#13;
balance have only recently come into the office.&#13;
The cases of disputes on agreements are naturally&#13;
slow in settlement, as a good deal of negotiation is&#13;
necessary, but one has been settled, two are&#13;
progressing. The last one has to await the arrival&#13;
of the member in England. She is at present&#13;
abroad and cannot obtain the necessary documents&#13;
and evidence. -&#13;
There are three cases still remaining over from&#13;
former months. One of these refers to a member&#13;
who lives in the Colonies, and one to a publisher in&#13;
America, and the third is still in the course of&#13;
negotiation. The cases in the solicitor's hands&#13;
are being carried forward in accordance with the&#13;
legal procedure. None have actually been settled&#13;
during the past month.&#13;
—º-º-º-&#13;
June Elections.&#13;
Alcock, Joseph Crosby 32, Londesborough&#13;
Road, Scarborough.&#13;
Atkinson, Harold W. West View, Eastbury&#13;
Avenue, Northwood,&#13;
Middlesex.&#13;
Yorick Club, 30, Bed-&#13;
Baker, Capt. B. Granville.&#13;
- ford Street, Strand,&#13;
W.C.&#13;
Campbell, Cyril S. Fen Ditton Hall, near&#13;
Cambridge.&#13;
Carey, Miss Winifred Rose. 51, Beaufort Man-&#13;
sions, Chelsea, S.W.&#13;
54, Digby Mansions,&#13;
H a m me r s m it h&#13;
Bridge, London, W.&#13;
Chase, Mrs. Lewis Nathaniel&#13;
Dalziel, James. Taikoo Sugar Refining&#13;
Co., Ltd., Hong-&#13;
Kong.&#13;
Dawson, Frank 17, Bedford Street,&#13;
- Marine Parade,&#13;
Brighton.&#13;
Dixon, Thomas º . Woodhall Road, Cal-&#13;
verley, near Leeds.&#13;
Eggar, W. D. e . Eton College, Windsor.&#13;
Graham, Mrs. Ethel . Bilston Lodge, Ivan-&#13;
Maxtone head, Midlothian.&#13;
“Woodhill,” Rhiw-&#13;
Jevons, Herbert Stanley .&#13;
bina, near Cardiff.&#13;
Thomson, Lieut.-Col. S. J., Scuttington Manor,&#13;
C.I.E., J.P. Sittingbourne, Kent.&#13;
Talbot, P. A., B.A., F.L.S., Abbots Morton, Ink-&#13;
&amp;c. berrow, Worcester-&#13;
shire.&#13;
44, Princes Square,&#13;
Hyde Park, W.&#13;
17, Buckley Road,&#13;
N.W.&#13;
Wilson, Mary D.&#13;
Wilson, Mrs. S. Douglas&#13;
—e—º-e—&#13;
BOOKS PUBLISHED BY MEMBERS OF&#13;
THE SOCIETY.&#13;
—e-º-º-&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
&#13;
&#13;
## p. (#674) ################################################&#13;
&#13;
262&#13;
TISIE AUTISIOR.&#13;
that many of the books mentioned are not sent to the Cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
ART.&#13;
BRITISH PORTRAIT PAINTING. To the opening of the&#13;
Nineteenth Century. By M. H. SPIELMANN. 2 vols.&#13;
16 x 12%. 108 pp. 131 plates. The Berlin Photo-&#13;
graphic Co. £26 5s. n.&#13;
BIOGRAPHY.&#13;
THE LIFE OF MARIE AMELIE. Last Queen of the French.&#13;
1782–1866. By C. C. Dyson. 83 × 5%. 318 pp. John&#13;
Long. 12s. 6d. n.&#13;
LIFE OF JOHN RUSKIN. By ASHMORE WINGATE. 63 × 4}.&#13;
203 pp. (Great Writers Series.) Walter Scott Publishing&#13;
Co. 1s. 6d.&#13;
GEORGE SAND AND HER LOVERS. By FRANCIS GRIBBLE.&#13;
73 x 5. 303 pp. Nash. 28. n.&#13;
EDUCATIONAL.&#13;
LES FRANÇAIS D’AUJourd’HUI. By JETTA. S. Wolf F.&#13;
7 x 5. 156 pp. Arnold. 1s. 6d.&#13;
NATURE STUDY ON THE BLACKBOARD. By W. P. PYCRAFT,&#13;
F.Z.S., AND JANET HARVEY KELMAN. Vol. I. : PLANT&#13;
LIFE. 12 x 9. 134 pp. Caxton Publishing Co.&#13;
7s. 6d. In. -&#13;
FICTION.&#13;
ToLD IN THE DAY WATCHES. By FRANK T. BULLEN. 73&#13;
× 5. 332 pp. Smith, Elder. 68.&#13;
CUTHBERT LEARMONT. By J. A. REVERMORT. 73 × 5.&#13;
354 pp. Constable. 63.&#13;
FoRBIDDEN GROUND. By GILBERT WATson. William&#13;
Heinemann. 6s.&#13;
A MOTLEY. By JOHN GALsworth Y.&#13;
Heinemann. 6s.&#13;
DAISY'S AUNT.&#13;
Nelson. 28. n.&#13;
THE PORTRAIT. By FORD MADox HUEFFER. 8 × 5.&#13;
307 pp. Methuen. 68.&#13;
THE GIRL witH THE RED HAIR. By MAx PEMBERTON.&#13;
7# × 5. 336 pp. CASSELL. 6s.&#13;
FREDA. By KATHERINE TYNAN. 73&#13;
Cassell. 63.&#13;
WERA OF THE STRONG HEART. By MARION MOLE.&#13;
73 × 4%. 312 pp. Melrose. 6s.&#13;
THE HEART OF NoFL. By FRED WHISHAw. 8 × 5.&#13;
320 pp. Everett. 63.&#13;
ToI.D IN THE DOG WATCHES. By FRANK. T. BULLEN.&#13;
7; x 5. 332 pp. Smith, Elder. 68.&#13;
IN THE BALANCE. By L. G. MOBERLY. 73 × 5.&#13;
Ward, Lock. 6s.&#13;
SIMON THE JESTER. By W. J. LOCKE. 7} x 5. 348 pp.&#13;
Lane. 6s.&#13;
A FAIR MARTYR. By J. BLOUNDELLE-BURTON. 8 x 5.&#13;
317 pp. Everett. 68. -&#13;
THE ROD OF JUSTICE. By ALICE AND CLAUDE ASKEW.&#13;
7# × 5}. 256 pp.&#13;
By E. F. BENSON. 74 x 5. 375 pp.&#13;
× 5. 336 pp.&#13;
320 pp.&#13;
73 × 5. 350 pp. Fisher Unwin. 6s.&#13;
THE SILENT WATCHES. By IZA DUFFUS HARDY. 73 ×&#13;
5. 320 pp. Digby Long. 68.&#13;
MARQUESS SPLENDID. By ANNIE O. TIBBITS.&#13;
320 pp. Digby Long. 68.&#13;
To-MoRRow 7 By VICTORIA CROSS. (Cheap Edition.) 7%&#13;
7% x 5.&#13;
× 5. 302 pp. The Walter Scott Publishing Co. 1s. n.&#13;
SEA DOG.S. A Set of Sea Comedies. By MoRLEY&#13;
ROBERTS. 73 x 5. 256 pp. Nash. 28. n.&#13;
FURTHER EXPERIENCES OF AN IRISH R.M. By E. CE.&#13;
SOMERVILLE AND MARTIN Ross. 73 × 53. 315 pp.&#13;
Longmans. 3s. 6d. n.&#13;
THE CALL OF THE SOUTH. By LouTSE BECKE. 74 ×&#13;
4}. 320 pp. Milne. 1s. In.&#13;
HISTORY.&#13;
A MEDIAEVAL GARNER. Human Documents from the Four&#13;
Centuries preceding the Reformation. Selected, trans-&#13;
lated, and annotated by G. G. CouTTON, 94 × 6.&#13;
727 pp. Constable. 21s. n. -&#13;
THE WALLS OF CONSTANTINOPLE. By CAPTAIN B.&#13;
GRAN VILLE BAKER, 73 × 6%. 262 pp. Milnes.&#13;
16s. n.&#13;
THE SECOND AFGHAN WAR, 1878-79-80 : its Causes, its&#13;
Conduct, and its Consequences. By COL. H. B. HANNA,&#13;
late Commanding at Delhi. Wol. III. Constable. 15s. n.&#13;
CALENDAR OF STATE PAPERS, COLONIAL SERIES,&#13;
AMERICA AND THE WEST INDIES, 1700, PRESERVED IN&#13;
THE PUBLIC RECORD OFFICE. Edited by CECIL HEAD-&#13;
LAM, M.A. 103 × 7%. 851 pp. Wyman. 15s.&#13;
LITERARY.&#13;
ESSAYS : MoDERN AND ELIZABETHAN. By E. Dowd EN.&#13;
83 × 5%. 380 pp. Dent.&#13;
DEAD LANGUAGE AND DEAD LANGUAGES. With Special&#13;
Reference to Latin. By J. P. POSTGATE, LITT.D.&#13;
8% x 5%. 32 pp. Murray. 18. n.&#13;
DANTE AND HIs CoNVITO. A Study with Translations.&#13;
By W. M. RossETTI. 7% x 5}. 130 pp. Elkin Mathews.&#13;
4s. 6d. n.&#13;
THE Hous E OF QUIET. An Autobiography. By A. C.&#13;
BENSON. 73 × 5. 233 pp. Murray. 1s. n.&#13;
MISCELLANEOUS.&#13;
IMITATION : THE MIMETIC FUNCTION IN HUMAN NATURE&#13;
AND IN NATURE. By RICHARD STEEL. (Second Edition,&#13;
Revised and Enlarged.) Liverpool : Henry Young &amp;&#13;
Sons. London: Simpkin, Marshall &amp; Co.&#13;
Essays IN NATIONAL IDEALISM (INDIA). By DR. A. K.&#13;
CoOMARASWAMY. 5% x 8%. Probsthain. 3s. 6d.&#13;
NAWAL.&#13;
THE CAMPAIGN OF TRAFALGAR. By JULIAN CoRBETT.&#13;
9} x 6. 473 pp. Longmans. 168. n.&#13;
ORIENTAL.&#13;
SWORD-OF-THE-CROWNS. Rendered into English by the&#13;
Count Ess OF CROMARTIE, 7% x 5. 144 pp. Elkin,&#13;
Mathews. 3s. 6d. n.&#13;
POETRY.&#13;
ENGLAND’s SON, AND OTHER POEMS. By MAXWELL&#13;
GRAY. 63 × 4%. 95 pp. Digby Long. 38. 6d. n.&#13;
THE DEAD KING. By RUDYARD KIPLING. 8 × 53.&#13;
Hodder &amp; Stoughton. 18. n. -&#13;
POLITICAL.&#13;
ARTICLES OF FAITH IN THE FREEDOM OF WOMEN. By&#13;
LAURENCE HOUSMAN. 73 × 4%. 64 pp. Fifield.&#13;
6d. n.&#13;
REPRINTS.&#13;
PosLTIVISM. By ISIDORE AUGUSTE COMTE. With an&#13;
Introduction by FREDERIC HARRISON. 444 pp.&#13;
ESSAYS OF FRANCIS BACON. With an Introduction by&#13;
W. H. D. RousB. 218 pp. POETICAL WORKS OF&#13;
WILLIAM BLAKE. With an Introduction by W. B.&#13;
YEATs. 277 pp. 64 × 4}. Routledge. 28. 6d. n.&#13;
&#13;
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## p. (#675) ################################################&#13;
&#13;
THE AUTISIOR.&#13;
263&#13;
THE CAxTon SHAKESPEARE. Wols. W. and VI. With&#13;
Annotations and General Introduction. By SIDNEY&#13;
LEE. 83 × 64. Caxton Publishing Co. 6s. 6d. n.&#13;
THoughT GEMs For DAILY USE. Compiled by J. C.&#13;
WRIGHT. 6 × 4}. 143 pp. R.T.S. 18.&#13;
SCIENCE.&#13;
THE LAws of HEREDITY. By G. ARCHDALL REID.&#13;
With a diagrammatic representation by HERBERT HALL&#13;
TURNER, Savilian Professor of Astronomy, Oxford. 9 ×&#13;
5#. 548 pp. Methuen. 218. n.&#13;
SCIENTIFIC.&#13;
THE POCKET CLINICAL GUIDE. By JAMES BURNET,&#13;
M.D., M.R.C.P., E. (Illustrated.) Cloth, 1s. 6d. n.&#13;
Leather, 2s. 6d. n. Of the Author, 6, Glengyle Terrace,&#13;
Edinburgh.&#13;
HINTS ON PRESCRIPTION WRITING. By JAMES BURNET.&#13;
(Second Edition.) 1s. n. Of the Author, 6, Glengyle&#13;
Terrace, Edinburgh.&#13;
SOCIOLOGY.&#13;
THE WAGRANCY PROBLEM : The Case for Measures of&#13;
Restraint for Tramps, Loafers and Unemployables.&#13;
By W. H. D.Awson. 73 × 5. 270 pp. P. S. King.&#13;
58. In.&#13;
SPORT.&#13;
LETTERs of A MoDERN GOLFER. To HIS GRANDFATHER.&#13;
By HENRY LEACH. 73 x 5. 309 pp. Mills &amp; Boon.&#13;
6s.&#13;
THE POCKET GUIDE TO SOLO WHIST.&#13;
3# x 23. 23 pp. De La Rue. 6d.&#13;
TEIEOLOGY.&#13;
BUDDHISM. By T. W. RHYs DAVIDs, PH.D. Twenty-&#13;
second Thousand. (A New and Revised Edition.) 63 ×&#13;
4}. 252 pp. S.P.C.K. 2s. 6d.&#13;
MY QUEST FOR GOD. By JoHN TREvoR. (Second Revised&#13;
By R. F. FostER.&#13;
Edition.) 8 × 53. 247 pp. Fifield. 58. n.&#13;
TRAVEL.&#13;
STUDIES OF INDIAN LIFE AND SENTIMENT. By SIR&#13;
BAMPFYLDE FULLER, K.C.S.I. 8 × 5}. 360 pp.&#13;
Murray. 6s. n.&#13;
AUTUMN IMPRESSIONS OF THE GIRONDE. By J. G. SIEVE-&#13;
KING. 73 × 5. 160 pp. Digby Long. 3s. 6d. m.&#13;
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ner. $9 m.&#13;
BIOGRAPHY.&#13;
RUSKIN AND HIS CIRCLE. By ADA EARLAND. With 20&#13;
illustrations, including a photogravure frontispiece. New&#13;
York : Putnam. $1.75 m.&#13;
ACCIDENTS OF AN ANTIQUARY'S LIFE. With 40 illustra-&#13;
tions from photographs taken by the author. By D. G.&#13;
HoGARTH. New York: Macmillan. $2.50 n.&#13;
ROBERT DoDSLEY, POET, PUBLISHER AND PLAYWRIGHT.&#13;
With a photogravure portrait and 12 other illustrations.&#13;
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A GIRL OF THE FOURTH : THE STORY OF AN UNPOPULAR&#13;
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HAMILTON's SECOND MARRIAGE : THOMAS AND THE&#13;
PRINCESS; THE MODERN WAY. Three plays. By MRS.&#13;
W. K. CLIFFORD. New York : Kennerley. $1.50. -&#13;
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A COLLECTION OF EASTERN STORIES AND LEGENDS FOR&#13;
NARRATION AND READING IN SCHOOLs. By MARIE L.&#13;
SHEDLOCK. New York : Dutton. 50 cents.&#13;
FICTION.&#13;
WHY DID HE DO IT 2. By BERNARD CAPES. New York:&#13;
Brentano. $1.50.&#13;
OUR LADY OF DARKNESs. By ALBERT DoRRINGTON AND&#13;
A. E. STEPHENS. New York : Macaulay Co. $1.50.&#13;
FAR FROM THE MADDING CROWD. By THOMAS HARDY.&#13;
New York : Harper. $1.25 n.&#13;
JUDE THE OBSCURE. By THOMAS HARDY. New York :&#13;
Harper. $1.25 n.&#13;
UNDER THE GREENWOOD TREE. By THOMAS HARDY.&#13;
New York : Harper. $1.25 n. •&#13;
THE ILLUSTRIOUS PRINCE. By E. PHILLIPs OPPENHEIM.&#13;
Boston : Little, Brown. $1.50. - -&#13;
A RED-HANDED SAINT. By OLIVE K. PARR. New York:&#13;
Benzigeo. $1.10 m.&#13;
GARRYOWEN. By H. DE WERE STACPOOLE. New York :&#13;
Duffield. $1.50.&#13;
THE PERJURER. By W. E. NORRIs. New York :&#13;
Brentano’s. $1.50.&#13;
THE LONELY LOVERs. By HoRACE NEWTE. New York :&#13;
Mitchell Kennerley.&#13;
THE RUST OF ROME. By WARWICK DEEPING,&#13;
York : Cassell. $1.20.&#13;
MORNING STAR. By H. RIDER HAGGARD. New York :&#13;
Longmans. $1.50. º&#13;
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York : Kennerley. $1.50.&#13;
AN IMPERIAL MARRIAGE. By A. W. MARCHMONT. 317&#13;
pp. New York : Dodge Publishing Co. $1.20.&#13;
LITERARY.&#13;
LETTER TO SANCHIA UPON THINGS AS THEY ARE :&#13;
Extracted from the Correspondence of MR. JOHN MAx-&#13;
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DEAD LETTERS. By MAURICE BARING. 243 pp. Bos-&#13;
ton : Houghton Mifflin. $1.25 n.&#13;
MISCELLANEOUS.&#13;
BROKEN EARTHENWARE. A Footnote in Narrative to&#13;
Professor William James's “The Varieties of Religious&#13;
Experience.” By HAROLD BEGBIE. New York and&#13;
Chicago : Revell. $1.25.&#13;
THE SINGING WOICE AND ITS TRAINING. By STIRLING&#13;
MACKINLAY. New York : Dutton. $1.25 m.&#13;
NATURAL HISTORY.&#13;
INSECT Won DERLAND. By CONSTANCE FOOT. With&#13;
illustrations by W. Q. ALLEN. New York : John Lane.&#13;
$1.25 m. .&#13;
POLICITAL.&#13;
THROUGH AFRO-AMERICA. By WILLIAM ARCHER. An&#13;
English reading of the race problem. New York :&#13;
Dutton. $3 m. - -&#13;
&#13;
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## p. (#676) ################################################&#13;
&#13;
264&#13;
TFIE AUTISIOR.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
—º-º-º-&#13;
€ $ YPNOTISM and Suggestion in Daily Life,&#13;
. Education, and Medical Practice,” is the&#13;
title of a new work by Dr. Bernard&#13;
Hollander, who has studied these subjects for&#13;
many years, both for purposes of scientific investi-&#13;
gation and for their practical utility in the&#13;
treatment of various diseases. Messrs. Pitman &amp;&#13;
Sons, Ltd., are the publishers.&#13;
Miss N. Smith Dampier's book, “Ballads from&#13;
the Danish and Original Verses,” was published&#13;
last month by Mr. Andrew Melrose.&#13;
There is shortly to be published in a popular&#13;
edition in America, by Messrs. Mitchell Kennerley,&#13;
Miss Winifred Graham's novel, “Mary,” a 1s.&#13;
edition of which has recently been published in&#13;
England by Messrs. Mills &amp; Boon, who are pub-&#13;
lishing, early in July, Miss Graham's new novel,&#13;
“The Enemy of Woman.”&#13;
Mr. Arthur H. Stockwell has published a new&#13;
novel by Mr. J. H. Brighouse, entitled, “With&#13;
Unseen Lips,” a tale of mystery and humour.&#13;
Miss Jetta S. Wolff, author of “Le Français en&#13;
Ménage,” and “Le Français en Voyage,” is&#13;
publishing a volume entitled “Pour la Patrie, et&#13;
autres Contes d'Enfants.” Mr. Edward Arnold&#13;
announces, also, the publication of Miss Wolff's&#13;
“Les Français d’Aujourd’hui.”&#13;
Mr. Michael Barrington, the author of “The&#13;
King's Fool,” whose last novel, “The Knight of&#13;
the Golden Sword,” was no mediaeval tale of&#13;
hazardous adventure, but a study of the political&#13;
conditions of England and Scotland at the time of&#13;
the Restoration and Revolution, has returned once&#13;
more to the Middle Ages; and Messrs. Chatto &amp;&#13;
Windus will publish in October his new romance,&#13;
“The Lady of Tripoli,” which portrays the soul's&#13;
history of a famous Troubadour Prince.&#13;
Mr. Richard Steel has just published a second&#13;
and revised edition of his book, “Imitation : The&#13;
Mimetic Function in Human Nature and in&#13;
Nature.” The writer approaches the subject from&#13;
many sides, starting with imitation in infant and&#13;
child life, continuing in education, in later youthful&#13;
life and early maturity. Other chapters deal with&#13;
imitation in ethics, religion and politics, in&#13;
language, poetry and the fine arts, in economics,&#13;
in heredity and inorganic matter, while in an&#13;
appendix the writer refers to imitation in the&#13;
reasoning process. Messrs. Young &amp; Sons in&#13;
Liverpool, and Messrs. Simpkin, Marshall &amp; Co.&#13;
in London, publish the book.&#13;
Mr. S. B. Banerjea is shortly publishing a serial&#13;
story, entitled “Miss Ray of Krishnagar,” which&#13;
will appear in a Madras paper. It will deal with&#13;
the Indian unrest, and point out wherein, in the&#13;
author's judgment, India’s peril lies.&#13;
Dr. A. K. Coomaraswaney has an article on&#13;
Indian Bronzes in the May number of the&#13;
Burlington Magazine.&#13;
Miss K. Everest's new song, “Wake up, Eng-&#13;
land l’’ (a copy of which was graciously accepted&#13;
by H.M. the King) is now published by Stanley&#13;
Webb, 10, Museum Street, W.C.&#13;
We have just received Wol. III. of “Travel and&#13;
Exploration,” comprising the monthly issues from&#13;
January to June, 1900. The volume is copiously&#13;
illustrated from photographs which are well repro-&#13;
duced, and contains many articles scarcely less&#13;
interesting to the “home-bird” than to the&#13;
traveller. Messrs. Witherby &amp; Co., of 326, High&#13;
Holborn, W.C., are the publishers, and Mr. E. A.&#13;
Reynolds-Ball the Editor of this volume.&#13;
Messrs. Methuen &amp; Co. are just issuing a book&#13;
of Anecdotes of Big Cats and other Beasts, by&#13;
Mr. David Wilson.&#13;
Mrs. Champion de Crespigny’s new book is to&#13;
be published by Messrs. Mills and Boon in August.&#13;
It is called “The Walley of Achor,” and deals with&#13;
modern life. The scene of the story is laid in&#13;
England.&#13;
Rev. Telford Warley, B.Sc., who wrote the text&#13;
of “Hampshire" for Messrs. Black's series of&#13;
“Colour-Books,” has expanded the section in the&#13;
book dealing with Winchester and its immediate&#13;
surroundings, and it will be published in separate&#13;
form with a scene of Mr. Wilfrid Balls' illustra-&#13;
tions from “Hampshire.”&#13;
During the past month, the Abbey Theatre&#13;
Company, under the management of Lady Gregory&#13;
and Mr. W. B. Yeats, has been on a visit to&#13;
London. Among the members of the society&#13;
whose plays have been staged at the Court Theatre&#13;
are Mr. William Boyle, Lord Dunsany, Lady&#13;
Gregory, and Mr. W. B. Yeats.&#13;
Mr. Boyle's comedy, “The Eloquent Dempsy,”&#13;
and Lord Dunsany's piece, “The Glittering Gate,”&#13;
were produced on June 6; Lady Gregory's three-&#13;
act play, “The Image,” on June 1, followed&#13;
by her one-act play, “The Rising of the Moon”;&#13;
while Mr. Yeats’ “ Kathleen ni Houlihan,”&#13;
followed Lady Gregory’s “Workhouse Ward,” on&#13;
June 3.&#13;
The late Mr. J. M. Synge's “Playboy of the&#13;
Western World” was also included in the com-&#13;
pany's répertoire. The company's cast includes&#13;
Miss Sarah Allgood, Mr. J. A. O’Rouke, Miss&#13;
Eileen O'Doherty, and Mr. Sydney J. Morgan.&#13;
Mrs. Angelo Savi's little sketch, “Love is&#13;
Passing,” was produced for the first time by Mr.&#13;
Clive Currie at the Rehearsal Theatre, Maiden&#13;
Lane, on May 23, before a crowded house.&#13;
“The Image,” a new play in three acts by Lady&#13;
&#13;
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&#13;
TFIE AUTISIOR.&#13;
265&#13;
Gregory, was produced at the Court. Theatre, on&#13;
June 1. In the cast were Arthur Sinclair, Fred&#13;
O'Donovan, and Miss Sara Allgood.&#13;
Mr. Henry Arthur Jones's comedy, “The Case of&#13;
Rebellious Susan,” was revived at the Criterion&#13;
Theatre early last month. Sir Charles Wyndham,&#13;
Miss Mary Moore, Miss Ellis Jeffreys, and Mr.&#13;
Sam Sothern were in the cast.&#13;
Miss Myra Swan appeared at the Grand Opera&#13;
House, Middlesbrough, on May 9, as Kitty in&#13;
“The Marriage of Kitty,” with Mr. C. W.&#13;
Standing and Miss Winifred Pearson, and is now&#13;
On tour. -&#13;
&amp; —º- a&#13;
w —sº- -&#13;
PARIS NOTES.&#13;
—º-º-º-&#13;
HE late Jules Renard was a member of the&#13;
Goncourt Academy. He was a comparatively&#13;
young man, so that the news of his death&#13;
came as a surprise to all, but his intimate friends.&#13;
He was a literary man in the best sense of that&#13;
term. His originality consisted in transcribing&#13;
life as he saw it. With Jules Renard there was no&#13;
seeking for effect, no novels written for the sake of&#13;
preaching a theory. He saw nature as it is, and&#13;
human beings as they are, and he endeavoured to&#13;
show them to us. He was a great lover of the&#13;
country and of the simple life.&#13;
In England, Jules Renard was known by his&#13;
famous play, Carrots. He painted the peasants&#13;
of Central France admirably. He was essentially&#13;
a realist, but there was poetry in his realism. One&#13;
of his critics very aptly calls him the Bastien&#13;
Lepage of literature.&#13;
The second volume of the “Correspondance du&#13;
duc d'Aumale et de Cuvillier Fleury' has just&#13;
appeared. It has been compiled by M. Limbourg,&#13;
and has a preface by M. René Wallery-Radot. It&#13;
commences in 1848, when the Duc d'Aumale and&#13;
the Prince de Joinville join the exiled royal family.&#13;
In a series of letters we have an account of many&#13;
tragic events. In 1850 there is the death of the king;&#13;
then the Crimean War ; the death of the Duchesse&#13;
de Nemours and of the Duchesse d’Orléans, and&#13;
the Italian war.&#13;
Pierre Mille has accustomed us to expect from&#13;
his pen true pictures of colonial life, and of the&#13;
difficulties of the Westerner in his dealings with&#13;
the extreme Orient. His stories are tragic and&#13;
pathetic, with a fine vein of humour running&#13;
through them. Barnavaux is a very living&#13;
personage to all who have read Pierre Mille's last&#13;
volumes. “La Biche écrasée '' is the title of this&#13;
new book of short stories. The author shows&#13;
himself here in a new light. He is a keen observer&#13;
always, and he handles his subjects with delicacy,&#13;
but he paints his pictures in this volume wherever&#13;
he finds a good subject. “La Biche écrasée,”&#13;
which gives its title to the volume, is merely an&#13;
episode, too slight even to be called a story. There&#13;
is no attempt at criticism of the things described,&#13;
no moral given to us in words, but just a touch&#13;
with the brush of an artist, showing up in a&#13;
few strokes all the cruelty and the pity of the&#13;
incidents described, the crushing of the weak by the&#13;
strong, the barbarism of our vaunted civilisation.&#13;
“Le Bon Père,” in the same book, is veiled satire&#13;
on our social system. “Repos hebdomadaire ‘’&#13;
shows us the utility of voting laws. “Le Secret ’’&#13;
is a tragic domestic episode, and “La Peur” a&#13;
weird story told by a sculptor. There are in all&#13;
about twenty of these short stories, all told in the&#13;
concise, dramatic way which is the secret of Pierre&#13;
Mille.&#13;
“Trois amies de Chateaubriand ” is the title of&#13;
a charming book by André Beaunier. It is both.&#13;
historical and romantic. The three principal&#13;
persons of whom the author writes are Pauline de&#13;
Beaumont, Juliette Récamier and Hortense Allard.&#13;
The other friends are Delphine de Custine, Nathalie&#13;
de Noailles and Madame de C. The love affairs of&#13;
Chateaubriand have tempted the pen of many&#13;
writers but there is always something fresh to tell,&#13;
and André Beaumier has obtained fresh information&#13;
from many sources.&#13;
“La Brèche,” by Bradais one of the most dramatic&#13;
of this popular author's novels. The story is based&#13;
on one of those cruel problems so difficult for mere&#13;
on-lookers to solve. The characters immediately&#13;
concerned in this problem solve it for themselves&#13;
in Brada's story, knowing full well the sacrifices&#13;
that they must be prepared to make. Their life is&#13;
one long effort to bear the burden themselves,&#13;
silently and uncomplainingly. Circumstances&#13;
occur which make it necessary for others to share&#13;
their secret. They pay to the uttermost farthing&#13;
the penalty of what by some people would be&#13;
deemed a sin and by others the only natural solu-&#13;
tion to their problem. The story is admirably&#13;
told and each character is a living personage.&#13;
There is atmosphere in every scene, common sense&#13;
mingled with romance, and a fine robust philosophy&#13;
of life pervading the whole story.&#13;
Madame Emilio de Bobadillo, the wife of the cele-&#13;
brated Spanish writer (Fray Candil), has completed&#13;
her series of lectures in Paris on Spanish art. She&#13;
has spoken of Velasquez, Murillo and Zurbaran,&#13;
and her lectures have been illustrated by dissolving&#13;
views of the pictures of which she has spoken. She&#13;
is to repeat these lectures at Brussels in French,&#13;
and she will give them later on in London in&#13;
English.&#13;
&#13;
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## p. (#678) ################################################&#13;
&#13;
266&#13;
TISIE AUTISIOR.&#13;
In the Revue des Deua, Mondes there is an&#13;
extremely interesting article by M. Georges Goyau&#13;
on “Bismarck et la Papauté.”&#13;
A number of articles on Roosevelt have appeared&#13;
in the various French reviews. “Théodore Roose-&#13;
velt et la Constitution américaine,” by M. René&#13;
Millet, French Ambassador, in L'Opinion&#13;
(April 23). “Le Président Roosevelt,” by M.&#13;
Fanin Roy, in the April number of France-&#13;
Amérique. “Le vrai Roosevelt,” by M. Gulglielmo&#13;
Ferrero, in Le Figaro.&#13;
In La Revue hebdomadaire M. René Moulin has&#13;
been writing some articles on “Force et Faiblesse&#13;
de la Jeune Turquie.” M. Frantz Funck-Brentano&#13;
on “L’Eglise de France et la Révolution.”&#13;
ALYS HALLARD.&#13;
“Correspondance du duc d'Aumale et de Cuvillier&#13;
Fleury” (Plon).&#13;
“La Biche écrasée" (Calmann-Lévy).&#13;
“La Brèche" (Plon).&#13;
a—º- a&#13;
w-v-w&#13;
PUBLISHERS’ AGREEMENTS.&#13;
—º-º-º-&#13;
I.&#13;
HE offer that we print below was made&#13;
| recently by Mr. John Long to a member of&#13;
our society.&#13;
Dear 5&#13;
It is much to be regretted that the sales of your&#13;
two novels have not come up to our expectations,&#13;
and, in the over-crowded state of the fiction market,&#13;
it is difficult to know what to do with the above.&#13;
The tale is certainly well written, but then, on the other&#13;
hand, there is always a large number of well-written tales&#13;
before the public. Its publication must, therefore, be&#13;
attended with the greatest risk, but, as I have already&#13;
published two of your books, I should like to try a third,&#13;
only, however, on the clear and distinct understanding&#13;
that I have the first refusal of your next nine new novels,&#13;
which, if accepted, shall be published on the terms set out&#13;
below.&#13;
I understand you are not prepared to further finance&#13;
your literary work. Therefore I am willing to buy the&#13;
copyright of the present one for £15, and, over and above&#13;
that sum, find all the money for publishing it. I should&#13;
also find all the money for publishing the other nine new&#13;
novels.&#13;
TERMS FOR THE SAID NINE Nov FLS.&#13;
NOS. 1, 2, and 3.&#13;
6s. Edition 1s. per copy, after the sale of the first nine&#13;
hundred copies.&#13;
Colonial Edition 2d. per copy, after the sale of the&#13;
first four hundred copies.&#13;
Sevenpenny Cloth Edition (if any) 3d. per copy on all&#13;
Sales.&#13;
Siapenny Edition (if any) 15s. per thousand Sales.&#13;
Cheaper Edition or Editions, except above (if any) 5&#13;
per cent. of the nominal published price on all&#13;
copies sold.&#13;
American, Foreign, and Serial Rights (if any) 25 per&#13;
cent. of the net sum received.&#13;
NOS. 4, 5, and 6.&#13;
68. Edition Is. per copy, after the sale of the first five&#13;
hundred copies.&#13;
Colonial Editions 2d. per copy, after the sale of the&#13;
first three hundred copies.&#13;
Other Royalties as for Nos. 1, 2, and 3.&#13;
Nos. 7, 8, and 9.&#13;
68. Edition 18, per copy, after the sale of the first four&#13;
hundred copies.&#13;
Colonial Edition 2d. per copy, after the sale of the&#13;
first two hundred copies.&#13;
Other Royalties as for Nos. 1, 2, and 3.&#13;
It must be clearly understood that the royalties on the&#13;
68. edition of each of the above nine novels are to be paid&#13;
only if the book is to be published at the outset at this&#13;
price. If not, then as regards Nos. 1, 2, and 3 the royalty&#13;
to be 10 per cent. after the sale of the first 1,750. As to&#13;
Nos. 4, 5, and 6, 10 per cent. after the sale of the first 1,000,&#13;
and, as regards Nos. 7, 8, and 9, 10 per cent. after the sale&#13;
of the first 750 copies.&#13;
I am bitterly opposed to novels being published at less&#13;
than 68, at the commencement, but we must provide for all&#13;
eventualities in the publishing world, where, undoubtedly,&#13;
the trend is for cheapness. -&#13;
Each tale to be of present day life, with plenty of love&#13;
. incident, and to contain not less than 80,000 words&#13;
€2,CIl.&#13;
Two novels of yours to be published yearly about January&#13;
#. Jº and delivery to take place during September and&#13;
2.TCI). -&#13;
On hearing favourably from you I will send you the&#13;
cheque for £15, also the agreement.&#13;
Faithfully Yours,&#13;
(Signed) JOHN LONG.&#13;
We have printed previously in The Author&#13;
somewhat similar offers from the same publisher.&#13;
In order to put the case clearly before the members&#13;
of our society, we will consider the case of a single&#13;
book, and assume that an edition of 1,500 copies&#13;
is printed and that 900 of these are sold in the&#13;
English edition, 400 are sold in the Colonial&#13;
edition, and 100 are given away for review and other&#13;
purposes, leaving an unsold remainder of 100&#13;
copies. The result from the financial point of&#13;
view would then be roughly as follows: the sale of&#13;
900 copies would bring the publisher about £150 ;&#13;
the sale of 400 copies to the colonies in sheets might&#13;
bring the publisher, say, another £20, so that, if the&#13;
first edition was sold out, the publisher would have&#13;
obtained £170 and the author nothing. The pub-&#13;
lisher would, after covering the cost of production&#13;
and advertising, have been able to put from £40&#13;
to £50 into his own pocket. Probably he would&#13;
make this sum in six months, and thus have the&#13;
opportunity of turning over his capital at a hand:&#13;
some profit twice in the year. It will be noticed&#13;
that, even with a sale of much smaller numbers,&#13;
the percentage on his capital is ample. This, then,&#13;
if the book has a fair sale, is a good bargain for&#13;
the publisher but a very bad one for the author.&#13;
We would only add that, while it is a mistake&#13;
for an author to bind himself to a publisher for&#13;
more than one book, to bind himself for nine&#13;
books is disastrous. An author should make his&#13;
&#13;
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## p. (#679) ################################################&#13;
&#13;
TISIE AUTISIOR.&#13;
267&#13;
publisher an agent for the publication of the work&#13;
in book form only, subject to limitations of time,&#13;
price, country, and number of edition. To hand&#13;
over to a publisher other rights may be as&#13;
disastrous as handing over the publication of more&#13;
than one volume.&#13;
II.&#13;
The next agreement, to which we desire to draw&#13;
attention, is a common form of agreement issued&#13;
by Messrs. George Allen &amp; Sons. We print this&#13;
document at length :—&#13;
MEMORANDUM OF AGREEMENT made the day of&#13;
19 , between , hereinafter referred to as the&#13;
author of the one part and , hereinafter referred to&#13;
as the publishers of the other part, whereby it is mutually&#13;
agreed between the parties thereto for themselves and&#13;
their respective heirs, successors, executors, and assigns, as&#13;
follows:–&#13;
1. The publishers will, at their own expense, produce&#13;
and publish the author's work at present entitled&#13;
consisting of about thousand words.&#13;
2. The author will deliver the complete manuscript to&#13;
the publishers on or before next. (This is of the&#13;
essence of the contract.) And the publishers undertake to&#13;
issue the work not later than º&#13;
3. The copyright is hereby vested in the publishers, who&#13;
shall have the entire control of the publication and terms&#13;
of sale of the work, and the author shall not, without the&#13;
consent of the publishers, publish any abridgment, trans-&#13;
lation, or dramatised version of the work.&#13;
4. The publishing price in England of the first edition of&#13;
the work shall not be less than , and the publishers&#13;
shall pay the following royalties, i.e.,&#13;
The author shall be entitled during the continuance of&#13;
the copyright to a royalty of per cent. of the pub-&#13;
lished price of all copies sold in Great Britain up to&#13;
copies. -&#13;
A royalty of&#13;
British Colonies.&#13;
A royalty of per cent. of the published price of all&#13;
copies exported to America, or, if the book be copyrighted&#13;
there, to one half the total amount received from the&#13;
American publishers.&#13;
A royalty of 10 per cent. on the amount realised in the&#13;
event of the book being sold as remainders.&#13;
5. Accounts shall be made up annually as on the 31st&#13;
December and shall be settled on or before the 30th April&#13;
following. In taking the accounts thirteen copies shall be&#13;
reckoned as twelve (or twenty-five as twenty-four, as the&#13;
case may be); copies supplied for review and presentation&#13;
shall not be subject to royalty; and author's corrections&#13;
exceeding an average cost of shillings per sheet of&#13;
thirty-two pages shall be at the author's expense and be&#13;
deducted from the author's royalty. The author shall be&#13;
entitled to copies of the work free of charge.&#13;
6. The author guarantees that the work does not infringe&#13;
the copyright of any other person, and that it contains&#13;
nothing of a Scandalous character, and will indemnify the&#13;
publishers from all loss, costs, and damages for actual or&#13;
alleged infringement of copyright, libel, or otherwise, in&#13;
consequence of or arising out of the publication of the&#13;
work.&#13;
7. The author during his life shall, on the publishers'&#13;
request, Tevise, and if necessary edit, and prepare for the&#13;
press all future editions which the publishers shall decide&#13;
to publish, and from time to time supply any new matter&#13;
that may be needful to keep the work up to date. In the&#13;
event of the author's death, or of his inability, by reason of&#13;
}&#13;
pence per copy on all sold in the&#13;
illness, absence from England, or otherwise, to do so, the&#13;
cost of such revision and preparation shall be borne&#13;
equally by the author or his representatives, and the pub-&#13;
lishers and the author's share of such cost shall be a charge&#13;
upon and be deducted from the author's royalty.&#13;
8. If the publishers shall, after the whole of the first or&#13;
any later edition shall have been sold, and after not less&#13;
than six months' notice in writing from the author,&#13;
decline or neglect to publish a new edition, they shall at&#13;
the author's cost assign the copyright to the author ; and&#13;
in case of such assignment the author shall take over all&#13;
plates, stones, blocks, moulds, etc., specially made for the&#13;
work and which could be used for the production of&#13;
another edition, at two-thirds of the original cost.&#13;
9. The expression “the publishers” shall be deemed to&#13;
include, where the context so admits, the person or persons&#13;
for the time being constituting the firm of e&#13;
AS WITNESS the hands of the author and of the said firm&#13;
Of by two of its members.&#13;
No author can be recommended to sign this&#13;
agreement as it stands. Many publishing firms&#13;
issue agreements drawn distinctly in their favour,&#13;
but when they find that the author has full know-&#13;
ledge of the clauses likely to prove oppressive,&#13;
they are generally willing to make modifications&#13;
and not infrequently to accept all or most of the&#13;
author's emendations and alterations.&#13;
In this particular case the firm which issued&#13;
this agreement stated, so we are informed, that no&#13;
publisher nowadays thinks of entering into an&#13;
agreement with an author unless the author con-&#13;
sents to transfer his copyright. In actual fact the&#13;
exact opposite is the case.&#13;
In the first instance let us consider the parties.&#13;
The agreement should be made between the author&#13;
and the publisher only. The contract should be&#13;
personal to the publisher and should not be with&#13;
his respective heirs, executors, successors and&#13;
assigns. Clause 1 does not call for any particular&#13;
comment, but in clause 2 the inequality of the&#13;
agreement is immediately evident. The publisher&#13;
seeks to bind the author to deliver the MS. by a&#13;
fixed date and to make time the essence of the&#13;
contract, but there is no corresponding obligation&#13;
on his part to make time the essence of the&#13;
contract when the question arises as to the&#13;
date of publication. If it is important for&#13;
the publisher that time should be made the&#13;
essence of the contract it is even more important&#13;
for the author. Clause 3 is a clause to which&#13;
particular attention should be drawn. The author&#13;
should never transfer his copyright to a publisher.&#13;
How often has this statement been made in these&#13;
columns ! But so long as publishers insist upon&#13;
inserting clauses of this kind in their agreements,&#13;
so long must the repetition of the formula be&#13;
printed : “The author must never transfer his&#13;
copyright to the publisher.” The reasons for&#13;
this are manifold, but it is not necessary to&#13;
repeat them at the present time. The author&#13;
should grant to the publisher a licence to publish&#13;
&#13;
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## p. (#680) ################################################&#13;
&#13;
268&#13;
TISIE AUTISIOR.&#13;
the work in book form only, at a fixed price and&#13;
in a form to be mutually agreed between the parties.&#13;
The latter part of clause 3 we have met in other&#13;
agreements. It may be reasonable that the author&#13;
should not be permitted to publish an abridgment of&#13;
his work without the consent of the publisher, if&#13;
such abridgment is likely to detract from the&#13;
value to the publisher of his contract, but that the&#13;
author should not be allowed to publish a trans-&#13;
lation or dramatised version of his work is an absurd&#13;
prohibition. To the ordinary author, who trusts&#13;
his publisher, it might appear that he had merely to&#13;
inform the publisher that he had received an offer&#13;
for such translation or dramatisation, and the pub-&#13;
lisher would, as a matter of course, without any&#13;
demur, grant his consent. We have, however, met&#13;
a publisher—not the one whose agreement is before&#13;
us—who has, in such circumstances, withheld his&#13;
consent until the author agreed to give him 50 per&#13;
cent. of the profits. The words must, therefore, be&#13;
struck out of the clause. In clause 4 it is quite&#13;
right that the published price should be settled, but&#13;
not for the first edition only. The publisher should&#13;
only be granted a licence to publish at agreed&#13;
prices. It will be noticed in clause 4 that although&#13;
the author has sold the copyright to the publisher,&#13;
there is no stipulation made for any payment to&#13;
the author if the work is placed serially, or if the&#13;
publisher chooses to sell translation rights. The&#13;
royalties to be paid are only on the English,&#13;
Colonial, and American editions, and in the last-&#13;
mentioned case, supposing the author, by his own&#13;
unaided efforts, succeeds in obtaining American&#13;
copyright, he will have to pay half the total amount&#13;
to the publishers. In the last paragraph of the&#13;
clause the author should be given a larger measure&#13;
of control. The publisher should not be allowed to&#13;
remainder when he likes without considering the&#13;
author's position. The account clause, again, is&#13;
very unsatisfactory, for if the book were published in&#13;
January—a not uncommon month in which to pub-&#13;
lish books—the author would not receive any money&#13;
until the following April year. As the largest sales&#13;
of a book occur during the first three or four&#13;
months, the publisher would hold the author's&#13;
money for twelve months. One enterprising&#13;
author has worked out an interesting mathematical&#13;
sum by which he shows how a publisher, by means&#13;
of an account clause drawn on these lines, could&#13;
run the expenses of his business on moneys belong-&#13;
ing to authors which he had in hand. . The ques-&#13;
tion of thirteen copies being reckoned as twelve&#13;
in the rendering of accounts has been explained&#13;
over and over again in these columns. We do&#13;
not desire to repeat the warning. Clause 7 should&#13;
be deleted entirely. The author of the work alone&#13;
should have the right of revision. The clause as to&#13;
revision refers only to technical books and Scientific&#13;
works et hoc genus omne which necessarily require&#13;
to be re-edited with the development of knowledge&#13;
or the alteration of methods. If the author desires&#13;
to retain control as to revision, then he should&#13;
limit the publisher, in the first clause, not only to&#13;
the right of publication in book form at a fixed&#13;
price but also to a limited edition. He can always&#13;
offer the publisher the option of producing further&#13;
editions, subject to any revisions or alterations he&#13;
may desire incorporated. The clause as it stands&#13;
must, as we have remarked, be deleted. Clause 8&#13;
would be unnecessary if the agreement were drawn&#13;
on the lines we have suggested, but if the author&#13;
has sold the copyright to the publisher, and the&#13;
latter chooses to assign it to some other house, it&#13;
is not likely that the assignee will be bound by&#13;
clause 8, and, in any event, that the book should&#13;
be out of print for six months is very unsatisfactory&#13;
to the author. The publisher should be bound,&#13;
in order to show his bona fides, to publish a new&#13;
edition of at least five hundred copies, and the&#13;
author should not be bound to take over the&#13;
moulds, stones, etc. He might have the option of&#13;
taking them over at a valuation. If he takes&#13;
them over at two-thirds cost, first, they may not&#13;
be in good condition, and secondly, he is practically&#13;
insuring the publisher against any loss from the&#13;
publication of the book. Clause 9 should be&#13;
deleted for the reason given at the beginning of&#13;
this article.&#13;
—e—º-e—&#13;
MAGAZINE CONTENTS.&#13;
—e-º-e—&#13;
BOOKMAN.&#13;
The Humour of Mark Twain. By Barry Pain. *&#13;
Mark Twain, The Man and The Jester. By Walter&#13;
Jerrold. - .&#13;
Thomas Hardy.&#13;
ENGLISH REVIEW.&#13;
The Handling of Words : Meredith. Henry James&#13;
By Vernon Lee. - -&#13;
The Dramatic Sense. By Gilbert Cannan.&#13;
Through the French Salons. By C. F. Keary.&#13;
The Women of Shakespeare. By Frank Harris.&#13;
FORTNIGHTLY.&#13;
Tourguenieff. By Francis Gribble.&#13;
Tourguenieff and the Life Illusion.&#13;
Curle.&#13;
A Philosophic Emperor.&#13;
Wm. Quiller Orchardson.&#13;
Walt Whitman—the Poet of Nature.&#13;
M.D.&#13;
Sterne's Eliza. By Lewis Melville.&#13;
The Last Meeting with Bjornson.&#13;
NATIONAL.&#13;
Lyttelton as a Man of Letters. By Austin Dobson.&#13;
A King of Manuscript Collectors. By W. Roberts.&#13;
A Poet’s Prose. By Mrs. T. A. Trollope.&#13;
By Richard H. P.&#13;
By W. L. Courtney.&#13;
By Mrs. Alec Tweedie.&#13;
By J. Johnston,&#13;
&#13;
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## p. (#681) ################################################&#13;
&#13;
TISIE AUTISIOR.&#13;
269&#13;
HOW TO USE THE SOCIETY.&#13;
—e-C-0–&#13;
1. WERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
- lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society’s work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
This&#13;
7. Many agents neglect to stamp agreements.&#13;
The&#13;
must be done within fourteen days of first execution.&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
a –a– a&#13;
v-v-w&#13;
WARNINGS TO THE PRODUCERS&#13;
- OF BOOKS,&#13;
—e-Q-e—&#13;
ERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :—&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a preper price can be&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,”&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights. -&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor |&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
What the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IV. A Commission Agreement.&#13;
The main points are :—&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
In 62, DS. -&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
—e—º-e—&#13;
WARNINGS TO DRAMATIC AUTHORS,&#13;
EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:—&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
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## p. (#682) ################################################&#13;
&#13;
270&#13;
TFIE AUTISIOR.&#13;
(b.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties. (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event.&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time, This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed-&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
—A- a&#13;
~~&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
–0-sº-0–&#13;
It is extremely&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
Sº typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario, thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 28. 6d. per act.&#13;
—º-º-º-&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. . As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
—e—Q-e—&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musica)&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with—performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
—e—sº-0–&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members’ stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
—e—Q-e—&#13;
THE READING BRANCH,&#13;
——e-e—&#13;
EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
—º-&#13;
REMITTANCES.&#13;
—º-º-º-&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
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## p. (#683) ################################################&#13;
&#13;
TISIE AUTISIOR.&#13;
271&#13;
GENERAL NOTES.&#13;
—º-º-º-&#13;
MEMBERS are reminded that The Author is not&#13;
published in August or September. The next issue&#13;
will appear in October.&#13;
GOGOL CENTENARY, 1909.&#13;
THE Russian “Society of the Friends of Russian&#13;
Iliterature" has very courteously sent us the&#13;
Official Report of the Centenary of Gogol. The&#13;
volume contains a very full record of the pro-&#13;
ceedings on the actual centenary of the birth of&#13;
Gogol, March 29, and on the three days of the&#13;
festivities, April 26, 27, and 28, 1909. The&#13;
unveiling of the Gogol Memorial Statue at Moscow&#13;
took place on April 26, having been preceded by a&#13;
solemn requiem mass in the Cathedral of the&#13;
Saviour. A considerable number of papers on&#13;
Gogol were read during the festivities, and will be&#13;
welcomed by the students of Russian literature as&#13;
substantial additions to what has been hitherto&#13;
known of the celebrated novelist. After a com-&#13;
plete record of all the letters of congratulation and&#13;
sympathy (accompanied in the case of those in&#13;
foreign languages by Russian translations) received&#13;
by the committee, the volume concludes with a list&#13;
of the memorial wreaths offered. Two illustrations&#13;
present a portrait of Gogol and a view of the&#13;
Gogol Memorial Statue. The letter of the “Society&#13;
of Authors” will be found on page 245.&#13;
AUTHORS AND PUBLISHERS.&#13;
WE are interested to see that authors and pub-&#13;
lishers met in friendly rivalry on Lord's Cricket&#13;
Field on Derby Day, June 1. The match was&#13;
just too late to chronicle in the June number, but&#13;
we must even at this late date congratulate the&#13;
authors who were successful, though the match was&#13;
an exciting one. Mr. Snaith and Mr. Hesketh&#13;
Prichard made the highest scores for the authors ;&#13;
Mr. Dene and Mr. Longman for the publishers.&#13;
As far as the bowling was concerned, Mr. Hesketh&#13;
Prichard and Mr. Irwin divided the honours for&#13;
the authors, and Mr. Longman took the largest&#13;
number of wickets for the publishers.&#13;
In the second innings, there was one century&#13;
scored on behalf of the authors by Mr. R. B. J.&#13;
Scott, but the match had to be decided on the&#13;
first innings.&#13;
So accustomed is the public to give precedence&#13;
to the publishers that we note with some amuse-&#13;
ment that the heading of the cricket cards issued&#13;
on the ground runs “Publishers and Authors.”&#13;
We are glad that the authors upset this position as&#13;
far as the result of the match is concerned.&#13;
THE PRESIDENT OF THE SOCIETY&#13;
AT the first meeting of the Committee after the&#13;
seventieth birthday of the President of the Society,&#13;
Mr. Thomas Hardy, the Committee, as representing&#13;
the members of the Society, decided to send Mr.&#13;
Hardy a letter of congratulation. We have much&#13;
pleasure in printing below the letter that has been&#13;
forwarded under the signature of the Chairman of&#13;
the Committee, Mr. Maurice Hewlett, in accordance&#13;
with this resolution :-&#13;
“10th June, 1910.&#13;
“MY DEAR HARDY,--I find that the Committee of our&#13;
Society, in my absence, has laid upon me the happy duty&#13;
of congratulating you upon your recent seventieth birthday.&#13;
This I do now, and heartily, in the name of us all. It is a&#13;
matter of pride to me that it has fallen within my term of&#13;
office to invite you to the Presidency of the Authors’&#13;
Society and to have received your acceptance of the post.&#13;
Collectively now, as individually always, we writers are&#13;
able to follow and rejoice in your successes. You have set&#13;
us from the very outset an example of literary sincerity and&#13;
honour which, apart from your genius, cannot have failed&#13;
to inspire and enhearten every one of us. It is a great&#13;
matter for us, and for those who yet remain outside our&#13;
body, that you should celebrate your seventieth year of life&#13;
by the publication of a book of beautiful and stirring&#13;
poetry. We look forward with confidence to further&#13;
volumes, and sincerely wish you the health and vigour to&#13;
accomplish what your mind may conceive.&#13;
“Believe me to be, my dear Hardy,&#13;
“Yours ever sincerely,&#13;
“(Signed) MAURICE HEWLETT.”&#13;
—e—º-e—&#13;
UNITED STATES NOTES.&#13;
—º-º-º-&#13;
HE death of Mark Twain on April 21 over-&#13;
shadows everything else in the recent&#13;
annals of American literature, for Mr.&#13;
Clemens was a national institution like Abraham&#13;
Lincoln and Mr. Roosevelt, and was a typical&#13;
American in other ways as well as a humorist.&#13;
Before he commenced writing he had been painter,&#13;
able editor, a pilot on the Mississippi, a confederate&#13;
soldier, a miner. “Huckleberry Finn,”, “ Tom&#13;
Sawyer,” “Roughing It,” and the travel books,&#13;
long ago anticipated that “Autobiography” which&#13;
is yet to come. It must also be said that if he&#13;
was American in energy, versatility, acuteness, and&#13;
humour, he was also American in superficiality&#13;
and deficiency in the aesthetic sense. He was not&#13;
content to hate humbug, he must"also contemn&#13;
what he could not appreciate ; he had but little&#13;
power of self-criticism.&#13;
But if he was not precisely a great man, or even&#13;
perhaps a great writer, he had elements of greatness&#13;
both in his life and his work.&#13;
The spontaneity of his humour by itselfgave him&#13;
high rank amongst men of letters ; whilst the&#13;
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## p. (#684) ################################################&#13;
&#13;
272&#13;
TISIE AUTISIOR.&#13;
noble struggle which he made when entering upon&#13;
old age to retrieve the failure of the Webster&#13;
fiasco justifies a comparison with that of a great&#13;
British author a century before. But Mark Twain&#13;
was in this respect even more successful than&#13;
Scott ; for he lived to see the fruit of his labours,&#13;
and to enjoy an abundantly honoured old age. It is&#13;
highly satisfactory to have the statement of the&#13;
Harpers that his daughter is amply provided for.&#13;
His other literary executor, besides Mrs.&#13;
Gabrilowitsch, is Mr. Albert Bigelow Paine.&#13;
We take this somewhat tardy opportunity of&#13;
congratulating the Dial on its thirtieth birthday.&#13;
The chorus of good wishes which came from east&#13;
and west, old and young, must have been very&#13;
pleasant to our contemporary to print ; it formed&#13;
the best of all possible testimonials to the apprecia-&#13;
tion which is felt for the Chicago organ as a force&#13;
in literature.&#13;
Mr. Charles Leonard Moore, in the anniversary&#13;
number of the paper, has an interesting article&#13;
upon “The Interregnum of American Literature.”&#13;
He traces the existing “comparative dulness and&#13;
poverty" more to an appetite for the didactic than&#13;
to “the preaching and practice of the dogma of&#13;
realism "; blames the magazines (justly, in our&#13;
opinion) for their levelling-down tendencies; but&#13;
makes his “last indictment " the fact that of&#13;
late literature “has been edited for women.” He&#13;
but&#13;
finds signs of improvement in our prose ;&#13;
concludes wisely that “until we believe in poetry&#13;
again, we shall not be saved.”&#13;
Meanwhile there comes a wail from Boston over&#13;
the way editors get hold of promising fiction-&#13;
writers and turn them on to other and more lucra-&#13;
tive tasks, filling up their places with the detective&#13;
story and “the frankly farcical adventures of&#13;
missionaries in cannibal lands.” But the Wation&#13;
leader-writer, like Mr. Moore, discerns indications&#13;
of a return to better things; and we trust that he&#13;
will prove right.&#13;
New York, through the Bookman, contributes&#13;
“The Confessions of a Literary Drummer,” who&#13;
relates his efforts to sell books by describing them&#13;
according to the methods of Walter Pater and&#13;
Henry James. He tells how he heard a fellow-&#13;
traveller give “the straight dope ’’ to a customer&#13;
and beheld the latter's nodding assent. “This&#13;
novel here is merchandise, and you want a hundred&#13;
copies; this is literature, and one will about do&#13;
you.” The testimony of a buyer in a big depart-&#13;
ment store, one Hammelstein, was to the same&#13;
effect ; he bought “novels of genuine literary&#13;
merit” one at a time, and this Hammelstein was&#13;
one whose aim was “to pick the winners.”&#13;
Another customer, who was discovered in his&#13;
cellar, allowed “there was quite a movement among&#13;
some of the married ladies of the town to get their&#13;
husbands to stay at home and read novels instead&#13;
of playing poker down at the Elks' Club "; but,&#13;
he added, “that's sorter died out.”&#13;
And at the last, we are told how the poor&#13;
“drummer’’ capitulates to commercialism and&#13;
drops Pater and Mr. James.&#13;
It has been announced that Booth Tarkington's&#13;
father is also among the authors, he being identical&#13;
with John Steventon, author of “The Hermit of&#13;
Capri,” issued some time since by the Harpers.&#13;
Two books by sailors stand out among spring&#13;
publications. Rear-Admiral Chadwick has written&#13;
a useful account of “The Relations of the United&#13;
States and Spain,” which has historical merit,&#13;
though it is naturally based chiefly on American&#13;
material and requires supplementing from the other&#13;
side.&#13;
In his “Admiral’s Log,” Robley D. Evans con-&#13;
tinues his breezy Recollections. Amongst other&#13;
things, he tells how, before he set out for his&#13;
Eastern cruise, President Roosevelt said that he&#13;
sailed “with the confidence of the President more&#13;
completely than any admiral ever did before,” and&#13;
bade him realise his responsibility if the cruise&#13;
should not turn out peaceful. The Admiral's account&#13;
of his interview with the Dowager Empress of&#13;
China is still more remarkable.&#13;
In his “Recollections of a Varied Life " George&#13;
Cary Eggleston draws a very attractive picture of&#13;
Virginian life before the war, and later on narrates&#13;
many anecdotes of his literary and journalistic&#13;
career. An interesting feature is the more favour-&#13;
able estimate than that usually current which is&#13;
given of Bryant, to whom the author was assistant&#13;
on the New York Evening Post.&#13;
Miss Lois Kimball Matthews's book, “The&#13;
Expansion of New England” is a substantial con-&#13;
tribution to history, written in a clear and unpre-&#13;
tending style, and illustrated by numerous excellent&#13;
maps. -&#13;
Winston Churchill, like so many other novelists,&#13;
has attacked the American marriage question. His&#13;
latest work, “A Modern Chronicle,” is admitted on&#13;
all hands to show an advance in literary power.&#13;
On the other hand, Marion Crawford's posthum-&#13;
ous book, “The Undesirable Governess,” can hardly&#13;
be said to show him at his best, though it has&#13;
much undeniable cleverness.&#13;
Prof. Brander Matthews, in “A Study of the&#13;
Drama,” has crystallised the contents of much&#13;
periodical writing. Whilst his grasp of the subject&#13;
will be very generally conceded, not everyone will&#13;
accept his views on the parochialism of Ibsen, or&#13;
his defence of the practice of writing plays to fit&#13;
players.&#13;
A historical novel of rather unusual quality is&#13;
“Nathan Burke,” by Mary S. Watts. It purports&#13;
to be the autobiography of General Nathan Burke,&#13;
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## p. (#685) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
273&#13;
a hero of the Mexican war and afterwards a mem-&#13;
ber of the Ohio bar.&#13;
Jack London's latest volume, a collection of&#13;
stories entitled “Lost Face,” will please a very&#13;
different set of readers, the hunters after “realism.”&#13;
“The Life of Daniel Coit Gilman,” by Dr.&#13;
Fabian Franklin, will be of interest to all educa-&#13;
tionalists. The author was Dr. Gilman's colleague&#13;
at Johns Hopkins, which was the chief but by no&#13;
means the only field of his achievements.&#13;
Our obituary list includes Prof. Alexander&#13;
Agassiz, the well-known Zoologist, and President&#13;
of the Calumet and Hecla Mining Company,&#13;
who, born in Switzerland, graduated from Harvard&#13;
in 1855 ; Orville Victor, who wrote much upon&#13;
the Civil War ; Dr. Borden Parker Bowne,&#13;
Dean of the Graduate School of Arts and Science,&#13;
Boston University, and author of some excel-&#13;
lent works on Philosophy and Ethics, several of&#13;
which have been translated into various European&#13;
languages; Myra Kelly (Mrs. Allan Macnaughton),&#13;
a popular writer of short stories; William Graham&#13;
Sumner, Professor of Political Science at Yale, and&#13;
author of “A History of Banking, in the United&#13;
States,” lives of Andrew Jackson, Alexander&#13;
Hamilton, Robert Morris, and other works.&#13;
THE FOURTEENTH INTERNATIONAL&#13;
PRESS CONGRESS.&#13;
—0-0-0–&#13;
N writing in The Author for November, 1909,&#13;
the account of the International Conference&#13;
of the Press held in London, I had to say I&#13;
could not follow the sequence, as the Thirteenth&#13;
Congress of the Press would take place in Rome ;&#13;
but as the Bureau Central has adopted the title of&#13;
the Fourteenth Congress, for the one just held on&#13;
board a liner on the Adriatic, presumably the Rome&#13;
Congress will be the Fifteenth : by calling the&#13;
London Congress an intervening Conference, did&#13;
they wish to avoid the supposed evil number of&#13;
thirteen P&#13;
It was a most happy idea of President Wilhelm&#13;
Singer to hold the Conference, at the end of May&#13;
in 1910, on board a liner. The rendezvous was at&#13;
Trieste, where the International Press men were&#13;
cordially received. His Serene Highness the&#13;
Governor of the Province, Prince Hohenlohe, His&#13;
Excellency Dr. von Derschatta, the President of&#13;
the Austrian Lloyds (upon whose liner, the Thalia,&#13;
the Conference was to be held), the President of&#13;
the Trieste Chamber of Commerce, the Mayor of&#13;
Trieste, and other notables received the members&#13;
in the great Hall of the Lloyds.&#13;
As in the case of the London Conference the&#13;
representatives were limited to two for each&#13;
association, and as both the President, Mr.&#13;
Arthur Spurgeon, and the Bureau representative,&#13;
Mr. D. A. Louis, were out of England, Major&#13;
Gratwicke represented the association, and Mr.&#13;
James Baker took Mr. Louis' place on the Com-&#13;
mittee of Direction. After a drive round the&#13;
town, a banquet was held in the Hall of the&#13;
Chamber of Commerce. Then, on the return to&#13;
Trieste after a delightful run by boat to Capo&#13;
d’Istria, a reception was given by Prince and&#13;
Princess Hohenlohe at their official residence.&#13;
The business of the Conference began at 9.30 a.m.&#13;
on board the Thalia. The assembly was presided over&#13;
by President Singer, supported by Prince Hohen-&#13;
lohe, and the members of the Committee of Direction,&#13;
including the General Secretary, M. Taunay, and&#13;
Herr Schweitzer, the Hon. Treasurer. There were&#13;
about 200 journalists present. The President,&#13;
after the usual word of respectful reference to His&#13;
Imperial and Apostolic Majesty Franz Joseph I.,&#13;
at which the whole assembly stood, went on to&#13;
speak of the historical event that had put the&#13;
whole of the great English nation in mourning,&#13;
the death of King Edward the VII. Their thanks,&#13;
he continued, were due to their colleagues for the&#13;
success of the London Conference. Prince&#13;
Hohenlohe, in the name of the Austrian Govern-&#13;
ment, then welcomed the members from the&#13;
various nations. His words were emphatic upon&#13;
the value of an open and free Press, for he said a&#13;
Government that was enforced to work without&#13;
the concurrence of the Press was like a deaf and&#13;
dumb man cut off from the outer world and con-&#13;
demned to an unfruitful life. After the general&#13;
meeting was over the Committee of Direction met,&#13;
and the statutes debated and passed at London&#13;
were declared en vigeur, and the officers for five&#13;
years, as by the new statutes, were elected.&#13;
The President, Herr Singer : Vice-Presidents,&#13;
M. M. Schweitzer, Berlin ; Hebrard, Paris;&#13;
Ralmondi, Rome ; Secretan, Switzerland. General&#13;
Secretaries, Taunay and Janzon. Signor Ralmondi,&#13;
thus taking the place of Signor Cantalupi. Herr&#13;
Schweitzer, of Berlin, was re-elected Treasurer.&#13;
A telegram of homage and good wishes from the&#13;
Conference was despatched to His Imperial&#13;
Majesty, Francis Joseph I., which was acknowledged&#13;
by a marconigram from Buda Pest, the Emperor&#13;
wishing the Conference a pleasant sojourn in his&#13;
dominions. This was read at the next business&#13;
sitting of the Congress, which was held on board,&#13;
on May 20, after a visit to the fantastic and&#13;
fascinating Blue Grotto of the Island of Busi.&#13;
The discussion at the meeting was upon the&#13;
power and right of judges to enforce a journalist&#13;
to divulge professional Secrets. The state of the&#13;
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## p. (#686) ################################################&#13;
&#13;
274&#13;
TFIE AUTISIOR.&#13;
law being so different in other countries from that of&#13;
England, during the discussion, which was very&#13;
animated, and at which the delegates of Italy,&#13;
Switzerland, France, Germany spoke, Mr. James&#13;
Baker explained that the English delegates had at&#13;
the Berlin Conference, through Mr. J. R. Fisher, one&#13;
of their members, put forward the English position&#13;
in this matter : and by his statement the English&#13;
delegates must abide. *.&#13;
It was decided that international propaganda be&#13;
adopted in favour of the preservation of professional&#13;
secrecy for journalists, and a general inquiry be&#13;
instituted with the view of discovering a general&#13;
formula towards the realisation of which the dele-&#13;
gates of each nation should work.&#13;
Major Gratwicke drew the president's attention&#13;
to the fact that the English delegates did not vote&#13;
upon this matter. -&#13;
The third sitting of the Congress took place on&#13;
the morning of May 22, and, as the heat was very&#13;
great, this time under the upper, awning-enclosed&#13;
deck of the Thalia, which made a very good&#13;
Congress Hall.&#13;
The first subject debated was the professional&#13;
tribunals and the election of judges for each&#13;
country for arranging international disputes upon&#13;
professional matters. Mr. D. A. Louis, who had&#13;
been re-elected as bureau representative, had&#13;
already been elected to act in this capacity by the&#13;
English association, and other countries made&#13;
their elections. The question of “Conseils de&#13;
Prudhommes,” as in vogue in Italy where these&#13;
trade judges had given compensation which had&#13;
been accepted as legal, was debated, and the&#13;
question of provident societies was decided to be&#13;
brought up at Rome.&#13;
The subject that caused the most ardent debate&#13;
was that of the relations between Parliament and&#13;
the Press.&#13;
This was brought forward under two heads:&#13;
first, as to the right of Members of Parliament,&#13;
under the protection of their immunity, to slander&#13;
and revile, not in a political sense, but even upon&#13;
personal matters, individuals and associations, and&#13;
especially pressmen. Signor Wittoria suggested&#13;
this matter should be left alone, and the writer&#13;
suggested the Press had the power by adopting&#13;
absolute silence upon such calumnies. Men who&#13;
uttered them did it for notoriety, and silence killed&#13;
that.&#13;
The second part of the question turned upon&#13;
the facilities given to journalists for carrying out&#13;
their work in the parliaments. In some countries&#13;
the journalist is only admitted with the public,&#13;
and gets a seat where he can ; and it was proposed&#13;
that the delegates of each country should bring the&#13;
matter before their parliamentary members, to&#13;
secure proper facilities for journalists for their&#13;
work and for means of communication with M.P.'s.&#13;
Mr. James Baker referred to the gallery and&#13;
lobby facilities afforded to English pressmen, and&#13;
recent developments of these facilities. He was&#13;
asked to prepare a report of the English arrange-&#13;
ments for the Rome Congress, M. Taunay remark-&#13;
ing that, if British journalists were satisfied,&#13;
perhaps some foreign journalists living in England&#13;
might have something to say.&#13;
M. Taunay then brought up the point that&#13;
questions to be considered at the Congress were&#13;
to be sent in by December 31 of each year, but&#13;
they did not come, and he appealed to members&#13;
to send to their presidents subjects to be con-&#13;
sidered by the Bureau Central.&#13;
The place where the next Congress should be&#13;
held was then discussed, and the invitation from&#13;
Rome repeated in an enthusiastic manner by&#13;
Signor Cohen. After some discussion the place&#13;
of the next Congress was then put and Rome&#13;
was carried unanimously.&#13;
The holding of this Congress on board ship,&#13;
instead of lessening the debates and opportunities&#13;
of intimate conversation, really increased these&#13;
opportunities. And the excursions and banquets&#13;
did not occupy so much time as usual. But the&#13;
views of the coast of Dalmatia, the scenes at Pola&#13;
and Brioni, and above all the entrance to the&#13;
Bocche di Cattaro, and the drive up to the frontier&#13;
of Montenegro were much enjoyed, as also was the&#13;
visit to lovely Ragusa.&#13;
At Abbazia an illuminated concert was given,&#13;
and the final banquet held. The writer, having&#13;
been before on the Istrian coast with the British&#13;
journalists, was asked to speak. He expressed&#13;
the wish that Austria, the country so full of&#13;
marvels, of glorious scenery, and of such varied&#13;
peoples whose history was so full of romance and&#13;
dramatic interest, might be more widely known and&#13;
better understood by all English-speaking people.&#13;
After the official close of the Congress many of&#13;
the members visited the astounding Stalactite&#13;
Caverns of Adelsberg, and halted at the interest-&#13;
ing towns of Laibach and Graz en route for&#13;
Vienna.&#13;
JAMES BAKER.&#13;
—e—º-e—&#13;
IDEAS, AND HOW TO PROTECT THEM.&#13;
—º-º-º-&#13;
BY CRUSADER.&#13;
III.&#13;
E pass on now to a question concerning&#13;
which no man is able to write at his&#13;
ease, because he is sure to provoke&#13;
criticism from chivalrous-minded readers. What&#13;
is the position of women writers ? Is it not&#13;
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## p. (#687) ################################################&#13;
&#13;
TFIE AUTHOR.&#13;
275&#13;
true that women lower the market value of all&#13;
Workmanship 2 This fact is indisputable, and&#13;
too often it is discreditable to their sex. Some&#13;
Women can afford to write for one thing only—the&#13;
pleasure of seeing their copy in print ; they forget&#13;
that their competition is a dastardly flanking attack&#13;
On the professional authoress who has to earn her&#13;
bread by her pen. Other lady amateurs write for&#13;
pin-money because they are able to live in comfort&#13;
at home with their parents; and all this hateful&#13;
dilettantism gives encouragement to the old business&#13;
custom of paying women a dwindled price for their&#13;
labour. These matters, and a good many others,&#13;
need patient and thorough consideration from a&#13;
sub-committee of women writers, with special&#13;
reference to their effects on the profession of&#13;
letters and to the means by which our society may&#13;
check their bad influence. In this inquiry atten-&#13;
tion would be given of course to those magazines&#13;
and weekly papers which appeal to women. What&#13;
are their rates of payment, and what their probable&#13;
revenue from advertisements 2 What influences&#13;
are brought to bear on contributors ? It is neces-&#13;
sary to gather full information on all points of&#13;
business; then the long struggle which women&#13;
writers have to encounter can be made less&#13;
hazardous for themselves and less harmful by its&#13;
action on the market prices offered to men. Far&#13;
too often their position has a tendency to debase&#13;
their character. A recent book on “ Modern&#13;
Journalism " says, in cowardly language, that lady&#13;
journalists are “exceedingly deficient in honour-&#13;
able instincts,” and “try to foist on you articles&#13;
which you had never commissioned”; that “the&#13;
amount of jealousy which they will exhibit is not&#13;
creditable to their sex,” and that their style is full&#13;
of “truisms” and “base journalese conventionali-&#13;
ties.” Wrong produces wrong invariably, and&#13;
women start work handicapped by the sweating&#13;
system which they inherit from age to age.&#13;
It is only by collecting facts, to be shown to the&#13;
general public, that urgent matters of this sort can&#13;
be bettered. Very little can be done without help&#13;
from public opinion. Yet authors are not at all&#13;
eager to win that help in a speedy manner. This&#13;
magazine, for instance, ought to be something&#13;
much more than the official organ of our society;&#13;
it should be at the head of literary papers, with a&#13;
household suffrage of its own in all parts of the&#13;
British Isles. Then there would be a jury of&#13;
public opinion between us and the many grievances&#13;
and injustices that make a literary life of ups and&#13;
downs far more precarious and Onerous than it&#13;
need be and should be. Yet, somehow, we hang&#13;
back from the duty of making The Author a maga-&#13;
zine which the public would gladly buy.&#13;
A financier once said to me : “It is impossible&#13;
to understand the wasteful philanthropies of&#13;
authors. If they had any business common&#13;
sense at all they would see that they have the&#13;
power to own and run all the publishing that the&#13;
public is able to support. Publishers are quite&#13;
unnecessary ; their profits, and all the profits on&#13;
magazines, ought to flow into the exchequer of a&#13;
Vast trade managed by authors for their common&#13;
good. Instead of this organisation writers prefer&#13;
a never-ending dispute for ordinary justice at the&#13;
hands of the thousand traders who at the present&#13;
time treat authors with no more respect than mine-&#13;
Owners used to show to colliers. There are mines&#13;
of gold and of silver in literary ideas. Why aren't&#13;
they worked by authors for their profession as a&#13;
whole 2 Don't you need the profits of publishing&#13;
for pension funds and for the encouragement of&#13;
those types of literature which have never appealed&#13;
to the great public 2 Authors cannot escape from&#13;
the commercial side of their profession ; each must&#13;
understand publishing methods if he feels called&#13;
upon to get fair treatment for his work; and this&#13;
being so, why not use this necessary knowledge in&#13;
the actual work of publishing 2 What do authors&#13;
gain by employing so many grasping agents that&#13;
even a Dickens and a Thackeray had to go on&#13;
lecturing tours before they felt safe financially P”&#13;
These questions provoke the same astonishment&#13;
among many persons. Authors do not know their&#13;
power. Each feels isolated from his fellows, and&#13;
stumbles alone up an old and ill-kept road, with&#13;
many pitfalls lying about his feet. For all that,&#13;
logic rules the world, and the day will come when&#13;
the pitiless logic of events will compel authors to&#13;
unite and to publish their own work. Every&#13;
increase of competition brings this day nearer and&#13;
nearer, as authors are always the first to suffer&#13;
from the waywardness of misfortune in trade. For&#13;
a long time writers of fiction were exempt, more or&#13;
less, from the dire hardships that pressed upon&#13;
other writers, essayists, historians, and students of&#13;
the past in many other kinds of research ; but now&#13;
that novels and stories are carried along in the&#13;
usual course of modern trade through over-produc-&#13;
tion into the cesspool of cheapness, our society, as a&#13;
whole, has a very simple question to consider.&#13;
Whither are we going 2 Can we at the same&#13;
moment support ourselves and our homes and&#13;
yet encourage an insane competition among&#13;
tradesmen 2 We are subject to the law that the&#13;
fittest survive ; but among which class connected&#13;
with literature are we to look for the fittest ?&#13;
Among ourselves, or among publishing speculators,&#13;
booksellers, printers, dealers in “remainder ’’ copies,&#13;
and the owners of circulating libraries 2 Can we,&#13;
under the conditions of modern trade and subject&#13;
to the demon of mad gambling, support all those&#13;
agents and yet be sure that we are doing the best&#13;
we can to pay our debts and be useful citizens 2&#13;
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## p. (#688) ################################################&#13;
&#13;
276&#13;
TISIE AUTISIOR.&#13;
I have proved beyond all question that publishers&#13;
could thrive while authors starved, owing to their&#13;
system of finance, which consists in using the same&#13;
money three or four times in a year, with the result&#13;
that even a small profit per cent. On each turnover&#13;
becomes a very handsome profit per cent. On the&#13;
several turnovers. There are publishers who aim&#13;
deliberately at little editions, just because little&#13;
editions are friendly to this rolling finance which&#13;
gathers profit as a snowball gains in size when you&#13;
turn it over and over in the Snow. It is not on&#13;
small editions that authors can live, and the few&#13;
popular favourites whose sales are large must not&#13;
forget the less fortunate many who share, with our&#13;
late president, the difficulty of waiting till a tiny&#13;
circle of readers grows slowly into a bigger one.&#13;
These facts alone call upon us to consider with&#13;
care and pluck the expediency of publishing our&#13;
own work instead of tossing it into the maëlstrom&#13;
of speculation and competition that now swallows&#13;
up and destroys a huge percentage of books.&#13;
But there are other facts every whit as important.&#13;
There is, for example, that dishonesty which at the&#13;
present time “remainders” expensive books long&#13;
before they have had a chance to find their public.&#13;
One publisher, in revolt against this vile custom,&#13;
has appealed for help to the booksellers, but book-&#13;
sellers, of course, are able to protect themselves&#13;
from it, since they can refuse to buy any expensive&#13;
work which is issued by a tradesman whose name&#13;
is connected with remaindering tactics. “Once&#13;
bitten, twice shy,” is the motto of careful book-&#13;
sellers in this matter. From certain publishers,&#13;
all well known, they are willing to take expensive&#13;
books “on sale or return,” a lamentable system of&#13;
trade for authors, because booksellers are not in&#13;
the least likely to push the sale of a borrowed book&#13;
when they have their own purchased stock to turn&#13;
into profit. That is of no consequence to the&#13;
publisher who is able to tell his authors that he&#13;
has done the very best he could for them. “I gave&#13;
you a good display in the shops,” he writes or says,&#13;
“advertised you in my lists of books, got out&#13;
circulars, but you know what the public is to-day&#13;
—quite incalculable.” As a rule he adds that his&#13;
loss has not been “wiped off” by the remainder-&#13;
ing, and this has a great effect on the minds of&#13;
authors, who, somehow, are usually prepared to&#13;
take sides against their own interests.&#13;
Let us then see what aims the “remainder&#13;
system” tries to make real. In the first place, an&#13;
expensive book—that is, a book that costs much in&#13;
its production—is at standing odds with the&#13;
routine of a publisher's finance. It does not&#13;
attract the circulating libraries, its appeal is&#13;
addressed to a small section of the public, and the&#13;
chances are that the money invested in it would be&#13;
used more safely in novels written by men who&#13;
have a Sale of a thousand copies each. Six or&#13;
Seven novels of this type can be issued at about&#13;
the same cost as one book with many good illus-&#13;
trations and 85,000 words of text. Every publisher&#13;
knows this, and yet there is a growing competition&#13;
in illustrated work of many kinds, all costly and&#13;
hazardous. Why? The reasons are many —&#13;
1. A publisher’s “novelties” must have variety.&#13;
2. A good many illustrated books have had a&#13;
huge sale, the largest known being more than&#13;
27,000 copies.&#13;
3. There is thus a chance that a bold experiment&#13;
in a high cost of production may bring a large&#13;
profit and enhance the publisher's reputation.&#13;
4. It is often easy to sell good editions in sheets&#13;
to the U.S.A., as well as other editions to the&#13;
British Colonies ; and&#13;
5. A good book with illustrations fetches a&#13;
better price in the remainder market than any&#13;
other book, so that this fact is from the first a&#13;
comfort to the publisher. When the price per&#13;
copy is high, above £1, he is able with tact and&#13;
skill to cover a good deal of his cost by his first sales&#13;
outside Great Britain ; then come the second sales,&#13;
to a bookseller here and there who happens to know&#13;
a few certain buyers ; next, the third sales,&#13;
gathered by circulars, which are usually distributed&#13;
more or less at random ; and then the reviews in&#13;
important journals, when good, find some pur-&#13;
chasers also, though not many as a rule. The&#13;
publisher now feels that he has done his routine&#13;
duty towards his author; and his methods being&#13;
Stereotyped he is certain that good sense cannot&#13;
with justice ask him to do more. Why should he&#13;
compile address books of those readers and students&#13;
who take delight in special subjects P Why should&#13;
he write to them and send attractive circulars not&#13;
once, but many times over a period of at least two&#13;
years ? All this ought to be done, but it would&#13;
upset his system of finance and add greatly to his&#13;
work. He would have to become a thorough sales-&#13;
man as well as a publisher, and give personal and&#13;
prolonged attention to each author's work and&#13;
interests. It is far simpler to job his stock into the&#13;
remainder market ; then booksellers and second-&#13;
hand dealers will in course of time find buyers.&#13;
Many a book by this means has come by its own,&#13;
and is sold to-day for more than its published&#13;
price. Its author benefits not one farthing ; he is&#13;
just a benefactor to the second-hand tradesmen and&#13;
their customers.&#13;
So, then, the follies of remaindering are very&#13;
harmful. They discredit authors in the opinion&#13;
both of booksellers and of private buyers; they&#13;
give rise to a belief that publishing methods ought&#13;
never to be trusted ; and they discourage the pur-&#13;
chasing of expensive books, since they betray&#13;
everybody who buys at the full net price.&#13;
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## p. (#689) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
277&#13;
At a time when the great majority of persons&#13;
either hire books from libraries or borrow them&#13;
from reading clubs, it is fatal to strike at the con-&#13;
fidence of those who do buy new work from authors.&#13;
Free libraries, circulating libraries, reading clubs,&#13;
and other agencies to turn us into borrowers and&#13;
hirers, are surely enough for any author to com-&#13;
pete against. Yet any one who has a good book&#13;
is sure to be asked to lend it to his friends. People&#13;
who would be ashamed to borrow knives and forks,&#13;
or boots and umbrellas, thank their lucky stars&#13;
when they are able to get books without paying a&#13;
penny for a day’s reading. It never seems to them&#13;
that they are defrauding authors. To enjoy a book&#13;
without paying for that enjoyment is as mean as it&#13;
would be to beg for a free dinner at a public&#13;
eating-house. A little time ago a friend wrote&#13;
to a novelist and said: “Your books are having a&#13;
splendid success. I hope your average sales have&#13;
now reached 10,000 copies, for then you will be&#13;
able to demand a royalty of 25 per cent. On the&#13;
published price.” The novelist, writing from the&#13;
Continent, said in reply: “Ten thousand copies&#13;
Good heavens ! Well do I know my public. There's&#13;
an English colony in this town, and one poor,&#13;
draggled, battered copy of my last book has proved&#13;
enough. Everyone here has thumbed it and read&#13;
it. A single copy has a long life.”&#13;
Yet, into this hurly-burly of borrowing the&#13;
remainderer hurls his bombshells, as if publishers&#13;
were eager to stop all private buying. What are&#13;
authors to do 2 If they controlled the market as&#13;
publishers of their own work their position would&#13;
be easy. As it is, let us grumble and be unpractical.&#13;
The end comes at last, and wasted lives don’t count&#13;
for much, after all, in the brief season of our&#13;
overcrowded days.&#13;
Still, there's one more grievance to be considered&#13;
in this drama of disenchantments. Literary ideas&#13;
are often stolen, as if they belonged to everybody,&#13;
like expired copyrights. To suggest an idea or&#13;
a scheme of work is often like offering money to a&#13;
tramp ; it goes, and you gain nothing. Publisher&#13;
cribs from publisher, and says that competition&#13;
drives him to the act ; no new idea is safe, either&#13;
before or after publication. Again and again five&#13;
or six books on the same topic appear at the same&#13;
time, showing how hard it is for an author to get&#13;
commissions by submitting projects. He is far&#13;
more likely to set tradesmen thinking about&#13;
variants of his planned treatment. This, unluckily,&#13;
is ever a risk. You have an idea for a book and&#13;
think out your plan, putting aside many other&#13;
ways in which it could be treated. This done, you&#13;
try to find a market, and you cannot foresee by&#13;
whom your letter will be opened. It may be the&#13;
chief of a great business, or perhaps his secretary,&#13;
or perhaps a subordinate in some department ;&#13;
but, anyhow, your scheme is certain to suggest&#13;
many variations to any mind having practical&#13;
intelligence. Those variations, again, though&#13;
springing from your idea, have often no evident&#13;
likeness to your proposal, yet they cancel what&#13;
you wish to do. Consider, then, your risk. You&#13;
ask business minds to think for themselves ; you&#13;
invite them to modify your ideas into new forms;&#13;
and yet you expect to succeed. Why?&#13;
Novelists are not troubled in this way, but many&#13;
writers are all the year round. Have you ever&#13;
received a letter beginning thus:&#13;
“Curiously enough, we have already in hand a&#13;
Scheme very similar to yours, but more popular in&#13;
its treatment . . .” P -&#13;
But the matter does not end here. Short stories&#13;
run many dangers, for I’m not aware that any&#13;
publishing office binds its staff on oath never to&#13;
mention a plot which is read in the course of&#13;
business. It is also a fact that good plots, good&#13;
ideas, once read, have a habit of finding their way&#13;
into the reader's conversation. And so I believ&#13;
that a great many literary thefts are unintentional,&#13;
like a great many plagiarisms; but, in any case,&#13;
We must do what we can to set limits to their&#13;
harmfulness. Our society, by its registration of&#13;
plays, has taken one step in a right direction, and&#13;
I think that another as useful may be suggested.&#13;
Indeed, why should not our society issue for its&#13;
members a counterfoil book for projects, bearing&#13;
the official stamp of the society, and of a largish&#13;
size 2 For it would need—&#13;
(a) A line for the publisher or editor to whom&#13;
the project is submitted;&#13;
(b) another line for the author's address ;&#13;
(c) and another for the date ;&#13;
(d) seven or eight lines, perhaps ten, for the&#13;
project and its planned treatment;&#13;
(e) three lines for variants of the suggested&#13;
title ;&#13;
(f) six or seven lines to show that the subject&#13;
can be treated in other ways. This, of course, is&#13;
very important, if an author wants to protect his&#13;
idea ;&#13;
(g) a final line for the author's signature.&#13;
An official book of this kind would have a very&#13;
useful moral effect, for it would prove to men of&#13;
business that authors, like owners of patents, value&#13;
their ideas and wish that fact to be known. It&#13;
would prove, also, that authors, whom business&#13;
men regard as incurably unpractical, have an easy&#13;
means of keeping counterfoils of all their business&#13;
transactions. Writers of short stories, for instance,&#13;
would be able to give in brief the main outlines of&#13;
their plots, and this would help them at any&#13;
moment to find out whether any magazine had&#13;
used their ideas after rejecting their copy.&#13;
I do not suppose that a counterfoil book of&#13;
&#13;
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## p. (#690) ################################################&#13;
&#13;
27S&#13;
TISIE AUTISIOR.&#13;
projects would be anything more than a deterrent&#13;
influence, because, as a judge once said in court,&#13;
there is no honour in trade. Business life is a war,&#13;
pitiless and relentless, and the utmost we can do is&#13;
to scheme some protection for our work and our-&#13;
selves. And everybody knows what happens when&#13;
an author tries to follow the business routine of&#13;
copied letters and the rest of it. He cannot as a&#13;
rule afford a clerk ; his writing requires incessant&#13;
patience and concentration ; and although, as&#13;
Balzac said, to dream over literary projects is like&#13;
smoking enchanted cigarettes, the projects, when&#13;
realised, are often exceedingly difficult to sell. So,&#13;
absorbed by some things and harassed by others, a&#13;
writer soon gets tired of adding to his day’s work&#13;
a system of business routine, which clerks carry out&#13;
in offices. Publishers and editors know all this.&#13;
What they call business has no relation at all to&#13;
work as authors know work. Yet authors are&#13;
expected to be their own clerks. They are advised&#13;
to copy all their letters, to keep an exact record of&#13;
all their transactions, and what not besides ; but&#13;
this advice will never be followed for more than a&#13;
few weeks. That is why I suggest this counter-&#13;
foil book for projects—a simple means of doing&#13;
much in little. It would save a great deal of letter&#13;
writing ; it would give some real protection to&#13;
ideas; and it would not be more troublesome than&#13;
a cheque-book of a size unusually large.&#13;
Ideas, and how to protect them . That is author-&#13;
ship in its long and tragic history. I think some-&#13;
times of a Parliament of the Dead, and see in it the&#13;
ghosts of all the simple great ones gone, from&#13;
Chaucer to Meredith. Who can estimate the total&#13;
sorrows of their lives? And, since we who love their&#13;
work are their children, let us remember that we&#13;
have yet to gain what they so often needed—just&#13;
control over the use made of literary work by&#13;
speculative tradesmen.&#13;
—OP-e—“[O—&#13;
THE EDITORIAL ATTITUDE.&#13;
S a reader of The Author and a member of the&#13;
literary and editorial staff of a magazine,&#13;
will you extend to me the hospitality of your&#13;
columns to say a few words regarding the&#13;
“Editorial Attitude " ? And being neither an&#13;
author nor an editor, but one occupying a position&#13;
affording facilities for obtaining reliable data&#13;
respecting the relations subsisting between editors&#13;
and contributors, any remarks I make will be of a&#13;
purely disinterested character. -&#13;
Your correspondent, “An Editor,” impugns the&#13;
assertion of “A Contributor’’ that editors do not&#13;
read the manuscripts of unknown men, and&#13;
characterises the accusation as “all nonsense.” . If&#13;
from this we are to believe “An Editor ’’ does&#13;
read all the manuscripts sent in to his paper,&#13;
“which is there for would-be contributors,” and&#13;
accepts or rejects same entirely on their merits,&#13;
then he must constitute that exception which&#13;
proves the rule, and is certainly a curiosity well&#13;
worth paying a considerable sum to look at.&#13;
In order to test the value of his opinion on this&#13;
matter, I will give “An Editor’’ a few examples of&#13;
the discourteous treatment accorded contributors&#13;
