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VS

(

.

.)

.

of

.

PRICE SIXPENCE

РДок
255
255
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264
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267

::

..
.

in

'

of

.. ..
.

..
.

to

Dramatic Authors and Agents
Warnings
Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
Sir William SchwenckGilbert
The Roll
the Authors Society
Dinner of the Society of Women Journalists
Style
Literature
On Wordsworth
The History of the Novel
Dickensand Thackeray
Prize Competitions
Correspondence
..
.

the Press

of

of

to

.. ..
. .

,

..
.

.

.

CONTENTS

::

's

1911

Monthly

Authors

.

JULY

Notices
The Society Funds
List of Members
The Pension Fund
Committee Notes
Books published by Members
Literary Dramatic and Musical Notes
Paris Notes
United States Notes
Authors and Typists
The Fifteenth International Congress
How
Use the Society
Warnings
the Producers Books
Warnings
Dramatic Authors
Registration of Scenariosand Origir
toto

Society

,

Incorporated

10

.

-

XXI No
.

.

VOL

of

Organ

1

( The

the

The Author .

.

),

.

.

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38

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WALTER BESANT
By

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6d

Terms

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Old

Association
with Comments
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2nd Edition

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Action

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1892

Giving
Periodicals
and their contributors
and Periodicals deal with MSS and Contributions
Society
Authors List
Members
Published
prices

Copyright Bill
1890
With
the Berne Convention
and the
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Publication
SQUIRE SPRIGGE
this work compiled from
agreements proposed
the Society
offices the various forms
Publishers
carefully explained
Authors
are examined
and their meaning
with
account
the
various kinds
fraud which have been made possible
the different clauses therein
By
Being additional facts
Addenda
the Above
HERBERT THRING
collected
the office
the Society since the publication
the
Methods
With comments and
advice
papers

7

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of

of

By

List

the Société des Gens

Production

's of .

.

per vol

10s

and the Pension

The History
The Cost

1892

at .

all

to to

.

in

Published ten months
the year August and September omitted
devoted especially
Literary Dramatic
the protection
and maintenance
and Musical Property
Issued
per annum
post free
Members gratis
Price
non members
Back

numbers from

. B. 4.

1s

.

Literature

the current year

.

.
8

The Author

for

1

The Annual Report

3

.

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WOMAN WITH
PURPOSE
Anna Chapin Ray
THE WHITE OWL
Kate Horn
MAN WITH
PAST
John Adcock
ndom
FEAR OF
TARONE
THE BROKEN BUTTERFLY
Ralph Deakin
HONOUR
May Wynne
FETTERS
TWO GIRLS AND
MANNIKIN
Wilkinson Sherren
SUFFRAGETTE SALLY
Colmore
WHEN WE ARE RICH
Ward Muir

A

.

a

,

In

.

,

,

“
A

REMARKABLE BOOK

SHIPS OF DESIRE
EDWARD AND
MRS HONEYBUN
Paper
net
Cloth
6d net

A

.
.

a

.

PEARCE

. .

of

Elizabeth Chudleigh

voluines illustrated 248 net
Third largeedition preparing
immensedemandeverywhere
2

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*

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.

By CHARLES

of
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.

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The Amazing Duchess

George King

LINCOLNSHIRE IDYLL

LATEST

.”

Revolution

By Frank Hamel
Illustrated
168 net
Théroigne de Mericourt was
TheBookman says
puzzling
character and the estimatesof her differ much as her portraits
The truth seems
have been reached
this interesting and
picturesque and stirring story of
instructive volume.
curiously attractive personality and an absorbingly interesting
time

READY

NOW

. .

,

.
Author

Senior

"

:
“

"

,

A

the

,

.

in

if

By

.

Dorothy

Illustrated 128 6d net
Daily Chronicle says
The best account
Charles
and
his Court and times that we have read.
Evening Standard
One may rejoice meeting an author who
writes carefully readably, and pleasantly and who not blinded
by prejudice either way

Woman

BOOK

The Coronation

."

,

The Gay King
.

NEW

.

,

.

:"
In .

Edmund Cox
Bart
Illustrated 128 6d net
Evening Standard says
perusing the many extraordinary
details
which this book abounds the readerfeels as
he had
opened the Arabian Nights of Criminality
in

KATE HORN

India

Sir

By

Police and Crime

Co

&amp;

PUBLISHED BY STANLEY PAUL

�.

be

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to

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NOTICES

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LONDON

.

,

AUTORIDAD

be

of

of

.

to

impression among
seems
Committee are
the
that
Author
The
readers
the
for the bona fides
personally responsible
stated
desire
Committee
the
advertisers
the case
that this not and could not possibly
undesirable
Although care
exercised that
not accept and
inserted they
advertisements
any liability
never have accepted
the Secretary for advice
Members should apply

As

:

TELEGRAPHIC ADDRESS

.

[

.

:
VICTORIA

SIXPENCE

PRICE

ADVERTISEMENTS

NUMBER
374

.)

.

BESANT

1911

,

No

TELEPHONE

Monthly

Authors

.

JULY 1st

.
10
.

—

.

.

XXI

Society

BY SIR WALTER

FOUNDED
VOL

Incorporated

of

Organ

the

(

of

The

The Author .

FUNDS

.

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of

or

THE SOCIETY

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MEMBERS

Authors
the Society
Members
obtained
October 1907 can now
the price
the Society
the offices
July
post free 71d
includes elections
members and associates
sold
1907 and will
the Society only
the
dozen blank pages have been added
those who
end
the list for the convenience
they are chronicled
add future elections
desire
published

A

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for The
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Old
the Society
the Offices
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and should
Gate
Street
Queen
each
reach the Editor not later than the 21st
month
the
Communications and letters are invited
literary matters treated from
the
Editor
standpoint
other
business but
art
Every effort will
subjects whatever
made
accepted
return articles which cannot

of

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LIST

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that although the paper
production would
cost
free
them
sent
the
the resources
very heavy charge
great many members did not forward
Society
subscription for
the Secretary the modest

The Editor

The
Society

in

or

CONTRIBUTIONS

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AND

is

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ARTICLES
members

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The Editor begs
The Author
Authors Society and other readers
The Author are
that the cases which are quoted
the
cases that have come before the notice
the Society and that
knowledge
the Secretary
have
the Society who desire
those members
the publishers concerned can obtain
the names
application
them
on

to

N

case

to of

the Society
time members
time
funds
make donations
desire
recognition
work that has been done
the suggestion
them
The Committee acting
place
decided
have
members
these
one
order
The Author
this permanent paragraph
cognisant
those funds
that members may
paid
which these contributions may
The
this purpose are
The funds suitable
kept
Capital Fund
reserve
This fund
necessary
incur heavy
the Society
case
prin
question
fighting
expenditure
either
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assisting
obtain copyright reforin
any other matter closely
dealing
with
the Society
connected with the work
slowly
This fund
Fund
The Pension
hoped will
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time cover the
the Society
the members
needs

TROM

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if

papers that are
VOR the opinions expressed
signed
the authors alone are
initialled
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the papers
None
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graphs must be taken
especially stated
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THE PENSION

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THE AUTHOR .

240

�THE AUTHOR .

The committee then turned their attention
the
Copyright Bill
The secretary laid before the committee the steps
that had been taken since the last meeting and the
guard the interests
work that had been done
He had met the
the society
the members
the Publishers Association and others
President
had been
and
the issues
interested
certain
Trade
communication with the Board
appeared that the most serious matter
points
the reproduction
now left was the question

of

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English Bill which was
present taking
energies
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of to

was considerable and was not justified
the sales
was decided
waste
the surplus copies
the publications
the society
The Canadian Copyright Bill then came
for
deal
but
was thought impossible
discussion
it

on

at

's

,

,

possible
get the Labour
was decided
Management
Members
meet the Committee
order
discuss some
the issues
the Bill
Various other letters that the secretary had received
and the secretary had written were laid before the
committee
The publication
the list
members came up
for discussion and the committee decided that
any rate they would not authorise the
present
publication
the list as the expense
the society

,

It

.

him

he
.up

,

Herbert Sullivan

Mr Paul Reubens

of

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had seen the gentleman
concerned and
gone into the matter with
and that
from the evidence produced
could not advise
the committee
take the case
The committee
the
considerable length
discussed the issues
evidence that had been forthcoming
and decided
adopt the solicitor
advice unless some further
evidence was received

had

.,

in

to

.

on

of

as

.

a

up

to

in

be

to

to

to

for instructions
the future line
The committee decided
leave
the
matter
the solicitor hands
forward with
the action unless
was possible
come
some
satisfactory
settlement
There were two other
cases
which
author had got into difficulties
with two different publishers
The first claim
which was
small one the committee decided
arrange
take
and
suitable settlement with
ԿԱՆ
possible
the publisher
the second case
was
impossible for the committee
come
conclusion
the best course
take owing
the lack
sufficient evidence
The solicitor was instructed
enquire what further evidence the author would
produce
The last case was very difficult
copyright but breach
infringement
was not
was alleged that the author
confidence
ideas had
been
taken
The solicitor reported
asked

action

He reported that
Frederick Macmillan had
copy
forwarded
the resolution
the President
the Board
Trade
He read also
letter
Boosey
that Mr William
Messrs Chappell
Co had written
the same matter and
the
issues were
serious the committee decided
ask
the President
the Board
Trade
would
subject
depntation
receive
The deputation
comprise the following
their consent
was
gentlemen
Squire Sprigge
Dr
Chairman
the Com
Management
mittee
Comyns Carr
Mr
Sir Charles Villiers Stanford Mus Doc
to

.

,

to

a

.

If

.

July
matter would
reconsidered
The second
dispute
agree
case also had reference
ment between author and publisher
The society
decided
take the matter
the author had
failed
obtain any
the money due
answer
her applications
well
the applications
her solicitors
The solicitor then reported
case which had been
the Courts already and

withhold
his work altogether
make his first
bargain
opinion
his own terms
and
that
compulsory licence should operate
terms less favourable
the original bargain
the composer than those

It

an

of

to a

.

.

been forwarded
the author who was living
America
The committee
determined
wait
letter from
received
further
until they had
carry the case further the
he desired
him

It

to

. .

the
The first case considered referred
Cases
agreement between author and
interpretation
publisher
The solicitor reported that he had given
good case existed
This bad
his opinion that

that

of

,

of

-

present

gramophone pianola and mechanical records under
compulsory
the
The secretary read
licence
by the Joint
passed
resolution which had been
Authors the Copyright
the Society
Committee
the Publishers
Association
Association
and the
The resolution was
Music Publishers Association
the following effect
any
opposed
unanimously
That this meeting
dealing with mechanical instrument records
scheme
give
that does not
the composer the right either
of

for

After the elections the cases
the society being
the solicitor

.

fifty seven

to

up

were considered

.

to state that there has been another very
and
satisfactory
members
election , thirty - six
in
The list appears
associates being elected .
This keeps the elections for the
another column .
current year above the average of former years , as
elected
and associates have been
151 members
January .
There were six resignations ,
since
bringing the resignations
the current year
pleased

a

WING to the Whitsuntide holiday , the June
meeting of the committee was postponed
till Monday , June 12 . The committee are

,

.

to

NOTES .

COMMITTEE

241

the
the

�THE AUTHOR

plays produced in foreign
with lists of English
countries , and that the lists had proved so far very
useful and would be of great benefit to the drama
tists of the society .
Finally , the Geueral Treaty was reconsidered ,
and all the clauses already passed were read through .
Other clauses were also passed , and a few remain

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The secretary then reported that
had been come
with the Board
which consular reports were sent

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bridge Cornwall

,

,

,

,

refer
the Committee
next meeting

Straffan

co

.

Newtown
“

Hillaire

.A
.

Belloc

M

Saxby

,
C
.
F
.,

Argyll

·

Mrs Evelyn

.

,

Alexander

,

of

.

a

of

in

June Elections

by

-

as

, ,

by

to

of

,

A

letter which had been received from one
representative
the members
the society from
dealing with
dramatist
the United
States
Canadian copyright was also laid before the Sub
Committee and the secretary was instructed
to

of

.

In

.

of

to

to

,

to

a

of

on

-

.

.

.

to

to

.

of

to

;

at

,

in

loss
MS
the United
States
possible may remain unsettled owing
enforcing the member
the impossibility
which the
accounts
one relates
demand
publisher has promised
render and the last
dispute
refers
contract which
still
negotiation
course

One refers

and

to

-

.

of

in

,

at
a

,

,

to

.

FIFTEEN cases have come into the hands
the
secretary during the last month
Three
these
relate
the loss
MSS
one the MS has been
returned
the member concerned and the other
negotiation
two are still
course
There have
been
five cases where money owing
members
has not been paid
One
these has been settled
one has been placed
the hands
the society
any
solicitors
was impossible
come
arrangement
negotiation
one
still
course
and the remaining two have only come into the
press
office just before going
two claims
for money and accounts the accounts have been
rendered and the money paid
One case relating
dispute
agreement has been
settled
Of four claims for accounts three are still
course
negotiation
often happens that some little
time must elapse the publisher having
through his books
order
collect the figures
the remaining one has been placed
the hands
the solicitors
There are still three cases open from last month

of a

to

.

to

as

,

be

.

in

of

Management and the action which
Committee
reported
the
take
that body proposed
secretary was confirmed
the Sub Committee

it

Cases

to

's
of

,

-

to

in

, in

-

in

of

of

of

.

as

as ,

on

of

.

to

-

,

of

.

,

to

in

,

it of

16

on

-

of

.

's

at
of

It

October

COMMITTEE

The last meeting
the Dramatic Sub Com
mittee before the vacation took place
June
the society
offices
After the minutes
the
previous meeting had been read and signed
was
decided that the next meeting should be held
October but the chairman was empowered
deal
with any emergency question which should arise
during the vacation
The secretary then reported the position
the
Copyright Bill and drew
the Sub Committee
attention
various concessions which the society
had obtained for dramatists
The question
sketch production
was then
by the chairman
touched
who suggested that
many instances
the secretary should collect
possible
sketch prosecution
Another letter from the counsel
the National
Play Producing Managers
Association
America
was laid before the Sub Committee
which the
stopping piracies
writer explained his procedure
dramatic pieces
the States and proceeded
make fresh proposals
the Sub Committee
The
secretary was instructed
continue the corre
spondence
the real difficulty was one
finance
may
necessary
dealing with
later date
this question
circularise the dramatists inside
the society
The matter will be rediscussed
the
meeting
October and laid before the Committee
Management
The next question related
the infringement
England through MS reproduc
dramatic rights
plays by touring companies
tion
The secretary
for
write
his correspondent
was instructed
further particulars
The next case had already been discussed
the

of

discussion

.

ing were left
DRAMATIC

in

As the sitting of the committee had lasted a
considerable time the question of the agency agree
ment was adjourned till the next meeting .
The secretary laid before the committee various
letters he had received during the past month .

.

for

242

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Proposal
Criticism
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Longmans
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LEWIS

Study
THE MYSTIC BRIDE
the Life Story
Catherine
Siena
MRS AUBREY RICHARDSON
339
Werner Laurie
128
THE AUTOBIOGRAPHY OF ALFRED
AUSTIN
Two vols
54
325
308 pp
Macmillan
248
JAMES MCNEILL WHISTLER
An Estimate
and
Biography
By FRANK RUTTER
63
159
Grant Richards
THE NELSONS
BURNHAM
THORPE
Record
Compiled
Norfolk Family
npublished
from
Letters
and Note books
1787 1812
EYRE MATCHAM
306 pp
Lane
168.
JAMES JOHN GARTH WILKINSON
Memoir
his
Life with
By
Selection
from his Letters
Kegan Paul
WILKINSON
303 pp
10s.
THE LETTERS OF ROBERT LOUIS STEVENSON
vols
Edited
SIDNEY COLVIN 61
293
325
334
83
x

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Wellington Place
Giles Oxford

W

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Sabatini Rafael

etc

ART

81
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House

Youth
panion

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Longmans

THE
POST IMPRESSIONISTS
pp
104
Methuen
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MARRIAGE
TOTEMISM
AND RELIGION
An Answer
By THE RIGHT Hon
Critics
LORD
AVEBURY

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ANTHROPOLOGY

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WHILE every effort
keep
made
the compilers
this list
accurate and exhaustive
possible they have
attaining this object owing
some difficulty
the fact
that many
the books mentioned are not sent
the office
by the members
consequence
necessary
rely
largely upon lists
literary and
books which appear
papers
hoped
other
however
that members will
operate
the compiling
sending
this list and
particulars
help
their works
substantially
make
accurate
co
-

.
,

53
,

Ethesley

West Green
South Lancing Sussex
Sinclair Gardens
Kensington
Belcamp Faling
Tyhurst
Chaldon

, ,

,
:

,

Newman Miss Emma

Conor Lady

,

,

128

,
,

,

S
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W

,

Grosvenor Square
.

Caterham

Connor

BOOKS PUBLISHED BY MEMBERS

,
N
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, .

Terrace

,

.
.

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Stewart Marsden
Leo George Chiozza

Boa

Theatre

Charing CrossRoad

,

The
Barnes

10

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Massey

,

Miss Annesley
Macauliffe Max Arthur

Brien

Garrick

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60
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Kenealy

Money

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Mrs Ernest
John

Anthony

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Ingram

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Dr
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Sass
32 , Hillmarton
Road Holloway

,

Road London
129 Heathfield Road
Bir
Handsworth
mingham

Hamilton Henry
Hicks Seymour

Horlick

.

Ashford

,

.

.

.

,

Frederick

Holst Gustar

Winspeare

Kent
Bartholomew
,

Hackwood
William

.

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Dunster

London

Mrs Aglaia
Joshua Kismet
Grant John
Fleming

W

Piccadilly

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Colin

Club ,

Lyceum

Chart Court

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K

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(

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Fitzgerald

, Will

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N

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Tu

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Crawford Mrs ( Josephine
V . Rowe ).
Dowding , Margaret Keith

243

�THE AUTHOR .

EDUCATIONAL .
THE GIRLS ' SCHOOL YEAR BOOK (PUBLIC
SCHOOLS ).
The Official Book of Reference of the Association of Head
Mistresses .
The Year Book Press , 25, High
Street ,

61 x 4.
284 pp .
Nelson . 7d . n .
THE MARRIAGE
By F. FRANKFORT
OF BARBARA
MOORE . 7}
5 . 378 pp . Constable . 68.
THE BROKEN
By
PHIAL .
PERCY WHITE .
73 x 5 .
296 pp . Constable . 68.
THE CHOICE OF THEODORA . By THOMAS COBB . 73 x
5.
307 pp . Mills &amp; Boon . 6s.
AN EXCHANGE
OF Souls . By BARRY PAIN . 78 x 5.
256 pp . Nash . 28. n.
THE HEATH HOVER MYSTERY .
By BERTRAM MITFORD .
7 x 5 . 320 pp . Ward , Lock . 68.
THÚS SAITH MRS. GRUNDY . By ANNESLEY KENEALY ,
7 X 5. 320 pp . John Long . 38. 6d .
By M . E . FRANCIS . 78 x 5.
GENTLEMAN ROGER .
282 pp . Sands . 28. n.
PHYLLIS . By L . G . MOBERLY . 78 X 5. 302 pp . Ward ,
Lock . 68.

HISTORY

.

OF
STATE PAPERS, COLONIAL
SERIES ,
AMERICAN AND WEST INDIES , 1701. Preserved in the
Public
Record Office .
Edited by CECIL HEADLAM ,
103 X 77 . 818 pp . Wyman . 158.

CALENDAR

LITERARY .
GOLDRING ,

5.

x

BY

CHARLES

OF

.

.
S
.

.pp

P

.

COMMUNICATION

King

77

.

MISCELLANEOUS
IMPERIAL TELEGRAPHIC
BRIGHT
212

.

By MAUDE
ENGLAND ,
240 pp . Swift . 58. n.

LONELY

THE

.

.

, a

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.

,

S
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W

OF
.

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By

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by
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TO

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by

:

SUBMERGED
CONTINENTS
ATLANTIS
AND
History and Civilization
Their
Being
Chapters
from
the
Akashic
Records
RUDOLF
The
Max Gysi
Translation
STEINER
Authorised
Theosophical Publishing Society
By
THE ARABS
FLORENCE
FFOULKES With
Preface
PRINCESS FREDERICA
HANOVER
George White Printer 396 King
Road Chelsea

LEMURIA

7 X 44.

48. 60 , n.

TOPOGRAPHY ,
NOOKS AND CORNERS OF OLD ENGLAND . By ALLAN FEA .
7 X 5. 274 pp . Martin , Secker . 58. n.
THE WELSH BORDER :
Its
Churches ,
Castles
and
Dyke .
By M . A . HOYER and M . L . HEPPEL . 74 x 5.
238 pp . . Nutt . 38. 6d . n .

TRAVEL
URUGUAY . By W. H. KOEBEL .
9 X 51 .
Fisher Unwin . 108. 6d . n.
By
THE FAIR DOMINION .
R. E . VERNEDE .
296 pp . KEGAN PAUL . 78. 6d . n .

LITERARY , DRAMATIC ,

AND

350 pp .
8 } x 51.

MUSICAL

NOTES .

“M

tions ,

HE

Mr

Fair Dominion ” is the title of
. R. E .
Vernede ' s new book , containing the record
of his Canadian impressions and observa
published by Messrs. Kegan
Paul &amp; Co .

There are twelve illustrations
in colour by Cyrus
Cuneo .
Messrs . Kegan Paul have also published “ Letters
from Finland ,” by Rosalind Travers .
The letters
deal with various aspects of life in the Grand
Duchy , social , educational , artistic , political , and
racial.
The volume is profusely illustrated , not
only with views of Finland but with reproductions
of the work of some of the best Finnish artists .
Through the same publishers Mr. Douglas Sladen
is publishing a new book , “ How to See Italy by

Rail .”
The work is the result of Mr . Sladen ' s long
experience of Italy , in which a great part of his
time during the last twenty years has been spent .
It contains a chapter on railway routes , which
shows how to see every important place in the

country , while in treating of scenery , architecture ,
painting , and sculpture , he points out
the most
examples
splendid
found
each
district
Italian
after first giving the characteristics

,

71 x 5. 667 pp .

LILIAN WHITING .

all

.

:

THEOLOGY .
TRANSFIGURED . By
314 pp . Gay &amp; Hancock .

LIFE

of

THE Divine FIRE . By MAY SINCLAIR
Nash .
28. n.
THE GIFT . By S. MACNAUGHTAN .

CANADA OF TO-DAY . By WILLIAM MAXWELL . Jarrold &amp;
Sons . 18, n.
PATRIOTISM . A Biological Study. By H. G . F . SPURRELL .
71 X 5. 168 pp . G . Bell . 28. 60 . n .

in

FICTION .
THE ESCAPE AGENTS . By C. J. CUTCLIFFE
HYNE . 71x
5 . 323 pp . Werner Laurie . ' 68 .
TWIN SISTERS . By RICHARD MARSH . 71 x 5.
326 pp .
Cassell . 68.
LADY BETTY ACROSS THE WATER . By C. N . and A. M .
WILLIAMSON . 61 X 44. 280 pp . (Cheap Reprint .)
Methuen . 18. n .
UNDER THE SALAMANDER . By J. BLOUNDELLE BURTON .
73 x 5. 320 pp . Everett . 68.
THE COUNT OF LUXEMBOURG .
The Novel of the Play .
By H . SIMPSON .
71 X 44 .
226 pp .
Mills &amp; Boon .
18. n.
THE MUZZLED Ox . A Romance of Riches . By
CORALIE
STANTON and HEATH HOSKEN .
78 X 5.
331 pp .
Stanley Paul. 6s.

POLITICAL

be

Bloomsbury , W .C. 28. 6d . n .
THE EDUCATION
OF CHILDREN FROM THE STANDPOINT
OF THEOSOPHY . By RUDOLF STEINER .
Authorised
Translation by Max Gysi. The Theosophical Publishing
Society , 161, New Bond Street , W . 18. n .

MUSIC .
A HYMN OF LOYALTY . Words and Music . By
MARGARET
PEDLER . Stanley Webb .

to

244

�THE AUTHOR .

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application

600
the general committee was held
the chambers
the corporation
Denison
Wednesday June
House
when the sum
applicants
£360 was voted
Albert Dorrington
Indian story
Our Lady
the Leopards
will appear with Messrs Mills
July
Boon early
Mr Dorrington has another
sum

meeting

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August

net are obtainable from Mr George White
Printer 396 King
Road Chelsea
Mrs Havelock Ellis has new volume
Cornish
published
stories appearing
the autumn
Stanley Paul
called
The Imperishable
Wing
Trypbena Jane
One
these called
appearing
Revolt
the July Forum
The appeal
the recent dinner
the Royal
Literary Fund
presided
over
Mr Birrell

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in

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proof that the spirit
Captain Kettle
still
heroes and heroines Mr Cutcliffe Hyne
Algerian adventure from
that series
latest
book
The Escape Agents
Even
the last tale
the book
called
The Failure
nothing but name and the com
tells
failure
plete
vindication
much misunderstood
man
who
the pathetic hero
The story
Gemini
will recall
recent shipping disaster and suggest

animates
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As 28
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early

lash
them
has just been published by
Florence
Ffoulkes
entitled
the
Arabs
and consists
two poems set
music
English are
The poems besides being printed
also printed
Arabic characters
and the little
preface
book has
Princess Frederica
Copies
published
Hanover
the work which

of

a

.

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“

's

,

Stoughton are issuing several
Hodder
Mr Charles Garvice novels which have
form
uniform edition
bound
vignettes
with
coloured
and published

burden kindly

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treat their

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the title

serial form
under
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The same firm will issue later
the autumn
novel
Mr Charles Garvice entitled The
Other Girl
running
Mr Garvice novel Just Girl

Silence

to

,

of

A

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by

by

.

Creamland
and
will
illustrated
coloured
frontispiece and tail pieces
Mr Alec Carruthers
Gould
and
numerous photographs
The
price will be 10s

Messrs
reprints

Miss Amy McLaren

Yoke

of at

,

is
a

by

"

of

of

.

is

by

music

,

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a

by

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article
Before Penny

Loyalty
song the words and
Margaret Pedler published
which are
copy
Mr Stanley Webb
the song which
being sung
Miss Lucie Johnstone
has been
accepted
Her Majesty the Queen
Mr Charles Garvice long promised book
the
published
Devon countryside will
Messrs
Stoughton early
Hodder
the autumn
As
already announced
its title will be
Farm
“
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contains
entitled

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Morocco
Woman
Winter
South America
Mrs Cameron relates journey
some
000 miles the crossing
continent
Valparaiso
two occasions viz Buenos Aires
up the west coast and from Panama
Colon
Photographs and descriptions
the Incar Indians
Peru are features
the work
the first
time this entire coast has been written
from
point
woman
view
article
the subject
Women and Work
appears
The Fortnightly
for May
Mrs Alec
Tweedie
the writer
the article and
she
industry now covered
shows how wide
the field
women and pleads for
extension
this policy
Mrs Tweedie has been put
the councils
the
Eugenics
Society and the Cremation
Society
England

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July
appear early

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questions and love problems weave themselves into
anomaly
the story the plot
which develops
the Marriage and Divorce Laws
Auvergne and Its People
Miss Frances
Gostling deals with the country
ay
supersti
relates the quaint customs and lingering
tions
the people while
the same time making
the
the history
the reader acquainted with
province
Messrs Methuen
Co publish
the
book which
has eight illustrations
colour

and

's

Preface

a

An

contributed

,”

Vitæ

.

has

of Poems by Mr. Wilfrid Thorley , which
Mr. Elkin Mathews has published . “ Confessional
and Other
Poems ” is the title of Mr. Thorley ' s
volume .
Miss Annesley Kenealy ' s first novel, “ Thus
Saith
Mrs Grundy
has just been published
Intrigues
Mr John Long
Smart Set
sex

to a volume

well

Elixir

on of in

Hewlett

of such a mystery . “ The Race ,'
“ The Discontinued
Mail ” are
each characteristic productions .
The short sketch
“ How to Live on Nothing a Year in
Oaxaca "
shows Mr. Hyne in a more pensive mood , and inci
dentally reveals
his enthusiasm
for Mexico , but
the bulk of the book is dominated by Napoleon , the
stroke of whose anger is responsible for
the
yarns
Mr Werner Laurie
the publisher
Stanley Paul
Messrs
have completed
negotiations with Mrs Charlotte Cameron
publish
possible solution

“

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of

and

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of

Mr. Maurice

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one act piece was staged
the
Theatre
June
The action
the play opens outside the walls
eastern
city
The story briefly
this
Three beggars
plying their trade with little success are persuaded
proclaim
themselves the local deities and
having come down from the hills
Many sacrifices
the shape
food are brought
them
and they
are able
deceive the people
virtue
the fact
that the real gods are out and abroad
The
close
the play shows the revenge taken
the
beggars by the real gods
The play was inter

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translation
Scapin
Les
Fourberies
and
Scapin
entitled
The Rougueries
The same
week saw the production
for the first time
London
three act play
The Casting Out
Ray
Martin Whelan
On the
Lady
same evening
one act comedy
Coats
Gregory was produced
The humour
the piece
exchange
arises
from
accidental
coats
between two rival editors leading
the discovery
obituary notices which each has written
the
other for use
occasion shall require
On the following evening Lady Gregory
one
act comedy concerning
the superstitions
the
peasants
the influence
The Full Moon
was produced
also
the same occasion was
Harvest by Lennox Robinson
play
Boyle entitled
three acts
William
The Mineral Workers
was staged
June
The chief personage
the play
Irishman
who returns from America and acquires
farm
dig for iron which
from
his cousin
order
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Paderewski has
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Laurence Alma
Adlington
Tadema and published
Great

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Belfast manufacturing district
Birthright
play
two acts dealing with
Murray was
Irish peasant life written by
staged
which night also was
June
tragedy
included Mr
Yeat
Deirdre and
the
Lady Gregory
The Rising
humorous play
Moon
The second week
the company
visit opened
adaptation
with
one
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papers addresses and articles contributed
periods
the British Association
different
London
the
for the Advancement of Science
Chamber
Commerce The Quarterly Review
The
Monthly
and
Review
Fortnightly
The
Rerieur

beautiful Italian girl who
the play centres round
large sum
money from the Bey
has borrowed
repay within
Algiers which she has undertaken
marry the Bey
The
default
fixed time
caste includes Mr Colin Coop Miss Florence Beech
Mr Mark Lester and Miss Connie Emerald
The company from the Abbey Theatre Dublin
the
has during June produced various plays
The tour was opened with Mr
Court Theatre
comedy
Synge
the Western
The Playboy
The Piedish
which was followed by
World
by George Fitzmaurice
and
one act play

M

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Initiation and
Results
the essays that
comprise the present volume he speaks about the
Angelus Silesius
Mystics from Meister Eckhart
devotion and acquiescence
full measure
with
new
novel by
Love
The Wonder
issued
Messrs
Madame Albanesi which
Stanley Paul
Clear Type Sixpenny Novel Series
Communication
Imperial Telegraphic
Communication
Charles Bright was published last month by Messrs
made
King
the main the book
Co

being
first
series
musical comedies which
presented
the Kennington
Theatre was pro
The action
June
that theatre
duced

-

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publishing
Putnams
are
translation
authorised
the
Mystics
the Renaissance and
Rudolf Steiner
Thought
which Mr
Modern
their Relation
Bertram Keightley has prepared under the editorial
Steiner
supervision
Mr Max Gyse
already known
American readers by the volume

preted by a long caste in which were included Mr.
Charles V . France , Mr. Norman Page , Mr . Charles
Maude and Miss Enid Rose .
translated by
“ Hedda Gabler , ”
Ibsen 's play
was revived
Archer
William
Gosse
and
Edmund
May
the Kingsway Theatre towards the close
Kinsey Peile Madame
The caste included Mr
Lydia Yavorska and Miss Florence Haydon
The Algerian Girl
Herbert Shelley the

“

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be

1912

be

already

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immediately
desire
Messrs
September

January

returned
will
submitted
upon application should the competitor

MS

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of

will

first announced

,

as

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of

of

for

Company , New
York ,
the Macaulay
book with
Lady
entitled “ Our
of Darkness ."
We are informed by Messrs . Hodder &amp; Stoughton
that they have decided to grant an extension of
MSS under the terms
the submitting
time
The
their £1 000 Prize Novel Competition
being August
1911
closing date instead

a

246

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Anti
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Drefusisme
Paris autrefois
Majesté Argent
aujourd hui
and
Majesté
Presse
Altogether
with regret that one comes
the end
the volume convinced though with
the author that malgré
défaillances
Paris
royauté dans
conserve
monde
Les Mours
Vie privée
autrefois
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monarchy
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Arthur Meyer

the funeral
perhaps the
The finest chapter
the book
Boulangisme
Meyer tells
one
the
whole tragic story
He tells
the hopes
the royalists
and
the fine generosity
the
Dowager Duchess
Uzès who took upon herself
the cost
the plan that had been devised and who

sa

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await with interest her next novel announced
appear shortly
Des Pas dans
Nuit
another
the series

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only
simple story but the charac
ters
are very human very true
life and are
drawn with great accuracy and skill
the
first book we have read by this author but we shall

moderne
Ravageuse

by

Gaston

Imperial and the visit
the Prince
Victoria and Princess Beatrice
Chislehurst

death
on

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although the episode
which the story
adultery
Rebelle
and Marcelle
other books are distinctly amoral
Ravageuse
though the
would seem
mother were giving her opinion with regard
some
the theories set forth
her daughter
books
Qui says one
her personages
his
being duped by
emancipated
friend who
woman
travail qui donne independance
développer
complainte
fameux
moi
est
book

based
Tinayre

book

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one thing the mother possesses which she
inculcating
has not apparently succeeded
her
daughter
distinctly
La Ravageuse
moral

there

Ce que mes Yeux ont

Verre

souvenirs dating from
1870
1910
Meyer
manager
Gaulois the royalist
and ultra Catholic newspaper and these souvenirs
certainly well worth
reading
Faguet
are
whose political opinions are totally different from
Meyer
those
has written
admirable
preface
The first chapter
entitled
Chute
Empire
and begins with
the year 1870
Meyer describes graphically the various scenes he
September
the famous Fourth
witnessed
the next chapter
Les Premières Faillites
République
Meyer continues his description
Very graphically
seeing
tells
his anguish
from the heights
Germain
the Louvre
flames and very pathetic
his account
the

de

by

",

A

T

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is

book
which
follows
La Rebelle
and
Ombre
Amour
Marcelle Tinayre
The daughter has learned
write
and
La
Maison
Pêché
and
La Vie amoureuse
François Barbazanges
her style
admirable
but

this

de

Le

of
by"

Prison

Chérau

Ravageuse
Louise Chasteau
extremely
simple story athe strength
which lies
absolute naturalness
human
true
life that among common
place people
similar experience must have been
made hundreds and hundreds
times
The
curious part about this book
that
should have
been written
Louise Chasteau the mother
my dear
Marcelle Tinayre
dedicated
daughter Marcelle
Tinayre
memory
those
loving hope
taught her
hours when full
something almost pathetic
write
There

Roi

Rue des Notaires
de

de

;

“

.

La

Métier

Princesses
Science
André Lichtenberger

La ”,

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Demoiselle

“

recent novels are

by Colette Yver author
Juste Lobel Alsacien
Louis Latzarus

PARIS NOTES

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is

.”

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les

containing also “ Un Concert chez
Fous
and
The new volume certainly one
Nuit Rouge
the most mysterious and thrilling stories
the
.

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Mr

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in

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the farmer 's land .
The farmer refuses to sell and
for
the resultant situation provides the problem
the dramatist
tragedy
The Clancy Name
one act
Boyle
play
Lennox Robinson preceded

of mysterious novels in which Charles Foley is a
began , side by side
Foley
past màster .
M.
with his historical studies , a series of tragic and
extremely dramatic
stories
when
he published
some ten or twelve years ago .
“ Au Téléphone ”
He is at present bringing out a collection of
mysterious novels , the titles of which are : “ Kowa
au
Judas , "
Chambre
“ La
la Mystérieuse , "
d 'un
soir , " and " Au Téléphone . ”
“ Divettes

of

The scheme is ridi.
believes exists in the earth .
caled by a local farmer who , however , gains a rich
harvest by seiling his produce to the other ' s
Eventually, the iron is
employees .
numerous
reached , but almost immediately after the spring
which provides the water - power dries up and the
machinery is brought to a standstill .
The only
way out is to divert the water from the lake , and
to do this it is necessary to cut a channel through

247

�THE AUTHOR .
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the native born writers
the United States
very severe especially when
Marie
cope
Claire and
Jean Christophe
have had
reckoned with lately
well
books from England
slump
signs
spite
this there are
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Twenty
Live
How
the non fiction list with
Day
Dilemma
and
The Doctor
four Hours
The publishers advertisement pages
the various
literary organs
New York Chicago Boston
the capacity
furnish still further evidence
English authors
great number
attract the
fact
the present moment
American reader
many are the names that
would
invidious
select any
them
for particular mention
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book which should
anyone interested
the
the History
studied
details given
There are very many
Revolution
this volume which explain much that otherwise
appears involved
France
Marseille
1720
La Peste
Duaranty
Paul Gaffarel and Marquis
the
the habits and customs
curious study
epoch and will doubtless
found interesting
special study
the public health
all who make
and
social economy
Eugène
Autour
une Dame
Honneur
Welvert
the story
Françoise
Chalus
Duchesse
Narbonne Lara
1734
1821
Jacques
Faye
Amitiés
Reine
preface
Ségur
with
the Marquis
Monseigneur Duchesne
Hab
Claude
loville
Clemenceau has written the preface

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La Conquête des Communes

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opinion
the subject
Raoul Arnaud
Lamballe
Princesse
another volume compiled with the greatest care
illus
documents
from many unpublished
engravings
and gives many
trated with seven

La

the beginning
the publishing season
1911
the United States
statement was
representative
made
the firm
Harper Brothers
answer
some questions asked
the New York Times which should have been
English
very gratifying
whom
few
authors
usually have much occasion for joy over American
notable
the effect that
was
book sales
tendency
recent seasons had been the extent
English
writers appearances
America
As
though
Mr
the good news
confirm
Lippincott Company
Ridings
his
the
May announced that he had
the States
return
English authors he had
with him the finest lot
ever brought over
And
recent list
best
English
Mr Jeffery Farnol
novelist
sellers

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Among other recent historical and biographical
Louis XVII
Etait
works are the following
Temple
Saint Léger with
évadé
preface by
Lenotre The author hasstudied many
hitherto unpublished documents and with the help
Madame Atkins
this book and that
any rate possible for the reader
Barbey
have

NOTES

it

so

in

so

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Correspondence

Delachaume

Calman Levy
Nuit
Jules Tallandier
Roi
Calmann Lévy

Ravageuse
Des Pas dans

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Jean

ALYS HALLARD

“ “

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on up

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six

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is

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on

are also
Comment
chapters
etait servi
the title
and
very curious are many
the stories told
the
devotion and fidelity
some
the old retainers
soignait
well known families
Comment
the last eight chapters and curiously
the title
enough among other things
find that the
Many
influenza raged
1782
the remedies
prescribed would amaze our modern medical men
distinctly
interesting
The book
and
seems
almost incredible that manners and customs should
radically
comparatively short
have changed

Byron

Lord

).

of a of

on

marriage

.

stables
very
instructive

at

the Château
700 Chatever
beds
the
he could put
The chapters

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in

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in
being

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fer
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told that
Rohan constantly put
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are

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Saverne
disposal
180

,

Duce .

a

livery

the volume
compiled

La La

we have some interesting
information
about the luxury
and the everyday expenses
Hospitality was practised
former times
scale which would amaze the hosts and hostesses
our times
We are told that
took thirty sheep
year for the table
month and
000 fowl
the
Choiseul
He employed 400 per
he Duc
fifty four
sons
and
his
domestics
wore
”

dépensait

" “ “ “ ** " "

248

least

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The Gleam
Helen Albee which has
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the autobiography
woman
and forty seven
soul between the ages

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in

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indicates
concerned
with the religious
the American
Indian
character
and
Psychical
interesting study
has produced
oddly simple
matters are also the subject
title
side

of

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.

i.

As
matter
fact however
Mr Strumsky
calls his collection
The Patient Observer
very
The Soul
the Indian
deals with
small section
the American people the people
boyhood we were taught
whom
call red
his
Dr
Eastman
skins
The author

,

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in

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by

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reality
Germany
grow
the menace
them
ing power and her irritation over the American
claims advanced
the Monroe Doctrine and the
policy
the Open Door
the Far East
might serve
The United States from Within
the name for
book
Simeon Strumsky
who
series
satirical and humorous essays
countrymen and their ways
criticises his fellow

“

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.
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in

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on to a

the ladder after
One Way Out

Military and naval topics are dealt with
General
Greene
The Revolutionary War
and the Military Policy
the United States
Captain
Gettysburg
Beecham
the Pivotal
Captain Mahan
Battie
the Civil War
and
The Interest
America
International Con
perhaps
ditions
But the last named
should
merely naval work
not
classed
The
gallant author preaches
his countrymen
the

in

's

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in

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big town
rung
the bottom
starting and failing higher

circle
fiction

.

a

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“

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be

;

H

.

.

with the novels
No more powerful sermon
very long
the guise
fiction has appeared for
Europe
time either
America
Those
one
the question
the removal
interested
the great social evils
the Western world should
this book
note
make
One Way Out
author who adopts the
pseudonym
William
Carleton
still less
Plainly
novel
veiled autobiography
describ
ing how
England
family
middle class New
began
emigrated
America
life again

of

to

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grim

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to

clue
hand Mr

Dixon
She Buildeth
Comfort
The Cats
Perry
Osborne
and Francis
Pajamas
The Haunted
whose title
frivolous character
On the other
Bondage
Kauffman
The House
hardly seems appropriate
that
class

Levington

its

“

's

Elliott

Thomas

H

by

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Ironmaster
Kimberley

country

this

John Sherwood
Dr Weir Mitchell
Robert
Spearman
Frank
The Root

M

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it of
-

to

“

in

Yellow Men and Gold
which
has been seen serially
Mention must
made also

.

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his readers

stirring too
Gouverneur Morris

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,

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of

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thrill for

Very

Life
his own Words with which
Johnston has made his way into the select
the six best sellers outside the realm

“

-

“

is

;

-

a

as

of

”

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in

,

new

Nation
manufactured
but extremely suc
Diary
entitled
The Corsican

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by

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!

in

of

with Stonewall Jackson
the dominating
Another Civil War story
Love
George Barr
under Fire
Randall Parrish
McCutcheon and Louis
Vance with
What
Cynthia
His Name
and
the Minute
the
byphens are the authors
may
remarked
promise
rival their former popular triumphs

the New York
curiously
cessful book
Napoleon

as

's

is

of

,
”

“

in

to

.

its

"

“

in

Members
the Family
has reintroduced
some
the characters
The Virginian
the
The
his numerous admirers
satisfaction
Long Roll
Mary Johnston presents
very
ambitious tale
the struggle between North and

Jacques Futrelle has
The High Hand

very interesting piece
work and the critics
have given
warm welcome
Notable biographies and memoirs bave perhaps
been
rather few
far this year
But
Mark
Twain
Archibald Henderson and
John La
Farge
memoir and study
the late famous
Royal Cortissoz have deservedly had
artist
subject ever popular
many readers
the
United States
dealt with
The Recollections
Abraham Lincoln
1847
1865
written
the late Ward Hill Lamon
and edited
well
Dorothy Lamon Teillard
published
the
biographies
American
Crisis series
the new
Lloyd Garrison
volume
William
the author
being Lindsay Swift who has previously done
good work
this series
Another Garrison
represented
volume
Letters and Memorials
Wendell Phillips Garrison
who
1906
brought
editorship
end forty one years

a

all
-

to

.

Kester

of

.

of

,

is

flourish
successes

The Prodigal Judge
the scene
which
laid
the Southern States eighty years ago and the
really fine piece
central character
which
Judge Slocum ought
humorous characterisation
please English readers he certainly has delighted
Molly Make
one
The other best seller
Believe
Eleanor
Hallowell Abbott which
made quite
wonderful hit
the
outset
prolonged run
career and looks like having
Then Henry Sydnor Harrison
Queed
has
typical specimen
been hailed
American
just what
fiction
its best and
novel should
Mary
be
The Legacy
Watts has
high praise
come
for almost
Owen Wister

South
figure

249

is

imagine

,

in

of
fiction although there one would
the field particularly open
comers
On the contrary the American novel
ing exceedingly
One
the two greatest
the present year has been Vaughan

“

all

THE AUTHOR .

well
Pole

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had been forgotten until his obituaries appeared
But the tributes
his memory last May were
universal and generous

Philip

WALSH

in

TYPISTS

AND

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why the rates
This
present
the best offices
not enable them
thought anybody
secure qualitied workers
could copy
idea widely prevailing and some
Usually
times expressed
shall try
show
much besides mere copying
exactly
involved
anybody
the kind which
cannot
enough that
natural and reasonable
author should feel intense irritation
receiving
type script disfigured
ignorant and what appear
him
idiotic mistakes
sympa
As
author
thize
The question
however whether those

It

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point which authors often do not understand
that the intelligent copying
literary
learned
work involves close attention
trained faculty
accuracy also
great deal
trained faculty
hard manual work and above all sound education
in

;

,

air

.

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“

.”

Arts
copyright has engaged
The question
good
deal
attention
the States
the early months
this year
An English correspondent
attack
has caused the editor
The Dial
reiterate the
deplorable and humiliating
that his country because
absurd copyright
law should
the only civilised nation excluded
from
the benefits
accrue
civilisation
froin the
attempts
Berne Convention
harmonise and sys
tematise the copyright requirements
the literary
Seeing that this
world
practically the riew
all reasonable people
the United States
seems
pity that the deplorable humiliation should

word
two
the subject may
acceptable
There
no need however
agitate the question
price which has been ably dealt with
the
latter correspondent
chiefly anxious
dwell

to

to

on

in

Babbit
The New
Laokoon
has
the topic
most courageous and
stimulating way
He defines his work
sub
Essay
title
the Confusion
the

the present writer
member for thirteen
years
the Society
Authors and the
typewriting office
owner
ten years
seems that the above heading must suggest some
points
interest
fellow members
view
recent letter
The Author complaining
gross
type writing firm and
carelessness
the part
able reply
trained and certificated Typist

to

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This
generally read
the most
perhaps
American work
the
but there
are numerous more technical books which appeal
the actual aeroplaner
Mention has already been made
the volume
John La Farge
There have been
few
attempts
large
discuss Art with

allowed

,

its

.

its

ex

”, of

in

“

in

serial form
both
sides
the
The
President also furnishes
com
mendatory foreword
Lassooing Wild Animals
Guy Scoll around
Africa
which
written
Buffalo
Jones
visit
the Dark Continent
Yet another book
the same part
the world

Hunting Adventures
Africa
the Big
Game Country
The author Mr McCutcheon
not George Barr but John
the cartoonist
his
adorns his text with numerous specimens
wit with the pencil
The Far East supplies the chief material for
discussion
The Obvious Orient
Professor
Bushnell Hart from letters written
the Boston
Transcript two
three years ago
and
Price
Collier
The West
the East from
American
Point
View
What
said
one
airship
the first
appropriately
travel books
from
the pen
Walter Wellman who calls
The Aerial Age

Canadian

- .

its

leaves

's

familiar
Atlantic

of

The literary obituary since the beginning of the
year includes David Graham Phillips (murdered by
a lunatic
in January ), a posthumous work
from
whose penis announced ;Mrs. Elizabeth Phelps Ward ,
whose
“ Gates Ajar " was a best -seller as long ago
1868 when
writer was only twenty four years
age Dr Maurice Fluegel the polyglot author
some well known books
historical religious
and scientific subjects
Dr
Wilson
novelist and writer for boys
and Colonel Thomas
Wentworth Higginson
Colonel Higginson
best
England probably for his Whittier
remembered
the Men
Letters Series was one
the last
England
survivors
the famous old group
New
authors
Not only did he write and fight but he
religion and
very
had also been
minister
strong abolitionist As
was eighty seven when
died even
his own land much
his high repute

title , “ Hunting
with the
the hesitating
reader in no
doubt as to what he will find within
covers
Warmer realms supply the scene
President
Roosevelt
African Game Trails
which
comparative newcomer
volume shape although
Eskimos ,"

alike

in

Whitney , and

Copyright Act , it has been discovered that this will
make Canada a paradise for pirates — to the loss

; ,

Expedition — the Commander 's own work , by the
way , is still selling well — is recalled by “ A Tender "
foot with Peary ," of which the author is George
Borup , who was the “ baby ” of the expedition .
Mr. Borup handles his pen gaily and light heartedly .
Another arctic book is by Harry

of as

250

�THE AUTHOR .

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them
clear than for the person who does
guess them
have
Most
not know
tendency
think that our MSS must
clear
other people because we know what
them
distinguished
ourselves
once said something
writing
client about the practice
and
alike
don
that was the reply with
“

-

to

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make

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half educated assistants
clearly written
said that
would speak only
Something should
MSS
first
said however
the other sort
Few authors realise how much
after
that
not
the bond has been done for
Surely
they may
them
the despised typist
think when they find lacunae
their MSS where
deciphering
the typist has given up the task
despair
long while before most typists
and
Surely
that
she had read
bit she
Very likely
would have seen what
would
but they
not propose
with
few honourable
exceptions
reading
pay for the time spent
Typists often spend time
reading
bit
looking back and comparing different passages
when he
intentions
determine the author
might himself have made them perfectly clear
writing and punctuation
elementary attention
money
Time
and
seems
me better
economy for the person who knows the facts
to on on
, a

as

by

. it

to

be

,

no

a

or

to

of

,

;

.

be

at

is

.

,

to

of

to or

of

as

a

how difficult
sure
word
even when
good serviceable hand
which you
written
really hare never heard and
which you have
clue
Even when the same word recurs again and
again
MS
will not always look the same
fact which presents no difficulty when the word
very real one when
absolutely
familiar but
in
a

.

no

,

to

it

is

.

in

a

a

as is of

which she has never heard
The context which
subject matter
often beyond her comprehension
style
well
will not help her
would
help
may
better read person
said that she
works under supervision
she does
under the
principal who
supervision
herself over
whelmed with work
besides correspondence and
gets
office management
but when
the check
ing stage the mistakes have been made and the
girl with every
you are
help
work wasted
sentence as she goes along you may as well do her
principals
work yourself
and the fact remains
only too well unless you have
offices know
girl
educated
often hopeless
And
me say here that few people will believe

is

the average typist who
nevertheless
putting much
hard and conscientious worker
very
care and common sense into her work for
low salary
not remarkable
she does not
spell paragraph
punctuate seeing
know how
people
good position
that large number
My point that
not know either
the present
pay
rates which the public are prepared
copying offices they have
employ
the heads

a

-

, . ,

,

at

a

,

a

necessary

insulting

It

to

.

.

of

at

,

or

,

TH

they have

the sense
the MS
some extent and such
girl cannot follow any sentence which
all
expected
involved
even long
She cannot
many
supply paragraphing
though
therefore
indenting the
authors seem never
have heard
paragraph
indicating
any
first line
recognised sign the lypist often has
clue Again
girl cannot
relied upon
read correctly words

follow

I

.

,

a

.
-

a

is

As for punctuation and paragraphing
real meaning for her
copying accurately
Now

imaginative

likely
know what the word
anything
but
novel might
was the
good type writing
remark made
me
clerk
office
the reason being
course that legal work
requires only
very small vocabulary
which
soon learnt by any girl constantly engaged
this may sound
conscious that much
you

in
a

so

is

said
supposed

is

I

that her mistakes are not
idiotic
bright girl and
Very often she
applies surprising care and intelligence
studying
the actual caligraphy
the MS
Her mistakes are
such as half educated person cannot avoid
She
school but she comes
has been taught something
from an illiterate
least
non literary home
very
and
familiar with
small vocabulary
probably
She reads nothing
but modern fiction
as

have

they are used

legal stuff

;

the

am

.

of

-

is
a

half educated girl

far the more serious consideration

ignorant of the word and
derivation
and
know
keeping
the difficulty
you are talking
says somebody
Oh but
about technical work
talking about words unfamiliar
the
ordinary typist
and any MS which has any claim
contain many
certain
be
the least literary
such words
Even when simple and homely they
they are unfamiliar
the way
are often rare
to

as

,

.

by

inflexion and

each

upreasonably

A

.

is

and

the typist

Very often

(
2
)

This
two

word

each

copy

This does not mean that the writing is
bad .
I have often had to write , for
my own clerks to copy , masses of unfamiliar matter
- proper names , botanical names , foreign matter
making every letter clear to a person absolutely

unknown.

be
,

of

a

,

's

decipher

present

a

(
to 1
)

,

is

.

.

to

do

,

mistakes are as idiotic as he thinks them - ignorant
no doubt they are in many cases . About the com mon difficulty of bad handwriting on the author ' s
part I will say nothing at present . Most authors
would admit that if their handwriting is illegible
the fault is with themselves . They do not so easily
understand however that
hand
which their
friends
not complain may still present difficulties
the typist
There are two important reasons
for this
One friends are not obliged
the typist

251

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gold the ladies
old calf and elegantly tooled
taking the form
portfolio
bag
most
useful accompaniment was small card map
the
pass
Italian railways which when folded formed
entitling the bearer
travel
would over
the lines
Reception
the balcony and
the rooms
gave good opportunity for the
the Press Club
mutual greetings
the Congressists and the next
morning His Majesty the King
Italy attended the
opening
the Congress
the Capitol The business
meetings were held
the handsome hall
the
.

to

for

I

.

so

a

to as

in
a

,

to

,

The President
the Association
Mr Arthur
Spurgeon
unfortunately
prevented
was
from
attending
arrival
the charming
Press Club
the
Palace Colonna
Rome the delegates were
presented with their tickets and documents
portfolio representing
old folio volume bound
On

is it

—

it
-

of

bit

,

it

a

be

is

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on

superficial
The
want the services

very

at

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is

so

—

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by —

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all

,
if

they only knew

four

the
Comité
Direction
Mr James
Baker the Hon Sec
the British International
Association
Journalists Sir James Yoxall
Editor
the Schoolmaster
Mr
Barnes
the Daily Mirror
Mr Walter Jerrold and Mr
Burgin
and Mesdames Baker and Jerrold

Louis

.
B
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be

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grounding makes the effect

twenty

Rome during
celebrations
the National Fête
this
Italy unity was
compliment
Jubilee year
the Italian members and the success of the gather
ing proved the choice
place was satisfactory
the associations represented
But the Comité felt that the historic attractions
strong temptation
delegates
Rome would
neglect the work
the Congress and
some
matters which were down
discussion were post
poned and the agenda
Questions
ordre
jour
Congres
eight
were limited
and
although
the discussions were decidedly not
heated
other Congresses yet the attendance
the business gatherings was always good
delegation consisted
The English
Mr
the

in

,

to

;

be a

of

—
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a

-

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pay
the rate that office can afford
pupil and stay little
come
experience
salary
gain
while
low
but she
the while looking out and quite rightly
for
something better and
year
two
the out
leaving the permanent burden
side she passes
copying work
those who cannot
better
The principal may supervise with
her strength
long time with her she
and when girls have been
thorough
effects something
but the want

will

She

together
delegates
representing
countries and
000 members
The holding
the Congress

A

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to

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to is to be

—

it

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a

at

ing office

now known
The Associ
ations
the Press
has grown from the
small beginning
the first International
Antwerp
Press Congress held
the year 1894
into the organisation which under the Central
Comité
this year
Direction
Rome drew

“

of

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on

of

in

it
.

to ,

to at ,

corrected afterwards
each
and these corrections will not all
made
unless the principal sees that
done
and that
the mere arranging
the paper and carbon sheets
typists
packing the carbons
for the machine
large proportion
call
takes
the whole time
occupied
copying office requires
The work
careful checking
well
manual dexterity
forgotten that
high speed also
should not
constantly demanded
and every
carbon
copies and
produced
much hard manual
step
labour step
Some people seem
think
that the machine does
and the typist only winds
handle
Copying might
career
educated girls
present
say nothing about
not
shorthand which
not largely required by literary
people
copy
But no educated girl will stay
copy

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the same time
the ink copy and
charged for
They seldom have
your explanation that
time however
listen
very great care
needed
that the stroke must
get
slow and hard
clear impression
that any

ought not

is

THE FIFTEENTH INTERNATIONAL CON
GRESS OF THE PRESS

or

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up

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are made

public

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consistent
and have
altered
There are
people who expect
you
know nothing
and
precious minutes explaining
you that
take
these passages you
which
crossed
out
are not
and there are people who will
rush
with
sheaf
unnumbered sheets
different sizes some written
one side only some
on two much transposed and thickly interlined
beg for
table and pen and ink and remain any
your already crowded office
time under
hour
making the Chinese puzzle more Chinese than
when they brought
There are those who will
argue with you longer than you can afford
argue
with them
the effect that carbon copies

her

,

soundly educated girls from cultured homes ; but
they will not pay
them
and such girls with such
get something better
homes are generally able

was

which

,

MS.,

Her

highly technical , was spattered with instances of
the way
marked this
the familiar confusion
through
you won
have any difficulty
what
the MS
often told about some alteration
Very seldom indeed has the thing really been done
and consequently when two
three typists are
set
work
different portions unless they are
warned and are very careful their copies are not

to

.

air of assured abhorrence

for

252

�THE AUTHOR .

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MEMBERS OF THE SOCIETY

£4
Front Page
Other Pages
Page
Hall of
Page
Quarter of
Eighth
Page
per inch
Single Column Advertisements
percent.
percent. made for Series Sixand
Reduction
Twelve Insertions.
&amp;

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BAKER

SCALE FOR ADVERTISEMENTS

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not
Rome add and
honourable men
the end
point that the ques
Herr Schweitzer carried
tion was not one for the Congress
this conclusion
yet

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JAMES

in

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to

Mr James Baker called attention
the fact that
Eng
what was called honourable fifty years ago
land would now be esteemed ridiculous and that
frequently duels were now ridiculous
men were
not killed
even wounded
Was not possible that
this conclusion
all journalists would soon arrive
gentleman
The English
word
had
been
used
speakers
all tongues
denote men
honour
England had long ago arrived
and gentlemen

a

an

as

,

on

he

.

of

International Exhibition
Art now
pro
Rome
The writer had the honour
posing prosperity
the Italian Press
The Conference card linked with the card
the
railways
gave the members
the Congress not
only the advantage
travelling all over the State
Railways but also
free entrance
all Museums
privilege that was
and Collections
immense
writing upon any Italian
value
all studying
historical subject and one that makes
all
intensely indebted
our Italian hosts
seen

,

.

,

this

Rome where

British Art from Turner
time
our day
Isidore Spielman the British
Commissioner
gave
luncheon
the English and Italian
inter
the Press Congress and
Members
esting speech
gave
sketch
the development
English art and spoke
the importance
tion

to

.

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of

a

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to

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-

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of

opposed

sections

Sir

of

of

,

of

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be

and Hon
Treasurer
stating the matter
was one the Congress could not take up and
spoke warmly
old military man
the question
point
honour
From
the English
view
the Association

the other

the

most heated
had brought
that
Tribunals
Honour
replace duels but Herr

forward
resolution
shall
established
Schweitzer the Vice President

before

of

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Berlin and

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the Borghese Gardens the art section
the Italian
Jubilee Exhibition
located
the English section
glorious exposi
stands out above
others and

recent

Lubozynski
Saint Auban
duelling
Upon the question
Signor Crispolli
discussion ensued
Justice

The English section
the
well worthy
visit and was ready

sent beforehand

Exhibition

England
the Press
case had enforced the
divulging
the name
the writers not accept
ing general responsibility
Some most interesting
papers upon this intricate subject were written by
formerly Minister
His Excellence Dr
Klein
secrecy

Monsieur Camille

di .

.

.”

discussion
Delegates
interesting
speech
Mr
Barnes made
pointing out that recent events
England had
greatly altered
the position
Journalists since
the speech made
Mr
Fisher
Berlin
Now there was
the Judges

weather
Rome was wet and cold and the Fras
cati excursion was marred
torrents
rain
The
Pompeii and round the
Naples
excursions
Gulf were excellently organised
At Turin matters
were rather mixed
the programmes were not

,

Press

the Associations
the immense amount
work
done
the Hon Secretary Monsieur Taunay
The social functions were brilliant and crowded
the Foreign Embassy reception being exceptionally
Amongst
brilliant
others was present
Prince
Sicily
Curiously enough the
Pietro
Scalea

to

with

President

in

-

“

Connection

Matters
Upon the former question
warm
arose
and
behalf
the English

Singer the veteran
the Press and

or

Journalists

in

between

”,

in

“

”,

“

of

of "

of

",

-

",

of

Succour and Providence
Professional Tribu
nals
and
The Shifting
the Place
Trial
for Journalistic Offences
but the two subjects
that aroused the greatest interest were
Pro
Duelling
fessional Secrecy
Press Matters
and

Although it will be seen that many weighty
matters were omitted from the Rome programme ,
yet the Congress proved
that a great advance
internationally
Subjects
has been made .
were
debated in better order ; there were no tumultuous
twenty
spite
scenes
all talking
once
four nations being represented differences were
set aside and
least the journalists have proved
they can meet for the common good
their order
and lay aside all bitterness
This has largely been
brought about
the keen diplomacy
Herr
of

.

to

;

"

of

for

“

of

up

in

of “

,

de

by

-

of

by

,

of

a

,

for

Press
Club
on
the
Piazza
Colonna .
Their
Majesties the King and Queen further honoured
the Congress by giving a Garden Party at the
Quirinal , at which Members of the Diplomatic
Corps and a brilliant gathering of the aristocracy
of Italy were present . Their Majesties chatted
long time with Herr Wilhelm
Singer the Presi
dent
the Congress and honoured many delegates
conversing freely with them
the Congress
Although the subjects for debate had been cur
amongst other
tailed
the Comité
Direction
postponed was the
matters
Facilities given
yet
Pressmen
the Houses
Parliament
amongst matters brought
debate were the
questions
Institutions
The Development

253

�obtained
But the transaction should
competent agent
with the advice
the Society

of

,

of

(
a

:

to

be

.

a

of

in

to

for

by

",

.

or

,

,

up

is

to

“

a

.

of

.

by

or

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of

to

to

to

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or .

to

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or

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to

to

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is

to

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is

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in

.

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of

.

of of

a

of

:

to

Be

.

of

of

.

what

,

is
a

,
in

of

DRAMATIC

of an

or

be

copyright

.

transfer

of

,

AUTHORS

.

TO

to

it

or

of

.

an

in

of to
a
be

is

of

.

It

2

.

:

.

.

of

is

such
contract should stipulate
the contract
for production
the piece
certain date
and for proper publication
his name
the
play bills
of

,

-

price can

be

a

if

proper

on

of

:

a

by
a in

in

.3

There are three forms
dramatic contract for plays
three or more acts
Sale outright
the performing right
This
unsatisfactory
An author who enters into
(a
.)

an

of

in

observed
dealing
methods

.
,

agreement

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating for
well
play with any one except
the production
established
manager

Outright

sometimes satisfactory

an

:

.

if

.

.

of

to

.

18

is

.

be

to

a

it

know

.

WARNINGS
TEVER

THE PRODUCERS

.

is

.

A

(
1
.
. )

(
2
.)

withheld
Always avoid

per

BOOKS

are
few standing rules
agreement
There are four
with literary property

1

sides shall

a

;

80

of

TO

OF

both

The inspection
those account books which belong
the author
We are advised that this
right
the
nature
common law right which cannot
denied

.

to

for life membership

£1

.

.

9
.

,
or

£10 10s

Society

the

That

. of
a

.

of

to

. to

means
to

.

The

.

of

on

.

8

subscription

WARNINGS

This

-

)
.

.

.

!

.

.

All other forms agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
by letter
agreements
possible
Avoid
The main points which the Society has always demanded
from the outset are

)

.

to

to

to

This

prevent authors from
Some agents endeavour
referring matters
the Secretary
the Society
publishers
do some
Members can make their own
deductions and act accordingly

Selling

A

II
.

(
1
.) In

(
.2
)

in

(
3
.)

of

General

(
3
.

a

of

to

to

neglect
stamp agreements
done within fourteen days
first execution
will undertake
behalf
members
it

be

( 2
( (
3
1
). .) .)

: , as
.

in

of be

,

.

of

Many agents

TTERE

Commission Agreement

The main points are
careful
production
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

a

in

be

To

.

.

6

entered into with
literary
the Secretary
the Society
strongly
Members are
accept without careful
advised not
consideration
the contracts with publishers submitted
them by literary agents and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society
7
.

.

of .

,

( a
3
)

be
. .

's

of

to

.

(
2
)

To

in

.

of

to

be

by ,

of

,

'

.

To

(
)1

No contract should
agent without the advice

The
annum

The Royalty System

perhaps with certain limitations the
This
best form
agreement
above all things necessary
know
proposed
royalty means
what the
both sides
now
possible for
author
ascertain approximately
the
truth
very
From time
important figures connected
time
royalties
with
are published
The Author

IY

in

!f

,

,

if

to

of to of in

,

of

no

.

4

6
.

The Committee
have arranged for the reception
agreements and their preservation
members
fire
proof safe
The agreements will
regarded
course
confidential documents
read only
the Secretary
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu
Society
lars
the
work can
obtained
the

Secretary

III

.

to

,

send

Remember always that
belonging
the Society
you are fighting the battles
you
other writers even
yourse
are reaping
direct benefit
and that you are
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer

Prospectus

to to

.

to

do

.

.

,

'

of

3
.

Before signing any agreement whatever
the document
the Society for examination

must

(
4
.)

's

,

of

. of

do

2
.

that questions connected with copyright
agreements
not fall within the experi
ordinary solicitors
Therefore
not scruple
use
ence
the Society
Remember

and publishers

Profit Sharing Agreement
bad form
agreement
this case the following rules should
attended
sign any agreement
Not
pro
which the cost
part without the strictest investigation
duction forms
give the publisher the power
Not
putting the
profits into his own pocket
charging
advertisements
charging
his own organs
exchange advertise
ments
Therefore keep control
the advertisements
special charge for office expenses
Not
allow
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
give
up
Not
serial
translation rights
Not
any publisher
bind yourself for future work
yourself
As well bind
any one solicitor
for the future
doctor
76 (6
.) .)

of

his

of to
a

.

,

if

to is

if

;

,

's

on

by

be

,

,

all

,

is

is

.

to

,

it

.

of

is
a

of

of or

in

,
or

a

, to

right
ask for and
has
receive
pub
advice upon his agreements his choice
any
dispute
arising
lisher
the conduct
the administration
his property
The
business
any
Secretary
the Society
solicitor but
there
special reason the Secretary will refer the case
the
they
the Society
Further the Committee
Solicitors
opinion without
deem
desirable will obtain counsel
any cost
the member
Moreover
where counsel
opinion
favourable and the sanction
the Committee
obtained action will
taken
behalf
the aggrieved
the Society
member and
costs borne

E

or

.

VENDITA

DVBRY member

"

managed
the Secretary

by
of a

USE THE SOCIETY .

TO

.

HOW

be

THE AUTHOR .

254

�THE AUTHOR .

time. This is most important .
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legal distinction

is of great importance .
7. Authors should remember that performing rights in a
play are distinct from literary copyright.
A manager
holding the performing right or licence to perform cannot

print the book of the words .
8. Never forget that United States rights may be exceed .

ingly valuable .
They should never be included in English
agreements without the author obtaining
a substantial
consideration .

9. Agreements
for collaboration
should be carefully
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

WARNINGS

TITTLE

can be added to the warnings given for the
assistance of producers
of books and dramatic
authors .
It must, however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
L

STAMPING

SCENARIOS

THE READING

will greatly assist the Society in this
branch of its work by informing young writers
of
existence
Their MSS can be read and
composition
treated
treated
coach
The term
MSS includes not only works
fiction
but poetry
possible under
and dramatic works and when
special arrangement
technical and scientific works
The
competence
experience
Readers are writers
and
The
guinea
fee
one
as
a

PLAYS .

BRANCH .

EMBERS
its

AND

MUSIC .

The Society undertakes to stamp copies of music on
behalf of its members for the fee of 6d . per 100 or part
of 100.
The members ' stamps are kept in the Society ' s
safe . The musical publishers communicate direct with the
Secretary , and the voucher is then forwarded
to the
members , who are thus saved much unnecessary trouble .

M

of

,

. .

,

of

.

.

to

of
by

Lane

or

Chancery

be

Bank

letter only

.

of

give notice
post
return
London and
registered
sent
by
to

of

be

Smiths

,

.

The Secretary
the Society begs
that
remittances are acknowledged
All remittances should
crossed Union

.

to

of

at

.

.

6d

REMITTANCES

.

of

a be

a

to

at

of

.23

is

,

or
a

be

in

of

,

at

,

byof

to

a

.

be

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
shillings
two
and sixpence will
carefully compared
the Secretary
qualified assis
tant
One copy will
stamped and returned
the author
and the other filed
the register
Copies
the Society
the scenario thus filed may be obtained
any time by
the author only
charge
small
typing
cover cost
Original Plays may also
filed subject
the same
rules with the exception that
play will be charged for
per act
the price

all

SCENARIOS

on

,

it

REGISTRATION
OF
ORIGINAL

MUSICAL COMPOSERS .

TO

,

4. Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one - act plays should
be reserved .
5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and

.

( c.) Sale of performing right or of a licence to
perform
on the basis of royalties (i .e., fixed
nightly fees ). This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect .
The
other safeguards set out under heading (6.) apply
also in this case.

authors should seek the advice of the
Society
plays into the hands of
before putting
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire
a
perpetual claim to a percentage on the author 's fees
plays
from it . As far as the placing
of
is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself . The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations
with
different
individuals , and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights .
In any case , in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

,

be

.

RAMATIC

by
a .

which the play should

AND AGENTS

.

before

AUTHORS

is

date on or
performed .

DRAMATIC

is

(6.) Sale of performing right or of a licence to
perform
on the basis of percentages on
vary between
Percentages
gross receipts .
5
a
An author should obtain
and 15 per cent.
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages .
A fixed

255

�THE AUTHOR .
Mid Victorian

and London Society men
frequent
which
was
contributor
not
name familiar
those
brought up
the monthly perusal
the Strand
competitors junior
and
Young
itself
Gilbert however followed
course still not without
parallel thinking
the army and giving
clerkship
then passing from
Government
office
Chambers
the Inner Temple where
was called
the bar
1864
As young barrister
he did
others have done before and since his day
who have been too impatient
comparative
wait

,

,

to

of

is

a

he

.

to

a

in

it

up
,

a

,

at a of

a

.

in

,

he

a

to

to

in

to

,

as

of

to

,

or

's

at

for

by

-

.
G
. .

by

he

,

is

, ,

he

of

.

at

as

of

.

R

,
.

a

of

by

a

it

in

all

in

a

as

of

.

by

a

ten

to

he

,

, ,

,

”

to

,

he it

,

at

,

,

is

in

to

,

in

recapitulate

to

is

It

.

here

”

the Gaiety
1886
The Princess
Impulse

",
"
A ",

“

,
"

“

's

",

“

”,

“
“

.

in

career

of

the

of

“

,

or

,

in

opened

Ages Ago
An old Score
Randall Thumb
Creatures
Happy Arcadia
Sensation Novel

,
"

.”

,

to

at

“

at

"

“

.

to

of

,

by

in

“

“

“

.”

Pygmalion

”,

“

,

”

of

”,
“

The Palace
and Galatea
The
Charity
Wicked World
and
Of these his
biographer
the Daily Telegraph records that
Pygmalion ended
placing £40 000
his credit
and some
the others must have been small gold
mines
him
the time and for many years
afterwards
Happy Arcadia
was produced
the Gallery
Truth

(

as

a

for

for

in

.

of

,

)

's

by ",

Illustration
where the German Reeds better
occupying
remembered
those not yet elderly
George
public who were not
Hall catered
theatre goers and were responsible for the coming
together
Gilbert and Sullivan
But
that
place some time
introduction
which
took
the
early seventies the sentence quoted
the opening
at

's

of

for

”

which

of

recen
a

as

,

,

, .

to in

,

“

to

of

be

of
. bon

usus

to

in

in

as
a

at

”

in

fac

to
to

of

.

it go

,

“

of

days
in

he

not necessary

their correct order
with dates all the plays
including
which
followed
Robert
the Devil

St
.

.
S
.

it

of
up

its

a

the

W

in of
a

of

-

, ,

.”

So

1

M

whole English speaking world will hear
with deep regret
the death
Sir
leading
Gilbert
said the Times
article and none will gainsay the estimate thus
given though he may qualify
with the reflection
generation
young playgoers has been
that
born and has grown
since the Savoy Theatre
first opened
doors and that
those
whose
Pygmalion and Galatea
beyond
memories
the days when Mary Anderson played
the
Lyceum
acknowledge
have
rather more than
Whave
middle age
The biographical notices
Sir
William Gilbert havebiographicalken
indeed taken
back
period
history
the modern stage and
recent
journalism
which belongs
fact
the past
Not
many entries into the world can now
recorded
taking place
Southampton Street Strand where
first saw daylight
1836
We hardly recall
Fun
serious rival
Punch capturing Gilbert
and the Bab Ballads because the yarn
the Nancy
Bell was
too cannibalistic
Mark Lemon

,

.

GILBERT

sacrifice

HE

a to

as

,

of

, ,
to

up

a

of

.

SCHWENCK

to

,

of an

on

to

WILLIAM

SIR

the world

.

in

it

is

.

,

in

the other civilised countries

to

a

,

by

,

of

a

to

great pleasure from
notice
hand
Congress Washington
the Library
that
proclamation has been issued
the President by
which the United States and Sweden
are now
win
copyright alliance
The United States are gradually
coming forward and
hoped that the next move
copyright legislation
will abolish the manu
facturing clause once and for all and enable the
equal footing with
United States
stand

for Fun which
recorded
Mr
Sims
having been paid for
common with that
all
other contributors
the rate
£1
column
proportion
may not have been very
fractions
good
remunerative directly but
had attracted
deal
notice and when
was commissioned
Miss Herbert through Tom Robertson
write
Dulcamara
was well qualified
make the most
the chance
days and
He completed
duly accepted
cheque
full payment for
rights accompanied
the sound recommendation
good
again
piece
never
sell
for £30
say there was no secretary
Needless
the
Society
Authors
those days
administer
counsel
completed
before
the bargain
was
and the opportunity may well have been worth the

,

G

,

.

-

We see with

from

briefs and picking
odd ones
quarter sessions
themselves
who have succumbed
earning
the necessity
little money
He had been scribbling and
drawing
for the amusement
himself and his
early boyhood
friends from
and
credited
plays never accepted
with
least
fifteen
managers before
was twenty four
His work

of

H

to

C

.

a

-

of

.
,
B
. ,
;

.

W

Hewitt

E

,
J.

,

;

Frederick
Sidney Lee
Prof
Sandys and Frederic
Walter
Kenyon has been made
while the Order
Merit
that most exclusive Order has been
conferred upon Sir George Otto Trevelyan
Frederic
Raleigh

inactivity devilling other men

,

. . . .

Knighthoods

Osler

A

Sir

to

Sir

.

Sir

An Earldom of the United Kingdom has been
conferred upon the Earl of Rosebery , as also upon
The Lord Curzon of Kedleston .
Sir Frederick
Pollock ,
John Rhys and
William
Anson
Baronetcy
have been made Privy Councillors
has been granted
Robert Anderson and Prof

“

We have much pleasure in poting among the
Coronation list of awards various honours conferred
on Members of the Society , and others well known
in the profession of letters .

of

Members are reminded that The Author is
not published in August or September . The
next issue will appear in October .

William
Cowen

readers
magazine

-

tioned

in

GENERAL NOTES .

its

256

�THE AUTHOR .

of

his

of

,

of

80

”

“

,

to

be

an

he

of

A to

,

in

in

in

to

as

to

.

of

in

it

a

,

of

a

as

"

of

.

be

to

.
,

.

.

,

be

,

of

in

an

.

,

he

a

or

a

be

of did

he

he

,

,

,

by

of

by

,

is

.”

as

of

do

in

,

,

:

“

a

As

in

of

,

a

he

a

of

,
if

,

he in

his

.

in

.

by

of

at

.

of

,

his

by

,

in

of

the Society

SOCIETY

.

'

of

HE

of

,

,

.

in

,

s

1

in

Authors was last
October 1907 and all elections
ince then after each monthly committee
meeting
have been chronicled
The Author
list
published

,

a

as

M

he

a

;

a

,

.

to

,

by

in

,

THE ROLL OF THE AUTHORS

of

of

,

to

I

by

of

a

to

a

on

,

's

for

a

. ,

a

,

“

,

a

at ”,

”

“

.

to

of its

,

,

of

. I

in

,

En

“

“

in

becoming
member
1899
but
was warmly
appreciative
the assistance rendered
the
Society
Authors and
the time
death
had been
member
its council for many years

Sir

, of

.

,
its

by

,
of "

of

“

”

,

“

,

”

“

,

"

By those who knew him thus he will be
not
remembered with no less affection
different
kind than
his personal friends
He was knighted
1907
He joined the
Society
Authors somewhat late
career

,

a

,

The Wicked

opera

in

“

World
transformed
1909
The Hooligan
sketch was
rather dreary last word played
the
quite recently
Coliseum
but his latest works
added little
their author
fame
and
May 29th
William Gilbert met with the death
tragically unlooked
and sudden but enviably
swift and painless the details
which have been
recently recorded
As writer
was thoroughly
master
the requirements
the public for which
he wrote witty and incisive with
wit and satire
original and peculiar
himself
and
into comic

than whom none would speak with fuller and more
intimate knowledge said
him
his interviews
published
the Daily Telegraph
matter
generous kind true gentleman
fact
was
its purest and original
and
use the words
sense
not mean one
those men who with
regarded
little veneer pass
such
This may
suinming up his private life and he more fitly
judged
his works
what
for the stage
the days
the old burlesques
the seventies
and early eighties
what
wrote whether acted

,

,

"

, ,

in

”,

of

as
,

", “

His

any

clever men inclined
intolerant
shams and
merely gifted with
conventions
criticalmental
quick tongue
outlook and
has had sayings
quoted which
impression
the repetition give
discourtesy and
rather aimless facetiousness
Surely these had better
forgotten
however
amusing they may have been when originally
uttered
the man himself
Mr George Grossmith

of

, ,
of

“

in

,

be

“

."

"

,
or

a

,

“

“

,

"

”,

gaged

language
inventor
some instances seem
have
language
good
become
the English
deal has been written recently
his wit
hardly seems fair
private life but
him
that
any degree
his reputation
humorist should
depend upon the ready retorts
inan who could
not
suffer fools gladly
and whose naturally
caustic humour found rather too easily language
express himself
which
Like many other
which
part

of

",

in

.

,

“

at

of

”, to

“

,

"

,

-

Sweethearts
Broken
David
Druce
Excellency
Wedding
The

living author

phrases

a

at

“

be

it
to

.
”

,

“

of

“

“

10 ,
,
“

.

of

,

mentioned
Tom
Cobb

itself in

full apprecia

may
that
estimated
many years the most widely quoted

vehicle

been for

as

,

at

"

'

D

.”

its

of

,

its

to “

,

”,

,

”

,

it

at

",

of

already

Hearts

adapted

in

,
, at

to

,

at

.

or

in

of

at
by

to

in

to

on "

'

D
“

by

The Mountebanks
with music
during
temporary disunion
the
Utopia
two principal Savoy partners
Limited
after they had adjusted their differences
interspersed with
and
such
works
those
Cellier

expression

or

of

,

a

, ,

,

"

“

",

.M
.S
.

“
H

-

an

to

it

transference
the new house
that name built
for the associated trio Gilbert
Sullivan and
Oyly Carte and destined
the house
succeeding years
Iolanthe
Princess Ida
Ruddigore
The Mikado
The Yeomen
the Guard
and
The Gondoliers
From
the
Savoy
the operas went all
need hardly be said
being credited
over the world
The Mikado
performances
with
least
000
the United
Space does not permit of more than
States alone

the mention

to display

at times seemed

So

,

as a

to

of

“

,

in

“

Pinafore
That the last named
the fame
authors wide through the
English speaking world may have been partly due
produced without
error which enabled
royalties
the United States
At all events
though somewhat intimately
British
allusion
popular there and the error
was prodigiously
referred
was not repeated
The
Pirates
Penzance
followed and then
Patience
after
starting
famous career
the older theatre
inaugurated
Savoy
Opera
1882
carried

which

surroundings hardly conducive to
tion
humour and individuality

have

later made its first hit with the
Oyly
Sorcerer
and under
Carte
the
Opera Comique scored heavily with the Sorcerer
make its first tremendous hit
and proceeded

with

,

poetry

thought and
polished grace and precision
with
composer
form
which must have helped
enormously
His mastery
metre
the dexterity
expression
his rhymes
and his terseness
provided his quaint
Gilbertian
with
well

and

1876

librettist of light opera he is likely to wait long
for a rival . Combining , as he did , a sense of

in

of this note might never have been written . When
a few years later their partnership came into active
being , it was to produce plays calculated to bring
to the theatre a vast following
of admirers of
large proportion
musical comedy
whom
were
general rule
not playgoers
but who were
ready
welcome the opportunity
attend
theatrical performances witty and amusing but
every respect
the same time void
offence
plot dialogue
whether
costume
the Giībert
and Sullivan opera began
the Opera Comique
Thespis
with
and
the Gaiety
1875 and
Jury
continued with
Trial
the Royalty

257

�THE AUTHOR .
unnecessary
look to them
for protection
from
intrusion upon them .
Finally , the committee believe that the sale of
the list would in no way justify the annual issue ,
for during the four years the list has been issued ,
with the exception of the first year , when , of course ,
it was correct , only about sixty have been
sold ,
while the sale in the first year did not cover the
cost of labour and production . An annual issue
would not be quite so expensive to the society for

More

than 250 members have been elected in each
of the last few years , and the society loses about
in deaths , resignations and
100 to 120 annually
erasures for non - payment . It is clear , therefore ,
that by this time the list published in 1907 is
entirely out-of-date .
Indeed , any list would
be
out-of-date if it was not published annually . The
expense of publishing the 1907 list , when every

into consideration , was a heavy
is taken
pecuniary burden on the society and was in no way
justified by the number of copies that have been
sold .
The question has again been brought before
the committee whether it would be advisable to
publish a new list , but for the following reasons
they
not inclined
incur the expense Firstly

obvious reasons , but still the expense would be
considerable , and the committee press this point
specially because there are so many claims on the
Such
funds of the society which must be met .

,

to

an

.

to is

of

expres
society

,

.

in

to

be

,

so

as

.

, -

to

of

by

as

to

be of

,

in

,

,

,

,

of

to

.

its it

at

is

have
the

.

,

however like
members

from

generally and accordingly
have authorised
the
The Author
this short article
insertion
pleased
The secretary will
hear from any
express his opinion about
member who desires
the publication
annual roll
the committee
guided
will naturally
the opinion
the
members with regard
future action

as

of

to

be

,

is

be is

of

.

to

,

to

of

,

of

.

of

to

be

to if
it

as

.

,
of of
a

on

of

a

so

to

of

by

.
to

of

it

committee would
opinion
sion

anticipated that
high
will
maintained
figure
The number
erasures
also large and
subscrip
this inevitable
deaths and defaults
There are also resignations and these
tions occur
they have
heavy
say are not
we are glad
As our work gets more widely known there
been
are fewer people who join the society merely for
when they have used
personal benefit and leave
The feeling that the
the society
the services
is

,

of

is

do

to

,

of

,
to

to

is ,

be

'

as

,

of

to

a

in

without
circularise members can
having their
Members object
receipt
further circulars
printing
Secondly the expense
the society
very
the list
substantial especially
under
any use
present conditions
the list
produced annually
The
ought
members
may
very large and
yearly election
members
order

much difficulty
mails added

of

charges and
matters
the payment
solicitors
inoney for fighting actions whose
the finding
must
the members
issue will bring real benefit
the funds and the committee
have the first call
consider that the publishing
list
the appear
the members seem
ance
which the majority
the
indifferent should await the time when
stronger
pecuniary position
the society
The

considerable number
members who
strong objection
their names and
have
for although the list
addresses being printed
private and only sold
members
the society
get
copy
yet any outside advertiser who desires
a

there are

.

to

are

item

an

258

it

,

.

of

at

of

,

for

, .

of

,

on

20

of

,

1

;

of

of

a

of

,

,

of

in to

of

in

a

, ' . ,

.

M

,

of

.

,

.

,

, .

,

Mrs Herbert Thring
Sir
Arthur Diosy

.

Mr

,

and

,

Hamilton

.

),

,

Mr

.

.

Jacobs

Cosmo

.

,

.

;

,

S

to

.

.

to

of

,

;

to

,

of

be to

it

in

,

on be

,

as

Mr

W

of

of

a

of

to

to

,

(

is

of

.

a

to

be

of

's

Mrs Alec Tweedie Mrs Charles
the evening
Mrs Burnett Smith
Miss May Sinclair
Perrin
Miss Marjorie Bowen Mr
Swan
Annie

W

on

,

be
a

in

,
for

,

of

's

the Society
seventh annual dinner
Women Journalists which took place
the
Criterion Restaurant
June
was one
the most important gatherings ever brought together
that excellent institution
under the auspices
president
the year
Mrs Bedford Fenwick
occupied the chair and among the distinguished
Wesselitsky
writers who supported her were
Mrs
president
the Foreign Press Association
the Writers
Katherine Cecil Thurston chairman
Mr Herbert Baily editor the Connoisseur
Club
cardinal
robes
resplendent
the crimson
the Shakspere ball
archbishop
foretaste
those present were going later
which several

. .

is

in

,

to

.

;

HE

M

-

on

a

of

or

on

WOMEN

OF

in

co

.

of

he

if

THE SOCIETY

JOURNALISTS

.

of

a

in

is

operative association
which
society
trouble can help those who are
membere not
the personnel
growing
But still the changes
publica
the society are very numerous and the
the
yearly list would
serious tax
tion
Nothing
more
the clerical staff
funds and
names and
list
edit than such
difficult
Thirdly
member
the case
addresses
his
the society wanting the names and addresses
reasons connected with the
fellow members
the society the committee consider that
business
the
any member after sending proper notice
inspect the list and
secretary might
allowed
the names
make copies
she wanted
circularise
order
members
and addresses
reasonable
would
the society business
them
the
copies
made subject
such
allow
payment
the clerical
sanction and
committee
expenses the committee naturally would have
know the purpose for which the member desires
the members would
the names and addresses
to

OF

DINNER

�THE AUTHOR .
Bindon and Lady Blood , and Mr. and Mrs . Hodder
Williams .
The original intention had been to arrange small
tables , as well as a high table , to represent various
jouruals , but such was the demand for seats that
the scheme had to be abandoned , and only some
half -a - dozen groups could be accommodated apart

The Society is to be congratulated upon a highly
successful Coronation
dinner, upon an increasing
usefulness , an expanding membership , and upon
the possession
of an enterprising
and energetic
staff of honorary officials .

.

,

in

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:

pinned him
the facts
And when this
idea comes
still further elaborated
with polished writers then we shall find
subtle
and beautiful picture
the stars and
the
Carlyle phrase
heavens
Street lamps
the
City
God
Now
once noticeable that Synecdoche and
Metonymy are first cousins
not quite safe

of

in

to

,

”,

in

."

easy

it

in

to

in

.

“

:

,

of

-

.

picture
the former indefinite
And
thing
appreciate eren
abstract
evening
suggested
master
When
Stevenson says
the dew fell and the
stars were
the party
The dew and the stars
are familiar enough and their association with the
closing
the day inevitable
comparison obviously made
Simile
Like
giant refreshed
Fairer than
As still as death
the lily
and
Metaphor
suggested comparison by means
phrase
some qualifying adjective
There
mistaking the sense and force
stony stare
definite

becomes

“

M

,

in

a

as

of

of

of

as

.

on

,
, ,
.P
, .,
.

.
a

of

.

.

for

.

of

to

at

a

a

of

to

“

Synecdoche
idea
the illustration
then
part
through mention
some constituent
paints
dozen sabres
escort
Thus
sharper picture and more immediately than
we
dozen men
escort
write
were
Metonymy
the substitution
the concrete
for the abstract
the familiar and readily intel
ligible for the unfamiliar and less readily intelligible
significant
He put his strength into
not
say
He put his back into
the latter

a

of

of

of

.

,

.
H
.
of

president
represent the
extended
her
society
Westminster
service
the Coronation
Abbey
couple
days later
Earlier
the
evening
telegram
had been despatched
their
Majesties the King and Queen
We the members
the Society
Women Journalists
assembled
honour
the Coronation
offer loyal and dutiful
your most gracious majesties
devotion
which
the following reply arrived
due course
sincerely thank the
The King and Queen
members
the Society
Women Journalists for
the loyal message and good wishes contained
your telegram which their Majesties have received
BIGGE
with much pleasure

which images and symbols
methods
may
created
literature
set
Synecdoche
down under four headings
Metonymy Simile and Metaphor
and however
ungrateful the task
compiling
catalogue there
nothing for
take these terms
here but
singly and
order and explain
their meaning
may
concisely
course
are

as
“

-

of

,

,

affiliated

HE

of

.

.

to

,

now

.J
.,

of

L

IV .

or

byto

:

of

“

to

,
.C
.M
.G
.,
G

to

of

.

's

Press Club

S
.W

to

in

DUNN

The commencement
this article
the April issue
spoke
style
the broad requirements
Continued
Economy Climax and
the May number
the Laws
Variety were dealt with
And last month some
detail
writing
explanation was given
the need
Grace
for the introduction
that
the æsthetic
M

to

,

,

”

.

.

Women

the
who dwelt upon the happy relations
that existed between the press
the Mother and
Daughter Countries
The names
other promi
nent Canadian women journalists appearing
the
lists
those present were Mrs FitzGibbon Mrs
Simpson Hayes Miss Agnes Deans Cameron and
Miss
Birchall Mr Crawshay Williams
the picturesque negligé
Greek fisherman
was responsible
felicitous little speech
honour
Mrs Bedford Fenwick who
her reply
made mention
the invitation
that had been

of

ARCHIBALD

“

.

.

of ,
M
.P
., ,

Sir

by , a

to

.

as

Mr

,

“

to

the Canadian

By

“

,

.

,

.

,

of

.

",

.

Mr

LITERATURE .

IN

'

;

of

.

.

;

Miss Burford Rawlings hon treasurer
Joynson Hicks
spoke
the toast
Our
while
the Realm
Estates
the Three
Guests with
cordial reference
those from
beyond the seas was proposed from the Chair and
responded
Mortimer Durand
and Mrs
Thurston
who referred
the woman
journalist
modern products
the most modern
The Society
was allotted
Israel
Zangwill who remarked
that the distinction
between literature and journalism had long since
They both had too much imagina
broken down
the
On behalf
be kept really separate
tion
society Mrs Baillie Reynolds made reply while
supporting her was Miss MacMurchy president
and

STYLE

.

sat

from

.

the general company .
These
were
The
Englishwoman , distinguished
by the presence of
Mrs . Henry Fawcett ; The British Journal of
Nursing , The Lady , The Woman at Home , at
which , among others ,
Mrs Baillie Saunders and
Mr Harold Child the Ladies Army and Navy
and the Lyceum
Clubs also had tables allotted
them
The heads
other tables were taken
officials
the society Mrs Baillie Reynolds vice
hon secretary
Mrs Willoughby Hodgson
chair

259

�THE AUTHOR

; , is

a

It

its

, .

to

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Revolution

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French

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to

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Carlyle

's

*

.”

's of is

his he
to

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,

lighted

wrong
very
would certainly
have been
have expressed himself
such
manner
appeal been
humbler folk
Here for
incomprehensible
them
not for others
jargon
collection
unfamiliar and unrecognised
terms expressions without meaning the apotheosis
ture
indeed
had

if

,
of

of

.

I of

,

at

.

to is

so

of

in

it

-

”

,

—

“

of

,
if

a

be

by

if

we turn from
qualifying word and examine that
expressed
which demands the qualifying phrase
we con
sider once again those
Street lamps
the City
any rate
God
then economy
the reader
apparent
attention
not
For
do not think
possible
realise this picture without some break
thought
the continuity
The Metaphor

,

be

to

,

a

,

-

! !

But

marbled hearted fiend
and
fiend with heart like marble
the simple metaphor which can

into the Erebus Blackness

Hope
Yet though Carlyle may have been
right
indulge
this tirade because
wrote for
the student and for those highly cultured
litera

a

is

a

, .

by

as

is

,

,

,

;

thou
thou

.

is

,

to

in

; of ,

be

to

.

In

“
“

Ingratitude
Ingratitude

,

, in in

--

of

to

to

at

.

is

more effective than Simile and
rule
preferred
explanation
Herbert Spencer argues that
greater
the two Metaphor has the advantage
economy and he instances the comparison between

Enceladus revolt when the task
which
mortal would willingly enter has become impera
tive inevitable
not even
kindness
Nature
that she lures
forward
cheerful promises
fallacious
not and
whole generation plunges

,

it

,

to

, , of

in

;

is

to

aid —

of

.

"

“

of

obviousness
the one than
the other
Simile
Metaphor
species
the comparison openly made
stage
only
caught
aside
the quicker
witted
And experience has shown that Metaphor

?
to ”
*

is in

-

to “

a

,

of

.

.

of

,

a

in

,

of

this
littlement
The actual distinction
between
Simile
and
Metaphor the point
which they separate and
the greater
lies
sense lose relationship

Simplicity
and foremost
But understand me
qualification
simple
with
For what
one
may be unintelligible
another and therefore the
extent
author
licence
erudite figures
speech
measured always
the capacity
his reader
What for instance would the poorly
educated reader make
this
For Conservation
strengthened
that mightiest quality
our
indolence sits for long ages not victorious only
which she should
but tyrannical incommunica
annihilated
She holds her adversary
tive
such adversary lying
the while like some buried
gain the smallest freedom
Enceladus
who
has
stir whole Trinacria with its Aetnas Where
Paper Age too
fore
the whole we will honour
hope
Era
For
this same frightful process

,

of

,

an

.

so

,

to

,

as

so

,

is

,

's

be
-

the writer and
the reader
the logical mind
allow

too patent

overdone
The aim
and object
the whole business
the long run
enlightenment
enlightenment
and
there
then most certainly does failure ensue
Thus the law
applying
speech
the use
all figures
first

,

of

's

in

.

—

,

,

.

;

,

”,

as
a

practical

too obvious

humanity
But this thing must not

,

an

in

,

to

to

a

in

is

its more practical value
Well
course
possible with looseness
language
call any
thing that
useful ornamental
and
that sense
the assertion might pass
But otherwise
and
proof which
the absence
not forthcoming
Spencer
article
the outstanding worth
Simile

short one
sink into the mind
this we have come upon
clear
distraction from the main issue
Hence
seems
Metaphor
more likely that the greater force
springs from another cause its greater attractiveness
All men says Dr Whately
are more gratified
catching the resemblance for themselves than
having
pointed out
them
other words
vanity
we
are
creatures
small
fond
discovering our own cleverness and
giving our
approving
pat upon the back
selves
may bave committed
although
theoretical
fault
construction although we may have caused
passing delay and
break across the smooth
thought towards the main idea here
current
ample compensation and we may believe
every author
debt honestly due
the weakness

a

of
,

;

,

at

is

a

to

,

or

a

is

,

Simile and Metaphor derive their effectiveness
the same source the ease with which they
recognise the full significance
enable
reader
the main idea And here again we find
obvious
relationship
though perhaps not
close
Indeed
say that
Herbert Spencer goes
far
Simile
many cases used chiefly with
view
orna
ment
and thereby implies some shortcoming
from

complete significance
requires
period

an

-

"

a

of

.

of

tu

so

to

is

”

or

there results
the reader
mind
immediate suggestion and explanation
the less
definite and less readily intelligible thought which
express
the writer wishes

though maybe
and admitting

of

"

of

to

a
“

of

to

. ,
of

,

an

of

",

,

“

,

“

Metonymy

.

well-nigh perfect , but
not immediately obvious

to

is

“

;

of

's

—
" “
—

of

for nstance , to assert very confidently that Steven description
the evening
When the dew
Metonymy
fell and the stars were
the party
falling dew
rather than Synecdoche
the
and
the
stars
constituent parts certainly
ordi
nary evening seem
demand the inclusion
the
phrase under the heading
Synecdoche
And
again
speak
dozen sabres
instead
clearly
dozen men
substitute the concrete for
the abstract and
trench upon the ground
Metonymy
large
But whether we are
admit
distinction
small one
none
all
not
perhaps
much moment
the more important
consideration
that from the definite and readily
intelligible idea advanced
Synedoche
and
son

of an

260

�THE AUTHOR .
,

is

;

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to

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of

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.

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by

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,

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as

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it

to

on

a

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it

,

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the

.

.

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be

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—
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its

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do
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to

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is

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in

.

of

,

is

so
,

.”

Herbert Spencer

.

of

It

by

, of

*

a

'

,

an

no

,

.

,

-

a

of

, to

is

on

if,

',
is

If,

is

it

be

to

, ,
of
if a

or

;

.

'

.

.

of

to
a

of

to

is

,

,

-

a

,

is

;

is

,

a

.

for no

,
;

is

on

,
to

to or

',

an

,

.

be

be

.

be made
The word
black
quality arouses
simply pre
definite idea
pares the mind
conceiving some object
that
kept suspended until
colour
and the attention
precedence
that object
known
then
always conveyed rightly
the adjective the idea

or

-

of

of

be

on

of

),

,

of

of

,

as

,

in

of
.
a
is

,

in

to

'

the other hand
mistake can
indicating
abstract
used

side

parts
we read and
embrace the thought not
whole
such circumstances
then the obvious course
experience
turn
and here there
doubt about the result
For whatever may have
originated
speaking
the habit amongst English
thinking
people
they
certain that for
them
the natural easy sequence
ideas has become
nowadays that
which the qualifying word epithet
phrase
stated before the subject qualified
and therefore
the mind works most smoothly and
consequently with the greatest rapidity under such
conditions
where impressiveness
desired the
need for observance
this law grows imperative
applies
practice
how
And then uprose
sensibly dramatic
picture
the great Montrose
strong
colours
but invert the verb which
qualifies
qualified
and Montrose who
and the
picture
wishy washy
instant
And then
the great Montrose uprose
Or perhaps
some
what longer quotation will point the moral better

but

,

, it
on

or

is

of .

,

a

a an an

,

of “
to to
of a
If

.

,

;

. ’

•

it

hindrance results
But
black horse
the expression

the other

But even ignoring this and turning
the
argument itself
logic
not easy
follow
not easy
see that the word
black
less
misunderstanding than
open
the word
horse
many things are black
nigger
look
deed
anticipate
And
the way with most
nigger
the chance may fall upon
then presently
when the word
horse
comes along there follows
obviously enough
very distinct check
the process
thought
first
the deletion
the nigger and
then
the fresh start off upon the picture
the
things there does
considering
horse
Indeed
any very satisfying reason why
not appear
the qualifying phrase should precede rather than
succeed
the subject qualified
either case the
thought
result may
check
the process
with one safeguard only the rapidity with which

S

;

,
-

in

cir

,

a

or

?

it

for

,

is
a

to

.

be

in

of

to

(

instead
black horse
then immediately
the
utterance
the word horse there arises
tends
arise
the mind
idea answering
that
word
and
there has been nothing
indicate
what kind
horse any image
horse may sug
gest itself
Very likely
however the image will
be that
brown horse
brown horses being the
most familiar
The result
that when the word
given
black
added
check
the process
thought
Either the picture
brown horse
already present
the imagination
has
suppressed
and the picture
black one sum
moned
its place
else
the picture
yet unformed the tendency
brown horse
form
has
be stopped
Whichever
the case some

sight

from

”
—

—

At

.

of

is

a

,

it

in

,

in

,

no
to

,

of

or

of

in

an

,

or

first
last
the middle what can
matter
ordinary way
passing remark
and
special import
hardly perhaps
sentence
consequence
But apart from this and
emphasise
cumstances when the writer desires
impressive then there
his point
maxim
Style
literature
his guidance which lays
phrase
down that any qualifying word epithet
shall precede the subject qualified
The philosophical explanation
this
based
process
the assumption that such
tends auto
matically
thought and
easier sequence
economy
therefore
effort
the part
the
reader
horse black
the arrangement

the

(

,

“

-

.

is

hidden

in

or

a

,

in

which qualifying phrases
any sentence
occupy
the formation
first
sight this would appear question
small moment

torms

page

as
it

in

,

?

word upon the position
general may most fitly

in

,

as ”

a

say

of in a

to

It

now

change

dependent for guidance
just the same dictates
nature
The Frenchman finds
easier
under
stand
the horse black
and the German reads
would seem when
sentence most comfortably
the verb governing and explaining the whole affair

,

of

a

of

in

”

of

a

,

of

or
of

”

to

.

,

,

we

,

of to

“

remains

What
here said
the adjective and sub

we see brings
curious
philosophy
For
this
founded
nature what shall we say
the Frenchman and
intelligent
people
the German
ourselves and
impasse

a

,

,
I

of

an

an

as

"

“

of
“ of

escort
dozen pairs
boots
instead
escort
dozen sabres we
should bave been
correct
the one case
the other but
should nevertheless have failed
paint the picture
pairs
And why
Because
infantry
any
boots
are common
escort
ragamuffins
police
whilst
admirers
crowd
cavalry
sabres
are distinctive

adverb and verb
All
which

as

, of

—

a

is

it

.

the main
had we spoken

therefore more forcible
respecting the succession
applicable
stantive

is )

.
, ;

of

—

or

,

,

Metaphor
Simile
they must form
distinctive part
thought
For
clear
think that

,

bow

Synecdoche
have yet another

whether

to

to

law

is

,

of

,

Metonymy

speech

of

”

to

figures

these

whereas precedence of the substantive is apt to
produce
misconception
follows that the one
gives the mind less trouble than the other and

,

Enceladus " and “ a

ee

buried

its

“ Some

,

style .

of bad

convey nothing
whole Trinacria with
Aetnas
those humbler folk and leave the picture blank
And beyond Simplicity there something more

261

�THE AUTHOR .
it

;

far

,

be as

no

it

a

,

in

no

be

at .

to

is

—

at

is

.

of

on

.

be .

to

,

is

in

,

,

to an
,

a

, ;

,

,

;

,

,

.

is

a

, is of

;

”

of

of

,

.

is

in

-

be
a

as
, to

in

in

—

.

It

.

“

it

to

,

to

is
—
”

on

“

in

be

to

is

of

a

as

to

of

a in

so

,

its

,

;

of

on

,

it

,

,

to

in

--

a

a

.

.

,

a

be of

a

,

is

or

of

to

is

the

the larger impression

on

—

the outcome

of

a

be

, to an

;

,

is

is

be

to of

be a

,

to

in

in

or a

;

correspondingly large impression
may
simply another instance
the thought can accentuate the
the long word
this case playing the
parenthesis
the construction

of it

It

of

itself

or

“
a

to

is

.

an

,

"
a

of

,

a

,

;

to

is

to

,

to

a

of ,

,

of

,

,

is

”

,

or be

,

.

as —

,

of

—

,

of

be ,

,

be

a

of

a

the

that this

But whether either
both are
the explanation the value
the long word
certain circumstances remains
fact
Thus
give
practical illustration
very
write
heary man
obviously
draw
somewhat indis
tinct and feeble picture
wbilst
write
ponderous man
arouse
immediate concep
tion of unusual weight and bulk
Then again the specific word
more readily
intelligible than the generic and should therefore
sentence
taken

”

."

,

-

,

,

a

as

as by
bya

of

,

in

At

conclusion
same part

.

.
a

.

in

of

,

.

-

a

.

it

and another has not

may

the word
the eye creating
the seuses
where suspension
size

as

—

to be

to

,

a

; be ,
it of
,
is

of

of

to

,

has

own

a

,

a

it

of

to ,
"

as

,

is

a

as

a

in

,

of

a

,
to

,

-

one man

preferable for habitual use
word
but where
impressive effect
desired where the object
subject
some quality
attract marked attention
peculiar emphasis
its
the long word produces

,

by

it

of

,

I

“

:

as

As

“

,

:

As
the handling
words the selection
one
rather than
another
certain that the word
chosen must always
the most appropriate
this
requires no argument
and of all the many words
that out
well stocked vocabulary might
express the meaning
made
one fashion
another only one
these can
the best the most
great extent
truly expressive
course the
To
aptitude for happy selection must
natural gift

,

we

,

.

-

as

a

-

it

natural

is

is

a

mind

.

to at

,

is

,

of

,

in

to

so

it

happens

which

on

a

of

—

is

of

,

,

;

,

such

though we shall have short words and long words
according
the circumstances words for the child
forgotten
not
and words for the student
general the short word will be the most
that
the resulting economy
account
effective
long sentence
for just
effort for the reader
greater strain
comprehension than
creates
many syllables
does
short one
will
word
greater impediment
become
the progress of
thought than will
word
few syllables
may
qualified
This
however
The short

in

of

.

,

it .

!

-

-

In

.

,

is

is to

be

from
the emotional mind
will demand
and foremost that
should know what the

under discussion
commence with
definite pronouncement
the matter
debate
For example
The first Lord
the Treasury was
Tory by many
favourite
detested by many
more direct and there
Scot
and by many
the purely reasoning mind
fore more satisfying
than the suspended thought created
this inver
Tory
sion
favourite and
Scot the
many
first Lord
the Treasury was detested
finally
And
the observance
these
laws
there must always be variety

For

,

of

would
tongue

The explanation
clear
the avoidance
suspension
monotony and
the
too long
main thought
But when discussion only
concerned when
the feelings and no attempt
no appeal
there
speak directly
the impressive when
short
this sequence ceases
the reason then observance
strictly necessary
the inversion
indeed
for this
The reason
often the most effective
been suggested
far
know
has not yet
tolerably fair assumption
anyone
but
seems
thing distinct one may
that the logical mind

subject

hard put
dissect his mother
An easier way then must be found and
simple
speak not
here
but
Every intelligent person
familiar
words
agreed
course
varies
the familiar word
different circles
the nursery and
the
academy
question
but there can never
given surroundings
Yet
what
suitable
be

,

a

rags

Stitch
stitch
stitch
poverty hunger and dirt

first

so

to

,

,

in

,

A

unwomanly

Plying her needle and thread

believe

;

,

-

as

it be
.

,

With fingers weary and worn
With eyelids heavy and red
woman sat

of

-

an

of

,

at

if

,

if

be

be

,

it

as

effec

,

( of

.”

“

,

of

,

,

added

be

,

is

”

“

is
,

)

."

to

in

then other qualifications may
tively after the subject
before

Simplicity and Variation
The simple words
the English language are
said
Saxon
and no doubt this
correct
We are told therefore that Saxon words are
preferred
words
Latin origin and again no
doubt this
correct
But somehow
the intro
suggests
complication
problem
duction
such
for many man and many
excellent writer too

,

of

;

“

England blew
forcible than
And our banner
ever upon the topmost roof
The important
qualification
course
Erer upon the topmost
roof
Where however many qualifications are applied
impor
one subject
will
found that
tant qualification
stated
once
the mind be
thought
set
this fashion into the proper train

same time there are principles which , if they do
not actually set us on the right road , at least pre
vent us wandering
from
and these principles
depend
the philosophy which has stood through
out for the mainstay
this discussion
This
you know
simply that the thought shall
expressed
that the reader can grasp
once and
obscurity and
without effort there
distraction through monotony
Hence
choice
words we are back again
the elementary laws

to

And ever upon the topmost roof our banner of
England blew ” grows weaker in steady proportion
as the subject
is advanced without qualification ,
England blew upon
thus
And ever our banner
the topmost roof
feeble yet one degree more

*

of of

262

�THE AUTHOR .

,

all

it

is it is

.

.

I .

of

is

—

it

it

,

.

,

’

,

of

it

of

of

of

is

:

,

,

,

of

,

a

,

,

,

,

:

if

a

,

of

.”

or

of

,

or

in
of
a

,

be

stock

and hackneyed

The Innocents

Abroad

."

.

*

.

on

a

It

!

It

.

,

by—

go

, of

, - of
its

in

the same letters

or

in

of

all

in

,

few

to

,

I

;

is

I

.”

be

—
in

is

, of

to

of

—
“

a

.

to

as

In

say

,

is

.

,

is

this
themselves

or

to

of

's

of

I

;

is

all of

a

,

is

nothing
distinct from

the music
their arrange
ment
all these principles
these maxims
something that
there
sure and practical
result something that will take the roughness off
polish
the edge and put
the surface
The
But

words

.

a of

it

.

an

for

no

,

of

is

on

an

,

, , ,

of its

,

in is

,

is

a

of of

to

,

from

,

a

climax

Lake
And this
what Stevenson says
the beauty
words
The names
the States and Territories
themselves form
chorus
sweet and most romantic
vocables Delaware Ohio Indiana Florida Dakota
Iowa Wyoming Minnesota and the Carolinas
poems with
there are
nobler music for the
songful tuneful land
ear
and
the new
Homer shall arise from the Western continent
his verse will
enriched his pages sing spon
taneously
with the names
States
and Cities
that would strike the fancy
business circular
nothing that we shall avoid the continuous
repetition
the same word
words with the
ending with
same sound
words beginning
“

,

so

,
is

.

,

.

;

by

,

.

for

,

at

of

be

,
as

a

working
recall the orator
trick
the eloquent and verbose
the
simple
from the magniloquent airing
ideas
the blunt repetition
statement
know
that
my cause
just
just
know
that the law
know that just ice will
done
And this mark
you
double repetition
the word and
the
setting
the phrase
but

have

roast their dead relatives
then mix the human
grease and ashes
gaum
bones with tar and
thick all over their heads and foreheads and ears
caterwauling about the hills and call
and
mourning
These are the gentry
that named the

:

perfectly

given intervals the
that now and then
good style must
first principles
the sake
why
Variety
set aside
And that
crude
thing
deliberate repetition
forbidden and yet
very essence
permissible
Repetition
string
monotonous
but after
florid passages
after series
sentences artistically varied then
the repetition
one idea and
insistence
becomes
force
contrast the most startling
example
variety
There
need
You
certain

,

a

fix

to

or
it

—

,

to

is

just there

is

is

it

-

a

.

in

of

So

dividing line
assert that just here
carrying routine too far
writer

Tahoe for a sea in the clouds ; a sea that has char
acter and asserts it in solemn calms at times , at
times in savage storms ; a sea whose royal seclu
sion is guarded by a cordon of sentinel peaks that
lift their frosty fronts nine thousand feet above the
level world : a sea whose every aspect is impres
sive , whose belongings
are
beautiful whose
lonely majesty types the Deity
Tahoe means
grasshopper
means grasshopper soup
They say
Indian
and suggestive
Indians
Digger
Piute possibly
feel sure
named
the Diggers
those low savages who

.”

the long word for impressiveness , the specific
rather than the generic and , finally , the illustrative word are to be the aim , throughout, of the
polished
writer . But only at the risk of failure
shall he insist on them too much . For here , as in
every branch of literary
construction and literary
style , is the law of Variation
stepping in to forbid
monotony . We may not weary the reader , and the
anything can become wearisome
best
tine
quite impossible
though
upon

:

,

word

word

,

Yet , not even the excellence of all these princi .
must ever tempt us into the indiscretion of
riding them to death .
The Saxon word , the short

ples

a

upon the ground , " convey a strengthened mean ing by the suggestiveness of the actual sound of
the words which are here italicised .
We under stand their meaning , of course , at any time ; but
we understand it all the more speedily and vividly
through this suggestiveness .

is

in themselves illustrative .
“ To smark
the face , "
“ To splash into the water ,” “ To fall with a thud

there is the stage beyond . It is indescribable , I
know , and like many other æsthetic effects
in
Nature incapable of analysis . You cannot say , for
instance , why one melody more than another is
beautiful ; why one voice is the more soothing and
sympathetic ; or why some passing glance should
betoken before the world an ardent admiration or
affection . These are the mysteries which humanity
acknowledges
but cannot explain . And so it is
with the music of words .
Thus, there is nothing
for it but to speak through themedium of examples
and leave the writer to work out his own salvation .
This , then , is what Mark Twain says about the
ugliness of words — he is discussing Lake Tahoe - :
“ Sorrow and misfortune overtake the Legislature
that still from year to year permits Tahoe to retain
its unmusical cognomen
!
Tahoe ! It suggests no
crystal waters , no picturesque shores , no sublimity .

is

” being too vague and conveying too
little to the minds of an average audience .
But
say , instead , that you are afraid of “ the surgeon 's
knife , " and the horror of the whole business
strikes the intelligence in a moment and creates a
picture which cannot be misunderstood .
Hence we see , in the advantages of realism , the
importance to be attached to those words which are

:

“ operation

writer who obeys these precepts with sincerity has
in a manner proved himself
and , to a degree at
Pity , then , that , if
least , assured his position .
this be the limit of his literary grace , he should
still be so far from ranking as a Master. For

It

when the alternative offers . For example ,
it will , as a rule , excite slight sympathy to say that
we are afraid of “ an operation ” — the generic term
be chosen

263

phrases

�THE AUTHOR .
.

of

a

all on

a

,

of

as

.

of

as

.

by"

),

,

6d

us
.

,

78
.

“

is &amp;

.A
.,

M

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.

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be

it

,
if

is

,

in

an

of

.

is

, of

of

is

.

-

a

of

.

;

is
a

It

.

to

.,

.

of

in

of

,

to

OF

.*
to

is

of

;

of

.

all

it

,

,

a

,

.

's

a

for

;

Harold

.

",

net

.

6d
,

7s
.

.

of

Novel

by

is

-

the English
Two Centuries
Smith Elder
Williams
,
M
.
A
.

&amp;

Chatto

*
-

.,

with

Arthur

do in

of

's

a

of

.

of

,

is

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—

to

.

a

,

— A

to

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and

a

in

as

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by.
A

,

by

Raleigh

,

,

a

.

of

."

of

.

"

NOVEL

larger scale than that
Professor
deserves
the laudatory epithets
The author knows his
proper
work
such
Thomas Nash
from
subject from
Thomas Hardy and his style
clear attractive
and
times epigrammatic
Works
erudition
having
too often give the reader
sensation
finished his day
work when he has reached the
paragraph
paragraph
but the end
end
We
the
next
desire
stimulates
this case
conclusions
not say that we endorse all the author
only obtained when writer and
that result

Novel

,
at

It

.

or

as

as

,
.

THE

not the only Richmond
think
but we are inclined
the English
His History
the best

of

as

he

;

or

or

R
.
.78B
.
A
6d.,
.

is

,

.

he

an

he

of

WILLIAMS

in
on
a is

.

ON

WORDSWORTH

Style
Technical Elements
by Eric Robertson
Wordsworthshire
forty seven plates after the original drawings
Published
and maps
Tucker
Windus
net

,

HISTORY

the field

forty years ago Wordsworth
was
almost forgotten
was looked upon
undistinguished
poet
who had lived
among the English Lakes
was acknowledged
that
had written one
two good sonnets but
the rest of his poetry was swept away with
broad
puerile and silly
sweep
the hand
There were
him
two fond admirers who believed
still one
and his writings
the poet
Nature
one

.

.

,

in

,

by

do

,

." if

,

,

.

,

THE

TR

† *
- “ *

.

;

—

of

It

.

in

a

We need not wonder then
has been exercised
perfect sentences are rare and perfect pages rarer

NHIRTY

on

,

,

It

.

of us

of

,

; * 's

,

he

to or

of

is
a

is

,

,

Tucker
We would recommend the book
those
who know and more
those who still ignorant
desire
know something
the beauties
the
verse
the Great Poet
Nature
of to

-

is
is

", in

of

it

,

is

.

to

's

in

of

be

It

it

.

,

it

,
a

up

is

,

altogether arabesque and
the elegant and
vigorous act
the
faculty
man but

sensual
the architecture
pregnant sentence which
pure intellect there
scarce

,

afford

should

the arrangement

From

exoteric Mr Robertson
esoteric
He commences by giving
account
Words
worth
forbears and his surroundings and then
most elaborate detail shows the effect
the lake
influence
not only the lake influence but the
every minute corner
influence
the lakes where
upon
Wordsworth
visited
his mental attitude
He shows again how this mental attitude reflected
good book
his poetry
and Mr Robert
worthy apostle
his
son has proved himself
copiously and attractively illustrated
prophet
from
black and white wash drawings by Arthur
in

,

to

to

,

as

;

of

in

in

is

an

.

“

to

-

.

,

of

,

a

of

to so

no

is

to

“

it
;
80

made

to

he

,

In

or

Wordsworth under the title
Wordsworthshire
ublished
Chatto
Windus
net
Eric Robertson
now before
would
for Wordsworth what Boswell bas
imagined
done for Johnson
can
that
exactly the opposite
the view point
Boswell

(p

.

,

,

yetof

so

is

.

so

?

of

,

is

to

in

;

is

,

in

of

Thus
this maze
the sure and
the vague
ample encouragement
there
and
matter for
despair
the outlook
There
much
see
many obligations
there not
fulfil
Writing
the practice
the Art
and
there
place anywhere for even the semblance
only
blemish
will failure
one particular
too apt
mean failure
all
the build
ing
house
cards where the single slip
will bring the whole flimsy structure clattering
the ground
And
hence
that one
may concur most whole heartedly
Stevenson
opinion
says
We begin
see now
any perfect passage
what
intricate affair
pure
whether
taste
how many faculties
make
reason
must be held upon the stretch
and why when
pleasure
complete
according letters which

of

us

,

to

the

the voices
the hills and dales
among which
lived
recent years
the study
Nature has grown
more and more fashionable
when hardly
week
passes that does not bring forth
book
wild
highways and byways
birds
animals
over
has come into his own
the country Wordsworth
again and takes his place
the High Priest
Nature
Those apostles
who
have
for years
worshipped
him
silence now take courage and
preach his gospel acknowledging
his teaching
One
the most interesting books dealing with

of

no

of in is

. .

to

is

the

,

of

a

to

before the Court
the Emotions
But there
give
man
Panacea for the Evil
This lies
most
domain
Art cloudy and obscure
triumph
and only
Artist
destined

giving utterance

,

,

.

of

,

of

to

so

,

,

;

be .

, ,

,

so

.

to

,

is

to

is

aim

— these are forbidden on the ground
of an offence
against Monotony .
higher than this
The
select the expressive word which
besides
melodious
the ear
Theoretically
And
too
with sentences
lacking
perfect perhaps they may still
crude
the necessary rhythm the even balance the easy
delightful
They may satisfy
flow
the senses
the intellect
course and yet fail most lamentably

.

264

�THE AUTHOR .

of

of

at

of

.

.

or of

“

of

,

,

on for

in

.

up

,

of

.

it

,

of

To

of .

of

(

a

to

,

.

,

is

it

in

.
an

of

in

of

."

“

in

to

although

the name

of

-

Sphere

,

The

a

to

,

of

is

of

“

tion

of

108

,

1

the June number
The Author
article
entitled
Prize Competitions
showing
This was written with the object
how indefinite editors and publishers usually are
framing the rules
these competitions and how
necessary
for authors
have
correct under
standing
the terms before submitting
their
MSS
One
the competitions referred
the
Ten Guinea Short Story Competi
article was the
appeared

”

”,

.

.
6d
.

in

,

of

,

,

in is

of

is

a

I

TN

.

;

the

PRIZE COMPETITIONS

of it

.

,

is

not

Three Novels

Fisher Unwin

.

T

:

.

.

G

.

,

his

on

:

no

,
is
,

,

,

To

.

to

)

,

as

, of
"

,

”

to

to

of

of

or

'

,

is

of

,

,

from

,

an

an

“

is

,

,

is

It

-

"
the

Studied

The essay
considerably more

it

he

,

to

“

of

,

,
”

“

-

that
from
the standpoint
one who
acquainted with Dickens
Thackeray
from
Dickens and Thackeray
Canning
Hon Albert

them

perhaps the most illumin
book
the point
view
the general
reader but tends by giving the reader too much
withdraw his interest from the book itself
We cannot say therefore that the book supplies
accomplishes the purpose for which
want
was written
those who have already studied
Thackeray
Dickens and
who know the beauties
characterisation for which both these authors are
famous the book
useless
those who are not
students
those
fact
which there are many
nowadays who delight
get the plot
book
without any
the literary subtleness and marvels
dangerous
the book
that
will rather prevent
study which
that intimate
essential
than
encourage
future perusal
ating

.

him

to

exposition
for beyond being
The Pickwick Papers
Nickleby
Vanity
and
Fair
the

plots and characters

Nicholas
book sets forth little that
fresh and illuminating
necessary however
endeavour
view
the work from the standpoint
the general reader

by *

with

which takes

,

,

.

of to

is

so

a

,

in

is

a

is

1

allotted

an

a

of

is

it

Vanity Fair
than half the

,

.

A

STUDY

difficult matter
criticise
the book
which
the subject
this review
The
prefatory note states that the
Author
work
not intended
much for those who are
well acquainted with Dickens and Thackeray
hopes
may
for the general reader
whom
prove useful
Therefore one well acquainted with
Thackeray
Dickens and
has
arduous task

the

as

by

of

.

acquaintance

closer

a

.*

DICKENS AND THACKERAY

TT

,

In a,

of

.

to

Dickens
characters
Pickwick
Weller
Jingle for
the characters
these works rather
than
their plots which strengthen the desire
"

to

or

Thackeray

of

."

preference

's

his

,

by

Dickens and of Jane Austen to George Eliot and
Charlotte Brontë . There are those who will wish
to argue with him
on both points ; and Walter
Besant would certainly have assigned a higher
place than he does to Charles Reade . But no
matter . The world would be a duller world than
it is if everybody agreed with everybody else about
everything . Mr. Williams's book is excellent for
the general reader , and will also be useful to
students who seek honours at the Universities in
English Literature .

,

represented

,

Hardy , be is at least as entitled to it as Mr. W .
Howells and Mr. Henry James , whose names do
occur .
Mr. Williams ' s critical standpoint is
D.

content with having obtained with little expen
diture
time superficial knowledge
the books
concerned
short the essays do not rouse one
enjoy the wonderful fascination
the two
pricking the curiosity suffici
writers concerned
ently
acting
appetiser
Instead
the
beginning
closing
dinner they have the effect
one
desires rather than increasing them
The
they lack originality
comments are not enlivening
Take for instance the comments
Pickwick
Papers
They give you
idea
the subtlety
him

's

Mr.

characters included in these books with running
comments by the author, but these comments hardly
rouse one 's interest , and it is possible that instead
of stimulating the reader to peruse Dickens or
Thackeray , they might deaden
interest leaving

“

conform .
The best English novels have seldom
stage -carpentry .
been
the strongest
in
The
adopted by
-detached
attitude , so splendidly
Flaubert , does not seem to flourish on our side of
the Channel. Even the followers of Flaubert , like
Mr. George Moore , have shown a tendency to fall
away from this method ; and it strikes us as curious
that Mr . Moore' s name is not mentioned
in
Mr . Williams 's pages. He says little , it is true ,
about contemporary writers ; but , if Mr. Moore
does not
claim
attention
as imperatively
as

point of view of one who may be anxious to read
these authors , or may be led to read them by having
his interest roused .
The question then arises , will
this book be of any use ? It contains studies of
Papers ,"
“ Pickwick
“ Nicholas Nickleby , " and
“ Vanity Fair . "
It is a revelation of the plot and

to

reader have an equal passion for the obvious ; but
it is only possible to differ from him with respect
and an apprehension lest , after all , he may turn out
to be right .
He is certainly right in maintaining
that great men must be judged by results , and not
by canons to which they deliberately refused to

265

the

�THE AUTHOR .

:

to

“ We pay Ten Guineas
this page

",

.

all

to

,

of

:

)

2

see

(

to

it

.

'

to

republishing
names

authors

of

is

of

,

,

to

,

of

,

is

,

it

)

,

to

(

all

.

in to

,

It

to is

,
?

for

,

a

.

If

so

to

on

as

,

to

a

of

,

,

in

of to

he be

to

of
at

,

If,

: at

."

in

",

of

“

of

,

in

of in
is

our article last month
set out
the words
the end
the story
the February
issue
Exclusive Copyright
The Sphere
the May
Complete Copyright
issue
The Sphere
But
“

,

of

the

."

in

“

in

.

of

."

in it
is

to

bebe

by

.

in

a

to

be

quite sure that our deductions are
subsequent issue
The Sphere

with

because neither the full serial rights nor the sole
and exclusive right
book publication are asked
for
therefore the author wished
issue the
story
serial form
later date there would
nothing
prevent him from
doing
republish the story
book form with
wished
others
his own writing there would be nothing
prevent this
The only hint
desire
the
part
the editor
have copyright
mentioned
in

of

“

:

as

'

.

,

to

order

correct we turn

himself the right
form

notice

What then
the legal interpretation
the
notices
that the author who accepts the
terms grants
The Sphere the serial use
his
story
the page referred
and further grants
the second notice
the editor the right
republish the story
presumably with others
book form
But the author
clear retains the
copyright and
reproduction
other rights

of

.

of

,

on

by

or .”

be

must
addressed
the large number
page
requested
week
March

“

of

in

,

would not have added

The Editor reserves
volume
these stories
attached

.

ill
-

to

,

,

of
of

,

on

-

“

anonymously
All stories submitted
Owing
The Editor The Sphere
already
short stories
received for this
that no more
sent
until the first

,

is

's
he

right

to

be

I

,

in of

.

,

of

Feb

We pay Ten Guineas for every short story accepted for
the most distinguished
this page
Whether written
published
novelist
the most obscure the story will

In

is

it

of

the second notice that the editor demands
possible rights
anyone
the story
Indeed
who reads the paragraph carefully
would seem
get the copy
that the editor does not expect

in

in

in

am
,

I

.

to

The Sphere

which was before the writer
the article
Prize Competitions we find that the notice
the
terms printed
the page which deals with
Our
Ten Guinea Short Story
runs
follows

in

nor

to

is

the

,

to

.

to

the issue

story accepted

or

of

,

,

nd

to

a

be

to

's

a

to

by
a

,

on an

of
2
,

a
by

is

of

.

a

of ,

so

is

it

to in

is is

it it

,
"

is

of "

am

I

.

in
a

it

,

On turning
ruary 11th

every short

these words
clear that only the serial
the story for The Sphere
asked for whatever
There
intention may have been
editor
copyright
the word
mention whatever
suggest either
there anything
the first

From
use

or

It

to
.

to ascertain what , in the mind
10 the
the editor , suggested the alteration
notices , but whether the first notice is taken or the
second
notice is taken our comment is equally
accurate and conclusive .
The first sentence we
repeat :

It is impossible

of

of

at

its

in

" We pay Ten Guineas for every short story accepted for
this page. The stories must be between 2, 000 and 3,000
words in length . Whether written by the most distin .
guished novelist
or the most obscure , the story will be
mitted must be
sher
S
addressed
The Story Editor , The Sphere , and must be
typewritten .
If not accepted the manuscript will be
returned if accompanied by stamp for postage . Not more
than one story may be submitted at a time.
The Editor
reserves to himself the right of republishing these stories in
volume form with the authors ' names attached . "

is

in

as

.

on

paper ) ."
I have always found in The Author many elements of
humour, but I did not expect to find statements that border
Everything points
this paragraph
the libellous
being the journal referred
The Sphere
true
that
the end
each story The Sphere states that the
story
copyright
said
Exclusive
but
not true that
offer
ten guineas for each story
not explicitly
only
accepting
any
stated
Not
stated but before
reprint
forwarding
given story
the habit
every successful competitor
these conditions
Not the
most exigent champion for the rights
authors can pre
pay for all
tend that ten guineas
not
fair price
rights
story
000 words
unknown writer and
may interest you
know that
one occasion quite
recently when
typist mistake successful competitor
paid three guineas for
was informed that she would
story the author wrote back
say that she was quite
willing
accept the three guineas although very sorry
that she had not been successful
the ten guinea com
question was promptly informed
petition
The author
quite
that she would receive ten guineas for the story and
fail
see what possible grievance
authors can
your
extracted from this competition
But
advised
give
crusade against editors you are not always careful
them full justice
Sir
Your obedient Servant
CLEMENT SHORTER
Editor
The Sphere

the

for

SIR , - In your issue of The Author
for June I find
the following statement
" One well - known weekly paper which invites the send
ing in of short stories , for the acceptance of which ten
guineas a story is promised , does not state in its offer that
the entire rights are required ; but at the bottom of the
page on which the story appears there is printed in small
type • Exclusive copyright of — ' (the name of the

of

:

for

June 20th, 1911.

The Editor , The Author ,
10, Bouverie Street , E . C.

dated May 27th .
There we find the notice
terms runs as follows

."

paper was not actually mentioned . We have now
received a letter from the editor objecting to the
criticism
contained in our article .
The letter is
printed here at full length , in spite of the irrelevant
matter it contains. Indeed , the irrelevant part of
the letter is interesting . It may afford indirect
testimony as to the attitude of the editor 's mind
when drawing up the terms for the “ Ten -Guinea
Short Story Competition . "

is no

266

�THE AUTHOR .
,

on

of

in

of

.

for to

is

.

.

,

of

.

of

,

,

If
To in if be

If

it

,

.

(
)

its

.

in

its

in

to of

to

.

or

to

to

is is

at
.

to

of

to

as

is

,

be

to

be

of to

or

.

so

- to

.

,

is

to

,

of

.

is

on a

by

.

is

be no

,

.

at

be

,

of

is

in

,

a

a

,

.

be

in

an

is is

it

it

so

!

on

.

on

,

to

.

or to

.

a

,

a

,

is

for
an
“

.

for

paid

rather more definite
Short Story £10
Essay
Moreover
the writer who has
story accepted
had
go

to

for

an

it to

to

is

,

to

is

.

. of ”

.

he

”.

is

,

In

,

is

In

“

on

an

article
call your

to

of

of

the publication
your last issue
venture

,
I

this subject

view
in

-

,

In

.

PRIZE COMPETITIONS
SIR

a

to

or

to

,

a

story before
Presumably
the £25
the winner
the competition who
able
fulfil
this condition
As the paragraph stands
offers
temptation
unscrupulous
people not being
authors
make embarrassing
demands merely
because they have either not written
have failed
story
publish
both competitions there
the demand
entrance fee for which the unsuccessful will receive
valuable criticism
and advice
the second
competition
the competitor
told that though

never written
published

or

.

CORRESPONDENCE

to

of

.

is

;

be

of

and

Poem

further £25

a

.”

to

,

of of

at

to

these difficulties
The second competition
guineas
The prizes are

,

,

,

This would mean unless
library
very large
near
purchase
magazines and though this principle
suggested
the former article may increase the
hardly fair
circulation
the magazines
Surely
unnecessary
the competing authors
and unfair strain both
his purse and his patience
easily have elucidated all
little care would
each

be 78

he

.

in

dates

three different monthlies
The
conceivably
announced

.

of

, , ,
,

at

is

If it
is

of

in

different

the author happens

to £7 40

a

it

in

,

as

if to to

, .

it

so

in

“

,

of

as of

.

did

,

be

to

,

on

of

of

Prize Competitions

behalf
quite

of

,

in

he

of

.
to

of

of

a

entitled

article

The Sphere indeed
the editor
inserting
The Author the

ducted

result may

of in

,

to

of

is

It

,

is

he

.

is as

is

it

to

The letter from
proves our wisdom

the author while the further fact that there
appeal from the decision
the judges makes
the position still worse
date
Moreover
mentioned
which
expected
This
the harder
decision may
being con
the author
that the competition

is

of

?

to

.

to

.

on

.

is

the moral obligations
considered
what
which the editor refers
The document
the paper
having been forwarded
successful competitors
the letter
stated
not within our ken but
reprint
the
the notice which now appears
printed
which the story
the page
head
does not provide
then we can only repeat that
copyright
the editor desired
for purchase
purchase the copyright
unfortunate that
many words
did not state this

fair

a

,

he

of

,

.

do

,

a

as

is

he

is
,

It

the
discuss the value
not necessary
prize given for the successful story
The
As far
Sphere
not criticise the
concerned the article
for
nor did
the bargain
financial side
moment suggest that the editor would not pay

all

.

,

in

,

to

to

,

It

so

knowledge

Similarly
say
difficult matter for them
they want the serial rights
either wholly
part they should mention this requirement
conjecture
hardly
leave
these questions

on

,
on

of of

is

ignorance
has arisen owing
say anything about the
hardly necessary
pleasing
learn that the
whole
letter
The Author
humour
writer has found elements
certainly has not found statements that
but
should think
That
the libellous
border
legal
perhaps further evidence
his lack

-

, to
.
to

in

of ,

,

to

the
the bottom
casts his eye down
which the stories appear
This statement will show that while the editor
The Sphere like other editors has been desirous
acquiring copyright
has failed
stories
owing
the competi
the loosely drawn terms
The Sphere
The editor
attain his desire
tion
for
we blame other editors
not blamed nor
But the difficulty
are they not all honourable men
chance

page

Nothing
said
the fate
the successful
nothing
stories
there
indicate whether they
published though this
are
hinted
published there
they are
still nothing
enable the authors
know when
where
An
quite willing
author may
sanction the appear
ance
his work
one
the three magazines and
yet very strongly object
appearance
either
the remaining two
Still stronger may be his
objection
appearance
quite possible under
the terms
this competition
elsewhere
the
proprietors want the copyright
surely should

to

is

no

of

"

it

"

to

he

a

is

,

as

of

of

,

as

,

If

to

It

is

may refer
not quite clear what
copyright
the question
the pronoun refers
mention
we have already shown there
then
the
the copyright
the transfer
whatever
lead the author
set out and nothing
terms
making such
transfer unless per
think he

of

it

of

.”

)
is

sic

(

its

" It is true that at the end of each story The Sphere
Copyright , ' but it is
states that the said story is Exclusive
ten guineas for each story
offer
not true that in
not explicitly stated

which authors
two other contests
invited
take part
Both
them
illustrate the need
the exercise
care
the
part of authors
which your contributor referred
his article
the end
being conducted
The first
these two contests
by the proprietors
three monthly magazines
Three prizes
£50 and eleven prizes
£10 each
are offered
And here apparently the matter ends
attention
have been

no

own

is

his

no

:

in

says

as

even

He

a

, which

for

cannot be definite
is printed above .

Shorter

letter

A

Mr.

267

�THE AUTHOR .
,
to

,

.

,

I

,

,

,

so

in

is

I

,
.
. ,

.

T

of

·

to

be

BULLEN

,

How

BOOKS ARE

BOUGHT

.

.

-

A

,

&amp;
c
.

it
.

of

-

for

.

conscience
Yours faithfully
F

a

,

.

it

be

,

1

it

be

I

an

of

?

is 28
.

,

of

in

like

develop something

appear
the Autumn
competitor
only remains
the would
assure himself
the financial standing
the
people behind
Yours
WOULD BE COMPETITOR

It

of is

a

,
if

of

in

. ,

6d

3s
.

to

In

at

A

would feel that the practice I have mentioned , a
practice which is in vogue in
our great cities
distinct fraud upon the author and ought
was
practised
put down
the law wherever
say
have the most complete proof
what
that
confidence
was given me
but unhappily
being done and hope
can only point out what
faintly that library
committees may
however
all

of

expenses

a

“ to the

, the

by

heavy

the
entrance fee shall be 2s . 6d . only ,"
examination
not typewritten
the story
the case
increased
additional
What does the hint
mean
contribution
purchased
100 short stories will
addition
per
000 words
£2
the rate
given for
decision and the
definite date
magazine for which the stories are required will

must contribute

,

268

or a

I

.

no

in

no

If

is

. if

of

its

is

,
it

,

is

a

is

of

;

an

is of a

a

or

in
a

.

by

to

no

be

A

to

,

A

.

to

at

.

in

',

few

a

at

off

all

.

3d

',

or

.

at

id

,

booksellers
by

at

,

or of

a so

I

off

.

,

at

I

a

If

town

.
.

,

A

,

.

's

,

is

by

a

is

of to

is

,

of ,

cutting firms
parties
far the best for
compen
going
cheap seller
The trouble
large sales and small risks
sated
the advantages
by the big cheap house
shared
the public and
increases the sales and the author benefit
Yours truly
MEMBER

.

an

ordinary
something

,

of

in

for

up

non payment

Yours faithfully

,

,

ALGERNON

WARREN

.

risk

?

against

be

of

be

.

no

a

or

a

of

of

.

of

is —

When
generally

CONTRIBUTORS

tradesman
fails
the creditors
the form
realisable stock
But
late years
gazettes and
various promoters
commercial
magazines
business nature have sprung
year
like mushrooms and collapsed after
two
leaving absolutely
convertible
assets
Could
organised whereby
not some seheme
insurance
publications
contributors
would
insured

,

SIR
there

-

he he to

to

he

I

,

so

do

.

's

or

a

to

INSURANCE

of to

.

made
his mind
endow many libraries
did
not give just moment
two thought
the men
whose brains produced the books he proposed
hand out
readers gratis
But although
apparently did not
really believe that

OF

of

on in

)

in

.

no

to a

is

he

at

up

It is

of

,
. if of a —

,

to

he

in

his

.

a

of

(

do

and many libraries
number
books are put

of

do

it

fluctuating price
should never
had sufficient offers
various prices
see which was best
that would never work
The old system
fixed price claimed
full
railway bookstalls
country booksellers
off

buy until

2d

of

in

,

to

a

is
,

of

is

it

A

.

,

of

,

their own binding
circulation which
not yield the author groat
Later
has the
hearing that
great
satisfaction
books are
demand
certain libraries and wonders much why
getting
royalties
that
pity that when Mr Carnegie
seems almost
a

binding
and

chances
there were

to

.

d

,

to

.

£ a
s

is

or

,

,

,

librarian
not one that
who can
deeply read man but
who
one who understands the
his business
buy for next
knows just where
waste paper
price Tauchpitz editions and Colonial editions
illegal
popular novels both
which
sell
very little more money spent
this country
a

Now
clever
guide readers

is

so to

of

am

I

.

of

)

(

by

a

of

.

his

of

of

.

,

late Mr Passmore
Edwards there are very many
where the local rate levied hardly does more thanh
pay for the upkeep
the building and the salaries
Very seldom
the librarian and
assistants
does any public spirited individual come forward
buying books
with
donation for the purpose
and when one does the genial committee managing
managing
any chance does
literary
the library never
get
are only concerned
man appear among them
the greatest number
books for the smallest pos
sible expenditure

or

.

.

.

to

to

as

I

,

,

in

,

,

—

many grievances and hardships
SIR
There
under which
authors labour
and are likely
labour generally
silence but know
none
shamefully unjust and illegal
the one
about
Among the multitude
now
call attention
Free Libraries founded by Mr Carnegie and the

prices were stated
advertisements
busy man has
pay chatty
time
squeezed
booksellers and
salesmen
few minutes over
review
settles
the book
sight
price
wanted
advertisement
quoted the book
not ordered
and unless some
probably
price
seen later
advertisement
forgotten
few days and there
the end

book
reviews
visits

so

AUTHORS

UPON

be

A

FRAUD

to

publish books
SIR
The grotesque proposal
without
fixed price was not met by the practical
point
view
the buyer
should never buy

�ADVERTISEMENTS

vii

.

TYPEWRITING . | AUTHORS

to

.,
, Co

&amp;

)

,
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DUPLICATING

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specimen

Special terms for large quantities

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.;

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.- No. 10.&#13;
JULY 1, 1911.&#13;
.&#13;
(PRICE SIXPENCE.&#13;
CONTENTS.&#13;
РДок&#13;
255&#13;
::&#13;
255&#13;
PAGR&#13;
239&#13;
239&#13;
239&#13;
240&#13;
241&#13;
243&#13;
244&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes&#13;
United States Notes ...&#13;
Authors and Typists ...&#13;
The Fifteenth International Congress of the Press&#13;
How to Use the Society&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Origir&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances ...&#13;
General Notes ...&#13;
Sir William Schwenck Gilbert&#13;
The Roll of the Authors' Society&#13;
Dinner of the Society of Women Journalists&#13;
Style in Literature&#13;
On Wordsworth ...&#13;
The History of the Novel&#13;
Dickens and Thackeray&#13;
Prize Competitions&#13;
Correspondence ...&#13;
255&#13;
255&#13;
255&#13;
256&#13;
256&#13;
257&#13;
247&#13;
258&#13;
248&#13;
250&#13;
252&#13;
254&#13;
: :&#13;
254&#13;
259&#13;
264&#13;
264&#13;
265&#13;
265&#13;
267&#13;
254&#13;
VS&#13;
255&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 1s.&#13;
8. The Author. Published ten months in the year (August and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58, 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
B. The Cost of Production. (Out of print.)&#13;
8. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods.” With comments and&#13;
advice. 2s.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices not. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.&#13;
&#13;
&#13;
## p. 238 (#320) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
.&#13;
Telephone No. : 374 Victoria.&#13;
. PRESIDENT.&#13;
THOMAS HARDY, O..M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDERSON, K.C.B. 1 THE RIGHT HON, THE LORD CURZON JUSTIN MCCARTHY.&#13;
SIR WM.REYNELL ANSON, Bart., D.O.L. OF KEDLESTON, P.C.&#13;
THE REV. C. H, MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR ARTHUR PINERO.&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
The Right Hon. SIR HORACB&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY,&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARD, F.R.S.&#13;
H. RIDER HAGGARD,&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON (“LOCAR MALET"). OWEN SEAMAN,&#13;
THE RIGHT HON. AUGUSTINE BIR. ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW,&#13;
BELL, P.C.&#13;
E. W. HORNUNG.&#13;
G. R, SIMS.&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
S. SQUIRE SPRIGGE, M.D.&#13;
THE REV. PROF. BONNEY, F.R.S. W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
The Right Hon. JAMES BRYCE, P.C. | HENRY JAMES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
THE RIGHT HON. THE LORD BURGH. JEROME K. JEROME.&#13;
Mus, Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
MRS. HUMPHRY WABD.&#13;
HALL CAINE,&#13;
J. SCOTT KELTIE, LL.D.&#13;
SIDNEY WEBB,&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
H. G. WELLS.&#13;
EGERTON CASTLE, F.8.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.8. PERCY WHITE.&#13;
EDWARD CLODD.&#13;
LADY LUGARD (Miss FLORA L. FIELD-MARSHAL THE RIGHT HOR.&#13;
W. MORRIS COLLES.&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON, JOHN COLLIER.&#13;
MRS. MAXWELL (M. E. BRADDON). P.C., &amp;c.&#13;
SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT.&#13;
G. BERNARD SHAW.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MR6. E. NESBIT BLAND,&#13;
AYLMER MAUDE.&#13;
SIDNEY WEBB,&#13;
J. W. COMyNS CARR,&#13;
ARTHUR RACKHAM.&#13;
RUDOLPH BESIER.&#13;
H. GRANVILLE BARKER.&#13;
C. HADDON CHAMBERS.&#13;
ANSTEY GUTHRIE,&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-R. C. CARTON.&#13;
| Miss CICELY HAMILTON.&#13;
| CECIL RALEIGH.&#13;
CAPT. BASIL HOOD.&#13;
G. BERNARD SHAW.&#13;
JEROME K. JEROME.&#13;
Miss E. M, SYMONDS.&#13;
JUSTIN HUNTLY MCCARTHY,&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS,&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
M. H. SPIELMANN.&#13;
MRS. HUMPHRY WARD,&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, | HERBERT SOLLIVAN,&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
| M. H. SPIELMANN,&#13;
H. A. HINKSON.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
THE HON. JOHN COLLIER,&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
FIELD, ROSCOX &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G, HEBBERT THBING, 39, Old Queen Street, Storey's Gate, S.W. So&#13;
Solicitor in England to&#13;
La Société des Gens de Lettres.&#13;
Legal Representative in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
&#13;
&#13;
## p. 238 (#321) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
— PLAYS&#13;
MR. FORBES DAWSON&#13;
(Member of the Society of Authors),&#13;
Master of Stage Craft, Technique, and&#13;
Play Construction,&#13;
Special Announcement to Authors !&#13;
Many would-be Competitors in&#13;
Messrs. Hodder &amp; Stoughton's&#13;
new £1,000 Novel Competition&#13;
are prevented from entering simply&#13;
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## p. 238 (#322) ############################################&#13;
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&#13;
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## p. 238 (#323) ############################################&#13;
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&#13;
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## p. 238 (#324) ############################################&#13;
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&#13;
&#13;
## p. 239 (#325) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXI.—No. 10.&#13;
JULY 1st, 1911.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
ADVERTISEMENTS.&#13;
374 VICTORIA.&#13;
As there seems to be an impression among&#13;
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TELEGRAPHIC ADDRESS :&#13;
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AUTORIDAD, LONDON. advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
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NOTICES.&#13;
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Members should apply to the Secretary for advice&#13;
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THE SOCIETY'S FUNDS.&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated TROM time to time members of the Society&#13;
to be the case.&#13;
N desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
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knowledge of the Secretary of the Society, and that&#13;
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LIST OF MEMBERS.&#13;
the year.&#13;
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return articles which cannot be accepted.&#13;
from month to month in these pages.&#13;
VOL. XXI.&#13;
&#13;
&#13;
## p. 240 (#326) ############################################&#13;
&#13;
240&#13;
THE AUTHOR.&#13;
·&#13;
·&#13;
·&#13;
· ·&#13;
£ $. d.&#13;
0 10 6&#13;
0 5 0&#13;
05&#13;
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THE PENSION FUND.&#13;
April 6, Rawlings, Burford&#13;
April 11, Wicks, Mark&#13;
O N February 1, the trustees of the Pension June 15, Fitzgerald, Colin&#13;
U Fund of the society-after the secretary June 15, Fleming, Mrs. A. D. . .&#13;
had placed before them the financial June 15, Sabatini, Raphael&#13;
position of the funddecided to invest £250 in June 16, Hamilton, Henry&#13;
. .&#13;
the purchase of Consols.&#13;
The amount purchased at the present price is&#13;
Donations.&#13;
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1911.&#13;
This brings the invested funds to £4,377 198. 4d.&#13;
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They desire to draw the attention of the members Jan. 3, Wasteneys, Lady .&#13;
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·&#13;
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year to declare another pension in case any im. Jan. 5, Crellin, H. N.&#13;
portant claim is forthcoming.&#13;
Jan. 5, S. F. G.. .&#13;
Jan. 6, Blake, J. P..&#13;
Consols 21%..............................£1,312 13 4&#13;
Local Loans&#13;
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1&#13;
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ture Stock .....&#13;
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. .&#13;
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.&#13;
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Corporation of London 21% Stock,&#13;
Feb. 10, Dale, T. F..&#13;
1927-57&#13;
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Jamaica 31% Stock, 1919-49 ......... 132 18 6&#13;
Feb. 21, Strachey, Lady .&#13;
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Granı Stock, 1938......... .... 198 3&#13;
March 6, Haultain, Arnold.&#13;
8&#13;
March 9, Hardy, Harold ,&#13;
March 9, Hutton, E. . .&#13;
Total ............... £4,377 19 4&#13;
March 10, Wilson, Albert .&#13;
March 16, Ward, Dudley.&#13;
Subscriptions.&#13;
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1911.&#13;
April 1, The XX Pen Club&#13;
£ $. d.&#13;
April 6, Channon, Mrs. E. M. .&#13;
Jan. 3, Yolland, Miss E. . . 0 5 0 April 7, Henry, Miss Alice . .&#13;
Jan. 3, Bowen, Miss Marjorie . • 1 1 0 April 10, Ralli, Scaramanga&#13;
Jan. 9, Bolton, Miss Anda . . : 0 5 0. April 11, Robins, Miss Alice&#13;
Jan. 13, Edginton, Miss Mayo : 0 5 0 April 20, MacEwan, Miss.&#13;
Feb. 11, Candan, Gilbert. . . 0 10 6 April 20, C. N. and Mrs. Williamson.&#13;
Feb. 15, Reynolds, Mrs. Baillie . 0 5 0 April 21, Shirley, Arthur . .&#13;
Feb. 21, Rhys, Ernest ..&#13;
0 10 6 April 22, H. A. and Mrs. Hinkson ..&#13;
Feb. 21, Cameron, Mrs. (Charlotte). i i 0 April 24, Toplis, Miss Grace&#13;
Feb. 21, Mulliken, Mrs. .. • 0 5 0 May, Walter John . . .&#13;
March 9, Boughton, Rutland . : 0 5 0 May 19, An Old Member.&#13;
: : .&#13;
March 10, Somers, John . . . 0 5 0 June 2, Wrench, Mrs. Stanley. .&#13;
0&#13;
....&#13;
0 10 0&#13;
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6&#13;
&#13;
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## p. 241 (#327) ############################################&#13;
&#13;
THE AUTHOR.&#13;
241&#13;
COMMITTEE NOTES.&#13;
WING to the Whitsuntide holiday, the June&#13;
meeting of the committee was postponed&#13;
till Monday, June 12. The committee are&#13;
pleased to state that there has been another very&#13;
satisfactory election, thirty-six members and&#13;
associates being elected. The list appears in&#13;
another column. This keeps the elections for the&#13;
current year above the average of former years, as&#13;
151 members and associates have been elected&#13;
since January. There were six resignations,&#13;
bringing the resignations for the current year&#13;
up to fifty-seven. After the elections the cases&#13;
were considered, the solicitor of the society being&#13;
present.&#13;
Cases. The first case considered referred to the&#13;
interpretation of an agreement between author and&#13;
publisher. The solicitor reported that he had given&#13;
his opinion that a good case existed. This bad&#13;
. been forwarded to the author, who was living in&#13;
America. The committee determined to wait&#13;
until they had received a further letter from&#13;
him. If he desired to carry the case further the&#13;
matter would be reconsidered in July. The second&#13;
case also had reference to a dispute on an agree-&#13;
ment between author and publisher. The society&#13;
decided to take the matter up as the author had&#13;
failed to obtain any of the money due in answer&#13;
to her applications as well as the applications of&#13;
her solicitors. The solicitor then reported on a&#13;
case which had been in the Courts already, and&#13;
asked for instructions as to the future line of&#13;
action. The committee decided to leave the&#13;
matter in the solicitor's hands to go forward with&#13;
the action unless it was possible to come to some&#13;
satisfactory settlement. There were two other&#13;
cases in which an author had got into difficulties&#13;
with two different publishers. The first claim,&#13;
which was a small one, the committee decided to&#13;
take up, and to arrange a suitable settlement with&#13;
the publisher if possible. In the second case it was&#13;
impossible for the committee to come to a conclusion&#13;
as to the best course to take, owing to the lack&#13;
of sufficient evidence. The solicitor was instructed&#13;
to enquire what further evidence the author would&#13;
produce. The last case was very difficult. It&#13;
was not an infringement of copyright but breach&#13;
of confidence. It was alleged that the author's&#13;
ideas had been taken. The solicitor reported&#13;
that he had seen the gentleman concerned and&#13;
had gone into the matter with him, and that&#13;
from the evidence produced he could not advise&#13;
the committee to take the case up. The committee&#13;
discussed the issues at considerable length on the&#13;
evidence that had been forthcoming, and decided&#13;
to adopt the solicitor's advice, unless some further&#13;
evidence was received.&#13;
The committee then turned their attention to the&#13;
Copyright Bill.&#13;
The secretary laid before the committee the steps&#13;
that had been taken since the last meeting, and the&#13;
work that had been done to guard the interests of&#13;
the members of the society. He had met the&#13;
President of the Publishers' Association and others&#13;
interested in the issues ; and he had been in&#13;
communication with the Board of Trade on certain&#13;
points. It appeared that the most serious matter&#13;
now left was the question of the reproduction of&#13;
gramophone, pianola and mechanical records under&#13;
a compulsory licence. The secretary read the&#13;
resolution which had been passed by the Joint&#13;
Committee of the Society of Authors, the Copyright&#13;
Association, the Publishers' Association and the&#13;
Music Publishers' Association. The resolution was&#13;
to the following effect :&#13;
“ That this meeting is unanimously opposed to any&#13;
scheme of dealing with mechanical instrument records&#13;
that does not give to the composer the right either&#13;
to withhold his work altogether or to make his first&#13;
bargain on his own terms; and is of opinion that no&#13;
compulsory licence should operate on terms less favourable&#13;
to the composer than those of the original bargain."&#13;
He reported that Sir Frederick Macmillan had&#13;
forwarded a copy of the resolution to the President&#13;
of the Board of Trade. He read, also, a letter&#13;
that Mr. William Boosey, of Messrs. Chappell &amp;&#13;
Co., had written on the same matter, and as the&#13;
issues were so serious the committee decided to ask&#13;
the President of the Board of Trade if he would&#13;
receive a depntation. The deputation, subject&#13;
to their consent, was to comprise the following&#13;
gentlemen :-&#13;
Dr. S. Squire Sprigge, Chairman of the Com-&#13;
mittee of Management.&#13;
Mr. J. W. Comyns Carr.&#13;
Sir Charles Villiers Stanford, Mus. Doc.&#13;
Mr. Herbert Sullivan.&#13;
Mr. Paul Reubens.&#13;
It was decided, if possible, to get the Labour&#13;
Members to meet the Committee of Management in&#13;
order to discuss some of the issues of the Bill.&#13;
Various other letters that the secretary had received,&#13;
and the secretary had written, were laid before the&#13;
committee.&#13;
The publication of the list of members came up&#13;
for discussion, and the committee decided that, at&#13;
present at any rate, they would not authorise the&#13;
publication of the list, as the expense to the society&#13;
was considerable and was not justified by the sales.&#13;
It was decided to “ waste " the surplus copies of&#13;
the publications of the society.&#13;
The Canadian Copyright Bill then came up for&#13;
discussion, but it was thought impossible to deal&#13;
with the matter till after the settlement of the&#13;
English Bill which was at present taking up all the&#13;
energies of the committee.&#13;
ԿԱՆ&#13;
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&#13;
## p. 242 (#328) ############################################&#13;
&#13;
242&#13;
THE AUTHOR.&#13;
As the sitting of the committee had lasted a with lists of English plays produced in foreign&#13;
considerable time the question of the agency agree countries, and that the lists had proved so far very&#13;
ment was adjourned till the next meeting.&#13;
useful and would be of great benefit to the drama-&#13;
The secretary laid before the committee various tists of the society.&#13;
letters he had received during the past month.&#13;
Finally, the Geueral Treaty was reconsidered,&#13;
and all the clauses already passed were read through.&#13;
Other clauses were also passed, and a few remain-&#13;
ing were left for discussion in October.&#13;
DRAMATIC SU’B-COMMITTEE.&#13;
The last meeting of the Dramatic Sub-Com-&#13;
mittee before the vacation took place on June 16&#13;
Cases.&#13;
at the society's offices. After the minutes of the&#13;
previous meeting had been read and signed, it was FIFTEEN cases have come into the hands of the&#13;
decided that the next meeting should be held in secretary during the last month. Three of these&#13;
October, but the chairman was empowered to deal relate to the loss of MSS. In one the MS. has been&#13;
with any emergency question which should arise returned to the member concerned, and the other&#13;
during the vacation.&#13;
two are still in course of negotiation. There have&#13;
The secretary then reported the position of the been five cases where money owing to members&#13;
Copyright Bill, and drew the Sub-Committee's has not been paid. One of these has been settled ;&#13;
attention to various concessions which the society one has been placed in the hands of the society's,&#13;
had obtained for dramatists.&#13;
solicitors, as it was impossible to come to any&#13;
The question of sketch production was then&#13;
arrangement ; one is still in course of negotiation,&#13;
touched on by the chairman, who suggested that and the remaining two have only come into the&#13;
the secretary should collect as many instances of office just before going to press. In two claims&#13;
sketch prosecution as possible.&#13;
for money and accounts the accounts have been&#13;
Another letter from the counsel of the National rendered and the money paid. One case relating&#13;
Association of Play Producing Managers of America to a dispute on an agreement has been settled&#13;
was laid before the Sub-Committee, in which the Of four claims for accounts, three are still in course&#13;
writer explained his procedure in stopping piracies of negotiation, as it often happens that some little&#13;
of dramatic pieces in the States, and proceeded to time must elapse, the publisher having to go&#13;
make fresh proposals to the Sub-Committee. The through his books in order to collect the figures ;&#13;
secretary was instructed to continue the corre- the remaining one has been placed in the hands of&#13;
spondence, as the real difficulty was one of finance. the solicitors,&#13;
It may be necessary, at a later date, in dealing with There are still three cases open from last month.&#13;
this question, to circularise the dramatists inside One refers to loss of a MS. in the United States,&#13;
the society. The matter will be rediscussed at the and it is possible may remain unsettled owing&#13;
meeting in October, and laid before the Committee to the impossibility of enforcing the member's&#13;
of Management.&#13;
demand; one relates to accounts which the&#13;
The next question related to the infringement of publisher has promised to render, and the last&#13;
dramatic rights in England through MS. reproduc- refers to a dispute on a contract which is still in&#13;
tion of plays by touring companies. The secretary course of negotiation.&#13;
was instructed to write to his correspondent for&#13;
further particulars.&#13;
The next case had already been discussed by the&#13;
Committee of Management, and the action which&#13;
June Elections.&#13;
that body proposed to take, as reported by the&#13;
secretary, was confirmed by the Sub-Committee. Alexander, Mrs. Evelyn · Newtown, Straffan, co.&#13;
A letter which had been received from one of&#13;
Kildare, Ireland.&#13;
the members of the society from a representative Argyll, Saxby, C. F., M.A. “ Brooklyn,” Wade-&#13;
dramatist in the United States, dealing with&#13;
bridge, Cornwall.&#13;
Canadian copyright, was also laid before the Sub. Belloc, Hillaire&#13;
King's Land, Shipley,&#13;
Committee, and the secretary was instructed to&#13;
Horsham.&#13;
refer it to the Committee of Management at their Bertolini, Gino&#13;
Hotel Regina, San&#13;
next meeting.&#13;
Moite, Venice.&#13;
The secretary then reported that an arrangement Charter, Miss Edith A. , “Peggotty," Woking-&#13;
had been come to with the Board of Trade by&#13;
ham, Berks.&#13;
which consular reports were sent to the society, Clark, Alfred.&#13;
&#13;
&#13;
## p. 243 (#329) ############################################&#13;
&#13;
THE AUTHOR.&#13;
243&#13;
W.&#13;
Crawford, Mrs. (Josephine&#13;
Weld, Will . . c/o Dr. W. Sass.,&#13;
V. Rowe).&#13;
32, Hillmarton&#13;
Dowding, Margaret Keith Lyceum Club, 128,&#13;
Road, Holloway, N.&#13;
(M. K. D.)&#13;
"Piccadilly, W. Winspeare, Anthony . Garrick Theatre,&#13;
Fitzgerald, Colin , , 23, Dunster Gardens,&#13;
Charing CrossRoad,&#13;
London, N.W.&#13;
W.C.&#13;
Fleming, Mrs. Aglaia D. Chart Court, Ashford,&#13;
(Joshua Kismet) . , Kent.&#13;
Grant, John G. . 15, Bartholomew&#13;
Road, London, N.W. BOOKS PUBLISHED BY MEMBERS.&#13;
Hackwood, Frederick 129, Heathfield Road,&#13;
William . . .&#13;
Handsworth, Bir-&#13;
mingham.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
Hamilton, Henry.&#13;
some difficulty in attaining this object owing to the fact&#13;
Hicks, Seymour.&#13;
that many of the books mentioned are not sent to the office&#13;
Holst, Gustar von . . 10, The Terrace, by the members. In consequence, it is necessary to rely&#13;
Barnes, S.W.&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
Horlick, Mrs. Ernest . 60, Grosvenor Square,&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
Ingram, John H. . . 53, Ethesley Road, accurate,&#13;
West Green, N.&#13;
ANTHROPOLOGY.&#13;
Kenealy, Miss Annesley, South Lancing, Sussex,&#13;
MARRIAGE, TOTEMISM AND RELIGION. An Answer to&#13;
Macauliffe, Max Arthur. 10, Sinclair Gardens,&#13;
Critics. By THE RIGHT Hon. LORD AVEBURY.&#13;
8 X 54. 243 pp. Longmans. 48. 6d. n.&#13;
Kensington, W.&#13;
Massey, Stewart Marsden. Belcamp, Faling, W.&#13;
ART.&#13;
Money, Leo George Chiozza "Tyhurst,' Chaldon, THE POST-IMPRESSIONISTS., By C. LEWIS HIND.&#13;
Caterham.&#13;
104 x 7. 94 pp. Methuen. 7s. 6d. n.&#13;
Newman, Miss Emma : Hazel Dell, Mussoorie,&#13;
U.P. India.&#13;
BIOGRAPHY.&#13;
O'Brien, Aubrey, Major, c/o Messrs. H. S. King THE MYSTIC BRIDE. A Study of the Life Story of Catherine&#13;
of Siena. By MRS. AUBREY RICHARDSON, 9 x 51.&#13;
C.I.E. (Boa). . . &amp; Co., 65, Cornhill,&#13;
339 pp. Werner Laurie. 128. 6d. 1.&#13;
E.C. (Occasional), THE AUTOBIOGRAPHY OF ALFRED AUSTIN. Two vols.&#13;
Boa.&#13;
83 x 54. 325 + 308 pp. Macmillan. 248. n.&#13;
O'Connor, T. P., M.P. 5, Morpeth Mansions,&#13;
JAMES MCNEILL WHISTLER. An Estimate and a&#13;
Biography By FRANK RUTTER. 63 X 41. 159 pp.&#13;
Grant Richards. 28. n.&#13;
O'Conor, Lady . . 14, Harley House,&#13;
THE NELSONS OF BURNHAM THORPE: A Record of a&#13;
N.W.&#13;
Norfolk Family. Compiled from l'npublished Letters&#13;
Plowman, Miss Mary . 2, Wellington Place, and Note-books, 1787–1812. By M. EYRE MATCHAM.&#13;
St. Giles, Oxford.&#13;
81 X 51. 306 pp. Lane. 168. n.&#13;
JAMES JOHN GARTH WILKINSON. A Memoir of his&#13;
Rideing, William Henry · c/o Youth's Com Life, with a Selection from his Letters. By C. J.&#13;
panion, Boston, WILKINSON. 9 X 53. 303 pp. Kegan Paul. 10s. n.&#13;
Mass., U.S.A.&#13;
THE LETTERS OF ROBERT LOUIS STEVENSON. 4 vols.&#13;
Rosebery, the Right Hon. 38, Berkeley Square,&#13;
Edited by SIDNEY COLVIN. 61 X 4. 293 + 325 + 334.&#13;
370 pp. Methuen. 58. n, each.&#13;
the Earl of, K.G., etc. W.&#13;
Sabatini, Rafael . . 32, Cyril Mansions,&#13;
COOKERY.&#13;
Davversed Tark,&#13;
Battersea Park,&#13;
THE GOURMET'S GUIDE TO EUROPE. By LIEUT.-COL.&#13;
Tu&#13;
S.W.&#13;
VEWNHAM DAVIS. Third Edition. 61 X 41. 400 pp.&#13;
Sil-Vara, G. . . . 22, Granville Place, Grant Richards. 58. n.&#13;
DRAMA.&#13;
Stobart, Mrs. St. Clair . 3, Reynolds Close,&#13;
Hampstead Garden&#13;
PAINS AND PENALTIES. The Defence of Queen Caroline.&#13;
Suburb, N.W.&#13;
By LAURENCE HOUSMAN. 7} * 5. 89 pp. Sidgwick &amp;&#13;
Jackson. 3.5. 6d, n.&#13;
Thompson, the Rev. J. M. Magdalen College,&#13;
Oxford.&#13;
ECONOMICS.&#13;
Veale, Edward Woodhouse Langford, R.S.O.,&#13;
GRANTS IN AID: A Criticism and a Proposal. By&#13;
SIDNEY WEBB. 9 x 57. 135 pp. Longmans. 58. n.&#13;
Somerset.&#13;
THE SCIENCE OF WEALTĀ. By J. A. HOBSON. 63 X 41.&#13;
Webster, Mrs. C. A. . 6, Stanthorpe Road,&#13;
256 pp. (Home University Library.) Williams &amp;&#13;
Streatham, S.W. Norgate. 18. n.&#13;
S.W.&#13;
W.&#13;
&#13;
&#13;
## p. 244 (#330) ############################################&#13;
&#13;
244&#13;
THE AUTHOR.&#13;
MUSIC.&#13;
A HYMN OF LOYALTY. Words and Music. By MARGARET&#13;
PEDLER. Stanley Webb.&#13;
EDUCATIONAL.&#13;
THE GIRLS' SCHOOL YEAR BOOK (PUBLIC SCHOOLS).&#13;
The Official Book of Reference of the Association of Head&#13;
Mistresses. The Year Book Press, 25, High Street,&#13;
Bloomsbury, W.C. 28. 6d. n.&#13;
THE EDUCATION OF CHILDREN FROM THE STANDPOINT&#13;
OF THEOSOPHY. By RUDOLF STEINER. Authorised&#13;
Translation by Max Gysi. The Theosophical Publishing&#13;
Society, 161, New Bond Street, W. 18. n.&#13;
POLITICAL&#13;
CANADA OF TO-DAY. By WILLIAM MAXWELL. Jarrold &amp;&#13;
Sons. 18, n.&#13;
PATRIOTISM. A Biological Study. By H. G. F. SPURRELL.&#13;
71 X 5. 168 pp. G. Bell. 28. 60. n.&#13;
THEOLOGY. :&#13;
LIFE TRANSFIGURED. By LILIAN WHITING. 7 X 44.&#13;
314 pp. Gay &amp; Hancock. 48. 60, n.&#13;
TOPOGRAPHY,&#13;
NOOKS AND CORNERS OF OLD ENGLAND. By ALLAN FEA.&#13;
7 X 5. 274 pp. Martin, Secker. 58. n.&#13;
THE WELSH BORDER : Its Churches, Castles and&#13;
Dyke. By M. A. HOYER and M. L. HEPPEL. 74 x 5.&#13;
238 pp.. Nutt. 38. 6d. n.&#13;
TRAVEL&#13;
URUGUAY. By W. H. KOEBEL. 9 X 51. 350 pp.&#13;
Fisher Unwin. 108. 6d. n.&#13;
THE FAIR DOMINION. By R. E. VERNEDE. 8} x 51.&#13;
296 pp. KEGAN PAUL. 78. 6d. n.&#13;
FICTION.&#13;
THE ESCAPE AGENTS. By C. J. CUTCLIFFE HYNE. 71x&#13;
5. 323 pp. Werner Laurie.' 68.&#13;
TWIN SISTERS. By RICHARD MARSH. 71 x 5. 326 pp.&#13;
Cassell. 68.&#13;
LADY BETTY ACROSS THE WATER. By C. N. and A. M.&#13;
WILLIAMSON. 61 X 44. 280 pp. (Cheap Reprint.)&#13;
Methuen. 18. n.&#13;
UNDER THE SALAMANDER. By J. BLOUNDELLE BURTON.&#13;
73 x 5. 320 pp. Everett. 68.&#13;
THE COUNT OF LUXEMBOURG. The Novel of the Play.&#13;
By H. SIMPSON. 71 X 44. 226 pp. Mills &amp; Boon.&#13;
18. n.&#13;
THE MUZZLED Ox. A Romance of Riches. By CORALIE&#13;
STANTON and HEATH HOSKEN. 78 X 5. 331 pp.&#13;
Stanley Paul. 6s.&#13;
THE Divine FIRE. By MAY SINCLAIR. 71 x 5.667 pp.&#13;
Nash. 28. n.&#13;
THE GIFT. By S. MACNAUGHTAN. 61 x 4. 284 pp.&#13;
Nelson. 7d. n.&#13;
THE MARRIAGE OF BARBARA By F. FRANKFORT&#13;
MOORE. 7} 5. 378 pp. Constable. 68.&#13;
THE BROKEN PHIAL. By PERCY WHITE. 73 x 5.&#13;
296 pp. Constable. 68.&#13;
THE CHOICE OF THEODORA. By THOMAS COBB. 73 x 5.&#13;
307 pp. Mills &amp; Boon. 6s.&#13;
AN EXCHANGE OF Souls. By BARRY PAIN. 78 x 5.&#13;
256 pp. Nash. 28. n.&#13;
THE HEATH HOVER MYSTERY. By BERTRAM MITFORD.&#13;
7 x 5. 320 pp. Ward, Lock. 68.&#13;
THÚS SAITH MRS. GRUNDY. By ANNESLEY KENEALY,&#13;
7 X 5. 320 pp. John Long. 38. 6d.&#13;
GENTLEMAN ROGER. By M. E. FRANCIS. 78 x 5.&#13;
282 pp. Sands. 28. n.&#13;
PHYLLIS. By L. G. MOBERLY. 78 X 5. 302 pp. Ward,&#13;
Lock. 68.&#13;
HISTORY.&#13;
CALENDAR OF STATE PAPERS, COLONIAL SERIES,&#13;
AMERICAN AND WEST INDIES, 1701. Preserved in the&#13;
Public Record Office. Edited by CECIL HEADLAM,&#13;
103 X 77. 818 pp. Wyman. 158.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
LITERARY.&#13;
LONELY ENGLAND, By MAUDE GOLDRING, 77 x 5.&#13;
240 pp. Swift. 58. n.&#13;
“M HE Fair Dominion” is the title of Mr. R. E.&#13;
Vernede's new book, containing the record&#13;
of his Canadian impressions and observa-&#13;
tions, published by Messrs. Kegan Paul &amp; Co.&#13;
There are twelve illustrations in colour by Cyrus&#13;
Cuneo.&#13;
Messrs. Kegan Paul have also published “Letters&#13;
from Finland,” by Rosalind Travers. The letters&#13;
deal with various aspects of life in the Grand&#13;
Duchy, social, educational, artistic, political, and&#13;
racial. The volume is profusely illustrated, not&#13;
only with views of Finland but with reproductions&#13;
of the work of some of the best Finnish artists.&#13;
Through the same publishers Mr. Douglas Sladen&#13;
is publishing a new book, “How to See Italy by&#13;
Rail.” The work is the result of Mr. Sladen's long&#13;
experience of Italy, in which a great part of his&#13;
time during the last twenty years has been spent.&#13;
It contains a chapter on railway routes, which&#13;
shows how to see every important place in the&#13;
country, while in treating of scenery, architecture,&#13;
painting, and sculpture, he points out all the most&#13;
splendid examples to be found in each district,&#13;
after first giving the characteristics of Italian&#13;
MISCELLANEOUS.&#13;
IMPERIAL TELEGRAPHIC COMMUNICATION. BY CHARLES&#13;
BRIGHT. 212 pp. P. S. King.&#13;
THE SUBMERGED CONTINENTS OF ATLANTIS AND&#13;
LEMURIA : Their History and Civilization. Being&#13;
Chapters from the Akashic Records. By RUDOLF&#13;
STEINER. Authorised Translation by Max Gysi. The&#13;
Theosophical Publishing Society. 38. 6d, n.&#13;
TO THE ARABS. By L. FLORENCE FFOULKES. With a&#13;
Preface by H.R.H. PRINCESS FREDERICA OF HANOVER,&#13;
George White, Printer, 396, King's Road, Chelsea, S.W.&#13;
1s. n.&#13;
&#13;
&#13;
## p. 245 (#331) ############################################&#13;
&#13;
THE AUTHOR.&#13;
245&#13;
scenery and art. There are a map and 160 possible solution of such a mystery. “ The Race,'&#13;
illustrations in the volume.&#13;
“Elixir Vitæ,” and “The Discontinued Mail” are&#13;
Mr. Maurice Hewlett has contributed a Preface each characteristic productions. The short sketch&#13;
to a volume of Poems by Mr. Wilfrid Thorley, which “How to Live on Nothing a Year in Oaxaca"&#13;
Mr. Elkin Mathews has published. “Confessional shows Mr. Hyne in a more pensive mood, and inci-&#13;
and Other Poems” is the title of Mr. Thorley's dentally reveals his enthusiasm for Mexico, but&#13;
volume.&#13;
the bulk of the book is dominated by Napoleon, the&#13;
Miss Annesley Kenealy's first novel, “ Thus stroke of whose anger is responsible for six of the&#13;
Saith Mrs. Grundy,” has just been published by yarns. Mr. Werner Laurie is the publisher.&#13;
Mr. John Long. “Smart Set ” Intrigues, sex Messrs. Stanley Paul &amp; Co. have completed&#13;
questions and love problems weave themselves into negotiations with Mrs. Charlotte Cameron to publish&#13;
the story, the plot of which develops an anomaly of two books from her pen. “A Passion in Morocco "&#13;
the Marriage and Divorce Laws.&#13;
will appear early in July. In “ A Woman's Winter&#13;
In“ Auvergne and Its People" Miss Frances M. in South America ” Mrs. Cameron relates a journey&#13;
Gostling deals with the country as it is to-day, of some 24,000 miles, the crossing of a continent&#13;
relates the quaint customs and lingering supersti- on two occasions, viz., Buenos Aires to Valparaiso,&#13;
tions of the people, while at the same time making up the west coast, and from Panama to Colon,&#13;
the reader acquainted with the history of the Photographs and descriptions of the Incar Indians&#13;
province. Messrs. Methuen &amp; Co. publish the of Peru are features of the work. It is the first&#13;
book, which has eight illustrations in colour, time this entire coast has been written of from a&#13;
as well as thirty-two other illustrations and a woman's point of view.&#13;
map.&#13;
An article on the subject of “ Women and Work"&#13;
The Treasury for June contains an article by appears in The Fortnightly for May. Mrs. Alec&#13;
Miss F. Bayford Harrison, entitled “Before Penny Tweedie is the writer of the article, and in it she&#13;
Postage."&#13;
shows how wide is the field of industry now covered&#13;
“A Hymn of Loyalty " is a song, the words and by women and pleads for an extension of this policy.&#13;
music of which are by Margaret Pedler, published Mrs. Tweedie has been put on the councils of the&#13;
by Mr. Stanley Webb. A copy of the song, which Eugenics Society and the Cremation Society of&#13;
is being sung by Miss Lucie Johnstone, has been England.&#13;
accepted by Her Majesty the Queen.&#13;
Miss Amy McLaren's new novel is called “The&#13;
Mr. Charles Garvice's long-promised book of the Yoke of Silence.” It will appear early in August&#13;
Devon countryside will be published by Messrs. through Messrs. Mills and Boon.&#13;
Hodder &amp; Stoughton early in the autumn. As An appeal to the Arabs to treat their beasts of&#13;
already announced, its title will be " A Farm in burden kindly and to refrain from an application&#13;
Creamland," and it will be illustrated by a coloured of the lash to them has just been published by&#13;
frontispiece and tail pieces by Mr. Alec Carruthers L. Florence Ffoulkes. It is entitled “To the&#13;
Gould, R.B.A., and by numerous photographs. The Arabs,” and consists of two poems, set to music.&#13;
price will be 10s, 6d.&#13;
The poems, besides being printed in English, are&#13;
The same firm will issue, later in the autumn, a also printed in Arabic characters, and the little&#13;
68. novel by Mr. Charles Garvice, entitled “ The book has a preface by H.R.H. Princess Frederica&#13;
Other Girl."&#13;
of Hanover. Copies of the work, which is published&#13;
Mr. Garvice's novel “ Just a Girl" is running, in at 1s. net, are obtainable from Mr. George White,&#13;
serial form, under the title of “L'Australienne,” Printer, 396, King's Road, Chelsea.&#13;
in La Liberté.&#13;
Mrs. Havelock Ellis has a new volume of Cornish&#13;
Messrs. Hodder &amp; Stoughton are issuing several stories appearing in the autumn (published by&#13;
reprints of Mr. Charles Garvice's novels, which have Stanley Paul at 68.) called “ The Imperishable&#13;
appeared in 6s. form, in a uniform edition, bound Wing.” One of these, called “Trypbena Jane's&#13;
in cloth with coloured vignettes, and published Revolt,” is appearing in the July Forum.&#13;
at 28.&#13;
The appeal at the recent dinner of the Royal&#13;
As proof that the spirit of Captain Kettle still Literary Fund, presided over by Mr. Birrell,&#13;
animates his heroes and heroines, Mr. Cutcliffe Hyne produced a sum of £1,600.&#13;
includes an Algerian adventure from that series A meeting of the general committee was held at&#13;
in his latest book, “The Escape Agents.” Even the chambers of the corporation, 40, Denison&#13;
the last tale in the book, called “The Failure,” House, on Wednesday, June 14, when the sum of&#13;
tells of a failure in nothing but name and the com £360 was voted to applicants.&#13;
plete vindication of a much-misunderstood man, Albert Dorrington's Indian story “ Our Lady of&#13;
who is the pathetic hero. The story “ Gemini” the Leopards," will appear with Messrs. Mills &amp;&#13;
will recall a recent shipping disaster, and suggest a Boon early in July. Mr. Dorrington has another&#13;
&#13;
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## p. 246 (#332) ############################################&#13;
&#13;
246&#13;
THE AUTHOR.&#13;
book with the Macaulay Company, New York, preted by a long caste in which were included Mr.&#13;
entitled “Our Lady of Darkness."&#13;
Charles V. France, Mr. Norman Page, Mr. Charles&#13;
We are informed by Messrs. Hodder &amp; Stoughton Maude and Miss Enid Rose.&#13;
that they have decided to grant an extension of Ibsen's play“ Hedda Gabler,” translated by&#13;
time for the submitting of MSS. under the terms Edmund Gosse and William Archer, was revived&#13;
of their £1,000 Prize Novel Competition. The at the Kingsway Theatre towards the close of May.&#13;
closing date, instead of being August 31, 1911, The caste included Mr. F. Kinsey Peile, Madame&#13;
as first announced, will be January 1, 1912. Lydia Yavorska, and Miss Florence Haydon.&#13;
Any MS. already submitted will be returned “The Algerian Girl," by Herbert Shelley, the&#13;
immediately upon application should the competitor first of a series of musical comedies which is being&#13;
desire.&#13;
presented at the Kennington Theatre, was pro-&#13;
Messrs. G. P. Putnams are publishing in duced at that theatre on June 5. The action of&#13;
September the authorised translation of Dr. the play centres round a beautiful Italian girl who&#13;
Rudolf Steiner's “Mystics of the Renaissance and has borrowed a large sum of money from the Bey of&#13;
their Relation to Modern Thought,” which Mr. Algiers, which she has undertaken to repay within&#13;
Bertram Keightley has prepared under the editorial a fixed time, or, in default, to marry the Bey. The&#13;
supervision of Mr. Max Gyse. Dr. Steiner is caste includes Mr. Colin Coop, Miss Florence Beech,&#13;
already known to American readers by the volume, Mr. Mark Lester and Miss Connie Emerald.&#13;
“ Initiation and its Results.” In the essays that&#13;
The company from the Abbey Theatre, Dublin,&#13;
comprise the present volume he speaks about the has during June produced various plays at the&#13;
Mystics from Meister Eckhart to Angelus Silesius, Court Theatre. The tour was opened with Mr. J.&#13;
with a full measure of devotion and acquiescence. M. Synge's comedy “The Playboy of the Western&#13;
“The Wonder of Love” is a new novel by World,” which was followed by “The Piedish,” a&#13;
Madame Albanesi, which is to be issued in Messrs. one-act play by George Fitzmaurice, and on&#13;
Stanley Paul's Clear Type Sixpenny Novel Series.&#13;
June 7 * Mixed Marriage,” by St. John G.&#13;
“ Imperial Telegraphic Communication,"&#13;
Communication." by&#13;
by&#13;
Ervine, which has for its theme the bigotry of an&#13;
Charles Bright, was published last month by Messrs. Irish Protestant and its effect upon a strike in a&#13;
P. S. King &amp; Co. In the main the book is made Belfast manufacturing district.&#13;
up of papers, addresses and articles contributed,&#13;
“ Birthright," a play in two acts, dealing with&#13;
at different periods, to the British Association Irish peasant life, written by T. C. Murray, was&#13;
for the Advancement of Science. the London staged on June 8, on which night also was&#13;
Chamber of Commerce, The Quarterly Review, The&#13;
included Mr. W. B. Yeat's tragedy “ Deirdre," and&#13;
Fortnightly Rerieur, The Monthly Review, and Lady Gregory's humorous play “The Rising of the&#13;
elsewhere.&#13;
Moon."&#13;
Miss Regina Miriam Bloch has written, and&#13;
The second week of the company's visit opened&#13;
Messrs. Greening &amp; Co. have published, a&#13;
with an adaptation of one of Molière's comedies.&#13;
Coronation souvenir, entitled “The Vision of the The piece was a translation in three acts, by Lady&#13;
King."&#13;
Gregory, of “ Les Fourberies de Scapin," and&#13;
“ Chopin," a discourse by I. J. Paderewski, has&#13;
entitled “ The Rougueries of Scapin.” The same&#13;
been translated from the Polish by Laurence Alma&#13;
week saw the production, for the first time in&#13;
Tadema, and published by W. Adlington, 18, Great&#13;
London, of a three-act play “ The Casting Out of&#13;
Marlborough Street, W.&#13;
Martin Whelan," by R. J. Ray. On the&#13;
same evening a one-act comedy “ Coats," by Lady&#13;
Gregory, was produced. The humour of the piece&#13;
DRAMATIC&#13;
arises from an accidental exchange of coats&#13;
between two rival editors, leading to the discovery&#13;
Lord Dunsany's one-act piece was staged at the of obituary notices which each has written of the&#13;
Haymarket Theatre on June 1. The action of other for use as occasion shall require.&#13;
the play opens outside the walls of an eastern On the following evening Lady Gregory's one-&#13;
city. The story briefly is this : Three beggars act comedy, concerning the superstitions of the&#13;
plying their trade with little success, are persuaded peasants as to the influence of “The Full Moon,"&#13;
to proclaim themselves the local deities and as was produced, as also on the same occasion was&#13;
having come down from the hills. Many sacrifices « Harvest," by Lennox Robinson.&#13;
in the shape of food are brought to them, and they A play in three acts, by William Boyle, entitled&#13;
are able to deceive the people by virtue of the fact "The Mineral Workers," was staged on June 19.&#13;
that the real gods are out and abroad. The The chief personage of the play is an Irishman&#13;
close of the play shows the revenge taken on the who returns from America and acquires a farm&#13;
beggars by the real gods. The play was inter- from his cousin in order to dig for iron which he&#13;
&#13;
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## p. 247 (#333) ############################################&#13;
&#13;
THE AUTHOR.&#13;
247&#13;
believes exists in the earth. The scheme is ridi. of mysterious novels in which Charles Foley is a&#13;
caled by a local farmer who, however, gains a rich past màster. M. Foley began, side by side&#13;
harvest by seiling his produce to the other's with his historical studies, a series of tragic and&#13;
numerous employees. Eventually, the iron is extremely dramatic stories when he published&#13;
reached, but almost immediately after the spring “ Au Téléphone ” some ten or twelve years ago.&#13;
which provides the water-power dries up and the He is at present bringing out a collection of&#13;
machinery is brought to a standstill. The only mysterious novels, the titles of which are : “Kowa&#13;
way out is to divert the water from the lake, and la Mystérieuse," “ La Chambre au Judas,"&#13;
to do this it is necessary to cut a channel through “ Divettes d'un soir," and " Au Téléphone.”&#13;
the farmer's land. The farmer refuses to sell and containing also “Un Concert chez les Fous” and&#13;
the resultant situation provides the problem for “ La Nuit Rouge.” The new volume is certainly one&#13;
the dramatist.&#13;
of the most mysterious and thrilling stories of the&#13;
A tragedy in one act " The Clancy Name," by collection.&#13;
Lennox Robinson, preceded Mr. Boyle's play.&#13;
Among recent novels are “ Le Métier de Roi,"&#13;
by Colette Yver, author of "Princesses de Science";&#13;
“Juste Lobel, Alsacien,” by André Lichtenberger;&#13;
“ La Demoiselle de La Rue des Notaires," by&#13;
PARIS NOTES.&#13;
Louis Latzarus ; “ La Prison de Verre," by Gaston&#13;
Chérau.&#13;
“Ce que mes Yeux ont vu ” by Arthur Meyer,&#13;
"T A Ravageuse," by Louise Chasteau, is an is a book of souvenirs dating from 1870 to 1910.&#13;
extremely simple story, athe strength of M. Meyer is manager of Le Gaulois, the royalist&#13;
which lies in its absolute naturalness. It and ultra-Catholic newspaper, and these souvenirs&#13;
is so human, so true to life that, among common- are certainly well worth reading. M. Faguet,&#13;
place people, a similar experience must have been whose political opinions are totally different from&#13;
made hundreds and hundreds of times. The those of M. Meyer, has written an admirable&#13;
curious part about this book is that it should have preface.&#13;
been written by Louise Chasteau, the mother of The first chapter is entitled “ La Chute de&#13;
Marcelle Tinayre. It is dedicated : “ To my dear l'Empire," and begins with the year 1870. M.&#13;
daughter Marcelle Tinayre in memory of those Meyer describes graphically the various scenes he&#13;
hours when, full of loving hope, I taught her to witnessed up to the famous Fourth of September.&#13;
write.” There is something almost pathetic in In the next chapter “ Les Premières Faillites de&#13;
this book, which follows “ La Rebelle” and la République,” M. Meyer continues his description.&#13;
“L'Ombre de l'Amour," by Marcelle Tinayre. Very graphically he tells us of his anguish on seeing,&#13;
The daughter has learned to write, and in “La from the heights of St. Germain, the Louvre in&#13;
Maison du Pêché” and “La Vie amoureuse de flames, and very pathetic is his account of the&#13;
François Barbazanges” her style is admirable, but death of the Prince Imperial and the visit of&#13;
there is one thing the mother possesses which she Queen Victoria and Princess Beatrice to Chislehurst&#13;
has not apparently succeeded in inculcating in her on the day of the funeral.&#13;
daughter. « La Ravageuse " is distinctly a moral The finest chapter in the book is perhaps the&#13;
book, although the episode on which the story is one on “Boulangisme.” M. Meyer tells us the&#13;
based is adultery. “La Rebelle " and Marcelle whole tragic story. He tells us of the hopes of&#13;
Tinayre's other books are distinctly amoral. It the royalists and of the fine generosity of the&#13;
would seem in “ La Ravageuse” as though the Dowager Duchess d’Uzès, who took upon herself&#13;
mother were giving her opinion with regard to the cost of the plan that had been devised, and who&#13;
some of the theories set forth in her daughter's worked with enthusiasm for the restoration of the&#13;
books. “Qui,” says one of her personages to his monarchy.&#13;
friend who is being duped by an emancipated The other subjects treated are “ L'Anti-&#13;
woman, “ le travail qui donne l'independance, le sémitisme,” “Le Drefusisme,” “ Paris autrefois et&#13;
fameux moi' à développer ; c'est la complainte aujourd'hui,” “ Sa Majesté l'Argent,” and “ Sa&#13;
moderne, air connu, etc.” As we have said, “ La Majesté la Presse.”&#13;
Ravageuse” is only a simple story, but the charac- Altogether it is with regret that one comes to&#13;
ters in it are very human, very true to life, and are the end of the volume, convinced though, with&#13;
drawn with great accuracy and skill. It is the the author, that malgré ses défaillances Paris&#13;
first book we have read by this author, but we shall conserve sa royauté dans le monde.&#13;
await with interest her next novel, announced to “Les Mours et la Vie privée d'autrefois” is&#13;
appear shortly.&#13;
the title of a curious book by M. Humbert&#13;
“Des Pas dans la Nuit" is another of the series de Gallier. From the chapter “Comment on&#13;
&#13;
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## p. 248 (#334) ############################################&#13;
&#13;
248&#13;
THE AUTHOR.&#13;
he Duce de fer-hours after being the Chatever the&#13;
dépensait” we have some interesting information the volume of Lord Byron's “ Correspondence,"&#13;
about the luxury and the everyday expenses of compiled by M. Jean Delachaume.&#13;
former times. Hospitality was practised on a&#13;
ALYS HALLARD.&#13;
scale which would amaze the hosts and hostesses of&#13;
our times. We are told that it took thirty sheep “La Ravageuse" (Calman Levy).&#13;
a month and 4,000 fowl a year for the table of&#13;
" Des Pas dans la Nuit" (Jules Tallandier).&#13;
the Duc de Choiseul. He employed 400 per-&#13;
“Le Métier de Roi" (Calmann Lévy).&#13;
“ Juste Lobel, Alsacien ” (Plon).&#13;
sons and fifty-four of his domestics wore&#13;
“La Demoiselle de La Rue des Notaires" (Calmann&#13;
livery. We are told that in the Château of Lévy).&#13;
Saverne, Rohan constantly put 700 beds at the “La Prison de Verre" (Calmann Lévy).&#13;
disposal of his friends, and that he could put up “Ce que mes Yeux ont vu ” (Plon).&#13;
“Les Meurs et la Vie privée d'autrefois ” (Calmann&#13;
180 horses in his stables. The chapters on&#13;
Lévy).&#13;
marriage are also very instructive. “Comment "Etait-ce Louis XVII. évadé du Temple" (Perrin).&#13;
on etait servi" is the title of six chapters, and "La Princesse de Lamballe" (Perrin).&#13;
very curious are many of the stories told of the&#13;
** La Conquête des Communes » (Perrin).&#13;
“La Peste de 1720 à Marseille et en France" (Perrin).&#13;
devotion and fidelity of some of the old retainers&#13;
“Autour d'une Dame d'Honneur" (Calmann Lévy).&#13;
of well-known families. “Comment on se soignait" “ Amitiés de Reine" (Emile Paul).&#13;
is the title of the last eight chapters, and curiously "Monseigneur Duchesne" (E. Sansot).&#13;
enough among other things we find that the&#13;
influenza raged in 1782. Many of the remedies&#13;
prescribed would amaze our modern medical men.&#13;
UNITED STATES NOTES.&#13;
The book is distinctly interesting, and it seems&#13;
almost incredible that manners and customs should&#13;
have changed so radically in so comparatively short A T the beginning of the publishing season of&#13;
a time.&#13;
4 1911 in the United States a statement was&#13;
Among other recent historical and biographical&#13;
made—by a representative of the firm of&#13;
works are the following :-“ Etait-ce Louis XVII. Harper Brothers, in answer to some questions asked&#13;
évadé du Temple ? " by J. de Saint Léger, with a by the New York Times—which should have been&#13;
preface by G. Lenotre. The author has studied many very gratifying to English authors, few of whom&#13;
hitherto unpublished documents, and, with the help usually have much occasion for joy over American&#13;
of this book and that on “ Madame Atkins," by M. book-sales. It was to the effect that a notable&#13;
F. Barbey, it is at any rate possible for the reader tendency of recent seasons had been the extent of&#13;
to have an opinion on the subject.&#13;
English writers' appearances in America. As&#13;
“La Princesse de Lamballe,” by Raoul Arnaud, though to confirm the good news, Mr. H. S.&#13;
is another volume compiled with the greatest care Ridings, of the J. B. Lippincott Company, on his&#13;
from many unpublished documents. It is illus- return to the States in May announced that he had&#13;
trated with seven engravings, and gives many with him the finest lot of English authors he had&#13;
details hitherto unknown.&#13;
ever brought over. And in a recent list of “ best&#13;
“ La Conquête des Communes," by M. E. sellers," an English novelist, Mr. Jeffery Farnol,&#13;
Hocquart de Turtot, is a book which should be was in the first six in the fiction class, while&#13;
studied by anyone interested in the History of the Messrs. Arnold Bennett and Bernard Shaw beaded&#13;
Revolution. There are very many details given the non-fiction list with “How to Live on Twenty-&#13;
in this volume which explain much that otherwise four Hours a Day” and “The Doctor's Dilemma.”&#13;
appears involved.&#13;
The publishers' advertisement pages in the various&#13;
“La Peste de 1720 à Marseille et en France," literary organs of New York, Chicago, Boston, &amp;c.,&#13;
by M. Paul Gaffarel and Marquis de Duaranty, is furnish still further evidence of the capacity of a&#13;
a curious study of the habits and customs of the great number of English authors to attract the&#13;
epoch, and will doubtless be found interesting to American reader at the present moment. In fact,&#13;
all who make a special study of the public health so many are the names that it would be invidious&#13;
and of social economy.&#13;
to select any of them for particular mention.&#13;
“Autour d'une Dame d'Honneur," by Eugène It is clear, therefore, that the competition with&#13;
Welvert, is the story of Françoise de Chalus, which the native-born writers in the United States&#13;
Duchesse de Narbonne-Lara (1734–1821). have to cope is very severe, especially when “ Marie-&#13;
“Amitiés de Reine,” by Jacques de la Faye, Claire ” and “ Jean Christophe” have had to be&#13;
with a preface by the Marquis de Ségur.&#13;
reckoned with lately as well as books from England.&#13;
“ Monseigneur Duchesne," by Claude d'Hab. But, in spite of this, there are no signs of a slump&#13;
loville.&#13;
in American authorship or of diminished output in&#13;
M. G. Clemenceau has written the preface for any branch of literature across the Atlantic, least&#13;
&#13;
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## p. 249 (#335) ############################################&#13;
&#13;
THE AUTHOR.&#13;
249&#13;
of all in fiction, although there one would imagine is a very interesting piece of work, and the critics&#13;
the field particularly open to all-comers.&#13;
have given it a warm welcome.&#13;
On the contrary, the American novel is flourish Notable biographies and memoirs bave, perhaps,&#13;
ing exceedingly. One of the two greatest successes been rather few so far this year. But “ Mark&#13;
of the present year has been Vaughan Kester's Twain," by Archibald Henderson, and “ John La&#13;
“The Prodigal Judge,” the scene of which is laid Farge," a memoir and study of the late famous&#13;
in the Southern States eighty years ago and the artist, by Royal Cortissoz, have deservedly had&#13;
central character of which is a really fine piece of many readers. A subject ever popular in the&#13;
humorous characterisation. Judge Slocum ought United States is dealt with in “The Recollections&#13;
to please English readers ; he certainly has delighted of Abraham Lincoln (1847–1865)," written by&#13;
one. The other best-seller is “Molly Make- the late Ward Hill Lamon, and edited as well as&#13;
Believe," by Eleanor Hallowell Abbott, which published by Dorothy Lamon Teillard. In the&#13;
made quite a wonderful hit at the outset of American Crisis series of biographies the new&#13;
its career and looks like having a prolonged run. volume is on William Lloyd Garrison, the author&#13;
Then Henry Sydnor Harrison's “Queed ” has being Lindsay Swift, who has previously done&#13;
been hailed as a typical specimen of American good work for this series. Another Garrison is&#13;
fiction at its best, and “just what a novel should represented in a volume of " Letters and Memorials,"&#13;
be"! “The Legacy," by Mary S. Watts, has viz., Wendell Phillips Garrison, who in 1906&#13;
come in for almost as high praise. Owen Wister brought to an end forty-one years of editorship of&#13;
in “ Members of the Family' has reintroduced the New York Nation.&#13;
some of the characters in “ The Virginian,” to the A curiously manufactured, but extremely suc-&#13;
satisfaction of his numerous admirers. In “The cessful, book is entitled “ The Corsican : A Diary&#13;
Long Roll” Mary Johnston presents a very of Napoleon's Life in his own Words," with which&#13;
ambitious tale of the struggle between North and R. M. Johnston has made his way into the select&#13;
South, with Stonewall Jackson as the dominating circle of the six best-sellers outside the realm of&#13;
figure in it. Another Civil War story is “Love fiction.&#13;
under Fire," by Randall Parrish. George Barr Military and naval topics are dealt with in&#13;
McCutcheon and Louis J. Vance with “What's. General F. V. Greene's “The Revolutionary War&#13;
His-Name” and “ Cynthia-of-the-Minute "—the and the Military Policy of the United States”; in&#13;
byphens are the authors', it may be remarked— Captain Beecham's “ Gettysburg : the Pivotal&#13;
promise to rival their former popular triumphs. Battie of the Civil War”; and in Captain Mahan's&#13;
Jacques Futrelle has a new thrill for his readers “The Interest of America in International Con-&#13;
in “The High Hand.” Very stirring, too, is ditions.” But the last-named, perhaps, should&#13;
“ Yellow Men and Gold,” by Gouverneur Morris, not be classed as a merely naval work. The&#13;
which has been seen serially in this country. gallant author preaches to his countrymen on the&#13;
Mention must be made also of “ John Sherwood, reality of the menace to them of Germany's grow-&#13;
Ironmaster," by Dr. Weir Mitchell; “Robert ing power and her irritation over the American&#13;
Kimberley," by Frank H. Spearman; “The Root claims advanced in the Monroe Doctrine and the&#13;
of Evil," by Thomas Dixon ; “ She Buildeth a policy of the Open Door in the Far East.&#13;
House," by W. Levington Comfort ; “The Cats "The United States from Within "might serve&#13;
paw," by W. H. Osborne ; and Francis Perry as the name for a book by Simeon Strumsky,&#13;
Elliott's “ The Haunted Pajamas," whose title is who in a series of satirical and humorous essays&#13;
a clue to its frivolous character. On the other criticises his fellow countrymen and their ways.&#13;
hand, Mr. Kauffman's “The House of Bondage" As a matter of fact, however, Mr. Strumsky&#13;
is so grim that it hardly seems appropriate to class calls his collection “The Patient Observer.”&#13;
it with the novels. No more powerful sermon in “The Soul of the Indian " deals with a very&#13;
the guise of fiction has appeared for a very long small section of the American people, the people&#13;
time, either in America or in Europe. Those whom in boyhood we were taught to call red-&#13;
interested in the question of the removal of one of skins. The author, Dr. C. A. Eastman, as his&#13;
the great social evils in the Western world should title indicates, is concerned with the religious&#13;
make a note of this book.&#13;
side of the American Indian's character ; and he&#13;
“One Way Out," by an author who adopts the has produced an interesting study of it. Psychical&#13;
pseudonym of William Carleton, is still less of a matters are also the subject of an oddly simple&#13;
novel. Plainly it is veiled autobiography, describ- volume, “ The Gleam,” by Helen Albee, which has&#13;
ing how a middle-class New England family been described as the autobiography of a woman's&#13;
emigrated to America, i.e., began life again in a soul between the ages of six and forty-seven.&#13;
big town on the bottom rung of the ladder, after Travel and adventure books have been well&#13;
starting and failing higher up. “One Way Out” represented of late. Peary's famous North Pole&#13;
&#13;
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## p. 250 (#336) ############################################&#13;
&#13;
250&#13;
THE AUTHOR.&#13;
Expedition—the Commander's own work, by the Copyright Act, it has been discovered that this will&#13;
way, is still selling well—is recalled by “ A Tender" make Canada a paradise for pirates—to the loss&#13;
foot with Peary," of which the author is George alike of Canadian, American and English authors.&#13;
Borup, who was the “baby” of the expedition. The literary obituary since the beginning of the&#13;
Mr. Borup handles his pen gaily and light- year includes David Graham Phillips (murdered by&#13;
heartedly. Another arctic book is by Harry a lunatic in January), a posthumous work from&#13;
Whitney, and its title, “Hunting with the whose penis announced; Mrs. Elizabeth Phelps Ward,&#13;
Eskimos," leaves the hesitating reader in no whose “Gates Ajar " was a best-seller as long ago&#13;
doubt as to what he will find within its covers. as 1868, when its writer was only twenty-four years&#13;
Warmer realms supply the scene of ex-President of age; Dr. Maurice Fluegel, the polyglot author of&#13;
Roosevelt's “ African Game Trails,” which is a some well-known books on historical, religious&#13;
comparative newcomer in volume shape, although and scientific subjects ; Dr. W. R. A. Wilson,&#13;
familiar in serial form on both sides of the novelist and writer for boys; and Colonel Thomas&#13;
Atlantic. The ex-President also furnishes a com- Wentworth Higginson. Colonel Higginson, best&#13;
mendatory foreword to “Lassooing Wild Animals remembered in England probably for his “ Whittier”&#13;
in Africa,” which is written by Guy Scoll around in the Men of Letters Series, was one of the last&#13;
“Buffalo " Jones's visit to the Dark Continent. survivors of the famous old group of New England&#13;
Yet another book on the same part of the world authors. Not only did he write and fight, but he&#13;
is “In Africa : Hunting Adventures in the Big had also been a minister of religion and a very&#13;
Game Country.” The author, Mr. McCutcheon- strong abolitionist. As he was eighty-seven when he&#13;
not George Barr, but John T., the cartoonist, died, even in his own land much of his high repute&#13;
adorns his text with numerous specimens of his had been forgotten until his obituaries appeared.&#13;
wit with the pencil.&#13;
But the tributes to his memory last May were&#13;
The Far East supplies the chief material for universal and generous.&#13;
discussion in “The Obvious Orient,” by Professor&#13;
Philip WALSH.&#13;
Bushnell Hart (from letters written to the Boston&#13;
Transcript two or three years ago); and in Price&#13;
Collier's “ The West in the East from an American&#13;
AUTHORS AND TYPISTS.&#13;
Point of View."&#13;
What is said to be one of the first of airship M o the present writer, a member for thirteen&#13;
travel-books is appropriately from the pen of&#13;
years of the Society of Authors, and the&#13;
Walter Wellman, who calls it “ The Aerial Age.”&#13;
owner for ten years of a typewriting office,&#13;
This is likely to be the most generally read it seems that the above heading must suggest some&#13;
American work on the air, perhaps ; but there points of interest to fellow-members. In view of a&#13;
are numerous more technical books which appeal recent letter to The Author, complaining of gross&#13;
to the actual aeroplaner.&#13;
carelessness on the part of a type-writing firm, and&#13;
Mention has already been made of the volume an able reply by a “A trained and certificated Typist,"&#13;
on “ John La Farge.” There have been few a word or two on the subject may be acceptable.&#13;
attempts to discuss Art with a large A. But There is no need, however, to agitate the question&#13;
Irving Babbit in “The New Laokoon” has of price, which has been ably dealt with by the&#13;
attacked the topic in a most courageous and latter correspondent. I am chiefly anxious to dwell&#13;
stimulating way. He defines his work in a sub on a point which authors often do not understand,&#13;
title as “ An Essay on the Confusion of the that the intelligent copying of literary or learned&#13;
Arts.”&#13;
work involves close 'attention (a trained faculty),&#13;
The question of copyright has engaged a good accuracy (also a trained faculty), a great deal of&#13;
deal of attention in the States in the early months hard manual work, and, above all, sound education&#13;
of this year. An English correspondent's attack in the copyist. This is why the rates at present&#13;
has caused the editor of The Dial to reiterate the charged even by the best offices do not enable them&#13;
at it is “ deplorable and humiliating" to secure qualitied workers. “I thought anybody&#13;
that his country, because of its absurd copyright could copy," is an idea widely prevailing and some-&#13;
law, should be the only civilised nation excluded times expressed. Usually, as I shall try to show,&#13;
from the benefits to accrue to civilisation froin the much besides mere copying is involved, of exactly&#13;
Berne Convention's attempts to harmonise and sys- the kind which “ anybody ” cannot do.&#13;
tematise the copyright requirements of the literary It is natural and reasonable enough that an&#13;
world. Seeing that this is practically the riew of author should feel intense irritation on receiving a&#13;
all reasonable people in the United States, it seems type-script disfigured by ignorant and what appear&#13;
a pity that the deplorable humiliation should be to him idiotic mistakes. As an author I sympa-&#13;
allowed to continue. With regard to the Canadian thize. The question is, however, whether those&#13;
&#13;
&#13;
## p. 251 (#337) ############################################&#13;
&#13;
THE AUTHOR.&#13;
251&#13;
A&#13;
TH&#13;
mistakes are as idiotic as he thinks them-ignorant unknown. This does not mean that the writing is&#13;
no doubt they are in many cases. About the com- upreasonably bad. I have often had to write, for&#13;
mon difficulty of bad handwriting on the author's my own clerks to copy, masses of unfamiliar matter&#13;
part I will say nothing at present. Most authors - proper names, botanical names, foreign matter-&#13;
would admit that if their handwriting is illegible making every letter clear to a person absolutely&#13;
the fault is with themselves. They do not so easily ignorant of the word and its derivation, and I know&#13;
understand, however, that a hand of which their the difficulty of keeping it up.&#13;
friends do not complain may still present difficulties “Oh, but,” says somebody, “you are talking&#13;
to the typist. There are two important reasons about technical work.”&#13;
for this.&#13;
I am talking about words unfamiliar to the&#13;
(1) One's friends are not obliged, as the typist ordinary typist; and any MS. which has any claim&#13;
is, to decipher each word and each inflexion and to be in the least literary is certain to contain many&#13;
present a copy.&#13;
such words. Even when simple and homely they&#13;
(2) Very often the typist is a half-educated girl. are often rare, or they are unfamiliar in the way&#13;
This is by far the more serious consideration of the they are used, if it is at all imaginative. “In&#13;
two.&#13;
legal stuff you do know what the word's likely to&#13;
I have said that her mistakes are not so idiotic be, but in a novel it might be anything," was the&#13;
as is supposed. Very often she is a bright girl, and remark made to me by a clerk in a good type-writing&#13;
applies surprising care and intelligence to studying office; the reason being, of course, that legal work&#13;
the actual caligraphy of the MS. Her mistakes are requires only a very small vocabulary, which is&#13;
such as a half-educated person cannot avoid. She soon learnt by any girl constantly engaged on it.&#13;
has been taught something at school, but she comes I am conscious that much of this may sound&#13;
from an illiterate, or at least a non-literary home, insulting to the average typist, who is nevertheless&#13;
and is familiar with a very small vocabulary. a hard and conscientious worker, putting much&#13;
She reads nothing, probably, but modern fiction, care and common sense into her work, for a very&#13;
As for punctuation and paragraphing, they have no low salary. It is not remarkable if she does not&#13;
real meaning for her.&#13;
know how to spell, paragraph, or punctuate, seeing&#13;
Now in copying accurately it is necessary to that a large number of people of good position do&#13;
follow the sense of the MS. to some extent, and such not know either. My point is that at the present&#13;
a girl cannot follow any sentence which is at all low rates which the public are prepared to pay&#13;
involved or even long. She cannot be expected the heads of copying offices they have to employ&#13;
therefore to supply paragraphing ; though, as many half-educated assistants.&#13;
authors seem never to have heard of indenting the I said that I would speak only of clearly written&#13;
first line of a paragraph or indicating it by any MSS. at first. Something should be said, however,&#13;
recognised sign, the lypist often has no clue. Again, of the other sort. Few authors realise how much,&#13;
a girl cannot be relied upon to read correctly words after all, that is not in the bond has been done for&#13;
of which she has never heard. The context, which them by the despised typist. “Surely,” they may&#13;
is often beyond her comprehension in subject-matter think, when they find lacunae in their MSS. where&#13;
as well as in style, will not help her as it would the typist has given up the task of deciphering in&#13;
help a better-read person. It may be said that she despair-and it is a long while before most typists&#13;
works under supervision ; so she does ; under the do that—“Surely, if she had read on a bit she&#13;
supervision of a principal who is herself over would have seen what it would be." Very likely ;&#13;
whelmed with work, besides correspondence and but they do not propose (with a few honourable&#13;
office management; but when it gets to the check- exceptions) to pay for the time spent in “reading&#13;
ing stage the mistakes have been made and the on a bit.” Typists often spend time in reading&#13;
work wasted ; if you are to help a girl with every on, looking back, and comparing different passages&#13;
sentence as she goes along you may as well do her to determine the author's intentions when he&#13;
work yourself; and the fact remains-principals of might himself have made them perfectly clear by&#13;
offices know it only too well—unless you have an elementary attention to writing and punctuation.&#13;
educated girl it is often hopeless.&#13;
Time is money; and it seems to me better&#13;
And let me say here that few people will believe economy for the person who knows the facts to&#13;
how difficult it is to be sure of a word, even when make them clear, than for the person who does&#13;
written in a good serviceable hand, of which you not know to guess them. Most of us have a&#13;
really hare never heard and to which you have no tendency to think that our MSS. must be clear to&#13;
clue. Even when the same word recurs again and other people, because we know what is in them&#13;
again in a MS. it will not always look the same, &amp; ourselves. I once said something to a distinguished&#13;
fact which presents no difficulty when the word client about the practice of writing “u” and “n”&#13;
is familiar, but a very real one when it is absolutely alike. “Oh, I don't do that," was the reply, with an&#13;
&#13;
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## p. 252 (#338) ############################################&#13;
&#13;
252&#13;
THE AUTHOR.&#13;
air of assured abhorrence. Her MS., which was soundly educated girls from cultured homes; but&#13;
highly technical, was spattered with instances of they will not pay for them, and such girls, with such&#13;
the familiar confusion. “I've marked this all the way homes, are generally able to get something better.&#13;
through, so you won't have any difficulty,” is what&#13;
I am often told about some alteration in the MS.&#13;
Very seldom indeed has the thing really been done; THE FIFTEENTH INTERNATIONAL CON-&#13;
and consequently, when two or three typists are&#13;
GRESS OF THE PRESS.&#13;
set to work on different portions, unless they are&#13;
warned, and are very careful, their copies are not&#13;
consistent and have to be altered. There are M HE organisation now known as “ The Associ-&#13;
people who expect you to know nothing, and&#13;
ations of the Press” has grown from the&#13;
take up precious minutes explaining to you that small beginning of the first International&#13;
“ these passages, you see, which I've crossed out, Press Congress held at Antwerp in the year 1894,&#13;
are not to go in"; and there are people who will into the organisation which under the Central&#13;
rush in with a sheaf of unnumbered sheets of “Comité de Direction " this year at Rome drew&#13;
different sizes, some written on one side only, some together delegates representing twenty-four&#13;
on two, much transposed and thickly interlined, countries and 17,000 members.&#13;
beg for a table and pen and ink, and remain any The holding of the Congress at Rome during&#13;
time under an hour in your already crowded office, the celebrations of the National Fête of this&#13;
making the Chinese puzzle more Chinese than Jubilee year of Italy's unity, was a compliment to&#13;
when they brought it. There are those who will the Italian members, and the success of the gather-&#13;
argue with you, longer than you can afford to argue ing proved the choice of place was satisfactory to&#13;
with them, to the effect that carbon copies the associations represented.&#13;
are made at the same time as the ink copy, and But the Comité felt that the historic attractions&#13;
ought not to be charged for. They seldom have of Rome would be a strong temptation to delegates&#13;
time, however, to listen to your explanation that to neglect the work of the Congress, and so some&#13;
very great care is needed ; that the stroke must be matters which were down for discussion were post-&#13;
slow and hard to get a clear impression ; that any poned, and the agenda, or “Questions a l'ordre du&#13;
mistake made must be corrected afterwards in each jour du Congres,” were limited to eight, and&#13;
copy—and these corrections will not all be made although the discussions were decidedly not so&#13;
unless the principal sees that it is done ; and that heated as in other Congresses, yet the attendance&#13;
the mere arranging of the paper and carbon sheets at the business gatherings was always good.&#13;
for the machine—“packing the carbons ” as typists The English delegation consisted of Mr. D, A.&#13;
call it-takes a large proportion of the whole time Louis, of the “ Comité de Direction"; Mr. James&#13;
occupied. The work of a copying office requires Baker, the Hon. Sec. of the British International&#13;
careful checking as well as manual dexterity—it Association of Journalists ; Sir James Yoxall, M.P.,&#13;
should not be forgotten that a high speed also is Editor of the Schoolmaster ; Mr. J. H. Barnes, of&#13;
constantly demanded—and every bit of it-carbon the Daily Mirror ; Mr. Walter Jerrold and Mr.&#13;
copies and all—is produced by so much hard manual G. B. Burgin, and Mesdames Baker and Jerrold.&#13;
labour, step by step. Some people seem to think The President of the Association, Mr. Arthur&#13;
that the machine does it, and the typist only winds Spurgeon, unfortunately was prevented from&#13;
a handle.&#13;
attending&#13;
Copying might be a career for educated girls ; On arrival at the charming Press Club in the&#13;
at present it is not so. I say nothing about Palace Colonna at Rome, the delegates were&#13;
shorthand, which is not largely required by literary presented with their tickets and documents in s&#13;
people. But no educated girl will stay in a copy- portfolio representing an old folio volume bound&#13;
ing office at the rate that office can afford to pay in old calf and elegantly tooled in gold, the ladies'&#13;
her. She will come as a pupil, and stay a little portfolio taking the form of a bag. A most&#13;
while at a low salary to gain experience ; but she useful accompaniment was a small card map of the&#13;
is all the while looking out, and quite rightly, for Italian railways, which, when folded, formed a pass&#13;
something better, and in a year or two at the out- entitling the bearer to travel as he would over all&#13;
side she passes on, leaving the permanent burden the lines.&#13;
of copying work to those who cannot do better. A Reception on the balcony, and in the rooms of&#13;
The principal may supervise with all her strength, the Press Club, gave good opportunity for the&#13;
and when girls have been a long time with her she mutual greetings of the Congressists, and the next&#13;
effects something, but the want of a thorough morning His Majesty the King of Italy attended the&#13;
grounding makes the effect very superficial. The opening of the Congress on the Capitol. The business&#13;
public, if they only knew it, want the services of meetings were held in the handsome hall of the&#13;
&#13;
&#13;
## p. 253 (#339) ############################################&#13;
&#13;
THE AUTHOR.&#13;
253&#13;
Press Club on the Piazza Colonna. Their Although it will be seen that many weighty&#13;
Majesties the King and Queen further honoured matters were omitted from the Rome programme,&#13;
the Congress by giving a Garden Party at the yet the Congress proved that a great advance&#13;
Quirinal, at which Members of the Diplomatic internationally has been made. Subjects were&#13;
Corps and a brilliant gathering of the aristocracy debated in better order; there were no tumultuous&#13;
of Italy were present. Their Majesties chatted for scenes of all talking at once. In spite of twenty-&#13;
a long time with Herr Wilhelm Singer, the Presi four nations being represented, differences were&#13;
dent of the Congress, and honoured many delegates set aside, and at least the journalists have proved&#13;
of the Congress by conversing freely with them. they can meet for the common good of their order&#13;
Although the subjects for debate had been cur- and lay aside all bitterness. This has largely been&#13;
tailed by the Comité de Direction, amongst other brought about by the keen diplomacy of Herr&#13;
matters postponed was the “ Facilities given to Singer, the veteran President of the Associations&#13;
Pressmen in the Houses of Parliament;" yet of the Press, and by the immense amount of work&#13;
amongst matters brought up for debate were the done by the Hon. Secretary, Monsieur Taunay.&#13;
questions of “The Development of Institutions The social functions were brilliant and crowded,&#13;
of Succour and Providence," "Professional Tribu- the Foreign Embassy reception being exceptionally&#13;
nals," and of “The Shifting of the Place of Trial brilliant. Amongst others was present Prince&#13;
for Journalistic Offences,” but the two subjects Pietro di Scalea of Sicily. Curiously enough the&#13;
that aroused the greatest interest were “Pro- weather in Rome was wet and cold, and the Fras-&#13;
fessional Secrecy in Press Matters,” and “Duelling cati excursion was marred by torrents of rain. The&#13;
between Journalists in Connection with Press excursions to Naples, to Pompeii, and round the&#13;
Matters.”&#13;
Gulf were excellently organised. At Turin matters&#13;
Upon the former question a warm discussion were rather mixed, as the programmes were not&#13;
arose, and on behalf of the English Delegates, sent beforehand. The English section of the&#13;
Mr. J. H. Barnes made an interesting speech, Exhibition is well worthy of a visit, and was ready&#13;
pointing out that recent events in England had far before the other sections ; at Rome, where in&#13;
greatly altered the position of Journalists, since the Borghese Gardens the art section of the Italian&#13;
the speech made by Mr. J. R. Fisher in Berlin. Jubilee Exhibition is located, the English section&#13;
Now there was no secrecy of the Press in England, stands out above all others, and is a glorious exposi-&#13;
as the Judges in a recent case had enforced the tion of British Art from Turner's time to our day.&#13;
divulging of the name of the writers, not accept- Sir Isidore Spielman, the British Commissioner,&#13;
ing general responsibility. Some most interesting gave a luncheon to the English and Italian&#13;
papers upon this intricate subject were written by Members of the Press Congress, and in an inter-&#13;
His Excellence Dr. F. Klein, formerly Minister of esting speech gave a sketch of the development&#13;
Justice of Vienna, Dr. Lubozynski, of Berlin, and of English art, and spoke of the importance of&#13;
Monsieur. Camille de Saint Auban.&#13;
the International Exhibition of Art now to be&#13;
Upon the question of duelling a most heated seen at Rome. The writer had the honour of pro-&#13;
discussion ensued, Signor Crispolli had brought posing prosperity to the Italian Press.&#13;
forward a resolution that “ Tribunals of Honour” The Conference card, linked with the card of the&#13;
shall be established to replace duels, but Herr G. railways, gave the members of the Congress not&#13;
Schweitzer, the Vice-President and Hon. Treasurer only the advantage of travelling all over the State&#13;
of the Association, opposed this, stating the matter Railways, but also of free entrance to all Museums&#13;
was one the Congress could not take up, and as an and Collections, a privilege that was of immense&#13;
old military man he spoke warmly on the question value to all studying or writing upon any Italian&#13;
of honour. From the English point of view, or historical subject, and one that makes us all&#13;
Mr. James Baker called attention to the fact that intensely indebted to our Italian hosts.&#13;
what was called honourable fifty years ago in Eng-&#13;
JAMES BAKER.&#13;
land, would now be esteemed ridiculous, and that&#13;
frequently duels were now ridiculous, as men were&#13;
SCALE FOR ADVERTISEMENTS.&#13;
not killed or even wounded. Was it not possible that&#13;
all journalists would soon arrive at this conclusion.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.]&#13;
The English word “gentleman” had been used&#13;
Other Pages ... ... ... ... ... ... ... ... 3 0 0&#13;
by speakers in all tongues to denote men of honour, Hall of a Page ...&#13;
... ... ... ... ... ... 0 15&#13;
and gentlemen in England had long ago arrived at&#13;
0&#13;
0 7 6&#13;
this conclusion, might he not, in Rome, add, and&#13;
Single Column Advertisements&#13;
yet they be all honourable men. In the end&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Herr Schweitzer carried his point, that the ques-&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
tion was not one for the Congress.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
Front Page&#13;
0&#13;
0&#13;
***&#13;
...&#13;
...£4&#13;
...&#13;
...&#13;
1 10&#13;
0&#13;
Quarter of a Page&#13;
Eighth of a Page&#13;
per inch 0&#13;
6&#13;
0&#13;
Twelve Insertions.&#13;
&#13;
&#13;
## p. 254 (#340) ############################################&#13;
&#13;
254&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
" E VENDITA&#13;
DVBRY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(6.) Not to give up serial or translation rights.&#13;
76.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author,&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills,&#13;
TTERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 255 (#341) ############################################&#13;
&#13;
THE AUTHOR.&#13;
255&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
TITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
SCENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane or be sent by registered&#13;
letter only.&#13;
&#13;
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## p. 256 (#342) ############################################&#13;
&#13;
256&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
Members are reminded that The Author is&#13;
not published in August or September. The&#13;
next issue will appear in October.&#13;
We have much pleasure in poting among the&#13;
Coronation list of awards various honours conferred&#13;
on Members of the Society, and others well known&#13;
in the profession of letters.&#13;
An Earldom of the United Kingdom has been&#13;
conferred upon the Earl of Rosebery, as also upon&#13;
The Lord Curzon of Kedleston. Sir Frederick&#13;
Pollock, Sir John Rhys and Sir William Anson&#13;
have been made Privy Councillors. A Baronetcy&#13;
has been granted to Sir Robert Anderson and Prof.&#13;
William Osler ; Knighthoods to Frederick H.&#13;
Cowen, Frederic W. Hewitt, Sidney Lee, Prof.&#13;
Walter Raleigh, J. E. Sandys, and Frederic G.&#13;
Kenyon has been made a C. B.; while the Order&#13;
of Merit-that most exclusive Order-has been&#13;
conferred upon Sir George Otto Trevelyan.&#13;
We see with great pleasure from a notice to hand&#13;
from the Library of Congress, Washington, that a&#13;
proclamation has been issued by the President by&#13;
which the United States and Sweden are now in&#13;
win&#13;
copyright alliance. The United States are gradually&#13;
coming forward, and it is hoped that the next move&#13;
in copyright legislation will abolish the manu-&#13;
facturing clause once and for all, and enable the&#13;
United States to stand on an equal footing with&#13;
the other civilised countries of the world.&#13;
Mid-Victorian readers, and London Society, men-&#13;
tioned as a magazine to which he was a frequent&#13;
contributor, is not a name familiar to those&#13;
brought up to the monthly perusal of the Strand&#13;
and of its competitors junior to itself. Young&#13;
Gilbert, however, followed a course still not without&#13;
parallel, thinking of the army and giving it up,&#13;
then passing from a clerkship in a Government&#13;
office to Chambers at the Inner Temple, where he&#13;
was called to the bar in 1864. As a young barrister&#13;
he did as others have done before and since his day,&#13;
who have been too impatient to wait in comparative&#13;
inactivity devilling other men's briefs and picking&#13;
up odd ones for themselves at quarter sessions, or&#13;
who have succumbed to the necessity of earning&#13;
a little money. He had been scribbling and&#13;
drawing for the amusement of himself and his&#13;
friends from early boyhood, and he is credited&#13;
with at least fifteen plays, never accepted by&#13;
managers, before he was twenty-four. His work&#13;
for Fun, which is recorded by Mr. G. R. Sims as&#13;
having been paid for, in common with that of all&#13;
other contributors, at the rate of £1 a column, .&#13;
fractions in proportion, may not have been very&#13;
remunerative directly, but it had attracted a good&#13;
deal of notice, and when he was commissioned by&#13;
Miss Herbert, through Tom Robertson, to write&#13;
“Dulcamara,” he was well qualified to make the most&#13;
of the chance. He completed it in ten days and&#13;
duly accepted a cheque in full payment for all&#13;
rights, accompanied by the sound recommendation&#13;
never again to sell as good a piece for £30.&#13;
Needless to say there was no secretary of the&#13;
Society of Authors in those days to administer&#13;
counsel before the bargain was completed,&#13;
and the opportunity may well have been worth the&#13;
sacrifice. It is not necessary to recapitulate here&#13;
in their correct order or with dates all the plays&#13;
which followed, including “Robert the Devil,”&#13;
which opened the career of the Gaiety in 1886.&#13;
“An old Score,” “ Ages Ago," “ The Princess,"&#13;
“Randall's Thumb," “ Creatures of Impulse," " A&#13;
Sensation Novel,” “Happy Arcadia.” “ The Palace&#13;
of Truth,” “Pygmalion and Galatea," “ The&#13;
Wicked World,” and “Charity.” Of these his&#13;
biographer in the Daily Telegraph records that&#13;
Pygmalion ended by placing £40,000 to his credit,&#13;
and some of the others must have been small gold&#13;
mines to him at the time and for many years&#13;
afterwards.&#13;
“Happy Arcadia" was produced at the “Gallery&#13;
of Illustration," where the German Reeds (better&#13;
remembered by those not yet elderly as occupying&#13;
St. George's Hall) catered for a public who were not&#13;
theatre goers, and were responsible for the coming&#13;
together of Gilbert and Sullivan. But for that&#13;
introduction which took place some time in the&#13;
early seventies, the sentence quoted at the opening&#13;
SIR WILLIAM SCHWENCK GILBERT.&#13;
the days Whave to fac biographicalken us bon recen&#13;
M HE whole English-speaking world will hear&#13;
1 with deep regret of the death of Sir W. S.&#13;
Gilbert.” So said the Times in a leading&#13;
article, and none will gainsay the estimate thus&#13;
given, though he may qualify it with the reflection&#13;
that a generation of young playgoers has been&#13;
born and has grown up since the Savoy Theatre&#13;
first opened its doors, and that those whose&#13;
memories of “ Pygmalion and Galatea” go beyond&#13;
the days when Mary Anderson played in it at the&#13;
Lyceum have to acknowledge rather more than&#13;
middle age. The biographical notices of Sir&#13;
William Gilbert have indeed taken us back to a&#13;
period in history of the modern stage and of recent&#13;
journalism which belongs in fact to the past. Not&#13;
many entries into the world can now be recorded as&#13;
taking place in Southampton Street, Strand, where&#13;
he first saw daylight in 1836. We hardly recall&#13;
Fun as a serious rival to Punch, capturing Gilbert&#13;
and the Bab Ballads, because the yarn of the Nancy&#13;
Bell was “too cannibalistic” for Mark Lemon's&#13;
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&#13;
## p. 257 (#343) ############################################&#13;
&#13;
THE AUTHOR.&#13;
257&#13;
of this note might never have been written. When librettist of light opera he is likely to wait long&#13;
a few years later their partnership came into active for a rival. Combining, as he did, a sense of&#13;
being, it was to produce plays calculated to bring poetry, which at times seemed to display itself in&#13;
to the theatre a vast following of admirers of surroundings hardly conducive to its full apprecia-&#13;
musical comedy, a large proportion of whom were tion, humour and individuality of thought and&#13;
not playgoers as a general rule, but who were expression, with a polished grace and precision of&#13;
ready to welcome the opportunity to attend form, which must have helped his composer&#13;
theatrical performances witty and amusing, but, at enormously. His mastery of metre, the dexterity&#13;
the same time, void of offence in every respect, of his rhymes, and his terseness of expression&#13;
whether of plot, dialogue or costume. So the Giībert provided his quaint “ Gilbertian” with 80 well&#13;
and Sullivan opera began at the Opera Comique adapted a vehicle that he may be estimated to&#13;
with “ Thespis," and at the Gaiety in 1875, and have been for many years the most widely quoted&#13;
continued with “Trial by Jury" at the Royalty living author in any language, an inventor of&#13;
in 1876, and later made its first hit with the phrases which in some instances seem to have&#13;
“ Sorcerer," and under D'Oyly Carte at the become part of the English language. A good&#13;
Opera Comique scored heavily with the “Sorcerer," deal has been written recently as to his wit in&#13;
and proceeded to make its first tremendous hit private life, but it hardly seems fair to him that&#13;
with “H.M.S. Pinafore.” That the last named his reputation as a humorist should in any degree&#13;
carried the fame of its authors wide through the depend upon the ready retorts of a inan who could&#13;
English-speaking world may have been partly due not “suffer fools gladly," and whose naturally&#13;
to an error which enabled it to be produced without caustic humour found rather too easily language&#13;
royalties in the United States. At all events, in which to express himself. Like many other&#13;
though somewhat intimately British in allusion, clever men inclined to be intolerant of shams and&#13;
it was prodigiously popular there, and the error conventions, or merely gifted with a critical mental&#13;
referred to was not repeated. The “ Pirates of outlook and a quick tongue, he has had sayings.&#13;
Penzance" followed, and then “ Patience," after quoted, which in the repetition give an impression&#13;
starting on its famous career at the older theatre, of discourtesy, and of rather aimless facetiousness.&#13;
inaugurated “Savoy Opera” in 1882 by its Surely these had better be forgotten, however&#13;
transference to the new house of that name, built amusing they may have been when originally&#13;
for the associated trio, Gilbert, Sullivan, and uttered by the man himself. Mr. George Grossmith,&#13;
D'Oyly Carte, and destined to be the house in than whom none would speak with fuller and more&#13;
succeeding years of “Iolanthe,” “ Princess Ida," intimate knowledge, said of him in his interviews&#13;
“The Mikado,” “Ruddigore," “ The Yeomen of published in the Daily Telegraph : “ As a matter&#13;
the Guard,” and “ The Gondoliers." From the of fact he was a generous, kind, true gentleman-&#13;
Savoy, it need hardly be said, the operas went all and I use the words in its purest and original&#13;
over the world, “The Mikado" being credited sense. I do not mean one of those men who with&#13;
with at least 10,000 performances in the United a little veneer pass as such.” This may be regarded&#13;
States alone. Space does not permit of more than as suinming up his private life, and he is more fitly&#13;
the mention of - The Mountebanks,” with music judged by his works, by what he did for the stage&#13;
by Cellier, during a temporary disunion of the in the days of the old burlesques of the seventies&#13;
two principal Savoy partners, or of “Utopia and early eighties, by what he wrote, whether acted&#13;
Limited," after they had adjusted their differences, or not. By those who knew him thus he will be&#13;
and of such works as, interspersed with those remembered with no less affection, if of a different&#13;
already mentioned, “Sweethearts,” “Broken kind, than by his personal friends.&#13;
Hearts," “ Tom Cobb," “ David Druce,” “En He was knighted in 1907. He joined the&#13;
gaged,” “ His Excellency," “ The Wedding Society of Authors somewhat late in his career,&#13;
“The Wicked World” transformed becoming a member in 1899, but he was warmly&#13;
into comic opera in 1909. “The Hooligan,” a appreciative of the assistance rendered by the&#13;
sketch, was a rather dreary last word played at the Society to Authors, and at the time of his death&#13;
Coliseum quite recently, but his latest works had been a member of its council for many years.&#13;
added little to their author's fame, and on&#13;
May 29th Sir William Gilbert met with the death&#13;
tragically unlooked for and sudden, but enviably THE ROLL OF THE AUTHORS' SOCIETY.&#13;
swift and painless, the details of which have been&#13;
recently recorded. As a writer he was thoroughly M HE list of the Society of Authors was last&#13;
master of the requirements of the public for which 1 published in October, 1907, and all elections&#13;
he wrote, witty and incisive, with a wit and satire&#13;
s ince then, after each monthly committee&#13;
original and peculiar to himself ; and as a meeting, have been chronicled in The Author.&#13;
&#13;
&#13;
## p. 258 (#344) ############################################&#13;
&#13;
258&#13;
THE AUTHOR.&#13;
More than 250 members have been elected in each look to them for protection from unnecessary&#13;
of the last few years, and the society loses about intrusion upon them.&#13;
100 to 120 annually in deaths, resignations and Finally, the committee believe that the sale of&#13;
erasures for non-payment. It is clear, therefore, the list would in no way justify the annual issue,&#13;
that by this time the list published in 1907 is for during the four years the list has been issued,&#13;
entirely out-of-date. Indeed, any list would be with the exception of the first year, when, of course,&#13;
out-of-date if it was not published annually. The it was correct, only about sixty have been sold,&#13;
expense of publishing the 1907 list, when every while the sale in the first year did not cover the&#13;
item is taken into consideration, was a heavy cost of labour and production. An annual issue&#13;
pecuniary burden on the society and was in no way would not be quite so expensive to the society for&#13;
justified by the number of copies that have been obvious reasons, but still the expense would be&#13;
sold. The question has again been brought before considerable, and the committee press this point&#13;
the committee whether it would be advisable to specially because there are so many claims on the&#13;
publish a new list, but for the following reasons funds of the society which must be met. Such&#13;
they are not inclined to incur the expense. Firstly, matters as the payment of solicitors' charges and&#13;
there are a considerable number of members who the finding of inoney for fighting actions, whose&#13;
have a strong objection to their names and issue will bring real benefit to the members, must&#13;
addresses being printed, for although the list is have the first call on the funds, and the committee&#13;
private and only sold to members of the society, consider that the publishing of a list, to the appear-&#13;
yet any outside advertiser who desires to get a copy ance of which the majority of the members seem&#13;
in order to circularise members can do so without indifferent, should await the time when the&#13;
much difficulty. Members object to having their pecuniary position of the society is stronger. The&#13;
mails added to by receipt of further circulars. committee would, however, like to have an expres-&#13;
Secondly, the expense to the society of printing sion of opinion from members of the society&#13;
the list is very substantial, especially as under generally and, accordingly, have authorised the&#13;
present conditions if the list is to be of any use to insertion of this short article in The Author.&#13;
members it ought to be produced annually. The The secretary will be pleased to hear from any&#13;
yearly election of members is very large and it may member who desires to express his opinion about&#13;
be anticipated that it will be maintained at its high the publication of an annual roll, as the committee&#13;
figure. The number of erasures is also large, and will naturally be guided by the opinion of the&#13;
this is inevitable as deaths and defaults in subscrip- members with regard to future action.&#13;
tions occur. There are also resignations, and these,&#13;
we are glad to say, are not so heavy as they have&#13;
been. As our work gets more widely known there&#13;
are fewer people who join the society merely for&#13;
personal benefit, and leave it when they have used DINNER OF THE SOCIETY OF WOMEN&#13;
the services of the society. The feeling that the&#13;
JOURNALISTS.&#13;
society is a co-operative association in which&#13;
membere not in trouble can help those who are is&#13;
growing. But still, the changes in the personnel M HE seventh annual dinner of the Society of&#13;
of the society are very numerous, and the publica 1 Women Journalists, which took place at the&#13;
tion of a yearly list would be a serious tax on the&#13;
Criterion Restaurant on June 20, was one of&#13;
funds and on the clerical staff. Nothing is more the most important gatherings ever brought together&#13;
difficult to edit than such a list of names and under the auspices of that excellent institution.&#13;
addresses. Thirdly, in the case of a member of Mrs. Bedford Fenwick, president for the year,&#13;
the society wanting the names and addresses of his occupied the chair, and among the distinguished&#13;
fellow members for reasons connected with the writers who supported her were M. Wesselitsky,&#13;
business of the society, the committee consider that president of the Foreign Press Association ; Mrs.&#13;
any member after sending proper notice to the Katherine Cecil Thurston, chairman of the Writers'&#13;
secretary might be allowed to inspect the list, and Club ; Mr. Herbert Baily, editor of the Connoisseur,&#13;
if he or she wanted to make copies of the names resplendent in the crimson robes of a cardinal-&#13;
and addresses of members in order to circularise archbishop, a foretaste of the Shakspere ball to&#13;
them on the society's business, it would be reasonable which several of those present were going later in&#13;
to allow such copies to be made subject to the the evening ; Mrs. Alec Tweedie, Mrs. Charles&#13;
committee's sanction and on payment of the clerical Perrin, Miss May Sinclair, Mrs. Burnett Smith&#13;
expenses ; the committee, naturally, would have to (Annie S. Swan), Miss Marjorie Bowen, Mr.&#13;
know the purpose for which the member desires W. W. Jacobs, Mr. and Mrs. Herbert Thring,&#13;
the names and addresses, as the members would Mr. Cosmo Hamilton, Mr. Arthur Diosy, Sir&#13;
&#13;
&#13;
## p. 259 (#345) ############################################&#13;
&#13;
THE AUTHOR.&#13;
259&#13;
IV.&#13;
Bindon and Lady Blood, and Mr. and Mrs. Hodder The Society is to be congratulated upon a highly&#13;
Williams.&#13;
successful Coronation dinner, upon an increasing&#13;
The original intention had been to arrange small usefulness, an expanding membership, and upon&#13;
tables, as well as a high table, to represent various the possession of an enterprising and energetic&#13;
jouruals, but such was the demand for seats that staff of honorary officials.&#13;
the scheme had to be abandoned, and only some&#13;
half-a-dozen groups could be accommodated apart&#13;
from the general company. These were The&#13;
Englishwoman, distinguished by the presence of&#13;
STYLE IN LITERATURE.&#13;
Mrs. Henry Fawcett; The British Journal of&#13;
Nursing, The Lady, The Woman at Home, at&#13;
which, among others, sat Mrs. Baillie Saunders and&#13;
By ARCHIBALD DUNN.&#13;
Mr. Harold Child ; the Ladies' Army and Navy&#13;
and the Lyceum Clubs also had tables allotted to&#13;
[The commencement of this article, in the April issue.&#13;
them. The heads of other tables were taken by&#13;
spoke of the broad requirements of style. Continued in&#13;
officials of the society, Mrs. Baillie Reynolds, vice the May number, the Laws of Economy, Climax and&#13;
chair; Mrs. Willoughby Hodgson, hon. secretary : Variety were dealt with in detail. And, last month, some&#13;
explanation was given of the need for Grace in writing-&#13;
and Miss Burford Rawlings, hon. treasurer.&#13;
for the introduction, that is, of the æsthetic].&#13;
Mr. Joynson Hicks, M.P., spoke to the toast of&#13;
the Three Estates of the Realm, while “ Our M HE methods by which images and symbols&#13;
Guests," with a cordial reference to those from&#13;
are created in literature may be set&#13;
beyond the seas, was proposed from the Chair and&#13;
down under four headings—Synecdoche,&#13;
responded to by Sir Mortimer Durand, G.C.M.G., Metonymy, Simile and Metaphor; and however&#13;
and Mrs. Thurston, who referred to the woman ungrateful the task of compiling a catalogue, there&#13;
journalist as the most modern of modern products. is nothing for it here but to take these terms,&#13;
“ The Society” was allotted to Mr. Israel singly and in order, and explain their meaning-&#13;
Zangwill, who remarked that the distinction of course, as concisely as may be.&#13;
between literature and journalism had long since Synecdoche, then, is the illustration of an idea&#13;
broken down. They both had too much imagina- through mention of some constituent part of it.&#13;
tion to be kept really separate. On behalf of the Thus, “an escort of a dozen sabres" paints a&#13;
society Mrs. Baillie Reynolds made reply, while sharper picture and more immediately than if we&#13;
supporting her was Miss MacMurchy, president of were to write “an escort of a dozen men.”&#13;
the Canadian Women's Press Club, now affiliated Metonymy is the substitution of the concrete&#13;
to the S.W.J., who dwelt upon the happy relations for the abstract, of the familiar and readily intel-&#13;
that existed between the press of the Mother and ligible for the unfamiliar and less readily intelligible.&#13;
Daughter Countries. The names of other promi. “He put his strength into it" is not so significant&#13;
nent Canadian women journalists appearing on the as to say “ He put his back into it”-the latter is&#13;
lists of those present were Mrs. FitzGibbon, Mrs. a definite picture, the former indefinite. And it&#13;
Simpson Hayes, Miss Agnes Deans Cameron, and becomes easy to appreciate eren so abstract a thing&#13;
Miss L. H. Birchall. Mr. Crawshay Williams, M.P., as “evening” if suggested to us by a master;&#13;
in the picturesque negligé of a Greek fisherman, “When," as Stevenson says, “ the dew fell and the&#13;
was responsible for a felicitous little speech in stars were of the party.” The dew and the stars&#13;
honour of Mrs. Bedford Fenwick, who in her reply are familiar enough, and their association with the&#13;
made mention of the invitation that had been closing of the day inevitable.&#13;
extended to her as president to represent the Simile is a comparison obviously made : “ Like a&#13;
society at the Coronation service in Westminster giant refreshed," * As still as death,” “ Fairer than&#13;
Abbey a couple of days later. Earlier in the the lily," and so on.&#13;
evening a telegram had been despatched to their Metaphor is a suggested comparison by means of&#13;
Majesties the King and Queen :“We, the members some qualifying adjective or phrase. There is no&#13;
of the Society of Women Journalists assembled in mistaking the sense and force of a “stony stare”&#13;
honour of the Coronation, offer loyal and dutiful or of “I pinned him to the facts.” And when this&#13;
devotion to your most gracious majesties,” to which idea comes to be still further elaborated, as it is&#13;
the following reply arrived in due course :&#13;
with polished writers, then we shall find a subtle&#13;
“ The King and Queen sincerely thank the and beautiful picture of the stars and of the&#13;
members of the Society of Women Journalists for heavens in Carlyle's phrase, “ Street lamps of the&#13;
the loyal message and good wishes contained in City of God."&#13;
your telegram which their Majesties have received Now it is at once noticeable that Synecdoche and&#13;
with much pleasure.-BIGGE."&#13;
Metonymy are first cousins. It is not quite safe,&#13;
&#13;
&#13;
## p. 260 (#346) ############################################&#13;
&#13;
260&#13;
THE AUTHOR.&#13;
for nstance, to assert very confidently that Steven- well-nigh perfect, but its complete significance is&#13;
son's description of the evening—“When the dew not immediately obvious. It requires a period,&#13;
fell and the stars were of the party "—is Metonymy though maybe a short one, to sink into the mind;&#13;
rather than Synecdoche; the “ falling dew" and and, admitting this, we have come upon a clear&#13;
the “stars," constituent parts certainly of an ordi- distraction from the main issue. Hence it seems&#13;
nary evening, seem to demand the inclusion of the more likely that the greater force of Metaphor&#13;
phrase under the heading of Synecdoche. And springs from another cause, its greater attractiveness.&#13;
again, to speak of a “dozen sabres " instead of a “All men," says Dr. Whately, "are more gratified&#13;
“dozen men” is clearly tu substitute the concrete for at catching the resemblance for themselves than in&#13;
the abstract, and so to trench upon the ground of having it pointed out to them"; or, in other words,&#13;
Metonymy. But whether we are to admit a large we are creatures of a small vanity, fond of&#13;
distinction or a small one, or none at all, is not, discovering our own cleverness and of giving our-&#13;
perhaps, of much moment; the more important selves an approving pat upon the back. So,&#13;
consideration is that, from the definite and readily although we may bave committed &amp; theoretical&#13;
intelligible idea advanced in Synedoche and fault in construction, although we may have caused&#13;
Metonymy, there results in the reader's mind an a passing delay and a break across the smooth&#13;
immediate suggestion and explanation of the less current of thought towards the main idea, here is&#13;
definite and less readily intelligible thought which an ample compensation and, we may believe, a&#13;
the writer wishes to express.&#13;
debt honestly due by every author to the weakness&#13;
Simile and Metaphor derive their effectiveness of humanity.&#13;
from the same source—the ease with which they But this thing must not be overdone. The aim&#13;
enable a reader to recognise the full significance of and object of the whole business is, in the long run,&#13;
the main idea. And here, again, we find an obvious enlightenment; and, if there be no enlightenment,&#13;
relationship ; though, perhaps, not so close. Indeed, then most certainly does failure ensue. Thus, the law&#13;
Herbert Spencer goes so far as to say that “Simile applying in the use of all figures of speech is first&#13;
is in many cases used chiefly with a view to orna- and foremost-Simplicity. But, understand me,&#13;
ment,” and, thereby, implies some shortcoming in with a qualification. For, what is simple to one&#13;
its more practical value. Well, of course, it is may be unintelligible to another and, therefore, the&#13;
possible, with looseness of language, to call any- extent of an author's licence in erudite figures of&#13;
thing that is useful ornamental ; and, in that sense, speech is to be measured always by the capacity of&#13;
the assertion might pass. But otherwise--and in his reader. What, for instance, would the poorly&#13;
the absence of proof which is not forthcoming in educated reader make of this : "For Conservation,&#13;
Spencer's article—the outstanding worth of Simile strengthened by that mightiest quality in us, our&#13;
as a practical aid to the writer and to the reader is indolence, sits for long ages, not victorious only,&#13;
too obvious, too patent to the logical mind, to allow which she should be ; but tyrannical, incommunica-&#13;
of this be-littlement.&#13;
tive. She holds her adversary as if annihilated ;&#13;
The actual distinction between Simile and such adversary lying, all the while, like some buried&#13;
Metaphor, the point at which they separate and Enceladus ; who, to gain the smallest freedom, has&#13;
in a sense lose relationship, lies in the greater to stir a whole Trinacria with its Aetnas. Where-&#13;
obviousness of the one than of the other. Simile is fore, on the whole, we will honour a Paper Age, too ;&#13;
the comparison openly made ; Metaphor, a species an Era of hope! For in this same frightful process&#13;
of stage “ aside" only to be caught by the quicker of Enceladus revolt; when the task, on which no&#13;
witted. And experience has shown that Metaphor mortal would willingly enter, has become impera-&#13;
is more effective than Simile, and is, as a rule, to be tive, inevitable—is it not even a kindness of Nature&#13;
preferred.&#13;
that she lures us forward by cheerful promises,&#13;
In explanation, Herbert Spencer argues that, of fallacious or not; and a whole generation plunges&#13;
the two, Metaphor has the advantage of greater into the Erebus Blackness, lighted on by an Era of&#13;
economy ; and he instances the comparison between Hope ?”* Yet, though Carlyle may have been&#13;
“Ingratitude ! thou marbled-hearted fiend” and right to indulge in this tirade because he wrote for&#13;
“ Ingratitude ! thou fiend with heart like marble.” the student and for those highly cultured in litera-&#13;
But if we turn from the simple metaphor which can ture, he would certainly have been very wrong&#13;
be expressed by a qualifying word and examine that indeed to have expressed himself in such a manner&#13;
which demands the qualifying phrase, if we con- had his appeal been to humbler folk. Here, for&#13;
sider once again those“ Street lamps of the City of them, if not for others, is an incomprehensible&#13;
God,” then economy—at any rate, of the reader's jargon, a collection of unfamiliar and unrecognised&#13;
attention-is not so apparent. For, I do not think terms, expressions without meaning, the apotheosis&#13;
it possible to realise this picture without some break&#13;
in the continuity of thought. The Metaphor is&#13;
* Carlyle's - French Revolution."&#13;
&#13;
&#13;
## p. 261 (#347) ############################################&#13;
&#13;
THE AUTHOR.&#13;
261&#13;
of bad style. “Some buried Enceladus" and “a whereas precedence of the substantive is apt to&#13;
whole Trinacria with its Aetnas” convey nothing produce a misconception ; it follows that the one&#13;
to those humbler folk and leave the picture blank. gives the mind less trouble than the other, and is&#13;
And, beyond Simplicity, there is something more; therefore more forcible. . . . What is here said&#13;
these figures of speech—whether of Synecdoche, respecting the succession of the adjective and sub-&#13;
Metonymy, Simile, or Metaphor—have yet another stantive is applicable, by change of torms, to the&#13;
law to bow to, they must form a distinctive part of adverb and verb." *&#13;
the main thought. For it is clear, I think, that, All of which, we see, brings us to a curious&#13;
had we spoken of “an escort of a dozen pairs of impasse. For, if this be philosophy founded on&#13;
boots " instead of “an escort of a dozen sabres,” we nature, what shall we say to the Frenchman and&#13;
should bave been as correct in the one case as in the German ? people as intelligent as ourselves and&#13;
the other, but we should, nevertheless, have failed dependent for guidance on just the same dictates&#13;
to paint the picture. And, why? Because “pairs of nature. The Frenchman finds it easier to under-&#13;
of boots” are common to any escort-infantry, stand “the horse black”; and the German reads a&#13;
police, a crowd of admirers or of ragamuffins—whilst sentence most comfortably, it would seem, when&#13;
“ sabres” are distinctive of cavalry.&#13;
the verb (governing and explaining the whole affair)&#13;
is hidden from sight on the other side of the&#13;
It remains now to say a word upon the position page.&#13;
which qualifying phrases in general may most fitly But even ignoring this, and turning to the&#13;
occupy in the formation of any sentence. At first argument itself, it is not easy to follow its logic. It&#13;
sight, this would appear a question of small moment; is not easy to see that the word “black” is less&#13;
first or last, or in the middle, what can it matter ? open to misunderstanding than is the word “horse."&#13;
and in an ordinary way, in a passing remark or a So many things are black—a nigger, a look, a deed.&#13;
sentence of no special import, it is hardly, perhaps, And, as it is the way with most of us to anticipate,&#13;
of consequence. But, apart from this and in cir- the chance may fall upon a nigger ; then, presently,&#13;
cumstances when the writer desires to emphasise when the word " horse" comes along, there follows,&#13;
his point or to be impressive, then there is a maxim obviously enough, a very distinct “check to the process&#13;
of Style in literature for his guidance which lays it of thought”—first, in the deletion of the nigger and,&#13;
down that any qualifying word, epithet or phrase, then, in the fresh start off upon the picture of the&#13;
shall precede the subject qualified.&#13;
horse. Indeed, considering all things, there does&#13;
The philosophical explanation of this is based on not appear to be any very satisfying reason why&#13;
the assumption that such a process tends auto- the qualifying phrase should precede rather than&#13;
matically to an easier sequence of thought and succeed the subject qualified ; in either case, the&#13;
therefore, to an economy of effort on the part of the result may be a “check to the process of thought "&#13;
reader. “If a horse black be the arrangement with one safeguard only—the rapidity with which&#13;
(instead of a black horse), then immediately on the we read and, so, embrace the thought not in parts&#13;
utterance of the word horse,' there arises, or tends but as a whole. .&#13;
to arise, in the mind, an idea answering to that In such circumstances, then, the obvious course&#13;
word ; and, as there has been nothing to indicate is to turn to experience ; and, here, there is no&#13;
what kind of horse, any image of a horse may sug- doubt about the result. For, whatever may have&#13;
gest itself. Very likely, however, the image will originated the habit amongst English-speaking&#13;
be that of a brown horse ; brown horses being the people of thinking as they do, it is certain that, for&#13;
most familiar. The result is that when the word them, the natural easy sequence of ideas has become&#13;
• black ’ is added, a check is given to the process of nowadays that in which the qualifying word, epithet&#13;
thought. Either the picture of a brown horse or phrase, is stated before the subject qualified ;&#13;
already present to the imagination has to be and, therefore, as the mind works most smoothly, and&#13;
suppressed, and the picture of a black one sum consequently with the greatest rapidity, under such&#13;
moned in its place; or else, if the picture of a conditions. so, where impressiveness is desired, the&#13;
brown horse be yet unformed, the tendency to form need for observance of this law grows imperative.&#13;
it has to be stopped. Whichever is the case, some S ee how it applies in practice. “And then uprose&#13;
hindrance results. But if, on the other hand, 'a the great Montrose” is sensibly dramatic, a picture&#13;
black horse' be the expression used, no mistake can in strong colours ; but invert the verb (which&#13;
be made. The word 'black,' indicating an abstract qualifies) and Montrose (who is qualified), and the&#13;
quality, arouses no definite idea. It simply pre picture is wishy-washy in an instant—"And then&#13;
pares the mind for conceiving some object of that the great Montrose uprose.” Or, perhaps, a some-&#13;
colour ; and the attention is kept suspended until what longer quotation will point the moral better.&#13;
that object is known. If, then, by precedence of&#13;
the adjective, the idea is always conveyed rightly,&#13;
* Herbert Spencer.&#13;
&#13;
&#13;
## p. 262 (#348) ############################################&#13;
&#13;
262&#13;
THE AUTHOR.&#13;
* And ever upon the topmost roof our banner of same time there are principles which, if they do&#13;
England blew” grows weaker in steady proportion not actually set us on the right road, at least pre-&#13;
as the subject is advanced without qualification, vent us wandering far from it ; and these principles&#13;
thus ; “ And ever our banner of England blew upon depend on the philosophy which has stood through-&#13;
the topmost roof” is feeble, yet one degree more out for the mainstay of this discussion. This, as&#13;
forcible than “And our banner of England blew you know, is simply that the thought shall be&#13;
ever upon the topmost roof.” (The important expressed so that the reader can grasp it at once and&#13;
qualification is, of course, “ Erer upon the topmost without effort—there is to be no obscurity and no&#13;
roof.")&#13;
distraction through monotony. Hence, in a choice&#13;
Where, however, many qualifications are applied of words, we are back again at the elementary laws&#13;
to one subject, it will be found that, if an impor- of Simplicity and Variation.&#13;
tant qualification be stated at once, if the mind be The simple words in the English language are&#13;
set in this fashion into the proper train of thought, said to be Saxon ; and, no doubt, this is correct.&#13;
then other qualifications may be added as effec- We are told, therefore, that Saxon words are to be&#13;
tively after the subject as before it.&#13;
preferred to words of Latin origin ; and again, no&#13;
doubt, this is correct. But, somehow, the intro-&#13;
With fingers weary and worn,&#13;
With eyelids heavy and red,&#13;
duction of such a problem suggests a complication ;&#13;
A woman sat, in unwomanly rags,&#13;
for many a man and many an excellent writer, too,&#13;
Plying her needle and thread-&#13;
would be hard put to it to dissect his mother-&#13;
Stitch-stitch-stitch!&#13;
tongue. An easier way, then, must be found ; and&#13;
In poverty, hunger and dirt.&#13;
here it is — to speak not of “simple” but of&#13;
The explanation is clear — the avoidance of “familiar” words. Every intelligent person is&#13;
monotony and of too long a suspension of the agreed on the familiar word. It varies, of course,&#13;
main thought.&#13;
in different circles—in the nursery and in the&#13;
But when discussion only is concerned, when academy-but there can never be a question as to&#13;
there is no appeal to the feelings and no attempt at what is suitable in given surroundings. Yet,&#13;
the impressive, when, in short, we speak directly to though we shall have short words and long words&#13;
the reason, then observance of this sequence ceases according to the circumstances, words for the child&#13;
to be strictly necessary-indeed, the inversion of it and words for the student, it is not to be forgotten&#13;
is often the most effective. The reason for this that, in general, the short word will be the most&#13;
has not yet, so far as I know, been suggested by effective---on account of the resulting economy of&#13;
anyone; but it seems a tolerably fair assumption effort for the reader ; for, just as a long sentence&#13;
that the logical mind-a thing distinct, one may creates a greater strain in its comprehension than&#13;
believe, from the emotional mind—will demand does a short one, so will a word of many syllables&#13;
first and foremost that it should know what the become a greater impediment to the progress of&#13;
subject is which happens to be under discussion. thought than will a word of few syllables.&#13;
For such a mind it is natural to commence with a This, however, may be qualified. The short&#13;
definite pronouncement of the matter in debate. word is preferable for habitual use ; but where an&#13;
For example : “ The first Lord of the Treasury was impressive effect is desired, where the object is to&#13;
detested by many as a Tory, by many as a favourite, attract marked attention to some quality or subject,&#13;
and by many as a Scot," is more direct and, there the long word produces a peculiar emphasis of its&#13;
fore, more satisfying to the purely reasoning mind own. It may be that this is the outcome of the&#13;
than the suspended thought created by this inver- size of the word itself—the larger impression on&#13;
sion : “ As a Tory, as a favourite, and as a Scot, the the eye creating a correspondingly large impression&#13;
first Lord of the Treasury was detested by many." on the seuses ; or it may be simply another instance&#13;
And, finally, in the observance of these laws, where suspension of the thought can accentuate the&#13;
there must always be variety.&#13;
conclusion—the long word in this case playing the&#13;
same part as parenthesis in the construction of a&#13;
As to the handling of words, the selection of one sentence. But, whether either or both are to be&#13;
rather than of another, it is certain that the word taken as the explanation, the value of the long word&#13;
chosen must always be the most appropriate—this in certain circumstances remains a fact, Thus, to&#13;
requires no argument; and, of all the many words give a practical illustration, to write of “a very&#13;
that, out of a well-stocked vocabulary, might be heary man” is, obviously, to draw a somewhat indis-&#13;
made to express the meaning in one fashion or tinct and feeble picture; wbilst, to write of "a&#13;
another, only one of these can be the best, the most ponderous man” is to arouse an immediate concep-&#13;
truly expressive. To a great extent, of course, the tion of unusual weight and bulk.&#13;
aptitude for happy selection must be a natural gift Then, again, the specific word is more readily&#13;
-one man has it and another has not. At the intelligible than the generic, and should therefore&#13;
&#13;
&#13;
## p. 263 (#349) ############################################&#13;
&#13;
THE AUTHOR.&#13;
263&#13;
be chosen when the alternative offers. For example, writer who obeys these precepts with sincerity has&#13;
it will, as a rule, excite slight sympathy to say that in a manner proved himself and, to a degree at&#13;
we are afraid of “ an operation ”—the generic term least, assured his position. Pity, then, that, if&#13;
“ operation” being too vague and conveying too this be the limit of his literary grace, he should&#13;
little to the minds of an average audience. But still be so far from ranking as a Master. For&#13;
say, instead, that you are afraid of “the surgeon's there is the stage beyond. It is indescribable, I&#13;
knife," and the horror of the whole business know, and like many other æsthetic effects in&#13;
strikes the intelligence in a moment and creates a Nature incapable of analysis. You cannot say, for&#13;
picture which cannot be misunderstood.&#13;
instance, why one melody more than another is&#13;
Hence we see, in the advantages of realism, the beautiful ; why one voice is the more soothing and&#13;
importance to be attached to those words which are sympathetic ; or why some passing glance should&#13;
in themselves illustrative. “ To smark the face," betoken before the world an ardent admiration or&#13;
“ To splash into the water,” “To fall with a thud affection. These are the mysteries which humanity&#13;
upon the ground," convey a strengthened mean- acknowledges but cannot explain. And so it is&#13;
ing by the suggestiveness of the actual sound of with the music of words. Thus, there is nothing&#13;
the words which are here italicised. We under- for it but to speak through the medium of examples&#13;
stand their meaning, of course, at any time; but and leave the writer to work out his own salvation.&#13;
we understand it all the more speedily and vividly This, then, is what Mark Twain says about the&#13;
through this suggestiveness.&#13;
ugliness of words—he is discussing Lake Tahoe-:&#13;
Yet, not even the excellence of all these princi. “Sorrow and misfortune overtake the Legislature&#13;
ples must ever tempt us into the indiscretion of that still from year to year permits Tahoe to retain&#13;
riding them to death. The Saxon word, the short its unmusical cognomen! Tahoe! It suggests no&#13;
word, the long word for impressiveness, the specific crystal waters, no picturesque shores, no sublimity.&#13;
word rather than the generic and, finally, the illus- Tahoe for a sea in the clouds ; a sea that has char-&#13;
trative word are to be the aim, throughout, of the acter and asserts it in solemn calms at times, at&#13;
polished writer. But only at the risk of failure times in savage storms ; a sea whose royal seclu-&#13;
shall he insist on them too much. For here, as in sion is guarded by a cordon of sentinel peaks that&#13;
every branch of literary construction and literary lift their frosty fronts nine thousand feet above the&#13;
style, is the law of Variation stepping in to forbid level world : a sea whose every aspect is impres-&#13;
monotony. We may not weary the reader, and the sive, whose belongings are all beautiful, whose&#13;
best of anything can become wearisome in tine. lonely majesty types the Deity! Tahoe means&#13;
So--though it is quite impossible to fix upon a grasshopper. It means grasshopper soup. It is&#13;
dividing line, to assert that just here or just there Indian, and suggestive of Indians. They say it&#13;
a writer is carrying routine too far—it is perfectly is Piute—possibly it is Digger. I feel sure it is&#13;
certain that now and then, at given intervals, the named by the Diggers — those low savages who&#13;
first principles of good style must, for the sake of roast their dead relatives, then mix the human&#13;
Variety, be set aside. And that is why so crude a grease and ashes of bones with tar, and .gaum’ it&#13;
thing as deliberate repetition is forbidden and, yet, thick all over their heads and foreheads and ears,&#13;
permissible. Repetition is, in its very essence, and go caterwauling about the hills and call it&#13;
monotonous ; but, after a string of florid passages, mourning. These are the gentry that named the&#13;
after a series of sentences artistically varied, then Lake.”&#13;
the repetition of one idea and an insistence on it And this is what Stevenson says of the beauty of&#13;
becomes, by force of contrast, the most startling words : “ The names of the States and Territories&#13;
variety. There is no need for an example. You themselves form a chorus of sweet and most romantic&#13;
have but to recall the orator's trick of working to vocables : Delaware, Ohio, Indiana, Florida, Dakota,&#13;
a climax, from the eloquent and verbose to the Iowa, Wyoming, Minnesota and the Carolinas :&#13;
simple, from the magniloquent airing of ideas to there are few poems with a nobler music for the&#13;
the blunt repetition of a statement—“I know that ear : a songful, tuneful land : and, if the new&#13;
my cause is just ; I know that the law is just ; I Homer shall arise from the Western continent,&#13;
know that just ice will be done.” And this, mark his verse will be enriched, his pages sing spon-&#13;
you, is a double repetition—in the word and in the taneously, with the names of States and Cities&#13;
setting of the phrase.&#13;
that would strike the fancy in a business circular.”&#13;
But all this is to say nothing of the music of It is nothing that we shall avoid the continuous&#13;
words themselves, as distinct from their arrange- repetition of the same word, or of words with the&#13;
ment. In all these principles, in all these maxims, same sound, or of words beginning or ending with&#13;
there is something that is sure and practical in its the same letters, or of stock and hackneyed phrases&#13;
result, something that will take the roughness off&#13;
the edge and put a polish on the surface. The&#13;
* . The Innocents Abroad."&#13;
&#13;
&#13;
## p. 264 (#350) ############################################&#13;
&#13;
264&#13;
THE AUTHOR.&#13;
—these are forbidden on the ground of an offence&#13;
against Monotony. The aim is higher than this&#13;
to select the expressive word which is, besides,&#13;
melodious to the ear.&#13;
And so, too, with sentences. Theoretically&#13;
perfect perhaps, they may still be crude ; lacking&#13;
the necessary rhythm, the even balance, the easy&#13;
flow so delightful to the senses. They may satisfy&#13;
the intellect of course, and yet fail most lamentably&#13;
before the Court of the Emotions. But there is no&#13;
man to give a Panacea for the Evil. This lies in the&#13;
domain of Art, cloudy and obscure to most of us,&#13;
and only the Artist is destined to triumph.&#13;
Thus, in this maze of the sure and of the vague,&#13;
there is ample encouragement; and, yet, matter for&#13;
despair in the outlook. There is so much to see&#13;
to, is there not ? so many obligations to fulfil in&#13;
the practice of the Art of Writing ; and, as there&#13;
is no place anywhere for even the semblance of&#13;
blemish, so will failure in one particular be only&#13;
too apt to mean failure in all. It is the build-&#13;
ing of a house of cards where the single slip&#13;
will bring the whole flimsy structure clattering&#13;
to the ground. And, hence it is that one&#13;
may concur most whole-heartedly in Stevenson's&#13;
opinion. “We begin to see now," he says, *&#13;
“ what an intricate affair is any perfect passage;&#13;
how many faculties, whether of taste or pure&#13;
reason, must be held upon the stretch to make&#13;
it ; and why, when it is made, it should afford us&#13;
80 complete a pleasure. From the arrangement of&#13;
according letters which is altogether arabesque and&#13;
sensual, up to the architecture of the elegant and&#13;
pregnant sentence, which is a vigorous act of the&#13;
pure intellect, there is scarce a faculty in man but&#13;
has been exercised. We need not wonder, then, if&#13;
perfect sentences are rare, and perfect pages rarer."&#13;
giving utterance to the voices of the hills and dales.&#13;
among which he lived.&#13;
In recent years, as the study of Nature has grown&#13;
more and more fashionable, when hardly a week&#13;
passes that does not bring forth a book on wild&#13;
birds or animals, on highways and byways all over&#13;
the country, Wordsworth has come into his own&#13;
again, and takes his place as the High Priest of&#13;
Nature. Those apostles who have for years.&#13;
worshipped him in silence now take courage and&#13;
preach his gospel, acknowledging his teaching.&#13;
One of the most interesting books dealing with&#13;
Wordsworth, under the title of “ Wordsworthshire"&#13;
(published by Chatto &amp; Windus, 78. 6d, net), by&#13;
Eric Robertson, M.A., is now before us.&#13;
It would do for Wordsworth what Boswell bas.&#13;
done for Johnson, if it can be imagined that&#13;
the view point is exactly the opposite. Boswell is.&#13;
exoteric ; Mr. Robertson is esoteric.&#13;
He commences by giving an account of Words-&#13;
worth's forbears and his surroundings, and then in&#13;
most elaborate detail shows the effect of the lake&#13;
influence—not only the lake influence, but the&#13;
influence of every minute corner of the lakes where&#13;
Wordsworth visited-upon his mental attitude.&#13;
He shows again how this mental attitude is reflected&#13;
in his poetry. It is a good book ; and Mr. Robert-&#13;
son has proved himself a worthy apostle of his&#13;
prophet. It is copiously and attractively illustrated&#13;
from black and white wash drawings by Arthur&#13;
Tucker. We would recommend the book to those&#13;
who know, and more to those who, still ignorant, .&#13;
desire to know, something of the beauties in the&#13;
verse of the Great Poet of Nature.&#13;
THE HISTORY OF THE NOVEL.*&#13;
ON WORDSWORTH.&#13;
NHIRTY or forty years ago Wordsworth was&#13;
almost forgotten ; he was looked upon as&#13;
an undistinguished poet who had lived&#13;
among the English Lakes. It was acknowledged&#13;
that he had written one or two good sonnets, but&#13;
the rest of his poetry was swept away with a broad&#13;
sweep of the hand as puerile and silly. There were&#13;
still one or two fond admirers who believed in him&#13;
and his writings, as the poet of Nature, as one&#13;
TR. WILLIAMS is not the only Richmond&#13;
in the field ; but we are inclined to think&#13;
he is the best. His History of the English&#13;
Novel is on a larger scale than that of Professor&#13;
Raleigh, and it deserves all the laudatory epithets&#13;
proper to such a work. The author knows his&#13;
subject from A to Z—from Thomas Nash to&#13;
Thomas Hardy—and his style is clear, attractive,&#13;
and, at times, epigrammatic. Works of erudition&#13;
too often give the reader a sensation of having&#13;
finished his day's work when he has reached the&#13;
end of a paragraph ; but the end of a paragraph, in&#13;
this case, stimulates a desire for the next. We do&#13;
not say that we endorse all the author's conclusions,&#13;
-that result is only obtained when writer and&#13;
* * Technical Elements of Style."&#13;
† “ Wordsworthshire" by Eric Robertson, M.A., with&#13;
forty-seven plates after the original drawings by Arthur&#13;
Tucker, R.B.A., and maps. Published by Chatto &amp;&#13;
Windus. 78. 6d. net.&#13;
* - Two Centuries of the English Novel," by Harold.&#13;
Williams, M.A. Smith Elder. 7s.6d, net.&#13;
&#13;
&#13;
## p. 265 (#351) ############################################&#13;
&#13;
THE AUTHOR.&#13;
265&#13;
reader have an equal passion for the obvious ; but&#13;
it is only possible to differ from him with respect&#13;
and an apprehension lest, after all, he may turn out&#13;
to be right. He is certainly right in maintaining&#13;
that great men must be judged by results, and not&#13;
by canons to which they deliberately refused to&#13;
conform. The best English novels have seldom&#13;
been the strongest in stage-carpentry. The&#13;
-detached attitude, so splendidly adopted by&#13;
Flaubert, does not seem to flourish on our side of&#13;
the Channel. Even the followers of Flaubert, like&#13;
Mr. George Moore, have shown a tendency to fall&#13;
away from this method ; and it strikes us as curious&#13;
that Mr. Moore's name is not mentioned in&#13;
Mr. Williams's pages. He says little, it is true,&#13;
about contemporary writers; but, if Mr. Moore&#13;
does not claim attention as imperatively as&#13;
Mr. Hardy, be is at least as entitled to it as Mr. W.&#13;
D. Howells and Mr. Henry James, whose names do&#13;
occur. Mr. Williams's critical standpoint is&#13;
represented by his preference of Thackeray to&#13;
Dickens and of Jane Austen to George Eliot and&#13;
Charlotte Brontë. There are those who will wish&#13;
to argue with him on both points; and Walter&#13;
Besant would certainly have assigned a higher&#13;
place than he does to Charles Reade. But no&#13;
matter. The world would be a duller world than&#13;
it is if everybody agreed with everybody else about&#13;
everything. Mr. Williams's book is excellent for&#13;
the general reader, and will also be useful to&#13;
students who seek honours at the Universities in&#13;
English Literature.&#13;
point of view of one who may be anxious to read&#13;
these authors, or may be led to read them by having&#13;
his interest roused. The question then arises, will&#13;
this book be of any use ? It contains studies of&#13;
“ Pickwick Papers," “ Nicholas Nickleby," and&#13;
“Vanity Fair." It is a revelation of the plot and&#13;
characters included in these books with running&#13;
comments by the author, but these comments hardly&#13;
rouse one's interest, and it is possible that instead&#13;
of stimulating the reader to peruse Dickens or&#13;
Thackeray, they might deaden his interest, leaving&#13;
him content with having obtained with little expen-&#13;
diture of time, a superficial knowledge of the books&#13;
concerned. In short, the essays do not rouse one&#13;
to enjoy the wonderful fascination of the two&#13;
writers concerned by pricking the curiosity suffici-&#13;
ently. Instead of acting as an appetiser at the&#13;
beginning of a dinner they have the effect of closing&#13;
one's desires rather than increasing them. The&#13;
comments are not enlivening : they lack originality.&#13;
Take for instance the comments on “ Pickwick&#13;
Papers." They give you no idea of the subtlety of&#13;
Dickens's characters, of Pickwick, Weller, or&#13;
Jingle, for it is the characters in these works rather&#13;
than their plots which strengthen the desire for&#13;
closer acquaintance with them. The essay on&#13;
“Vanity Fair," which takes up considerably more&#13;
than half the book, is, perhaps, the most illumin-&#13;
ating from the point of view of the general&#13;
reader, but tends, by giving the reader too much,&#13;
to withdraw his interest from the book itself.&#13;
We cannot say, therefore, that the book supplies&#13;
a want, or accomplishes the purpose, for which it&#13;
was written. To those who have already studied&#13;
Dickens and Thackeray, who know the beauties of&#13;
characterisation for which both these authors are&#13;
famous, the book is useless. To those who are not&#13;
students, to those in fact (of which there are many&#13;
nowadays) who delight to get the plot of a book&#13;
without any of the literary subtleness and marvels,&#13;
the book is dangerous in that it will rather prevent&#13;
that intimate study which is essential, than&#13;
encourage a future perusal.&#13;
DICKENS AND THACKERAY.*&#13;
A STUDY.&#13;
TT is a difficult matter to criticise the book&#13;
1 which is the subject of this review. The&#13;
Author, in a prefatory note, states that the&#13;
work is not intended so much for those who are&#13;
well acquainted with Dickens and Thackeray, as&#13;
for the general reader to whom, he hopes, it may&#13;
prove useful. Therefore one well acquainted with&#13;
Dickens and Thackeray has an arduous task&#13;
allotted to him, for beyond being an exposition of&#13;
the plots and characters of “The Pickwick Papers,"&#13;
“ Nicholas Nickleby,” and “Vanity Fair,” the&#13;
-book sets forth little that is fresh and illuminating.&#13;
It is necessary, however, to endeavour to view&#13;
the work from the standpoint of the general reader,&#13;
that is, 'from the standpoint of one who is not&#13;
- acquainted with Dickens or Thackeray; from the&#13;
I&#13;
PRIZE COMPETITIONS.&#13;
TN the June number of The Author an article&#13;
1 appeared, entitled “Prize Competitions."&#13;
This was written with the object of showing&#13;
how indefinite editors and publishers usually are in&#13;
framing the rules of these competitions, and how&#13;
necessary it is for authors to have a correct under-&#13;
standing of the terms before submitting their&#13;
MSS. One of the competitions referred to in the&#13;
article was the “Ten-Guinea Short Story Competi-&#13;
tion” of The Sphere, although the name of the&#13;
* " Dickens and Thackeray: Studied in Three Novels,”&#13;
by the Hon. Albert G. Canning. T. Fisher Unwin. 108.6d.&#13;
&#13;
&#13;
## p. 266 (#352) ############################################&#13;
&#13;
266&#13;
THE AUTHOR.&#13;
sher&#13;
S&#13;
mitted must be&#13;
paper was not actually mentioned. We have now dated May 27th. There we find the notice of the&#13;
received a letter from the editor objecting to the terms runs as follows :-&#13;
criticism contained in our article. The letter is&#13;
printed here at full length, in spite of the irrelevant "We pay Ten Guineas for every short story accepted for&#13;
matter it contains. Indeed, the irrelevant part of&#13;
this page. The stories must be between 2,000 and 3,000&#13;
words in length. Whether written by the most distin.&#13;
the letter is interesting. It may afford indirect&#13;
guished novelist or the most obscure, the story will be&#13;
testimony as to the attitude of the editor's mind&#13;
when drawing up the terms for the “Ten-Guinea addressed The Story Editor, The Sphere, and must be&#13;
Short Story Competition."&#13;
typewritten. If not accepted the manuscript will be&#13;
returned if accompanied by stamp for postage. Not more&#13;
than one story may be submitted at a time. The Editor&#13;
The Editor, The Author,&#13;
June 20th, 1911. reserves to himself the right of republishing these stories in&#13;
10, Bouverie Street, E.C.&#13;
volume form with the authors' names attached."&#13;
SIR, -In your issue of The Author for June I find&#13;
the following statement :-&#13;
It is impossible to ascertain what, in the mind&#13;
" One well-known weekly paper which invites the send-&#13;
ing in of short stories, for the acceptance of which ten of the editor, suggested the alteration 10 the&#13;
guineas a story is promised, does not state in its offer that notices, but whether the first notice is taken or the&#13;
the entire rights are required ; but at the bottom of the second notice is taken our comment is equally&#13;
page on which the story appears there is printed in small&#13;
accurate and conclusive. The first sentence we&#13;
type • Exclusive copyright of — ' (the name of the&#13;
paper)."&#13;
repeat :&#13;
I have always found in The Author many elements of&#13;
humour, but I did not expect to find statements that border&#13;
“We pay Ten Guineas for every short story accepted for&#13;
on the libellous. Everything points in this paragraph to this page."&#13;
The Sphere as being the journal referred to. It is true&#13;
that at the end of each story The Sphere states that the From these words it is clear that only the serial&#13;
said story is " Exclusive copyright," but it is not true that&#13;
use of the story for The Sphere is asked for, whatever&#13;
in its offer of ten guineas for each story it is not explicitly&#13;
stated. Not only is it so stated, but before accepting any&#13;
the editor's intention may have been. There&#13;
given story I am in the habit of forwarding a reprint of is no mention whatever of the word “ copyright,"&#13;
these conditions to every successful competitor. Not the nor is there anything to suggest either in the first&#13;
most exigent champion for the rights of authors can pre-&#13;
or the second notice that the editor demands all&#13;
tend that ten guineas is not a fair price to pay for all&#13;
rights in a story of 2,000 words by an unknown writer, and&#13;
nd possible rights in the story. Indeed, to anyone&#13;
it may interest you to know that on one occasion, quite who reads the paragraph carefully it would seem&#13;
recently, when by a typist's mistake a successful competitor that the editor does not expect to get the copy-&#13;
was informed that she would be paid three guineas for a&#13;
right, or he would not have added (see notice 2):&#13;
story, the author wrote back to say that she was quite&#13;
willing to accept the three guineas, although very sorry&#13;
that she had not been successful in the ten guinea com-&#13;
“ The Editor reserves to himself the right of republishing&#13;
petition. The author in question was promptly informed these stories in volume form with the authors' names&#13;
that she would receive ten guineas for the story, and I quite attached."&#13;
fail to see what possible grievance of authors can be&#13;
extracted from this competition. But in your ill-advised What, then, is the legal interpretation of the&#13;
crusade against editors you are not always careful to give&#13;
notices? It is that the author who accepts the&#13;
them full justice.&#13;
I am, Sir,&#13;
terms grants to The Sphere the serial use of his&#13;
Your obedient Servant,&#13;
story for the page referred to, and further grants,&#13;
CLEMENT SHORTER, in the second notice, to the editor the right to&#13;
Editor of The Sphere.&#13;
republish the story (presumably with others) in&#13;
book form. But the author, it is clear, retains the&#13;
On turning to the issue of The Sphere of Feb-&#13;
copyright and all other rights of reproduction,&#13;
ruary 11th, which was before the writer of the article&#13;
because neither the full serial rights nor the sole&#13;
on Prize Competitions, we find that the notice of the&#13;
and exclusive right of book publication are asked&#13;
terms printed on the page which deals with “ Our&#13;
for. If, therefore, the author wished to issue the&#13;
Ten-Guinea Short Story 'runs as follows :-&#13;
story in serial form at a later date, there would be&#13;
“We pay Ten Guineas for every short story accepted for&#13;
nothing to prevent him from doing so. If he&#13;
this page.” Whether written by the most distinguished wished to republish the story in book form, with&#13;
novelist or by the most obscure the story will be published others of his own writing, there would be nothing&#13;
anonymously. All stories submitted must be addressed&#13;
to prevent this. The only hint of a desire on the&#13;
The Editor, The Sphere. Owing to the large number of&#13;
short stories already received for this page it is requested&#13;
part of the editor to have copyright, as mentioned&#13;
that no more be sent in until the first week in March." in our article last month, is set out in the words at&#13;
the end of the story in the February issue :&#13;
In order to be quite sure that our deductions are “ Exclusive Copyright of The Sphere," in the May&#13;
correct we turn to a subsequent issue of The Sphere, issue “ Complete Copyright of The Sphere." But&#13;
&#13;
&#13;
## p. 267 (#353) ############################################&#13;
&#13;
THE AUTHOR.&#13;
267&#13;
Mr. Shorter cannot be definite even in his own&#13;
letter, which is printed above. He says :-&#13;
"It is true that at the end of each story The Sphere&#13;
states that the said story is Exclusive Copyright,' but it is&#13;
not true that in its offer of ten guineas for each story it&#13;
(sic) is not explicitly stated.”&#13;
It is not quite clear what "it" may refer to.&#13;
If the pronoun refers to the question of copyright,&#13;
then, as we have already shown, there is no mention&#13;
whatever of the transfer of the copyright in the&#13;
terms as set out, and nothing to lead the author to&#13;
think he is making such a transfer, unless, per-&#13;
chance, he casts his eye down to the bottom of the&#13;
page on which the stories appear.&#13;
This statement will show that while the editor&#13;
of The Sphere, like other editors, has been desirous&#13;
of acquiring copyright in stories, he has failed,&#13;
owing to the loosely drawn terms of the competi-&#13;
tion, to attain his desire. The editor of The Sphere&#13;
is not blamed, nor do we blame other editors, for&#13;
are they not all honourable men ? But the difficulty&#13;
has arisen owing to ignorance.&#13;
It is hardly necessary to say anything about the&#13;
letter as a whole. It is pleasing to learn that the&#13;
writer has found elements of humour in The Author,&#13;
but he certainly has not found statements that&#13;
border on the libellous. That he should think&#13;
so is, perhaps, further evidence of his lack of legal&#13;
knowledge.&#13;
It is not necessary to discuss the value of the&#13;
prize given for the successful story. As far as The&#13;
Sphere is concerned the article did not criticise the&#13;
financial side of the bargain, nor did it for a&#13;
moment suggest that the editor would not pay&#13;
what he considered to be the moral obligations of&#13;
the paper. The document to which the editor refers,&#13;
as having been forwarded to successful competitors,&#13;
is not within our ken, but if, as stated in the letter,&#13;
it is a reprint of the notice which now appears at the&#13;
head of the page on which the story is printed,&#13;
then we can only repeat that it does not provide&#13;
for purchase of copyright. If the editor desired&#13;
to purchase the copyright, it is unfortunate that he&#13;
did not state this in so many words.&#13;
The letter from the editor of The Sphere, indeed,&#13;
proves our wisdom in inserting in The Author the&#13;
article entitled “Prize Competitions.”&#13;
attention to two other contests in which authors&#13;
have been invited to take part. Both of them&#13;
illustrate the need for the exercise of care, on the&#13;
part of authors, to which your contributor referred&#13;
at the end of his article.&#13;
The first of these two contests is being conducted&#13;
by the proprietors of three monthly magazines.&#13;
Three prizes of £50 and eleven prizes of £10 each&#13;
are offered. And here, apparently, the matter ends.&#13;
Nothing is said as to the fate of the successful&#13;
stories ; there is nothing to indicate whether they&#13;
are to be published, though this is hinted at. If&#13;
they are to be published, there is still nothing to&#13;
enable the authors to know when or where. An&#13;
author may be quite willing to sanction the appear-&#13;
ance of his work in one of the three magazines and&#13;
yet very strongly object to its appearance in either&#13;
of the remaining two. Still stronger may be his&#13;
objection to its appearance (quite possible under&#13;
the terms of this competition) elsewhere. If the&#13;
proprietors want the copyright, it surely should be&#13;
no difficult matter for them to say so. Similarly if&#13;
they want the serial rights-either wholly or in&#13;
part-they should mention this requirement. To&#13;
leave all these questions to conjecture, is hardly&#13;
fair to the author, while the further fact that there&#13;
is no appeal from the decision of the judges makes&#13;
the position still worse.&#13;
Moreover, no date is mentioned by which a&#13;
decision may be expected. This is the harder on&#13;
the author in that the competition is being con-&#13;
ducted on behalf of three different monthlies. The&#13;
result may, quite conceivably, be announced at&#13;
different dates in each. This would mean, unless&#13;
the author happens to be near a library, a very large&#13;
purchase of magazines, and though this principle&#13;
as suggested in the former article may increase the&#13;
circulation of the magazines it is hardly fair on&#13;
the competing authors. Surely it is an unnecessary&#13;
and unfair strain both on his purse and his patience !&#13;
A little care would so easily have elucidated all&#13;
these difficulties.&#13;
The second competition is rather more definite.&#13;
The prizes are 40 guineas for a Short Story, £10&#13;
for a Poem and £7 78. for an Essay. Moreover, a&#13;
further £25 is to be paid “ to the writer who has&#13;
never written a story before or had a story accepted&#13;
or published.” Presumably, the £25 is to go to&#13;
the winner of the competition who is able to fulfil&#13;
this condition. As the paragraph stands it offers&#13;
a temptation to unscrupulous people, not being&#13;
authors, to make embarrassing demands merely&#13;
because they have either not written or have failed&#13;
to publish a story.&#13;
In both competitions there is the demand for an&#13;
entrance fee, for which the unsuccessful will receive&#13;
“valuable criticism and advice.” In the second&#13;
competition, the competitor is told that though he&#13;
CORRESPONDENCE.&#13;
PRIZE COMPETITIONS.&#13;
SIR,-In view of the publication of an article on&#13;
this subject in your last issue, I venture to call your&#13;
&#13;
&#13;
## p. 268 (#354) ############################################&#13;
&#13;
268&#13;
THE AUTHOR.&#13;
must contribute “to the heavy expenses of the would feel that the practice I have mentioned, a&#13;
examination, the entrance fee shall be 2s. 6d. only," practice which is in vogue in all our great cities,&#13;
increased, in the case of the story, if not typewritten was a distinct fraud upon the author, and ought to&#13;
to 3s. 6d. What does the hint of an additional be put down by the law wherever it is practised.&#13;
contribution mean?&#13;
I have the most complete proof of what I say,&#13;
In addition, 100 short stories will be purchased but unhappily it was given me in confidence, so that&#13;
at the rate of £2 28. per 1,000 words.&#13;
I can only point out what is being done, and hope,&#13;
A definite date is given for a decision, and the however faintly, that library committees may&#13;
magazine for which the stories are required will develop something like a conscience.&#13;
appear in the Autumn.&#13;
Yours faithfully,&#13;
It only remains for the would-be competitor to&#13;
· F, T. BULLEN.&#13;
assure himself of the financial standing of the&#13;
people behind it.&#13;
Yours, &amp;c.,&#13;
A WOULD-BE COMPETITOR.&#13;
How BOOKS ARE BOUGHT.&#13;
SIR,—The grotesque proposal to publish books&#13;
without a fixed price was not met by the practical&#13;
point of view of the buyer. I should never buy a&#13;
book if no prices were stated in advertisements or&#13;
A FRAUD UPON AUTHORS.&#13;
reviews. A busy man has no time to pay chatty&#13;
visits to booksellers and be squeezed by salesmen.&#13;
SIR,—There be many grievances and hardships&#13;
A few minutes over a review settles if the book is&#13;
under which authors labour, and are likely to&#13;
wanted, or a sight of an advertisement. If no price&#13;
labour, generally in silence, but I know of none so&#13;
is quoted the book is not ordered ; and unless some&#13;
shamefully unjust and illegal as the one I am about&#13;
advertisement of a price is seen later, it is probably&#13;
to call attention to now. Among the multitude of&#13;
forgotten in a few days, and there is the end of its&#13;
Free Libraries founded by Mr. Carnegie and the&#13;
chances.&#13;
late Mr. Passmore Edwards, there are very many&#13;
If there were a fluctuating price I should never&#13;
where the local rate levied hardly does more thanh&#13;
in buy until I had sufficient offers at various prices, to&#13;
pay for the upkeep of the building and the salaries&#13;
see which was best, so that would never work.&#13;
of the librarian and his assistants. Very seldom&#13;
The old system of a fixed price claimed in full at&#13;
does any public spirited individual come forward&#13;
railway bookstalls, or id. off at country booksellers',&#13;
with a donation for the purpose of buying books,&#13;
or 2d. off at town booksellers', or 3d. off at a few&#13;
and when one does the genial committee managing&#13;
managing cutting firms, is by far the best for all parties.&#13;
the library (never by any chance does a literary&#13;
The trouble of going to a cheap seller is compen-&#13;
man appear among them) are only concerned to get&#13;
sated, the advantages of large sales and small risks&#13;
the greatest number of books for the smallest pos-&#13;
by the big cheap house is shared by the public, and.&#13;
sible expenditure.&#13;
so increases the sales and the author's benefit.&#13;
Now a clever librarian, not one, that is, who can&#13;
Yours truly,&#13;
guide readers, or who is a deeply read man, but&#13;
A MEMBER&#13;
one who understands the £ s. d. of his business,&#13;
knows just where to buy, for next to waste paper&#13;
price, Tauchpitz editions and Colonial editions of&#13;
popular novels, both of which it is illegal to sell in&#13;
INSURANCE OF CONTRIBUTORS.&#13;
this country. A very little more money spent on&#13;
binding (and many libraries do their own binding) SIR,—When an ordinary tradesman fails,&#13;
and a number of books are put in circulation which there is generally something for the creditors in&#13;
do not yield the author a groat. Later he has the the form of realisable stock. But of late years&#13;
satisfaction of hearing that his books are in great various promoters of commercial gazettes and&#13;
demand at certain libraries and wonders much why magazines of a business nature have sprung up&#13;
it is that he is getting no royalties.&#13;
like mushrooms and collapsed after a year or two,&#13;
It seems almost a pity that when Mr. Carnegie leaving absolutely no convertible assets. Could&#13;
made up his mind to endow many libraries he did not some seheme of insurance be organised whereby&#13;
not give just a moment or two's thought to the men contributors to publications would be insured&#13;
whose brains produced the books he proposed to against risk of non-payment ?&#13;
hand out to readers gratis. But although he&#13;
Yours faithfully,&#13;
apparently did not do so, I really believe that he&#13;
ALGERNON WARREN.&#13;
&#13;
&#13;
## p. (#355) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING. | AUTHORS wishing to make arrange-&#13;
Authors' MSS. 10. 1,000 words; over 40,000, 10d.&#13;
ments for Publishing are invited to&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
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SIKES and SIKES, London, E.C., who will be pleased&#13;
The West Kensington Typewriting Offices, to consider MSS. and advise (free)&#13;
(Established 1893),&#13;
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TYPEWRITING.&#13;
EWART RICKETTS&#13;
May be relied on to provide neat and&#13;
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MSS. Straightforward work, 10d. per&#13;
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and is familiar with the business of publishing in all&#13;
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They are in personal touch with all the leading&#13;
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editors, and MSS. are considered promptly and&#13;
submitted to the firms most likely to use them.&#13;
Plays are read by one of the principal actors&#13;
and producers in London.&#13;
Music is considered by a well-known composer,&#13;
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Write for Prospectus and Terms to&#13;
SPRIGG, PEDRICK, Ltd.,&#13;
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Terms—Cash with order. The Tissot Pictures&#13;
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cent photographic enlargements of the illustrations&#13;
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published £4 4s. net, for £1 9s. 6d. The Twentieth&#13;
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218., for 58. 9d. A parcel of 12 Six Shilling&#13;
Novels, all nearly new and in good condition, for&#13;
78. 6d. Cross cheques and postal orders L. &amp; S.W.&#13;
Bank, Fleet Street Branch.-J. F. BELMONT &amp;&#13;
Co., 29, Paternoster Square, E.C.&#13;
&#13;
&#13;
## p. (#356) ################################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
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Opposite the British Museum.&#13;
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MISS B. KERRY, Rohilla, Carshalton.&#13;
Typewriting and Secretarial Work.&#13;
** Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I bave no&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
64, VICTORIA STREET, S.W. Telephone: No. 5637 Westminster.&#13;
Recommended by Mr. O, K. Chesterton, Baron de Worms.&#13;
Miss Gertrude Tuckwell, Canon Swallow, and Others.&#13;
Many Testimonials, of which the following is a specimen : "Many&#13;
thanks for the excellent work and the promptness with which it has&#13;
been done."&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.&#13;
&#13;
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## p. 1 (#357) ##############################################&#13;
&#13;
ON COPYRIGHT FORMALITIES IN&#13;
THE U.S.A.&#13;
o&#13;
[Printed from the United States Publishers' Weekly, with the kind permission of the Editor.]&#13;
n&#13;
COPYRIGHT may inhere as a natural right, deposit within a specified time, or false&#13;
u as under English common law before the report as to manufacture, make the copy-&#13;
Statute of Anne, without record or formali- right not valid.&#13;
ties, but also without statutory protection; or The general provisions as to formalities are as&#13;
formalities may be required only as a prerequisite follows (sect. 9): “That any person entitled thereto&#13;
to protection by actions at law; or formalities may by this Act may secure copyright for his work by&#13;
be required to validate and secure the copyright. publication thereof with the notice of copyright&#13;
English formalities belong to the second class. required by this Act; and such notice shall be&#13;
American formalities are of the third class and affixed to each copy thereof published or offered&#13;
without them copyright does not exist.&#13;
for sale in the United States by authority of the&#13;
The American copyright law of 1909 prescribes copyright proprietor, except in the case of books&#13;
exactly the method of securing copyright, and seeking ad interim protection under section twenty-&#13;
makes clear the cases in which non-compliance one of this Act ; ” and (sect. 10): “That such&#13;
in validates copyright. Previous to 1909 copy- person may obtain registration of his claim to&#13;
right was secured by complying exactly with the copyright by complying with the provisions of this&#13;
statutory requirements of (1) the delivery to the Act, including the deposit of copies, and upon such&#13;
Librarian of Congress on or before the day of compliance the Registrar of Copyrights shall issue&#13;
publication, in this or any foreign country, of a to him the certificate provided for in section fifty-&#13;
printed (including typewritten) copy of title or five of this Act.”&#13;
description of the work, (2) the insertion in every In the Act (sect. 62) the date of publication has&#13;
copy published of the prescribed copyright notice, been fixed as “the earliest date when copies of&#13;
and (3) the deposit not later (under the law of the first authorised edition were placed on sale,&#13;
1891) than such day of publication (earlier law sold or publicly distributed by the proprietor of&#13;
allowing ten days after publication) of two copies the copyright or under his authority.” This&#13;
of the best edition of a book or other article, or a indirectly defines publication as the authorised&#13;
photograph of a work of art (as to date of deposit public offer, sale or distribution of copies, and the&#13;
of which last the law was not explicit), and any clause (sect. 9) requiring the copyright notice to be&#13;
failure to comply literally and exactly with these affixed to each copy "published or offered for sale&#13;
conditions forfeited the copyright.&#13;
in the United States by authority of the copyright&#13;
The American Code of 1909 substitutes an proprietor” confirms the principle that the copy-&#13;
entirely different basis for securing copy right proprietor cannot be held responsible, nor&#13;
right. Copyright now depends upon (1) pub- can copyright be voided because of copies “pub-&#13;
lication with the notice of copyright, and lished," offered, sold or distributed without his&#13;
(2) deposit of copies, these copies in the case authority.&#13;
of books and certain other works to be The first step in securing copyright being pub-&#13;
manufactured within the United States. lication “with the notice of copyright”" affixed&#13;
The accidental omission of the copyright to each copy published or offered for sale in the&#13;
notice from “a particular copy or copies" United States by authority of the copyright pro-&#13;
does not invalidate the copyright as formerly, prietor," the method and form of this notice is of&#13;
but only relieves an innocent trespasser first importance. The Act of 1909 provides (sect. 18)&#13;
from penalty as an infringer; but failure to “That the notice of copyright required by section&#13;
&#13;
&#13;
## p. 2 (#358) ##############################################&#13;
&#13;
(&#13;
)&#13;
2&#13;
nine of this Act shall consist either of the word additional year was claimed. This decision, how-&#13;
* Copyright' or the abbreviation Copr.,' accom- ever, is not a safe precedent, as doubt was thrown&#13;
panied by the name of the copyright proprietor, on it by Judge Wallace in the same year in Schu-&#13;
and if the work be a printed literary, musical, or macher v. Wogram. The substitution for 1894 of&#13;
dramatic work, the notice shall include also the the abbreviated '94 was held in 1895, in Snow v.&#13;
year in which the copyright was secured by pub- Mast, to be within the law. A microscopic objec-&#13;
lication. In the case, however, of copies of works tion that N. Sarony (instead of Napoleon Sarony&#13;
specified in sub-sections (f) to (k), inclusive, of sec- was not a name was promptly quashed.&#13;
tion five of this Act, the notice may consist of the An important safeguard new in copyright law is&#13;
letter C inclosed within a circle, thus : (C), accom- enacted in the provision (sect. 20) “That where&#13;
panied by the initials, monogram, mark, or symbol the copyright proprietor has sought to comply with&#13;
of the copyright proprietor: Provided, That on some the provisions of this Act with respect to notice,&#13;
accessible portion of such copies or of the margin, the omission by accident or mistake of the pre-&#13;
back, permanent base, or pedestal, or of the sub- scribed notice from a particular copy or copies&#13;
stance on which such copies shall be mounted, his shall not invalidate the copyright or prevent re-&#13;
name shall appear. But in the case of works in covery for infringement against any person who,&#13;
which copyright is subsisting when this Act shall after actual notice of the copyright, begivs an&#13;
go into effect, the notice of copyright may be either undertaking to infringe it, but shall prevent the&#13;
in one of the forms prescribed herein or in one of recovery of damages against an innocent infringer&#13;
those prescribed by the Act of June eighteenth, who has been misled by the omission of the notice;&#13;
eighteen hundred and seventy-four.”&#13;
and in a suit for infringement no permanent&#13;
Under the law of 1874, the prescribed notice was injunction shall be had unless the copyright pro-&#13;
in the old form (Rev. Stat. 4962), “ Entered accord. prietor shall reimburse to the innocent infringer&#13;
ing to Act of Congress, in the year by A. B., his reasonable outlay innocently incurred if the&#13;
in the office of the Librarian of Congress, at Wash court, in its discretion, shall so direct."&#13;
ington," with the optional alternative of the form It is further provided (sect. 19) “That the&#13;
“ Copyright, 184, by A. B.” Under the new Code notice of copyright shall be applied, in the case of&#13;
the latter form is preserved, with the alternative of a book or other printed publication, upon its title-&#13;
the provision “Copr.," with date and name, but page or the page immediately following, or if a&#13;
the longer form may be used on books copyrighted periodical either upon the title-page or upon the&#13;
under the earlier Acts, even if reprinted after the first page of text of each separate number or under&#13;
passage of the later Act. Except for books pre- the title heading, or if a musical work either upon&#13;
viously copyrighted, the longer form is not now its title-page or the first page of music: Provided,&#13;
the legal notice, and its use would be dangerous, That one notice of copyright in each volume or in&#13;
as it does not contain the specific word copyright each number of a newspaper or periodical published&#13;
or its abbreviation now made an obligatory part of shall suffice."&#13;
the notice. The courts have been disposed to hold Although the Code of 1909 relieves the copyright&#13;
that a longer notice embodying the required words proprietor from permanent forfeiture in the case of&#13;
is merely pleonastic and not illegal ; but that any an accidental omission of the copyright notice from&#13;
omission of either of the three requisites, certain copies (sect. 20), the statute is otherwise&#13;
the word copyright or its abbreviation, the specific, and there seems to be no means of&#13;
date in the case of printed works, and the relief where the copyright notice is, how-&#13;
name of the proprietor, or in the case of ever innocently, in the wrong place or in&#13;
works of art his sign, would make the notice the wrong form. Thus a book containing the&#13;
void and of no effect. The exact phraseology copyright notice on the third page, i.e., on the&#13;
and order of words must be followed, and it has second leaf or elsewhere than on the title-page&#13;
been held that any inaccuracy in the name of or the page immediately following, might not&#13;
the copyright proprietor (as in the English case be protectable in case of infringement. The&#13;
of Low V. Routledge, by Vice-Chancellor Kin- copyright notice can probably, however, be placed&#13;
dersley) or in the date of the entry (as in the safely and preferably on the first page, being&#13;
American case of Baker v. Taylor, when 1847 was the title-page, of a specially copyrighted part&#13;
put for 1846) makes the copyright ivvalid. A later of a book, as an introduction preceding a non-&#13;
decision, in 1888, in Callaghan v. Myers, held, that copyrighted work or an index or appended notes,&#13;
where a copyright notice gave the year 1866, while or upon specific illustrations ; and this is perhaps&#13;
the true date was 1867, there was no harm done to preferable in copyrighting editions with such fea-&#13;
the public, because a year of the copyright (which tures of works otherwise in the public domain. In&#13;
really ended in 1895 instead of 1894) was given to the case of articles in a periodical or parts of a&#13;
the public, whereas in the previous case an composite work separately copyrighted or registered&#13;
&#13;
&#13;
## p. 3 (#359) ##############################################&#13;
&#13;
( 3 )&#13;
the copyright notice should appear on the same held that as the statute did not expressly prescribe&#13;
page as the title heading. The copyright does not that the copyright notice should appear in succes-&#13;
depend upon the imprint date but on publication ; sive volumes after the first, this was not necessary,&#13;
thus the Copyright Office registered for copyright but the application of this doubtful decision under&#13;
in 1910 a book bearing the imprint date 1904 on the new Code would be more than questionable. It&#13;
the statement of the proprietor that it was not may be emphasised that publication with&#13;
really published till 1910.&#13;
notice is the first step in copyright under&#13;
The proviso (sect. 19) that one notice of copy the present Code, and that registration on&#13;
right in each volume or in each number of a periodi deposit is the secondary and completing&#13;
cal shall suffice, is complementary to the provision act, and therefore no registry in the Copy.&#13;
(sect. 3) by which a copyright protects all the right Office is necessary to authorise the&#13;
copyrightable component parts of the work copy printing of the copyright notice, as was&#13;
righted and gives to the proprietor of a composite formerly the case.&#13;
work or periodical all the rights he would have if In the case of successive printings or editions of&#13;
each part were individually copyrighted. It means a copyrighted book, the original copyright entry&#13;
that there need be no repetition of the general must appear in every reprint of the first edition ;&#13;
copyright notice on different pages of a book or and it would seem that this entry should also&#13;
periodical.&#13;
appear in every new edition newly copyrighted, as&#13;
The proviso (sect. 61) “ that only one registra- well as the new notice, so long as it is desired to&#13;
tion at one fee shall be required in the case of protect the matter contained in the old edition. A&#13;
several volumes of the same book deposited at the decision by Justice Clifford, in Lawrence v. Dana,&#13;
same time," indicates that one copyright entry in 1869, ruled this to be superfluous, but his decision&#13;
suffices for several volumes simultaneously published, is contrary to the rule that a proprietor may not&#13;
but each separate volume should contain the notice. claim through the copyright notice a longer term&#13;
Volumes published separately not only in successive than the law permits, since a later date, referring&#13;
years but at successive dates within the year, should only to new matter, but apparently comprehen-&#13;
be separately registered, and if published separately sive of the whole contents, might be voided under&#13;
in successive years, must each bear its copyright this rule. It is doubtful whether on a new edition&#13;
notice for the year of publication-this being the with old and new matter one copyright notice with&#13;
direct sequence from the provision that copyright two dates is safe, and the wiser course is to give&#13;
dates from the specific date of publication and not both the earlier copyright notice and the later&#13;
from the year or date of registration. The Copy- notice in proper sequence.&#13;
right Office will, however, under the law, register It should be noted that the copyright&#13;
for one fee volumes or parts deposited at the same notice is not required on books published&#13;
time, though published at various times. In the abroad in the English language before&#13;
case of a book issued in successive parts, of which publication in this country, entered for ad&#13;
only the first part includes a title-page or title interim copyright, and therefore that within&#13;
headings, the law is not specific, but it seems pro- sixty days after the publication abroad of a&#13;
bable that, in default of copyright notice and book in the English language, such book&#13;
registration for each part, the parts not bearing may be protected by American registration,&#13;
copyright notice might be legally reprinted, and though containing no notice of copyright;&#13;
that the safer course is to place the copyright and within this period inquiry at the Copy-&#13;
notice on the first page of each part and register right Office is necessary to determine the&#13;
each part separately, in which case the completed status of the book.&#13;
work should have the date or dates of the year or It is provided (sect. 46) “ that when an assign-&#13;
years within which the several parts were published. ment of the copyright in a specified book or other&#13;
There seem to be no objections, within the law or work has been recorded the assignee may substitute&#13;
from court decisions, to coupling two dates in the his name for that of the assignor in the statutory&#13;
same notice, in such cases as “ Copyright, 1910, notice of copyright prescribed by this Act." This&#13;
1911, by A.B.," though there is no specific decision applies only where the entire copyright has been&#13;
on this point. Under the previous law a book assigned and the assignment duly recorded in the&#13;
published in more than one volume or part, the Copyright Office as provided by law, and does not&#13;
portions not complete in themselves, was probably permit a change of name in the copyright notice&#13;
protected by copyright entry of the first part, all under any other circumstances, as where some par-&#13;
parts being of course ultimately deposited, but the ticular right, as magazine publication or dramatisa-&#13;
change in the new Code basing copyright on pub- tion, has been sold and assigned. A substitution&#13;
lication with notice, changes this rule of practice. of name under such specific assignments would&#13;
In the case of Dwight v. Appleton, in 1840, it was probably invalidate the copyright.&#13;
&#13;
&#13;
## p. 4 (#360) ##############################################&#13;
&#13;
( 4&#13;
)&#13;
The method of registration, or rather of applica- of the Copyright Office, shall, upon payment of the&#13;
tion therefor, is not specified in the law, for the prescribed fee, be given to any person making&#13;
reason that under the code of 1909 deposit suc- application for the same, and the said certificate&#13;
ceeding publication is made the act completing the shall be admitted in any court as prima facie&#13;
securing of copyright, and registration is incidental evidence of the facts stated therein. In addition&#13;
thereto instead of the first requisite, as was the to such certificate the Registrar of Copyrights shall&#13;
case under the previous laws.&#13;
furnish, upon request, without additional fee, a&#13;
The Act provides (sect. 53): “ That, subject to receipt for the copies of the work deposited to&#13;
the approval of the Librarian of Congress, the complete the registration.”&#13;
Registrar of Copyrights shall be authorised to make The Copyright Office has accordingly prepared&#13;
rules and regulations for the registration of claims blanks in library card form which are furnished&#13;
to copyright as provided by this Act," and (sect. 54) applicants free of charge for the several classes of&#13;
“ whenever deposit has been made in the Copyright applications mentioned in the law, the cards being&#13;
Office of a copy of any work under the provisions in pink, except as hereafter stated, lettered and&#13;
of this Act, he shall make entry thereof."&#13;
numbered as follows: A (1) book by citizen or resi-&#13;
It is provided (sect. 5) “ that the application for dent of the United States, A (2) edition printed in&#13;
registration shall specify to which of the [stated] the United States of book originally published&#13;
classes the work in which copyright is claimed abroad in the English language, both these being&#13;
belongs,” but it is incidentally provided “nor shall double cards including affidavit of American manu.&#13;
any error in classification invalidate or impair the facture—these being supplemented by blue cards&#13;
copyright protection.”&#13;
providing with specific instructions A (1) for&#13;
Provision is specifically made against false notice separate affidavit of American manufacture from&#13;
of copyright by the enactment (sect. 29): “That type set or plates made in the United States and&#13;
any person who, with fraudulent intent, shall insert A (2) for lithographic or photo-engraving process&#13;
or impress any notice of copyright required by this within the United States ; A (3) book by foreign&#13;
Act, or words of the same purport, in or upon any author in foreign language, A (4) Ad interim copy-&#13;
uncopyrighted article, or with fraudulent intent right-book published abroad in the English&#13;
shall remove or alter the copyright notice upon any language, A (5) contribution to a newspaper or&#13;
article duly copyrighted shall be guilty of a mis- periodical; B (1) periodical, B (2) newspaper or&#13;
demeanor, punishable by a fine of not less than periodical to be continously registered, supple-&#13;
one hundred dollars and not more than one thousand mented by a white blank for depositing single&#13;
dollars. Any person who shall knowingly issue or subsequent issues ; C lecture, sermon or address&#13;
sell any article bearing a notice of United States prepared for oral delivery ; D (1) published dramatic&#13;
copyright which has not been copyrighted in this or dramatico-musical composition, D (2) dramatic&#13;
country, or who shall knowingly import any article or dramatico-musical composition not reproduced&#13;
bearing such notice or words of the same purport, for sale, D (3) published dramatico-musical com-&#13;
which has not been copyrighted in this country, position; E (1) published musical composition,&#13;
shall be liable to a fine of one hundred dollars," E (2) musical composition not reproduced for sale&#13;
and the importation of any article bearing a notice these supplemented by a blue card U notice of&#13;
of copyright when no American copyright exists is use on mechanical instruments; F published map;&#13;
absolutely prohibited (sect. 30).&#13;
G work of art (painting, drawing, or sculpture) ;&#13;
It is further provided (sect. 55): “That in the or model or design for a work of art; H reproduc-&#13;
case of each entry the person recorded as the tion of a work of art; I drawing or plastic work of&#13;
claimant of the copyright shall be entitled to a a scientific or technical character; J (1) photograph&#13;
certificate of registration under seal of the Copy- published for sale, J (2) photograph not reproduced&#13;
right Office, to contain his name and address, the for sale; K print or pictorial illustration, R (1)&#13;
title of the work upon which copyright is claimed, renewal of copyright subsisting in any work, R (2)&#13;
the date of the deposit of the copies of such work, extension of a renewal copyright subsisting in any&#13;
and such marks as to class designation and entry work. Thus an applicant for copyright on an&#13;
number as shall fully identify the entry. In the American book should send for card A (1) on which&#13;
case of a book the certificate shall also state the he may enter his application and also include affi-&#13;
receipt of the affidavit as provided by section six- davit as to American typesetting, printing and&#13;
teeu of this Act, the date of the completion of the binding ; if he wishes the affidavit to be separately&#13;
printing, or the date of the publication of the book, made he should obtain also the special blue card&#13;
as stated in the said affidarit. The Registrar of A (1), or if lithographic or photo-engraving is used&#13;
Copyrights shall prepare a printed form for the he should obtain also special blue card A (2). A&#13;
said certificate, to be filled out in each case as above dramatic applicant should send for card D (1) or&#13;
provided for, which certificate, sealed with the seal card D (3), respectively, as he may prefer to specify&#13;
&#13;
&#13;
## p. 5 (#361) ##############################################&#13;
&#13;
( 5&#13;
)&#13;
the work as a dramatic and non-musical work, or relation with the Copyright Office. Postage must&#13;
to use the broader alternative phrase of the law ; be prepaid on the application blank, as there is no&#13;
or for D (2) if he desires to copyright without provision for free transmission through the mails,&#13;
reproducing for sale. The applicant for a musical such as applies to deposit copies. In practice the&#13;
composition, as distinguished from a dramatico application with remittance and the deposit copies&#13;
musical work, should send for card E (1) or E (2) should be simultaneously sent immediately after&#13;
respectively. The art applicant should send for publication.&#13;
card G for an original work of art, or card H for a The law provides that deposit copies shall be sent&#13;
reproduction, or for a photograph card J(1) or promptly after publication and that tuo complete&#13;
card J (2) respectively.&#13;
copies of the best edition then published (or one copy&#13;
Similar certificate cards, also of library size, in case of a contribution to a periodical or for iden-&#13;
uniformly white, are provided for the several classes tification of a work not reproduced for sale) shall&#13;
of registration, correspondingly lettered and num- be deposited ; and if a work is published with&#13;
bered, except that in a few cases where one certifi- notice of copyright, and copies are not promptly&#13;
cate blank serves for more than one class or sub- deposited, the copyright is voided and the pro-&#13;
divisions, with the addition of a general form Z to prietor becomes subject to penalty three months&#13;
cover anything unprovided for in the other certifi- (or in case of outlying possessions or foreign coun-&#13;
cate blanks. The certificate bears on one side the tries six months) after formal demand by the&#13;
uniform statement of the deposit of two copies Registrar of Copyrights for deposit copies. The&#13;
or one copy of the article named herein, and of word“ promptly” is indefinite, and the status of&#13;
registration for the first or renewal term, with the undeposited works published with copyright notice&#13;
name of the claimant (printed in the case of a few and not formally demanded by the Registrar of Copy-&#13;
of the publishers making most applications) and rights, is also not defined by the law. In such case&#13;
on the other side the specification (following the the copyright has not been secured by the complet-&#13;
wording of the application and the deposit copy) of ing act, and it would be impracticable to proceed&#13;
the title or description, date of publication, receipt against an infringer and the proprietor might be&#13;
of affidavit (where required), receipt of copies and liable to penalty for false notice of copyright. In&#13;
entry number by class, together with the seal of the event of such a case arising, through careless-&#13;
the Copyright Office.&#13;
ness or otherwise, the courts would have to decide&#13;
This certificate is sent without charge other than the question by definition of the word "promptly”&#13;
the fees directly provided for in the law (sect. 61), and an interpretation of the implied provision that&#13;
viz., "for the registration of any work subject to copyright is voided, meaning that the right to&#13;
copyright, deposited under provisions of this Act, obtain copyright lapses, if the process is not com&#13;
one dollar, which sum is to include a certificate of pleted without undue delay.&#13;
registration under seal : Provided, That in the case The completion of the copyright by deposit of&#13;
of photographs the fee shall be fifty cents where a copies is covered by the provision (sect. 12): “That&#13;
certificate is not demanded. For every additional after copyright has been secured by publication of&#13;
certificate of registration made, fifty cents. ... the work with the notice of copyright as provided&#13;
For recording the extension or renewal of copyright in section nine of this Act, there shall be promptly&#13;
provided for in sections twenty-three and twenty- deposited in the Copyright Office or in the mail&#13;
four of this Act, fifty cents." The law no longer addressed to the Registrar of Copyrights, Washing-&#13;
contemplates record before publication, and it is ton, District of Columbia, two complete copies of&#13;
unnecessary and undesirable to send application or the best edition thereof then published, which&#13;
money previous to sending of deposit copies. In copies, if the work be a book or periodical, shall&#13;
fact, as the certificate must show date of publica- have been produced in accordance with the manu-&#13;
tion, publication cannot be anticipated, and money facturing provisions specified in section fifteen of&#13;
sent in advance is only an embarrassment to the this Act ; or if such work be a contribution to a&#13;
Copyright Office. The only exception to this state- periodical, for which contribution special registra-&#13;
ment is in the case of the successive copyrights of tion is requested, one copy of the issue or issues&#13;
issues of a regular periodical, in which case the containing such contribution ; or if the work is&#13;
Copyright Office will receive in advance a sum not reproduced in copies for sale, there shall be&#13;
sufficient to cover registration for the successive deposited the copy, print, photograph, or other&#13;
copies of a periodical through a specified period. identifying reproduction provided by section eleven&#13;
The fee should be sent by money order, or can be of this Act, such copies or copy, print, photograph,&#13;
sent in cash (but not in stamps), at the risk of the or other reproduction to be accompanied in each&#13;
sender, as the Registrar of Copyrights cannot receive case by a claim of copyright. No action or pro-&#13;
cheques except at his personal risk and there. ceeding shall be maintained for infringement of&#13;
fore from persons known to him as in frequent copyright in any work until the provisions of this&#13;
&#13;
&#13;
## p. 6 (#362) ##############################################&#13;
&#13;
( 6 )&#13;
Act with respect to the deposit of copies and regis- It should be noted that the deposit copies may&#13;
tration of such work shall have been complied be deposited either in the Copyright Office or “in&#13;
with."&#13;
the mail, addressed to the Registrar of Copyrights,"&#13;
In case of failure to deposit, the law of 1909 and it is provided (sect. 14): “That the post-&#13;
provides for penalties and finally voiding of the master to whom are delivered the articles deposited&#13;
copyright, as follows (sect. 13): “That should the as provided in sections eleven and twelve of this&#13;
copies called for by section twelve of this Act not Act shall, if requested, give a receipt therefor and&#13;
be promptly deposited as herein provided, the shall mail them to their destination without cost&#13;
Registrar of Copyrights may at any time after the to the copyright claimant."&#13;
publication of the work, upon actual notice, require Thus even if the deposit copies should not reach&#13;
the proprietor of the copyright to deposit them, Washington, as in case they were burned in the&#13;
and after the said demand shall have been made, mails, the copyright proprietor can validate his&#13;
in default of the deposit copies of the work within claim by production of the postmaster's receipt in&#13;
three months from any part of the United States, lien of deposit copies.&#13;
except an outlying territorial possession of the In respect to foreign works, it should be noted&#13;
United States, or within six months from any out- that “the original text of a work of foreign origin&#13;
lying territorial possession of the United States, or in a language or languages other than English,"&#13;
from any foreign country, the proprietor of the may be formally copyrighted and fully protected&#13;
copyright shall be liable to a fine of one hundred by registration under the same formalities as&#13;
dollars and to pay to the Library of Congress twice domestic works except that the deposit copies need&#13;
the amount of the retail price of the best edition not be manufactured within the United States,&#13;
of the work, and the copyright shall become thus giving the author the exclusive right of trans-&#13;
void.”&#13;
lation. Copies published in America must of course&#13;
In the case of a printed book or periodical or of a hear the copyright notice. A translation into&#13;
lithograph or photo-engraving, the copies deposited English from such text cannot be copyrighted&#13;
must be manufactured in America, as set forth in unless the deposit copies of the English translation&#13;
the manufacturing provision (sect. 15) as verified are manufactured within the United States.&#13;
in the case of a book by affidavit (sect. 16) sepa In respect to books published abroad in the&#13;
rately treated hereafter, and the book copyright is English language ad interim, protection is&#13;
forfeited (sect. 17) in the event of false affidavit. assured by the provision (sect. 21): “That in&#13;
Thus failure to deposit or, in the case of books, the case of a book published abroad in the&#13;
false affidavit as to American manufacture are the English language before publication in this&#13;
two lapses of formalities which work forfeiture of country, the deposit in the Copyright Office,&#13;
copyright.&#13;
not later than thirty days after its publica-&#13;
In the case of works not reproduced for sale, tion abroad, of one complete copy of the&#13;
copyright may be secured under the provision foreign edition, with a request for the&#13;
(sect. 11): “ That copyright may also be had of the reservation of the copyright and a statement&#13;
works of an author of which copies are not repro of the name and nationality of the author&#13;
duced for sale, by the deposit, with claim of copy- and of the copyright proprietor and of the&#13;
right, of one complete copy of such work if it be a date of publication of the said book, shall&#13;
lecture or similar production or a dramatic or musi- secure to the author or proprietor an ad&#13;
cal composition ; of a photograph or other identi- interim copyright, which shall have all the&#13;
fying reproduction thereof if it be a work of art force and effect given to copyright by this&#13;
or a plastic work or drawing. But the privilege of Act, and shall endure until the expiration of&#13;
registration of copyright secured hereunder shall thirty days after such deposit in the Copy-&#13;
not exempt the copyright proprietor from the right Office.”&#13;
deposit copies under sections twelve and thirteen of On such works the provisional copyright&#13;
this Act where the work is later reproduced in is made permanent under the provision&#13;
copies for sale."&#13;
(sect. 22): “That whenever within the period&#13;
It should be noted that in this class of copyright, of such ad interim protection an authorised&#13;
which is a common law copyright fortified by statu- edition of such book shall be published within&#13;
tory protection, an ideal example of copyright law, the United States, in accordance with the&#13;
double registration is required in case the unpub manufacturing provisions specified in section&#13;
lished copyrighted work is published, requiring one fifteen of this Act, and whenever the pro-&#13;
application fee and deposit of one identifying copy visions of this Act as to deposit of copies,&#13;
for the unpublished work and a second applica- registration, filing of affidavit, and the print-&#13;
tion fee and deposit of two copies promptly after ing of the copyright notice shall have been&#13;
publication,&#13;
duly complied with, the copyright shall be&#13;
&#13;
&#13;
## p. 7 (#363) ##############################################&#13;
&#13;
(&#13;
)&#13;
7&#13;
extended to endure in such book for the full case of such foreign work in the English language,&#13;
term elsewhere provided in this Act.”&#13;
dates, it would seem, from the date of publication&#13;
The ad interim provision requires the same for abroad rather than from the date of publication&#13;
malities and fee as in the case of domestic works of the American-made edition ; but this would be&#13;
except that only one copy of the foreign work in of importance only toward the expiration of the&#13;
English need be deposited, and that this deposit original term and in connection with the renewal&#13;
copy need not contain the statutory notice of term.&#13;
American copyright. The claimant is given It should be noted that an American author&#13;
thirty days after publication abroad in which to publishing his work abroad is not benefited by&#13;
request reservation and a second thirty days after either of these provisions respecting foreign works.&#13;
deposit of the foreign copy within which to publish The provision regarding works in other languages&#13;
or cause to be published an edition manufactured is specifically confined to a work of foreign origin,&#13;
in America, and thus to complete his copyright that is, not by an American author ; and he gains&#13;
This gives a period of ad interim protection ranging nothing, if his work is in English, from ad interim&#13;
from thirty days to sixty days within which to protection. Thus an American author publishing&#13;
obtain permanent copyright, the exact period his work first in German in Berlin, must copyright&#13;
depending upon the number of days elapsing after and deposit an American-made edition of his&#13;
publication before deposit of the foreign copy in German text in this country to obtain American&#13;
the Copyright Office. Thus a copy deposited on protection, without which his work in German&#13;
the day of publication will have thirty days in all could be imported into this country without his&#13;
within which to secure permanent copyright by consent and an independent translation of his text&#13;
the publication of the American-made edition, into English and its publication in America could&#13;
while a copy deposited on the thirtieth not be prevented.&#13;
day after publication will have sixty days In view of the exact prescription of the method&#13;
in all ; but the failure to deposit the foreign of securing copyright unless the statute is precisely&#13;
copy within thirty days after publication, or the complied with, the copyright is not valid. Said&#13;
failure to publish an American-made edition within Justice Sawyer, in Parkinson v. Laselle : “ There&#13;
thirty days after such deposit, will forfeit the right is no possible room for construction here. The&#13;
to obtain copyright protection and throw the statute says no right shall attach until these acts&#13;
foreign work into the public domain, despite the have been performed ; and the court cannot say,&#13;
ad interim registration. When an American-made in the face of this express negative provision, that&#13;
edition with notice of copyright can be published a right shall attach unless they are performed.&#13;
in America simultaneously with its publication Until the performance as prescribed, there is no&#13;
abroad, ad interim protection is of course rendered right acquired under the statute that can be&#13;
unnecessary; and such simultaneous publication is violated." And in the case of the play&#13;
the simplest and best practice for publishers to “Shaughraun," Boucicault v. Hart, in 1875, Justice&#13;
adopt. It may be emphasised that the notice of Hunt held, as regards copyrights in general :&#13;
copyright can be omitted only from foreign-made “ Two acts are by the statute made necessary to&#13;
copies and must be included in the American-made be performed, and we can no more take it upon&#13;
edition. The American publisher desiring to ourselves to say that the latter is not an indispens-&#13;
reprint a book published abroad in the English able requisite to a copyright than we can take it of&#13;
language within sixty days after publication the former.” The Supreme Court laid down this&#13;
without consent of the copyright proprietor, must general doctrine in Wheaton v. Peters, in refer-&#13;
therefore assure himself, by inquiry from the ence to the statutes of 1790 and 1802, and the&#13;
Copyright Office, whether the work has been later statutes are most explicit on this point. In&#13;
registered ad interim. The printing of an American the same case of Wheaton v. Peters, Justice&#13;
copyright notice on the foreign edition in antici. McLean, in delivering the judgment of the&#13;
pation of the publication of an American-made Supreme Court, held that while the right&#13;
edition and the deposit of copies thereof within the “accrues," so that it may be protected in&#13;
statutory requirements is a questionable practice, chancery, on compliance with the first require-&#13;
as a failure to publish American-made copies in ment of the prescribed process, it must be perfected&#13;
the United States would make such notice a false by complying with the other requisites before a suit&#13;
notice of copyright. The copyright term, in the at law for violation of copyright can be maintained.&#13;
&#13;
&#13;
## p. (#364) ################################################&#13;
&#13;
&#13;
&#13;
## p. 1 (#365) ##############################################&#13;
&#13;
COPYRIGHT BILL.&#13;
(30 MARCH, 1911).&#13;
ARRANGEMENT OF CLAUSES.&#13;
PART I.&#13;
IMPERIAL COPYRIGHT.&#13;
Rights.&#13;
.&#13;
Clause.&#13;
1. Copyright.&#13;
2. Infringement of copyright.&#13;
3. Term of copyright.&#13;
4. Compulsory licences.&#13;
5. Ownership of copyright, &amp;c.&#13;
Civil Remedies.&#13;
6. Civil remedies for infringement of copyright.&#13;
7. Rights of owner against persons possessing or dealing with pirated copies, &amp;c.&#13;
8. Exemption of innocent infringer from liability to pay damages, &amp;c.&#13;
9. Restriction on remedies in the case of architecture.&#13;
10. Limitation of actious.&#13;
Summary Remedies.&#13;
11. Penalties for dealing with pirated copies, &amp;c.&#13;
12. Seizure of pirated copies being hawked about and arrest of hawker, &amp;c.&#13;
13. Search warrants.&#13;
14. Appeals to quarter sessions.&#13;
15. Extent of provisions as to summary remedies.&#13;
Importation of Copies.&#13;
16. Importation of copies.&#13;
Delivery of Books to Libraries.&#13;
17. Delivery of copies to British Museum and other libraries.&#13;
&#13;
&#13;
## p. 2 (#366) ##############################################&#13;
&#13;
( 2&#13;
)&#13;
Registration.&#13;
Clause.&#13;
18. Registration.&#13;
Special Provisions as to certain Works.&#13;
19. Works of joint authors.&#13;
20. Posthumous works.&#13;
21. Collective works.&#13;
22. Provisions as to photographs, records, &amp;c.&#13;
23. Provisions as to designs registrable under 7 Edw. 7 c. 29.&#13;
24. Works of foreign authors first published in parts of His Majesty's dominions to&#13;
which Act extends.&#13;
25. Existing works.&#13;
Application to British Possessions.&#13;
26. Application of Act to British Dominions.&#13;
27. Legislative powers of self-governing Dominions.&#13;
28. Power of Legislatures of British possessions to pass supplemental legislation.&#13;
29. Application to protectorates.&#13;
PART II.&#13;
INTERNATIONAL COPYRIGHT.&#13;
30. Power to extend Act to foreign works.&#13;
31. Application of Part II. to British possessions.&#13;
PART III.&#13;
SUPPLEMENTAL PROVISIONS.&#13;
32. Abrogation of common law rights.&#13;
33. Provisions as to Orders in Council.&#13;
34. Saving of university copyright.&#13;
35. Saving of compensation to certain libraries.&#13;
36. Interpretation.&#13;
37. Repeal.&#13;
38. Short title and commencement.&#13;
Schedules.&#13;
&#13;
&#13;
## p. 3 (#367) ##############################################&#13;
&#13;
( 3 )&#13;
A BILL TO AMEND AND CONSOLIDATE THE LAW RELATING&#13;
TO COPYRIGHT.&#13;
Be it enacted by the King's most Excellent Majesty, by and with the advice and&#13;
consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament&#13;
assembled, and by the authority of the same, as follows :-&#13;
PART I.&#13;
IMPERIAL COPYRIGHT.&#13;
Rights.&#13;
1.-(1) Subject to the provisions of this Act, copyright shall subsist throughout the Copyright.&#13;
parts of His Majesty's dominions to which this Act extends for the term herein-after&#13;
mentioned in every original literary dramatic musical and artistic work, if—&#13;
(a) in the case of a published work, the work was first published within such parts of .&#13;
His Majesty's dominions as aforesaid ; and&#13;
(6) in the case of an unpublished work, the author was at the date of the making of&#13;
the work a British subject or resident within such parts of His Majesty's&#13;
dominions as aforesaid ;&#13;
but in no other works, except so far as the protection conferred by this Act is extended&#13;
by Orders in Council thereunder relating to self-governing dominions to which this Act&#13;
does not extend and to foreign countries.&#13;
(2) For the purposes of this Act “copyright” means the sole right to produce or&#13;
· reproduce the work or any substantial part thereof in any material form whatsoever and&#13;
in any language ; to perform, or in the case of a lecture to deliver, the work or any&#13;
substantial part thereof in public ; if the work is unpublished, to publish the work ; and&#13;
sball include the sole right,-&#13;
(a) in the case of a dramatic work, to convert it into a novel or other non-dramatic&#13;
work ;&#13;
(b) in the case of a novel or other non-dramatic work, to convert it into a dram atic&#13;
work, either by way of multiplication of copies or by way of performance in&#13;
public ;&#13;
(©) in the case of a literary, dramatic, or musical work, to make any record,&#13;
perforated roll, cinematograph film, or other contrivance by means of wbich&#13;
the work may be mechanically performed or delivered,&#13;
and to authorise any such acts as aforesaid.&#13;
(3) For the purposes of this Act publication, in relation to any work, means the issue&#13;
of copies of the work to the public, and does not include the performance in public of a&#13;
dramatic or musical work, the delivery in public of a lecture, the exhibition in public of&#13;
an artistic work, or the construction of an architectural work of art, but for the purposes&#13;
of this provision photographs and engravings of paintings, drawings, works of sculpture,&#13;
and architectural works of art shall not be deemed to be copies of such works.&#13;
&#13;
&#13;
## p. 4 (#368) ##############################################&#13;
&#13;
( 4&#13;
)&#13;
Infringement 2.-(1) Copyright in a work shall be deemed to be infringed by any person who,&#13;
of copyright.&#13;
without the consent of the owner of the copyright, does anything the sole right to do&#13;
which is by this Act conferred on the owner of the copyright : Provided that the&#13;
following acts shall not constitute an infringement of copyright :-&#13;
(i) Any fair dealing with any work for the purposes of private study, research,&#13;
criticism, or review :&#13;
(ii): Where the author of an artistic work is not the owner of the copyright therein,&#13;
the use by the author of any mould, cast, sketch, plan, model, or study made&#13;
by him for the purpose of the work, provided that he does not thereby repeat&#13;
or imitate the main design of that work :&#13;
(iii) The making of paintings, drawings, engravings, or photographs of a work of&#13;
sculpture or artistic craftsmanship, if situate in a public place or building, or&#13;
the making of paintings, drawings, engravings, or photographs (which are not&#13;
in the nature of architectural drawings or plans) of any architectural work&#13;
of art :&#13;
(iv) The publication in a newspaper of a report of a lecture delivered in public,&#13;
unless the report is prohibited by notice given either-&#13;
(a) orally at the beginning of the lecture, or if the lecture is one of a&#13;
series of lectures given by the same lecturer on the same subject at the&#13;
same place, at the beginning of the first lecture of the series ; or&#13;
(6) by a conspicuous written or printed notice affixed before the lecture&#13;
or the first lecture of the series is given on the entrance door of the build-&#13;
ing in which the lecture or series of lectures is given, or in a place near the&#13;
lecturer.&#13;
(2) Copyright in a work shall also be deemed to be infringed by any person who sells&#13;
or lets for hire, or exposes, offers, or has in his possession for sale or hire, or distributes or&#13;
exhibits in public, or imports for sale or hire into any part of His Majesty's dominions to&#13;
which this Act extends, any work which to his knowledge infringes copyright or would&#13;
infringe copyright if it had been made within the part of His Majesty's dominions in or&#13;
into which the sale or hiring, exposure, offering, or having in possession for sale or bire or&#13;
importation took place.&#13;
(3) Copyright in a work shall also be deemed to be infringed by any person who for&#13;
private profit permits a theatre or other place of entertainment to be used for the perform-&#13;
ance in public of the work without the consent of the owner of the copyright, unless he&#13;
proves that he acted innocently.&#13;
Term of copy. 3. The term for which copyright shall subsist shall, except as otherwise expressly&#13;
right,&#13;
provided by this Act, be the life of the author and a period of fifty years after his death,&#13;
unless previously determined by first publication elsewhere than in the parts of His&#13;
Majesty's dominions to which this Act extends.&#13;
Compulsory 4.-(1) If at any time after the death of the author of a work which has been published&#13;
licences.&#13;
or performed in public a petition is presented by any person interested to the Comptroller-&#13;
General of Patents Designs and Trade Marks alleging that, by reason of the withholding&#13;
of the work from the public, the reasonable requirements of the public with respect to the&#13;
work are not satisfied, and praying for the grant of a licence to reproduce the work or&#13;
&#13;
&#13;
## p. 5 (#369) ##############################################&#13;
&#13;
perform the work in public, the Comptroller shall consider the petition, and if, after&#13;
inquiry, he is satisfied that the allegations contained therein are correct, then, unless&#13;
satisfactory reasons have been given for the with holding of the work, he may, if he thinks&#13;
it just and equitable to do so, order the owner of the copyright to grant to the petitioner&#13;
a licence to reproduce or perform the work in public on such terms and subject to such&#13;
conditions as the Comptroller may think fit:&#13;
(2) For the purposes of this section a work shall be deemed to be withheld from the&#13;
public if, by reason of the excessive price charged for copies of the work or for the right to&#13;
perform the work in public, or the undue limitation of the number of copies issued or&#13;
performances given, the demand of the public for the work is not reasonably met :&#13;
Provided that an order for the grant of a licence under this section shall not be made&#13;
on the ground of such excessive price or such undue limitation before the expiration of&#13;
twenty-five years from the date of the first publication or first performance in public of&#13;
the work,&#13;
(3) General rules under section eighty-six of the Patents and Designs Act, 1907, may&#13;
be made for regulating the procedure under this section, and the Comptroller shall in any&#13;
proceeding before him under this section have power by order to award to any party such&#13;
costs as he may consider reasonable, and to direct how and by what parties they are to be&#13;
paid, and any such order may be made a rule of the High Court.&#13;
(4) An order of the Comptroller directing the grant of a licence under this section&#13;
shall, without prejudice to any other method of enforcement, operate as if it were embodied&#13;
in a deed granting the licence and made between the parties to the proceeding.&#13;
(5) Any decision of the Comptroller under this section shall be subject to appeal to&#13;
a judge of the High Court, and the decision of that judge shall be final.&#13;
(6) An order for the grant of a licence under this section shall not be made in&#13;
respect of any work first published or performed in public in a self-governing dominion&#13;
to which this Act extends, but the Legislature of any such dominion may provide for the&#13;
granting of licences in respect of such works, which licences shall be operative in such&#13;
parts of His Majesty's dominions to which this Act extends as may be specified in the&#13;
licence.&#13;
5.-(1) Subject to the provisions of this Act, the author of a work shall be the first Ownership of&#13;
owner of the copyright therein :&#13;
copyright, &amp;c.&#13;
Provided that,&#13;
(a) where in the case of an engraving, photograph, or portrait the work was&#13;
ordered by some other person and was made for valuable consideration in&#13;
pursuance of that order, then, in the absence of any agreement to the con-&#13;
trary, the person by whom the work was ordered shall be the first owner of&#13;
the copyright ; and&#13;
(6) where the author was in the employment of some other person and the work was&#13;
made in the course of his employment by that person, the person by whom&#13;
the author was employed shall, in the absence of any agreement to the&#13;
contrary, be the first ownes of the copyright.&#13;
(2) The owner of the copyright in any work may assign the right, either wholly or&#13;
partially, and either generally or subject to limitations to any particular country or place,&#13;
&#13;
&#13;
## p. 6 (#370) ##############################################&#13;
&#13;
( 6&#13;
)&#13;
and either for the whole term of the copyright or for any part thereof, and may grant any&#13;
interest in the right by licence, but no such assignment shall be valid unless it is in&#13;
writing signed by the owner of the right in respect of which the assignment is made, or&#13;
by his duly authorised agent.&#13;
(3) Where under any partial assignment of copyright the assignee becomes entitled&#13;
to any right comprised in copyright, the assignee as respects the right so assigned, and&#13;
the assignor as respects the rights not assigned, shall be treated for the purposes of this&#13;
Act as the owner of the copyright, and the provisions of this Act shall have effect&#13;
accordingly.&#13;
Civil Remedies.&#13;
Civil remedies 6.—(1) Where copyright in any work has been infringed, the owner of the copyright&#13;
for infringe-&#13;
ment of copy.&#13;
v. shall, except as otherwise provided by this Act, be entitled to all such remedies by way of&#13;
right. injunction or interdict, damages, accounts, and otherwise, as may be conferred by law.&#13;
(2) The costs in any proceedings in respect of the infringement of copyright shall be&#13;
in the absolute discretion of the Court.&#13;
(3) In any action for infringement of copyright in any work, the work shall be pre-&#13;
sumed to be a work in which copyright subsists and the plaintiff shall be presumed to be&#13;
the owner of the copyright, unless the defendant, in his pleadings in defence, states that&#13;
he disputes the existence of the copyright, or, as the case may be, the title of the plaintiff,&#13;
with the addition of a statement of the ground of such objection, and the name of the&#13;
person (if any) whom the defendant alleges to be the owner of the copyright.&#13;
Rights of&#13;
7. All pirated copies of any work in which copyright subsists, and all plates used or&#13;
zannst intended to be used for the production of pirated copies of such work, shall be deemed to&#13;
persons&#13;
possessing or be the property of the owner of the copyright, who accordingly may take proceedings for&#13;
dealing with&#13;
pirated copies, the recovery of the possession thereof or in respect of the conversion thereof.&#13;
8. Where proceedings are taken in respect of the infringement of the copyright in&#13;
Exemption of&#13;
innocent any work and the defendant in his defence alleges that he was not aware of the existence&#13;
infringer from&#13;
liability to of the copyright in the work, the plaintiff shall not be entitled to any remedy other than&#13;
pay damages, an injunction or interdict in respect of the infringement if the defendant proves that at&#13;
the date of the infringement he was not aware and had not reasonable means of making&#13;
himself aware that copyright subsisted in the work :&#13;
Provided that if sufficient particulars were before the date of the infringement&#13;
entered in a register established under this Act, or, in the case of a work first published&#13;
in, or the author whereof was a resident in, a British possession under the laws of which&#13;
a register has been established within that possession, if sufficient particulars have been&#13;
entered in that register, the defendant shall be deemed to have had reasonable means of&#13;
making himself aware that copyright subsisted in the work : but nothing in this proviso&#13;
shall be construed as relieving a defendant from such onus of proof as aforesaid in any&#13;
case where no such particulars have been entered in a register.&#13;
9.—(1) Where a building or other structure which infringes or which, if completed,&#13;
remedies in&#13;
the case of&#13;
would infringe the copyright in some other work has been commenced to be con-&#13;
architecture. structed, the owner of the copyright shall not be entitled to obtain an injunction or&#13;
interdict to restrain the construction of such building or structure or to order its&#13;
demolition.&#13;
&amp;c.&#13;
&amp;c.&#13;
Restri&#13;
tion on&#13;
&#13;
&#13;
## p. 7 (#371) ##############################################&#13;
&#13;
( 7 )&#13;
. (2) Such of the other provisions of this Act as provide that a pirated copy of&#13;
a work shall be deemed to be the property of the owner of the copyright, or as&#13;
impose summary penalties, shall not apply in any case to which this section&#13;
applies.&#13;
10. An action in respect of infringement of copyright shall not be commenced Limitation&#13;
of actions.&#13;
after the expiration of the three years next after the infringement.&#13;
Summary Remedies.&#13;
11.-(1) If any person-&#13;
Penalties for&#13;
dealing with&#13;
(a) makes for sale or hire any pirated copy of a work in which copyright o&#13;
pirated&#13;
subsists; or&#13;
copies, &amp;c.&#13;
(6) sells or lets for hire, or exposes, offers, or has in his possession for sale or&#13;
hire any pirated copy of any such work; or&#13;
(©) distributes or exhibits in public any pirated copy of any such work ; or&#13;
(d) imports for sale or hire into the United Kingdom any pirated copy of any&#13;
such work :&#13;
he shall, unless he proves that he acted innocently, be guilty of an offence under this&#13;
Act and be liable on summary conviction to a fine not exceeding forty shillings for&#13;
every copy dealt with in contravention of this section, but not exceeding fifty pounds&#13;
in respect of the same transaction ; or in the case of a second or subsequent offence,&#13;
either to such fine or to imprisonment with or without hard labour for a term not&#13;
exceeding two months :&#13;
• Provided that a person convicted of an offence under paragraph (b) of this&#13;
sub-section who has not been previously convicted of any such offence, and who proves&#13;
that the copies of the work in respect of which the offence was committed had printed&#13;
or marked thereon in some conspicuous place a name and address purporting to be&#13;
that of the printer or publisher, shall not be liable to any penalty under this section&#13;
unless it is proved that the copies were to his knowledge pirated copies.&#13;
(2) If any person makes or has in his possession any plate for the purpose of making&#13;
pirated copies of any work in which copyright subsists, or for private profit causes any&#13;
such work to be performed in public without the consent of the owner of the copyright,&#13;
He shall, unless he proves that he acted innocently, be guilty of an offence under this Act,&#13;
and be liable on summary conviction to a fine not exceeding fifty pounds, or, in the case of&#13;
a second or subsequent offence, either to such fine or to imprisonment with or without&#13;
hard labour for a term not exceeding two months.&#13;
(3) The Court before which any such proceedings are taken may in addition order&#13;
that all copies of the work or all plates in the possession of the offender, which appear to&#13;
it to be pirated copies or plates for the purpose of making pirated copies, be destroyed&#13;
or delivered up to the owner of the copyright or otherwise dealt with as the Court may&#13;
think fit.&#13;
• 12.—(1) Where a court of summary jurisdiction is satisfied by information on oath Seizure of&#13;
that there is reasonable ground for believing that pirated copies of any work are being or&#13;
about to be hawked or carried about, sold or offered for sale, it may issue an order about and&#13;
arrest of&#13;
authorising any constable-&#13;
hawker, &amp;c.&#13;
&#13;
&#13;
## p. 8 (#372) ##############################################&#13;
&#13;
( 8 )&#13;
(a) to seize without further warrant any copies of the work which may be found being&#13;
hawked or carried about, sold or offered for sale ;&#13;
(b) to arrest without further warrant any person who in any street or public place&#13;
sells or exposes or has in his possession for sale any pirated copies of the work,&#13;
or who offers for sale any pirated copies of the work by personal canvass or by&#13;
personally delivering advertisements or circulars.&#13;
(2) Where such an order has been made the person on whose application it was made&#13;
may send a copy thereof (certified to be a true copy by the clerk of the Court which&#13;
made the order) to the chief officer of police for any district within which the Court&#13;
has jurisdiction, and thereupon any constable may seize any such copies and arrest any&#13;
such person in accordance with the terms of the order.&#13;
(3) Where the constable seizes any copies of a work in pursuance of such an order,&#13;
he shall bring them before a court of summary jurisdiction, and that Court, on proof that&#13;
the copies are pirated, may order that they be destroyed or delivered up to the owner of&#13;
the copyright or otherwise dealt with as the Court may think fit.&#13;
(4) All copies of orders sent to a chief officer of police under this section shall&#13;
be open to inspection at all reasonable hours by any person without payment of any&#13;
fee, and any person may take copies of or make extracts from any such order.&#13;
(5) For the purposes of this section the expression “chief officer of police ”—&#13;
(a) with respect to the City of London, means the Commissioner of City Police ;&#13;
(6) elsewhere in England has the same meaning as in the Police Act, 1890 ;&#13;
(c) in Scotland has the same meaning as in the Police (Scotland) Act, 1890 ;&#13;
(d) in the police district of Dublin metropolis means either of the Commissioners&#13;
of Police for the said district ;&#13;
(e) elsewhere in Ireland means the District Inspector of the Royal Irish&#13;
Constabulary.&#13;
(6) A single order under this section may be made extending to several works.&#13;
(7) An order under this section shall not authorise-&#13;
(a) the arrest of any person selling or offering for sale ; or&#13;
(b) the seizure of copies of,&#13;
any newspaper or other periodical publication merely because it contains a pirated&#13;
copy of a work, if such pirated copy is only an incidental feature and does not form&#13;
a substantial part of the newspaper or periodical.&#13;
53 &amp; 54 Vict.&#13;
C. 45.&#13;
53 &amp; 54 Vict.&#13;
c. 67.&#13;
Search&#13;
warrants.&#13;
13. A court of summary jurisdiction may, if satisfied by information on oath that&#13;
there is reasonable ground for believing that an offence punishable summarily under this&#13;
Act is being committed on any premises, grant a search warrant authorising the constable&#13;
named therein to enter the premises between the hours of six of the clock in the morning&#13;
and nine of the clock in the evening (and, if necessary, to use force in making such entry,&#13;
whether by breaking open doors or otherwise) and to seize any copies of any work or any&#13;
plates in respect of which he has reasonable ground for suspecting that an offence under&#13;
this Act is being committed, and may, on proof that the copies or plates brought before&#13;
the Court in pursuance of the warrant are pirated copies or plates intended to be used for&#13;
the purpose of making pirated copies, order that they be destroyed or delivered up to the&#13;
owner of the copyright or otherwise dealt with as the Court may think fit.&#13;
&#13;
&#13;
## p. 9 (#373) ##############################################&#13;
&#13;
( 9&#13;
)&#13;
copyrigh decise, that he be so im!&#13;
14. Any person aggrieved by a summary conviction in England or Ireland of an Appeals to&#13;
offence under the foregoing provisions of this Act may appeal to a court of quarter Sessions&#13;
sessions.&#13;
15. The provisions of this Act with respect to summary remedies shall extend only Extent of&#13;
provisions as&#13;
to the United Kingdom.&#13;
to summary&#13;
Importation of Copies.&#13;
remedies.&#13;
16.—(1) Copies made out of the United Kingdom of any work in which copyright Importation&#13;
of copies.&#13;
subsists which if made in the United Kingdom would infringe copyright, and as to&#13;
which the owner of the copyright gives notice in writing by himself or his agent to the&#13;
Commissioners of Customs and Excise, that he is desirous that such copies should not be&#13;
imported into the United Kingdom, shall not be so imported, and sball, subject to the&#13;
provisions of this section, be deemed to be included in the table of prohibitions and&#13;
restrictions contained in section forty-two of the Customs Consolidation Act, 1876, and&#13;
that section shall apply accordingly.&#13;
(2) Before detaining any such copies or taking any further proceedings with a view&#13;
to the forfeiture thereof under the law relating to the Customs, the Commissioners of&#13;
Customs and Excise may require the regulations under this section, whether as to&#13;
information, conditions, or other matters, to be complied with, and may satisfy them-&#13;
selves in accordance with those regulations that the copies are such as are prohibited by&#13;
this section to be imported.&#13;
(3) The Commissioners of Customs and Excise may make regulations, either general&#13;
or special, respecting the detention and forfeiture of copies the importation of which is&#13;
prohibited by this section, and the conditions, if any, to be fulfilled before such detention&#13;
and forfeiture, and may by such regulations determine the information, notices, and&#13;
security to be given, and the evidence requisite for any of the purposes of this section, and&#13;
the mode of verification of such evidence.&#13;
(4) The regulations may apply to copies of all works the importation of copies&#13;
of which is prohibited by this section, or different regulations may be made respecting&#13;
different classes of such works.&#13;
(5) The regulations may provide for the informant reimbursing the Commissioners&#13;
of Customs and Excise all expenses and damages incurred in respect of any detention&#13;
made on his information, and of any proceedings consequent on such detention ; and&#13;
may provide for notices under any enactment repealed by this Act being treated as notices&#13;
given under this section.&#13;
(6) The foregoing provisions of this section shall have effect as if they were part of&#13;
the Customs Consolidation Act, 1876 : Provided that notwithstanding anything in&#13;
that Act the Isle of Man shall not be treated as part of the United Kingdom for the&#13;
purposes of this section.&#13;
(7) This section shall, with the necessary modifications, apply to the importation&#13;
into a British possession to which this Act extends of copies of works made out of that&#13;
possession.&#13;
Delivery of Books to Libraries.&#13;
17.-(1) The publisher of every book published in the United Kingdom shall within Delivery of&#13;
one month after the publication deliver, at his own expense, a copy of the book to the copies to&#13;
trustees of the British Museum, who shall give a written receipt for it.&#13;
Museum and&#13;
other libraries.&#13;
&#13;
&#13;
## p. 10 (#374) #############################################&#13;
&#13;
( 10&#13;
)&#13;
(2) He shall also, if written demand is made within three months after publication,&#13;
deliver within one month after receipt of that written demand to some depôt in London&#13;
named in the demand a copy of the book for, or in accordance with the directions of, the&#13;
authority having the control of each of the following libraries, namely : the Bodleian&#13;
Library, Oxford, the University Library, Cambridge, the Library of the Faculty of&#13;
Advocates at Edinburgh, and the Library of Trinity College, Dublin.&#13;
(3) The copy delivered to the trustees of the British Museum shall be a copy of the&#13;
whole book with all maps and illustrations belonging thereto, finished and coloured in&#13;
the same manner as the best copies of the book are published, and shall be bound, sewed,&#13;
or stitched together, and on the best paper on which the book is printed.&#13;
(4) The copy delivered for the other authorities mentioned in this section shall be on&#13;
the paper on which the largest number of copies of the book is printed for sale, and shall&#13;
be in the like condition as the books prepared for sale.&#13;
(5) If a publisher fails to comply with this section, he shall be liable on summary&#13;
conviction to a fine not exceeding fire pounds and the value of the book, and the fine&#13;
shall be paid to the trustees or authority to whom the book ought to have been delivered.&#13;
(6) For the purposes of this section the expression “ book " includes every part or&#13;
division of a book, pamphlet, sheet of letter-press, sheet of music, map, plan, chart or&#13;
table, but shall not include any second or subsequent edition of a book unless such edition&#13;
contains additions or alterations either in the letterpress or in the maps, prints, or other&#13;
engravings belonging thereto.&#13;
Registration.&#13;
18.—(1) There shall be kept in the Hall of the Stationers' : Company by an officer&#13;
(hereinafter called the registrar) to be appointed by the Stationers' Company subject to&#13;
the approval of the Board of Trade such one or more registers as may be prescribed, in&#13;
which shall be entered the names or titles of works and the names of authors, and such&#13;
other particulars as may be prescribed.&#13;
(2) The author or publisher of, or the owner of or other person interested in the&#13;
copyright in, any work may at any time cause the particulars respecting the work to be&#13;
entered in the register, but it shall not be obligatory on him to do so.&#13;
(3) In the case of an encyclopædia, newspaper, review, magazine, or other periodical&#13;
work or work published in a series of books or parts, it shall not be necessary to make a&#13;
separate entry for each number or part, but a single entry for the whole work shall&#13;
suffice.&#13;
(4) There shall also be kept in the Hall of the Stationers' Company by the registrar&#13;
such indexes of the registers established under this section as may be prescribed.&#13;
(5) The registers and indexes established under this section shall be in the pre-&#13;
scribed form, and shall at all reasonable times be open to inspection, and any person shall&#13;
be entitled to take copies of or make extracts from any such register, and the registrar&#13;
shall, if so required, give a copy of any entry in any such register certified by him to be&#13;
a true copy.&#13;
(6) An entry in a register kept under this Act shall be primâ facie evidence of the&#13;
facts thereby recorded, and an entry in a register may be proved by the production of a&#13;
copy thereof certified to be a true copy by the registrar.&#13;
Registration.&#13;
&#13;
&#13;
## p. 11 (#375) #############################################&#13;
&#13;
(&#13;
11 )&#13;
(7) There shall be charged in respect of entries in registers, the inspection of&#13;
registers, taking copies of or making extracts from registers, and certificates by the&#13;
registrar under this section, such fees as may be prescribed.&#13;
(8) The Stationers' Company shall annually render to the Board of Trade such&#13;
accounts of their receipts and expenditure under this section as may be prescribed.&#13;
(9) The Board of Trade may make regulations prescribing any matters which under&#13;
this section are to be prescribed, and generally for carrying this section into effect, and any&#13;
such regulations-&#13;
(a) may provide for the periodical publication and sale of lists of all works or of&#13;
works of any prescribed class in respect of which particulars have been&#13;
entered in any register since the publication of the last preceding list ; and&#13;
(6) may provide for entries in any register kept under any enactment repealed by&#13;
this Act being treated as entries in a register under this section ; and&#13;
(c) may require that, in the case of an artistic work desired to be registered, there&#13;
shall be furnished a representation of the work sufficient for the identification&#13;
thereof.&#13;
(10) If any person for the purpose of the registration of a work under this section&#13;
makes or causes to be made any statement which is to his knowledge false in any&#13;
particular, he shall be guilty of a misdemeanour, and shall be liable on conviction to&#13;
imprisonment with or without hard labour for a term not exceeding two years.&#13;
author&#13;
Special Provisions as to certain Works.&#13;
19.-(1) In a case of a work of joint authorship copyright shall subsist during the Works of&#13;
life of the author who first dies and for a term of fifty years after his death, or during the joint&#13;
life of the author who dies last, whichever period is the longer.&#13;
(2) Where in the case of an unpublished work of joint authorship some one or more&#13;
of the joint authors do not satisfy the conditions conferring copyright laid down by this&#13;
Act, the work shall be treated for the purposes of this Act as if the other author or&#13;
authors had been the sole author or authors thereof :&#13;
Provided that the term of the copyright shall be the same as it would have been if&#13;
all the authors had satisfied such conditions as aforesaid.&#13;
(3) For the purposes of this Act “a work of joint authorship” means a work&#13;
produced by the collaboration of two or more authors in which the contribution of one&#13;
author is not distinct from the contribution of the other author or authors.&#13;
orks.&#13;
20. In the case of a literary dramatic or musical work, or an engraving, in which Posthumous&#13;
copyright subsists at the date of the death of the author or, in the case of a work of joint "&#13;
authorship, at or immediately before the date of the death of the author who dies last, but&#13;
which has not been published, nor, in the case of a dramatic or musical work, been&#13;
performed in public, nor, in the case of a lecture, been delivered in public, before that&#13;
date, copyright shall subsist till publication, or performance or delivery in public, which-&#13;
ever may first happen, and for a term of fifty years thereafter, unless previously&#13;
determined by first publication elsewhere than in the parts of His Majesty's dominions to&#13;
which this Act extends.&#13;
&#13;
&#13;
## p. 12 (#376) #############################################&#13;
&#13;
( 12 )&#13;
Collective&#13;
works.&#13;
Provisions as&#13;
to photo-&#13;
graphs,&#13;
records, &amp;c.&#13;
21. Where the work of an author is first published as an article or other contribution&#13;
in a collective work (that is to say) =&#13;
(a) an encyclopædia, dictionary, year book, or similar work ;&#13;
(6) a newspaper, review, magazine, or other similar periodical ;&#13;
(©) a work written in distinct parts by different authors ;&#13;
and the proprietor of the collective work is not the owner of the copyright in the article&#13;
or contribution, then, subject to any agreement to the contrary, the owner of the copy-&#13;
right in each article or contribution shall retain his copyright therein, but the proprietor&#13;
of the collective work shall at all times have the right of reproducing and authorising the&#13;
reproduction of the work as a whole, and for a period of fifty years from the date of first&#13;
publication of the collective work shall have the sole right of reproducing and authorising&#13;
the reproduction of the work as a whole, and shall be entitled to the same remedies in&#13;
respect of the infringement of the copyright in any part of the works as if he were the&#13;
owner of the copyright.&#13;
22. The term for which copyright shall subsist in photographs, and in records, per-&#13;
forated rolls, and other contrivances by means of which a work may be mechanically&#13;
performed or delivered, shall be fifty years from the making of the negative or plate, and&#13;
the person who was owner of the original negative or plate from which the photograph or&#13;
other contrivance was directly or indirectly derived at the time when such negative or&#13;
plate was made shall be deemed to be the author of the work, and where such owner is a&#13;
body corporate the body corporate shall be deemed for the purposes of this Act to reside&#13;
within the parts of His Majesty's dominions to which this Act extends if it has established&#13;
a place of business within such parts.&#13;
23.—(1) This Act shall not apply to designs capable of being registered under the&#13;
Patents and Designs Act, 1907, except designs which, though capable of being so regis-&#13;
tered, are not used or intended to be used as models or patterns to be multiplied by any&#13;
industrial process.&#13;
(2) General rules under section eighty-six of the Patents and Designs Act, 1907, may&#13;
be made for determining the conditions under which a design shall be deemed to be used&#13;
for such purposes as aforesaid.&#13;
24. If it appears to His Majesty that a foreign country does not give, or has not&#13;
undertaken to give, adequate protection to the works of British authors, it shall be lawful&#13;
for His Majesty by Order in Council to direct that such of the provisions of this Act as&#13;
confer copyright on works first published within the parts of His Majesty's dominions to&#13;
which this Act extends, shall not apply to works published after the date specified in the&#13;
Order, the authors whereof are subjects or citizens of such foreign country, and are not&#13;
resident in His Majesty's dominions, and thereupon those provisions shall not apply to&#13;
such works.&#13;
25.-(1) Where any person is immediately before the commencement of this Act&#13;
entitled to any such right in any work as is specified in the first column of the First&#13;
Schedule to this Act, or to any interest in such a right, he shall as from that date be&#13;
entitled to the substituted right set forth in the second column of that Schedule, or to the&#13;
same interest in such a substituted right, and to no other right or interest, and such&#13;
substituted right shall subsist for the term for which it would have subsisted if this Act&#13;
Provisions as&#13;
to designs&#13;
registrable&#13;
under&#13;
7 Edw. 7,&#13;
c. 29.&#13;
Works of&#13;
foreign&#13;
authors first&#13;
published in&#13;
parts of His&#13;
Majesty's&#13;
dominions to&#13;
which Act&#13;
extends.&#13;
Existing&#13;
works.&#13;
&#13;
&#13;
## p. 13 (#377) #############################################&#13;
&#13;
( 13 )&#13;
had been in force at the date when the work was made and the work had been one entitled&#13;
to copyright thereunder :&#13;
Provided that-&#13;
(a) if the author of any work in which any such right as is specified in the first&#13;
column of the First Schedule to this Act subsists at the commencement of&#13;
this Act has before that date assigned the right or granted any interest&#13;
therein for the whole term of the right, then at the date when but for the&#13;
passing of this Act the right would have expired the substituted right con-&#13;
ferred by this section shall, in the absence of express agreement, pass to the&#13;
author of the work, and any interest therein created before the commence-&#13;
ment of this Act and then subsisting shall determine ; but the person who&#13;
immediately before the date at which the right would so have expired was&#13;
the owner of the right or interest shall be entitled at his option either-&#13;
(i) on giving such notice as hereinafter mentioned, to an assignment of&#13;
the right or the grant of a similar interest therein for the remainder of&#13;
the term of the right for such consideration as, failing agreement, may be&#13;
determined by arbitration ; or&#13;
(ii) without any such assignment or grant, to continue to reproduce or&#13;
perform the work in like manner as theretofore subject to the payment of&#13;
such royalties to the author as, failing agreement, may be determined by&#13;
arbitration, or, where the work is incorporated in a composite work and&#13;
the owner of the right or interest is the proprietor of that composite work,&#13;
without any such payment;&#13;
The notice above referred to must be given not more than one year nor&#13;
less than six months before the date at which the right would have so&#13;
expired, and must be sent by registered post to the author, or, if he cannot&#13;
with reasonable diligence be found, advertised in the Lonilon Gazette and in&#13;
two London newspapers :&#13;
(b) where any person has, before the twenty-sixth day of July nineteen hundred&#13;
and ten, taken any action whereby he has incurred any expenditure or&#13;
liability in connexion with the reproduction or performance of any work in&#13;
a manner which at the time was lawful, or for the purpose of or with a view&#13;
to the reproduction or performance of a work at a time when such reproduc-&#13;
tion or performance would, but for the passing of this Act, have been lawful,&#13;
nothing in this section shall diminish or prejudice any rights or interest&#13;
arising from or in connexion with such action which are subsisting and&#13;
valuable at the said date, unless the person who by virtue of this section&#13;
becomes entitled to restrain such reproduction or performance agrees to pay&#13;
such compensation as, failing agreement, may be determined by arbitration.&#13;
(2) For the purposes of this section the expression "author" includes the legal&#13;
personal representatives of a deceased author, and the expression “composite work”&#13;
means any work in which works or parts of works of various authors are incorporated.&#13;
(3) Subject to the provisions of this Act as to copyright under the Copyright Act,&#13;
1775, copyright shall not subsist in any work made before the commencement of this Act,&#13;
otherwise than onder and in accordance with the provisions of this section.&#13;
&#13;
&#13;
## p. 14 (#378) #############################################&#13;
&#13;
( 14 )&#13;
British&#13;
Application to British Possessions.&#13;
Application&#13;
26.—(1) This Act, except such of the provisions thereof as are expressly restricted to&#13;
of Act to&#13;
the United Kingdom, shall extend throughout His Majesty's dominions : Provided that it&#13;
dominions. shall not extend to a self-governing dominion, unless declared by the Legislature of that&#13;
dominion to be in force therein either without any modifications or additions, or with&#13;
such modifications and additions relating exclusively to procedure and remedies or neces-&#13;
sary to adapt this Act to the circumstances of the dominion as may be enacted by such&#13;
Legislature.&#13;
(2) If the Secretary of State certifies by notice published in the London Gazette that&#13;
any self-governing dominion has passed legislation under which works, the authors whereof&#13;
were at the date of the making of the works British subjects resident elsewhere than in&#13;
the dominion or (not being British subjects) were resident in the parts of His Majesty's&#13;
dominions to which this Act extends, enjoy within the dominion rights substantially&#13;
identical with those conferred by this Act, then, whilst such legislation continues in force,&#13;
the dominion shall for the purposes of the rights conferred by this Act be treated as if it&#13;
were a dominion to which this Act extends ; and it shall be lawful for the Secretary of&#13;
State to give such a certificate as aforesaid notwithstanding that the remedies for enforc-&#13;
ing the rights, or the restrictions on the importation of copies of works, under the law of&#13;
the dominion, differ from those under this Act.&#13;
Legislative 27.—(1) The Legislature of any self-governing dominion may at any time repeal all&#13;
self-governing or any of the enactments relating to copyright passed by Parliament (including this Act)&#13;
dominions. so far as they are operative within that dominion : Provided that no such repeal shall&#13;
prejudicially affect any legal rights existing at the time of the repeal and that on this Act&#13;
or any part thereof being so repealed by the Legislature of a self-governing dominion,&#13;
that dominion shall cease to be a dominion to which this Act extends.&#13;
(2) In any self-governing dominion to which this Act does not extend, the enact-&#13;
ments repealed by this Act shall, so far as they are operative in that dominion, continue&#13;
in force until repealed by the Legislature of that dominion.&#13;
(3) Where His Majesty in Council is satisfied that the law of a self-governing&#13;
dominion to which this Act does not extend provides adequate protection within the&#13;
dominion for the works (whether published or unpublished) of authors who at the time of&#13;
the making of the work were British subjects resident elsewhere than in that dominion,&#13;
His Majesty in Council may for the purpose of giving reciprocal protection direct that&#13;
this Act, except such parts (if any) thereof as may be specified in the Order, and subject&#13;
to any conditions contained therein, shall, within the parts of His Majesty's dominions to&#13;
which this Act extends, apply to works the authors whereof were at the time of the&#13;
making of the work resident within the first-mentioned dominion, and to works first&#13;
published in that dominion ; but, save as provided by such an Order, works the authors&#13;
whereof were resident in a dominion to which this Act does not extend shall not, whether&#13;
they are British subjects or not, be entitled to any protection under this Act except such&#13;
protection as is by this Act conferred on works first published within the parts of His&#13;
Majesty's dominions to which this Act extends :&#13;
Provided that no such Order shall confer any rights within a self-governing&#13;
dominion, but the Governor in Council of any self-governing dominion to which this Act&#13;
&#13;
&#13;
## p. 15 (#379) #############################################&#13;
&#13;
( 15 )&#13;
extends, may by Order, confer within that dominion the like rights as His Majesty in&#13;
Council is under the foregoing provisions of this sub-section authorised to confer within&#13;
other parts of His Majesty's dominions.&#13;
For the purposes of this sub-section the expression “a dominion to which this Act&#13;
extends ” includes a dominion which is for the purposes of this Act to be treated as if it&#13;
were a dominion to which this Act extends.&#13;
28. The Legislature of any British possession to which this Act extends may modify Power of&#13;
Legislatures&#13;
or add to any of the provisions of this Act in its application to the possession, but, of British&#13;
except so far as such modifications and additions relate to procedure and remedies, they pos&#13;
pass supple-&#13;
shall apply only to works the authors whereof were at the time of the making of the work mental legis-&#13;
lation,&#13;
resident in the possession and to works first published in the possession.&#13;
29. His Majesty may by Order in Council extend this Act to any territories under Application to&#13;
his protection and to Cyprus, and on the making of any such Order this Act shall subject&#13;
to the provisions of the Order have effect as if the territories to which it applies or Cyprus&#13;
were part of His Majesty's dominions to which this Act extends.&#13;
protectorates.&#13;
Part II.&#13;
INTERNATIONAL COPYRIGHT.&#13;
30.-(1) His Majesty may by Order in Council direct that this Act (except such parts, Power to&#13;
if any, thereof as may be specified in the Order) shall apply-&#13;
extend Act to&#13;
foreign works.&#13;
(a) to works first published in a foreign country to which the Order relates, in&#13;
like manner as if they were first published within the parts of His Majesty's&#13;
dominions to which this Act extends ;&#13;
(b) to literary dramatic musical and artistic works, or any class thereof, the authors&#13;
whereof were at the time of the making of the work subjects or citizens of a&#13;
foreign country to which the order relates, in like manner as if the authors&#13;
were British subjects;&#13;
(©) in respect of residence in a foreign country to which the Order relates in&#13;
like manner as if such residence were residence in parts of his Majesty's&#13;
dominions to which this Act extends;&#13;
and thereupon, subject to the provisions of this Part of this Act and of the Order, this&#13;
Act shall apply accordingly :&#13;
Prorided that,&#13;
(i.) before making an Order in Council under this section in respect of any foreign&#13;
country (other than a country with which His Majesty has entered into a&#13;
convention relating to copyright) His Majesty shall be satisfied that that&#13;
foreign country has made, or has undertaken to make, such provisions,&#13;
if any, as it appears to His Majesty expedient to require for the pro-&#13;
tection of works entitled to copyright under the provisions of Part I. of&#13;
this Act:&#13;
(ii.) the Order in Council may provide that the term of copyright within such&#13;
parts of His Majesty's dominions as aforesaid shall not exceed that&#13;
conferred by the law of the country to which the Order relates :&#13;
&#13;
&#13;
## p. 16 (#380) #############################################&#13;
&#13;
(&#13;
)&#13;
16&#13;
-&#13;
-&#13;
-&#13;
-&#13;
-&#13;
(iii.) the provisions of this Act as to the delivery of copies of books shall not&#13;
apply to works first published in such country, except so far as is provided&#13;
by the Order :&#13;
(iv.) the provisions of this Act as to the grant of compulsory licences shall&#13;
not apply to works first published or first performed in such country if&#13;
His Majesty is satisfied that the laws thereof provide means for enabling&#13;
the reasonable requirements of the public to be satisfied with regard to such&#13;
works :&#13;
(v.) the Order in Council may provide that the enjoyment of the rights&#13;
conferred by this Act shall be subject to the accomplishment of such&#13;
conditions and formalities (and if any) as may be prescribed by the&#13;
Order:&#13;
(vi.) in applying the provision of this Act as to ownership of copyright the Order&#13;
in Council may make such modifications as appear necessary having regard&#13;
to the law of the foreign country :&#13;
(vii.) in applying the provisions of this Act as to existing works the Order in&#13;
Council may make such modifications as appear necessary, and may provide&#13;
that nothing in those provisions as so applied shall be construed as reviving&#13;
any right of preventing the production or importation of any translation in&#13;
any case where the right has ceased by virtue of section five of the&#13;
International Copyright Act, 1886.&#13;
(2) An Order in Council under this section may extend to all the several countries&#13;
named or described therein.&#13;
31.—(1) An Order in Council under this Part of this Act shall apply to all His&#13;
Majesty's dominions to which this Act extends self-governing dominions and any other&#13;
possession specified in the Order with respect to which it appears to His Majesty expedient&#13;
that the Order should not apply.&#13;
(2) The Governor in Council of any self-governing dominion to which this Act&#13;
extends may, as respects that dominion, make the like orders as under this Part of this&#13;
Act His Majesty in Council is authorised to make with respect to His Majesty's dominions&#13;
other than self-governing dominions, and the provisions of this Part of this Act shall, with&#13;
the necessary modifications, apply accordingly.&#13;
(3) Where it appears to His Majesty expedient to except from the provisions of any&#13;
order any part of his dominions not being a self-governing dominion, it shall be lawful for&#13;
His Majesty by the same or any other Order in Council to declare that such Order and&#13;
this Part of this Act shall not, and the same shall not, apply to such part, except so far&#13;
as is necessary for preventing any prejudice to any rights acquired previously to the date&#13;
of such Order.&#13;
Part III.&#13;
SUPPLEMENTAL PROVISIONS.&#13;
32. No person shall be entitled to copyright or any similar right in any literary&#13;
dramatic musical or artistic work, whether published or unpublished, otherwise than under&#13;
and in accordance with the provisions of this Act, or of any other statutory enactment for&#13;
the time being in force.&#13;
Application&#13;
of Part II, to&#13;
British&#13;
possessions.&#13;
Abrogation of&#13;
low&#13;
com&#13;
rights.&#13;
&#13;
&#13;
## p. 17 (#381) #############################################&#13;
&#13;
( 17 )&#13;
33.—(1) His Majesty in Council may make Orders for altering, revoking, or varying Provisions as&#13;
to Orders in&#13;
any Order in Council made under this Act, or under any enactments repealed by this Act, Council.&#13;
but any Order made under this section shall not affect prejudicially any rights or interests&#13;
acquired or accrued at the date when the Order comes into operation, and shall provide for&#13;
the protection of such rights and interests.&#13;
• (2) Every Order in Council made under this Act shall be published in the London&#13;
Gazette and shall be laid before both Houses of Parliament as soon as may be after it is&#13;
made, and shall have effect as if enacted in this Act.&#13;
34. Nothing in this Act shall deprive any of the universities and colleges mentioned Saving of&#13;
University&#13;
in the Copyright Act, 1775, of any copyright they already possess or may hereafter Copyright&#13;
acquire under that Act, but the remedies and penalties for infringement of any such 15 Geo. 3,&#13;
c. 53.&#13;
copyright shall be under this Act and not under that Act.&#13;
35. There shall continue to be charged on and paid out of the Consolidated Fund of Saving of&#13;
compensation&#13;
the United Kingdom such annual compensation as was immediately before the commence- to certain&#13;
ment of this Act payable in pursuance of any Act as compensation to a library for the loss libraries.&#13;
of the right to receive gratuitous copies of books :&#13;
Provided that this compensation shall not be paid to a library in any year unless the&#13;
Treasury are satisfied that the compensation for the previous year has been applied in the&#13;
purchase of books for the use of and to be preserved in the library.&#13;
36.—(1) In this Act, unless the context otherwise requires --&#13;
Interpreta-&#13;
tion.&#13;
“ Literary work ” includes maps, charts, plans, and tables ;&#13;
.“ Dramatic work” includes any piece for recitation, choreographic work or&#13;
entertainment in dumb show the scenic arrangement or acting form of&#13;
which is fixed in writing or otherwise, and any cinematograph production&#13;
where the arrangement or acting form or the combination of incidents&#13;
represented give the work an original character ;&#13;
“ Literary work,” “ dramatic work,” and “musical work” include records,&#13;
· perforated rolls, or other contrivances by means of which a work may be&#13;
mechanically performed or delivered ;&#13;
“ Artistic work ” includes works of painting, drawing, sculpture and artistic&#13;
craftsmanship, and architectural works of art and engravings and&#13;
photographs ;&#13;
“ Work of sculpture " includes casts and models ;&#13;
“ Architectural work of art” means any building or structure having an artistic&#13;
character or design, in respect of such character or design, but not in respect&#13;
of the processes or methods of its construction ;&#13;
“ Engravings ” include etchings, lithographs, wood-cuts, prints, and other similar&#13;
works, not being photographs ;&#13;
“ Photograph” includes photo-lithograph and any work produced by any&#13;
process analogous to photography;&#13;
“ Cinematograph ” includes any work produced by any process analogous to&#13;
cinematography ;&#13;
&#13;
&#13;
## p. 18 (#382) #############################################&#13;
&#13;
(&#13;
)&#13;
18&#13;
“ Pirated,” when applied to a copy of a work in which copyright subsists, means&#13;
any copy made without the consent or acquiescence of the owner of the&#13;
copyright, or imported in contravention of the provisions of this Act ;&#13;
“ Performance ” means any acoustic representation of a work and any visual&#13;
representation of any dramatic action in a work, including such a represen-&#13;
tation made by means of any mechanical instrument ;&#13;
“ Delivery,” in relation to a lecture, includes delivery by means of any&#13;
mechanical instrument ;&#13;
“ Plate ” includes any stereotype or other plate, stone, block, mould, matrix,&#13;
transfer, or negative used or intended to be used for printing or reproducing&#13;
copies of any work, and any matrix or other appliance by which records, per-&#13;
forated rolls or other contrivances for the acoustic representation of the work&#13;
are or are intended to be made ;&#13;
“Lecture ”includes address, speech, and sermon ;&#13;
“ Self-governing dominion ” means the Dominion of Canada, the Commonwealth&#13;
of Australia, the Dominion of New Zealand, the Union of South Africa, and&#13;
Newfoundland.&#13;
(2) For the purposes of this Act (other than those relating to infringements of copy-&#13;
right), a work shall not be deemed to be published or performed in public, and a lecture&#13;
shall not be deemed to be delivered in public, if published, performed in public, or&#13;
delivered in public, without the consent or acquiescence of the author, his executors&#13;
adıninistrators or assigns.&#13;
(3) For the purposes of this Act a work shall be deemed to be first published within&#13;
the parts of His Majesty's dominions to which this Act extends, notwithstanding that it&#13;
has been published simultaneously in some other place, unless the publication in such&#13;
parts of His Majesty's dominions as aforesaid is colourable only and is not intended to&#13;
satisfy the reasonable requirements of the public, and a work shall be deemed to be&#13;
published simultaneously in two places if the time between the publication in one such&#13;
place and the publication in the other place does not exceed fourteen days, or such&#13;
longer period as may for the time being be fixed by Order in Council.&#13;
(4) Where, in the case of an unpublished work, the making of a work has extended&#13;
over a considerable period, the conditions of this Act, conferring copyright shall be&#13;
deemed to have been complied with if the author was during any substantial part of that&#13;
period a British subject or a resident within the parts of His Majesty's dominions to&#13;
which this Act extends.&#13;
(5) For the purposes of the provisions of this Act as to residence, an author of a&#13;
work shall be deemed to be a resident in the parts of His Majesty's dominions to which&#13;
this Acts extends if he is domiciled within any such part.&#13;
Repeal&#13;
37. Subject to the provisions of this Act, the enactments mentioned in the Second&#13;
Schedule to this Act are hereby repealed to the extent specified in the third column of&#13;
that schedule :&#13;
Provided that this repeal shall not take effect in any part of His Majesty's dominions&#13;
until this Act comes into operation in that part.&#13;
&#13;
&#13;
## p. 19 (#383) #############################################&#13;
&#13;
( 19 )&#13;
38.—(1) This Act may be cited as the Copyright Act, 1911.&#13;
Short title&#13;
and com-&#13;
(2) This Act shall come into operation--&#13;
mencement.&#13;
(a) in the United Kingdom, on the first day of July nineteen hundred and twelve&#13;
or such earlier date as may be fixed by Order in Council ;&#13;
(b) in a self-governing dominion to which this Act extends, at such date as may&#13;
be fixed by the Legislature of that dominion ;&#13;
(c) in the Channel Islands at such date as may be fixed by the states of those&#13;
islands respectively ;&#13;
(d) in any other British possession to which this Act extends, on the proclamation&#13;
thereof within the possession by the Governor.&#13;
SCHEDULES.&#13;
FIRST SCHEDULE.&#13;
EXISTING RIGHTS.&#13;
-&#13;
-&#13;
Existing Right.&#13;
Substituted Right.&#13;
- -&#13;
(a) In the case of Works other than Dramatic and Musical Works.&#13;
Copyright&#13;
| Copyright as defined by this Act.*&#13;
(6) In the case of Musical and Dramatic Works.&#13;
Both copyright and performing right . | Copyright as defined by this Act.*&#13;
Copyright, but not performing right . Copyright as defined by this Act, except the sole&#13;
right to perform the work or any substantial part&#13;
thereof in public.&#13;
Performing right, but not copyright. The sole right to perform the work in public, but&#13;
none of the other rights comprised in copyright as&#13;
defined by this Act.&#13;
For the purposes of this Schedule the following expressions, where used in the first column&#13;
thereof, have the following meanings :-&#13;
“ Copyright," in the case of a work which according to the law in force immediately before&#13;
the commencement of this Act has not been published before that date and statutory&#13;
copyright wherein depends on publication, includes the right at common law (if any)&#13;
to restrain publication or other dealing with the work ;&#13;
* Performing right," in the case of a work which has not been performed in public before&#13;
the commencement of this Act, includes the right at common law (if any) to restrain&#13;
the performance thereof in public.&#13;
* In the case of an essay, article, or portion forming part of and first published in a&#13;
review, magazine, or other periodical or work of a like nature, the right shall be subject to any&#13;
right of publishing the essay, article, or portion in a separate form to which the author is&#13;
entitled at the commencement of this Act, or would if this Act had not been passed have&#13;
become entitled under section eighteen of the Copyright Act, 1842.&#13;
&#13;
&#13;
## p. 20 (#384) #############################################&#13;
&#13;
(20&#13;
)&#13;
SECOND SCHEDULE.&#13;
ENACTMENTS REPEALED.&#13;
Session and Chapter.&#13;
Short Title.&#13;
Extent of Repeal.&#13;
8 Geo. 2, c. 13. / The Engraving Copyright Act, 1734 | The whole Act.&#13;
7 Geo. 3, c. 38. The Engraving Copyright Act, 1767 The whole Act.&#13;
15 Geo. 3, c. 53&#13;
The Copyright Act, 1775 .&#13;
Sections two, four, and five.&#13;
17 Geo. 3, c. 57 The Prints Copyright Act, 1777 . The whole Act.&#13;
54 Geo. 3, c. 56 The Sculpture Copyright Act, 1814 . The whole Act.&#13;
3 Geo. 4, c. 15. . The Dramatic Coypright Act, 1833 . The whole Act.&#13;
5 &amp; 6 Will. 4, c. 65 . The Lectures Copyright Act, 1835 . The whole Act.&#13;
6 &amp; 7 Will. 4, c. 59. The Prints and Engravings Copy The whole Act.&#13;
right (Ireland) Act, 1836.&#13;
6 &amp; 7 Will. 4, c. 110. The Copyright Act, 1836 . . . The whole Act.&#13;
5 &amp; 6 Vict. c. 45 The Copyright Act, 1842 . . The whole Act.&#13;
7 &amp; 8 Vict. c. 12 . The International Copyright Act, The whole Act.&#13;
1844.&#13;
10 &amp; 11 Vict. c. 95. The Colonial Copyright Act, 1847 . The whole Act.&#13;
15 &amp; 16 Vict. c. 12 . | The International Copyright Act, The whole Act.&#13;
1852.&#13;
25 &amp; 26 Vict. c. 68 . The Fine Arts Copyright Act, 1862 ., Sections one to six. In section&#13;
eight the words “and pursuunt&#13;
“to any Act for the protection&#13;
“of copyright engravings."&#13;
Sections nine to twelve.&#13;
38 &amp; 39 Vict. c. 12 . The International Copyright Act, The whole Act.&#13;
1875.&#13;
39 &amp; 40 Vict. c. 36 . The Customs Consolidation Act, 1876 Section forty-two, from “ Books&#13;
“ wherein” to “such copy-&#13;
“right will expire." Sections&#13;
forty-four, forty-five, and one&#13;
hundred and fifty-two.&#13;
45 &amp; 46 Vict. c. 40 . The Copyright (Musical Composi- The whole Act.&#13;
tions) Act, 1882.&#13;
49 &amp; 50 Vict. c. 33. The International Copyright Act, The whole Act.&#13;
1886.&#13;
51 &amp; 52 Vict. c. 17. The Copyright (Musical Composi- The whole Act.&#13;
tions) Act, 1888.&#13;
52 &amp; 53 Vict. c. 42. The Revenue Act, 1889. . Section one, from “ Books first&#13;
"published” to “as provided&#13;
“in that section."&#13;
2 Edw. 7, c. 15. . The Musical (Summary Proceedings) | The whole Act.&#13;
Copyright Act, 1902.&#13;
6 Edw. 7, c. 36. . The Musical Copyright Act, 1906 . The whole Act.&#13;
&#13;
&#13;
## p. (#385) ################################################&#13;
&#13;
The Author.&#13;
In&#13;
1&#13;
THE ORGAN OF THE SOCIETY OF AUTHORS&#13;
(INCORPORATED).&#13;
FOUNDED BY&#13;
SIR WALTER BESANT.&#13;
VOLUME XXII.&#13;
Publisbed for the Society by&#13;
BRADBURY, AGNEW, &amp; CO. LD., LONDON AND TONBRIDGE.&#13;
1912.&#13;
&#13;
&#13;
## p. (#386) ################################################&#13;
&#13;
BRADBUŁY, AGNEW, &amp; co. LD., PRINI ERS,&#13;
LONDON AND TONBRIDGE,</text>
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                    <text>COPYRIGHT BILL .
,