which have come under my own personal know-&#13;
ledge, and these not in connection with papers or&#13;
magazines of the type that can be stigmatised as&#13;
“a queer lot,” while the matter could not by the&#13;
widest expansion of imagination be said to be of&#13;
such a character as to justify payment by “whisky&#13;
and cigars.”&#13;
To this end, I will not take the case of new&#13;
writers but men of established reputation, in&#13;
which case it will be seen that the editorial false-&#13;
hood, with regard to the incapability of new&#13;
writers, is as finished and perfect with regard to&#13;
the writings of men who command the ear of the&#13;
public, when their writings are submitted under&#13;
other names, as was revealed by means of a ruse de&#13;
guerre. A new writer complained to me of the&#13;
hopelessness of any one unknown Securing fair&#13;
treatment ; I expressed great surprise, and was as&#13;
confident in my denial of the accusation as “An&#13;
Editor”; whereupon the writer replied, “I will&#13;
prove what I say to be the absolute truth if you&#13;
form one of the party and agree to the experi-&#13;
ment being tried on the editor of the paper with&#13;
which you are connected.” I assented, and an&#13;
article from an early number of the paper was&#13;
copied and duly sent in, with the result that it&#13;
was rejected. A further attempt was made on the&#13;
same editor ; this time an article also taken from&#13;
a back number, but from the pen of one of the&#13;
editor's most gifted contributors. I happened&#13;
to be present when the editor rejected it, and&#13;
ventured to point out to him his inconsistency in&#13;
rejecting it on the plea that “it was not up to his&#13;
standard,” considering it had already appeared in&#13;
his paper—an assertion that not only met with an&#13;
emphatic denial but brought about fervens difficil;&#13;
bile jocur, for he asserted with extreme acerbity&#13;
“that it was preposterous on my part to say that&#13;
such unadulterated rubbish could ever have been&#13;
accepted by him.” As my veracity was questioned&#13;
I asked him to compare an article on a certain&#13;
page of his paper of a specific date with that&#13;
which he was rejecting. On this being done he&#13;
lost all control of his temper—which was not the&#13;
sweetest at the best of times—threw the article&#13;
and magazine on the floor, snapped his fingers&#13;
wildly, paced the room in a state of high dudgeon,&#13;
&#13;
&#13;
## p. (#691) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
279&#13;
and, addressing me, employed language which was&#13;
entirely neological, since it was well, I won't&#13;
disgrace the columns of The Author by even saying&#13;
What it was—while a snapshot of his face would&#13;
have furnished Darwin with an excellent plate for&#13;
his “Expression of the Emotions.” Another&#13;
editor, who is just a little bit too well known in&#13;
the literary world, was similarly tested. In&#13;
returning an article which had been sent him&#13;
(Written by himself many years previously) he did&#13;
so likewise on the plea of its not reaching his&#13;
standard, and added the consoling words tº that&#13;
it would do the writer no harm to continue writing&#13;
such articles, but it was clear from his work he&#13;
did not possess the ability necessary to secure&#13;
acceptance.” Could anything more calculated to&#13;
produce rigation of the eyes, in consequence of the&#13;
excessive laughter it produced among those who&#13;
knew of the ruse, be conceived 2 and surely never&#13;
did presumptuous pride and didactic ignorance&#13;
inspire a man to the commission of a more in-&#13;
expiable crime 2 Here was a man, the darling of&#13;
a University, unconsciously passing a verdict on the&#13;
Value of his own work and declaring it to be so low&#13;
that it was absurd ever to expect it to be accepted,&#13;
yet, at the same time, arrogantly setting himself up&#13;
as an authority on the works of other men. Surely&#13;
these examples explode the arrogant contention of&#13;
the literary critic of a certain illustrated weekly&#13;
that an editor can, by glancing precipitately over&#13;
the first page, determine the writer's capability&#13;
or incapability. Arrogance is often a shield of&#13;
Ignorance.&#13;
These episodes certainly deserve to be placed&#13;
alongside that of the editor of the Atlantic Monthly.&#13;
The Hon. Russell Lowell desiring to find out the&#13;
real worth of his work, wrote a prefulgent article&#13;
on the “Essence of American Humour,” had it&#13;
copied in an unfamiliar handwriting and forwarded&#13;
to the Atlantic Monthly, to which paper he was an&#13;
esteemed contributor. Not making its appearance&#13;
in due time, and anxious to know the fate of his&#13;
literary offspring, he called upon the editor, Mr.&#13;
James F. Fields, and adroitly turned the conversa-&#13;
tion to the subject of humour, expressed great&#13;
Surprise no one had ever written upon it, to which&#13;
the editor replied: “No one ever written upon&#13;
it ! ...We receive a large amount of articles treating&#13;
on that subject, but they are so desperately poor&#13;
stuff that they cannot be used. Here (pulling&#13;
a MS. from the waste-paper, basket) is a long&#13;
Screed we received christened ‘The Essence of&#13;
American Humour, which would be more appro-&#13;
priately termed ‘The Essence of Nonsense,” for a&#13;
more absurd farrago I have never seen.” On&#13;
Lowell acknowledging the paternity of the article,&#13;
Field's wrath was greater than his astonishment.&#13;
If this does not prove that articles by unknown&#13;
men do not receive the treatment they deserve, I&#13;
do not know what more is required, unless all&#13;
the editors suffer from acrisy. If not, how also&#13;
was it that the late James Payn, as editor of the&#13;
Cornhill, rejected “John Inglesant " ? or did&#13;
reject it—after the manner of the sapient editor of&#13;
a Greenock paper, which enjoyed the distinction&#13;
of dying twice, with regard to Campbell's “Pleasures&#13;
of Hope” (now included in the Classics)—that it&#13;
was “destitute of merit, " ?&#13;
With regard to the question of payment, I think&#13;
the following will prove that editors desire to&#13;
evade paying for contributions:—An article “not&#13;
negligent in style, the matter good,” was sent to a&#13;
prominent editor and rejected, on the plea that&#13;
it was not “up to the standard.” It was then&#13;
Sent to another editor and accepted. On its&#13;
appearance, the editor to whom it had been offered&#13;
first, lifted it holus-bolus and printed it in his own&#13;
paper without acknowledgment. Now, if an&#13;
article, when sent for payment, is not up to the&#13;
standard, how comes it to be possessed of merit&#13;
when it can be used without having to pay, if it&#13;
is not to avoid payment&#13;
AN ONLOOKER.&#13;
* *-** - -e-Q-6–&#13;
THE WORKS OF SIR JOHN SUCKLING.&lt;&#13;
—º-º-º-&#13;
HE editor who presents the world with a&#13;
complete critical edition of the works of&#13;
any author, even if the author is not one&#13;
whose name is written very large in the book of&#13;
fame, is a man to whom at all times a great grati-&#13;
tude is due. In these latter days of anthologies,&#13;
abridgments, boudlerizations, and no one knows&#13;
how many other inventions for the corruption of&#13;
texts (which time and human fallibility corrupt&#13;
only too rapidly without any barbarian's deliberately&#13;
setting a destroyer's hand to the work), and for&#13;
the propagation of superficiality, those who still&#13;
retain a solid affection for letters must feel always&#13;
more than ordinarily grateful to any worker who&#13;
will embark upon the laborious task involved in a&#13;
complete and critical edition of any author's works ;&#13;
the only kind of edition from which it is possible&#13;
to gather a right conception of the man and of his&#13;
place in the history of literature. Publications of&#13;
this kind are rare in comparison with the multitude&#13;
of other books which fall in torrents from the press;&#13;
but it is not only on this account, but on account&#13;
also of the excellent manner in which the work has&#13;
been accomplished, that we tender our sincere&#13;
* “The Works of Sir John Suckling in Prose and&#13;
Werse,” edited, with introduction and notes, by A.&#13;
Hamilton Thompson. London : George Routledge &amp; Sons.&#13;
1910, 8vo.&#13;
&#13;
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&#13;
280&#13;
TISIE AUTISIOR.&#13;
congratulations to Mr. Hamilton Thompson on the&#13;
appearance of his edition of Sir John Suckling.&#13;
One or two, or a few, of Suckling's poems are to be&#13;
found in every anthology; all the rest of his works&#13;
are more or less difficult of access. Here everything&#13;
will be found, as well as all that is known about&#13;
Sir John Suckling. In an admirable introduction&#13;
Mr. Hamilton Thompson unfolds lucidly whatever&#13;
remains to us of Sir John Suckling's story, and at&#13;
the same time shows the extent of his indebtedness&#13;
to his contemporaries and to his age. The various&#13;
works of Sir John Suckling (with reproductions of&#13;
the original title-pages) then follow : The “Frag-&#13;
menta Aurea,” “The Last Remains of Sir John&#13;
Suckling,” the four plays, and the letters including&#13;
“An Account of Religion and Reason.” The&#13;
Volume is concluded by some excellent notes, in&#13;
which, as in his preface, Mr. Hamilton Thompson&#13;
exhibits the sound good taste (not always to be&#13;
observed in editors) of being content to record&#13;
the truth, without labouring to represent the author&#13;
as a greater man than he was. It may be confessed&#13;
that a careful perusal of all Sir John Suckling's&#13;
Works may result in a disappointment for the&#13;
reader who has founded his expectations upon the&#13;
few very excellent things of Suckling's that are&#13;
known to all; but it will certainly convince him&#13;
of the truth of the remarks with which Mr.&#13;
Hamilton Thompson concludes his introduction:&#13;
“It is impossible to doubt that beneath a gay&#13;
and careless exterior he [Suckling] possessed sound&#13;
practical sense, and that his ambition to excel as&#13;
an amateur wit only too often concealed a high,&#13;
if somewhat fragile, poetic gift, which on happy&#13;
occasions rose superior to an atmosphere not a&#13;
little hostile to its development.” We have&#13;
pleasure in heartily recommending this work to all&#13;
lovers of English literature.&#13;
—e—º-e—&#13;
CORRESPONDENCE.&#13;
—º-º-º-&#13;
THE STORY OF A REVIEW COPY.&#13;
SIR,-At a certain seaside circulating library, I&#13;
paid twopence for three days’ use of a six shilling&#13;
novel. From entries therein, I found that eighty-&#13;
five other persons had made like payments, making&#13;
a total of fourteen shillings and fourpence for the&#13;
use of a book which was still in active circulation.&#13;
I also discovered that the borrowed book was a&#13;
Review Copy, evidently purchased by the proprietor&#13;
of the circulating library for “a mere song ” from&#13;
the editor of a newspaper, who had received it&#13;
gratis from the publisher.&#13;
Usually at least sixty copies of a six shilling&#13;
novel are sent out for review. If only half of&#13;
these are sold to second-rate circulating libraries,&#13;
and each of them is perused by eighty-six persons,&#13;
this means that the author of the book secures&#13;
2,580 readers who do not bring a single farthing&#13;
&amp;nto his eachequer.&#13;
In provincial towns I have noticed that the&#13;
roprietor of a circulating library is frequently a&#13;
bookseller, printer, and editor of a local newspaper.&#13;
If he can get a six shilling novel for nothing, or&#13;
next to nothing, and make fourteen shillings and&#13;
fourpence by lending it to eighty-six persons—as in&#13;
the case I have noticed—he “takes the biscuit”&#13;
from publisher and author, and no mistake&#13;
I have long contended that authors might&#13;
become their own publishers, and distribute their&#13;
own books by establishing bookstalls at hotels, as&#13;
in America, if they had a sufficiency of co-operative&#13;
enterprise. .&#13;
It is simply a case of “Wake up, Authors I”&#13;
Yours faithfully,&#13;
HENRY J. SWALLOW.&#13;
THE “ GREAT UNACTED.”&#13;
DEAR SIR,--In a recent issue “X. Y. Z.” drew&#13;
attention to the extremely unsatisfactory conditions&#13;
which exist for those dramatic authors whose work&#13;
has not yet been produced.&#13;
As one of these much-to-be-pitied individuals, I&#13;
should like to convey my thanks to “X. Y. Z.” for&#13;
having opened this subject. Taking into considera-&#13;
tion the very rare exception who proves the rule,&#13;
one may say that for an unknown author to get&#13;
his play produced amounts to something very near&#13;
an impossibility. The Societies specially organised&#13;
to help new dramatists are, from a practical point&#13;
of view, as unsatisfactory as the established manage-&#13;
ments. The first play I sent to one of these&#13;
societies was promptly accepted, although a short&#13;
while afterwards I was asked to make a slight&#13;
alteration, which I did, to the satisfaction of those&#13;
concerned. I was then told that my play would&#13;
be running at a West End theatre by the middle&#13;
of May—provided the society could raise sufficient&#13;
funds. The middle of May has now been post-&#13;
poned to the middle of September, and without&#13;
doubt when September comes it will be delayed&#13;
until the spring, and so on 1 The difficulty for&#13;
new authors to get their plays considered, or even&#13;
read by established managers, is so well-known&#13;
that I need not go into it. As a struggling&#13;
dramatic author I can testify to a bundle of com-&#13;
plimentary letters, promises of production if&#13;
alteration is made, and then—nothing more. If&#13;
the Society of Authors could help us, in the manner&#13;
suggested by “X. Y. Z.,” it would be doing an act of&#13;
profound charity, with the ghost of a chance of&#13;
doing something for the Drama as well !&#13;
C. W.&#13;
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## p. (#693) ################################################&#13;
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Wi - - AD VERTISEMENTS.&#13;
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“I am exceedingly pleased with the type-&#13;
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through and consider you have taken great&#13;
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IS FAR THE BEST.&#13;
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anything typed.”&#13;
MW WORK IS ALWAYS OF THE BEST.&#13;
| USE MY BRAINS as well as my HANDS on&#13;
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to NOTE MY GHARGES ARE WERW LOW.&#13;
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extent of some hundreds of thousands of words. I have nothing&#13;
but praise for the accuracy, speed and neatness with which she&#13;
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&#13;
&#13;
## p. (#695) ################################################&#13;
&#13;
SUPPLEMENT I.&#13;
AUSTRALIAN COPYRIGHT ACT.&#13;
&#13;
&#13;
## p. (#696) ################################################&#13;
&#13;
&#13;
&#13;
## p. (#697) ################################################&#13;
&#13;
AUSTRALIAN COPYRIGHT ACT.&#13;
[AssBNTED TO 21ST DECEMBER, 1905.]&#13;
E it enacted by the King's Most Excellent&#13;
Majesty, the Senate, and the House of&#13;
Representatives of the Commonwealth of&#13;
Australia as follows:—&#13;
| PART I.-PRELIMINARY.&#13;
1. Short Title.—This Act may be cited as the&#13;
Copyright Act, 1905.&#13;
2. Commencement.—This Act shall commence on&#13;
a day to be fixed by Proclamation.&#13;
3. Paris.--This Act is divided as follows:–&#13;
Part I. — Preliminary.&#13;
Part II.-Administration.&#13;
Part III.-Literary, Musical, and Dra-&#13;
matic Copyright.&#13;
IV.-Artistic Copyright.&#13;
W.—Infringement of Copyright.&#13;
VI.-International and State copy-&#13;
right.&#13;
Part VII-Registration of Copyrights.&#13;
- Part VIII.-Miscellaneous.&#13;
4. Interpretation.—In this Act, unless the Con-&#13;
trary intention appears—&#13;
“Artistic work’ includes—&#13;
(a) Any painting, drawing, or sculpture; and&#13;
(b) Any engraving, etching, print, lithograph,&#13;
Woodcut, photograph, or other work of&#13;
art produced by any process, mechanical&#13;
or otherwise, by which impressions or&#13;
representations of works of art can be&#13;
taken or multiplied:&#13;
“Author’’ includes the personal representatives&#13;
of an author :&#13;
“Book” includes any book or volume, and any&#13;
part or division of a book or volume, and any&#13;
article in a book or volume, and any pamphlet,&#13;
periodical, sheet of letterpress, sheet of music,&#13;
map, chart, diagram, or plan separately pub-&#13;
lished, and any illustration therein :&#13;
“Dramatic work,” in addition to being included&#13;
in the definition of book, means any tragedy,&#13;
comedy, play, drama, farce, burlesque, libretto,&#13;
of an opera, entertainment, or other work of&#13;
a like nature, whether set to music or other-&#13;
Part&#13;
Part&#13;
Part&#13;
Wise, lyrical work set to music, or other scenic&#13;
or dramatic composition :&#13;
“Lecture’’ includes a sermon :&#13;
“Musical work’ in addition to being included&#13;
in the definition of book, includes any com-&#13;
bination of melody and harmony, or either of&#13;
them, printed, reduced to writing, or other-&#13;
wise graphically produced or reproduced :&#13;
“Periodical" means a review, magazine, news-&#13;
paper, or other periodicai work of a like&#13;
Inature :&#13;
“Pirated artistic work’ means a reproduction&#13;
of an artistic work made in any manner with-&#13;
out the authority of the owner of the copyright&#13;
in the artistic work :&#13;
“Pirated book” means a reproduction of a book&#13;
made in any manner without the authority of&#13;
the owner of the copyright in the book:&#13;
“Portrait ’’ includes any work the principal&#13;
object of which is the representation of a per-&#13;
Son by painting, drawing, engraving, photo-&#13;
graphy, sculpture, or any form of art:&#13;
“Publish ’’ and “Publication ” in relation to a&#13;
book refer to offer for sale or distribution, in&#13;
each case with the privity of the author, so as&#13;
to make the book accessible to the public :&#13;
“The Registrar’ means the Registrar of Copy-&#13;
rights or a Deputy Registrar of Copyrights:&#13;
“State Copyright Act” means any State Act&#13;
relating to the registration of the copyright&#13;
or performing right, or lecturing right in&#13;
books, or dramatic or musical works, or in&#13;
artistic works, or fine art works, or in lectures.&#13;
5. What is simultaneous publication or perform-&#13;
ance.—For the purposes of this Act publication,&#13;
performance, or delivery in the Commonwealth&#13;
shall be deemed to be simultaneous with publica-&#13;
tion, performance, or delivery elsewhere if the&#13;
period between the publications, performances, or&#13;
deliveries does not exceed fourteen days.&#13;
6. Blasphemous, &amp;c., matter not projected.—No&#13;
copyright, performing right, or lecturing right&#13;
shall subsist under this Act in any blasphemous,&#13;
indecent, seditious, or libellous work or matter.&#13;
7. Application of the Common Law.—Subject to&#13;
&#13;
&#13;
## p. (#698) ################################################&#13;
&#13;
this and any other Acts of the Parliament, the&#13;
Common Law of England relating to proprietary&#13;
rights in unpublished literary compositions shall,&#13;
after the commencement of this Act, apply&#13;
throughout the Commonwealth.&#13;
8. State Copyright Acts not to apply to copyright&#13;
under this Act.—-(1.) The State Copyright Acts so&#13;
far as they relate to the copyright in any book,&#13;
the performing right in any musical or dramatic&#13;
work, the lecturing right in any lecture, or the&#13;
copyright in any artistic or fine art work shall not&#13;
apply to any book, dramatic or musical work,&#13;
lecture, or artistic work in which copyright, per-&#13;
forming right, or lecturing right, subsists under&#13;
this Act.&#13;
Saving of rights under State laws.-(2.) Subject&#13;
to Part II. of this Act, nothing in this Act shall&#13;
affect the application of the laws in force in any&#13;
State at the commencement of this Act to any&#13;
copyright or other right in relation to books or&#13;
dramatic or musical works or lectures or artistic&#13;
or fine art works acquired under or protected by&#13;
those laws before the commencement of this Act.&#13;
PART II.-ADMINISTRATION.&#13;
Division 1.—77te Registrar and the Copyright&#13;
Office.&#13;
9. Registrar.—(1.) There shall be a Registrar of&#13;
Copyrights.&#13;
(2.) The Governor-General may appoint one or&#13;
more Deputy Registrars of Copyrights who shall,&#13;
subject to the control of the Registrar of Copyrights,&#13;
have all the powers conferred by this Act on the&#13;
Registrar.&#13;
10. Copyright Office.—For the purposes of this&#13;
Act an office shall be established which shall be&#13;
called the Copyright Office.&#13;
11. Seal of Copyright Office.—There shall be a&#13;
seal of the Copyright Office, and impressions thereof&#13;
shall be judicially noticed.&#13;
Division 2. —7%e Transfer of the Administration&#13;
of the Slate Copyright Acts.&#13;
12. Transfer of adminisfration.—The Governor-&#13;
General may, by proclamation, declare that, from&#13;
and after a date specified in the proclamation, the&#13;
administration of the State Copyright Acts of any&#13;
State so far as they relate to the registration of the&#13;
copyright in any book, the performing right in any&#13;
musical or dramatic work, the lecturing right in&#13;
any lecture, and the copyright in any artistic or&#13;
fine art work, or to the registration of any assign-&#13;
ment or grant of, or licence in relation to, any such&#13;
right, shall be transferred to the Commonwealth&#13;
and thereupon, so far as is necessary for the pur-&#13;
poses of this section—&#13;
(a) Effect of transfer of administration. Cf.&#13;
Patents Act, 1903, ss. 18 and 19. The&#13;
State Copyright Acts of the State shall&#13;
cease to be administered by the State,&#13;
and shall thereafter be administered by&#13;
the Commonwealth so far as is necessary&#13;
for the purpose of completing then pending&#13;
proceedings and of giving effect to then&#13;
existing rights, and the Registrar shall&#13;
Collect for the State all fees which become&#13;
payable thereunder ; and&#13;
(b) all powers and functions under any State&#13;
Copyright Act vested in the Governor&#13;
of the State or in the Governor with the&#13;
advice of the Executive Council of the&#13;
State or in any Minister officer or&#13;
authority of the State shall vest in the&#13;
Governor-General or in the Governor-&#13;
General in Council or in the Minister&#13;
officer or authority exercising similar&#13;
powers under the Commonwealth as the&#13;
Case requires or as is prescribed ; and&#13;
(6) all records registers deeds and documents of&#13;
the Copyright Office of the State vested&#13;
in or subject to the control of the State&#13;
shall, by force of this Act, be vested in&#13;
and made subject to the control of the&#13;
Commonwealth.&#13;
PART III.-LITERARY, MUSICAL, AND DRAMATIC&#13;
COPYRIGHT.&#13;
13. Copyright in books.--(1.) The copyright in&#13;
a book means the exclusive right to do, or authorize&#13;
another person to do, all or any of the following&#13;
things in respect of it :—&#13;
(a) To make copies of it :&#13;
(b) To abridge it :&#13;
(c) To translate it :&#13;
(d) In the case of a dramatic work, to convert&#13;
it into a novel or other non-dramatic&#13;
work :&#13;
(e) In the case of a novel or other non-dramatic&#13;
Work, to convert it into a dramatic work :&#13;
and&#13;
(f) In the case of a musical work, to make&#13;
any new adaptation, transposition, arrange-&#13;
ment, or setting of it, or of any part of it,&#13;
in any notation.&#13;
(2.) Copyright shall subsist in every book,&#13;
whether the author is a British subject or not,&#13;
which has been printed from type set up in&#13;
Australia, or plates made therefrom, or from plates&#13;
or negatives made in Australia in cases where type&#13;
is not necessarily used, and has, after the com-&#13;
mencement of this Act, been published in Australia,&#13;
before or simultaneously with its first publication&#13;
elsewhere.&#13;
14. Performing right in dramatic and musical&#13;
100%s.—(1.) The performing right in a dramatic&#13;
&#13;
&#13;
## p. (#699) ################################################&#13;
&#13;
or musical work means the exclusive right to per-&#13;
form it, or authorise its performance, in public.&#13;
(2.) Performing right shall subsist in every&#13;
dramatic or musical work, whether the author is a&#13;
British subject or not, which has, after the com-&#13;
mencement of this Act, been performed in public&#13;
in Australia, before or simultaneously with its first&#13;
performance in public elsewhere.&#13;
15. Lecturing right in lectures.—(1.) The lectur-&#13;
ing right in a lecture means the exclusive right to&#13;
deliver it, or authorise its delivery, in public, and,&#13;
except as hereinafter provided, to report it.&#13;
(2.) Lecturing right shall subsist in every&#13;
lecture, whether the author is a British subject or&#13;
not, which has, after the commencement of this&#13;
Act, been delivered in public in Australia, before&#13;
or simultaneously with its first delivery in public&#13;
elsewhere.&#13;
16. Commencement of copyright performing right,&#13;
and lecturing right.—(1.) The copyright in a book&#13;
shall begin with its first publication in Australia.&#13;
(2.) The performing right in a dramatic or&#13;
musical work shall begin with its first performance&#13;
in public in Australia.&#13;
(3.) The lecturing right in a lecture shall begin&#13;
with its first delivery in public in Australia.&#13;
17. Term of copyright, performing right, and&#13;
lecturing right.—(1.) The copyright in a book, the&#13;
performing right in a dramatic or musical work,&#13;
and the lecturing right in a lecture, shall subsist&#13;
for the term of forty-two years or for the author's&#13;
life and seven years whichever shall last the longer.&#13;
(2.) Where the first publication of a book, the&#13;
first performance in public of a musical or dramatic&#13;
work, or the first delivery in public of a lecture&#13;
takes place after the death of the author, the copy-&#13;
right, performing right, or lecturing right, as the&#13;
case may be, shall subsist for the term of forty-two&#13;
€8] S. -&#13;
(3.) Where a book or a dramatic or musical work&#13;
is written by joint authors the copyright and the&#13;
performing right shall subsist for the term of&#13;
forty-two years or their joint lives and the life of&#13;
the survivor of them, and seven years, whichever&#13;
shall last the longer.&#13;
(4.) If a lecture is published as a book with the&#13;
consent in writing of the owner of the lecturing&#13;
right, the lecturing right shall cease.&#13;
18. Ownership in copyright, performing right, and&#13;
lecturing right.—(1). The author of a book shall be&#13;
the first owner of the copyright in the book.&#13;
(2.) The author of a dramatic work or musical&#13;
work shall be the first owner of the performing&#13;
right in the dramatic or musical Work.&#13;
(3.) The author of a lecture shall be first owner&#13;
of the lecturing right in the lecture.&#13;
19. Ownership in the case of joint authors.-&#13;
Where there are joint authors of a book, or of a&#13;
dramatic or musical work, or of a lecture, the copy-&#13;
right or the performing right, or the lecturing&#13;
right, as the case may be, shall be the property of&#13;
the authors.&#13;
20. Separate authors.--Where a book is written&#13;
in distinct parts by separate authors and the name&#13;
of each author is attached to the portion written&#13;
by him, each author shall be entitled to copyright&#13;
in the portion written by him in the same manner&#13;
as if it were a separate book.&#13;
21. Encyclopædia and similar works.-The pro-&#13;
prietor or projector of an encyclopædia or other&#13;
similar permanent work of reference who employs&#13;
Some other person for valuable consideration in the&#13;
composition of the whole or any part of the work&#13;
shall be entitled to the copyright in the work in the&#13;
same manner as if he were the author thereof.&#13;
22. Copyright in articles published in periodicals.&#13;
—(1.) The author of any article, contributed for&#13;
valuable consideration to and first published in a&#13;
periodical, shall be entitled to copyright in the&#13;
article as a separate work, but so that—&#13;
(a) he shall not be entitled to publish the article&#13;
or authorise its publication until one year&#13;
after the end of the year in which the&#13;
article was first published, and&#13;
(b) his right shall not exclude the right of th&#13;
proprietor of the periodical under this&#13;
section.&#13;
(2.) The proprietor of a periodical in which an&#13;
article, which has been contributed for valuable&#13;
consideration, is first published shall be entitled to&#13;
copyright in the article, but so that—&#13;
(a) he shall not be entitled to publish the article&#13;
or authorise its publication except in the&#13;
periodical in its original form of publication,&#13;
and -&#13;
(b) his right shall not exclude the right of the&#13;
author of the article, under this section.&#13;
23. Copyright in articles published in periodicals&#13;
without valuable consideration.—The author of any&#13;
article contributed without valuable consideration&#13;
to, and first published in, a periodical, shall be&#13;
entitled to copyright in the article as a separate&#13;
work.&#13;
24. Copyright, &amp;c., to be personal property.—The&#13;
copyright in a book, the performing right in a&#13;
dramatic or musical work, and the lecturing right&#13;
in a lecture shall be personal property, and shall be&#13;
capable of assignment and of transmission by&#13;
operation of law.&#13;
25. Copyright and other rights to be separate&#13;
properties.—The copyright in a book, and the per-&#13;
forming right in a dramatic or musical work and the&#13;
lecturing right in a lecture shall be deemed to be&#13;
distinct properties for the purposes of ownership,&#13;
assignment, licence, transmission, and all other&#13;
purposes.&#13;
&gt;};&#13;
&#13;
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## p. (#700) ################################################&#13;
&#13;
26. Assignment of copyright.—The owner of the&#13;
copyright in a book, or of the performing right in&#13;
a dramatic or musical work, or of the lecturing&#13;
right in a lecture, may assign his right either&#13;
wholly or partially and either generally or limited&#13;
to any particular place or period, and may grant&#13;
any interest therein by licence ; but an assignment&#13;
or grant shall not be valid unless it is in writing&#13;
signed by the owner of the right in respect of&#13;
which it is made or granted.&#13;
27. Welſ' editions.—Any second or subsequent&#13;
edition of a book containing material or substan-&#13;
tial alterations or additions shall be deemed to be&#13;
a new book, but so as not to prejudice the right of&#13;
any person to reproduce a former edition of the&#13;
book or any part thereof after the expiration of the&#13;
copyright in the former edition.&#13;
Provided that while the copyright in a book&#13;
Subsists no person, other than the owner of the&#13;
copyright in the book or a person authorised by&#13;
him, shall be entitled to publish a second or&#13;
Subsequent edition thereof.&#13;
28. Making of abridgment, &amp;c., for private use.—&#13;
Copyright in a book shall not be infringed by a&#13;
person making an abridgment or translation of the&#13;
book for his private use (unless he uses it publicly&#13;
or allows it to be used publicly by some other&#13;
person), or by a person making fair extracts from&#13;
or otherwise fairly dealing with the contents of the&#13;
book for the purpose of a new work, or for the&#13;
purposes of criticism, review, or refutation, or&#13;
in the ordinary course of reporting scientific in-&#13;
formation.&#13;
29. Translations or abridgments.--Where the&#13;
author has parted with the copyright in his&#13;
book and a translation or abridgment of the book&#13;
is made with the consent of the owner of the copy-&#13;
right by some person other than the author, notice&#13;
shall be given in the title-page of every copy of the&#13;
translation or abridgment that it has been made by&#13;
some person other than the author.&#13;
30. Failure of author to make or cause translation&#13;
of book.--Where a translation of a book into a par-&#13;
ticular language is not made within ten years from&#13;
the date of the publication of the book by the&#13;
owner of the copyright or by some person by his&#13;
authority—&#13;
(a) Any person desirous of translating the&#13;
book into that language may make an&#13;
application in writing to the Minister&#13;
for permission so to do :&#13;
(b) The Minister may thereupon by notice in&#13;
writing inform the owner of the copy-&#13;
right of such application and request&#13;
him to make or cause to be made a&#13;
translation of the book into that lan-&#13;
guage within such time as the Minister&#13;
deems reasonable or to show cause why&#13;
such application should not be granted :&#13;
(c) If the owner of the copyright fails to&#13;
comply with such notice the Minister&#13;
may grant such application.&#13;
31. Copyright in translations.—Copyright shall&#13;
subsist in a lawfully-produced translation or&#13;
abridgment of a book in like manner as if it&#13;
were an original work.&#13;
32. Notice of reservation of performing right.—&#13;
(1.) Where a dramatic or musical work is pub-&#13;
lished as a book, and it is intended that the&#13;
performing right is to be reserved, the owner of&#13;
copyright, whether he has parted with the per-&#13;
forming right or not, shall cause notice of the&#13;
reservation of the performing right to be printed&#13;
on the title page or in a conspicuous part of every&#13;
copy of the book.&#13;
(2.) Defendant's rights where no notice of reserva-&#13;
tion of performing right.—Where—&#13;
(a) proceedings are taken for the infringe-&#13;
ment of the performing right in a&#13;
dramatic or musical work published as a&#13;
book, and&#13;
(b) the defendant proves to the satisfaction&#13;
of the Court that he has in his posses-&#13;
sion a copy of the book containing the&#13;
dramatic or musical work and that that&#13;
copy was published with the consent of&#13;
the owner of the copyright, and does&#13;
not contain the notice required by this&#13;
Act of the reservation of the performing&#13;
right,&#13;
judgment may be given in his favour either with&#13;
or without costs as the Court, in its discretion,&#13;
thinks fit; but in any such case the owner of&#13;
the performing right (if he is not the owner of the&#13;
copyright) shall be entitled to recover from the&#13;
owner of the copyright damages in respect of the&#13;
injury he has incurred by the neglect of the owner&#13;
of the copyright to cause due notice to be given of&#13;
the reservation of the performing right.&#13;
33. Report of lecture in a newspaper.—(1.) Unless&#13;
the reporting of a lecture is prohibited by a notice&#13;
as in this section mentioned, the lecturing right in&#13;
a lecture shall not be infringed by a report of the&#13;
lecture in a newspaper.&#13;
(2.) The notice prohibiting the reporting of a&#13;
lecture may be given—&#13;
(a) orally at the beginning of the lecture ; or&#13;
(b) by a conspicuous written notice affixed,&#13;
before the lecture is given, on the&#13;
entrance doors of the building in which&#13;
it is given or in a place in the room&#13;
in which it is given.&#13;
(3.) When a series of lectures is intended to be&#13;
given by the same lecturer on the same subject,&#13;
one notice only need be given in respect of the&#13;
whole series.&#13;
&#13;
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## p. (#701) ################################################&#13;
&#13;
PART IV.--ARTISTIC CoPYRIGHT.&#13;
34. Meaning of copyright.—The copyright in an&#13;
artistic work means the exclusive right of the&#13;
Owner of the copyright to reproduce or authorise&#13;
another person to reproduce the artistic work, or&#13;
any material part of it, in any manner, form, or&#13;
size, in any material, or by any process, or for&#13;
any purpose.&#13;
35. Copyright in artistic works.-Copyright shall&#13;
Subsist in every artistic work whether the author&#13;
is a British subject or not, which is made in&#13;
Australia after the commencement of this Act.&#13;
36. Commencement and term of artistic copyright.&#13;
—The copyright in an artistic work shall begin&#13;
with the making of the work, and shall subsist for&#13;
the term of forty-two years or for the author's&#13;
life and seven years whichever shall last the&#13;
longer.&#13;
37. Ownership of copyright in artistic work.—The&#13;
author of an artistic work shall be the first owner&#13;
of the copyright in the work.&#13;
38. Copyright in portraits.--When an artistic&#13;
work, being a portrait, is made to order for valuable&#13;
consideration, the person to whose order it is made&#13;
shall be entitled to the copyright therein as if he&#13;
were the author thereof.&#13;
39. Copyright in photographs.-(1.) When a&#13;
photograph is made to order for valuable con-&#13;
sideration the person to whose order it is made&#13;
shall be entitled to the copyright therein as if he&#13;
were the author thereof.&#13;
(2.) Subject to sub-section (1) of this section,&#13;
when a photograph is made by an employee on&#13;
behalf of his employer the employer shall be&#13;
deemed to be the author of the photograph.&#13;
40. Engravings and prints.--(1.) Subject to&#13;
section thirty-four of this Act the engraver or&#13;
other person who makes the plate or other instru-&#13;
ment by which copies of an artistic work are&#13;
multipled shall be deemed to be the author of&#13;
the copies produceed by means of the plate or&#13;
instrument.&#13;
(2.) When the plate or other instrument men-&#13;
tioned in this section is made by an employee on&#13;
behalf of his employer the employer shall be deemed&#13;
to be the author of the copies produced by means&#13;
of the plate or instrument.&#13;
41. Copyright in case of sale of painting, statue,&#13;
or bust. (1.)—When the owner of the copyright in&#13;
any artistic work being a painting, or a statue, bust,&#13;
or other like work, disposes of such work for valu-&#13;
able consideration, but does not assign the copy-&#13;
right therein, the owner of the copyright (except&#13;
as in this section mentioned) may in the absence&#13;
of any agreement in writing to the contrary make&#13;
a replica of such work.&#13;
Right of author to make replicas of statues, etc., in&#13;
public places. (2.)—When a statue, bust, or other&#13;
like work, whether made to order or not, is placed&#13;
or is intended to be placed in a street or other like&#13;
public place, the author may, in the absence of any&#13;
agreement to the contrary, make replicas thereof.&#13;
42. Artistic copyright is personal property.—The&#13;
copyright in an artistic work shall be personal&#13;
property, and shall be capable of assignment and&#13;
of transmission by operation of law.&#13;
43. Copyright and ownership in artistic works.-&#13;
The copyright in an artistic work and the owner-&#13;
ship of the artistic work shall be deemed to be&#13;
distinct properties for the purposes of ownership,&#13;
assignment, licence, transmission, and all other&#13;
purposes.&#13;
44. Assignment of copyright.—The owner of the&#13;
copyright in an artistic work may assign his right&#13;
wholly or partially and either generally or limited&#13;
to any particular place or period and may grant&#13;
any interest therein by licence ; but an assignment&#13;
or grant shall not be valid unless it is in writing&#13;
signed by the owner of the copyright.&#13;
PART W.-INFRINGEMENT OF COPYRIGHT.&#13;
45. Infringement of rights under Act.—If any&#13;
person infringes any right conferred by this Act&#13;
in respect of the copyright in a book, the perform-&#13;
ing right in dramatic or musical work, the lecturing&#13;
right in a lecture, or the copyright in an artistic&#13;
work, the owner of the right infringed may maintain&#13;
an action for damages or penalties or profits, and&#13;
for an injunction, or for any of those remedies.&#13;
46. Damages in case of performing right or lectur-&#13;
ing right.—In assessing the damages in respect of&#13;
the infringement of the performing right in a&#13;
dramatic or musical work or the lecturing right in&#13;
a lecture, regard shall be had to the amount of&#13;
profit made by the infringer by reason of the&#13;
infringement, and to the amount of actual damage&#13;
incurred by the owner of the performing or&#13;
lecturing right.&#13;
47. Notice of objection to title.—The plaintiff in&#13;
any action for the infringement of a right con-&#13;
ferred by this Act shall be presumed to be the&#13;
owner of the right which he claims, unless the&#13;
defendant in his pleadings in defence pleads that&#13;
the defendant disputes the title of the plaintiff,&#13;
and states the grounds on which the plea is&#13;
founded, and the name of the person, if any, whom&#13;
the defendant alleges to be the owner of the right.&#13;
48. Limitation of actions. (Cf. 5-6 Vict. c. 45,&#13;
s. 26.).-No action for any infringement of copy-&#13;
right, performing right, or lecturing right under&#13;
this Act shall be maintainable unless it is com-&#13;
menced within two years next after the infringement&#13;
is committed.&#13;
49. Property in pirated books or artistic work.--&#13;
&#13;
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## p. (#702) ################################################&#13;
&#13;
All pirated books and all pirated artistic works&#13;
shall be deemed to be the property of the owner of&#13;
the copyright in the book or work and may,&#13;
together with the plates, blocks, stone, matrix,&#13;
negative, or thing, if any, from which they are&#13;
rinted or made, be recovered by him by action or&#13;
other lawful method.&#13;
50. Penalties for dealing with pirated books.-&#13;
If any person—&#13;
(a) sells, or lets for hire, or exposes offers or&#13;
keeps for sale or hire, any pirated book or&#13;
any pirated artistic work; or&#13;
(b) distributes, or exhibits in public, any pirated&#13;
book or any pirated artistic work ; or&#13;
(c) imports into Australia any pirated book or&#13;
any pirated artistic work,&#13;
he shall be guilty of an offence against this Act,&#13;
and shall be liable to a penalty not exceeding Five&#13;
pounds for each copy of such pirated book or&#13;
pirated artistic work dealt with in contravention&#13;
of this section, and also to forfeit to the owner of&#13;
the copyright every such copy so dealt with, and&#13;
also to forfeit the plates, blocks, stone, matrix,&#13;
negative, or thing, if any, from which the pirated&#13;
book or pirated artistic work was printed or made.&#13;
Provided that the whole penalties inflicted on&#13;
any one offender in respect of the same transaction&#13;
shall not exceed Fifty pounds.&#13;
Provided also that no person shall be convicted&#13;
of an offence under this section if he proves to the&#13;
satisfaction of the court at the hearing that he did&#13;
not know, and could not with reasonable care have&#13;
ascertained, that the book was a pirated book or&#13;
the work was a pirated artistic work.&#13;
51. Liability in respect of use of theatre.—Where&#13;
a dramatic or musical work is performed in a theatre&#13;
or other place in infringement of the performing&#13;
right of the owner of that right, the proprietor&#13;
tenant or occupier who permitted the theatre or&#13;
place to be used for the performance shall be&#13;
deemed to have infringed the performing right and&#13;
shall be guilty of an offence against this Act, and&#13;
shall be liable to a penalty not exceeding Five&#13;
pounds for each such offence and the court may, in&#13;
addition to the penalty, Order the defendant to pay&#13;
to the owner of the performing right in respect of&#13;
each such infringement a sum by way of damages&#13;
to the amount or Ten pounds, or to such amount&#13;
as the court deems equal to the profits made by&#13;
the performance of the work, whichever sum is&#13;
greater.&#13;
Provided that no person shall be convicted of an&#13;
offence under this section if he proves to the&#13;
satisfaction of the court at the hearing that he did&#13;
not know and could not with reasonable care have&#13;
ascertained that the dramatic or musical work was&#13;
performed in infringement of the performing right&#13;
of the owner of that right.&#13;
52. Search warrant and seizure of pirated copies.—&#13;
(1.) A Justice of the Peace may upon the applica-&#13;
tion of the owner of the copyright in any book&#13;
or in any artistic work or of the agent of such&#13;
owner appointed in writing :—&#13;
(a) If satisfied by evidence that there is reason-&#13;
able ground for believing that pirated&#13;
books or pirated artistic works are being&#13;
sold, or offered for sale—issue a warrant,&#13;
in accordance with the form prescribed,&#13;
authorising any constable to seize the&#13;
pirated books or pirated artistic works&#13;
and to bring them before a court of&#13;
summary jurisdiction.&#13;
(b) If satisfied by evidence that there is&#13;
reasonable ground for believing that&#13;
pirated books or pirated artistic works&#13;
are to be found in any house, shop, or&#13;
other place—issue a warrant, in accord-&#13;
ance with the form prescribed, authoris-&#13;
ing any constable to search, between&#13;
sunrise and sunset, the place where the&#13;
pirated books or pirated artistic works&#13;
are supposed to be, and to seize and&#13;
bring them or any books or artistic works&#13;
reasonably suspected to be pirated books&#13;
or pirated artistic works before a court of&#13;
summary jurisdiction. -&#13;
(2.) A court of summary jurisdiction may, on&#13;
proof that any books or artistic works brought&#13;
before it in pursuance of this section are pirated&#13;
books or pirated artistic works, order them to be&#13;
destroyed or to be delivered up, subject to such con-&#13;
ditions, if any, as the court thinks fit, to the owner&#13;
of the copyright in the book or artistic work.&#13;
53. Power of owner of copyright to require&#13;
delivery to him of pirated books and works.— .&#13;
(1.) The owner of the copyright in any-book&#13;
or artistic work, or the agent of such owner&#13;
appointed in writing, may by notice, in accordance&#13;
with the prescribed form, require any person to&#13;
deliver up to him any pirated reproduction of the&#13;
book or work, and every person to whom such&#13;
notice has been given, and who has any pirated&#13;
reproduction of the book or work in his possession&#13;
or power, shall deliver up the pirated reproduction&#13;
of the book or work in accordance with the notice.&#13;
Penalty : Ten pounds.&#13;
(2.) A person shall not give any notice in&#13;
accordance with this section without just cause.&#13;
Penalty : Twenty pounds.&#13;
(3.) In any prosecution under sub-section (2) of&#13;
this section the defendant shall be deemed to have&#13;
given the notice without just cause unless he proves,&#13;
to the satisfaction of the court at the hearing, that&#13;
at the time of giving the notice he was the owner&#13;
of the copyright in the book or artistic work or&#13;
was the agent of such owner appointed in writing,&#13;
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## p. (#703) ################################################&#13;
&#13;
and had reasonable ground to believe that the&#13;
person to whom the notice was given had pirated&#13;
reproductions of the book or work in his possession&#13;
or power.&#13;
54.—Power of owner of performing right to forbid&#13;
performance in infringement of his right.—(1.) The&#13;
owner of the performing right in a musical or&#13;
dramatic work, or the agent of the owner appointed&#13;
in Writing, may, by notice in writing in accordance&#13;
with the prescribed form, forbid the performance&#13;
of the musical or dramatic work in infringement&#13;
of his right, and require any person to refrain&#13;
from performing or taking part in the performance&#13;
of the musical or dramatic work, and every person&#13;
to whom a notice has been given in accordance with&#13;
this section shall refrain from performing or taking&#13;
part in the performance of the musical or dramatic&#13;
Work specified in the notice in infringement of the&#13;
performing right of such owner.&#13;
Penalty : Ten pounds.&#13;
(2.) A person shall not give any notice in pur-&#13;
Suance of this section without just cause.&#13;
Penalty : Twenty pounds.&#13;
(3.) In any prosecution under sub-section (2) of&#13;
this section, the defendant shall be deemed to have&#13;
given the notice without just cause unless he proves,&#13;
to the satisfaction of the court at the hearing, that&#13;
at the time of giving the notice he was the owner&#13;
of the performing right in the musical or dramatic&#13;
work, or the agent of the owner appointed in&#13;
writing, and had reasonable ground to believe that&#13;
the person to whom the notice was given was about&#13;
to perform or take part in the performance of the&#13;
musical or dramatic work in infringement of the&#13;
performing right of the owner.&#13;
55. Penalty for false representations in notices.—&#13;
Any person, who in any notice given in pursuance&#13;
of this Act, makes a representation, which is false&#13;
in fact and which he knows to be false or does not&#13;
believe to be true, that he is&#13;
(a) the owner of the copyright in any book or&#13;
artistic work, or&#13;
(b) the owner of the performing right in a&#13;
musical or dramatic work, or&#13;
(c) the agent of any such owner,&#13;
shall be guilty of an offence against this Act.&#13;
Penalty : Two years' imprisonment.&#13;
56. Request to police to seize pirated books and&#13;
works.--(1.) The owner of the copyright in any&#13;
book or artistic work or the agent of such owner&#13;
appointed in writing may, in accordance with the&#13;
prescribed form, request that any pirated reproduc-&#13;
tions of the book or work be seized by the police,&#13;
and may lodge the request at any police station.&#13;
(2.) Any police constable in the town or district&#13;
in which the police station is situated (whether in&#13;
the service of the Commonwealth or a State), may,&#13;
at any time in the day time within seven days&#13;
after the request was so lodged, seize all pirated&#13;
reproductions of the book or work mentioned in&#13;
the notice, and all reproductions of the book or&#13;
work which he has reasonable ground to believe&#13;
are pirated reproductions, found by him in the&#13;
possession of any person other than the owner of&#13;
the copyright in the book or work.&#13;
(3.) Every police constable who seizes any books&#13;
or works in pursuance of this section shall forth-&#13;
with bring all such books or works before a court&#13;
of summary jurisdiction.&#13;
(4.) A court of summary jurisdiction may, on&#13;
the application of any person interested, make such&#13;
order for the disposal of the books or works as he&#13;
thinks just.&#13;
(5.) A person shall not lodge any request at any&#13;
police station in accordance with this section with-&#13;
just cause.&#13;
Penalty : Twenty pounds.&#13;
(6.) In any prosecution under sub-section (5) of&#13;
this section the defendant shall be deemed to have&#13;
lodged the request without just cause unless he&#13;
proves, to the satisfaction of the court at the&#13;
hearing, that at the time of lodging the request&#13;
he was the owner of the copyright in the book or&#13;
artistic work, or was the agent of such owner&#13;
appointed in writing and had reasonable ground&#13;
to believe that pirated reproductions of the book&#13;
or work were being unlawfully sold, or let for hire,&#13;
or exposed or offered or kept for sale or hire, or dis-&#13;
tributed, or exhibited in public, in the town or&#13;
district in which the police station is situated.&#13;
57. Application of penalties.—Where proceedings&#13;
for any penalty under this Act are instituted by&#13;
the owner of the copyright in any book or in any&#13;
artistic work or by the owner of the artistic work,&#13;
the penalty shall be paid to him by way of com-&#13;
pensation for the injury he has sustained. In any&#13;
other case the penalty shall be paid to the Consoli-&#13;
dated Revenue Fund.&#13;
58. Aiders and abetfors.-Whoever aids, abets,&#13;
counsels, or procures, or by act or omission is in&#13;
any way, directly or indirectly, knowingly concerned&#13;
in the commission of any offence against this Act,&#13;
shall be deemed to have committed that offence,&#13;
and shall be punishable accordingly.&#13;
59. Limitation of actions in court of summary&#13;
jurisdiction.—Proceedings may be instituted in any&#13;
court of summary jurisdiction for the recovery of&#13;
any penalty under this Act, but no such proceed-&#13;
ings shall be instituted after the expiration of six&#13;
months from the date of the offence in respect of&#13;
which the penalty is imposed.&#13;
60. Appeal from courts of summary jurisdiction.&#13;
–An appeal shall lie from any conviction or Order&#13;
(including any dismissal of any information,&#13;
complaint, or application) of a court of sum-&#13;
mary jurisdiction, exercising jurisdiction with&#13;
&#13;
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## p. (#704) ################################################&#13;
&#13;
10&#13;
respect to any offence or matter under this Act, to&#13;
the court and in the manner and time provided by&#13;
the law of the State in which the proceedings were&#13;
instituted in the case of appeals from courts of&#13;
summary jurisdiction in that State.&#13;
61. Importafion of pirated works. – (1.) The&#13;
following goods are prohibited to be imported :—&#13;
(a) All pirated books in which copyright is&#13;
subsisting in Australia (whether under&#13;
this Act or otherwise): and&#13;
(b) All pirated artistic works in which copyright&#13;
is subsisting in Australia (whether under&#13;
this Act or otherwise).&#13;
(2.) All pirated books and pirated artistic works&#13;
imported into Australia contrary to this section&#13;
shall be forfeited and may be seized by any officer&#13;
of Customs.&#13;
3.) Subject to this Act the provisions of the&#13;
Customs Act, 1901, shall apply to the seizure and&#13;
forfeiture of pirated books and artistic works under&#13;
this section to the same extent as if they were&#13;
prohibited imports under that Act.&#13;
(4.) The provisions of this section shall not&#13;
apply to any book or artistic work unless the&#13;
owner of the copyright therein or his agent has&#13;
given written notice to the Minister of the existence&#13;
of the copyright and of its term.&#13;
(5.) A notice given to the Commissioners of&#13;
Customs of the United Kingdom, by the owner of&#13;
the copyright or his agent, of the existence of the&#13;
copyright in a book or artistic work and of its&#13;
term, and communicated by the said Commissioners&#13;
to the Minister shall be deemed to have been given&#13;
by the owner to the Minister.&#13;
PART VI.-INTERNATIONAL AND STATE&#13;
COPYRIGHT.&#13;
62. Protection in Australia of International and&#13;
State Copyright.—The owner of any copyright or&#13;
performing right in any literary, musical, or&#13;
dramatic work or artistic work entitled to protection&#13;
in Australia by virtue of any Act of the Parliament&#13;
of the United Kingdom or entitled to protection&#13;
in any State by virtue of any State Copyright Act in&#13;
force at the commencement of this Act shall on&#13;
obtaining a certificate of the registration of his&#13;
Copyright or performing right under this part&#13;
of this Act have the same protection in the&#13;
Commonwealth against the infringement of his&#13;
copyright or performing right as the owner of any&#13;
Copyright or performing right under this Act.&#13;
63. Registration of International copyright.—&#13;
(1.) The owner of any copyright or performing&#13;
right who desires to obtain the benefit of this part&#13;
of this Act may, in manner and in accordance with&#13;
the form prescribed, make application to the&#13;
Registrar for the registration of his copyright or&#13;
performing right.&#13;
(2.)—The Registrar may thereupon, and on&#13;
being satisfied by proof of the prescribed particu-&#13;
lars and on payment of the prescribed fee, register&#13;
the copyright or performing right and issue to the&#13;
applicant a certificate of registration in accordance&#13;
with the prescribed form.&#13;
PART WII.-REGISTRATION OF COPYRIGHTS.&#13;
64. Copyright Registers.--The following Registers&#13;
of copyrights shall be kept by the Registrar at the&#13;
Copyright Office:–&#13;
The Register of Literary Copyrights.&#13;
The Register of Fine Arts Copyrights.&#13;
The Register of International and State Copy-&#13;
rights.&#13;
65. Method of registration.—The owner of any&#13;
copyright performing right or lecturing right&#13;
under this Act may obtain registration of his right&#13;
in the manner prescribed.&#13;
66. Registration of assignments and transmis-&#13;
Sions.—When any person becomes entitled to any&#13;
copyright performing right or lecturing right under&#13;
this Act by virtue of any assignment or trans-&#13;
mission, or to any interest therein by licence, he&#13;
may obtain registration of the assignment, trans-&#13;
mission, or licence in the manner prescribed.&#13;
67. How registration effected.—The registration&#13;
of any copyright performing right or lecturing&#13;
right under this Act, or of any assignment or trans-&#13;
mission thereof or of any interest therein by licence,&#13;
shall be effected by entering in the proper register&#13;
the prescribed particulars relating to the right,&#13;
assignment, transmission, or licence.&#13;
68. Trusts not registered.—(1.) No notice of any&#13;
trust expressed, implied, or constructive shall be&#13;
entered in any Register of Copyrights under this&#13;
Act or be receivable by the Registrar.&#13;
(2.) Subject to this section, equities in respect&#13;
of any copyright performing right or lecturing&#13;
right under this Act may be enforced in the same&#13;
manner as equities in respect of other personal&#13;
property.&#13;
69. Register to be evidence.—Every Register of&#13;
copyrights under this Act shall be prima facie evi-&#13;
dence of the particulars entered therein and docu-&#13;
ments purporting to be copies of any entry therein or&#13;
extracts therefrom certified by the Registrar and&#13;
sealed with the seal of the Copyrights Office shall be&#13;
admissible in evidence in all Federal or State&#13;
courts without further proof or production of the&#13;
Originals.&#13;
70. Certified copies.—Certified copies of entries&#13;
in any register under this Act or of extracts there-&#13;
from shall, on payment of the prescribed fee, be&#13;
given to any person applying for them.&#13;
71. Inspection of register.—Each register under&#13;
this Act shall be open to public inspection at all&#13;
&#13;
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## p. (#705) ################################################&#13;
&#13;
11&#13;
convenient times on&#13;
fee.&#13;
72. Correction of register.—The registrar may, in&#13;
prescribed cases and subject to the prescribed&#13;
conditions, amend or alter any register under this&#13;
Act by—&#13;
(a) correcting any error in any name, address, or&#13;
particular ; and&#13;
(b) entering any prescribed memorandum or&#13;
particular relating to copyright or other&#13;
right under this Act.&#13;
73. Rectification of Register by the Court.—(1.)&#13;
Subject to this Act the Supreme Court of any State&#13;
or a judge thereof may, on the application of the&#13;
Registrar or of any person aggrieved, order the&#13;
rectification of any register under this Act by—&#13;
(a) the making of any entry wrongly omitted to&#13;
be made in the register ; or&#13;
(b) the expunging of any entry wrongly made in&#13;
- or remaining on the register; or&#13;
(c) the correction of any error or defect in the&#13;
register.&#13;
(2.) An appeal shall lie to the High Court from&#13;
any order for the rectification of any register&#13;
made by a Supreme Court or a Judge under this&#13;
section.&#13;
74. Owner cannot sue before registration.—(1.)&#13;
The owner of any copyright or performing right&#13;
under this Act or of any interest therein by licence&#13;
shall not be entitled to bring any action or suit or&#13;
institute any proceedings for any infringement&#13;
of the copyright or performing right unless such&#13;
right or interest has been registered in pursuance&#13;
of this Act. \&#13;
(2.) When such right or interest has been&#13;
registered the owner thereof may, subject to this&#13;
Act, bring actions or suits or institute proceedings&#13;
for infringements of the copyright or performing&#13;
right, whether those infringements happened before&#13;
or after the registration. -&#13;
(3.) This section shall not affect the right of the&#13;
owner of the lecturing right in a lecture to bring&#13;
actions or suits or institute proceedings for&#13;
infringements of his lecturing right.&#13;
75. Delivery of books to registrar.—(1.) Every&#13;
person applying for the registration of the copyright&#13;
in any book shall deliver to the Registrar two copies&#13;
of the whole book with all maps and illustrations&#13;
belonging thereto, finished and coloured in the&#13;
same manner as the best copies of the book are&#13;
payment of the prescribed&#13;
published and bound, sewed, or stitched together,&#13;
and on the best paper on which the book is&#13;
printed.&#13;
(2) Every person applying for the registration&#13;
of the copyright in any work of art shall deliver to&#13;
the Registrar one copy of the work of art or a&#13;
photograph of it.&#13;
(3.) The Registrar shall refuse to register the&#13;
Copyright in any book or work of art until sub-&#13;
Sections (1) and (2) of this section have been&#13;
complied with.&#13;
(4.) One copy of each book delivered to the&#13;
Registrar in pursuance of this section shall be&#13;
forwarded by him to the librarian of the Parlia-&#13;
ment, and the other copy shall be retained by the&#13;
Registrar, until otherwise prescribed.&#13;
76. False representation to registrar. Patents&#13;
Act, 1903, S. 112.—No person shall wilfully make&#13;
any false statement or representation to deceive&#13;
the Registrar or any officer in the execution of this&#13;
part of this Act, or to procure or influence the&#13;
doing or omission of anything in relation to this&#13;
part of this Act or any matter thereunder.&#13;
Penalty : Three years' imprisonment.&#13;
PART VIII.-MISCELLANEOUS.&#13;
77. Provision against suppression of books.--If&#13;
the Governor-General is satisfied that the owner of&#13;
the copyright in any book, or of the performing&#13;
right in any dramatic work or musical work, or of&#13;
the lecturing right in any lecture, has refused,&#13;
after the death of the author, to republish or allow&#13;
republication of the book, or the public perform-&#13;
ance of the dramatic or musical work, or the&#13;
publication as a book of the lecture, and that by&#13;
reason thereof the book, dramatic work, musical&#13;
work, or lecture is withheld from the public, he may&#13;
grant any person applying for it a licence to&#13;
republish the book, or to perform the dramatic&#13;
Wolk, or musical work, or to publish the lecture as&#13;
a book, in such manner and subject to such&#13;
conditions as to the Governor-General seem fit.&#13;
78. Power to award costs.-In any action or&#13;
proceeding taken in any court under this Act, the&#13;
court shall have power to award costs at its&#13;
discretion.&#13;
79. Regulations.—The Governor-General may&#13;
make regulations, not inconsistent with this Act,&#13;
prescribing all matters which by this Act are&#13;
required or permitted to be prescribed, or which&#13;
are necessary or convenient to be prescribed for&#13;
giving effect to this Act, or for the conduct of any&#13;
business relating to the Copyrights Office.&#13;
BRADBURY, AGNEW, &amp; Co. LD., PRINTERs, LONDON AND TONBRIDGE.&#13;
&#13;
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&#13;
&#13;
## p. (#707) ################################################&#13;
&#13;
SUPBLEMENT II&#13;
UNITED STATES COPYRIGHT.&#13;
&#13;
&#13;
## p. (#708) ################################################&#13;
&#13;
&#13;
&#13;
## p. (#709) ################################################&#13;
&#13;
A BILL&#13;
TO AMEND AND CONSOLIDATE THE ACTS&#13;
RESPECTING COPYRIGHT.&#13;
CONTENTS.&#13;
PAGES&#13;
NATURE OF COPYRIGHT (Secs. 1–3).................................................................. 5&#13;
SUBJECT-MATTER OF COPYRIGHT (Secs. 4–7) ................................................... ... 5.&#13;
WHO MAY OBTAIN COPYRIGHT (Sec. 8) ............................................................ 6–7&#13;
HOW TO SECURE COPYRIGHT (Secs. 9–17) ......................................................... 7–9&#13;
DURATION OF COPYRIGHT (Secs. 18–20) ............................................................ 9–10&#13;
Protection of CopyRIGHT (Secs, 21–36) ......................................................... 10–15&#13;
TRANSFER OF COPYRIGHT (Secs. 37–45) .................. * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * 15–16&#13;
COPYRIGHT OFFICE (Secs. 46–60)..................................................................... 16–19&#13;
MISOELLANEOUs PROVISIONs (Secs. 61–64) ......................................................... 19&#13;
&#13;
&#13;
## p. (#710) ################################################&#13;
&#13;
&#13;
&#13;
## p. (#711) ################################################&#13;
&#13;
A B | LL&#13;
TO AMEND AND CONSOLIDATE THE ACTS&#13;
RESPECTING COPYRIG HT.&#13;
Be it enacted by the Senate and House of Representatives of the United&#13;
States of America in Congress assembled, That the copyright secured by&#13;
this Act shall include the sole and exclusive right :-&#13;
(a) For the purposes set forth in subsection (b) hereof, to make&#13;
any copy of any work or part thereof the subject of copyright&#13;
under the provisions of this Act, or to abridge, adapt, or translate&#13;
into another language or dialect any such work, or make any other&#13;
version thereof;&#13;
(b) To sell, distribute, exhibit, or let for hire, or offer or keep&#13;
for sale, distribution, exhibition, or hire any copy of such work ;&#13;
(c) To deliver, or authorize the delivery of, in public for profit,&#13;
any copyrighted lecture, sermon, address, or similar production&#13;
prepared for oral delivery :&#13;
(d) To publicly perform or represent a copyrighted dramatic&#13;
work, or to convert it into a novel or other non-dramatic work ;&#13;
(e) To dramatize any copyrighted non-dramatic work and&#13;
produce the same either by publication or performance ;&#13;
(f) To publicly perform a copyrighted musical work, or any&#13;
part thereof, or for purpose of public performance or the purposes&#13;
set forth in subsection (b) hereof to make any arrangement or&#13;
setting of such work, or of the melody thereof, in any system of&#13;
notation ;&#13;
(g) To make, sell, distribute or let for hire any device, contri-&#13;
Vance or appliance especially adapted in any manner whatsoever to&#13;
reproduce to the ear the whole or any material part of any&#13;
work published and copyrighted after this Act shall have gone into&#13;
effect, or by means of any such device or appliance publicly to&#13;
reproduce to the ear the whole or any material part of such work ;&#13;
(h) To produce any abridgment, variation, adaptation, or&#13;
arrangement of a copyrighted work of art.&#13;
SEC. 2. That nothing in this Act shall be construed to annul or limit&#13;
the right of the author or proprietor of an unpublished work, at&#13;
common law or in equity, to prevent the copying, publication, or use&#13;
of such unpublished work without his consent, or to obtain damages&#13;
therefor.&#13;
SEC. 3. That the copyright provided by this Act shall extend to and&#13;
protect all the copyrightable component parts of the work copyrighted,&#13;
any and all reproductions or copies thereof, in whatever form, style or&#13;
size, and all matter reproduced therein in which copyright is already&#13;
subsisting, but without extending the duration of such copyright.&#13;
SEC. 4. That the works for which copyright may be secured under&#13;
this Act shall include all the works of an author.&#13;
SEC. 5. That the application for registration shall specify to which of&#13;
the following classes the work in which copyright is claimed belongs:&#13;
(a) Books, including composite and cyclopædic works, direc-&#13;
tories, gazetteers, and other compilations, and new matter contained&#13;
5&#13;
Nature and Extent of Copy-&#13;
right.&#13;
Subject Matter of Copyright.&#13;
Comp. Constitution, Art. 1, sec. 8 ;&#13;
Rev. Stat., sec. 4952.&#13;
&#13;
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## p. (#712) ################################################&#13;
&#13;
6&#13;
Comp. Act of June 18, 1874, Sec. 3&#13;
(18 Stat. at L., part III, p. 79).&#13;
Comp. Rev. Stat., sec. 4959; Act&#13;
of March 3, 1891, sec. 5 (26 Stat.&#13;
at L., p. 1108).&#13;
Not subject&#13;
matter of copy-&#13;
right.&#13;
who May obtain Copyright&#13;
Comp. Constitution, 1787, Art. 1,&#13;
Sec. 8 ; Rev. Stat., sec. 4952;&#13;
Act of March 3, 1891, sec. 13&#13;
(26 Stat. at L., p. 1110).&#13;
Comp. Act of March 3, 1891, Sec. 13&#13;
(26 Stat. at L., p. 1110).&#13;
in new editions; but not including works specified in other sub-&#13;
sections hereunder ;&#13;
(b) Periodicals, including newspapers;&#13;
(c) Oral lectures, sermons, addresses;&#13;
(d) Dramatic compositions;&#13;
(e) Musical compositions;&#13;
(f) Maps ;&#13;
g) Works of art; models or designs for works of art ;&#13;
(h) Reproductions of a work of art ;&#13;
(i) Drawings or plastic works of a scientific or technical&#13;
character;&#13;
(j) Photographs;&#13;
(k) Prints and pictorial illustrations;&#13;
(1) Labels and prints relating to articles of manufacture, as&#13;
heretofore registered in the Patent Office under the Act of June 18,&#13;
1874 :&#13;
Provided, nevertheless, That the above specifications shall not be held&#13;
to limit the subject matter of copyright as defined in section four of&#13;
this Act, nor shall any error in classification invalidate or impair the&#13;
copyright protection secured under this Act.&#13;
SEC. 6. That additions to copyrighted works and alterations, re-&#13;
visions, abridgments, dramatizations, translations, compilations,&#13;
arrangements, or other versions of works, whether copyrighted or in&#13;
the public domain, shall be regarded as new works subject to copyright&#13;
under the provisions of this Act ; but no such copyright shall affect the&#13;
force or validity of any subsisting copyright upon the matter employed&#13;
or any part thereof, or be construed to grant an exclusive right to such&#13;
use of the original works.&#13;
SEC. 7. That no copyright shall subsist –&#13;
(a) In any publication of the United States government or any&#13;
reprint, in whole or in part, thereof: Provided, however, That the&#13;
publication or republication by the government, either separately&#13;
or in a public document, of any material in which copyright is&#13;
subsisting shall not be taken to cause any abridgment or annul-&#13;
ment of the copyright or to authorize any use or appropriation of&#13;
Such copyright material, without the consent of the copyright&#13;
proprietor;&#13;
(b) In the original text of a work by any author not a citizen&#13;
of the United States first published without the limits of the&#13;
United States prior to July first, eighteen hundred and ninety-one ;&#13;
or in the original text of any work which has fallen into the&#13;
public domain.&#13;
SEC. 8. That the author or proprietor of any work made the subject&#13;
of copyright by this Act, or his executors, administrators, or assigns,&#13;
shall have copyright for such work under the conditions and for the&#13;
terms specified in this Act: Provided, however, That the copyright&#13;
secured by this Act shall extend to the work of an author or proprietor&#13;
who is a citizen or subject of a foreign state or nation, only when such&#13;
foreign author or proprietor,&#13;
(a) Shall be living within the United States at the time of the&#13;
making and first publication of his work, or shall first or cotem-&#13;
poraneously publish his work within the limits of the United&#13;
States ; or&#13;
(b) When the foreign state or nation of which such author or&#13;
proprietor is a citizen or subject grants—either by treaty, conven-&#13;
tion, agreement, or law—to citizens of the United States the&#13;
benefit of copyright on substantially the same basis as to its own&#13;
&#13;
&#13;
## p. (#713) ################################################&#13;
&#13;
7&#13;
citizens, or copyright protection substantially equal to the protec-&#13;
tion Secured to such foreign author under this Act ; or when such&#13;
foreign state or nation is a party to an international agreement&#13;
which provides for reciprocity in the granting of copyright, by the&#13;
terms of which agreement the United States may at its pleasure&#13;
become a party thereto. -&#13;
The existence of the reciprocal conditions aforesaid shall be&#13;
determined by the President of the United States, by proclamation&#13;
made from time to time, as the purposes of this Act may require.&#13;
SEC. 9. That any person entitled thereto by this Act may secure&#13;
copyright for his work by publication thereof with the notice of copy-&#13;
right required by this Act ; and such notice shall be affixed to each&#13;
copy thereof published or offered for sale in the United States by&#13;
authority of the copyright proprietor. In the case of a work of art or&#13;
a plastic work or drawing, such notice shall be affixed to the original&#13;
also before publication thereof. In the case of a lecture or similar work&#13;
intended only for oral delivery, notice of copyright shall be given at&#13;
each public delivery thereof.&#13;
SEC. 10. That such person may obtain registration of his claim to&#13;
copyright by complying with the requirements prescribed in this Act ;&#13;
and such registration shall be primá facie evidence of ownership.&#13;
Registration may also be had of works of which copies are not repro-&#13;
duced for sale, by the deposit, with claim of copyright, of the title and&#13;
one complete printed or manuscript copy of such work, if it be a&#13;
lecture or similar production, or a dramatic or musical composition; of&#13;
a photographic print, if the work be a photograph ; or of a photograph&#13;
or other identifying reproduction thereof, if it be a work of art, or a&#13;
plastic work or drawing ; the notice of copyright in these latter&#13;
cases being affixed to the original before publication as required by&#13;
section nine above. But the privilege of registration secured hereunder&#13;
shall not exempt the copyright proprietor from the requirement of&#13;
deposit of copies under section eleven herein where the work is later&#13;
reproduced in copies for sale.&#13;
SEC. 11. That not later than thirty days (but in the case of a&#13;
periodical not later than ten days) after the publication of the work&#13;
upon which copyright is claimed, there shall be deposited in the Copy-&#13;
right Office or in the United States mail addressed to the Register of&#13;
Copyrights, Washington, District of Columbia, two complete copies of&#13;
the best edition ; or if the work be a label or print relating to an article&#13;
of manufacture, one such copy ; or if a contribution to a periodical for&#13;
which contribution special registration is requested, one copy of the&#13;
issue or issues of the periodical containing such contribution, to be&#13;
deposited not later than ten days after publication ; or if the work is&#13;
not reproduced in copies for sale, there shall be deposited the copy,&#13;
print, photograph or other identifying reproduction required by section&#13;
ten above: such copies or copy, print, photograph or other reproduction&#13;
to be accompanied in each case by a claim of copyright.&#13;
SEC. 12. That the postmaster to whom are delivered the articles&#13;
required to be deposited under section eleven above shall, if requested,&#13;
give a receipt therefor; and shall mail them to their destination&#13;
without cost to the copyright claimant.&#13;
SEC. 13. That of a printed book or periodical the text of the copies&#13;
deposited under section eleven above shall be printed from type set&#13;
How to Secure Copyright.&#13;
Comp. Rev. Stat., Sec. 4956, as&#13;
amended by the Act of March 3,&#13;
1891, sec. 3 (26 Stat. at L.,&#13;
p. 1107).&#13;
Comp. Rev. Stat., Sec. 4961.&#13;
U. S. type-set-&#13;
ting and litho-&#13;
within the limits of the United States, either by hand or by the aid of graphiº Pº&#13;
any kind of typesetting machine, or from plates made from type set&#13;
within the limits of the United States, or if the text be produced by&#13;
&#13;
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## p. (#714) ################################################&#13;
&#13;
8&#13;
Comp. Act of March 3, 1891, sec. 3&#13;
(26 Stat. at L., p. 1107); H. R.&#13;
bill no. 13355, March 2, 1904,&#13;
passed by the House of Repre-&#13;
sentatives April 26, 1904 (58th&#13;
Cong., 2d Sess.).&#13;
Comp. Act of March 3, 1905.&#13;
Notice of copy-&#13;
right,&#13;
Comp. Rev. Stat., sec., 4962; Act&#13;
of June 18, 1874, sec. 1 (18 Stat.&#13;
at L., part III, p. 79); Act of&#13;
March 3, 1905.&#13;
lithographic process, then by a process wholly performed within the&#13;
limits of the United States: which requirements shall extend also to&#13;
the illustrations produced by lithographic process within a printed book&#13;
consisting of text and illustrations, and also to separate lithographs,&#13;
except where in either case the subjects represented are located in a&#13;
foreign country ; but they shall not apply to works in raised characters&#13;
for the use of the blind, and they shall be subject to the provisions of&#13;
section sixteen with reference to books published abroad seeking&#13;
ad interim protection under this Act.&#13;
In the case of the book the copies so deposited shall be accompanied&#13;
by an affidavit, under the official seal of any officer authorized to&#13;
administer oaths within the United States, duly made by the person&#13;
claiming copyright or by his duly authorized agent or representative&#13;
residing in the United States or by the printer who has printed the&#13;
book, setting forth that the copies deposited have been printed from&#13;
type set within the limits of the United States or from plates made from&#13;
type set within the limits of the United States, or, if the text be pro-&#13;
duced by lithographic process, that such process was wholly performed&#13;
within the limits of the United States.&#13;
Any person who for the purpose of obtaining a copyright shall&#13;
knowingly be guilty of making a false affidavit as to his having&#13;
complied with the above conditions shall be deemed guilty of a&#13;
misdemeanor, and upon conviction thereof shall be punished by a fine&#13;
of not more than one thousand dollars, and all of his rights and&#13;
privileges under said copyright shall thereafter be forfeited.&#13;
Such affidavit shall state also the place within the United States, and&#13;
the establishment, in which such type was set or plates were made or&#13;
lithographic process was performed and the date of the completion of&#13;
the printing of the book or the date of publication.&#13;
SEC. 14. That the notice of copyright required by section nine shall&#13;
consist either of the word “Copyright" or the abbreviation “Copr.”&#13;
or, in the case of any of the works specified in sub-sections (f) to (l)&#13;
inclusive, of section five of this Act, the letter C enclosed within a&#13;
circle, thus: (G), accompanied in every case by the name of the author&#13;
or copyright proprietor as registered in the Copyright Office ; or, in the&#13;
case of works specified in subsections (f) to (l), inclusive, of Section&#13;
five of this Act, by his initials, monogram, mark, or symbol, provided&#13;
that on some accessible portion of the work or of the margin, back,&#13;
permanent base or pedestal thereof or of the substance on which the&#13;
work shall be mounted his name shall appear. But in the case of Works&#13;
in which copyright is subsisting when this Act shall go into effect the&#13;
notice of copyright may be either in one of the forms prescribed herein&#13;
or in one of those prescribed by the Act of June 18, 1874.&#13;
The notice of copyright shall be applied, in the case of a book or&#13;
other printed publication, upon its title-page or the page immediately&#13;
following, or if a periodical, either upon the title-page or upon the first&#13;
page of text of each separate number or under the title heading ; or if&#13;
a work specified in subsections (f) to (l), inclusive, of section five of this&#13;
Act, upon some accessible portion of the work itself or of the margin,&#13;
back, permanent base or pedestal thereof, or of the substance on which&#13;
the work shall be mounted.&#13;
In a composite work one notice of copyright shall suffice.&#13;
Upon every copy of a published musical composition in which the&#13;
right of public performance is reserved there shall be imprinted under&#13;
the notice of copyright the words “Right of public performance&#13;
reserved ; ” in default of which no action shall be maintained nor&#13;
recovery be had for any such performance although without the consent&#13;
of the copyright proprietor.&#13;
&#13;
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## p. (#715) ################################################&#13;
&#13;
9&#13;
SEC. 15. That if, by reason of any error or omission, the requirements&#13;
prescribed above in section eleven have not been complied with within&#13;
the time therein specified, or if failure to make registration has occurred&#13;
by the error or omission of any administrative officer or employee of the&#13;
United States, it shall be permissible for the author or proprietor to&#13;
make the required deposit and secure the necessary registration within&#13;
a period of one year after the first publication of the work: Provided,&#13;
That in such case no action shall be brought for infringement of the&#13;
Copyright until such requirements have been fully complied with : And&#13;
provided further, That the privilege above afforded of completing the&#13;
registration and deposit after the expiration of the period prescribed in&#13;
Section eleven shall not exempt the proprietor of any article which bears&#13;
a notice of copyright from depositing the required copy or copies upon&#13;
Specific written demand therefor by the Register of Copyrights, who&#13;
may make such demand at any time subsequent to the expiration of&#13;
such period ; and after the said demand shall have been made, in default&#13;
of the deposit of the copies of the work within one month from any&#13;
part of the United States except an outlying territorial possession of&#13;
the United States, or within three months from any outlying territorial&#13;
possession of the United States or from any foreign country, the&#13;
º of the copyright shall be liable to a fine of one hundred&#13;
ollars.&#13;
Where the copyright proprietor has sought to comply with the&#13;
requirements of this Act as to notice and the notice has been duly&#13;
affixed to the bulk of the edition published, its omission by inadvertence&#13;
from a particular copy or copies, though preventing recourse against an&#13;
innocent infringer without notice, shall not invalidate the copyright&#13;
nor prevent recovery for infringement against any person who after&#13;
actual notification of the copyright begins an undertaking to infringe it.&#13;
SEC. 16. That in the case of a book published in a foreign country&#13;
before publication in this country the deposit in the Copyright Office&#13;
not later than thirty days after its publication abroad of one complete&#13;
copy of the foreign edition with a request for the reservation of the&#13;
copyright, and a statement of the name and nationality of the author&#13;
and of the copyright proprietor, and of the date of publication of the&#13;
said book shall secure to the author or proprietor an ad interim copy-&#13;
right. Except as otherwise provided, the ad interim copyright thus&#13;
secured shall have all the force and effect given to copyright by this&#13;
Act, and shall endure as follows:–&#13;
(a) In the case of a book printed abroad in a foreign language,&#13;
for a period of two years after the first publication of the book in&#13;
the foreign country;&#13;
(b) In the case of a book printed abroad in the English language&#13;
or in English and one or more foreign languages, for a period of&#13;
thirty days after such deposit in the Copyright Office.&#13;
SEC. 17. That whenever within the period of such ad interim pro-&#13;
tection an authorized edition shall be produced and published from type&#13;
set within the limits of the United States or from plates made there-&#13;
from, (a) of a book in the English language, or (b) of a book in a foreign&#13;
language, either in the original language or in an English translation&#13;
thereof, and whenever the requirements prescribed by this Act as to&#13;
deposit of copies, registration, filing of affidavit and the printing of the&#13;
copyright notice shall have been duly complied with, the copyright shall&#13;
be extended to endure in such original book for the full terms elsewhere&#13;
provided in this Act.&#13;
SEC. 18. That the copyright secured by this Act shall endure,&#13;
(a) For twenty-eight years after the date of first publication in&#13;
&gt;{&lt;&#13;
Failure to com-&#13;
ply with formali-&#13;
ties.&#13;
Comp. Rev. Stat., sec. 4962.&#13;
Comp. Act of March 3, 1865, sec. 3&#13;
(13 Stat. at L., p. 540).&#13;
Ad interim pro-&#13;
tection,&#13;
Comp. Act of March 3, 1905.&#13;
Duration of the Copyright.&#13;
&#13;
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## p. (#716) ################################################&#13;
&#13;
1()&#13;
Comp, as to prints or labels, the&#13;
Act of June 18, 1874, sec. 3 (18&#13;
Stat. at L., part III, p. 79).&#13;
Comp. Rev. Stat., secs. 4953 and&#13;
4954.&#13;
Extension of&#13;
term of subsist-&#13;
ing copyright,&#13;
Comp. Act of Feb. 3, 1831, Sec. 16&#13;
(4 Stat. at L., p. 439).&#13;
Right of trans-&#13;
lation.&#13;
Comp. Act. of March 3, 1891, sec. 1&#13;
(26 Stat. at L., p. 1107).&#13;
Protection of the Copyright.&#13;
Protection for&#13;
un pub l is he d&#13;
Works.&#13;
In fringement&#13;
of copyright,&#13;
Comp. Rev. Stat., sec. 3082.&#13;
the case of any print or label relating to articles of manufacture :&#13;
Provided, That the copyright which at the time of the passing of&#13;
this Act may be subsisting in any article named in this section&#13;
shall endure for the balance of the term of copyright fixed by the&#13;
laws then in force;&#13;
(b) For fifty years after the date of first publication in the case&#13;
of any composite or collective work; any work copyrighted by a&#13;
corporate body or by the employer of the author or authors; any&#13;
abridgment, compilation, dramatization, or translation ; any post-&#13;
humous work; any arrangement or reproduction in some new form&#13;
of a musical composition ; any photograph ; any reproduction of&#13;
a work of art ; any print or pictorial illustration ; the copyrightable&#13;
contents of any newspaper or other periodical ; and the additions&#13;
or annotations to works previously published. *&#13;
(c) For the lifetime of the author and for fifty years after his&#13;
death, in the case of his original book, lecture, dramatic or musical&#13;
composition, map, work of art, drawing or plastic work of a&#13;
scientific or technical character, or other original work, but not&#13;
including any work specified in subsections (a) or (b) hereof; and&#13;
in the case of joint authors, during their joint lives and for fifty&#13;
ears after the death of the last survivor of them.&#13;
In all of the above cases the term shall extend to the end of the&#13;
calendar year of expiration.&#13;
The copyright in a work published anonymously or under an assumed&#13;
name shall subsist for the same period as if the work had been produced&#13;
bearing the author's true name.&#13;
SEC. 19. That the copyright subsisting in any work at the time when&#13;
this Act goes into effect may, at the expiration of the renewal term pro-&#13;
vided for under existing law, be further renewed and extended by the&#13;
author, if he be still living, or if he be dead, leaving a widow, by his&#13;
widow, or in her default, or if no widow survive him, by his children, if&#13;
any survive him, for a further period such that the entire term shall be&#13;
equal to that secured by this Act : Provided, That application for such&#13;
renewal and extension shall be made to the Copyright Office and duly&#13;
registered therein within one year prior to the expiration of the existing&#13;
term : And provided further, That, should such subsisting copyright&#13;
have been assigned, or a license granted therein for publication upon&#13;
payment of royalty, the copyright shall be renewed and extended only&#13;
in case the assignee or licensee shall join in the application for such&#13;
renewal and extension.&#13;
SEC. 20. That the author’s exclusive right to dramatize or translate&#13;
any one of his works in which copyright is subsisting shall, after the&#13;
expiration of ten years from the day on which the work was registered&#13;
in the Copyright Office, continue effective only in case a dramatization&#13;
or translation thereof has been produced within that period by his&#13;
consent or that of his assigns, and in the case of translations shall be&#13;
confined to the language of any translation so produced.&#13;
SEC. 21. That every person who, without the consent of the author&#13;
or proprietor first obtained, shall publish or reproduce in any manner&#13;
whatsoever any unpublished copyrightable work shall be liable to the&#13;
author or proprietor for all damages occasioned by such injury, and to&#13;
an injunction restraining such unauthorized publication, as hereinafter&#13;
provided.&#13;
SEC. 22. That any reproduction, without the consent of the author&#13;
or copyright proprietor, of any work or any material part of any work&#13;
in which copyright is subsisting shall be illegal and is hereby prohibited.&#13;
The provisions of section thirty-eight hundred and ninety-three of&#13;
&#13;
&#13;
## p. (#717) ################################################&#13;
&#13;
11&#13;
the Revised Statutes, prohibiting the use of the mails in certain cases,&#13;
and also the provision of section thirty-eight hundred and ninety-five&#13;
of the Revised Statutes, shall apply, and the importation into the&#13;
United States of any such fraudulent copies or reproductions is hereby&#13;
prohibited.&#13;
SEC. 23. That if any person shall infringe the copyright in any&#13;
work protected under the copyright laws of the United States by doing&#13;
or causing to be done, without the consent of the copyright proprietor&#13;
first obtained in writing, any act the exclusive right to do or authorize&#13;
which is by such laws reserved to such proprietor, such person shall be&#13;
liable :&#13;
a) To an injunction restraining such infringement ;&#13;
§ To pay to the copyright proprietor such damages as the&#13;
copyright proprietor may have suffered due to the infringement,&#13;
as well as all the profits which the infringer may have made from&#13;
such infringement, and in proving profits the plaintiff shall be&#13;
required to prove sales only and defendant shall be required to&#13;
prove every element of cost which he claims; or in lieu of actual&#13;
damages and profits, such damages as to the court shall appear&#13;
just, to be assessed upon the following basis, but such damages&#13;
shall in no case exceed the sum of five thousand dollars nor be less&#13;
than the sum of two hundred and fifty dollars, and shall not be&#13;
regarded as a penalty :&#13;
(1) In the case of a painting, statue or sculpture or any&#13;
device especially adapted to reproduce to the ear any copy-&#13;
righted work, not less than ten dollars for every infringing&#13;
copy made or sold by or found in the possession of the infringer&#13;
or his agents or employees;&#13;
(2) In the case of a lecture, sermon, or address, not less&#13;
than fifty dollars for every infringing delivery;&#13;
(3) In the case of a dramatic or musical composition, not&#13;
less than one hundred dollars for the first and not less than&#13;
fifty dollars for every subsequent infringing performance ;&#13;
(4) In the case of all other works enumerated in section five&#13;
of this Act, not less than one dollar for every infringing copy&#13;
made or sold by or found in the possession of the infringer or&#13;
his agents or employees.&#13;
(c) To deliver up on oath to be impounded during the pendency&#13;
of the action, upon such terms and conditions as the court may&#13;
prescribe, all goods alleged to infringe a copyright :&#13;
(d) To deliver up on oath for destruction all the infringing&#13;
copies or devices, as well as all plates, molds, matrices or other&#13;
means for making such infringing copies.&#13;
Any court given jurisdiction under section thirty-two of this Act may&#13;
proceed in any action instituted for violation of any provision hereof to&#13;
enter a judgment or decree enforcing any of the remedies herein&#13;
provided.&#13;
SEC, 24. That the proceedings for an injunction, damages and profits,&#13;
and those for the Seizure of infringing copies, plates, molds, matrices,&#13;
etc., aforementioned, may be united in One action.&#13;
SEC. 25. That any person who wilfully and for profit shall infringe&#13;
any copyright secured by this Act, or who shall knowingly and&#13;
wilfully aid or abet such infringement or in any wise knowingly and&#13;
wilfully take part in any such infringement, shall be deemed guilty of&#13;
a misdemeanor, and upon conviction thereof shall be punished by&#13;
imprisonment for not exceeding one year or by a fine of not less than&#13;
Remedies,&#13;
Comp. Rev. Stat., sec. 4964 (as&#13;
amended by Act of March 3,&#13;
1891, Sec. 7, 26 Stat. at L.,&#13;
p. 1109) and Rev. Stat., sec. 4965&#13;
(as amended by Act of March 2,&#13;
1895, 28 Stat, at L., p. 965).&#13;
Comp. Rev. Stat., sec. 4966 (as&#13;
amended by Act of Jan. 6, 1897,&#13;
29 Stat. at L., p. 481).&#13;
&#13;
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## p. (#718) ################################################&#13;
&#13;
12&#13;
one hundred dollars nor more than one thousand dollars, or both, in&#13;
the discretion of the court.&#13;
False notice of &amp; Any person who, with fraudulent intent, shall insert or impress any&#13;
copyright.&#13;
Prohibition of&#13;
importation.&#13;
Comp. Rev. Stat., Sec. 3076.&#13;
Comp. Rev. Stat., Sec. 838&#13;
notice of copyright required by this Act, or words of the same purport,&#13;
in or upon any article for which he has not obtained copyright, or with&#13;
fraudulent intent shall remove or alter the copyright notice upon an&#13;
article duly copyrighted, shall be guilty of a misdemeanor, punishable&#13;
by a fine of not less than one hundred dollars and not more than one&#13;
thousand dollars. Any person who shall knowingly issue or sell any&#13;
article bearing a notice of United States copyright which has not been&#13;
copyrighted in this country, or who shall knowingly import any article&#13;
bearing such notice, or words of the same purport, which has not been&#13;
copyrighted in this country, shall be liable to a fine of one hundred&#13;
dollars.&#13;
The importation into the United States of any article bearing such&#13;
notice of copyright when there is no existing copyright thereon in the&#13;
United States is prohibited, and such importations shall be proceeded&#13;
against as provided by sections twenty-six to twenty-nine, inclusive, of&#13;
this Act. ... . . ;&#13;
SEC. 26. That any and all such fraudulent copies prohibited importa-&#13;
tion by this Act which are brought into the United States from any&#13;
foreign country shall be seized by the collector, surveyor or other&#13;
officer of the customs, or any person authorized in writing to make&#13;
seizures under the customs revenue laws, in the district in which they&#13;
are found; and the copies so seized shall without delay be delivered&#13;
into the custody of the principal customs officer of the collection&#13;
district in which the seizure is made ; whereupon the said officer shall&#13;
(except in cases of importation by mail) publish a notice of such&#13;
seizure once a week for three successive weeks in some newspaper of the&#13;
county or place where such seizure shall have been made. If no news-&#13;
paper is published in such county, then such notice shall be published&#13;
in some newspaper of the county in which the principal customs office&#13;
of the district is situated ; and if no newspaper is published in such&#13;
county, then notices shall be posted in proper public places, which&#13;
notices shall describe the articles seized and state the time, cause, and&#13;
place of seizure, and shall require any person claiming such articles to&#13;
appear and file with such customs officer his claim to such articles&#13;
within twenty days from the date of the first publication of such notice.&#13;
SEC. 27. That any person claiming the property so seized may, at&#13;
any time within twenty days from the date of such first publication of&#13;
notice, file with the collector, or other proper officer, a claim, stating&#13;
his interest in the articles seized, and deposit with such collector, or&#13;
other proper officer, a bond to the United States as now prescribed by&#13;
law, in the penal sum of two hundred and fifty dollars, with two sure-&#13;
ties, to be approved by said collector, or other proper officer, conditioned&#13;
that in case of the condemnation of the articles so claimed the obligors&#13;
shall pay all the costs and expenses of the proceedings to obtain such&#13;
condemnation.&#13;
Such collector, or other proper officer, shall transmit the said bond&#13;
with a duplicate list and description of the articles seized and claimed&#13;
to the United States Attorney for the proper district, who shall proceed&#13;
for a condemnation of the property by information as in customs revenue&#13;
Ca,SéS.&#13;
SEC. 28. That in case the property shall be condemned it shall be&#13;
delivered into the custody of the United States Marshal and destroyed&#13;
in such manner as the court may direct. If not condemned the said&#13;
articles shall be delivered to the importer on payment of the duty, if&#13;
&#13;
&#13;
&#13;
## p. (#719) ################################################&#13;
&#13;
13&#13;
any be due. If probable cause is found by the court as an existing&#13;
fact connected with the seizure, the officer or other person making the&#13;
seizure shall be entitled to a certificate affording him an absolute&#13;
defense to any action on account of seizure. If no such claim shall be&#13;
filed, or bond given, within the twenty days above specified, the&#13;
collector, or other proper officer of the customs who has custody of the&#13;
property, shall declare the same forfeited, and it shall be destroyed in&#13;
such manner as shall be prescribed by the Secretary of the Treasury.&#13;
SEC. 29. That mails from foreign countries shall be carefully&#13;
examined by postmasters, who shall forward to the principal customs&#13;
officer of the district in which the post office is situated any foreign&#13;
mail package supposed to contain any article imported in violation of&#13;
the provisions of this Act. Upon receipt of such package the customs&#13;
officer shall detain the same in his custody and notify by mail the&#13;
addressee of the package of its detention, and require him to show&#13;
cause within thirty days why the supposed prohibited articles should&#13;
not be destroyed. If the person so addressed shall not appear and&#13;
show cause to the contrary, the customs officer shall make formal&#13;
seizure of the articles contained in the package supposed to be pro-&#13;
hibited importation, and if the package contains any prohibited articles&#13;
shall declare the same forfeited, whereupon said articles shall be&#13;
destroyed in such manner as the Secretary of the Treasury shall direct.&#13;
If upon examination the articles prove to be innocent of any violation&#13;
of law the package shall be forwarded to the addressee in regular&#13;
course of mail, subject to the payment of customs duty, if any be due.&#13;
If the addressee appears and shows to the satisfaction of the said&#13;
officer that the importation of the articles is not prohibited, the said&#13;
articles shall be delivered to the addressee upon payment of the customs&#13;
duty, if any be due.&#13;
SEC. 30. That during the existence of the American copyright in any&#13;
book the importation into the United States of any foreign edition or&#13;
editions thereof (although authorized by the author or proprietor) not&#13;
printed from type set within the limits of the United States or from&#13;
plates made therefrom, or any plates of the same not made from type&#13;
set within the limits of the United States, or any editions thereof pro-&#13;
duced by lithographic process not performed within the limits of the&#13;
United States, in accordance with the requirements of section thirteen&#13;
of this Act, shall be and is hereby prohibited : Provided, however, That&#13;
such prohibition shall not apply—&#13;
(a) To works in raised characters for the use of the blind;&#13;
(b) To a foreign newspaper or magazine, although containing&#13;
matter copyrighted in the United States printed or reprinted by&#13;
authority of the copyright proprietor, unless such newspaper or&#13;
magazine contains also copyright matter printed or reprinted&#13;
without such authorization ;&#13;
(c) To the authorized edition of a book in a foreign language or&#13;
languages, of which only a translation into English has been copy-&#13;
righted in this country :&#13;
(d) To books in a foreign language or languages, published&#13;
without the limits of the United States, but deposited and&#13;
registered for an ad interim copyright under the provisions of this&#13;
Act : in which case importation of copies of an authorized foreign&#13;
edition shall be permitted during the ad interim term of two years,&#13;
or until such time within this period as an edition shall have&#13;
been produced from type set within the limits of the United&#13;
States, or from plates made therefrom, or by a lithographic process&#13;
performed therein as above provided ;&#13;
Comp. Act of March 3, 1891, sec. 3&#13;
(26 Stat. at L., p. 1107).&#13;
Comp. Act of Oct. 1, 1890, Free&#13;
List, sec. 513.&#13;
Comp. Act of March 3, 1891, sec. 3&#13;
(26 Stat. at L., p. 1108).&#13;
Comp. Act of March 3, 1891, sec. 3&#13;
(26 Stat. at L., p. 1107).&#13;
Comp. Act of March 3, 1905,&#13;
&#13;
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## p. (#720) ################################################&#13;
&#13;
14&#13;
Suits :&#13;
diction.&#13;
Juris-&#13;
(e) To any book published abroad with the authorization of the&#13;
author or copyright proprietor when imported under the circum-&#13;
stances stated in one of the four sub-divisions following, that is to say:&#13;
(1) When imported, not more than one copy at one time&#13;
for use and not for sale, under permission given by the pro-&#13;
prietor of the American copyright :&#13;
(2) When imported, not more than one copy at one time,&#13;
by the authority or for the use of the United States;&#13;
(3) When specially imported, for use and not for sale, not&#13;
more than one copy of any such book in any one invoice, in&#13;
good faith, by or for any society or institution incorporated&#13;
for educational, literary, philosophical, scientific or religious&#13;
purposes, or for the encouragement of the fine arts, or for any&#13;
college, academy, school or Seminary of learning, or for any&#13;
State, school, college, university or free public library in the&#13;
United States: but such privilege of importation without the&#13;
consent of the American copyright proprietor shall not extend&#13;
to a foreign reprint of a book by an American author copy-&#13;
righted in the United States unless copies of the American&#13;
edition can not be supplied by the American publisher&#13;
or copyright proprietor ;&#13;
(4) When such books form parts of libraries or collections&#13;
purchased en bloc for the use of societies, institutions or&#13;
libraries designated in the foregoing paragraph ; or form&#13;
parts of the libraries or personal baggage belonging to persons&#13;
or families arriving from foreign countries, and are not&#13;
intended for sale :&#13;
Provided, That copies imported as above may not lawfully&#13;
be used in any way to violate the rights of the American&#13;
copyright proprietor or annul or limit the copyright protection&#13;
secured by this Act ; and such unlawful use shall be deemed&#13;
an infringement of copyright.&#13;
SEC. 31. That all copies of authorized editions of copyright books&#13;
imported in violation of the above provisions of this Act may be&#13;
exported and returned to the country of export, provided it be shown&#13;
to the satisfaction of the Secretary of the Treasury upon written&#13;
application that such importation does not involve wilful negligence or&#13;
fraud. If absence of wilful negligence or fraud be not established to&#13;
the satisfaction of the Secretary of the Treasury, the importation shall&#13;
be proceeded against as in the case of fraudulent copies in the manner&#13;
prescribed by sections twenty-six to twenty-nine, inclusive, of this Act.&#13;
SEC. 32. That all actions arising under the copyright laws of the&#13;
United States shall be originally cognizable by the circuit courts of&#13;
the United States, the district court of any Territory, the Supreme&#13;
Court of the District of Columbia, the district courts of Alaska, Hawaii&#13;
and Porto Rico, and the courts of first instance of the Philipine&#13;
Islands. -&#13;
Actions arising under this Act may be instituted in the district of&#13;
which the defendant is an inhabitant, or in the district where the&#13;
violation of any provision of this Act has occurred.&#13;
Any such court, or judge thereof, shall have power, upon bill in&#13;
equity filed by any party aggrieved, to grant an injunction to prevent&#13;
the violation of any right secured by said laws, according to the course&#13;
and principles of courts of equity, on such terms as said court or judge&#13;
may deem reasonable. Any injunction that may be granted, restraining&#13;
and enjoining the doing of anything forbidden by this Act may be&#13;
served on the parties against whom such injunction may be granted&#13;
&#13;
&#13;
## p. (#721) ################################################&#13;
&#13;
15&#13;
anywhere in the United States, and shall be operative throughout the&#13;
United States and be enforceable by proceedings in contempt, or other-&#13;
Wise, by any other court or judge possessing jurisdiction of the&#13;
defendant ; but the defendants, or any or either of them, may make a&#13;
motion in the proper court of any other district where such a violation&#13;
is alleged, to dissolve said injunction upon such reasonable notice to&#13;
the plaintiff as the court or judge before whom said motion shall be&#13;
made shall deem proper; service of said motion to be made on the&#13;
plaintiff in person or on his attorney in the action. Said courts or&#13;
judges shall have authority to enforce said injunction and to hear and&#13;
determine a motion to dissolve the same, as herein provided, as fully as&#13;
if the action were pending or brought in the district in which said&#13;
motion is made.&#13;
The clerk of the court, or judge granting the injunction, shall, when&#13;
required so to do by the court hearing the application to dissolve or&#13;
enforce said injunction, transmit without delay to said court a certified&#13;
copy of all the papers on which the said injunction was granted that are&#13;
on file in his office.&#13;
When any action is brought in any place whereof the defendant is&#13;
not an inhabitant, service of process shall be made by the marshal of&#13;
the district of which the defendant is an inhabitant, or of the district&#13;
where he may be found, upon receiving a certified copy of the process&#13;
from the clerk of the court where the suit was brought, and return shall&#13;
be made by said marshal to said court.&#13;
SEC. 33. That the final orders, judgments or decrees of any court&#13;
mentioned in section thirty-two of this Act arising under the copyright&#13;
laws of the United States may be reviewed on appeal or writ of error in&#13;
the manner and to the extent now provided by law for the review of&#13;
cases finally determined in said courts respectively.&#13;
SEC. 34. That no action shall be maintained under the provisions of&#13;
this Act unless the same is commenced within three years after the&#13;
Cause of action arose.&#13;
SEC. 35. That in all recoveries under this Act full costs shall be&#13;
allowed.&#13;
SEC. 36. That nothing in this Act shall prevent, lessen, impeach, or&#13;
avoid any remedy at law or in equity which any party aggrieved by any&#13;
infringement of a copyright might have had if this Act had not been&#13;
passed.&#13;
SEC. 37. That the copyright is distinct from the property in the&#13;
material object which is the subject of copyright, and the sale or con-&#13;
veyance, by gift or otherwise, of the original object shall not of itself&#13;
imply the cession of the copyright ; nor shall the assignment of the&#13;
copyright imply the transfer of the material object.&#13;
SEC. 38. That the right of translation, the right of dramatization, the&#13;
right of oral delivery of a lecture, the right of representation in the&#13;
case of a dramatic composition, the right of performance in the case of&#13;
a musical composition, where the latter is reserved as provided in&#13;
section fourteen hereof, the right to make any mechanical device by&#13;
which music may be reproduced to the ear, and the right of repro-&#13;
duction of a work of art or of a drawing or plastic work of a scientific&#13;
or technical character shall each be deemed a separate estate subject to&#13;
assignment, lease, license, gift, bequest, or inheritance.&#13;
SEC. 39. That the copyright in a work of art and the ownership of&#13;
the work shall be deemed to be distinct properties, and, except as pro-&#13;
Comp. Rev. Stat., sec. 972.&#13;
Transfer of Copyright.&#13;
vided for in this Act, the copyright in any artistic work shall remain&#13;
in the author of the work, even if such work be sold or disposed of by&#13;
&#13;
&#13;
## p. (#722) ################################################&#13;
&#13;
16&#13;
Assignment of&#13;
copyright.&#13;
For eign a s-&#13;
signment.&#13;
Comp. Patent Act of March 3, 1897,&#13;
sec. 5 (29 Stat. at L., p. 693).&#13;
Comp. Rev. Stat., sec. 4955.&#13;
Comp. Act of June 18, 1874, sec. 2&#13;
(18 Stat. at L., part III, p. 79).&#13;
The Copyright Office,&#13;
Comp. Rev. Stat., sec. 4948 ; Act of&#13;
Feb. 19, 1897 (29 Stat. at L.,&#13;
p. 545).&#13;
Comp. Act of Feb. 19, 1897 (29&#13;
Stat. at L., p. 545).&#13;
Comp. Act of Feb. 19, 1897 (29&#13;
Stat. at L., p. 545).&#13;
such author, unless the copyright therein be expressly assigned or&#13;
disposed of in writing by him, or pass by operation of law or testamentary&#13;
disposition.&#13;
SEC. 40. That every assignment of copyright under this Act shall be&#13;
by an instrument of writing signed by the assignor.&#13;
SEC. 41. That every assignment of copyright executed in a foreign&#13;
country shall be acknowledged by the assignor before a consular officer&#13;
or secretary of legation of the United States authorized by law to&#13;
administer oaths or perform notarial acts. The certificate of such&#13;
acknowledgment under the hand and official seal of such consular officer&#13;
or secretary of legation shall be primá facie evidence of the execution&#13;
of the instrument.&#13;
SEC. 42. That every assignment of copyright shall be recorded in the&#13;
Copyright Office within ninety days after its execution in the United&#13;
States or within six calendar months after its execution without the&#13;
limits of the United States, in default of which it shall be void as&#13;
against any subsequent purchaser or mortgagee for a valuable con-&#13;
sideration, without notice, whose assignment has been duly recorded.&#13;
SEC. 43. That in place of the original instrument of assignment there&#13;
may be sent for record a true copy of the same duly certified as such by&#13;
any official authorized to take an acknowledgment to a deed.&#13;
SEC. 44. That the Register of Copyrights shall, upon payment of&#13;
the prescribed fee, record such assignment, and shall return to the&#13;
Sender, with a certificate of record attached, under seal, the original&#13;
instrument or the copy of the same so filed for record; and upon the&#13;
payment of the fee prescribed by this Act he shall furnish to any person&#13;
requesting the same a certified copy thereof, under the seal of the&#13;
Copyright Office.&#13;
SEC. 45. That when an assignment of the copyright in a specified&#13;
book or other work has been recorded, the assignee shall have the&#13;
privilege of Substituting his name for that of the assignor in the&#13;
statutory notice of copyright prescribed by this Act.&#13;
SEC. 46. That all records and other things relating to copyrights,&#13;
required by law to be preserved, shall be kept and preserved in the&#13;
Copyright Office, Library of Congress, District of Columbia, and shall&#13;
be under the control of the Register of Copyrights, who shall, under&#13;
the direction and supervision of the Librarian of Congress, perform all&#13;
the duties relating to the registration of copyrights.&#13;
SEC. 47. That there shall be appointed by the Librarian of Congress&#13;
a Register of Copyrights, at a salary of&#13;
dollars per annum, and one Assistant Register of Copyrights, at a salary&#13;
Of dollars per annum, who shall have&#13;
authority during the absence of the Register of Copyrights to attach&#13;
the Copyright Office seal to all papers issued from the said office, and&#13;
to sign such certificates and other papers as may be necessary. There&#13;
shall also be appointed by the Librarian such subordinate assistants to&#13;
the Register as may from time to time be authorized by law.&#13;
SEC. 48. That the Register of Copyrights shall make daily deposits&#13;
in some bank in the District of Columbia, designated for this purpose&#13;
by the Secretary of the Treasury as a national depository, of all moneys&#13;
received to be applied as copyright fees, and shall make weekly deposits&#13;
with the Secretary of the Treasury, in such manner as the latter shall&#13;
direct, of all copyright fees actually applied under the provisions of this&#13;
Act, and annual deposits of sums received which it has not been&#13;
possible to apply as copyright fees or to return to the remitters, and&#13;
&#13;
&#13;
## p. (#723) ################################################&#13;
&#13;
17&#13;
shall also make monthly reports to the Secretary of the Treasury and to&#13;
the Librarian of Congress of the applied copyright fees for each calendar&#13;
month, together with a statement of all remittances received, trust&#13;
funds on hand, moneys refunded, and unapplied balances.&#13;
SEC. 49. That the Register of Copyrights shall give bond to the&#13;
United States in the sum of twenty thousand dollars, in form to be&#13;
approved by the Solicitor of the Treasury, and with sureties satisfactory&#13;
to the Secretary of the Treasury, for the faithful discharge of his duties.&#13;
SEC. 50. That the Register of Copyrights shall make an annual&#13;
report to the Librarian of Congress, to be printed in the Annual Report&#13;
on the Library of Congress, of all copyright business for the previous&#13;
fiscal year, including the number and kind of works which have been&#13;
deposited in the Copyright Office during the fiscal year, under the&#13;
provisions of this Act.&#13;
SEC. 51. That the seal provided under the Act of July eighth,&#13;
eighteen hundred and seventy, and at present used in the Copyright&#13;
Office, shall continue to be the seal thereof, and by it all papers issued&#13;
from the Copyright Office requiring authentication shall be authenticated.&#13;
SEC. 52. That, subject to the approval of the Librarian of Congress,&#13;
the Register of Copyrights shall be authorized to make reasonable rules&#13;
and regulations, not inconsistent with the provisions of this Act, for the&#13;
conduct of proceedings with reference to the registration of claims to&#13;
copyright as provided by this Act: Provided, That no breach of such&#13;
rules or regulations shall affect the validity of the copyright.&#13;
SEC. 53. That the Register of Copyrights shall provide and keep such&#13;
record books in the Copyright Office as are required to carry out the&#13;
provisions of this Act, and whenever deposit has been made in the&#13;
Copyright Office of a title or copy of any work under the provisions of&#13;
this Act he shall make entry thereof.&#13;
SEC. 54. That in the case of each entry the person recorded as the&#13;
claimant of the copyright shall be entitled to a certificate under seal of&#13;
copyright registration, to contain his name and address, the title of the&#13;
work upon which copyright is claimed, the date of the deposit of the&#13;
required copies of such work, and such marks as to class designation&#13;
and entry number as shall fully identify the entry. In the case of a&#13;
book the certificate shall also state the receipt of the affidavit required&#13;
by section thirteen of this Act, and the date of the completion of the&#13;
printing, or the date of the publication of the book, as stated in the&#13;
said affidavit. The Register of Copyrights shall prepare a printed form&#13;
for the said certificate to be filled out in each case as above provided&#13;
for, which certificate sealed with the seal of the Copyright Office shall,&#13;
upon payment of the prescribed fee, be given to any person making&#13;
application for the same, and the said certificate shall be admitted in&#13;
any court as primá facie evidence of the facts stated therein.&#13;
SEC. 55. That the Register of Copyrights shall fully index all copy-&#13;
right registrations, and shall print at periodic intervals a catalogue of&#13;
the titles of articles deposited and registered for copyright, together&#13;
with suitable indexes, and at stated intervals shall print complete and&#13;
indexed catalogues for each class of copyright entries, and thereupon&#13;
shall have authority to destroy the original manuscript catalogue cards&#13;
containing the titles included in such printed volumes and representing&#13;
the entries made during such intervals. The current catalogues of&#13;
copyright entries and the index volumes herein provided for shall be&#13;
admitted in any court as primá facie evidence of the facts stated therein&#13;
as regards any copyright registration.&#13;
Comp. Act of Feb. 19, 1897 (29&#13;
Stat. at L., p. 545).&#13;
Comp. Rev. Stat., sec. 4951.&#13;
Comp. Rev. Stat., sec. 4949.&#13;
Comp. Trade-mark Act of Feb. 20,&#13;
1905, sec. 26.&#13;
Comp. Rev. Stat., sec. 4957.&#13;
Comp. Trade-mark Act of Feb. 20,&#13;
1905, sec. 16.&#13;
C a t a log u e of&#13;
copyright entries.&#13;
Comp. Act of March 3, 1891, Sec. 4&#13;
(26 Stat. at L., p. 1108).&#13;
&#13;
&#13;
## p. (#724) ################################################&#13;
&#13;
18&#13;
Comp. Act. of March 3, 1891, Sec. 4&#13;
(26 Stat. at L., p. 1108).&#13;
Disposal of ac-&#13;
Cumulated copy-&#13;
right deposits.&#13;
Copyright fees,&#13;
Comp. Rev. Stat., sec. 4958; Act of&#13;
June 18, 1874, sec. 2 (18 Stat. at&#13;
L., part III, p. 79); Act of&#13;
March 3, 1891, sec. 4 (26 Stat.&#13;
at L., p. 1108).&#13;
SEC. 56. That the said printed current catalogues as they are issued&#13;
shall be promptly distributed by the Copyright Office to the collectors&#13;
of customs of the United States and to the postmasters of all exchange&#13;
offices of receipt of foreign mails, in accordance with revised lists of&#13;
such collectors of customs and postmasters prepared by the Secretary&#13;
of the Treasury and the Postmaster-General, and they shall also be&#13;
furnished to all parties desiring them at a price to be determined by&#13;
the Register of Copyrights not exceeding five dollars per annum for the&#13;
complete catalogue of copyright entries and not exceeding one dollar&#13;
per annum for the catalogues issued during the year for any one class&#13;
of subjects. The consolidated catalogues and indexes shall also be&#13;
Supplied to all persons ordering them at such prices as may be deter-&#13;
mined to be reasonable, and all subscriptions for the catalogues shall be&#13;
received by the Superintendent of Public Documents, who shall forward&#13;
the said publications; and the moneys thus received shall be paid into&#13;
the Treasury of the United States and accounted for under such laws&#13;
and Treasury regulations as shall be in force at the time.&#13;
SEC. 57. That the record books of the Copyright Office, together&#13;
with the indexes to such record books, and all works deposited and&#13;
retained in the Copyright Office, shall be open to public inspection at&#13;
convenient times; and copies may be taken of the copyright entries&#13;
actually made in such record books, subject to such safeguards and&#13;
regulations as shall be prescribed by the Register of Copyrights and&#13;
approved by the Librarian of Congress.&#13;
SEC. 58. That of the articles deposited in the Copyright Office under&#13;
the provisions of the copyright laws of the United States or of this Act,&#13;
the Librarian of Congress shall determine what books and other articles&#13;
shall be transferred to the permanent collections of the Library of&#13;
Congress, including the Law Library, and what other books or articles&#13;
shall be placed in the reserve collections of the Library of Congress for&#13;
sale or exchange, or be transferred to other governmental libraries in&#13;
the District of Columbia for use therein.&#13;
SEC. 59. That of any articles undisposed of as above provided,&#13;
together with all titles and correspondence relating thereto, the&#13;
Librarian of Congress and the Register of Copyrights jointly shall at&#13;
suitable intervals determine what of these received during any period&#13;
of years it is desirable or useful to preserve in the permanent files of the&#13;
Copyright Office, and, after due notice as hereinafter provided, may&#13;
Within their discretion cause the remaining articles and other things to&#13;
be destroyed : Provided, That there shall be printed in the Catalogue&#13;
of Copyright Entries from February to November, inclusive, a statement&#13;
of the years of receipt of such articles and a notice to permit any author,&#13;
Copyright proprietor, or other lawful claimant to claim and remove&#13;
before the expiration of the month of November of that year anything&#13;
found which relates to any of his productions deposited or registered&#13;
for copyright within the period of years stated, not reserved or disposed&#13;
of as provided for in sections fifty-eight and fifty-nine of this Act :&#13;
And provided further, That no manuscript of an unpublished work shall&#13;
be destroyed during the term of its copyright without specific notice to&#13;
the author, copyright proprietor, or other lawful claimant, permitting&#13;
him to claim and remove it.&#13;
SEC. 60. That the Register of Copyrights shall receive, and the&#13;
persons to whom the services designated are rendered shall pay, the&#13;
following fees: For the registration of any work subject to copyright&#13;
deposited under the provisions of this Act, one dollar, which sum is to&#13;
include a certificate under seal. For every additional certificate under&#13;
Seal of registration made, fifty cents. For recording and certifying any&#13;
&#13;
&#13;
## p. (#725) ################################################&#13;
&#13;
19&#13;
instrument of writing for the assignment of copyright, or for any copy&#13;
of an assignment, duly certified, if not over three hundred words in&#13;
length, one dollar; if more than three hundred and less than one&#13;
thousand words in length, two dollars; if more than one thousand&#13;
words in length, one dollar for each one thousand words and fraction&#13;
thereof over three hundred words. For comparing any copy of an&#13;
assignment with the record of such document in the Copyright Office&#13;
and certifying the same under seal, one dollar. For recording the&#13;
transfer of the proprietorship of copyrighted articles, ten cents for each&#13;
title of a book or other article in addition to the fee prescribed for&#13;
recording the instrument of assignment. For any requested search of&#13;
Copyright Office records, indexes, or deposits, fifty cents for each full&#13;
hour of time consumed in making such search. For the personal&#13;
inspection of copyright record books, indexes, applications, or any article&#13;
deposited, including the copying of an entry actually made in any such&#13;
record book, ten cents in the case of each book or other article:&#13;
Provided, That for such inspection or copying, or both, if made by or on&#13;
behalf of any person party to a copyright suit already begun or if the&#13;
inspection and use of a book or other deposited article is made in the&#13;
reading-room of the Library of Congress, or in any division of the&#13;
Library to which the said article would naturally pertain, no charge&#13;
shall be made : Provided further, That only one registration at one fee&#13;
shall be required in the case of several volumes of the same book&#13;
or periodical deposited at the same time or of a numbered series of any&#13;
work specified in subsections (h), (j), (k), and (l) of section five&#13;
of this Act, where such series represents the same subject with variances&#13;
only in pose or composition and the items composing it are deposited&#13;
at the same time under one title with a view to a single registration.&#13;
SEC. 61. That in the interpretation and construction of this Act the&#13;
words “United States’’ shall be construed to mean the United States&#13;
and its territorial possessions, and to include and embrace all territory&#13;
which is now or may hereafter be under the jurisdiction and control of&#13;
the United States.&#13;
SEC. 62. That in the interpretation and construction of this Act&#13;
words importing the singular number shall be held to include the&#13;
plural, and vice versd, except where such construction would be&#13;
unreasonable, and words importing the masculine gender shall be held&#13;
to include all genders, except where such construction would be absurd&#13;
or unreasonable.&#13;
SEC. 63. That in the interpretation and construction of this Act&#13;
“ the date of publication ” shall in the case of a work of which copies&#13;
are reproduced for sale or distribution be held to be the earliest date&#13;
when copies of the first authorized edition were sold or placed on sale ;&#13;
and the word “author’” shall include an employer in the case of works&#13;
made for hire.&#13;
SEC. 64. That all acts and parts of acts inconsistent herewith are&#13;
hereby repealed, save and except section 4966 of the Revised Statutes,&#13;
the provisions of which are hereby confirmed and continued in force,&#13;
anything to the contrary in this Act notwithstanding.&#13;
BRADBURY, AGNEW, &amp; Co. LD., PRINTERS, LONDON AND TONBRIDGE.&#13;
Miscellaneous Provisions.&#13;
Repealing clause.&#13;
&#13;
&#13;
## p. (#726) ################################################&#13;
&#13;
&#13;
&#13;
## p. (#727) ################################################&#13;
&#13;
UNITED STATES COPYRIGHT.&#13;
AN ACT TO AMEND AND CONSOLIDATE THE ACTS&#13;
RESPECTING COPYRIGHT.&#13;
Be it enacted by the Senate and House of Representatives of the United States of&#13;
America in Congress assembled, That any person entitled thereto, upon complying&#13;
with the provisions of this Act, shall have the exclusive right:&#13;
(a) To print, reprint, publish, copy, and vend the copyrighted work;&#13;
(b.) To translate the copyrighted work into other languages or dialects, or&#13;
make any other version thereof, if it be a literary work; to dramatize it if it be&#13;
a nondramatic work ; to convert it into a novel or other nondramatic work if it be&#13;
a drama; to arrange or adapt it if it be a musical work; to complete, execute, and&#13;
finish it if it be a model or design for a work of art ;&#13;
(c.) To deliver or authorize the delivery of the copyrighted work in public&#13;
for profit if it be a lecture, sermon, address, or similar production ;&#13;
(d.) To perform or represent the copyrighted work publicly if it be a drama&#13;
or, if it be a dramatic work and not reproduced in copies for sale, to vend any&#13;
manuscript or any record whatsoever thereof; to make or to procure the making&#13;
of any transcription or record thereof by or from which, in whole or in part, it&#13;
may in any manner or by any method be exhibited, performed, represented, pro-&#13;
duced, or reproduced ; and to exhibit, perform, represent, produce, or reproduce it&#13;
in any manner or by any method whatsoever;&#13;
(e.) To perform the copyrighted work publicly for profit if it be a musical&#13;
composition and for the purpose of public performance for profit ; and for the&#13;
purposes set forth in subsection (a) hereof, to make any arrangement or setting of it&#13;
or of the melody of it in any system of notation or any form of record in which&#13;
the thought of an author may be recorded and from which it may be read or&#13;
reproduced: Provided, That the provisions of this Act, so far as they secure copy-&#13;
right controlling the parts of instruments serving to reproduce mechanically the&#13;
musical work, shall include old compositions published and copyrighted after&#13;
this Act goes into effect, and shall not include the works of a foreign author&#13;
or composer unless the foreign state or nation of which such author or com-&#13;
poser is a citizen or subject grants, either by treaty, convention, agreement, or&#13;
law, to citizens of the United States similar rights : And provided further, and&#13;
as a condition of extending the copyright control to such mechanical reproductions, That&#13;
whenever the owner of a musical copyright has used or permitted or knowingly&#13;
Exclusive right to print,&#13;
publish and vend.&#13;
Exclusive right to translate,&#13;
dramatize, arrange and&#13;
adapt, etc.&#13;
Exclusive right to deliver&#13;
lectures, sermons, etc.&#13;
To represent dramatic&#13;
works, or make record, or&#13;
exhibit or perform, etc.&#13;
To perform music and make&#13;
arrangement, Setting, or&#13;
record.&#13;
Act not retroactive.&#13;
Music by foreign author.&#13;
Control of mechanical&#13;
musical reproduction.&#13;
&#13;
&#13;
## p. (#728) ################################################&#13;
&#13;
( 2 )&#13;
Iłoyalty for&#13;
use of music&#13;
on records,&#13;
etC.&#13;
Notice of use&#13;
of music on&#13;
records.&#13;
Licence to&#13;
use music. On&#13;
records.&#13;
Failure to&#13;
pay royalties.&#13;
Reproduction&#13;
of music on&#13;
coin-operated&#13;
machines.&#13;
Right at&#13;
common law&#13;
or in equity.&#13;
Component&#13;
parts of copy-&#13;
rightable&#13;
work.&#13;
Composite&#13;
works or&#13;
periodicals.&#13;
Works pro-&#13;
tected.&#13;
Classification&#13;
of copyright&#13;
works.&#13;
Books, com-&#13;
posite, cyclo-&#13;
paedic works;&#13;
directories,&#13;
gazetteers,&#13;
etc.&#13;
acquiesced in the use of the copyrighted work upon the parts of instruments serving to&#13;
reproduce mechanically the musical work, any other person may make similar use of the&#13;
copyrighted work upon the payment to the copyright proprietor of a royalty of two cents&#13;
on each such part manufactured, to be paid by the manufacturer thereof; and the&#13;
copyright proprietor may require, and if so the manufacturer shall furnish, a report&#13;
under oath on the twentieth day of each month on the number of parts of instruments&#13;
manufactured during the previous month serving to reproduce mechanically said musical&#13;
work, and royalties shall be due on the parts manufactured during any month upon the&#13;
twentieth of the next succeeding month. The payment of the royalty provided for by&#13;
this section shall free the articles or devices for which such royalty has been paid from&#13;
further contribution to the copyright except in case of public performance for profit :&#13;
And provided further, That it shall be the duty of the copyright owner, if he uses the&#13;
musical composition himself for the manufacture of parts of instruments serving to&#13;
reproduce mechanically the musical work, or licenses others to do so, to file notice thereof,&#13;
accompanied by a recording fee, in the copyright office, and any failure to file such notice&#13;
shall be a complete defense to any suit, action, or proceeding for any infringement of such&#13;
copyright. -&#13;
In case of the failure of such manufacturer to pay to the copyright proprietor within&#13;
thirty days after demand in writing the full sum of royalties due at said rate at the date&#13;
of such demand the court may award taxable costs to the plaintiff and a reasonable&#13;
counsel fee, and the court may, in its discretion, enter judgment therein for any sum in&#13;
addition over the amount found to be due as royalty in accordance with the terms of this&#13;
Act, not exceeding three times such amount.&#13;
The reproduction or rendition of a musical composition by or upon coin-operated&#13;
machines shall not be deemed a public performance for profit unless a fee is charged for&#13;
admission to the place where such reproduction or rendition occurs.&#13;
SECT. 2. That nothing in this Act shall be construed to annul or limit the right of the&#13;
author or proprietor of an unpublished work, at common law or in equity, to prevent the&#13;
copying, publication, or use of such unpublished work without his consent, and to obtain&#13;
damages therefor.&#13;
SECT. 3. That the copyright provided by this Act shall protect all the copyrightable&#13;
component parts of the work copyrighted, and all matter therein in which copyright is&#13;
already subsisting, but without extending the duration or scope of such copyright. The&#13;
copyright upon composite works or periodicals shall give to the proprietor thereof all the&#13;
rights in respect thereto which he would have if each part were individually copyrighted&#13;
under this Act.&#13;
Spot. 4. That the works for which copyright may be secured under this Act shall&#13;
include all the writings of an author.&#13;
Spor. 5. That the application for r gistration shall specify to which of the following&#13;
classes the work in which copyright is claimed belongs :&#13;
(a.) Books, including composite and cyclopaedic works, directories, gazetteers, and&#13;
other compilations;&#13;
(b.) Periodicals, including newspapers; ſe&#13;
(c.) Lectures, sermons, addresses, prepared for oral delivery :&#13;
(d) Dramatic or dramatico-musical compositions;&#13;
(e.) Musical compositions;&#13;
(f) Maps;&#13;
&#13;
&#13;
## p. (#729) ################################################&#13;
&#13;
( 3 )&#13;
(g.) Works of art; models or designs for works of art;&#13;
(h.) Reproductions of a work of art ;&#13;
(...) Drawings or plastic works of a scientific or technical character;&#13;
(j.) Photographs;&#13;
(k.) Prints and pictorial illustrations:&#13;
Provided, nevertheless, That the above specifications shall not be held to limit&#13;
the subject-matter of copyright as defined in section four of this Act, nor shall any&#13;
error in classification invalidate or impair the copyright protection secured under&#13;
this Act.&#13;
SECT. 6. That compilations or abridgements, adaptations, arrangements,&#13;
dramatizations, translations, or other versions of works in the public domain, or of&#13;
Copyrighted works when produced with the consent of the proprietor of the copy-&#13;
right in such work, or works republished with new matter, shall be regarded as new&#13;
works subject to copyright under the provisions of this Act; but the publication of&#13;
any such new works shall not affect the force or validity of any subsisting copyright&#13;
upon the matter employed or any part thereof, or be construed to imply an exclusive&#13;
right to such use of the original works, or to secure or extend copyright in such&#13;
original works.&#13;
SECT. 7. That no copyright shall subsist in the original text of any work which&#13;
is in the public domain, or in any work which was published in this country or&#13;
any foreign country prior to the going into effect of this Act and has not been&#13;
already copyrighted in the United States, or in any publication of the United States&#13;
Government, or any reprint, in whole or in part thereof: Provided, however, That&#13;
the publication or republication by the Government, either separately or in a public&#13;
document, of any material in which copyright is subsisting shall not be taken to&#13;
cause any abridgement or annulment of the copyright or to authorize any use or appro-&#13;
priation of such copyright material without the consent of the copyright proprietor.&#13;
SECT. 8. That the author or proprietor of any work made the subject of copy-&#13;
right by this Act, or his executors, administrators, or assigns, shall have copyright&#13;
for such work under the conditions and for the terms specified in this Act : Provided,&#13;
however, That the copyright secured by this Act shall extend to the work of an&#13;
author or proprietor who is a citizen or subject of a foreign state or nation, only :&#13;
(a.) When an alien author or proprietor shall be domiciled within the United&#13;
States at the time of the first publication of his work ; or&#13;
(b.) When the foreign state or nation of which such author or proprietor is a&#13;
citizen or subject grants, either by treaty, convention, agreement, or law, to citizens&#13;
of the United States the benefit of copyright on substantially the same basis as to&#13;
its own citizens, or copyright protection substantially equal to the protection secured&#13;
to such foreign author under this Act or by treaty ; or when such foreign state or&#13;
nation is a party to an international agreement which provides for reciprocity in&#13;
the granting of copyright by the terms of which agreement the United States may,&#13;
at its pleasure, become a party thereto.&#13;
The existence of the reciprocal conditions aforesaid shall be determined by the&#13;
President of the United States, by proclamation made from time to time, as the&#13;
purposes of this Act may require.&#13;
SECT. 9. That any person entitled thereto by this Act may secure copyright&#13;
for his work by publication thereof with the notice of copyright required by this&#13;
Classification does not limit&#13;
Copyright.&#13;
Compilations, abridgments,&#13;
dramatizations, transla-&#13;
tions, new editions.&#13;
Subsisting copyright not&#13;
affected.&#13;
Not subject-matter of copy-&#13;
right ; works in public&#13;
domain ; government pub-&#13;
lications.&#13;
Copyright to author or pro-&#13;
prietor for terms specified&#13;
in Act.&#13;
Foreign authors who may&#13;
secure copyright protection.&#13;
Alien authors domiciled in&#13;
U.S.&#13;
Authors, when citizens of&#13;
countries granting reci-&#13;
procal rights.&#13;
International agreement,&#13;
Presidential proclamation.&#13;
Publication with notice&#13;
initiates copyright.&#13;
&#13;
&#13;
## p. (#730) ################################################&#13;
&#13;
( 4 )&#13;
Registration&#13;
Of copyright.&#13;
Copyright&#13;
certificate.&#13;
Copyright&#13;
protection of&#13;
unpublished&#13;
works :&#13;
lectures,&#13;
dramas,&#13;
music, etc.&#13;
Deposit of&#13;
copies after&#13;
publication.&#13;
Two complete&#13;
copies of best&#13;
edition.&#13;
Periodical&#13;
contributions.&#13;
Work not&#13;
reproduced in&#13;
copies for&#13;
sale.&#13;
No action for&#13;
infringement&#13;
until deposit&#13;
of copies.&#13;
- Failure to&#13;
deposit copies.&#13;
Register of&#13;
copyrights&#13;
may demand&#13;
copies.&#13;
Failure to&#13;
deposit on&#13;
demand.&#13;
Fine, $100&#13;
and retail&#13;
price of 2&#13;
copies, best&#13;
edition.&#13;
Forfeiture of&#13;
copyright.&#13;
. . Postmaster's&#13;
receipt.&#13;
Printed from&#13;
type.set&#13;
within the&#13;
United States.&#13;
Act ; and such notice shall be affixed to each copy thereof published or offered for sale&#13;
in the United States by authority of the copyright proprietor, except in the case of&#13;
books seeking ad interim protection under section twenty-one of this Act.&#13;
SECT, 10. That such person may obtain registration of his claim to copyright by&#13;
complying with the provisions of this Act, including the deposit of copies, and upon such&#13;
compliance the register of copyrights shall issue to him the certificate provided for in&#13;
section fifty-five of this Act. - .&#13;
SECT. 11. That copyright may also be had of the works of an author of which copies&#13;
are not reproduced for sale, by the deposit, with claim of copyright, of one complete copy&#13;
of such work if it be a lecture or similar production or a dramatic or musical composition;&#13;
of a photographic print if the work be a photograph ; or of a photograph or other&#13;
identifying reproduction thereof if it be a work of art or a plastic work or drawing. But&#13;
the privilege of registration of copyright secured hereunder shall not exempt the copyright&#13;
proprietor from the deposit of copies under sections twelve and thirteen of this Act where&#13;
the work is later reproduced in copies for sale.&#13;
SECT. 12. That after copyright has been secured by publication of the work with the&#13;
notice of copyright as provided in section nine of this Act, there shall be promptly&#13;
deposited in the copyright office or in the mail addressed to the register of copyrights,&#13;
Washington, District of Columbia, two complete copies of the best edition thereof then&#13;
published, which copies, if the work be a book or periodical, shall have been produced in&#13;
accordance with the manufacturing provisions specified in section fifteen of this Act ; or&#13;
if such work be a contribution to a periodical, for which contribution special registration&#13;
is requested, one copy of the issue or issues containing such contribution ; or if the work&#13;
is not reproduced in copies for sale, there shall be deposited the copy, print, photograph,&#13;
or other identifying reproduction provided by section eleven of this Act, such copies or&#13;
copy, print, photograph, or other reproduction to be accompanied in each case by a claim&#13;
of copyright. No action or proceeding shall be maintained for infringement of copyright&#13;
in any work until the provisions of this Act with respect to the deposit of copies and&#13;
registration of such work shall have been complied with. -&#13;
SECT. 13. That should the copies called for by section twelve of this Act not be&#13;
promptly deposited as herein provided, the register of copyrights may at any time after&#13;
the publication of the work, upon actual notice, require the proprietor of the copyright to&#13;
deposit them, and after the said demand shall have been made, in deſault of the deposit&#13;
of copies of the work within three months from any part of the United States, except an&#13;
outlying territorial possession of the United States, or within six months from any&#13;
outlying territorial possession of the United States, or from any foreign country, the&#13;
proprietor of the copyright shall be liable to a fine of one hundred dollars and to pay to&#13;
the Library of Congress twice the amount of the retail price of the best edition of the&#13;
work, and the copyright shall become void. . . . . . . . -&#13;
SECT. 14. That the postmaster to whom are delivered the articles deposited as&#13;
provided in sections eleven and twelve of this Act shall, if requested, give a receipt&#13;
therefor and shall mail them to their destination without cost to the copyright&#13;
claimant. • * *&#13;
SECT. 15. That of the printed book or periodical specified in section five, subsections&#13;
(a) and (b) of this Act, except the original text of a book of foreign origin in a language&#13;
or languages other than English, the text of all copies accorded protection under this Act,&#13;
&#13;
&#13;
## p. (#731) ################################################&#13;
&#13;
( 5 )&#13;
except as below provided, shall be printed from type set within the limits of the&#13;
United States, either by hand or by the aid of any kind of typesetting machine, or&#13;
from plates made within the limits of the United States from type set therein, or,&#13;
if the text be produced by lithographic process, or photo-engraving process, then&#13;
by a process wholly performed within the limits of the United States, and the&#13;
printing of the text and binding of the said book shall be performed within the&#13;
limits of the United States; which requirements shall extend also to the illus-&#13;
trations within a book consisting of printed text and illustrations produced by&#13;
lithographic process, or photo-engraving process, and also to separate lithographs or&#13;
photo-engravings, except where in either case the subjects represented are located in&#13;
a foreign country and illustrate a scientific work or reproduce a work of art; but&#13;
they shall not apply to works in raised characters for the use of the blind, or to&#13;
books of foreign origin in a language or languages other than English, or to books&#13;
published abroad in the English language seeking ad interim protection under this Act.&#13;
SECT. 16. That in the case of the book the copies so deposited shall be accom-&#13;
panied by an affidavit, under the official seal of any officer authorized to administer&#13;
oaths within the United States, duly made by the person claiming copyright or by&#13;
his duly authorized agent or representative residing in the United States, or by the&#13;
printer who has printed the book, setting forth that the copies deposited have been&#13;
printed from type set within the limits of the United States or from plates made&#13;
within the limits of the United States from type set therein ; or, if the text be&#13;
produced by lithographic process, or photo-engraving process, that such process was&#13;
wholly performed within the limits of the United States, and that the printing of&#13;
the text and binding of the said book have also been performed within the limits of&#13;
the United States. Such affidavit shall state also the place where and the establish-&#13;
ment or establishments in which such type was set or plates were made or litho-&#13;
graphic process, or photo-engraving process or printing and binding were performed&#13;
and the date of the completion of the printing of the book or the date of publication.&#13;
SECT. 17. That any person who, for the purpose of obtaining registration of a&#13;
claim to copyright, shall knowingly make a false affidavit as to his having complied&#13;
with the above conditions shall be deemed guilty of a misdemeanor, and upon con-&#13;
viction thereof shall be punished by a fine of not more than one thousand dollars,&#13;
and all of his rights and privileges under said copyright shall thereafter be forfeited.&#13;
SECT. 18. That the notice of copyright required by section nine of this Act&#13;
shall consist either of the word “Copyright" or the abbreviation “Copr.”, accom-&#13;
Danied by the name of the copyright proprietor, and if the work be a printed literary,&#13;
musical, or dramatic work, the notice shall include also the year in which the copy-&#13;
right was secured by publication. In the case, however, of copies of works specified&#13;
in subsections (f) to (%), inclusive, of section five of this Act, the notice may consist&#13;
of the letter C inclosed within a circle thus : (C), accompanied by the initials,&#13;
monogram, mark, or symbol of the copyright proprietor: Provided, That on some&#13;
accessible portion of such copies or of the margin, back, permanent base, or&#13;
pedestal, or of the substance on which such copies shall be mounted, his name&#13;
shall appear. But in the case of works in which copyright is subsisting when this&#13;
Act shall go into effect, the notice of copyright may be either in one of the forms&#13;
prescribed herein or in one of those prescribed by the Act of June eighteenth,&#13;
eighteen hundred and seventy-four.&#13;
Book in foreign language&#13;
excepted.&#13;
Lithographic or photo-&#13;
engraving process.&#13;
Printing and binding of the&#13;
book.&#13;
Illustrations in a book.&#13;
Separate lithographs and&#13;
photo-engravings.&#13;
Books for blind excepted.&#13;
Books in foreign languages&#13;
excepted.&#13;
Affidavit of American&#13;
manufacture.&#13;
Printing and binding of the&#13;
book.&#13;
Establishment where print-&#13;
ing was done.&#13;
Date of publication.&#13;
False affidavit, a misde-&#13;
meanor; fine, $1,000 and&#13;
forfeiture of copyright.&#13;
Notice of copyright.&#13;
Notice on maps, copies of&#13;
works of art, photographs,&#13;
and prints. -&#13;
Notice on accessible por-&#13;
tion.&#13;
Notice on existing copy-&#13;
right works.&#13;
&#13;
&#13;
## p. (#732) ################################################&#13;
&#13;
( 6 ) -&#13;
Notice of&#13;
copyright On&#13;
book.&#13;
On periodical.&#13;
One notice in&#13;
each volume&#13;
or periodical.&#13;
Omission of&#13;
notice by&#13;
accident or&#13;
mistake.&#13;
Innocent&#13;
infringement.&#13;
Book pub-&#13;
lished abroad&#13;
in the English&#13;
language.&#13;
Ad interim&#13;
copyright for&#13;
30 days.&#13;
Extension to&#13;
full term.&#13;
Deposit of&#13;
copies, filing&#13;
of affidavit.&#13;
Duration of&#13;
copyright :&#13;
1st term, 28&#13;
years.&#13;
Posthumous&#13;
works,&#13;
periodicals,&#13;
cyclopaedic&#13;
or composite&#13;
works.&#13;
Renewal term&#13;
28 years.&#13;
Other copy-&#13;
righted&#13;
works, first&#13;
term 28 years.&#13;
Żenewal term&#13;
28 years; to&#13;
author,&#13;
widow, chil-&#13;
dren, heirs or&#13;
next of kin.&#13;
SECT. 19. That the notice of copyright shall be applied, in the case of a book or&#13;
other printed publication, upon its title-page or the page immediately following, or if a&#13;
periodical either upon the title-page or upon the first page of text of each separate number&#13;
or under the title heading, or if a musical work either upon its title-page or the first page&#13;
of music : Provided, That one notice of copyright in each volume or in each number of&#13;
a newspaper or periodical published shall suffice.&#13;
SECT. 20. That where the copyright proprietor has sought to comply with the&#13;
provisions of this Act with respect to notice, the omission by accident or mistake of the&#13;
prescribed notice from a particular copy or copies shall not invalidate the copyright or&#13;
prevent recovery for infringement against any person who, after actual notice of the&#13;
copyright, begins an undertaking to infringe it, but shall prevent the recovery of damages&#13;
against an innocent infringer who has been misled by the omission of the notice ; and in&#13;
a suit for infringement no permanent injunction shall be had unless the copyright&#13;
proprietor shall reimburse to the innocent infringer his reasonable outlay innocently&#13;
incurred if the court, in its discretion, shall so direct.&#13;
SECT. 21. That in the case of a book published abroad in the English language&#13;
before publication in this country, the deposit in the copyright office, not later than thirty&#13;
days after its publication abroad, of one complete copy of the foreign edition, with a&#13;
request for the reservation of the copyright and a statement of the name and&#13;
nationality of the author and of the copyright proprietor and of the date of publication&#13;
of the said book, shall secure to the author or proprietor an ad interim copyright, which&#13;
shall have all the force and effect given to copyright by this Act, and shall endure until&#13;
the expiration of thirty days after such deposit in the copyright office.&#13;
SECT. 22. That whenever within the period of such ad interim protection an authorized&#13;
edition of such book shall be published within the United States, in accordance with the&#13;
manufacturing provisions specified in section fifteen of this Acty and whenever the&#13;
provisions of this Act as to deposit of copies, registration, filing of affidavit, and the&#13;
printing of the copyright notice shall have been duly complied with, the copyright&#13;
shall be extended to endure in such book for the full term elsewhere provided in&#13;
this Act. -&#13;
SECT. 23. That the copyright secured by this Act shall endure for twenty-eight&#13;
years from the date of first publication, whether the copyrighted work bears the author's&#13;
true name or is published anonymously or under an assumed name : Provided, That in the&#13;
case of any posthumous work or of any periodical, cyclopædic, or other composite work&#13;
upon which the copyright was originally secured by the proprietor thereof, or of any work&#13;
copyrighted by a corporate body (otherwise than as assignee or licensee of the individual&#13;
author) or by an employer for whom such work is made for hire, the proprietor of such&#13;
copyright shall be entitled to a renewal and extension of the copyright in such work for&#13;
the further term of twenty-eight years when application for such renewal and extension&#13;
shall have been made to the copyright office and duly registered therein within one year&#13;
prior to the expiration of the original term of copyright : And provided further, That in&#13;
the case of any other copyrighted work, including a contribution by an individual author&#13;
to a periodical or cyclopaedic or other composite work when such contribution has been&#13;
separately registered, the author of such work, if still living, or the widow, widower, or&#13;
children of the author, if the author be not living, or if such author, widow, Widower, or&#13;
children be not living, then the author's executors, or in the absence of a will, his next of&#13;
kin shall be entitled to a renewal and extension of the copyright in such work for a&#13;
&#13;
&#13;
## p. (#733) ################################################&#13;
&#13;
( 7 )&#13;
further term of twenty-eight years when application for such renewal and extension&#13;
shall have been made to the copyright office and duly registered therein within one&#13;
year prior to the expiration of the original term of copyright: And provided further,&#13;
That in default of the registration of such application for renewal and extension,&#13;
the copyright in any work shall determine at the expiration of twenty-eight years&#13;
from first publication.&#13;
&amp;&#13;
SECT. 24. That the copyright subsisting in any work at the time when this Act&#13;
goes into effect may, at the expiration of the term provided for under existing law,&#13;
be renewed and extended by the author of such work if still living, or the widow,&#13;
widower, or children of the author, if the author be not living, or if such author,&#13;
widow, widower, or children be not living, then by the author's executors, or in the&#13;
absence of a will, his next of kin, for a further period such that the entire term&#13;
shall be equal to that secured by this Act, including the renewal period : Provided,&#13;
however, That if the work be a composite work upon which copyright was originally&#13;
secured by the proprietor thereof, then such proprietor shall be entitled to the&#13;
privilege of renewal and extension granted under this section : Provided, That&#13;
application for such renewal and extension shall be made to the copyright office and&#13;
duly registered therein within one year prior to the expiration of the existing term.&#13;
SECT. 25. That if any person shall infringe the copyright in any work protected&#13;
under the copyright laws of the United States such persons shall be liable :&#13;
(a.) To an injunction restraining such infringement ;&#13;
(b.) To pay to the copyright proprietor such damages as the copyright proprietor&#13;
may have suffered due to the infringement, as well as all the profits which the&#13;
infringer shall have made from such infringement, and in proving profits the&#13;
plaintiff shall be required to prove sales only and the defendant shall be required&#13;
to prove every element of cost which he claims, or in lieu of actual damages and&#13;
profits such damages as to the court shall appear to be just, and in assessing such&#13;
damages the court may, in its discretion, allow the amounts as hereinafter stated,&#13;
but in the case of a newspaper reproduction of a copyrighted photograph such&#13;
damages shall not exceed the sum of two hundred dollars nor be less than the sum of&#13;
fifty dollars, and such damages shall in no other case exceed the sum of five thousand&#13;
dollars nor be less than the sum of two hundred and fifty dollars, and shall not be&#13;
regarded as a penalty:&#13;
First. In the case of a painting, statue, or sculpture, ten dollars for every&#13;
infringing copy made or sold by or found in the possession of the infringer or&#13;
his agents or employees;&#13;
Second. In the case of any work enumerated in section five of this Act, except&#13;
a painting, statue, or sculpture, one dollar for every infringing copy made or&#13;
sold by or found in the possession of the infringer or his agents or employees;&#13;
Third. In the case of a lecture, sermon, or address, fifty dollars for every&#13;
infringing delivery :&#13;
Fourth. In the case of dramatic or dramatico-musical or a choral or orchestral&#13;
composition, one hundred dollars for the first and fifty dollars for every subse-&#13;
quent infringing performance ; in the case of other musical compositions, ten&#13;
dollars for every infringing performance;&#13;
Notice that renewal term is&#13;
desired.&#13;
Copyright ends in 28 years&#13;
unless renewed.&#13;
Extension of subsisting&#13;
copyrights.&#13;
Proprietor entitled to re-&#13;
newal for composite work.&#13;
Renewal application.&#13;
Infringement of copyright.&#13;
Injunction.&#13;
Damages.&#13;
Proving sales.&#13;
Newspaper reproduction of&#13;
photograph ; recovery,&#13;
$50–$200.&#13;
Maximum recovery, $5,000.&#13;
Minimum recovery, $250.&#13;
Painting, statue, or sculp-&#13;
ture, $10 for every in-&#13;
fringing Copy.&#13;
Other works $1 for every&#13;
infringing copy.&#13;
Lectures, $50 for every&#13;
infringing delivery.&#13;
Dramatic or musical works,&#13;
$100 for first and $50 for&#13;
subsequent infringing per-&#13;
formance.&#13;
Other musical compositions,&#13;
$10 for every infringing&#13;
performance.&#13;
&#13;
&#13;
## p. (#734) ################################################&#13;
&#13;
( 8 )&#13;
Delivering up&#13;
infringing&#13;
articles.&#13;
Destruction&#13;
of infringing&#13;
copies, etc.&#13;
Infringement&#13;
by mechani-&#13;
cal musical&#13;
instrumentS.&#13;
Injunction .&#13;
may be&#13;
grant 'd.&#13;
Recovery of&#13;
royalty.&#13;
Notice to pro-&#13;
prietor of&#13;
intention to&#13;
TLS62.&#13;
Damages,&#13;
three times&#13;
amount pro-&#13;
vided.&#13;
Temporary&#13;
injunction.&#13;
Rules for&#13;
practice and&#13;
procedure.&#13;
Judgment&#13;
enforcing&#13;
remedies.&#13;
|Proceedings,&#13;
injunction,&#13;
etc., may be&#13;
united in One&#13;
action.&#13;
Penalty for&#13;
wilful in-&#13;
fringement.&#13;
Oratorios,&#13;
cantatas, etc.,&#13;
may be per-&#13;
formed.&#13;
False notice&#13;
of copyright&#13;
(penalty for).&#13;
Fraudulent&#13;
removal of&#13;
notice ; fine,&#13;
$100–$1,000.&#13;
(c.) To deliver up on oath, to be impounded during the pendency of the action,&#13;
upon such terms and conditions as the court may prescribe, all articles alleged to infringe&#13;
a copyright : -&#13;
(d) To deliver up on oath for destruction all the infringing copies or devices, as well&#13;
as all plates, moulds, matrices, or other means for making such infringing copies as the&#13;
court may order ; ºt&#13;
(e.) Whenever the owner of a musical copyright' has used or permitted the use of&#13;
the copyright work upon the parts of musical instruments serving to reproduce&#13;
mechanically the musical work, then in case of infringement of such copyright by the&#13;
unauthorized manufacture, use, or sale of interchangeable parts, such as disks, rolls,&#13;
bands, or cylinders for use in mechanical music-producing machines adapted to&#13;
reproduce the copyrighted music, no criminal action shall be brought, but in a civil action&#13;
an injunction may be granted upon such terms as the court may impose, and the plaintiff&#13;
shall be entitled to recover in lieu of profits and damages a royalty as provided in&#13;
section one, subsection (e), of this Act : Provided also, That whenever any person, in the&#13;
absence of a licence agreement, intends to use a copyrighted musical composition upon&#13;
the parts of instruments Serving to reproduce mechanically the musical work, relying&#13;
upon the compulsory licence provision of this Act, he shall serve notice of such intention,&#13;
by registered mail, upon the copyright proprietor at his last address disclosed by the&#13;
records of the copyright office, sending to the copyright office a duplicate of such notice;&#13;
and in case of his failure so to do the court may, in its discretion, in addition to sums&#13;
hereinabove mentioned, award the complainant a further sum, not to exceed three times&#13;
the amount provided by section one, subsection (e), by Way of damages, and not as a&#13;
penalty, and also a temporary injunction until the full award is paid.&#13;
- Rules and regulations for practice and procedure under this section shall be prescribed&#13;
by the Supreme Court of the United States.&#13;
SECT. 26. That any court given jurisdiction under section thirty-four of this Act may&#13;
proceed in any action, suit, or proceeding instituted for violation of any provision hereof&#13;
to enter a judgment or decree enforcing the remedies herein provided.&#13;
SECT. 27. That the proceedings for an injunction, damages, and profits, and those&#13;
for the seizure of infringing copies, plates, moulds, matrices, and so forth, aforementioned,&#13;
may be united in one action. .&#13;
SECT. 28. That any person who wilfully and for profit shall infringe any copyright&#13;
secured by this Act, or who shall knowingly and wilfully aid or abet such infringement,&#13;
shall be deemed guilty of a misdemeanor, and upon conviction thereof shall be punished&#13;
by imprisonment for not exceeding one year or by a fine of not less than one hundred&#13;
dollars nor more than one thousand dollars, or both, in the discretion of the court :&#13;
Provided, however, That nothing in this Act shall be so construed as to prevent the per-&#13;
formance of religious or secular works, such as oratorios, Cantatas, masses, or octavo&#13;
choruses by public schools, church choirs, or vocal societies, rented, borrowed, or obtained&#13;
from some public library, public school, church choir, school choir, or vocal Society, pro-&#13;
vided the performance is given for charitable or educational purposes and not for profit.&#13;
SECT. 29. That any person who, with fraudulent intent, shall insert or impress&#13;
any notice of copyright required by this Act, or words of the same purport, in or upon&#13;
any uncopyrighted article, or with fraudulent intent shall remove or alter the copyright&#13;
notice upon any article duly copyrighted shall be guilty of a misdemeanor, punishable by&#13;
&#13;
&#13;
## p. (#735) ################################################&#13;
&#13;
( 9 )&#13;
a fine of not less than one hundred dollars and not more than one thousand dollars.&#13;
Any person who shall knowingly issue or sell any article bearing a notice of United&#13;
States coypright which has not been copyrighted in this country, or who shall know-&#13;
ingly import any article bearing such notice or words of the same purport, which has&#13;
not been copyrighted in this country, shall be liable to a fine of one hnndred dollars.&#13;
SECT. 30. That the importation into the United States of any article bearing a&#13;
false notice of copyright when there is no existing copyright thereon in the United&#13;
States, or of any piratical copies of any work copyrighted in the United States, is&#13;
prohibited.&#13;
SECT. 31. That during the existence of the American copyright in any book&#13;
the importation into the United States of any piratical copies thereof or of any copies&#13;
thereof (although authorized by the author or proprietor) which have not been pro-&#13;
duced in accordance with the manufacturing provisions specified in section fifteen of&#13;
this Act, or any plates of the same not made from type set within the limits of the&#13;
United States, or any copies thereof produced by lithographic or photo-engraving&#13;
process not performed within the limits of the United States, in accordance with&#13;
the provisions of section fifteen of this Act, shall be, and is hereby, prohibited :&#13;
Provided, however, That, except as regards piratical copies, such prohibtion shall not&#13;
apply :&#13;
(a.) To works in raised characters for the use of the blind ;&#13;
(b.) To a foreign newspaper or magazine, although containing matter copy-&#13;
righted in the United States printed or reprinted by authority of the copyright&#13;
proprietor, unless such newspaper or magazine contains also copyright matter&#13;
printed or reprinted without such authorization ; t&#13;
(c.) To the authorized edition of a book in a foreign language or languages of&#13;
which only a translation into English has been copyrighted in this country :&#13;
(d) To any book published abroad with the authorization of the author or&#13;
copyright proprietor when imported under the circumstances stated in one of the&#13;
four subdivisions following, that is to say :&#13;
First. When imported, not more than one copy at one time, for individual use&#13;
and not for sale; but such privilege of importation shall not extend to a foreign&#13;
reprint of a book by an American author copyrighted in the United States;&#13;
Second. When imported by the authority or for the use of the United States;&#13;
Third. When imported, for use and not for sale, not more than one copy of&#13;
any such book in any one invoice, in good faith, by or for any society or&#13;
institution incorporated for educational, literary, philosophical, scientific, or&#13;
religious purposes, or for the encouragement of the fine arts, or for any college,&#13;
academy, school, or seminary of learning, or for any State, school, college,&#13;
university, or free public library in the United States :&#13;
Fourth. When such books form parts of libraries or collections purchased&#13;
en bloc for the use of societies, institutions, or libraries designated in the fore-&#13;
going paragraph, or form parts of the libraries or personal baggage belonging&#13;
to persons or families arriving from foreign countries and are not intended&#13;
for sale: Provided, That copies imported as above may not lawfully be used&#13;
in any way to violate the rights of the proprietor of the American copyright or&#13;
annul or limit the copyright protection secured by this Act, and such unlawful&#13;
use shall be deemed an infringement of copyright.&#13;
Issuing, selling, or import-&#13;
ing article bearing false&#13;
notice; fine, $100.&#13;
Importation prohibited of&#13;
articles bearing false notice&#13;
and piratical copies.&#13;
Prohibition of importation&#13;
of books.&#13;
Exceptions to prohibition&#13;
of importation :&#13;
Works for the blind.&#13;
Foreign newspapers or&#13;
magazines.&#13;
Books in foreign languages&#13;
of which only translations&#13;
are copyrighted.&#13;
Importation of authorized&#13;
foreign books permitted.&#13;
For individual use and not&#13;
for sale.&#13;
For the use of the United&#13;
States.&#13;
For the use of societies,&#13;
libraries, etc.&#13;
Libraries purchased en bloc.&#13;
Books brought personally&#13;
into the United States.&#13;
Imported copies not to be&#13;
used to violate copyright.&#13;
&#13;
&#13;
## p. (#736) ################################################&#13;
&#13;
( 10 )&#13;
Seizure of un-&#13;
lawfully im-&#13;
ported copies.&#13;
Copies of&#13;
authorized&#13;
books im-&#13;
ported may&#13;
be returned.&#13;
Secretary of&#13;
Treasury and&#13;
Postmaster-&#13;
General to&#13;
make rules to&#13;
prevent un-&#13;
lawful im-&#13;
portation.&#13;
Jurisdiction&#13;
of courts in&#13;
copyright&#13;
CàSČS.&#13;
T)istrict in&#13;
which suit&#13;
may be&#13;
brought.&#13;
Injunctions&#13;
may be&#13;
granted.&#13;
Certified copy&#13;
of papers&#13;
filed.&#13;
Judgments,&#13;
etc., may be&#13;
reviewed on&#13;
appeal or writ&#13;
of error.&#13;
No criminal&#13;
proceedings&#13;
shall be main-&#13;
tained after&#13;
three years.&#13;
SECT. 32. That any and all articles prohibited importation by this Act which are&#13;
brought into the United States from any foreign country (except in the mails) shall be&#13;
seized and forfeited by like proceedings as those provided by law for the seizure and&#13;
condemnation of property imported into the United States in violation of the customs&#13;
revenue laws. Such articles when forfeited shall be destroyed in such manner as the&#13;
Secretary of the Treasury or the court, as the case may be, shall direct : Provided,&#13;
however, That all copies of authorized editions of copyright books imported in the mails&#13;
or otherwise in violation of the provisions of this Act may be exported and returned to&#13;
the country of export whenever it is shown to the satisfaction of the Secretary of the&#13;
Treasury, in a written application, that such importation does not involve wilful negligence&#13;
or fraud. -&#13;
SECT. 33. That the Secretary of the Treasury and the Postmaster-General are hereby&#13;
empowered and required to make and enforce such joint rules and regulations as shall&#13;
prevent the importation into the United States in the mails of articles prohibited&#13;
importation by this Act, and may require notice to be given to the Treasury Department&#13;
or Post-Office Department, as the case may be, by copyright proprietors or injured parties,&#13;
of the actual or contemplated importation of articles prohibited importation by this Act,&#13;
and which infringe the rights of such copyright proprietors or injured parties.&#13;
SECT. 34. That all actions, suits, or proceedings arising under the copyright laws of&#13;
the United States shall be originally cognizable by the circuit courts of the United States,&#13;
the district court of any Territory, the Supreme court of the District of Columbia, the&#13;
district courts of Alaska, Hawaii, and Porto Rico, and the courts of first instance of the&#13;
Philippine Islands.&#13;
SECT. 35. That civil actions, suits, or proceedings arising under this Act may be&#13;
instituted in the district of which the defendant or his agent is an inhabitant, or in which&#13;
he may be found.&#13;
SECT. 36. That any such court or judge thereof shall have power, upon bill in equity&#13;
filed by any party aggrieved, to grant injunctions to prevent and restrain the violation of&#13;
any right secured by said laws, according to the course and principles of courts of equity,&#13;
on such terms as said court or judge may deem reasonable. Any injunction that may be&#13;
granted restraining and enjoining the doing of anything forbidden by this Act may be&#13;
served on the parties against whom such injunction may be granted anywhere in the&#13;
United States, and shall be operative throughout the United States and be enforceable&#13;
by proceedings in contempt or otherwise by any other court or judge possessing jurisdiction&#13;
of the defendants.&#13;
SECT. 37. That the clerk of the court, or judge granting the injunction, shall, when&#13;
required so to do by the court hearing the application to enforce said injunction, transmit&#13;
without delay to said court a certified copy of all the papers in said cause that are on file&#13;
in his office.&#13;
SECT. 38. That the orders, judgments, or decrees of any court mentioned in section&#13;
thirty-four of this Act arising under the copyright laws of the United States may be&#13;
reviewed on appeal or writ of error in the manner and to the extent now provided by law&#13;
for the review of cases determined in said courts, respectively.&#13;
SECT. 39. That no criminal proceeding shall be maintained under the provisions of&#13;
this Act unless the same is commenced within three years after the cause of action&#13;
3.TOSé.&#13;
&#13;
&#13;
## p. (#737) ################################################&#13;
&#13;
( 11 )&#13;
- SECT. 40. That in all actions, suits, or proceedings under this Act, except when&#13;
brought by or against the United States or any officer thereof, full costs shall be&#13;
allowed, and the court may award to the prevailing party a reasonable attorney's&#13;
fee as part of the costs. - *&#13;
SECT. 41. That the copyright is distinct from the property in the material&#13;
object copyrighted, and the sale or conveyance, by gift or otherwise, of the material&#13;
Object shall not of itself constitute a transfer of the copyright, nor shall the assign-&#13;
ment of the copyright constitute a transfer of the title to the material object ; but&#13;
nothing in this Act shall be deemed to forbid, prevent, or restrict the transfer of&#13;
any copy of a copyrighted work the possession of which has been lawfully obtained.&#13;
SECT. 42. That copyright secured under this or previous Acts of the United&#13;
States may be assigned, granted, or mortgaged by an instrument in writing signed&#13;
by the proprietor of the copyright, or may be bequeathed by will.&#13;
SECT. 43. That every assignment of copyright executed in a foreign country&#13;
shall be acknowledged by the assignor before a consular officer or secretary of&#13;
legation of the United States authorized by law to administer oaths or perform&#13;
notarial acts. The certificate of such acknowledgement under the hand and&#13;
official seal of such consular officer or secretary of legation shall be prima facie&#13;
evidence of the execution of the instrument.&#13;
SECT. 44. That every assignment of copyright shall be recorded in the copy-&#13;
right office within three calendar months after its execution in the United States or&#13;
within six calendar months after its execution without the limits of the United States,&#13;
in default of which it shall be void as against any subsequent purchaser or mortgagee&#13;
for a valuable consideration, without notice, whose assignment has been duly recorded.&#13;
. SECT. 45. That the register of copyrights shall, upon payment of the prescribed&#13;
fee, record such assignment, and shall return it to the sender with a certificate of&#13;
record attached under seal of the copyright office, and upon the payment of the fee&#13;
prescribed by this Act he shall furnish to any person requesting the same a certified&#13;
copy thereof under the said seal.&#13;
SECT. 46. That when an assignment of the copyright in a specified book or&#13;
other work has been recorded the assignee may substitute his name for that of the&#13;
assignor in the statutory notice of copyright prescribed by this Act.&#13;
SECT. 47. That all records and other things relating to copyrights required&#13;
by law to be preserved shall be kept and preserved in the copyright office, Library&#13;
of Congress, District of Columbia, and shall be under the control of the register&#13;
of copyrights, who shall, under the direction and supervision of the Librarian of&#13;
Congress, perform all the duties relating to the registration of copyrights.&#13;
SECT. 48. That there shall be appointed by the Librarian of Congress a register&#13;
of copyrights, at a salary of four thousand dollars per annum, and one assistant&#13;
register of copyrights, at a salary of three thousand dollars per annum, who shall&#13;
have authority during the absence of the register of copyrights to attach the copy-&#13;
right office seal to all papers issued from the said office and to sign such certificates&#13;
and other papers as may be necessary. There shall also be appointed by the Librarian&#13;
such subordinate assistants to the register as may from time to time be authorized&#13;
by law. .&#13;
Full costs shall be allowed.&#13;
Copyright distinct from&#13;
property in material object.&#13;
Transfer of any copy of&#13;
copyrighted work permitted.&#13;
Copyright may be assigned,&#13;
mortgaged, or bequeathed&#13;
by will.&#13;
Assignment executed in&#13;
foreign country to be&#13;
acknowledged.&#13;
Assignments to be recorded.&#13;
Register of copyrights to&#13;
record assignments.&#13;
Assignee's name may be&#13;
substituted in copyright&#13;
notice.&#13;
Copyright records.&#13;
Tegister of copyrights and&#13;
assistant register of copy-&#13;
rights.&#13;
&#13;
&#13;
## p. (#738) ################################################&#13;
&#13;
Register of&#13;
copyrights to&#13;
deposit and&#13;
account for&#13;
fees.&#13;
Shall make&#13;
monthly re-&#13;
port of fees.&#13;
Bond of&#13;
register of&#13;
copyrights.&#13;
Annual re-&#13;
port of&#13;
register of&#13;
CQpyrights.&#13;
Seal of copy-&#13;
right office.&#13;
Rules for the&#13;
registration of&#13;
copyrights.&#13;
Record books.&#13;
Entry of&#13;
copyright,&#13;
Certificate of&#13;
registration.&#13;
Certificate for&#13;
book to state&#13;
receipt of&#13;
affidavit.&#13;
Certificate&#13;
may be given&#13;
to any person.&#13;
Receipt for&#13;
copies de-&#13;
posited.&#13;
Index to&#13;
copyright&#13;
registrations.&#13;
SECT. 49. That the register of copyrights shall make daily deposits in some bank in&#13;
the District of Columbia, designated for this purpose by the Secretary of the Treasury as&#13;
a national depository, of all moneys received to be applied as copyright fees, and shall&#13;
make weekly deposits with the Secretary of the Treasury, in such manner as the latter&#13;
shall direct, of all copyright fees actually applied under the provisions of this Act, and&#13;
annual deposits of sums received which it has not been possible to apply as copyright fees.&#13;
or to return to the remitters, and shall also make monthly reports to the Secretary of the&#13;
Treasury and to the Librarian of Congress of the applied copyright fees for each calendar&#13;
month, together with a statement of all remittances received, trust funds on hand, moneys&#13;
refunded, and unapplied balances,&#13;
SECT, 50. That the register of copyrights shall give bond to the United States in the&#13;
sum of twenty thousand dollars, in form to be approved by the Solicitor of the Treasury&#13;
and with sureties satisfactory to the Secretary of the Treasury, for the faithful discharge&#13;
of his duties.&#13;
SECT. 51. That the register of copyrights shall make an annual report to the&#13;
Librarian of Congress, to be printed in the annual report on the Library of Congress, of&#13;
all copyright business for the previous fiscal year, including the number and kind of&#13;
works which have been deposited in the copyright office during the fiscal year, under the&#13;
provisions of this Act.&#13;
SECT, 52. That the seal provided under the Act of July eighth, eighteen hundred&#13;
and seventy, and at present used in the copyright office, shall continue to be the seal&#13;
thereof, and by it all papers issued from the copyright office requiring authentication&#13;
shall be authenticated.&#13;