(30 MARCH

ARRANGEMENT

1911

).

CLAUSES .

OF

PART I.
IMPERIAL COPYRIGHT .
Rights .

Clause .

licences .

.

. Civil

remedies

infringement

&amp;
c

,
.

to

.

.

Remedies

.

sessions

copies

Libraries

.

of

Books

British Museum and other libraries

.

copies

to

of

Delivery
Delivery

Copies

.

of

Importation

remedies

.

summary

.

provisions

to

quarter

as

Extent

.

warrants

Appeals

hawker

,
&amp;
c
.

of

.

,

of

pirated copies being hawked about and arrest

to

Search

of

.

. . .

15 14 13 12 11
.

.

16

architecture

Penalties for dealing with pirated copies
Seizure

,

or

the case

in

remedies
actious

&amp;
c

Limitation

.

Restriction

Importation

.

copyright

dealing with pirated copies
owner against persons possessing
Exemption
pay damages
innocent infringer from liability

Summary

17

.

Remedies

of

Rights

of on of

10
. 9

. 8. 7.

6

for

Civil

.

&amp;c

&amp;
c

of copyright,

.

Compulsory
Ownership

of

.
5.
4

Infringement of copyright..
Term of copyright.

of

.
.

3

to

2

Copyright .

of

1.

�(

)

2

Registration
Clause .
18. Registration

.
Special

.
20 .
19

.

Provisions as

to certain

Works .

Works of joint authors .
Posthumous works .

21. Collective works
22

.

.

to photographs

Provisions as

, records ,

&amp;c

.

23 . Provisions as to designs registrable under 7 Edw
24 . Works

of

foreign authors

first published

. 7 c.

parts

in

29.

of His Majesty 's dominions

which Act extends .

Existing works .
Application

.

-

PART

II
.

.

certain

.

Repeal

.

Short title and commencement
Schedules

.

.
.

Council

copyright

compensation

Interpretation

in

as

Orders

university

to

Saving

PROVISIONS

common law rights

.

Saving

of of

Provisions

to

of

Abrogation

.

.

38
. 32
.
. 36
. 35
. 37
. 34 33

SUPPLEMENTAL

III

.

to

.

possessions

British

.

of

Part

COPYRIGHT

foreign works
to

extend Act

II
.

to

31
. 30
.

INTERNATIONAL

Application

libraries

legislation

.

pass supplemental

.

PART

Power

to

possessions

of

Legislatures
Power
British
Application
protectorates
to

.
29
.

Application of Act to British Dominions .
Legislative powers of
governing Dominions
self

.
.

28

27

of

26

British Possessions .

to

.

.

.

25

to

�Be

it

THE LAW

,

the advice

and with

and

present Parliament

this

I.

PART

RELATING

:

as

, ,

's

of

by

,

assembled

,

King most Excellent Majesty
Spiritual
the Lords
and Temporal and Commons
and
the authority
the same
follows
by

enacted

of

consent

AMEND AND CONSOLIDATE
TO
COPYRIGHT.

TO

in

BILL

the

A

)

3

by

(

.

IMPERIAL COPYRIGHT

for

to

of of

parts

is

to

-

to

by

as

this Act
extended
which this Act
dominions

conferred

self governing

or

and

,

the

,

to

unpublished

publish

and

any

;

whatsoever

or

produce

deliver the work
to

in

any material form

lecture

of
a

is

if

the work

means the sole right

”

thereof

case

to

.
part

the

in

;

,

or

public

copyright

work

-

dram

performance

atic
in

into

a

or

by

way

other non dramatic

of it

convert

copies

,

work

to

multiplication

novel

or

it

other non dramatic

a

to

into

-

or

way

convert

of

either

of

a

,

novel
by

,

dramatic work

a

the case
work

of

case

work

of

the

;

in
in

(b
)

(a
)

sball include the sole right

or

to

,

,

of

by

means

wbich

,

or

,

any work

a

of

public

of

in

in

exhibition
for

of

,

a

of

the

public

such works

,

. of

copies

of

,

to

be

be

deemed

, ,

architectural work
art but
the purposes
paintings drawings works
sculpture

engravings

shall not

lecture

of

an in

of

public

means the issue

,

,

relation

,

art

and

any record

delivered
to

as

contrivance

make

.
in

of

work

aforesaid

the construction

photographs
works

other

performed

this Act publication

,

of

architectural

musical

the public and does not include the performance

of

,

artistic work

or

,

,

be

,

mechanically

musical work the delivery

this provision

and

to

the work

or

an

dramatic

of

of

copies

dramatic

cinematograph

any such acts

For the purposes
or

to

(
3
)

and

the work may
authorise

literary

a

case

perforated roll

film

of

the

in

(
©
)

;

public

.

.

of

of

's

at

the making
His Majesty

the date

such

;

so

far

a
to

perform

substantial part thereof

within

resident

the protection

“

of

this Act

any substantial

or
to

;

·

any language

the author was

foreign countries

purposes

,

For

and

;

,

or

'

aforesaid

,

in

work

British subject

in

in

not extend and

(
2
)

herein after

term

was first published within such parts

the work

aforesaid

Council thereunder relating

reproduce the work

in

unpublished

other works except

the

by

no

dominions

does

an s

of

case

dominions

as

a

,

published work

as

in

(6
)

the

the work

Orders

Copyright

,
if
—

's

of

the

in

in

(
a
)

case

His Majesty

but

the

copyright shall subsist throughout

His Majesty dominions
which this Act extends
the
every original literary dramatic musical and artistic work
mentioned
parts

-

this

,

provisions

Act

of

the

Subject

to

.

1

of (1
)

.

Rights

�(

shall be deemed

to

the do

,

:

:
of

research

the copyright

therein

,

or

,

,

study made

he

does not thereby repeat

of

of

photographs

a

work

or

,

engravings

or

that work

drawings

,

,

provided that

model

:

of

of

is

not the owner

the work

, , ,

,

of

private study

cast sketch plan

, ,

of

design

paintings

work

any mould

of

for

the purpose

The making

of

,

(

or

)
a

or

,

a

in

if

,

of

of

of in

lecture

:

art

,

in

at

the

in
a

the

of

build

place near

hire

sale

distributes

to or

for

possession

or

his

any person who sells

,

has

infringed

be

to

in
a

deemed

or by

or

offers

,

or

hire

,

lets

work shall also

exposes

,

for

or

(2
)

Copyright

in be

.

lecturer

or

given

of
the a

is

before the lecture

entrance door

,

lectures

one

or

the series

;

of

the

on

or
is

the lecture

if

,

on or

of
of

series

is

or

given

public

the same subject

printed notice affixed

of

of

the first lecture

written

delivered

either

the lecture

same lecturer

the series

the lecture

of

of
a

by

by

at

a

the )

ing

first lecture

report

notice given

the

the beginning

conspicuous

which

in

or

(6

by

,

same place

at

series

prohibited

the beginning

lectures given

of

(
a
)

orally

is

unless the report

newspaper

a

in

publication

The

(
iv
)

or

public place
building
artistic craftsmanship
situate
paintings drawings engravings
photographs
the making
which are not
any architectural work
plans
the nature
architectural drawings
or

sculpture

artistic

the author

imitate the main

or

(
iii
)

by

him use

by

the

an

the author

(
ii
):

Where

review

of

,

or

criticism

person who

:

(i
)

for

an

is

on

this Act conferred
following acts shall not constitute
infringement
copyright
Any fair dealing with any work
purposes
the

which

by any

,

the

by

infringed

to be

copyright does anything the sole right
copyright
owner
Provided that

,

a work

the

Copyright in

,

. - ( 1)

without the consent of the owner of

of of

2

the

Infringement

of copyright.

)

4

in

or or

or

's

or

in

or

,

,

for

for

to

he

,

the parts

,

death

of

his

of

as

fifty years after

elsewhere than

His

work which has been published
the Comptroller
the withholding

reproduce the work

the

the public with respect

licence

to

of to

reason

or

a

reasonable requirements

praying for the grant

interested

to

,

that

by

any person

of

presented

of
a

of

the author

of

and

the

,

public

,

work are not satisfied

otherwise expressly

in

,

period

except

.

petition

by

a

public

a

of

by

publication

any time after the death

the

from

the perform

used

the copyright unless

.

for

to

the author and

first

Patents Designs and Trade Marks alleging

the work

of

owner

be by

be

be

to
the

of

a

be

the life

is

at

in

of

the

of

he

If

(
1
)
of

or

of

entertainment

any person who

which this Act extends

.

performed

General

infringed

copyright shall subsist shall

which

determined

dominions

.-

4

's

Majesty
Compulsory
licences

this Act

previously

other place

work without the consent

,

.

provided
unless

theatre

deemed

innocently

acted

The term
by

,

3

copy

.

of

Term

work shall also
or

in
a

(3
)
in

public

proves that
right

,

.

took place

Copyright

private profit permits
ance

's

of

,

it

if

or

importation

of

hire into any part
to

imports for sale

or

,

in

public

or

His Majesty dominions
which this Act extends any work which
his knowledge infringes copyright
would
infringe copyright
had been made within the part
His Majesty dominions
hiring exposure
having
offering
possession for sale
into which the sale
bire
exhibits

�perform
the work in public , the Comptroller shall consider the petition , and if , after
inquiry , he is satisfied that the allegations contained therein are correct , then , unless
satisfactory reasons have been given for the with holding of the work , he may , if he thinks
it just and equitable to do so , order the owner of the copyright to grant to the petitioner
to reproduce

of

be

copies issued

is

:
be

made

a

first performance

of of

such

first publication

the

in

the date

undue limitation before the expiration
or

such

or to the

of

of or

to

be

:

a

from

for the right

of

excessive price

from

-

withheld

the work

the number

for

,

in

,

five years

limitation

the undue

deemed

for copies

the public
the work
not reasonably met
order for the grant
licence under this section shall not

an

of

Provided that
the ground

twenty

public

the demand

given

shall

work

charged

or

performances

this section
the excessive price

of

reason

the work

perform

on

of

by

(2
if, )

For the purposes

public

such terms and subject to such

public on

in

fit

or perform the work
Comptroller may think

or

as the

of

conditions

of

a licence

public

the

six

,

the work

,
in

,

it

if

as

to

in

the

such

the

in

be

as

in

be

be

of

's

to

,

of

,

in

of

of

to

to

be

.

to

be

.

made

dominion
for

performed

appeal

final

this section shall not
public
self governing

-

under

subject

any such dominion may provide
which this Act extends but the Legislature
granting
respect
operative
licences
such works which licences shall
Majesty
parts
may
specified
His
dominions
which this Act extends

to

be

to

to

of
a

,

to

by

.

of

of
of

shall

in
a

first published

licence

were embodied

the proceeding

that judge shall
in

any work

licence under this section

operate

enforcement

the decision

and

a

of

Court

order for the grant

what parties they are

the High Court

the grant

the Comptroller under this section

or

of

any other method

,

of

the High

An

(6
)
respect

a

,

to

,

judge

rule

and

how

the licence and made between the parties

Any decision

(5
)

in
a

deed

made

direct

the Comptroller directing

shall without prejudice
granting

be

order may

such

order

and

of

An

(4
)

by

him

and any

of

he

paid

,

as

may consider reasonable

costs

a

,

of

be

-

(3
)

General rules under section eighty
Patents and Designs Act 1907 may
any
made for regulating the procedure under this section and the Comptroller shall
proceeding before
power
any
party
under this section have
order
award
such

the copyright therein

work

a

,

of

this Act the author

shall

be

of

to

the provisions

the first

to

of

in

was

the con

the first owner

of

or

,

for

,

in

,

any agreement
be

by

the absence

the work

valuable consideration

the work was ordered shall

whom

agreement

the

any

to

absence

the person

by

person

,

that

of

of

some other person and the work was

by
the

shall

in

his employment

,

of

the employment

was employed

,

or

to

,

or

.

of

in

to

or

,

The owner

of

(
)2

and was made

portrait

the first ownes
the copyright
any work may assign the right either wholly
the copyright
subject
any particular country
place
and either generally
limitations

,

contrary

photograph

and

the course

author

whom

be

the

in

(6
)

the copyright

partially

,

that order then

person

in

,

some other person

where the author was
made

engraving

;

the

pursuance

trary

an

case

of

ordered

of

the
by

where

in

(a
)

,

Provided that

Ownership

,
&amp;
c
. of

owner

Subject

:

of

(
1
)

-

.

5

.

licence

copyright

�is

any

is

unless

made

or in

it

valid

the assignment

which

,

,

shall

and may grant

.

of

this

of

the purposes
Act shall have

treated

the provisions

and

for

shall

,

the copyright

and

,

so

of

be

,

as

copyright

in

copyright the assignee becomes entitled
assigned
respects
the assignee
the right

respects the rights not assigned

the owner

be

or

for

of

by

no

in

by

as

respect

assignment

,

as

assignment

such

the right

Where under any partial

of

to

Act

licence but

any part thereof

agent

any right comprised

the assignor

)

6

the copyright

term

the owner

duly authorised

(3
)

his

right

, of

the

signed

the whole

of

for

interest

writing
by

and either
in

(

this

effect

.

accordingly

Civil

.

copyright shall

be

of

way

law

.

be

conferred

of

by by

of

all

,

,

may

the infringement

of

the copyright

such remedies

to
as

be

,

,

,

by

in

respect

the owner

the Court

presumed

pre
be

plaintiff shall

the

be

,

the work shall

to

subsists and

the copyright unless the defendant

any work

be

copyright

which

copyright

in

for infringement

in

infringed

entitled

and otherwise

of

In
of be
a

in

(3
)
to

work

accounts

any proceedings

any action

Act

this

.

costs

the absolute discretion

sumed

in

,

or

(
2
)

.

damages

interdict

The

any work has been

provided

otherwise

of

shall except
injunction

in

(
)1

.—

Where copyright
as

.v
.

of

right

6

remedies

,

Civil

for infringe
copy
ment

Remedies

of

for to

or

.

be

,

.

of

particulars

have been entered

in

been

of

in

but nothing
this proviso
proof
any
aforesaid
in

as

onus

of

of

which

have

have had reasonable means

:

the work

such

particulars

of

from

to

if

,

in

subsisted

defendant

deemed

sufficient

register

.

relieving

first published

work

of
a

in

or

,
,

,

a

be

defendant shall

a

as

such

possession

a

case where

in

within that

the case

infringement

the

British possession under the laws

in

no

construed

making

:

in

the

that register

,

in

resident

established

of

if

at

to

be

of

he

of

of

not aware and had not reasonable means

established under this Act
a

a

in

register

the author whereof was

be

shall

its or

be

to

to

an

or

to

or

be

of

of

to

.

demolition

,

if

,

or

or

in

Where

a

(1
)

9

.—

building
completed
other structure which infringes
which
copyright
con
some other work has been commenced
would infringe the
injunction
obtain
entitled
the copyright shall not
structed the owner
order
structure
such building
restrain the construction
interdict

,

.

used

,

was

making himself aware that copyright

of in

all

,

of

of

in

or
in

of

in

the infringement

register has been

entered

architecture

plates

the conversion thereof

if

,

a

or

in

entered

remedies
the case

,

of

,

of

and

himself aware that copyright subsisted
the work
Provided that
sufficient particulars were before the date

Restri tion on

,

in

be
,

of the in

,
be

to

in

of

of

respect

,

in

or

the date

he

.

of

as

of

,
or
,

of

of

the possession thereof

Where proceedings

of

&amp;
c
.

,

pay damages

subsists

pirated copies
the production
such work shall
deemed
the owner
the copyright who accordingly may take proceedings

any work and the defendant
an

to

innocent
infringer from
liability

copyright

which

respect
taken
the infringement
the copyright
the existence
was not aware
his defence alleges that
remedy
any
plaintiff
other than
copyright
entitled
shall
not
the work the
the
injunction
respect
interdict
the infringement
the defendant proves that
8

of

Exemption

of

the recovery

any work

in are

to

7

the property

&amp;
c
.

,

or

possessing
dealing with
pirated copies

used

copies
for

intended
be

persons zannst

pirated
be

All

of

Rights

.

(

)

if

a

of

he

the

,

his pleadings
defence
states that
disputes
existence
the copyright
case may
the title
the plaintiff
the
and the name
such objection
the ground
statement
with the addition
copyright
alleges
the
any whom the defendant
person
the owner
the owner

�summary

not apply

any

case

a pirated

copy of

copyright

the

which

this

as

shall

owner

,

of

property

penalties

as provide that

of this Act

be the

or

to

,

impose

deemed

of

of the other provisions

Such

the

(2 )

work shall be

in

.
a

)

7

to

(

section

.

of

.

or

sale

or

or

;

copy

of

of

in

for

,

&amp;
c
.

o

in

his

of

a

,

or

;

of

,

or

,

or

or

an

any

shillings

or

but not exceeding

pounds

fifty

subsequent

without hard labour for

offence

not

term

a

second

this
for

forty

,

of

be

offence under

exceeding

of ,
a

he

,

a

with

or

to

to

of
in

or

in

or

case

for

of

of

be

to

any

of

the copyright

, ,

an

making

causes

with

case

of

the
or

in

,
or
,

offence under this Act

imprisonment

to

or

fine

section

.

for

guilty

profit

fine not exceeding fifty pounds

such

this

the purpose

private

the owner
of

be

consent

of

,

the

,

of

to

a

any plate
or

be

under

pirated copies

subsists

,

to

,

without

.

copyright

dealt with

be

,

copies

to

in

order

the offender which appear

making pirated

otherwise

addition

,

of

may

as

purpose

of

all

in

the

are taken

the possession
or

the owner

plates
the for

or

plates

of

up

the work

copies
to

to

delivered

any penalty

destroyed

the Court may

of

Seizure

about
arrest
hawker

.

order

of
and

or

oath

,

may issue

an

of

sale

on

by

is

offered

,

sold

information

any work are being

&amp;
c

authorising any constable

about

satisfied

that pirated copies

it

carried

jurisdiction

believing

for

hawked

summary

or

reasonable ground

for

court

of

a

Where

,

to

that there

be is

(1
)

.—

12

fit
.

it
or

pirated

or

of

copies

(b
)

of
his

in

has

or
he

possession

knowledge

acted innocently

conviction

name and address purporting

liable

his

without

this

any such offence

not exceeding two months

term

a

place

copyright

which

public

proves that

summary

which

not

paragraph

under

and who proves
the offence was committed had printed

to

,

shall

to
a

on

in in

be

he

to

or

performed

of

in

some

an

:

a

or in

respect

offence

The Court before which any such proceedings

(

be all 3
)

work

any pirated

guilty

fine not

convicted

subsequent offence either

labour for

•

possession

any such

Kingdom

section

convicted

publisher

of

If

is

it of

(2
)

,

liable

second

about

the

conspicuous

any person makes
any work

shall unless

think

this

previously

person

proved that the copies were

copies

be

He
a

of

the

-

thereon

such work

that

conviction

imprisonment

the work

the printer

hard

has

work

such

innocently

acted

contravention

has not been

or

•
sub

or

marked

and

Penalties for
dealing with
pirated
copies

:

he
that

section who
copies
that

pirated

summary

same transaction

fine

Provided

unless

copyright

which

two months

exceeding

that

work

public any pirated copy

;

be

to

the

such

any

offers

hire into the United

proves that

liable

of

in

either

copy

work

dealt with

respect

pirated

exposes

copy

exhibits

sale

on

(©
)
(d
)
he

,

copy

hire

pirated

distributes
imports for
such

and

for

lets

hire any

every

Limitation
actions

Remedies

in

or

If

or

(6
)

sells

any

hire

or

for

sale

makes
subsists

Act

commenced

any person

;

(a
)

.-

(1
)

11

Summary

shall unless

copyright shall not

next after the infringement

.

of

infringement
years

the three

of

respect

of

action

in

.

10

An

after the expiration

be

.

applies

�)

(a ) to seize without further warrant any copies of the work which may
for

;

of

,
by

of

an

,

order

proof that

fit

the owner

of

,

up

,

or

.

as

this section

shall
of

any

any such order

.

chief officer

police

”
—

by

under

without payment

of

of
“

of

the

such

,

;

;

of

as

in

as

,

of

to

in

means

Inspector

District

the

of

Ireland

in

;

,

)

district

said

;

for

Police

of

of

(

in

has the same meaning
the Police Scotland Act 1890
the police district
Dublin metropolis means either
the Commissioners

elsewhere

(
e
)

police

person

make extracts from

Scotland
of

(d
)

in in

(
c
)

.

67

any

this section the expression

the

(5
(6 (a )
) )

54 Vict

.

53

or

in

pursuance

City Police
City
London means the Commissioner
England has the same meaning
the Police Act 1890

with respect
elsewhere

the Court

and arrest any

of

of
a

work

officer

hours

of

,
C
.
&amp; 45 &amp;
.
.
54

Vict

c
.

53

a

to

and any person may take copies
For the purposes

chief

reasonable

or

at

to

all

orders sent

or

of

or

for

which

copies

jurisdiction and that Court

be

,

of

copies

inspection

was made

the Court which

the order

summary

or

fee

be

(
4
)

All

the work

.

by on

any such

destroyed
the copies are pirated may order that they
delivered
the copyright
otherwise dealt with
the Court may think
open

place

canvass

to

of

by

for

in

or

court

a

before

the clerk

any district within

any constable may seize

of

shall bring them

personal

whose application

in

and

police

work

public

copies

circulars

true copy

Where the constable seizes any copies

(3
)
he

chief officer

thereupon

accordance with the terms

in

such person

the

any street

sale any pirated

.

has jurisdiction

to

, )

made the order

certified

who

the person

be
a

thereof

advertisements
has been made

order

to

a

copy

any pirated copies

of

such

his possession

(

(2
)

send

delivering
an

personally

sale

who offers

Where

has

for

or

to

(b
)

or

exposes

being

be found

sale

arrest without further warrant any person
sells

may

about, sold or offered

or carried

the

hawked

it

8

on

(

Royal

the

Irish

.

Constabulary

.

to

be

an

is

or

;

for

on

before

up

used
to

to

.

fit

or

the Court may think

any

under

for

brought
be

plates

offence

or

,

in

any work

or

be

,

dealt with

oath that
under this

the constable

an

of

proof that the copies

of

otherwise

a

it

the

of

six

use force

and
seize any copies
ground for suspecting that

as

the copyright

form

the morning
making such entry

clock

in

,

necessary

or

,

on

has reasonable

summarily

warrant authorising

search

)

otherwise

information

to

,

if

(

and

by

satisfied

plates intended
the warrant are pirated copies
destroyed
delivered
making pirated copies order that they

pursuance

pirated

incidental feature and does not

to of

grant

,

or

contains

.

,
if
an

that

and may

because

offence punishable

a

for

on

or

,
or

of

the

the

evening

, he

to

of

of

or

of

which

sale

merely

may

believing

open doors

or

of

the purpose

of

is

the Court

several works

periodical

jurisdiction

any premises

being committed

in

this Act

breaking

respect

only

enter the premises between the hours

the clock

whether

offering

publication

copy

newspaper

summary

in

by of

and nine

owner

of

A

.

is

is

therein

named

plates

pirated

such

being committed

selling

periodical

reasonable ground

in

.

there

Act

court

copies

other

if

a

,

work

any person

of

(b
)

the seizure

substantial part
13

a

copy

Search
warrants

arrest

newspaper
of

any

made extending

order under this section shall not authorise

the

An

(a
)

(
7
)

(6
)

A

single order under this section may

the

�(
14

.

Any

)

9

aggrieved by a summary

person

offence

under the foregoing

sessions

.

conviction

provisions of this

Act

. The provisions of this Act with respect
United Kingdom .
Importation of

15
to the

.

16 — ( 1 ) Copies made

subsists which

out

of the United

appeal to

summary

to

remedies

Kingdom

!

to the forfeiture

Customs

and

may

Excise

information , conditions ,

the

to

of prohibitions and

Act,

1876

,

and

matters,

to

this section , whether as to
, and may satisfy them

complied

be

proceedings

with

that the copies are

as are prohibited

such

by

and forfeiture of copies the importation

the detention

of which

is

this section , and the conditions , if any , to be fulfilled before such detention
forfeiture , and may by such regulations determine the information , notices , and

prohibited

,

of

of

all

of

of

copies
works the importation
different regulations may
made respecting

be

,

consequent

notices under any enactment repealed

of

any detention

detention

such

this Act being treated

;

on

proceedings

in

incurred

Commissioners

the

respect

as

reimbursing

the informant

by

any

of

,

his

copies

and damages

expenses

information and
for

(5
)
on

may provide

and

works
all

and Excise

this section

.

apply
section

The regulations may provide

Customs

and

notices

under this section

the

as
if

of
in

the

section

the importation

works made out

of

,

of

apply

of

,
to

British

Kingdom

United

for

part

of

as

:

Provided

treated

they were part

that notwithstanding anything

to

of

1876

Man shall not

shall have effect

section

This section shall with the necessary modifications
possession
copies
which this Act extends

(7
)
a

this

Act

this
be

Consolidation

that Act the Isle
purposes

provisions

,

Customs

foregoing

of

(6
)

The

of

.

given

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such

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the purposes

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different classes

made

by

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prohibited

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any

evidence

such

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verification

evidence requisite

for

the mode

, and the
of

of

security to be given

for

by

.

and

of

not be

of Customs and Excise may make regulations, either general

( 3 ) The Commissioners

into

copies should

sball , subject

.

this section to be imported

, respecting

Importation
of copies .

with a view
the Customs , the Commissioners of

to

the regulations under

require

with those regulations

selves in accordance

or special

relating

the law

or other

Extent of
provisions as
to summary
remedies .

.

any such copies or taking any further

thereof under

Appeals to
Sessions

or his agent to the

section forty -two of the Customs Consolidation

that section shall apply accordingly

( 2 ) Before detaining

only

shall extend

of any work in which copyright
infringe copyright , and as to

,

in

an

would

which the owner of the copyright gives notice in writing by himself
copyrigh
Commissioners of Customs and decise
Excise , that he is desirous that such
thathe
imported into the United Kingdom , shall not
be
be so
so imported , and
im
provisions of this section , be deemed to be included
in the table
restrictions contained

of

court of quarter

a

.

Copies

the United Kingdom

if made in

England or Ireland

in

may

that

the

copies

of

Museum and
other libraries

.

the book

Delivery
to

shall within
to

of

,

receipt for

.

written

Kingdom

copy
it

in

the United

expense

a

at

who shall give

.

Libraries

his own
a

the British Museum

deliver

,

trustees

of

one month after the publication

Books

every book published

,

of

(1
)

.-

17

Delivery
The publisher

to

of

.

possession

�(
( 2) He shall

, if

also

written demand

deliver within one month

after

authority

having

the control

demand to some depôt in

that written

book for , or in accordance

of the

named in the demand a copy

of each

with

London

of , the

the directions

libraries , namely : the

following

of the

,

three months after publication

is made within

of

receipt

)

10

Bodleian

Library , Oxford , the University Library , Cambridge , the Library of the Faculty
Advocates at Edinburgh , and the Library of Trinity College , Dublin .

in

,

,

summary

,

for

on

be

.

in

be

liable

to

fine

on

.
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the maps

,

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or

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subsequent edition

have been delivered

includes every part
music map plan
chart

book

in

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the book and the

,

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,

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engravings

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pounds

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contains additions

copies

of

(6
)

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the book

comply with this section

exceeding

For the purposes

finished

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the other authorities mentioned

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fails

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fine

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on

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(5
)
be

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the best paper

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the like condition

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to

,

and

The copy delivered

paper

in

the
be

the best copies
for

stitched together

(4
)

or

the same manner

on

whole book with

shall be a copy of the

of the British Museum

to the trustees

maps and illustrations belonging

“

as all

copy delivered

in

( 3 ) The

of

an

officer
to

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5
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4
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register kept under this

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facts thereby recorded

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An .

true copy

(6
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a

Registration

18

.

Registration

�which

the

under

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enactment

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the work sufficient

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of of

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register under this section

of

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representation

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for

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furnished

entries

of

inspection

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this section into effect and any

any register kept under
an

,

be

(c
)

class

of

entries

being treated

may require that
shall

for

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for

(6
)

prescribed

as

Act

carrying

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may provide
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render

the periodical publication

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in

entered

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prescribed

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in

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a
)

works

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9
)

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this section
such regulations

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their receipts

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The

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in registers

of entries

extracts

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registrar under this section

accounts

in respect

be charged

shall

taking

in

There

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(7)
registers

)

11

to

(

there

the identification

of
a

work

under

this section
to

.

Works

.

certain

,

or

the

of

copyright shall subsist during the Works
author
during
joint

the longer

.

.

as

it

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”

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His Majesty

before that

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in

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orks
.

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fifty

an

of
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term

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in

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happen

the death

the case

means

authors

the case

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determined

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the author

of

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musical work

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copyright shall subsist

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the other author

the date

this

author

would have

joint authorship

more authors

the death

before

published

the same

the other

more

aforesaid

work

literary dramatic

immediately

of

shall

the contribution

the date

been

public

by

,

date

at

case

or

at

,

which has not
performed

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by
In

the

copyright subsists
authorship

two

the collaboration

not distinct from

is

.

20

author

Act

this

of

produced

the purposes

for

For

this Act

be :

authors thereof

the copyright

the authors had satisfied such conditions

(
3
)

all

term

in

that the

of

authors had been the sole author
Provided

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of

for the purposes

treated

or

,

shall

be do

in

(2
)

Act

the work

an

joint authorship some one
Where
the case
work
joint
conferring
copyright laid down
satisfy
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authors
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the conditions
unpublished

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the author who dies last whichever period

on

be

in

to

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term

years

fifty years after his death

of

for
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work

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term

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of

In
a

(1
)

.

-

19

of of

life life

case

Provisions

the author who first dies and

a

without hard labour for

Special

of

the registration

any
made any statement which
his knowledge false
guilty
misdemeanour
and shall
liable
conviction
of
a

shall
with

the purpose

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to

be

,

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imprisonment

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any person

causes

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)

10

(

.

thereof

�(

any agreement

the copyright

the contrary

the

in

of

owner

owner

article

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then

;

different authors ;

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the collective work

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written

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a work

proprietor

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,
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an article

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=

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(6 )
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21 . Where the work

Collective

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12

copy

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to

.
be

,

intended

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owner

such

if

's

of

and

such negative

and where

the purposes

plate

the photograph

which

which this Act extends

1907 except designs which
to

(1
)
not

are

the negative

the time when

the work

per

mechanically

such parts

This Act shall not apply
used

deemed

dominions

and

work may

plate from

derived

the author

,

of

His Majesty

photographs

which

of

to or

indirectly

to

of

,
be

deemed

Patents and Designs Act

,

first

and authorising

the same remedies

the works

the making

the original negative

directly

was

business within

—

.

as

23

a

within the parts

.
7
,

the date

reproducing

entitled

any part

means

fifty years from

body corporate the body corporate shall

to

shall

and

by

who was owner

plate was made shall

any

industrial process

of

a

,

to

be

,

be

a

or
be

apply

the
not

and

and thereupon those provisions shall not

are in

such

country

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of

citizens

foreign

to

this Act

dominions

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of

's

of

to

in

provisions

His Majesty

not

lawful

to

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dominions

,

His Majesty

shall

works published after the date specified

to

,

shall not apply

the

,
it

British authors

of

of

to

country does not give

has

.

to

as

extends

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the works

Council
direct that such
works first published within the parts

authors whereof are subjects

in

would

have

,

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this

the be

to

,

subsisted

or

as

of

or

no

that Schedule
right
other
interest

if

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and

term

to

right

this Act

the first column
the First
shall
from that date

he

in

,

a

right

of of

before the commencement
specified

the second column
for

substituted

right shall subsist for the

such

in

forth

is

interest

as

any

right set

in

is

any work

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in

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immediately

in

this Act

to

right

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any such

interest

substituted

any person

Where

or

)

1

.

entitled

to

Schedule

to (

-

.

25

entitled

same

Order

on

by

,

Act

His Majesty that

adequate protection

works

to

to

to it

.
If

24

,

Order
such

.

give

copyright

which this

aforesaid

appears

His Majesty

confer

resident
Existing
works

-

(
2
)

be
.

undertaken
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in

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's

Majesty

dominions
which Act
extends

purposes

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of

foreign
authors first
published
parts
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foreign

General rules under section eighty
the Patents and Designs Act 1907 may
determining
design shall
made for
the conditions under which
deemed
used

for
Works

six

.

29
.

c
. 7

a

,

contrivances
shall

be

other

be

the person

,

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delivered

tered

right

sole

copyright shall subsist

which

forated rolls

other contrivance

Provisions
designs
registrable
under
Edw

for

of

all

as
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fifty years from

.

for

.

The term

performed

place

period

the copyright

or

, &amp;c.

of

of

of

of

graphs ,
records

22

owner

and

the collective work shall have the

the reproduction
work
respect
the infringement
Provisions as
to photo

whole

a

work
the

of

publication

as

of

reproduction

the

at

of

in

or

copyright therein but the proprietor
each article
contribution shall retain
right
reproducing and authorising the
the collective work shall
times have the

such

Act

�(
at the

in force

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that
of

for

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to

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the

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,

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various authors are incorporated

any work made before the commencement

accordance with the provisions

this section

, ,

copyright under the Copyright Act
of

to of

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of

Act

virtue

.

shall not subsist

this

and

works
as

the provisions

parts

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who

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interest

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when

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1775

otherwise

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2
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July nineteen hundred

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with

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tion

-

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manner which

to

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in

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liability

any action

at

ten

(b
)

:

two London newspapers
where any person has before the twenty sixth day

in

,

advertised

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registered post

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at

not more than one year nor
which the right would
have

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to

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by

six

,

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sent
with reasonable diligence

person

have expired

option

mentioned

theretofore

months before the date

expired

but the

failing agreement may

interest

The notice above referred
than

a

the work

the right

entitled

in

of

the author

without any such payment

would

similar interest therein
the remainder
failing agreement may
consideration

is

,
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,

the owner

shall

hereinafter

like manner

where

right

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assignment

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in

the work

royalties

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arbitration

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(
ii
)

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;

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shall determine

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the (

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date

giving such notice

the term

less

interest

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have expired the substituted

subsisting

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on

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granted any

the date when but

,

Act

this

immediately

the

of

ment

then

express agreement
pass
this section shall
absence
the
the work and any interest therein created before the commence

to

author

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the

this Act the right would

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ferred

the whole term

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by

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passing

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of for

this Act has before that date

the first

in

the commencement

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Act subsists
assigned the right
this

at

First Schedule

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of

column

in which any such right as is specified

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if the

be

Provided

(a )

date when the work was made and the work had been

:

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to copyright

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had been

)

13

this Act

�(
Application
Application
of Act to
British
dominions .

This Act , except

.

)

14

to British

Possessions

.

of the provisions thereof as are expressly restricted to
,
throughout
Kingdom
the United
shall extend
His Majesty s dominions : Provided that it
,
governing
shall not extend to a self dominion unless declared by the Legislature of that
26 — ( 1)

dominion

to

be

such

force therein

in

such modifications

without

either
relating

and additions

sary to adapt this Act to the

'

any

exclusively to procedure

or with

and remedies or neces

of the dominion as may

circumstances

,

or additions

modifications

by

be enacted

such

Legislature .

Secretary of State certifies by notice published in the London
the

the

in

,

if

of

it

in

as

of

for

,

at

(i

no

)

,

dominion

.

,

in

,

which this Act does not extend the enact
they are operative
that dominion continue
that dominion

self governing

-

a

the

that

of

law

is

satisfied

, of

the

)
of

or

at

in

the Order and subject
His Majesty dominions

Order

to

time

of

the

's

at

, ,

such

an

by

-

as

the

works first

works the authors

,

under

this Act except such

works first published within

parts

His

dominion

self governing

-

a
to

rights within

any self governing

-

Council

of

shall confer

any

:

this Act extends

of

any protection

the

to

on

,

be

provided

and

which this Act does not extend shall not whether

entitled

such Order

but the Governor

to

,

;

save

conferred

in

in

a

or

not

Act

which

no

by

but

dominion

to

,

in

specified

the parts

within

of

may

be

of

,

shall

as

thereof

to

,

,

that

this
to

's

dominions

Provided
dominion

is

as

they are British subjects

Majesty

be

for

a

of

self governing

this Act

which this Act extends

for

(

any

therein

of

in

that dominion

whereof were resident
protection

shall

repeal

such

the repeal and that

-

by

of

at
to

the time

ncluding this Act

.

far

of as to

so

,
in

:

of

be
a

that

all

any time repeal

which this Act extends apply
works the authors whereof were
making
the work resident within the first mentioned dominion
published

's

of

in

by
be

of

on

it

;

by

so

by

,

this Act except such parts
any conditions contained

, )

His Majesty

law

unpublished
works whether published
authors who
time
subjects
the work were British
resident elsewhere than
that dominion
giving reciprocal protection direct that
Council may
the purpose

if

the making

Council

(

dominion

force

which this Act does not extend provides adequate protection within the
the

for to

dominion

in of

(3
)

the Legislature

Where His Majesty

Parliament

Provided

Legislature

the

dominion

this Act shall

force until repealed

works under the

dominion may

passed

that dominion

dominion

-

by

repealed

treated

.

copyright

repealed

to

cease

any self governing

In

(
2
)
ments

being

shall

copies

of

of

,

,

,

by

as

for

are

the importation

operative within

thereof

continues

Act

this

and
shall
lawful
the Secretary
notwithstanding that the remedies
enforc

extends

-

,

(
)1

.
far

as of

or
so

or

any part

that

Gazette

authors whereof

rights substantially

whilst such legislation

any self governing

relating

the enactments

that dominion

,

those under this Act

The Legislature

they

then

prejudicially affect any legal rights existing

in

.

dominions

any

the restrictions

differ from

to

-

self governing

27
—

Legislative

works

the dominion

within

the rights conferred

aforesaid

to

the rights

the dominion

Act

this

certificate

a

to

give such

enjoy

this Act

the purposes

which

to

dominion

,

ing

State

or

a

were

shall

under which

)

(

this Act extends

identical with those conferred
the dominion

legislation

works British subjects resident elsewhere than
subjects were resident
the parts
His Majesty

not being British

which

to

dominions

the making

of

at

the date

dominion

or

the

were

has passed

dominion

of

any self-governing

on

If the

(2 )

which this

Act

�(

, may

extends

)

15

by Order , confer within that dominion

the like rights as His Majesty in
provisions of this sub -section authorised to confer within

Council is under the foregoing

other parts of His Majesty 's dominions .
treated

it

as
if

be

to

this Act

which

to

the making

pass supple

mental legis
lation

,

the work

British

pos

,

they

remedies

Power
Legislatures
of

the

the time

, ,

to

and

of

works the authors whereof were

procedure

of

of

to

its

in

this Act

of

.

to

this Act

which this Act extends may modify
application
possession but

modifications and additions relate

such
to

shall apply only

possession

to

far

any British

the provisions

at

except

of

.
so to

or

add

any

“ a dominion

the purposes

this Act extends

which

The Legislature
as

a

dominion

28

were

is

of

which

for

the purposes of this sub - section the expression

of

For

extends ” includes a dominion

in

to

if

II
.

parts

,

to

a

's

of

as

citizens

a

the authors

of

,

like manner

or

subjects

if

,

relates

in

to

the order

any class thereof

the work

as

,

artistic works

the making

of

at

of

and

or

;

to

in

shall apply

if

musical

whereof were
the time
foreign country
which

the authors

Act

the Order
of

parts

in

relates

Majesty

his

's

which
in

to

this

Act

and

the Order

,

this Part

of

of

;

extends

of

in

this

the provisions

Act shall apply accordingly

country

residence were residence

such

which

to

,

to

dominions
and thereupon subject

foreign

this

:

like manner

if

as

residence

a

of

in

(
©
)

;

were British subjects
respect

a

in

of

respect
any foreign
Council under this section
Majesty
country with which His
has entered into
in

an

other than

to a

country

Order

(

(i
.)

,

Prorided that

before making

,

Part

pro
of

the

I.

for

to

to

require

under the provisions

of

to

expedient

,

)

or

,

to

it

works entitled

copyright

the country

as

which

copyright within

such

shall not

that

exceed

the Order relates

:

law

to

's

in

the

of

conferred

Council may provide that the term
His Majesty
dominions
aforesaid

of

:

of

the Order
parts

His Majesty

Act

by

(
ii
.)

this

as

of

,

if

tection

appears

be

copyright His Majesty shall
convention relating
satisfied that that
foreign country has made
has
undertaken
make such provisions
any

Power
extend Act
foreign works

. to

,

(

such

to

.

Council direct that this Act except

the Order

)

in in

be

as

to

COPYRIGHT

which this Act extends

literary dramatic

protectorates

Cyprus

foreign country
works first published
which the Order relates
they were first published within the parts
like manner
His Majesty

to

(
b
)

in

(1
)

.-

30

,

(
a
)

if

by

INTERNATIONAL

dominions

Application

.

to

's

of

Part

Order

applies

or

as

of

the provisions
the Order have effect
the territories
which
were part
His Majesty dominions
which this Act extends

His Majesty may
any thereof
may
specified

under

. to

.

to

any territories

any such Order this Act shall subject
it

the making

on

,

the possession

Council extend this Act

in

His Majesty may
Order
Cyprus and
and

protection

of

to

works first published

by

in

the possession and

to

to his

.

29

resident

�-- -- -

except

compulsory

far

so

not

shall

as
is

books

of

of

,

in

to

as

of

copies

country

such

the Order

provided

in

or

to

of

the public

be

the

to

is

the reasonable requirements

shall

country

if

licences

not apply
works first published
first performed
such
His Majesty
satisfied that
laws thereof provide means

enabling

satisfied with regard

to

grant

for

the

Act

to

this

as

of

the provisions

(
iv
.)

the delivery

this Act
works first published

:

by

apply

)

16

of

the provisions

to

.)

(

iii

(

such

such
the

may

of

to

any

by

and

of

prescribed

be

formalities

rights

the

accomplishment

the
as

and

enjoyment

the

subject

if

conditions

provide that

Act shall

this

)

Council may

be

conferred

(

Order

by in

(v
.)

the

:

works

of

to

as

of

in

to

,

be

as
five

section

to

.

,

any translation

all the several

countries

His

all

of

to

and any other
Majesty
expedient
His

dominions

-

which

it

the Order with respect

shall apply

appears

to

this Act extends

which

this

self governing

to

in

Council under this Part

Act

.

in

dominions

possession specified

.

virtue

in

Order

to

(1
)

British
possessions

Majesty

as

ceased

construed

importation

the in

has

provide

reviving

of

the right

and may

described therein
An

or

(
2
)
to

of

II,

Application
Part

so

as

the production

preventing

of

where

or

any

applied shall

International Copyright Act 1886
Council under this section may extend
An Order

31
's .—

named

Order

works the Order

existing

appear necessary

by

of

in

those provisions

any right
case

copyright the

appear necessary having regard

as

of

Act

Council may make such modifications
that nothing

ownership

:

the foreign country
provisions
this
the

of

the
applying

law

in
to

as

this Act

of

provision

Council may make such modifications

in

(
vii
.)

the

applying

in

(
vi
.)

:

Order

force

.

the time being

's

of

Act

,

to

to

of

of

acquired previously

for

and
far

be

of
so

,

such

Order

except
to

it

,

,

part

any

lawful

the date

any

literary

III

in

right

similar

otherwise than under

any other statutory enactment

for

,

unpublished

of

or

published

this Act

any

or

or

.

PROVISIONS

,

to

any rights

shall

declare that such
to

to

Council

copyright

whether

of

be

artistic work

,

or

entitled

accordance with the provisions
in

and

dominions

.

.

.

of

No

dramatic musical
in

.

rights

32

SUPPLEMENTAL
person shall

this

this Act shall with

except from the provisions

-

to

any prejudice

Part
Abrogation
low
com

in

a

any other Order

Order

such

this Part

shall not and the same shall not apply

preventing

His Majesty

self governing dominion

,

Act

this

necessary

or

by

the same

this

which

under this Part

.

,

to

it

of

his dominions not being

for

is

of as

this Part

of

(
3
)

His Majesty

as

-

and the provisions

the necessary modifications apply accordingly
appears
Where
His Majesty expedient
order any part

dominion

make with respect

to

-

authorised

dominions

to

Council

other than self governing

self governing

make the like orders

,

in

Act His Majesty

any

of

,

respects that dominion
is

,

Council

in

The Governor

extends may

as

(
2
)

.

that the Order should not apply

�,
is

it

in

be

.

applied

in

to
a

-

,

any

and

.

or

cinematograph

form

or

work

acting

of

choreographic

arrangement

production

of

,
for

, ;

,

recitation

incidents

;

or

,

records
may

work

be

”

include

which

a

means

;
,

drawing

,

painting

works

architectural

art

of

delivered

musical work
of

”,

and

by “

or

tion

sculpture

and

artistic

engravings

and

and

an
in

but not

artistic
respect

;

,

design

prints

and other similar

,

-

cuts

cinematography

any work

any work produced

by

and

any

;

photography

produced

any process

analogous

to

includes

;

”

Cinematograph

photo lithograph

-

includes
to

”

;

,

,

”

,

or

or

construction

having

structure

,

its

of

of

”

in

of

"

,

methods

such character

include etchings lithographs wood
being
works not
photographs
process analogous

“

any building

means

respect

by

“

Photograph

art

design

the processes

Engravings

“

of

character

includes casts and models

or

or

Architectural work

;

;

of

“
“

sculpture

of

Interpreta

photographs
Work

of

the

.

in

for

library

form
the combination
original character

works

and

libraries

the library

acting

other contrivances

includes

,

craftsmanship

otherwise

dramatic work

performed
”

work

compensation
certain

.

any year unless the

Saving
to

of

of

to
a

library for the loss

in

-

before the commence

the previous year has been

piece

of

mechanically

Artistic

the work

“

,
”

work

perforated rolls

or

”
in

in

give

,

·

Literary

arrangement

.3
,

or

.

Fund

:

be

paid

the scenic

show

an

represented

writing

or

where

dumb

or

the

is

fixed

any

includes

Geo

53
.

such

Saving
University
Copyright
c
. 15

of

for

any

the Consolidated

as

as

may hereafter

infringement

was immediately
compensation

preserved

,

”

work

.

by

,

as

as be

of

of

on

London

after

books

shall not

to

possess

,

In

which

“

of

for

of

(
1
)

Dramatic

entertainment

“

and

the

this Act unless the context otherwise requires
Literary work
includes maps charts plans and tables

—

.

36

“

.“

the use

may

Act

and paid out

be

that this compensation

books

or

,

.
in

of

be

if

copies

Treasury are satisfied that the compensation
purchase

Orders
Council

interests

and colleges mentioned

the universities

any Act

of

in

pursuance

receive gratuitous

to

.

35

of

the
of

Provided

charged

annual compensation

such

published
soon

any copyright they already

but the remedies and penalties

this Act payable

the right

Parliament

under this Act and not under that

Kingdom

,

or

in

1775

There shall continue

United

ment

as

be

, ,

Act

Provisions

Act

this

this Act shall deprive any

acquire under that Act

copyright shall

enacted

be

Nothing

effect

to

.

34

,

have

Copyright

the

laid before both Houses

,

made and shall

this Act

interests

Council made under this Act shall

of

of

and shall

Gazette

and shall provide for

rights and

such

Every Order

in

•

(2
)

the protection

in

at

accrued

varying

the date when the Order comes into operation

in

or

acquired

,

altering revoking
His Majesty in Council may make Orders
any
Council made under this Act
under
enactments repealed
but any Order made under this section shall not affect prejudicially any rights
Order

to

for

. ( 1)

33 —

any

in
as

)

17

or

(

�(
Pirated ,” when applied

“

)

18

work in which copyright subsists , means

to a copy of a

any copy made without

the

copyright, or imported

contravention

consent

acquiescence

or

of

;

Africa

,

,

,

Commonwealth

South

and

performed

of

a

,

,

the author

copy

lecture
public

and

,

or

public

his in

to

published

,

,
if

or

in

in

(

infringements

performed

acquiescence

executors

be

in

in

be

to

or

,

such

copyright

's

of

His Majesty

extended

shall

part

be

that

dominions

to

has

conferring

of

a

of

.

in

it

,

,

,

of

one such

days

fourteen

the author was during any substantial

resident within the parts

be to

to

be

,

if

a

is

in
as

of

deemed

Council
the making
work

this Act

such

not intended

the publication

Order

unpublished work

if

work shall

,

in
a

by

fixed

the conditions

,

or

and

place does not exceed

the other
an

of

in

subject

only

the time between

be

in

period

and

within

first published

notwithstanding that

unless the publication

colourable

the public

as

the case

deemed

place

other

some

aforesaid

two places

have been complied with

British

Canada

the Union

which this Act extends

may for the time being

,

to

to a

of

's

the publication

considerable

a

period

the work

.

's

of

(3
)
of

(
4
)
a

over

deemed

public

work shall

requirements

simultaneously

Where

Zealand

New

published

without the consent

satisfy the reasonable

longer period

, per

records

assigns

has been published simultaneously
parts
His Majesty dominions

and

be

delivered

For the purposes
this Act
His Majesty dominions

published

and sermon

other than those relating

to

of

be

this Act

deemed

,

or

a

adıninistrators
the parts

of

,

in

delivered

to

be

deemed

public

by which

the acoustic representation

means the Dominion

the Dominion

be

)

), (2

work shall not

used

,

.

Newfoundland

,

,

-

of

Australia

any

made

includes address speech

For the purposes

shall not

be

to

Self governing dominion

”

“

Lecture

“

are intended

”

or

forated rolls or other contrivances
are

to be

or intended

and any matrix or other appliance

the

,

of

means

, mould , matrix
printing
for
or reproducing

of

copies of any work

by

plate , stone , block

other

of

transfer

or

stereotype

negative used

delivery

includes

;

, or

a

;

of

any

Plate ” includes

“

to

relation

instrument

for

in

mechanical

lecture ,

or

,”

Delivery

“

place

the

;

tation made by means of any mechanical instrument

is

“

right

of

of the owner

of the provisions of this Act ;
Performance ” means any acoustic representation
of a work and any visual
representation of any dramatic action in a work , including such a represen
in

to

a

of

,

's

an

to

as

of

of

in

of

within

author

dominions

which

any such part

.

is

he to

domiciled

residence

His Majesty

in

of

in

,

of

to

Schedule

resident

the parts

the Second
this Act the enactments mentioned
the provisions
the third column
the extent specified
this Act are hereby repealed

Subject
to

.

that schedule

comes

into operation

that part

.

until this Act

His Majesty

's

any part

of

that this repeal shall not take effect
in

Provided

in

:

Repeal

37

this Acts extends

if

deemed

to

work shall

this Act

the provisions

be
a

For the purposes

be

(5
)

.

which this Act extends

dominions

�(

This Act shall come into operation
the

be fixed by the Legislature
in the

Channel Islands at

;

islands respectively
in any other

British

possession

as may be fixed

SCHEDULES

.

FIRST SCHEDULE
EXISTING

.

RIGHTS .
Substituted Right .

Existing Right .

defined

as as

Act
Act except the sole
or any substantial part

public

public but
copyright

.

as

,

to

of

of

sole

in

right

perform
the work
none
the other rights comprised
defined
this Act

The

,

where used

the first column

:

,

of

)

(

if

at

in

;

)

to

.

(

if

at

in

, of
a

in

of

in

",

to

or

,

on

a

in

ofof

to

Copyright
the case
work which according
the law
force immediately before
the commencement
this Act has not been published before that date and statutory
any
copyright wherein depends
publication includes the right
common law
publication
other dealing with the work
restrain
Performing right
public before
the case
work which has not been performed
any
the commencement
this Act includes the right
common law
restrain
public
the performance thereof
",

“

this

.

thereof

Works

defined
this
perform
the work

to

right

Act

this

in

|
,

Dramatic

Copyright
Copyright

purposes
this Schedule the following expressions
have the following meanings

For the

*

defined

Musical and

.

,

. .
|

Both copyright and performing right
Copyright but not performing right
Performing right but not copyright

Copyright

of

In

(6
)

the case

as

.

Works other than Dramatic and Musical Works

in

case

by

(a ) In

of

the

- -

Copyright

thereof

on the proclamation

by the Governor .

thereof within the possession

- -

the states of those

by

which this Act extends ,

to

may

.*

(d )

of that dominion

such date

as

;

.*

(c )

twelve

,

in

--

first day of July nineteen hundred and
;
or such earlier date as may be fixed by Order in Council
,
a self -governing dominion to which this Act extends at such date

the United Kingdom

in

(b)

, on

Short title
and com
mencement .

.

in

by

(a )

by

( 2)

This Act may be cited as the Copyright Act , 1911 .

by

.

38 — ( 1 )

)

19

a

is

to

.

,

to

be

in

of

a

if

or

,

in

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or

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*

essay
forming part
portion
the case
article
and first published
review magazine
subject
other periodical
any
work
like nature the right shall
right
publishing the essay article
portion
separate
form
which the author
entitled
the commencement
this Act
would
this Act had not been passed have
become entitled under section eighteen
the Copyright Act 1842

�(

SECOND

20

)

SCHEDULE .

ENACTMENTS REPEALED .
Sessionand Chapter.
8 Geo . 2, c. 13 .

.
.
.

6 &amp; 7 Will . 4, c. 110 .
5 &amp; 6 Vict . c. 45
7 &amp; 8 Vict . c. 12
.
10 &amp; 11 Vict . c . 95

Engraving Copyright Act , 1734 |
Engraving Copyright Act , 1767
Copyright Act , 1775 .
Prints Copyright Act , 1777
.
The Sculpture Copyright Act , 1814 .
The Dramatic Coypright Act , 1833 .
The Lectures Copyright Act , 1835 .
Copy
The Prints and Engravings
right ( Ireland ) Act, 1836.
The Copyright Act , 1836 .
.
.
The Copyright Act , 1842 .
.
Copyright
The
International
Act ,
1844 .
The Colonial Copyright Act, 1847 .
Copyright Act ,
| The International
1852 .
The Fine Arts Copyright Act , 1862 . ,
/ The
The
The
The

7 Geo . 3, c. 38 .
15 Geo . 3, c. 53

17 Geo . 3, c . 57
54 Geo . 3, c . 56
3 Geo . 4 , c . 15 .
5 &amp; 6 Will . 4 , c. 65
6 &amp; 7 Will . 4 , c. 59

Extent of Repeal.

Short Title.

.

15 &amp; 16 Vict . c . 12

.

25 &amp; 26 Vict . c. 68

.

38 &amp; 39 Vict . c . 12

.

The

39 &amp; 40 Vict . c. 36

.

The Customs Consolidation Act , 1876

45 &amp; 46 Vict . c . 40

.

49 &amp; 50 Vict . c. 33

.

51

.

The Copyright
(Musical Composi tions ) Act , 1882 .
Copyright Act,
The
International
1886 .
The Copyright
(Musical Composi tions ) Act , 1888 .
The Revenue Act , 1889
.
.

&amp; 52 Vict . c. 17

52 &amp; 53 Vict

. c.

42

.

2 Edw

. 7, c.

15 .

.

6 Edw

. 7 , c.

36

.

.

International

Copyright

1875.

The Musical
Copyright
The Musical

Act ,

The whole
The whole

Act .
Act.

Sections two , four , and five .
The whole Act.
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act .
The whole Act.

Sections one to six.
In section
eight the words “ and pursuunt
“ to any Act for the protection
copyright engravings . "
“ of
Sections nine to twelve .
The whole Act .
Section forty - two , from “ Books
copy
“ wherein ” to “ such
“ right will expire . " Sections
forty - four , forty - five , and one
hundred and fifty - two.
The whole Act .
The whole

Act.

The whole Act

.

Section
one , from “ Books first
" published ” to “ as provided
“ in that section ."

(Summary Proceedings ) | The whole Act .

Act ,

1902 .

Copyright Act , 1906

.

The whole Act

.

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                    <text>COPYRIGHT FORMALITIES
THE
.S .A .

ON

o

U

Publishers' Weekly

natural right,

in

for

62

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”
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of

copyright
with the notice
affixed
each copy published
offered for sale
the
authority
United States
the copyright pro
prietor
this notice
the method and form
first importance
The Act
1909 provides sect
copyright required
section
That the notice
lication

,

"

,

to

sold

"

.

to

or

as

;

lished
offered
authority

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other

publication has
the date
the earliest date when copies
the first authorised
edition were placed
sale
publicly distributed
sold
the proprietor
the copyright
under his authority
This
indirectly
defines publication
the authorised
public offer sale
copies and the
distribution
requiring the copyright notice
clause sect
published
affixed
each copy
offered
for sale
authority
the United States
the copyright
proprietor
confirms the principle that the copy
right proprietor cannot be held responsible nor
pub
copies
can copyright
voided because
been

(

,
of

(

of

of a

of

book

this Act
the Act sect

,

or

of

in

)

of

(2
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,

of

(

) (
3
)

of

the best edition

photograph
deposit
work
art
date
of which last the law was not explicit and any
comply literally
failure
and exactly with these
conditions forfeited the copyright
The American Code
1909 substitutes an
entirely different basis for securing copy
right Copyright now depends upon
pub
copyright and
lication with the notice
deposit
copies these copies
the case
of books and certain other works
manufactured within
the United
States
The accidental omission
the copyright
particular copy
copies
notice from
formerly
does not invalidate the copyright
but only relieves
innocent trespasser
infringer
but failure
from penalty

five

"

not exist .

in

n

does

to

copyright

them

The American copyright law of 1909 prescribes
exactly the method of securing copyright , and
makes clear the cases in which non -compliance
copyright .
in validates
Previous to 1909 copy right was secured by complying exactly with the
statutory requirements of (1 ) the delivery to the
Librarian of Congress on or before the day of
publication , in this or any foreign country , of a
printed including typewritten
copy
title
description
every
the work
the insertion
copy published
the prescribed copyright notice
and
the deposit not later under the law
publication
1891 than such day
earlier law
allowing ten days after publication
two copies

The general provisions as to formalities
are as
follows (sect . 9) : “ That any person entitled thereto
by this Act may secure copyright for his work by
publication thereof with
the notice of copyright
required by this Act ; and such notice shall be
affixed to each copy thereof published
or offered
for sale in the United States by authority of the
copyright proprietor , except in the case of books
seeking ad interim protection under section twenty
one of this Act ; ” and (sect . 10) : “ That such
person may obtain registration
of his claim to
copyright by complying with the provisions of this
Act , including the deposit of copies , and upon such
compliance the Registrar of Copyrights shall issue
to him
the certificate provided
section fifty

“

without

within a specified time , or false
report as to manufacture , make the copy
right not valid .
deposit

,

as a

common law before the
Statute of Anne , without record or formali ties , but also without statutory protection ; or
formalities may be required only as a prerequisite
to protection by actions at law ; or formalities may
be required to validate and secure the copyright .
English formalities belong to the second class .
American formalities are of the third class and

by

inhere

. ,

may
English

as under

of the Editor . ]

the kind permission

of

COPYRIGHT

, with

“

[ Printed from the United States

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relief

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Thus
book containing
the
notice
the third page
the
second leaf
elsewhere
than
the title page
might not
following
the page immediately
infringement
protectable
case
The
copyright notice can probably however
placed
being
safely and preferably
the first page
part
specially
copyrighted
the title page
book
introduction preceding
non
copyrighted work
appended notes
index
upon specific illustrations
perhaps
and this
preferable
copyrighting
editions with such fea
tures
works otherwise
the public domain
periodical
parts
the case
articles
composite work separately copyrighted
registered
copyright

or

In

a

of

or

.

in

a

in

to
an to

accidental omission
the copyright notice from
certain copies sect
the statute
otherwise
specific and there seems
be no means

as

A

,

,

(

each volume

periodical published

shall suffice
Although the Code
1909 relieves the copyright
proprietor from permanent forfeiture
the case

,

in

as

(

.

,

no

)

copyright

newspaper

in

-

-

,

.

v

of

in

That one notice
each number

of

of

in

in

as

(

of

of

,

a

who has been misled
the omission
the notice
permanent
infringement
and
suit
injunction shall
had unless the copyright pro
prietor shall reimburse
the innocent infringer
his reasonable outlay innocently incurred
the
court
discretion shall
direct
further provided
sect
That the
copyright shall
applied
notice
the case
upon
book
other printed publication
title
page
following
the page immediately
periodical either upon the title page
upon
the
first page
text
each separate number
under
the title heading
musical work either upon
title page
the first page
music
Provided

,

,
of

it

,

be

.

.

v

in

,

,

in

,

prevent re
shall not invalidate the copyright
covery for infringement against any person who
begivs
after actual notice
the copyright
infringe
undertaking
but shall prevent the
recovery
damages against
innocent infringer

of

,
of

to

,

in

,

,

or

,

of

,

of

in

or

)

in

Snow

proprietor has sought
comply with
this Act with respect
notice
the omission
accident
mistake
the pre
particular copy
copies
scribed notice from

an

-

is

be

;

or of

of

of

of

.

V

)

for

,

a

the true date was 1867 there was
harm done
year
the public because
the copyright which
really ended
1895 instead
1894 was given
the public
whereas
the previous
case

1895

the copyright

the provisions

be or

of

,

on

if

.

a

in

ofof

the date
the entry
the
Taylor when 1847 was
American case
Baker
put
1846 makes the copyright ivvalid
later
Myers held that
Callaghan
decision
1888
copyright notice gave the year 1866 while
where

was held

microscopic objec
Mast
within the law
Sarony instead
Napoleon Sarony
tion that
was not
name was promptly quashed
copyright law
An important safeguard new
enacted
the provision
sect
That where

a

.
, B.”

.

,

,

it

of

dersley

the abbreviated

of

,

A

at by

of

,

of

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B
., .

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),

in

,

A

by

.,
be "

of

,

“

is

,

,

",

“

or as

is

omission
either
the three requisites
the word copyright
its abbreviation the
printed works and the
date
the case
name
the proprietor
the case
works
art his sign would make the notice
void and
no effect
The exact phraseology
and order
words must
followed and
has
been held that any inaccuracy
the name
the copyright proprietor
the English
case
Routledge by Vice Chancellor
Low
Kin

additional year was claimed .
This decision , how
ever , is not a safe precedent , as doubt was thrown
on it by Judge Wallace in the same year in Schu
macher v . Wogram .
The substitution
1894

or

of

be

of

-

. ,

of

.

of

to

of

(

in
in

in

or

of

by

in

of

,

go

is

in his-

in

of

,

be

of

,

or

or

on

.

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or ),

,

on

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or of ,

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of

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,

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)

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-

of in

,

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in

C

by

of

of of

pub
was secured
copies
lication
the case however
works
specified
sub sections
inclusive
sec
tion five
this Act the notice may consist
the
letter
inclosed within
circle thus
accom
symbol
panied
the initials monogram mark
the copyright proprietor
Provided That
some
accessible portion
such copies
the margin
pedestal
back permanent base
the sub
stance
which such copies shall
mounted
name shall appear
But
the case
works
subsisting when this Act shall
which copyright
copyright may
into effect the notice
either
one
the forms prescribed herein
one
those prescribed
the Act
June eighteenth
eighteen hundred and seventy four
Under the law
1874 the prescribed notice was
the old form Rev Stat 4962
Entered accord
ing
Congress
Act
the year
Congress
the office
the Librarian
Wash
ington with the optional alternative
the form
Copyright 184
Under the new Code
preserved with the alternative
the latter form
Copr
the provision
with date and name but
the longer form may
used
books copyrighted
reprinted after the
under the earlier Acts even
Except for books pre
passage
the later Act
viously copyrighted
the longer form
not now
dangerous
the legal notice and its use would
does not contain the specific word copyright
its abbreviation now made an obligatory part
the notice
The courts have been disposed
hold
that longer notice embodying the required words
merely pleonastic and not illegal but that any

(k ,
), of

copyright

which the

.

year

of by

,

nine of this Act shall consist either of the word
Copr .,' accom * Copyright ' or the abbreviation
panied by the name of the copyright proprietor ,
and if the work be a printed literary , musical , or
dramatic work the notice shall include also the

)

2

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(

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.

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in

of

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in

,

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in

or

,

as

under any other circumstances
where some par
magazine publication
ticular right
dramatisa

probably invalidate

the copyright

A

.

has been sold and assigned
substitution
name under such specific assignments would

tion

.

. -

of as

,

,

on

it

give

later

applies only where the entire copyright has been
assigned and the assignment duly recorded
the
Copyright Office
provided
law
and does not
permit
change
name
the copyright notice
as

,

a

or

,

of

,

the

should
noted that the copyright
notice
not required
books published
language
abroad
the English
before
publication
this country
entered for
interim copyright and therefore that within
sixty days after the publication abroad
language
book
the English
such
book
may be protected by American registration
copyright
though containing no notice
and within this period inquiry at the Copy
right Office
necessary
determine the
status
the book
assign
provided
sect
that when
specified book
ment
the copyright
other
work has been recorded the assignee may substitute
his name
that
the assignor
the statutory
copyright prescribed by this Act
This
notice
for

in

,

no

,

,

in

notice

,

or
or

.

of

or

,

is as
“

of

v
.

,

safe and the wiser course
copyright notice and
proper sequence

the earlier

both

is

,

to

to

in

of

of

with old
two dates

of

,

be

of is

in

,
no

,

be

to

by

in

In

contents might
voided under
doubtful whether
new edition
and new matter one copyright notice with

the whole

sive

this rule

of

-

of

in

on

. ,
B
. .", in

A

in

on

,

Copyright 1910
such cases
same notice
though there
specific decision
1911 by
this point
Under the previous law
book
part the
published
more than one volume
portions not complete
themselves was probably
copyright entry
protected
the first part all
parts being
course ultimately deposited but the
change
pub
the new Code basing copyright
practice
lication with notice changes this rule
Dwight
Appleton
the case
1840
was

appear in every new edition newly copyrighted , as
well as the new notice , so long as it is desired to
protect the matter contained
the
edition
decision
Justice Clifford
Lawrence
Dana
superfluous but his decision
1869 ruled this
proprietor may not
contrary
the rule that
longer term
claim through the copyright notice
than the law permits since
later date referring
comprehen
only
new matter but apparently

a

of

-

In

it

pro

-

a

,

is

,

,

or

, .
of

in

a

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at

or

at

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of

-

of

for

,

in

,

if

,

at

in

.

,

for

"

,

of

at

in

be

fee

The proviso ( sect . 61) “ that only one registra required
tion at one
shall
the case
several volumes
the same book deposited
the
same time
indicates that one copyright entry
suffices
several volumes simultaneously published
but each separate volume should contain the notice
Volumes published separately not only
successive
years but
successive dates within the year should
be separately registered and published separately
years must each bear its copyright
successive
publication
notice
the year
this being the
direct sequence from the provision that copyright
publication
dates from the specific date
and not
registration
from the year
date
The Copy
right Office will however under the law register
parts deposited
for one fee volumes
the same
time though published
various times
the
case
book issued
successive parts
which
only the first part includes
title page
title
headings the law
not specific but
seems
copyright
bable that
default
notice
and
registration for each part the parts not bearing
copyright notice might
legally reprinted
and
place the copyright
that the safer course
notice
the first page
each part and register
each part separately
which case the completed
work should have the date
dates
the year
years within which the several parts were published
objections within the law
There seem
coupling two dates
from
court decisions
the

deposit is the secondary and completing
act , and therefore no registry in the Copy .
right Office is necessary to authorise the
printing of the copyright notice , as was
formerly the case .
In the case of successive printings or editions of
entry
a copyrighted
book , the original copyright
must appear in every reprint of the first edition ;
and it would seem that this entry should also

is in

periodical .

may be emphasised
that publication with
notice is the first step in copyright under
the present Code , and that registration on

It

copyrightable
component parts of the work copy
righted and gives to the proprietor of a composite
work or periodical all the rights he would have if
each part were individually copyrighted .
It means
that there need be no repetition of the general
copyright notice on different pages of a book or

held that as the statute did not expressly prescribe
that the copyright notice should appear in succes
sive volumes after the first , this was not necessary ,
but the application of this doubtful decision under
the new Code would be more than questionable . It

It

right in each volume or in each number of a periodi
cal shall suffice , is complementary to the provision
protects all the
( sect . 3 ) by which a copyright

)

,

the copyright notice should appear on the same
page as the title heading . The copyright does not
depend upon the imprint date but on publication ;
thus the Copyright Office registered for copyright
in 1910 a book bearing
the imprint date 1904 on
the statement of the proprietor that it was not
really published till 1910 .
The proviso (sect . 19 ) that one notice of copy

3

of

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to

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subsisting

any

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an

on

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,

he

if to

D

respectively

card

may prefer

or A

to D
(2
(1 ). is
)

applicant should send for
he

card

as

dramatic

the seal

(3
),

as

A

-

or

to

separately
wishes the affidavit
should obtain also the special blue card
lithographic
photo engraving
used
should obtain also special blue card

,

.

in

,

with

renewal copyright

if

-

six

of ,

of

of

of

a

sealed

print
pictorial illustration
copyright subsisting
any work

.

,
,

In

.

by

as

of

to

,

be

certificate

or

set

A
(
2
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G
a

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to

as

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in or

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for which

copy

English
the
newspaper

he

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to

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to

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as

provided

binding

made
A

is

as in

be

, of of

of

of

a

of

of

,

as

stated
the said affidarit
The Registrar
Copyrights shall prepare
printed form for the
said certificate
filled out
each case
above

foreign

interim

applicant for copyright
work
Thus
American book should send for card
which
may enter his application and also include affi
printing and
davit
American typesetting

he

a

“

:

55
)

30

. ).

(

.

(

is

of

It

receipt

of K

,

"

;

, ,

in

of

book the certificate shall also state the
provided
the affidavit
section
teeu
this Act the date
the completion
the
printing
the date
the publication
the book
case

for sale
renewal
extension

or he ; as

or

in

of

of

claimant

of

any article bearing
and the importation
notice
copyright when no American copyright exists
absolutely prohibited
sect
further provided sect
That
the
entry the person
case
each
recorded
the

the copyright shall
entitled
registration under seal
certificate
the Copy
right Office
contain his name and address the
title
the work upon which copyright
claimed
the date
the deposit
the copies
such work
and such marks
class designation and entry
number
shall fully identify the entry
the

periodical
continously

book

Ad

newspaper
registered
supple
mented by
white blank for depositing single
subsequent issues
lecture sermon
address
prepared for oral delivery
published dramatic
dramatico musical composition
dramatic
dramatico musical composition not reproduced
published dramatico musical com
for sale
position
published musical composition
musical composition not reproduced for sale
these supplemented
blue card
notice
published map
use
mechanical instruments
drawing
sculpture
work
art painting
design for
reproduc
model
work
drawing
plastic work
tion
work
art
photograph
scientific
technical character
published for sale
photograph not reproduced
or or

-

a

of

of

of

a

or

a

to

periodical
periodical

(
2
)

:

“

)

29

be

.

,
or

be

States
foreign language
author
right
book published
abroad
language
contribution

E

,

in

or

a

,

by

or

,

or

of

by

,

,

.

(

by

or

,

within the United

(
)1,

specifically made against false notice

copyright
the enactment sect
That
any person who with fraudulent intent shall insert
copyright required
impress any notice
this
upon any
Act
words of the same purport
uncopyrighted
article
with fraudulent intent
shall remove
alter the copyright notice upon any
guilty
article duly copyrighted shall
mis
punishable
demeanor
fine
not less than
one hundred dollars and not more than one thousand
Any person who shall knowingly issue
dollars
sell any article bearing
notice
United States
copyright which has not been copyrighted
this
country
who shall knowingly import any article
bearing such notice
words
the same purport
which has not been copyrighted
this country
shall
liable
fine
one hundred dollars

or

of

is

.”

of

is

Provision

by

invalidate

in

“

or

any error
classification
copyright protection

]

[

of

claimed
nor shall
impair the

in

which copyright
incidentally provided

numbered
follows
book
citizen
resi
dent
the United States
edition printed
originally published
the United
States
book
abroad
the English language both these being
American manu
double cards including affidavit
supplemented
facture
these being
blue cards
providing
specific instructions
with
for
separate affidavit
American manufacture from
type
plates made
the United States and
photo engraving process
for lithographic
as

."

5

)
to “

.

(

is

it

”,

but

,

)

54

of

he

a

of

,

is

It

belongs

receipt
the copies
the work deposited
complete the registration
prepared
The Copyright Office has accordingly
library card form which
blanks
furnished
applicants free
charge for the several classes
applications mentioned
the law the cards being
pink except
hereafter stated
lettered and
of

to

of

.

in

"

(

,

by

as

to

“

of

the work

classes

of the Copyright Office , shall , upon payment of the
prescribed
fee , be given
to any person making
application
for the same, and the said certificate
shall be admitted
in any
court as prima facie
evidence of the facts stated therein . In addition
to such certificate the Registrar of Copyrights shall
furnish , upon request , without additional fee, a

in

,

of

of

be

of

The method of registration , or rather of applica tion therefor , is not specified in the law , for the
reason that under the code of 1909 deposit succeeding publication is made the act completing the
securing of copyright , and registration is incidental
thereto instead of the first requisite , as was the
case under the previous laws .
The Act provides ( sect . 53 ) : “ That , subject to
Congress
the approval
the Librarian
the
Copyrights shall
Registrar
make
authorised
rules and regulations for the registration
claims
copyright provided
this Act and sect
whenever deposit has been made
the Copyright
copy
any work under the provisions
Office
this Act
shall make entry thereof
provided
sect
that the application for
registration shall specify
which
the stated

)

—

4

in

(

specify

�by

of

,

.

of

,

a

of

to

or

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to

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by

.

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of

by

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of

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six

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is

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if
.

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by

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an

of

:

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12

in be
as

)

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or

(
by

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if

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to in

,

of

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be is

if

or

; of

,

in

or

,

,

,

or in

.

be

to

,

or

by

,

,

,

of

of

.

contribution

contribution special registra

requested one copy
issues
the issue
tion
containing such contribution
the work
copies for sale there shall
not reproduced
deposited the copy print photograph
other
identifying reproduction provided
section eleven
copy print photograph
this Act such copies
accompanied
other reproduction
each
pro
copyright
case
claim
No action
ceeding shall
maintained
for infringement
copyright
any work until the provisions
this
of

.
be

of

in

as

work

be

of -

a

or

,

at

or

-

to

to

,

in in
a

him

to

his

at

of

),

in

(

such

periodical for which

,

.

of

,

of

a

to

a

of

,

cash
as

in

stamps
but not
the risk
the
Copyrights cannot receive
the Registrar
except
personal risk and there
persons known
frequent
fore from
sent

sender
cheques

this Act

in

-

it

,

of to

an be

In or is

no

-

."

,

to

is

.

periodical

the courts would have
decide
promptly
definition
the word
interpretation
and
the implied provision that
copyright
voided meaning that the right
obtain copyright lapses
the process
not com
pleted without undue delay
The completion
the copyright by deposit
copies
covered
the provision sect
That
publication
after copyright has been secured
copyright
provided
the work with the notice
promptly
section nine
this Act there shall
deposited
the Copyright Office
the mail
Copyrights Washing
addressed
the Registrar
ton District
Columbia two complete copies
the best edition thereof then published
which
periodical shall
copies
the work
book
have been produced
accordance with the manu
facturing provisions specified
section
fifteen

,
if

a

.
.
.
.

of

or

in

of

as

in

, ,

is

of in

regular

which case the
Copyright Office will receive
advance
sum
sufficient
cover registration
for the successive
periodical through
period
copies
specified
The fee should be sent by money order
can
issues

otherwise

the question

, ;

in

a

,

of

.

is

of

be

:

,

is

to

one dollar which sum
include
certificate
registration under seal
Provided
That
the case
photographs the fee shall
fifty cents where
certificate
not demanded
For every additional
registration made fifty cents
certificate
copyright
For recording the extension
renewal
provided for
sections twenty three and twenty
longer
four
this Act fifty cents
The law
contemplates record before publication
and
unnecessary and undesirable
send application
money previous
sending
deposit copies
publica
fact
the certificate must show date
anticipated and money
tion publication cannot
only
sent
advance
embarrassment
the
Copyright Office
The only exception
this state
the successive copyrights
ment
the case

ness

is

of
of

,

of

, ,

to ),

.

(

of

"

.,

viz

in

is

.

the Copyright Office
This certificate
sent without charge other than
the fees directly provided for
the law sect 61
any work subject
for the registration
copyright deposited under provisions
this Act

by

few

of

)

of

,

of

),

,

,

by

(

of

or of

(f

on

)

a

of

,

in

of

(p

of

or

,

of

or

of

of

of

The certificate bears on one side the
statement
the deposit
two copies
one copy
the article named herein and
registration for the first
renewal term with the
name
the claimant rinted
the case
making most applications and
the publishers
ollowing the
the other side the specification
wording
the application and the deposit copy
publication receipt
description
the title
date
receipt
copies and
affidavit where required
entry number
class together with
the seal

a

blanks.

cate

uniform

in case of a contribution to a periodical or for iden
tification of a work not reproduced for sale ) shall
be deposited ; and if a work is published with
notice of copyright , and copies are not promptly
deposited , the copyright
is voided and the pro
prietor becomes subject to penalty three months
(or in case of outlying possessions or foreign coun
tries
months after formal demand
the
Registrar
Copyrights
for deposit copies
The
promptly
word
indefinite and the status
undeposited works published with copyright notice
Copy
and not formally demanded
the Registrar
rights
also not defined by the law
such case
the copyright has not been secured
the complet
ing act and
impracticable
proceed
would
infringer and the proprietor might
against
copyright
penalty for false notice
liable
the event
such
case arising through
careless

in

Similar certificate cards, also of library size ,
uniformly white , are provided for the several classes
of registration , correspondingly lettered and num bered , except that in a few cases where one certifi cate blank serves for more than one class or sub divisions , with the addition of a general form Z to
cover anything unprovided
for in the other certifi -

relation with the Copyright Office . Postage must
be prepaid on the application blank , as there is no
provision for free transmission through
the mails ,
such as applies to deposit copies.
In practice the
application with remittance and the deposit copies
should be simultaneously
sent immediately
after
publication .
The law provides that deposit copies shall be sent
promptly after publication and that tuo complete
copies of the best edition then published (or one copy

,

the work as a dramatic and non -musical work , or
phrase of the law ;
to use the broader alternative
or for D (2 ) if he desires to copyright without
reproducing for sale .
The applicant for a musical
composition , as distinguished
from
a dramatico
musical work , should send for card E ( 1) or E (2 )
respectively .
The art applicant should send for
card G for an original work of art , or card H for a
reproduction , or for a photograph
card
J ( 1) or
card J ( 2) respectively .

)

5

or of

(

�in

of

to

to

a

,

,
if

in

."

,

in

as if

of

in

's

of

a

of

,

it

be

.

to

,

"

,

of of

A

in

be

to

in

.

ad

in is

“

:

)

21

. ,

(

of by

in in

of

, of

,

in

a

,

,

of

an

to

by

,

to

or

,

of

of of

of

a

of

a

foreign edition
request for the
with
the copyright and
reservation
statement
the name and nationality
the author
and
the copyright proprietor and
the
publication
date
the said book shall
proprietor
secure
the author
ad
copyright which shall have all the
interim
copyright
force and effect given
this
Act and shall endure until the expiration of
thirty days after such deposit
the Copy
in

Office

.”

right

On such works the provisional copyright
made permanent under the provision
sect
That whenever within the period
such
interim protection
authorised
published within
edition
such book shall
the United States
accordance with the
manufacturing provisions specified
section
fifteen
this Act and whenever the pro
deposit
copies
visions
this Act
filing
registration
affidavit and the print
ing
the copyright notice shall have been
duly complied with the copyright shall
“

,

of

to

,

of

,

as

,

of of

in

,

in

be

an

of ad :

22
)

.

be

of

(

-

of

are

In

the case
English language before publication
this
country the deposit
the Copyright Office
not later than thirty days after its publica
tion abroad
one complete copy
the

,

,

of

fee

a

of

,

is

published requiring one
lished copyrighted work
application fee and deposit
one identifying copy
for the unpublished
work and
second applica
tion
and deposit
two copies promptly after
publication

the

of

of

, - ,

of

in

by

of

in

an

is

,

is
a

It

be

copyright
should
noted that
this class
which
common law copyright fortified
statu
copyright law
tory protection
ideal example
required
double registration
case the unpub

abroad

protection
interim
the provision
sect
That
book published abroad
the

of

,
-

- -

a

be

."

is

reproduced

later

in of

of

the work

assured

books published

,

of

for

of

of

a

be

it

. if

a

or

of

or

;

a

or

it

if

or of

,

of

of

,

by

an

or

a

or

this Act where
copies for sale

respect

is

, .

are

of

be

of

be

secured

“

of )11

of

:

.

,

copyright may

.

a
is

as

)

of

in

or
,

in

to

.

the case

works not reproduced

sale
under
the provision
sect
That copyright may also
had
the
works
author
which copies are not repro
copy
duced for sale
the deposit with claim
right
one complete copy
such work
lecture
similar production
dramatic
musi
photograph
cal composition
other identi
fying reproduction thereof
work
art
drawing
plastic work
But the privilege
copyright secured hereunder shall
registration
not exempt the copyright proprietor from
the
deposit copies under sections twelve and thirteen
In

or

or -

,

of

English language

16

)

15 as

.

(

by

(

. ,

in

,

a

)

in

or

or

-

of

17

of

as

to

.

(

English from such text cannot
copyrighted
unless the deposit copies
the English translation
manufactured within the United States

,

a

or

be

in

copyright

this

,

, ,
,

of
of

of

of

of

case

twelve

domestic works except that the deposit copies need
not be manufactured within
the United States
thus giving the author the exclusive right
trans
Copies published
lation
America must
course
hear the copyright notice
translation
into

.

In .
”

printed book
periodical
photo engraving the copies deposited
must
manufactured
America
set forth
the manufacturing provision
sect
verified
sepa
the case
book
affidavit
sect
rately treated hereafter and the book copyright
forfeited sect
the event
false affidavit
deposit
Thus failure
the case
books
false affidavit
American manufacture
the
two lapses
formalities which work forfeiture

the

lithograph

(

by

,

to

of

,

to
a

be

to

,

copyright shall become

the

of

,

at

of

of

,

or

ofto

and

and

production
receipt
the postmaster
deposit copies
respect
foreign works
should
noted
foreign origin
that
the original text
work
language
languages other than English
may
formally copyrighted and fully protected
registration
under the same formalities as
claim

lien

“

of

as

of

,

of

of

of

an

work

sections eleven

requested give
receipt therefor and
Act shall
shall mail them
their destination without cost
the copyright claimant
Thus even
the deposit copies should not reach
Washington
case they were burned
the
mails
the copyright proprietor can validate his

be

“

:

)

.

by

(

,

be

in

of

the

void

provided

as

the

follows sect
That should the
copies called for
section twelve
this Act not
promptly deposited
herein provided
the
Registrar
Copyrights may
any time after the
publication
the work upon actual notice require
deposit them
the proprietor
the copyright
and after the said demand shall have been made
default
the deposit copies
the work within
three months from any part
the United States
outlying territorial possession
except
the
United States
within six months from any out
lying territorial possession
the United States
any foreign country
from
the proprietor
the
copyright shall
liable
fine
one hundred
pay
Congress twice
dollars and
the Library
the amount
the retail price of the best edition

to

as for

copyright

1909

of

of failure to deposit , the law of
penalties and finally voiding

case

13

In

provides

It should be noted that the deposit copies may
be deposited either in the Copyright Office or “ in
the mail , addressed to the Registrar of Copyrights ,"
and it is provided (sect . 14 ) : “ That the post
master
whom are delivered the articles deposited

In

to the deposit of copies and regis complied
of such work shall have been

in
a

Act with respect
tration
with ."

)

6

by

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in

doctrine
Wheaton
Peters
refer
the statutes
1790
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and the
later statutes are most explicit
this point
the same case
Wheaton
Peters Justice
delivering
judgment
McLean
the
the
right
Supreme Court held
that
while
the
may
protected
accrues
that
chancery
compliance with the first require
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ment
the prescribed process
must
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suit
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ence

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say that the latter
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room
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right shall attach until these acts
statute says
have been performed
and the court cannot say
the face
this express negative provision
that
right shall attach unless they are performed
prescribed there
Until the performance
right acquired
under the statute that can
play
violated
And
the
case
the
Shaughraun
Boucicault
Hart
1875 Justice
regards copyrights
general
Hunt held
Two acts are by the statute made necessary
upon
more take
be performed and we can

."

of to is

-

-

in

,

by

.

.

in English , from ad interim
Thus an American
author publishing
his work first in German in Berlin , must copyright
and deposit an American -made edition
of his
German text in this country to obtain American
protection , without which his work in German
imported into this country without his
could
independent translation
consent and
his text
publication
into English and
America
could
prevented
not
view
the exact prescription
the method
securing copyright unless the statute
precisely
complied with
Said
the copyright
not valid
There
Parkinson
Laselle
Justice Sawyer

.

protection

,

-

be

its

of

is

be

be

be

of

,

on

to

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of

,

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a

be noted that an American
author
his work abroad is not benefited by
either of these provisions respecting foreign works .
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is specifically confined to a work of foreign origin ,
that is , not by an American author ; and he gains
should

publishing

to

,

or

to

,

-

an

to

,

ad

It

.

.

a

requirements
questionable practice
publish American made copies
failure
the United States would make such notice
false
copyright
notice
The copyright term
the
as

statutory

.

no

all

on

-

,

to

of

a

;

in
to

in

copies and must
included
the American made
publisher
desiring
edition
The
American
reprint
book published abroad
the English
language within sixty days
after publication
without consent
the copyright proprietor must
inquiry from
therefore
assure himself
the
Copyright Office whether the work has been
registered
interim
The printing
American
copyright notice
the foreign edition
antici
pation
the publication
American made
copies thereof within the
edition and the deposit

It

is

to be published an edition manufactured
America , and thus to complete his copyright
This gives a period of ad interim protection ranging
thirty days to sixty days within which to
from
obtain permanent copyright , the exact period
depending upon the number of days elapsing after
publication before deposit of the foreign copy in
the Copyright Office . Thus a copy deposited on
the day of publication will have thirty days in
within which
secure permanent copyright by
the publication
the American made edition
copy
deposited
while
the
thirtieth
day after publication
will have sixty days
deposit
foreign
all
but the failure
the
copy within thirty days after publication
the
publish
American made edition within
failure
thirty days after such deposit will forfeit the right
copyright protection
obtain
and throw
the
foreign work into the public domain despite the
ad interim registration
When
American made
copyright can
published
edition with notice
publication
America simultaneously
with
protection
abroad
interim
course rendered
unnecessary
and such simultaneous publication
the simplest and best practice for publishers
adopt
may
emphasised that the notice
copyright can
omitted only from foreign made
cause

in

term

“

or

,

“

provision requires the same for

interim

at by

The ad

malities and fee as in the case of domestic works
except that only one copy of the foreign work in
English need be deposited , and that this deposit
copy need not contain the statutory notice of
given
American copyright .
The claimant is
thirty days after publication abroad in which to
request reservation and a second thirty days after
deposit of the foreign copy within which to publish

of such foreign work in the English language ,
it would seem , from
the date of publication
abroad rather than from the date of publication
of the American -made edition ; but this would be
of importance only toward the expiration of the
original term and in connection with the renewal
case

dates

a in

extended to endure in such book for the full
term elsewhere provided in this Act .”

)

7

“

(

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                    <text>The Author .
THE ORGAN

In
1

THE SOCIETY OF AUTHORS

OF

( INCORPORATED ).

BY

XXII .

the Society

,

LD
.
1912

.

.

CO

AGNEW

,

,

BRADBURY

&amp;

Publisbed

for

VOLUME

BESANT .

LONDON

AND

TONBRIDGE

.

SIR WALTER

by

FOUNDED

�BRADBUŁY, AGNEW, &amp; co. LD. , PRINI ERS ,
LONDON AND TONBRIDGE,

�INDEX
XXII .

Vol .

Nos.

1

-

TOBE

10

OCTOBER

,

1911

JULY , 1912

—

PAGE

Agency Agreement

...

...

...

...

...

...
...
20 i Colonial Markets ...
... 122, 159, 163, 191 | Committee Election

Authors

...

133
19

...

...

...

...

...

.. .

...

...

...

105, 159

..
.

Committee

Theatres and French

..
.

ACADEMIC

| Cinematograph

5
)

PAGE

...
191
...
Notes ... 2, 33, 59 , 88, 120, 145, 175, 203, 229 , 257
, 46, 53 , 54, 55, 74 , 75 , 1 Composers and
Dramatic
(
11
biterary and Dramatio ,
Collection of Fees on Mechanical !
229
80, 82, 83, 112, 113, 115 į
Instruments
..
...
...
...
...
Agreement (Mr . John Long )
.. .
...
...
Composers ' Agreements ...
... 160
...
...
...
... 275
,
Music Publisher 's ...
. ...
... 1871
and Gramophone Rights ...
...
216, 259
Annual Dinner ...
...
...
,
...
...
46, 106 ;
Sub - Committee
...
...
159, 177, 231
oy
Meeting ...
...
...
...
...
... 192 | Copyright Act ( 1911) ...
. ..
...
104, 132, 273
Authors and their Reviewers
...
... 77, 220,
Regulations under
American Society
274
Section
246
Composers and Music Publishers
British
and Society
British Composers
172
3
Society
Copyright
Australia
191
First Society
Canada

Agents as Principals

26

..
.

..
.

..
.

, ,

..
... ..
..
.

.
..
..
.

(

.
..
..
.

)

of

.
..

.
..
..
.

..
.

56

116113

..
.

,

,

..
.

..
.

140
200
172

..
.

...
..
.

,

,
54
,
55
,
80
,

53

..
.

112

..
.

Copyright Act and Society

115

Suggestion

of ...

..
.

..
.

'

's

..
.

..
.

132

List

..
.

Black

..
.

Craft

...

,

,

,

Author

-

Agents

..

..
.

Rights

Authors

..
.

and Education

Sub Committee

...

.
..

Cinematograph

..
.

Chicago Dial

,

122 146 178 205 231 259

and Dramatic

,

,
90
,

60

35
,

, 3
,

..
.
,

Lord

Author and Publisher

a

Rights

American
Chamberlain

..
.

Review

Expired

Correspondence
CASES

.
..

Four Years

of

and Ireland

Progress

:

Copyrights

)

(
1

251

245

America

Legislation

,

..
.

280

..
.
..
.

..
.

..
.

..
.
States

..
.

..
.

„

,,
,,

,,

,

,

Russia
United

International

139

..
.

..
.

132 135
273 278
19

Bill

..
.

..
.

..
.

France

Holland

,

,

,

148 181
234

,

64 ,

..
.

1

7

,

,

37

of
)

Touraine

..
.

in

)

..
.

Robert

..
.

,

,
,
,
91
,

by

(

and Copyright Act

Writers and Journalists

Browning

123 147 178
206 232 261

61

Members

1911 Analysis

Society

(

Composers

of

in

America

,

.
,,
,

British

Members

(
4

by

Books Published

. .
.. ..

..
.

of

,

,

in

,,

47

.
..

(

,

,

)

(

..
.

..
.

..
.

...

of

,

1

..
.

of

,

of
)

,,

,

254

Agents

British Composers

�INDEX
PAG
Correspondence - continued .

. ..

..
.

..
.

.
..
.

..
.
.

.
, .

..
.

..
.
93
,

159

,
160

..
.

,

:

.
..

..
.

,

,

.

,

Ltd

124 149 181 207
234; 262

..
.

..
.

16

..
.

..
.
Co

..
.

Co
.

of

39

1 1
7

..
.

,

,

's

89

and

64
,

.

,

r

.

.

r

.

r

,

to

Publish Limitation

,

,

,

...
..
.

..
.

..
.

..
.

.

...

,

on ,

,

,

,

71
,

16

,

's

Agreement

187

Blake

-

.

.
K
.
C
. ..

..
.

,

,

..
.

Morel Henri
Thurston Mrs

October

go

-

Sophia

Justin

..
.

OBITUARY

Dr
.

,

Prize Committee

, ,

273

NOBEL

:

176

..
.

,

122

Chamberlain

..
.

101 129 156 188 213 242 270

Stamps

.

.
, .

,

146
258

,

230,

109
176 205

McCarthy

,

155

M

Jex

ELECTIONS
1911 July

Gramophone

MAGAZINE Contents
Mechanical Reproductions

..
.

.

89
, ..

,

60

121

.
..

.
..

.
..

„

and Lord

.
..

,

Rights

.

(

-

.,

Sub Committee

r

28 284

,

.

, ..

167

Polşscope

Progressive Newspapers

Literary Dramatic
Musical Notes
Long Agreement

140

..
.

.. ..
. .

Co
)

&amp;

Licence

Music Publisher

35 .
, .

..
.

DRAMATIC Section

Pall Mall Gazette
Selig

Monckton

Whitfield

D

.
C
.

Glenville

..
.

..
.

(

Leng

W

(

83
,

..
.

56

..
.

...

Court Case Romeike and Curtice

Critics and Criticism
Curious Suggestion

20

)

County

254

States Notes

..
.

United

Flanders

..
.

the Times

...

Signs

..
.

Register

of

Scenario

Council Meeting

...

Reports :

Law

116

226

..
.

,

Terms

.
..

'

Methods

56

.. ..
. .

Prize

225 252

..
.

71,

...

Novel Competitions
Publishers

International Literary and Artistic Association

...

. ..

and Modernity

Modern

... 281

...

..
.

Pen

.. .

INSPIRATION

199, 2

200
,

of the

Hazard

Insurance

PAGE

...
...

Editorial Courtesy

PAN AMERICAN

Convention

, , .
, 178

..

..

.. ..
. .
, 34
,

.

,

,

174

,

,

119 143 175 202
228 256
202
118 142
228 256

86
,
, 58
,
86 ,
,
,
,

58
,

104

105

,

104219

116105

,

,

83
,

56

...

.. ..
. .

, ,

237

216 253

,

,

14

.
..
.

..
.
..
.

..

Case

)

. ..

French

..
.

.

. ..
. .

,

118 142 174
178 201 228 256

..
.

..
.

..
.

.
..

..
.

..
.

77 74

.
..
..
.

..
.

..
.

Copies

Reviewers

..
.

REVIEW

..
.

|

110

|

,

..
.

,

..
.

79

, ...

132
221 249 282

..
.

...
..
.
..
.

..
.
..
.
..
.

View

..
.

.

Soundest

.
of ..

History

Rider

the Pen

,

Hazard

of ,

HAGGARD

Sir
H

н

..
.

..
.

Agreements

59

30
,

of
.

List

(

Publish

Royalty
Terms

30

,

30

/
2
,

..
.
to

.. .. .
. . ..

A

,

,

Obligation
Methods

..
.

..
.

..
.

191

154 216

..
.

..
.

..
.

..
.

..
.

..
.

1

Rights

...

's

Publisher

Fees

Satisfactory

and their Accounts

..
.

.

25

|

Poet and Composer

Publisher

269

Publishers
GRAMOPHONE

2,

Subscriptions

\

..

.

..

,

20

3)

,

..
.

..
.
,

74

105 155

..
.
.
..

...

.
..

..
.

..
.

French Legal Cases

Future Book Clause

Investments

..
.

under Compulsory

..
.

..
.

.. .. :
. .

.

"..

,

Free Lance Sorrows

Royalties

of

FOREIGN Reprints Act
Licence

,

174 178 201

,

30

&lt;
2,

Donations

:

..
.

,

193 245

,

.

Committee

260

..
.

..
.

Era Prize Competition

Full

, .. ...
.
58
,
87
, ... ...

.

Circular

..
.

.

Annual Subscribers

May
June

(

Pension Fund

127 152 184 210 237 264

104 118 142
227 255

..
.

April

Second

46

March

..
.

Paris Notes

10

-

,

February

,
,
42
,
58
,
67
86 ,
, 96 (
,
,
,
)
,
,
,
, ...
.
,
,
..
, , .

December
1912 January

69

р

November

�INDEX
PAGE

::

247

217

217
186

...
..
.

..
.

..
.

S

..
.

...

..
.

Rights

..
.

Swedish

..
.

Question
Stage Plays and Private Societies

..
.

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PRICE SIXPENCE

1911

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OCTOBER

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2

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XXII

CONTENTS

::

.

PAGE

Registration
Scenariosand Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
The late Jirs Thurston
The Foreign Reprints Act Again
Expired Copyrights
Few Words
Sorrows of
Freelance
Proposed Canadian Copyright Law
The ConciseOxford Dictionary
Japanese Poetry
Correspondence
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The Society Funds
List of Members
The Pension Fund
CommitteeNotes
Books published by Members
Books published
America by Members
Literary Dramatic and Musical Notes
Paris Notes
Authors Agents Literary and Dramatic
Publishers Methods
Cinematograph Performances
Magazine Con ents
How
Use the Society
Warnings
the Producersof Books
Warnings
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MISS FOWLER Maxwell House
Street Strand

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of

,

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Extract from Unsolicited Testimonial
send your work coin
pared which Egyptian hieroglyphics would be child play and you
return the manuscript at the time requested without one single
inaccuracy
nothing short marvellous

LITERARY AGENCY

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Cooducted
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Novels plays, and short stories placed with London publishers
Expert
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Suitable work only submitted
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experience

TYPEWRITING
STEVENSON

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58
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Arundel Street Strand

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Correspondence

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THE SURREY

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this work the Westminster Gazette writes
The
beginner who takes these lessons
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heart
be quite
assured
an advantage over his competitors

9

f

BARRY

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ESSEX

TYPEWRITING

and Journalists

Lessons
By

THE CARDINAL
OUR GUESTS
LIFE
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THE CITY
ENTICEMENT
MARRIED WHEN SUITED
CLIVE LORIMER
MARRIAGE
BECAUSE OF
KISS

...

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M

&amp;

CO

The writer whether
aspires
write novels short stories
or articles often spends years
uncongenial work
rebuffs and drudgery being the only return for the time
and labour spent
THE COURSE OF LITERARY TRAINING promoted by
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aspirant
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The College also undertakes Literary Agency business
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For full particulars write oncefor Pamphlet
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W

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STANLEY PAUL

Authors

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Alice

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IN

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IN

THE MARRIAGE OF LENORE
PASSION
MOROCCO
THE IMPERISHABLE WING
PRISONER
PARADISE
WHEN SATAN TOOK FLESH
MADGE CARRINGTON

To

NOVELS

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.. .. .. .. .. .. ..
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VERSES BY DOLF WYLLARDE
With

�BY

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of

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be

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impression
among
there seems
readers
The Author that the Committee are
personally
responsible for the bona fides
the
adrertisers
the Committee desire
stated
that this not and could not possibly
the case
Although
care
exercised that
uudesirable
advertisements
inserted they
not accept and
any liability
never have accepted
Members should apply
the Secretary for advice
special information
desired

.

be
,

no

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do

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in

SOCIETY

FUNDS

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XXII

.

be

,

or

.

on

VOL

List Members
the Society
Anthors
published October 1907 can now
obtained
the offices
the Society
the price
July
post free
includes elections
1907 and will be sold
members and associates
the Society only
dozen blank pages have been added
the
those who
end
tbe list for the conrenience
they are chronicled
desire
add future elections
from month
month
these pages
of

by

the

THE

A

be

39
,

,

.,

of

of all

invited

it

,

of

.

.

and letters are

literary matters treated from
Editor
the
standpoint
no other
art
business but
subjects whatever
Every effort will
made
accepted
retorn articles which cannot

to

in

he

for

.

,

in

or

,

of

its

,

S
.
W

's

,

to

of

Communications
for The
Author
should
addressed
the Offices
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor not later than the 21st
each
month
Communications

LIST OF MEMBERS

6d

.

to

58
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a

if

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on

of

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in

or

CONTRIBUTIONS

(
2
)

AND

.

ARTICLES

THE Editor
the Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
Society
great many members did not forward
subscription for
the Secretary the modest
the year

in to

,

of

.

of

it

.

on

the publishers
the names
application
them

is

to

,

have
the Society who desire
concerned can obtain
to

of

of

those members

of

of

or

in

'

of

to

of

The Editor begs
inforın members
the
Authors Society and other readers
the Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Society and that
the Secretary

on

of

.

its

of

time
time members
the Society
desire
make donations
funds
recognition
work that has been done
them
The Committee acting
the suggestion
place
one
these members
have decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
paid
which these contributions may
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary
case
the Society
incor heavy
expenditure either
fighting
question
prin
ciple
assisting
obtain copyright reform
dealing
any other matter
closely
with
connected with the work
the Society
slowly
The Pension
Fund
This fund
increasing and
hoped will
time cover the
needs
all the members
the Society
to

case

to

is

of
to

be the

THE

as

be

.

of

or

D

papers that are
the opinions expressed
signed
initialled
the anthors alone are
para
responsible
None
the papers
graphs must
expressing the opinion
taken
especially stated
the Committee unless such

if

OR

is

to

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.

NOTICES

to

it

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is

.

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AUTORIDAI LONDON

be

of

of

.

As

:

VICTORIA

ADDRESS

PRICE SIXPENCE

,

TELEGRAPHIC

1911

ADVERTISEMENTS

:

374

2ND

.

OCTOBER

[

No

NUMBER

I'

ELEPHONE

Monthly

Authors

SIR WALTER BESANT

.
1
.

—

.

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XXII

Society

.

FOUNDED
VOL

Incorporated

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case
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reported
which many members were involved
practically
closed
the contracts had either
been determined
settled
He reported the
carry out the committee
steps
had taken
in

In

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be

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in

instructious
the cases chronicled
the last issue
The Author
one case further evidence was
required before action could
taken
another
reported that the defendant had been thrown
into bankruptcy
and two other cases bad been
finally
settled
and satisfactorily
One case
infringement
copyright started
the spring
tried before the
not
could
stated
the year
Long Vacation
and
another case proceedings
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meeting before the vacation was held
Monday July
the offices
the
society and the committee decided not
meet again until October unless business of such
vital importance
the society came
for con
negotiated
sideration
that
could not
the
chairman with the assistance
the secretary and
the society solicitors
The usual vacation powers
the
behalf
act
the chairman
were given
committee
the absence
the members
bringing the
Three elections were chronicled
total number
the year up
154
There were
two resignations bringing the total resignations
59
The solicitor
the society attended the meeting
and reported
the cases
had
hand
The first

,

3

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June
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the trustees
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the financial
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invest £250
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The amount purchased
the present price
£312 13s
This brings the invested funds
377 198
The trustees however have been unable
recom
any further pensions
the
mend the payment
present exhausted
income
their disposal
They desire
draw the attention
the members
of the society
this fact
the hope that
additional subscriptions and donations there will

5

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February

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money has been
paid
but the balance
still
disputed
One has been placed with the solicitors
and two are still
the hands
the secretary
Of
the three claims for accounts one has been satis
factorily settled one has been placed with the
negotiation
solicitors and one
still
course
agreements
Of four disputes
two have been
negotiation
concluded
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course
Matters
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question
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Sub Committee relating
the financial side
proposal for
dramatic agent
America
The
committee expressed sympathy with the efforts
promised
the dramatists
and
assist them
bearing some reasonable share
the cost
The date
the council meeting
the autumn

negli
but also that their loss due
Unless these facts can clearly be established
hardly worth while
take action when such
making copies can
great facilities
em
ployed
Authors
should always keep copies
their MSS
Of the seven ciaims for money and
the

gence

.

,

.

to

in

of

a

of

of

.

certain amendments
the Bill
The committee
decided
refer the matter
counsel Mr
MacGillivray with instructions
report
settle
be forwarded
the Canadian Government
from
the Society
Authors
question referred
Then followed discussion
Management
the Committee
the Dramatic

five have been settled
Thus four are
left unsettled two
the secretary
hands and
two
the solicitors hands
Of the seven claims
for the return
MSS one has been brought
satisfactory termination
placed
two have had
the hands
the solicitors and two owing
the claims being abroad
one
India and one
Australia
are still open
and two have only
recently come into the office
Members should
not forget that the legal position
the case
generally not very strong
the return
MSS
not only necessary
show
that the MSŠ
responsible party
have come into the hands

,

.

of

.

a

to

,

of

of

as of

,

by

of

to

desirable
The Canadian Copyright Bill was then discussed
and here the secretary reported the action taken
the Société des Gens
Lettres and the Société des
Auteurs Dramatiques and stated that
had
received letters from influential quarters
America
asking for the society
support
carry through

report that

in

in

,

in

to at

be be

were received from the committee that proceedings
should
taken
once and that the Swiss lawyer
urged
bring matters
prompt issue
should
The next business before the committee was the
consideration
the position
the Copyright Bill
The secretary reported the steps that had been taken
himself the chairman
the society and other
members
the committee
The committee was
informed
the meetings that had been held
and the negotiations that had been carried through
The secretary stated that
the clauses
the Bill
had been passed
Committee with the exception
the clauses dealing with the mechanical reproduc
tion
musical work which would
considered
immediately
He added that had been arranged
meeting
hold
the joint committee
that
the committee comprising representatives
the
Society
Authors the Publishers Association
and
the Copyright Association
after the Committee
stage
the Bill was
end and before the
Report stage
The joint committee would then
any was possible
decide what further action

of The Author there
placed into the hands
be divided as follows :
seven
claims for the
claims for accounts and
accounts
four disputes

return of MSS. ; seven
money ; three claims
agreements
copyright
one infringement
The average number
cases that come
the
office during any given month
from
fifteen
twenty
that the number that has come into the
during the last two months shows
society
diminution
Of the fourteen claims for money due authors
five have been
settled
and the cash has been
placed
forwarded
seven have had
the
hands
the solicitors
Of these we are glad

is

in

It

for the solicitors

cases

in

fresh

is

There were no

England , but the secretary reported that a case
which the society was conducting
Switzerland
had been delayed
settlement and instructions

Cases .
SINCE the last publication
have been thirty - six disputes
of the secretary . They may
fourteen claims for money ;

it

and costs ,
court .
There was one case of a very difficult nature .
which related to a publisher ' s accounts . The solicitor
put forward very fully the issues involved , and
after careful consideration the committee instructed
the solicitor to come to a reasonable compromise if
it were possible to do so , and indicated one or two
points which they considered should be an essential
part of any compromise reached .
sum

was settled and thefagenda for that meeting were
also discussed .
The date of the annual dinner was
left open , it being agreed that, as usual, some day
in the late autumn should be chosen .

.

been

it

commenced by the society some
closed by the payment of a small
without it being necessary to go into

had been

time ago had

is
a

which

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ANGLING

By

RURAL LIFE AND LABOUR
King
318

by

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BRITISH

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.

OF

.

3d

.

.

.

&amp; .

.

-

pp

.

48

,

M
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.pp

:
A

BIOLOGICAL
STUDY
SPUR
George Bell
168
Sons
By ARTHUR LAYCOCK
TO DAY
John Heywood
AN ANTHOLOGY
Essex
Collected
ISABEL
LUCY
and BEATRICE MARY GOULD
Edited and arranged
Biographical
with
additions and
Index
CHARLOTTE FELL SMITH
London Sampson Low
Co

58
.

.

Leadenhall

9s
.
n
.

.

of
of

the
Age

PREVENTION

84
x

By

.pp

63

8
x

PILLEY

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Child
PH

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BELLOC
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D
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THE PROGRESS
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LITERARY , DRAMATIC , AND MUSICAL
NOTES .

BIOGRAPHY .

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psychological studies

new book

and Death

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Love

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Mrs Havelock Ellis
Wing
series
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the same author
Miss Emma Brooke has also
Magazine entitled
story
Nash
the July issue
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Dutton
New York
366
By CONSTANCE ARMFIELD
GROWTH
LARGER
THE
Dutton
New York
382
Story
Soul By
the Evolution
THE SHADOW
Chicago
Revell
490
HAROLD BEGBIE
By
367
LOCKE
CLEMENTINA
THE GLOBY
New York
John Lane
VERE STACKPOOLE
CORAL
THE SHIP
Duffield
New York
311
FRANCES HODGSON BURNETT
THE SECRET GARDEN
Stokes
New Yörk
375

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BOWEN

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New

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376 pp

$
1
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DEFENDER

MISS
ADVENTURES
Philadelphia
314

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.

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FILLET

A

J.

.

OR
,

.

75

.
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A

FICTION
THE
PLUCKY GIRL
By MAY BALDWIN
NELL
McKay
cents

QUEEN
THE
SHEEHAN

256 pp

HOBSON

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cents

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75

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OF

ECONOMICS
THE SCIENCE

usually receives purely emotional treatment
the Outside
the title
new novel
Miss
Curtis Sherwood
described
story and satire
modern
An attempt
having been made
suppress
published
unusual way post free for one shilling from the
address
Sherwood
Clifford
Hereford
shire
can
ordered through
bookseller from
the same address
Messrs Smith Elder
Co have accepted
new
novel
Miss Emma Brooke which will probably
published
the early spring
The Windsor
Magazine had
story
entitled
Thirteen
the
Clock
Miss Emma Brooke
the June issue
The same magazine has accepted
second story

“

OF

CLASSICAL ,
Lectures
Course
EPIC
THE GREEK
Second edition revised
delivered at Harvard University
New York
368
MURRAY
and enlarged
Oxford University Press

THE RISE

H . G . F . Spurrell has
written , and
Messrs . George Bell &amp; Sons have published ,
a “ Biological Study of Patriotism .”
Mr.
Spurrell 's
explain the
this work has been
patriotism and
furnish the
natural history
subject which
scientific analysis
reader with
aim

Macmillan .

TR.

M

,

325 and

AUSTIN .
$7.50 n .

ALFRED

It

MARQUISE : A STUDY OF
CENTURY
AN EIGHTEENTH
EMILIE DU CHATELET AND HER TIMES . By FRANK
HAMEL . New York : Pott . $3.50 n.
OF

York :

BY

BOOKS PUBLISHED IN AMERICA
MEMBERS .

AUTOBIOGRAPHY
TAE
308 pp . New York .

By J .
Longmans .

POLITICS.

They

are Cornish

�THE AUTHOR .

a

is

.

,

by

of

of

,

“

of

"

“

is

,

as

,

is in

's

,

Maxwell Grey new novel which Mr John Long
August
called
Unconfessed
and
the scene
laid
was that
The Silence

published

pen wbich
Pendered
entitled
Men while the September Novel
Magazine also has
story from the same writer
Miss Pendered
addition
these
stories has
recently finished
novel
which she has given the
title
The Anklebiter
Mr Ditchfield Rector
Barkham
has com
pleted
essays entitled
volume
Out
the
Ivory Palaces which will
pullished shortly
“

,

. .

's

-

fresh

from Miss
The Happiest

story

,

,

on

of

.

-g

the rude human nature
day
farm labourer

to

,

of to

from

of

—

or

is
,

Benlowes
the soil

,

on

to

and

on

been

is due , this month , from the publishing
Mr. Ham -Smith . The author describes it
as “ A Diversion , " as it is somewhat different from
her usual work , being written rather in a spirit of
August contains
frolic . 7 . P . 's Magazine

house of

“

the editor has followed , in her work , has
include any writers
the county and the
anything that
county writers
course
anything edifying
worth preserving
The reader
may flit from the stained lass conceits
Quarles
which

Minx, "

for

Lucy and Beatrice Mary Gould , and edited and
arranged , with
additions and a “ Biographical
Index , ” by Miss C . Fell Smith .
The method

,

Country . It is a study of a man of curious complex
nature - half -cynic , half - dreamer — who marries a
beautiful inexperienced girl , who thinks they are
going to live an ideal life .
Messrs . Sampson
Low &amp; Co . are the publishers
of an “ Anthology of Essex ,” collected by Isabel

Face ,” “ St . David of the Dust,” “ The Lady in
Grey , " and other novels .
“ The Bees ” is the title of a new book recently
issued by Messrs . Chapman
&amp; Hall .
It is by
Miss M . Ellen Thonger , and describes the nursery
adventures
of a bunch
of triplets , and belongs
to the same category of books as “ Helen ' s
Babies . "
Miss Mary L . Pendered ' s new novel , “ Daisy the

to

been

's

have

of

entertainments

Five Georges ” as new matter ,
for performance during the local festivities and
celebrations of the new reign .
Derek Vane 's new novel, “ The Soul of a Man , ”
running serially in The Throne and
is now
“ The

be

village

."

, with

of

and

reissued

,

school

Valley .”
“ As Flows the River " is the title of Mrs. Fred
Reynolds' new book , of which Messrs. Chapman &amp;
Hall are the publishers . The scene of the story is
laid amongst the Welsh mountains in the neighbour
by
hood of Llanbedr , a locality already utilised
Mrs . Reynolds in . “ The Man with the Wooden

”,

the Durand -Rueil Galleries , Paris , in
next.
Her Majesty the Queen has graciously accepted
a copy of “ Pageants and Plays ," by Miss Grace
Toplis , under which title the old favourites for

shown in
November

Messrs . Cassell &amp; Co . have included
in
their
autumn
list another story by Helen
H . Watson ,
author of “ Peggy , D . O . ”
The present story is
called “ Peggy, S. G .," and while the former book
dealt with Peggy the “ distinguished orthor," this
one has to do with her school career - hence the
title “ Peggy the School Girl."
Messrs. Cassell
will also publish , in the early spring of next year , a
new novel by Mrs . Watson , entitled “ The Open

,

the Brevet and handsome gold insignia of “ Officier
de
L 'Instruction Publique
et des Beaux -Arts ,
having been awarded him . Mr. Dewhurst has
spending the summer in France , where he
been
painting. His work will be
has been busily

The Queen has graciously been pleased to accept
copy of Mrs. Charlotte Cameron ' s new novel ,
“ A Passion in Morocco . "
Her Majesty has also
promised to accept a work of travel , entitled “ A
Woman ' s Winter in South America , " from Mrs .
Cameron , which is about to appear .

to

Mr. Wynford Dewhurst has received a second
mark of distinction from the French Government,

of

a

of

quote

the July number

in

a

the dedication
of the volume , which
seems to explain the title : “ I dedicate this book
to
those
who , with me, are gazing
in delight
towards where on the horizon there shall be dawn .
Henceforth , together , humble thongh fearless , we
must praise , worship , and obey the beautiful
Future , which alone we may call God . "

We

“ Ashes of Honor ," ended
the All Story Magazine .

,

person responsible
for the article , and has no
knowledge of the writer .
A new
collection of poems , entitled
“ Before
Dawn , " by Mr. Harold Monro , author of “ Judas , "
was published by Messrs. Constable &amp; Co . in July .

in

E.

not the

is

a

A.

of

the name

known that she

",

under
be

, unimaginative ,

esteemed

.

writes

stubborn , hard ; but
upright ,
by his world
as exceptionally
just and sagacious .
Edith C . Kenyon 's historical tale , “ Two Girls in
a Siege , " a Welsh story of the siege of Chepstow , is
now being issued by the Religious Tract Society in
sixpenny edition .
their
Miss Kenyon ' s serial ,
ambitious

a

Authors — who

Jacomb , desires it to

Dean Maitland , ” in the Isle of Wight .
The main
interest is the effect of strong spiritual emotion
suddenly awakened by a missioner preaching in his
own kitchen - on a prosperous middle -aged farmer ,

“

stories , and will recall to Mrs . Ellis ' readers her
Neighbours ."
book , “ My
Cornish
Messrs .
Stanley , Paul &amp; Co . are the publishers .
The Anti -Socialist League have republished and
circulated an article from a Socialist paper , over
the signature of “ A . E . Jacomb. " Miss A .
Jacomb -Hood — a member
of
the Society
of

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Mr

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and

by

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Paul

Austin

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&amp;

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.

.

an

,

Dobson with illustations by Hugh Thomson and
Kate Greenaway
The new issue has
addi
tional chapter
Messrs Macmillan
are the
publishers
Mr Martin Secker announces the publication

of

.

,

and

of

song

Queen

,

The

Webb

this

the humour
the Renaissance
and adapted
the clear and sparkling
the grand siècle
He was closely
touch
with Boileau Racine and Molière and his story
remark
students
must therefore appeal
able period
French literary history
The volume
published immediately
will
Messrs Stanley
possessed

period
style

.

, in

.

K

Stanley

copy

.

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by.

,

W

by

published

H A
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of

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in

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produced

Museum Street
was graciously accepted

He

.

a

in

of

la

chosen
Jean
Fontaine
biography
the subject
her latest volume
La Fontaine has unique place
French litera
ture
He stands between the old and the new

of

Frank Hamel has

.

-

and

he

-

of

of

to

.

“

the corsairs

.

the characteristics
descended

A

,

in

“

, of

bride

a

of

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by

a

of

.

“

her lightly
The Buhl Cabinet
consists
cynical old French
number
letters collected
marquis
from women whose marriage
had proved
incompatibility
through
failure
tastes
temperament
Stories from Algiers are
subtle
study
day who retains many
the Algerine

“

on

,

“

.”

of

”

on

conventional

is to

in

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and his pretty

“

10
,

volume form

Irene Osgood
latest volume
Blood
and Other Stories
includes
Blood Moon
The Bubl Cabinet
and
Stories from Algiers
The titular story tells
devoted wife who
surprised her husband and his paramour discussing

Mrs

Moon

of

to

a

to

is

.

of

.

,

in

,

“

's

September
Vagabond

tells
their life
the New Forest
which
time
introduced the Genius the woman artist
his mate
The second edition
this book has
just appeared
Gallant Wales
the fifth song Miss
Everest
bas

&amp;

",

It

.

is

,

be

,

Sons published
Boggs new story

City
the author first novel since she won
the Daily Mail Prize Novel Competition
1907
Vaga
Richard
Carr
for
The Return
City
opens
bond
the honeymoon
the
vagabond

In

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Paul

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immediately

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on

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published

time Miss Wyllarde has decided

collection

number
hitherto unpublished poems
Wyllarde has entitled the book simply
Miss
Verses
The volume wbich has photogravure
frontispiece
also published
Messrs Stanley

is of

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"

«

a

Frederick Niven
volume short stories which
he has published through Mr Martin Secker
None
the stories has been published previously
all
them having been rejected
editors mainly
the ground that they would not appeal
the
public
The author has therefore put them before
the public
volume form
the hope that the
proved erroneous
editors view may
new novel
Harold Avery the author
Every Dog his Day
Week
the Sea
entitled

will
Paul

of

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Association
the agricultural and
commercial
problems
sugar beet growing and beet sugar
manufacture
the writer
rural subjects who
guerre
uses the nom
Home Counties
has
been published from the Field office
extends
more than 400 pages and contains
hundred
illustrations
The aim
the author
discuss
impartial spirit
difficult subject
Above Your Heads
the title given by Mr

time

from

publish
adding

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Archæological
work

of

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of

“

on

of

a

literary connection since the foundation
that
1889
Miss Edna Lyall book
Derrick
Vaughan and Mr Ditchfield
English Villages
were the two first books published
that house
He
also editing the Journal
the British
firm

was also accepted
the
Wales
new
humorous
novel entitled
Hodson
Voyage
from
the pen
Mr
Koebel
appears from
Stanley Paul
Messrs
Of
recent years Mr Koebel has been better known
taking up fiction
writer
books
travel but
again
has returned
his first love
Mr Koebel
has not however abandoned the writing
works
engaged
travel and
the present time
passing the proofs
new book dealing with up
country life
New Zealand which
has entitled
the Maoriland Bush
based
his own
personal experiences and observations and includes
intimate descriptions
the humours and tragedies
the fascinating country
the back blocks
response
desire expressed by many readers
Miss Doll Wyllarde
novels for the complete
poems from which she had quoted
her stories
copy

another
Prince

he

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of

a

for

Messrs . Mills &amp; Boon . He has also written ,
History
private circulation
the Dawson
Family
Yorkshire
Berkshire and America
compiled from family papers letters and documents
being the publishers
Messrs George Allen
For the same firm
has long been engaged upon
large work
England
the Counties
review
their history and records
This will
appear this autumn
two volumes
the same
time his Memorials
Old Gloucestershire
will
appear
one
the volumes
the
Memorial
Series
which thirty volumes have been published
under his editorship
Mr Ditchfield has also
undertaken
write two more books for Messrs
Methuen
who have been his principal pub
many years and with whom he has had
lishers

by

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Paul Reboux and
René Blum have
therefore issued
manifesto from which we quote
few extracts
Our friends
not borrow our
pictures
our cushions and our knick knacks but
they
ask
our books
We have not the
courage
refuse
lend them and our volumes
disappear and
not return
our shelves
Every borrower may
considered
one buyer
less whilst every would
borrower
whom
we
buyer gained
refuse our books may
French writer commenting
this movement
says
Public libraries should
course
be
encouraged
those who cannot buy but well to
people who only read books bought
others
should be discouraged
One
the objects
fight against
help everyone
the League
sponging friends
the tyranny
A

is

.”

,

at

by

its

is

,

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on

,

,

In

Bathsheba

Miss Hilda

them

do
-

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In

,

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, ",

order
become possessed
the piece were Miss Eille Norwood
Dick and Mr Thomas Holding

league has been founded
France
entitled The League against the lending
books
One
the chief causes
the recent crisis
the
undoubtedly
book trade
the ease with which
people
obtain books
read without paying
for

NEW

of

,

by

,

", de

le

"

as at
“

the Imperial Theatre
Moscow which
known
théâtre
Molière Russe
Hope
The
Cecil Raleigh and Henry
Drury Lane Theatre
Hamilton was produced
last month
their latest sporting drama the
impecunious peer and
authors find their hero
the play takes
title from
horse which
representing the only chance
saving the peer
house from ruin
called
The Hope
the
caste are Mr Cyril Keightley Mr Lyston Lyle
Miss Fanny Brough and Miss Madge Fabian
Mr Hail Caine new play
The Quality
Mercy
was produced
the Theatre Royal Man
September 4th
chester
The play has for
intrigue similar
central theme
that recorded
Scripture
whereby King David disposed
in

-

.

”,

.

at

,
“

by

’s

in

Theatres
Madame Lydia Yavoiska
translated
into
Russian
Prince
Vladimir Bariatinsky and accepted for production
been

Uriah

PARIS NOTES

,

.

.

,

,

.

Kingsway

has

.

of .

25

,

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on

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Temple
four acts
Wales
the Prince
July
The caste
includes Mr
Dennis Eadie Mr Holman
Clark
Miss Agnes
Thomas and Miss Daisy Markham
Mr John Pollock play Rosamond which was
produced
London last season
the Royalty and
at in

play
was produced

caste

Lyall

.

of

.

. .

,

.

,

.

Sally Bishop

Thurston
Theatre

were Mr Gerald
Maurier Mr
Miss
and
Maude
Millett
Miss
Swete
Henrietta Watson
was
Man and Superman
Mr Bernard Shaw
Septem
short run
the Criterion for
revived
ber
the caste were Miss Pauline Chase Mr
Robert Lorraine Mr Guy Standing Miss Florence
Haydon and Miss Agnes Thomas

the

28

,

is

in

a

is

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*

»

.

(
of in of

29

1805
and
the play
The period
the neighbourhood
Pomander Walk
comedy
which the
the centre
Chiswick
The
dramatist introduces many character studies
caste included Mr Cyril Maude Mr Norman
Forbes Miss Winifred Emery and Mr Frederick
Volpe

June

,

on

,

in

,

”

,

Pomander

at

.

's

N

comedy
Louis
Parker
three acts
Walk
was staged
the Playhouse

.

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to

.

DRAMATIC

Mr

by

to

.

's

inst

12th

Mr. Henry Arthur Jones ' new
“ The Ogre ,"
play , was produced at the St. James' Theatre on
the 11th . “ The Ogre ” is the head of a house
hold , and is given this nickname by his wife and
children , who are in open rebellion against him .
The dramatist describes the method by which the
The caste
his household .
“ tamed ”
husband
E.
A.
Sir George Alexander , Mr.
included
Valentine, Miss Kate
Matthewe, Mr. Sydney
Cutler , and Miss Gladys Cooper .
Mr. Alfred Sutro ' s new comedy , " The Perplexed
Husband , ” was produced at Wyndham 's Theatre ,
The play opens with the return
on September 12 .
of a tea merchant from a visit to Russia , and the
first
shows the nature
the reception given
him
his wife
This lady has apparently
during her
Doll House
Ibsen
been reading
perplexed
husband
absence
and the husband
the best way
meet the situation which has
owing
arisen
the effect
the Norwegian
dramatist
the relations between the pair
,

on

.

.

&amp;

's

of

Michael Barrington 's new book dealing with
Grahame of Claverhouse , Viscount Dundee . In
this work -- the result of long study of the con flicting elements of Restoration and Revolution
politics — the author shows the intrigues of 1688
The book contains also a vivid
in a new light .
picture of the Highland campaign . New military
maps , an itinerary of the Highland campaign , and
a copious bibliography are added to the volume.
copies is
The ordinary edition of nine hundred
There is also an edition de
issued at £1 108 . net .
copies , numbered
fifty
to
luxe, strictly limited
The price of the copies
and signed by the author.
in this edition is £3 38 .
“ Nine English Consorts of Foreign Princes ” is
the title
Miss Ida Woodward
new book which
the
Methuen
Co are publishing
Messrs

to

10

�THE AUTHOR .

Salon
Carré
was thronged
with
visitors , and
certainly
never have any nails attracted more
attention than those upon which the favourite
picture had hung so many years . The doors of
the Museum and many of the rooms were guarded
by policemen , and very strict measures are being
taken in order to prevent the repetition of a similar
theft .

A great lover of books adds : “ I quite approve
this wise initiative , and I would add that, in order
not to be impolite , when it is a lady who wants to
borrow a book , a man has only to reply that . it
shall be sent to her the following day .' He can
then buy her a volume without giving up his own
copy .
Tactful people will soon take the hint , and
this will teach them the way to the book shops ." We
may add that the office of this new League is at
42 , Rue de Clichy , Paris , the annual subscription

In recent numbers of La Revue hebdomadaire
by Jean -Louis Vaudoyer “ Théophile
Gautier " ; by Péladan , on · La Joconde et le Saint
Jean , " and by Dr. Gustave Le Bon on “ L 'Evolution
are articles

three francs , and that each member receives a little
engraving on parchment to place on his bookshelf .
This little card is intended as a polite method of
explaining that books cannot be lent .

.

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volume
literary and
The
first question
whether
necessary
dramatic agents are essential
separate the two for their duties are the same yet
take
dramatists
The majority
different
the dramatic agent first would declare that
no doubt that
There
useless
dramatic agent
near
persevering
individual who lives
is

.

the

subject
possible

.

.

to

theft

AGENTS LITERARY
DRAMATIC

more than round the out
skirts
short paper and
state
few
without
the author
not always obvious
facts
many cases giving examples
reasons
write
fully
small
this subject would necessitate

so

of

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to

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the

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HE

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to

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to

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opening

Bloud

by

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31

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to

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first day

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in

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to of

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in

of

-

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M

Monprofit
Boulevard des Italiens
Joconde from the
The disappearanee
necessary
institute
Louvre Museum has made
this celebrated picture gallery
various reforms
the

asquelle
Ville inconnue
Douceur
vivre
Calmann Lévy
Humour
Humoristes
Fischbacher
Italie contemporaine enquêtes sociales

AUTHORS

in

by ,

a

,

the
commemoration
astronomer
Astronomical Society
the French
Foundation
his
twenty five years ago and the publication
first book fifty years ago
The artist Zeitlin has been commissioned
presented
him
design the souvenir which
three hundred pounds have already been
Over
are received
subscribed and further subscriptions

On

“

“

de

,

“

,

a

of

of

a

l'

“

Contre
alcoolisme
the title
book
Joseph Reinach
which he shows the terrible
France
ravages made
alcoholism
Camille
English
work
the
admirers
his Jubilee
take part
Flammarion may like
presented
the
souvenir
Fête when

by

and
the

ALYS HALLARD

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is

a

of

as

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by

M An .

Noailles
extremely instructive book has been written
Joly
result
mission with
which the author was entrusted for the Académie
Italie
entitled
Morales
des Sciences
enquêtes sociales
The volume
contemporaine
great amount
reliable information
contains
Italy
life
about the social conditions

great

,

onet

is

.

of of

is

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- a

a

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de s

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of

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by

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Mme

their

Abel Deval announces for his
adaptation
Mr Pickwick
theatre
The outdoor theatres have had
brilliant season
account
the exceptional summer
Camille
open
Sainte Croix has obtained permission
his Shakespeare Theatre
the
Cloud Woods
probable that
but
account
the delay
obtaining this
will now wait for next season

.

.

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to

be

,
"

of

“

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,

.

in A

of

In

de

,

Armstrong

is

It

is

open
The
theatres
are beginning
doors for the winter season
At the Comédie Française
Cher Maître
Le Goût
vice
have been given
Jimmy
mysterieux
Renaissance

on

,

in

of 's

of

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of of

a

of

of

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,

“ Sonia et ses amis ” (
Emile
une etrangère avec préface
by Paul Adam
Berr
Ville inconnue
one
the most remarkable
this author books
story
the French
Africa and
the influence
the climate and surroundings
certain
officers
very dramatic episode
the French army
the
arrival two officers
an aeroplane
Tinayre
Marcelle
new novel
La Douceur
many
vivre
the qualities
her
Maison
Péché are
found
Some
her descriptions
too are very fine
Humour
Humoristes
the title
clever
book
Paul Stapfer
this volume we find
Henry Fielding another
important
study
study
Jean Paul Frederick Richter
Anatole
portrait
France
work
and
well drawn

cahiers

by

latine du Socialisme . ”
In the Revue de Paris are “ Lettres de Danemark
Allemagne
Francois Coppée and
article
by Lieutenant Colonel Picard
Sedan
Maurice Muret writes
Antonio Fogazaro
son Oeuvre
and Barbe Doukhorskoy gives
chapter
Souvenirs

les

Among recent books are

petits

11

�as

.

so

an

or

of ;

of

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if

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on

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be

.

, .

to

.

is

if

In

.

in
a

of be

,

at

any
terminate the contract
time
he
dis
position
satisfied with the agent and must
moneys
obtain control
the collection

of

-

no

is

a

.

's

a

a

is

to

,

of

to

In

some

should
very often

success
one author
the detriment
another
handling
may
author whose work
The first point
the contract between the author
and the agent
Here again the agent must be
carefully watched
permitted
He must only
draw his agency charges
contracts actually com
any
pleted
him
He must not
allowed
agency fees
circumstances
claim
introduc
position
tions merely
The author must
by

be

,

as
a

to

be

of

.

an

is

as

.

,

Though
again

carefully watched
He
publisher
under the thumb
He not infre
principal himself and has the
quently
deals
pitting one
power
the very woeful power
against another
giving thereby
author
work

exceedingly

to

in

certain

be

,

it

is

.

is

.

is

To

he

.

in

an

to

is

another article

Next
the literary agent
authors his work
essential

as

,

, ,

.

's

is

is

it

,
to

cases and

agent
circumstances
essential
will
well
consider first the position
the agent and the
dramatist
The dramatist should
careful not
principal
deal with any agent who buys work
marketing his own work He should
careful
agent pure and simple and one
that the agent
quite independent
managers and syndi
who
cates
Next
the agent
remuneration
Sometimes the fees from
successful play reach
very high figure
such
case there
reason

or

dealt with

in

so

do or

,

,

a

is

it

If

agreed

a

is

an

,

is

to

of

authority
that
certain

some independent

is

-

of

at

is

of

to

or

to

.

to

market his

takes

,

. ,

of

he

,

a

on

,

and even enables
author
dramatist
own work who could not
other
even
those authors who employ
wise
Indeed
agents will find the society help essential
begin with
there
the contract with the agent
which
most serious and important matter and
very often
necessary that the
continue
work
the agent and the contracts
advises
the author
make should be carefully gone over by
own work

step

—

is
to a

to

of

he

To

.

is

useful
place their own literary
those who undertake
and dramatic work the Society
Authors
essen
tial because the knowledge
the disposal
the
society
contracts and prices which prevail
any dramatist
useful
author who markets his

This
where the Society of
use
No doubt however after
useful
made the agent can
collecting fees
After he has collected the full sum
expect for his work
placing the
entitled
play the agent might perhaps
allowed
small
percentage for collecting the subsequent fees
but
necessary
the author ought
all times
able
moneys himself
insist upon the collection
subject
the claim
the agent
his commission
any still unpaid and
be free
terminate the
agreement
case for any reason
dissatisfied
doing business
with the agent method
case the agent has broken any part
his contract
This
matter
the greatest importance
rising dramatists but space will not permit
necessary the subject must
into further details
every

Authors would
the contract

's

to

of

a

,
if

,

;

,

so

,

agent

full per
He will be

take

to

that the contract between the dramatist and the
good contract for the dramatist
but
many cases the agent
unfortunately
chief wish
get the contract off his hands and with this
give the author
end
view
sometimes inclined
bad advice
therefore
author employs
agent
cannot
too careful about watching

manager

,

.

a

.

;

of

own wares

,

can

be free

the contract lasts

any one play reach
paid
his fees
£500
These are hard statements
facts
indeed
already stated
the paper
full
these
quite possible that
statements
author
accept them without fuller
dramatist may refuse
evidence without some reason being forthcoming
stating nothing
The writer
which
not
fully cognisant and could
most cases from the
authors and dramatists points
view
show that
the deductions made are irrefutable
The agent
perhaps would traverse them
agent
Of course
should
business
see

is

,

on

.

to

.

a

is

,

do his

and has time market them
without the assistance
the agent
literary
however
loathes the business side
heavy output that
work has such
cannot spare
the time and hates the trouble then the literary
If, he

market

amply

he

,

to

be

-

to is

of

,

To

or ?

managers
influence
bear
the
agent may no doubt be useful
So far for the dramatic agent
The literary
agent comes next
There are many more reasons
why the author should employ
literary agent than
the dramatist
dramatic agent
The markets are
enormously wide
there are many rights
be
which
marketed
and there are many markets
ignorant but again
man
the author
sound man
business
and does not object

long

to

is

to

.

,

six of
,

,

be all

of

aid

It ,

.

a

or

to

or

,

up

by

of

no personal

an agent should

centage

if

is

a

by

by

;

by

.

to

,

is

exceedingly limited the competition
exceedingly
strong
place
The only way
dramatic piece
persisteni personal pressure
obtaining per
personal
sonal introductions and
the
things
influence wherever possible and above
keeping
good heart
easy
would
quote five
six cases
dramatists now well known
who had
wait for
seven
ten years before
they could get their work accepted
This process
forcing the strongholds
the managers
not
always pleasant but then how many roads
suc
living
cess are
dramatists who happen
abroad
some distance from London who can get

why

be

.

-

to

to as

is

is

own does not need one. In any case , the dramatic
necessary
agent not
dramatists as the lite
rary agent
the author
The dramatic market

his

THE AUTHOR .

12

�THE AUTHOR

his

.

is

an

. of , 's ,

at

be

to

,
a

,

in

of

.

.

, ,

to

to

to

asking
The agent therefore may
behalf
the publisher for
smaller rate
asking
pay
than
behalf
the author
The effect upon the author
rates cannot
such
circumstances
fail
disastrous
agent sometimes allows
Other rights which
rights
sign away are dramatic
author
To

,

. of

,

of

,

to

,

An is

he

an

to

.

it

six

price

on

in

's ,

of

,

of

a

It

of

.

in

to

a

himself as to the skill of the translator , and
competence for the work undertaken
agent who
An author who employs
also
employed
publisher may find that the agent
endeavouring
sell his work
different prices
keep the author
the publisher has no reason

's

a

If

.

(

.

in

),

be

,

It

gives the agent
great deal
place
trouble
work
America
takes longer and the agent
like all men
business
out
make money
quickly
agent ought
give
and
make
obtaining the American
good
months
attempts
market for
author before
obtain

effective veto over the translation of his work which
from satisfying
is made , and has prevented him

,

the

be

with

an

work

to

agent ' s

to

the

is

these examples

publisher is referred to only , and not the position
of the author working for himself . The agent
constantly tells the author that English books will
not sell in America , and that it is no use to try to
copyright .
This statement
obtain
American
again , is inaccurate . No market is better for the
author than the American market
book
touches the American market and all good literature
England
should
universal
for one copy sold
Again the agent
four would be sold
America
point
advises the author from his the agent
view
and not from the point
view
the author

by

all

a

trouble , but at one stroke has secured for himself
commission
on four books that are not written
books which might not even have been placed
through his agency in the ordinary course of affairs .
In one word , the agent benefits at the expense
of the author , and thus sares himself trouble rather
than advantages the best interests of the author.
The next point is the question of the United
States market .
It must be remembered that in

more for the book if he is allowed
this wider control. This statement proves utterly
false in practice .
The really serious matter is this ,
that it is not the publishers ' business to carry his .
labours beyond the publication of the work
in
book form ; that he cannot , therefore , have the
same power to market these minor rights that the
agent has , and , in consequence , is bound sometimes
himself to place these rights in the hands of an
agent , sometimes in the hands of the same agent
who made the contract which gave them to the
publisher .
It is exceedingly dangerous for an
author to employ an agent who is also acting as
agent for the sale of works or rights controlled by
a publisher .
Moreover, in allowing the publisher
to have translation rights in his control , the agent
exercising
any
has prevented the author from
can do so much

he of

to them is enormous ;
there is one clear fact , and that is , that if the
agent can make one contract serve for four books
he has not only saved himself a good deal of

and the danger of yielding

but

,

if

them , sometimes as high a fee as 50
per cent . of whatever
sum the rights realise .
Thus the author has to pay 50 per cent . to the
publisher , and then another 10 per cent . of what .
remains to the agent .
The position is , on the face
of it, absurd . Why does the agent do it ? Because
it saves him trouble ; and he tempts the author
with the words of the publisher , who asserts that he

handling

to

better for the author if he has control of
all his future work ; that the publisher cannot
advertise one book to the same extent as he could
he has the promise of three others ; that it takes
away from the author an immense amount of worry
if he knows that his contracts for the next four
All these statements are false ,
books are clear .
so much

.up

.

The first point relates to the practice of binding
the author to the publisher for future books . It
has been a growing custom of agents to pass
contracts of this kind , and the agent puts forward
the usual temptation which the publisher
has
whispered into his ear , that the publisher will do

as is

them

with an American house .
There is one further point in regard to markets
in which the agent is very strongly to blame , and
that is , in allowing the publisher to handle all the
minor rights . These are serial rights , translation
rights , Continental rights , etc . Not only does he
allow the publisher to handle these rights , which
it is his business as agent to handle , but he
allows the publisher to charge the author for

on

This naturally leads one to consider some of the
contracts which agents do advise authors to sign
with publishers - contracts which cannot be con sidered fair to the authors , though they may save
the agent a great deal of trouble . And this ,
apparently , is his only reason
for recommending

13

the British market . If then he has failed he
should still not give up trying , but should attempt
at the same time to market the work in England .
What happens now is, that as a rule , acting on the
agent 's advice , the author lets the American rights
go to the English
publisher who sells sheets to
America , and this , from the financial point of view
proves a better bargain
for the English publisher
than to allow the agent to place the American rights

an

order to do so he must forbid the agent , in any
circumstances , to put in the contract with the
publisher a clause giving him , the agent , the right
to collect the moneys under the contract and to
give a receipt in full discharge , a constant and
most reprehensible practice .

.

�THE AUTHOR .

or

to

at

so

,

.

of

be

,

.

do

.

,

;

if

a

of

,

an

so

.

to

of

.

'

to

,

a

he

he

,

's

.

to

on

By

.

of

of

he

,

to

a

D

of

to

to

, is

is

of ,

it

is

by

.

to

of

he

,

's

on

to

an

.

in on

,

,

is

“

to

,

is

of

is

,

.”

to

2,

term
mis statement
week before made radical

,

.

-

a

,

mildest

only

a

,

is

to

use the

has perhaps
,

He

to

to

,

making

,

in

, ,

In

.

”

no

into his

by

in

“

of

to

alterations
the knowledge
the secretary
one
his
unalterable
contracts
fact the
practice
one house grew quite notorious the
proprietor benefiting
forcing unfortunate authors

The authors
doubt had
other writers
renown publish
ing with the same house and naturally drew the
deduction from the publisher
statement that these
authors were publishing under
similar agreement
Another phrase frequently
the mouths
publishers
These agreements have been settled
King
Counsel and approved
the Publishers

,

of

,

curious that such

a

is

It

Association

'

by

“

is
,

in

of .

a

's

,

of

.

contracts

seen the names

."

,

,

to

.

as

as

. 's

as

some

happen
this house never varies
As bound
society with
this kind
000 members cases
are constantly brought
the secretary who
able
once
show
the author that the publisher

of

of

a

a

he

if

,

he

,

if

objecting

author

very stiff clauses
his agreement not infrequently
my printed agreement from which
says
This

's

.

.

,

to

,

an

,

If, is

, .
for

to

the author
publisher

A

, by
in

,

,

an be

to

be

't

,

in

he

a

to

;

in

;

.

,

to

:

,

,

as

as

,

up

,

of

of

to

be

.

in

;

in

.

,

an

to

If To

to

able without restriction
collect
royalties
agreement with
when criticising
publisher he pointed out that the clause he proposed
inserting dealing with his own position was
bad
gave the reasons
clause
the author and
clear and concise then the author would have no
complain
signed the agreement
reason
But
the agent never draws the author attention
the
clause and never gives the reasons
Never employ
principal
agent who deals
agent
well

ments

:

,

are

often strangely neglected
There are not merely first serial rights
rights
but second serial rights
the colonies
America
and
the provincial papers
Indeed
any real value ought
the real literary agent
and
communication
have
enormous field
knowledge and
possible
ubiquitous
far
preferably don
agent
sum
use
employ one
very careful
you are bound
your contract with him
Never give him too wide
control never give him uncontrovertible authority
any circumstances allow
collect moneys never
your publishing agreement
him
insert
clause

denied that
had made this wrongful use
the
society
name and was only brought
conviction
being confronted with his own handwriting
publishing
There
another method employed
houses which
while
not damaging
the
reputation
equally with the one
the society
injurious
already mentioned
the business settle

in
a

to

at

to

both

.

to

commission

years ago the society was forced
complain because
publisher had
more
than one occasion submitted
authors
agreement which
form
stated had received
the approval
the society
this means
signature which
certainly
obtained the author
would not have obtained had the agreement been
referred
the secretary
When
the society remonstrated the publisher

at

on

,

he

,

it

in

If

he

,

an

he

,

if

pay

COME

by

a

.
an

to

go

.

's

's

of

.”

to

it

“

),

if

an

in
a

,
I

ask

If

.

have

Serial rights

a

an

is

.

is

as

an
him

(

In

to to

be

,

. -

will

agents

an

PUBLISHERS METHODS

,

,

an

is

. ,

to

It

editor and
he desires stories from certain
mentioning names perhaps not even
authors
gets
his books
offer
will try
draw
the author into his hands and even
times from
drawing
another agent
does not succeed
may mean that
the author away from the agent

by which

by

to

an

a

of

of

to

on

a

as

as

.

,

to

an

It

.

,

may act the author who
rejected does not have
agent naïvely remarked
fair run
addition
large income but
author who brought
determined
cut down his charges
such
offer came
me
should naturally give
the
author who paid the highest agency fees
This
may
point
business from the agent
view
exceedingly dangerous from the author
Or
again the agent may sometimes
round

agents

't

as

's

to

be

It '
s

.

in as

few

a

frequently happens that
not
agent for
editor will write
serial story
certain length
The agent sitting
his judgment
seat will act
the proud arbiter
which
his
very
clients shall have the order
This position
dangerous for however straightforwardly the agent

the author

,

an

to

is

,

is

is .

position
This then
the agent
between
may
author and publisher
worth while
position with
make
remarks
the agent
the editor

he an

as

try

to

is

.

he

as

;

to to to

coin money

and never employ an agent who also acts for a
publisher . Be careful that the agent is permitted
only to collect moneys on contracts made by him
during the continuance
the agency
Never allow
the agent
have
indefinite contract
that
may
moneys
some future date
able
claim
contract that you yourself have made
some
other agent has made for you merely because he has
Finally against
introduced you
the principal
thickly round
all these difficulties which cluster
the employment
the agent
author may guard
becoming
himself
member
the society
employ
agent but
you
Don
watch him
to

such assignment would seem so absurd that
it would hardly be worth while to mention it were
it not the fact that such cases have occurred .
Naturally , the publisher will
get
many
rights
merely
legitimate
can
That
business
but that the agent should allow
author
concede these rights
criminal for he
there
protect the author and not
assist the publisher

allow

on
a

14

statement

�THE AUTHOR .

to

on

to

.

if

's by

of

fee

up

.

of

of

4

3

is

It

.

.

50

,

is

,

be

of

be

.

of

as

to

to

at

to

.

it

as

.

is

is

,
or

,

of .

,

he
,

on

to

no

,

.

,

a

,

a

is

a of
a
to

in

—

is

it

,

6

.

of

an

in

on

5

-

be

in

as

is

so

.

's

pleasant
run
to

,

a

no

is
,

.

an on

It

of

,

it

,

is

,

of

. it
of

' ,

as

a

of

is

,

a

in

doubt

enables the publisher
other people money

unsatisfactory clause although
great number
publishers agreements
saving
Publishers
assert that arbitration
money
This
not usually the case
the arbitra

Clause
appears

is

, ,

)

or

of

to

of

to

to as

be

few comments
detail the faults

his business

is

of

of

or

be

to

be

,

pass

explain

eighteen months
arrangement which
in
7
a

.

to

up

,

.

on

If

or

,

.7
-

it

well

to

to

by

,

in of

be

,

to 6
.
-

and

if

,

or

to

be

be

5

.
of -

be

to

(

,

may

these clauses

difficulty
matter
draft clauses
position and the same house has
meet such
occasion altered its unalterable agreement giving
the author this essential control
nothing further need be said save
On clause
royalty
that
no circumstances
the basis
publisher
remuneration should
author allow
the owner
the copyright
only necessary
point out
clause
January
that
the book were published
not
an unfavourable month for book publication
the
author would
out
his money for over twelve
months
This
indeed
not
bad
some
agreement where
posssible for the
forms
author
be kept out
his money for nearly

.
to of

,

of if

,

.

to

so

to

,

of

of

or

,

.

in

,

on

Perhaps

date from time
time
the
the disposal
the writers develops
only one person who should have control
There
over these alterations
That person
the author
Under the clause
stands he would be bound
have the book revised by another hand
revise
the publisher demanded such revision
even
though
the writer might deem
the process
wholly unnecessary

.

of

.

of

or

of

In

4
.
-

ofin an

to

up

to

to

,

to

, 3
.
to —

to

.

of

,

per

,

or

,

,

of

of

,

in
for

of In

of

Clause
the event
the publisher realising profits
rights
rights
production
from the sale
translation
plates
from claims
serial rights
other countries
copyright fifty
infringement
cent
the net
amount
such profits remaining
after deducting all
expenses relating thereto
Clause
The author agrees
revise the first and
necessary
edit and revise every subsequent edition
supply any new matter
the work and from time
time
keep the work
that may be needful
date
Clause
the event
the author neglecting
revise
edition after due notice shall have been given
him
by reason
do
the author being unable
the event
revising and preparing
death
otherwise the expense
each such future edition for press shall
borne
the
author and shall
deducted from the royalties payable
him
During the continuance
Clause
this agreement the
copyright
the work shall
vested
the publisher who
may
registered as the proprietor thereof accordingly
Clause
The publisher
shall make
the account
annually
December 31st and deliver the same
the
pay
author within two months thereafter and
the balance
due
the author
March 31st
any difference shall arise between the
Clause
publisher
touching
author and the
the meaning
this
agreement
the rights
liabilities
the parties there
under the same shall
referred
the arbitration
two
persons one
named by each party
their umpire
accordance with the provisions
the Arbitration
Act
1889

brought

knowledge

to

or

of

of

,

,

.

2 of
.
-

,

of

of

.

, of

in

of

-

1
.

- of

Clause
The publisher shall during the legal term
producing and pub
copyright have the exclusive right
lishing the work
the English language throughout the
world
The publisher shall have the entire control
the
publication and sale and terms
the sale
the book and
neither the author nor the publisher shall during the con
tinuance
this agreement without the consent
the other
publish any abridgment extract translation
dramatised
version
the work

the author and
contracts made without consul
equally
tation with the author
absurd
absurd that for mere agency business the publisher
per cent
should
allowed
Clauses
and
the
are both dangerous from the standpoint
writer
technical books
The great majority
technical books dealing with modern science require

Asbe

is

It

to

.

to

of

.

,

view

's

,

The

.

of

point

if

agreements
from
the author
only
were extremely bad
print some
necessary
the clauses
show
how bad they were
character

It

.

on

.

to

a certain
The agree
The books
technical

from

-

agreements

two

to

one week

of
a

In

publisher were offered
authors
very similar lines
ments were
be published were important books

further limitations , limitations to a certain
number of editions or to certain
countries . If
such a licence had been granted , then the publisher
might have been , under clause 2 , allowed an agency
for the sale
the rights mentioned
under
contracts signed and approved
the anthor
through
introduction
the publisher
obtained
That the publisher
should
have the exclusive
place these rights without reference
licence
even

to

instructions of his client ; and if the client is the
Publishers ' Association , the agreements will be
settled wholly in favour of the publishers .
This ,
indeed , was the case .
The members of the society
are referred to “ Forms of Agreement issued by the
Publishers ' Association , with Comments , ” published
from
the society ' s offices. In this pamphlet the
whole question is fully dealt with .
It is necessary , as these incidents recur , that
they should be recorded , and as the secretary
of the society has recently received further evidence ,
the following facts are laid before the members .

inherent in them .
Then the publisher ' s reply to
the author's remonstrance can be discussed .
The first clause practically
transfers
to the
publisher the copyright , and this position is further
confirmed by clause 5 .
As under clauses 1 and 5
the publisher holds the copyright it was , perhaps ,
unnecessary for him to insert clause 2. It cannot
be too often repeated in these columns that the
publishers should have a licence to produce the
work in book form only at a fixed price only in
the English language .
The clause might receive

to

should not repel rather than compel .
The author ,
however , does not always grasp the fact that a King 's
Counsel will settle an agreement according to the

15

�THE AUTHOR .

16

tor 's fees have to be paid
has also been claimed
way
settling disputes
some and unsatisfactory

,

as well as the other costs .
that it is an expeditious
Generally
cumber
The only real advantage
the publisher
that
which
that publicity

The Still
depicted -

The Greatest Fire

.”
to

an

of

,

an

of

.

,

,

of

a

in

of

,

a

in
a

a

be

,

of

it

he

a

of . , of ,

he

.

to

CONTENTS

.

.

BOOKMAN
By Walter Jerrold
Barry
By
William

.

“

's

." .

and

,

be

still authors may

.

,

be

,

is

position
untenable
but
probably will
deceived

Harriet Beecher Stowe
Napoleon
Fournier

Dr
.

's

.

an

,

to

.

,
if

.

is

of

a

,

to

,

to

to

thought
portion

MAGAZINE

a

,

it

.

.

to

,

might
held that
play
cinematograph
exhibition
where there was payment was within
Upon the facts
this case however
the statute
opinion that the defendants did not
was
place
represent the piece
dramatic
entertainment
HAROLD HARDY
Sone day
copying

.

it

.”

to

all

,

A

in 's

a

-

to

is

of

“

of

to

to

to

,

to

,

of

:

a

the

contracts from this very house been brought
the
society been criticised
and altered
suit the
author requirements and
make such
state
ment
the face
this fact
not only unfair
the author but
serious matter for the reputation
the house
Besides
the agreement had given
satisfaction
all parties there surely would be no
The publisher
for
arbitration clause
need
of

a

in

by

.

.

,

in

no

of

which we quote

letter from

agreement
The form
one which we always
give
and which experience has proved
satisfaction
concerned
would be
statement
more extraordinary
imagine
impossible
Over and over again have
lise

on

a

in

it

no

be

of

,

to

,

,

ment received
following extract

,

a

it

,

. of

to

to

to

view

at

—

by
all

Alarm

On

's

of

is

by

.

a

to

as

of

an

“

ever

-

is

so he

it

is

is

's

. .

of

—

—

Scenes
our offices
Evidence was given
witness
who bad
pur
attended the performance
with
view
chasing the films and
gained
and this
was contended
behalf
infringe
the plaintiff that there had been
shuns by arbitration
warning
necessary
ment
their dramatic rights
the fire scenes
other authors
Some
the clauses might have been passed
the play
yield gracefully some
was virged that there could
for the defendants
author who wished
copyright protection
advantage
the publisher
but the majority
mere scene and
cinematograph was not
that the representation
author should
the clauses quoted are such that
anyan infringement of dramatic rights
enter into any contract
allow them
publisher
circumstances between himself and the
Mr Justice Channell said that
was not neces
sary
exclusive
decide whether the plaintiff had
the secretary the author wrote
On the advice
portion
drawing the attention
the play
the right
the representation
the publisher
against anyone who might
exhibit the films
his astonish
difficulties above mentioned and

It

By

.

of

Expression

.

A

:

.

Book MONTHLY
Literary
New Mode
Wanted
Adam Gowans Whyte

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Renascence

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Celtic

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Arthur Hill

J.

Agnostic Spiritualist

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addressed

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BELMONT
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ALLOWANCE

Front Page
Other Pages
Page
Half
Page
Quarter
Eighth
Page
Single Column Advertisements

of
25

“

SCALE FOR ADVERTISEMENTS

,

a

,

connected with
dramatic piece entitled
The
Still Alarm
which had been originally performed
England
the United States and subsequently
the Princess
Theatre
1904 the plaintiff
produced
new version with two
fire
scenes
respect
added and
was
these scenes that
injunction was asked for
The defendants who are manufacturers
cine
matograph
films issued
advertisement
the
following terms

.

of

to

(

of

FORTNIGHTLY
Some Aspects
Moutgomery

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of

to

to

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as
a

an

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ENGLISH REVIEW
Wagner
Apel
Letters
his Schoolfellow
Words Thomas Hardy By Vernon Lee
The Handling

.

to

,

of

to

“
a

be of in

this case
the meaning
seems
dramatic entertainment
likely
appeal
the subject
stay
execution was granted and the Judge appears
have given special importance
the question
payment
injunction
The plaintiff claimed damages and
restrain
the representation
certain
scenes
decision
place

S
.
C

.