SECT. 53. That, subject to the approval of the Librarian of Congress, the register of&#13;
copyrights shall be authorized to make rules and regulations for the registration of claims.&#13;
to copyright as provided by this Act.&#13;
SECT. 54. That the register of copyrights shall provide and keep such record books&#13;
in the copyright office as are required to carry out the provisions of this Act, and when-&#13;
ever deposit has been made in the copyright office of a copy of any work under the&#13;
porvisions of this Act he shall make entry thereof.&#13;
SECT. 55. That in the case of each entry the person recorded as the claimant of the&#13;
copyright shall be entitled to a certificate of registration under seal of the copyright office,&#13;
to contain his name and address, the title of the work upon which copyright is claimed,&#13;
the date of the deposit of the copies of such work, and such marks as to class designation&#13;
and entry number as shall fully identify the entry. In the case of a book the certificate&#13;
shall also state the receipt of the affidavit as provided by section sixteen of this Act, and the&#13;
date of the completion of the printing, or the date of the publication of the book, as stated&#13;
in the said affidavit. The register of copyrights shall prepare a printed form for the said&#13;
certificate, to be filled out in each case as above provided for, which certificate, sealed with&#13;
the seal of the copyright office, shall, upon payment of the prescribed fee, be given to any&#13;
person making application for the same, and the said certificate shall be admitted in any&#13;
court as primá facie evidence of the facts stated therein. In addition to such certificate&#13;
the register of copyrights shall furnish, upon request, without additional fee, a receipt for&#13;
the copies of the work deposited to complete the registration.&#13;
SECT. 56. That the register of copyrights shall fully index all copyright registrations&#13;
and assignments and shall print at periodic intervals a catalogue of the titles of articles&#13;
&#13;
&#13;
## p. (#739) ################################################&#13;
&#13;
( . 13 )&#13;
deposited and registered for copyright, together with suitable indexes, and at stated&#13;
intervals shall print complete and indexed catalogues for each class of copyright entries,&#13;
and may thereupon, if expedient, destroy the original manuscript catalogue cards containing&#13;
the titles included in such printed volumes and representing the entries made during such&#13;
intervals. The current catalogues of copyright entries and the index volumes herein&#13;
provided for shall be admitted in any court as primá facie evidence of the facts stated&#13;
therein as regards any copyright registration.&#13;
SECT. 57. That the said printed current catalogues as they are issued shall be&#13;
promptly distributed by the copyright office to the collectors of customs of the United&#13;
States and to the postmasters of all exchange offices of receipt of foreign mails, in accor-&#13;
dance with revised lists of such collectors of customs and postmasters prepared by the&#13;
Secretary of the Treasury and the Postmaster-General, and they shall also be furnished to&#13;
all parties desiring them at a price to be determined by the register of copyrights, not&#13;
exceeding five dollars per annum for the complete catalogue of copyright entries and not&#13;
exceeding one dollar per annum for the catalogues issued during the year for any one&#13;
class of subjects. The consolidated catalogues and indexes shall also be supplied to all&#13;
persons ordering them at such prices as may be determined to be reasonable, and all&#13;
subscriptions for the catalogues shall be received by the Superintendent of Public&#13;
Documents, who shall forward the said publications; and the moneys thus received shall&#13;
be paid into the Treasury of the United States and accounted for under such laws and&#13;
Treasury regulations as shall be in force at the time.&#13;
SECT. 58. That the record books of the copyright office, together with the indexes to&#13;
such record books, and all works deposited and retained in the copyright office, shall be&#13;
open to public inspection ; and copies may be taken of the copyright entries actually&#13;
made in such record books, subject to such safeguards and regulations as shall be&#13;
prescribed by the register of copyrights and approved by the Librarian of Congress.&#13;
SECT, 59. That of the articles deposited in the copyright office under the provisions&#13;
of the copyright laws of the United States or of this Act, the Librarian of Congress shall&#13;
determine what books and other articles shall be transferred to the permanent collections&#13;
of the Library of Congress, including the law library, and what other books or articles&#13;
shall be placed in the reserve collections of the Library of Congress for sale or exchange,&#13;
or be transferred to other governmental libraries in the District of Columbia for use&#13;
therein. *&#13;
SECT. 60. That of any articles undisposed of as above provided, together with all&#13;
titles and correspondence relating thereto, the Librarian of Congress and the register of&#13;
copyrights jointly shall, at suitable intervals, determine what of these received during&#13;
any period of years it is desirable or useful to preserve in the permanent files of the&#13;
copyright office, and, after due notice as hereinafter provided, may within their discretion&#13;
cause the remaining articles and other things to be destroyed: Provided, That there&#13;
shall be printed in the Catalogue of Copyright Entries from February to November,&#13;
inclusive, a statement of the years of receipt of such articles and a notice to permit any&#13;
author, copyright proprietor, or other lawful claimant to claim and remove before the&#13;
expiration of the month of December of that year anything found which relates to any of&#13;
his productions deposited or registered for copyright within the period of years stated,&#13;
not reserved or disposed of as provided for in this Act: And provided further, That no&#13;
manuscript of an unpublished, work shall be destroyed during its term of copyright&#13;
Catalogue of&#13;
copyright.&#13;
entries.&#13;
Catalogue&#13;
cards.&#13;
Catalogues&#13;
and indexes&#13;
primâ facie&#13;
evidence.&#13;
Distribution&#13;
of catalogue&#13;
of copyright&#13;
entries.&#13;
Subscription&#13;
price.&#13;
Superin-&#13;
tendent of&#13;
documents to&#13;
receive sub-&#13;
Scriptions.&#13;
Record books,&#13;
etc., open to&#13;
inspection.&#13;
Copies may&#13;
be taken of&#13;
entries in&#13;
record books.&#13;
Disposition of&#13;
Copyright&#13;
deposits.&#13;
Preservation&#13;
of copyright&#13;
deposits.&#13;
Disposal of&#13;
copyright&#13;
deposits.&#13;
Manuscript&#13;
copies to be&#13;
preserved.&#13;
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## p. (#740) ################################################&#13;
&#13;
( 14 )&#13;
Fees.&#13;
Fee for registration.&#13;
Fee for certificate.&#13;
Fee for recording assign-&#13;
ment.&#13;
Fee for copy of assignment.&#13;
Fee for recording notice of&#13;
user upon mechanical&#13;
musical instruments.&#13;
Fee for comparing copy of&#13;
assignment.&#13;
Fee for recording renewal&#13;
of copyright.&#13;
Fee for recording transfer&#13;
of proprietorship.&#13;
Fee for search.&#13;
Only one registration re-&#13;
quired for work in several&#13;
volumes.&#13;
Definitions :&#13;
“Date of publication.”&#13;
“Author.”&#13;
Repealing clause.&#13;
Date of enforcement.&#13;
without specific notice to the copyright proprietor of record, permitting him to&#13;
claim and remove it.&#13;
SECT. 61. That the register of copyrights shall receive, and the persons to whom&#13;
the services designated are rendered shall pay, the following fees: For the regis-&#13;
tration of any work subject to copyright, deposited under the provisions of this&#13;
Act, one dollar, which sum is to include a certificate of registration under seal:&#13;
Provided, That in the case of photographs the fee shall be fifty cents where a&#13;
certificate is not demanded. For every additional certificate of registration made,&#13;
fifty cents. For recording and certifying any instrument of writing for the assign-&#13;
ment of copyright, or any such licence specified in section one, subsection (e), or&#13;
for any copy of such assignment or licence, duly certified, if not over three hundred&#13;
words in length, one dollar; if more than three hundred and less than one thousand&#13;
words in length, two dollars; if more than one thousand words in length, one dollar&#13;
additional for each one thousand words or fraction thereof over three hundred&#13;
Words. For recording the notice of user or acquiescence specified in section one,&#13;
subsection (e), twenty-five cents for each notice if not over fifty words, and an&#13;
additional twenty-five cents for each additional one hundred words. For comparing&#13;
any copy of an assignment with the record of such document in the copyright office&#13;
and certifying the same under seal, one dollar. For recording the extension or&#13;
renewal of copyright provided for in sections twenty-three and twenty-four of this&#13;
Act, fifty cents. For recording the transfer of the proprietorship of copyrighted&#13;
articles, ten cents for each title of a book or other article, in addition to the fee&#13;
prescribed for recording the instrument of assignment. For any requested search&#13;
of copyright office records, indexes, or deposits, fifty cents for each full hour of&#13;
time consumed in making such search : Provided, That only one registration at&#13;
one fee shall be required in the case of several volumes of the same book deposited&#13;
at the same time.&#13;
SECT. 62. That in the interpretation and construction of this Act “the date&#13;
of publication ” shall in the case of a work of which copies are reproduced for&#13;
sale or distribution be held to be the earliest date when copies of the first&#13;
authorized edition were placed on sale, sold, or publicly distributed by the proprietor&#13;
of the copyright or under his authority, and the word “author’” shall include an&#13;
employer in the case of works made for hire.&#13;
SECT. 63. That all laws or parts of laws in conflict with the provisions of this&#13;
Act are hereby repealed, but nothing in this Act shall affect causes of action for&#13;
infringement of copyright heretofore committed now pending in courts of the&#13;
United States, or which may hereafter be instituted ; but such causes shall be&#13;
prosecuted to a conclusion in the manner heretofore provided by law.&#13;
SECT. 64. That this Act shall go into effect on the first day of July, nineteen&#13;
hundred and nine.&#13;
Approved, March 4, 1909.&#13;
This Act goes into effect July 1, 1909,&#13;
BRADBURY, AGNEW, &amp; Co. LD., PRINTERs, LonDON AND TONBRIDGE,&#13;
&#13;
&#13;
## p. (#741) ################################################&#13;
&#13;
&#13;
&#13;
## p. (#742) ################################################&#13;
&#13;
&#13;
&#13;
## p. (#743) ################################################&#13;
&#13;
IMPERIAL COPYRIGHT CONFERENCE.&#13;
- - 1910.&#13;
MEMORANDUM OF THE PROCEEDINGS,&#13;
PRESENTED To BOTH HOUSES OF PARLIAMENT BY COMMAND OF HIS MAJESTY,&#13;
July, 1910,&#13;
As long ago as 1878 a Royal Commission reported that the British Copyright Law stood in&#13;
urgent need of revision and amendment. It has not hitherto been possible to give full effect to the&#13;
recommendations of the Royal Commission, owing to the difficulty of the questions involved, but a&#13;
new importance has been given to the matter by the revision of the International Copyright&#13;
Convention, carried out by the International Conference held at Berlin in October and November&#13;
1908.&#13;
The revised Convention, which was signed ad referendum by the British delegates on behalf of&#13;
His Majesty's Government, embodies certain alterations which cannot be put into force in the British&#13;
Empire without a change in the existing law. The revised Convention was examined, from the point&#13;
of view of the interests of the United Kingdom, by a strong Departmental Committee, presided over&#13;
by Lord Gorell, which reported in December, 1909, substantially in favour of the ratification of the&#13;
Convention. Before, however, any action could be taken to carry out the recommendations of the&#13;
Committee it was necessary to ascertàin the views of the other parts of the Empire.&#13;
A Conference of representatives of all the self-governing Dominions, convened as a subsidiary&#13;
Conference of the Imperial Conference, and comprising also a representative of the India Office,&#13;
accordingly met to consider in what manner the existing uniformity of law on copyright could best&#13;
be maintained and in what respects the existing law should be modified, the basis for discussion&#13;
being the revised Copyright Convention.&#13;
This Conference met on May 18, 1910, at the Foreign Office. The Right Honourable Sydney&#13;
Buxton, M.P., President of the Board of Trade, was in the chair, and was assisted by Sir H. Llewellyn&#13;
Smith, K.C.B., Permanent Secretary, Mr. G. R. Askwith, C.B., K.C., and Mr. W. Temple Franks,&#13;
representing the Board of Trade; Mr. H. W. Just, C.B., C.M.G., Secretary to the Imperial Conference,&#13;
representing the Colonial Office; Mr. A. Law, C.B., representing the Foreign Office ; Sir Thomas&#13;
Raleigh, K.C.S.I., Member of the Council of India, representing the India Office; and Mr. F. F.&#13;
Iiddell, of the Office of the Parliamentary Counsel.&#13;
The representatives of the self-governing Dominions were : the Hon. Sydney Fisher, Minister of&#13;
Agriculture, accompanied by Mr. P. E. Ritchie (Dominion of Canada); the Right Hon. Lord&#13;
Tennyson, G.C.M.G. (Commonwealth of Australia); the Hon. Sir W. Hall Jones, K.C.M.G.&#13;
(Dominion of New Zealand); the Hon. Sir Richard Solomon, K.C.B., K.C.M.G., K.C.V.O., K.C.&#13;
(Union of South Africa); and the Hon. Sir Edward Morris, K.C. (Newfoundland).&#13;
Mr. A. B. Keith, of the Colonial Office, and Mr. T. W. Phillips, of the Board of Trade, acted as&#13;
Joint Secretaries of the Conference, .&#13;
&#13;
&#13;
## p. (#744) ################################################&#13;
&#13;
( 2 )&#13;
At the opening meeting the President, briefly outlined the reasons which had led to the&#13;
º of the Conference, and indicated the chief points to which attention should be directed,&#13;
as follows:—&#13;
“GENTLEMEN,&#13;
“The immediate reason for our meeting here is the Berlin Copyright Conference of two&#13;
years ago, in which many of the great nations took part. The outcome of the Conference was the&#13;
Revised Convention which was signed at Berlin on behalf of the British Government—signed, I&#13;
desire to say, ad referendum, with full liberty to ratify or not, or to make reservations to the&#13;
Convention, if it were subsequently thought advisable.&#13;
“The first International Copyright Convention was that of Berne in 1887, when for the first&#13;
time an attempt was made to form an International Union for the reciprocal protection of authors&#13;
among the various nations which were party to it. I take it that the fundamental basis of that&#13;
Convention was that all the nations joining the Union should reciprocally give the advantage of their&#13;
various local Copyright Acts to other members of the Union. The Berne Convention did not go very&#13;
much further than that in the direction of providing a code of International Copyright Law owing&#13;
to the great divergencies which then existed between the various local Copyright Acts. There was a&#13;
further Conference in Paris in 1896 in which some amendments were made. A considerable time&#13;
then passed, and during that interval, with the exception of the United Kingdom, where, I am sorry&#13;
to say, we have not for very many years past made any progress in copyright reform, nearly every other&#13;
nation belonging to the Union, influenced partly, we may suppose, by the Berne Convention, remodelled&#13;
its Copyright Acts, and brought them more into accord with present-day requirements and present-&#13;
day views. Some of them, in anticipation of the revision of the Convention, made reciprocal Treaties&#13;
with regard to these matters, in order to give each other the advantages which accrued from their&#13;
local legislation. In consequence, a desire sprang up on the Continent to have a further Conference&#13;
with a view to framing a revised and more complete Convention. This Conference took place in&#13;
Berlin in 1908, and was of a very representative character. Perhaps, in that connection, I may just&#13;
refer to the great loss we all feel the copyright question has sustained by the death of Sir Henry&#13;
Bergne, who was the chief British delegate at that Conference.&#13;
“The result of that Conference was the drafting of a revised Convention which it is proposed&#13;
shall supersede the various other Agreements and Conventions which are now in force. The British&#13;
delegates were authorised to sign that Convention subject to subsequent ratification, if, after&#13;
consideration by His Majesty's Government and by those representing the Dominions, it was thought&#13;
advisable to ratify, or to ratify subject to certain reservations.&#13;
“The advance which was made in the Berlin Convention was partly to provide a single document&#13;
instead of the three that previously existed, and partly to embody a number of important amendments.&#13;
The result was that, as regards the United Kingdom especially, various proposals were adopted which&#13;
are somewhat new to our laws. One of the principal alterations which is proposed in the Berlin&#13;
Convention—indeed, many of its proposals are dependent on it—is the entire abolition, in Inter-&#13;
national relations, of what are called ‘formalities,’ that is to say, that there should be no necessity&#13;
for registration or other formalities in order to obtain or retain copyright.&#13;
“The Convention dealt also with the question of the date from which copyright should run,&#13;
whether from the end of the author's life or from publication, and with the question of the period of&#13;
copyright. The proposal made was that copyright should run for life and for fifty years afterwards.&#13;
This proposal, as you know, differs to a considerable extent from our existing system of copyright.&#13;
“There are also proposals to grant a wider copyright to literary works, and to give the protection&#13;
of copyright to, for instance, music against its reproduction without payment by mechanical means.&#13;
Some of these points are new, so far as we are concerned, or are differently treated under our law.&#13;
“All these points, and others to which I need not now refer, were very carefully examined by a&#13;
strong Departmental Committee appointed by the Board of Trade and presided over by Lord Gorell.&#13;
This Committee came unanimously to the conclusion that the Berlin Convention should be ratified ;&#13;
and, further, they came to substantial agreement on very nearly every point, I think, with regard to&#13;
these various questions connected with the proposals of the Convention.&#13;
“That is the International position. With the Imperial position you are familiar ; and you are&#13;
aware of the very great difficulties which, up to now, have beset the path, and which have rendered&#13;
it difficult or impossible to deal with the reform of the Copyright Law.&#13;
“But there is another strong reason for dealing with the question. As long ago as 1878 a&#13;
Royal Commission reported that the British Copyright Law stood in urgent need of reform, but,&#13;
&#13;
&#13;
## p. (#745) ################################################&#13;
&#13;
( 3 )&#13;
owing to the difficulties of the question—inherent, International and Imperial—scarcely anything&#13;
has been done to carry their recommendations into effect.&#13;
“The Berlin Convention has shown further defects, and the examination by the Gorell Committee&#13;
has further proved that the question is of great importance and of great urgency. Indeed, I feel&#13;
sure that anyone who has studied the question of copyright must admit that the time has fully come&#13;
when, quite apart from any question of the Berlin Convention, or the Imperial aspect of the question,&#13;
the question of copyright really ought to be dealt with afresh.&#13;
“When I came to examine the copyright question in view of this Conference, I found, as I think&#13;
everybody who has had to deal with it has found, that it abounds in questions of the utmost com-&#13;
plexity. I think it was the Commission of 1878 who reported that ‘the law ' (that is, the Copyright&#13;
Law) “is wholly destitute of any sort of arrangement, incomplete, often obscure, and even when it is&#13;
intelligible upon long study, it is in many parts so ill-expressed that no one who does not give such&#13;
study to it can expect to understand it’; and they go on to make other observations of the same sort&#13;
with regard to our Copyright Law, and urge strongly that it requires amendment, simplification and&#13;
codification, and should be placed on a systematic and uniform basis.&#13;
“It is clear from what I have said that adherence to the Berlin Convention would involve in some&#13;
respects a considerable departure from our copyright system and our Copyright Acts here, and would&#13;
involve, therefore, an Act of Parliament. That being so, it became necessary for His Majesty's&#13;
Government to consider what should be their attitude in reference to the Berlin Convention, and they&#13;
recognised, of course, as they have always done with regard to these copyright matters, that it was an&#13;
Imperial as well as a United Kingdom question, and that it was necessary, therefore, to take into&#13;
consultation those representing the Self-governing Dominions over the seas. That is the reason, as&#13;
you are aware, why delegates representative of the self-governing Dominions, of the Dependency of&#13;
India, and of the Home Government are met this morning.&#13;
“In regard to the general position, His Majesty's Government have come to the conclusion, in&#13;
the first place, that it is of the highest importance, both from the point of view of efficiency and from&#13;
the point of view of the Imperial connection, to obtain uniformity of legislation as regards copyright&#13;
throughout the British Empire. That is the first proposition they desire to place before the&#13;
Conference.&#13;
“In the second place, they consider it highly important to attain as great a degree of uniformity&#13;
as is reasonably practicable among the principal nations of the world with regard to International&#13;
copyright. Taking those two points together, they consider it desirable, therefore, to ratify the&#13;
Berlin Convention, if this course is practicable without any undue sacrifice of any important British&#13;
interests.&#13;
“In examining this matter we shall, of course, have to consider the details on their merits and&#13;
what they involve. His Majesty's Government are of opinion that it is important that, if we ratify&#13;
the Berlin Convention at all, we should ratify with as few alterations and reservations as possible. I&#13;
desire, however, to say with regard to the detailed provisions of the Convention that we are not com-&#13;
mitted in any sense to their terms, and that they will be fully open to discussion by the Conference,&#13;
in order to see how far they may be applicable to us here or to the Dominions, and how far we may&#13;
wish to modify them or to reserve points in connection with them.”&#13;
The Conference then resolved itself into Committee for the discussion of the subject in detail.&#13;
Seven meetings were held, and after full discussion the following Resolutions were agreed to :—&#13;
RATIFICATION OF REVISED CONVENTION.&#13;
1. “The Conference, having considered in substance the revised Copyright Convention, recom-&#13;
mends that the Convention should be ratified by the Imperial Government on behalf of the various&#13;
parts of the Empire; and that with a view to uniformity of International Copyright any reservations&#13;
made should be confined to as few points as possible. No ratification should, however, be made on&#13;
behalf of a self-governing Dominion until its assent to ratification has been received ; and provision&#13;
should be made for the separate withdrawal of each self-governing Dominion.&#13;
IMPERIAL COPYRIGHT LAW.&#13;
2.--(a) “The Conference recognises the urgent need of a new and uniform Law of Copyright&#13;
throughout the Empire, and recommends that an Act dealing with all the essentials of Imperial Copy-&#13;
right Law should be passed by the Imperial Parliament, and that this Act, except such of its provisions&#13;
&#13;
&#13;
## p. (#746) ################################################&#13;
&#13;
( 4 )&#13;
as are expressly restricted to the United Kingdom, should be expressed to extend to all the British&#13;
possessions: Provided that the Act shall not extend to a self-governing Dominion unless declared by&#13;
the Legislature of that Dominion to be in force therein, either without any modifications or additions,&#13;
or with such modifications and additions relating exclusively to procedure and remedies as may be&#13;
enacted by such Legislature. s&#13;
(b) “Any self-governing Dominion which adopts the new Act should be at liberty subsequently&#13;
to withdraw from the Act, and for that purpose to repeal it so far as it is operative in that Dominion,&#13;
subject always to treaty obligations and respect for existing rights.&#13;
(c) “Where a self-governing Dominion has passed legislation substantially identical with the new&#13;
Imperial Act, except for the omission of any provisions which are expressly restricted to the United&#13;
Ringdom, or for such modifications as are verbal only, or are necessary to adapt the Act to the circum-&#13;
stances of the Dominion, or relate exclusively to procedure or remedies or to works first published&#13;
within or the authors whereof are resident in the Dominion, the Dominion should, for the purposes&#13;
of the rights conferred by the Act, be treated as if it were a Dominion to which the Act extends.&#13;
(d) “A self-governing Dominion which neither adopts the Imperial Act nor passes substantially&#13;
identical legislation, should not enjoy in other parts of the Empire any rights except such as may be&#13;
conferred by Order in Council, or, within a self-governing Dominion, by Order of the Governor in&#13;
Council.&#13;
(e) “The Legislature of any British Possession (whether a self-governing Dominion or not) to&#13;
which the new Imperial Act extends, should have power to modify or add to any of its provisions in&#13;
its application to the Possession ; but, except so far as such modifications and additions relate to pro-&#13;
cedure and remedies, they should apply only to works the authors whereof are resident in the Possession&#13;
and to works first published therein.&#13;
REPEAL OF EXISTING COPYRIGHT ACTS.&#13;
3. “The Conference is of opinion that as from the date on which the new Imperial Act takes&#13;
effect, the existing Imperial Copyright Acts should be repealed so far as regards the parts of the&#13;
Empire to which the new Act extends. In any self-governing Dominion to which the new Imperial&#13;
Act does not extend the existing Imperial Acts should, so far as they are operative in that Dominion,&#13;
continue in force until repealed by the Legislature of that Dominion.&#13;
INTERNATIONAL COPYRIGHT.&#13;
4.—(a) “The Conference is of opinion that, saye in so far as it may be extended by Orders in&#13;
Council, copyright under the new Imperial Act should subsist only in works of which the author is a&#13;
British subject, or is boná, fide resident in one of the parts of the British Empire to which the Act&#13;
extends; and that copyright should cease if the work be first published elsewhere than in such parts&#13;
of the Empire.&#13;
(b) “The Conference is of opinion that, if possible, it should be made clear on ratification that&#13;
the obligations imposed by the Convention on the British Empire should relate solely to works the&#13;
authors of which are subjects or citizens of a country of the Union, or bomá fide resident therein; and&#13;
that in any case it is essential that the above reservation should be made in regard to any self-governing&#13;
T}ominion which so desires.&#13;
5. “His Majesty should have power to direct by Order in Council that the benefits of the new&#13;
Imperial Act, or any part thereof, shall be granted, with or without conditions, to the works of authors,&#13;
being subjects or citizens of, or residents in a foreign country, and to works first published in that&#13;
country, conditionally on the foreign country in question making proper provision for the protection&#13;
of British subjects entitled to copyright ; provided that Orders granting the benefits of the Act to a&#13;
foreign country within any self-governing Dominion should be made by the Governor in Council of&#13;
that Dominion. w&#13;
DEFINITION OF COPYRIGHT.&#13;
6. “The Conference is of opinion that, subject to proper qualifications, copyright should&#13;
include the sole right to produce or reproduce a work, or any substantial part thereof, in any material&#13;
form whatsoever and in any language, to perform, or in the case of a lecture to deliver, the Work or&#13;
any substantial part thereof in public, and, if the work is unpublished, to publish the work, and&#13;
should include the sole right to dramatise novels and vice versá, and to make records, &amp;c., by means&#13;
of which a work may be mechanically performed.&#13;
&#13;
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## p. (#747) ################################################&#13;
&#13;
( 5 )&#13;
TERM OF COPYRIGHT.&#13;
7.—(a) “The Conference is of opinion that, in order to dispense with formalities as a condition&#13;
of copyright, and to ensure that the whole of an author's works fall into the public domain simul-&#13;
taneously, the term of copyright ought to be based on the life of the author with the addition of a&#13;
certain number of years,&#13;
(b) “The Conference understands that it would be impossible to obtain International uniformity&#13;
on the basis of any other term of copyright than one of life and fifty years, and attaches great&#13;
importance to the attainment of such uniformity. -&#13;
(c) “The Conference further understands that the enactment of a term of copyright which in&#13;
many cases would be less than that which at present subsists would introduce grave complications in&#13;
applying the new Act to existing works.&#13;
(d) “Having regard to these considerations, and especially to the importance of securing&#13;
International uniformity, the Conference is of opinion that, subject to the conditions hereafter&#13;
indicated, the term of copyright should be life and fifty years ; but that in the case of a work of&#13;
joint authorship the term of copyright should be the life of the author who first dies and fifty years&#13;
after his death, or the life of the author who dies last, whichever period is the longer.&#13;
(e) “The Conference is of opinion that, if a term of life and fifty years is granted to literary,&#13;
dramatic, musical and aristic works, it is essential that, in the case of published works, effective&#13;
provision should be made to secure that after the death of the author the reasonable requirements of&#13;
the public be met as regards the supply and the terms of publication of the work, and permission to&#13;
perform it in public. The recommendation of the Conference as to the term of copyright is&#13;
conditional on the enactment of some provision of this nature.&#13;
ABOLITION OF FORMALITIES.&#13;
8. “The Conference is of opinion that no formalities, such as registration, should be imposed&#13;
as a condition of the existence or the exercise of the rights granted by the new Act.&#13;
“For the purpose, however, of the protection of an innocent infringer no damages should be&#13;
recoverable if the infringer proves that he was not aware, and had no reasonable means of making&#13;
himself aware, that copyright subsisted in the work; but every person would be deemed to be&#13;
effected with notice of the existence of copyright if the proper particulars have been entered in a&#13;
register established for the purpose. Registration, however, should be optional merely. -&#13;
INCLUSION OF ARCHITECTURE AND ARTISTIC CRAFTs.&#13;
9. “The Conference is of opinion that an original Work of art should not lose the protection of&#13;
artistic copyright solely because it consists of, or is embodied in, a work of architecture or craftsman-&#13;
ship ; but that it should be clearly understood that such protection is confined to its artistic form&#13;
and does not extend to the processes or methods of production, or to an industrial design capable of&#13;
registration under the law relating to designs and destined to be multiplied by way of manufacture&#13;
or trade.&#13;
APPLICATION TO ExISTING WORKS.&#13;
10. “The Conference is of opinion that existing works in which copyright actually subsists at&#13;
the commencement of the Act (but no others) should enjoy, subject to existing rights, the same&#13;
protection as future works, but the benefit of any extension of terms should belong to the author of&#13;
the work, subject, in the case where he has assigned his existing rights, to a power on the part of the&#13;
assignee at his option either to purchase the full benefit of the copyright during the extended term or,&#13;
without acquiring the full copyright, to continue to publish the work on payment of royalties, the&#13;
payments in either case to be fixed by arbitration if necessary.&#13;
MISCELLANEOUS.&#13;
11. “The Conference is of opinion that provision should be made to stop the importation of&#13;
pirated copies of a copyright work into any part of His Majesty's Dominions to which the Imperial&#13;
Act extends.&#13;
&#13;
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## p. (#748) ################################################&#13;
&#13;
( 6 )&#13;
“The Conference is further of opinion that it is not desirable to continue the special provisions&#13;
of the Foreign Reprints Act, at least so far as regards self-governing Dominions. 4.&#13;
12. “The Conference is of opinion that it is undesirable expressly to confer rights on the&#13;
authors of works which themselves infringe the copyright in other works, and that if necessary a&#13;
reservation to this effect should be made when the revised Convention is ratified.” -&#13;
A draft Bill for the consolidation and amendment of the Law of Copyright embodying the above&#13;
conclusions was submitted to the Conference, and generally approved, after discussion in detail.&#13;
&#13;
&#13;
## p. (#749) ################################################&#13;
&#13;
COPYRIGHT BILL.&#13;
ARRANGEMENT OF CLAUSES.&#13;
PART I.&#13;
IMPERIAL COPYRIGHT.&#13;
Clause. Rights.&#13;
1.&#13;
2.&#13;
3.&#13;
i&#13;
12.&#13;
13.&#13;
14.&#13;
i5.&#13;
- 16.&#13;
25.&#13;
26.&#13;
27.&#13;
28.&#13;
Copyright.&#13;
Term of copyright.&#13;
Ownership of copyright, &amp;c.&#13;
Civil Remedies.&#13;
. Rights of owner against persons possessing or dealing with pirated copies, &amp;c.&#13;
. Infringement by sale, &amp;c.&#13;
Exemption of innocent infringer from liability to pay damages, &amp;c.&#13;
Remedies in the case of architecture.&#13;
. Limitation of actions.&#13;
Summary Remedies.&#13;
. Penalties for dealing with pirated copies, &amp;c.&#13;
10.&#13;
. Power to seize copies of works on hawkers.&#13;
Search warrant and hawking of pirated copies of works.&#13;
Power to arrest without warrant persons selling, &amp;c., pirated copies of works.&#13;
Appeals to quarter sessions.&#13;
Extent of provisions as to summary remedies.&#13;
Importalion of Copies.&#13;
Importation of copies.&#13;
Delivery of Books to Libraries.&#13;
Delivery of copies to British Museum and other libraries.&#13;
Registration.&#13;
. Registration.&#13;
Special Provisions as to certain Works.&#13;
. Posthumous works.&#13;
. Works of joint authors.&#13;
. Collective works.&#13;
. Provisions as to newspapers.&#13;
. Provisions as to photographs.&#13;
. Provisions as to designs registrable under 7 Edw.7, c. 29.&#13;
. Existing works.&#13;
Application to British Possessions.&#13;
Application of Act to British Dominions.&#13;
Legislative powers of self-governing Dominions.&#13;
Power of Legislatures of British possessions to pass supplemental legislation.&#13;
Application to protectorates.&#13;
&#13;
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## p. (#750) ################################################&#13;
&#13;
( 8 )&#13;
Copyright.&#13;
PART II.&#13;
INTERNATIONAL COPYRIGHT.&#13;
Clause.&#13;
29. Power to extend Act to foreign works.&#13;
30. Evidence of foreign copyright.&#13;
31. Application of Part II. to British possessions.&#13;
PART III.&#13;
SUPPLEMENTAL PROVISIONS.&#13;
32. Abrogation of common law rights.&#13;
33. Provisions as to Orders in Council.&#13;
34. Saving of university copyright.&#13;
35. Saving of compensation to certain libraries.&#13;
36. Interpretation.&#13;
37. Repeal.&#13;
38. Short title and commencement.&#13;
SCHEDULES.&#13;
A BILL TO AMEND AND CONSOLIDATE THE LAW RELATING&#13;
TO COPYRIGHT. A.D. 1910. -&#13;
BE it enacted by the King's most Excellent Majesty, by and with the advice and&#13;
consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament&#13;
assembled, and by the authority of the same, as follows:–&#13;
PART I.&#13;
IMPERIAL COPYRIGHT.&#13;
Rights,&#13;
1.—(1) Subject to the provisions of this Act, copyright shall subsist throughout the&#13;
parts of His Majesty's dominions to which this Act extends for the term hereinafter&#13;
mentioned in every original literary, dramatic, musical and artistic work the author&#13;
whereof was at the date of the making of the work a British subject, or a resident within&#13;
such parts of His Majesty's dominions as aforesaid:&#13;
Provided that if any work in which copyright subsists is first published elsewhere than&#13;
in the parts of His Majesty's dominions to which this Act extends, then, except as other-&#13;
wise provided by this Act, the copyright in the work shall cease on such publication.&#13;
(2) For the purposes of this Act “copyright " means the sole right to produce or&#13;
reproduce the work or any substantial part thereof in any material form whatsoever and in&#13;
any language ; to perform, or in the case of a lecture to deliver, the work or any sub-&#13;
stantial part thereof in public ; if the work is unpublished, to publish the work; and&#13;
shall include the sole right,&#13;
(a) in the case of a dramatic work, to convert it into a novel or other non-dramatic&#13;
work;&#13;
(b) in the case of a novel or other non-dramatic work, to convert it into a dramatic&#13;
work, either by way of multiplication of copies or by way of performance in&#13;
public ;&#13;
(c) in the case of a literary, dramatic, or musical work, to make any record, perforated&#13;
roll, or other contrivance by means of which the work may be mechanically&#13;
performed,&#13;
and to authorise any such acts as aforesaid :&#13;
&#13;
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## p. (#751) ################################################&#13;
&#13;
( 9 )&#13;
Provided that—&#13;
(i) copyright shall not be infringed by making for private use an abridgment or&#13;
a translation of a literary or dramatic work, or an adaptation, transposition,&#13;
arrangement or setting of a musical work, or studies or sketches from an&#13;
artistic work, or by making fair extracts from or otherwise fairly dealing with&#13;
the contents of any such work for the purposes of criticism or review ;&#13;
(ii) nothing in this Act shall prevent the author of an artistic work who is not the&#13;
owner of the copyright therein from using any mould, cast, sketches, or studies&#13;
made by him for the purpose of the work, provided that he does not thereby&#13;
repeat or imitate the main design of the work;&#13;
(iii) copyright in a work of sculpture or artistic craftsmanship, if situate in a public&#13;
place or building, and copyright in an architectural work of art, shall not be&#13;
infringed by making paintings, drawings, engravings, or photographs thereof;&#13;
(iv) copyright in a lecture delivered in public shall not be infringed by a report of&#13;
º lecture in a newspaper unless the report is prohibited by notice given&#13;
Clther’—&#13;
(a) orally, at the beginning of the lecture, or, if the lecture is one of a&#13;
series of lectures given by the same lecturer on the same subject at the same&#13;
place, at the beginning of the first lecture of the series; or&#13;
(b) by a written or printed notice affixed, before the lecture, or the first&#13;
lecture of the series, is given, on the entrance doors of the building in which&#13;
the lecture or series of lectures is given, or in a conspicuous place near&#13;
the lecturer, in letters not less than an inch in height.&#13;
2.—(1) Subject to the provisions of this Act the term for which copyright shall Term of copy-&#13;
subsist shall be the life of the author and a period of fifty years after his death : right.&#13;
Provided that if at any time after the death of the author of a work which has been&#13;
published or performed in public a petition is presented by any person interested to the&#13;
Comptroller-General of Patents, Designs, and Trade Marks alleging that, by reason of the&#13;
withholding of the work from the public or of the price charged for copies of the work or&#13;
for the right to perform the work in public, the reasonable requirements of the public with&#13;
respect to the Work are not satisfied, and praying for the grant of a licence to reproduce&#13;
the work or perform the work in public, the Comptroller shall consider the petition, and&#13;
if, after inquiry, he is satisfied that the allegations contained therein are correct may grant&#13;
to the petitioner a licence to reproduce or perform the work in public on such terms as&#13;
respects price and payment of royalties to the owner of the copyright in the work, and&#13;
otherwise, as he may think fit.&#13;
2) Any decision of the Comptroller under this section shall be subject to appeal to a&#13;
judge of the High Court, and the decision of that judge shall be final.&#13;
(3) A licence granted by the Comptroller under this section shall not apply to any&#13;
Self-governing dominion, but the provisions of this Act with respect to the grant of&#13;
licences shall apply to every self-governing dominion to which this Act extends, subject to&#13;
such necessary modifications as the Legislature of that dominion may determine.&#13;
3.—(1) Subject to the provisions of this Act, the first owner of the copyright in any Ownership of&#13;
work shall be the author of the work : Copyright, &amp;c.&#13;
Provided that—&#13;
(a) where the work was ordered by some other person and was made for valuable&#13;
consideration in pursuance of that order, then, in the absence of any agree-&#13;
ment in writing to the contrary, the person by whom the work was ordered&#13;
shall be the first owner of the copyright, unless the work is an architectural&#13;
work of art, or is an artistic work intended for a public place or building, in&#13;
which case the author shall be the first owner of the copyright, but shall not&#13;
be entitled to make, or authorise the making of, reproductions of the work&#13;
except with the consent of that other person, and that other person shall be&#13;
entitled to the same remedies in respect of the infringement of the copyright&#13;
in the work, as if he were the owner of the copyright ; and&#13;
(b) where the author was in the employment of some other person and the work&#13;
was made in the course of his employment by that person, the first owner of&#13;
&#13;
&#13;
## p. (#752) ################################################&#13;
&#13;
( 10 )&#13;
the copyright shall, in the absence of any agreement to the contrary, be the&#13;
person by whom the author was employed.&#13;
(2) The transfer on sale or otherwise of an artistic work, other than an engraving or&#13;
photograph, by the owner of the copyright therein shall, in the absence of an express&#13;
agreement to the contrary, be deemed to transfer the copyright in the work in any case&#13;
where the transferor is not the author of the work.&#13;
(3) The owner of the copyright in any work may assign the right either wholly or&#13;
partially, and either generally or subject to limitations to any particular country or place,&#13;
and either for the whole term of the copyright or any part thereof, and may grant any&#13;
interest in the right by licence, but subject to the foregoing provisions of this section as&#13;
to the effect of the transfers of certain works, any such assignment or grant shall not be&#13;
valid unless it is in writing signed by the owner of the right in respect of which the&#13;
assignment or grant is made, or by his duly authorised agent.&#13;
Civil Remedies.&#13;
Rights of 4. In addition to any remedies otherwise conferred by law, the owner of the copyright&#13;
owner against in any work shall have the same remedies against a person having in his possession for&#13;
P.P.9° sale or dealing with any pirated copies of the work, or any plate used or intended to be&#13;
sessing or g º * - e g *&#13;
...ith used for the production of pirated copies of the work, as if the copies or plate were his&#13;
pirated copies, property, and accordingly may take proceedings for the recovery of the possession thereof&#13;
&amp;c. or in respect of the conversion thereof.&#13;
Infringement 5. Copyright in a work shall be deemed to be infringed by any person who sells or&#13;
by sale, &amp; lets for hire, or exposes, offers, or has in his possession for sale or hire, or distributes or&#13;
exhibits in public, or imports for sale or hire into any part of His Majesty's dominions to&#13;
which this Act extends any work which to his knowledge infringes copyright or would&#13;
infringe copyright if it had been made within such parts of His Majesty's dominions as&#13;
aforesaid.&#13;
Exemption of 6. Where proceedings are taken in respect of the infringement of the copyright in&#13;
innocent any work and the defendant in his defence alleges that he was not aware of the existence&#13;
iºn of the copyright in the work, the plaintiff shall not be entitled to any remedy other than&#13;
iability to g &amp; ... --&gt; º * , gº :-- ſ--&gt; * f :&#13;
ºnages, an injunction or interdict in respect of the infringement if the defendant proves that at&#13;
&amp;c. the date of the infringement he was not aware and had not reasonable means of making&#13;
himself aware that copyright subsisted in the work :&#13;
Provided that if the proper particulars were before the date of the infringement&#13;
correctly entered in a register established under this Act, or, in the case of a work first&#13;
published in, or the author whereof was a resident in, a British possession under the law&#13;
of which a register has been established within that possession, if similar particulars have&#13;
been correctly entered in that register, the defendant shall be deemed to have had means&#13;
of making himself aware that copyright subsisted in the work.&#13;
Remedies in 7.—(1) Where the copyright in any work is infringed by the construction of a&#13;
the case of building or other structure, the owner of the copyright shall not be entitled to obtain an&#13;
architecture injunction or interdict to restrain the construction of such other building or structure or&#13;
to order its demolition when constructed.&#13;
(2) Such of the other provisions of this Act as confer on the owner of the copyright&#13;
in any work the same remedies against a person having in his possession for sale or&#13;
dealing with a pirated copy of the work as if it were his property, or as impose summary&#13;
penalties, shall not apply in any case to which this section applies.&#13;
Limitation of 8. An action in respect of infringement of copyright shall not be commenced after&#13;
actions. the expiration of twelve months next after the infringement.&#13;
Summary Remedies.&#13;
Penalties for 9.—(1) If any person commits any of the following offences— &amp;&#13;
dealing with (a) makes for sale any pirated copy of a work in which copyright subsists , or , .&#13;
pºteacopies (b) sells or lets for hire, or exposes, offers, or has in his possession for sale or hire&#13;
any pirated copy of any such work ; or&#13;
&#13;
&#13;
## p. (#753) ################################################&#13;
&#13;
( 11 )&#13;
(e) distributes or exhibits in public any pirated copy of any such work ; or&#13;
(d) imports into the United Kingdom any pirated copy of any such work :&#13;
he shall, unless he proves that he acted innocently, be guilty of an offence under this Act&#13;
and be liable on summary conviction to a fine not exceeding forty shillings for every copy&#13;
dealt with in contravention of this section, but not exceeding fifty pounds in respect of&#13;
the same transaction :&#13;
Provided that a person convicted of an offence under paragraph (b) of this subsection&#13;
who has not been previously convicted of any such offence, and who proves that the&#13;
copies of the work in respect of which the offence was committed had printed or marked&#13;
thereon in some conspicuous place, a name and address purporting to be that of the&#13;
printer or publisher, shall not be liable to any penalty under this section unless it is&#13;
proved that the copies were to his knowledge pirated copies.&#13;
(2) If any person makes or has in his possession any plate for the purpose of making&#13;
pirated copies of any work in which copyright subsists, he shall, unless he proves that he&#13;
acted innocently, be guilty of an offence under this Act, and be liable on summary&#13;
conviction to a fine not exceeding fifty pounds.&#13;
(3) The court before which any such proceedings are taken may in addition order&#13;
that all copies of the work or all plates in the possession of the offender, which appear to&#13;
it to be pirated copies or plates for the purpose of making pirated copies, be destroyed&#13;
or delivered up to the owner of the copyright.&#13;
10. A court of summary jurisdiction upon the application of the apparent owner Search war-&#13;
of the copyright in any work may act as follows:– rant and&#13;
(a) if satisfied by evidence that there is reasonable ground for believing that pirated º of&#13;
copies of the work are being hawked, carried about, sold, or offered for sale, ºple&#13;
may by Order authorise a constable to seize the copies without warrant and to&#13;
bring them before the court, and, on proof that the copies are pirated, may&#13;
order that they be destroyed or delivered up to the owner of the copyright ;&#13;
(b) if satisfied by information on oath that there is reasonable ground for believing&#13;
that an offence under this Act is being committed on any premises, may grant&#13;
a search warrant authorising the constable named therein to enter the premises&#13;
between the hours of six of the clock in the morning and nine of the clock in&#13;
the evening (and, if necessary, to use force in making such entry, whether by&#13;
breaking open doors or otherwise) and to seize any copies of any work or any&#13;
plates in respect of which he has reasonable ground for suspecting that an&#13;
offence under this Act is being committed, and may, on proof that the copies or&#13;
plates brought before the court in pursuance of the warrant are pirated copies&#13;
or plates intended to be used for the purpose of making pirated copies, order&#13;
that they be destroyed or delivered up to the owner of the copyright.&#13;
11.-(1) A constable may, without warrant, on the request in writing of the Power to seize&#13;
apparent owner of the copyright in a work, or of his agent thereto authorised in writing, . *&#13;
and at the risk of that owner, seize any pirated copy of the work which is being hawked, ...&#13;
carried about, sold, or offered for sale. -&#13;
(2) Every copy so seized shall be conveyed by the constable before a court of&#13;
summary jurisdiction, and, on proof that it is a pirated copy, shall be destroyed or&#13;
delivered up to the owner of the copyright.&#13;
12.-(1) Any constable may take into custody without warrant any person who in Power to&#13;
any street or public place sells or exposes, offers, or has in his possession for sale any lºst Witº"&#13;
pirated copies of any such work as may be specified in any general written authority lº&#13;
addressed to the chief officer of police, and signed by the apparent owner of the copyright ºpiº&#13;
in such work or his agent thereto authorised in writing, requesting the arrest, at the copies of&#13;
risk of such owner, of all persons found committing offences under this Act in respect to Works.&#13;
such work, or who offers for sale any pirated copies of any such specified work by personal&#13;
canvass or by personally delivering advertisements or circulars.&#13;
(2) A copy of every written authority addressed to a chief officer of police under&#13;
this section shall be open to inspection at all reasonable hours by any person without&#13;
payment of any fee, and any person may take copies of or make extracts from any such&#13;
authority.&#13;
&#13;
&#13;
## p. (#754) ################################################&#13;
&#13;
( 12 )&#13;
53 &amp; 54 Vict.&#13;
c. 45.&#13;
53 &amp; 54 Vict.&#13;
C. 67.&#13;
Appeals to&#13;
quarter&#13;
sessions.&#13;
Extent of&#13;
provisions as&#13;
to Summary&#13;
remedies.&#13;
Importation&#13;
of copies.&#13;
Delivery of&#13;
copies to&#13;
British&#13;
Museum and&#13;
Other&#13;
libraries.&#13;
(3) For the purposes of this section the expression “chief officer of police"—&#13;
(a) with respect to the City of London, means the Commissioner of City Police ;&#13;
(b) elsewhere in England has the same meaning as in the Police Act, 1890 :&#13;
(c) in Scotland has the same meaning as in the Police (Scotland) Act, 1890;&#13;
(d) in the police district of Dublin metropolis means either of the Commissioners&#13;
of Police for the said district ;&#13;
(e) elsewhere in Ireland means the District Inspector of the Royal Irish&#13;
Constabulary.&#13;
13. Any person aggrieved by a summary conviction in England or Ireland of an&#13;
offence under the foregoing provisions of this Act may appeal to a court of quarter&#13;
SéSSIOI].S. -&#13;
14. The provisions of this Act with respect to summary remedies shall extend only&#13;
to the United Kingdom.&#13;
Importation of Copies.&#13;
15.-(1) Copies made out of the United Kingdom of any work in which copyright&#13;
subsists as to which the owner of the copyright gives notice in writing by himself or his&#13;
agent to the Commissioners of Customs and Excise, that he is desirous that such copies&#13;
should not be imported into the United Kingdom, shall not be so imported, and shall,&#13;
subject to the provisions of this section, be deemed to be included in the table of&#13;
prohibitions and restrictions contained in section forty-two of the Customs Consolidation&#13;
Act, 1876, and that section shall apply accordingly. *&#13;
(2) Before detaining any such copies or taking any further proceedings with a view&#13;
to the forfeiture thereof under the law relating to the Customs, the Commissioners of&#13;
Customs and Excise may require the regulations under this section, whether as to informa-&#13;
tion, conditions, or other matters, to be complied with, and may satisfy themselves in&#13;
accordance with those regulations that the copies are such as are prohibited by this section&#13;
to be imported.&#13;
(3) The Commissioners of Customs and Excise may make regulations, either general&#13;
or special, respecting the detention and forfeiture of copies the importation of which is&#13;
prohibited by this section, and the conditions, if any, to be fulfilled before such detention&#13;
and forfeiture, and may by such regulations determine the information, notices, and&#13;
security to be given, and the evidence requisite for any of the purposes of this section, and&#13;
the mode of verification of such evidence.&#13;
(4) The regulations may apply to copies of all works the importation of which is&#13;
prohibited by this section, or different regulations may be made respecting different classes&#13;
of such works.&#13;
(5) The regulations may provide for the informant reimbursing the Commissioners&#13;
of Customs and Excise all expenses and damages incurred in respect of any detention&#13;
made on his information, and of any proceedings consequent on such detention.&#13;
(6) The foregoing provisions of this section shall have effect as if they were part of&#13;
the Customs Consolidation Act, 1876.&#13;
(7) This section shall, with the necessary modifications, apply to the importation into&#13;
a British possession to which this Act extends of copies of works made out of that&#13;
possession.&#13;
Delivery of Books to Libraries.&#13;
16.-(1) The publisher of every book published in the United Kingdom shall within&#13;
one month after the publication deliver, at his own expense, a copy of the book to the&#13;
trustees of the British Museum, who shall give a written receipt for it.&#13;
(2) He shall also, after written demand if made within three months after publication,&#13;
deliver within one month after receipt of that written demand to some depôt in London&#13;
named in the demand a copy of the book for, or in accordance with the directions of, the&#13;
authority having the control of each of the following libraries, namely: the Bodleian&#13;
Library, Oxford, the University Library, Cambridge, the Library of the Faculty of&#13;
Advocates at Edinburgh, and the Library of Trinity College, Dublin.&#13;
(3) The copy delivered to the trustees of the British Museum shall be a copy of the&#13;
whole book with all maps and illustrations belonging thereto, finished and coloured in the&#13;
&#13;
&#13;
## p. (#755) ################################################&#13;
&#13;
( 13 )&#13;
same manner as the best copies of the book are published, and shall be bound, sewed, or&#13;
Stitched together, and on the best paper on which the book is printed.&#13;
(4) The copy delivered for the other authorities mentioned in this section shall be on&#13;
the paper on which the largest number of copies of the book is printed for sale, and shall&#13;
be in the like condition as the books prepared for sale.&#13;
(5) If a publisher fails to comply with this section, he shall be liable on summary&#13;
conviction to a fine not exceeding five pounds and the value of the book, and the fine shall&#13;
be paid to the trustees or authority to whom the book ought to have been delivered.&#13;
(6) For the purposes of this section the expression “book” includes every part or&#13;
division of a book, pamphlet, sheet of letter-press, sheet of music, map, plan, chart or table&#13;
relative to geography, topography, or science.&#13;
Registration.&#13;
17.--(1) There shall be kept in the Hall of the Stationers' Company by an officer Registration.&#13;
(hereinafter called the registrar) to be appointed by the Stationers' Company subject to&#13;
the approval of the Board of Trade such one or more registers as may be prescribed, in&#13;
which shall be entered the names or titles of works and the names of authors, and such&#13;
other particulars as may be prescribed.&#13;
(2) The author or publisher of, or the owner of or other person interested in the copy-&#13;
right in, any work may at any time cause the particulars respecting the work to be entered&#13;
in the register, but it shall not be obligatory on him to do so.&#13;
(3) In the case of an encyclopædia, newspaper, review, magazine, or other periodical&#13;
Work or work published in a series of books or parts, it shall not be necessary to make a&#13;
º entry for each number or part, but a single entry for the whole work shall&#13;
Sll IIICe.&#13;
(4) There shall also be kept in the Hall of the Stationers' Company by the registrar&#13;
such indexes of the registers established under this section as may be prescribed.&#13;
5) The registers and indexes established under this section shall be in the prescribed&#13;
form, and shall at all reasonable times be open to inspection, and any person shall be&#13;
entitled to take copies of or make extracts from any such register, and the registrar&#13;
shall, if so required, give a copy of any entry in any such register certified by him to be a&#13;
true copy, and any such certificate shall be prima facie evidence of the matters thereby&#13;
certified.&#13;
(6) There shall be charged in respect of entries in registers, the inspection of registers,&#13;
taking copies of or making extracts from registers, and certificates by the registrar under&#13;
this section, such fees as may be prescribed.&#13;
(7) The Stationers' Company shall annually render to the Board of Trade such&#13;
accounts of their receipts and expenditure under this section as may be prescribed.&#13;
(8) The Board of Trade may make regulations prescribing any matters which under&#13;
this section are to be prescribed, and generally for carrying this section into effect, and&#13;
any such regulations may require that, in the case of an artistic work desired to be&#13;
registered, there shall be furnished a representation of the work sufficient for the&#13;
identification thereof.&#13;
Special Provisions as to certain Works.&#13;
18. In the case of a literary, dramatic, or musical work or engraving not published, Posthumous&#13;
nor, in the case of a dramatic or musical work, performed in public, nor, in the case of a Works.&#13;
lecture, delivered in public, in the lifetime of the author, copyright shall, subject to the&#13;
provisions of this Act as to first publication elsewhere than in the parts of His Majesty's&#13;
dominions to which this Act extends, subsist till publication, or performance or delivery&#13;
in public, whichever may first happen, and for a term of fifty years thereafter.&#13;
19.-(1) In the case of a work of joint authorship copyright shall subsist during the Works of&#13;
life of the author who first dies and for a term of fifty years after his death, or during the joint authors.&#13;
life of the author who dies last, whichever period is the longer.&#13;
(2) Where in the case of a work of joint authorship some one or more of the joint&#13;
authors do not satisfy the conditions conferring copyright laid down by this Act, the Work&#13;
&#13;
&#13;
## p. (#756) ################################################&#13;
&#13;
( 14 )&#13;
Collective&#13;
works.&#13;
Provisions as&#13;
to newS-&#13;
papers.&#13;
Provisions as&#13;
to photo-&#13;
graphs.&#13;
Provisions as&#13;
to designs&#13;
registrable&#13;
under&#13;
7 Edw. 7,&#13;
c. 29.&#13;
Existing&#13;
works.&#13;
shall be treated for the purposes of this Act as if the other author or authors had been the&#13;
Sole author or authors thereof.&#13;
. 20. Where the work of an author is first published as an article or other contribution&#13;
in a collective work (that is to say):—&#13;
(a) an encyclopædia, dictionary, year book, or similar work ;&#13;
(b) a newspaper, review, magazine, or other similar periodical :&#13;
(c) a work written in distinct parts by different authors;&#13;
and the proprietor of the collective work is not by virtue of this Act or any assignment&#13;
thereunder the owner of the copyright in the article or contribution, then, subject to any&#13;
agreement to the contrary, the owner of the copyright in each article or contribution shall&#13;
retain his copyright therein, but the proprietor of the collective work shall at all times&#13;
have the right of reproducing and authorising the reproduction of the work as a whole, and&#13;
for a period of fifty years from the date of first publication of the collective work shall&#13;
have the sole right of reproducing and authorising the reproduction of the work as a&#13;
Whole, and shall be entitled to the same remedies in respect of the infringement of the&#13;
copyright in any part of the work as if he were the owner of the copyright. -&#13;
21. Notwithstanding anything in this Act, an article, not being a tale or serial story,&#13;
first published in a newspaper, may be reproduced in another newspaper if notice expressly&#13;
forbidding reproduction is not published in some conspicuous part of the newspaper in&#13;
which it is so first published, and if the source from which it is taken is acknowledged in&#13;
Such other newspaper.&#13;
22. The person who superintends and directs the taking of a photograph shall for&#13;
the purposes of this Act be deemed to be the author of the photograph.&#13;
23.−(1) This Act shall not apply to designs capable of being registered under the&#13;
Patents and Designs Act, 1907, except designs which, though capable of being so&#13;
registered, are not used or intended to be used as models or patterns to be multiplied by&#13;
any industrial process.&#13;
(2) General rules under section eighty-six of the Patents and Designs Act, 1907, may&#13;
be made for determining the conditions under which a design shall be deemed to be used&#13;
for such purposes as aforesaid.&#13;
24.—(1) Where any person is immediately before the commencement of this Act&#13;
entitled to any right in any work specified in the first column of the First Schedule to this&#13;
Act, or to any interest in such a right, he shall as from that date be entitled to the&#13;
Corresponding right set forth in the second column of that Schedule, or to the same interest&#13;
in such a corresponding right, and to no other right or interest, and such corresponding&#13;
right shall subsist for the term for which it would have subsisted if this Act had been in&#13;
force at the date when the work was made, and the work had been one entitled to copyright&#13;
thereunder :&#13;
Provided that—&#13;
(a) if the author of any work in which any right specified in the first column of&#13;
the First Schedule to this Act subsists at the commencement of this Act has&#13;
before that date assigned the right or granted any interest therein for the&#13;
whole term of the right, then at the date when but for the passing of this&#13;
Act the right would have expired the corresponding right conferred by this&#13;
section shall, in the absence of express agreement, pass to the author of the&#13;
work, and any interest therein created before the commencement of this Act&#13;
and then subsisting shall determine ; but the person who immediately before&#13;
the date at which the right would so have expired was the owner of the right&#13;
or interest shall be entitled at his option (to be signified in writing not more&#13;
than one year nor less than six months before the last-mentioned date)&#13;
either—&#13;
(i) to an assignment of the right or the grant of a similar interest&#13;
therein for the remainder of the term of the right for such consideration&#13;
as, failing agreement, may be determined by arbitration ; or&#13;
(ii) without any such assignment or grant, to continue to reproduce or&#13;
perform the work in like manner as theretofore on the payment of such&#13;
&#13;
&#13;
## p. (#757) ################################################&#13;
&#13;
( 15 )&#13;
royalties to the author as, failing agreement, may be determined by&#13;
arbitration :&#13;
(b) nothing in this section shall affect anything done before the commencement of&#13;
this Act :&#13;
(c) where any person has, before the twenty-sixth day of July nineteen hundred&#13;
and ten, taken any action or incurred any expenditure for the purpose of or&#13;
with a view to the reproduction or performance of a work at a time when&#13;
such reproduction or performance would, but for the passing of this Act,&#13;
have been lawful, nothing in this section shall diminish or prejudice any&#13;
rights or interest arising from or in connexion with such action or expenditure&#13;
which are subsisting and valuable at the said date, unless the person who by&#13;
virtue of this section becomes entitled to restrain such reproduction or&#13;
performance agrees to pay such compensation as, failing agreement, may be&#13;
determined by arbitration :&#13;
(d) the sole right of making and authorising the making of records, perforated&#13;
rolls, or other contrivances by means of which literary, dramatic, or musical&#13;
works may be mechanically performed shall not be enjoyed by the owner of&#13;
the copyright in any literary, dramatic, or musical work for the mechanical&#13;
performance of which any such contrivances have been lawfully made within&#13;
the parts of His Majesty's dominions to which this Act extends by any person&#13;
before the twenty-sixth day of July nineteen hundred and ten.&#13;
(2) Subject to the provisions of this Act as to copyright under the Copyright Act,&#13;
1775, copyright shall not subsist in any work made before the commencement of this&#13;
Act, otherwise than under and in accordance with the provisions of this section.&#13;
Application to British Possessions.&#13;
25.-(1) This Act, except such of the provisions thereof as are expressly restricted Application&#13;
to the United Kingdom, shall extend throughout His Majesty's dominions: Provided ºf Act to&#13;
that it shall not extend to a self-governing Dominion, unless declared by the Legislature *.&#13;
of that Dominion to be in force therein either without any modifications or additions, or “”&#13;
with such modifications and additions relating exclusively to procedure and remedies or&#13;
..necessary to adapt this Act to the circumstances of the Dominion as may be enacted by&#13;
such Legislature.&#13;
(2) If the Secretary of State certifies by notice published in the London Gazette&#13;
that any self-governing Dominion has passed legislation substantially identical with this&#13;
Act, except for the omission of any provisions which are expressly restricted to the&#13;
United Kingdom, or for such modifications as are verbal only, or are necessary to adapt&#13;
the Act to the circumstances of the Dominion, or relate exclusively to procedure or&#13;
remedies or to works first published within or the authors whereof are residents in the&#13;
Dominion, then whilst such legislation continues in force, the Dominion shall for the&#13;
purposes of the rights conferred by this Act be treated as if it were a Dominion to which&#13;
this Act extends.&#13;
26.—(1) The Legislature of any self-governing Dominion may at any time repeal Legislative&#13;
all or any of the enactments relating to copyright passed by Parliament (including this powers of self-&#13;
Act) so far as they are operative within that Dominion : Provided that no such repeal .&#13;
shall prejudicially affect any legal rights existing at the time of the repeal. e&#13;
(2) In any self-governing Dominion to which this Act does not extend, the&#13;
enactments repealed by this Act shall, so far as they are operative in that Dominion,&#13;
continue in force until repealed by the Legislature of that Dominion.&#13;
(3) Where His Majesty in Council is satisfied that the law of a self-governing&#13;
Dominion to which this Act does not extend, and which has not passed legislation&#13;
substantially identical with this Act, provides adequate protection within the Dominion&#13;
for the works of authors who at the time of the making of the work were British&#13;
subjects resident elsewhere than in that Dominion, or who, not being British subjects,&#13;
were at such time residents within the parts of His Majesty's dominions to which this&#13;
Act extends, His Majesty, may, by Order in Council, direct that this Act, except such&#13;
parts (if any) thereof as may be specified in the Order, and subject to any conditions&#13;
&#13;
&#13;
## p. (#758) ################################################&#13;
&#13;
( 16 )&#13;
contained therein, shall, within the parts of His Majesty's dominions to which this Act&#13;
extends, apply to works the authors whereof were at the time of the making of the work&#13;
residents within the first-mentioned Dominion, and that copyright subsisting by virtue&#13;
of this Act in any work shall not cease by reason of the work being first published in&#13;
that Dominion ; but, save as provided by such an order, works the authors whereof were&#13;
residents in a Dominion to which this Act does not extend, and which has not passed&#13;
legislation substantially identical with this Act, shall not, whether they are British&#13;
Subjects or not, be entitled to any protection under this Act :&#13;
Provided that no such Order shall confer any rights within a self-governing&#13;
Dominion, but the Governor in Council of any self-governing Dominion to which this&#13;
Act extends, may by Order, confer within that Dominion the like rights as His Majesty&#13;
in Council is under the foregoing provisions of this subsection authorised to confer&#13;
within other parts of His Majesty's dominions.&#13;
Power of 27. The Legislature of any British possession to which this Act extends may modify&#13;
Pºslºes or add to any of the provisions of this Act in its application to the possession, but,&#13;
*. except so far as such modifications and additions relate to procedure and remedies, they&#13;
to pass supple shall apply only to works the authors whereof were at the time of the making of the&#13;
mental legis- work residents in the possession and to works first published in the possession.&#13;
lation.&#13;
Application 28. His Majesty may by Order in Council extend this Act to any territories under&#13;
to protec- his protection and to Cyprus, and on the making of any such Order this Act shall have&#13;
torates. effect as if the territories to which it applies or Cyprus were part of His Majesty's&#13;
dominions to which this Act extends.&#13;
PART II.&#13;
INTERNATIONAL COPYRIGHT.&#13;
Power to 29.—(1) His Majesty may by Order in Council direct that this Act (except such&#13;
extend Act to parts, if any, thereof as may be specified in the Order) shall apply— y&#13;
foreign works. (a) to literary, dramatic, musical, and artistic works, or any class thereof, the&#13;
authors whereof were at the time of the making of the work subjects or citizens.&#13;
of a foreign country to which the order relates, in like manner as if the&#13;
authors were British subjects ; and&#13;
(b) in respect of residence in a foreign country to which the Order relates in like&#13;
manner as if such residence were residence in the parts of His Majesty’s&#13;
dominions to which this Act extends ; and&#13;
(c) to works first published in a foreign country to which the Order relates, in like&#13;
manner as if they were first published within the parts of His Majesty’s&#13;
dominions to which this Act extends ;&#13;
and thereupon, subject to the provisions of this Part of this Act, and of the Order, this&#13;
Act shall apply accordingly :&#13;
Provided that—&#13;
(i) before making an Order in Council under this section in respect of any foreign&#13;
country His Majesty shall be satisfied that that foreign country has made, or&#13;
has undertaken to make, such provisions, if any, as it appears to His Majesty&#13;
expedient to require for the protection of persons entitled to copyright under&#13;
the provisions of Part I. of this Act:&#13;
(ii) the Order in Council may provide that the term of copyright within such parts&#13;
of His Majesty's dominions as aforesaid shall not exceed that conferred by the&#13;
law of the country to which the Order relates:&#13;
(iii) the provisions of this Act as to the delivery of copies of books shall not apply&#13;
to works first published in such country, except so far as is provided by the&#13;
Order: - -&#13;
(iv) the Order in Council may provide that the enjoyment of the rights conferred&#13;
by this Act shall be subject to the accomplishment of such conditions and&#13;
formalities (if any) as may be prescribed by the Order:&#13;
&#13;
&#13;
## p. (#759) ################################################&#13;
&#13;
( 17 )&#13;
(v) in applying the provisions of this Act as to existing works the Order in Council&#13;
may make such modifications as appear necessary, and may provide that&#13;
nothing in those provisions as so applied shall be construed as reviving any&#13;
right of preventing the production or importation of any translation in any&#13;
case where the right has ceased by virtue of section five of the International&#13;
Copyright Act, 1886. -&#13;
(2) An Order in Council under this section may extend to all the several countries&#13;
named or described therein.&#13;
30. Where it is necessary to prove the existence in a foreign country to which an Evidence of&#13;
Order in Council under this Part of this Act applies of the copyright in any work, or the ºn copy-&#13;
ownership of such right, an extract from a register, or a certificate, or other document *&#13;
stating the existence of such right, or the person who is the owner of such right, if&#13;
authenticated by the official seal of a Minister of State of the said foreign country, or by&#13;
the official seal or the signature of a British diplomatic or consular officer acting in such&#13;
country, shall be admissible as evidence of the facts named therein, and all courts shall&#13;
take judicial notice of every such official seal and signature as is in this section mentioned,&#13;
and shall admit in evidence, without proof, the documents authenticated by it.&#13;
31-(1) An Order in Council under this Part of this Act shall apply to all His Application&#13;
Majesty's dominions to which this Act extends except self-governing Dominions and any ...”&#13;
other possession specified in the order with respect to which it appears to His Majesty ...”&#13;
expedient that the Order should not apply. - e&#13;
(2) The Governor in Council of any self-governing Dominion to which this Act&#13;
extends may, as respects that Dominion, make the like orders as under this Part of this&#13;
Act His Majesty in Council is authorised to make with respect to His Majesty's dominions&#13;
other than self-governing Dominions, and the provisions of this Part of this Act shall,&#13;
with the necessary modifications, apply accordingly.&#13;
(3) Where it appears to His Majesty expedient to except from the provisions of any&#13;
order any part of his dominions not being a self-governing Dominion it shall be lawful&#13;
for His Majesty by the same or any other Order in Council to declare that such order and&#13;
this Part of this Act shall not, and the same shall not, apply to such part, except so far&#13;
as is necessary for preventing any prejudice to any rights acquired previously to the date&#13;
of such Order. -&#13;
PART III.&#13;
SUPPLEMENTAL PROVISIONS.&#13;
32. No person shall be entitled to copyright or any similar right in any literary, Abrogation of&#13;
dramatic, musical, or artistic work otherwise than under and in accordance with the ºmon law&#13;
provisions of this Act, or of any other statutory enactment for the time being in force. *&#13;
33.--(1) His Majesty in Council may make Orders for altering, revoking, or varying Provisions as&#13;
any Order in Council made under this Act, or under any enactments repealed by this Act, 9 º 1Il&#13;
but any Order made under this section shall not affect prejudicially any rights or interests “&#13;
acquired or accrued at the date when the Order comes into operation, and shall provide&#13;
for the protection of such rights and interests. -&#13;
(2) Every Order in Council made under this Act shall be published in the London&#13;
Gazette and shall be laid before both Houses of Parliament as soon as may be after it is&#13;
made, and shall have effect as if enacted in this Act.&#13;
34. Nothing in this Act shall deprive any of the universities and colleges mentioned Saving of&#13;
in the Copyright Act, 1775, of any copyright they already possess or may hereafter ºy&#13;
acquire under that Act, but the remedies and penalties for infringement of any such tºº.&#13;
copyright shall be under this Act and not under that Act. 53 ''&#13;
35. There shall continue to be charged on and paid out of the Consolidated Fund of Saving of&#13;
the United Kingdom such annual compensation as is at the commencement of this Act ºompensation&#13;
payable in pursuance of any Act as compensation to a library for the loss of the right to ..."&#13;
receive gratuitous copies of books: *&#13;
Provided that this compensation shall not be paid to a library in any year unless the&#13;
Treasury are satisfied that the compensation for the previous year has been applied in the&#13;
purchase of books for the use of and to be preserved in the library.&#13;
&#13;
&#13;
## p. (#760) ################################################&#13;
&#13;
( 18 )&#13;
Interpreta-&#13;
tion.&#13;
36,-(1) In this Act, unless the context otherwise requires,-&#13;
“Literary work” includes maps, charts, plans, and tables relative to geography,&#13;
topography, and science ;&#13;
“Dramatic work” includes any piece for recitation, choreographic work or&#13;
entertainment in dumb show the scenic arrangement or acting form of which is&#13;
fixed in Writing or otherwise, and any cinematograph production where the&#13;
arrangement or acting form or the combination of incidents represented give&#13;
the work an original character ;&#13;
“Literary work,” “dramatic work,” and “musical work” include records,&#13;
perforated rolls, or other contrivances intended for use in connexion with, or to&#13;
form part of, instruments by means of which a work may be mechanically&#13;
performed ;&#13;
“Artistic work” includes works of painting, drawing, sculpture and artistic&#13;
craftsmanship, and architectural works of art and engravings and photographs;&#13;
“Architectural work of art” means any building or structure having an artistic&#13;
character or design, in respect of such character or design, but not in respect of&#13;
the processes or methods of its construction ;&#13;
“Engravings ’’ include etchings, lithographs, wood-cuts, prints, and other similar&#13;
works, not being photographs ;&#13;
“Photograph” includes photo-lithograph and any work produced by any process&#13;
analogous to photography ; .&#13;
“Cinematograph " includes any work produced by any process analogous to&#13;
cinematography : -&#13;
“Pirated,” when applied to a copy of a work in which copyright subsists, means&#13;
any copy made without the consent or acquiescence of the owner of the copyright,&#13;
or imported in contravention of the provisions of this Act ;&#13;
“Publication” means the issue of copies to the public and does not include the&#13;
performance in public of a dramatic or musical work, the exhibition of an artistic&#13;
work, or the construction of a work of architecture;&#13;
“Performance” means any acoustic representation of a work and any visual&#13;
representation of any dramatic action in a work, including such a representation&#13;
made by means of any mechanical instrument ;&#13;
“Delivery,” in relation to a lecture, includes delivery by means of any mechanical&#13;
instrument ;&#13;
“Plate ’’ includes any stereotype or other plate, stone, matrix, transfer, or negative&#13;
used or intended to be used for printing or reproducing copies of any work,&#13;
and any matrix or other appliance by which records, perforated rolls or other&#13;
contrivances for the acoustic representation of the work are or are intended to&#13;
be made ;&#13;
“Lecture * includes address, speech, and sermon ;&#13;
“Self-governing Dominion ” means the Dominion of Canada, the Commonwealth&#13;
of Australia, the Dominion of New Zealand, the Union of South Africa, and&#13;
Newfoundland.&#13;
(2) For the purposes of this Act (other than those relating to infringements of&#13;
copyright), a work shall not be deemed to be published or performed in public, and a&#13;
lecture shall not be deemed to be delivered in public, if published, performed in public,&#13;
or delivered in public, without the consent or acquiescence of the person entitled to&#13;
authorise its publication, performance in public, or delivery in public. -&#13;
(3) For the purposes of this Act a work shall be deemed to be first published within&#13;
the parts of His Majesty's dominions to which this Act extends, notwithstanding that it&#13;
has been published simultaneously in some other place, unless the publication in such&#13;
parts of His Majesty's dominions as aforesaid is colourable only and is not intended to&#13;
satisfy the reasonable requirements of the public, and a work shall be deemed to be&#13;
published simultaneously in two countries if the time between the publication in one&#13;
such country and the publication in the other country does not exceed fourteen days.&#13;
(4) Where the making of a work has extended over a considerable period the&#13;
conditions of this Act conferring copyright shall be deemed to have been complied with&#13;
&#13;
&#13;
## p. (#761) ################################################&#13;
&#13;
( 19 )&#13;
if the author was during any substantial part of that period a British Subject or a&#13;
resident within the parts of His Majesty's dominions to which this Act extends.&#13;
(5) For the purposes of the provisions of this Act as to residence, an author of a&#13;
work shall be deemed to be a resident in the parts of His Majesty's dominions to which&#13;
this Act extends if he is domiciled within any such part.&#13;
37. Subject to the provisions of this Act, the enactments mentioned in the Second Repeal.&#13;
Schedule to this Act are hereby repealed to the extent specified in the third column of&#13;
that Schedule. -&#13;
38.-(1) This Act may be cited as the Copyright Act, 1910. Short title&#13;
(2) This Act shall come into operation— º&#13;
(a) in the United Kingdom, on the first day of January nineteen hundred and “”&#13;
twelve or such earlier date as may be fixed by order in council :&#13;
(b) in a self-governing Dominion to which this Act extends, at such date as may&#13;
be fixed by the Legislature of that Dominion ; -&#13;
(c) in any other British possession to which this Act extends, on the proclamation&#13;
thereof within the possession by the Governor. -&#13;
SCHEDULES.&#13;
EIRST SCHEDUILE.&#13;
EXISTING RIGHTS.&#13;
bºund Right. Corresponding Right.&#13;
(a) In the case of Works other than Dramatic and Musical Works.&#13;
Copyright. | Copyright as defined by this Act.&#13;
(b) In the case of Musical and Dramatic Works.&#13;
Both copyright and performing right – - || Copyright as defined by this Act.&#13;
Copyright, but not performing right - - Copyright as defined by this Act, except the&#13;
sole right to perform the work or any&#13;
'• -- substantial part thereof in public.&#13;
Performing right, but not copyright - - The sole right to perform the work in public,&#13;
but none of the other rights comprised in&#13;
copyright as defined by this Act.&#13;
For the purposes of this Schedule the following expressions, where used in the first&#13;
column thereof, have the following meanings :— -&#13;
“Copyright,” in the case of a work which according to the law in force immediately&#13;
before the commencement of this Act has not been published before that date and ,&#13;
statutory copyright wherein depends on publication, includes the right at common&#13;
law (if any) to restrain publication ;&#13;
“Performing right,” in the case of a work which has not been performed in public&#13;
before the commencement of this Act, includes the right at common law (if any)&#13;
to restrain the performance thereof in public,&#13;
&#13;
&#13;
## p. (#762) ################################################&#13;
&#13;
( 20 )&#13;
SECOND SCHEDUILE.&#13;
ENACTMENTS REPEALED.&#13;
Session and&#13;
Chapter.&#13;
Short Title.&#13;
Extent of Repeal.&#13;
8 Geo. 2, c. 18.&#13;
7 Geo. 3, c. 38.&#13;
15 Geo. 3, c. 53.&#13;
17 Geo. 3, c. 57.&#13;
54 Geo. 3, c. 56.&#13;
3 Geo. 4, c. 15.&#13;
5 &amp; 6 Will. 4,&#13;
c. 65.&#13;
6 &amp; 7 Will. 4,&#13;
c. 59.&#13;
6 &amp; 7 Will. 4,&#13;
c. 110.&#13;
5 &amp; 6 Wict. c. 45.&#13;
7 &amp; 8 Vict, c. 12.&#13;
Vict,&#13;
Wict.&#13;
Wict.&#13;
10 &amp; 11&#13;
c. 95.&#13;
15 &amp; 16&#13;
c. 12.&#13;
25 &amp; 26&#13;
C. 68.&#13;
38 &amp; 39 Wict.&#13;
c. 12.&#13;
39 &amp; 40&#13;
c. 36.&#13;
Vict.&#13;
45 &amp; 46 Vict.&#13;
c. 40.&#13;
49 &amp; 50&#13;
c. 33. . . .&#13;
51 &amp; 52&#13;
c. 17.&#13;
Vict.&#13;
Vict,&#13;
*&#13;
53 Vict.&#13;
t&#13;
2 &amp;&#13;
c. 42.&#13;
2 Edw. 7, c. 15.&#13;
The Engraving Copyright Act, 1734 wº&#13;
The Engraving Copyright Act, 1767 –&#13;
The Copyright Act, 1775 - * ºm 4-&#13;
The Prints Copyright Act, 1777 - —&#13;
The Sculpture Copyright Act, 1814 - gºs&#13;
The Dramatic Copyright Act, 1833 - -&#13;
The Lectures Copyright Act, 1835 - tº-&#13;
The Prints and Engravings Copyright&#13;
(Ireland) Act, 1836. -&#13;
The Copyright Act, 1836 - - &amp;=&#13;
The Copyright Act, 1842 - sº ſº-&#13;
The International Copyright Act, 1844 –&#13;
The Colonial-Copyright Act, 1847 – cº-&#13;
The International Copyright Act, 1852 –&#13;
The Fine Arts Copyright Act, 1862 - *E*&#13;
The International Copyright Act, 1875 -&#13;
The Customs Consolidation Act, 1876&#13;
The Copyright (Musical Compositions)&#13;
Act, 1882.&#13;
The International Copyright Act, 1886 -&#13;
The Copyright&#13;
Act, 18SS.&#13;
The Revenue Act, 1889 – * - sº&#13;
(Musical Compositions)&#13;
The Musical (Summary l’roceedings) Copy-&#13;
The whole Act.&#13;
The whole Act.&#13;
Sections two, four, and five.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
Sections one to six. In section&#13;
eight the words “and pur-&#13;
“suant to any Act for the&#13;
“protection of copyright&#13;
“engravings.” Sections nine&#13;
to twelve.&#13;
The whole Act.&#13;
Section forty-two, from “Books&#13;
wherein '' to “such copy-&#13;
right will expire.” Sec-&#13;
tions forty-four, forty-five,&#13;
and one hundred and fifty-&#13;
two.&#13;
6 Edw. 7, c. 36.&#13;
right Act, 1902.&#13;
The Musical Copyright Act, 1906 - -&#13;
The whole Act.&#13;
The whole Act.&#13;
The whole Act.&#13;
Section one, from “Books first&#13;
published ” to “as provided&#13;
in that section.”&#13;
The whole Act.&#13;
The whole Act.</text>
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                    <text>C be

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The Organ of the Incorporated Society of Authors.
1910. St

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The Annual Report for the current year.

2.

The Author.

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PUBLICATIONS OF THE SOCIETY.

Literature and the Pension List. By W. MORRIS
The History
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and their meaning
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38.
By
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Being additional facts collected
HERBERT THRING.
Society
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IEEL-A-IERIDTY -

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J.

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LADY LUGARD (MISS
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SIR CHARLES WILLIERS STANFORD,
Mus.

Doc.

WILLIAM MOY THOMAS.
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|PERCY WHITE.
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Wor,SELEY,
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K. P.
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H. G. WELLS.

OF MANAGEMENT.

Chairman MAURICE
DOUGLAS
FRESHFIELD.
W. W. JACOBS.
ARTHUR RACKHAM.
G. BERNARD SHAW.

IDRAMATIC

OWEN SEAMAN.
G. BERNARD SHAW.
G. R. SIMS.
S. SQUIRE SPRIGGE.
FRANCIS STORR.

HEWLETT.

S. SQUIRE

SPRIGGE.

FRANCIS STORR.
SIDNEY WEBB.

SUB-COIMIMITTEE.

Chairman SIR ARTHUR PINERO.
Wice-Chairman HENRY
H. GRAN VILLE BARKER.
MISS CICELY HAMILTON.
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PENSION FUND COMIMITTEE.
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THE HON. JOHN COLLIER,
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Chairman MAURICE
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HEWLETT.

MRS.
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COPYRIGHT PARKER,
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FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C.
Solicitors º
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�;

iii

ADVERTISEMENTS.

of

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M.
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Guide

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A

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TYPE WRITING

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work

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WEST DRAYTON, MIDDLESEX,

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Nesbit, Elizabeth Robins, and many well-known
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TYPEWRITING.

I

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TESTIMONIALS.

the
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THE LIGHT: and other Poems.
INTO
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WITH UNSEEN

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write novels, short stories,
The Writer, whether he aspires
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and labour
THE COURSE OF LITERARY TRAINING promoted by
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For full particulars Write oncefor Pamphlet
00RRESPONDENCECOLLEGE, Arundel Street,Strand, W.C.

in

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Authors and JOurnalists.
to

By MINAWALKER-WELBoRN.
Printed on thick antiquepaper,with
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fascina
bound. An exceedingly
onart paper.Handsomely
ting story,producedequalto a 6s,novel,but publishedat 2s.6d.net
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TO

The ROMANCE of a REALMARRIAGE.

L.

A.

ST. JOHCN,

DIMOND ROAD, BITTERNE

PARK, SOUTHAMPTON.

�AD VERTISEMENTS.
There has been a phenomenal

demand for this special issue of PUNCH.
Targe as was the first printing,
Further large editions have been called for even more rapidly than
to produce the required copies.

it was all exhausted before publication.

it

has been found

possible

This Memorial Number should find a permanent place in every home. Its historical value in future years
will be considerable.
The hundreds of thousands of our readers who see
PUNCH '' at their club or else

where should make a point of possessing this Special Number

M

for themselves.

4-"º

norial

MAY 18th,

1910.

Consists of 44 pages chiefly of Pictures and Cartoons, from
the collection of Mr. Punch, from the late King's birth
in 1841 up to the date of his death in 1910. With
Mr. Seaman's Ode to His Majesty King George.

F

.*

Many

of

to

of

in

:

This collection
from the Cartoons,
which his Majesty has been
theme,
1910,
the
from 1841
one
the most
interesting
all the illustrated memoirs which have
issued,
been
because
its indications Contemporary
sentiment.

to

of

is

of

in

is

if

is

-

GUARDIAN

at

of our Readers are

to

A

NOTTINGHAM

of all the illustrated

all the Bookstalls, Bookshops, Newsagents and
Stationers.
your Newsagent
sold out send 3%d.
stamps (or 4%d.
for Foreign postage)
PUNCH." Office,
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If

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On Sale

as

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in

of

;

to

to

lection could more truly reveal the relations between
the British people and the Prince who was
become
their Sovereign
for from first
last they are
eloquent
the smiling sympathy,
the true affec
tion, and the conscious pride
him which his
people felt. Sºme beautiful lines by O.S. conclude
memorable tribute.

Most interesting
memoirs.

to

col

of

no

of
a

and

of
late

embodied
the Cartoons
its inimitable
stirring Ode
artists since its foundations.
|King George from the pen
O.S."
not the least
striking feature
fine number.

of

:

The Relations between People
King.
DAILY GRAPHIC No tribute and

PRICE

King

of

King Edward's life.

a

is,

of

pictorial review

Majesty
fact,

in

selection of the Cartoons in which his late
was represented.
The whole number

is

The following are selected from Hundreds of Press Wotices
A Pictorial Review of King Edward's
Memories of the late King.
Life.
DAILY TELEGRAPH
The number
THE TIMES: It was a happy idea to publish a
mainly devoted
Punch
memories
the

PRICE

3d.

order-ſºng half-a-dozerº copies or more
to send to their friends at horne and abroad.

�C be El ut bor.
(The Organ of

FOUNDED

BY SIR WALTER BESANT.
JUNE

9.

of

be

to

in to

on

of

to

to

a

of

is

to in

in

:

be

to

of

be

in

of

of

in

or

or

in

to

LIST
HE List

in

e

of

of

it

is

slowly
(2) The Pension
Fund. This fund
increasing, and
hoped will,
time, cover the
needs
all the members
the Society.

º-e

of e-º-º
MEMBERs.

to

at

of

be of

of

to

be

at

It of

of

Members
the Society
Authors
published October, 1907, can now
obtained
the offices
the Society
the price
July,
6d., post free 7%d.
includes elections
1907, and will
sold
members and associates
the Society only.
dozen blank pages have been added
the
at

be

no

be on

literary matters treated from the
Editor on
standpoint
business, but
art
other
subjects whatever.
Every effort will
made
accepted.
return articles which cannot
or

to of

time members
the Society
desire
make donations
its funds in
recognition
work that has been done for
them.
The Committee, acting
the suggestion
place
one
these members, have decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
paid.
which these contributions may
The funds suitable for this purpose are (1) The
Capital Fund. This fund
kept
reserve
necessary for the Society
case
incur heavy
prin
fighting question
expenditure, either
ciple,
assisting
obtain copyright reform,
dealing with any other matter closely
connected with the work
the Society.

of

THE Editor of The Author begs to remind
members of the Society that, although the paper
is sent to them free of cost, its production would
be a very heavy charge on the resources of the
Society if a great many members did not forward
to the Secretary the modest 5s. 6d. subscription for
the year.
Communications
for The Author should be
addressed to the Offices of the Society, 39, Old
Queen Street, Storey's Gate, S.W., and should
reach the Editor not later than the 21st of each
month.
Communications
and letters are invited by the
of all

do

to

º-º-º

A

ARTICLES AND CONTRIBUTIONS.

XX,

º-e

THE SOCIETY'S FUNDS.

it

Eºmºmºmºmºmºmºmºmºe

is

e

ROM time

THE Editor begs to inform members of the
Authors Society and other readers of The Author
that the cases which are quoted in The Author are
cases that have come before the notice or to the
knowledge of the Secretary of the Society, and that
those members of the Society who desire to have
the names of the publishers concerned can obtain
them on application.

WOL,

be is

º-º-º

OR the opinions expressed in papers that are
|
signed or initialled the authors alone are
responsible.
None of the papers or para
graphs must be taken as expressing the opinion
of the Committee unless such is especially stated
to be the case.

exercised that
undesirable
inserted, they
advertisements
not accept, and
never have accepted, any liability.
Members should apply
the Secretary for advice
special information
desired.

to

-

Although care

NOTICES.

no

is

it

LONDON.

is

º-e

an

to

impression
among
As there seems
readers of The Author that the Committee are
personally responsible for the bona fides
the
advertisers, the Committee desire
stated
not, and could not possibly be, the case.
that this

:

AUTORIDAD,

be

WICTORIA.

TELEGRAPHIC ADDRESS

SIXPENCE.

ADVERTISEMENTS.

:

374

e

[PRICE

is

NUMBER

1ST, 1910.

in

TELEPHONE

Monthly.)

of Authors.

if

XX.-No.

Society

of

WOL.

the Incorporated

�I

A.

e .

º

l

.

.

1

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º

F.

A.

;

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.

J.

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K.

R.

.

F.

e

.

e .

.

1.

.

Feb. 10, Greenbank, Percy.
Feb. 11, Stopford, Francis.
Feb. 11, Dawson,
Feb. 12, Ainslie, Miss Kathleen
Feb. 16, W.
Feb. 16, Gibbs,
Feb. 17, Wintle, H.
Temple
Feb. 21, Thurston,
Feb. 23, Dawson, Mrs. Frederick
Feb. 24, Williamson,
Feb. 24, Williamson, Mrs.
Feb. 25, Westell, W.

.

.

.

Toplis, Miss Grace
Hawtrey, Miss Valentina
Smith, Bertram

I
1
&amp;;

C.

N. o

º

N.

E. R. L.
A.
C.

10

March
March
March

0

5

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J.

1, 1,

s

H.

P.

8, 8, 6, 6, 6, 4, 4, 3, 3, 3, 1,

Wharton,
Bowen, Miss Marjorie
Cameron, Mrs. Charlotte
Feb.
Feb.7, Pettigrew, W.
Church, Sir A. H.
Feb.
Bland, Mrs.
Feb.
Nesbit
Feb.
The XX. Pen Club

Feb.

P.

£
() O

12, Riley, Miss Josephine
13, Child, Harold H.
.

Jan.
Jan.

29, Stayton,

.

3

8

6

0

s.

d.
0 6

#34,065

7

198

Subscriptions.
1910.

Jan.

Feb.

.

0

0
6 ()

of

Total ...............

Miss
(2nd dona:
tion)
Jan.
{Northcote, H.
º
Jan.
Watson, Mrs. Herbert
Jan.
Fursdon, Mrs.
M.
Jan.
Smith, Miss Edith A.
Jan.
e
Pryce, Richard
Jan.
Wroughton, Miss Cicely.
Jan.
Kaye-Smith, Miss Sheila
Jan.
Underdown, Miss
M.
Jan.
Carolin, Mrs.
Jan.
H. and M. K.
Jan.
Crellin,
º
Jan. 10, Tanner, James T..
Jan. 10, Miller, Arthur
Jan. 10, Bolton, Miss Anna
Jan. 10, Parr, Miss Olive
Jan. 17, Harland, Mrs.
Jan. 21, Benecke, Miss Ida
Jan. 25, Fradd, Meredith

F.

.........

Jan.

D.

Jamaica. 3%% Stock, 1919 49

Mauritius 4%. 1937 Stock...............
Dominion
Canada C.P.R. 33% Land
Grant Stock, 1938.....................

438
132 18
120 12

2

..............................

1927 57

1 6 4.

of

258

0 9 ()

228
247

Jan.

E.

()

1910.
Robinson,
Mackenzie,

J.

0

Donations.

A.

11

0

.
.
.
.
.

.

.
.
.
.
.
.
.
.

Stock..................

S.

L. F.
C. .

19

0

0
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0

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0

of

...

Consols 24%.................. iestºeºeseº'º&amp;£1,000
Local Loans .............................. 500
Victorian Government 3% Consoli
dated Inscribed Stock ...............
291.
London and North-Western 3% Deben
ture Stock . . . . . . . . . . . . . . . . . . . .
250
Egyptian
Irrigation
Government
Trust 4% Certificates . . . . . . . .
200
Cape
Good Hope 3% Inscribed
Stock
...............
200
Glasgow and South-Western Railway

º
Dillon, Mrs.
Inkster, Leonard
17, Truman, Miss Olive Marie
13,

8, 8, 7,

February 1, 1910, the trustees of the
Pension Fund of the Society after the secre
tary had placed before them the financial
position of the fund decided to invest £260 in
the following securities: £130 in the purchase of
Jamaica. 3% per cent. Stock 1919 49, and £130 in
the purchase of Mauritius 4 per cent. Stock 1937.
The amount purchased is £132 18s. 6d.
Jamaica. 3% per cent. Stock and £120 12s. 1d.
Mauritius 4 per cent. Stock.
This brings the invested funds to over £4,000.
The trustees, however, have been unable to recom
mend the payment of any further pensions, as the
income at their disposal is at present exhausted.
They desire to draw the attention of the members
of the society to this fact, in the hope that by
additional subscriptions and donations there will
be sufficient funds in hand in the course of the
year to declare another pension in case any im
portant claim is forthcoming.

N

May
May

6,

April

5, 4, 1,

º-º-º

4% Preference

B.

7,

THE PENSION FUND.

New Zealand 3% Stock...............
Irish Land Act 23% Guaranteed Stock
Corporation
London 24% Stock,

J.

7,

º-e

5, 3, 2,

e

14, Desborough, The Right Hon.
the Lord, K.C.V.O.
Jan. 27, Lion, Leon M.
©
Fagan,
Feb.
Feb. 10, Newton, Miss
M.
Smith, Bertram
March

Jan.

.

end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages.

£

THE AUTISIOR.

234

�TFIE AUTISIOR.
March 12, Yould, A. .
March 16, Loraine, Lady .
March 29, Macdonnell, Randall.
&amp;
&amp;
April 6, Blake, J. P. .
April 8, Patricia Wentworth "
April 14, Hinkson, Mrs. K. Tynan
May 6, Greenstreet, W. J. .
May 7, Cousin, John W.
-&gt;
May 10, Zangwill, Israel .
May 19, Sprigge, Dr. S. S. (Portion of
money recovered by the Society
e
damages)

1

I

as
10

()

()

All fresh subscribers and donors previous to
January, 1910, have been deleted from the present
announcement.
The names of those subscribers and donors which
are not included in the lists printed above are
unavoidably held over to the next issue.
*.
wr

wºw-*a

COMMITTEE

º-º-º

HE

NOTES.

May meeting of the Committee of Manage
ment of the Society was held on the 2nd ult.,
at 39, Old Queen Street, Storey's Gate, S.W.
In the absence of Mr. Maurice Hewlett, Mr.
Douglas Freshfield was elected to the chair. Thirty
one members and associates were elected, bringing
the total elections for the current year to 118.
There was one resignation, bringing the total
resignations up to 60.
Cases
before
the
Committee. The
first case
was against a company in the United States in
liquidation. The committee decided to place the
matter in the hands of the society's American
lawyer, with instructions to make full inquiries
whether the company was in a position to pay any
dividend; if so, to claim on behalf of the members
involved.
The next case relating to infringement
of an author's rights by literary libel in Germany
had been before the committee more than once
previously.
As full information was still wanting,
the committee decided that unless the necessary
answers to questions put by the German lawyer
employed were forthcoming before the next meeting,
the case must be dropped.
The Secretary next
reported details of various cases relating to the
infringement of dramatic rights and the retention
of moneys by a theatrical manager in India, and
instructions were given by the committee that the
case should be proceeded with at the earliest
opportunity.
In the next case arose a question of
an infringement
of copyright by sales by street
hawkers, somewhat on the lines of the musical
piracies which had been strenuously fought by the

235

music publishers.
The secretary was instructed
to endeavour to obtain the evidence necessary to a
parties.
successful prosecution of the offending
He was also instructed to write to the Publishers'
Association and to the lawful publishers of the
literary work in question to inquire to what extent
they would be willing to contribute towards the
question
cost of fighting
this important
of
principle.
Letters from a literary agent and his solicitors,
taking objection to a paragraph in The Author,
were considered, and the committee settled upon
the course they would take in the matter.
At the
Suggestion of the Dramatic Sub-committee,
the
Committee of Management elected Mr. Arthur
Shirley to the Dramatic Sub-committee, subject to
his willingness to undertake the duties of the
position.
A proposal for increasing the advertise
ment revenue of The Author was laid before the
committee, who gave it their favourable considera
tion.
The secretary was instructed
to obtain
further information, and consider and submit the
terms of a contract.
The secretary reported that
the Dramatic Sub-committee had been negotiating
with Messrs. Samuel French, in order to obtaininfor
mation as to the infringement of performing rights
of members of the society in the colonies.
He
suggested that, as the publishers also had agents in
the colonies, it might be possible to obtain similar
information respecting the piracy of literary works.
The committee authorised a communication to the
Publishers' Association
on the subject.
At the
suggestion af the Dramatic Sub-committee,
the
secretary submitted that it might be possible,
through the Foreign Office and Consular Service,
to obtain information of the piracy of performing
rights of British authors and their works.
Sir
Alfred Bateman was kind enough to promise to
make inquiries in order to ascertain whether any
steps could be taken on the lines suggested, and to
report to the next meeting.
A letter from a
member in regard to the Pension Fund was laid
before the committee, as also was a letter from the
Earl of Wemyss in regard to a scheme for the
representation of the Society of Authors, together
with other learned and scientific societies, in the
House of Lords.

º-º-º

DRAMATIC

SUB-COMMITTEE.

The Dramatic Sub-committee of the Society of
Authors met at 39, Old Queen Street, on Monday,
May 9. After the minutes had been read the
secretary reported that, in answer to the Dramatic
Circular, it appeared that there were between 220
and 230 dramatists on the books of the society.
The next question before the sub-committee
was a question which the Theatres Alliance had

�TISIE

236

AUTHOR.

referred to the dramatists, bearing on the perform
ance of plays in working men's clubs.
The
secretary and chairman reported that they had met
the representatives of the Theatres Alliance and
the Touring Managers' Association.
In that inter
view the representatives of these two bodies had
set out at length the large number of these clubs
and the extent to which performances were now
carried on, and complained of the unfair nature of
the competition which these performances involved.
After considerable discussion, on the proposal of
Mr Alfred Sutro it was decided to advise dramatic
authors, who were members of the society, not to
license any play to any clubs except the legitimate
amateur dramatic clubs, until five years from its
original production in the provinces.
The question of the responsibility of theatrical
managers for the infringement
of dramatic copy
right was then considered, and the secretary read a
long and detailed opinion he had received from
the society s solicitors on the subject.
The appoint
ment of colonial agents was discussed and a letter
from Messrs. French was read.
One of the items in
the letter related to a series of performances in India,
which had come to the knowledge of Messrs. French,
and the sub-committee decided that the secretary

should ascertain
Messrs.
French
had kindly
offered to supply the information whether any of
these performances were performances of members
plays, and, if so, whether they had been authorised.
Two other letters relating to the work of the
dramatic section of the Society were laid before
One, referring to the possi
the sub-committee.
of giving further assistance to unacted
dramatists, was adjourned for maturer consideration.
Owing to the length of the sitting, the settlement
of the Repertory Agreement and the Agreement
for a run was adjourned.

In three cases out of seven where money has been
claimed the amount has been paid on the secretary's
demand and forwarded to the members.
One has
been placed in the hands of the society s solicitors,
one is in the course of Satisfactory settlement, and
two have only recently come into the office.
Four
uestions have arisen concerning the detention of
MSS. and in three the MSS., have been returned
and forwarded to the members.
Of two cases

where the Secretary has demanded accounts, one
has been settled and in the other the accounts
have been promised.
One curious case of libel on
title has arisen. As the dispute is with the pro
prietor of a foreign magazine it may be some little
time before a satisfactory issue is arrived at.
The cases left over from past months are few.
Indeed, they only amount to three.
The others
have either been settled or placed in the hands of
the society's solicitors.
Of the three cases left
open, one, concerning the settlement of contract, is
delayed owing to the member living in Australia ;
in case number two the publisher is in America,
and in the third case negotiations are being carried
forward satisfactorily.
The cases in the hands of the society's solicitors
are being settled slowly.
In the smaller claims for
moneys due, the cash has either been paid or
promised, or judgment has been obtained.
It is
only in the more difficult questions, such as disputes
infringement of copyright and
on agreements,
bankruptcy cases, that delay is bound to occur.

º-º-º

bility

º-º-º

Cases.

THE record of the society's work from month to
month varies but little.
Sometimes more cases
come into the hands of the secretary and more are
placed in the hands of the solicitors sometimes
a lesser amount.
During the past month seventeen cases have
been in the secretary's hands.
Three dealt with
disputes on agreements.
Onehas been satisfactorily
settled, but the other two are in the course of
negotiation.
It may be as well to state that in a case where a
dispute arises between two members of the society,
the society does not necessarily refuse to act, but
will always maintain the right against the wrong.
the dispute becomes very acute the committee
endeavour to arrange an arbitration between the
parties.

If

May Elections.
Adkins, Frank James

21, Harcourt
Sheffield.

Aspinall, Algernon

Club, Pall
Mall, S.W.
Dawnside, Berkhamp
sted, Herts.
Carlton

Baker,

Mrs.
Elizabeth
c
(Beth Ellis).
Baker, Miss Elizabeth

Barnett,

Mrs. S. A. (Heng
ſº
rietta O.)

Campbell-Gilbert,

E. (Lorde Philip).
Mrs. Ellis H.
Dalzell

John

Cousin,

F.F.A.

Fawcett,

*

Harrison

te

Major

Road,
Esmond
Bedford Park, W.
Cottage,
St. Jude's
Hampstead Heath,

N.W.

Brae,
Middlesex.

West

Henry
{}

e

William,

John

106,

Philip

Chadwick,
Chalmers,

Road,

*

ge

Percy
g

gº

Enfield,

Mansions,
The
Earl's Court Road,
S.W.
11, Greenhill Terrace,
Edinburgh.
Uplyme,
Waterside,
1,

Devon.

�TISIE A UTFIOR.

e

Greenstreet,

.

28,

Forest Hill, S.E.

Yarmouth,
Isle of Wight.

Solentia,

W. J., M.A.
Henry Albert,

Hinkson,
.A. .
º
º
Hogarth, David George
Inkster, Leonard
.

Greenhurst,
Langley.

Kings

º
.
.

11,

Lane,

Oaktree
Oak,
mingham.

Selly

Jeffery, Mrs. C. E. .
Frederick.

o

Marshall, H. G.

o

- Jonsdale,

e

Cuthbert Terrace,
Westgate-on-Sea.
17, Banbury Road,
Oxford.
6, The Drive, Hove.

*

Ole Luk-0ie.
Sawyer, Capt. Hoaughan .

Stanfield, G.

J.

.

.

º

.

Stephenson, Robert.
Strachey, Miss Philippa

Bir

6,

.

Nevill, Miss Florence

Serjeant, Miss C.

Road,

Garlies

131,

W

Harley

Street,
---

Warboys
Rectory,
Huntingdon.
Admiralty
(D. W.
Department), S.W.
20, Baker Street, W.
67,
Belsize
Park
Gardens, N.W.
41, Bath Road, Bed
ford Park, W.
4, Milnthorpe Road,

.

Thompson,
Alex
M.
©
e
º
(Dangle
Ward, The Rev. F.W. Orde
Eastbourne.
(F. Harald Williams)
©
West, Mrs.
tº c/o Mrs. Mitchell, 106,
.
Barcombe

Avenue,

Streatham
S.W.

Hill,

º- a
~-w

BOOKS

PUBLISHED BY MEMBERS OF
THE SOCIETY.

ROBERT

DODSLEY:
RALPH STRAU.S.

83 × 53.

and Playwright.
By
Lane,
21s, n.
407 pp.

F. D.
n.

x

7;

1s.
n.

A

THE

O FLYNN.

By

JUSTIN

HUNTLY

MCCARTHY,

5+. 344 pp.
Hurst
Blackett.
6s.
By PERCY
GENTLEMAN
OF VIRGINIA.
BREBNER.
pp.
5+. 372
Macmillan. 6s.
THE WILL AND THE WAY. By BERNARD CAPES.
Murray. 2s. 6d.
223 pp.
S
x

73

n.

BIOGRAPHY,
Poet, Publisher,

53.

FICTION.

73
×

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×

By CHARLES MARRIOTT. 8 × 5. 312 pp. Hurst
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7% x 43. 324 pp. Alston Rivers.
6s.
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7# × 5. 316 pp.
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6s.
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73 × 5. 343 pp. Cassell.
6s.
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309 pp.
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3s. 6d.
By TOM GALLON.
THE DREAM AND
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Stanley Paul.
74 × 4;. 288 pp.
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CONAN
Doy L.E. (Third Edition, newly revised.)
342 pp.
Smith, Elder.
3s. 6d.

ART.

w

Prince

DRAMA.
THE QUEST. A Drama of Deliverance in Seven Scenes
By DOROTHEA. HoDLINs. 73 × 5}.
and a Vision.
116 pp. Williams &amp; Norgate.
4s. 6d. n.
THE EARTH. A Modern Play in Four Acts. By J. B.
FAGAN.
73 × 5}. Fisher Unwin. 2s. 6d. n.
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A Drama in Three Acts. By MAURICE
MAETERLINCK. Translated by ALFRED SUTRo. 6; x 4}.
179 pp. Allen. 2s. 6d. n.

WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible, they have
Some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the Cffice
by the members.
In consequence, it is necessary to rely
largely upon lists of books which appear in literary and
other papers.
It is hoped, however, that members will
co-operate in the compiling of this list and, by sending
particulars
of their works, help to make it substantially
accurate.
By MRS. HENRY
CHRISTIAN SYMBOLISM.
6 x 4}. 192 pp.
Methuen.
2s. 6d. n.

15s.

ROYAL CAVALIER.
The Romance of Rupert
By MRS. STEUART ERSKINE.
Palatine.
9
379 pp. Nash.
15s.
By
BISHOP LOVELACE
T. STAMER.
A. Memoir.
HOW.
83 x 5%. 325 pp.
Hutchinson.
7s. 6d.

A

º-Q-0

Heinemann.

A

×

Guy, Harry

.

THE LIFE AND LETTERS OF WILLIAM (BECKFORD
OF
By LEWIS MELVII.L.E. 104 × 7. 391 pp.
FONTHILL.

5.

.

Dunrowan,
Lenzie,
Lanarkshire.

5. A.

Fox, Miss Dorothy

e

B.

e

J.

A.

&amp;

.

HISTORY.
THE

R

Miss

IN

Ferguson,
Ochiltree

237

SE AND

INDIA.

EXPANSION

By SIR

OF THE BRITISH

ALFRED

LYALL,

DOMINION

P.C.,

K.C.B.

�238

A UTFIOR.

TISIES
edition, corrected and enlarged.)
Murray. 5s. n.
397 pp.

With

maps.

LAW.

18. In.

EPISTOLAE

TRAVEL.

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x

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of

E.

80

70

J.

:

:

n.

n.
;

J.

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S.

-

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J.

50

:

SCIENCE.
of

SCIENTIFIC PAPERS, Vol. III. Figures
Equilibrium
Rotating Liquid and Geophysical Investigations.
527 pp.
New York Putnam.
$4.50.
of

92

74
×

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n.

18.

5.

a

By the REV. PERCY DEARMER.
REUNION AND ROME.
Prefatory Letter by HIS GRACE THE
With
ARCH
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REST AND UNREST.
192 pp.
New York
Dutton.
$1
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Prose Papers on Poetry.
By ALFRED AUSTIN. 252 pp. New
York Macmillam.
$2.40
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6d.

n.

6%
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CHAN.
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Foulis.
SPALDING's GoLFER'S ANNUAL FOR 1910.
Edited by
H. LEACH.
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LITERARY.
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351 pp. New York: Doubleday, Page. $1.50.
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340 pp. New York
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:

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CORNER

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By the RIGHT HON.
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Mr. John Max
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&amp;

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THE ROMANCE OF THE OXFORD COLLEGES.
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TOPOGRAPHY.

LL.B.

x

DRAMATIC AND MUSICAL LAW. By A. A. STRONG,
5%. 243 pp.
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FRENCH MEN, WOMEN,

THE SERVER's HANDBook. By the REv. PERCY DEARMER.
(Second Edition, revised and enlarged.)
The Parson's
Handbook,
6; × 4%. 62 pp.
Series W.
Frowde.

:

(Fifth

9 × 53.

�THE AUTHOR,
on on

a

of

''

of

&amp;

is

is

it

a

in

by

&amp;

"

in

an is

of

of

a of on

in

in

on

in

us

is

by

of

be

by

to

by

a

of

is

on

In

be

of of

in at

in

A

or

of

of

is

of

of

be

of

of

is
a

to

in

is

by

by

in

is a

it

or

a

is

in

is

in

be

of

it in

of

publishing
the
second place
Competition)

book

in

is &amp;
of

a

is of

a

of

Review
the autumn.
engaged upon
drama
romance, but
verse
the vein
uncertain
ready for publication
production.
when
will
Mr. Dillon has now published, besides two
volumes
verse and his last play
the Greek
model, six plays, being three comedies and three

in

a

in

to

of

in

the English

Mr. Arthur Dillon

primi
befell Central African native who returned
Europe had
tive surroundings after his education
been half completed.
The scene laid, for the most
part, upon the Tanganyika Plateau, where the author
has for some time been collecting material.
Vera
the Strong Heart,
Marion Mole,
announced for publication early this month
Mr. Andrew Melrose.
Messrs. Putnams Sons are
in

is

of

long
Mr. Arnold Bennett has nearly finished
Clayhanger, which Messrs. Methuen
Clayhanger
publish
Co. are
the autumn.
trilogy
the first
novels dealing with the Five
Towns. Mr. Bennett
also engaged upon series
impressions
London and Paris, which will appear
novel,

publish.
comedy
character rather than
adventure, but will
found full
movement
pictures
contemporary life.
and
Mr. Eveleigh Nash has now published Mr. Cullen
Gouldsbury's new novel, The Tree
Bitter Fruit.
The book deals the main with the vicissitudes which

It

J. It

by

of

&amp;

be

is

the publisher.