COMPANY

of

POLYSCOPE

.

.

SELIG

.

THE

v

.

Literary Genius

GLENVILLE

CONTEMPORARY
By Count
Japan
de Soissons
By
De Montmorency

J.

The Pictorial Art

of

PERFORMANCES

.

CINEMATOGRAPH

�THE AUTHOR .
HOW

TO

USE

obtained . But the transaction
should be managed by a
competent agent, or with the advice of the Secretary
of
the Society ,

THE SOCIETY .

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher, or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member . Moreover , where counsel ' s
,
opinion is favourable and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
N

VERY

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
3. Before signing any agreement whatever ,
the document to the Society for examination .

send

4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .
5. The Committee
have arranged for the reception of
members ' agreements and their preservation
in a fire .
proof safe. The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe .
The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
(3) To enforce
( 2) To keep agreements .
payments due according to agreements . Fuller particu .
lars of the Society ' s work can be obtained
in the

Prospectus .

6. No contract should be entered into with a literary
agent withont the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
consideration
the contracts with publishers submitted to
them by literary agents , and are recommended to submit
them for interpretation
and explanation
to the Secretary
of the Society .
7. Many agents neglect to stamp agreements .
This
must be done within fourteen days of first execution . The
Secretary will undertake it on behalf of members .
8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; 80
do some publishers . Members can make their own
deductions and act accordingly .
9. The subscription to the Society
annum , or £10 108. for life membership

.

is

£1

18.

are a few standing rules to be observed in an
agreement . There are four methods of dealing
with literary property

This is sometimes satisfactory

:

,

if a proper

IY .
The
(1.)
( 2.)
( 3.)

price can

Agreement .

A Commission

:

main points are
Be careful to obtain a fair cost of production
Keep control of the advertisements .
Keep control of the sale price of the book .

be

,

General.

All other formsof agreement are combinations of the four
above mentioned .
Such combinations are generally disastrous to the author .
Never sign any agreement without competent advice from
the Secretary of the Society .
Stamp all agreements with the Inland Revenue stamp .
A void agreements by letter if possible .
The main points which the Society has always demanded
from the outset are
(1. ) That both sides shall know what an agreement
means .
( 2.) The inspection of those account books which belong
to the author . We are advised that this is a right , in the
nature of a common law right , which cannot be denied or
withheld .

:

(3. ) Always avoid a transfer

WARNINGS

TO

of copyright .

DRAMATIC

AUTHORS .

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com
petent legal authority .
2. It is well to be extremely careful in negotiating
for
the production of a play with any one except an established
manager .
3. There are three forms of dramatic contract for plays
in three or more acts
(a.) Sale outright of the performing right . This
is unsatisfactory .
An author who enters into
such a contract should stipulate in the contract
for production of the piece by a certain date
and for proper publication
of his name on the
play - bills .

EVER

:

UTERE

it Outright .

III . The Royalty System ,
This is perhaps , with certain limitations , the best form
of agreement . It is above all things necessary to know
what the proposed royalty means to both sides . It is now
possible
approximately the
for an author to ascertain
truth . From time to time very important figures connected
with royalties are published in The Author .

N

TO THE PRODUCERS
OF BOOKS.

1. Selling

II

. A Profit - Sharing Agreement (a bad form of
agreement ).
In this case the following rules should be attended to :
( 1. ) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation ,
( 2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments . Therefore keep control of the advertisements .
(3 .) Not to allow a special charge for “ office expenses , "
unless the same allowance is made to the author.
(4.) Not to give up American , Colonial, or Continental
rights .
rights .
(5.) Not to give up serial or translation
(6.) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or
doctor !

per

WARNINGS

H

17

�THE AUTHOR .

STAMPING

or

Society

this

. be

a .

is

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of

it

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of

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is

as of
a

one guinea

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fee

is

,

the

.

to

REMITTANCES

.

of

to

of
by

by

be

,

be

or

,

give potice
the Society hegs
post
are acknowledged
return
All remittances should
crossed Univn
London and
Chancery
registered
Smiths
Bank
Lane
sent
letter only

.

.

the same
charged for

The Secretary
that all remittances

of

.

be

filed subject
play will

to

of

to

.

.

6d

23
.

of

a be

at
a

Plays may also
with the exception that
per act
the price
,

at

at

be

in

of

.

of

Original

rules

's

to

.

.

assist

in

greatly

BRANCH

its work by informing young writers
existence
Their MSS
can
read and
composition
treated
treated by
coach
The term
only
MSS includes not
works
fiction
but poetry
possible
and dramatic works and when
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The

or
a

a

byof

to

,

of in

typewritten
duplicate
foolscap paper
the offices
forwarded
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared
the Secretary
tant One copy will be stamped and returned
the author
register
Society
Copies
and the other filed
the
the
may
any time by
the scenario thus filed
obtained
typing
the author only
small charge
cover cost

.

in

is

EMBERS will

,

.

, on

QCENARIOS

6d

of

'

THE READING
branch

REGISTRATION OF SCENARIOS AND
ORIGINAL PLAYS

MUSIC .

The Society undertakes to stamp copies of music on
per 100
part
behalf of
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

M

11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

can be added to the warnings given for the
assistance of producers
of books and
dramatic
authors .
It must , however , be pointed out that , as
,
publisher
&amp; rule the musical
demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
he warnings stated above .

ITTLE

T
L

of

.

MUSICAL COMPOSERS .

TO

its

the beginning

WARNINGS

its

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract ,
He should therefore guard himself all the more carefully in

authors should seek the advice of the
Society before putting plays into
the hands of
agents .
As the law stands at present , an agent
play
may
acquire
who has once had a
in his hands
a
perpetual claim to a percentage on the author ' s fees
placing
plays
from it. As far as the
of
is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations
with
different
individuals , and also for the collection
of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights . In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the

.

7. Authors should remember that performing rights in a
play are distinct from literary copyright. A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
consideration ,
should
be carefully
for collaboration
9. Agreements

AGENTS .

AND

RAMATIC

,

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time . This is most important .
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legal distinction
is of great importance .

AUTHORS

,

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .

DRAMATIC

of

( 6.) Sale of performing right or of a licence to
perform
on the basis
of percentages on
vary between
Percentages
gross receipts .
5
An author should obtain a
and 15 per cent.
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
right or of a licence to
(c. ) Sale of performing
perform
on the basis of royalties (i .e., fixed
nightly
fees) . This method should be always
except in cases where the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (6. ) apply
also in this case.

.

18

�THE AUTHOR .
GENERAL NOTES .

NETT

.

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in

to

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the author

COPYRIGHT

LAW

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in

to

is

.

be

as

,

a

It

.

,

20

on

Copyright Law came into
The new Russian
force
March
1911
marks
consider
able advance upon the previous legislation
but
might
far from being such
wished
Copy
The following particulars are interesting
right
accorded
all books published
is

It

RUSSIAN

.

THE NEW

is

.

to

is
a

it

be

It

.

to

to

as

of

is

.

subject
nett published price without
getting some quid pro quo
the publisher wants
make such
alteration
should make
corresponding
increase
the royalty payable

is

is

to

of

up

and bestirred
themselves
not for
remedy the evil
advise them
how
part
their own business
find the cause
and the remedy
But
clear fact that unless
something
done speedily and with judgment the
Colonial market will
lost both for English books
and magazines

.

that the books

outright but apart from anything

,

,

.

It

,

no

,

.
in

It

,
-

is

so

to

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it

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on

to

of

to

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a to as

in

of

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.
to

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of

of

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.

to

glad
we shall
their account though
little sorry for the earlier writers
may even

this

the series are being purchased
this particular
case which may possibly render our comment
necessary we would add for the general
informa
tion
writers
that they should never
when
making their agreements
permit any alteration

sular Report that the American
magazines are
also pushing the English
magazines
out
the
market
owing
This
doubt again
some
fault
the English distribution
really time
that publishers
editors and magazine proprietors
is us
a
to

be

-

is

,

at

,

on
a

it

,

;

it to

THE COLONIAL MARKETS
complained
from
time
time
the
poor sales
English
books
authors
the
Colonies and have pointed out that this
appa
rently
due
the supineness
the English
publisher and
the activity
the American book
agent
The latter
one occasion went
far
induce
Australian bookseller
allow him
may be taken for
decorate his window
and
certainty that he did not decorate the window with
English books
We now regret
see from
the American
Con

We have

woke

on

,

;

of

,

.

its

to

or

in

,

of

a

,

its

without interest
While we
not for one moment
question the justification
price
the alteration
suggest that the author should share
we
the
increased returns which will accrue
the pub
consequence
lisher
the change
forty
As the alteration extends over
series
books that increase cannot
dismissed as insignifi
subject
cant Whereas
5s
book the returns
the publisher would probably average about
per copy
the
nett book they would come
something like
per copy
out
will
clear from this that
fair royalty
book
might
subject
issued
rather poor
one
may
issued
nett
course that part
production
the increased cost
due
demand for better terms
the part
the writers
produced
the books yet
the series

,

.

its

of

its

of

;

confusing

tation
we notice that over forty volumes
far
have been issued
the lower price and
seems
us that
consideration
the matter
affects the payment
the writers may not

do

to

as

of a

so

it

an

,

be

supplement
issued
The
that members
the Society may have
opportunity
studying
terms
During
passage through
the Commons the
opposition
Bill met with considerable amount
wholly unexpected quarters
from
indeed
from
many whom one might have thought would have
actively supported
principles
Apart from various details there are two main
points which will make the passing
the Bill the
greatest benefit
authors
the first that
will
join
enable Great Britain
the Berlin Conven
tion
the second that
will bring into uniformity
copyright which
present
the law
scattered
through
twenty
more
different
enactments
making
highly complicated and
interpretation

,

will

at

it

,

of

House of Commons .
One or two small amend
ments , however , may be necessary .
The Bill was ordered to be printed on the 18th of
August
becomes
the present year and when

increase in the cost of production of the series, the
publishers had found it necessary to change the price
of the volumes from 58 . “ subject to discount,” to 5s.
nett . As it is conceivable that some may retort that
this alteration in price is a matter entirely between
the publisher and the bookselling trade , we think
it desirable , in the interest of authors , to point out
importance
the writers employed
the manu
We do
with the less hesi
facture of the series

to

to say more about the matter until the Bill has
become law , but there does not appear to be any
vital reason why the Bill should meet with any
violent opposition , and be altered to any large
extent from the form in which it emerged from the

.

congratulate
We
the Government
on
having carried the Copyright Bill through the
It would be inadvisable
House of Commons .

Books .

DISCOUNT

AND

recently
LOOKING
down the literary column
of a contemporary , we noticed an interesting
announcement respecting a popular series inaugu
publishing
rated by a well-known
house .
The
announcement was to the effect that, owing to an

to

THE COPYRIGHT BILL .
may

law
Author

19

�THE AUTHOR .

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in

at

,

COMPULSORY

an

1847
Act was
under the short title
the Colonial Copyright Act 1847
more
frequently known however
the Foreign
passed

,

,

as

,

,

Reprints Act

to

passing

:

.,

5
&amp;
6

of

,

in

the

By section
the Act
Vict
which
Act covered all the Colonies the importation into
of

a

,

.

The circumstances that led
this Act were
follows
17 as

of

,

a

Thurston joined the Society
her greatest success that which

up

.

.
L
.

B

.

M

LICENCE

.

UNDER

of

1

.

.

THURSTON

Mrs
of

REPRINTS ACT AGAIN

.

of

By

TN

Katherine Cecil Thurston
the Society
loyal member and
Authors loses
firm

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on a

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THE LATE MRS

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to

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FOREIGN

ROYALTIES

friend
the full flush

,

a

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so

As

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be

THE

,

ARTISTIC

The International Literary and Artistic Asso
sequence
consequence
announce that
epidemic
must
Rome reports
be without foundation
be admitted which appear
have taken place this
the congress which was
postponed and held
Rome
autumn will
the Easter week
1912

TN

is

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so

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AND

ASSOCIATION
ciation ask
reports

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,

is

it

I

It

LITERARY

INTERNATIONAL

or

of

to

,

,

it

, to

an

back
for Mrs Thurstou did not begin
write
England
till she came
and
record
that
throughout girlhood spent entirely
home she
publication
never wrote
line with
view
may
doubted
even
her closest friends
knew much
Mrs Thurston
methods
work
however
curious fact that
The Circle
book which was much
her first long novel and
by the critics though
praised and commented
gave no promise of the immense success of its
short story
immediate successor was founded
early imaginative effort
which was
which

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on

an

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be

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to

in

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G
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ineligible

knew was that which her readers liked the least
refer
The Fly
theWheel
close and
way
very powerful study
phase
Irish country
interesting
town society
This story was
throw

It

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are

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COMMITTEE

that The Author does not
appear
August
September we
only now
Lady
position
the election
chronicle
Ritchie and Mr
Bernard Shaw
the Academic
Committee
join the Com
Lady Ritchie
the first lady
congratulated
mittee which may
election
sure
which
meet with general approval and
put
may also serve
the discontent felt
end
had been
and expressed
some quarters where
assumed quite erroneously that the women were
in

to

of

.

of

as as

of

ACADEMIC

the

.

of

of

.

of
to

as as

of

THE

Owing

discuss herself and her work which
Even
often typical
the literary temperament
her books and
her intimates she seldom spoke
stranger
would certainly have been possible for
have been acquainted with her for considerable
And yet
time without discovering that she wrote
great
clear that her work must have meant
The Circle
her stories from
deal her Each
showed marks
conscientious care and
onward
she once told the present writer that when engaged
absorbed her
new book she found that
everything
the exclusion
else
This
doubt
the Irish home she
work
was why she preferred
loved
well than when living her ordinary life
London
often happens the one
her
novels which most closely reflected the life she
desire

foreign author

three months imprisonment

,

in

of

.

of

a

of

,

In

of

These translations enjoy the full
copyright but the translator cannot forbid
term
Except
stipula
other translations
the case
the contrary
author who has sold the
tions
copyright
his work may publish another edition
print
any case
the work
out
soon
tive years have elapsed since the date
soon
preparing
complete
the first edition
his works three years after that date
edition
punished with
minimum
Piratical publication

followed the publication
of “ John Chilcot , M . P .,"
and she very early showed herself one of those
writers — it is pleasant to think there are many
such — who take a generous interest in the work of
those less fortunate and less successful than them
selves
singularly
agreeable
Mrs Thurston possessed
and gentle personality
Her dark glowing beauty
was
the type one associates with Irishwomen
She
and her voice was low and exquisitely clear
the very natural
the exuberance
had none

. .

is

a

,

.

If

for

Russia , independently of the nationality of the
copyright is for
author .
The
duration
of
any restrictions ).
life and fifty years ( without
Transformations
of novels into dramas , and vice
versâ , without the author 's consent are forbidden .
five
The exclusive right of translation exists
years only
translation
made within that
copyright
limit the translation has
ten years
the case
simultaneous publication
several
languages all the works enjoy equally the full term
copyright
all foreign
Russian translations
the
works may be published without the consent

on

20

�THE AUTHOR .

,

,

,

an

for

,

.

of

,

a

a

and

.

,

on

to

a

.

'

,

so

,

to

,

of

in

to

I

in

of

am

to

's

, to

of

of

by

am

,
I

,

CHAMBERS
281h July 1911
SIR
directed
the Lords Commissioners
His
your letter
acknowledge the receipt
Majesty Treasury
payment made
you
the 18th instant respecting
copyright
account
the Colonies
reply
express their Lordships
regret that
every case the
has not been found possible
trace
respect
far
which payment was madle but
books
they have been able
discover them the details are as

follows

,

.

.

of

) )

Unknown
Unknown

The Christian

Eternal City
Prodigal Son
Eternal City
Prodigal Son

1903
1906
1908

8

The Christian
10

,

to

The Christian

1897
1898
1900
1901
1904
1905

( (

,
Jamaica

to

to

transmit
the House

of

I

to

a

of am

of

these payments
further explanation
the Order
Return
the enclosed copy

of

are

In

copyright

.

a

,

,

,

.”

a

of

to

is

of

and owners

Foreign
the Act has proved complete failure
copyright works have been largely introduced

of

Duty Collected

:

is

it

authors

it

of ,
in

sat

as

,

far

British

Bermuda

,

.

in

at

to

it

,

in

So

concerned
reprints

Work

in

,

to

of

the standpoint

Title

Copy

inoperative

the author
the papers and figures were given
show
how
operation
ineffective
was
impossible
The reference
these figures
quote
find
the moment but
sufficient
from
the Report
the Royal Copyright Com
mission
which
1878
from

Date and Place
of Entry

delusion
this Act
was pointed out

to

“

These

of

The Law

measures were next
and the whole thing little better than
From
time
time the absurdity
"

so

,

“

the author

of

right

of

the words

be

collection

the different Colonies
that the
might
carried out properly
but
of

authorities

.

to

to

of

.

,

so

,

all

,

of

paid

TREASURY

in

.

A

of

's

to

to
a

of

.

to

to

,

,

a

adopted the Actin fact
the important Colonies
with the exception
Australia
did
Under
English books were bound
the Act the publishers
catalogues
forward
the Custom
House

percentage

Colonies involved
and the
copy
the Act
with

:

-

,

in as

of

be

, by

of

be

paid
royalty
the author
This really
grant
amounted
other words
the right
buy the author
sell and the right
books under
large number
compulsory licence
Colonies

is in abeyance .
The absurdity of the whole situation has again
become prominent, and has been brought to the
notice of The Author by Mr. Hall Caine , who
recently
received a payment of 8s . 10d . as an
amount due to him for royalties collected under
this Act .
explanation
and
Mr. Hall Caine wrote
received from the Treasury the following reply
setting out the
statement printed below
with

Act

of

is

,

,

in

to

,

,

,

in

,

by

in

The complaint was partly , no doubt , genuine ,
but to a great extent , especially as far as Canada
was concerned , was put forward as a political move .
The author has always been the slave of the
public , and as such is liable to be robbed of his
property , first by one constriction
and limitation
and then by another ; so in this case , with a show of
justice the Foreign Reprints Act which
still
many Colonies was passed enabling the
force
suspend the prohibi
Crown
Order
Council
tion against importation into the English Colonies
of English copyright works under certain conditions
one
the conditions being that certain Customs
duties should
collected
the Government
the Colony adopting the Act which duties should

In

circulating libraries , which did not exist .

It will be seen from this quotation that if the
Canada is left out, there is
from
contribution
nothing from the other colonies , and
practically
eren the sum received from Canada is absurdly small ,
taking into consideration the number and popularity
The Act is still in force in most
of the authors .
of the Colonies ; but as Capada refused to collect
the duties some twelve or thirteen years ago , as far
as that Colony is concerned the Foreign Reprints

it

Colonies complained that they were unable to get
English books .
Canada was the chief complainant , as she saw
the United States with their piratical trade flooded
English
to
works which she was unable
with
obtain ; but the complaint was strong also in the
other Colonies , because those who did read wanted
to buy books , as they could not borrow them from

into the colonies , and notably American reprints into the
of Canadla ; but no return , or returns of an
Dominion
absurdly small amount , have been made to the authors and
owners .
It appears from official reports that during the
ten years ending in 1876, the amount received from the
whole of the nineteen colonies which bave taken advantage
of the Act was only £1, 155 133. 2 d., of which £1,084 13s. 2 d .
was received
from Canada ; and that of these colonies
seven paid nothing whatever to the authors , while six now
and then paid small sums amounting to a few shillings .

as

the Colonies of books unlawfully printed was for bidden , without
the consent of the copyright
owner. Ar
Owing to three causes , firstly , the rapacity of the
pirates , who had no authors' royalties to pay
there was no United States Copyright Act in those
days , and International copyright was difficult and
involved ; secondly , owing to the lack of enter
prise in the Colonial book trade ; and thirdly , owing
publishers , the
to the supineness of the English

21

�THE AUTHOR .
:

.,
in

's

to

to of

be

to

,

be

11

&amp;

10

of

of

.

at

is

-

it

.

,

to

—

.

in

of

of

in

a

, of

in

,

,

is

It

.

in

of

to

,

,

a

.

as

of

's

.

in

is
a

,

in

in

to

is

;

in

,

be .

to

to

of

,

be

on

's

an

It

of ,

be

as

a

in

a

in

in

.

is

,

of

it

,

in

so

in

to

as

.

all

,

,

to

's

to

on

the

-

a

to

made clear

Even with
the protection which the Board
rights
guard
Trade may invent
the author
will
almost impossible
follow the number
placed
different reproductions
the market
be

.
or

48

to

on

be

on

.

.

a

of

be

us

of

to

to

,
it

in

It

.

“

15

on

88

,

to

,

,

of

is

in

to it
a
to

in of

,

Mír

may

ni

,

as

,

,

to

,

of

in

,

to

To

.
"

,

us

,

.

on

,

.

it

,

,

In

.

the society that

is

of

,

a

of

, to

,

of ,

,

of

to

of

,

of

of

to

to to

•

to

July 29th
this letter
Caine replied
He stated that he had forwarded all the papers

the other by the author but
Government and
the royalties that
much the collection
not
makes the compulsory licence impossible but the
compulsory
fact that the licence
What has
proved such
distinct misfortune
the past
slightly different circumstances will most prob
ably prove
distinct misfortune
the future and
may
that the author will obtain
little
his
true and just returns under the clauses
the Bill
present under discussion
he was able
who
under the Foreign Reprints Act

it

-g

time
such works
receiving the duties imposed transmits
The Colony
them
the Treasury and that Department
distributes
specified
them
the respective copyright holders
the
Customs list
Until 1881 was the practice
the Treasury
distribute
thesc sums however small but
that year
was decided
they
retain small sums until
accumulated
minimum
of £1 reduced
1903
108.
view however
the numerous small amounts due
the various copyright holders and
the time winich had
elapsed since these sums were collected
was decided this
year
pay over sums amounting
the aggregate
over

at
at

,

of

Good Hope
and
these Colonies becoming

of it of

on

,

in
be

Cape

.

to

Canada
effective

The Ordinance
the Colony fixes the amount
the
protection and the title
this protection depends upon
registration
the work the name
the holder and the
period
the copyright with the Commissioners
Customs
list supplemented from
the Colonial ports
who issue

to

the unfortunate author who was
freely
true that the
consequence
robbed
the
compulsory licences
which there are two
present Bill refer
Great Britain and Ireland
only but
possible that they may cover
good
many
But this fact gives
well
the Colonies
little hope that the compulsory licence will be
point
less dangerous from the author
view than
the past
was
All who have studied the Copyright Bill know that
compulsory licence twenty five years after
there
compulsory and
the author
death
and there
the unfortunate composers
unlimited licence
reproduced by
who care
allow their works
mechanical instruments
argued that the two
course
will
the
that
the least parallel
stances are not
be collected by the
one case the royalty
it

.

Grenada

The Ordinances
Natal ceased
self overning

time

the benefit

is

,

.

,

Vincent

Trinidad

obvious that the Governments
the
Colonies were hopelessly incapable
carrying out the Act
satisfactory manner for
was

separate

it

is by ,

,

,
as

-

:.

.

and

.

.

St

Good Hope and

. .

Natal

,

St
.
. St

.

of .

Canada
Cape

copyright properu
property
necessary however
with this idea
and
length Mr Hall
that we have set out
before
the com
consider the application
Caine case
pulsory licence
the present copyright legislation
is

in
in

,
or

or
in

in

by

.
.

British Guiana

the passing

obtained from

the new Copyright Law will be that this absurd
repealed
Ordinance
Victoria will
along with numerous other Statutes dealing with

's

to

an

as

,

so

Newfoundland
Lucia
Christopher
Nevis

collected
very
sinister

of

, of

.

.
c
.
95 in
)
to

in

.

11

( to
10
&amp;

be

of

beor

,

, .

Mauritius

10d

casts

One satisfaction

co

,

, to

of

36
),

of

of

an

,

,

to

to

.

Jamaica

nine books
light
the
licensing clauses
the Government new Copyright
Bill showing that the receipts
the descendants
authors during the years
free licensing
will
hardly sufficient
probably
pay their washing
bills
years

eleven

Itn

42

. of
.c

40

, (
of 39

of
in of

in

in

Antigua
Bahamas
Barbados
Bermuda

at

I

to

amounting

COLONIES

.

THE

It

IN

COPYRIGHT

Under Section
the Customs Laws Consolidation Act
copyright
foreign reprints
1876
and
Vict
works
which notice has been given
the Commissioners
Customs that the copyright subsists are prohibited from
being imported into the United Kingdom
Section 152
the same Act also prohibits importation
reprints
such works into the British Possessions abroad
but adds that this does not prevent Her Majesty from
exercising certain
powers vested
her under the Act
the colonies
amending the law relating
the protection
suspend
British Copyright Works
Vict
certain cases such prohibition
These powers were that should the Legislative Authorities
any British possession
disposed
make provision for
for
protecting the rights
that Possession
British authors
such
for that purpose
Act
Ordinance
and pass
Ordinance should
submitted
for approval
Her
Majesty and provided that reasonable protection
thus
secured
the British author
Order
Council should
long
the Ordinance remained
be issued declaring that
force the prohibition against importing selling letting
possessing such
out
hire exposing for sale
hire
regards
foreign reprints
that
should be suspended
Colony
the following Colonies
Authorities
The Legislative
duly passed the necessary protective Ordinances which have
been confirmed
Orders
Council

,

its

working and ended
comments on the Act and
his letter with the following words
afraid the statement you are good enough
per cent
send me representing
duties
“

.

T
.
L
.

HEATH

general body of British Authors what the small
payments represent . ”
He passed some drastic

am

,

Commons , dated the 25th of August , 1857, and of a memo randum prepared in this Department , which my Lords
trust will be of use to you .
I am , Sir ,
Your obedient Servant

�THE AUTHOR .

to

at “

of

, ,

,

in

of

in

to

,

”

it

,

a

a

—

,

is

;

in

“

,

,

is to

to

.

To

us

"

of

all

on

in
on
a an a a

be

at
, six
-s

a

of

a

is

.

It

a

or

,

,

be

a

is

to

.

;

of

an

of

as

of

an

on

,

of

so

on

.

is

,

,

.

of ,

by

or

of

,

.

to

is

a

few

system

of

thriving

years has

finance

which

on

to of to

in

”

-

is

.

“

a

is

.

on

in
a

to

's

a

all
,

course

the

built many palatial

offices

then

,

Why

it,

,

in
it

,

living

with

is

in

if

,

"

of

with the majority

,

in

as

,

“

,

to

be

of

.

well

,

it

,

,

to

.

of

,

.

from

book that takes much time and infinite pains are
your
publisher
object
while
use the
year and
same working capital thrice
earn
buoyant profit
each
turnover
You
are
godsend
your
stricken
but your work
publisher
You know the kuock out
small
ready
go
editions while your publisher
a

,
to

of

a

,

to

no

,

at

of

,

to

far

fares very

outlay
about £30
not more than
The author gets about
much under
good
agreement
and upon that he cannot
live during five
six months
work
his needs
publishing
citizen are opposed
the finance
Royalties
The opposition too
fundamental
£115

of

in

a

?

,

in

.

,

to

obedience
the belief that British homes are alms
houses filled with paupers
And newspapers
too
are trading with the property
dead authors
ring
the hope that they may
able
the
ordinary publishers
Meantime you will note

profit

.

,
of

-

of

of

a

of

in

I

If

.

'

?

connexion
the book market
where classic authors beg pleadingly for pence and
danger
ha pence
the classics are not now
our own work what else are they
One trader
dead copyrights saved
fortune
royalties
pay he knew
£500 000
He had
which classics had the greatest vogue and
was
large
easy
boom
them
into the market
reprints and
wheedling prices till the
little
copyright books seemed not only high
retail cost
by comparison but wrongful also Many publishers
do the same thing now and each tries
undercut
cheapness
the dwindling
standard

of

so

an

he

.

in

,

to

.

by

of

this

after a week without anything to eat . Oh ! In
the battle
the books
the war
the classic
against their humble successors
dead
knock
outs
are not
the the least enjoyable
least
those
who know how they act and how they
lapse with
are financed
allow copyrights
out paying royalities
the State
not only
giving
subsidise
the simple great ones gone
them unfair advantages
market competition
besides that
which
bad enough
endows
publishers with
fruitful capital
vast property
excellent books freed from royalities and from
the need
much advertising
and
this penalises
the daily efforts made by ourselves
living with royalties
author
earn
good and the
little editions the royalties must
price rationally high
else
will starve even
profitable interest
when his publisher banks
capital
trifle
not
all bad trade when
hilling novel
publisher prints and sells
edition
thousand copies gaining thereby

If

,

.

is

,

be

it

a

of

in

with skill
hand
think
with the frenzied competition

copy is greater than that in the large
classics ; and yet these reprints
royalities , while to -day ' s own
are exempt from
books cannot be , as authors somehow fail to live
without food and shelter , though many have had
experience in the school of long hunger . I can
recall a time when stale dry bread was delicious
the cost per

reprints of popular

a

to

,

,

old

a

of

in

a

may
awed into imitation and unfreedom
great things
accumulated riches
Goethe counted himself lucky that
inherited
array
weak German literature believing that
classic authors equal
the English would have
cooled his own ardour and hindered that growth
character which comes from thinking freely and
acting independently
And who has not observed
Italy how the deification
the old masters has
enfeebled modern art among
race
men wonder
fully equipped
nature with quick perception and
and

by

And another point is this , that when new copy
right books appear at a reasonable price they are
published more often than not in little editions , so

a

CRUSADER .

as

BY

THEN a type of society becomes ordered and
V
intricate , it retains a great deal of work
from
the past and produces many new
things in a traditional manner ; then market
rivalries between old products and modern efforts
bring in their train many evils of their own . To
speak figuratively , the young harvests have to
grow in fields already occupied by corn which time
has left unreaped and unharmed . Yet they are
expected not only to strike root under the shadow ing protection of the
push
corn
but
their
way upwards
without being stifled
till they
ripen
the sunshine
free air
Children are
lifelong competition with their parents
spared
but the generations are not for they inherit much
living genius that the present
ever the past also

a

WORDS ON EXPIRED
COPYRIGHTS .

FEW

A

Already there are copyright novels at
sevenpence the copy , not reprints , but first editions ,
yet not two writers in a hundred can hope to earn
bread by royalties on that price , being in constant
competition both with lending libraries and with
reprints of Dickens, of Scott , of Thackeray , and of
many other perennialists . Besides , however low
prices may be , the public is soon tired of their
repetition
and begins to think that they are
expensive .

writers .

a

when any pirate who cares to may begin manu
facturing with little or no fear of detection , and
with still less fear of conviction .

23

that the

State

favours

the

�THE AUTHOR .

for

.

a

of

;

of

a

to

all

.

it

be

-

,

at

us
a all

-

"

-

“

to

in

.

of

,

to

in

up

,

no

.

,

is

'
of to .s in

a

in

,

,

,

;

,

So

.

.

a

;

a

to

as

is

to

an

of

,

a

as

on

a

of

?

, of

to
a

,

be

a

of

,

it

is

a

of

!

as

?

.

it

;

as

to

is is

in

he

,

is

,

-

in

,

of

copy
his work everywhere
Yet this great Englishman
and
copyright
their generous

no

many others had

of at it

by

is

in to

.

of

in it
?

,

it

to

valued
and each
Chaucer himself

.

.
a

in

.

on

a

by

since

,

to

fewof

a

to

of

is

,

,

of

?

her laws

all

,

in

no

is

by

-

-

short lived copyrights granted

by.

of

to

to

to

a

's

a

Why does she not enrich her
her self interest
Exchequer
charging
royalty
her classics
buy the
And why does she not forbid publishers

he

a

.

's

in
a

of

of

is
a

of

.

of

point
And there
another
vital interest
Since Great Britain
from
the first claims every
authoi property allowing him only the use
years why
for
small term
she not logical

family neither lessens the land nor makes
barren
Mother Earth and true genins are equally stable
property
and equally bountiful
the distinction
between them
that genius merits the greater
protection since the permanent worlds built
belong for
time
the rare workers who are
once new and antique and the contemporaries
example
all the ages
For
Chaucer
more
day than
marketable
far
was
his own
time
lives
all countries where poetry

,

,

to

up

the requests
other nations
the extension
protection
the period
life and fifty years and
the domain
blessed compromise
this certainly
right
grant
illogic
For the State has
many forms
perpetuity
ownership
property
very
and
limited ownership
others
Logic and justice demand that all property
civilised nation should enjoy under the law the
same protection and the same privileges

,

. in

to

,

to

is

It

fructiſying value
nation
life and trade Lord
Alversione hopes that Great Britain will support

'

.

in
a

in

to

,

1,

on

,

a

to

principle
the following
that the property
copyright and literary work belongs
the author
pleasant
note that Lord Alverstone gladly
admits that books and copyrights are property
and that this property belongs
those who call
them
into literary presence and give them

of s

,
to

thoughts

produce

took
from those cloistral
books were manuscripts and
few
copies circulated among the religious
mainly
nunneries and monasteries
then Shakespeare
they belonged
own works were never his own
England from the first
farthing
and not
royalty has yet been claimed by the Exchequer
from the publishers and theatre managers who have
property
traded with Shakesperian
How com
pletely different
this from the legal protection
granted from age
family
age
such
the
Cecils whose landed estates have passed from heir
heir gathering
increase
value from the
progress
nation
Could anyone break through
hedge
legal
theirs without incurring
risk
punishment
And why
that land which
nature provides
mother for the nursing
all
living creatures should
property
handed
family than are any
more real and more native
imagination
fruitful works
Had Shakespeare
England would have lost inestim
died
child
great
able
riches
whereas the extinction
a

a

of

be

to

,

?

English

expect

fitted

ages when

as

in

If

of

,

,

.

He would

girdle around the world each generation
The Lord Chief Justice
November
1909
expressed
the hope that Great Britain and her
Colonies would do all
their power
draw the
civilised nations together
common accession
new

that the printing press

,

of

in

an

.

,

of

or

cheap

put

He could not
diminutive flurried

seas

all things

invaluable
this connection
think
the difference between Shakespeare and the great
Elizabethan landowners
The dramatist from the
inheriting the laisser faire
copyright
first had

for

,

to

be

it
,

to

.

the
petty

national ownership
wealth

;

of

of

if

a

,

,

si

which she has gemmed
like anything meagre

right while
koock out the author cannot
landowners and other property holders can bequeath
and entail their estates without any regard
for that poverty born ideal which sets before
To

of

.

,

do

.

it if if

support
very few votes would
given
their
present
tyranny
over the new breadwinners
overwhelming
literature
Milton would lead
opposition
seconded by the rich common
Shakespeare
sense of Latimer and
Johnson
would he not say
oke aſter many invitations
England ought ever
that the mind
repetitions
piece with the many
herself with

is not to her advantage nor to that of authors
that rich tradesmen should be able to force the
weak hand of poverty ? Many publishers bunger
for copyrights , and needy authors become the
victims of that appetite , being unsupported by their
self-made legatee , the State .
These anomalies , too , are in keeping with many
others .
It is said , for instance , that properties of
authorship are such inestimable gifts to mankind
that the State is justified in claiming them
her
people
This sounds like principle
Socialism
applies
property
the many forms
having more than
temporary and personal value

It

Why hand
to the injury of authors ?
over to him all expired copyrights in order that he
may issue them in reprints so cheap that they dis credit the rational value of new productions ?
It
can no longer be said with any semblance of truth
that the people need such cheap reprints , for the
poorest of the poor can well afford to read borrowed
books in these days of free libraries. Besides , the
first duty of a State is to cherish within each gene ration the hopeful courage that acts well , and the
higher aspirations that quicken and enlarge the
singing birds
mind
You cannot have aviaries
you
honey
not feed them nor hives full
you smother the bees
And we may depend upon
into the House
that
we could suininon
parliament
Commons
the simple great ones
Tennyson and Browning
gone from Chaucer
of

publisher

to

24

�THE AUTHOR

it

,

an

of

."

“

.

no

of

by

,

is

so

to

in

of

.

—

of

.

.

an

it

In

of

a

. , .

in

it

:

to

at aof

.

its

,

of

be
“

by

of

to

of

at

, ." of

of

.

to

it

a

of

to

.

of

in

—

-

to

a

its to

to

;

a

by

he

to

.

,

to

.

,

no

,

A

on

as

,

's

its

,

or

.

of

,

.

.

,

.

be of

to

,

a

.

it

.

a

in

or

,

9

us

of

—

,

as of

of

,

to

,

,

in

,

.

in

,

a

-

,

of

of

encouragement

an

;

,

in

as
a

to

a

,

to

,

,

,

to

,

as

a

as

potential profits than
budding talent
the main
deal with authors
favourites
with the reading

eye rather upon

publishers desire
already established
public
Speculative risk must beyond dispute play
part
the launching
unfamiliar names upon
the book market
the quality
their wares apart
Although then such
have suffered
the

a

a

,

“

or

of

.

a

on

",

in

,

.
an

philanthropic

in

in

in as

to

,

of

as

1

If

portraiture
Casting

to

fact that the sorrows

poignant
the full
the present
ever they were
the past no
writer
eminence has testified with greater force
than the late George Gissing whose novel
The
every man
New Grub Street
woman who com
templates embarking
literary career should
study closely and ponder deeply
the experience
the present writer whose
first attempts
that direction were taken twenty
five years ago may be accepted
corroboration
the
masterpiece
book should stand
faithful

Grub Street are

to

of

o

T

the plain unvarnished

is

do

by

in

"

.

of

as
a

to

it

it

.

A

FREELANCE

.

's

an

”

a

,

at

-

in

In

“

"

.

to an
a

in

.

of

,

.

,

a be

as

,

'

, -

to s

,

in an

to

-

a

a

to

to

as

,

,
or
,
if

a

, ,

of

by

in

as

to

a

to

at

we

up
,

To

be

as

old

of

SORROWS OF

in

The following
incident may serve
illustrate
Having completed
this point
short story during
the month
March 1893 the writer submitted
respectable weekly which
the following July
present purposes we will call
The Flagstone
During
interval
was promptly returned
four years the manuscript thenceforward
fulfilled
destiny
rolling stone gathering
moss
Then the writer impelled
one
those curious
impulses
which errant human nature
liable
presented
for the second time
the journal
previously
which had dealt with
uncere
monious fashion
The sands
the year 1897 rau
out
did those
1898
and the story neither
came back nor appeared
The year 1899 repeated
the process
its predecessors Respectful enquiries
elicited curtnotes
evasive tendency Eventually
affairs were brought
climax
After
interview
with the editor early
1900
the story made
his subscribers
belated bow
June
that
year
was paid for
For four years
had been
post
tossed about from pillar
for three
had
languished
sort
backwater without either
rhyme
reason
account for
fate
manuscript
Nor was this the only instance
receiving the honour
acceptation
the hands
one whom
had
first proved
unsuitable
Editorial antics
this kind are preferable
however
those sometimes performed
men
not only unbusinesslike but also unscrupulous
not
stronger term
use
their dealings with
obscure wielders
the pen
Take the case
booklet
twelve chapters posted
certain social
weekly
with
view
serial publication
on
Neglect
September
1891
the precaution
register the parcel may have been responsible for
complete disappearance
not but the simple fact
quitting the author
remains that upon
hands
though
the MS vanished into space
con
juring trick
lawyer
whose services were
requisitioned
the quest attached
blame
the
postal authorities
Though lost
the author
believed the labour expended upon his MS would
as

,
of

to

of

.

be

's

:

between the
and the new
fact the
would enter for all time into the people
endowed
infinitely fairer
education
This would
each
passing generation
harassed writers
books
who bid
the public fancy for their livelihood
sum
hare seen that copyrights should
protected
the least for life and fifty years and
that those which survive that period should
published with all other classics by the State
part
the national education
left free
all
speculators
royalty
should pay
fixed
the
Exchequer partly that the nation may benefit
setting
whole
time limit
author owner
ship
his own work and partly
order
check
possible the wrongful advantages now
far
given
publishers and newspapers
their pitting
books against the new
then

It for in

old

in no

be

old

.

of as

,

be

"

living authors would
outs
that now
harm
pass away because the classics would
welcomed
apart from trade speculations and the enrichment
competition
tradesmen
There would

rejection at their hands ,may or may .
view
that : “ Barabbas
comprehend their
can
disinclination
as business men to purchase goods
manufactured by untried makers .
The case against cditors is no whit more cheerful .
periodicals
which only first class matter
glance
serted
author signature will suffice
Popnlar
journals may and
here and there
copy
use
sent
outside contributors
but
they commonly make this concession
such
irregular and seemingly unaccountable manner that
the freelance who relies upon them
source
income will speedily perceive his conditiou
desperate

not endorse Lord Byron 's
was a - publisher ,” still we

its

-

“

”

to “

do ,

-

to

at

,

If

the State had her own printing works and
non copyright books
the public
their
rings
pet cost per copy many
knock
and
issued

25

of chronic

pangs

,

.

-

of of

by

all

property , and even now there is not the sinallest
chance that full justice will be done to authors and
artists, because no political party can win votes by
asking the public to sanction fair copyright laws .
Indeed , the man in the street is quite indignant
that anthors should want to bequeath to their
copies
families the right to demand royalties on
their work issued
tradesmen for the purpose
money getting

.

�It would be
spirit
cultivate
like altruistic
survey with equanimity the loss
story
order
monthly magazine
similarly
dealt with

:

—

22

a

!

,

by

—

-

be

!

,

as

us

,

16 in

for

' ,

of

as

of

he

of

, as

in

,

, ,

of

”

,

,

to

of

to

of

.

I

”,

contributors
he wrote
The
“

of

.

“

.

are

many struggling but talented

With some
the complaints
periodicals
entirely sympathise

as
a

,

a

a

by

to

,

an

,

“

on

helping hand
beginners

lent

.

?

Read

brain and pen alone
career treated
such
Nobody wants him
Every

of

,

.

-

no

of

-

so

!

.

him

in

November
Chambers
Journal and later
the Cornhill Magazine
occupied
elevated position
the world
letters
although
and
not infallible
his rejection
undoubtedly
John Inglesant
would show
editor

of

a

,

,

in

to

he

.

.

be

an

.

to

of

W

.

,

COPYRIGHT

LAW

of

.

of

a

,

be

to

,

on
a

to

.

is
in
a

,

"

.

”,

is

It

"

.'

is

to

,

is

at

in

be

,

in

,

as it
to a is

, ,
of

is
a

It

.

of

in

.

of

,

at ,

,

de
- -

,

of

,

,

by

,
so

of

In

.

a

in

.

,

of

to

known
facturing

to of

-

.

its

by

to

off

,

,

is

no

,

.

.

he

,

a

to

“

.

In

of

of

,

he

by

due season
with the pen
the same port and
another argosy
twenty
For period
another and yet another
this enterprise
three years he persevered
spatching cargoes
this that and the other kind
deeming them likely
suit their market until

right
well
the maxim that might
publishers
that the American manu
the behest and
clause was inserted
the Typographical Union which
insistence
the
the strongest labour union
well known
Its primary inclusion and sub
United States
Copyright Act
sequent retention
the American
were distinctly against the expressed wishes
good thing
course
American publishers
for American printers and paper makers and
either trade
those engaged
looked upon
protection much better
very beneficent mode
of

.

's
in

to to

by toilers

the

of

,

.

R

president

or

-

,

of

of

,

a

.

WISE

Macmillan Company

to

“

of

.

at

as

be

at

FRANK

Canada has given
the Press
statement correcting some
misconceptions already made and putting forward
afraid have escaped the
some points which
his
number
the Hon Mr Fisher and
notice
put
doubt while wishing
associates who
dignified basis would
Canadian copyright
bring hardship and pecuniary loss
the last ones
their publishers
Canadian authors
either
The manufacturing
clause
the present
good example
says Mr Wise
American Bill

I

it

be

M

a

“

.

,

to a

in

to

"

",

a

CANADIAN

,

31
,

)

as

,

PROPOSED

etc

of

SMITA

.

of

HERBERT

personal experience
the people
entire accord with the above
his early
one
forwarded
the year 1884
attempts
them under the belief its nature was
His con
meet their requirements
kind
return
swift
fidence was rudely shaken
paper
accompanied
that familiar slip
dreaded

them

(

”

of

is

so

,

as

Shareholders
this for them

accepted
marked
the offices and verify

The writer
implied are

he sent

as

.

,

“

uplift

.

to

let

us

"

“

selves

.”

of

is

,

no

.

of

back
nor handed back
peep into this mystery
MSS
Now
returning
Long years after
the sender unreal
The Sorrows
Satan
from which
novel our
quotation
borrowed
was first published
August
recently
well
1907
precise
known journal dealing with the affairs
extensive publishing business made the subjoined
Will
strictures upon its management
credited
asked the investigator
that manu
scripts submitted
for consideration
the firm
huge volume and
were solemnly entered
solemnly returned
their senders often
then
pages
this
Scores
without being looked
single
turned over without finding
volume may
contribution
should call

its

in

you say

,

all
,

his

so

,

exaggeration

be

;

derided
unread

him

.”

back

.

to

His efforts

,

tion and conrtesy
the editorial ranks since such
men
and Thackeray and Dickens ceased

.

solid truth
We have seen how MSS
simply kept indefinitely and neither
flung

be

may

News

London

This gentleman

there can
smoke without fire
can be no exaggeration where there
no

-

there
nucleus

Illustrated

1895

on

the

length
time their manuscripts are retained and
rejected the smallness
after
the remuneration
payment are genuine grounds
and the delay
grievance
And there has been
marked
deterioration as regards honesty taste discrimina

as

But

live

by

to

-

of

or

.

Lest these animadversions
should
taken
prejudiced
any degree overstated let
refer
commentary made
the late James Payn

to

,

up

on

's

to a

of

of

,

is

at

"

Whoever seeks
the beginning
sort
social pariah
body despises
manuscripts are flung
Wild words gross

on

of

,

to

no

-

,

in

the air
Were these tribulations exceptional
before answering the question

,

-

It

on

, .

,

it

of

bursting

up

of

on

a

of

a

by

18

October
1900
could have been used advan
tageously later
but the custodian
whose tender
mercies
had been committed denied cognisance
duplicate
the little stranger
and there was
By these and kindred devices fully one half
the
manuscripts despatched
their doleful journeys
from the beginning onwards have
the present
astray
moment gone hopelessly and irretrievably
fifty per cent
man merchandise proving
many soap bubbles
greater value
him than

a

,

in

a

to

to

least forty had been shipped
and
refused
the
precision somewhat
last
them turning
with
reminiscent
clockwork
December
1907
Yet consignments
condemned
shall we say
without the formality
examination
this par
ticular very particular house have been accepted
not altogether with reluctance by its rivals
of

in all probability benefit - somebody .
necessary

off

THE AUTHOR .

26

�THE AUTHOR .

of

in

of

,

of

no

is

,

at

."

,

;

in

or

on

or

to

in
soof , a

of

in

is

,

to

is

a

.

it

is

,

is

in

or so

.

of

of

so

is

.

-

its

,

in

is

is

,

it

in

clear and the price

,

is

.

a

be

hesi
not

moderate

JAPANESE

of

in

“

no

,

Basil

Hall

Chamberlain

.

of

1911

.

.

:

",

Poetry
John Murray

Japanese

by

.”

.

W

London

of , :

of

or

of

to

be

a

,

.*

his

1

.*

Clarendon

POETRY

preface Professor Chamberlain
confesses
years his taste respecting
that
the course
translations has changed
He has gone over
the camp
the literalists
and cares for
prose
poetry unless they
versions whether
scrupulously exact
We are entirely
the
*
"

the

.

”,

adapted
by

,

F
.
G
.

Dictionary
published

by
H

.”

.

recommended without
length

Although 900 pages
volume
The type

.

an

purchase can

tation
bulky

“
a

up

“

,

to

of

.

-

*
"
Press

Fowler

what

check

claim

TN

reviewing
are two distinct ways
dictionary
We are not leading
the
self evident and commonplace retort
Yes
the right way and the wrong way
The Concise Oxford

difficult

.

It

.

OXFORD DICTIONARY

HERE

Fowler and

becomes

Following out the principle
self erident
for common words
current use we
everything that
adapters
find the Dictionary

."

no

,

5

on of

in

CONCISE

a

its

:.
of

“

censured
apparently
looking

,

by

be

to

a

of

THE

procedure
This line
once rouses interest
and the checking the accuracy
this statement
afforded infinite pleasure
true that words
common use are
often overlooked
and their meaning
distorted
misapplied
severely
When suddenly
misuser

.

of

.

of

by

be

to at in

be is as

It

,

be

of

to

repressed almost
extinction
means
whole
sale piracy which
same conditions
would
possible
Canada
the terms
the Copyright
present outlined
Bill
copyright
hoped that this matter
given very careful consideration
will
and that
blindly persuaded that benefit will
no person will
any Canadian industry
accrue
the inclusion
manufacturing clause
will not mean
printing
per cent over the present
increase
amount now done
the principle that
full
pitcher can hold
more

space
One
these peculiarities
the large amount
given
the common words that
one goes through the
day without using scores
hundreds
times often dis
posed
line
two
the ground that they are plain
and simple and that every one knows all about them by
the light
nature
but
fact entangled with other
many alliances
words
during their
and antipathies
perpetual knocking about the world that the idiomatic use
them
far from easy

.

he

,

of

by

of

number
the American Review
Reviews
shows how American literature was stunted and

perusal
great source
lish ; and this makes
pleasure
The adapters themselves say
their
preface

Its

.

to

of

In

an

in

.

,

.

to

to

by

a

of

a

in to

by

,

a

,

be
,

or
,
if

,

,

in

a

only
served by books imported
must
from
the United States and the
limited market making separate Canadian edition
unprofitable neither paper makers nor printers can
possibly have anything
holding out for
gain
manufacturing
the new Canadian Bill
clause
As matter
fact Canada has much more
lose
following the bad example
gain
than
our
neighbours
admirable article
the south
by Mr Brander Matthews published
the June

is

of

,

is
,

therefore that there
Canada now best
preferably from England

a good one : first , the adapta
English
made from
the Great Oxford
Dictionary ; and , secondly , it is connected with the
names of the two Fowlers.
Are these reasons in
We have no
sufficient ?
the proof good and
in giving an affirmative answer .
hesitation
The Dictionary is a Dictionary of Current Eng

Dictionary should be

tion

It

is

financially

edition

There is the method of getting a learned
lexico
grapher to go carefully through the book and of
obtaining
a learned treatise from his pen .
This
present circumstances will not allow here
method
or elsewhere ; and there is the modern method of
choosing a certain number of words , looking them
out , checking
them
and seeing
that they are
correct , and leaving the rest to luck .
It is this
latter method that we acknowledge without shame.
There are two principal reasons why this

of

being

Canadian

Our contention
limited market

.

possibility

a

make

to

demand

a

,

of in

is

the printers in fact than would be protection by
tariff , since under the later arrangement importa
tion of foreign printed books could only be avoided
by keeping the prices of the home-made books
down to that of the foreign printed books plus
duty . Under the form of protection by copyright
foreign
the public is prohibited from importing
printed books at any price .
At the time this manufacturing clause was made
operative in the United States , they had a popula .
tion of some seventy millions , which made a market
of sufficient size to make profitable the setting up
and printing of an addition for consumption in the
United States .
Indeed , this would have been
possible , though , of course , to a lesser extent , with
population
With
of , say , twenty
millons .
a
Canada ' s population , however , of a possible eight
millions , to be shown by the new census , printing
utterly out
Canada for Canadian consumption
nothing like enough
the question since there

27

�THE AUTHOR .

.

,

,

, .

be

as

of of of

.

of

“
A

,

to

. .

.

'S

to

to

as

,

be

.

up

'

,

,

if

be

an

I

it

a

be

to

in

of

for

a

,

”

it “
by

to

it

of

to

not

,

Yours faithfully

,

ALGERNON

WARREN

.

like

.

by

,

to

.

of

to

.

.

of ,

,

be

or

.

be

in

.”

,

at

-

be

“

to

of

its

in

to

.

its

to

assurance company could
got
specify
would undertake
cover
this
way the controllers
organs would
unincluded
expedient
the most part find
the sake
prestige
getting
follow suit
similar public
form
cover
Otherwise they might lay them
suspicion
selves open
instability
When new
developments are organised people often have
come into line
adopting them
wbether they
once

what publications
for

in

to A

.

be

,

"

- to

be

“

of

of

—

is

to

he

is

a

,

all

,

is

or

",

enable the authors
know where
when the prize winning stories will
published
An author may
quite willing
sanction the
appearance
his work
one
the three magazines
and yet object strongly
appearance
either
the remaining two
Still stronger may
his
objection
appearance elsewhere

my previous suggestion that
Following
SIR
scheme for insuring contributors payments should
contemplated
add that
seems patent that

it

,

it

In

by.

-

“

Competitor

INSURANCE

to

of

"

is

.

,
if so
,

, ,

,

be

PEARSON
MAGAZINE
THE ROYAL MAGAZINE
THE NOVEL MAGAZINE

at
.

to

is

is

“

; ,

",

“

of

authors this criticism
any case
difficult

new

somewhat
curious
imagine that
anyone would pay £50 for
story
did not intend
publish
But may we allay any fears
this
assuring all those who read these lines
direction
that prize winning stories and those purchased
published
our ordinary rates will
nothing
There
continues
Would
to

is

"

.
Yours faithfully
The Editors

remarks
said
the fate
the successful stories
nothing
there
indicate whether they are
published though
this
hinted
As the stated object
the competition was

discover

as

of

,

to

,

is

in

as

of

in

.

be

be

,

-

,

“
A

endure

to

us

Nothing

he

raises

easier

1

,
”

in

of

,

to

. if

glad

-

your

Contributor
refers
our

to

As

correspondent
Would
your issue
July
obviously
£260 Story Competition
we shall
you will allow
deal with the points he

—

SIR

COMPETITIONS

.

PRIZE

,
of

,

be

to

,

,

a

in

I

.

CORRESPONDENCE

in

of

an

,

for

Your correspondent

for

'

.

a

in

a

of

,

in

.

as

be

up

is s

.

so

no

by

,

is

the originals , in Roman character . This is how poetry
ought to be translated ; and while the former part
of the work contains much that is neat in form and
pleasing
in substance , we have no hesitation
in
saying tbat the new translations represent the most
valuable part of the book . The terseness of Japanese
Epigram
remarkable and
means always
avoids obscurity
All the difficulties are here
admirably elucidated that Professor Chamberlain
regarded
book must
one which no one who
taking
Japanese seriously can neglect
As these
adding that
are however few we have pleasure
every one with
poetical value
true sense
will find
this volume great deal that will give
delight

this were not expected to compete .
proceeds next to deal with
the question of rights .
There again no diffi
culty will arise . While we shall , in the ordinary
way , expect to retain all rights in prize -winning
stories , we shall meet , in a reasonable spirit , authors
may desire to
republish
who
their
stories
subsequently .
“ No date is mentioned by which a decision may
be expected ,” complains " A Would -be Competitor ."
Since some thousands
of stories have been
entered
the competition each
which
case
rejection requires
individual letter
careful
criticism
was obviously impossible whilst the
competition was still running
announce
the
published
date when the result would
The
feature
the competition was that those actually
responsible
the editorial conduct
the three
magazines
should read the stories
and
the
number
these people
limited and they have
their ordinary work
addition
the competition
certain delay has been inevitable
Stories have
rapidly
possible however and
been dealt with
the full result
the competition will
announced
the November numbers
the three magazines
might add
conclusion that the terms
the
competition
have met with the approval
the
competitors
This being
the discontent
Competitor
Would
harder
understand
with

satisfied

it ,

are a reissue of the metri .
caltranslations published more than thirty years ago .
Part IV . contains a valuable essay on the Japanese
Poetical Epigram , and a number of absolutely literal
translations of Japanese Epigrams accompanied by

of

II., and III. of the volume

To this we need only repls that the prize
winning stories will not appear elsewhere. Every
story will be published within the next few months
in one or other of the Magazines, and authors not

of

same opinion , and yet conscious that , in the case of
poetry at least , the people are not a few who prefer
a metrical version .
Those on either side will be
able to find what they prefer in this new and much
enlarged edition of
Japanese Poetry ."
Parts I.,

of

.

28

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Novels , Short Stories , Articles , Poems placed with 169
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.- No. 1.&#13;
=&#13;
OCTOBER 2, 1911.&#13;
(PRICE SIXPENCE.&#13;
=&#13;
CONTENTS.&#13;
PAGE&#13;
: :&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund ...&#13;
Committee Notes ....&#13;
Books published by Members,&#13;
Books published in America by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ... ...&#13;
Authors' Agents, Literary and Dramatic&#13;
Publishers' Methods&#13;
Cinematograph Performances&#13;
Magazine Con ents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors...&#13;
...&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents ...&#13;
Warnings to Musical Composers&#13;
Stamping Music ..&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The late Jirs, Thurston&#13;
The Foreign Reprints Act Again&#13;
A Few Words on Expired Copyrights&#13;
Sorrows of a Freelance ...&#13;
Proposed Canadian Copyright Law ...&#13;
The Concise Oxford Dictionary...&#13;
Japanese Poetry&#13;
Correspondence&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. ls.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 5s. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
3. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 2s.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 18.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 2s. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association ; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 1s.&#13;
[All prices not. Apply to the Secretary, 39, ou Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. (#394) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Tolegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL&#13;
SIB ROBERT ANDERSON, K.C.B. | The Right Hon. THE LORD CORZON | JUSTIN MCCABTHY,&#13;
SIBWM.REYNELL ANSON, Bart., D.C.L. | OF KEDLESTON, P.C.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR ARTHUR PINERO,&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
THE RIGHT Hon. SIR HORACE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARD, F.R.S.&#13;
H, RIDER HAGGARD,&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON (" LUCAS MALET'). OWEN SEAMAN.&#13;
THE RIGHT HON. AUGUSTINE BIE ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW.&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G. R. SIMs.&#13;
MRS. E. NESBIT BLAND,&#13;
MAURICE HEWLETT.&#13;
S. SQUIRE SPRIGGE, M.D.&#13;
THE REV. PROF. BONNEY, F.R.S.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON, JAMES BRYCE, P.C. HENRY JAMES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
- THE RIGHT HON. THE LORD BURGH JEROME K. JEROME.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mrs. HUMPHRY WARD,&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
H. G. WELLS.&#13;
EGERTON CASTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.B.8. PERCY WHITE.&#13;
EDWARD CLODD.&#13;
LADY LUGARD (Miss FLOBA" L. FIELD-MARSHAL THE RIGHT HON.&#13;
W, MORRIS COLLES.&#13;
Shaw).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON, JOHN COLLIER.&#13;
MRS. MAXWELL (M. E. BRADDON). P.C., &amp;c.&#13;
SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT,&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
SIR ALFRED BATEMAN, K.C.M.G. MAURICE HEWLETT,&#13;
G. BERNARD SHAW.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MRS. E. NESBIT BLAND.&#13;
AYLMER MAUDE.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
ARTHUR RACKHAM&#13;
RUDOLPH BESIER.&#13;
H. GRANVILLE BARKER.&#13;
C. HADDON CHAMBERS.&#13;
ANSTEY GUTHRIE.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-R. C. CARTON.&#13;
| Miss CICELY HAMILTON.&#13;
| CECIL RALEIGH,&#13;
CAPT. BASIL HOOD,&#13;
G. BERNARD SHAW.&#13;
JEROME K. JEROME.&#13;
MISS E. M. SYMONDS.&#13;
JUSTIN HUNTLY MCCARTHY.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
1 MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
| M. H. SPIELMANN.&#13;
| Mrs. HUMPHRY WARD&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
H. A. HINKSON.&#13;
E. J. MACGILLIVRAY.&#13;
SIR GILBERT PARKER, M.P.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, I HERBERT SOLLIVAN.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
1 M. H. SPIELMANN.&#13;
The Hon. JOHN COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
J. G. MILLAIS.&#13;
ARTHUR RACKHAM.&#13;
M. H. SPIELMANN.&#13;
FIELD, Roscoe &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THRING, 39, Old Queen Street, Storey's Gate, S.W. ſ Soucitors.&#13;
Solicitor in England to&#13;
La Société dos Gens de Lettres.&#13;
Legal Representatire in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39 OLD QUEEN STREET, STOREY'S GATE, S.W.&#13;
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## p. (#395) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
- PLAYS&#13;
MR. FORBES DAWSON&#13;
Special Announcement to Authors!&#13;
Many would be competitors in&#13;
Messrs. Hodder &amp; Stoughton's&#13;
new £1,000 Novel Competition&#13;
are prevented from entering simply&#13;
because they cannot at once spare&#13;
the money to have their MS. typed.&#13;
REMARKABLE OFFER!&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' experience in every&#13;
class of character, play, and theatre.&#13;
Master of Stage Craft &amp; Play Construction.&#13;
Author of plays produced in Great Britain&#13;
and America. Adapter of several novels to the&#13;
stage.&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE.&#13;
— NO THEORIES.&#13;
No charge for reading and giving a practical&#13;
opinion on a play.&#13;
Knows the best people in the dramatic world,&#13;
and has gained the necessary experience for this&#13;
class of work on the stage itself, in association&#13;
with the best dramatists, producers, actors, and&#13;
stage managers of his time.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
If you will send your MS. and&#13;
P.O. for 10/-, together with a&#13;
promise to pay the balance (at&#13;
the rate of 1/- per 1,000 words,&#13;
carbon duplicate 3d. per 1,000) in&#13;
monthly instalments of £1, I will&#13;
undertake to return you a per-&#13;
fectly correct type-written copy.&#13;
Absolute secrecy guaranteed.&#13;
One of my numerous testimonials for Members of the Society of&#13;
“I am especially pleased with your work.”&#13;
Authors-&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
SAVE YOUR NUMBERS carefully&#13;
until the Volume is complete&#13;
.. BY USING ..&#13;
G. P. PUTNAM'S SONS.&#13;
By MRS. BARCLAY,&#13;
Author of "The Rosary” (300th Thousand).&#13;
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By MISS WINIFRED BOGGS,&#13;
Author of “ The Return of Richard Carr."&#13;
VAGABOND CITY.&#13;
(Symons' Patent).&#13;
Price 2/8 net.&#13;
This useful invention enables subscribers to bind up.&#13;
number by number, the numbers of The Author as they are&#13;
published, and at the completion of the volume can be taken&#13;
off and sent to the bookbinder-leaving the Mechanical Binder&#13;
free for the next volume. Whether containing one number or&#13;
a complete volume it has the appearance of, and handles the&#13;
same as, an ordinarily bound book. It is the only method by&#13;
which The Author can be instantly bound with the same&#13;
facility as a single leaf, and there are no wires or elastic&#13;
strings to get out of order,&#13;
The whole invention is of English Manufacture. The&#13;
Cloth Covers are made by leading London Bookbinders, and&#13;
the Metal Fittings by a well-known West End Firm.&#13;
Should an accident cause any part of the mechanism to&#13;
break, it can be replaced by return of post at the cost of a few&#13;
pence.&#13;
A FEW PRESS OPINIONS.&#13;
ST. JAYES' BUDGET :-"The advantages of the Binder are so obvious ..."&#13;
LEEDS MERCURY "An ingenious and accommodating invention."&#13;
WESTMINSTER BUDGET "The construction of the Binder is simplicity&#13;
itself, and is serviceable from beginning to end."&#13;
LITERARY WORLD :-"A clever device-80 extremely simple and easy&#13;
in applying."&#13;
SHEFIELD DAILY TELEGRANTI:-"After use w can confidently&#13;
recommend."&#13;
29, Paternoster Square, London, E.C.&#13;
“ An effective blend of farce, pathos and tragedy."-Times.&#13;
(2nd Impression.)&#13;
By MISS EVELYN ST. LEGER.&#13;
THE&#13;
SHAPE OF THE WORD.&#13;
6/-,&#13;
A brilliant and witty first novel telling of a family&#13;
curse and its consequences, tragic and humorous.&#13;
24, BEDFORD STREET, STRAND, W.C.&#13;
&#13;
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## p. (#396) ################################################&#13;
&#13;
iy&#13;
ADVERTISEMENTS.&#13;
MESSRS, STANLEY PAUL &amp; CO.'S LIST,&#13;
AN IMPERIAL VICTIM.&#13;
Marie Louise, Archduchess of Austria, Empress of the French, and Duchess of Parma.&#13;
By EDITH E. CUTHELL, F.R.H.S. In 2 Vols., Demy Svo, Cloth Gilt, with Illustrations. 24/- net the Set.&#13;
THE FRANCE OF JOAN OF ARC.&#13;
By LIEUT.-COLONEL ANDREW C. P. HAGGARD, D.S.O. Demy 8vo. Illustrated. 16/- net.&#13;
OUR FIGHTING SEA MEN.&#13;
By LIONEL YEXLEY. Large Crown 8vo. 6)- net.&#13;
VERSES BY DOLF WYLLARDE.&#13;
With Photogravure Frontispiece. Paper 1/6 net. Cloth 2/6 net.&#13;
NEW SIX SHILLING NOVELS NOW READY.&#13;
RUFÊLËS&#13;
L. T. Meade.&#13;
THE CARDINAL... ... ... Newton V. Stewart.&#13;
HODSON'S VOYAGE ... ... W. H. Koebel.&#13;
OUR GUESTS ...&#13;
THE MARRIAGE OF LENORE... Alice M. Diehl.&#13;
Matilde Serao.&#13;
A PASSION IN MOROCCO ... Charlotte Cameron. THE CITY OF ENTICEMENT... Dorothea Gerard.&#13;
THE IMPERISHABLE WING ... Mrs. Havelock Ellis. MARRIED WHEN SUITED ... Mrs. Henry Dudeney.&#13;
A PRISONER IN PARADISE ... H. L. Vahey.&#13;
CLIVE LORIMER'S MARRIAGE E. Everett-Green.&#13;
WHEN SATAN TOOK FLESH ... A. J. Anderson. BECAUSE OF A KISS... ... Lady Constance.&#13;
MADGE CARRINGTON ... ... “ Draig Glas."&#13;
.&#13;
St. John Trevor.&#13;
THE DESIRE OF LIFE&#13;
STANLEY PAUL &amp; CO., 31, ESSEX STREET, LONDON.&#13;
To Authors and Journalists.&#13;
The writer, whether he aspires to write novels, short stories,&#13;
or articles, often spends years in uncongenial work,&#13;
rebuffs and drudgery being the only return for the time&#13;
and labour spent.&#13;
THE COURSE OF LITERARY TRAINING promoted by&#13;
the Literary Correspondence College teaches the&#13;
aspirant to serve his apprenticeship to Literature in the&#13;
briefest time possible.&#13;
The College also undertakes Literary Agency business of all&#13;
kinds.&#13;
For full particulars write at once for Pamphlet D. M. to the LITERARY&#13;
CORRESPONDENCE COLLEGE, 9, Arundel Street, Strand, W.C.&#13;
TYPEWRITING. 8d. per 1,000 words, with:&#13;
one carbon copy free. Five years' experience.&#13;
C. GIRTON, 2, Grove Lane, Camberwell, S.E.&#13;
TYPEWRITING.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD.&#13;
Story Work, 9d. 1,000 words ; 2 copies, 1-; Plays, ruled and covered,&#13;
1/-1,000 words.&#13;
Copies of recent Testimonials:&#13;
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but I appreciate the excellence of your work."&#13;
DANIEL WOODROFFE: "Miss A. B. Stevenson is very accurate in her tyre&#13;
writing and most satisfactory in every way."&#13;
TYPEWRITING.&#13;
"First Lessons in Story Writing."&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. 6d, net. 28. 8d. post free.&#13;
f this work the Westminster Gazette writes: "The&#13;
beginner who takes these lessons to heart may be quite&#13;
assured of an advantage over his competitors.'&#13;
MISS FOWLER, Maxwell House, Arundel&#13;
Street, Strand, W.C.&#13;
EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
Extract from Unsolicited Testimonial.--"I send your work coin-&#13;
pared to which Egyptian hieroglyphics would be child's play, and you&#13;
return the manuscript at the time requested without one single&#13;
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By ARNOLD BENNETT.&#13;
1 Practical Guide; full of useful hints.&#13;
2nd Edition. 5s, net. 58. 4d. post free.&#13;
The Literary Correspondence College,&#13;
9, Arundel Street, Strand, w.c.&#13;
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Novels, plays, and short stories placed with London publishers&#13;
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Write for full particulars--&#13;
" LOCKSLEY,”&#13;
PRESBURG ROAD, NEW MALDEN, SURREY.&#13;
&#13;
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## p. 1 (#397) ##############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.—No. 1.&#13;
OCTOBER 2ND, 1911.&#13;
[PRICE SIXPENCE.&#13;
I'ELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAI), LONDON.&#13;
ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
adrertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no uudesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
D OR the opinions expressed in papers that are&#13;
signed or initialled the anthors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
The Editor begs to inforın members of the&#13;
Authors' Society and other readers of the Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
TROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this permanent paragraph in The Author in order&#13;
that members may he cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are: (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incor heavy&#13;
expenditure, either in fighting a question of prin;&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
LIST OF MEMBERS.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of the Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
retorn articles which cannot be accepted.&#13;
VOL XXII.&#13;
THE List of Members of the Society of Anthors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
6d., post free 7d. It includes elections to July,&#13;
1907, and will be sold to members and associates&#13;
of the Society only.&#13;
A dozen blank pages have been added at the&#13;
end of tbe list for the conrenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
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## p. 2 (#398) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
5 .esܚܢ ܗܘ ܙ ܝ ܝܕܕܙܘ ܝܙ seܟ ܗܘ ܕ&#13;
NOOCNO&#13;
THE PENSION FUND.&#13;
£ $. d.&#13;
March 9, Hardy, Harold .&#13;
0 10 0&#13;
March 9, Hutton, E. .&#13;
0&#13;
.&#13;
5 0&#13;
N February 1, the trustees of the Pension&#13;
March 10, Wilson, Albert .&#13;
0 5 0&#13;
Fund of the society—after the secretary&#13;
March 16, Ward, Dudley.&#13;
6&#13;
had&#13;
0 10&#13;
placed before them the financial&#13;
March 30, Coke, Desmond .&#13;
position of the fund-decided to invest £250 in&#13;
April 1, The XX Pen Club&#13;
0 1 9&#13;
the purchase of Consols.&#13;
April 6, Channon, Mrs. E. M.&#13;
The amount purchased at the present price is&#13;
April 7, Henry, Miss Alice&#13;
£312 13s. 4d.&#13;
April 10, Ralli, Scaramanga&#13;
2&#13;
This brings the invested funds to £4,377 198. 4d.&#13;
2 0&#13;
April 11, Robins, Miss Alice&#13;
1 1&#13;
The trustees, however, have been unable to recom-&#13;
April 20, MacEwan, Miss.&#13;
0 10 0&#13;
mend the payment of any further pensions, as the&#13;
April 20, C. N. and Mrs. Williamson .&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
April 21, Shirley, Arthur,&#13;
1 1 0&#13;
April 22, H. A. and Mrs. Hinkson 1 0 0&#13;
of the society to this fact, in the hope that by&#13;
April 24, Toplis, Miss Grace&#13;
0 10 0&#13;
additional subscriptions and donations there will&#13;
May, Walter John&#13;
;&#13;
be sufficient funds in hand in the course of the&#13;
.&#13;
. : . 2 2 0&#13;
May 19, An Old Member.&#13;
.&#13;
1&#13;
. 0&#13;
year to declare another pension in case any im.&#13;
0&#13;
I&#13;
June 2, Wrench, Mrs. Stanley&#13;
portant claim is forthcoming.&#13;
July 3, Ingram, J. H.&#13;
:&#13;
..&#13;
: : 0 5 0&#13;
Consols 21%.......... ............ £1,312 13 4 July 13, Fell-Smith, Miss C.&#13;
• . 0 5 0&#13;
Local Loans ..................&#13;
500 0 0 Sept. 18, Peacock, Mrs. F. M. .&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock ............;&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
COMMITTEE NOTES.&#13;
Trust 4% Certificates ..... 200 0 0&#13;
Cape of Good Hope 3 % Inscribed&#13;
M HE last meeting before the vacation was held&#13;
Stock ............................. 200 0 0&#13;
Glasgow and South-Western Railway&#13;
I on Monday, July 3, at the offices of the&#13;
4% Preference Stock..................&#13;
society, and the committee decided not to&#13;
228 0 0&#13;
meet again until October unless business of such&#13;
New Zealand 31% Stock......... 247 96&#13;
Irish Land Act 23% Guaranteed Stock&#13;
vital importance to the society came up for con-&#13;
258 0 0&#13;
Corporation of London 21% Stock,&#13;
sideration that it could not be negotiated by the&#13;
chairman with the assistance of the secretary and&#13;
1927-57 .............................. 438 2 4&#13;
the society's solicitors. The usual vacation powers&#13;
Jamaica 34% Stock, 1919-49 ......... 132 18 6&#13;
Mauritius 4% 1937 Stock...............&#13;
were given to the chairman to act on behalf of the&#13;
120 121&#13;
committee in the absence of the members.&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Granı Stock, 1938...&#13;
Three elections were chronicled, bringing the&#13;
198 3 8&#13;
total number for the year up to 154. There were&#13;
Total.&#13;
two resignations, bringing the total resignations&#13;
... £4,377 19 4&#13;
to 59.&#13;
The solicitor of the society attended the meeting&#13;
Subscriptions.&#13;
and reported on the cases he had in hand. The first&#13;
1911.&#13;
£ &amp; d. case, referring to the bankruptcy of a publisher in&#13;
March 9, Boughton, Rutland . . 0 5 0 which many members were involved, he reported to&#13;
March 10, Somers, John .&#13;
5 0 be practically closed, as the contracts had either&#13;
April 6, Rawlings, Burford&#13;
10 6 been determined or re-settled. He reported the&#13;
April 11, Wicks, Mark .&#13;
5 0 steps he had taken to carry out the committee's&#13;
June 15, Fitzgerald, Colin&#13;
0 5 0 instructious in the cases chronicled in the last issue&#13;
June 15, Fleming, Mrs. A. . . 2 0 0 of The Author. In one case further evidence was&#13;
June 15, Sabatini, Rafael . .&#13;
5 0 required before action could be taken. In another&#13;
June 16, Hamilton, Henry .&#13;
. 1 1 0 he reported that the defendant had been thrown&#13;
into bankruptcy, and two other cases bad been&#13;
Donations.&#13;
settled finally and satisfactorily. One case of&#13;
1911.&#13;
infringement of copyright, started in the spring of&#13;
March 3, Gibbs, F. L. A. .&#13;
. ( 10 0 the year, he stated could not be tried before the&#13;
March 6, Haultain, Arnold.&#13;
. 1 1 0 Long Vacation, and in another case, proceedings&#13;
..&#13;
. .&#13;
.&#13;
....&#13;
. .&#13;
.&#13;
.&#13;
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## p. 3 (#399) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
which had been commenced by the society some was settled and thefagenda for that meeting were&#13;
time ago had been closed by the payment of a small also discussed. The date of the annual dinner was&#13;
sum and costs, without it being necessary to go into left open, it being agreed that, as usual, some day&#13;
court.&#13;
in the late autumn should be chosen.&#13;
There was one case of a very difficult nature.&#13;
which related to a publisher's accounts. The solicitor&#13;
put forward very fully the issues involved, and&#13;
after careful consideration the committee instructed&#13;
Cases.&#13;
the solicitor to come to a reasonable compromise if SINCE the last publication of The Author there&#13;
it were possible to do so, and indicated one or two have been thirty-six disputes placed into the hands&#13;
points which they considered should be an essential of the secretary. They may be divided as follows :&#13;
part of any compromise reached.&#13;
fourteen claims for money ; seven claims for the&#13;
There were no fresh cases for the solicitors in return of MSS. ; seven claims for accounts and&#13;
England, but the secretary reported that a case money ; three claims for accounts ; four disputes&#13;
which the society was conducting in Switzerland on agreements ; one infringement of copyright.&#13;
had been delayed in settlement, and instructions The average number of cases that come to the&#13;
were received from the committee that proceedings office during any given month is from fifteen to&#13;
should be taken at once, and that the Swiss lawyer twenty, so that the number that has come into the&#13;
should be urged to bring matters to a prompt issue. society during the last two months shows no&#13;
The next business before the committee was the diminution.&#13;
consideration of the position of the Copyright Bill. Of the fourteen claims for money due to authors,&#13;
The secretary reported the steps that had been taken five have been settled, and the cash has been&#13;
by himself, the chairman of the society, and other forwarded ; seven have had to be placed in the&#13;
members of the committee. The committee was hands of the solicitors. Of these we are glad to&#13;
informed as to the meetings that had been held, report that five have been settled. Thus four are&#13;
and the negotiations that had been carried through. left unsettled, two in the secretary's hands, and&#13;
The secretary stated that all the clauses of the Bill two in the solicitors' hands. Of the seven claims&#13;
had been passed in Committee with the exception for the return of MSS., one has been brought to a&#13;
of the clauses dealing with the mechanical reproduc- satisfactory termination, two have had to be placed&#13;
tion of musical work, which would be considered in the hands of the solicitors, and two, owing to&#13;
immediately. He added that it had been arranged the claims being abroad—one in India, and one in&#13;
to hold a meeting of the joint committee—that is, Australia—are still open, and two have only&#13;
the committee comprising representatives of the recently come into the office. Members should&#13;
Society of Authors, the Publishers Association, and not forget that the legal position in the case of&#13;
the Copyright Association-after the Committee the return of MSS. is generally not very strong.&#13;
stage of the Bill was at an end and before the It is not only necessary to show that the MSŠ.&#13;
Report stage. The joint committee would then have come into the hands of a responsible party&#13;
decide what further action, if any, was possible or in the office, but also that their loss is due to negli-&#13;
desirable.&#13;
gence. Unless these facts can clearly be established,&#13;
The Canadian Copyright Bill was then discussed, it is hardly worth while to take action, when such&#13;
and here the secretary reported the action taken by great facilities for making copies can be em-&#13;
the Société des Gens de Lettres and the Société des ployed. Authors should always keep copies of&#13;
Auteurs Dramatiques, and stated that he had their MSS. Of the seven ciaims for money and&#13;
received letters from influential quarters in America accounts, four have been brought to a close, the&#13;
asking for the society's support to carry through accounts having been rendered and the money&#13;
certain amendments on the Bill. The committee paid. One has been partly settled, that is to say,&#13;
decided to refer the matter to counsel (Mr. E. J. the accounts have been rendered, and part of the&#13;
MacGillivray) with instructions to settle a report money has been paid : but the balance is still&#13;
to be forwarded to the Canadian Government as disputed. One has been placed with the solicitors,&#13;
from the Society of Authors.&#13;
and two are still in the hands of the secretary. Of&#13;
Then followed discussion of a question referred the three claims for accounts, one has been satis-&#13;
to the Committee of Management by the Dramatic factorily settled, one has been placed with the&#13;
Sub-Committee relating to the financial side of a solicitors, and one is still in course of negotiation.&#13;
proposal for a dramatic agent in America. The Of four disputes on agreements, two have been&#13;
committee expressed sympathy with the efforts of concluded. Two are still in course of negotiation.&#13;
the dramatists, and promised to assist them by Matters of this kind sometimes take a long time if&#13;
bearing some reasonable share of the cost.&#13;
it is a question of cancelling the agreement and&#13;
The date of the council meeting for the autumn winding up the whole matter.&#13;
&#13;
&#13;
## p. 4 (#400) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
As the case of infringement of copyright has&#13;
occurred in India, it will take some time before an&#13;
answer can be obtained.&#13;
There are two cases still remaining over from&#13;
July. These are both cases of account and should&#13;
be settled shortly. The delay has arisen owing to&#13;
the transfer of the publishers' business.&#13;
In addition to the matters placed with the&#13;
London lawyers referred to above, there are other&#13;
nogo&#13;
cases which have had to be placed direct in their&#13;
hich have had to be placed direct in their&#13;
hands, besides two cases which have had to be&#13;
referred to the United States lawyers, and one&#13;
important issue to the lawyers in Germany.&#13;
Very little can be done during the long vacation&#13;
in the Courts, so that there is but little progress&#13;
to report on the matters in the hands of the Society&#13;
in which legal action has to be taken.&#13;
July Elections.&#13;
Haddon, John, M.A., M.D. (Edin.), Denholm,&#13;
Hawick, Sot-&#13;
land.&#13;
Kennion, Major R. L.&#13;
Varty Smith, J. C. . . Nandana, Penrith,&#13;
Cumberland.&#13;
. Nonetan&#13;
Cumberla&#13;
THE KALEVSKI MEMOIRS, 1869–1899. By ASHMORE&#13;
WINGATE. 77 x 43. 149 pp. Glasgow : Vicoll.&#13;
18. 6d. n.&#13;
AN IMPERIAL VICTIM, MARIE LOUISE, ARCHDTCHESS&#13;
OF AUSTRIA, EMPRESS OF THE FRENCH, DUCHESS OF&#13;
Parma. By EDITH E. CUTHELL. Two volumes.&#13;
9 x 51. 400 + 392 pp. Stanley Paul. 248. n.&#13;
DRAMA.&#13;
MARIAMNE. By F. STURGE MOORE. 83 x 51. 75 pp.&#13;
Duckworth. 28. n.&#13;
DESIDERIO. A Play in Three Acts. By MAURICE BARIXG.&#13;
D&#13;
7} x 5. 104 pp. Oxford: Blackwell ; London :&#13;
Simpkin Marshall.' 18. n.&#13;
THE LITTLE DREAM. An Allegory in Six Scenes. By&#13;
JOHN GALSWORTHY. 61 x 5. 38 pp. Duckworth.&#13;
18. 1.&#13;
THE MASTER OF MRS. CHILVERS. An Improbable&#13;
Comedy. By JEROME K. JEROME. 78 x 57. * 167 pp.&#13;
Fisher Unwin. 28. 6d. n.&#13;
THE SALE OF SAINT THOMAS. By LASCELLES ABER-&#13;
CROMBIE. 74 x 5. 29 pp. The Author : Ryton,&#13;
Dymock, Gloucester.&#13;
THE PASSING OF BALDUR; A WINTER'S MYSTERY. In&#13;
two parts. Part I. Odin the Watcher. 31 pp. (68. n.).&#13;
Part II, Forlorn Gods. 24 pp. (6d. n.). The Dweller&#13;
in the Body. 34 pp. (1s. n.). Dawn; a Folk Miracle&#13;
Play. 234 pp. (1x, n.). By HOPE REA (Garden City&#13;
Folk Plays).* 73 x 43. Theosophical Publishing Society.&#13;
ECONOMICS.&#13;
HISTORY OF MONEY IN THE BRITISH EMPIRE AND THE&#13;
UNITED STATES. By AGNES F. DODD. 8 X 54. 356 pp.&#13;
Longmans. 5x. n.&#13;
THE BRITISH TRADE BOOKS. By J. HOLT SCHOOLING.&#13;
(Fourth issue.) 10 x 67. 582 pp. Murray. 108. 6d. n.&#13;
FICTION&#13;
THE WONDER OF LOVE. By E. MARIA ALBANESI. 8} x 5.&#13;
148 pp. Stanley Paul. 6d.&#13;
WHITE ABBEY. By EFFIE ADELAIDE ROWLANDS.&#13;
8 X 58. 158 pp. Stanley Paul. 6d.&#13;
INTERPLAY. By BEATRICE HARRADEN. 61 x 1&#13;
463 pp. Nelson. 7d. n.&#13;
THE LONE ADVENTURE. By HALLIWELL SUTCLIFFE.&#13;
7. X 5. 445 pp. Fisher Unwin. 68.&#13;
INTELLECTUAL MARIE. By HARRY TIGHE. 8 x 51.&#13;
319 pp. John Long. 6s.&#13;
THE BEACON. By EDEN PHILLPOTTS. 73 x 5383 pp.&#13;
Fisher Unwin. 68.&#13;
THE INNOCENCE OF FATHER BROWN. By G. K.&#13;
CA ESTERTON. 73 x 5. 336 pp. Cassell. 6s.&#13;
LOVE IN&#13;
I&#13;
A LITTLE Town. By J. E. BUCKROSE.&#13;
78 x 5. 326 pp. Mills &amp; Boon. 6s.&#13;
ENTER CHARMIAN. By HAROLD VALLINGS. 71 x 3.&#13;
334 pp. Smith Elder. 6s.&#13;
HILARY ONSLOW. By HORACE WYNDHAM. 74 x 3.&#13;
323 pp. Grant Richards. 68.&#13;
TAE QUEEN'S FILLET. By the Rev. P. A. CAXOX&#13;
SHEEHAN, D.D. 73 x 51.376 pp. Longmans. 68.&#13;
A&#13;
a&#13;
CATHEDRAL COURTSHIP. By KATE DOUGLAS&#13;
WIGGIN. 7 x 43. 96 pp. Gay &amp; Hancock. 18. n.&#13;
THE LITTLE MINISTER. By J. M. BARRIE. 71 X 5.&#13;
340 pp. Cassell. ls. n.&#13;
A STORM-RENT SKY. By M. BETHAM EDWARDS.&#13;
8 X 51. 126 pp. Collins. 6d. n.&#13;
THE DAWN OF ALL. By R. H. BENSON. 7} x 5. 339 pp.&#13;
Hutchinson. 6s.&#13;
THE CITY OF ENTICEMENT, By DOROTHEA GERARD.&#13;
8 x 5. 320 pp. Stanley Paul. 68.&#13;
Sylvia's CHAUFFEUR. By LOUIS TRACY. 73 X 5.&#13;
320 pp. Ward, Lock, 6s.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
ARCHÆOLOGY.&#13;
OUT OF THE IVORY PALACES. By P. H. DITCHFIELD.&#13;
73 X 5. 308 pp. Mills &amp; Boon. 6s.&#13;
ART.&#13;
THE PAINTERS OF JAPAN. By A. MORRISON. Two&#13;
volumes. 153–127 pp. Jack. £55 n.&#13;
IDEALS OF INDIAN ART. By E. B. HAVELL. Royal&#13;
octavo. 188 pp. Introduction. xx. pp. 33 Full-page&#13;
Plates. John Murray. 158. n.&#13;
BIOGRAPHY.&#13;
THE DIARY OF DR. JOHN WILLIAM POLIDORI, 1816. Re.&#13;
lating to Byron, Shelley, &amp;c. Edited by W. M. ROSSETTI.&#13;
73 X 5. 228 pp. Elkin Matthews. 48. 6d. n.&#13;
THE LIFE OF OSCAR WILDE. By R. H. SHERARD. 9 x 57.&#13;
403 pp. (New Edition). Werner Laurie.&#13;
AN EARLY VICTORIAN HEROINE : The Story of Harriette&#13;
McDougall. By M. BRAMSTON, S.T.L. 71 x 5. 95 pp.&#13;
S.P.C.K. 1s. 6d.&#13;
&#13;
&#13;
## p. 5 (#401) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
THE SHADOW OF A DWARF. By HOPE PROTHERO.&#13;
74 x 5. 328 pp. Century Press. 68.&#13;
THE REFUGEES. By A. CONAN DOYLE. 61 x 44.&#13;
383 pp. Nelsons. 7d. n.&#13;
THE GLORY OF CLEMENTINA WING. By W. J. LOCKE.&#13;
7 x 5. 375 pp. Lane. 6s.&#13;
THE SUMMER BOOK. By MAX PEMBERTON. 78 X 5.&#13;
306 pp. Mills &amp; Boon. 6s.&#13;
THE ARREST OF ARSÈNE LUPIN. By MAURICE&#13;
LEBLANC. Translated by ALEXANDER TEIXEIRA DE&#13;
MATTOS. 71 X 5. 277 pp. Nash. 28. n.&#13;
DESTINY. By ALICE and CLAUD ASKEW. 8 x 5.&#13;
328 pp. Hurst &amp; Blackett. 68.&#13;
NIGEL FERRARD. By MRS. BAILLIE REYNOLDS. (New&#13;
and Revised Edition.) 77 x 5. 380 pp. Mills &amp; Boon.&#13;
68.&#13;
VIRGINIA PERFECT. By PEGGY WEBLING. 63 x 47.&#13;
221 pp. (Cheap edition.) Metbuen. 18. n.&#13;
THE GARDEN OF MYSTERY. By RICHARD MARSH.&#13;
316 pp. John Long. 6d. n.&#13;
MASTER CHRISTOPHER. By MRS. HENRY DE LA PASTURE&#13;
(LADY CLIFFORD). 7 X 5. 393 pp, Smith Elder.&#13;
68.&#13;
IN SEARCH OF EGERIA. By W. L. COURTNEY. 78 x 5.&#13;
330 pp. Chapman &amp; Hall. 6s.&#13;
OUR LADY OF THE LEOPARDS. By ALBERT DORRING-&#13;
Tox. 73 x 5. 314 pp. Mills &amp; Boon. 6s.&#13;
THE SHADOW OF LOVE. By MARCELLE TINAYRE.&#13;
Translated by A. ALLINSON. 71 x 5. 310 pp. Lane.&#13;
68.&#13;
A GIRL WITH A HEART. By EFFIE ADELAIDE Row&#13;
LANDS. 7 x 5. 304 pp. Ward, Lock. 68.&#13;
THE ROMANCE OF A FRENCH PARSONAGE. By M.&#13;
BETHAM-EDWARDS. (Cheap Reprint.) 67 x 4. 270 pp.&#13;
Collins Clear Type Press. 3 d. n.&#13;
MRS. MAXON PROTESTS. By ANTHONY HOPE. 74 x 5.&#13;
351 pp. Methuen. 68.&#13;
THE NOTORIOUS Miss LISLE. By MRS. BAILLIE&#13;
REYNOLDS. 78 X 5. 308 pp. Hodder &amp; Stoughton,&#13;
6x,&#13;
THE YEAR'S ROUND. By MAUD RAWSON. 74 x 5.&#13;
401 pp. Mills &amp; Boon. 6s.&#13;
LOVE'S PRIVILEGE. By STELLA M. DÜRING. 74 x 5.&#13;
376 pp. Cassell. 6s.&#13;
ARDNAREE. The Story of an English Girl in Connaught.&#13;
Told by herself and edited by RANDAL MCDONNEL.&#13;
7* 5. Dublin : Gill.&#13;
THE IMPERISHABLE WING. By MRS. HAVELOOK ELLIS.&#13;
7 x 5. 283 pp. Stanley Paul. 68.&#13;
Fox FARM. By WARWICK DEEPING. 7{ x 5. 403 pp.&#13;
Cassell. 68.&#13;
Hodson's VOYAGE. By W. H. KOEBEL. 73 x 5. 310 pp.&#13;
Stanley Paul. 6s.&#13;
THE BEES. By M. ELLEN THONGER. 7{ x 5. 312 pp.&#13;
Chapman &amp; Hall. 68.&#13;
ROSE OF THE WORLD. By AGNES and EGERTON CASTLE.&#13;
61 x 47. 380 pp. Nelson. 7d. n.&#13;
LALAGE'S LOVERS, By GEORGE A. BIRMINGHAM. 73 x 5.&#13;
305 pp. Methuen. 6s.&#13;
THERE WAS A WIDOW. By MARY E. MANN. 74 x 5.&#13;
309 pp. Methuen. 68.&#13;
THE UNOFFICIAL HONEYMOON. By DOLF WYLLARDE.&#13;
73 X 5. 312 pp. Methuen. 68.&#13;
THE RAJAH, By F. E. PENNY. 74 x 5. 398 pp.&#13;
Chatto &amp; Windus. 68.&#13;
PETER AND JANE; OR, THE MISSING HEIR. By S.&#13;
MACNAUGHTAN. 73 X 5. 310 pp. Methuen. 68.&#13;
ALL AWRY. By MAUDE ANNESLEY. 78 X 5. 368 pp.&#13;
Mills &amp; Boon. 68.&#13;
THE MILLER OF OLD CHURCH. By ELLEN GLASGOW.&#13;
73 x . 432 pp. Murray. 68.&#13;
THE HOUSE OF CHANCE. By GERTIE DE S. WENTWORTH&#13;
JAMES. 73 5. 313 pp. Everett. 6s.&#13;
BERTRAND OF BRITTANY. By WARWICK DEEPING,&#13;
74 X 5. 370 pp. Cassell. 18. n.&#13;
A LONELY LITTLE LADY. By DOLF WYLLARDE.&#13;
61 x 47. 207 pp. Hutchinson. 7d. n.&#13;
MR. INGLESIDE." By E. V. LUCAS. 63 41. 316 pp.&#13;
(New Edition.) Methuen. 58.&#13;
THE COUNTRY OF THE BLIND, AND OTHER STORIES.&#13;
By H. G. WELLS. 78 X 5. 574 pp. Nelson. 28. n.&#13;
ANTHEA'S GUEST. By MRS. ALFRED SIDGWICK. 71 x 5.&#13;
313 pp. Methuen. 68.&#13;
THE Cost. By L. G. MOBERLY. 74 x 5. 325 pp.&#13;
Mills &amp; Boon.' 68.&#13;
A BLOOD-MOON; THE BUHL CABINET, AND STORIES&#13;
FROM ALGIERS. By IRENE OSGOOD. 71 X 41. 254 pp.&#13;
Everett. 28, n.&#13;
THE RIGHT OF WAY. By SIR GILBERT PARKER.&#13;
54 X 41. 378 pp. Nelson. 78. n.&#13;
A BAVARIAN VILLAGE PLAYER. By FRANCES G.&#13;
BURMESTER. Greening &amp; Co. 68.&#13;
RED Eve. By H. RIDER HAGGARD. 78 x 5. 296 pp.&#13;
Hodder &amp; Stoughton. 68.&#13;
ABOVE YOUR HEADS. By FREDERICK NITEN. 73 x 5.&#13;
299 pp. Martin Secker. 68.&#13;
No MAN'S LAND. By L. J. VANCE. 73 x 51. 309 pp.&#13;
Grant Richards. 68.&#13;
THE LOST IPHIGENIA. By AGNES and EGERTON&#13;
CASTLE. 78 X 5. 316 pp. Smith Elder. 68.&#13;
THE WOMAN WINs. By R. MACHRAY, 75 X 5. 347 pp.&#13;
Chatto &amp; Windus. 68.&#13;
IN DIFFERENT Keys. By I. A. R. WYLIE. 74 x 5.&#13;
320 pp. Mills &amp; Boon. 68.&#13;
A PASSION IN MOROCCO. By MRS. CHARLOTTE CAMERON.&#13;
84 x 51. 126 pp. Stanley Paul. 6d.&#13;
THE SILENT HOUSE. By LOUIS TRACY. 7 X 5. 320&#13;
pp. Nash. 28.&#13;
THE LADY OF THE HUNDRED DRESSES. By S. R.&#13;
CROCKETT. 73 X 5. 307 pp. Nash. 28.&#13;
UNCONFESSED. Ry MAXWELL GRAY. 74 x 5. 352 pp.&#13;
John Long. 68.&#13;
LIFE EVERLASTING: A REALITY OF ROMANCE. By&#13;
MARIE CORELLI. Methuen &amp; Co. 68.&#13;
HETTY : THE STORY OF AN ULSTER FAMILY. By SHAN&#13;
F. BULLOCK. 73 X 41. 322 pp. Werner Laurie. 68.&#13;
THE YOKE OF SILENCE. By Amy McLAREN. 73 x 5.&#13;
306 pp. Mills &amp; Boon. 58.&#13;
HILDA LESSWAYS. By ARNOLD BENNETT. 74 x 5.&#13;
408 pp. Methuen. 68.&#13;
DORMANT. By E. NESBIT. 73 x 5. 312 pp. Methuen. 6s.&#13;
MY BEAUTIFUL NEIGHBOUR. By ARABELLA KENEALY.&#13;
7 * 5. 352 pp. John Long. 6s.&#13;
THE EMOTIONS OF MARTHA. By CONSTANCE SMEDLEY&#13;
(Mrs. Maxwell Armfield). 8 x 57, 317 pp. Religious&#13;
Tract Society. 68.&#13;
THE APPLE OF HAPPINESS. By ETHEL TURNER (Mrs.&#13;
H. R. Curlewis). 73 5. 275 pp. Hodder &amp; Stoughton.&#13;
38. 6d.&#13;
VAGABOND CITY. By WINIFRED BOGGS. 74 x 5.&#13;
392 pp. Putnam. 68.&#13;
THE BRIDE OF DUTTON MARKET. By MARIE C.&#13;
LEIGHTON. 74 x 5. 320 pp. Ward, Lock. 68.&#13;
HISTORY.&#13;
BRITAIN'S RECORD. WHAT SHE HAS DONE FOR THE&#13;
WORLD. By E. KEBLE CHATTERTON. 9 X 54. 301 pp.&#13;
Sidgwick &amp; Jackson. 78. 6d. n.&#13;
A HISTORY OF ENGLAND. By C. R. L. FLETCHER and&#13;
RUDYARD KIPLING. Pictures by R. H. FORD. 10 x 74.&#13;
256 pp. Oxford: Clarendon Press ; London : Frowde.&#13;
78. 6d. n.&#13;
CÆSAR'S CONQUEST OF GAUL. By T. RICE HOLMES.&#13;
(Second edition. Revised and Largely Rewritten.)&#13;
9 x 51. 872 pp. Oxford : Clarendon Press; London :&#13;
Frowde. 248. n.&#13;
&#13;
&#13;
## p. 6 (#402) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
THE ROMANTIC PAST. By RALPH NEVILL. 9 x 57.&#13;
352 pp. Chapman &amp; Hall. 128. 6d. n.&#13;
JUVENILE.&#13;
THE BOOK OF THE Zoo. By W. S. BERRIDGE, F.Z.S.,&#13;
and W. P. WESTELL. With 8 coloured plates and 64&#13;
photographs. 78 X 54. 304 pp. (The Recreation&#13;
Library.) Dent. 58.&#13;
Tom STAPLETON, THE Boy Scout. By CAPTAIN F. S.&#13;
BRERETON. 74 X 5, 287 pp. Blackie. 38. 6d.&#13;
LITERARY.&#13;
VARSITY TYPES. Scenes and Characters from Under-&#13;
graduate Life. By F. RUTTER. Second Edition (with&#13;
new Preface). 73 x 5. Cambridge: Heffer; London,&#13;
Simpkin, Marshall. 38. n.&#13;
THE CAMBRIDGE HISTORY OF ENGLISH LITERATURE.&#13;
Edited by A. W. WARD, Litt.D., and A. R. WALLER.&#13;
· Vol. VII. Cavalier and Puritan. 91 x 61. 553 pp.&#13;
Cambridge University Press. 98. n.&#13;
PRINCIPLES OF BIOGRAPHY. The Leslie Stephen Lecture&#13;
delivered in the Senate House, Cambridge, February&#13;
13th, 1911. By SIR SIDNEY LEE, Hon. D.Litt.&#13;
7} x 5. 54 pp. Cambridge University Press.&#13;
18. 6d, n.&#13;
SAMUEL RICHARDSON. By SHEILA KAYE-SMITH.&#13;
7 x 48.368 pp. (The Regent Library.) H. Daniel.&#13;
28. 60. n.&#13;
EAST AND WEST. By DAVID ALEC WILSON. 78 X 5.&#13;
306 pp. Methuen. 68.&#13;
EIGHTEENTH CENTURY VIGNETTES. By AUSTIN DOB.&#13;
son. 64 X 4. 381 pp. Nelson. 18. n.&#13;
BETWEEN TWO WORLDS. By A. E. LLOYD MAUNSELL.&#13;
7} 5. 141 pp. Moring. 58. n.&#13;
OLD LAMPS FOR NEW. By E. V. LUCAS. 64 x 41.&#13;
258 pp. Methuen. 58.&#13;
MEDICAL.&#13;
REFRACTION AND VISUAL ACUITY. By KENNETH&#13;
SCOTT. 77 x . 191 pp. Rebman. 68. n.&#13;
NATIONAL HEALTH AND MEDICAL RESEARCH. By&#13;
CHARLES REINHARDT, M.D.7 x 41. 29 pp. London&#13;
Publishing Co. Cloth, 6d. ; Paper, 2d.&#13;
NATURAL HISTORY&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. BARBETT&#13;
HAMILTON. Part VII. 10 X 7. pp. 25–72. Gurney&#13;
&amp; Jackson. 28. 6d. n.&#13;
ALPINE PLANTS OF EUROPE. Together with Culture&#13;
Hints. By H. S. THOMPSON, F.C.E. 81 X 51. 287&#13;
pp. Routledge. 78. 6d. n.&#13;
THE YOUNG ORNITHOLOGIST: A GUIDE TO THE&#13;
HAUNTS, HOMES. AND HABITS OF BRITISH BIRDS.&#13;
By PERCIVAL WESTALL, F.L.S. 71 X 5. 308 pp.&#13;
Methuen. 58.&#13;
ORIENTAL.&#13;
THE FLIGHT OF THE DRAGON. By LAURENCE BINYOX.&#13;
63 X 43. 112 pp. Murray. 28. 1.&#13;
POETRY.&#13;
THE CRUCIBLES ON TIME; AND OTHER POEMS. By&#13;
DARRELL FIGGIS. 71 X 5. 115 pp. Dent. 38. 6d. n.&#13;
PLUTO AND PROSERPINE. By JOHN SUMMERS STANLEY.&#13;
Panl. 28. n.&#13;
DREAMS AND GABLES. Sonnets. By E. HERRICK,&#13;
London: J. R. Allenson. 18. n.&#13;
BEFORE DAWN. (Poetry and Impressions.) By HAROLD&#13;
MONRO. 74 X 51. 144 pp. Constable. 58. n.&#13;
THE CALL OF THE Past. A Political Jingle. By A. H.&#13;
COCHRAN. 73 x 43. 64 pp. Simpkin, Marshall.&#13;
18. n.&#13;
VERSES. By DOLF WYLLARDE. 6 x 41. 114 pp.&#13;
Stanley Paul. 18. 6d. n. ; 2s.6d, n. (cloth).&#13;
THE BALLAD OF THE WHITE HORSE. By G. K.&#13;
CHESTERTON. 7 x 41. 182 pp. Methuen. 58.&#13;
REPRINTS&#13;
THE FOOTPATH WAY. An Anthology for Walkers, with an&#13;
Introduction. By HILAIRE BELLOC. 7 X 41. 240 pp.&#13;
Sedgwick &amp; Jackson. 28. 6d. n.&#13;
LETTERS FROM HELL. Given in English by JULIE&#13;
SUTTER. With a Preface by G. MacDONALD, LL.D.&#13;
7 x 41. 348 pp. Macmillan's Shilling Library.&#13;
SCIENCE.&#13;
THE TIDES AND KINDRED PHENOMENA IN THE SOLAR&#13;
SYSTEM. By SIR GEORGE HOWARD DARWIN. (Third&#13;
Edition.) 78 X 5. 437 pp. Murray. 78. 6d. n.&#13;
SCIENTIFIC PAPERS. By SIR GEORGE HOWARD DARWIN,&#13;
K.C.B., F.R.S. Vol. IV.(and last). Periodic Orbits and&#13;
Miscellaneous Papers. 104 x 69. 592 pp. Cambridge&#13;
University Press. 158. n.&#13;
SOCIOLOGY,&#13;
THE PREVENTION OF DESTITUTION. BY SIDNEY and&#13;
BEATRICE WEBB. 8} x 51. 348 pp. Longmans. 68. n.&#13;
AT THE WORKS. A Study of a Manufacturing Town, By&#13;
LADY BELL. 64 x 41 376 pp. Nelson. 18. n.&#13;
SOCIOLOGY APPLIED TO PRACTICAL POLITICS. By&#13;
• JOHN BEATTIE CROZIER. 9 x 53.320 pp. Longmans.&#13;
MILITARY&#13;
THE MILITARY LAW EXAMINER. By LIEUT.-COL. S. C.&#13;
PRATT. (Eighth Edition.) 71 X 5. 306 pp. Gale &amp;&#13;
Polden. Às. 6d. 1..&#13;
9s. n.&#13;
MISCELLANEOUS.&#13;
THE EYE WITNESS. Edited by HILAIRE BELLOC. 6d.&#13;
THE PROGRESS Book. An Illustrated Register of the&#13;
· Development of a Child from Birth till Coming of Age.&#13;
By J. J. PILLEY, PH.D. 8 x 62. 63 pp. Leadenhall&#13;
Press.&#13;
PATRIOTISM: A BIOLOGICAL STUDY. By H. G. F. SPUR.&#13;
RELL, M.A. 168 pp. George Bell &amp; Sons. 28. 6d. n.&#13;
BLACKPOOL TO-DAY. By ARTHUR LAYCOCK. 10 x 71.&#13;
48 pp. John Heywood. 3d.&#13;
AN ANTHOLOGY OF Essex. Collected by ISABEL LUCY&#13;
and BEATRICE MARY GOULD. Edited and arranged,&#13;
with additions and a Biographical Index, by&#13;
CHARLOTTE FELL SMITH. London: Sampson, Low &amp;&#13;
Co. 58. n.&#13;
WHAT A LIFE! By E. V. L. and G. M. 77 x 41.&#13;
126 pp. Methuen. Is. n.&#13;
BRITISH RURAL LIFE AND LABOUR, By F. G. HEATH.&#13;
84 x 58. 318 pp. P. S. King.&#13;
SPORT.&#13;
ANGLING FOR COARSE Fish. By JOHN BICKER'YKE.&#13;
7x 5. 140 pp. (Third edition.) Upcott Gill. 18&#13;
TOPOGRAPHY,&#13;
HIGHWAYS AND HEDGES. Painted by R. BENGER&#13;
. Described by H. A. MORRAH. 9 x 61. 144 pp. Black&#13;
78. 6d. n.&#13;
A BOOK OF THE WYE. By EDWARD HUTTON. 9 x 51&#13;
292 pp. Methuen. 78, 6d. n.&#13;
MUSIC.&#13;
MORE MASTERINGERS. Studies in the Art of Music. By&#13;
FILSON YOUNG. 8 X 51. 286 pp. Grant Richards.&#13;
&#13;
&#13;
## p. 7 (#403) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
THE WONDERFUL WEALD, AND THE QUEST OF THE THE GARDEN OF ALLAH. By ROBERT HICHENS. 490 pp.&#13;
CROCK OF GOLD. By ARTHUR BECKETT. Illustrated New York : Stokes. $1.50.&#13;
by ERNEST MARILLIER, 9 x 51. 439 pp. Mills &amp; THE SILENT BARRIER. By Louis TRACY. 350 pp. New&#13;
Boon. 108. 6d.&#13;
York : Clode. $1.25.&#13;
TRAVEL.&#13;
HISTORY.&#13;
Nova SCOTIA: THE PROVINCE THAT HAS BEEN PASSED.&#13;
CÆSAR'S CONQUEST OF GAUL. By T. RICE HOLMES.&#13;
By BECKLES WILLSON. 9 X 54. 256 pp. Constable.&#13;
(Second edition, revised throughout and largely rewritten.)&#13;
108. 6d. n.&#13;
"CHICOT " IN AMERICA. By KEBLE HOWARD (" Chicot”.&#13;
872 pp. New York: Oxford University Press. $7.75 n.&#13;
of “The Sketch.") 74 x 48. 204 pp. Hutchinson.&#13;
POETRY.&#13;
18. n.&#13;
RECESSIONAL ; AND OTHER POEMs. By RUDYARD KIPLING.&#13;
THE LAND OF VEILED WOMEN. Some Wanderings in&#13;
Algeria. By JOHN FOSTER FRASER. 72 x õ. 288 pp.&#13;
62 pp. New York : Crowell. 35 cents.&#13;
Cassell. 68.&#13;
MISCELLANEOUS.&#13;
MEXICO AS I SAW IT. By MRS. ALEC TWEEDIE.&#13;
A POOR MAN'S HOUSE, By STEPHEN REYNOLDS. 320 pp.&#13;
61 x 47. 480 pp. Nelson. 18. n.&#13;
New York : Macmillan. 50 cents n.&#13;
RAMBLES AROUND FRENCH CHÂTEAUX. By FRANCES&#13;
PATRIOTISM : a Biological Study. By H. G. F. SPURRELL.&#13;
GOSTLING. 73 x 5. 372 pp. Mills &amp; Boon. 68.&#13;
RAMBLES IN THE BLACK FOREST. By I. A. R. WYLIE.&#13;
168 pp. New York : Macmillan. $1 n.&#13;
73 X 5. 325 pp. Mills &amp; Boon, 68.&#13;
SOCIOLOGY.&#13;
HOME LIFE IN HOLLAND. By D. S. MELDRUM. 9 x 59.&#13;
SOCIOLOGY APPLIED TO PRACTICAL POLITICS. By J.&#13;
375 pp. Methuen. 108. 6d. n.&#13;
THE BELGIANS AT HOME. By CLIVE HOLLAND. With&#13;
BEATTIE CROZIER. 320 pp. New York : Longmans.&#13;
$3 n.&#13;
16 Hlustrations in colour by DOUGLAS SNOWDON, and&#13;
TRAVEL.&#13;
Photographs. 9 X 51. 326 pp. Methuen. 10s. 6d. n.&#13;
THE DANUBE. By WALTER JERROLD. 9 X 5. 307 pp. THE DANUBE. By WALTER JERROLD. With 30 illustra-&#13;
Methuen. 103. 6d. n.&#13;
tions by L. WEIRTER. 31.5 pp. New York: Stokes.&#13;
$3.50 n.&#13;
A ROMAN PILGRIMAGE. By R. ELLIS ROBERTS. 274 pp.&#13;
New York : Stokes. $2.50.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
BIOGRAPHY.&#13;
NOTES.&#13;
AN EIGHTEENTH CENTURY MARQUISE: A STUDY OF&#13;
EMILIE DU CHATELET AND HER TIMES. By FRANK&#13;
HAMEL. New York : Pott. $3.50 n.&#13;
TR. H. G. F. Spurrell has written, and&#13;
TAE AUTOBIOGRAPHY OF ALFRED AUSTIN. 325 and M Messrs. George Bell &amp; Sons have published,&#13;
308 pp. New York. Macmillan. $7.50 n.&#13;
a “ Biological Study of Patriotism.” Mr.&#13;
CLASSICAL,&#13;
Spurrell's aim, in this work, has been to explain the&#13;
THE RISE OF THE GREEK EPIC : A Course of Lectures natural history of patriotism, and to furnish the&#13;
delivered at Harvard University. Second edition, revised reader with a scientific analysis of a subject which&#13;
and enlarged by G. G. A. MURRAY. 368 pp. New York:&#13;
usually receives purely emotional treatment.&#13;
Oxford University Press. $1.50 n.&#13;
“To the Outside " is the title of a new novel by&#13;
ECONOMICS.&#13;
Miss A. Curtis Sherwood. It is described as a&#13;
THE SCIENCE OF WEALTH. By J. A. HOBSON. 256 pp. “modern story and satire." An attempt to&#13;
New York: Holt. 75 cents n.&#13;
suppress it having been made, it is published in an&#13;
FICTION.&#13;
unusual way, post free for one shilling, from the&#13;
address :&#13;
A PLUCKY GIRL; OR, THE ADVENTURES OF "MISS&#13;
A. Sherwood, Clifford R.S.O., Hereford-&#13;
NELL.” By MAY BALDWIN. 314 pp. Philadelphia :&#13;
shire; or can be ordered through a bookseller from&#13;
McKay. 75 cents.&#13;
the same address.&#13;
THE QUEEN'S FILLET. By the Rev. Canon P. A. Messrs. Smith, Elder &amp; Co. have accepted a new&#13;
SHEEHAN, D.D. 376 pp. New York: Longmans.&#13;
novel by Miss Emma Brooke, which will probably&#13;
$1.35 n.&#13;
OPTE BOWEN be published in the early spring. The Windsor&#13;
DEFENDER O&#13;
366 pp. New York : Dutton. $1.35 n.&#13;
Magazine had a story, entitled “Thirteen o' the&#13;
THE LARGER GROWTH. By CONSTANCE ARMFIELD. Clock," by Miss Emma Brooke, in the June issue.&#13;
382 pp. New York : Dutton. $1.35 n.&#13;
The same magazine has accepted a second story by&#13;
THE SHADOW: A Story of the Evolution of a Soul. By&#13;
HAROLD BEGBIE. 490 pp. Chicago : Revell. $1.25 n.&#13;
the same author. Miss Emma Brooke has also a&#13;
THE GLOBY OF CLEMENTINA. By W.J. LOCKE. 367 pp. story in the July issue of Nash's Magazine, entitled&#13;
New York : John Lane. $1.30 n.&#13;
“ The Offer."&#13;
THE SHIP OF CORAL. By H. de VERE STACKPOOLE.&#13;
Mrs. Havelock Ellis' new book, “ The Imperish-&#13;
311 pp. New York : Duffield. $1.20 n.&#13;
Farable Wing," is a series of psychological studies in&#13;
THE SECRET GARDEN. By FRANCES HODGSON BURNETT.&#13;
375 pp. New Yörk : F. A. Stokes. $1.35 n.&#13;
Love and Passion and Death. They are Cornish&#13;
F THE FAITH.&#13;
&#13;
&#13;
## p. 8 (#404) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
stories, and will recall to Mrs. Ellis' readers her Dean Maitland,” in the Isle of Wight. The main&#13;
book, “ My Cornish Neighbours." Messrs. interest is the effect of strong spiritual emotion-&#13;
Stanley, Paul &amp; Co. are the publishers.&#13;
suddenly awakened by a missioner preaching in his&#13;
The Anti-Socialist League have republished and own kitchen-on a prosperous middle-aged farmer,&#13;
circulated an article from a Socialist paper, over ambitious, unimaginative, stubborn, hard ; but&#13;
the signature of “A. E. Jacomb." Miss A. esteemed by his world as exceptionally upright,&#13;
Jacomb-Hood—a member of the Society of just and sagacious.&#13;
Authors—who writes under the name of A. E. Edith C. Kenyon's historical tale, “ Two Girls in&#13;
Jacomb, desires it to be known that she is not the a Siege," a Welsh story of the siege of Chepstow, is&#13;
person responsible for the article, and has no now being issued by the Religious Tract Society in&#13;
knowledge of the writer.&#13;
their sixpenny edition. Miss Kenyon's serial,&#13;
A new collection of poems, entitled “Before “ Ashes of Honor," ended in the July number of&#13;
Dawn," by Mr. Harold Monro, author of “Judas," the All Story Magazine.&#13;
was published by Messrs. Constable &amp; Co. in July. The Queen has graciously been pleased to accept&#13;
We quote the dedication of the volume, which a copy of Mrs. Charlotte Cameron's new novel,&#13;
seems to explain the title: “I dedicate this book “A Passion in Morocco." Her Majesty has also&#13;
to those who, with me, are gazing in delight promised to accept a work of travel, entitled “A&#13;
towards where on the horizon there shall be dawn. Woman's Winter in South America," from Mrs.&#13;
Henceforth, together, humble thongh fearless, we Cameron, which is about to appear.&#13;
must praise, worship, and obey the beautiful Messrs. Cassell &amp; Co. have included in their&#13;
Future, which alone we may call God."&#13;
autumn list another story by Helen H. Watson,&#13;
Mr. Wynford Dewhurst has received a second author of “Peggy, D.O.” The present story is&#13;
mark of distinction from the French Government, called “Peggy, S.G.," and while the former book&#13;
the Brevet and handsome gold insignia of “ Officier dealt with Peggy the “distinguished orthor," this&#13;
de L'Instruction Publique et des Beaux-Arts, one has to do with her school career-hence the&#13;
having been awarded him. Mr. Dewhurst has title “Peggy the School Girl." Messrs. Cassell&#13;
been spending the summer in France, where he will also publish, in the early spring of next year, a&#13;
has been busily painting. His work will be new novel by Mrs. Watson, entitled “ The Open&#13;
shown in the Durand-Rueil Galleries, Paris, in Valley.”&#13;
November next.&#13;
“As Flows the River" is the title of Mrs. Fred&#13;
Her Majesty the Queen has graciously accepted Reynolds' new book, of which Messrs. Chapman &amp;&#13;
a copy of “Pageants and Plays," by Miss Grace Hall are the publishers. The scene of the story is&#13;
Toplis, under which title the old favourites for laid amongst the Welsh mountains in the neighbour-&#13;
school and village entertainments have been hood of Llanbedr, a locality already utilised by&#13;
reissued, with “ The Five Georges” as new matter, Mrs. Reynolds in .“ The Man with the Wooden&#13;
for performance during the local festivities and Face,” “St. David of the Dust,” “The Lady in&#13;
celebrations of the new reign.&#13;
Grey," and other novels.&#13;
Derek Vane's new novel, “ The Soul of a Man,” “The Bees” is the title of a new book recently&#13;
is now running serially in The Throne and issued by Messrs. Chapman &amp; Hall. It is by&#13;
Country. It is a study of a man of curious complex Miss M. Ellen Thonger, and describes the nursery&#13;
nature-half-cynic, half-dreamer—who marries a adventures of a bunch of triplets, and belongs&#13;
beautiful inexperienced girl, who thinks they are to the same category of books as “ Helen's&#13;
going to live an ideal life.&#13;
Babies."&#13;
Messrs. Sampson Low &amp; Co. are the publishers Miss Mary L. Pendered's new novel, “ Daisy the&#13;
of an “ Anthology of Essex,” collected by Isabel Minx," is due, this month, from the publishing&#13;
Lucy and Beatrice Mary Gould, and edited and house of Mr. Ham-Smith. The author describes it&#13;
arranged, with additions and a “ Biographical as “ A Diversion," as it is somewhat different from&#13;
Index,” by Miss C. Fell Smith. The method her usual work, being written rather in a spirit of&#13;
which the editor has followed, in her work, has frolic. 7. P.'s Magazine for August contains a&#13;
been to include any writers on the county, and the story from Miss Pendered's pen, wbich is entitled&#13;
county writers on anything—that is, of course, on “ The Happiest of Men,” while the September Novel&#13;
anything edifying or worth preserving. The reader Magazine also has a story from the same writer.&#13;
may flit from the stained-glass conceits of Quarles Miss Pendered, in addition to these stories, has&#13;
and Benlowes to the rude human nature, fresh recently finished a novel, to which she has given the&#13;
from the soil, of to-day's farm labourer.&#13;
title “ The Anklebiter."&#13;
Maxwell Grey's new novel, which Mr. John Long Mr. Ditchfield, Rector of Barkham, has com-&#13;
published in August, is called “Unconfessed," and pleted a volume of essays entitled “Out of the&#13;
the scene is laid, as was that of “The Silence of Ivory Palaces," which will be pullished shortly by&#13;
&#13;
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## p. 9 (#405) ##############################################&#13;
&#13;
THE AUTHOR.&#13;
Messrs. Mills &amp; Boon. He has also written, for another copy was also accepted by H.R.H. the&#13;
private circulation, a “ History of the Dawson Prince of Wales.&#13;
Family" of Yorkshire, Berkshire, and America, A new humorous novel, entitled “ Hodson's&#13;
compiled from family papers, letters and documents; Voyage," from the pen of Mr. W. H. Koebel,&#13;
Messrs. George Allen &amp; Co. being the publishers. appears from Messrs. Stanley Paul &amp; Co. Of&#13;
For the same firm he has long been engaged upon recent years Mr. Koebel has been better known as&#13;
a large work on the “Counties of England," a &amp; writer of books of travel, but in taking up fiction&#13;
review of their history and records. This will again he has returned to his first love. Mr. Koebel,&#13;
appear this autumn, in two volumes. At the same has not, however, abandoned the writing of works&#13;
time his “Memorials of Old Gloucestershire” will of travel, and he is engaged at the present time in&#13;
appear as one of the volumes of the “ Memorial passing the proofs of a new book dealing with up-&#13;
Series," of which thirty volumes have been published country life in New Zealand, which he has entitled&#13;
under his editorship. Mr. Ditchfield has also “ In the Maoriland Bush." It is based on his own&#13;
undertaken to write two more books for Messrs. personal experiences and observations, and includes&#13;
Methuen &amp; Co., who have been his principal pub- intimate descriptions of the humours and tragedies&#13;
lishers for many years, and with whom he has had of the fascinating country of the “ back blocks."&#13;
a literary connection since the foundation of that In response to a desire expressed by many readers&#13;
firm in 1889. Miss Edna Lyall's book, “ Derrick of Miss Doll Wyllarde's novels, for the complete&#13;
Vaughan," and Mr. Ditchfield's “ English Villages” poems from which she had quoted in her stories&#13;
were the two first books published by that house. from time to time, Miss Wyllarde has decided to&#13;
He is also editing the Journal of the British publish a collection of them in volume form, and is&#13;
Archæological Association.&#13;
adding a number of hitherto unpublished poems.&#13;
A work on the agricultural and commercial Miss Wyllarde has entitled the book simply&#13;
problems of sugar beet growing and beet sugar “ Verses.” The volume, wbich has a photogravure&#13;
manufacture, by the writer on rural subjects who frontispiece, is also published by Messrs. Stanley&#13;
uses the nom de guerre of “Home Counties," has Paul &amp; Co.&#13;
been published from the Field office. It extends to Mrs. Irene Osgood's latest volume, “ A Blood&#13;
more than 400 pages, and contains a hundred Moon; and Other Stories," includes“ A Blood Moon,"&#13;
illustrations. The aim of the author is to discuss “ The Bubl Cabinet” and “ Stories from Algiers."&#13;
a difficult subject in an impartial spirit.&#13;
The titular story tells of a devoted wife who&#13;
« Above Your Heads" is the title given by Mr. surprised her husband and his paramour discussing&#13;
Frederick Niven to a volume of short stories, which her lightly. “The Buhl Cabinet” consists of a&#13;
he has published through Mr. Martin Secker. number of letters collected by a cynical old French&#13;
None of the stories has been published previously, marquis, from women whose marriage had proved&#13;
all of them having been rejected by editors mainly a failure through incompatibility of tastes or&#13;
on the ground that they would not appeal to the temperament. “Stories from Algiers " are a subtle&#13;
public. The author has, therefore, put them before study of the Algerine of to-day who retains many&#13;
the public in volume form, in the hope that the of the characteristics of the corsairs from whom he&#13;
editors' view may be proved erroneous.&#13;
is descended.&#13;
A new novel by Harold Avery, the author of “A Frank Hamel has chosen Jean de la Fontaine&#13;
Week at the Sea,” entitled “Every Dog his Day," as the subject of her latest volume of biography.&#13;
will be published immediately by Messrs. Stanley La Fontaine has a unique place in French litera-&#13;
Paul &amp; Co,&#13;
ture. He stands between the old and the new.&#13;
G. P. Putnam's Sons published on September He possessed the humour of the Renaissance&#13;
20, Miss Winifred Boggs' new story, “Vagabond period, and adapted it to the clear and sparkling&#13;
City." It is the author's first novel since she won style of the grand siècle. He was closely in touch&#13;
the Daily Mail Prize Novel Competition in 1907, with Boileau, Racine, and Molière, and his story&#13;
for “The Return of Richard Carr.” “Vaga- must therefore appeal to all students of a remark-&#13;
bond City” opens on the honeymoon of the able period of French literary history. The volume&#13;
vagabond and his pretty conventional bride, and will be published immediately by Messrs. Stanley&#13;
tells of their life in the New Forest, to which in Paul &amp; Co.&#13;
time is introduced the Genius, the woman artist, A second edition has recently been issued of&#13;
his mate. The second edition of this book has “De Libris : Prose and Verse," by Mr. Austin&#13;
just appeared.&#13;
Dobson, with illustations by Hugh Thomson and&#13;
“Gallant Wales," the fifth song Miss K. Everest Kate Greenaway. The new issue has an addi-&#13;
bas produced, is published by Stanley Webb, tional chapter. Messrs. Macmillan &amp; Co. are the&#13;
10, Museum Street, W.C. A copy of this song publishers.&#13;
was graciously accepted by H.M. The Queen, and Mr. Martin Secker announces the publication of&#13;
G&#13;
&#13;
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## p. 10 (#406) #############################################&#13;
&#13;
10&#13;
THE AUTHOR.&#13;
Michael Barrington's new book dealing with “ The Ogre," Mr. Henry Arthur Jones' new&#13;
Grahame of Claverhouse, Viscount Dundee. In play, was produced at the St. James' Theatre on&#13;
this work--the result of long study of the con- the 11th. “The Ogre” is the head of a house-&#13;
flicting elements of Restoration and Revolution hold, and is given this nickname by his wife and&#13;
politics—the author shows the intrigues of 1688 children, who are in open rebellion against him.&#13;
in a new light. The book contains also a vivid The dramatist describes the method by which the&#13;
picture of the Highland campaign. New military husband “tamed” his household. The caste&#13;
maps, an itinerary of the Highland campaign, and included Sir George Alexander, Mr. A. E.&#13;
a copious bibliography are added to the volume. Matthewe, Mr. Sydney Valentine, Miss Kate&#13;
The ordinary edition of nine hundred copies is Cutler, and Miss Gladys Cooper.&#13;
issued at £1 108. net. There is also an edition de Mr. Alfred Sutro's new comedy, "The Perplexed&#13;
luxe, strictly limited to fifty copies, numbered Husband,” was produced at Wyndham's Theatre,&#13;
and signed by the author. The price of the copies on September 12. The play opens with the return&#13;
in this edition is £3 38.&#13;
of a tea merchant from a visit to Russia, and the&#13;
“Nine English Consorts of Foreign Princes” is first act shows the nature of the reception given&#13;
the title of Miss Ida Woodward's new book which to him by his wife. This lady has, apparently,&#13;
Messrs. Methuen &amp; Co. are publishing on the been reading Ibsen's “Doll's House ” during her&#13;
12th inst.&#13;
husband's absence, and the husband is perplexed as&#13;
to the best way to meet the situation which has&#13;
DRAMATIC.&#13;
arisen owing to the effect of the Norwegian&#13;
Mr. Louis N. Parker's comedy, in three acts, dramatist on the relations between the pair. In&#13;
“ Pomander Walk,” was staged at the Playhouse on the caste were Mr. Gerald du Maurier, Mr. E.&#13;
June 29. The period of the play is 1805, and Lyall-Swete, Miss Maude Millett, and Miss&#13;
* Pomander Walk » (in the neighbourhood of Henrietta Watson.&#13;
Chiswick) is the centre of a comedy in which the Mr. Bernard Shaw's “ Man and Superman" was&#13;
dramatist-introduces many character studies. The revived at the Criterion for a short run on Septem-&#13;
caste included Mr. Cyril Maude, Mr. Norman ber 28. In the caste were Miss Pauline Chase, Mr.&#13;
Forbes, Miss Winifred Emery and Mr. Frederick Robert Lorraine, Mr. Guy Standing, Miss Florence&#13;
Volpe.&#13;
Haydon, and Miss Agnes Thomas.&#13;
"Sally Bishop,” a play in four acts, by E. Temple&#13;
Thurston, was produced at the Prince of Wales&#13;
Theatre on July 25. The caste includes Mr.&#13;
PARIS NOTES.&#13;
Dennis Eadie, Mr. Holman Clark, Miss Agnes&#13;
Thomas, and Miss Daisy Markham.&#13;
Mr. John Pollock’s play, “ Rosamond,” which was NEW league has been founded in France&#13;
produced in London last season at the Royalty and&#13;
entitled The League against the lending of&#13;
Kingsway Theatres, by Madame Lydia Yavoiska, books.&#13;
has been translated into Russian by Prince One of the chief causes of the recent crisis in the&#13;
Vladimir Bariatinsky, and accepted for production book trade is undoubtedly the ease with which&#13;
at the Imperial Theatre at Moscow, which is known people obtain books to read without paying for&#13;
as “ le théâtre de Molière Russe.”&#13;
them.&#13;
"The Hope," by Cecil Raleigh and Henry M. Paul Reboux and M. René Blum have&#13;
Hamilton, was produced at Drury Lane Theatre therefore issued a manifesto, from which we quote&#13;
last month. In their latest sporting drama, the a few extracts : “Our friends do not borrow our&#13;
authors find their hero in an impecunious peer, and pictures, our cushions and our knick-knacks, but&#13;
the play takes its title from a horse which, they do ask for our books. We have not the&#13;
representing the only chance of saving the peer's courage to refuse to lend them, and our volumes&#13;
house from ruin, is called “The Hope.” In the disappear and do not return to our shelves. ...&#13;
caste are Mr. Cyril Keightley, Mr. Lyston Lyle, Every borrower may be considered as one buyer&#13;
Miss Fanny Brough, and Miss Madge Fabian. less, whilst every would-be borrower to whom we&#13;
Mr. Hail Caine's new play, “The Quality of refuse our books may be a buyer gained."&#13;
Mercy," was produced at the Theatre Royal, Man- A French writer commenting on this movement&#13;
chester, on September 4th. The play has for its says: “Public libraries should, of course, be&#13;
central theme an intrigue similar to that recorded encouraged for those who cannot buy, but well-to-&#13;
in Scripture, whereby King David disposed of do-people who only read books bought by others&#13;
Uriah in order to become possessed of Bathsheba. should be discouraged. ... One of the objects&#13;
In the piece were Miss Eille Norwood, Miss Hilda of the League is to help everyone to fight against&#13;
Dick, and Mr. Thomas Holding.&#13;
the tyranny of sponging friends."&#13;
&#13;
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## p. 11 (#407) #############################################&#13;
&#13;
THE AUTHOR.&#13;
11&#13;
A great lover of books adds: “I quite approve Salon Carré was thronged with visitors, and&#13;
this wise initiative, and I would add that, in order certainly never have any nails attracted more&#13;
not to be impolite, when it is a lady who wants to attention than those upon which the favourite&#13;
borrow a book, a man has only to reply that .it picture had hung so many years. The doors of&#13;
shall be sent to her the following day.' He can the Museum and many of the rooms were guarded&#13;
then buy her a volume without giving up his own by policemen, and very strict measures are being&#13;
copy. Tactful people will soon take the hint, and taken in order to prevent the repetition of a similar&#13;
this will teach them the way to the book shops." We theft.&#13;
may add that the office of this new League is at In recent numbers of La Revue hebdomadaire&#13;
42, Rue de Clichy, Paris, the annual subscription are articles by Jean-Louis Vaudoyer “ Théophile&#13;
three francs, and that each member receives a little Gautier"; by Péladan, on · La Joconde et le Saint&#13;
engraving on parchment to place on his bookshelf. Jean," and by Dr. Gustave Le Bon on “L'Evolution&#13;
This little card is intended as a polite method of latine du Socialisme.”&#13;
explaining that books cannot be lent.&#13;
In the Revue de Paris are“ Lettres de Danemark&#13;
Among recent books are “ Sonia et ses amis” (les et d'Allemagne," by Francois Coppée, and an article&#13;
petits cahiers d'une etrangère, avec préface d'Emile on “Sedan” by Lieutenant-Colonel Picard. M.&#13;
Berr”). “La Ville inconnue,” by Paul Adam, is one Maurice Muret writes on “Antonio Fogazaro et&#13;
of the most remarkable of this author's books. It is son Oeuvre.” and Barbe Doukhorskoy gives a&#13;
a story of the French in Africa, and of the influence chapter of his “ Souvenirs."&#13;
of the climate and surroundings on certain officers The theatres are beginning to open their&#13;
of the French army. A very dramatic episode is the doors for the winter season.&#13;
arrival of two officers in an aeroplane.&#13;
At the Comédie Française, “ Cher Maître," and&#13;
In Marcelle Tinayre's new novel, “La Douceur “Le Goût du vice” have been given. At the&#13;
de vivre," many of the qualities of her “ Maison de Renaissance, “Le mysterieux Jimmy,” by M.&#13;
Péché” are to be found. Some of her descriptions, Armstrong. M. Abel Deval announces for his&#13;
too, are very fine.&#13;
theatre an adaptation of “Mr. Pickwick."&#13;
“ Humour et Humoristes " is the title of a clever The outdoor theatres have had a brilliant season&#13;
book by Paul Stapfer. In this volume we find an on account of the exceptional summer. M. Camille&#13;
important study of Henry Fielding, another of de Sainte Croix has obtained permission to open&#13;
Jean-Paul-Frederick Richter, a study of Anatole his Shakespeare Theatre in the St. Cloud Woods,&#13;
France's work, and a well-drawn portrait of but it is probable that, on account of the delay in&#13;
Mme. de Noailles.&#13;
obtaining this, he will now wait for next season.&#13;
An extremely instructive book has been written&#13;
ALYS HALLARD.&#13;
by M. H. Joly, as a result of a mission with&#13;
which the author was entrusted for the Académie&#13;
“ La Ville inconnue” (Fasquelle).&#13;
des Sciences Morales. It is entitled “L'Italie “ La Douceur de vivre” (Calmann Lévy).&#13;
contemporaine, enquêtes sociales." The volume * Humour et Humoristes ” (Fischbacher).&#13;
contains a great amount of reliable information “L'Italie contemporaine enquêtes sociales " (Bloud).&#13;
about the social conditions of life in Italy.&#13;
“Contre l'alcoolisme” is the title of a book by&#13;
Joseph Reinach, in which he shows the terrible AUTHORS' AGENTS, LITERARY AND&#13;
ravages made by alcoholism in France.&#13;
DRAMATIC.&#13;
English admirers of the work of Camille&#13;
Flammarion may like to take part in his Jubilee&#13;
Fête, when a souvenir is to be presented to the M HE subject is a very wide one. It is barely&#13;
great astronomer in commemoration of the&#13;
possible to go more than round the out-&#13;
Foundation of the French Astronomical Society&#13;
skirts in a short paper, and to state a few&#13;
twenty-five years ago, and the publication of his facts—not always obvious to the author—without in&#13;
first book fifty years ago.&#13;
many cases giving examples or reasons ; to write&#13;
The artist Zeitlin has been commissioned to fully on this subject would necessitate a small&#13;
design the souvenir which is to be presented to him. volume.&#13;
Over three hundred pounds have already been The first question is whether literary and&#13;
subscribed, and further subscriptions are received dramatic agents are essential. It is necessary to&#13;
by M. Monprofit, 31, Boulevard des Italiens. separate the two, for their duties are the same, yet&#13;
The disappearanee of La Joconde from the so different. The majority of dramatists—to take&#13;
Louvre Museum has made it necessary to institute the dramatic agent first-would declare that a&#13;
various reforms in this celebrated picture gallery. dramatic agent is useless. There is no doubt that&#13;
On the first day of opening after the theft, the a persevering individual who lives in or near&#13;
&#13;
&#13;
## p. 12 (#408) #############################################&#13;
&#13;
12&#13;
THE AUTHOR.&#13;
own does not need one. In any case, the dramatic why an agent should be free to take his full per-&#13;
agent is not as necessary to dramatists as the lite- centage so long as the contract lasts. He will be&#13;
rary agent is to the author. The dramatic market amply paid if his fees on any one play reach&#13;
is exceedingly limited, the competition is exceedingly £500. These are hard statements of facts ; indeed,&#13;
strong. The only way to place a dramatic piece is as already stated, the paper is full of these&#13;
by persisteni personal pressure ; by obtaining per- statements. It is quite possible that an author or&#13;
sonal introductions and by the aid of personal dramatist may refuse to accept them without fuller&#13;
influence wherever possible, and, above all things, evidence, without some reason being forthcoming.&#13;
by keeping up a good heart. It would be easy to The writer is stating nothing of which he is not&#13;
quote five or six cases of dramatists now well known fully cognisant, and could in most cases, from the&#13;
who had to wait for six, seven, or ten years before authors' and dramatists' points of view, show that&#13;
they could get their work accepted. This process the deductions made are irrefutable. The agent,&#13;
of forcing the strongholds of the managers is not perhaps, would traverse them.&#13;
always pleasant, but then how many roads to suc- Of course, it should be an agent's business to see&#13;
cess are? To dramatists who happen to be living that the contract between the dramatist and the&#13;
abroad or some distance from London, who can get manager is a good contract for the dramatist ; but,&#13;
no personal influence to bear on managers, the unfortunately, in many cases the agent's chief wish&#13;
agent may no doubt be useful.&#13;
is to get the contract off his hands, and with this&#13;
So far for the dramatic agent. The literary end in view is sometimes inclined to give the author&#13;
agent comes next. There are many more reasons bad advice. If, therefore, an author employs an&#13;
why the author should employ a literary agent than agent he cannot be too careful about watching&#13;
the dramatist a dramatic agent. The markets are every step he takes. This is where the Society of&#13;
enormously wide; there are many rights to be Authors would be of use. No doubt, however, after&#13;
marketed, and there are many markets of which the contract is made the agent can be useful in&#13;
the author is ignorant; but, again, if a man is a collecting fees. After he has collected the full sum&#13;
sound man of business and does not object to he is entitled to expect for his work in placing the&#13;
market his own wares, and has time to market them, play, the agent might, perhaps, be allowed a small&#13;
he can do so without the assistance of the agent. percentage for collecting the subsequent fees; but&#13;
If, however, he loathes the business side of literary the author ought at all times to be able, if necessary,&#13;
work, has such a heavy output that he cannot spare to insist upon the collection of moneys himself,&#13;
the time and hates the trouble, then the literary subject to the claim of the agent to his commission,&#13;
agent is useful.&#13;
if any is still unpaid, and to be free to terminate the&#13;
To those who undertake to place their own literary agreement in case, for any reason, he is dissatisfied&#13;
and dramatic work the Society of Authors is essen- with the agent's method of doing business, or in&#13;
tial, because the knowledge at the disposal of the case the agent has broken any part of his contract.&#13;
society on contracts and prices which prevail is This is a matter of the greatest importance to&#13;
useful to any dramatist or author who markets his rising dramatists, but space will not permit to go&#13;
own work, and even enables an author or dramatist into further details. If necessary, the subject must&#13;
to market his own work who could not do so other be dealt with in another article.&#13;
wise. Indeed, even those authors who employ Next, the literary agent. Though to some&#13;
agents will find the society's help essential. To authors his work is essential, again it should be&#13;
begin with, there is the contract with the agent, exceedingly carefully watched. He is very often&#13;
which is a most serious and important matter, and, under the thumb of a publisher. He not infre-&#13;
to continue, it is very often necessary that the quently deals as principal himself, and has the&#13;
work of the agent and the contracts he advises power—the very woeful power-of pitting one&#13;
the author to make should be carefully gone over by author's work against another's, giving thereby&#13;
some independent authority.&#13;
success to one author to the detriment of another&#13;
If it is agreed that in certain cases and in certain author whose work he may be handling.&#13;
circumstances an agent is essential, it will be well The first point is the contract between the author&#13;
to consider first the position of the agent and the and the agent. Here again the agent must be&#13;
dramatist. The dramatist should be careful not to carefully watched. He must only be permitted to&#13;
deal with any agent who buys work as a principal, draw his agency charges on contracts actually com-&#13;
or is marketing his own work. He should be careful pleted by him. He must not be allowed, in any&#13;
that the agent is an agent pure and simple, and one circumstances, to claim agency fees on introduc-&#13;
who is quite independent of managers and syndi- tions merely. The author must be in a position to&#13;
cates. Next, as to the agent's remuneration. terminate the contract at any time if he is dis-&#13;
Sometimes the fees from a successful play reach a satisfied with the agent, and must be in a position&#13;
very high figure. In such a case there is no reason to obtain control of the collection of moneys. In&#13;
&#13;
&#13;
## p. 13 (#409) #############################################&#13;
&#13;
THE AUTHOR.&#13;
13&#13;
order to do so he must forbid the agent, in any the British market. If then he has failed he&#13;
circumstances, to put in the contract with the should still not give up trying, but should attempt&#13;
publisher a clause giving him, the agent, the right at the same time to market the work in England.&#13;
to collect the moneys under the contract and to What happens now is, that as a rule, acting on the&#13;
give a receipt in full discharge, a constant and agent's advice, the author lets the American rights&#13;
most reprehensible practice.&#13;
go to the English publisher who sells sheets to&#13;
This naturally leads one to consider some of the America, and this, from the financial point of view&#13;
contracts which agents do advise authors to sign proves a better bargain for the English publisher&#13;
with publishers-contracts which cannot be con- than to allow the agent to place the American rights&#13;
sidered fair to the authors, though they may save with an American house.&#13;
the agent a great deal of trouble. And this, There is one further point in regard to markets&#13;
apparently, is his only reason for recommending in which the agent is very strongly to blame, and&#13;
them.&#13;
that is, in allowing the publisher to handle all the&#13;
The first point relates to the practice of binding minor rights. These are serial rights, translation&#13;
the author to the publisher for future books. It rights, Continental rights, etc. Not only does he&#13;
has been a growing custom of agents to pass allow the publisher to handle these rights, which&#13;
contracts of this kind, and the agent puts forward it is his business as agent to handle, but he&#13;
the usual temptation which the publisher has allows the publisher to charge the author for&#13;
whispered into his ear, that the publisher will do handling them, sometimes as high a fee as 50&#13;
so much better for the author if he has control of per cent. of whatever sum the rights realise.&#13;
all his future work ; that the publisher cannot Thus the author has to pay 50 per cent. to the&#13;
advertise one book to the same extent as he could publisher, and then another 10 per cent. of what.&#13;
if he has the promise of three others; that it takes remains to the agent. The position is, on the face&#13;
away from the author an immense amount of worry of it, absurd. Why does the agent do it? Because&#13;
if he knows that his contracts for the next four it saves him trouble; and he tempts the author&#13;
books are clear. All these statements are false, with the words of the publisher, who asserts that he&#13;
and the danger of yielding to them is enormous; can do so much more for the book if he is allowed&#13;
but there is one clear fact, and that is, that if the this wider control. This statement proves utterly&#13;
agent can make one contract serve for four books false in practice. The really serious matter is this,&#13;
he has not only saved himself a good deal of that it is not the publishers' business to carry his.&#13;
trouble, but at one stroke has secured for himself labours beyond the publication of the work in&#13;
commission on four books that are not written book form ; that he cannot, therefore, have the&#13;
books which might not even have been placed same power to market these minor rights that the&#13;
through his agency in the ordinary course of affairs. agent has, and, in consequence, is bound sometimes&#13;
In one word, the agent benefits at the expense himself to place these rights in the hands of an&#13;
of the author, and thus sares himself trouble rather agent, sometimes in the hands of the same agent&#13;
than advantages the best interests of the author. who made the contract which gave them to the&#13;
The next point is the question of the United publisher. It is exceedingly dangerous for an&#13;
States market. It must be remembered that in author to employ an agent who is also acting as&#13;
all these examples the agent's work with the agent for the sale of works or rights controlled by&#13;
publisher is referred to only, and not the position a publisher. Moreover, in allowing the publisher&#13;
of the author working for himself. The agent to have translation rights in his control, the agent&#13;
constantly tells the author that English books will has prevented the author from exercising any&#13;
not sell in America, and that it is no use to try to effective veto over the translation of his work which&#13;
obtain American copyright. This statement is made, and has prevented him from satisfying&#13;
again, is inaccurate. No market is better for the himself as to the skill of the translator, and his&#13;
author than the American market. If a book competence for the work undertaken.&#13;
touches the American market (and all good literature An author who employs an agent who is also&#13;
should be universal), for one copy sold in England employed by a publisher may find that the agent&#13;
four would be sold in America. Again, the agent is endeavouring to sell his work at different prices,&#13;
advises the author from his, the agent's, point of as the publisher has no reason to keep the author's&#13;
view, and not from the point of view of the author. price up. The agent, therefore, may be asking,&#13;
It gives the agent a great deal of trouble to place on behalf of the publisher, for a smaller rate of&#13;
work in America. It takes longer, and the agent, pay than he is asking on behalf of the author.&#13;
like all men of business, is out to make money, The effect upon the author's rates cannot, in such&#13;
and to make it quickly. An agent ought to give circumstances, fail to be disastrous.&#13;
a good six months to obtaining the American Other rights which an agent sometimes allows&#13;
market for an author before he attempts to obtain an author to sign away are dramatic rights. To&#13;
&#13;
&#13;
## p. 14 (#410) #############################################&#13;
&#13;
14&#13;
THE AUTHOR.&#13;
allow such assignment would seem so absurd that and never employ an agent who also acts for a&#13;
it would hardly be worth while to mention it were publisher. Be careful that the agent is permitted&#13;
it not the fact that such cases have occurred. only to collect moneys on contracts made by him&#13;
Naturally, the publisher will try to get as many during the continuance of the agency. Never allow&#13;
rights as he can. That is merely legitimate the agent to have an indefinite contract, so that at&#13;
business ; but that the agent should allow an author some future date he may be able to claim moneys&#13;
to concede these rights is criminal, for he is there on a contract that you yourself have made or some&#13;
to protect the author and not to assist the publisher other agent has made for you, merely because he has&#13;
to coin money.&#13;
introduced you to the principal. Finally, against&#13;
This then is the agent's position as between all these difficulties which cluster so thickly round&#13;
author and publisher. It may be worth while to the employment of the agent, an author may guard&#13;
make a few remarks as to the agent's position with himself by becoming a member of the society.&#13;
the editor. It not in frequently happens that an Don't employ an agent; but if you do, watch him.&#13;
editor will write to an agent for a serial story of a&#13;
certain length. The agent, sitting on his judgment&#13;
seat, will act as the proud arbiter as to which of his&#13;
clients shall have the order. This position is very&#13;
PUBLISHERS' METHODS.&#13;
dangerous, for, however straightforwardly the agent&#13;
may act, the author who is rejected does not have a&#13;
fair run. In addition (as an agent naïvely remarked COME years ago the society was forced to&#13;
to an author who brought him in a large income but D complain because a publisher had, on more&#13;
determined to cut down his charges), “if such an than one occasion, submitted to authors a&#13;
offer came to me, I should naturally give it to the form of agreement which he stated had received&#13;
author who paid the highest agency fees.” This the approval of the society. By this means he&#13;
may be business from the agent's point of view. obtained the author's signature, which he certainly&#13;
It is exceedingly dangerous from the author's. Or would not have obtained had the agreement been&#13;
again, the agent may sometimes go round to an referred to the secretary.&#13;
editor and ask if he desires stories from certain When the society remonstrated the publisher&#13;
authors-mentioning names, perhaps, not even on denied that he had made this wrongful use of the&#13;
his books. If he gets an offer he will try to draw society's name, and was only brought to conviction&#13;
the author into his hands and even, at times, from on being confronted with his own handwriting.&#13;
another agent. If he does not succeed in drawing There is another method employed by publishing&#13;
the author away from the agent, it may mean that houses which, while it is not damaging to the&#13;
the author will have to pay commission to both reputation of the society, is equally with the one&#13;
agents.&#13;
already mentioned injurious to the business settle-&#13;
Serial rights are often strangely neglected by ments of the author.&#13;
agents. There are not merely first serial rights, A publisher, on an author objecting to some&#13;
but second serial rights ; rights in the colonies, in very stiff clauses in his agreement, not infrequently&#13;
America, and in the provincial papers. Indeed, says: “ This is my printed agreement from which&#13;
the real literary agent to be of any real value ought this house never varies.” As is bound to happen&#13;
to have an enormous field of communication and in a society with 2,000 members, cases of this kind&#13;
knowledge, and, as far as possible, to be ubiquitous. are constantly brought to the secretary, who is able&#13;
To sum up: preferably, don't use an agent. at once to show to the author that the publisher is&#13;
If you are bound to employ one, be very careful of making, to use the mildest term, a mis-statement.&#13;
your contract with him. Never give him too wide He has, perhaps, only a week before, made radical&#13;
a control; never give him uncontrovertible authority alterations to the knowledge of the secretary, in&#13;
to collect moneys; never, in any circumstances, allow one of his “unalterable” contracts. In fact, the&#13;
him to insert a clause in your publishing agreement practice in one house grew quite notorious, the&#13;
by which he is able, without restriction, to collect proprietor benefiting by forcing unfortunate authors&#13;
royalties. If, when criticising an agreement with a into his contracts. The authors no doubt had&#13;
publisher, he pointed out that the clause he proposed seen the names of other writers of renown publish-&#13;
inserting dealing with his own position was a bad ing with the same house, and, naturally, drew the&#13;
clause for the author, and if he gave the reasons, deduction from the publisher's statement that these&#13;
clear and concise, then the author would have no authors were publishing under a similar agreement.&#13;
reason to complain if he signed the agreement. But Another phrase frequently in the mouths of&#13;
the agent never draws the author's attention to the publishers is, “ These agreements have been settled&#13;
clause and never gives the reasons. Never employ by King's Counsel and approved by the Publishers'&#13;
an agent who deals as principal as well as agent, Association." It is curious that such a statement&#13;
&#13;
&#13;
## p. 15 (#411) #############################################&#13;
&#13;
THE AUTHOR.&#13;
15&#13;
should not repel rather than compel. The author, inherent in them. Then the publisher's reply to&#13;
however, does not always grasp the fact that a King's the author's remonstrance can be discussed.&#13;
Counsel will settle an agreement according to the The first clause practically transfers to the&#13;
instructions of his client; and if the client is the publisher the copyright, and this position is further&#13;
Publishers' Association, the agreements will be confirmed by clause 5. As under clauses 1 and 5&#13;
settled wholly in favour of the publishers. This, the publisher holds the copyright it was, perhaps,&#13;
indeed, was the case. The members of the society unnecessary for him to insert clause 2. It cannot&#13;
are referred to “Forms of Agreement issued by the be too often repeated in these columns that the&#13;
Publishers' Association, with Comments,” published publishers should have a licence to produce the&#13;
from the society's offices. In this pamphlet the work in book form only at a fixed price only in&#13;
whole question is fully dealt with.&#13;
the English language. The clause might receive&#13;
It is necessary, as these incidents recur, that even further limitations, limitations to a certain&#13;
they should be recorded, and as the secretary number of editions or to certain countries. If&#13;
of the society has recently received further evidence, such a licence had been granted, then the publisher&#13;
the following facts are laid before the members. might have been, under clause 2, allowed an agency&#13;
In one week two agreements from a certain fee for the sale of the rights mentioned under&#13;
publisher were offered to authors. The agree- contracts signed and approved by the anthor if&#13;
ments were on very similar lines. The books to obtained through the publisher's introduction.&#13;
be published were important books of a technical That the publisher should have the exclusive&#13;
character. The agreements, from the author's licence to place these rights without reference to&#13;
point of view, were extremely bad. It is only the author, and on contracts made without consul-&#13;
necessary to print some of the clauses to show tation with the author, is absurd. It is equally&#13;
how bad they were.&#13;
absurd that for mere agency business the publisher&#13;
Clause 1.- The publisher shall during the legal term of&#13;
should be allowed 50 per cent. Clauses 3 and 4&#13;
copyright have the exclusive right of producing and pub- are both dangerous from the standpoint of the&#13;
lishing the work in the English language throughout the writer of technical books. The great majority of&#13;
world. The publisher shall have the entire control of the technical books dealing with modern science require&#13;
publication and sale and terms of the sale of the book, and&#13;
neither the author nor the publisher shall during the con-&#13;
to be brought up to date from time to time as the&#13;
tinuance of this agreement without the consent of the other&#13;
knowledge at the disposal of the writers develops.&#13;
publish any abridgment, extract, translation, or dramatised There is only one person who should have control&#13;
version of the work.&#13;
over these alterations. That person is the author.&#13;
Clause 2.-In the event of the publisher realising profits&#13;
Under the clause as it stands he would be bound&#13;
from the sale of rights of translation, rights of production&#13;
in other countries, serial rights, or plates, or from claims to revise, or have the book revised by another hand&#13;
for infringement of copyright, fifty per cent. of the net if the publisher demanded such revision, even&#13;
amount of such profits remaining after deducting all though he, the writer, might deem the process&#13;
expenses relating thereto.&#13;
wholly unnecessary.&#13;
Clause 3.—The author agrees to revise the first, and, if&#13;
necessary, to edit and revise every subsequent edition of It is a matter of no difficulty to draft clauses&#13;
the work, and from time to time to supply any new matter to meet such a position, and the same house has on&#13;
that may be needful to keep the work up to date.&#13;
occasion altered its unalterable agreement, giving&#13;
Clause 4.-In the event of the author neglecting to revise&#13;
the author this essential control.&#13;
an edition after due notice shall have been given to him, or&#13;
in the event of the author being unable to do so by reason On clause 5 nothing further need be said, save&#13;
of death or otherwise, the expense of revising and preparing that in no circumstances on the basis of a royalty&#13;
each such future edition for press shall be borne by the remuneration should an author allow a publisher&#13;
author, and shall be deducted from the royalties payable to&#13;
to be the owner of the copyright.&#13;
him.&#13;
Clause 5.-During the continuance of this agreement the As to clause 6, it is only necessary to point out&#13;
copyright of the work shall be vested in the publisher, who that if the book were published in January—not&#13;
may be registered as the proprietor thereof accordingly. an unfavourable month for book publication-the&#13;
Clause 6.-The publisher shall make up the account&#13;
annually to December 31st, and deliver the same to the&#13;
author would be out of his money for over twelve&#13;
author within two months thereafter, and pay the balance&#13;
months. This, indeed, is not so bad as in some&#13;
due to the author on March 31st.&#13;
forms of agreement, where it is posssible for the&#13;
Clause 7.-If any difference shall arise between the author to be kept out of his money for nearly&#13;
author and the publisher touching the meaning of this&#13;
agreement, or the rights or liabilities of the parties there-&#13;
eighteen months. It is, no doubt, a pleasant&#13;
under, the same shall be referred to the arbitration of two arrangement which enables the publisher to run&#13;
persons (one to be named by each party) or their umpire, his business on other people's money.&#13;
in accordance with the provisions of the Arbitration Act, Clause 7 is an unsatisfactory clause, although it&#13;
1889,&#13;
appears in a great number of publishers' agreements.&#13;
Perhaps it may be as well to pass a few comments Publishers assert that arbitration is a saving of&#13;
on these clauses, and to explain in detail the faults money. This is not usually the case, as the arbitra-&#13;
&#13;
&#13;
## p. 16 (#412) #############################################&#13;
&#13;
16&#13;
THE AUTHOR.&#13;
tor's fees have to be paid, as well as the other costs. “The Still Alarm—The Greatest Fire Scenes&#13;
It has also been claimed that it is an expeditious ever depicted-On view to all at our offices.”&#13;
way of settling disputes. Generally it is cumber- Evidence was given by a witness, who bad&#13;
some and unsatisfactory. The only real advantage attended the performance with a view to pur-&#13;
gained—and this is the publisher's—is that he chasing the films, and it was contended on behalf&#13;
shuns by arbitration that publicity which is so of the plaintiff's that there had been an infringe-&#13;
necessary as a warning to other authors.&#13;
ment of their dramatic rights in the fire scenes of&#13;
Some of the clauses might have been passed by the play.&#13;
an author who wished to yield gracefully some for the defendants it was virged that there could&#13;
advantage to the publisher, but the majority of be no copyright protection in a mere scene, and&#13;
the clauses quoted are such that no author should that the representation by cinematograph was not&#13;
allow them to enter into any contract, in anyan infringement of dramatic rights.&#13;
circumstances, between himself and the publisher. Mr. Justice Channell said that it was not neces-&#13;
On the advice of the secretary the author wrote sary to decide whether the plaintiff had an exclusive&#13;
drawing the attention of the publisher to the right to the representation of a portion of the play&#13;
difficulties above mentioned, and, to his astonish- against anyone who might exhibit the films.&#13;
ment, received a letter from which we quote the Sone day, he thought, it might be held that a&#13;
following extract:-&#13;
copying of a portion of a play in a cinematograph&#13;
“ The form of agreement is one which we always exhibition, where there was payment, was within&#13;
lise, and which experience has proved to give the statute. Upon the facts of this case, however,&#13;
satisfaction to all concerned.”&#13;
he was of opinion that the defendants did not&#13;
A more extraordinary statement it would be represent the piece in a place of dramatic&#13;
impossible to imagine. Over and over again have entertainment.&#13;
contracts from this very house been brought to the&#13;
HAROLD HARDY.&#13;
society, been criticised, and altered to suit the&#13;
author's requirements, and to make such a state-&#13;
ment in the face of this fact is not only unfair to&#13;
the author, but a serious matter for the reputation&#13;
MAGAZINE CONTENTS.&#13;
of the house. Besides, if the agreement had given&#13;
satisfaction to all parties, there surely would be no&#13;
BOOKMAN.&#13;
need for an arbitration clause. The publisher's&#13;
position is untenable, but still authors may be, and&#13;
Harriet Beecher Stowe. By Walter Jerrold.&#13;
Fournier's “ Napoleon." By Dr. William Barry.&#13;
probably will be, deceived.&#13;
Book MONTHLY.&#13;
Wanted: A New Mode of Literary Expression. By&#13;
Adam Gowans Whyte.&#13;
CINEMATOGRAPH PERFORMANCES.&#13;
CONTEMPORARY.&#13;
The Pictorial Art of Japan. By Count S. C. de Soissons.&#13;
Literary Genius. By J. E. G. De Montmorency.&#13;
GLENVILLE v. SELIG POLYSCOPE COMPANY.&#13;
ENGLISH REVIEW.&#13;
THE decision in this case, as to the meaning of Letters of Wagner to his Schoolfellow, Apel.&#13;
“a place of dramatic entertainment," seems The Handling of Words (Thomas Hardy). By Vernon Lee.&#13;
likely to be the subject of an appeal, as a&#13;
FORTNIGHTLY.&#13;
stay of execution was granted, and the Judge appears&#13;
Some Aspects of the Celtic Renascence. By K. L.&#13;
to have given special importance to the question of Moutgomery.&#13;
payment.&#13;
NATIONAL&#13;
The plaintiff claimed damages and an injunction The Creed of an Agnostic Spiritualist. By J. Arthur Hill.&#13;
to restrain the representation of certain scenes&#13;
connected with a dramatic piece, entitled “The&#13;
SCALE FOR ADVERTISEMENTS.&#13;
Still Alarm,” which had been originally performed&#13;
in the United States and subsequently in England&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
at the Princess' Theatre. In 1904 the plaintiff&#13;
Front Page&#13;
... ..£4 0 0&#13;
Other Pages&#13;
... ... 3 0 0&#13;
produced a new version with two “fire scenes”.&#13;
Quarter of a Page&#13;
...&#13;
added, and it was in respect of these scenes that an&#13;
... 0 15 0&#13;
Eighth of a Page&#13;
... O 7 6&#13;
injunction was asked for.&#13;
Single Column Advertisements&#13;
per inch 0 6 0&#13;
The defendants, who are manufacturers of cine Reduction of 20 per cent, made for a Series of Six and of 25 per cent, for&#13;
Twelve Insertions.&#13;
matograph films, issued an advertisement in the&#13;
following terms :&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C&#13;
Half of a Page ...&#13;
110&#13;
&#13;
&#13;
## p. 17 (#413) #############################################&#13;
&#13;
THE AUTHOR.&#13;
17&#13;
HOW TO USE THE SOCIETY.&#13;
N VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu.&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent withont the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society,&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System,&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
A void agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
UTERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 18 (#414) #############################################&#13;
&#13;
18&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract,&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
L assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
&amp; rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
he warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
QCENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society hegs to give potice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Univn of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 19 (#415) #############################################&#13;
&#13;
THE AUTHOR.&#13;
19&#13;
GENERAL NOTES.&#13;
NETT AND DISCOUNT Books.&#13;
LOOKING recently down the literary column&#13;
THE COPYRIGHT BILL.&#13;
of a contemporary, we noticed an interesting&#13;
We may congratulate the Government on announcement respecting a popular series inaugu-&#13;
having carried the Copyright Bill through the rated by a well-known publishing house. The&#13;
House of Commons. It would be inadvisable announcement was to the effect that, owing to an&#13;
to say more about the matter until the Bill has increase in the cost of production of the series, the&#13;
become law, but there does not appear to be any publishers had found it necessary to change the price&#13;
vital reason why the Bill should meet with any of the volumes from 58.“ subject to discount,” to 5s.&#13;
violent opposition, and be altered to any large nett. As it is conceivable that some may retort that&#13;
extent from the form in which it emerged from the this alteration in price is a matter entirely between&#13;
House of Commons. One or two small amend the publisher and the bookselling trade, we think&#13;
ments, however, may be necessary.&#13;
it desirable, in the interest of authors, to point out&#13;
The Bill was ordered to be printed on the 18th of its importance to the writers employed in the manu-&#13;
August of the present year, and when it becomes facture of the series. We do so with the less hesi-&#13;
law it will be issued as a supplement to The tation, as we notice that over forty volumes so far&#13;
Author, so that members of the Society may have have been issued at the lower price, and it seems&#13;
an opportunity of studying its terms.&#13;
to us that a consideration of the matter, as it&#13;
During its passage through the Commons, the affects the payment of the writers, may not be&#13;
Bill met with a considerable amount of opposition without interest. While we do not for one moment&#13;
from wholly unexpected quarters ; indeed, from question the justification of the alteration in price,&#13;
many whom one might have thought would have we do suggest that the author should share in the&#13;
actively supported its principles.&#13;
increased returns which will accrue to the pub-&#13;
Apart from various details, there are two main lisher in consequence of the change.&#13;
points which will make the passing of the Bill the As the alteration extends over a series of forty&#13;
greatest benefit to authors; the first, that it will books, that increase cannot be dismissed as insignifi-&#13;
enable Great Britain to join the Berlin Conven- cant. Whereas on a 5s. “subject" book the returns&#13;
tion; the second, that it will bring into uniformity to the publisher would probably average about 2s. 8d.&#13;
the law of copyright which, at present, is scattered per copy, on the 58. nett book they would come&#13;
through twenty or more different enactments, out at something like 3s. 2d. per copy. It will be&#13;
making its interpretation highly complicated and clear from this that a fair royalty on a 5s. book&#13;
confusing&#13;
issued “subject" might be rather poor on one&#13;
issued at 58. nett. It may be, of course, that part&#13;
of the “increased cost of production” is due to a&#13;
THE COLONIAL MARKETS.&#13;
demand for better terms on the part of the writers&#13;
We have complained, from time to time, of the of the books yet to be produced in the series. If&#13;
poor sales of books of English authors in the this is so, we shall be glad on their account—though&#13;
Colonies, and have pointed out that this is appa- a little sorry for the earlier writers. It may even&#13;
rently due to the supineness of the English be that the books in the series are being purchased&#13;
publisher and to the activity of the American book outright; but apart from anything in this particular&#13;
agent. The latter, on one occasion, went so far as case which may possibly render our comment un-&#13;
to induce an Australian bookseller to allow him to necessary, we would add, for the general informa-&#13;
decorate his window, and it may be taken for a tion of writers, that they should never, when&#13;
certainty that he did not decorate the window with making their agreements, permit any alteration&#13;
English books.&#13;
of a “subject” to a “nett” published price without&#13;
We now regret to see from the American Con- getting some quid pro quo. If the publisher wants&#13;
sular Report that the American magazines are to make such an alteration, he should make a&#13;
also pushing the English magazines out of the corresponding increase in the royalty payable to&#13;
market. This, no doubt again, is owing to some the author.&#13;
fault in the English distribution. It is really time&#13;
that publishers, editors, and magazine proprietors&#13;
woke up and bestirred themselves. It is not for&#13;
THE NEW RUSSIAN COPYRIGHT LAW.&#13;
us to advise them as to how to remedy the evil. It The new Russian Copyright Law came into&#13;
is a part of their own business to find the cause force on March 20, 1911. It marks a consider-&#13;
and the remedy. But it is a clear fact that unless able advance upon the previous legislation, but&#13;
something is done speedily and with judgment the is far from being such as might be wished.&#13;
Colonial market will be lost both for English books The following particulars are interesting. Copy-&#13;
and magazines.&#13;
right is accorded to all books published in&#13;
&#13;
&#13;
## p. 20 (#416) #############################################&#13;
&#13;
20&#13;
THE AUTHOR.&#13;
Russia, independently of the nationality of the followed the publication of “ John Chilcot, M.P.,"&#13;
author. The duration of copyright is for and she very early showed herself one of those&#13;
life and fifty years (without any restrictions). writers—it is pleasant to think there are many&#13;
Transformations of novels into dramas, and vice such—who take a generous interest in the work of&#13;
versâ, without the author's consent are forbidden. those less fortunate and less successful than them-&#13;
The exclusive right of translation exists for five selves.&#13;
years only. If a translation is made within that Mrs. Thurston possessed a singularly agreeable&#13;
limit, the translation has a copyright of ten years. and gentle personality. Her dark, glowing beauty&#13;
In the case of simultaneous publication in several was of the type one associates with Irishwomen,&#13;
languages, all the works enjoy equally the full term and her voice was low and exquisitely clear. She&#13;
of copyright. Russian translations of all foreign had none of the exuberance, or the very natural&#13;
works may be published without the consent of the desire to discuss herself and her work, which is so&#13;
foreign author. These translations enjoy the full often typical of the literary temperament. Even to&#13;
term of copyright, but the translator cannot forbid her intimates she seldom spoke of her books, and it&#13;
other translations. Except in the case of stipula- would certainly have been possible for a stranger&#13;
tions to the contrary, an author who has sold the to have been acquainted with her for a considerable&#13;
copyright of his work may publish another edition time without discovering that she wrote. And yet&#13;
as soon as the work is out of print, or, in any case, it is clear that her work must have meant a great&#13;
as soon as tive years have elapsed since the date of .deal to her. Each of her stories, from “ The Circle"&#13;
the first edition ; or, if he is preparing a complete onward, showed marks of conscientious care, and&#13;
edition of his works, three years after that date. she once told the present writer that when engaged&#13;
Piratical publication is punished with a minimum on a new book she found that it absorbed her to&#13;
of three months imprisonment.&#13;
the exclusion of everything else. This no doubt&#13;
was why she preferred to work in the Irish home she&#13;
THE ACADEMIC COMMITTEE.&#13;
loved so well than when living her ordinary life in&#13;
Owing to the fact that The Author does not&#13;
London. As so often happens, the one of her&#13;
appear in August or September, we are only now&#13;
novels which most closely reflected the life she&#13;
knew was that which her readers liked the least-&#13;
in a position to chronicle the election of Lady&#13;
Ritchie and Mr. G. Bernard Shaw to the Academic&#13;
I refer to “The Fly on the Wheel," a close, and in its&#13;
Committee.&#13;
way, a very powerful study of a phase of Irish country&#13;
town society. This story was an interesting “throw&#13;
Lady Ritchie is the first lady to join the Com-&#13;
mittee, which may be congratulated on an election&#13;
back,” for Mrs. Thurstou did not begin to write&#13;
till she came to England, and it is on record that&#13;
which is sure to meet with general approval, and&#13;
throughout a girlhood spent entirely at home she&#13;
may also serve to put an end to the discontent felt&#13;
never wrote a line with a view to publication.&#13;
and expressed in some quarters, where it had been&#13;
It may be doubted if even her closest friends&#13;
assumed, quite erroneously, that the women were&#13;
knew much of Mrs. Thurston's methods of work.&#13;
ineligible.&#13;
It is, however, a curious fact that “The Circle,''&#13;
her first long novel, and a book which was much&#13;
INTERNATIONAL LITERARY AND ARTISTIC praised and commented on by the critics, though&#13;
ASSOCIATION.&#13;
it gave no promise of the immense success of its&#13;
The International Literary and Artistic Asso- immediate successor, was founded on a short story&#13;
ciation ask us to announce that in consequence of&#13;
sequence of&#13;
which&#13;
which was an early imaginative effort.&#13;
reports of an epidemic at Rome-reports it must&#13;
be admitted which appear to be without foundation&#13;
-the congress, which was to have taken place this&#13;
autumn, will be postponed, and held at Rome in&#13;
THE FOREIGN REPRINTS ACT AGAIN.&#13;
the Easter week of 1912.&#13;
ROYALTIES UNDER COMPULSORY LICENCE.&#13;
THE LATE MRS. THURSTON.&#13;
TN 1847 an Act was passed under the short title&#13;
1 of the Colonial Copyright Act, 1847, more&#13;
frequently known, however, as the Foreign&#13;
By M. B. L.&#13;
Reprints Act.&#13;
TN Katherine Cecil Thurston, the Society of The circumstances that led up to the passing&#13;
1 Authors loses a loyal member and a firm this Act were as follows:&#13;
friend. Mrs. Thurston joined the Society in By section 17 of the Act of 5 &amp; 6 Vict., which&#13;
the full flush of her greatest success, that which Act covered all the Colonies, the importation into&#13;
&#13;
&#13;
## p. 21 (#417) #############################################&#13;
&#13;
THE AUTHOR.&#13;
21&#13;
the Colonies of books unlawfully printed was for- into the colonies, and notably American reprints into the&#13;
bidden, without the consent of the copyright&#13;
Dominion of Canadla ; but no return, or returns of an&#13;
absurdly small amount, have been made to the authors and&#13;
owner. Ar&#13;
owners. It appears from official reports that during the&#13;
Owing to three causes, firstly, the rapacity of the ten years ending in 1876, the amount received from the&#13;
pirates, who had no authors' royalties to pay whole of the nineteen colonies which bave taken advantage&#13;
there was no United States Copyright Act in those&#13;
of the Act was only £1,155 133. 2 d., of which £1,084 13s. 2 d.&#13;
days, and International copyright was difficult and&#13;
was received from Canada ; and that of these colonies&#13;
seven paid nothing whatever to the authors, while six now&#13;
involved ; secondly, owing to the lack of enter-&#13;
and then paid small sums amounting to a few shillings.&#13;
prise in the Colonial book trade ; and thirdly, owing&#13;
to the supineness of the English publishers, the It will be seen from this quotation that if the&#13;
Colonies complained that they were unable to get contribution from Canada is left out, there is&#13;
English books.&#13;
practically nothing from the other colonies, and&#13;
Canada was the chief complainant, as she saw eren the sum received from Canada is absurdly small,&#13;
the United States with their piratical trade flooded taking into consideration the number and popularity&#13;
with English works which she was unable to of the authors. The Act is still in force in most&#13;
obtain ; but the complaint was strong also in the of the Colonies ; but as Capada refused to collect&#13;
other Colonies, because those who did read wanted the duties some twelve or thirteen years ago, as far&#13;
to buy books, as they could not borrow them from as that Colony is concerned the Foreign Reprints&#13;
circulating libraries, which did not exist.&#13;
Act is in abeyance.&#13;
The complaint was partly, no doubt, genuine, The absurdity of the whole situation has again&#13;
but to a great extent, especially as far as Canada become prominent, and has been brought to the&#13;
was concerned, was put forward as a political move. notice of The Author by Mr. Hall Caine, who&#13;
The author has always been the slave of the recently received a payment of 8s. 10d. as an&#13;
public, and as such is liable to be robbed of his amount due to him for royalties collected under&#13;
property, first by one constriction and limitation this Act.&#13;
and then by another ; so in this case, with a show of Mr. Hall Caine wrote for an explanation, and&#13;
justice, the Foreign Reprints Act, which is still in received from the Treasury the following reply,&#13;
force in many Colonies, was passed, enabling the with a statement, printed below, setting out the&#13;
Crown, by Order in Council, to suspend the prohibi- Colonies involved and the percentage paid, and&#13;
tion against importation into the English Colonies with a copy of the Act.&#13;
of English copyright works under certain conditions,&#13;
TREASURY CHAMBERS,&#13;
one of the conditions being that certain Customs&#13;
281h July, 1911.&#13;
duties should be collected by the Government of SIR, I am directed by the Lords Commissioners of His&#13;
the Colony adopting the Act, which duties should Majesty's Treasury to acknowledge the receipt of your letter&#13;
be paid as royalty to the author. This really&#13;
of the 18th instant, respecting a payment made to you on&#13;
account of copyright in the Colonies.&#13;
amounted, in other words, to a grant of the right to In reply I am to express their Lordships' regret that&#13;
sell and the right to buy the author's books under it has not been found possible to trace in every case the&#13;
a compulsory licence. A large number of Colonies books in respect of which payment was madle, but, so far&#13;
adopted the Actin fact, all the important Colonies,&#13;
as they have been able to discover them, the details are as&#13;
follows :-&#13;
with the exception of Australia, did so. Under&#13;
the Act the publishers of English books were bound&#13;
to forward catalogues to the Custom House&#13;
Date and Place&#13;
Title of Work. Duty Collected.&#13;
authorities of the different Colonies, so that the of Entry.&#13;
collection might be carried out properly, but, in&#13;
the words of the author of “The Law of Copy-&#13;
right" “ These measures were next to inoperative, Bermuda, 1897&#13;
The Christian&#13;
and the whole thing little better than a delusion.”&#13;
1898 (Unknown)&#13;
From time to time the absurdity of this Act,&#13;
(Unknown)&#13;
The Christian&#13;
from the standpoint of the author, was pointed out&#13;
1904 Eternal City&#13;
in the papers, and figures were given to show how&#13;
1905 Prodigal Son&#13;
ineffective it was in operation.&#13;
Jamaica, 1903&#13;
Eternal City&#13;
The reference to these figures it is impossible to&#13;
1906 Prodigal Son&#13;
1908 The Christian&#13;
find at the moment, but it is sufficient to quote&#13;
from the Report of the Royal Copyright Com-&#13;
8 10&#13;
mission, which sat in 1878:-&#13;
So far as British authors and owners of copyright are&#13;
concerned, the Act has proved a complete failure. Foreign In further explanation of these payments I am to transmit&#13;
reprints of copyright works have been largely introduced the enclosed copy of a Return to the Order of the House of&#13;
1900&#13;
1901&#13;
&#13;
&#13;
## p. 22 (#418) #############################################&#13;
&#13;
THE AUTHOR.&#13;
Commons, dated the 25th of August, 1857, and of a memo- general body of British Authors what the small&#13;
randum prepared in this Department, which my Lords&#13;
payments represent.” He passed some drastic&#13;
trust will be of use to you.&#13;
I am, Sir,&#13;
comments on the Act and its working, and ended&#13;
Your obedient Servant,&#13;
his letter with the following words :&#13;
T. L. HEATH. “I am afraid the statement you are good enough&#13;
to send me, representing duties at 15 per cent.,&#13;
COPYRIGHT IN THE COLONIES.&#13;
amounting to 88. 10d. collected on nine books in&#13;
Under Section 42 of the Customs Laws Consolidation Act, eleven years, casts a very sinister light on the&#13;
1876 (39 and 40 Vict. c. 36), foreign reprints of copyright&#13;
licensing clauses of the Government's new Copyright&#13;
works, of which notice has been given to the Commissioners&#13;
of Customs that the copyright subsists, are prohibited from&#13;
Bill, showing that the receipts to the descendants&#13;
being imported into the United Kingdom.&#13;
of authors during the years of free licensing will&#13;
Section 152 of the same Act also prohibits importation of probably be hardly sufficient to pay their washing&#13;
reprints of such works into the British Possessions abroad, bills."&#13;
but adds that this does not prevent Her Majesty from&#13;
exercising certain powers vested in her under the Act&#13;
One satisfaction to be obtained from the passing&#13;
amending the law relating to the protection in the colonies of the new Copyright Law will be that this absurd&#13;
of British Copyright Works (10 &amp; 11 Vict. c. 95) to suspend Ordinance of 10 &amp; 11 Victoria will be repealed,&#13;
in certain cases such prohibition.&#13;
along with numerous other Statutes dealing with&#13;
These powers were that should the Legislative Authorities&#13;
in any British possession be disposed to make provision for&#13;
for&#13;
co&#13;
copyright property.&#13;
n properu&#13;
protecting the rights of British authors in that Possession It is necessary, however--and it is with this idea&#13;
and pass an Act or Ordinance for that purpose, such before us that we have set out at length Mr. Hall&#13;
Ordinance should be submitted for approval by Her&#13;
Caine's case—to consider the application of the com-&#13;
Majesty, and, provided that reasonable protection is thus&#13;
secured to the British author, an Order in Council should&#13;
pulsory licence in the present copyright legislation.&#13;
be issued declaring that so long as the Ordinance remained It was obvious that the Governments of the&#13;
in force the prohibition against importing, selling, letting separate Colonies were hopelessly incapable of&#13;
out to hire, exposing for sale or hire, or possessing such carrying out the Act in a satisfactory manner for&#13;
foreign reprints should be suspended as regards that&#13;
the benefit of the unfortunate author, who was, in&#13;
Colony.&#13;
The Legislative Authorities in the following Colonies consequence, freely robbed. It is true that the&#13;
duly passed the necessary protective Ordinances, which have compulsory licences, of which there are two in the&#13;
been confirmed by Orders in Council :--&#13;
present Bill, refer to Great Britain and Ireland&#13;
Antigua.&#13;
Jamaica.&#13;
only, but it is possible that they may cover a good&#13;
Bahamas,&#13;
Mauritius.&#13;
many of the Colonies as well. But this fact gives&#13;
Barbados.&#13;
Newfoundland.&#13;
Bermuda.&#13;
St. Lucia,&#13;
us little hope that the compulsory licence will be&#13;
British Guiana.&#13;
St. Christopher and less dangerous from the author's point of view than&#13;
Canada.&#13;
Nevis,&#13;
it was in the past.&#13;
Cape of Good Hope and St. Vincent.&#13;
All who have studied the Copyright Bill know that&#13;
Natal.&#13;
Trinidad.&#13;
Grenada.&#13;
there is a compulsory licence twenty-five years after&#13;
the author's death, and there is a compulsory and&#13;
The Ordinances in Canada, Cape of Good Hope, and&#13;
Natal ceased to be effective on these Colonies becoming&#13;
an unlimited licence on the unfortunate composers&#13;
self-governing.&#13;
who care to allow their works to be reproduced by&#13;
The Ordinance of the Colony fixes the amount of the mechanical instruments.&#13;
protection, and the title to this protection depends upon&#13;
It will, of course, be argued that the two in-&#13;
registration of the work, the name of the holder, and the&#13;
period of the copyright, with the Commissioners of Customs,&#13;
stances are not in the least parallel ; that in the&#13;
who issue to the Colonial ports a list, supplemented from one case the royalty is to be collected by the&#13;
time to time, of such works.&#13;
Government and in the other by the author, but it&#13;
• The Colony, on receiving the duties imposed, transmits&#13;
is not so much the collection of the royalties that&#13;
them to the Treasury, and that Department distributes&#13;
them to the respective copyright holders as specified in the&#13;
makes the compulsory licence impossible, but the&#13;
Customs list.&#13;
fact that the licence is compulsory. What has&#13;
Until 1881 it was the practice of the Treasury to distribute proved such a distinct misfortune in the past in&#13;
thesc sums, however small, but in that year it was decided&#13;
slightly different circumstances will most prob-&#13;
to retain small sums until they accumulated to a minimum&#13;
of £1, reduced in 1903 to 108.&#13;
ably prove a distinct misfortune in the future, and&#13;
In view, however, of the numerous small amounts due to it may be that the author will obtain as little of his&#13;
the various copyright holders, and to the time winich had true and just returns under the clauses in the Bill&#13;
elapsed since these sums were collected, it was decided this at ni&#13;
at present under discussion as he was able to&#13;
year to pay over sums amounting in the aggregate to 48. or who&#13;
under the Foreign Reprints Act.&#13;
over.&#13;
Even with all the protection which the Board&#13;
To this letter Mír. Caine replied on July 29th of Trade may invent to guard the author's rights,&#13;
He stated that he had forwarded all the papers it will be almost impossible to follow the number&#13;
to the society that “ It may be made clear to the of different reproductions placed on the market,&#13;
&#13;
&#13;
## p. 23 (#419) #############################################&#13;
&#13;
THE AUTHOR.&#13;
23&#13;
when any pirate who cares to may begin manu writers. Already there are copyright novels at&#13;
facturing with little or no fear of detection, and sevenpence the copy, not reprints, but first editions,&#13;
with still less fear of conviction.&#13;
yet not two writers in a hundred can hope to earn&#13;
bread by royalties on that price, being in constant&#13;
competition both with lending libraries and with&#13;
reprints of Dickens, of Scott, of Thackeray, and of&#13;
A FEW WORDS ON EXPIRED many other perennialists. Besides, however low&#13;
COPYRIGHTS.&#13;
prices may be, the public is soon tired of their&#13;
repetition and begins to think that they are&#13;
expensive.&#13;
BY CRUSADER.&#13;
And another point is this, that when new copy-&#13;
THEN a type of society becomes ordered and right books appear at a reasonable price they are&#13;
V intricate, it retains a great deal of work published more often than not in little editions, so&#13;
from the past and produces many new the cost per copy is greater than that in the large&#13;
things in a traditional manner; then market reprints of popular classics ; and yet these reprints&#13;
rivalries between old products and modern efforts are exempt from royalities, while to-day's own&#13;
bring in their train many evils of their own. To books cannot be, as authors somehow fail to live&#13;
speak figuratively, the young harvests have to without food and shelter, though many have had&#13;
grow in fields already occupied by corn which time experience in the school of long hunger. I can&#13;
has left unreaped and unharmed. Yet they are recall a time when stale dry bread was delicious&#13;
expected not only to strike root under the shadow- after a week without anything to eat. Oh! In&#13;
ing protection of the old corn, but to push their the battle of the books, in the war of the classic&#13;
way upwards without being stifled, till they dead against their humble successors, “knock-&#13;
ripen in the sunshine of a free air. Children are outs" are not in the the least enjoyable, at least to&#13;
spared a lifelong competition with their parents, those of us who know how they act and how they&#13;
but the generations are not, for they inherit so much are financed. To allow copyrights to lapse, with-&#13;
living genius that the present is ever the past also, out paying royalities to the State, is not only to&#13;
and it may be awed into imitation and unfreedom subsidise “the simple great ones gone,” giving&#13;
by accumulated riches in great things.&#13;
them unfair advantages in market competition ;&#13;
Goethe counted himself lucky that he inherited besides that, which is bad enough, it endows&#13;
a weak German literature, believing that an array publishers with a fruitful capital—a vast property&#13;
of classic authors equal to the English would have of excellent books freed from royalities and from&#13;
cooled his own ardour and hindered that growth of the need of much advertising ; and all this penalises&#13;
character which comes from thinking freely and the daily efforts made by ourselves.&#13;
acting independently. And who has not observed If an author is to earn a living with royalties on&#13;
in Italy how the deification of the old masters has little editions, the royalties must be good and the&#13;
enfeebled modern art among a race of men wonder- price rationally high, or else be will starve even&#13;
fully equipped by nature with quick perception and when his publisher banks a profitable interest on a&#13;
with skill of hand ? I think of this in connexion trifle of capital. It is not at all bad trade when a&#13;
with the frenzied competition in the book market, publisher prints and sells a six-shilling novel in an&#13;
where classic authors beg pleadingly for pence and edition of a thousand copies, gaining thereby a&#13;
ha'pence. If the classics are not now a danger to profit of about £30, on an outlay of not more than&#13;
our own work, what else are they ?&#13;
£115. The author gets about as much under&#13;
One trader in dead copyrights saved a fortune of a good agreement, and upon that he cannot&#13;
£500,000. He had no royalties to pay, he knew live during five or six months of work, so his needs&#13;
which classics had the greatest vogue, and it was as a citizen are opposed by the finance of publishing.&#13;
easy to boom them into the market in large The opposition, too, is fundamental. Royalties on&#13;
reprints and at little, wheedling prices, till the a book that takes much time and infinite pains are&#13;
retail cost of copyright books seemed not only high your all, while a publisher's object is to use the&#13;
by comparison, but wrongful also. Many publishers same working capital thrice in a year and to earn&#13;
do the same thing now, and each tries to undercut a buoyant profit on each turnover. You are&#13;
the dwindling standard of cheapness, as if in stricken, but your work is a godsend to your&#13;
obedience to the belief that British homes are alms publisher. You know the “kuock-out” of small&#13;
houses filled with paupers.And newspapers, too, editions, while your publisher is ready to go on&#13;
are trading with the property of dead authors in with a thriving system of finance which in the&#13;
the hope that they may be able to “ring" the course of a few years has built many palatial&#13;
ordinary publishers. Meantime, you will note, it offices.&#13;
fares very far from well with the majority of living Why is it, then, that the State favours the&#13;
&#13;
&#13;
## p. 24 (#420) #############################################&#13;
&#13;
24&#13;
THE AUTHOR.&#13;
publisher to the injury of authors ? Why hand is not to her advantage nor to that of authors&#13;
over to him all expired copyrights in order that he that rich tradesmen should be able to force the&#13;
may issue them in reprints so cheap that they dis- weak hand of poverty ? Many publishers bunger&#13;
credit the rational value of new productions? It for copyrights, and needy authors become the&#13;
can no longer be said with any semblance of truth victims of that appetite, being unsupported by their&#13;
that the people need such cheap reprints, for the self-made legatee, the State.&#13;
poorest of the poor can well afford to read borrowed These anomalies, too, are in keeping with many&#13;
books in these days of free libraries. Besides, the others. It is said, for instance, that properties of&#13;
first duty of a State is to cherish within each gene- authorship are such inestimable gifts to mankind&#13;
ration the hopeful courage that acts well, and the that the State is justified in claiming them for her&#13;
higher aspirations that quicken and enlarge the people. This sounds like a principle of Socialism ;&#13;
mind. You cannot have aviaries of singing birds it applies to all the many forms of property&#13;
if you do not feed them, nor hives full of honey having more than a temporary and personal value.&#13;
if you smother the bees. And we may depend upon To“koock-out" the author cannot be right while&#13;
it that if we could suininon into the House of landowners and other property-holders can bequeath&#13;
Commons a parliament of the simple great ones and entail their estates, without any regard at all&#13;
gone, from Chaucer to Tennyson and Browning, for that poverty-born ideal which sets before us a&#13;
very few votes would be given in support of their national ownership in all things fitted to produce&#13;
present tyranny over the new breadwinners in wealth.&#13;
literature. Milton would lead an overwhelming It is invaluable, in this connection, to think of&#13;
opposition to it, seconded by the rich common the difference between Shakespeare and the great&#13;
sense of Latimer and Johnson. If Shakespeare Elizabethan landowners. The dramatist from the&#13;
si oke, aſter many invitations, would he not say first had no copyright, inheriting the laisser faire&#13;
that the mind of England ought ever to be of a that the printing press took up from those cloistral&#13;
piece with the many repetitions of herself with ages when books were manuscripts, and in a few&#13;
which she has gemmed the seas? He could not copies circulated among the religious, mainly in&#13;
like anything meagre, petty, diminutive, flurried, nunneries and monasteries. So, then, Shakespeare's.&#13;
or cheap. He would expect English thoughts to own works were never his own ; they belonged to&#13;
put a new girdle around the world each generation. England from the first; and not a farthing of&#13;
The Lord Chief Justice, on November 1, 1909, royalty has yet been claimed by the Exchequer&#13;
expressed the hope that Great Britain and her from the publishers and theatre managers who have&#13;
Colonies would do all in their power to draw the traded with Shakesperian property. How com-&#13;
civilised nations together in a common accession pletely different is this from the legal protection&#13;
to the following principle, that the property in granted from age to age to such a family as the&#13;
copyright and literary work belongs to the author. Cecils, whose landed estates have passed from heir&#13;
It is pleasant to note that Lord Alverstone gladly to heir, gathering an increase of value from the&#13;
admits that books and copyrights are property, nation's progress! Could anyone break through a&#13;
and that this property belongs to those who call hedge of theirs without incurring a risk of legal&#13;
them up into literary presence and give them a punishment ? And why is it that land, which&#13;
fructiſying value in a nation's life and trade. Lord nature provides as a mother for the nursing of all&#13;
Alversione hopes that Great Britain will support living creatures, should be handed on as property&#13;
the requests of other nations to the extension of more real and more native to a family than are any&#13;
the period of protection to life and fifty years, and fruitful works of imagination ? Had Shakespeare&#13;
this certainly is a blessed compromise in the domain died as a child, England would have lost inestim-&#13;
of illogic. For the State has no right to grant able riches, whereas the extinction of a great&#13;
perpetuity of ownership to many forms of property family neither lessens the land nor makes it barren.&#13;
and a very limited ownership to a few others. Mother Earth and true genins are equally stable&#13;
Logic and justice demand that all property in a and equally bountiful as property ; the distinction&#13;
civilised nation should enjoy under the law the between them is that genius merits the greater&#13;
same protection and the same privileges.&#13;
protection since the permanent worlds built by it&#13;
And there is another point of vital interest. belong for all time to the rare workers who are at&#13;
Since Great Britain from the first claims every once new and antique, and the contemporaries of&#13;
authoi's property, allowing him only the use of it all the ages. For example, Chaucer is more&#13;
for a small term of years, why is she not logical in marketable by far to-day than he was in his own&#13;
her self-interest ? Why does she not enrich her time, for he lives in all countries where poetry is&#13;
Exchequer by charging a royalty on her classics ? valued ; and each copy of his work everywhere is&#13;
And why does she not forbid publishers to buy the Chaucer himself. Yet this great Englishman, and&#13;
short-lived copyrights granted by her laws, since it many others, had no copyright in their generous&#13;
&#13;
&#13;
## p. 25 (#421) #############################################&#13;
&#13;
THE AUTHOR.&#13;
25&#13;
property, and even now there is not the sinallest pangs of chronic rejection at their hands, may or may.&#13;
chance that full justice will be done to authors and not endorse Lord Byron's view that : “ Barabbas&#13;
artists, because no political party can win votes by was a-publisher,” still we can comprehend their&#13;
asking the public to sanction fair copyright laws. disinclination as business men to purchase goods&#13;
Indeed, the man in the street is quite indignant manufactured by untried makers.&#13;
that anthors should want to bequeath to their The case against cditors is no whit more cheerful.&#13;
families the right to demand royalties on all copies In periodicals in which only first-class matter is in-&#13;
of their work issued by tradesmen for the purpose serted, a glance at an author's signature will suffice.&#13;
of money-getting.&#13;
“Popnlar” journals may and do here and there&#13;
If the State had her own printing works, and use "copy" sent in by outside contributors ; but&#13;
issued non-copyright books to the public at their they commonly make this concession in such an&#13;
pet cost per copy, many “rings” and “knock- irregular and seemingly unaccountable manner, that&#13;
outs" that now do harm to living authors would the freelance who relies upon them as a source of&#13;
pass away, because the classics would be welcomed income will speedily perceive his conditiou to be&#13;
as apart from trade speculations and the enrichment desperate.&#13;
of tradesmen. There would be no competition The following incident may serve to illustrate&#13;
then between the old and the new : in fact, the old this point. Having completed a short story during&#13;
would enter for all time into the people's endowed the month of March, 1893, the writer submitted it&#13;
education. This would be infinitely fairer to each in the following July to a respectable weekly, which,&#13;
passing generation of harassed writers of books, for present purposes, we will call “The Flagstone."&#13;
who bid to the public fancy for their livelihood. It was promptly returned. During an interval of&#13;
To sum up, we hare seen that copyrights should four years the manuscript thenceforward fulfilled&#13;
be protected at the least for life and fifty years, and its destiny as a rolling stone gathering no moss.&#13;
that those which survive that period should be Then the writer, impelled by one of those curious&#13;
published with all other classics by the State, as a impulses to which errant human nature is liable,&#13;
part of the national education, or, if left free to all presented it for the second time to the journal&#13;
speculators, should pay a fixed royalty to the which had dealt with it previously in so uncere-&#13;
Exchequer, partly that the nation may benefit as a monious a fashion. The sands of the year 1897 rau&#13;
whole by setting a time-limit to an author's owner- out, as did those of 1898—and the story neither&#13;
ship in his own work, and partly in order to check, came back nor appeared. The year 1899 repeated&#13;
as far as possible, the wrongful advantages now the process of its predecessors. Respectful enquiries&#13;
given to publishers and newspapers in their pitting elicited curtnotes of an evasive tendency. Eventually&#13;
of old books against the new.&#13;
affairs were brought to a climax. After an interview&#13;
with the editor early in 1900, the story made a&#13;
belated bow to his subscribers. In June of that&#13;
SORROWS OF A FREELANCE.&#13;
year it was paid for. For four years it had been&#13;
tossed about from pillar to post: for three it had&#13;
T o the plain unvarnished fact that the sorrows languished in a sort of backwater, without either&#13;
1 of Grub Street are to the full as poignant in rhyme or reason to account for its fate.&#13;
the present as ever they were in the past no Nor was this the only instance of a manuscript&#13;
writer of eminence has testified with greater force receiving the honour of acceptation at the hands of&#13;
than the late George Gissing, whose novel, “ The one to whom it had at first proved to be “unsuitable."&#13;
New Grub Street," every man or woman who com Editorial antics of this kind are preferable,&#13;
templates embarking on a literary career should however, to those sometimes performed by men&#13;
study closely and ponder deeply.&#13;
not only unbusinesslike but also unscrupulous-not&#13;
If the experience of the present writer, whose to use a stronger term—in their dealings with&#13;
first attempts in that direction were taken twenty- obscure wielders of the pen. Take the case of a&#13;
five years ago, may be accepted as corroboration, the booklet in twelve chapters posted to a certain social&#13;
book should stand as a masterpiece of faithful weekly with a view to serial publication on&#13;
portraiture.&#13;
September 9, 1891. Neglect of the precaution to&#13;
Casting an eye rather upon potential profits than register the parcel may have been responsible for its&#13;
philanthropic encouragement of budding talent, complete disappearance, or not; but the simple fact&#13;
publishers desire, in the main, to deal with authors remains that upon its quitting the author's hands&#13;
already established favourites with the reading the MS. vanished into space, as though by a con-&#13;
public. Speculative risk must, beyond dispute, play juring trick. A lawyer, whose services were&#13;
a part in the launching of unfamiliar names upon requisitioned on the quest, attached no blame to the&#13;
the book market—the quality of their wares apart. postal authorities. Though lost to the author, he&#13;
Although, then, such of us as have suffered the believed the labour expended upon his MS. would&#13;
&#13;
&#13;
## p. 26 (#422) #############################################&#13;
&#13;
26&#13;
THE AUTHOR.&#13;
in all probability benefit- somebody. It would be least forty had been shipped off and—refused : the&#13;
necessary to cultivate a like altruistic spirit, in last of them turning up with a precision somewhat&#13;
order to survey with equanimity the loss of a story reminiscent of clockwork on December 22, 1907 !&#13;
similarly dealt with by a monthly magazine on Yet consignments condemned — shall we say&#13;
October 18, 1900. It could have been used advan- without the formality of examination-by this par-&#13;
tageously later on, but the custodian to whose tender ticular, very particular, house, have been accepted&#13;
mercies it had been committed denied cognisance not altogether with reluctance by its rivals!&#13;
of the little stranger-and there was no duplicate. Lest these animadversions should be taken as&#13;
By these and kindred devices fully one-half of the prejudiced or in any degree overstated, let us refer&#13;
manuscripts despatched on their doleful journeys to a commentary made by the late James Payn in&#13;
from the beginning onwards have, up to the present the Illustrated London News for November 16,&#13;
moment, gone hopelessly and irretrievably astray- 1895. This gentleman, as editor of Chambers'&#13;
fifty per cent of a man's merchandise proving of no Journal, and later on, of the Cornhill Magazine,&#13;
greater value to him than so many soap-bubbles occupied an elevated position in the world of letters,&#13;
bursting in the air !&#13;
and although not infallible, as his rejection of&#13;
Were these tribulations exceptional ? Read on “John Inglesant” would show, he undoubtedly&#13;
before answering the question.&#13;
lent a helping hand to many struggling, but talented,&#13;
" Whoever seeks to live by brain and pen alone beginners.&#13;
is, at the beginning of such a career, treated as a “With some of the complaints of contributors to&#13;
sort of social pariah. Nobody wants him. Every periodicals I entirely sympathise,” he wrote. “The&#13;
body despises him. His efforts are derided ; his length of time their manuscripts are retained and,&#13;
manuscripts are flung back to him unread.” after all, rejected, the smallness of the remuneration&#13;
Wild words--gross exaggeration, you say. and the delay in its payment are genuine grounds&#13;
But as there can be no smoke without fire, so of grievance.” And there has been a marked&#13;
there can be no exaggeration where there is no deterioration as regards honesty, taste, discrimina-&#13;
nucleus of solid truth. We have seen how MSS. tion and conrtesy in the editorial ranks since such&#13;
may be simply kept indefinitely, and neither “flung men as he and Thackeray and Dickens ceased to&#13;
back" nor handed back.&#13;
uplift them.&#13;
Now let us peep into this mystery of MSS.&#13;
HERBERT W. SMITA.&#13;
returning to the sender unreal. Long years after&#13;
“ The Sorrows of Satan” (from which novel our&#13;
quotation is borrowed) was first published, to be PROPOSED CANADIAN COPYRIGHT LAW.&#13;
precise, so recently as August 31, 1907, a well-&#13;
known journal dealing with the affairs of an&#13;
extensive publishing business made the subjoined M R. FRANK WISE, president of the&#13;
strictures upon its management. “ Will it be I Macmillan Company of Canada, has given&#13;
credited," asked the investigator, “ that manu-&#13;
to the Press a statement correcting some&#13;
scripts submitted to the firm for consideration misconceptions already made, and putting forward&#13;
were solemnly entered in a huge volume, and some points which he is afraid have escaped the&#13;
then as solemnly returned to their senders often notice of the Hon. Mr. Fisher and a number of his&#13;
without being looked at. Scores of pages of this associates, who, no doubt, while wishing to put&#13;
volume may be turned over without finding a single Canadian copyright on a dignified basis, would be&#13;
contribution marked as accepted. Shareholders the last ones to bring hardship and pecuniary loss&#13;
should call at the offices and verify this for them- either to Canadian authors or their publishers.&#13;
selves," etc.&#13;
“The manufacturing clause in the present&#13;
The writer's personal experience of the people American Bill,” says Mr. Wise," is a good example&#13;
implied are in entire accord with the above. In of the maxim that might is right.'" It is well&#13;
the year 1884, he forwarded one of his early known to publishers that the American manu-&#13;
attempts to them under the belief its nature was facturing clause was inserted at the behest and&#13;
of a kind to meet their requirements. His con- insistence of the Typographical Union, which is&#13;
fidence was rudely shaken by its swift return, well known to be the strongest labour union in the&#13;
accompanied by that familiar slip of paper so United States. Its primary inclusion and sub-&#13;
dreaded by toilers with the pen. In due season sequent retention in the American Copyright Act&#13;
he sent off another argosy to the same port, and were distinctly against the expressed wishes of&#13;
another, and yet another. For a period of twenty- American publishers. It is a good thing, of course,&#13;
three years he persevered in this enterprise, de- for American printers and paper makers, and it is&#13;
spatching cargoes of this, that, and the other kind, looked upon by those engaged in either trade as a&#13;
deeming them likely to suit their market, until, at very beneficent mode of protection, much better to&#13;
&#13;
&#13;
## p. 27 (#423) #############################################&#13;
&#13;
THE AUTHOR.&#13;
27&#13;
the printers in fact than would be protection by There is the method of getting a learned lexico-&#13;
tariff, since under the later arrangement importa grapher to go carefully through the book and of&#13;
tion of foreign printed books could only be avoided obtaining a learned treatise from his pen. This&#13;
by keeping the prices of the home-made books method present circumstances will not allow here&#13;
down to that of the foreign printed books plus or elsewhere; and there is the modern method of&#13;
duty. Under the form of protection by copyright choosing a certain number of words, looking them&#13;
the public is prohibited from importing foreign out, checking them and seeing that they are&#13;
printed books at any price.&#13;
correct, and leaving the rest to luck. It is this&#13;
At the time this manufacturing clause was made latter method that we acknowledge without shame.&#13;
operative in the United States, they had a popula. There are two principal reasons why this&#13;
tion of some seventy millions, which made a market Dictionary should be a good one : first, the adapta-&#13;
of sufficient size to make profitable the setting up tion is made from the Great Oxford English&#13;
and printing of an addition for consumption in the Dictionary; and, secondly, it is connected with the&#13;
United States. Indeed, this would have been names of the two Fowlers. Are these reasons in&#13;
possible, though, of course, to a lesser extent, with the proof good and sufficient? We have no&#13;
a population of, say, twenty millons. With hesitation in giving an affirmative answer.&#13;
Canada's population, however, of a possible eight The Dictionary is a Dictionary of Current Eng-&#13;
millions, to be shown by the new census, printing lish ; and this makes its perusal a great source of&#13;
in Canada for Canadian consumption is utterly out pleasure. The adapters themselves say in their&#13;
of the question, since there is nothing like enough preface :-&#13;
demand to make a Canadian edition financially a&#13;
“One of these peculiarities is the large amount of space&#13;
possibility. Our contention is, therefore, that there&#13;
given to the common words that no one goes through the&#13;
being only a limited market in Canada, now best day without using scores or hundreds of times, often dis-&#13;
served by books imported preferably from England, posed of in a line or two on the ground that they are plain&#13;
or, if must be, from the United States, and the&#13;
and simple, and that every one knows all about them by&#13;
limited market making a separate Canadian edition&#13;
the light of nature; but, in fact, entangled with other&#13;
words in so many alliances and antipathies during their&#13;
unprofitable, neither paper makers nor printers can perpetual knocking about the world that the idiomatic use&#13;
possibly have anything to gain by holding out for of them is far from easy."&#13;
a manufacturing clause in the new Canadian Bill.&#13;
As a matter of fact Canada has much more to lose&#13;
This line of procedure at once rouses interest,&#13;
and the checking the accuracy of this statement&#13;
than to gain by following the bad example of our&#13;
afforded infinite pleasure.&#13;
neighbours to the south. In an admirable article&#13;
It is so true that words in common use are so&#13;
by Mr. Brander Matthews, published in the June&#13;
often overlooked, and their meaning is distorted or&#13;
number of the American Review of Reviews, he&#13;
shows how American literature was stunted and&#13;
misapplied. When suddenly a misuser is severely&#13;
repressed almost to extinction by means of whole-&#13;
censured it becomes difficult to check what is&#13;
sale piracy, which same conditions would be&#13;
apparently self-erident. Following out the principle&#13;
of looking for common words in current use, we&#13;
possible in Canada by the terms of the Copyright&#13;
Bill as at present outlined.&#13;
find the Dictionary is everything that its adapters&#13;
claim.&#13;
It is to be hoped that this matter of copyright&#13;
Its purchase can be recommended without hesi-&#13;
will be given very careful consideration, and that&#13;
no person will be blindly persuaded that benefit will&#13;
tation. Although 900 pages in length, it is not&#13;
accrue to any Canadian industry by the inclusion&#13;
a bulky volume. The type is clear, and the price&#13;
of a manufacturing clause. It will not mean an&#13;
moderate.&#13;
increase in printing of 5 per cent. over the present&#13;
amount now done, on the principle that “a full&#13;
pitcher can hold no more."&#13;
JAPANESE POETRY.*&#13;
THE CONCISE OXFORD DICTIONARY.*&#13;
HERE are two distinct ways of reviewing a&#13;
dictionary. We are not leading up to the&#13;
self-evident and commonplace retort, “ Yes,&#13;
the right way and the wrong way.”&#13;
TN his preface Professor Chamberlain confesses&#13;
1 that in the course of years his taste respecting&#13;
translations has changed : “He has gone over&#13;
to the camp of the literalists, and cares for no&#13;
versions whether of prose or of poetry, unless they&#13;
be scrupulously exact.” We are entirely of the&#13;
* " The Concise Oxford Dictionary,” adapted by H. W.&#13;
Fowler and F. G. Fowler, published by the Clarendon&#13;
Press.&#13;
Chamberlain.&#13;
*" Japanese Poetry," by Basil Hall&#13;
London : John Murray. 1911.&#13;
&#13;
&#13;
## p. 28 (#424) #############################################&#13;
&#13;
28&#13;
. THE AUTHOR.&#13;
same opinion, and yet conscious that, in the case of To this we need only repls that the prize-&#13;
poetry at least, the people are not a few who prefer winning stories will not appear elsewhere. Every&#13;
a metrical version. Those on either side will be story will be published within the next few months&#13;
able to find what they prefer in this new and much in one or other of the Magazines, and authors not&#13;
enlarged edition of Japanese Poetry." Parts I., satisfied with this were not expected to compete.&#13;
II., and III. of the volume are a reissue of the metri. Your correspondent proceeds next to deal with&#13;
caltranslations published more than thirty years ago. the question of rights. There again no diffi-&#13;
Part IV. contains a valuable essay on the Japanese culty will arise. While we shall, in the ordinary&#13;
Poetical Epigram, and a number of absolutely literal way, expect to retain all rights in prize-winning&#13;
translations of Japanese Epigrams accompanied by stories, we shall meet, in a reasonable spirit, authors&#13;
the originals, in Roman character. This is how poetry who may desire to republish their stories&#13;
ought to be translated ; and while the former part subsequently.&#13;
of the work contains much that is neat in form and “No date is mentioned by which a decision may&#13;
pleasing in substance, we have no hesitation in be expected,” complains "A Would-be Competitor."&#13;
saying tbat the new translations represent the most Since some thousands of stories have been&#13;
valuable part of the book. The terseness of Japanese entered for the competition, each of which, in case&#13;
Epigram is remarkable, and by no means always of rejection, requires an individual letter of careful&#13;
avoids obscurity. All the difficulties are here so criticism, it was obviously impossible, whilst the&#13;
admirably elucidated that Professor Chamberlain's competition was still running, to announce the&#13;
book must be regarded as one which no one who is date when the result would be published. The&#13;
taking up Japanese seriously can neglect. As these feature of the competition was that those actually&#13;
are however few, we have pleasure in adding that responsible for the editorial conduct of the three&#13;
every one with a true sense of poetical value magazines should read the stories, and as the&#13;
will find in this volume a great deal that will give number of these people is limited, and they have&#13;
delight.&#13;
their ordinary work in addition to the competition,&#13;
a certain delay has been inevitable. Stories have&#13;
been dealt with as rapidly as possible, however, and&#13;
the full result of the competition will be announced&#13;
CORRESPONDENCE.&#13;
in the November numbers of the three magazines.&#13;
I might add in conclusion that the terms of the&#13;
competition have met with the approval of the&#13;
PRIZE COMPETITIONS.&#13;
competitors. This being so, the discontent of “A&#13;
Would-be Competitor " is, if harder to understand,&#13;
SIR,—As your correspondent, “A Would-be&#13;
easier to endure.&#13;
Contributor,” in your issue of July 1, obviously&#13;
Yours faithfully,&#13;
refers to our £260 Story Competition, we shall be&#13;
The Editors,&#13;
glad if you will allow us to deal with the points he&#13;
PEARSON'S MAGAZINE.&#13;
raises.&#13;
“Nothing," he remarks, “is said as to the fate&#13;
THE ROYAL MAGAZINE.&#13;
THE NOVEL MAGAZINE.&#13;
of the successful stories ; there is nothing to&#13;
indicate whether they are to be published, though&#13;
this is hinted at."&#13;
As the stated object of the competition was to&#13;
INSURANCE.&#13;
discover new authors, this criticism is somewhat SIR,—Following up my previous suggestion that&#13;
curious. In any case it is difficult to imagine that a scheme for insuring contributors' payments should&#13;
anyone would pay £50 for a story he did not intend be contemplated, I add that it seems patent that if&#13;
to publish. But may we allay any fears in this once an assurance company could be got to specify&#13;
direction by assuring all those who read these lines what publications it would undertake to cover in this&#13;
that prize-winning stories, and those purchased at way, the controllers of “unincluded” organs would&#13;
our ordinary rates, will all be published.&#13;
for the most part find it expedient, for the sake of&#13;
“There is nothing," continues “A Would-be prestige, to follow suit by getting a similar public&#13;
Competitor," “ to enable the authors to know where form of cover. Otherwise they might lay them.&#13;
or when the prize-winning stories will be published. selves open to suspicion of instability. When new&#13;
An author may be quite willing to sanction the developments are organised, people often have to&#13;
appearance of his work in one of the three magazines, come into line by adopting them, wbether they&#13;
and yet object strongly to its appearance in either like it or not.&#13;
of the remaining two. Still stronger may be his&#13;
Yours faithfully,&#13;
objection to its appearance elsewhere.”&#13;
ALGERNON WARREN.&#13;
&#13;
&#13;
## p. 28 (#425) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
HUBBRT WALES, ESQ., of Hindhond, Surrey, writes :-&#13;
“I have just completes the rovision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that tho manuscript was sent to you&#13;
without baving been corrected or even read, and that my handwriting,&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something more than simple&#13;
mechanical accuracy, to produce such a resulta result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
TYPEWRITING. AUTHORS wishing to make arrange-&#13;
ments for Publishing are invited to&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Ltd., Publishers, 12, Paternoster Row,&#13;
London, E.C., who will be pleased&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices to consider MSS. and advise (free).&#13;
Please write before sending MSS.&#13;
(Established 1898),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
EWART RICKETTS&#13;
May be relied on to provide neat and&#13;
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MSS. Straightforward work, 10d. per&#13;
1,000 words; two copies, 18.; specimen&#13;
free.&#13;
COTTERILL &amp; CROMB&#13;
Literary&#13;
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LENNOX HOUSE,&#13;
LINDISFARNE, STONEHOUSE, GLOS.&#13;
NORFOLK ST., STRAND,&#13;
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-CLAUDIUS CLEAR, in the British Weekly.&#13;
Till March, 3/- weekly. Furnished Cottages, York-&#13;
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, , THE ..&#13;
BOOK MONTHLY.&#13;
AUTHORS.&#13;
Novels, Short Stories, Articles, Poems placed with 169&#13;
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CAMBRIDGE LITERARY AGENCY,&#13;
115, STRAND, W.C. Telephone, 1648 Gerrard.&#13;
You know the "Book Monthly" by name-you&#13;
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Well, you are missing something, and you&#13;
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It is an instructing. entertaining “guide.&#13;
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you will know what to read : what's what and&#13;
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EXPERT TYPEWRITING.&#13;
Authors' MSS., Etc., and General Typing. od, per&#13;
1,000 words. (Quantity by contract.) Prompt and&#13;
accurate. Specimen supplied. Estimates given.&#13;
MRS. MASON,&#13;
Easthorpe Rectory, KELVEDON, Essex.&#13;
The Book Monthly is published on the first of each inonth by&#13;
Simpkin, Marshall &amp; Co., Ltd., Stationers' Hall Court, London.&#13;
It costs Sixpence, and it can be ordered from any Bookseller, Book.&#13;
stall, or Newsagent. The Publishers will send it, post free, for a&#13;
year, inland or abroad, on receipt of eight shillings. You can&#13;
have a copy of the current number posted to you by forwarding&#13;
6d., or a specimen back number for nothing.&#13;
--A well-known MAGAZINE&#13;
AUINUKO. EDITOR and PUBLISHER'S&#13;
READER offers to advise and assist AUTHORS. Success&#13;
secured.-EDITOR, c.o. Rudin's, 199, Strand, W.C.&#13;
&#13;
&#13;
## p. 28 (#426) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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Opposite the British Museum.&#13;
TYPEWRITING&#13;
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My work is always the same—THE BEST. | Near the British Museum,&#13;
INDIFFERENT COPY TYPED WELL stands a better&#13;
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GOOD WORK TYPED BADLY.&#13;
I USE BRAINS as well as hands.&#13;
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MY WORK IS MY BEST REFERENCE! Bedroom, Attendance, and Table d'Hote&#13;
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MRS. GILL'S TYPEWRITING, SHORTHAND, I TYPEWRITING.&#13;
AND TRANSLATION OFFICE,&#13;
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words. Perfect carbon copies half&#13;
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price. 4th carbon free. Quantities,&#13;
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Established 1883.&#13;
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Manuscripts of every description promptly and intel. Note.-First 1,000 words typed free for new clients.&#13;
ligently copied, from 18. per 1,000 words; special success&#13;
Only first-class typewriters used.&#13;
with work rendered indistinct by hasty writing and by&#13;
Special terms for large contracts.&#13;
corrections. French and German typewriting undertaken, Translations-French, German, Spanish, Italian, etc.&#13;
and typewritten translations supplied. Testimonials&#13;
from authors, scientists, engineers, architects, barristers.&#13;
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Reference kindly permitted to Messrs. A. P. Watt &amp; Son, 19, Leys Avenue, Letchworth, Herts.&#13;
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but praise for the accuracy, speed and neatness with which she | 64, VICTORIA STRELT, S.W. Telephone : No. 5537 Westminster.&#13;
does her work.-FRANK ŠAVILE."&#13;
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thanks for the excellent work and the promptness with which it has&#13;
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                    <text>Monthly

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Remittances
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Notes
The First Snciety
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Book Prices Current
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The Boy Scouts History
Correspondence

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to

PAGE

Registration
Scenariosand Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
StampingMusic
The Reading Branch

Notices
TheSociety Funds
List of Members
ThePension
Memberina
Fund
Pension Fund CompleteList
Annual Subscribers
CommitteeNotes
Books publishedby Members
Literary Dramaticand Musical Notes
Paris Notes
How
Use the Society
Warnings
the Producers Books
Warnings Dramatic Authors

�ADVERTISEMENTS .

The Society
Telegraphic

( Incorporated ) .

of Authors

Address : " AUTORIDAD , LONDON . ”

Telephone No. : 374 Victoria .

PRESIDENT .

THOMAS HARDY ,

2. M .

COUNCIL

SIB ROBERT ANDERSON , K . C . B .
SIB Wu . REYNELL ANSON , Bart . , D. C. L .
THE
RIGHT
HON .
THE
LORD
AVEBURY , P. C.
J . M . BABRIE .
SIR ALFRED BATEMAN , K . C. M . G .

JUSTIN MCCARTHY ,
THE REV . C. H , MIDDLETON -WAKE .
SIR HENRY NORMAN , M . P.
SIR GILBERT PARKER , M . P .
SIR ARTHUR PINERO .
THE RIGHT HON . SIB HORACE
PLUNKETT , K . P.
ARTHUR RACKHAM .

THE RIGHT HON . THE LORD CURZON

OF KEDLESTON , P. C.
AUSTIN DOBSON .
SIR ARTHUR CONAN DOYLE .
DOUGLAS FRESHFIELD ,
EDMUND GOSSE , LL . D.
SYDNEY GRUNDY .
H . RIDER HAGGABD ,

ROBERT BATEMAN ,
T. E, BEDDARD , F . R. S.
MRB . BELLOC - LOWNDES .
THE RIGHT Hon . AUGUSTINE BIB .
BELL , P . C.
MRS . E . NESBIT BLAND .
THE REV . PROF . BONNEY , F . R. 8.
THE RIGHT HON . JAMES BRYCE , P. C.
THE RIGHT Hon . THE LORD BURGH .
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it

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SOCIETY

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XXII

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October
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act for
case
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member matters had been
owing
the course the plaintiff had thought
adopt independently
solicitor The
the society
would be impossible
committee decided
put
continue
act
the member
failed
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confidence
the society and instructed
explain
the solicitor
the position
order that
might
able
conclude the negotiations
case
account would the solicitor explained
London
pressed when the defendant
returned
present travelling and nothing could
He was
done
case was mentioned
the July issue
The
Author
which the plaintiff
claim was based
infringement
copyright but
not
breach
confidence
The solicitor had during the vacation
gone into the matter very carefully had obtained
He reported
full evidence and counsel opinion

the committee the result
the steps
had
but the committee decided after careful
case that the
was not
that
consideration
society could pursue
The solicitor also reported that the society had
sundry cases during the vacation and
advised
four cases without
three
had recovered moneys
taking out summonses
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the society attended and reported
the work done during the past three months
An
important case
infringement
copyright
mentioned
last month
Author has been settled
pay the damages
the defendant undertaking
demanded
the plaintiff and costs
case
agent also
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the bankruptcy
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first meeting
the committee after the
long vacation took place
the offices
the
Monday October 2nd
society
The first business before the meeting was the
The committee
election
members and associates
report that the number
elections
are pleased

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Nottingham
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33

well maintained
67 were elected
this meeting
bringing the total elections for the year
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the music publishing trade sub
agreement which after certain alterations
was approved
the Copyright Sub Committee and
Management
the Committee
This agreement
was printed
full
the May issue
The Author
that year
The present agreement submitted
the sub
committee with
similar object
view has been
hoped with
considered clause
clause
and

mitted

a

of

of

.

SUB COMMITTEE

MEETING
the Copyright Sub Committee
Friday October 13th
was held
consider
agreement which had been laid before them by
firm
musical composers
will
remembered
that
the spring
1910
Messrs Stainer
Bell desiring
meet those com
posers who were members
the society and
arrange more equitable form
contract than that

of

,

a

it

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of

elections and the defeat
The date
the

Sir Wilfrid Laurier Government

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posted

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November

COPYRIGHT

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the Copyright Bill was

committee

to

be

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to

Canadian

settled

to of

.

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of

,

it

by

,

discussed

and
letter
MacGillivray was read
received from Mr
might
relating
various important points which
put forward when the Bill came before
desirable
the House
Lords
The committee approved
Mr MacGillivray suggestions and instructed the
secretary
proceed along the lines indicated
The question
Canadian copyright was next
referred
the position had been altered owing
the recent

COMMITTEE

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The present position
also
discussed
the

and

the month

of

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In

of

meeting when

FUND

MEETING
the Pension Fund Committee was
Friday
held
the offices
the society
October 13th
was decided after careful con
sideration
send out
circular
members
the
society appealing for fresh support for the fund
The form
the circular was carefully considered

,

it

.

by

an

,

's

in

received
The following matters were also discussed
the July issue
The Author
article
appeared
the subject
the publication
the
Roll
the Society
Authors
answer
the
request contained
that article for expressions
opinion
publishing
the advisability
roll
only some half
membership
dozen
letters
had been received
The committee decided
place the matter before the council
their next

been

PENSION

in

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;

his

,

as

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to

to

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the capital fund

com

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be

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and

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the

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committee

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a

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Simpson

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in

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by

set aside and
the time the result
the appli
question dealing with
cation was not known
story
cinematograph per
the infringement
America was fully discussed and the
formance
secretary was instructed
ascertain the exact steps
secure the member
title
his property
the
any flaw
United States
his title would
immediately upset
claim
and
was essential
lawyers should have clear evidence
the society
The secretary
before any action was commenced
also reported that during the vacation the chairman
had authorised investigation
accountant
publisher
books but although this investigation
progress the accountant
report had not yet
was

The consideration
the settlement
agreement between author and agent owing
time occupied
other matters before the
adjourned
mittee had also

of W

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of

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society German lawyer had been obtained and
the opinion was favourable the matter had been
pursued with the sanction
the chairman
Another
Chicago
case
claim
for money due
article had been settled
and the money paid
infringement
copyright which had been
case
going
the Swiss Courts had
for some time
been
carried considerably further
the first
instance judgment had been delivered against the
member
the society but application had been
lawyer
made
the society
have the judgment

a report

round
members
later date
The secretary then reported he had been enquiring
possible
whether
would
insure members
against loss owing
the society
non payment
magazine
from
editors and publishers
and
against the risks
action for libel
The issues
were fully discussed and the matter was adjourned
till the next meeting
enable
the secretary
the schemes proposed
obtain further details
—

as

.

of

for

the society ' s chances of success .
The secretary then reported the cases which were
under dispute in different countries .
The first was an action taken on behalf of a
member against a publisher in Berlin
breach
contract
He reported that the opinion of the

council meeting was settled , together with

of the Committee of Management ' s action on the
Copyright Bill to be laid before that body at their
meeting . Formal notice will be sent to the council ,
together with a copy of the report , in due course .
The date of the dinner was provisionally settled ,
and the secretary was instructed to make the usual
arrangements . Notice of the dinner will be sent

it

forward at the meeting , which the com mittee had decided to take steps to prevent .
It is
impossible , at present , to say anything more about
these cases , as to do so would be likely to prejudice

brought

,

34

�THE AUTHOR .

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very
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the nature
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great many
appear
book titles
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Speaking generally
copyright
think that title
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the society during the course
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the society
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Two complicated questions
solicitors
agreements have had
construction
handed
hoped that
over
the society
solicitors and
they will be satisfactorily
settled
Two questions
titles
One
have arisen respecting the property

a

,

a

to

for

in

.

of

.

satisfactory
for collection three are
the course
settlement and one has only recently come
hand
the three mentioned are not settled through the

.

of be on

a

to

in

,

,

a

,

at

it

recovery
There were three cases
fees due
One had been settled and the other
dramatists
alleged
two were being carried
One case
Management
breach
confidence the Committee
after careful consideration decided they could not
support
The sub committee confirmed this action

returned
their owners while the two last cases
have only just reached
the office
Of six claims for
money two have had
into the solicitors bands

to

to

in

.

to

an

of

be

to

on

.

was settled and the secretary was instructed
forward
the earliest possible moment
The secretary reported the dramatic cases which
hand during the vacation
the society had taken

and

members
convinced
continued activity
During the past month nineteen cases have gone
through the secretary
hands
Of these three
were
accounts
One has been satisfactorily
negotiation
settled
one
course
and
this
meant that the delinquent bas acknowledged
coming
terms and
the secretary letter and
There
the office
one has only recently come
MSS
have been six claims for the return
four
which the MSS have been recovered and

is

-

,

so

he

-

to

.

.

negotiations that had been carried
and were
Finally
pending
letter
the Lord Chamberlain

that

such
chronicle should
made
order
new members may see the work
the society

is

-

to

of

it

of

in

to

,

;

and the society being except
no way responsible
question was further considered
The Sketch
Mr Cecil Raleigh making
full report
the
the author

that
old

of

,

by

of

.

be

a

damages

ALTHOUGH the chronicle
the monthly list
the magazine may prove
weariness
the flesh
some
our readers yet
essential
cases

If

be

,

these
pro

whose works would have
their own effort and not through the
the theatrical manager who held the
licence
From
the letter
the American corre
spondent
appeared that
would officially
represent
managers
the American
that the
English dramatists
unprotected would
number
very small
An offer submitted
the sub committee from
accept
agent
India they were also unable
agent
regard
South
the appointment
inquire
Africa they instructed the secretary
ready
accept power
whether the agent would
of attorney and
conduct the various cases
the understanding that his legal expenses should
any soms he recovered by way
first charge
In an

be

of

-

.

,

,

to

in

and from

the number

under special contract

Cases

to in

-

he

to

,

of

English dramatists

consider first the number
whose plays are acted
America
tected
agency

by

,

an

, by

a

in

of

-

.

in

in

'

.

o

3

,

at

20

, of ,

on

of

.

in

but came
the conclusion after careful considera
tion that the sum
asked for looking after the
rights
dramatists who were members
the
society was prohibitive
The sub committee had

to

Dramatic Sub -Com mittee after the vacation was held at the offices of
Friday
the society
October
clock
When the minutes
the previous meeting had
been
read and signed
the secretary reported the
position
England and the
the Copyright Bill
Copyright Bill
Canada
The next question before the sub committee
agents
was the appointment
the Colonies and
They again took into consideration
America
proposition
put forward
American lawyer
of the

to

first meeting

.

.

DRANATIC SUB - COMMITTEE

The

a

London .

In a case of piracy of dramatic pieces by illegal
duplication
of MS. copies , involving
the property
of three or four members of the society , the Dramatic
Committee confirmed the action which had been
by the society 's solicitors
during
taken
the
vacation .
Finally , the sub -committee
considered
the
managerial treaty .
The secretary read to the
passed
committee
the clauses
which
had
been
already , and put before them a redraft of those
clauses which remained
discussion
Several
fresh
clauses were put forward and
was decided
have these printed ready for the consideration
special meeting
the sub committee when the
treaty was
settled
The line
conduct
be
adopted by the sub committee when the treaty was
ready for negotiation was also discussed and
hoped
able
obtain
the support
the
great majority
the dramatic authors
the
society
the steps contemplated
the sub
committee
of to

the consent of the publishers , to publish it in an
early issue of The Author . At the present time
nothing further can be said save that it is a con siderable advance on the form of contract issued by
many of the largest music publishing houses in

35

�THE AUTHOR .

36

to the office in respect to similarity
these matters the secretary has

usual have come
of title ; but in

had to advise the
property existed .

members

concerned

that no

a conclusion .
One case is an infringement of
copyright in a foreign country ; one is a question
arising on an agent 's agreement , and a settlement
will , no doubt , be arranged ; while the last is a
question of accounts and money . Here there bas
been
considerable correspondence , and if a satis factory answer does not come to band shortly the

society ' s solicitors

to be

placed

in

.

of the

the hands

, J.

.

Johnston
.

Antcliffe , Herbert

.

Batt, Miss Ethel Dumaresq

144 , Queen s Road , W .
136 ,
Crookesmoor

'

Road , Sheffield .
Woodleigh ,
Fleet ,
R . S .O ., Hampshire .

Beale , Mrs . Mary

.

.

Bell , Margaret

.

.

Old Headington
Oxford .

.

.

c / o Studio

..

.

. Newton .

.

, J.

Beresford

C

D.

Breakell , Mary

, Miss

Broster

Bungey,

E

Chamberlayne

.

L.

D. K

,

Effie

Clarke, Laurence

.
.

Colum

,

Craven

, Arthur Scott

Creed , The Hon
M

. L .C .

'

d Anethan

'

d Arcy

,

.

Padriac

,

Baroness

W

.

.

,

.

Farnol , Jeffery .

.

.

, Charles

.

.

Hulbert

.

.

, Stephen

.

.

.

.

Dunster Lodge , New

,

Herts .
Cranbury Park ,Hants .
Barnet

. Arthur

91 ,
Church
Hampstead
2,

,

Row

.

ward Ho ! N . Devon .

(Member Legislative
Council, N . S . W . ),
N . S. W .,

Australia .
Park
Gates
Club
Grosvenor Crescent

,

Gavan

Somerden ,
Groom
bridge , Kent.

,

20
22

Vesey Street
York , N . Y .

, Basinghall
E . C.

Fontenay

,

Footner

Foreman

Gould , Gerald

.

, New

Street ,

.

(George

Harnett , St . Clair

, Miss

L

poole

. V.

M

.

. Stac -

King , Clifford

5,

Junior

United
Ser
vice Club , S . W .
Vicarage ,
Woolston
Southampton .
18 ,

Southampton

Street ,
W . C.

Sunnymount
rick ,

.

Mayo , Miss Margaret

Mignon

Nevada

Moore Mrs . Stuart
Underhill )
.

Moss - Blundell

.
.

-Gloria ,

( Evelyn

, A . S.

Holborn ,

, Lime

Villa ,
Road ,

Port

Brigh

36 , Romford
Road ,
Stratford , Essex .

Ha ha t
Reigate

Moffat ,Graham

,

ton .

.

MacKinder , H . J . , M . P .
MacKirdy , Mrs . Archibald .
Edgar Walford

Place

Victoria
Avenue
Upwey , Dorchester

. Mozart

MacBride , MacKenzie

,

. Mayo .

Pelham
S. W .

Hall

Martin

co

,
.
. Woodbrooke Settle
ment, Selby Oak ,
Birmingham .
.

James , G . Kingston
Keith , Gerald .
.
Kenny ,Mrs. Louise

15 ,

,

.

. E ., R .E .

M. L

Westport

.

J . St. George

Hopkins , Capt .

,
,

.

, Sidney .

Heath ,

House

Stroud .
Barmu , N .- W . Fron
tier Province , India .
71,
Eltham
Road ,
Lee , S . E .
Grand Hotel d ' Italia ,
Ruta , nr . Genoa .
272 , West
Jackson
Street ,
Hamilton ,
Canada .
3, Redclyffe, Western
Road , Cork .
54 , St . Mary ' s Man
sions , Paddington ,
W

0

A . Birmingham )

Heath

Tower

Woodchester

.

Hughes

, 15 , Rectory
Chambers , Church
Street , Chelsea , S. W .
22 , Farndon
Road ,
Oxford .

S. W .

. E . Burghardt

, George

,

Court

Frankfort Place ,
Upper Rathmines ,
Dublin .
. Hereward House ,West-

.

. J . Mildred ,

Downer , The Rev
J . S.

Duffy

Whitehall
S.W .

Sydney ,

Ella .

Du Bois ,

.

,

2

The

.

M

Hannay , James

October Elections .
Abraham

, C.

Enriquez

over from former months .
Three cases remain
The others have either been placed in the bands
of the society ' s solicitors or have been brought to

matter will have

Evans, Frank Gwynne

.

,

Munzil,

,

Surrey

, .. .

York City U S A
130 , Elgin
Avenue ,
Maida Vale , W .

Greville Lodge , 33 ,
Greville Road ,Maida
Vale , W .

·

·

.

Church
Road ,
Moseley , Birming
ham .
1672 , Broadway , New

72

,

-

50 , Campden
Hill,
Square , W .
Crabwood , Sparsholt ,

Winchester.

�THE AUTHOR .

for

.

60
.
n

.

.

10
.
.

.

.

M
.
15 H
.
X

.

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B

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18
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n

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.

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OF

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4

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X

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n
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6d
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.

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51
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87
x

x

9

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n
.

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pp
.

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6d
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.

97

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n
.

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38
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By.

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.

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89 .
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x
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.

MAURICE HEWLETT

423 pp
Macmillan
By ROBERT HICHENS
THE FRUITFUL VINE
570
Fisher Unwin

7
}

.

6s
. By

.

OF

RENNY

. .

Cox

THE SONG

.pp

,
. " .

,

424

pp

“

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5

X

78

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in

:

SCOTT

By AMY
ELIZABETH

FICTION

BEET SOME FACTS AND SOME ILLUSIONS
Rural Thereapeutics By HOME COUNTIES

ROBERTSON

.

ENGINEERING

.

68

60

colour

SMOKE PREVENTION
AND FUEL ECONOMY
Based
the
German work
Schmatolla
BOOTH
and
KERSHAW
Second edition
revised and
enlarged
231
Constable

.

.

( A
. J.
n W
.

Study

In

.

.

X
5
.
.

With frontispiece
Cassell
Co
&amp;

.

.

.

B

BARNARD
EARNSHAW

AGRICULTURE

THE SUGAR

.

in

in
pp

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.

x

8

.

TALKS WITH CHILDREN ABOUT THEMSELVES

. B
.

to

it

to

,

of

by

,

in

is

,
it

of In

,

It

is

,

co
-o

in
of .

.

of

in

to to

,

as

as

is

to

every effort
keep
made by the compilers
possible they have
accurate and exhaustive
attaining this object owing
some difficulty
the fact
that many
the books mentioned are not sent
the cffice
by the members
consequence
necessary
rely
largely upon lists
literary and
books which appear
hoped however
that members will
other papers
perate
sending
the compiling
this list and
particulars
substantially
their works help
make

accurate

.

.
IN

41
.

x

53

:
. A

. .
A

.

IN

.

L
.

J.

EDUCATIONAL

.

WHILE
this list

.

DRAMA

By
THREE ACTS
COMEDY
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Gordon

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Winter

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Drive

Lytham

Williams Mrs

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Deanley

ARISTOTLE
Translated from the Greek
into English and from Arabic into Latin
With revised
text introduction
MARGOLIOUTH Laudian
Professor
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the University
Oxford
,

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,

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King

288

S

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Walmsley Luke

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Vynne Miss Nora

CLASSICAL
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(

Grove

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Mac Dougall
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Low
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Longmoor Lane
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THE ELEMENTS OF

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�THE AUTHOR

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.

.

.

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GARIBALDI

AND

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By

G. M.
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SON SETON

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437 pp . Constable

.

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AND
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�THE AUTHOR .
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NATURAL HISTORY
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AND LOVE
by A.
Translated
TEIXEIRA DE MATTOS .
8 x 57 . 262 pp .
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By G . E . H .
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OF BRITISH
A HISTORY
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. 10 x 63 . 73 – 120.
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THE LIFE
FABRE .

VIII

NAVAL .
FORE AND AFT . The Story of the Fore and aft Rig from
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CHATTERTON . 98 x 7.
347 pp .
168. n.
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NEW POEMs . By KATHARINE TYNAN . 71 X 43. 67 pp .
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Third edition . 73 x 5. 133 pp . Lane . 55. n.
By MRS . ALFRED BALDWIN . 7 X 44.
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112 pp . Methuen .
38. 6d . n.
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364 + 366 pp.
PHINEAS REDUX .
Two
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With an Introduction by
FREDERIC HARRISON . 74 X 43 . Bell . 38. 6d . n . each .
THE VULGATE VERSION OF THE ARTHURIAN ROMANCES .
Edited
from the Manuscripts
in the British Museum .
By H. OSKAR SOMMER .
Vol. IV .
LE LIVRE DE
LANCELOT DEL LAC .
Part.
.
12 x 9}. 399 pp .
Washington : The Carnegie Institute of Washington .
THE BOOK OF THE SEVEN AGES . An Anthology ( Prose
and Poetry ) compiled by H . W. CLARK ,
7 X 41.
312 pp. Herbert &amp; Daniel. 38. 6d . n.
by
Compiled
HELEN AND
A THACKERAY YEAR - BOOK .
Harrap .
LEWIS MELVILLE .
74
X 51 .
179 pp .
28. 6d . n.

II

SCIENCE .

A

TEXT Book
OF
EXPERIMENTAL
PSYCHOLOGY .
With Laboratory Exercises . By CHARLES S. MYERS ,
University
Lecturer in Experimental Psychology ,

Cambridge ,
&amp;c .
Second
edition .
Two
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BREEDING AND THE MENDELIAN DISCOVERY . By A . D.
DARBISHIRE . 84 x 54 . 282 pp . Cassell . 7s. 6d . n .

SOCIOLOGY.
THE PROBLEM OF RACE -REGENERATION . By HAVELOCK
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By C. W .
THE METHODS OF RACE -REGENERATION .
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CHANGES OF A CENTURY. By J . C . WRIGHT , 9 x 59 .
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BY MOUNTAIN , LAKE , AND PLAIN . Being Sketches of
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Blackwood

.

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TOPOGRAPHY .
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39

THE STORY OF COVENTRY . By MARY DORMER -HARRIS .
by
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63
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A WANDERER IN PARIS .
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THE
OF THE RHINE .
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9 x 51.
360 pp . Werner Laurie .
128. 6d. n.
PILGRIMS TO THE ISLES OF PENANCE : ORCHID GATHER
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ING
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9 X 54. 320 pp . JOHN LONG . 128. 6d. n.
Two VISITS TO DENMARK , 1872, 1879. By EDMUND
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By
BY A “ DEVIOUS
TRAVELLER ."
M. BETHAM
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EDWARDS .
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THEOLOGY.

CREED AND THE CREEDS .

John HUNTLEY SKRINE .

The Function in Religion . By
9 x 57 . 223 pp . Longmans .

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SERMONS ON SOCIAL SUBJECTS . Arranged and edited by
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THE PHILOCALIA OF ORIGEN . A Compilation of Selected
Passages from Origen ' s Works , made by St . Gregory of
Nazianzus and St . Basil of Cæsarea . Translated into
English by the Rev . GEORGE LEWIS , Rector of Icomb ,
Gloucestershire . 87 x 51 . 242 pp . Edinburgh , T. &amp; T .
Clark .
7s. 6d . n .
Simple Teachings
" ALL
HAIL . "
on the Bible . By
BARONESS
FREDA DE KNOOP .
10 x 71.
500 pp .
Humphreys. 218. n.
THE LIFE HEREAFTER : THOUGHTS
ON THE INTERME
DIATE STATE . By TAE Rev . EDWARD HICKS , D. D .,
D . C. L .
112 pp . Robert Scott . 28.

LITERARY , DRAMATIC , AND MUSICAL
NOTES .

TR .

M
V
in

'

Douglas
Ainslie s “ Mirage ” (Elkin
Mathews ) has been a good deal discussed
in the Press and elsewhere . “ A Friend
Need , " the longest poem it contains , is a

treatment in ballad form of a Portuguese legend .
poems have been collected from
The remaining
they have
reviews
and anthologies , in which
previously appeared . Mr. Douglas Ainslie supplies
a somewhat polemical
introduction
to his volume ,
he preaches the gospel of Æsthetic
in which
according
to
Croce . Mr. Ainslie ' s translation

of the Italian philosopher 's Estetica
was first
brought into notice by Mr. Arthur Balfour's
remarks

Walkley

in his
in

the

lecture , and Mr . A . B .
Times has recently declared his

Romanes

�THE AUTHOR .

.

.

E

by

E

,

is

,

of

'

.

of

“

,

", of
a
a

Co

The

,

novel

Ltd

“

., 's

.

in

-

Everett

the comparatively
the reign

of ,

by

a

).,

of

in

in

, a

.

,

of &amp;

(

of of

”

deals with
impersonation
case
one man
another
both
whom
were strangely alike and each
whom
was minus his right hand
The idea was
adopted by the author from
trial which took
place
France but has been placed
far back times

ones
the
Louis XV
This
period embraces the wars
the Austrian sac
Dettingen furnishes the
cession and the battle
part
crux
the affair
Love
course plays
loring woman who
the story
the trials
until the dénouement
unable
decide whether
she loves the true man
the false
Meanwhile
many persons
some character portraits are given
whose fame
France has become lasting but who
English readers
the majority
romance are
among them being that
almost unknown
the
Marshal
Belle Isle
Monthly
The October issue
contains
short story from the pen
Mr
Niven
note
whose volume
short stories
Above Your
.

its

,

to

,

of

,

of

a

,

"

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.'

s

T

“

of P

of

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to

appeared
Heads
Afterglow

,

of .

or

,

a

,

,

, of
of of

.

do

,

as

“

of

of

modern

of

in

him

middle portion

.
, F
of “ .

.

its

in

. .

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is

.

,

”,

,

.

six

“

Co

.

Right Hand

of

,

was issued
October
Bloundelle Burton
new

a

at

in

their

is

.
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Co

&amp;

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T
.

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a

of

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W is

Sheffield

Mr

in

Co
.
"

,

Ben

by

23

the

Sir
popular
series
novels
The same writer has just
completed
present busy
new long novel and
with short story work for the magazines
Prof Max Macauliffe has just published
six
volumes
work
The Sikh Religion

Leng

first number

is

.

“

,

'

o

.
,
“ .

on

's

a

&amp; ”

-

by 's

.

novel with
sex problem
Harold Thomson
novel
Tan
being brought out
November

W is
. a

It

is

a

.

,

of

.

,

others

of

,

members
the oldest race
description
contain
the
Nicobar Islands
Mr John Long the publisher
the book which has fifty four illustrations
Mrs Isabel Smith
new
novel
Mated
has
just been published
Messrs Digby Long
and

Nottingham
Mr Potter Briscoe
the joint
editor
new official publication
The Public
monthly issued under the auspices
Official
the Local Government Officers Association
The

of ",

.

de
- of .

on

of

,

a

,

in

,

of

the Andamans

earth

edition

.
J.

2

St
. .
so to

up ,

36

,

in

,

a

.

of

of

,

by

,

"

of

is

by

,

“

to

of

.

as

the day before each lecture will
dealt with
far
time permits
Pilgrims
the Isles
Penance
Mrs
journey
Talbot Clifton
the record
under
taken
the authoress and her husband
search
experience
orchids and
The authoress
Burma that touch the Chinese
scribes parts
frontier and other portions
the extreme south
by Siam where Burma breaks into hundred isles
Several chapters deal with the negrito aborigines

&amp;

(

, ;

,

2

,

W

be ,

, 's

,

's

lecturer

Lane

.C
., at

addressed
the
Court
Martin
St
.

Questions

Martin

into which they married , and shows the effect
upon their characters of the stirring events of their
times . Messrs. Methuen
&amp; Co. publish the book ,
which has
illustrations
Dan
Russell the Fox
Somerville
and Martin Ross published by Messrs Methuen
early last month
now
third

by

of

of

3

to

of

.

of

6

,

;

3
p
.m

.
, :—

at

)

of

on

in

”

“

to

Mr. R . H . Peddie will deliver his lecture on
How
use the Reading Room
the British
by
Muscum
the lecture room
the museum
kind permission
the trustees
the following
Saturday afternoons
December
1911
January
February
1912
1912 and March
Specimens
1912
the Catalogues and Indexes
and Plans
the Reading Room will be exhibited

Anne , Duchess of Orleans , and adds a brief de
scription of the political conditions of the countries

in

adherence to Croce ' s views .
In America , Professor
Springarn is an enthusiastic admirer of the Crocian
Ästhetic , which he declares to be the only theory
that deals satisfactorily
with the art fact as a
whole .

of

40

is
a

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a

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of

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on

.

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;

8

on

,

17 W

;

13

13

,

at

.

12

of

,

20

in

number
cards will be
the Society
Authors
of

at

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certain
members

of

to

allotted

.
A
.
14

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,

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;

be

p
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.

15

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5

; of

,

Bohemia
and Henrietta

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C
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3s
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to

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.
to

of

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In

of

,

of

,

&amp;

or

, ,

of

of

.

Elizabeth
Stuart
Queen
Orange
Princess

a

in

,

on

is

,

,

,

it

,

in

,

;

,

.

as
a

is

,

of

.

to

“

France

Mary Stuart

.

in

",

by

",

“

in

."

of

its

in

:

“

on

a

,

,

.

,

the last issue
The Author
Baldwin
volume
many moods and touching
Gurus Sacred Writings and Authors
The Sikhs
verse written
throughout the world
great
simple and direct way
are distinguished
various subjects
Each
military people but little
single definite
known regarding their
short poem
the expression
religion
interpret the title
There were no dictionaries of the sacred
idea and the reader
left
books
the Sikhs when the author commenced
the book according
his own inclination
Messrs
Co are the publishers
was necessary therefore for himM ethuen
his labours and
reside
India for many years
and work with
The following lectures
connection with the
professional
the assistance
the few gyanis
new
chairs instituted
the Royal Society
interpreters
given during the session 1911
the Sikh canonical writings who
Literature will
English Fiction
now
survive
addition
Prof Macauliffe has
1912
Professor
Benson
submitted every line
his work
the most search
November
and March
Prof Henry Newbolt
ing criticism
Poetry December
learned
Sikhs
The Clarendon
and May
Prof
Courtney
Press publish the work
£3
nett
Dramatic Literature January
and
April
Foreign Princes
Comparative
Five English Consorts
Prof
Gerothwohl
Margaret
Ida Woodward
tells the life stories
Literature February
and June
The lectures
Mary Tudor Queen
Tudor Queen
Scotland
will
delivered
Hanover Square

Mr Alfred

�THE AUTHOR .

its

,

a

of

of

,

in

of

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as
as a to
it

,

In

in

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law

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DRAMATIC

,

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October 21

,

Theatre

on

's

York

Blake Adams and Miss

the

,

Mr

.

,

.

,

in

“

act

of 's

-

.

M

.

M

Hallard
Trevelyan are

cast

.

Hilda

3

,

at

,

's

.
J
at .

the Duke

revived

Mr

in

.

Sunday December
the Play Actors will
produce
the Royal Court Theatre Mr Raymond
comedy
Needham
three
The Celibate
comedy
Mr
Barrie
four acts was

.

.

,

A

:

On

of

.

by

a

of

be

,

”

on

,

by

on
a

,

"

.

the Turin Exhibition 1911
Story
Under the Russian and British Flags
Experience
True
will
the title
crown 8vo

“

of

,

in

as

“
A

“

of

-

be

at

eight Grands Prix

entitled

Messrs

Daddy Dodderlong
the keeper
second hand
philo
and the ancient gentleman
book shop
sophy
life despite the
and cheerful outlook
his outlook make interesting reading
dreariness

,

of

-

”,

a

,

is

to

be

.

It

1

,

to

-

.

"

,

, of .

in

in

is

.

It

of

,

one
three
Nelson
issued
his posthumous works which they are
Tolstoy
bringing out
the chief story left
he knew
the Caucasus
and deals with life
shorter
Mr Maude now engaged
1852
Tolstoy
life
called
Life
Leo
Tolstoy
spring
and
issued
next
Messrs
Methuen
will
about one fifth the length
Tolstoy
his large two volume
Life
which ran
nearly
200 pages
The Oxford University
Press has been awarded

is “
a

(

.

of .

L

A

."

“

,

“

by

be

shortly

volumes

;

-

on

by

.

)

's

will

Mirth

Co early next year
Methuen
The Tuppenny Box
Colin FitzGerald
the
published by Mr Henry
Ikona Camp
author
odd characters
Drane
humorous book full
yield
their scintilla
whose drab lives are made
quaint style by old
told
The story
mirth

of

a to

of

of

“

of

a

,

. a

.

“
A

of

.

by

to

a

.

is

,

. .

C

.

.

",

. ”,

N

.

G

logical problems raised
mixed marriages
and
Mr Aylmer Maude and his wife
translation
Maude have recently completed
Hadji Murat which
posthumous novel
Tolstoy

Spirit
the author
Miss Webling
Virginia Perfect
Her new book
and
published
will
Felix Christie

of

as

.

,

Robert Scott
the publisher
Stopes author
Journal for
Japan has been asked
Messrs Stanley Paul
preface
Love Letters
the
contribute
recently published by them and edited
Japanese
by
which
second edition
Mortlake and
months after the first
was called for about couple
the psycho
Dr Stopes writes
was published

Dr Marie

,

-

.

of

in

Mr

delivered

C

is
a

”

“

of

.

in

English
the history
Church
volume
addresses
The Life Hereafter
by the Rev Edward Hicks dealing with the ques
The addresses are
the intermediate state
tion
they were
popular language
plain
given

.

a

,

]

the

most

,

191
the

of to

.

1500

.

period

The

Co

A &amp;
.D

.

is

from

protest
the book
names for the characters
against the absurd state
affects
the
libel
members
the literary and dramatic professions
through
publishing
Barnard
Miss Amy
Talks with
Co
volume
Cassell
Messrs
aim
The author
Children about Themselves
has been
enable
the parent
answer the
dimly expressed doubtings
increasing fusillade
his
fears and questions that come from the lips
frontispiece
daughter
young son
There
colour by Elizabeth Earnshaw
Sally Sixteen
The Story
Miss Peggy
Webling has been awarded the Royal Magazine
arranged
prize
the competition
£50
the Royal and the Novel magazines
Pearson

' of
s,

be

,

Methuen

Messrs

volume covers
important time

plaintiff
the action and one
the characters
the story
the present volume many well
known writers have allowed Mr Prothero
use their

“

", of

's

.

“

,
in

is

by

serial
it will be remembered , was , at the time of
publication
the subject
libel action based
solely upon the coincidence
names between the

“

to

.

14

–

,

13

E

–

,

12

,
-

, ,

at

of

.

to

interest on the subject of clubs , tournaments ,
Badminton Hall , &amp; c . There are many illustra
tions to the book , and several well -known players
have contributed
the Chair
Mr Percy White has been appointed
English Literature
the Egyptian University
Cairo during the sessions November
June
1911
1912
and 1913
Shipley
third and last volume
Miss Mary
English Church History for Children
her work
published
now
the press and will shortly

Lion ” under the respective flags.
An illustrated
Russian Christmas story by M . Prelooker is added at
the end of the book .
J. F . Spriggs, of 21 , Pater
noster Square , E . C ., will very shortly publish the
volume at the popular price
of
is., with the
permission of Messrs . Chapman &amp; Hall.
“ Motley and Tinsel ,” by John K . Prothero , has just
been issued as a book by Stephen Swift .
This story ,

“

A
handbook
on “ Badminton ” has just been
by Messrs . George Bell &amp; Sons .
published
Its
author is Mr. S . M . Massey , who was joint holder
of the All England ' s Men ' s Double Championships
in 1899 , 1903 , and 1905 . Mr. Massey 's book
contains advice to beginners , and also much of

“

the pablisher .

There will be a number of illustrations , and
original coloured cover design representing at a
glance the different positions of the “ Bear and the

Hall.

an

J.

the title of a little
book of readings in prose and verse , selected and
arranged by Edith A . Charter .
A copy has been
accepted by H . M . the Queen . Mr. Elliot Stock is

reprint
volume , containing a revised and enlarged
the biographical
sketch by Helena
Frank ,
accompanying
Flashlights , " by Jaakoff
“ Russian
Prelooker , published last spring by Chapman &amp;
of

of

,

Secretary

the

to

R .S . L .
“ The Feast of Christmas ” is

.

of their application

the order

41

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Finances
Russia
volume
published
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this book was
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Minister

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1815
Mérimée
Napoléon
and
Among the books
the Bibliothèque

“

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the
extremely curious novel
psychological
André Beaunier
study
the deepest interest the story
man
who gives
all for the sake
scientific research
and carried away
the fascination
his investi
gations and experiments
neglects the human side
life until the day comes when
realises the fact
that
man whose real inner self has been
sacrificed
the cause
science
The book will
doubt give rise
much discussion
There are
perhaps hundreds
men
science who have

perdu

of

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d

the fourth volume
Arthur Chuquet

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de

La

1801

Arnould

Grande Armée
Campagne
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Weimar
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curious title

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subjects treated
are the following
Roture
noblesse dans armée royale
Buzol
Madame
1796
Meuse
armée de Sambre
Roland
Egypte
Comment Bonaparte quitta
Comment
Kléber remplaça Bonaparte
Un Allemand

,

, ,
to

.

,

,

a

feel the sun
Etudes
Histoire
published
series

”

.

of

of

.

,
”

13

HOMME

ma

Louisa

the volume
We have the famous Tilsitt
interview described
and very many other events
Browning
until the moment arrived when
kings crept out again
grapbically describes

much

Hubert
diplomatique

PARIS NOTES

.

Antoine

Prussia
Two thirds
the volume are taken up
with events
the years 1806
1807
and
1810
Very many episodes are touched
and many
interesting
persons are mentioned
The great
Napoleon
power and influence
felt throughout

de by

.

6

to

of

of

in

of

.

in

by

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at

Princesse
années
Queen

Some of his descriptions
de
Prusse ,
Quarante cinq
the diary
1815
1770

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in an

by

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November

are poems in prose

Louise
Radziwill
“

en

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by

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at

a

of

to

Boucicault Mr Denis Eadie and Mr Graham
Brown are
the piece
Our Little Fancies
three act comedy
village life
Miss Margaret Macnamara will
produced
the Gaiety Theatre
Manchester

us.

la

's

",

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and the news
the failure
the rival aviator
help
the quarrel satisfactory
the solution
both parties
Miss Marie Tempest Mr Dion

“ Isabelle , " by André Gide , is a novel written
in
the careful style to which the author has accustomed

",

-

“

.
J. .
H
M .
, .
"

,

,

”

and Mr
Barrie
Pound
Look
were
included
Miss Agnes
Thomas Mr Nigel Playfair Mr Edmund Swenn
Miss Lillah McCarthy and Miss Cicely Hamilton
The Honeymoon
Arnold
Bennett
was
produced
October
Theatre
the Royalty
The play deals with
aviator whose desire
cut
short his honeymoon
the interests
his business
resented
the lady mainly concerned
The
discovery
the couple
hitch
the marriage
Barker
farce
Rococo
comedy
The
Twelve
performed
The
cast

novel.

to so

.

,

,

3

,

on

at

.

,

.

at

,

in

.

in

of

is

at

his

The son , in striking contrast to his mother 's ideal
of him , is , in fact , a “ bad lot ," and , withal , a
appearance
murderer , and
the moment when
making arrangements for the erection
his mother
produces the main dramatic
the memorial
situation
the drama
Miss Hilda Davies Mr
Milton Rosmer and Miss Muriel Pratt were
the
cast
The play was performed also
the Royalty
Theatre Glasgow
The triple bill was revived
the Little Theatre
Tuesday
October
when
The
Senti
by George Meredith Mr
mentalists
Granville

arrived at the same conclusion , but, on the other
hand , there are scientists who have gone further
still, and seen more clearly than Michel Bedée , the
sarant to whom M . Beaunier introduces us.
“ Le Sortilège ”
is Hélène Vacaresco 's latest

“

“ The

"

Little Stone House ," a play in one act ,
George Calderon , was produced at the Gaiety
Theatre , Manchester , on October 9.
The scene
of the piece is laid in a poor lodging -house in a
Russian provincial town , in which resides Praskovya ,
a mother who is about to arrange for the erection of
a little memorial over the grave of her son , who has
apparently been murdered some 20 years before ,

by

“

42

the Professors

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ALLOWANCE
MEMBERS OF THE SOCIETY
PER CENT
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£4
Other Pages
Page
Half of
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Quarter
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Page
per inch
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give

SCALE FOR ADVERTISEMENTS

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Plon

Quarante trois ans
vie militaire
Plon
Berger Levrault
Judo Manuel
Jitsu
Argentine
Fasquelle
En
art
lire
Hachette
Ville enchantée
Emile Paul
Jeanne Arc
Hanotaux
Hachette

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three articles
Balzac
Gustave Rivet
Royaumont and Adolphe Boschot
These articles
the occasion
were the speeches made

moi

Isabelle
Nouvelle Revue
Louise
Prusse
Princesse
Antoine
Radziwill
Plon
ontemoing
Etudes
Histoire
Bibliothèque
Histoire contemporaine
Alcan
guerre avec
Japon
erger Levrault

.. ...
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excellent translation
are given
Amérique publishes

the society styled
Les Amis
this soirée the celebrated
Nikto

Homme qui perdu
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further
Jacques Bardoux
the Revue hebdomadaire
writes
La Poussée révolutionnaire
dans
Angleterre contemporaine
Hanotaux
La Négociation
franco allemande
Mme
Van
Vorst
La Poursuite
bonheur aux
Etats Unis
Mme Emile Guillaumin
Charles
Louis Philippe
Lucien
Hubert
the
Situation financière de Allemagne
and
few
should

house

the

Les Frères Karamazov

Suder

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the Théâtre des Arts
seems likely
have

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filling

a
a of
a

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Goyau calls
the fact that the author does not
attempt
draw
certain conclusions
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and merely shows what seems inexplicable
the
Goyau considers that this
wonderful story
merely
pause and that after this halt
halt

and that
attention

At the Théâtre Grevin
Honneur
mann translated
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Henri Brémond has
this volume
translation
into French
and
Barrès writes the preface
La Jeanne
Arc
Hanotaux
the title
Georges Goyau
admirable
article
published
extremely
La Revue hebdomadaire
chosen

.

to

.

,

.

is

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“

La

Oliphant

Mrs

Comédie Française
Primerose
and
Vice
are still being given
enormously long list
The Odéon has
new
plays
produce this season
At present Musotte
the bill
At the Théâtre Sarah Bernhardt Le Typhon
being played
Réjane
and
the
Théâtre
Oiseau bleu
adaptation by
Mr Pickwick
Duval
and Charvay
having
Dickens celebrated book
great success
Athénée

.

”,

is

“

's

-

Mestral Combremont
This writer has
received Academy prizes for original work and has
done several remarkable translations
Ville Enchantée
the title given

the

Le Goût

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is

”

de

J.
.

by

Gillouin

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by -

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lire
excellent little book
something about the art
Emile Faguet telling
reading
Among the recent translations
an excellent one
of Mrs Humphry Ward
Sir George Tressady

“

“

",

"

",

les

,
la "

et

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de

“

.

able

is

“ Grandes
Subtropicales , "
“ La
vierges
Canne à sucre et
Forêts
Les
Iguazu
Cataractes
Richesse agricole
and
Les Fortunes
Terre
For any one
visiting this country
such
book
invalu

“
is
L

'

“

L Elevage ,”

“

Provinces

“

(
“
" “ " “ " " * “ “
L
La La '
La
.)

présente , "

,"

thusiasm

(

Richesse
Estancias

services .
She was received
with great en
, and her magnificent rendering of Chopin
proof
in
the Sorbonne
was another
that is
the world of art there are no frontiers .
Th
little society hopes in time to be able to buy
Balzac ' s house , which has already been converted
into a Balzac museum .
The “ Amis de Balzac "
welcome as members
all admirers of the great
novelist , and their little society already numbers
members from all parts of the world .
In the Revue
de
Paris
of October 15 are
“ Souvenirs , ” by Ernest Lavisse , an article entitled
Hevesy the
La Jeunesse
Liszt
closing chapters
Napoléon
Les Médecins
Sainte Hélène
Frederic Masson
and
La
Philosophie
by René
Henri Bergson
her

“

Yokoyama and Oshima of the Kano school of
Tokio , translated from the Japanese into French
by Le Prieur, officier de Marine .
- En Argentine ” ( de Buenos - Aires
au Gran
Chaco ) is another volume by Jules Huret , whose
remarkable
books on Germany have been
so
thoroughly appreciated . The Figaro has had the
good fortune to secure this author ' s work , and to
publish first in serial form these excellent studies .
The present volume treats of Buenos Aires — “ La

43

�managed by
the Secretary

be

THE SOCIETY .

obtained
But the transaction should
competent agent
with the advice
the Society

of

.

,
or

USE

TO

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HOW

of a

THE AUTHOR .

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General

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of

of

All other forms agreement are combinations
the four
above mentioned
generally
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if

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TO

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a

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has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher, or any dispute arising in the conduct of his
business or the administration
of his property .
The
Secretary of the Society is a solicitor ; but if
there is any
special reason the Secretary will refer the
case to the
Solicitors of the Society .
Further , the Committee , if they
deem it desirable , will obtain
counsel ' s opinion without
any cost to the member . Moreover , where counsel 's
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on bebalf of the aggrieved
member , and all costs borne by the Society .

VERY member

1. D

�THE AUTHOR .

carefully

be

the more carefully

STAMPING

in

The Society undertakes to stamp copies of music on
behalf of its members for the fee of 6d . per 100 or part
of 100.
The members ' stamps are kept in the Society ' s
safe .
The musical publishers communicate direct with the
Secretary , and
the voucher is then forwarded
to the
members , who are thus saved much unnecessary trouble .

THE

its

AND

BRANCH

.

,

. .

,

of

.

to

letter

only

,

or

.

be

by

of

,

to

the same
charged for

give notice
The Seoretary
the Society begs
post
that all remittances are acknowledged
return
All remittances should
crossed Union
London and
Smiths
registered
Bank Chancery Lane
sent
.

be

filed subject
play will

.

of

at

.

a be

a

to

at

6d
.

23
.

of

,

also
rules with the exception that
price
per
the
act

REMITTANCES

.

of

in

of

Original Plays may

at

.

or
a

,

,

of in

byof

.

be

a

D

to

,

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
tant
One copy will be stamped and returned
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may be obtained
the author only
typing
small charge
cover cost

is

on

OCENARIOS

.

will greatly assist the Society in this
branch
of its work by informing young writers
of
existence
Their MSS
can
read and
composition
treated
treated
coach
The term
MSS includes not only works
fiction
but poetry
possible
and dramatic works and when
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The
guinea
fee
one
as
a

SCENARIOS
PLAYS .

READING

EMBERS

M

REGISTRATION
OF
ORIGINAL

MUSIC .

of

all

to

therefore guard himself

the beginning .
11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

of
by

He should

of

should

u

it

collaboration

ITTLE

can be added to the warnings given for the
assistance
of producers of books and dramatic
authors .
It must , however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property .
The musical composer has very often the two
rights to deal with - performing right and copyright. He
especially
should be
careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
T

be

for

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract.

MUSICAL COMPOSERS .

TO

.

consideration ,
9. Agreements

WARNINGS

,

8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements
a substantial
without the author obtaining

authors should seek the advice of the
Society before putting
plays into the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual
claim to a percentage on the author' s fees
from it. As far as the placing
of plays is concerned ,
it may be taken as a general rule that there are only
anything
very few agents who can do
for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
with
different
action of frequent petty authorisations
individuals , and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights .
In any case, in the present state of
should not be employed under any
the law , an agent
circumstances without an agreement approved of by the
Society .

. be

7. Authors should remember that performing rights in a
play are distinct from literary copyright. A manager
holding the performing right or licence to perform cannot
print the book of the words .

RAMATIC

,

reserved .

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time . This is most important .
6. Authors should not assign performing rights , but
should grant a licence to perform . The legal distinction
is of great importance .

AND AGENTS .

is

be

AUTHORS

by
a .

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one - act plays should

DRAMATIC

is

( 6.) Sale of performing right or of a licence to
perform
on the basis of percentages
on
gross receipts .
Percentages
vary between
5
and 15 per cent .
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which
the play should be
performed .
( 0. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i. e. , fixed
nightly
fees) . This method should be always
the fees are
avoided except in cases where
likely to be small or difficult to collect . The
other safeguards set out under heading (6. ) apply
also in this case.

45

�THE AUTHOR .

.

the contract

in

a

all of

you resulted

important

rather

altera

."

tions

in

.

to

the month

,

all

of

to

.

DINNER

of the society will be held
Friday , December 8 , at 7 , for 7 . 30 , at the
on
Criterion Restaurant , Piccadilly Circus .
The
by Dr. S . Squire Sprigge,
chair will be taken
Chairman
of the Committee
of Management .
Formal notice , with the usual particulars as to
the price of tickets , etc ., will be sent to
society during
members and associates
the

of

ANNUAL

The annual dinner

the office from a foreign correspondent , thanking
the secretary for the advice and assistance he hail
given to his agent in the settlement of his agree
ment. Although he states in his letter the agent
complained
of the “ troublesome pedantries "
involved , the author continues :
“ But I cannot help feeling that in a matter of this kind
it is worth taking some trouble to get the best possible
advice upon a contract ; not only for one ' s own sake , but
also for that of authors in general . I am sure that if more
people were willing
losing
publisher
run the risk
principle we should
eventually receive
for
matter
submitting
better terms
this case the wise action
In

GENERAL NOTES .

a

46

in

of

is

to

up

,

;

to

,

to

to

),

It

.

of

in

of

to

of

.

in

in

's

,

if

It
,

,

its

of

its

on

"

a

.

to

,

a

is

to

to

at

:

a

,

to

,

be

of

on

to

on

of

on

:.
..
.
..
..

of

,

of

a of

or

to

on

~

.

in .

.

in

of

facts tabulated
few statements
beneficial effect
would have
a

to

.

to

of

to

,

a

.

in

:

“

of

,

an

It

."

It '

.

of

of

ex
-

an

a

,

Agents
Literary and
entitled
suggested that the
Dramatic
has been
question would form
interesting
subject for
further correspondence and we hope that those
say
members
the society who have anything
the matter
write their views
will not hesitate
Curiously enough
letter has recently come

by agreement undertake
deliver
Messrs
before the end of
the 30th June
accounts made up
September
day
No accounts
received
till the
spite
three letters from the author and
October
communication
from the secretary
the society
the
following dates
day
the
Cheque for the same received
November
A

.

of

:

LITERARY AND DRAMATIC

The Author we
the correspondence column
the Com
publish
member
letter from
the
mittee criticising the article that appeared

In

,

;

to

up

it

,

;

accounts must be turned out
the same
interesting with the consent
would
print
Management
the Committee
list
somewhat
the following lines

authors

time

last number

by

of

to

.

to

a
“

,
of

,

pay within six months afterwards
has been fre
quently pointed out
these columns that this last
arrangement might leave the author nearly eighteen
months
before he receives any
remuneration
Moreover
comes constantly
the notice
tbe
secretary that
spite
spite
this clause and
undertaking the accounts are
publisher
the
delayed
the accounts are not delayed payment
great deal
and this necessitates
the cheque
trouble
the author and
the society
regrettable
business
incident
that
seems
house working
office
business principles
cannot keep
the terms
contract since all

,

,

at

in

,

,

(a

of

in

of

as

in

.

ACCOUNTS

gradually
and the number
Some publishers
surely increasing
undertake
make
their
accounts every six months and
deliver and pay
within three months after that time others under
take
make
their accounts annually and
deliver and pay within three months others again
most extraordinary arrangement
undertake
deliver and
make up their accounts annually and

of

in

in

-

,

.

,

of

must
Authors

THEIR

AND

publishers
agreements
clause
every member
familiar
the Society

account

of

to

.

by

-

.

to

of

in

in

of

this list which

THE

be

of

,

as

,

in

.

to ;

,

on

.

to

,

included

annual subscribers only

AGENTS

the

.

PUBLISHERS

,

is

of

is

of

.

of

,

on

is

course

the

'

to

of

.

,

,

.

In

of

society

they are not

are

in

on

,

a

('

of
to

many prominent members
the names
Members should bear
mind
however that when the fund was first started and
various occasions since prominent members
many
liberal
cases made
the society have
donations
the fund
These
donations
have
The Author
received though
been chronicled
the

referred

to

but

absence

pedantries

.

“

the instructions then received
the Editor
The wishes
fresh subscribers have been acceded
and their names inserted
the list
accordance
with their instructions
The total sum
annual
subscriptions
about £231
One third
these
the trustees are enabled
set aside for the
payment
pensions
the other two thirds must be
the
the rules laid down
invested according
scheme
former years
the publication
this list
surprise
some members have expressed
the

In

with the rule laid down by the
ommittee we publish
another page
The
Author
full list
annual subscribers
the
Pension Fund
This
list
with the necessary
additions and deletions arising from the advent
fresh subscribers and the loss for various reasons
was issued last
the same
old subscribers
vear
The names have been printed according
accordance

important alterations

these

troublesome
agent

”

We suppose

FUND

).

PENSION

this form

�THE AUTHOR

is

, a

,

,

of

of

of

,

in

of

.

.

,

all

a

of

is

's

.

;

a

to

.

In

is

.

,

.

.

.

selected

of is

or

by

,

a

of

.

to
a

a

as

in

is

, to

when

,

in

)
is

(
of

or

.

all

of

of
]

sic

of [

of

for ,

has

,

:

register

throughout

INCOURAGE

for the

LEARNING

taken

from

their meetings and Minute Books

the
the

of

It

,

of

,

in .

is

is
a

it

.

.

written

the same hand and

the Society

by

of

is

of

“

”

.up

It of

)

of

of

(

.

on

,
.
of
,

in

a

-

,

of

on

an

is

.

.

Committee
The MS
written
both
sides
the page
appendix
and concludes with
selected
letters
twenty one
number
which the last
mistake numbered twelve
After preliminary note
the back
the title
page this MS
evidently compiled with extreme
acquainted
care by some one who was intimately
with the history
the society and drew freely
from the other volumes
tells the story
The
Learning
Society for the Encouragement
from

of

its

to

winding
must have been
long after the dissolution
the
but by whom there
no evidence
show
The labours however
this unknown
any
hand render most substantial assistance
gathering and putting into shape
one desirous
initiation

of

of

to

,

of

is

to

not

,

written
society

in

the evidence contained
the whole collection
the society
records
The Memorandum
written
the back
the
title
this volume presents the local history
the
society and deserves
quoted
length
The Society was first constituted and acted
of of

as

.

at

to

be

on

.