English travellers bound for the Riviera
Egypt
scamp the interesting cities
the Rhône.
The Lost Halo
the title
Mr. Percy
White's new novel, which Messrs. Methuen will

of

is

''

Heine,
Some Old Shake
speareans
and
The English Masque.
will
issued almost immediately
Messrs.
M.
Sons, Ltd.
Dent
The title
Mr. Hubert Wales new book
The Wife
Colonel Hughes.
Mr. John Long
Heinrich

of

Hayley,

and Modern
the title
Dowden's latest book, among the
Cowper and William
which are

a

as

of

Professor
contents

of

an

In

a

in

of

of

of

Essays Elizabethan

to

by

on

is

be

be

it

of

A

be

a

to

on

of

of

to

&amp;

to

of

by

it.

entitled to
The toast
Literature was pro
posed
Sir George Reid and responded
Mr.
Henry Newbolt.
Preparations are now being made
celebrate the
centenary
Thackeray, which will fall
the birth
July 18, 1911. The Titmarsh Club has appointed
committee
consider the form of the celebrations.
public dinner will
held
the anniversary
hoped that many eminent
the birthday, and
literary men will
present.
addition
arranged,
exhibition will
central gallery,
pictures, portraits,
manuscripts
and personal
belongings
the novelist.
Mr. Lewis Melville
and Mr. Walter Jerrold are acting
hon. secre
tary and hon. treasurer respectively.

publishing this month
Dr. Bernard Hollander
through
Sons, Ltd., an
Sir Isaac Pitman
entirely new work written
popular lines, entitled
Hypnotism and Suggestion
Daily Life, Educa
tion, and Medical
Practice.
The subject has
been frequently written about
America and
England the science
the Continent,
but
hypnotism has been largely neglected, and
great many years since any qualified practitioner
has given
the results
his original researches.
Spirit
Mr. Arthur Beckett, whose
the
Downs,
published last year,
now
second
writing
open-air
edition,
engaged
book
for Messrs. Mills
Boon.
The new volume will
illustrated with twenty coloured drawings
Mr. Ernest Marillier, the Sussex painter.
The May issue
the Grand Magazine contains
poem entitled
A Queen's Fan,
Miss Kitty
Everest, who has also had her first song, Little
Blue Brother,
set
music and published
Messrs. Stanley Webb, 235, High Holborn, W.C.
short complete tale
Miss Everest, entitled
A Royal Crown, has been accepted for early
publication
the Woman
Home.
Among other articles
the May number
Travel and Eayloration, mention may
made
Mr. Wirt Gerrare s article which contains hints for
Siberian and Chinese travel.
the same magazine
Mr. Douglas Sladen describes the romantic cities
very severe
Provence.
He
the tendency

of

annual dinner of the Royal Literary Fund
was held at the Hotel Metropole early last
month.
Mr. Anthony Hope Hawkins, who presided,
reminded the company that, although the Fund had
permanent income, it was necessary
a substantial
to double that income if they were to carry on the
work before them. The chances of a large income
in the literary profession were very small, compared
with other professions of corresponding rank, and
whoever deliberately decided to devote his life to
authorship
was bound to give the prospect of
pecuniary gain a very secondary place in his
scheme of life. The committee of the Fund had to
decide whether applicants indisputably in need of
assistance were, from their positions as authors,

is

HE

serially

tragedies, written
the Elizabethan model, suit
played
able
the advanced platform stage,
before curtain, after the sixteenth century manner.
publishing next month
Mr. John Ouseley
Runaway Bride,
new novel, The Adventures
by Isabel Smith, author
The Minister's Guest
and The Jewel House.
to

NOTES.

be

LITERARY, DRAMATIC, AND MUSICAL

239

(which

Mr.

America.

was awarded the
Melrose's
recent
Novel

�THE AUTHOR.
on

on

all

be

to

of

to

as
a

at

is

of
a

of

a

I
at
to

is

a

a

if

I

as

it,

so

so

all

he

of

on

is

of

I

its

in

of

in

it

of

to

of

an

of

in F.

.
.

of

of

in as

of

of

of

in

of

in

in

on

be

by

of

George
Chopin, and her salon was frequented
Sand, Tourgénieff, Flaubert, Renan, Liszt, and alb
remarkable
her day. She was
the celebrities
unequalled vocalist,
musical composer
great merit, and
most accomplished linguist,
eight languages with absolute
speaking seven
very large circle
She leaves
ease and fluency.
her
friends and admirers, and with the closing
artistic and literary
salon another landmark
Paris has passed away.
the Chronique
The fourth volume
1862.
takes us on from 1331
Duchesse de Dino
a

a

a

of

of

a

la

de

of

of

to

pianist,

"

C.

an

in

by

in

of

in

1821; her first great triumph was
the rôle
the King's Theatre, London. After
Desdemona
all lips, and she sang
that her name was soon
Her
France, Spain, Russia, Italy and Germany.
associated with Orpheus and
name will for ever
Among
Beethoven's Fidelio.
with the Leonora
her friends she reckoned Alfred de Musset and

of

an

of

by

''
is

forthcoming new book.
The Oxford University Press have re-issued the
poems
Lord Tennyson, which were first included
April, 1901, and
World's Classics
the
1902, 1903, 1905, and 1906.
reprinted
Mr.
Introduction
The present re-issue has
T. Herbert Warren.
Benson's

At the same hour
Ring Edward set out

or

of

by

as

of

the Camden Publishing
has just been published
Co., 323, Upper Street, Islington.
the title of Mr. A.
The Silent Isle

the late King.
the funeral procession
London, another funeral
Madame Pauline
Paris that
was taking place
Wiardot, daughter
the celebrated Garcia, and
Madame Wiardot was born in
sister of Malibran.

Alexandra and

at

of

in

as

of

of

C.

A.

Artist-Philosopher,
Bernard Shaw
exposition
Renée M. Deacon.
Shawianism
Miss Deacon considers Mr. Shaw's work in
seven different aspects, among which are included
his dramatic theory, his revolt against romance, his
life.
dramatic consciousness and his philosophy
Miss Wentworth Oliver's new book, Defiance,

Respectfully,
an

In

3.

of

on

to
a

as

by

or

a

at

specially characteristic
the
have been chosen
clergy and laity, spiritual
period, and treat
experiences, loves, battles, pageants, and occasionally
everyday life.
the small things
Fifield has published, under the title
Mr.

our Victor Hugo and Carnot.
BOULET.
May 20, Pierre
the Figaro
article
Buckingham
his visit
account
Loti gives
1909, and his impressions
Queen
Palace

funerals

in

be
by

in

a

a

at

&amp; G.

G.

which comprises human documents from
preceding
the Reformation,
the four centuries
which he has selected and translated with intro
ductions, notes, and glossary.
Mr. Coulton has
compiling
such documents,
catena
aimed
itself,
complete
but mostly too
less
each more
long for full quotation
The records
historians.
Gainer,

an

is

of to

of

a

in

of

of de

a

its

Anthony Hope and Cosmo Gordon-Lennox, having
way, was
right
dispute
theme
for
May
produced
the Repertory Theatre
the cast were Miss Irene Vanbrugh, Mr. Charles
Bryant, and Miss Mary Barton.
Coulton has published through Messrs.
Mr.
A Medieval
work entitled
Co.
Constable

In

pub

I

Co., have

of

at

the
The following
sincere grief and sympathy.
French
received from
letter
translation
group
working man, who
the head
workers for the public welfare :
tell you how deeply the
Just few lines
French workman sympathises with the English
grief.
know that the newspapers
nation
the public, that
here have expressed the sympathy
our statesmen and politicians have done the same.
the real
What has not been mentioned, though,
learning
the
the French workman
sorrow
considers grievous and heart
sad event which
humanity, and particularly
for
rending for
much.
himself, whom your worthy King liked
know
Rinowing the Parisian working class
Parisian manifestation
can assure you that,
grandeux
would certainly equal
were organised,
and sincere sorrow those which accompanied the

of

Madgwick, Houlston

Courcy Laffan's story
The
lished Mrs.
which she gives
Hero Dogs,
Brotherhood
very sympathetic account
twelve living and three
deeds deserve
dead dogs, whose heroic
the
sold for the benefit
The book
recorded.
Animals' Hospital, High Street, Eccleston Square,
1s. net.
the price
comedy
three acts,
Helena's Path,

of

Friday,
Paris from London
20, the flags
nations draped
the public.
seen
with crêpe were
very many windows
here.
buildings and
The French Press has been most sympathetic.
true friend
Everyone looked upon King Edward
All classes have expressed their
this country.
returning

April

a

which Miss Hyland

&amp;

Messrs.

for

Games

articles on
has written.

Girls,

º-º-º

of

Miss Hyland is also article
column.
Writer to The Table, the organ of Marshall's School
Home Notes have in hand two sets of
of Cookery.
by
this writer, which may appear shortly :
articles
while The Schoolmistress, the educational organ for
Women teachers, will publish shortly a series of

wifery"

PARIS NOTES.

()N

A long serial fairy story, entitled The Adven
tures of Shoon and Robe, from the pen of Miss
M. E. F. Hyland, is running in the Derbyshire
Courter, a paper for which the same writer conducts
Weekly a children's column, as well as a House

to

240

�THE AUTHOR.
of

to

to

in

on
de

et

;

;

by

in of

on

on

º-º-º

of

by

is

or

to

8

in

of

or

a

is

or

an

to

1

as

to

of

to

4,

it

at

E

have received the proclamation printed
below from the Copyright Office
Washington, U.S.A.
provided
Congress
Whereas
the Act
1909, entitled An Act
March
amend and
consolidate the Acts respecting copyright,
that
the benefits
said Act, excepting the benefits
under section
(e) thereof,
which special
conditions are imposed, shall extend
the work
proprietor who
subject
author
citizen
foreign State
nation, only upon certain
conditions set forth
section
said Act,
a

(a)

When

alien author

or

Wit:

an

is

by

de

of

of

in an

as

de

to

on

of

of

M.

to

UNITED STATES COPYRIGHT.

of

at

a

-

on

a

Q-0

G.

to

of

;

in

(Bernard Grasset).

e

of of

by

to

us

by

by

M. Maurice Maeterlinck,
Señora Piedad de Bobadilla, wife
the cele
brated Spanish writer, Fray Candil, has just
lectures, illus
commenced
Paris
series
dissolving views,
trated
the great Spanish
by

de

Portugal

?

Trois Mois

all

of
by

to of

in

so

of

Among translations are the following: L'ombre
mystérieuse,
Fergus_Hume, translated
Macbeth,
M. René Lecuyer
La Tragédie

is in

is

by

on

marion).

of

of

en us

study more closely the
from the route
order
manners and customs
the people. The book
illustrated,
very fair idea
that the reader has
the places visited.

to

of

to

of

de

M.
L.

by

In

an

Chronique
Duchesse
Dino' (Plon-Nourrit).
Tous Héros (Librairie des Annales).
Les Dames du Palais
(Calmann Lévy).
Les Anciennes
Démocraties
des Pays-Bas
(Flam

on
a

''
is

of

in

on go
a to

Jacques Bardoux has
the Débats
excellent article
the rôle
Edward VII. with regard
home policy, and
Recouley has written
the Figaro M. Raymond
England and the late King.
several articles
Temps M. André Tardieu has also written
King Edward s policy.
ALYS HALLARD.
Pontalis.

published

of

by

El

de

At

numbers
La Revue hebdomadaire
are the following articles:
Force
faiblesse
Jeune Turquie,
René Moulin
La Comète
Halley,
Pervinguière
Le Berceau
Parlement d Angleterre,
Germain Lefèvre

in

as

a

Paris,
Velasquez
her lecture
Roch,
the Comédie française,
exquisite poem
Bobadilla's

la

is

so

an

Velasquez.
In recent

in

is

is

as

In

Portugal,
Le Roy Liberge,
volume taking
various Portuguese places
interest.
The writer has strayed away
times

Trois Mois

of is

the close

Mlle. Madeleine
recited Emilio

de

In

is

to

in

in

in

is

in

task which the intrepid lecturer has set herself.
Brussels, London, probably
Italy,
She will
and then
tour through the United States and
South America.

en

de

In

of

a

of

Spain received Madame
Bobadilla
her recent visit
Madrid and have
requested the Marquis del Muni, Spanish Ambas
Paris,
sador
do his utmost
facilitate the
Queen
during

Le

de

is

by

is

by

a

to

we saw
woman doctor whose husband was jealous
his wife's celebrity
his own profession.
the present volume we see the woman barrister who
renounces her professional glory
order
retain
her husband's love.
La Faiblesse humaine
the title of M. Paul
Margueritte's latest novel.
bringing out his book, entitled
M. Jules Huret
L Amérique moderne,
illustrated edition
fortnightly parts. M. Huret
always
and
conscientious
his work that every book from his
pen
read with eager interest.
His volumes
Germany are the most complete works
this kind
which have appeared here.
Les Anciennes Démocraties des Pays-Bas
curious book
M. Henri Pirenne.
The Pays-Bas
taken
its former meaning, and includes the
départements
the Nord and
the Pas-de-Calais,
Belgium and Holland.
well
the kingdoms
these days
travel
land and Sea,
books
introducing
fresh places are very welcome.

the seventeenth century, commencing
Greco, Velasquez and Murillo.
Madame
give these lectures
Bobadilla's idea
the
Various capitals
the world, and,
she
linguist, she speaks equally well
excellent
French, Spanish, and English. The King and

with

du de la

of

by

in

of

by

as

same ease and delicacy
the psychological studies
children
which André Lichtenberger has made
his name
France.
Three
this author's books
have been specially noticed
the French Academy,
and for Mon petit Trott,
La Petite Soeur
Trott, and
La Mort de Corinthe the Prix
Montyon has been awarded.
Les Dames du Palais,
Colette Yver,
another novel
this authoress showing the danger
exposed when she becomes the
which
wife
Science,
rival
her husband.
Princesses

painters

In

all

to

be

to

of

on

all

The rôle of the Duchesse d Orléans and the attitude
of the Comte de Chambord are clearly indicated.
Talleyrand's niece also gives us an excellent idea of
the character of the Emperor.
Tous Héros is the title of André Lichten
berger's latest book, a volume of short stories,
military episodes. As the
which are founded
title infers, the chief characters are all heroes. The
first story gives its name
the volume, but the
equally suitable
title would
the other stories.
They are
extremely patriotic, written with the

241

proprietor

shall

�A UTFIOR.

State.

of
a

to

be

a

is

a

to

as

is

a

is

2

a

of

to

to

of

a

in

is

it

2

a

of

is
a

is

a

of

of

quarter.

be

of

to

in

of

to

of

The Union issues to its members tickets which
give the holder power
pass into any
the other
any part
clubs
the Union
the country, and
each member has power
introduce two women,
two children, and one man strangers into the
club.

a

at

to

of

of

an

seen

In

is
a

that this
vast organisation
people.
enormous number
attending
any performances, the
buy programmes
member has
the rate
2d. each. This entitles the holder to
reserved

will

and includes
addition, when

Seat.

all

all

be

clubs are immensely popular.
so,

is

not
for they are

It

These

surprising that they should

be

in

at

be

in

at

open
through Sunday,
hours and
the
performances
some cases beginning
the morn
ing and continuing throughout the day. Drink
any time, and children can
can
served
taken
when the law forbids that they should
public-house.
enter
First, then, let
poverty.
consider the plea
Could such clubs afford
sum
the authors which
a

to

of

us

it

of

to

in

be

a

would bring them into
fair and reasonable
competition
with the suburban and provincial
dealing with this point
theatres
must
remembered that the proprietors
these halls
expensive outlay
have
order
meet County
Council regulations.
The halls are very often
built without Solidity, with plain deal stages, the
no

KNOX,

Secretary

of

P.

H. TAFT.

of of

O

of
to

to

This Working Men's Club and Institute Union
union
over 1,100 associations spread all over
membership
the country, with
over 400,000.
The subscription, we are informed,
2s. 6d.

In

of

WM.

the President

C. :

By

such
licence likely
interfere with
the legitimate returns from their property
In order to enable the dramatists to come to some
reasonable conclusion, and satisfy themselves on
necessary that they should have
these issues,
fuller information.
With this object
view
few facts are set out in this article.
The Dramatic Sub-committee
the Society has
also given these facts its serious consideration.

2

thirty-fourth.

granting

in

is

to

of

of

of

of

in at

of

of

I

as

(e)

1

of

all
of

received that in Austria, Belgium, Chile, Costa
Rica, Cuba, Denmark, France, Germany, Great
Britain and her possessions, Italy, Mexico, the
Portugal,
Netherlands
and possessions, Norway,
Spain, and Switzerland the law permits and since
July 1, 1909, has permitted to citizens of the
United States the benefit of copyright on sub
stantially the same basis as to citizens of those
countries :
Now, therefore, I, WILLIAM HowARD TAFT,
President
of the United States of America, do
declare and proclaim that one of the alternative
specified in section 8, of the Act of
conditions
March 4, 1909, is now fulfilled, and since July 1,
1909, has continuously been fulfilled, in respect to
the citizens or subjects of Austria, Belgium, Chile,
France, Germany,
Costa Rica, Cuba, Denmark,
Great Britain and her possessions, Italy, Mexico,
the Netherlands and possessions, Norway, Portugal,
Spain, and Switzerland,
and that the citizens or
subjects of the aforementioned countries are and
since July 1, 1909, have been entitled to
the
benefits
the said Act other than the benefits under
thereof,
section
which the inquiry
still pending.
IN TESTIMONY WHEREOF, have hereunto Set
my hand and caused the seal
the United States
to be affixed.
Washington this ninth day
Done
the city
April,
the year
our Lord one thousand
nine hundred and ten, and
the Independence
the United States
America the one hundred and

all those dramatists who are members
the society, the question
the performance
their plays
matter
vital importance.
grant
At any moment they may
asked
perform
licence
the Working Men's Club and
general rule, when the
Institute Union. As
put before them, they are asked
suggestion
take
nominal
fee only
the clubs are
pay high fees.
unable
First,
Two points then arise for consideration.
poverty
Secondly,
the plea
fair one
the

a

aforesaid shall be determined by the President of
the United States, by proclamation made from time
to time as the purposes of this Act may require ':
And whereas satisfactory evidence has been

º-º-º

is

grants, either by treaty, convention, agreement, or
law, to citizens of the United States the benefit of
copyright on substantially the same basis as to its
own citizens, or copyright protection substantially
equal to the protection secured to such foreign
author under this Act or by treaty ; or when such
foreign State or nation is a party to an international
agreement which provides for reciprocity in the
granting of copyright, by the terms of which
agreement the United States may, at its pleasure,
become a party thereto :
And whereas it is also provided by said section
that The existence of the reciprocal conditions

DRAMATISTS AND THE WORKING MEN'S
CLUB AND INSTITUTE UNION.

a

domiciled within the United States at the time
of the first publication of his work; or
(b) When the foreign State or nation of which
such author or proprietor is a citizen or subject
be

It

TISIES

242

�TISIE AUTISIOR.
or

is

to

be

is

to

be

be

so

do

of

in

;

H.

M.
P.

:

L.

;

Russian

:

By Edmund
Literature.

Gosse.

ENGLISH REVIEW.
By

of

of

The Earlier Plays
Beaumont
and Fletcher.
Algernon Charles Swinburne.
e
Shakespeare.
The Women
By Frank Harris.
Jean Moréas. By Lalla Vandervelde.

FORTNIGHTLY.
The King Without Peer. By William Watson.
By Frederick Lawton.
Jules Clarétie.
By William Archer,
The American Cheap Magazine.
NATIONAL.
Performer.

Sir Wm. Richmond,

NINETEENTH CENTURY.
to in

Warwickshire. By Rose Kingsley.
Art
Social Reform
Ruskin s
Nature
By Wm. Scott Durrant.

Shakespeare

From
Gothic.

and

of

Expert
K.C.B.
*

of

it

is

is

on

;

Modern

to

it
is

at

go
to
a

a

be

;

º'

CONTEMPORARY,

Melchior de Vogüé.

to

of

be

in

of

J.

H.

G.

C.

E.

K.

he

is,

BOOKMAN.

The Bookman
Portrait Gallery Mrs. Alfred Sidgwick,
By Prof. Saintsbury.
Sterne.
By Henry Murray.
Chesterton.
G.

on

in

be

to

all to

or

to

to

of

per

Hunt; W.
Chesson
Courtney
W.
James
Churchill (of America);
Miss
Willcocks.

By Violet
Novel.
Wells; Marriott Watson
Douglas; W.
Locke
Winston
Lawrence; Hubert Bland
The Modern

is

a

of

the

Squieres Tale.

Chaucer's

BOOK MONTHLY.

theatres

thought, however, that
must not
play merely
the unknown author that

CONTENTS.

º-º-º

BLACKWOOD'S,
The Names and Source

of

to

to

to

It

if

is

is

It

cease and the local

4C

By

it

in

MAGAZINE

in

of

by

be

to

by

a

It

plot their interest will
will suffer.

to

be

to

by

it

of

It

is

to

OP-e

on

by

In

a

If

a

[The editor thanks the editor
the Era and others for
kindly supplying some
the data set out
this article.]

:

of

us

in

In

the other side
the question.
one statement before
the weekly drink bill
varies from £90
the slack season
£150 in
£120
week
taken as an
the good season.
average this makes the yearly drink bill #6,000.
the recent raid
the police
the Willesden
Radical Club some important facts were forth
coming.
day,
£10
evidence, was
was stated
beer, and the drink bill for the past
taken
quarter was £936.
To add
the irony
the situation, when the
club was raided Sir Arthur Pinero's well-known
play, His House
Order, was being performed
to an audience of 300 members.
The profits
the proprietor
this enormous
very high, and considering
sale
drinks must
how inconsiderable are his other expenses
ought
pay above rather than below the fees
able
paid
suburban and provincial managers.
The next point
arise
whether these perform
ances are likely
interfere
with legitimate
Nearly
business.
suburban
and provincial
theatres have 6d. galleries but are not allowed
sell drink.
more than probable that the 2d.
programme and the £10 per week drinks would
considerably more than cover the 6d. gallery.
Again,
piece has been played
these clubs
good, bad,
indifferent company
not
likely that the members will
the local theatres
immediately after
see the same piece.
not the artistic side, nor the literary side, nor
the comparison
the actors' methods and styles
likely
appeal
which
this audience.
Like the readers
6d. shockers, they like the
story, and when once they have
knowledge
the

ºnd

C18.SI],

of

look

of

Let

to

us

of

it

be

a

of

a

greater rather than
smaller fee
the author.
poverty
But still the argument
strong one,
may
and
said that the halls are poor and
badly secured simply because
the poverty
the
contributors.

July, last year, when the suburban
slack Season
and provincial theatres were gasping for breath
live, twenty-one companies were acting round the
halls
the Working Men's Club and Institute
seems, therefore,
clear, taking these
Union.
facts into consideration,
that the dramatist
underpaid and that these performances come into
serious competition with his legitimate returns.
There
one step, then, that should
taken.
The dramatic author should raise his fee
that the
competition may
fair basis, and should
careful,
corollary, that the contracts for the
the legitimate provincial business
not
of

to
a

to

If

is to he is

is

of

all

The amount of capital sunk by the proprietor is
infinitely small compared with that of the provincial
or suburban theatre manager. Attention should
be called to another point the companies that
perform are not highly paid.
Their salaries are
miserable; in some cases, even, the players are paid
nothing at
and the scenery
the poorest
kind.
Here again the manager's outlay
reduced
anything, therefore,
minimum.
ought
pay

is

curtain.

formed,
the aged melodrama.
The very latest
plays
the best known dramatists are represented.
To show also the extent
which the matter
carried,
will
sufficient
state that,
the

as
a

scenery is generally of a most inflammable char
acter, the exits are few and in many cases mere
death-traps,
and lastly
there is no fireproof

243

�TISIE AUTISIOR.

244

HOW TO USE THE SOCIETY.

But the transaction should be managed by a
obtained.
competent agent, or with the advice of the Secretary of
the Society.

º-º-º

member has a right to ask for and to receive
advice upon his agreements, his choice of a pub
lisher, or any dispute arising in the conduct of his
The
of his property.
business or the administration
Secretary of the Society is a solicitor; but if there is any
special reason the Secretary
will refer the case to the
Further, the Committee, if they
Solicitors of the Society.
without
deem it desirable, will obtain counsel's opinion
Moreover, where counsel's
any cost to the member.
opinion is favourable, and the sanction of the Committee
is obtained, action will be taken on behalf of the aggrieved
member, and all costs borne by the Society.

VERY

1.

2. Remember that questions connected with copyright
and publishers' agreements do not fall within the experi
Therefore, do not scruple to use
ence of ordinary solicitors.
the Society.
3. Before signing any agreement whatever,
the document to the Society for examination.

send

that in belonging to the Society
4. Remember
you are fighting the battles of other writers, even if you
are reaping no direct benefit to yourself, and that you are
advancing the best interests of your calling in promoting
the independence of the writer, the dramatist, the composer.
always

5. The Committee have arranged for the reception of
in a fire
members' agreements and their preservation
proof safe. The agreements will, of course, be regarded as
confidential documents to be read only by the Secretary,
who will keep the key of the safe. The Society now offers:
(1) To stamp agreements in readiness for a possible action
upon them.
(3) To enforce
(2) To keep agreements.
payments due according to agreements.
Fuller particu
lars of the Society s work can be obtained in the

Prospectus.

6. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society.
Members are strongly advised not to accept without careful
the contracts with publishers submitted to
consideration
them by literary agents, and are recommended to submit
them for interpretation and explanation to the Secretary
of the Society.

7. Many agents neglect to stamp agreements.
must be done within fourteen days of first execution.
Secretary will undertake it on behalf of members.

This
The

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society; so
Members can make their own
do some publishers.
deductions and act accordingly.

subscription to the Society is £1 1s.
annum, or £10 10s. for life membership.
9. The

e

. .

WARNINGS
.

per

º-e

TO THE PRODUCERS
OF BOOKS.
e

º-e

ERE

are a few standing rules to be observed in an
agreement.
There are four methods of dealing
*..."
with literary property

I. Selling it Outright.
This is sometimes satisfactory,

if

a proper

price can be

II. A Profit-Sharing Agreement (a bad form of
agreement).
In this case the following rules should be attended to :
(1) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation.
(2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs, or by charging exchange advertise
ments.
Therefore keep control of the advertisements.
(3.) Not to allow a special charge for office expenses,
unless the same allowance is made to the author.
Not to give up American, Colonial, or Continental
rights.
(5.) Not to give up serial or translation rights.
(6.) Not to bind yourself for future work to any publisher.
As well bind yourself for the future to any one solicitor or
doctor |

º

III.

The Royalty System.
This is perhaps, with certain limitations, the best form
It is above all things necessary to know
of agreement.

It is now
what the proposed royalty means to both sides.
approximately
possible for an author to ascertain
the
truth.
From time to time very important figures connected
with royalties are published in The Author.
IV. A Commission Agreement.
The
(1.)
(2.)
(3.)

main points are :
Be careful to obtain a fair cost of production.
Keep control of the advertisements.
Keep control of the sale price of the book.

General.

-

-

All other

forms of agreement are combinations of the four
above mentioned.
Such combinations are generally disastrous to the author,
Never sign any agreement without competent advice from
the Secretary of the Society.
Stamp all agreements with the Inland Revenue stamp.
Avoid agreements by letter if possible.
The main points which the Society has always demanded
from the outset are :
(1.) That both sides shall know what an agreement
DO 2,D.S.
(2.) The inspection of those account books which belong
We are advised that this is a right, in the
to the author.
nature of a common law right, which cannot be denied or
withheld.
(3.) Always avoid a transfer of copyright.

o º-e

WARNINGS

TO

DRAMATIC

º-º-º

AUTHORS.

EWER sign an agreement without submitting it to the
Secretary of the Society of Authors or some com

petent legal authority.
2. It is well to be extremely careful in negotiating for
the production of a play with any one except an established
manager.
3. There are three forms of dramatic contract for plays

in three or more acts:
This
(a.) Sale outright of the performing right.
An author who enters into
is unsatisfactory.
stipulate
contract
in
the
should
such a contract
for production of the piece by a certain date
of his name on the
and for proper publication
play-bills.

�TFIE AUTISIOR.

of

a

as

of is

in

of

or

in

a

in

on

in

of

to of

in

of

be

in

of

as

In

to

or

of

in

It of be

as

be

of

to

or

of

to

in

in

by

of

a

is

of

not only works
Works, and when

is

possible, under
The
technical and scientific works.
competence and experience.
The

of

Readers are ewriters
fee
one guinea.

fiction, but poetry

it

M

as of
a

includes

REMITTANCES.
The Secretary

t º-t
the Society begs

of

by

of

by

to

give notice
post.
remittances are acknowledged
return
All remittances should
crossed Union
London and
Bank, Chancery
Lane,
registered
Smiths
sent
letter only.
that

be

Original Plays may also be filed subject to the same
rules, with the exception that a play will be charged for
at the price of 2s. 6d. per act.

MSS.

and dramatic

Special arrangement,

of

typewritten in duplicate on foolscap paper
forwarded to the offices of the Society, together with
a registration fee of two shillings and sixpence, will
be carefully compared by the Secretary or a qualified assis
tant.
One copy will be stamped and returned to the author
Copies
and the other filed in the register of the Society.
of the scenario thus filed may be obtained at any time by
the author only at a small charge to cover cost of typing.

BRANCH,

º-e

greatly assist the Society
this
informing young writers
branch
its work
its existence.
Their MSS. can be read and
composition
treated
treated by
coach.
The term

all

CENARIOS,

EMBERS will

&amp;

AND

is

of

as as

it.

be

it

is

of

º-e

e

º-º-º

S

e

THE READING

º-e

REGISTRATION OF SCENARIOS
ORIGINAL PLAYS.

stamp copies
The Society undertakes
music on
part
behalf
its members for the fee
6d. per 100
stamps
kept
100.
The members'
are
the Society's
safe. The musical publishers communicate direct with the
Secretary, and the voucher
then forwarded
the
members, who are thus saved much unnecessary trouble.

is

e

MUSIC.

be

are referred to the Secretary of the Society.

º-e

of

11. An author must remember that the dramatic market
is exceedingly limited, and that for a novice the first object
is to obtain adequate publication.
As these warnings must necessarily be incomplete, on
account of the wide range of the subject of dramatic con
tracts, those authors desirous of further information

e

STAMPING

is

10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract.
He should therefore guard himself all the more carefully in
the beginning.

can
added
the warnings given for the
producers
assistance
books and
dramatic
must, however,
pointed out that,
authors.
rule, the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property.
The musical composer has very often the two
rights
deal with performing right and copyright.
He
especially careful therefore when entering into
should
agreement, and should take into particular consideration
the warnings stated above.

or

9. Agreements
for collaboration
should
be carefully
drawn and executed before collaboration is commenced.

ITTLE

COMPOSERS.

to

consideration.

º-e

MUSICAL

of

8. Never forget that United States rights may be exceed
ingly valuable.
They should never be included in English
agreements without the author obtaining a substantial

TO

a

7. Authors should remember that performing rights in a
play are distinct from literary copyright.
A manager
holding the performing right or licence to perform cannot
print the book of the words.

e

WARNINGS

to

is of great importance.

be

rights, but
6. Authors should not assign performing
should grant a licence to perform. The legal distinction

authors should seek the advice of the
before putting plays into the hands of
As the law stands at present, an agent
who has once had a play in his hands may acquire a
perpetual
claim to a percentage
on the author's fees
plays
concerned,
from
As far
the placing
may
general rule that there are only
taken
very few agents who can do anything for an author
that he cannot, under the guidance
the Society, do
equally well
better for himself.
The collection
fees
many cases no intermediary
also
matter
which
required.
For certain purposes, such
the collection
general the trans
fees
amateur performances, and
frequent petty authorisations
action
with different
individuals, and also for the collection
foreign
fees
Countries, almost all dramatic authors employ agents; and
ways
agents
these
the services
are real and valuable.
But the Society warns authors against agents who profess
managers
plays,
have influence with
the placing
principals by offering
purchase
who propose
act
any case,
the author's rights.
the present state
employed under any
the law, an agent should not
by the
circumstances without an agreement approved
Society.
Society
agents.

of

5. Authors should remember that performing rights can
be limited, and are usually limited, by town, country, and
time.
This is most important.

RAMATIC

AND AGENTs.

º-e

to

4. Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible, and a sum
paid in advance of such fees in any event.
It is extremely
important that the amateur rights of one-act plays should
be reserved.

e

a

other safeguards set out under heading (b.) apply
also in this case.

AUTHORS

an

(c.) Sale of performing right or of a licence to
perform on the basis of royalties (i.e., fixed
nightly fees). This method should be always
avoided except in cases where the fees are
likely to be small or difficult to collect.
The

DRAMATIC

of

(b.) Sale of performing right or of a licence to
perform on the basis of percentages on
gross receipts.
Percentages
vary between
5
and 15 per cent.
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system.
Should
obtain a sum in advance of percentages.
A fixed
play
date on or before which the
should be
performed.

245

�TISIE AUTHOR.

246

GENERAL NOTES.

Sleep then, our England's King, as one
Who knows the lofty aim and pure,
Beyond
din
battles won,
Must still endure.

HIS MAJESTY

KING

EDWARD

VII.

of

all

º-º-º

AUSTIN

DOBSON.

WE record, with great sorrow, the death of His
Majesty King Edward the Seventh.
Though some
time after the event, this is the first opportunity
we have had of expressing our sympathy with the

of

duty done

to

do

at

to

in

be

of

it

WE have once again

CASES.

express our appreciation
the courtesy
the Publishers
Associatoin
forwarding
the Copyright Cases for 1909,

byin

May yet, in slumber, memory keep

COPYRIGHT
to

;

Sleep then, O Dead beloved
and sleep
As one who, when his course is run,

Of

a

to

of of

as

a

in

Peace

of

An Age of

us

A

star of brotherhood, not Scorn,
morn of loosing and release,
fruitful time of oil and corn,--

A

of

A

of

in

-

-

no

;

of

is

captured guns or banners torn,

to

that circular have been
we hope this shows the
are taking
the work

interest that members
the Committee.
doubt, many members, not dramatic
There are,
authors, who have neglected
answer the circular,
and others, dramatic authors, who have thought
answer unnecessary.
760 answers have been
received
these 220 are from dramatic authors
whose plays have been publicly performed, and 40
from those who have written plays but have not
public performance.
had
The remainder
not
claim to rank as dramatic authors.
will add to the usefulness
the list in future
those who enter the ranks
dramatic authors
they produce
will acquaint the secretary
soon
play
enter into
contract for production.
Their names can then be enrolled on the Dramatic
Register, which
being kept
the office for the
purpose mentioned
the circular, viz., that
case
any important question
should
arise affecting
only,
may
possible
dramatic
authors
summon together that section
the society.
or

Of

Men hailed him as they hail a star
That comes with morn;

dramatic
authors
the society s
answers
the

in

office.
So
questions contained
very satisfactory,
and

a

Thus, though no trophies deck his car

in

be be

to

is

it

proposed
keep
far, the number

if

Rather he strove to heal again
The half-healed wound, to hide the scar,
To purge away the lingering stain
Of racial War.

which

will have received

list

an

Rather he strove to make an end
Of strife and pain.

the society

circular respecting

a

His was no blood-and-iron " blend
To write in tears a ruthless reign :

MEMBERS

DRAMATISTS.

It

He that was King an hour ago
Is King no more ; and we that bend
Beside the bier too surely know
We lose a Friend.

of

To

º-º-º

at

(Friday, May 20, 1910.)

(Printed with the permission of the Author, and the
Editor of the Times.)

to

to

it

*--msmas

as

MEMORIAM.

of

IN

of

a---

of

that

9.

to

of

appointed

on

also

DINNER.

OWING
the death
His Majesty King Edward
postpone the
the Seventh,
has been decided
Authors, which was
dinner
the Society
have taken place
June
The dinner will, most probably,
held
the
autumn, but formal notice will
sent round,
under the authority
the Committee, when the
date has been settled.

a

society s council,
was
distinguished
Order.

THE SOCIETY's

of

Royal Family.
We are glad to remember that one of the first
Members of the Order of Merit founded by His
Majesty was our late President,
Mr. George
Meredith, and that, among others, The Right
P.C., a member of the
Hon. James Bryce,

�THE AUTHOR.

of

to

of

or

in

of

:

of

a

of

on

of

of

a

on

as

copyright law.

of

in

v.

to

to

now writing

its

or

in

of

of

on

Amasis,
comments
the case
Scholz
and
draws attention
the obiter dicta of the Court
regard
dramatic infringement,
and makes
few
critical remarks
the other important
cases.
The cases themselves are carefully and clearly
summarised,
we should expect from one
the

on

of

In is

of

of

From the point
view
the man interested
Copyright this
one
the most useful productions
the year.
his introduction Mr. MacGillivray

best authorities

publishing houses were invited
principals
Every firm
repute was represented by
come.
members, except
one
more
one
two
instances, where letters
regret were received from
publishers who were unavoidably absent.
Most
the Well-known
names among booksellers also
appeared
the table plan, some
those present
halling from the Far North.
Altogether nearly
two hundred sat down a very comfortable number,
Which gave more elbow-room than was available
When less rigid limitations prevailed.
Although the presence
authors was confined
those who had received invitations from the
Circle, there was
members
the Publishers'
literature,
goodly and representative
array
Anthony Hope,
amongst which
one
noticed
W. W. Jacobs,
W. Mason, Dion Clayton
Calthrop, Douglas Sladen, Max Pemberton, Alfred
Noyes, and Prince Antomi Biberco.
number,
The guests
the committee were few
among them being our own chairman, Mr. Maurice
Hewlett, representing
the society; Dr.
Kenyon,
the British Museum
and Mr.
Bohlin, who came
the way from Stockholm
represent the publishers
the Continent.
Mr. George Wyndham, the guest
the evening,
eloquent
gave
the toast
Literature
speech,
and Mr. Anthony Hope Hawkins, our
ex-chairman, responded.
Then came Mr. Arthur
of

a book which is published
for private circulation to

of

MacGillivray,

to

J.

its

E.

by the Association
members.

247

J. G.

an

in of

*

of

of

to

all

;

K.

F.

in

of

of

a

of

in

of

of

Waugh publisher and man
letters the chair
vigorous speech, pro
man
the Circle, who,
posed the health
the Book Trade, coupling

J.

D.

a

a

of

publisher and
with the toast the names
book
seller. To this Mr. John Murray and Mr.
Knox,
Glasgow, responded,
All the speeches
by

of

more than usual interest.
That
Mr.
Knox met with special favour, especially from the

bookselling

section

of

were

his audience.

of

of

up

to

After dinner the company adjourned
another
room for further refreshment and conversation.
The latter was kept
till nearly midnight a
fact more eloquent
the success
the evening
than anything
can say.
was quite evident

It

we

at

in

to

we

of

in

of

the spectators

it

is

hoped

at

in

so

an

second Book Trade Dinner organised
the Publishers Circle, which took place
April 13, Was
even greater success
than the first one held eighteen months before.
many present, but the numbers
There were not
had been purposely kept down, and only the

if

HE

a

on by

º-º-º

In

CIRCLE Book TRADE
DINNER.

is

THE PUBLISHERS,

in

of

to

an

everyone thoroughly enjoyed himself and appre
ciated the efforts of the Publishers' Circle to
distinguished
provide
evening's pleasure
gathering
congenial
spirits.
For our own
part, We feel certain that these occasions, when
creator, producer, and distributor meet together
friendly and convivial concert, are all for the
good, and
trust the Circle will continue
Organise,
not every year,
least once
two.
years,
social function
this kind.
activity
fact, already there are signs
this direction, and before this number
issued
authors and publishers will have once more met,
friendly rivalry
Lord's, where
but this time
a

E.

P.

T.

of

B.

A.

E.

R.

;

;

of

of

of

H.

F.

F.

of

Trade); W. Temple-Franks,
C.B., K.C. (Board
Liddell, Esq. (Office
Esq. (Patent Office);
Counsel);
Parliamentary
W. Just, Esq.,
C.B., C.M.G. (Colonial Office); Algernon Law,
Esq., C.B. (Foreign Office); Sir Thomas Raleigh,
India),
K.C.S.I. (Member
the Council
Artillery Mansions, Victoria Street
The Honour
Fisher, Hotel Metropole
able Sydney
Ritchie, Esq., Hotel Metropole (Canada); The
Right Honourable
Aldworth,
Lord Tennyson,
(Australia);
Haslemere
The Honourable
Sir
Solomon, K.C.B., etc., 72, Victoria Street, S.W.
(South Africa); The Honourable W. Hall Jones,
13, Victoria Street, S.W. (New Zealand); The
Morris, K.C., Strand Palace
Honourable
Sir
Hotel, W.C. (Newfoundland).
Joint secretaries:
Keith, Esq. (Colonial Office),
W. Phillips.
Esq. (Board
Trade).

of

R.

G.

of

a

in of

of

in

THE Imperial Copyright Conference has just
giving
been sitting, and we have much pleasure
members, with the countries and offices
the list
they represent.
We sincerely hope that the deliberations
this
practical issue
conference may bring about
the
Right.
copyright
legislation :-The
matter
Sydney Buxton, M.P., Sir Hubert
Honourable
Llewellyn Smith, K.C.B.,
Askwith, Esq.,

E.

A.

IMPERIAL COPYRIGHT.

(notwithstanding Derby

�is

of

of

an

of

º-e

of

a

e

is

publishers.

essential fact that subject
artistic general
effect achieved
uncommon
treatment
subject-matter.
One important part
that
individuality
style arising from
achievement
self-confidence and from
varied intercourse with
society and affairs.
Experience
life has never
precisely the same effect
any two minds and
characters, and the business
every writer
employ his own impressions
life, not only with
out hesitation but with
the art
which
master.
this way alone
can arrive
new
subjects his
own subjects by
selection and
treatment
material belonging
the world.
totality
art,
Subject, then, being
effect
chauffeur and his parvenu employer's daughter"
may
used
one story with disastrous failure,
and
hundred others with complete success.
That depends
the handling
his chosen
theme.
But questions
this kind are too difficult
by

Day) will outnumber the players, and include lady
authors and the wives and daughters of their

an

THE AUTISIOR.

248

to

at

in

a

in

of to a
all

a

is

he

of

he

In

of

be

of

of

on

an

of

so

an

all

to

.

of

to

he

he
; is

to

for

no

is

a

of

to

or

or

by

to

to an

it

he

?

;

he

I

if

in

of

?

to

to

of

is

to

to

If

it

is

to

of

you cannot make use
baker
stories and
you accept them and keep them
articles why
yours;
you
The author has done his work,
way
and you have taken his work
business.
Yet you are paid regularly for your labours, while
has
wait for his money until you publish his
copy.
Suppose
say
cabinet-maker were
his
staff, Your work
not completed until
sell the
things you make for me, and
can t pay you
of

a

in

as

do

2

do

I

at

I

to

to

is

So

of

be bothered.

From first
last your article
full
absurdi
ties.
You claim that the magazine writer does
get his money when
due, i.e., when his work
published.
you forget
eat your meat and
bread,
you decline
pay your butcher and

a

is a

on

in

to

is is

of

by
a

of

us

Maga
war-chariots that astonished Julius Caesar.
zine editors will now lift
into the air with flying
men, and will claim for each
their stories
new
Subject, just because the chauffeur
land
dis
placed
motor-driver
the air. Mere varia
subject-matter
tions
the magazine editor
quite unaware
new subject.
He
the

wish

If

in

is

a

is

in

a

a

as

a

of

be
;

a

or

in

A

as

in

that was most dramatic
human character and
chauffeur, considered
man,
action.
no
way more interesting
story than
more useful
postboy
ancient Rome would
and
motor
car, considered
subject-matter,
detail
not
whit more attractive than one of those British

It

rifle-shooting
would take much interest
their
hits were never recorded
Contributors send you
sighting shots
find out the way
the wind,
and you decline
show your disks.
You don't
to

he

an

to

in

he

to

inability
distinguish between novel subject
matter and novel subjects.
Goethe said that the first new subject-matter
passed from plate
did not exist; and when
plate
illustrated Shakespeare,
added
that this one poet had discovered and made real all

do

all

an is,

If

story, returned the MS. with the usual printed
Why
gave
rejection.
form.
reasons
Because, my good sir,
should
asks.
has
been your privilege
read
excellent story, and
editors should be courteous
contributors.
bad, accepted
yourself, that
with stories, good
your magazine grows rich
poor; the writers
Whom you send printed slips cannot know what
you think
their work; and this throws
chill
their courage.
Do you suppose that soldiers

2

he, in the
preceding week, accept an inferior story on a theme
not particularly novel ?
Did he suppose that his
reading public would not like two versions of the
so, can he explain why
same subject-matter
2
the British people are loyal
to old ideas in
popular amusements 2
The public, unlike that
hurried editor, can appreciate many yarns on the
just as it can like and trust
same subject-matter,
many politicians in the same party.
But there
unfortunately,
among
magazine editors,

to

Here is an
on a theme

on

an excellent story
not particularly novel ; but why did

is

a tale told by a schoolboy.

editor who refuses

a

But when an indiscreet man enters the con
fessional
his own accord and for the sake
his
peace
mind,
pass from one transsure
gression
say
another
has many things
against himself, and they
come out.
That
editor, for instance, having refused
excellent
of

I?

popular magazines. They refuse
excellent story because they have already accepted
one On the same lines, not
well written,
and
therefore inferior.
for editors

of

I

I

a

I

in

the May number of this magazine an editor
gave away his profession by writing without
thought and judgment on the present subject.
His editorial experience of eighteen years has
not taught him to think clearly.
Last week, he
rejected an excellent story
ventures to confess,
dealing with a high-born chauffeur who won the
heart of his parvenu employer's daughter.
The
theme is not particularly novel if only themes for
novels were novel themes, how happy the lot of the
poor editor
but the story was a good one.
refused it because only the preceding week
had
accepted a story, not quite so well written, on the
same lines.
The MS. went back with the usual
printed form ; I gave no reasons for rejection.

N

Why should
It is like

of

all

EDITOR.

he

I

BY ANOTHER

is

of

on

THE EDITORIAL ATTITUDE.

�it

to

of

of

;

a

is

in

at

to

he

of

of

do

On

a

;

a

its

in

it

of

.
.
.

I

of

up ;
on
so

an

I

in

of

:

of

to

in

of

In

by

I

if

do

is,

in

a

a

?

of

in P

be

at a

of

;

to

;

is

be

of

on

at

is

to

is

an

by

on

on

to

no

an

on

in

all

of

in

to

is

it

of

to

be

2

in

if

of

It

be

an

of

of

in

of in

by

by

so

of

be

by
he

of

Why
the name
that
businesslike should
editor acknowledge the
receipt
contributions
would
sheer waste
time and
the proprietor's stamps.
Even
the precious MS. has been lost
the post, what
has that to do with the editor
There appear
two reasons why editors
should acknowledge
the receipt
MSS. The
courteous, and the second
first because
because
businesslike.
No one desires
hold
editor responsible for MSS. lost
the postal
authorities, but for MSS. lost
his neglect
his
spite
office
must
held responsible,
the
many editors are fond
disclaimers which
publishing
their papers.
The writer asks:

in

a

to

it

a

a

A

:

a

to

make some remarks on the article
the last issue of The Author entitled
The
Editorial Attitude.
Several members of the
society have written
the subject, and with
pleasure we print
article
editor.
There
multiply examples, but we thank those
need
for writing
the subject.
Our correspondents
pick out the same
points, and deal with the
very much the same lines,
editorial attitude
sometimes with more sometimes with less vigour.

it
is

is

in

is

of

II.
WE desire

he

of

if

;

in

by

is

a

to

as

by

to

of on

in

of

to

in do

of

to be

a

of

in

a

just spirit, have
writers, with
related their own personal experiences
The
Author. By this means
defensive temper
encouraged among them, not
unionism
will
many conductors
magazines;
without benefit
improve
but there are editors who
not wish
anger against truth
their routine, and cry out
telling. One
them, for example,
that article
The Editorial Attitude, complains bitterly
the continual unjust and ignorant diatribes
of those who wish
have their contributions
accepted
editors, and who use The Author
vent
their disappointment.
Talk
this
kind
childish
for
the copy published month
month
our magazines really
the best that
editors can choose and the public will accept, then
Great Britain and her authors are
decadent
plight. But the truth
that magazine conductors
despise the public and fear those very qualities
that give distinction and personality
the work
Many excellent things are rejected
writers.
only because the British people are scorned
editors.
little time ago
friend
mine pub
hit, and
charming story that made
lished
Well,
said
me
went the round
all the
popular magazines.
None would take it.
Just

I

scoffed
the History
the French Revolution
Styx
Are they lingering
the wrong side
Oh, brother editors,
careful and
wise
your
modesty
very fallible
Your judgment
very deadening
you cannot afford
routine
contempt for the youth
advertise
new effort
pleading
your doors.

is

of

all ;

in

is

to

and
think
editors.
Some young

the fine arts.
The
must
treated with fairness
properly
the duty
be

generation

of
it

young

That
common experience
and
accounts
for the fact that writers
known name, unless
they are
urgent need
money, decline
write
approval for the magazines.
There are too many authors, we are told, and
many
them would
better
French gardening
or paper-making.
Editors and publishers had
Carlyle when
very similar opinion
tried
find market for The French Revolution.
1832;
fear Carlyle will not do, Jeffrey wrote
you
that
not take the liberties and the
did,
striking out freely,
pains with him that
occasionally.
and writing
Think
that
the previous year Carlyle wrote
Mr. Napier,
Jeffrey's successor
perplexities
All manner
my poor book,
have occurred
the publishing
which perplexities
could only cut asunder, not
unhappy ghost still
unloose
the MS. like
lingers
Styx.
the wrong side
have
hawking my little manu
given
the motion
Script book about any further for
long time
drawer, waiting for
has lain quiet
better
day.
And where now are the business men who

of

hunting after new-comers

249

an

by

it

as

in

it no

a

of

an ;

a

to

of

I

a

it,

present ; your wages are not yet due.
This wild
argument would breed a revolution
if it were
enforced in any business except that of the literary
life. All the trade unions would go on strike, and
every newspaper in the kingdom would be on their
side.
It is astonishing that an editor with an experi
ence of eighteen years should be unable to speak
of his contributors
without showing a routine
of injustice.
After all, the indiscretions run on, the
editor is more useful to the author than the latter
is to the former.
Indeed .
Unless editors fill
their magazines with their own copy, they must
needs be dependent on paid contributors;
and
to equal the contributors an editor must write as
well as they do.
An editor could always fill his journal by
commissioning
writers of proved merit,
we are
told ; and he could fill a cup by pouring tea into
daresay.
The unknown writer gets chance
with magazine editors only because the writers
proved merit
are able
ask terms that upset
balance sheet, annoying the proprietors.
More
over, the public has
dislike for new recruits
magazine literature
welcomes them,
does
good acting from
understudy.
One magazine
to-day has earned
world-wide reputation

SO.

TFIE AUTHOR.

�THE AUTHOR.

do to

of

in

to

in

to

to

a

to

It

is

to

:

a

by

in

or

a

of

That, believe me, would not prevent certain theatrical
money
managers from buying outright for nominal sum
play
an unknown author who was either too eager for
production
too hard pressed for cash. Of my own certain
a a

of to

a

to

is

of

a

is

as

of

as

is

to

as

to

It

of

in

of

at

of
a

I

of

knowledge,
which
more cases than one
can speak
song, and not
play has been acquired for the price
that, for the manager has sometimes
very popular song
royalties for American rights lump
received on account
ten times the full amount paid
advance
sum down
prevent this sort
the author for all his rights.
thing and
obtain fair and honest treatment for the
protect himself,
struggling dramatist who
not able
for the successful authors, whose interests, and the
well
the calling, want constantly looking
common interests
Society
Dramatic
this that
for such work
after it
Authors should be established.

;

of

a

;

of

of

its

In

this short paragraph we get the whole tragedy
authorship with
three stereotyped characters.
First, the young writer with ideas, who, after doing
next, the
money
good work, has urgent need
rare appetite for young
business shark, who has
that type and third, the unpractical critic
men

of

in

its

to

In

a

of

killing the shark.
visionary means
armed with
revenge,
this case the justice, swooping
Society
Dramatic Authors at present
variance with the Society
dreamland yet already
says:
Authors, concerning which Carados
at

of

of

I

of

believe, has
Authors,
recent years
The Society
usefulness with particular reference
extended its sphere
am
has accomplished
But what
dramatic authors.
do not know.
sure

I

it

was his business

to

it

I

Yet,

learn before he ventured

to

of

a

in

of

praise
But unprac
rival society.
write
forget that unity
tical critics are always apt

of

of

of

by

is

it

essential, and that
cannot
action among authors
dividing workmen into small divisions.
got
several little agencies
The separated efforts
the
self-defence can never equal the total power
pur
Great Britain acting together for
writers
pose
them all.
once common and necessary
work and wages
We have had one great writer
the late Professor Thorold Rogers, and
refer
a

to

;

on

I

to

I

Wage

him that
against

as

to

as

the long war which labour has
capital and privilege the principle
in

was

to

It

in

his books were known
wish that many facts
us
clear
would then be
all authors.
to

© sº

it to

attitude.
G. H. T.

with
have nothing
dramatic authors
given manager.
worth while
What then
say
the Referee has
Carados
see what
that question
answer

at

the editorial

the Referee published some
recent number
remarks on the treatment that writers and
their ideas often receive from playhouse
Suppose our society were
managers.
advise

of

to

some extent been dealt
one, but we desire
add

of

in

all

acceptance.
These points have
article number
with
this further experience

to

We have known some of the most important
British reviews hold over articles for two, three,
We cannot
or even four years before publication.
emphasise too strongly that it is important,
as
to pay for all articles on
well as businesslike,

II.

a

The final point to which attention should be
In discussing this
drawn is the money question.
The
matter the editor seems to be utterly wrong.
editor remarks that the money is only due when
It would be much better
the work is published.
if contracts for literary work provided for payment
It would be better for the maga
on acceptance.
zine, it would simplify the business of the office,
and would prevent many disagreeable disputes.
We should like to point out that legally the money
is due when the work is accepted. If a writer
cares to wait till publication for payment then a
new term is added to the contract, and not a
customary term.
An Editor '' Scouts the idea
that authors have to wait for years. From long
experience at the office of the society we assert
that the matter is one of constant occurrence.

BY CRUSADER.

is

between

0-Q-e

of

arise

AND HOW TO PROTECT THEM.

to

methods that so many disputes
editors and contributors.

IDEAS,

to

Indeed, the editorial position of trust is very
closely connected with another question which is
put forward in the same article.
We quote the
After all, the editor is more
writer's words:
useful to the author than the latter is to the
An editor can always fill his journal by
former.
commissioning writers of proved merit.
This statement is entirely contrary to fact and
The editor, from his position, invites
to custom.
The reason that
contributions from all authors.
he does not commission articles from writers of
proved merit is self-evident.
Writers of proved
merit demand large fees which the editor, desiring
to run his magazine as cheaply as possible, is
indisposed to pay.
In consequence, although the
editor may order an article from a writer of proved
merit with the object of drawing a certain public,
It
no editor fills his magazine with such articles.
necessary to repeat that, as a
seems, therefore,
matter of courtesy no less than as a matter of
business, editors should acknowledge the receipt
of MSS. It is because of this lack of business

be

250

�TFIE AUTISIOR.

was when Shakespeare
But since the

Venus and Adonis.

be

to

is

A

2

a

itsin

it

in

as

of

so

is

of

a a

to

in

is

it

is

of

to of a

of

an

a

a

on
is a it
in a

to

it

of

it

or

a

in

be

be

a be

It

of

a

of

it
is

of

or

so

of

be

to

as

of

is

or
a

It

so

a

or

by

is

by

be

a

a

in

at

of

a

an

as

an

a

an

it

of

its

it

true now

as

it

his

as

is

That
wrote

it

to is

a a

of of

of be

of

by

by

to

all

to

tales which bear the names
the most popular
authors
the day, simply and solely because
the
big revenue
draws from advertisers.
Whereas
the ordinary novel represents or should represent
merits, the Ordinary
literature marketed upon

of

:

do

if
of

in

be

as

is a

a

to

by

*

is

trodden on by many,

Yet there are writers on literature who fail to
understand these quite simple and evident matters
Birmingham
common sense. Not long ago,
paper,
came upon
article from which
short
quotation
may
given here
example
wrongheaded leadership
advantage with
The magazine competes
the ordinary novel for the simple but very powerful
reason that
offers the purchaser
vast deal more
that, and
for his money.
can
can provide

It

º:

in in

is a

a

to

us

we

misery

And being low never relieved by any.

sweated.

it

a

in

is

of

;

of

For

by

a

by

be

;

of

a

of

so

as

by

done
authors and maintained
authors.
Yet
we are offered lower prices for Our Work, and
need compels
ask for payment
advance
publication,
may invite other aggressions

of

of

of

a

to

difficult
form
fair working estimate
the
standing
financial
each periodical, because
good many data invite public attention.
Consider
these, for instance;
judged to-day
(a) The circulation may
the
number
advertisements
big revenue;
(b) Many advertisements mean
(c) The capital used during the first three
year
months
re-used
the other quarters
also,
that, when once
magazine has won
comparison
success, the financial outlay
small
gathering profits
with its means
four turn
overs per annum
magazine win such circula
(d) And how does
accept
tion
advertisers are willing
guarantee
business
This essential work

I

it

is

in

go

is

be

of

In

in

us

of let

unity of action.
Injustice to one author must be
followed by a revolt of all his fellows.
But in what way is this revolt to take place 2
Given the esprit de corps of trade unionists, there
would be no difficulty in finding effective ways.
For example,
take the present fall
magazine rates
payment.
the case
Some
magazines this cannot
helped, because their
small, and, consequently, they don t
circulation
attract advertisers;
but
other cases the prices
paid for copy should
up, not down.
Nor

of

I

I

I

of

Unfortunately, there's no end to the caution that
comes to most authors after undue submission has
invited further aggression. Legal action is shirked
at the last moment, lowered prices are accepted
without a struggle, and the excuse always is the
same,
can t fight alone.
Publishers and editors
would make a dead set against me, and
should
be ruined.
While this fear exists there will be no

1.

I

2.

cause of much disunity of action whenever the
massed discipline
of practical warfare becomes
necessary.
have seen colliers and their families
strike for weeks because their wages had been
lowered by five per cent. ; they fought and suffered
like good soldiers.
Would that the same spirit
were in vogue among writers

position
magazine
financial
not obscure,
magazine
and since the duty
its contribu
tors should
insisted upon, how
that the
rank and file
authors allow their prices
wealthy companies
cut down
frank and
fearless trade unionism would soon find out even
year by
the actual cost
the copy published
each periodical, for
would call upon
members
state confidentially what they received for their
stories, and articles, and serials.
These data,
arranged year
year
tables and made known
authors, would put each magazine under
grasping com
discipline and cool the ardour
nothing
panies.
powerful
There
detailed
facts carefully tabulated.
private
Recently
my knowledge,
came
profit
way, that
certain magazine had earned
£20,000
year.
This profit
worth noting
equals
because
income
40 per cent.
year
capital
£50,000, and this amount
capital
great deal more than
needed
popular magazine through the quarterly
run
may
doubted,
turnover
the same money.
think, whether any magazine uses
working
capital
£12,000, and when
happens
launching
successful from the first, the cost
may
paid off
year
two, and the profits
working capital.
the next year taken
But
keep constantly
the points which authors have
before their minds are these :
That very large fortunes can
made out
their work when business speculators collect their
working capital out
profits and
free their
own capital for the starting
another paper
periodical.
However great the success may be,
won
published
and maintained
those whose copy
month,
they
month
week
week.
weekly
who attract the public and turn
monthly into
good field for advertisers,
that
just
payment for contributors should
the rate
and businesslike, not starved, and pinched, and

of

of trade unionism must be extended so as to
embrace every kind of work, asking us to achieve
the solution of our problems by being loyal to the
simple motto
Each for all, all for each.
That is the ideal. But authors, like artists, as
Coleridge said, are androgynous by nature, and
this mixture of female qualities with male is the

251

�A UTISTOR.
is

of

it

be

to

at

he

is

us

as

:

in

in to
a

to

a

by

.

?

it

of

in

as

a

is

of

of

be he

be

by
to

of

It

of

to

a

to

I

a

a

he

If I

a

he
is

to

a

be

of

he

to

to

is

it

do

or

of

is

is

if

all

as

to

be

a

on

a

of

in

of

of

to

is,

to

it

of

to

?

be or

or

or

by

to

be

a

.

its

of

a

as
a

as

is

it

is

it

it

is is

see the care with which the
prepare itself for the gradual
disappearance
those authors who have already
attained some little literary fame,
who are
popular favourites to-day
Why should such
men disappear more rapidly than
able lawyers,
barristers,
doctors,
magazine publishers
given
Whatever answer may
that question
magazine writers,
the experience
evident
that contributors have reason
rebel en masse
against
many grievances -that
they wish
their ideas
be treated with businesslike fairness
and without harmful delays.
Let them act together
with full knowledge
the fact that they are the
principal agents
success
trade enterprises
connected with their work; and let them ask with
regulating
one voice for such
their position
will put their efforts
firm business footing.
Consider several points:
Every magazine should
asked
advertise
minumum rate per thousand words.
pay for
All magazines should
asked
copy within
acceptance.
month
This
would prevent editors from buying too much, and
would stop authors from trusting
market which
holds purchased work indefinitely and yet declines
pay for
when contributors
need money for
demoralising
their daily bread.
Casual work
paid for
regularly
even when
labourer's
wage; but, under the present system
payment

of

he

is

so

it.

A quite wonderful amount of courteous diplomacy
is spent day by day on efforts to soothe the whims
of advertisers, while contributors are told bluntly
that they must mind their p s and q s.
Sometimes
they are warned that rejected copy is not returned;
in haughty tones they are ordered to have their
work typewritten, and to send stamped and
addressed envelopes ; and every now and again
some magazine publisher, falling from his lofty
self-assurance, pleads for support from budding
amateurs.
Then his tone becomes as follows:
The first month of a new year is a favourable
opportunity
for reviewing the changes that con
tinually are taking place around us. The old
year's course is soon run, and a new one comes to
supplant
As with the years,
with writers
the man who
famous to-day
almost for
gotten to-morrow, while
whose work first comes

humiliating
public
asked

1.

If

a

If

before the public gaze to-day
the man who will
most appreciated
few years hence.
say
The new writer has often been heard
displaying his
that
never given
chance
powers.
wish
once
refute that statement.
Why should we decry the young and unknown
long
writer?
has any ability
will not
before
has ousted from position
rival whose
name and fame are world-wide.
We all have to
make
start somewhere, and
can assure you that
editors are much better pleased
discover
man
genius than continually
fill their periodicals
with the work
those who have already attained
hard, perhaps, for
some little literary fame.
to-day
the popular favourite
realise that to
supplanted
another, and that
morrow
will
will
classed among the old ; but, after all,
that
the way
the world, and for most
the
day comes night far too soon.
I, myself, have firm belief
the proverb
good fish
There are
the sea
ever came
it, and
out
has always been my aim
angle for and catch those fish that are still
the sea.
Fish, indeed
At what minimum rate per lb.
We are never told.
Such outcries for new writers
promise
pay
are never accompanied
definite sum per thou. for accepted copy. And how

2.

magazine which specialises in fiction represents litera
łure subsidised out of the profits of commerce.
The
magazine publisher is a shrewd practitioner of the
bounty system.
Was there ever in this world such nonsense 2
And why is it that critics of books like to write of
practical matters a long way outside their experience
and knowledge P. In that quotation we are told
that magazine writers are subsidised " out of the
profits of advertisements, and that magazine pub
lishers practise the bounty system | What next,
please ?
If that forlorn critic, an outsider in
practical publishing, were to try to set on foot a
new magazine, he would soon write in a very
different way.
After appealing
for support to
advertisers, he would learn that tradesmen before
they advertise want to know what circulation their
self praise will have.
Is your magazine popular?
they ask.
How many copies are sold month by
month, and are the sales rising or falling 2 º
And
these questions mean :
Is your literary matter
accepted by the public P
so, to what extent 2
People don t buy magazines
because of their
advertisements, but read an uncertain percentage
of advertisements because they are bound up with
an appealing kind of literature that they wish to
have every month, or week, or fortnight.
there is any subsidising at all in this affair of busi
ness it is the contributor who, by his continued
success
in pleasing
the public, subsidises
the
advertiser who cannot win for himself, however
skilfully his self-praise may be written, a large
public ever willing to buy announcements of trade
speculations.
Magazine
publishers
and
their
advertisers are clearly and inevitably dependent
on the literary contributors.
Yet it is always the
contributors
who are treated as if they were Dr.
Johnsons waiting for a charitable and long-delayed
patronage from a very protean
type of Lord
Chesterfield.

to

TISIES

252

�THE AUTHOR,
can
These are questions for
Consider with the greatest care.

BY W. HAROLD THOMSON.

0-DAY,

so

all to

to

a

is

of

;

of

up

all

is

as

to a

to

is

he

a

of

a as

or

be

by

I

be

to

he

an

to

a

of

do

!

to

a

he
is

of

in

2

ye

a

of

in

;

as

he

to

if

he
is

as

as

he
is

a

of

as

he

is

to

a

it

he

as

as

as

he is

in

an :

go

it

to

at

all

at

to

to

is

go

be

by

at

;

a

high collar
neat clothes and
office
every day
ten and come back every night
six, and you will
everyone who
belauded
taking
knows you,
hard worker a man who
proper part
life. On the other hand,
your desk
your own house, work
day
ten
and perhaps half the night
the evolving and
writing
stories;
this day after day and
do

of

as a

as

but scribble those silly stories and things.
To the young author experienced authors are
impervious
all one might well say Wear

as
a

is

It

on

to

it a
fit

it
in

Is

by

to

in

all

4. Not less important is that type of publishing
firm which is not known as a limited company,
though it has many partners and is sometimes
driven to borrow money from
backers.
There
is a real danger in firms of this class. Many
partners add enormously to the working expenses,
and in times of financial stress unpleasant things
may happen, not
without harm to authors.
Expensive books may be remaindered
before
they have had a chance to become known ;
Suggested ideas and schemes may be stolen in
order to give work to a permanent staff; and
slow selling books may be neglected, the money
which ought to be spent on their advertisements
being used for those books which the public is
eager to purchase.
In brief, a publishing house
with many partners, looked at from a standpoint
of business, deserves to be considered as a company
with limited liabilities, and also with many share
holders as represented by authors, each of whom
has invested a book, the result of much work and
expense spread over a good many months.
And
this being so,
what way are the authors
important that they
defend their interests
year how that publishing
should know year
financially.
house with many partners
stands
position
launch books with energy,
or does
treat books as tobacconists treat ounces
oftobacco, reaping aprofit
year
the gross sales
they
and turning over the same capital
often

it

gether erroneous idea that
writers are slothful,
not only existing but flourishing prodigiously.
suppose that
members
the artistic pro
hope
being
fessions have long since given
understood, save
fellow-craftsmen
but that this
should
seems not only strange but unreason
able.
By the average person the author
the artist
shirker ;
species
still regarded
man
hobby which
pleased
style
who has found
work, and who, even
his hobby, will give
just
Now,
conveniently can.
little time
admitted that
man does best that work which
likes best, and the young writer
inclined
feel aggrieved when
finds that acquaintances
nothing more
pooh-pooh his literary labours
play.
strenuous than
mild form
The young writer, however, does not take very
long if
ought
sensible
be to
crush out of life the sensitiveness which these
criticisms can stir into being.
He recognises that,
otherwise than
gloom-stricken and self-dissatisfied,
must treat
these criticisms lightly must pass them over
babblings having their birth
ignorance allied
very often with
lack
culture.
artist,
The farm labourer who said cheerily
day's work
Work Lor' bless ye,
never did
yer life, finds his counterpart
the knowing
But, my
lady who, speaking
some writer, says,
dear,
making such
mess
his life you
anything
know
He absolutely refuses

a

matter authors are not considered at all, though
their work is invested annually in many companies.
We never know the profits on any particular weekly
or monthly when those companies have each a good
many periodicals ; and yet the rates of payment
which authors are justified in claiming depend on
the profits which their published
work yields.
Moreover, when a company owning many periodicals
declares only the total net profit on its business as
a whole, how are authors to know which maga
Zine or paper is unlucky, and therefore a bad
market 2

many intimate details
when
the
Writer's work and life are laid bare thanks
mainly
interviews and the cunning puff
little disconcerting
find the old and alto

of

-

periodicals.
3. Further, certain companies are compelled by
law to publish their financial position year by year
as a guide to shareholders.
But in this important

AUTHORSHIP.

in

three months and meet his own just debts week by
week.
There is something hopelessly wrong in the
unionism of literary workers when they fail to gain
same business control over the financial methods of

be

THE REPROACH OF

have to wait at least another

in

would

continued.)

a --&amp;w &amp;
y
w

so

the author

(To

society

our

to

there is something

at

after publication,

*.

till

horrible in the warfare of literary life. A friend of
mine had recently to ask for money on an article
accepted a year ago; the editor himself was quite
Willing, but he had to consult the directors of a
company, and they refused.
Let the article be
published first, was their decision, forgetting that

of

deferred

253

�2

of

or
so

a

to

I
is

he ;

or an

of

of

of of

of

in

up

in

on an

of of

an

5

6,

to

of

in

of

on

an

of

of

to of

of

of

pretium 13/4, fetched £30.
Sotheby's sale, December 13 17,
the library
Mr. W. Wheeler Smith,
New York, included
thirty-seven different editions
collection
The
Death, ranging
Dance
date from 1649
1889.
Thirteen
these were Holbeins. The Sale was
very choice collections
also particularly rich
sixteenth and seventeenth century French books,

:

Vol. XXIV.,

Nos.

and

3.

*

Book Prices Current,
Elliot Stock.

London

2

in

of

of

in

of

a

to

in

XXIV.

(£56), and
illuminated
Pontificale Gallo
Romanum,
French, 15th cent.,
vellum (£45).
3acon's copy
Concordantiae Bibliorum, Paris,
1600, with his autograph,
Francis Bacon's Book,

at

or

no

is

or

Vol.

have reached us.
Sotheby's
sale

The former concludes
November 29, 30, 1909, and contains records
subsequent sales
that
the 7th and following
days
February, 1910, partly recorded
this
number, and concluded
the third number, which
records subsequent sales down
that
Puttick
Simpson, March
Sotheby's sale,
and
1910.
9 10, 1909, offered
interesting
December
MSS., among which were particularly
collection
deserving
illuminated,
remark
Biblia Sacra
Hebraica, written
Damascus, 1496
wellum
&amp;

is

it.

is

second and third parts
Prices Current

Book

"

HE

a of

of

in

a

to

of

of

of

is

;

to

in

is

It

in

is
a

It

of

a

º-e

BOOK PRICES CURRENT.

a

is

an

a

of

in

is

be

is

is

in

to

e

of

in

he
is

or

to

state
affairs that writing
to-day has become
business, and that the man
who can conduct this business properly
more
uncertain
his next meal than
the lawyer
the doctor but though they will listen they will
not recant their opinions.
They know so they say that authors are lazy,
because they have frequently seen So-and-So out
walking
present
the middle
the day,
some afternoon party; they know also that the
story-teller's profession
the most precarious

as

to

to to

in

often

It

be

is

to

explain the true

a

in to

a

I
is

grossly misunderstood
and that
the many reasons why
should have
complete confidence
his own powers, and
enthusiasm for the work which he has chosen,
perhaps one should say, the work which has chosen
him.
and

just one

do

;

an

is

or

going
never certain where his next meal
depends whether these good
come from.
critics have been reading puffs about popular
writers
lurid articles about
Grub Street that
thing
has become
the past.
Moreover, such folk, having once taken up
They will
certain attitude, refuse
abandon
listen
those members
the literary craft who
are patient enough and well meaning enough
who

do

I

In

to

must

to

or or

admitted a little sorrowfully
that the author
but seldom understood,
be

at a

is

a

to

or

to

think

of

of

in

of

a

to

to

to

to

It

literary
women outside the artistic
writing
refuse
admit that painting
work.
Of course staff men are not subject
may
this criticism they are in
office.
well
that they
less work than their free-lance
may well be, too, that they are making
brethren.
steady employment ;
less money, but they are
they are
receipt
stated salary.
Those who give their views regarding the lives
which writers lead and the incomes which they
earn are, for the most part, entirely ignorant
the
They are either decided
subject.
their own
lazy but prosperous
minds that the author
paid fabulous sums for his books,
individual who
that
ill-fed and poorly-clothed creature
men
circles,

many are thus engaged, who would
well advised
pen
word, save for their own entertain
never
ment.
refer
the capable writer who goes
about the work
business-like spirit
knows
what the public want, and sets about meeting that
good
want.
The writer who wishes
make
income
no less business-like
his method than
any other professional man, and
content
hunt
for fame in his leisure hours.

It

it

is

all

a of

as

in

he

an

indulgent smile and
playful rebuke
the best
something Serious to get
turn his attention
some work
do.
seems
have become almost
creed with

the world have they not been repeatedly told
Probably they have
And the fact that their
informants
were persons totally ignorant
the
important.
matter does not seem
strike them
referring
thus
the author's financial
returns
not mean
infer that every man
writing stories to-day
woman engaged
meet
ing with prosperity that
not possible when

is

is

on

It

;

or

all

I

on

month after month, and you will still be dubbed
lazy by those who have not intimate knowledge of
your craft.
do not contend, of course, that all authors do
day
every day.
work
inevitable
that there must be occasions on which the fount of
dry
thought runs temporarily
days
which
creative work seems impossible.
But the writing
man who loves his work will stay from
no
longer than
must.
The successful novelists, the authors whose
names are for ever
bold type and are spoken
every day, are accorded,
but natural, the
plaudits
respectful
who know
them.
They publish perhaps
couple
novels per year,
and the ladies who keep the libraries
life make
comment upon their energy and diligence.
But for the writer who has not yet achieved
great" ones there
place among the
given

so

THE AUTHOR.