's

;

.

at

,

,

May
1736
Mr Cock great room
Covent Garden
where they continued
their
general meetings till April 1737
and afterwards
body

14

,

MENT

, ,

. .

title
Memoirs

's

so

,

It ,

.

, in

-

blank
neatly

are

on

its so a )

of

,

to

as

of

,

it

,

,

.

of

266

,

its

it

(

to

,

of

.

. an

to

of

:.

246

exceedingly

;

.

of

,

is

It

,

to

,

as

follows
The original declaration
Memoirs
the Society

. .

6184
6185

whom

6185
description
This volume deserves particular
form
small quarto
266 pages
which

.

of . of

as

a

at

,

,

.

in

in

in
a

;

.

a

in

to

are

and

, of

is

“

,

be

in

1

,

is

in

on

August
London
1735
Its life was
short and that alone
evidence that
did not
accomplishing
succeed
the purpose which
founders had
view
Its records
which have
survived
condition
remarkable completeness
show
also that failure
was from
the outset
foregone conclusion
though why that was
evidently
entirely the observation
escaped
impossible not
regret their
officials
blindness
for had they perceived the difference
between what circumstances rendered possible and
what they made impossible they might have
procedure
modified their methods
have
continued
the great advantage
authors their
most unselfish labours
As
was the society
conducted always with the highest motives came
few years
honourable
end
was
wrecked by publication
The records
the society ultimately bequeathed
the British
Museum
exist
nine volumes
Additional MSS Nos 6184 6192 whose contents

MS

.

to
for

",

de

of

"

of

of

an of of .

“

of

(

Sir

a

to

.

of

of

as

as

a

to

“

,

own sake
attention
and not devoid
regarded
features which may still
instructive
meeting
The society was originated
gentlemen interested
letters which took place

only

letters

not apparent
On the other hand the evidence
the other volumes
itself inevitably more
admirably epitomised
less confused
Additional

In

to

of

of

of

to

is

it

)

",

its

for

MS 6189 and additional MS 6192
might present
good many problems
even
skilled accountant
Additional MS 6190
by no means
complete collection
the letters
addressed
the society
but contains selected
additional

are such

–

-

.

of

,

,

of

it

is

;

remuneration
the author which had become
apparent almost
soon
the invention
printing led
rapid multiplication
books
interesting
Whilst
know that
hundred
and fifty years before
Walter Besant then Mr
Besant laid the foundations
The Society
Authors and long even before the institution
the French
Société des Gens
Lettres
association had been formed with almost precisely
similar objects the history
The Society
Learning
the Encouragement
also deserving

somewhat complicated task
Nor
the record
par
though
altogether
complete
sufficient
ticular the society does not appear
have kept
ledger from the outset
and the accounts contained

its

;

in

,

,

of

if

,

date
taken into consideration
will seem highly
improbable
previously
that they had
offered
examples
organisations
the same kind
Out
side England France and Italy any such society
may with confidence be asserted not
have
existed
and thus English men
letters may
having
claim
the honour
been
the first
attempt
discover some remedy for the miserable

“

to

It

of

. its

”

of

“

for

would seem to be little possibility
of
doubt that
The Society
the Encourage
Learniny
ment
was the earliest associa
tion which had for
aim
secure for authors the
profits
their works
was certainly the earliest
English society that had this object
view
and
the condition
France and Italy at the same

a

HERE

47

6186 . Register of the Society .
6187 -6188 . Minute Books . ( Two rolames ) .
6189. The Ledger of the Society .
6190 . A folio volume of letters .
6191 . A collection of
the Statutes etc
6192 The Treasurer
accounts
Naturally there
repetition
good deal
the contents
these volumes and the disentangle
ment from them
the history
the society and
still more
the signification
of that history

in

THE FIRST SOCIETY FOR THE PROTEC
TION OF THE RIGHTS OF AUTHORS .

.

�THE AUTHOR

,

to

1

."

is

of

its

,

,

is
a in

,

to

's

of

of

.

to

"

be

a
“

of

of of

.

of

,

of

;

,

in

.

;

of

,

27

on

.

of

.

in

chair

,

"

- of

,

.

,

, .
)

to

.

.

a

of

be

to

-

. .
(

of

be

to

a

"

:
do

be .

by

at

do or

as

of

of

; be

of

by

.

be

.”

of

be

,

for of

.

of

.

to

or ,

or

,

,

,

in

in

,

of

printed

by

be

That every Author whose work
the Assistance
the Society
make over his Property
the same and his
interests
the whole impression
the Treasurer
give such farther
trust for the Society

shall

Article

11

if
on

all

a

of

-

by

is

.

,

.

be

of

the ten
blank
Attention will
next claimed
the folio addi
printed
tional MS 6184
Thiscontains collection
statutes and other printed matter originally

.

the

Assistance
the Society and that they
settle
the Prices
which such books shall
sold
he consent
the general meeting was required
production exceeded £200
the cost
“

of

.

at

the preliminary meeting
The remainder
the volume after
signatures

,

.
.
.
in

it

appears that only
signed were actually

do

who

Robison

particular attention are the following statutes
Managers
Article
The Committee
ex
amine and judge whether the copies proposed
proper
printed
the Assistance
the Society
printing
and whether they will answer the charges
they
Such
works
shall direct shall
Printed and Published
the Expense
the

in

those

Thomas

was carried unanimously
These statates incor
porate the original resolutions
the founders and
particulars
also regulate
number
Four general
meetings were
held every year
This number
Twenty four
was afterwards
reduced
one
managers
were
elected
which eight
quoruin
Deserving
retired annually
Five form

T

;

-e

of

is

of

of of

a

-

society

the

Sir

of

Harcourt
Hartford

ight
eighty
The number
the signatures
but from
mention
this preliminary meeting
the records
twenty two

with

The Plan for the Management
the Society
above mentioned containing twenty seven statutes

to

,

headed

by

or

signatures follow
Stanhope

1736

“

.”

.

,

1

1753

. . .

Ten columns

of

or no

is

August

Manager shall receive
this Design

from

What has been thus far recorded represents the
preliminary labours
the founders
the society
its history will now claim attention
May
The first general meeting was held

9

a

,

be

to

,

.

Subscriber
Advantage

ments

“

."

If
is

That

any Profit
The date

,

it

of

31
,

be

an

to

is

before

the date hereof

year

each

the Plan
Sketch
for the management
the society
read before
the first general meeting
The other contents
the volume are
less
the
members reprints
annual lists
interest
statutes
the somewhat modified forms which
were subsequently given them
and similar docu

-

-

.

be

'

be

at

subscribed

adding

of

of

in
to - of

to

,

,

.

,

,

.

least

the thousand guineas were forthcoming
general meeting
was
held
and trustees
Finally after some other provisions
appointed
agreed

it

mentioning
intention
balance
the capital
The next document

“

of

- of

to

,

.

do

.

a

, ,

.

,

"
1

to

“
2

“
3

a

Thousand Guineas

Midsummer Day next ensuing

“

in

a

to

,

by

, of

as

by

a

,

as

Praise and Emulation
We whose names are undersigned do agree
Society and
Form
contribute the Sum
Ten Guineas Each
for the Purposes above men
tioned
pay the further sum
We
also agree
Two Guineas Annually for the support
the
tended Society but that any Member may cease
be Such and be discharged from the Annual Pay
ment upon giving Six Months Notice
That this Agreement shall
void unless

columns

's

:-

of

,

in

to

;
of

of

“

Republic
institute
Letters
for the
Promoting
Arts and Sciences
the necessary
profit
means
well
the Nobler Motives

present

,

."

.

a

of

;

of

assist Authors
the Publication
and
them
the entire Profits
their own

To

Works

. ,

in
a

is

To of
To

“

secure

Learning

of

to

of

to

is

“

,

it

of

.

“

Acknowledgment

mentioned
The first document
the volume bears date
January
single leaf whose con
1735 and
tents are the founder
resolutions mentioned above
subscriptions
with
footnote referring
and

.

of

all

."

,

From

single sheets , but here gathered together in chrono
logical order .
The collection
is asserted to be
perfect , and to contain
all the printed documents
put forth by the society .
The volume has a MS .
title :
of all the Statutes or Rules and
“ A Collection
other Printed Papers relating to the Management
of the Society for the Encourgement
of Learning
January
from the first plan
1735
its
January
dissolution
1749
may
here mentioned that this
the only
place
all the records
the society where the
actual dates
initiation and dissolution are

,

the house was taken in Saint Martin ' s Lape
which time
the meetings both
the
Society and Committee
were
held
there till
Christmas 1747
After this brief record
the various domiciles
the society
best
turn next
additional
MS 6184
The original declaration
largish volume the greater
This
contained
part
whose pages are blank
The MS begins
supply the Want
Regular and Public

till

.

1

at Mr. Bolney ' s great room : there to Michaelmas
following , when they took their house in Saint
Martin 's Lane. But the Committee soon after
their election met first at the Meuse Coffee House
in Lancaster Court , till about Michaelmas
1736 ,
Bow
and after that an apartment was hired in
Street , Covent Garden , where they continued to meet

It

48

�THE AUTHOR .
14

in on

so

he to

of

at

,

.

3

on on

,

.

5

,

on

4

.

of

,

of

.

by

31
,

;

of

of

.

of )

,

(

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,

,

.

of

,

in

(
.
all

of

-

.

to

)

:

be

of

.

,

,

of

;

to

for

.

.

“

",

of

of

.)

by

(

of

to

.

of

a

by

at

.

in

of
6d
,

.

in

as

“

to

.

.

to

.

"

as

is

;

of

others were under
this date none had been

refused

a

å

(

.

at

.

a

in

of

of

This report also contains the first mention
subsequently
difficulties
which
increased
and
harassed the society during the whole period
its
difficulty
obtaining
existence
There was
quorum
the meetings
At
later date this

,

no

to

of

,

of

to

modifications
the statutes and
the
reduction
the general meetings
one annual
one
The other difficulty
for which
cure was
unpaid subscriptions
ever discovered was that
April
1737
the society voted the publi
cation
their first book Sir Thomas Roe
State
Papers
For the production
this book they

.

of

,

,

,

of

“

's

,

voted £300
Other books were subsequently accepted and
money
for their publication voted
and
the
February
annual meeting
1739 the report

of

at

, ,

,
2

,

accepted

of

of

on

its

of

a

is

of

.

Some
these had been
Up
consideration

of

,

to

)

,

.

of

few

first general meeting

fixed
the committee
He
advertise books
often
and
such
public papers
the committee shall direct
Several books had been offered
the society
also

.”

by(

.

in

be

of

,
its
a

weeks after the

bookseller must
higher
than
that

led

to

to

;

in

no

,

a

as to

or
of

difficulties

agreement with the bookseller
the pound commission
The
price
not sell the books

.)

-

of to

them

2s
.

a

-

no

to

in

,

on a

sell

him

7

,

(

of

a

to

),
to to

as

print books and

secure the whole
the profits for
the authors they had
idea how they were going
sell these books
Some ingenuous notion such
could
these days enjoyed only
the
utterly inexperienced
that books when once
printed
sell themselves seems
hare been the
persuasion
them all
The history
the society
the history
the
embarking
design
inevitable consequences
without any right apprehension
real nature

For

The articles
allow

.

it

of

an

of

In

in

(

to its

to

themselves
way

well known London booksellers
that
the society
An
them for one
year
and special articles had been drawn up regu
lating the terms
agreement between the society
authors printers and booksellers
agreement with authors include
The terms
printed
the following provisions
No book would
the society
which
the author had taken
subscriptions
The committee were
determine
the form
the book and its price
The author
present one copy
was
the library
the
society
That the society held the copyright was
already provided
the statutes
agreement
The articles
with the printers
stipulate for the use
the best Antwerp ink
and paper and work of bigh quality
had been appointed booksellers
agreement had been made with

date

to

.

of

an

by

),

.

.

to

perceive that what they were doing really amounted
starting
London one more publishing house
which must necessarily come into competition with
predecessors
publishing house that was
and
purely philanthropic
conduct business
lines
nor did they see that whilst they were proposing

such

Messrs
Nourse

.

on
to at in a

its

of

;

to

,

be

tion from men who were
have
return for their
money
At the same time these liberal minded
gentlemen appear
have been absolutely blind
two facts which certainly would not escape the
any one
these more commercial
observation
days
the first place they completely failed

presented
the committee
which are recorded several particulars
attention
Andrew Millar
John Gray and John

,

.

,

by

did

; to

,

.

of

,

its

to

of

,

cost
was

in of

production
had been defrayed
any case invited
contribute
anything
the support
the society nor
the
society during
existence publish any work
one
its own members
Its aims were wholly
disinterested
and the subsidy which
members
proposed
offer the cause
literature was
very liberal scale
The pound sterling was
greater
1735 relatively
much
value than
present has and
entrance fee
ten guineas
followed
annual subscription
two life
membership for ten guineas was sanctioned at
represented
very generous contribu
later date

No author

November
February

this meeting

to

,

,

hand the authors whatsoever might remain

the

At

report
deserving

On

to

to

to

of

.

to

of

,

,

,

a

,

of

a

in

of

and
after

1737

.

its

by

for

,

of

”

,

of

to

of

“

society
fundamental constitution
not
authore
society
noblemen and gentlemen interested
letters who were providing funds that should
securing authors the profits
be applied
their
works
Put briefly the intention of these patrons
print works
letters was
merit
sell them

but

August
were held
1736
and
the same year
The next was

to

on

.”

,

of

.

be

no

one
its principal aims was
secure
authors
the entire profits
their works
was

the committee met weekly for the
details
The general meeting had
accept the
invited
the Duke
Richmond
presidentship
society
the
did
May
generally presided
and afterwards
person
He was subsequently succeeded
the
Duke
Leeds who was president
the date
the dissolution
the society
General meetings
1736

of

, -

is

it

or

or

“

,

no

to

,

be

of

sary that the statutes
any society should settle
very important
not here mentioned but
observe that the statutes incorporated the original
manager shall
resolution
That
subscriber
advantage from this design
receive any profit
The full significance
this provision must
account
overlooked
The society though

need

May

arrangement

by

be

it

,

A

of

.”

,

as

of

for

reimbursing the Charges
other Security
the
Printing and Publishing thereof
judged
shall
proper by the Committee
number
minor details which
was neces

49

�THE AUTHOR .
to

as

of

,
to

,

,

to

his

.

to

in

of

;

.

at

its

of

.

.

, ,

to

on

,

.

of

. ,

,

of

,

to

.

,

to

be

a

is

;

so

,

'

it

of s

.

is

,

:

;

it

.,

33

of

,

,

.

,

is

it

of

of

,

of

,

." :

not

to

,

all

of

First
15

these

:

etc

The proposals were

”

in

they would

the booksellers

is

proposals

carefully

discussed

distinctly gentlemanly
made
forecast the
by

to

be

as

byto 's

(

”

,

.

as be

in

6d
.

2s
.

'

is

to

,

any one who now
impressed
the
forthcoming
show
how
the booksellers
the pound had
per cent and more
probably no
become
explanation was
found except that tradesmen

.

probable results
Meanwhile
reads the report cannot fail
explanation
fact that

to

)

(

attempt
the report and
and not
all businesslike

in

.

cash

an

these

sell

to

a

of

.

;

“

to

15

of

their own where
only and only for
Each

, of .

per cent com
the booksellers more than
mission
and afterwards that
the sale
the
Society books be open
general and
the trade
per cent given
equal allowance
and
finally that the society should have
warehouse
allow

to

;

)

in

commissions were
liable
1740
1911
proportions
assume unanticipated
and also
the fact that whereas the original commission had
in

to

to

a

proposed

no

,

of

in

's .

,

Messrs Millar Nourse and Gray
per cent
who by the enormous allowance
vending
not more
for
their books have
brought the affairs
the Society
low
and
defeated hitherto the generous intention
its
institution
for the removal
this evil
now
three booksellers

33

,

in

he

of

'

to

complicated

show

,

to

is

to

."

he

on

.

a to

is
to

,

will

, of

at

to of ,

)

;

do

it

at

.

, of

“

;

.”

to

is

but the following passage
that
does not mince matters
The Society being since last Michaelmas happily
disengaged from
the former contract with their
tinctly

at

,

,

in

.

to

,

,

of

"

“

,

of

,

's
to

and
these those
Messrs Strahan
Valiant
Baker
and Brindley were those most adran
tageous
the society
An agreement was also
ultimately made with them
but not with them
alone
For though the society had been successful with
Dr Stuart
book
was finding
the general
conditions
sales and the results accruing
from
them
the highest degree unsatisfactory
and
special report containing
much
that there
many
respecting
considerations
the difficulties
hampering the sale
which the society found
their publications and various suggestions for
combating these difficulties
This report
dis

;

in

at

'

's

,

of

be

it

(

's

,
of

to

so

.

,

no

“

the entire profits
his work
The society
doubt plead
The book has cost him
Every copy that
nothing
now sells represents
much clear gain
and what
succeeds
selling
represents actually
the whole profit
seeing that the previous sales merely covered the
production
cost
This view
the situation
simply one more
however
instance
the
society
incapacity
perceive that
bookselling
the difficulty
find the purchaser
design here
At the same time the society
light
They did not propose
comes clearly
pay the author
royalty
his sales nor
hand
over
him the profits resulting from
successful
produce his book
transaction
but simply

might

he

Yet the society was
this very date discovering
that books are not always easily sold
Their agree
ment with their booksellers had lapsed and the
committec reports
labours
search
new
agents
They had given notice
the trade that
any booksellers might offer sealed proposals
the
terms
which they were willing
contract with
the society
Several proposals had been offered

“

.

's
.

a

of

,

as
a

kind
remainder
the same time
releasing the right
impression
say
that
giviog the author back his copyright
This plainly
leaving the author himself
secure
amounted

him

,

's

,

of

:

him

.”

of be

,

author

return
dispose

pleased

so in

of

of

is

)

.

)
is

,

,

,

,

19

of

to

treasurer
deliver
the remaining copies and
impression
release the right
which was done
accordingly
Whatsoever may have been thought
1740
the present date this action
the society will
certainly
considered unsatisfactory
Here was
strictly scientific book which had
the case
presently seen
sold well and quickly
will
that all the society publications did not
this
but after having recovered their expenses the
dispose
society makes no further effort
the
rest
the edition but simply returos
the

themselves

's

.

.

,

2

26

an

',

De
the

repaid

the copyright and the remainder

.

- of

.”

,

. of

of

(

.

on

,

(p

in

“

printing and publishing Dr Stuart
book
Motu Musculari
the committee
directed

having

after

,

,

of

.

,

A

to

,

1

.

,

.
. D
I. of ."

, ,

.
1
,
“

.

,

20

.”

in

"

.

.

,

26

“

17

M et

structura
motu musculari
Stuart
Published
May
1738
500 copies quarto
History
Sir William
Smith
the British
Plantations
America
Part
Pablished
November
1738
000 copies quarto
Original
Thomas Carte
Collection
Letters and Papers concerning
the Affairs
England from 1641
1660
Published Novem
ber
1738
000 copies octavo
The agreement with the booksellers was renewed
The whole number
members who had paid their
subscriptions was 106
The report
the annual meeting
the
following year February
1740
one
the
most interesting
The sale of Dr Stuart
book
May
ublished
completely
1738 had been
presented the only
successful and
instance
instance fully recorded
how
the society dealt
profits
such cases with the author
The committee report
On October
1739 the Society having been
reimbursed the expenses they had been
Dissertatio
auctore
Alexandro

(possibly one for which he could get no offers from
being put
any cost and
the trade ) without

of

de

the

“

by

published

as

if

mentions

committee
society :

an

the

,

50

�THE AUTHOR .

it

of

be

of

]

sic

to

.

,

it

.
.
.

on it

be

]

[

,

to

to

.
.
.
to .

it
on ,

to

,

of it

to
a

of

at

,

,

at

on

to

;

,

of If

.

on

a

of

's

,

of

.

.

on 20

.

a

to

.”

.

of

of

.

23

did

,

If

.

,

on

,

of

,

of

.

of

,

,

,

of
to

,

,

2

,
it

.

.

in

.

in

to

of

of
in

,

as

of

in

so

's

,

a

to

2

,

of

.

16

.

.

to

of

“

's

“

to

of

up

by

A

.

to

in an

of

,

of .

to

a

,

3

,

a of

to

.

.

of

of

to

,

of

-

of

have been drawn
the
subscriptions
committee and another
arrears
Neither however was ever presented
February
At the annual meeting
1746
quorum
sufficient members
form
were not
present
The meeting was adjourned
but again
quorum
the number was insufficient
form
On April
memorial
the present state

,

-

;
to

it

no

ment was announced

17
“
A

,

à

,

as

a

of

:

,

2

on

,

”

fit
,

."

of

of

as

,

of 's

of

booksellers employed

,

-

, -

of

-

.

as

by

,
or

,

's

an

,

as

,

's

nished since there have been

Isaac Newton
Quadrature
Curves Ex
very well recom
plained
the society
came
mended
and
order was given
the printers
quarto
general statement
for 350 copies
the accounts
the society from its first establish
”

."

to

as

to

of a

,

on

no

,

at ,

of

.

of
in

“

Having taken into consideration the sale
the
greatly dimi
books the committee find

Society

At the annual meeting February 1745 there
were not present sufficient members
form
quorum
The meeting was postponed
until
February
On that occasion the publication
books offered
the society was
discussed

,

be

at

,

to

as

on

at

of of

to

the society
warehouse for what they
The warehouse was
course proving
expense
good deal
and
occasion
responsi
additional care and labour
well
bility
the society
records plainly show
but
what was the result
the new tactics may be read
the report
the committce presented
the
February
annual meeting
1743

failure
On February
1744
was announced that the
society
funds were nearly exhausted and that this
consequence
expenses incurred
wasnot
much
consequence
the publication
books
subscriptions amounting
an arrear
£454 138
May did not
this year the general meeting
take place

.

is

as

as

's

“

be

:

to

be is

.
.
.

of

apply

wanted
source

by

us

or

,

as

,

.”

of

as as

,

to

,

It

“

it

of

whole executive part
our scheme into the hands
giving them the sole
our natural adversaries
power
vending our books
they think
reserving the sale for themselves
instead
Accordingly
the expiration
the contracts
agreements with any particular
the society made
private individuals
booksellers but left the trade

,

, ,

a

.
.
.

of

in

to

.
.
.
by

]

The committee add
further proposed that the sale
our
gentlemen
open
books
well
book
sellers
the price fixed
the title page
which would unquestionably
defeat all combina
tions
the booksellers against the Society
For
capital error
put the
has hitherto been

not make use
the intervention
the book
sellers they could not sell their books
the
society did make use
the booksellers the latter
discouraging
the sale
the works and by
demanding exorbitant commissions
what they
fatally crippled the society
sold
Meanwhile the
subscriptions
arrears
which had been always
difficult
collect were constantly increasing and
the whole enterprise was drifting towards inevitable

by

.
.
.

of

to

[

for consideration
This proposal was that
soon
the contracts
expired the sale
Society
the
books should
many substantial dealers
home
laid open
willing
and abroad
should
serve

booksellers
However that method has been since
found absolutely impracticable
Accordingly the society reverted
their previous
policy
employing agents
They gave
com
per cent
mission
sales
home and
per cent
sales abroad
carrying out the
The absolute impossibility
society
design was however now evident
and
publishing house that was
the hopelessness
philanthropic
do business
lines
the society

In

it
in
to
is

,

of

our affairs into their own hands most
promote
have shown very little willingness
the sale
our books
from which
natural
plain
conclude that most of the trade are
opposition
the prosperity
this
institution
and will
continue
combination against
unless the Society moving one
two steps further
sic than was done last year effectually defeat the
design
some such expedient
here proposed
them

whom that affair was first committed
were them
yet they
selves wholly strangers
the nature of
by the
were sensible that the terms insisted
booksellers were extravagant
But when that
contract was expired
occurred
the Society
trying
come
resolution
vend their books
any
their own house without the assistance

of

.
, .

to

,

of

,

of

three for vending was expected
have
great advantage towards increasing the
yet after signing the contract with the
and getting
almost the whole executive

.
of , .
.

part

to

for

of a

.
.
.

instead
been
sale
Society

in

, .

15

.
.
.

's

on

a

in

of

to

to

in

of

“

of

-

,

.

2

,

on

meeting
February
1741
Matters had not been improving and the com
mittee state
The regulations
the last annual
meeting
the
1740
for reducing the profits
per cent for vend
booksellers from 354
ing has produced the desired effect
saving
considerable
sums
authors
The opening
vending
also
room
the Society house
the trade has put our affairs
better footing
six booksellers
But though the appointing

opinion that
in their service , were [
therefore
was entirely necessary for the interest
the Society
that some reputable booksellers should
con
provided
tracted with
could
effected
upon easier terms than those
which
has been
done formerly
For though the gentlemen

Sir

.

be

,

at

of

,

to

15

been 121 per cent . (28. 6d . in 20s . ), " the society
per cent
now found itself compelled
offer
How the various proposals were ultimately put
into practice and with what results may
seen
from
the report
the committee
the annual

51

�THE AUTHOR .
,

, to

us

of

12
,

to

or

be

a

of is

it

of

to its

its

by

it
. is

do

a

,
of .

.

,

,

12

of

a

)

(

.

of

(

),

of

,

a

,

in

or

,

'
of s

,

",

'

.

2

Tuum

.

)

(
si

,

do

,

who made me

placeo

em

is

a

of

so

on

all of

(

1

of

of

To

's

Quod placeo

." 's , etc
.

24 of

In

(

.

))

£2
,

.

J.

H

.

of

.

,

to

- of

.

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of

)

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,

.

.

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; .

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,

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these

Mrs Hughes
.

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by

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XXV

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"

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to

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Book Prices Current
London
Elliot Stock

the record
different dates
the sale
Encyclopædia
two copies
Britannica
1875
1903
volumes with the supplementary volumes
volumes sold for
one occasion and
for
another

seen

all ,

Book

in

of

third numbers

and

of

,

5

April

second

Prices Current
for 1911 contain records
the sales from
December
1910
impossible
say too often that
1911
"

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CURRENT

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£4
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BOOK PRICES

by

of

of

in

,
a

for

of

A

.

15

for

.
it

prices
miscellaneous collection more interesting
than miscellaneous collections generally are was sold
Sotheby Among other curiosities
March
etc
contained four Horn Books one
them
matrix
making gingerbread Horn Books
cut
reverse
At this sale Tasso The Falconieri Manuscript letters
and poems dated 1556 1593 fetched only £49 Mr
Dawson gave 200 louis for
Rome The record
the sale
the first portion
the library
Sotheby
Mr Charles Butler April
569
not yet completed reaching only
far
The
Mirrour for Magistrates
but presents
course
wonderful array
rare English and Continental
books
The mere description
them forms
warning may
very seasonable note
feast
(

to

no

on

,

,

of in

HENRY CRESSWELL

Hughes

John

Barham
On
February was sold
the 9th and following days
Sotheby
086 the very remarkable collection
printed books and other works illustrated
George Cruikshank
formed by Captain Douglas
Many
might
expected fetched high
these

in

in to

In

,

is

.

conveys speak for themselves

pages

seven

of

or

,

is

it

of

,

at

.

for the expenses incurred
these cases the authors
nothing
received
and
the booksellers
alone
benefited
There
however
occasion
commenting
waste space
what happened
The history
the society and the lessons which

.

reimburse the society
producing
them

the third part are appended
manuscript
the autograph
transcript
including
poem

it

its

,

adequate remuneration
would have received
remuneration
all
not clear that the
authors received very much
substantial
benefit
from the society
Several
the books failed

To

.”

.

in

If,

no

.

is

“

",

;

's

Sir

“

of

”

Monastica and
Notitia Britannica
The society thus certainly produced several
books
substantial value
Whether these works
might not have seen the light without
assistance
another question
that case the authors
no

author

Isaac Newton
Bishop Tanner
Notitia

;

;

”

Curves

Ciel
Prof
Gronovius

of

Sir

“

:

,

.

“

A

”

Signor

), (o

on

- .

of

to

;

“

.
to

of

“

'
of s

Animalibus
of

Histoire

Revelation
"

“

,

of

de

1660

Cicero
Letters
History
Virginia
English

,
“

“
“

”

1641

William
Keith
Translation
Pluche
Campbell Necessity
Aelian
Quadrature

Maximus Tyrius
Dr
Stuart
De
Original Letters

of

,

from

Translation

“

's

.

P

Rolli

“

”

Motu Musculari
English History

Davies
Carte

's

; .

Dr

the society were

;

Papers

State

by

's

Thomas Roe
with notes

by

.

ling Hospital
The works published

1910
December
etc
the library
Mr Hilton
Sale offered
rich collection
beles lettres amongst
which were the first second two copies
third
Shakespeare
and fourth folios
On January
Sotheby
books
number
1911
were sold
relating
printed
Canada and the United
States Specialists will recognise among them many
particular interest
volumes
the sale
the
library
the Rev
Dent January
Hodgson
copy
422
was included Gray
with his autograph and manuscript notes
Stow
Survey
the Cities
London and Westminster
February
miscellaneous collection
and
Hodgson
was offered the first edition
the three
parts
The Ingoldsby Legends
thick
paper
nly
dozen copies
the first part were
printed
inscriptions
with autograph
from
the
sale

480

.

to

,

of

,

31
,

in

the society
when the balance
£20 12s
remained was presented
the Found
1749

The

,

no

,

of

a

;

until the dissolution

office

January
that finally

mentioned
Sotheby

a

's
to -

of

,

"

.

,

.

the members
get
Several attempts were afterwards made
together
meeting
the society
but without
effect and the officers and committee continued

Prices Current " can be appreciated at
pages
full value only
those who peruse
impossible that any short notice should
which
pick
space compel
justice
Limitations
out few only
the plums which
contains and
painful consciousness that what
that with
passed over must
often exactly what readers
this
that taste would particularly wish
have

“ Book

“

,

its

of

to

“

(
3
)

;

;

(
2
)

of

in

:

(
1
)

,

the Society " was sent to all the members . It set
forth the difficulties beneath which the society was
succumbing
those already fully described that
dealings with
the society had encountered
the booksellers
the small sale
the society
publications and
what has principally
con
tributed
reduce the affairs
the Society
their present state
the great deficiency
the
annual payments
response from
This appeal however met with

In

52

�THE AUTHOR .
SCOUTS ' HISTORY OF

ENGLAND . *

is

.

I.
to

do

in

of

.

in

,

in

,

do

.

a

It

.

,

a

is

.

-

.

,

,

in

:

, he

.

in

to

as

in

it

to to
,

it

.

If

a

an

,

,

,

is

?

,

—

is

of

",

,

't

“

do

if

to

if

be

in

be

,

”

'

“

,
I

of on —

,

; .

to

,

as

to

to it in a is

of a

is “

it

,

of

not wish
examine
detail the
your last number
Authors Agents
Many
the points are well taken and many
the
warnings will
dealing with some
most useful
agents even
they
hardly necessary
relation
others
employ
But when you sum up
Don
agent
you
but
watch him
venture
that the first part
think
the advice
too
broadly stated and the second too well shall we
say unceremoniously
good watchdog
As
the first the society
can warn advise and guard
cannot
the
positive work for
capable and
author which
my
zealous agent can
tried
would
opinion soon find itself exposed
the same charges
favouring one author
against another
which
agents are now exposed
good practice
An agent
literary exchange
possesses
acts
know
ledge
what wares are wanted
what places and
what prices which few authors possess
This
valuable knowledge
well worth paying for
He
an to

,

is

. .

's

is

It

.

SIR
article

It

of

,

,

to

in

.

”

,

,

DRAMATIC

AND

.

LITERARY

-

AGENTS

of

.

is
,

is

's

a

to

.

”,

is

to to

“

'

he is

.

its

,

of of

of

.

of
as

,

of

;

to

of

,

;

AUTHORS

he

a

be

to

a

;

It

'

in

a

.

at

,

, .

,

is

a

,

.

is

be a

is

CORRESPONDENCE

Garden

course every man ought
vigilance
reasonable
over his own
interests and affairs
even though
were dealing
angel
with
But the attitude
mind indicated
your
hardly
promising basis
Watch him
particularly confidential
for
business relation

to

;

or

.

in

-

side

of

.

,

on

of

an

to

,
of

.

he

of

—

a

of is

*

”

watch
not think
considered
The position

he do

But

I

a

man should

sense

.

a

in

.

-

No doubt

of to he his

a

”

a

do

,

an

In

as

and

,

no

be

there are men who

,

as

."

,

,

."

as
“

is

“

a

of

a

would employ
solicitor whom
great deal
watching
need
agent
very similar and demands confidence
watching
well
There are
doubt solicitors
literary agents who
and there may very well
not deserve this confidence
both professions

.

Press

solicitor
an

at

Fletcher and

Clarendon

the other

second

do
,

.
L
.

.

C

by
by the

the

.

to

.

,

be

,

Published

R

.

.

net

England

",

of

.

6d
,

78
.

.

Oxford

it

to

,

,

is

in

is

it

*
"

The History
Kipling

Rudyard

to

all

”,

." ,

's

to

,
at

nature

This
sound
rate
the
present time and for the past centuries
though
impossible
may
say how soon
contro
the near future
verted
any

the considerations

a

of

.

to

of

's of
be

to

,

it

“

,

historically

As

exercise

an

a

,

"

.

is

my Father
There are four legs
Chair
Priest and People and Lords and Crown

some

the account

“

,

,

to

,

to

,

",

,

“

:

begins

are

by

,

to of

,

.
.

,

to

English
comes nearest
the hearts
may
perhaps
men although
considered
England
have little
do with the history
My Father Chair which
The other one

to

knows whom
trust and whom
not
trust
knowledge very valuable
business
Neither shy
ness nor sentiment prevents him
from asking and
obtaining the proper market price one
both often
prevent
author when acting for himself
These

of

Rudyard Kipling
and the illustrations
Ford
Some
the poems are just right for
the boy who desires
have sound stirring examples
before him
Some perhaps are
little above his
grow up
head but still he will live
them
Of the
many scattered throughout the book we should like
recommend two
The last
The Glory
the

of
H
.

poems

it

for

of

,

R

.
L
.

.byan
C
.

to

",

of

of

of

of

point
useless
from
child
view
than useless
This history
written
puts forward high and patriotic
for children
ideals and will surely tend
interest stimulate
why we
and arouse the better feelings
This
heading the article
have taken the liberty
The
Boy Scouts History of England
for what
most
striking
that movement
the high moral ideals
which are put before the boys
the code up
which they are bound
true scouts
live
This
dry historical details
They
not
criticism
may
all wrong though Mr Fletcher
name
guarantee that they are all right
indeed
difficult matter
write something for children
history which will interest while
the shape
gives
instructs that
think
while
ceases
bore but this appears
have been carried through
successfully by the author aided
course by the
view

worse

-

it is

in

.

1

"

point

a

to

the fact that
The Author
not
August and September
published
has
give
been impossible
earlier review
England
The History
Fletcher
and Rudyard Kipling which reached the office
July
the beginning
We have read the book with
perusal
considerable interest and have enjoyed
There are many different views taken about the
writing
history but surely the soundest view
partisan that
that the historian should
adopts
should give some life
the views that
and should revivify the dead bodies
the past
The
merely
opinions and
historian who
balancer
dry facts
methods and
chronicler
from
our

he

This work should be very popular , not perhaps
as a class book , but as a prize book or a
gift book ; and in saying this we are paying the
something
book the greater compliment ,
considerably more than
dry text book
so much

I

BOY

at

THE

53

author who has

�THE AUTHOR .

=

is

or

a

in

?

is

a

in

“

of

at

,

?

circumstances
when you look
the broad facts
against your five columns place two brief
Let
generalities
Most
the eminent authors
who are members
the society employ literary

of

,

to in

him

the agent
years salary

in

,

, 't

if

'

,

so

-

-

--

. ---

its

a

.

for

to

an

a

of

is

as

,
to "

't

an

“

as

:

is

“

”

,

The usual practice
such
case
for
charge
commission upon one
two
What wrong
there here
Where
does this differ
essence from commission upon
any
prepaid royalties
your
What becomes

ment

of

of trade union official , against
occupations .
One of us is a
member of the society , and for ten years past it
has been our own policy to encourage authors to
join it : Mrs . Thurston , of whom you print a
touching memorial notice , is an instance . Nor do
we in the slightest degree object to reasonable
criticism of the customs of literary agency , written
with the facts clearly in view .
It is perfectly well
known to many , perhaps most , of the members of
your society , that there are agents and agents .
The fact
worth stating
but
random
attack
Preferably don
based upon such texts
use
agent and
employ
agent
you
Don
but
quite another thing
Again we
do watch him
cannot object
the office
the Authors Society
being used
literary agency for
members
return
fees
But we have every reason
object
being allowed
occupied
the officials
type

the narrowest

legal and honest

?

SIR , — We have just had the privilege of reading
literary
the extraordinary
five -column attack on
agents in your last issue . It is unlikely that you
will give us five columns in which to reply to your
hardly refuse to
detailed points ; but you
can
publish this brief protest . For we imagine that it
is very far from
the intention of the eminent
authors composing the Council and Committees of
the Authors ' Society that their names should be
used to cover campaigns , designed in the spirit of

.

II.

We do not , however , wish now to go into these
details . Let us say a word about the contract
between author and agent . Why not be perfectly
honest , and admit that authors , like agents , are
not angels ? But agents have to deal with many
authors who are in or on the verge of financial
straits . Without money - lending , the agent may ,
and often
does , help these struggling men and
women in a crisis .
It would be mean to deny this ;
the statement can easily be proved .
The reputable
agent is , however , necessarily in a somewhat more
substantial position than such an author , and to
forbid him to collect moneys would , to that extent ,
involve withdrawing from the most helpless class of
authors any benefits which literary agency can give
Again , you say that “ the agent must not
them .
agency
be allowed in any circumstances
to claim
young
fees on introductions merely .”
(
wise
judge ! “ In any circumstances ! ”
A young man ,
perhaps a provincial or a recluse , desirous of obtain
ing a paid
post as leader writer , or a regular
connection as specialist contributor , is recommended
to apply to a certain agent , who, by reason of wide
connections , may be able to make such an arrange
to

.

.

COMMITTEE

”

OF

(
1
)

Ex -MEMBER

which ten copies are sold in this country for every
one sold there .
The writer may have been thinking
of a certain narrow kind of popular fiction ; but if
so , why didn ' t he say so ?

.

I

will sign myself —

for

and experience ,

knowledge

written these two sentences : “ No market is better
for the author than the American market . ”
“ If
a book touches the American market ( and all good
literature should be universal) , for one copy sold in
England , four would
be sold
in
America . "
So
untrue is this that we could name out of hand a
dozen books , placed , not for editions in sheets , but
for copyright production in the United States , of

'

the dignity , of authors .
I do not think that any committee of the Society
has ever taken up a hostile position towards agents
as such .
I should regret it if any committee ever
did . On the other hand , there have been many
cases where the Society and agents have acted
together in the interests of members , and it is
within my knowledge that in several instances
agents have advised authors to join the Society .
There is, in fact , plenty of room for co -operation
between
the society and an honest and capable
agent , and , in my opinion , no reason why such
co -operation
should not exist .
To show your
readers that I do not write altogether without

,

which has , in my judgment, on the whole , and in
the persons of its honourable members , done much
for the commercial interests , and something for

under cover of a public and , apparently , impartial
association , honoured by such names as those of
Mr. Thomas Hardy , Mr. Bryce, Mr. Birrell , and
Lord Curzon , to launch against a small group of
reputable private traders charges which , when no
names are given , are grossly unfair , and , if names
were given , would bring you within the scope of
the libel law .
If sweeping generalities are to be indulged in at
all , they should be based upon a width of experience ,
which the writer of the article evidently does not
possess .
No one with any considerable knowledge
literary
of Anglo - American
traffic
could
have

us

employed an agent for nearly twenty years with most
satisfactory results , I think that the article in your
columns is one -sided , and , while containing (as I
have said ) much that is of value , might unduly
p rej dice a young author against
a profession

in

54

�THB AUTHOR .

his

as

to

,

troubling

from

of

?

to

us

of

,

all

a

or

or

as

an

,

to

be

,

to

.

as

.

in

,

:

or

of

a

in

,

,

:

if

or

,

the second
should
or

is

only with

agent has

.
”
.

do

that
literary
it

Yours faithfully
ALLEN HARKER

.

.

it
;
to

a

of

,

,

;

't

have much

and

sound

L

credited with
watch the

of

rid

to

's ,

an
it
.

an

In

of

that

,

,

as

of

do

,

work

to

own

be

an

might

particularly want and second those whose
the publisher does want
would want

knew

class

,

,

in

is

.

in

if

,

an

in

his

“

,

,

it '

to

.

is

is

it

a

to

,

is

,

to

or

“

't

.
"

author

doesn

work
he

of

to

it

,

“

on

. ”,

so

,

,

if

.

no

judgment
compelled
employ
Now
author
certainly with the
an agent and
he does
hope of obtaining by this means better terms from
the publishers than he could get for himself
Should
he find this
not the case surely the remedy
his own hands either
seek
more capable agent
person
transact his literary business
The
article concludes with the somewhat cryptic remark
employ
agent but
you
Don
watch
even

if

it be is

;

.

be

, as

so a

by

IV
.
an

an

is

-

-

,

October number
The Author
article
Authors Agents
Literary and Dramatic
put
mildly
which
seems rather one sided
From
the young and
inexperienced author would gather that the literary
agent
unnecessary evil superimposed upon
unfortunate authors against their will and better

sufficient interest

by

to

is

,

in

it

of

might
And
well
remind the discontented
quite honest but
that even
solicitor may
rather stupid
are there agents who meaning quite
grasp the essential
well
their clients yet fail
quality
author
work
and
find the right
channel for
The wise author gets
such
possible
an agent
soon
article that appeared
the Fortnightly
Review
some
five years ago Mr Curtis Brown
futility
sums up this vexed question
the use
the literary agent
few terse sentences
Much
that has been written about the literary
agent has been futile because the writers have not
understood that authors can be divided into two
classes
First
those whose work the publisher
it

STACPOOLE

.

VERE

In

SIR
the
there appeared

Now

is

.

of

to

.

to

-

in

.

,
DE

.

?

,

a

is
H

.

to is,

to

is
,

;

,

to

an

.

,

,

, so
do
I

an

to

an

.

Yours faithfully

to

from

agents

of

speak

and especially the
my business have proved
now
absolutely indispensable that
themselves
me
reading your article
send this protest
employ
agent
To advise
author not
from my experience bad advice
advise him
agent
watch
from my experience superfluous
advice
very wideawake person
The modern author

him

It

?

of

.

from
which
amount
excellent advice can
guard him
There are generally far more willing
and experienced persons
advise the young writer
profit
than there are young writers willing
their advice
The young writer
above all things
print and any advice
anxious
see himself
Cassandra like utterance which suggests the delay
regarded
that happy consummation
timid
pessimistic
occasionally
Would
not
well
the pages
The Author
was suggested that
publishers
even
and literary agents have their
living
get
launching
And that
unknown
the other his time
writer the one risks his capital
and his postage stamps
in

and

, ",

Literary

.

experience
agents who

I

vital importance

of

“

I

say

no

this

a

to

odium

In '
s

a

to

held

in

is

of
up

should

number
importance

vital

.

,

men

be

,

writing
manner

to of

right that

to

It

.

Author
seems
me not
gentlemen
whose work

of

of on

”

The

with surprise the article
the October number

read

in

I

,

“

have

—

SIR

Literary Agents

is

;

.

,

III

?

an

in

of

it

be

.

is

,

'

—

in

-

,

a

as
a

is

,

.

of

.]

cease

his integrity
The business manager that requires continual
watching
hardly worth the consideration
averagely sensible people
We make inquiries and
take considerable thought before confiding our
affairs
solicitor why should
taken for
granted that we are less careful
the choice
agent
We
know
most
from
sad
experience that there exist dishonest publishers
and unsatisfactory
and somewhat shady agents
but
the literary profession itself entirely com
posed
persons
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CoSGROVE

literary
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THE LITERARY AGENCY
LONDON
PERRIS

55

�THE AUTHOR .
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my letters this morning
One
patterns from
London shop and
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patterns was printed
each little set
they
not returned
were
the effect that
charge made for them
uninjured there would be
publisher
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who had
had
whom
see my new novel and
asked
sent my clean and dainty newly typed MS
saying that the MS
printed form
was merely
hand but that the publisher declined
was
any way
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for
opened

packet

SIR , — The Sorrows of a Freelance as set forth in
last month
Author along with some notes
the
article
and
The Colonial Markets
Proposed Canadian Copyright Law have reminded
picked out
English magazine
rail
me
way bookstall not long ago from among four
five American monthlies
which have already
our
and
made good their footing among
Colonies
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cover design
the English
magazine was the work
American artist and
do not doubt that the electros from which
was
printed were made
America
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of

MSS.
was

TIMES.

SIGNS OF THE

.

PUBLISHERS

by

56

and

authors

his

say

that

The last time
was
New York
American
editor told me that one
our most lordly magazine
proprietors had been bemoaning there the falling

sending
West End shop
printed
approval and enclosing
coat
responsible
form
the effect that
decline
know the law
don
loss
for its damage
shrewd suspicion that
case but
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and
doubt still
do not buy
one
our most popular
fiction monthlies
whose
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magazine offices
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us
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publishers sell
Canada
my English publishers can dispose
alone
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from
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it

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It

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President Taft
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America
con
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the publisher
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American
And
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the earliest oppor

the Canadian and English editions came from New
York
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American business policy has
aggression
and why should we
now become one
neglect
the noble
self defence
Yours faithfully
ROBERT AITKEN

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DEAR SIR
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agreement
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for three books
with
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who paid me
sum
account
things the American rights
which
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expenses had been
per cent after
receive
paid
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sequently

one
those
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Canada the United States and England
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sense
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writer can leave her machine
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COTTERILL

. ESO . , of Hindhead , Surrey, writes
you
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typed , and I should like to thank you for the admirable way the
you
manuscript
to
was
sent
work was done. Considering that the
my handwriting,
without having beencorrected or evenread, and that
I am told, is not always particularly legible, it is obvious that it
required perception as well as care, something more than simple
,
mechanical accuracy, to produce such a result - &amp; result which in
conjunction with your moderate charges, seems to me to be the best
upon
recently
been directed
of answers to the criticisms which have
the work of typists in the columns of The Author. "

HUBERT WALES

Literary
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Baron
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Mr
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Miss Gertrude Tuckwell Canon Swallow
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corrections French and German typewriting undertaken
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Reference
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.-No. 2.&#13;
NOVEMBER 1, 1911.&#13;
(PRICE SIXPENCE.&#13;
List of Memberina&#13;
Notices&#13;
The Society's Funds&#13;
List of Members.&#13;
The Pension Fund ..&#13;
Pension Fund-Complete List of Annual Subscribers&#13;
Committee Notes ...&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ... ... ...&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books ..&#13;
Warnings to Dramatic Authors...&#13;
CONTENTS.&#13;
PAGE&#13;
Registration of Scenarios and Original Plays&#13;
45&#13;
Dramatic Authors and Agents ...&#13;
Warnings to Musical Composers&#13;
Stamping Music&#13;
The Reading Branch&#13;
Remittances. ... ... ... * *&#13;
General Notes&#13;
The First Snciety for the Protection of the Rights of authors...&#13;
Book Prices Current&#13;
The Boy Scouts' History of England ...&#13;
Correspondence ... ... ... ... ... ...&#13;
.&#13;
..&#13;
MRS. BARCLAY'S NEW NOVEL.&#13;
THE FOLLOWING OF THE STAR. 6s.&#13;
BY&#13;
FLORENCE L. BARCLAY.&#13;
With Coloured Frontispiece by F. H. Townsend.&#13;
OVER HALF-A-MILLION COPIES OF&#13;
Mrs. Barclay's Previous Books&#13;
HAVE BEEN SOLD.&#13;
THE ROSARY. 6s.&#13;
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THE AUTHOR.&#13;
8-10 er erobercro&#13;
AO&#13;
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0 10 0&#13;
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The amount purchased at the present price is&#13;
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£312 13s. 4d.&#13;
.&#13;
March 9, Hutton, E. .&#13;
0&#13;
.&#13;
5&#13;
This brings the invested funds to £4,377 198. 4d.&#13;
0&#13;
March 10, Wilson, Albert .&#13;
0 5&#13;
The trustees, however, have been unable to recom-&#13;
0&#13;
March 16, Ward, Dudley.&#13;
0 10 6&#13;
mend the payment of any further pensions, as the&#13;
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0 1&#13;
of the society to this fact, in the hope that by&#13;
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April 7, Henry, Miss Alice .&#13;
0&#13;
.&#13;
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be sufficient funds in hand in the course of the&#13;
April 10, Ralli, Scaramanga . 2 2 0&#13;
April 11, Robins, Miss Alice .&#13;
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. 1 1&#13;
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April 20, MacEwan, Miss. . 0 10 0&#13;
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Victorian Government 3% Consoli-&#13;
April 24, Toplis, Miss Grace .&#13;
0 10 0&#13;
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291 19&#13;
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London and North-Western 3% Deben-&#13;
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1 0 0&#13;
ture Stock .......&#13;
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0 0&#13;
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Glasgow and South-Western Railway&#13;
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:&#13;
2 0 0&#13;
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Irish Land Act 22% Guaranteed Stock 258 0 0&#13;
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1927-57 .......&#13;
...... 438 2 4&#13;
Jamaica 31% Stock, 1919-49 ......... 132 18 6&#13;
PENSION FUND.&#13;
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Dominion of Canada C.P.R. 31% Land&#13;
Grant Stock, 1938..&#13;
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£ $. d.&#13;
Total ............... £4,377 19 4 A. L. M. .&#13;
. 0 5 0&#13;
Abbott, The Rev. Edy&#13;
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Adams, Newton..&#13;
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1911.&#13;
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Andrews, Miss C. C.&#13;
March 9, Boughton, Rutland . 0 5 0 Armstrong, Miss Frances .&#13;
March 10, Somers, John .&#13;
0 5 0 Askew, Claude . . .&#13;
April 6, Rawlings, Burford&#13;
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April 11, Wicks, Mark .&#13;
O B. C. . .&#13;
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June 15, Fitzgerald, Colin&#13;
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June 15, Sabatini, Rafael. . 0 5 0 Barrington, Mrs. R sell&#13;
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Bland, Mrs. E. Nesbit.&#13;
: 0 10 6 E. S. .&#13;
1 1&#13;
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118, M188 M. A. . . . . 0 10 0&#13;
Bolton, Miss Anna&#13;
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Bosanquet, E. F.. .&#13;
: 0 10 6 Fagan, J. B.&#13;
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: 0 5 0 Fenn, Frederick .&#13;
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Brend, Charles C.&#13;
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Brinton, Selwyn .&#13;
5 0 Field, The Rev. Claude&#13;
Brodhurst, Spencer&#13;
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Brown, R. Grant . .&#13;
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5 0 Plunkett, G. N., Count&#13;
. 05&#13;
. 5 0 0 Pope, Miss Jessie&#13;
. 0 5 0&#13;
O Portman, Lionel . .&#13;
• 1 0&#13;
0 Prelooker, J.&#13;
. 0 5&#13;
0 Prideaux, Miss S. T. .&#13;
. 0 10&#13;
. 0 5 0 Pryor, Francis .&#13;
O Rawlings, Burford&#13;
· 1 1 0 Reynolds, Mrs. Baillie .&#13;
05&#13;
· 0 5 0 Reynolds, Mrs. Fred..&#13;
. 0 5 0&#13;
. 0 5 0 Rhys, Ernest&#13;
. 0 5 0&#13;
0 Richardson, Mrs. Aubrey&#13;
. . . 0 10 6&#13;
· 0 10 0 Riley, Miss Josephine .. . . . 0 7 6&#13;
: 0 5 0 Roberts, Morley . . . . . 0 10&#13;
· 0 10 0 Roe, Mrs. Harcourt .&#13;
. 5 0 0 Rorison, Miss E..&#13;
05&#13;
. 1 1 0 Rossetti, Wm. M.. .&#13;
. 0&#13;
. 0 10 0 Rumble, Mrs.&#13;
1 1 0 Rumbold, the Right Honble. Sir Horace,&#13;
0 5 0 Bart., G.C.B., G.C.M.G. .. . 1 1 0&#13;
1 1 0 S. F. F. . . . . .&#13;
O S. M. , .&#13;
5 0 Sabatini, Rafael&#13;
0 5 0 Saies, Mrs. .&#13;
6 Salmond, Mrs. M. A. C.&#13;
Salwey, Reginald E.&#13;
0 Sanders, Miss E. K.&#13;
10 0 Scott, G. Forrester&#13;
. 0 5 0&#13;
0 Scott, Mrs. C. .&#13;
: 0&#13;
0 Seaman, Owen .&#13;
: 1&#13;
0 10 6 Sedgwick, W.&#13;
. 1 1 0&#13;
6 Seton-Karr, H. W.&#13;
: 0 5 0&#13;
0 5 0 Shaw, Mrs. Bernard&#13;
.&#13;
. 3 3&#13;
5 0 Shepherd, George H. ..&#13;
· 0 10 0 Shera, Miss B. M.&#13;
: 0 5&#13;
. 0 5 0 Sherwood, Miss A. Curtis&#13;
0 5 0 Shipley, Miss Mary . .&#13;
: 0 5 0&#13;
1 0 0 Simpson, W. J.&#13;
. 0 5 0 Sinclair, Miss May&#13;
2 2 0&#13;
5 0 Skrine, Mrs. John H.&#13;
. ( 10 0&#13;
. 0 10 6 Slaughter, Miss F. .&#13;
. 0 5 0&#13;
. 0 5 0 Smith, Bertram .&#13;
: 5 0 0&#13;
: 0 5 0 Smith, Miss M. C.&#13;
. 0 10 0&#13;
· 0 5 0 Smythe, Alfred .&#13;
. . . . 0 5 0&#13;
. 0 5 0 Somers, John&#13;
. . . . 0 5 0&#13;
. 0 10 0 Somerville, E. E.&#13;
: 0 5 0&#13;
. 0 5 0 Speed, Lancelot .&#13;
. 0 10 0&#13;
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&#13;
&#13;
## p. 33 (#437) #############################################&#13;
&#13;
THE AUTHOR.&#13;
33&#13;
COMMITTEE NOTES.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
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·&#13;
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.&#13;
.&#13;
er OOOOH&#13;
·&#13;
.&#13;
.&#13;
·&#13;
.&#13;
£ . d.&#13;
Sproston, Samuel, Junr.&#13;
. 1 1 0&#13;
Stanton, Miss H. M. E.&#13;
. . 0 5 0&#13;
Stawell, Mrs. Rudolf .&#13;
: 0&#13;
Steel, Richard . .&#13;
. 0&#13;
Stein, M. A. . .&#13;
. 0 10 0&#13;
Steveni, W. Barnes&#13;
. 0 5 0&#13;
Stevenson, Mrs. M. E..&#13;
0 5 0&#13;
Stott, M. D. . .&#13;
. 1 1 0&#13;
Sullivan, Herbert&#13;
. 1 1 0&#13;
Summers, J.&#13;
0 5 0&#13;
Sutherland, Her Grace The Duchess of. 2 2 0&#13;
Sutro, Alfred ..&#13;
2 0&#13;
Tearle, Christian .&#13;
O&#13;
Teignmouth-Shore, The Rev. Canon . 1 1 0&#13;
Thorburn, W. M.&#13;
0&#13;
Thorn, Ismay :&#13;
Todd, Margaret, M.D.&#13;
Toynbee, William&#13;
10&#13;
Trevelyan, G. M..&#13;
Trevor, Major Philip&#13;
Truman, Miss Olivia&#13;
0 10 0&#13;
Tuckett, F. F. .&#13;
. 1 1 0&#13;
Turner, G. F. .&#13;
Ö&#13;
Twycross, Miss M.&#13;
0&#13;
Tyrrell, Miss Eleanor&#13;
0 10 0&#13;
V.S.&#13;
0&#13;
Vachell, H.&#13;
0 0&#13;
Vacher, Francis&#13;
. 1 i 0&#13;
Vernede, R. E. .&#13;
. 0 5 0&#13;
Voynich, Mrs. E. L. .&#13;
. 1 1 0&#13;
Voysey, The Rev. Charles .&#13;
10 0&#13;
Ward, Mrs. Humphry.&#13;
· 10 0 0&#13;
Warden, Madame Gertrude .&#13;
. 0 5 0&#13;
Watt, A. P.. ..&#13;
. 1 1 0&#13;
Weaver, Mrs. Baillie&#13;
0 10 0&#13;
Wentworth, Patricia (Mrs. G. F. Dillon)&#13;
lon) 1 1 0&#13;
Westrup, Miss Margaret .&#13;
• 0 5 0&#13;
Weyman, Stanley J. .&#13;
0 O&#13;
Whishaw, Mrs. Bernhard . . . 0 5 0&#13;
Wicks, Mark&#13;
: 0 5 0&#13;
Willard, Mrs.&#13;
. 0 10 6&#13;
Wills, The Rev. Freeman&#13;
Winchilsea and Nottingham,&#13;
Countess of .&#13;
. . . . . • 1 0 0&#13;
Woods, Miss Mary A. .&#13;
5 0&#13;
Woodward, Miss Ida .&#13;
Wright, E. Fondi . . . . . 5 0.&#13;
Yolland, Miss E. . .&#13;
Young, Capt. Geo. F., C.B. .&#13;
Young, W. Wellington . . . 0 5 0&#13;
The total number of annual subscribers, there-&#13;
fore, out of a membership of over 2,000, amounts&#13;
to 284 ; the total amount of subscriptions to&#13;
£231 14s. 6d.&#13;
.&#13;
·&#13;
.&#13;
.&#13;
·&#13;
.&#13;
·&#13;
.&#13;
THE first meeting of the committee after the&#13;
long vacation took place at the offices of the&#13;
society on Monday, October 2nd.&#13;
The first business before the meeting was the&#13;
election of members and associates. The committee&#13;
are pleased to report that the number of elections&#13;
is well maintained ; 67 were elected at this meeting,&#13;
bringing the total elections for the year up to 221.&#13;
The names of those elected will be found on&#13;
another page. The committee report, with regret,&#13;
7 resignations, bringing the total resignations&#13;
to 66.&#13;
The solicitor of the society attended and reported&#13;
the work done during the past three months. An&#13;
important case of infringement of copyright,&#13;
mentioned in last month's Author, has been settled,&#13;
the defendant undertaking to pay the damages&#13;
demanded by the plaintiff and costs. A case&#13;
relating to the bankruptcy of an agent, also&#13;
reported in the last issue of The Author, is pro-&#13;
gressing, as the examination of one of the parties&#13;
concerned will take place during the month. The&#13;
solicitor also reported a few County Court cases&#13;
which had been settled, and three matters in which&#13;
it had been necessary to issue summonses, the&#13;
summonses being returnable in October. In one&#13;
case in which the society had undertaken to act for&#13;
a member, matters had been somewhat delayed&#13;
owing to the course the plaintiff had thought fit to&#13;
adopt independently of the society's solicitor. The&#13;
committee decided it would be impossible to&#13;
continue to act if the member failed to put&#13;
thorough confidence in the society, and instructed&#13;
the solicitor to explain the position in order that he&#13;
might be able to conclude the negotiations. A&#13;
case of account would, the solicitor explained, be&#13;
pressed when the defendant returned to London.&#13;
He was at present travelling and nothing could be&#13;
done.&#13;
A case was mentioned in the July issue of The&#13;
Author, in which the plaintiff's claim was based,&#13;
not on infringement of copyright, but on breach of&#13;
confidence. The solicitor had, during the vacation,&#13;
gone into the matter very carefully, had obtained&#13;
full evidence and counsel's opinion. He reported&#13;
to the committee the result of the steps he had&#13;
taken, but the committee decided, after careful&#13;
consideration, that it was not a case that the&#13;
society could pursue.&#13;
The solicitor also reported that the society had&#13;
advised on sundry cases during the vacation, and&#13;
had recovered moneys in three or four cases without&#13;
the necessity of taking out summonses or issuing&#13;
writs.&#13;
There were certain cases of dramatic piracy&#13;
·&#13;
.&#13;
.&#13;
·&#13;
.&#13;
.&#13;
.&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
0&#13;
·&#13;
·&#13;
er er or ero&#13;
·&#13;
·&#13;
&#13;
&#13;
## p. 34 (#438) #############################################&#13;
&#13;
34&#13;
THE AUTHOR.&#13;
brought forward at the meeting, which the com- council meeting was settled, together with a report&#13;
mittee had decided to take steps to prevent. It is of the Committee of Management's action on the&#13;
impossible, at present, to say anything more about Copyright Bill to be laid before that body at their&#13;
these cases, as to do so would be likely to prejudice meeting. Formal notice will be sent to the council,&#13;
the society's chances of success.&#13;
together with a copy of the report, in due course.&#13;
The secretary then reported the cases which were The date of the dinner was provisionally settled,&#13;
under dispute in different countries.&#13;
and the secretary was instructed to make the usual&#13;
The first was an action taken on behalf of a arrangements. Notice of the dinner will be sent&#13;
member against a publisher in Berlin for breach of round to all members at a later date.&#13;
contract. He reported that the opinion of the The secretary then reported he had been enquiring&#13;
society's German lawyer had been obtained, and as whether it would be possible to insure members of&#13;
the opinion was favourable the matter had been the society—(1) against loss owing to non-payment&#13;
pursued with the sanction of the chairman. Another from magazine editors and publishers, and (2)&#13;
case, in Chicago, a claim for money due for an against the risks of action for libel. The issues&#13;
article, had been settled and the money paid. A were fully discussed, and the matter was adjourned&#13;
case of infringement of copyright, which had been till the next meeting, to enable the secretary to&#13;
going on for some time in the Swiss Courts, had obtain further details of the schemes proposed.&#13;
been carried considerably further. In the first The consideration of the settlement of the&#13;
instance judgment had been delivered against the agreement between author and agent, owing to the&#13;
member of the society, but application had been time occupied by other matters before the com-&#13;
made by the society's lawyer to have the judgment mittee, had also to be adjourned.&#13;
set aside, and at the time the result of the appli- The committee have to thank Mr. Horace J.&#13;
cation was not known. A question dealing with Simpson and Mr. W. Victor Cook for donations to&#13;
the infringement of a story by cinematograph per- the capital fund of the society.&#13;
formance in America was fully discussed, and the&#13;
secretary was instructed to ascertain the exact steps&#13;
to secure the member's title to his property in the&#13;
United States, as any flaw in his title would&#13;
PENSION FUND COMMITTEE.&#13;
immediately upset his claim ; and it was essential&#13;
the society's lawyers should have clear evidence&#13;
A MEETING of the Pension Fund Committee was&#13;
before any action was commenced. The secretary&#13;
held at the offices of the society on Friday,&#13;
also reported that during the vacation the chairman&#13;
October 13th. It was decided, after careful con-&#13;
sideration, to send out a circular to members of the&#13;
had authorised investigation by an accountant of a&#13;
publisher's books, but although this investigation&#13;
society, appealing for fresh support for the fund.&#13;
was in progress, the accountant's report had not yet&#13;
The form of the circular was carefully considered&#13;
been received.&#13;
and settled, and will be posted to members during&#13;
The following matters were also discussed :-&#13;
the month of November.&#13;
In the July issue of The Author an article&#13;
appeared on the subject of the publication of the&#13;
Roll of the Society of Authors. In answer to the&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
request, contained in that article, for expressions of&#13;
opinion as to the advisability of publishing a roll A MEETING of the Copyright Sub-Committee&#13;
of membership, only some half a dozen letters was held on Friday, October 13th, to consider an&#13;
had been received. The committee decided to agreement which had been laid before them by a&#13;
place the matter before the council at their next firm of musical composers.&#13;
meeting, when it would be discussed.&#13;
It will be remembered that in the spring of 1910&#13;
The present position of the Copyright Bill was Messrs. Stainer &amp; Bell, desiring to meet those com-&#13;
also discussed by the committee, and a letter posers who were members of the society, and to&#13;
received from Mr. E. J. MacGillivray was read, arrange a more equitable form of contract than that&#13;
relating to various important points which it might in common use in the music publishing trade, sub-&#13;
be desirable to put forward when the Bill came before mitted an agreement which, after certain alterations,&#13;
the House of Lords. The committee approved was approved by the Copyright Sub-Committee and&#13;
Mr. MacGillivray's suggestions, and instructed the by the Committee of Management. This agreement&#13;
secretary to proceed along the lines indicated. was printed in full in the May issue of The Author&#13;
The question of Canadian copyright was next of that year.&#13;
referred to, as the position had been altered owing The present agreement, submitted to the sub-&#13;
to the recent Canadian elections and the defeat of committee with a similar object in view, has been&#13;
Sir Wilfrid Laurier's Government. The date of the considered clause by clause, and it is hoped, with&#13;
&#13;
&#13;
## p. 35 (#439) #############################################&#13;
&#13;
THE AUTHOR.&#13;
35&#13;
the consent of the publishers, to publish it in an In a case of piracy of dramatic pieces by illegal&#13;
early issue of The Author. At the present time duplication of MS. copies, involving the property&#13;
nothing further can be said save that it is a con- of three or four members of the society, the Dramatic&#13;
siderable advance on the form of contract issued by Committee confirmed the action which had been&#13;
many of the largest music publishing houses in taken by the society's solicitors during the&#13;
London.&#13;
vacation.&#13;
Finally, the sub-committee considered the&#13;
DRANATIC SUB-COMMITTEE.&#13;
managerial treaty. The secretary read to the&#13;
committee the clauses which had been passed&#13;
The first meeting of the Dramatic Sub-Com- already, and put before them a redraft of those&#13;
mittee after the vacation was held at the offices of clauses which remained for discussion. Several&#13;
the society on Friday, October 20, at 3 o'clock. fresh clauses were put forward, and it was decided&#13;
When the minutes of the previous meeting had to have these printed, ready for the consideration&#13;
been read and signed, the secretary reported the of a special meeting of the sub-committee when the&#13;
position of the Copyright Bill in England and the treaty was to be settled. The line of conduct to be&#13;
Copyright Bill in Canada.&#13;
adopted by the sub-committee when the treaty was&#13;
The next question before the sub-committee ready for negotiation was also discussed, and it is&#13;
was the appointment of agents in the Colonies and hoped to be able to obtain the support of the&#13;
in America. They again took into consideration a great majority of the dramatic authors of the&#13;
proposition put forward by an American lawyer, society to the steps contemplated by the sub-&#13;
but came to the conclusion, after careful considera- committee.&#13;
tion, that the sum he asked for looking after the&#13;
rights of dramatists who were members of the&#13;
society was prohibitive. The sub-committee had&#13;
Cases.&#13;
to consider, first, the number of English dramatists ALTHOUGH the chronicle of the monthly list of&#13;
whose plays are acted in America, and from these cases in the magazine may prove a weariness of&#13;
the number whose works would have to be pro- the flesh to some of our readers, yet it is essential&#13;
tected by their own effort, and not through the that such a chronicle should be made in order that&#13;
agency of the theatrical manager who held the new members may see the work of the society and&#13;
licence. From the letter of the American corre- old members be convinced of its continued activity.&#13;
spondent it appeared that he would officially During the past month nineteen cases have gone&#13;
represent the American managers, so that the through the secretary's hands. Of these three&#13;
number of English dramatists unprotected would were for accounts. One has been satisfactorily&#13;
be very small.&#13;
settled, one is in course of negotiation (and by&#13;
An offer submitted to the sub-committee from this is meant that the delinquent bas acknowledged&#13;
an agent in India they were also unable to accept. the secretary's letter and is coming to terms), and&#13;
In regard to the appointment of an agent in South one has only recently come to the office. There&#13;
Africa they instructed the secretary to inquire have been six claims for the return of MSS., in&#13;
whether the agent would be ready to accept a power four of which the MSS. have been recovered and&#13;
of attorney, and to conduct the various cases on returned to their owners, while the two last cases&#13;
the understanding that his legal expenses should be have only just reached the office. Of six claims for&#13;
a first charge on any soms he recovered by way of money two have had to go into the solicitors' bands&#13;
damages; the author and the society being, except for collection, three are in the course of satisfactory&#13;
under special contract, in no way responsible.&#13;
settlement, and one has only recently come to hand.&#13;
The Sketch question was further considered, If the three mentioned are not settled through the&#13;
Mr. Cecil Raleigh making a full report of the intervention of the society during the course of the&#13;
negotiations that had been carried on and were month they will be transferred to the society's&#13;
pending. Finally, a letter to the Lord Chamberlain solicitors. Two complicated questions as to the&#13;
was settled, and the secretary was instructed to construction of agreements have had to be handed&#13;
forward it at the earliest possible moment.&#13;
over to the society's solicitors, and it is hoped that&#13;
The secretary reported the dramatic cases which they will be satisfactorily settled. Two questions&#13;
the society had taken in hand during the vacation have arisen respecting the property in titles. One&#13;
There were three cases for recovery of fees due to has been settled and the other is in course of&#13;
dramatists. One had been settled, and the other negotiation. Author's appear to have but a very&#13;
two were being carried on. One case of alleged vague idea as to the nature of the property in&#13;
breach of confidence the Committee of Management, book titles. A great many of them appear to&#13;
after careful consideration, decided they could not think that a title is copyright. Speaking generally,&#13;
support. The sub-committee confirmed this action, this is not so. Recently more complaints thau&#13;
&#13;
&#13;
## p. 36 (#440) #############################################&#13;
&#13;
36&#13;
THE AUTHOR.&#13;
W&#13;
usual have come to the office in respect to similarity Evans, Frank Gwynne The Tower House,&#13;
of title ; but in these matters the secretary has&#13;
Woodchester,&#13;
had to advise the members concerned that no&#13;
Stroud.&#13;
property existed.&#13;
Enriquez, C. M. . . Barmu, N.-W. Fron-&#13;
Three cases remain over from former months.&#13;
tier Province, India.&#13;
The others have either been placed in the bands Farnol, Jeffery. . . 71, Eltham Road,&#13;
of the society's solicitors or have been brought to&#13;
Lee, S.E.&#13;
a conclusion. One case is an infringement of Fontenay, Charles . . Grand Hotel d'Italia,&#13;
copyright in a foreign country ; one is a question&#13;
Ruta, nr. Genoa.&#13;
arising on an agent's agreement, and a settlement Footner, Hulbert . . 272, West Jackson&#13;
will, no doubt, be arranged ; while the last is a&#13;
Street, Hamilton,&#13;
question of accounts and money. Here there bas&#13;
Canada.&#13;
been considerable correspondence, and if a satis- Foreman, Stephen . . 3, Redclyffe, Western&#13;
factory answer does not come to band shortly the&#13;
Road, Cork.&#13;
matter will have to be placed in the hands of the Gould, Gerald . . . 54, St. Mary's Man-&#13;
society's solicitors.&#13;
sions, Paddington,&#13;
Hannay, James 0. (George Westport, co. Mayo.&#13;
October Elections.&#13;
A. Birmingham)&#13;
Abraham, J. Johnston . 144, Queen's Road, W. Harnett, St. Clair . . 15, Pelham Place,&#13;
Antcliffe, Herbert . . 136, Crookesmoor&#13;
S.W.&#13;
Road, Sheffield. Heath, Sidney . . . 5, Victoria Avenue,&#13;
Batt, Miss Ethel Dumaresq Woodleigh, Fleet,&#13;
Upwey, Dorchester.&#13;
R.S.O., Hampshire. Heath, J. St. George . Woodbrooke Settle-&#13;
Beale, Mrs. Mary . . 2, Whitehall Court,&#13;
ment, Selby Oak,&#13;
S.W.&#13;
Birmingham.&#13;
Bell, Margaret C. . . Old Headington, Hopkins, Capt. L. E., R.E. Junior United Ser-&#13;
Oxford.&#13;
vice Club, S.W.&#13;
Beresford, J. D.&#13;
Hughes, Miss M. L. V. Woolston Vicarage,&#13;
Breakell, Mary L. . . c/o Studio, 15, Rectory&#13;
Southampton.&#13;
Chambers, Church James, G. Kingston&#13;
Street, Chelsea, S.W. Keith, Gerald . . . 18, Southampton&#13;
Broster, Miss D. K. . . 22, Farndon Road,&#13;
Street, Holborn,&#13;
Oxford.&#13;
W.C.&#13;
Bungey, E. Newton . . Dunster Lodge, New Kenny,Mrs. Louise M. Stac- Sunnymount, Lime-&#13;
Barnet, Herts.&#13;
poole&#13;
rick,&#13;
Chamberlayne, Effie . Cranbury Park, Hants. King, Clifford&#13;
. Mozart Villa, Port&#13;
Clarke, Laurence . . 91, Church Row,&#13;
Hall Road, Brigh-&#13;
Hampstead.&#13;
ton.&#13;
Colum, Padriac . . 2, Frankfort Place, MacBride, MacKenzie . 36, Romford Road,&#13;
Upper Rathmines,&#13;
Stratford, Essex.&#13;
Dublin.&#13;
MacKinder, H. J., M.P.&#13;
Craven, Arthur Scott . Hereward House, West- MacKirdy, Mrs. Archibald. Ha ha t - Munzil,&#13;
ward Ho!N. Devon.&#13;
Reigate, Surrey.&#13;
Creed, The Hon. J. Mildred, (Member Legislative Martin, Edgar Walford . 72, Church Road,&#13;
M.L.C.&#13;
Council, N.S.W.),&#13;
Moseley, Birming-&#13;
Sydney, N.S.W.,&#13;
ham.&#13;
Australia.&#13;
Mayo, Miss Margaret . 1672, Broadway, New&#13;
d'Anethan, Baroness. . Park Gates Club,&#13;
York City, U.S.A.&#13;
Grosvenor Crescent Moffat, Graham . . 130, Elgin Avenue,&#13;
S.W.&#13;
Maida Vale, W.&#13;
d'Arcy, Ella.&#13;
Mignon-Gloria, Nevada, Greville Lodge, 33,&#13;
Downer, The Rev. Arthur Somerden, Groom-&#13;
Greville Road, Maida&#13;
J. S.&#13;
bridge, Kent.&#13;
Vale, W.&#13;
Du Bois, W. E. Burghardt 20, Vesey Street, New Moore Mrs. Stuart (Evelyn 50, Campden Hill,&#13;
York, N.Y.&#13;
Underhill) .&#13;
· Square, W.&#13;
Duffy, George Gavan 22, Basinghall Street, Moss-Blundell, A. S. · Crabwood, Sparsholt,&#13;
E.C.&#13;
Winchester.&#13;
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## p. 37 (#441) #############################################&#13;
&#13;
THE AUTHOR.&#13;
37&#13;
Murdoch, Gladys H. Buckhurst, Woking- THE ELEMENTS OF British FORESTRY. A Handbook for&#13;
bam.&#13;
Forest Apprentices and Students of Forestry. By JOHN&#13;
NISBET. 7} x 5. 345 pp. Blackwood. 58. 60. n.&#13;
Nicholls, Henry J. . . 269, Longmoor Lane,&#13;
Liverpool.&#13;
ART.&#13;
Nixon, Miss Marion . 6, Wellclose Mount, THE CONSOLATIONS OF A CRITIC. By C. LEWIS HIND.&#13;
Leeds.&#13;
83 X 51. 95 pp. Black. 35. 6d. n.&#13;
Parkes, Kineton . . Barnfields, Leek,&#13;
ONE HUNDRED POPULAR PICTURES (COLOURED REPRO-&#13;
DUCTIONS). With an Introduction by M. H. SPIEL-&#13;
Staffs.&#13;
MANN, and Notes by ARTHUR FISH. 15 X 10..&#13;
Peacock, Mrs. F. M. , Liskeen, Fortwilliam Cassell. 12s.&#13;
Park, Belfast. THE IDEALS OF INDIAN ART. By E. B. HAVELL.&#13;
Phelps, Sydney Katharine. 8, Ormonde Mansions,&#13;
104 x 74. 188 pp. Murray. 158. n.&#13;
PERUGINO. By EDWARD HUTTON. (The Popular Library&#13;
100A, Southampton of Art.) 6 X 4. 200 pp. Duckworth. 18. n.&#13;
Row, W.C.&#13;
Pickering, James Edwin . 7, Montague Street,&#13;
BIOGRAPHY.&#13;
Russell Square, THE SISTERS OF LADY JANE GREY, AND THEIR WICKED&#13;
W.C.&#13;
GRANDFATHER, By RICHARD DAVEY. 9 X 54. 313 pp.&#13;
Chapman &amp; Hall. 128. 60. n.&#13;
Rice-Keller, Mrs. Inez . Lyceum Club, 128,&#13;
THE FAIR LADIES OF HAMPTON COURT. By CLARE&#13;
Piccadilly, W.&#13;
JERROLD. 9 X 53. 320 pp. John Long. 128. 6d. n.&#13;
Robinson, Lennox&#13;
Abbey Theatre.Dublin FIVE ENGLISH CONSORTS OF FOREIGN PRINCES. By IDA&#13;
Shute, Mrs. Cameron. . 28, Cheyne Walk, S.W.&#13;
WOODWARD. 271 pp. Methuen. 12s. 6d. n.&#13;
AUTOBIOGRAPHIC MEMOIRS. By FREDERIC HARRISON,&#13;
Slayton, P. E. . .&#13;
D.C.L., Litt. D., LL.D. Two volumes. 97 53.&#13;
Smart, Mrs. Christabel Irwin Drynoch Lodge, Tain, 405 + 358 pp. Macmillan. 308. n.&#13;
N.B.&#13;
SIR WALTER RALEIGH. By JOHN BUCHAN. 87 x 67.&#13;
Stead, William Force . 22, Low Pavement,&#13;
236 pp. Nelson. 38. 6d.&#13;
JEAN DE LA FONTAINE. By FRANK HAMEL. 9 x 51.&#13;
Nottingham.&#13;
389 pp. Stanley Paul. 168. n.&#13;
Stewart, Colin MacDougall Clarendon Grove, GEORGE MEREDITH: His LIFE AND ART IN ANECDOTE&#13;
(Colin Mac Dougall) Jersey, C.I.&#13;
AND CRITICISM. By J. A. HAMMERTON. A new and&#13;
revised edition. With 55 illustrations. 9 x 6.&#13;
Tambyah, T. Isaac. . Gunatilleke Walawa,&#13;
391 pp.&#13;
Edinburgh : Grant. 12s. 6d. n.&#13;
Skinner's Road&#13;
South, Colombo.&#13;
CLASSICAL.&#13;
Townley, Miss Gladys M., Fulbourne Manor, THE POETICS OF ARISTOTLE. Translated from the Greek&#13;
Cambs.&#13;
into English and from Arabic into Latin. With revised&#13;
Vynne, Miss Nora. . 288, King's Road, text, introduction, &amp;c., by D. S. MARGOLIOUTH, Laudian&#13;
Chelsea. S.W.&#13;
Professor of Arabic in the University of Oxford. 9 x 6.&#13;
336 pp. Hodder &amp; Stoughton. 108. 6d. n.&#13;
Walmsley, Luke S. . Deanley, Marine&#13;
Drive, Fairhaven,&#13;
DRAMA.&#13;
Lytham.&#13;
THE HONEYMOON: A COMEDY IN THREE ACTS. By&#13;
Williams, Mrs. Antonia R. Queen Anne's Man ARNOLD BENNETT. 53 x 41. 121 pp. Methuen.&#13;
sions, S.W.&#13;
28. n.&#13;
THE BLUE BIRD. A Fairy Play in Six Acts. By MAURICE&#13;
Winter, C. Gordon . .&#13;
MAETERLINCK. Translated by ALEXANDER TEIXEIRA&#13;
DE MATTOS. Illustrated in Colour by F. CAYLEY&#13;
ROBINSON. 103 x 71. 211 pp. Methuen. 218. n.&#13;
EXPERIMENTS IN PLAY WRITING. In Verse and Prose.&#13;
By J. L. LAMBE. 8 X 5.. 379 pp. Sir Isaac Pitman.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
EDUCATIONAL.&#13;
TALKS WITH CHILDREN ABOUT THEMSELVES. By AMY&#13;
WHILE every effort is made by the compilers to keep&#13;
B. BARNARD. With frontispiece in colour by ELIZABETH&#13;
this list as accurate and exhaustive as possible, they have&#13;
EARNSHAW. Cassell &amp; Co. 38. 60, n.&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
ENGINEERING.&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
SMOKE PREVENTION AND FUEL ECONOMY. Based on the&#13;
other papers. It is hoped, however, that members will&#13;
German work of E. Schmatolla. By W. H. BOOTH, F.G.S.,&#13;
co-operate in the compiling of this list and, by sending&#13;
and J. B. C. KERSHAW. Second edition, revised and&#13;
particulars of their works, help to make it substantially&#13;
enlarged. 89 x 51. 231 pp. Constable. 68. n.&#13;
accurate.&#13;
AGRICULTURE.&#13;
FICTION.&#13;
THE SUGAR BEET: SOME FACTS AND SOME ILLUSIONS. THE SONG OF RENNY. By MAURICE HEWLETT. 7} 5.&#13;
A Study in Rural Thereapeutics. By “ HOME COUNTIES," 423 pp. Macmillan. 6s.&#13;
(J. W. ROBERTSON SCOTT). 78 X 5. 424 pp, Cox. THE FRUITFUL VINE. By ROBERT HICHENS. 71 x 5.&#13;
68. n.&#13;
570 pp. Fisher Unwin. 68.&#13;
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&#13;
38&#13;
THE AUTHOR.&#13;
GOD AND THE King. By MARJORIE BOWEN. 78 X 5. THE SMUGGLERS. The Odyssey of Zipporah Katti. Being&#13;
376 pp. Methuen. 68.&#13;
some Chronicles of the last Raiders of Solway. By&#13;
THANKS TO SANDERSON. By W. PETT RIDGE. 78 X 5. S. R. CROCKETT. 74 x 5. 320 pp. Hodder &amp; Stoughton,&#13;
308 pp. Methuen. 6s.&#13;
68.&#13;
THE TAMING OF JOHN BLUNT. By ALFRED OLLIVANT. FELLOW PRISONERS. By R. K. WEEKES. 7 X 44.&#13;
73 x 5.&#13;
314 pp. Alston Rivers. 6s.&#13;
POLLYOOLY. By EDGAR JEPSON. 71 x 5. 297 pp. THE FOLLOWING OF THE STAR. By FLORENCE L.&#13;
Mills and Boon. 68.&#13;
BARCLAY. 73 x 5. 426 pp. Putnams. 68.&#13;
CAPTIVITY. By Roy HORNIMAN. 78 X 5. 316 pp. ONE OF THE FAMILY. By KEBLE HOWARD. 78 x 5.&#13;
Methuen. 68.&#13;
313 pp. Ward, Lock. 68.&#13;
EVERY DOG HIS DAY. By HaroLD AVERY. 73 * 5. THE ALTAR OF MOLOCH. By KINETON PARKES. 71x41.&#13;
319 pp. Stanley Paul. 68.&#13;
326 pp. Ouseley. 68.&#13;
DOUBLE FOUR. By E. PHILLIPS OPPENHEIM. 77 x 5. THE WOOING OF MARTHA. By C. GUISE MITFORD.&#13;
318 pp. Cassell. 68.&#13;
73 x 5. 316 pp. Eveleigh Nash. 68.&#13;
CARLTON'S WIFE. By EFFIE ADELAIDE ROWLANDS. VILLA RUBEIN AND OTHER STORIES. By JOHN GALS-&#13;
78 X 5, 320 pp. Ward, Lock. 6s.&#13;
worthy. 71 X 5. 398 pp. Duckworth. 28. 6d. n,&#13;
THE POISON OF TONGUES. By M. E. CARR. (Nelson MOTLEY AND T'INSEL. By John K. PROTHERO. 271 pp.&#13;
Library.) 61 x 41. 288 pp. Nelson. 7d. n.&#13;
Stephen Swift.&#13;
THE INFIDEL. A Story of the Great Revival. By M. E. THE TUPPENNY Box. By COLIN FITZGERALD. 73 x 5.&#13;
BRADDON. 73 X 5. 341 pp. Simpkin, Marshall. 256 pp. Henry J. Drane. 6s.&#13;
28. 6d.&#13;
THE NOTORIOUS Miss LISLE. By MRS. BAILLIE&#13;
HISTORY.&#13;
REYNOLDS. 74 x 5. 308 pp. Hodder &amp; Stoughton. 68. GARIBALDI AND THE MAKING OF ITALY. By G. M.&#13;
ADRIAN SAVAQE. By LUCAS MALET. 74 X 5. 432 pp. TREVELYAN. 9 x 6. 390 pp. Longmans. 78. 6d. n.&#13;
Hutchinson. 68.&#13;
SHIP'S COMPANY. By W. W. JACOBS. 78 X 5. 272 pp.&#13;
JUVENILE.&#13;
Hodder &amp; Stoughton. 38. 6d.&#13;
SYLVIA'S TRAVELS. BY CONSTANCE ARMFIELD:&#13;
THE CHALLENGE. By HAROLD BEGBIE. 78 X 5. Illustrated by MAXWELL ARMFIELD. 84 X 61. - 255 pp.&#13;
304 pp. Hodder &amp; Stoughton. 68.&#13;
Dent. 68.&#13;
THE EALING MIRACLE. By HORACE W. C. NEWTE. ROLF IN THE Woods. Adventures of a Boy Scout with&#13;
78 x 51. 414 pp. Mills &amp; Boon. 68.&#13;
Indian Quonab and Little Dog Skookum. By E. THOM-&#13;
The FAIR IRISH." By J. H. MCCARTHY. 8 x 5. 344 pp. SON SETON. 87 X 54. 437 pp. Constable. 68. n.&#13;
Hurst &amp; Blackett. 6s.&#13;
ADVENTURES AMONG HUNTERS AND TRAPPERS. By&#13;
THE BRACKNELLS : A FAMILY CHRONICLE. By FORREST ERNEST YOUNG. 8 x 52. 318 pp. Seeley, Service &amp;&#13;
REID. 74 x 5. 304 pp. Arnold. 6s.&#13;
Co. 58. n.&#13;
TROUBLED WATERS. By L. COPE CORNFORD. 73 x 5. MOTHER CAREY. By KATE DOUGLAS WIGgIx. 77 x 5.&#13;
328 pp. Blackwood. 68.&#13;
319 pp. Hodder &amp; Stoughton, 68.&#13;
DAISY THE Minx. A Diversion. By MARY L. PENDERED. HANS ANDERSEN'S FAIRY TALES. Translated by H.&#13;
77 X 5. 269 pp. Ham, Smith. 6s.&#13;
OSKAR SOMMER. With 24 pictures in colour by CECILE&#13;
BARBARA'S LOVE STORY. By EFFIE ADELAIDE Row.&#13;
WALTON. 9 X 61. 430 pp. Jack. 78. 6d. n.&#13;
LANDS. 74 X 5. 302 pp. Hodder &amp; Stoughton. BLACK MAN'S ROCK: A STORY OF THE BASUTO WAR&#13;
38. 60.&#13;
(1879—81). By J. MACKIE. 78 X 5. 242 pp. Nisbet.&#13;
THE OUTCRY. By HENRY JAMES. 78 x 5. 311 pp. 23. 6d.&#13;
Methuen. 68.&#13;
MORE ABOUT THE TWINS IN CEYLON. By BELLA SIDNEY&#13;
JIM Davis. By JOHN MASEFIELD. 73 X 5. 242 pp. WOOLF. 7 X 54. 131 pp. Duckworth. 18. 6d. n.&#13;
Wells Gardner. 68.&#13;
THE MOODS or DELPHINE. By L. E. TIDDEMAN, 8 X 51.&#13;
DAN RUSSELL THE Fox. By E. (E. SOMERVILLE AND&#13;
281 pp. R. T. S. 28.&#13;
MARTIN Ross. 78 x 5. 340 pp. Methuen. 68. THE FORTUNES OF JOYCE. By L. E. TIDDEMAN. Jarrold.&#13;
IN THE DAYS OF SERFDOM, AND OTHER STORIES. By 28. 6.&#13;
LEO TOLSTOY. Translated by L. &amp; A. MAUDE. 8 x 51. MOLLY'S DECISION. By L. E. TIDDEMAN. S.P.C.K.&#13;
292 pp. Constable. 6s.&#13;
As FLOWS THE RIVER. By MRS. FRED REYNOLDS. NANCY AND HER COUSINS. By L. E. TIDDEMAN.&#13;
73 X 5. 311 pp. Chapman &amp; Hall. 6s.&#13;
S.P.C.K. 18. 6d.&#13;
JOHN CHRISTOPHER IN PARIS. By ROMAIN ROLLAND. ADVENTURES AMONGST HUNTERS AND TRAPPERS. By&#13;
Translated by GILBERT CANNAN. 73 x 5. 468 pp. ERNEST YOUNG, B.Sc., F.R.G.S. Seeley &amp; Co. 58.&#13;
Heinemann. 68.&#13;
AN EARLY VICTORIAN HEROINE : THE STORY OF&#13;
THE KEEPERS OF THE GATE. By SYDNEY C. GRIER. HARRIETTE MCDOUGALL. By M. BRAMSTON, S.P.C.K.&#13;
74 x 5. 325 pp. Blackwood, 68.&#13;
18. 60.&#13;
IN THE NAME OF THE PEOPLE. By A. W. MARCHMONT. EMPIRES OF THE OLD WORLD, TO THE FALL OF ROME.&#13;
7 x 5. 352 pp. Ward, Lock. 68.&#13;
By M. BRAMSTON. Illustrated. Blackie. 38. 6d.&#13;
COMPANY FOR GEORGE By R. S. WARREN BELL.&#13;
7+ X 44. 254 pp. Greening. 18.&#13;
LITERARY.&#13;
LIKENESS. By EDITH DART. 7* X 5. 298 pp. Mills &amp; MAURICE MAETERLINCK. By EDWARD THOMAS, 73 x 5.&#13;
Boon. 68.&#13;
333 pp. Methuen. 58.&#13;
THE OTHER GIRL. By CHARLES GARVICE. 74 x 5. FIRST AND LAST. By HILAIRE BELLOC. 63 X 4. 311 pp.&#13;
338 pp. Hodder &amp; Stoughton. 68.&#13;
Methuen. 58.&#13;
LOVE, THE INTRUDER. By HELEN H. WATSON. 84 X 6. THE HUMOUR OF THE UNDERMAN AND OTHER ESSAYS.&#13;
191 pp. (Cheap Reprint.) “ Leisure Hour" Library. By FRANCIS GRIERSON. 7 X 41. 204 pp. Swift.&#13;
6d.&#13;
38. 6d. n.&#13;
MATED. By ISABEL SMITH. Digby, Long &amp; Co. 68.&#13;
MISCELLANEOUS.&#13;
THE COURTIER STOOPS. By J. H. YOXALL 7 X 5. THE FEAST OF CHRISTMAS. By EDITH A. CHARTER.&#13;
366 pp. Smith, Elder. 68.&#13;
71 pp. Elliot Stock.&#13;
28.&#13;
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## p. 39 (#443) #############################################&#13;
&#13;
THE AUTHOR.&#13;
39&#13;
BYWAYS OF GHOST-LAND. By E. O'DONNELL. 9 x 51. THE STORY OF COVENTRY. By MARY DORMER-HARRIS.&#13;
246 pp. Rider. 38, 6d. n.&#13;
Illustrated by A. CHANLER. 63 X 41. 356 pp.&#13;
THE SIKH RELIGION : Its GURUS, SACRED WRITINGS, (Mediæval Towns.) Dent. 48. 60, n.&#13;
AND AUTHORS. By MAX ARTHUR MACAULIFFE. In&#13;
Six Volumes. Oxford : Clarendon Press, London :&#13;
TRAVEL.&#13;
Henry Frowde. 31. 38. n.&#13;
A WANDERER IN PARIS. By E. V. LUCAS. (Seventh&#13;
edition.) 63 X 41. 271 pp. Methuen. 58.&#13;
NATURAL HISTORY&#13;
THE CHARM OF INDIA. An Anthology. Edited by CLAUD&#13;
THE LIFE AND LOVE OF THE INSECT. By J. HENRI F IELD. 7 X 41. 370 pp. Herbert &amp; Daniel. 38. 6d. n.&#13;
FABRE. Translated by A. TEIXEIRA DE MATTOS.&#13;
THE ROMANCE OF THE RHINE. By C. MARRIOTT.&#13;
8 x 57. 262 pp. Black. 58. n.&#13;
9 x 53. 313 pp. Methuen. 108. 6d. n.&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H. MODERN Paris. Some Sidelights on its Inner Life. By&#13;
BARRETT-HAMILTON. Part VIII. 10 x 63. 73–120.&#13;
R. H. SHERARD. 9 x 51. 360 pp. Werner Laurie.&#13;
Gurney &amp; Jackson. 2s. 6d. n.&#13;
128. 6d. n.&#13;
PILGRIMS TO THE ISLES OF PENANCE : ORCHID GATHER-&#13;
NAVAL.&#13;
ING IN THE EAST. By MRS. TALBOT CLIFTON.&#13;
FORE AND AFT. The Story of the Fore and aft Rig from&#13;
9 X 54. 320 pp. JOHN LONG. 128. 6d. n.&#13;
Two VISITS TO DENMARK, 1872, 1879. By EDMUND&#13;
the Earlicst Times to the Present Day. By E. KEBLE&#13;
GOSSE. Smith, Elder. 78. 6d. n.&#13;
CHATTERTON. 98 x 7. 347 pp. Seeley, Service.&#13;
THE RUSSIAN PEOPLE. By MAURICE BARING. 9 x 51.&#13;
168. n.&#13;
366 pp. Methuen. 158. n.&#13;
POETRY.&#13;
IN THE HEART OF THE VOSGES AND OTHER SKETCHES :&#13;
NEW POEMs. By KATHARINE TYNAN. 71 X 43. 67 pp. BY A “DEVIOUS TRAVELLER." By M. BETHAM&#13;
Sidgwick &amp; Jackson. 38. 6d. n.&#13;
EDWARDS. 9 X 54. 327 pp. Chapman &amp; Hall.&#13;
THE CITY OF THE SOUL. By LORD ALFRED DOUGLAS. 108. 6d. n.&#13;
Third edition. 73 x 5. 133 pp. Lane. 55. n.&#13;
THEOLOGY.&#13;
AFTERGLOW. By MRS. ALFRED BALDWIN. 7 X 44. CREED AND THE CREEDS. The Function in Religion. By&#13;
112 pp. Methuen. 38. 6d. n.&#13;
John HUNTLEY SKRINE. 9 x 57. 223 pp. Longmans.&#13;
CANNED CLASSICS, AND OTHER VERSES. By Captain&#13;
78. 6d. n.&#13;
HARRY GRAHAM. 10 X 73. 144 pp. Mills &amp; Boon. SERMONS ON SOCIAL SUBJECTS. Arranged and edited by&#13;
38. 6d. n.&#13;
the Rev. PERCY DEARMER, D.D. 71 X 5. 90 pp. R.&#13;
REPRINTS.&#13;
Scott. 28. n.&#13;
TROLLOPE'S PHINEAS FINN, THE IRISH MEMBER. Two THE PHILOCALIA OF ORIGEN. A Compilation of Selected&#13;
Volumes. 364 + 366 pp. PHINEAS REDUX. Two Passages from Origen's Works, made by St. Gregory of&#13;
Volumes. 367 + 360 pp. With an Introduction by Nazianzus and St. Basil of Cæsarea. Translated into&#13;
FREDERIC HARRISON. 74 X 43. Bell. 38.6d. n. each. English by the Rev. GEORGE LEWIS, Rector of Icomb,&#13;
THE VULGATE VERSION OF THE ARTHURIAN ROMANCES. Gloucestershire. 87 x 51. 242 pp. Edinburgh, T. &amp; T.&#13;
Edited from the Manuscripts in the British Museum. Clark. 7s. 6d. n.&#13;
By H. OSKAR SOMMER. Vol. IV. LE LIVRE DE "ALL HAIL." Simple Teachings on the Bible. By&#13;
LANCELOT DEL LAC. Part. II. 12 x 9}. 399 pp. BARONESS FREDA DE KNOOP. 10 x 71. 500 pp.&#13;
Washington: The Carnegie Institute of Washington.&#13;
Humphreys. 218. n.&#13;
THE BOOK OF THE SEVEN AGES. An Anthology (Prose THE LIFE HEREAFTER : THOUGHTS ON THE INTERME-&#13;
and Poetry) compiled by H. W. CLARK, 7 X 41. DIATE STATE. By TAE Rev. EDWARD HICKS, D.D.,&#13;
312 pp. Herbert &amp; Daniel. 38. 6d. n.&#13;
D.C.L. 112 pp. Robert Scott. 28.&#13;
A THACKERAY YEAR-BOOK. Compiled by HELEN AND&#13;
LEWIS MELVILLE. 74 X 51. 179 pp. Harrap.&#13;
28. 6d. n.&#13;
SCIENCE.&#13;
A TEXT Book OF EXPERIMENTAL PSYCHOLOGY. LITERARY, DRAMATIC, AND MUSICAL&#13;
With Laboratory Exercises. By CHARLES S. MYERS,&#13;
NOTES.&#13;
University Lecturer in Experimental Psychology,&#13;
Cambridge, &amp;c. Second edition. Two Volumes.&#13;
89 x 51. 204 pp. Constable. 6s. n.&#13;
BREEDING AND THE MENDELIAN DISCOVERY. By A. D.&#13;
M TR. Douglas Ainslie's “Mirage” (Elkin&#13;
DARBISHIRE. 84 x 54. 282 pp. Cassell. 7s. 6d. n.&#13;
V Mathews) has been a good deal discussed&#13;
SOCIOLOGY.&#13;
in the Press and elsewhere. “A Friend&#13;
THE PROBLEM OF RACE-REGENERATION. By HAVELOCK in Need," the longest poem it contains, is a&#13;
ELLIS. 64 X 41. 70 pp. Cassell. 60. n.&#13;
treatment in ballad form of a Portuguese legend.&#13;
THE METHODS OF RACE-REGENERATION. By C. W.&#13;
The remaining poems have been collected from&#13;
SALEEBY. 69 x 4. 63 pp. Cassell. 6d. n.&#13;
CHANGES OF A CENTURY. By J. C. WRIGHT, 9 x 59. reviews and anthologies, in which they have&#13;
268 pp. Elliot Stock, 68. n.&#13;
previously appeared. Mr. Douglas Ainslie supplies&#13;
SPORT.&#13;
a somewhat polemical introduction to his volume,&#13;
BY MOUNTAIN, LAKE, AND PLAIN. Being Sketches of in which he preaches the gospel of Æsthetic&#13;
Sport in Eastern Persia. By MAJOR R. L. KENNION. according to Croce. Mr. Ainslie's translation&#13;
81 x 54. 283 pp. Blackwood. 108. 64. n.&#13;
of the Italian philosopher's Estetica was first&#13;
TOPOGRAPHY.&#13;
brought into notice by Mr. Arthur Balfour's&#13;
ROYAL PALACES OF SCOTLAND. By HELEN DOUGLASremarks in his Romanes lecture, and Mr. A. B.&#13;
IRVINE. 9 x 6. 333 pp. Constable. 6s. n.&#13;
Walkley in the Times has recently declared his&#13;
&#13;
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&#13;
40&#13;
THE AUTHOR.&#13;
adherence to Croce's views. In America, Professor Anne, Duchess of Orleans, and adds a brief de-&#13;
Springarn is an enthusiastic admirer of the Crocian scription of the political conditions of the countries&#13;
Ästhetic, which he declares to be the only theory into which they married, and shows the effect&#13;
that deals satisfactorily with the art fact as a upon their characters of the stirring events of their&#13;
whole.&#13;
times. Messrs. Methuen &amp; Co. publish the book,&#13;
Mr. R. H. Peddie will deliver his lecture on which has six illustrations.&#13;
“ How to use the Reading Room of the British “Dan Russell, the Fox,” by E. E. Somerville&#13;
Muscum” in the lecture room of the museum (by and Martin Ross, published by Messrs. Methuen&#13;
kind permission of the trustees) on the following &amp; Co. early last month, is now in its third&#13;
Saturday afternoons at 3 p.m. :—December 2, 1911; edition.&#13;
January 6, 1912 ; February 3, 1912, and March 2, Mr. Potter Briscoe, of Nottingham, is the joint&#13;
1912. Specimens of the Catalogues and Indexes editor of a new official publication, “ The Public&#13;
and Plans of the Reading Room will be exhibited. Official," a monthly issued under the auspices of&#13;
Questions addressed to the lecturer at 36, St. the Local Government Officers' Association. The&#13;
Martin's Court, St. Martin's Lane, W.C., up to first number was issued in October.&#13;
the day before each lecture, will be dealt with so Mr. J. Bloundelle-Burton's new novel, “The&#13;
far as time permits.&#13;
Right Hand” (Everett &amp; Co., Ltd.), deals with a&#13;
“Pilgrims to the Isles of Penance," by Mrs. case of impersonation of one man by another,&#13;
Talbot Clifton, is the record of a journey, under- both of whom were strangely alike, and each of&#13;
taken by the authoress and her husband, in search of whom was minus his right hand. The idea was&#13;
orchids, and of experience. The authoress de- adopted by the author from a trial which took&#13;
scribes parts of Burma that touch the Chinese place in far back times in France, but has been placed&#13;
frontier, and other portions in the extreme south, by him in the comparatively modern ones of the&#13;
by Siam, where Burma breaks into a hundred isles. middle portion of the reign of Louis XV. This&#13;
Several chapters deal with the negrito aborigines period embraces the wars of the “ Austrian sac-&#13;
of the Andamans, members of the oldest race on cession," and the battle of Dettingen furnishes the&#13;
earth, and others contain a description of the crux of the affair. Love, of course, plays its part&#13;
Nicobar Islands. Mr. John Long is the publisher in the story, as do the trials of a loring woman who,&#13;
of the book, which has fifty-four illustrations. until the dénouement, is unable to decide whether&#13;
Mrs. Isabel Smith's new novel “Mated” has she loves the true man or the false. Meanwhile,&#13;
just been published by Messrs. Digby, Long &amp; Co. some character portraits are given of many persons&#13;
It is a novel with a sex problem.&#13;
whose fame in France has become lasting, but who,&#13;
W. Harold Thomson's novel, “ Tan o' the Ben," to the majority of English readers of romance, are&#13;
is being brought out on November 23 by Sir almost unknown, among them being that of the&#13;
W. C. Leng &amp; Co., Sheffield, in their popular Marshal de Belle-Isle.&#13;
series of W. T. novels. The same writer has just The October issue of “T. P.'s Monthly" contains&#13;
completed a new long novel, and is at present busy a short story from the pen of Mr. F. Niven, a note&#13;
with short story work for the magazines.&#13;
of whose volume of short stories, “ Above Your&#13;
Prof. Max Macauliffe has just published, in six Heads," appeared in the last issue of The Author.&#13;
volumes, a work on “The Sikh Religion : its “ Afterglow," by Mr. Alfred Baldwin, is a volume&#13;
Gurus, Sacred Writings and Authors." The Sikhs of verse written in many moods, and touching in a&#13;
are distinguished throughout the world as a great simple and direct way on various subjects. Each&#13;
military people, but little is known regarding their short poem is the expression of a single definite&#13;
religion. There were no dictionaries of the sacred idea, and the reader is left to interpret the title of&#13;
books of the Sikhs when the author commenced the book according to his own inclination. Messrs.&#13;
his labours, and it was necessary, therefore, for himM ethuen &amp; Co. are the publishers.&#13;
to reside in India for many years, and work with The following lectures in connection with the&#13;
the assistance of the few gyanis, or professional new chairs instituted by the Royal Society of&#13;
interpreters of the Sikh canonical writings, who Literature will be given during the session 1911-&#13;
now survive. In addition, Prof. Macauliffe has 1912 :-Professor A.C. Benson on English Fiction,&#13;
submitted every line of his work to the most search- November 8 and March 13; Prof. Henry Newbolt&#13;
ing criticism of learned Sikhs. The Clarendon on Poetry, December 13 and May 8; Prof. W. L.&#13;
Press publish the work at £3 3s, nett.&#13;
Courtney on Dramatic Literature, January 17 and&#13;
“Five English Consorts of Foreign Princes,” by April 17 ; Prof. M. A. Gerothwohl on Comparative&#13;
Ida Woodward, tells the life stories of Margaret Literature, February 14 and June 12. The lectures&#13;
Tudor, Queen of Scotland ; Mary Tudor, Queen of will be delivered at 20, Hanover Square, at&#13;
France ; Elizabeth Stuart, Queen of Bohemia ; 5.15 p.m. A certain number of cards will be&#13;
Mary Stuart, Princess of Orange, and Henrietta allotted to members of the Society of Authors in&#13;
&#13;
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## p. 41 (#445) #############################################&#13;
&#13;
THE AUTHOR.&#13;
41&#13;
the order of their application to the Secretary, volume, containing a revised and enlarged reprint&#13;
R.S.L.&#13;
of the biographical sketch by Helena Frank,&#13;
“ The Feast of Christmas” is the title of a little accompanying “Russian Flashlights," by Jaakoff&#13;
book of readings in prose and verse, selected and Prelooker, published last spring by Chapman &amp;&#13;
arranged by Edith A. Charter. A copy has been Hall. There will be a number of illustrations, and&#13;
accepted by H.M. the Queen. Mr. Elliot Stock is an original coloured cover design representing at a&#13;
the pablisher.&#13;
glance the different positions of the “ Bear and the&#13;
A handbook on “ Badminton” has just been Lion” under the respective flags. An illustrated&#13;
published by Messrs. George Bell &amp; Sons. Its Russian Christmas story by M. Prelooker is added at&#13;
author is Mr. S. M. Massey, who was joint holder the end of the book. J. F. Spriggs, of 21, Pater-&#13;
of the All England's Men's Double Championships noster Square, E.C., will very shortly publish the&#13;
in 1899, 1903, and 1905. Mr. Massey's book volume at the popular price of is., with the&#13;
contains advice to beginners, and also much of permission of Messrs. Chapman &amp; Hall.&#13;
interest on the subject of clubs, tournaments, “Motley and Tinsel,” by John K. Prothero, has just&#13;
Badminton Hall, &amp;c. There are many illustra been issued as a book by Stephen Swift. This story,&#13;
tions to the book, and several well-known players it will be remembered, was, at the time of its serial&#13;
have contributed&#13;
publication, the subject of a libel action, based&#13;
Mr. Percy White has been appointed to the Chair solely upon the coincidence of names between the&#13;
of English Literature at the Egyptian University, plaintiff in the action and one of the characters in&#13;
Cairo, during the sessions November to June, the story. In the present volume, many well-&#13;
1911-12, 1912–13, and 1913–14.&#13;
known writers have allowed Mr. Prothero to use their&#13;
Miss Mary E. Shipley's third and last volume of names for the characters in the book as a protest&#13;
her work, “English Church History for Children," against the absurd state of the law of libel as it affects&#13;
is now in the press, and will shortly be published members of the literary and dramatic professions.&#13;
by Messrs. Methuen &amp; Co. The period the Miss Amy B. Barnard is publishing, through&#13;
volume covers is from A.D. 1500 to 191], a most Messrs. Cassell &amp; Co., a volume of “ Talks with&#13;
important time in the history of the English Children about Themselves.” The author's aim&#13;
Church.&#13;
has been to enable the parent to answer the&#13;
“The Life Hereafter” is a volume of addresses increasing fusillade of dimly expressed doubtings,&#13;
by the Rev. Edward Hicks dealing with the ques- fears, and questions that come from the lips of his&#13;
tion of the intermediate state. The addresses are young son or daughter. There is a frontispiece in&#13;
given in plain, popular language as they were colour by Elizabeth Earnshaw.&#13;
delivered. Mr. Robert Scott is the publisher.&#13;
“The Story of Sally Sixteen,” by Miss Peggy&#13;
Dr. Marie C. Stopes, author of “A Journal for Webling, has been awarded the Royal Magazine&#13;
Japan," has been asked by Messrs. Stanley Paul to prize of £50, in the competition arranged by&#13;
contribute a preface to the “Love Letters of a Pearson's, the Royal, and the Novel magazines.&#13;
Japanese,” recently published by them and edited Miss Webling is the author of “ A Spirit of Mirth”&#13;
by G. N. Mortlake, and a second edition of which and “ Virginia Perfect.” Her new book, entitled&#13;
was called for about a couple of months after the first “ Felix Christie,” will be published by Messrs.&#13;
was published. Dr. Stopes writes on the psycho- Methuen &amp; Co. early next year.&#13;
logical problems raised by “mixed marriages."&#13;
“The Tuppenny Box,” by Colin FitzGerald, the&#13;
Mr. Aylmer Maude and his wife (L. and A. author of “ Ikona Camp,” published by Mr. Henry&#13;
Maude) have recently completed a translation of J. Drane, is a humorous book full of odd characters&#13;
Tolstoy's posthumous novel, “Hadji-Murat,” which whose drab lives are made to yield up their scintilla&#13;
will shortly be issued by Nelson, in one of three of mirth. The story is told in quaint style by old&#13;
volumes of his posthumous works which they are Daddy Dodderlong, the keeper of a second-hand&#13;
bringing out. It is the chief story left by Tolstoy, book shop; and the ancient gentleman's philo-&#13;
and deals with life in the Caucasus, as he knew it sophy and cheerful outlook on life, despite the&#13;
in 1852. Mr. Maude is now engaged on a shorter dreariness of his outlook, make interesting reading.&#13;
life of Tolstoy, to be called “A Life of Leo&#13;
Tolstoy," and issued next spring by Messrs.&#13;
DRAMATIC.&#13;
Methuen. It will be about one-fifth the length of On Sunday, December 3, the Play Actors will&#13;
his large two-volume “Life of Tolstoy," which ran produce, at the Royal Court Theatre, Mr. Raymond&#13;
to nearly 1,200 pages.&#13;
Needham's three-act comedy “ The Celibate.”&#13;
The Oxford University Press has been awarded Mr. J. M. Barrie's comedy in four acts was&#13;
eight Grands Prix at the Turin Exhibition, 1911. revived at the Duke of York's Theatre on October 21,&#13;
“ Under the Russian and British Flags : A Story Mr. C. M. Hallard, Mr. Blake Adams, and Miss&#13;
of True Experience,” will be the title of a crown 8vo. Hilda Trevelyan are in the cast.&#13;
&#13;
&#13;
## p. 42 (#446) #############################################&#13;
&#13;
42&#13;
THE AUTHOR.&#13;
“ The Little Stone House," a play in one act, arrived at the same conclusion, but, on the other&#13;
by George Calderon, was produced at the Gaiety hand, there are scientists who have gone further&#13;
Theatre, Manchester, on October 9. The scene still, and seen more clearly than Michel Bedée, the&#13;
of the piece is laid in a poor lodging-house in a sarant to whom M. Beaunier introduces us.&#13;
Russian provincial town, in which resides Praskovya, “Le Sortilège ” is Hélène Vacaresco's latest&#13;
a mother who is about to arrange for the erection of novel.&#13;
a little memorial over the grave of her son, who has “Isabelle," by André Gide, is a novel written in&#13;
apparently been murdered some 20 years before, the careful style to which the author has accustomed&#13;
The son, in striking contrast to his mother's ideal us. Some of his descriptions are poems in prose.&#13;
of him, is, in fact, a “ bad lot," and, withal, a “ Louise de Prusse, Princesse Antoine&#13;
murderer, and his appearance at the moment when Radziwill ” (Quarante-cinq années de ma vie,&#13;
his mother is making arrangements for the erection 1770-1815), is the diary of Queen Louisa of&#13;
of the memorial produces the main dramatic Prussia. Two-thirds of the volume are taken up&#13;
situation in the drama. Miss Hilda Davies, Mr. with events of the years 1806, 1807, and 1810.&#13;
Milton Rosmer, and Miss Muriel Pratt were in the Very many episodes are touched on, and many&#13;
cast. The play was performed also at the Royalty interesting persons are mentioned. The great&#13;
Theatre, Glasgow.&#13;
power and influence of Napoleon is felt throughout&#13;
The triple bill was revived at the Little Theatre much of the volume. We have the famous Tilsitt&#13;
on Tuesday, October 3, when “The Senti- interview described, and very many other events,&#13;
mentalists,” by George Meredith, Mr. H. Granville until the moment arrived when, as Ē. B. Browning&#13;
Barker's farce, " Rococo," and Mr. J. M. Barrie's so grapbically describes it, “kings crept out again&#13;
comedy, “The Twelve Pound Look," were to feel the sun."&#13;
performed. The cast included Miss Agnes “Etudes d'Histoire" is the fourth volume of this&#13;
Thomas, Mr. Nigel Playfair, Mr. Edmund Swenn, series published by M, Arthur Chuquet. The&#13;
Miss Lillah McCarthy, and Miss Cicely Hamilton. subjects treated are the following : “Roture et&#13;
“The Honeymoon," by Arnold Bennett, was noblesse dans l'armée royale," “ Buzol et Madame&#13;
produced at the Royalty Theatre on October 6. Roland," “L'armée de Sambre-et-Meuse en 1796."&#13;
The play deals with an aviator whose desire to cut "Comment Bonaparte quitta l'Egypte,” “ Comment&#13;
short his honeymoon in the interests of his business Kléber remplaça Bonaparte,” “Un Allemand à&#13;
is resented by the lady mainly concerned. The Paris en 1801, “ Constant de Brancas, le fils de&#13;
discovery of a hitch in the marriage of the couple, Sophie Arnould,” “La nourrice de l'Emperenr,"&#13;
and the news of the failure of the rival aviator, “La Folie de Junot,” “ Mots et locutions de la&#13;
help to the solution of the quarrel satisfactory to Grande Armée en 1812," “L’Emigré Anstett pen-&#13;
both parties. Miss Marie Tempest, Mr. Dion dant la Campagne de Russie,” “Charles-Auguste de&#13;
Boucicault, Mr. Denis Eadie, and Mr. Graham Weimar en 1814," “ Le Général Rostolland en&#13;
Brown are in the piece.&#13;
1815," “ Mérimée et la Correspondance de&#13;
"Our Little Fancies,” a three-act comedy of Napoléon,” and “Le Prince rouge." -&#13;
village life, by Miss Margaret Macnamara, will be Among the books of topical interest contained in&#13;
produced at the Gaiety Theatre, Manchester, on the Bibliothèque d'Histoire Contemporaine are&#13;
November 13.&#13;
“Le Congo français ” (La question internationale&#13;
du Congo), by F. Challaye, “ L'Eveil d'un Monde"&#13;
(L'Oeuvre de la France en Afrique Occidentale), by&#13;
L. Hubert, “ La Conférence d'Algésiras” (Histoire&#13;
PARIS NOTES.&#13;
diplomatique de la crise marocaine), by M. A.&#13;
Tardieut, premier secrétaire d'ambassade honoraire,&#13;
and “Les Grands Traités politiques” (Recueil des&#13;
* T 'HOMME qui a perdu son moi” is the principaux textes diplomatiques depuis 1815&#13;
O curious title of an extremely curious novel jusqu'à nos jours), by M. P. Albin, with a preface&#13;
by M. André Beaunier. It is a psychological by M. Herbette.&#13;
study of the deepest interest—the story of a man "La Guerre avec le Japon," by Comte Witte,&#13;
who gives up all for the sake of scientific research; ex-Minister of Finances in Russia, is a volume&#13;
and, carried away by the fascination of his investi- published in reply to General Kouropatkine's work.&#13;
gations and experiments, neglects the human side The circulation of this book was at first forbidden&#13;
of life until the day comes when he realises the fact in Russia, but the Czar has now authorised it.&#13;
that he is a man whose real inner self has been “Quarante-trois ans de vie militaire " is the title&#13;
sacrificed to the cause of science. The book will, of a volume by Général Cuny, with a preface by&#13;
no doubt, give rise to much discussion. There are, M. Gabriel Hanotaux.&#13;
perhaps, hundreds of men of science who have “Judo (Manuel de Jiu-Jitsu)," by the Professors&#13;
&#13;
&#13;
## p. 43 (#447) #############################################&#13;
&#13;
THE AUTHOR.&#13;
43&#13;
Yokoyama and Oshima of the Kano school of her services. She was received with great en-&#13;
Tokio, translated from the Japanese into French thusiasm, and her magnificent rendering of Chopin&#13;
by Le Prieur, officier de Marine.&#13;
in the Sorbonne was another proof that is&#13;
- En Argentine” (de Buenos-Aires au Gran the world of art there are no frontiers. Th&#13;
Chaco) is another volume by Jules Huret, whose little society hopes in time to be able to buy&#13;
remarkable books on Germany have been so Balzac's house, which has already been converted&#13;
thoroughly appreciated. The Figaro has had the into a Balzac museum. The “ Amis de Balzac"&#13;
good fortune to secure this author's work, and to welcome as members all admirers of the great&#13;
publish first in serial form these excellent studies. novelist, and their little society already numbers&#13;
The present volume treats of Buenos Aires—“La members from all parts of the world.&#13;
Richesse présente," “ L'Elevage,” “ Grandes In the Revue de Paris of October 15 are&#13;
Estancias," “ Provinces Subtropicales," “ La “ Souvenirs,” by Ernest Lavisse, an article entitled&#13;
Canne à sucre et les Forêts vierges," "Les “La Jeunesse de Liszt,” by A. de Hevesy, the&#13;
Cataractes de I'Iguazu," “ Richesse agricole," closing chapters of “Les Médecins de Napoléon à&#13;
and “ Les Fortunes et la Terre.” For any one Sainte-Hélène," by Frederic Masson, and of “La&#13;
visiting this country, such a book is invalu- Philosophie de M. Henri Bergson,” by René&#13;
able.&#13;
Gillouin.&#13;
“L'art de lire” is an excellent little book by At the Comédie Française, “ Primerose" and&#13;
Emile Faguet, telling us something about the art “ Le Goût du Vice" are still being given.&#13;
of reading.&#13;
The Odéon has an enormously long list of new&#13;
Among the recent translations is an excellent one plays to produce this season. At present“ Musotte”&#13;
of Mrs. Humphry Ward's “ Sir George Tressady,” is on the bill.&#13;
by J. de Mestral-Combremont. This writer has At the Théâtre Sarah Bernhardt “Le Typhon”&#13;
received Academy prizes for original work, and has is being played, and at the Théâtre Réjane&#13;
done several remarkable translations.&#13;
“ L'Oiseau bleu.”&#13;
“ La Ville Enchantée" is the title given to “Mr. Pickwick," an adaptation by M. M. Duval&#13;
Mrs. Oliphant's book. M. Henri Brémond has and Charvay of Dickens's celebrated book, is having&#13;
chosen this volume for translation into French, great success at L'Athénée.&#13;
and M. Barrès writes the preface.&#13;
At the Théâtre Grevin “ L'Honneur," by Suder-&#13;
“ La Jeanne d'Arc de M. Hanotaux " is the title mann, translated by N. Valentin et M. Rémon, is&#13;
of an admirable article by M. Georges Goyau filling the house, and at the Théâtre des Arts&#13;
published in La Revue hebdomadaire. It is extremely “Les Frères Karamazov " seems likely to have a&#13;
interesting to read M. Goyau's criticisms when long run.&#13;
treating the “ Jeanne d'Arc" of Anatole France&#13;
ALYS HALLARD.&#13;
and that of M. Gabriel Hanotaux. M. Goyau calls&#13;
attention to the fact that the author does not&#13;
• L'Homme qui a perdu son moi “ (Plon).&#13;
attempt to draw certain conclusions. He stops&#13;
" Le Sortilège" (Plon).&#13;
and merely shows what seems inexplicable in the Isabelle” (Nouvelle Revue).&#13;
wonderful story. M. Goyau considers that this is “ Louise de Prusse, Princesse Antoine Radziwill **&#13;
merely a halt or a pause, and that after this halt it&#13;
(Plon).&#13;
“ Etudes d'Histoire" (Fontemoing).&#13;
should be more easy to go on further.&#13;
“ Bibliothèque d'Histoire contemporaine" (Alcan).&#13;
In the Revue hebdomadaire M. Jacques Bardoux * La guerre avec le Japon” (Berger Levrault).&#13;
writes on “ La Poussée révolutionnaire dans "Quarante-trois ans de vie militaire" (Plon).&#13;
l'Angleterre contemporaine"; M. Hanotaux on&#13;
" Judo (Manuel de Ji-Jitsu)” (Berger Levrault).&#13;
“ En Argentine" (Fasquelle).&#13;
“ La Négociation franco-allemande ”.; Mme. B.&#13;
"L'art de lire” (Hachette).&#13;
Van Vorst on “La Poursuite du bonheur aux “ La Ville enchantée” (Emile Paul).&#13;
Etats-Unis" ; Mme. Emile Guillaumin on “ Charles "La Jeanne d'Arc de M. Hanotaux'" (Hachette).&#13;
Louis Philippe”; M. Lucien Hubert on the&#13;
" Situation financière de l'Allemagne”; and a few&#13;
SCALE FOR ADVERTISEMENTS.&#13;
extracts from N. Valentin's excellent translation of&#13;
Richard Wagner's “Life” are given.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
The Revué d'Europe et d'Amérique publishes&#13;
Front Page&#13;
...£4 0 0&#13;
Other Pages ... ... ... ... ... ... ... ... 3 0 0&#13;
three articles on Balzac by Gustave Rivet, M. de Half of a Page ...&#13;
Royaumont, and Adolphe Boschot. These articles&#13;
... ... 0 15 0&#13;
... 0 7 6&#13;
were the speeches made on the occasion of a Single Column Advertisements .. ... per inch 0 6 0&#13;
literary fête organised at the Sorbonne by Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Twelve Insertions.&#13;
the society styled “Les Amis de Balzac.” At&#13;
this soirée the celebrated Nikto consented to give&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Sgnare, London, E.C.&#13;
...&#13;
... 1 10&#13;
0&#13;
Quarter of a Page&#13;
Eighth of a Page&#13;
&#13;
&#13;
## p. 44 (#448) #############################################&#13;
&#13;
44&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
1. D VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on bebalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Meinbers are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
giust be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
W Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
LI ERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 45 (#449) #############################################&#13;
&#13;
THE AUTHOR.&#13;
45&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
u assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Seoretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 46 (#450) #############################################&#13;
&#13;
46&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
the office from a foreign correspondent, thanking&#13;
the secretary for the advice and assistance he hail&#13;
ANNUAL DINNER.&#13;
given to his agent in the settlement of his agree-&#13;
The annual dinner of the society will be held&#13;
ment. Although he states in his letter the agent&#13;
on Friday, December 8, at 7, for 7.30, at the&#13;
complained of the “ troublesome pedantries"&#13;
involved, the author continues :&#13;
Criterion Restaurant, Piccadilly Circus. The&#13;
chair will be taken by Dr. S. Squire Sprigge,&#13;
“But I cannot help feeling that in a matter of this kind&#13;
it is worth taking some trouble to get the best possible&#13;
Chairman of the Committee of Management.&#13;
advice upon a contract ; not only for one's own sake, but&#13;
Formal notice, with the usual particulars as to also for that of authors in general. I am sure that if more&#13;
the price of tickets, etc., will be sent to all people were willing to run the risk of losing a publisher&#13;
members and associates of the society during&#13;
for a matter of principle we should all eventually receive&#13;
better terms. In this case, the wise action in submitting&#13;
the month.&#13;
the contract to you resulted in rather important altera-&#13;
tions."&#13;
We suppose these important alterations are the&#13;
PENSION FUND).&#13;
“ troublesome pedantries” referred to by the&#13;
In accordance with the rule laid down by the agent.&#13;
('ommittee, we publish on another page in The&#13;
Author a full list of annual subscribers to the&#13;
Pension Fund. This list, with the necessary&#13;
PUBLISHERS AND THEIR ACCOUNTS.&#13;
additions and deletions arising from the advent of THE account clause in publishers' agreements&#13;
fresh subscribers, and the loss, for various reasons, must be familiar to every member of the Society of&#13;
of old subscribers, is the same as was issued last Authors.&#13;
vear. The names have been printed according to Some publishers, and the number is gradually&#13;
the instructions then received by the Editor. but surely increasing, undertake to make up their&#13;
The wishes of fresh subscribers have been acceded accounts every six months and to deliver and pay&#13;
to and their names inserted in the list in accordance within three months after that time ; others under-&#13;
with their instructions. The total sum in annual take to make up their accounts annually and to&#13;
subscriptions is about £231. One-third of these deliver and pay within three months ; others, again&#13;
the trustees are enabled to set aside for the (a most extraordinary arrangement), undertake to&#13;
payment of pensions; the other two-thirds must be make up their accounts annually and to deliver and&#13;
invested according to the rules laid down in the pay within six months afterwards. It has been fre-&#13;
scheme.&#13;
quently pointed out in these columns that this last&#13;
In former years, on the publication of this list, arrangement might leave the author nearly eighteen&#13;
some members have expressed surprise at the months before he receives any remuneration.&#13;
absence of the names of many prominent members Moreover, it comes constantly to the notice of tbe&#13;
of the society. Members should bear in mind, secretary that in spite of this clause and in spite of&#13;
however, that when the fund was first started, and the publisher's undertaking the accounts are&#13;
on various occasions since, prominent members of delayed ; if the accounts are not delayed, payment&#13;
the society have in many cases made liberal of the cheque is, and this necessitates a great deal&#13;
donations to the fund. These donations have of trouble to the author and to the society. It&#13;
been chronicled in The Author as received, though seems a “regrettable incident" that a business&#13;
they are not, of course, included in this list, which house, working its office on business principles,&#13;
is of annual subscribers only.&#13;
cannot keep to the terms of its contract, since all&#13;
authors' accounts must be turned out at the same&#13;
time. It would be interesting, with the consent&#13;
of the Committee of Management, to print a list&#13;
AGENTS : LITERARY AND DRAMATIC.&#13;
somewhat on the following lines :&#13;
In the correspondence column of The Author we&#13;
publish a letter from an ex-member of the Com Messrs. ~ by agreement undertake to deliver&#13;
mittee, criticising the article that appeared in the&#13;
accounts made up to the 30th June on or before the end of&#13;
September. No accounts received till the day of&#13;
last number entitled “Agents : Literary and&#13;
October, in spite of three letters from the author and a&#13;
Dramatic." It has been suggested that the communication from the secretary of the society on the&#13;
question would form an interesting subject for following dates :........&#13;
Cheque for the same received on&#13;
further correspondence, and we hope that those&#13;
the day of&#13;
members of the society who have anything to say&#13;
November.&#13;
will not hesitate to write their views of the matter. A few statements of facts tabulated in this form&#13;
Curiously enough, a letter has recently come to would have a beneficial effect.&#13;
&#13;
&#13;
## p. 47 (#451) #############################################&#13;
&#13;
THE AUTHOR.&#13;
47&#13;
THE FIRST SOCIETY FOR THE PROTEC 6186. Register of the Society.&#13;
TION OF THE RIGHTS OF AUTHORS.&#13;
6187-6188. Minute Books. (Two rolames).&#13;
6189. The Ledger of the Society.&#13;
6190. A folio volume of letters.&#13;
HERE would seem to be little possibility of 6191. A collection of all the Statutes, etc.&#13;
doubt that “ The Society for the Encourage 6192. The Treasurer's accounts.&#13;
ment of Learniny ” was the earliest associa Naturally there is a good deal of repetition in&#13;
tion which had for its aim to secure for authors the the contents of these volumes, and the disentangle-&#13;
profits of their works. It was certainly the earliest ment from them of the history of the society, and&#13;
English society that had this object in view ; and still more of the signification of that history, is a&#13;
if the condition of France, and Italy, at the same somewhat complicated task. Nor is the record,&#13;
date, is taken into consideration it will seem highly though sufficient, altogether complete. In par-&#13;
improbable that they had previously offered ticular the society does not appear to have kept a&#13;
examples of organisations of the same kind. Out- ledger from the outset ; and the accounts contained&#13;
side England, France, and Italy any such society in additional MS. 6189 and additional MS. 6192&#13;
may with confidence be asserted not to have are such as might present a good many problems&#13;
existed ; and thus English men of letters may even to a skilled accountant. Additional MS. 6190&#13;
claim the honour of having been the first to is by no means a complete collection of the letters&#13;
attempt to discover some remedy for the miserable addressed to the society, but contains selected&#13;
remuneration of the author which had become letters only, and by whom or when selected is&#13;
apparent almost as soon as the invention of not apparent. On the other hand, the evidence of&#13;
printing led to a rapid multiplication of books. all the other volumes (of itself inevitably more or&#13;
Whilst it is interesting to know that a hundred less confused) is admirably epitomised in Additional&#13;
and fifty years before Sir Walter Besant (then Mr. MS. 6185.&#13;
Besant) laid the foundations of “ The Society of This volume deserves particular description.&#13;
Authors," and long even before the institution of In form it is a small quarto of 266 pages, of which&#13;
the French “ Société des Gens de Lettres," an 246–266 are blank. It is written throughout,&#13;
association had been formed with almost precisely exceedingly neatly, in the same hand, and has for&#13;
similar objects, the history of “ The Society for title :&#13;
the Encouragement of Learning" is also deserving Memoirs of the Society for the INCOURAGE-&#13;
for its own sake of attention, and not devoid of MENT [sic] of LEARNING taken from the&#13;
features which may still be regarded as instructive. register of their meetings and Minute Books of the&#13;
The society was originated at a meeting of Committee.&#13;
gentlemen interested in letters, which took place The MS. is written on both sides of the page,&#13;
in London on August 1, 1735. Its life was and concludes with an appendix of selected letters&#13;
short, and that alone is evidence that it did not twenty-one in number, of which the last is by&#13;
succeed in accomplishing the purpose which its mistake numbered twelve.&#13;
founders had in view. Its records (which have After a preliminary note, on the back of the title&#13;
survived in a condition of remarkable completeness) page, this MS. (evidently compiled with extreme&#13;
show also that failure was from the outset a care by some one who was intimately acquainted&#13;
foregone conclusion, though why that was so with the history of the society and drew freely&#13;
evidently escaped entirely the observation of its from the other volumes) tells the story of “The&#13;
officials. It is impossible not to regret their Society for the Encouragement of Learning” from&#13;
blindness ; for, had they perceived the difference its initiation to its winding up. It must have been&#13;
between what circumstances rendered possible and written not long after the dissolution of the&#13;
what they made impossible, they might have so society ; but by whom there is no evidence to&#13;
modified their methods of procedure as to have show. The labours, however, of this unknown&#13;
continued, to the great advantage of authors, their hand render most substantial assistance to any&#13;
most unselfish labours. As it was, the society, one desirous of gathering and putting into shape&#13;
conducted always with the highest motives, came the evidence contained in the whole collection of&#13;
in a few years to an honourable end. It was the society's records.&#13;
wrecked by publication.&#13;
The Memorandum written on the back of the&#13;
The records of the society, ultimately bequeathed title of this volume presents the local history of the&#13;
to the British Museum, exist in nine volumes, society, and deserves to be quoted at length.&#13;
Additional MSS. Nos. 6184-6192, whose contents “ The Society was first constituted and acted as&#13;
are as follows:-&#13;
a body on May 14, 1736, at Mr. Cock's great room&#13;
6184. The original declaration.&#13;
in Covent Garden, where they continued their&#13;
6185. Memoirs of the Society.&#13;
general meetings till April, 1737 ; and afterwards&#13;
&#13;
&#13;
## p. 48 (#452) #############################################&#13;
&#13;
48&#13;
THE AUTHOR.&#13;
at Mr. Bolney's great room : there to Michaelmas single sheets, but here gathered together in chrono-&#13;
following, when they took their house in Saint logical order. The collection is asserted to be&#13;
Martin's Lane. But the Committee soon after perfect, and to contain all the printed documents&#13;
their election met first at the Meuse Coffee House put forth by the society. The volume has a MS.&#13;
in Lancaster Court, till about Michaelmas 1736, title:&#13;
and after that an apartment was hired in Bow “A Collection of all the Statutes or Rules and&#13;
Street, Covent Garden, where they continued to meet other Printed Papers relating to the Management&#13;
till the house was taken in Saint Martin's Lape of the Society for the Encourgement of Learning&#13;
From which time all the meetings both of the from the first plan of it January 1, 1735, to its&#13;
Society and Committee were held there till dissolution January 31, 1749."&#13;
Christmas, 1747."&#13;
It may be here mentioned that this is the only&#13;
After this brief record of the various domiciles place in all the records of the society where the&#13;
of the society it is best to turn next to additional actual dates of its initiation and dissolution are&#13;
MS. 6184, “ The original declaration."&#13;
mentioned.&#13;
This is contained in a largish volume, the greater The first document in the volume bears date&#13;
part of whose pages are blank. The MS. begins :- January 1, 1735, and is a single leaf, whose con-&#13;
“To supply the Want of a Regular and Public tents are the founder's resolutions mentioned above,&#13;
Acknowledgment of Learning;&#13;
with a footnote referring to subscriptions, and&#13;
“ To assist Authors in the Publication, and to mentioning an intention of adding each year's&#13;
secure to them the entire Profits of their own balance to the capital.&#13;
Works ;&#13;
The next document is a “Sketch of the Plan"&#13;
“To institute a Republic of Letters, for the for the management of the society to be read before&#13;
Promoting of Arts and Sciences, by the necessary the first general meeting.&#13;
means of profit, as well as by the Nobler Motives of The other contents of the volume are of less&#13;
Praise and Emulation.&#13;
interest; annual lists of members, reprints of the&#13;
"1. We, whose names are undersigned, do agree statutes in the somewhat modified forms which&#13;
to Form a Society, and to contribute the Sum of were subsequently given them, and similar docu-&#13;
Ten Guineas Each, for the Purposes above men- ments.&#13;
tioned.&#13;
What has been thus far recorded represents the&#13;
“2. We do also agree to pay the further sum of preliminary labours of the founders of the society ;&#13;
Two Guineas Annually, for the support of the in- its history will now claim attention.&#13;
tended Society, but that any Member may cease to The first general meeting was held on May 27,&#13;
be Such, and be discharged from the Annual Pay- 1736, with Sir Thomas Robison in the chair.&#13;
ment, upon giving Six Months' Notice.&#13;
“ The Plan for the Management of the Society"&#13;
“ 3. That this Agreement shall be void unless above-mentioned, containing twenty-seven statutes,&#13;
a Thousand Guineas at least be subscribed before was carried unanimously. These statates incor-&#13;
Midsummer Day next ensuing the date hereof." porate the original resolutions of the founders, and&#13;
If the thousand guineas were forthcoming a also regulate a number of particulars. Four general&#13;
general meeting was to be held and trustees meetings were to be held every year. (This number&#13;
appointed. Finally, after some other provisions, was afterwards reduced to one.) Twenty-four&#13;
it is agreed&#13;
“managers" were to be elected, of which eight&#13;
“That no Subscriber or Manager shall receive retired annually. Five form a quoruin. Deserving&#13;
any Profit or Advantage from this Design.”&#13;
of particular attention are the following statutes :-&#13;
The date is August 1, 1753.&#13;
“ Article 9. The Committee of Managers do ex-&#13;
Ten columns of signatures follow, headed by amine and judge whether the copies proposed be&#13;
Stanhope.&#13;
proper to be printed by the Assistance of the Society;&#13;
Harcourt.&#13;
and whether they will answer the charges of printing.&#13;
Hartford.&#13;
... Such works as they shall direct shall be&#13;
The number of the signatures is eighty-eight; Printed and Published at the Expense or by the&#13;
but from a mention of this preliminary meeting in Assistance of the Society, and that they do settle&#13;
the records of the society it appears that only the Prices for which such books shall be sold.”&#13;
twenty-two of those who signed were actually T he consent of the general meeting was required&#13;
present at the preliminary meeting.&#13;
if the cost of production exceeded £200.&#13;
The remainder of the volume after the ten “ Article 11. That every Author whose work&#13;
columns of signatures is blank.&#13;
shall be printed by the Assistance of the Society,&#13;
Attention will be next claimed by the folio addi- do make over his Property in the same, and his&#13;
tional MS. 6184. Thiscontains a collection of printed interests in the whole impression, to the Treasurer,&#13;
statutes and other printed matter, originally all on in trust for the Society, or give such farther or&#13;
&#13;
&#13;
## p. 49 (#453) #############################################&#13;
&#13;
THE AUTHOR.&#13;
49&#13;
other Security for reimbursing the Charges of the (May 14, 1736) the committee met weekly for the&#13;
Printing and Publishing thereof, as shall be judged arrangement of details. The general meeting had&#13;
proper by the Committee.”&#13;
invited the Duke of Richmond to accept the&#13;
A number of minor details, which it was neces- presidentship of the society; he did so on&#13;
sary that the statutes of any society should settle, May 31, and afterwards generally presided in&#13;
need not be here mentioned, but it is very important person. He was subsequently succeeded by the&#13;
to observe that the statutes incorporated the original Duke of Leeds, who was president at the date of&#13;
resolution, “ That no subscriber or manager shall the dissolution of the society. General meetings&#13;
receive any profit or advantage from this design.” were held on August 5, 1736, and on November 4&#13;
The full significance of this provision must on of the same year. The next was on February 3,&#13;
no account be overlooked. The society, though 1737.&#13;
one of its principal aims was to secure for authors At this meeting the committee presented a&#13;
“the entire profits of their works,” was, by its report, in which are recorded several particulars&#13;
fundamental constitution, not a society of authore, deserving of attention.&#13;
but a society of noblemen and gentlemen, interested Messrs. Andrew Millar, John Gray, and John&#13;
in letters, who were providing funds that should Nourse (all well-known London booksellers of that&#13;
be applied to securing authors the profits of their date) had been appointed booksellers to the society.&#13;
works. Put briefly the intention of these patrons An agreement had been made with them for one&#13;
of letters was to print works of merit, to sell them, year ; and special articles had been drawn up regu-&#13;
and to hand the authors whatsoever might remain lating the terms of agreement between the society,&#13;
after the cost of production had been defrayed. authors, printers, and booksellers.&#13;
No author was, in any case, invited to contribute The terms of agreement with authors include&#13;
anything to the support of the society ; nor did the the following provisions : No book would be printed&#13;
society, during its existence, publish any work by by the society for which the author had taken&#13;
one of its own members. Its aims were wholly subscriptions. The committee were to determine&#13;
disinterested ; and the subsidy which its members the form of the book and its price. The author&#13;
proposed to offer the cause of literature was on a was to present one copy to the library of the&#13;
very liberal scale. The pound sterling was in society. (That the society held the copyright was&#13;
1735 relatively of much greater value than it at already provided by the statutes.)&#13;
present has, and an entrance fee of ten guineas, to The articles of agreement with the printers&#13;
be followed by an annual subscription of two (life stipulate for the use of “ the best Antwerp ink,"&#13;
membership for ten guineas was sanctioned at a and paper and work of bigh quality.&#13;
later date), represented a very generous contribu- The articles of agreement with the bookseller&#13;
tion from men who were to have no return for their allow him 2s. 6d, in the pound commission. The&#13;
money. At the same time these liberal-minded bookseller must not sell the books at a price&#13;
gentlemen appear to have been absolutely blind to higher than that fixed by the committee. He&#13;
two facts which certainly would not escape the is also to advertise books “ as often and in such&#13;
observation of any one in these more commercial public papers as the committee shall direct."&#13;
days. In the first place, they completely failed to Several books had been offered to the society.&#13;
perceive that what they were doing really amounted Some of these had been refused; others were under&#13;
to starting in London one more publishing house consideration. Up to this date none had been&#13;
(which must necessarily come into competition with accepted.&#13;
its predecessors), and a publishing house that was This report also contains the first mention of&#13;
to conduct business on purely philanthropic lines; difficulties which subsequently increased and&#13;
nor did they see that whilst they were proposing harassed the society during the whole period of its&#13;
to themselves to print books and to sell them in existence. There was a difficulty in obtaining a&#13;
such a way as to secure the whole of the profits for quorum at the meetings. (At å later date this&#13;
the authors, they had no idea how they were going led to modifications of the statutes, and to the&#13;
to sell these books. Some ingenuous notion (such reduction of the general meetings to one annual&#13;
as could be in these days enjoyed only by the one.) The other difficulty, for which no cure was&#13;
utterly inexperienced) that books, when once ever discovered, was that of unpaid subscriptions.&#13;
printed, sell themselves, seems to hare been the On April 7, 1737, the society voted the publi-&#13;
persuasion of them all.&#13;
cation of their first book, Sir Thomas Roe's “ State&#13;
The history of the society is the history of the Papers.” For the production of this book they&#13;
inevitable consequences of embarking on a design voted £300.&#13;
without any right apprehension of its real nature, Other books were subsequently accepted and&#13;
or of its difficulties.&#13;
money for their publication voted, and at the&#13;
For a few weeks after the first general meeting annual meeting of February 2, 1739, the report of&#13;
&#13;
&#13;
## p. 50 (#454) #############################################&#13;
&#13;
50&#13;
THE AUTHOR.&#13;
the committee mentions as published by the (possibly one for which he could get no offers from&#13;
society :-&#13;
the trade) without his being put to any cost, and,&#13;
“ Dissertatio de structura et motu musculari, after having repaid themselves, to return him&#13;
auctore Alexandro Stuart, M.D." Published the copyright and the remainder to dispose of as he&#13;
May 26, 1738. 500 copies, quarto.&#13;
pleased.&#13;
Sir William Smith." History of the British Yet the society was at this very date discovering&#13;
Plantations in America.” Part I. Pablished that books are not always easily sold. Their agree-&#13;
November 20, 1738. 1,000 copies, quarto.&#13;
ment with their booksellers had lapsed; and the&#13;
Thomas Carte. “A Collection of Original committec reports its labours in search of new&#13;
Letters and Papers concerning the Affairs of agents. They had given notice to the trade that&#13;
England from 1641 to 1660.” Published Novem- any booksellers might offer sealed proposals of the&#13;
ber 17, 1738. 1,000 copies, octavo.&#13;
terms on which they were willing to contract with&#13;
The agreement with the booksellers was renewed. the society. Several proposals had been offered,&#13;
The whole number of members who had paid their and of these, those of Messrs. Strahan, Valiant,&#13;
subscriptions was 106.&#13;
Baker and Brindley, were those most adran-&#13;
The report of the annual meeting of the tageous to the society. An agreement was also&#13;
following year (February 2, 1740) is one of the ultimately made with them, but not with them&#13;
most interesting. The sale of Dr. Stuart's book alone.&#13;
(published on May 26, 1738) had been completely For, though the society had been successful with&#13;
successful, and an instance is presented, the only Dr. Stuart's book, it was finding the general&#13;
instance fully recorded, of how the society dealt conditions of sales and the results accruing from&#13;
in such cases with the author's profits.&#13;
them in the highest degree unsatisfactory; and so&#13;
The committee report :-&#13;
much so that there is a special report, containing&#13;
“ On October 19, 1739, the Society having been many considerations respecting the difficulties&#13;
reimbursed the expenses they had been at in which the society found to be hampering the sale&#13;
printing and publishing Dr. Stuart's book 'De of their publications, and various suggestions for&#13;
Motu Musculari,' the committee directed the combating these difficulties. This report is dis-&#13;
treasurer to deliver him the remaining copies, and tinctly complicated ; but the following passage&#13;
release the right of impression, which was done will show that it does not mince matters :-&#13;
accordingly.”&#13;
“The Society being since last Michaelmas happily&#13;
Whatsoever may have been thought in 1740, at disengaged from the former contract with their&#13;
the present date this action of the society will three booksellers, Messrs. Millar, Nourse and Gray,&#13;
certainly be considered unsatisfactory. Here was who by the enormous allowance of 33 per cent.,&#13;
the case of a strictly scientific book which had if not more, for vending their books have&#13;
sold well and quickly (it will be presently seen brought the affairs of the Society low, and&#13;
that all the society's publications did not do this); defeated hitherto the generous intention of its&#13;
but, after having recovered their expenses, the institution : for the removal of this evil it is now&#13;
society makes no further effort to dispose of the proposed etc."&#13;
rest of the edition, but simply returos it to the The proposals were these : First of all, not to&#13;
author, as a kind of “remainder," at the same time allow the booksellers more than 15 per cent. com-&#13;
releasing the right of impression, that is to say mission ; and afterwards that “the sale of the&#13;
giviog the author back his copyright. This plainly Society's books be open to the trade in general, and&#13;
amounted to leaving the author himself to secure an equal allowance of 15 per cent. given ” ; and&#13;
“the entire profits of his work." The society finally, that the society should have a warehouse of&#13;
might, no doubt, plead, “ The book has cost him their own, where they would sell to the booksellers&#13;
nothing. Every copy that he now sells represents only, and only for cash.&#13;
so much clear gain ; and what he succeeds in Each of these proposals is carefully discussed in&#13;
selling represents actually 'the whole profit, the report, and an attempt (distinctly gentlemanly&#13;
seeing that the previous sales merely covered the and not at all businesslike) made to forecast the&#13;
cost of production.” This view of the situation, probable results. Meanwhile, any one who now&#13;
however, is simply one more instance of the reads the report cannot fail to be impressed by the&#13;
society's incapacity to perceive that in bookselling fact that no explanation is forthcoming to show&#13;
the difficulty is to find the purchaser.&#13;
how the booksellers' 2s. 6d. in the pound had&#13;
At the same time the society's design here become “ 33 per cent. and more” (probably no&#13;
comes clearly to light. They did not propose to explanation was to be found, except that tradesmen's&#13;
pay the author a royalty on his sales, nor to hand commissions were as liable in 1740 as in 1911 to&#13;
over to him the profits resulting from a successful assume unanticipated proportions); and also by&#13;
transaction, but simply to produce his book the fact that whereas the original commission had&#13;
&#13;
&#13;
## p. 51 (#455) #############################################&#13;
&#13;
THE AUTHOR.&#13;
51&#13;
been 121 per cent. (28. 6d. in 20s.),"the society in their service, were [sic] therefore of opinion that it&#13;
now found itself compelled to offer 15 per cent. was entirely necessary for the interest of the Society&#13;
How the various proposals were ultimately put [that] some reputable booksellers should be con-&#13;
into practice, and with what results, may be seen tracted with ... provided it could be effected&#13;
from the report of the committee at the annual upon easier terms than those on which it has been&#13;
meeting on February 2, 1741.&#13;
done formerly. For though the gentlemen, to&#13;
Matters had not been improving, and the com- whom that affair was first committed, were them-&#13;
mittee state “ The regulations of the last annual selves wholly strangers to the nature of it, yet they&#13;
meeting in 1740 for reducing the profits of the were sensible that the terms insisted on by the&#13;
booksellers from 354 to 15 per cent. for vend. booksellers were extravagant. . . . But when that&#13;
ing has produced the desired effect, in saving contract was expired, it occurred to the Society to&#13;
considerable sums to authors ... The opening come to a resolution of trying to vend their books&#13;
also of a room in the Society's house for vending to at their own house without the assistance of any&#13;
the trade has put our affairs on a better footing. booksellers. However, that method has been since&#13;
... But though the appointing of six booksellers, found absolutely impracticable.”&#13;
instead of three, for vending was expected to have Accordingly the society reverted to their previous&#13;
been of great advantage towards increasing the policy of employing agents. They gave a com-&#13;
sale . . . yet, after signing the contract with the mission of 20 per cent. on sales at home, and&#13;
Society, and getting almost the whole executive 23 per cent. on sales abroad.&#13;
part of our affairs into their own hands, most of The absolute impossibility of carrying out the&#13;
them have shown very little willingness to promote society's design was, however, now evident; and&#13;
the sale of our books ... from which it is natural the hopelessness of a publishing house that was to&#13;
to conclude that most of the trade are in a plain do business on philanthropic lines. If the society&#13;
opposition to the prosperity of this ... institution, did not make use of the intervention of the book-&#13;
and will ... continue in combination against us, sellers they could not sell their books. If the&#13;
unless the Society moving one or two steps further society did make use of the booksellers, the latter,&#13;
[sic] than was done last year, effectually defeat the by discouraging the sale of the works, and by&#13;
design by some such expedient as is here proposed demanding exorbitant commissions on what they&#13;
for consideration.”&#13;
sold, fatally crippled the society. Meanwhile, the&#13;
This proposal was that, as soon as the contracts arrears of subscriptions, which had been always&#13;
expired, the sale of the “ Society's books should be difficult to collect, were constantly increasing, and&#13;
laid open to as many substantial dealers, at home the whole enterprise was drifting towards inevitable&#13;
and abroad, as should be willing to serve."&#13;
failure.&#13;
The committee add :&#13;
On February 2, 1744, it was announced that the&#13;
“ It is further proposed that the sale of our society's funds were nearly exhausted, and that this&#13;
books be open to gentlemen as well as to book- was not so much in consequence of expenses incurred&#13;
sellers ... at the price fixed on the title-page, by the publication of books, as in consequence of&#13;
which would unquestionably defeat all combina- an arrear in subscriptions amounting to £454 138.&#13;
tions of the booksellers against the Society. For In this year the general meeting in May did not&#13;
it has hitherto been a capital error to put the take place.&#13;
whole executive part of our scheme into the hands At the annual meeting of February 2, 1745, there&#13;
of our natural adversaries, by giving them the sole were not present sufficient members to form a&#13;
power of vending our books as they think fit, quorum. The meeting was postponed until&#13;
instead of reserving the sale for themselves." February 16. On that occasion the publication&#13;
Accordingly, on the expiration of the contracts of books offered to the society was discussed.&#13;
the society made no agreements with any particular Sir Isaac Newton's “Quadrature of Curves Ex-&#13;
booksellers, but left the trade, or private individuals, plained ” came to the society“ very well recom-&#13;
to apply at the society's warehouse for what they mended,” and an order was given to the printers&#13;
wanted. The warehouse was, of course, proving à for 350 copies in quarto. A general statement of&#13;
source of expense, and an occasion of a good deal the accounts of the society from its first establish-&#13;
of additional care and labour, as well as responsi- ment was announced to have been drawn up by the&#13;
bility, as the society's records plainly show; but committee, and another of arrears of subscriptions.&#13;
what was the result of the new tactics may be read Neither, however, was ever presented.&#13;
in the report of the committce presented to the At the annual meeting of February 3, 1746,&#13;
annual meeting on February 2, 1743 :&#13;
sufficient members to form a quorum were not&#13;
“Having taken into consideration the sale of the present. The meeting was adjourned, but again&#13;
Society's books, the committee find it greatly dimi- the number was insufficient to form a quorum.&#13;
nished since there have been no booksellers employed On April 17 “A memorial of the present state of&#13;
&#13;
&#13;
## p. 52 (#456) #############################################&#13;
&#13;
52&#13;
THE AUTHOR.&#13;
the Society" was sent to all the members. It set “Book Prices Current" can be appreciated at its&#13;
forth the difficulties beneath which the society was full value only by those who peruse its pages, to&#13;
succumbing : (1) those, already fully described, that which it is impossible that any short notice should&#13;
the society had encountered in its dealings with do justice. Limitations of space compel us to pick&#13;
the booksellers ; (2) the small sale of the society's out a few only of the plums which it contains, and&#13;
publications ; and (3) “what has principally con- that with a painful consciousness that what is&#13;
tributed to reduce the affairs of the Society to passed over must be often exactly what readers of&#13;
their present state," the great deficiency of the this or that taste would particularly wish to have&#13;
annual payments.&#13;
mentioned. The sale (1910. December 12, etc.&#13;
This appeal, however, met with no response from Sotheby. £3,480) of the library of Mr. Hilton, of&#13;
the members.&#13;
Sale, offered a rich collection of beles-lettres, amongst&#13;
Several attempts were afterwards made to get which were the first, second (two copies), third&#13;
together a meeting of the society, but without and fourth folios of Shakespeare. On January 12,&#13;
effect; and the officers and committee continued 1911, were sold (Sotheby) a number of books&#13;
in office until the dissolution of the society on relating to, or printed in, Canada and the United&#13;
January 31, 1749, when the balance of £20 12s. States. Specialists will recognise among them many&#13;
that finally remained was presented to the Found- volumes of particular interest. In the sale of the&#13;
ling Hospital.&#13;
library of the Rev. J. H. Dent (January 24, etc.&#13;
The works published by the society were : “Sir Hodgson. £2,422)) was included Gray's copy,&#13;
Thomas Roe's State Papers ” ; “ Maximus Tyrius," with his autograph and manuscript notes, of Stow's&#13;
with notes by Dr. Davies ; Dr. A. Stuart, “De “Survey of the Cities of London and Westminster."&#13;
Motu Musculari” ; Carte's “ Original Letters of In a miscellaneous collection (February 1 and 2.&#13;
English History, from 1641 to 1660”; Signor Hodgson) was offered the first edition of the three&#13;
P. Rolli's “ Translation of Cicero's Letters ” ; Sir parts of “ The Ingoldsby Legends," all on thick&#13;
William Keith, “ History of Virginia ” ; English paper (only a dozen copies of the first part were so&#13;
Translation of Pluche's “ Histoire du Ciel ”; Prof. printed), with autograph inscriptions from the&#13;
Campbell,“ Necessity of Revelation by Gronovius”; author. One of these is&#13;
“ Aelian de Animalibus"; Sir Isaac Newton's&#13;
“Quadrature of Curves” ; Bishop Tanner, “Notitia&#13;
To Mrs. Hughes, who made me do 'em,&#13;
Quod placeo (si placeo) Tuum.&#13;
Monastica ” and “ Notitia Britannica.”&#13;
The society thus certainly produced several To the third part are appended seven pages of&#13;
books of substantial value. Whether these works manuscript, in the autograph of John Hughes,&#13;
might not have seen the light without its assistance including a transcript of a poem by Barham. On&#13;
is another question. If, in that case, the authors the 9th and following days of February was sold by&#13;
would have received no adequate remuneration, or Sotheby for £4,086 the very remarkable collection&#13;
no remuneration at all, it is not clear that the of printed books and other works illustrated by&#13;
authors received very much substantial benefit George Cruikshank, formed by Captain Douglas.&#13;
from the society. Several of the books failed to Many of these, as might be expected, fetched high&#13;
reimburse the society for the expenses incurred in prices. A miscellaneous collection, more interesting&#13;
producing them. In these cases the authors than miscellaneous collections generally are, was sold&#13;
received nothing, and the booksellers alone March 15, etc., by Sotheby. Among other curiosities&#13;
benefited. There is, however, no occasion to it contained four Horn Books, one of them a matrix&#13;
waste space in commenting on what happened. cut in reverse for making gingerbread Horn Books.&#13;
The history of the society and the lessons which it At this sale Tasso (The Falconieri Manuscript) letters&#13;
conveys speak for themselves.&#13;
and poems, dated 1556-1593, fetched only £49. Mr.&#13;
HENRY CRESSWELL.&#13;
Dawson gave 200 louis for it in Rome. The record&#13;
of the sale of the first portion of the library of&#13;
Mr. Charles Butler (April 5, etc. Sotheby. £7,569)&#13;
is not yet completed, reaching only as far as “ The&#13;
BOOK PRICES CURRENT.*&#13;
Mirrour for Magistrates," but presents, of course, a&#13;
wonderful array of rare English and Continental&#13;
THE second and third numbers of “Book&#13;
books. The mere description of them forms a&#13;
1 Prices Current" for 1911 contain records&#13;
feast. A very seasonable note of warning may be&#13;
of the sales from December 8, 1910, to&#13;
seen in the record at different dates of the sale of&#13;
April 5, 1911. It is impossible to say too often that&#13;
two copies of “ Encyclopædia Britannica," 1875–&#13;
1903, 24 volumes, with the supplementary volumes,&#13;
* "Book Prices Current,” Vol. XXV. Nos. 2 and 3.&#13;
in all 35 volumes, sold for £6 on one occasion, and&#13;
London, Elliot Stock.&#13;
for £5 on another.&#13;
&#13;
&#13;
## p. 53 (#457) #############################################&#13;
&#13;
THE AUTHOR.&#13;
53&#13;
THE BOY SCOUTS' HISTORY OF This work should be very popular, not perhaps&#13;
ENGLAND.*&#13;
so much as a class book, but as a prize book or a&#13;
gift book ; and in saying this we are paying the&#13;
book the greater compliment, for it is something&#13;
1. to the fact that The Author is not considerably more than a dry text-book.&#13;
published in August and September, it has&#13;
been impossible to give an earlier review of&#13;
" The History of England," by. C. R. L. Fletcher&#13;
and Rudyard Kipling, which reached the office at&#13;
the beginning of July. We have read the book with&#13;
CORRESPONDENCE.&#13;
considerable interest, and have enjoyed its perusal.&#13;
There are many different views taken about the&#13;
writing of history, but surely the soundest view is AUTHORS' AGENTS-LITERARY AND DRAMATIC.&#13;
that the historian should be a partisan, that he&#13;
should give some life to the views that he adopts&#13;
I.&#13;
and should revivify the dead bodies of the past. The SIR,—I do not wish to examine in detail the&#13;
historian who is merely a balancer of opinions and article on “ Authors' Agents” in your last number.&#13;
methods and a chronicler of dry facts is, from our Many of the points are well taken, and many of the&#13;
point of view, useless ; from a child's point of view warnings will be most useful in dealing with some&#13;
he is worse than useless. This history is written agents, even if they be hardly necessary in relation&#13;
for children. It puts forward high and patriotic to others. But when you sum up, “Don't employ&#13;
ideals and will surely tend to interest, stimulate, an agent ; but if you do, watch him," I venture to&#13;
and arouse the better feelings. This is why we think that the first part of the advice is too&#13;
have taken the liberty of heading the article “ The broadly stated, and the second too—well, shall we&#13;
Boy Scouts' History of England,” for what is most say unceremoniously ?&#13;
striking in that movement is the high moral ideals As to the first, the society is a good watchdog.&#13;
which are put before the boys in the code up to It can warn, advise, and guard. It cannot do the&#13;
which they are bound, as true scouts, to live. This positive work for an author which a capable and&#13;
is not a criticism of dry historical details. They zealous agent can. If it tried to, it would, in my&#13;
may be all wrong; though Mr. Fletcher's name is opinion, soon find itself exposed to the same charges&#13;
a guarantee that they are all right. It is indeed a of favouring one author as against another to which&#13;
difficult matter to write something for children in agents are now exposed. An agent in good practice&#13;
the shape of history which will interest while it acts as a literary exchange : he possesses a know-&#13;
instructs, that “ gives to think” while it ceases to ledge of what wares are wanted, in what places, and&#13;
bore ; but this appears to have been carried through at what prices, which few authors possess. This is&#13;
successfully by the author, aided, of course, by the valuable knowledge-well worth paying for. He&#13;
poems of Rudyard Kipling, and the illustrations knows whom to trust and whom not to trust-&#13;
of H. Ford. Some of the poems are just right for knowledge very valuable in business. Neither shy-&#13;
the boy who desires to have sound, stirring examples ness nor sentiment prevents him from asking and&#13;
before him. Some, perhaps, are a little above his obtaining the proper market-price; one or both often&#13;
head, but still, he will live to grow up to them. Of the prevent an author, when acting for himself. These&#13;
many scattered throughout the book we should like are some of the considerations on the other side of&#13;
to recommend two. The last, " The Glory of the the account.&#13;
Garden," comes nearest to the hearts of all English As to the second, of course every man ought to&#13;
men, although, perhaps, it may be considered to exercise a reasonable vigilance over his own&#13;
have little to do with the history of England. interests and affairs—even though he were dealing&#13;
The other one is “My Father's Chair,” which with an angel. But the attitude of mind indicated&#13;
begins :&#13;
by your “ Watch him” is hardly a promising basis&#13;
“ There are four legs to my Father's Chair,&#13;
for a business relation of a particularly confidential&#13;
Priest and People, and Lords and Crown." nature. No doubt a man should * watch” his&#13;
This is sound, historically, at any rate, at the&#13;
solicitor-in a sense. But I do not think he&#13;
present time, and for the past centuries, though&#13;
would employ a solicitor whom he considered to&#13;
it is impossible to say how soon it may be contro-&#13;
need a great deal of “ watching." The position of&#13;
an agent is very similar, and demands confidence as&#13;
verted in the near future.&#13;
well as “watching." There are, no doubt, solicitors,&#13;
and there may very well be literary agents, who do&#13;
* " The History of England," by C. R. L. Fletcher and&#13;
Rudyard Kipling. Published by the Clarendon Press&#13;
not deserve this confidence. In both professions&#13;
Oxford. 78.6d, net.&#13;
there are men who do, and as an author who has&#13;
&#13;
&#13;
## p. 54 (#458) #############################################&#13;
&#13;
54&#13;
THE AUTHOR.&#13;
II.&#13;
employed an agent for nearly twenty years with most under cover of a public and, apparently, impartial&#13;
satisfactory results, I think that the article in your association, honoured by such names as those of&#13;
columns is one-sided, and, while containing (as I Mr. Thomas Hardy, Mr. Bryce, Mr. Birrell, and&#13;
have said) much that is of value, might unduly Lord Curzon, to launch against a small group of&#13;
p rej dice a young author against a profession reputable private traders charges which, when no&#13;
which has, in my judgment, on the whole, and in names are given, are grossly unfair, and, if names&#13;
the persons of its honourable members, done much were given, would bring you within the scope of&#13;
for the commercial interests, and something for the libel law.&#13;
the dignity, of authors.&#13;
If sweeping generalities are to be indulged in at&#13;
I do not think that any committee of the Society all, they should be based upon a width of experience,&#13;
has ever taken up a hostile position towards agents which the writer of the article evidently does not&#13;
as such. I should regret it if any committee ever possess. No one with any considerable knowledge&#13;
did. On the other hand, there have been many of Anglo-American literary traffic could have&#13;
cases where the Society and agents have acted written these two sentences : “ No market is better&#13;
together in the interests of members, and it is for the author than the American market.” “If&#13;
within my knowledge that in several instances a book touches the American market (and all good&#13;
agents have advised authors to join the Society. literature should be universal), for one copy sold in&#13;
There is, in fact, plenty of room for co-operation England, four would be sold in America." So&#13;
between the society and an honest and capable untrue is this that we could name out of hand a&#13;
agent, and, in my opinion, no reason why such dozen books, placed, not for editions in sheets, but&#13;
co-operation should not exist. To show your for copyright production in the United States, of&#13;
readers that I do not write altogether without which ten copies are sold in this country for every&#13;
knowledge and experience, I will sign myself— one sold there. The writer may have been thinking&#13;
Ex-MEMBER OF COMMITTEE.&#13;
of a certain narrow kind of popular fiction ; but if&#13;
so, why didn't he say so ?&#13;
We do not, however, wish now to go into these&#13;
details. Let us say a word about the contract&#13;
between author and agent. Why not be perfectly&#13;
honest, and admit that authors, like agents, are&#13;
SIR,— We have just had the privilege of reading not angels ? But agents have to deal with many&#13;
the extraordinary five-column attack on literary authors who are in or on the verge of financial&#13;
agents in your last issue. It is unlikely that you straits. Without money-lending, the agent may,&#13;
will give us five columns in which to reply to your and often does, help these struggling men and&#13;
detailed points ; but you can hardly refuse to women in a crisis. It would be mean to deny this;&#13;
publish this brief protest. For we imagine that it the statement can easily be proved. The reputable&#13;
is very far from the intention of the eminent agent is, however, necessarily in a somewhat more&#13;
authors composing the Council and Committees of substantial position than such an author, and to&#13;
the Authors' Society that their names should be forbid him to collect moneys would, to that extent,&#13;
used to cover campaigns, designed in the spirit of involve withdrawing from the most helpless class of&#13;
the narrowest type of trade union official, against authors any benefits which literary agency can give&#13;
legal and honest occupations. One of us is a them. Again, you say that “the agent must not&#13;
member of the society, and for ten years past it be allowed in any circumstances to claim agency&#13;
has been our own policy to encourage authors to fees on introductions merely.” ( wise young&#13;
join it: Mrs. Thurston, of whom you print a judge ! “In any circumstances !” A young man,&#13;
touching memorial notice, is an instance. Nor do perhaps a provincial or a recluse, desirous of obtain-&#13;
we in the slightest degree object to reasonable ing a paid post as leader writer, or a regular&#13;
criticism of the customs of literary agency, written connection as specialist contributor, is recommended&#13;
with the facts clearly in view. It is perfectly well to apply to a certain agent, who, by reason of wide&#13;
known to many, perhaps most, of the members of connections, may be able to make such an arrange-&#13;
your society, that there are agents and agents. ment for him. The usual practice in such a case is for&#13;
The fact is worth stating: but a random attack, the agent to charge a commission upon one or two&#13;
based upon such texts as “Preferably don't use an years' salary. What wrong is there here? Where-&#13;
agent” and “ Don't employ an agent---but, if you in does this differ in essence from commission upon&#13;
do, watch him," is quite another thing. Again, we prepaid royalties? What becomes of your “in any&#13;
cannot object to the office of the Authors' Society circumstances” when you look at the broad facts ?&#13;
being used as a literary agency for its members in Let us, against your five columns, place two brief&#13;
return for fees. But we have every reason to generalities. (1) Most of the eminent authors&#13;
object to the officials so occupied being allowed, who are members of the society employ literary&#13;
--&#13;
---&#13;
- =&#13;
&#13;
&#13;
## p. 55 (#459) #############################################&#13;
&#13;
THB AUTHOR.&#13;
55&#13;
agents. (2) Few of them attempt to treat their man whom he has entrusted with its marketing.&#13;
agents as you propose.&#13;
But, if, say, after a year's intercourse, he has found&#13;
Faithfully yours,&#13;
his agent quite straightforward and honest in his&#13;
THE LITERARY AGENCY OF LONDON, dealings, and sensible and fair-minded in his advice,&#13;
G. H. PERRIS,&#13;
is the author still never to cease from troubling&#13;
C. F. CoSGROVE.&#13;
suspicions as to his integrity ?&#13;
The business manager that requires continual&#13;
[The Authors' Society is not used as a literary&#13;
watching is hardly worth the consideration of&#13;
agency in return for fees, and does not undertake&#13;
averagely sensible people. We make inquiries and&#13;
the placing of MSS. and plays—the Agents' main&#13;
take considerable thought before confiding our&#13;
duty.-Ed.]&#13;
affairs to a solicitor, why should it be taken for&#13;
granted that we are less careful in the choice of&#13;
an agent? We all know, most of us from sad&#13;
III.&#13;
experience, that there exist dishonest publishers&#13;
and unsatisfactory and somewhat shady agents ;&#13;
SIR,—I have read with surprise the article on but is the literary profession itself entirely com-&#13;
“ Literary Agents” in the October number of posed of persons of the highest probity? It is a&#13;
The Author.&#13;
pity to condemn a whole class because one indivi-&#13;
It seems to me not right that a number of dual's experience may have been unfortunate.&#13;
gentlemen, whose work is of vital importance to In every profession the novice makes mistakes&#13;
writing men, should be held up to odium in this from which no amount of excellent advice can&#13;
manner.&#13;
guard him. There are generally far more willing&#13;
I say “ of vital importance," and I speak from and experienced persons to advise the young writer&#13;
experience. Literary agents, and especially the than there are young writers willing to profit by&#13;
agents who now do my business, have proved their advice. The young writer is above all things&#13;
themselves to me so absolutely indispensable that, anxious to see himself in print, and any advice or&#13;
reading your article, I send this protest.&#13;
Cassandra-like utterance which suggests the delay&#13;
To advise an author not to employ an agent is, of that happy consummation is regarded as timid or&#13;
from my experience, bad advice; to advise him to pessimistic. Would it not be well if occasionally&#13;
watch an agent is, from my experience, superfluous in the pages of The Author it was suggested that&#13;
advice.&#13;
even publishers and literary agents have their&#13;
The modern author is a very wideawake person. living to get ? And that in launching an unknown&#13;
Yours faithfully,&#13;
writer the one risks his capital; the other, his time&#13;
H. DE VERE STACPOOLE. and his postage stamps.&#13;
And it might be well to remind the discontented&#13;
that even as a solicitor may be quite honest but&#13;
rather stupid, so are there agents who, meaning quite&#13;
IV.&#13;
well by their clients, yet fail to grasp the essential&#13;
quality of an author's work and to find the right&#13;
SIR,-In the October number of The Author channel for it. The wise author gets rid of such&#13;
there appeared an article on “ Authors' Agents, an agent as soon as possible.&#13;
Literary and Dramatic,” which, to put it mildly, In an article that appeared in the Fortnightly&#13;
seems rather one-sided. From it the young and Review some five years ago, Mr. Curtis Brown&#13;
inexperienced author would gather that the literary sums up this vexed question of the use or futility&#13;
agent is an unnecessary evil superimposed upon of the literary agent in a few terse sentences :-&#13;
unfortunate authors against their will and better “Much that has been written about the literary&#13;
judgment. Now, no author is compelled to employ agent has been futile, because the writers have not&#13;
an agent, and if he does so it is certainly with the understood that authors can be divided into two&#13;
hope of obtaining by this means better terms from classes : First, those whose work the publisher&#13;
the publishers than he could get for himself. Should doesn't particularly want; and second, those whose&#13;
he find this is not the case, surely the remedy is in work the publisher does want, or would want if&#13;
his own hands, either to seek a more capable agent, he knew of it; and that it is only with the second&#13;
or to transact his literary business in person. The class that a sound literary agent has, or should&#13;
article concludes with the somewhat cryptic remark, have, much to do.”.&#13;
“Don't employ an agent, but if you do, watch&#13;
Yours faithfully,&#13;
him."&#13;
L. ALLEN HARKER.&#13;
Now even an author might be credited with&#13;
sufficient interest in his own work to watch the&#13;
&#13;
&#13;
## p. 56 (#460) #############################################&#13;
&#13;
56&#13;
THE AUTHOR.&#13;
PUBLISHERS' METHODS.&#13;
SIGNS OF THE TIMES.&#13;
MSS.&#13;
SIR,—The Sorrows of a Freelance as set forth in&#13;
SIR, I opened my letters this morning. One last month's Author, along with some notes on&#13;
was a packet of patterns from a London shop, and The Colonial Markets and an article on the&#13;
on each little set of patterns was printed a legend Proposed Canadian Copyright Law, have reminded&#13;
to the effect that if they were not returned me of an English magazine I picked out at a rail-&#13;
uninjured there would be a charge made for them. way bookstall not long ago, from among four or&#13;
Another letter was from a publisher who had&#13;
five American monthlies, all of which have already&#13;
asked to see my new novel, and to whom I had made good their footing among us and in our&#13;
sent my clean and dainty newly-typed MS. It&#13;
Colonies. The cover-design of the English&#13;
was merely a printed form, saying that the MS. magazine was the work of an American artist, and I&#13;
was to hand, but that the publisher declined to do not doubt that the electros from which it was&#13;
be responsible for it in any way if it should printed were made in America. The bulk of its&#13;
happen to get damaged or lost while under his contents also were by American authors and&#13;
care !&#13;
artists.&#13;
Comment is superfluous. I need only say that&#13;
The last time I was in New York an American&#13;
my MS. cost over £5 in hard cash to me for editor told me that one of our most lordly magazine&#13;
typing alone.&#13;
proprietors had been bemoaning there the falling&#13;
I am thinking of sending to a West End shop&#13;
off in the sales of what was—and, no doubt, still is,&#13;
for a new coat on approval, and enclosing a printed&#13;
though I do not buy it-one of our most popular&#13;
form to the effect that I decline to be responsible&#13;
fiction monthlies : whose circulation had fallen, I&#13;
for its damage or loss. I don't know the law in understand, from over a million to under half a&#13;
such a case, but I've a shrewd suspicion that if I million copies a month.&#13;
damaged or lost that coat I should have to pay for&#13;
May it not be that our public have had enough&#13;
it. Food for reflection here, my co-mates and&#13;
of the “pap" ladled out to them by the purveyors&#13;
brothers in the craft !&#13;
of “popular” magazines ? And that our sorrowing&#13;
Yours truly,&#13;
freelances have had enough of the unfair methods&#13;
A MERE WRITER.&#13;
of trading with them still in vogue in most English&#13;
magazine offices ?&#13;
Of course, we must remember that the products&#13;
The American publisher is undoubtedly ousting&#13;
of our brain are not our property in the accepted&#13;
us in our Colonial markets. My own American&#13;
sense. We can only command them for a short&#13;
publishers sell as many of my books in Canada&#13;
time and cannot bequeath them to our children.&#13;
alone as my English publishers can dispose of in&#13;
So different from a chair or table! My type-&#13;
the rest of the British Empire, England included.&#13;
writer can leave her machine to any one she likes,&#13;
But it is scarcely our English publishers' fault that&#13;
but the book it types cannot be left so. It is to&#13;
our Colonial cousins prefer the more gaudy dress in&#13;
belong to any publisher who likes to issue it at&#13;
which light literature is shipped to them from&#13;
4d. and so help to spoil the market for future&#13;
America.&#13;
authors !&#13;
I can quite sympathise with the Canadians in&#13;
their aggrieved attempt to combat the American&#13;
Typographical Union : which our society might&#13;
perhaps commend to the notice of President Taft&#13;
as one of those “combinations in restraint of&#13;
AMERICAN RIGHTS.&#13;
trade" he is so busy “bursting." A Canadian&#13;
acquaintance of mine published a book this year, in&#13;
DEAR SIR,—Once upon a time I signed an&#13;
Canada, the United States, and England ; but both&#13;
agreement for three books with a publisher,&#13;
the Canadian and English editions came from New&#13;
who paid me a sum on account of, among other&#13;
York, in sheets. American business policy has&#13;
things, the American rights, of which I was to&#13;
now become one of aggression : and why should we&#13;
receive 10 per cent. after all expenses had been&#13;
neglect “the noble art of self-defence ?&#13;
Yours faithfully,&#13;
Two of these books did well in America, con-&#13;
ROBERT AITKEN.&#13;
sequently I received less than the publisher's&#13;
American agent. And yet this publisher was [The remark in this letter about the American&#13;
annoyed because I left him at the earliest oppor publisher is interesting when compared with the&#13;
tunity.&#13;
opinion put forward in the letter from the Literary&#13;
H. W.C.N.&#13;
Agency of London.--Ed.]&#13;
paid.&#13;
&#13;
&#13;
## p. 56 (#461) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING.&#13;
COTTERILL &amp; CROMB&#13;
&#13;
HUBERT WALES. ESO., of Hindhead, Surrey, writes&#13;
"I have just completes the revision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without having been corrected or even read, and that my handwriting,&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something more than simple&#13;
mechanical accuracy, to produce such a result- &amp; result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Literary&#13;
Agents,&#13;
LENNOX HOUSE,&#13;
NORFOLK ST., STRAND,&#13;
W.C.&#13;
MADAME IRIS&#13;
| CINEMA PLOTS WANTED.&#13;
MAKES&#13;
Good stories suitable for moving pictures. Address&#13;
by letter only,&#13;
SIMPLE AND BEAUTIFUL GOWNS&#13;
| MR. STANHOPE W. SPRIGG,&#13;
at reasonable prices, embroidered in original designs.&#13;
Literary Consultant,&#13;
Each dress specially thought out and made becom-&#13;
TRAFALGAR BUILDINGS, CHARING CROSS, LONDON, W.C.&#13;
ing to the face and figure of the wearer.&#13;
AUTHORS &amp; PLAYWRIGHTS.&#13;
Sensible and pretty frocks for children.&#13;
Special facilities for placing work of every description.&#13;
MADAME IRIS can be seen by appointment at Bay | Particulars from Manager, Literary Department,&#13;
Trees, Erskine Hill, Golder's Green, N.W.; or, if&#13;
WIENER AGENCY, LD.,&#13;
desired, at Royalty Chambers, Dean Street, W.&#13;
64, Strand, LONDON,&#13;
AND NEW YORK.&#13;
- PLAYS&#13;
MR. FORBES DAWSON&#13;
TVDIN&#13;
Neatness and accuracy, with&#13;
promptness; d. per 1,000 ;&#13;
over 20,000, 6d. Plays ruled&#13;
and bound, 8s. Cheap duplicating.&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
TYPEWRITING.&#13;
(Member of the Incorporated Society of Authors),&#13;
TYPEWRITING.&#13;
An Actor of over 25 years' experience in every | MISS FOWLER, Maxwell House, Arundel&#13;
class of character, play, and theatre.&#13;
Street, Strand, W.C.&#13;
Master of Stage Craft &amp; Play Construction. EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
Extract from Unsolicited Testimonial.-“I send you work com.&#13;
Author of plays produced in Great Britain&#13;
pared to which Egyptian hieroglyphics would be child's play, and you&#13;
return the manuscript at the time requested without one single&#13;
and America. Adapter of several novels to the inaccuracy. It is nothing short of marvellous."&#13;
stage.&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE.&#13;
- NO THEORIES. —&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
No charge for reading and giving a practical&#13;
SUTTON, MACCLESFIELI).&#13;
opinion on a play.&#13;
Story Work, 9d. 1,000 words; 2 copies, 1/-; Plays, ruled and covered,&#13;
1- 1,000 words.&#13;
Copies of recent Testimonials:&#13;
Knows the best people in the dramatic world, 'W. Shaw SPARROW: "I'm glad I don't hear the steady noise of your machine,&#13;
but I appreciate the excellence of your work."&#13;
and has gained the necessary experience for this&#13;
DANIEL WOODROFFE: "Miss A. B. Stevenson is very accurate in her type-&#13;
writing and most satisfactory in every way."&#13;
class of work on the stage itself, in association&#13;
with the best dramatists, producers, actors, and&#13;
stage managers of his time.&#13;
-A well-known MAGAZINE&#13;
P. EDITOR and PUBLISHER'S&#13;
READER offers to advise and assist AUTHORS. Success&#13;
Secured.-EDITOR, c.o. Rudin's, 199, Strand, W.C.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
&#13;
&#13;
## p. 56 (#462) #############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London&#13;
Opposite the British Museum.&#13;
TYPEWRITING&#13;
WITH BRAINS.&#13;
THACKERAY HOTEL&#13;
KINGSLEY HOTEL&#13;
Great Russell Street, London.&#13;
My work is always the same—THE BEST. || Near the British Museum,&#13;
INDIFFERENT COPY TYPED WELL stands a better&#13;
chance with Editors and Publishers than&#13;
GOOD WORK TYPED BADLY.&#13;
I USE BRAINS as well as hands.&#13;
Hart Street, Bloomsbury Square, London.&#13;
HIGH-CLASS WORK AT LOW CHARGES.&#13;
Every Order I have executed has been followed Passenger Lifts. Bathrooms on every Floor, Lounges&#13;
by Repeats.&#13;
and Spacious Dining, Drawing, Writing, Reading, Billiard&#13;
I have many Testimonials from Members of the and Smoking Rooms. Fireproof Floors. Perfect Sanita-&#13;
Authors' Society.&#13;
tion. Telephones. Night Porters.&#13;
MY WORK IS MY BEST REFERENCE! Bedroom, Attendance, and Table d'Hote&#13;
I work for Authors, Clergymen, Playwrights, Breakfast, single, from 5/6 to 8/-.&#13;
Business Houses, &amp;c.&#13;
SEND ME A TRIAL ORDER NOW.&#13;
Table d'Hote Dinner, Six Courses, 3/-,&#13;
Full Tariff and Testimonials on application.&#13;
MISS RALLING,&#13;
Telegraphic Addresses :&#13;
176, Loughborough Road, LONDON, s.w.&#13;
Thackeray Hotel—"Thackeray, London."&#13;
Kingsley Hotel—"Bookcraft, London.”&#13;
MRS. GILL'S TYPEWRITING, SHORTHAND, | AUTHORS wishing to make arrange-&#13;
AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
35, LUDGATE HILL, LONDON, E.C. communicate with LYNWOOD &amp; Co.,&#13;
Telephone—8464 Central.&#13;
Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel-&#13;
London, E.C., who will be pleased&#13;
ligently copied, from 18. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by&#13;
corrections. French and German typewriting undertaken,&#13;
to consider MSS. and advise (free).&#13;
and typewritten translations supplied. Testimonials&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Please write before sending MSS.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
W.C.&#13;
POST FREE ON APPLICATION.&#13;
TYPEWRITING.&#13;
TYPEWRITING, 8d. a 1,000 words; in&#13;
duplicate, 9d. Specimen and reference if desired.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
CLAUD GIRTON, 2, GROVE LANE, CAMBERWELL, S.E.&#13;
words; in duplicate, 1/-. Plays and General&#13;
Copying. List and specimen of work on appli-&#13;
cation.&#13;
One Of NUMEROUS TESTIMONIALS.&#13;
u Miss M. R. HORNE bas typed for me literary matter to the&#13;
64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
Recommended by Mr, G, K. Chesterton, Baron de Worms,&#13;
but praise for the accuracy, speed and neatness with wbich she&#13;
does ber work.-FRANK SAVILE."&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.,&#13;
and Others.&#13;
MISS M. R. HORNE,&#13;
Typewriting and Secretarial Work.&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
Many Testimonials, of which the following is a specimen: "Many&#13;
New Address:&#13;
thanks for the excellent work and the promptness with which it has&#13;
15, WIMPOLE ROAD, YIEWSLEY, MIDDLESEX. been done."&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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                    <text>Monthly

.)

.

Authors

1911

PRICE SIXPENCE

[

DECEMBER

of

Society

.

No

.
3
.

.-

.

XXII

Incorporated

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(The Organ of
VOL

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CONTENTS

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to

Warnings Dramatic Authors
Registration Scenarios and Origin
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
The Crux
the Agent Question
Authors and their Reviewers
The Hazard of the Pen
Samuel Richardson
Correspondence
of

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to

Notices
TheSociety Funds
List of Members
The Pension Fund
CommitteeNotes
Books published
Members
Literary Dramatic and Musical Notes
Paris Notes
United States Law Case
SecondPan American Convention 1902
MagazineContents
How
Use the Society
Warnings the Producers
Books

story ever told
AT ONCE of your Librarian or Bookseller
JUST READY
By the Author of THE BROAD HIGHWAYThe sweetest
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ORDER

Re Thoney moon
Jekery Barnde
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By Jeffery

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THE NEW

THE
BROAD HIGHWAY
Full
Gilt
Price 6s
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ROMANCE

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Crown 8vo
Cloth Gilt
Price 6s
Those who have read
The Broad Highway
will be sure
read this new work by Mr Farnol
The same
delightfully smooth style the same romantic setting
be found
The Money Moon as existed
the author
purest
agreeable
first work
romance of the
and as such forms an
contrast
the realistic and somewhat
fatiguing literature of modern times
Although
story which requires no stretching of the imagination
way that we
Mr Farnol bere tells what can best be described as fairy tale for grown ps He tells
such
may not be fact
are left with the conviction that though
at any rate possible and even highly probable
The
imagination of
spirits and fairies witchcraft andm
child
not strained when
asked
believe
ic
believes
them revels
the beauty of the thoughts they engender without requiring
be convinced
heir
reality
disappear altogether
But as we grow older that power gradually dwindles till at length
seems
The
facts of life have killed
or
we imagine Mr Farnol however steps
here
tell us that this
not
His
having
power
possess
though
art consists
discovered and unveiled this
which we still
modified form his
stories take us again into
land of make believe more mature
true tban the fairy land of our youth but
none the less beautiful and far more consonant with the stage of development which our years and experience
have brought us
When we close the book we do not say
were only possible but
How beautiful and how very possible

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Crown 8vo
512 pages
Cloth
work that has met with such an extraordinary demand
short
time all over the English peaking world
impossible
needs no recoinmendation
state the exact number of readers
000000 twelve months would
probably be near estimate and the demand for
continues
There no doubt that
the most popular and
successful English novel of the year

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WESTERN

;

from Memory
Francis Sin lair
Author of From the Four Winds
etc etc Large Crown svo Cloth gilt bandsomely bound
Price
WRITE FOR ILLUSTRATED ANNOUNCEMENT
LIST OF NEW BOOKS for Library
Presentation
Overy
Strcet
Southwark
House
Ltd
Co
Sampson
Marston
Low
on
LOW Marston
Co
Ltd
and Tudor House
Warwick Lane

UNDER

�ADVERTISEMENTS .

The Society
Telegraphic

Address : " AUTORIDAD

, LONDON . ”

Telephone No . : 374 Victoria

PRESIDENT .

THOMAS HARDY
THE

SIR ROBERT ANDERSON , K . C . B.
SIB WM .REYNELL ANSON , Bart., D . C. L .
THE RIGHT
Hon . THE
LORD
AVEBURY , P. C.
J . M . BARRIE .
SIR ALFRED BATEMAN , K . C. M. G .

|

H . A. HINKSON .
E . J . MACGILLIVRAY .
SIR GILBERT PARKER , M . P.

THE HON , JOHN COLLIER ,
BIR W. MARTIN CONWAY .

Representative

OWEN SEAMAN ,
G . BERNARD SHAW .
G . R, SIMS .
S. SQUIRE SPBIGGE , M. D.
FRANCIS STORR .
SIR CHARLES
VILLIERS STANFORD,
Mus . Doc .
MRS . HUMPHRY WARD ,

SIDNEY WEBB .
H , G . WELLS .
PERCY WHITE .
FIELD -MARSHAL THE RIGHT Box.
THE VISCOUNT WOLSELEY , K. P.,
P . C., &amp;c.

MANAGEMENT .

OF

G. BERNARD

SHAW .

FRANCIS STORR ,
SIDNEY WEBB ,

SUB -COMMITTEE .
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CECIL RALEIGH ,

| MISS CICELY HAMILTON .
CAPT . BASIL HOOD .
JEROME K , JEROME .

G . BERNARD

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,

.,

,

S
.W

's

,

of

to

Communications
The
Author
should
addressed
the Offices
the Society
Old
Storey
Queen Street
Gate
and should
reach the Editor not later than the 21st
each
month
Communications
and letters are invited
the
literary matters treated
Editor
from
the
standpoint
art
business but
no other
Every effort will
subjects whatever
made
accepted
retorn articles which cannot

.

be

for

.

.

6d

58

of

of

on

a

its

of

to

on

of

,

of

,

to

, ,

its

of

of

to

if

a

be is

or

Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
Society
great many members did not forward
subscription for
the Secretary the modest
the year
to

it

,

CONTRIBUTIONS

.

AND
The

(
2
)

Editor

of

ARTICLES
THE

to

to

.

of

kept
This fund
reserve
necessary for the Society
incur heavy
prin
expenditure
fighting
question
either
ciple
assisting
obtain copyright reform
dealing with any other matter closely
connected with the work
the Society
slowly
The Pension
Fund
This fund
increasing and
hoped will
time cover the
needs
all the members
the Society

.

.

Capital Fund

case

in

of

on

time
time members
the Society
desire
make donations
funds
recognition
work that has been done
them
The Committee acting
the suggestion
one
place
these members
have decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
paid
which these contributions may
The funds suitable for this purpose are
The

or

of

to

the Society who desire
have
concerned can obtain

the names
the publishers
application
them

FUNDS

be

to

,

of

of

or

in

'

of

of

to

THE Editor begs
inform
members
the
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
the
cases that have come before the notice
knowledge
the Secretary
the Society and that
those members

SOCIETY

'S

THE

.

as

.

the case

.

be

to

of

be

or

T

is

papers that are
the opinions expressed
signed
initialled the authors alone are
para
responsible
None
the papers
graphs must
expressing the opinion
taken
especially stated
the Committee unless such

OR

if

to

.

,

,

do

Although
care
exercised
that
undesirable
advertisements
inserted they
not accept and
any liability
never have accepted
apply
Members should
the Secretary for advice
special information
desired
be is

.

NOTICES

.

advertisers

,

LONDON

.

,

AUTORIDAD

of

readers
personally

impression
among
seems
The Author that the Committee are
responsible for the bona fides
the
the Committee desire
stated
not and could not possibly
the case
to

there

of

.

As

be

,

:

ADDRESS

.)
PRICE SIXPENCE

1911

ADVERTISEMENTS

VICTORIA
:

374

TELEGRAPHIC

WALTER BESANT

DECEMBER 1ST

TELEPHONE NUMBER

Monthly

Authors

to

No

.
3
.

.

XXII

-

.

VOL

BY SIR

Society

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FOUNDED

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before
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position
invest £250
the fund decided
the purchase
Consols
the present price
The amount purchased
£312 13s
£4 377 198
This brings the invested funds
recom
The trustees however have been unable
any further pensions
the
mend the payment
present exhausted
their disposal
income
They desire
the members
draw the attention
the hope that
this fact
the society
additional subscriptions and donations there will
the
the course
hand
sufficient funds
year
declare another pension
case any im
forthcoming
portant claim
the trustees
society
after

12

. . . .

Oct
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FUND

of

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Sabatini Rafael
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6 5
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THE PENSION

16 15

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for

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those who
the conrenience
end of the list
they are chronicled
desire
add future elections
from month
month
these pages

on

.

0

THE AUTHOR

58

90

�THE AUTHOR .
The Editor regrets that in the publication in
the November issue of the full list of annual Sub -

scribers to the Pension Fund some mistakes occurred ,
which he now takes the earliest opportunity of
correcting .
For

Read

Mrs . Cameron
Miss Gabriel Festing
F . W . Halford

Mrs . Charlotte

Cameron

Festing

Miss

. Halford

A case dealing with the bankruptcy
of an agent
was then considered , and it was decided to follow
the advice of the solicitor and go forward with the
matter .
Some important
piracy were
cases of dramatic
discussed , relating to infringements of copyright
and performing rights both in England and Ireland .

The committee decided to take vigorous action in
these matters, as some half a dozen members of the
society
They felt sure that once
were involved .
the pirates could be driven
the market dramatic
authors would reap
corresponding benefit
legitimate performances
their plays
report that five cases
The solicitor was able
to

.

NOTES

.

COMMITTEE

of

a

by

,

off

F. M

59

of

of

an

for

to

of

of

he .

a

on

,

be

by

in

.

to

of

it

,

,

to

in

—

in

—

.

a

of

him ,

to

to

.

a

to

to

by

be

to

by

the

and

that

.

to

he .

in

as

he

's

Sir .

to

to

,

on

to

's

in

to

as of

Sir Gilbert Parker attended the meeting
the
committee
order
raise some points
the committee
action
the Copyright Bill
put forward further points
regard
and
copyright
Canadian
The committee
listened
sympathetically
Gilbert Parker
statement

,

in

to

to

,

They further decided
informed them that
accept his good offices
was going
Canada
there
connection with the Canadian copyright
question which has most important bearings for
English authors
representatives
The committee
nomination
management
for the election
the committee
1912 was adjourned till the December meeting
The committee regretted that their efforts
regard
the insurance
members against loss
incurred through defaulting magazines had been
unsuccessful
the figures
these cases were
upon any
variable that
was impossible

of

.

of

's
to

.
in
so

of

fix

to

in

it as

,

.
to

as

.

the member
write

the
take

,

if

,

, of

to

an

to

of

be

After

effect

to

a its

It

to

.

to

,

as

on

an

by

of

of

a

to

.

of

.

,

damages
claimed
had
owing
the discovery that the
defendants had made
incorrect statement
the number
books they had printed
to

pay the sum

reopened

the action suggested
secretary was instructed

in

-

of

,

is

it

no

be in

entertained

the society
continue
financial stability

work
and preserve
departure from the rule were
permitted which
interfered with regular income
The next matter before the committee was the
consideration
the legal cases
On these the
report
very favourable
solicitor had
submit
infringement
copyright which had
One case
undertaking
been closed
the part
the
defendants

before the committee
member
careful consideration the committee came
impossible
conclusion that
would

it

of

,

,

or

,

,

could

for

,

indicated
impossible

its

be

that

laid

,

.

to

of

in a

,

,

in

to

would

Another case
the United States this time
carry
Francisco
the committee decided
through
Both these cases dealt with dramatic copyright
alleged unfair criticism
case
book was
San

of

do

,

,

in

as

On many occasions members having subscribed
for some years have asked
have their subscrip
life membership fee but the
tions capitalised into
committee have felt
view
the smallness
the
impossible
life membership subscription
that
depart from the rule which demands this pay
pay the
ment
one lump sum and that
offer
subscription by instalments
any other manner
than

author

.

-

.
to of -

,

to

be

.

-

of

to

the question

The committee next considered
life membership

considered
the committee and the action
being
taken was left for future consideration
understood that the chairman and secretary
the
society
would
discuss the position
with
the

.

-

If,

.

to

be

,

.

of

he in

to

,

'

T

,

,

,

in

the elections come
the same
then the elections for 1911 will
consider
excess
those for 1910
committee registered with regret ten resig
nations bringing the resignations for the current
year up
seventy six
expected the com
While resignations are
mittee are glad
note that with the increase
membership
the society they
not appear
increase proportionately
but maintain very much
past years
the same level

solicitor informed
the committee
that
had
obtained part payment and was now applying for
proper accounts
An important case
the United States was

A

during November

at

of

up

.

on

in

of

-

,

to

The committee are pleased
note another large
election forty two members and associates having
come
since the previous meeting
the com
mittee
October 2nd
This brings the total number
elections for the current year
263
rate
ably

dealing with infringement
copyright and pay
moneys had been settled during the month
ment
the recovery
the sums due
the members
involved
One claim against
actor
fees due
performances
sketch was mentioned
The

.

6th

.

Monday the

the committee
the society

by

at

of of

meeting
November
was held
the offices

on

THE

�THE AUTHOR .

standards of premium which would cover even large
groups of cases .
It was decided to forward copies of a draft agree
agents to
ment between authors and literary
members of the committee , with a request that they
should submit any suggestions they may have to
offer in regard to it . It was proposed to codify
these suggestions
and submit them to a sub -

One case of infringement
of title has been
abandoned on the advice of the Secretary .
It may
be as well to repeat that there is no copyright in a
title , and only in exceptional cases is it possible to
advise authors to take action ; but any author who

be

.

it

on

,

as

by

his

is a member of the Society is entitled to a legal
opinion as to
position
each case must
judged
the special evidence bearing
Two cases have come into the office with regard

of

in

is

to

,

.

of

negotia
the return
MSS
One
course
tion and
the other which bas only recently come
reply
hand the delinquent has not had time
the Secretary
letter
infringement
copyright both
Two cases
dramatic cases have only recently come into the
office
the Secretary does not receive
satis
factory answer
bis communication they will
placed
the hands
the society
solicitors
present
There are
considerable number
infringement
cases
dramatic rights being
(

of

,

s

of '

dealt with

of

.

be

a

's

of

of

a

the solicitors

.

it

in

-

to

.

to in

.

placed

)

of in

,

to

of

granting double licences pending the introduction
some proper legislation
alter the present music
hall law
this respect
The sub committee are
report that the council have now
pleased
some
cases granted the double licence where
had been
applied for

the book is on the market
on the market , is not
likely to increase the publisher 's anxiety to press
the book
into a successful circulation .
The case
which has been in the secretary 's hand has been
settled
in as far as it was possible to settle a difficult
matter without hurting the author ' s position .
There have been two cases dealing with
the
payment of money .
In these the moneys have
been paid and forwarded to the respective authors .
to be

to

in

of

to

in

to

place before that committee the anomalies
regard
which occur
sketch production
and
urge upon the council the necessity
order

order

, while

law

at

.

,

8

, . ,

C on

. ,

R

.

of

of

.

,

,

a

J.

.

W a

The secretary then reported that
November
deputation
consisting
Mr
Carton Mr
Locke Mr Cecil Raleigh and himself
meeting
attended
the Theatres and Music
Halls Committee
the London County Council

at

An action

or just about

in

few weeks .

Authors
should remember that if a clause in an
agreement is broken it does not necessarily cancel
the agreement , but as a rule only gives a right of
action for damages . Even then , it is sometimes
difficult to prove that damages have been sustained ,
and therefore it is not worth while to pursue the
Again , it is valuable for an author
case further .
to remember that if the breach of agreement has
anything to do with the delay in publication it is
sometimes best to settle the question diplomatically
rather than to take the matter through the courts .

by

the next

We are pleased to report that the cases in the
hands of the secretary during the past month have
only reached eight in number .
There was one case of alleged breach of contract .

,

of

accounts and without paymens
to the persons concerned . The Dramatic
strongly recommended that these
Sub - Committee
by the Committee
cases should be carried through
Management
of
.

If

should

tion he had given them .
The secretary then laid before the sub - committee
the final draft of the Managerial Treaty , and it was
decided to send a circular to members of the
Dramatists ' Club , with a copy of the treaty , and
subsequently , to send the treaty with a covering
letter to members of the Dramatic Section of the
Society of Authors .
This will be carried through

the course

without rendering

in

dramatists

be careful that they received suitable remuneration
for these rights , or reserved them so that they might
deal with them separately through dramatic agents
in the United States .
The sub - committee thanked
Mr. Jordan for his attendance and for the informa

in

next reported , at
behalf of members .

of moneys

of

eleven o ' clock in the morning , and the Managerial
Treaty was finally settled at 5 . 30 in the after .
noon .
The next meeting was held on Friday , November
17 , when Mr . Haddon Chambers introduced to the
meeting Mr. Walter C . Jordan , of New York , who
desired to inform the sub - committee of the position
of authors ' rights with stock companies in the United
States . Mr. Jordan explained how very valuable
these rights might be if properly marketed , and

that in future contracts

on

Cases .

.

On Friday , November 10 , a special meeting of the
Dramatic Sub - Committee was held at 2, Brunswick
Place , Regent 's Park , N . W . , by the kind invitation
of Mr.Cecil Raleigh .
The only matter discussed at
that meeting was the settlement of the Managerial
Treaty . The committee commenced their sitting at

advised

were

three dealt with infringements of performing
rights , by touring managers who were running plays

.

SUB -COMMITTEE

cases
in band

All

to

DRAMATIC

committee upon

dramatic

been taken

,

committee , who will report to the
the matter.

Three

having

to to

60

�THE AUTHOR .
Of

the cases left open from former months three
had to be placed in the solicitors ' bands .
One dealing with the payment of money is still
open , but part of the money has been paid , and the
Secretary
trusts he will be able to obtain the
balance without referring the matter to the society 's
have

lawyers.

Allshorn ,

L

.

November

Elections .

.

.

.

Castleton Robert
Cross , Harold H . U .
.
Dailley , Richard “ Crom well Clarke , "

Dorling , Lieut . Taprell

.

Eden Guy

George

Forbes

.

.
,

.

M . A .,

,

33 ,

Road
Trebovir
London , S. W .

of Authors .
Torquay ,
“ Corona , "
Devon .
c/ o Admiralty , White hall, S . W .
Square ,
14 , Eccleston
11 ,

S. W .

College

Little

Street , West

.
minster , S . W . The
Athenæum

S. W .

,

,

Club

.

.

Fern Bank
Road ,

.

.

.

South Villa , Campden
Hill Road , W .

Grierson Francis

.

.

Fraser Edward
Gooch , G .

I. W .

P.

-

.
·

.
·.

5,,
5

.

.

leen .

Jordan Humfrey
Leathes

Stanley

Lovell , Arthur .
Marks, Miss Jeanette
McCormick

,

Mendl, Gladys .

Cambridge .
Paper
Paper Buildings ,
Temple , E . C .
94 , Park Street , Gros venor Square , W .
South Hadley , Massa
chusetts , U . S . A .

Ernest Boyd
.

.

National Liberal Club,
S. W .
Place ,
76 , Gloucester
Square

Portman

Millican ,

Kenneth ,

Dr.

M . A . , Captab

. .

Stany
Oppenheim
Orbier )
.
Paterson , Marcus

Patterson

, J. E .

Peers , Mrs . C . R .

Phillimore - Furness ,

Stany

.

.

.

W.
“

Lancet

.

.
E.

.

.
C.

,

Office ,

"

Strand , W .C .
86 , rue de Miromesnil ,
Paris .
Hospital
Brompton

Sa

natorium

Frimley .

Billericay , Essex
14

, Lansdowne

,

.

Road ,

Wimbledon , S . W .
Hall Road ,

31 , Merton

Wimbledon

D . E.

.

.

Richardson , A . Eva
Ross , Miss Lina

.

,

H . B.M .

,

Legation

,

Siam .
Club , W . C .

Bangkok

, Writers '
. 22 ,
Earl's
Court
Square , S . W .
Sadler , Mrs . S . H . ( S. H . S.)
5 , St. Andrew ' s Place ,
Regent 's Park,

Salter

,

Emily

K

.

.
.

.

.

Smith

, Arthur .

Snell , Olive
Stiles , Leslie

.
.

.

.

.

.

Stone , Christopher
nolds .
Waterbury , Mrs .

.
Rey

.

( Jane

Adams ) .

Yearsley , Macleod

.

, F . R . C .S .

Zig Zag
Ventnor ,

380 , Richmond Road ,
Twickenham .
5 , Sloane Court, S. W .

Heron -Maxwell ,Miss Kath

,

Sinnett , Alfred Percy

c / o Society

F . R . S.

Reid

61

N . W ., and Lyceum
Club .
Lane
225 Willesden
Cricklewood , N . W .
59, Jermyn Street ,

,

,

S. W .

9, Grand

Parade , St.
Leonards -on - Sea .

5

, Rutland Gate , S. W .

44 , Duke ' s Avenue ,
Chiswick , W .
Lady Ham , Burford ,
Oxon .
4, Chemin du Foyer,
Geneva
land .

,

Switzer

59 ,
Queen
Anne
Street , Cavendish
Square , W .

BOOKS PUBLISHED BY MEMBERS .
WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the office
by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
other papers . It is hoped , however , that members will
co- operate in the compiling of this list and , by sending
particulars
of their works, help to make it substantially
accurate .

AGRICULTURE

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A Book of the Devon Country .
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side . By CHARLES GARVICE . 9 x 5}. 392 pp . Hodder
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ART .
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518 pp . Swift. 158. n .
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Anne .
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62

By
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HENRY LANSDELL . Blackheath

PRINCESS

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Partridge. 28.
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MAIN

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FIVE

MYSTICS OF THE RENAISSANCE

AND THEIR RELATION
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TO MODERN
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NATURAL

LITERARY.

.

.

MILITARY .
WELLINGTON ' S CAMPAIGNS.

.

III

Part
. Waterloo . Re By MAJOR -GENERAL
C. W.
Hugh
London :
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Re - arranged

vised and
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.

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HISTORY .

THE LIFE OF THE BEE . By MAURICE MAETERLINCK .
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J . DETMOLD . 113 x 89. 235 pp . Allen . 218. n .
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PHILOSOPHY .
LAUGHTER : AN ESSAY ON THE MEANING OF THE COMIC .
by
By HENRI
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Authorized
Translation
ROTHWELL .
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BRERETON
and
FRED
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6d

By DARRELL FIGGIB 81 x 54 345 pp
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THE ARNOLD BENNETT
Compiled by F .
CALENDAR .
BENNETT . 64 X 41. F . Palmer , 18.

63

POETRY .
BY JOHN MASEFIELD .
EVERLASTING
MERCY .
74 x 5. 90 pp . Sidgwick &amp; Jackson . 38. 60 , n .
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84 x 7. 149 pp . Swift .
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TOPOGRAPHY.
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8
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�THE AUTHOR .
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TRAVEL .

CANADA
AS IT IS. By J. FOSTER FRASER . With an
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272 pp .
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BIOGRAPHY .

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illustrations by
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Christmas books
Frowde and Messrs
Stoughton
Hodder
Two
these books
are from
the pen
Herbert Strang
One
entitled
story
The Flying Boat
adventures
the Yang tse Kiang during
revolt
China
and comes out very opportunely since
must have
been written long before the present Chinese revolu
story
tion
The other
the Defence
against
Australia
Armada
the Chinese
Republic
We hope the revolution
China may
keep the Chinese too busily employed and may
take away any probability that the subject
the
reality
second will ever become
Mr Herbert
Strang also edits another book entitled
The
Romance
Australia
Capt Charles Gilson
The book from the pen
who
also
well known writer
boys books
entitled
The Sword
rattling
Freedom
story
the seventeenth century dealing with the
adventures
the envoy
Orange
the Prince
during the months ihat immediately preceded the
Revolution
The price
these books
each
They are
beautifully illustrated and brought out
excellent form and
clear type
which the
publishers Mr Henry Frowde and Messrs Hodder
Stoughton are well known
The last book Herbert Strang Annual needs
introduction
would
difficult
find amongst
Christmas books works more likely
attract the
class
which they appeal
Messrs Digby Long
Co are issuing
second

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By Mrs
NOTORIOUS
Miss
LISLE
BAILLIE
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THE STRONG HEART
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have received

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375

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New York
Scribner

NOTES .

on

DRAMATIC .
THE MAID OF ORLEANS .
By the Rev . R. H . BENSON .
95 pp . New York : Longmans .
$1 n .
POMANDER
WALK . By LOUIS N . PARKER . 266 pp .
New York : John Lane Co .
$1. 30.

THE

LITERARY , DRAMATIC , AND MUSICAL

MELVILLE

.

SOME ASPECTS OF THACKERAY . By LEWIS
281 pp . Boston : Little Brown . $2.50 n .

-

BY

THE BOOK OF SCOTTISH POETRY ; being an Anthology
of
the best Scottish Verse from the earliest times to
the
present .
by Sir GEORGE
Edited
,
DOUGLAS
Bart .
928 pp . New York : Baker . $3.50 n .

-

AMERICA

York : Putnam .

New

POETRY .

a

IN

MEMBERS .

Edited by MAX Gysi .

of .

BOOKS PUBLISHED

MISCELLANEOUS ,
TOURING IN 1600.
A Study in the Development of Travel
as a Means of Education . By E . S. BATES
. Boston :
Houghton Mifflin .
$3 and $10 n .
MYSTICS OF THE RENAISSANCE
AND THEIR RELATION
TO MODERN THOUGHT .
By RUDOLF STEINER , Ph . D.
Authorised
by BERTRAM
Translation
KEIGHTLEY .

E

THROUGH
By H . HESKETH
TRACKLESS
LABRADOR .
PRICHARD .
With a Chapter on Fishing by G . M .
GATHORNE -HARDY .
104 X 71 .
254 pp . Heinemann .
158. n.
THROUGH THE HEART OF PATAGONIA . By H , HESKETH
PRICHARD . 61 x 41 . 375 pp . Nelson . 18. n .
" TWIXT LAND AND SEA : SKETCHES AND STUDIES
IN
By CYRIL FLETCHER GRANT and
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L. GRANT . Sampson Low &amp; Co . 218. n .
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TOURING IN 1600. A Study in the Development of Travel
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123. 6d . n.

-

64

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girls

",

Twixt Sand and Sea by Cyril Fletcher Grant
Grant
series
sketches and studies
North Africa
divided into two distinct but
complementary
parts
The first deals with the
history
North Africa from the coming
the
Phænicians 750
the arrival
the French
in

of

,

of

to

B
.C

.,

of

of

.

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of

and traces the great series
races and
sway there
The
and treats
the
natives
we find them now and traces
some
many
detail
their habits faiths and religion
survivals
often prehistoric
belief and cults
publish the book
Messrs Sampson Low
Mr Basil Tozer new book recently announced
England
Actresstocracy
What Turvy Topsy
Saw
will not
issued
the public
Mr Melrose has lately published Miss Marion

.

of

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,

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civilisations which have held
second part
more discursive

in

1830

is

,

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“

,

Mole
new novel
The Wind Bloweth
which
study
the conflict between
the logical and the
Logic wins the
æsthetic sides
man
nature
imagined background
day
the rest becoming but
an

.

's

a

in

,
in

.

",

.

's

life
distasteful duty Miss Mole
first novel
Vera
the Strong Heart
took second place
the same publisher
novel competition last year

's

,

of

I.

.

to

its

,

in

plays ,
in fact , comprise three
consecutive
forming
a trilogy .
Mr. Elkin Mathews will
publish this probably some time in 1912 .
“ Sport on the
Rivieras ," edited by Eustace
Reynolds-Ball and C . A . Payton ( “ Sarcella " of The
Field ) is the latest addition
to the Reynolds -Ball
Guide Books . In their introduction , the editors
rightly point out that the purely recreative side of
the French and Italian Riviera has hitherto been
neglected , and their
the present volume has
been
deal adequately and impartially with
sports and pastimes
Part
the work deals
aim

will ,

The Children
the Cliff
story suitable for boys and
published
twelve
the

,

book ,

addressed

of

last

for Spring

announce

Tavistock Street Covent Garden
where
communications respecting editorial matters should

's

The

article

Hill

.,

Son .

Arrowsmith

Arthur

novel
Clara
Martin which will
called
Little Aversion
For the same
writer Messrs Ouseley will publish
Where the
Hedgerows End
Fairy
and Other
Tales
Ishbel
Miss Clara Martin was also successful
winning one
the £10 prizes
the Pearson
Royal and Novel magazine competition
The English Review
has just taken more com
modious offices
future
the review
will
published
Country
from
Life Building

as

&amp;

contains

of

Dean

Messrs
publication

of of

by

Pinafore Tales , " published by Sands &amp; Co ., is a
volume of original story and verse for children ,
illustrated by Ď . E . Braham , Louis Wain , etc .
Mr. Arthur Dillon has in preparation a revised
version of an earlier romantic play , written in the
Elizabethan manner . But this will not appear for
the present . His next book
will follow “ Leto
Suppliant ” in conforming to the attic model ; and
«

November

A
.D

published

Knowledge

Psychical Research

,

T , Werner Laurie . “ Tales from
the Woods and
Fields , " which Messrs. Wells Gardner , Darton &amp;
Co . publish , is a Nature story - book for children ,
consisting of a series of stories of English animal
plot , or
story containing
a definite
life , each
adventure , into which is woven Nature knowledge
in a form
suitable to children . “ All about the
Man in the Moon " is a child 's picture toy -book ,
an original “ Nonsense ” book , dealing with the
adventures of the Man in the Moon in up - to - date
form .
It is illustrated by Mr. W . Tarrant and

illustrations

in

book is procurable from Messrs . Burnside ,
Booksellers , Blackheath , S. E .
Miss Gladys Davidson ' s new autumn books
include “ Two Hundred Opera
Plots, " “ Tales
from the Woods and Fields , " “ All about the Man
in the Moon , ” and “ Pinafore
Tales . "
The first
of these volumes contains detailed plots of 200
well-known operas, including all those performed
in London during recent years .
It is illustrated
by portraits of composers, and is published by Mr.

Polo
and

which comprises chapters
and tunny angling
The
convenient size and well printed
There are
addition
some dozen

.

The
Limited ,

.

III.

's .

William

“

to

be

VIII .

Henry

volume
paper

good

be

is, from

and

the guide

sea fishing

is
a “

that

trouting

'

II

second part

“

the earlier volume will recall that it gave the
story of the first 500 years ( 918 to 1414 ) , of the
reputed Manor of Old Court , Greenwich . Part
.
continues the story of this property for 167 years
under the Tudor and Stuart sovereigns of England ,

",

of

;

the Galerie Durand-Ruel , 16 Rue Laffitte , Paris .
The Rev. Dr. Lansdell has just issued Part II . of
his history of Princess Alfreda 's Charity . Readers

at

con

Rumney and
Rey
Italian Rivieras
Alps from
cycling
nolds
the Piedmontese
standpoint Eustace Reynolds Ball
concluding
chapter
with
Corsica
winter cycling resort
Rumney
responsible
Sarcella
the

“

Mr

a

new

to
a

novel by Olivia Ramsey , entitled “ Two
Men and a Governess , ” will shortly be published by
. John Long . This is Miss Ramsey 's sixth novel .
Mr. Wynford Dewhurst ' s pictures and crayon
drawings have been on exhibition during the month
A

for sport and pleasure and
tains chapters
Golf by Arthur
Brown
Eustace Reynolds Ball
Lawn Tennis
Motoring
Loveland
Williamson
Captain
Miller Cycling
the French

with the Riviera

“

Five Indian Stories . "
Her Majesty
the Queen
graciously accepted a copy of the first edition .

65

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Box

and Italian writers
Messrs Hugh Rees Ltd are
the publishers
Messrs Chatto
Windus have
the Press
by
Savoy
Costumes
Traditions and Songs
repro
Estella Canziani
illustrated with
pictures
ductions
the author and with many
line drawings
exhibition
the original
illustrations
Miss Canziani will
held
Messrs
Dowdeswells Galleries New Bond Street
beginning
the early part
this month
Theodora Wilson Wilson has just published
in

of

,

was
Colin

Wellington
his
rearranged
and
confined
finishing the Peninsular
Waterloo
Parts
and
carefully
War
The text and maps have been
revised and certain chapters have been rearranged
points touched
and attention
called
certain
upon
Belgian
recent publications
French
fourth edition
Campaigns
now

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Messrs
Putnam
Sons
America
Mystics
have just issued
Rudolf Steiner
work
the Renaissance
authorised translation
from the German
Bertram Keightley edited
Mr Max Gysi The mystics included are Meister
Eckhart
Tauler
Paracelsus
Jacob
Boehme
Giordano Bruno and others
Major General
Robinson has just published
and

in

2d

.

Japan
Diplomatic Life
Fourteen Years
Stray leaves from the Diary
Baroness Albert
Anethan
volume consisting
the diaries
the Baroness
Anethan widow
the late Baron
Extraordinary and
Envoy
Albert
Anethan
Minister Plenipotentiary
His Majesty the King
Japan
the Belgians
the Court
For
fifteen
sixteen years Baron
Anethan held this
position and during the whole
that period the
Baroness who
the authoress
several novels
day the events historical social
described day
and official
which she was taking part
The
Diary commences with her first day
the Far
East and deals with the stirring events
the
following years
the Japanese Chinese War the
tragedies
the Boxer trouble experiences
the

London
the Delhi Durbar Queen
graciously pleased
accept
copy
Fitzgerald
new book
The Tuppenny
The Theosophical Publishing Society

.

.
,

,

?
be ”

,

,

to

are

to

go

at

!

”

up
,

“
“

each

d

The

published

January
Nash
1912
the influences which moulded the
Queen
character and with those years
her
reign
from
1837
1841 which were
Her
late Majesty said the most unsatisfactory
her life
Just prior
Their Majesties departure
from
Eveleigh

of

.

at

in

on

Tyrrell has brought out two little
Colonial life for educated girls entitled
Why should our Girls
our Colonies
and
English Girls
They
Wake
had
from the writer
Hook Heath Woking price

of '

book

will deal with

.

is

of

.

university
Miss Eleanor

of

Victoria

Queen

a

.
F ,
.
.” A.

ses

in

et

-

of

of

&amp;

are

.

,

“

's

,

an

.

publishing
this
enlarged edition
English
month
Mr
Hedgecock
David Garrick
ames français
preparing
For the same firm Mr Hedgecock
study
Anglo French
another
relations
The
University
Birmingham
has appointed Mr
Hedgecock
Lecturer
French Literature
that

booklets

Mr

forthcoming

Jerrold

to

,

in an

two acts

.

.

M

and

Co
. in

Paul

,

Rosen

Messrs Stanley

French

to

,

"

“

a

",

de

by “

of

of

.

de

.

M

Rosen has authorised Mr Emanuel Moor
Wedding
the composer
Bells
make
opera
Krishna
dramatic poem written

Mrs Clare
Early Court

,

book

Frederic

.

a

.

.

of

the

.

of

copy

Lady
Wilkie Collins
Helier
Lord Russell
Killowen Edmund Clarence Stedman and Harold

's

of of

",

of

a

&amp;

.

.

of

,

is

,

Miss

-

,

.

Foreign Princes
Consorts
Ida Woodward
the publication
which we
group
historical
announced last month
studies
the lives and times
the two Tudor
foreign
and three Stuart Princesses who married
Royalties Messrs Methuen
Co are the publishers
Her Majesty the Queen has graciously accepted
“

Five English

be

can

by

,

,

57

particulars

further

whom

obtained

Rideing
long
Reminiscences
William
managing editor
spent
editorial career part
The North
American
Review
Mr Rideing
acquaintances
friends
and
have included
such
various people
Mr Gladstone Lord Wolseley
Boughton
James Payn George
Thomas
Bailey Aldrich
Mark Twain
Blackmore
Abbey
the late Marquis
Dufferin

.

be

of

.

of

,

. ,

,

,

,

,

.,

from

N

.W
., .

.

the patrons
Tickets may
obtained from the
Hon Sec Morality Play Society
Fellows Road

Cross work , the various travels and expeditions
the lovely interior of Japan , Court , official , and
religious functions, many no longer existing , and ,
above
the exciting
incidents
the Russo
Fully illustrated with photogravure
Japanese War
published by
and half tone illustrations
the book
Messrs Stanley Paul
Messrs Doubleday Page
will publish imme
Many Celebrities and few others
diately
Bundle
Red

E

is

-

for

of

Schleswig Holstein
president
Marie Louise
the committee
the play which includes Sir
Herbert Tree Sir Oliver Lodge Miss Ellen Terry
Sir Henry Wood
Sir Sidney Colvin
and
Dr
Vaughan Williams
Canterbury
The Archbishop
and the Bishops
London and Oxford are among

.

in

by

Princess

,

1

the afternoon

.

'

(

clock

in

3

of o

,

at

)

9

8

2

,
,

in

Mrs . Percy Dearmer has written a Christmas
mystery play , “ The Soul of the World ,” which is
to be produced in the great hall of the University of
London at the Imperial Institute , on the first two
Fridays and Saturdays
December
December

“

66

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the works
enthusiastic admirer who sees running through

study

,

version

an

English

of

's

John Kendall

M

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Thomas Hardy
volume published

,

Arthur
Miss Lillah

”,

8

of .

Mr

Paroles
Soldat
General Bruneau
treats the following subjects
Patrie
La
Guerre
Armée française
Armée nouvelle
Útopie des Milices
Jaurès
and
Mystères Païens
Maurice Bouchor treats
Naissance
Bouddha
Les yeux
Kounâla and
Les Mystères
Eleusis

a

and

.

,

Tree

.

in

.

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.

A

Herbert
George

we would strongly recommend
educationalists
Les Sociétés concessionnaires du Congo français
subject
depuis 1905
the title
book
topical interest

M

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in

at

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Mr

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,

in

at

of

cast includes

Pour former une âme
volume
Ghotzky translated
Valette Monod
which

de

of

,

,

'

.
I.
,

The

Bourchier
McCarthy

politique
intime
volume
Jean
Emile Faguet
The

vie

novel

“

,

Mr

.

political skit

at

"

a

,

Ganderland

by

.

in

"

Alice

Laurence Housman was produced
the Lyceum
Theatre last month
under the auspices
the
Actresses
Franchise League
All the political
parties are represented
the play
Alice repre
senting Woman Suffrage an unwelcome guest at
the tea party finally clears
the tea table and
triuniphs completely
Miss
Eva Moore Mr
Fay with many others
Ernest Thesiger and Mr
took part
the performance
Zangwill
play
Mr
The War God
was
produced
His Majesty
Theatre
November
The scene
the play
laid
the State
shaping
Gothia and various influences
work
the destinies
that State are typified
the play

of

at

of

in

,

the houses

Genlis
the title

preface
Harmand with
author has compiled this work with the help
many hitherto unpublished documents
Les Noyades
Nantes
another
the
interesting historical studies
Lenotre
Les Hommes
Lettres
XVIII siècle
Maurice Pellisson
curious study
the literary
men
that time
Guy Chanlepleure
Passagère
latest

“

,

at

.

a

of

at

it

,

each

1830

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Hippodrome the casts

being distinct

next year
Colline

La

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,

,

in

,

.

,

,

DRAMATIC
play
Barrie
The Twelve Pound
enjoyed the
Look
has during the past month
rare luxury
double
run
Besides being
produced
matinée performances
the Little
heatre
has been performed twice daily
the

Mr

Madame

1746

La

,

,

of

a

of

.

.

.

B

M

Blackwell
Oxford
will publish
volume
Sonnets by Isidore Ascher
many
which have appeared
The Westminster
Gazette
The Evening
News Public Opinion The
Academy and other papers
shortly

entitled

Les Amities
Lamartine
volume pub
lished
Léon Seché containing some hitherto
unpublished documents relating
Vignet
Louis
Canonge Marianne Elisa Birch and
Eléonore
Caroline Angebert
The book
illustrated with
portraits
“

A

with

for publication

The novel announced
Maurice Barrès
inspirée

by

—

a

,

dealing

has commenced
new
novel
Les Dieux ont soif
serial
the Revue
Paris
Envers
Décor
the title
Paul
Bourget
new book
volume
short stories

. La of

.

.

“

,

interest

real life

NATOLE FRANCE

.

-

of

.

.

&amp;

.

human

from

.

Mr

W

,

.

E

of

by

characters drawn

Co

.

&amp;

.

.

.

story

a

",

Alley

&amp;

Messrs
Novello
Co and Messrs
Co are the publishers
Digby Long
Messrs
are bringing out
new novel
Savi entitled
Blind
Somerset

Simpkin

PARIS NOTES

six

,

,

.

be

,

,

—

in

of

-

,

in by

.

introduction and notes
The volume
contain twenty one carols
collected
the
editor
the course
the last few years
different counties
Somerset
Worcestershire
Shropshire
Cambridgeshire
Gloucestershire
and
printed and bound
Kent
The book will
uniform with the Five Series
Folk Songs from

will

“

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-

,

.

of

ment and

.

German

de Caillavet and Robert
at the Playhouse on
November 4 . Mr. Cyril Maude , Mr. Sam Sothern
and Miss Alexandra Carlisle are in the cast .
A new
version of Dumas ' novel , “ The Three
Musketeers , ” by Arthur Shirley and Ben Landeck ,
produced
was
at the Lyceum
Theatre
on
November 8 . Mr. Austin Milroy , Mr. Lauderdale
Maitland , Miss Ethel Warwick and Miss Mary
Dibley
the cast
in

version of the play , which is a very
original , has
from
the English
been prepared by Mr. A . H . Quaritsch .
It is also
to be produced in Vienna immediately .
preparation
Mr Cecil Sharp has
collection
English Folk Carols with pianoforte accompani

The

close adaptation

play “ Papa ," by Armand
Flers , was produced

de

are

“ Five of them ” — for children . Messrs . Blackie &amp;
Son . She is busy completing a new children ' s story ,
for publication next year , and is about to publish
a story in Chambers ' s Journal .
Under the title of " Coeur As,” “ The Scarlet
Pimpernel ” has just been produced in Berlin .

67

�THE AUTHOR .

68
the creations of this novelist, “
substantial philosophical system

a

UNITED STATES

wider and more
that of any

other English novelist .”
This judgment will probably surprise the author
himself, but the writer of the volume is certainly to
congratulated
be
on having placed before
the
French public so comprehensive a résumé of the
works of an English anthor greatly appreciated in
France .
The following novels by Thomas Hardy

( SEC . 7) — SUBJECTS - CLASSIFI
- DRAMATICO -MUSICAL
COMPOSITION .
A sketch , consisting of a series of recitations and
songs, with a very little dialogue and action ,
and with scenery , and lights thrown upon the
singer , is a dramatico -musical composition
within the provisions of the copyright law .
CATION

2 . COPYRIGHTS
CATION .

,

.

a

a

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"
(

et

the Vaudeville
and not
dramatic composi
tion
within the meaning
the copyright law
1969 act Mar
1909 chap 320
Stat
Comp
Supp 1909
1075
1289
There
much force
this contention
The work
essentially
series
recitations and songs
sung
recited
the same person dressed
sketch

,

”
(

).

"
(

du

depuis

.)

(

'

"
(

,

of

).

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).

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(

un

'

d

“ " "

.
(

“ “ "

Pierre Lafitte
Fischbacher
Les Sociétés concessionnaires
Congo français
1905
Bernard Grasset
Paroles
Soldat
Henri Charles Lavauzelle
Thomas Hardy Penseur
Artist
Hachette
Mystères Païens
Flammarion

the

musical composition

(

de

”
). ( ).
au

de

"
(

"
(

de

Passagère

Pour former une âme

).

La ).

Les Amities
Lamartine
Mercure
France
Madame
Genlis
Perrin
Les Noyades de Nantes
Perrin
Les Hommes
Lettres
XVIITe siècle
Armand

Colin

to

a

of

Plon

"
(

du

Décor

de

'

“ “ “ “ “
L

Envers

a

.

,

HALLARD

m

the Odéon at present .

equity
Suit
Irene Franklin Green and
others against Edna Luby
Heard
motion
for
temporary injunction
Granted
Noyes circuit judge
application for
This
preliminary injunction
restrain the defendant
alleged copyrighted song
from publicly singing
Bringing
entitled
the Family
which
part
song
alleged was written
number
copyrighted dramatic sketch
entitled
The
Queen
the Vaudeville
The defendant contends
the first place that

,

put

publicly present
COPYRIGHTS
SEC
INFRINGEMENT
WHAT CONSTITUTES
Where one sings
entire copyrighted song with
guilty
musical accompaniment
she
infringement
though she purports merely
mimic another

I'

being

on at the same time in some of the other theatres .
“ David Copperfield ” is having equal success at

right

is

18 decidedly more wholesome than those

a

at this

Dickens is very much in favour at present in
Paris .
An excellent translation , entitled “ Mr. Pick
wick , ” has been made by Georges Duval . The
volume contains twenty - five coloured illustrations
by Frank Reynolds .
The Pickwick play has had great success , and
M . Abel Deval is to be congratulated , as the piece

in

,

.

an
Programme

interest

ALYS

,

C. Ferrand

le

“

be read

.

it

will

M

sur
with

giving
drama and Subdivision
perform
the exclusive right
the copyrighted
work publicly for profit
musical com
position the holder
copyright
song
constituting
part
dramatic sketch and
those claiming under
have the exclusive

.

“ Reflexions

publicly

4

entitled
naval, ” which
time.

perform

In

italien , " and

' Impérialisme

CLASSIFI

_

giving the
section
Subdivision
copyright the exclusive right
represent the copyrighted
work

a

L

article

of ])

.

M

on
“ L 'Accord
Bellessort on “ Ferdinand Brunetière .”
M . Victor du Bled also writes on “ L ' Académie
français depuis 1789 " ; M . George Grosjean on
"

.,

35

1289
holder

. Gabriel Hanotaux writes
franco - allemand , "
and André

In the same Revue

,

. .

an

.

3

tells us of a case which came under his notice of a
young girl with three distinct personalities . If the
writer of the book were not a savant , the volume
would certainly have success as a sensational novel ,
so curious are the episodes .

.p 35

.

320

p

M

VALIDITY

—

Act Mar
1909
Comp
Stat
1076
providing that
1909
1291
section
error
classification shall not invalidate
copyright the classification
dramatico
musical composition
dramatic composition
does not affect the validity
the copyright
COPYRIGHTS
SEC 42
NATURE
RIGHTS
ACQUIRED
Under copyright law act Mar
1909 chap 320
Comp
Supp
Stat 1075
1909
chap
Supp

Chaumeix draws
our attention to a most extraordinary book entitled
“ Etude biographique de pathologique ,” by Morton
Prince , M . D ., LL . D . , specialist in nervous diseases
of the Boston hospitals .
The theme of the work
is the dissociation
of a personality . The author
Revue

copyright

Under

Tree .”

or

In the

(SEC . 7)
law

translated , and are well known here :
Far from the Madding Crowd . ” “ Tess o' the
d 'Urbervilles , " “ Jude the Obscure , ” and “ Under

“

hebdomadaire ,

CASE .

1 . COPYRIGHTS

have been

the Greenwood

LAW

than

�THE AUTHOR .

,

$
2

,

,

, of
a as

of

in

an

be held that the com
injunction
the
to

it

for

.

did

by

in

,

,

-

.

Luby

,

]

.)

–

(

21

December
287 288

.pp.

of

district
New York
Federal Reporter

southern
1909 177

,

Circuit court

.

.

(

Green

v

et

al
.

.

final decree

,

)

case

not entitled

are

in

,

.

a

in

or

(

.

5

an

.

its

in

as
a

”

of

-

plainants

in

.

,

is

I

“

.

.

a

as
a

the defendant

CONYENTION

-

,

SECOND PAN AMERICAN
.

1902

as

.

of

validity
such copyright
Regarding then the sketch

to do

is

as

I

,

of

as
a

-

-

a

of

question
number
the sketch
was copyrighted
the complainant Feist
musical composition
before the copyright
the sketch and
not
understand that any question
raised
the
by

the copyrighted song was sung . Green
v. Minzen
sheimer
(decided by this court Mar . 19 , 1909 ),
177 Fed . , 286 , is distinguishable
in that in that
case the defendant
imitated
the singer without
musical accompaniment , and the testimony as to
just what she
was not clear
preliminary injunction may issue
prayed
upon the filing
the complainants
bond with
sufficient surety
the sum
000 conditioned
that the complainants pay all damages sustained by
A

.

,

is

,

different costumes . The action and dialogue in
addition thereto are hardly sufficient to make a
dramatic composition . Still the work is something
more than a mere musical composition . The singer
dresses
in
costumes
to represent the different
characters. There is very little dialogue or “ patter , ”
the latter being apparently the professional term
There
also very little action
The singer gets
scenery and lights are
out of
cradle
There
thrown upon the singer
think the sketch may
fairly be classified
dramatico musical com
position within the meaning
the copyright act
But the fact that the sketch was improperly
taking out
classified
dramatic composition
validity
the copyright would not affect
The
copyright law expressly provides sec
that
impair
error
classification shall not invalidate
copyright Moreover the particular song

69

a

,

ON

.

. 31
, .

,

27

,

16

,

by

,

,

by of

at

.

,

31

.

9

,

, of

of

of

be
a

it

January
the City
Mexico
1902
Ratification
the Senate January
advised
1908
Ratified
the President March
1908
Ratification
the United States deposited with
the Government
Mexico March
1908
April
Proclaimed
1908

.

on

.

A

of

a

, , , ,

,

,

and Artistic

Copyrights

.

Literary

:

,

as

follows

be

other
to

to

each
Who after having communicated
their respective full powers and found them

,

is

,

.,

25

.

C

of -

in

.

.

in (C

v

.

a

Convention

on

of

,

of

at

of

by

,

,

,

,

,

, ,
,

,

,

,

. is

;

word for word
on

it

to

,

's

is
for

,

it is

if

;

is

a

,

a

if

a

to

Literary and Artistic

the United States
America
Colombia
Bolivia
and the Argentine Republic
Republic
Costa Rica
Chile
the
Dominican
Ecuador
Salvador
Guatemala
Haiti Honduras
Mexico Nicaragua Paraguay Peru and Uruguay
was concluded and signed
their respective
Plenipotentiaries
the City
Mexico
the
twenty seventh day
January
one thousand nine
hundred and two the original
which Convention
being
the English Spanish and French languages

,

.

to

am

,

a

a

of

”,

.

I

;

be

to

of

of

"

some words are abso
shown without words and
lutely necessary still whole song hardly required
required
and
whole song
not too much
impersona
say that the imitator should select
singer singing something else than
tion
copyrighted
song
dis
977
Fed
Nixon
Bloom
tinguishable
that
that case the chorus only

Convention

-

,

to

as

to

in

to

,

,

is

the important thing the
the mere incident
But
not
singer
order
imitate
copyrighted song
sing the whole
necessary
the artist impersonated
The mannerisms
the defendant brief may be
use the language
said

PROCLAMATION

between

in

.

of

,

,

,

The mimicry
particular song
satisfied that

Whereas
Copyrights

is

,

to

so

Irene Franklin Green
She contends that she gives
impersonations
various singers including said
complainant
and
incidental
such impersona
sing
tions sings the songs they are accustomed

UNITED STATES

THE

AMERICA

OF

PRESIDENT

.

THE

OF

BY

,

is

of

.

to

to

is

.”

It

,
if

“

to

.

E

it

to

publicly perform
Subdivision
gives the exclusive right
perform
the copyrighted work publicly for profit
musical composition
not disputed that the
complainants Green have the right
produce the
song under the copyright
the complainant Feist
infringement
The next question
one
The
defendant admits that she sings the copyrighted
song
with musical accompaniment
but she says
merely
that she does
mimic the complainant
said section

COPYRIGHTS
Signed

,

a

,

right

THE UNITED STATES AND
LITERARY AND ARTISTIC

CONVENTION BETWEEN
OTHER POWERS

.

“

as

,

.” or

a

if

to 1

of

D

.

it

of to

,

,

dramatic com
position the complainants have the exclusive right
publicly present
Subdivision
section
the copyright law gives the exclusive right
represent the copyrighted work publicly
perform
drama
And regarding the song
musical
composition
the complainants have the exclusive

�THE AUTHOR .

as

to

,

of

be

of of

,

or

, of

,

at

of

.

is

a

in

of

as

be

,

of

in

of

its of

be

as

be

.

of

,

as

,

,

or

to

no

.

as

of

,

in

,

of

are

be

.

of

if be
it

or

in

.

be in

,

to

art
.

in

,

of

in

,

or

of

in

or

.

in

be

,

,

,

,

,

be

no of

in

or

or

of

to

of

.

in

all

of

.

be

,

an

of

,

or

.

12TH

.

an

,

of

,

or

of

or

,

original work

, of in

,

to

or

or

,

in

be

.

as

It an

by

or

shall

unlawful

an

to

,

.

a

by

,

.

,

,

be

of
in

in

the State

of

. of

All unauthorized indirect use
artistic work which does not present
original work shall
the character
considered
unlawful reproduction
ART

literary

considered
the same manner
any form
reproduce
entire
work
the greater part
the same accompanied
notes
commentaries
under the pretext
literary criticism
enlargement
complement

the respective certificate
right
the author may

accompanied

,

of

.

its

or

or

of

or

.

if

.

,

or ,
,
7th

.

publications
ART 11TH
The reproduction
public instruction
chrestomathy
devoted
fragments
literary
artistic works confers
right
property and may therefore
freely made
the signatory countries

copy
order that the copy
recognized
them
Any omissions which the said Department may
incur
this respect shall not give the author
any rights
present claims against
his assigns

,

amung those countries

by

.

of

,

of

to

to

in

of

,

,

or

be

,

of

he

a

ART
10TH
Addresses delivered
read
deliberative assemblies before the Courts
Justice
public meetings may
published
and
the
newspaper press without any special authorization

a

.

If

the author
his assigns should desire that
recognized
any other
his copyright
the
signatory countries he shall attach
his petition
copies
number
his work equal
that
may therein designate
the countries
The said
Department shall distribute the copies mentioned

protected

mentioned
and the name
the
should appear
the same
Copyright shall
recognized
acknowledged
favour
the persons whose names
pseudonymns are stated
the respective literary
artistic work
the petition
which
4th
proof
this Convention refers excepting case
the contrary

. .

in

of

, of

,

proper

taken must
author given
ART 9TH

.

in

.

in

to

the

Lawful translations shall

original works
the same manner
The trans
regard
lators
works
which there exists
guaranteed right
property
the right
which
may have become extinguished
may secure the
right
property for their translations
estab
lished
art 3rd but they shall not prevent the
publication
their translations
the same work
repro
Newspaper articles may
ART 8TH
duced
but the publication
from
which they

. of .

,

or

of

to

is

of

a

to

,

or it

, to

a

his of

In

.

or

,

remain

establish the shortest period
considered
the country

. ,

of

to

to

,

to

,

or

to

,

,

or ,

.

,

.

,

copies

his work
said
Department

ART

.

of , ,

or

to

,

The authors belonging
one
the signatory
countries
their assigns shall enjoy
the other
signatory countries and for the time stipulated
art 5th the exclusive right
translate their
authorize their translation
works
ART 4TH
order
obtain the recognition
indispensable that
the copyright
work
assigns
legitimate representa
the anthor
petition
tive shall address
the official Depart
ment which
each
Government may designate
claiming the recognition
right which
such
petition must be accompanied by two copies

one whose laws
protection shall
origin

of

,

;

by

.

,

its

.

partially

The country
which
work
first
its
shall
considered
the country
such publication
takes place simul
several
the signatory countries the

published
origin
taneously

in of

;

or ,

;

in

.

in

to

or

,

to

in

.

or

be

,

architecture
every production

or

to

geography
geology topography
any other science
and finally
the literary and artistic field
published
any method
which may
impression
reproduction
literary
ART 3RD
The copyright
artistic
dispose
work consists
the exclusive right
publish sell and translate the same
the same
reproduce
authorize
translation
and
any manner
the same
either entirely
or

works relating

6TH

, ,

,

,

,

,

,

,

,

;

or

works
dramatic
melodramatic
choral music and musical compositions
with
without words designs drawings paintings sculp
ture engravings photographic works astronomical
and geographical globes plans sketches and plastic

ART

.

- or ; of

be

their pages

instalment

bulletin

of

no

,

of

of

they

.

manuscripts

all kinds
matter what subject
may treat
and what may
the number

pamphlets

which are not published
the same time
well
publications
for bulletins
instalments
literary
private parties
scientific societies
property shall commence
the term
counted
from the date
the publication
each volume

in

Literary and

,

“

term
are comprised books

,

.

Under the

”,

.

ART 2ND
Artistic works

, to their own citizens , but such right
shall not exceed the term of protection granted in
origin
the country of
For the works composed
several volumes

may grant

.

.

,

in

of

of

a

of

Presidents
ragua and Paraguay , who act “ ad referendum , "
have agreed to celebrate a Convention on literary
and artistic copyrights , in the following terms :
ART . 1st . The signatory States constitute them
recognizing
selves into
Union for the purpose
literary and artistic
and protecting the rights
property
conformity with the stipulations
the present Convention

ART . 5TH . The authors who belong to one of
countries , or their assigns , shall
the signatory
enjoy in the other countries the rights which their
respective laws at present grant , or in the future

as

presented

those

in

excepting

of Their Excellencies the
of the United States of America , Nica -

of or

,

in due and proper form

by the representatives

to

70

�THE AUTHOR .
of

;

31
,

I,

to

be of

of

by

be

to

.

,

of

of

I

of .

,

,

of

of

of of

]

AL

(

)

it,

the one hundred

thirty

and

.

THEODORE

ROOSEVELT

:

.

be .

,

Secretary

State

of

,

.

, .

.

it

.

as

so

in

Washington
the year

By the President
ELIHU Root

to

of

is

of

of

all

,

to

it

in

it

be

,

,

.

.

April

America
second

has given
ART 1674 The Governments
the signatory
States
when approving
the present Convention
shall declare whether they accept the adherence

which

on

, of

by

,

,

this ninth day
our Lord one
thousand nine hundred
and eight and
the Independence
the United States

15TH

SPA

affixed

the City

have hereunto set my
the United States

of

The present Convention shall take
effect between the signatory States that ratify
three months from the day they communicate their
the Mexican Government and shall
ratification
remain
force among
them
until one year
said States
denounced by any
from the date
such denouncement shall
The notification
addressed
the Mexican Government and shall
only have effect
regards the country
far

ART

America
Done

in

.

such

,

exercise

be

power

have

of

shall

the citizens thereof
testimony whereof
hand and caused the seal
at to

authorities

right

to

,

in

to

-

pro

exercise vigilance over , or prohibit , the circulation ,
representation and exposition of any work or
respect
duction
which
the competent

And whereas the ratification
the said Con
vention
the United States was deposited with
the Government
Mexico
March
1908
Now therefore
known that
THEODORE
ROOSEVELT
President
the United
States
America
have caused the said Convention
made public
the end that the same and every
article and clause thereof may
observed and
the United States and
fulfilled with good faith
In

ART . 13TH . All fraudulent works shall be liable
in the signatory countries in which
the original work may have the right of legal pro tection , without prejudice to the indemnities
or
punishments , to which the falsifiers may be liable
according to the laws of the country , in which the
frand has been committed .
ART . 14TH . Each one of the Governments of the
signatory countries shall remain at liberty to permit ,
to sequestration

.

by

to

MAGAZINE CONTENTS

in

no

repre
the same
the nations who have had
sentation
the Second International American
Conference
testimony whereof the Plenipotentiaries
and
Delegates sign the present Convention
and set

,

.

.
D
.

.

.

.

By

.
.

C

Bensor

.

.

:

of

.

's

Arthur

Kipling

Rudyard

FORTNIGHTLY REVIEW

By

to

so

By

At

C
.
L
.

.

.

. .

.

.

:

.

L

.

By

. .

NINETEENTH CENTURY
Margaret
allt
Woods

-yr

Tan

.

.
G
.

A

of

at

*

Shelley

By
H

.

:

.

at

of

to

its

by

Progress

Mr

“

is

it

,

the Plough

Death
Maurice Maeterlinck
By Herbert Trench
Bitter Serenade
Poem
The Contemporary
Novel
Wells
By Charles McEvoy
The Law
Audiences

.

,

in

be

,

of

,
D
.
D
.,

.

.

,

be

,

of

the Sign
Graves
The Pilgrim

that certi
order
send
the signatory

provided
And whereas
Article XV
that the said Convention
shall take effect between
the signatory States that ratify
three months
from the day they communicate
their ratifications
the Mexican Govennment
And whereas the said Convention
has been
by Guatemala
ratified
Salvador
Costa
Rica
Honduras and Nicaragua and their ratifications
were deposited with the Government
Mexico
respectively
May
follows April
1902

Litt

CORNHILL MAGAZINE

,

in

in

the Mexican United States
fied copies thereof may
made
them through thediplomaticchannel
States

.

.

in

The Three Bensons
James Moffatt
By Thomas Seccombe

Mr Pitt

on

of

in

of

Made
the City
Mexico
the twenty
January nineteen hundred and two
serenth day
Spanish
English and
three copies written
deposited
French respectively which shaīl
the
Department
Foreign Relations
the Govern

ment

By

Second

.

the

and Selden

Ben Jonson

BOOKMAN

.

. of

In

the Seal
thereto
American Conference

International

:

.

's

BLACKWOOD

Sport
Fiction
Musings Without Method

00 0 .

67

...
0O

F
.

J.

addressed

to

per cent.

for 0 6
.

£4

.. .. ..
. . .
13
100 0

20

.

All letters respecting Advertisementsshould
BELMONT
Paternoster Square London
,

of
25

Six

of

and

,
E be
.C
.

for
a

,

.. .. ..
. . .

.. "
. .

TO
..
.

of
20

a of
a

a

PER CENT

per inch

per centmade
Series
TwelveInsertions.

Co
.,
29
,

and

&amp;

,

;

(

,

Reduction

of

;

1904

MEMBERS OF THE SOCIETY

19

,

,

25

,

July

4

1903

;

; 28
,

1904

:

as

August

June

13
,

;

1902

ALLOWANCE

Front Page
Other Pages
Page
Half of
Page
Quarter
Eighth of Page
Single Column Adverti sements

,

,

,

”

;

to

it,

SCALE FOR ADVERTISEMENTS

�THE AUTHOR .

72
HOW

TO

USE

THE SOCIETY .

obtained . But the transaction
should
be managed by a
competent agent , or with the advice of the Secretary
of
the Society .

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher , or any dispute arising in the conduct of his
of his property . The
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
counsel ' s opinion without
deem it desirable , will obtain
any cost to the member . Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
1.

TD

VERY

2. Remember that questions connected with copyright
experi .
and publishers ' agreements do not fall within the
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
3. Before
the document

signing

any agreement whatever , send

to the Society for examination ,

4. Remember always that in belonging

to the Society
you
you are fighting the battles of other writers , even
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .

if

6. The Committee have arranged for the reception
of
members ' agreements and their preservation
in a fire
proof safe .
The agreements will , of course , be regarded as
confidential
documents to be read only by the Secretary ,
keep
who will
the key of the safe .
The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
(2) To keep agreements .
(3) To enforce
payments due according to agreements . Fuller particu
workj
Society
iars of the
's
can be obtained in the

Prospectus .

6 . No contract should be entered into with a literary
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
consideration
the contracts with publishers submitted
to
them by literary agents , and are recommended to submit
them for interpretation
and explanation
to the Secretary
of the Society .

7. Many agents neglect to stamp agreements .
must be done within fourteen days of first execution .
Secretary will undertake it on behalf of members .

This
The

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; so
do some publishers . Members can make their own
deductions and act accordingly ,
9. The subscription to the Society is 21 18. per
annum , or £10 108. for life membership .

WARNINGS

TO

OF

ul

THE PRODUCERS
BOOKS .

III

. The Royalty System .
This is perhaps , with certain limitations, the best form
of agreement . It is above all things necessary to know
proposed royalty
rovalta means to both sides.
what
what the
the proposed
It is 20 %
possible for an author to ascertain
approximately the
truth . From time to time very important figures connected
with royalties are published in The Author .
IY .
The
(1.)
( 2.)
(3.)

Agreement .
A Commission
main points are
Be careful to obtain a fair cost of production
Keep control of the advertisements .
Keep control of the sale price of the book .

:

are a few standing rules to be observed in an
agreement .
There are four methods of dealing
with literary property

:

price

can be

.

General .
All other forms of agreement are combinations

of the four
above mentioned .
Such combinations are generally disastrous to the author ,
Never sign any agreement without competent advice from
the Secretary of the Society .
Stamp all agreements with the Inland Revenue stamp.
Avoid agreements by letter if possible .
The main points which the Society has always demanded
from the outset are
( 1.) That both sides shall know what an agreement
means .
( 2.) The inspection of those account books which belong
to the author . " We are advised that this is a right , in the
nature of a common law right , which cannot be denied or
withheld .

:

(3. ) Always avoid

WARNINGS

a transfer

TO

EVER

of copyright

.

DRAMATIC AUTHORS .

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com .
petent legal authority .
2. It is well to be extremely careful in negotiating
for
the production of a play with any one except an established
manager .
3. There are three forms of dramatic contract for plays
in three or more acts
(a .) Sale outright of the performing right .
This
is unsatisfactory .
An author who enters into
such a contract should stipulate in the contract
for production of the piece by a certain date
of his name on the
and for proper publication
play - bills ,
N

:

CERE

1. Selling it Outright .
This is sometimes satisfactory , if a proper

II

. A Profit - Sharing Agreement (a bad form of
agreement ) .
In this case the following rules should be attended to :
( 1. ) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation .
( 2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments .
Therefore keep control of the advertisements .
(3.) Not to allow a special charge for “ office expenses ,"
unless the same allowance is made to the author .
(4.) Not to give up American , Colonial , or Continental
rights .
rights .
(5 . ) Not to give up serial or translation
(6.) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or
doctor !

�THE AUTHOR

-

.

,

.

or

's

to

.

.
in

,

is

it

,

of

. .

of

REMITTANCES

.

.

.

of

to

of
by

be

,

Lane

or

be

Chancery

give notice
post
return
London and
registered
sent
by

of

Smiths Bank
letter only

,

the same
charged for

the Society begs
The Secretary
that all remittances are acknowledged
crossed Union
All remittonces should
.

.

of

be
to

play will

. be

by
a .

.

is

,

,

.

,

is

, on

filed subject

on

of

is

by

greatly

as of
a
its

of

will

its

branch

to

.

23
.
6d
.

of

at

,

a be

Original Plays may also
rules with the exception that
per act
the price

.

in

'

BRANCH

this
assist the Society
informing young writers
work
read and
can
Their MSS
existence
composition
The term
coach
treated
treated
only
but poetry
works
fiction
MSS includes not
possible
under
and dramatic works and when
The
special arrangement
technical and scientific works
experience
competence
The
and
Readers are writers
one guinea
fee

EMBERS

or
a

of

at
a

to

of

be

in

.

be

be

a

byof

of

to

,

in

foolscap paper
duplicate
typewritten
the Society together with
the offices
forwarded
registration
two shillings and sixpence will
fee
qualified assis
carefully compared
the Secretary
stamped and returned
the author
One copy will
tant
Copies
the Society
the register
and the other filed
obtained at any time by
the scenario thus filed may
typing
cover cost
small charge
the author only

CENARIOS

6d

of

to

its

READING

THE

,

.

PLAYS

MUSIC

stamp copies
music
The Society andertakes
part
per 100
members for the fee
behalf
the Society
The members stamps are kept
100
The musical publishers communicate direct with the
safe
the
Secretary
then forwarded
and the voucher
unnecessary trouble
members who are thus saved much

V

SCENARIOS AND

REGISTRATION OF
ORIGINAL

.

.

for

ITTLE

STAMPING

M

is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

can be added to the warnings given for the
assistance of producers of books and dramatic
It must , however , be pointed out that , as
authors .
&amp; rule, the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan .
literary and dramatic
cial terms than those obtained
property
The musical composer has very often the two
right
performing
He
rights
and copyright
deal with
especially careful therefore when entering into
should
particular
consideration
agreement and should take into
the warnings stated above
T
1

to

be carefully
should
for collaboration
9. Agreements
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
great risk of
is highly speculative : that he runs a very
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
object
is exceedingly limited , and that for a novice the first

MUSICAL COMPOSERS .

TO

be

print the book of the words.
8. Never forget that United States rights may be exceed
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
consideration ,

WARNINGS

of

rights in a
7. Authors should remember that performing
copyright.
A manager
play are distinct from literary
holding the performing right or licence to perform cannot

.

rights can
5 . Authors should remember that performing
be limited , and are usually limited , by town , country , and
time. This is most important .
rights , but
performing
6. Authors should not assign
should grant a licence to perform . The legal distinction
is of great importance ,

, ,

one act are often sold outright , but it is
a small nightly fee if possible , and a sum
of such fees in any event . It is extremely
the amateur rights of one -act plays should

an

also in this case.

4. Plays in
better to obtain
paid in advance
important that
be reserved .

authors should seek the advice of the
Society
before putting plays into the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual
on the author ' s fees
claim to a percentage
from it. As far as the placing of plays is concerned ,
general
rule that there are only
it may be taken as a
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself . The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
different
with
action of frequent petty authorisations
of fees in foreign
individuals , and also for the collection
agents ; and
countries , almost all dramatic authors employ
in these ways the services of agents are real and valuable .
agents who profess
But the Society warns authors against
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author 's rights . In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

RAMATIC

of

other

AND AGENTS .

AUTHORS

DRAMATIC

.

( 6.) Sale of performing right or of a licence to
perform
on the basis of percentages on
vary between
Percentages
5
gross receipts .
a
and 15 per cent . An author should obtain
receipts
gross
sliding
scale of
percentage on the
system . Should
in preference to the American
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
Sale of performing right or of a licence to
,
perform
on the basis of royalties ( i.e. fixed
nightly fees ) . This method should be always
the fees are
avoided except in cases where
likely to be small or difficult to collect . The
safeguards set out under heading (6.) apply

73

.

�THE AUTHOR .

74

GENERAL NOTES .
INTERNATIONAL

.

COPYRIGHT

We desire to draw
attention on another
page of this issue to the Convention
between
the United States and South America under the
Pan -American Convention .
This shows how far
reaching International copyright has become. It
•
It
would be worth while to consider whether
the
Government could not make arrangements to join
South
America in their Convention , or to come to
some agreement with the separate States , for there
is a large sale of cheap English copyright books
going on there . Next month we hope to publish a

fee .
Under this labour- saving arrangement the
author usually pays 50 per cent . to the publisher ,
and not infrequently 15 per cent . in addition to the
agent .

,

in

,

.

as

as to

.

,

,

as

,

of

of

.

of

One arises out

of

Court

.

on

an

set

to

to

of of

,

a

,

.

of

's

.

M

of

a

,

in

to

at

It

.

the recent South American
the French actor Guitry
would seem
agreement was
that before the company
sail
pay certain French
arrived
dramatists
plays produced
the Argentine Republic with
which France has recently concluded
convention
Guitry
manager
pay the
and the refusal
royalties forms the ground
the action
The
very different kind but
second case
con
siderable importance
raises
the question
the
right
put upon the stage characters
author
tour

,
of

in

in

,

Society

an

, .

,

-

,
of

is

It

.

to

,

of

a

the Westminster Gazette that the
Authors has two important legal
will shortly come before the French

see from

which

cases

LEGAL CASES

of

do

to

of

in

for in

to

We

French

of

,

is

is

he

,

,

to
a

's

of

,

.

of

it

,

of

a

was fully explained
the article published
October
the agent has adopted labour saving
binding the unfortunate
devices which consist
publisher
author
series
books and
giving the publisher the absolute right
handle
the serial and minor rights
course
the
agent
place them for the usual agency
business
as

.

,

on

of

of

FRENCH

in

,

of

to

handling the work
prominent writers
the middle author who suffers most and
is

But

it

when

if

of

,

,

in

of

From
careful perusal
these letters
does seem
clear that some
the more drastic criticisms
the
article published
October were justified
That
the authors with established reputations and wide
markets are satisfied with their agents
natural
man
business necessarily
for the agent being
seeks
obtain the largest profits with the least
expenditure
trouble and this
able
a

to

wo

to

is

, It

.

circulation
libraries for loan
distinct
purchase
The experiences
other members
the society
interesting
would
and
there are any sugges
tions by which the practice could be stopped
doubt the Committee
the Society
Authors
ready
would
consider them
their

from

be

.
icomoond

on we

inin

„

AGENTS
the Noromhon

the November issue and
publish also
the current issue correspondence
the question
Authors and Agents and would
gladly publish more letters
the same subject

to

,

by ,

,

is

it

of ,

supplement
their
they have reviewed
true that the
which
stamp these copies thus preventing
publishers
them
from coming
into competition with the sales
the new books by individual booksellers but the
fact that the copies are stamped does not preclude

be

LITERARY
Wished
published

WE

to

be

,

of

to

is
,

of

know how
copies
reviewers are
that they naturally seek
selling
earnings
the books

by

is

to

as

.

,

at

.

difficult

review

.

,

's

.

to

,

to

.

of

to

on

the same time

so

-

to

is an

repeat Mr Raleigh
information
are pleased
that the London County Council has granted double
certain music halls which have applied
licences
for them
This
least
will show that the
absurdity
becoming
the present conditions
patent
the officials who have
administer the
law
this subject

At

this sale
avoid
often
sweated

of

,

on

to

0

.
P
.

at

.

in

to

,

its

,

.

of

glad
dramatists will
notice the remarks
Sunday
Club
the
Mr Cecil Raleigh
November 12th and will have noted the work which
the society through
dramatic sub committee has
put
the sketch
end
order
undertaken
Though the matter
not entirely settled
trouble

we

is

of

QUESTION

.

SKETCH
be

THE

ALL

no

bas

:

in

the President

We have had a letter from a correspondent who
calls
calls our attention to the following facts
He is a subscriber to one of the big subscription
libraries, and quite recently , in applying for books .
received copies containing
the words “ compli
mentary copy " written across the page .
In one
case the slip indicating
the publisher 's desire
for a review ( evidently left there by the reviewer )
was found wbilst
another the reviewer had even
left his review
the book possibly for the benefit
the library subscribers
copies
very serious for
This sale
review
many
the author
Some publishers send out
100 copies
each book for review and that the
copies bearing royalty should
cut down
sale
say the least scarcely pleasing
this extent
,

which

COPIES .

REVIEW

of

countries
issued his Proclamation

to

list of

.

all

special

�THE AUTHOR .
'

day s work an agent can place a dozen books on a
per cent . royalty , he stands to get
ten or fifteen

.

on is

.,

in

.

him

.

be

,

or

go

a

he

or

is

or to

of
it,

or

to

,
if

,

,

to

.

it

)

a

of

(

I

to

,

.

is

on

a

,

To

of

a

to

to

is

it

to

he

by
it, if

is

,

for
of

a

to

.

in

,

off

,

if

to

,

's

on is

of

it

as
a

,

.

a

,

,

.

on

is

to

a

if

(

of

he

is
a

in

of

,

,

to

his or

of

if

do

's

to

do

he

,

is

it

it
)

for

,

it

It

,

,

for

.

to

is

,

to

it he
is

.

be

he

on

to

if

.

is

of

he

,

an

,

.
his

for

to

on

in

in

.

If

of

is

is

. .

(p

.

.

to

;

6d
.

0s
. in

£1

him

Once the author grasps the fact that what pays
plenty
quickly and
the agent
transactions
easily finished
will see that
much more
important
agent
friendly and welcome
terms with the editors and publishers and managers
than with any individual author
will facilitate
relations between the agent and the publishers and
gives away his authors
editors and managers
Finally
certain extent
settles down into
agent whose real business
procure books
for publishers articles for editors and plays for
managers
though
his ostensible business
procure publishers
books editors for articles
plays
and managers
to

,

a

at

to

is

2

of

of

a

the market and has sufficient character and resolu
tion
stand out
will
much better
himself than
worth any agent while

.

go

's

if

.

.

of

all

of

of

at

more than
will take the trouble
find out
through the Society
Authors
otherwise what
the top price obtainable for
class
work

,

,

by

it

if

.

is

it

,

.

a

a

at

of

agency

of 's

,

or

,

to

to

is

)

in

he

,

.

true

,

.

,
it is as is no

's

he

,

on

.

is .

it

to

to

10s

Precisely the samething

It

if

be

an

to

as

he

a

he

is

or

on

in

is

is

£2

taken
fact that
the agent
interest
many books and the
profit
have
low rate
stand out for the highest attainable
author
profit
rate
his single book
That
their
interests are not identical
but beyond
certain
point flatly opposed
certainly does follow therefore that
the
capable man
business this means no
author

to

;

of

be

to

it is

of

as

goes

be

.
.

at

is

always does say
that because he
paid by
percentage
what the author receives
follows that the more the author receives the more
will receive
And taking each book
itself
this
true
equally true that
you take
any
But
separate article sold across the counter by Gamage
Whiteley the more the purchaser pays for
the
Whiteley receives
But you
more Gamage
argue that
therefore Mr Gamage
interest
extract the highest possible price for
very
each
article you have clearly arrived
different conclusion from that
Mr Gamage who
furious conflict with
his competitors because
he systematically cuts down his prices
the lowest
possible point
very simple
The explanation
making profit by selling
There are two ways
single article every hour
ossibly
One
sell
after some hard bargaining
with the reluctant
profit
customer
100 per cent
The other
sell 100
the same articles every hour
100
eager customers
profit
per cent
each
Assuming that the cost
the article
the seller
£1
the first case be charges £2 and makes
£1 profit with difficulty
the hour and
the
charges
second
and easily makes
says
conclusive when
my experience
far

is

a

,

of

,

;

, is

is

it

the root

the first point that must

for for

to

to

's

a

,

.

's

,

in

to

to

,

if

to

an

to

to

I

an

of

the whole matter and
cleared up
the controversy
followed intelligently
young authors with
At first sight seems
experience
agent
reasoning
business that
error

an to
a

by
of

as

a

.

THE AGENT QUESTION

extent
which some
our members
have been taken aback
our advice
dispense with
agent
possible
them
any case
and not
abandon their affairs blindly
agent
control shows how very necessary that
Agents are much more dangerous
advice was
nowadays than publishers
because every author
publisher
knows that
interests are opposed
his
the extent that the more the publisher gets
the price paid for any given copy
book the
less there
left for the author but many authors
still believe and almost all agents allege that the
more the author gets the more the agent gets
This

is

It

.

of

OF

HE

is

M

THE CRUX

be

;

,

a

of

ten

rich much faster than if he spends the day fighting
one or two books up to a 25 per cent . royalty .
per cent
Now in bargaining with a publisher
and fifteen per cent except
course
matter
very cheap book
had for very little
asking
the five
ten per cent
excess
Make the
this that costs time and trouble
publisher
present
easy with
and
foreign rights
American
Colonial
may have
any other
perquisites
fancy
through quickly
for and the transaction will
get
and easily and the agent can hurry
another dozen books through
the same way
But
the author happens
know that
much stiffer
holding out for
bargain could have been driven
reproaches
the very top
the market and
the agent
not having obtained
the agent will
first tell him that he
unreasonable and then
pressed hard enough
lose his temper will say
right out that
give more
not worth his while
any one book
than
certain limited time
make the interests
author and agent really
per
identical the agent should give the author
centage
his annual profits from all the books he
adopted which does
places
Until this system
see the
should rather like
not seem very likely
proposal
face
an agent receiving such
must

a

.

its

representing
famous people no longer living when
their descendants object to such representation .
In this case the grand - daughter of George Sand is
seeking an injunction to restrain the production of
a piece in verse called “ L ' Enfant du Siècle ," which
has for
heroine the romantic novelist

75

�THE AUTHOR .

law

;

A

.

byto

a

of

be

his

is

to

,

,

,

on

is

.

to

of

to a

to

is

on
a

.

of .

It

's

in to

no

so

if

it
.

of

do

of
a

in

,

to

a

,

be

.

's

it to

,

,

if

too

I

in

it

no

.

in

by

is

in

.

of

;

.

to

,

,

,

is

take care
himself there
agents are useful auto
even
the most gullible
of

to

which

,

he

as

in

,

matically

how

to

,

it

,

were
authors
There
the case
the author who through
shyness
credulity
laziness
the amiable
publisher after
weakness that cannot say No
lunch
authors should not
lunch
with their
publishers
quarter what
the way takes half

,

or

,
a

to

,

or of

or is

or

be

),

by

,

his work
worth
altogether
out

,
it of

,

-

or an

an

to to

as

even

Now

-e

.

or

,

is

lets himself
cheated
agent need seldom
accept less than five ighths
three quarters
the top
the market
lubricate his bargain
employ
agent though
will pay such
author
an

of -

it

and

cases

of

.

is

is
a

is
a

,

also

(

to in

to

in

to

is

I

it

it

-

discover
which side their bread
buttered
literary agency
has not come
that yet
suppose
and
have no reason
that
has
only because literary agency
not
com
paratively new thing and
favourite resort
persons who have not ability enough either for

rather

.

to

:

,

is

,

on

If to

in

at

all
.

.

course never mentioned
Remember
these
are not fancy cases
they occur
every department
which agency
has been established long enough
enable agents

about

,

-

difficult
whilst
as

;

.

“

he

etc

is
a

, . : of
:
”

,
.
of ,
.,

,
he

etc

are

it

im

a

”,

to

off

it

somehow

etc

anything

agents

of

a

a

:

in

:

for it
.

of

is

.

“

is

on

to

to

Mr

hit

with
Ignotus

get

kind

of

of . .

into

a

a

an

man

for October was

The Author

The general rule
laid down
general rule can cover
was quite sound
But
special cases
and there are cases where agents are
Leaving out
useful and even indispensable
the
question the cases
not
which the author
taken
the usual pleas about the interests
author and agent being identical and knows
thoroughly what
about and what the agent

too

is

on

for .

,

it,

10 of

to

push

can

;

seem

can force you
the same
the case
place and which you
work which he has failed
yourself have succeeded
placing long after you
have abandoned him
even the most enthusiastic
agent fancier will admit that the law leans
little
much
the agent side
apparent that the article
think
will now
in

“

of

.”

.

agent

is

not
man
poor

to

in

's

in

his

to

,

No

without pushing another man out
No
agent can say
you
Mr Blank
the man
talking about him
everybody
his story
magazine has been
great
such
and such
success
and his great aunt knows
baronet and
often invites people
meet him
without
plying and sometimes actually saying
Mr Dash
no longer thought anything
his work does
job

is

to

to

on

a

,
I

-

a

.

a

a

,

,

the
this system
But now mark the effect
author who may know nothing
and who trusting
agent and the regular
per cent arrange
procure work
ment will make no effort
himself
The agent will actually become
instrument
suppression

.

or

as

I

if

at

I

.

,

a

a

,

have all the luck

all to

am

to

as

.

-

a

sell his house
not
all sure that
were
beginner
and had the means
should not try
really capable agent with
large practice
find
very considerable gum
condition
and offer him
that he would push my stories into all the magazines
Many
professional singer
for say six months
drawing room practice
has jumped into
this
way whilst her agent more innocent clients were
left out
the cold wondering why
some people

benefits even when
client wishes
confer them
him
There
no such protection for the client
agent
On the contrary the law acting
precedents taken from house agency and fortified
by verdicts
juries who always support parasitic
monstrously unjust
middlemen
the author
and favourable
the agent that
author should
place
himself
the agent
hands without
stringent agreement
bad enough
have
pay
per cent
successful
the royalties
play
book
an agent for ever and ever even
placing
has done
the work
But when

,

,

a as
a

.

50

a

to

A to

?

.

is

or a

it

to

,

pay
big fee
will have either
per cent
consent during that period
even
Why not
position
100 per cent
known
medical
valuable commodity
like
writer
practice
milk walk
The man who can help
you
has
much right
sell his help

the author

an

not push
pushed for long
acceptable writer

and main reason is that a considerable body of
protect
and etiquette has grown up
clients
against abuse
his position
solicitor
solicitor may
struck off the rolls for misconduct
expressly disabled from receiving certain
and he

or 10

.,

will

ordinary business pursuits or for literature . That
it will come is as certain as that the sun will rise
to - morrow .
One or two correspondents have asked why there
is any greater objection
to employing an agent
than to employing a solicitor .
At least two good
reasons ought to be so obvious as to forestall the
question . First , most men employ solicitors only
in cases
of special difficulty , and master and
conduct the ordinary
routine of their business
The second
themselves , as an author should do .

of on

us or

10

cent

or ,

,

as To

?

per

get
an

on

a

to

:

for that
enough

his books
small entrance fee
why should
position
secure
he

a

perhaps

us

will put

he for

A further development
of agency follows in evitably when publishers and editors and managers
become so accustomed to working through agents
that an agent ' s introduction acquires a considerable
value .
The agent , being able to push any author
whom he may have reason to favour , naturally
sells
his power . This practice has long been well
per
established among musical and theatrical
formers ' agents ; and the letter in the November
Agency
Author from the Literary
of London
suggests that the literary agents are finding it out.
Before long we shall find that though any agent

he he

76

�THE AUTHOR .
would pay him better to wake up and cure him being
nincompoop
There
also the famous author whose name
agent
valuable
bait for smaller
not
mention the agent pride and joy
the connection
that he will
his very best for him without regard
ordinary business considerations
The same thing
publishers who have been known
true
pub
lish great men books
loss for the sake
their
names and even
their genius
for publishers and
agents are human
great
after all
Moral
agent
publisher
author opinion
agents and publishers
general
not worth
rap
guide
why every
lesser lights
That
signed
letter
this controversy should
There
the young and enthusiastic agent who
building
his business and who has not yet

plenty

of

in

an

is

a

is

an

,

.

all

he

,

is

so

a

it

,

to

-

began

SHAW

.

.

G

a

is

BERNARD

,

of

THEIR REVIEWERS

Reviewing
being
think

."

or
a

an

is

of

to

It

of

.

in

as

”

all
,

It

.

,

is

its "

,
of

to

in

of

of
”

is

of

a

is

,

I

,

so

as

is

E

H

I

M

“

,

-

of

,

as
,

, .

,

if
I

.

for

, to

be

is

I

,

.

to

,

of

as

is it
.

a

to of

of

to

,

of

to

,

or ,

or
,

in

a

,

is

as
to

,

-

,

is
a

or

an

I of of or

,

in

of

all
,

if

to

,

by

to be
a

,
is

or .

a

by

of its

of

be

to

,

be

to

be

is

.

an

if

,

is

,

an

he

if

as

is

that there

as

.

a

in

.

a

as

the matter

,

-

a

10

,

at

or

in

of

The conclusion

events the editor selects someone who
more
expert
specialist who
He may
disagree with the
his known record
sure
agreeable
author which will not
the latter
particularly
anonymous
the review
and
special
therefore likely
looked upon
public
special organ
the pronouncement
This
however hardly the fault
the editor
less

is

- .

an

.

an

of
an

to

of

to

to

or

living
could not make
had
the business side
well
the artistic

artist

.

attend
side

a

by

to

,

is

an

is ,

so

,

it

he
is
,

a

:

an

a

in

of he

to

author

inappropriately
company with others
nearly
which point
the dissatisfaction
authors with their reviewers ever since criticism
copy
literature has supplied
the printer
say that the
doubt
shall
contradicted
fairly general and very often but
dissatisfaction
justifiable
not always
Sometimes there are two
sides
the question
for example where the
reviewer though neither well paid nor making
reviewing
art
business
well qualified and
possibly just critic who differs from the author upon
matter
which each
entitled
his opinion
rule
for example
scientific
and technical
responsible scientific and tech
works reviewed
easily recognised
nical journals
indeed books
importance
special characteristics
submitted
general newspapers
the better class are handed
persons whose
for the purpose
criticism
knowledge
special subject marks them
competent
deal with books that discuss
At
As

to

I

do

I

is

la

of

a

of

)

I

;

in it

go

( to
at

I

to

get and where
should tell him how much
for
and the reason
not employ one
England
least
that
have found
experience that even with these precise instructions
my
he makes
mess
the business and adds
saving me trouble
bours and my worry instead
competent
agent
impossi
But
not
bility
improbability
far only
Given
agent
such
clear that
author who pro
great number
duces
short separate works which
separate
fetch practically
fixed prices and require
dispose
transaction
each
had much better
agent
per cent than
leave their disposal
spend
selling manuscripts
drawings the time
might employ
producing them
As matter
fact there are certain departments
which

quotation
above
not from
classic
writer
far
know and
the result
neither research nor wide reading
one
the sentences cited
illustration
the
uses
the verb
review
the Oxford
Dictionary where
acknowledged
source
the
September
Idler
1894
occurs there not

or all

an a

I

.

:

agent

no

or of

an

to

do

I

.

.

a

of

,

or

.

-

to

a

a

of

or of

be

,

or

a

to

,

à

of

,

,

,
by

.,

of

,

is

of

is

--

is

in

.

years with
But above all and here
the real field
which
agency
useful and sometimes indispensable
there
the mass
short stories articles drawings
photographs etc contributed
writers and artists
journals paying
regular
established practice
price per thousand words
per picture which have
disposed
fixed market tariff and can
with
pint
out any more haggling than
milk
box
matches
From the half guinea photograph
the play by Barrie
Pinero
there are thousands
literary and artistic wares which admit
bargaining
Either the editor has
tariff
the
agent
author has one
not need
send
round asking for offers
know my fee like
Harley Street consultant
employ
Were

work
too badly paid for any reasonable
making
either
art
business

"

few

it

clever

for
a

.

in

an

can

A

agents
was encouraging
exploit
agent
this phase
some profit

and

,

.

in

,

young

author

AUTHORS AND

of

in

is

on

found out
which side his bread
buttered
All
the agents were
this condition
the days
Besant when the Society
Authors
itself was

.

is

up

is

.

be

.

which

article

the present controversy

.

or

of

well informed

the

in

them

a

,

:

is

a

or

,

in

of

on

,

,

I

;

.

an

of ,

in

,

.

,

other authors artists and playwrigbts read what
very
carefully
have said above and ponder
before they reject the excellent advice given

-

of to

.

a

at

,

of

's

to

as

to

is
to so

fry
,

in

a

's

do

of

's

as

in a

,

at

agent
of scope
routine business
routine prices and that when the proportion
very
business
artistic production
involved
large
agent
the case
short works
necessity
For authors
illustrious that they
reflect glory
all their retinue
that very
acceptable luxury
devoted slave
But let

.

as

an

to is

a

of

is to

for

it

self

77

�THE AUTHOR .

of in

of

,

,

in

in

is hisan
,
of

,

or

is

,

of an a

a

,

is

an

.

to

,

is

of

or

.

is

of

of

to

of

,

to

is

of

,

of

.

to

of

of

,

a

of

in
a of

a

,

fill of

to

as

,
as

is

of

of

,

of

a

on

,

of

to to to

to
it
.

he

,

for

to

.

its

,

to

'

all s

.

he of

of

or

a is

, ,

to

,

be

to

he

it

all
,

of

at

in

a

his

,

he

he
is

's

is

.

to

of

,

to

by

an

he

,

is
an

to

a

in

of

.

in

.

,

,

to

is

It

.

an

a

is

it .

a

of to

of

to

&amp;

,

it

,

, ,

,

,
.
-

of

are

is

is

it,

",

by ,

.
”

as

him

as

."
so to

“
a

They

The desire
the
quote
secures
goes may
far

as

.

.

a

a a
-

)

to

to

of

by

“

of to

."

calling

unfair

laudation which
acceptable but they are hardly worth
reviews

deemed
“

be

fragment

but are not
observations

's

-

(

on

,

do
.”

in

to

“

at

of

(p

brevity

to

their
sufficiently
long
offend
wbich he can denounce
generally mildly
favourable
publisher
have
line

,

.

of

of

,

all of of

,

I

appoint the author

if

is

)

at

or

,

to

“

as

when books come out
once with
rush
and when for many
them
two
half dozen
aid
lines per volume
for by the line
are
see printed
all that the reviewer can expect
fancy that criticisms
this class usually dis

and

objectionable
inaccurate statement
the
propositions followed
author
demolition
views which
has not put forward for
this
being allowed
reply
has some chance
How
reviewing
unsatisfactory from the author
ever
point
view
because
satisfied from reading
reviews that
book has not been read care
fully and fairly dealt with
has
certain measure
consolation
the fact that almost any review
better than none
because
does secure
certain amount
attention
the fact that
has
written
He will
some extent the better for
hostile and the hostile
notice markedly friendly
one will get him more readers than one which
mild and colourless
He may feel irritated against
the reviewer but
not always
case where the
blame should fall upon
individual
the
system
that
blame
Reviews form quite
important part
newspaper
the eyes
large number
daily
readers who turn
them
guidance
what
read whether they buy
get them from lending libraries
books
But
of

is

,

of

of

of

for

of of

The reason
for this was
course that those
responsible for the distribution looked upon review
ing
easy work
that anyone could
Another
badly
circumstance conspiring
make reviewing
any rate rendering the pay
paid profession
compensate for any
ment per book insufficient
reading
considerable expenditure
time
publishing seasons
no doubt the existence

.

a

,

“

It

.

,

,

of

to

times also
the editor whose talent for literature
among them
was recognised by the distribution
books not absolutely demanding
account
their importance more experienced reviewers

or

or an

of

a

an

of

.

I

?
”

't

“

",

impress either
very often answer
them who
the scanty remuneration
reviewers
One
has also heard
relatives
the proprietor
some
able

deterring others
Another reviewer
the same class will save himself trouble and
space by copious extracts not designed
whet the
supply him
reader appetite
more but rather
with
wants
know about the book without
his having
read
Such extracts are not likely
be held
be infringements
the copyright
piracy while giving
general
but are apt verge
but not necessarily true impression
the book
quite
whole
Either
these types
review
decides
obtain the book
perusal
from attempting

to

of

at

of

is
a

I

.
to

.

a

and cutting down expenses the need for which fails

extracting the
one who has
fiendish knack
pre
main incidents
the plot
novel and
senting them
baldly unattractive form
dénoue
ment and all marring the interest
the reader who

a

, ,

blame
this
disposal
their
for literary notes and for the literary portions
their journals
circumstance not always within
evening
their control
once asked the editor
newspaper
procure me compensation
revenge
for the pirating elsewhere
article which he
you keep
had published
Don
tame solicitor
purpose
inquired
for such
No we keep
wild proprietor
was his reply
the wild and
uncontrolled proprietor acting through the manager

,

the
money

share

as

is

it

for

.

do

it

be

to

must

lack

nation
The fact that Parliament will be sitting
great public interest and
consider measures
that there promise
abundance
matter for the
news columns also seems likely
contribute
the
space for the consideration
curtailment
mere
books
At the same time there this consolation
paucity
for those who complain
the brevity
reviews that the lengthy criticism
not always
blessing
unmixed
The reviewer
whom
occupation
neither
art nor
business
perhaps
business rather than
art
often the

his

,
a

,

so

is

of

,

no doubt
but the

provincial
themselves with criticisms
some
which reviews
new writers
are prompter
and more carefully appreciative than
those more fully occupied with the affairs of the
console

journals

of

is
be a in

I

to

his

,

in

ill

on

is

or

of

is

.

,

too

of

to

be

indulgent
value
candid
make
the submission
However
expressing purely personal views
that there
reviewing which whether the reviewer
class
paid
proportion
qualifications
well
fairly well done
the whole
and that
large mass
satisfactorily
criticism
not
performed mainly for the reason that
too
by serious
badly paid
worth undertaking
seriously
readers who will
Some editors
criticism
opinion

We are now approaching the Christmas season ,
when a good many writers who have not yet had
the good fortune to “ make a name, " will be dis
appointed by the absence of mention of their works
from
the columns of newspapers , notice in which
They will have to
would be of value to them .

a

a

as
a to

for

of the critic .
If the former chose a writer for the
task known to be a personal friend of the author of
the book and known to acquiesce in his views , then
the editor might be blamed for prejudging the work
in the author 's favour — and might be wrong in so
doing .
A signed review
in such
cases would be
perhaps more fair , if the necessity
appending
signature did
not sometimes tend
render

for

78

�THE AUTHOR

an extensive list at hand .
Jane Austen was a brilliant girl of but twenty
one when she finished her masterpiece , “ Pride and
Prejudice ."
She was a woman of thirty - seven
before it saw the light of publicity .
Four years
later , she
her grave having only
her last
two
three years
life reaped any modest fruits
worldly gain
either
fame
Charlotte Brontë
Professor
was rejected nine
times
Jane Eyre met with kinder treatment
.

or

,

of

to

us

." in

,

"

of

all
.

,

,
I

at

ill

to to

I

"

:

, I

I

”

with

.'

do

stood

a

to

as

,

to

,

“

:

at

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to

yet

of

a

,

a

.
of

to

,

.

or

all
,

“

,

in ",

's

, 's

to

.

,

—

at

-

in

"

no

-

“

;

,

to

report the MS
his
the pen yet according
ignominiously
Vanity Fair
was
world famed
such
fewer than thirty eight dealers
refused by
thirty
place the figure
goods
some authorities
!

nine
Robert Louis Stevenson

a ?

:

I

of

.

”

“

,

written
Warren
Physician

.”

on

a

$

a

I

of

in

he

,

. I

.

,

I

I

“

-

,

of

also the exquisite stylist
this galley
romance what does
and master
was the head
was thirty one
Listen
family
had never yet
had lost my health
my
year
paid my way never yet made
200
father had quite recently bought back and can
celled
book
that was judged
failure
was
despair
At the moment which
indeed close
speaks
was already half
Treasure Island

the

Diary
both

late
editors and
a

from

of

“

Passages

was cold shouldered

by

"

to

;

,

be

to

as

,

myself

Publisher
Circular stated some years ago
Mary Barton
powerful novel
Gaskell
nearly
the publishers
all
was offered
London and rejected
literary Colossus bears
Thackeray
name
conjure among the brotherhood
with which

Mrs

's

,
,

.

's

it

,

My book will

The

that

!

-

as

,

,

by

,

in

a

to

of

of

eyes

closed

.

,

of

in

it

a

,

be

of

to

-

but saying

cabbage bed

a

as

,

at

be

,

to

is

as

,

of

on to

now

.

to

”

us

,

,

its

in

,

of

congenial
species
literary work
sorts
expecta
hobby nor yet upon those who pursue
gleaning some slight emolument wherewith
tion
supplement incomes derived from
sources based
solid foundations but upon those who believing
well
with the power
endowed
themselves
good earnest
livelihood
earn
the will
brains with pen ink and paper
the partnership
throw themselves body and soul into the endeavour
and thereby elect
make
their sole life work
those coming under the first and
With regard
category any hardship entailed
second mentioned
steadily growing disillusion
the dividend
earping capacity
their capital may usually
secondary importance
the third
described

could
not afford
ride but weary
On
walk
felt almost too
became too
Shoreditch
the road not far from
giddy
leaned
stand without some support and
look
over some dirty pailings pretending

wrote

she

already

he

,

,

“

it

,

“

a

in to

be

,

."

's

it,

be

concentrated
meant
this article may possess
not upon those debonair personages who take up

to to

up ,

of
a

.

of

a

to

“

”,

.
F
.

,

in in

Marion Crawford
his novel
graphic
referred
The Three Fates
phraseology
the community
section
who have
at once ever growing and unfortunate
was black and cannot
looked upon the ink when
have
and whose nostrils
from
weaned
smelled the printer sacrifice
might
At first blush perhaps
unfortunate
inappropriate
appear
term
rather
employ
but before
the present connection
place let
substituting another
withhold
recognising
the outset
our judgment awhile
and without further preamble that such force

as

,

again
tells
how for nearly
three weeks she tramped
and down London
publisher for her book
search
Illustrations
deep discouragement
After cne memorable day

HAZARD OF THE PEN

THE late Mr

as

be

”

.

sisters

Harriet Martineau

by
a

”

's

but
laurel wreath arrived too late
practical service
author and her almost equally
gifted

THE

in

of

or

,

in

lay

from

to

.

By

-

PASSER

is
of

it

means

its

."

“

of

,

,

a

them

a

as

to

ofof

the remuneration was described
one
vague
the writer
based upon
editorial theory that art critics could make
tips
living
like waiters out
which

them

That it should , in a sweeping majority of
instances , fail signally
to achieve this indis
pensable consummation until , at least , many bitter
per
periods of futile industry and unrewarded
severance have been passed , is common knowledge
among those versed
in the subject of literary
biography .
In proof of this assertion take the
following examples , selected with no particular care

of

by

increased value to readers and author alike.
The
worst of it is that the evil exists , but the remedy is
not easy to find . If proprietors and editors are
indifferent on the subject, they are not persons easy
to convince of their error , particularly when it is
remembered
that such reviews as they publish
serve their purpose up to a certain point , and that
to obtain better work would mean expenditure not
only of money , but of trouble , without profits
capable of immediate verification
in the balance
sheet .
A parallel may be suggested in art criticism ,
which is conducted as a rule in modern times with
considerable conscientiousness and knowledge by a
large number of those who are engaged in it , but

is
vital, since with
it should win them

the importance
essential that
subsistence .

.

them

instances their importance is not recognised ,
financially or in the treatment allotted to
when timely insertion would render them of

«

either

79

its

many

.

�THE AUTHOR .
it

Is

the
were

.

Smith

,

HERBERT

a

of

.

of

”

a

of —

it

“

worth

his words

work
which Mr Gladstone
real genius and
class that
greatly
what consideration may the

John Inglesant
wrote that
was

to say upon

had

it
?
"

what he

asked

profession

“

of

.

his

himself when
subject

W

a

as

of

of

to "

a
“

publishers alike before Blackwood 's accepted it . Yet
its success was instantaneous .
But when
reader
the calibre
the late
declining
James Payn confesses
work such

.

80

of

,

“

of

to
a

-

,

"

of a

of

“

of

an

a

. ,
a

of

,

to

be

,

it

,

is

so

a

.

In

,

of of is to

as

-

as
a

a

is

,

it

in

,

to

, ,

to

as to

if of

In

.

,

a

-

,

's .

to

.

,
by

is

of

are

is
a "

“

in

to

have

well read

in

will

be

from

to

.

,

its in

omissions

their

subject

DRAMATIC

AND

there

are dishonest

agents

,

,

,

?

No doubt

1911

Herbert and Daniel

,

London

.

,

By Sheila Kaye Smith
-

to

,

number

in

on

I

,

-

,

SIR
Since you invite controversy may
also
protest against the somewhat sweeping attack
your October
Literary and Dramatic
Agents

.

of

LITERARY

.

of of
to

,

,

,

in

,

.
do

AGENTS

:

to

.

of of

,

a

of

is

,

do

,

to

,

.

of
it,

CORRESPONDENCE

?

to

overlook the thousands
hack writers whose lives
against
struggle
spent
one continued
are
privation
All alike however
the
victors and
the vanquished
the winners and the failures
might
cogitate over
worse than pause awhile
which Robert Buchanan once delivered
remark

a

.

a

,

is

to

,

in

.

in

.

,

to

,

,

for

.

,

, ,

critical references
their work
connection with
that
Richardson
The
Short Bibliography
occupied
with which her concluding pages
fairly comprehensive
one
Those who can find

of

in

on

“

",

of

of à

no

,

to

confine themselves
fiction
However they will
find that Miss Kaye Smith
introduction
will
convey more
them
than they may already have
subjects
read
the
with which
she deals
read
Defoe Fielding
Smollett and Charlotte
Brontë
are selected
her first page for comparison
and
proved
her own knowledge
them
her

it

, .

us
to

.

of

,

”,

on ”

,

. ,

,

or

.

, to
at

is
a

,

,

it

of

in

of

a

“

"

of

.
in

.

"

of

a

",

why manufacturers
shilling shockers
and delineators
frenzied eroticism
obtain instant
popularity
and widespread
their productions
Thompson sells matches
while
Francis
the
ne
streets
London and
John Davidson performs
desperate
the last
act
renunciation
For one man who succeeds
literature
thousand fail
declared Mr Crawford
Authors who have passed through what
called
the mill
could
doubt throw corroborative
evidence
the statement even though persever
good
ance physical endurance
and perchance
pull them through
fortune may have combined
groaned
they once
purgatory wherein
the
anguish and
some degree toned down
have
memory
But what
those miserable
wretches
who never struggle out
but flounder hopelessly
the end
something
Literature like marriage
those
lottery and its prizes
not always fall
When we hear
them
receive
most worthy
successful authors who have reached positions
competence and even
affluence we are apt
explain

part

forming

of

he

,

.

in

,

in

of

a

as

a

.

,

at

in

a

he

a

of

14

contributes
the series
The Regent Library
scholarly
appreciation
and well considered
Samuel Richardson
writer and
brief but
suggestive biographical sketch
These form
copious
introduction
the study
series
extracts from Pamela
Clarissa
and Sir Charles
hoped
Grandison which
will stimulate
the reader
whom they introduce the novelist
read his works
fuller form
truth
birdseye view
wonderful how comprehensive
the story extracts
well selected are capable
providing and the danger
lest the easy assimila
tion
the extract should lead young readers
postpone the weightier feast
this they have
their justification that the 19th century has followed
plentiful supply
upon the 18th and left
desir
they
able matter for their consumption
even

,

,

a

of

,

clothes off his lying with his head protruding
from
slit
the mattress inside which
had
Coleridge even
thrust his person
time when
had attained celebrity
scholar poet and
essayist was
the saddest state
destitution
Dryden lived
poverty and distress
Steele waged
ceaseless war against bailiffs
Keats slipped out
life under the impression his
name was writ
water and Otway perished
starvation
help
Far from Genius being
the literary
poetic creator
any material sense
least during
the early stages
his career
hindrance
Mankind understands mediocrity
tolerates talent
but mistrusts genius
This reflection enables

Kaye Smith

Sheila

small volume
published

of

of

.

,

in

,

,

he

,

occasion walked the streets
London
all night because
could not afford
bed while
pawning the
Goldsmith knew the necessity

TISS

.

of

”
?

on be

It

Johnson

RICHARDSON

.*

SAMUEL

,

to

at

—

interested him
novice expect
receive
the hands
those who
for the most part boast neither the insight nor
the
Lost Sir
the author
the literary acumen
Massingberd
will
remembered how
his early days Dr

�THE AUTHOR .
he

,

,

.

at

no

is
a

he

it
.

.

or

At

of to

.

It

.

.

It

is

of

or

be

to

of

,

is

—

in be

be

-

be

as

as

of

.

It

is

be on

to

of

,

In

in

.

;

if

is

he

is to

If

an

.

”

be

a

of

“

if

he

is

it

is

its is

it

on

,

"

he

,

he

is

it

;

so

.

is

.

.

is

,

so

.

it

.

is

It

him

to his

.

is

he in

.

,

in

's

a

is

or

of

to

It

.

.

it
as

to

or

by

,
if

is

.

is

it

,

by

,

if of

a

in

,

as

;

to

is

of

.

he

,

to

be

, .

,

he

,

of

,

said

MAY

SINCLAIR

.

need

.

it

more

or

-

involved
we have been more than once
perfect network
scruples
has always
respected the delicate issues which
was his
tangle
obvious
interest
obscure
What
him

to

;

a

,

,

to

be

giving

for

proportion

?

.

a

,

to

to

,

he

a

him
fair trial pro
the amount
moral obliga
tion incurred
On the other hand
his integrity
were suspect
should have short shrift
thing
Now
this sort
brittle stuff for the
Literary Agent
my experience
handle
but

would
longed

be

he
,

. ;

an

,

on

?

on

it

;

a be

,

,
if

by

.

in

or

on

all absurdly simple
pub
leaving
The author
not justified
lisher even for better pay
bound
either
contract
moral obligation
say where moral obligation
little difficult
begins and ends
Some publishers regard
im
certainly
measurable and immutable
should
cease when the author has reason
doubt either
the integrity
the ability
his publisher
Per
Sonally
publisher
ability alone
question
in

is

so

;

all

do or

to is

,

;
it

.

a

And yet

,

.

is

”

of

.

.

is

as

of

, do

if

is

he

is

of by

may still
little life
useful
the too well
known
No doubt with some firms the unknown
perfectly fair
author will have
better chance

friends

,

is

by

to

up

,

is

no

“

;

;

yet

.

or

do

of

,

is

of

,

,

honest agent
overcrowded and that the honest agent
reason
likely
his honesty
have his hands full
There are several kinds
authors for whom he can
nothing
little
There
the author whom
nobody wants just
the author whom nobody
popular
erer will want the
author who has had
longer wanted
his day and
there
the one
many that
book author and the author
books
nobody can keep
with him
And
all these
By
people the agent
besieged
these people
anything goes wrong
Possibly
blamed
they would
well
better without him
most certainly would
better without them
dealing with such
Because
his helplessness
agent
cases
the question
often raised whether
really any good
anybody except the already
prosperous
established author
Well
that
depends
depends also
the agent
the
depends very largely
author
the publisher
By knowing exactly where
place
good
him
agent may
very useful
the promising unknown
nursing dying popularity into the semblance

in

be

is

'

on

.

is

an

he

)

ness details which he loathes
that
because
holds friendship
dear
sacred
that
must
Nobody
keep
pure
deceived
The inference
obvious
He has parted with the happy confi
dence he had
And all this
terrible between

is

even

a

will arise

I

against the
the trouble being that the market

complaints

much
general

policy
perpetually recur
But
one which
ring
peculiarly harass
and
moral side
ing
the sensitive
author
refuses
agent he
deal direct
he
takes
supposed
betray
lack
confidence
his pub
lishers who may
his very good friends
vain
protests that
nothing
not confiding
merely desires
delegate the sordid
that
busi

in of
a

Of course

to

.”

“

a

is

,
if

,

. ,

of

.

's

(

considered here

individual conscience

to

in

he

,

to

if

;

If

no .

is

it
.

too intricate
problem

to

be he

or

he

he

it
.

in of

;

, ,

,

all

as

in

I

does not collect the monies
does he must
authorised
the author objects
that clause
there
reason
the world why
should sign

,

for one , can give the address not only of an
agent , an agent innocent of these alleged
perfidies , but an agent who , in my experience , has
actually disregarded his own immediate interests in
the interests of his clients . This honesty of his is
no doubt his best policy ; but I have also known
policy
him
exert himself in ways
where even
could discern no profit .
You may say , if you
are cynical, that philanthropy was not his motive ;
but it is the agent ' s conduct , pot his motive , which
is under criticism .
I admit that he is guilty of
inserting that clause in his contracts which autho rises
him
to
collect
monies and accepts his
receipts
sole
and sufficient discharge
but
except
the event
his immediate bankruptcy
see no great harm
Either
does

; .

I,

honest

pay
other firms are prepared
And there
the crux
the whole matter
raises all the problems
honour and obligation
between author and publisher
where the
agent
intervention may
most valuable
most
disastrous
Whether
author will
wise what
more
right
leaving the firm he
whether
will
paying him
knows which may
the extent
its ability
for another firm which will pay him
better depends
conditions too hypothetical and

to

their

,

by selling

trouble

deals direct
pure speculation

he

themselves

save

clients into bondage , who will , in short , commit
every one of the sins which your contributor has
laid to the charge of their profession . It may be
an
author' s misfortune
if he encounters one of
these , but it is also very much his fault . For there
are plenty of people who can tell him where honest
agents may be found .

For
the
everybody
equally
concerned
Whether his chances will
increasing de
fair when his commercial value
pends solely
integrity
the publishers
His
thing
exact commercial value
author
this
stage
his career knows
can know
His pub
lishers themselves may not know
But the
agent may know
any rate
knows what

a

who will

chance too
beginning he

“

who play into the hands of the publishers
against the interests of the author , agents who will
serve one author to the prejudice of another , agents

he

agents

81

�THE AUTHOR

on

be

at

an

all

if,

I

,

,

.

of

all

,

,

to

-

a

,
I

of

closely some

the

Yours faithfully

it

.

A

;

PUPIL

OF EXPERIENCE

.

's

,

on

,

to

in

,
I

.

to

far

I

did

,

to

to

still more

watched
employ

had

.

as

and
agents

if
I I

an I

. 's

.

in

of

In a

on

.

, is himself .

I

in

to

of an

-

it

a

to

-

.

on

as

that a young author 's best friend ,
I have had dealings
with several , but only in one solitary instance so
my profit
acting
my own
Whereas
doing business
behalf
have succeeded
which
my agents under various
pay
have had
very one sided agreements with them
fees and
commissions amounting
more than the total
the royalties they have ever earned for me
sometimes think indeed
that
would not
quite such
young author now
from the outset
my career
agent
had not employed
if he be not afraid

of

of

in

as

's

a

a

is

on

of

for

SIR , - Assuming that the article on “ Authors '
Agents ” in your October number was written
the benefit
such
still stand
need
advice
what
often
vexed and vexing question
young author
career rather than for those
pays
eminent authors who find
employ
agent
perhaps
young author
experience
agents may interest your readers
My first book was scarcely off the press before
prey
my first agent
had fallen
He was
impostor
But please bear mind that he managed
impose
my elders and betters
not
few
any case
well
me
took me six months
and some money
find out his true character
escape from his clutches with the society
and
help
to

my idea

to confirm

to

II.

.

.

82

III

,

of

.
a

, ,

of

is
,

a

I

,

, .

.
I

in

if

I

pocket

at

I

am

out

a

I

,

of

.

,

for

-

to .

I

is
a

of

is

't

do

.

It ,

did

I
on

.

an

be

it

an

of

as
to

be of

in

.

as

I

,

is

to in It

more

plead

for

I

,

once

of

in

of a

to

a in

a

or

.

a

ten

,

an

,

'

or in

a

a

formed

to

be

in

coinmittee may
Yours

PENDERED

.

.

MARY

L

,

a

tical mind and that
consider

of

;

.
,
I ,

of

an

of

be

”,

“

a

even
a

,

-

as

on

do

to

I

.

writing may

an

to

on

he

.

to

of

of in

agent

might
fiver
the means
serious breakdown
and there are
through
cases where small debts accumulating
incapacity
few
weeks
harass the unfortunate
sincerely hope the idea
one into another illness
insurance fund may take root
some prac

note

it
. ,

a

be

to

as

of

an

foran

a

to

,

,

he

of

agents has also gone

my

insurance
scheme
connection
with
the
Authors Society whereby through the payment
author who breaks
small yearly premium
down
health can draw
few pounds
take
holiday
rest
There are times
the life
every writing man
pound
woman when
or

so

, I

;

no

,

to

of

to

in

,

I

for

.

so

While

betteraverting

myself
Meantime however the fact remains that
have
good deal more money
far managed
make
agent
for myself than even
the very highest
repute could make
me
four years during
my output
which
handled the bulk

will

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agent frankly endorsed
These views my third
perfect amity
when we parted
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would give him my business again

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then
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common fairness
himself
my modest affairs the time and attention
devote
me and
make
eminent author
still needed
agent
further because
had finally learned that
expected
fight
young
should
reason
fought
they must
author battles for him
carry
win
No agent could long afford
his
any one individual
business for the benefit

left

well

SIR
cannot understand why agents
such
high reputation
Messrs
Cazenove and Perris
should resent the advice given
the October
agent
number
The Author
the choice
surely desirable that care should
exercised
such choice
not understand the article
agents generally but merely
attack
warning against the unscrupulous
course
pity that authors can
without
middleman
plain enough that we cannot
but
The hawk
ing round
depressing humiliating
our wares
and time wasting business
must say
have
extremely grateful
been
the agents who have
England and America
worked
me both
have always found them scrupulously honourable
and extremely courteous
Precious little have they
me and
can only say that
ever made out
book
shall
ever made ten thousand pounds by
of

to a

a

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My second book and my second agent appeared
My second agent afforded me
simultaneously also
plausible rascal
further proof that the first was
against
struggled
and for two long years
growing impression that there was very little
choose between himself and his predecessor
Once
satisfied that my suspicions
were only too well
fought my way out
founded
his hands
help again
turn and with the society
that time
had grown very gun shy
But
when
third agent
the very highest repute
wrote me suggesting that
should entrust my
business
him
did
And during the four
years
placed
remained with him
four books
for me two well and two unwisely
turned

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whether
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right and fair
other than what
The article mentions two agreements from
publisher
relating
books
technical nature
and states that Clauses
and
are both
dan
gerous
provides that the author agrees
Clause
revise editions and Clause
that
the event
the author neglecting
revise the expense
revision shall
borne
the author
The article

desires

to

to

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or

DEAR SIR
have read with interest the article
entitled
Publishers Methods
the October
your paper
number
occurs
me that you
may care
publisher
have the views
two
Although
may
three
the points raised
difficult
draft clauses satisfactory
both author
generally supposed
and publisher
and the latter
trying
get the better
the former
publisher
sure that there are few cases
which
be

do

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no

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PUBLISHERS METHODS

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CRUSADER

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technical

This profession
not
the least understood
literary agents who regard their work from the
standpoint
popular fiction
you give them
project
market for
illustrated book they
publisher
not know how
introduce
You
discussing all the points but
try again and again
the subject
outside the agent
ken
You leave
prerent him from
him
course but you can

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Yours faithfully

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to

carnest young writer
illustrated
books
your own work
every detail
Never employ
negotia
agent for you will have
guide him
give your hard won
tions and you cannot afford
experience
any tradesman
What you teach bim
will use for the benefit
other clients probably
your rivals
of

.

a

am

I

in
a
a

.
a

in

even
first book
He can
more afford
that than
architect can afford
build
house
for nothing
And two
three writers
art are
something more than known connoisseurs
they
have studied
the processes they have worked
printing rooms they are able
guide the publisher
in

the writers who can write about art whose work
Europe they find
valued throughout
ever the
more difficult
discover publishers whose aims
are not shoddy and degrading
advice
An expert can give but one piece

to

,
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in

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,

of

,

of

I

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.

of

or
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in

and inexperienced artists
small prices are paid
The illustrations are printed thirty two
time
few years the picture book will be killed
and
Why are agents helping
destroy this market
Because they
not understand the conditions
art publications
book
architecture
art
long time
thorough
takes
write and
needs
training
specialist and earns his
Its author
first reputation
the magazines and papers that
give
deal with his subjects
He cannot afford
publisher for nothing
his long experience
not

all

books are still popular at Christmas .
some young writers and artists who
inexperience
will
to manage ?
Their
doesn 't matter .
The books will pass muster in the
rush at Christmas , and the critics will be too busy to
do much harm .
If we get artists of known name
they insist upon colour work that is very hard
to
and known writers
art have terms that they
lower
won
inexperience
rushed
into
market where
specialists should rule
Already the colour processes which
Watts
described
marvellous aids
the study
art
have been
used that they are sinking rapidly
Authors
and
trade catalogues
the level
year
artists
two will decline
have their
work associated with colour reproductions
know
be easy

in

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a a

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is

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To

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a

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a

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spendthrift
Popular novelists must decide these questions
authority
say with
for themselves
But
can
being contradicted that
without the least fear
illustrated books agents are
for the placing
Very
worse than useless
often they are dangerous
Such
books are always commissioned and their
writers and artists demand some payment
publication
advance
The higher the payment
publisher will push the book
themore strenuously
publishers are trying
Two
three
ruin this
agents have
told that certain
market and
hand
the tactics
Unknown writers are chosen

and the

."

its

in

is

unbusinesslike
all
aims and methods
large income should have
author who earns
own private agent just
theatrical manager
buy fragments
has his own business manager
general agent time and experience paying
tenth part
one
own income
the folly

An
his

,

publisher

a

“ Colour

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to

is

in

do

a

I

.

to

trade

or

to argue that authors are unfit to market their own
The agent flourishes only because a writer
spend
four
three
too lazy
bere and there
selling work that publishers want
hours
week
buy
not trust literary agents because their

work .

sees

Do you

to

SIR , _ Literary agents may be useful to a
here and there . Let that writer give the
tenth part of his income to an agent whom he
trusts. There is nothing to prevent bim from
giving 40 per cent . of his earnings to a good
agent . But to say that agents are indispensable is

DEAR

writer

. He

doing you harm
publisher says :

he

IV .

83

�THE AUTHOR .

84

been published
hope
may
Batsford
and
permitted
express my pleasure
saying that
there has never been any serious trouble with
certainly nothing
legal pro
author
which
ceedings have ever been
contemplated
but my
view as
arbitration
clause
that
better
leave the parties entirely
free
that
the
any dispute arising each may
unfortunate event
open court
seek his remedy
both
desire
they can irrespective
anything
the agreement
settle their dispute
arbitration
yours faithfully

would not ask
revision
book unless
felt the same was required because the publishing
new edition necessarily entails
considerable
expense
his part

present head
Touching
NOTE
the question
revision the
writer
the article merely desires that the method

I

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MODERN

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these rights are placed
the publisher under
contract signed and approved by the author then
acting
the author agent and doing the
work
the ordinary literary agent and
certainly
agency charge
per cent
entitled
per cent
these rights are placed
the
author the publisher should not
any
entitled
claims whatever
Ed

MODERNITY

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ages
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there
idealising writers now
day
the realism
very pronounced symbolism
and the reactionary
living man who were
quite frequent also
take
his master say Chaucer
John Bunyan

be

of

he

producing modern work while
was
would only become ancient with lapse
would always
and remain twentieth
century work
very many cases the modern and the realistic
coincide
but
means
refrain from
my
examples
lest
should seem
criticise any
fellow members
the Society
Authors

would

alive
time

.

I

all
.

.

ARTHUR

DILLON

.

of

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to

in

no

by

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by

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call attention
the danger
the word modern and

good many
our contemporaries
But because
modern workers use
advanced realism
critics
continually use the term
meant the same

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derivative modernity
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translation
No rule can
laid down
the
division
these profits beyond this that the work
done
the author and publisher respectively
should
the basis
such division
For example
taken
the causes which produce
account must
Possibly the pub
the demand for the translation
lisher
work
the production
the original
elaborately illustrated
book especially
one may considerably help
the desire
trans
late and the use
illustrations being sought for
may also
that the publisher with his expert
knowledge
acquainted with special firms likely
publish translations
only
want
and
his unique knowledge and experience that these
translations

THE WORDS

,

,

of

,

.

to

.

6

,

a

-

I

as

revision and the terms
revision should not
absolutely and solely
the hands
the publisher
regards translation rights
and
thinks very
decidedly that some rule can
laid down

I

,

to

making
Clause
accounts
con
sider that accounts should
delivered
authors
half yearly and not yearly and payments made
within month
the delivery
each account
should like
add
few words about Clause
profits from the rights
the application

to

HERBERT BATSFORD

of

: ,

it

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of be it is

to

by

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be

for

I

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a

to be

given

firm

to

a

be
by

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to

be

of

,

to

if

by

,

as

quite possible
this revision
proper knowledge
someone without
the subject
true sympathy with
the author
might add that
work
have recently had
some difficulties with the revision
books subject
royalties
written by deceased authors which
admittedly want revising but the selection
the
persons
make the revisions has caused consider
able thought and anxiety
would

the

of

a

be it

,

so

,

an

it

to

.

be

to

is

do

If

author having agreed
revise
follows that
revision
made
must
someone other than
paid
the author and that person must
course
employment
and
his
necessitated
the
neglect
the author
revise the author should
agree that
bear the cost caused
his neglect
anyone
the revision should not
handed
over
without the author first being told
whom
suggested the revision shall
made because
Clause
should neglect

he

he

a

of

.

4 on

a

of

,

a

for

D

For very many years books have

is

to differentiate

him

15

of

subject -matter

the

in

be by

his book , it is
between his know
ledge and what he has written in his book .
Furthermore , he may be disinclined , through calls
of other business or even pleasure , to undertake
the work when asked to do so . At the present
moment I have a case on hand where an author ,
getting what I consider a high royalty on every
book
sold , declines , although
he considers
it
necessary , to undertake the revision without pay ment of a special fee , because there is no clause in
the agreement (made some years ago ) providing
for the revision of the book by the author . I
think it must be kept well in mind that a publisher
expert

difficult for

�ADVERTISEMENTS .

HUBERT WALES

, ESQ . , of Hindhead , Surrey , writes
+ 1 have just completed the revision of my novel . . . which you
typed, and I should like to thank you for the admirable way the
work was done. Considering that the manuscript was sent to you
without having beencorrected or even read, and that my handwriting ,
I am told, is not always particularly legible, it is obvious that it
required perception as well as care, something more than simple
mechanical accuracy, to produce such a resulta result which , in
conjunction with your moderate charges, seemsto me to be the best
-of answers to the criticisms which have recently been directed upon
the wark of typists in the columns of TheAuthor."

SIKES ,

1.

W.

A. ST . JOHN

Cromb ,

Lennox House , Norfolk

,

.C .

W

,

.

,

in

to

is
so

,
W
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.

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.

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W
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in

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PLAYWRIGHTS

.

AUTHORS
Special

."

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. B . STEVENSON ,

St ., Strand

Authors who find their work does not for
any reason prosper
their own hands
the charge of an agent should consult Mr STANHOPE
SPRIGG
late editor
Cassell and the Windsor Magazine,
and for some years Hon Literary Adviser
the Society of
Trafalgar Buildings
Charing
Women Journalists
Address
Cross
Daily
says
days
large an
The
Mail
these
when there
output of stories articles and other literary matter and when many
promising authors findmore difficulty than ever obtaining profitable
publication the services
trustworthy literary consultant like
Mr Sprigg should prove useful
not indispensable
or

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              <text>The El u tbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.- No. 3.&#13;
DECEMBER 1, 1911.&#13;
[PRICE SIXPENCE&#13;
CONTENTS.&#13;
PAOR&#13;
12&#13;
::::&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ..&#13;
The Pension Fund ...&#13;
Committee Notes ...&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ... ... ... ...&#13;
United States Law Case ...&#13;
Second Pan-American Convention, 1902&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books ...&#13;
::::&#13;
Warnings to Dramatic Authors...&#13;
Registration of Scenarios and Origin&#13;
Dramatic Authors and Agents ...&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The Crux of the Agent Question&#13;
Authors and their Reviewers&#13;
The Hazard of the Pen&#13;
Samuel Richardson&#13;
Correspondence&#13;
:::::::&#13;
ORDER AT ONCE of your Librarian or Bookseller JUST READY. The sweetest story ever told.&#13;
By the Author of "THE BROAD HIGHWAY."&#13;
Re Thoney moon&#13;
Jekery Barnde&#13;
Crown 8vo. Cloth Gilt. Price 6s.&#13;
Those who have read * The Broad Highway ” will be sure to read this new work by Mr. Farnol. The same&#13;
delightfully smooth style, the same romantic setting is to be found in "The Money Moon "as existed in the author's&#13;
first work. It is romance of the purest, and as such forms an agreeable contrast to the realistic and somewhat&#13;
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Mr. Farnol bere tells what can best be described as a fairy-tale for grown-ups. He tells it in such a way that we&#13;
are left with the conviction that though it may not be fact, it is at any rate possible and even highly probable. The&#13;
imagination of a child is not strained when it is asked to believe in spirits and fairies, witchcraft and m ic: it&#13;
believes in them, revels in the beauty of the thoughts they engender, without requiring to be convinced heir&#13;
reality. But as we grow older that power gradually dwindles till at length it seems to disappear altogether. The&#13;
facts of life have killed it, or so we imagine. Mr. Farnol, however, steps in here to tell us that this is not so. His&#13;
art consists in having discovered and unveiled this power which we still possess, though in a modified form ; his&#13;
stories take us again into a land of make-believe, more mature, it is true, tban the fairy-land of our youth, but&#13;
none the less beautiful, and far more consonant with the stage of development which our years and experience&#13;
have brought us to. When we close the book we do not say : "&#13;
were only possible," but )&#13;
"How beautiful, and how very possible."&#13;
THE ROMANCE OF THE NEW CENTURY.&#13;
By Jeffery Farnol.&#13;
66 THE BROAD HIGHWAY."&#13;
Full Crown 8vo. 512 pages Cloth Gilt. Price 6s.&#13;
A work that has met with such an extraordinary demand in so short a time all over the English-speaking world&#13;
needs no recoinmendation. It is impossible to state the exact number of readers- 1,000,000 in twelve months would&#13;
probably be a near estimate-and the demand for it continues. There is no doubt that it is the most popular and&#13;
successful English novel of the year.&#13;
A BORN STORY TELLER.&#13;
UNDER WESTERN SKIES ; or, Life Pictures from Memory. By Francis Sin, lair,&#13;
Author of "From the Four Winds," etc., etc. Large Crown svo. Cloth gilt, bandsomely bound. Price 6s.&#13;
WRITE FOR ILLUSTRATED ANNOUNCEMENT LIST OF NEW BOOKS for Library or Presentation.&#13;
London: Sampson Low. Marston &amp; Co. Ltd. Overy House, 100, Southwark Strcet, S. e.&#13;
on: Sampson LOW, Marston &amp; Co., Ltd., and Tudor House, 32, Warwick Lane. E.c.&#13;
&#13;
&#13;
## p. 56 (#464) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No.: 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDERSON, K.C.B. THE Right Hon. THE LORD CURZON JUSTIN MCCARTHY.&#13;
SIB WM. REYNELL ANSON, Bart., D.C.L. OF KEDLESTON, P.C.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESH FIELD.&#13;
SIR ARTHUR PINERO.&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
THE RIGHT HON, SIR HORACE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARD, F.R.S.&#13;
H, RIDER HAGGARD.&#13;
ARTHUR RACKHAM.&#13;
MRB. BELLOC-LOWNDES.&#13;
MRS. HARRISON ("LUCAS MALET"'). OWEN SEAMAN,&#13;
THE RIGHT HON. AUGUSTINE BIR ANTHONY HOPE HAWKINS,&#13;
G. BERNARD SHAW.&#13;
BELL, P.C.&#13;
E. W. HORNUNG.&#13;
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MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT,&#13;
S. SQUIRE SPBIGGE, M.D.&#13;
THE REV. PROF. BONNEY, F.R.S,&#13;
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FRANCIS STORR.&#13;
THE RIGHT HON. JAMES BRYCE, P.C. HENRY JAMES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
THE RIGHT Hon. THE LORD BURGH: JEROME K. JEROME.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
MRS. HUMPHRY WARD,&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
H, G. WELLS.&#13;
EGERTON CASTLE, F.8.A.&#13;
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LADY LUGARD (Miss FLORA L. FIELD-MARSHAL THE RIGHT Box.&#13;
W. MORRIS COLLES.&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE Hon. JOHN COLLIER.&#13;
MRS. MAXWELL (M, E. BRADDON). P.C., &amp;c.&#13;
SIB W. MARTIN CONWAY,&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT.&#13;
G. BERNARD SHAW.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR,&#13;
MRS. E. NESBIT BLAND,&#13;
AYLMER MAUDE.&#13;
SIDNEY WEBB,&#13;
J. W. COMENS CARR.&#13;
ARTHUR RACKHAN.&#13;
RUDOLPH BESIER.&#13;
H. GRANVILLE BARKER.&#13;
C. HADDON CHAMBERS.&#13;
ANSTEY GUTHRIE.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-R. C. CARTON.&#13;
| MISS CICELY HAMILTON.&#13;
CECIL RALEIGH,&#13;
CAPT. BASIL HOOD.&#13;
G. BERNARD SHAW.&#13;
JEROME K, JEROME.&#13;
MISS E. M. SYMONDS.&#13;
JUSTIN HUNTLY MCCARTHY.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-S. SQUIRE SPRIGGE, M.D.&#13;
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H. A. HINKSON.&#13;
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SIR GILBERT PARKER, M.P.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, HERBERT SOLLIVAN.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
M. H. SPIELMANN.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
ARTHUR RACKHAM,&#13;
J. G. MILLAIS.&#13;
M. H, SPIELMANN.&#13;
THE HON, JOHN COLLIER,&#13;
BIR W. MARTIN CONWAY.&#13;
FIELD, Roscok &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G, HERBERT THRING,&#13;
G, HEBBERT THRING, 39, Old Queen Street, Storey's Gate, 8.W. )&#13;
Solicitor in England to&#13;
La Société des gens de Lettres&#13;
Legal Representative in America_JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, 8.W.&#13;
&#13;
&#13;
## p. 56 (#465) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
- PLAYS&#13;
AUTHORS, ATTENTION !&#13;
Whitaker's&#13;
Almanack&#13;
AND&#13;
MR. FORBES DAWSON&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' experience in every&#13;
class of character, play, and theatre.&#13;
Master of Stage Craft &amp; Play Construction.&#13;
Author of plays produced in Great Britain&#13;
and America. Adapter of several novels to the&#13;
stage.&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE.&#13;
- NO THEORIES.&#13;
No charge for reading and giving a practical&#13;
opinion on a play.&#13;
Knows the best people in the dramatic world,&#13;
and has gained the necessary experience for this&#13;
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with the best dramatists, producers, actors, and&#13;
stage managers of his time.&#13;
Whitaker's&#13;
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WILL BE PUBLISHED ON&#13;
DECEMBER 12th.&#13;
- TWO INVALUABLE -&#13;
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ORDER AT ONCE from your Bookseller.&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
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You know the "Book Monthly" by name-you&#13;
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you will know what to read : what's what and&#13;
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Price from 9d. per 1000 words.&#13;
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&#13;
&#13;
## p. 56 (#466) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
PUBLICATIONS OF THE&#13;
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1. The Annual Report for the current | 7. Copyright Law Reform.&#13;
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Literary, Dramatic, and Musical Property.&#13;
Issued to all Members gratis. Price to&#13;
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10s. 6d. net, per vol.&#13;
tion. By WALTER BESANT (Chairman of&#13;
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8. Literature and the Pension List.&#13;
By W. MORRIS COLLES, Barrister-at-Law.&#13;
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By ERNST LUNGE, J.U.D. Price 2s. 6d. net.&#13;
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“ Methods.” With comments and advice.&#13;
Price 28. net.&#13;
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&#13;
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ADVERTISEMENTS.&#13;
The Romance of a State Secret.&#13;
AUTHORS, ATTENTION !&#13;
By W. TRAFFORD-TAUNTON. Author of “Silent&#13;
Dominion," "The Threshold," "Igdrasil."&#13;
"A very spirited and lively tale of the Escapades of&#13;
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By Miss BRADDON.&#13;
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fectly correct type-written copy.&#13;
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Read one of my latest testimonials :-&#13;
Hill Cottage, Stanmore, Middlesex,&#13;
Dear Sir,&#13;
August 11th, 1911.&#13;
I received the book, and now write to thank you for your&#13;
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fed. I shall be pleased to send you my work in the future,&#13;
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A FEW FIRST REVIEWS.&#13;
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Published by ..&#13;
HENRY J. DRANE,&#13;
82a, Farringdon Street, LONDON, E.C.&#13;
Crown 8vo. 6/-&#13;
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## p. 56 (#468) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
From Mr. JOHN OUSELEY'S LIST.&#13;
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Darwin and the Bible. H. ARMYTAGE.&#13;
6/- net.&#13;
(Ready shortly.&#13;
The Royal Progress of Our Lord.&#13;
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Modern Views of the Bible. Rev. P. A.&#13;
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## p. 57 (#469) #############################################&#13;
&#13;
The Author.&#13;
( The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.-No. 3.&#13;
DECEMBER 1ST, 1911.&#13;
PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
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ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
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Although care is exercised that no undesirable&#13;
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T OR the opinions expressed in papers that are&#13;
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VOL. XXII.&#13;
LIST OF MEMBERS.&#13;
THE List of Members of the Society of Authors,&#13;
1 published October, 1907, can now be obtained&#13;
at the offices of the Society at the price of&#13;
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A dozen blank pages have been added at the&#13;
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## p. 58 (#470) #############################################&#13;
&#13;
58&#13;
THE AUTHOR.&#13;
end of the list for the conrenience of those who&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
£ s. d.&#13;
0 5 0&#13;
1 1 0&#13;
0 10 0&#13;
0 5 0&#13;
0 5 0&#13;
THE PENSION FUND.&#13;
June 15, Sabatini, Rafael . .&#13;
June 16, Hamilton, Henry . .&#13;
Oct. 5, Bungay, E. Newton&#13;
Oct. 6, Beale, Mrs. W. Phipson. .&#13;
Oct. 12, Hannay, J. O. . .&#13;
.&#13;
Oct. 13, Ward, Mrs. Humphry (in&#13;
addition to her present subscrip-&#13;
tion of £10 per annum for 1912&#13;
and 1913) . . . . .&#13;
Nov. 9, Dailey, R. H. .&#13;
Nov. 10, McCormick, E. B. ,&#13;
Nov. 10, Salter, Miss E. K. . .&#13;
Nov. 14, Kenny, Mrs. L. M. Stacpoole&#13;
5 0&#13;
0 5&#13;
0 10&#13;
0 5&#13;
0 5&#13;
0&#13;
0&#13;
0&#13;
0&#13;
0&#13;
· ·&#13;
· ·&#13;
· ·&#13;
on February 1, the trustees of the Pension&#13;
Fund of the society-after the secretary&#13;
had placed before them the financial&#13;
position of the fund-decided to invest £250 in&#13;
the purchase of Consols.&#13;
is&#13;
The amount purchased at the present price is&#13;
£312 13s. 4d.&#13;
This brings the invested funds to £4,377 198. 4d.&#13;
The trustees, however, have been unable to recom-&#13;
mend the payment of any further pensions, as the&#13;
income at their disposal is at present exhausted.&#13;
They desire to draw the attention of the members&#13;
of the society to this fact, in the hope that by&#13;
additional subscriptions and donations there will&#13;
be sufficient funds in hand in the course of the&#13;
year to declare another pension in case any im-&#13;
portant claim is forthcoming.&#13;
Consols 21%...........&#13;
..... £1,312 13 4&#13;
Local Loans .............................. 500 0 0&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock ............... 291 19 11&#13;
London and North-Western 3% Deben-&#13;
ture Stock ...........&#13;
250 00&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates ...&#13;
Cape of Good Hope 32% Inscribed&#13;
Stock .............................&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock............ 228 0 0&#13;
New Zealand 32% Stock ............... 247 9 6&#13;
Irish Land Act 21% Guaranteed Stock 258 0 0&#13;
Corporation of London 2% Stock,&#13;
1927–57 .......&#13;
438 2 4&#13;
Jamaica 33% Stock, 1919-49 ......... 132 18 6&#13;
Mauritius 4% 1937 Stock............... 120 121&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Grant Stock, 1938.........&#13;
198 3 8&#13;
·&#13;
0 10 0&#13;
1 1 0&#13;
0 100&#13;
05 0&#13;
0 5 0&#13;
0 10 6&#13;
1 0 0&#13;
0 1 9&#13;
0 5 0&#13;
0 5 0&#13;
2 2 0&#13;
1 1 0&#13;
0 10 0&#13;
5 5 0&#13;
1 1 0&#13;
1 0 0&#13;
0 10 0&#13;
2 2 0&#13;
· ·&#13;
200&#13;
200&#13;
0&#13;
0&#13;
Donations.&#13;
1911.&#13;
March 3, Gibbs, F. L. A. .&#13;
March 6, Haultain, Arnold.&#13;
.&#13;
March 9, Hardy, Harold . .&#13;
March 9, Hutton, E. . .&#13;
March 10, Wilson, Albert .&#13;
March 16, Ward, Dudley.&#13;
•&#13;
March 30, Coke, Desmond . . •&#13;
April 1, The XX Pen Club&#13;
:&#13;
April 6, Channon, Mrs. E. M.&#13;
April 7, Henry, Miss Alice . .&#13;
April 10, Ralli, Scaramanga .&#13;
April 11, Robins, Miss Alice . .&#13;
April 20, MacEwan, Miss. . .&#13;
April 20, C. N. and Mrs. Williamson&#13;
April 21, Shirley, Arthur . .&#13;
April 22, H. A. and Mrs. Hinkson&#13;
April 24, Toplis, Miss Grace&#13;
May, Walter John .&#13;
..&#13;
May 19, An Old Member.&#13;
June 2, Wrench, Mrs. Stanley · ·&#13;
July 3. Ingram, J. H.&#13;
July 13, Fell-Smith, Miss C. .&#13;
Sept. 18, Peacock, Mrs. F. M. .&#13;
Sept. 24, Winter, C. Gordon .&#13;
Oct. 10, Guthrie, Anstey. .&#13;
Oct. 11, Baldwin, Mrs. Alfred .&#13;
Oct. 19, Romane-James, Mrs. C..&#13;
Oct. 27. “ Olivia Ramsay ” ..&#13;
Nov. 3, Sprigge, Dr. S. Squire (third&#13;
donation) :&#13;
Nov. 3, Tanner, James T. (fifth dona-&#13;
tion) .&#13;
Nov. 3, Balme, Mrs. Nettleton .&#13;
Nov. 4, Cayzer, Charles (third donation)&#13;
Nov. 6, Le Riche, P. J.&#13;
Nov. 6, Daniell, Mrs. E. H. . .&#13;
Nov. 13, Anon. . .&#13;
Nov. 17, Hichens, Robert (in addition&#13;
to annual subscription) . .&#13;
Nov. 20, Grant, John G. . . .&#13;
.&#13;
6&#13;
autey&#13;
............&#13;
er noen er oo&#13;
2 0&#13;
3 3&#13;
0 15&#13;
0 10&#13;
0&#13;
0&#13;
6&#13;
6&#13;
Total ............... £4,377 19&#13;
4&#13;
. 10 00&#13;
Subscriptions.&#13;
1911.&#13;
March 9, Boughton, Rutland .&#13;
March 10, Somers, John . .&#13;
April 6, Rawlings, Burford&#13;
April 11, Wicks, Mark .&#13;
June 15, Fitzgerald, Colin&#13;
June 15, Fleming, Mrs. A. D. .&#13;
£&#13;
0&#13;
0&#13;
2 2 0&#13;
1 1 0&#13;
3 3 0&#13;
0 10 6&#13;
( 10 0&#13;
0 90&#13;
.&#13;
$. d.&#13;
5 0&#13;
5 0&#13;
6&#13;
5 0&#13;
5 0&#13;
0 0&#13;
0 10&#13;
.&#13;
.&#13;
0&#13;
0&#13;
2&#13;
.&#13;
3 3&#13;
0 10&#13;
0&#13;
6&#13;
6&#13;
•&#13;
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## p. 59 (#471) #############################################&#13;
&#13;
THE AUTHOR.&#13;
59&#13;
For&#13;
The Editor regrets that in the publication in A case dealing with the bankruptcy of an agent&#13;
the November issue of the full list of annual Sub- was then considered, and it was decided to follow&#13;
scribers to the Pension Fund some mistakes occurred, the advice of the solicitor and go forward with the&#13;
which he now takes the earliest opportunity of matter.&#13;
correcting.&#13;
Some important cases of dramatic piracy were&#13;
Read&#13;
discussed, relating to infringements of copyright&#13;
Mrs. Cameron Mrs. Charlotte Cameron&#13;
and performing rights both in England and Ireland.&#13;
Miss Gabriel Festing Miss Festing&#13;
The committee decided to take vigorous action in&#13;
F. W. Halford F. M. Halford&#13;
these matters, as some half a dozen members of the&#13;
society were involved. They felt sure that once&#13;
the pirates could be driven off the market, dramatic&#13;
authors would reap a corresponding benefit by&#13;
COMMITTEE NOTES.&#13;
legitimate performances of their plays.&#13;
The solicitor was able to report that five cases&#13;
dealing with infringement of copyright and pay-&#13;
THE November meeting of the committee ment of moneys had been settled during the month&#13;
was held at the offices of the society on by the recovery of the sums due to the members&#13;
Monday the 6th.&#13;
involved. One claim against an actor for fees due&#13;
The committee are pleased to note another large on performances of a sketch was mentioned. The&#13;
election, forty-two members and associates having solicitor informed the committee that he had&#13;
come in since the previous meeting of the com- obtained part payment, and was now applying for&#13;
mittee on October 2nd. This brings the total number proper accounts.&#13;
of elections for the current year up to 263. If, An important case in the United States was&#13;
during November, the elections come in at the same considered by the committee, and the action to be&#13;
rate, then the elections for 1911 will be consider- taken was left for future consideration, it being&#13;
ably in excess of those for 1910.&#13;
understood that the chairman and secretary of the&#13;
T'he committee registered, with regret, ten resig. society would discuss the position with the&#13;
nations, bringing the resignations for the current author.&#13;
year up to seventy-six.&#13;
Another case in the United States—this time in&#13;
While resignations are to be expected, the com- San Francisco—the committee decided to carry&#13;
mittee are glad to note that with the increase of through.&#13;
membership of the society, they do not appear to Both these cases dealt with dramatic copyright.&#13;
increase proportionately, but maintain very much A case of alleged unfair criticism of a book was&#13;
the same level as in past years.&#13;
laid before the committee by a member. After&#13;
The committee next considered the question of careful consideration, the committee came to the&#13;
life membership&#13;
conclusion that it would be impossible to take&#13;
On many occasions members, having subscribed the action suggested by the member, and the&#13;
for some years, have asked to have their subscrip- secretary was instructed to write to him to that&#13;
tions capitalised into a life membership fee, but the effect.&#13;
committee have felt, in view of the smallness of the Sir Gilbert Parker attended the meeting of the&#13;
life membership subscription, that it is impossible committee in order to raise some points as to&#13;
to depart from the rule which demands this pay the committee's action on the Copyright Bill,&#13;
ment in one lump sum, and that no offer to pay the and to put forward further points in regard to&#13;
subscription by instalments, or in any other manner Canadian copyright. The committee listened&#13;
than that indicated, could be entertained. It sympathetically to Sir Gilbert Parker's statement.&#13;
would be impossible for the society to continue its They further decided, as he informed them that he&#13;
work, and preserve its financial stability, if a was going to Canada, to accept his good offices&#13;
departure from the rule were permitted which there in connection with the Canadian copyright&#13;
interfered with regular income.&#13;
question, which has most important bearings for&#13;
The next matter before the committee was the English authors.&#13;
consideration of the legal cases. On these the The committee's nomination of representatives&#13;
solicitor had a very favourable report to submit. for the election to the committee of management&#13;
One case of infringement of copyright, which had in 1912 was adjourned till the December meeting.&#13;
been closed by an undertaking on the part of the The committee regretted that their efforts in&#13;
defendants to pay the sum claimed as damages, had regard to the insurance of members against loss&#13;
to be reopened owing to the discovery that the incurred through defaulting magazines had been&#13;
defendants had made an incorrect statement as to unsuccessful, as the figures in these cases were so&#13;
the number of books they had printed.&#13;
variable that it was impossible to fix upon any&#13;
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## p. 60 (#472) #############################################&#13;
&#13;
60&#13;
THE AUTHOR.&#13;
standards of premium which would cover even large Three dramatic cases were next reported, at&#13;
groups of cases.&#13;
having been taken in band on behalf of members.&#13;
It was decided to forward copies of a draft agree All three dealt with infringements of performing&#13;
ment between authors and literary agents to rights, by touring managers who were running plays&#13;
members of the committee, with a request that they without rendering accounts and without paymens&#13;
should submit any suggestions they may have to of moneys to the persons concerned. The Dramatic&#13;
offer in regard to it. It was proposed to codify Sub-Committee strongly recommended that these&#13;
these suggestions and submit them to a sub- cases should be carried through by the Committee&#13;
committee, who will report to the committee upon of Management.&#13;
the matter.&#13;
Cases.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
We are pleased to report that the cases in the&#13;
On Friday, November 10, a special meeting of the hands of the secretary during the past month have&#13;
Dramatic Sub-Committee was held at 2, Brunswick only reached eight in number.&#13;
Place, Regent's Park, N.W., by the kind invitation There was one case of alleged breach of contract.&#13;
of Mr.Cecil Raleigh. The only matter discussed at Authors should remember that if a clause in an&#13;
that meeting was the settlement of the Managerial agreement is broken it does not necessarily cancel&#13;
Treaty. The committee commenced their sitting at the agreement, but as a rule only gives a right of&#13;
eleven o'clock in the morning, and the Managerial action for damages. Even then, it is sometimes&#13;
Treaty was finally settled at 5.30 in the after. difficult to prove that damages have been sustained,&#13;
noon.&#13;
and therefore it is not worth while to pursue the&#13;
The next meeting was held on Friday, November case further. Again, it is valuable for an author&#13;
17, when Mr. Haddon Chambers introduced to the to remember that if the breach of agreement has&#13;
meeting Mr. Walter C. Jordan, of New York, who anything to do with the delay in publication it is&#13;
desired to inform the sub-committee of the position sometimes best to settle the question diplomatically&#13;
of authors' rights with stock companies in the United rather than to take the matter through the courts.&#13;
States. Mr. Jordan explained how very valuable An action at law, while the book is on the market&#13;
these rights might be if properly marketed, and or just about to be placed on the market, is not&#13;
advised that in future contracts dramatists should likely to increase the publisher's anxiety to press&#13;
be careful that they received suitable remuneration the book into a successful circulation. The case&#13;
for these rights, or reserved them so that they might which has been in the secretary's hand has been&#13;
deal with them separately through dramatic agents settled in as far as it was possible to settle a difficult&#13;
in the United States. The sub-committee thanked matter without hurting the author's position.&#13;
Mr. Jordan for his attendance and for the informa There have been two cases dealing with the&#13;
tion he had given them.&#13;
payment of money. In these the moneys have&#13;
The secretary then laid before the sub-committee been paid and forwarded to the respective authors.&#13;
the final draft of the Managerial Treaty, and it was One case of infringement of title has been&#13;
decided to send a circular to members of the abandoned on the advice of the Secretary. It may&#13;
Dramatists' Club, with a copy of the treaty, and be as well to repeat that there is no copyright in a&#13;
subsequently, to send the treaty with a covering title, and only in exceptional cases is it possible to&#13;
letter to members of the Dramatic Section of the advise authors to take action ; but any author who&#13;
Society of Authors. This will be carried through is a member of the Society is entitled to a legal&#13;
in the course of the next few weeks.&#13;
opinion as to his position, as each case must be&#13;
The secretary then reported that, on November 8, judged by the special evidence bearing on it.&#13;
a deputation, consisting of Mr. R. C. Carton, Mr. Two cases have come into the office with regard&#13;
W. J. Locke, Mr. Cecil Raleigh and himself, to the return of MSS. One is in course of negotia-&#13;
attended a meeting of the Theatres and Music tion, and in the other, which bas only recently come&#13;
Halls Committee of the London County Council in to hand, the delinquent has not had time to reply&#13;
order to place before that committee the anomalies to the Secretary's letter,&#13;
which occur in regard to sketch production, and in Two cases of infringement of copyright (both&#13;
order to urge upon the council the necessity of dramatic cases) have only recently come into the&#13;
granting double licences pending the introduction office. If the Secretary does not receive a satis-&#13;
of some proper legislation to alter the present music factory answer to bis communication they will be&#13;
hall law in this respect. The sub-committee are placed in the hands of the society's solicitors.&#13;
pleased to report that the council have now in some There are at present a considerable number of&#13;
cases granted the double licence where it had been cases of infringement of dramatic rights being&#13;
applied for.&#13;
dealt with by the solicitors.&#13;
&#13;
&#13;
## p. 61 (#473) #############################################&#13;
&#13;
THE AUTHOR.&#13;
61&#13;
Of the cases left open from former months three Reid, D. E. . . . H.B.M. Legation,&#13;
have had to be placed in the solicitors' bands.&#13;
Bangkok, Siam.&#13;
One dealing with the payment of money is still Richardson, A. Eva . , Writers' Club, W.C.&#13;
open, but part of the money has been paid, and the Ross, Miss Lina . . 22, Earl's Court&#13;
Secretary trusts he will be able to obtain the&#13;
Square, S.W.&#13;
balance without referring the matter to the society's Sadler, Mrs. S. H. (S. H. S.) 5, St. Andrew's Place,&#13;
lawyers.&#13;
Regent's Park,&#13;
N.W., and Lyceum&#13;
November Elections.&#13;
Club.&#13;
Salter, Emily K. . . 225, Willesden Lane,&#13;
Allshorn, L. . . . 33, Trebovir Road,&#13;
Cricklewood, N.W.&#13;
London, S.W. Sinnett, Alfred Percy 59, Jermyn Street,&#13;
Castleton Robert&#13;
S.W.&#13;
Cross, Harold H. U. . c/o Society of Authors. Smith, Arthur . . . 9, Grand Parade, St.&#13;
Dailley, Richard “ Crom- “Corona," Torquay,&#13;
Leonards-on-Sea.&#13;
well Clarke,"&#13;
Devon.&#13;
Snell, Olive . . . 5, Rutland Gate, S.W.&#13;
Dorling, Lieut. Taprell . c/o Admiralty, White- Stiles, Leslie . . . 44, Duke's Avenue,&#13;
hall, S.W.&#13;
Chiswick, W.&#13;
Eden Guy . . . 14, Eccleston Square, Stone, Christopher Rey. Lady Ham, Burford,&#13;
S.W.&#13;
nolds.&#13;
Oxon.&#13;
Forbes George, M.A., 11, Little College Waterbury, Mrs. (Jane 4, Chemin du Foyer,&#13;
F.R.S.&#13;
Street, West. Adams).&#13;
Geneva, Switzer-&#13;
minster, S.W. The&#13;
land.&#13;
Athenæum Club, Yearsley, Macleod, F.R.C.S. 59, Queen Anne&#13;
S.W.&#13;
Street, Cavendish&#13;
Fraser Edward . . Fern Bank, Zig Zag&#13;
Square, W.&#13;
Road, Ventnor,&#13;
I.W.&#13;
Gooch, G. P. . . . South Villa, Campden&#13;
Hill Road, W.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
Grierson Francis . . 380, Richmond Road,&#13;
Twickenham.&#13;
Heron-Maxwell, Miss Kath- 5, Sloane Court, S.W. WHILE every effort is made by the compilers to keep&#13;
leen.&#13;
this list as accurate and exhaustive as possible, they have&#13;
Jordan Humfrey . . Cambridge.&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
Leathes Stanley · . 5, Paper Buildings,&#13;
· 5, Paper&#13;
by the members. In consequence, it is necessary to rely&#13;
Temple, E.C. largely upon lists of books which appear in literary and&#13;
Lovell, Arthur . . . 94, Park Street, Gros- other papers. It is hoped, however, that members will&#13;
venor Square, W.&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
Marks, Miss Jeanette South Hadley, Massa-&#13;
accurate.&#13;
chusetts, U.S.A.&#13;
AGRICULTURE,&#13;
McCormick, Ernest Boyd National Liberal Club,&#13;
A FARM IN CREAMLAND. A Book of the Devon Country.&#13;
S.W.&#13;
side. By CHARLES GARVICE. 9 x 5}. 392 pp. Hodder&#13;
Mendl, Gladys . . . 76, Gloucester Place, i &amp; Stoughton. 78. 6d. n.&#13;
Portman Square,&#13;
ART.&#13;
W.&#13;
THE MASTERY OF LIFE. By G. T. WRENCH. 9 X 53.&#13;
Millican, Dr. Kenneth, “ Lancet" Office,&#13;
518 pp. Swift. 158. n.&#13;
M.A., Captab..&#13;
Strand, W.C. WILLIAM MORRIS TO WHISTLER : PAPERS AND ADDRESSES&#13;
Oppenheim Stany Stany 86, rue de Miromesnil, ON ART AND CRAFT AND THE COMMONWEALTH. By&#13;
WALTER CRANE. Illustrated. 71 x 5. 277 pp. Beli.&#13;
Orbier) . .&#13;
Paris.&#13;
.&#13;
68. n.&#13;
Paterson, Marcus .&#13;
Brompton Hospital LITTLE BOOKS ABOUT OLD FURNITURE: ENGLISH&#13;
Sa natorium, FURNITURE. By J. P. BLAKE AND A. E. REVEIRS-&#13;
Frimley.&#13;
HOPKINS. Vol. I. Tudor to Stuart. 115 pp. Vol. II.&#13;
Patterson, J. E. . . Billericay, Essex.&#13;
The Period of Queen Anne. 115 pp. 73 X 5. Illus-&#13;
trated. Heinemann. 28. 6d. n. each.&#13;
Peers, Mrs. C. R. . . 14, Lansdowne Road,&#13;
Wimbledon, S.W.&#13;
BIOGRAPHY.&#13;
Phillimore-Furness, E. C. 31, Merton Hall Road, LATER) LETTERS OF EDWARD LEAR. Edited by LADY&#13;
Wimbledon,&#13;
STRACHEY. 9 x 58. 392 pp. Fisher Unwin. 158. n.&#13;
&#13;
&#13;
## p. 62 (#474) #############################################&#13;
&#13;
62&#13;
THE AUTHOR.&#13;
THE LEAVES OF THE TREE. Studies in Biography. By&#13;
A. C. BENSON. 87 x 58. 332 pp. Smith, Elder,&#13;
78. 6d. .&#13;
PENELOPE RICH AND HER CIRCLE. By MAUD STEPNEY&#13;
Rawson. 89 x 54. 351 pp. Hutchinson. 168. n.&#13;
THE ROMANTIC LIFE OF SHELLEY AND THE SEQUEL. By&#13;
FRANCIS GRIBBLE. 9 X 54. 387 pp. Nash. 158. n.&#13;
ROYAL LOVE LETTERS. A Batch of Human Documents.&#13;
Collected and Edited by E. KEBLE CHATTERTON. 9 X&#13;
54. 321 pp. Mills &amp; Boon. 108. 6d. n.&#13;
THE LIFE OF JOHN RUSKIN. By E. T. Cook. Two&#13;
Volumes. 89 x 51. 510 pp. + 625 pp. Allen. 218. n.&#13;
THE LIFE AND LETTERS OF LAURENCE STERNE. BY&#13;
LEWIS MELVILLE. 9 x 54. 326 + 347 pp. Stanley&#13;
Paul. 288. n.&#13;
GRAHAME OF CLAVERHOUSE, VISCOUNT DUNDEE. By&#13;
MICHAEL BARRINGTON. 113 x 71. 448 pp. Martin&#13;
Secker. 218. n.&#13;
WHEN LIFE WAS NEw. By H. G. HUTCHINSON. 87 x 5.&#13;
302 pp. Smith, Elder.&#13;
SOME RECOLLECTIONS. By T. TEIGNMOUTH-SHORE,&#13;
Canon of Worcester Cathedral. 81 x 51. 343 pp.&#13;
Hutchinson. 168. n.&#13;
PROFESSOR ELMSLIE. By W. ROBERTSON NICOLL.&#13;
64 X 41. 186 pp. Hodder &amp; Stoughton. 38. 6d.&#13;
FOURTEEN YEARS OF DIPLOMATIC LIFE IN JAPAN.&#13;
Stray Leaves from the Diary of BARON ESS ALBERT&#13;
D'ANETHAN. With an Introduction by His EXCELLENCY&#13;
THE JAPANESE AMBASSADOR TO THE COURT OF ST.&#13;
JAMES. Stanley Paul &amp; Co. 188. n.&#13;
THE CASE OF RICHARD MEYNELL. By MRS. HUMPHRY&#13;
WARD. 78 X 5. 525 pp. Smith, Elder. 68.&#13;
BROKEN ARCS. By DARRELL FIGGIS, 71 X 41. 430 pp.&#13;
Dent. 68.&#13;
THE MOMENT. By ERNEST DAVIES. 71 X 43. Alston&#13;
Rivers. 68.&#13;
AS HE WAS BORN. By TOM GALLON. 74 X 5. 337 pp.&#13;
Eveleigh Nasb. 68.&#13;
THE STOLEN BRIDE. By W. H. WILLIAMSON, 74 x 5.&#13;
320 pp. Melrose. 68.&#13;
TANTE. By ANNE DOUGLAS SEDGWICK, 7 X 5. 390 pp.&#13;
Arnold. 68.&#13;
SAINTS, SINNERS, AND THE USUAL PEOPLE. By ST. JOHN&#13;
LUCAS. 71 x 5. 333 pp. Blackwood. 68.&#13;
JOHN TEMPLE, MERCHANT, ADVENTURER, CONVICT, AND&#13;
CONQUISTADOR. By RALPH DURAND. 71 x 5. 371 pp.&#13;
Macmillan. 68.&#13;
LETTERS OF A SPINSTER. By WINIFRED JAMES. 73 X&#13;
5. Chapman &amp; Hall.&#13;
THE WIND BLOWETH. By MARION MOLE. 7 X 5&#13;
318 pp. Melrose. 68.&#13;
A SWEEPING. By WINIFRED JAMES. 78 x 51. 160 pp.&#13;
Fisher Unwin. 38. 60, n.&#13;
THE TUPPENY Box. By COLIN FITZGERALD. 7 x 5.&#13;
256 pp. Drane. 68.&#13;
MOTLEY AND TINSEL. A Story of the Stage. By J. K.&#13;
PROTHERO. 71 x 54. 272 pp. Swift. 68.&#13;
THE DOLL. A Happy Story. By VIOLET HUNT. 74 X&#13;
41. 308 pp. Stanley Paul. 68.&#13;
THE PEARL OF GREAT PRICE. By ALICE AND CLAUD&#13;
ASKEW. 8 x 5. 312 pp. F. V. White. 6s.&#13;
PAUL THE MINSTREL AND OTHER STORIES. By A. C.&#13;
BENSON. Reprinted from “ THE HILL OF TROUBLE,"&#13;
and “ THE ISLES OF SUNSET." 87 x 53. 443 pp.&#13;
Smith Elder. 78. 6d. n.&#13;
THE AFFAIRS OF JOHN BOLSCVER. BY UNA L.&#13;
SIBBERRAD. 61 X 41. 288 pp. Cheap Reprint. Nelson.&#13;
7d. n.&#13;
CARROW OF CARRODUFF. By Mrs. STACPOOLE KENNY.&#13;
331 pp. Greening. 68.&#13;
FORTUNE'S FOUNDLING. By L. G. MOBERLEY, 75 X 5.&#13;
302 pp. Ward Lock. 68.&#13;
DRAMA.&#13;
THE MAID OF ORLEANS. By R. H. BENSON. 71 X 5.&#13;
95 pp. Longmans. 38. n.&#13;
Two PLAYS. HARVEST: THE CLANCY NAME. By&#13;
LENNOX ROBINSON. 71 X 5. 84 pp. Dublin :&#13;
Maunsell. 23. 6d. n.&#13;
THE PAGEANT OF THE BRUCE. By SIR GEORGE DOUGLAS.&#13;
61 x 54. 87 pp. Glasgow : Maclehose.&#13;
Four PLAYS. By MORLEY ROBERTS. 71 X 44. 159 pp.&#13;
Nash. 28. 6d. n.&#13;
ALICE IN GANDERLAND. A One-Act Play. By LAURENCE&#13;
HOUSMAN. 71 X 44. 24 pp. The Woman's Press.&#13;
3d. n.&#13;
THE DAYS OF THE MAGNIFICENT. A Drama of Old&#13;
Florence in blank verse and prose. By ARTHUR&#13;
MAQUARIE. 74 X 51. 155 pp. Bickers. 38. 6d. n.&#13;
HISTORY.&#13;
PRINCESS ALFRIDA'S CHARITY. Part 2. By the Rev.&#13;
HENRY LANSDELL. Blackheath : Burnside Ltd. 60. n.&#13;
FICTION.&#13;
A LIKELY STORY. By WILLIAM DE MORGAN. 78 x 5.&#13;
344 pp. Heinemann. 68.&#13;
THE GREEN CURTAIN. By M. E. BRADDON. 78 X 5.&#13;
462 pp. Hutchinson. 68.&#13;
CHRISTOPHER. By RICHARD PRYCE. 7f 5. 343 pp.&#13;
Hutchinson. 68.&#13;
THE REVENUES OF THE WICKED. By WALTER RAYMOND.&#13;
7} * 5. 256 pp. Dent. 68.&#13;
A ROMANCE OF THE SIMPLE. By MARY J. H. SKRINE.&#13;
73 X 5. Arnold. 6s.&#13;
THE ROAD. By FRANK SATILE. 61 x 41. 284 pp.&#13;
Nelson, 7d, n.&#13;
PETER THE GREAT. By FRED WHISHAW. 73 x 5.&#13;
317 pp. Digby Long. 6s.&#13;
BROWN FACE AND WHITE. A Story of Japan. By&#13;
CLIVE HOLLAND. 78 x 5. 314 pp. `Hurst &amp; Blackett.&#13;
68.&#13;
CUPID AND CARTRIDGES. By AUBREY O'BRIEN and&#13;
REGINALD BOLSTER. 9 x 51. 334 pp. Blackwood.&#13;
108. n.&#13;
NO SURRENDER. BY CONSTANCE MAUD. 78 X 5.&#13;
323 pp. Duckworth. 68.&#13;
JUVENILE.&#13;
THE CHILDREN OF THE CLIFF. By A. V. DUTTON.&#13;
Illustrated. S.P.C.K. 18. 6d. n.&#13;
THE BOY'S GUIDE. By A. WILLIAMS. Illustrated by&#13;
H. PENTON. 81 x 64. 560 pp. Nelson. 58.&#13;
THE CALL OF HONOUR : A Tale of Adventure in Canadian&#13;
Prairies. By ARGYLE SAXBY. 7 X 5. 318 pp.&#13;
Partridge. 28.&#13;
ELIZABETHAN ADVENTURES UPON THE SPANISH MAIN&#13;
(Adapted from the “ Voyages " of Richard Hakluyt).&#13;
By A. M. HYAMSON. 8 x 5. 399 pp. Routledge. 38. 68.&#13;
DR. OWL'S ACADEMY. Drawn by F. A. WILLIAMS.&#13;
Verses by JESSIE POPE. 10 X 7. Blackie. 18. 6d.&#13;
BLACKIE'S CHILDREN'S ANNUAL STORIES BY EVELYN&#13;
SHARP AND OTHERS. Illustrations by GORDON&#13;
BROWN, R.I., AND OTHERS. 11 x 83. 200 pp. Blackie.&#13;
33. 60.&#13;
THE PEEK-A-Boos IN WINTER. BY CHLOE PRESTON.&#13;
9 x 134. Frowde and Hodder &amp; Stoughton. 68. n.&#13;
THE ADVENTURES OF JACK RABBIT. By R. KEARTON.&#13;
78 x 51. 248 pp. Cassell. 6s.&#13;
THE DRAGON OF ESSEX : A Story of the Days of Alfred.&#13;
By the Rev. PERCY DEARMER. 87 x 51. 310 pp.&#13;
Mowbray. 38. 6d. n.&#13;
&#13;
&#13;
## p. 63 (#475) #############################################&#13;
&#13;
THE AUTHOR.&#13;
63&#13;
MYSTICS OF THE RENAISSANCE AND THEIR RELATION&#13;
TO MODERN Thought. By RUDOLF STEINER, Ph.D.&#13;
(Vienna). Authorised Translation from the German. By&#13;
BERTRAM KEIGHTLEY, M.A. Edited by Max Gysi&#13;
London : Theosophical Publishing Society. 48. 6d. n.&#13;
MUSIC.&#13;
MUSICAL COMPOSITION: A Short Treatise for Students.&#13;
By SIR CHARLES VILLIERS STANFORD, 8 x 57. 193 pp.&#13;
Macmillan. 38. 6d. n.&#13;
AMONG THE HILLS : A Book of Joy in High Places. By&#13;
REGINALD FARRER. 88 x 54. 326 pp. Headley Bros.&#13;
108.6d. n.&#13;
NATURAL HISTORY.&#13;
THE LIFE OF THE BEE. By MAURICE MAETERLINCK.&#13;
Translated by ALFRED SUTRO. Illustrated by EDWARD&#13;
J. DETMOLD. 113 x 89. 235 pp. Allen. 218. n.&#13;
THE NEW BOOK OF THE DOG.Edited by R. LEIGHTON.&#13;
Part 1. 11 X 81. 32 pp. Cassell. ls. n.&#13;
FIVE OF THEM : A Tale of Fun and Adventure. By&#13;
THEODORA WILSON WILSON. 78 X 5. 247 pp. Blackie.&#13;
23. 6d.&#13;
THE OLD MIRACLE PLAYS OF ENGLAND. By NETTA&#13;
SYRETT. 78 X 54. 118 pp. Mowbray. 28. n.&#13;
THE FLYING BOAT: A Story of Adventure and Misadven-&#13;
ture. By HERBERT STRANG. 78 x 5. 271 pp. Frowde,&#13;
and Hodder &amp; Stoughton. 38. 6d.&#13;
UNDER THE CHINESE DRAGON : A Tale of Mongolia. By&#13;
CAPTAIN F. S. BRERETON. Illustrated hy CHARLES&#13;
M. SHELDON. 73 X 5. 363 pp. Blackie. 58.&#13;
THE HERO OF PANAMA : A Tale of the Great Canal. By&#13;
CAPTAIN F. S. BRERETON. Illustrated by WILLIAM&#13;
RAINEY, R.I. 8 X 51. 384 pp. Blackie. 68.&#13;
THE AIR SCOUT : A Story of National Defence. By&#13;
HERBERT STRANG. lllustrated in colour by W. R. Š.&#13;
STOTT. 81 x 54. 431 pp. Frowde, and Hodder &amp;&#13;
Stoughton. 6s.&#13;
HERBERT STRANG'S ANNUAL. 101 x 73. 208 pp.&#13;
Frowde, and Hodder &amp; Stoughton. 58. n.&#13;
THE SWORD OF FREEDOM : A Tale of the English&#13;
Revolution. By CAPTAIN CHARLES GILSON. With&#13;
eight illustrations in colour by FRANK GILLETT, R.I.&#13;
420 pp. Hodder &amp; Stoughton. 68. n.&#13;
TALES FROM THE WOODS AND FIELDS. By GLADYS&#13;
DAVIDSON WELLS. Gardner, Darton &amp; Co. ls. 6d.&#13;
ALL ABOUT “THE MAN IN THE MOON.” By GLADYS&#13;
DAVIDSON, Dean &amp; Son 6d.&#13;
PINAFORE TALES. By GLADYS DAVIDSON. Sands &amp; Co.,&#13;
London and Edinburgh. 2s. 6d.&#13;
THE SECRET GARDEN. By FRANCES HODGSON BURNETT.&#13;
Illustrated by C. ROBINSON. 87 x 6. 306 pp. Heine-&#13;
mann, 68.&#13;
THE WONDERFUL GARDEN, OR THE THREE C's. By E.&#13;
NESBIT. Ilustrated by H. R. MILLAR. 74 X 51.&#13;
402 pp. Macmillan. 68.&#13;
A COMPLEAT SEA COOK. By F. T. BULLEN. 78 X 5.&#13;
305 pp. Partridge. 38. 6d.&#13;
NOT CRICKET. A School Story. By HAROLD AVERY&#13;
84 x 51. 384 pp. Partridge. 58.&#13;
A SOUTH SEA BUCCANEER. By A. DORRINGTON. 78 x 5.&#13;
308 pp. Melrose. 6s.&#13;
PADS, PAWS AND CLAWS. By W. P. PYCRAFT, F.Z.S.&#13;
Illustrated by E. NOBLE, R.B.W. 11 X 81. 122 pp.&#13;
Wells Gardner. 58. n.&#13;
PHILOSOPHY.&#13;
LAUGHTER : AN ESSAY ON THE MEANING OF THE COMIC.&#13;
By HENRI BERGSON. Authorized Translation by&#13;
CLOUDESLEY BRERETON and FRED ROTHWELL.&#13;
8.1 x 54. Macmillan. 38. 6d. n.&#13;
POETRY.&#13;
THE EVERLASTING MERCY. BY JOHN MASEFIELD.&#13;
74 x 5. 90 pp. Sidgwick &amp; Jackson. 38. 60, n.&#13;
POEMS. By C. GRANVILLE. 84 x 7. 149 pp. Swift.&#13;
58. n.&#13;
PSYCHE. By FRANCIS Courts. 73 x 5. 69 pp. Lane.&#13;
38. 6d. n.&#13;
TO THE ARABS. By L. FLORENCE FFOULKES, G. WHITE :&#13;
396, King's Road, Chelsea ; and of the Author, 4, Nevern&#13;
Square, S.W. 18.&#13;
REPRINTS.&#13;
A WINDOW IN THRUMS. By J. M. BARRIE. Illustrated&#13;
in Colour by A. C. MICHAEL. 8 x 6. 212 pp. Hodder&#13;
&amp; Stoughton. 6s. n.&#13;
THE GARDEN OF SONG. An Anthology of Lyrics Set to&#13;
Music. Edited by HAROLD SIMPSON. 7 X 41. 229 pp.&#13;
Mills &amp; Boon. 28. 6d. n.&#13;
OLD ENGLISH CAROLS. From the Hill MS. Translated&#13;
by JESSIE L. WESTON. 73 x 5. 44 pp. Nutt.&#13;
1s. 6d. n.&#13;
SOUTHEY'S LIFE OF NELSON (Oxford Edition). 74 x 5.&#13;
310 pp. Frowde, 28.&#13;
SPORT.&#13;
SPORT ON THE RIVIERAS. Edited by EUSTACE REYNOLDS&#13;
BALL and C. A. PAYTON (“Sarcella ” of The Field).&#13;
With Illustrations from Original Photographs and a&#13;
Map. Reynolds Ball Guides, 27, Chancery Lane, W.C.&#13;
28. 6d. n.&#13;
BADMINTON. By S. M. MASSEY. 154 pp. Bell.&#13;
RACING. STEEPLECHASING, COURSING. By WILLIAM&#13;
SCARTH Dixon. 15 X 11). “British Sports and Sports-&#13;
men.” Knight, Covent Garden. £10 108.&#13;
LITERARY.&#13;
SHAKESPEARE. By DARRELL FIGGIB. 81 x 54. 345 pp.&#13;
Dent. 58. n.&#13;
THE SANITY OF ART : AN EXPOSURE OF THE CURRENT&#13;
NONSENSE ABOUT ARTISTS BEING DEGENERATE. By&#13;
BERNARD SHAW. 68 x 41. 104 pp. Constable. 18. n.&#13;
THE FEAST OF ST. FRIEND. By ARNOLD BENNETT.&#13;
74 X 5. 98 pp. Hodder &amp; Stoughton. 28. 6d. n.&#13;
THE A. G. WELLS CALENDAR. A Quotation from the&#13;
Works of H. G. Wells for Every Day in the Year.&#13;
Selected by ROSAMOND MARRIOTT WATSON. 100 pp.&#13;
64 X 41. F. PALMER. 18. n.&#13;
THE ARNOLD BENNETT CALENDAR. Compiled by F.&#13;
BENNETT. 64 X 41. F. Palmer, 18.&#13;
MILITARY.&#13;
WELLINGTON'S CAMPAIGNS. Part III. Waterloo. Re-&#13;
vised and Re-arranged By MAJOR-GENERAL C. W.&#13;
ROBINSON, C.B. London: Hugh Rees. 38. 6d. n.&#13;
MISCELLANEOUS.&#13;
QUEER LEARY NONSENSE. A Lear Nonsense Book.&#13;
Edited by LADY STRACHEY. With an Introduction by&#13;
the EARL OF CROMER, G.C.B. 10 x 73. 67 pp. Mills&#13;
&amp; Boon. 38. 6d. n.&#13;
THEOLOGY.&#13;
OTHER SHEEP. A Study of the Peoples of India, with&#13;
particular reference to the collision between Christianity&#13;
and Hinduism. By HAROLD BEGBIE. 73 X 5. 344 pp.&#13;
Hodder &amp; Stoughton. 68.&#13;
TOPOGRAPHY.&#13;
THE “FLOWER OF GLOSTER." By E. TEMPLE THURSTON.&#13;
Illustrated by W. R. DAKIN. 8 X 61. 244 pp.&#13;
Williams &amp; Norgate. 78. 6d. n.&#13;
&#13;
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## p. 64 (#476) #############################################&#13;
&#13;
64&#13;
THE AUTHOR.&#13;
TRAVEL.&#13;
THROUGH TRACKLESS LABRADOR. By H. HESKETH&#13;
PRICHARD. With a Chapter on Fishing by G. M.&#13;
GATHORNE-HARDY. 104 X 71. 254 pp. Heinemann.&#13;
158. n.&#13;
THROUGH THE HEART OF PATAGONIA. By H, HESKETH&#13;
PRICHARD. 61 x 41. 375 pp. Nelson. 18. n.&#13;
"TWIXT LAND AND SEA : SKETCHES AND STUDIES IN&#13;
- NORTH AFRICA. By CYRIL FLETCHER GRANT and&#13;
L. GRANT. Sampson Low &amp; Co. 218. n.&#13;
VENICE AND VENETIA. By EDWARD HUTTON. 74 x 5.&#13;
324 pp. Methuen. 6s.&#13;
ESTO PERPETUA : ALGERIAN STUDIES AND IMPRESSIONS,&#13;
By HILAIRE BELLOC. 71 x 5. 191 pp. (The Readers'&#13;
Library). Duckworth. 28. 6d. n.&#13;
TOURING IN 1600. A Study in the Development of Travel&#13;
as a means of Education. By E. S. BATES. Constable.&#13;
123. 6d. n.&#13;
MISCELLANEOUS,&#13;
TOURING IN 1600. A Study in the Development of Travel&#13;
as a Means of Education. By E. S. BATES. Boston :&#13;
Houghton Mifflin. $3 and $10 n.&#13;
MYSTICS OF THE RENAISSANCE AND THEIR RELATION&#13;
TO MODERN THOUGHT. By RUDOLF STEINER, Ph.D.&#13;
Authorised Translation by BERTRAM KEIGHTLEY.&#13;
Edited by MAX Gysi. New York: Putnam.&#13;
POETRY.&#13;
THE BOOK OF SCOTTISH POETRY ; being an Anthology of&#13;
the best Scottish Verse from the earliest times to the&#13;
present. Edited by Sir GEORGE DOUGLAS, Bart.&#13;
928 pp. New York : Baker. $3.50 n.&#13;
TRAVEL.&#13;
CANADA AS IT IS. By J. FOSTER FRASER. With an&#13;
Introduction by THE RIGHT HONBLE. LORD STRATE-&#13;
CONA, 4 plates in colour and 50 black-and-white&#13;
illustrations. New York : Cassell. $1 75 n.&#13;
THE SPELL OF EGYPT. By ROBERT HICHENS. 272 pp.&#13;
New York: Century Co. $1.25 n.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
BIOGRAPHY.&#13;
SOME ASPECTS OF THACKERAY. By LEWIS MELVILLE&#13;
281 pp. Boston: Little Brown. $2.50 n.&#13;
DRAMATIC.&#13;
THE MAID OF ORLEANS. By the Rev. R. H. BENSON.&#13;
95 pp. New York : Longmans. $1 n.&#13;
POMANDER WALK. By LOUIS N. PARKER. 266 pp.&#13;
New York : John Lane Co. $1.30.&#13;
FICTION&#13;
THE ELDEST Son. By ARCHIBALD MARSHALL. 375 pp.&#13;
New York: Dodd Mead. $1.25 n.&#13;
" A BLOOD MOON." By IRENE OSGOOD. New York :&#13;
Broadway Publishing Co. $1.50 n.&#13;
PETER AND WENDY. By J. M, BARRIE. Illustrated by&#13;
F. D. BEDFORD. 267 pp. New York : Scribner. $1.50.&#13;
THE CAGE. By HAROLD BEGBIE. 312 pp. New York :&#13;
Doran. $1.20 n.&#13;
WHOM GOD HATH JOINED. By ARNOLD BENNETT.&#13;
396 pp. New York: Doran. $1.20 n.&#13;
SHIP's COMPANY. By W. W. JACOBS. With 34 illustra-&#13;
tions. By WILL OWEN. 261 pp. New York: Scribner.&#13;
$1.20 n.&#13;
THE NOTORIOUS Miss LISLE. By Mrs. L. BAILLIE&#13;
REYNOLDS. 291 pp. New York: Doran. $1.20 n.&#13;
VERA OF THE STRONG HEART. By MARION MOLE.&#13;
New York: Putnam's Sons.&#13;
THE INNOCENCE OF FATHER BROWN. By G. K.&#13;
CHESTERTON. 334 pp. New York: John Lane Co.&#13;
$1.30.&#13;
HENRIETTA. By E. CROSBY HEATH. 304 pp. New&#13;
York : John Lane Co. $1. 25.&#13;
ELIZA GETTING ON. By BARRY PAIN. 118 pp. New&#13;
York : Cassell. $1 n.&#13;
JUVENILE.&#13;
THE BLUE ROSE FAIRY BOOK. By:MAURICE BARING&#13;
260 pp. New York : Dodd Mead. $2.&#13;
TEDDY AND LILY'S ADVENTURES. With 6 coloured&#13;
illustrations by W. H. C. GROOME. By MAY BALDWIN&#13;
Philadelphia : Lippincott. $1.50.&#13;
THE PEEK-A-Boos. By CHLOE PRESTON. New York :&#13;
Doran. $1.25 n.&#13;
CHILDREN'S BOOKCASE. Edited by E. NESBIT, New&#13;
York : Doran. 50 cents n.&#13;
W E have received a batch of Christmas books&#13;
from Mr. Henry Frowde and Messrs.&#13;
Hodder &amp; Stoughton. Two of these books&#13;
are from the pen of Herbert Strang. One is&#13;
entitled " The Flying Boat," a story of adventures&#13;
on the Yang-tse-Kiang during a revolt in China,&#13;
and comes out very opportunely, since it must have&#13;
been written long before the present Chinese revolu-&#13;
tion. The other is a story of the Defence of&#13;
Australia against an Armada of the Chinese&#13;
Republic. We hope the revolution in China may&#13;
keep the Chinese too busily employed and may&#13;
take away any probability that the subject of the&#13;
second will ever become a reality. Mr. Herbert&#13;
Strang also edits another book entitled “The&#13;
Romance of Australia.”&#13;
The book from the pen of Capt. Charles Gilson,&#13;
who is also a well-known writer of boys' books, is&#13;
entitled “ The Sword of Freedom.” It is a rattling&#13;
story of the seventeenth century, dealing with the&#13;
adventures of the envoy of the Prince of Orange&#13;
during the months ihat immediately preceded the&#13;
Revolution. The price of these books is 6s. each.&#13;
They are all beautifully illustrated and brought out&#13;
in excellent form and in clear type, for which the&#13;
publishers, Mr. Henry Frowde and Messrs. Hodder&#13;
&amp; Stoughton, are well known.&#13;
The last book, Herbert Strang's Annual, needs no&#13;
introduction. It would be difficult to find amongst&#13;
Christmas books works more likely to attract the&#13;
class to which they appeal.&#13;
Messrs. Digby, Long &amp; Co. are issuing a second&#13;
edition of Mrs. Gerrard's book," The Unexplained :&#13;
&#13;
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## p. 65 (#477) #############################################&#13;
&#13;
THE AUTHOR.&#13;
65&#13;
Five Indian Stories." Her Majesty the Queen&#13;
graciously accepted a copy of the first edition.&#13;
A new novel by Olivia Ramsey, entitled “Two&#13;
Men and a Governess,” will shortly be published by&#13;
Mr. John Long. This is Miss Ramsey's sixth novel.&#13;
Mr. Wynford Dewhurst's pictures and crayon&#13;
drawings have been on exhibition during the month&#13;
at the Galerie Durand-Ruel, 16 Rue Laffitte, Paris.&#13;
The Rev. Dr. Lansdell has just issued Part II. of&#13;
his history of Princess Alfreda's Charity. Readers&#13;
of the earlier volume will recall that it gave the&#13;
story of the first 500 years (918 to 1414), of the&#13;
reputed Manor of Old Court, Greenwich. Part II.&#13;
continues the story of this property for 167 years&#13;
under the Tudor and Stuart sovereigns of England,&#13;
that is, from Henry VIII. to William III. The&#13;
book is procurable from Messrs. Burnside, Limited,&#13;
Booksellers, Blackheath, S.E.&#13;
Miss Gladys Davidson's new autumn books&#13;
include “Two Hundred Opera Plots," “ Tales&#13;
from the Woods and Fields," “ All about the Man&#13;
in the Moon,” and “Pinafore Tales." The first&#13;
of these volumes contains detailed plots of 200&#13;
well-known operas, including all those performed&#13;
in London during recent years. It is illustrated&#13;
by portraits of composers, and is published by Mr.&#13;
T, Werner Laurie. “Tales from the Woods and&#13;
Fields," which Messrs. Wells Gardner, Darton &amp;&#13;
Co. publish, is a Nature story-book for children,&#13;
consisting of a series of stories of English animal&#13;
life, each story containing a definite plot, or&#13;
adventure, into which is woven Nature knowledge&#13;
in a form suitable to children. “All about the&#13;
Man in the Moon " is a child's picture toy-book,&#13;
an original “Nonsense” book, dealing with the&#13;
adventures of the Man in the Moon in up-to-date&#13;
form. It is illustrated by Mr. W. Tarrant and&#13;
published by Dean &amp; Son. The last book,&#13;
« Pinafore Tales," published by Sands &amp; Co., is a&#13;
volume of original story and verse for children,&#13;
illustrated by Ď. E. Braham, Louis Wain, etc.&#13;
Mr. Arthur Dillon has in preparation a revised&#13;
version of an earlier romantic play, written in the&#13;
Elizabethan manner. But this will not appear for&#13;
the present. His next book will follow “ Leto&#13;
Suppliant” in conforming to the attic model ; and&#13;
will, in fact, comprise three consecutive plays,&#13;
forming a trilogy. Mr. Elkin Mathews will&#13;
publish this probably some time in 1912.&#13;
“Sport on the Rivieras," edited by Eustace&#13;
Reynolds-Ball and C. A. Payton (“Sarcella" of The&#13;
Field) is the latest addition to the Reynolds-Ball&#13;
Guide Books. In their introduction, the editors&#13;
rightly point out that the purely recreative side of&#13;
the French and Italian Riviera has hitherto been&#13;
neglected, and their aim, in the present volume, has&#13;
been to deal adequately and impartially with its&#13;
sports and pastimes. Part I. of the work deals&#13;
with the Riviera for sport and pleasure, and con-&#13;
tains chapters on Golf (by Arthur S. Brown and&#13;
Eustace Reynolds-Ball), Lawn Tennis (J. D. E.&#13;
Loveland), Motoring (C. N. Williamson), Polo&#13;
(Captain E. D. Miller), Cycling on the French and&#13;
Italian Rivieras (A. W. Rumney and H. R. Rey-&#13;
nolds), the Piedmontese Alps from a cycling&#13;
standpoint (Eustace Reynolds-Ball), concluding&#13;
with a chapter on Corsica as a winter cycling resort,&#13;
by A. W. Rumney. “Sarcella” is responsible for the&#13;
second part of the guide, which comprises chapters&#13;
on trouting, sea-fishing and tunny angling. The&#13;
volume is of a convenient size and well printed on&#13;
good paper. There are, in addition, some dozen&#13;
illustrations.&#13;
Knowledge for November contains an article on&#13;
“Psychical Research,” by J. Arthur Hill.&#13;
Messrs. J. W. Arrowsmith announce for Spring&#13;
publication a novel by Clara J. Martin, which will&#13;
be called “A Little Aversion." For the same&#13;
writer, Messrs. Ouseley will publish “ Where the&#13;
Hedgerows End; and Other Fairy Tales," by&#13;
Ishbel. Miss Clara Martin was also successful in&#13;
winning one of the £10 prizes in the Pearson,&#13;
Royal and Novel magazine competition.&#13;
The English Review has just taken more com-&#13;
modious offices. In future, the review will be&#13;
published from Country Life Building, 17-21,&#13;
Tavistock Street, Covent Garden, W.C., where all&#13;
communications respecting editorial matters should&#13;
be addressed.&#13;
“The Children of the Cliff,” by A. V. Dutton,&#13;
is a story suitable for boys and girls of ten to&#13;
twelve. It is published by the S.P.C.K.&#13;
“'Twixt Sand and Sea," by Cyril Fletcher Grant&#13;
and L. Grant, is a series of sketches and studies in&#13;
North Africa. It is divided into two distinct but&#13;
complementary parts. The first deals with the&#13;
history of North Africa from the coming of the&#13;
Phænicians, 750 B.C., to the arrival of the French,&#13;
1830 A.D., and traces the great series of races and&#13;
civilisations which have held sway there. The&#13;
second part is more discursive, and treats of the&#13;
natives as we find them now, and traces, in some&#13;
detail, in their habits, faiths, and religion, many&#13;
survivals of old, often prehistoric, belief and cults.&#13;
Messrs. Sampson Low &amp; Co. publish the book.&#13;
Mr. Basil Tozer's new book, recently announced,&#13;
“England's Actresstocracy; or, What Turvy Topsy&#13;
Saw," will not be issued to the public.&#13;
Mr. Melrose has lately published Miss Marion&#13;
Mole's new novel, “The Wind Bloweth,” which is&#13;
a study of the conflict between the logical and the&#13;
æsthetic sides in a man's nature. Logic wins the&#13;
day; the rest becoming but an imagined background&#13;
to a life of distasteful duty. Miss Mole's first novel,&#13;
“ Vera of the Strong Heart," took second place in&#13;
the same publisher's novel competition last year.&#13;
&#13;
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## p. 66 (#478) #############################################&#13;
&#13;
66&#13;
THE AUTHOR.&#13;
Mrs. Percy Dearmer has written a Christmas Red Cross work, the various travels and expeditions&#13;
mystery play, “ The Soul of the World,” which is in the lovely interior of Japan, Court, official, and&#13;
to be produced in the great hall of the University of religious functions, many no longer existing, and,&#13;
London at the Imperial Institute, on the first two above all, the exciting incidents of the Russo-&#13;
Fridays and Saturdays in December (December 1, Japanese War. Fully illustrated with photogravure&#13;
2, 8, 9), at 3 o'clock in the afternoon. Princess and half-tone illustrations, the book is published by&#13;
Marie Louise of Schleswig-Holstein is president of Messrs. Stanley Paul &amp; Co.&#13;
the committee for the play, which includes Sir Messrs. Doubleday, Page &amp; Co. will publish imme-&#13;
Herbert Tree, Sir Oliver Lodge, Miss Ellen Terry, diately “Many Celebrities and a few others: a Bundle&#13;
Sir Henry Wood, Sir Sidney Colvin, and Dr. of Reminiscences,” by William H. Rideing. In a long&#13;
Vaughan Williams. The Archbishop of Canterbury editorial career, part of it spent as managing editor&#13;
and the Bishops of London and Oxford are among of The North American Review, Mr. Rideing's&#13;
the patrons. Tickets may be obtained from the friends and acquaintances have included such&#13;
Hon. Sec., Morality Play Society, 57, Fellows Road, various people as Mr. Gladstone, Lord Wolseley,&#13;
N.W., from whom further particulars can be James Payn, George H. Boughton, R.A., Thomas&#13;
obtained.&#13;
Bailey Aldrich, Mark Twain, R. D. Blackmore,&#13;
“Five English Consorts of Foreign Princes," by E. A. Abbey, the late Marquis of Dufferin,&#13;
Miss Ida Woodward, the publication of which we Wilkie Collins, Lady St. Helier, Lord Russell of&#13;
announced last month, is a group of historical Killowen, Edmund Clarence Stedman and Harold&#13;
studies of the lives and times of the two Tudor Frederic.&#13;
and three Stuart Princesses who married foreign Mrs. Clare Jerrold's forthcoming book on “The&#13;
Royalties. Messrs. Methuen &amp; Co. are the publishers. Early Court of Queen Victoria " is to be published&#13;
Her Majesty the Queen has graciously accepted a by Mr. Eveleigh Nash on January 11, 1912. It&#13;
copy of the book.&#13;
will deal with the influences which moulded the&#13;
M. de Rosen has authorised Mr. Emanuel Moor, Queen's character, and with those years of her&#13;
the composer of “ Wedding Bells," to make an reign-from 1837 to 1841—which were, as Her&#13;
opera of“ Krishna," a dramatic poem written in late Majesty said, the most unsatisfactory of her life.&#13;
French by M. de Rosen, and in two acts.&#13;
Just prior to Their Majesties departure from&#13;
Messrs. Stanley Paul &amp; Co. are publishing, this London for the Delhi Durbar, Queen Mary was&#13;
month, an enlarged edition in English of Mr. F. A. graciously pleased to accept a copy of Mr. Colin&#13;
Hedgecock's “ David Garrick et ses ames français.” Fitzgerald's new book “ The Tuppenny Box."&#13;
For the same firm, Mr. Hedgecock is preparing The Theosophical Publishing Society in England,&#13;
another study of Anglo-French relations. The and Messrs. G. P. Putnam's Sons in America,&#13;
University of Birmingham has appointed Mr. have just issued Dr. Rudolf Steiner's work, “Mystics&#13;
Hedgecock Lecturer in French Literature at that of the Renaissance,” in an authorised translation&#13;
university.&#13;
from the German by Bertram Keightley, edited by&#13;
Miss Eleanor Tyrrell has brought out two little Mr. Max Gysi. The mystics included are Meister&#13;
booklets on Colonial life for educated girls, entitled, Eckhart, Tauler, Paracelsus, Jacob Boehme,&#13;
“ Why should our Girls go to our Colonies ? ” and Giordano Bruno and others.&#13;
“Wake up, English Girls !” They are to be had Major-General C. W. Robinson has just published&#13;
from the writer at Hook Heath, Woking, price 2d. a fourth edition of Part III. of his “Wellington's&#13;
each.&#13;
Campaigns," now rearranged and confined to&#13;
“Fourteen Years of Diplomatic Life in Japan, Waterloo-. Parts. I and II. finishing the Peninsular&#13;
Stray leaves from the Diary of Baroness Albert War. The text and maps have been carefully&#13;
d'Anethan," is a volume consisting of the diaries revised, and certain chapters have been rearranged;&#13;
of the Baroness d'Anethan, widow of the late Baron and attention is called to certain points touched&#13;
Albert d'Anethan, Envoy Extraordinary and upon in recent publications by Belgian, French,&#13;
Minister Plenipotentiary of His Majesty the King and Italian writers. Messrs. Hugh Rees, Ltd., are&#13;
of the Belgians at the Court of Japan. For the publishers.&#13;
fifteen or sixteen years Baron d’Anethan held this Messrs. Chatto &amp; Windus have in the Press&#13;
position, and during the whole of that period the “Costumes, Traditions and Songs of Savoy," by&#13;
Baroness, who is the authoress of several novels, Estella Canziani. It is illustrated with 50 repro-&#13;
described day by day the events, historical, social, ductions of pictures by the author, and with many&#13;
and official, in which she was taking part. The line drawings. An exhibition of the original&#13;
Diary commences with her first day in the Far illustrations by Miss Canziani will be held at&#13;
East, and deals with the stirring events of the Messrs. Dowdeswells' Galleries, New Bond Street,&#13;
following years, the Japanese-Chinese War, the beginning in the early part of this month.&#13;
tragedies of the Boxer trouble, experiences of the Theodora Wilson Wilson has just published&#13;
&#13;
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## p. 67 (#479) #############################################&#13;
&#13;
THE AUTHOR.&#13;
67&#13;
“ Five of them ”—for children. Messrs. Blackie &amp; play “Papa," by Armand de Caillavet and Robert&#13;
Son. She is busy completing a new children's story, de Flers, was produced at the Playhouse on&#13;
for publication next year, and is about to publish November 4. Mr. Cyril Maude, Mr. Sam Sothern&#13;
a story in Chambers's Journal.&#13;
and Miss Alexandra Carlisle are in the cast.&#13;
Under the title of " Coeur As,” “The Scarlet A new version of Dumas' novel, “ The Three&#13;
Pimpernel” has just been produced in Berlin. Musketeers,” by Arthur Shirley and Ben Landeck,&#13;
The German version of the play, which is a very was produced at the Lyceum Theatre on&#13;
close adaptation from the English original, has November 8. Mr. Austin Milroy, Mr. Lauderdale&#13;
been prepared by Mr. A. H. Quaritsch. It is also Maitland, Miss Ethel Warwick and Miss Mary&#13;
to be produced in Vienna immediately.&#13;
Dibley are in the cast.&#13;
Mr. Cecil Sharp has in preparation a collection&#13;
of English Folk-Carols, with pianoforte accompani-&#13;
ment and an introduction and notes. The volume&#13;
PARIS NOTES.&#13;
will contain twenty-one carols, collected by the&#13;
editor in the course of the last few years in six&#13;
different counties — Somerset, Worcestershire, NATOLE FRANCE has commenced a new&#13;
Gloucestershire, Shropshire, Cambridgeshire and&#13;
novel, “ Les Dieux ont soif," as a serial&#13;
Kent. The book will be printed and bound&#13;
in the Revue de Paris.&#13;
uniform with the Five Series of Folk-Songs from “L'Envers du Décor" is the title of Paul&#13;
Somerset. Messrs. Novello &amp; Co. and Messrs. Bourget's new book, a volume of short stories.&#13;
Simpkin &amp; Co. are the publishers.&#13;
The novel announced for publication next year&#13;
Messrs. Digby, Long &amp; Co. are bringing out a by M. Maurice Barrès is entitled “La Colline&#13;
new novel by E. W. Savi, entitled “A Blind inspirée."&#13;
Alley," a story of human interest, dealing with "Les Amities de Lamartine" is a volume pub-&#13;
characters drawn from real life.&#13;
lished by M. Léon Seché containing some hitherto&#13;
Mr. B. M. Blackwell, Oxford, will publish unpublished documents relating to Louis de Vignet,&#13;
shortly a volume of Sonnets, by Isidore Ascher, Eléonore de Canonge, Marianne Elisa Birch, and&#13;
many of which have appeared in The Westminster Caroline Angebert. The book is illustrated with&#13;
Gazette, The Evening News, Public Opinion, The portraits.&#13;
Academy, and other papers.&#13;
“ Madame de Genlis” (Sa vie intime et politique,&#13;
1746—1830) is the title of a volume by Jean&#13;
DRAMATIC.&#13;
Harmand, with a preface by Emile Faguet. The&#13;
Mr. J. M. Barrie's play, “ The Twelve Pound author has compiled this work with the help of&#13;
Look," has, during the past month, enjoyed the many hitherto unpublished documents.&#13;
rare luxury of a double run. Besides being “ Les Noyades de Nantes” is another of the&#13;
produced at matinée performances at the Little interesting historical studies by G. Lenotre.&#13;
'i'heatre, it has been performed twice daily at the “ Les Hommes de Lettres au XVIII'. siècle," by&#13;
Hippodrome, the casts, in each of the houses, Maurice Pellisson, is a curious study of the literary&#13;
being distinct.&#13;
men of that time.&#13;
" Alice in Ganderland," a political skit by Mr. “La Passagère" is Guy Chanlepleure's latest&#13;
Laurence Housman, was produced at the Lyceum novel.&#13;
Theatre last month, under the auspices of the “Pour former une âme” is a volume by H.&#13;
Actresses' Franchise League. All the political Ghotzky, translated by M. Valette-Monod, which&#13;
parties are represented in the play. Alice, repre- we would strongly recommend to educationalists.&#13;
senting Woman Suffrage, an unwelcome guest at "Les Sociétés concessionnaires du Congo français&#13;
the tea party, finally clears up the tea table and depuis 1905 " is the title of a book on a subject of&#13;
triuniphs completely. Miss Eva Moore, Mr. topical interest.&#13;
Ernest Thesiger and Mr. G. Fay, with many others, " Paroles d'un Soldat," by General Bruneau,&#13;
took part in the performance.&#13;
treats the following subjects :-—“La Patrie," “La&#13;
Mr. I. Zangwill's play, “The War God,” was Guerre,” “L'Armée française,” “L'Armée nouvelle&#13;
produced at His Majesty's Theatre on November 8. de M. Jaurès,” and “L'Útopie des Milices."&#13;
The scene of the play is laid in the State of “Mystères Païens,” by Maurice Bouchor, treats&#13;
Gothia, and various influences at work in shaping of “ La Naissance du Bouddha," “ Les yeux de&#13;
the destinies of that State are typified in the play. Kounâla,” and “Les Mystères d'Eleusis."&#13;
The cast includes Sir Herbert Tree, Mr. Arthur “ Thomas Hardy, Penseur et Artiste,” is a&#13;
Bourchier, Mr. A. E. George and Miss Lillah volume published by Mr. F. A. Hedgcock. It is&#13;
McCarthy.&#13;
a study and criticism of the works of Hardy by&#13;
Captain John Kendall's English version of the an enthusiastic admirer, who sees, running through&#13;
&#13;
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## p. 68 (#480) #############################################&#13;
&#13;
68&#13;
THE AUTHOR.&#13;
UNITED STATES LAW CASE.&#13;
the creations of this novelist, “a wider and more&#13;
substantial philosophical system than that of any&#13;
other English novelist.”&#13;
This judgment will probably surprise the author&#13;
himself, but the writer of the volume is certainly to&#13;
be congratulated on having placed before the&#13;
French public so comprehensive a résumé of the&#13;
works of an English anthor greatly appreciated in&#13;
France. The following novels by Thomas Hardy&#13;
have been translated, and are well known here :&#13;
“ Far from the Madding Crowd.” “ Tess o' the&#13;
d'Urbervilles," “ Jude the Obscure,” and “Under&#13;
the Greenwood Tree.”&#13;
In the Revue hebdomadaire, M. Chaumeix draws&#13;
our attention to a most extraordinary book entitled&#13;
“Etude biographique de pathologique,” by Morton&#13;
Prince, M.D., LL.D., specialist in nervous diseases&#13;
of the Boston hospitals. The theme of the work&#13;
is the dissociation of a personality. The author&#13;
tells us of a case which came under his notice of a&#13;
young girl with three distinct personalities. If the&#13;
writer of the book were not a savant, the volume&#13;
would certainly have success as a sensational novel,&#13;
so curious are the episodes.&#13;
In the same Revue M. Gabriel Hanotaux writes&#13;
on “ L'Accord franco - allemand," and André&#13;
Bellessort on “ Ferdinand Brunetière.”&#13;
M. Victor du Bled also writes on “L'Académie&#13;
français depuis 1789"; M. George Grosjean on&#13;
"L'Impérialisme italien," and M. C. Ferrand an&#13;
article entitled “Reflexions sur le Programme&#13;
naval,” which will be read with interest at this&#13;
time.&#13;
Dickens is very much in favour at present in&#13;
Paris.&#13;
An excellent translation, entitled “Mr. Pick-&#13;
wick,” has been made by Georges Duval. The&#13;
volume contains twenty-five coloured illustrations&#13;
by Frank Reynolds.&#13;
The Pickwick play has had great success, and&#13;
M. Abel Deval is to be congratulated, as the piece&#13;
18 decidedly more wholesome than those being put&#13;
on at the same time in some of the other theatres.&#13;
“ David Copperfield” is having equal success at&#13;
the Odéon at present.&#13;
ALYS HALLARD.&#13;
1. COPYRIGHTS (SEC. 7)—SUBJECTS-CLASSIFI-&#13;
CATION-DRAMATICO-MUSICAL COMPOSITION.&#13;
A sketch, consisting of a series of recitations and&#13;
songs, with a very little dialogue and action,&#13;
and with scenery, and lights thrown upon the&#13;
singer, is a dramatico-musical composition&#13;
within the provisions of the copyright law.&#13;
2. COPYRIGHTS (SEC. 7)—VALIDITY_CLASSIFI-&#13;
CATION.&#13;
Under copyright law (Act. Mar. 4, 1909&#13;
chap. 320, 35 Stat., 1076 [U. S. Comp. St&#13;
Supp. 1909, p. 1291]) section 5, providing that&#13;
an error in classification shall not invalidate a&#13;
copyright, the classification of a dramatico-&#13;
musical composition as a dramatic composition&#13;
does not affect the validity of the copyright.&#13;
3. COPYRIGHTS (SEC. 42)-NATURE-RIGHTS&#13;
ACQUIRED.&#13;
Under copyright law (act Mar. 4, 1909, chap. 320,&#13;
35 Stat., 1075 [U. S. Comp. St. Supp. 1909,&#13;
p. 1289] ) section 1, Subdivision D, giving the&#13;
holder of a copyright the exclusive right to&#13;
perform or represent the copyrighted work&#13;
publicly if a drama, and Subdivision E, giving&#13;
the exclusive right to perform the copyrighted&#13;
work publicly for profit if it be a musical com-&#13;
position, the holder of a copyright of a song&#13;
constituting a part of a dramatic sketch, and&#13;
those claiming under him, have the exclusive&#13;
right to publicly present it.&#13;
4. COPYRIGHTS (SEC. 66) — INFRINGEMENT-&#13;
WHAT CONSTITUTES.&#13;
Where one sings an entire copyrighted song with&#13;
musical accompaniment, she is guilty of&#13;
infringement, though she purports merely to&#13;
mimic another.&#13;
In equity. Suit by Irene Franklin Green and&#13;
others against Edna Luby. Heard on motion for&#13;
temporary injunction. Granted.&#13;
Noyes, circuit judge. This is an application for&#13;
a preliminary injunction to restrain the defendant&#13;
from publicly singing an alleged copyrighted song&#13;
entitled “ I'm a Bringing up the Family," which&#13;
song, it is alleged, was written as a number or part&#13;
of a copyrighted dramatic sketch entitled “The&#13;
Queen of the Vaudeville."&#13;
The defendant contends, in the first place, that&#13;
the sketch “ The Queen of the Vaudeville" is a&#13;
musical composition, and not a dramatic composi-&#13;
tion, within the meaning of the copyright law&#13;
of 1969 (act Mar. 4, 1909, chap. 320, 35 Stat.,&#13;
1075 (U. S. Comp. St. Supp. 1909, p. 1289]). There&#13;
is much force in this contention. The work is&#13;
essentially a series of recitations and songs to be&#13;
recited or sung by the same person dressed in&#13;
“ L'Envers du Décor " (Plon).&#13;
“Les Amities de Lamartine” (Mercure de France).&#13;
“Madame de Genlis " (Perrin).&#13;
“ Les Noyades de Nantes" (Perrin).&#13;
“Les Hommes de Lettres au XVIITe siècle” (Armand&#13;
Colin).&#13;
"La Passagère" (Pierre Lafitte).&#13;
“ Pour former une âme" (Fischbacher).&#13;
“Les Sociétés concessionnaires du Congo français depuis&#13;
1905. (Bernard Grasset).&#13;
" Paroles d'un Soldat '' (Henri Charles Lavauzelle).&#13;
" Thomas Hardy, Penseur et Artist 0" (Hachette).&#13;
“Mystères Païens" (Flammarion).&#13;
&#13;
&#13;
## p. 69 (#481) #############################################&#13;
&#13;
THE AUTHOR.&#13;
69&#13;
different costumes. The action and dialogue in the copyrighted song was sung. Green v. Minzen-&#13;
addition thereto are hardly sufficient to make a sheimer (decided by this court Mar. 19, 1909),&#13;
dramatic composition. Still the work is something 177 Fed., 286, is distinguishable in that in that&#13;
more than a mere musical composition. The singer case the defendant imitated the singer without&#13;
dresses in costumes to represent the different musical accompaniment, and the testimony as to&#13;
characters. There is very little dialogue or “patter,” just what she did was not clear.&#13;
the latter being, apparently, the professional term. A preliminary injunction may issue as prayed for,&#13;
There is also very little action. The singer gets upon the filing by the complainants of a bond, with&#13;
out of a cradle. There is scenery, and lights are sufficient surety, in the sum of $2,000, conditioned&#13;
thrown upon the singer. I think the sketch may that the complainants pay all damages sustained by&#13;
fairly be classified as a “dramatico-musical com- the defendant, in case it be held that the com-&#13;
position” within the meaning of the copyright act. plainants are not entitled to an injunction in the&#13;
But the fact that the sketch was improperly final decree.&#13;
classified as a dramatic composition in taking out (Green et al. v. Luby. Circuit court, southern&#13;
the copyright would not affect its validity. The district of New York. December 21, 1909 (177&#13;
copyright law expressly provides (sec. 5) that an Federal Reporter, pp. 287–288.)]&#13;
error in classification shall not invalidate or impair&#13;
a copyright. Moreover, the particular song in&#13;
question-a number of the sketch-was copyrighted&#13;
by the complainant Feist as a musical composition&#13;
before the copyright of the sketch, and I do not SECOND PAN-AMERICAN CONYENTION,&#13;
understand that any question is raised as to the&#13;
1902.&#13;
validity of such copyright.&#13;
Regarding, then, the sketch as a dramatic com-&#13;
position, the complainants have the exclusive right&#13;
to publicly present it. Subdivision D of section 1 CONVENTION BETWEEN THE UNITED STATES AND&#13;
of the copyright law gives the exclusive right“ to OTHER POWERS ON LITERARY AND ARTISTIC&#13;
perform or represent the copyrighted work publicly COPYRIGHTS.&#13;
if a drama.” And, regarding the song as a musical Signed at the City of Mexico, January 27, 1902.&#13;
composition, the complainants have the exclusive Ratification advised by the Senate, January 31,&#13;
right to publicly perform it. Subdivision E of 1908. Ratified by the President, March 16, 1908.&#13;
said section gives the exclusive right “ to perform Ratification of the United States deposited with&#13;
the copyrighted work publicly for profit, if it be a the Government of Mexico, March 31, 1908.&#13;
musical composition.” It is not disputed that the Proclaimed, April 9, 1908.&#13;
complainants Green have the right to produce the&#13;
song under the copyright to the complainant Feist. BY THE PRESIDENT OF THE UNITED STATES OF&#13;
The next question is one of infringement. The&#13;
AMERICA.&#13;
defendant admits that she sings the copyrighted&#13;
song with musical accompaniment, but she says&#13;
A PROCLAMATION.&#13;
that she does so merely to mimic the complainant,&#13;
Whereas a Convention on Literary and Artistic&#13;
Irene Franklin Green. She contends that she gives&#13;
Copyrights between the United States of America&#13;
impersonations of various singers, including said&#13;
complainant, and, as incidental to such impersona-&#13;
and the Argentine Republic, Bolivia, Colombia,&#13;
Costa Rica, Chile, the Dominican Republic,&#13;
tions, sings the songs they are accustomed to sing.&#13;
Ecuador, Salvador, Guatemala, Haiti, Honduras,&#13;
The mimicry is said to be the important thing ; the&#13;
particular song, the mere incident. But I am not&#13;
Mexico, Nicaragua, Paraguay, Peru, and Uruguay,&#13;
was concluded and signed by their respective&#13;
satisfied that, in order to imitate a singer, it is&#13;
Plenipotentiaries at the City of Mexico on the&#13;
necessary to sing the whole of a copyrighted song.&#13;
twenty-seventh day of January, one thousand nine&#13;
" The mannerisms of the artist impersonated,” to&#13;
hundred and two, the original of which Convention&#13;
use the language of the defendant's brief, may be&#13;
being in the English, Spanish, and French languages&#13;
shown without words; and if some words are abso-&#13;
is word for word as follows :&#13;
lutely necessary, still a whole song is hardly required;&#13;
and if a whole song is required, it is not too much&#13;
to say that the imitator should select for impersona-&#13;
Convention on Literary and Artistic Copyrights.&#13;
tion a singer singing something else than a&#13;
copyrighted song.&#13;
Bloom v. Nixon (C. C. 25 Fed., 977, is dis- Who, after having communicated to each other&#13;
tinguishable in that in that case the chorus only of their respective full powers and found them to be&#13;
&#13;
&#13;
## p. 70 (#482) #############################################&#13;
&#13;
70&#13;
THE AUTHOR.&#13;
in due and proper form, excepting those presented ART. 5TH. The authors who belong to one of&#13;
by the representatives of Their Excellencies the the signatory countries, or their assigns, shall&#13;
Presidents of the United States of America, Nica- enjoy in the other countries the rights which their&#13;
ragua and Paraguay, who act “ad referendum," respective laws at present grant, or in the future&#13;
have agreed to celebrate a Convention on literary may grant, to their own citizens, but such right&#13;
and artistic copyrights, in the following terms: shall not exceed the term of protection granted in&#13;
ART. 1st. The signatory States constitute them the country of its origin.&#13;
selves into a Union for the purpose of recognizing For the works composed of several volumes,&#13;
and protecting the rights of literary and artistic which are not published at the same time, as well&#13;
property, in conformity with the stipulations of as for bulletins or instalments of publications of&#13;
the present Convention.&#13;
literary or scientific societies, or of private parties,&#13;
ART. 2ND. Under the term “Literary and the term of property shall commence to be counted&#13;
Artistic works,” are comprised books, manuscripts, from the date of the publication of each volume,&#13;
pamphlets of all kinds, no matter what subject bulletin or instalment.&#13;
they may treat of and what may be the number of ART. 6TH. The country in which a work is first&#13;
their pages; dramatic or melodramatic works ; published, shall be considered as the country of its&#13;
choral music and musical compositions, with or origin, or, if such publication takes place simul-&#13;
without words, designs, drawings, paintings, sculp- taneously in several of the signatory countries, the&#13;
ture, engravings, photographic works ; astronomical one whose laws establish the shortest period of&#13;
and geographical globes ; plans, sketches and plastic protection shall be considered as the country of its&#13;
works relating to geography or geology, topography origin.&#13;
or architecture, or any other science; and finally, ART. 7th. Lawful translations shall be protected&#13;
every production in the literary and artistic field, in the same manner as original works. The trans-&#13;
which may be published by any method of lators of works, in regard to which there exists no&#13;
impression or reproduction.&#13;
guaranteed right of property, or the right of which&#13;
ART. 3RD. The copyright to literary or artistic may have become extinguished, may secure the&#13;
work consists in the exclusive right to dispose of right of property for their translations, as estab-&#13;
the same, to publish, sell and translate the same, lished in art. 3rd, but they shall not prevent the&#13;
or to authorize its translation, and to reproduce publication of their translations of the same work.&#13;
the same in any manner, either entirely or ART, 8TH. Newspaper articles may be repro-&#13;
partially.&#13;
duced, but the publication from which they are&#13;
The authors belonging to one of the signatory taken must be mentioned, and the name of the&#13;
countries, or their assigns, shall enjoy in the other author given, if it should appear in the same.&#13;
signatory countries, and for the time stipulated in ART. 9TH. Copyright shall be recognized in&#13;
art. 5th, the exclusive right to translate their favour of the persons whose names or acknowledged&#13;
works, or to authorize their translation.&#13;
pseudonymns are stated in the respective literary&#13;
ART. 4TH. In order to obtain the recognition of or artistic work, or in the petition to which art. 4th&#13;
the copyright of a work, it is indispensable that of this Convention refers, excepting case of proof&#13;
the anthor or his assigns, or legitimate representa to the contrary.&#13;
tive, shall address a petition to the official Depart- ART. 10TH. Addresses delivered or read in&#13;
ment which each Government may designate, deliberative assemblies, before the Courts of Justice&#13;
claiming the recognition of such right, which and in public meetings, may be published in the&#13;
petition must be accompanied by two copies of newspaper press without any special authorization.&#13;
his work, said copies to remain in the proper ART. 11TH. The reproduction in publications&#13;
Department.&#13;
devoted to public instruction or chrestomathy, of&#13;
If the author, or his assigns, should desire that fragments of literary or artistic works, confers no&#13;
his copyright be recognized in any other of the right of property, and may therefore be freely made&#13;
signatory countries, he shall attach to his petition in all the signatory countries.&#13;
a number of copies of his work, equal to that of ART. 12TH. All unauthorized indirect use of&#13;
the countries he may therein designate. The said a literary or artistic work, which does not present&#13;
Department shall distribute the copies mentioned the character of an original work, shall be considered&#13;
amung those countries, accompanied by a copy of as an unlawful reproduction.&#13;
the respective certificate, in order that the copy. It shall be considered in the same manner&#13;
right of the author may be recognized by them. unlawful to reproduce, in any form, an entire&#13;
Any omissions which the said Department may work, or the greater part of the same, accompanied&#13;
incur in this respect, shall not give the author, or by notes or commentaries, under the pretext of&#13;
his assigns, any rights to present claims against literary criticism, or of enlargement or complement&#13;
the State.&#13;
of an original work.&#13;
&#13;
&#13;
## p. 71 (#483) #############################################&#13;
&#13;
THE AUTHOR.&#13;
ART. 13TH. All fraudulent works shall be liable&#13;
to sequestration in the signatory countries in which&#13;
the original work may have the right of legal pro-&#13;
tection, without prejudice to the indemnities or&#13;
punishments, to which the falsifiers may be liable&#13;
according to the laws of the country, in which the&#13;
frand has been committed.&#13;
ART. 14TH. Each one of the Governments of the&#13;
signatory countries shall remain at liberty to permit,&#13;
exercise vigilance over, or prohibit, the circulation,&#13;
representation and exposition of any work or pro-&#13;
duction, in respect to which the competent&#13;
authorities shall have power to exercise such&#13;
right.&#13;
ART. 15TH. The present Convention shall take&#13;
effect between the signatory States that ratify it,&#13;
three months from the day they communicate their&#13;
ratification to the Mexican Government, and shall&#13;
remain in force among all of them until one year&#13;
from the date it is denounced by any of said States.&#13;
The notification of such denouncement shall be&#13;
addressed to the Mexican Government and shall&#13;
only have effect in so far as regards the country&#13;
which has given it.&#13;
ART. 1674. The Governments of the signatory&#13;
States, when approving the present Convention,&#13;
shall declare whether they accept the adherence to&#13;
the same by the nations who have had no repre-&#13;
sentation in the Second International American&#13;
Conference.&#13;
In testimony whereof the Plenipotentiaries and&#13;
Delegates sign the present Convention and set&#13;
thereto the Seal of the Second International&#13;
American Conference.&#13;
Made in the City of Mexico, on the twenty-&#13;
serenth day of January nineteen hundred and two,&#13;
in three copies written in Spanish, English and&#13;
French respectively, which shaīl be deposited at the&#13;
Department of Foreign Relations of the Govern-&#13;
ment of the Mexican United States, so that certi-&#13;
fied copies thereof may be made, in order to send&#13;
them through thediplomaticchannel to the signatory&#13;
And whereas the ratification of the said Con-&#13;
vention by the United States was deposited with&#13;
the Government of Mexico on March 31, 1908 ;&#13;
Now, therefore, be it known that I, THEODORE&#13;
ROOSEVELT, President of the United States of&#13;
America, have caused the said Convention to be&#13;
made public, to the end that the same and every&#13;
article and clause thereof may be observed and&#13;
fulfilled with good faith by the United States and&#13;
the citizens thereof.&#13;
In testimony whereof, I have hereunto set my&#13;
hand and caused the seal of the United States of&#13;
America to be affixed.&#13;
Done at the City of Washington, this ninth day&#13;
of April, in the year of our Lord one&#13;
thousand nine hundred and eight, and&#13;
(SPA) of the Independence of the United States&#13;
of America the one hundred and thirty-&#13;
second.&#13;
THEODORE ROOSEVELT.&#13;
By the President :&#13;
ELIHU Root,&#13;
Secretary of State.&#13;
AL]&#13;
MAGAZINE CONTENTS.&#13;
BLACKWOOD's.&#13;
Sport in Fiction.&#13;
Musings Without Method : Ben Jonson and Selden.&#13;
BOOKMAN&#13;
The Three Bensons. By James Moffatt, D.D., Litt.D.&#13;
Mr. Pitt. By Thomas Seccombe.&#13;
CORNHILL MAGAZINE.&#13;
At the Sign of the Plough : Mr. Rudyard Kipling. By&#13;
C. L. Graves.&#13;
The Pilgrim's Progress. By Arthur C. Bensor.&#13;
FORTNIGHTLY REVIEW.&#13;
Death. By Maurice Maeterlinck.&#13;
Bitter Serenade : A Poem. By Herbert Trench.&#13;
The Contemporary: Novel. By H. G. Wells.&#13;
The Law of Audiences. By Charles McEvoy.&#13;
NINETEENTH CENTURY.&#13;
Shelley at Tan-yr-allt. By Margaret L. Woods.&#13;
States.&#13;
*&#13;
SCALE FOR ADVERTISEMENTS.&#13;
And whereas, it is provided by its Article XV.&#13;
that the said Convention “shall take effect between&#13;
the signatory States that ratify it, three months&#13;
from the day they communicate their ratifications&#13;
to the Mexican Govennment; ”&#13;
And whereas the said Convention has been&#13;
ratified by Guatemala, Salvador, Costa Rica,&#13;
Honduras, and Nicaragua, and their ratifications&#13;
were deposited with the Government of Mexico&#13;
respectively as follows : April 25, 1902; May 19,&#13;
1902 ; June 28, 1903 ; July 4, 1904 ; and&#13;
August 13, 1904;&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.&#13;
Front Page&#13;
Other Pages&#13;
". ... ...£4 0 0&#13;
Half of a Page ...&#13;
... ... ... 3 0 0&#13;
...&#13;
Quarter of a Page&#13;
... 1 10 0&#13;
Eighth of a Page&#13;
Single Column Adverti&#13;
... O 7 6.&#13;
sements&#13;
per inch 0 6 0&#13;
Reduction of 20 per cent, made for a Series of Six and of 25 per cent. for&#13;
Twelve Insertions.&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
&#13;
&#13;
## p. 72 (#484) #############################################&#13;
&#13;
72&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
1. TD VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor ; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
iars of the Society's workj can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly,&#13;
9. The subscription to the Society is 21 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed rovalta&#13;
what the proposed royalty means to both sides. It is 20%&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author." We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills,&#13;
CERE are a few standing rules to be observed in an&#13;
ul agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 73 (#485) #############################################&#13;
&#13;
THE AUTHOR.&#13;
73&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance,&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
1 assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
&amp; rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society andertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
V branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittonces should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
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## p. 74 (#486) #############################################&#13;
&#13;
74&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
fee. Under this labour-saving arrangement the&#13;
author usually pays 50 per cent. to the publisher,&#13;
INTERNATIONAL COPYRIGHT.&#13;
and not infrequently 15 per cent. in addition to the&#13;
agent.&#13;
We desire to draw special attention on another&#13;
page of this issue to the Convention between&#13;
the United States and South America under the&#13;
REVIEW COPIES.&#13;
Pan-American Convention. This shows how far-&#13;
We have had a letter from a correspondent who&#13;
reaching International copyright has become. It&#13;
• It&#13;
calls&#13;
calls our attention to the following facts :-&#13;
would be worth while to consider whether the He is a subscriber to one of the big subscription&#13;
Government could not make arrangements to join libraries, and quite recently, in applying for books.&#13;
South America in their Convention, or to come to&#13;
received copies containing the words “ compli-&#13;
some agreement with the separate States, for there&#13;
mentary copy" written across the page. In one&#13;
is a large sale of cheap English copyright books&#13;
case the slip indicating the publisher's desire&#13;
going on there. Next month we hope to publish a&#13;
for a review (evidently left there by the reviewer)&#13;
list of all countries to which the President bas&#13;
was found, wbilst in another, the reviewer had even&#13;
issued his Proclamation.&#13;
left his review in the book, possibly for the benefit&#13;
of the library subscribers.&#13;
This sale of review copies is very serious for&#13;
THE SKETCH QUESTION.&#13;
the author. Some publishers send out as many&#13;
ALL dramatists will be glad to notice the remarks as 100 copies of each book for review, and that the&#13;
of Mr. Cecil Raleigh at the 0. P. Club on Sunday, sale of copies bearing royalty should be cut down to&#13;
November 12th, and will have noted the work which this extent is, to say the least, scarcely pleasing.&#13;
the society, through its dramatic sub-committee has&#13;
At the same time, it is difficult to know how to&#13;
undertaken in order to put an end to the sketch avoid this sale of review copies, as reviewers are&#13;
trouble. Though the matter is not entirely settled, so often sweated that they, naturally, seek to&#13;
we are pleased to repeat Mr. Raleigh's information supplement their earnings by selling the books&#13;
that the London County Council has granted double which they have reviewed. It is true that the&#13;
licences to certain music halls which have applied publishers stamp these copies, thus preventing&#13;
for them. This, at least, will show that the&#13;
them from coming into competition with the sales&#13;
absurdity of the present conditions is becoming of the new books by individual booksellers, but the&#13;
patent to the officials who have to administer the fact that the copies are stamped does not preclude&#13;
law on this subject.&#13;
their circulation by libraries for loan as distinct&#13;
from purchase.&#13;
The experiences of other members of the society&#13;
LITERARY AGENTS.&#13;
would be interesting, and if there are any sugges-&#13;
WE published in the November issue, and we&#13;
„Wished in the Noromhon icomoond wo tions by which the practice could be stopped, no&#13;
publish also in the current issue, correspondence on&#13;
doubt the Committee of the Society of Authors&#13;
the question of Authors and Agents, and would&#13;
would be ready to consider them.&#13;
gladly publish more letters on the same subject.&#13;
From a careful perusal of these letters it does seem&#13;
clear that some of the more drastic criticisms of the&#13;
FRENCH LEGAL CASES.&#13;
article published in October were justified That&#13;
the authors with established reputations and wide We see from the Westminster Gazette that the&#13;
markets are satisfied with their agents is natural, French Society of Authors has two important legal&#13;
for the agent, being a man of business, necessarily cases which will shortly come before the French&#13;
seeks to obtain the largest profits with the least Court. One arises out of the recent South American&#13;
expenditure of trouble, and this he is able to do tour of the French actor Guitry. It would seem&#13;
when handling the work of prominent writers. that before the company set sail an agreement was&#13;
But it is the middle author who suffers most, and, arrived at to pay certain French dramatists on&#13;
as was fully explained in the article published in plays produced in the Argentine Republic with&#13;
October, the agent has adopted labour-saving which France has recently concluded a convention,&#13;
devices which consist in binding the unfortunate and the refusal of M. Guitry's manager to pay the&#13;
author to a publisher for a series of books, and in royalties forms the ground of the action. The&#13;
giving the publisher the absolute right to handle second case, of a very different kind, but of con-&#13;
the serial and minor rights. It is, of course, the siderable importance, raises the question of the&#13;
agent's business to place them for the usual agency right of an author to put upon the stage characters&#13;
&#13;
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## p. 75 (#487) #############################################&#13;
&#13;
THE AUTHOR.&#13;
75&#13;
representing famous people no longer living when day's work an agent can place a dozen books on a&#13;
their descendants object to such representation. ten or fifteen per cent. royalty, he stands to get&#13;
In this case the grand-daughter of George Sand is rich much faster than if he spends the day fighting&#13;
seeking an injunction to restrain the production of one or two books up to a 25 per cent. royalty.&#13;
a piece in verse called “L'Enfant du Siècle," which Now in bargaining with a publisher ten per cent. is&#13;
has for its heroine the romantic novelist.&#13;
a matter of course ; and fifteen per cent., except on&#13;
a very cheap book, is to be had for very little&#13;
asking. It is the five or ten per cent. in excess&#13;
THE CRUX OF THE AGENT QUESTION.&#13;
of this that costs time and trouble. Make the&#13;
publisher a present of it, and be easy with him&#13;
as to American or Colonial or foreign rights, or&#13;
M HE extent to which some of our members any other perquisites he may have a fancy&#13;
I have been taken aback by our advice to for, and the transaction will go through quickly&#13;
them to dispense with an agent if possible, and easily, and the agent can hurry off to get&#13;
and not in any case to abandon their affairs blindly to another dozen books through in the same way. But&#13;
an agent's control, shows how very necessary that if the author happens to know that a much stiffer&#13;
advice was. Agents are much more dangerous bargain could have been driven by holding out for&#13;
nowadays than publishers, because every author the very top of the market, and if he reproaches&#13;
knows that a publisher's interests are opposed to the agent for not having obtained it, the agent will&#13;
his to the extent that the more the publisher gets first tell him that he is unreasonable, and then, if&#13;
of the price paid for any given copy of a book, the pressed hard enough to lose his temper, will say&#13;
less there is left for the author ; but many authors right out that it is not worth his while to give more&#13;
still believe, and almost all agents allege, that the than a certain limited time to any one book.&#13;
more the author gets the more the agent gets.. To make the interests of author and agent really&#13;
This error is at the root of the whole matter; and identical, the agent should give the author a per-&#13;
it is the first point that must be cleared up if centage on his annual profits from all the books he&#13;
the controversy is to be followed intelligently. places. Until this system is adopted, which does&#13;
At first sight it seems to young authors with no not seem very likely (I should rather like to see the&#13;
experience of business that an agent's reasoning is face of an agent receiving such a proposal) it must&#13;
conclusive when he says, as he always does say as be taken as a fact that it is the agent's interest to&#13;
far as my experience goes, that because he is have a low rate of profit on many books, and the&#13;
paid by a percentage on what the author receives, it author's to stand out for the highest attainable&#13;
follows that the more the author receives the more rate of profit on his single book. That is, their&#13;
he will receive. And taking each book by itself, interests are not identical, but, beyond a certain&#13;
this is true.&#13;
point, flatly opposed.&#13;
But it is equally true that if you take any It certainly does follow therefore that if the&#13;
separate article sold across the counter by Gamage author is a capable man of business (this means no&#13;
or Whiteley, the more the purchaser pays for it the more than if he will take the trouble to find out,&#13;
more Gamage or Whiteley receives. But if you go through the Society of Authors or otherwise, what&#13;
on to argue that it is therefore Mr. Gamage's is the top price obtainable for his class of work in&#13;
interest to extract the highest possible price for the market, and has sufficient character and resolu-&#13;
each article, you have clearly arrived at a very tion to stand out for it), he will do much better&#13;
different conclusion from that of Mr. Gamage, who for himself than it is worth any agent's while to do&#13;
is in furious conflict with all his competitors because for him.&#13;
he systematically cuts down his prices to the lowest Once the author grasps the fact that what pays&#13;
possible point. The explanation is very simple. the agent is plenty of transactions quickly and&#13;
There are two ways of making profit by selling. easily finished, he will see that it is much more&#13;
One is to sell a single article every hour (possibly important to an agent to be on friendly and welcome&#13;
after some hard bargaining with the reluctant terms with the editors and publishers and managers&#13;
customer) at a profit of 100 per cent. The other than with any individual author. It will facilitate&#13;
is to sell 100 of the same articles every hour to 100 relations between the agent and the publishers and&#13;
eager customers at a profit of 2 per cent. on each. editors and managers if he gives away his authors&#13;
Assuming that the cost of the article to the seller to a certain extent. Finally he settles down into&#13;
is £1, in the first case be charges £2 and makes an agent whose real business it is to procure books&#13;
£1 profit with difficulty in the hour ; and in the for publishers, articles for editors, and plays for&#13;
second he charges £1 0s. 6d. and easily makes managers, though his ostensible business is to&#13;
£2 10s.&#13;
procure publishers for books, editors for articles,&#13;
Precisely the same thing is true of agency. If in his and managers for plays.&#13;
&#13;
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## p. 76 (#488) #############################################&#13;
&#13;
76&#13;
THE AUTHOR.&#13;
A further development of agency follows in- ordinary business pursuits or for literature. That&#13;
evitably when publishers and editors and managers it will come is as certain as that the sun will rise&#13;
become so accustomed to working through agents to-morrow.&#13;
that an agent's introduction acquires a considerable One or two correspondents have asked why there&#13;
value. The agent, being able to push any author is any greater objection to employing an agent&#13;
whom he may have reason to favour, naturally sells than to employing a solicitor. At least two good&#13;
his power. This practice has long been well reasons ought to be so obvious as to forestall the&#13;
established among musical and theatrical per question. First, most men employ solicitors only&#13;
formers' agents ; and the letter in the November in cases of special difficulty, and master and&#13;
Author from the Literary Agency of London conduct the ordinary routine of their business&#13;
suggests that the literary agents are finding it out. themselves, as an author should do. The second&#13;
Before long we shall find that though any agent and main reason is that a considerable body of law&#13;
will put us on his books for 10 per cent., or and etiquette has grown up to protect clients&#13;
perhaps a small entrance fee, he will not push us against abuse of his position by a solicitor. A&#13;
for that: why should he ? To get pushed for long solicitor may be struck off the rolls for misconduct;&#13;
enough to secure a position as an acceptable writer, and he is expressly disabled from receiving certain&#13;
the author will have either to pay a big fee, or benefits even when his client wishes to confer them&#13;
consent during that period to 50 per cent. or even on him. There is no such protection for the client&#13;
100 per cent. Why not? A position as a known of an agent. On the contrary, the law, acting on&#13;
writer is a valuable commodity, like a medical precedents taken from house agency, and fortified&#13;
practice or a milk-walk. The man who can help by verdicts of juries who always support parasitic&#13;
you to it has as much right to sell his help as to middlemen, is so monstrously unjust to the author&#13;
sell his house. I am not at all sure that if I were and favourable to the agent that no author should&#13;
a beginner, and had the means, I should not try to place himself in the agent's hands without a&#13;
find a really capable agent with a large practice stringent agreement. It is bad enough to have to&#13;
and offer him a very considerable gum on condition pay 10 per cent. of the royalties on a successful&#13;
that he would push my stories into all the magazines play or book to an agent for ever and ever even if&#13;
for, say, six months. Many a professional singer he has done all the work of placing it. But when&#13;
has jumped into a drawing-room practice in this he can force you to do the same in the case of a&#13;
way, whilst her agent's more innocent clients were work which he has failed to place, and which you&#13;
left out in the cold wondering why “some people yourself have succeeded in placing long after you&#13;
have all the luck.”&#13;
have abandoned him, even the most enthusiastic&#13;
But now mark the effect of this system on the agent fancier will admit that the law leans a little&#13;
author who may know nothing of it, and who, trusting too much to the agent's side.&#13;
to his agent and the regular 10 per cent. arrange. I think it will now be apparent that the article&#13;
ment, will make no effort to procure work for himself. in The Author for October was, if anything, rather&#13;
The agent will actually become an instrument of too kind to agents. The general rule it laid down&#13;
suppression. No agent can push a man into a was quite sound. But no general rule can cover&#13;
job without pushing another man out of it. No special cases; and there are cases where agents are&#13;
agent can say “Mr. Blank is the man for you: useful, and even indispensable. Leaving out of the&#13;
everybody is talking about him : his story in question the cases in which the author is not&#13;
such and such a magazine has been a great taken in by the usual pleas about the interests&#13;
success ; and his great aunt knows a baronet and of author and agent being identical, and knows&#13;
often invites people to meet him,” without im- thoroughly what he is about, and what the agent&#13;
plying and sometimes actually saying “Mr. Dash is about, and how to take care of himself, there&#13;
is no longer thought anything of : his work does are also cases in which agents are useful auto-&#13;
not seem to hit it off somehow: he is a difficult matically, as it were, even to the most gullible&#13;
man to get on with, etc., etc., etc.”; whilst as to authors.&#13;
poor Mr. Ignotus, he is, of course, never mentioned There is the case of the author who, through&#13;
at all. Remember, these are not fancy cases : shyness, or laziness, or credulity, or the amiable&#13;
they occur in every department in which agency weakness that cannot say No to a publisher after&#13;
has been established long enough to enable agents lunch (authors should not lunch with their&#13;
to discover on which side their bread is buttered. publishers, by the way), takes half or quarter what&#13;
If it has not come to that yet in literary agency his work is worth, or even lets himself be cheated&#13;
-and I have no reason to suppose that it has out of it altogether. Now as an agent need seldom&#13;
not-it is only because literary agency is a com- accept less than five-eighths or three-quarters of&#13;
paratively new thing, and is a favourite resort of the top of the market to lubricate his bargain, it&#13;
persons who have not ability enough either for will pay such an author to employ an agent, though&#13;
&#13;
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## p. 77 (#489) #############################################&#13;
&#13;
THE AUTHOR.&#13;
77&#13;
it would pay him better to wake up and cure him- plenty of scope for an agent in routine business&#13;
self of being a nincompoop.&#13;
at routine prices, and that when the proportion of&#13;
There is also the famous author whose name is so business to artistic production involved is very&#13;
valuable to an agent as a bait for smaller fry, not to large, as in the case of short works, an agent is a&#13;
mention the agent's pride and joy in the connection, necessity. For authors so illustrious that they&#13;
that he will do his very best for him without regard reflect glory on all their retinue, he is that very&#13;
to ordinary business considerations. The same thing acceptable luxury, a devoted slave. But let all&#13;
is true of publishers, who have been known to pub- other authors, artists, and playwrigbts read what&#13;
lish great men's books at a loss for the sake of their I have said above and ponder it very carefully&#13;
names and even of their genius ; for publishers and before they reject the excellent advice given to&#13;
agents are human, after all. Moral : a great them in the well-informed article which began&#13;
author's opinion of an agent or a publisher, or of the present controversy.&#13;
agents and publishers in general, is not worth a&#13;
G. BERNARD SHAW.&#13;
rap as a guide to lesser lights. That is why every&#13;
letter in this controversy should be signed.&#13;
There is the young and enthusiastic agent who&#13;
is building up his business, and who has not yet&#13;
found out on which side his bread is buttered. All&#13;
the agents were in this condition in the days of&#13;
AUTHORS AND THEIR REVIEWERS.&#13;
Besant, when the Society of Authors itself was&#13;
young, and was encouraging agents. A clever&#13;
" Reviewing work is too badly paid for any reasonable&#13;
author can exploit an agent in this phase for a few being to think of making it either an art or a business."&#13;
years with some profit.&#13;
But above all--and here is the real field in which M H E above quotation is not from a classic&#13;
agency is useful and sometimes indispensable I writer, so far as I know, and is the result of&#13;
there is the mass of short stories, articles, drawings, neither research nor wide reading. It is&#13;
photographs, etc., contributed by writers and artists one of the sentences cited in illustration of the&#13;
of established practice to journals paying a regular uses of the verb "to review” in the Oxford&#13;
price per thousand words or per picture, which have Dictionary, where its source is acknowledged as the&#13;
à fixed market tariff, and can be disposed of with- “ Idler” of September, 1894. It occurs there not&#13;
out any more haggling than a pint of milk or a box inappropriately in company with others, all, or&#13;
of matches. From the half-guinea photograph to nearly all, of which point to the dissatisfaction of&#13;
the play by Barrie or Pinero, there are thousands authors with their reviewers, ever since criticism of&#13;
of literary and artistic wares which admit of no literature has supplied copy for the printer. I&#13;
bargaining. Either the editor has a tariff or the doubt if I shall be contradicted if I say that the&#13;
author has one. I do not need to send an agent dissatisfaction is fairly general, and very often, but&#13;
round asking for offers : I know my fee like a not always, justifiable. Sometimes there are two&#13;
Harley Street consultant. Were I to employ an sides to the question, as, for example, where the&#13;
agent I should tell him how much to get and where reviewer, though neither well-paid nor making of&#13;
to go for it; and the reason I do not employ one reviewing an art or business, is a well-qualified and&#13;
(at least in England) is that I have found by possibly just critic, who differs from the author upon&#13;
experience that even with these precise instructions a matter as to which each is entitled to his opinion.&#13;
he makes a mess of the business, and adds to my As a rule, for example, scientific and technical&#13;
la bours and my worry instead of saving me trouble. works reviewed in responsible scientific and tech-&#13;
But a competent agent is not an impossi- nical journals, or, indeed, books of easily recognised&#13;
bility: he is, so far, only an improbability. Given importance or special characteristics submitted to&#13;
such an agent, it is clear that an author who pro- general newspapers of the better class, are handed&#13;
duces a great number of short separate works which for the purpose of criticism to persons whose&#13;
fetch practically fixed prices and require a separate knowledge of a special subject marks them as&#13;
transaction to dispose of each, had much better competent to deal with books that discuss it. At&#13;
leave their disposal to an agent at 10 per cent. than all events the editor selects someone who is more&#13;
spend in selling manuscripts or drawings the time or less an expert. He may be a specialist who by&#13;
he might employ in producing them. As a matter his known record is sure to disagree with the&#13;
of fact there are certain departments in which an author, which will not be agreeable to the latter,&#13;
author or artist could not make a living if he had particularly if the review be anonymous, and is&#13;
to attend to the business side as well as the artistic therefore likely to be looked upon by a special&#13;
side.&#13;
public as the pronouncement of its special organ.&#13;
The conclusion of the matter is that there is This is, however, hardly the fault of the editor or&#13;
&#13;
&#13;
## p. 78 (#490) #############################################&#13;
&#13;
78&#13;
THE AUTHOR.&#13;
of the critic. If the former chose a writer for the We are now approaching the Christmas season,&#13;
task known to be a personal friend of the author of when a good many writers who have not yet had&#13;
the book and known to acquiesce in his views, then the good fortune to “make a name," will be dis-&#13;
the editor might be blamed for prejudging the work appointed by the absence of mention of their works&#13;
in the author's favour—and might be wrong in so from the columns of newspapers, notice in which&#13;
doing. A signed review in such cases would be would be of value to them. They will have to&#13;
perhaps more fair, if the necessity for appending console themselves with criticisms in provincial&#13;
a signature did not sometimes tend to render journals, in some of which reviews of new writers&#13;
criticism too indulgent to be of value as a candid are prompter, and more carefully appreciative than&#13;
opinion. However, the submission I make in in those more fully occupied with the affairs of the&#13;
expressing purely personal views is that there is a nation. The fact that Parliament will be sitting&#13;
class of reviewing which, whether the reviewer be to consider measures of great public interest, and&#13;
well or ill paid in proportion to his qualifications, that there is promise of abundance of matter for the&#13;
is on the whole fairly well done, and that a news columns, also seems likely to contribute to the&#13;
large mass of criticism is not so satisfactorily curtailment of space for the consideration of mere&#13;
performed, mainly for the reason that it is too books. At the same time there is this consolation&#13;
badly paid to be worth undertaking by serious for those who complain of the brevity or paucity of&#13;
readers who will do it seriously. Some editors, reviews, that the lengthy criticism is not always an&#13;
no doubt, must share the blame for this, unmixed blessing. The reviewer to whom his&#13;
but the lack of money at their disposal occupation is neither an art nor a business, or is,&#13;
for literary notes and for the literary portions of perhaps, a business rather than an art, is often the&#13;
their journals is a circumstance not always within one who has a fiendish knack of extracting the&#13;
their control. I once asked the editor of an evening main incidents of the plot of a novel and of pre-&#13;
newspaper to procure me compensation or revenge senting them in a baldly unattractive form, dénoue-&#13;
for the pirating elsewhere of an article which he ment and all, marring the interest of the reader who&#13;
had published. “Don't you keep a tame solicitor decides to obtain the book, and deterring others&#13;
for such a purpose ?” I inquired. “ No, we keep a from attempting its perusal. Another reviewer of&#13;
wild proprietor," was his reply. It is the wild and the same class will save himself trouble and fill&#13;
uncontrolled proprietor, acting through the manager space by copious extracts not designed to whet the&#13;
and cutting down expenses, the need for which fails reader's appetite for more, but rather to supply him&#13;
to impress either of them, who is very often answer with all he wants to know about the book without&#13;
able for the scanty remuneration of reviewers. One his having to read it. Such extracts are not likely&#13;
has also heard of relatives of the proprietor (some- to be held to be infringements of the copyright,&#13;
times also of the editor) whose talent for literature but are apt to verge on piracy while giving a general,&#13;
was recognised by the distribution among them but not necessarily true, impression of the book as&#13;
of books not absolutely demanding on account a whole. Either of these types of review is quite&#13;
of their importance more experienced reviewers. as objectionable as an inaccurate statement of the&#13;
The reason for this was, of course, that those author's propositions followed by demolition of&#13;
responsible for the distribution looked upon review views which he has not put forward, for to this he&#13;
ing as easy work “that anyone could do.” Another has some chance of being allowed to reply. How-&#13;
circumstance conspiring to make reviewing a badly. ever, if reviewing is unsatisfactory from the author's&#13;
paid profession, or at any rate rendering the pay point of view, because he is satisfied from reading&#13;
ment per book insufficient to compensate for any his reviews that his book has not been read care-&#13;
considerable expenditure of time in reading it, is fully and fairly dealt with, he has a certain measure&#13;
no doubt, the existence of “publishing seasons," of consolation in the fact that almost any review is&#13;
when books come out all at once with a rush, better than none at all, because it does secure a&#13;
and when for many of them two to half-a-dozen certain amount of attention to the fact that he has&#13;
lines per volume (paid for by the line) are written. He will be, to some extent, the better for&#13;
all that the reviewer can expect to see printed. a notice markedly friendly or hostile, and the hostile&#13;
I fancy that criticisms of this class usually dis- one will get him more readers than one which is&#13;
appoint the author by their brevity, but are not mild and colourless. He may feel irritated against&#13;
sufficiently long to offend him by observations the reviewer, but it is not always a case where the&#13;
wbich he can denounce as unfair. They are blame should fall upon an individual. It is the&#13;
generally mildly “favourable." The desire of the system that is to blame. Reviews form quite an&#13;
publisher to have “a line to quote” secures &amp; important part of a newspaper in the eyes of a&#13;
fragment of laudation, which, so far as it goes, may large number of readers, who turn to them daily&#13;
be deemed acceptable, but they are hardly worth for guidance as to what to read, whether they buy&#13;
calling “reviews."&#13;
books or get them from lending libraries. But in&#13;
&#13;
&#13;
## p. 79 (#491) #############################################&#13;
&#13;
THE AUTHOR.&#13;
79&#13;
many instances their importance is not recognised, the importance is vital, since with them it is&#13;
either financially or in the treatment allotted to essential that it should win them means of&#13;
them when timely insertion would render them of subsistence.&#13;
increased value to readers and author alike. The That it should, in a sweeping majority of&#13;
worst of it is that the evil exists, but the remedy is instances, fail signally to achieve this indis-&#13;
not easy to find. If proprietors and editors are pensable consummation until, at least, many bitter&#13;
indifferent on the subject, they are not persons easy periods of futile industry and unrewarded per-&#13;
to convince of their error, particularly when it is severance have been passed, is common knowledge&#13;
remembered that such reviews as they publish among those versed in the subject of literary&#13;
serve their purpose up to a certain point, and that biography. In proof of this assertion take the&#13;
to obtain better work would mean expenditure not following examples, selected with no particular care&#13;
only of money, but of trouble, without profits from an extensive list at hand.&#13;
capable of immediate verification in the balance Jane Austen was a brilliant girl of but twenty-&#13;
sheet. A parallel may be suggested in art criticism, one when she finished her masterpiece, “ Pride and&#13;
which is conducted as a rule in modern times with Prejudice." She was a woman of thirty-seven&#13;
considerable conscientiousness and knowledge by a before it saw the light of publicity. Four years&#13;
large number of those who are engaged in it, but later, she lay in her grave, having only in her last&#13;
of which the remuneration was described by one two or three years of life reaped any modest fruits&#13;
of them to the writer as based upon a vague either of fame or worldly gain.&#13;
editorial theory that art critics could make a Charlotte Brontë's Professor” was rejected nine&#13;
living, like waiters, out of “tips."&#13;
times. « Jane Eyre” met with kinder treatment,&#13;
PASSER-By.&#13;
but its laurel wreath arrived too late to be of&#13;
practical service to its author and her almost equally&#13;
gifted sisters.&#13;
Harriet Martineau, again, tells us how for nearly&#13;
THE HAZARD OF THE PEN.&#13;
three weeks she tramped up and down London in&#13;
search of a publisher for her book, " Illustrations."&#13;
After cne memorable day of deep discouragement&#13;
THE late Mr. F. Marion Crawford, in his novel, she wrote : "I could not afford to ride, but weary&#13;
“ The Three Fates,” referred in graphic already I now felt almost too ill to walk at all. On&#13;
phraseology to a section of the community the road, not far from Shoreditch, I became too&#13;
at once ever growing and unfortunate, “who have giddy to stand without some support, and I leaned&#13;
looked upon the ink when it was black and cannot over some dirty pailings, pretending to look at a&#13;
be weaned from it, and whose nostrils have cabbage bed, but saying to myself as I stood with&#13;
smelled the printer's sacrifice."&#13;
closed eyes : “My book will do yet.'”&#13;
At first blush, perhaps, “unfortunate” might The Publisher's Circular stated some years ago&#13;
appear to be a rather inappropriate term to that Mrs. Gaskell's powerful novel, “ Mary Barton,"&#13;
employ in the present connection, but before was offered to all, or nearly all, the publishers in&#13;
substituting another in its place, let us withhold London and rejected.&#13;
our judgment awhile, recognising at the outset, Thackeray, a literary Colossus, bears a name&#13;
and without further preamble, that such force as with which to conjure among the brotherhood of&#13;
this article may possess is meant to be concentrated, the pen ; yet, according to report, the MS. of his&#13;
not upon those debonair personages who take up world-famed “ Vanity Fair " was ignominiously&#13;
literary work of sorts as a species of congenial refused by no fewer than thirty-eight dealers in such&#13;
hobby, nor yet upon those who pursue it in expecta- goods—some authorities place the figure at thirty-&#13;
tion of gleaning some slight emolument wherewith nine !&#13;
to supplement incomes derived from sources based Robert Louis Stevenson also, the exquisite stylist&#13;
on solid foundations, but upon those who, believing and master of romance, what does he in this galley ?&#13;
themselves to be endowed with the power as well Listen! “I was thirty-one. I was the head of a&#13;
as the will to earn a livelihood in good earnest by family. I had lost my health. I had never yet&#13;
the partnership of brains with pen, ink, and paper, paid my way, never yet made $200 a year: my&#13;
throw themselves body and soul into the endeavour, father had quite recently bought back and can-&#13;
and thereby elect to make it their sole life's work. celled a book that was judged a failure. I was&#13;
With regard to those coming under the first and indeed close on despair.” At the moment of which&#13;
second mentioned category, any hardship entailed he speaks,“ Treasure Island” was already half-&#13;
by a steadily-growing disillusion as to the dividend written.&#13;
earping capacity of their capital, may usually be Warren's “ Passages from the Diary of a late&#13;
described as of secondary importance; to the third, Physician " was cold shouldered by both editors and&#13;
&#13;
&#13;
## p. 80 (#492) #############################################&#13;
&#13;
80&#13;
THE AUTHOR.&#13;
14&#13;
publishers alike before Blackwood's accepted it. Yet himself when asked what he had to say upon the&#13;
its success was instantaneous.&#13;
subject of his profession. “Is it worth it?" were&#13;
But when a “reader" of the calibre of the late his words.&#13;
James Payn confesses to declining a work such as&#13;
HERBERT W. Smith,&#13;
“ John Inglesant”—a work of which Mr. Gladstone&#13;
wrote that it was of real genius and of a class that&#13;
interested him greatly—what consideration may the&#13;
novice expect to receive at the hands of those who,&#13;
for the most part, boast neither the insight nor&#13;
SAMUEL RICHARDSON.*&#13;
the literary acumen of the author of the “ Lost Sir&#13;
Massingberd” ?&#13;
It will be remembered how, in his early days, Dr.&#13;
TISS Sheila Kaye-Smith contributes to a&#13;
Johnson, on occasion, walked the streets of London&#13;
small volume forming part of the series&#13;
all night because he could not afford a bed, while&#13;
published as “The Regent Library," a&#13;
Goldsmith knew the necessity of pawning the&#13;
scholarly and well-considered appreciation of&#13;
clothes off his, lying with his head protruding&#13;
Samuel Richardson as a writer, and a brief but&#13;
from a slit in the mattress inside which he had&#13;
suggestive biographical sketch. These form an&#13;
thrust his person. Coleridge, even at a time when&#13;
introduction to the study of a series of copious&#13;
he had attained celebrity as a scholar, poet and&#13;
extracts from Pamela, Clarissa, and Sir Charles&#13;
essayist, was in the saddest state of destitution.&#13;
Grandison, which, it is to be hoped, will stimulate&#13;
Dryden lived in poverty and distress. Steele waged&#13;
the reader, to whom they introduce the novelist, to&#13;
a ceaseless war against bailiffs. Keats slipped out&#13;
read his works in a fuller form. In truth, it is&#13;
of life under the impression his " name was writ in&#13;
wonderful how comprehensive a birdseye view of&#13;
water," and Otway perished of starvation.&#13;
the story extracts so well selected are capable of&#13;
Far from Genius being a help to the literary or&#13;
providing, and the danger is lest the easy assimila-&#13;
poetic creator in any material sense, at least during&#13;
tion of the extract should lead young readers to&#13;
the early stages of his career, it is a hindrance.&#13;
postpone the weightier feast. In this they have as&#13;
Mankind understands mediocrity, tolerates talent,&#13;
their justification that the 19th century has followed&#13;
but mistrusts genius. This reflection enables us to&#13;
upon the 18th and left a plentiful supply of desir-&#13;
explain why manufacturers of “shilling shockers,"&#13;
able matter for their consumption, even if they&#13;
and delineators of frenzied eroticism, obtain instant&#13;
confine themselves to fiction. However, they will&#13;
and widespread popularity for their productions,&#13;
find that Miss Kaye-Smith's introduction will&#13;
while a Francis Thompson sells matches in the&#13;
convey more to them than they may already have&#13;
streets of London, and à John Davidson performs&#13;
ne read of the subjects with which she deals.&#13;
read&#13;
the last desperate act of renunciation.&#13;
Defoe, Fielding, Smollett and Charlotte Brontë&#13;
“For one man who succeeds in literature, a&#13;
are selected on her first page for comparison, and&#13;
thousand fail,” declared Mr. Crawford.&#13;
her own knowledge of them is proved by her&#13;
Authors who have passed through what is called&#13;
critical references to their work in connection with&#13;
" the mill ” could, no doubt, throw corroborative&#13;
that of Richardson. The “ Short Bibliography"&#13;
evidence on the statement, even though persever-&#13;
with which her concluding pages are occupied is a&#13;
ance, physical endurance, and, perchance, good&#13;
fairly comprehensive one. Those who can find&#13;
fortune may have combined to pull them through&#13;
omissions from it will have to be well read in their&#13;
the purgatory wherein they once groaned in subject.&#13;
anguish, and to have in some degree toned down its&#13;
memory. But what of those miserable wretches&#13;
who never struggle out of it, but flounder hopelessly&#13;
CORRESPONDENCE.&#13;
to the end ?&#13;
Literature, like marriage, is something of a&#13;
lottery, and its prizes do not always fall to those AGENTS : LITERARY AND DRAMATIC.&#13;
most worthy to receive them. When we hear of&#13;
successful authors who have reached positions of&#13;
competence, and even of affluence, we are apt to SIR,-Since you invite controversy, may I also&#13;
overlook the thousands of hack writers whose lives protest against the somewhat sweeping attack on&#13;
are spent in one continued struggle against Agents, Literary and Dramatic, in your October&#13;
privation. All alike, however, the victors and number? No doubt there are dishonest agents,&#13;
the vanquished, the winners and the failures,&#13;
might do worse than pause awhile to cogitate over By Sheila Kaye-Smith, London. Herbert and Daniel,&#13;
a remark of which Robert Buchanan once delivered 1911.&#13;
&#13;
&#13;
## p. 81 (#493) #############################################&#13;
&#13;
THE AUTHOR.&#13;
81&#13;
agents who play into the hands of the publishers&#13;
against the interests of the author, agents who will&#13;
serve one author to the prejudice of another, agents&#13;
who will save themselves trouble by selling their&#13;
clients into bondage, who will, in short, commit&#13;
every one of the sins which your contributor has&#13;
laid to the charge of their profession. It may be&#13;
an author's misfortune if he encounters one of&#13;
these, but it is also very much his fault. For there&#13;
are plenty of people who can tell him where honest&#13;
agents may be found.&#13;
I, for one, can give the address not only of an&#13;
honest agent, an agent innocent of these alleged&#13;
perfidies, but an agent who, in my experience, has&#13;
actually disregarded his own immediate interests in&#13;
the interests of his clients. This honesty of his is&#13;
no doubt his best policy; but I have also known&#13;
him exert himself in ways where even policy&#13;
could discern no profit. You may say, if you&#13;
are cynical, that philanthropy was not his motive;&#13;
but it is the agent's conduct, pot his motive, which&#13;
is under criticism. I admit that he is guilty of&#13;
inserting that clause in his contracts which autho-&#13;
rises him to collect all monies, and accepts his&#13;
receipts as sole and sufficient discharge ; but,&#13;
except in the event of his immediate bankruptcy,&#13;
I see no great harm in it. Either he does or he&#13;
does not collect the monies; if he does he must be&#13;
authorised. If the author objects to that clause,&#13;
there is no reason in the world why he should sign&#13;
it.&#13;
Of course complaints will arise even against the&#13;
honest agent, the trouble being that the market is&#13;
overcrowded and that the honest agent, by reason&#13;
of his honesty, is likely to have his hands full.&#13;
There are several kinds of authors for whom he can&#13;
do little or nothing. There is the author whom&#13;
nobody wants just yet ; the author whom nobody&#13;
erer will want; the “popular” author who has had&#13;
his day and is no longer wanted; there is the one&#13;
book author, and the author of books so many that&#13;
nobody can keep up with him. And by all these&#13;
people the agent is besieged. By all these people&#13;
he is blamed if anything goes wrong. Possibly&#13;
they would do as well or better without him; he,&#13;
most certainly, would do better without them.&#13;
Because of his helplessness in dealing with such&#13;
cases, the question is often raised whether an agent&#13;
is really any good to anybody except the already&#13;
prosperous or established author ? Well, that&#13;
depends on the agent; it depends also on the&#13;
author; it depends very largely on the publisher.&#13;
By knowing exactly where to place him, a good&#13;
agent may be very useful to the promising unknown;&#13;
by nursing a dying popularity into the semblance&#13;
of a little life, he may still be useful to the too-well&#13;
known. No doubt, with some firms, the unknown&#13;
author will have a better chance, a perfectly fair&#13;
chance, too, if he “deals direct.” For, in the&#13;
beginning, he is a pure speculation to everybody&#13;
concerned. Whether his chances will be equally&#13;
fair when his commercial value is increasing, de-&#13;
pends solely on the publishers' integrity. His&#13;
exact commercial value is a thing no author at this&#13;
stage of his career knows or can know. His pub-&#13;
lishers themselves may not know it. But the&#13;
agent may know. At any rate he knows what&#13;
other firms are prepared to pay.&#13;
And there is the crux of the whole matter. It&#13;
raises all the problems of honour and obligation&#13;
between author and publisher. It is where the&#13;
agent's intervention may be most valuable or most&#13;
disastrous.&#13;
Whether an author will be wise—what is more,&#13;
whether he will be right-in leaving the firm he&#13;
knows (which may be paying him to the extent of&#13;
its ability) for another firm which will pay him&#13;
better, depends on conditions too hypothetical and&#13;
too intricate to be considered here. It is as much&#13;
a problem of individual conscience as of general&#13;
policy. But it is one which is perpetually recur-&#13;
ring; and on its moral side it is peculiarly harass-&#13;
ing to the sensitive author. If he refuses to&#13;
“deal direct," if he “ takes” an agent, he is&#13;
supposed to betray a lack of confidence in his pub-&#13;
lishers, who may be his very good friends. In vain&#13;
he protests that he is nothing if not confiding;&#13;
that he merely desires to delegate the sordid busi-&#13;
ness details which he loathes; that it is because he&#13;
holds friendship so dear, so sacred, that he must&#13;
keep it pure. Nobody is deceived. The inference&#13;
is obvious. He has parted with the happy confi-&#13;
dence he had. And all this is terrible between&#13;
friends.&#13;
And yet it is all absurdly simple.&#13;
The author is not justified in leaving his pub-&#13;
lisher, even for better pay, if he is bound to him&#13;
either by contract or by moral obligation. It is&#13;
a little difficult to say where moral obligation&#13;
begins and ends. Some publishers regard it as im-&#13;
measurable and immutable. It should certainly&#13;
cease when the author has reason to doubt either&#13;
the integrity or the ability of his publisher. Per-&#13;
Sonally, if a publisher's ability alone is in question,&#13;
I would be for giving him a fair trial, pro-&#13;
longed in proportion to the amount of moral obliga-&#13;
tion incurred. On the other hand, if his integrity&#13;
were suspect, he should have short shrift.&#13;
Now, this sort of thing is brittle stuff for the&#13;
Literary Agent to handle ; but, in my experience&#13;
of him, involved, as we have been more than once,&#13;
in a perfect network of scruples, he has always&#13;
respected the delicate issues which it was his&#13;
obvious interest to tangle or obscure. What&#13;
more need be said ?&#13;
MAY SINCLAIR.&#13;
&#13;
&#13;
## p. 82 (#494) #############################################&#13;
&#13;
82&#13;
THE AUTHOR.&#13;
II.&#13;
to confirm my idea that a young author's best friend,&#13;
if he be not afraid, is himself. I have had dealings&#13;
SIR, -Assuming that the article on “Authors' with several, but only in one solitary instance so&#13;
Agents” in your October number was written for far to my profit. Whereas, acting on my own&#13;
the benefit of such as still stand in need of advice behalf, I have succeeded in doing business on which&#13;
on what is often a vexed and vexing question in I have had to pay to my agents, under various&#13;
a young author's career-rather than for those very one-sided agreements with them, fees and&#13;
eminent authors who find it pays to employ an commissions amounting to more than the total of all&#13;
agent-perhaps a young author's experience of the royalties they have ever earned for me.&#13;
agents may interest your readers.&#13;
I sometimes think, indeed, that I would not be&#13;
My first book was scarcely off the press before I quite such a young author now if, from the outset&#13;
had fallen prey to my first agent. He was an of my career, I had not employed an agent at all-&#13;
impostor. But please bear in mind that he managed and if I had watched still more closely some of the&#13;
to impose on not a few of my elders and betters as agents I did employ.&#13;
well as on me. In any case, it took me six months&#13;
Yours faithfully.&#13;
and some money to find out his true character;&#13;
A PUPIL OF EXPERIENCE.&#13;
and to escape from his clutches, with the society's&#13;
help.&#13;
My second book and my second agent appeared&#13;
simultaneously also. My second agent afforded me&#13;
III.&#13;
further proof that the first was a plausible rascal,&#13;
and for two long years I struggled against a SIR, I cannot understand why agents of such&#13;
growing impression that there was very little to high reputation as Messrs. Cazenove and Perris&#13;
choose between himself and his predecessor. Once should resent the advice given in the October&#13;
satisfied that my suspicions were only too well number of The Author as to the choice of an agent.&#13;
founded, I fought my way out of his hands in It is surely desirable that care should be exercised&#13;
turn, and with the society's help again.&#13;
in such choice. I did not understand the article&#13;
By that time I had grown very gun-shy. But to be an attack on agents generally, but merely a&#13;
when a third agent, of the very highest repute, warning against the unscrupulous. It is, of course,&#13;
wrote me suggesting that I should entrust my a pity that authors can't do without a middleman,&#13;
business to him, I did so. And during the four but it is plain enough that we cannot. The hawk-&#13;
years I remained with him he placed four books ing round of our wares is a depressing, humiliating,&#13;
for me-two well, and two unwisely, as it turned and time-wasting business. I must say I have&#13;
been extremely grateful to the agents who have&#13;
I left him then because by then he was doing so worked for me, both in England and America. I&#13;
well for himself among eminent authors that I have always found them scrupulously honourable&#13;
knew he could not, in common fairness to himself, and extremely courteous. Precious little have they&#13;
devote to my modest affairs the time and attention ever made out of me, and I can only say that if&#13;
still needed to make an eminent author of me; and, ever I made ten thousand pounds by a book I shall&#13;
further, because I had finally learned that no agent rejoice at the amount my agent will pocket out&#13;
should be expected in reason to fight a young of it !&#13;
author's battles for him, as they must be fought to While I am writing, may I once more plead for&#13;
win. No agent could long afford to carry on his an insurance scheme in connection with the&#13;
business for the benefit of any one individual - Authors' Society, whereby through the payment of&#13;
other than himself.&#13;
a small yearly premium, an author who breaks&#13;
These views my third agent frankly endorsed down in health can draw a few pounds to take a&#13;
when we parted, in perfect amity. And he added rest or a holiday. There are times in the life of&#13;
that, if I would give him my business again as every writing man or woman when a ten pound&#13;
soon as I could become an eminent author on my note, or even a “fiver,” might be the means of&#13;
own account, he would undertake to do far betteraverting a serious breakdown; and there are&#13;
for me then than I could ever hope to do for cases where small debts, accumulating through a&#13;
myself.&#13;
few weeks of incapacity, harass the unfortunate&#13;
Meantime, however, the fact remains that I have one into another illness. I sincerely hope the idea&#13;
so far managed to make a good deal more money of an insurance fund may take root in some prac-&#13;
for myself than even an agent of the very highest tical mind, and that a coinmittee may be formed to&#13;
repute could make for me in four years during consider it.&#13;
which he handled the bulk of my output.&#13;
Yours,&#13;
My experience of American agents has also gone&#13;
MARY L. PENDERED.&#13;
out.&#13;
&#13;
&#13;
## p. 83 (#495) #############################################&#13;
&#13;
THE AUTHOR.&#13;
83&#13;
IV.&#13;
doing you harm. He sees a publisher, and the&#13;
publisher says:&#13;
DEAR SIR,_Literary agents may be useful to a “Colour books are still popular at Christmas.&#13;
writer here and there. Let that writer give the Do you know some young writers and artists who&#13;
tenth part of his income to an agent whom he will be easy to manage? Their inexperience&#13;
trusts. There is nothing to prevent bim from doesn't matter. The books will pass muster in the&#13;
giving 40 per cent. of his earnings to a good rush at Christmas, and the critics will be too busy to&#13;
agent. But to say that agents are indispensable is do much harm. If we get artists of known name&#13;
to argue that authors are unfit to market their own they insist upon colour work that is very hard to&#13;
work. The agent flourishes only because a writer get, and known writers of art have terms that they&#13;
bere and there is too lazy to spend three or four won't lower."&#13;
hours a week in selling work that publishers want So inexperience is rushed into a market where&#13;
to buy. I do not trust literary agents because their specialists should rule.&#13;
trade is unbusinesslike in all its aims and methods. Already the colour processes—which G. F. Watts&#13;
An author who earns a large income should have described as marvellous aids to the study of art-&#13;
his own private agent, just as a theatrical manager have been so ill-used that they are sinking rapidly&#13;
has his own business manager. To buy fragments to the level of trade catalogues. Authors and&#13;
of a general agent's time and experience, paying a artists in a year or two will decline to have their&#13;
tenth part of one's own income, is the folly of a work associated with colour reproductions. As to&#13;
spendthrift.&#13;
the writers who can write about art, whose work is&#13;
Popular novelists must decide these questions valued throughout Europe, they find it ever the&#13;
for themselves. But I can say with authority, more difficult to discover publishers whose aims&#13;
without the least fear of being contradicted, that are not shoddy and degrading.&#13;
for the placing of illustrated books, agents are An expert can give but one piece of advice to an&#13;
worse than useless. Very often they are dangerous. carnest young writer of illustrated books. “ Do&#13;
Such books are always commissioned, and their your own work in every detail. Never employ an&#13;
writers and artists demand some payment in agent, for you will have to guide him in all negotia-&#13;
advance of publication. The higher the payment tions, and you cannot afford to give your hard-won&#13;
the more strenuously a publisher will push the book. experience to any tradesman. What you teach bim&#13;
Two or three publishers are trying to ruin this he will use for the benefit of other clients, probably&#13;
market, and I am told that certain agents have a your rivals."&#13;
hand in the tactics. Unknown writers are chosen&#13;
Yours faithfully,&#13;
and inexperienced artists; small prices are paid.&#13;
" CRUSADER.”&#13;
The illustrations are printed thirty-two at a time,&#13;
and in a few years the picture book will be killed.&#13;
Why are agents helping to destroy this market ?&#13;
PUBLISHERS' METHODS.&#13;
Because they do not understand the conditions of DEAR SIR,—I have read with interest the article&#13;
art publications. A book on architecture or on art entitled “Publishers' Methods” in the October&#13;
takes a long time to write, and it needs a thorough number of your paper. It occurs to me that you&#13;
training. Its author is a specialist, and earns his may care to have the views of a publisher on two&#13;
first reputation in the magazines and papers that or three of the points raised. Although it may be&#13;
deal with his subjects. He cannot afford to give difficult to draft clauses satisfactory to both author&#13;
his long experience to a publisher for nothing—not and publisher, and the latter is generally supposed&#13;
even in a first book. He can no more afford to do to be trying to get the better of the former, I am&#13;
that than an architect can afford to build a house sure that there are few cases in which a publisher&#13;
for nothing. And two or three writers on art are desires to do other than what is right and fair.&#13;
something more than known connoisseurs ; they The article mentions two agreements from a&#13;
have studied all the processes, they have worked in publisher relating to books of a technical nature,&#13;
printing rooms, they are able to guide the publisher and states that Clauses 3 and 4 are both “dan-&#13;
in all technical details.&#13;
gerous.” Clause 3 provides that the author agrees&#13;
This profession is not in the least understood by to revise editions, and Clause 4 that, in the event&#13;
literary agents, who regard their work from the of the author neglecting to revise, the expense of&#13;
standpoint of popular fiction. If you give them a revision shall be borne by the author. The article&#13;
project to market for an illustrated book, they do comments that there is only one person who should&#13;
not know how to introduce it to a publisher. You have control over these alterations; that person is&#13;
try again and again, discussing all the points, but the author. I suggest that it is an open question&#13;
the subject is outside the agent's ken. You leave whether the author is the best judge as to whether&#13;
him, of course, but you can't prerent him from revision is required, because being presumably an&#13;
&#13;
&#13;
## p. 84 (#496) #############################################&#13;
&#13;
84&#13;
THE AUTHOR.&#13;
D&#13;
expert in the subject-matter of his book, it is&#13;
difficult for him to differentiate between his know&#13;
ledge and what he has written in his book.&#13;
Furthermore, he may be disinclined, through calls&#13;
of other business or even pleasure, to undertake&#13;
the work when asked to do so. At the present&#13;
moment I have a case on hand where an author,&#13;
getting what I consider a high royalty on every&#13;
book sold, declines, although he considers it&#13;
necessary, to undertake the revision without pay-&#13;
ment of a special fee, because there is no clause in&#13;
the agreement (made some years ago) providing&#13;
for the revision of the book by the author. I&#13;
think it must be kept well in mind that a publisher&#13;
would not ask for a revision of a book unless he&#13;
felt the same was required, because the publishing&#13;
of a new edition necessarily entails a considerable&#13;
expense on his part.&#13;
Clause 4. If an author, having agreed to revise,&#13;
should neglect to do so, it follows that if a revision&#13;
is to be made it must be by someone other than&#13;
the author, and that person must of course be paid,&#13;
:&#13;
and as his employment is necessitated by the&#13;
neglect of the author to revise, the author should&#13;
bear the cost caused by his neglect. I agree that&#13;
the revision should not be handed over to anyone&#13;
without the author first being told by whom it is&#13;
suggested the revision shall be made, because it&#13;
would be quite possible for this revision to be&#13;
given to someone without a proper knowledge of&#13;
the subject or true sympathy with the author's&#13;
work. I might add that I have recently had&#13;
some difficulties with the revision of books, subject&#13;
to royalties, written by deceased authors, which&#13;
admittedly want revising, but the selection of the&#13;
persons to make the revisions has caused consider&#13;
able thought and anxiety.&#13;
Clause 6. As to making up accounts: I con-&#13;
sider that accounts should be delivered to authors&#13;
half-yearly, and not yearly, and payments made&#13;
within a month of the delivery of each account.&#13;
I should like to add a few words about Clause 2,&#13;
as to the application of profits from the rights of&#13;
translation. No rule can be laid down as to the&#13;
division of these profits beyond this, that the work&#13;
done by the author and publisher respectively&#13;
should be the basis of such division. For example,&#13;
account must be taken of the causes which produce&#13;
the demand for the translation. Possibly the pub-&#13;
lisher's work in the production of the original&#13;
book, especially if it be an elaborately illustrated&#13;
one, may considerably help to the desire to trans-&#13;
late and the use of illustrations being sought for.&#13;
It may also be that the publisher, with his expert&#13;
knowledge, is acquainted with special firms likely&#13;
to want to publish translations, and it is only by&#13;
his unique knowledge and experience that these&#13;
translations are made.&#13;
For very many years books have been published&#13;
by the firm of “B. T. Batsford,” and I hope I may&#13;
be permitted to express my pleasure in saying that&#13;
there has never been any serious trouble with an&#13;
author, certainly nothing in which legal pro-&#13;
ceedings have ever been contemplated, but my&#13;
view as to an arbitration clause is that it is better&#13;
to leave the parties entirely free, 80 that in the&#13;
unfortunate event of any dispute arising each may&#13;
seek his remedy in open court, or if both so desire,&#13;
they can, irrespective of anything in the agreement,&#13;
settle their dispute by arbitration.&#13;
I am, yours faithfully,&#13;
HERBERT BATSFORD&#13;
(the present head of the firm).&#13;
[NOTE.—Touching the question of revision, the&#13;
writer of the article merely desires that the method&#13;
of revision and the terms of revision should not be&#13;
absolutely and solely in the hands of the publisher,&#13;
and as regards translation rights he thinks very&#13;
decidedly that some rule can be laid down. If&#13;
these rights are placed by the publisher under a&#13;
contract signed and approved by the author then&#13;
he is acting as the author's agent and doing the&#13;
work of the ordinary literary agent, and is certainly&#13;
entitled to an agency charge of 10 per cent. or&#13;
15 per cent. If these rights are placed by the&#13;
author the publisher should not be entitled to any&#13;
claims whatever.-Ed.]&#13;
ON THE WORDS " MODERN” AND “ MODERNITY."&#13;
SIR,—I should like to call attention to the danger&#13;
of the present use of the word modern and its&#13;
derivative modernity.&#13;
Modern work would appear to be work by men&#13;
still living, or so lately dead as to count as&#13;
our contemporaries. But, because a good many&#13;
modern workers use an advanced realism, critics&#13;
continually use the term as if it meant the same as&#13;
realistic.&#13;
But this merely leads to a confusion of thought.&#13;
There have been realists in all ages, as there are&#13;
idealising writers now. If the realism of to-day is&#13;
very pronounced, symbolism and the reactionary are&#13;
quite frequent also ; a living man who were to&#13;
take as his master, say, Chaucer or John Bunyan,&#13;
would be producing modern work while he was&#13;
alive. It would only become ancient with lapse of&#13;
time—it would always be and remain twentieth&#13;
century work.&#13;
In very many cases the modern and the realistic&#13;
coincide: but by no means in all. I refrain from&#13;
examples, lest I should seem to criticise any of my&#13;
fellow members of the Society of Authors.&#13;
ARTHUR DILLON.&#13;
&#13;
&#13;
## p. 84 (#497) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes :-&#13;
+1 have just completed the revision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without having been corrected or even read, and that my hand writing,&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something more than simple&#13;
mechanical accuracy, to produce such a resulta result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
-of answers to the criticisms which have recently been directed upon&#13;
the wark of typists in the columns of The Author."&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Novels &amp; Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words; 2 copies, 1/4.&#13;
(French and Spanish typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work."&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove to&#13;
all authors who have the good fortune to hear of you, ... You&#13;
certainly evince an intimate knowledge of French.&#13;
MRS. HINKSON(KATHARINE TYXAN): "I have never met with&#13;
anything approaching your intelligence, carefulness and promptitude."&#13;
RICHARD PRYCE, Esq. : “ The work could not be better done."&#13;
1. A. ST. JOHN. L'Isle, Dimond Road, SOUTHAMPTON.&#13;
Bitterne Park,&#13;
Cotterill &amp; Cromb, Literary Agents,&#13;
Lennox House, Norfolk St., Strand, W.C.&#13;
TYPEWRITING.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD,&#13;
Story Work, 9d. 1,000 words; 2 copies, 1/- ; Plays, ruled and covered,&#13;
1/- 1,000 words.&#13;
Copies of recent Testimonials&#13;
W. SHAW SPARROW: “ I'm glad I don't hear the steady noise of your machine,&#13;
but I appreciate the excellence of your work."&#13;
DANIEL WOODROFFE: "Miss A. B. Stevenson is very accurate in her type-&#13;
writing and most satisfactory in every way."&#13;
Authors who find their work does not for&#13;
any reason prosper in their own hands,&#13;
or in the charge of an agent, should consult Mr. STANHOPE&#13;
W. SPRIGG, late editor of Cassell's and the Windsor Magazine,&#13;
and for some years Hon. Literary Adviser to the Society of&#13;
Women Journalists. Address : Trafalgar Buildings, Charing&#13;
Cross, W.C.&#13;
The Daily Mail says:-"In these days when there is so large an&#13;
output of stories, articles, and other literary matter, and when many&#13;
promising authors find more difficulty than ever in obtaining profitable&#13;
publication, the services of a trustworthy literary consultant like&#13;
Mr. Sprigg should prove useful, if not indispensable."&#13;
AUTHORS &amp; PLAYWRIGHTS.&#13;
Special facilities for placing work of every description.&#13;
Particulars from Manager, Literary Department,&#13;
WIENER AGENCY, LD.,&#13;
AND NEW YORK. 64, Strand, LONDON,&#13;
BOOKS&#13;
&#13;
TYPEWRITING.&#13;
MISS FOWLER, Maxwell House, Arundel&#13;
Literary, Educational, Scientific, Medical,&#13;
Street, Strand, W.C.&#13;
Law, Theological, and on ALL other subjects&#13;
EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
SECOND-HAND AT HALF PRICES!&#13;
Extract from Unsolicited Testimonial.-"I send your work com.&#13;
New at 25 per cent, Discount.&#13;
pared to which Egyptian hieroglyphics would be child's play, and you&#13;
Catalogue No. 144. Post Free. State Wants.&#13;
return the manuscript at the time requested without one single&#13;
naccuracy. It is nothing short of marvellous."&#13;
Books sent on Approval.&#13;
BOOKS BOUGHT : Best Prices Given.&#13;
TYPEWRITING.&#13;
8d. per 1,000 words, with free carbon copy.&#13;
W. &amp; G. FOYLE, 135, Charing Cross Rd., London, W.C.&#13;
One of many Testimonials.&#13;
** Many thanks for all the trouble you have taken and&#13;
for the neatness with which the typing has been done."'-&#13;
Authors' Guides.&#13;
MARK PERUGINI.&#13;
C. A. GIRTON.&#13;
MAKING MONEY BY THE PEN. Eleven Practical&#13;
2, Grove Lane, Camberwell, LONDON, S.E.&#13;
Lectures by R. A. H. GOODYEAR, originally sold at £2 2s,&#13;
SHORT STORIES.&#13;
course to Hundreds of delighted Students. 2s.6d. nett.&#13;
THE WRITERS' BRAIN BOOK. An Album of&#13;
Articles, Serials placed with over 170 Publishers and&#13;
Inspiration for Authors. is. nett.&#13;
Periodicals. Plays also placed. 16 page Prospectus free.&#13;
TALE-WRITING FOR MONEY. By R. A. H. GOOD Cambridge Literary Agency, 115, Strand, w.c.&#13;
YEAR. 70. nett.&#13;
WHAT SHALL I WRITE ABOUT? By R. A. H. First-Class Typewriting.&#13;
GOODYEAR, 7d. nett.&#13;
101 MONEY-MAKING RECIPES FOR AUTHORS.&#13;
7d. nett.&#13;
Do you want good and accurate work ?&#13;
Send to H. S. CHARLES, 12, Sunning,&#13;
Obtainable POST FREE of the Publisher ONLY-&#13;
hill Road, Lewisham, London, S.E.&#13;
A. J. ACKLANDE, Grosvenor Chambers, Scarborough.&#13;
10d. per thousand.&#13;
&#13;
&#13;
## p. 84 (#498) #############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
Opposite the British Museum.&#13;
&#13;
TYPEWRITING&#13;
BRAINS.&#13;
THACKERAY HOTEL&#13;
WITH&#13;
Great Russell Street, London.&#13;
Near the British Museum,&#13;
KINGSLEY HOTEL&#13;
Hart Street, Bloomsbury Square, London.&#13;
MISS RALLING wishes to inform&#13;
her many clients and friends that&#13;
she has moved her Typewriting&#13;
Offices to—&#13;
38, Norwood Rd.,&#13;
Herne Hill,&#13;
LONDON, S.E.&#13;
Passenger Lifts. Bathrooms on every Floor. Lounges&#13;
and Spacious Dining, Drawing, Writing, Reading, Billiard&#13;
and Smoking Rooms. Fireproof Fluors. Perfect Sanita-&#13;
tion. Telephones. Night Porters.&#13;
Bedroom, Attendance, and Table d'Hote&#13;
Breakfast, single, from 5/6 to 8/-.&#13;
Table d'Hote Dinner, Six Courses, 3-.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel— Thackeray, London."&#13;
Kingsley Hotel —"Bookcraft, London."&#13;
Please note this for future&#13;
correspondence.&#13;
MRS. GILL'S TYPEWRITING. SHORTHAND, AUTHORS wishing to make arrange-&#13;
AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
35, LUDGATE HILL, LONDON, E.C.&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Telephone-8464 Central.&#13;
Established 1883.&#13;
Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel-&#13;
London, E.C., who will be pleased&#13;
figently copied, from 18. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
POST FREE ON APPLICATION.&#13;
W.C.&#13;
Neatness and accuracy, with&#13;
TYPEWRITING.&#13;
promptness : 7d. per 1,000;&#13;
over 20,000, 6d. Plass ruled&#13;
and bound, 8d.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
Cheap duplicating.&#13;
words; in duplicate, 1/-. Plays and Generaal&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
Copying. List and specimen of work on appli-&#13;
cation.&#13;
Typewriting and Secretarial Work.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
Recommended by Mr. G. K. Chesterton, Baron de Worms,&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.,&#13;
MISS M. R. HORNE,&#13;
and Others.&#13;
15, WIMPOLE ROAD, YIEWSLEY, MIDDLESEX.&#13;
" Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
New Address :-&#13;
Many Testimonials, of which the following is a specimen : "Many&#13;
thanks for the excellent work and the promptness with which it has&#13;
been done."&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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                    <text>The Author .
--No .

4.

Authors

.

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1, 1912 .

JANUARY

[ PRICE SIXPENCE .

CONTENTS .
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.

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::
:::
::
::
:::
:

Warnings
Dramatic Authors
Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
Committee Election
The Pension Fund Committee
The Dinner
The SoundestView of History
Correspondence

..
.

of

the

Notices
The Society's Funds
List of Members ...
The Pension Fund ...
Committee Notes ...
Council Meeting
Books publishedby Members ..
Literary, Dramaticand Musical Notes
Paris Notes ...
...
United StatesNotes
Stage Plays and Private Societie
MagazineContents
How to Usethe Society ...
Warnings to
Producers Books

=

Vol . XXII .

of

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150TH THOUSAND

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The Society
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Telephone No . : 374 Victoria

PRESIDENT .

THOMAS HARDY ,

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The

818 ROBERT ANDERSON , K . C. B.
BIB WM . REYNELL ANSON , Bart . , D. C. L .
THE
LORD
HON .
THE
RIGHT
AVEBURY , P . C.
J . M. BABRIE
BIR ALFRED BATEMAN , K . C. M . G .
ROBERT BATEMAN .
F. E . BEDDARD , F. R. S.
MRS . BELLOC - LOWNDES .
THE RIGHT HON . AUGUSTINE BIR
BELL , P. C.
MRS . E. NESBIT BLAND .
THE REV . PROF . BONNEY , F . R .8.
THE RIGHT HON , JANRS BRYCE, P. C.
THE RIGHT HON . THE LORD BURGH .
CLERE , P. C.
HALL CAINE .
J . W. COMYNS CARR .
EGERTON CASTLE , F. 8. A.
EDWARD CLODD .
W. MORBIS COLLES .
THE HON . JOHN COLLIER .
SIB W , MARTIN CONWAY .

Right Hon .

THE EARL CURZON ,

P. C.

JOSTIN MCCARTHY .
THE REV . C. H . MIDDLETON -WAKE.
SIR HENRY NORMAN , M . P.
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kept
This fund
it

.

,

.

of

on

to

N

of

to

to

the Society who desire
have
the names
the publishers concerned can obtain
application
them
those members

is

of

,

of

of

or

in

'

of

to

of

The Editor begs
inform
members
the
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
cases that have come before the potice
the
knowledge
the Secretary
the Society and that

of

to

TROM time
time members
the Society
its funds
desire
make donations
recognition
work that has been done for
them
The Committee acting
the suggestion
one
place
these members
have decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
which these contributions may be paid

�THE AUTHOR .
It

either donations given prior

1st

does not include

,

it

to October
nor does
include subscriptions
compliance with promises made before
paid

it
.

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in

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377

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Nov
Nov

FUND

the fund from

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0

9
18 2

121

19

120

Nov
Nov

The list printed below includes all fresh dona
subscriptions
and
donations
tions and
subscriptions not hitherto acknowledged
received
promised
December 22nd

Kenny Mrs
Snell Miss Olive
Locke
Gosse Edmund

Balme Mrs Nettleton
Barne Miss
Sedgwick Anne Douglas
Mrs Basil
Selincourt
Larden Walter
Channon Mrs Frances

132

198

Miss

Salter

Masefield
Thurston

Nor

by

McCormick

Nov
Nov
Nov

Nov

PENSION

Dailey

. . . . .
9
10 10 ,
25 25 25 25 25 25 25 25 25 25 25 24 24 20 14
, , , , , , , , , , , , , , , , ,

6

Nov
Nov

,
438

£4
,

..
..
..
..
..
..
..

Total

247

0

..
..
..
..
..
..
..
.
21
%

.

1938

..
..
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.

Stock

Land

C
.
P
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Stock

11
0

Nov
Nov

Newton

Phipson
Mrs
Hannay
Mrs Humphry Ward
addi
tional subscription for 1912

Nov

258

.. - ...
..
..
..
.
31 .
% .. .. ..
.
.
.. ...
..
.. ..
..
.. ..
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..
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1937

Canada

49

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Nov

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of

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1919

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31 57
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Stock

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is

0 13
19
0
0

200

200

0

of

4
%

Jamaica

Oct

Oct

Nov

Inscribed

and South Western Railway
Preference Stock
New Zealand
Stock
Irish Land Act
Guaranteed Stock
Corporation
London
Stock

Beale

Nov

250

Certificates

Good Hope

Bungey

Nov
Nov

,

..
...
.
...
..
..
.
.
.
. .
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. 3
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.
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. % ...
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Irrigation

Government

Oct

Oct

291

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.
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- .
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. 32
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Egyptian
Trust

1927

.

in

.

..
..
.
...
..
..

..
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..
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London
ture Stock

Subscriptions

500
Consoli

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and North Western

Stock

4d

.

of

in

by

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in

in

,

to

is

21
%

£1 312

dated Inscribed

Glasgow

as

to

,

at

is

to

to

Local Loans
Victorian Government

Cape

.

£4
,

to

of ,

,

at

of

Consols

the

England Baker Street
Provincial Bank
Bankers Order for
drawn
the Union
London and Smiths Bank Clifton
Bristol
Bankers
Order
drawn
the London
County and Westminster Bank Kensington

'

in

to

-

at

.

of

—

of

4d
.

.

£312 13s
This brings the invested funds
377 198
The trustees however have been unable
recom
any further pensions
mend the payment
the
present exhausted
income
their disposal
They desire
the members
draw the attention
the society
this fact
the hope that
additional subscriptions and donations there will
the
the course
hand
be sufficient funds
year
declare another pension
case any im
forthcoming
portant claim

answer

without any covering letter

glad therefore
He would
those members who
may have sent
these orders recognising
them
from their description
would write
the secretary
the matter
Bankers Order for 108 drawn
the London
County and Westminster Bank Maidstone
the National
Bankers Order for 10s drawn

. . . . . . . . . . . . .

,

1

of

N

the trustees
the Pension
Fund
the society
after the secretary
placed
had
before
them
the financial
position
the fund
decided
invest £250
Consols
the purchase
The amount purchased
the present price

on

of

February

orders

, '

received four bankers
recent appeal unsigned

G
.
. .W E.
.
(
, .
.

PENSION FUND .

THE

.

of

to

The full list
annual subscribers
the fund
appeared
the November issue
The Author
The secretary would like
state that
has
in

end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages .

in

86

�THE AUTHOR .

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Nov

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to

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Nov
Nov
Nov

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Jacobs
Roberts Morley
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The Rev
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Nov
Nov

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Guthrie Anstey
Oct 11 Baldwin Mrs Alfred
Oct
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Olivia Ramsey
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Nov
Dr
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Donations

Nov

5

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Miss Mildred
Lewis
The Rev Arthur
Carr

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the Countess of (additional
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Laurance , Lionel .
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Haultain , Arnold .
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Pollock , The Right Honble .

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Dec . 12 , von Holst , Gustav
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Fred
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Nathaniel
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5 5 5 5 4 4 4
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Dec
Dec
Dec

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William

Caulfeild Mrs Kathleen
Breaknell Miss Mary
James Miss
Boucher
Martin
Miss Violet
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Chase Mr and Mrs
Lewis

Begbie

0

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Whiteing Richard
Caine

d.

15

0

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Montrésor Miss
Jones Henry Arthur
Pryor Francis

Nov
Nov
Nov
Nov
Nov
Nov
Nov
Dec
Dec
Dec
Dec
Dec
Dec
Dec
Dec

.

.
.

.
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.

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Ernest
Mattos Alexander Teixeira
Collier
The Hon John
Hughes Gibb Mrs
Orde Ward The Rev
Harraden
Beatrice
Carlyle
The Rev

. ,

Nov

. G.

Young

, ,

. . . . . . . . .

.

. . .

.

.

.

Nov
Nov
Noy
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov

W

Hollins Miss Dorothea
Bagnall Miss

,

.

. . . .

Nov
Nov

Lucas

de

. .

Burn .
Nov . 25 , Knowles , Miss Margaret
Nov . 25 , Bond , R . Warwick
.
.
:
Nov . 25 , Stockley , Mrs . .
Nov . 27 , Tyrrell , Miss Eleanor .
Nov . 27 , Prideaux , Miss S . T . .
Nov . 27 , Sedgwick , Prof . A . (5 years
Nov . 27 , Arnold , Mrs . J . 0 .
.
.
Nov . 27 , Weaver , Mrs. Baillie
Nov . 27 , Drake , F . Maurice
Nov. 27 , Stewart , J. C . MacDougall :
Nov
Baldwin Mrs Alfred

Nov
Nov

s.

0

£

, Murdoch ,

25

28
27
28
27 27 27
29
, 28
, 29
, 28
, 28
, 28
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Nov.

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open owing

settled

the

,

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-

to
a

.

in

revealed

been

which

mis statement
This
his affidavit

re
-

to

a

,

the defendant

of

to

,

.

10

of

,

,

.

,

in

It

paying

defendants

.

as

in

of

,

as

damages and costs for infringement
500 guineas
preriously arranged
place
£400 and costs

who

by

undertaken
property
dramatic
obtained against the
selling scripts
plays

.

of

cases

of

defendant

without the sanction

,

0

the successful termination
the society against pirates
An injunction
had been

of

.

of
a

.

to

in a

,

to

of

The next question referred
the bankruptcy
literary agent and the solicitor was instructed
the course which the committee wished
have
reported the satisfactory
taken
The solicitor
settlement
small county court case where the
amount and costs had been paid
He also reported

had been

the

,

of

an by

to

.

them

of

.

to

a

,

as

.

of

.

an

.

to

an

In

it an

for

.

,

.

,

a

The accounts
writ had been issued
have since
been
delivered
Another case
accounts and royalties had been settled without
going into court the accounts having been delivered
The same
with cheques for the sums shown due
author had
report applies
third case where
running
publisher
very
account with
agreement
difficult case referring
breach
publisher was next discussed
but the committee
final
regretted they could
not then come
undertaking
decision owing
the absence

ments
6

19

£164

of

infringement
dramatic
another case
injunction has been
property
interlocutory
obtained
The society will now proceed
obtain
the final injunction and
order
for costs
The
case was one
barefaced infringement
settled
Two other small cases were reported
action for account against
music publisher
had been impossible
obtain proper state
as In

0 0 O 0 0
6

0

5 5
2

0 1
5 0

everomoru

0

0

to

,

if

of

to

.

in

of

to

to

,

had been damaged
their circulation
and
undertaking not
defendant had given
continue
circulate any further scripts
the works
question
The solicitor also obtained the names
some
the people
whom
the scripts were
they are found producing these plays
sold and
the society will proceed
take action against
of

6 0
0 6 O
6

Bororoor

2

on

to

.

-

Forty three
the owners
scripts had been delivered
the solicitors and sent
the society whose work
the members
of

0

.
0
0
0 0 0
0 0

case was mentioned

0

0 0 0

3 2
Nero
5

to

5 0 s
.
5

0

0

0 0

6

1 7

6

0 10 £

0

1

5

The Author

case has now

0

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:

.

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,

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W

,

.

,

22 22
, , ,

Francis Beard
Horridge Frank

.

.
.

Miss Mary
Mrs

Tench

21 Clifford

.

Dec

.

Bremner Robert
Dawson Frank

Dec

. .

.

Arcy Ella Miss
Lady
Glenconner
Royds The Rev
Moore Mrs Stuart

Dec
Dec
Dec
Dec

Dec
Dec
Dec

Nesbit
Wm

288
The committee have
however
resignations
chronicle with regret
The solicitor
the society then reported
the
cases
his hands
may be remembered that
the last issue
been necessary

.

Bland Mrs
De Morgan

Dec

..
..
..
.
.
.
..

.

.

. . . . . . . . . . . .
8
10 ,
18 18 18 16 16
20
. 18
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, 10
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Hope
Hawkins
Pennell Mrs

Dec

0 5
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0
10
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,

.
8
,

the Viscountess

Dec
Dec
Dec

1 0
0 3

Ord

total

0 6

. .

Dec

, ,

Dec

Percival Helen
Graham
Kenneth
Falmouth
The Right Honble

Dec

5 5 5 0
0oerer

Grace

.
. . .

. .

,

Toplis

Dec

.

.

,

,

Watson Mrs Herbert

Dec
Dec

100

,

, ,

Begbie Harold
Spiers Victor
Wentworth Gerald
Pryce Richard

Nov

Nov
Nov
Nov
Nov

stated

0

. .

::
::
:

.
M
.
H
.

, ,

Nov

Nov
Nov
Nov

tions for the current year
288
the largest
any one year save 1909 since the founda
tion
the society
1909
298 elections were
recorded
1910
276 and
1911
has been

0

Steven
ven

Kinloch Alexander
Webling Peggy
Barclay
Mrs Hubert
Gibbs Miss
Batty Mrs Braithwaite
Spielmann Mr and Mrs

3 2

Spurrier

.

.

,
, , , , F
.
, .
L
.
C .
A
.
.
.
E
.
.
.
.

Gibbs

:

M

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,
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E
.

M

,

Bolton
Clement
Stutfield

..
..
..
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.: 100
200

. .

0

, ,

Beatrice

.

Harraden

Gould Gerald
Hardy Thomas
Maarten Maartens

,

Nov

Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov
Nov

.

F

,

.
M
.

,

.

D

,

. . . . . . . . . . . . . . . . . . . . . . . . .
7 6 6
, , , 29 29 29 29 29 29 29 29 29 29 2929 29 29 29 29 28 28 28 28 28 28
, , , , , , , , , , , , , , , , , , , , , ,

McKellar Campbell
Wroughton Miss Cicely
Rankin Miss

Nov
Nov
Nov

up

THE AUTHOR .

of

by

A

.

a

a

an

of

consider the matter

an

court but they decided
undertaking they would

,

to
go

to

of

,

to

,

a

,

,

to
a

a

into

such

.

-

the author
receipt

that

on

to

of

25

to

,

.

by

.

'

, of

The minutes
the previous meeting having been
read and signed
the committee proceeded
the
They were pleased
elections
elect
members
elec
and associates bringing the total number

-

18

, ,

on

.C
.,

,

W

,

clock

3
o

,

at

ber 4th

of

the Committee was held
the rooms
the Society
Arts
John
Monday
Street Adelphi
Decem

re

of of

MEETING

at

a

to

an

.

NOTES

.
..

COMMITTEE

�it

.

in for

at

to

to

to

In

.

in

of

to

. to

in

be

of

to

,

be

be .

an

-

It

. .

of

.

,

-

.

-

to

.

a

,

,

as

it

of at

.
M
.

of

E

to

.

.
30
. , of

.

18

at of

4

,

at

,

on

.C
.,

,

W

of to

in

of

.

It

in is

to

.

in

of

,

to

of

of

of

it
.

to

,
, it

,

to

in

it

in

of

no

,

,

.

of

of

that there were other and
the society funds which
's

on

to

go

to

.

to

the council considered
more pressing claims
should
met first

.

of

. .

re
-

at

.

.

re
-

,

.

-

'

.

on

of

of

1911
the Dramatic Sub
the offices
the society
clock

at

at

for

,

last meeting

15

,

.

.

in

The

Committee was held
Friday December

SUB COMMITTEE

3
o

in

DRAMATIC

to

,

is
,

It

.

to

.

of

to

of

,

ex

,

in

to

of

,

re
-

to

of

for the benefit
members
the Annual Report
the society
The next matter was the question
the re
publication
the list
members
After carefully
considering the few letters received from members
and discussing the pros and cons the council came
great desire for the
the conclusion that
list existed and that
view
that fact and of
keeping
up
the expense entailed
date
republish
would
inadvisable
Moreover

.

at

of

,

to of

of

.

,

,

,

at

state that Mr Owen
The committee are pleased
Seaman will accept nomination
however
any member
the power
the society
nominate
some other member
fill the position
Full par
procedure
ticulars
this matter also appear
another part
The Author
to

John Street
Monday December 4th

be

is

by by

,

of

at

.

the council

The first matter before the meeting
was
receive and adopt the report
the Committee
Management
the council setting out
detail
copy
the action they had taken
the matter
right legislation
The report was unanimously
approved and adopted
print this
intended

be

of

.

of

of

.

,

of

.

the committee decided
ask Mr
Owen Seaman
allow his name
forward for
fill the vacancy
the general meeting
election
Accordingly

Adelphi

to

fill

to

A

.

to

in

of

of

One member
those elected by the
Management
Committee
and one
those
elected
the general meeting
hare
retire
annually Mrs Humphry Ward retired
rotation
and submitting
her name
the Committee
Management for
election was
elected
Mr
Morley Roberts one
the members elected
the
general meeting retired but did not seek
election
officio

MEETING

THE second statutory meeting
the society during 1911 was held

,

in

COUNCIL

.

of

by

Fund Committee
com
three members nominated
the Committee
Management and three elected
the society
the general meeting with the chairman
the
Management
Committee
for the time being

as

28 to

,

,

to

of

recall that the Pension

in

Symonds
thank Miss
the Capital Fund

to

by

,

a

's

House
Lords
The committee settled
their nominees for the
Committee Election for 1912
the vacancies
caused
the retirements necessary under the
constitution
the society
notice
the pro
cedure appears
another part
this issue
The election
the Pension Fund Committee
was also discussed
Members
the society may
posed

settled
The committee have
donation
£2
the society
of

,

.

of

laid

on

,

of

the members
the committee was
the table
The secretary reported
the
receipt
letters from Sir Frederick Macmillan and
correspondent
dealing
from
Canadian
with
Colonial and Canadian copyright and also the steps
put forward the
taken
Lord Tennyson
society
amendments
the Copyright Bill
the
on to

sent

all

A

Sir

.

,

of

Following the discussion
the cases matters
dealing with the Copyright Bill were considered
letter from
Gilbert Parker which had been

.

.

contention could

sidered that
would
inadvisable
take action
they did not see any chance
the present time
getting
hearing
and the question was accord
ingly adjourned
sub committee was appointed
deal with the
Agency Agreement
That sub committee consists
Mrs Belloc Lowndes Mr Charles Garvice and
may
the secretary
the society
recalled
that not long ago the Dramatic
Sub Committee
agreement between dramatist and agent
settled
The Literary Agency Agreement will probably
based
the dramatic agency agreement already

.

on

to

did

not feel that the
supported

they
be

,

's

as

of

the member

force

The secretary mentioned
the committee the
difficult position
which some writers
novels
had been placed owing
recent legal decisions
respecting the law
libel
The committee con

A

a

,

on

.

a

an

;

of
a .

to

's

of

to

of

,

.

a

of

by

of

to .

.

no

,

as

in

a

to

behalf
member

The question of the clerks ' salaries and Christ
mas boxes was also considered , and the committee
sanctioned certain expenditure
these items
regard
advertisements
The Author
keep
present
was decided
the arrangement

of

.

a

of

of

to

,

a

In

delayed delivery
case
MS
the
post office the committee regretted their inability
help the author
cases dealing with this subject
had clearly established that
redress was pro
curable
the circumstances
The secretary brought
the notice
the
agreements issued
committee
number
certain publishing house
He pointed out how
objectionable
these contracts binding down authors
give
series
works
the publisher
were
point
from the anthor
view
and how frequently
similar agreements from the same house had been
brought
him by members
dispute
agree
The last case arose out
ment between member and his publisher
The
proceed
committee regretted their inability

89

for
a

by

THE AUTHOR .

�THE AUTHOR .

to

had

come

.

It

.

time

therefore
that the
functions

,

in

considered

lay down their

be

'

to

- its

had been discussed at the meeting of the Dramatists '
Club , and that a sub - committee of that club had
appointed to consider
been
various clauses
was understood that this sub committee would
turn report
the Dramatists Club and that that
report would
subsequently
laid before
the

elected with the full approval of the Swedish
Academy to collect the votes in this country of
persons entitled to vote for the Prize for Litera .
ture , the Swedish Acadeiny , without consulting
system , and they
them , had instituted
a new
been

,

After the signing of the minutes the first ques tion before the sub - committee was the Managerial
Treaty .
The Chairman reported that the treaty

,

90

.

is

notso , to

.

it

of

to

to

.

,

.

,

.

,

a as

's

,

in

.

in

a

.

,

Therefore
seven cases
concluded and

,

remaining

of

report

that

three

the foriner

cases not one remains open but two have had
transferred
the solicitors
the society

,

.

of

to

In

shortly
satisfactory

closed

to

there

will

recovered

been

ten have been satisfactorily
every probability that the

of

Elections

.

December

.

Armitage Mrs

Palmeira
Hove

Avenue

,

,

Barton
Alphington

.

,
,
.
,

N

,

Park

Langham
Terrace

Road

Cathcart

Studios

, ,

,

Hugh

74

.

Exeter

.

.

,

Higginbottom

W

Redcliffe

Road

.

Hill

,

,
N

.

.

Sidney

.

,

Low

24

,

.SW

Kensington
Marlborough

.
W
.

by to

of

be

of

.

W 27

“
R

",

Milton
Highgate

, ,

Newton

."

of

“

.

60
,

,

Rochester

3,

Heale

.

passed

's

.

Longley House

Street

.

and

Square

.

.

V

J

,

ph

)

-

Thomas
Francis Beard

,
E
.

seconded

,

,

proposed

Management
That the Committee
the
requested
Society
Incorporated
Authors
disband the Nobel Prize Committee elected
1902
them
The Nobel Prize Committee gare the following
reasons for this request
That although they had
in

68
,

.

.

.

,

Cunningham

Miss

. .

,

Conway Gordon
onway Vere

:

was
resolution
unanimously

Queen

Bristol

,

.

in

,

of

the work
the Committee
since
ment with the approval
the Swedish Academy
1902
After some discussion the following

Sanford

(C

, ,

its

at

,

.

.

of

appoint

Cole

D

),

.

14

,

of on

of

at

of

the Nobel Prize Committee
1911 was held
the offices
the society
Thursday
December
After the minutes
the former meeting had been read and signed
Mr Edmund Gosse put forward
some length
The meeting

for

Montedore Caltanis
setta Sicily

,

Louise

(

Signora

,

Caico

NOBEL PRIZE COMMITTEE

.

.

5

,

M

Brown

. ,
F
.
. .
E
.
.

the cases that had
dramatists since the last

.

to

for

reported

.

The secretary then
been carried through
meeting

's

in

of

,

.

In

has

,

,
of

out

.

of

.

to

for

,

MS

to

-

.

.

of

,

in

referred
the Committee
their serious consideration

sub committee

-

.

.

be

,

of

to

be

in

to

as

A

the

Management

has

,

to .

it at

.

of to

-

to

.

Some letters from Mr Laurence Cowen were
the sub committee and the secretary
also read
reply
was authorised
The conduct
the election
the Dramatic Sub
Committee for 1912 was next considered
Notice
this will
sent
the dramatic section
the
society
due course
letter
received
from
Mr Ligon Johnson
Managers
counsel
the Theatrical Producing
regard
America
the Canadian Copyright Bill

been
two claims for accounts
The anthor
the
one case and
received the accounts
other the defaulter has answered the secretary
yet been
letter although the accounts have not
claim
for the return of MS the
rendered

have

is

.

,

to

a

,

of

,

to

inexpedient
The committee decided
would
publish
the
the resolution until the reply from
Lord Chamberlain had been received

and the sums paid
The other two bare
recently come into the office that there has
press
complete the
been
time before going
negotiations
for accounts and money the
the one claim
There
accounts and money have been delivered

.

,

on

The next matter before the committee was the
correspondence with the Lord Chamberlain
and
arising out
the correspondence
resolution was
passed
send
which the secretary was authorised
the earliest opportunity
the Lord Chamberlain

TEN cases have been
the secretary
hands
since the last issue
The Author
Six have been
pleasing
claims for money and
these
report that four have been satisfactorily settled

of

.

'

,

,

to

as
a

.

a

,

he .

to

the Dramatists
Club had come
hand
The Chairman
however read certain
letters
had received which he laid
the table
and
letter drafted by Mr Bernard Shaw was also
suggested
preface
the Managerial Treaty

Cases

is

until

be

it

these circumstances

further discussion

It

adjourn

to

was decided
the report from

be

-

.

In

Dramatic Sub Committee

�THE AUTHOR .
Morgan ,
Rev .
The
Vyrnwy , D . D .
Price , Frederick W .
Prior , Mrs .

St.

,

133,

. C . Melton ,

12A

, Carlyle

Street

,

Mansions,

Cheyne Walk
sea .

, Chel

.

David Watson

.

Dover
Street ,
Piccadilly , W .
West Hayes , Win -

.

53 ,

Stainforth

, Col .

Harley

W.

.

Quinton

Rannie

G

J.

, Miss

Edith

Steer , Miss Janette

Stephenson

,

H

.

H

.

. ,

Symons
Tippett

, M . Travers .
, Mrs . Isabel C .

Watson

,

Malcolm

Williams , Harold

.

34

,

chester .

Sloane Gardens,

S. W .

Park ,
Worcester
Surrey .
. 10 , Cliffords Inn , E .C .
Cottage ,
. Rosemary
Wetherden , Suffolk .
44 , Ridgmount Gar
dens , W . C.
. Cobbaton House ,
Umbersleigh
North

Devon

R . S. O.

JOHN
OPIE AND HIS CIRCLE . By ADA EARLAND .
93 x 61. 376 pp . Hutchinson . 218. n.
By F . D How .
ARCHBISHOP
MACLAGAN .
94 x 6.
430 pp . Wells Gardner. 168.
by
HALLAM , LORD
AND HIS FRIENDS . Edited
TENNYSON
TENNYSON . 9 x 54 . 503 pp . Macmillan
108. n.

DRAMA .
THE SOUL OF THE WORLD : A Mystery Play of the
Nativity and the Passion .
By Mrs . PERCY
DEARMER .
8 X 54 .

EDUCATIONAL .
Dublin

largely upon lists of books which appear in literary and
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co - operate in the compiling of this list and , by sending
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ART .

CHURCH
EMBROIDERY . By ALICE DRYDEN . 6 x 41
180 pp . (The Arts of the Church Series .) Mowbray .
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John LAVERY AND HIS WORK . By WALTER SHAW .
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GRAHAM . 11 X 87. 209 pp . Kegan Paul. 103. 6d . n .
. of " The Renais
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LEONARDO
By SELWYN BRINTON . George
sance in Italian Art . ”
Bell &amp; Sons. 23. 60 . n.
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P. OPPÉ .
With 25
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105 X 8.
72 pp .
( The
Arundel Library of Great Masters .) Hodder &amp; Stoughton ,
158. n .

VII

BIOGRAPHY .

IRISH RECOLLECTIONS . By JUSTIN MCCARTHY . 9 x 6.
279 pp . Hodder &amp; Stoughton . 108. 6d . n .
By JULIA
THE STORY OF EMMA LADY HAMILTON .
FRANKAU . Two vols . 161 x 114. 107 and 114 pp .
Macmillan . £31 108. n .
English
Trans
J . S. BACH . By A. SCHWEITZER , D. Ph . English
428
Trang+
91 x 6.
Two vols .
lation by E . NEWMAN .
500 pp . Breitkopf &amp; Hartel . 218. n .

Mowbray .

THEATRE . By W. B . YEATS. With
Designs by GORDON CRAIG . 91 X 6. 224 pp . A . H .
Bullen . 88. 6d . n.
EMBLEMS OF LOVE . Designed in several Discourses . By
LASCELLES ABERCROMBIE . 74 X 5. 213 pp . Lane . 58. n.
ON THE ART OF THE THEATRE . By E . GORDON CRAIG .
8.4 X 64 . 295 pp . Heinemann . 68. n.
THE WAR GOD . By ISRAEL ZAYGWILL . A Tragedy in
Five Acts. 83 x 54. 164 pp . 28. 6d . n .
HINTS TO SPEAKERS AND PLAYERS . By ROSINI FILIPPI.
7} * 5. 280 pp . Arnold . 38. 6d . n .
A PLUME OF FEATHERS : A Comedy in One Act . By
GULIELMA Penn and R . FITZJOHN . Samuel French . 60 .
PAGEANT AND PLAYS . By GRACE TOPLIS . 71 X 5 . 20.
pp . George Gill and Sons .
A SICILIAN IDYLL and JUDITH . By T . Sturge Moore .
Duckworth . 28. n .
84 X 54 .
SCHOOL

WHILE every effort is made by the compilers to keep
this list as accurate and exbaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the office
by the members . In consequence , it is necessary to rely

65 pp .

PLAYS FOR AN IRISH

.

BOOKS PUBLISHED BY MEMBERS .

91

AND
COUNTRY . By R . K . CRAWFORD .
: Hodges , Figgis . 38. 6d . n.

86 pp .

FICTION .
THE COUNTRY HEART AND OTHER STORIES . By MAUD
EGERTON KING . 7} X 5. 328 pp . Fifield . 68.
OLD ENOUGH
TO KNOW BETTER. By WILLIAM CAINE .
74 x 5. 320 pp . Greening . 68.
By C. J . CUTCLIFFE HYNE .
MRS . HORROCKS PURSER .
67 x 4. 292 pp . ( Cheap reprint . ) Nelson . 78 . n .
THE ARCHDEACON 'S FAMILY . * 74
5. 467 pp . 38. 6d . n .
ROUND ABOUT A BRIGHTON
COACH OFFICE . 74 x 5.
pp
209
. 38. 6d . n. CHRISTIAN ' S WIFE : A Story of
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28. n . All by MAUD
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EBB AND FLOW . By Mrs . IRWIN SMART . 7* X 54 . 379 pp .
Routledge . 68.
THE ABBESS OF VLAYE .
THE LONG NIGHT . 379 pp .
FARM .
345 pp . CHIPPINGE .
391 pp . STARVECROW
THE WILD
375 pp . LAID UP IN LAVENDER . 344 pp .
384 pp . By STANLEY J . WEYMAN . 63 X 4.
GEESE .
Smith Elder ; Longmans . 28. n. each .
THE STORY OF CLARICE . By KATHARINE TYNAN . 75 X 5.
James Clarke. 6s.
320 pp .
THE GOAL OF FORTUNE . By EDITH ETHEL TOWGOOD .
&amp; Jackson . 68.
74 x 5. 320 pp . Sidgwick
LETTERS TO LOUISE : On Life , Love and Immortality .
By JEAN DELAIRE . 74 x 5. 183 pp . Rider , 28. 6d . n .
A BORDER SCOURGE . By BERTRAM MITFORD . 318 pp .
( Popular Edition ) . John Long . 6d . n .
By S. B. BANERJEA .
INDIAN DETECTIVE STORIES .
74 X 4f . 275 pp . Guy &amp; Hancock . 18. n .

GARDENING .
ROSES AND ROSE GARDENS. By W. P. WRIGHT . 94 x 61.
12s. 6d , n.
294 pp . Headley .

HISTORY .
By HILAIRE
BRITISH BATTLES : BLENHEIM .
18. n
41.
144 pp . S. Swift.

61 X
BRITIS

BELLOC .

�THE AUTHOR .

92

TOURING
IN 1600.
A Study in the Development of
Travel as a Means of Education .
By E. S. BATES .
9 x 5%. 418 pp . Constable . 128. 60 . n .
PILGRIM LIFE IN THE MIDDLE AGES .
BY SIDNEY
HEATH . 9 x 58 . Fisher Unwin . 108. 6d , n.

THE MOON
S. P. C. K .

LADY .

JUVENILE
A . Eva

.

By

RICHARDSON

18. n.

.

127 pp .

H G
WELLS
81
63
71
FLOOR GAMES . By H . G . WELLS . 8} x 64. 71
F. Palmer . 28. 68 . n.
OSCAR .
The Story of a Skye Terrier ' s Adventures .
LACHLAN
MACLEAN WATT . 74 X 51 .
267
Chambers . 38. 60 .

nn
pp .

By
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IN SEARCH OF Smith . By J. MACKIE . Illustrated
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RAYMES , by JESSIE POPE . 21 x 54. Blackie . 4d . n .
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ment and an Introduction and Notes . Collected by
CECIL J . SHARP . 11 X 81. 68 pp . Novello ; and
Simpkin Marshall . 58. n.

NATURAL HISTORY .
A HISTORY OF BRITISH MAMMALS . Part 9. By G . E . H .
by E . A . WILSON.
Illustrated
BARRETT - HAMILTON .
10 X 67 . Pp . 121– 168. Gurney &amp; Jackson .
28. 6d . n.

NAVAL .
SEA FISHERS AND
FIGHTERS . By WALTER
9 X 64. 366 pp . Kegan Paul. 12x. 6d . n .
WOOD .
By
SOME
PRINCIPLES
OF
MARITIME
STRATEGY .
JULIAN CORBETT , LL . M.
Long .
9 x 6.
317 pp .
mans .
98. n.

NORTH

PHILOSOPHY .

RELIGION AND MODERN PSYCHOLOGY .
73 x 5.
208 pp. Rider. 2x, 6d . n.

By

J.

A.

HILL .

POETRY .
BALLADS AND VERSES OF THE SPIRITUAL LIFE . BY
E . NESBIT , 75 X 5. 105 pp . Elkin Mathews . 48. 6d . n.
MILESTONES . Songs from an Old House . By MARCIA
KNIGHT . 7 X 54. 55 pp . Constable . 38. 6d. n.
Six LYRICS FROM THE RUTHENIAN OF SCHEVCHENKO.
By E . L . VOYNICH . 61 X 5. 64 pp . (Vigo Cabinet
Series ). Elkin Matthews
18. n.
86 pp . Sidgwick
POEMS . By GERALD GOULD . 78 X 5.
&amp; Jackson . 13. 60 , n.
POEMS .
Selected
and
Translated ,
with
Biographical
and Historical Notes , by DOROTHY
M.
by PRO
STUART and NORA DE VÁLLYI.
Foreword
FESSOR
ARMINIUS VAMBERY , C. V. O., of Budapest
University . 108 pp . E . Marlborough &amp; Co . 28. n .

MAGYAR

POLITICAL .
THE CASE

By A
AGAINST WELSH
DISENDOWMENT .
NONCONFORMIST MINISTER ( J . FOVARGUE BRADLEY ).
8
X 51 . 85 pp . Sir Isaac Pitman . 1$. n .
SEEMS So ! A WORKING
CLASS VIEW OF POLITICS . By
STEPHEN
REYNOLDS
and BOB and
8 X 5. 321 pp . Macmillan . 58. n.

REPRINTS

Tom

WOOLLEY .

.

THE ARAN ISLANDS . By J . M. SYNGE . With Drawing ,
by JACK B . YEATS (Library Edition ) . 81 X 54. 256 pp .
Maunsell . 6s .

THEOLOGY.
UPWARDS " (Leibniz ). Christ , the Key to the
Riddles of the Cosmos . By the REV . F . W. ORDE WARD .
78 X 54. 296 pp . Simpkin Marshall . 58. n .

" FALLING

TOPOGRAPHY .
MEMORIALS OF OLD GLOUCESTERSHIRE .
Edited by
P . H. DITCHFIELD . 9 x 58. 304 pp . Allen . 158. n.
FLOREAT ETONA . Anecdotes
and Memories of Eton
College . By R . NEVILL . 9 x 58 . . 336 pp . Macmillan .
158. n.

THE STORY OF FORD ABBEY FROM THE EARLIEST
TIMES TO THE PRESENT DAY . By S. HEATH . 10 x 73.
78 pp .
F. Griffiths . 108. 6d . n.
THE PILGRIM ' S WAY FROM WINCHESTER TO CANTER
BURY . By JULIA CARTWRIGHT . Illustrated by A. H .
HALLAM MURRAY . New Edition . 84 x 61. 225 pp .
Murray . 158. n .

TRAVEL .

IN THE MAORILAND Bush . By W. H . KOEBEL .
9 X 51 .
316 pp . Stanley Paul . 128. 6d . n.
Log
Being
Impressions
THE
SURGEON 's
.
of the Far
East. By J . JOHNSTON ABRAHAM . With Forty - four
by
Photographs
Illustrations from
the Author . Chapman
&amp; Hall . 78. 6d. n.
BENARES , THE SACRED CITY : Sketches of Hindoo Life
By E . B. HAVELL .
and Religion .
9 x 6. 226 pp .
With many Illustrations. Second edition . W . Thacker
&amp; Co . 58. n.
SLADEX ,
How to SEE ITALY BY RAIL . By DOUGLAS
63 X 41 . 566 pp . Kegan Paul . 78. 6d . n .

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many novels
Mr Clive Holland the author
and topographical
works has just been fêted
Bournemouth
fellow townsmen who through
Literary Society
the medium
the Westbourne
gave
goodly
dinner
his honour
which
number
the professional and business men
Bournemouth were present
Mr Holland health
was proposed
and
the wide range
his work

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various quaint customs and usages
few
have lasted into the present age
There
are eight illustrations
colour
Messrs Macmillan
are the publishers
publish also
Style
Messrs Macmillan
Musical Art
Hubert Parry which
record

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appropriate points groups
inserted
well
describing friends
known poems addressed
Tennyson
early
later life
Mr Ralph Nevill new book
Floreat Etona
while abounding
anecdote
also
historical
has

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Warren
Edward Fitzgerald Lady Ritchie Mrs
Margaret
Woods Professor Jowett Mr
Dakyns Dr Montagu Butler Sir Charles Stanford
Sir Oliver Lodge Sir Norman Lockyer the Bishop
Ripon and other notable people
The editor

their habits and customs
The illustrations are
quite first class and well reproduced
Milestones
Marcia Knight
collection
poems some
which have appeared
The
Gentlewoman The Pall Mall Gazette
and Vanity
Many
Fair
them deal with nature and country
life
which the author writes with sympathy
Messrs Constable and Co are the publishers
Miss
Woods has just published her
monthly poetical Calendar
book form under the
Day with the Poets
title Day
Calendar and
Treasury
English Verse for any Year
copy
the book has been accepted
Queen Alexandra

a

Co
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December Messrs Macmillan
published
Tennyson and his friends
record
Tennyson and his son
the friendships
edited
Hallam Lord Tennyson and the chapters
have been planned and arranged
him
follow
the sequence
the poet
life
The contributors
include Emily Lady Tennyson Mr Willingham
Henry Craik Dr
Rawnsley Charles Tennyson

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the Society

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President
Early

The Lighter Side
Irish Life
with sixteen
Henry
colour illustrations
Kerr
the price
net from the house
Foulis
The book
written
Mr Birmingham
best
vein and has many good stories but there
also
great deal
sound information about the people

,

by

,

to

up

.

,

,

.

to

reference

Studies and Sketches
and here the author
sympathetic fashion
deals
with many questions
which must interest all lovers
music
We have been asked
note that the English
commencing with the January number
Review
1912
will
issued
the reduced price
parts
12s
annual subscription post free
the world
We are assured that this change
has been made owing
continuous success and
high
the repeated demands
the public for
popular price
class literary review
Birmingham
Mr George
has just published

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interesting
little book entitled
Das
Dichtung
Oxforder
Buch
Deutscher
covering selections from the twelfth
the
twentieth century
edited
Fiedler with
preface
Gerhart Hauptmann has been issued
the Oxford Press
somewhat similar work
Treasury
was published years ago
the Golden
Professor
Series by Messrs Macmillan edited
Buchheim
and
the present time that was
undoubtedly the best selection
that could possibly
have been made from German lyrical poems
The
present selection published
the Oxford Press
containing
however
rather more
ambitious
poems and
larger number
wider range
impossible
authors
book
this kind
include everything but the judgment
the
thoroughly trustworthy and reliable Mr
editor
preface
Gerhart Hauptmann
short
also
interesting
and we note with great pleasure his

, . .

by

of

of

,

,

et

,

MUSICAL

AND

of

,

(2
)

Post Victorian
Music
Mr
Graves arranged
three divisions
The first part
under the heading
Post Victorian Music dis
cusses the Symphonia
Domestica Elektra Salome
Pelléas
Mélisande Elgar First Symphony
part the author
gives
his second
series
eighteen
Portraits
and Appreciations
which
embraces some
the most notable figures
the
world
music
The concluding section consists
in

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NOTES

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LITERARY

North
GRANT

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London

AND SEA
Sketches and Studies
By CYRIL FLETCHER GRANT and
Sampson Low

in

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Africa

X

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10

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258.

Twixt LAND

based upon a series of lectures planned while the
author held the chair of music in the University of
Oxford .
The
lectures were not
delivered
because the pressure
other duties obliged Sir
resign the chair but the present volume
Hubert
represent the entire scheme devised
intended
the beginning
his tenure
the professorship
at is

By
SPAIN RE - VISITED : A Summer
in Galicia .
C.
GASQUOINE HARTLEY (MRS . WALTER M . GALLICHAN ).
9 x 54 . 330 pp . Stanley Paul. 128. 6 . n.
ITALIAN CASTLES AND COUNTRY SEATS . By TRYPHOSA
Longmans
BATES BATCHELLER
512

93

Countess

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his time
authoritatively compiled

The author has collected much new material and
many pictures are reproduced
the book for the
Opie
pictures forms copious
first time
list
appendix
the book
New Year poem from the pen
Alfred Smythe
appears
the January number
the Westminster

.

to

is

,

,

to

:

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of

,

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"

and

Messrs Hutchinson
announce the publica
story
Miss Ada Earland
John Opie
Opie was the son
and his Circle
Cornish
labourer
and received recognition
his extra
ordinary gifts
early age
He came
London
the company
Dr John Wolcot better known
Opie
his pen name
Peter Pindar
work
won the admiration
Sir Joshua Reynolds and
the present work the author has attempted
tell
the story
the artist
life fully and adequately
tion

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Charles

ago

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Old English fare
seasonal festivals
national
feasting and fasting and the influence
dishes
diet upon health and character
The volume
profusely illustrated
published
Mr Fisher
Unwin who will issue
1912 another work from
the pen
Mr Hackwood
this later volume
Mr Hackwood will deal with the life and times
popular antiquities
William Hone the writer
compiler
The Every Day Book
The Year

and white ones
This book
issued uniform with the
Gateway
same author
Tales retold
Romance
published two years
from
The Earthly
Paradise

of

of

.

a

all by

“

The romance
food
and
Hackwood
deals with the food
stuffs
nations and the culinary practices
approached from
all ages
The subject
the
historic and picturesque side reference
made
the dietary
the Scriptures
Roman banquet and
Cheer

mainland
Miss Crommelin has also used her own
experiences
California
which she visited soon
after the great earthquake
San Francisco
Messrs Nelson
Sons have published Miss Emily
Spenser
Underdown
new book
The Gateway
Tales retold from
the Fairy Queen
with sixteen
coloured plates
Frank Papé and numerous black

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print for year the
poems having now been out
publishers
The Oxford University Press have
reprinted
new volume
Miss Matheson
entitled
Roses Loaves and Old Rhymes
which have been included
also ten later poems
Of the latter several are simultaneously included
Leaves
Prose
and one has already appeared
Divers Paths
both volumes being interleaved
with occasional verse thus attaining among lovers
prose
rather different audience
feasting

Miss May Crommelin
new novel written
collaboration with Mr Alfred Williams and entitled
The
Isle
the Dead
was produced
mainly laid
November
The scene
island
the Alentian group known
liams who
American mining engineer
and
peopled
Indians differing from those
the

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Allen

by in

Harker
new
novel
Mr
Wycherley
Wards was published last month
England and Messrs Charles
Mr John Murray
Scribners
Sons
the United States
America
The Christmas edition
Miss Annie Matheson

Mrs

of

of

Blond

,

.

H

Le

them embraces such different ways
life
places
widely apart
are represented
the
isles
the North Pacific and the southern limits
Australia
Mr Henry
Drane
the pub
lisher
Mr
Arthur Hill has written and Messrs
William Rider
Son
Limited have published
book dealing with religion and modern psychology
study
present tendencies particularly the
religious implications
the scientific belief
Mysticism
survival with
discussion

sphere

a

),

of

.

Aldenburg

. .

,

, (

),

of

(

),

Bentinck
Mr
Bentinck
India
and
Mrs Aubrey
nearly all till now unpublished

Count

of

,

(

those

of Seven Islands ," by Evelyn Adams, is
of stories with the life and incidents in
the Pacific . The scenes
laid variously
and the
“ Tales

a collection

,

be

a

in

”

including
Portland

collectiors

the Duke
Holland
and

Papé .

of

work

,

in
a

later

full disclosure

of

"

be

by

indiscreet
illustrated
various private
Welbeck Abbey

.

,

the time
would
The Life
Countess Bentinck
will
photographs from pictures

to

she hopes
deal with
being long past when

”

is
a

.

,

of

an

on

of

,

II

Harry Tighe' s last novel, * Intellectual
( John Long ), has gone into a second
edition . In the Christmas
Pall Mall Magazine he
has an Eastern fairy story , " The Moon - Child
Mother of the Fireflies," illustrated by Frank C .

Mr.

Marie

It

Aubrey Le Blond ,
Bentinck ' s letters .
The two volumes will contain extracts from letters
to Countess Bentinck
from
Frederick
the Great ,
Voltaire , the
Princess
of
Zerbst
(Mother of
Catherine
. of Russia ) , who was a cousin of
Countess
Bentinck ' s, her intimate friend Count
Mercy d' Argenteau , and many other well - known
people .
family
While searching
archives
in
England Holland and Germany Mrs Aubrey Le
Blond came
the track
historical mystery
connected with the Royal Family
France which

.

A

, 1715 — 1799 ," by Mrs
possesses many of Countess

Bentinck

who

by

94

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divided into four sections
The first will consist
subjects connected
articles
with poetry and
poetic criticism and biography
The second will
contain reviews
modern European poetry
Next
pages will
about
devoted
the publication
modern poetry representing
each issue the
only one
work
individual poet
The fourth
section will
the Gazette
the society
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the Review will
All communications
addressed
the office
The Poetry
Chancery Lane
Review
School and Country
little book
inculcating
Crawford
written with the object
spirit
patriotism
the young
describes
simple language
the services rendered
the
State
members and emphasises the obligations
should

its

's

operating with the
standing monthly

poetic
literature
which the Gazette
incorporated
The first issue
the new
periodical will appear
January 1912 under the
title The Poetry Review
The contents will
review

of

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James Bernard Fagan
Robert Hichens novel

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illustrated
photographs
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volume will
colour reproduced
Each

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colour series for
Day Gardening
Pearson
plates

Jack announce
new
flower lovers entitled
Present

&amp;

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T
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.

Messrs

of

.S
.A
.

U
a

the
placed

many more are due
appear
various
magazines within the next month
two
magazines these writers have recently
variety
short stories and articles

.

as

in

.

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by

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by

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be

.

In

and
English

Mr Cecil Raleigh and Mr Paul Rubens are
writing the next piece for the Gaiety Theatre
responsible for the music
Mr Rubens will also
the piece while the lyrics will
the hands
Mr Arthur Wimperis
The next Drury Lane drama will
the joint
work
Mr Raleigh and Mr Henry Hamilton
What the drama will
about has not
been
finally settled
but the authors have two dramas
sketched
one rather more
domestic drama
yet
they
have
done
the Lane
than
Mr Raleigh has also arranged with Mr Arthur
adapt his new French purchase
Collins
Le
Petit Café
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Hunter
the title
Miss
new novel published this month
by Messrs Stanley Paul
The book has for
theme the degradation
love
result
the
monastic idea and shows the higher awakening and
evolution
libertine the Woman Hunter
great passion
the title
the power
The
John Lane
New
York have recently
issued
American
edition
Miss Kenealy
novel
The Mating
Anthea
the first eugenics
novel
written
Messrs Stanley Paul
Co are publishing this
month
The Activities
Lavie Jutt
Mar
guerite and Armiger Barclay
During the same
month John Long
will publish Oliver Sandys
Mrs Armiger Barclay new novel
Chicane
and
second edition
Letters from Fleet Street
originally published anonymously
Frank Palmer
joint
will
issued
under Mr and Mrs Barclay
names
Twelve stories
Mr and Mrs Barclay
have appeared
Christmas numbers during 1911
The

Arabella Kenealy

them

will

official journal under the provisional title
Lately
Poetical Gazette
committee has

to

-

10 to
,

,

.

.

,

March
tickets are required
Mrs Perrin has been elected President
the
Society
Women
Journalists for 1911
serial
Mrs Perrin called
Colour Blind
ronning
The Times Weekly Edition and will
published
Messrs Methuen
the course
of next year

published
They

,

be

)

on

,

of

,

27

23

24

in

".

of

.

January

are

the lectures still
February
1912
Admission
free
No

in

-

be

to

,

“

on

by

of

of

,

.

3
P
.M

be

,

The dates

the spring
book
also include
their
Continental Library Messrs Frederick Stokes
are
the publishers
America
The Poetry Society which was founded first
under the title
The Poetry Recital Society
quarterly
1909 has published monthly
form

of

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a

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the Library Association
has
lectures
delivered
Mr
Peddie
Reference
Books
for
Librarians and Readers
The lectures will
permission
held
the Trustees
the Lecture
Saturday after
Room
the British Museum

The Council
arranged
course

natural specimens taken by Mr. T. Ernest Waltham ,
by a new process of colour photography . The
most improved methods
colour printing will
employed
their reproduction
Miss Beatrice Harraden
new
novel
which
Messrs Nelson have also acquired the serial rights

in a

,

&amp;

.

by

.

6d
.

28
, . . is

—

at all

plete account of the art of the Italian revival,
richly illustrated . Each volume — there are nine in
published
Messrs George Bell
Son
net
publish
Mr Martin Secker
about
White
Douglas Mrs
Webs
new novel
Theo
Everett
The book will appear this month
romance
Sussex
and deals with the Jacobite
plottings which followed the rising
1745
third edition
Mr
Johnston Abraham
recent volume The Surgeon Log being Impres
sions
the Far East
the press

95

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Welschinger
the Académie des Sciences Morales
Politiques
November meeting
comprehensive study and
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struggle
preserve their language
the Poles
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poetry
the volumes
one entitled
containing
Océan
some exquisite
the Duchesse
Rohan
volume
Temple
entitled
Rêve
the Baronne
Baye has also appeared recently
Another posthumous volume
announced con
taining the
Lettres
Jeunesse
Charles
Louis Philippe
Henri Vandeputte
volume
Maurice Bouchor has just published
entitled
Contes
lire
faire lire aux Enfants
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volume called

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Théodore Cahu
charming book worthy
Doute
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mortel
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and
Vers
Paix
Romain Rolland
continues his long
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Prince

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the title
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published

Wagner the author
The Simple Life
published
new
book entitled
Among the most striking
faudra toujours
the
chapters
are
the following
Choses abolies
has just

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-

be

's

is

It

;

an

As

to

commissaire délégué
France publishes
book
impres
gives
Leurs Majestés
which
sions
Elisabeth
Autriche Alphonse
Le
Shah
Perse Nicolas
Victor Emmanuel
Léopold
Edouard VII Wilhelmine
Hollande
orre
Georges
Angleterre
Sisowath Victoria
study
Mme
Nicati publishes
Elisabeth
Browning
Poète
Femme
Freycinet
The
Souvenirs
will
read with great curiosity and interest
The truth con
cerning many political questions dating from 1848
ancien

travail
essence
sens propre de ces mots

La

in

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Paoli
auprès des souverains

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Pierre
Vaissière
new
volume will
study the psychology
interest
all who care
Temps des
criminals
entitled
Récits
Troubles XVI° siècle De quelques Assassins
The subjects treated
are those concerning Jean
Poitrot Seigneur
Maurevert
Jean Yanowitz
Besme
Henri
Quarante Cinq
and Jacques Clément
exact contrast
this
book published
by Georges Eliac entitled
Un après midi chez
preface has been written
Lespinasse
Julie
Ségur
this
the Marquis

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by

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de

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of

living
Versailles
the
the pictures and documents
relating
the past history
Versailles
The
volume
illustrated with many hitherto unpublished
sketches some
which belong
the private collec
England
tion
the King
the Château

palace surrounded

Martin Kuckuck

Univers
être vivant
La Solution des Pro
blèmes
Matière
Vie
aide
Biologie universelle
divided into four parts
Cosmobiologie
univers
Plasmo
biologie
Cytobiologie
substance
Géobiologie
cellule
Among the subjects treated are La Méthode
Terre

“

.

.

“

Lourdines

des

volume
Pierre
Nolhac
just
Histoire
Château
Versailles
has
published
been
This volume
Versailles sous
Louis XIV
No author could
better qualified
than
Nolhac
treat this subject
As Curator
du

second

de of M

.

his novel entitled
The

annual
Chateaubriant for

de

Alphonse

M

to

I

M

Goncourt Academy has awarded

prize

volume recently
Petersburg

scientists

of is
St
. a

interest

PARIS NOTES

HE

by

A

.

of

and

Façade
study
Derrière
Pierre Baudin and
Germany which after
another study
allemande
the long Franco German conflict
the Morocco
question
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produced at the St . James ' Theatre on December 9.
Mr. George Alexander , Mrs . Patrick Campbell ,
Mr. Athol Stewart , and Miss Mary Grey
the cast
Sunday
December
La Chute
Dieu
La Femme
Acteur
and
Le
Morley
Lieutenant Felberg
three plays
Steynor were produced
the Theatre Français
Londres
The French actor
from
the Grand
Guignol Théâtre Louis Tunc appeared
the plays
and was supported
Pierre Maugue

.

et

96

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Versailles
Château
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Lespinasse
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Un après midi chez Julie

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Henry Kistemeckers
opening the season
Mme Sarah Bernhardt
Lucrèce Borgia
with

hogs the whole attention
the house
the exclusion
the other and really important
books the books that bulked together really
make profit and the books that carry the dignity
and the prestige and the power and the influence
eclipses them
the house
the question
direct personal interest
very
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best sellers fortified
the denunciation
one
the most distinguished
the opinion
publishers
America
who declared that
they were too expensive and
want them
didn
couldn afford them
This publisher marshalled
figures
prove that
best seller reached
sale
run while
the course
100 000 copies
profit
the
000
about
the author would
publisher
He
would only bring about £500
yielding
profit
concluded
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bill

the

article

added that the point
issue was not the
very popular book
artistic value
but
value
business proposition
Yard
Moffatt Yard
Co
Mr Robert
set the ball rolling
article
the Saturday
Evening
Post
He called this
The Worst
dealing
large with the
Business
the World
dangers and drawbacks
the publishing pro
the article
But the most notable part
fession
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Europe

England
the dis
hare reached
agitating the
has been
cussion which
literary world
least the commercial
America during
the literary world
side
the past autumn
the discussion
wit
the
Perhaps
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value
best sellers
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Houllevigue writes
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and also from all
his
bill heads writing paper and telegraphic
address
the Revue des Deux
Mondes dates
was considered that this new paper
from
1829
older
which the older
the fame which
trade
was about
the
the fame
one had won
the Revue
Paris Albert Duchêne writes
française
aujourd

UNITED STATES NOTES

in

succeeded

the various
the outlines
gives
extremely witty way
The
he depicts
the scenes
and will
most entertaining
whole book
enjoyed by the grown ups quite
the
much
children
curious legal case has just been tried
The proprietor
Paris
financial journal took
for his title La Revue Financière des Deux Mondes
Francis Charmes editor
the Revue des Deux
Vondes who considered that this would be detri
his review has won his case and the
mental
compelled
financial journal
omit the words

idea
children
animals
his comments

.

for

in

de

an

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artist

“

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the

Hellé

André

the sketches
and
giving
admirably

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Bêtes
Drôles

and

title

",

written

by

Shaw and his plays are at present the subject of a
series of lectures to be given at the Hôtel des
by
M.
Sociétés savantes and at the Sorbonne
Augustin Hamon .
Shaw ' s plays, translated
A volume of Bernard
into French by Augustin and Henriette Hamon , is
to be published in March .
amusing book
children has been
A most

”
(
A

Mazzetti and K . Schönherre .
Never have foreign authors been so much read
Bernard
in France as at the present moment.

" Leurs Majestés ” (Ollendorff ).
" Elisabeth Browning, Femmé et Poète " (Perrin ) .
" Souvenirs de Ch . de Freycinet ” ( Delagrave ) .
“ L' Empire allemand et l' Empereur " (Flammarion ) .
“ Derrière la Façade allemande " (Chapelot ).
“ Allemands et Polonais ” (Marches de l' Est ) .
“ L 'Univers , être vivant ” (Fischbacher ).
“ Ce qu ' il faudra toujours à (Armand Colin ).
“ La Crise du Français
et la Réforme universitaire "
(Stock ).
" Sous le Manteau Vénitien ” ( Bernard Grasset ) .
“ L ' Homme aux Papillons " (Bernard Grasset ) .
“ Le Buisson ardent ” (Ollendorff ) .
“ Souffles d'Océan " (Calmann Levy ) .
“ Le Temple du Rêve " (Perrin ) .
“ Lettres de Jeunesse " įRiviere ) .
“ Contes à lire ou à faire lire aux Enfants " (Armand
Colin ).
“ Les Contemporains Etrangers ” (Fontemoing ).
Drôles de Bètes
Tolmer
“

Etrangers ” in which
he
" Les Contemporains
Carducci ,
studies the following authors : Giosue
Antonio Fogazzaro , Mme. Annie Vivanti , A . Strind
berg , Selma Lagerlöf , George Bernard
Shaw , G .
Hauptmann , C. Spitteler , Mlle . E . de Handel ,

97

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1911
These
include
Andrew
Spencer
Professor
John
Bassett
Harriet Beecher Stowe by Charles Edward and

second

by
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half

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Two translations from the German may
men
tioned
The Indian Lily
collection
tales
The
and Hauptmann
remarkable
Sudermann
which will doubtless be seen
Fool
Christ
England before long
good crop
biographies
There has been
the

,

”

-

to

of .

",

Hopkins Adams collaborated
The Mystery
Mary
Barr McCutcheon
new story
My Lady
Midthorne
and Randall Parrish
Independence
Doubt goes
the War
for
left behind
The late Myrtle Reed
his setting
George

”

is

.

.

be

of

succeed

Philip Steele
Curwood
romance
the
Canadian mounted police
Rebellion
Patterson
author
Little Brother
the
Rich
divorce problem novel
William Dubois
who gives
The Quest
the Silver Fleece
gentleman
colour
who writes exceedingly
well about his own people
Detective novels are
represented
Green
Initials Only
Average Jones
and
whose creator
Samuel

“
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of
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very

both

that
Whether one should class Mr Farnol
American
author
doubtful
but anyhow his
Money Moon
bids fair
rival
the States
Highway
the popularity
The Broad
Cyrus Townsend
As the Sparks Fly Upward
Brady presents
Pacific island wreck story

“

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Hamlin Garland
Joseph Sharts
Tales
the
Belmont Davis
The Carpet

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the risk
be better fitted
survive
fiction
The Winning
The Common
Law
and

Man

The Vintage
by Charles
Town
Bagdad
from
Harold MacGrath
and
by
Kennedy
Square
Hopkinson
Smith
author
that masterpiece
Colonel Carter
Cartersville
Carey
More recent novels are
Mother
Wiggin
Chickens
Kate Douglas
and

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previously

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writer
Doctor Luke
Discipline
Victor Olnee
Duncan

Norman

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Frivolous Affairs

by

Mother
Kathleen Norris
mental but none the less likely

the world
rather difficult
decide
many
which works deserve special mention here
being impossible
choose from and
are there
attempt must
made
all
But
read them
give the names
the principal additions

American literature
which time may show
begin
with
Barbara
Worth

",

the

of

's

to

a

thought

of

so

!

of

to

painful

the

Dawn

”,

to

on

$
2

,

of

from

Kilmeny

Orcbard
Hara
the Girl Who
Edna Ferber
and
The Iron
Margaret Delanů
Woman
Male authorship
Jacques Futrelle
Secretary
was represented
of

;

$

an

on

,
if

,

of

.

To

turn

actual question
the most successful books
the United
States during recent months
the
spring the top places
the list
best sellers
fiction were occupied by the since deceased
Prodigal Judge and Jeffery
Vaughan Kester
Farnol
Broad Highway
These two novels
remained
The Big Six
some
the
papers sportingly
call the list right down
the
August
end
Harrison
Queed
for
great future
which the critics all prophesied
fulfilled expectations and after running the two
just mentioned
novels close survived
them
into
September
August
Meanwhile
The Winning
Barbara Worth
Harold
Bell and
The
Ne
Do Well
Rex Beach
came
the front
September they were first and third respec
and
tively
second place being taken
Robert
Chambers with
The Common Law
which ran
into three editions
first month
life
Outside
fiction
the books which have most
often appeared among the best sellers are
The
Twenty
Doctor
Dilemma
and
How
Live
Day
Four Hours
Messrs Shaw and Arnold
Bennett thus continuing their wonderful success
the early part
the year and Olive Schreiner
Woman
and Labor
while
Price Collier
The West
the East
and the other Bennett
high place
Mental Efficiency
take
and
My Life
Wagner
has commenced what
Paper
long run
expected
Nor must
by
Bag Cookery
forgotten
Soyer the chef
will
seen that the native authors hold their
own better
fiction than
other literature
The general output
books has been tremen
dous since the
last
United
States Notes
appeared
curious
The Author
and supplies
plaintive
comment
Mr Robert Yard
con
tention that publishing
the worst business

Fuller

Montgomery
Laughed

of

a

in

of

of

it an

month
which only the odd
were devoted
books
Now
the publisher thrusts
her
only his best
attention
sellers
calculate what
support per annum
amount
the millionaire
wife contributes
the ordinary run
authors

Ne'er-Do-Well ” have already appeared in
the best sellers list — though the third of these
not pleased the reviewers half
well
the reading
public
early
the late spring
summer
women
writers
were very active
notable books
being
Story
The Colonel
Mrs Roger
Pryor
Big Horse
Ride
Miss
Dewing
The Bramble
Bush
Caroline
“ The

“

allowed
to “ hog the whole attention
house . ”
At a Washington trial not long
ago the wife
millionaire submitted
court
account
her monthly expenses from which
appeared that she spent
average
2012 per

“

being

sellers

of the

“

98

�THE AUTHOR .

its

of

." '
s

by

.

in

,

“

"

,

or

of an

.

,

is

“

a

to

be

on in

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of

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a

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"

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or

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as
a
“

its

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up

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to to

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G

by

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B

is

—

—

,

.

“

in

”

by

“

.

,

,

as

,

.
.,

is

unhappily
the past few months
July 4th Vaughan Kester author

,

in

On of

",

."

of

.
as

.

,

,

of

The obituary
rather large

.

"

;

.

H

's .

of

is

is "

it

-

“

.

”

'

;

.

is of
a a by
W

,

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,

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in a
a

be

W

.

,

in s
to

;

"
A

A

by

(

",

in

's

“ “
A

of to

“

R

is

understood when
said that the author
Kauffman
who wrote the terrible
and
Bondage
truthful novel
The House
mentioned
the last
United States Notes

book
and which handles the love stories
such
divers persons
the Brownings Mary Stuart and
Georges
Chopin
Chastelard
Sand
and
Michel
Angelo and Vittoria Colonna
The Letters
Sarah Orne Jewett
have been edited
Mrs
James
Fields
The Greatest Street
the
Broadway
World
New
York
written
Stephen Jenkins and also by
about
Broadway
Kerfoot who calls his book simply
Three Thousand Years
Mental Healing
the
subject chosen
Dr
Cutten President
Acadia University New York
And finally Paul
Reinsch has produced
Intellectual and Political
bring
Currents
the Far East which attempts
the history
the modern Orient right
date
"
by— T
.

.

.

a

,

;

“

),

To
-

Women
morrow
William
Hard
and
Woman
Part
Government
Allen
girl struggle
Woman Alone
true story
maintain herself
New York
consideration
the question from
different point
view
And
The Girl that Goes Wrong
different again

in

by

H

, , .
B
of is . .

by

,

"

—

by

;

”

by

's
of

by”

”

,

by

”,

“

of

“

.

the Woman
Question have been
Among them are Mrs Pankhurst
numerous
The Suffragette
The Woman Movement
prominent
very
America
Belle Squire
American suffragist
What Eight Million Women
Want
Rheta Childe Dorr
Short History
Rights
Women
from
the Augustan age
Eugene
the present day
Hecker
The

will

Hiram Chittenden
War
Peace
which
American soldier argues very strongly
behalf
peace
There
American
Addresses
new
essays
Joseph
volume
Choate
Richard
Le Gallienne responsible for The Loves
the
holiday
publishers describe
Poets
which

's

:

of

of

's

States

“ The Practical Flower Garden ,"
which attained to the dignity of a best -seller on
first appearance
the spring
Among philosophical publications the first place
naturally taken
the late Professor James
posthumous work
Philosophy
Some Problems
we may
allowed
imitate the advertisement
editor and reserve space for
unclassified
late
there are several noteworthy books which may here
grouped together
General
For instance there

Mrs . Alfred Ely 's

,

“ of

In

!

by

“

of

of

the United

on

,

Books

trated by Stewart Edward
White , describes the
Sierras .
“ Through
the Heart of Canada , " by
Frank Yeigh , has come in for high praise .
“ Florida Trails," by Winthrop Packard , perbaps
belongs to a class by itself .
The author, Winthrop
Packard , has a big reputation in the United States
as a writer about pature .
An aspect of nature
study , under artificial conditions , is considered in

is

on

of

of

,

of

",

"

,

,

course being that

with the Far East . “ A Woman ' s World
Tour in a Motor , " by Mrs . Clark - Fisher , records
the experiences of 23 ,000 miles in a car. Another
motoring book is Lee Meriwether ' s “ Seeing Europe
by Automobile . ”
“ The Cabin , " written and illus
deals

of

”,

-

“

-

's

Professor Max Farrand , of Yale ; and “ Sectionalism
in Virginia from
1776 to 1861, " by Dr. C . H .
Amber. In this class may be put also Charles A .
Hanna
The Wilderness
Trail
which has the
rather portentous
sub title
The Ventures and
Adventures
the Pennsylvania
Traders
the
Allegheny Path with some new Annals
the Old
West and the Records
Some Strong Men and
Military and
Some Bad Ones
Studies
Diplomatic
Charles Francis Adams writes about
Independence and the
the War
the strategy
military and diplomatic aspects
the Civil War
The scope
The President
Cabinet
Learned published
the Yale University Press
sufficiently explained
its title
the President

America ,” by Hiram Bingham , is a diary of a trip
from Lima to Buenos Aires .
“ Jungle Trails and
Jungle People , " from the pen of Caspar Whitney ,

.

in

“

the Stuarts

is

New England . “ The Diary of
Gideon Welles , ” to wbich John T . Morse , junior ,
supplies an introduction , is said to be the only
account of the administrations
of Lincoln
and
Johnson from inside the cabinets of both statesmen .
Historical works are “ France in the American
Rerolution ,” by James Breck Perkins (who , as the
New
York Nation points out , is one of the rare
scholars who have figured in Congress , having
formerly been Congressman for New York ) ; “ The
Indian Wars of New England , ” by Herbert Milton
Sylvester ; “ A Short History of the United States
Navy ," by Captain G . R . Clark and others ; “ The
Records of the Federal Convention of 1787 ," by
of

Half

If

Statesmen of the Old South " ( Jefferson , Calhoun ,
and Davis ), by W . E . Dodd ; “ William H . Seward , ”
by E . E . Hale , junior , and “ Stephen A . Douglas , "
by H . P . Willis , both in the American Crisis series .
The Yale University Press has issued Dr. W . S.
Culbertson 's “ Alexander Hamilton : An Essay . "
• The Public Life of Joseph Dudley ," by Professor
Everett Kimball , is a study of the colonial policy

«

Other social difficulties
receive attention
in
a Man ," by Mary White Ovington , who
deals with the New York negro ; " The History and
Problemsof Organized Labor , " by Dr . F . T . Carlton ,
Professor of Economics
and History at Albion
College ; and “ The Passing of the Idle Rich ," by
Frederick
Townsend Martin .
The travel- books of the second half of the past
year hare not been very many. “ Across South
“

be

Lyman Beecher Stowe , her son and grandson ;
“ The True Daniel Webster ," by Dr. S. G . Fisher ;

99

�THE AUTHOR .

.

society

, however , held that the Little
Theatre Society was merely a colourable
excuse , and that the performance of French plays ,
which were advertised in the public press , were in
fact public performances .
There was no sugges
tion that the plays were in any way improper , but in
the interests of the public it was essential that a
theatre , where public performances of plays took
The magistrate

to

,

do for he a

a

to

”,

of

it

,
it
is

,

a

a

a

no

,

be ,

of

,

.

a

on

of

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to

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to

.

in

of

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of

of

.

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to

as
a

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of

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.

to

as

as

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”

of

15

“

it

for

is a

in

it

to

an

it

to

.

I

, ,

,

,

in

at

as

unlicensed stage play

;

.

need

to

of

to

in

,

a

of

of

of

,

of

,

“

,

an

or

is
a

be

-

as

of

of

,

.,

6d

.

of

An

.

of

a

a

,

of
,

,

of of

is

French plays

alarmed
the decision
this case
long
their performances are given
usually the practice
believe
theatre which
duly licensed
has been
Still
advisable that
they should give attention
section
the Act
present
which makes
offence
for hire
an

.

in

for

,

.

a

certain

it

of

,
a

licence
because the other offence with which
presenting
stage play
was charged namely
hire
unlicensed place
has nothing
with the question
whether the performance
public
private
public performance
What constitutes the
question
may
play
some difficulty but
performance
described
which the general
qualiti
public can obtain admission
certain
society
members
cations are required
subscription
besides the mere payment
performance before the members
probable that
society would not amount
public
such
performance
But
the case
the Little French
Theatre Society there appear
have been
restrictions the advertisements invited the general
public
subscribe
and
the county
couucil
inspector became
payment
member merely
the subscription
The private societies which give performances
stage plays some
which are unlicensed hare
so no

in

of

.,

,

, , at

for

.

attend the performances

in

of

of

.

£10
the observations
the magistrate
seems
that the offence for which the defendant was fined
keeping
public resort for the
was
house
public performance
stage plays without
From

a

.