254

�TFIE AUTISIOR.
to

in

so

by

a

a

of

of

of

of

as

in

he

be

a

as

byof of

or

of

of

of

to

if

a

of

of

to

of to

of

to

of

bygo

of by

to

in

of

as

of

as

by

is

as

to

In

to

so

of

it

in

of

to

of

it

all

be

of

an

of

at

of

T.

H. :

Knebworth
First Baron Lytton
by
Personal, and Political Monograph,
Routledge.
7s. 6d. met.

Edward Bulwer,

Social,
Escott,

and Matri
and only Sons.

Authorship

Mothers

S. a

materials for essays
Marriage,
and

mony

of

A

of

at

on

a

of

A of

of

at

on

by

of

an

points
resemblance between
difference and
author then and
the authorship and the life
His boyhood, his opportunities for educa
now.
college would hardly
school and
tion
his position pre
the modern youths
envied
literary career.
paring for
His love affairs and
his marriage with Rosina. Wheeler did not quite
follow the limes along which modern families pursue
their more easy-going ways, but they afford ample
a

of

to

of

of

;

of

to

in

fully informed.
the following lots
The prices
furnish authors with matter for pain
are likely
Blake,
Sketches'
Poetical
ful reflections.
fly-leaves
(original edition, 1783, containing
Blake, and with various
three songs
MSS.
the
MSS. alterations, previously disposed
working cabinet
Blake's
Heber sale), £11.
mahogany, £30 10s.
Burns' bureau, £600.
Dickens,
formerly
desk,
the property
and
stool
The highest
fetched £10 and £13 respectively.
copy, not quite
price paid for any book was for
Homerus, Omnia
perfect,
the Editio Princeps,
Opera, grace, Florence, 1488, £254 a good deal
presen
less than was given for Burns bureau.
Morris, The Story
the Glittering
ſtation copy
Plain,
the Kelmscott
the first book issued
inscription
Press, with
To Kate Faulkner
fetched
from William Morris, 30th May, 1891,
£17. Authors should remark how enormously the

of of or

a

of

of is

of

It at

to

as

be

us

We much regret that
collection.
miscellaneous
length with this
space does not permit
deal
particularly interesting sale.
those
one
typical
the extremely
taken
which might
interesting
the records
and valuable nature
which we
Book Prices Current,
contained
must refer those of our readers who would be more

of

an

E.

by
to

a

of

in

kind were offered
23, 1910)

his
turn
those who will have
bered
biography
the incidents
remind themselves
Colonial affairs,
his administration
birth and natural gifts
the circumstances
in
welcome
which would have insured him
necessity
drawing-rooms,
ambition
and
London
lead him further. Mr. Escott
had not combined
his
was personally acquainted with the subject
being able
biography, and has had the advantage
Lord Carnarvon,
draw upon the recollections
Under-Secretary for the Colonies, had an
who,
public
his chief
intimate personal knowledge
private
able
been
thus
has
He
affairs.
and
beyond the materials already made public
Lady Betty Balfour and others, including those
the novelist
his own life interwoven
records
introducing
The literary habit
his romances.
the author and his friends
the personal history
may not have been peculiar
the Victorian age,
Lytton,
prevailed
the days
but surely
Thackeray, Dickens and Disraeli
never will
events, writers
again
their eminence,
literary, will hesitate
make use quite
social
freely
the
their hands.
the material nearest
Bulwer-Lytton and his work
story
told
much food for reflection on the
Mr. Escott there

at
by

of

of

a

of

by

a

of

to

of

Bocket Diary fetched £38.
very attractive
Many lots
Sotheby's sale (March 21

distinguished
life-story
author and
letters, written
well
writer
man
qualified
Mr. Escott, should attract all who
the early part
the literary life
are interested
The parts which the first
the nineteenth century.
Lord Lytton played upon the social and political
stages
his day were not small ones, but
remem
will
romances and plays
writer

HE

to

I.,

The
3rd edit.)
A first edition (Vol.
presen
the Roman Empire,
Decline and Fall
Sheffield with
the Earl
tation copy
Gibbon, As memorial
autograph inscription
friendship and esteem the six volumes
this
history are presented
the Right Honourable
Gibbon,
the Author,
John Lord Sheffield
Four volumes of Gibbon s
was sold for £60.
Current.

LIFE OF BULWER-LYTTON.3,

in

which forty-four dealt with London, was a lead
ing feature of Puttick &amp; Simpson's sale of the
library of Mr. R. Hovenden.
On March 1 and 2 Sotheby disposed of the
stemaining portion of the library of the late Earl of
Sheffield, the sales of the former portions of which
Book Prices
are recorded in Vol. XXII. of

of

Q-0
t-º-º

*

published at sixpence.
4
This was sold for £50. The proof sheets of the
first edition of John Inglesant, with the author's
manuscript additions and corrections, fetched £32.
An extensive collection of topographical works,
leaves, 1747,

College,

an

of

features.

distinctive

The highest price was for a copy of the first edition
of Gray s Ode on a Distant Prospect of Eton

at

very

e
A

any

present

Sale.

or

The attention of authors is likely to be more
particularly attracted by the sale (Sotheby Decem
ber 20, 1909) of the library of Mr. Shorthouse,
The library did not,
author of John Inglesant.

however,

copies which they give
their friends
value
autograph.
by
Book Prices
enhanced
sale after
this fact
Current give evidence

of

Firmin-Didot

is

many of them from the library of
and the Beckford collections.

255

�A UTISTOR.

et

en

la

le

et

tel

LITTÉRAIRE ET ARTISTIQUE.

Le

e-Q-o-13

mai, 1910.

to

as
a

in

a

in of

a

of

to

we

la

et

in

inserting the letter
(We have much pleäsure
received from the Bureau Internationale de l'Union
pour
protection des CEuvres littéraires
artis
tiques.
We regret that any mistake should have
arisen, but
omitted
read the earlier numbers
the Le Droit d'Auteur
which the secretary refers.
pity, however, that when the action
seems
other countries was summarised, that
Great
Britain should not have been included
Sum
mary form
the same article.
We have nothing
rule, for the excellent work carried
but praise,
out
the Bureau Internationale.)
by

MONSIEUR, Nous avons constaté avec satis
faction que le no 8 du 2 mai de votre importante
revue The Author reproduit en traduction (pp. 229
et
230) l'article du Droit d'Auteur consacré à
la Conférence de Berlin (Préparation de la ratifica
tion de la Convention de Berne revisée).
Manifes
tations diverses des intéressés et paru dans le
numéro du 15 avril, 1910 (pp. 55 et 60).
Toutefois, nous avons été fort surpris de lire
dans l'introduction qui précède notre article, la
phrase suivante : * En ce qui concerne le Royaume
Uni de Grande-Bretagne et d'Irlande, Le Droit

MORE,

BERNE, LE

It

COPYRIGHT.

Directeur

G.

CORRESPONDENCE.
INTERNATIONAL

la

à

et
à

ce

de à

il

de

©-o

:

e

Vous nous obligeriez donc beaucoup
voulant
bien rectifier dans votre prochain numéro
note
ci-dessus mentionnée, qui contient évidemment une
erreur, car
nous serait sensible d'encourir auprès
reproche d'avoir
des gens
lettres anglais
négligé
degré leurs intérêts
un
leurs
désiderata.
Veuillez agréer, Monsieur, l'assurance
notre
considération distinguée.
BUREAU DE L'UNION INTERNATIONALE
de

Is it a greater feat to have Written
* The Last Days of Pompeii," or whichever of the
author's works is now most largely sold in a cheap
edition without profit to his personal representa
tives, than to have held the stage with ** The Lady
of Lyons " and ** Money " ?
as an author.

V0S Iſl8llIlS,

à

vinced that eminent authors Would be the best
qualified persons to review their eminent (or humble)
contemporaries.
In an essay such as that suggested
it might be however proved that the attitude of the
modern writer or artist towards his modern rivalis
altogether one of generous appreciation and admira
tion.
Before leaving the subjects of discussion
which arise out of Lytton's career we may ask
whether the prolonged popularity
of a play or
of a novel should furnish the better claim for fame

une information
numéro récent du Times.
Cela ne
fournit en aucune manière un compte rendu
complet de l'œuvre entreprise par le Gouverne
ment en Vue de préparer la voie pour la ratification
de la Convention de Berlin autant que cela concerne
la Grande-Bretagne,''
etc.
Or, une note indiquait que notre article du
Droit d'Auteur formait la suite d'une série
d'autres articles que notre organe a déjà publiés
sur la même matière et sous le même titre.
Ainsi
que le démontre la récapitulation contenue dans
l'épreuve ci-incluse-cette nouvelle suite paraîtra
dans le numéro du 15 de ce mois-la Grande
Bretagne a fait parmi tous les pays traités dans
cet ordre d'idées par notre organe, l'objet du plus
grand nombre de notices et des informations les
plus copieuses. Nous avons suivi tous les travaux
entrepris en Grande-Bretagne,
dont nous avons pu
avoir connaissance, soit par des voies officielles,
soit par notre service de presse.
Le rôle joué par
votre société dans la préparation du terrain en vue
d'une prompte ratification a été exposé avec la
sollicitude qu'il mérite et dans cette remarque fort
juste qu'elle a examiné avec le plus grand soin et
d'ampleur les résultats de la Conférence de Berlin
Droit d'Auteur, 1909, pp. 60, 87, 121
137).
Nous sommes prêts
vous envoyer tous les
sujet
Grande-Bretagne,
articles relatifs
numéros
notre journal n'étaient plus entre
d'un

(v.

particular reviewer or an art critic has never
even attempted to Write a book or to paint a
picture.
When Mr. Escott reminds
us that
Lamb threw aside the Waverley novels in dis
gust and that Hazlitt could not read them ; that
Hunt was contemptuous of Byron ; when We think
of the reviews of Lytton for which Thackeray was
Lytton Wrote of
responsible,
or
recall
what
Tennyson : when we read that among the poets of
his time * Lytton cared little for Tennyson and
less $or Browning,'' but that
* Hunt praises
Hazlitt, Hazlitt praises Hunt,'' we do not feel con

d'Auteur ne fait que reproduire

prise

les

A list of other topics which might be illustrated
from the volume Would include such old ones as
the relations
of authors and publishers and of
authors and critics, and in particular
that old
question as to the class from which critics should
be drawn.
The reviewer, we are told by some
whose Work has been reviewed, is himself an
author who has failed ; the art critic, an artist
will complain, is a painter Whose pictures no
may declare
one Will buy.
Others
that a