,

,

un
-

be

to

of

1

H

appears
some uneasiness among
private societies which give
members
owing
authorised dramatic entertainments
connection with
the summary proceedings
the performances
the Little French Theatre
Kensington
Society
the Boudoir Theatre
Mr Grey who leased the theatre from Boudoir
Companies
keeping
Ltd was prosecuted
stage plays
house
the public performance
stage play without
and for presenting
licence
from the London County Council
The proceedings were instituted
under the pro
the
visions
the Theatres Act 1843 and
borough
Kensington
outside the authority
the Lord Chamberlain the licensing
the Boudoir
Theatre comes within the jurisdiction
the County
inspector
Council
the Council paid
the
subscription
31s
and became
member
the Little French Theatre Society
order
to

M

ERE

he

,

to

be

.

of

of

fine

is

AND PRIVATE SOCIETIES

STAGE PLAYS

to

,

of

place should
licensed
come under the
inspection
the County Council because that body
was responsible for the protection
the public
case
fire
The charge against the defendant was
pay
proved
considered
and
was ordered

in

.

WALSH

as

so

be

French

;

to

,

.

on
a

,

PHILIP

and lectures , and it was contended on behalf of the
defendant , that the society was carried on in the
same way as other
similar
societies , such as
the Stage Society , which was composed of mem
bers whose subscriptions entitled them to admission
to the performances of certain plays , and that they
private performances
were
for members of the

“

-

,

,

,

at

,

of by

-

.

on

a

-

,

,

of

.

,

,

to

an

on

.

An accidental

,

to

succumbed
wound
self
inflicted while out after quail
October 6th put
Philip Verrill Mighels journalist novel
end
writer poet and playwright
On October 29th
died Joseph Pulitzer proprietor
the New York
leaving
World
his will two million dollars
support
journalism
school
Columbia Univer
sity
And
November 21st Kellogg Durland
writings dealt with
whose
best known
labour
questions committed suicide
train journey
cancer

It appeared from the evidence that subscribers
to the Little French
Theatre Society received
tickets and were entitled to attend performances
of plays at the theatre , as well as concerts , recital ,

"

fiftieth birthday when
gunshot

he

( in hospital)

his

of “ The Prodigal Judge ,” died after a long illness ;
Fyles, playwright
and on the same day Franklin
and former dramatic editor of the New
York Sun .
A month later died Lieutenant - Colonel L . L . Bruff ,
one of the foremost writers on ordnance and explo sives in America . On August 17th Mrs . Myrtle
Reed (McCullough ) committed suicide after a period
of insomnia and depression , leaving a finished novel ,
whose publication
is noticed above .
Her “ Love
Letters of a Musician " appeared first in 1899 , when
Myrtle Reed was twenty - five . Before August closed ,
the death occurred of Edwin Asa Dix, author of
several novels and a travel book . Another traveller ,
John Milton Dillon , author of “ Motor Days in
England , ” soon followed him . The September
losses to American literature included Joel Benton ,
poet , critic , and lecturer ; Mrs . Elizabeth
Edson
Evans, novelist , biographer , etc . ; and Charles
Battell Loomis , whose humour is well known in
England . Mr. Loomis had only recently celebrated

a

100

has become the

�-

-

--

-

-

its

are concerned with the indifference
have
veneration for antiquity

,

”,

.

.

MAGAZINE CONTENTS

of

of

,

.

.

S

.
.

,
.

.

.

.

."

.

.

.

.

.

Song

By

South

London

.

-I

.

.

.

A

.

Paul England
By
Post mpres

Stephen Gwynn

.

.

's

.

Novels

By

.

NINETEENTH CENTURY
Mrs Humphry Ward

,

,

0 0 .]
0 60

100

inch
percent. for

addressed

F
.

.,
29
,

Co

: £4
:

E be
.C

a

of

..
.

.

of a
a a

of
20

All letters respecting Advertisements should
Paternoster Square London
BELMONT

PER CENT

J,

OF THE SOCIETY

to

MEMBERS

.. .. ..
of
. . .
20
per
25
.. .. .. .. ..
. . . . .
6 0 013
6 7 15 0 0

(

ALLOWANCE

Front Page
Other Pages
Page
Half of
Page
Quarter of
Eighth
Page
Single Column Advertisements
per cent. made for Series Sixand
Reduction
Twelve Insertions.

.

TO

.

SCALE FOR ADVERTISEMENTS

&amp;

,

in

Pictorial Art
sionist Scribbler

to

It

.

,

of -

at

is

"

.

.

M

in

.

A

Plea for English

is

-

its

of

of

to

WarGod

NATIONAL

as

,

,

if

By

.

.

of
J.

of

to

no

,

in

The

Synge
The Art
By Laurence Housman
Poetry
Reality
By Sydney Brooks
The American Yellow Press

,

is

's
,

.
C
.

By

.

.

of in

the Month

FORTNIGHTLY

,

law

at

REVIEW

.

.

-

Play

.

to it

By
A

: .

ENGLISH

of

by

it

of

National

and

Among My Books
Frederic Harrison
By Ford Madox Hueffer
Conrad
By Charles Tennyson
The Copyright Bill
England
Opera
By Francis Toye

in

,

to

Benson

Public Libraries

.

Education

of

to

be

,

.

is

-

to

;

a

Dr
.

.

Fiction and Romance
Literary Supplement

,
to

is

it

The result has been that the Theatres
hardly
defiance and there
set
London where stage plays are not
night and the proprietors are
performed
erery
penalties
anyone chooses
heavy
liable
proceedings
Theatres Act was
The
institute
long before the modern music hall came
passed
provisions
obvious that
into existence and
require alteration
circum
suit the change
the times
stances and the requirements
prosecute when
duty
appears
be nobody
music balls
stage plays are notoriously performed
the
contravention
all over the metropolis
yet whenever proceedings are instituted
statute
generally
heavy fines are inflicted because there

Squire Sprigge

CONTEMPORARY

at

it

,

Fiction

in

of

a

on

it

;

Medicine

.

a

CORNHILL

of

",

“

,

.

,

been made

HARDY

HAROLD

of

in

of

“

be

,

be

,

Varieties
which was summoned
for keeping
house for the public performance
the stage play
entitled
The Money Spider
without
licence
behalf
was urged
for such purpose and
the company that the piece had been played
eighteen music
halls
and only
lasted
twelve
minutes
The company was fined £30 and
was
guineas out
that sum
ordered that fifteen
paid
should
the prosecutor for costs
The
prosecution had been undertaken by the Actors
explan
way
Association
and
was stated
actors were engaged by music hall
ation that
proprietors and that when the latter broke their
challenging
contracts they adopted the position
the actors
enforce their rights because they knew
the agreement being illegal was unenforceable
stage plays
The state
the
with regard
unsatisfac
has for many years been denounced
strange that
tory and
amendment has yet
openly
Act
music hall

who

those

.

to

is

it

.

in in

as

all “

of

,

is

,

to

not over zealous

of

it

in

,

of

be

in to

be

,

him

.

of

,

a

is

,

or

,
of

If

."

to

attributed

instituting proceedings
But
well
bear
mind that anybody who pleases may prosecute
and the Act provides that the expenses
the
prosecutor who may
the man
the street
paid out
shall
the penalties imposed
Another recent case under the Theatres Act was
the prosecution
the New
Bedford
Palace

,

"

or

.

is

in

or

be “

.”

indiscretions

so

.

of

,
"
in

,

admission
the performances
these plays
would seem that every actor who takes part
the
acting
entertainment must
deemed
for
Fortunately
spite
hire
the Censor
the

when

is

of

,

in

penalties provided by the Act
The important words
the section are
for
very wide
They
hire
and
their meaning
include every case
which any money
reward
charged directly
indirectly
shall
taken
any article
or
which the purchase
made
subscriptions there
condition for admission
obtaining
fore are paid merely for the sake

defence, and a conviction
is inevitable
even
it is admitted that the prosecution is
ago
influenced by ulterior motives .
A few years
there was quite an epidemic of such prosecutions ;
when the law was set in motion , sometimes by the
managers
theatrical
who
realised
that their
interests were being affected by the developments
of music - halls , sometimes by individuals who had
grievance , and in the recent case ,
a personal
referred to above , the Actors ' Association prosecuted
because their members had been prejudiced by the
repudiation of contracts ; so that the law , instead of
being consistently enforced , as it should be if it
were reasonable , is left to the caprice of indivi
duals ; and , unless they choose to prosecute ,
daily violation
regarded
far
the authorities
no

,

a

,

of

if

at

of

,

give

as to

performances
stage
unauthorised
subscription
the payment
instead
payment
the doors secured the actors and
organizers from liability
respect
the heavy

habit
plays

101

no

of

THE AUTHOR .

�THE AUTHOR .

102
HOW

TO

USE THE SOCIETY .

obtained . But the transaction
should
be managed by a
competent agent, or with the advice of the Secretary of
the Society .

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
The
of his property .
or the administration
business
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel' s opinion
any cost to the member . Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
1. D

1

VERY

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi .
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
3. Before signing any agreement whatever ,
the document to the Society for examination ,

send

4. Remember always that in belonging to the Society
you are fighting the
even if
if you
writers ,, even
of other
the battles
battles of
you
other writers
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .
5 . The Committee have arranged for the reception of
in a fire
members ' agreements and their preservation
proof safe . The agreements will , of course, be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe . The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
( 3) To enforce
( 2) To keep agreements .
payments due according to agreements . Fuller particu
,
lars of the Society 's work can be obtained in the

Prospectus .
6. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
consideration
the contracts with publishers submitted to
them by literary agents , and are recommended to submit
and explanation to the Secretary
them for interpretation
of the Society .
7. Many agents neglect to stamp agreements .
This
must be done within fourteen days of first execution . The
Secretary will undertake it on behalf of members .
8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; so
do some publishers . Members can make their own
deductions and act accordingly .
9. The subscription to the Society is
annum , or £10 10s. for life membership .

£1

1s.

II

. A Profit - Sharing Agreement ( a bad form of
agreement ) .
In this case the following rules should be attended to :
(1.) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation ,
( 2. ) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise.
ments . Therefore keep control of the advertisements .
( 3. ) Not to allow a special charge for “ office expenses, "
unless the same allowance is made to the author .
(4.) Not to give up American , Colonial, or Continental
rights .
(5 .) Not to give up serial or translation rights .
(6. ) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or
doctor !

III.

The Royalty System .
This is perhaps , with certain limitations , the best form
of agreement . It is above all things necessary to kno #
what the proposed royalty means to both sides . It is now
possible for an author to ascertain
approximately
the
truth . From time to time very important figures connected
with royalties are published in The Author .
IY .
The
( 1.)
(2.)
(3.)

Agreement .
A Commission
main points are Be careful to obtain a fair cost of production
Keep control of the advertisements .
Keep control of the sale price of the book ,

General .
All other forms of agreement are combinations
above mentioned .

of

.

the four

Such combinations are generally disastrous to the author .
Never sign any agreement without competent advice from
the Secretary of the Society .
Stamp all agreements with the Inland Revenue stamp .
Avoid agreements by letter if possible .
The main points which the Society has always demanded
the outset
ont
from
from the
are
( 1. ) That both sides shall know what an agreement
means .
(2.) The inspection of those account books which belong
to the author. We are advised that this is a right , in the
nature of a common law right, which cannot be denied or
withheld .
( 3. ) Always avoid a transfer of copyright .

:

WARNINGS

per

DRAMATIC

TO

AUTHORS .

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com.
petent legal authority .
2. It is well to be extremely careful in negotiating for
the production of a play with any one except an established
manager .

EVER

N

:

dramatic

contract

the performing

plays

right

on

by
a in

of

.

.

This
unsatisfactory
An author who enters into
stipulate
such
contract should
the contract
for production
the piece
certain date
proper
publication
and for
his name
the
play bills
-

a

,
if
-

proper

for

forms

of

or

three

more acts
Sale outright

. of

of

:

.

it

Outright

sometimes satisfactory

--

is

I.

Selling

This

three

of

an

to

a

.

H

are
few standing rules
observed
agreement
dealing
There are four methods
literary
property
with

3. There

a

in

price can

be

ITERE

be

in

BOOKS .

is

THE PRODUCERS

TO

OF

(a
.)

WARNINGS

are

N

�THE AUTHOR .

one act are often sold outright , but it is
a small nightly fee if possible , and a sum
of such fees in any event . It is extremely
the amateur rights of one- act plays should

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important .
6. Authors
should not assign performing rights , but
should grant a licence to perform . The legal distinction
is of great importance .
7. Authors should remember that performing rights in a
play are distinct from literary copyright .
A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements
without the author obtaining a substantial
,

should
be carefully
for collaboration
9, Agreements
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
ited , and that for a novice the first obiect
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication ,
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

authors should seek the advice of the
plays into
before putting
the hands of
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual claim to a percentage on the author 's fees
from it . As far as the placing of plays is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself. The collection
of fees
is also a matter in which in many cases no intermediary
is
,
required .
purposes
For certain
such as the collection of
performances
,
general
fees on amateur
and in
the trans
action of frequent petty authorisations
with different
individuals , and also for the collection
of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights .
In any case, in the present state of
the law , an agent
should not be employed under any
circumstances without an agreement approved of by the
Society .
Society
agents .

WARNINGS

can be added to the warnings given for the
assistance of producers
of books and dramatic
authors .
It must, however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .

STAMPING

Secretary , and
the voucher is then forwarded
to the
members , who are thus saved much unnecessary trouble .

THE READING

greatly assist the Society in this
of its work by informing young writerg
existence
Their MSS can
read and
composition
treated
coach
The term

.

,

. .

,

.
of
by

be

,

or

be

by
to

of

,

to

give notice
The Secretary
the Society begs
post
that all remittances are acknowledged
return
All remittances should
crossed Union
London and
Chancery
registered
Smiths Bank
Lane
sent
letter only
.

by

.

of

be

a be

.

is

REMITTANCES

to

at

to

a

.

.

of

be

in

at

6d

23
.

of

the same
charged for

of

,

.

or
a

,

of

a

,

at

filed subject
play will

fiction
but poetry
possible
and when
under
technical and scientific works
The
competence and experience
The

works

special arrangement
Readers are writers
fee
one guinea
is

, on

of in

,

to

D

.

of

may also
with the exception that
per act
the price

rules

by
a .

.

is

not only works

includes

it

.

MSS

,

of

treated

of

AND

be

branch

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared by the Secretary
tant
One copy will be stamped and returned
the author
Copies
and the other filed
the register
the Society
any time
the scenario thus filed may
obtained
typing
the author only
small charge
cover cost

Original Plays

BRANCH .

EMBERS will

and dramatic

CENARIOS

MUSIC .

The Society undertakes to stamp copies of music on
behalf of its members for the fee of 6d . per 100 or part
of 100.
The members ' stamps are kept in the Society ' s
safe . The musical publishers communicate direct with the

its

SCENARIOS
PLAYS .

MUSICAL COMPOSERS .

TO

TITTLE

M

REGISTRATION
OF
ORIGINAL

AND AGENTS .

RAMATIC

as
a

consideration

AUTHORS

.

also in this case.
4. Plays in
better to obtain
paid in advance
important that
be reserved .

DRAMATIC

of

of performing right or of a licence to
perform
on the basis of percentages
on
vary between
Percentages
gross receipts .
5
per
a
obtain
should
An author
cent .
and 15
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages .
A fixed
date on or before which the play should be
performed .
right or of a licence to
(0. ) Sale of performing
perform
on the basis of royalties (i , e., fixed
nightly
fees) . This method should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply

( 6. ) Sale

103

�THE AUTHOR .

104

guinea to Romeike &amp; Curtice, Ltd

GENERAL NOTES .

on

THE

COPYRIGHT

The Copyright Bill has

of Parliament.
December 16.

ACT

passed both

now

the

It received

.
Houses

Royal Assent

on

Pension FUND .
THE secretary would like to draw the attention of
the members to the fact that four bankers ' orders
in answer to the recent Pension

have been received

Fund Appeal without any signature and without
any mark by which the senders could be recognised .
The secretary made mention of this fact under
the list of additional subscriptions and donations to
the society , but desires to do so again , as the matter
is one of considerable importance .
,
Bankers ' Order for 10s . drawn on the London
County and Westminster Bank , Maidstone .
Bankers ' Order for 10s. drawn on the National
Provincial Bank of England , Baker Street , W .
Bankers ' Order for 58. drawn on the Union of
, Bristol .
London and Smiths ' Bank, Clifton
Bankers ' Order for 58 . drawn on the London
County and Westminster Bank , Kensington , W .

., for 125 cuttings
By the 21st September
been
sent , although the
other sources , of a con .

subject .

specified

a

only two cuttings had
member was aware , from
siderable number of important notices upon the
subject .
The member then interviewed Romeike &amp;
Curtice , Ltd ., complained of the bad service , and
ultimately it was agreed that half a guinea should
be repaid and the number of cuttings reduced
to sixty . Romeike
&amp; Curtice , Ltd . , failed to
repay the half guinea , the secretary got no satis
finally the
faction
on applying to
them , and

to be placed
in the hands of the
solicitors . Upon their sending down a
clerk , a distinct promise was made to forward the
money , but nothing came .
As all subsequent
applications were iignored ,
applications
were
a plaint was issued in
the City of London
Court , and judgment was
obtained against the agency on the 23rd November .

matter

had

's

society

This judgment has now been satisfied

have much

which has

PUBLISHER .

SATISFACTORY

A

We

.

pleasure

printing

in

a

clause

agreement coming
from one of the best and oldest established firms in
England . Indeed we should have liked to have
published the name of the firm .
The clause referred to runs as follows
been

in an

inserted

:

for

,

,

,

or

in or

in

the author

of

.”

of

to ,

of

the credit

The attention
members has often been drawn
the fact that when agents hand over the serial
rights and other minor rights
the publishers
whether
the United
States
elsewhere the
publishers think themselves liberal
they pay the
per cent
author
Even
the author was
placing the rights himself
successful
would
per cent
pay the publisher
have
The agent
charges would have
addition
reckoned
energetic enough
place
this
the agent
these rights independently
the publisher
would
charge
per cent however large the figure whereas
quoted after
the publisher
whose agreement
deducting all expenses
these
we suppose
would
amount
one
two letters backwards and forwards
cablegram
and perhaps
credits the author with
doing business
the full amount
This method
sufficiently highly recommended
cannot
pays one publisher
business
this basis
publishers and we trust therefore
would pay
frequently inserted
see the usual clause which

,

to

he

.

if

if

,

or

in

50

to s

'

,

,

,

of

)

.

,

,

,

the author struck out

of

so

is

of ,

,

on

do

to

.

be

all

the detriment
contracts

.

a

of

a

:
-

to

interest
authors
On the 7th
who subscribe for Press cuttings
September last
the Society paid
member
case

to

of

.

COURT CASE

will

be

County

The following

If
to it it

to

or

(

,

is

.,

,

of

he to

in

be

is to

.

50

in

to

a

well for the independence of the Society 's action .

placed

If

.

10

CIRCULAR

column the list ofannual
and donations received since the
beginning of October. The greater mass of these
to
the Circular sent out the
in response
are
beginning
of November . The Society must be
congratulated on the result of that Circalar appeal
have been
On going to press £85 per annum
added to the subscriptions and £164 19s. Od . to
the donations . The long list of additional annual
satisfactory , tending
to
most
is
subscribers
show , as it does , the unity of the Society .
The
Society should be proud of the fact that the Com mittee of the Pension Fund and the Committee of
Management
upon the Fund , as
have
looked
indeed
have all the members of the Society , as
one raised by the Fellowship of Letters on behalf of
those who are members .
The fine result achieved
in the 12 years the Fund has been running speaks

be

FUND

in another

to

PENSION

.

THE

We publish
subscriptions

“ In the event of the publishers securing copyright
realising profits from the
the work
the United States
sale
serial
other rights
the United States such
profits shall after deducting all expenses relating thereto

future

�THE AUTHOR

no of

.

a

'

is

re

be

a

of ,

of

, ,

have

“ in his list of New
included
Novels , " clearly
leading
the public to suppose that the novels
produced were new novels . It would be interesting
such
case could
decided from the point
literary libel but we
view
afraid there
legal remedy
immediate prospect
there being

ELECTION

.

COMMITTEE

the

of

in

.

up

:

to

,

by

be

fill ,

:

,

to

of

,

to

,

re
-

.

of

.

(4
)

is

of

to

,

Dr
. . . .
S

,

,

a in

of

, or

of

of

of

,

.

.

,

,

of

be

.

printed

.

it

.

's

THE PENSION FUND COMMITTEE

to

,

the method

a

,
it

to

,

society
should
the
member
has been
act
complete state

to

a

of in

,

ment

to

to

of

give members
order
the
appoint
desire
fresh
Pension Fund Committee full time
place
the custom
The Author
they

to

of

if

,

"

was

TN

of

,

— so

“

of ,

Mr

.

that the work

of

is

to In

of

, -

is
a
in

,

a

is
a

of

.

as

state

of

.

's

is
a

it
it

these letters only reach
limited public and
popular author not half
his
the author
made aware
what has taken
circle
readers
place
one case the publisher went
near the
line

will

candidates

The Author

In

is

, to

an

in to

.

of

early
the cases which
investigate
the society has been able
was
found that the only remedy
the author
hands
explanation
was
make
letters
the
unsatisfactory
papers but this
as after all

The complete list
the March issue

I

an

statement that
immature work

new publica
the other hand
republication

or

,

's

to

then

,

,

statement that

10

the

on

author but

by

no

,

,
in

They make

tion

Belloc Lowndes
Hesketh Pritchard
Mr Arthur Rackham
Squire Sprigge
The committee remind the members that under
article
the amended Articles
Association
any two subscribing members
the society may
nominate one
more subscribing members other
than themselves not exceeding the number
writing sent
vacancies
be filled up by notice
the secretary accompanied by
letter signed
the candidate
candidates expressing willingness
accept the duties
the post
to

it

,

or

of

a

early publications
famous author
either
purchasing
holding the copyright themselves
and produce the work without the author
sanction
many cases opposed
and
the author wishes

Mrs

Mr

19

-

,

in

,

.

,

in

it

is
a

it

is
a

.

wishes
the author
This case
most interesting one for authors
pity
the
has not been decided
and
French Courts
order that authors all over the
world might see how the French law dealt with
the subject
We must state with regret that
not infrequently happens that publishers take up

the

.

. .
S
.

(
3
)

,

to

of

of

the com
against the

of

to

.

an

,

it

of ,

the date
published now

to by to

.

to

.

statement

that

is

and

by

clear

position

, ,

Rackham

are

The date fixed
the committee
which
nominations by the subscribing members of candi
dates for election
the new committee may
February
made
the 10th day
Mr Sidney Webb not seeking
election
the committee nominate the following candidates
being subscribing members
the society
the vacancies caused by the retirement
one third
the committee according
the constitution

in

.

CASES

in

of

17

Squire Sprigge
Sidney Webb

“

brought

Anatole France against
Lemere has been
settled
The
owing
the publisher desiring
for the first time
MS written
ago
The dispute
we understand
settled
the publisher undertaking

has been
make
a

LAW
by

FRENCH

of

be of

:
of

Arthur

Dr

.

.

Mr
Mr

THE action
the publisher
dispute arose
publish now
thirty years

of

19

,

of of

1

of

;

, ,

.

.

F

of

to

am

,

I

in

.

of

accordance with Article
The names
the retiring members
Mrs Belloc Lowndes

.

of

a

,

of

.

on

.

as

pursuance
Article
the Articles
Association
the society the committee give
potice that the election
members
the committee
management will
proceeded with
the
following manner
One third
the members
the present
management
committee
retire from
office

of

,

.
to

as

on

of

.

of

TN

(
1
)

if

to

a

be

doing
to

It

-

might

.

November
1911
English writers
service
allow me
state through your columns that
the Dial does not invite MSS from England the character
journal
being
the
such
make the sending
such
needless
the sender and
the part
MSS quite useless
annoyance
large
waste and
all sides
From the
number
unavailable MSS received from England
led
think that the Dial has been announced
some English
journal
inviting miscellaneous MSS from abroad
hence
this correction
the apparent desirability
Yours very truly
Editor
BROWNE
FRANCIS
SIR
you would

(
2
)

17
,

:

the editor has asked

to

before

us

us

forcibly

placed

this

following letter which
insert

by

.

its

,

We

,

it

to

its

The Chicago Dial is one of the soundest literary
reviews published the other side of the Atlantic ,
and a weekly perusal of
contents will enable
anyone
keep abreast
the American output
but
has apparently
like many literary reviews
its own staff which deals with
own books and
its own literary subjects

105

of

DIAL . "

if

THE “ Chicago

.

election under the scheme for

�THE AUTHOR .
Sir

of

,
at

.

. .
G W
. .
H W
, . . ,

.
E
.

,

.

),

(

at

, , .

),

.

J.

(

of R
.

,

to

,

),

.

,

, .

,

,

.

of

,

.

,

,

“

.

.
J.

by

,

,

propose the toast

W

of

of

.

the

and

Copyright

to

to

so

it

in

.

:

of
by

to

,

to

-n

.

to

be

I

-

,

,

Mr Comyns Carr said
Mr Chairman Ladies
any cir
and Gentlemen
should account
permitted
cumstances
honour
address
ight the honour
distinguished
company
But
great indeed
give welcome and
for we are met
justice that
acceptance
the largest instalment

to

as

I

,

am

.

of

its of

on

conferred
Literature
the Parlia
England
this
the accomplishment
result
the Society
Authors has taken
full
share
labour and responsibility and
there
fore justly proud
stand forward
their spokes
respect
man
the toast which
shall offer for
your acceptance
have spoken
this Bill
instalment
has ever been

ment

,

an

as

of

,

,

as

,

,

on

,

,

,
I

be in of

to

is

It

,
I

be

if

,

at

as

I

,

for

.

in

of be

a

.
S
.

.

at

),

of

,

of

,

of

.

.

as

it

(

of

in

,

it

-

of

of

,

the Board
Trade
Honble Sydney Buxton
who had charge
the House
Commons occupied
seat
Squire
the right hand
the Chairman
Dr
Sprigge
the guest
the evening
Sir George

Rt

be

,

on

in

,

.

8

of

ment and the President

.

of

.

of

at

annual dinner
the Society was held
Friday
the Criterion
Restaurant
December
Held earlier
the season
than has usually been the case the dinner marked
the passing
the Copyright Bill through Parlia

I

M

HE

The

because
not here
admit that even the
great concessions we have obtained exhaust the
legitimate demands and aspirations
the authors
very possible
this country
think that
the future Literature like Oliver Twist may
found asking for more possible also that
the
public conscience
this subject develops more will
granted
my
Speaking
myself
may frankly
avow
perpetual copyright
belief
the goal
which
we should aim and
this were the time and place
argued and could
proved that
think
could
perpetual copyright under proper
the institution

I

THE DINNER

am

I

.

I

of

of

Mr

after the usual
the Chairman
Comyns

dinner

of

in

is

all

of

W

. .
E J
. .

. ,

Carr rose

in

.

to

,

a

of

is

.

of

,

an

:-

).

, , ,

(

.

.

E

S

the conclusion

is

in

At

loyal toasts had been proposed
and received with enthusiasm
to

of of to

up

to

in

-

.

,

,

be

It

,

in

Miss May Sinclair

Hewitt Mrs
Nesbit Bland
Mr Ezra Pound

and

a an

on

to

of

in

to

as

.
to

usually held
the society
essential that
nominations should
the hands
the secretary before the 31st
January 1912

of

to

,

of

,

.

.

to

of

to

at

,

, ,

of

.

,

It

general meeting

in

of

,

to

,

,

Sedgwick
Theodore Cook
Professor Adam
Alfred
Bateman
Mrs
Frank
Elliott
Sir
Frederick Macmillan Sir James and Lady Yoxall
Sir Arthur and Lady Conan Doyle the Reverend
Roberts
Master
Caius College
Mr
Anthony Hope Hawkins Mrs Squire Sprigge
Comyns Carr Sir Frederic
Mr and Mrs

Sir

.

,

of

be

A

.

be

so

,

."

The

well therefore should any member
will
put forward
desire
candidate
take the
The
matter within their immediate consideration

.

Mr

.

to

to

is

of

of

,

of

In

have been duly chronicled

elections

Author

be

Jacobs Mrs Humphreys Rita
and Mr
Thring ecretary
Those not already mentioned
who had seats allotted
them
the High Table
included Lady Falmouth
Mr
Godlee Presi
Surgeons
dent
the Royal College
Mrs
Humphry Ward
Sir Charles Villiers Stanford

of In

as

to

(

in a

to

of

at

)

of
at

to

of of

case any member should desire
refer
the
list
members the list taking the elections
July 1907 was published
the end
October
the date
This list was complete
that year
issue with the exception
the thirty eight mem
bers referred
the short preface
All subse

March

Phillips Oppenheim
various tables
Mr
Robert Ross Mrs Belloc Lowndes Mr

,

- -

re
-

as
a

.

:
by

"

Any candidate for election
the Pension Fund Com
retiring
mittee
the members
the society not being
writing
member
such committee shall be nominated
the secretary
least three weeks prior
the general
meeting
which such candidate
be proposed and the
nomination
each such candidate shall
subscribed by
at least three members
the society
list
the names
the candidates
nominated shall
sent
the members
the society with the annual report
the managing
committee and those candidates obtaining the most votes
at the general meeting shall be elected
serve
the
Pension Fund Committee

quent

the

Mr

(S

,

,

.

-

, .

,

9,

which runs

Henry
who accompanied the late
the Berlin
Conference
and who after
his sad death there took charge
his duties
connection
with the contemplated reform
the
Copyright and Sir Hubert Llewellyn
British Law
Smith Permanent Secretary
the Board
Trade
were also present the gathering
members and
exceptionally large one
their friends being
The following ladies and gentlemen presided

,

,

for

re

-

,

re

,

.

in

.

,

.

.

.

.

.

he

as

,

other names under clause

forward

follows

,

Askwith
Bergne

of

ex

H

.

,

at

M

,

of

by

at of

by

is

of

administration
of the Pension Fund . Under that
composed
scheme the committee
three
members elected
the committee
the society
three members elected
the society
the general
meeting and the chairman
the society
the
time being
officio
The three members elected
the general meeting when the fund was first
started were Mrs Alec Tweedie Mr Morley Roberts
Spielmann
and Mr
These have
turn
during the past years resigned and submitting their
names for
election have been
elected
This
year Mr Morley Roberts retires under the scheme
but
does not submit his name for
elec
tion the committee have nominated
candi
date for the vacancy Mr Owen Seaman
put
power
The members
have however

.

106

�THE AUTHOR .
as

so

an

to

.

In

of

.

,

.

's

of

. ,

to

of by

“

it I it
. of

a

,

all :

in

,

,

,
I

is

I

.

If

,

a

to

as

,

he

to

did

in

.

in off

.

to

,

he

in

by

of

,

of

of

or

no

. .

of

,

to

of

! to

off

.”

of

I

if

a

he

a

to

's

in

in

a

I

:

.

,

.

to

,

in

"

“

,

,

off
,

be

,

in

of

on

.

of

of

,

of

,

an

To

.

of

of

by

a

,

of

a

if

.

,

can

be

I

to

it

.

,

of

is

.

of

,

to

is

.

Bill

“

of
“

,

to

which would
not still
which there would already

in

1870

and out

be

Drood
copyright

of

Papers

in

to

which we are asked
celebrate
existence when Dickens lived
Pickwick
his works from the
Edwin
1837 down
the fragment

of

this

ight had been
there
not one

,

on

For

is

's ,
of

.”

's

stamps with shame the laws concerning literary
property under which until now we have lived

-n

,

as

,

up

of

from
the other side
the Atlantic
England but the
come
visit not the capital
speak with
London
Charles Dickens
knowledge that that appeal
urgent and that that
appeal
just
That
should
have
made

to

.

•

.
“

is

a

be

to

I

Sir

in

,

,

.

a It

,

£5

a

of

to

of

it,

of

."

he it

to

."
“

,

it

It

a a

,

of in

in

,

at

so

of

of

he

,

.

in

,

Commons
the
often noticed that the

that pilgrims

in of

to

of

be

as

,

is

,
to

is

the House
Copyright Bill but
have

himself
For
Scott threw
mantle
romance
spell
over the hills and ralleys
his native land
enchantment has been thrown
Charles Dickens
over the dark alleys and narrow streets
our
great city
London
such
extent indeed

if

of

a

an

.

to be

s

it

:'

,

he

'

as

necessary
ordain that after
certain
number
crops all cornfields ought
public property
words
The spirit which animated Lord Camden
during the
has cropped
not obsolete

one more reference
Within the last four days
powerful appeal has been put forward
behalf
magician surely not less
rank than Walter Scott

”

if
of

to

to

,

to

far

so

a

an

“

In

caustic remark
Thomas Hood that
the author
apparently
required
provide for everybody
posterity but his own
And further and with
equal point
cheap bread
added
desirable
cheap books
but
has not yet been thought

recent debates

time
force
Scott
had been
have been able
face death with
full confidence that the debt which
had incurred
paid
would
because not only his latter works
but those which had first brought him immortality
his poems and Waverley
would still have been
copyright
fund
and would have brought
sufficient
have met his stupendous debt
Continuing Mr Comyns Carr said
will make
celebrate

He would

only

the bookseller offered Milton
for Paradise
Lost
did not reject
nor accept that miserable
pittance
the reward
his labour
He knew
that the real price
his work was immortality
and
that posterity would pay
this connection
would only recall the
When

achieve my task
shall have the thanks
my own conscience
and the approbation
weight would have been lifted
What
that
mighty brow
the Bill which they were met
concerned

”

its

of

a

publication

,

of

and
further fourteen years
the author had the courage
survive the first
period was
throw back
the whole conception
comparative
literary property into
condition
barbarism
The root idea that
author has any title
the
rewards
derived from the creations
his own
regarded with more than suspicion
brain came
and
did this feeling develop that
1774
judgment which swept away the last remnant
author rights
Common Law Lord Camden
declared
That
was not for gain that Bacon Newton
Milton and their like instructed the world
would be unworthy
such men
traffic with
dirty bookseller for
letterpress
much
sheet
date

two names but two
the mightiest that had
adorned English letters during the last 150 years
eulogy from
Walter Scott needed
him
Beyond all men
previous generations
his own
Scott won the favour
the world
but everyone
knew how
the later years
his life were broken
and embittered
the calamity brought about
his confiding belief
the stability and integrity
pro
thereby incurred
his friends and how
digious debt which not even his great income was
adequate
meet
Scott set himself the task
paying
this debt
He
not live
achieve
Writing
says
his diary
the year 1827
long tedious and dark path but
before me
leads
stainless reputation
die
the
very likely
harrows
shall die with honour

,

For almost from the invention of printing to
advent of the detestable statute of Queen
Anne — the first and the worst of the enactments
concerning
our calling , - an author enjoyed
in
principle and in practice that perpetual copyright in
his writing , which at some future day he may
recapture .
But the effect of the statute of Anne , with
grudging concession
fourteen years from the
the

eager
are never
when they
other people property
But now continued Mr Carr the Copyright Bill
was passed
The provisions
that Bill were
enormous advance upon anything which Parliament
order
conferred upon literature
had hitherto
realise what had been gained he would like
try and illustrate what that advance was by reference

see

no mere forecast of the future , but a remembered
vision of what the past once owned and the present
has allowed to lapse , and this I make bold to say is
emphatically
the case
in regard
to an author 's
property in the fruits of his labours .

philanthropists

are disposing

if
I

state control would not only prove of advantage to
authors , but also and no less to the vast community
which demands reasonable access to the master pieces of literature .
To many , I am well aware , this idea of mine will
seem a vain dream , but let it be remembered that
the dreams of to - day often take shape and substance
among the realities of to -morrow , for as Shelley
truly said , poets who are the great dreamers are the
acknowledged legislators of the world .
But a dream , even as far -reaching as this , is often

107

�THE AUTHOR .

as

. all

all

do

to

-

a

if

as

as

be

.

as

,

as

as

to

.

in

- I

,

as

at

,
if

as

,

in

,

.

.

,

an

a

In

.

it

,

of

of

,

,

no

an

be

.

of

of

to

of

of

to

,

in

he

.

in

to

- be

to

it

as

of

a

to he

or

of

to

to

a

,

of far

,

In

of

on

studying the
more opportunity
had had
question the more he had come
the conclusion
that copyright
from preventing the production
and cheapening
books gave
stimulus
their
production
his opinion the cheapening and

.

,

of

to

by

if no
as

.
a

for

!

or ,

the measure

in

a

.
-

on

it

In

of

!

seventy

of

”

,

-

,
a

.

of

.

to

he

in

as

,

“

,

of

!

Among the

considered

Grand Committee
seemed
him
were some
who were over zealous
behalf
authors and
publishers and some over strenuous
behalf

,

he of

.

-

.
as

in

Sir

.

,

he

;

,

's

to

-

who

,

of

,

of

to

, .

of

,

Sir

, ,

Sir of

of

of on

requiring delicate handling
eighty members

In

in

,

to

,

.

in

of

.
I
in

as

.

Mr

,

.”

“

.

,

-

,

us

I

.

in

to

Sir

of

,

Sir

by

sea

,

of

to

him

to

a

of

to

its

.

I

,

I

,

,

a

,

-

-

so of

do

I

as

of

,

as

,

,

of

,

to

I,

.

its of

to

,

in

.

."

of

of

to

“

's

as

to

am

I

go

.

—

come

not always

Act

”
—

's

Macaulay

to to

of

labelled
credit
the
Act which will soon receive the Royal Assent will
posterity
down
Buxton
Act
couple with this toast the name
asked
the President
the Board
Trade
gladly and with some knowledge
what he under
conducting this Bill
took
successful con
ever they had passed
measure which he believed
clusion
with others including my friend Sir
would give general satisfaction and protect both
Frederick Macmillan
whom
well
the authors and publishers
the course of
few
Society
days the Bill would become
Authors the interests
literature owe
Act and they would
Anyone who bad
agree not before
was wanted
much watched its progress through the House
Commons and
know they will not contradict my
studied the copyright laws knew
how
full the
testimony when
twenty two Acts passed since 1735 were
say that the zeal the patience
com
Buxtonplexities anomalies and anachronisms
and the courage with which Mr Sidney
such
triumph imposes upon
conducted this Act
matters they had
seize the psychological moment
lasting debt
gratitude
Nor must
when time opportunity
and driving force were
forget the splendid help given
Grand Committee
theirs
These requisites existed
the Berlin
John Simon and
the happy efforts
Convention
the Imperial Conference
and the
George Askwith
necessity for domestic reforms
other directions
and Sir
He was rather
give you the toast
proud
amending
Hubert Llewellyn Smith
the fact that this would
The Copyright Bill
and consolidating Act which repealed
less than
eighteen other Acts
The toast was accorded full honours
Parliament and the greater
Sidney Buxton
responding
part
referred
four more and which itself consisted
having but steered the boat while others
only twenty seven clauses
They were all agreed
himself
pulled the labouring oar and associated
enjoy the legitimate fruits
with the
that authors ought
copyright the names
remodelling the law
task
their brains
Mr Comyns Carr had said that
Henry Bergne
George Askwith
perpetual copyright
was
favour
view shared
Nicaragua
Hubert Llewellyn Smith Sir John Simon and others
with him
nations
the republics
They had painted the picture
had not done very
and Guatemala
this country the desire had
get reasonable control
much more than make the frame
referred his
been
and the period
fifty years after death was taken
bring
hearers
Charles Keene drawing
Punch
the
order
England into line
possible with other great
frame maker visiting the Royal Academy with his
far
they stood before the
wife and exclaiming
countries
But
one would support the claim
picture
injurious
period
the year
On the line again
Maria
such
believed
introducing and
likely
put
stumbling block
the line again
The task
the public
the
passing the Bill had been
way
cheap and easily accessible literature
difficult
one
The

“

1842 has

not seem
tender
towards authors
Many regarded publishers
hard stern persons
who had the authors
their grip
On more than
one occasion
himself had pointed out that
publishers were not quite
they were
black
painted
The committee had been
not between
any rate between
the devil and the deep
Scylla and Charybdis and more than once their
barque had rubbed against the rocks and been
Finally how
danger
foundering
imminent
did

he

in

to

in
a

in

,

hisus if

Act

ously , believed that the only equipment necessary
for authorship consisted of a stylographic pen and
a few sheets of foolscap .
the best intentions ,
The committee , having
desired to arrive at a satisfactory solution on the
basis of give and take , some being willing to do
the taking
the others would
the giving
There was generally
well disposed feeling towards
authors although some thought that they ought
protected against themselves
against
well
publishers
and the feeling towards publishers

,

an

.

to

;

;

.

to

right

the public . Some appeared to believe that all
authors were geniuses, and others , equally errone

,

a

,

.

it

of us
of

in

its

have been derived a sum amply sufficient to have
provided for those grandchildren
of his , on whose
behalf this appeal is made .
Charles Dickens rarely allowed himself to make
his romances the medium of any personal protest ,
but there is one exception in the earlier chapters of
“ Nicholas Nickleby , " where he vehemently inveighs
against those pirates who before the author 's novel
monthly parts set
garbled
was completed
upon the stage
version
Let
then count our gains
We gain
added
copyright we count our gains
term
the
protection accorded
regard
the novelist
his
dramatic rights
we count our gains
hundred
different ways
Our gains are enormous and
venture
make this prophecy that
the Copy

be

108

�THE AUTHOR .
it

all

,

of

be

.

its

of

.

a

or

,

by

.

's

it to

,

a

,

to

,

of

,

to

a

If

of

by

If

to

,

.

its

to

,

be

's

in , of

;

of

.

.

its

",

“

"
?

in

or

as

“

"

in

it

to

of

,

,

of

.

in

if

be

of

a

,

.

as let

-

's

of

at
,
it

,

of

of

.

its

,

.

be

,

to

It

as

a

of

—

of

a

.

its

of

by

no

by

a

a

of

,

of

,
of

of

of

,

, it

as

of

, it
.

as

,

to

It up

to

of

of

'

of

,

,

of

.

to

to

he

in

if

,

.

- It of .

.

,

so

of
he

to

did

of

,

of

to

on

,

,
to

by

of

a

he

to a

to

,

of

to be

,

of

,

of .

.
he

,

, .

it

to

to

of

to

-

of

of

his

of

as

's

,

Macmillan
chairman
the Publishers Association
study
and
the reports
the past twenty
years
The society did not exist
bolster
incompetence
had been urged against
espouse
the cause
the weak but
had often
might sound not because
did
harsh
an author was weak but because the rights
the weak and the rights
the strong had the
though
same basis
not the same chances
establishing themselves
proposing the health
Mr Robert Ross
the
try
Chairman said that
were
vivisect
by

in

be

.

of

,

a

his.
a

.

of

be

,

of

,

at

to

,

,

to

in
a

of

of

of

,

to

a

to

.

of

of

of

He gave the toast
the Society
Authors with
pro
the sincere hope and veritable belief that
gress would
maintained
Its main object the
literary property
steadily
defence
had been
quarter
century and the value
followed for
work had been enhanced
full recognition
principles
longer
the justice
was
ring
fight
described
the quidnuncs
description
the publishers the injustice
such
Sir Frederick
was proved by the presence
its

to

)

.

,

,

,
of , to
of be
in

to

)

to

as

,

to

be

It

remembered that
some extent the busi
the society must
insurance lines and
year any given author
that although from year
should

ness

removed

.

he

—

.

by

.

to

(

Secretary
his regular work
the society
Tarning however
matter upon which
express himself personally
desired
called
attention
serious drawback which ought
remedied
The leakage from the ranks
the
Every
year
society
was too great
certain
resignations fell
number
cold douches upon
They
the ardour
the society progress
not
stop progress but they impeded
and
called
upon those present
help
deal with the matter
give
reason
was the rarest thing for anyone
for leaving the society and he was driven
think
apprecia
that resignations must be caused by lack
corporate spirit and
tion
the nature
comprehension
the principles
insurance

trouble
Let members who
any who had strayed from the society
impress upon
fold shepherd them
back
them
join again
such
Small
the losses might
compared with the gains they were always
source
regret and
any sort
common reason for
resignations could only be arrived
could be

the first instance

knew

.

a

to

an

it

it he

as

as

it

(

of

its

of 's

.

of

by

the President
the Board
Trade
He
great share
the Chairman
attributed
this
success
the work
Mr Thring who had never
allowed the increase
duties involved
the
Copyright Bill
performance
interfere with

in

. ,
an

to

-

as

he

as

to

of

.

,

to

to

for

increased
income
accretion
the Pension Fund
legal transactions
and
success
The inter
legislative matter of the
vention of the society
first importance
all writers had been testified

if

.
-

,

to

.

,

,

.

subject and
far
was concerned
was
content
leave
where
was he did not propose
revive the corpse
The Chairman Dr Squire Sprigge referred
the custom
the society that the chairman
the
committee for the year should
the dinner the
society only social gathering
speak
the collective
aims
members their doings and their hopes
doing this
the future
His responsibility
was lightened
the fact that the annual report was
already drafted and would soon
laid before the
society with the authoritative weight
the Com
progress
mittee
The story
told was one
all along the line
increased membership

began
help
contributions
the needs
other
any such
resigned before the five
members
years expired
the society would actually lose
stay by
them
He earnestly begged members
every one
the society for the good
for their
own good
for they never could tell when they
might want the society
advice
for the good
their colleagues who could
more effectively helped
spend
the society were not compelled
creasing income upon
increasing needs
Was
there any character
novels more popular than the
strong silent man
the strong silent woman
The society wanted the strong silent member
and
lots
them
those who paid their guineas partly
insurance
and partly recognising
that the society
many who came
must espouse the cause

of

.

a

of

,

a

of

of

.

Copyright would now date from
given
and not from publication
which
would
produce their complete works
enable authors
protecting them from piracy
their earlier ones
Mr Comyns Carr had referred
the Bill
sug
instalment
No doubt they were all
gested Oliver
Twists looking
the future for
easy subject
more but copyright was not
deal
very worrying
with
On the contrary
was
death

of of

by

all

of

, ,

in

right were

might not require its services , still any author 's day
of trial might come.
Then he would turn to the
society , and then , regardless of
business princi
ples the society would help him
because
was
the society
business
maintain
the rights
literary property
But must
noted that this
action was hopelessly unbusinesslike though forced
upon the society
ideals
The subscription
guinea
was
life subscription was ten guineas
large proportion
writers joined only when
spend upon them
trouble
the society had
perhaps the subscriptions
five years before their

it

of books in recent years had not
about in spite of , but in consequence of ,
copyright. Some people thought the extension of
copyright was
the term
that was gained
the Bill but there were other advantages
For
example
play the farce
copy
the case
right performance was done away with
and
summary remedies for the infringement
copy
come

“

wide circulation

109

�THE AUTHOR .

is

be

do

,

I .

",

is

an

of

a “

of

a as

be

to

is

it

.”

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to

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to

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. .

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or

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I

his

.
.
.

in

an

“

,

in s

of

in

it

unreasoning

or

,

,

a

;

prejudiced

."

will

,

it

Is

.

of

as or

or

,

."

,

)

it it be

no

”

, ,

”

to ;

or

,

be
“
a

not assume that the reviewer meant that
should
blind prejudiced un
reasoning
fanatical adherent
but
will
injustice
probably
doing him
suppose that
supporter one who
admires
thick and thin
my country my cause
my hero right
wrong
not ridiculously
This may
taken
the ideal attitude
the partisan
the ideal

the historian

;

to

,

in

be

it

,

we

of

,

]

A

.

of

[

to

is

a

,

to

?

to

-

,

.

-

of
as

In

of

,

is

:
he

,

a

be

,

of “

in

,

“

. of

a

by

,
"

of

The Author
the
History
the new
England
Messrs Fletcher and Kipling
there occur the following sentences
There are many views taken about the writing
history but surely the soundest view
that the
partisan that
historian
should
should give
1

the November issue
course
notice

“

TN

of

,

to

by

?

is
a

very
attitude
the historian
Doubtless
common attitude adopted
historical writers
whose names are household words
take two
great modern instances Mommsen and Macaulay
may
passing made
both
them
noted
serve
text books for the English schoolboy
considering the above mentioned attitude
good
are bound
ask What are the requisites
Certainly we must admit that one
history
give some life
adopts
the views the historian
and revivify the dead bodies
the past
dull

,

HISTORY

.

SOUNDEST VIEW

OF

THE

,

,

,

am

I

;

of

be
a

“

blind

adherent

of

.

thin

fanatical

a
"

,

to

and

be

.

.

,

was
the mind
The Author
reviewer
The New English Dictionary
see
its defini
tion
Partisan suggests
One who takes part
sides with another
often
unfavourable
party through
sense
One who supports
thick

'

-

of

to

he

,

-

,

.

's

)

of

Dr Sprigge

After the toast had been honoured with cheers
those present rose and proceeded
the adjoining
room
where the usual conversazione took place

that

of

-

”

of

to to

,

in

'

of

picion
the health

study the fiction
insist upon the rights

members
The Chairman was his
nephew
but immune from the sus
nepotism
asked the society
drink

society

Ross

's

of

the

.

(

of “

-

“

”

.

."

in

literature
order
publishers accounts and

Mr

“

of of

a

“

in ”

,

in

's

in

.

hint
the Chair
man
real tastes
the last number
the Cornhill
Magazine
the delightful volumes
stories Odd
Issues
and the
Industrious Chevalier
rather
than
those blood curdling
volumes
Medicine
and the Public
and
The Methods
Publish
ing
Dr Sprigge suppressed his love
fiction

:

'

a

on

of

He thought there was

book which Messrs . Fletcher and Kipling have
collaborated to produce . It is with a statement of
the reviewer that
concerned not with the
subject
his review
the statement namely that
surely the soundest view
that the historian
partisan
should
This dictum must not
pass without protest
suffered
Of course very
much depends upon the meaning attached
the
partisan
interpreted
word
nothing worse than the opposite
merely
opinions and methods and
balancer
chronicler
dry facts
then cadit quæstio
But such
interpretation
not natural and
not imagine

for
“

to

of

on

a

on

,

,

path

and

,

by

.

physician
Society

you
which
shift your
publisher
your health
your grievances
the Authors

that

literature

manuscript

children to receive into their minds notions the
very opposite of those which are to be held by them
when they grow up " ( Republic , 377 ) .
This postu
late of Socrates might well be allowed to apply to
the teaching of history to children nowadays .
But I am not intending any criticism of the

of

so
-

.

's

of

an

he

.

as

of

in

behalf of the society
not cease
the interval
secretary
between his retirement from the post
chairman
The
called leisure
and his election
moments
unselfish career
had given
the
society
service
All did not perhaps realise that
Dr Sprigge might have trod the path
mere

I

“

did

touched nothing that he did not adorn , and he
would boldly admit that the wielder of a lancet
touched nothing without taking something away .
The Chairman would take away that evening the
good -will and gratitude of the Authors ' Society , an
operation painlessly performed without the aid of
any anæsthetic even in the form of an after - dinner
speech .
Only the committee , perhaps , knew the
value of Dr. Sprigge 's services to the society over a
period of twenty -one years . He was Mr . Thring 's
predecessor , but his enthusiasm and energy on

than useless . "
shall not attempt to discuss with The Author ' s
reviewer in what manner children , in particular ,
should be taught history .
The Platonic Socrates ,
it is true , although he admitted that it is the
practice to “ begin by telling children stories which ,
if not wholly destitute of truth , are in the main
fictitious, " contended that we ought not to “ permit
worse

I

fore dwell upon the distinction
with which Dr .
Sprigge directed the fortunes of the leading scientific
paper of the world , because those present knew how
well he fulfilled the duty of presiding over a society
of literary men and women . Metaphor prohibited
saying that the wielder of a lancet
him
from

some life to the views that he adopts , and should
revivify the dead bodies of the past .
The historian
who is merely a balancer of opinions and methods
and a chronicler of dry facts is , from our point of
view , useless ; from
a child ' s point of view , he is

he

Dr . Sprigge , the editor of the Lancet , the society another society - - would interfere , and moreover it
would require the art of Mrs . Humphry Ward or
Mr. Henry James to do so. He would not there -

( is

110

�THE AUTHOR .
:

,

for

(

's

of

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of

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;

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is

's ,

or

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a

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of

.

of

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of

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so

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to

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“

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by

a

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a

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.,
)

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,

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,

be for a

,

to

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,

.
of

,

;

of

to

at

is

.

.

is

at

,

suggest interpretations
his documents
not
But he
make his period picturesque
liberty
tally with his views
twist his facts
his
into the body
insert his interpretation
documents
substitute his idea
the proper

of

.

them

of

.

that

to

"

as

ardent

the most

get down
the facts whererer dis
great
coverable
Sometimes the process involves
patience and much labour
amount
small
results
but the patience the labour must
forth
coming
When the facts have been ascertained
express his views upon
liberty
the historian

to

a

“

.

to to

not
denied even
picturesque historians

to

. at

”
—
in
a

..

will

admirer
history

,

:
]

[

I

or

,

a

,

the partisan

the man
whom
the exiled Queen Mary wife
James
told Baron Lansdowne that
the King
Charles
and the Duke and the whole Court
looked upon him
the greatest liar
the face
believing one word
the earth and there was
that he said
The statement
rather strong but
sipgularly unscrupulous
Burnet
his treatment
the men and affairs
his day

It

is a

be

-

in

of '
s

I

at

, ,

do

I

of

better portrait

remarked recognised
other historians
Of
maintains that
was
far indeed from being the most inexact
says that
writer
his time
viewed every
act and every character through
medium dis
party spirit
torted and coloured
This was

of

.

,

.

,

A

on

in

of

.

,
is

of of

to

is

for

historian
Macaulay himself
may
partisanship
the evil
Bishop Burnet
although

to

,

he

by

a

to

's

,

of

of

, of

am

I

wrath

to

it

by

of he

,

a

a

by

,

,

I

“

not know whether such
state
cry
Heresy
and
the doctors
demand pityingly
rend their academic garments
flogging
what
the good
dead horse
Of the most
recent historians
the Stuart period some still follow
Macaulay almost implicitly
others treat him
the sign
post that points
the wrong road
*

afraid that
ment will cause more

]

,
- .

in

it

(a

he

an

)

M in

his

.

-

be 's

of

to

in

-

of

,

boasting
the end
his dedication
any rate say that have pursued my
can
inquiry honestly and that
have furnished every
testing my accuracy
good hit
means
Macaulay who
notoriously loose
his references

,
at in

justified

we

to

).

,

is

of to

-

to

Penn and
the Scottish nation
the seven
teenth century may perhaps himself
called
partisan
castigator
sorts
But Macaulay

historian

Could

of

':

to

",

's

(

at
-

,

,
in

I

is
a

pity

,

at

'

“

in

This
1861
law
Blackwood
barrister
for the book
both able and entertaining
my
and
wish
that someone could have put
my Macaulay ridden schooldays
hands
Mr
Paget
preface
after having stated
dedi
catory letter
Sir John
Neill that
was
originally one
implicit
those who had placed
representations
reliance
Lord Macaulay
and
had permitted himself
carried away
the
eloquent torrent
his declamation and that
struggle that
was not without many
found
dry examination
himself compelled
facts
surrender the illusion
which
had been
proceeds
very satisfactory demoli
enthralled
Macaulay
partisan views
tion
certain
characters
and
incidents
our history
Marlborough
defender like Paget
Claverhouse
Paget

,

.

it

is

”

of

,

-

to

an

or

Examen
certain
by John

and then and not till then comes the reflection that he
has been listening
the impassioned barangue
the
advocate not
the calm summing
the judge
would
well
this were the worst
We are reluctantly
convinced that Lord Macaulay sometimes exceeds even the
culprit
arraigns
privileges
that when
the advocate
public opinion
before the tribunal
and showers down
upon him that terrible invective
accom
which he
plished
master evidence occasionally meets with
treat
prac
scrupulous
ment at his hands from which the least
titioner at the bar would shrink
Documents are sup
pressed dates transposed witnesses
the most infamous
pure and unimpeachable
and
character are paraded
forgotten
anonymous
even
and
the foulest
slanders
description
are revived and cast
the unhappy object
,

,,

if

a

-

,

is

is

.
"
a

at

The New

enables him
live for the time amongst those whose
portraits he paints
The persons
his drama are not
cold abstractions summoned
from the past
receive
judgment for deeds done
they
the flesh
are living men
eings
despised
and women
loved
hated feared
Lord Macaulay
with all the fervency which belongs
character
The attention
the reader
excited
his
sympathies are awakened
his passions are aroused
page
page
with
and volume after volume
after
devours
appetite similar
perusal
that which attends upon
closes the book with regret
the most stirring fiction

to

,

if

,

.

,

is

,

,

to

he

I it

I

? ?

,

is is
a a

I

do

work entitled

Inquiry into the Evidence relating
Passages
History
Lord Macaulay

cannot resist quoting the opening paragraph
first chapter of “ The New · Examen , ”
which originally appeared in serial form in Black
wood ' s Magazine
June 1859
The peculiar charm
writings says
Lord Macaulay
Paget
arises from the fact that his vivid imagination

the

or

,

.,

",

of

.

”

,

,

,
a

a

day look

I

of the

of

be
“
a

,

“
a

”

"
a

of

“
a
in

,

to

?

be

it

”,

of

of

,

-

to

I

-

a

a

Is

history cannot be more than a text -book ; and a
simple text-book is not literature , which history
should
be.
But to accomplish this life - giving
work , is it necessary for the author to be a partisan ?
fair mind
bar
will not say
successful
good historical writing
but
granted must
The historian
will
opinions and methods
balancer
and
chronicler
though not
facts
mere balancer
etc
dry facts
only
chronicler
Well having
his period before
the opinions methods facts
proceed
him must the historian then
use them
partisan spirit
Must
distort mutilate
select and suppress
take
that
he does
poor partisan
he
But
hold that
not he
poor historian
Lam well arrare that
does he
Macaulay distorts mutilates selects and
suppresses
and suppresses
generally accounted
great historian
and that he
The truth
that he
the most dangerous of all
England
History
historical writers and his
most improper text book seeing that
the
scholastic custom
administer the bane without
the antidote
not suppose that many people
the present

111

�THE AUTHOR .
II.

to a certain

to

,

"

.
.
.
.

a

;

is

of

so

.

,

so

of

is

,

to

Mr

it

,

.

.

is

of a

".
.
.
.

of

.
.
.
."

.

24

on

to

.

is

to

.
.
.

a

of

by

“

for '
s

of

.

in

of

.”

of

,

in

of

is

he

“

.

25

“

be or

to

is

a

.

-

if

'

of

.

is

,

in

of

.

,

so

as

a

to

up

or

is

",

's

,

to

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,

to
to

“

.”

he

,

"

,

,

to

an

he

,

is

,

to

; -

a

an

a

,

to

in

us

in

of

of us

an

.

.
. , .
.
.
If

,

to

is

,

he

,

.

to

dreams could we hare soared
such
ambition
The fact
course that throughout his enter
taining speculation
calculating
whether
weighing
prices
influences Mr Shaw omits
he

is

take account
the chief factor which
the
inherent value
the commodity
knows
the market and understands the most
various
goods the agent can usually make
qualities
terms sufficiently above those the author would
pay his own commission
make
and leave

a

,

,

COMMITTEE

.

OF

MEMBER

remove
foundation brick
imaginative
structure
but
support
when Mr Shaw cites
this decorative
detail
last spasm
truthfulness
forces
confess that neither
we nor any other agent
magic key nor
possesses
our wildest
such
gorgeous

of of

.

a

.

to

to

.

as

I if

not worth

his

,

Ex
- .

.

it

it

on

rap
But
ingenuity had outrun
his commonsense
think Mr Gamage would
give your customer what
pays
tell him that
give him
your customer pays you
Yours etc
seem

We are reluctant

from

of

.
hisa

.

Shaw

thinking

depth till
The wicked agent falls from depth
finally
agent whose real
settles down into
business
procure books for publishers articles
business
for editors and plays for managers
and who
being able
any author
push
horribile dictu
may have reason
whom
favour naturally
sells his power

is
,

.

.

Mr

.

from

other ways

spend the day
per cent
long
he can get along with routine
being
transactions
The Superman
fact
neglected for the sake
the mere Man
But does
the Authors Society exist for the benefit
Men
Super men
such
distinction
drown

or

”, 5

10

,

consider

far

that the agent will not
two books

one

of

opinion
here
does

us

and are
any subject

,

author

of

that most

sure

great

or

's

on

to

a

am

I

is

's

A

to

5

of

.

cent
the hope

“

,

it

if

because
that
costs time and
trouble
per cent
that same extra
that brings authors
the agent
door
great author opinion
agents and publishers
shers
rap
says Mr Shaw
not worth
lesser lights
per

charge
fighting
royalty

so

" of
or

is 10

.

he

dozen books
will find them
that extra

it or

An assumption

cases

We

each
are

selling

a

.

,

or

,

to

It

;

's

.

, an

to

off

get another

medical

is —

-

,

hurries
or

“

,

or

suits

law

cent

The interest
the theory lies not
Mr Shaw
proof that
utterly incapable
agenting
anyone but himself but
his view
the needs
lights
the
lesser
The gravamen
his

to

.

,

be

at

,

in

at

is

,

it

doctor

at

of to

is

at

a

;

to

to

Mr Shaw disposal and
any rate quite
entertaining
idea
works
subject
fact perfectly
the trifling
assumption that when the agent
lawyer

making profit

,

it for

;

to

to

to

a

It

?

by all the arithmetic

per

point out that there

not

of

—

.

us

is

he

of

an

it

it

pays
lawyer better
twenty
lose cases
wenty
pays
that
win cases for five
clients than
doctor better
kill twenty patients without
Why not
trouble than laboriously
save five
agree
may all
quite true and demonstrable

profit

of

to

a

mainly engaged
function for which
the
obtaining
good prices
Let
rather agree
pays
agent better
that
make bad bargains
for twenty clients than good ones for five that

a

a

need

'

.

in aa s

of

a

be

to

it

's

to

I

,

afraid
prosaic mind

«

am

SIR

sign
would
criticise Mr Shaw
characteristic and delightful demonstration that
literary agent
path
success and wealth
lies
complete and deliberate failure
perform
the

dull and

by"

of

.
.
.

“

“

THE AGENT QUESTION

”

OF

“

The CRUX

of

:

)

an

very good
and great
author
Now perpend
and observe
The root
the whole matter
that
making profit
selling
there are two ways
single article every hour
One
sell
profit
100 per cent
The other
sell 100
the same articles every hour
100 eager customers
(

.

CORRESPONDENCE

to

.
.
.
.

, .

",

of

.

of

in

he

as

an

.

“

.

.

W

Mr. G . B . Shaw

to

no

,

toto

a

both

Society who provide
allow the remarkable

,

is

.

of

I

would be

to the members of the

your last issue
discoveries which
announced
pass without comment
The opinion
great
the
worth
Mr Shaw
author
lesser lights
who are presumably the mass
raps
the members
the Society many more
than he administers
the parasitic agent
proves that
very
True
Shaw would make
bad agent but that
what we should expect

.

to

if

unjust

with his latest platform

your partisan does not tell the truth
PHILIP
SERGEANT

And

SIR
and

8, 1911.

December

, - It

him

for the reality of the period . He may , even
extent , combine the functions of
judge and advocate .
But he must not be a Judge
Jeffreys . He must have throughout a perfect
regard for truth
For the historian there are
varying standards
truth
Truth
universal
Birmingham
from
Lhassa
London
from
trope from Macaulay
may borrow
Benin
picture

must ,

,

112

�THE AUTHOR .

as

.

so

,

be

It

it
.

it

be it,

to

,

to

.

,

at

.

an

a

is or on

,

.

.

It

to
a

to

to

by

is

.

A

, If

of

a

.

a an

,
C
. . . if .

,

.

an

at

is

of

,

A B

to

an

,

on

be

no

byhe

,

to

in

if

of

to

of

.

a

in

.

. ,
A
.

.IV

.

H

Hinkson

an

I

is

.

It

to

be

I

, of

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an

,

-

to

an

I

.

to

of

,

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to

in

,

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,

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,

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by

he

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to

as

his

as

was

claim

speak
author that
would like
employed three different agents
different periods
during those twenty years and
heard talk about
Honestly
other agents who acted for my friends
especially
found
these three agents helpful
rarely came
because
London
those days
They saved me time and the cost
stationery
and stamps
and relieved me from the irksome
as

of

a

have seen many unconscionable contracts but
none quite
bad
that suggested
Mr Shaw
course
the author has agreed with the agent
pay him
commission whether
succeed

,
if

such

years
SIR
As
author who had twenty
literary agents before
experience
became
agent myself perhaps may
permitted
con
chiefly
tribute
this interesting discussion

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work which he has failed
and which you yourself have succeeded
placing long after you have abandoned him even
the most enthusiastic agent fancier will admit that
the law leans
little too much
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side

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SIR
Mr
Shaw
his otherwise admirable
article
Commission Agency
MSS makes one
scarcely accurate
statement which
least with
out qualification
He writes
But when
the
agent can force you
the same pay
com

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and
Much more could
written
this subject but
agree
the point
that
author should sign
pay the agent any commission
ment
unless
business results through his agency nor should
pay the agent any commission
the case cited
Mr Shaw when the MS has been returned
the
place
author through the inability
the agent
interesting
any
your readers
would

It

.
of on

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who has
house
sell and
the contract
end
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purchase the house
consents
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conclude the business independently
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dotted lines represent the fact that
account
limited space and with the consent
the writers the Editor has had
delete portions
this letter
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introduced
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Besant and the other
founders who
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encouraged agents
literary business
because they knew the facts
Enough said however
and we are
Faithfully yours
igned
PERRIS

of

no

an

a

you

of

a

roll

Mr Shaw we may have
claiming
commission
publisher
work
sold
the author directly
editor who would not deal with the agent
more than probable that such
claim would not be
agency the value
sustained
the introduction
important consideration
wanting
agent and
rent
house goes
him
agent
according
agent successfully

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to

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agents from which proved mis
could
struck off but this would
imply
your original advice
withdrawal
thank Mr Shaw for his large categories
cases
where agents are useful and even indispensable
emphasise again the merits
that
routine
business
which Mr Shaw naturally scorns but
your readers must live
which most
and
constitute
demeanants

in

of

is

is

to

are tempted

limited

,

a

so
,

'

We

rises out

take unlimited
publishing capital

affected
that admission
There are publishers
and editors who will not deal with the agent
all
ordinary business dealings many persons
and even
object
conduct their negotiations through
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jobs
every author
the enemy
every other
every book
every other
the rival
book
the Authors Society has no economic basis

placing the work or not, the author must stand by
his bargain , and if he is such a fool he deserves to
pay the penalty
But
the absence
such special
agreement when the agent returns the MS
the
author
unsaleable the contract
least
far
that MS
concerned
end and the agent
has
claim for
commission
the author after
might
placing
wards succeeds himself
publisher
otherwise
whom
the agent had
submitted the MS and
whom
had been
rejected afterwards came
terms directly with the
agent returns
author
MS
the author
place
the act
admission
his inability
and any subsequent claim for commission would

to

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old

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or less substantial margin of benefit .
That
all he claims .
“ But now , mark .”
There is an
rule for
play the Wage Fund theory
distress
economists
And sure enough here
the Shavian version
job without
No agent can push
man into
pushing another man out
He advances
Mr Blank
the expense
Mr Dash while
poor Mr Ignotus
never mentioned
all
The sad picture seems
contradict the original
theory which was that the agent will
justice
hundred routine cases but not
the exceptional
Mr Blank whom we have called the Super man
Let that pass
there anything
this proposi
tion that there are only
limited number
more

113

�THE AUTHOR .
AGENTS , LITERARY

-rooms,

",

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onto

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absolutely

Your contributor
issue for October
justified alike
his strictures his warnings and
They are
What are agents for
his counsel
their own statements
supposed mostly
serials
obtaining openings
especially

write

one

to

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Dartmoor

my

in

admitting
SIR , — You have done good service in
telling article
your columns the trenchant and
your
Authors
Agents
which appeared
Authors

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books
these useful persons

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DRAMATIC

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ante

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publishers '

in
of waiting
business
who were
while the publishers interviewed authors
is more to the
more popular than myself. What
, and
,
point , these agents placed books short stories
that
quite
convinced
me and
articles
higher prices than
several cases they obtained
ever return
unaided
could have obtained

“

114

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declares that
useful
Shaw
George
Bernard
authors with editors
and pushing the interests
cannot conduct his own commercial
run
Let me speak from
really
Now
useful
nincompoop
But are they
affairs
my later norels
very com
Though
experience
my
artist
own
successfully
oneself
good prices
periodicals
our
country
good
like
inartistic
have appeared
mercial age and
agent
And
placed
equipped with some
them has been
not one
necessary
own
agents and
experience
for
exasperating
instinct
bagman
the
was after
the
the qualities
my own hands
fluent tongue
their ways that took matters into
publicity
the press agent kind
arrangements have
satisfactory
serial
market
the
knowledge
Since then
very close
and
dealing
my novels
every one
modest about
been made for
author lacks these essentials
agent
and never was
not
conservation
publishers
the
diffident
and
with
his work self critical
authors
that
The truth
free from the
may still
the least necessary
business
with men
like people
One
class were not the least business
which Mr Bernard Shaw refers
stupidity
he
simply would not exist
living novelists remarked
the world the agent
our most eminent
solicitor
per cent
pay him
the hands
day
we
Yet
matters
place
business
me
property buy and sell
time nor the
house agent will manage
my agent
have neither
half
for commission
publisher
forth
about
houses collect rents and
contend with the
clination
more arduous
their
hawk
work
his
who
per
And
authors
cent
several
know
pennies
the more onerous and requires qualifications that are
copy
and down Fleet Street take
discussing unfruitful
the literary agent
conspicuously lacking
busy
editors
time
put
energy
combined
authors
high
spend
much
that
time
not
for articles and
ideas
per
commission
cent
agent would save them
the extortion
end
the wrong direction
energy
suggest that the Authors Society take the matter
from this misdirected
consider the
held
conference
your correspondents have thrown
and that
As some
justify
commission
their
their
and
agents
authors
literary
question
challenge
whole
down
help the
Yours truly
prove that they are able
calling and
say
NOVELIST
me
you
allow
will
perhaps
literary novice
materially
have
represent
that the firm which
young authors during the
number
assisted
quite willing
These authors are
past three years
any inquirers
my
that the agent
Feeling
statement
confirm
DEAR SIR
revolu
succeed
reformers
deep
interest and importance
When our economic
one
question
literary
commerce the
me that perhaps
tionising the methods
occurred
has
authors
Until then the
longer be needed
agent will
may
worth consideration
facts and figures
the creator and the
little
between
was making
intermediary
and
book
one
published
shrewd
had
perfectly
reasonable
agent
has
went
literature
first
year when
seller
over £200
middleman
His efforts
years
his existence
justification
was with that agent over two
the
dishonesty
placed
He
Regarding the alleged cases
follows
my behalf resulted
authors
plain
way
£20
royalties
part
the agents the
advance
long
novel
one
agent shall obtain his
arrange
the
that
demand
success
this
Let them
America but offset
the
publisher and that the pub
English publisher under which
commission from the
with
ment
author
the
royalties direct
pay
postponed
until
the
shall
royalties
was
lisher
payment
He placed the
certain sale
less the commission
obtained
the book
always
the
not
America
£30
for
rights
words
The unscrupulous conduct
000
serial
them
market
part
England
the agent
failed
Yours faithfully
this agent had good even
went
When
GALLICHAN
During
WALTER
magazines
excellent connection with two
GASQUOINE
GALLICHAN

Mr

author who

�THE AUTHOR

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from me
well
number
gave me glowing pictures
return
Carnegie like future and after the lapse
year all the MSS
had
sent him
try
Some time afterwards
was persuaded
resolutely declined
pay
another agent but
fee
However
took
number
stories
per cent commission basis read them through
went into raptures over them but
not sell
one

.

to

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MSS
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if

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be

soon

may wish
pleased
lay
make
shall
before my client
Yours faithfully
On one occasion
know
MS
mine was sent
certain editor with half
dozen others and
letter covering the lot
That
one agent
On the other hand
had
dealings with another
large com
who refused
mission
sentimental grounds
commission
which
was legally entitled
my experience comes
The result
this
you

man who had been chief reader
one
the
largest publishing houses
the world
He had
literary agency
left this appointment and opened

.

to an

by

“

,

,

a

short story
that
you
glad
shall
Any proposal
possible

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as

it

read

as

promising writer

will

touching

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am

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sending you

do

to

a

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to

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unusual one but

I

I

that my case may have been
put the agent
failure down
brought
year
the simple fact that
but £13
him
and
was not worth his while
more
than send out my work with
note
Dear Sir
quite agree

15

increased

Furthermore
the majority
editors
have
spoken
the subject tell me that they prefer
MSS straight from the author rather than
agent
referring
must
understood that
magazine matter not
any work
novels
length
Soon after
found that
was selling
fair
gentle
number
stories
was approached

.

materially

. I

of

an

I

.

successful authors
books
About four months after
left the fostering
agent
care
found that my income had

saying that in nine cases out of
the editor
interviewing authors unless
prefers this method
particular point needing discussion
there

he

of

am

I

a

bis

on

a

ofis

it
.

a

at

In
sold

on

the sheet of typing .
the second year of my regained freedom
I
that serial to the editor of one of the
periodicals which had refused it through the agent
over two and
half times the sum the agent
writing
had asked for
And the agent
large
good
one who has
record and
number

well down

be

of a serial concerning which the agent notified
“ This has been submitted
to and rejected
by the editors of the following
magazines
and
periodicals . "
There followed a list which continued
copy

me.

DEAR SIR ,
I cannot quite understand why the
literary agent is made such a point of .
To my
way of thinking he is by no means a necessity .
In letters you have published , writers refer to
the practice of hawking stuff round editorial offices
as the alternative to using an agent . What is the
matter with the penny post ?
I cannot conceive anything more simple than to
enclose MSS . in an en relope and post them to the
editor of a periodical .
I think I am correct in

fee

At the end of the second year , emerging from
my temporary insanity , I left the agent and all my
MSS . were returned . Among them was the typed

III .

is
a

magazine

second

formal note

serious consideration
of your position , sign any
agreement which
places
all your work in his
hands without a clause allowing for the termina
tion of the contract by three months ' notice on
either side .
I cannot think that any agent has as
much “ pull ” as Mr. Shaw
seems to believe , nor
do
I imagine that any agent ' s influence can get
by the best magazines
stories accepted
to
an
extent which would make it worth the while of a
precocious author , however brilliant , to pay a
fine
of 50 or 100 percent , commission , further , I do
not believe many agents would accept it .
I am , Sir , Yours etc. ,
IRPLAY .

a

the

a

is useful use him , but — in order
not abuse him - never, without very

agent

an

you may

to

of these I soon
couched as follows : “ Dear Sir , The
—
comes out only once a
month .
Mr . (the agent ) has favoured
us
with four of your papers since the first instant .
I am , Sir , yours faithfully
- - "
The result of this was that being rather stung
up the agent sent no more of my work for some
paid me £64 in the two
weeks — the magazine
years .
To these figures must be added a sum of
£20 received for the serial rights of my first novel .
This came from America , where that work had not
seen the light .
With royalties and various odds
and ends I received from the agent about £85
more , a total of £269 , less £26 188 . commission ,
leaving a balance in my favour of £242 28 . , or
£121 1s. a year .
From
received

When

that

115

. .

the two years previous to enrolling myself under
the agent's flag I had received from one of these
magazines £215 . The two years that followed
saw but one story sold at £20 , and two more to a
rival magazine (a new market ) at £25 each .

.

the

stories

�THE AUTHOR .

“

.”

of

I

to

,

—

In

my letter which you published
DEAR SIR
your last number
deal
intended but omitted
remainders
with the question
think that authors should stipulate that their
be

. of

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As

circulation
the matter
advertise
one case before the Society the publisher
the cheap
edition inserted
advertisements
opposite
the letterpress
the last twenty pages
the book
Such action from the author
stand
point
impossible
and
authors
should guard
against
ED

author
ments

—

be .

to

;

of

or

.

an

.

Yours faithfully
HERBERT
BATSFORD

which Mr Batsford draws attention
publisher
books
more per
probable he does not remainder
manent value
the extent that publishers
novels remainder their
publications
quite true that not only the
remaindering
books but the premature issue
cheap editions tends very often
decrease
Both points

are important

it
.

is

,

If

.

.

of

of

is

is

it

.

in

is

of

,

far more than the craftsman who works
rule
thumb
But
these days any author who
worth his salt can get
fair hearing
not

the author

in

.

to

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or

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it

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to

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to

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Is

“

matters little what becomes
him
for his
work can never stimulate
warm
another soul
for
the shining
brass instead
the glitter
gold
Brass there
abundance
both
life
and
literature
And the worst
that
brass has
irresistible because inherent tendency
gold
shine loudly and cry
Behold
The upshot
all
the craft
author
the greatest and rarest craft and therefore any
individual author has great difficulties
contend

tion

, '
s

.

in

of

,

of

.

,

,

many
the
The author
are few
listeners
pioneer who enters strange lands and writes down
the author
From this standpoint
his experiences
he puts
mankind
the teacher and leader
himself the question which Mr Smith recommends
proclaims himself
worth
utterly unworthy
authorship
the craft
and

say that
should like further
consider
authors should protect themselves against advertise
their books without per
ments being inserted
would include
advertisements
and
mission
book
As
Insurance Companies
bookmarks
buyer
strongly object
being pestered
with
cannot understand why various high
these and
class publishers stoop
such bookmarks appear
are
like other people
admit that publishers
working
supposed
make money but surely
bought too dear
gold can
write
could
There are other matters which
and that
book
about concerning the dignity
with
interfere
nothing
done
should
Certainly this should receive the serious considera

is

in

of

,
it

at

,

it is

or

.

its

extracting the essence
spirit
soul
the
another
the mind
mixture and presenting
say
The real author
the one who has something
all costs come out whether the
which must

,

is

am

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of

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if

If

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degradation

I

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,

author
the craft
the society
member
and therefore speak
old author
experience
very
wide
from
not only pessimistic
Mr Smith article
bluntly entirely without
may put
tone but
means
all
point
literature means anything
life itself
compendium
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THE AUTHOR

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PUBLISHERS METHODS

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for this post .
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agent is desirable . for the average author who
knows the Fleet Street ropes would be at sea
regarding , say , U . S. A . methods . But as regards
disposing of stuff in England , I think the agent
can very easily be dispensed with .
Yours faithfully ,
E . NEWTON BUNGEY .

perhaps , but steadily and surely , and
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ARTHUR
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
Vol. XXII.--No. 4.&#13;
JANUARY 1, 1912.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGE&#13;
PAGE&#13;
102&#13;
103&#13;
103&#13;
103&#13;
103&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund ...&#13;
Committee Notes ...&#13;
Council Meeting&#13;
Books published by Members ..&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ...&#13;
United States Notes&#13;
Stage Plays and Private Societie&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books ...&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
Committee Election&#13;
The Pension Fund Committee&#13;
The Dinner ...&#13;
The Soundest View of History.&#13;
Correspondence ...&#13;
03&#13;
:::::::::::::&#13;
104&#13;
105&#13;
105&#13;
106&#13;
110&#13;
12&#13;
By Florence L. Barclay.&#13;
THE FOLLOWING OF THE STAR. 6/=&#13;
"A worthy successor to “The Rosary.&#13;
and clever."--Evening Standard.&#13;
It has the same charm and grip, whilst the plot is again unusual&#13;
150TH THOUSAND,&#13;
THE ROSARY.&#13;
6/=&#13;
" Jane Champion is one of the most lovable heroines that have ever stepped into the pages of a novel. ...&#13;
* The Rosary' has wit, as well as grace.”-Pall Mall Gazette.&#13;
350TH THOUSAND.&#13;
THE MISTRESS OF SHENSTONE. 6/-&#13;
" A youthful sentiment, fresh and romantic, flows through Mrs. Barclay's new book, and gives to the story&#13;
some of the delicate odour of lavender and jessamine and old-fashioned flowers."-- Daily Graphic.&#13;
150TH THOUSAND.&#13;
THE WHEELS OF TIME.&#13;
1/= net.&#13;
“One of the most charmingly touching and truly pathetic stories we have met with for some time.”-Belfast&#13;
Northern Whig.&#13;
10TH IMPRESSION.&#13;
* Send for List describing Mrs. Barclay's Books.&#13;
G. P. PUTNAM'S SONS, 24, Bedford St., Strand, London, W.C.&#13;
&#13;
&#13;
## p. 84 (#500) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Tolograpbic Address : "AUTORIDAD, LONDON."&#13;
Telephone No. : 374 Victoria.&#13;
P.C.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O. M.&#13;
COUNCIL&#13;
818 ROBERT ANDERSON, K.C.B.&#13;
The Right Hon. THE EARL CURZON, JOSTIN MCCARTHY.&#13;
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THE REV. C. H. MIDDLETON-WAKE.&#13;
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## p. 84 (#501) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
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## p. 84 (#502) #############################################&#13;
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&#13;
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## p. 84 (#503) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
&#13;
E&#13;
“ Always Complete.&#13;
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il&#13;
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## p. 84 (#504) #############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
From Mr. JOHN OUSELEY'S LIST.&#13;
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&#13;
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## p. 85 (#505) #############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.–No. 4.&#13;
JANUARY 1st, 1912.&#13;
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## p. 86 (#506) #############################################&#13;
&#13;
86&#13;
THE AUTHOR.&#13;
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Local Loans .............&#13;
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Victorian Government 3% Consoli.&#13;
dated Inscribed Stock ...............&#13;
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London and North-Western 3% Deben-&#13;
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1927-57 ........&#13;
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1 1 0&#13;
0 5 0&#13;
·&#13;
.&#13;
·&#13;
· ·&#13;
.&#13;
errerererer&#13;
·&#13;
0&#13;
1&#13;
0&#13;
0&#13;
Oct. 5, Bungey, E. Newton&#13;
Oct. 6, Beale, Mrs. W. Phipson . .&#13;
Oct. 12, Hannay, J. 0.&#13;
Oct. 12, Mrs. Humphry Ward, an addi-&#13;
tional subscription for 1912&#13;
-13 .&#13;
Nov. 9, Dailey, R. H. .&#13;
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Nov. 14, Kenny, Mrs. L. M. Stacpool&#13;
Nov. 20, Snell, Miss Olive . .&#13;
Nov. 24, Locke, W.J. .&#13;
Nov. 24, Gosse, Edmund . .&#13;
Nov. 25, Larken, E. P. .&#13;
Nov. 25, Underdown, Miss E. .&#13;
Nov. 25, Walkley, S. . . . .&#13;
Nov. 25, Masefield, John .&#13;
Nov. 25, Thurston, E. Temple&#13;
Nov. 25, Rittenberg, Max,&#13;
Nov. 25, Paull, H. M. .&#13;
Nov. 25, Turner, Reginald.&#13;
Nov. 25, Balme, Mrs. Nettleton.&#13;
Nov. 25, Barne, Miss M. C.&#13;
Nov. 25, Sedgwick, Anne Douglas .&#13;
(Mrs. Basil de Selincourt)&#13;
Nov. 25, Larden, Walter . . .&#13;
Nor. 25, Channon, Mrs. Frances ..&#13;
Nov. 25, Toynbee, Paget, ..&#13;
Nov. 25, Hood, Miss Agnes Jacomb.&#13;
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Nov. 25, Osgood, Mrs. Irene&#13;
uspood, Nrs. Trene . .&#13;
Nov. 25, Trench, Herbert , ,&#13;
.&#13;
.&#13;
·&#13;
•&#13;
0 5&#13;
0 10&#13;
1 1&#13;
1 1&#13;
0 5&#13;
0 5&#13;
0&#13;
6&#13;
0&#13;
0&#13;
0&#13;
0&#13;
Total .......... .... £4,377 19 4&#13;
0&#13;
10&#13;
0&#13;
0 10&#13;
0&#13;
PENSION FUND.&#13;
The list printed below includes all fresh dona-&#13;
tions and subscriptions (i.e., donations and&#13;
subscriptions not hitherto acknowledged) received&#13;
by, or promised to, the fund from October 1st to&#13;
December 22nd.&#13;
0 10 0&#13;
0 10 0&#13;
1 1 0&#13;
1 1 0&#13;
0 5 0&#13;
0 5 0&#13;
10 10 0&#13;
0 10 0&#13;
&#13;
&#13;
## p. 87 (#507) #############################################&#13;
&#13;
THE AUTHOR.&#13;
£&#13;
1&#13;
5&#13;
0&#13;
. d.&#13;
1 0&#13;
0 0&#13;
5 0&#13;
0 10&#13;
0 5&#13;
0 5&#13;
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6&#13;
0&#13;
0&#13;
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0&#13;
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0&#13;
0&#13;
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ong-&#13;
10&#13;
0&#13;
2&#13;
1&#13;
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0&#13;
0&#13;
0&#13;
0&#13;
6&#13;
£ s. d.&#13;
Nov. 25, Murdoch, W. G. Burn . 0 15 0 Dec. 11, Orczy, The Baroness . .&#13;
Nov. 25, Knowles, Miss Margaret&#13;
1 1 0 Dec. 12, Bennett, Arnold .&#13;
Nov. 25, Bond, R. Warwick . . 1 1 0 Dec. 12, von Holst, Gustav . :&#13;
Nov. 25, Stockley, Mrs. .&#13;
: 0 10 6 Dec. 16, Cromartie, The Right Hon.&#13;
Nov. 27, Tyrrell, Miss Eleanor.&#13;
0 10 0&#13;
the Countess of (additional&#13;
Nov. 27, Prideaux, Miss S. T. . 1 0 0&#13;
subscription) . .&#13;
Nov. 27, Sedgwick, Prof. A. (5 years 1 1 0 Dec. 16, Laurance, Lionel . .&#13;
.&#13;
Nov. 27, Arnold, Mrs. J. 0. . . 0 10 0 Dec. 16, Allen, Mrs. Grant. .&#13;
Nov. 27, Weaver, Mrs. Baillie&#13;
0 10 0 Dec. 18, Haultain, Arnold .&#13;
.&#13;
Nov. 27, Drake, F. Maurice&#13;
0 5 0 Dec. 18, Pollock, The Right Honble.&#13;
Nov. 27, Stewart, J. C. MacDougall: 0 5 0&#13;
Sir Frederick, P.C. ,&#13;
Nov. 27, Baldwin, Mrs. Alfred . . 1 1 0 Dec. 20, Carr, Miss Mildred E. , .&#13;
Nov. 27, Lucas, E. V. ..&#13;
1 0 0 Dec. 20, Lewis, The Rev. Arthur&#13;
Nov. 27, Hollins, Miss Dorothea , 010 0&#13;
Nov. 27, Bagnall, Miss L. T. .&#13;
5 0&#13;
Nov. 27, Young, Ernest . . . 0 5 0&#13;
Donations.&#13;
Nov. 27, de Mattos, Alexander Teixeira 0 6&#13;
Nov. 27, Collier, The Hon. John&#13;
10 Oct. 10, Guthrie, Anstey. .&#13;
Noy. 27, Hughes-Gibb, Mrs. .&#13;
0 5 0 Oct, 11, Baldwin, Mrs. Alfred . .&#13;
Nov. 27, Orde Ward, The Rev. F. W. 0 5 0 Oct. 19, Romanne-James, Mrs. C.&#13;
Nov. 28, Harraden, Beatrice . . 2 2 0 Oct. 27, “ Olivia Ramsey"&#13;
. :&#13;
Nov. 28, Carlyle, The Rev. A. J. 0 5 0 Nov. 3, Sprigge, Dr. S. S. (3rd&#13;
Nov. 28, Montrésor, Miss F. F. . 1 1 0&#13;
tion) . .&#13;
: :&#13;
Nov. 28, Jones, Henry Arthur . . 1 1 0 Nov. 3, Tanner, James T. (5th I&#13;
Nov. 28, Pryor, Francis&#13;
4 4 0&#13;
tion)&#13;
; : .&#13;
Nov. 28, Whiteing, Richard . . 0 10 0 Nov. 3, Balme, Mrs. Nettleton . .&#13;
Nov. 28, Caine, William&#13;
. 1 1 0 Nov. 4, Cayzer, Charles (3rd Donation)&#13;
Nov. 28, Tuttiett, Miss M. G. . . 1 1 0 Nov. 6, LeRiche, P. J.&#13;
Nov. 28, Caulfeild, Mrs. Kathleen 0 5 0 Nov. 6, Daniell, Mrs. E. H.&#13;
Nov. 28, Breaknell, Miss Mary. 0 5 0 Nov. 13, Anon. . .&#13;
.&#13;
Nov. 28, James, Miss S. Boucher&#13;
1 10 Nov. 18, Hichens, Robert (in addition&#13;
Nov. 28, Martin, Miss Violet&#13;
1 0 0&#13;
to subscription of £1)&#13;
0 £1) .&#13;
Nov. 29, Pakington, The Hon. Mary. 0 5 0 Nov. 20, Grant, John G. .&#13;
Nov. 29, Chase, Mr. and Mrs. Lewis&#13;
Nov. 24, Jacobs, W. W. . . .&#13;
Nathaniel . . . 0 5 0 Nov. 24, Roberts, Morley , . .&#13;
Nov. 29, Skrine, The Rer. John H.. i 0 0 Nov. 24, Eckersley, The Rev. J. :&#13;
Nov. 29, Travers, Miss Rosalind.&#13;
5 0 Nov. 25, Besant, W. H. .&#13;
Nov. 29, Graves, Alfred P.. .&#13;
5 0 Nov. 25, Hill, J. Arthur&#13;
Nov. 29, Shaw, Fred. G. . . 0 5 0 Nov. 25, Tansley, A. G. .&#13;
Nov. 29, Narramore, William&#13;
0 5 0 Nov. 25, Gysi, Max,&#13;
Nov, 29, Waldstein, Charles&#13;
1 1 0 Nov. 25, Lyttelton, Hon. Mrs&#13;
Nov. 29, Rutter, Frank ..&#13;
0 5 0 Nov, 25, Savile, Frank .&#13;
. .&#13;
Dec. 1, Lee, The Rev. Albert&#13;
0 5 0 Nov. 25, Skeat, Prof. W. W.&#13;
Dec. 1, Romanes, Mrs. Ethel&#13;
0 10 0 Nov. 27, Hood, Francis .&#13;
Dec. 1, Wilton, Margaret W. .&#13;
50 Nov. 27, “ Olivia Ramsey"&#13;
Dec. 2, Holme, Miss. .&#13;
0 10 0 Nov. 27, Moffatt, Graham ,&#13;
.&#13;
Dec. 4, Thomson, Lieut.-Col. S. J. 0 5 0 Nov. 27, Mainwaring, Mrs. . .&#13;
Dec. 4, Begbie, Harold .&#13;
10 Nov. 27, Maunder, J. H..&#13;
Dec. 4, Giles, Miss Edith J. F.&#13;
50 Nov. 27, Kennedy, E. B..&#13;
Dec. 4, Coulton, G. G. .&#13;
5 0 Nov. 27, Galsworthy, John (in addition&#13;
Dec. 4, Heath, Sidney&#13;
to subscription) . .&#13;
Dec. 5, Macnamara, Miss Mar&#13;
Nov. 27, Oppenheim, E. P.&#13;
Dec. 5, Clodd, Edward&#13;
O Nov. 27, Harding, Commander Claud,&#13;
Dec. 5, Little, Mrs. Archibald . 2&#13;
R.N. .&#13;
Dec. 5, Morton, Michael . . . 1 i 0 Nov. 27, Moore, Miss E. Hamilton :&#13;
Dec. 6, Meredith, Mark · ·&#13;
.&#13;
·&#13;
0&#13;
0&#13;
5 0 Nov. 27, Pilley, John. .&#13;
·&#13;
Dec. 8, Broster, Miss D. K. . 0 5 0 Nov. 28, Martin, Mrs. Clara T. .&#13;
0&#13;
6&#13;
0&#13;
0&#13;
0&#13;
-0-0--NOTONOco ooo&#13;
o NorerrorOONO er er on Ecococo no Erco&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
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0&#13;
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er&#13;
&#13;
&#13;
## p. 88 (#508) #############################################&#13;
&#13;
THE AUTHOR.&#13;
::::::..........&#13;
novoro&#13;
ven&#13;
Nov. 28, McKellar, Campbell D. .&#13;
Nov. 28, Wroughton, Miss Cicely .&#13;
Nov. 28, Rankin, Miss F. M. . .&#13;
Nov. 28, Harraden, Beatrice&#13;
Nov. 28, Gould, Gerald ,&#13;
.&#13;
Nov. 28, Hardy, Thomas 0. M.&#13;
Nov. 29, Maarten Maartens&#13;
Nov. 29, Bolton, Clement .&#13;
Nov. 29, Stutfield, H. E. M.&#13;
Nov. 29, Gibbs, F. L. A. .&#13;
Nov. 29, Spurrier, Steven&#13;
Nov. 29, Kinloch, Alexander&#13;
Nov. 29, Webling, Peggy.&#13;
Nov. 29, Barclay, Mrs. Hubert. :&#13;
Nov. 29, Gibbs, Miss C. E. .&#13;
Nov. 29, Batty, Mrs. Braithwaite&#13;
Nov. 29, Spielmann, Mr. and Mrs. M.H.&#13;
Nov. 29, Begbie, Harold .&#13;
Nov. 29, Spiers, Victor&#13;
Nov. 29, Wentworth, Gerald&#13;
Nov. 29, Pryce, Richard .&#13;
Nov. 29, Watson, Mrs. Herbert .&#13;
Dec. 6, Toplis, Grace . .&#13;
Dec. 6, Percival, Helen A. .&#13;
Dec. 7, Graham, Kenneth.&#13;
Dec. 8, Falmouth, The Right Honble.&#13;
the Viscountess . .&#13;
Dec. 8, Ord, H. W. . .&#13;
Dec. 10, Hawkins, A. Hope&#13;
Dec. 10, Pennell, Mrs. E. R.&#13;
Dec. 11, Bland, Mrs. E. Nesbit .&#13;
Dec. 11, De Morgan, Wm.&#13;
Dec. 12, D'Arcy, Ella Miss&#13;
Dec. 16, Glenconner, Lady.&#13;
Dec. 16, Royds, The Rev. T. F. .&#13;
Dec. 18, Moore, Mrs. Stuart&#13;
Dec. 18, J. P. P. .&#13;
•&#13;
Dec. 18, Bremner, Robert L. .&#13;
Dec. 18, Dawson, Frank .&#13;
Dec. 20. Tench, Miss Mary F. A. :&#13;
Dec. 21, Clifford, Mrs. W. K. . .&#13;
Dec. 22, Francis Beard ,&#13;
Dec. 22, Horridge, Frank.&#13;
Nero&#13;
£ s. d.&#13;
10 0 0&#13;
0 5 0&#13;
0 5 0&#13;
0 0&#13;
1 0 0&#13;
200 0&#13;
5 0 0&#13;
0 2 6&#13;
100.&#13;
0 10 6&#13;
0 7 6&#13;
1 1 0&#13;
0 5 0&#13;
0 100&#13;
0&#13;
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2 2 0&#13;
3 3 0&#13;
5 0&#13;
0&#13;
3 0 0&#13;
0 5 0&#13;
5 0&#13;
5 0&#13;
0 0&#13;
នននននននននននននននន នន&#13;
2&#13;
0&#13;
6&#13;
.&#13;
tions for the current year up to 288, the largest&#13;
total in any one year, save 1909, since the founda-&#13;
tion of the society. In 1909, 298 elections were&#13;
recorded, in 1910, 276, and in 1911, as has been&#13;
stated, 288. The committee have, however, to&#13;
chronicle, with regret, 10 resignations.&#13;
The solicitor of the society then reported on the&#13;
cases in his hands.&#13;
It may be remembered that in the last issue of&#13;
The Author, a case was mentioned which it had&#13;
been necessary to re-open owing to a mis-statement&#13;
of the defendant revealed in his affidavit. This&#13;
case has now been settled, the defendants paying&#13;
500 guineas as damages and costs for infringement,&#13;
in place of £400 and costs as preriously arranged.&#13;
The next question referred to the bankruptcy of&#13;
a literary agent, and the solicitor was instructed&#13;
in the course which the committee wished to have&#13;
taken. The solicitor reported the satisfactory&#13;
settlement of a small county court case where the&#13;
amount and costs had been paid. He also reported&#13;
the successful termination of cases undertaken by&#13;
the society against pirates of dramatic property.&#13;
An injunction had been obtained against the&#13;
defendant, who had been selling scripts of plays&#13;
without the sanction of the owners. Forty-three&#13;
scripts had been delivered to the solicitors and sent&#13;
on to the members of the society, whose work&#13;
had been damaged by their circulation, and the&#13;
defendant had given an undertaking not to continue&#13;
to circulate any further scripts of the works in&#13;
question. The solicitor also obtained the names&#13;
of some of the people to whom the scripts were&#13;
sold, and if they are found producing these plays&#13;
the society will proceed to take action against&#13;
them.&#13;
In another case of infringement of dramatic&#13;
property an interlocutory injunction has been&#13;
obtained. The society will now proceed to obtain&#13;
the final injunction and an order for costs. The&#13;
case was one of barefaced infringement.&#13;
Two other small cases were reported as settled.&#13;
In an action for account against a music publisher,&#13;
as it had been impossible to obtain proper state-&#13;
ments, a writ had been issued. The accounts&#13;
have since been delivered. Another case for&#13;
accounts and royalties had been settled without&#13;
going into court, the accounts having been delivered&#13;
with cheques for the sums shown due. The same&#13;
report applies to a third case where an author had&#13;
a running account with a publisher. A very&#13;
difficult case, referring to a breach of agreement by&#13;
a publisher, was next discussed, but the committee&#13;
regretted they could not then come to a final&#13;
decision, owing to the absence of an undertaking&#13;
by the author to go into court, but they decided&#13;
that on receipt of such an undertaking they would&#13;
re-consider the matter.&#13;
.&#13;
O&#13;
.&#13;
everomoru Bororoor oerer&#13;
6&#13;
.&#13;
0&#13;
.&#13;
6&#13;
.&#13;
.&#13;
0&#13;
.&#13;
1&#13;
0&#13;
0&#13;
0&#13;
0&#13;
0&#13;
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0&#13;
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6&#13;
.&#13;
0&#13;
5&#13;
0&#13;
5&#13;
5&#13;
2&#13;
.&#13;
.&#13;
£164 19 6&#13;
COMMITTEE NOTES...&#13;
MEETING of the Committee was held at&#13;
the rooms of the Society of Arts, 18 John&#13;
Street, Adelphi, W.C., on Monday, Decem-&#13;
ber 4th, at 3 o'clock.&#13;
The minutes of the previous meeting having been&#13;
read and signed, the committee proceeded to the&#13;
elections. They were pleased to elect 25 members&#13;
and associates, bringing the total number of elec-&#13;
&#13;
&#13;
## p. 89 (#509) #############################################&#13;
&#13;
THE AUTHOR.&#13;
89&#13;
The question of the clerks' salaries and Christ-&#13;
mas boxes was also considered, and the committee&#13;
sanctioned certain expenditure for these items.&#13;
In regard to advertisements in The Author it&#13;
was decided to keep to the arrangement at present&#13;
in force.&#13;
The secretary mentioned to the committee the&#13;
difficult position in which some writers of novels&#13;
had been placed owing to recent legal decisions&#13;
respecting the law of libel. The committee con-&#13;
sidered that it would be inadvisable to take action&#13;
at the present time, as they did not see any chance&#13;
of getting a hearing, and the question was accord-&#13;
ingly adjourned.&#13;
A sub-committee was appointed to deal with the&#13;
Agency Agreement. That sub-committee consists&#13;
of Mrs. Belloc Lowndes, Mr. Charles Garvice, and&#13;
the secretary of the society. It may be recalled&#13;
that not long ago the Dramatic Sub-Committee&#13;
settled an agreement between dramatist and agent.&#13;
The Literary Agency Agreement will probably be&#13;
based on the dramatic agency agreement already&#13;
settled.&#13;
The committee have to thank Miss E. M. Symonds&#13;
for a donation of £2 28. to the Capital Fund of&#13;
the society.&#13;
In a case of delayed delivery of a MS. by the&#13;
post office, the committee regretted their inability&#13;
to help the author, as cases dealing with this subject&#13;
had clearly established that no redress was pro.&#13;
curable in the circumstances.&#13;
The secretary brought to the notice of the&#13;
committee a number of agreements issued by a&#13;
certain publishing house. He pointed out how&#13;
objectionable these contracts, binding down authors&#13;
to give a series of works to the publisher, were&#13;
from the anthor's point of view; and how frequently&#13;
similar agreements from the same house had been&#13;
brought to him by members.&#13;
The last case arose out of a dispute on an agree&#13;
ment between a member and his publisher. The&#13;
committee regretted their inability to proceed on&#13;
behalf of the member, as they did not feel that the&#13;
member's contention could be supported.&#13;
Following the discussion of the cases, matters&#13;
dealing with the Copyright Bill were considered.&#13;
A letter from Sir Gilbert Parker, which had been&#13;
sent to all the members of the committee, was&#13;
laid on the table. The secretary reported the&#13;
receipt of letters from Sir Frederick Macmillan, and&#13;
from a Canadian correspondent, dealing with&#13;
Colonial and Canadian copyright, and also the steps&#13;
taken by Lord Tennyson to put forward the&#13;
society's amendments to the Copyright Bill in the&#13;
House of Lords.&#13;
The committee settled their nominees for the&#13;
Committee Election for 1912 to fill the vacancies&#13;
caused by the retirements necessary under the&#13;
constitution of the society. A notice of the pro-&#13;
cedure appears in another part of this issue.&#13;
The election to the Pension Fund Committee&#13;
was also discussed. Members of the society may&#13;
recall that the Pension Fund Committee is com-&#13;
posed of three members nominated by the Committee&#13;
of Management, and three elected by the society at&#13;
the general meeting, with the chairman of the&#13;
Committee of Management for the time being ex&#13;
officio. One member of those elected by the&#13;
Committee of Management, and one of those&#13;
elected at the general meeting hare to retire&#13;
annually. Mrs. Humphry Ward retired in rotation,&#13;
and submitting her name to the Committee of&#13;
Management for re-election, was re-elected. Mr.&#13;
Morley Roberts, one of the members elected at the&#13;
general meeting, retired, but did not seek re-election.&#13;
Accordingly, the committee decided to ask Mr.&#13;
Owen Seaman to allow his name to go forward for&#13;
election at the general meeting to fill the vacancy.&#13;
The committee are pleased to state that Mr. Owen&#13;
Seaman will accept nomination. It is, however, in&#13;
the power of any member of the society to nominate&#13;
some other member to fill the position. Full par-&#13;
ticulars as to procedure in this matter also appear&#13;
in another part of The Author.&#13;
COUNCIL MEETING.&#13;
THE second statutory meeting of the council of&#13;
the society during 1911 was held at 18, John Street,&#13;
Adelphi, W.C., on Monday, December 4th, at 4.30.&#13;
The first matter before the meeting was to&#13;
receive and adopt the report of the Committee of&#13;
Management to the council, setting out in detail&#13;
the action they had taken in the matter of copy-&#13;
right legislation. The report was unanimously&#13;
approved and adopted. It is intended to print this&#13;
for the benefit of members in the Annual Report of&#13;
the society.&#13;
The next matter was the question of the re-&#13;
publication of the list of members. After carefully&#13;
considering the few letters received from members,&#13;
and discussing the pros and cons, the council came&#13;
to the conclusion that no great desire for the&#13;
list existed, and that in view of that fact, and of&#13;
the expense entailed in keeping it up to date, it&#13;
would be inadvisable to republish it. Moreover,&#13;
the council considered that there were other and&#13;
more pressing claims on the society's funds which&#13;
should be met first.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The last meeting for 1911 of the Dramatic Sub-&#13;
Committee was held at the offices of the society on&#13;
Friday, December 15, at 3 o'clock.&#13;
&#13;
&#13;
## p. 90 (#510) #############################################&#13;
&#13;
90&#13;
THE AUTHOR.&#13;
After the signing of the minutes the first ques- been elected with the full approval of the Swedish&#13;
tion before the sub-committee was the Managerial Academy to collect the votes in this country of&#13;
Treaty. The Chairman reported that the treaty persons entitled to vote for the Prize for Litera.&#13;
had been discussed at the meeting of the Dramatists' ture, the Swedish Acadeiny, without consulting&#13;
Club, and that a sub-committee of that club had them, had instituted a new system, and they&#13;
been appointed to consider its various clauses. It considered, therefore, that the time had come to&#13;
was understood that this sub-committee would in lay down their functions.&#13;
turn report to the Dramatists' Club, and that that&#13;
report would subsequently be laid before the&#13;
Dramatic Sub-Committee. In these circumstances&#13;
it was decided to adjourn further discussion until&#13;
Cases.&#13;
the report from the Dramatists' Club. had come TEN cases have been in the secretary's hands&#13;
to hand. The Chairman, however, read certain since the last issue of The Author. Six have been&#13;
letters he had received, which he laid on the table, claims for money, and of these it is pleasing to&#13;
and a letter drafted by Mr. Bernard Shaw was also report that four have been satisfactorily settled,&#13;
suggested as a preface to the Managerial Treaty. and the sums paid. The other two bare so&#13;
The next matter before the committee was the recently come into the office that there has not&#13;
correspondence with the Lord Chamberlain, and been time before going to press to complete the&#13;
arising out of the correspondence, a resolution was negotiations.&#13;
passed, which the secretary was authorised to send In the one claim for accounts and money, the&#13;
to the Lord Chamberlain at the earliest opportunity. accounts and money have been delivered. There&#13;
The committee decided it would be inexpedient to have been two claims for accounts. The anthor&#13;
publish the resolution until the reply from the has received the accounts in one case, and in the&#13;
Lord Chamberlain had been received.&#13;
other the defaulter has answered the secretary's&#13;
Some letters from Mr. Laurence Cowen were letter, although the accounts have not, as yet, been&#13;
also read to the sub-committee, and the secretary rendered. In a claim for the return of a MS. the&#13;
was authorised to reply.&#13;
MS. has been recovered. Therefore, seven cases&#13;
The conduct of the election of the Dramatic Sub- out of ten have been satisfactorily concluded, and&#13;
Committee for 1912 was next considered. Notice there is every probability that the remaining three&#13;
as to this will be sent to the dramatic section of the will be closed shortly.&#13;
society in due course.&#13;
It is satisfactory to report that of the foriner&#13;
A letter received from Mr. Ligon Johnson, cases not one remains open, but two have had to&#13;
counsel of the Theatrical Producing Managers of be transferred to the solicitors of the society.&#13;
America, in regard to the Canadian Copyright Bill,&#13;
the sub-committee referred to the Committee of&#13;
Management, for their serious consideration.&#13;
December Elections.&#13;
The secretary then reported the cases that had&#13;
been carried through for dramatists since the last Armitage, Mrs. E.&#13;
meeting.&#13;
Brown, M. F. . . . 5, Palmeira Avenue&#13;
Hove.&#13;
Caico, Signora Louise . Montedore (Caltanis-&#13;
NOBEL PRIZE COMMITTEE.&#13;
setta), Sicily.&#13;
The meeting of the Nobel Prize Committee Cole, Sanford D. . . 68, Queen's Square,&#13;
for 1911 was held at the offices of the society&#13;
Bristol.&#13;
on Thursday, December 14. After the minutes&#13;
Conway-Gordon, Miss V. Longley House,&#13;
of the former meeting had been read and signed, (Conway Vere)&#13;
Rochester.&#13;
Mr. Edmund Gosse put forward, at some length, Cunningham, J ph 60, Milton Park,&#13;
the work of the Committee since its appoint-&#13;
Thomas .&#13;
Highgate, N.&#13;
ment, with the approval of the Swedish Academy, Francis Beard .&#13;
“R," 27, Langham&#13;
in 1902. After some discussion, the following&#13;
Street, W.&#13;
resolution was proposed, seconded, and passed Heale, E. Newton . . 3, Barton Terrace,&#13;
unanimously :-&#13;
Alphington Road,&#13;
“That the Committee of Management of the&#13;
Exeter.&#13;
Incorporated Society of Authors be requested to Higginbottom, W. Hugh. 74, Cathcart Studios,&#13;
disband the Nobel Prize Committee elected by&#13;
Redcliffe Road,&#13;
them in 1902."&#13;
Kensington, S.W.&#13;
The Nobel Prize Committee gare the following Low, Sidney . . . 24, Marlborough Hill,&#13;
reasons for this request. That although they had&#13;
N.W.&#13;
&#13;
&#13;
## p. 91 (#511) #############################################&#13;
&#13;
THE AUTHOR.&#13;
91&#13;
Morgan, The Rev. J.&#13;
Vyrnwy, D.D.&#13;
Price, Frederick W. 133, Harley Street,&#13;
W.&#13;
Prior, Mrs. G. C. Melton , 12A, Carlyle Mansions,&#13;
Cheyne Walk, Chel-&#13;
sea.&#13;
St. Quinton, Col. . . 34, Dover Street,&#13;
Piccadilly, W.&#13;
Rannie, David Watson . West Hayes, Win-&#13;
chester.&#13;
Stainforth, Miss Edith&#13;
Steer, Miss Janette . . 53, Sloane Gardens,&#13;
S.W.&#13;
Stephenson, H. H., Worcester Park,&#13;
Surrey.&#13;
Symons, M. Travers . . 10, Cliffords Inn, E.C.&#13;
Tippett, Mrs. Isabel C. . Rosemary Cottage,&#13;
Wetherden, Suffolk.&#13;
Watson, Malcolm&#13;
44, Ridgmount Gar-&#13;
dens, W.C.&#13;
Williams, Harold . . Cobbaton House,&#13;
Umbersleigh R.S.O.&#13;
North Devon.&#13;
JOHN OPIE AND HIS CIRCLE. By ADA EARLAND.&#13;
93 x 61. 376 pp. Hutchinson. 218. n.&#13;
ARCHBISHOP MACLAGAN. By F. D How. 94 x 6.&#13;
430 pp. Wells Gardner. 168.&#13;
TENNYSON AND HIS FRIENDS. Edited by HALLAM, LORD&#13;
TENNYSON. 9 x 54. 503 pp. Macmillan 108. n.&#13;
DRAMA.&#13;
THE SOUL OF THE WORLD: A Mystery Play of the&#13;
Nativity and the Passion. By Mrs. PERCY DEARMER.&#13;
8 X 54. 65 pp. Mowbray.&#13;
PLAYS FOR AN IRISH THEATRE. By W. B. YEATS. With&#13;
Designs by GORDON CRAIG. 91 X 6. 224 pp. A. H.&#13;
Bullen. 88. 6d. n.&#13;
EMBLEMS OF LOVE. Designed in several Discourses. By&#13;
LASCELLES ABERCROMBIE. 74 X 5. 213 pp. Lane. 58. n.&#13;
ON THE ART OF THE THEATRE. By E. GORDON CRAIG.&#13;
8.4 X 64. 295 pp. Heinemann. 68. n.&#13;
THE WAR GOD. By ISRAEL ZAYGWILL. A Tragedy in&#13;
Five Acts. 83 x 54. 164 pp. 28. 6d. n.&#13;
HINTS TO SPEAKERS AND PLAYERS. By ROSINI FILIPPI.&#13;
7} * 5. 280 pp. Arnold. 38. 6d. n.&#13;
A PLUME OF FEATHERS : A Comedy in One Act. By&#13;
GULIELMA Penn and R. FITZJOHN. Samuel French. 60.&#13;
PAGEANT AND PLAYS. By GRACE TOPLIS. 71 X 5. 20.&#13;
pp. George Gill and Sons.&#13;
A SICILIAN IDYLL and JUDITH. By T. Sturge Moore.&#13;
84 X 54. Duckworth. 28. n.&#13;
EDUCATIONAL.&#13;
SCHOOL AND COUNTRY. By R. K. CRAWFORD. 86 pp.&#13;
Dublin : Hodges, Figgis. 38. 6d. n.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exbaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
ART.&#13;
CHURCH EMBROIDERY. By ALICE DRYDEN. 6 x 41&#13;
180 pp. (The Arts of the Church Series.) Mowbray.&#13;
18. 6d. n.&#13;
John LAVERY AND HIS WORK. By WALTER SHAW.&#13;
SPARROW. With a Preface by R. B. CUNNINGHAME&#13;
GRAHAM. 11 X 87. 209 pp. Kegan Paul. 103. 6d. n.&#13;
LEONARDO AT MILAN. Being Part VII. of " The Renais-&#13;
sance in Italian Art.” By SELWYN BRINTON. George&#13;
Bell &amp; Sons. 23. 60. n.&#13;
SANDRO BOTTICELLI. By ADOLF P. OPPÉ. With 25&#13;
Plates in Colour, Selected and Executed under the Super-&#13;
vision of the Medici Society. 105 X 8. 72 pp. (The&#13;
Arundel Library of Great Masters.) Hodder &amp; Stoughton,&#13;
158. n.&#13;
BIOGRAPHY.&#13;
IRISH RECOLLECTIONS. By JUSTIN MCCARTHY. 9 x 6.&#13;
279 pp. Hodder &amp; Stoughton. 108. 6d.n.&#13;
THE STORY OF EMMA LADY HAMILTON. By JULIA&#13;
FRANKAU. Two vols. 161 x 114. 107 and 114 pp.&#13;
Macmillan. £31 108. n.&#13;
J. S. BACH. By A. SCHWEITZER, D.Ph. English Trans-&#13;
lation by E. NEWMAN. Two vols. 91 x 6. 428 +&#13;
500 pp. Breitkopf &amp; Hartel. 218. n.&#13;
FICTION.&#13;
THE COUNTRY HEART AND OTHER STORIES. By MAUD&#13;
EGERTON KING. 7} X 5. 328 pp. Fifield. 68.&#13;
OLD ENOUGH TO KNOW BETTER. By WILLIAM CAINE.&#13;
74 x 5. 320 pp. Greening. 68.&#13;
MRS. HORROCKS PURSER. By C. J. CUTCLIFFE HYNE.&#13;
67 x 4. 292 pp. (Cheap reprint.) Nelson. 78. n.&#13;
THE ARCHDEACON'S FAMILY. *74 5. 467 pp. 38. 6d. n.&#13;
ROUND ABOUT A BRIGHTON COACH OFFICE. 74 x 5.&#13;
209 pp. 38. 6d. n. CHRISTIAN'S WIFE: A Story of&#13;
Granabünder. 64 X 4. 160 pp. 28. n. All by MAUD&#13;
EGERTON KING. Fifield.&#13;
EBB AND FLOW. By Mrs. IRWIN SMART. 7* X 54. 379 pp.&#13;
Routledge. 68.&#13;
THE LONG NIGHT. 379 pp. THE ABBESS OF VLAYE.&#13;
391 pp. STARVECROW FARM. 345 pp. CHIPPINGE.&#13;
375 pp. LAID UP IN LAVENDER. 344 pp. THE WILD&#13;
GEESE. 384 pp. By STANLEY J. WEYMAN. 63 X 4.&#13;
Smith Elder ; Longmans. 28. n. each.&#13;
THE STORY OF CLARICE. By KATHARINE TYNAN. 75 X 5.&#13;
320 pp. James Clarke. 6s.&#13;
THE GOAL OF FORTUNE. By EDITH ETHEL TOWGOOD.&#13;
74 x 5. 320 pp. Sidgwick &amp; Jackson. 68.&#13;
LETTERS TO LOUISE : On Life, Love and Immortality.&#13;
By JEAN DELAIRE. 74 x 5. 183 pp. Rider, 28. 6d. n.&#13;
A BORDER SCOURGE. By BERTRAM MITFORD. 318 pp.&#13;
(Popular Edition). John Long. 6d. n.&#13;
INDIAN DETECTIVE STORIES. By S. B. BANERJEA.&#13;
74 X 4f. 275 pp. Guy &amp; Hancock. 18. n.&#13;
GARDENING.&#13;
ROSES AND ROSE GARDENS. By W. P. WRIGHT. 94 x 61.&#13;
294 pp. Headley. 12s.6d, n.&#13;
HISTORY.&#13;
BRITISH BATTLES : BLENHEIM. By HILAIRE BELLOC.&#13;
61 X 41. 144 pp. S. Swift. 18. n&#13;
English Trang&#13;
BRITIS&#13;
&#13;
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## p. 92 (#512) #############################################&#13;
&#13;
92&#13;
THE AUTHOR.&#13;
TOURING IN 1600. A Study in the Development of&#13;
Travel as a Means of Education. By E. S. BATES.&#13;
9 x 5%. 418 pp. Constable. 128. 60. n.&#13;
PILGRIM LIFE IN THE MIDDLE AGES. BY SIDNEY&#13;
HEATH. 9 x 58. Fisher Unwin. 108. 6d, n.&#13;
JUVENILE.&#13;
THE MOON LADY. By A. Eva RICHARDSON. 127 pp.&#13;
S.P.C.K. 18. n.&#13;
FLOOR GAMES. By H. G. WELLS. 8} x 64. 71 pp.&#13;
H G WELLS 81 63 71 nn&#13;
F. Palmer. 28. 68. n.&#13;
OSCAR. The Story of a Skye Terrier's Adventures. By&#13;
LACHLAN MACLEAN WATT. 74 X 51. 267 pp.&#13;
Chambers. 38. 60.&#13;
IN SEARCH OF Smith. By J. MACKIE. Illustrated by&#13;
R. CATON WOODVILLE. 78 X 54. 294 pp. Grant&#13;
Richards. 3s. 6d, n.&#13;
FINN, THE WOLFHOUND. By A. J. Dawson. 84 x 51.&#13;
487 pp. Grant Richards. 38.5d. n.&#13;
THE BABY Scouts : THE TEDDY BEAR SCOUTS : THE&#13;
DOLLY Scouts. Drawings by CHARLES ROBINSON.&#13;
RAYMES, by JESSIE POPE. 21 x 54. Blackie. 4d. n.&#13;
each.&#13;
THE CALL OF HONOUR. A Tale of Adventure in the&#13;
Canadian Prairies. By ARGYLL SAXBY. 71 x 5.&#13;
318 pp. Partridge. 28.&#13;
THE DOINGS OF DICK AND Dan. By SIR JAMES YOXALL,&#13;
M.P. 74 X 51. 331 pp. Partridge. 38.6d. n.&#13;
LITERARY.&#13;
SOME ASPECTS OF THACKERAY. By LEWIS MELVILLE.&#13;
8 X 54. 281 pp. S. Swift. 128. 6d. n.&#13;
MEDICAL.&#13;
AUTO-INOCULATION IN PULMONARY TUBERCULOSIS.&#13;
By MARCUS PATERSON. Medical Superintendent at&#13;
Brompton Hospital Sanatorium, Frimley. 111 X 81.&#13;
236 pp. Nisbet. 215. n.&#13;
NAVAL.&#13;
NORTH SEA FISHERS AND FIGHTERS. By WALTER&#13;
WOOD. 9 X 64. 366 pp. Kegan Paul. 12x. 6d. n.&#13;
SOME PRINCIPLES OF MARITIME STRATEGY. By&#13;
JULIAN CORBETT, LL.M. 9 x 6. 317 pp. Long.&#13;
mans. 98. n.&#13;
PHILOSOPHY.&#13;
RELIGION AND MODERN PSYCHOLOGY. By J. A. HILL.&#13;
73 x 5. 208 pp. Rider. 2x, 6d. n.&#13;
POETRY.&#13;
BALLADS AND VERSES OF THE SPIRITUAL LIFE. BY&#13;
E. NESBIT, 75 X 5. 105 pp. Elkin Mathews. 48. 6d. n.&#13;
MILESTONES. Songs from an Old House. By MARCIA&#13;
KNIGHT. 7 X 54. 55 pp. Constable. 38. 6d. n.&#13;
Six LYRICS FROM THE RUTHENIAN OF SCHEVCHENKO.&#13;
By E. L. VOYNICH. 61 X 5. 64 pp. (Vigo Cabinet&#13;
Series). Elkin Matthews 18. n.&#13;
POEMS. By GERALD GOULD. 78 X 5. 86 pp. Sidgwick&#13;
&amp; Jackson. 13. 60, n.&#13;
MAGYAR POEMS. Selected and Translated, with&#13;
Biographical and Historical Notes, by DOROTHY M.&#13;
STUART and NORA DE VÁLLYI. Foreword by PRO-&#13;
FESSOR ARMINIUS VAMBERY, C.V.O., of Budapest&#13;
University. 108 pp. E. Marlborough &amp; Co. 28. n.&#13;
POLITICAL.&#13;
THE CASE AGAINST WELSH DISENDOWMENT. By A&#13;
NONCONFORMIST MINISTER (J. FOVARGUE BRADLEY).&#13;
8 X 51. 85 pp. Sir Isaac Pitman. 1$. n.&#13;
SEEMS So! A WORKING CLASS VIEW OF POLITICS. By&#13;
STEPHEN REYNOLDS and BOB and Tom WOOLLEY.&#13;
8 X 5. 321 pp. Macmillan. 58. n.&#13;
REPRINTS.&#13;
THE ARAN ISLANDS. By J. M. SYNGE. With Drawing,&#13;
by JACK B. YEATS (Library Edition). 81 X 54. 256 pp.&#13;
Maunsell. 6s.&#13;
THEOLOGY.&#13;
"FALLING UPWARDS" (Leibniz). Christ, the Key to the&#13;
Riddles of the Cosmos. By the REV. F.W.ORDE WARD.&#13;
78 X 54. 296 pp. Simpkin Marshall. 58. n.&#13;
TOPOGRAPHY.&#13;
MEMORIALS OF OLD GLOUCESTERSHIRE. Edited by&#13;
P. H. DITCHFIELD. 9 x 58. 304 pp. Allen. 158. n.&#13;
FLOREAT ETONA. Anecdotes and Memories of Eton&#13;
College. By R. NEVILL. 9 x 58. .336 pp. Macmillan.&#13;
158.n.&#13;
THE STORY OF FORD ABBEY FROM THE EARLIEST&#13;
TIMES TO THE PRESENT DAY. By S. HEATH. 10 x 73.&#13;
78 pp. F. Griffiths. 108. 6d. n.&#13;
THE PILGRIM'S WAY FROM WINCHESTER TO CANTER-&#13;
BURY. By JULIA CARTWRIGHT. Illustrated by A. H.&#13;
HALLAM MURRAY. New Edition. 84 x 61. 225 pp.&#13;
Murray. 158. n.&#13;
TRAVEL.&#13;
IN THE MAORILAND Bush. By W. H. KOEBEL. 9 X 51.&#13;
316 pp. Stanley Paul. 128. 6d. n.&#13;
THE SURGEON's Log. Being Impressions of the Far&#13;
East. By J. JOHNSTON ABRAHAM. With Forty-four&#13;
Illustrations from Photographs by the Author. Chapman&#13;
&amp; Hall. 78. 6d. n.&#13;
BENARES, THE SACRED CITY: Sketches of Hindoo Life&#13;
and Religion. By E. B. HAVELL. 9 x 6. 226 pp.&#13;
With many Illustrations. Second edition. W. Thacker&#13;
&amp; Co. 58. n.&#13;
How to SEE ITALY BY RAIL. By DOUGLAS SLADEX,&#13;
63 X 41. 566 pp. Kegan Paul. 78. 6d. n.&#13;
MISCELLANEOUS.&#13;
THE EIGHT PILLARS OF PROSPERITY. By JAMES ALLEN.&#13;
171 pp. L. N. Fowler. 38.6d. n.&#13;
SCOTTISH GHOST STORIES. BY ELLIOTT O'DONNELL.&#13;
7} x 5. 293 pp. Kegan Paul. 38. 60. n.&#13;
SHADOWS CAST BEFORE : An Anthology of Prophecies&#13;
and Presentiments. By CLAUD FIELD. 7} x 5. 223 pp.&#13;
Rider. 28, 6d. n.&#13;
DAY BY DAY WITH THE POETS. A Calendar and&#13;
Treasury of English Verse, for any Year. By MARY A.&#13;
WOODS. Floral Decorations by ELLEN M. WOODS,&#13;
Eastbourne. E. S. Fowler. 7s. 6d. n.&#13;
MUSIC.&#13;
STYLE IN MUSICAL ART. By Sir C. HUBERT PARRY,&#13;
Mus. Doc. 9 x 58. 438 pp. Macmillan. 108. n.&#13;
Post VICTORIAN MUSIC. With other Studies and&#13;
Sketches. By C. L. GRAVES. 87 X 54. 369 pp.&#13;
Macmillan. 68. n.&#13;
RUB-A-DUB DUB, AND FIVE OTHER ACTION SONGS FOR&#13;
CHILDREN. By L. BUDGEN. Wickins &amp; Co. 18. n.&#13;
ENGLISH FOLK CAROLS: With Pianoforte Accompani.&#13;
ment and an Introduction and Notes. Collected by&#13;
CECIL J. SHARP. 11 X 81. 68 pp. Novello ; and&#13;
Simpkin Marshall. 58. n.&#13;
NATURAL HISTORY.&#13;
A HISTORY OF BRITISH MAMMALS. Part 9. By G. E. H.&#13;
BARRETT-HAMILTON. Illustrated by E. A. WILSON.&#13;
10 X 67. Pp. 121–168. Gurney &amp; Jackson. 28. 6d. n.&#13;
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## p. 93 (#513) #############################################&#13;
&#13;
THE AUTHOR.&#13;
93&#13;
S&#13;
SPAIN RE-VISITED: A Summer in Galicia. By C.&#13;
based upon a series of lectures planned while the&#13;
GASQUOINE HARTLEY (MRS. WALTER M. GALLICHAN).&#13;
9 x 54. 330 pp. Stanley Paul. 128. 6. n.&#13;
author held the chair of music in the University of&#13;
ITALIAN CASTLES AND COUNTRY SEATS. By TRYPHOSA&#13;
Oxford. The lectures were not all delivered&#13;
BATES BATCHELLER. 10 X 61. 512 pp. Longmans. because the pressure of other duties obliged Sir&#13;
• 258. n.&#13;
Hubert to resign the chair, but the present volume&#13;
"Twixt LAND AND SEA. Sketches and Studies in North&#13;
is intended to represent the entire scheme devised&#13;
Africa. By CYRIL FLETCHER GRANT and L. GRANT,&#13;
London, Sampson Low &amp; Co.&#13;
at the beginning of his tenure of the professorship.&#13;
(2) “ Post Victorian Music," by Mr. C. L.&#13;
Graves, arranged in three divisions. The first part,&#13;
LITERARY, DRAMATIC, AND MUSICAL under the heading of Post Victorian Music, dis-&#13;
NOTES.&#13;
cusses the Symphonia Domestica, Elektra, Salome,&#13;
Pelléas et Mélisande, Elgar's First Symphony. In&#13;
his second part the author gives a series of&#13;
A N interesting little book entitled “Das eighteen “ Portraits and Appreciations," which&#13;
Oxforder Buch Deutscher Dichtung" embraces some of the most notable figures in the&#13;
covering selections from the twelfth to the world of music. The concluding section consists&#13;
twentieth century, edited by H. Fiedler, with a of “ Studies and Sketches," and here the author&#13;
preface by Gerhart Hauptmann, has been issued by deals in sympathetic fashion with many questions&#13;
the Oxford Press. A somewhat similar work which must interest all lovers of music.&#13;
was published years ago in the Golden Treasury We have been asked to note that the English&#13;
Series by Messrs. Macmillan, edited by Professor Review, commencing with the January number,&#13;
Buchheim, and up to the present time that was 1912, will be issued at the reduced price of 1s.&#13;
undoubtedly the best selection that could possibly (12s. 6d. annual subscription, post free to all parts&#13;
have been made from German lyrical poems. The of the world). We are assured that this change&#13;
present selection, published by the Oxford Press, is, has been made owing to its continuous success and&#13;
however, rather more ambitious, containing a to the repeated demands of the public for a high&#13;
wider range of poems and a larger number of class literary review at a popular price.&#13;
authors. In a book of this kind it is impossible Mr. George A. Birmingham has just published&#13;
to include everything, but the judgment of the “ The Lighter Side of Irish Life," with sixteen&#13;
editor is thoroughly trustworthy and reliable. Mr. colour illustrations by Henry W. Kerr, R.S.A., at&#13;
Gerhart Hauptmann's short preface is also the price of 58. net, from the house of T. N. Foulis.&#13;
interesting, and we note with great pleasure his The book is written in Mr. Birmingham's best&#13;
reference to Mr. George Meredith, the late vein, and has many good stories, but there is also&#13;
President of the Society.&#13;
a great deal of sound information about the people,&#13;
Early in December Messrs. Macmillan &amp; Co. their habits and customs. The illustrations are&#13;
published “ Tennyson and his friends," a record quite first class and well reproduced.&#13;
of the friendships of Tennyson and his son. It is “Milestones,” by Marcia Knight, is a collection&#13;
edited by Hallam Lord Tennyson, and the chapters of poems, some of which have appeared in The&#13;
have been planned and arranged by him to follow Gentlewoman, The Pall Mall Gazette, and Vanity&#13;
the sequence of the poet's life. The contributors Fair. Many of them deal with nature and country&#13;
include Emily Lady Tennyson, Mr. Willingham life, on which the author writes with sympathy.&#13;
Rawnsley, Charles Tennyson, Sir Henry Craik, Dr. Messrs. Constable and Co. are the publishers.&#13;
Warren, Edward Fitzgerald, Lady Ritchie, Mrs. Miss M. A. Woods has just published her&#13;
Margaret L. Woods, Professor Jowett, Mr. H. G. monthly poetical Calendar in book form, under the&#13;
Dakyns, Dr. Montagu Butler, Sir Charles Stanford, title “Day by Day with the Poets : a Calendar and&#13;
Sir Oliver Lodge, Sir Norman Lockyer, the Bishop Treasury of English Verse for any Year.” A copy&#13;
of Ripon, and other notable people. The editor of the book has been accepted by Queen Alexandra.&#13;
has inserted at appropriate points groups of well Mr. Clive Holland, the author of many novels&#13;
known poems addressed to or describing friends and topographical works, has just been fêted at&#13;
of Tennyson's early or later life.&#13;
Bournemouth by his fellow townsmen, who through&#13;
Mr. Ralph Nevill's new book, “ Floreat Etona," the medium of the Westbourne Literary Society&#13;
while abounding in anecdote, is also an historical gave a dinner in his honour, at which a goodly&#13;
record of various quaint customs and usages, so few number of the professional and business men of&#13;
of which have lasted into the present age. There Bournemouth were present. Mr. Holland's health&#13;
are eight illustrations in colour. Messrs. Macmillan was proposed, and the wide range of his work&#13;
are the publishers.&#13;
referred to by Mr. Harold Salt.&#13;
Messrs. Macmillan &amp; Co. publish also (1) “Style Messrs. Hutchinson &amp; Co. will publish early in&#13;
in Musical Art," by Sir Hubert Parry, which is the new year, “ The Life and Times of Countess&#13;
&#13;
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## p. 94 (#514) #############################################&#13;
&#13;
94&#13;
THE AUTHOR.&#13;
Bentinck, 1715—1799," by Mrs. Aubrey Le Blond, Mr. Harry Tighe's last novel, * Intellectual&#13;
who possesses many of Countess Bentinck's letters. Marie” (John Long), has gone into a second&#13;
The two volumes will contain extracts from letters edition. In the Christmas Pall Mall Magazine he&#13;
to Countess Bentinck from Frederick the Great, has an Eastern fairy story, "The Moon-Child-&#13;
Voltaire, the Princess of Zerbst (Mother of Mother of the Fireflies," illustrated by Frank C.&#13;
Catherine II. of Russia), who was a cousin of Papé.&#13;
Countess Bentinck's, her intimate friend Count “Tales of Seven Islands," by Evelyn Adams, is&#13;
Mercy d'Argenteau, and many other well-known a collection of stories with the life and incidents in&#13;
people. While searching family archives in the Pacific. The scenes are laid variously, and the&#13;
England, Holland and Germany, Mrs. Aubrey Le sphere of them embraces such different ways of life&#13;
Blond came on the track of an historical mystery as are represented in places as widely apart as the&#13;
connected with the Royal Family of France, which isles of the North Pacific and the southern limits&#13;
she hopes to deal with in a later work, the time of Australia. Mr. Henry J. Drane is the pub-&#13;
being long past when a full disclosure would be lisher.&#13;
indiscreet. " The Life of Countess Bentinck” will Mr. J. Arthur Hill has written, and Messrs.&#13;
be illustrated by photographs from pictures in William Rider &amp; Son, Limited, have published, &amp;&#13;
various private collectiors, including those of book dealing with religion and modern psychology.&#13;
Welbeck Abbey (the Duke of Portland), of Count It is a study of present tendencies, particularly the&#13;
Bentinck (Holland), and Mr. H. Aldenburg religious implications of the scientific belief in&#13;
Bentinck (India), and of Mrs. Aubrey Le Blond, survival, with a discussion on Mysticism.&#13;
nearly all, till now, unpublished.&#13;
Miss May Crommelin's new novel, written in&#13;
Mrs. L. Allen Harker's new novel “Mr. collaboration with Mr. Alfred Williams, and entitled&#13;
Wycherley's Wards," was published last month by “ The Isle of the Dead,” was produced on&#13;
Mr. John Murray in England, and Messrs. Charles November 15. The scene is mainly laid in an&#13;
Scribners' Sons in the United States of America. island of the Alentian group, known to Mr. Wil-&#13;
The Christmas edition of Miss Annie Matheson's liams, who is an American mining engineer, and&#13;
poems having now been out of print for a year, the peopled by Indians differing from those on the&#13;
publishers, The Oxford University Press, have mainland. Miss Crommelin has also used her own&#13;
reprinted it in a new volume by Miss Matheson experiences in California, which she visited soon&#13;
entitled “Roses, Loaves, and Old Rhymes,” in after the great earthquake at San Francisco.&#13;
which have been included, also, ten later poems. Messrs. Nelson &amp; Sons have published Miss Emily&#13;
Of the latter several are simultaneously included in Underdown's new book “ The Gateway to Spenser:&#13;
“ Leaves of Prose," and one has already appeared in Tales retold from the Fairy Queen," with sixteen&#13;
“ By Divers Paths,” both volumes being interleaved coloured plates by Frank Papé, and numerous black&#13;
with occasional verse, thus attaining among lovers and white ones. This book is issued uniform with the&#13;
of prose a rather different audience.&#13;
same author's “Gateway to Romance : Tales retold&#13;
“Good Cheer." The romance of food and from The Earthly Paradise," published two years&#13;
feasting, by F. W. Hackwood, deals with the food- ago.&#13;
stuffs of all nations and the culinary practices of Messrs. Hutchinson &amp; Co. announce the publica-&#13;
all ages. The subject is approached from the tion of Miss Ada Earland's story of “ John Opie&#13;
historic and picturesque side, reference is made to and his Circle.” Opie was the son of a Cornish&#13;
the dietary of the Scriptures, a Roman banquet, and labourer, and received recognition of his extra-&#13;
Old English fare: to seasonal festivals : to national ordinary gifts at an early age. He came to London&#13;
dishes: to feasting and fasting, and the influence in the company of Dr. John Wolcot, better known&#13;
of diet upon health and character. The volume is by his pen-name of “ Peter Pindar." Opie's work&#13;
profusely illustrated. It is published by Mr. Fisher won the admiration of Sir Joshua Reynolds, and in&#13;
Unwin, who will issue in 1912 another work from the present work the author has attempted to tell&#13;
the pen of Mr. Hackwood. In this later volume, the story of the artist's life fully and adequately.&#13;
Mr. Hackwood will deal with the life and times of The author has collected much new material, and&#13;
William Hone, the writer on popular antiquities, many pictures are reproduced in the book for the&#13;
compiler of “The Every Day Book,” “ The Year first time. A list of Opie's pictures forms a copious&#13;
Book," and “The Table Book," and friend of appendix to the book.&#13;
Charles Lamb, George Cruikshank and other A New Year poem from the pen of Alfred Smythe&#13;
notabilities of his time. The biography has been appears in the January number of the Westminster&#13;
authoritatively compiled from the family's private Review.&#13;
papers.&#13;
Part VII. of “The Renaissance in Italian Art,"&#13;
Mr. W. L. George has been appointed literary by Selwyn Brinton, treats of Leonardo at Milan.&#13;
editor of Vanity Fair.&#13;
This volume ends the series, which gives a com-&#13;
&#13;
&#13;
## p. 95 (#515) #############################################&#13;
&#13;
THE AUTHOR.&#13;
95&#13;
plete account of the art of the Italian revival, natural specimens taken by Mr. T. Ernest Waltham,&#13;
richly illustrated. Each volume—there are nine in by a new process of colour photography. The&#13;
all—is published by Messrs. George Bell &amp; Son, most improved methods of colour-printing will be&#13;
at 28. 6d. net.&#13;
employed in their reproduction.&#13;
Mr. Martin Secker is about to publish “White Miss Beatrice Harraden's new novel, of which&#13;
Webs," a new novel by Theo. Douglas (Mrs. H. D. Messrs. Nelson have also acquired the serial rights,&#13;
Everett). The book will appear this month. It is will be published by them in the spring, in book&#13;
a romance of Sussex, and deals with the Jacobite form, at 2s. They will also include it in their&#13;
plottings which followed the rising of 1745.&#13;
Continental Library. Messrs. Frederick Stokes &amp; Co.&#13;
A third edition of Mr. J. Johnston Abraham's are to be the publishers in America.&#13;
recent volume “ The Surgeon's Log : being Impres- The Poetry Society, which was founded first&#13;
sions of the Far East," is in the press.&#13;
under the title of “The Poetry Recital Society,"&#13;
The Council of the Library Association has in 1909, has published, monthly or quarterly, an&#13;
arranged a course of lectures, to be delivered by official journal, under the provisional title, The&#13;
Mr. R. A. Peddie, on “Reference Books for Poetical Gazette. Lately a committee has been&#13;
Librarians and Readers." The lectures will be formed for the purpose of co-operating with the&#13;
held (by permission of the Trustees) in the Lecture society in the production of a standing monthly&#13;
Room of the British Museum, on Saturday after- review of poetic literature, in which the Gazette&#13;
noons, at 3 P.M. The dates of the lectures still to will be incorporated. The first issue of the new&#13;
be given are January 27, 1912, February 10, periodical will appear in January, 1912, under the&#13;
February 24, March 23. Admission is free. No title The Poetry Review. The contents will be&#13;
tickets are required.&#13;
divided into four sections. The first will consist of&#13;
Mrs. Perrin has been elected President of the articles on subjects connected with poetry and&#13;
Society of Women Journalists for 1911–12. A poetic criticism and biography. The second will&#13;
serial by Mrs. Perrin, called “Colour Blind,” is contain reviews of modern European poetry. Next,&#13;
ronning in The Times Weekly Edition, and will be about six pages will be devoted to the publication&#13;
published by Messrs. Methuen &amp; Co. in the course of modern poetry, representing in each issue the&#13;
of next year.&#13;
work of only one individual poet. The fourth&#13;
“The Woman Hunter " is the title of Miss section will be the Gazette of the society. The&#13;
Arabella Kenealy's new novel published this month price of the Review will be 6d. All communications&#13;
by Messrs. Stanley Paul &amp; Co. The book has for should be addressed to the office of The Poetry&#13;
its theme the degradation of love as a result of the Review, 93, Chancery Lane, W.C.&#13;
monastic idea, and shows the higher awakening and “School and Country” is a little book by R. K.&#13;
evolution of a libertine—the “Woman Hunter” of Crawford, written with the object of inculcating&#13;
the title—by the power of a great passion. The a spirit of patriotism in the young. It describes,&#13;
John Lane Co. of New York have recently in simple language, the services rendered by the&#13;
issued an American edition of Miss Kenealy's State to its members, and emphasises the obligations&#13;
novel “ The Mating of Anthea,” the first eugenics which are due to the State in return. Messrs.&#13;
novel to be written.&#13;
Hodges, Figgis &amp; Co. are the publishers.&#13;
Messrs. Stanley Paul &amp; Co. are publishing this&#13;
month “ The Activities of Lavie Jutt," by Mar-&#13;
DRAMATIC NOTES.&#13;
guerite and Armiger Barclay. During the same&#13;
month John Long &amp; Co. will publish Oliver Sandys Mr. Cecil Raleigh and Mr. Paul Rubens are&#13;
(Mrs. Armiger Barclay) new novel, “ Chicane;" writing the next piece for the Gaiety Theatre.&#13;
and a second edition of “Letters from Fleet Street," Mr. Rubens will also be responsible for the music&#13;
originally published anonymously by Frank Palmer, of the piece, while the lyrics will be in the hands&#13;
will be issued under Mr. and Mrs. Barclay's joint of Mr. Arthur Wimperis.&#13;
names. Twelve stories by Mr. and Mrs. Barclay The next Drury Lane drama will be the joint&#13;
have appeared in Christmas numbers during 1911; work of Mr. Raleigh and Mr. Henry Hamilton.&#13;
and as many more are due to appear in various What the drama will be about has not yet been&#13;
English magazines within the next month or two. finally settled, but the authors have two dramas&#13;
In the U.S.A. magazines these writers have recently sketched, one rather more of a domestic drama&#13;
placed a variety of short stories and articles.&#13;
than they have done at the Lane as yet.&#13;
Messrs. E. T. &amp; E. C. Jack announce a new Mr. Raleigh has also arranged with Mr. Arthur&#13;
colour series for flower lovers, entitled “ Present- Collins to adapt his new French purchase “ Le&#13;
Day Gardening." It is edited by R. Hooper Petit Café.”&#13;
Pearson. Each volume will be illustrated by eight Mr. James Bernard Fagan's dramatisation of&#13;
plates in colour, reproduced from photographs of Mr. Robert Hichens' novel, “ Bella Donna," was&#13;
&#13;
&#13;
## p. 96 (#516) #############################################&#13;
&#13;
96&#13;
THE AUTHOR.&#13;
produced at the St. James' Theatre on December 9.&#13;
Mr. George Alexander, Mrs. Patrick Campbell,&#13;
Mr. Athol Stewart, and Miss Mary Grey are in&#13;
the cast.&#13;
On Sunday, December 3, “ La Chute du&#13;
Dieu,” “ La Femme de l'Acteur,” and “Le&#13;
Lieutenant Felberg," three plays by B. Morley&#13;
Steynor, were produced at the Theatre Français de&#13;
Londres. The French actor from the Grand&#13;
Guignol Théâtre, Louis Tunc, appeared in the plays&#13;
and was supported by M. Pierre Maugue, M.&#13;
Maurice Wick, Mlle. Nulsson Norva, and Mlle.&#13;
Yvette Bariel.&#13;
PARIS NOTES.&#13;
M HE Goncourt Academy has awarded its annual&#13;
I prize to M. Alphonse de Chateaubriant for&#13;
his novel entitled “M. des Lourdines.”&#13;
The second volume of Pierre de Nolhac's&#13;
“ Histoire du Château de Versailles" has just&#13;
been published. This volume is Versailles sous&#13;
Louis XIV. No author could be better qualified&#13;
than M. de Nolhac to treat this subject. As Curator&#13;
of the Château of Versailles, he is living in the&#13;
palace surrounded by all the pictures and documents&#13;
relating to the past history of Versailles. The&#13;
volume is illustrated with many hitherto unpublished&#13;
sketches, some of which belong to the private collec-&#13;
tion of the King of England.&#13;
Pierre de Vaissière's new volume will be of&#13;
interest to all who care to study the psychology of&#13;
criminals. It is entitled “Récits du Temps des&#13;
Troubles (XVI° siècle) De quelques Assassins.”&#13;
The subjects treated are those concerning Jean&#13;
Poitrot, Seigneur de Maurevert ; Jean Yanowitz,&#13;
dit Besme ; Henri III. et les “ Quarante-Cinq”;&#13;
and Jacques Clément.&#13;
As an exact contrast to this is a book published&#13;
by Georges Eliac entitled “Un après-midi chez&#13;
Julie de Lespinasse." A preface has been written&#13;
to this by the Marquis de Ségur.&#13;
M. Xavier Paoli, ancien commissaire délégué&#13;
auprès des souverains en France, publishes a book&#13;
on “Leurs Majestés,” in which he gives his impres-&#13;
sions of Elisabeth d'Autriche, Alphonse XIII., Le&#13;
Shah de Perse, Nicolas II., Victor-Emmanuel III.,&#13;
Léopold II., Edouard VII., Wilhelmine de Hollande,&#13;
Georges 1er, Sisowath, Victoria d'Angleterre.&#13;
Mme. W. Nicati publishes a study of “Elisabeth&#13;
Browning, Femme et Poète."&#13;
The “ Souvenirs de Ch. de Freycinet” will be&#13;
read with great curiosity and interest. The truth con-&#13;
cerning many political questions dating from 1848&#13;
will be found in this volume.&#13;
“L’Empire allemand et l'Empereur” is a&#13;
study by Pierre Baudin, and “Derrière la Façade&#13;
allemande," another study of Germany, which after&#13;
the long Franco-German conflict on the Morocco&#13;
question is also instructive. “ Allemands et&#13;
Polonais," by Dr. Victor Nicaise, with a prerace&#13;
by M. Henri Welschinger, is a study of the struggle&#13;
of the Poles. The volume was presented by M.&#13;
Welschinger to the Académie des Sciences Morales&#13;
et Politiques at its November meeting. It is a&#13;
comprehensive study and a dramatic story of the&#13;
struggle of the Poles to preserve their language,&#13;
and should be read by all who are interested in the&#13;
struggle of civilisations and the psychology of&#13;
children.&#13;
A book which will be read with curiosity and&#13;
interest by scientists is a volume recently published&#13;
by Martin Kuckuck of St. Petersburg. It is entitled&#13;
“L'Univers, être vivant” (La Solution des Pro-&#13;
blèmes de la Matière et de la Vie à l'aide de la&#13;
Biologie universelle). It is divided into four parts,&#13;
(1) Cosmobiologie; la vie de l'univers ; (2) Plasmo-&#13;
biologie; la vie de la substance; (3) Cytobiologie;&#13;
la vie de la cellule ; (4) Géobiologie ; la vie de la&#13;
Terre. Among the subjects treated are La Méthode&#13;
du travail, L'essence de la vie, L'âme et l'esprit ;&#13;
le sens propre de ces mots, etc.&#13;
M. C. Wagner, the author of “The Simple Life”&#13;
has just published a new book entitled “ Ce qu'il&#13;
faudra toujours." Among the most striking of the&#13;
chapters are the following : Choses abolies et&#13;
choses qui demeurent.—De l'initiative-Valeurs&#13;
marchandes et valeurs d'âme.&#13;
“ La Crise du Français et la Réforme universi-&#13;
taire " is the title of a little book by Abel Faure,&#13;
in which the author assures us that there is no&#13;
crisis, that the language is simply continuing its&#13;
evolution. The book has come at the right moment,&#13;
and the tone of it is optimistic.&#13;
“Sous le Manteau Vénitien” (Silhouettes de la&#13;
fin du XVIII° siècle) is the title of a book by&#13;
Prince Frédéric de Hohenlohe Waldembourg.&#13;
“L'Homme aux Papillons," by Théodore Cahu, is&#13;
a charming book worthy of the author of “Doute&#13;
mortel,” “L'Oubli ” and “ Vers la Paix,"&#13;
Romain Rolland continues his long series of&#13;
volumes. “Le Buisson ardent " is the second of&#13;
“ La Fin du Voyage.”&#13;
Among the volumes of poetry is one entitled&#13;
“Souffles d'Océan,” containing some exquisite&#13;
poems by the Duchesse de Rohan. A volume&#13;
entitled “Le Temple du Rêve,” by the Baronne&#13;
de Baye has also appeared recently.&#13;
Another posthumous volume is announced con-&#13;
taining the “ Lettres de Jeunesse " of Charles-&#13;
Louis Philippe to Henri Vandeputte.&#13;
Maurice Bouchor has just published a volume&#13;
entitled “ Contes à lire ou à faire lire aux Enfants."&#13;
M. Maurice Muret publishes a volume called&#13;
orre&#13;
&#13;
&#13;
## p. 97 (#517) #############################################&#13;
&#13;
THE AUTHOR.&#13;
97&#13;
" Les Contemporains Etrangers ” in which he " Leurs Majestés” (Ollendorff).&#13;
studies the following authors : Giosue Carducci,&#13;
" Elisabeth Browning, Femmé et Poète" (Perrin).&#13;
" Souvenirs de Ch. de Freycinet” (Delagrave).&#13;
Antonio Fogazzaro, Mme. Annie Vivanti, A. Strind-&#13;
“L'Empire allemand et l'Empereur" (Flammarion).&#13;
berg, Selma Lagerlöf, George Bernard Shaw, G. “ Derrière la Façade allemande" (Chapelot).&#13;
Hauptmann, C. Spitteler, Mlle. E. de Handel, “ Allemands et Polonais” (Marches de l'Est).&#13;
Mazzetti and K. Schönherre.&#13;
“L'Univers, être vivant” (Fischbacher).&#13;
“ Ce qu'il faudra toujours à (Armand Colin).&#13;
Never have foreign authors been so much read&#13;
“La Crise du Français et la Réforme universitaire"&#13;
in France as at the present moment. Bernard (Stock).&#13;
Shaw and his plays are at present the subject of a " Sous le Manteau Vénitien ” (Bernard Grasset).&#13;
series of lectures to be given at the Hôtel des&#13;
“L'Homme aux Papillons " (Bernard Grasset).&#13;
“Le Buisson ardent” (Ollendorff).&#13;
Sociétés savantes and at the Sorbonne by M.&#13;
“ Souffles d'Océan " (Calmann Levy).&#13;
Augustin Hamon.&#13;
“Le Temple du Rêve" (Perrin).&#13;
A volume of Bernard Shaw's plays, translated “Lettres de Jeunesse" įRiviere).&#13;
into French by Augustin and Henriette Hamon, is&#13;
“ Contes à lire ou à faire lire aux Enfants" (Armand&#13;
Colin).&#13;
to be published in March.&#13;
“Les Contemporains Etrangers ” (Fontemoing).&#13;
A most amusing book for children has been “ Drôles de Bètes ” (A. Tolmer).&#13;
written and illustrated by André Hellé. Its&#13;
title is “Drôles de Bêtes," and, in the sketches,&#13;
the artist has succeeded admirably in giving&#13;
UNITED STATES NOTES.&#13;
children an idea of the outlines of the various&#13;
animals. In an extremely witty way, he gives&#13;
his comments on the scenes he depicts. The DCHOES hare reached England of the dis-&#13;
whole book is most entertaining, and will be&#13;
cussion which has been agitating the&#13;
enjoyed by the grown-ups quite as much as by the&#13;
literary world—or at least the commercial&#13;
children.&#13;
side of the literary world—in America during&#13;
A curious legal case has just been tried in the past autumn ; the discussion, to wit, on the&#13;
Paris. The proprietor of a financial journal took value of “best sellers." Perhaps it need hardly&#13;
for his title La Revue Financière des Deux Mondes. be added that the point at issue was not the&#13;
M. Francis Charmes, editor of the Revue des Deux artistic value of a very popular book, but its value&#13;
Vondes, who considered that this would be detri- as a “ business proposition.”&#13;
mental to his review, has won his case, and the Mr. Robert S. Yard, of Moffatt, Yard &amp; Co..&#13;
financial journal is compelled to omit the words set the ball rolling in an article in the Saturday&#13;
Deux Mondes from his review and also from all Evening Post. He called this “ The Worst&#13;
his bill heads, writing paper and telegraphic Business in the World,” dealing at large with the&#13;
address. As the Revue des Deux Mondes dates dangers and drawbacks of the publishing pro-&#13;
from 1829, it was considered that this new paper fession. But the most notable part of the article&#13;
was about to trade on the fame which the older&#13;
de on the fame which the older was the denunciation of best sellers, fortified by&#13;
one had won.&#13;
the opinion of “one of the most distinguished&#13;
In the Revue de Paris, Albert Duchêne writes publishers in America," who declared that he&#13;
on “Le Maroc et le Gouvernement de l'Afrique didn't want them, as they were too expensive, and&#13;
française," and Auguste Gauvain on “L’Europe he couldn't afford them. This publisher marshalled&#13;
d'aujourd'hui.” M. Houllevigue writes an article figures to prove that if a best seller reached a sale&#13;
on "L'Observatoire du Mont Wilson.”&#13;
of 100,000 copies in the course of its run, while its&#13;
At the Odéon David Copperfield is still on profit to the author would be about £6,000, to the&#13;
the bill.&#13;
publisher it would only bring about £500. He&#13;
“Les Sauterelles" is the title of M. Emile concluded : “Besides yielding no profit, it&#13;
Fabre's piece, in five acts, now being given at the actually hogs the whole attention of the house&#13;
Vaudeville.&#13;
to the exclusion of the other and really important&#13;
At the Porte Saint-Martin, “ La Flambée,” by books—the books that bulked together really&#13;
M. Henry Kistemeckers, is being given.&#13;
make profit, and the books that carry the dignity&#13;
Mme. Sarah Bernhardt is opening the season and the prestige and the power and the influence&#13;
with “Lucrèce Borgia.”&#13;
of the house. It eclipses them all.”&#13;
A direct personal interest in the question of&#13;
“M. des Lourdines” (Bernard Grasset).&#13;
best sellers is, unfortunately, the lot of very few&#13;
" Histoire du Château de Versailles" (Emile Paul). authors, in America or elsewhere. Nor can it be&#13;
" Récits du Temps des Troubles (XVI. siècle) De quel.&#13;
a great concern of theirs how such works affect&#13;
ques Assassins (Emile Paul).&#13;
“ Un après-midi chez Julie de Lespinasse" (Emile the publisher's pocket. But certainly they are&#13;
Paul).&#13;
entitled to feel uneasy at the thought of the best&#13;
&#13;
&#13;
## p. 98 (#518) #############################################&#13;
&#13;
98&#13;
THE AUTHOR.&#13;
sellers being allowed to “ hog the whole attention “The Ne'er-Do-Well” have already appeared in&#13;
of the house.” At a Washington trial not long the best sellers list—though the third of these has&#13;
ago the wife of a millionaire submitted in court not pleased the reviewers half as well as the reading&#13;
an account of her monthly expenses ; from which public. In the late spring or early summer&#13;
it appeared that she spent on an average $2012 per women writers were very active, notable books&#13;
month, of which only the odd $2 were devoted to being “ The Colonel's Story," by Mrs. Roger&#13;
books. Now, if the publisher thrusts on her Pryor; “A Big Horse to Ride," by (Miss) E. D.&#13;
attention only his best sellers, calculate what Dewing; “ The Bramble Bush," by Caroline&#13;
amount of support per annum the millionaire's Fuller; “ Kilmeny of the Orcbard," by L. M.&#13;
wife contributes to the ordinary run of authors ! Montgomery ; “Dawn O'Hara, the Girl Who&#13;
To turn from so painful a thought to the Laughed,” by Edna Ferber ; and “The Iron&#13;
actual question of the most successful books in Woman," by Margaret Delanů. Male authorship&#13;
the United States during recent months : In the was represented by Jacques Futrelle's “ Secretary&#13;
spring, the top places in the list of six best sellers of Frivolous Affairs ” ; “The Measure of a Man,"&#13;
in fiction were occupied by the since-deceased by Norman Duncan (known previously as the&#13;
Vaughan Kester's “ Prodigal Judge,” and Jeffery writer of “ Doctor Luke of the Labrador '') ;&#13;
Farnol's “ Broad Highway." These two novels “Victor Olnee's Discipline," by Hamlin Garland ;&#13;
remained in “ The Big Six” (as some of the “The Vintage,” by Joseph Sharts ; “ Tales of the&#13;
papers sportingly call the list) right down to the Town,” by Charles Belmont Davis ; “ The Carpet&#13;
end of August. H. S. Harrison's “ Queed," for from Bagdad,” by Harold MacGrath ; and&#13;
which the critics all prophesied a great future, “Kennedy Square,” by F. Hopkinson Smith,&#13;
fulfilled expectations, and, after running the two author of that masterpiece “ Colonel Carter of&#13;
just-mentioned novels close, survived them into Cartersville.”&#13;
September. Meanwhile in August “ The Winning More recent novels are "Mother Carey's&#13;
of Barbara Worth" by Harold Bell, and “ The Chickens” by Kate Douglas Wiggin, and&#13;
Ne'er-Do-Well ” by Rex Beach, came to the front, “Mother " by Kathleen Norris, both very senti-&#13;
and in September they were first and third respec- mental, but none the less likely to succeed for&#13;
tively, second place being taken by Robert W. that. Whether one should class Mr. Farnol as an&#13;
Chambers with “ The Common Law,” which ran American author is doubtful; but anyhow his&#13;
into three editions in its first month of life.&#13;
“ Money Moon” bids fair to rival in the States&#13;
Outside fiction, the books which have most the popularity of “ The Broad Highway.” In&#13;
often appeared among the best sellers are “ The “As the Sparks Fly Upward,” Cyrus Townsend&#13;
Doctor's Dilemma” and “How to Live on Twenty- Brady presents a Pacific island-wreck story ; in&#13;
Four Hours a Day”—Messrs. Shaw and Arnold “ Philip Steele," J.O. Curwood, a romance of the&#13;
Bennett thus continuing their wonderful success Canadian mounted police ; in “Rebellion," J. M.&#13;
in the early part of the year and Olive Schreiner's Patterson (author of “A Little Brother of the&#13;
“Woman and Labor”; while Price Collier's Rich"), a divorce problem novel. William Dubois,&#13;
“ The West in the East," and the other Bennett's who gives us “The Quest of the Silver Fleece," is&#13;
“ Mental Efficiency” take a high place, and a gentleman of colour, who writes exceedingly&#13;
Wagner's “My Life" has commenced what is well about his own people. Detective novels are&#13;
expected to be a long run. Nor must “ Paper represented by A. K. Green's “ Initials Only,"&#13;
Bag Cookery" by M. Soyer, the chef, be forgotten. and by “ Average Jones,” whose creator, Samuel&#13;
It will be seen that the native authors hold their Hopkins Adams, collaborated in “ The Mystery."&#13;
own better in fiction than in other literature. George Barr McCutcheon's new story is “ Mary&#13;
The general output of books has been tremen- Midthorne,” and Randall Parrish in “My Lady&#13;
dous since the last “United States Notes” of Doubt " goes to the War of Independence for&#13;
appeared in The Author, and supplies a curious his setting. The late Myrtle Reed left behind&#13;
comment on Mr. Robert Yard's plaintive con- her“ A Weaver of Dreams," published after her&#13;
tention that publishing is “ the worst business death.&#13;
in the world.” It is rather difficult to decide Two translations from the German may be men-&#13;
which works deserve special mention here, so many tioned : “ The Indian Lily," a collection of tales by&#13;
are there to choose from, and it being impossible Sudermann, and Hauptmann's remarkable « The&#13;
to read them all. But an attempt must be made Fool in Christ,” which will doubtless be seen in&#13;
to give the names of the principal additions to England before long.&#13;
American literature, at the risk of omitting some There has been a good crop of biographies in the&#13;
which time may show to be better fitted to survive. second half of 1911. These include " Andrew&#13;
To begin with fiction, “The Winning of Jackson,” by Professor John Spencer Bassett;&#13;
Barbara Worth," “ The Common Law," and “Harriet Beecher Stowe," by Charles Edward and&#13;
&#13;
&#13;
## p. 99 (#519) #############################################&#13;
&#13;
THE AUTHOR.&#13;
99&#13;
Lyman Beecher Stowe, her son and grandson; Other social difficulties receive attention in&#13;
“ The True Daniel Webster," by Dr. S. G. Fisher; “Half a Man," by Mary White Ovington, who&#13;
« Statesmen of the Old South" (Jefferson, Calhoun, deals with the New York negro ; " The History and&#13;
and Davis), by W. E. Dodd ;“ William H. Seward,” Problems of Organized Labor," by Dr. F. T. Carlton,&#13;
by E. E. Hale, junior, and “Stephen A. Douglas," Professor of Economics and History at Albion&#13;
by H. P. Willis, both in the American Crisis series. College ; and “The Passing of the Idle Rich," by&#13;
The Yale University Press has issued Dr. W. S. Frederick Townsend Martin.&#13;
Culbertson's “ Alexander Hamilton : An Essay." The travel-books of the second half of the past&#13;
• The Public Life of Joseph Dudley," by Professor year hare not been very many. “Across South&#13;
Everett Kimball, is a study of the colonial policy America,” by Hiram Bingham, is a diary of a trip&#13;
of the Stuarts in New England. “The Diary of from Lima to Buenos Aires. “ Jungle Trails and&#13;
Gideon Welles,” to wbich John T. Morse, junior, Jungle People," from the pen of Caspar Whitney,&#13;
supplies an introduction, is said to be the only deals with the Far East. “A Woman's World&#13;
account of the administrations of Lincoln and Tour in a Motor," by Mrs. Clark-Fisher, records&#13;
Johnson from inside the cabinets of both statesmen. the experiences of 23,000 miles in a car. Another&#13;
Historical works are “ France in the American motoring book is Lee Meriwether's “Seeing Europe&#13;
Rerolution,” by James Breck Perkins (who, as the by Automobile.” “ The Cabin," written and illus-&#13;
New York Nation points out, is one of the rare trated by Stewart Edward White, describes the&#13;
scholars who have figured in Congress, having Sierras. “Through the Heart of Canada," by&#13;
formerly been Congressman for New York); “ The Frank Yeigh, has come in for high praise.&#13;
Indian Wars of New England,” by Herbert Milton “Florida Trails," by Winthrop Packard, perbaps&#13;
Sylvester ; “ A Short History of the United States belongs to a class by itself. The author, Winthrop&#13;
Navy," by Captain G. R. Clark and others; “ The Packard, has a big reputation in the United States&#13;
Records of the Federal Convention of 1787," by as a writer about pature. An aspect of nature-&#13;
Professor Max Farrand, of Yale; and “ Sectionalism study, under artificial conditions, is considered in&#13;
in Virginia from 1776 to 1861," by Dr. C. H. Mrs. Alfred Ely's “ The Practical Flower Garden,"&#13;
Amber. In this class may be put also Charles A. which attained to the dignity of a best-seller on its&#13;
Hanna's - The Wilderness Trail,” which has the first appearance in the spring.&#13;
rather portentous sub-title “ The Ventures and Among philosophical publications the first place&#13;
Adventures of the Pennsylvania Traders on the is naturally taken by the late Professor James's&#13;
Allegheny Path, with some new Annals of the Old posthumous work, “Some Problems of Philosophy."&#13;
West, and the Records of Some Strong Men and If we may be allowed to imitate the advertisement&#13;
Some Bad Ones"! In “Studies : Military and editor and reserve a space for “unclassified or late,"&#13;
Diplomatic," Charles Francis Adams writes about there are several noteworthy books which may here&#13;
the strategy of the War of Independence and the be grouped together. For instance, there is General&#13;
military and diplomatic aspects of the Civil War. Hiram Chittenden's “ War or Peace,” in which an&#13;
The scope of “ The President's Cabinet," by H. B. American soldier argues very strongly on behalf of&#13;
Learned, published by the Yale University Press, is peace. There is “American Addresses," a new&#13;
sufficiently explained by its title—the President, of volume of essays by Joseph H. Choate. Richard&#13;
course, being that of the United States.&#13;
Le Gallienne is responsible for “ The Loves of the&#13;
Books on the Woman Question have been Poets,” which its publishers describe as a “holiday&#13;
numerous. Among them are Mrs. Pankhurst's book” and which handles the love-stories of such&#13;
“ The Suffragette” ; “The Woman Movement in divers persons as the Brownings, Mary Stuart and&#13;
America,” by Belle Squire, a very prominent Chastelard, Georges Sand and Chopin, Michel&#13;
American suffragist ;“ What Eight Million Women Angelo and Vittoria Colonna. “ The Letters of&#13;
Want,” by Rheta Childe Dorr ; "A Short History Sarah Orne Jewett” have been edited by Mrs.&#13;
of Women's Rights” (from the Augustan age to James T. Fields. “The Greatest Street in the&#13;
the present day), by Eugene A. Hecker; " The World,"—.., Broadway, New York—is written&#13;
Women of To-morrow," by William Hard ; and about by Stephen Jenkins—and also by J. B.&#13;
“ Woman's Part in Government,” by W. H. Allen. Kerfoot, who calls his book simply “Broadway."&#13;
“A Woman Alone,” a true story of a girl's struggle “ Three Thousand Years of Mental Healing" is the&#13;
to maintain herself in New York, is a consideration subject chosen by Dr. G. B. Cutten, President of&#13;
of the question from a different point of view. And Acadia University, New York. And finally Paul S.&#13;
“ The Girl that Goes Wrong" is different again, as Reinsch has produced “ Intellectual and Political&#13;
will be understood when it is said that the author Currents in the Far East," which attempts to bring&#13;
is R. W. Kauffman, who wrote the terrible and the history of the modern Orient right up to date.&#13;
truthful novel “ The House of Bondage," mentioned The obituary of the past few months is unhappily&#13;
in the last - United States Notes."&#13;
rather large. On July 4th Vaughan Kester, author&#13;
&#13;
&#13;
## p. 100 (#520) ############################################&#13;
&#13;
100&#13;
THE AUTHOR.&#13;
of “ The Prodigal Judge,” died after a long illness; It appeared from the evidence that subscribers&#13;
and on the same day Franklin Fyles, playwright to the Little French Theatre Society received&#13;
and former dramatic editor of the New York Sun. tickets and were entitled to attend performances&#13;
A month later died Lieutenant-Colonel L. L. Bruff, of plays at the theatre, as well as concerts, recital,&#13;
one of the foremost writers on ordnance and explo- and lectures, and it was contended on behalf of the&#13;
sives in America. On August 17th Mrs. Myrtle defendant, that the society was carried on in the&#13;
Reed (McCullough) committed suicide after a period same way as other similar societies, such as&#13;
of insomnia and depression, leaving a finished novel, the Stage Society, which was composed of mem-&#13;
whose publication is noticed above. Her “Love bers whose subscriptions entitled them to admission&#13;
Letters of a Musician " appeared first in 1899, when to the performances of certain plays, and that they&#13;
Myrtle Reed was twenty-five. Before August closed, were private performances for members of the&#13;
the death occurred of Edwin Asa Dix, author of society.&#13;
several novels and a travel book. Another traveller, The magistrate, however, held that the Little&#13;
John Milton Dillon, author of “Motor Days in French Theatre Society was merely a colourable&#13;
England,” soon followed him. The September excuse, and that the performance of French plays,&#13;
losses to American literature included Joel Benton, which were advertised in the public press, were in&#13;
poet, critic, and lecturer ; Mrs. Elizabeth Edson fact public performances. There was no sugges-&#13;
Evans, novelist, biographer, etc. ; and Charles tion that the plays were in any way improper, but in&#13;
Battell Loomis, whose humour is well known in the interests of the public it was essential that a&#13;
England. Mr. Loomis had only recently celebrated theatre, where public performances of plays took&#13;
(in hospital) his fiftieth birthday when he succumbed place should be licensed so as to come under the&#13;
to cancer. An accidental gunshot wound, self- inspection of the County Council, because that body&#13;
inflicted while out after quail on October 6th, put was responsible for the protection of the public in&#13;
an end to Philip Verrill Mighels, journalist, novel- case of fire. The charge against the defendant was&#13;
writer, poet, and playwright. On October 29th considered to be proved, and he was ordered to pay&#13;
died Joseph Pulitzer, proprietor of the New York a fine of £10.&#13;
World-leaving, by his will, two million dollars to From the observations of the magistrate, it seems&#13;
support a school of journalism at Columbia Univer that the offence, for which the defendant was fined,&#13;
sity. And on November 21st Kellogg Durland, was “ keeping a house of public resort for the&#13;
whose best-known writings dealt with labour public performance of stage plays without a&#13;
questions, committed suicide on a train journey. licence"; because the other offence with which he&#13;
PHILIP WALSH.&#13;
was charged, namely, “ presenting a stage play for&#13;
hire in an unlicensed place,” has nothing to do&#13;
with the question as to whether the performance&#13;
is public or private.&#13;
STAGE PLAYS AND PRIVATE SOCIETIES. What constitutes the “ public performance" of&#13;
a play is a question of some difficulty, but it may&#13;
be described as a performance to which the general&#13;
M H ERE appears to be some uneasiness among public can obtain admission. If certain qualiti-&#13;
1 members of private societies, which give un- cations are required of members of a society,&#13;
authorised dramatic entertainments, owing besides the mere payment of a subscription, it is&#13;
to the summary proceedings in connection with probable that a performance before the members&#13;
the performances of the Little French Theatre of such society would not amount to a public&#13;
Society, at the Boudoir Theatre, in Kensington. performance. But in the case of the Little French&#13;
Mr. Grey, who leased the theatre from Boudoir Theatre Society there appear to have been no&#13;
Companies, Ltd., was prosecuted for keeping a restrictions, the advertisements invited the general&#13;
house for the public performance of stage plays, public to subscribe, and the county couucil&#13;
and for presenting a stage play without a licence inspector became a member merely on payment of&#13;
from the London County Council.&#13;
the subscription.&#13;
The proceedings were instituted under the pro- The private societies, which give performances&#13;
visions of the Theatres Act, 1843, and as the of stage plays, some of which are unlicensed, hare&#13;
borough of Kensington is outside the authority of no need to be alarmed at the decision in this case,&#13;
the Lord Chamberlain, the licensing of the Boudoir so long as their performances are given, as is&#13;
Theatre comes within the jurisdiction of the County usually the practice I believe, in a theatre which&#13;
Council. An inspector of the Council paid the has been duly licensed. Still, it is advisable that&#13;
subscription of 31s. 6d., and became a member of they should give attention to section 15 of the Act,&#13;
the Little French Theatre Society, in order to which makes it an offence to present “for hire”&#13;
attend the performances of certain French plays. an unlicensed stage play ; for it has become the&#13;
&#13;
&#13;
## p. 101 (#521) ############################################&#13;
&#13;
THE AUTHOR.&#13;
101&#13;
-&#13;
-&#13;
- -&#13;
-&#13;
-&#13;
no defence, and a conviction is inevitable even&#13;
when it is admitted that the prosecution is&#13;
influenced by ulterior motives. A few years ago&#13;
there was quite an epidemic of such prosecutions ;&#13;
when the law was set in motion, sometimes by the&#13;
theatrical managers who realised that their&#13;
interests were being affected by the developments&#13;
of music-halls, sometimes by individuals who had&#13;
a personal grievance, and in the recent case,&#13;
referred to above, the Actors' Association prosecuted&#13;
because their members had been prejudiced by the&#13;
repudiation of contracts ; so that the law, instead of&#13;
being consistently enforced, as it should be if it&#13;
were reasonable, is left to the caprice of indivi-&#13;
duals ; and, unless they choose to prosecute, its&#13;
daily violation is regarded, so far as the authorities&#13;
are concerned, with the indifference of those who&#13;
have no veneration for antiquity.&#13;
HAROLD HARDY.&#13;
MAGAZINE CONTENTS.&#13;
habit to give unauthorised performances of stage&#13;
plays, as if the payment of a subscription, instead&#13;
of payment at the doors, secured the actors and&#13;
organizers from liability in respect of the heavy&#13;
penalties provided by the Act.&#13;
The important words of the section are " for&#13;
hire," and their meaning is very wide. They&#13;
include “every case in which any money or reward&#13;
shall be taken or charged, directly or indirectly,&#13;
or in which the purchase of any article is made a&#13;
condition for admission." If subscriptions, there&#13;
fore, are paid merely for the sake of obtaining&#13;
admission to the performances of these plays, it&#13;
would seem that every actor who takes part in the&#13;
entertainment must be deemed to be acting “for&#13;
hire.” Fortunately, the Censor, in spite of all the&#13;
indiscretions attributed to him, is not over zealous&#13;
in instituting proceedings. But it is well to bear&#13;
in mind that anybody who pleases may prosecute,&#13;
and the Act provides that the expenses of the&#13;
prosecutor, who may be the “man in the street,”&#13;
shall be paid out of the penalties imposed.&#13;
Another recent case under the Theatres Act was&#13;
the prosecution of the New Bedford Palace of&#13;
Varieties, which was summoned, for keeping a&#13;
house for the public performance of the stage play&#13;
entitled, “The Money Spider," without a licence&#13;
for such purpose ; and it was urged on behalf of&#13;
the company that the piece had been played at&#13;
eighteen music halls and only lasted twelve&#13;
minutes. The company was fined £30, and it was&#13;
ordered that fifteen guineas out of that sum&#13;
should be paid to the prosecutor for costs. The&#13;
prosecution had been undertaken by the Actors&#13;
Association, and it was stated by way of explan-&#13;
ation that actors were engaged by music-hall&#13;
proprietors, and that when the latter broke their&#13;
contracts they adopted the position of challenging&#13;
the actors to enforce their rights, because they knew&#13;
the agreement being illegal was unenforceable.&#13;
The state of the law with regard to stage plays&#13;
has for many years been denounced as unsatisfac-&#13;
tory, and it is strange that no amendment has yet&#13;
been made. The result has been, that the Theatres&#13;
Act is openly set at defiance, and there is hardly&#13;
a music-hall in London where stage plays are not&#13;
performed erery night, and the proprietors are&#13;
liable to heavy penalties, if anyone chooses to&#13;
institute proceedings. The Theatres Act was&#13;
passed long before the modern music-hall came&#13;
into existence, and it is obvious that its provisions&#13;
require alteration to suit the change of circum-&#13;
stances and the requirements of the times. It&#13;
appears to be nobody's duty to prosecute, when&#13;
stage plays are notoriously performed at music-balls&#13;
all over the metropolis in contravention of the&#13;
statute ; yet whenever proceedings are instituted,&#13;
heavy fines are inflicted, because there is generally&#13;
CORNHILL.&#13;
Medicine in Fiction. By Dr. S. Squire Sprigge.&#13;
CONTEMPORARY.&#13;
Fiction and Romance. By A. C. Benson.&#13;
Literary Supplement : Public Libraries and National&#13;
Education.&#13;
ENGLISH REVIEW,&#13;
Among My Books. By Frederic Harrison.&#13;
Conrad. By Ford Madox Hueffer.&#13;
The Copyright Bill. By Charles Tennyson.&#13;
Opera in England. By Francis Toye.&#13;
Play of the Month. "The War God."&#13;
FORTNIGHTLY.&#13;
The Art of J. M. Synge.&#13;
Reality in Poetry. By Laurence Housman.&#13;
The American Yellow Press. By Sydney Brooks.&#13;
NATIONAL&#13;
A Plea for English Song By Paul England.&#13;
Pictorial Art in South London. By A. Post-Impres.&#13;
sionist Scribbler.&#13;
NINETEENTH CENTURY.&#13;
Mrs. Humphry Ward's Novels. By Stephen Gwynn.&#13;
SCALE FOR ADVERTISEMENTS.&#13;
:&#13;
:&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.]&#13;
Front Page&#13;
...&#13;
Other Pages&#13;
...£4 0 0&#13;
Half of a Page.&#13;
... ... 3 0 0&#13;
Quarter of a Page&#13;
... ... ... 1 100&#13;
Eighth of a Page&#13;
... 0 15 0&#13;
... 0 7 6&#13;
Single Column Advertisements&#13;
per inch 6 6 0&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Twelve Insertions.&#13;
All letters respecting Advertisements should be addressed to J, F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
&#13;
&#13;
## p. 102 (#522) ############################################&#13;
&#13;
102&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
1. D VERY member has a right to ask for and to receive&#13;
1 advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work, can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to kno#&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are -&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
from the ont&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
N Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
ITERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
-------&#13;
-&#13;
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&#13;
## p. 103 (#523) ############################################&#13;
&#13;
THE AUTHOR.&#13;
103&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i,e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9, Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
ited, and that for a novice the first obiect&#13;
is to obtain adequate publication,&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
TITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writerg&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 104 (#524) ############################################&#13;
&#13;
104&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
THE COPYRIGHT ACT.&#13;
The Copyright Bill has now passed both Houses&#13;
of Parliament. It received the Royal Assent on&#13;
December 16.&#13;
Pension FUND.&#13;
THE secretary would like to draw the attention of&#13;
the members to the fact that four bankers' orders&#13;
have been received in answer to the recent Pension&#13;
Fund Appeal without any signature and without&#13;
any mark by which the senders could be recognised.&#13;
The secretary made mention of this fact under&#13;
the list of additional subscriptions and donations to&#13;
the society, but desires to do so again, as the matter&#13;
is one of considerable importance.&#13;
Bankers' Order for 10s. drawn on the London,&#13;
County and Westminster Bank, Maidstone.&#13;
Bankers' Order for 10s. drawn on the National&#13;
Provincial Bank of England, Baker Street, W.&#13;
Bankers' Order for 58. drawn on the Union of&#13;
London and Smiths' Bank, Clifton, Bristol.&#13;
Bankers' Order for 58. drawn on the London&#13;
County and Westminster Bank, Kensington, W.&#13;
guinea to Romeike &amp; Curtice, Ltd., for 125 cuttings&#13;
on a specified subject. By the 21st September&#13;
only two cuttings had been sent, although the&#13;
member was aware, from other sources, of a con.&#13;
siderable number of important notices upon the&#13;
subject. The member then interviewed Romeike &amp;&#13;
Curtice, Ltd., complained of the bad service, and&#13;
ultimately it was agreed that half a guinea should&#13;
be repaid and the number of cuttings reduced&#13;
to sixty. Romeike &amp; Curtice, Ltd., failed to&#13;
repay the half guinea, the secretary got no satis-&#13;
faction on applying to them, and finally the&#13;
matter had to be placed in the hands of the&#13;
society's solicitors. Upon their sending down a&#13;
clerk, a distinct promise was made to forward the&#13;
money, but nothing came. As all subsequent&#13;
applications were ignored, a plaint was issued in&#13;
applications were i&#13;
the City of London Court, and judgment was&#13;
obtained against the agency on the 23rd November.&#13;
This judgment has now been satisfied.&#13;
THE PENSION FUND CIRCULAR.&#13;
We publish in another column the list of annual&#13;
subscriptions and donations received since the&#13;
beginning of October. The greater mass of these&#13;
are in response to the Circular sent out the&#13;
beginning of November. The Society must be&#13;
congratulated on the result of that Circalar appeal&#13;
On going to press £85 per annum have been&#13;
added to the subscriptions and £164 19s. Od. to&#13;
the donations. The long list of additional annual&#13;
subscribers is most satisfactory, tending to&#13;
show, as it does, the unity of the Society. The&#13;
Society should be proud of the fact that the Com-&#13;
mittee of the Pension Fund and the Committee of&#13;
Management have looked upon the Fund, as&#13;
indeed have all the members of the Society, as&#13;
one raised by the Fellowship of Letters on behalf of&#13;
those who are members. The fine result achieved&#13;
in the 12 years the Fund has been running speaks&#13;
well for the independence of the Society's action.&#13;
A SATISFACTORY PUBLISHER.&#13;
We have much pleasure in printing a clause&#13;
which has been inserted in an agreement coming&#13;
from one of the best and oldest established firms in&#13;
England. Indeed we should have liked to have&#13;
published the name of the firm.&#13;
The clause referred to runs as follows:-&#13;
“In the event of the publishers securing copyright for&#13;
the work in the United States, or realising profits from the&#13;
sale of serial or other rights in the United States, such&#13;
profits shall, after deducting all expenses relating thereto,&#13;
be placed to the credit of the author.”&#13;
The attention of members has often been drawn&#13;
to the fact that when agents hand over the serial&#13;
rights and other minor rights to the publishers,&#13;
whether in the United States or elsewhere, the&#13;
publishers think themselves liberal if they pay the&#13;
author 50 per cent. Even if the author was&#13;
successful in placing the rights himself he would&#13;
have to pay the publisher 50 per cent. The agent's&#13;
charges would have to be reckoned in addition to&#13;
this. If the agent is energetic enough to place&#13;
these rights independently of the publisher he would&#13;
charge 10 per cent., however large the figure, whereas&#13;
the publisher, whose agreement is quoted, after&#13;
deducting all expenses (these, we suppose, would&#13;
amount to one or two letters backwards and forwards&#13;
and perhaps a cablegram) credits the author with&#13;
the full amount. This method of doing business&#13;
cannot be sufficiently highly recommended. If it&#13;
pays one publisher to do business on this basis it&#13;
would pay all publishers, and we trust, therefore, to&#13;
see the usual clause, which is so frequently inserted&#13;
to the detriment of the author, struck out of future&#13;
contracts.&#13;
County COURT CASE.&#13;
The following case will be of interest to authors&#13;
who subscribe for Press cuttings :-On the 7th&#13;
September last a member of the Society paid a&#13;
&#13;
&#13;
## p. 105 (#525) ############################################&#13;
&#13;
THE AUTHOR.&#13;
105&#13;
THE “ Chicago DIAL."&#13;
included “in his list of New Novels," clearly&#13;
The Chicago Dial is one of the soundest literary&#13;
leading the public to suppose that the novels&#13;
reviews published the other side of the Atlantic,&#13;
produced were new novels. It would be interesting&#13;
and a weekly perusal of its contents will enable&#13;
if such a case could be decided from the point of&#13;
anyone to keep abreast of the American output,&#13;
view of literary libel, but we're afraid there is no&#13;
but it has, apparently, like many literary reviews,&#13;
immediate prospect of there being a legal remedy.&#13;
its own staff which deals with its own books and&#13;
its own literary subjects.&#13;
We have this placed forcibly before us by the&#13;
COMMITTEE ELECTION.&#13;
following letter which the editor has asked us to&#13;
insert :-&#13;
November 17, 1911. TN pursuance of Article 19 of the Articles of&#13;
SIR-It might be doing a service to English writers if 1 Association of the society, the committee give&#13;
you would allow me to state through your columns that&#13;
potice that the election of members of the committee&#13;
the Dial does not invite MSS. from England, the character&#13;
of the journal being such as to make the sending of such&#13;
of management will be proceeded with in the&#13;
MSS. quite useless on the part of the sender, and a needless following manner :-&#13;
waste and annoyance on all sides. From the large number (1) One third of the members of the present&#13;
of unavailable MSS. received from England, I am led to&#13;
committee of management retire from office in&#13;
think that the Dial has been announced in some English&#13;
journal as inviting miscellaneous MSS. from abroad ; hence&#13;
accordance with Article 17.&#13;
the apparent desirability of this correction.&#13;
(2) The names of the retiring members are :-&#13;
Yours very truly,&#13;
Mrs. Belloc Lowndes,&#13;
FRANCIS F. BROWNE, Editor.&#13;
Mr. Arthur Rackham,&#13;
Dr. S. Squire Sprigge,&#13;
Mr. Sidney Webb.&#13;
FRENCH LAW CASES.&#13;
(3) The date fixed by the committee up to which&#13;
nominations by the subscribing members of candi-&#13;
THE action brought by Anatole France against dates for election to the new committee may be&#13;
the publisher Lemere has been settled. The made is the 10th day of February.&#13;
dispute arose owing to the publisher desiring to (4) Mr. Sidney Webb not seeking re-election,&#13;
publish now for the first time an MS. written the committee nominate the following candidates,&#13;
thirty years ago. The dispute, we understand, being subscribing members of the society, to fill&#13;
has been settled by the publisher undertaking to the vacancies caused by the retirement of one third&#13;
make a clear statement of the date of the com- of the committee, according to the constitution :-&#13;
position, and that it is published now against the&#13;
Mrs. Belloc Lowndes,&#13;
wishes of the author.&#13;
Mr. Hesketh Pritchard,&#13;
This case is a most interesting one for authors, Mr. Arthur Rackham,&#13;
and it is a pity it has not been decided in the&#13;
Dr. S. Squire Sprigge.&#13;
French Courts in order that authors all over the The committee remind the members that, under&#13;
world might see how the French law dealt with article 19 of the amended Articles of Association&#13;
the subject. We must state, with regret, that it “any two subscribing members of the society may&#13;
not infrequently happens that publishers take up nominate one or more subscribing members other&#13;
the early publications of a famous author, either than themselves, not exceeding the number of&#13;
purchasing or holding the copyright themselves, vacancies to be filled up, by notice in writing sent&#13;
and produce the work without the author's sanction to the secretary, accompanied by a letter signed&#13;
and, in many cases, opposed to the author's wishes. by the candidate or candidates expressing willingness&#13;
They make no statement that it is a new publica- to accept the duties of the post.&#13;
tion by the author, but then, on the other hand, The complete list of candidates will be printed&#13;
10 statement that it is a republication in the March issue of The Author.&#13;
of an early immature work. In the cases which&#13;
the society has been able to investigate it was&#13;
found that the only remedy in the author's hands&#13;
THE PENSION FUND COMMITTEE.&#13;
was to make an explanation in letters to the&#13;
papers, but this is unsatisfactory, as, after all,&#13;
these letters only reach a limited public, and if TN order to give members of the society, should&#13;
the author is a popular author, not half of his I they desire to appoint a fresh member to the&#13;
circle of readers is made aware of what has taken Pension Fund Committee, full time to act, it has been&#13;
place. In one case the publisher went so near the the custom to place in The Author a complete state-&#13;
line as to state that the work of Mr. “ — " was ment of the method of election under the scheme for&#13;
&#13;
&#13;
## p. 106 (#526) ############################################&#13;
&#13;
106&#13;
THE AUTHOR.&#13;
administration of the Pension Fund. Under that Askwith, who accompanied the late Sir Henry&#13;
scheme the committee is composed of three Bergne to the Berlin Conference, and who after&#13;
members elected by the committee of the society, his sad death there took charge of his duties in&#13;
three members elected by the society at the general connection with the contemplated reform of the&#13;
meeting, and the chairman of the society for the British Law of Copyright, and Sir Hubert Llewellyn&#13;
time being, ex officio. The three members elected Smith, Permanent Secretary to the Board of Trade,&#13;
at the general meeting when the fund was first were also present, the gathering of members and&#13;
started were Mrs. Alec Tweedie, Mr. Morley Roberts, their friends being an exceptionally large one.&#13;
and Mr. M. H. Spielmann. These have in turn The following ladies and gentlemen presided at&#13;
during the past years resigned, and submitting their the various tables :-Mr. E. Phillips Oppenheim,&#13;
names for re-election, have been re-elected. This Mr. Robert Ross, Mrs. Belloc Lowndes, Mr. W. W.&#13;
year Mr. Morley Roberts retires under the scheme, Jacobs, Mrs. Humphreys (Rita), and Mr. G. H.&#13;
but as he does not submit his name for re-elec- Thring (Secretary). Those not already mentioned,&#13;
tion, the committee have nominated as a candi- who had seats allotted to them at the High Table&#13;
date for the vacancy Mr. Owen Seaman.&#13;
included, Lady Falmouth, Mr. R. J. Godlee (Presi-&#13;
The members have, however, power to put dent of the Royal College of Surgeons), Mrs.&#13;
forward other names under clause 9, which runs as Humphry Ward, Sir Charles Villiers Stanford,&#13;
follows:-&#13;
Mr. Theodore Cook, Professor Adam Sedgwick,&#13;
"Any candidate for election to the Pension Fund Com-&#13;
Sir Alfred Bateman, Mrs. Frank Elliott, Sir&#13;
mittee by the members of the society (not being a retiring Frederick Macmillan, Sir James and Lady Yoxall,&#13;
member of such committee) shall be nominated in writing Sir Arthur and Lady Conan Doyle, the Reverend&#13;
to the secretary at least three weeks prior to the general&#13;
E. S. Roberts (Master of Caius College), Mr.&#13;
meeting at which such candidate is to be proposed, and the&#13;
nomination of each such candidate shall be subscribed by&#13;
Anthony Hope Hawkins, Mrs. Squire Sprigge,&#13;
at least three members of the society. A list of the names Mr. and Mrs. J. W. Comyns Carr, Sir Frederic&#13;
of the candidates so nominated shall be sent to the members Hewitt, Mrs. E. Nesbit Bland, Miss May Sinclair,&#13;
of the society, with the annual report of the managing&#13;
and Mr. Ezra Pound.&#13;
committee, and those candidates obtaining the most votes&#13;
at the general meeting shall be elected to serve on the&#13;
At the conclusion of dinner, and after the usual&#13;
Pension Fund Committee."&#13;
loyal toasts had been proposed by the Chairman&#13;
In case any member should desire to refer to the&#13;
and received with enthusiasm, Mr. J. W. Comyns&#13;
list of members, the list taking the elections up to&#13;
Carr rose to propose the toast of “the Copyright&#13;
the end of July, 1907, was published in October of&#13;
that year. This list was complete at the date of&#13;
Mr. Comyns Carr said :Mr. Chairman, Ladies&#13;
issue, with the exception of the thirty-eight mem-&#13;
and Gentlemen,-I should account it in any cir-&#13;
bers referred to in the short preface. All subse-&#13;
cumstances an honour to be permitted to address so&#13;
quent elections have been duly chronicled in The&#13;
distinguished a company. But to-night the honour&#13;
Author.&#13;
is great indeed, for we are met to give welcome and&#13;
It will be as well, therefore, should any member acceptance to the largest instalment of justice that&#13;
desire to put forward a candidate, to take the&#13;
has ever been conferred on Literature by the Parlia-&#13;
matter within their immediate consideration. The ment of England. In the accomplishment of this&#13;
general meeting of the society is usually held in&#13;
result the Society of Authors has taken its full&#13;
March. It is essential that all nominations should&#13;
share of labour and responsibility, and I am there-&#13;
be in the hands of the secretary before the 31st of&#13;
fore justly proud to stand forward as their spokes-&#13;
January, 1912.&#13;
man in respect of the toast which I shall offer for&#13;
your acceptance.&#13;
I have spoken of this Bill as an instalment,&#13;
THE DINNER.&#13;
because I am not here to admit that even the&#13;
great concessions we have obtained exhaust the&#13;
legitimate demands and aspirations of the authors of&#13;
M HE annual dinner of the Society was held this country. It is very possible, I think, that in&#13;
I at the Criterion Restaurant on Friday, the future Literature, like Oliver Twist, may be&#13;
December 8. Held earlier in the season found asking for more, possible also that, as the&#13;
than has usually been the case, the dinner marked public conscience on this subject develops, more will&#13;
the passing of the Copyright Bill through Parlia- be granted.&#13;
ment, and the President of the Board of Trade Speaking for myself, I may frankly avow my&#13;
(The Rt. Honble. Sydney Buxton), who had charge belief in perpetual copyright as the goal at which&#13;
of it in the House of Commons, occupied a seat at we should aim, and if this were the time and place, I&#13;
the right hand of the Chairman, Dr. S. Squire think it could be argued and could be proved that&#13;
Sprigge, as the guest of the evening. Sir George the institution of perpetual copyright under proper&#13;
&#13;
&#13;
## p. 107 (#527) ############################################&#13;
&#13;
THE AUTHOR.&#13;
107&#13;
state control would not only prove of advantage to&#13;
authors, but also and no less to the vast community&#13;
which demands reasonable access to the master-&#13;
pieces of literature.&#13;
To many, I am well aware, this idea of mine will&#13;
seem a vain dream, but let it be remembered that&#13;
the dreams of to-day often take shape and substance&#13;
among the realities of to-morrow, for as Shelley&#13;
truly said, poets who are the great dreamers are the&#13;
acknowledged legislators of the world.&#13;
But a dream, even as far-reaching as this, is often&#13;
no mere forecast of the future, but a remembered&#13;
vision of what the past once owned and the present&#13;
has allowed to lapse, and this I make bold to say is&#13;
emphatically the case in regard to an author's&#13;
property in the fruits of his labours.&#13;
For almost from the invention of printing to&#13;
the advent of the detestable statute of Queen&#13;
Anne—the first and the worst of the enactments&#13;
concerning our calling,-an author enjoyed in&#13;
principle and in practice that perpetual copyright in&#13;
his writing, which at some future day he may&#13;
recapture.&#13;
But the effect of the statute of Anne, with its&#13;
grudging concession of fourteen years from the&#13;
date of publication, and a further fourteen years if&#13;
the author had the courage to survive the first&#13;
period, was to throw back the whole conception of&#13;
literary property into a condition of comparative&#13;
barbarism.&#13;
The root idea that an author has any title to the&#13;
rewards to be derived from the creations of his own&#13;
brain came to be regarded with more than suspicion,&#13;
and so far did this feeling develop that in 1774, in&#13;
a judgment which swept away the last remnant of&#13;
an author's rights at Common Law, Lord Camden&#13;
declared :-&#13;
“That it was not for gain that Bacon, Newton,&#13;
Milton, and their like instructed the world. It&#13;
would be unworthy of such men to traffic with a&#13;
dirty bookseller for so much a sheet of letterpress.&#13;
When the bookseller offered Milton £5 for • Paradise&#13;
Lost'he did not reject it, nor accept that miserable&#13;
pittance as the reward of his labour. He knew&#13;
that the real price of his work was immortality, and&#13;
that posterity would pay it."&#13;
In this connection he would only recall the&#13;
caustic remark of Thomas Hood that “the author,&#13;
apparently, is required to provide for everybody's&#13;
posterity but his own." And further, and with&#13;
equal point, he added, “cheap bread is as desirable&#13;
as cheap books, but it has not yet been thought&#13;
necessary to ordain that after a certain number of&#13;
crops all cornfields ought to be public property.”&#13;
The spirit which animated Lord Camden's words&#13;
is not obsolete. It has cropped up during the&#13;
recent debates in the House of Commons on the&#13;
Copyright Bill, but I have often noticed that the&#13;
philanthropists are never so eager as when they&#13;
are disposing of other people's property.&#13;
But now, continued Mr. Carr, the Copyright Bill&#13;
was passed. The provisions of that Bill were an&#13;
enormous advance upon anything which Parliament&#13;
had hitherto conferred upon literature. In order&#13;
to realise what had been gained he would like to&#13;
try and illustrate what that advance was by reference&#13;
to two names, but two of the mightiest that had&#13;
adorned English letters during the last 150 years.&#13;
Sir Walter Scott needed no eulogy from him.&#13;
Beyond all men of his own or previous generations&#13;
Scott won the favour of the world, but everyone&#13;
knew how the later years of his life were broken&#13;
and embittered by the calamity brought about by&#13;
his confiding belief in the stability and integrity of&#13;
his friends, and how he thereby incurred a pro-&#13;
digious debt which not even his great income was&#13;
adequate to meet. Scott set himself the task of&#13;
paying off this debt. He did not live to achieve it.&#13;
Writing in his diary in the year 1827, he says, “I&#13;
see before me a long, tedious and dark path, but it&#13;
leads to stainless reputation. If I die in the&#13;
harrows, as is very likely, I shall die with honour :&#13;
if I achieve my task I shall have the thanks of all&#13;
concerned and the approbation of my own conscience.”&#13;
What a weight would have been lifted off that&#13;
mighty brow if the Bill which they were met to&#13;
celebrate had been in force in Scott's time !&#13;
He would have been able to face death with a&#13;
full confidence that the debt which he had incurred&#13;
would be paid off, because not only his latter works,&#13;
but those which had first brought him immortality-&#13;
his poems, and “ Waverley," would still have been&#13;
in copyright, and would have brought in a fund&#13;
sufficient to have met his stupendous debt.&#13;
Continuing, Mr. Comyns Carr said : I will make&#13;
only one more reference. Within the last four days&#13;
a powerful appeal has been put forward on behalf of&#13;
a magician surely not less in rank than Walter Scott&#13;
himself. For if Scott threw a mantle of romance&#13;
over the hills and ralleys of his native land, a spell of&#13;
enchantment has been thrown by Charles Dickens&#13;
over the dark alleys and narrow streets of our&#13;
great city of London. To such an extent, indeed,&#13;
that pilgrims from the other side of the Atlantic&#13;
come to visit, not the capital of England, but the&#13;
London of Charles Dickens. I can speak with&#13;
knowledge that that appeal is urgent, and that that&#13;
appeal is just. That it should have to be made&#13;
stamps with shame the laws concerning literary&#13;
property under which until now we have lived.&#13;
For if this Bill which we are asked to celebrate&#13;
to-night had been in existence when Dickens lived&#13;
there is not one of his works, from the “Pickwick&#13;
Papers” of 1837 down to the fragment of “ Edwin&#13;
Drood” in 1870, which would not still be in&#13;
copyright, and out of which there would already&#13;
&#13;
&#13;
## p. 108 (#528) ############################################&#13;
&#13;
108&#13;
THE AUTHOR.&#13;
have been derived a sum amply sufficient to have the public. Some appeared to believe that all&#13;
provided for those grandchildren of his, on whose authors were geniuses, and others, equally errone-&#13;
behalf this appeal is made.&#13;
ously, believed that the only equipment necessary&#13;
Charles Dickens rarely allowed himself to make for authorship consisted of a stylographic pen and&#13;
his romances the medium of any personal protest, a few sheets of foolscap.&#13;
but there is one exception in the earlier chapters of The committee, having the best intentions,&#13;
“ Nicholas Nickleby," where he vehemently inveighs desired to arrive at a satisfactory solution on the&#13;
against those pirates who before the author's novel basis of give and take, some being willing to do all&#13;
was completed in its monthly parts, set a garbled the taking if the others would do all the giving.&#13;
version of it upon the stage.&#13;
There was generally a well-disposed feeling towards&#13;
Let us then count our gains. We gain an added authors, although some thought that they ought to&#13;
term of copyright; we count our gains in the be protected against themselves as well as against&#13;
protection accorded to the novelist in regard to his publishers, and the feeling towards publishers&#13;
dramatic rights; we count our gains in a hundred did not seem to be as tender as towards authors.&#13;
different ways. Our gains are enormous, and I Many regarded publishers as hard, stern persons&#13;
venture to make this prophecy, that if the Copy- who had the authors in their grip. On more than&#13;
right Act of 1842 has come to us labelled as one occasion he himself had pointed out that&#13;
“ Macaulay's Act”—not always to his credit—the publishers were not quite as black as they were&#13;
Act which will soon receive the Royal Assent will painted. The committee had been, if not between&#13;
go down to posterity as “ Buxton's Act."&#13;
the devil and the deep sea, at any rate between&#13;
I am asked to couple with this toast the name of Scylla and Charybdis, and more than once their&#13;
the President of the Board of Trade. I do so barque had rubbed against the rocks and been in&#13;
gladly, and with some knowledge of what he under- imminent danger of foundering. Finally, how-&#13;
took in conducting this Bill to its successful con- ever, they had passed a measure which he believed&#13;
clusion. I, with others, including my friend Sir would give general satisfaction and protect both&#13;
Frederick Macmillan, to whom, as well as to the authors and publishers. In the course of a few&#13;
Society of Authors, the interests of literature owe days the Bill would become an Act and, they would&#13;
much, watched its progress through the House of agree, not before it was wanted. Anyone who bad&#13;
Commons, and I know they will not contradict my studied the copyright laws knew how full the&#13;
testimony when I say that the zeal, the patience, twenty-two Acts passed since 1735 were of com-&#13;
and the courage with which Mr. Sidney Buxtonplexities, anomalies and anachronisms. In such&#13;
conducted this Act to its triumph imposes upon us matters they had to seize the psychological moment&#13;
a lasting debt of gratitude to him. Nor must I when time, opportunity, and driving force were&#13;
forget the splendid help given in Grand Committee theirs. These requisites existed in the Berlin&#13;
by Sir John Simon, and to the happy efforts in Convention, the Imperial Conference, and the&#13;
other directions of Sir George Askwith and Sir necessity for domestic reforms. He was rather&#13;
Hubert Llewellyn Smith. I give you the toast of proud of the fact that this would be an amending&#13;
“ The Copyright Bill.”&#13;
and consolidating Act which repealed no less than&#13;
The toast was accorded full honours.&#13;
eighteen other Acts of Parliament, and the greater&#13;
Mr. Sidney Buxton, in responding, referred to part of four more, and which itself consisted of&#13;
himself as having but steered the boat while others only twenty-seven clauses. They were all agreed&#13;
pulled the labouring oar, and associated with the that authors ought to enjoy the legitimate fruits of&#13;
task of remodelling the law of copyright the names their brains. Mr. Comyns Carr had said that he&#13;
of Sir Henry Bergne, Sir George Askwith, Sir was in favour of perpetual copyright, a view shared&#13;
Hubert Llewellyn Smith, Sir John Simon and others. with him as nations by the republics of Nicaragua&#13;
They had painted the picture, he had not done very and Guatemala. In this country the desire had&#13;
much more than make the frame; he referred his been to get reasonable control, and the period of&#13;
hearers to Charles Keene's drawing in Punch of the fifty years after death was taken in order to bring&#13;
frame-maker visiting the Royal Academy with his England into line as far as possible with other great&#13;
wife and exclaiming, as they stood before the countries. But no one would support the claim&#13;
picture of the year, “On the line again! Maria ! for such a period if he believed it to be injurious to&#13;
on the line again!” The task of introducing and the public or likely to put a stumbling-block in the&#13;
of passing the Bill had been a difficult one, way of cheap and easily accessible literature. The&#13;
requiring delicate handling. Among the seventy or more opportunity he had had of studying the&#13;
eighty members who considered the measure in question the more he had come to the conclusion&#13;
Grand Committee, it seemed to him, were some that copyright, far from preventing the production&#13;
who were over-zealous on behalf of authors and and cheapening of books, gave a stimulus to their&#13;
publishers, and some over-strenuous on behalf of production. In his opinion the cheapening and&#13;
&#13;
&#13;
## p. 109 (#529) ############################################&#13;
&#13;
THE AUTHOR.&#13;
109&#13;
wide circulation of books in recent years had not might not require its services, still any author's day&#13;
come about in spite of, but in consequence of, of trial might come. Then he would turn to the&#13;
copyright. Some people thought the extension of society, and then, regardless of all business princi-&#13;
the term of copyright was all that was gained by ples, the society would help him, because it was&#13;
the Bill, but there were other advantages. For the society's business to maintain the rights of&#13;
example, in the case of a play the farce of a copy. literary property. But it must be noted that this&#13;
right performance was done away with, and action was hopelessly unbusinesslike though forced&#13;
summary remedies for the infringement of copy- upon the society by its ideals. The subscription&#13;
right were given. Copyright would now date from was a guinea, or a life subscription was ten guineas.&#13;
death and not from publication, which would If a large proportion of writers joined only when&#13;
enable authors to produce their complete works, in trouble, the society had to spend upon them,&#13;
protecting them from piracy of their earlier ones. perhaps, the subscriptions of five years before their&#13;
Mr. Comyns Carr had referred to the Bill as an contributions began to help the needs of other&#13;
instalment. No doubt they were all as he sug- members. If any such resigned before the five&#13;
gested, Oliver Twists looking to the future for years expired, the society would actually lose by&#13;
more, but copyright was not an easy subject to deal them. He earnestly begged members to stay by&#13;
with. On the contrary it was a very worrying the society for the good of every one for their&#13;
subject, and as far as he was concerned he was own good ; for they never could tell when they&#13;
content to leave it where it was—he did not propose might want the society's advice for the good of&#13;
to revive the corpse.&#13;
their colleagues, who could be more effectively helped,&#13;
The Chairman (Dr. Squire Sprigge) referred to if the society were not compelled to spend its in-&#13;
the custom of the society, that the chairman of the creasing income upon its increasing needs. Was&#13;
committee for the year should, at the dinner, the there any character in novels more popular than the&#13;
society's only social gathering, speak to the collective “strong silent man" or the “strong silent woman"?&#13;
aims of its members, their doings and their hopes The society wanted the “strong silent member," and&#13;
for the future. His responsibility in doing this lots of them, those who paid their guineas partly as&#13;
was lightened by the fact that the annual report was insurance, and partly recognising that the society&#13;
already drafted and would soon be laid before the must, espouse the cause of many who came to it in&#13;
society with the authoritative weight of the Com- the first instance in trouble. Let members who&#13;
mittee. The story to be told was one of progress knew of any who had strayed from the society's&#13;
all along the line, of increased membership, of fold shepherd them back-let them impress upon&#13;
increased income, of accretion to the Pension Fund, such to join again. Small as the losses might be&#13;
and of success in legal transactions. The inter- compared with the gains, they were always a source&#13;
vention of the society in a legislative matter of the of regret, and if any sort of common reason for&#13;
first importance to all writers had been testified to resignations could only be arrived at, it could be&#13;
by the President of the Board of Trade. He removed.&#13;
(the Chairman) attributed a great share of this He gave the toast of the Society of Authors with&#13;
success to the work of Mr. Thring, who had never the sincere hope and veritable belief that its pro-&#13;
allowed the increase of his duties involved by the gress would be maintained. Its main object, the&#13;
Copyright Bill to interfere with his performance of defence of literary property, had been steadily&#13;
his regular work as Secretary of the society.&#13;
followed for a quarter of a century, and the value&#13;
Tarning, however, to a matter upon which he of its work had been enhanced by full recognition&#13;
desired to express himself personally, he called of the justice of its principles. It was no longer&#13;
attention to a serious drawback which ought to described by the quidnuncs as a ring to fight&#13;
be remedied. The leakage from the ranks of the the publishers—the injustice of such a description&#13;
society was too great. Every year a certain was proved by the presence of Sir Frederick&#13;
number of resignations fell as cold douches upon Macmillan, chairman of the Publishers' Association,&#13;
the ardour of the society's progress. They did not and by study of the reports of the past twenty&#13;
stop progress, but they impeded it, and he called years. The society did not exist to bolster up&#13;
upon those present to help to deal with the matter. incompetence, as had been urged against it. It&#13;
It was the rarest thing for anyone to give a reason had often to espouse the cause of the weak, but&#13;
for leaving the society, and he was driven to think it did so, harsh as it might sound, not because&#13;
that resignations must be caused by lack of apprecia. an author was weak, but because the rights of&#13;
tion of the nature of corporate spirit, and of the weak and the rights of the strong had the&#13;
comprehension of the principles of insurance. It same basis, though not the same chances of&#13;
should be remembered that to some extent the busi- establishing themselves.&#13;
ness of the society must be on insurance lines, and Mr. Robert Ross, in proposing the health of the&#13;
that although from year to year any given author Chairman, said that if he were to try to vivisect&#13;
&#13;
&#13;
## p. 110 (#530) ############################################&#13;
&#13;
110&#13;
THE AUTHOR.&#13;
Dr. Sprigge, the editor of the Lancet, the society - some life to the views that he adopts, and should&#13;
another society--would interfere, and moreover it revivify the dead bodies of the past. The historian&#13;
would require the art of Mrs. Humphry Ward or who is merely a balancer of opinions and methods&#13;
Mr. Henry James to do so. He would not there- and a chronicler of dry facts is, from our point of&#13;
fore dwell upon the distinction with which Dr. view, useless ; from a child's point of view, he is&#13;
Sprigge directed the fortunes of the leading scientific worse than useless."&#13;
paper of the world, because those present knew how I shall not attempt to discuss with The Author's&#13;
well he fulfilled the duty of presiding over a society reviewer in what manner children, in particular,&#13;
of literary men and women. Metaphor prohibited should be taught history. The Platonic Socrates,&#13;
him from saying that the wielder of a lancet it is true, although he admitted that it is the&#13;
touched nothing that he did not adorn, and he practice to“ begin by telling children stories which,&#13;
would boldly admit that the wielder of a lancet if not wholly destitute of truth, are in the main&#13;
touched nothing without taking something away. fictitious," contended that we ought not to“ permit&#13;
The Chairman would take away that evening the children to receive into their minds notions the&#13;
good-will and gratitude of the Authors' Society, an very opposite of those which are to be held by them&#13;
operation painlessly performed without the aid of when they grow up" (Republic, 377). This postu-&#13;
any anæsthetic even in the form of an after-dinner late of Socrates might well be allowed to apply to&#13;
speech. Only the committee, perhaps, knew the the teaching of history to children nowadays.&#13;
value of Dr. Sprigge's services to the society over a But I am not intending any criticism of the&#13;
period of twenty-one years. He was Mr. Thring's book which Messrs. Fletcher and Kipling have&#13;
predecessor, but his enthusiasm and energy on collaborated to produce. It is with a statement of&#13;
behalf of the society did not cease in the interval the reviewer that I am concerned, not with the&#13;
between his retirement from the post of secretary subject of his review ; the statement, namely, that&#13;
and his election as chairman. The so-called leisure “surely the soundest view is that the historian&#13;
moments of an unselfish career he had given to the should be a partisan." This dictum must not be&#13;
society's service. All did not perhaps realise that suffered to pass without protest. Of course, very&#13;
Dr. Sprigge might have trod the path of mere much depends upon the meaning attached to the&#13;
literature, that path by which you shift your word “partisan.” If it is to be interpreted as&#13;
manuscript on a publisher, your health on a nothing worse than the opposite of “ merely a&#13;
physician, and your grievances on the Authors' balancer of opinions and methods and a chronicler&#13;
Society. He thought there was a hint of the Chair- of dry facts," then cadit quæstio. But such an&#13;
man's real tastes in the last number of the Cornhill interpretation is not natural, and I do not imagine&#13;
Magazine, in the delightful volumes of stories “Odd that it was in the mind of The Author's reviewer.&#13;
Issues” and the “ Industrious Chevalier” rather “The New English Dictionary," I see, in its defini.&#13;
than in those blood-curdling volumes “Medicine tion of Partisan, suggests “ One who takes part or&#13;
and the Public” and “ The Methods of Publish- sides with another ... often in an unfavourable&#13;
ing." Dr. Sprigge suppressed his love of fiction sense : One who supports his party through thick&#13;
in literature in order to study the fiction of and thin'; a blind, prejudiced, unreasoning or&#13;
publishers' accounts, and to insist upon the rights fanatical adherent."&#13;
of the society's members. The Chairman was his I will not assume that the reviewer meant that&#13;
(Mr. Ross's) nephew, but immune from the sus- the historian should be “a blind, prejudiced, un-&#13;
picion of nepotism, he asked the society to drink reasoning or fanatical adherent ” ; but it will&#13;
the health of Dr. Sprigge.&#13;
probably be doing him no injustice to suppose that&#13;
After the toast had been honoured with cheers, he admires a " thick and thin ” supporter, one who&#13;
those present rose and proceeded to the adjoining is for “my country, my cause, or my hero, right or&#13;
room, where the usual conversazione took place. (not ridiculously) wrong." This may be taken as&#13;
the ideal attitude of the partisan. Is it the ideal&#13;
attitude of the historian ? Doubtless it is a very&#13;
THE SOUNDEST VIEW OF HISTORY.&#13;
common attitude, adopted by historical writers&#13;
whose names are household words; to take two&#13;
great modern instances, Mommsen and Macaulay-&#13;
TN the November issue of The Author, in the both of them, it may be noted in passing, made to&#13;
1 course of a notice of the new “History of serve as text-books for the English schoolboy.&#13;
England," by Messrs. Fletcher and Kipling, In considering the above-mentioned attitude, we&#13;
there occur the following sentences :-&#13;
are bound to ask, What are the requisites of a good&#13;
“There are many views taken about the writing history ? Certainly we must admit that one is to&#13;
of history, but surely the soundest view is that the “ give some life to the views [the historian] adopts,&#13;
historian should be a partisan, that he should give and revivify the dead bodies of the past. A dull&#13;
&#13;
&#13;
&#13;
## p. 111 (#531) ############################################&#13;
&#13;
THE AUTHOR.&#13;
111&#13;
history cannot be more than a text-book ; and a I cannot resist quoting the opening paragraph&#13;
simple text-book is not literature, which history of the first chapter of “The New · Examen,”&#13;
should be. But to accomplish this life-giving which originally appeared in serial form in Black-&#13;
work, is it necessary for the author to be a partisan ? wood's Magazine for June, 1859 :-&#13;
Is a fair mind a bar-I will not say to successful, " The peculiar charm of Lord Macaulay's writings (says&#13;
but-to good historical writing ?&#13;
Paget] arises from the fact that his vivid imagination&#13;
The historian, it will be granted, must be “a enables him to live for the time amongst those whose&#13;
balancer of opinions and methods” and “a chronicler&#13;
portraits he paints. The persons of his drama are not&#13;
cold abstractions summoned up from the past to receive&#13;
of facts,” though not "a mere balancer," etc., or&#13;
judgment for deeds done in the flesh; they are living men&#13;
“a chronicler of dry facts” only. Well, having and women--beings to be loved or hated, feared or despised,&#13;
the opinions, methods, facts of his period before with all the fervency which belongs to Lord Macaulay's&#13;
him, must the historian then proceed to use them&#13;
character. The attention of the reader is excited, his&#13;
sympathies are awakened, his passions are aroused ; he&#13;
in a partisan spirit ? Must he distort, mutilate,&#13;
devours page after page and volume after volume with an&#13;
select, and suppress ? I take it that if he does appetite similar to that which attends upon a perusal of&#13;
not he is a poor partisan. But I hold that if he the most stirring fiction ; he closes the book with regret,&#13;
does he is a poor historian Lam well arrare that and then, and not till then, comes the reflection that he&#13;
has been listening to the impassioned barangue of the&#13;
Macaulay distorts, mutilates, selects, and suppresses,&#13;
and suppresses, advocate, not to the calm summing-up of the judge. It&#13;
and that he is generally accounted a great historian. would be well if this were the worst. We are reluctantly&#13;
The truth is that he is the most dangerous of all convinced that Lord Macaulay sometimes exceeds even the&#13;
historical writers, and his - History of England” privileges of the advocate ; that when he arraigns a culprit&#13;
before the tribunal of public opinion, and showers down&#13;
a most improper text-book, seeing that it is the&#13;
upon him that terrible invective of which he is so accom.&#13;
scholastic custom to administer the bane without plished a master, evidence occasionally meets with a treat-&#13;
the antidote."&#13;
ment at his hands from which the least scrupulous prac-&#13;
I do not suppose that many people at the present&#13;
titioner at the bar would shrink. Documents are sup-&#13;
day look at a work entitled “The New ' Examen':&#13;
pressed, dates transposed, witnesses of the most infamous&#13;
character are paraded as pure and unimpeachable, and&#13;
or an Inquiry into the Evidence relating to certain even forgotten and anonymous slanders, of the foulest&#13;
Passages in Lord Macaulay's History," by John description, are revived and cast on the unhappy object&#13;
Paget, barrister-at-law (Blackwood, 1861). This of the historian's wrath.&#13;
is a pity, for the book is both able and entertaining, Could we ask for a better portrait of the partisan&#13;
and I wish that someone could have put it in my historian ?&#13;
hands in my Macaulay-ridden schooldays. Mr. Macaulay himself, it may be remarked, recognised&#13;
Paget-after having stated in his preface (a dedi- the evil of partisanship in other historians. Of&#13;
catory letter to Sir John MNeill) that he was Bishop Burnet, although he maintains that he&#13;
originally one of those who had placed an implicit was a far indeed from being the most inexact&#13;
reliance in Lord Macaulay's representations and writer of his time,” he says that he “ viewed every&#13;
had permitted himself to be carried away by the act and every character through a medium dis-&#13;
eloquent torrent of his declamation, and that it torted and coloured by party spirit.” This was&#13;
was not without many a struggle that he found the man of whom the exiled Queen Mary, wife of&#13;
himself compelled, by a dry examination of facts, James II., told Baron Lansdowne that “the King&#13;
to surrender the illusion by which he had been [Charles) and the Duke, and the whole Court,&#13;
enthralled-proceeds to a very satisfactory demoli. looked upon him as the greatest liar on the face&#13;
tion of Macaulay's partisan views on certain of the earth, and there was no believing one word&#13;
characters and incidents in our history. A that he said.” The statement is rather strong; but&#13;
defender, like Paget, of Marlborough, Claverhouse, Burnet is sipgularly unscrupulous in his treatment&#13;
Penn, and of the Scottish nation in the seven- of the men and affairs of his day&#13;
teenth century may perhaps himself be called a It will not be denied, even by the most ardent&#13;
partisan of sorts. But Macaulay's castigator is admirer of picturesque historians, that it is a duty&#13;
justified in boasting, at the end of his dedication : of history to get down to the facts, whererer dis-&#13;
“I can, at any rate, say that I have pursued [my] coverable. Sometimes the process involves a great&#13;
inquiry honestly, and that I have furnished every amount of patience, and much labour for small&#13;
means of testing my accuracy”—a good hit at results; but the patience, the labour must be forth-&#13;
Macaulay, who is notoriously loose in his references. coming. When the facts have been ascertained,&#13;
* I am afraid that I do not know whether such a state-&#13;
the historian is at liberty to express his views upon&#13;
ment will cause more of the doctors to cry “Heresy" and them, to suggest interpretations of his documents,&#13;
rend their academic garments, or to demand pityingly to make his period picturesque. But he is not at&#13;
what is the good of flogging a dead horse. Of the most liberty to twist his facts to tally with his views.&#13;
recent historians of the Stuart period some still follow&#13;
Macaulay almost implicitly, others treat him as the sign.&#13;
to insert his interpretation into the body of his&#13;
post that points to the wrong road..&#13;
documents, to substitute his idea of the proper&#13;
&#13;
&#13;
## p. 112 (#532) ############################################&#13;
&#13;
112&#13;
THE AUTHOR.&#13;
II.&#13;
picture for the reality of the period. He may, even&#13;
must, to a certain extent, combine the functions of&#13;
December 8, 1911.&#13;
judge and advocate. But he must not be a Judge SIR, -It would be unjust both to Mr. G. B. Shaw&#13;
Jeffreys. He must have throughout a perfect and to the members of the Society who provide him&#13;
regard for truth. For the historian there are no with his latest platform to allow the remarkable&#13;
varying standards of truth. Truth is universal, discoveries which he announced in your last issue&#13;
from Lhassa to London, from Birmingham toto pass without comment. ... The opinion of so&#13;
Benin-if I may borrow a trope from Macaulay. great an author as Mr. Shaw is worth, to the&#13;
And your partisan does not tell the truth.&#13;
“ lesser lights," who are, presumably, the mass of&#13;
PHILIP W. SERGEANT. the members of the Society, many more "raps&#13;
than he administers to the parasitic agent. ...&#13;
True, it proves that Mr. Shaw would make a very&#13;
bad agent ; but that is what we should expect of so&#13;
CORRESPONDENCE.&#13;
very good (and great) an author. Now, perpend&#13;
and observe :&#13;
“... The root of the whole matter" is that&#13;
“ The CRUX OF THE AGENT QUESTION”&#13;
“ there are two ways of making profit by selling.&#13;
One is to sell a single article every hour . . . at a&#13;
profit of 100 per cent. The other is to sell 100 of&#13;
the same articles every hour to 100 eager customers&#13;
SIR, I am afraid it would be a sign of a&#13;
at a profit of 24 per cent. on each. . . ." We&#13;
dull and prosaic mind to criticise Mr. Shaw's&#13;
need not point out that there are other ways of&#13;
characteristic and delightful demonstration that a&#13;
a “making profit by selling." ...&#13;
literary agent's path to success and wealth lies in&#13;
The interest of the theory lies not in Mr. Shaw's&#13;
a complete and deliberate failure to perform the&#13;
proof that he is utterly incapable of agenting for&#13;
function for which he is mainly engaged—the&#13;
anyone but himself, but in his view of the needs&#13;
obtaining of good prices. Let us rather agree of the “ lesser lights.” The gravamen of his&#13;
that it pays an agent better to make bad bargains&#13;
charge is that the agent will not “ spend the day&#13;
for twenty clients than good ones for five; that&#13;
fighting one or two books up to a 25 per cent.&#13;
it pays a lawyer better to lose cases for twenty&#13;
wenty royalty," so long as he can get along with routine&#13;
clients than to win cases for five; that it pays a&#13;
transactions. The Superman, in fact, is being&#13;
doctor better to kill twenty patients without&#13;
neglected for the sake of the mere Man. But does&#13;
trouble than laboriously to save five. Why not&#13;
the Authors' Society exist for the benefit of Men or&#13;
agree? It may all be quite true, and demonstrable of Super-men. if such a distinction is to be&#13;
by all the arithmetic at Mr. Shaw's disposal ; and drown's&#13;
it is at any rate quite an entertaining idea. It&#13;
The wicked agent falls from depth to depth till,&#13;
works, in fact, perfectly, subject to the trifling « finally, he settles down into an agent whose real&#13;
assumption that when the agent, or lawyer, or&#13;
of business is to procure books for publishers, articles&#13;
business&#13;
doctor, “ hurries off to get another dozen books "&#13;
for editors, and plays for managers," and who,&#13;
or law-suits, or medical cases—he will find them.&#13;
horribile dictu, “ being able to push any author&#13;
An assumption, because if it is that extra 5 or 10&#13;
whom he may have reason to favour, naturally&#13;
per cent. that “costs time and trouble,” it is&#13;
sells his power.”&#13;
the hope of that same extra 5 or 10 per cent.&#13;
We are reluctant to remove a foundation-brick&#13;
that brings authors to the agent's door.&#13;
from so gorgeous an imaginative structure ; but&#13;
A great author's opinion on agents and publishers&#13;
shers when Mr. Shaw cites us in support of this decorative&#13;
is not worth a rap to lesser lights, says Mr. Shaw.&#13;
detail, a last spasm of truthfulness forces us to&#13;
I am sure that most of us consider Mr. Shaw a&#13;
confess that neither we nor any other agent&#13;
great author, and are far from thinking his&#13;
possesses such a magic key, nor in our wildest&#13;
opinion on any subject not worth a rap. But&#13;
dreams could we hare soared to such an ambition.&#13;
here it does seem as if his ingenuity had outrun&#13;
The fact is, of course, that throughout his enter-&#13;
his commonsense. I think Mr. Gamage would&#13;
taining speculation, whether he is calculating&#13;
tell him that it pays to give your customer what&#13;
prices or weighing influences, Mr. Shaw omits to&#13;
your customer pays you to give him.&#13;
take account of the chief factor, which is the&#13;
Yours etc.,&#13;
inherent value of the commodity. . . . If he knows&#13;
Ex-MEMBER OF COMMITTEE.&#13;
the market and understands the most various&#13;
qualities of goods, the agent can usually make&#13;
terms sufficiently above those the author would&#13;
make to pay his own commission, and leave a&#13;
&#13;
&#13;
## p. 113 (#533) ############################################&#13;
&#13;
THE AUTHOR.&#13;
113&#13;
more or less substantial margin of benefit. That placing the work or not, the author must stand by&#13;
is all he claims.&#13;
his bargain, and if he is such a fool he deserves to&#13;
“But now, mark.” There is an old rule for pay the penalty. But in the absence of such special&#13;
economists in distress-play the Wage Fund theory agreement, when the agent returns the MS. to the&#13;
And, sure enough, here is the Shavian version, author as unsaleable, the contract, at least so far as&#13;
“ No agent can push a man into a job without that MS. is concerned, is at an end, and the agent&#13;
pushing another man out of it.” He advances has no claim for a commission if the author after-&#13;
Mr. Blank, at the expense of Mr. Dash, while wards succeeds himself in placing it. It might be&#13;
“poor Mr. Ignotus is never mentioned at all.” otherwise if a publisher to whom the agent had&#13;
The sad picture seems to contradict the original submitted the MS. and by whom it had been&#13;
theory, which was that the agent will do justice to rejected afterwards came to terms directly with the&#13;
a hundred routine cases, but not to the exceptional author. If an agent returns an MS. to the author,&#13;
Mr. Blank whom we have called the Super-man. the act is an admission of his inability to place it,&#13;
Let that pass. Is there anything in this proposi- and any subsequent claim for commission would be&#13;
tion that there are only a limited number of affected by that admission. There are publishers&#13;
“jobs”? If so, every author is the enemy of and editors who will not deal with the agent at all,&#13;
every other ; every book is the rival of every other and even in ordinary business dealings many persons&#13;
book; the Authors' Society has no economic basis, object to conduct their negotiations through an&#13;
but is trying to take unlimited rises out of a limited agent. So, according to Mr. Shaw, we may have&#13;
fund of publishing capital. ....&#13;
an agent successfully claiming a commission on&#13;
We are tempted to go further—to invite you to work sold by the author directly to a publisher or&#13;
constitute a roll of agents from which proved mis- editor who would not deal with the agent. It is&#13;
demeanants could be struck off (but this would more than probable that such a claim would not be&#13;
imply a withdrawal of your original advice); to sustained. In agency the value of the introduction&#13;
thank Mr. Shaw for his large categories of " cases is an important consideration. If A. wanting to&#13;
where agents are useful, and even indispensable”; rent a house goes to B. an agent, and is by him&#13;
to emphasise again the merits of that “routine introduced to C., who has a house to sell, and C.&#13;
business ” which Mr. Shaw naturally scorns, but refuses to let, the contract is at an end. But if&#13;
by which most of your readers must live ; and to subsequently A. consents to purchase the house, B.&#13;
vindicate Besant and the other founders who is of course entitled to his commission, although A.&#13;
“encouraged agents,” in no exploiting spirit, but and C. conclude the business independently of him.&#13;
because they knew the facts of literary business. Much more could be written on this subject, but&#13;
Enough said, however ; and we are,&#13;
the point is that no author should sign an agree-&#13;
Faithfully yours,&#13;
ment to pay the agent any commission unless&#13;
(Signed) G. H. PERRIS, business results through his agency, nor should he&#13;
C. F. CAZENOVE. pay the agent any commission in the case cited by&#13;
[The dotted lines represent the fact that on&#13;
Mr. Shaw, when the MS. has been returned to the&#13;
account of limited space, and with the consent of&#13;
author through the inability of the agent to place&#13;
the writers, the Editor has had to delete portions&#13;
it. It would be interesting if any of your readers&#13;
of this letter.]&#13;
could mention a case in which such a claim was&#13;
successfully maintained.&#13;
Faithfully yours,&#13;
H. A. Hinkson.&#13;
SIR,—Mr. G. B. Shaw, in his otherwise admirable&#13;
article on Commission Agency in MSS., makes one&#13;
statement which is scarcely accurate, at least with SIR, -As an author who had twenty years'&#13;
out qualification. He writes : “But when he (the experience of literary agents before I became an&#13;
agent) can force you to do the same ( pay a com- agent myself, perhaps I may be permitted to con-&#13;
mission) in the case of a work which he has failed tribute to this interesting discussion. It is chiefly&#13;
to place, and which you yourself have succeeded as an author that I would like to speak. I&#13;
in placing long after you have abandoned him, even employed three different agents at different periods&#13;
the most enthusiastic agent fancier will admit that during those twenty years, and I heard talk about&#13;
the law leans a little too much to the agent's side.” other agents who acted for my friends. Honestly,&#13;
I have seen many unconscionable contracts, but I found these three agents helpful, especially&#13;
none quite as bad as that suggested by Mr. Shaw, because I rarely came to London in those days.&#13;
Of course, if the author has agreed with the agent They saved me time, and the cost of stationery&#13;
to pay him his commission whether he succeed in and stamps, and relieved me from the irksome&#13;
III.&#13;
IV.&#13;
&#13;
&#13;
## p. 114 (#534) ############################################&#13;
&#13;
114&#13;
THE AUTHOR.&#13;
business of waiting in publishers' ante-rooms, AGENTS, LITERARY AND DRAMATIC.&#13;
while the publishers interviewed authors who were&#13;
more popular than myself. What is more to the&#13;
1.&#13;
point, these agents placed books, short stories, and&#13;
SIR,—You have done good service in admitting&#13;
articles for me, and I am quite convinced that in&#13;
to your columns the trenchant and telling article&#13;
several cases they obtained higher prices than I&#13;
on “ Authors' Agents," which appeared in your&#13;
on Authors'&#13;
could have obtained unaided. If I ever return to&#13;
issue for October. Your contributor is absolutely&#13;
the mountains of Wales, or to Dartmoor, to write&#13;
justified alike in his strictures, his warnings and&#13;
books, I shall entrust all my business to one of&#13;
his counsel, What are agents for ?&#13;
these useful persons.&#13;
They are&#13;
supposed, mostly on their own statements, to be&#13;
Mr. George Bernard Shaw declares that an&#13;
especially useful in obtaining openings for serials&#13;
author who cannot conduct his own commercial&#13;
and pushing the interests of authors with editors.&#13;
affairs is a “nincompoop.” Now, to "run"&#13;
But are they really useful ? Let me speak from&#13;
oneself successfully as an artist in a very com-&#13;
my own experience. Though all my later norels&#13;
mercial age and in an inartistic country like our&#13;
have appeared in good periodicals at good prices,&#13;
own, it is necessary to be equipped with some of&#13;
not one of them has been placed by an agent. And&#13;
the qualities of the bagman, the instinct for&#13;
it was after exasperating experience of agents and&#13;
publicity of the press agent kind, a fluent tongue,&#13;
their ways that I took matters into my own hands.&#13;
and a very close knowledge of the market. If an&#13;
Since then satisfactory serial arrangements have&#13;
author lacks these essentials—if he is modest about&#13;
been made for every one of my novels. In dealing&#13;
his work, self-critical, and diffident in conservation&#13;
with publishers the agent is not and never was in&#13;
with men of business-he may still be free from the&#13;
the least necessary. The truth is that if authors&#13;
stupidity to which Mr. Bernard Shaw refers. One&#13;
as a class were not the least business-like people in&#13;
of our most eminent living novelists remarked to&#13;
the world, the agent simply would not exist as he&#13;
me : “I place all business matters in the hands of&#13;
is to-day. Yet we pay him 10 per cent. A solicitor&#13;
my agent. I have neither the time nor the in-&#13;
or house agent will manage property, buy and sell&#13;
clination to contend with the publisher about half-&#13;
pennies.” I know several authors who hawk their&#13;
houses, collect rents and so forth, for a commission&#13;
of 2 per cent. And his work is more arduous,&#13;
* copy” up and down Fleet Street, take up the&#13;
more onerous, and requires qualifications that are&#13;
time of busy editors by discussing unfruitful&#13;
conspicuously lacking in the literary agent.&#13;
“ ideas” for articles, and spend much energy&#13;
Is it&#13;
not high time that authors combined to put an&#13;
in the wrong direction. An agent would save them&#13;
end to the extortion of a 10 per cent. commission ?&#13;
from this misdirected energy.&#13;
I suggest that the Authors' Society take the matter&#13;
As some of your correspondents have thrown&#13;
up, and that a conference be held to consider the&#13;
down a challenge to literary agents to justify their&#13;
whole question of authors and their commission.&#13;
calling, and to prove that they are able to help the&#13;
Yours truly,&#13;
literary novice, perhaps you will allow me to say&#13;
NOVELIST.&#13;
that the firm which I represent have materially&#13;
assisted a number of young authors during the&#13;
past three years. These authors are quite willing&#13;
II.&#13;
to confirm my statement to any inquirers.&#13;
When our economic reformers succeed in revolu- DEAR SIR, - Feeling, as I do, that the agent&#13;
tionising the methods of commerce, the literary question is one of deep interest and importance&#13;
agent will no longer be needed. Until then, the to authors, it has occurred to me that perhaps a&#13;
shrewd intermediary between the creator and the few facts and figures may be worth consideration.&#13;
seller of literature has a perfectly reasonable I had published one book and was making a little&#13;
justification for his existence as a middleman. over £200 a year when I first went to an agent.&#13;
Regarding the alleged cases of dishonesty on the I was with that agent over two years. His efforts&#13;
part of the agents, the way is plain for authors. on my behalf resulted as follows :-He“ placed ”&#13;
Let them demand that the agent shall obtain his one long novel at an advance on royalties of £20&#13;
commission from the publisher, and that the pub- in America, but offset this success by an arrange-&#13;
lisher shall pay the royalties direct to the author, ment with an English publisher under which the&#13;
less the commission.&#13;
payment of royalties was to be postponed until&#13;
The unscrupulous conduct is not always on the the book obtained a certain sale. He placed the&#13;
part of the agent.&#13;
serial rights (80,000 words) for £30 in America,&#13;
Yours faithfully,&#13;
in England he failed to “market " them.&#13;
WALTER M. GALLICHAN,&#13;
When I went to this agent I had a good-even an&#13;
"GALLICHAN &amp; GASQUOINE.” excellent connection with two magazines. During&#13;
&#13;
&#13;
## p. 115 (#535) ############################################&#13;
&#13;
THE AUTHOR.&#13;
115&#13;
IRPLAY.&#13;
the two years previous to enrolling myself under When an agent is useful use him, but—in order&#13;
the agent's flag I had received from one of these that you may not abuse him-never, without very&#13;
magazines £215. The two years that followed serious consideration of your position, sign any&#13;
saw but one story sold at £20, and two more to a agreement which places all your work in his&#13;
rival magazine (a new market) at £25 each.&#13;
hands without a clause allowing for the termina-&#13;
From the second magazine of these I soon tion of the contract by three months' notice on&#13;
received a formal note couched as follows :- either side. I cannot think that any agent has as&#13;
“ Dear Sir, The — comes out only once a much “ pull ” as Mr. Shaw seems to believe, nor&#13;
month. Mr. - (the agent) has favoured us do I imagine that any agent's influence can get&#13;
with four of your papers since the first instant. stories accepted by the best magazines to an&#13;
I am, Sir, yours faithfully --"&#13;
extent which would make it worth the while of a&#13;
The result of this was that being rather stung precocious author, however brilliant, to pay a fine&#13;
up the agent sent no more of my work for some of 50 or 100 percent, commission, further, I do&#13;
weeks—the magazine paid me £64 in the two not believe many agents would accept it.&#13;
years. To these figures must be added a sum of&#13;
I am, Sir, Yours etc.,&#13;
£20 received for the serial rights of my first novel.&#13;
This came from America, where that work had not&#13;
seen the light. With royalties and various odds&#13;
and ends I received from the agent about £85&#13;
more, a total of £269, less £26 188. commission,&#13;
leaving a balance in my favour of £242 28., or&#13;
III.&#13;
£121 1s. a year.&#13;
At the end of the second year, emerging from DEAR SIR, I cannot quite understand why the&#13;
my temporary insanity, I left the agent and all my literary agent is made such a point of. To my&#13;
MSS. were returned. Among them was the typed way of thinking he is by no means a necessity.&#13;
copy of a serial concerning which the agent notified In letters you have published, writers refer to&#13;
me.“ This has been submitted to and rejected the practice of hawking stuff round editorial offices&#13;
by the editors of the following magazines and as the alternative to using an agent. What is the&#13;
periodicals." There followed a list which continued matter with the penny post ?&#13;
well down the sheet of typing.&#13;
I cannot conceive anything more simple than to&#13;
In the second year of my regained freedom I enclose MSS. in an en relope and post them to the&#13;
sold that serial to the editor of one of the editor of a periodical. I think I am correct in&#13;
periodicals which had refused it through the agent saying that in nine cases out of ten the editor&#13;
at over two and a half times the sum the agent prefers this method to interviewing authors, unless&#13;
had asked for it. And the agent I am writing of there is a particular point needing discussion.&#13;
is one who has a good record and a large number Furthermore, the majority of editors I have&#13;
of successful authors on bis books.&#13;
spoken to on the subject tell me that they prefer&#13;
About four months after I left the fostering MSS. straight from the author rather than an&#13;
care of an agent I found that my income had agent.&#13;
materially increased.&#13;
It must be understood that I am referring to&#13;
I quite agree that my case may have been an magazine matter, not to novels, or any work of&#13;
unusual one, but I put the agent's failure down to length.&#13;
the simple fact that I brought in but £13 a year Soon after I found that I was selling a fair&#13;
to him, and it was not worth his while to do more number of stories, I was approached by a gentle-&#13;
than send out my work with a note, “ Dear Sir, man who had been chief reader in one of the&#13;
I am sending you a touching short story by that largest publishing houses in the world. He had&#13;
promising writer — I shall be glad if you left this appointment and opened a literary agency.&#13;
will read it as soon as possible. Any proposal He took a fee from me as well as a number of&#13;
you may wish to make I shall be pleased to lay MSS. ; in return he gave me glowing pictures of&#13;
before my client. Yours faithfully - ".&#13;
a Carnegie-like future, and, after the lapse of a&#13;
On one occasion I know an MS. of mine was sent year, all the MSS. I had sent him.&#13;
to a certain editor with half-a-dozen others and a Some time afterwards I was persuaded to try&#13;
letter covering the lot.&#13;
another agent, but I resolutely declined to pay a&#13;
That is one agent. On the other hand I had fee. However, he took a number of stories on a&#13;
dealings with another, who refused a large com- 15 per cent. commission basis, read them through,&#13;
mission on sentimental grounds—a commission to went into raptures over them, but did not sell&#13;
which he was legally entitled.&#13;
one.&#13;
The result of my experience comes to this : Now let me state that many of the stories&#13;
&#13;
&#13;
## p. 116 (#536) ############################################&#13;
&#13;
116&#13;
THE AUTHOR.&#13;
immediately perhaps, but steadily and surely, and&#13;
can reckon upon an increasing number of followers.&#13;
ARTHUR LOVELL.&#13;
returned by these agents I have disposed of&#13;
myself.&#13;
Perhaps when I am making £10,000 a year, and&#13;
do not want to be bothered by details, I shall&#13;
employ an agent again.&#13;
I am sorry for the prospects of the agent waiting&#13;
for this post.&#13;
Of course, for selling stuff out of England the&#13;
agent is desirable. for the average author who&#13;
knows the Fleet Street ropes would be at sea&#13;
regarding, say, U.S.A. methods. But as regards&#13;
disposing of stuff in England, I think the agent&#13;
can very easily be dispensed with.&#13;
Yours faithfully,&#13;
E. NEWTON BUNGEY.&#13;
THE AUTHOR'S CRAFT.&#13;
SIR.—The article of Mr. Herbert W. Smith on&#13;
“ The Hazard of the Pen” in your issue of Decem-&#13;
ber has prompted me to utter a few remarks, not&#13;
exactly in reply, but rather as a kind of protest,&#13;
meant in an entirely friendly spirit, against what&#13;
inot what&#13;
seems to me a degradation of the craft of author.&#13;
Though but a new member of the society, I am&#13;
comparatively an old author, and therefore speak&#13;
from a very wide experience.&#13;
Mr. Smith's article is not only pessimistic in&#13;
tone, but, if I may put it bluntly, entirely without&#13;
point. If literature means anything at all, it means&#13;
a compendium. or distilled essence of life itself.&#13;
with its varied mixtures of good and evil, tragedy&#13;
and comedy, etc. The craft of author consists in&#13;
extracting the essence or spirit or soul of the&#13;
mixture, and presenting it to the mind of another.&#13;
The real author is the one who has something to say&#13;
which must at all costs come out, whether the&#13;
listeners are few or many. The author is the&#13;
pioneer who enters strange lands, and writes down&#13;
his experiences. From this standpoint, the author&#13;
is the teacher and leader of mankind. If he puts&#13;
himself the question which Mr. Smith recommends.&#13;
“ Is it worth it ? ” he proclaims himself to be&#13;
utterly unworthy of the craft of authorship; and&#13;
it matters little what becomes of him, for his&#13;
work can never stimulate or warm another soul,&#13;
for it is the shining of brass instead of the glitter&#13;
of gold. Brass there is abundance of, both in life&#13;
and in literature. And the worst of it is that&#13;
brass has an irresistible, because inherent, tendency&#13;
to shine loudly and cry, “ Behold, I am gold !”&#13;
The upshot of all is, the craft of author is&#13;
the greatest and rarest craft, and therefore any&#13;
individual author has great difficulties to contend&#13;
with, far more than the craftsman who works by&#13;
rule of thumb. But in these days any author who&#13;
is worth his salt can get a fair hearing, not&#13;
PUBLISHERS' METHODS.&#13;
DEAR SIR,—In my letter which you published&#13;
in your last number I intended but omitted to deal&#13;
with the question of “remainders.”&#13;
I think that authors should stipulate that their&#13;
books are not to be remaindered until a certain&#13;
date after publication, and then only in the event of&#13;
the sales falling below a certain namber per year.&#13;
I feel, rightly or wrongly, that the remaindering&#13;
of a book creates an impression in the mind of the&#13;
public that the book is not a good one, and con-&#13;
sequently is being sold off cheap. Very often such&#13;
is not the case, and the remaindering is due to the&#13;
publisher's impatience. The selling of remainders&#13;
is most unsatisfactory from a bookselling point of&#13;
view, and should be discouraged as much as&#13;
possible. I am convinced that what is stopping&#13;
the sale of books more than anything is that the&#13;
public waits for them as remainders, and generally&#13;
succeeds in getting them !! And if my views are&#13;
right this is a serious question for authors.&#13;
I should like further to say that I consider&#13;
authors should protect themselves against advertise-&#13;
ments being inserted in their books without per-&#13;
mission, and in advertisements I would include&#13;
bookmarks of Insurance Companies. As a book-&#13;
buyer I strongly object to being pestered with&#13;
these, and I cannot understand why various high&#13;
class publishers stoop to let such bookmarks appear.&#13;
I admit that publishers, like other people, are&#13;
supposed to be working to make money, but surely&#13;
gold can be bought too dear ?&#13;
There are other matters which I could write&#13;
about concerning the dignity of a book, and that&#13;
nothing should be done to interfere with it.&#13;
Certainly this should receive the serious considera-&#13;
tion of the author ?-Yours faithfully,&#13;
HERBERT BATSFORD.&#13;
[Both points to which Mr. Batsford draws attention&#13;
are important. As a publisher of books of more per-&#13;
manent value it is probable he does not remainder to&#13;
the extent that publishers of novels remainder their&#13;
publications. It is quite true that not only the&#13;
remaindering of books, but the premature issue&#13;
of cheap editions tends, very often, to decrease an&#13;
author's circulation. In the matter of advertise-&#13;
ments, in one case before the Society, the publisher&#13;
of the cheap 6d. edition inserted advertisements&#13;
opposite the letterpress in the last twenty pages of&#13;
the book. Such action from the author's stand-&#13;
point is impossible, and authors should guard&#13;
against it.—ED.]&#13;
&#13;
&#13;
## p. 116 (#537) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes :-&#13;
“I have just completed the revision of my lovel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Cousidering that the manuscript was sent to you&#13;
without having been corrected or even read, and that my hand writing,&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something niore than simple&#13;
mechanical accuracy, to produce such a resulta result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently beeu directed upon&#13;
the work of typists in the columns of The Author."&#13;
Novels &amp; Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words; 2 copies, 1/4.&#13;
(French and Spanish typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work."&#13;
S. TOM GODFREY: "I think you must be a treasure trove to&#13;
ail authors who have the good fortune to hear of you, ... You&#13;
certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): “I have never met with&#13;
anything approaching your intelligence, carefulness and promptitude."&#13;
RICHARD PRYCE, Esq. : The work could not be better done."&#13;
L. A. ST. JOHN. L'Isle, Dimond Road, SOUTHAMPTON.&#13;
Bitterne Park,&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Cotterill &amp; Cromb, Literary Agents,&#13;
Lennox House, Norfolk St., Strand, W.C.&#13;
TYPEWRITING.&#13;
TYPEWRITING.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD).&#13;
Story Work, 90, 1,000 words ; 2 copies, 1/- ; Plays, ruled and covered,&#13;
1- 1,000 words.&#13;
Copies of recent Testimonials:&#13;
W. Shaw SPARROW: “I'm glad I don't hear the steady noise of your machine,&#13;
but I appreciate the excellence of your work."&#13;
DANIEL WOODROFFE: "Miss A. B. Stevenson is very accurate in her type-&#13;
writing and most satisfactory in every way."&#13;
MISS FOWLER, Maxwell House, Arundel&#13;
Street, Strand, W.C.&#13;
EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
Extract from Unsolicited Testimonial.-“I send you work com-&#13;
pared to which Egyptian hieroglyphics would be child's play, and you&#13;
return the manuscript at the time requested without one single&#13;
inaccuracy. It is nothing short of marvellous.".&#13;
TYPING.&#13;
8d. per 1,000 Words ; in duplicate. Five years' experience.&#13;
C. A. GIRTON, 2, GROVE LANE, CAMBERWELL, S. E.&#13;
TADY requires post as Private Secretary:&#13;
Shorthand, Typing, Plays; highest refer-&#13;
ences.-Miss Cooke, 32, Alwyne Rd., Wimbledon.&#13;
Literary, Educational, Scientific, Medical,&#13;
Law, Theological, and ALL other subjects&#13;
SECOND-HAND AT HALF PRICES!&#13;
New at 25 per cent, Discount.&#13;
Catalogue No. 144. Post Free State Wants.&#13;
Books sent on Approval.&#13;
BOOKS BOUGHT : Best Prices Given.&#13;
W. &amp; G. FOYLE,&#13;
135, Charing Cross Road, London, W.C.&#13;
-A FUND OF ECONOMIC-&#13;
MATERIAL FOR AUTHORS.&#13;
WAR!!! FAMINE!!!&#13;
, and .&#13;
OUR FOOD SUPPLY!!!&#13;
BARGAINS IN BOOKS.&#13;
Illustrated. Coloured Diagrams. Crown 8vo.&#13;
Cloth, 2/6 ; Paper Boards, 21-&#13;
Special terms for quantities for distribution.&#13;
Sample copy, post free, half price.&#13;
Carriage Paid 0.K, only.&#13;
Terms—Cash with order. The Tissot Pictures illustrating&#13;
the Life of Christ, £6 68. net ; Splendid Copy, absolutely&#13;
good as new for £2 198. The Twentieth Century Practice&#13;
of Medicine; an interuational Encyclopædia of Modern&#13;
Medical Science by leading authorities of Europe and&#13;
America ; 20 volumes, published 20 guineas; new, uncut,&#13;
original binding, £7 108. Cross cheques and postal orders&#13;
L. &amp; S.W. Bank, Fleet Street Branch.–J. F. BELMONT&#13;
29, Paternoster Square, E.C.&#13;
&amp; Co., 29, Paternoster Square, E.C.&#13;
&#13;
&#13;
## p. 116 (#538) ############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
| TYPEWRITING&#13;
Opposite the British Museum.&#13;
THACKERAY HOTEL&#13;
MISS RALLING begs to wish all&#13;
her Clients and Friends a Very&#13;
Happy and Prosperous New Year.&#13;
Great Russell Street, London.&#13;
Near the British Museum,&#13;
1912 promises to be a very busy&#13;
year for all branches of&#13;
the LITERARY WORLD.&#13;
A WORD IN SEASON !&#13;
Get all your work TYPED&#13;
WELL-IT ADDS TONE.&#13;
KINGSLEY HOTEL&#13;
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tion. Telephones. Night Porters.&#13;
Bedroom, Attendance, and Table d'Hote&#13;
Breakfast, single, from 5/6 to 7/6.&#13;
Table d'Hote Dinner, Six Courses, 3/-.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel—"Thackeray, London."&#13;
Kingsley Hotel—“Bookcraft, London."&#13;
MISS RALLING,&#13;
38, Norwood Road,&#13;
Herne Hill,&#13;
LONDON, S.E.&#13;
| BRAINS, MONTE&#13;
MRS. GILL'S TYPEWRITING. SHORTHAND. I AUTHORS wishing to make arrange-&#13;
AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
35, LUDGATE HILL, LONDON, E.C.&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Telephone-8464 Central.&#13;
Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel London, E.C., who will be pleased&#13;
Figently copied, from 18. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
POST FREE ON APPLICATION.&#13;
W.C.&#13;
Neatness and accuracy, with&#13;
TYPEWRITING.&#13;
promptness ; 7d. per 1,000;&#13;
over 20,000, od. Plays ruled&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
and bound, 8d. Cheap duplicating.&#13;
words; in duplicate, 1/-. Plays and General&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
Copying List and specimen of work on appli-&#13;
cation.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
“Miss M. R. HORNE bas typed for me literary matter to the 64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
extent of some hundreds of thousands of words. I have nothmg&#13;
but praise for the accuracy, speed and neatness with which she&#13;
Recommended by Mr, G, K. Chesterton, Baron de Worms,&#13;
does her work.-FRANK SAVILE.&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.,&#13;
and Others.&#13;
MISS M. R. HORNE,&#13;
Typewriting and Secretarial Work.&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
Many Testimonials, of which the following is a specimen:",&#13;
New Address :&#13;
thanks for the excellent work and the promptness with whic&#13;
15, WIMPOLE ROAD, YIEWSLEY, MIDDLESEX. I been done.&#13;
Printed by BRADBURY, AONEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED&#13;
at 10, Bouverie Street, London, E.C.</text>
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                    <text>The Author .
Society

( The Organ of the Incorporated

XXII . —No. 5.

1,

FEBRUARY

[PRICE SIXPENCE .

1912 .

CONTENTS .
PAGE
117
117
117
118
120
122
123
124
127
128
129
130
130
130
131
131

..
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Although the production
primarily
this choice book
the interests
with homely themes and reminiscences
travel are quite above the average
original illustrations by Mrs Hills Harley
reproduction
and
one
sacred sculpture
Publishers Circular

KEGAN

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Children
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MRS HILLS HARLEY

.

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Author

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Pastimes

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Gilt

Cloth

,

8vo

,

Crown

Directory

PAGE
131
131
131
131
132
133
133
135
136
137
137
137
138
139
140

THE PRINCESS ROYAL

Thoughts and
ILLUSTRATED

...

A

““ “ "

.R
.H
.

DEDICATED

Warnings to Musical Composers
Stamping Music ...
The Reading Branch
Remittances
General Notes
Sophia
Blake
French Authors and Cinematogra
Questionof French Copyright
Book Prices Current
The Writers and Artist Year
Who Who 1912
The Literary Year Book and Bookman
The English woman' Year Book
Analysis
1911
Books Published
Correspondence

H

TO

Notices
The Society's Funds
List of Members ...
ThePension Fund
CommitteeNotes ...
TheDramatic Sub-Committee and the Lord Chamber
Books publishedby Members ...
Literary, Dramatic and Musical Notes
ParisNotes...
..
United States Law Case
MagazineContents
How to Use the Society ...
Warnings to the Producersof Books...
Warningsto Dramatic Authors
Registrationof Scenariosand Original P
DramaticAuthors and Agents

.

.

of

VOL

Monthly . )

Authors .

of

�ADVERTISEMENTS .

The Society
Telegraphic

(Incorporated ).

of Authors

Address : “ AUTORIDAD , LONDON . "

Telephone No . : 374 Victoria .

PRESIDENT .

THOMAS HARDY ,
COUNCIL

SIR ROBERT ANDEREOX , K . C. B.
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THE RIGHT Hon . THE
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The

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PERCY

WHITE .

THE RIGHT HON.

FIELD -MARSHAL

SHAW ).

THE VISCOUNT
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O

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WOLSELEY

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,

M . D.

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CHARLES

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.
|

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STANFORD , I

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SIR

M. H. SPIELMANN

.

ART .

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The Hon . John COLLIER .
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of the Middle Temple , Author of

December 4th 1911
your prompt and most

Dear Sir

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by

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2
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what

3d

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Duplicates

found in the new Act , and vice versa , and
showing the more
Introduction
important changes in the law made
thereby , by J . ANDREW STRAHAN , LL . B . ,

1, 000 .

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,

COPYRIGHT .

OF

LAW

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or

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AUTHORS

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MICHIGAN

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ADDRESS

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Fund
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needs
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the Society

of

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to

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THE Editor
The
Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
very heavy charge
the
the resources
Society
great many members did not forward
subscription
the Secretary the modest
the year
a

'S

of

.

of

to

or

in

of

of

on

of

CONTRIBUTIONS

to

to

T

of

of

to

'

those members
the Society who desire
have
the names
the publishers concerned can obtain
application
them

AND

FUNDS

time
time members
the Society
desire
make donations
its funds
recognition
work that has been done
them
The Committee acting
the suggestion
place
one
these members
have decided
this permanent paragraph
The Author
order
cognisant
that members may
those funds
paid
which these contributions may
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary for the Society
case
incur heavy
prin
expenditure
fighting
question
either
ciple
assisting
obtain copyright reform
dealing
any other matter closely
with
connected with the work
the Society

THE Editor begs
inform
members
the
uthors Society and other readers
The Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Secretary
the Society and that

ARTICLES

SOCIETY

to

of

or

THE

is

to of

as

.

I

or

in

.

,

the case
undesirable
not accept and

Although
care
exercised that
advertisements
inserted they
any liability
never have accepted
Members should apply
the Secretary
special information
desired

papers that are
the opinions expressed
signed
initialled the authors alone are
para
responsible
None
the papers
expressing the opinion
graphs must be taken
especially stated
the Committee unless such
be the case

stated

be

it

be

of

are

an

be

to

the Committee desire
not and could not possibly

,

that this

.

DoR

A

impression
among
seems
The
Author that the Committee
responsible for the bona fides
the

,

advertisers

.

,

LONDON

NOTICES

is

[

readers
personally

AUTORIDAD

be

.)

.

of

there

is

ADDRESS

As

.

of

ADVERTISEMENTS

VICTORIA

.

374
TELEGRAPHIC

PRICE SIXPENCE

1912

:

NUMBER

BESANT

.

FEBRUARY

,

No

Monthly

Authors

WALTER

:

TELEPHONE

Society

SIR

.
5
.

.

.

XXII

-

FOUNDED
Vol

Incorporated

1

The Organ of

BY

(

the

The Author .

.

of

,

,
of

at

,

at

to

page

"

cul.

,

the

,

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be .

the offices
post free 71d
sold
1907 and will
the Society only
Society
dozen
blank pages have been added

to

It of

at

1

of

the Society
Authors
1907 can now be obtained
the Society
the price
July
includes elections
members and associates

Members

,

M

other

to

from by

no

List

published October

of
to 6d
.

of

be

.

be

,

or

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of

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on

are

.

on

.

Vol XXII

HE

of

,

39

,

.,

,

LIST OF MEMBERS

S
.W

's

,

of

to

Communications for The Author should
addressed
the Offices
the Society
Old
Storey
Queen
Street
Gate
and should
reach
the Editor not later than the 21st
each
month
Communications and letters are invited
the
Editor
all literary matters treated from the
cartelle
standpoint
other
art
business but
subjects whatever
Every effort will
made
accepted
return articles which cannot

the

�THE AUTHOR .
it

,

1st

It does not include either donations given
prior to October
nor does
include sub
scriptions paid
compliance with promises made
before
.it

.

in

to

end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month
month
these pages

in

118

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The list printed below includes all fresh dona
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promised
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January 22nd 1912
1911

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London
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500

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This brings the invested funds
377 198
The trustees however have been unable
recom
any further pensions
mend the payment
the
present exhausted
income
their disposal
They desire
draw the attention
the members
the society
this fact
the hope that
additional subscriptions and donations there will
sufficient funds
hand
the course
the
year
declare another pension
case any
portant claim
forthcoming

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of

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February
1911 the trustees
the
Pension
Fund
the society
after the
secretary had placed before them the finan
cial position
the fund
decided
invest £250
the purchase
Consols
The amount purchased
the present price
£312 13s

on
on

.

to

THE PENSION FUND

.

in

of

to

of

The full list
annual subscribers
the fund
appeared
the November issue
The Author
The secretary
would like
state that he has
received three bankers orders
answer
the
recent appeal unsigned without any covering letter
glad therefore
He would
those members who
may have sent
recognising them
these orders
from their description
would write
the secretary
the
the me
matter
Bankers Order
10s drawn
the London
County and Westminster
Bank Maidstone
Bankers Order for 10s drawn
the National
England Baker Street
Provincial Bank

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Dec
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Nov
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Tuttiett Miss
Mrs Kathleen
Breaknell Miss Mary
Boucher
James Miss
Martin Miss Violet
Pakington The Hon Mary
Chase Mr and Mrs Lewis
Nathaniel
Skrine The Rev John
Travers Miss Rosalind
Graves Alfred
Caulfeild

,

. . . . . . .

Nov

Nov

William

Caine

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Nov

Rev
Montrésor Miss
Jones Henry Arthur
Pryor Francis
Whiteing Richard

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Nov

Beatrice

Harraden
Carlyle

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Nov
Nov
Nov
Nov

,

Nov
Nov

,

Nov

Hollins Miss Dorothea
Bagnall Miss
Young Ernest
Mattos Alexander
Teixeira
Collier The Hon John
Hughes Gibb Mrs
The Rev
Orde Ward

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Nov
Nov

Mrs Alfred

Baldwin
Lucas

,

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Nov

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Nov
Nov
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Nov
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,

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Warwick
Bond
Stockley Mrs
Tyrrell Miss Eleanor
Prideaux Miss
years
Sedgwick
Prof
Arnold Mrs
Weaver Mrs Baillie
Maurice
Drake
MacDougall
Stewart

27 27
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27
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0

THE AUTHOR .

120

�THE AUTHOR .
The solicitor reported on the cases he had in hand .
One claim taken up against a paper for payment
for work done has been partly settled , and the
solicitors are now pressing for the balance of the
account .
The committee
decided to abandon
another claim for damages against the same paper ,
put
as the
solicitors advised that the claim
forward by the member could not be certainly
maintained .
The next case reported was one
involving the settlement
of accounts . It has
been running on for some months .
The solicitors
were
able
to
inform the committee
that the
matter was nearing completion . A further claim
against an editor for money had been settled ,
the sum dne having been paid . An important case

of

breach of agreement by a publisher was carefully
considered by the committee and the legal issues
discussed . The committee adopted the view of the
solicitors that a further letter should be written ,
and it was agreed that the result of this communication should be reported to the next meeting
An article drafted by the secretary for publication
The Author was carefully considered . It was
decided
to have the article set up in type , and in
this form to submit it to the committee in time for
the next meeting . The committee decided that an
American case which had been very fully discussed
lawyers should be
with the society ' s American
abandoned , but decided to take up a case against an
American theatrical manager for money due to
a member of the society on accounts rendered .
The date for the return of the voting papers for

in

121

Sir Gilbert Parker , who is at present in Canada , and
with the Premier of Canada , as well as the Minister
for Agriculture , who controls copyright matters in
the Dominion . It was decided that the Chairman
of the Society of Authors should write to Sir
Gilbert Parker in answer to the letter laid before
the committee at their previous meeting , drawing
his special attention to the present point at issue .
One of the members had proposed that the society
should act officially in the matter of the Dickens
Centenary for the collection of subscriptions .
The
committee came to the conclusion that they conld
not move in the matter , as it was outside the scope
of the society 's work .
The secretary was instructed
to write to the member accordingly .
The committee sanctioned the purchase of a
cyclostyle , to deal with the great number of circulars
which it had been found necessary from time to

time to issue .
The question of the United States lawyers ' costs
was considered by the committee , who instructed

the secretary to obtain the necessary signatures for
the cheque .
The secretary informed the committee that Mrs .
Vassal and Mr. Edmund Candler had joined the
society as life members . He also reported a donation
of £2 28. to the Capital Fund
Heath .

Mr.

from

.

SUB -COMMITTEE

DRAMATIC

Frank

. it

,

-

of

,

,
if

on

a

of

it
.

to

be

.

.

of

to

he

and

.

the Lord Chamberlain
the Sketch Question
reply
was instructed
The action
the
Lord Chamberlain has already been made public
the Press
from

in

,

by

,

to

to

,

of

at

to

to

it

a

on

.

,

-

of to

Canadian copyright submitted
Management
the Dramatic
Sub committee
was next
and
considered
the
committee decided
enter into communication with
A

point relating
the Committee

a

'

of

of

in

to

.

to

in

as

of

.

of

all

The first meeting for 1912 of the Dramatic Sub
the committee election , in case a ballot should be
Committee was held at the society ' s offices on
necessary , was settled . Due notice of this dateFriday , January 20th , at 3 o' clock .
will appear on the ballot papers , which , if an election
After the minutes of the previous meeting had
takes place , will be circulated through The Author
signed , the secretary reported the result of
been
the nomination for the sub - committee , explaining
to all members .
The date of the general meeting was fixed , and
that as no additional names bad been sent in ,
by the sub -committee
due notice of this with the annual report will be
the
names
nominated
issued .
would go forward to the Committee of Manage
The committee decided to elect a musical sub ment for election , when the sub - committees of the
society are re - elected .
committee , to work on the same basis as the
Dramatic Sub - committee , in order to give to com It was decided to hold the conference of the
posers the same assistance , if they care to avail them dramatists later in the spring .
selves of it , as is given to authors and dramatists
The next question
for discussion
was the
Managerial Treaty . The chairman stated that he
who are members of the society . The aim of the
committee is to make the society represent as far as
had received the report from the sub - committee
possible
copyright property
holders
the Dramatists
Club but that
had arrived
The secretary reported the action
the Nobel
too late for discussion
that meeting
The secre
tary was instructed
Prize Committee
set out
the last issue
The
see that copies
the report
adjourn the
Author
The committee decided
were circulated
the members
the sub committee
matter
the February meeting
necessary
order that they
and
was further decided that
might obtain further information
point
special meeting should
called
consider
The secretary reported the receipt
letter
connected with the question

�THE AUTHOR .

122

The next matter related to the question of the
it might be necessary for dramatists to
contract
per
cinematograph
adopt when dealing
with
The matter is -one which will become
formances .
of growing importance under the new Copyright
Act.
The secretary was instructed to write to
Paris and obtain as much information as possible ,

and to lay it before the next meeting of the
Dramatic Sub -Committee .
The steps taken by the Committee of Manage
ment on the subject of Canadian copyright were
reported to the Dramatic
Sub - Committee , and
finally the secretary made a brief statement of the
dramatic cases which had been placed in the hands
of the solicitors of the society .

COPYRIGHT SUB - COMMITTEE

.

A MEETING of the Copyright Sub - Committee
was held on Thursday , January 18th , when Messrs .
Curwen &amp; Son ' s agreement was further considered .
The committee went carefully through the points
raised
at the last meeting , and Messrs . Curwen ' s
answer to their letter covering the points . After

considerable discussion

,

the issues were narrowed to

two clauses , and the Secretary was instructed to
write to Messrs . Curwen &amp; Co . in the hope that the
difficulties arising from these clauses might be
overcome .
SUB - COMMITTEE

TO SETTLE

AGREEMENT

Tur

AN AGENCY

THE DRAMATIC SUB - COMMITTEE AND
THE LORD CHAMBERLAIN .

TN

the January number of The Author , under
the heading “ Dramatic
Sub - Committee , ” it
was stated with reference to the resolution
passed by that sub -committee which the Secretary
had been authorised to send to the Lord Chamber
lain , that the sub - committee had decided it would be
inexpedient to publish the resolution until the reply

I

the Lord Chamberlain
had been
received .
The matter has now been made public in the
pleasure in
papers , and therefore we have much
printing the resolution , which was as follows
from

:

" That this Meeting of the Dramatic Sub - Committee of
requests
the Lord
the Society of Authors respectfully
Chamberlain
to favour it with an assurance that none of
department
plays
lordship
the readers of
in his
's
are per
mitted to retain any commercial or professional interest in
the Theatre , and to sanction
the publication of the
assurance by the society ."

All
will

those who are interested in dramatic work
importance of the question contained

see the

in the resolution
that was forwarded by the sub
committee to the Lord Chamberlain .
We now
have much pleasure in printing the Lord Chamber
lain ' s reply which , from
the dramatist 's point of
view , is satisfactory .

The reply was as follows :
SIR , —In reply to your letter of the 18th inst ., I am desired
by the Lord Chamberlain
to give you his assurance that
none of the Examiners of Plays in his Lordship ' s Depart .
permitted
ment are
to retain any commercial or professional
interests

.

in the Theatre .
Yours

faithfully ,
(Signed ) DOUGLAS

I.
Sub .Committee

of the

Society of

Comptroller.
Anthors

appointed to deal with the agreement between author
and agent met at the Society ' s offices on Thursday,

January 4th .
The clauses of the agreement which had been
drafted for the information
of the sub - committee

were considered one by one , and certain alterations
The Chairman
and amendments were suggested .
consented to put the alterations into proper form ,
and it was decided to call another meeting on

January

15th

DAWSON ,
Col .

.

II.
The second meeting of this committee was held
January 15th . The amendments which had been
drafted by the chairman , at the desire of the sub
committee , were considered .
With some slight
alteration the final form was passed and ordered
to be printed that
it might be laid
before the

P . S. - The society
assurance .

is perfectly

at liberty

to publish

this

D. D.

Sub - Committee may also pride
themselves on the fact that the settlement of the
Sketch question by the Lord Chamberlain 's pro
clamation has been brought about , to a great
extent , owing to their energetic work in various
The

Dramatic

to bring the matter before the authorities .
is satisfactory also to know
that the highest
authority
dealing with the question
in England
applied direct to the Dramatic Sub - Committee of
the Society of Authors as the representatives of the
dramatists in England .

directions

It

on

committee

meeting.

of

management

at

their

February

Cases .
DURING the last two months the cases placed
the hands of the secretary have not been so
numerous as during the previous months .
Only
eleven
cases
have come into the office
in

�THE AUTHOR .
Taylor , Mary

.

High Park , Bideford .
6 , Bickenhall
Man .

.

.

sions , W .

.

by

PUBLISHED BY MEMBERS .

BOOKS

to

,

to

is

in

,
it

,

,

it

to

.

,

of

in

of

,

is

It

.