si

TISIES

256

�-

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              <text>C be t bor.&#13;
The Organ of the Incorporated Society of Authors. Monthly.&#13;
Vol. XX.-No. 9. JUNE 1, 1910. St [PRICE SIXPENCE.&#13;
C O N T E N T S.&#13;
PAGE PAGE&#13;
Notices º sº a tº e - tº º &amp; • * * tº tº tº tº s tº - tº º ..., 233 Dramatic Authors and Agents * * * tº e e - * * - - - ... 245&#13;
Committee Notes • * * - * * - - - s a - • * - • * * ... 235 Warnings to Musical Composers ... * g &amp; - * * • * - ... 245&#13;
May Elections ... e - tº tº e &gt; - - - * - - e s - - * * ... 236 Stamping Music ... - - - * * * 245&#13;
Books published by Members of the Society tº e q - º tº ... 237 The Reading Branch ... * - - tº º e * * * - * * * - - ... 245&#13;
Books published in America by Members... - e - - - - ... 238 Remittances - e. e. - - 4 - - - # * - - * * tº t + - - - ... 245&#13;
Literary, Dramatic and Musical Notes ..., º s º - tº e ... 239 General Notes ..., - - e. e - - &amp; 0 &amp; * * * * - g - - - ... 246&#13;
Paris Notes a * * * * * - e. e. a w s * - - tº e - - * &gt; ... 240 The Publishers’ Circle Book Trade Dinner 247&#13;
United States Copyright - * * * - * * - - * * * • * * ... 241 The Editorial Attitude * * * e - - - * * 24S&#13;
Tramatists and the Working Man's Club and Institute Union 242 Ideas, and How to Protect. Them ... * * * * * * • * * ... 250&#13;
Magazine Contents tº a tº - * * - - - e - - * * * - * º ... 243 The Reproach of Authorship ... e - - a * * - * g. - - - ... 253&#13;
How to Use the Society ... * * * e - - tº e - º, º º ... 244 1300k Prices Current * - - e tº - tº a 4. - * * * - - ... 254&#13;
Warnings to Producers of Books ... e - - e a - - e. e. ... 244 A Life of Bulwer-Lytton - - - * * * • * * - * * * - - ... 255&#13;
Warnings to Dramatic Authors - - - * * * tº a º tº tº e ... 244 Correspondence ... - - e. * - - * - - * &amp; e -- e. * - - ... 256&#13;
Registration of Scenarios and Original Plays ... - * * ... 245&#13;
—-sº&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 1s.&#13;
2. The Author. Published ten months in the year (August and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property: Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
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4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
5. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “Methods.” With comments and&#13;
advice. 2s.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18. -&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association ; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11, Periodicals and their Contributors. Giving the Terms on which the different Magazines&#13;
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12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 18.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
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does her work.-FRANK SAVILE.”&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX,&#13;
YAVANTIEED &amp;&#13;
AUTHORS, MSS., PLAYS, AND GENERAL COPYING.&#13;
Don’t hesitate. Send a trial Order now. I guarantee&#13;
satisfaction. One Carbon Duplicate supplied gratis&#13;
with first order. Terms on application&#13;
C. HERBERT CAESAR,&#13;
Homefield, Woodstock Rd., ST, ALBANS, HERTs.&#13;
AUTHORS' TYPEWRITING.&#13;
Novel and Story Work 9d per 1,000 words ; 2 Copies, 1/-&#13;
General Copying * * ... 1/1 * , y y 3 y 1/3&#13;
Plays, ruled - - e - • * 1|- 5 p. 3 y * 3 114.&#13;
Specimens and Price List on application.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD.&#13;
TYPEWRITING.&#13;
Story Work, ed. per 1,000 Words. Plays, Verse, Specifica-&#13;
tions at moderate rates; also French and Spanish Work.&#13;
Typist to E. Nesbit, Elizabeth Robins, and many well-known&#13;
writers. Established 1898.&#13;
L. A. ST. JOHCN,&#13;
L'IsIE, DIMOND ROAD, BITTERNE PARK, SOUTHAMPTON.&#13;
&#13;
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## p. (#638) ################################################&#13;
&#13;
AD VERTISEMENTS.&#13;
There has been a phenomenal demand for this special issue of “PUNCH.”&#13;
Targe as was the first printing,&#13;
it was all exhausted before publication.&#13;
Further large editions have been called for even more rapidly than&#13;
it has been found possible to produce the required copies.&#13;
This Memorial Number should find a permanent place in every home.&#13;
The hundreds of thousands of our readers who see ‘‘ PUNCH '' at their club or else-&#13;
will be considerable.&#13;
Its historical value in future years&#13;
where should make a point of possessing this Special Number for themselves.&#13;
4- " -&#13;
M º&#13;
norial&#13;
MAY 18th, 1910.&#13;
Consists of 44 pages chiefly of Pictures and Cartoons, from&#13;
the collection of “Mr. Punch,” from the late King's birth&#13;
in 1841 up to the date of his death&#13;
in 1910. With&#13;
Mr. Seaman's Ode to His Majesty King George.&#13;
The following are selected from Hundreds of Press Wotices F-&#13;
A Pictorial Review of King Edward's&#13;
Life.&#13;
THE TIMES: “It was a happy idea to publish a&#13;
selection of the Cartoons in which his late Majesty&#13;
was represented. The whole number is, in fact, a&#13;
pictorial review of King Edward's life.”&#13;
The Relations between People and&#13;
King.&#13;
DAILY GRAPHIC : “No tribute and no col-&#13;
lection could more truly reveal the relations between&#13;
the British people and the Prince who was to become&#13;
their Sovereign ; for from first to last they are&#13;
eloquent of the smiling sympathy, the true affec-&#13;
tion, and the conscious pride in him which his&#13;
people felt. Sºme beautiful lines by ‘O.S.’ conclude&#13;
a memorable tribute.”&#13;
PRICE&#13;
3d.&#13;
Stationers.&#13;
On Sale at all the Bookstalls, Bookshops, Newsagents and&#13;
If your Newsagent is “ sold out” send 3%d. in&#13;
stamps (or 4%d. if for Foreign postage) to “PUNCH." Office,&#13;
10, Bouverie Street, London, E.C.&#13;
Memories of the late King.&#13;
DAILY TELEGRAPH “ The number of&#13;
‘Punch is mainly devoted to memories of the late&#13;
King as embodied in the Cartoons of its inimitable&#13;
artists since its foundations. A stirring Ode to&#13;
|King George from the pen of ‘O.S." is not the least&#13;
striking feature of a fine number.”&#13;
Most interesting of all the illustrated&#13;
memoirs. -&#13;
NOTTINGHAM GUARDIAN : “This collection&#13;
from the Cartoons, of which his Majesty has been&#13;
the theme, from 1841 to 1910, is one of the most&#13;
interesting of all the illustrated memoirs which have&#13;
been issued, because of its indications of Contemporary&#13;
sentiment.”&#13;
PRICE&#13;
3d.&#13;
.* Many of our Readers are order-ſºng half-a-dozerº copies or more&#13;
to send to their friends at horne and abroad.&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
## p. (#639) ################################################&#13;
&#13;
C be El ut bor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
WOL. XX.-No. 9.&#13;
JUNE 1ST, 1910.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 WICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
—e—º-e—&#13;
NOTICES.&#13;
—º-º-º-&#13;
OR the opinions expressed in papers that are&#13;
| signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
-&#13;
THE Editor begs to inform members of the&#13;
Authors’ Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
Eºmºmºmºmºmºmºmºmºe&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 5s. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
WOL, XX,&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
—e—º-e—&#13;
THE SOCIETY'S FUNDS.&#13;
—º-º-º-&#13;
ROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are : (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
—e—º-e—-&#13;
LIST of MEMBERs.&#13;
—e-º-º-&#13;
HE List of Members of the Society of Authors&#13;
published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7%d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
&#13;
&#13;
## p. (#640) ################################################&#13;
&#13;
234&#13;
THE AUTISIOR.&#13;
end of the list for the convenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
—e—º-e—&#13;
THE PENSION FUND.&#13;
—º-º-º-&#13;
N February 1, 1910, the trustees of the&#13;
Pension Fund of the Society—after the secre-&#13;
tary had placed before them the financial&#13;
position of the fund—decided to invest £260 in&#13;
the following securities: £130 in the purchase of&#13;
Jamaica. 3% per cent. Stock 1919–49, and £130 in&#13;
the purchase of Mauritius 4 per cent. Stock 1937.&#13;
The amount purchased is £132 18s. 6d.&#13;
Jamaica. 3% per cent. Stock and £120 12s. 1d.&#13;
Mauritius 4 per cent. Stock.&#13;
This brings the invested funds to over £4,000.&#13;
The trustees, however, have been unable to recom-&#13;
mend the payment of any further pensions, as the&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
of the society to this fact, in the hope that by&#13;
additional subscriptions and donations there will&#13;
be sufficient funds in hand in the course of the&#13;
year to declare another pension in case any im-&#13;
portant claim is forthcoming.&#13;
Consols 24%.................. i e s tº e º e s e º 'º &amp; £1,000 0 0&#13;
Local Loans .............................. 500 0 ()&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291. 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock . . . . . . . . . . . . . . . . . . . . 250 0 ()&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates . . . . . . . . ... 200 0 0&#13;
Cape of Good Hope 3% Inscribed&#13;
Stock . . . . . . . . . . . . . . ............... 200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock.................. 228 () ()&#13;
New Zealand 3% Stock............... 247 9 6&#13;
Irish Land Act 23% Guaranteed Stock 258 0 0&#13;
Corporation of London 24% Stock,&#13;
1927–57 .............................. 438 2 4.&#13;
Jamaica. 3%% Stock, 1919–49 ......... 132 18 6&#13;
Mauritius 4%. 1937 Stock............... 120 12 1&#13;
Dominion of Canada C.P.R. 33% Land&#13;
Grant Stock, 1938..................... 198 3 8&#13;
Total ............... #34,065 6 0&#13;
Subscriptions.&#13;
1910. £ s. d.&#13;
Jan. 12, Riley, Miss Josephine O 7 6&#13;
Jan. 13, Child, Harold H. . () 10 0&#13;
Jan. 14, Desborough, The Right Hon.&#13;
the Lord, K.C.V.O.&#13;
Jan. 27, Lion, Leon M.&#13;
Feb. 7, Fagan, J. B. . ©&#13;
Feb. 10, Newton, Miss A. M.&#13;
March 7, Smith, Bertram .&#13;
April 13, Dillon, Mrs. e º&#13;
May 6, Inkster, Leonard . º&#13;
May 17, Truman, Miss Olive Marie&#13;
Donations.&#13;
1910.&#13;
Jan. 1, Robinson, J. R.&#13;
Jan. 1, Mackenzie, Miss J. (2nd dona:&#13;
tion) s o . -&#13;
1, Northcote, H. {- º&#13;
3, Watson, Mrs. Herbert A.&#13;
3, Fursdon, Mrs. F. M.&#13;
3, Smith, Miss Edith A.&#13;
4, Pryce, Richard º e&#13;
4, Wroughton, Miss Cicely.&#13;
6, Kaye-Smith, Miss Sheila&#13;
6, Underdown, Miss E. M. .&#13;
6, Carolin, Mrs. . e&#13;
8, P. H. and M. K.&#13;
8, Crellin, H. R. º&#13;
10, Tanner, James T..&#13;
10, Miller, Arthur&#13;
10, Bolton, Miss Anna&#13;
10, Parr, Miss Olive K.&#13;
17, Harland, Mrs.&#13;
21, Benecke, Miss Ida&#13;
25, Fradd, Meredith&#13;
29, Stayton, F. .&#13;
1, Wharton, L. C.&#13;
Feb. 4, Bowen, Miss Marjorie&#13;
Feb. 5, Cameron, Mrs. Charlotte&#13;
Feb.7, Pettigrew, W. F. .&#13;
Feb. 7, Church, Sir A. H. .&#13;
Feb. 8, Bland, Mrs. E. Nesbit&#13;
Feb. 8, The XX. Pen Club&#13;
Feb. 10, Greenbank, Percy.&#13;
Feb. 11, Stopford, Francis.&#13;
Feb. 11, Dawson, A. J. . . .&#13;
Feb. 12, Ainslie, Miss Kathleen .&#13;
Feb. 16, W. D. . e e&#13;
Feb. 16, Gibbs, F. L. A.&#13;
Feb. 17, Wintle, H. R. º&#13;
Feb. 21, Thurston, E. Temple&#13;
Feb. 23, Dawson, Mrs. Frederick&#13;
Feb. 24, Williamson, C. N. o&#13;
Feb. 24, Williamson, Mrs. C. N.&#13;
Feb. 25, Westell, W. P.&#13;
March 2, Toplis, Miss Grace&#13;
March 3, Hawtrey, Miss Valentina&#13;
March 5, Smith, Bertram . . .&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Jan.&#13;
Feb.&#13;
()&#13;
£&#13;
S.&#13;
l&#13;
I&#13;
5&#13;
1&#13;
;&#13;
1&#13;
&amp;;&#13;
1.&#13;
I&#13;
1&#13;
0&#13;
&#13;
&#13;
## p. (#641) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
235&#13;
March 12, Yould, A. .&#13;
March 16, Loraine, Lady . -&#13;
March 29, Macdonnell, Randall.&#13;
April 6, Blake, J. P. . &amp; &amp;&#13;
April 8, “Patricia Wentworth "&#13;
April 14, Hinkson, Mrs. K. Tynan&#13;
May 6, Greenstreet, W. J. . -&#13;
May 7, Cousin, John W.&#13;
May 10, Zangwill, Israel . -&gt;&#13;
May 19, Sprigge, Dr. S. S. (Portion of&#13;
money recovered by the Society as&#13;
damages) e 10 () ()&#13;
All fresh subscribers and donors previous to&#13;
January, 1910, have been deleted from the present&#13;
announcement.&#13;
The names of those subscribers and donors which&#13;
are not included in the lists printed above are&#13;
unavoidably held over to the next issue.&#13;
1&#13;
I&#13;
*. —wº- a&#13;
wr —w- *&#13;
COMMITTEE NOTES.&#13;
—º-º-º-&#13;
HE May meeting of the Committee of Manage-&#13;
ment of the Society was held on the 2nd ult.,&#13;
at 39, Old Queen Street, Storey's Gate, S.W.&#13;
In the absence of Mr. Maurice Hewlett, Mr.&#13;
Douglas Freshfield was elected to the chair. Thirty-&#13;
one members and associates were elected, bringing&#13;
the total elections for the current year to 118.&#13;
There was one resignation, bringing the total&#13;
resignations up to 60.&#13;
Cases before the Committee.—The first case&#13;
was against a company in the United States in&#13;
liquidation. The committee decided to place the&#13;
matter in the hands of the society's American&#13;
lawyer, with instructions to make full inquiries&#13;
whether the company was in a position to pay any&#13;
dividend; if so, to claim on behalf of the members&#13;
involved. The next case—relating to infringement&#13;
of an author's rights by literary libel in Germany&#13;
—had been before the committee more than once&#13;
previously. As full information was still wanting,&#13;
the committee decided that unless the necessary&#13;
answers to questions put by the German lawyer&#13;
employed were forthcoming before the next meeting,&#13;
the case must be dropped. The Secretary next&#13;
reported details of various cases relating to the&#13;
infringement of dramatic rights and the retention&#13;
of moneys by a theatrical manager in India, and&#13;
instructions were given by the committee that the&#13;
case should be proceeded with at the earliest&#13;
opportunity. In the next case arose a question of&#13;
an infringement of copyright by sales by street&#13;
hawkers, somewhat on the lines of the musical&#13;
piracies which had been strenuously fought by the&#13;
music publishers. The secretary was instructed&#13;
to endeavour to obtain the evidence necessary to a&#13;
successful prosecution of the offending parties.&#13;
He was also instructed to write to the Publishers'&#13;
Association and to the lawful publishers of the&#13;
literary work in question to inquire to what extent&#13;
they would be willing to contribute towards the&#13;
cost of fighting this important question of&#13;
principle.&#13;
Letters from a literary agent and his solicitors,&#13;
taking objection to a paragraph in The Author,&#13;
were considered, and the committee settled upon&#13;
the course they would take in the matter. At the&#13;
Suggestion of the Dramatic Sub-committee, the&#13;
Committee of Management elected Mr. Arthur&#13;
Shirley to the Dramatic Sub-committee, subject to&#13;
his willingness to undertake the duties of the&#13;
position. A proposal for increasing the advertise-&#13;
ment revenue of The Author was laid before the&#13;
committee, who gave it their favourable considera-&#13;
tion. The secretary was instructed to obtain&#13;
further information, and consider and submit the&#13;
terms of a contract. The secretary reported that&#13;
the Dramatic Sub-committee had been negotiating&#13;
with Messrs. Samuel French, in order to obtaininfor-&#13;
mation as to the infringement of performing rights&#13;
of members of the society in the colonies. He&#13;
suggested that, as the publishers also had agents in&#13;
the colonies, it might be possible to obtain similar&#13;
information respecting the piracy of literary works.&#13;
The committee authorised a communication to the&#13;
Publishers' Association on the subject. At the&#13;
suggestion af the Dramatic Sub-committee, the&#13;
secretary submitted that it might be possible,&#13;
through the Foreign Office and Consular Service,&#13;
to obtain information of the piracy of performing&#13;
rights of British authors and their works. Sir&#13;
Alfred Bateman was kind enough to promise to&#13;
make inquiries in order to ascertain whether any&#13;
steps could be taken on the lines suggested, and to&#13;
report to the next meeting. A letter from a&#13;
member in regard to the Pension Fund was laid&#13;
before the committee, as also was a letter from the&#13;
Earl of Wemyss in regard to a scheme for the&#13;
representation of the Society of Authors, together&#13;
with other learned and scientific societies, in the&#13;
House of Lords.&#13;
—º-º-º-&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The Dramatic Sub-committee of the Society of&#13;
Authors met at 39, Old Queen Street, on Monday,&#13;
May 9. After the minutes had been read the&#13;
secretary reported that, in answer to the Dramatic&#13;
Circular, it appeared that there were between 220&#13;
and 230 dramatists on the books of the society.&#13;
The next question before the sub-committee&#13;
was a question which the Theatres Alliance had&#13;
&#13;
&#13;
## p. (#642) ################################################&#13;
&#13;
236&#13;
TISIE AUTHOR.&#13;
referred to the dramatists, bearing on the perform-&#13;
ance of plays in working men's clubs. The&#13;
secretary and chairman reported that they had met&#13;
the representatives of the Theatres Alliance and&#13;
the Touring Managers' Association. In that inter-&#13;
view the representatives of these two bodies had&#13;
set out at length the large number of these clubs&#13;
and the extent to which performances were now&#13;
carried on, and complained of the unfair nature of&#13;
the competition which these performances involved.&#13;
After considerable discussion, on the proposal of&#13;
Mr Alfred Sutro it was decided to advise dramatic&#13;
authors, who were members of the society, not to&#13;
license any play to any clubs except the legitimate&#13;
amateur dramatic clubs, until five years from its&#13;
original production in the provinces.&#13;
The question of the responsibility of theatrical&#13;
managers for the infringement of dramatic copy-&#13;
right was then considered, and the secretary read a&#13;
long and detailed opinion he had received from&#13;
the society’s solicitors on the subject. The appoint-&#13;
ment of colonial agents was discussed and a letter&#13;
from Messrs. French was read. One of the items in&#13;
the letter related to a series of performances in India,&#13;
which had come to the knowledge of Messrs. French,&#13;
and the sub-committee decided that the secretary&#13;
should ascertain — Messrs. French had kindly&#13;
offered to supply the information—whether any of&#13;
these performances were performances of members’&#13;
plays, and, if so, whether they had been authorised.&#13;
Two other letters relating to the work of the&#13;
dramatic section of the Society were laid before&#13;
the sub-committee. One, referring to the possi-&#13;
bility of giving further assistance to unacted&#13;
dramatists, was adjourned for maturer consideration.&#13;
Owing to the length of the sitting, the settlement&#13;
of the Repertory Agreement and the Agreement&#13;
for a run was adjourned.&#13;
—º-º-º-&#13;
Cases.&#13;
THE record of the society's work from month to&#13;
month varies but little. Sometimes more cases&#13;
come into the hands of the secretary and more are&#13;
placed in the hands of the solicitors—sometimes&#13;
a lesser amount.&#13;
During the past month seventeen cases have&#13;
been in the secretary's hands. Three dealt with&#13;
disputes on agreements. Onehas been satisfactorily&#13;
settled, but the other two are in the course of&#13;
negotiation.&#13;
It may be as well to state that in a case where a&#13;
dispute arises between two members of the society,&#13;
the society does not necessarily refuse to act, but&#13;
will always maintain the right against the wrong.&#13;
If the dispute becomes very acute the committee&#13;
endeavour to arrange an arbitration between the&#13;
parties.&#13;
In three cases out of seven where money has been&#13;
claimed the amount has been paid on the secretary's&#13;
demand and forwarded to the members. One has&#13;
been placed in the hands of the society’s solicitors,&#13;
one is in the course of Satisfactory settlement, and&#13;
two have only recently come into the office. Four&#13;
uestions have arisen concerning the detention of&#13;
MSS. and in three the MSS., have been returned&#13;
and forwarded to the members. Of two cases&#13;
where the Secretary has demanded accounts, one&#13;
has been settled and in the other the accounts&#13;
have been promised. One curious case of libel on&#13;
title has arisen. As the dispute is with the pro-&#13;
prietor of a foreign magazine it may be some little&#13;
time before a satisfactory issue is arrived at.&#13;
The cases left over from past months are few.&#13;
Indeed, they only amount to three. The others&#13;
have either been settled or placed in the hands of&#13;
the society's solicitors. Of the three cases left&#13;
open, one, concerning the settlement of contract, is&#13;
delayed owing to the member living in Australia ;&#13;
in case number two the publisher is in America,&#13;
and in the third case negotiations are being carried&#13;
forward satisfactorily.&#13;
The cases in the hands of the society's solicitors&#13;
are being settled slowly. In the smaller claims for&#13;
moneys due, the cash has either been paid or&#13;
promised, or judgment has been obtained. It is&#13;
only in the more difficult questions, such as disputes&#13;
on agreements, infringement of copyright and&#13;
bankruptcy cases, that delay is bound to occur.&#13;
—º-º-º-&#13;
May Elections.&#13;
Adkins, Frank James 21, Harcourt Road,&#13;
Sheffield.&#13;
Aspinall, Algernon Carlton Club, Pall&#13;
Mall, S.W.&#13;
Baker, Mrs. Elizabeth Dawnside, Berkhamp-&#13;
sted, Herts.&#13;
106, Esmond Road,&#13;
Bedford Park, W.&#13;
(Beth Ellis). c&#13;
Baker, Miss Elizabeth&#13;
Barnett, Mrs. S. A. (Hen- St. Jude's Cottage,&#13;
rietta O.) ſº g Hampstead Heath,&#13;
N.W.&#13;
Campbell-Gilbert, Philip&#13;
E. (Lorde Philip).&#13;
Chadwick, Mrs. Ellis H. West Brae, Enfield,&#13;
Middlesex.&#13;
Chalmers, Dalzell Henry 1, The Mansions,&#13;
John * { } e Earl's Court Road,&#13;
S.W.&#13;
Cousin, John William, 11, Greenhill Terrace,&#13;
F.F.A. te * ge Edinburgh.&#13;
Fawcett, Major Percy Waterside, Uplyme,&#13;
Harrison g gº Devon.&#13;
&#13;
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## p. (#643) ################################################&#13;
&#13;
TISIE A UTFIOR.&#13;
237&#13;
Ferguson, Miss A. B.&#13;
Dunrowan, Lenzie,&#13;
Ochiltree . e e Lanarkshire.&#13;
Fox, Miss Dorothy . . 28, Garlies Road,&#13;
Forest Hill, S.E.&#13;
Solentia, Yarmouth,&#13;
Isle of Wight.&#13;
Guy, Harry . e&#13;
Greenstreet, W. J., M.A.&#13;
Hinkson, Henry Albert, Greenhurst, Kings&#13;
.A. . º º º Langley.&#13;
Hogarth, David George .&#13;
Inkster, Leonard . . 11, Oaktree Lane,&#13;
Selly Oak, Bir-&#13;
mingham.&#13;
Jeffery, Mrs. C. E. . o&#13;
Jonsdale, Frederick. . 6, Cuthbert Terrace,&#13;
- Westgate-on-Sea.&#13;
17, Banbury Road,&#13;
Oxford.&#13;
6, The Drive, Hove.&#13;
Marshall, H. G. e o&#13;
Nevill, Miss Florence *&#13;
Ole Luk-0ie.&#13;
Sawyer, Capt. Hoaughan . 131, Harley Street,&#13;
W - - -&#13;
Serjeant, Miss C. . . Warboys Rectory,&#13;
Huntingdon.&#13;
Stanfield, G. J. º . Admiralty (D. W.&#13;
Department), S.W.&#13;
Stephenson, Robert. . 20, Baker Street, W.&#13;
Strachey, Miss Philippa 67, Belsize Park&#13;
Gardens, N.W.&#13;
41, Bath Road, Bed-&#13;
ford Park, W.&#13;
4, Milnthorpe Road,&#13;
Eastbourne.&#13;
c/o Mrs. Mitchell, 106,&#13;
Barcombe Avenue,&#13;
Streatham Hill,&#13;
S.W.&#13;
Thompson, Alex M.&#13;
(Dangle © º e&#13;
Ward, The Rev. F.W. Orde&#13;
(F. Harald Williams)&#13;
West, Mrs. . © tº&#13;
—º- a&#13;
~-w&#13;
BOOKS PUBLISHED BY MEMBERS OF&#13;
THE SOCIETY.&#13;
—º-Q-0–&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
Some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the Cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
ART. w&#13;
CHRISTIAN SYMBOLISM. By MRS. HENRY JENNER,&#13;
6 x 4}. 192 pp. Methuen. 2s. 6d. n.&#13;
BIOGRAPHY,&#13;
ROBERT DODSLEY: Poet, Publisher, and Playwright. By&#13;
RALPH STRAU.S. 83 × 53. 407 pp. Lane, 21s, n.&#13;
BUBBLES AND TROUBLEs.&#13;
THE LIFE AND LETTERS OF WILLIAM (BECKFORD OF&#13;
FONTHILL. By LEWIS MELVII.L.E. 104 × 7. 391 pp.&#13;
Heinemann. 15s.&#13;
A ROYAL CAVALIER. The Romance of Rupert Prince&#13;
Palatine. By MRS. STEUART ERSKINE. 9 × 53.&#13;
379 pp. Nash. 15s.&#13;
BISHOP LOVELACE T. STAMER. A. Memoir. By F. D.&#13;
HOW. 83 x 5%. 325 pp. Hutchinson. 7s. 6d. n.&#13;
DRAMA.&#13;
THE QUEST. A Drama of Deliverance in Seven Scenes&#13;
and a Vision. By DOROTHEA. HoDLINs. 73 × 5}.&#13;
116 pp. Williams &amp; Norgate. 4s. 6d. n.&#13;
THE EARTH. A Modern Play in Four Acts. By J. B.&#13;
FAGAN. 73 × 5}. Fisher Unwin. 2s. 6d. n.&#13;
MONNA WANNA. A Drama in Three Acts. By MAURICE&#13;
MAETERLINCK. Translated by ALFRED SUTRo. 6; x 4}.&#13;
179 pp. Allen. 2s. 6d. n.&#13;
FICTION.&#13;
NOW. By CHARLES MARRIOTT. 8 × 5.&#13;
&amp; Blackett. 63.&#13;
312 pp. Hurst&#13;
By MRS. LOCKHART LANG.&#13;
7% x 43. 324 pp. Alston Rivers. 6s.&#13;
THE ILLUSTRIOUS PRINCE. By E. PHILLIPs OPPENHEIM.&#13;
7# × 5. 316 pp. Hodder &amp; Stoughton. 6s.&#13;
PLUMAGE. By CORALIE STANTON and HEATH HOSKEN.&#13;
7# × 5. 316 pp. Stanley Paul. 6s.&#13;
RICHARD BEVERLEY. By FRANCIS BANCROFT. 7" x 5.&#13;
328 pp. Digby Long. 6s.&#13;
THE BOOK OF A BACHELOR. By DUNCAN SCHWANN.&#13;
7# x 5. 311 pp. Heinemann. 6s.&#13;
THE WIFE OF ALTAMONT. By VIOLET HUNT.&#13;
292 pp. Heinemann. 6s.&#13;
EIYPOCRITES AND SINNERS.&#13;
7# x 5. 350 pp. Long. 63.&#13;
THE SHINA. A Tale of the Isles. By W. C. MACKENZIE.&#13;
7% x 5. 306 pp. Paisley : Gardner. 6s.&#13;
THE LUCK OF THE BLACK CAT, AND OTHER STORIES. By&#13;
ELIZABETH BANKS. 73 × 5. 299 pp. Allen. 58.&#13;
-&#13;
7} x 5.&#13;
By VIoLET. TwºBDDALE.&#13;
THE GLITTERING DESIR.E. By E. R. PUNSHON. 73 × 5.&#13;
320 pp. Ward, Lock. 6s.&#13;
THE CHEERFUL KNAVE. By REBLE HOWARD. S x 5.&#13;
307 pp. Stanley Paul. 68.&#13;
A PRISONER IN SPAIN. By WILLIAM CAIN.E. 73 × 5.&#13;
320 pp. Greening. 6s.&#13;
THE MODEL IN GREEN. By HARRY TIGHE. 74 × 5.&#13;
320 pp. Greening. 6s.&#13;
PERFIDIOUS LYDIA. By FRANK BARRETT. 73 × 4}.&#13;
306 pp. Chatto &amp; Windus. 6s.&#13;
AT THE CALL OF HONOUR. By A. W. MARCHMONT.&#13;
73 × 5. 343 pp. Cassell. 6s.&#13;
THE GOLD WORSHIPPERS. By J. B. HARRIS-BURLAND.&#13;
8; x 5%. 152 pp. Greening. 6d.&#13;
SOME EXPERIENCES OF AN IRISH R.M. By E, CE. SOMER-&#13;
VILLE and MARTIN ROSS. 7# x 5%. 309 pp.&#13;
Longmans. 3s. 6d.&#13;
THE DREAM—AND THE WOMAN. By TOM GALLON.&#13;
74 × 4;. 288 pp. Stanley Paul. 1s. n.&#13;
A 1).UET. With an Occasional Chorus. By A. CONAN&#13;
Doy L.E. (Third Edition, newly revised.) 7; x 5. 342 pp.&#13;
Smith, Elder. 3s. 6d.&#13;
THE O’FLYNN. By JUSTIN HUNTLY&#13;
S x 5+. 344 pp. Hurst &amp; Blackett. 6s.&#13;
A GENTLEMAN OF VIRGINIA. By PERCY J. BREBNER.&#13;
73 × 5+. 372 pp. Macmillan. 6s.&#13;
THE WILL AND THE WAY. By BERNARD CAPES. 73 × 5.&#13;
223 pp. Murray. 2s. 6d. n.&#13;
HISTORY.&#13;
THE R SE AND EXPANSION OF THE BRITISH DOMINION&#13;
IN INDIA. By SIR ALFRED LYALL, P.C., K.C.B.&#13;
MCCARTHY,&#13;
&#13;
&#13;
## p. (#644) ################################################&#13;
&#13;
238&#13;
TISIES A UTFIOR.&#13;
(Fifth edition, corrected and enlarged.) With maps.&#13;
9 × 53. 397 pp. Murray. 5s. n.&#13;
LAW.&#13;
DRAMATIC AND MUSICAL LAW. By A. A. STRONG, LL.B.&#13;
THE SERVER's HANDBook. By the REv. PERCY DEARMER.&#13;
(Second Edition, revised and enlarged.) The Parson's&#13;
Handbook, Series W. 6; × 4%. 62 pp. Frowde.&#13;
18. In.&#13;
TOPOGRAPHY.&#13;
THE ROMANCE OF THE OXFORD COLLEGES. By FRANCIS&#13;
GRIBBLE. 7# × 5. 324 pp. Mills &amp; Boon. 6s.&#13;
OXFORD. Beautiful England Series. By F. D. How.&#13;
Illustrated by E. HASLEHURST. 56 pp. Blackie. 2s. n.&#13;
RAMBLES WITH AN AMERICAN. By CHRISTIAN TEARLE.&#13;
9 × 5%. 376 pp. Mills &amp; Boon. 10s. 6d.&#13;
TRAVEL.&#13;
A CORNER OF SPAIN. By WALTER WOOD. With an&#13;
Introduction by MARTIN HUME. Illustrated by F. H.&#13;
MASON. 7% × 5. 203 pp. Nash. 5s. m.&#13;
THE ALPS DESCRIBED BY SIR MARTIN CONWAY. With&#13;
23 Illustrations from Photographs by L. EDNA WATER.&#13;
8 x 5}. 294 pp. Black. 3s.6d. n.&#13;
ON AND OFF DUTY IN ANNAM. By GABRIELLE M.&#13;
VASSAL. 9 × 6. 283 pp. Heinemann. 10s. In.&#13;
SOUTH AFRICAN SNAPSHOTS FOR ENGLISH GIRLS. By&#13;
* TYRRELL. 7% x 5. 202 pp. Gay &amp; Hancock.&#13;
3s. 6d.&#13;
BOOKS PUBLISHED IN AMERICA By&#13;
MEMBERS.&#13;
83 × 5%. 243 pp. Era Publishing Office.&#13;
LITERARY.&#13;
FRENCH MEN, WOMEN, AND BOOKS. By M. BETH AM-&#13;
EDWARDS. 9 × 53. 251 pp. Chapman &amp; Hall.&#13;
10s. 6d. n.&#13;
ORATIONES ET EPISTOLAE CANTABRIGIENSES (1876—&#13;
1909). By J. E. SANDYs, Litt.D. 104 × 7#. 299 pp.&#13;
Macmillan. 10s. n.&#13;
CRITICISM AND BEAUTY. A Lecture Re-written.&#13;
the Romanes Lecture for 1909.&#13;
ARTHUR JAMES BALFOUR, M.P.&#13;
Edition.) 9 × 6. 48 pp. Oxford : Clarendon Press.&#13;
London : Frowde. 2s. n.&#13;
LETTERS TO SANCHIA. Upon Things as they are,&#13;
Extracted from the Correspondence of Mr. John Max-&#13;
well Senhouse. By MAURICE HEWLETT. 7# x 5}.&#13;
85 pp. Macmillan. 1s. 6d. In.&#13;
BERNARD SHAW. As ARTIST-PHILOSOPHER. An Exposi-&#13;
tion of Shavianism. By RENFE M. DEACON. 7 × 4}.&#13;
Being&#13;
By the RIGHT HON.&#13;
(Second and Revised&#13;
106 pp. Fifield, 1s. n.&#13;
EMERSON. Masters of Literature Series. By G. H.&#13;
PERRIs. 73 × 53. 377 pp. Bell. 3s.6d. n.&#13;
MISCELLANEOUS.&#13;
BIOGRAPHY FOR BEGINNERs. Edited by E. CLERIHEW.&#13;
With 40 Diagrams by G. K. CHESTERTON (Cheaper&#13;
Issue). 8 × 64. Werner Laurie, 18. n.&#13;
NATURAL HISTORY.&#13;
BRITISH NESTING BIRDs. By W. PERCIVAL WESTELL.&#13;
7} x 5. 130 pp. Dent. 18. m.&#13;
POETRY.&#13;
THE BALLAD OF JOHN DUNN, AND OTHER POEMS. By&#13;
C. KINRoss. 64 × 5. 56 pp. Elkin, Mathews. 18, n&#13;
POLITICAL.&#13;
WHY? By ELIZABETH ROBINS. 6 x 43. 75 pp. The&#13;
Women Writers’ Suffrage League, 55, Berners Street,&#13;
W&#13;
Irish FACTs For BRITISH PLATFORMS. Edited by&#13;
IAN MALCOLM. Vol. III. 1909. 8% × 53. 444 pp.&#13;
The Union Defence League.&#13;
REPRINTS.&#13;
THE CAXTON SHAKESPEARE. In Twenty Volumes.&#13;
Vols. I. to IV. With General Introduction by SIDNEY&#13;
LEE. 83 × 6. Caxton Publishing Co. 6s. 6d. m. each&#13;
volume.&#13;
w SPORT.&#13;
THE TROUT WATERS OF ENGLAND. By W. M. GALLI-&#13;
CHAN. 7 × 4%. 160 pp. Foulis. 18. n.&#13;
SPALDING's GoLFER'S ANNUAL FOR 1910.&#13;
H. LEACH. 6% x 5.&#13;
Co. 6d. n.&#13;
Edited by&#13;
158 pp. British Sports Publishing&#13;
THEOLOGY,&#13;
REUNION AND ROME. By the REV. PERCY DEARMER.&#13;
With a Prefatory Letter by HIS GRACE THE ARCH-&#13;
BISHOP OF CANTERBURY. 74 × 4%. 92 pp. Mowbray.&#13;
18. m.&#13;
EDUCATIONAL.&#13;
A FIRST SPANISH Book. By H. J. CHAYTOR. 214 pp.&#13;
New York : Longmans, Green &amp; Co. 80 cents.&#13;
A SHORT BIOGRAPHICAL DICTIONARY OF ENGLISH&#13;
LITERATURE. By J. W. COUSIN. 454 pp. Every-&#13;
man's Library. Edited by ERNEST RHYs. New York :&#13;
Dutton. Cloth, 35 cents. n. ; leather, 70 cents, n.&#13;
FICTION.&#13;
TALES OF BENGAL. By S. B. BANERJEA. 187 pp. New&#13;
York : Longmans, Green &amp; Co. $1 n.&#13;
THE FATAL RUBY. By CHARLES GARVICE.&#13;
New York : Geo. H. Doran &amp; Co. $1.50.&#13;
THE FIRST ROUND. By ST. JoBN LUCAS.&#13;
York : Dutton. $1.25. - -&#13;
FRANKLIN WINSLOW KANE. By ANNE DOUGLAS SEDG-&#13;
w1CK (MRS. BASIL DE SãLINCOURT). 369 pp. New&#13;
York Century Co. $1.50.&#13;
LADY MERTON, COLONIST. By MRS. HUMPHRY WARD.&#13;
351 pp. New York: Doubleday, Page. $1.50.&#13;
THE EDUCATION OF UNCLE PAUL. By ALGERNoN&#13;
BLACKWOOD. 340 pp. New York : Henry Holt. $1.50.&#13;
313 pp.&#13;
476 pp. New&#13;
LITERARY.&#13;
NEITHER DORKING NOR THE ABBEY. By J. M. BARRIE.&#13;
Chicago : Browne's Bookstore. 50 cents.&#13;
REST AND UNREST. By EDWARD THOMAS.&#13;
New York : Dutton. $1 m.&#13;
THE BRIDLING OF PEGASUS. Prose Papers on Poetry.&#13;
By ALFRED AUSTIN. 252 pp. New York : Macmillam.&#13;
$2.40 m.&#13;
192 pp.&#13;
SCIENCE.&#13;
SCIENTIFIC PAPERS, Vol. III. Figures of Equilibrium of&#13;
Rotating Liquid and Geophysical Investigations. 527 pp.&#13;
New York : Putnam. $4.50.&#13;
&#13;
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## p. (#645) ################################################&#13;
&#13;
THE AUTHOR,&#13;
239&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
HE annual dinner of the Royal Literary Fund&#13;
was held at the Hotel Metropole early last&#13;
month.&#13;
Mr. Anthony Hope Hawkins, who presided,&#13;
reminded the company that, although the Fund had&#13;
a substantial permanent income, it was necessary&#13;
to double that income if they were to carry on the&#13;
work before them. The chances of a large income&#13;
in the literary profession were very small, compared&#13;
with other professions of corresponding rank, and&#13;
whoever deliberately decided to devote his life to&#13;
authorship was bound to give the prospect of&#13;
pecuniary gain a very secondary place in his&#13;
scheme of life. The committee of the Fund had to&#13;
decide whether applicants indisputably in need of&#13;
assistance were, from their positions as authors,&#13;
entitled to it. The toast of “Literature” was pro-&#13;
posed by Sir George Reid and responded to by Mr.&#13;
Henry Newbolt. &amp;&#13;
Preparations are now being made to celebrate the&#13;
centenary of the birth of Thackeray, which will fall&#13;
on July 18, 1911. The Titmarsh Club has appointed&#13;
a committee to consider the form of the celebrations.&#13;
A public dinner will be held on the anniversary&#13;
of the birthday, and it is hoped that many eminent&#13;
literary men will be present. In addition an&#13;
exhibition will be arranged, in a central gallery,&#13;
of pictures, portraits, manuscripts and personal&#13;
belongings of the novelist. Mr. Lewis Melville&#13;
and Mr. Walter Jerrold are acting as hon. secre-&#13;
tary and hon. treasurer respectively.&#13;
“Essays Elizabethan and Modern '' is the title&#13;
of Professor Dowden's latest book, among the&#13;
contents of which are “Cowper and William&#13;
Hayley,” “Heinrich Heine,” “Some Old Shake-&#13;
speareans” and “The English Masque.” It will&#13;
be issued almost immediately by Messrs. J. M.&#13;
Dent &amp; Sons, Ltd.&#13;
The title of Mr. Hubert Wales’ new book is&#13;
“The Wife of Colonel Hughes.” Mr. John Long&#13;
is the publisher.&#13;
Mr. Arnold Bennett has nearly finished a long&#13;
novel, “Clayhanger,” which Messrs. Methuen &amp;&#13;
Co. are to publish in the autumn. “Clayhanger” is&#13;
the first of a trilogy of novels dealing with the Five&#13;
Towns. Mr. Bennett is also engaged upon a series of&#13;
impressions of London and Paris, which will appear&#13;
serially in the English Review in the autumn.&#13;
Mr. Arthur Dillon is engaged upon a drama in&#13;
verse in the vein of romance, but it is uncertain&#13;
when it will be ready for publication or production.&#13;
Mr. Dillon has now published, besides two&#13;
volumes of verse and his last play in the Greek&#13;
model, six plays, being three comedies and three&#13;
tragedies, written on the Elizabethan model, suit-&#13;
able to be played on the advanced platform stage,&#13;
before curtain, after the sixteenth century manner.&#13;
Mr. John Ouseley is publishing next month a&#13;
new novel, “The Adventures of a Runaway Bride,”&#13;
by Isabel Smith, author of “The Minister's Guest ''&#13;
and “The Jewel House.”&#13;
Dr. Bernard Hollander is publishing this month&#13;
through Sir Isaac Pitman &amp; Sons, Ltd., an&#13;
entirely new work written on popular lines, entitled&#13;
“Hypnotism and Suggestion in Daily Life, Educa-&#13;
tion, and Medical Practice.” The subject has&#13;
been frequently written about in America and on&#13;
the Continent, but in England the science of&#13;
hypnotism has been largely neglected, and it is a&#13;
great many years since any qualified practitioner&#13;
has given us the results of his original researches.&#13;
Mr. Arthur Beckett, whose “Spirit of the&#13;
Downs,” published last year, is now in a second&#13;
edition, is engaged in writing an “open-air " book&#13;
for Messrs. Mills &amp; Boon. The new volume will&#13;
be illustrated with twenty coloured drawings by&#13;
Mr. Ernest Marillier, the Sussex painter.&#13;
The May issue of the Grand Magazine contains&#13;
a poem entitled “A Queen's Fan,” by Miss Kitty&#13;
Everest, who has also had her first song, “Little&#13;
Blue Brother,” set to music and published by&#13;
Messrs. Stanley Webb, 235, High Holborn, W.C.&#13;
A short complete tale by Miss Everest, entitled&#13;
“A Royal Crown,” has been accepted for early&#13;
publication in the Woman at Home.&#13;
Among other articles in the May number of&#13;
Travel and Eayloration, mention may be made of&#13;
Mr. Wirt Gerrare’s article which contains hints for&#13;
Siberian and Chinese travel. In the same magazine&#13;
Mr. Douglas Sladen describes the romantic cities&#13;
of Provence. He is very severe on the tendency of&#13;
English travellers bound for the Riviera or Egypt&#13;
to “scamp” the interesting cities of the Rhône.&#13;
“The Lost Halo’’ is the title of Mr. Percy&#13;
White's new novel, which Messrs. Methuen will&#13;
publish. It is a comedy of character rather than&#13;
of adventure, but will be found full of movement&#13;
and of pictures of contemporary life.&#13;
Mr. Eveleigh Nash has now published Mr. Cullen&#13;
Gouldsbury's new novel, “The Tree of Bitter Fruit.”&#13;
The book deals in the main with the vicissitudes which&#13;
befell a Central African native who returned to primi-&#13;
tive surroundings after his education in Europe had&#13;
been half completed. The scene is laid, for the most&#13;
part, upon the Tanganyika Plateau, where the author&#13;
has for some time been collecting material.&#13;
“Vera of the Strong Heart,” by Marion Mole,&#13;
is announced for publication early this month by&#13;
Mr. Andrew Melrose. Messrs. Putnams’ Sons are&#13;
publishing the book (which was awarded the&#13;
second place in Mr. Melrose's recent Novel&#13;
Competition) in America.&#13;
&#13;
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## p. (#646) ################################################&#13;
&#13;
240&#13;
THE AUTHOR.&#13;
A long serial fairy story, entitled “The Adven-&#13;
tures of Shoon and Robe,” from the pen of Miss&#13;
M. E. F. Hyland, is running in the Derbyshire&#13;
Courter, a paper for which the same writer conducts&#13;
Weekly a children's column, as well as a “House-&#13;
wifery" column. Miss Hyland is also article&#13;
Writer to The Table, the organ of Marshall's School&#13;
of Cookery. Home Notes have in hand two sets of&#13;
articles by this writer, which may appear shortly :&#13;
while The Schoolmistress, the educational organ for&#13;
Women teachers, will publish shortly a series of&#13;
articles on “Games for Girls,” which Miss Hyland&#13;
has written.&#13;
Messrs. Madgwick, Houlston &amp; Co., have pub-&#13;
lished Mrs. de Courcy Laffan's story of “The&#13;
Brotherhood of Hero Dogs,” in which she gives a&#13;
very sympathetic account of twelve living and three&#13;
dead dogs, whose heroic deeds deserve to be&#13;
recorded. The book is sold for the benefit of the&#13;
Animals' Hospital, High Street, Eccleston Square,&#13;
at the price of 1s. net.&#13;
“Helena's Path,” a comedy in three acts, by&#13;
Anthony Hope and Cosmo Gordon-Lennox, having&#13;
for its theme a dispute as to a right of way, was&#13;
produced at the Repertory Theatre on May 3. In&#13;
the cast were Miss Irene Vanbrugh, Mr. Charles&#13;
Bryant, and Miss Mary Barton.&#13;
Mr. G. G. Coulton has published through Messrs.&#13;
Constable &amp; Co. a work entitled “A Medieval&#13;
Gainer,” which comprises human documents from&#13;
the four centuries preceding the Reformation,&#13;
which he has selected and translated with intro-&#13;
ductions, notes, and glossary. Mr. Coulton has&#13;
aimed at compiling a catena of such documents,&#13;
each more or less complete in itself, but mostly too&#13;
long for full quotation by historians. The records&#13;
have been chosen as specially characteristic of the&#13;
period, and treat of clergy and laity, spiritual&#13;
experiences, loves, battles, pageants, and occasionally&#13;
the small things of everyday life.&#13;
Mr. A. C. Fifield has published, under the title&#13;
of “Bernard Shaw as Artist-Philosopher,” an&#13;
exposition of Shawianism by Renée M. Deacon.&#13;
Miss Deacon considers Mr. Shaw's work in&#13;
seven different aspects, among which are included&#13;
his dramatic theory, his revolt against romance, his&#13;
dramatic consciousness and his philosophy of life.&#13;
Miss Wentworth Oliver's new book, “Defiance,”&#13;
has just been published by the Camden Publishing&#13;
Co., 323, Upper Street, Islington.&#13;
“The Silent Isle '' is the title of Mr. A. C.&#13;
Benson's forthcoming new book.&#13;
The Oxford University Press have re-issued the&#13;
poems of Lord Tennyson, which were first included&#13;
in the “World's Classics” in April, 1901, and&#13;
reprinted in 1902, 1903, 1905, and 1906.&#13;
The present re-issue has an Introduction by Mr.&#13;
T. Herbert Warren.&#13;
PARIS NOTES.&#13;
—º-º-º-&#13;
N returning to Paris from London on Friday,&#13;
() April 20, the flags of all nations draped&#13;
with crêpe were to be seen on the public.&#13;
buildings and at very many windows here.&#13;
The French Press has been most sympathetic.&#13;
Everyone looked upon King Edward as a true friend&#13;
to this country. All classes have expressed their&#13;
sincere grief and sympathy. The following is the&#13;
translation of a letter I received from a French&#13;
working man, who is at the head of a group of&#13;
workers for the public welfare :—&#13;
“Just a few lines to tell you how deeply the&#13;
French workman sympathises with the English&#13;
nation in its grief. I know that the newspapers&#13;
here have expressed the sympathy of the public, that&#13;
our statesmen and politicians have done the same.&#13;
What has not been mentioned, though, is the real&#13;
sorrow of the French workman on learning of the&#13;
sad event which he considers grievous and heart-&#13;
rending for all humanity, and particularly so for&#13;
himself, whom your worthy King liked so much.&#13;
Rinowing the Parisian working class as I know it,&#13;
I can assure you that, if a Parisian manifestation&#13;
were organised, it would certainly equal in grandeux&#13;
and sincere sorrow those which accompanied the&#13;
funerals of our Victor Hugo and Carnot. . .&#13;
—Respectfully, F. BOULET.”&#13;
In an article in the Figaro of May 20, Pierre&#13;
Loti gives an account of his visit to Buckingham&#13;
Palace in 1909, and his impressions of Queen&#13;
Alexandra and of the late King.&#13;
At the same hour as the funeral procession of&#13;
Ring Edward set out in London, another funeral&#13;
was taking place in Paris—that of Madame Pauline&#13;
Wiardot, daughter of the celebrated Garcia, and&#13;
sister of Malibran. Madame Wiardot was born in&#13;
1821; her first great triumph was in the rôle of&#13;
Desdemona at the King's Theatre, London. After&#13;
that her name was soon on all lips, and she sang in&#13;
France, Spain, Russia, Italy and Germany. Her&#13;
name will for ever be associated with Orpheus and&#13;
with the Leonora of Beethoven's Fidelio. Among&#13;
her friends she reckoned Alfred de Musset and&#13;
Chopin, and her salon was frequented by George&#13;
Sand, Tourgénieff, Flaubert, Renan, Liszt, and alb&#13;
the celebrities of her day. She was a remarkable&#13;
pianist, an unequalled vocalist, a musical composer&#13;
of great merit, and a most accomplished linguist,&#13;
speaking seven or eight languages with absolute&#13;
ease and fluency. She leaves a very large circle of&#13;
friends and admirers, and with the closing of her&#13;
salon another landmark of artistic and literary&#13;
Paris has passed away.&#13;
The fourth volume of the “Chronique de la&#13;
Duchesse de Dino " takes us on from 1331 to 1862.&#13;
&#13;
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## p. (#647) ################################################&#13;
&#13;
THE AUTHOR.&#13;
241&#13;
The rôle of the Duchesse d’Orléans and the attitude&#13;
of the Comte de Chambord are clearly indicated.&#13;
Talleyrand's niece also gives us an excellent idea of&#13;
the character of the Emperor.&#13;
“Tous Héros” is the title of André Lichten-&#13;
berger's latest book, a volume of short stories, all&#13;
of which are founded on military episodes. As the&#13;
title infers, the chief characters are all heroes. The&#13;
first story gives its name to the volume, but the&#13;
title would be equally suitable to the other stories.&#13;
They are all extremely patriotic, written with the&#13;
same ease and delicacy as the psychological studies&#13;
of children by which André Lichtenberger has made&#13;
his name in France. Three of this author's books&#13;
have been specially noticed by the French Academy,&#13;
and for “Mon petit Trott,” “La Petite Soeur de&#13;
Trott,” and “La Mort de Corinthe ” the Prix&#13;
Montyon has been awarded.&#13;
“Les Dames du Palais,” by Colette Yver, is&#13;
another novel by this authoress showing the danger&#13;
to which a wife is exposed when she becomes the&#13;
rival of her husband. In “Princesses de Science,”&#13;
we saw a woman doctor whose husband was jealous&#13;
of his wife's celebrity in his own profession. In&#13;
the present volume we see the woman barrister who&#13;
renounces her professional glory in order to retain&#13;
her husband's love.&#13;
“La Faiblesse humaine” is the title of M. Paul&#13;
Margueritte's latest novel.&#13;
M. Jules Huret is bringing out his book, entitled&#13;
“L’Amérique moderne,” in an illustrated edition&#13;
and in fortnightly parts. M. Huret is always so&#13;
conscientious in his work that every book from his&#13;
pen is read with eager interest. His volumes on&#13;
Germany are the most complete works of this kind&#13;
which have appeared here.&#13;
“Les Anciennes Démocraties des Pays-Bas '' is a&#13;
curious book by M. Henri Pirenne. The Pays-Bas&#13;
is taken in its former meaning, and includes the&#13;
départements of the Nord and of the Pas-de-Calais,&#13;
as well as the kingdoms of Belgium and Holland.&#13;
In these days of travel by land and Sea, all books&#13;
introducing us to fresh places are very welcome.&#13;
“Trois Mois en Portugal,” by G. Le Roy Liberge,&#13;
is a volume taking us to various Portuguese places&#13;
of interest. The writer has strayed away at times&#13;
from the route in order to study more closely the&#13;
manners and customs of the people. The book is&#13;
illustrated, so that the reader has a very fair idea&#13;
of the places visited. -&#13;
Among translations are the following: “L'ombre&#13;
mystérieuse,” by Fergus_Hume, translated by&#13;
M. René Lecuyer ; “La Tragédie de Macbeth,”&#13;
by M. Maurice Maeterlinck,&#13;
Señora Piedad de Bobadilla, wife of the cele-&#13;
brated Spanish writer, Fray Candil, has just&#13;
commenced in Paris a series of lectures, illus-&#13;
trated by dissolving views, on the great Spanish&#13;
painters of the seventeenth century, commencing&#13;
with El Greco, Velasquez and Murillo. Madame&#13;
de Bobadilla's idea is to give these lectures in the&#13;
Various capitals of the world, and, as she is an&#13;
excellent linguist, she speaks equally well in&#13;
French, Spanish, and English. The King and&#13;
Queen of Spain received Madame de Bobadilla&#13;
during her recent visit to Madrid and have&#13;
requested the Marquis del Muni, Spanish Ambas-&#13;
sador in Paris, to do his utmost to facilitate the&#13;
task which the intrepid lecturer has set herself.&#13;
She will go to Brussels, London, probably to Italy,&#13;
and then on a tour through the United States and&#13;
South America.&#13;
At the close of her lecture on Velasquez in Paris,&#13;
Mlle. Madeleine Roch, of the Comédie française,&#13;
recited Emilio de Bobadilla's exquisite poem on&#13;
Velasquez.&#13;
In recent numbers of La Revue hebdomadaire&#13;
are the following articles: “Force et faiblesse de&#13;
la Jeune Turquie,” by René Moulin ; “La Comète&#13;
de Halley,” by M. L. Pervinguière ; “Le Berceau&#13;
du Parlement d’Angleterre,” by Germain Lefèvre-&#13;
Pontalis. In the Débats M. Jacques Bardoux has&#13;
published an excellent article on the rôle of&#13;
Edward VII. with regard to home policy, and in&#13;
the Figaro M. Raymond Recouley has written&#13;
several articles on England and the late King.&#13;
In Le Temps M. André Tardieu has also written on&#13;
King Edward’s policy.&#13;
ALYS HALLARD.&#13;
“Chronique de la Duchesse de Dino' (Plon-Nourrit).&#13;
“Tous Héros” (Librairie des Annales).&#13;
“Les Dames du Palais ? (Calmann Lévy).&#13;
“Les Anciennes Démocraties des Pays-Bas” (Flam-&#13;
marion).&#13;
“Trois Mois en Portugal” (Bernard Grasset).&#13;
—e—Q-0–&#13;
UNITED STATES COPYRIGHT.&#13;
—º-º-º-&#13;
E have received the proclamation printed&#13;
below from the Copyright Office at&#13;
Washington, U.S.A.&#13;
“Whereas it is provided by the Act of Congress&#13;
of March 4, 1909, entitled “An Act to amend and&#13;
consolidate the Acts respecting copyright,’ that&#13;
the benefits of said Act, excepting the benefits&#13;
under section 1 (e) thereof, as to which special&#13;
conditions are imposed, shall extend to the work&#13;
of an author or proprietor who is a citizen or subject&#13;
of a foreign State or nation, only upon certain&#13;
conditions set forth in section 8 of said Act, to&#13;
Wit:&#13;
“(a) When an alien author or proprietor shall&#13;
&#13;
&#13;
## p. (#648) ################################################&#13;
&#13;
242&#13;
TISIES A UTFIOR.&#13;
be domiciled within the United States at the time&#13;
of the first publication of his work; or&#13;
“(b) When the foreign State or nation of which&#13;
such author or proprietor is a citizen or subject&#13;
grants, either by treaty, convention, agreement, or&#13;
law, to citizens of the United States the benefit of&#13;
copyright on substantially the same basis as to its&#13;
own citizens, or copyright protection substantially&#13;
equal to the protection secured to such foreign&#13;
author under this Act or by treaty ; or when such&#13;
foreign State or nation is a party to an international&#13;
agreement which provides for reciprocity in the&#13;
granting of copyright, by the terms of which&#13;
agreement the United States may, at its pleasure,&#13;
become a party thereto :&#13;
“And whereas it is also provided by said section&#13;
that ‘The existence of the reciprocal conditions&#13;
aforesaid shall be determined by the President of&#13;
the United States, by proclamation made from time&#13;
to time as the purposes of this Act may require ':&#13;
“And whereas satisfactory evidence has been&#13;
received that in Austria, Belgium, Chile, Costa&#13;
Rica, Cuba, Denmark, France, Germany, Great&#13;
Britain and her possessions, Italy, Mexico, the&#13;
Netherlands and possessions, Norway, Portugal,&#13;
Spain, and Switzerland the law permits and since&#13;
July 1, 1909, has permitted to citizens of the&#13;
United States the benefit of copyright on sub-&#13;
stantially the same basis as to citizens of those&#13;
countries :&#13;
“Now, therefore, I, WILLIAM HowARD TAFT,&#13;
President of the United States of America, do&#13;
declare and proclaim that one of the alternative&#13;
conditions specified in section 8, of the Act of&#13;
March 4, 1909, is now fulfilled, and since July 1,&#13;
1909, has continuously been fulfilled, in respect to&#13;
the citizens or subjects of Austria, Belgium, Chile,&#13;
Costa Rica, Cuba, Denmark, France, Germany,&#13;
Great Britain and her possessions, Italy, Mexico,&#13;
the Netherlands and possessions, Norway, Portugal,&#13;
Spain, and Switzerland, and that the citizens or&#13;
subjects of the aforementioned countries are and&#13;
since July 1, 1909, have been entitled to all of the&#13;
benefits of the said Act other than the benefits under&#13;
section 1 (e) thereof, as to which the inquiry is&#13;
still pending.&#13;
“IN TESTIMONY WHEREOF, I have hereunto Set&#13;
my hand and caused the seal of the United States&#13;
to be affixed.&#13;
“Done at the city of Washington this ninth day&#13;
of April, in the year of our Lord one thousand&#13;
nine hundred and ten, and of the Independence of&#13;
the United States of America the one hundred and&#13;
thirty-fourth.&#13;
“WM. H. TAFT.&#13;
“By the President :&#13;
“P. C. KNOX,&#13;
“Secretary of State.”&#13;
DRAMATISTS AND THE WORKING MEN'S&#13;
CLUB AND INSTITUTE UNION.&#13;
—º-º-º-&#13;
O all those dramatists who are members of&#13;
the society, the question of the performance&#13;
of their plays is a matter of vital importance.&#13;
At any moment they may be asked to grant a&#13;
licence to perform to the Working Men's Club and&#13;
Institute Union. As a general rule, when the&#13;
suggestion is put before them, they are asked&#13;
to take a nominal fee only as the clubs are&#13;
unable to pay high fees.&#13;
Two points then arise for consideration. First,&#13;
is the plea of poverty a fair one 2 Secondly, is the&#13;
granting of such a licence likely to interfere with&#13;
the legitimate returns from their property 2&#13;
In order to enable the dramatists to come to some&#13;
reasonable conclusion, and satisfy themselves on&#13;
these issues, it is necessary that they should have&#13;
fuller information. With this object in view a&#13;
few facts are set out in this article.&#13;
The Dramatic Sub-committee of the Society has&#13;
also given these facts its serious consideration.&#13;
This Working Men's Club and Institute Union is&#13;
a union of over 1,100 associations spread all over&#13;
the country, with a membership of over 400,000.&#13;
The subscription, we are informed, is 2s. 6d. a&#13;
quarter.&#13;
The Union issues to its members tickets which&#13;
give the holder power to pass into any of the other&#13;
clubs of the Union in any part of the country, and&#13;
each member has power to introduce two women,&#13;
two children, and one man—strangers—into the&#13;
club.&#13;
It will be seen that this is a vast organisation&#13;
and includes an enormous number of people. In&#13;
addition, when attending any performances, the&#13;
member has to buy programmes at the rate of&#13;
2d. each. This entitles the holder to a reserved&#13;
Seat.&#13;
These clubs are immensely popular. It is not&#13;
surprising that they should be so, for they are&#13;
open at all hours and all through Sunday, the&#13;
performances in some cases beginning in the morn-&#13;
ing and continuing throughout the day. Drink&#13;
can be served at any time, and children can be&#13;
taken in when the law forbids that they should&#13;
enter a public-house.&#13;
First, then, let us consider the plea of poverty.&#13;
Could such clubs afford a sum to the authors which&#13;
would bring them into a fair and reasonable&#13;
competition with the suburban and provincial&#13;
theatres 2 In dealing with this point it must be&#13;
remembered that the proprietors of these halls&#13;
have no expensive outlay in order to meet County&#13;
Council regulations. The halls are very often&#13;
built without Solidity, with plain deal stages, the&#13;
&#13;
&#13;
## p. (#649) ################################################&#13;
&#13;
TISIE AUTISIOR.&#13;
243&#13;
scenery is generally of a most inflammable char-&#13;
acter, the exits are few and in many cases mere&#13;
death-traps, and lastly there is no fireproof&#13;
curtain.&#13;
The amount of capital sunk by the proprietor is&#13;
infinitely small compared with that of the provincial&#13;
or suburban theatre manager. Attention should&#13;
be called to another point—the companies that&#13;
perform are not highly paid. Their salaries are&#13;
miserable; in some cases, even, the players are paid&#13;
nothing at all and the scenery is of the poorest&#13;
kind.&#13;
Here again the manager's outlay is reduced to a&#13;
minimum. If anything, therefore, he ought to pay&#13;
greater rather than a smaller fee to the author.&#13;
But still the argument of poverty is a strong one,&#13;
and it may be said that the halls are poor and&#13;
badly secured simply because of the poverty of the&#13;
contributors.&#13;
Let us look to the other side of the question.&#13;
In one statement before us the weekly drink bill&#13;
varies from £90 in the slack season to £150 in&#13;
the good season.&#13;
average this makes the yearly drink bill #6,000.&#13;
In the recent raid by the police on the Willesden&#13;
Radical Club some important facts were forth-&#13;
coming. £10 a day, it was stated in evidence, was&#13;
taken in beer, and the drink bill for the past&#13;
quarter was £936.&#13;
To add to the irony of the situation, when the&#13;
club was raided Sir Arthur Pinero's well-known&#13;
play, “His House in Order,” was being performed&#13;
to an audience of 300 members.&#13;
The profits to the proprietor on this enormous&#13;
sale of drinks must be very high, and considering&#13;
how inconsiderable are his other expenses he ought&#13;
to be able to pay above rather than below the fees&#13;
paid by suburban and provincial managers.&#13;
The next point to arise is, whether these perform-&#13;
ances are likely to interfere with legitimate&#13;
business. Nearly all suburban and provincial&#13;
theatres have 6d. galleries but are not allowed to&#13;
sell drink. It is more than probable that the 2d.&#13;
programme and the £10 per week drinks would&#13;
considerably more than cover the 6d. gallery.&#13;
Again, if a piece has been played at these clubs&#13;
by a good, bad, or indifferent company it is not&#13;
likely that the members will go to the local theatres&#13;
immediately after to see the same piece.&#13;
It is not the artistic side, nor the literary side, nor&#13;
the comparison of the actors' methods and styles&#13;
which is likely to appeal to this audience.&#13;
Like the readers of 6d. shockers, they like the&#13;
story, and when once they have a knowledge of the&#13;
plot their interest will cease and the local theatres&#13;
will suffer.&#13;
It must not be thought, however, that it is the&#13;
play merely of the unknown author that is per-&#13;
If £120 a week is taken as an&#13;
formed, or the aged melodrama. The very latest&#13;
plays by the best known dramatists are represented.&#13;
To show also the extent to which the matter is&#13;
carried, it will be sufficient to state that, in the&#13;
slack Season of July, last year, when the suburban&#13;
and provincial theatres were gasping for breath to&#13;
live, twenty-one companies were acting round the&#13;
halls of the Working Men's Club and Institute&#13;
Union. It seems, therefore, to be clear, taking these&#13;
facts into consideration, that the dramatist is&#13;
underpaid and that these performances come into&#13;
serious competition with his legitimate returns.&#13;
There is one step, then, that should be taken.&#13;
The dramatic author should raise his fee so that the&#13;
competition may be on a fair basis, and should be&#13;
careful, as a corollary, that the contracts for the&#13;
ºnd the legitimate provincial business do not&#13;
C18. SI],&#13;
[The editor thanks the editor of the Era and others for&#13;
kindly supplying some of the data set out in this article.]&#13;
–OP-e—4C—-&#13;
MAGAZINE CONTENTS.&#13;
—º-º-º-&#13;
BLACKWOOD'S,&#13;
The Names and Source of Chaucer's “Squieres Tale.”&#13;
BOOK MONTHLY.&#13;
The Modern Novel. By Violet Hunt; W. H. Chesson ;&#13;
H. G. Wells; Marriott Watson ; W. L. Courtney : James&#13;
Douglas; W. J. Locke ; Winston Churchill (of America);&#13;
C. E. Lawrence; Hubert Bland ; Miss M. P. Willcocks.&#13;
BOOKMAN.&#13;
“The Bookman º' Portrait Gallery : Mrs. Alfred Sidgwick,&#13;
Sterne. By Prof. Saintsbury.&#13;
G. K. Chesterton. By Henry Murray.&#13;
CONTEMPORARY,&#13;
Melchior de Vogüé. By Edmund Gosse.&#13;
Modern Russian Literature.&#13;
ENGLISH REVIEW.&#13;
The Earlier Plays of Beaumont and Fletcher. By&#13;
Algernon Charles Swinburne. e&#13;
The Women of Shakespeare. By Frank Harris.&#13;
Jean Moréas. By Lalla Vandervelde.&#13;
FORTNIGHTLY.&#13;
The King Without Peer. By William Watson.&#13;
Jules Clarétie. By Frederick Lawton.&#13;
The American Cheap Magazine. By William Archer,&#13;
NATIONAL.&#13;
* Expert” and Performer. By Sir Wm. Richmond,&#13;
K.C.B.&#13;
NINETEENTH CENTURY.&#13;
Shakespeare in Warwickshire. By Rose Kingsley.&#13;
From Art to Social Reform : Ruskin’s “Nature of&#13;
Gothic.” By Wm. Scott Durrant.&#13;
&#13;
&#13;
## p. (#650) ################################################&#13;
&#13;
244&#13;
TISIE AUTISIOR.&#13;
HOW TO USE THE SOCIETY.&#13;
—º-º-º-&#13;
1. VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society’s work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
This&#13;
The&#13;
7. Many agents neglect to stamp agreements.&#13;
must be done within fourteen days of first execution.&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
—e—º-e—&#13;
WARNINGS TO THE PRODUCERS&#13;
. . . OF BOOKS.&#13;
—e—º-e—&#13;
ERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property — - *..."&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,”&#13;
unless the same allowance is made to the author. -&#13;
º Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights. -&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor | -&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author. -&#13;
IV. A Commission Agreement.&#13;
The main points are :— -&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General. -&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :—&#13;
(1.) That both sides shall know what an agreement&#13;
DO €2, D.S.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
—o—º-e—&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
—º-º-º-&#13;
EWER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:—&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
&#13;
&#13;
## p. (#651) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
245&#13;
(b.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (b.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed-&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
—e—º-e—&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
—º-º-º-&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
S forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 2s. 6d. per act.&#13;
DRAMATIC AUTHORS AND AGENTs.&#13;
—e—º-e—&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
Countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
—e—º-e—&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with—performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
—e—º-e—&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
—e—º-e—&#13;
THE READING BRANCH,&#13;
—e—º-e—&#13;
EMBERS will greatly assist the Society in this&#13;
M branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic Works, and when it is possible, under&#13;
Special arrangement, technical and scientific works.&#13;
Readers are writers of competence and experience.&#13;
&amp; e The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
—t—º-t—&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
The&#13;
&#13;
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## p. (#652) ################################################&#13;
&#13;
246&#13;
TISIE AUTHOR.&#13;
GENERAL NOTES.&#13;
—º-º-º-&#13;
HIS MAJESTY KING EDWARD VII.&#13;
WE record, with great sorrow, the death of His&#13;
Majesty King Edward the Seventh. Though some&#13;
time after the event, this is the first opportunity&#13;
we have had of expressing our sympathy with the&#13;
Royal Family.&#13;
We are glad to remember that one of the first&#13;
Members of the Order of Merit founded by His&#13;
Majesty was our late President, Mr. George&#13;
Meredith, and that, among others, The Right&#13;
Hon. James Bryce, P.C., a member of the&#13;
society’s council, was also appointed to that&#13;
distinguished Order.&#13;
a---&#13;
IN MEMORIAM.&#13;
(Friday, May 20, 1910.)&#13;
—º-º-º-&#13;
(Printed with the permission of the Author, and the&#13;
Editor of the Times.)&#13;
He that was King an hour ago&#13;
Is King no more ; and we that bend&#13;
Beside the bier too surely know&#13;
We lose a Friend.&#13;
His was no “blood-and-iron " blend&#13;
To write in tears a ruthless reign :&#13;
Rather he strove to make an end&#13;
Of strife and pain.&#13;
Rather he strove to heal again&#13;
The half-healed wound, to hide the scar,&#13;
To purge away the lingering stain&#13;
Of racial War.&#13;
Thus, though no trophies deck his car&#13;
Of captured guns or banners torn,&#13;
Men hailed him as they hail a star&#13;
That comes with morn;&#13;
A star of brotherhood, not Scorn,&#13;
A morn of loosing and release,&#13;
A fruitful time of oil and corn,--&#13;
An Age of Peace&#13;
Sleep then, O Dead beloved and sleep&#13;
As one who, when his course is run,&#13;
May yet, in slumber, memory keep&#13;
Of duty done ;-&#13;
Sleep then, our England's King, as one&#13;
Who knows the lofty aim and pure,&#13;
Beyond all din of battles won,&#13;
Must still endure.&#13;
AUSTIN DOBSON.&#13;
THE SOCIETY's DINNER.&#13;
OWING to the death of His Majesty King Edward&#13;
the Seventh, it has been decided to postpone the&#13;
dinner of the Society of Authors, which was to&#13;
have taken place on June 9.&#13;
The dinner will, most probably, be held in the&#13;
autumn, but formal notice will be sent round,&#13;
under the authority of the Committee, when the&#13;
date has been settled.&#13;
*--msmas&#13;
To DRAMATISTS.&#13;
MEMBERS of the society will have received a&#13;
circular respecting a list of dramatic authors&#13;
which it is proposed to keep at the society’s&#13;
office. So far, the number of answers to the&#13;
questions contained in that circular have been&#13;
very satisfactory, and we hope this shows the&#13;
interest that members are taking in the work of&#13;
the Committee. - -&#13;
There are, no doubt, many members, not dramatic&#13;
authors, who have neglected to answer the circular,&#13;
and others, dramatic authors, who have thought&#13;
an answer unnecessary. 760 answers have been&#13;
received ; of these 220 are from dramatic authors&#13;
whose plays have been publicly performed, and 40&#13;
from those who have written plays but have not&#13;
had a public performance. The remainder do not&#13;
claim to rank as dramatic authors.&#13;
It will add to the usefulness of the list in future&#13;
if those who enter the ranks of dramatic authors&#13;
will acquaint the secretary as soon as they produce&#13;
a play or enter into a contract for production.&#13;
Their names can then be enrolled on the Dramatic&#13;
Register, which is being kept at the office for the&#13;
purpose mentioned in the circular, viz., that in case&#13;
any important question should arise affecting&#13;
dramatic authors only, it may be possible to&#13;
summon together that section of the society.&#13;
COPYRIGHT CASES.&#13;
WE have once again to express our appreciation&#13;
of the courtesy of the Publishers’ Associatoin in&#13;
forwarding us the Copyright Cases for 1909, by&#13;
&#13;
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## p. (#653) ################################################&#13;
&#13;
THE AUTHOR.&#13;
247&#13;
E. J. MacGillivray, a book which is published&#13;
by the Association for private circulation to its&#13;
members.&#13;
From the point of view of the man interested in&#13;
Copyright this is one of the most useful productions&#13;
of the year. In his introduction Mr. MacGillivray&#13;
comments on the case of Scholz v. “Amasis,” and&#13;
draws attention to the obiter dicta of the Court in&#13;
regard to dramatic infringement, and makes a few&#13;
critical remarks on the other important cases.&#13;
The cases themselves are carefully and clearly&#13;
summarised, as we should expect from one of the&#13;
best authorities now writing on copyright law.&#13;
IMPERIAL COPYRIGHT.&#13;
THE Imperial Copyright Conference has just&#13;
been sitting, and we have much pleasure in giving&#13;
the list of members, with the countries and offices&#13;
they represent.&#13;
We sincerely hope that the deliberations of this&#13;
conference may bring about a practical issue in the&#13;
matter of copyright legislation :-The Right.&#13;
Honourable Sydney Buxton, M.P., Sir Hubert&#13;
Llewellyn Smith, K.C.B., G. R. Askwith, Esq.,&#13;
C.B., K.C. (Board of Trade); W. Temple-Franks,&#13;
Esq. (Patent Office); F. F. Liddell, Esq. (Office&#13;
of Parliamentary Counsel); H. W. Just, Esq.,&#13;
C.B., C.M.G. (Colonial Office); Algernon Law,&#13;
Esq., C.B. (Foreign Office); Sir Thomas Raleigh,&#13;
K.C.S.I. (Member of the Council of India),&#13;
Artillery Mansions, Victoria Street ; The Honour-&#13;
able Sydney Fisher, Hotel Metropole ; P. E.&#13;
Ritchie, Esq., Hotel Metropole (Canada); The&#13;
Right Honourable Lord Tennyson, Aldworth,&#13;
Haslemere (Australia); The Honourable Sir&#13;
R. Solomon, K.C.B., etc., 72, Victoria Street, S.W.&#13;
(South Africa); The Honourable W. Hall Jones,&#13;
13, Victoria Street, S.W. (New Zealand); The&#13;
Honourable Sir E. Morris, K.C., Strand Palace&#13;
Hotel, W.C. (Newfoundland). Joint secretaries:–&#13;
A. B. Keith, Esq. (Colonial Office), T. W. Phillips.&#13;
Esq. (Board of Trade).&#13;
THE PUBLISHERS, CIRCLE Book TRADE&#13;
DINNER.&#13;
—º-º-º-&#13;
HE second Book Trade Dinner organised by&#13;
the Publishers’ Circle, which took place on&#13;
April 13, Was an even greater success&#13;
than the first one held eighteen months before.&#13;
There were not so many present, but the numbers&#13;
had been purposely kept down, and only the&#13;
principals of publishing houses were invited to&#13;
come. Every firm of repute was represented by&#13;
one or more of its members, except in one or two&#13;
instances, where letters of regret were received from&#13;
publishers who were unavoidably absent. Most of&#13;
the Well-known names among booksellers also&#13;
appeared on the table plan, some of those present&#13;
halling from the Far North. Altogether nearly&#13;
two hundred sat down—a very comfortable number,&#13;
Which gave more elbow-room than was available&#13;
When less rigid limitations prevailed.&#13;
Although the presence of authors was confined&#13;
to those who had received invitations from the&#13;
members of the Publishers' Circle, there was a&#13;
goodly and representative array of literature,&#13;
amongst which one noticed : Anthony Hope,&#13;
W. W. Jacobs, A. E. W. Mason, Dion Clayton&#13;
Calthrop, Douglas Sladen, Max Pemberton, Alfred&#13;
Noyes, and Prince Antomi Biberco.&#13;
The guests of the committee were few in number,&#13;
among them being our own chairman, Mr. Maurice&#13;
Hewlett, representing the society; Dr. F. G.&#13;
Kenyon, of the British Museum ; and Mr. K. J.&#13;
Bohlin, who came all the way from Stockholm to&#13;
represent the publishers of the Continent.&#13;
Mr. George Wyndham, the guest of the evening,&#13;
gave the toast of “Literature * in an eloquent&#13;
speech, and Mr. Anthony Hope Hawkins, our&#13;
ex-chairman, responded. Then came Mr. Arthur&#13;
Waugh—publisher and man of letters—the chair-&#13;
man of the Circle, who, in a vigorous speech, pro-&#13;
posed the health of the “Book Trade,” coupling&#13;
with the toast the names of a publisher and a book-&#13;
seller. To this Mr. John Murray and Mr. D. J.&#13;
Knox, of Glasgow, responded, All the speeches&#13;
were of more than usual interest. That by Mr.&#13;
Knox met with special favour, especially from the&#13;
bookselling section of his audience.&#13;
After dinner the company adjourned to another&#13;
room for further refreshment and conversation.&#13;
The latter was kept up till nearly midnight—a&#13;
fact more eloquent of the success of the evening&#13;
than anything we can say. It was quite evident&#13;
everyone thoroughly enjoyed himself and appre-&#13;
ciated the efforts of the Publishers' Circle to&#13;
provide an evening's pleasure to a distinguished&#13;
gathering of congenial spirits. For our own&#13;
part, We feel certain that these occasions, when&#13;
creator, producer, and distributor meet together&#13;
in friendly and convivial concert, are all for the&#13;
good, and we trust the Circle will continue to&#13;
Organise, if not every year, at least once in two.&#13;
years, a social function of this kind.&#13;
In fact, already there are signs of activity in&#13;
this direction, and before this number is issued&#13;
authors and publishers will have once more met,&#13;
but this time in friendly rivalry at Lord's, where it&#13;
is hoped the spectators (notwithstanding Derby&#13;
&#13;
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## p. (#654) ################################################&#13;
&#13;
248&#13;
THE AUTISIOR.&#13;
Day) will outnumber the players, and include lady&#13;
authors and the wives and daughters of their&#13;
publishers.&#13;
—e—º-e—&#13;
THE EDITORIAL ATTITUDE.&#13;
BY ANOTHER EDITOR.&#13;
N the May number of this magazine an editor&#13;
I gave away his profession by writing without&#13;
thought and judgment on the present subject.&#13;
His “editorial experience of eighteen years” has&#13;
not taught him to think clearly. “Last week,” he&#13;
ventures to confess, “I rejected an excellent story&#13;
dealing with a high-born chauffeur who won the&#13;
heart of his parvenu employer's daughter. The&#13;
theme is not particularly novel—if only themes for&#13;
novels were novel themes, how happy the lot of the&#13;
poor editor —but the story was a good one. I&#13;
refused it because only the preceding week I had&#13;
accepted a story, not quite so well written, on the&#13;
same lines. The MS. went back with the usual&#13;
printed form ; I gave no reasons for rejection.&#13;
Why should I ?”&#13;
It is like a tale told by a schoolboy. Here is an&#13;
editor who refuses “an excellent story” on a theme&#13;
“not particularly novel”; but why did he, in the&#13;
preceding week, accept an inferior story on a theme&#13;
not particularly novel ? Did he suppose that his&#13;
reading public would not like two versions of the&#13;
same subject-matter 2 If so, can he explain why&#13;
the British people are loyal to old ideas in&#13;
popular amusements 2 The public, unlike that&#13;
hurried editor, can appreciate many yarns on the&#13;
same subject-matter, just as it can like and trust&#13;
many politicians in the same party. But there is,&#13;
unfortunately, among all magazine editors, an&#13;
inability to distinguish between “novel subject-&#13;
matter” and “novel subjects.”&#13;
Goethe said that the first—new subject-matter&#13;
—did not exist; and when he passed from plate&#13;
to plate in an illustrated Shakespeare, he added&#13;
that this one poet had discovered and made real all&#13;
that was most dramatic in human character and&#13;
action. A chauffeur, considered as man, is in no&#13;
way more interesting or more useful in a story than&#13;
a postboy of ancient Rome would be ; and a motor&#13;
car, considered as a detail in subject-matter, is not&#13;
a whit more attractive than one of those British&#13;
war-chariots that astonished Julius Caesar. Maga-&#13;
zine editors will now lift us into the air with flying&#13;
men, and will claim for each of their stories a new&#13;
Subject, just because the chauffeur on land is dis-&#13;
placed by a motor-driver in the air. Mere varia-&#13;
tions of subject-matter is to the magazine editor&#13;
a new subject. He is quite unaware of the&#13;
essential fact that subject is an artistic general&#13;
effect achieved by an uncommon treatment of&#13;
subject-matter. One important part of that&#13;
achievement is individuality of style arising from&#13;
self-confidence and from a varied intercourse with&#13;
society and affairs. Experience of life has never&#13;
precisely the same effect on any two minds and&#13;
characters, and the business of every writer is to&#13;
employ his own impressions of life, not only with-&#13;
out hesitation but with all the art of which he is&#13;
master. In this way alone he can arrive at new&#13;
subjects—his own subjects—by a selection and&#13;
treatment of material belonging to all the world.&#13;
Subject, then, being a totality of effect in art, a&#13;
chauffeur and “his parvenu employer's daughter"&#13;
may be used in one story with disastrous failure,&#13;
and in a hundred others with complete success.&#13;
That depends on the handling of his chosen&#13;
theme. But questions of this kind are too difficult&#13;
for editors of popular magazines. They refuse an&#13;
“excellent story” because they have already accepted&#13;
one “On the same lines, not so well written,” and&#13;
therefore inferior.&#13;
But when an indiscreet man enters the con-&#13;
fessional of his own accord and for the sake of his&#13;
peace of mind, he is sure to pass from one trans- .&#13;
gression to another ; he has many things to say&#13;
against himself, and they all come out. That&#13;
editor, for instance, having refused an excellent&#13;
story, returned the MS. “with the usual printed&#13;
form.” ; he “gave no reasons for rejection.” “Why&#13;
should I ?” he asks. Because, my good sir, it has&#13;
been your privilege to read an excellent story, and&#13;
editors should be courteous to contributors. It is&#13;
with stories, good or bad, accepted by yourself, that&#13;
your magazine grows rich or poor; the writers to&#13;
Whom you send printed slips cannot know what&#13;
you think of their work; and this throws a chill&#13;
on their courage. Do you suppose that soldiers&#13;
would take much interest in rifle-shooting if their&#13;
hits were never recorded ? Contributors send you&#13;
sighting shots to find out the way of the wind,&#13;
and you decline to show your disks. You don't&#13;
wish to be bothered.&#13;
From first to last your article is full of absurdi-&#13;
ties. You “claim that the magazine writer does&#13;
get his money when it is due, i.e., when his work&#13;
is published.” If you forget to eat your meat and&#13;
bread, do you decline to pay your butcher and&#13;
baker 2 If you cannot make use of stories and&#13;
articles why do you accept them and keep them 2&#13;
The author has done his work, as you do yours;&#13;
and you have taken his work in a way of business.&#13;
Yet you are paid regularly for your labours, while&#13;
he has to wait for his money until you publish his&#13;
copy. Suppose a cabinet-maker were to say to his&#13;
staff, “Your work is not completed until I sell the&#13;
things you make for me, and So I can’t pay you at&#13;
&#13;
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## p. (#655) ################################################&#13;
&#13;
TFIE AUTHOR.&#13;
249&#13;
present ; your wages are not yet due.” This wild&#13;
argument would breed a revolution if it were&#13;
enforced in any business except that of the literary&#13;
life. All the trade unions would go on strike, and&#13;
every newspaper in the kingdom would be on their&#13;
side.&#13;
It is astonishing that an editor with an experi-&#13;
ence of eighteen years should be unable to speak&#13;
of his contributors without showing a routine&#13;
of injustice.&#13;
“After all,” the indiscretions run on, “the&#13;
editor is more useful to the author than the latter&#13;
is to the former.” Indeed . Unless editors fill&#13;
their magazines with their own copy, they must&#13;
needs be dependent on paid contributors; and&#13;
to equal the contributors an editor must write as&#13;
well as they do.&#13;
“An editor could always fill his journal by&#13;
commissioning writers of proved merit,” we are&#13;
told ; and he could fill a cup by pouring tea into&#13;
it, I daresay. The unknown writer gets a chance&#13;
with magazine editors only because “the writers&#13;
of proved merit ’’ are able to ask terms that upset&#13;
a balance sheet, annoying the proprietors. More-&#13;
over, the public has no dislike for new recruits in&#13;
magazine literature ; it welcomes them, as it does&#13;
good acting from an understudy. One magazine&#13;
of to-day has earned a world-wide reputation by&#13;
hunting after new-comers in the fine arts. The&#13;
young generation must be treated with fairness ;&#13;
and to think of it properly is the duty of all&#13;
editors.&#13;
Some young writers, with a just spirit, have&#13;
related their own personal experiences in The&#13;
Author. By this means a defensive temper of&#13;
unionism will be encouraged among them, not&#13;
without benefit to many conductors of magazines;&#13;
but there are editors who do not wish to improve&#13;
their routine, and cry out in anger against truth-&#13;
telling. One of them, for example, in that article&#13;
on “The Editorial Attitude,” complains bitterly&#13;
of “the continual unjust and ignorant diatribes&#13;
of those who wish to have their contributions&#13;
accepted by editors, and who use The Author as&#13;
a vent to their disappointment.” Talk of this&#13;
kind is childish ; for if the copy published month&#13;
by month in our magazines really is the best that&#13;
editors can choose and the public will accept, then&#13;
Great Britain and her authors are in a decadent&#13;
plight. But the truth is that magazine conductors&#13;
despise the public and fear those very qualities&#13;
that give distinction and personality to the work&#13;
of writers. Many excellent things are rejected&#13;
only because the British people are scorned by&#13;
editors. A little time ago a friend of mine pub-&#13;
lished a charming story that made a hit, and he&#13;
said to me : “Well, it went the round of all the&#13;
popular magazines. None would take it.” Just&#13;
SO. That is a common experience ; and it accounts&#13;
for the fact that writers of known name, unless&#13;
they are in urgent need of money, decline to write&#13;
On approval for the magazines.&#13;
“There are too many authors,” we are told, “ and&#13;
many of them would do better at French gardening&#13;
—or paper-making.” Editors and publishers had&#13;
a very similar opinion of Carlyle when he tried to&#13;
find a market for “The French Revolution.” “I&#13;
fear Carlyle will not do,” Jeffrey wrote in 1832;&#13;
“ that is, if you do not take the liberties and the&#13;
pains with him that I did, by striking out freely,&#13;
and writing in occasionally.” Think of that In&#13;
the previous year Carlyle wrote to Mr. Napier,&#13;
Jeffrey's successor : “All manner of perplexities&#13;
have occurred in the publishing of my poor book,&#13;
which perplexities I could only cut asunder, not&#13;
unloose ; so the MS. like an unhappy ghost still&#13;
lingers on the wrong side of Styx. . . . I have&#13;
given up the motion of hawking my little manu-&#13;
Script book about any further ; for a long time it&#13;
has lain quiet in its drawer, waiting for a better&#13;
day.” And where now are the business men who&#13;
scoffed at the History of the French Revolution ?&#13;
Are they lingering on the wrong side of Styx P&#13;
Oh, brother editors, be careful and be wise in&#13;
modesty Your judgment is very fallible ; your&#13;
routine is very deadening ; you cannot afford to&#13;
advertise a contempt for the youth of new effort&#13;
pleading at your doors.&#13;
II.&#13;
WE desire to make some remarks on the article&#13;
in the last issue of The Author entitled “The&#13;
Editorial Attitude.” Several members of the&#13;
society have written on the subject, and with&#13;
pleasure we print an article by an editor. There is&#13;
no need to multiply examples, but we thank those&#13;
for writing on the subject. Our correspondents&#13;
pick out the same points, and deal with the&#13;
editorial attitude on very much the same lines,&#13;
sometimes with more sometimes with less vigour.&#13;
The writer asks: “Why in the name of all that&#13;
is businesslike should an editor acknowledge the&#13;
receipt of contributions It would be sheer waste&#13;
of time and of the proprietor's stamps. Even if&#13;
the precious MS. has been lost in the post, what&#13;
has that to do with the editor 2 ”&#13;
There appear to be two reasons why editors&#13;
should acknowledge the receipt of MSS. The&#13;
first because it is courteous, and the second&#13;
because it is businesslike. No one desires to hold&#13;
an editor responsible for MSS. lost by the postal&#13;
authorities, but for MSS. lost by his neglect in his&#13;
office he must be held responsible, in spite of the&#13;
disclaimers which so many editors are fond of&#13;
publishing in their papers.&#13;
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## p. (#656) ################################################&#13;
&#13;
250&#13;
THE AUTHOR.&#13;
Indeed, the editorial position of trust is very&#13;
closely connected with another question which is&#13;
put forward in the same article. We quote the&#13;
writer's words: “After all, the editor is more&#13;
useful to the author than the latter is to the&#13;
former. An editor can always fill his journal by&#13;
commissioning writers of proved merit.”&#13;
This statement is entirely contrary to fact and&#13;
to custom. The editor, from his position, invites&#13;
contributions from all authors. The reason that&#13;
he does not commission articles from writers of&#13;
proved merit is self-evident. Writers of proved&#13;
merit demand large fees which the editor, desiring&#13;
to run his magazine as cheaply as possible, is&#13;
indisposed to pay. In consequence, although the&#13;
editor may order an article from a writer of proved&#13;
merit with the object of drawing a certain public,&#13;
no editor fills his magazine with such articles. It&#13;
seems, therefore, necessary to repeat that, as a&#13;
matter of courtesy no less than as a matter of&#13;
business, editors should acknowledge the receipt&#13;
of MSS. It is because of this lack of business&#13;
methods that so many disputes arise between&#13;
editors and contributors.&#13;
The final point to which attention should be&#13;
drawn is the money question. In discussing this&#13;
matter the editor seems to be utterly wrong. The&#13;
editor remarks that the money is only due when&#13;
the work is published. It would be much better&#13;
if contracts for literary work provided for payment&#13;
on acceptance. It would be better for the maga-&#13;
zine, it would simplify the business of the office,&#13;
and would prevent many disagreeable disputes.&#13;
We should like to point out that legally the money&#13;
is due when the work is accepted. If a writer&#13;
cares to wait till publication for payment then a&#13;
new term is added to the contract, and not a&#13;
customary term. “An Editor '' Scouts the idea&#13;
that authors have to wait for years. From long&#13;
experience at the office of the society we assert&#13;
that the matter is one of constant occurrence.&#13;
We have known some of the most important&#13;
British reviews hold over articles for two, three,&#13;
or even four years before publication. We cannot&#13;
emphasise too strongly that it is important, as&#13;
well as businesslike, to pay for all articles on&#13;
acceptance.&#13;
These points have all to some extent been dealt&#13;
with in article number one, but we desire to add&#13;
this further experience of the editorial attitude.&#13;
G. H. T.&#13;
©–sº&#13;
IDEAS, AND HOW TO PROTECT THEM.&#13;
–0-Q-e-&#13;
BY CRUSADER.&#13;
II.&#13;
recent number of the Referee published some&#13;
remarks on the treatment that writers and&#13;
their ideas often receive from playhouse&#13;
managers. Suppose our society were to advise&#13;
dramatic authors to have nothing to do with a&#13;
given manager. What then It is worth while&#13;
to see what “Carados” in the Referee has to say in&#13;
answer to that question :-&#13;
“That, believe me, would not prevent certain theatrical&#13;
managers from buying outright for a nominal sum of money&#13;
a play by an unknown author who was either too eager for&#13;
production or too hard pressed for cash. Of my own certain&#13;
knowledge, I can speak of more cases than one in which a&#13;
play has been acquired for the price of a song, and not a&#13;
very popular song at that, for the manager has sometimes&#13;
received on account of royalties for American rights a lump&#13;
sum down in advance of ten times the full amount paid to&#13;
the author for all his rights. It is to prevent this sort of&#13;
thing and to obtain fair and honest treatment for the&#13;
struggling dramatist who is not able to protect himself, as&#13;
well as for the successful authors, whose interests, and the&#13;
common interests of the calling, want constantly looking&#13;
after—it is for such work as this that a Society of Dramatic&#13;
Authors should be established.”&#13;
In this short paragraph we get the whole tragedy&#13;
of authorship with its three stereotyped characters.&#13;
First, the young writer with ideas, who, after doing&#13;
good work, has urgent need of money ; next, the&#13;
business shark, who has a rare appetite for young&#13;
men of that type ; and third, the unpractical critic&#13;
armed with a visionary means of killing the shark.&#13;
In this case the justice, swooping to its revenge,&#13;
is a Society of Dramatic Authors—at present in&#13;
dreamland yet already at variance with the Society&#13;
of Authors, concerning which “Carados” says:—&#13;
“The Society of Authors, I believe, has of recent years&#13;
extended its sphere of usefulness with particular reference&#13;
to dramatic authors. But what it has accomplished I am&#13;
sure I do not know.”&#13;
Yet, it was his business to learn before he ventured&#13;
to write in praise of a rival society. But unprac-&#13;
tical critics are always apt to forget that unity of&#13;
action among authors is essential, and that it cannot&#13;
be got by dividing workmen into small divisions.&#13;
The separated efforts of several little agencies of&#13;
self-defence can never equal the total power of the&#13;
writers of Great Britain acting together for a pur-&#13;
pose at once common and necessary to them all.&#13;
We have had one great writer on work and wages ;&#13;
I refer to the late Professor Thorold Rogers, and I&#13;
wish that many facts in his books were known to&#13;
all authors. It would then be as clear to us as it&#13;
was to him that in the long war which labour has&#13;
to Wage against capital and privilege the principle&#13;
&#13;
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## p. (#657) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
251&#13;
of trade unionism must be extended so as to&#13;
embrace every kind of work, asking us to achieve&#13;
the solution of our problems by being loyal to the&#13;
simple motto—“Each for all, all for each.”&#13;
That is the ideal. But authors, like artists, as&#13;
Coleridge said, are androgynous by nature, and&#13;
this mixture of female qualities with male is the&#13;
cause of much disunity of action whenever the&#13;
massed discipline of practical warfare becomes&#13;
necessary. I have seen colliers and their families&#13;
strike for weeks because their wages had been&#13;
lowered by five per cent. ; they fought and suffered&#13;
like good soldiers. Would that the same spirit&#13;
were in vogue among writers&#13;
Unfortunately, there's no end to the caution that&#13;
comes to most authors after undue submission has&#13;
invited further aggression. Legal action is shirked&#13;
at the last moment, lowered prices are accepted&#13;
without a struggle, and the excuse always is the&#13;
same, “I can’t fight alone. Publishers and editors&#13;
would make a dead set against me, and I should&#13;
be ruined.” While this fear exists there will be no&#13;
unity of action. Injustice to one author must be&#13;
followed by a revolt of all his fellows.&#13;
But in what way is this revolt to take place 2&#13;
Given the esprit de corps of trade unionists, there&#13;
would be no difficulty in finding effective ways.&#13;
For example, let us take the present fall in&#13;
magazine rates of payment. In the case of Some&#13;
magazines this cannot be helped, because their&#13;
circulation is small, and, consequently, they don’t&#13;
attract advertisers; but in other cases the prices&#13;
paid for copy should go up, not down. Nor is it&#13;
difficult to form a fair working estimate of the&#13;
financial standing of each periodical, because a&#13;
good many data invite public attention. Consider&#13;
these, for instance; -&#13;
(a) The circulation may be judged to-day by the&#13;
number of advertisements ;&#13;
(b) Many advertisements mean a big revenue;&#13;
(c) The capital used during the first three&#13;
months of a year is re-used in the other quarters&#13;
also, so that, when once a magazine has won&#13;
success, the financial outlay is small in comparison&#13;
with its means of gathering profits in four turn-&#13;
overs per annum ; º:&#13;
(d) And how does a magazine win such a circula-&#13;
tion as advertisers are willing to accept as a&#13;
guarantee of business * This essential work is&#13;
done by authors and maintained by authors. Yet&#13;
we are offered lower prices for Our Work, and if&#13;
need compels us to ask for payment in advance of&#13;
publication, we may invite other aggressions :&#13;
“For misery is trodden on by many,&#13;
And being low never relieved by any.”&#13;
That is as true now as it was when Shakespeare&#13;
wrote his “Venus and Adonis.” But since the&#13;
financial position of a magazine is not obscure,&#13;
and since the duty of a magazine to its contribu-&#13;
tors should be insisted upon, how is it that the&#13;
rank and file of authors allow their prices to be&#13;
cut down by wealthy companies 2 A frank and&#13;
fearless trade unionism would soon find out even&#13;
the actual cost of the copy published in a year by&#13;
each periodical, for it would call upon its members&#13;
to state confidentially what they received for their&#13;
stories, and articles, and serials. These data,&#13;
arranged year by year in tables and made known&#13;
to all authors, would put each magazine under&#13;
discipline and cool the ardour of grasping com-&#13;
panies. There is nothing so powerful as detailed&#13;
facts carefully tabulated.&#13;
Recently it came to my knowledge, in a private&#13;
way, that a certain magazine had earned a profit of&#13;
£20,000 in a year. This profit is worth noting&#13;
because it equals an income of 40 per cent. a&#13;
year on a capital of £50,000, and this amount of&#13;
capital is a great deal more than is needed to&#13;
“run” a popular magazine through the quarterly&#13;
turnover of the same money. It may be doubted,&#13;
I think, whether any magazine uses a working&#13;
capital of £12,000, and when it happens to be&#13;
successful from the first, the cost of launching it&#13;
may be paid off in a year or two, and the profits&#13;
of the next year taken as working capital. But&#13;
the points which authors have to keep constantly&#13;
before their minds are these :—&#13;
1. That very large fortunes can be made out of&#13;
their work when business speculators collect their&#13;
working capital out of profits and so free their&#13;
own capital for the starting of another paper or&#13;
periodical.&#13;
2. However great the success may be, it is won&#13;
and maintained by those whose copy is published&#13;
month by month, or week by week. It is they&#13;
who attract the public and turn a weekly or a&#13;
monthly into a good field for advertisers, so that&#13;
the rate of payment for contributors should be just&#13;
and businesslike, not starved, and pinched, and&#13;
sweated.&#13;
Yet there are writers on literature who fail to&#13;
understand these quite simple and evident matters&#13;
of common sense. Not long ago, in a Birmingham&#13;
paper, I came upon an article from which a short&#13;
quotation may be given here as an example of&#13;
wrongheaded leadership —&#13;
“The magazine competes at an advantage with&#13;
the ordinary novel for the simple but very powerful&#13;
reason that it offers the purchaser a vast deal more&#13;
for his money. It can do that, and it can provide&#13;
tales which bear the names of the most popular&#13;
authors of the day, simply and solely because of the&#13;
big revenue it draws from advertisers. Whereas&#13;
the ordinary novel represents—or should represent&#13;
—literature marketed upon its merits, the Ordinary&#13;
&#13;
&#13;
## p. (#658) ################################################&#13;
&#13;
252&#13;
TISIES A UTISTOR.&#13;
magazine which specialises in fiction represents litera-&#13;
łure subsidised out of the profits of commerce. The&#13;
magazine publisher is a shrewd practitioner of the&#13;
bounty system.”&#13;
Was there ever in this world such nonsense 2&#13;
And why is it that critics of books like to write of&#13;
practical matters a long way outside their experience&#13;
and knowledge P. In that quotation we are told&#13;
that magazine writers are “subsidised " out of the&#13;
profits of advertisements, and that magazine pub-&#13;
lishers practise the bounty system | What next,&#13;
please ? If that forlorn critic, an outsider in&#13;
practical publishing, were to try to set on foot a&#13;
new magazine, he would soon write in a very&#13;
different way. After appealing for support to&#13;
advertisers, he would learn that tradesmen before&#13;
they advertise want to know what circulation their&#13;
self praise will have. “Is your magazine popular?”&#13;
they ask. “How many copies are sold month by&#13;
month, and are the sales rising or falling 2 º’ And&#13;
these questions mean : “Is your literary matter&#13;
accepted by the public P If so, to what extent 2&#13;
People don’t buy magazines because of their&#13;
advertisements, but read an uncertain percentage&#13;
of advertisements because they are bound up with&#13;
an appealing kind of literature that they wish to&#13;
have every month, or week, or fortnight.” If&#13;
there is any subsidising at all in this affair of busi-&#13;
ness it is the contributor who, by his continued&#13;
success in pleasing the public, subsidises the&#13;
advertiser who cannot win for himself, however&#13;
skilfully his self-praise may be written, a large&#13;
public ever willing to buy announcements of trade&#13;
speculations. Magazine publishers and their&#13;
advertisers are clearly and inevitably dependent&#13;
on the literary contributors. Yet it is always the&#13;
contributors who are treated as if they were Dr.&#13;
Johnsons waiting for a charitable and long-delayed&#13;
patronage from a very protean type of Lord&#13;
Chesterfield.&#13;
A quite wonderful amount of courteous diplomacy&#13;
is spent day by day on efforts to soothe the whims&#13;
of advertisers, while contributors are told bluntly&#13;
that they must mind their p’s and q’s. Sometimes&#13;
they are warned that rejected copy is not returned;&#13;
in haughty tones they are ordered to have their&#13;
work typewritten, and to send stamped and&#13;
addressed envelopes ; and every now and again&#13;
some magazine publisher, falling from his lofty&#13;
self-assurance, pleads for support from budding&#13;
amateurs. Then his tone becomes as follows:–&#13;
“The first month of a new year is a favourable&#13;
opportunity for reviewing the changes that con-&#13;
tinually are taking place around us. The old&#13;
year's course is soon run, and a new one comes to&#13;
supplant it. As with the years, so it is with writers&#13;
—the man who is famous to-day is almost for-&#13;
gotten to-morrow, while he whose work first comes&#13;
before the public gaze to-day is the man who will&#13;
be most appreciated a few years hence.&#13;
“The new writer has often been heard to say&#13;
that he is never given a chance of displaying his&#13;
powers. I wish at once to refute that statement.&#13;
Why should we decry the young and unknown&#13;
writer? If he has any ability it will not be long&#13;
before he has ousted from position a rival whose&#13;
name and fame are world-wide. We all have to&#13;
make a start somewhere, and I can assure you that&#13;
editors are much better pleased to discover a man&#13;
of genius than continually to fill their periodicals&#13;
with the work of those who have already attained&#13;
some little literary fame. It is hard, perhaps, for&#13;
the popular favourite of to-day to realise that to-&#13;
morrow he will be supplanted by another, and that&#13;
he will be classed among the ‘old’; but, after all,&#13;
that is the way of the world, and for most of us the&#13;
day comes night far too soon.&#13;
“I, myself, have a firm belief in the proverb :&#13;
‘There are as good fish in the sea as ever came&#13;
out of it,” and it has always been my aim to&#13;
angle for and catch those “fish” that are still in&#13;
the sea.” -&#13;
Fish, indeed . At what minimum rate per lb. ?&#13;
We are never told. Such outcries for new writers&#13;
are never accompanied by a promise to pay a&#13;
definite sum per thou. for accepted copy. And how&#13;
humiliating it is to see the care with which the&#13;
public is asked to prepare itself for the gradual&#13;
disappearance of those authors “who have already&#13;
attained some little literary fame,” or who are&#13;
“ popular favourites to-day” Why should such&#13;
men disappear more rapidly than do able lawyers,&#13;
or barristers, or doctors, or magazine publishers ?&#13;
Whatever answer may be given to that question&#13;
by the experience of magazine writers, it is evident&#13;
that contributors have reason to rebel en masse&#13;
against many grievances—-that is, if they wish&#13;
their ideas to be treated with businesslike fairness&#13;
and without harmful delays. Let them act together&#13;
with full knowledge of the fact that they are the&#13;
principal agents of success in all trade enterprises&#13;
connected with their work; and let them ask with&#13;
one voice for such a regulating of their position as&#13;
will put their efforts on a firm business footing.&#13;
Consider several points:—&#13;
1. Every magazine should be asked to advertise&#13;
a minumum rate per thousand words.&#13;
2. All magazines should be asked to pay for&#13;
copy within a month of its acceptance. . This&#13;
would prevent editors from buying too much, and&#13;
would stop authors from trusting a market which&#13;
holds purchased work indefinitely and yet declines&#13;
to pay for it when contributors need money for&#13;
their daily bread. Casual work is demoralising&#13;
even when it is paid for as regularly as a labourer's&#13;
wage; but, under the present system of payment&#13;
&#13;
&#13;
## p. (#659) ################################################&#13;
&#13;
THE AUTHOR,&#13;
253&#13;
deferred till after publication, there is something&#13;
horrible in the warfare of literary life. A friend of&#13;
mine had recently to ask for money on an article&#13;
accepted a year ago; the editor himself was quite&#13;
Willing, but he had to consult the directors of a&#13;
company, and they refused. “Let the article be&#13;
published first,” was their decision, forgetting that&#13;
the author would have to wait at least another&#13;
three months and meet his own just debts week by&#13;
week. There is something hopelessly wrong in the&#13;
unionism of literary workers when they fail to gain&#13;
same business control over the financial methods of&#13;
periodicals.&#13;
3. Further, certain companies are compelled by&#13;
law to publish their financial position year by year&#13;
as a guide to shareholders. But in this important&#13;
matter authors are not considered at all, though&#13;
their work is invested annually in many companies.&#13;
We never know the profits on any particular weekly&#13;
or monthly when those companies have each a good&#13;
many periodicals ; and yet the rates of payment&#13;
which authors are justified in claiming depend on&#13;
the profits which their published work yields.&#13;
Moreover, when a company owning many periodicals&#13;
declares only the total net profit on its business as&#13;
a whole, how are authors to know which maga-&#13;
Zine or paper is unlucky, and therefore a bad&#13;
market 2 -&#13;
4. Not less important is that type of publishing&#13;
firm which is not known as a limited company,&#13;
though it has many partners and is sometimes&#13;
driven to borrow money from “backers.” There&#13;
is a real danger in firms of this class. Many&#13;
partners add enormously to the working expenses,&#13;
and in times of financial stress unpleasant things&#13;
may happen, not without harm to authors.&#13;
Expensive books may be “remaindered ” before&#13;
they have had a chance to become known ;&#13;
Suggested ideas and schemes may be stolen in&#13;
order to give work to a permanent staff; and&#13;
slow selling books may be neglected, the money&#13;
which ought to be spent on their advertisements&#13;
being used for those books which the public is&#13;
eager to purchase. In brief, a publishing house&#13;
with many partners, looked at from a standpoint&#13;
of business, deserves to be considered as a company&#13;
with limited liabilities, and also with many share-&#13;
holders as represented by authors, each of whom&#13;
has invested a book, the result of much work and&#13;
expense spread over a good many months. And&#13;
all this being so, in what way are the authors to&#13;
defend their interests It is important that they&#13;
should know year by year how that publishing&#13;
house with many partners “stands” financially.&#13;
Is it in a fit position to launch books with energy,&#13;
or does it treat books as tobacconists treat ounces&#13;
oftobacco, reaping aprofit on the gross sales of a year&#13;
and turning over the same capital as often as they&#13;
can *. These are questions for our society to&#13;
Consider with the greatest care.&#13;
(To be continued.)&#13;
&amp;&#13;
y&#13;
a --&amp;-&#13;
w—w-&#13;
THE REPROACH OF AUTHORSHIP.&#13;
BY W. HAROLD THOMSON.&#13;
- 0-DAY, when so many intimate details of the&#13;
Writer's work and life are laid bare—thanks&#13;
mainly to interviews and the cunning “puff”&#13;
—it is a little disconcerting to find the old and alto-&#13;
gether erroneous idea that all writers are slothful,&#13;
not only existing but flourishing prodigiously.&#13;
I suppose that all members of the artistic pro-&#13;
fessions have long since given up hope of being&#13;
understood, save by fellow-craftsmen ; but that this&#13;
should be so seems not only strange but unreason-&#13;
able.&#13;
By the average person the author or the artist is&#13;
still regarded as a species of “shirker”; as a man&#13;
who has found a hobby which he is pleased to style&#13;
as “work,” and who, even to his hobby, will give&#13;
just as little time as he conveniently can. Now, it&#13;
is admitted that a man does best that work which&#13;
he likes best, and the young writer is inclined to&#13;
feel aggrieved when he finds that acquaintances&#13;
pooh-pooh his literary labours as nothing more&#13;
strenuous than a mild form of play.&#13;
The young writer, however, does not take very&#13;
long—if he is as sensible as he ought to be—to&#13;
crush out of life the sensitiveness which these&#13;
criticisms can stir into being.&#13;
He recognises that, if he is to be otherwise than&#13;
gloom-stricken and self-dissatisfied, he must treat&#13;
these criticisms lightly ; must pass them over as&#13;
babblings having their birth in ignorance allied&#13;
very often with a lack of culture.&#13;
The farm labourer who said cheerily to an artist,&#13;
“Work 2 Lor' bless ye, ye never did a day's work&#13;
in yer life,” finds his counterpart in the knowing&#13;
lady who, speaking of some writer, says, “But, my&#13;
dear, he is making such a mess of his life you&#13;
know ! He absolutely refuses to do anything&#13;
but scribble those silly stories and things.”&#13;
To the young author–experienced authors are&#13;
impervious to it all—one might well say : Wear&#13;
neat clothes and a high collar ; go to an office&#13;
every day at ten and come back every night at&#13;
six, and you will be belauded by everyone who&#13;
knows you, as a hard worker—a man who is taking&#13;
a proper part in life. On the other hand, go to&#13;
your desk at ten in your own house, work all day&#13;
and perhaps half the night at the evolving and&#13;
writing of stories; do this day after day and&#13;
&#13;
&#13;
## p. (#660) ################################################&#13;
&#13;
254&#13;
THE AUTHOR.&#13;
month after month, and you will still be dubbed&#13;
lazy by those who have not intimate knowledge of&#13;
your craft.”&#13;
I do not contend, of course, that all authors do&#13;
work all day or on every day. It is inevitable&#13;
that there must be occasions on which the fount of&#13;
thought runs temporarily dry ; days on which&#13;
creative work seems impossible. But the writing&#13;
man who loves his work will stay from it no&#13;
longer than he must.&#13;
The successful novelists, the authors whose&#13;
names are for ever in bold type and are spoken&#13;
every day, are accorded, as is but natural, the&#13;
respectful plaudits of all who know of them.&#13;
They publish perhaps a couple of novels per year,&#13;
and the ladies who keep the libraries in life make&#13;
comment upon their energy and diligence.&#13;
But for the writer who has not yet achieved a&#13;
place among the “great" ones there is given at&#13;
the best an indulgent smile and a playful rebuke&#13;
to turn his attention to something Serious—to get&#13;
some “work’’ to do.&#13;
It seems to have become almost a creed with&#13;
men or women outside the artistic or literary&#13;
circles, to refuse to admit that painting or writing&#13;
is work. Of course “staff” men are not subject to&#13;
this criticism ; they are “in an office.” It may&#13;
well be that they do less work than their free-lance&#13;
brethren. It may well be, too, that they are making&#13;
less money, but they are in “steady employment’’;&#13;
they are in receipt of a stated salary.&#13;
Those who give their views regarding the lives&#13;
which writers lead and the incomes which they&#13;
earn are, for the most part, entirely ignorant of the&#13;
subject. They are either decided in their own&#13;
minds that the author is a lazy but prosperous&#13;
individual who is paid fabulous sums for his books,&#13;
or that he is an ill-fed and poorly-clothed creature&#13;
who is never certain where his next meal is going&#13;
to come from. It depends whether these good&#13;
critics have been reading puffs about popular&#13;
writers or lurid articles about a Grub Street that&#13;
has become a thing of the past.&#13;
Moreover, such folk, having once taken up a&#13;
certain attitude, refuse to abandon it. They will&#13;
listen to those members of the literary craft who&#13;
are patient enough and well meaning enough to&#13;
explain the true state of affairs—that writing&#13;
to-day has become a business, and that the man&#13;
who can conduct this business properly is no more&#13;
uncertain of his next meal than is the lawyer or&#13;
the doctor—but though they will listen they will&#13;
not recant their opinions.&#13;
They know—so they say—that authors are lazy,&#13;
because they have frequently seen So-and-So out&#13;
walking in the middle of the day, or present at&#13;
some afternoon party; they know also that the&#13;
story-teller's profession is the most precarious in&#13;
the world—have they not been repeatedly told so 2&#13;
Probably they have And the fact that their&#13;
informants were persons totally ignorant of the&#13;
matter does not seem to strike them as important.&#13;
In referring thus to the author's financial&#13;
returns I do not mean to infer that every man or&#13;
woman engaged in writing stories to-day is meet-&#13;
ing with prosperity—that is not possible when so&#13;
many are thus engaged, who would be well advised&#13;
never to pen a word, save for their own entertain-&#13;
ment. I refer to the capable writer who goes&#13;
about the work in a business-like spirit ; knows&#13;
what the public want, and sets about meeting that&#13;
want. The writer who wishes to make a good&#13;
income is no less business-like in his method than&#13;
any other professional man, and is content to hunt&#13;
for fame in his leisure hours.&#13;
It must be admitted—a little sorrowfully I&#13;
think—that the author is but seldom understood,&#13;
and is often grossly misunderstood ; and that is&#13;
just one of the many reasons why he should have&#13;
complete confidence in his own powers, and an&#13;
enthusiasm for the work which he has chosen, or&#13;
perhaps one should say, the work which has chosen&#13;
him.&#13;
—e—º-e—&#13;
BOOK PRICES CURRENT.”&#13;
HE second and third parts of Vol. XXIV. of&#13;
“Book Prices Current " have reached us.&#13;
The former concludes Sotheby's sale of&#13;
November 29, 30, 1909, and contains records of&#13;
subsequent sales up to that of the 7th and following&#13;
days of February, 1910, partly recorded in this&#13;
number, and concluded in the third number, which&#13;
records subsequent sales down to that of Puttick&#13;
&amp; Simpson, March 5 and 6, 1910. Sotheby's sale,&#13;
December 9–10, 1909, offered an interesting&#13;
collection of MSS., among which were particularly&#13;
deserving of remark an illuminated, “Biblia Sacra&#13;
Hebraica,” written on wellum in Damascus, 1496&#13;
(£56), and an illuminated “Pontificale Gallo&#13;
Romanum,” French, 15th cent., on vellum (£45).&#13;
3acon's copy of “Concordantiae Bibliorum,” Paris,&#13;
1600, with his autograph, “Francis Bacon's Book,&#13;
pretium 13/4,” fetched £30. -&#13;
Sotheby's sale, December 13–17, of the library&#13;
of Mr. W. Wheeler Smith, of New York, included&#13;
a collection of thirty-seven different editions of “The&#13;
Dance of Death,” ranging in date from 1649 to 1889.&#13;
Thirteen of these were Holbeins. The Sale was&#13;
also particularly rich in very choice collections of&#13;
sixteenth and seventeenth century French books,&#13;
* “Book Prices Current,” Vol. XXIV., Nos. 2 and 3.&#13;
London : Elliot Stock.&#13;
&#13;
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## p. (#661) ################################################&#13;
&#13;
TFIE AUTISIOR.&#13;
255&#13;
many of them from the library of Firmin-Didot&#13;
and the Beckford collections.&#13;
The attention of authors is likely to be more&#13;
particularly attracted by the sale (Sotheby Decem-&#13;
ber 20, 1909) of the library of Mr. Shorthouse,&#13;
author of “John Inglesant.” The library did not,&#13;
however, present any very distinctive features.&#13;
The highest price was for a copy of the first edition&#13;
of Gray’s “Ode on a Distant Prospect of Eton&#13;
College,” 4 leaves, 1747, published at sixpence.&#13;
This was sold for £50. The proof sheets of the&#13;
first edition of “John Inglesant,” with the author's&#13;
manuscript additions and corrections, fetched £32.&#13;
An extensive collection of topographical works,&#13;
of which forty-four dealt with London, was a lead-&#13;
ing feature of Puttick &amp; Simpson's sale of the&#13;
library of Mr. R. Hovenden. -&#13;
On March 1 and 2 Sotheby disposed of the&#13;
stemaining portion of the library of the late Earl of&#13;
Sheffield, the sales of the former portions of which&#13;
are recorded in Vol. XXII. of “Book Prices&#13;
Current.” A first edition (Vol. I., 3rd edit.) of “The&#13;
Decline and Fall of the Roman Empire,” a presen-&#13;
tation copy to the Earl of Sheffield with an&#13;
autograph inscription by Gibbon, “As a memorial&#13;
of friendship and esteem the six volumes of this&#13;
history are presented to the Right Honourable&#13;
John Lord Sheffield by the Author, E. Gibbon,”&#13;
was sold for £60. Four volumes of Gibbon’s&#13;
Bocket Diary fetched £38.&#13;
Many lots of a very attractive kind were offered&#13;
in Sotheby's sale (March 21—23, 1910) of a&#13;
miscellaneous collection. We much regret that&#13;
space does not permit us to deal at length with this&#13;
particularly interesting sale. It is one of those&#13;
which might be taken as typical of the extremely&#13;
interesting and valuable nature of the records&#13;
contained in “Book Prices Current,” to which we&#13;
must refer those of our readers who would be more&#13;
fully informed. The prices of the following lots&#13;
are likely to furnish authors with matter for pain-&#13;
ful reflections. Blake, “Poetical Sketches'’&#13;
(original edition, 1783, containing on fly-leaves&#13;
MSS. of three songs by Blake, and with various&#13;
MSS. alterations, previously disposed of at the&#13;
Heber sale), £11. Blake's working cabinet of&#13;
mahogany, £30 10s. Burns' bureau, £600. A&#13;
stool and desk, formerly the property of Dickens,&#13;
fetched £10 and £13 respectively. The highest&#13;
price paid for any book was for a copy, not quite&#13;
perfect, of the Editio Princeps, “Homerus, Omnia&#13;
‘Opera, grace, Florence, 1488,” £254—a good deal&#13;
less than was given for Burns’ bureau. A presen-&#13;
ſtation copy of Morris, “The Story of the Glittering&#13;
Plain,” the first book issued at the Kelmscott&#13;
Press, with an inscription “To Kate Faulkner&#13;
from William Morris, 30th May, 1891,” fetched&#13;
£17. Authors should remark how enormously the&#13;
value of copies which they give to their friends&#13;
is enhanced by an autograph. “Book Prices&#13;
Current” give evidence of this fact in sale after&#13;
Sale.&#13;
—e—Q-0–&#13;
A LIFE OF BULWER-LYTTON.3,&#13;
—t-º-º-&#13;
HE life-story of a distinguished author and&#13;
man of letters, written by a writer so well&#13;
qualified as Mr. Escott, should attract all who&#13;
are interested in the literary life of the early part of&#13;
the nineteenth century. The parts which the first&#13;
Lord Lytton played upon the social and political&#13;
stages of his day were not small ones, but as a&#13;
writer of romances and plays he will be remem-&#13;
bered by those who will have to turn to his&#13;
biography to remind themselves of the incidents&#13;
of his administration of Colonial affairs, or of&#13;
the circumstances of birth and natural gifts&#13;
which would have insured him a welcome in&#13;
London drawing-rooms, if necessity and ambition&#13;
had not combined to lead him further. Mr. Escott&#13;
was personally acquainted with the subject of his&#13;
biography, and has had the advantage of being able&#13;
to draw upon the recollections of Lord Carnarvon,&#13;
who, as Under-Secretary for the Colonies, had an&#13;
intimate personal knowledge of his chief in public&#13;
and private affairs. He has thus been able to go&#13;
beyond the materials already made public by&#13;
Lady Betty Balfour and others, including those&#13;
records of his own life interwoven by the novelist&#13;
in his romances. The literary habit of introducing&#13;
the personal history of the author and his friends&#13;
may not have been peculiar to the Victorian age,&#13;
but surely it prevailed in the days of Lytton,&#13;
Thackeray, Dickens and Disraeli as it never will&#13;
again ; or at all events, writers of their eminence,&#13;
social or literary, will hesitate to make use quite so&#13;
freely of the material nearest to their hands. In the&#13;
story of Bulwer-Lytton and his work as told by&#13;
Mr. Escott there is much food for reflection on the&#13;
points of difference and of resemblance between&#13;
the authorship and the life of an author then and&#13;
now. His boyhood, his opportunities for educa-&#13;
tion at school and at college would hardly be&#13;
envied by the modern youths of his position pre-&#13;
paring for a literary career. His love affairs and&#13;
his marriage with Rosina. Wheeler did not quite&#13;
follow the limes along which modern families pursue&#13;
their more easy-going ways, but they afford ample&#13;
materials for essays on “Authorship and Matri-&#13;
mony” and “Marriage, Mothers and only Sons.”&#13;
* Edward Bulwer, First Baron Lytton of Knebworth : a&#13;
Social, Personal, and Political Monograph, by T. H. S.&#13;
Escott, Routledge. 7s. 6d. met.&#13;
&#13;
&#13;
## p. (#662) ################################################&#13;
&#13;
256&#13;
TISIES A UTISTOR.&#13;
A list of other topics which might be illustrated&#13;
from the volume Would include such old ones as&#13;
the relations of authors and publishers and of&#13;
authors and critics, and in particular that old&#13;
question as to the class from which critics should&#13;
be drawn. The reviewer, we are told by some&#13;
whose Work has been reviewed, is himself an&#13;
author who has failed ; the art critic, an artist&#13;
will complain, is a painter Whose pictures no&#13;
one Will buy. Others may declare that a&#13;
particular reviewer or an art critic has never&#13;
even attempted to Write a book or to paint a&#13;
picture. When Mr. Escott reminds us that&#13;
Lamb threw aside the Waverley novels in dis-&#13;
gust and that Hazlitt could not read them ; that&#13;
Hunt was contemptuous of Byron ; when We think&#13;
of the reviews of Lytton for which Thackeray was&#13;
responsible, or recall what Lytton Wrote of&#13;
Tennyson : when we read that among the poets of&#13;
his time * Lytton cared little for Tennyson and&#13;
less $or Browning,'' but that * Hunt praises&#13;
Hazlitt, Hazlitt praises Hunt,'' we do not feel con-&#13;
vinced that eminent authors Would be the best&#13;
qualified persons to review their eminent (or humble)&#13;
contemporaries. In an essay such as that suggested&#13;
it might be however proved that the attitude of the&#13;
modern writer or artist towards his modern rivalis&#13;
altogether one of generous appreciation and admira-&#13;
tion. Before leaving the subjects of discussion&#13;
which arise out of Lytton's career we may ask&#13;
whether the prolonged popularity of a play or&#13;
of a novel should furnish the better claim for fame&#13;
as an author. Is it a greater feat to have Written&#13;
* The Last Days of Pompeii," or whichever of the&#13;
author's works is now most largely sold in a cheap&#13;
edition without profit to his personal representa-&#13;
tives, than to have held the stage with ** The Lady&#13;
of Lyons " and ** Money " ?&#13;
—e—©-o-&#13;
CORRESPONDENCE.&#13;
—e-Q-o--&#13;
INTERNATIONAL COPYRIGHT.&#13;
MONSIEUR,—Nous avons constaté avec satis-&#13;
faction que le no 8 du 2 mai de votre importante&#13;
revue The Author reproduit en traduction (pp. 229&#13;
et 230) l'article du Droit d'Auteur consacré à&#13;
la Conférence de Berlin (Préparation de la ratifica-&#13;
tion de la Convention de Berne revisée). Manifes-&#13;
tations diverses des intéressés et paru dans le&#13;
numéro du 15 avril, 1910 (pp. 55 et 60).&#13;
Toutefois, nous avons été fort surpris de lire&#13;
dans l'introduction qui précède notre article, la&#13;
phrase suivante : * En ce qui concerne le Royaume-&#13;
Uni de Grande-Bretagne et d'Irlande, Le Droit&#13;
d'Auteur ne fait que reproduire une information&#13;
prise d'un numéro récent du Times. Cela ne&#13;
fournit en aucune manière un compte rendu&#13;
complet de l'œuvre entreprise par le Gouverne-&#13;
ment en Vue de préparer la voie pour la ratification&#13;
de la Convention de Berlin autant que cela concerne&#13;
la Grande-Bretagne,'' etc.&#13;
Or, une note indiquait que notre article du&#13;
Droit d'Auteur formait la suite d'une série&#13;
d'autres articles que notre organe a déjà publiés&#13;
sur la même matière et sous le même titre. Ainsi&#13;
que le démontre la récapitulation contenue dans&#13;
l'épreuve ci-incluse-cette nouvelle suite paraîtra&#13;
dans le numéro du 15 de ce mois-la Grande-&#13;
Bretagne a fait parmi tous les pays traités dans&#13;
cet ordre d'idées par notre organe, l'objet du plus&#13;
grand nombre de notices et des informations les&#13;
plus copieuses. Nous avons suivi tous les travaux&#13;
entrepris en Grande-Bretagne, dont nous avons pu&#13;
avoir connaissance, soit par des voies officielles,&#13;
soit par notre service de presse. Le rôle joué par&#13;
votre société dans la préparation du terrain en vue&#13;
d'une prompte ratification a été exposé avec la&#13;
sollicitude qu'il mérite et dans cette remarque fort&#13;
juste qu'elle a examiné avec le plus grand soin et&#13;
d'ampleur les résultats de la Conférence de Berlin&#13;
(v. Droit d'Auteur, 1909, pp. 60, 87, 121 et 137).&#13;
Nous sommes prêts à vous envoyer tous les&#13;
articles relatifs à ce sujet et à la Grande-Bretagne,&#13;
si les numéros de notre journal n'étaient plus entre&#13;
V0S Iſl8llIlS,&#13;
Vous nous obligeriez donc beaucoup en voulant&#13;
bien rectifier dans votre prochain numéro la note&#13;
ci-dessus mentionnée, qui contient évidemment une&#13;
erreur, car il nous serait sensible d'encourir auprès&#13;
des gens de lettres anglais le reproche d'avoir&#13;
négligé à un tel degré leurs intérêts et leurs&#13;
désiderata.&#13;
Veuillez agréer, Monsieur, l'assurance de notre&#13;
considération distinguée.&#13;
BUREAU DE L'UNION INTERNATIONALE&#13;
LITTÉRAIRE ET ARTISTIQUE.&#13;
Le Directeur :&#13;
MORE, G.&#13;
BERNE, LE 13 mai, 1910.&#13;
(We have much pleäsure in inserting the letter&#13;
received from the Bureau Internationale de l'Union&#13;
pour la protection des CEuvres littéraires et artis-&#13;
tiques. We regret that any mistake should have&#13;
arisen, but we omitted to read the earlier numbers&#13;
the Le Droit d'Auteur to which the secretary refers.&#13;
It seems a pity, however, that when the action of&#13;
other countries was summarised, that of Great&#13;
Britain should not have been included in a Sum-&#13;
mary form in the same article. We have nothing&#13;
but praise, as a rule, for the excellent work carried&#13;
out by the Bureau Internationale.)&#13;
&#13;
&#13;
## p. (#663) ################################################&#13;
&#13;
ADVERTISEMENTS. - W&#13;
&#13;
&#13;
AUTHORs:&#13;
HAVE YOU A MS.&#13;
TO DISPOSE OF 2&#13;
LITERARY YEAR BOOK&#13;
(Cr. 8vo, 6S. net, 966 pages)&#13;
will give you all particulars of Literary Agents,&#13;
Typists, Publishers (British and Foreign); will&#13;
explain all forms of publishers' agreements, law&#13;
of copyright, etc.; also all periodicals and&#13;
magazines (British, American and Colonial)&#13;
accepting outside contributions, with rate of&#13;
payment and other necessary information.&#13;
The CLASSIFIED INDEX will tell you AT&#13;
ONCE the most suitable periodicals for your&#13;
particular MS., thereby saving you much&#13;
mis-spent time and money.&#13;
THE&#13;
“We wish . . . people who send round their wildly unsuit-&#13;
able MSS. would procure the book and cease their activities.”&#13;
—Athemawm.&#13;
OTHER CONTENTs are:—Directory and Index&#13;
of Authors; Obituary Notices ; Booksellers;&#13;
Libraries; Royalty Tables; Societies; Classi-&#13;
fied List of Cheap Reprints, etc.&#13;
“An indispensable book of reference for authors and&#13;
journalists.”—Daily Graphic.&#13;
G. ROUTLEDGE &amp; SONS, Ltd., Garter Lane, E.G.&#13;
DD YOU WRITE PLAYSP&#13;
The International Copyright Bureau, Ltd.,&#13;
Gan be of service to you.&#13;
We act as Agents for placing Plays,&#13;
Operettas, Operas, Sketches, &amp;c., in England&#13;
and abroad on the best possible terms.&#13;
We have placed Plays with almost all&#13;
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We copyright dramatic property and collect&#13;
authors’ fees.&#13;
We arrange Invitation Performances.&#13;
We review, advise upon, and remodel Plays&#13;
and Musical Compositions.&#13;
We undertake translations and adaptations&#13;
from and into all European languages.&#13;
All English Plays submitted to the Bureau&#13;
are read by Mr. A. L. Ellis, so well known as a&#13;
dramatic critic and now joint director of the&#13;
International Copyright Bureau. . Mr. Ellis's&#13;
advice and assistance are placed at Our&#13;
clients’ disposal.&#13;
The INTERNATIONAL COPYRIGHT BUREAU, Ltd.,&#13;
Dewar House, Haymarket, S.W.&#13;
ERNEST MAYER&#13;
Directors.&#13;
ANTHONY L. ELLIS |&#13;
About 2,000 Books Wanted&#13;
Are advertised for weekly in&#13;
THE PUBLISHERS, CIRCULAR&#13;
AND BOOKSELLERS’ RECORD&#13;
(ESTABLISHED 1837),&#13;
Which also gives Lists of the New Books published&#13;
during the Week, Announcements of Forthcoming&#13;
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Subscribers have the privilege of a Gratis Advertisement&#13;
in the Books Wanted Columns.&#13;
Sent for 52 weeks, post free, for 10s. 6d. home and&#13;
138. 6d. foreign.&#13;
Specimen Copy Free on application.&#13;
Price TWOPENCE Weekly.&#13;
office : 19, Adam Street, Adelphi, W.C.&#13;
ESTABLISHED]&#13;
The Wessex Press,&#13;
A Member of the Society of Authors highly recommends&#13;
84, REDCLIFFE GARDENS, S.W.,&#13;
as a Residence for Women Workers and Students. It is a&#13;
quiet comfortable house ; the number of boarders is limited&#13;
to 14, and references are required. Terms from 25s, a week.&#13;
Redcliffe Gardens is five minutes' walk from Earl's Court&#13;
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Prospectus on application to MISS MACKINTOSH.&#13;
SIRES and SIFKES,&#13;
The West Kensington Typewriting Offices,&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Authors' MSS. 1s. 1,000 words; over 40,000, 10d. No unfair&#13;
“cutting” of prices.&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
REFERENCES.&#13;
AUTHORS &amp; PLAYW RIGHTS.&#13;
Special facilities for placing work of every description.&#13;
Particulars from Manager, Literary Department,&#13;
WIENER AGENCY, LD.,&#13;
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INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
&#13;
&#13;
## p. (#664) ################################################&#13;
&#13;
W1 AD VERTISEMENTS.&#13;
MISS RALLINGi is an&#13;
EXPERT TYPIST&#13;
- and she uses her =&#13;
BRAINS as well as&#13;
her HANDS on all the&#13;
WORK She undertakes.&#13;
MRS. FLORENCE GAY, a member of The&#13;
Authors’ Society, of many years' standing,&#13;
has sent me the following testimonial i&#13;
Haslemere, Surrey.&#13;
“Miss Ralling has typed for me on several occasions, and I&#13;
have much pleasure in saying that she typed most beautifully&#13;
and with much care. She did some very difficult Work for me.”&#13;
ALL WORK ENTRESTED TO ME IS WELL BONE,&#13;
AUTHORS are respectfully requested&#13;
to NOTE MY CHARGES ARE WERW L0W.&#13;
CORREGINESS! CHEAPNESS!! QUICKNESS!!! -&#13;
SEND A SAMPLE ORDER—&#13;
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Thackeray Hotel—“Thackeray, London.”&#13;
|Kingsley Hotel—“Bookcraft, London.”&#13;
MRS. GILL, Type&amp;Writing Cºffice,&#13;
(Established 1883.) 35, LUDGATE HILL, E.C.&#13;
Authors' MSS. carefully copied from 1s, per 1,000&#13;
words. Duplicate copies third price. French and German&#13;
MSS. accurately copied ; or typewritten English trans-&#13;
lations supplied. References kindly permitted to Messrs.&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.C. Telephone 84.64 Central.&#13;
The Literary Year-Book.&#13;
APOLOGY.&#13;
We the undersigned hereby express our sincere regret&#13;
to D. C. Thomson &amp; Company, Limited, Publishers, that in&#13;
the issues of the Literary Year-Book for 1909 and 1910 we&#13;
published paragraphs of comment upon the case of&#13;
Humphreys (“Rita") w. D. C. Thomson &amp; Company,&#13;
Limited, to the effect that D. C. Thomson &amp; Company,&#13;
Limited, “passed off” as a new serial written by “Rita,”&#13;
an old novel of hers which they had altered and re-written&#13;
in such a manner that it was no longer recognisable as her&#13;
work, whereas the Jury in giving their verdict upon other&#13;
issues expressly found that they had not so “passed off.”&#13;
as the work of “Rita" work which was not substantially&#13;
her work.&#13;
The paragraphs in question were published without&#13;
due appreciation of the construction of which they were&#13;
capable, and we desire to express our regret for the general&#13;
unfair tone of the paragraphs.&#13;
Dated this 23rd day of May, 1910.&#13;
GEO. ROUTLEDGE &amp; SONS, Ltd., Publishers.&#13;
B. STEWART, Editor and Proprietor.&#13;
TYPEYWRXTEING&#13;
from 9d. a thousand words.&#13;
Address—Miss W. BARRETT,&#13;
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SOALE FOR A D VERTIS EIMEWTS.&#13;
[ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.]&#13;
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Other Pages ., 3 9 ()&#13;
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insertion in the following month's issue.&#13;
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