.

of In

of

in

to to

as

as

is

keep
WHILE every effort
made
the compilers
possible they have
accurate and exhaustive
this list
attaining this object owing
some difficulty
the fact
that many
the books mentioned are not sent
the office
consequence
necessary
rely
the members
largely upon lists
literary and
books which appear
hoped however
other papers
that members will
perate
the compiling
this list and by sending
particulars
substantially
their works help
make
accurate
by

. s' .

his

.

a

of

of

in

to

a

as go

,

as

to

me in which the
cases dealing with money claims in which the
secretary has received no answer to
letters
These will have
into the hands
the society
respect
solicitors
well
claim
MS
which the publisher has refused
return

Sheldon , Gilbert
Stockley , Colonel V . M .

co
-o

during the month of January . Three dealing with
accounts , four dealing with the return of MSS . ,
and four dealing with money claims . Of these
only two have been
dealing with
settled , both
accounts .
If the secretary obtains no satisfactory
answers with respect to the other cases they will
have to go into the hands of the society 's solicitors .
There are seven cases left open from former
months . In most of these satisfactory negotiations
are proceeding , that is , the secretary ' s letters have
been answered by the other side : but there are two

123

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LOUISE
STACPOOLE
Long
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Fisher Unwin
ENTER BRIDGET
THOMAS COBB
Mills Boon
By CHARLES
KINROSS
CHANGE OF SEX
304
John Long
By
MAN
MARK
ANTHONY HOPE
282
Nelson
368

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Authors Club London

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Bloem
South

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fontein

Alston
STORIES
Werner

STOREROOMS
Ouseley

TAE FLINT
Rivers

pp

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Poste Restante

356 pp

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78
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312 pp

Methuen
By
DREAMS
Mills
Boon

Frith Street Soho
Square
Wolseley Gardens

29
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Gordon

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304

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67
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Thomas Ernest

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John
By

Murray
By MARGUERITE and
LAVIE JUTT
Stanley Paul
ARMIGER BARCLAY
288
By KATHARINE TYNAN
PRINCESS KATHARINE
320 pp
Ward Lock
68
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THE ALPS
VICTOR COOK
pp
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MORO
320
WARDS

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THE ACTIVITIES

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Compton Crescent
Court Chis

27

Helen

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The Boynes Shanklin

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Grove
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Gordon Hilda May

FICTION
AT THE COURT
KENNY
MR WYCHERLY
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Hants

Francis René

68 in
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Christchurch

EDUCATIONAL

nr
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South
Sea

and

COMPARATIVE GRAMMAR OF THE GREEK LANGUAGE
By
WRIGHT
Comparative
Professor
Philology
the University
Oxford
384

J.

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,

.

Devon
on

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Play
BITTERNESS
Three Acts
THE CLODHOPPER
Incredible Comedy
Fox
51
206
Fisher Unwin
By
NIGATS AT THE PLAY
WALBROOK
Ham Smith
224

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.
A
.
Walsall
Mary
Down

Foden Road

SABATINI

DRAMA
THE WATERS

U

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Cotterell Howard
Crossing William

6d
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n
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.

of

.

By RAFAEL
CESARE BORGIA
Stanley Paul
465 pp
168.

52

Ph

,

City

York

New

SERGEANT

pp

.

45

,

Dennis

.

,

Cleugh

168

KENNARD

Being
Life
Barbara Villiers
afterwards Duchess
Cleveland
53 355
Hutchinson

Castlemaine

.

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.

.

.

.
.

Headington
Old
Oxford
217 West
Street

,

M

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Crick
Matlock

Common

Butlin

W

219A Maida Vale

Greenhurst

By

THE LIFE

.
.
.

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Henderson
Joseph

Countess

Faver

sham

Bland
Burtt

MY LADY CASTLEMAINE
,
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Road

128.

.

Nash

.

.

.

Baroness Leonie

Londesboro
Scarboro
Provender

,

.

,

,

Aminoff

32

Miss Ethel Maria

Alcock

By NINA

HEARN

LAFCADIO
397 pp

54
.

.

BIOGRAPHY

January Elections

�THE AUTHOR .

THE ORDER OF RELEASE. By H . DE VERE STACPOOLE .
71 x 7. 342 pp . Hutchinson . 6s .
A GLORIOUS LIE . Ry DOROTHEA GERARD . 73 x 5.
320 pp . John Long . 68. n .
A GIVER IN SECRET . By THOMAS
COBB . 7
+ 5
253 pp. Werner Laurie . 28. n .
CHRISTINA . By L . G . MOBERLY . 74 x 6 . 319 pp .

THE

BONE . Religious
BONE .

Religious

28. 6d .

LAW .
INSURANCE LAW . Relating to all Risks other than Marine .
By E . J. MACGILLIVRAY .
104 x 64. 1,142 pp . Sweet
&amp; Maxwell . £2 n.
By EDWARD JENKS .
A DIGEST OF ENGLISH CIVIL LAW .
Book III. Law of Property . 10 X 61 . 547 + 668 pp .

LITERARY

VIE ET LES HOMMES . Par FRANCIS GRIERSON .
7 x 4! . 232 pp . Swift .
38. 6d . n.
DANCE OF THE MONTHS . By EDEN PHILLPOTTS . With
Twelve
Illustrations by MRS . ANNE
T. BENTHALL .
101 x 73.
170 pp . Gowans &amp; Gray .
128. 60 , n.
THE DICKENS SOUVENIR , 1912.
Edited by D. C. CAL
THROP and MAX
PEMBERTON .
10 X 7 . 236 pp .
Chapman
&amp; Hall . 58. n.
By Niccolo MACHIAVELLI . Translated
THE PRINCE .
into English by LUIGI RICCI . Henry Frowde . 28. n.
LA

MISCELLANEOUS
By
AND THE CHILD .
135 pp . Allen . 28. 6d .

E.

W . MARTIN

• MUSIC ,

.

.

.

93
x

.
V
.

.

of

,

D
.
S
.

we were a little premature last month
our announcement of the publication

of Mrs . L . Allen Harker ' s new novel ,
Wycherly 's Wards .”
The novel was not
published in December as our note suggested , but
January , during
was ready for publication
in
which month , it has , we understand , been published
in
America by Messrs . Scribners , and in Great
Britain and Ireland by Mr. John Murray . Our
apologies are due also to Mrs . L . Grant
recording the title
error
her travel book
Twixt Sand and Sea
the correct description
and we regret that we inadvertently
referred
Sampson
Twixt Land and Sea
Messrs
Low
Co are the publishers
Messrs George Allen
have ready
The
Clergyman
Ready Reference Diary and Kalendar
“

Mr .

to

,

-

RIFAT AL ADIB

MEN OF YAQUT
Edited
MARGOLIOUTH
Laudian Professor of Arabic
the University
Oxford
Vol
61
10s

in byor

DICTIONARY OF LEARNED

E regret
in

as

.

ORIENTAL
ILĀ MA

AL ARIB

'

IRSHAD

-

THE

N

MUSICAL

for

.

AND

NOTES .

in

NAVAL

THE SUCTION CAUSED BY SHIPs . Explained in Popular
by Simple
Diagrams . And
Language and Illustrated
the Olympic - Hawke Collision .
The Case analysed and
cleared up with a Chart . By E . S , BELLASIS . 88. n.

LITERARY , DRAMATIC ,

“

OF MUSICAL RHYTHM
THE ARISTOXENIAN
THEORY
By C. F . ABDY WILLIAMS . 191 pp . 91 X 61 . Cam
bridge University Press . 128. 6d . n .
Two EASTERN PICTURES . I. Spring. II. Summer . From
a Poem of Kalidasa . For Female Voices and Harp ( or
Piano ). By GUSTAV von HOLST . Stainer &amp; Bell. 3d.
CHORAL HYMNS FROM THE RIG VEDA. Three Hymns for
By GUSTAV VON
Chorus of Mixed Voices and Orchestra .
HOLST . Tonic Sol- fa edition by H . J . TIMOTHY. Stainer
&amp; Bell . Staff Notation , ls, n. Tonic Sol- fa . 8d .
KING ESTMERE . Old English
Ballad
for Chorus and
Orchestra . By GUSTAV VON HOLST . Novello &amp; Co .

.

“

HOME
71 X 4f .

TRAVEL

BLACK ' S GUIDE TO JERUSALEM . Second and Revised
edition . Edited by EUSTACE REYNOLDS
BALL . 210 pp .
A. and C, Black .
28. 6d . 2.
ALONE
IN WEST AFRICA . By MARY GAUXT. 9 X 51 .
404 pp . Werner Laurie . 158. n.
SHACKLETON
IN THE ANTARCTIC . Being the Story of
Expedition , (1906 – 1909 ) . By
the British
Antarctic
SIR ERNEST SHACKLETON , C. V. 0 .
74 X 41.
255 pp .
Heinemann . ls. 60 , n.

.

THE

TOPOGRAPHY .

PRINCESS AELFREDA ' S CHARITY . By HENRY LANSDELL ,
D. D.
Part I . Second Edition . 31 pp .
Part II . 52 pp .
63 X 4. Blackheath . Burnside. 60 , each .

. .”

.

Co
,

Butterworth

REPRINTS .
OF A HIGHLAND
LADY . Edited by LADY
STRACHEY . 8 X 5. 427 pp . Illustrated . Murray . 68. n.
EARLY CHRISTIAN ART IN IRELAND . By MARGARET
STOKES . Revised by G . N . COUNT PLUNKETT , F . S . A.
106 Woodcuts .
Dublin : Cahill &amp; Co. , 35 , 36, 37 , Great
Strand Street . 18.

MEMOIRS

&amp;

Tract Society .

6d.

REFERENCE

"

FLORENCE

THE WONDERFUL GATE . By FLORENCE

. .
's

. By

Lane.

BOOKS .
' S READY REFERENCE DIARY AND KALEN .
DAR FOR 1912. Edited by THE REV . THEODORE JOANSON .
6 x 31 . George Allen &amp; Co ., Ltd .
38. 6d . ; 58. ; 68.

THE CLERGYMAN

“

THE HIDDEN HIGHWAY
Tract Society . 68.

93, Chancery

THE
TURCO -ITALIAN
WAR AND
ITS PROBLEMS . By
SIR THOMAS BARCLAY . With an additional Chapter on
Feeling . By THE RIGHT HONBLE . AMEER
Moslem
ALI , P. C. 84 X 54 . 259 pp . Constable . 58. n .

BELLOC .

JUVENILE .

.

an

By HILAIRE

REVIEW

POLITICAL .

HISTORY .
BRITISH BATTLES : MALPLAQUET .
63 X 41 . 91 pp . Swift . 1s. n.

POETRY

Reprint .)

it , .

( Cheap
6d .

of

By “ Rita .”
Stanley Paul.

&amp;

Ward Lock . 68.
AN ACTRESS .
8}
54. 124 pp .

ONLY

POETRY .
POEMs . By GERALD GOULD . 86 pp .
Sidgwick &amp; Jackson .
WINDFLOWERS . A BOOK OF LYRICS .
By W. FORCE
STEAD .
108 pp . Elliot Stock . 28. 6d . n .
THE LOST VOCATION . By MARIAN Fox . 6 x 41 . 72 pp .
ls . n.

is

124

�THE AUTHOR .
in

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Cupid and Cartridges
Aubrey
Brien
and Reginald
Bolster
tells the love story
the
sister
law
district officer
thc Westerni
Punjab
The setting
the story
the wild and
interesting country
and near the Indus whose
peasantry
and curious hunting tribes together
with the sport
obtained
the locality are
described
the book which Messrs
Blackwood
publish
“

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published later
the year
The Lesson
eugenics novel published last year
now issued
possibility
forin
and there
Flossie
story which ran
Throne and Country
and
1s

of

.

, ”,

.

is

R

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R

.

,

Messrs Everett
was brought out
Mitchell Kennedy
America
She
now
engaged writing
The Escort
which will

(a in

of

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a

of

is
a

of It

which she
drawn
England and other Verses
Capt
verses
Gibson

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The Lamp
volume

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.

story
new
Ruth
appear this month through
story
Messrs Mills
Boon
woman
divided between her love
the country with the
folk
whom
she belongs
and the fascination
life

(

from

Amen

&amp; “

is

Frowde

or

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of

Henry

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The Prince
The translation
the
Ricci from whom copies can

.

of

be

Progress

entitled

,
”

to

which

“

,
”

“

Herbert Trench

's

.

Lyrics and Narrative
Masque
contain the
Prelude
spoken
Mrs Patrick Campbell
the Coronation
Gala
Performance
His Majesty
Theatre
together with fifteen
new poems fourteen odes
including
fifty lyrical poems and three narratives
Apollo
and the Seaman
has just been pub
Stoughton
lished
Messrs Hodder
one
volume
Mrs Gertie
Wentworth James new novel
Barter
now being issued
Messrs Everett
Co
Her last book
The House
Chance
which ran serially with Messrs Newnes
has gone
into three English
editions and
sold
the
publica
Dodge
Messrs
immediate
ublished
tion
America
The Price
Poems

by

It

of is of by

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all

book

of

or

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Science

Carrel

the World

the Rowldrich

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Niccolo

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Taddington

obtained
the publisher
Corner
Mrs Stanley

is

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”

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by

is

is “

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the soul

in

,

.

43

an

by

Priest
Love Story
theme the sufferings
penitent priest
copies may be obtained

has for

The January issue
article
Mr
pretation
Life

the

intended
reader

the Flint
Mrs
Arnold
The Fiddler
romance
Morris dancer whose social rise follows her
departure
London
from
the village
which
she
discovered
the opening
the story
The work deals incidentally
with various phases
city and countryside
the awakening
descrip
beauty and rhythm
and contains
also
tions
Morris dancing
Messrs Alston Rivers
are the publishers
Messrs
Smith
Elder
will publish Miss
Emma Brooke
new
novel
The House
Robershaye
the 22nd
this month
Messrs
Duffield will publish
small edition
the work

Fire

author

.

.

by

,

.

to

.

C

by

of

,

in

,
of

.
Ford

work

and

the ordinary

success

.

Dr
.

Donovan

Pelham

remorse
published

Vol

essay

the

.

.)
.

6s

(

“

,

in Co

&amp;

.

”,

,

",

,

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a

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d

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Sheila

Gordon

sellers

historical
the patriotism

,

The poem

Stoughton will publish shortly
Messrs
Hodder
Mrs Fred Reynolds
new
novel
The Gifted
young man inherits
name which tells how
name made famous by some generations
clever
the
his turn
add lustre
men how he tries
through
name and how
his failure finds

by the
little child
Our Treasure
Heaven
poems the raison
same writer
collection
étre
which was the death
beloved child
under distressing and tragic circumstances
The
during the first week
poems were written
tribulation
Both books are issued
Mr Elliot
Stock

nature
appeal

is

,

;

38
.

6d
).

,

(

in

's

.

is

, .
"

J.
*

*

by

two years ago
The latter volume has
accepted
the Belgian Ministry
Educa
English
tion for the teaching
Government
special
schools
and
now being
issued
edition for students
India
China and Japan
Baby by Edith
Gerrard
little book
poems the keynote
which
the love for
little child whose photograph appears
frontis
piece
the book
The poems thirty one
appeal
number
the highest parental feeling
and express the joy created
the possession
them

been

published by Foyle 's Printing Works .
title
which the volume takes

from

of

a

,

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is

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of
(
or 58
.) in
,

,

its

be

.

to

for 1912 , ” which is now in its twentieth year. It
is edited by the Rev . Theodore Johnson , and should
prove useful
the clergy and their parish workers
Among
contents may
mentioned
visitation
list confirmation classes occasional duty sermons
preached
diary
district visitors choir attendances
limp
paste
etc
issued
cloth
grain gilt edges
and
the latter form with
pocket and tuck
flap and elastic band
Mr Carlton Dawe
new
novel
Eternal
Glory
announced for early publication
Mr
Eveleigh Nash
Messrs
Macmillan
will shortly issue
Examples and Exercises
English
for Foreign
Thorley
Students
Wilfrid
this being
sequel and
supplement
the same writer
English for Foreign Students
Primer
issued

125

�THE AUTHOR .

sad

interesting

.

DRAMATIC

and

Este
Duke Ercole
the Guard
the Court
Este
and escorts the wonderful child Beatrice
journey
Milan
from
Ferrara
her wedding
Leonardo
Vinci and his pupils the beautiful
the
Marchioness
Mantua
Isabella
Este
Squire
San
Dames Galeazzo
irresistible
people
Severino
and many other distinguished
picturesque background
romantic story
form

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the Comedy
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new
Mr
four acts
deals
farcical comedy
Theatre
with fashionable people and the action takes place
),

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West End house
Compton who
leader
fashion
the play
Mr Edmund Gwenn Mr Donald Calthrop and
Miss Mary Brough

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106

Lady

romantic
with
White Hand
Rénique has been produced
Génile
the Wimbledon Theatre
for copyright purposes
the Molière
We have received the prospectus
Society
which has been formed for the performance
French dramatic works and the reading
classical poetry
Full particulars
French
membership and performances may
obtained
application
the Hon Secretary Miss Constance
Harley Street
Meredyth
The society
comedy
produce Molière
shortly
five acts
The
drama

a

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There are
printed

Bitterness
The Clodhopper
Fox bave appeared
may
Fisher Unwin
the former play
version
Stage Society
the Imperial

in

.

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to

.

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to

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of

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love and adventure
announced
Messrs
second edition
edited
Jerusalem
Black
their Guide
The work which contains
Eustace Reynolds Ball
Hebron
Jericho the
excursions
Bethlehem
Nablous Nazareth
Dead Sea and the Jordan
four
Jerusalem
has been enlarged with plan
maps and five page illustrations
Peggy Webling
entitled
new
novel
Miss
published
Messrs
Felix Christie
February
Methuen
Co
Early Christian
Sketch
Miss Margaret Stokes
published
for the Victoria and
Art
Ireland
Kensington
1887
has
South
Albert Museum
the National
issued under the auspices
been
issue
The
Museum
Science and Art Dublin
has been produced under the editorship
far
While the editor has
Count Plunkett
possible preserved the wording
Miss Stokes some
alterations
the text have been found necessary

play
three acts
incredible comedy
one volume
one
recalled that
the
was produced
June 1903
Theatre
Calamity Jane
new one act naval play
Drury was produced
Major
the Globe
play
preceding Mr Anstey
Theatre last month
four
dealt with the doings
Vice Versa
pensioned sailormen
their second childhood

The Waters

.

of

a

to
a

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of

'

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of

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of

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a

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romance
Lodovico
Sforza
Moro ruled
the days when
Captain
young Englishman
Milan
The hero

“

historical

,

At

Jam , ”
wbich
contains
some
facts on jam as an article of food .
In
the same magazine
Mr. Harvey O ' Higgins tells
Detective Burns ' story of the arrest of the American
Union officials accused of dynamite outrages in the
cause of labour .
Miss Florence Bone has published , through the
Religions Tract Society , two new books entitled
respectively “ The Hidden Highway ” and “ The
Wonderful Gate .”
Another book
from
the same
writer will appear in the spring, through
the
Religious Tract Society .
Miss Olivia Ramsey 's new novel - Two Men and
published by John
a Governess ” has also been
Long . It is a story of romantic love and the
consequences that follow
“ Unsophisticated

of by

an

”

,

Il

“

's

.

of

Long

John

,

.

in

the Holy Land , and after many adventures the
story ends happily
France
Stacpoole Kenny
the
new
novel
Mrs
Court
Moro was published last month

Photographic News contains an
The Amateur
article on “ Colour Photography : A Visit to ihe
Home of the Autochrome , " by Alice Worsley .
In the January issue of The World 's Work
“ Home Counties ”
writes an article
entitled

“

self to the succour of distressed women and
children . Later on he is called to take the Red
Cross of the Crusader .
He joins the Army at
Damietta , is present at the battle of Mansourah ,
and is rescued in a wonderful way from
almost
certain death . He accompanies the Saint- King to

Strand

.

In

Quay , 35 , 36 , 37 , Great

Street

an

back , and in book form at 58 . in 1905 .
November R . &amp; T. Washbourne issued “ The
Knight of the Green Shield ,” a story of the Crusade
of the Saint- King - Louis the Ninth — by Louise
Stacpoole Kenny . The hero , Raoul de Châtillon , is
a Knight Commander of the Order of the White
Lady of the Green
Shield , and after a severe
mental struggle he decided to remain in France
and fulfil the duties of that Order , devoting him years

, Lower Ormond
, Dublin .

40

.

subsequently

be

in 1s . book
form ) being
for the musical comedy stage .
A third and cheap edition of “ The Truth about
Man ," by a Spinster , is on the way , published by
Messrs . Hutchinson .
This book , after appearing in
The Lady 's Realm , ran through M . A . P . a few

appeared

dramatised

“

126

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book
Cazals and Gustave Le Rouge
great deal
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preface
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Maurice Barrès writes
veritable romance and
the incorrigible Lelian was
his
his biographers have written their account
his memory
their tribute
last days
great interest
archæologists
work
one
Imprimerie
Nationale
just
published
the
Mesopotamie
Samara
Fouilles
entitled

.

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Gilbert
Professor
Edipus Rex
has been
Murray
version
the
produced with lavish expenditure and care
Mr Martin Harvey
Covent Garden Opera House
the name
wonderful interpretation
has given
part and Miss Lillah McCarthy has ably seconded
The performance
Jocasta
the character
him
Mr Max Reinhardt
has been staged managed
Olympia
The Miracle
also running
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produced
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Arthur Pinero

the Duke

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tickets should
Society
the New Players
Mansions Battersea Park
During the past month

premature death
its exquisite
its author
the
simplicity and deep feeling
reminds one
describes his
poem
which Sully Prudhomme
the first
school
feelings when sent away
realise how
The whole book makes
time
this
the death
much the literary world lost
in

-

by

permission
giving
the
Professor Gilbert Murray his translation
Euripides
the Kingsway Theatre
Medea
Applications
Monday February
are

this remarkable

women

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produced
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woman who refused
day are perhaps wisely not
Academy fauteuil
offered
Charles Louis Philippe
Enfant
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containing
new edition
this book
much
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hitherto unpublished matter
regret
the more deeply the
this work makes

account
what the

is

”,

of

the

The Perfect
addition
Mrs Clifford
original play
The
Gilbert Cannan
play
George Calderon
new
several one act plays
well
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the
The Likeness
and
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anthoress
Widow
Fountain

The
his jury
the work chosen
the author
but
literary artistic
scientific
book may
published
the French language
must
by Jean Harmand with
Genlis
Madame
extremely interesting
preface by Emile Faguet
be

be

,

,

for

absence

be of

of Miss Horniman , who has
Canada whither she will shortly
sailed
followed by her repertory company Miss Darragh
will continue her repertory work for seven weeks
The
the Gaiety Theatre Manchester
season

During the

127

,

.

,

it

there several times
was more easy for him
explore the region and he was fortunate enough
able
commence excavations about
hundred
Bagdad
kilometres north
where
had dis
palace
covered the ruins
the ninth century
he a

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Among translations
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Thomas
gueritte

Paul Mar

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publishes

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article

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.

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Hubert Lagardelle
He
styles the son
the last
law
Karl Marx
idealist
materialism
Gabriel Hanotaux
Arrangement
writes
franco allemand
devant
Sénat
and Jacques Bardoux
Le
Maroc
voie ferrée
Frédéric Barbey gives
on

Paul Lafargue

an

Revue

by

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on

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to

Le et

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Heiden
translated
Mme Palmer
the account
story
the life
Ste Brigitte
real life
interesting
any novel

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account
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to
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by

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speech
Mun
welcome
Regnier was greatly appreciated
the audience
Regnier enters the French Academy
virtue
his poetry and
his prose writings many
Among the best
which are delightful stories
Vacances du jeune homme
known
his works are
sage
Cité des eaux
and
Sandale ailée
literary prize
Maeterlinck intends
found
with the money
receives for the Nobel prize
M

The Comte

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of

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Française
The newly elected Academician made
admir
praise
able speech
the late Vicomte Melchior
Vogüé giving
brief account
his life and works

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tions

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Paris was undoubtedly
Henri
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PARIS NOTES

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tised
what was done
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the purpose
this clause
the statute
history and present usages
the etymological
language
drama may
achieved
action
story display
speech
well
Action can tell
all the most vivid relations between men and
depict every kind
human emotion without the
impossible
aid
deny the
word
would
pantomime
title
played
drama
masters
Daly
the art
Palmer
Blatchf 256 264
pantomime
But
Ben Hur
would
dramatising
Ben Hur
would
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of

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1911

in

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November

United
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for the Second Circuit

Justice Holmes delivered the opinion

. .

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the
Appeals

from

13

1

Court

of

PPEAL

V

,

.

L

,

,

COMPANY
APPELLANT
HARPER
BROTHERS MARC KLAW
ABRAHAM
ERLAN
GER AND HENRY
WALLACE

,

KALEM

CASE

LAW

.

STATES

UNITED

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Madame de Genlis
Perrin
Pelérinage
Sainte Brigitte

565

to 26

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at

la

de

.

by“

at

amended
the Act
March
Stat 1106
authors have the
exclusive right
dramatise any
their works
the exhibition was founded
drama
tising
Ben Hur
this copyright was infringed
opinion that
We are
Ben Hur
was drama
4952

1891

,

,

,

.

-

,

.

”,

with her play
Le Redoutable
was put
admirably
the Odéon
Antoine
Rue
Paix
the title
the new piece
MM Abel Hermant and Marc
Toledo now
being played
the Vaudeville

Sixteen Magnificent Scenes
culininating
titles
Ben Hur
Victor
sold the films and public exhibitions
from them took place
The sub division
the question that has the
most general importance
whether the public
exhibition
these moving pictures infringed any
rights under the copyright law
Rer Stai
America
taking
with

.

in

Edmond

Haraucourt Mounet Sully
Emile
Blémont
and
Fernand Gregh
Mlle
Marie
Lenéru
the
author
Les
Affranchis
has just had another brilliant success

It

at

,

.”

Jean Aicard

,

Rohan

-

a

to

of

were the Duchesse

-

At

, , .

“

.”

de

“ ”

“

La

”

,

at

the

of

Théâtre
Sarah
Bernhardt , “ Lucrèce
has been given and
the Porte Saint
Martin
Flambée
the Renaissance
Pour
rivre heureux
has been filling the house anà
the Chatelet
La Course aux dollars
At the
literary fête has been given
Théâtre Femina
Twenty three poems
honour
Sarah
Bernhardt
dedicated
her were read and among the poets

At

Borgia

,

return to bim .
The whole virtue of the piece is in
the psychological studies that it offers and in the
brilliant dialogue .

Hur ” and to write out such a description or
scenario of certain portions that it could be fol
lowed in action , these portions giving enough of
the story to be identified with ease .
It then caused
the described action to be performed , and took
negatives for moving pictures of the scenes , from
which
it produced filins suitable
exhibition
expected
These
films
and intended
sell
moving pictures
use
the way
which such
pictures commonly are used
advertised
them
Scenery
under the title
Ben
Hur
and
Supers
Pain
Fireworks
Costumes from
Metropolitan
Opera House
Chariot
Race
Brooklyn
Positively the Most
Battery
Superb Moving Picture Spectacle ever Produced

as

dialogue brilliant , as in all the plays by this author.
M . Bourdolle , as Minister of Education , makes the
unfortunate mistake of saying too much in public .
English
The ministry falls , and an
Jew offers
M . Bourdolle the editorship of an important news paper entitled
Heaven
and
Earth . Bourdolle ' s
private life is by no means blameless , and his wife
Very shortly after this he is appointed
leaves him .
Home Minister , whereupon his wife decides to

as

Capus , is a success
slight , but the

is

.”

France en Afrique occidentale
Guinée et Louis XIV . "
“ Les Favorites,” by Alfred
at the Variétés .
The plot

in

.

admirable
China , and
much interest Débuts de la
; Adauzon I. roi de
an

C

l'agonie d'un

:

This is an appeal from a decree restraining an
alleged infringement of the copyright upon the late
General Lew Wallace ' s book “ Ben Hur , " 169
Fed . Rep . 61 ; 94 C . C . A . 429 . The case was
heard on the pleadings and an agreed statement of
facts , and the only issue is whether those facts
constitute an infringement of the copyright upon
the book .
So far as they need to be stated here
they are as follows.
The appellant and defendant ,
the Kalem Company , is engaged in the production
of moving picture films, the operation and effect
of which are too well known to require description .
By means of them , anything of general interest ,
from
a coronation
to a prize fight , is presented to
the public with almost the illusion of reality
latterly even colour being more or less reproduced .
The defendant employed a man to read “ Ben

3rd

et la

in

Science

.

and Paul Adam
writes on “ La
tradition .”
In an article entitled “ En Chine
régime,” M . René Moulin gives
description
of the present crisis
Comte Jean d'Elbee supplies us with
ing information
respecting
“ Les

sec

128

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By Henry Newbolt
Haldane McFall

By

.

of

Harrison

.

Frederic
English Poetry
New Study
The Puritan and The Theatre

to

as

Cæsar

It

or

.

FORTNIGHTLY

.

to
J.
F
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be

per cent.

addressed

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for 0 6 0 0 0 0 .)

£4

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. . . . .
0 00 1 3
6 7 15100 0

"
of

,

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29

All letters respecting Advertisements shoull
BELMONT
Paternoster Square London
Co
.

PER CENT

per inch

per cent made for Series Sixand
Twelve Insertions.
,

of
20

a of

..
.

a

Reduction

20

.

.

OF THE SOCIETY

.. .. .. ..
. . . .

MEMBERS

of
25

(

ALLOWANCE

Front Page
Other Pages
Page
Half of
Quarter
Peace
Eighth of Page
Single Column Advertisements

&amp;

, .

.

FOR ADVERTISEMENTS

TO

be a
-

by

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.

in

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SCALE

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be

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By
Escott
Literature and Journalism
By Raymond Blathwayt
England
Taste
Literature

a

.

to

so

do

The Spirit

ENGLISH REVIEW
Among My Books

an

.

V

of

.

for

to

Sturge

CORNHILL

him

,

.

Mrs

Thackeray
New Poem
Written
Weimar
Shakespeare
the Falstaff
the Plough
the sign
By Sir Frederick Pollock Bart
Cycle

an

by

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Gretton
Literary Supplement

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Mr

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as

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the defendant did not contribute
the infringe
impossible
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taking

ment

1

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's of

CONTEMPORARY

as

,

a

is

it

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at

in
a

of

Graves
Johnson
156 Mass
211
The
niceties are involved here
expected
but invoked
not only
defendant
advertisement the use
films for dramatic repro
duction
the story
That was the most con
they could
used
spicuous purpose for which
and the one
which especially they were made

But no

CONTENTS

By Basil de Selincourt
Ruskin
Henry
James and His Prefaces

,

,

.

to for

in

a

to

of

to

is

of

.

of

MAGAZINE

.
.

it

.

be

right which the statute reserves
infringe
said that the defendant did not
But again
produce the representations
but merely sold the
jobbers and
films
that ground ought not
ordinary
be held responsible
Where
article
commerce
sold nice questions may arise
accomplice
the point
which the seller becomes
subsequent illegal use
has
the buyer
been
held that mere indifferent supposition
knowledge
the part
the seller that the buyer
contemplating such uniawful
spirituous liquor
use
not enough
connect
with the possible
unlawful consequences Graves
Johnson
179
the fale was made with
Mass 53 but that
view
the illegal resale the price could not
recovered

is to to

to

it

is

t

I

of

an

in

of

,

or

.

as

,

in is

in

.

it

be

of

be

is

.

be

by

.

it

themselves
Indeed
was conceded
the
Appeals that these films could
Court
copyrighted
and
we may assume could
photographs
exhibited
Whether this concession
correct
not
view
the fact that they
unlawful dramatisation
are photographs
the novel we need not decide
We will assume
that
But
does not follow that the use
them
motion does not infringe the author
rights
The most innocent objects such
the
mirror
the other case that we have supposed
may
used
unlawful purposes
And
moving pictures may be
we have tried
show
used for dramatising
novel when the photo
graphs are used
that way they are used

Circuit

extend
the ideas
distin
the words
which those ideas are
attempt
clothed
But there
make
monopoly
the ideas expressed
The law confines
particular cognate and well known form
itself
reproduction
grant
that extent
thought
monopoly
proper way
secure the
right
the writings this Court cannot say that
Congress was wrong
Decree affirmed

like this
guished from

is

the

copyrighted

argued that the law construed
we have
goes beyond the power
construed
conferred
upon Congress by the Constitution
secure
authors for
limited time the exclusive right
their writings
Art
sect
suggested
that
extend the copyright
case

to
a

.

in
a

of

is

It

be

infringing

made and exhibited without
copyright and that they may

, 433 .

to

-

if

of

be

of

motion

425

A

of

.

it

How
would
the illu
paintings
were produced from
instead
from photographs
the real thing may
left open until the question shall arise
said that pictures
scenes
novel may
sion

in the final act.
It is liable on principles
recognised in every part of the law : Rupp and
Wittgenfeld Co . v. Elliott , 131 Fed . Rep . 730 , 732 ;
Harper v . Shoppell, 28 Fed . Rep . 613 ; Morgan
Envelope Co. v. Albany
Paper Co ., 152 U . S .

part

of

of

is

complex

more

be

and

.

,

by

is

—

, of

—

,

as

a

are

less so that it was exhibited to the audience by
reflection from a glass and not by direct vision of
the figures — as sometimes has been done in order
to produce ghostly or inexplicable effects .
The
essence of the matter in the case last supposed is
not the mechanism employed but that we see the
event or story lived . The moving pictures
only less vivid than reflections from
mirror
With the former
with the latter our visual
impression
what we see
caused
the real
pantomime
real men through the medium
natural forces although the machinery
differeut

129

�THE AUTHOR .
the Society

",

for
"

or

to

or .

to

.

foror

,

,

.

to

is

up

to to

The Royalty System
perhaps with certain limitations the best form
This
agreement
above all things necessary
know
now
both sides
what the proposed royalty means
possible
approximately
for
author
ascertain
the
time very important figures connected
truth
From time
The Author
with royalties are published

It to

,

.

is

to

to

.

to

.

an

.

in

.

A

.

.

of

.

of of

a

of

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to

Be

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of

of

an

:

.

if

.

.

.

to

.

of

is
a

,
in

of

or

,

be

.

copyright

.

a

WARNINGS

per

transfer

DRAMATIC AUTHORS

.

and act accordingly .

Always avoid

TO

8 . Some agents endeavour to prevent authors from
to the Secretary of the Society ; so
do some publishers . Members can make their own

referring matters

18.

,

is

of

.

.

IY

(3 (2 (1
.) .) .)

of
a

This
The

agreement are combinations
the four
All other forms
above mentioned
the author
Such combinations are generally disastrous
Never sign any agreement without competent advice from
the Society
the Secretary
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
those account books which belong
The inspection
right
the
We are advised that this
the author
denied
common law right which cannot
nature
withheld
.

7. Many agents neglect to stamp agreements .
must be done within fourteen days of first execution .
Secretary will undertake it on behalf of members .

General

.

them by literary agents , and are recommended to submit
to the Secretary
and explanation
them for interpretation
of the Society .

Commission Agreement

The main points are
production
obtain
fair cost
careful
Keep control
the advertisements
Keep control
the sale price
the book

(
1
).

literary
6. No contract should be entered into with a
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
to
the contracts with publishers submitted
consideration

sign
agreement without submitting
the
Secretary
some com
the Society
Authors
petent legal authority
negotiating
extremely careful
well
play with any one except
established
the production
manager
plays
dramatic contract
There are three forms
to

it

for

of

:

of

.

can

on

of

a

a in

.

.

of

This
the performing right
unsatisfactory
An author who enters into
stipulate
the
contract
contract
should
such
certain date
the piece by
for production
the
his name
and for proper publication
play bills
-

price

be

a

proper

for

an

in

be

a

is

.

:

it

.

satisfactory

three or more acts
Sale outright
is

of

observed
dealing
methods

Outright

sometimes

,
if

is

I.

Selling

This

It

3
.

an

in

be

a

.

H

are
few standing rules
agreement
There are four
with literary property

to

TTERE

of to

THE PRODUCERS
BOOKS

in

OF

(a
.)

WARNINGS

.

TO

.

2

.

or

NTEVER

of

.

to

(4
.)

III

(2
).

Prospectus .

£1

of

doctor

to

have arranged for the reception of
5. The Committee
in a fire
members ' agreements and their preservation
proof safe . The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
The Society now offers :
who will keep the key of the safe.
( 1) To stamp agreements in readiness for a possible action
(3) To enforce
upon them .
( 2) To keep agreements .
payments due according to agreements . Fuller particu
lars of the Society 's work ] can be obtained in the

is

form

made
the author
unless the same allowance
give
Continental
American
Colonial
Not
rights
give
serial
translation rights
Not
any publisher
bind yourself
future work
Not
any one solicitor
As well bind yourself for the future

.

send

4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .

9. The subscription to the Society
annum , or £10 108. for life membership

bad

(a

In this case the following rules should be attended to :
(1. ) Not to sign any agreement in which the cost of pro
duction forms a part without the strictest investigation .
( 2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
advertise
in his own organs , or by charging exchange
ments .
Therefore keep control of the advertisements .
office expenses
(3. ) Not to allow a special charge

of

,
3. Before signing any agreement whatever
the document to the Society for examination ,

deductions

Agreement

!

.

.

A Profit - Sharing
agreement

(3
.)

the Society

II.

(6 5
(
.
). ) .

.ER

VERY member

has a right to ask for and to receive
1
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
property .
The
of his
or the administration
business
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society .
Further , the Committee , if they
without
deem it desirable , will obtain connsel ' s opinion
any cost to the member . Moreover , where counsel ' s
opinion is favonrable , and the sanction of the Committee
aggrieved
is obtained , action will be taken on behalf of the
member , and all costs borne by the Society .
copyright
2. Remember that questions connected with
experi .
and publishers ' agreements do not fall within the
scruple to use
,
ence of ordinary solicitors . Therefore do not
TE
"

But the transaction should be managed by a
agent , or with the advice of the Secretary of

obtained .
competent

up

.

is

USE THE SOCIETY

TO

It

HOW

of an

130

�THE AUTHOR

WARNINGS

can be added to the warnings given for the
dramatic
of books and
of producers
assistance
authors . It must , however , be pointed out that , as
,
publisher
&amp; rule the musical
demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two

rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .

STAMPING

undertakes to stamp copies of music on
part
per 100
members for the fee
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
Secretary
and the voucher
then forwarded
the
members who are thus saved much unnecessary trouble
or

.

's

to

is

.

.
in

be

.

a .

. .

,

is

it

,

of

is

,

of

,

and

experience

The

.

,

competence

REMITTANCES

.

to

.

of

by
to
of

be

or

,

be

,

the same
charged for

give notice
The Secretary of the Society begs
post
that all remittances are acknowledged
return
All remittances should
crossed Union
London and
Chancery
Smiths Bank
Lane
sent by registered
letter only
,

of

to

filed subject
play will

.

at

,

.

6d

23
.

of

,

at

Readers are writers
one guinea
fee

.

of

also

with the exception that
per act
the price

be

may

a be

a

to

at

of

Original Plays

rules

this

or
a

be

in

.

be

a

byof

to

,

of in

typewritten
foolscap paper
duplicate
forwarded
the offices
the Society together with
shillings
registration fee
and sixpence will
two
carefully compared
qualified assis
the Secretary
stamped and returned
tant One copy will
the author
Copies
and the other filed
the register
the Society
may
any
the scenario thus filed
be obtained
time by
typing
the author only
small charge
cover cost

is

, on

CENARIOS

Society

the

by

assist

.

its work

,

.

greatly

BRANCH

informing young writers
existence
Their MSS
can
read and
composition
treated
treated by
coach
The term
only
MSS includes not
works
fiction but poetry
possible
and dramatic works and when
under
special arrangement
technical and scientific works
The
of

AND

in

'

EMBERS will
branch

PLAYS

6d

of

its

.

THE READING

its

SCENARIOS

MUSIC .

The Society

behalf of

as of
a

REGISTRATION
OF
ORIGINAL

MUSICAL COMPOSERS .

TO

ITTLE

T

M

rights can
5 . Authors should remember that performing
be limited , and are usually limited , by town , country , and
time . This is most important .
rights , but
6. Authors
should not assign performing
should grant a licence to perform . The legal distinction
is of great importance .
7. Authors should remember that performing rights in a
play are distinct from literary copyright . A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements
a substantial
without the author obtaining
consideration .
should
be carefully
for collaboration
9. Agreements
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
limited , and that for a novice the first object
is exceedingly
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts, those authors desirous of further information
are referred to the Secretary of the Society .

authors should
seek the advice of the
Society
the hands of
before putting plays into
agents .
As the law stands at present , an agent
a
who has once had a play in his hands may acquire
•perpetual claim to a percentage on the author ' s fees
of plays is concerned ,
from it. As far as the placing
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is
is also a matter in which in many cases no intermediary
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
different
action of frequent petty authorisations with
individuals , and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
In any case, in the present state of
the author ' s rights .
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

, ,

be reserved .

AGENTS .

AND

RAMATIC

of

4 . Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should

AUTHORS

DRAMATIC

.

( 6.) Sale of performing right or of a licence to
perform
on the basis of percentages
on
gross receipts .
Percentages
vary between
5
a
An author should obtain
and 15 per cent .
percentage on the sliding scale of gross receipts
system . Should
in preference to the American
obtain a sum in advance of percentages .
A fixed
date on or before which
the play should be
performed .
(c. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i.e., fixed
nightly fees ). This method should be always
except in cases where
the fees are
avoided
likely to be small or difficult to collect . The
safeguards
heading
other
set out under
(6. ) apply
also in this case.

131

.

�THE AUTHOR .

.
should

of

is

,

of

film

is
,
, of

one

some

be

to

,

is

to

,

of

.

he at

on

,

of

.

for

8

-

,

for

it

,

.

of

,

in

a

the of

,

in

its

-

in

on

,

in

no

.
is

,

in

of

of

no

,

.

in

.

in

deny that Sir Rider Haggard
the
him
the honour conferred
beginning
will
the year and we feel sure that
warmer congratulations than those
receive
letters
Of his
the profession
his comrades
there
need
books which are read universally
make mention
these columns but we desire
lay special stress
the work he has done for
the past
his brother authors
the society
very early days and was
He joined the society
period
member
the committee during
storm
and stress
and
1897
undertook
arduous duties
chairman
can but
The society cannot grant honours
offer him warm
congratulations
and thanks
past years
what he has done
in

,
to

will

one
well merits

of

to

of

by

or

as

,

to

RIDER Haggard

SIR

No

to to

,

,

.

of

,

of

of
,

,
.

authors

course

advice

a

of of

of

of

,

to

to

be

,

,

,

to

on

.

on

.

,

.

W

.

W

of
is

a

if

.

to

be

to

.

,

on

58
.

,

,

of

If

.

we

In

to

a

,

,

an

.
E
.

by

of

.

a

but we cannot agree with the

of

is

.

,

some interest

,

of

a

not

,

.

communication

COPYRIGHT

FRENCH

in

-

of

of

on

a

him

s

of

at

so to ,

.

in in

.

or it

as

obliged

much

publish
another column
article dealing
question
with
French copyright
which our
attention was drawn
Mr
Latham
member
of the society
will be seen the article was originally pub
lished
French paper
The point
one
A

-

- is

of

film

of

to

a

&amp;

'

.

of

of

of

,

in

the gross receipts

National

would
addressed

RIGHTS

percentage

the

-

10s drawn

in

'

for

England Baker Street
the London
Bankers
order for
drawn
County
Bank Kensington
Westminster
this notice should chance
met the eyes
those who forwarded these orders
the secretary

.

,

of

agitating for

.

'

:

at

'

to

of

as

.

of

,

on is

.

-

CINEMATOGRAPH

ORDERS

would again
like
call the
attention
members
the fact that the three
following bankers orders are still lying unclaimed
and unsigned
this office
the London
Bankers order for 10s drawn
County
Westininster Bank Maidstone

'

a

of

on

- of

to

as

as

,

,

to

to

its

-

BANKERS

THE secretary

&amp;

as

,

to

rights

Bankers order
Provincial Bank

The question
the marketing
the cinemato
graph rights
writers and
dramatists
also
engaging the attention
the Dramatic Sub Com
Already some information has been obtained
mittee
from
France showing the conditions prevalent
that country where progress
the cinematograph
England
theatre has been greater than
Hitherto
dramatists
that country have been content
accept payment for their works
the rate
much per metre
sold
But they are now
beginning
realise that this method
remunera
tion ignoring
does all question
the number
performances
displays of the filın does
give them
They are
fair return for their work
now

displayed

the remuneration

the present therefore
we would
only urge all authors whose work
likely
adaptable
part with
the cinematograph
not
reproduction without
their rights over this form

.

to

,

to

to

,

help them
order
well
look after
their interests generally
the committee
the
society has authorised the formation
sub com
mittee
act for composers
the same lines
the
Dramatic Sub Committee acts for dramatists
That
sub committee
uow being formed and will shortly
begin
work
behalf
musical composers
In

time the

of

its

in

of

,

In

recommending
addition
however
our
study the provisions
members generally
the
Act we would direct the particular attention
composers
the gramophone
clauses and
novelists
and dramatists
the question
cine
matograph
performances
which under the Act
they will now
able
control
The gramophone
clauses are not altogether
composers and the committee
the liking
the
society regret that the Government have admitted
compulsory licence into these
the principle
despite the objections urged
clauses
the society
though with one
behalf
two honourable
exceptions
without much help from musical
composers
However
the clauses are
the
Bill composers must study them carefully and
decide
the attitude they propose
take
regard
them
on

every

The question
receive
these
difficolto
difficulty
For

,

to

of

,

.p

in

of

is

,

.

on

to

,

of

of

Most
our readers are probably fairly familiar
with the main features
the new Act but we
study its sections not the less
recommend them
carefully
this account
An Act which covers
literary
property
dramatic
musical and artistic
ortance
vital
all members
the society
which includes
ranks holders
all these
separate forms
copyright work

be repeated

Fo

.

on

to

of a

,

,

this issue
The
Author the text
the new Copyright Law which
July 1st
will probably come into operation

for

.

supplement

.

ACT

COPYRIGHT

as

publish

of

THE

WE

each performance , just as they are paid a percentage
on the gross receipts of performances of their plays .
Another suggestion put forward is that they should
receive so much per metre of film , the payment to

to

GENERAL NOTES .

.

132

French

�THE AUTHOR .
author .

speaking voice , and her
She had a beautiful
intimate
friends will never forget the evenings
round her study fire when she would recite poem
after poem from an apparently boundless repertory .
Her little poetry bookcase is wide in
range

necessary in
The fewer the formalities
obtain title to copyright the better it is for
all authors . Under the copyright law which has
just been passed registration is unnecessary , the
to

of

as

to

to

"

as

“

”,

”,
“

“

, , ,

,

;

,

to

a

of

.

is

.D
.

,

M

.

by

of

.)

,

M
of .

is

co

so

of:

of

1

of

the playhouse
the
nsulting engineer
our most important cinematograph
declared the

.

.

a

as

,

.

-

to

of

a

is

at

a

as

no

as

is

, it

If

It

an

,

of

on

,

as

so

,

an in

longer

or
“
for

,

,

,

in

a

to

.

,

.,

etc
. ,

,

in

,

,

,

,

,

in

.

of

-

co

to

.

of

,

",

to

”

a

to

,

of

at

,

of

“
A

of

It

satisfied
the start
the
the cinematograph
exhibit such
The
tram entering
station
July 14th
the public
but now offers
review
veritable pieces played by actors and written by
some
the most celebrated dramatists
The
Academie Française and the Comedie Française
operate
itself does not hesitate
the
greater glory
the picture palace
The most celebrated works and stories are daily
represented
picture form
animated
some
thousands of theatres Molière Corneille
Racine
Shakespeare
Hugo
Musset
Victor
Sardoni
Henrique
Lavedan
Rostand
etc
have all
had their works exploited
this way
Powerful
companies armed with considerable capital have
organised
buying
with
view
theatres
constructing
and
halls where cinematograph
may
given
entertainments
these
circumstances
and
face
this
activity one may
not without some amazement
why the cinematograph theatre does not pay royalties
authors
does any other theatre

,

of

in

,

.

be

,

ask

.

of

invention
pictures

as

of

palace

to

,

,

,

did

theatre

,

?
on "

,

that

picture

future

In

a
a

of

in

of

,

to in

-

of

a

of

a

than

the Pro
and

one
companies some years ago
This prophecy which
well expressed the ideal
cinematograph
exhibitions will figure long
important
exordium
the title page
professional journal The Phono Cino Gazette
along
was perfectly
correct
walk
the
day amply shows
boulevards
day the picture palace
not yet
theatre
very important part
itself
least
the
in

of a

in

of .

a

as

,

"

,

on

,

a

I

to

.

more

HE

M

a

in

for

.

of

of

,

,

a

"

her

TODD

Report
presented
André Henze
Syndicate
fessional
Dramatic
Authors
Composers

(

in

of

on

.

.

,

.

“

.
as

-

to

. ,

,

Work appealed
Mrs Wilfrid Ward

.

.D
.

,

&amp; a
c

,

in

,

,

of

of
.

,

“

And now shall
lend you some novels
addition
the established classics one finds
Hardy
her shelves complete
sets
Stevenson
Henry James and numerous other living novelists
stirring story
distinction
She enjoyed
but
San Celestino
was one
the favourites
recent
living novelist whose
days and there was scarcely

.

MARGARET

.

up ,

to

to

“
A

,

”

",

is

it

,

,

—

,

to

,

or

unseen

of

to

in

to

in in

of

.

“

a

to

Modernism
Here Father Tyrrell was the prime
Loisy and many others
favourite but Harnack
great believer
are represented
She was
the
good novel and when
people
restorative power of
they often did
body
came
her
trouble
mind her advice was very apt
close with the
In

Light
thing

M

-

it

,

D

to

Medical Women
Visit
the American
schools and Colleges
and
number
articles
Century
subjects
The Nineteenth
Even
that moved her deeply she wrote with dignity and
restraint and
doubtful whether she ever penned
slovenly sentence
her life
Her style was
always but she would have been the last
pellucid
claim
for her work any real place
literature
On the other hand her appreciation
the work
others
was extraordinarily
keen
Never
rich
and
woman
and economical both by tradition
personal taste she always spoke
her one
books
real extravagance
Her recent purchases include
fine copy
The Book
the Dead
and
quantity
scientific
historical and polemical
works these last being chiefly
the subject

of

indeed

THEATRES

particular
the Society
Authors
She joined the Society
1892 and remained
loyal and appreciative member
the time
her death
Her own published works include

“

loved

FRENCH AUTHORS AND CINEMATOGRAPH

much has already been written
the daily
Sophia
about the public life
Jex
only remains
Blake that
add here
few
general and
lines about her relation
literature
press

words

Mrs

to

Qo

particulars

JEX BLAKE

SOPHIA

Kipling Christina Rossetti and
Swinburne
King but latterly perhaps she
Hamilton
best
few
the poems
Whittier and
My Psalm
Autograph
his
and
The
represent
that
nearly
any
Felt
can her attitude
life and
the things

from

of an author 's
death , as all civilised countries keep death registers .
The only question that might arise would be in the
case of posthumous works where the period of copy right runs for fifty years from the date of publica tion , but with a record , such as is kept by the
authorities of the British Museum , it would not
be difficult even then to ascertain the date .
finding

in

to

no difficulty

its

of copyright running for the life of the author
fifty years after his death . There should be

term

and

is .

order

133

�THE AUTHOR .

go

,

-

to

,

.

.

of

or

.

be

,

,

e
.

. i.

all

on

is

It

.

of as

is

so

he by

is

,

no

is

of

film

.

at

to

,

be

,

is

.

It

to

do

I

.

a

an

,

of

this

of

a

,

as

is

in

to

in

If,

, ,

to

,

,

of

-

of

co

an

be

to

,

to

.

in

to

as

,

to

of

,

is

it

.

a

it

I

theand

of to ,

of

.

of

of

is

,

I

,

, of

,

to

,

.

the

to

of

in

,

,

its

,

in

. ,

by

M

. of

in

,

,
of

,

,

of

,

?

have made

of ,

,

of
is

to

it

its

.

to

-

a

.
-

of

of
by

by

to

to

borrow

some

recognise
Editors
Music have not failed
rights for musical accompaniments
cinematograph
pieces
addition adopted
This association has
president
already report written
Joubert
upholding the rights
regard
authors
cine
matograph productions
dramatic
the interests
The necessity
authors for deducting royalties proportional
takings appears then more and more evident The
Society
Authors and Dramatic Composers must
of

,

a

in

of

.

.

.

of

-

.

of

-

,

the hirers

films for

prac

great step forward
indis
clear that
pensable henceforth
for dramatists whose imagina
tion furnishes the essential part
the material
first necessary
the cinematograph
theatre
draw their royalties
all other theatres
were necessary
add reasons other than
the immediate
those which are concerned with
might add that the public
dramatists
interests
realising far more rapidly than
the dramatist
the rapid development
the cinematograph theatre
for purposes
dramatic entertainment
Further the Society
Authors Composers
believe

it

of

.

film

is

,

co

as

to

,

,

all

its

from

Formerly

we shall already have made

.

,

- of is

of

of

is

it

so

is

to

a

of

in

as

at
,

if

they have been content
lease the films
bought
theatre
the cinematograph
day
prefers
exhibition
while

which

that established

begin
come but having established
with
royalties proportional
the receipts for France
agreement could
easily reached
where such
operation
Authors
the Society
with the

I

of

is

it

-

is

of

.

a

-

,

in

?

,

of

is

It

diminishing
markets which has had the effect
enormously the income
dramatic authors and that
proportion
their
the success and popularity
works increased
How has this paradoxical result been obtained
Simply because the producers
films continue
pay
formerly
the metre
the author
film sold and the sale
this method has scarcely
increased
What has happened
that

one remuneration

years since
absolutely
theatres
There
reason why dramatists should not receive royalties
proportion
the receipts
the cinematograph
company each time
exhibited
would appear the interests
film producers
are inseparable from those
the dramatist
arrangement for
should facilitate
fair division
receipts
not propose
deal with the petty objections
which certain interested persons might urge against
this project
clear that particularly
the
beginning
there would
some difficulties
over

If

.
be ?

:

,

do

.”

is

,

,

is
a

'

,

do

an

,

than
illusion
veritable sham
reality
How
the author
the film remune
film sold
rated
He paid much per metre
But and this
the essential part
what
important
not the number
dramatists
represen
films sold but the number
metres
may
tations that each film furnishes
One
serve for
hundred representations
true that when the picture palaces first
operation
invited the
the dramatists
the
mode
remuneration proposed was perfectly fair
complete trans
But during the last few years
the cinematograph
formation has taken place

only

tical just and equitable

,

to

“

,

.

the whole
France
We anticipate the retort
You are wrong
protect
there
exist some companies which
their films and pay authors
fees
This retort
unfortunately
little inexact and
the
greatest importance that dramatists
should realise
nothing more
that this apparent compensation

them

There

,

,

it

a

of

,
of

of

is

.

,

in

to

8

,

to

of

.

in

3,

on

,

of

30

in

Paris

to

of

theatres
and
music
halls
last year approximately
the
sum
million francs
which sum authors
and composers have drawn about
500 000 francs
royalties
cinematograph theatres during
The receipts
the same year amounted
500 000
francs
royalties
What have they paid
authors
Hardly anything
And Paris
should
remembered
concerned with only
small part
the proceeds
the cinematograph theatres over
increased

,

is

,

theatres

The takings

It is easy to understand now , by what process
injured to the greater
the dramatist is actually
profit
fifty films for fifty
the hirer
Where
theatres were formerly necessary
not more than
day and these films
ten films are required
the round
all the theatres
For the same
representations the dramatist receives
number
one fifth
his former income
clear from
long
this evidence that
the dramatist consents
put
payment
the metre
films sold
the market
will certainly
victimised

is

directors

.

of

to

to

on

at

,

to

no

,

for

Moreover , when
it
is remembered
that the
cinematograph theatre has practically no expenses ,
pays
neither scenery nor company has scarcely
light one
any staff uses next
the more
surprised
the fact that dramatic authors consent
make over
their works
terms infinitely
they require from
inferior
those which
the

The company 's managers haring recognized the
danger which they ran from the “ letter out " of
films ( a middle man who slipped in between the
manufacturer and the directors of the theatres ),
they have started letting out films themselves , and
this change is becoming more and more universal .

of

How is it that an industry which each day
encroaches more and more on the province of the
theatre , which draws away from our big theatres
the
number of patrons , pays to
an increasing
royalty on the income
authors
no proportional
which they obtain for it ?

of

134

�be

,

,

of

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a

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to

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to

(

at

it

,

it

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.

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OF

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COPYRIGHT

to

of

be

in

advance
their
are forgotten and
produce

a

the first

to

.

Oldfield

is

.

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.
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.

on L

.

Mr

hurry

persons

be

to

or

,

,

on

is

generally the fact when
first
the market
fellows that some things
many things are overlooked

in to

or

. of

,

It be

,

.

is
,

on

.

's

is

,

is

It

.

are

.

's

of

copyright dealing with the new Copy
right Law
this
1911 but the opening words
justified with regard
article cannot
Mr Old
field
book
does not appear that
this case
forgotten
some things
that many things
are overlooked
true that some points might
amplified
but still the statements contained are
studying the question
clear for any person who
arrange
copyright
property
The author
ment
the book
the whole
satisfac
tory
He has taken the new Copyright Law
work

of

.

of

on

a

in

of ;

let

to

.

&amp;

Co

.
C
.
F
.

,
M
.A
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Oldfield
South Eastern Circuit
Butterworth
L

."

By
and
by

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at
-

of

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of

Copyright
The Law
the Inner Temple
Barrister
Law
Published
.c *
.s
., "

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go

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of

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up

-

it

is

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's

An

death

expatriate himself
name
and die
some unknown
place and his work never enters the public domain
,

LAW

of

.

a

bibliophile

he would like
upof of ,

-

, to

'

.

.

M

to
a

the

It

it

to

in

a

work which

author may disappear

change his

THE

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from

Isly

FRED

a

,

.

it

a

of

,

.

in

comes

make known
his fellow citizens he has met
like
Albertini with the name
almost
unknown publisher and the name
author
known still less
He also has given
the idea
literary resurrection
Here also our laws con
public property appear entirely defective
cerning
and unfavourable
our intellectual development
These badly drawn
laws call for reform
and
the first place
absurd
the date
work
public property depend
becoming
the date
author

any literary
artistic resurrection until such
the existing laws have been modified

, , to to
if he

to

time

as

to

is

.

from

be

,

to

he is

?

. or

to

no

at .

or

,

To

?

.

M

by

second letter
his hands

The

Having

evident
not
all compli
justice and sound
idea
answers
logic
Are these sufficient reasons for its being
should
not dare
taken into consideration
impress
any case
that they are and
maintain
upon my correspondents
that they should abstain

The matter

cated

.

,

of

us

on

, it

in

of

.

to

,

no '

s

's

.

in

or

postcards
either
know whether he may reprint
any other manner
Now the engraving bears
The publisher
and author names
both publisher
longer exists
apparently
all events not
As
the author there
under the same name
any encyclopedia
Under
his name
mention
given
what answer
these circumstances
apply
Albertini
whom
shonld
obtain
expose
the information
desired
Not wishing
any claim
legal proceedings
himself
will
not carry out his idea
But this project
the
engraving really possesses the value attributed
my correspondent constitutes
highly interest
ing disinterment
The public therefore
will be
deprived
work that
both artistic and his
ycu the case frequently
torical
Does
not seem
happening that there
gap
the laws concern
ing artistic copyright

.

an

of

to

a

.

,

M

to

,

I

he .

of

of

.

in

Albertini
This reader has
his hands
the
engraving representing the entry into Paris
making
Napoleon
Being desirous
ashes
art
fine work
considers
this picture which
known
the public
Albertini writes
named

,
of
at

.

,

it

.

an

of

a

L

to

.

letters have reached me this week bear
analogy
One
each other
certain
Bastia
from
inhabitant
emanates

ing

.

IWO

on

of

the Editor

.)

-

Le

the kind permission
Pêle Mêle

of

by

(

Published

is

COPYRIGHT

is
,

of

to

FRENCH

OF

.

A

QUESTION

-

to

I

,

is
,

to

,

,

in

for

,

in

.

an

on

.

.

is

an

of

In

a

It

to

A

,

-

of

,

,

so

,

.

of

,

by

is

evident moreover that directors
theatres
aroused
the keen competition
the cinemato
graph theatres will ask some day not without
why they pay these royalties
reason
authors
greatly their most formidable rivals
who benefit

It

patented
the industrial world
invention
years
definite number
whatever may
the term
life
the author and this arrangement
much more rational
All inventions are thus
placed
equal footing while
literature one
work may remain private property for fifty years
and another enjoy this privilege
one hundred
years
mediocre work may
this way bring
more royalty
the parties entitled thereto than
masterpiece
repeat
lame piece
legislation and contrary
all common sense
things
remedy this state
The way
how
ever very simple
The publisher should
com
pelled
print
putting
the volume
the time
publication
into circulation the date
From
that moment the number of vears determined by
the law seventy years for instance would begin
During that period the work would be the
run
property
and
his successors
the author
the end
that time
would become public
property
would follow that
From this alteration
any literary work we should
copy
seeing
its becoming public property
know the date
for

is

authors would

135

of

all

would
which

as
a

so

be

recognition
these
regarded

the

of

, .

;

to

do

for

henceforth agitate
rights any failure
regrettable negligence
be the victims

of

THE AUTHOR .

�THE AUTHOR .

be

it

to

of

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be

to

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to

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by

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CURRENT

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.”

Prices
£10 000

“

“

.”

of

of

include
the

the lots
538
fully recorded
the
American
Current
The bighest price paid
for

Book

was

cover

and

1911

the sale
sold
Hoe

of

,

will

which

The

,

:

late

second

portion

Charles

Butter

a

of

Mr

.

of

the sale

the

."

.

:

.

at

of

Bi
-

:

A

monthly Record
Prices Current
the
which
Books have been Sold
Auction
and Part
1911
London
Elliot Stock

Book

.

*
“

Pri
Prices
Part

noteworthy

the library

.

of -

,

"

in

particularly

,

Biblia Sacra Latina Mayence
Bible
Gutenburg and Faust 1450 1455
private libraries are
England
Among sales

Mazarin

V

..

0to

no

is

before

August
the beginning

the late Robert
American
Auction Company
greatest sale which has hitherto
greatest sale which has
country but
enumeration
-

,
to

mention
library

.

in

of to

, to

in

the Act
1911 had
be passed
meet the requirements
the Berlin
and he has shown how the draftsman
and the Ministers who piloted the Bill through the
House hare kept this point before them
He has also referred
the colonial
Colonial question
question
une
There
doubt that the Colonial question must
order
Convention

April

sales from

of

many sections

of

.

.

of

The question
international copyright meets
with clear and lucid treatment
The Berne Con
vention
and
the Berlin
Convention
have been
printed side by side
The author has shown that

Jones
and

Tom

The Numbers

-

of
of

to in

's

of

all
,

is

is

of ?

,

,

likely
lead
time will cure

.

this evil

right

a

on

he
, ,

,
or

for

of

cases difficult and complicated and
lapse
much case law but after

of '

.

his

ration
copyright after the abrogation
sentative lost
lication
publication
the common law right
does
after the new Act comes into force obtain
con
fifty years after the author
tinued right
death
instead
seven years
many
existing rights
The amplification

have
more than one occasion called
the prices fetched by author auto
attention
graph MSS
recent popular works and would
the
urge upon all authors serious consideration
theit
great value that
certain cases attaches
common thing
autograph manuscripts
for authors
their eagerness
secure publication
popularity
entirely careless
and popularity
their MSS
and
auto
cases
spite
the constantly recurring
On June
graph MSS selling for high prices
013
the present year Messrs Sotheby sold for
Fielding
original receipt for £600 for the cops

at

do

in

,

of

.

.

of

.

old

.

an

.

or

,

,

namely

We

.

his present
what amplification
his representatives receives
an author
unpublished artistic work
For instance take
the author of which has been dead for seven
copyright
years
Under the
law
artistic
vears
endured for the life
the author and seven years
Artistic works with the exception
afterwards
engravings
not come under posthumous
Has the personal repres
the new Act
works
perty
rights

been

IV

-

of

to

of

,

of

.

is

There
one point which we think Mr Oldfield
might have dealt with more fully and one
special
copyright pro
importance
all present holders

covered
the volume the sales
fewer than
the year preceding but
the average price per lot has been slightly higher
£2 14s
1911 against
1910
price
The increase
due
several important
Of particular interest
sales having taken place
growing demand
the continually
authors
Literary Manuscripts
single leaf
one
Captain Cook sold
the journals
the Seton
July
otheby
Veitch Sale
1911
£451
have

of

,

cancellation

of of

is
,

the

volume

fifth

“

is an

.

on

it

in

a

,

and

.

right

fifth

for

During the year

in

law

parts
Book Prices
1911 complete the twenty
this very valuable work

fourth and

Current

a

so

the common
registration

,

in

,

,

as

.

of is

,

of

as

as

,

are

.

.*

PRICES

BOOK

,

in

of

.

it

to

In

,

be

a

, ,

it a

,

-

of

,

-

by

be

.

a

he

;

of

is

This cross indexing though
little confusing
carefully and accurately done and can
followed
anyone who cares
follow
those
the past will stand
instances where the case law
the present Act he has quoted the cases and
given
has
the references
His paragraphs
are clear and lucid and the sections
handled
possible
with
little complication
As
explanation
the new law the method adopted
perhaps the best method that could have been
copyright
followed
The book
not treatise
existence
property
the books now
are some
dealing with the old law but
explains the new
doing
effectively deals with the two
and
most important points which have been omitted
the abrogation
the present law that
from

andthe

be upheld
till something more certain has taken
place in the Colonies .
Interpretations of the wording in some of
judical decisions will
sections
needed
thus supplementary book will have
written
before finality
can
obtained
As
book
however
written immediately after the passing
great benefit
the law
will
those who
study
very intricate subject
are anxious

by

section by section : he has expounded each section
as he goes along , showing how
it differs from the
old law , how it meets the requirements of Inter national Law
and
states definitely what points
have been gained and what points have been lost
procedure would naturally entail
This method
considerable amount
cross indexing because
impossible that one section could stand
itself

a

136

�THE AUTHOR .

of

, of

"

. in

a

,

be in

*
in

,

on

a

,

to

be

's

The Literary Year Book and Bookman
Routledge and Sons 1912
London

.

.

Directory

."

.

in

of

of

of

,

to

in

,

—

for

to

-

of

"

“

Literary Year Book
1912
the six
addition
contains
issue
teenth year
published
previous
the information
years
all our readers
familiar
which will
lines similar
Publishers based
Classified List
those
the Classified List
Perioilicals which
This
the previous three years
has appeared

:

.

A
.

:

C
.

.

.13
"

-

Black
and
Same publishers

BOOK

AND

.”

'S

LITERARY YEAR BOOK
MAN DIRECTORY

*
*

-

. A

.

,
"

no

is

to

is

'

Black

.

,

's

.+
a

”

and Charles
",

,

'

Adam

London
1912
Who
Who
Who
Who Year Book 1912
†
"

“

1912
Year Book
Writers and Artists
Photographers
and
Artists
for
Writers

's

:

•

The
Directory
London

“

occasion

;

to

.

,

and

is

be is no

.

THE

THE

1912

its

word

's

in to in

to

's

of

,

”

has
one

of

“

'S

WHO

WHO

become
household
the indispensable
annuals Of
contents there
speak
every
what they are known

'S

W

HO

WHO

fact
the
Who

.”

-

,

'

if

a

,

”

, of

,

-

is

so

-

no

'

in

at

in

-

.

of

,

is

,

.

-

;

•

The Writers
and Artists
Year Book
The
bold one but we have
assertion may seem
any man
asserting that
work
hesitation
the purchaser will
all the address
saleable
found
this most valuable annual

popular taste
The
Year Book
most valuable publication
and should
everyone who possesses
hands
Who

-

,

in

,

or

of

a

of

,

,

A

everyone who has ever had this valuable annual
his hands
and
one who desires
sell copy
should consider himself excusable for not possessing

names of the clerks of the course , a list of winning
owners , of London theatres with their lessees and
managers , and of
the professors
the United
Kingdom
We presume that the racecourse takes
precedence of drama and learning out
regard for

,

is

,

is

to

, .

of

- to

,

an be

or in

practically
address book
which workers
may find registered
whether
with pen
brush
every opening that exists for the sale
their works
mass
information
contained elsewhere un
obtainable and this year have been added lists
Australian South African and Indian publications
provincial journals which will consider
and
table
outside contributions
How exact
the informa
particularly respecting payments those
tion given
most important considerations
often shrouded
impenetrable mystery
will be already known

all

of -

'

'

as

”

V

“

regard the
Writers and Artists Year
Book
the most practically useful
all publications intended
assist authors
the business aspects
their work
As known
everyone this annual
should
known

“

TE

.

WRITERS ' AND ARTISTS ' YEAR
BOOK ,” 1912 .*

“

Year Book is made up of the tables which were
formerly so popular a feature of “ Who 's Who ," but
were afterwards omitted on account of lack of space .
The preface of the “ Year -Book " speaks very
modestly of the “ underlying
connection " with each
other of the two publications , but they stand really
in relations as close as those of the “ Encyclopaedia
Britannica ” and its concluding volume of indexes .
Given that A is the president of some learned
society , “ Who 's Who " will furnish
ample infor
mation about him . If , however , the question arises ,
“ What is the name of the president of this Society ? "
that is not so easily to be found in “ Who' s Who . "
but can be immediately found in the “ Year - Book . "
The volume contains , also , among many others ,
tables which are not to be elsewhere
found . “ a list
of race meetings , with dates of their fixtures and

“

THE

We miss the names of some dramatic celebrities ,
but it is likely enough that their absence is due to
the wishes of the bearers of the names .
It should be particularly observed that this year
by a much
“ Who ' s Who " appears accompanied
thinner companion volume, entitled “ Who 's Who
Year - Book for 1912 - 1913 . ”
The two volumes
are of the same format , so that anyone who wished
could have them bound together . “ Who 's Who

.”

Oscar Wilde , Dante Gabriel Rossetti , and Dumas
Père .

one, whilst everyone must admire the ability with
which this mass of information is kept under con
trol . This year the work is as full and precise as
ever , while the volume has , of course , grown .
The
volume for 1912 exceeds that for 1911 by more than
one hundred of the familiar closely -printed pages .

of

( Sotheby , May 29 — June 1 ), in which were con tained
a number of foreign works of particular
interest , and
the sale
of the library of Sir
Theodore Martin (Sotheby , June 28 – 29 ) , rich
in English works . The library of Dr . J . F . Payne ,
important character ,
a library of an exceedingly
consisting mainly of medical works in English ,
during the six German , and Latin , published
teenth and seventeenth centuries , had the unusual
good fortune to be sold en bloc for £2, 300 .
In
connection with what we have above said respect ing the value of MSS ., authors should look parti .
cularly at pages 629 — 631 , where , near the end of
the volume, are recorded prices paid for MSS , by

137

�THE AUTHOR .

new list gives evidence of having been prepared
with great care , and we hope that it may prove
helpful to authors in doubt respecting the publish ing houses
which they may offer their copy with
acceptance
the best chance
Amid the astonish
ing production
new books
and the constant
appearance
new
firms
becomes every year
inexperienced author
more and more difficult for

leads to an omission such as that of any mention of
of the original Berne Con
vention it becomes misleading .
It would be by

,

a

or

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Open
pages

some blank leaves
and
which the editor
for any suggestions and corrections that may
come
the mind
the reader and finishes with
directory
public
well known women engaged
ought
good use
work
those who
with
asks

-

in

- -

to

on

be

).
in

as

expert contributors apon
Inspection Motoring and

Aviation Educational Matters and Professions
Women Workers
The book contains 368

of

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such

,

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.

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it

of of (p

”

books
women
authors and
societies and associations
There
also
article
upon the dramatic profession
Miss Kittie Carson
who gives her ideas
the lines those entering
adopt
the profession
should
Mrs Aubrey
Blond writes upon
Ice Sports Mrs Courlanden
upon
Fashion Drawing Miss Ida
Elsa Hahn
Smedley
and Miss
Barrett upon Science

to

is

.

is

It

.

is

,

.

to

.

to

“

the author
the pages
Law and Letters
No
one could elucidate
few pages
much and
many things
are involved
Yet when brevity

proof correcting

It

be

“

as

is

a

altogether
not intelligible
and inadequate while what
said about
colonial law
above all the rest impenetrably
obscure
Insufficient explanation
what
conveyed
places leads
tended
contra
Copyright
dictions
For example
shall
novel
the case
include the sole right
convert
into
dramatic work
534
infringement
Dramatisation
novels
not
copyright
529
We are prepared
admit
that some
these things may not
the fault
presented

BOOK

thirty first issue
English woman
the
Year Book
London
Adam
Charles
Black
and edited
Miss
Mitton
contains
Section
VI upon literature
article
by the editor entitled The Author one
journalism
Espaigne Chapman
Miss Dora
and some
copyright
useful information upon the subject

.

;
-

of

in
a .

is

to

”

is

of

legal information
work such
the Literary
intelligible
Year Book
that what
said should
lawyer
What
here
not
the reader who

arranged

YEAR

'S

“

-

.

have made the informa
The real test
the value

HE

(

of of

,

,

of of

,

of

.

brief

no practical use

few salient particulars

as
of
to
a

only

tion

statement
so

a

but that
of

contained

ENGLISHWOMAN

to

M

An so

,

.

to

its

all

in

to

of

in

,

of

,

Colonial Copyright
Canadian Law
Australian
Copyright
International Copyright and
the United
States
For all this twenty two
pages could never
They might
suffice
have

Law

THE

of

a

so

in in

,
or
, ,

,

or

a

of

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so

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”

to

by

.

,

be

to

“

to

so

as

as

;

they

adequately

might
treated
the volumes
the
Literary Year Book
would also acquire value
collection and not only
annuals
Literary Year Book
The
the only work
English
great
kind published
contains
great deal
interesting
deal
useful and
great deal
information
we can honestly add
indispensable information
which
not
else
where found
We wish the publication success
and regret that we are unable
bestow upon
the
unqualified praise with which
pleasure
would
welcome
annual appearance

of .

to

as

to

in

Book

In

.

is

lucidly
mation
and
gradually built

on

will naturally desire
quickly
possible with the
intimately affect their
new
enactments which
Unhappily
professional
interests
has never
been
our good fortune
feel contented with
the
Literary Year
legal information contained
the
Book
and we are sorry
find
the new volume
previously
upon
no advance
what has
been
published
We shall pass over the pages devoted
Agreements
We have dealt with this subject
when noticing previous issues and find that our
regard
The
views are not considered worthy
pages devoted
the new copyright enactments we
respecting the
cannot pass over
Our first doubt
prudence
dealing with
indeed the possibility
large
subject
we might truly say with
many large subjects
space
small
attempt
twenty two pages
here made
offer
summary
bearings
the new Act
the application
the Act
British Possessions
Year

"

to

in

of

;

be

is

be

of

to

to

to

the article
Law and Letters dealing with the new
Copyright Act
addition
other cognate subjects
Authors are likely
turn first
this part
the

“

if

-

he

an

,

it

of

,

.

of of

to

Literary Year Book
better
the
instead
attempting year after year
compress into
pages more matter than
they can contain
would
take
successive years various particulars
aspects
copyright law and deal adequately with
them
one
one adding
the end
index
previous
those subjects which have been surveyed
legal infor
body
this manner
volumes

know
whom
should offer his work
and
any guidance that may
had
welcomed
the present volume
An important feature

acquaint themselves

fewof far

the Berlin modification

its

138

�THE AUTHOR .
Year .
1909

1911 .

HE

10 , 804
10 , 914

2, 384

all

is more detailed
and exact than the one
hitherto used .
So
far as the
So far as the two tables can be compared , the
increase appears to be distributed evenly over
classes
literature
As year books and pamphlets
are now distributed
over subjects and not counted
separate classes
formerly the exact figures
supplied
increases
decreases cannot
The
largest increases have occurred
the following
philosophy and religion
classes
science and
technology
history and biography
and poetry
probable that there have
and drama
while
been slight decreases omitting year books
educational and philology
and medicine
supply further
The analytical tables appended

of

,

;

in

.

be

,

or

;

Books PUBLISHED

DURING

THE

.

publishing

YEAR 1911

.

New Books

,
.)

,

Total

.

.

.

.

10
209
47

23

31

108
8

+
1

!

26

47

18
10
17
17

11

52

2

1

17
19

190

672

122
345
668
215
648
429

,

2

20
83
22
933
135
69
100

601
476
451

384

336

914

530
804

,

2,

162

,

8

.
..

..
.

.
..

Total for 1910

...

,

8

7,

668

273
930
725
303
250
187
650
52
413
169
99
151
232

128
55
89
15

Enni

.

194
738
457
167
202
160
481
359
274
125
78
101
208
50
94
248
388
238
475
341
480
373
437

10
,

..
.

ncyclopædias Magazines

Total

10

..
.

and Travel

Biography
General Works

.
..

Geography

(E

Juvenile
History

Drama

.
... ... ...

Poetry and
Riccion
Fiction

)

(

Literature General

:::
::
:::
::
:::
:::
::
:::
::

New
Editions

S
6 +

)

Games

::
::
::
::
::
::
::
::
::
::
::

Pamphlets

2
,

, (
&amp;
c
.
.. ..
. .

Business

Fine Arts
Music
Works about

..
.

,

... ...

..
.

,

,

Medicine Public Health
Agriculture Gardening
Domestic Arts

&amp;
c
.

Science
Technology

::
::
::
::
::
::
::
::
::
:

Translations

1,

. .
.. ..

Education
Philology

::
::
::
::
::
::
::
::
:

&amp;
c

. .
.. ..

Philosopby
Religion
Sociology
Law

New Books

in

.)

,

.

the year

's

regarding

etc

-

; ;

:

information

.

ANALYSIS

10 , 725

2 ,336

,

9 9
OF

, ,

CLASSIFIED

309

Total.

.

table

as

.

8

213

, , ,

1

618

2 2

985

7

,

1 1
,

,

6 6 6
, , ,

878

435

701
512

381
381
334
252
603
914
821

, , , 8, 8, 8, 7,

456

7

6

,

1 1 1
, ,

682

817

1907
1908

.

.

6 5 4
, , ,

839
699

1906

Total
044

editions

089
542

955

8, 468
8,530

of

.

for
)
New

in

(

a

1

,

to

)

New books

:

.

Year
1901
1902
1903
1904
1905

2 ,279

This year the statistical analysis of book produc
tion has been brought into line with the classified
table adopted by the International Congress of
Librarians at Brussels in August , 1910 . The new

1

month
027
record
October
The
following are the totals
the last ten years and
last year

New editions

-

number of books recorded as having been
published during the last year is 10 , 914 , an
increase of 110 on the total for 1910 . This
is the highest total ever recorded for a year ' s
publishing in the United Kingdom . Owing to the
events of the year , the rate of production has not
been so steady as in average years, and the monthly
totals vary from 673 in June (the Coronation

M

8,446

1910
1911

the kind permission of the editor of The
Publishers ' Circular . )

with

books .

New

is

IN

.

PUBLISHED

as

( Published

OF BOOKS

( it

ANALYSIS

139

�THE AUTHOR .
.

2, 8
.

203

703

10
,

.

.
·

,

7

668
190
672

'

530
384

,

10

804

914

516

1

,

1,

|

Total

3616

,

' i

,

,
1

,

342

610

1

843

1,

159

1,

679

154

.

725

1,

673

as

.

as

of

it

a

"

I

.

of

on

.

,

on

to

of

of

In

't ,

,

by

.

,

ad

it
. .

,

Yours
HERBERT

.

.

W

SMITH

.”
.

:

as

do

I

As

's
.

no

is

of

I

,

the author

both

these

Yours truly

,

ARNOLD

BENNETT

.

alone

am

announce that
books

in

”

of

to

.”
it

“

is

- ",

on

to

“

.

in

”

of

“

-

of

.

of

",

a

in

I

's ,
“

notice

United

I

hisan

in

., ,

John Millais

,

Sir

,

”

that

and

Sir :

read

the sale
while
allied
Arthur Sullivan

from

P
.
R
.A

,

Sir Henry Irving

of

;

we

in

the profits received
essences

distilled
art

branches

“

interest

poetical

efforts
take

.

to his

of

some slight amount
credit for
yet he did not disdain
that direction

of

in

,

of

's

.

Mr

SIR
Walsh

“

of be

to

,

in

.

a

of

is
,

of

a

to

to

pretend
the
writer
indifference
For
my opinion
his craft
business side
specially obnoxious and fatuous brand
guilty
affectation
Tennyson though hardly perhaps reaching
Lord
authorship
Lovell
sublime standard

merited

“

,

sundry errors
Mr Philip
States Notes
the January
follows
One
them
The Author
number
Speaking
Mr Walsh
non fictional best sellers
Twenty Four Hours
Live
mentions my How
Day
and then the other Bennett
Mental
Efficiency
There
other Bennett
get about that there are two Bennetts
not wish
having written
under the terrible responsibility
firmly
best sellers
the United States may

,

heaven

at

from

his

so

to

,

,

like manna

,

-

taxes

UNITED STATES NOTES

.

and
feet

fell

to

, of
as

as

of

-

”

its

,

,

,
to

of

?

's

Faithfully

;

off

.

by

to

in

of

so

,

is

, I -

”

“

thing
years and years ago
nauseam
The inspired orators were always amateur authors
should say
Men who live
their pens don
rave about

kind

it

is

,

in

no

,

-

or

,

to or

pigments
The artist either
words
coin money
more exempt from the necessity
deeply
inspired
may
his labour
matter how
lightly thrown
than the artisan
how
be
obscure
albeit amateur authors and members
Literary
though such
Societies sometimes talk
mundane affairs
meat drink clothing and
forth
pay rent rates
say nothing
cash wherewith

something
not smack
the endeavour does
impertinence for
perilously akin
much smaller
declare him
the same profession
member
authorship
that
utterly unworthy
the craft
conclusion let me observe that Mr
account
rhapsody
author
the ethereal aims
Lovell
ship leave me quite cold
have heard the same

I

”

is

byno

opinion

.

.

's

'

of

“

is

,

:

it

,

of

to

of

,

,

,

by
of

to

be

,

if

of

,

of

,

or of :

in

as
“

.

«

of

the Pen
The Hazard
That my article
Sir
pessimistic
true
may be described
tone
literary
every diligent student
enough
since
contemporary
former
biography
whether
any sort
capable
reflection could
writers
impressed
hardly fail
the sorrows and
privations the disappointments and despair which
have dogged the footsteps
seem
would
author
many while treading the thorny path
entirely without point
ship
that
the Authors Society
should hope for the credit
private
peculiar
and
Lovell
Mr Arthur

of

“

in

a

, ,

of

-

in

in

as

they
were
shrewd
their business dealings
were pre eminent
their artistic creations
then
writer
the genius
the late Robert
Buchanan reviewing the years he had passed
producing
both prose and poetical
ditilled
varied
mixtures
life itself with
essences
prescribed
Mr Lovell should meditatively pause
received were
the reward
consider whether
adequate compensation for the sacrifices involved

of

'

Dee

.
527

037

953

Nov

Oct

4
+

.

.

383
120

526
153

1,

|
|

986
217

546
179

.

'S

243
284

498
175

CRAFT

AUTHOR

879
280

118

768
269

If,

THE

531

814
21

262

849

|

CORRESPONDENCE

924
19
43

401

.

..
.

|

.
..
.

..
.

..
.

for

1910

161
33
49

444
10

1

712

777

of

.

Total

.

714

440
10

1911 .

DURING

Sept

|

951

.

778

Aug

92

765

No
New Books
New Editions

.

548
166

669

71

July

48

745
206

198

121

June

998

43

' I

600
178

May

|

58

.. ..
. .

608
157

April

EACH MONTH

76

675

.

560

.

Feb

551
23

Jan

March

New Books
Translations
Pamphlets

Total

Books PUBLISHED

...

ANALYTICAL TABLE SHOWING

788

140

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It
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.—No. 5.&#13;
FEBRUARY 1, 1912.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGE&#13;
PAGE&#13;
117&#13;
117&#13;
...&#13;
131&#13;
117&#13;
118&#13;
120&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes ...&#13;
The Dramatic Sub-Committee and the Lord Chamber&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes... ..&#13;
United States Law Case&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original P&#13;
Dramatic Authors and Agents&#13;
131&#13;
131&#13;
131&#13;
132&#13;
133&#13;
133&#13;
135&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
Sophia Jex-Blake, M.D....&#13;
French Authors and Cinematogra&#13;
A Question of French Copyright&#13;
Book Prices Current ..&#13;
"The Writers' and Artist Year-&#13;
“ Who's Who," 1912&#13;
“The Literary Year Book and Bookman's Directory" ...&#13;
“ The English woman's Year Book" ...&#13;
Analysis of Books Published in 1911...&#13;
Correspondence ...&#13;
122&#13;
123&#13;
124&#13;
127&#13;
128&#13;
129&#13;
136&#13;
130&#13;
137&#13;
137&#13;
137&#13;
138&#13;
139&#13;
140&#13;
130&#13;
130&#13;
131&#13;
131&#13;
DEDICATED TO H.R.H. THE PRINCESS ROYAL.&#13;
Thoughts and Pastimes.&#13;
&#13;
By M. E. R.&#13;
ILLUSTRATED BY MRS. HILLS-HARLEY, A.R.C.A.&#13;
Crown 8vo, Cloth Gilt, Illustrated.&#13;
Price 3/6 net.&#13;
MHE Author of the above work is Miss Mary H. HOLME,&#13;
- M.I.S.A., and it is published in the interests of the Sick&#13;
Children's Hospital, Great Ormond Street, W.C. Over £40 has&#13;
already been realised, and it is expected that at least £100 will&#13;
be the outcome of the publication. The work has been well&#13;
received by the Press. It is suitable for a gift book, or wedding&#13;
or birthday present. Copies may be obtained direct from the&#13;
Author, The Spa Hotel, Tunbridge Wells.&#13;
OPINION OF THE PRESS.&#13;
“Although the production of this choice book is primarily in the interests of charity, the poems dealing&#13;
with homely themes and reminiscences of travel are quite above the average. There are some effective&#13;
original illustrations by Mrs. Hills-Harley, A.R.C.A., and a reproduction of one of George Tinworth's pieces of&#13;
sacred sculpture.”—Publishers' Circular.&#13;
LONDON:&#13;
KEGAN, PAUL, TRENCH &amp; CO., CARTER LANE, E.C.&#13;
&#13;
&#13;
## p. 116 (#540) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : “ AUTORIDAD, LONDON."&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL,&#13;
SIR ROBERT ANDEREOX, K.C.B. The Right Hon. THE EARL CURZON, JUSTIN MCCARTHY,&#13;
SIR WM.REYNELL ANSON, Bart.,D.C.L. P.C.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKER, M.P.&#13;
J. M. BARRIE.&#13;
DOUGLAS FRESH FIELD.&#13;
SIR ARTHUR PINERO,&#13;
SIR ALFRED BATKMAN, K.C.M.G. EDMUND GOSSE, LLD,&#13;
THE RIGHT Hon. SIR HORACE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARD, F.R.S.&#13;
H. RIDER HAGGARD.&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON (“LUCAS MALET''). OWEN SEAMAN.&#13;
THE RIGHT Hon. AUGUSTINE BIR ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW.&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G. R. SIMs.&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
S. SQUIRE SPRIGGE, M.D.&#13;
THE REV. PROF. BONNEY, F.R.S.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
THE RIGHT Hon. JAMES BRYCE, P.C. HENRY JAMES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
THE RIGHT Hon. THE LORD BURGH. JEROME K. JEROM K.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
MRS. HUMPHRY WABD.&#13;
HALL CAINE.&#13;
J. SCOTT KELTIE, LL.D.&#13;
SIDNEY WEBB.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
H. G. WELLS.&#13;
EGERTON CASTLE, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.S. PERCY WHITE.&#13;
EDWARD CLODD.&#13;
LADY LUGARD (Miss FLORA L. FIELD-MARSHAL THE RIGHT HON.&#13;
W. MORRIS COLLES.&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON. JOHN COLLIER,&#13;
Mrs. MAXWELL (M. E. BRADDON). P.C., &amp;c.&#13;
SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-S, SQUIRE SPRIGGE, M.D.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT.&#13;
G. BERNARD SHAW.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
MRS. E. NESBIT BLAND.&#13;
AYLMER MAUDE.&#13;
SIDNEY WEBB,&#13;
J. W. COMYNS CARR.&#13;
| ARTHUR RACKHAM.&#13;
RUDOLF BESIER.&#13;
H. GRANVILLE BARKER,&#13;
C. HADDON CHAMBERS.&#13;
ANSTEY GUTHRIE,&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman-R. C. CARTON.&#13;
Miss CICELY HAMILTON.&#13;
CECIL RALEIGH.&#13;
CAPT. BASIL HOOD,&#13;
G. BERNARD SHAW.&#13;
JEROME K. JEROME.&#13;
MISS E. M. SYMONDS.&#13;
JUSTIN HUNTLY MCCARTHY.&#13;
ANSTEY GUTHRIE.&#13;
ANTHONY HOPE HAWKINS.&#13;
H. A. HINKSON.&#13;
E. J. MACGILLIVRAY.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-S, SQUIRE SPRIGGE, M.D.&#13;
MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE.&#13;
M. H. SPIELMANN.&#13;
MRS. HUMPHRY WARD.&#13;
COPYRIGHT SUB.COMMITTEE.&#13;
SIR CHARLES VILLIERS STANFORD, I HERBERT SOLLIVAN.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
| M. H. SPIELMANN.&#13;
ART.&#13;
JOHN HASSALL, R.I.&#13;
| ARTHUR RACKHAM.&#13;
J. G. MILLAIS.&#13;
| M. H. SPIELMANN.&#13;
The Hon. John COLLIER.&#13;
SIR W. MARTIN CONWAY.&#13;
FIELD, KOSCOX &amp; Co., 36, Lincoln's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G, HERBERT THRING, 39, Old Queen Street, Storey's Gate, 8.W. ) Solicitors.&#13;
Solicitor in England to&#13;
La Société des Gens de Lettres.&#13;
Legal Representative in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES&#13;
39, OLD QUEEN STREET, STORDY'S GATE, S.W.&#13;
&#13;
&#13;
## p. 116 (#541) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
- PLAYS-&#13;
Just out, 1/- paper, 2/- cloth, net.&#13;
SMITH &amp; Son, Renfield Street, GLASGOW.&#13;
WILLIAM THOMSON&#13;
(LORD KELVIN),&#13;
His Way of Teaching Natural Philosophy,&#13;
By DAVID A. WILSON.&#13;
MR. FORBES DAWSON&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' experience in every&#13;
class of character, play, and theatre.&#13;
Master of Stage Craft &amp; Play Construction.&#13;
Author of plays produced in Great Britain&#13;
and America. Adapter of several novels to the&#13;
stage.&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE.&#13;
— NO THEORIES. -&#13;
No charge for reading and giving a practical&#13;
opinion on a play.&#13;
Knows the best people in the dramatic world,&#13;
and has gained the necessary experience for this&#13;
class of work on the stage itself, in association&#13;
with the best dramatists, producers, actors, and&#13;
stage managers of his time.&#13;
ANECDOTES OF BIG&#13;
CATS AND OTHER BEASTS.&#13;
BY DAVID A. WILSON.&#13;
METHLEN &amp; Co., 6-&#13;
Times.-"Mr. Theodore Roosevelt can recount many&#13;
stories of such scenes, while Mr. D. Wilson goes a&#13;
step further ... by telling his readers something&#13;
of the mental attitude of the quarry."&#13;
Guardian.--"Mr. Wilson is the right person to tell&#13;
stories of sport."&#13;
Pall Mall Gazette.-“ Captivating and engrossing."&#13;
Labour Leader.-“This book is one of the most&#13;
delightful collections of animal stories it has been&#13;
our lot to meet."&#13;
Morning Post.-"Delightfully sympathetic... Noth-&#13;
ing is excluded, from the tiger and leopard to the&#13;
domestic pussy-cat, from the bear to the buffalo,&#13;
from the monkey to the elephant."&#13;
Humanitarian.-“ We advise all our friends to read&#13;
this admirable book.”&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
LITERARY YEAR-BOOK (1912)&#13;
Murray &amp; Evenden's Recent -&#13;
"An indispensable book of reference for authors and&#13;
Six-Shilling Novels.&#13;
journalists." -Daily Graphic.&#13;
If it Were Come to Pass. By IVOR HAMILTON.&#13;
Ordeal by Marriage. By CONWAY VERE.&#13;
The Veldt Woman. By SYBIL C. SMITH.&#13;
A striking Novel of Yorkshire Moor and African Veldt.&#13;
Riguilda: A Romance of Barcelona. By MRS. KENDALL PARK.&#13;
Crown 8vo.] Price 6s. net. [995 pages. A powerful and thrilling Novel, written with historic accuracy and&#13;
great emotional power.&#13;
PRINCIPAL CONTENTS : -- Authors' Directory;&#13;
Michael. By EVELYN BARBER.&#13;
A Novel of much power and beauty. The heroine is one of the&#13;
Literary Agents ; Typists ; Indexers; Translators ;&#13;
most delightful creations in recent fiction.&#13;
Booksellers ; Proof-correcting, etc.; Law and&#13;
Chord Once Struck. By JOHN SOMERS.&#13;
Letters ; British, American, Canadian, and Indian&#13;
An up-to-date Story of Smart Society.&#13;
Periodicals (with a classified index and full&#13;
particulars for contributors) ; Royalty Tables ; Murray &amp; Evenden's New Pocket Series.&#13;
One Shilling Net.&#13;
Publishers (British and Foreign) ; Classified List of&#13;
Publishers' Requirements (new feature); Literary&#13;
The Son of a Gambler. By BEDA GERVAIS.&#13;
Societies and Clubs ; A classified list of cheap re-&#13;
Irresponsible Impressions of India.&#13;
By E. GEO. TURNBULL.&#13;
prints (93 different series).&#13;
Full of rich humour and shrewd observation.&#13;
Opinions of Authors:-" Many thanks for the help which the&#13;
"A lively, readable, and well-observed essay on the outward aspects of&#13;
Year Book now affords."-" The Year Book is a great boon to&#13;
things in India as they strike the Occidental eye."--Scotsman.&#13;
authors, and this year is better than ever."-"I have found The&#13;
Aunt Ursula's Bequest. By NORTH GREENHOE.&#13;
Literary Year Book a very valuable book of reference."-"I&#13;
An enthralling story of a hidden hoard in a haunted house.&#13;
take this opportunity of telling you how great a help the book is&#13;
to me as an author and as a working journalist."&#13;
Where the Shamrock Grows.&#13;
Price 3/6&#13;
By GEORGE HENRY JESSOP,&#13;
"A work with a wide reputation and one justly earned."--&#13;
Author of "My Lady Molly.". Shamus O'Brien," de.&#13;
The Author.&#13;
"A picturesque little story of Irish life ... told with a simple directness&#13;
IMPORTANT TO AUTHORS.&#13;
which makes the book very pleasant reading."--Daily Telegraph.&#13;
Latent Impulse in History and Politics. Price 7/6&#13;
in the “ Law and Letters " Soction will be&#13;
By ROBERT VOEL BRADLEY, B.A. At all Libraries.&#13;
found a careful and able exposition of the&#13;
"There is a good deal of thought in the book-and the thought of a&#13;
new Copyright Act (1912).&#13;
well-stored mind."-The 'l imes&#13;
Letters from China.&#13;
Price 6/-&#13;
Of all Booksellers, or of the Publishers-&#13;
By JAY DENBY. Illustrated by H. W. G. HAYTER.&#13;
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## p. 118 (#546) ############################################&#13;
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THE AUTHOR.&#13;
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·&#13;
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ervoor&#13;
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THE AUTHOR.&#13;
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.&#13;
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werer er er et eraser&#13;
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erer&#13;
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Nov. 6, Daniell, Mrs. E. H.&#13;
0 Nov. 13, Anon. .&#13;
0 Nov. 18, Hichens, Robert (in addition&#13;
to subscription of £1)&#13;
1 0 0 Nov. 20, Grant, John G. . . . 0 10&#13;
0 Nov. 24, Jacobs, W. W. . .&#13;
10 Nov. 24, Roberts, Morley,&#13;
0 5 0 Nov. 24, Eckersley, The Rev.&#13;
0 5 0 Nov. 25, Besant, W. H. . . . 5 5&#13;
1 1 0 Nov. 25, Hill, J. Arthur . . . 1 0&#13;
...........&#13;
0&#13;
oereronco cono Estco o&#13;
er ooererererer&#13;
6&#13;
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&#13;
120&#13;
THE AUTHOR.&#13;
..::&#13;
19&#13;
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0&#13;
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£ $. d&#13;
£ $. d.&#13;
Nov 25, Tansley, A. G. . . . 2 20 Dec. 18, Dawson, Frank.&#13;
Nov 25, Gysi, Max . . · 1 1 0 Dec. 20, Tench, Miss Mary F. A. . 0 5 0&#13;
Nov. 25, Lyttelton, Hon. Mrs.. . 1 0 0 Dec. 21, Clifford, Mrs. W. K. , . 5 5 0&#13;
Nov. 25, Savile, Frank . . . 10 0 0 Dec. 22, Francis Beard . . , 0 26&#13;
Nov. 25, Skeat, Prof. W. W. . 1 1 0 Dec. 22, Horridge, Frank.&#13;
. () 6 0&#13;
Nov. 27, Hood, Francis . . 0 5 0 Dec. 28, Dawson, Forbes ..&#13;
0 10 6&#13;
Nov. 27, “ Olivia Ramsey”. . 1 1 0 Dec. 29, Longard, Madame de&#13;
Nov. 27, Moffatt, Graham .&#13;
. 1 1 0&#13;
thea Gerard).&#13;
0 5 0&#13;
Nov. 27, Mainwaring, Mrs.&#13;
. 5 5 0 Dec. 30, Workman, Mrs. F. Bullock . 1 0 0&#13;
Nov. 27, Maunder, J. H..&#13;
. 1 1 0 Dec. 30, Swan, Miss Myra . . . 0 0&#13;
Nov. 27, Kennedy, E. B..&#13;
0 5 0 Dec. 30, Blake, J. P. . .&#13;
. 1 1 0&#13;
Nov. 27, Galsworthy, John (in addition&#13;
1912.&#13;
to subscription) . • 2 2 0 Jan. 2, Risque, W. H. .&#13;
: 0 10 0&#13;
Nov. 27, Oppenheim, E. P.&#13;
1 1 0 Jan. 2, Dart, Miss Edith .&#13;
. 0 10 6&#13;
Nov. 27, Harding, Commander Claud,&#13;
Jan. 3, “K."&#13;
0 10 0&#13;
R.N. . . .&#13;
1 0 0 Jan. 3, Church, Sir Arthur.&#13;
1 1 0&#13;
Nov. 27, Moore, Miss E. Hamilton 0 10 6 Jan. 3, Durrant, W. Scott&#13;
: 0 5 0&#13;
Nov. 27, Pilley, John. .&#13;
. 0 10 0 Jau. 3, Tighe, Henry. .&#13;
0 10 0&#13;
Nov. 28, Martin, Mrs. Clara T. .&#13;
6 Jan. 3, Grant, Lady Sybil .&#13;
1 0 0&#13;
Nov. 28, McKellar, Campbell D.&#13;
0 Jan. 4, Smith, Bertram&#13;
20 0 0&#13;
Nov. 28, Wroughton, Miss Cicely 0 5 0 Jan. 4, Buckrose, J. E. .&#13;
1 1 0&#13;
Nov. 28, Rankin, Miss F. M.&#13;
5 0&#13;
Jan. 4, Lathbury, Miss Eva&#13;
0 5 0&#13;
Nov. 28, Harraden, Beatrice .&#13;
Jan. 5, Wilson, Dr. Albert .&#13;
0 10 0&#13;
Nov. 28, Gould, Gerald ..&#13;
Jan. 5, Craven, A. Scott .&#13;
0 10 0&#13;
Nov. 28, Hardy, Thomas 0. M.&#13;
Jan. 6, Blundell, Miss Alice&#13;
0 10 0&#13;
Nov 29, Maarten Maartens&#13;
5 0 0 Jan. 6, Garbutt, W. H. .&#13;
0 5 0&#13;
Nov. 29, Bolton, Clement ,&#13;
• 0 2 6 Jan. 6, Serjeant, Miss Constance&#13;
0 5 0&#13;
Nov. 29, Stutfield, H. E. M.&#13;
1 0 0 Jan. 9, Chamberlayne, Miss Effie&#13;
0 5 0)&#13;
Nov. 29, Gibbs, F. L. A. . . () 10 6 Jan. 9, Hamel, Frank .&#13;
1 1 0&#13;
Nov. 29, Spurrier, Steven ..&#13;
0 7 6 Jan. 10, Allen, W. Bird .&#13;
1 1 0&#13;
Nov. 29, Kinloch, Alexander&#13;
1 1 0 Jan. 10, Crellin, H. M. .&#13;
() 5 0&#13;
Nov. 29, Webling, Peggy. . 0 5 0 Jan. 10. Smith, Herbert W.&#13;
2 2 0&#13;
Nov. 29, Barclay, Mrs. Hubert. 0 10 0 Jan. 12, Randall, F. J. .&#13;
1 1 0&#13;
Nov. 29, Gibbs, Miss C. E. .&#13;
0 Jan. 13, P. H. and M. K. .&#13;
220&#13;
Nov. 29, Batty, Mrs. Braithwaite&#13;
0 Jan. 15, Clark, Henry W. .&#13;
Nov. 29, Spielmann, Mr. and Mrs. M. H. 2 2 0 Jan. 17, Rankin, Mrs. F. M. .&#13;
0 5 0&#13;
Nov. 29, Begbie, Harold . .&#13;
Jan. 18, Paternoster, Sidney&#13;
1 1 0&#13;
Nov. 29, Spiers, Victor .&#13;
Jan. 20, M'Ewan, Miss Madge .&#13;
0 5 0&#13;
Nov. 29, Wentworth, Gerald . . 1 1 0 Jan. 22, Kaye-Smith, Miss Sheila . () 10 0&#13;
Nov. 29, Pryce, Richard&#13;
0 0&#13;
Jan. 22, Mackenzie, Miss J. . . 0 5 0&#13;
Nov. 29, Watson, Mrs. Herbert .&#13;
5&#13;
Jan. 22, Reiss, Miss Erna . . . 0 5 0)&#13;
Dec. 6, Toplis, Grace . . .&#13;
0 5 0&#13;
Jan. 22, Grisewood, R. Norman .&#13;
Dec. 6, Percival, Helen A. . . . () 5 0&#13;
Dec. 7, Graham, Kenneth . . . 10 0 0&#13;
£206 11 6&#13;
Dec. 8, Falmouth, The Right Honble.&#13;
the Viscountess&#13;
2 20&#13;
Dec. 8, Ord, H. W. . .&#13;
: 0 10 6&#13;
COMMITTEE NOTES.&#13;
Dec. 10, Hawkins, A. Hope . . . 10 10 0&#13;
Dec. 10, Pennell, Mrs. E. R. . . 1 1 0&#13;
Dec. 11, Bland, Mrs. E. Nesbit.&#13;
M HE first meeting of the committee for 1912&#13;
Dec. 11, De Morgan, Wm.&#13;
1 was held at the offices of the society on&#13;
Dec. 12, D'Arcy, Ella Miss .&#13;
Monday January 8th.&#13;
Dec. 16, Glenconner, Lady&#13;
0 After the minutes of the last meeting had been&#13;
Dec. 16, Royds, The Rev. T.&#13;
O read and signed, the committee proceeded with the&#13;
Dec. 18, Moore, Mrs. Stuart . 1 1 0 election of members and associates, twenty names&#13;
Dec. 18, J. P. P. . . . 1 0 0 being added to the society's roll. The list of&#13;
Dec. 18, Brémner, Robert L. . 0 5 0 elections appears on another page.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
0&#13;
.&#13;
.&#13;
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Nero&#13;
ordo&#13;
er o&#13;
ens ögonen oer er&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
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&#13;
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## p. 121 (#549) ############################################&#13;
&#13;
THE AUTHOR.&#13;
121&#13;
The solicitor reported on the cases he had in hand. Sir Gilbert Parker, who is at present in Canada, and&#13;
One claim taken up against a paper for payment with the Premier of Canada, as well as the Minister&#13;
for work done has been partly settled, and the for Agriculture, who controls copyright matters in&#13;
solicitors are now pressing for the balance of the the Dominion. It was decided that the Chairman&#13;
account. The committee decided to abandon of the Society of Authors should write to Sir&#13;
another claim for damages against the same paper, Gilbert Parker in answer to the letter laid before&#13;
as the solicitors advised that the claim put the committee at their previous meeting, drawing&#13;
forward by the member could not be certainly his special attention to the present point at issue.&#13;
maintained. The next case reported was one One of the members had proposed that the society&#13;
involving the settlement of accounts. It has should act officially in the matter of the Dickens&#13;
been running on for some months. The solicitors Centenary for the collection of subscriptions. The&#13;
were able to inform the committee that the committee came to the conclusion that they conld&#13;
matter was nearing completion. A further claim not move in the matter, as it was outside the scope&#13;
against an editor for money had been settled, of the society's work. The secretary was instructed&#13;
the sum dne having been paid. An important case to write to the member accordingly.&#13;
of breach of agreement by a publisher was carefully The committee sanctioned the purchase of a&#13;
considered by the committee and the legal issues cyclostyle, to deal with the great number of circulars&#13;
discussed. The committee adopted the view of the which it had been found necessary from time to&#13;
solicitors that a further letter should be written, time to issue.&#13;
and it was agreed that the result of this communi- The question of the United States lawyers' costs&#13;
cation should be reported to the next meeting was considered by the committee, who instructed&#13;
An article drafted by the secretary for publication the secretary to obtain the necessary signatures for&#13;
in The Author was carefully considered. It was the cheque.&#13;
decided to have the article set up in type, and in The secretary informed the committee that Mrs.&#13;
this form to submit it to the committee in time for Vassal and Mr. Edmund Candler had joined the&#13;
the next meeting. The committee decided that an society as life members. He also reported a donation&#13;
American case which had been very fully discussed of £2 28. to the Capital Fund from Mr. Frank&#13;
with the society's American lawyers should be Heath.&#13;
abandoned, but decided to take up a case against an&#13;
American theatrical manager for money due to&#13;
a member of the society on accounts rendered.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The date for the return of the voting papers for The first meeting for 1912 of the Dramatic Sub-&#13;
the committee election, in case a ballot should be Committee was held at the society's offices on&#13;
necessary, was settled. Due notice of this dateFriday, January 20th, at 3 o'clock.&#13;
will appear on the ballot papers, which, if an election After the minutes of the previous meeting had&#13;
takes place, will be circulated through The Author been signed, the secretary reported the result of&#13;
to all members.&#13;
the nomination for the sub-committee, explaining&#13;
The date of the general meeting was fixed, and that as no additional names bad been sent in,&#13;
due notice of this with the annual report will be the names nominated by the sub-committee&#13;
issued.&#13;
would go forward to the Committee of Manage-&#13;
The committee decided to elect a musical sub- ment for election, when the sub-committees of the&#13;
committee, to work on the same basis as the society are re-elected.&#13;
Dramatic Sub-committee, in order to give to com- It was decided to hold the conference of the&#13;
posers the same assistance, if they care to avail them- dramatists later in the spring.&#13;
selves of it, as is given to authors and dramatists The next question for discussion was the&#13;
who are members of the society. The aim of the Managerial Treaty. The chairman stated that he&#13;
committee is to make the society represent as far as had received the report from the sub-committee&#13;
possible all holders of copyright property.&#13;
of the Dramatists' Club, but that it had arrived&#13;
The secretary reported the action of the Nobel too late for discussion at that meeting. The secre-&#13;
Prize Committee as set out in the last issue of The tary was instructed to see that copies of the report&#13;
Author. The committee decided to adjourn the were circulated to the members of the sub-committee,&#13;
matter to the February meeting in order that they and it was further decided that, if necessary, a&#13;
might obtain further information on a point special meeting should be called to consider it.&#13;
connected with the question.&#13;
The secretary reported the receipt of a letter&#13;
A point relating to Canadian copyright, submitted from the Lord Chamberlain on the Sketch Question.&#13;
to the Committee of Management by the Dramatic and he was instructed to reply. The action of the&#13;
Sub-committee, was next considered, and the Lord Chamberlain has already been made public&#13;
committee decided to enter into communication with in the Press.&#13;
&#13;
&#13;
## p. 122 (#550) ############################################&#13;
&#13;
122&#13;
THE AUTHOR.&#13;
The next matter related to the question of the&#13;
contract it might be necessary for dramatists to&#13;
adopt when dealing with cinematograph per-&#13;
formances. The matter is-one which will become&#13;
of growing importance under the new Copyright&#13;
Act. The secretary was instructed to write to&#13;
Paris and obtain as much information as possible,&#13;
and to lay it before the next meeting of the&#13;
Dramatic Sub-Committee.&#13;
The steps taken by the Committee of Manage-&#13;
ment on the subject of Canadian copyright were&#13;
reported to the Dramatic Sub-Committee, and&#13;
finally the secretary made a brief statement of the&#13;
dramatic cases which had been placed in the hands&#13;
of the solicitors of the society.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
A MEETING of the Copyright Sub-Committee&#13;
was held on Thursday, January 18th, when Messrs.&#13;
Curwen &amp; Son's agreement was further considered.&#13;
The committee went carefully through the points&#13;
raised at the last meeting, and Messrs. Curwen's&#13;
answer to their letter covering the points. After&#13;
considerable discussion, the issues were narrowed to&#13;
two clauses, and the Secretary was instructed to&#13;
write to Messrs. Curwen &amp; Co. in the hope that the&#13;
difficulties arising from these clauses might be&#13;
overcome.&#13;
THE DRAMATIC SUB-COMMITTEE AND&#13;
THE LORD CHAMBERLAIN.&#13;
TN the January number of The Author, under&#13;
I the heading“ Dramatic Sub-Committee,” it&#13;
was stated with reference to the resolution&#13;
passed by that sub-committee which the Secretary&#13;
had been authorised to send to the Lord Chamber-&#13;
lain, that the sub-committee had decided it would be&#13;
inexpedient to publish the resolution until the reply&#13;
from the Lord Chamberlain had been received.&#13;
The matter has now been made public in the&#13;
papers, and therefore we have much pleasure in&#13;
printing the resolution, which was as follows:-&#13;
"That this Meeting of the Dramatic Sub-Committee of&#13;
the Society of Authors respectfully requests the Lord&#13;
Chamberlain to favour it with an assurance that none of&#13;
the readers of plays in his lordship's department are per-&#13;
mitted to retain any commercial or professional interest in&#13;
the Theatre, and to sanction the publication of the&#13;
assurance by the society."&#13;
All those who are interested in dramatic work&#13;
will see the importance of the question contained&#13;
in the resolution that was forwarded by the sub-&#13;
committee to the Lord Chamberlain. We now&#13;
have much pleasure in printing the Lord Chamber-&#13;
lain's reply which, from the dramatist's point of&#13;
view, is satisfactory.&#13;
The reply was as follows :&#13;
SIR,—In reply to your letter of the 18th inst., I am desired&#13;
by the Lord Chamberlain to give you his assurance that&#13;
none of the Examiners of Plays in his Lordship's Depart.&#13;
ment are permitted to retain any commercial or professional&#13;
interests in the Theatre.&#13;
Yours faithfully,&#13;
(Signed) DOUGLAS DAWSON,&#13;
Col.&#13;
Comptroller.&#13;
P.S.-The society is perfectly at liberty to publish this&#13;
assurance.&#13;
D. D.&#13;
The Dramatic Sub-Committee may also pride&#13;
themselves on the fact that the settlement of the&#13;
Sketch question by the Lord Chamberlain's pro-&#13;
clamation has been brought about, to a great&#13;
extent, owing to their energetic work in various&#13;
directions to bring the matter before the authorities.&#13;
It is satisfactory also to know that the highest&#13;
authority in England dealing with the question&#13;
applied direct to the Dramatic Sub-Committee of&#13;
the Society of Authors as the representatives of the&#13;
dramatists in England.&#13;
SUB-COMMITTEE TO SETTLE AN AGENCY&#13;
AGREEMENT.&#13;
I.&#13;
Tur Sub.Committee of the Society of Anthors&#13;
appointed to deal with the agreement between author&#13;
and agent met at the Society's offices on Thursday,&#13;
January 4th.&#13;
The clauses of the agreement which had been&#13;
drafted for the information of the sub-committee&#13;
were considered one by one, and certain alterations&#13;
and amendments were suggested. The Chairman&#13;
consented to put the alterations into proper form,&#13;
and it was decided to call another meeting on&#13;
January 15th.&#13;
II.&#13;
The second meeting of this committee was held&#13;
on January 15th. The amendments which had been&#13;
drafted by the chairman, at the desire of the sub-&#13;
committee, were considered. With some slight&#13;
alteration the final form was passed and ordered&#13;
to be printed that it might be laid before the&#13;
committee of management at their February&#13;
meeting.&#13;
Cases.&#13;
DURING the last two months the cases placed&#13;
in the hands of the secretary have not been so&#13;
numerous as during the previous months.&#13;
Only eleven cases have come into the office&#13;
&#13;
&#13;
## p. 123 (#551) ############################################&#13;
&#13;
THE AUTHOR.&#13;
123&#13;
Sheldon, Gilbert&#13;
High Park, Bideford.&#13;
Stockley, Colonel V. M. . 6, Bickenhall Man.&#13;
sions, W.&#13;
Taylor, Mary. . .&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
during the month of January. Three dealing with&#13;
accounts, four dealing with the return of MSS.,&#13;
and four dealing with money claims. Of these&#13;
only two have been settled, both dealing with&#13;
accounts. If the secretary obtains no satisfactory&#13;
answers with respect to the other cases they will&#13;
have to go into the hands of the society's solicitors.&#13;
There are seven cases left open from former&#13;
months. In most of these satisfactory negotiations&#13;
are proceeding, that is, the secretary's letters have&#13;
been answered by the other side : but there are two&#13;
cases dealing with money claims in which the&#13;
me in which the&#13;
secretary has received no answer to his letters.&#13;
These will have to go into the hands of the society's&#13;
solicitors, as well as a claim in respect of a MS.&#13;
which the publisher has refused to return.&#13;
January Elections.&#13;
Alcock, Miss Ethel Maria. 32, Londesboro' Road,&#13;
Scarboro'.&#13;
Aminoff, Baroness Leonie. Provender, Faver-&#13;
sham...&#13;
Bland, R. Henderson . 219A, Maida Vale, W.&#13;
Burtt, Joseph . . . Greenhurst, Crick&#13;
Common, Matlock.&#13;
Butlin, F. M. . . . Old Headington,&#13;
Oxford.&#13;
Cleugh, Dennis . 217, West 45 Street,&#13;
New York City.&#13;
U.S.A.&#13;
Cotterell, Howard H. . Foden Road, Walsall.&#13;
Crossing, William . . Black Down, Mary&#13;
Tavy, Devon.&#13;
Emerson, P. H., B.A., Foxwold, South&#13;
M.B. (Cantab.).&#13;
bourne-on-Sea, nr.&#13;
Christchurch,&#13;
Hants.&#13;
Francis, René . . . 22, Victoria Grove,&#13;
Kensington.&#13;
Frazer, Mrs. J. G. , . St. Keyne, Cambridge.&#13;
Gordon, Hilda May. . The Boynes, Shanklin,&#13;
I.W.&#13;
Harris, Frances Helen . 27, Compton Crescent,&#13;
Sutton Court, Chis-&#13;
wick.&#13;
Hulme, Thomas Ernest . 67, Frith Street, Soho&#13;
Square, W.&#13;
Holmes, Gordon . : 29, Wolseley Gardens,&#13;
Chiswick, W.&#13;
James, R. Basil . . 38, Digby Marsions,&#13;
Hammersmith&#13;
Bridge, W.&#13;
Kett, George . . . Poste Restante, Bloem-&#13;
fontein South&#13;
Africa.&#13;
King, Louis , , , Authors' Club, London.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
BIOGRAPHY.&#13;
LAFCADIO HEARN. By NINA H. KENNARD. 9 x 54.&#13;
397 pp. Nash. 128. 6d. n.&#13;
MY LADY CASTLEMAINE. Being a Life of Barbara Villiers,&#13;
Countess of Castlemaine, afterwards Duchess of Cleveland.&#13;
By P. W. SERGEANT. 87 x 53. 355 pp. Hutchinson.&#13;
168, n.&#13;
THE LIFE OF CESARE BORGIA. By RAFAEL SABATINI.&#13;
9 x 52. 465 pp. Stanley Paul. 168. n.&#13;
DRAMA&#13;
THE WATERS OF BITTERNESS, a Play in Three Acts; and&#13;
THE CLODHOPPER, an Incredible Comedy. By S. M.&#13;
Fox. 73 x 51. 206 pp. Fisher Unwin. 28. 6d. n.&#13;
NIGATS AT THE PLAY. By H. M. WALBROOK. 73 x 5.&#13;
224 pp. Ham Smith. 58. n.&#13;
EDUCATIONAL&#13;
COMPARATIVE GRAMMAR OF THE GREEK LANGUAGE&#13;
By J. WRIGHT, Ph. D., Professor of Comparative&#13;
Philology in the University of Oxford. 70 X 5. 384 pp.&#13;
Frowde. 68. n.&#13;
FICTION.&#13;
AT THE COURT OF IL MORO. By LOUISE M. STACPOOLE&#13;
KENNY. 78 x 5. 320 pp. John Long. 6s.&#13;
MR. WYCHERLY'S WARDS. By L. ALLEN HARKER.&#13;
7 X 5. 282 pp. Murray. 68.&#13;
THE ACTIVITIES OF LAVIE JUTT. By MARGUERITE and&#13;
ARMIGER BARCLAY. 74 x 5. 288 pp. Stanley Paul. 6s.&#13;
PRINCESS KATHARINE. By KATHARINE TYNAN. 78 x 5.&#13;
320 pp. Ward Lock. 68.&#13;
ANTON OF THE ALPS. By W. VICTOR COOK. 73 x 5.&#13;
304 pp. Methuen. 68.&#13;
MAN AND DREAMS. By MARY E. MANN. 74 x 5.&#13;
312 pp. Mills &amp; Boon. 6s.&#13;
IN TIME'S STOREROOMS. By ETHEL BALFOUR. 74 x 5.&#13;
356 pp. Ouseley. 68.&#13;
FIRE I TAE FLINT. By Mrs. J. O. ARNOLD. 329 pp.&#13;
Alston Rivers. 68.&#13;
STORIES IN GREY. By BARRY Paix. 7} x 43.320 pp.&#13;
Werner Laurie.&#13;
THE WAY OF AN EAGLE. By E. M. DELL: 74 x 5.&#13;
368 pp. Fisher Unwin. 68.&#13;
ENTER BRIDGET. By THOMAS COBB. 78 X 5. 312 pp.&#13;
Mills &amp; Boon. 68.&#13;
A CHANGE OF SEX. By CHARLES KINROSS. 71 x 5.&#13;
304 pp. John Long. 68.&#13;
A MAN OF MARK. By ANTHONY HOPE. 61 x 4}&#13;
282 pp. Nelson. 7d. n.&#13;
&#13;
&#13;
## p. 124 (#552) ############################################&#13;
&#13;
124&#13;
THE AUTHOR.&#13;
THE ORDER OF RELEASE. By H. DE VERE STACPOOLE.&#13;
71 x 7. 342 pp. Hutchinson. 6s.&#13;
A GLORIOUS LIE. Ry DOROTHEA GERARD. 73 x 5.&#13;
320 pp. John Long. 68. n.&#13;
A GIVER IN SECRET. By THOMAS COBB. 7 + 5&#13;
253 pp. Werner Laurie. 28. n.&#13;
CHRISTINA. By L. G. MOBERLY. 74 x 6. 319 pp.&#13;
Ward Lock. 68.&#13;
ONLY AN ACTRESS. By “Rita.” (Cheap Reprint.)&#13;
8} 54. 124 pp. Stanley Paul. 6d.&#13;
HISTORY.&#13;
BRITISH BATTLES: MALPLAQUET. By HILAIRE BELLOC.&#13;
63 X 41. 91 pp. Swift. 1s. n.&#13;
JUVENILE.&#13;
THE HIDDEN HIGHWAY. By FLORENCE BONE. Religious&#13;
Tract Society. 68.&#13;
THE WONDERFUL GATE. By FLORENCE BONE. Religious&#13;
Tract Society. 28. 6d.&#13;
LAW.&#13;
INSURANCE LAW. Relating to all Risks other than Marine.&#13;
By E. J. MACGILLIVRAY. 104 x 64. 1,142 pp. Sweet&#13;
&amp; Maxwell. £2 n.&#13;
A DIGEST OF ENGLISH CIVIL LAW. By EDWARD JENKS.&#13;
Book III. Law of Property. 10 X 61. 547 + 668 pp.&#13;
Butterworth.&#13;
LITERARY&#13;
LA VIE ET LES HOMMES. Par FRANCIS GRIERSON.&#13;
7 x 4!. 232 pp. Swift. 38. 6d. n.&#13;
DANCE OF THE MONTHS. By EDEN PHILLPOTTS. With&#13;
Twelve Illustrations by MRS. ANNE T. BENTHALL.&#13;
101 x 73. 170 pp. Gowans &amp; Gray. 128. 60, n.&#13;
THE DICKENS SOUVENIR, 1912. Edited by D. C. CAL-&#13;
THROP and MAX PEMBERTON. 10 X 7. 236 pp.&#13;
Chapman &amp; Hall. 58. n.&#13;
THE PRINCE. By Niccolo MACHIAVELLI. Translated&#13;
into English by LUIGI RICCI. Henry Frowde. 28. n.&#13;
POETRY.&#13;
POEMs. By GERALD GOULD. 86 pp. Sidgwick &amp; Jackson.&#13;
WINDFLOWERS. A BOOK OF LYRICS. By W. FORCE&#13;
STEAD. 108 pp. Elliot Stock. 28. 6d. n.&#13;
THE LOST VOCATION. By MARIAN Fox. 6 x 41. 72 pp.&#13;
ls. n.&#13;
THE POETRY REVIEW. 93, Chancery Lane. 6d.&#13;
POLITICAL.&#13;
THE TURCO-ITALIAN WAR AND ITS PROBLEMS. By&#13;
SIR THOMAS BARCLAY. With an additional Chapter on&#13;
Moslem Feeling. By THE RIGHT HONBLE. AMEER&#13;
ALI, P.C. 84 X 54. 259 pp. Constable. 58. n.&#13;
REFERENCE BOOKS.&#13;
THE CLERGYMAN'S READY REFERENCE DIARY AND KALEN.&#13;
DAR FOR 1912. Edited by THE REV. THEODORE JOANSON.&#13;
6 x 31. George Allen &amp; Co., Ltd. 38. 6d. ; 58. ; 68.&#13;
REPRINTS.&#13;
MEMOIRS OF A HIGHLAND LADY. Edited by LADY&#13;
STRACHEY. 8 X 5. 427 pp. Illustrated. Murray. 68. n.&#13;
EARLY CHRISTIAN ART IN IRELAND. By MARGARET&#13;
STOKES. Revised by G. N. COUNT PLUNKETT, F.S.A.&#13;
106 Woodcuts. Dublin : Cahill &amp; Co., 35, 36, 37, Great&#13;
Strand Street. 18.&#13;
TOPOGRAPHY.&#13;
PRINCESS AELFREDA'S CHARITY. By HENRY LANSDELL,&#13;
D.D. Part I. Second Edition. 31 pp. Part II. 52 pp.&#13;
63 X 4. Blackheath. Burnside. 60, each.&#13;
TRAVEL.&#13;
BLACK'S GUIDE TO JERUSALEM. Second and Revised&#13;
edition. Edited by EUSTACE REYNOLDS BALL. 210 pp.&#13;
A. and C, Black. 28. 6d. 2.&#13;
ALONE IN WEST AFRICA. By MARY GAUXT. 9 X 51.&#13;
404 pp. Werner Laurie. 158. n.&#13;
SHACKLETON IN THE ANTARCTIC. Being the Story of&#13;
the British Antarctic Expedition, (1906–1909). By&#13;
SIR ERNEST SHACKLETON, C.V.0. 74 X 41. 255 pp.&#13;
Heinemann. ls. 60, n.&#13;
MISCELLANEOUS&#13;
THE HOME AND THE CHILD. By E. W. MARTIN&#13;
71 X 4f. 135 pp. Allen. 28. 6d.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
• MUSIC,&#13;
THE ARISTOXENIAN THEORY OF MUSICAL RHYTHM&#13;
By C. F. ABDY WILLIAMS. 191 pp. 91 X 61. Cam-&#13;
bridge University Press. 128. 6d. n.&#13;
Two EASTERN PICTURES. I. Spring. II. Summer. From&#13;
a Poem of Kalidasa. For Female Voices and Harp (or&#13;
Piano). By GUSTAV von HOLST. Stainer &amp; Bell. 3d.&#13;
CHORAL HYMNS FROM THE RIG VEDA. Three Hymns for&#13;
Chorus of Mixed Voices and Orchestra. By GUSTAV VON&#13;
HOLST. Tonic Sol-fa edition by H. J. TIMOTHY. Stainer&#13;
&amp; Bell. Staff Notation, ls, n. Tonic Sol-fa. 8d.&#13;
KING ESTMERE. Old English Ballad for Chorus and&#13;
Orchestra. By GUSTAV VON HOLST. Novello &amp; Co.&#13;
NAVAL.&#13;
THE SUCTION CAUSED BY SHIPs. Explained in Popular&#13;
Language and Illustrated by Simple Diagrams. And&#13;
the Olympic-Hawke Collision. The Case analysed and&#13;
cleared up with a Chart. By E. S, BELLASIS. 88. n.&#13;
N E regret we were a little premature last month&#13;
in our announcement of the publication&#13;
of Mrs. L. Allen Harker's new novel,&#13;
“Mr. Wycherly's Wards.” The novel was not&#13;
published in December as our note suggested, but&#13;
was ready for publication in January, during&#13;
which month, it has, we understand, been published&#13;
in America by Messrs. Scribners, and in Great&#13;
Britain and Ireland by Mr. John Murray. Our&#13;
apologies are due also to Mrs. L. Grant for an&#13;
error in recording the title of her travel book.&#13;
“ Twixt Sand and Sea " is the correct description,&#13;
and we regret that we inadvertently referred to it&#13;
as “Twixt Land and Sea.” Messrs. Sampson&#13;
Low &amp; Co. are the publishers.&#13;
Messrs. George Allen &amp; Co, have ready “ The&#13;
Clergyman's Ready Reference Diary and Kalendar&#13;
ORIENTAL.&#13;
THE IRSHAD AL-ARIB ILĀ MA'RIFAT AL-ADIB, or&#13;
DICTIONARY OF LEARNED MEN OF YAQUT. Edited by&#13;
D. S. MARGOLIOUTH, Laudian Professor of Arabic in&#13;
the University of Oxford. Vol. V. 93 x 61. 10s.&#13;
&#13;
&#13;
## p. 125 (#553) ############################################&#13;
&#13;
THE AUTHOR.&#13;
125&#13;
for 1912,” which is now in its twentieth year. It published by Foyle's Printing Works. The poem,&#13;
is edited by the Rev. Theodore Johnson, and should from which the volume takes its title, is in the&#13;
prove useful to the clergy and their parish workers. nature of an historical essay, and intended to&#13;
Among its contents may be mentioned a visitation appeal to the patriotism of the ordinary reader.&#13;
list, confirmation classes, occasional duty, sermons “Fire 1' the Flint," by Mrs. J. 0. Arnold,&#13;
preached, diary of district visitors, choir attendances, author of “The Fiddler," is a romance of a&#13;
etc. It is issued in cloth limp (38. 6d.); paste Morris dancer, whose social rise follows her&#13;
grain, gilt edges (58.), and in the latter form with departure to London from the village in which&#13;
pocket and tuck, or flap and elastic band (6s.). she is discovered at the opening of the story.&#13;
Mr. Carlton Dawe's new novel, “ Eternal The work deals, incidentally, with various phases&#13;
Glory," is announced for early publication by Mr. of the awakening of city and countryside to&#13;
J. Eveleigh Nash.&#13;
beauty and rhythm, and contains also descrip-&#13;
Messrs. Macmillan &amp; Co. will shortly issue tions of Morris dancing. Messrs. Alston Rivers&#13;
* Examples and Exercises in English for Foreign are the publishers.&#13;
Students,” by Wilfrid C. Thorley, this being a Messrs. Smith, Elder &amp; Co. will publish Miss&#13;
sequel and supplement to the same writer's Emma Brooke's new novel, “ The House of&#13;
* Primer of English for Foreign Students,” issued Robershaye,” on the 22nd of this month. Messrs.&#13;
by them two years ago. The latter volume has Duffield will publish a small edition of the work in&#13;
been accepted by the Belgian Ministry of Educa. New York.&#13;
tion for the teaching of English in Government Messrs. Hodder &amp; Stoughton will publish shortly&#13;
schools, and is now being issued in a special Mrs. Fred Reynolds's new novel, “The Gifted&#13;
edition for students in India, China and Japan. name," which tells how a young man inherits a&#13;
“ Baby," by Edith C. Gerrard, is a little book of name made famous by some generations of clever&#13;
poems, the keynote of which is the love for a men, how he tries in his turn to add lustre to the&#13;
little child, whose photograph appears as a frontis- name, and how he through his failure finds&#13;
piece in the book. The poems, thirty-one in success.&#13;
number, appeal to the highest parental feeling, “Cupid and Cartridges,” by Aubrey O'Brien&#13;
and express the joy created by the possession of and Reginald Bolster, tells the love story of the&#13;
a little child. “Our Treasure in Heaven,” by the sister-in-law of a district officer of thc Westerni&#13;
same writer, is a collection of poems, the raison Punjab. The setting of the story is the wild and&#13;
d'étre of which was the death of a beloved child interesting country in and near the Indus, whose&#13;
under distressing and tragic circumstances. The peasantry and curious hunting tribes, together&#13;
poems were written during the first week of with the sport to be obtained in the locality, are&#13;
tribulation. Both books are issued by Mr. Elliot described in the book which Messrs. Blackwood&#13;
Stock.&#13;
publish.&#13;
* Sheila Donovan: a Priest's Love Story," by Mr. Herbert Trench's “ Lyrics and Narrative&#13;
Gordon Pelham, has for its theme the sufferings of Poems,” which contain the “ Prelude to a Masque,”&#13;
remorse in the soul of a penitent priest. It is spoken by Mrs. Patrick Campbell at the Coronation&#13;
published at 68., and copies may be obtained of Gala Performance at His Majesty's Theatre,&#13;
Dr. Ford, Taddington, Buxton, or of all book together with fifteen new poems, fourteen odes,&#13;
sellers.&#13;
fifty lyrical poems, and three narratives, including&#13;
The January issue of Science Progress contains “ Apollo and the Seaman," has just been pub-&#13;
an article by Mr. F. Carrel, entitled the “Inter- lished by Messrs. Hodder &amp; Stoughton, in one&#13;
pretation of Life."&#13;
volume.&#13;
Vol. 43 of the World's Classics is * The Prince,” Mrs. Gertie de S. Wentworth-James' new novel,&#13;
by Niccolo Machiavelli. The translation is the “Barter," is now being issued by Messrs. Everett&#13;
work of Mr. Luigi Ricci, from whom copies can &amp; Co. Her last book, “ The House of Chance"&#13;
be obtained at 38, Conduit Street, W., or from (which ran serially with Messrs. Newnes), has gone&#13;
the publisher, Mr. Henry Frowde, of Amen into three English editions, and is sold to the&#13;
Corner.&#13;
Messrs. B. W. Dodge Co. for immediate publica-&#13;
Mrs. Stanley Wrench's new story, “ Ruth of tion in America. " The Price” (published by&#13;
the Rowldrich,” is to appear this month through Messrs. Everett &amp; Co.) was brought out by&#13;
Messrs. Mills &amp; Boon. It is a story of a woman Mitchell Kennedy in America. She is now&#13;
divided between her love of the country with the engaged writing “ The Escort,” which will be&#13;
folk to whom she belongs, and the fascination of published later in the year. “The Lesson” (a&#13;
the “life literary” into which she is drawn. eugenics novel published last year) is now issued&#13;
* The Lamp of England, and other Verses,” in 1s. forin, and there is a possibility of “ Flossie"&#13;
is a volume of verses by Capt. R. R. Gibson, (a story which ran in Throne and Country, and&#13;
&#13;
&#13;
## p. 126 (#554) ############################################&#13;
&#13;
126&#13;
THE AUTHOR.&#13;
appeared subsequently in 1s. book form) being 40, Lower Ormond Quay, 35, 36, 37, Great Strand&#13;
dramatised for the musical comedy stage.&#13;
Street, Dublin.&#13;
A third and cheap edition of “The Truth about The Amateur Photographic News contains an&#13;
Man," by a Spinster, is on the way, published by article on “ Colour Photography : A Visit to ihe&#13;
Messrs. Hutchinson. This book, after appearing in Home of the Autochrome," by Alice Worsley.&#13;
The Lady's Realm, ran through M. A. P. a few In the January issue of The World's Work&#13;
years back, and in book form at 58. in 1905. “ Home Counties” writes an article entitled&#13;
In November R. &amp; T. Washbourne issued “ The “ Unsophisticated Jam,” wbich contains some&#13;
Knight of the Green Shield,” a story of the Crusade interesting facts on jam as an article of food. In&#13;
of the Saint-King-Louis the Ninth—by Louise the same magazine Mr. Harvey O'Higgins tells&#13;
Stacpoole Kenny. The hero, Raoul de Châtillon, is Detective Burns' story of the arrest of the American&#13;
a Knight Commander of the Order of the White Union officials accused of dynamite outrages in the&#13;
Lady of the Green Shield, and after a severe cause of labour.&#13;
mental struggle he decided to remain in France Miss Florence Bone has published, through the&#13;
and fulfil the duties of that Order, devoting him- Religions Tract Society, two new books entitled&#13;
self to the succour of distressed women and respectively “The Hidden Highway” and “The&#13;
children. Later on he is called to take the Red Wonderful Gate.” Another book from the same&#13;
Cross of the Crusader. He joins the Army at writer will appear in the spring, through the&#13;
Damietta, is present at the battle of Mansourah, Religious Tract Society.&#13;
and is rescued in a wonderful way from almost Miss Olivia Ramsey's new novel - Two Men and&#13;
certain death. He accompanies the Saint-King to a Governess” has also been published by John&#13;
the Holy Land, and after many adventures the Long. It is a story of romantic love and the sad&#13;
story ends happily in France.&#13;
consequences that follow.&#13;
Mrs. Stacpoole Kenny's new novel, “ At the&#13;
Court of Il Moro,” was published last month by&#13;
DRAMATIC.&#13;
John Long. It is an historical romance of&#13;
the days when Lodovico Sforza II Moro ruled “ The Waters of Bitterness," a play in three acts,&#13;
Milan. The hero, a young Englishman, is Captain and “The Clodhopper,” an incredible comedy by&#13;
of the Guard, at the Court of Duke Ercole d'Este, S. M. Fox, bave appeared in one volume by T.&#13;
and escorts the wonderful child Beatrice d'Este on Fisher Unwin. It may be recalled that a one-act&#13;
her wedding journey from Ferrara to Milan. version of the former play was produced by the&#13;
Leonardo da Vinci, and his pupils, the beautiful Stage Society at the Imperial Theatre in June, 1903.&#13;
Isabella d'Este, Marchioness of Mantua, the A new one-act naval play, “Calamity Jane R.N.,"&#13;
irresistible Squire of Dames, Galeazzo di San by Major W. P. Drury, was produced at the Globe&#13;
Severino, and many other distinguished people Theatre last month, preceding Mr. Anstey's play,&#13;
form a picturesque background to a romantic story “ Vice Versa.” It dealt with the doings of four old&#13;
of love and adventure.&#13;
pensioned sailormen in their second childhood.&#13;
A second edition is announced by Messrs. A. &amp; “ The Lady with a White Hand," a romantic&#13;
C. Black of their “Guide to Jerusalem,” edited by drama by Génile de Rénique, has been produced&#13;
Eustace Reynolds-Ball. The work, which contains for copyright purposes at the Wimbledon Theatre.&#13;
excursions to Bethlehem, Hebron, Jericho, the We have received the prospectus of the Molière&#13;
Dead Sea and the Jordan, Nablous, Nazareth, etc., Society, which has been formed for the performance&#13;
has been enlarged, with plan of Jerusalem, four of French dramatic works and the reading of&#13;
maps, and five page illustrations.&#13;
French classical poetry. Full particulars as to&#13;
Miss Peggy Webling's new novel, entitled membership and performances may be obtained on&#13;
“ Felix Christie,” is to be published by Messrs. application to the Hon. Secretary, Miss Constance&#13;
Methuen &amp; Co. on February 15.&#13;
A. Meredyth, 10, Harley Street, W. The society&#13;
Miss Margaret Stokes's “Sketch of Early Christian is shortly to produce Molière's comedy in five acts,&#13;
Art in Ireland,” published for the Victoria and “Le Tartuffe,” to be followed by a new sketch&#13;
Albert Museum, South Kensington, in 1887, has by Hilaire Belloc, entitled “The Candour of&#13;
been re-issued under the auspices of the National Maturity."&#13;
Museum of Science and Art, Dublin. The re-issue Mr. R. C. Carton's new play at the Comedy&#13;
has been produced under the editorship of G. N. Theatre is a farcical comedy in four acts. It deals&#13;
Count Plunkett. While the editor has, as far as with fashionable people, and the action takes place&#13;
possible, preserved the wording of Miss Stokes, some in a West-End house. The cast includes Miss&#13;
alterations in the text have been found necessary. Compton (who in the play is a leader of fashion),&#13;
There are 106 woodcuts in the volume, which is Mr. Edmund Gwenn, Mr. Donald Calthrop, and&#13;
printed for H. M. Stationery Office by Cahill &amp; Co., Miss Mary Brough.&#13;
&#13;
&#13;
## p. 127 (#555) ############################################&#13;
&#13;
THE AUTHOR.&#13;
127&#13;
During the absence of Miss Horniman, who has&#13;
sailed for Canada, whither she will shortly be&#13;
followed by her repertory company, Miss Darragh&#13;
will continue her repertory work for a seven weeks&#13;
season at the Gaiety Theatre, Manchester—“The&#13;
Notorious Mrs. Ebbsmith," “ The Walls of Jericho,”&#13;
66 Arms and the Man,” and “The Likeness of the&#13;
Night" (the last mentioned re-written by the&#13;
anthoress, Mrs. Clifford). In addition, “The Perfect&#13;
Widow," an original play by Gilbert Cannan, " The&#13;
Fountain,” by George Calderon, a new play by&#13;
John Galsworthy, as well as several one-act plays,&#13;
will be produced.&#13;
The New Players are giving, by permission of&#13;
Professor Gilbert Murray, his translation of the&#13;
“ Medea " of Euripides at the Kingsway Theatre,&#13;
on Monday, February 5, at 2.30. Applications for&#13;
tickets should be addressed to the Hon. Secretary&#13;
of the New Players' Society at 19, Overstrand&#13;
Mansions, Battersea Park, s.W.&#13;
During the past month. Professor Gilbert&#13;
Murray's version of “ (Edipus Rex” has been&#13;
produced with lavish expenditure and care at the&#13;
Covent Garden Opera House. Mr. Martin Harvey&#13;
has given a wonderful interpretation of the name&#13;
part, and Miss Lillah McCarthy has ably seconded&#13;
him in the character of Jocasta. The performance&#13;
has been staged-managed by Mr. Max Reinhardt,&#13;
who is also running “ The Miracle” at Olympia&#13;
Sir Arthur Pinero's new play, to be produced at&#13;
the Duke of York's Theatre, is to be entitled “The&#13;
Mind—the Paint-Girl.” At the moment of going&#13;
to press the exact date has not been fixed.&#13;
the author of the work chosen by his jury. The&#13;
book may be literary, artistic or scientific, but it&#13;
must be published in the French language.&#13;
“Madame de Genlis," by Jean Harmand, with a&#13;
preface by Emile Faguet, is an extremely interesting&#13;
account of this remarkable woman, who refused&#13;
what the women of to-day are, perhaps wisely, not&#13;
offered, an Academy fauteuil.&#13;
“La Mère et l'Enfant,” by Charles-Louis Philippe,&#13;
is a new edition of this book, containing much&#13;
hitherto unpublished matter. The publication of&#13;
this work makes us regret all the more deeply the&#13;
premature death of its author. In its exquisite&#13;
simplicity and deep feeling, it reminds one of the&#13;
poem in which Sully Prudhomme describes his&#13;
feelings when sent away to school for the first&#13;
time. The whole book makes us realise how&#13;
much the literary world lost by the death of this&#13;
writer.&#13;
“Les derniers jours de Paul Verlaine," by&#13;
F. H. Cazals and Gustave Le Rouge, is a book&#13;
that has attracted a great deal of attention.&#13;
Maurice Barrès writes a preface to it. The life of&#13;
the incorrigible Lelian was a veritable romance, and&#13;
his biographers have written their account of his&#13;
last days as their tribute to his memory.&#13;
A work of great interest to archæologists is one&#13;
just published by the Imprimerie Nationale,&#13;
entitled “Fouilles à Samara, en Mesopotamie,&#13;
Un Valois musulman du neuvième siècle," by&#13;
H. Viollet, architecte diplômé par le Gouvernement.&#13;
M. Viollet was entrusted with a mission by the&#13;
Board of Education, and, with his intrepid wife&#13;
and a collaborator, M. Godard, he set out for&#13;
Mesopotamia in 1910. As he had already been&#13;
there several times, it was more easy for him to.&#13;
explore the region, and he was fortunate enough to&#13;
be able to commence excavations about a hundred&#13;
kilometres north of Bagdad, where he had dis-&#13;
covered the ruins of a palace of the ninth century.&#13;
It is an account of the result of these excavations&#13;
which is now published by the Académie des inscrip-&#13;
tions et belles-lettres.&#13;
"Le Pelerinage de Sainte Brigitte," by Heiden-&#13;
stam, translated by Mme. Palmer, is the account of&#13;
the life of Ste. Brigitte, a story of real life as&#13;
interesting as any novel.&#13;
Among translations, “ Deux Yeux bleus," by&#13;
Thomas Hardy, translated by Eve Paul-Mar-&#13;
gueritte.&#13;
The Revue Hebdomadaire publishes an article&#13;
on Paul Lafargue, by Hubert Lagardelle. He&#13;
styles the son-in-law of Karl Marx “the last&#13;
idealist of materialism.” M. Gabriel Hanotaux&#13;
writes on “L’Arrangement franco-allemand&#13;
devant le Sénat," and Jacques Bardoux on “Le&#13;
Maroc et la voie ferrée." Frédéric Barbey gives an&#13;
instructive article on “Le Pekin de l'Empereur,"&#13;
PARIS NOTES.&#13;
M&#13;
HE event of the past month in the literary&#13;
world of Paris was undoubtedly M. Henri&#13;
de Regnier's reception at the Académie&#13;
Française.&#13;
The newly-elected Academician made an admir-&#13;
able speech in praise of the late Vicomte Melchior de&#13;
Vogüé, giving a brief account of his life and works.&#13;
The Comte de Mun's speech of welcome to M. de&#13;
Regnier was greatly appreciated by the audience.&#13;
M. de Regnier enters the French Academy by&#13;
virtue of his poetry and of his prose writings, many&#13;
of which are delightful stories. Among the best&#13;
known of his works are “ Vacances du jeune homme&#13;
sage,” “ La Cité des eaux,” and “Sandale ailée."&#13;
M. Maeterlinck intends to found a literary prize&#13;
with the money he receives for the Nobel prize&#13;
It is his intention to make up the amount him.&#13;
self, and to offer 16,000 francs every second year to&#13;
&#13;
&#13;
## p. 128 (#556) ############################################&#13;
&#13;
128&#13;
THE AUTHOR.&#13;
and Paul Adam writes on “La Science et la This is an appeal from a decree restraining an&#13;
tradition.”&#13;
alleged infringement of the copyright upon the late&#13;
In an article entitled “En Chine : l'agonie d'un General Lew Wallace's book“Ben Hur," 169&#13;
régime,” M. René Moulin gives an admirable Fed. Rep. 61 ; 94 C. C. A. 429. The case was&#13;
description of the present crisis in China, and heard on the pleadings and an agreed statement of&#13;
Comte Jean d'Elbee supplies us with much interest- facts, and the only issue is whether those facts&#13;
ing information respecting “ Les Débuts de la constitute an infringement of the copyright upon&#13;
France en Afrique occidentale ; Adauzon I. roi de the book. So far as they need to be stated here&#13;
Guinée et Louis XIV."&#13;
they are as follows. The appellant and defendant,&#13;
“Les Favorites,” by Alfred Capus, is a success the Kalem Company, is engaged in the production&#13;
at the Variétés. The plot is slight, but the of moving picture films, the operation and effect&#13;
dialogue brilliant, as in all the plays by this author. of which are too well known to require description.&#13;
M. Bourdolle, as Minister of Education, makes the By means of them, anything of general interest,&#13;
unfortunate mistake of saying too much in public. from a coronation to a prize fight, is presented to&#13;
The ministry falls, and an English Jew offers the public with almost the illusion of reality-&#13;
M. Bourdolle the editorship of an important news- latterly even colour being more or less reproduced.&#13;
paper entitled Heaven and Earth. Bourdolle's The defendant employed a man to read “ Ben&#13;
private life is by no means blameless, and his wife Hur” and to write out such a description or&#13;
leaves him. Very shortly after this he is appointed scenario of certain portions that it could be fol-&#13;
Home Minister, whereupon his wife decides to lowed in action, these portions giving enough of&#13;
return to bim. The whole virtue of the piece is in the story to be identified with ease. It then caused&#13;
the psychological studies that it offers and in the the described action to be performed, and took&#13;
brilliant dialogue.&#13;
negatives for moving pictures of the scenes, from&#13;
At the Théâtre Sarah Bernhardt, “Lucrèce which it produced filins suitable for exhibition.&#13;
Borgia” has been given, and at the Porte Saint These films it expected and intended to sell for&#13;
Martin “ La Flambée.” At the Renaissance “Pour use as moving pictures in the way in which such&#13;
rivre heureux” has been filling the house, anà at pictures commonly are used. It advertised them&#13;
the Chatelet “La Course aux dollars.” At the under the title “Ben Hur.” “Scenery and&#13;
Théâtre Femina a literary fête has been given in Supers by Pain's Fireworks Co. Costumes from&#13;
honour of Sarah Bernhardt. Twenty-three poems Metropolitan Opera House. Chariot Race by&#13;
dedicated to her were read, and among the poets 3rd Battery, Brooklyn. Positively the Most&#13;
were the Duchesse de Rohan, Jean Aicard, Edmond Superb Moving Picture Spectacle ever Produced&#13;
Haraucourt, Mounet-Sully, Emile Blémont, and in America. In Sixteen Magnificent Scenes,” etc.,&#13;
Fernand Gregh.&#13;
with taking titles, culininating in “Ben Hur&#13;
Mlle. Marie Lenéru, the author of "Les Victor.” It sold the films, and public exhibitions&#13;
Affranchis,” has just had another brilliant success from them took place.&#13;
with her play “Le Redoutable.” It was put on The sub-division of the question that has the&#13;
admirably at the Odéon by M. Antoine.&#13;
most general importance is whether the public&#13;
“Rue de la Paix” is the title of the new piece exhibition of these moving pictures infringed any&#13;
by MM. Abel Hermant and Marc de Toledo, now rights under the copyright law. By Rer. Stai.&#13;
being played at the Vaudeville.&#13;
sec. 4952, as amended by the Act of March 3,&#13;
1891, C. 565, 26 Stat. 1106, authors have the&#13;
“ Madame de Genlis” (Perrin).&#13;
exclusive right to dramatise any of their works.&#13;
- Le Pelérinage de Sainte Brigitte" (Perrin).&#13;
So, if the exhibition was founded on a drama-&#13;
tising of “ Ben Hur,” this copyright was infringed.&#13;
We are of opinion that “Ben Hur" was drama-&#13;
tised by what was done. Whether we consider&#13;
UNITED STATES LAW CASE.&#13;
the purpose of this clause of the statute, or&#13;
the etymological history and present usages of&#13;
KALEM COMPANY, APPELLANT, V. HARPER&#13;
language, drama may be achieved by action as&#13;
BROTHERS, MARC KLAW, ABRAHAM ERLAN-&#13;
well as by speech. Action can tell a story, display&#13;
GER AND HENRY L. WALLACE.&#13;
all the most vivid relations between men, and&#13;
depict every kind of human emotion, without the&#13;
PPEAL from the United States Circuit aid of a word. It would be impossible to deny the&#13;
1 Court of Appeals for the Second Circuit. title of drama to pantomime as played by masters&#13;
(November 13, 1911.)&#13;
of the art (Daly v. Palmer, 6 Blatchf. 256, 264).&#13;
Mr. Justice Holmes delivered the opinion of the But if a pantomime of “ Ben Hur" would be a&#13;
Court.&#13;
dramatising of “ Ben Hur," it would be none the&#13;
&#13;
&#13;
## p. 129 (#557) ############################################&#13;
&#13;
THE AUTHOR.&#13;
129&#13;
less so that it was exhibited to the audience by part in the final act. It is liable on principles&#13;
reflection from a glass and not by direct vision of recognised in every part of the law: Rupp and&#13;
the figures—as sometimes has been done in order Wittgenfeld Co. v. Elliott, 131 Fed. Rep. 730, 732;&#13;
to produce ghostly or inexplicable effects. The Harper v. Shoppell, 28 Fed. Rep. 613; Morgan&#13;
essence of the matter in the case last supposed is Envelope Co. v. Albany Paper Co., 152 U. S.&#13;
not the mechanism employed but that we see the 425, 433.&#13;
event or story lived. The moving pictures are I t is argued that the law construed as we have&#13;
only less vivid than reflections from a mirror. construed it goes beyond the power conferred&#13;
With the former, as with the latter, our visual upon Congress by the Constitution to secure to&#13;
impression—what we see—is caused by the real authors for a limited time the exclusive right to&#13;
pantomime of real men through the medium of their writings : Art. 1, sect. 8, ch. 8. It is&#13;
natural forces, although the machinery is differeut suggested that to extend the copyright to a case&#13;
and more complex. How it would be if the illu- like this is to extend it to the ideas as distin-&#13;
sion of motion were produced from paintings guished from the words in which those ideas are&#13;
instead of from photographs of the real thing may clothed. But there is no attempt to make a&#13;
be left open until the question shall arise.&#13;
monopoly of the ideas expressed. The law confines&#13;
It is said that pictures of scenes in a novel may itself to a particular, cognate and well-known form&#13;
be made and exhibited without infringing the of reproduction. If to that extent a grant of&#13;
copyright and that they may be copyrighted monopoly is thought a proper way to secure the&#13;
themselves. Indeed it was conceded by the right to the writings, this Court cannot say that&#13;
Circuit Court of Appeals that these films could Congress was wrong. Decree affirmed.&#13;
be copyrighted and, we may assume, could be&#13;
exhibited as photographs. Whether this concession&#13;
is correct or not, in view of the fact that they&#13;
are photographs of an unlawful dramatisation of&#13;
the novel, we need not decide. . We will assume&#13;
MAGAZINE CONTENTS.&#13;
that it is. But it does not follow that the use of&#13;
them in motion does not infringe the author's&#13;
CONTEMPORARY.&#13;
rights. The most innocent objects, such as the&#13;
mirror in the other case that we have supposed,&#13;
Ruskin. By Basil de Selincourt.&#13;
Mr. Henry James and His Prefaces. By Mrs. Sturge&#13;
may be used for unlawful purposes. And if, as&#13;
Gretton.&#13;
we have tried to show, moving pictures may be Literary Supplement: The Spirit of Cæsar.&#13;
used for dramatising a novel, when the photo-&#13;
graphs are used in that way they are used to&#13;
CORNHILL&#13;
infringe a right which the statute reserves.&#13;
A New Poem by Thackeray. Written at Weimar.&#13;
But again it is said that the defendant did not At the sign of the Plough. Shakespeare : the Falstaff&#13;
produce the representations, but merely sold the&#13;
Cycle. By Sir Frederick Pollock, Bart.&#13;
films to jobbers, and on that ground ought not to&#13;
ENGLISH REVIEW.&#13;
be held responsible. Where an ordinary article&#13;
of commerce is sold nice questions may arise as to&#13;
Among My Books. By Frederic Harrison.&#13;
the point at which the seller becomes an accomplice&#13;
A New Study of English Poetry. By Henry Newbolt.&#13;
The Puritan and The Theatre. By Haldane McFall.&#13;
in a subsequent illegal use by the buyer. It has&#13;
been held that mere indifferent supposition or&#13;
FORTNIGHTLY.&#13;
knowledge on the part of the seller that the buyer&#13;
Literature and Journalism. By T. H. S. Escott.&#13;
of spirituous liquor is contemplating such uniawful&#13;
England's Taste in Literature. By Raymond Blathwayt.&#13;
use is not enough to connect him with the possible&#13;
unlawful consequences (Graves V. Johnson, 179&#13;
Mass. 53), but that iſ the fale was made with a&#13;
SCALE FOR ADVERTISEMENTS.&#13;
view to the illegal resale the price could not be&#13;
recovered (Graves v. Johnson, 156 Mass. 211).&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
But no such niceties are involved here. The&#13;
Front Page&#13;
defendant not only expected but invoked by Other Pages&#13;
... ... 3 0 0&#13;
...&#13;
advertisement the use of films for dramatic repro-&#13;
... 1 10 0&#13;
Quarter of Peace&#13;
... ... 0 15 0&#13;
duction of the story. That was the most con-&#13;
Eighth of a Page&#13;
... 0 7 6&#13;
spicuous purpose for which they could be used.&#13;
and the one for which especially they were made,&#13;
Reduction of 20 per cent, made for a Series of Six and of 25 per cent. for&#13;
Twelve Insertions.&#13;
If the defendant did not contribute to the infringe-&#13;
ment it is impossible to do so except by taking BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
"&#13;
...&#13;
...£4&#13;
0&#13;
0&#13;
Half of a Page ...&#13;
Single Column Advertisements&#13;
per inch 0&#13;
6&#13;
0&#13;
All letters respecting Advertisements shoull be addressed to J. F.&#13;
&#13;
&#13;
## p. 130 (#558) ############################################&#13;
&#13;
130&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
1. ER&#13;
TE VERY member has a right to ask for and to receive&#13;
" advice upon his agreements, his choice of a pub&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain connsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favonrable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers:&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work] can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
NTEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
TTERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 131 (#559) ############################################&#13;
&#13;
THE AUTHOR.&#13;
131&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
• perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
&amp; rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act,&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only,&#13;
&#13;
&#13;
## p. 132 (#560) ############################################&#13;
&#13;
132&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
each performance, just as they are paid a percentage&#13;
on the gross receipts of performances of their plays.&#13;
Another suggestion put forward is that they should&#13;
receive so much per metre of film, the payment to&#13;
be repeated every time the film is displayed.&#13;
The question of the remuneration authors should&#13;
receive for these rights is, of course, one of some&#13;
difficulty. For the present, therefore, we would&#13;
difficolto Fo&#13;
only urge all authors whose work is likely to be&#13;
adaptable to the cinematograph, not to part with&#13;
their rights over this form of reproduction without&#13;
advice.&#13;
THE COPYRIGHT ACT.&#13;
WE publish, as a supplement to this issue of The&#13;
Author, the text of the new Copyright Law which&#13;
will probably come into operation on July 1st.&#13;
Most of our readers are probably fairly familiar&#13;
with the main features of the new Act, but we&#13;
recommend them to study its sections not the less&#13;
carefully on this account. An Act which covers&#13;
literary, dramatic, musical and artistic property&#13;
is of vital in.portance to all members of the society,&#13;
which includes in its ranks holders of all these&#13;
separate forms of copyright work.&#13;
In addition, however, to recommending our&#13;
members generally to study the provisions of the&#13;
Act, we would direct the particular attention of&#13;
composers to the gramophone clauses, and of&#13;
novelists, and dramatists to the question of cine-&#13;
matograph performances, which, under the Act,&#13;
they will now be able to control.&#13;
The gramophone clauses are not altogether to&#13;
the liking of composers, and the committee of the&#13;
society regret that the Government have admitted&#13;
the principle of compulsory licence into these&#13;
clauses, despite the objections urged by the society&#13;
on behalf of, though with one or two honourable&#13;
exceptions, without much help from, musical&#13;
composers. However, as the clauses are in the&#13;
Bill, composers must study them carefully and&#13;
decide as to the attitude they propose to take in&#13;
regard to them.&#13;
In order to help them, as well as to look after&#13;
their interests generally, the committee of the&#13;
society has authorised the formation of a sub-com-&#13;
mittee to act for composers on the same lines as the&#13;
Dramatic Sub-Committee acts for dramatists. That&#13;
sub-committee is uow being formed, and will shortly&#13;
begin its work on behalf of musical composers.&#13;
SIR RIDER Haggard.&#13;
No one will deny that Sir Rider Haggard&#13;
well merits the honour conferred on him at the&#13;
beginning of the year, and we feel sure that he will&#13;
receive no warmer congratulations than those of&#13;
his comrades in the profession of letters. Of his&#13;
books, which are read universally, there is no need&#13;
to make mention in these columns, but we desire&#13;
to lay special stress on the work he has done for&#13;
the society in the past-for his brother authors.&#13;
He joined the society in its very early days, and was&#13;
a member of the committee during a period of&#13;
storm and stress, and in 1897-8 undertook the&#13;
arduous duties of chairman.&#13;
The society cannot grant honours, it can but&#13;
offer him warm congratulations, and thanks for&#13;
what he has done in past years.&#13;
BANKERS' ORDERS.&#13;
THE secretary would again like to call the&#13;
attention of members to the fact that the three&#13;
following bankers' orders are still lying unclaimed&#13;
and unsigned at this office :&#13;
Bankers' order for 10s. drawn on the London&#13;
County &amp; Westininster Bank, Maidstone.&#13;
Bankers' order for 10s drawn on the National&#13;
Provincial Bank of England, Baker Street, W.&#13;
Bankers' order for 58. drawn on the London&#13;
County &amp; Westminster Bank, Kensington. W.&#13;
If this notice should chance to met the eyes of&#13;
those who forwarded these orders the secretary&#13;
would be much obliged if a communication is&#13;
addressed to him.&#13;
CINEMATOGRAPH RIGHTS.&#13;
The question of the marketing of the cinemato-&#13;
graph rights of writers and dramatists is also&#13;
engaging the attention of the Dramatic Sub-Com-&#13;
mittee. Already some information has been obtained&#13;
from France showing the conditions prevalent in&#13;
that country, where progress in the cinematograph&#13;
theatre has been greater than in England. Hitherto,&#13;
dramatists in that country have been content to&#13;
accept payment for their works at the rate of so&#13;
much per metre of film sold. But they are now&#13;
beginning to realise that this method of remunera-&#13;
tion, ignoring as it does all question of the number&#13;
of performances or displays of the filın, does not&#13;
give them a fair return for their work. They are&#13;
now agitating for a percentage on the gross receipts of&#13;
FRENCH COPYRIGHT.&#13;
In another column we publish an article dealing&#13;
with a question of French copyright, to which our&#13;
attention was drawn by Mr. E. Latham, a member&#13;
of the society.&#13;
A s will be seen, the article was originally pub-&#13;
lished in a French paper. The point is one of&#13;
some interest, but we cannot agree with the French&#13;
&#13;
&#13;
## p. 133 (#561) ############################################&#13;
&#13;
THE AUTHOR.&#13;
133&#13;
author. The fewer the formalities necessary in&#13;
order to obtain title to copyright the better it is for&#13;
all authors. Under the copyright law which has&#13;
just been passed registration is unnecessary, the&#13;
term of copyright running for the life of the author&#13;
and fifty years after his death. There should be&#13;
no difficulty in finding particulars of an author's&#13;
death, as all civilised countries keep death registers.&#13;
The only question that might arise would be in the&#13;
case of posthumous works where the period of copy-&#13;
right runs for fifty years from the date of publica-&#13;
tion, but with a record, such as is kept by the&#13;
authorities of the British Museum, it would not&#13;
be difficult even then to ascertain the date.&#13;
She had a beautiful speaking voice, and her&#13;
intimate friends will never forget the evenings&#13;
round her study fire when she would recite poem&#13;
after poem from an apparently boundless repertory.&#13;
Her little poetry bookcase is wide in its range-&#13;
from Swinburne to Kipling, Christina Rossetti, and&#13;
Mrs. Hamilton King ; but latterly, perhaps, she&#13;
loved best a few of the poems of Whittier, and&#13;
indeed his “ Autograph,” “My Psalm,” and “ The&#13;
Light that is Felt" represent as nearly as any-&#13;
thing can her attitude to life and to the things&#13;
unseen.&#13;
MARGARET TODD, M.D.&#13;
SOPHIA JEX-BLAKE, M.D.&#13;
FRENCH AUTHORS AND CINEMATOGRAPH&#13;
THEATRES.&#13;
Qo much has already been written in the daily (Report presented by M. André Henze, of the Pro-&#13;
D press about the public life of Sophia Jex fessional Syndicate of Dramatic Authors and&#13;
Blake, that it only remains to add here a few&#13;
Composers.)&#13;
lines about her relation to literature in general and M HE picture palace is the playhouse of the&#13;
to the Society of Authors in particular.&#13;
1 future : so declared the co nsulting engineer&#13;
She joined the Society in 1892, and remained a of one of our most important cinematograph&#13;
loyal and appreciative member up to the time of companies some years ago.&#13;
her death. Her own published works include This prophecy, which so well expressed the ideal&#13;
“ Medical Women,” “A Visit to the American in cinematograph exhibitions, will figure long as&#13;
schools and Colleges," and a number of articles in an exordium on the title page of an important&#13;
The Nineteenth Century, &amp;c. Even on subjects professional journal, The Phono Cino Gazette. It&#13;
that moved her deeply she wrote with dignity and was perfectly correct, as a walk along the&#13;
restraint, and it is doubtful whether she ever penned boulevards to-day amply shows.&#13;
a slovenly sentence in her life. Her style was If to-day the picture palace is not yet a theatre&#13;
pellucid always, but she would have been the last in itself, it is at least a very important part of the&#13;
to claim for her work any real place in literature. theatre.&#13;
On the other hand, her appreciation for the work of It is no longer satisfied, as at the start of the&#13;
others was extraordinarily keen. Never a rich invention of the cinematograph, to exhibit such&#13;
woman, and economical both by tradition and pictures as “ A tram entering a station ” or “The&#13;
personal taste, she always spoke of books as her one review of July 14th," but now offers to the public&#13;
real extravagance. Her recent purchases include a veritable pieces, played by actors and written by&#13;
fine copy of “ The Book of the Dead," and a some of the most celebrated dramatists. The&#13;
quantity of scientific, historical, and polemical Academie Française and the Comedie Française&#13;
works—these last being chiefly on the subject of itself does not hesitate to co-operate for the&#13;
Modernism. Here Father Tyrrell was the prime greater glory of the picture palace.&#13;
favourite, but Harnack, Loisy, and many others The most celebrated works and stories are daily&#13;
are represented. She was a great believer in the represented in animated picture form in some&#13;
restorative power of a good novel, and when people thousands of theatres, Molière, Corneille, Racine,&#13;
came to her -as they often did-in trouble of body Shakespeare, Musset, Victor Hugo, Sardoni,&#13;
or mind, her advice was very apt to close with the Lavedan, Rostand Henrique, etc., etc., have all&#13;
words, “And now shall I lend you some novels ? " had their works exploited in this way. Powerful&#13;
In addition to the established classics, one finds on companies armed with considerable capital have&#13;
her shelves complete sets of Stevenson, Hardy, organised with a view to buying theatres&#13;
Henry James, and numerous other living novelists and to constructing halls where cinematograph&#13;
of distinction. She enjoyed a stirring story, but entertainments may be given.&#13;
“San Celestino" was one of the favourites of recent In these circumstances, and in face of this&#13;
days, and there was scarcely a living novelist whose activity, one may ask, not without some amazement,&#13;
Work appealed to her more than did that of why the cinematograph theatre does not pay royalties&#13;
Mrs. Wilfrid Ward.&#13;
to authors as does any other theatre.&#13;
&#13;
&#13;
## p. 134 (#562) ############################################&#13;
&#13;
134&#13;
THE AUTHOR.&#13;
How is it that an industry which each day The company's managers haring recognized the&#13;
encroaches more and more on the province of the danger which they ran from the “ letter out" of&#13;
theatre, which draws away from our big theatres films (a middle man who slipped in between the&#13;
an increasing number of patrons, pays to the manufacturer and the directors of the theatres),&#13;
authors no proportional royalty on the income they have started letting out films themselves, and&#13;
which they obtain for it?&#13;
this change is becoming more and more universal.&#13;
Moreover, when it is remembered that the It is easy to understand now, by what process&#13;
cinematograph theatre has practically no expenses, the dramatist is actually injured to the greater&#13;
pays for neither scenery nor company, has scarcely profit of the hirer. Where fifty films for fifty&#13;
any staff, uses next to no light, one is the more theatres were formerly necessary, not more than&#13;
surprised at the fact that dramatic authors consent ten films are required to-day, and these films go&#13;
to make over their works on terms infinitely the round of all the theatres. For the same&#13;
inferior to those which they require from the number of representations the dramatist receives&#13;
directors of theatres.&#13;
one-fifth of his former income. It is clear from&#13;
The takings of theatres and music halls this evidence that so long as the dramatist consents&#13;
increased in Paris last year approximately to the to payment by the metre of films sold or put on&#13;
sum of 30 million francs, on which sum authors the market he will certainly be victimised.&#13;
and composers have drawn about 3,500,000 francs There is only one remuneration which is prac-&#13;
in royalties.&#13;
tical, just and equitable, i.e., that established some&#13;
The receipts of cinematograph theatres during years since in all theatres. There is absolutely no&#13;
the same year amounted to 8,500,000 francs. reason why dramatists should not receive royalties&#13;
What have they paid in royalties to authors ? in proportion to the receipts of the cinematograph&#13;
Hardly anything. And Paris, it should be company each time a film is exhibited.&#13;
remembered, is concerned with only a small part If, as would appear, the interests of film producers&#13;
of the proceeds of the cinematograph theatres over are inseparable from those of the dramatist, this&#13;
the whole of France.&#13;
should facilitate an arrangement for a fair division&#13;
We anticipate the retort, “ You are wrong: of receipts.&#13;
there do exist some companies which do protect I do not propose to deal with the petty objections&#13;
their films, and pay authors' fees.” This retort, which certain interested persons might urge against&#13;
unfortunately, is a little inexact, and it is of the this project. It is clear that, particularly at the&#13;
greatest importance that dramatists should realise beginning, there would be some difficulties to over-&#13;
that this apparent compensation is nothing more come, but having established, to begin with,&#13;
than an illusion-a veritable sham.&#13;
royalties proportional to the receipts for France,&#13;
How, in reality, is the author of the film remune- where such an agreement could be easily reached&#13;
rated ? He is paid so much per metre of film sold with the co-operation of the Society of Authors,&#13;
But, and this is the essential part of it, what is we shall already have made a great step forward.&#13;
important to dramatists is not the number of I believe I have made it clear that it is indis-&#13;
metres of films sold, but the number of represen- pensable henceforth for dramatists, whose imagina-&#13;
tations that each film furnishes. One film may tion furnishes the essential part of the material&#13;
serve for a hundred representations.&#13;
first necessary to the cinematograph theatre, to&#13;
It is true that when the picture palaces first draw their royalties as in all other theatres.&#13;
invited the co-operation of the dramatists, the If it were necessary to add reasons other than&#13;
mode of remuneration proposed was perfectly fair. those which are concerned with the immediate&#13;
But during the last few years a complete trans- interests of dramatists, I might add that the public&#13;
formation has taken place in the cinematograph is realising, far more rapidly than is the dramatist,&#13;
markets which has had the effect of diminishing the rapid development of the cinematograph theatre&#13;
enormously the income of dramatic authors, and that for purposes of dramatic entertainment.&#13;
in proportion as the success and popularity of their Further, the Society of Authors, Composers and&#13;
works increased.&#13;
Editors of Music have not failed to recognise the&#13;
How has this paradoxical result been obtained ? rights for musical accompaniments of cinematograph&#13;
Simply because the producers of films continue, pieces. This association has, in addition, adopted&#13;
as formerly, to pay to the author by the metre of already a report, written by M. Joubert, its president,&#13;
film sold, and the sale by this method has scarcely, upholding the rights of authors in regard to cine-&#13;
if at, all increased. What has happened is that matograph productions.&#13;
they have been content to lease the films. Formerly, The necessity, in the interests of dramatic&#13;
the cinematograph theatre bought its films for authors, for deducting royalties, proportional to the&#13;
its exhibition, while to-day it prefers to borrow takings appears, then, more and more evident. The&#13;
them from the hirers.&#13;
Society of Authors and Dramatic Composers must&#13;
&#13;
&#13;
## p. 135 (#563) ############################################&#13;
&#13;
THE AUTHOR.&#13;
135&#13;
henceforth agitate for the recognition of these In the industrial world an invention is patented&#13;
rights; any failure to do so would be regarded as a for a definite number of years, whatever may be&#13;
regrettable negligence of which all authors would the term of life of the author, and this arrangement&#13;
be the victims.&#13;
is much more rational. All inventions are thus&#13;
It is evident, moreover, that directors of theatres, placed on an equal footing, while in literature one&#13;
aroused by the keen competition of the cinemato- work may remain private property for fifty years&#13;
graph theatres, will ask some day, not without and another enjoy this privilege for one hundred&#13;
reason, why they pay these royalties to authors years. A mediocre work may, in this way, bring&#13;
who benefit so greatly their most formidable rivals. more royalty to the parties entitled thereto than a&#13;
masterpiece. It is, I repeat, a lame piece of&#13;
legislation and contrary to all common-sense.&#13;
A QUESTION OF FRENCH COPYRIGHT.&#13;
The way to remedy this state of things is, how-&#13;
ever, very simple. The publisher should be com-&#13;
pelled to print on the volume, at the time of putting&#13;
(Published by the kind permission of the Editor of it into circulation, the date of publication. From&#13;
Le Pêle-Mêle.)&#13;
that moment the number of vears determined by&#13;
IWO letters have reached me this week. bear the law (seventy years for instance) would begin to&#13;
L ing a certain analogy to each other. One run. During that period the work would be the&#13;
emanates from an inhabitant of Bastia property of the author or his successors ; and at&#13;
named Albertini. This reader has in his hands an the end of that time it would become public&#13;
engraving representing the entry into Paris of the property. From this alteration it would follow that,&#13;
ashes of Napoleon I. Being desirous of making on seeing a copy of any literary work, we should&#13;
this picture, which he considers a fine work of art, know the date of its becoming public property.&#13;
known to the public, M. Albertini writes to us to The matter, as is evident, is not at all compli-&#13;
know whether he may reprint it either on postcards cated. It answers to an idea of justice and sound&#13;
or in any other manner. Now, the engraving bears logic. Are these sufficient reasons for its being&#13;
both publisher's and author's names. The publisher taken into consideration ? I should not dare to&#13;
apparently no longer exists, or at all events not maintain that they are, and in any case I impress&#13;
under the same name. As to the author, there is no upon my correspondents that they should abstain&#13;
mention of his name in any encyclopedia. Under from any literary or artistic resurrection until such&#13;
these circumstances, what answer is to be given to time as the existing laws have been modified.&#13;
M. Albertini ? To whom shonld he apply to obtain&#13;
FRED. Isly.&#13;
the information desired ? Not wishing to expose&#13;
himself to any claim or legal proceedings, he will&#13;
not carry out his idea. But this project, if the&#13;
engraving really possesses the value attributed to it&#13;
by my correspondent, constitutes a highly interest-&#13;
THE LAW OF COPYRIGHT.*&#13;
ing disinterment. The public, therefore, will be&#13;
deprived of a work that is both artistic and his-&#13;
torical. Does it not seem to ycu, the case frequently&#13;
TT is generally the fact when persons hurry to be&#13;
happening, that there is a gap in the laws concern-&#13;
first on the market, or to be in advance of their&#13;
ing artistic copyright?&#13;
fellows, that some things are forgotten and&#13;
The second letter comes from a bibliophile.&#13;
many things are overlooked.&#13;
Having in his hands a work which he would like&#13;
Mr. L. C. F. Oldfield is the first to produce a&#13;
to make known to his fellow-citizens, he has met,&#13;
work on copyright dealing with the new Copy-&#13;
like M. Albertini, with the name of an almost&#13;
right Law of 1911, but the opening words of this&#13;
unknown publisher and the name of an author&#13;
article cannot be justified with regard to Mr. Old-&#13;
known' still less. He also has given up the idea of&#13;
field's book. It does not appear that in this case&#13;
a literary resurrection. Here also our laws con-&#13;
some things are forgotten or that many things&#13;
cerning public property appear entirely defective&#13;
are overlooked. It is true that some points might&#13;
and unfavourable to our intellectual development.&#13;
be amplified, but still the statements contained are&#13;
These badly drawn-up laws call for reform ; and in&#13;
clear for any person who is studying the question&#13;
the first place it is absurd to let the date of a work&#13;
of copyright property. The author's arrange-&#13;
becoming public property depend on the date of&#13;
ment of the book is, on the whole, satisfac-&#13;
the author's death.&#13;
tory. He has taken the new Copyright Law&#13;
An author may disappear, expatriate himself,&#13;
* "The Law of Copyright." By L.C. F. Oldfield, M.A.,&#13;
change his name, go and die in some unknown F.c.s., of the Inner Temple and South Eastern Circuit,&#13;
place, and his work never enters the public domain. Barrister-at-Law. Published by Butterworth &amp; Co.&#13;
&#13;
&#13;
## p. 136 (#564) ############################################&#13;
&#13;
136&#13;
THE AUTHOR.&#13;
section by section : he has expounded each section be upheld till something more certain has taken&#13;
as he goes along, showing how it differs from the place in the Colonies.&#13;
old law, how it meets the requirements of Inter- Interpretations of the wording in some of the&#13;
national Law ; and he states definitely what points sections by judical decisions will be needed, and&#13;
have been gained and what points have been lost. thus a supplementary book will have to be written&#13;
This method of procedure would naturally entail a before finality can be obtained. As a book,&#13;
considerable amount of cross-indexing, because it however, written immediately after the passing of&#13;
is impossible that one section could stand by itself. the law, it will be of great benefit to those who&#13;
This cross-indexing, though a little confusing, is are anxious to study a very intricate subject.&#13;
carefully and accurately done, and can be followed&#13;
by anyone who cares to follow it. In those&#13;
instances where the case law of the past will stand&#13;
BOOK PRICES CURRENT.*&#13;
in the present Act, he has quoted the cases and&#13;
has given the references. His paragraphs&#13;
are clear and lucid, and the sections are handled&#13;
T H E fourth and fifth parts of “ Book-Prices&#13;
with as little complication as possible. As an&#13;
Current" for 1911 complete the twenty-&#13;
explanation of the new law, the method adopted is&#13;
fifth volume of this very valuable work.&#13;
perhaps the best method that could have been&#13;
During the year covered by the volume the sales&#13;
followed. The book is not a treatise on copyright&#13;
have been fewer than in the year preceding, but&#13;
property, as are some of the books now in existence the average price per lot has been slightly higher,&#13;
dealing with the old law, but it explains the new,&#13;
£2 14s. 5d. in 1911 against £2 98. ld. in 1910.&#13;
and in doing so, effectively deals with the two&#13;
The increase of price is due to several important&#13;
most important points which have been omitted sales having taken place. Of particular interest to&#13;
from the present law, that is, the abrogation of authors is the continually growing demand for&#13;
the common law right and the cancellation of&#13;
“Literary Manuscripts.” A single leaf of one of&#13;
registration.&#13;
the journals of Captain Cook sold at the Seton&#13;
There is one point which we think Mr. Oldfield&#13;
Veitch Sale (Sotheby, July 21, 1911) for £451.&#13;
might have dealt with more fully, and one of special&#13;
We have on more than one occasion called&#13;
importance to all present holders of copyright pro- attention to the prices fetched by author's auto-&#13;
perty, namely, what amplification of his present graph MSS. of recent popular works, and would&#13;
rights an author or his representatives receives. urge upon all authors serious consideration of the&#13;
For instance. take an unpublished artistic work great value that in certain cases attaches to theit&#13;
the author of which has been dead for seven autograph manuscripts. It is a common thing&#13;
years. Under the old law artistic copyright for authors, in their eagerness to secure publication&#13;
endured for the life of the author and seven years&#13;
vears&#13;
and popularity,&#13;
and popularity, to be entirely careless of their MSS.&#13;
afterwards. Artistic works. with the exception in spite of the constantly recurring cases of auto-&#13;
of engravings, do not come under posthumous graph MSS. selling for high prices. On June 12&#13;
works in the new Act. Has the personal repres of the present year Messrs. Sotheby sold for $1,013&#13;
sentative lost his copyright after the abrogation of&#13;
ration of Fielding's original receipt for £600 for the cops-&#13;
the common law right, or does he, on publication&#13;
lication right of “ Tom Jones.”&#13;
after the new Act comes into force, obtain a con-&#13;
The Numbers IV. and V. before us cover the&#13;
tinued right for fifty years after the author's death,&#13;
sales from April 5 to August 1, 1911, and include&#13;
instead of seven years ?&#13;
a mention of the beginning of the sale of the&#13;
The amplification of existing rights is in many library of the late Robert Hoe (sold by the&#13;
cases difficult and complicated and is likely to lead to&#13;
American Auction Company, New York), the&#13;
much case law, but, after all, lapse of time will cure&#13;
greatest sale which has hitherto taken place in any&#13;
greatest sale which has&#13;
this evil.&#13;
country, but no enumeration of the lots (3,538),&#13;
The question of international copyright meets&#13;
which will be fully recorded in the “ American&#13;
with clear and lucid treatment. The Berne Con-&#13;
Book-Prices Current.” The bighest price paid&#13;
vention and the Berlin Convention have been&#13;
was £10,000 for a copy on vellum of “The&#13;
printed side by side. The author has shown that Mazarin Bible" : Biblia Sacra Latina, Mayence,&#13;
many sections in the Act of 1911 had to be passed&#13;
Gutenburg and Faust, 1450-1455.&#13;
in order to meet the requirements of the Berlin&#13;
Among sales in England of private libraries are&#13;
Convention, and he has shown how the draftsman particularly noteworthy the sale of a second portion&#13;
and the Ministers who piloted the Bill through the of the library of the late Mr. Charles Butter&#13;
House hare kept this point before them.&#13;
* “ Book-Prices Current: A Bi-monthly Record of the&#13;
He has also referred to the Colonial question.&#13;
0 une colonial question. Prices at which Books have been Sold at Auction."&#13;
Pri&#13;
There is no doubt that the Colonial question must Part IV. and Part V. 1911. London : Elliot Stock.&#13;
&#13;
&#13;
## p. 137 (#565) ############################################&#13;
&#13;
THE AUTHOR.&#13;
137&#13;
(Sotheby, May 29—June 1), in which were con-&#13;
tained a number of foreign works of particular&#13;
interest, and the sale of the library of Sir&#13;
Theodore Martin (Sotheby, June 28–29), rich&#13;
in English works. The library of Dr. J. F. Payne,&#13;
a library of an exceedingly important character,&#13;
consisting mainly of medical works in English,&#13;
German, and Latin, published during the six-&#13;
teenth and seventeenth centuries, had the unusual&#13;
good fortune to be sold en bloc for £2,300. In&#13;
connection with what we have above said respect-&#13;
ing the value of MSS., authors should look parti.&#13;
cularly at pages 629—631, where, near the end of&#13;
the volume, are recorded prices paid for MSS, by&#13;
Oscar Wilde, Dante Gabriel Rossetti, and Dumas&#13;
Père.&#13;
THE “WRITERS' AND ARTISTS' YEAR-&#13;
BOOK,” 1912.*&#13;
one, whilst everyone must admire the ability with&#13;
which this mass of information is kept under con-&#13;
trol. This year the work is as full and precise as&#13;
ever, while the volume has, of course, grown. The&#13;
volume for 1912 exceeds that for 1911 by more than&#13;
one hundred of the familiar closely-printed pages.&#13;
We miss the names of some dramatic celebrities,&#13;
but it is likely enough that their absence is due to&#13;
the wishes of the bearers of the names.&#13;
It should be particularly observed that this year&#13;
“ Who's Who " appears accompanied by a much&#13;
thinner companion volume, entitled “ Who's Who&#13;
Year-Book for 1912-1913.” The two volumes&#13;
are of the same format, so that anyone who wished&#13;
could have them bound together. “Who's Who&#13;
Year Book is made up of the tables which were&#13;
formerly so popular a feature of “ Who's Who," but&#13;
were afterwards omitted on account of lack of space.&#13;
The preface of the “ Year-Book " speaks very&#13;
modestly of the “underlying connection" with each&#13;
other of the two publications, but they stand really&#13;
in relations as close as those of the “ Encyclopaedia&#13;
Britannica” and its concluding volume of indexes.&#13;
Given that A is the president of some learned&#13;
society, “ Who's Who " will furnish ample infor-&#13;
mation about him. If, however, the question arises,&#13;
“What is the name of the president of this Society?"&#13;
that is not so easily to be found in “Who's Who."&#13;
but can be immediately found in the “ Year-Book."&#13;
The volume contains, also, among many others,&#13;
tables which are not to be elsewhere found. “ a list&#13;
of race meetings, with dates of their fixtures and&#13;
names of the clerks of the course, a list of winning&#13;
owners, of London theatres with their lessees and&#13;
managers, and of all the professors of the United&#13;
Kingdom.” We presume that the racecourse takes&#13;
precedence of drama and learning out of regard for&#13;
popular taste. The “ Year-Book” is, in fact, a&#13;
most valuable publication, and should be in the&#13;
hands of everyone who possesses - Who's Who."&#13;
TE regard the “Writers' and Artists' Year-&#13;
V Book” as the most practically useful of&#13;
all publications intended to assist authors&#13;
in the business aspects of their work. As is known,&#13;
or should be known, to everyone, this annual is&#13;
practically an address-book in which workers,&#13;
whether with pen or brush, may find registered&#13;
every opening that exists for the sale of their works.&#13;
A mass of information is contained, elsewhere un-&#13;
obtainable, and this year have been added lists of&#13;
Australian, South African, and Indian publications,&#13;
and a table of provincial journals which will consider&#13;
outside contributions. How exact is the informa-&#13;
tion given-particularly respecting payments, those&#13;
most important considerations so often shrouded in&#13;
impenetrable mystery-will be already known to&#13;
everyone who has ever had this valuable annual in&#13;
his hands; and no one who desires to sell copy&#13;
should consider himself excusable for not possessing&#13;
• The Writers' and Artists' Year-Book.” The&#13;
assertion may seem a bold one, but we have no&#13;
hesitation in asserting that if any man's work is&#13;
saleable at all, the address of the purchaser will be&#13;
found in this most valuable annual.&#13;
THE “ LITERARY YEAR BOOK AND BOOK-&#13;
MAN'S DIRECTORY.” *&#13;
“ WHO'S WHO,” 1912. +&#13;
W HO'S WHO” has become a household&#13;
word, and one of the indispensable&#13;
annuals. Of its contents there is no&#13;
occasion to speak ; what they are is known to every-&#13;
• The “ Writers' and Artists' Year Book," 1912. A&#13;
Directory for Writers, Artists and Photographers.&#13;
London: Adam and Charles Black&#13;
† " Who's Who," 1912. London: A. and C. Black.&#13;
“Who's Who Year Book, 1912-13." Same publishers.&#13;
THE “ Literary Year Book " for 1912—the six-&#13;
teenth year of issue-contains, in addition&#13;
to the information published in previous&#13;
years, which will be familiar to all our readers, a&#13;
Classified List of Publishers, based on lines similar&#13;
to those of the Classified List of Perioilicals which&#13;
has appeared in the previous three years. This&#13;
** The Literary Year Book and Bookman's Directory."&#13;
London : Routledge and Sons. 1912.&#13;
&#13;
&#13;
## p. 138 (#566) ############################################&#13;
&#13;
138&#13;
THE AUTHOR.&#13;
new list gives evidence of having been prepared leads to an omission such as that of any mention of&#13;
with great care, and we hope that it may prove the Berlin modification of the original Berne Con-&#13;
helpful to authors in doubt respecting the publish- vention it becomes misleading. It would be by far&#13;
ing houses to which they may offer their copy with better if the “Literary Year Book," instead of&#13;
the best chance of acceptance. Amid the astonish- attempting year after year to compress into a few&#13;
ing production of new books, and the constant pages more matter than they can contain, would&#13;
appearance of new firms, it becomes every year take in successive years various particulars or&#13;
more and more difficult for an inexperienced author aspects of copyright law, and deal adequately with&#13;
to know to whom he should offer his work ; and them one by one ; adding at the end an index of&#13;
any guidance that may be had is to be welcomed. those subjects which have been surveyed in previous&#13;
An important feature of the present volume is volumes. In this manner a body of legal infor-&#13;
the article on Law and Letters dealing with the new mation, lucidly and adequately treated, might&#13;
Copyright Act in addition to other cognate subjects. be gradually built up ; and the volumes of the&#13;
Authors are likely to turn first to this part of “ Literary Year Book” would also acquire value as a&#13;
the Year Book ; as they will naturally desire to collection, and not only as annuals.&#13;
acquaint themselves as quickly as possible with the The “ Literary Year Book " is the only work of its&#13;
new enactments which so intimately affect their kind published in English. It contains a great&#13;
professional interests. Unhappily it has never deal of useful and a great deal of interesting&#13;
been our good fortune to feel contented with the information—we can honestly add, a great deal of&#13;
legal information contained in the “Literary Year indispensable information which is not to be else-&#13;
Book” ; and we are sorry to find in the new volume where found. We wish the publication success,&#13;
no advance upon what has been previously and regret that we are unable to bestow upon it the&#13;
published. We shall pass over the pages devoted unqualified praise with which it would be a pleasure&#13;
to Agreements. We have dealt with this subject to welcome its annual appearance.&#13;
when noticing previous issues, and find that our&#13;
views are not considered worthy of regard. The&#13;
pages devoted to the new copyright enactments we&#13;
cannot pass over. Our first doubt is respecting the “THE ENGLISHWOMAN'S YEAR BOOK."&#13;
prudence, or indeed the possibility, of dealing with&#13;
so large a subject, or, we might truly say, with so&#13;
many large subjects, in so small a space. An M HE thirty-first issue of the “English woman's&#13;
attempt is here made in twenty two pages to offer 1 Year Book” (23. 6d., London, Adam &amp; Charles&#13;
a summary of the new Act in all its bearings of Black), and edited by Miss G. E. Mitton,&#13;
the application of the Act to British Possessions, of contains in Section VI., upon literature, an article&#13;
Colonial Copyright, of Canadian Law, of Australian by the editor entitled The Author, one on journalism&#13;
Law, of International Copyright, and of Copyright by Miss Dora d'Espaigne Chapman, and some&#13;
in the United States. For all this twenty-two useful information upon the subject of copyright,&#13;
pages could never suffice. They might have proof correcting, books by women authors, and&#13;
contained a statement of a few salient particulars; societies and associations. There is also an article&#13;
but that only so brief as to have made the informa- upon the dramatic profession by Miss Kittie Carson,&#13;
tion of no practical use. The real test of the value who gives her ideas as to the lines those entering&#13;
of legal information in a work such as the “ Literary the profession should adopt. Mrs. Aubrey le&#13;
Year Book” is that what is said should be intelligible Blond writes upon Ice Sports, Mrs. Courlanden&#13;
to the reader who is not a lawyer. What is here (Elsa Hahn) upon Fashion Drawing, Miss Ida&#13;
presented is not intelligible. It is altogether ill. Smedley, D.Sc., and Miss R. Barrett upon Science.&#13;
arranged, and inadequate, while what is said about There is a long list of expert contributors apon&#13;
colonial law is above all the rest impenetrably such subjects as Factory Inspection, Motoring and&#13;
obscure. Insufficient explanation of what is in- Aviation, Educational Matters, and Professions Open&#13;
tended to be conveyed at places leads to contra- to Women Workers. The book contains 368 pages&#13;
dictions. For example: “ Copyright ... shall with some blank leaves, at and on which the editor&#13;
include the sole right ... in the case of a novel asks for any suggestions and corrections that may&#13;
to convert it into a dramatic work” (p. 534). come to the mind of the reader, and finishes with a&#13;
“ Dramatisation of novels is not an infringement of directory of well-known women engaged in public&#13;
copyright” (p. 529). We are prepared to admit work. It ought to be of good use to those who do&#13;
that some of these things may not be the fault of not already know the ropes.&#13;
the author of the pages on Law and Letters. No&#13;
one could elucidate in so few pages so much and so&#13;
many things as are involved. Yet when brevity&#13;
&#13;
&#13;
## p. 139 (#567) ############################################&#13;
&#13;
THE AUTHOR.&#13;
139&#13;
ANALYSIS OF BOOKS PUBLISHED IN 1911. Year.&#13;
New books. New editions. Total.&#13;
1909&#13;
8,446&#13;
2,279&#13;
10,725&#13;
(Published with the kind permission of the editor of The&#13;
1910&#13;
8,468 2,336 10,804&#13;
Publishers' Circular.)&#13;
1911&#13;
8,530 2,384 10,914&#13;
M HE number of books recorded as having been&#13;
This year the statistical analysis of book produc-&#13;
1 published during the last year is 10,914, an&#13;
tion has been brought into line with the classified&#13;
increase of 110 on the total for 1910. This&#13;
table adopted by the International Congress of&#13;
is the highest total ever recorded for a year's&#13;
publishing in the United Kingdom. Owing to the table is more detailed and exact than the one&#13;
Librarians at Brussels in August, 1910. The new&#13;
events of the year, the rate of production has not hitherto used.&#13;
been so steady as in average years, and the monthly So far as the&#13;
So far as the two tables can be compared, the&#13;
totals vary from 673 in June (the Coronation&#13;
increase appears to be distributed evenly over all&#13;
month) to 1,027 (a record) in October. The classes of literature. As year-books and pamphlets&#13;
following are the totals for the last ten years and&#13;
are now distributed over subjects, and not counted&#13;
last year :-&#13;
as separate classes as formerly, the exact figures of&#13;
Year.&#13;
New books. New editions. Total. increases or decreases cannot be supplied. The&#13;
1901&#13;
4,955 1,089 6,044 largest increases have occurred in the following&#13;
1902&#13;
5,839 1,542 7,381 classes : philosophy and religion; science and&#13;
1903&#13;
6,699 1,682&#13;
8,381&#13;
technology ; history and biography; and poetry&#13;
1904&#13;
6,456 1,878&#13;
8,334&#13;
and drama ; while it is probable that there have&#13;
1905&#13;
6,817 1,435&#13;
been slight decreases (omitting year-books, etc.) in&#13;
1906&#13;
6,985 1,618 8,603 educational and philology, and medicine.&#13;
1907&#13;
7,701 2,213&#13;
9,914&#13;
The analytical tables appended supply further&#13;
1908&#13;
7,512 2,309 9,821 information regarding the year's publishing.&#13;
8,252&#13;
CLASSIFIED ANALYSIS OF Books PUBLISHED DURING THE YEAR 1911.&#13;
New Books.&#13;
New&#13;
Editions.&#13;
Total.&#13;
New Books.&#13;
Translations.&#13;
Pamphlets.&#13;
10&#13;
128&#13;
55&#13;
209&#13;
47&#13;
89&#13;
15&#13;
31&#13;
23&#13;
108&#13;
8&#13;
:::::::::::::::::&#13;
47&#13;
18&#13;
:::::::::::::::::::&#13;
Philosopby&#13;
Religion ...&#13;
Sociology ...&#13;
Law&#13;
Education&#13;
Philology ...&#13;
Science ...&#13;
Technology&#13;
Medicine, Public Health, &amp;c. ...&#13;
Agriculture, Gardening...&#13;
Domestic Arts ...&#13;
Business ... ...&#13;
Fine Arts...&#13;
Music (Works about)&#13;
Games, &amp;c.&#13;
Literature (General)&#13;
Poetry and Drama&#13;
Fiction ...&#13;
Juvenile ...&#13;
History ...&#13;
Geography and Travel ...&#13;
Biography&#13;
General Works (Encyclopædias, Magazines, &amp;c.)&#13;
Total&#13;
273&#13;
930&#13;
725&#13;
303&#13;
250&#13;
187&#13;
650&#13;
52&#13;
413&#13;
169&#13;
99&#13;
151&#13;
232&#13;
1!1+ Enni&#13;
26&#13;
11&#13;
10&#13;
::::::::::::::::::::::&#13;
194&#13;
738&#13;
457&#13;
167&#13;
202&#13;
160&#13;
481&#13;
359&#13;
274&#13;
125&#13;
78&#13;
101&#13;
208&#13;
50&#13;
94&#13;
248&#13;
388&#13;
1,238&#13;
475&#13;
341&#13;
480&#13;
373&#13;
437&#13;
: : : : : : : : : : : : : : : : : : : : : : :&#13;
17&#13;
17&#13;
2&#13;
52&#13;
20&#13;
122&#13;
345&#13;
668&#13;
2,215&#13;
648&#13;
429&#13;
Riccion&#13;
...&#13;
...&#13;
83&#13;
22&#13;
933&#13;
135&#13;
69&#13;
100&#13;
S+&#13;
17&#13;
19&#13;
601&#13;
476&#13;
451&#13;
6&#13;
7,668&#13;
190&#13;
672&#13;
2,384&#13;
10,914&#13;
8,530&#13;
Total for 1910...&#13;
...&#13;
...&#13;
...&#13;
...&#13;
8,162&#13;
2,336&#13;
10,804&#13;
&#13;
&#13;
## p. 140 (#568) ############################################&#13;
&#13;
140&#13;
THE AUTHOR.&#13;
ANALYTICAL TABLE SHOWING Books PUBLISHED EACH MONTH DURING 1911.&#13;
Jan. | Feb. March. April. May. | June. July. Aug.&#13;
Sept.&#13;
Oct.&#13;
Nov.&#13;
Dee. · Total.&#13;
... 551&#13;
669&#13;
1,161&#13;
924 , 531&#13;
New Books ...&#13;
Translations&#13;
Pamphlets&#13;
23&#13;
560 | 675 | 198&#13;
121 71&#13;
58 43&#13;
440 444&#13;
10&#13;
48 92&#13;
10&#13;
401&#13;
118&#13;
814&#13;
21&#13;
4+&#13;
33&#13;
19&#13;
7,668&#13;
190&#13;
672&#13;
i&#13;
16&#13;
76'&#13;
49&#13;
43'&#13;
36'&#13;
No. of New Books ... I 608&#13;
New Editions ...' 157&#13;
600&#13;
178&#13;
745&#13;
206&#13;
548&#13;
166&#13;
768&#13;
269&#13;
498&#13;
175&#13;
546&#13;
179&#13;
526&#13;
153&#13;
879&#13;
280&#13;
1,243&#13;
284&#13;
986&#13;
217&#13;
383&#13;
120&#13;
8.530&#13;
2,384&#13;
Total ... ... 765&#13;
Total for 1910 ... 712&#13;
778&#13;
777&#13;
951 | 714&#13;
849 953&#13;
1,037&#13;
788&#13;
673&#13;
998&#13;
725&#13;
843&#13;
679 | 1,159&#13;
610 1,262&#13;
1,527 | 1,203&#13;
1,342 1,154&#13;
703&#13;
516&#13;
10,914&#13;
10,804&#13;
CORRESPONDENCE.&#13;
were as shrewd in their business dealings as they&#13;
were pre-eminent in their artistic creations.&#13;
If, then, a writer of the genius of the late Robert&#13;
THE AUTHOR'S CRAFT.&#13;
Buchanan, reviewing the years he had passed in&#13;
producing both prose and poetical “ ditilled&#13;
Sir. That my article « The Hazard of the Pen” essences of life itself, with its varied mixtures” as&#13;
may be described as “ pessimistic in tone: is true prescribed by Mr. Lovell, should meditatively pause&#13;
enough, since every diligent student of literary to consider whether the reward received were&#13;
biography, whether of contemporary or former adequate compensation for the sacrifices involved&#13;
writers, if capable of any sort of reflection, could in the endeavour, does it not smack of something&#13;
hardly fail to be impressed by the sorrows and perilously akin to impertinence for a much smaller&#13;
privations, the disappointments and despair, which member of the same profession to declare him&#13;
would seem to have dogged the footsteps of so “utterly unworthy of the craft of authorship" on that&#13;
many, while treading the thorny path of author- account ? In conclusion, let me observe that Mr.&#13;
ship: that it is “entirely without point” is, I Lovell's rhapsody on the ethereal aims of author-&#13;
should hope, for the credit of the Authors' Society, ship leave me quite cold. I have heard the same&#13;
Mr. Arthur Lovell's peculiar and private kind of thing ad nauseam, years and years ago.&#13;
opinion.&#13;
The inspired orators were always amateur authors,&#13;
The artist, either in words or pigments, is no I should say. Men who live by their pens, don't&#13;
more exempt from the necessity to coin money by rave about it.&#13;
his labour-no matter how deeply inspired it may&#13;
Faithfully Yours,&#13;
be, or how lightly thrown off-than the artisan;&#13;
HERBERT W. SMITH.&#13;
albeit amateur authors and members of obscure&#13;
Literary Societies sometimes talk as though such&#13;
mundane affairs as meat, drink, clothing and so forth,&#13;
“ UNITED STATES NOTES.”&#13;
to say nothing of cash wherewith to pay rent, rates&#13;
and taxes-fell, like manna from heaven, at his SIR,-I notice sundry errors in Mr. Philip&#13;
feet.&#13;
Walsh's “United States Notes ” in the January&#13;
For a writer to pretend indifference to the number of The Author. One of them is as follows:&#13;
business side of his craft is, in my opinion, to be Speaking of non-fictional “ best sellers," Mr. Walsh&#13;
guilty of a specially obnoxious and fatuous brand of mentions my “ How to Live on Twenty-Four Hours&#13;
affectation.&#13;
a Day," and then the other Bennett's “ Mental&#13;
Lord Tennyson though hardly perhaps reaching Efficiency.” There is no other Bennett. As I do&#13;
Mr. Lovell's sublime standard of authorship, not wish it to get about that there are two Bennetts&#13;
merited some slight amount of credit for his efforts under the terrible responsibility of having written&#13;
in that direction; yet he did not disdain to take an “best sellers” in the United States, may I firmly&#13;
interest in the profits received from the sale of his announce that I alone am the author of both these&#13;
poetical“ distilled essences”: while, in allied books.&#13;
branches of art we read that Sir Arthur Sullivan,&#13;
Yours truly,&#13;
Sir Henry Irving, and Sir John Millais, P.R.A.,&#13;
ARNOLD BENNETT.&#13;
&#13;
&#13;
## p. 140 (#569) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes :-&#13;
“I have just completed the revision of my lovel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
withont having been corrected or even read, and that my handwriting.&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something more than simple&#13;
mechanical accuracy, to produce such a result-a result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
nswers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
Novels &amp; Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1- 1,000 words; 2 copies, 1/4.&#13;
(French and Spanish.typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work."&#13;
MRS. TOM GODFREY: "I think you must be a treasure trove to&#13;
ail authors who have the good fortune to hear of you. ... You&#13;
certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYWAN): "I have never met with&#13;
anything approaching your intelligence, carefulness and promptitude."&#13;
RICHARD PRYCE, Esq.: " The work could not be better done."&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
I&#13;
L. A. ST. JOHN. L'Isle, Dimond Road, SOUTHAMPTON.&#13;
Cotterill &amp; Cromb, Literary Agents,&#13;
Lennox House, Norfolk St., Strand, W.C.&#13;
TYPEWRITING.&#13;
SOMETHING NEW!&#13;
INK-ERASING PENCIL,&#13;
Just the thing for Authors and Business Men. Removes&#13;
writing and blots immediately, and without injury to&#13;
paper.&#13;
SEND P.O. 1/2 FOR SAMPLE.&#13;
C. Herbert Cæsar, Homefield, St. Albans.&#13;
MISS FOWLER, Maxwell House, Arundel&#13;
Street, Strand, W.C.&#13;
EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
Extract from Unsolicited Testimonial.--"I send you work com-&#13;
pared to which Egyptian hieroglyphics would be child's play, and you&#13;
return the manuscript at the time requested without one single&#13;
inaccuracy. It is nothing short of marvellous.”&#13;
on all subjects,&#13;
including&#13;
LITERARY,&#13;
Educational,&#13;
Commercial, Technical, Medical, Theological, etc., and&#13;
for all examinations.&#13;
&#13;
BOO&#13;
TYPEWRITING&#13;
WITH&#13;
CARE AND ACCURACY.&#13;
Second-Hand at Half-Prices. New at 25 per&#13;
cent, discount.&#13;
Catalogues free. State Wants. Books sent on approval ; BOOKS&#13;
BOUGHT. Best Prices Given.&#13;
8d. per 1,000 words; with carbon-copy, 9d.&#13;
W. &amp; G. FOYLE,&#13;
135, Charing Cross Road, London, W.c.&#13;
C. A. GIRTON,&#13;
2, Grove Lane, Camberwell, S.E.&#13;
AUTHORS!&#13;
Over 170 Publishers and Periodicals buy from us ! Original&#13;
MSS. Wanted. Highest prices obtained. Prospectus free.&#13;
Cambridge Literary Agency, 115, Strand, W.C. 1487 eldra&#13;
1648 Gerrard&#13;
BARGAINS IN BOOKS.&#13;
Carriage Paid U.K. only.&#13;
Terms—Cash with order. The Tissot Pictures illustrating&#13;
the Life of Christ, £6 6s. net ; Splendid Copy, absolutely&#13;
good as new for £2 198. The Twentieth Century Practice&#13;
of Medicine; an international Encyclopædia of Modern&#13;
Medical Science by leading authorities of Europe and&#13;
America ; 20 volumes, published 20 guineas; new, uncut,&#13;
original binding, £7 108. Cross cheques and postal orders&#13;
L. &amp; S.W. Bank, Fleet Street Branch.-J. F. BELMONT&#13;
&amp; Co., 29, Paternoster Square, E.C.&#13;
LITERARY AGENCY.&#13;
THE WEINER AGENCY, LTD.,&#13;
67, STRAND, LONDON, W.C.&#13;
Every facility for placing work of all descriptions. Apply&#13;
for prospectus, free, from Manager, Literary Department.&#13;
&#13;
&#13;
## p. 140 (#570) ############################################&#13;
&#13;
viji&#13;
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Two popular Hotels in Central London.&#13;
| TYPEWRITING&#13;
Opposite the British Museum.&#13;
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A WORD IN SEASON !&#13;
Get all your work TYPED&#13;
WELL-IT ADDS TONE.&#13;
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MRS. GILL'S TYPEWRITING, SHORTHAND. , AUTHORS wishing to make arrange-&#13;
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Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
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Nigently copied, from 1s. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
POST FREE ON APPLICATION.&#13;
W.C.&#13;
Neatness and accuracy, with&#13;
TYPEWRITING.&#13;
promptuess ; 7d. per 1,000;&#13;
over 20,000, od. Plass ruled&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
and bound, 8d. Cheap duplicating.&#13;
words; in duplicate, 1/-, Plays and Generaal&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
Copying. List and specimen of work on appli-&#13;
NOTICE TO AUTHORS.&#13;
cation.&#13;
"A Literary Agent's work stands for all practical purposes,"&#13;
one of NUMEROUS TESTIMONIALS.&#13;
says the Literary Year Book "on the same level as a solicitor's. He&#13;
is called in by the author to carry through certain negotiations,&#13;
"Miss M. R. HORNE has typed for me literary matter to the land at the close of these negotiations he should be required&#13;
extent of some hundreds of thousands of words. I have nothing I to send in his bill. There should be a scale of fees for his work."&#13;
but praise for the accuracy, speed and neatness with which she&#13;
This scale can be now obtained from&#13;
does her work.-FRANK SAVILE.&#13;
Mr. STANHOPE W. SPRIGG, Literary Consultant,&#13;
MISS M. R. HORNE,&#13;
Trafalgar Buildings, Charing Cross, W.C.&#13;
New Address :-&#13;
Late Editor of Cassell's and the Windsor Magazines. New writers&#13;
15, WIMPOLE ROAD, YIEWSLEY, MIDDLESEX.&#13;
given practical help.&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouyerie Street, London E.C.</text>
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                    <text>The Author .
of the Incorporated

( The Organ

VOL .

XXII . - No .

MARCH

6.

Society of Authors

Monthly .)

.

1 , 1912 .

( PRICE SIXPENCE

CONTENTS .
PAGK
141
141
141
142
145
147
149
152
154
155
155
156
157
157
• 157

Notices
TheSociety
' s Funds
List of Members
ThePensionFund
Committee
Notes ...
Bookspublishedby Members ...
Literary, Dramatic andMusical Notes
ParisNotes...
GramophoneRecords
Action for Libel ...
FrenchLaw Case...
MagazineContents
How toUse the Society ...
Warningsto the Producers of Books...
Warningsto Dramatic Authors

Ø

G

“ Good

.

P

:::
:::
:::

Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch
Remittances
General Notes
CommitteeElection
A Remarkable Agreement
A Literary Agency Agreement
, and Music
The British Society of Authors, Composers
Publishers
.
Critics and Criticism
The Copyright Act , 1
Correspondence ...

...

. PUTNAM ' S SONS .

comedy, genuinely

witty , and never vulgar .”

—

6

Daily Chronicle .

)=

.

mer of
Women

Three

Last

Century

."

of

Diaries

the

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THE

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�ADVERTISEMENTS

TYPEWRITING .

PLAYS
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. BARFOOT ,

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Curdridge,

Botley , Hants .

Author of plays produced in Great Britain
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Thosewho
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pictureof life Spain the TenthCentury
not onlygivesan interesting
but ringswith thestirandclashof battle the sacking conventsandthe
mustering bravemenunderthebanner thetrue Church defence
of
their countryand their faith againsttheinfidel PrincessRiquilda, the
daughterof the Sovereign
countof Barcelona verysweetandnatural
girl spite her royalbirth and courseshe lovedby twomen one
braveand gentleknight, whowagen
waragainstthe invadingSaracensthe
other traitor whodeserts theMoorishcampand betrayshis country
into thehandsof the enemy But FelipedeCerdanathetraitor treated
poetic
with touch that
andhis feverishpassionfor Riquilda, which
humbleand tender as well as cruelandrevengefulhassomething
more
livingabout than onefinds theordinaryloverofthenovel. Thewhole
verythoroughly carryingwith
book vividandstirring, andsucceeds
theatmosphere the earlyMiddle Ages TheMorningPost.
Theauthordepictswith remarkable
forceandpowerthegloriouspastof
old Barcelonaand on this warlike foundationshe hasbaseda stirring
distinguishedbymanyof thecharacteristics
romance
of the besthistorical
fiction
Mrs Kendall Park' style possesses
much animation andher
descriptive
passages
areexcellent From historicalaswell
romantic
point of view the book
deeplyinterestingone andcannotfail be
readwith pleasure NewYork Herald Paris)
EVELYN BARBER
typicaljoung Sheffielder his class
Michael Beresfordthe hero
whom Miss Barberhas focussedwith almost pitilessexactitude Miss
Barbers heroine extremely
attractive andwehavealsolittle snapshots
quitedelightful hamour- RebeccaBeresfordUncle Horatio. Cousin
Drucilla and others Thereare too someinterestingpassages
anentthe
Boys Brigadeandothersdescribingthe workof Women Settlement
the slums. We readthe bookwith muchinterestand enjoymentas
anticipationforitssuccessor Shefeld
causeus lookwith pleasurable
Daily Telegraph
Will make goodreading householdsthatarenot infectedwith the
diseased
forlu themodernspirit
freshandwholesome Scotaman

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Adı ertiser
With all the sparklingwit and satirewithwhichthelittle bookteema
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When just about two years ago Mr Stuart Young published
The Seductive Coast
Western Africa there were not lacking critics
lift their hands
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exceptional daring
Nigeria
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outlook on the moral and social conditions of life
The Birmingham
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Rarely do we meet with work which
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Gazettegave the lead
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spontaneity and sincerity combined with an admirable technique
Mr Stuart Young
man
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skilled
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As sheer art work his
pages are admirable
virility which commends his work where simpler sentiment would fail and
There
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The Daily Telegraphrecognised that here
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Whether telling of white men and
women
their loves and their tragedies
the stranger folk among whom his lot
cast
the Niger Bank
the author always shows himself possessed of the best qualities of the story teller
The Oxford Timesfound
the
book
subtle witchery which haunts the mind
while Reynoldsacknowledged that here at last was someone who
appreciates the tragedy and pathos
native Africa
in

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HARE

JOHN

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Judges are SIR

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given

are

Era

The

,

particulars

in

Full

on

.

EDWARDES

weekly

published

Saturday

in

The

all

by

be

,

studied

who

literature

.”

's

appearing

now

.

in

to

branch

this

are
should

and

Era

“

Saturday

See

An

written

play wright

of

be

successful

playwriting

of

are on

desire

technique

the

by

Era

They

Articles

a

.

.

mol
mornings

Indispensable American

.

Journal
in

,

-

DIAL

—
in

.
.
.
.

We

again

their eye

to

,

—

it

,

its

THE

of

literary

London

,

CHICAGO

.

AVENUE

,

MICHIGAN

will

request

.

upon

trial subscription

be

).

special offer

SOUTH

or for

no

,

at

America

for

a

'

,

COMPANY

Athenæum

produce

of

millions

THE AUTHOR
410

any reader

with

can

(

its

of

of

together

,

”

you look

value
mechanical production

keep the 100

of

,

sent gratis

to

of

view

THE PUBLISHERS CIRCULAR

THE DIAL

ADDRESS

a

to

.

on

THE DIAL

—

watch

.”

our readers who wish

THE DIAL

a

the excellence

advise

copies

month with their Spectator

place with the best that any country
to

or

to
a

entitled

,

variety

, .
.
.
its .

contents
is

is

to

in
a

shoulders

From

Specimen

“

twice
whatever point

rub

Academy

or

THE DIAL

to

in

is

to

in

do

“

to

general way what
being done
Those who wish
know
the literary
world
America cannot
better than subscribe
THE DIAL
semi monthly
journal devoted entirely
say that
literature
We will undertake
one who
regret
arranging
acting
interested
literature would
our advice and

�.

PRICE SIXPENCE

be

an

to

of

there

of

.

,

.

in

in to

,

of

in

to in

:

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in

to

a

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(
1
)

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of

,

in

,

is

.

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is

of

,

it

(2
)

of

.

,

Authors

obtained

the price

of

the Society

at

,

can now

be of

.

of

,

July
includes elections
members and associates

,

7d

be

,

the Society

1907

to

post free

.

at

.

dozen

blank

pages have been

added

at

,

6d
.

the offices

of

to

on

accepted

Members
October

1907 and will
sold
the Society only
A

be

articles which cannot

XXII

.

.

return
VOL

.

be

,

or

.

on

of all

and letters are invited
Communications
the
literary matters treated from the
Editor
standpoint
art
no other
business but
Every effort will
subjects whatever
made

of

of

M
1

published

by

.

HE List

MEMBERS

OF

It of

,

39

,

.,

,

LIST

S
.W

's

,

of

to

for The Author
should
Communications
addressed
the Offices
the Society
Old
Storey
Queen
Street
Gate
and should
reach
the Editor not later than the 21st
each
month

to

be

.

.

6d

58

in

or

to

its

, ,

on

of

a

if

to

or

,

.

CONTRIBUTIONS

of

of

to

to

,

of

in

to

.
AND

The Editor
The Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
Society
great many members did not forward
subscription for
the Secretary the modest
the year
be is
a

on

of

.

of

,

of

concerned can obtain

application
ARTICLES

of

to

n

of

to

or

in

of

of

on

the publishers

be

no

do

time
time members
the Society
desire
make donations
its funds
recognition
work that has been done for
them
The Committee acting
the suggestion
one
these members
place
have decided
this permanent paragraph
The Author
order
that members may be cognisant
those funds
which these contributions may be paid
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary for the Society
case
incur heavy
expenditure
prin
fighting
question
either
ciple
assisting
obtain copyright reform
dealing with any other matter
closely
connected with the work
the Society
slowly
The Pension Fund
This fund
increasing and
hoped will
time cover the
needs
all the members
the Society

of

to

'

of

FUNDS

'S

is

.

TROM

the
inform
members
THE Editor begs
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Secretary
the Society and that
those members
the Society who desire
have
them

.

THE SOCIETY

case

the names

.

to

if

are

as

expressing the opinion
taken
especially stated
unless such

to

the

in

of

.

be

the Committee
be

to of

must

or

or

papers that are
the authors alone
para
the papers

is

the opinions expressed

signed
initialled
responsible
None

F

D

,

,

be is

.

NOTICES

to

,

,

be

it

,

LONDON

is

AUTORIDAD

graphs

.

[

.

impression
among
seems
readers
The
Author that the Committee are
personally
responsible for the bona fides
the
advertisers
the Committee desire
stated
that this not and could not possibly
the case
Although
care
exercised that
undesirable
advertisements
inserted they
not accept and
never have accepted any liability
Members should apply
the Secretary for advice
special information
desired

.

ADDRESS

,

TELEGRAPHIC

OR

.

,

ADVERTISEMENTS

As

VICTORIA

.

374

.)

.

BESANT

:

NUMBER

Monthly

Authors

1912

1

MARCH

:

TELEPHONE

No

.
6
.

.—

.

XXII

Society

BY SIR WALTER

FOUNDED
VOL

Incorporated

of

Organ

the

(

of

The

The Autbor .

the

�THE AUTHOR

PENSION

FUND .

The list printed below includes
fresh dona
subscriptions
tions
and
donations
and
subscriptions
not hitherto acknowledged received
by
promised
the ſund from
October
1911

,

1

,

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to

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Salter Miss
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Locke
Gusse Edmund
Larken
Underdown Miss
Walkley
Masefield
John

an

Nov
Nov
Nov

,

Mrs Humphry Ward
addi
tional subscription for 1912

5

.

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.

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.

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Newton
Phipson

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121

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Central Argentine Railway Ordinary
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..
..
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198

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Total

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258

Oct
Oct
Oct

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20

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Jamaica

..
..
..
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..
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of .
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... %
. .
...
21
%
..

.

Irish
Land
Stock
Corporation

Subscriptions

. . , . . . . . . .
25 25 25
25
25
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0

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247

-

..
..
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200

0

34
%

Cape
Good Hope
Inscribed
Stock
Glasgow and South Western Railway
17 Preference Stock
New Zealand 31°
Stock
of

19

20000
0

Certificates

250

..
..
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..

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..
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and
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Debenture Stock
Irrigation
Egyptian
Government

9 0

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dated

291

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..
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Government

Victorian

500

drawn
the London
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L
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.

of

in

£1 312

..
..

%

Consols

..
..
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23

:

below

Local Loans

Bankers
Order for
County and Westminster

to

invested
amounts
fully set out
the list

of

,

.,

.

and

is

Hd

.

198

now

'

of

.

in

to

money

The

,

case

in

another

made
£4 846

Committee that
for the payment
any application should be
Fund

sum available

'

.

at

in

for

to

further
pension

is
a

in

informing the Pension

there

to

,

of

.

5
%

in

of

to

.

of

of

of

,

on

a

,

as

I

of

January the secretary
the society laid
before the trustees
the Pension Fund the
accounts for the year 1911
settled by the
accountants
with
full statement
the result
the appeal recently made
behalf
the Fund
After giving the matter
full consideration
the
trustees instructed the secretary
invest the sum
Antofagasta
£500
the purchase
and
Railway
Bolivian
Preferred Ordinary Stock
and Central Argentine Railway Ordinary
Stock
The amounts purchased
the present prices are
the former and £232
£237
the latter stock
The trustees desire
thank the members
the
society
the generous support which they have
given
the Pension Fund and have much pleasure

does not include
either donations given
October
nor
does
include sub
scriptions paid
compliance with promises made
before
The full list
annual subscribers
the fund
appeared
the November issue
The Author
The secretary would like
state that
has
received three bankers
orders
answer
the
recent appeal unsigned without any covering letter
He would be glad therefore
those members who
may have sent
recognising them
these orders
from their description would write
the secretary
the matter
Bankers Order for 10s drawn
the London
County and Westminster Bank Maidstone
Bankers Order for 10s drawn
the National
England Baker Street
Provincial Bank

prior

on

of

TN

It

.

THE PENSION FUND

. or

)

(i

.
e
.,

end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages.

.
all

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Young Ernest
Teixeira de Mattos Alexander
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Nov
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years

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Warwick
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years
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Murdoch
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Greville
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Russell
Osgood Mrs Irene

,

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Nov

Hood Miss Agnes Jacomb
Gilliat The Rev

25 25
25 25 25
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THE AUTHOR .

�THE AUTHOR .

144

Tanner , James T . (5th Dona
tion )
.
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:
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Nov . 3 , Balme , Mrs . Nettleton
.
Nov. 4 , Cayzer , Charles ( 3rd Donation )

. 3,

Nov . 6 , LeRiche , P . J .
Nov . 6 , Daniell , Mrs . E .

Nov . 13 , Anon . .
.
Nov . 20 , Grant, John G .

Nov .
Nov .
Nov .
Nov .
Nov .
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Nov .

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Jacobs,

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25 , Besant , W . H .
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25 , Hill , J . Arthur
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25 , Tansley , A . G .
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25 , Gysi , Max
.
25 , Lyttelton , Hon . Mrs
23 , Savile , Frank
Nor . 25 , Skeat , Prof . W . W .

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Nov .
Nov .
Nov .
Nov .
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Nov .
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24 , Roberts

W. W.

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, Miss

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28 , Gould , Gerald

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29 , Maarten Maartens

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Nor. 29 , Stutfield , H . E . M .
Nov . 29 , Gibbs , F . L . A . . .
.
Nov . 29 , Spurrier , Steven
Nov. 29, Kinloch , Alexander
Nov . 29 , Webling , Peggy .
Nov . 29 , Barclay , Mrs . Hubert .
Nov . 29 , Gibbs , Miss C . E .
.
Nov . 29 , Batty , Mrs . Braithwaite
Nov . 29 , Spielmann ,Mr. and Mrs . M .
Nov . 29 , Begbie , Harold
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Nov . 29 , Spiers , Victor
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Nov . 29 , Wentworth , Gerald
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Nov . 29 , Pryce , Richard
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Dec. 8, Ord , H . W . .
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Dec . 10 , Hawkins , A . Hope
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11 , Bland , Mrs. E . Nesbit .
11 , De Morgan , Wm .
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12 , D ' Arcy , Ella Miss
Dec . 16 , Glenconner , Lady .
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Dec . 16 , Royds , The Rev . T . F . .
Dec . 18 , Moore , Mrs. Stuart
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28 , Martin , Mrs . Clara T . . .
28 , McKellar , Campbell D .
28, Wroughton , Miss Cicely
28 , Rankin , Miss F . M .
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Dec . 18 , Dawson , Frank
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Dec . 20 , Tench , Miss Mary F . A .
Dec . 21 , Clifford , Mrs . W . K .
.
Dec . 22 , Francis , Beard
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Dec . 22 , Horridge , Frank .
Dec . 28 , Dawson , Forbes
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Dec . 29 , Longard , Madame de
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Dec . 30 , Workman , Mrs . F . Bullock
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Dec . 30 , Swan , Miss Myra .
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Dec . 30 , Blake , J . P . .
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Jan . 2 , Risque, W . H .
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Jan . 2 , Dart , Miss Edith
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Jan . 3, “ K .”
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Jan . 3, Church , Sir Arthur .
Jan . 3, Durrant , W . Scott .
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Jan . 3, Tighe , Henry .
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Jan .

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Grant , Lady Sybil .

Jan . 4 , Smith , Bertram
.
Jan . 4, Buckrose , J . E .
.
Jan . 4, Lathbury , Miss Eva

Jan . 5, Wilson , Dr. Albert .

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Jan . 5 , Craven , A . Scott
Jan . 6, Blundell , Miss Alice

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Jan . 6 , Garbutt ,

W. H .
. 6 , Serjeant , Miss Constance
. 9, Chamberlaype , Miss Effie
Jan . 9, Hamel , Frank
Jan . 10 , Allen , W . Bird
.. .
Jan . 10, Crellin , H . M .
.
Jan . 10 , Smith , Herbert W .
Jan . 12 , Randall , F . J .
.
Jan . 13 , P. H . and M . K . .
Jan . 15 , Clark , Henry W . . .
Jan . 17 , Rankin , Mrs . F . M .
.
Jan . 18 , Paternoster , Sidney
.
Jan . 20 , M -Ewan , Miss Madge
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Jan . 2.2, Kaye - Smith , Miss Sheila

Jan
Jan

Jan . 22 , Mackenzie , Miss J .
Jan . 22 , Reiss , Miss Erna .
Jan . 22 , Grisewood , R . Norman

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Jan . 24 ,Williamson , C . N . and Mrs . C . N .

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�THE AUTHOR .

,

.
Feb . 12 , King, A . R . .
.
Feb . 13 , Ayre , Miss G . B . .

Feb . 14 , Gibson , Miss L . S .
Feb . 15 , Henley , Mrs. W . E .
Feb

.

15 ,

Westall ,

W.

Percival

Feb . 17 , Raphael , Mrs .
Feb . 19 , Cabourn , John

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Feb . 21, Hinkson , H . A ., and Mrs .

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The Editor regrets that Mr. Robert Hichens
contribution of £3 3s , was put down as a donation ,
whereas it should have been entered as an annual
subscription . He hastens to correct the mistake .

COMMITTEE
MEETING of
offices of the

bad one from his point of view .
The solicitor also
reported that one case dealing with accounts had
been settled during the month .
The secretary then mentioned a case of infringe

ment of copyright

by a bookseller who
in Australia
had imported an American
edition , and it was
decided to instruct the society ' s Australian lawyers
to take action .
Another case of infringement had
been put down on the agenda , but the committee
were informed it had been
settled .
The secretary
from
one of the members
against a paper for work done ,
and the committee decided to instruct the solicitors
to proceed , subject to the author being willing to
co - operate .
also

agreement .
An agency agreement wbich had been settled
by a sub -committee , and circulated to the members
of the Committee of Management , was next read ,
and adopted .
A vote of thanks was passed to the
The
for the work they had done .
sub - committee
agreement , which is based
on an agency agree
ment, settled some time ago by the Dramatic
Sub -Committee , is printed on another page .
to elect a com
The committee then proceeded
to
posers ' sub - committee , as it had been decided
form a separate section of the society for composers ,
to work on the same lines as the dramatic section

is working under the Dramatic Sub - Committee .
The following gentlemen were elected and have
consented to undertake the duties

NOTES .

:

Granville Bantock ,
Percy Buck ,
Thomas F . Dunhill ,
Cecil Forsyth ,
John B . McEwen ,
Sir Charles Villiers Stanford ,
Herbert , Sullivan ,

5th . After the minutes of the last meeting
had been read and signed , the committee proceeded
to
elect
18 new
members and associates whose
names appear on another page.
This is one of

with

publisher

to

.

In

to a
dispute between a member and a publisher , which
had been adjourned from
the previous month , the
committee decided to appoint an arbitrator under
a
clause in the agreement making arbitration
necessary
the next case against the same

.

's

it

he

an

as

,

it

no

,

an

,

to

be

his

,

it

to

was decided
take immediate action
rights
The next question
was one between
author and his agent and here
after careful consideration
was decided that
help could
given
the author
was bound
by
agreement
although
exceedingly
was

maintain the author

its

dealt

cases

case , relating

.

The annual report which had been settled
was adopted
and will
issued
members and associates
with the usual notice
general meeting
Letters from the advertisement agents
The
Author were read raising
certain points
the

,

the

In one

Talbot ,

Wallace

.

reported

solicitor

Howard
William

The question of the Nobel Prize Committee was
again
A
before the Committee of Management .
letter from Lord Avebury , the Chairman
of that
committee , was read , together with a communication
which his lordship had received from the Swedish
Academy .
to refer
the
The committee
decided
whole matter to the Council of the Society at
next meeting
sub committee

-

the largest elections which has ever taken place in
any one month , since the foundation of the society ,
and having regard to the satisfactory election in
January , it is felt that the year 1912 has opened in
an auspicious manner.
The

letter

a

a claim

The committee then discussed , at some length , an
article which appears in another column of " The
a publisher ' s forms of
Author ," dealing with

the committee was held at the
society on Monday , February

during the month .

read

respecting

by
of to a

12

.

0
6

of

Loraine , Lady
Feb . 12, Ainslie , Miss K .

.

··
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in

Feb

Feb

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be

Feb

to subscription ) .
. 30 , S . F . G .
. 3, Douglas , James A . .
. 6 , Parker , Mrs . Nella .
. 6, Allen , Mrs . James 1.
. 10 , Whibley , C . .
.

(

,

Feb

Viss Beatrice
.
Mrs. Florence H . .
:
30 , Weyman , Stanley (in addition

,

Jan
Feb

£

26 , Way ,
30 , Saies ,

.

Jan .
Jan .
Jan .

145

�THE AUTHOR .
.,

of

for

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as

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to

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Bridge

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Edinburgh

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Le Mesurier

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106
Park Road
Loughborough
Norden

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Robert

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Cavendish

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Square

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Harrow
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High

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,

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Dudley

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Miss Emily

Buck Percy
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Buxton
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on by

of

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Mesurier
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.SW

24 32
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on

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Bernard

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be

to

of

. - of

to

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Colne

Lancashire
Princes Gate
Torphichen Street

.

.

.

.

Eastlemes

Baden Powell
Bayly Jones Miss Jane

(

,

to

-

the Dramatic
Sub Committee
the
society and the Dramatists
Club Sub Committee
could meet
order
settle the final form
the
treaty
carry
The secretary was instructed
through the matter and report
date

in

.

of

.

Athenæum Club

B

G

Miss

.

,
J.
B
.

,

Ayre

Elections

,
yetas

as

.

,

he

that

settlement
the general treaty between the
Dramatic Sub Committee and the Dramatists Club
was discussed
was decided
forward
letter
the secretary
the sub committee appointed
enquire
that club
consider the treaty and
to

a

.

is

of

Atlay

- -

-

to to

to

a

,

but would

the French society
society was not
forwarded when ready

from

be by

be

to

issued

The sub committee decided
obtain information
the subject from other countries
procedure
The method
followed
the

what

. to

, to

a

of

an

at .

of

,

to

February

of

an

's

of .

.

-

no

further information

the report
completed

be

to

to

is

,

.

it

to

It

.
G
.

,

There are still three small claims open from the
former months
the others have either been settled
handed over
the solicitors
the society
:

.

,

.

of

-

,
if

on

in

, ,

to

.
R
.
C
.

,

a

to

.

to

.

,

.

,

'

at

of

record

or

at

.

,

of

be

to to

an

,

of

of

on

of

of of

The February meeting
the Dramatic
Sub
Committee
the Society
Authors was held
Friday the 16th
the offices
the society
The minutes
the previous meeting having
been read and signed the secretary laid before the
meeting
agreement which had been forwarded
purporting
the society by one
the members
entered into between the Travelling
Theatre
Managers
Association and dramatic authors
The
agreement was considered and Mr Raleigh explained
some length the position
the association
appoint
was decided
consisting
sub committee
Mr Cecil Raleigh Mr
Carton and Mr
Bernard Shaw
confer with the representative
possible
arrange
the association
order
satisfactory terms
the dramatists
behalf
inside the society
The secretary received instruc
representative
enquire
the association
tions
appointment
whether he would make
meet
coming
the sub committee with
view
some
agreement
productions
The contract
for cinematograph
adjourned from the last meeting was rediscussed
yet obtained
The secretary reported that
had

of

.

.

,

SUB COMMITTEE

-

DRAMATIC

to

.

,

Buxton

to

Mr. Dudley

and

as

Wrench

Cases .
DURING the past month twelve cases have been
placed
in
the hands of the secretary . Four of
these refer to claims
the return
MSS and
three cases the MSS have been returned and
Two claims
the members concerned
forwarded
one
for accounts and money have been dealt with
the
the solicitors
transferred
has had
society
answer the letters
the publisher refused
which were written
the secretary the
negotiation
other case
still
course
the
publisher
although
has answered the secretary
yet delivered the accounts
There
letters has not
contract which
breach
was one case referring
and one case
settled
has been satisfactorily
Two claims
which accounts only were claimed
they
members are still open
for money due
There
have only recently come into the office
the infringement
was one case referring
hand
performing rights which had
taken
immediately
glad
report that
The secretary
has been terminated satisfactorily
There was
also one case with regard
the settlement
the
exact terms
contract which
also
has been
negotiated
Seven
cases out
the twelve are
already
very healthy
end
This

,

delivery of their accounts . It was decided to refer
, with certain instructions , to the solicitors .
It was decided to invest
£150 of the Life
Membership
Subscriptions
purchase
in
the
of
Antofogasta and Bolivia Railway Five per cent . Pre
secretary
ferred Ordinary
Stock , and the
was
authorised to carry out the committee 's instructions .
Two suggestions on minor points connected with
the management of the society were considered , but
it was felt that it would not be to the advantage of
the members to adopt either of them .
The secretary reported that two members had
paid life membership
subscriptions — Mrs . Stanley
them

in

146

�THE AUTHOR .
, Harold

Cantrill

.

Dorridge , Warwick shire .
Beauchamp
House ,

.

15,

.

.

Chesser , Mrs. E . Sloan
Colvile

,

.

Rex

.

Dunhill , Thomas Frederick

Gloucester.

Colinette
Putney .

17

,

,

Road

Road ,

Frances

Windsor .

Forsyth , Cecil

.

.

.

Fox , Esther

.

.

.

69, Tressillian Road ,
St. John ' s, S. E .

B.

.

.

.

Ardmore

Saie

.

.

.

Hinton

Gray , Miss Annabel

.

.

1 Mechlin

Griffiths, Miss

.

.

Ridgeway,

Freer,

.

H

Freestone

,

T.

N

.

mo
Hamilton , Cosmo

.

.

Hope , Graham

.

.

.

.

.

Leigh , Miss Gertrude

.

Livens ,

Street ,

Baker

Kent.

,

,

,

Gravesend

,

Chambers
Bournemouth .

Mansions ,
Brook Green , S . W .

Land

,

Dormans
Surrey .

L4 Uc. Albany, Picca
dilly , W .
Women 's Amalgama
ted Unionist
and

99, Hallam
Street ,
Portland Place , W .
Nesbit Cottage , Win
chelsea , Sussex .

, Miss Mary

.

Poole

,

M . C . Conway
( Oslay )

.

Poore , Niss L . C .
Simpson , Violet A .

.

.

coln .

St.

John ' s

H 2,

.

.

.

.

.

.

College

,

Cambridge .
The
Villa .
Nelson

,

,

Clevedon
Somerset .
37 ,
Queen 's Gate
Gardens , S . W .
E . I. United
Service
Club .

Rainhill , Liverpool .

Wallis , Arthur

F

Webster , William
Whibley , Charles

.
H

.

.

Zangwill

. M ., C . B .,
B.

.

, Louis

.

.

14 ,

.

.

30 ,

.

.

BOOKS

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W.

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Manor ,

Sands .

PUBLISHED

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Dublin .

Street ,

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Avenue ,
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BY MEMBERS .

WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the cffice
by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
other papers . It is hoped , however , that members will
co- operate in the compiling of this list and , by sending
particulars of their works, help to make it substantially
accurate .

BIOGRAPHY .
MRS . GASKELL : WITH SELECTIONS FROM HER WORKS .
By MRS . ELLIS H . CHADWICK . Regent Library Series .
7 X 44. 387 pp . Herbert &amp; Daniel. 28. 6d . n .

CHARLES DICKENS AS EDITOR . Being Letters written by
Henry Wills , his Sub- Editor . Selected
Him to William
and Edited by R. C. LEHMANN . 9 x 51 .
104 pp .
Smith Elder . 128. 6d . n.
A COSMOPOLITAN
ACTOR : DAVID
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FRENCH
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412 pp . Stanley Paul, 10s. 6 . n.

CLASSICAL .
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: THE SEAGULL , THE CHERRY
ORCHARD .
Translated by GEORGE CALDERON . 8 x 53 .
155 pp . Grant Richards . 38. 6d . n.
By JOHN
THE PIGEON .
A Fantasy
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GALSWORTHY . 63 x 5. 83 pp . Duckworth . ls . 6d . n .
CHAUCER REDIVIVUS .
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By WILLIAM
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Ltd . 6d . n.
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,

Getha .
Spry - Palmer .
Sugden , Charles
Sowerby

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HONESTY . By M . E. FRANCIS . 74
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THE PRINCIPAL GIRL . By J . C. SNAITH . 73 x 5. 312 pp .
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thoroughly revised
Art
edition
Early Christian
Irt Ireland

,

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appear

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republished
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also
Messrs
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Messrs Simpkin Marshall
This will
timed
000 copies
third edition making

'

COUTTS .

takes

by
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second
edition
appear shortly from the
Mary
Pendered
house
Messrs Mills
Boon through the courtesy
Messrs Methuen
who have kindly cancelled
1899
when the
them
the agreement made
My Garden
little
novel first appeared
anthology and memorandum book for Nature lovers
compiled by the same author and Alice Stronach

.

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Y.

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from

title

at

PsychE .

History
She was the writer
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The book was very favourably received and
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those accepted
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There
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January 18, after a brief illness , Miss Ida
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short for her to have formed a high opinion of
N

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of

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,
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By ARTHUR C. BENSON .
154 pp . New York : Putnam .

149

�THE AUTHOR .

150

Mr. Vladimir Cernicoff , the Russian pianist , has
Mr. Theodore Holland ' s new pianoforte
pieces , “ Prelude ” and
Song ," in his
“ Cradle
recent tour in Germany .
Messrs . F . V . White &amp; Co . published , last month ,
a theatrical novel by Gertrude Warden , entitled
“ The Path of Virtue . "
Miss Warden has had

subject ;

and some 250 authors in all are repre
The Anthology will appear in the Oxford
Editions of Standard Authors .
“ The Open Valley , " a new novel by Mrs . Herbert
A . Watson (Helen H . Watson ), has been published
by Messrs . Cassell &amp; Co. in February .
Messrs .
Mills &amp; Boon are issuing early in the new year

included

seventeen years ' experience
of stage work
in
London , the provinces and America .
Two of Dr. Reinhardt 's books are being issued
by Stead 's Publishing House , Kingsway .
The
first is entitled “ Science and the Soul, " and deals
with a subject of universal interest .
It is issued
at 2s.
The other book is a new edition of Dr.
Reinhardt ' s ls , treatise , “ Diet and the Maximum
upwards of ten
Duration
of Life, " of which
thousand copies have already been issued .
“ Dead Men ' s Bells ” is the title of Mr. Frederick
Niven 's new book .
Mr. Martin Secker is the

reprint of Mrs . Watson 's novel “ The
a cheap
Captain ' s Daughter . "
We have been asked to note that the English
Review , commencing with the January
number ,
1912 , will be issued at the reduced price of 1s.
(12s . 6d . annual subscription , post free to all parts of
the world ) .

Mr. George

A . Birmingham
has just published
Lighter Side of Irish Life , ” with sixteen colour
illustrations by Henry W . Kerr , R . S . A ., at the

“ The

publisher .

February
The
World 's
Work
for
contains
article by Mr. H . F . Prevost Battersby on
“ Tolstoy as a Schoolmaster .”
The same issue con tains an article entitled “ Agricultural Education
vid the Dairy ,” by “ Home Counties .”
It treats of
aspects of dairying and agricultural progress in the

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Everett
novel entitled
The Right Hand
Chapman
Messrs
Hall have just issued the
fourth volume
the two shilling edition
the
John Westacott
novels
This volume
Mark
Tillotson the novel that deals with the Cornish
coast and the river scenery
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Leonard will
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poetry
passages
Frowde
consists
and prose relating
books
all their aspects
libraries
and reading grouped according
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whose fortunate circumstances are discounted
the fact that from birth she
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her character from
the moment when
realises her fate until after many vicissitudes she
attains happiness and peace
mind

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International Association
the recent annual meeting
that
body particulars
which may
obtained from
the secretary Mr James Baker
The address
the Association
La Belle Sauvage
Taking Notes
Crosby
Henrietta
Miss
gives the impressions
Heath
little girl
daughter
concerning
eleven
dramatic critic
her family and her friends
John Lane the
Bodley Head
the London publisher
There
mingling
humour and pathos
the book
published
which
also
America
where the
publishers are the John Lane Co
Bloundelle Burton has recently published
President
of

1212

Literary Year Book
will we understand
published by Mr John Ouseley
future

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original
and modern literature
and
Suffering
included
the Problem
Christianity and modern thought
the Light
James Yoxall
was unanimously elected
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The Treasury
The

&amp; Co ., is designed to appeal alike to the
general reader and the theological student . Special
interesting
given
attention
is
to
and difficult
passages with the
the best modern Hebrew
Many parallels are quoted from
scholarships

Gardner

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a

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of

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of

of

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in

is

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Scott Durrant for the open
hall
Its
literary societies senior schools etc
appeal
presents
and
not too archaic
Chaucerese
frolicsome story
the sixth wooing and marriage

Crusade

. F . T . Royd ' s new book , “ Job and the
of Suffering ,” published by Messrs . Wells ,

Problem

Sir

by

is

or a

6d
.
air )

, .”

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“

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of

“

Mr

Wyf

price of 5s . net, from
the house of T . X . Foulis .
The book is written
in Mr. Birmingham 's best
vein , and has many good stories , but there is also a
great deal of sound information about the people ,
their habits and customs .
The illustrations are
quite first class and well reproduced .
City , " Miss Winifred Boggs ' new
“ Vagabond
book , is published by Messrs . Putnams. The action
of the story takes place in the New Forest .
The Rev

The Poetry Review for February has an article
on The Lyric , by Darrell Figgis .
Irene Osgood has published , through
Messrs .
respectively ,
Weekes
&amp; Co. , four songs , entitled
“ I Wonder , " " Wood
Violets ,” “ The Coronation
the Pixies
and
Petitions
playlet
Chaucer Redivivus
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Mr Sidney Heath
Our
Study Them
Homeland
Churches and How
published
will shortly
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tion
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short stories for The Throne

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Mr

Fairy
Theodore Holland
Tale
words
Rowland
arse
was published
Co
Messrs Boosey
last month
Mirage
new valse
Mr Holland entitled
come out
the Albert Hall
the 6th
this

is

of

of

.

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of

a

",

A

Eveleigh Nash
deals with that rather ticklish
subject the Nonconformist conscience
The title

Two books
Professor Skeat have reached
English
edition and are now ready
viz
Dialects
Pitt Press
and
The Place names
Cambridgeshire
Cambridge Antiquarian Society
writing
Derek Vane
now
serial story for
the National Press Agency Ltd
and half
dozen
second

“

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by

Co
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&amp;

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subsequent strange events are
subject
new
novel
Rita
Mrs Desmond
Humphreys
published by Mr
will shortly

Miss Elizabeth Harden
small book
member
the society entitled
The Land
Shadows
Mad
March
Hare and commended
Mr Lloyd George has
lately appeared
Messrs
Smith and Sons
are the publishers the price
The book
skit
the present Government
pen

A

, - It

.

of

a

of

,

,

in

"

many

Justice
song

Letters
Louise
Life
Love and
Immortality
Madame Jean Delaire depicts much
the intellectual
and emotional unrest
the
present day reflected
the mind
brilliant
woman
the world
who
the form
letters
written
old friend across the seas reveals her
struggles towards truth and
clear understanding
the great world problems
Messrs
William
Rider
Son Ltd
are the publishers
Messrs John Long Ltd have recently published
novel called
The Spinale
which
from
the

“

a

of

Co
.

&amp;

.

In

.

of -

,

“

of

Veeni the Master
new novel
Fifield
Lamport
The dissolution
the world Earth
and the reincarnation
the world Zan and the

new

February Agnes
Heinemann published
new novel
Esther
Mr
Leonard Bastin has published through
Messrs Cassell
Co
Wonders
Plant Life
published

an

.

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is

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of

from

Grim

Mr

Jacomb

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Three Envelopes
the title
new
the pen
Mr Hamilton Drummond
Stanley Paul
Messrs
have just
published
this story the author breaks fresh
ground touching the weird and supernatural
tells
one Corley who weary
humdrum
exist
strange society
ence makes the acquaintance
The Society for Promoting Queer Results and
the many remarkable experiences which befall
consequence
him
Messrs Stanley Paul
have also published
The

novel
which

Failure

to

-

of of

to

,

. '

d

,

of

.

of

of

histrionic achieve

the

Messrs . Sir Isaac
Pitman
and
Sons have
published , at ls . “ Mothercraft , " another
volume
from
Mrs . Chadwick ' s pen .
Mr. Andrew Melrose announces for immediate
publication , a volume by Mr . G . H . Perris dealing
with Great Britain 's foreign policy .
Mr. Perris '
provide
has been primarily
this
volume
record
facts and only secondarily
discussion
tendencies and principles
detailed narrative
given
the Moroccan crisis
last autumn
published under the title
the volume which will
Our Foreign Policy and
Edward Grey

.
.
. S '
."
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.

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of

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Garrick

Co . publish

&amp;

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.

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by

,

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of

by

.

,

of

a

critical estimate
ments

Church

Mrs . Ellis H . Chadwick has published , through
. Herbert and Daniel , a volume on “ Mrs .
Gaskell : with Selections from her Works , " which
has been
included in the Regent Library Series
issued by that firm .

It

of

-

Co
.

&amp;

an

of

his day
The dazzling society
the
salons and the tinsel glories
the
Comédie Française
the period are made
live
again
brief portraits
Diderot
Holbach
Borellet Suard Mme Riccoboni Mlle
Clairon
and others
Dr Hedgcock has many stories
tell
tragedy comedy and farce
the great master
and gives many examples
his drolleries his witty
sallies and his amusing escapades
He also gives
women

philosophic

. John

Messrs

Messrs

In is

,

,

8

,

at

.

.C
.

.

,

W

.

R

M

her own work at the Studio Theatre , 92 , Victoria
Street, Westminster , S . W . , on March 10 , at
8 p .m .
She will be assisted by Mr. Julian Gade,
Mrs. Norman Ma Owan (of “ Monsieur Beau caire ” ) , and others .
The reading , which comprises
fantasies , stories , and poems , is under the patronage
of Lord Montagu of Beaulieu , the Hon . Lady B .
Fremantle , Mr. Israel Zangwill, and Mr. Theodore
Watts -Dunton . Tickets at 23. 6d . each can be
obtained from Miss
Bloch
John Street
Adelphi
Messrs Stanley Paul
have recently pub
lished
intimate study
the social and artistic
life
David Garrick entitled
David Garrick and
Hedgcock
his French Friends
The
author deals largely with the great actor
friend
ships with the distinguished
French
men and

.

month
valse .

of

ters being English , with the exception of the
Raphaellis .
The author , James Baker , is now
engaged upon a volume upon Austria , to be illus trated in colour by Donald Maxwell .
Miss Regina Miriam Bloch will give a reading of

151

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includes

Playfair Miss Marie Löhr and Miss Clare Greet
face
the Enemy
White
dramatic sketch
one act and deals with
episode during
the war between
France
and
Germany just after the battle
Saarbruck

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comedy
Arthur Pinero
four acts
The
Mind the Paint Girl was produced
the Duke
February
York
Theatre
The play
deals
with the life
off the stage
musical
comedy girls
well
their admirers
The

is

to

, .

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North
Mr
entirely different
has written
Syrinx and
that
his former books

Symon

from

The Golightlys

Mr

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Laurence

Father and

her fortune and the lady returns
the restaurant
where she confides
one
the customers
solicitor who promises
act for her
breach
promise action without knowing that the defendant
one
his clients
The baronet consults him
pacify the lady even
and the two endeavour
tually with success
Miss Amy Willard Mr
Spencer Geach and Mr Edward Leith are
the
to

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by

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book

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and the

the British
crown
Mrs Gaunt
book
illus
trated with 100 plates from photographs taken
herself
On February
Mr Martin Secker published

Mr

lady cashier coming into
unexpected
theatre
inheritance from
uncle abroad leaves her employ
spend her inheritance
ment and proceeds
the
appears
subsequently
Continent
that
money should have gone
nearer relative whose
death had been too hastily assumed
Meanwhile
the lady has become engaged
baronet who
promptly throws her over
learning the truth

.

.

,

a

.

,

.

in

“

is

, It

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Mary

Miss Edyth Latimer Miss Margaret Halstan Mr
William Haviland Mr James Hearn and Mr
Fay
one act play
The Lady Cashier
Paull was produced
the Coronet Theatre
February
preceding
Baby Mine
that

G

.

of

is

"

to

he

a

of

of

,

a

old woman

Alone
West
was published
Mr Werner Laurie
January
overland
Mrs Gaunt made
journey along the Gold Coast and then turned
inland
canoe
the little known Voltaa river
paths across the hilly country into
and thence
territory
Togo
the German
She visited the
sleeping sickness camp
Mount Klutow made
her way
Lome the capital and thence overland
territory once more
again
Keta
British
Sunyani
She next visited Ashanti and journeyed
which now
one
the richest possessions

.

Mrs
Africa

dear

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on

to of

of in

The third volume
Messis
Putnam
Song
Mauve Library
The End
simple tale of life
Jeannette Marks
little Welsh village
and the theme
the love
between the heroine
baby boy
hero

”

's

“

'sley

-

at

”

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of

.

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“

Yeats ' Morality “ The Hour Glass ," Father Adder
Epiphany
Twelfth Night
Interlude
and
Lady Gregory
Miracle Play
The Travelling
Man were the plays produced
The cast included

.

: a-

of

Leathart .
The new edition , which completes the
ninth thousand of the book , will be issued in the
form
the Homeland
Pocket Books
half
crown nett
Mr John Long will publish shortly new novel
Mr Charles Igglesden author
from the pen
Flutter with Fate
and several topographical
works
Kent
Clouds
the title
Mr
Igglesden
new novel which
describes the efforts
the son
tradesman
raise
farmhouse girl
the status that
himself holds Mr Igglesden
the course
the story gives the reader glimpses
historic spots
Kent

A

152

DRAMATIC

Mr John

,

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,

also writes
excellent intro
duction
her work
Several historians
hare
written accounts
this wonderful woman
One
grandsons wrote the life
Catherine
Jean
Médicis
and devoted several pages
this book
Spanish monk
the exploits
his ancestress
being exiled from
the historian
Burriel
his

of

.

.

résumé

1463 1509
une
Renaissance italienne
the famous
book
Pier
very cleverly compiled

,

.

.

B

,

:

,

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W

of

,

at

a

triple bill
The Morality Play Society presented
ast month
the Court Theatre when four perform
plays by
ances were given
Yeats the Ilon
Adderley
and Rev
and Lady Gregory
Mr

SFORZA

Pasolini
Marc Helys who

Desiderio
by

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CYATHERINE

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a

befriends
flower girl
broken down cabman and
alien interpreter
His efforts towards the
demption
these three
wasters
are not how
ever
successful
and the vagrancy problem
part remains unsolved
which they are
The
cast includes Mr Dennis Eadie
Miss Margaret
Morris
Mr Whitford Kane and Mr Wilfrid
an

PARIS NOTES

-

is
a

”

a

to

“

at

.

's

,

Galsworthy
new play
The Pigeon
was produced
the Royalty
Theatre last month
great hearted artist who hates
The Pigeon
eing suffer
consequence he
see
fellow

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The book
well written and the characters are
very true
life and excellently portrayed
Among pamphlets which should
extremely
interesting
the English
this juncture
one
Biard
Aunet Ministre plénipotentiaire
La Ligue
Libre Echange
Liberté com

writes

of

Aunet

.

which

on

-

is

Vice President
this
great authority
the subject
on

and

'

Biard

League

is
d
a

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merciale

,

as

a

touch

with her first born

he

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at

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home

.

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.
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in

,

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to ”,

as

be

delicate

child whom she adores and she and her husband
live their own life
Presently
new interest comes into her existence
She makes the acquaintance
certain Antoine
They are soon
very friendly terms
Bellême
and they discover that they have many ideas
common
As time goes
the two become
each other and just
the situation
becom
ing difficult Lucien Mirar dies
The lovers marry
and
after their marriage that the tragedy com
mences
After the birth
their child the mother
realises how much more her first born son
her
An estrangement gradually begins between the two
parents and when the younger child
feeling that
he
unwelcome member
the family leaves
each

is

to

.”

is
a

de

he

an

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of

by

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but none with

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in

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“

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of of

of

as
“

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.

quite

such

Renomée
Gaston Rageot
curious
and extremely complex psychological study
Lucien
literary celebrity
celebrity who makes
Mirar
copy
his various love affairs
His wife
charming woman who had married
the age
twenty and whose romance had been
very brief
one
At the time when the story opens she
quite reconciled
her lot and has accepted the
position
literary celebrity
the wife
She has

all

", ”, ", of

of

of

“

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“
“

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to

of

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Pierre Mille

been written

intuition and

by

as

of

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Caillou

La

M

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of

its

in

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IV “
.
IV ",
. "
”

,

Prisoner
War
She
Poison the Pope
Her
trial
Her Liberation after fourteen months
Prison
Her Struggles and Intrigues
recover
her States
The Education
her Youngest Son
The Last Years and Death
Catherine
The story
her youngest son
novel
itself
He was the greatest warrior
his times and
history
known
Jean des Bandes Noires
He was also called Foudre
Guerre
Grand
country
Diable and for the fame brought
Italia
1526
was wounded while fighting
amputation
and died
the result
the age
twenty eight
fascinating
The whole book will
found
any work
fiction
Catherine
attempt

and

a

, is

,

,

is

of

,

1

.

in

of

as
it

of

“
“
“

of

“

Family

.

as

.

of

of

,

have

Assassination
the Duke Milan
and his
Court
His Death
Splendour
and Misery
the Court
Forli
Intrigues
Lorenzo
Medicis
Assassination
Catherine
Husband
She and her Children
Triumph and
the Hands
the Assassins
Vengeance
Catherine
Her second Marriage
Her third Marriage
Catherine and the Borgia

accused

able

his character his tastes and his ideas
As time goes
he and Caillou find they have much
common and they confide
each other accord
ingly
Pierre Mille makes the acquaintance
the
among others
various friends
Caillou
Boulot

they surname
street Arab whom
syndicate
and for whom they form
may
later
order that
convalescent
very touching
home
The pathos
this chapter
Various books
the psychology
the child

families
The Italian edition
Caterina Sforza
two huge volumes and contains 435 documents
most
which had never before been published
splendidly illustrated
The work
and
one
the most complete accounts
existence
the Italy
that period
the policy
various States
and
the life intrigues and conspiracies
present
very rare
various Courts
The book
print and the blocks
out
the illustra
tions were destroyed
fire
Marc Helys
be congratulated
the clever way
which she
comparatively
has reduced this enormous work
giving
story
small edition
real life
interesting
any novel
The titles
the chapters give
idea
some
the subjects touched upon
The Court
Milan
Catherine engaged
the Nephew

Sixtus
Sixtus

first conversation with Caillou
From
this first conversa
understand something
the child

years

five

of

.

,

.

is

as

Italian woman
The Pasolini family
old
the Sforza family and they both came from the
same village
Count Pasolini has written many
historical works and has exceptional opportunities
for examining the private archives
various Italian

tion
soul

,

of

of

,

an

sidered

- bio
-

be a

-

as of

Catherine
Sforza
which may
con
authentic account
this celebrated

boy

“

a

.

graphy

Wehave the author
a

a

to

us

his

to

degree
idealise her character and deeds
such
that
work
does not give
correct idea
her
Towards the end of the nineteenth century
Count Pier Desiderio
Pasolini published

departure by this
talented writer . Up to the
present Pierre Mille is chiefly known for his clever
psychological studies of Frenchmen in the colonies .
We have already drawn attention to Barnavaux
very
exile
this new book
have
delicate and subtle pyschological study
child

in

for

country , took refuge at Forli , where he lived for
many years . He was the first to examine the
archives relating to Catherine Sforza , so that it is
to him we owe the first important biography
of
this heroine . His admiration
her caused him

153

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that
had been brought before the Court
plaintiff was the composer
song which

.

a

of

The
had

a

,

performance and
introduced into
dramatic
was undoubtedly
entitled
the protection
literary and
afforded
the statutes relating
dramatic rights
The defendants had not infringed
those statutory rights but the plaintiff claimed that
side
side with the statutory protection there
perpetual right
existed
common law
restrain
defendant company from making use
musical ideas which the plaintiff had made public
principle he could see no justification for that view
been

to

to

,

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to

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an

in

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claimed that
was entitled
com
ownership
mon law right
the composition and
that
could prevent anyone from using the work
his detriment
Mr Justice Joyce had held that
after publication
common law right existed
and dismissed the action
The Master
the Rolls
his judgment said
point
that
the appeal
raised
which
firmly settled
been
that
was surprised

.

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to

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right but

by

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carries
the business
manufacturers and sellers
gramophones had copied printed
transcribed
reproduction
the song for the purpose
means
gramophones
the company
The plaintiff did not rely upon any statutory copy

at

of

,

of

a

in

appeal from
decision
Mr Justice
action brought
Mr Lionel
Monckton
the well known composer who
claimed the exclusive right
make
authorise the
making
gramophone sheets for the performance
the song entitled
Moonstruck
the plaintiff
being the author
the words and the music
Feburary 1909
The song was first published
and the performing rights were assigned
George Edwardes
The defendant company which
Joyce

it

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facilitating
convention with Greece Chili and
other countries
Among the plays that have been given this reason
the various theatres are the following
Les
Brebis Perdus
three act piece
Gabriel

MONCKTON

the

to

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syndicate
the protection
intel
extremely active and has several
announce
The Franco Russian
Convention has been approved
the Chamber
Deputies and
the Senate
result
this
important group
the Moscow University has
signed
contract
with the publishers Armand
rights
Colin
for the translation
the Russian
language
geological work
Professor Haug
Arrangements are now being made with
view
an

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évy have won the case
Messrs Calmann
the
Court holds that there
sufficient difference
the
titles
the publication and also
the names
the authors published
these two firms
make
such mistakes unlikely
The French

Perrin

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season

1463 1509

GRAMOPHONE

,

.

opened

with
Night Dream
Midsummer
with the scenery
specially designed
Simas
and with
entirely fresh troupe
young actors
The plays
given
are
The Taming
the Shrew
The Merchant
Venice
The Tempest
and
The Merry Wives
Windsor
put
Camille
Sainte Croix also intends
the famous Russian piece
Boris Godounov
An action has been brought against Messrs
Fayard
Calmann Lévy
Messrs
The latter
claim
that the cheap books brought out
the
Nouvelle Collection Illustrée
are constantly being
bought
mistake for the
Modern Bibliothèque
published
Messrs Fayard

lectual property
brilliant victories

, M
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The

HALLARD

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Catherine Sforza

Caillou
Tili
Calmann Lévy
La Renomée
Calmann Lévy

Cawnpore

Shakes
the Athénée Theatre which has
his service
Abel Deval
being given
Thursday
every

matinée until May

M

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Camille

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play

four act
Cage

Sully
Paul Bourget writes
Art
Prud homme and the Comtesse
Courson
article

taken

Alfred Capus
Amour
three act piece
André
Lorde Funck Brentano and Jean Marsèle
parfait
Accord
three act comedy
Tristan Bernard and Michel Provins and
Bean
Mariage
three act comedy
Sacha Guitry

of

an

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à

veille

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four act play
Alfred Savoir and
Nozière from Dostoïevsky
Flambée
Mr Henry Kistemaeckers
Les Sauterelles
five
act play
Emile Fabre
Les Favorites

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The pamphlet is very clear .
The author first
explains the title of
pamphlet
He then shows
clearly the effects
protection and who benefits
protection
He gives some striking examples
protection and the maritime industries
He gives
protectionists and after
the objections raised
very brief summing
explains fully the object
presides
and
the League over which
La Revue Hebdomadaire
the Marquis
Ségur writes
interesting study
Edmond and
Jules
Goncourt and Jules Lemaître
series
articles
Chateaubriand
Fernand Laudet
biographical study
gives
Augustin
Cochin
extremely interest
and the Abbé Augustin Sicard
ing one
the
Grandes Abbayes
Grandes

a

154

-

�THE AUTHOR .

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a

.

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a

.

to

HARDY

HAROLD

in

in of
a

by

all

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them

Novelists may feel some alarm lest the chance selection
of a name for one of the characters in a novel may render
them liable for damages in a libel action brought by a
person whom they had no intention
to defame , and whose
existence may have been unknown to them . Clearly some
care is necessary in adapting names for imaginary characters ,
but the alarm of novelists may be exaggerated . There is
a distinction
between works of fiction and a newspaper
article purporting to describe an actual scene taking place
real life at seaside resort
character
novel
generally regarded as an imaginary
person whereas the
by
descriptive
mention
an individual
name
newspaper may reasonably
supposed
narrative
refer
real person
in
be a ,

their works by gramophones and other contrivances
of which sounds may be mechanically
reproduced .
Manufacturers
are required , under
the Act , to pay to the owner of the copyright by
way of royalties a certain percentage on the ordinary
retail selling price of
such contrivances
sold

by means

called

A

The Court of Appeal held that both on principle
and authority the judgment of Mr. Justice Joyce
was right , and the appeal was accordingly dismissed .
Under the new Copyright Act , of course , the law
is altered in this respect , and provision is made for
musical composers with regard to the production of

attention
to some alarm which was
by that decision among novelists and other
writers of fiction ; and the result of the recent libel
action illustrates and confirms the statement , which
was as follows :
case

caused

.

unheard ; he may show or recite it to his friends ;
he may deliver his lectures to students or allow his
MS. play to be acted on special terms , provided
always that the use to which he puts it does not
amount to publication ."

a

enjoyment so far as they are compatible with non publication .
All his rights at common law are
limited until publication when they cease . Before
publication
he may keep
his work unseen
or

in his evidence that he had never heard of
the plaintiff ; but it was contended on behalf of the
latter that the story referred to the plaintiff as a
vulgar person
upon
who imposed
women , an
adventurer who was in the habit of practising mean
and petty tricks.
The Lord Chief Justice , in his summing up ,
quoted from the judgment in the “ Artemus Jones "
case reported in the Author ( January , 1910 ) , and
pointed out that the jury must be satisfied , if they
found for the plaintiff , that a reader of the paper
would reasonably think that what was published
was a libel upon a real person .
The fact that the
name in the story was the same as the plaintiff 's
did not give a right of action .
It was only one
of the circumstances in the case .
that the article in the
I t may be remembered
dealing
with
the " Artemus Jones ”
Author
stated

in

Lordship referred to the cases dealing with
author' s proprietary rights at common law , and
he quoted from the judgment of Lord Justice Farwell in Mansell v. Valley Printing Company . In
that judgment Lord Justice Farwell said , “ Every
invasion of a right of property gives a cause of
action to the owner against the invader , whether
the invasion be intentional or not , and whether it
be innocent or malicious . . . . It is an incorporeal
right of property giving to the author the fullest
rights not only of exclusion , but also of actual

His

an

155

it

.

a

.

ACTION FOR LIBEL

as
a

,

in

The story
the Pall Mall Gazette was obviously
fiction and the jury very naturally took the view
that
reasonable reader would not regard
libel upon the plaintiff

HAROLD HARDY

STORY

.

NEWSPAPER

.

story entitled
which
Sad Affair
the Pall Mall Gazette has
was published
ridiculous libel action
been the subject
The
the defendant
verdict
which resulted
motor car
plaintiff
Mr George Charles Flanders
Hitchin claimed
engineer carrying
business
the pub
his reputation
damages for injury
the hero
which the name
the story
lication
George Flanders
bore the name
which the plaintiff
the story
The incident
Hyde Park
tea party
complained had reference

CASE

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LAW

TO

at

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authors
has been recently

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first
the Court the Tribunal Civil

best

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to

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on to

If,

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a

an

of

to
a

an

publisher the
author has delivered
view
historical work with
publish the
publication
bound
the publisher
the contrary
however
work without delay
When

manuscript

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decisions

French authors

PUBLISH

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decided

OBLIGATION

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PUBLISHER

of

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in

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where the hero having invited two ladies
had
the entertainment declared that
conclusion
guests
come out without any money and asked his
They provided the money
pay
his behalf
disgust
the tea and left their host
The story was purely fictitious and the author
to

FRENCH

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his case ; respecting which
makes the following

and won

the Gazette
Tribunaux
pertinent remarks

:

,

is

to to

he permits too long a period to elapse between the
delivery of the manuscript and the publication of
liable
find himself
the work the publisher
publish and
forbidden
the author the right
condemned
return the manuscript
Any statements which the publisher may propose
place upon the wrapper
upon the first page
respecting
composition and
the work
date

.
des

156

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POETRY REVIEW
By Darrell Figgis
The Lyric
Poetry
Notes
Arthur Lynch
By Ezra Pound
Prologomena

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with the History
France
and that the
Court held that there had not been
1896 any
the original agreement regarding that
annulment
publish the
work
1909 Lemerre prepared
History
France
Anatole France pointed
date and
out
out that the book was now
offered
then
opposed the publication
Lemerre
published
with
that the work should
the date
rvaders
announcement
original composition and statement
the author
this also
disapproral
its publication
He returned the
France objected
Anatole
000 francs took legal proceedings
inhibit the
,

be

,

to

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of

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In
a

as
an

of up

MAGAZINE CONTENTS

script
this history was
the volumes
the last
February
delivered
Lemerre
1882
On
Anatole
more than one occasion subsequently
with Lemerre about
France had disagreements
corre
the course
1906
books and
spondence respecting difficulties that had arisen
say nothing
Lemerre incidentally mentioned
two volumes for
France
about the History
000 francs and ought
which you have received
have you not yourself told me that
revise
which you delivered
the form
not publishable
unnecessary here
enter into
me
the arrangements ultimately made
details
say that they had nothing
1906 and will suffice

3 M

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publisher receives
work for publication
should publish
without delay even although
date for publication
has been fixed
the
author
the case reported the author explained
that
date had been fixed
advance
but
did
liberty
the refusal
the author
sanction the tardynot thence follow that the publisher was
publication
inoperative
and can neither take
choose the date and could postpone the publica
might
prejudicial
the place
the performance
the contract
tion until
time when
formerly
advantageous
made
between
the
author and the
instead
the author
The
publisher
general intention
nor prevent the injury done
the
the persons concerned which
author by tardy and inopportune publication
alone has here
considered was evidently that
The facts
the case are
follows
the work seeing that
was
historical work
published without delay
1869
Anatole France being then five and
should
The publisher
twenty entered into the employ
allowing
the publishing
had therefore
violated the contract
twenty seven
years
elapse before publication
house
Lemerre where he remained until 1878
manuscripts
reader
He received
small
When
the end
these twenty seven years
salary
publish
spite
and
addition
his other labours
desired
the author
dis
approval the statements which he proposed
prepared
order
for trifling remuneration
Subsequently he
place upon the wrapper
notices and prefaces
books
the first page could
published
with Lemerre
1873
Les Poèmes
not prevent the injury which would
done the
virtue
his
was therefore not
author
1876
Les Noces Corinthiennes
Dorés and
public
virtue
common justice
interest
moral right alone but
attracted
wide
works which
Preriously
tardy and
the termination
his engagement
that the author could oppose this
prepare
inopportune
publication
with Lemerre
was commissioned
These
are
conclusions
History
several works
which one was
accordance with justice and equity
1789 with
three volumes up
two
France
bringing the
table
additional chronological
publication
record
the date
The manu

When

�THE AUTHOR .
obtained
But the transaction should
competent agent
with the advice
the Society

of

.

,

managed by
Secretary

the

of a

be

SOCIETY .

THE

or

USE

TO

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157

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dramatic contract

plays

.

on

by
a in

.

of

a

of

can

.

price

-

a

proper

be

sometimes satisfactory

for

the performing right
This
unsatisfactory
An author who enters into
such
contract should stipulate
tbe contract
for production
the piece
certain date
and for proper publication
his name
the
play bills

of

Sale outright
is

(a
.)

or

There are three forms
more acts

three

of

.

:

.

it

Outright

,
if

is

1
.

This

It

2
.

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
manager
3
.

of

in

to

a

.

H

observed
few standing rules
agreement
dealing
There are four methods
with literary property

Selling

copyright

DRAMATIC AUTHORS

of an

TEVER

in
an

be

ITERE are

TO

so

;

THE PRODUCERS
BOOKS

.

TO

OF

transfer

.

£1

1s

.

is

to

.

or

,

.

9

WARNINGS

Always avoid

WARNINGS

.

. to

of

.

8

to

prevent authors from
Some agents endeavour
the Secretary
the Society
do some publishers
Members can make their own
deductions and act accordingly
per
The subscription
the Society
annum
£10 10s for life membership

referring matters

(3
).

.

or

be

,

is
a

.

in

of

.

,

.

The

agreement are combinations
All other forms
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements
letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature of common law right which cannot
denied
withheld
a

.

This

.

of

on

it

of

be

.

7

to

Many agents neglect
stamp agreements
must
done within fourteen days
first execution
Secretary will undertake
behalf
members

General

(
1
.)

.

.

of

to

,

to

to

consideration
the contracts with publishers submitted
them by literary agents and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society

Agreement

(2
.)

in

a

of

to

.

6

of be

literary
entered into with
No contract should
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not

Commission

The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

to

:

To

a

(
3
)

.

be

.

to

.

's

of

Prospectus

System

.

.

, as .

a

be

,

of

To

(
2
)

.

in

To

.

of

to

.

,

'

in

.

5

of

The Committee have arranged for the reception
agreements
members
and their preservation
fire
proof safe
regarded
The agreements will
course
confidential documents
be read only by the Secretary
who will keep the key
the safe
The Society now offers
possible action
stamp agreements
readiness for
keep agreements
upon them
enforce
payments due according
agreements
Fuller particu
lars
the Society
work can
obtained
the

The Royalty

perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible
approximately
for
author
ascertain
the
truth
From time
time very important figures connected
The Author
with royalties are published

IY
.

if

,

,

in

!f
,

,

of

no

4
.

of to of in

to

belonging
Remember always that
the Society
you are fighting the battles
you
other writers even
yourse
and that you are
direct benefit
are reaping
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer

(
1
)

(3
.)

,

for

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
signing any agreement whatever , send
3. Before
the document to the Society
examination

Profit Sharing Agreement
bad form
agreement
this case the following rules should be attended
pro
sign any agreement
Not
which the cost
part without the strictest investigation
duction forms
give the publisher the power
putting the
Not
charging for advertisements
profits into his own pocket
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for
Not
allow
office expenses
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
up
rights
Not give
serial
translation
Not bind yourself for future work
any publisher
yourself
any
well bind
for the future
one solicitor
doctor
As ( (
(4
6 5
). .) . .)

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher , or any dispute arising in the conduct of his
The
of his property .
or the administration
business
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member .
Moreover , where counsel ' s
,
opinion is favourable and the sanction of the Committee
is obtained , action will be taken on bebalf of the aggrieved
member , and all costs borne by the Society .

VERY

T

�THE AUTHOR .

( 6.) Sale of performing right or of a licence to
perform
on the basis of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent .
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages .
A fixed
date on or before which the play should be
performed .
( c.) Sale of performing right or of a licence to
perform
on the basis of royalties (i .e. , fixed
nightly fees ) . This method should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case.

DRAMATIC

authors should seek the advice of the
Society before putting
plays into the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual
claim to a percentage
on the author ' s fees
from it . As far as the placing of plays is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself . The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans.
action of frequent petty authorisations
with
different
individuals , and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; anu
in these ways the services of agents are real and valuable.
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights . In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

WARNINGS

7. Authors should remember that performing rights in a
copyright.
play are distinct from literary
A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable .
They should never be included in English
agreements
without the author obtaining a substantial

can be added to the warnings given for the
assistance
of producers
of books and dramatic
authors .
It must , however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
U

be carefully

STAMPING

or

's

to

,

.
in

. be

a .

is

,

of

it

. . ,

.

is

,

of

,

competence

and experience

The

.

to

REMITTANCES

only

.

of

to

by

be

or

,

be

,

letter

of
by

of

give notice
The Secretary
the Society begs
post
that all remittances are acknowledged
return
All remittances should
crossed Union
London and
Chancery
registered
Smith
Bank
Lane
sent
.

to

be

.

of

at

.

of

.

assist

by

of

its

its work

.

,

Readers are writers
fee
one guinea

or
a

.

.

23
.

of

at

,

a be

a

to

at

of

be

in

.

be

a

byof

to

D

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration
fee
two shillings and sixpence will
qualified assis
be carefully compared
the Secretary
stamped and returned
tant One copy will
the author
and the other filed
the register
Copies
the Society
any time by
the scenario thus filed may
obtained
the author only
typing
small charge
cover cost
Original Plays may also
filed subject
the same
play will
rules with the exception that
charged for
the price
6d per act

is

, on

CCENARIOS

6d

in

greatly

BRANCH

the Society
this
informing young writers
existence
Their MSS can
read and
composition
treated
treated by
coach
The term
MSS includes not only works
fiction
but poetry
possible under
and dramatic works
and when
special arrangement
technical and scientific works The
branch

.

.

is

EMBERS will
asof
a

AND

'

,

THE READING
M

SCENARIOS

OF

ORIGINAL PLAYS

of

its

The Society undertakes to stamp copies of music on
per 100
part
behalf of
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

M

REGISTRATION

.

MUSIC

,

should

of

collaboration

COMPOSERS .

.

for

MUSICAL

TO

ITTLE

T

consideration .

9. Agreements

AGENTS .

AND

RAMATIC

D

4, Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .
5 . Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important .
6 . Authors should not assign performing
rights, but
should grant a licence to perform . The legal distinction
is of great importance .

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts. those authors desirous of further information
are referred to the Secretary of the Society .

AUTHORS

.

158

�THE AUTHOR .
THE

OF

PUBLICATION
TION

in

of

to

be

,

in

,

to

,

a

in

a

:

as

,

to

as

It

.

,

as is

to

's

to

be

to

limit the
be very careful
given number
editions with
either
remainder
purchase the remainder stock
case the edition
not sold out within
years
reasonable time
limited number
the latter case the publisher should
restricted
the agreement from over rinting towards the
end
the term
the agreement for
some such
restriction
not inserted the publisher can make
the time limit practically
ineffective
over
printing the book
the last year
has been
publisher has the
decided
the Courts that
right
sell any stock which remains
hand after
the expiration
the term
at

a

,

of

Authors should

,

if

-p

of

It

on

a

in

.

in

by

,

is

of

position

the licence
hopeless

if

,

technical works

is

.

of of

the case

an

is

which mention

to

,

of

of

of

of

of

a

at

to

,

to to

dramatists

in

of

it

,

of

of

the list
similar
made above

.

of

In

be

a

,

a

is

licence
power
prices

in

-

to

a

A

Composers
MUSICAL
Sub Committee having
the consideration
view
now been formed with
the musical
matters affecting the interests
composers
has been decided
the society
the
this side
facilitate the working
order
composers
keep
list
society
the office

,

,
at

by

.

of

in

of

a

position
force shortly

In

.

SUB COMMITTEE

-

' '

MUSICAL COMPOSERS

in
a

for

to

in

a

.
.

this kind the licence still remains far
thought must
given
the
the new Copyright Act will come into

Especial

to

public entertainment

.

licensed

for

place

limitation
too wide

to

,

or

order

of

however , that it may be kept up to
who have since qualified to be
entered on the Dramatic Roll of the Society are
invited to advise the Secretary , accompanying their
application with particulars of the dramatic work
they have produced .
for
It may be mentioned that the qualification
inclusion in the list is the public representation of a
play otherwise than
for copyright purposes in a

In

date , those members

as

over 200 names

.

.

on the list

,

, .

were

invitation

of that

,

placed

.

to dramatists

a result

in to

to
produced .
The enquiry was made in order
facilitate the preparation of a list of dramatists in
to their receiving com
the Society , with a view
munications relating to the work of the Dramatic
Sub - Committee of the Society , and to other matters

As

LIMITA

THE

growing tendency
past
THERE has been
publishers the licence
grant
years for authors
copy
publish
the legal term
book form
may
right
leave
the
author
licence
Such
very difficult position
any rate
There should
the
which
the agreement
clause
print the agreement should
book goes out
terminated and all rights returned
the author
otherwise the author may find himself
the
having
position
buy back from the publisher
price
the publisher
curious how
licence
publish
book which
far
the publisher
concerned may have ceased
sell rises
value
purchaser
the author appears
but even with
to

SOME two years ago members of the Society were
invited to indicate , on a form which was despatched
( if any ) they had
to them , what dramatic work

of interest

BOOKS AND
THE LICENCE

a

.

be
a

SECTION

if is to at

THE DRAMATIC

OF

if

GENERAL NOTES .

159

.

S

,

's

.

-

,

.

,

:

of .

to

of

to

a

of

In

no

, as

, on

of

10

.

of

names
nominees could be received and
nominees were put forward by the members the
nominees
the committee are elected without
opposition

.

an

on

,

in .

to

,

to

so

of

in

in

fit

to

in

of

a an

.

of

.

as

,

of

.

.

ELECTION

.

COMMITTEE

.

-

of

-

's

in

of

of

if

of

of

In

Sub Committee but
the marketing
dramatic
the
literary wares differs
some respects
agreement has been modified
meet the special
literary agency
requirements
There has been
however but little alteration
the clauses the
main difference existing
the notes which the
place before the
committee have thought
warn them against possible
order
members
and

dangers

.

the January number
The Author
full
statement was given with reference
the election
Management
for
the Committee
members
the current vear
The names
the committee
nominees for that
election were Mrs Belloc Lowndes Mr Hesketh
Savire
Prichard
Mr Arthur Rackham and Dr
Sprigge
OJ882
February
was the last day
which the

author

is

THE LITERARY AGENCY AGREEMENT
another column
this issue we publish
by
agency agreement which has been
settled
special sub committee and approved by the Com
Management
mittee
This agency agreement has been based
agreement settled some time ago by the Dramatic

,

not limited

.

assist the secretary materially
they will inform him
this list
the compilation
any
which
publication
works
musical
the
they are the composers

Members will

�THE AUTHOR .

.

up
a

to

,

it

be

,

,

,

as

by

,

of

To

.

be

of

,

.

It

in

In .

of

,

be

ON

.
to

is

1

to

.

as

,

for
a

of If ,

)

a

(

in

,

,

of

in

in

to

.
, 68

of

to

be

,

or

of

is

it

2

.

of

lishing

be

.

,

be

.

an

to a

or

on

of

,

of

,

in

cheap book form then they should
future con
guarded and made the subject
ditions
The publisher should
course undertake
produce the work
before
certain date
This
the first importance
author
The latter part
this clause should
care
fully observed
An author reading this might

.

or

-

.

by

of

of

or

,
or

is

an

or

of

of

Clause
have the
throughout

is

of

.

a of

of

a

he

,

nothing

inadvisable that the publisher
producing the
exclusive right
work
the world
for the whole term
copyright
His right should
limited
the
publish the work
exclusive licence
book form
the price
the book being
novel
the
language
United Kingdom
the English
period
any
most five years certain
pub
other rights are given such
the right
should

at

(

.

of

to

it

,
to

there

said

to

to

,

,

in

,

or

"

as

be ,

of

,

it

of

or

of

,

or

)

of

to

of

on

or

in

THE AGREEMENT

Clause

of

.

to

,

of

to

of

or

by

“

to

no

in

is

COMMENTS
regard

With

at

.

,

( of

.

in

be

.

as In

-

-y

at

in

of

on

be

or

,

) 's
,

.

( ,
of sic
)

Haymarket, S. W.

The Author with some hints
difficulties that may arise out

before the readers
the probable

If

be

be

8

as

9
.

on

of

.

10

,

were other clauses
the documents which had been
suppressed and which would have put another com
plexion
the arguments
has been decided
therefore
that one agreement should be clearly set

.

to

of

or

of

.

of

of 71

on

a

to

,

of

.

on

,

a

.

6s
. of
i5
to
4
.
5
.

6
.
7
.

any difference shall arise between the author and
the publisher touching the meaning
this agreement
the rights
liabilities
the parties thereunder the same
one
two persons
referred
the arbitration
shall
named
each party
their umpire
accordance
with the provisions
the Arbitration
Act 1889
The term
Publisher through out this agreement shall
company for the time
include the person
be deemed
being carrying
the said John Long under
the business
any future style and the benefit
well its present
this
agreement shall be transmissible accordingly
The author guarantees
the publisher that the said
any existing
way whatever
violation
work
copyright and that
libellous
contains nothing
scandalous character and that
will indemnify the pub
proceedings
d
amages
lisher from all suits claims and
and
against
costs which may
made taken
incurred
infringement
ground
work
that the said
the
him
copyright
contains anything libellous
scandalous
That
the publisher undertaking
consideration
publishing the work herein before men
the entire risk
give the publisher the first refusal
tioned the author agrees
delivery
from
one month from date
the manu
script
producing and publishing
the exclusive right

12, 13, 14, Norris Street

There are in the bands of the society a good
many agreements between authors and Mr John
print
Long and
would be instructive perhaps
them
To do this however would take
great deal
space though
may yet
con
print abstracts
sidered necessary
these
agreements would not answer the same purpose
might
thought
the suspicious that there
,

of

,

all

:

all
.

:

below

day
OF AGREEMENT made this twelfth
MEMORANDUM
of May one thousand nine hundred and nine between
termed the author of the one part and John
hereinafter
Long of 12, 13 and 14 Norris Street , Haymarket, in the
County of London hereinafter termed the publisher , of the
other part , whereby it is mutually agreed between the
parties hereto for themselves and their respective executors
and assigns (or successors as the case may
administrators
be ) as follows
1. The publisher shall at his own expense produce and
publish the work written by the author and at present
entitled "
2. The publisher shall bave the exclusive right of pro
ducing and publishing
throughout
the work
the world .
The publisher shall have the entire control of the produc
publication
tion and
and sale and terms of sale of the work
and the author shall not during the continuance of this
agreement (without the written
consent of the publisher )
publish any abridgment translation or dramatised version of
the work .
3. All copies sold of the said work within twelve months
of the date of publication shall carry no royalty to the
copies sold after the expiration
author , but on
the first
twelve months after publication
the publisher agrees
royalty
accept
pay
the author and the author agrees
per cent
the nominal published price
sales
the
royalty
per cent
edition and
the nominal
published price
any cheaper edition
the sales
editions
paid
any copies given away
No royalties shall
for review
other purposes
the interests
the work
up
Account sales shall be made
half early
June
thirty
thirtieth
and December
first and delivered and
up
making
dates
settled within five months of those
accounts
thirteen copies shall
reckoned
twelve
accordance with trade usage
The publisher shall undertake
the expenses
the
proof corrections
£3 three
the extent
author
pounds
but should such expenses exceed this amount the
author shall refund such excess
the publisher

, on

Committee of the Society of Authors desire
draw
attention to the document printed

of

to

in 68. volume form , and if the publisher accepts all or any
of them , he agrees to pay to the author and the author agrees
to accept the following royalties .
( a ) A royalty of 15 per cent . of the nominal published
price on all copies sold of the English 68. edition , after the
sale of the first 750 copies of this particular 68. edition .
(b) A royalty of 71 per cent . of the nominal published
price on all copies sold of any cheaper edition or editions .
(c) A royalty of 50 per cent , of the net profits derived
from the sale of the American copyright (if any ) .
(d) A royalty of 50 per cent. of the net profits derivel
from the sale of the Foreign rights ( if any) .
11. The said three novels to be submitted to the publisher
shall be submitted
one at a time, and only after the
publication of the one previously accepted .
12. The whole of the previous clauses in this agreement
(except in respect of royalties ) shall be deemed to apply to
the three new novels , as well as to the novel mentioned in
the first part of the agreement .
13. In the event of any copies of any of the novels pro
vided for in this agreement , being sold as a remainder , that
is , when the demand for any such work has ceased, a
royalty shall be paid to the author, on any copies thus sold,
of two and a half per cent . (24 %) of the net sum receivel .
As witness the hands of the said parties
John LONG ,
Witness : W . H .

it

1

the author 's next three new novels , suitable for publication

to

HE

M

AGREEMENT .

as

REMARKABLE

A

it
.

160

�THE AUTHOR .

on

on

.

8

,

in

to

of

.

6 a

is

of

in

be .

be

,

of

a

.

to

.

a

is

of

.

It

a

a

of

is

. .

7

of

to

. or

is

of

would

is

he

.

case

be

which

it

still better not
no

its

worse
sign

to is

8

Clause
also unsatisfactory
An author
should agree
this clause only when
con
vinced that no change could possibly be for the

a

is

on

a

to

is

It

.

in

scope
Clause
too wide
doubt
publisher
publish
fair that
author causes
really
innocence
fiction what
libel
actual person the author and not the publisher
should suffer but both
libel and obscenity
blasphemy the publisher cannot con
sedition
tract out
such responsibilities
even
the author
any case where
consents
the attempt
damages and costs may
incurred
the pub
expense
lisher
the author
the author should
have some control over the amount spent
the
necessary defence
as
a

.

by

in

's

In

be .

if

,

,

to

as

;

to of or

at

,

of

,

,

1

.
63 5

.

.

. .

town reviews

1, 234

,

to

to

of

.

presentation
public libraries

, ,,

of :.

500

sales

.

licity which
the main safeguard
the author
and the publisher
alike where either party has
attempted
broken his contract
take unfair
advantage
the other

9
an is all
.

to

.
-

to

in

in

.

to it

,

in

.

its .

.

copies printed

„

author

„

To

June 30th

Statement

By number

above

as 12

Strong objection must
Clause
taken
very unsatisfactory
this clause
Arbitration
dealing with
legal contract
method
greatest
cumbersome
and expensive
The
publisher aroids the pub
objection
all
that

if

, of

's

In

.

,

-

a be

to

,

it

to

,

1910

.

.

Jan

1911

the

91

Clause
the amount allowed for correction
typewritten
not very generous but
these days
margin
copies
£3 may
sufficient

,

.

's ,

a

, ,

to

,

in

on

or

1st

July

1911

under

.

.

under

Clause 4 can pass without comment .
With regard to Clause
5 , articles have been
written in The Author on the question of thirteen
copies counting
as twelve , to which readers are
referred . It means that the author is to allow the
publisher
per cent discount
the royalties
copies sold though the publisher
allows this
purchasers only when they purchase
discount
quantities
dozen and upwards

in

a

to

is

of to

is be

it

in

as

In

a

of

account from Mr John Long
agreement tells
own story

48

samples
as

sold

.

at

.

of

in

;

a he

under such
clause the publisher and the author
rush
these days
interests are not the same
and hurry
occurs
the publishing business just
any other business that publishers want
put novelties
the market the output during the
last two
three years sufficiently proves this fact
consequence
quite likely
pay the
would
publisher better
push
new work into circula
keeping alive one
tion
than
use his efforts
against wbich time was fighting
Save
the case
very great success
drop
would pay him
the older book
order
make the way clear for
other publications
The appended statement

'

on hand

13 copies counting

,

is

,

so

A

an

.

of of

,

to

to

If

,

in be
a to

the first
year after publication would
give the publisher
minority
the book for nothing except
cases
give the publisher his work
the author desires
nothing
prevent him from
for nothing there
doing
but
that case he should execute deed
publisher not bound
gift
explain the effect
agreement
the author however ignorant the
author may
the present possibly
handsome
being asked
one that
make
Moreover

travellers

.
•
:.

.
.

Sales 1, 149 home edition
85 colonial edition
Sales from Jan . 3, 1910 to Jan . 2, 1911 –
1, 146 home edition )
bearing no royalty ..
85 colonial editionſ
Royalty 15 per cent . on 3 copies home edition , 28 . 8d ..
The sales in the first year were sufficient to com
pensate
the publisher amply for the cost of pro
duction ; he should have put a good profit into his
own pocket . In the first six months , after becom
ing entitled to royalties , the author obtained a total
remuneration of 2s . 8d , upon a 6s. book of which .
over
1, 200 copies were sold .

all

agreement

special

.. Stock
Leaving

In

in an

clause

,,
,,

all

a

.
,

colonial

is

of

effect

„,

to

the

for

,

Therefore

depriving the author of all royalties

To country reviews

an in

think , “ Well, I have only to write to the publisher
explaining the situation , should I get an offer for
the translation rights , or otherwise , and he will
give his consent ."
This supposition
would be
entirely wrong . As a general rule , the author
would find that if an offer was made him for the
translation rights and he applied to the publisher ,
the publisher would answer , “ I could not possibly
allow you to publish a translation unless you give
me 50 per cent. of the profits ," which , judging by
Clause 10 , is the course Mr. Long would take .
Clause 3 contains , however , the most serious
part of the agreement . All publishers assert that
the largest sales of a novel occur either on subscrip tion before publication , or within the first four
months after publication . Most publishers will
inform an author that a book is dead at the end of
six months , and all publishers
will inform an
author that the ordinary novel is dead at the end of
twelve months , unless for some special reason and it would be safe to say this does not occur once
out of 500 times — a book owes some larger
vitality to the position of the author or to the
occurrence
of some unforeseen
circumstance ,

161

�THE AUTHOR .

162

.

it

his is

.
to

do
,

to

as

of

con

in

by

of of to

,

,

or

;

.

AN

see

,

in

,

all

in

to

of

to the

to

,

to

,

in

(

.

.

is

if

,

is

,

.

's

at

be

in

.,

on

If

all of of

for

.

,

to

is

6s
.

at

.

.

!

.

8d

for

or ,

,

he

no

is

2s
.

in

.

no

.

is

.

.

no

,

as

.

on

no

a

do

of

of

.

,

in

,

1,

to

is

to

,

of

an

,

of

. for

.

an

of of

all
)

to

.

,

by

to

on

,

it

of be

,

!

or

,

in

to

,

on

.

.

,

to

be

,

be of

is

or

,

"

to

It

.

in

be

is

a be

"
a

of

set

“

,

up
,

,

a

,

is

to

.

It

as

as

.

,

an

.,

,

,

be

all

at

no

13
,

to

to
“

a

be

,

to

",

;

,

as

of

“

's

To

It

10

no

A

12

in

.

It

10

on

on

be 11

.

to

.

its

of by

,

to

of

no

.

,

it

's .

no

.

in

be

a

If

.

it

he

,

for

,

a

10

of

of

of

to

's

or

,

to

to

we of

-

or

of

,

by

to

no

;

in

, ,
.

do

of

of
he

of

on

;

be

,

at

.

50

If

by.

.

to

.

.

,

to

8d

of on

2s
.

to

,

in

,

for

go

,
if

is

It

if

as

to

no

,

of

'

,

as

;

be

a

did

Publishing
enterprise , especially in the case of
Clause 10 is a clause against which
authors
cannot be warned too strongly .
It is fatal for an
novels by beginners , doubtless contains a specu
author to bind himself to a publisher at fixed rateslative
element , but up to an edition of 1,500
copies , no novel which a publisher of any judg
for subsequent works, for it is impossible to tell
until the accounts of one book come in whether
ment would handle at his own expense runs
any serious risk
the terms for later works are fair or not . Under
of being left on his hands a
supposing
complete failure .
this agreement
the author s second
He should be able to push it
royalties
through mechanically
book
not reach
sale
750
that extent
further
paid
would
the second
book
was
therefore only beyond this point that the
successful
the first the author would receive
transaction
becomes speculative
and yet
practically
about £20 having made
the first book
this point that Mr Long asks
postpone any interest
With regard
other headings
this clause the
clients
their books
publisher should only have the right
publication
right
We
not question Mr John Long
any others that may
propose
book
form
certain prices and the date
the above terms
publication should
rigidly fixed
should not
occur
him
authors who must learn
take
per cent profits
any
take
the rights out
care
themselves
business
other people
may say that those who accept such terms
foreign
side whether they are American rights
but
rights
any
guilty
unprofessional
the outside rights are negotiated
are unquestionably
the publisher under
contract approved and
duct because they are accepting terms which would
signed
impossible
the author then the publisher should take
make
most novelists
live
per cent and
the agency charge
more
their profession
Further
the practice
other
publishers shows that
capable man
But with even the utmost correction
the author
letters
they are entered
favour that the nature
the clause admits
the
need submit
such contracts
Society
ignorance weakness
Authors would still advise
members
into
authors through
agree
publisher cannot retain
professional conscience
not
lack
his clients by satisfying them that they cannot do
prepared
better elsewhere
must
them
AGREEMENT FOR TEN NOVELS
elsewhere
agreement this time between
second
John
The criticism
Clauses
and
follows from
Long Ltd and
may
pointed out that
that
Clause
author needs some comment
many faults
contains
the first but
dates for publication being named
Clause
the
production
slightly different form
printed
the subsequent novels might
not
indefinitely
delayed
they are
when
be the
here but any member who desires
have further
applying
upon
author
next three novels
the position might
information
can
the
Secretary
given
reached that the author could earn nothing
the fullest details
the
permission
publisher should be
the author
Clause
With regard
years
allowed
remainder
book within three
Here the author binds himself
the publisher
from
the date
first publication
should
for nine subsequent novels making ten
distinctly
forth
the agremeent that when
and agrees not
write any novels for nor
print and
any other
book hasbeen
remaindered
out
offer any novels for publication
publisher than Long during
off the market the agreement should
cancelled
term
his agree
and the licences for publication
book form
ment
As the novels have
handed
the publisher each succeeding nine months from
otherwise should
returned
the author
agreement under which
sum
this
the date
the agreement this means that
nearly seven years the author
Mr Long
bound
indefinite time
the author would be working for
Long
pittance
nothing
Again
for
He receives
the
whilst Mr
can determine the agree
instance given above
the first
000 copies
ment after the publication
the first two books
get some
they
the first book
He might expect
not prove
financial success for him the
thing later but his second book
put
absolutely
the author has
such right
The author
market and the energies
the publisher may
bound
Mr Long option for nearly seven years
although he has no guarantee that John Long
switched off
the sale
this inasmuch
the
royalties
first 750 copies
this book bear
Ltd
will maintain their position
the pub
lishing world during that time
The third book and the fourth book might receive
the same treatment
There
reason why the
Mr Long does not merely take the right
publication
author who has signed this agreement should ever
book form but the exclusive right
publishing throughout the world
receive more than
each
four books
There
The terms
why the publisher
the books are published
the novels are the same
who can publish
reason
pay any royalties
any
when
likes should ever owe
the author
not
receive any royalty

�THE AUTHOR .
of them till after the sale of 900 copies , and then he
receives 2ů , in the shilling on the published price .
If the books are published at a lower price than 6s .
the author receives no royalty on the first 1, 500
copies , and afterwards 10 per cent. on the published
price .
The sale of 900 copies of a 6s. book
gives to the publisher a reasonable balance after
paying for the cost of production and advertise ments , so that when this number has been arrived
at there is no further necessity for the publisher to
push the book , if he thinks he can do better by

163

publisher
would
be getting , having been
or overpaid for the whole cost of production
and advertisements , half what the author receives ,
who has paid or overpaid the whole of the bill as
well as created the wares to be sold . To state ,
however , that a 6s. book sells right through at half
price is by no means a correct statement , 3s , 2d .
to 38 . 4d . is the average price .
The

paid

exerting

an of

in

is

of

.

to

OF

IS

IT

(

“

)

"

“

(

”
)

of

of

:

the term

of

to

to

mentioned

.

tions hereinafter

,

of

to

he

,

in

of of

of

.

1

The author hereby appoints
his sole agent
the
twelve months from the date
any
the
signing
this agreement for the sale
rights whatsoever and wheresoever
all the literary
bring
work that
desires
market during the
continuance
this agreement subject
the condi

for

perhaps the most important
NOTE
This clause
clause
the agreement
regard
twelve months the
the time limit
the
authors
Committee would draw the attention
agent
following points
unfair that
That whereas
working
connection for
should have all the trouble
author who could then terminate the agreement and
equally unfair
work
the agent
take advantage
agent for
long period
the author
bound
the
is

an

up
a

of

-

is

it

of

to ,

of

.

to

:-

to

if

a is

,
it

an 's

to

of

6d
. to

up

'

3s us
. ,, s

is

Agent

be

of be

to

a

is

.

a

6s
.

letter which nes
lies before
before us
usually
book

of

a

in

By

,

ls
.

.

no

.

to

on
a be is

,

of

a

,

28
.

as

in

so

or

of

.

calculations

the nett selling price

will

that

AS FOLLOWS

—

.

of

is

he

.

of

to

as

,

4

own

information

hereinafter called
The Author
and
hereinafter
called
The
AGREED
the other part WHEREBY

part

.

,

of

of

to

,

needed
Therefore
starts with all his cost
production
covered
and most probably with
sum
stipulation
£50
his pocket
there
copies
printed
the number
The
copy royalty
author gets
6s book
copies after which the royalty
000
Taking the higher figure the author receives 331
per cent
the published price
the publisher

Between
the one

in

in

or .

,

on

.

.,

£250
but he undertakes
advertise
the extent
£100
This
production
leaves him
£150
for the
cost
only
likely
further advertising
to

no

,

to

himself

as

ment

in

of

In

Mr

possession

accurate estimate
form
authors
agent status and capacity
day
MEMORANDUM
AGREEMENT made this
One
Thousand Nine Hundred
and

In

as in

the same
shown
the
clauses
the agreement printed
full
Long
another agreement
rather
John Long Ltd produces the book
the pay
are

which
enable

thereafter

all

and

sons with no qualification whatever or no financial
stability may style themselves agents . In all
cases enquiries should be made of the Society

's

,

on

.

on
a

.

9d

copies

,

3

000

The publisher wants
his next
fixed terms and
other matters

,

novels
provisions

, 15
.

to

up

.

on

six

the

to

.

a

.

3d

1s
. 68
.

edition
copy

50

,

all

advertisement , £50 when the work is set up in
type , and £25 from the author 's share of sales .
foreign and
He then transfers
the American
per cent
tbe publisher
serial rights
per copy
the English
He receives
basis

of

In another proposal from John Long , Ltd .
we have a variant of no greater promise to the
The author pays £175 - £100 on the
author .
signing of the agreement , which is to be spent in

.

The Committee desire to impress upon authors
that it is advisable that they should consult the
Authors ' Society before entrusting their business
to an agent .
There are good agents who are in
every way desirous of furthering the interests of
their clients ; but it must not be forgotten that per

to

.

PAYS

them

an

THE AUTHOR

A Sub - Committee of the Committee of Manage
ment of the Society of Authors has had under
be
the principles which should
consideration
observed in drawing up a fair agreement between
an author and a literary agent ; it will be seen
at once that the proposed agreement is closely
upon the lines of the dramatic agency agreement,
which has been found by dramatic authors to
meet many difficulties hitherto encountered by

of

sixpenny edition . With regard to the other proceeds
he claims, as before , 50 per cent . He inserts , as
we have said , a clause allowing him to repudiate
the agreement in case the first two novels are not a
financial success , but the author might see all his
ten books have a sale of 1, 000 copies each and not
be more than £50 in pocket as the total result of
seven years ' work with a total sale of 10 ,000 copies.

AGREEMENT .

AGENCY

,

Further , Mr. Long offers 2d . per copy on all the
Colonial sales and 15s . per 1, 000 on all sales of the

LITERARY

A

an

himself
elsewhere .
But if there is a
success , some 60 per cent . of the later profits go to
the publisher . And nine consecutive books are to
be published on these terms .

�THE AUTHOR .
,

of

by

he

,

to

£

of

in

.

to

In

of :-

.-

's

.

in

.

.

be

,

,

to

to

an

It

in

,

be

of

to

, be

's

,

to

is

to

in

,

an

to

at

,

of be

's ,

as
it of

.

of

,

in

by

,

at

be

.

an

.

--

an

of

in

,

as

, of

be

in

'

I.

to

.

7

in

.

by

of

.

5

,

,

of

no

as

in

in

of

of

be

on to

in

.'

in

to

to

.

be

of

to

of

to

his

-

:-

.

of

to

is

by

In

.-

, in

in on

as a

of ,

's

,

,

of

of

.

per

10

,

of

"

in

all

,

.,

,

on

to

of all

,

as

of etc

relating thereto within two weeks
the receipt
the same and shall bave the right
deductiny
commission
cent
from
such sums
accrue under any contracts arranged by him and
signed by the author during the continuance
this
agreement till the total commission
any such con

agency agreement the
NOTE
the question
especially advised against the insertion
author should
any agreement entered into between author and
clause
publisher whereby the agent authorised
the parties
the agreement
collect moneys and settle accounts
behalf
the author
The clause generally runs
the
following form
agent
The author hereby empowers
collect
money payable
and receive all sums
the author
under the term
this agreement and declares that
good and valid discharge
the agent receipt shall
persons
paying
all
such sums
them
The author
hereby authorises and empowers the publishers
treat
with his agents
his behalf
all matters concerning
agreement
any
way
this
whatsoever

a

by

on

of

by

to

.

4

is

to

hereby authorised
The agent
collect the
moneys due
any contract signed
the author
the author and negotiated
the agent during the
continuance
this agreement and shall deliver
moneys
respect
and when received by him
such contract together with
documents accounts

an

.

to

by

,

an

at

be

Upon the termination
this agreement
any
from
the causes set forth therein
save
set forth under Clause
when the special
arrangements
that clause set forth shall pre
vail the agent shall have
claim whatever upon
the author for any commission except
respect
contracts signed
the author prior
such
termination

time

as or

,
by

's

to

as

's

,

of

or

an

,

in

to

.

writing
8

so

.

,

and this agreement may forth with be terminated
writing without prejudice
notice
the author
right
bring
action for damages
otherwise
receipt
and
such notice the agent
right for
negotiating
agent for the author shall
end

may
the end
such period
decided
Clause
hereof either party
this agreement
may terminate the same by three months notice

,

as or

in

be

binding

At .

,

in

and no agreement shall

the author without his signature
Should the
agent violate this clause then any agreement
entered into by the agent shall be pull and void

on

of

,

by

or
a

, ;

personal relations
therefore
agent
the event
having
partner
partner with whom the author had
not transacted business the contract should determine
the death
that party with whom the author has had
dealings

of

on

for the author

to

, he

to

or

of

.

3

on

The agent shall not enter into agreements
any way bind the author
behalf
the author
but undertakes
agree
submit
him any offer
may succeed
ment which
obtaining
agent

the

of

or

or

s

'

any member

with his creditors
then
that case
liberty forth with
shall
notice
writing
terminate this agreement
Every contract with
NOTE
agent must involve close

the author

no

.

of ,

of

die

arrangement

,

to

this clause
and the author shall not himself during the continu
ance
this agreement
enter into any contract
without the knowledge
the agent

ment

agent

the

during the continuance of this agree
become bankrupt
enter into any

firm

to

, -

,

full informa

Should

or

.

6

,

to

conntries
furnish the

agent

in

in

obtain the fullest market
and undertakes
and when requested with
give effect
his efforts

all forms

-

his best endea

all

to

use

to

as

,

in

vours
and
author
tion

to

The agent undertakes

to as

2
.

.

of
a

,

,

in

to

, to

to

's
in

;

so

a

,

, .

any instance
Should the agent fail
carry
out the provisions
the foregoing clause this
agreement
right
far
deals with the agent
collect the moneys due shall
end and
the agent
and from the date
such failure and
default shall not be entitled
claim or deduct any
further sum by way
commission
as

a be

so

is

he

in

;

an

is

all

of of

running
through the years
copyright the agent
com
likely
mission
run into high figures the agent
remuneration
should be limited as suggested
this clause.
arranged between author and agent
sum
may however
importance
author that the
agent should continue
collect the moneys
and
that
case when the limit has been reached the Committee con
per cent shonld
charged for such collection
sider that
5

it
is
,

,

to

is ,
,
in

;

,
it

incurred
him
the course
his agency
under this agreement
regard
NOTE
this clause the Committee wonld
make the following remarks
Where under any contract

to
a

,

an It

.

in

be

an

,

to

's

expenses

,

,

.

to

If

or

in
a ,

as
a

tract amounts
and such commission
shall
be the sole remuneration
the agent and
sball
against the author for any
not have any claim

5
.

be

,

to .

, ,

of

,

a

an , of to

in

,

is

to

,

.

,

In or
or

's

for

agent ,
one reason
placing
another
unsuccessful
appears
the author
work
the author antagonistic
his best interests
some cases therefore
the term
twelve months might be an undesirable limit for the author
whereas
term
less than twelve months might
undesirable limit for the agent
Authors when entering
into these contracts will have
consider therefore what
time limit should be inserted
the author desires
reserve certain markets
these
markets
should
reserved
this clause
often
happens that
author has been dealing with
editor
publisher direct under amicable arrangements
and
therefore much more convenient and much more profit
able
the author
continue these negotiations
with
doing
future work
but
the author should
care
ful supposing he
negotiating with
publisher
for
book
reserved market that
not giving the publisher
any
rights
control over
the same work which are
the
agent hands the same advice applies
the author
negotiating with
editor
The Committee consider that
rule
advisable subject
the limitations the
might
specially
author
desire
make that the agent should
literary
output during the
have control
the author
continuance
the agency
otherwise the author and the
agent may come into con tict
the same markets and the
author may not only lose his price but also his chance
bargain

to

164

�THE AUTHOR .
of

(2
)
to

be

's

of

if

of

,

.

to

-

to to

is

of

, all

,

or

,

to

of

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or

,

of of

It

be

be

to

,

,

of

to

to

be

a

of

in

is

of

-

,

,

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of

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to

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,

to as

in

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it

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is

It

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it

to

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to

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1
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2
)

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)

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on

that they should

of

join

to

they

to

's

be

to

is

a

all

force

be in

-

of

to

is

he

it

it

he

;

composers realise the strength
united
will not only
able
resist the absurd
demands which have
the past been made upon
them
but they will
able
resist the demands
and when

a

,

of

in

,

of

,

,

;

,

a

to

-

is

it

,

of

of

Act
the reason however
not far
seek after
objects and
further perusal
the new society
rules for
would appear that when the composer
period
has joined
bound for
five
years
that
loses
control orer the governance

or

,

so

,

in

no

to

so

be

absolute control after the Act comes into force but
spite
any assign
also
that he has control
prior
ment
his copyright
the passing
the

of

,

to

to

a

It

.

lishers who have
interests
those rights should
anxious
see the composers
well and
strongly protected for
quite clear from the
Act
1911
that not only has the composer

formation
submitted
that
would
much
better
have called
the Society
Music Publishers
The authors and composers
could
added
small letters afterwards
timidity
composers have
Certain
their
necessary
belong
suggested
that
this
kept
society
and controlled
music pul
publish
lishers
otherwise they will refuse
pointed out
their works but
should
that
there are still some well known publishers whose
names are not printed
the document and
that
point was ever gained
timidity and cowardice
gather
Now
the real moment for the composers
together and
take strong steps
establish
sound
control over their own property Already
the past
year one
two publishers have come forward with the
treating composers
view
more equitable lines
is

.

is

of

all

; of of

all

in to

to

is

it

by

be

,

is

,

-

,

of

to

with papers referring
the British
Composers and Music Pub
Authors
lishers setting forward the objects with which the
society
founded
and the rules
which
proposed the society should
controlled
The objects for which the society
founded are
gain control over
the rights
the composers
reproductions
the mechanical
their works
under the Copyright Act
1911
maintain
pirates and infringers and
those rights against
collect the fees due
the composers from those
rights
seems
curious thing that the pub
Society

,

u

publish

have been
they

whom

of be by

houses

no

publishing

music

circularising the composers for

,

NYERTAIX

to

in

of

,

is

it

be

.

,

THE BRITISH
SOCIETY
AUTHORS
COMPOSERS AND MUSIC PUBLISHERS

of

OF

,

to

of

to

round there
not the name
one
one author
For many years the
Authors has been inveighing against
the demands that music publishers have made upon
composers
obtain the control
both
their
performing rights and their publishing rights
and
not surprising therefore
see the suggestions
set out
the rules and objects
the British Society
Composers and Music Publishers
Authors
would
well also
this newly formed society
change
prevent
took steps
name not only
confusion with other societies already established
give the public
but
order
better idea
purposes and
the persons who are going
benefit
sent

composer
Society

.

.

to

,

as
is in

.

to

is

in

,

.

to

be

is

,

it

,
it be

in

,

to

,

-

by

circular

or

to

”, be
.

to

in of

at

."

of

is

If

It

.

is

clauses are sound and reliable there ought
society
little need
this kind and the
composer ought
able
collect his own fees
and guard
his
own interests
without much
difficulty
That the music publishers are entirely
favour
obtaining one third
what
the property of
special labour and
any
the composers without
quite clear
without any raluable consideration
the fact that seventeen
music publishing
firms
have already subscribed the rules and have shown
support this society
their readiness
which
conveys
them
one third
the fees
On the

of

of

or

,

"

,

,

be

to

is "

,

In

to

of

regard
the clause the Committee
the first part
consider that the extreme danger mentioned might
avoided by adding after the words
such sums
them
provided however that the termination
the words
this
governed by clauses contained
authority
the
day
present
existing
contract dated
and
between the author and the agent
the clause unaltered
admitted into the agreement
possible that all the
between author and publisher
precautions taken
the Agency Agreement may
nulli
strongly
impressed upon
fied
cannot therefore
too
important
the author how
that this clause should not
be allowed
stand
the agreement between the author
publisher
and
and thus become irrevocable
The danger
many modern agreements
increased ten fold when
agents the author
settled
bound
the publisher for
future books
He then becomes similarly bound
the
agent under this clause

his own property with the exception
the right
stating
whether
not he forbids the adapta
tion
his work
mechanical instruments and
not he forbids cuts and alterations and
whether
collecting the fees have
that after
the expenses
give one third
been covered he
the publisher
gauge what will
may
difficult
needed
rules
Trade
the Board
cover expenses but
royalty under the gramophone
for the payment

.

to

it

.

,

to

,

a

of

,

the

except under
allowed
some modification
as suggested
below . Members are referred to an article that appeared
( 1906) number of The Author bearing on
in the November
the subject .
In no case should the words from “ The Author " down
to " in any way whatsoever " be allowed to stand , for this
reason if for no other . If any dispute arose between the
put
publisher and
became necessary
author and
lawyer
the matter into the hands
the Society
Authors endless confusion and circumlocution
would
result owing
the fact that all the matters would have
pass first through the hands of the agent

of

Sometimes the terms are more stringent, sometimes a
little less stringent , but in no case should the clause be

165

society

whose organisation

�THE AUTHOR .

as

to

of

of of

,

of

. to

it

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.

.

OF

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in

's

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in
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of

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in to

of

to

to

or

of

in

of

to

at

Co
.

CHAPPELL

&amp;

.,

,

&amp;
c

."

.

20

Feb

.

Bond Street

,

,

50

New

his

be

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19

February
1912
SIR
The attention
the Society
Authors has been
called
circular issued by certain music publishers
the Society and
members
doubt
others inviting
composers
join the British Society
them
Authors
Composers and Music Publishers
One
the objects
this proposed Society
deal with the rights
mem
bers
the reproduction
works by mechanical instruments
propagate and obtain recognition
and another
the
rights are
basic moral principle upon which all author
founded
recognised by the composers
This moral principle
and the authors giving one third
their fees
the pub
proposed
lishers for article
the
rules runs
follows
All royalties and fees collected
behalf
the members
shall be divided amongst the respective authors composers
publishers
and
the works
thirds after deduction
the
collection
all working expenses and expenses
purely
case
musical works where there
author
words two thirds will
the composer and one third
the publisher
The rules have already been subscribed
seventeen
composers names
music publishing houses
No authors
appear
the circular
-

of

of

AND

.

of

to

by

Sir
G ,
.

am
,

it

,

COMPOSERS

a
"

on

a

,

to

,

I

.

to

Authors for protection and not
the question
their rights
mechanical instrument records omits
note one
two
vital facts
Although the new Act very properly gives
authors and
composers
exclusive right
the new form
artistic
property created
lispute that the sale
has never been
gravely
prejudices
mechanical
instrument
records
printed copies
doing directly
sale
music
and by
profit
publisher
affects the
the
entitled
make
reascn
his enterprise and the outlay
his capital
gramophone
no circumstances are
records made
works
until the publisher has first discovered them and spent
making them popular
money
And are these efforts
count for nothing
Meanwhile what has the Society
Authors really done
popular music
for the composers
this country
protect them from
has never moved hand
foot
depredations
the music pirate
was left
the efforts
fight day and
one
two music publishing houses
night and
spend thousands
pounds
preserve any
vestige
property
musical composition
this country
at all
The Society
Authors has not been any more
obtaining
successful
for the composer under thenew
Copyright Act what
his undoubted right the privilege
dispose
his musical work
his own terms
matter
published
what form
With the exception
Mr
Society
composers
serving
Howard Talbot the
list
single
their Musical Committee does not contain
name
popular music and
would be interesting
writer
many
composers
know
how
such
are included
the
membership
the Society
Society
something
practically
First
the
Authors
quite time
will
music and then
useful for the cause
Thring
for Mr
dictate
those who have stood
the
head
the battle and borne all the expense what are
proper moral basic principles
views
Yours
?

.

to

AUTHORS

PUBLISHERS

.
I,

or

be

to

7
(c
)

.

-

in

of

on

,

SOCIETY
MUSIC

.

BRITISH

,

in

,

THE

the Editor was unable
find
the Morning Post last month

-

in
a

2
(d
)

of

19 ." or
,
in

.

",
of

the Society
publishers

of

.II
for which
appeared

room

OF

1

of

M

following
correspondence
with the ex
ception
the last letter from the Society

of

be

of

;
"

.

-

.
1,

as

Herbert
morning

an

.

HE

Authors

AND PUBLISHERS

.

were laid

,

of

of

5

.

:

*

of -,
fly
TO

of

to

to

of

and Music Publishers

Composers

to

by"

.

on

-

a

is

,

,

Authors

before us

Society

THE MORNING POST
Thring
your
letter appearing
which
claims that composers

THE EDITOR

SIR
Mr
issue
this
should
be misled by

HERBERT THRING

The Incorporated

COMPOSERS

well known axiom that the Government
has the privilege
tax one class for the benefit
another but we have never known this right
exist independently
Government authority until
the rules and objects of the British Society of
It

Secretary

not have

he

should

,

why the music publishers
formed the society
this basis

reason

no

is

.

-

to

,

to

,

01

uon and manage their own collection
Tees paymg
give
their own expenses without being bound
There
the music publishers
one third

of

-

be

a

to

by

is

no

,

,

if

able for both authors and composers
the music
publishers had been dropped out entirely and there
why such
society should not
reason
formed
which the composers should control their
own rights with regard
mechanical reproduc

;

.

at

a

,

a

—

no of

be

to

on

,

to

,

in

-

as

and as
the words are concerned
after
entirely
songs
small point except
the case
the authors there seems
reason why the
publishers should be
the committee
all
society might have been very valu
Indeed such

Sect
the Copyright Act
1911 sub sect
says
The author
the work shall
the first owner
the
copyright therein
copyright
and sect
sub sect
defines
musical
work
the sole right
make any record perforated roll
other contrivance
mechanically per
means
which the work may
formed
delivered and
authorise any such acts
aforesaid
specially confirms these rights
Sect
sub sect
composers
reproduced before
their works mechanically
any assignment made before the passing
spite
the Act
the Act
Sufficient cause has been shown for warning composers
Society founded
against joining
such
basic moral
principle
and we trust that no composer will sign the
consulting
documents submitted
him without
with the
Society
Composers
Authors and its Committee
Society
assuming
The new
the title
the British
Society
Composers and Music Publishers may
Authors
possibly lead
confusion between
and the Society
Authors
the title should be altered
the Society
Composers and Authors
Music Publishers
yours faithfully

.

all

far

compels them to hand over to the music publishers
one- third of those fees which are their own .
In order that it may be quite
clear that the
society shall be managed
inequitable
on these
principles , the committee is to consist of six com posers and
authors and six publishers . As the
property which is to be controlled belongs , as far as
as
the music is concerned , entirely to the composers ,

of

166

�THE AUTHOR .
AND PUBLISHERS .

COMPOSERS

SIR , - Messrs . Chappell
&amp; Co . 's letter diverts attention
from the points at issue by raising wholly irrelevant matters.
The contention of the Society of Authors is that the pub
lishers of musical works have no right to claim a share of
the gramophone fees of composers , and that a Society to
assist them to make such a claim should not be wanted by
anyone except the music publishers . It is clearly the
purport of the Act that these fees should be taken out of
the hands of the publishers , for under sect . 19, referred
to in my former letter , in spite of assignment of copyright

167

emotions , the critical faculty has been but rarely
displayed ; at best , there is a bad record behind it .
Time, we know , has a knack of adjusting every
thing and of evening up the balance ; yet , how
often for a period has the wrong man been set up
upon a pedestal , and how seldom
has real genius
been recognised at a glance . Just think of the
life story of Galileo and of Newton , of Turner and
of Whistler , of Wagner and of Tschaikowsky : and
of

-

at to

of

or -

to

a
in it .
is

to

is

of

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,

it

.

,

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.

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in

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in

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,

so it

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,

So

.

to

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it

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it

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its

it
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a

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in

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us

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-d

to

an

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of

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be

to

the

's

,

in he

of

primarily

be so

is

,

.

is

on

;

,

all

.

in

,
of

or

to

the intellect

the

the happenings around
last week and
yesterday and
ay
always
get
grip upon
easier
idea which fits
with
our own associations and habits
urn then
the modern newspaper
and
seeing that the production
new novel
new play occurs oftener than once
blue moon
amusing and
the critic work can
tested
to

,

in

of

to

as

so

in

,

appeal primarily

the critic
the things which

speak

Art

noting

this week

,

he

it

a

,

of

or .

the critic

time and education
comprehension

turns
the critics what less can
those who presumably are more fitted

;

if

,

”,

is as

,

of

.

to

be

a

- at

a

,

is

to

”

as
“

“

,

,

he

to

,

For whether we

time

arrive

measure and appreciate and
the early stages
takes their teaching
for the truth and gravely
swallows
That
the simple and undeniable
responsi
fact
and criticism may not burke
bility
for better
for worse
carries
unmistakable
influence
the
clearer view
But we may perhaps gain
bringing
apparent lack
the critical faculty
nearer
our own doorstep by
the investigation

T

no he

?

do

.

(

would seem nevertheless that
had
been led astray by appearances and that he had
jumped
wrong conclusion when
finding
small outward evidence
the critical faculty he
decided forthwith that
intents and purposes
the critical faculty did not exist
Of course
far
his observation went
was right
Science

of at in

in

,

.

of

.

Schopenbauer roundly asserted
that
for the most part there
such thing
the critical faculty
he
committed himself surely
statement which
any rate
not wholly inaccurate
reckoned
little better than
half truth
Clear thinker
though
men and
was and close observer

manners

reqnires

enable
meanwhile

CRITICISM

, in

-

,

of

of

.

,

G

AND

HEN

did

,

,

-

,

,

of

of

.

,

of

to

on

)

,

public

CRITICS

!

-

a

,

on

is

it

a

am
,
(S

I

of

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to

.

on

to

to

;

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in in
a

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a

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St
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is

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.

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,

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,

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To

of

is

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of

of

.

in

to

in .

of

be

the

gramophone fees are
before the Act comes into force ,
this
name but
tithe
those whom
the
the absolute property
the composer
Had the Govern
critics failed
discover
ment intended the publishers
share
these gramophone
Tschaikowsky
for
interest
take some
rights they would not have inserted this special reservation
example
more
less
detail
met
the begin
the Bill
Indeed Mr William Boosey who
connected
Thening with but one man who understood
with the firm
Messrs Chappell
letter
May 4th 1911 wrote
Times
follows
Nicholas Rubinstein
Anton
Rubinstein
the
dispose
the final gramophone red erring
that
pianist and that clique
celebrated
minor
publishers
composers
reap
the
and not the
who will
the
composers who formed musical opinion
right let the new Act
the
benefit
this new statutory
po price
right
explicitly
that day would have him
shall
Russia
that the said
Parliament enact
cases
the property
the composer
Some
them
not Anton Rubinstein
believe
have receded from that
Co appear
Messrs Chappell
wrote for the Press
These were the critics whose
position when advocating the formation
The Society
duty
distinguish between good and bad
was
British Authors Composers and Music Publishers
intelligently
and
Apart from the intention
did they do this
whole
the Legislature however
clearly
heartedly did they condemn Tschaikowsky
there
reason why the composer should share
that
the gramophone fees with the music publisher
The book
Petersburg and
both
Paris he suffered
publisher might just
well demand
share the author
hearing his works first
the bitter mortification
magazine
fees from the dramatic rights
the editor
played and then
which
work has been published serially ask
have
hissed
And mark you works
royalty
share
the author
book publication
delighting
enrapturing
which are now
and
the
Messrs Chappell
Co refer
the advantage which the
entire musical world works which
modern judg
composer gains by having his work placed
the market
ment are ear marked for immortality
recognise that
but
not seem
the composer who
given the publisher
But maybe you will have
that this was
marketable commodity
Music publishers are publishers
music
not patrons
fault
the critics that the public
the real
they
music
are not entitled
judge and settles the matter for itself
control the property
the
Well
composer
every way because they may be his agents for
does
course
the long run
and
putting
certain form
the market
passing
yours faithfully
remarked
the long run
bas made
igned
few mistakes
HERBERT THRING
But
the beginning
does not
Secretary
Incorporated Society
Authors
judge
questions
this sort because
cannot
judge
genius
always
stages ahead
and the

�THE AUTHOR .
for

.

in

is

is

,

of

;

in

,

of

.

-

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no

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,

fit

,

to

,

to

,

is

.

so

to

,

.

It

is

,
, it

. of

it

it

is

a

in

or

,

on

,

,

-

a

of

.

It

,

his

if

.”

;

,

equally

!

—

temptation
also happen
And speaking

,

it
?

,

the

no .

down

,

Then why not
but the
Dishonest
doubt
strong and anyway
these things

undeserved
kick
let them have

is

hill

with

an

up

get along
nicely
very
the one can
and the other with
undeserved leg

an

of

a

,

us
;

brings

reminder

.

temptation

a

of

-

."
in

,

-

a

,

critics have their friends and enemies like
personal point
and from
view

.

of

a

of

In

of

—

,

a

,

?

a

.

Then
the rest

,

be

is

is

-

,
“

,

of

do

we admit that the critic has some
job there are still reasons why
talent should not disclose itself
for example
wholly unheard
thing for critic
not
write
order
Editors are human and therefore
peccable
hence
business world where one
get out
not surprising
must either get
may be
find the best
however diegraceful
reviews going the way
the publishing firms
who advertise most largely
not always
happens
course but
even

aptitude for his

of

to
or

,

so

,

he

as

did

,

by

,

of

.

,

in

.

,

as in
it

a

.

?

.

, ,

a

, as

,

.

,

no

is

-

, ,

is
a

its

a

in

is

of

-

-

to by
to
no
in

-

a

-

to

up

be

,

.

to

,

England alone
exist
men
all too small unluckily
there
band
number who have proved themselves over and
good work done
virtue
over again and who
have reached that pinnacle whence they may issue
dictum wbich without hesitation the public may
and does accept
These few
such
few
have

that first class critics

But

,

-

in

it

-t

in

to

up ,

is
a

-

it

be

is

of

in of

critical faculty
What wonder then that Schopen
hauer took things
found them and jumped
hastily
the conclusion that
for the most part
the critical faculty
not exist
Now
there
shade
shadow
doubt

.

-

,

;

,

in

,

in

,

,

,

in it it
is
or

should
that scmewhere there
weak
the chain
For whether we study the
present
the past the same short coming obtrudes
upon the notice the same apparent absence
the

matters
there are many who could do
This
man however could not his limitations made that
just
impossible
ordinary
he was
fact
reporter
scribbler
shorthand notes lacking not
only
artistic education and experience but most
woefully
any knowledge
the technique
typical
subjects
And this
much criticism
things
say that
must
and
the nature
For quite apart from the fact that cheap
newspaper production
criticism implies economy
influence
course
with
editors and
managers
there
the further fact that those men
greater parts those whose qualifications would
more especially
them for the task
are
rale
indisposed
follow the calling
critic
These
occupied
for themost part wemay well believe
rather
creative work
80

or ,

,

,

or —

of

,

in lie

a

in

, .

!

-

It

what
link

circumstances
For instance
know
estimable gentleman who served
this
few
years back
the staff
well known provincial
newspaper and who delivered judgment impartially
and weightily
music literature lawn tennis and
prize fighting
Now
course
there
con
ceivable reason why
individual should not
speak
competent
all these
with authority
force

very

an

,

in

is

in

.

It

;

it

,

in

treatment some unlooked for develop
when some
his Art
the technique
proclaims
discovery
scientist
new
then
the
public must
they cannot under
low and wait
story elling
stand
But
fiction
romance
why they have been brought
from
the
nursery
Every man woman and child
this
every other country
country and
there
no
getting away from
born critic
romance
How then when the professional critics think one
way and the public decides another
may we not
well beliere the critics
be wrong
Yet the
opinion
difference
means unusual
lengthy
easy
would
write down
catalogue
critical errors
science and
art
give them
detail
task
offensive
would
certainly be ungrateful and filling
volume
perhaps many volumes with the result
establish
the proposition
the hilt
But quite apart
from
what has just been said and what might
said
common knowledge that criticism
not

necessary
enquire whether
But
this
evidence has really any bearing
the case
purposeless
talk unless one talks
the point
and here
think we shall find that this army
incompetents
too mild description
are
way pertinent
the argument
things
begin with the very nature
such
any way represent the
that these men cannot
critical faculty which does exist they are merely
fish out
water pitchforked into criticism through

of

,

,
its

,

of

;

,

-

on

,

of

is

.

,
it

conception

ment

and deservedly so.
The others
— are
the evidence

majority

a

,

of .
or

;

an is

be

,

judgment when once
understands and
this
event
does understand
another matter
obviously when some genius
music sculpture
painting evolves unexpectedly some wholly fresh

,

place

Schopenhauer

to

to

to

,

a

of

a

is

a

or

as

is

in

.

,
,

is

to

,

,

-us

A

meets with the cold shoulder
another play
another novel
crabbed from the commencement
but achieves
immediate success and
within
the limited period which
with rare exceptions
any romance
must
reckoned the life
lives
successfully
Here
food for thought
for the
public we know has proved the soundness

their
the huge

earned

“

breakfast occupation on three mornings
We may pass over the fact that
disagreement
common amongst the authorities
say there are two sides
every
for needless
question and men can show
discernment
and
intelligence
and yet disagree
What concerns
more
when the critics are
solid agreement
solidly agree
and when the public just
differ
play
novel
hailed with
flourish
journalistic praise yet
trumpets and
chorus
instructive

out of four .

of

168

�THE AUTHOR .

the goal , seeing that this must surely
then can any man doubt , with the
facts before him , that the critical faculty , hide it
and crush it how you will, must nevertheless be
common enough ? And not only common but in
a state of very special cultivation .
reaching

be inevitable ,

ARCHIBALD

be

of

a

,

of

be

to

of

a

,

in

by

of

its

of

it

is

.

In

of in

,

in

to

is in

it

is “

",

in to

of

1

of

,

in

,

at

,

by

,

a

of

,

a

of

of

, to

.

a

,

,

it

,

us

be

to

),

in

(

1

in

"

“

.

as
to ;

by

at

,

of so be

to

of

,

by

is

,

Mr MacGillivray

.

by

is

,

as

of

by

,

,

in

.

of

õs
,

, .

lawJ

.

: of

.

in

A

",
.” "

.

.

at
- E
.

,

of

of

.

“

.

,

,

of

."

,

of

.B
.,

he

, ,

M

of

,
for

;

's

is

it

shown

The Copyright Act 1911
Annotated with Appendix
by
containing
Berne
the Revised Convention
MacGillivray LL
the Inner Temple barrister
Scotland
Advocates
the Faculty
and member
Digest
Copyright
the Law
The Law
Author
Copyright and
Insurance Law
London
Stevens
Pp 209
and Sons Limited
1912
Price
net

,

no

in

be
to

of

for
,

,

in

to

,

,

of .

many and varied

”,

is
or to

.

,

,

he

.
in

the date mentioned and
prolongation
The representatives
particular
and those who hold
deceased artists
their copyrights should realise that they are among
the prolonged term
the most conspicuous gainers
existing rights affected will be
but the owners
existence

in

-

in

to

; -

be

.

still

capable

of
"

in

.

.

a

of

a

is

,

in

,

of

an

is

existing law
the section the comment upon
and
the existing law being distinguished
the note
by different types
existing
that
law reminds
The expression
the United
the Act will not come into force
Kingdom until July
unless some earlier date
fixed
Order
Council and that consequently
ample time for some
they
there
consider how
will deal with valuable rights prolonged
the Act
some instances
settle the question
more
pressing importance
whether such rights will

,

,
a

,

to

,

an

of

an

is

of

.

It

.

in

,

he

,

to

but

effected
the Act
table
contents the Act
itself printed section
section
with notes the
Revised Convention
Berne signed
Berlin
carefully compiled index
November 1908
and
The notes referred
follow immediately the sections
which they refer and consist
comment upon
summary
the
followed by
the preceding section

'

for

“

,

.

it

”

's
to

in

,

,

of

the conditions under which the critic abilities
are developed
And seeing that
not possible
train humanity
one direction without many

convenient
works
class and consists
short introduction
which
includes
brief
informing summary
the principal changes

to

,

do

in

.

,

,

of

be

nothing narrow minded about him
fads
preconceived
ideas
will concede
art that
beauty may exist which has few charms
him
have found the
science
he will reckon
and
truth when once the truth has been demonstrated
then and not before
And finally
his formed
opinion
will
honest and courageous
plays the part
counsellor guide and friend and
however interesting his criticisms may
himself
they are not for himself
criticism and
the needs
outline
Such

new

in

be

it

it

do

of

so

,

then
far
general
may

in

of

:

as

has gone seems
said that the
right men
not enter the lists and
some
particular
critics
that they
not play the
game
But this does not prove that
the
most part
the critical faculty
does not exist
merely that
does not disclose itself
anyone who gives the matter
And indeed
moment
serious thought must see that the
critical faculty not only exists but must more
great profusion
ever exist
The whole tendency
higher
age
the time leads that way
age
education
and
marked refinement
wbich we are taught
consider and analyse and
always
look sympathetically
on our fellow men
The
critic
And these are the qualifications
simply
philosopher
true critic
fact
one
the firm faith that
who searches for the truth
every question
there are two sides
There

,

The argument
clear
critics

upon the provisions
Copyright Act may safely
lawyers
commended
the notice not only
but
authors
the wide sense
which the
all whose
used
the first section and
term
business
deal
their productions
usually found most
form
follows that which

or

To

else

commentary

concise

the

*
"

is

—

can

HIS

of

it
.

.

wound
nothing

,

there

1911 . *

a
it

it
;

,

as it
a

,

.

of

be

regretted

it
.

for

be

,

,
so

at

things and the inevitable

best only

.

DUNN

is

A

.

,

's

is

to

,

—

at

,

no

scoundrel
doubt who lets the thought enter his
yet some have done
for
the crisis
head
own bread and butter
hand over one
hard
and stand by starving whilst another eats
Pity indeed that the picture should thus paint
sordidly
helped
itself
But
cannot
reach
the truth means
rule cutting deep into

the heart

ACT ,

THE COPYRIGHT

for

It recalls a class of critics who , in some respects ,
may be said to stand in a category by themselves I mean the critics of technical work .
These
they
reviewers , by the conditions
under which
write , are apt to meet with a temptation quite
beyond the ordinary .
They are, of course , experts
--that is essential ; and , if expert , then it will
happen often that they , too , will have written books
on the very subject of discussion - for , that is the
way with specialists .
How , then , when a fresh
competitor enters the field ?
In a land of milk and
honey and plenty of it , the suggestion might pass
unbeeded ; but in the kingdom of literature there
is no milk and honey - except
the chosen few
and precious little bread and butter
man

169

�THE AUTHOR .

,

to

nis

of

of

a

in

so

to

,

of

.

as

,

of

of

be

to

,

of

form

.
16
, be . in

exposition

less drastic

Geo

c

.5

1
&amp;
2

in

MacGillivray

11

Mr

section

of of

refer

the much

in

of
do so
"

in

.

not here

other works
appears
which

that Act will

,

,

,

so

it

,
if to

-

of

of , by

by

.

,

-

of

's

the great measure we have recently
frequent
welcomed
had
received
but always
inadequate attention from the Legislature

,

3

.

of

,

or

of

of

,

-

by

to

or

the conditions and limitations
dramatic works
imposed upon the exercise
Section
those rights
the Act naturally affords material for comment
respect
the paragraph which modifies
the
right
the owner
the copyright twenty five
years after the author death and states conditions

as

passing

"

found timely and helpful
we have suggested
the profession which will draw direct
not only
profit from the difficulties
calls atten
which
more
those large and
we may say
tion but
important classes
brain workers who before the

to

of

We

sary
musical works retain
and now the authors
which are
their own Acts
the protection
unrepealed and literary writers have
content
summary procedure applied
with
the principle

"

-

a

be to

is

,

.

a

presentation

be made to the
by the Act to

given

in

dramatic

performance
further
the exclusive right
the Act upon non
oral delivery conferred

may

those

of their

those authors , other than musical composers , who
find themselves aggrieved by infringement . We
are reminded that musical composers will remain a
less so than
class exceptionally favoured , although
now , even when the Act comes into operation . It
was sought
Mr MacGillivray reminds
adopt the provisions
the Acts
1902 and 1906
protecting composers
the needs
other authors
strenuously opposed
all classes but this was
compromise became neces
Grand Committee that

's

,

of

be

,

is

to

,

in
a

upon
that recitation
costume may
approximating
different footing from one not

to a

possibility

conclusion , reference

In

important summary remedies

,

an

on

(2
),

11

section
which makes
unauthorised public
performance punishable
summary
conviction
this saving clause
not inserted with the result that
the question arises whether the Court might not
per
bound
convict upon the prosecution
former although he could not be proceeded against
Again attention
called
the
civil action

wills.

,

be

a

in

,

. for

occurrence . Sub -section 6 of section 2, for example ,
prevents the “ reading or recitation in public of any
reasonable extract of any published work " from
being an infringement
of the sole right of public
performance ,
which
civil action may
main
tained
but Mr MacGillivray points out that

of

the careful consideration
of authors and
who may be entrusted with the drafting

it

W

in the light of Mr. MacGillivray 's
observations
that many will turn with interest ,
after satisfying themselves as to the matters of
interpretation with regard to which he expresses no
doubt . Instances can easily be given of doubtful
points connected with transactions of not uncommon

of this kind

of

so much
conciseness of a statute which effected
within the compass of thirty - seven sections , it might
have been suggested in criticism that an Act of such
brevity , in spite of all the lucidity with which it may
be drafted , is likely to afford considerable scope for
legal argument and judicial decision in the future .
A treatise upon it written before any such decisions
have been given naturally contains many suggestions
as to doubtful questions and as to their probable
solutions .
It is to the consideration of problems

As Mr. MacGillivray observes , it
would have been much more satisfactory if the
Act had provided explicitly that any bequest of the
manuscript should be deemed to pass the owner
ship of the copyright.
He submits that this would
probably be the interpretation
which the Court
put upon the passage referred
would
to , but he
points out that doubt may well arise if a residuary
legatee were to claim to be as such the owner of
a copyright , and to argue that his right as such
residuary legatee was superior to the prima farie
right of the legatee taking the manuscript by
specific bequest .
by no
The point is certainly
means free from doubt , and may be commended to

manuscript .”

,

his introduction . Had it been so , the concessions
granted might have been
which the Government
more ample than in fact they were .
When Mr. Sydney Buxton , at the dinner of the
Authors ' Society , referred with just pride to the

subject to which anyone may reproduce the work in
question .
The points arising as to this section are
rather
too
intricate
for discussion
here , but
another matter of obscurity , more easily sum
marised , may be referred to .
The new Act has a
very important
effect upon
the doubtful , and if
the expression may be allowed “ tiresome , " condition
of the existing law as to unpublished writings of a
deceased author, more especially in respect of letters .
At the end of the 17th section , relating to post
humous works , is a sub - section to the effect that the
ownership of an author ' s manuscript after his death ,
jf acquired by his will, “ Shall be prima facie proof
of the copyright being with the owner of the

to

143 , and authors of works that have long
before the public are reminded that their
rights may be not only prolonged but enlarged , as
for example by the addition of exclusive rights of
recitation and dramatisation .
protection accorded
The enlarged
to authors
by the Act
will be much more fully grasped
by them after perusal of Mr . MacGillivray 's volume
than by unaided study of the Act itself , and ,
indeed , after such perusal they may be inclined
to congratulate themselves that his notes were not
in the hands of those members of the Labour Party
to whose “ socialistic demands " the writer refers in
on page

been

.

170

�THE AUTHOR .

its

,

,

anor

of

,

of

its

I

.

of

a

on

ofa

at

, is

is

a

,

in

is

of

.

a

I

to

;

,

to

,
I

is

its

of ;

-

,

of

a

. ,
if

in

a

,

?

to

of

to

.

of a

to

do

,

on

a

of

to

no

.

to

-

its

is

by

,

of

,

,

,

by

,

,

to

:

is

of

so

,

a

of

so

-

an

C

few

a

to

it

-

a

to

in

,

,

all

,

in

of

to

.

to

at 's

to on

of

to

to

,

,

,

to

to

be

at

at

in

I

am

.

,

be

It

is

,

I

,

a

in

-

to

—

,

is

,

Yours faithfully

,

TAMEL

,

am

I

of

be

of

it,

.

“

to

,

all

,

in

;

of

,

in

conclusion
must say that after some experi
competitions
the literary world and
good deal
talk with candidates who bare entered
my advice
any writer with self respect
them
and above
with any talent
leave them strictly
alone
Sir
ence

,

,

.

of -

a

to

in

,

of of

is

is

I

-

,

of

to

?

of

to

It

it

, .

.

to

,
I

.

few

a

a

is

it

,

;

,

to

be
a

to

.

to

it

,
of

!

to

of
by

,

is
a

,

a

,

of

of

-

-

we

is

on

.

in

,

it

.

the public eye
my views
But
for one and
not alone
likely
certainly think that
such competitions
the
the disposal
least laid
work should
judges
necessary
would always
weed out the
hopelessly poor but
copy which
weed out works
that are good and uncommon clever and original
possibly
because
some prejudice
the sorter
part seems
me
be prejudicial
fairness
the start and one would like
know upon what
go
lines and roles the sorters are instructed

of

is

us to

of

is

of

as

a

is

in

;

of

of

to
a

”

“

of

at

A

is

in of

cleverest books that have been written during the
might not stand any chance
last five years
taking
prize since
perhaps too bold and too
outspoken
greatly
too original
theme
popular
but the point that the MS
was quickly

bringing
literature
down
mere trade
level but crowd and lower the market standard
creating
very seriously
false ratio
addition

.

to

be

to

it

;

,

,

of

in is

of .

to

,

's .

to

he

light
some lucky chance has brought
And
acceptability according
the standard
the average
certain
the present day seems
reader
conformity
machine made story carefully sifted
any originality
Yet
are led
understand
ever
the lookout for dis
that the publisher
originality
Judges also
coveries
believe have
complained
the low level
the average
the
competitions
work submitted
Can we wonder
decide
when they are only permitted
apparently
upon
works carefully chosen for
the sorters
the purpose
young friend
cer
mine has lately sent
tain competition
work which
the opinion
several literary men
established reputation who
know him
novel
unusual power
This work
undoubtedly
very far above the average most
original beautifully written and dealing with an
absorbing and altogether novel idea
the opinion
judge and who have read
those competent
certainly one
MS
the freshest and

of

to

a

,

to

of

to

.

,

as
it

in

is

judges only such works
may happen
please
his own taste
The experience
most
that
being who
very far
the publisher
reader
from being infallible
his judgment
the wares
nearly erery great
has
handle
the history
rejections till
book has been the same repeated

is

,

to

of

is

to

.

,

in

of to

,

through the entire mass
MSS submitted
but
selection that the
this preliminary process
apt
me and many others
evil
seems
my mind lies
the fact
done
The objection
submitting
the
that the sorter bas the power

upon
the first chapter and con
the perusal
reject
sequently
not
most fair minded man
that work
we wonder that the prize winning stories are
generally
flat
nature that after inspiring
lukewarm notices they expire early and their
rarely heard
again
authors are
competitions
do
another aspect
these
There
the
undoubted harın by bringing temporarily
front writers who have usually no particular message
believe
their sudden success led
and who are
themselves literary giants
the discouragement
genius
Surely the
real talent and occasionally
literary market
already overcrowded
the works
being necessary for
third rate writers without
publishers
hunt for fresh and doubtful talent
by
means easy at the present day for the
get
really
good book
unknown writer
hearing
respectable terms and the awards
competitions not only
much
lower the standard

It

of

to so

,

,

,

in

be

,

no

is to

It

.

to

be

in

in is

of

in

of

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I

,

,
, of

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“

in

of

to

DEAR SIR , – I cannot help thinking the time has
come when authors might venture
make some
protest against the manner
sort
which certain
novel competitions
are conducted
the
course the affairs
These competitions are
houses which institute them and the conditions are
generally
perhaps
believe clearly laid down and
general
their methods are hardly fully open
considering the altogether
criticism
think
produce
the
false standards their results are apt
eyes
the public
the ranks
the novelists
place
protest
not out
particular injustice
apt
And
one way
many
done
the contributors
the
doubt necessary that the copy
schemes
subjected
preliminary weeding
sent
should
and one could hardly expect the judges
wade

of

.

in

COMPETITIONS

In

NOVEL

returned ” without having been before the judges
this was self- evident .
There can be little doubt as to the early accept
ance of the novel in question by any house of
standing , and that
publication will bring
young author success
cannot
course men
tion either the name
the author
that
the
independent
fancy rather
author
novel
person and prefers his work
make its way
sort
by its own pure merits
but this furnishes me with
required
point
the example
few words
subject that has often exercised my thoughts
My point
the evident unfairness
such
system where any work sent
the mercy
the sorter who may have
corn that
trodden

for

CORRESPONDENCE .

171

�THE AUTHOR .

its

of

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it

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on

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for

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to

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in

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19 of
,

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's

.

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is

of

to

of

to

welfare

their

fellow

,
its

,

of

regulations

it

be

of

,

,

is of

,

no

is

in

of

.

of

the Society
British Com
the
the passing
whose excellent work
Copyright Act
one can deny but
still true
that the Society
Authors considering
the work
has done and
still doing has received very
composers
little support from the great bulk
many
included
are not
and cannot
whom
the Society
British Composers under

.)

.

the

posers

ED

C on
.

.

B

the committee stage
upon unremittingly

and indifferent
craftsmen
We congratulate

,

to

of
.

of

reading taking
that moment the

and
reported

,

and

1910

1911 was
place
S

.

watched

the Bill
that

Society

.

of

of

.

of

it

,

,

to

be

its

,

,

the second
From
1911
vigilance

and

interests

and we regret
state
that some
the great
composers have shown themselves utterly callous

.—

,

It

.

its

.

with

proceeded

Secretary

to

a

of

,

to

to

a

it

,

,

its

was

the political situation

their

British Composers
Berners Street
any way refute
Mr Wallace letter does not
the paragraph referred
All honour must
given
the Society
British Composers
work they have done but the Society
British
Composers
all composers
not representative
Hon

,

by

of

.

its

of

to

a

Owing

that

Yours faithfully
WILLIAM WALLACE

of

,

.

.

C

,

of

,

report
printed and circulated
the proceedings
reported
Trade
the Board
At later stage
upon the Bill and sent
own deputation
that
department
was represented
on which occasion
prominent members
by
and its honorary
counsel discussed the points specially affecting the
composer
could not
introduced
April 7th
redoubled

,

,
an

,

to

. In
B

.

S

of

.

one
the
appeared before the
members
the
Nothing further
committee and gave evidence
the committee
could be done till the Report
was issued and this was followed
the Copyright
special
Bill
1910
The society then called
meeting
members
discuss inter alia this
Bill and invited members
the Society
subsequently
attend and speak
Authors
1909

may
added
first time being

the

well
hand
were satisfied
neglected
would not

of

, ,

in

a

July

issues

show that the
have said enough
membership
spite
its restricting
composers
serious aim
had sympathies
justify
sufficiently
its efforts towards
wide
all although the majority
behalf
reform
members may never
affected
the
gramophone clauses
only
point
fair
out that the
has giren the Society
Authors every facility for getting
touch with
and the composers realising that their
members
own special society had the copyright question

think

be

by.

,

of

on to

be

to

it in

.
C
.

B

.

S

to

call witnesses

now

,

.

of

an

on

in

its

representative would
appear
that
allowed
before the committee and give evidence
certain
points
the Revised Convention
Berlin
1908
Thus
was largely owing
the action taken
that the Departmental Committee
the
originally
whose duties
were
limited
upon
examination and report
that Convention
Royal Commission with power
effect
became

clauses

only

in

a

of

,

's

of

,

a

,

on

-

composers had been
British
the committee the Society
sented
delay entered
Composers without
moment
ignoring them
protest against the injustice
the composer
behalf
efforts
Persistent
undertaking
the society receiving
resulted

gramophone

which are
considered
.

,

Copyright and
overlooked and were not repre

Departmental Committee

I

was first
formed

as a

1909

Trade had

,
it

10th

,

March

on of

of

in

. an

of

,

is

In

Times

The

announced that the Board

their mechanical instrument rights before the
At this date further the society
became law
by the
went fully into practical issues created

Bill

B

This conveys the impression that composers as a
to take steps to safeguard their
inte rests under the new Copyright Act , and that
the Society of Authors alone acted on their behalf .
very far from being the case for from
This
the first the Society
British Composers took
stating the case for the composer
active part

body neglected

S

:

gramophone clauses are not altogether
to the
liking of composers , and the comuittee of the society
regret that the Government have admitted the principle of
compulsory licence into these clauses , despite the objections
urged by the society on behalf of , though with one or two
exceptions , without much help from , musical
honourable
composers . "
“ The

to .

SIR , - In last month 's issue of The Author, page
132 , there is a paragraph referring to the Copyright
Act , which is misleading . It runs thus

On every point that concerned the composer the
society drafted memoranda , which were sent either
to the Board of Trade , to some member of the
Government , or to the private members who were
giving special attention to the composer 's welfare .
Before the committee stage was over the society
was invited by the President of the Board of Trade
upon various points which had
to confer with him
arisen
in
discussions
in committee , and this
invitation
was accepted in the light of official
recognition
of the status of the society as
representing the composer alone .
At the end of July , 1911 , before the report
stage was passed , the society , anticipating
the
clauses ” might , and
form that the “ gramophone
ultimately
to all
did , take , sent a circular
any
members cautioning them against disposing

its

THE

AND

ACT.

“

COMPOSERS

COPYRIGHT

(

BRITISH

OF

it

THE SOCIETY

in

172

�vii

ADVERTISEMENTS .

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Sir
December 4th 1911
have
thank you for your prompt and most
satisfactory
work
the typing
excellent
and
extremely pleased with
Signed MRS
ARNOLD
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,

Herts

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Albans

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St
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Woodstock

Rd
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HERBERT CÆSAR

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Camberwell

a

Client says and then send
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.- No. 6.&#13;
MARCH 1, 1912.&#13;
(PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGK&#13;
...&#13;
141&#13;
141&#13;
Notices&#13;
The Society's Funds&#13;
List of Members&#13;
The Pension Fund&#13;
Committee Notes ...&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes...&#13;
Gramophone Records&#13;
Action for Libel ...&#13;
French Law Case ...&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
141&#13;
142&#13;
145&#13;
147&#13;
149&#13;
152&#13;
154&#13;
155&#13;
155&#13;
156&#13;
157&#13;
157&#13;
157&#13;
PAGE&#13;
Registration of Scenarios and Original Plays&#13;
158&#13;
Dramatic Authors and Agents&#13;
158&#13;
Warnings to Musical Composers&#13;
158&#13;
Stamping Music ...&#13;
158&#13;
The Reading Branch&#13;
158&#13;
Remittances&#13;
158&#13;
General Notes&#13;
159&#13;
Committee Election&#13;
159&#13;
A Remarkable Agreement&#13;
160&#13;
A Literary Agency Agreement&#13;
The British Society of Authors, Composers, and Music&#13;
Publishers .&#13;
Critics and Criticism&#13;
The Copyright Act, 1&#13;
160&#13;
Correspondence ...&#13;
171&#13;
:::::::::&#13;
165&#13;
167&#13;
•&#13;
Ø&#13;
G. P. PUTNAM'S SONS.&#13;
Ø&#13;
“Good comedy, genuinely witty, and never vulgar.”—Daily Chronicle.&#13;
THE SHAPE OF THE&#13;
WORLD.&#13;
6)=&#13;
By EVELYN ST. LEGER..&#13;
Author of “ Diaries of Three Women of the Last Century."&#13;
mer&#13;
THE MAUVE LIBRARY.&#13;
A Series of short Novels of Sentiment-fresh, happy and innocent. Each with Frontispiece. 2/- net.&#13;
“EVERYBODY'S LONESOME,” by Clara E. Laughlin.&#13;
“A MELODY IN SILVER,” by Keene Abbott.&#13;
“THE END OF A SONG," by Jeannette Marks.&#13;
*** Authors are invited to send MSS. suited to this series. Please ask for Descriptive Circular.&#13;
24, BEDFORD STREET, STRAND, LONDON, W.C.&#13;
&#13;
&#13;
## p. 140 (#572) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL,&#13;
SIR ROBERT ANDERSON, K.C.B. | THE RIGHT HON. THE EARL CURZON, JUSTIN MCCARTHY.&#13;
SIR WM.KEYNELL ANSON, Bart., D.C.L. G.C.S.J.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBUKY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKEL, M.P.&#13;
J. M. BAKRIE.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR ARTHUR PINERO,&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
THE RIGHT Hon. Six HORACE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARI), F.R.S.&#13;
SIR RIDER HAGGARD.&#13;
HESKETH PRICHARD.&#13;
MRS. BELLOC-LOWNDES.&#13;
Mrs. HARRISON (" LUCAS MALET'). ARTHUR RACKHAM.&#13;
THE RIGHT Hon. AUGUSTINE BIR. ANTHONY HOPE HAWKINS.&#13;
OWEN SEAMAN.&#13;
RELI., P.C.&#13;
E. W. HORNUNG.&#13;
G. BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
G. R. SIMS.&#13;
THK Rxv, PROF, BONNEY, F.R.S. W. W. JACOBS.&#13;
DR. S. SQUIRE SPRIGGE,&#13;
The Right Hon. JAMES BRYCE, P.C. HENRY JAMES.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON. THE LORD BOBGH. JEROME K. JEROM E.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mus, Doc.&#13;
HALL CAINE.&#13;
J. ScorT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD,&#13;
J. W. COMENS CARR.&#13;
RUDYARD KIPLING.&#13;
H. G. WEILS.&#13;
EGERTON CASTIK, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.8. PERCY WHITE.&#13;
EDWARD CLODD.&#13;
LADY LUGARD (Miss FLORA L. FIELD-MARSHAL THE RIGHT HON&#13;
W. MORRIS COLLES.&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON. JOAN COLLIER.&#13;
MRS. MAXWELL (M, E. BRADDON). P.C., &amp;c.&#13;
SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman- Dr. S. SQUIRE SPRIGGE.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT.&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBE.&#13;
G. BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND,&#13;
AYLMER MAUDE.&#13;
FRANCIS STOBR.&#13;
J. W. COMYNS CARR.&#13;
HESKETH PRICHARD.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman--R. C. CARTON.&#13;
RUDOLF BESIER.&#13;
JEROME K. JEROME.&#13;
| G. BERNARD SHAW.&#13;
C. HADDON CHAMBERS.&#13;
W. J. LOCKE.&#13;
MISS E. M. SYMONDS,&#13;
ANSTEY GUTHRIE.&#13;
JUSTIN HUNTLY MCCARTHY.&#13;
JAMES T. TANNER.&#13;
Miss CICELY HAMILTON.&#13;
CECIL RALEIGH.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-Dr. S. SQUIRE SPRIGGE.&#13;
ANSTEY GUTHRIE.&#13;
| MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE,&#13;
ANTHONY HOPE HAWKINS,&#13;
M. H. SPIELMANN.&#13;
MRS. HUMPHRY WARD.&#13;
COMPOSERS' SUB-COMMITTEE.&#13;
GRANVILLE BANTOCK.&#13;
CECIL FORSYTH,&#13;
ARTHUR SOMERVELL.&#13;
PERCY C. Buck, Mus. Doc.&#13;
John B. McEwEN.&#13;
HERBERT SULLIVAN.&#13;
THOMAS F. DUNHILL.&#13;
SIR CHARLES VILLIERS STANFORD, HOWARD TALBOT.&#13;
Mus. Doc. / WILLIAM WALLACE.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
H. A. HINKSON.&#13;
SIR CHARLES VILLIERS STANFORD, I HERBERT SULLIVAN.&#13;
E. J. MACGILLIVRAY.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
| M. H. SPIELMANN.&#13;
ART.&#13;
The Hon. JOHN COLLIER,&#13;
John HASSALL, R.I.&#13;
ARTHUR RACKHAM.&#13;
Bir W. MARTIN CONWAY.&#13;
J. G. MILLAIS.&#13;
| M. H. SPIELMANN.&#13;
FIELD, ROBOOK &amp; Co., 36, Lincolu's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THBING, 39, Old Queen Street, Storey's Gate, 8.W. ) Soncilors.&#13;
Solicitor in England to&#13;
La Société des gens de Lettres&#13;
Legal Representative in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, 8.W.&#13;
&#13;
&#13;
## p. 140 (#573) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING.&#13;
- PLAYS&#13;
MR. FORBES DAWSON&#13;
Authors' MSS. carefully and accurately typed,&#13;
8d. per thousand words ; paper extra.&#13;
“ Remington ” machine.&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' experience in every&#13;
class of character, play, and theatre.&#13;
MISS D. BARFOOT,&#13;
Master of Stage Craft &amp; Play Construction.&#13;
Curdridge,&#13;
Author of plays produced in Great Britain&#13;
Botley, Hants.&#13;
and America. Adapter of several novels to the&#13;
stage.&#13;
ARTISTS&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE&#13;
Capable of illustrating Books in Colour or Black and&#13;
- NO THEORIES. —&#13;
White, are invited to communicate by letter with&#13;
No charge for reading and giving a practical | Messrs. J F. BELMONT &amp; CO.,&#13;
opinion on a play.&#13;
L 29, Paternoster Square, London, E.C.&#13;
Knows the best people in the dramatic world,&#13;
and has gained the necessary experience for this&#13;
A BARGAIN.&#13;
class of work on the stage itself, in association&#13;
The Great Barrier Reef of Australia.&#13;
with the best dramatists, producers, actors, and Exquisite Photographic Enlargements, originally published&#13;
stage managers of his time.&#13;
J. F. BELMONT &amp; Co.,&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
29, Paternoster Square, London, E.C.&#13;
at £4 4s, net; a few slightly mount-soiled subjects from the set&#13;
to be had at 2 - each, packing free, carriage forward.&#13;
“An indispensable book of reference for authors and&#13;
journalists."-- Daily Graphic.&#13;
LITERARY YEAR-BOOK (1912)&#13;
Crown 8vo.)&#13;
Price 6s. net.&#13;
[995 pages.&#13;
PRINCIPAL CONTENTS : - Authors' Directory ;&#13;
Literary Agents ; Typists ; Indexers ; Translators ;&#13;
Booksellers; Proof-correcting, etc.; Law and&#13;
Letters ; British, American, Canadian, and Indian&#13;
Periodicals (with a classified index and full&#13;
particulars for contributors); Royalty Tables ;&#13;
Publishers (British and Foreign) ; Classified List of&#13;
Publishers' Requirements (new feature); Literary&#13;
Societies and Clubs ; A classified list of cheap re-&#13;
prints (93 different series).&#13;
Opinions of Authors: _"Many thanks for the help which the&#13;
Year Book now affords."-" The Year Book is a great boon to&#13;
authors, and this year is better than ever."-"I have found The&#13;
Literary Year Book &amp; very valuable book of reference."-"I&#13;
take the opportunity of telling you how great a help the book is&#13;
to me as an author and as a working jonrnalist."&#13;
"A work with a wide reputation and one justly earned."-&#13;
The Author.&#13;
IMPORTANT TO AUTHORS.&#13;
In the “ Law and Letters " Section will be&#13;
found a careful and able exposition of the&#13;
new Copyright Act (1912).&#13;
Of all Booksellers, or of the Publishers-&#13;
GEORGE ROUTLEDGE &amp; SONS, Ltd.,&#13;
68, Carter Lane, London, E.C.&#13;
What the Papers say about some of&#13;
MURRAY &amp; EVENDEN'S RECENT SUCCESSES.&#13;
RIQUILDA, by MRS. KENDALL PARK.&#13;
"Those who enjoy the historical novel will welcome “Riquilda,' which&#13;
not only gives an interesting picture of life in Spain in the Tenth Century,&#13;
but rings with the stir and clash of battle, the sacking of convents, and the&#13;
mustering of brave men under the banner of the true Church, in defence of&#13;
their country and their faith against the infidel Princess Riquilda, the&#13;
daughter of the Sovereign count of Barcelona, is a very sweet and natural&#13;
girl in spite of her royal birth, and of course she is loved by two men, one a&#13;
brave and gentle knight, who wagen war against the invading Saracens, the&#13;
other a traitor, who deserts to the Moorish camp and betrays his country&#13;
into the hands of the enemy. But Felipe de Cerdana the traitor, is treated&#13;
with a touch that is poetic, and his feverish passion for Riquilda, which is&#13;
humble and tender, as well as cruel and revengeful, has something more&#13;
living about it than one finds in the ordinary lover of the novel. The whole&#13;
book is vivid and stirring, and succeeds very thoroughly in carrying with it&#13;
the atmosphere of the early Middle Ages." The Morning Post.&#13;
The author depicts with remarkable force and power the glorious past of&#13;
old Barcelona, and on this warlike foundation she has based a stirring&#13;
romance distinguished by many of the characteristics of the best historical&#13;
fiction ... Mrs. Kendall Park's style possesses much animation, and her&#13;
descriptive passages are excellent. From a historical as well as a romantic&#13;
point of view, the book is a deeply interesting one, and cannot fail to be&#13;
read with pleasure "-- New York Herald (Paris).&#13;
MICHAEL, by EVELYN BARBER.&#13;
"Michael Beresford. the hero, is a typical joung Sheffielder of his class&#13;
whom Miss Barber has focussed with almost pitiless exactitude. Miss&#13;
Barber s heroine is extremely attractive, and we have also little snapshots&#13;
of quite delightful hamour-Rebecca Beresford, Uncle Horatio. Cousin&#13;
Drucilla, and others. There are, too, some interesting passages anent the&#13;
Boys Brigade, and others describing the work of a Women's Settlement in&#13;
the slums. We read the book with so much interest and enjoyment as to&#13;
cause us to look with pleasurable anticipation for its successor. Shefeld&#13;
Daily Telegraph&#13;
"Will make good reading in households that are not infected with the&#13;
diseased forlu of the modern spirit.' It is fresh and wholesome. '-Scotaman.&#13;
IRRESPONSIBLE IMPRESSIONS OF&#13;
INDIA, by E. GEO. TURNBULL.&#13;
"A chatty little volume which affords a wonderfully vivid view of Indian&#13;
life and character. Mr Turnbull is observant, and his book is more&#13;
meritorious than many more ambitious works. Dundee Adı ertiser&#13;
"With all the sparkling wit and satire with which the little book teema,&#13;
it conveys a bird's-eye view of Indian life, character, and custom, which is&#13;
delightful to the man who knows not India-to the Anglo-Indian it will&#13;
have a double attraction"- Derbyshire Times.&#13;
MURRAY &amp; EVENDEN,LTD., Pleydell House, +leydell St., Fleet St., E.C.&#13;
&#13;
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## p. 140 (#574) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Publications of the Society.&#13;
1. THE ANNUAL REPORT FOR THE 8. THE SOCIETY OF AUTHORS.&#13;
CURRENT YEAR. Price 1s net.&#13;
A Record of its Action from its Foundation. By WALTER&#13;
BESANT (Chairman of Committee, 1888–1892). Price&#13;
2. THE AUTHOR.&#13;
ls. not.&#13;
Published ten months in the year (August and September&#13;
omittel) devoted especially to the protection and main-&#13;
9. THE CONTRACT OF PUBLICATION&#13;
tenance of Literary, Dramatic, and Musical Property.&#13;
Issued to all Members gratis. Price to non-inembers,&#13;
IN GERMANY, AUSTRIA, HUNGARY,&#13;
8d., or 58. 6d. per annum, post free. Back numbers from&#13;
AND SWITZERLAND. By ERNST LUNGE,&#13;
1892, at 108. 60. net, per vol.&#13;
J.U.D, Price 28, 60, net.&#13;
3. LITERATURE AND THE PENSION&#13;
LIST. By W. MORRIS COLLEB, Barrister-at 10. FORMS OF AGREEMENT ISSUED BY&#13;
Law. Price 38. net.&#13;
THE PUBLISHERS' ASSOCIATION ;&#13;
4. THE HISTORY OF THE SOCIETE DES&#13;
WITH COMMENTS By G. HERBERT&#13;
THRING, and Illustrative Examples by Sir WALTER&#13;
GENS DE LETTRES. By S. SQUIRE SPRIGGE,&#13;
BESANT, 2nd Edition, Price 18, net.&#13;
Price 1s, net.&#13;
5. THE COST OF PRODUCTION.&#13;
11. PERIODICALS AND THEIR CONTRI-&#13;
(Out of print.).&#13;
BUTORS. Giving the Terms on which the&#13;
6. THE VARIOUS METHODS OF PUBLI-&#13;
different Magazines and Periodicals deal with MSS. and&#13;
Contributions. Price 61. net.&#13;
CATION. By S. SQUIRE SPRIGGE. In this&#13;
work, compiled from the papers in the Society's offices,&#13;
the various forms of agreements proposed by Publishers 12. SOCIETY OF AUTHORS.&#13;
to Authors are examined, and their meaning carefully&#13;
List of Members. Published October, 1907, price 61. net.&#13;
explained, with an account of the various kinds of fraud&#13;
which have been made possible by the different clauses&#13;
therein. Price 38. net.&#13;
13. INTERNATIONAL COPYRIGHT CON-&#13;
ADDENDA TO THE ABOVE.&#13;
VENTION AS REVISED AT BERLIN,&#13;
By G. HERBERT THRING. Being additional facts&#13;
nollented at the office of the Society since the publication&#13;
1909. Price 1s. net.&#13;
of the "Methods," With comments and advice. Price&#13;
28. net.&#13;
15. DRAMATIC AGENCY AGREEMENT.&#13;
7. COPYRIGHT LAW REFORM.&#13;
3d, net.&#13;
An Exposition of Lord Monkswell's Copyright Bill of&#13;
1890. With Extracts from the Report of the Commission&#13;
of 1878, the Berne Convention, and the American Copy. 16. LITERARY AGENCY AGREEMENT.&#13;
right Bill. By J. M. LELY. Price 1s. 6d. net.&#13;
34. net.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S.W.]&#13;
ORDER IMMEDIATELY from your Library, Bookseller or Bookstall.&#13;
JUST READY.-One of the most INTIMATE &amp; INTERESTING Books of Tropical (and Topical)&#13;
Verse ever published. By the author of "THE SEDUCTIVE COAST," Etc.&#13;
A CALABASH&#13;
OF KOLA NUTS&#13;
By J. M. STUART-YOUNG.&#13;
Demy 8vo, 126 pp., with an additional Glossary, 2s.6d. net.&#13;
When, just about two years ago, Mr. Stuart-Young published "The Seductive Coast," rhymes dealing with life in&#13;
Western Africa, there were not lacking critics to lift their hands in shocked amaze at what they termed the&#13;
"exceptional daring" of the author's outlook on the moral and social conditions of life in Nigeria. The Birmingham&#13;
Gazette gave the lead to a juster interpretation :- "Rarely do we meet with work which so unmistakably conveys the&#13;
impression of spontaneity and sincerity, combined with an admirable technique. . . Mr. Stuart-Young is a man&#13;
who feels strongly, who expresses what he feels, and who is skilled in verbal expression. As sheer art work his&#13;
pages are admirable. There is a virility which commends his work where simpler sentiment would fail," and so on.&#13;
The Daily Telegraph recognised that here "was no lover of sensationalism. Whether telling of white men and&#13;
women, of their loves and their tragedies, or of the stranger folk among whom his lot is cast on the Niger Bank,&#13;
the author always shows himself possessed of the best qualities of the story-teller." The Oxford Times found in the&#13;
book "a subtle witchery which haunts the mind." while Reynolds acknowledged that here at last was someone who&#13;
"appreciates the tragedy and pathos of native Africa."&#13;
This new book is strangely appealing-it will be read by thousands of exiles,&#13;
- and appreciated by thousands of their relatives in the Old Country. -&#13;
LONDON: LYNWOOD &amp; Co., Paternoster Row, Publishers.&#13;
&#13;
&#13;
## p. 140 (#575) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
LOW&#13;
callaw&#13;
Indian&#13;
thue&#13;
| Letters, Documents, Clippings, found instantly by the&#13;
Globe Wernicke&#13;
Vertical Filing System.&#13;
&#13;
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You know, of course, the necessity for filing away&#13;
correspondence, etc., so that you can turn to it at a&#13;
moment's notice. The Globe-Wernicke Filing Cabinet&#13;
enables you to keep a complete record of all corre.&#13;
spondence, documents, political literature, reports of&#13;
speeches, private notes, extracts from magazines, class&#13;
publications, art portfolios, etc. Once installed, you&#13;
will consider this Cabinet indispensable. It becomes&#13;
what might be termed a private loose-leaf encyclopædia,&#13;
providing, at all times, an absolutely up-to-date reference&#13;
work from various authorities. The system permits of&#13;
easy and immediate reference to any paper filed away,&#13;
no matter how long ago. The Cabinet also possesses&#13;
ingenious mechanical features not found in other&#13;
Cabinets.&#13;
&#13;
Scrap B ooks are out of date.&#13;
The illustration above&#13;
shows the up-to-date&#13;
— method of filing.-&#13;
The extracts and clippings are put&#13;
into tabbed folders which are alpha-&#13;
betically arranged according to sub-&#13;
ject. Handsomely finished Cabinets,&#13;
mounted on leg bases, are furnished in&#13;
Quartered Oak or Mahogany.&#13;
Globe:1. zrnieke&#13;
Note the hinged&#13;
front which allows&#13;
the whole drawer&#13;
to open like a book.&#13;
One-drawer, two-drawer, three-drawer, or&#13;
four-drawer Cabinets can be supplied according&#13;
to capacity required, and more “Units " can&#13;
always be added. The Cabinet illustrated holds&#13;
about 15,000 papers, with Folders and Guides.&#13;
and, as an extra precaution against fire, can be&#13;
had in steel, coloured and grained to resemble&#13;
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particulars, also Booklet on "How to File and&#13;
Find Papers," free from:&#13;
od&#13;
The Globe-Wernicke Co.&#13;
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82, Victoria Street, S.W. ;&#13;
98, Bishopsgate, E.C.&#13;
&#13;
&#13;
## p. 140 (#576) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
&#13;
THE SE&#13;
ERA&#13;
ON&#13;
-&#13;
U&#13;
E&#13;
VOCION&#13;
DROIT&#13;
TAVISTOCK STREET, STRAND, W.C.&#13;
A Play Competition, on exceptionally favourable lines, is being&#13;
inaugurated by The Era (for three-quarters of a century the organ of the&#13;
Dramatic and Musical World).&#13;
The Judges are SIR JOHN HARE, MR. CYRIL MAUDE and MR. GEORGE&#13;
EDWARDES.&#13;
Full particulars are given in The Era, published weekly on Saturday&#13;
mornings.&#13;
Articles on the technique of playwriting are now appearing in The&#13;
Era. They are written by a play wright, and should be studied by all who&#13;
desire to be successful in this branch of literature.&#13;
See Saturday's “ Era.”&#13;
mol&#13;
An Indispensable American Journal.&#13;
“Those who wish to know in a general way what is being done in the literary&#13;
world in America cannot do better than subscribe to THE DIAL, a semi-monthly&#13;
journal devoted entirely to literature. We will undertake to say that no one who&#13;
is interested in literature would regret acting on our advice, and arranging for&#13;
THE DIAL to rub shoulders twice a month with their Spectator, Athenæum, or&#13;
Academy. . . . From whatever point of view you look at it—value of its literary&#13;
contents, or its variety, or the excellence of its mechanical production—THE DIAL&#13;
is entitled to a place with the best that any country can produce. . . . We again&#13;
advise our readers who wish to keep the 100 millions of America in their eye to&#13;
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&#13;
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## p. 141 (#577) ############################################&#13;
&#13;
The Autbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
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&#13;
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## p. 142 (#578) ############################################&#13;
&#13;
142&#13;
THE AUTHOR.&#13;
end of the list for the convenience of those who&#13;
PENSION FUND.&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
The list printed below includes all fresh dona-&#13;
tions and subscriptions (i.e., donations and&#13;
subscriptions not hitherto acknowledged) received&#13;
by, or promised to, the ſund from October 1,&#13;
THE PENSION FUND.&#13;
1911.&#13;
It does not include either donations given&#13;
prior to October 1, nor does it include sub-&#13;
TN January the secretary of the society laid scriptions paid in compliance with promises made&#13;
I before the trustees of the Pension Fund the before it.&#13;
accounts for the year 1911, as settled by the The full list of annual subscribers to the fund&#13;
accountants, with a full statement of the result of appeared in the November issue of The Author.&#13;
the appeal recently made on behalf of the Fund. The secretary would like to state that he has&#13;
After giving the matter full consideration the received three bankers' orders in answer to the&#13;
trustees instructed the secretary to invest the sum recent appeal, unsigned, without any covering letter.&#13;
of £500 in the purchase of Antofagasta and He would be glad, therefore, if those members who&#13;
Bolivian Railway 5%. Preferred Ordinary Stock may have sent in these orders, recognising them&#13;
and Central Argentine Railway Ordinary Stock. from their description, would write to the secretary&#13;
The amounts purchased at the present prices are on the matter."&#13;
£237 in the former and £232 in the latter stock. Bankers' Order for 10s. drawn on the London,&#13;
The trustees desire to thank the members of the County and Westminster Bank, Maidstone.&#13;
society for the generous support which they have Bankers' Order for 10s. drawn on the National&#13;
given to the Pension Fund, and have much pleasure Provincial Bank of England, Baker Street, W.&#13;
in informing the Pension Fund Committee that Bankers' Order for 5s. drawn on the London,&#13;
there is a further sum available for the payment of County and Westminster Bank, Kensington, W.&#13;
another pension in case any application should be&#13;
made. The money now invested amounts to&#13;
Subscriptions.&#13;
£4,846 198. Hd., and is fully set out in the list&#13;
£ $. d.&#13;
below :-&#13;
Oct. 5, Bungey, E. Newton&#13;
. 0 10 0&#13;
Oct. 6, Beale, Mrs. W. Phipson . 0 5 0&#13;
Consols 23% ........&#13;
.... £1,312 13 Oct. 12, Hannay, J. 0. .&#13;
Local Loans..............................&#13;
500 0 0 Oct. 12, Mrs. Humphry Ward, an addi-&#13;
Victorian Government 3% Consoli-&#13;
tional subscription for 1912&#13;
dated Inscribed Stock...&#13;
291 19 11&#13;
--13 . . .&#13;
5 00&#13;
London and North-Western 3%&#13;
Nov. 9, Dailey, R. H. . . 0 5 0&#13;
Debenture Stock .................... 250 ( 0) Nov. 10, McCormick, E. B. . . ( 10 0&#13;
Egyptian Government Irrigation&#13;
Nov. 10, Salter, Miss E. K.&#13;
05 0&#13;
Trust +°. Certificates ........ 20000 Nov. 14, Kenny, Mrs. L. M. Stacpool ( 5 0&#13;
Cape of Good Hope 34% Inscribed&#13;
Nov. 18, Hichens, Robert.&#13;
3 3&#13;
Stock .........&#13;
200 0 0 Nov. 20, Snell, Miss Olive . .&#13;
Glasgow and South-Western Railway&#13;
Nov. 24, Locke, W. J. .&#13;
2 2 0&#13;
17. Preference Stock&#13;
228 0 0 Nov. 24, Gusse, Edmund.&#13;
1 1 0&#13;
New Zealand 31° Stock ............&#13;
247 9 6 Nov. 25, Larken, E. P.&#13;
0 5 0&#13;
Irish Land Act 20%. Guaranteed&#13;
Nov. 25, Underdown, Miss E.&#13;
0 5 0&#13;
Stock ....................&#13;
.... 258 (0) 0 Nov. 25, Walkley, S. . .&#13;
05 0&#13;
Corporation of London 21% Stock,&#13;
Nov. 25, Masefield, John..&#13;
1 1 0&#13;
1927-57 ........&#13;
+38 2 + Nov. 25, Thurston, E. Temple.&#13;
Jamaica 31%. Stock, 1919-49 ...... 132 18 6 Nov. 25, Rittenberg, Max . . 0 5 0&#13;
Mauritius 1° 1937 Stock ........ 120 121 Nov. 25, Paull, H. M. .&#13;
( 10 6&#13;
Dominion of Canada C.P.R. 31%&#13;
Nov. 25, Turner, Reginald. .&#13;
. 1 1 0&#13;
Land Grant Stock, 1938.&#13;
198 3 8 Nov, 25, Balme, Mrs. Nettleton. . 1 1 0&#13;
Antofagasta and Bolivian Railway&#13;
Nov. 25, Barne, Miss M. C. .&#13;
5%. Preferred Stock ......... 237 00 Nov. 25, Sedgwick, Anne Douglas . 0 5 0&#13;
Central Argentine Railway Ordinary&#13;
(Mrs. Basil de Selincourt)&#13;
Stock ..&#13;
232 0 0 Nov. 25, Lerden, Walter . .&#13;
010 0&#13;
Nov. 25, Channon, Mrs. Frances : 0 10 0&#13;
Total .&#13;
.... £4,816 19 Nov. 25, Toynbee, Paget. . . 0 10 0&#13;
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## p. 143 (#579) ############################################&#13;
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THE AUTHOR.&#13;
143&#13;
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0&#13;
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£ 8. d.&#13;
£ s. d.&#13;
Nov. 25, Hood, Miss Agnes Jacomb. 0 10 0 Dec. 4, Heath, Sidney . . : 0 5 0&#13;
Nov. 25, Gilliat, The Rev. E. . . 1 1 0 Dec. 5, Macnamara, Miss Marg&#13;
Nov. 25, Macdonald, Greville , . 1 1 0 Dec. 5, Clodd, Edward .&#13;
Nov. 25, Allen, Rev. The G. W.(2 years) 0 5 0 Dec. 5, Little, Mrs. Archibald&#13;
Nov. 25, Russell, G. H. . . . 0 5 0 Dec. 5, Morton, Michael&#13;
nael . . . 1 1 0&#13;
Nov. 25, Osgood, Mrs. Irene . . 10 10 0 Dec. 6, Meredith, Mark .&#13;
: : 0 0&#13;
Nov. 25, Trench, Herbert . . 0 10 0 Dec. 8, Broster, Miss D. K. . : 0 5 0&#13;
Nov. 25, Murdoch, W. G. Burn. . 0 15 0 Dec. 11, Orczy, The Baroness . . 1 1 0&#13;
Nov. 25, Knowles, Miss Margaret . 1 1 0 Dec. 12, Bennett, Arnold . . . 5 0 0&#13;
Nov. 25, Bond, R. Warwick . . 1 1 0 Dec. 12, von Holst, Gustav&#13;
0 5 0&#13;
Nov. 25, Stockley, Mrs. .&#13;
0 10 6 Dec. 16, Cromartie, The Right Hon.&#13;
Nov. 27, Tyrrell, Miss Eleanor. 0 10 0&#13;
the Countess of (additional&#13;
Nov. 27, Prideaux, Miss S. T. . 1 0 0&#13;
subscription) . . 0 10 6&#13;
Nov. 27, Sedgwick, Prof. A. (5 years). 1 1 0 Dec. 16, Laurance, Lionel . . . . 5 0&#13;
Nov. 27, Arnold, Mrs. J. O. .. 0 10 0 Dec. 16, Allen, Mrs. Grant. . . 0 5 0&#13;
Nov. 27, Weaver, Mrs. Baillie .. () 10 0 Dec. 18, Haultain, Arnold .&#13;
1 1 0&#13;
Nov. 27, Drake, F. Maurice :&#13;
5 0 Dec. 18, Pollock, The Right Honble.&#13;
Nov. 27, Stewart, J. C. MacDougall&#13;
5 0&#13;
Sir Frederick, P.C...&#13;
.. . . 1 1 0&#13;
Nov. 27, Baldwin, Mrs. Alfred . . 1 1 0 Dec. 20, Carr, Miss Mildred E. . . 0 10 0&#13;
Nov. 27, Lucas, E. V. . . 100Dec. 20, Lewis, The Rev. Arthur : 0 5 0&#13;
Nov. 27, Hollins, Miss Dorothea&#13;
0 10 0 Dec. 30, Dodge, Miss Janet . 0 5 0&#13;
Nov. 27, Bagnall, Miss L. T. . : 0 5 0 Dec. 30, Fitzgerald, Menie Muriel . 1 1 0&#13;
Nov. 27, Young, Ernest .&#13;
0 5 0 Dec. 30, Fuller, Sir Bamfylde . : 0 10 0&#13;
Nov. 27, Teixeira de Mattos, Alexander 0 10 6 1912.&#13;
Nov. 27, Collier, The Hon. John&#13;
1 1 C Jan. 1, Worsley, Miss Alice . . ( 5 0&#13;
Nov. 27, Hughes-Gibb, Mrs. . : 0 5 0 Jan. 2, Sturt, George. : : 0 5&#13;
Nov. 27, Orde Ward, The Rev. F.&#13;
0 5&#13;
Jan. 2, Wicks, Mark (in addition to&#13;
Nov. 28, Harraden, Miss Beatrice : 220&#13;
present subscription). . ( 5 0&#13;
Nov. 28, Carlyle, The Rev. A. J.&#13;
Jan. 3, Northcote, The Rev. H. . .&#13;
Nov. 28, Montrésor, Miss F. F. . 1 1 0 Jan. 3, Worsley, Miss Alice . .&#13;
Nov. 28, Jones, Henry Arthur. 1 1 0&#13;
Jan. 3, Phipson, Miss E. (in addition&#13;
Nov. 28, Pryor, Francis .&#13;
. . + 4 0&#13;
to present subscription)&#13;
Nov. 28, Whiteing, Richard . 0 10 0 Jan. 3, Hedgcock, F. A. .. . (50&#13;
Nov. 28, Caine, William .&#13;
• 1 1 0 Jan. 5, Matcham, Mrs. Eyre ..&#13;
Nov. 28, Tuttiett, Miss M. G. .&#13;
Jan. 8, Stayton, Frank ..&#13;
0 5 0&#13;
Nov. 28, Caulfeild, Mrs. Kathleen&#13;
Jan. 8, Canziani, Miss Edith&#13;
. . 0 5 0&#13;
Nov. 28, Breaknell, Miss Mary.&#13;
0 5 0&#13;
Jan. 10, Ropes, A. R..&#13;
1 1 0&#13;
Nov. 28, James, Miss S. Boucher . 1 1 0&#13;
Jan. 12, Francis, René&#13;
. 0 10 0&#13;
Nov. 28, Martin, Miss Violet . .&#13;
Jan. 15, Pollock, Miss Edith (in addi-&#13;
Nov. 29, Pakington, The Hon. Mary. 0 5 0&#13;
tion to present subscription) 0 5 0&#13;
Nov. 29, Chase, Mr. and Mrs. Lewis&#13;
Jan. 27, Hutchinson, the Rev. H. N. . 1 1 0&#13;
Nathaniel&#13;
5 0&#13;
Feb. 7, L. M. F., per month during&#13;
Nov. 29, Skrine, The Rev. John H. 1 0 0&#13;
1912&#13;
.&#13;
.&#13;
. 1 0 0&#13;
:&#13;
Nov. 29, Travers, Miss Rosalind.&#13;
5 0 Feb. 7, Letts, Miss W. M. . . . 0 5 0&#13;
Nov. 29, Graves, Alfred P..&#13;
. ( 5 0 Feb. 8. Cooke. W. Bourne . . . 1 1 0&#13;
Nov. 29, Shaw, Fred. G. . .&#13;
Feb. 8, Annesley, Miss Maude. 0&#13;
Nov. 29, Narramore, William .&#13;
5 0 Feb. 9, O'Donnell, Miss Petronella : 0 5 0&#13;
Nov. 29, Waldstein, Charles . . 1 1 0&#13;
Nov. 29, Rutter, Frank&#13;
0 5 0&#13;
£95 8 0&#13;
Dec. 1, Lee, The Rev. Albert . 0 5 0&#13;
Donations.&#13;
Dec. 1, Romanes, Mrs. Ethel .. 0 10 0&#13;
Dec. 1, Wilton, Margaret W. . 0 5 0 Oct. 10, Guthrie, Anstey. .&#13;
20&#13;
Dec. 2, Holme, Miss.&#13;
0 10 0 Oct. 11, Baldwin, Mrs. Alfred . . 3 3 0&#13;
Dec. 4, Thomson, Lieut.-Col&#13;
0 5 0 Oct. 19, Romanne-James, Mrs. C.&#13;
15 6&#13;
Dec. 4, Begbie, Harold .&#13;
. 1 1 0 Oct. 27, “ Olivia Ramsey"&#13;
Dec. 4, Giles, Miss Edith J. F. . . 0 5 0 Nov. 3, Sprigge, Dr. S. S. (3rd Dona-&#13;
Dec. 1, Coulton, G. G. . . . 0 5 0&#13;
tion) . . . . 10 0 0&#13;
0&#13;
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## p. 144 (#580) ############################################&#13;
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THE AUTHOR.&#13;
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Nov. 3, Tanner, James T. (5th Dona-&#13;
Dec. 8, Falmouth, The Right Honble.&#13;
tion)&#13;
:&#13;
.&#13;
: : . 2 2 0&#13;
the Viscountess&#13;
220&#13;
Nov. 3, Balme, Mrs. Nettleton.&#13;
0 Dec. 8, Ord, H. W. . . . . ( 10 6&#13;
Nov. 4, Cayzer, Charles (3rd Donation) 30 Dec. 10, Hawkins, A. Hope .&#13;
10 0&#13;
Nov. 6, LeRiche, P. J.&#13;
10 6 Dec. 10, Pennell, Mrs. E. R. .&#13;
Nov. 6, Daniell, Mrs. E. H.&#13;
10 0 Dec. 11, Bland, Mrs. E. Nesbit .&#13;
0 10 6&#13;
Nov. 13, Anon. . . .&#13;
90 Dec. 11, De Morgan, Wm. . 5 5 0&#13;
Nov. 20, Grant, John G..&#13;
0 10 6 Dec. 12, D'Arcy, Ella Miss&#13;
0 10 6&#13;
Nov. 24, Jacobs, W. W. .&#13;
2 2 0 Dec. 16, Glenconner, Lady. .&#13;
2 ? 0)&#13;
Nov. 24, Roberts, Morley.&#13;
1 0 0 Dec. 16, Royds, The Rev. T. F..&#13;
Nov. 24, Eckersley, The Res. J.&#13;
0 5 0 Dec. 18, Moore, Mrs. Stuart .&#13;
1 1 0&#13;
Nov. 25, Besant, W. H. . . 5 5 0 Dec. 18, J. P. P. . .&#13;
Nov. 25, Hill, J. Arthur .&#13;
100 Dec. 18, Bremner, Robert L.&#13;
Nov. 25, Tansley, A. G. .&#13;
. 2 2 0 Dec. 18, Dawson, Frank ..&#13;
Nov. 25, Gysi, Max.&#13;
10 Dec. 20, Tench, Miss Mary F. A.&#13;
0 5 0&#13;
Nov. 25, Lyttelton, Hon. Mrs . 1 0 0 Dec. 21, Clifford, Mrs. W. K. .&#13;
Nov. 23, Savile, Frank&#13;
0 0 Dec. 22, Francis, Beard . .&#13;
Nor. 25, Skeat, Prof. W. W.&#13;
10 Dec. 22, Horridge, Frank .&#13;
Nov. 27, Hood, Francis . . . 0 5 0 Dec. 28, Dawson, Forbes . . . 0 10 6&#13;
Nov. 27, “ Olivia Ramsey"&#13;
. 1 1 0 Dec. 29, Longard, Madame de pro-&#13;
Nov. 27, Moffatt, Graham .&#13;
. 1 1 0&#13;
thea Gerard) .&#13;
Nov. 27, Mainwaring, Mrs.&#13;
5 5 0 Dec. 30, Workman, Mrs. F. Bullock : 100&#13;
Nor, 27, Maunder, J. H. . . . 1 1 0 Dec. 30, Swan, Miss Myra . . . ( 5 0&#13;
Nov. 27, Kennedy, E. B.:&#13;
. () 5 0 Dec. 30, Blake, J. P. . . . . 1 1 0&#13;
Nov. 27, Galsworthy, John (in addition&#13;
1912.&#13;
to subscription) . . 2 2 0 Jan. 2, Risque, W. H. . . . 010&#13;
Nov. 27, Oppenheim, E. P.&#13;
1 1 0 Jan. 2, Dart, Miss Edith . . . 0 10 6&#13;
Nov. 27, Harding, Commander Cl&#13;
Jan. 3, “K.” . . .&#13;
0 10 0&#13;
R.N. . .&#13;
0 0 Jan. 3, Church, Sir Arthur.&#13;
1 1 0&#13;
Nor. 27, Moore, Miss E. Hamilton . ( 106 Jan. 3, Durrant, W. Scott . . . 0 5 0&#13;
Nov. 27, Pilley, John. ..&#13;
0 10 0 Jan. 3, Tighe, Henry . .&#13;
0 10&#13;
Nov. 28, Martin, Mrs. Clara T...&#13;
10 6 Jan. 3, Grant, Lady Sybil .&#13;
1 0 0&#13;
Nov. 28, McKellar, Campbell D.&#13;
0 0 Jan. 4, Smith, Bertram .&#13;
20 00&#13;
Nov. 28, Wroughton, Miss Cicely . 0 5 0 Jan. 4, Buckrose, J. E. . . . 1 1 0&#13;
Nov. 28, Rankin, Miss F. M. .&#13;
5 0 Jan. 4, Lathbury, Miss Eva&#13;
Nov. 28, Harraden, Miss Beatrice&#13;
0 0 Jan. 5, Wilson, Dr. Albert .&#13;
0 10 0&#13;
Nov. 28, Gould, Gerald . . . 1 0 0 Jan. 5, Craven, A. Scott , .&#13;
0 10 0&#13;
Nov. 28, Hardy, Thomas 0. J. .&#13;
0 0 Jan. 6, Blundell, Miss Alice&#13;
0 10 0&#13;
Nov. 29, Maarten Maartens&#13;
5 0 0 Jan. 6, Garbutt, W. H.&#13;
0 5 0&#13;
Nov. 29, Bolton, Clement .&#13;
0 2 6 Jan. 6, Serjeant, Miss Constance&#13;
0 5 0&#13;
Nor. 29, Stutfield, H. E. M.&#13;
1 0 0 Jan. 9, Chamberlaype, Miss Effie&#13;
Nov. 29, Gibbs, F. L. A... . ( 10 6 Jan. 9, Hamel, Frank&#13;
Nov. 29, Spurrier, Steven.&#13;
7 6 Jan. 10, Allen, W. Bird ..&#13;
Nov. 29, Kinloch, Alexander&#13;
1 1 0 Jan. 10, Crellin, H. M. .&#13;
Nov. 29, Webling, Peggy.&#13;
0 5 0 Jan. 10, Smith, Herbert W.&#13;
Nov. 29, Barclay, Mrs. Hubert . ( 10 0 Jan. 12, Randall, F. J. .&#13;
Nov. 29, Gibbs, Miss C. E. .&#13;
0 Jan. 13, P. H. and M. K. .&#13;
Nov. 29, Batty, Mrs. Braithwaite&#13;
5 0 Jan. 15, Clark, Henry W...&#13;
Nov. 29, Spielmann, Mr. and Mrs. M. 2 2 0 Jan. 17, Rankin, Mrs. F. M. .&#13;
Nov. 29, Begbie, Harold . . 3 3 0 Jan. 18, Paternoster, Sidney .&#13;
Nov. 29, Spiers, Victor . .&#13;
0 Jan. 20, M-Ewan, Miss Madge.&#13;
Nov. 29, Wentworth, Gerald .&#13;
Jan. 2.2, Kaye-Smith, Miss Sheila&#13;
Nov. 29, Pryce, Richard . . 3 0 0 Jan. 22, Mackenzie, Miss J. . . (50)&#13;
Nov. 29, Watson, Mrs. Herbert . . () 5 0 Jan. 22, Reiss, Miss Erna . . . () 5 0&#13;
Dec. 6, Toplis, Grace . . . . 0 5 0 Jan. 22, Grisewood, R. Norman. . ( 5 )&#13;
Dec. 6, Percival, Helen A. . . . 0 5 0 Jan. 23, Machen, Arthur . . . 1 1 0&#13;
Dec. 7, Graham, Kenneth . . . 10 0 0 Jan. 24, Williamson, C. N. and Mrs. C.N. 5 5 0&#13;
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## p. 145 (#581) ############################################&#13;
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THE AUTHOR.&#13;
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£ 8. d. bad one from his point of view. The solicitor also&#13;
Jan. 26, Way, Viss Beatrice . ( 5 0 reported that one case dealing with accounts had&#13;
Jan. 30, Saies, Mrs. Florence H.. : 0 8 6 been settled during the month.&#13;
Jan. 30, Weyman, Stanley (in addition&#13;
The secretary then mentioned a case of infringe-&#13;
to subscription).&#13;
1 0 ment of copyright in Australia by a bookseller who&#13;
Jan. 30, S. F. G.&#13;
1 1 0 had imported an American edition, and it was&#13;
Feb. 3, Douglas, James A. .&#13;
. 1 0 0 decided to instruct the society's Australian lawyers&#13;
Feb. 6, Parker, Mrs. Nella .&#13;
0 10 0 to take action. Another case of infringement had&#13;
Feb. 6, Allen, Mrs. James 1.&#13;
1 1 0 been put down on the agenda, but the committee&#13;
Feb. 10, Whibley, C. . .&#13;
0 10 6 were informed it had been settled. The secretary&#13;
Feb. 12, Loraine, Lady&#13;
5 0 0 also read a letter from one of the members&#13;
Feb. 12, Ainslie, Miss K. .&#13;
0 5 0 respecting a claim against a paper for work done,&#13;
Feb. 12, King, A. R.. .&#13;
( 10 ) and the committee decided to instruct the solicitors&#13;
Feb. 13, Ayre, Miss G. B. .&#13;
. () 5 0 to proceed, subject to the author being willing to&#13;
Feb. 14, Gibson, Miss L. S.&#13;
0 5 0 co-operate.&#13;
Feb. 15, Henley, Mrs. W. E.&#13;
1 1 0 The committee then discussed, at some length, an&#13;
Feb. 15, Westall, W. Percival&#13;
5 0 article which appears in another column of "The&#13;
Feb. 17, Raphael, Mrs. .&#13;
. 0 5 0 Author," dealing with a publisher's forms of&#13;
Feb. 19, Cabourn, John .&#13;
. 0 5 0 agreement.&#13;
Feb. 19, Gibbs, F. L. A. .&#13;
. 010&#13;
An agency agreement wbich had been settled&#13;
Feb. 21, Hinkson, H. A., and Mrs. .'110 by a sub-committee, and circulated to the members&#13;
of the Committee of Management, was next read,&#13;
£228 6 6 and adopted. A vote of thanks was passed to the&#13;
The Editor regrets that Mr. Robert Hichens'&#13;
sub-committee for the work they had done. The&#13;
agreement, which is based on an agency agree-&#13;
contribution of £3 3s, was put down as a donation,&#13;
ment, settled some time ago by the Dramatic&#13;
whereas it should have been entered as an annual&#13;
Sub-Committee, is printed on another page.&#13;
subscription. He hastens to correct the mistake.&#13;
The committee then proceeded to elect a com-&#13;
posers' sub-committee, as it had been decided to&#13;
form a separate section of the society for composers,&#13;
to work on the same lines as the dramatic section&#13;
COMMITTEE NOTES.&#13;
is working under the Dramatic Sub-Committee.&#13;
The following gentlemen were elected and have&#13;
consented to undertake the duties :-&#13;
MEETING of the committee was held at the&#13;
offices of the society on Monday, February&#13;
Granville Bantock,&#13;
5th. After the minutes of the last meeting&#13;
Percy Buck,&#13;
Thomas F. Dunhill,&#13;
had been read and signed, the committee proceeded&#13;
to elect 18 new members and associates whose&#13;
Cecil Forsyth,&#13;
John B. McEwen,&#13;
names appear on another page. This is one of&#13;
the largest elections which has ever taken place in&#13;
Sir Charles Villiers Stanford,&#13;
any one month, since the foundation of the society,&#13;
Herbert, Sullivan,&#13;
Howard Talbot,&#13;
and having regard to the satisfactory election in&#13;
January, it is felt that the year 1912 has opened in&#13;
William Wallace.&#13;
an auspicious manner.&#13;
The question of the Nobel Prize Committee was&#13;
The solicitor reported the cases dealt with again before the Committee of Management. A&#13;
during the month. In one case, relating to a letter from Lord Avebury, the Chairman of that&#13;
dispute between a member and a publisher, which committee, was read, together with a communication&#13;
had been adjourned from the previous month, the which his lordship had received from the Swedish&#13;
committee decided to appoint an arbitrator under Academy. The committee decided to refer the&#13;
a clause in the agreement making arbitration whole matter to the Council of the Society at its&#13;
necessary. In the next case against the same next meeting.&#13;
publisher it was decided to take immediate action to The annual report, which had been settled by a&#13;
maintain the author's rights. The next question sub-committee, was adopted, and will be issued to&#13;
was one between an author and his agent, and here, members and associates with the usual notice of&#13;
after careful consideration, it was decided that no general meeting.&#13;
help could be given to the author as he was bound Letters from the advertisement agents of The&#13;
by his agreement, although it was an exceedingly Author were read raising certain points in the&#13;
&#13;
&#13;
## p. 146 (#582) ############################################&#13;
&#13;
146&#13;
THE AUTHOR.&#13;
delivery of their accounts. It was decided to refer&#13;
them, with certain instructions, to the solicitors.&#13;
It was decided to invest £150 of the Life&#13;
Membership Subscriptions in the purchase of&#13;
Antofogasta and Bolivia Railway Five per cent. Pre-&#13;
ferred Ordinary Stock, and the secretary was&#13;
authorised to carry out the committee's instructions.&#13;
Two suggestions on minor points connected with&#13;
the management of the society were considered, but&#13;
it was felt that it would not be to the advantage of&#13;
the members to adopt either of them.&#13;
The secretary reported that two members had&#13;
paid life membership subscriptions—Mrs. Stanley&#13;
Wrench and Mr. Dudley Buxton.&#13;
Cases.&#13;
DURING the past month twelve cases have been&#13;
placed in the hands of the secretary. Four of&#13;
these refer to claims for the return of MSS., and&#13;
in three cases the MSS. have been returned and&#13;
forwarded to the members concerned. Two claims&#13;
for accounts and money have been dealt with ; one&#13;
has had to be transferred to the solicitors of the&#13;
society, as the publisher refused to answer the letters&#13;
which were written to him by the secretary ; the&#13;
other case is still in course of negotiation, as the&#13;
publisher, although he has answered the secretary's&#13;
letters, has not as yet delivered the accounts. There&#13;
was one case referring to breach of contract which&#13;
has been satisfactorily settled, and one case in&#13;
which accounts only were claimed. Two claims&#13;
for money due to members are still open, as they&#13;
have only recently come into the office. There&#13;
was one case referring to the infringement of&#13;
performing rights, which had to be taken in hand&#13;
immediately. The secretary is glad to report that&#13;
it has been terminated satisfactorily. There was&#13;
also one case with regard to the settlement of the&#13;
exact terms of a contract, which also has been&#13;
negotiated. Seven cases out of the twelve are&#13;
already at an end. This is a very healthy&#13;
record.&#13;
There are still three small claims open from the&#13;
former months : the others have either been settled&#13;
or handed over to the solicitors of the society.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The February meeting of the Dramatic Sub-&#13;
Committee of the Society of Authors was held at&#13;
the offices of the society on Friday, the 16th.&#13;
The minutes of the previous meeting having&#13;
been read and signed, the secretary laid before the&#13;
meeting an agreement which had been forwarded&#13;
to the society by one of the members, purporting&#13;
to be entered into between the Travelling Theatre&#13;
Managers' Association and dramatic authors. The&#13;
agreement was considered, and Mr. Raleigh explained&#13;
at some length the position of the association. It&#13;
was decided to appoint a sub-committee, consisting&#13;
of Mr. Cecil Raleigh, Mr. R. C. Carton, and Mr. G.&#13;
Bernard Shaw, to confer with the representative of&#13;
the association, in order, if possible, to arrange&#13;
satisfactory terms on behalf of the dramatists&#13;
inside the society. The secretary received instruc-&#13;
tions to enquire of the association's representative&#13;
whether he would make an appointment to meet&#13;
the sub-committee with a view to coming to some&#13;
agreement.&#13;
The contract for cinematograph productions,&#13;
adjourned from the last meeting, was rediscussed.&#13;
The secretary reported that he had as yet obtained&#13;
no further information from the French society, as&#13;
the report to be issued by that society was not yet&#13;
completed, but would be forwarded when ready.&#13;
The sub-committee decided to obtain information on&#13;
the subject from other countries.&#13;
The method of procedure to be followed in the&#13;
settlement of the general treaty between the&#13;
Dramatic Sub-Committee and the Dramatists' Club&#13;
was discussed. It was decided to forward a letter&#13;
to the secretary of the sub-committee appointed by&#13;
that club to consider the treaty, and to enquire on&#13;
what date the Dramatic Sub-Committee of the&#13;
society and the Dramatists' Club Sub-Committee&#13;
could meet in order to settle the final form of the&#13;
treaty. The secretary was instructed to carry&#13;
through the matter and report.&#13;
February Elections.&#13;
Atlay, J. B. .&#13;
Athenæum Club, S.W.&#13;
Ayre, Miss G. B. . Eastlemes, Colne,&#13;
Lancashire.&#13;
Baden-Powell, W., K.C.. 32, Princes Gate, S.W.&#13;
Bayly-Jones, Miss Jane . 24, Torphichen Street,&#13;
Edinburgh.&#13;
Bernard, H. D'Oyly . . 101, Albert Bridge&#13;
Road, S.W.&#13;
Boys, Gerald E. Le Mesurier&#13;
(Le Mesurier Boys) Barcelona, Spain.&#13;
Brebner, Percy James . The Upways, Spencer&#13;
Gardens, East Sheen,&#13;
S.W.&#13;
Brewin, The Rev. Robert. 106, Park Road,&#13;
Loughborough.&#13;
Bryan, Miss M. Theresa . Norden Court, Hen-&#13;
don, N.W.&#13;
Buchanan, Miss Emily H. Invera von, Christ-&#13;
church, Hants.&#13;
Buck, Percy C., M.A., Mus. 100, High Street,&#13;
Doc., Oxon. .. Harrow-on-the-Hill.&#13;
Buxton, Dr. Dudley W., 82, Mortimer Street,&#13;
M.D. . . . . Cavendish Square,&#13;
W.&#13;
&#13;
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## p. 147 (#583) ############################################&#13;
&#13;
THE AUTHOR.&#13;
147&#13;
Worthington, A. M., C.B.,&#13;
F.R.S.&#13;
Wright, William B. . . 14, Hume Street,&#13;
Dublin.&#13;
Yorke, Arnold . . . 30, First Avenue,&#13;
Acton Park, W.&#13;
Zangwill, Louis . . Authors' Club, S.W.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
mo&#13;
Cantrill, Harold . . Dorridge, Warwick-&#13;
shire.&#13;
Chesser, Mrs. E. Sloan . Beauchamp House,&#13;
Gloucester.&#13;
Colvile, Rex . . . 15, Colinette Road,&#13;
Putney.&#13;
Dunhill, Thomas Frederick 17, Frances Road,&#13;
Windsor.&#13;
Forsyth, Cecil . . . Blandford Mansions,&#13;
G., East Street,&#13;
Baker Street, W.&#13;
Fox, Esther T. . . . 69, Tressillian Road,&#13;
St. John's, S.E.&#13;
Freer, H. B. . . . Ardmore, Gravesend,&#13;
Kent.&#13;
Freestone, Saie. . . Hinton Chambers,&#13;
Bournemouth.&#13;
Gray, Miss Annabel . . 1, Mechlin Mansions,&#13;
Brook Green, S.W.&#13;
Griffiths, Miss N. . . Ridgeway, Dormans&#13;
Land, Surrey.&#13;
Hamilton, Cosmo . . L4 Uc. Albany, Picca-&#13;
dilly, W.&#13;
Hope, Graham . . . Women's Amalgama-&#13;
ted Unionist and&#13;
Tariff Reform&#13;
Association, 39a,&#13;
Maddox Street,&#13;
Hanover Square,&#13;
W.&#13;
Jones, Hinton . . . 99, Hallam Street,&#13;
Portland Place, W.&#13;
Leigh, Miss Gertrude . Nesbit Cottage, Win-&#13;
chelsea, Sussex.&#13;
Livens, W. Howard&#13;
(William Howard)&#13;
coln.&#13;
Morel, Jean . . . St. John's College,&#13;
(Claude Odilé)&#13;
H 2, Cambridge.&#13;
O'Donnell, Miss Petronella Nelson Villa. The&#13;
Beach, Clevedon,&#13;
Somerset.&#13;
Openshaw, Miss Mary . 37, Queen's Gate&#13;
Gardens, S.W.&#13;
Poole, M. C. Conway . E. I. United Service&#13;
(Oslay)&#13;
Club.&#13;
Poore, Niss L. C. . . Rainhill, Liverpool.&#13;
Simpson, Violet A.&#13;
Sowerby, Getha.&#13;
Spry-Palmer.&#13;
Sugden, Charles . . 2c, Hyde Park Man-&#13;
sions, N.W.&#13;
Wallis, Arthur F. . . 15, Stanley Crescent,&#13;
Webster, William H. . 31, Stratford Street,&#13;
Dewsbury Road,&#13;
Leeds.&#13;
Whibley, Charles . . Wavenden Manor,&#13;
Woburn Sands.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
BIOGRAPHY.&#13;
MRS. GASKELL: WITH SELECTIONS FROM HER WORKS.&#13;
By MRS. ELLIS H. CHADWICK. Regent Library Series.&#13;
7 X 44. 387 pp. Herbert &amp; Daniel. 28. 6d. n.&#13;
CHARLES DICKENS AS EDITOR. Being Letters written by&#13;
Him to William Henry Wills, his Sub-Editor. Selected&#13;
and Edited by R. C. LEHMANN. 9 x 51. 104 pp.&#13;
Smith Elder. 128. 6d. n.&#13;
A COSMOPOLITAN ACTOR : DAVID GARRICK AND HIS&#13;
FRENCH FRIENDS. By F. A. HEDGECOCK. 9 x 57.&#13;
412 pp. Stanley Paul, 10s. 6. n.&#13;
CLASSICAL.&#13;
CLASSIC MYTH AND LEGEND. By A. R. HOPE MON-&#13;
CRIEFF. 83 x 51. 440 pp. Gresham Publishing Co.&#13;
78. 64. n.&#13;
DRAMA.&#13;
Two PLAYS,!By TCHEKHOF: THE SEAGULL, THE CHERRY&#13;
ORCHARD. Translated by GEORGE CALDERON. 8 x 53.&#13;
155 pp. Grant Richards. 38. 6d. n.&#13;
THE PIGEON. A Fantasy in Three Acts. By JOHN&#13;
GALSWORTHY. 63 x 5. 83 pp. Duckworth. ls. 6d. n.&#13;
CHAUCER REDIVIVUS. A Playlet for the open air or hall.&#13;
By WILLIAM SCOTT DURRANT. George Allen &amp; Co.,&#13;
Ltd. 6d. n.&#13;
EDUCATIONAL,&#13;
WONDERS OF PLANT LIFE. By S. LEONARD BASTIN.&#13;
Cassell &amp; Co. 38. 6d.&#13;
W.&#13;
FICTION&#13;
SUCCESS. By Una L. SILBERRAD. 7 x 5. 316 pp.&#13;
Constable. 68.&#13;
THE PRISON WITHOUT A WALL. By R. STRAUS. 73 x 5.&#13;
307 pp. Heinemann. 68.&#13;
THE DEVIL'S WIND. By PATRICIA WENTWORTH (MRS.&#13;
G.F. DILLON). 73 * 5. 352 pp. Melrose.&#13;
HONESTY. By M. E. FRANCIS. 74 . 320 pp. Hodder &amp;&#13;
Stoughton. 68.&#13;
THE PRINCIPAL GIRL. By J.C. SNAITH. 73 x 5. 312 pp.&#13;
Methuen. 68&#13;
&#13;
&#13;
## p. 148 (#584) ############################################&#13;
&#13;
148&#13;
THE AUTHOR.&#13;
THE CURE. A Psychological Farce. By DESMOND COKE.&#13;
MISCELLANEOUS.&#13;
78 x 5. 310 pp. Chapman &amp; Hall.&#13;
HAVOC.&#13;
MOTHERCRAFT. By MRS. ELLIS H. CHADWICK. 77 x 5.&#13;
By E. P. OPPENHEIM. 7 x 5. 349 Pp. 126 pp. Sir Isaac Pitman &amp; Sons. lx.&#13;
Hodder &amp; Stoughton. 68.&#13;
LETTERS TO LOO ISE ON LIFE, LOVE AND IMMORTALITY.&#13;
A QUEEN OF CASTAWAYS. By John BARNETT. 77 x 5.&#13;
By JEAN DELAIRE. 192 pp. William Rider &amp; Son, Ltd.&#13;
308 pp. Methuen. 38. 6d.&#13;
28. 6d. n.&#13;
RUTH OF THE ROWLDRICH. By MRS. STANLEY WRENCH.&#13;
MUSIC.&#13;
78 * 5. 368 pp. Mills &amp; Boon. 68.&#13;
Exit ELIZA. By BARRY PAIN. 7 x 5. 120 pp. A FAIRY TALE. By THEODORE HOLLAND. Words by&#13;
Cassell. 18.&#13;
ROLAND CARSE. Boosey &amp; Co., 295, Regent Street, W.&#13;
THE SPINDLE. By ELIZABETH HARDEN. 356 pp. John MIRAGE. A Valse. By THEODORE HOLLAND. John&#13;
Long. 68.&#13;
Church Co., 45, Wigmore Street.&#13;
THE RIGHT HAND. By J. BLOUNDELLE-BURTON. Everett&#13;
NATURAL HISTORY.&#13;
&amp; Co. 6s.&#13;
DEAD MEN'S BELLS. Ry FREDERICK NIVEN. 310 pp. THE MIGRATION OF BIRDS. By T. A. COWARD. The&#13;
Martin Secker, 68.&#13;
Cambridge Manuals of Science and Literature. 61 x 5.&#13;
THE CHINK IN THE ARMOUR. By MRS. BELLOC 137 pp. Cambridge University Press. 18. n.&#13;
LOWNDES. 73 x 5. 316 pp. Methuen. 68.&#13;
BRITISH BIRDS' NESTS, How, WHERE AND WHEN TO&#13;
THE COWARD. By R. H. BENSON. 73 x 5. 392 pp. FIND AND IDENTIFY THEM. By R. KEARTON. Part I.&#13;
Hutchinson. 68.&#13;
93 x 61. 32 pp. Cassell. 7d. n.&#13;
THE ROOM IN THE TOWER. By E. F. BENSON. 78 X 5.&#13;
338 pp. Mills &amp; Boon. 68.&#13;
POLITICAL.&#13;
FIRE IN STUBBLE. By THE BARONESS ORCZY. 73 X 5, HOME RULE. By HAROLD SPENDER. With a preface by&#13;
410 pp. Methuen. 6s.&#13;
THE RIGHT HONOURABLE SIR EDWARD GREY, BART.&#13;
ETERNAL GLORY. By CARLTON DAWE. 73 x 5. 352 pp. M.P. 7 X 5. 180 pp. Hodder &amp; Stoughton. 18. D.&#13;
Eveleigh Nash. 68.&#13;
SAM BRIGGS: His Book. By RICHARD MARSH. 7 x 5.&#13;
REFERENCE BOOKS.&#13;
304 pp. John Long. 68.&#13;
Who's WHO IN SCIENCE (International). Edited by H.&#13;
THE SINGING BONE. By R. AI'STIN FREEMAN. 78 X 5.&#13;
H. STEPHENSON. 94 x 57. 323 pp. J. &amp; A. Churchill.&#13;
312 pp. Hodder &amp; Stoughton. 28. n.&#13;
THE THREE ENVELOPES. By HAMILTON DRUMMOND.&#13;
SCIENCE.&#13;
73 X 43. 319 pp. Stanley Paul. 68.&#13;
FOURTH REPORT OF THE WELLCOME TROPICAL RESEARCH&#13;
CYNTHIA OF THE MINUTE. By L. J. VANCE. 78 x 5.&#13;
LABORATORIES AT THE GORDON MEMORIAL COLLEGE.&#13;
318 pp. Grant Richards. 68.&#13;
KHARTOUM. Vol. B. General Science. By A. BALFOCR,&#13;
RUPERT OF HENTZAU. By ANTHONY HOPE. 61 X 4.&#13;
M.D. 11 x 73. 333 pp. Published for the Department&#13;
Nelson. 7d. n.&#13;
of Education, Sudan Government, Khartoum. Ballière,&#13;
MIRANDA OF THE BALCONY. By A. E. W. MASON.&#13;
Tindall &amp; Cox.&#13;
256 pp. Macmillan. 7d. n.&#13;
188. n.&#13;
THE WOMAN HUNTER. By ARABELLA KENEALY, 7} x 5.&#13;
TRAVEL.&#13;
334 pp. Stanley Paul. 68.&#13;
THE ARCTIC PRAIRIES. By ERNEST THOMPSOS SETOS.&#13;
ESTHER. By AGNES E. JACOMB. 74 x 5. 303 pp. 9 x 51. 415 pp. Constable. 12s. 60. 11.&#13;
Heinemann. 6s.&#13;
RUINS OF DESERT CATHAY. Personal Narrative of&#13;
HERITAGE. By VALENTINA HAWTREY. 7{ x 5. 389 pp.&#13;
Explorations in Central Asia and Westernmost China.&#13;
Constable. 6s.&#13;
By M. AUREL STEIN. Two volumes. 94 X 64. 517 pp.&#13;
FELIX ('HRISTIE. By PEGGY WEBLING. 73 5. 345 pp. Macmillan. 428. n,&#13;
Methuen. 68.&#13;
SCENTED ISLES AND CORAL GARDENS. Torres Straits,&#13;
THE ENDLESS JOURNEY AND OTHER STORIES. By NETTA&#13;
German New Guinea, and the Dutch East Indies. Br&#13;
SYRETT. 73 X 43. 317 pp. Chatto &amp; Windus. 68.&#13;
C. D. MACKELLAR. 9 X 54. 351 pp. Murray. 158. Il.&#13;
THE GIFTED NAME. By MRS. FRED REYNOLDS. 73 x 5.&#13;
307 pp. Hodder &amp; Stoughton. 68.&#13;
THE CLOAK OF CONVENTION. By LESLIE MOORE. 75 X 5.&#13;
326 pp. Alston Rivers. 68.&#13;
THE OPEN VALLEY. By HELEN H. WATSON (MRS. BOOKS PUBLISHED IN AMERICA BY&#13;
HERBERT A. WATSON). 78 X 5. 344 pp. Cassell. 68.&#13;
MEMBERS.&#13;
THIRTEEN. By TEMPLE THURSTON. 78 X 5. 279 pp.&#13;
Chapman &amp; Hall. 68.&#13;
VEENI THE MASTER. - The Story of a Dream.” By&#13;
ART.&#13;
R. J. LAMPORT. 78 x 5. 305 pp. Stanley Paul. 6s.&#13;
TONY U'NREGENERATE. By JANET DODGE. 73 X 5. WHISTLER. By FRANK RUTTER. New York: Kennerler.&#13;
312 pp. Duckworth. 68.&#13;
$1 n.&#13;
A BLIND ALLEY. By S. W. SAVI. 74 x 5. Digby Long.&#13;
BIOGRAPHY.&#13;
68.&#13;
THE STORY OF EMMA, LADY HAMILTON. With 30&#13;
BARTER. By GERTIE DE S, WENTWORTH JAMES. 8 x 5.&#13;
Reproductiuns in Colour of famous Paintings and&#13;
318 pp. Everett. tis.&#13;
Engravings, and other Illustrations. 2 Volumes. By&#13;
IN LOVE'S LAND. By EFFIE A. ROWLANDS. 73 x 5. FRANK DANBY. 107 + 113 pp. New York:&#13;
319 pp. Ward Lock. 68.&#13;
Macmillan Co. $1.75.&#13;
LORD OF TRONGRAY. By J. B. HARRIS-BURLAND. 7} x 5. THE LIFE OF JOHN RUSKIN. In 2 Volumes. Vol. I.&#13;
365 pp. Greening. 68.&#13;
1819-1860; Vol. II. 1860-1900. By E. T. COOK.&#13;
JUVENILE.&#13;
540 + 615 pp. New York : Macmillan Co. $7 n.&#13;
THE ROMANTIC LIFE OF SHELLEY AND THE SEQUEL. By&#13;
WHERE THE HEDGEROWS END, AND OTHER FAIRY TALES. FRANCIS GRIBBLE. 387 pp. New York: Putnams&#13;
By - ISH BEL." 64 pp. John Ouseley. 18, n.&#13;
$4 n.&#13;
&#13;
&#13;
## p. 149 (#585) ############################################&#13;
&#13;
THE AUTHOR.&#13;
149&#13;
TOPOGRAPHY.&#13;
VENICE AND VENETIA. By EDWARD HUTTON. With&#13;
14 Illustrations in Colour by MAXWELL ARMFIELD, and&#13;
12 other Illustrations. 324 pp. New York: Macmillan&#13;
Co. $2 n.&#13;
TRAVEL.&#13;
THROUGH TRACKLESS LABRADOR. By HESKETH&#13;
PRICHARD. With a Chapter on Fishing by G. M.&#13;
GATHORNE HARDY. Illustrated with a Frontispiece. By&#13;
LADY HELEN GRAHAM. A Map of the Route, and from&#13;
photographs. 244 pp. New York : Sturgis. $4 n.&#13;
THE ARCTIC PRAIRIES. A Canoe Journey of 2,000 miles in&#13;
search of Caribou. Being the Account of Voyage to the&#13;
Region North of Aylmer Lake. 415 pp. New York :&#13;
Scribner. $2.50.&#13;
THE SURGEON'S Log. Being Impressions of the Far&#13;
East. By J. JOHNSTON ABRAHAM. 388 pp. New&#13;
York : Dutton. $2.50 n.&#13;
THE LEAVES OF THE TREE; STUDIES IN BIOGRAPHY.&#13;
By ARTHUR C. BENSON. 154 pp. New York: Putnam.&#13;
$1.50 n.&#13;
THE LIFE OF JAMES MACNEILL WHISTLER. By MRS. E.&#13;
ROBINS. PENNELL &amp; JOSEPH PENNELL. Phil. :&#13;
Lippincott. $3.50 n.&#13;
DRAMA.&#13;
THE BLUE BIRD. A Fairy Play in Six Acts. By MAURICE&#13;
MAETERLINCK. Translated by ALEXANDER TEIXEIRA&#13;
DE MATTOS. With 25 Illustrations in Colour by F.&#13;
CAYLEY ROBINSON. 211 pp. New York : Dodd Mead.&#13;
$1.50 n.&#13;
FICTION.&#13;
THE BARON'S HEIR. A Sixteenth Century Romance for&#13;
Young People. By ALICE WILson Fox. With Illustra-&#13;
tions Designed by JOYCE BURGES. 352 pp. New York:&#13;
Macmillan. $1.35 n.&#13;
WHEN NO MAN PURSUETA. By M. A. BELLOC LOWNDES.&#13;
396 pp. New York : Kennerley. $1.35 n.&#13;
Havoc. By E. P. OPPENHEIM. With Illustrations in&#13;
Colour by HOWARD CHANDLER CHRISTY. 323 pp.&#13;
Boston : Little Brown. $1.25 n.&#13;
DOOR IN THE WALL AND OTHER STORIES. By H. G.&#13;
WELLS. New York: Kennerley. $1.50 n.&#13;
CHRISTOPHER. By RICHARD PRYCE. 364 pp. Boston :&#13;
Houghton Mifflin. $1.35 n.&#13;
THE MONEY MOON: A ROMANCE. By JEFFERY FARNOL.&#13;
330 pp. New York : Dodd Mead. $3.75 n.&#13;
A BED OF ROSES. By W. L. GEORGE. New York.&#13;
Brentanos. $1.35.&#13;
LITTLE LORD FAUNTLEROY. By FRANCES HODGSON&#13;
BURNETT. Newly illustrated by REGINALD BIRCH.&#13;
246 pp. New York : Scribner. $2 n.&#13;
THE COMPOSER. By AGNES &amp; EGERTON CASTLE.&#13;
289 pp. New York : Doubleday Page. $1.20.&#13;
THE CASE OF RICHARD MEYNELL. By Mrs. HUMPHRY&#13;
WARD. Illustrated by C. E. BROCK. 630 pp. New&#13;
York : Doubleday Page. $1.35 1.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
JUVENILE.&#13;
CHILDREN'S STORIES FROM SHAKESPEARE. By E.&#13;
NESBIT. 124 pp. New York: R. Tuck &amp; Sons. $2.&#13;
JOHN TEMPLE, Merchant Adventurer, Convict and Con-&#13;
quistadore. By RALPH DURAND. 371 pp. New York:&#13;
Macmillan. $1.25 n.&#13;
MISCELLANEOUS.&#13;
MORE LETTERS TO My Son. By WINIFRED JAMES.&#13;
134 pp. New York : Moffat, Yard. $1 n.&#13;
FLOREAT ETONA: Anecdotes and Memories of Eton&#13;
College. By RALPH NEVILL. 336 pp. New York :&#13;
Macmillan. $5 n.&#13;
MUSIC.&#13;
STYLE IN MUSICAL ART. By Sir HUBERT PARRY.&#13;
439 pp. New York : Macmillan. $3.25 n.&#13;
POST-VICTORIAN MUSIC. With other Studies and Sketches.&#13;
By C. L. GRAVES. 369 pp. New York : Macmillan&#13;
Co. $2 n.&#13;
PoᎬᎢᎡY.&#13;
PsychE. By FRANCIS COUTTS. 69 pp. New York :&#13;
John Lane. $1.25 n.&#13;
SCIENCE.&#13;
THE ORIGIN OF LIFE. Being an Account of Experiments&#13;
with certain Superheated Saline Solutions in Hermetically&#13;
Sealed Vessels. With 10 Plates, containing numerous&#13;
illustrations from Photo-micographs. By H. CHARLTON&#13;
BASTIAN. 119 pp. New York : Putnams. $1.50 n.&#13;
N January 18, after a brief illness, Miss Ida&#13;
Woodward died at Bournemouth, much&#13;
regretted. She had been a member of the&#13;
Authors' Society but for a short time, but not too&#13;
short for her to have formed a high opinion of its&#13;
utility. She was the writer of “ A History of&#13;
Purbeck,” and of “ Five English Consorts of&#13;
Foreign Princes,” published by Messrs. Methuen in&#13;
1911. The book was very favourably received, and&#13;
had the honour of being included in the list of&#13;
those accepted by their Majesties for reading during&#13;
the voyage to India.&#13;
“Where the Hedgerows End, and other Fairy&#13;
Tales," by “Ishbel," has been published by Messrs.&#13;
John Ouseley. There are seven stories in the&#13;
volume, besides the one from which it takes its&#13;
title.&#13;
A second edition of “ An Englishman," by&#13;
Mary L. Pendered, is to appear shortly from the&#13;
house of Messrs. Mills &amp; Boon, through the courtesy&#13;
of Messrs. Methuen &amp; Co., who have kindly cancelled&#13;
the agreement made by them in 1899, when the&#13;
novel first appeared. “In My Garden," a little&#13;
anthology and memorandum book for Nature lovers,&#13;
compiled by the same author and Alice Stronach in&#13;
collaboration, is also to be republished by Messrs.&#13;
Perkins &amp; Co., of Wellingborough ; London agents,&#13;
Messrs. Simpkin, Marshall &amp; Co. This will be its&#13;
third edition, making 6,000 copies. It is timed to&#13;
appear at Easter.&#13;
Count Plunkett, F.S.A., has been elected President&#13;
of the Royal Society of Antiquaries of Ireland. He&#13;
bas lately published. for the Dublin Museum of&#13;
Science and Art, a thoroughly revised edition to&#13;
Miss Stokes' “ Early Christian Irt in Ireland."&#13;
&#13;
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## p. 150 (#586) ############################################&#13;
&#13;
150&#13;
THE AUTHOR.&#13;
Mr. Vladimir Cernicoff, the Russian pianist, has subject; and some 250 authors in all are repre-&#13;
included Mr. Theodore Holland's new pianoforte sented. The Anthology will appear in the Oxford&#13;
pieces, “ Prelude” and “ Cradle Song," in his Editions of Standard Authors.&#13;
recent tour in Germany.&#13;
“ The Open Valley," a new novel by Mrs. Herbert&#13;
Messrs. F. V. White &amp; Co. published, last month, A. Watson (Helen H. Watson), has been published&#13;
a theatrical novel by Gertrude Warden, entitled by Messrs. Cassell &amp; Co. in February. Messrs.&#13;
“ The Path of Virtue." Miss Warden has had Mills &amp; Boon are issuing early in the new year&#13;
seventeen years' experience of stage work in a cheap reprint of Mrs. Watson's novel “ The&#13;
London, the provinces and America.&#13;
Captain's Daughter."&#13;
Two of Dr. Reinhardt's books are being issued We have been asked to note that the English&#13;
by Stead's Publishing House, Kingsway. The Review, commencing with the January number,&#13;
first is entitled “Science and the Soul," and deals 1912, will be issued at the reduced price of 1s.&#13;
with a subject of universal interest. It is issued (12s. 6d. annual subscription, post free to all parts of&#13;
at 2s. The other book is a new edition of Dr. the world).&#13;
Reinhardt's ls, treatise, “ Diet and the Maximum Mr. George A. Birmingham has just published&#13;
Duration of Life," of which upwards of ten “The Lighter Side of Irish Life,” with sixteen colour&#13;
thousand copies have already been issued.&#13;
illustrations by Henry W. Kerr, R.S.A., at the&#13;
“ Dead Men's Bells” is the title of Mr. Frederick price of 5s. net, from the house of T. X. Foulis.&#13;
Niven's new book. Mr. Martin Secker is the The book is written in Mr. Birmingham's best&#13;
publisher.&#13;
vein, and has many good stories, but there is also a&#13;
The World's Work for February contains great deal of sound information about the people,&#13;
an article by Mr. H. F. Prevost Battersby on their habits and customs. The illustrations are&#13;
“Tolstoy as a Schoolmaster.” The same issue con- quite first class and well reproduced.&#13;
tains an article entitled “ Agricultural Education “Vagabond City," Miss Winifred Boggs' new&#13;
vid the Dairy,” by “ Home Counties.” It treats of book, is published by Messrs. Putnams. The action&#13;
aspects of dairying and agricultural progress in the of the story takes place in the New Forest.&#13;
Netherlands.&#13;
The Rev. F. T. Royd's new book, “ Job and the&#13;
The Poetry Review for February has an article Problem of Suffering,” published by Messrs. Wells,&#13;
on The Lyric, by Darrell Figgis.&#13;
Gardner &amp; Co., is designed to appeal alike to the&#13;
Irene Osgood has published, through Messrs. general reader and the theological student. Special&#13;
Weekes &amp; Co., four songs, entitled respectively, attention is given to interesting and difficult&#13;
“I Wonder," " Wood Violets,” “ The Coronation passages with the aid of the best modern Hebrew&#13;
of the Pixies” and “ Petitions.”&#13;
scholarships. Many parallels are quoted from&#13;
“ Chaucer Redivivus” (Allen, 6d.) is a playlet by classical and modern literature, and an original&#13;
Mr. Scott Durrant for the open air or hall. Its essay is included on the Problem of Suffering in&#13;
appeal is to literary societies, senior schools, etc., the Light of Christianity and modern thought.&#13;
and it presents, in not too archaic “Chaucerese," a Sir James Yoxall, M.P., was unanimously elected&#13;
frolicsome story of the sixth wooing and marriage President of the British International Association&#13;
of the Wyf of Bathe.&#13;
of Journalists, at the recent annual meeting of that&#13;
Mr. Scott Durrant has also an article in the body, particulars of which may be obtained from&#13;
February issue of The Treasury on - The Children's the secretary, Mr. James Baker. The address of&#13;
Crusade of 1212.”&#13;
the Association is La Belle Sauvage, E.C.&#13;
The “Literary Year Book” will, we understand, “ Henrietta Taking Notes," by Miss E. Crosby&#13;
in future, be published by Mr. John Ouseley. Heath, gives the impressions of a little girl of&#13;
Messrs. Chapman &amp; Hall are publishing “ The eleven, daughter of a dramatic critic, concerning&#13;
Fly in the Ointment,” a first novel by Frances her family and her friends. John Lane, the&#13;
Hammond. The heroine is a young girl, Theo Bodley Head, is the London publisher. There is&#13;
Hope, whose fortunate circumstances are discounted a mingling of humour and pathos in the book,&#13;
by the fact that from birth she is doomed to be which is also published in America, where the&#13;
"different.” The plot deals with the development publishers are the John Lane Co.&#13;
of her character from the moment when she M r. J. Bloundelle Burton has recently published.&#13;
realises her fate until, after many vicissitudes, she through Messrs. Everett &amp; Co., a novel entitled&#13;
attains happiness and peace of mind.&#13;
“The Right Hand.”&#13;
“The Book-Lovers' Anthology," edited, with Messrs. Chapman &amp; Hall have just issued the&#13;
notes, by R. M. Leonard, will be issued immediately fourth volume of the two-shilling edition of the&#13;
by Mr. Frowde. It consists of passages in poetry " John Westacott" novels. This volume is Mark&#13;
and prose relating to books in all their aspects, Tillotson,” the novel that deals with the Cornish&#13;
libraries, and reading, grouped according to the coast and the river scenery of the Elbe, the charac-&#13;
&#13;
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## p. 151 (#587) ############################################&#13;
&#13;
THE AUTHOR.&#13;
151&#13;
ters being English, with the exception of the month. Messrs. John Church &amp; Co. publish the&#13;
Raphaellis. The author, James Baker, is now valse.&#13;
engaged upon a volume upon Austria, to be illus- Mrs. Ellis H. Chadwick has published, through&#13;
trated in colour by Donald Maxwell.&#13;
Messrs. Herbert and Daniel, a volume on “Mrs.&#13;
Miss Regina Miriam Bloch will give a reading of Gaskell : with Selections from her Works," which&#13;
her own work at the Studio Theatre, 92, Victoria has been included in the Regent Library Series&#13;
Street, Westminster, S.W., on March 10, at issued by that firm.&#13;
8 p.m. She will be assisted by Mr. Julian Gade, Messrs. Sir Isaac Pitman and Sons have&#13;
Mrs. Norman Ma Owan (of “Monsieur Beau- published, at ls. “Mothercraft," another volume&#13;
caire”), and others. The reading, which comprises from Mrs. Chadwick's pen.&#13;
fantasies, stories, and poems, is under the patronage Mr. Andrew Melrose announces for immediate&#13;
of Lord Montagu of Beaulieu, the Hon. Lady B. publication, a volume by Mr. G. H. Perris dealing&#13;
Fremantle, Mr. Israel Zangwill, and Mr. Theodore with Great Britain's foreign policy. Mr. Perris'&#13;
Watts-Dunton. Tickets at 23. 6d. each can be aim has been primarily to provide in this volume a&#13;
obtained from Miss R. M. Bloch, at 8, John Street, record of facts, and only secondarily a discussion&#13;
Adelphi, W.C.&#13;
of tendencies and principles. A detailed narrative&#13;
Messrs. Stanley Paul &amp; Co. have recently pub- of the Moroccan crisis of last autumn is given in&#13;
lished an intimate study of the social and artistic the volume, which will be published under the title&#13;
life of David Garrick, entitled “ David Garrick and of“ Our Foreign Policy and Sir Edward Grey's&#13;
his French Friends,” by Dr. F. A. Hedgcock. The Failure."&#13;
author deals largely with the great actor's friend- Mr. Heinemann published in February Agnes E.&#13;
ships with the distinguished French men and Jacomb's new novel “ Esther.”&#13;
women of his day. The dazzling society of the Mr. S. Leonard Bastin has published, through&#13;
philosophic salons, and the tinsel glories of the Messrs. Cassell &amp; Co., “Wonders of Plant Life.”&#13;
Comédie Française of the period are made to live It is published at 3s. 6d.&#13;
again by brief portraits of Diderot, d'Holbach, In “Letters to Louise on Life, Love and&#13;
Borellet, Suard, Mme. Riccoboni, Mlle. Clairon, Immortality,” Madame Jean Delaire depicts much&#13;
and others. Dr. Hedgcock has many stories to tell of the intellectual and emotional unrest of the&#13;
of the great master of tragedy, comedy, and farce, present day, reflected in the mind of a brilliant&#13;
and gives many examples of his drolleries, his witty woman of the world, who, in the form of letters&#13;
sallies, and his amusing escapades. He also gives written to an old friend across the seas, reveals her&#13;
a critical estimate of Garrick's histrionic achieve struggles towards truth, and a clear understanding&#13;
ments.&#13;
of the great world problems. Messrs. William&#13;
" The Three Envelopes” is the title of a new Rider &amp; Son, Ltd., are the publishers.&#13;
novel from the pen of Mr. Hamilton Drummond Messrs. John Long, Ltd., have recently published&#13;
which Messrs. Stanley Paul &amp; Co. have just a novel called “The Spinale," which is from the&#13;
published. In this story the author breaks fresh pen of Miss Elizabeth Harden.&#13;
ground-touching the weird and supernatural. It A small book by a member of the society entitled&#13;
tells of one Corley, who, weary of humdrum exist- “ The Land of Shadows : or Mad as à March&#13;
ence, makes the acquaintance of a strange society, Hare," and commended to Mr. Lloyd George, has&#13;
“ The Society for Promoting Queer Results,” and lately appeared. Messrs. W. H. Smith and Sons&#13;
of the many remarkable experiences which befall are the publishers, the price is 6d. The book is a&#13;
him in consequence.&#13;
skit on the present Government.&#13;
Messrs. Stanley Paul &amp; Co. have also published Two books by Professor Skeat have reached a&#13;
" Veeni the Master," a new novel by R. Fifield second edition and are now ready ; viz. “ English&#13;
Lamport. The dissolution of the world Earth Dialects ” (Pitt Press); and “ The Place-names of&#13;
and the reincarnation in the world Zan, and the Cambridgeshire" (Cambridge Antiquarian Society).&#13;
many subsequent strange events are its subject. Derek Vane is now writing a serial story for&#13;
A new novel by “Rita” (Mrs. Desmond the National Press Agency, Ltd., and half a dozen&#13;
Humphreys) will shortly be published by Mr. short stories for The Throne. Stories by the same&#13;
Eveleigh Nash. It deals with that rather ticklish author are also shortly appearing in the ** London "&#13;
subject, the “Nonconformist conscience.” The title and “Novel” magazines.&#13;
is “ Grim Justice.”&#13;
A new edition of Mr. Sidney Heath's “Our&#13;
A new song by Mr. Theodore Holland, “A Fairy Homeland Churches and How to Study Them”&#13;
Tale” (words by Rowland ('arse), was published will shortly be published by the Homeland Associa-&#13;
last month by Messrs. Boosey &amp; Co.&#13;
tion. The text has been remodelled and lengthened ;&#13;
A new valse by Mr. Holland, entitled “Mirage,” the illustrations have been revised, and now include&#13;
is to come out at the Albert Hall on the 6th of this a series of architectural drawings by Mr. J. R.&#13;
&#13;
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## p. 152 (#588) ############################################&#13;
&#13;
152&#13;
THE AUTHOR.&#13;
Leathart. The new edition, which completes the Yeats' Morality “ The Hour Glass," Father Adder-&#13;
ninth thousand of the book, will be issued in the ley's “ Twelfth Night” Interlude “ Epiphany," and&#13;
form of the “Homeland” Pocket Books at half- Lady Gregory's Miracle Play “The Travelling&#13;
a-crown nett.&#13;
Man” were the plays produced. The cast included&#13;
1: Mr. John Long will publish shortly a new novel Miss Edyth Latimer, Miss Margaret Halstan, Mr.&#13;
from the pen of Mr. Charles Igglesden, author of William Haviland, Mr. James Hearn and Mr. W.&#13;
“A Flutter with Fate," and several topographical G. Fay.&#13;
works on Kent. “Clouds" is the title of Mr. A one-act play “The Lady Cashier," by H. M.&#13;
Igglesden's new novel, which describes the efforts Paull, was produced at the Coronet Theatre on&#13;
of the son of a tradesman to raise a farmhouse girl February 5, preceding “ Baby Mine” at that&#13;
to the status that he himself holds. Mr. Igglesden, theatre. A lady cashier, coming into an unexpected&#13;
in the course of the story, gives the reader glimpses inheritance from an uncle abroad, leaves her employ-&#13;
of historic spots in Kent.&#13;
ment and proceeds to spend her inheritance on the&#13;
The third volume in Messis. G. P. Putnam's Continent. It appears, subsequently, that the&#13;
Mauve Library is “ The End of a Song,” by money should have gone to a nearer relative, whose&#13;
Jeannette Marks. It is a simple tale of life in a death had been too hastily assumed. Meanwhile,&#13;
little Welsh village, and the theme is the love the lady has become engaged to a baronet, who&#13;
between the heroine (a dear old woman) and the promptly throws her over on learning the truth as&#13;
hero, a baby boy.&#13;
to her fortune, and the lady returns to the restaurant,&#13;
Mrs. Mary Gaunt's book “ Alone in West where she confides in one of the customers, a&#13;
Africa ” was published by Mr. Werner Laurie on solicitor, who promises to act for her in a breach of&#13;
January 15. Mrs. Gaunt made an overland promise action, without knowing that the defendant&#13;
journey along the Gold Coast, and then turned is one of his clients. The baronet consults him,&#13;
inland in a canoe up the little known Voltaa river, and the two endeavour to pacify the lady, even-&#13;
and thence by paths across the hilly country into tually, with success. Miss Amy Willard, Mr. E.&#13;
the German territory of Togo. She visited the Spencer Geach, and Mr. Edward Leith are in the&#13;
sleeping sickness camp at Mount Klutow, made piece.&#13;
her way to Lome, the capital, and thence overland Sir Arthur Pinero's comedy, in four acts, “ The&#13;
again to Keta, in British territory, once more. Mind the Paint' Girl," was produced at the Duke&#13;
She next visited Ashanti and journeyed to Sunyani, of York's Theatre on February 17. The play&#13;
which now is one of the richest possessions of deals with the life, off the stage, of musical&#13;
the British crown. Mrs. Gaunt's book is illus- comedy girls, as well as of their admirers. The&#13;
trated with 100 plates from photographs taken by cast includes Mr. Allen Aynesworth, Mr. Nigel&#13;
herself.&#13;
Playfair, Miss Marie Löhr, and Miss Clare Greet.&#13;
On February 23, Mr. Martin Secker published “In face of the Enemy,” by E. White, is a&#13;
Mr. Laurence North's new novel “ The Golightlys, dramatic sketch in one act, and deals with an&#13;
Father and Son." In this story Mr. North (Mr. episode during the war between France and&#13;
J. D. Symon) has written in an entirely different Germany, just after the battle of Saarbruck. It&#13;
vein from that of his former books—“Syrinx” and is published from The Booklet Press, Broadway,&#13;
“ Impatient Griselda.”&#13;
Amersham, Bucks.&#13;
DRAMATIC&#13;
Mr. John Galsworthy's new play, “ The Pigeon,"&#13;
was produced at the Royalty Theatre last month.&#13;
“ The Pigeon” is a great-hearted artist who hates&#13;
PARIS NOTES.&#13;
to see a fellow-being suffer. In consequence, he&#13;
befriends a flower-girl, a broken-down cabman, and&#13;
an alien interpreter. His efforts towards the re- “ CYATHERINE SFORZA (1463–1509): une&#13;
demption of these three “ wasters” are not, how U Héroïne de la Renaissance italienne,” is&#13;
ever, successful, and the vagrancy problem of&#13;
a résumé of the famous book by Pier-&#13;
which they are a part remains unsolved. The Desiderio Pasolini. It is very cleverly compiled&#13;
cast includes Mr. Dennis Eadie, Miss Margaret by Marc Helys, who also writes an excellent intro-&#13;
Morris, Mr. Whitford Kane, and Mr. Wilfrid duction to her work. Several historians hare&#13;
Shine.&#13;
written accounts of this wonderful woman. One&#13;
The Morality Play Society presented a triple bill of Catherine's grandsons wrote the life of Jean de&#13;
ast month at the Court Theatre, when four perform Médicis, and devoted several pages of this book to&#13;
ances were given of plays by W. B. Yeats, the Ilon. the exploits of his ancestress. A Spanish monk,&#13;
and Rev. J. G. Adderley, and Lady Gregory: Mr. the historian Burriel, on being exiled from his&#13;
&#13;
&#13;
## p. 153 (#589) ############################################&#13;
&#13;
THE AUTHOR.&#13;
153&#13;
country, took refuge at Forli, where he lived for departure by this talented writer. Up to the&#13;
many years. He was the first to examine the present Pierre Mille is chiefly known for his clever&#13;
archives relating to Catherine Sforza, so that it is psychological studies of Frenchmen in the colonies.&#13;
to him we owe the first important biography of We have already drawn attention to Barnavaux&#13;
this heroine. His admiration for her caused him in exile. In this new book we have a very&#13;
to idealise her character and deeds to such a degree delicate and subtle pyschological study of a child.&#13;
that his work does not give us a correct idea of We have the author's first conversation with Caillou,&#13;
her. Towards the end of the nineteenth century a boy of five years old. From this first conversa-&#13;
Count Pier-Desiderio Pasolini published a bio- tion he is able to understand something of the child's&#13;
graphy of Catherine Sforza, which may be con- soul, of his character, his tastes, and his ideas.&#13;
sidered as an authentic account of this celebrated As time goes on, he and Caillou find they have much&#13;
Italian woman. The Pasolini family is as old as in common, and they confide in each other accord-&#13;
the Sforza family, and they both came from the ingly. Pierre Mille makes the acquaintance of the&#13;
same village. Count Pasolini has written many various friends of Caillou ; among others of Boulot&#13;
historical works, and has exceptional opportunities and of a certain street Arab, whom they surname&#13;
for examining the private archives of various Italian “La puce," and for whom they form a syndicate&#13;
families. The Italian edition of Caterina Sforza is later on, in order that he may go to a convalescent&#13;
in two huge volumes, and contains 1,435 documents, home. The pathos of this chapter is very touching.&#13;
most of which had never before been published. Various books on the psychology of the child&#13;
The work is splendidly illustrated, and is one of have been written, but none with a more true&#13;
the most complete accounts in existence of the Italy intuition and such a delicate touch of humour.&#13;
of that period, of the policy of its various States, “ La Renomée,” by Gaston Rageot, is a curious&#13;
and of the life, intrigues and conspiracies of its and extremely complex psychological study. Lucien&#13;
various Courts. The book at present is very rare, Mirar is a literary celebrity, a celebrity who makes&#13;
as it is out of print, and the blocks of the illustra- copy of his various love affairs. His wife is a&#13;
tions were destroyed in a fire. Marc Helys is to charming woman who had married at the age of&#13;
be congratulated on the clever way in which she twenty, and whose romance had been a very brief&#13;
has reduced this enormous work to a comparatively one. At the time when the story opens, she is&#13;
small edition, giving us a story of real life as quite reconciled to her lot and has accepted the&#13;
interesting as any novel.&#13;
position of the wife of a literary celebrity. She has&#13;
The titles of the chapters give an idea of some a child whom she adores, and she and her husband&#13;
of the subjects touched upon : “ The Court of each live their own life.&#13;
Milan,” “Catherine engaged to the Nephew of Presently a new interest comes into her 'existence.&#13;
Sixtus IV.," " Assassination of the Duke of Milan," She makes the acquaintance of a certain Antoine&#13;
“Sixtus IV. and his Court,” “His Death,” Bellême. They are soon on very friendly terms&#13;
“Splendour and Misery of the Court of Forli," and they discover that they have many ideas in&#13;
“ Intrigues of Lorenzo de Medicis,” “ Assassination common. As time goes on the two become all in&#13;
of Catherine's Husband,” “ She and her Children in all to each other, and, just as the situation is becom-&#13;
the Hands of the Assassins,” “Triumph and ing difficult, Lucien Mirar dies. The lovers marry,&#13;
Vengeance of Catherine,” “ Her second Marriage," and it is after their marriage that the tragedy com-&#13;
“ Her third Marriage," - Catherine and the Borgia mences. After the birth of their child, the mother&#13;
Family,” “ Catherine a Prisoner of War,” “ She is realises how much more her first-born son is to her.&#13;
accused of an attempt to Poison the Pope,” “Her An estrangement gradually begins between the two&#13;
trial," " Her Liberation after fourteen months in parents, and when the younger child, feeling that&#13;
Prison,” “Her Struggles and Intrigues to recover he is an unwelcome member of the family, leaves&#13;
her States," “ The Education of her Youngest Son," home, the father follows him and the mother is left&#13;
“ The Last Years and Death of Catherine.”&#13;
with her first-born son and her memories of the&#13;
The story of her youngest son is a novel in itself. past.&#13;
He was the greatest warrior of his times, and is The book is well written, and the characters are&#13;
known in history as “ Jean des Bandes Noires.” all very true to life and excellently portrayed.&#13;
He was also called “ Foudre de Guerre,” “ le Grand Among pamphlets which should be extremely&#13;
Diable," and, for the fame he brought to his country, interesting to the English at this juncture is one&#13;
“ Italia.” In 1526 he was wounded while fighting, by M. Biard d'Aunet (Ministre plénipotentiaire) on&#13;
and died as the result of an amputation at the age “La Ligue du Libre-Echange et la Liberté com-&#13;
of twenty-eight.&#13;
merciale."&#13;
The whole book will be found as fascinating as M. Biard d'Aunet is Vice-President of this&#13;
any work of fiction.&#13;
League, and is a great authority on the subject on&#13;
“ Caillou et Tili,” by Pierre Mille, is quite a new which he writes.&#13;
&#13;
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## p. 154 (#590) ############################################&#13;
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154&#13;
THE AUTHOR.&#13;
-&#13;
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- -&#13;
- ----&#13;
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-&#13;
-&#13;
The pamphlet is very clear. The author first Trarieux, taken from Balzac ; “ L'Eternel Mari,"&#13;
explains the title of his pamphlet. He then shows a four-act play by M. M. Alfred Savoir, and F.&#13;
clearly the effects of protection, and who benefits by Nozière, from Dostoïevsky ; “ La Flambée," by&#13;
protection. He gives some striking examples of Mr. Henry Kistemaeckers; “Les Sauterelles," a five-&#13;
protection and the maritime industries. He gives act play, by M. Emile Fabre ; “ Les Favorites,"&#13;
the objections raised by protectionists, and, after a a four-act play, by M. Alfred Capus ; " L'Amour&#13;
very brief summing up, he explains fully the object en Cage," a three-act piece, by M. M. André&#13;
and aim of the League over which he presides. de Lorde, Funck-Brentano and Jean Marsèle;&#13;
In “ La Revue Hebdomadaire," the Marquis de “L'Accord parfait," a three-act comedy by M.M.&#13;
Ségur writes an interesting study of Edmond and Tristan Bernard and Michel Provins; and“ Un Bean&#13;
Jules de Goncourt, and Jules Lemaître a series of Mariage," a three-act comedy by M. Sacha Guitry.&#13;
articles on Chateaubriand. M. Fernand Laudet&#13;
Ahys HALLARD.&#13;
gives us a biographical study of Augustin Cochin,&#13;
and the Abbé Augustin Sicard an extremely interest “Catherine Sforza (1463-1509)” (Perrin).&#13;
ing one on the “Grandes Abbayes et Grandes&#13;
“ Caillou et Tili,” (Calmann Lévy).&#13;
“ La Renomée," (Calmann Lévy).&#13;
Abbesses à la veille de la Révolution.”&#13;
Paul Bourget writes on "l'Art de Sully&#13;
Prud'homme," and the Comtesse de Courson an&#13;
article entitled “La Tragédie de Cawnpore."&#13;
GRAMOPHONE RECORDS.&#13;
M. Camille de Sainte Croix is giving a Shakes-&#13;
peare season at the Athénée Theatre, which has&#13;
MONCKTON V. TAE GRAMOPHONE Co. LTD.&#13;
been placed at his service by M. Abel Deval. A&#13;
performance is being given every Thursday as a M HIS was an appeal from a decision of Mr. Justice&#13;
matinée until May. The season opened with a 1 Joyce in an action brought by Mr. Lionel&#13;
“ Midsummer Night's Dream,” with the scenery Monckton, the well-known composer, who&#13;
specially designed by M. Simas, and with an claimed the exclusive right to make or authorise the&#13;
entirely fresh troupe of young actors. The plays making of gramophone sheets for the performance&#13;
to be given are “ The Taming of the Shrew," of the song entitled “Moonstruck," the plaintiff&#13;
"The Merchant of Venice," “ The Tempest," and being the author of the words and the music.&#13;
“ The Merry Wives of Windsor.”&#13;
The song was first published in Feburary, 1909,&#13;
M. Camille de Sainte Croix also intends to put and the performing rights were assigned to Mr.&#13;
on the famous Russian piece, “Boris Godounov." George Edwardes. The defendant company, which&#13;
An action has been brought against Messrs. carries on the business of manufacturers and sellers&#13;
Calmann-Lévy by Messrs. Fayard. The latter of gramophones, had copied, printed, or transcribed&#13;
claim that the cheap books brought out as the the song for the purpose of reproduction by means&#13;
“ Nouvelle Collection Illustrée" are constantly being of the company's gramophones.&#13;
bought in mistake for the “Modern Bibliothèque," The plaintiff did not rely upon any statutory copy-&#13;
published by Messrs. Fayard.&#13;
right, but he claimed that he was entitled to a com-&#13;
Messrs. Calmann-Lévy have won the case, as the mon law right of ownership in the composition, and&#13;
Court holds that there is sufficient difference in the that he could prevent anyone from using the work&#13;
titles of the publication and also in the names of to his detriment. Mr. Justice Joyce had held that&#13;
the authors published by these two firms to make after publication no common law right existed,&#13;
such mistakes unlikely.&#13;
and dismissed the action.&#13;
The French syndicate for the protection of intel The Master of the Rolls in his judgment said&#13;
lectual property is extremely active, and has several that the appeal raised a point which had&#13;
brilliant victories to announce. The Franco-Russian been so firmly settled that he was surprised&#13;
Convention has been approved by the Chamber of that it had been brought before the Court. The&#13;
Deputies and by the Senate. As a result of this, plaintiff was the composer of a song which had&#13;
an important group of the Moscow University has been introduced into a dramatic performance, and&#13;
signed a contract with the publishers, Armand he was undoubtedly entitled to the protection&#13;
Colin, for the translation rights in the Russian afforded by the statutes relating to literary and&#13;
language of a geological work by Professor Haug. dramatic rights. The defendants had not infringed&#13;
Arrangements are now being made with a view to those statutory rights, but the plaintiff claimed that&#13;
facilitating a convention with Greece, Chili and side by side with the statutory protection there&#13;
other countries.&#13;
existed at common law a perpetual right to restrain&#13;
Among the plays that have been given this reason the defendant company from making use of the&#13;
in the various theatres are the following : “Les musical ideas which the plaintiff had made public. On&#13;
Brebis Perdus," a three-act piece by M. Gabriel principle he could see no justification for that view.&#13;
-&#13;
-&#13;
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## p. 155 (#591) ############################################&#13;
&#13;
THE AUTHOR.&#13;
155&#13;
His Lordship referred to the cases dealing with stated in his evidence that he had never heard of&#13;
an author's proprietary rights at common law, and the plaintiff ; but it was contended on behalf of the&#13;
he quoted from the judgment of Lord Justice Far- latter that the story referred to the plaintiff as a&#13;
well in Mansell v. Valley Printing Company. In vulgar person who imposed upon women, an&#13;
that judgment Lord Justice Farwell said, “ Every adventurer who was in the habit of practising mean&#13;
invasion of a right of property gives a cause of and petty tricks.&#13;
action to the owner against the invader, whether The Lord Chief Justice, in his summing up,&#13;
the invasion be intentional or not, and whether it quoted from the judgment in the “ Artemus Jones"&#13;
be innocent or malicious . . . . It is an incorporeal case reported in the Author (January, 1910), and&#13;
right of property giving to the author the fullest pointed out that the jury must be satisfied, if they&#13;
rights not only of exclusion, but also of actual found for the plaintiff, that a reader of the paper&#13;
enjoyment so far as they are compatible with non- would reasonably think that what was published&#13;
publication. All his rights at common law are was a libel upon a real person. The fact that the&#13;
limited until publication when they cease. Before name in the story was the same as the plaintiff's&#13;
publication he may keep his work unseen or did not give a right of action. It was only one&#13;
unheard; he may show or recite it to his friends ; of the circumstances in the case.&#13;
he may deliver his lectures to students or allow his I t may be remembered that the article in the&#13;
MS. play to be acted on special terms, provided Author dealing with the "Artemus Jones ”&#13;
always that the use to which he puts it does not case called attention to some alarm which was&#13;
amount to publication."&#13;
caused by that decision among novelists and other&#13;
The Court of Appeal held that both on principle writers of fiction ; and the result of the recent libel&#13;
and authority the judgment of Mr. Justice Joyce action illustrates and confirms the statement, which&#13;
was right, and the appeal was accordingly dismissed. was as follows:&#13;
Under the new Copyright Act, of course, the law&#13;
Novelists may feel some alarm lest the chance selection&#13;
is altered in this respect, and provision is made for of a name for one of the characters in a novel may render&#13;
musical composers with regard to the production of them liable for damages in a libel action brought by a&#13;
their works by gramophones and other contrivances person whom they had no intention to defame, and whose&#13;
by means of which sounds may be mechanically&#13;
existence may have been unknown to them. Clearly some&#13;
care is necessary in adapting names for imaginary characters,&#13;
reproduced. Manufacturers are required, under&#13;
but the alarm of novelists may be exaggerated. There is&#13;
the Act, to pay to the owner of the copyright by a distinction between works of fiction and a newspaper&#13;
way of royalties a certain percentage on the ordinary article purporting to describe an actual scene taking place&#13;
retail selling price of all such contrivances sold by&#13;
in real life at a seaside resort. A character in a novel is&#13;
generally regarded as an imaginary person, whereas the&#13;
them.&#13;
mention of an individual by name in a descriptive&#13;
HAROLD HARDY. narrative in a newspaper may reasonably be supposed to&#13;
refer to a real person.&#13;
The story in the Pall Mall Gazette was obviously&#13;
fiction, and the jury very naturally took the view&#13;
ACTION FOR LIBEL.&#13;
that a reasonable reader would not regard it as a&#13;
libel upon the plaintiff.&#13;
HERO IN NEWSPAPER STORY.&#13;
HAROLD HARDY.&#13;
SHORT story entitled “ A Sad Affair " which&#13;
was published in the Pall Mall Gazette, has&#13;
been the subject of a ridiculous libel action&#13;
which resulted in a verdict for the defendant. The&#13;
FRENCH LAW CASE.&#13;
plaintiff, Mr. George Charles Flanders, a motor car&#13;
engineer carrying on business at Hitchin, claimed&#13;
(PUBLISHER'S OBLIGATION TO PUBLISH.)&#13;
damages for injury to his reputation by the pub-&#13;
lication of the story, in which the name of the hero CASE of great importance to authors, or at&#13;
bore the name of George Flanders.&#13;
least to French authors, has been recently&#13;
The incident in the story of which the plaintiff&#13;
decided in Paris.&#13;
complained had reference to a tea party in Hyde Park, It will be best first to mention the results of the&#13;
where the hero, having invited two ladies to tea, at the decisions of the Court, the Tribunal Civil de la&#13;
conclusion of the entertainment declared that he had Seine.&#13;
come out without any money, and asked his guests When an author has delivered to a publisher the&#13;
to pay on his behalf. They provided the money for manuscript of an historical work with a view to&#13;
the tea and left their host in disgust.&#13;
publication, the publisher is bound to publish the&#13;
The story was purely fictitious, and the author work without delay. If, however, on the contrary,&#13;
&#13;
&#13;
## p. 156 (#592) ############################################&#13;
&#13;
156&#13;
THE AUTHOR.&#13;
he permits too long a period to elapse between the publication, and won his case ; respecting which&#13;
delivery of the manuscript and the publication of the Gazette des Tribunaux makes the following&#13;
the work, the publisher is liable to find himself pertinent remarks :-&#13;
forbidden by the author the right to publish, and When a publisher receives a work for publication&#13;
to be condemned to return the manuscript.&#13;
he should publish it without delay, even although&#13;
Any statements which the publisher may propose no date for publication has been fixed by the&#13;
to place upon the wrapper, or upon the first page author. In the case reported the author explained&#13;
of the work, respecting its date of composition, and that no date had been fixed in advance ; but it did&#13;
the refusal of the author to sanction the tardynot thence follow that the publisher was at liberty&#13;
publication, is inoperative, and can neither take to choose the date, and could postpone the publica-&#13;
the place of the performance of the contract, tion until a time when it might be prejudicial&#13;
formerly made between the author and the instead of advantageous to the author. The&#13;
publisher, nor prevent the injury done to the general intention of the persons concerned (which&#13;
author by tardy and inopportune publication. alone has here to be considered) was evidently that&#13;
The facts of the case are as follows:-&#13;
the work, seeing that it was an historical work,&#13;
In 1869 M. Anatole France, being then five-and should be published without delay. The publisher&#13;
twenty, entered into the employ of the publishing had, therefore, violated the contract by allowing&#13;
house of Lemerre, where he remained until 1878, twenty-seven years to elapse before publication.&#13;
as a reader of manuscripts. He received a small When, at the end of these twenty-seven years he&#13;
salary, and, in addition to his other labours, desired to publish in spite of the author's dis-&#13;
prepared to order (for trifling remuneration) approval, the statements which he proposed to&#13;
notices and prefaces of books. Subsequently he place upon the wrapper or on the first page, could&#13;
published, with Lemerre, in 1873, Les Poèmes not prevent the injury which would be done the&#13;
Dorés, and in 1876 Les Noces Corinthiennes ; author. It was therefore not in virtue of his&#13;
works which attracted wide public interest. moral right alone, but in virtue of common justice,&#13;
Preriously to the termination of his engagement that the author could oppose this tardy and&#13;
with Lemerre he was commissioned to prepare inopportune publication. These are conclusions&#13;
several works, of which one was to be a History of in accordance with justice and equity.&#13;
France (in two or three volumes) up to 1789, with&#13;
an additional chronological table bringing the&#13;
record up to the date of publication. The manu-&#13;
script of the last of the volumes of this history was&#13;
MAGAZINE CONTENTS.&#13;
delivered to Lemerre on February 25, 1882. On&#13;
more than one occasion subsequently M. Anatole&#13;
POETRY REVIEW.&#13;
France had disagreements with Lemerre about&#13;
The Lyric. By Darrell Figgis.&#13;
books, and in 1906, in the course of a corre-&#13;
Notes on Poetry. By Arthur Lynch, M.P.&#13;
spondence respecting difficulties that had arisen, Prologomena. By Ezra Pound.&#13;
Lemerre incidentally mentioned, “I say nothing&#13;
BOOK MONTHLY.&#13;
about the History of France in two volumes, for&#13;
In Memory of Charles Dickens. By H. T. Jenkins.&#13;
which you have received 3,000 francs, and ought&#13;
Dickens in Paris.&#13;
to revise ; have you not yourself told me that it is&#13;
FORTNIGHTLY.&#13;
not publishable in the form in which you delivered&#13;
Vague Thoughts on Art. By John Galsworthy.&#13;
it to me?" It is unnecessary here to enter into&#13;
details of the arrangements ultimately made in&#13;
CONTEMPORARY.&#13;
1906, and will suffice to say that they had nothing The Novels of Clara Viebig. By Florence B. Low.&#13;
to do with the History of France; and that the&#13;
The Supernatural in Literature.&#13;
Court held that there had not been in 1896 any&#13;
annulment of the original agreement regarding that&#13;
SCALE FOR ADVERTISEMENTS.&#13;
work. In 1909 Lemerre prepared to publish the&#13;
History of France. M. Anatole France pointed (ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
out that the book was now out of date, and&#13;
Front Page&#13;
opposed the publication. Lemerre then offered Other Pages&#13;
... ... ... ... ... 3 0 0&#13;
Half of a Page ...&#13;
that the work should be published with an&#13;
... I 10&#13;
Quarter of &amp; Page&#13;
... O 15 0&#13;
announcement to its rvaders of the date of its&#13;
...O 7 6&#13;
Single Column Advertisements&#13;
per inch 0 6&#13;
original composition, and a statement of the author's&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent for&#13;
disapproral of its publication. To this also&#13;
M. Anatole France objected. He returned the&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
3,000 francs, took legal proceedings to inhibit the BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
Eighth of a Page&#13;
Twelve Insertions.&#13;
&#13;
&#13;
## p. 157 (#593) ############################################&#13;
&#13;
THE AUTHOR.&#13;
157&#13;
HOW TO USE THE SOCIETY.&#13;
T VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor ; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on bebalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in tbe contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
ITERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 158 (#594) ############################################&#13;
&#13;
158&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4, Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts. those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans.&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; anu&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
U assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble,&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
M branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smith Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 159 (#595) ############################################&#13;
&#13;
THE AUTHOR.&#13;
159&#13;
GENERAL NOTES.&#13;
THE DRAMATIC SECTION.&#13;
SOME two years ago members of the Society were&#13;
invited to indicate, on a form which was despatched&#13;
to them, what dramatic work (if any) they had&#13;
produced. The enquiry was made in order to&#13;
facilitate the preparation of a list of dramatists in&#13;
the Society, with a view to their receiving com-&#13;
munications relating to the work of the Dramatic&#13;
Sub-Committee of the Society, and to other matters&#13;
of interest to dramatists.&#13;
As a result of that invitation, over 200 names&#13;
were placed on the list.&#13;
In order, however, that it may be kept up to&#13;
date, those members who have since qualified to be&#13;
entered on the Dramatic Roll of the Society are&#13;
invited to advise the Secretary, accompanying their&#13;
application with particulars of the dramatic work&#13;
they have produced.&#13;
It may be mentioned that the qualification for&#13;
inclusion in the list is the public representation of a&#13;
play otherwise than for copyright purposes in a&#13;
place licensed for public entertainment.&#13;
THE PUBLICATION OF BOOKS AND THE LIMITA-&#13;
TION OF THE LICENCE&#13;
THERE has been a growing tendency in past&#13;
years for authors to grant to publishers the licence&#13;
to publish in book form for the legal term of copy-&#13;
right. . Such a licence may leave the author in a&#13;
very difficult position. There should, at any rate,&#13;
be a clause in the agreement by which, if the&#13;
book goes out of print, the agreement should be&#13;
terminated and all rights returned to the author,&#13;
otherwise the author may find himself in the&#13;
position of having to buy back from the publisher&#13;
at the publisher's price. It is curious how a licence&#13;
to publish a book, which as far as the publisher&#13;
is concerned may have ceased to sell, rises in value&#13;
if the author appears as purchaser : but even with a&#13;
limitation of this kind the licence still remains far&#13;
too wide. Especial thought must be given to the&#13;
position, as the new Copyright Act will come into&#13;
force shortly.&#13;
Authors should be very careful to limit the&#13;
licence either to a given number of editions, with&#13;
power to purchase the remainder stock at remainder&#13;
prices, in case the edition is not sold out within a&#13;
reasonable time, or to a limited number of years.&#13;
In the latter case the publisher should be restricted&#13;
in the agreement from over-printing towards the&#13;
end of the term of the agreement, for if some such&#13;
restriction is not inserted, the publisher can make&#13;
the time limit practically ineffective by over-&#13;
printing the book in the last year. It has been&#13;
decided in the Courts that a publisher has the&#13;
right to sell any stock which remains on hand after&#13;
the expiration of the term.&#13;
In the case of technical works, if the licence is&#13;
not limited, an author's position is hopeless.&#13;
MUSICAL COMPOSERS' SUB-COMMITTEE.&#13;
A MUSICAL Composers' Sub-Committee having&#13;
now been formed with a view to the consideration&#13;
of matters affecting the interests of the musical&#13;
composers of the society, it has been decided, in&#13;
order to facilitate the working of this side of the&#13;
society, to keep at the office a list of composers&#13;
similar to the list of dramatists of which mention is&#13;
made above.&#13;
Members will assist the secretary materially in&#13;
the compilation of this list if they will inform him&#13;
of the publication of any musical works of which&#13;
they are the composers.&#13;
COMMITTEE ELECTION.&#13;
THE LITERARY AGENCY AGREEMENT.&#13;
In another column of this issue we publish an&#13;
agency agreement which has been settled by a&#13;
special sub-committee and approved by the Com&#13;
mittee of Management.&#13;
This agency agreement has been based on an&#13;
agreement settled some time ago by the Dramatic&#13;
Sub-Committee, but as the marketing of dramatic&#13;
and literary wares differs in some respects, so the&#13;
agreement has been modified to meet the special&#13;
requirements of literary agency. There has been&#13;
however. but little alteration in the clauses, the&#13;
main difference existing in the notes which the&#13;
committee have thought fit to place before the&#13;
members in order to warn them against possible&#13;
dangers.&#13;
In the January number of The Author a full&#13;
statement was given with reference to the election&#13;
of members to the Committee of Management for&#13;
the current vear.&#13;
The names of the committee's nominees for that&#13;
election were : Mrs. Belloc-Lowndes, Mr. Hesketh&#13;
Prichard, Mr. Arthur Rackham, and Dr S Savire&#13;
Sprigge.&#13;
OJ882&#13;
February 10 was the last day on which the&#13;
names of nominees could be received, and as no&#13;
nominees were put forward by the members, the&#13;
nominees of the committee are elected without&#13;
opposition.&#13;
&#13;
&#13;
## p. 160 (#596) ############################################&#13;
&#13;
160&#13;
THE AUTHOR.&#13;
A REMARKABLE AGREEMENT. the author's next three new novels, suitable for publication&#13;
in 68. volume form, and if the publisher accepts all or any&#13;
of them, he agrees to pay to the author and the author agrees&#13;
to accept the following royalties.&#13;
M HE Committee of the Society of Authors desire (a) A royalty of 15 per cent. of the nominal published&#13;
1 to draw attention to the document printed&#13;
price on all copies sold of the English 68. edition, after the&#13;
sale of the first 750 copies of this particular 68. edition.&#13;
below :-&#13;
(b) A royalty of 71 per cent. of the nominal published&#13;
MEMORANDUM OF AGREEMENT made this twelfth day price on all copies sold of any cheaper edition or editions.&#13;
of May one thousand nine hundred and nine between&#13;
(c) A royalty of 50 per cent, of the net profits derived&#13;
hereinafter termed the author of the one part and John from the sale of the American copyright (if any).&#13;
Long of 12, 13 and 14 Norris Street, Haymarket, in the (d) A royalty of 50 per cent. of the net profits derivel&#13;
County of London hereinafter termed the publisher, of the from the sale of the Foreign rights (if any).&#13;
other part, whereby it is mutually agreed between the 11. The said three novels to be submitted to the publisher&#13;
parties hereto for themselves and their respective executors shall be submitted one at a time, and only after the&#13;
administrators and assigns (or successors as the case may publication of the one previously accepted.&#13;
be) as follows:-&#13;
12. The whole of the previous clauses in this agreement&#13;
1. The publisher shall at his own expense produce and (except in respect of royalties) shall be deemed to apply to&#13;
publish the work written by the author and at present&#13;
the three new novels, as well as to the novel mentioned in&#13;
entitled "&#13;
the first part of the agreement.&#13;
2. The publisher shall bave the exclusive right of pro 13. In the event of any copies of any of the novels pro-&#13;
ducing and publishing the work throughout the world. vided for in this agreement, being sold as a remainder, that&#13;
The publisher shall have the entire control of the produc is, when the demand for any such work has ceased, a&#13;
tion and publication and sale and terms of sale of the work&#13;
royalty shall be paid to the author, on any copies thus sold,&#13;
and the author shall not during the continuance of this of two and a half per cent. (24%) of the net sum receivel.&#13;
agreement (without the written consent of the publisher) As witness the hands of the said parties&#13;
publish any abridgment translation or dramatised version of&#13;
John LONG,&#13;
the work.&#13;
Witness : W.H.&#13;
3. All copies sold of the said work within twelve months&#13;
12, 13, 14, Norris Street, Haymarket, S.W.&#13;
of the date of publication shall carry no royalty to the&#13;
There are in the bands of the society a good&#13;
author, but on all copies sold, after the expiration of the first&#13;
twelve months after publication, the publisher agrees to&#13;
many agreements between authors and Mr. John&#13;
pay to the author and the author agrees to accept a royalty Long, and it would be instructive, perhaps, to print&#13;
of i5 per cent. of the nominal published price on sales of the them all. To do this, however, would take up a&#13;
6s. edition, and a royalty of 71 per cent. of the nominal&#13;
great deal of space, though it may yet be con-&#13;
published price on the sales of any cheaper edition or&#13;
editions.&#13;
sidered necessary. To print abstracts of these&#13;
4. No royalties shall be paid on any copies given away agreements would not answer the same purpose, as&#13;
for review or other purposes in the interests of the work. it might be thought by the suspicious that there&#13;
5. Account sales shall be made up half-yearly at June&#13;
were other clauses in the documents which had been&#13;
thirtieth and December thirty-first and delivered and&#13;
settled within five months of those dates. In making up&#13;
suppressed and which would have put another com-&#13;
accounts, thirteen copies shall be reckoned as twelve, in plexion on the arguments. It has been decided,&#13;
accordance with trade usage.&#13;
therefore, that one agreement should be clearly set&#13;
6. The publisher shall undertake the expenses of the&#13;
before the readers of The Author, with some hints&#13;
author's proof corrections to the extent of £3 (three&#13;
pounds), but should such expenses exceed this amount, the&#13;
as to the probable difficulties that may arise out of&#13;
author shall refund such excess to the publisher.&#13;
it.&#13;
7. If any difference shall arise between the author and&#13;
COMMENTS ON THE AGREEMENT.&#13;
the publisher touching the meaning of this agreement or&#13;
the rights or liabilities of the parties thereunder, the same&#13;
With regard to Clause 1 there is nothing to be&#13;
shall be referred to the arbitration of two persons, (one to said.&#13;
be named by each party) or their umpire, in accordance In Clause 2 it is inadvisable that the publisher&#13;
with the provisions of the Arbitration Act, 1889.&#13;
should have the exclusive right of producing the&#13;
8. The term “ Publisher" through out this agreement shall&#13;
be deemed to include the person or company for the time&#13;
work throughout the world, or for the whole term&#13;
being carrying on the business of the said John Long under of copyright. His right should be limited to the&#13;
as well its present as any future style and the benefit of this exclusive licence to publish the work in book form&#13;
agreement shall be transmissible accordingly.&#13;
9. The author guarantees to the publisher that the said&#13;
at the price of 68. (the book being a novel) in the&#13;
work is in no way whatever a violation of any existing&#13;
United Kingdom, in the English language, for a&#13;
copyright and that it contains nothing of a libellous or period of, at most, five years certain. If any&#13;
scandalous character and that he will indemnify the pub- other rights are given, such as the right of pub-&#13;
lisher from all suits, claims, and proceedings, damages and&#13;
costs which may be made, taken or incurred by or against&#13;
lishing in cheap book form, then they should be&#13;
him on the ground that the said work is an infringement guarded and made the subject of future con-&#13;
of copyright or contains anything libellous or scandalous. ditions. The publisher should, of course, undertake&#13;
10. That in consideration of the publisher undertaking to produce the work on or before a certain date.&#13;
the entire risk of publishing the work herein before men-&#13;
This is of the first importance to an author.&#13;
tioned, the author agrees to give the publisher the first refusal&#13;
from (sic) one month from date of delivery of the manu-&#13;
The latter part of this clause should be care-&#13;
script of the exclusive right of producing and publishing fully observed. An author reading this might&#13;
&#13;
&#13;
## p. 161 (#597) ############################################&#13;
&#13;
THE AUTHOR.&#13;
161&#13;
.:•.&#13;
think, “Well, I have only to write to the publisher&#13;
To country reviews.&#13;
explaining the situation, should I get an offer for&#13;
„, colonial . . . 48&#13;
the translation rights, or otherwise, and he will&#13;
,, special ,&#13;
give his consent." This supposition would be&#13;
,, travellers' samples&#13;
entirely wrong. As a general rule, the author&#13;
.. Stock on hand . . 91&#13;
would find that if an offer was made him for the&#13;
Leaving sold as under-&#13;
translation rights and he applied to the publisher,&#13;
13 copies counting as 12 . 1,234&#13;
the publisher would answer, “I could not possibly Sales 1,149 home edition&#13;
allow you to publish a translation unless you give&#13;
85 colonial edition&#13;
me 50 per cent. of the profits," which, judging by Sales from Jan. 3, 1910 to Jan. 2, 1911–&#13;
Clause 10, is the course Mr. Long would take.&#13;
1,146 home edition)&#13;
Clause 3 contains, however, the most serious&#13;
85 colonial editionſ bearing no royalty..&#13;
part of the agreement. All publishers assert that Royalty 15 per cent. on 3 copies home edition, 28. 8d..&#13;
the largest sales of a novel occur either on subscrip- The sales in the first year were sufficient to com-&#13;
tion before publication, or within the first four pensate the publisher amply for the cost of pro-&#13;
months after publication. Most publishers will duction ; he should have put a good profit into his&#13;
inform an author that a book is dead at the end of own pocket. In the first six months, after becom-&#13;
six months, and all publishers will inform an ing entitled to royalties, the author obtained a total&#13;
author that the ordinary novel is dead at the end of remuneration of 2s. 8d, upon a 6s. book of which.&#13;
twelve months, unless for some special reason- over 1,200 copies were sold.&#13;
and it would be safe to say this does not occur once Clause 4 can pass without comment.&#13;
out of 500 times—a book owes some larger With regard to Clause 5, articles have been&#13;
vitality to the position of the author or to the written in The Author on the question of thirteen&#13;
occurrence of some unforeseen circumstance, copies counting as twelve, to which readers are&#13;
Therefore, the effect of a clause in an agreement referred. It means that the author is to allow the&#13;
depriving the author of all royalties for the first publisher 8 per cent. discount on the royalties on&#13;
year after publication would be to give the publisher all copies sold, though the publisher allows this&#13;
the book for nothing, except in a minority of cases. discount to purchasers only when they purchase in&#13;
If the author desires to give the publisher his work quantities of a dozen and upwards.&#13;
for nothing, there is nothing to prevent him from In Clause 6 the amount allowed for correction is&#13;
doing so ; but in that case he should execute a deed not very generous, but in these days of typewritten&#13;
of gift. A publisher is not bound to explain the effect copies a margin of £3 may be sufficient.&#13;
of an agreement to the author, however ignorant the Clause 7. Strong objection must be taken to.&#13;
author may be of the present, possibly a handsome this clause. Arbitration is a very unsatisfactory&#13;
one, that he is being asked to make. Moreover, method of dealing with a legal contract. It&#13;
under such a clause, the publisher's and the author's is cumbersome and expensive. The greatest&#13;
interests are not the same. In these days of rush objection of all is that a publisher aroids the pub-&#13;
and hurry it occurs in the publishing business, just licity which is the main safeguard of the author&#13;
as in any other business, that publishers want to and the publisher alike where either party has&#13;
put novelties on the market-the output during the broken his contract or attempted to take unfair&#13;
last two or three years sufficiently proves this fact. advantage of the other.&#13;
In consequence, it would be quite likely to pay the Clause 8 is also unsatisfactory. An author&#13;
publisher better to push a new work into circula- should agree to this clause only when he is con-&#13;
tion than to use his efforts in keeping alive one vinced that no change could possibly be for the&#13;
against wbich time was fighting. Save in the case worse, in which case it would be still better not&#13;
of a very great success, it would pay him to drop to sign at all.&#13;
the older book in order to make the way clear for Clause 9 is too wide in its scope. It is no doubt&#13;
other publications. The appended statement of fair that if an author causes a publisher to publish&#13;
account from Mr. John Long under the above in all innocence as a fiction what is really a libel on&#13;
agreement tells its own story :-.&#13;
an actual person, the author and not the publisher&#13;
should suffer ; but both as to libel and obscenity,&#13;
July 1st, 1911. Statement of sales to June 30th,&#13;
sedition, or blasphemy, the publisher cannot con-&#13;
1911-&#13;
tract out of such responsibilities even if the author&#13;
Jan. 1910. By number of copies printed . 1,500 consents to the attempt. In any case where&#13;
To author .&#13;
damages and costs may be incurred by the pub-&#13;
,, presentation .&#13;
lisher at the author's expense, the author should&#13;
„, public libraries . 5&#13;
have some control over the amount spent in the&#13;
„ town reviews . . 63&#13;
necessary defence.&#13;
&#13;
&#13;
## p. 162 (#598) ############################################&#13;
&#13;
162&#13;
THE AUTHOR.&#13;
Clause 10 is a clause against which authors Publishing enterprise, especially in the case of&#13;
cannot be warned too strongly. It is fatal for an novels by beginners, doubtless contains a specu-&#13;
author to bind himself to a publisher at fixed rateslative element, but up to an edition of 1,500&#13;
for subsequent works, for it is impossible to tell copies, no novel which a publisher of any judg-&#13;
until the accounts of one book come in whether ment would handle at his own expense runs&#13;
the terms for later works are fair or not. Under any serious risk of being left on his hands a&#13;
this agreement supposing the author's second complete failure. He should be able to push it&#13;
book did not reach a sale of 750, no royalties through mechanically to that extent, if no further.&#13;
would be paid ; if the second book was as It is therefore only beyond this point that the&#13;
successful as the first, the author would receive transaction becomes speculative; and yet it is&#13;
about £20, having made 2s. 8d. on the first book. practically to this point that Mr. Long asks his&#13;
With regard to other headings of this clause, the clients to postpone any interest in their books.&#13;
publisher should only have the right of publication We do not question Mr. John Long's right to&#13;
in book form at certain prices, and the date of propose the above terms, or any others that may&#13;
publication should be rigidly fixed ; he should not occur to him, to authors, who must learn to take&#13;
take 50 per cent. profits on any of the rights out- care of themselves in business as other people do,&#13;
side, whether they are American rights or foreign but we may say that those who accept such terms&#13;
rights. If any of the outside rights are negotiated are unquestionably guilty of unprofessional con-&#13;
for by the publisher under a contract approved and duct, because they are accepting terms which would&#13;
signed by the author, then the publisher should take make it impossible for most novelists to live by&#13;
the agency charge of 10 per cent. and no more. their profession. Further, the practice of other&#13;
But with even the utmost correction in the author's publishers shows that no capable man of letters&#13;
favour that the nature of the clause admits of, the need submit to such contracts; they are entered&#13;
Society of Authors would still advise its members into by authors through ignorance, weakness, or&#13;
not to agree to it. If a publisher cannot retain lack of professional conscience.&#13;
his clients by satisfying them that they cannot do&#13;
better elsewhere, he must be prepared to see them&#13;
AN AGREEMENT FOR TEN NOVELS.&#13;
go elsewhere.&#13;
The criticism on Clauses 11 and 12 follows from A second agreement, this time between John&#13;
that on Clause 10. It may be pointed out that no Long, Ltd., and an author, needs some comment.&#13;
dates for publication being named in Clause 10, the It contains as many faults as the first, but in&#13;
production of the subsequent novels might be a slightly different form. It is not all printed&#13;
indefinitely delayed; when, as they are to be the here, but any member who desires to have further&#13;
author's “ next three novels," the position might be information upon it can, on applying to the&#13;
reached that the author could earn nothing at all! Secretary, be given the fullest details, by the&#13;
With regard to Clause 13, no publisher should be permission of the author.&#13;
allowed to “remainder" a book within three years Here the author binds himself to the publisher&#13;
from the date of first publication. It should be for nine subsequent novels (making ten in all),&#13;
distinctly set forth in the agremeent that, when a and agrees not to write any novels for, nor to&#13;
book has been “remaindered," or is out of print and offer any novels for publication to any other&#13;
off the market, the agreement should be cancelled publisher than Long during the term of his agree-&#13;
and the licences for publication in book form, or ment. As the novels have to be handed in to&#13;
otherwise, should be returned to the author.&#13;
the publisher each succeeding nine months from&#13;
To sum up, this is an agreement under which the date of the agreement, this means that for&#13;
the author would be working for an indefinite time nearly seven years the author is bound to Mr. Long.&#13;
for a pittance. He receives nothing, in the Again, whilst Mr. Long can determine the agree-&#13;
instance given above, on the first 1,000 copies of ment after the publication of the first two books if&#13;
the first book. He might expect to get some they do not prove a financial success for him, the&#13;
thing later, but his second book is put on the author has no such right. The author is absolutely&#13;
market, and the energies of the publisher may be bound at Mr. Long's option for nearly seven years,&#13;
switched off to the sale of this, inasmuch as the although he has no guarantee that John Long,&#13;
first 750 copies of this book bear no royalties. Ltd., will maintain their position in the pub-&#13;
The third book and the fourth book might receive lishing world during that time.&#13;
the same treatment. There is no reason why the Mr. Long does not merely take the right of&#13;
author who has signed this agreement should ever publication in book form, but the exclusive right of&#13;
receive more than 2s. 8d. each for four books! There publishing throughout the world. The terms for all&#13;
is no reason why the publisher, who can publish the novels are the same. If the books are published&#13;
when he likes, should ever owe or pay any royalties. at 6s. the author is not to receive any royalty on any&#13;
&#13;
&#13;
## p. 163 (#599) ############################################&#13;
&#13;
THE AUTHOR.&#13;
163&#13;
of them till after the sale of 900 copies, and then he The publisher would be getting, having been&#13;
receives 2ů, in the shilling on the published price. paid or overpaid for the whole cost of production&#13;
If the books are published at a lower price than 6s. and advertisements, half what the author receives,&#13;
the author receives no royalty on the first 1,500 who has paid or overpaid the whole of the bill as&#13;
copies, and afterwards 10 per cent. on the published well as created the wares to be sold. To state,&#13;
price. The sale of 900 copies of a 6s. book however, that a 6s. book sells right through at half&#13;
gives to the publisher a reasonable balance after price is by no means a correct statement, 3s, 2d.&#13;
paying for the cost of production and advertise- to 38. 4d. is the average price.&#13;
ments, so that when this number has been arrived&#13;
at there is no further necessity for the publisher to&#13;
push the book, if he thinks he can do better by&#13;
exerting himself elsewhere. But if there is a&#13;
success, some 60 per cent. of the later profits go to A LITERARY AGENCY AGREEMENT.&#13;
the publisher. And nine consecutive books are to&#13;
be published on these terms.&#13;
Further, Mr. Long offers 2d. per copy on all the A Sub-Committee of the Committee of Manage-&#13;
Colonial sales and 15s. per 1,000 on all sales of the ment of the Society of Authors has had under&#13;
sixpenny edition. With regard to the other proceeds consideration the principles which should be&#13;
he claims, as before, 50 per cent. He inserts, as observed in drawing up a fair agreement between&#13;
we have said, a clause allowing him to repudiate an author and a literary agent; it will be seen&#13;
the agreement in case the first two novels are not a at once that the proposed agreement is closely&#13;
financial success, but the author might see all his upon the lines of the dramatic agency agreement,&#13;
ten books have a sale of 1,000 copies each and not which has been found by dramatic authors to&#13;
be more than £50 in pocket as the total result of meet many difficulties hitherto encountered by&#13;
seven years' work with a total sale of 10,000 copies. them.&#13;
The Committee desire to impress upon authors&#13;
THE AUTHOR PAYS.&#13;
that it is advisable that they should consult the&#13;
Authors' Society before entrusting their business&#13;
In another proposal from John Long, Ltd. to an agent. There are good agents who are in&#13;
we have a variant of no greater promise to the every way desirous of furthering the interests of&#13;
author. The author pays £175-£100 on the their clients; but it must not be forgotten that per-&#13;
signing of the agreement, which is to be spent in&#13;
sons with no qualification whatever or no financial&#13;
advertisement, £50 when the work is set up in stability may style themselves agents. In all&#13;
type, and £25 from the author's share of sales. cases enquiries should be made of the Society&#13;
He then transfers all the American, foreign, and&#13;
which is in possession of information that will&#13;
serial rights to tbe publisher on a 50 per cent. enable authors to form an accurate estimate of&#13;
basis. He receives 15. 9d. per copy on the English an agent's status and capacity.&#13;
68. edition up to 3,000 copies, and thereafter MEMORANDUM OF AGREEMENT made this day&#13;
1s. 3d. a copy. The publisher wants all his next of One Thousand Nine Hundred and&#13;
six novels on fixed terms, and in other matters Between (hereinafter called “The Author ") of&#13;
the provisions are the same as shown in the the one part and (hereinafter called “The&#13;
clauses of the agreement printed in full.&#13;
Agent”) of the other part WHEREBY IT IS AGREED&#13;
In another agreement Mr. Long, or rather AS FOLLOWS :-&#13;
John Long, Ltd., produces the book on the pay-&#13;
1. The author hereby appoints his sole agent&#13;
ment to himself of £250, but he undertakes&#13;
to advertise to the extent of £100.&#13;
for the term of twelve months from the date of the&#13;
This&#13;
signing of this agreement for the sale of any of the&#13;
leaves him £150 for the cost of production&#13;
only, as no further advertising is likely to be&#13;
rights whatsoever and wheresoever, in all the literary&#13;
work that he desires to bring to market during the&#13;
needed. Therefore he starts with all his cost of&#13;
continuance of this agreement, subject to the condi-&#13;
production covered and most probably with a sum&#13;
tions hereinafter mentioned.&#13;
of £50 or so in his pocket, as there is no stipulation&#13;
as to the number of copies to be printed. The&#13;
NOTE.—This clause is perhaps the most important clause&#13;
in the agreement.&#13;
author gets 28. a copy royalty on a 6s. book up to&#13;
In regard to the time limit of twelve months, the&#13;
4,000 copies, after which the royalty is ls. 6d. Committee would draw the attention of authors to the&#13;
Taking the higher figure, the author receives 331 following points :--That whereas it is unfair that an agent&#13;
per cent. of the published price. By the publisher's&#13;
should have all the trouble of working up a connection for&#13;
an author, who could then terminate the agreement and&#13;
own calculations in a letter which lies before us,&#13;
nes before us, take advantage of the agent's work, it is equally unfair to&#13;
the nett selling price of a 6s. book is usually 3s. the author to be bound to an agent for a long period if the&#13;
&#13;
&#13;
## p. 164 (#600) ############################################&#13;
&#13;
164&#13;
THE AUTHOR.&#13;
agent, for one reason or another, is unsuccessful in placing tract amounts to £ , and such commission shall&#13;
the author's work, or appears to the author antagonistic to&#13;
be the sole remuneration of the agent, and he sball&#13;
his best interests. In some cases, therefore, the term of&#13;
not have any claim&#13;
twelve months might be an undesirable limit for the author,&#13;
against the author for any&#13;
whereas a term of less than twelve months might be an expenses incurred by him in the course of his agency&#13;
undesirable limit for the agent. Authors, when entering under this agreement.&#13;
into these contracts, will have to consider, therefore, what&#13;
NOTE.--In regard to this clause the Committee wonld&#13;
time limit should be inserted.&#13;
If the author desires to reserve certain markets, these&#13;
make the following remarks :- Where under any contract&#13;
markets should be reserved in this clause. It often&#13;
running through the years of copyright the agent's com-&#13;
happens that an author has been dealing with an editor&#13;
mission is likely to run into high figures, the agent's&#13;
remuneration should be limited, as suggested in this clause.&#13;
or publisher direct under amicable arrangements, and it is,&#13;
therefore, much more convenient and much more profit-&#13;
to a sum to be arranged between author and agent. It&#13;
able to the author to continue these negotiations with&#13;
may, however, be of importance to an author that the&#13;
future work; but, in doing so, the author should be care-&#13;
agent should continue to collect the moneys, and in that&#13;
ful, supposing he is negotiating with a publisher for a book&#13;
case when the limit has been reached, the Committee con-&#13;
in a reserved market, that he is not giving the publisher&#13;
sider that 5 per cent. shonld be charged for such collection.&#13;
control over any rights in the same work which are in the&#13;
5. Should the agent fail in any instance to carry&#13;
agent's hands; the same advice applies to the author&#13;
negotiating with an editor. The Committee consider that,&#13;
out the provisions of the foregoing clause, this&#13;
as a rule, it is advisable, subject to the limitations the agreement, so far as it deals with the agent's right&#13;
author might specially desire to make, that the agent should to collect the moneys due, shall be at an end, and&#13;
have control of all the author's literary output during the&#13;
the agent as and from the date of such failure and&#13;
continuance of the agency; otherwise the author and the&#13;
agent may come into con tict in the same markets, and the default shall not be entitled to claim or deduct any&#13;
author may not only lose his price but also his chance of a further sum by way of commission.&#13;
bargain.&#13;
6. Should the agent or any member of the&#13;
2. The agent undertakes to use his best endea- agent's firm during the continuance of this agree-&#13;
vours to obtain the fullest market in all conntries ment die or become bankrupt or enter into any&#13;
and in all forms, and undertakes to furnish the arrangement with his creditors, then in that case&#13;
author, as and when requested, with full informa- the author shall be at liberty forth with by notice&#13;
tion as to his efforts to give effect to this clause, in writing to terminate this agreement.&#13;
and the author shall not himself, during the continu NOTE.--Every contract with an agent must involve close&#13;
ance of this agreement, enter into any contract personal relations ; therefore, in the event of an agent&#13;
without the knowledge of the agent.&#13;
having no partner, or a partner with whom the author had&#13;
not transacted business, the contract should determine by&#13;
3. The agent shall not enter into agreements on&#13;
the death of that party with whom the author has had&#13;
behalf of the author or in any way bind the author,&#13;
dealings.&#13;
but undertakes to submit to him any offer or agree-&#13;
7. At the end of such period as may be decided&#13;
ment which he may succeed in obtaining as agent in Clause I. hereof, either party to this agreement&#13;
for the author, and no agreement shall be binding may terminate the same by three months' notice in&#13;
on the author without his signature. Should the writing.&#13;
agent violate this clause, then any agreement so 8. Upon the termination of this agreement by&#13;
entered into by the agent shall be pull and void, time or from any of the causes set forth therein,&#13;
and this agreement may forth with be terminated by save as set forth under Clause 5, when the special&#13;
notice in writing, without prejudice to the author's arrangements as in that clause set forth shall pre-&#13;
right to bring an action for damages or otherwise, vail, the agent shall have no claim whatever upon&#13;
and on receipt of such notice, the agent's right for the author for any commission except in respect&#13;
negotiating as agent for the author shall be at an&#13;
of contracts signed by the author prior to such&#13;
end.&#13;
termination.&#13;
4. The agent is hereby authorised to collect the NOTE.-- In the question of an agency agreement the&#13;
moneys due to the author on any contract signed by&#13;
author should be especially advised against the insertion of&#13;
a clause in any agreement entered into between author and&#13;
the author and negotiated by the agent during the&#13;
publisher, whereby the agent is authorised by the parties to&#13;
continuance of this agreement, and shall deliver all the agreement to collect moneys and settle accounts on&#13;
moneys as and when received by him in respect of behalf of the author. The clause generally runs in the&#13;
such contract, together with all documents, accounts,&#13;
following form :- -&#13;
"The author hereby empowers his agent to collect&#13;
etc., relating thereto, within two weeks of the receipt&#13;
and receive all sums of money payable to the author&#13;
of the same, and shall bave the right of deductiny a under the term of this agreement and declares that&#13;
commission of 10 per cent. from such sums as the agent's receipt shall be good and valid discharge&#13;
accrue under any contracts arranged by him, and&#13;
to all persons paying such sums to them. The author&#13;
hereby authorises and empowers the publishers to treat&#13;
signed by the author during the continuance of this&#13;
with his agents on his behalf in all matters concerning&#13;
agreement till the total commission on any such con this agreement in any way whatsoever.'&#13;
&#13;
&#13;
## p. 165 (#601) ############################################&#13;
&#13;
THE AUTHOR.&#13;
165&#13;
Sometimes the terms are more stringent, sometimes a&#13;
little less stringent, but in no case should the clause be&#13;
allowed except under some modification as suggested&#13;
below. Members are referred to an article that appeared&#13;
in the November (1906) number of The Author bearing on&#13;
the subject.&#13;
In no case should the words from “ The Author" down&#13;
to "in any way whatsoever" be allowed to stand, for this&#13;
reason if for no other. If any dispute arose between the&#13;
author and the publisher, and it became necessary to put&#13;
the matter into the hands of a lawyer or the Society of&#13;
Authors, endless confusion and circumlocution would&#13;
result, owing to the fact that all the matters would have to&#13;
pass first through the hands of the agent.&#13;
In regard to the first part of the clause, the Committee&#13;
consider that the extreme danger mentioned might be&#13;
avoided by adding, after the words " such sums to them,”.&#13;
the words " provided, however, that the termination of this&#13;
authority is to be governed by clauses contained in the&#13;
contract dated day of and at present existing&#13;
between the author and the agent."&#13;
If the clause unaltered is admitted into the agreement&#13;
between author and publisher, it is possible that all the&#13;
precautions taken in the Agency Agreement may be nulli-&#13;
fied. It cannot, therefore, be too strongly impressed upon&#13;
the author how important it is that this clause should not&#13;
be allowed to stand in the agreement between the author&#13;
and publisher, and thus become irrevocable. The danger&#13;
is increased ten-fold when, as in many modern agreements&#13;
settled by agents, the author is bound to the publisher for&#13;
future books. He then becomes similarly bound to the&#13;
agent under this clause.&#13;
THE BRITISH SOCIETY OF AUTHORS,&#13;
COMPOSERS AND MUSIC PUBLISHERS.&#13;
of his own property, with the exception of the right&#13;
of stating. whether or not he forbids the adapta-&#13;
tion of his work to mechanical instruments, and (2)&#13;
whether or not he forbids cuts and alterations, and&#13;
that after all the expenses of collecting the fees have&#13;
been covered, he is to give one-third to the publisher.&#13;
It may be difficult to gauge what will be needed to&#13;
cover expenses, but if the Board of Trade's rules&#13;
for the payment of royalty under the gramophone&#13;
clauses are sound and reliable, there ought to be&#13;
little need of a society of this kind, and the&#13;
composer ought to be able to collect his own fees&#13;
and guard his own interests without much&#13;
difficulty.&#13;
That the music publishers are entirely in favour&#13;
of obtaining one-third of what is the property of&#13;
the composers, without any special labour and&#13;
without any raluable consideration, is quite clear in&#13;
the fact that seventeen music publishing firms&#13;
have already subscribed the rules, and have shown&#13;
their readiness to support this society, which&#13;
conveys to them one-third of the fees. On the&#13;
circular sent round there is not the name of one&#13;
composer or one author. For many years the&#13;
Society of Authors has been inveighing against&#13;
the demands that music publishers have made upon&#13;
composers to obtain the control of both their&#13;
performing rights and their publishing rights, and&#13;
it is not surprising, therefore, to see the suggestions&#13;
set out in the rules and objects of the British Society&#13;
of Authors, Composers and Music Publishers. It&#13;
would be as well also if this newly formed society&#13;
took steps to change its name, not only to prevent&#13;
confusion with other societies already established,&#13;
but in order to give the public a better idea of its&#13;
purposes and of the persons who are going to benefit&#13;
by its formation. It is submitted, that it would&#13;
be much better to have called it the Society&#13;
of Music Publishers. The authors and composers&#13;
could be added in small letters afterwards.&#13;
Certain composers have, in their timidity,&#13;
suggested that it is necessary to belong to this&#13;
society, kept by and controlled by music pul)-&#13;
lishers, as otherwise they will refuse to publish&#13;
their works, but it should be pointed out (1) that&#13;
there are still some well-known publishers whose&#13;
names are not printed on the document, and (2) that&#13;
no point was ever gained by timidity and cowardice.&#13;
Now is the real moment for the composers to gather&#13;
together and to take strong steps to establish a sound&#13;
control over their own property. Already in the past&#13;
year one or two publishers have come forward with the&#13;
view of treating composers on more equitable lines,&#13;
and when composers realise the strength of united&#13;
force, they will not only be able to resist the absurd&#13;
demands which have in the past been made upon&#13;
them, but they will be able to resist the demands&#13;
that they should join a society whose organisation&#13;
NYERTAIX music publishing houses have been&#13;
u circularising the composers for whom they&#13;
publish with papers referring to the British&#13;
Society of Authors, Composers and Music Pub-&#13;
lishers, setting forward the objects with which the&#13;
society is founded, and the rules by which it is&#13;
proposed the society should be controlled.&#13;
The objects for which the society is founded are,&#13;
to gain control over all the rights of the composers&#13;
in the mechanical reproductions of their works&#13;
under the Copyright Act of 1911; to maintain&#13;
those rights against all pirates and infringers, and&#13;
to collect the fees due to the composers from those&#13;
rights. It seems a curious thing that the pub-&#13;
lishers who have no interests in those rights, should&#13;
be so anxious to see the composers so well and&#13;
strongly protected, for it is quite clear from the&#13;
Act of 1911 that not only has the composer&#13;
absolute control after the Act comes into force, but&#13;
also that he has control, in spite of any assign-&#13;
ment of his copyright prior to the passing of the&#13;
Act ; the reason, however, is not far to seek after&#13;
a further perusal of the new society's objects and&#13;
rules, for it would appear that when the composer&#13;
has joined it he is bound for a period of five&#13;
years ; that he loses all control orer the governance&#13;
&#13;
&#13;
## p. 166 (#602) ############################################&#13;
&#13;
166&#13;
THE AUTHOR.&#13;
compels them to hand over to the music publishers&#13;
one-third of those fees which are their own.&#13;
In order that it may be quite clear that the&#13;
society shall be managed on these inequitable&#13;
principles, the committee is to consist of six com-&#13;
posers and authors and six publishers. As the&#13;
property which is to be controlled belongs, as far as&#13;
as&#13;
the music is concerned, entirely to the composers,&#13;
and as far as the words are concerned-after all a&#13;
small point, except in the case of songs—entirely&#13;
to the authors, there seems to be no reason why the&#13;
publishers should be on the committee at all.&#13;
Indeed, such a society might have been very valu-&#13;
able for both authors and composers, if the music&#13;
publishers had been dropped out entirely, and there&#13;
is no reason why such a society should not be&#13;
formed by which the composers should control their&#13;
own rights with regard to mechanical reproduc-&#13;
uon and manage their own collection 01 Tees, paymg&#13;
their own expenses, without being bound to give&#13;
one-third to the music publishers. There is no&#13;
reason why the music publishers should not have&#13;
formed the society on this basis.&#13;
It is a well-known axiom that the Government&#13;
has the privilege to tax one class for the benefit of&#13;
another, but we have never known this right to&#13;
exist independently of Government authority until&#13;
the rules and objects of the British Society of&#13;
Authors, Composers and Music Publishers were laid&#13;
before us.&#13;
Sect. 5 of the Copyright Act of 1911, sub-sect. I,&#13;
says:&#13;
* The author of the work shall be the first owner of the&#13;
copyright therein;"&#13;
and sect. 1, sub-sect. 2 (d) defines copyright in a musical&#13;
work as the sole right&#13;
" to make any record perforated roll or other contrivance&#13;
by means of which the work may be mechanically per-&#13;
formed or delivered and to authorise any such acts as&#13;
aforesaid."&#13;
Sect. 19, sub-sect. 7 (c) specially confirms these rights to&#13;
composers in their works mechanically reproduced before&#13;
the Act in spite of any assignment made before the passing&#13;
of the Act.&#13;
Sufficient cause has been shown for warning composers&#13;
against joining a Society founded on such a "basic moral&#13;
principle," and we trust that no composer will sign the&#13;
documents submitted to him without consulting with the&#13;
Society of Authors and its Committee of Composers.&#13;
The new Society by assuming the title of the British&#13;
Society of Authors, Composers and Music Publishers, may&#13;
possibly lead to confusion between it and the Society of&#13;
Authors; the title should be altered to the Society of&#13;
Music Publishers, Composers and Authors.&#13;
I am, Sir, yours faithfully,&#13;
G. HERBERT THRING,&#13;
Secretary, The Incorporated Society of Authors.&#13;
COMPOSERS AND PUBLISHERS.&#13;
TO THE EDITOR OF THE MORNING POST.&#13;
SIR, -Mr. Herbert Thring's letter appearing in your&#13;
issue of this morning, in which he claims that composers&#13;
should fly to the Society of Authors for protection and not&#13;
be misled by publishers on the question of their rights in&#13;
mechanical instrument records, omits to note one or two&#13;
vital facts.&#13;
Although the new Act very properly gives to authors and&#13;
composers an exclusive right in the new form of artistic&#13;
property created, it has never been in «lispute that the sale&#13;
of mechanical instrument records gravely prejudices the&#13;
sale of printed copies of music, and by so doing directly&#13;
affects the profit the publisher is entitled to make by&#13;
reascn of his enterprise and the outlay of his capital. In&#13;
no circumstances are gramophone records made of works&#13;
until the publisher has first discovered them and spent&#13;
money on making them popular. And are these efforts to&#13;
count for nothing?&#13;
Meanwhile what has the Society of Authors really done&#13;
for the composers of popular music in this country? It&#13;
has never moved hand or foot to protect them from the&#13;
depredations of the music pirate. It was left to the efforts&#13;
of one or two music publishing houses to fight day and&#13;
night and to spend thousands of pounds to preserve any&#13;
vestige of property in musical composition in this country&#13;
at all. The Society of Authors has not been any more&#13;
successful in obtaining for the composer under the new&#13;
Copyright Act what is his undoubted right, the privilege to&#13;
dispose of his musical work at his own terms, no matter&#13;
in what form it is published. With the exception of Mr.&#13;
Howard Talbot, the Society's list of composers serving on&#13;
their Musical Committee does not contain a single name of&#13;
a writer of popular music, and it would be interesting to&#13;
know how many such composers are included in the&#13;
membership of the Society.&#13;
First let the Society of Authors do something practically&#13;
useful for the cause of music, and then it will be quite time&#13;
for Mr. Thring to dictate to those who have stood at the&#13;
head of the battle and borne all the expense what are his&#13;
views of “ proper moral basic principles."&#13;
Yours, &amp;c.,&#13;
CHAPPELL &amp; Co.&#13;
50, New Bond Street, Feb. 20.&#13;
II.&#13;
M&#13;
HE following correspondence, with the ex-&#13;
1 ception of the last letter from the Society&#13;
for which the Editor was unable to find&#13;
room, appeared in the Morning Post last month.&#13;
THE BRITISH SOCIETY OF AUTHORS, COMPOSERS AND&#13;
MUSIC PUBLISHERS.&#13;
February 19, 1912.&#13;
SIR, --The attention of the Society of Authors has been&#13;
called to a circular issued by certain music publishers to&#13;
members of the Society, and no doubt to others, inviting&#13;
them (as composers) to join the British Society of Authors,&#13;
Composers and Music Publishers. One of the objects of&#13;
this proposed Society is to deal with the rights of its mem-&#13;
bers in the reproduction of works by mechanical instruments,&#13;
and another is to propagate and obtain recognition of the&#13;
basic moral principle upon which all author's rights are&#13;
founded. ..&#13;
This moral principle is to be recognised by the composers&#13;
and the authors giving one-third of their fees to the pub.&#13;
lishers, for article 6 of the proposed rules runs as follows :-&#13;
- All royalties and fees collected on behalf of the members&#13;
shall be divided amongst the respective authors, composers&#13;
and publishers of the works by thirds after deduction of&#13;
all working expenses and expenses of collection. In the&#13;
case of purely musical works where there is no author of&#13;
words two-thirds will go to the composer and one-third to&#13;
the publisher.”&#13;
The rules have already been subscribed by seventeen&#13;
music publishing houses. No authors' or composers' names&#13;
appear on the circular.&#13;
&#13;
&#13;
## p. 167 (#603) ############################################&#13;
&#13;
THE AUTHOR.&#13;
167&#13;
COMPOSERS AND PUBLISHERS.&#13;
emotions, the critical faculty has been but rarely&#13;
SIR,-Messrs. Chappell &amp; Co.'s letter diverts attention displayed ; at best, there is a bad record behind it.&#13;
from the points at issue by raising wholly irrelevant matters.&#13;
Time, we know, has a knack of adjusting every-&#13;
The contention of the Society of Authors is that the pub-&#13;
lishers of musical works have no right to claim a share of&#13;
thing and of evening up the balance ; yet, how&#13;
the gramophone fees of composers, and that a Society to&#13;
often for a period has the wrong man been set up&#13;
assist them to make such a claim should not be wanted by upon a pedestal, and how seldom has real genius&#13;
anyone except the music publishers. It is clearly the&#13;
been recognised at a glance. Just think of the&#13;
purport of the Act that these fees should be taken out of&#13;
the hands of the publishers, for under sect. 19, referred&#13;
life story of Galileo and of Newton, of Turner and&#13;
to in my former letter, in spite of assignment of copyright of Whistler, of Wagner and of Tschaikowsky : and&#13;
before the Act comes into force, the gramophone fees are to 'this is to name but a tithe of those whom the&#13;
be the absolute property of the composer. Had the Govern- critics failed to discover.&#13;
ment intended the publishers to share in these gramophone&#13;
Tschaikowsky-for it is of interest to take some&#13;
rights they would not have inserted this special reservation&#13;
in the Bill. Indeed, Mr. William Boosey, who is connected&#13;
example more or less in detail-met at the begin-&#13;
with the firm of Messrs. Chappell &amp; Co., in a letter to Thening with but one man who understood him-&#13;
Times of May 4th, 1911, wrote as follows:---&#13;
Nicholas Rubinstein. Anton Rubinstein, the&#13;
* To dispose of the final gramophone red-herring, that it&#13;
celebrated pianist, and that clique of minor&#13;
is the publishers, and not the composers, who will reap the&#13;
benefit of this new statutory right, let the new Act of&#13;
composers who formed musical opinion in the&#13;
Parliament enact explicitly that the said right shall in all Russia of that day would have him at po price.&#13;
cases be the property of the composer."&#13;
Some of them—not Anton Rubinstein, I believe-&#13;
Messrs. Chappell &amp; Co. appear to have receded from that&#13;
wrote for the Press. These were the critics whose&#13;
position when advocating the formation of “The Society&#13;
of British Authors, Composers and Music Publishers."&#13;
duty it was to distinguish between good and bad ;&#13;
Apart from the intention of the Legislature, however, and so intelligently did they do this, so whole-&#13;
there is clearly no reason why the composer should share heartedly did they condemn Tschaikowsky that,&#13;
the gramophone fees with the music publisher. The book&#13;
both in St. Petersburg and in Paris, he suffered&#13;
publisher might just as well demand to share the author's&#13;
fees from the dramatic rights, or the editor of a magazine&#13;
the bitter mortification of hearing his works first&#13;
in which a work has been published serially ask to have a played and then-hissed! And, mark you, works&#13;
share in the author's royalty on book publication.&#13;
which are now delighting and enrapturing the&#13;
Messrs. Chappell &amp; Co. refer to the advantage which the&#13;
entire musical world, works which in modern judg.&#13;
composer gains by having his work placed on the market,&#13;
but do not seem to recognise that it is the composer who&#13;
ment are ear-marked for immortality.&#13;
h given the publisher a marketable commodity.&#13;
But, maybe, you will have it that this was no&#13;
Music publishers are publishers of music, not patrons of fault of the critics, that the public is the real&#13;
music ; they are not entitled to control the property of the judge and settles the matter for itself. Well, so it&#13;
composer in every way because they may be his agents for&#13;
does, of course-in the long run ; and, be it&#13;
putting it in a certain form on the market.&#13;
I am, yours faithfully,&#13;
remarked in passing, in the long run it bas made&#13;
(Signed) G. HERBERT THRING, few mistakes. But at the beginning it does not&#13;
Secretary, Incorporated Society of Authors.&#13;
judge on questions of this sort because it cannot&#13;
judge ; genius is always a few stages ahead, and the&#13;
public reqnires time-time and education—to&#13;
enable it to arrive at comprehension. So, in the&#13;
CRITICS AND CRITICISM.&#13;
meanwhile, it turns to the critics—what less can it&#13;
do ?-to those who presumably are more fitted to&#13;
(HEN Schopenbauer roundly asserted, as he measure and appreciate and, in the early stages, it&#13;
did, that “ for the most part there is no takes their teaching for the truth and gravely&#13;
such thing” as “the critical faculty,” he swallows it. That is the simple and undeniable&#13;
committed himself surely to a statement which, if fact, and criticism may not burke its responsi-&#13;
not wholly inaccurate, is at any rate to be reckoned bility ; for better or for worse it carries an&#13;
little better than a half-truth. Clear thinker unmistakable influence.&#13;
though he was, and close observer of men and But we may, perhaps, gain a clearer view of the&#13;
manners, it would seem nevertheless that he had apparent lack of the critical faculty by bringing&#13;
been led astray by appearances and that he had the investigation nearer to our own doorstep, by&#13;
jumped to a wrong conclusion when, in finding noting the happenings around us of last week and&#13;
small outward evidence of the critical faculty, he this week, of yesterday and to-day. It is always&#13;
decided forthwith that to all intents and purposes easier to get a grip upon an idea which fits in with&#13;
the critical faculty did not exist.&#13;
our own associations and habits.&#13;
Of course, in so far as his observation went, he T urn, then, to the modern newspaper; and,&#13;
was right. For, whether we speak of the critic in seeing that the production of a new novel or of a&#13;
Science or of the critic in Art, of the things which new play occurs oftener than once in a blue moon,&#13;
appeal primarily to the intellect or primarily to the the critic's work can be tested as an amusing and&#13;
&#13;
&#13;
## p. 168 (#604) ############################################&#13;
&#13;
168&#13;
THE AUTHOR.&#13;
instructive breakfast occupation on three mornings earned their place, and deservedly so. The others&#13;
out of four. We may pass over the fact that the huge majority — are the evidence for&#13;
disagreement is common amongst the authorities Schopenhauer.&#13;
--for, needless to say, there are two sides to every But it is necessary to enquire whether this&#13;
question and men can show discernment and evidence has really any bearing on the case. It is&#13;
intelligence and, yet, disagree. What concerns purposeless to talk unless one talks to the point ;&#13;
us more is when the critics are in solid agreement, and here, I think, we shall find that this army of&#13;
and when the public just as solidly agree to differ. incompetents—a too mild description-are in no&#13;
A play or a novel is hailed with a flourish of way pertinent to the argument.&#13;
trumpets and a chorus of journalistic praise, yet To begin with, the very nature of things is such&#13;
meets with the cold shoulder ; another play or that these men cannot in any way represent the&#13;
another novel is crabbed from the commencement, critical faculty which does exist; they are merely&#13;
but achieves an immediate success and within fish out of water, pitchforked into criticism through&#13;
the limited period which, with rare exceptions, force of circumstances. For instance, I know a&#13;
must be reckoned the life of any romance-lives on very estimable gentleman who served this is a few&#13;
successfully. Here is food for thought ; for, the years back-on the staff of a well-known provincial&#13;
public, we know, has proved the soundness of its newspaper, and who delivered judgment impartially&#13;
judgment when once it understands; and, in this and weightily on music, literature, lawn-tennis and&#13;
event, it does understand. It is another matter, prize-fighting. Now, of course, there is no con-&#13;
obviously, when some genius in music, sculpture or ceivable reason why an individual should not be&#13;
painting evolves unexpectedly some wholly fresh competent to speak with authority on all these&#13;
conception in treatment, some unlooked-for develop- matters—there are many who could do so. This&#13;
ment in the technique of his Art, or when some man, however, could not ; his limitations made that&#13;
scientist proclaims a new discovery—then, the impossible ; he was, in fact, just an ordinary&#13;
public must lie low and wait ; they cannot under- reporter, a scribbler of shorthand notes, lacking not&#13;
stand. But in fiction, in romance, in story-telling only in artistic education and experience but, most&#13;
-why, they have been brought up to it from the woefully, in any knowledge of the technique of his&#13;
nursery! Every man, woman and child in this subjects. And this is typical of much criticism ;&#13;
country and in every other country--there is no and, in the nature of things, I say that it must be&#13;
getting away from it-is a born critic of romance. 80. For, quite apart from the fact that cheap&#13;
How, then, when the professional critics think one criticism implies economy in newspaper production&#13;
way and the public decides another-may we not an influence, of course, with editors and&#13;
well beliere the critics to be wrong? Yet, the managers—there is the further fact that those men&#13;
difference of opinion is by no means unusual. of greater parts, those whose qualifications would&#13;
It would be easy to write down a lengthy more especially fit them for the task, are as a rale&#13;
catalogue of critical errors in science and in art, to indisposed to follow the calling of a critic. These,&#13;
give them in detail-a task as offensive as it would for the most part, we may well believe to be occupied&#13;
certainly be ungrateful-and, filling a volume or rather in creative work.&#13;
perhaps many volumes with the result, so establish But, even if we admit that the critic has some&#13;
the proposition up to the hilt. But, quite apart aptitude for his job, there are still reasons why his&#13;
from what has just been said and what might be talent should not disclose itself. It is, for example,&#13;
said, it is common knowledge that criticism is not not a wholly unheard-of thing for a critic to write&#13;
what it should be, that scmewhere there is a weak “to order.” Editors are human and, therefore,&#13;
link in the chain. For, whether we study the peccable ; hence, in a business world where one&#13;
present or the past, the same short-coming obtrudes must either get on or get out, it is not surprising.&#13;
upon the notice, the same apparent absence of the however diegraceful it may be, to find the best&#13;
critical faculty. What wonder, then, that Schopen- reviews going the way of the publishing firms&#13;
hauer took things as he found them and jumped who advertise most largely. It is not always so,&#13;
hastily to the conclusion that, “ for the most part." of course, but it happens.&#13;
the critical faculty did not exist ?&#13;
Then, critics have their friends and enemies like&#13;
Now, there is no shade of a shadow of a doubt the rest of us ; and, from a personal point of view,&#13;
that first-class critics do exist. In England alone the one can get along very nicely with an&#13;
there is a band of men, all too small unluckily in undeserved leg up and the other with an equally&#13;
its number, who have proved themselves over and undeserved kick down the hill. Then, why not&#13;
over again, and who, by virtue of good work done, let them have it? Dishonest, no doubt! but the&#13;
have reached that pinnacle whence they may issue temptation is strong and, anyway—these things&#13;
a dictum wbich, without hesitation, the public may also happen.&#13;
and does accept. These few—such a few-have And speaking of temptation brings a reminder.&#13;
&#13;
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## p. 169 (#605) ############################################&#13;
&#13;
THE AUTHOR.&#13;
169&#13;
reaching the goal, seeing that this must surely&#13;
be inevitable, then can any man doubt, with the&#13;
facts before him, that the critical faculty, hide it&#13;
and crush it how you will, must nevertheless be&#13;
common enough? And not only common but in&#13;
a state of very special cultivation.&#13;
ARCHIBALD DUNN.&#13;
THE COPYRIGHT ACT, 1911.*&#13;
It recalls a class of critics who, in some respects,&#13;
may be said to stand in a category by themselves-&#13;
I mean the critics of technical work. These&#13;
reviewers, by the conditions under which they&#13;
write, are apt to meet with a temptation quite&#13;
beyond the ordinary. They are, of course, experts&#13;
--that is essential ; and, if expert, then it will&#13;
happen often that they, too, will have written books&#13;
on the very subject of discussion-for, that is the&#13;
way with specialists. How, then, when a fresh&#13;
competitor enters the field ? In a land of milk and&#13;
honey and plenty of it, the suggestion might pass&#13;
unbeeded; but in the kingdom of literature there&#13;
is no milk and honey-except for the chosen few-&#13;
and precious little bread and butter. A man is a&#13;
scoundrel, no doubt, who lets the thought enter his&#13;
head at the crisis—yet, some have done it; for it&#13;
is hard to hand over one's own bread and butter&#13;
and stand by starving whilst another eats it.&#13;
Pity, indeed, that the picture should thus paint&#13;
itself so sordidly. But it cannot be helped. To&#13;
reach the truth means, as a rule, cutting deep into&#13;
the heart of things, and the inevitable wound can&#13;
at best only be regretted—there is nothing else&#13;
for it.&#13;
The argument, then, so far as it has gone seems&#13;
clear : of critics in general it may be said that the&#13;
right men do not enter the lists, and of some&#13;
critics in particular that they do not play the&#13;
game. But this does not prove that “for the&#13;
most part” the critical faculty does not exist,&#13;
merely that it does not disclose itself.&#13;
And, indeed, anyone who gives the matter a&#13;
moment's serious thought must see that the&#13;
critical faculty not only exists but must, more-&#13;
ever, exist in great profusion. The whole tendency&#13;
of the time leads that way. It is an age of higher&#13;
education and of marked refinement, an age in&#13;
wbich we are taught to consider and analyse and&#13;
always to look sympathetically on our fellow men.&#13;
And these are the qualifications of a critic. The&#13;
true critic, in fact, is simply a philosopher-one&#13;
who searches for the truth in the firm faith that&#13;
there are two sides to every question. There is to&#13;
be nothing narrow-minded about him, no fads or&#13;
preconceived ideas ; he will concede, in art, that&#13;
beauty may exist which has few charms for him&#13;
and, in science, he will reckon to have found the&#13;
truth when once the truth has been demonstrated-&#13;
then, and not before. And, finally, in his formed&#13;
opinion, he will be honest and courageous ; for, he&#13;
plays the part of counsellor, guide and friend and,&#13;
however interesting his criticisms may be to himself,&#13;
they are not for himself.&#13;
Such is an outline of the needs of criticism and&#13;
of the conditions under which the critic's abilities&#13;
are developed. And seeing that it is not possible&#13;
to train humanity in one direction without many&#13;
M HIS concise commentary upon the provisions&#13;
1 of the new Copyright Act may safely be&#13;
commended to the notice not only of lawyers&#13;
but of “authors," in the wide sense in which the&#13;
term is used in the first section, and of all whose&#13;
business it is to deal in their productions. In&#13;
form it follows that which is usually found most&#13;
convenient in works of its class, and consists of a&#13;
short introduction, which includes a brief but&#13;
informing summary of the principal changes to be&#13;
effected by the Act, a table of contents, the Act&#13;
itself printed section by section with notes, the&#13;
Revised Convention of Berne, signed at Berlin in&#13;
November, 1908, and a carefully compiled index.&#13;
The notes referred to follow immediately the sections&#13;
to which they refer, and consist of comment upon&#13;
the preceding section, followed by a summary of the&#13;
existing law ; the section, the comment upon it and&#13;
the note as to the existing law being distinguished&#13;
by different types.&#13;
The expression “ existing " law reminds us that&#13;
the Act will not come into force in the United&#13;
Kingdom until July 1 (unless some earlier date be&#13;
fixed by Order in Council), and that consequently&#13;
there is ample time for some to consider how they&#13;
will deal with valuable rights prolonged by the Act,&#13;
or in some instances to settle the question of more&#13;
pressing importance, whether such rights will be&#13;
still in existence at the date mentioned and so&#13;
capable of prolongation. The representatives of&#13;
deceased artists in particular, and those who hold&#13;
their copyrights, should realise that they are among&#13;
the most conspicuous gainers by the prolonged term,&#13;
but the owners of existing rights affected will be&#13;
many and varied, as is shown by Mr. MacGillivray&#13;
* " 'The Copyright Act, 1911." Annotated, with Appendix&#13;
containing the Revised Convention of Berne, by E. J.&#13;
MacGillivray, LL.B., of the Inner Temple, barrister-at-law,&#13;
and member of the Faculty of Advocates in Scotland.&#13;
Author of " The Law of Copyright," " A Digest of the Law&#13;
of Copyright,” and “ Insurance Law.” London : Stevens&#13;
and Sons, Limited. 1912. Pp. 209. Price õs, net.&#13;
&#13;
&#13;
## p. 170 (#606) ############################################&#13;
&#13;
170&#13;
THE AUTHOR.&#13;
on page 143, and authors of works that have long subject to which anyone may reproduce the work in&#13;
been before the public are reminded that their question. The points arising as to this section are&#13;
rights may be not only prolonged but enlarged, as rather too intricate for discussion here, but&#13;
for example by the addition of exclusive rights of another matter of obscurity, more easily sum-&#13;
recitation and dramatisation.&#13;
marised, may be referred to. The new Act has a&#13;
The enlarged protection accorded to authors very important effect upon the doubtful, and if&#13;
by the Act will be much more fully grasped the expression may be allowed “tiresome,"condition&#13;
by them after perusal of Mr. MacGillivray's volume of the existing law as to unpublished writings of a&#13;
than by unaided study of the Act itself, and, deceased author, more especially in respect of letters.&#13;
indeed, after such perusal they may be inclined At the end of the 17th section, relating to post-&#13;
to congratulate themselves that his notes were not humous works, is a sub-section to the effect that the&#13;
in the hands of those members of the Labour Party ownership of an author's manuscript after his death,&#13;
to whose “ socialistic demands" the writer refers in jf acquired by his will, “ Shall be prima facie proof&#13;
his introduction. Had it been so, the concessions of the copyright being with the owner of the&#13;
which the Government granted might have been manuscript.” As Mr. MacGillivray observes, it&#13;
more ample than in fact they were.&#13;
would have been much more satisfactory if the&#13;
When Mr. Sydney Buxton, at the dinner of the Act had provided explicitly that any bequest of the&#13;
Authors' Society, referred with just pride to the manuscript should be deemed to pass the owner-&#13;
conciseness of a statute which effected so much ship of the copyright. He submits that this would&#13;
within the compass of thirty-seven sections, it might probably be the interpretation which the Court&#13;
have been suggested in criticism that an Act of such would put upon the passage referred to, but he&#13;
brevity, in spite of all the lucidity with which it may points out that doubt may well arise if a residuary&#13;
be drafted, is likely to afford considerable scope for legatee were to claim to be as such the owner of&#13;
legal argument and judicial decision in the future. a copyright, and to argue that his right as such&#13;
A treatise upon it written before any such decisions residuary legatee was superior to the prima farie&#13;
have been given naturally contains many suggestions right of the legatee taking the manuscript by&#13;
as to doubtful questions and as to their probable specific bequest. The point is certainly by no&#13;
solutions. It is to the consideration of problems means free from doubt, and may be commended to&#13;
of this kind in the light of Mr. MacGillivray's the careful consideration of authors and of those&#13;
observations that many will turn with interest, who may be entrusted with the drafting of their&#13;
after satisfying themselves as to the matters of wills.&#13;
interpretation with regard to which he expresses no In conclusion, reference may be made to the&#13;
doubt. Instances can easily be given of doubtful important summary remedies given by the Act to&#13;
points connected with transactions of not uncommon those authors, other than musical composers, who&#13;
occurrence. Sub-section 6 of section 2, for example, find themselves aggrieved by infringement. We&#13;
prevents the “reading or recitation in public of any are reminded that musical composers will remain a&#13;
reasonable extract of any published work" from class exceptionally favoured, although less so than&#13;
being an infringement of the sole right of public now, even when the Act comes into operation. It&#13;
performance, for which a civil action may be main was sought, as Mr. MacGillivray reminds nis, to&#13;
tained, but Mr. MacGillivray points out that in adopt the provisions of the Acts of 1902 and 1906&#13;
section 11 (2), which makes an unauthorised public protecting composers, to the needs of other authors&#13;
performance punishable on summary conviction, of all classes, but this was so strenuously opposed in&#13;
this saving clause is not inserted, with the result that Grand Committee that a compromise became neces-&#13;
the question arises whether the Court might not be sary, and now the authors of musical works retain&#13;
bound to convict upon the prosecution of a per- the protection of their own Acts, which are&#13;
former, although he could not be proceeded against unrepealed, and literary writers have to be content&#13;
in a civil action. Again, attention is called to the with the principle of summary procedure applied&#13;
possibility that a recitation in costume may be upon to other works in the much less drastic form in&#13;
a different footing from one not so approximating which it appears" in section 11 of 1 &amp; 2 Geo. 5 c. 16.&#13;
to dramatic presentation. We do not here refer Mr. MacGillivray's exposition of that Act will be&#13;
further to the exclusive right of " performance" found timely and helpful, as we have suggested,&#13;
or oral delivery conferred by the Act upon non- not only by the profession which will draw direct&#13;
dramatic works, or to the conditions and limitations profit from the difficulties to which it calls atten-&#13;
imposed upon the exercise of those rights. Section 3 tion, but by those large and, if we may say so, more&#13;
of the Act naturally affords material for comment important, classes of brain-workers, who before the&#13;
in respect of the paragraph which modifies the passing of the great measure we have recently&#13;
right of the owner of the copyright twenty-five welcomed, had received frequent but always&#13;
years after the author's death, and states conditions inadequate attention from the Legislature.&#13;
W&#13;
&#13;
&#13;
## p. 171 (#607) ############################################&#13;
&#13;
THE AUTHOR.&#13;
171&#13;
CORRESPONDENCE.&#13;
returned” without having been before the judges-&#13;
this was self-evident.&#13;
NOVEL COMPETITIONS.&#13;
There can be little doubt as to the early accept-&#13;
ance of the novel in question by any house of&#13;
DEAR SIR,–I cannot help thinking the time has standing, and that its publication will bring its&#13;
come when authors might venture to make some young author success. I cannot, of course, men-&#13;
sort of protest against the manner in which certain tion either the name of the author or that of the&#13;
“ novel competitions” are conducted.&#13;
novel ; its author is, I fancy, rather an independent&#13;
These competitions are, of course, the affairs of the sort of person, and prefers his work to make its way&#13;
houses which institute them, and the conditions are by its own pure merits ; but this furnishes me with&#13;
generally, I believe, clearly laid down, and so perhaps the example I required to point a few words on a&#13;
their methods are hardly fully open to general subject that has often exercised my thoughts.&#13;
criticism ; yet I think, considering the altogether My point is the evident unfairness of such a&#13;
false standards their results are apt to produce in the system where any work sent in is at the mercy of&#13;
eyes of the public in the ranks of the novelists, the sorter, who may have a corn that is trodden&#13;
protest is not out of place.&#13;
upon in the perusal of the first chapter, and con-&#13;
And in one way in particular injustice is apt to sequently, if not a most fair-minded man, reject&#13;
to be done to many of the contributors to the that work.&#13;
schemes. It is, no doubt, necessary that the copy C an we wonder that the prize-winning stories are&#13;
sent in should be subjected to a preliminary weeding, generally of so flat a nature that, after inspiring a&#13;
and one could hardly expect the judges to wade few lukewarm notices, they expire early and their&#13;
through the entire mass of MSS. submitted ; but it authors are so rarely heard of again?&#13;
is in this preliminary process of selection that the There is another aspect: these competitions do&#13;
evil, as it seems to me and many others, is apt to be undoubted harın by bringing temporarily to the&#13;
done. The objection, to my mind, lies in the fact front writers who have usually no particular message,&#13;
that the sorter bas the power of submitting to the and who are, by their sudden success, led to believe&#13;
judges only such works as may happen to please themselves literary giants, to the discouragement of&#13;
his own taste. The experience of most of us is that real talent and, occasionally, of genius. Surely the&#13;
the publisher's reader is a being who is very far literary market is already overcrowded by the works&#13;
from being infallible in his judgment of the wares of third-rate writers without its being necessary for&#13;
he has to handle ; the history of nearly erery great publishers to hunt for fresh and doubtful talent.&#13;
book has been the same-repeated rejections till It is by no means easy at the present day for the&#13;
some lucky chance has brought it to light. And unknown writer of a really good book to get a&#13;
the standard of acceptability according to the average hearing on respectable terms, and the awards of&#13;
“ reader” of the present day seems to be a certain competitions not only do much to lower the standard&#13;
conformity to a machine-made story carefully sifted of literature-bringing it down to a mere trade&#13;
of any originality. Yet we are led to understand level, but crowd and lower the market standard&#13;
that the publisher is ever on the lookout for dis- very seriously, in addition to creating a false ratio&#13;
coveries in originality! Judges, also, I believe, have in the public eye.&#13;
complained of the low level of the average of the But I for one, and I am not alone in my views,&#13;
work submitted to competitions. Can we wonder certainly think that in such competitions all likely&#13;
at it when they are only permitted to decide, work should be at least laid at the disposal of the&#13;
apparently, upon a few works carefully chosen for judges. It would always be necessary to weed out the&#13;
the purpose by the sorters ?&#13;
copy which is hopelessly poor, but to weed out works&#13;
A young friend of mine has lately sent to a cer- that are good and uncommon, clever and original&#13;
tain competition a work which, in the opinion of because, possibly, of some prejudice on the sorter's&#13;
several literary men of established reputation who part, seems to me to be prejudicial to fairness at&#13;
know him, is a novel of unusual power. This work the start, and one would like to know upon what&#13;
is undoubtedly very far above the average, most lines and roles the sorters are instructed to go.&#13;
original, beautifully written and dealing with an In conclusion, I must say that after some experi-&#13;
absorbing and altogether novel idea; in the opinion ence of competitions in the literary world and a&#13;
of those competent to judge and who have read it, good deal of talk with candidates who bare entered&#13;
in MS. it is certainly one of the freshest and for them, my advice to any writer with self-respect&#13;
cleverest books that have been written during the and above all with any talent is—leave them strictly&#13;
last five years. It might not stand any chance of alone.&#13;
taking a prize, since it is, perhaps, too bold and too&#13;
I am, Sir,&#13;
outspoken, too original in theme to be greatly&#13;
Yours faithfully,&#13;
popular ; but the point is that the MS. “ was quickly&#13;
TAMEL,&#13;
&#13;
&#13;
## p. 172 (#608) ############################################&#13;
&#13;
172&#13;
THE AUTHOR.&#13;
THE SOCIETY OF BRITISH COMPOSERS AND THE On every point that concerned the composer the&#13;
COPYRIGHT ACT.&#13;
society drafted memoranda, which were sent either&#13;
SIR,- In last month's issue of The Author, page&#13;
to the Board of Trade, to some member of the&#13;
132, there is a paragraph referring to the Copyright&#13;
Government, or to the private members who were&#13;
Act, which is misleading. It runs thus :-&#13;
giving special attention to the composer's welfare.&#13;
Before the committee stage was over the society&#13;
“The gramophone clauses are not altogether to the&#13;
was invited by the President of the Board of Trade&#13;
liking of composers, and the comuittee of the society&#13;
regret that the Government have admitted the principle of&#13;
to confer with him upon various points which had&#13;
compulsory licence into these clauses, despite the objections&#13;
arisen in discussions in committee, and this&#13;
urged by the society on behalf of, though with one or two invitation was accepted in the light of official&#13;
honourable exceptions, without much help from, musical recognition of the status of the society as&#13;
composers."&#13;
representing the composer alone.&#13;
This conveys the impression that composers as a At the end of July, 1911, before the report&#13;
body neglected to take steps to safeguard their stage was passed, the society, anticipating the&#13;
inte rests under the new Copyright Act, and that form that the “gramophone clauses ” might, and&#13;
the Society of Authors alone acted on their behalf. ultimately did, take, sent a circular to all its&#13;
This is very far from being the case, for from members cautioning them against disposing of any&#13;
the first the Society of British Composers took an of their mechanical-instrument rights before the&#13;
active part in stating the case for the composer. Bill became law. At this date, further, the society&#13;
In The Times of March 10th, 1909, it was first went fully into practical issues created by the&#13;
announced that the Board of Trade had formed a “gramophone clauses "—issues, it may be added,&#13;
Departmental Committee on Copyright, and as which are only now for the first time being&#13;
composers had been overlooked and were not repre- considered.&#13;
sented on the committee, the Society of British I think I have said enough to show that the&#13;
Composers, without a moment's delay, entered a S. B. C., in spite of its restricting its membership&#13;
protest against the injustice of ignoring them. to composers of serious aim, had sympathies&#13;
Persistent efforts on behalf of the composer sufficiently wide to justify its efforts towards&#13;
resulted in the society receiving an undertaking reform on behalf of all, although the majority of&#13;
that its representative would be allowed to appear its members may never be affected by the&#13;
before the committee and give evidence on certain&#13;
“ gramophone clauses.” It is only fair to point&#13;
points in the Revised Convention of Berlin, 1908. out that the S. B. C. has giren the Society of&#13;
Thus it was largely owing to the action taken by Authors every facility for getting in touch with its&#13;
the S. B. C. that the Departmental Committee, members, and the composers, realising that their&#13;
whose duties were originally limited to an own special society had the copyright question&#13;
examination and report upon that Convention, well in hand, were satisfied that their interests&#13;
became in effect a Royal Commission, with power would not be neglected.&#13;
to call witnesses. In July, 1909, one of the&#13;
Yours faithfully,&#13;
members of the S. B. C. appeared before the&#13;
WILLIAM WALLACE,&#13;
committee and gave evidence. Nothing further Hon. Secretary, Society of British Composers,&#13;
could be done till the Report of the committee&#13;
19, Berners Street, W.&#13;
was issued, and this was followed by the Copyright (Mr. Wallace's letter does not in any way refute&#13;
Bill of 1910. The society then called a special the paragraph referred to. All honour must be&#13;
meeting of its members to discuss, inter alia, this given to the Society of British Composers for the&#13;
Bill, and invited members of the Society of work they have done, but the Society of British&#13;
Authors to attend and speak. It subsequently Composers is not representative of all composers,&#13;
printed and circulated a report of the proceedings. and we regret to state that some of the great&#13;
At a later stage it reported to the Board of Trade composers have shown themselves utterly callous&#13;
upon the Bill, and sent its own deputation to that and indifferent to the welfare of their fellow&#13;
department, on which occasion it was represented craftsmen.&#13;
by its prominent members, and its honorary We congratulate the Society of British Com.&#13;
counsel discussed the points specially affecting the posers, whose excellent work in the passing of the&#13;
composer.&#13;
Copyright Act no one can deny, but it is still true&#13;
Owing to the political situation the Bill of 1910 that the Society of Authors, considering the work&#13;
could not be proceeded with, and that of 1911 was it has done, and is still doing, has received very&#13;
introduced, the second reading taking place on little support from the great bulk of composers,&#13;
April 7th, 1911. From that moment the S. B. C. many of whom are not, and cannot be included&#13;
redoubled its vigilance, and the committee stage in the Society of British Composers under its&#13;
was watched and reported upon unremittingly. regulations.—ED.)&#13;
&#13;
&#13;
## p. 172 (#609) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes :&#13;
"I have just completed the revision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without laving been corrected or even read, and that my hand writing,&#13;
I am told. is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something niore than simple&#13;
mechanical accuracy, to produce such a resulta result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
Novels &amp; Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words; 2 copies, 1/4.&#13;
(French and Spanish typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work."&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove to&#13;
all authors who have the good fortune to hear of you. ... You&#13;
certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): “I have never met with&#13;
anything approaching your intelligence, carefulness and promptitude."&#13;
RICHARD PRYCE, Esq.: "The work conld not be better done."&#13;
IST IOHN L'Isle, Dimond Road, SOUTHAMPTON&#13;
Bitterne Park,&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Cotterill &amp; Cromb, Literary Agents,&#13;
Lennox House, Norfolk St., Strand, W.C.&#13;
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                    <text>The Author.
( The Organ of the Incorporated

VOL

.

XXII . — No . 7 .

APRIL

Society

of

.

Authors

Monthly .)

1, 1912 .

( PRICE

SIXPENOE .

CONTENTS.
PAGE
173
173
173
174
175
179
181
184
186
187
185
189

Notices
The Society's Funds
List of Members . ..
ThePensionFund
CommitteeNotes ...
Bookspublished by Members ...
Literary, Dramatic andMusical Notes
Paris Notes...
UnitedStates Copyright
A Music Publisher ' s Agreement
MagazineContents
How to Use the Society ...
Warningsto the Producers of Books...
Warningsto Dramatic Authors

early

in

April .

in advance

the other side .

on

GIRL

THE MOUNTAIN
By

Illustrated

by

J.

PAYNE

DUNCAN

ERSKINE .

GLEASON .

PAGE
190
190
190
190
190
190
191
192
193
194
197
199
199

..
.
..
.

i

Five Large Editions required to fill orders

K

Ready

Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music
The Reading Branch
:
Remittances
:
General Notes
Meeting
:
The Annual
A Prize Competition
United StatesNotes
The Copyright Progress of Four Years
The Copyright Law
Correspondence

8vo.

Crown

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This new novel bids fair to create an unusual amount of interest . Those who have read the
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Labour

/.

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of

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The Battle
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in .

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Lone
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net

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Carter Lane London

EVENDEN

Pleydell House Pleydell Street
Fleet Street
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, .,

Ltd

E
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&amp;

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,

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SONS

&amp;

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in

to

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years ago

MURRAY

The Editor

GEORGE ROUTLEDGE

,

:

10-RCo
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,

,

.

a

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Authors are invited
send their names
and partioulars of their publications to
the Editor for insertion
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c
/o

espondent

Diana Woston
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Night

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A

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AND

Now Ready
Morocco after Twenty five Years
Dr Robert Kerr
Illustrated
Shortly
Ready
Will be
Stephen Knott
The Cup and the Lip
Daughter
Fate By Edgar Leigh
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,

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the elephant

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VOL

LIST OF MEMBERS

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The
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VICTORIA

374
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1912

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BY SIR

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scriptions paid
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The full list
the fund
appeared
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The Author
The secretary would like
state that
has

of

of

include either donations
nor does
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January the secretary
the society
laid
before the trustees
the Pension Fund the
accounts for the year 1911
settled
the
accountants with
full statement
the result
the appeal recently made
behalf
the Fund
After giving the matter
full consideration
the
trustees instructed the secretary
invest the sum
£500
the purchase
Antofagasta
and
Bolivian Railway
Ordinary
Preferred
Stock
and Central Argentine Railway Ordinary Stock
The amounts purchased
the present prices are
£237
the former and £232
the latter stock
The trustees desire
thank the members
the
society for the generous support
which they have
given
the Pension Fund and have much pleasure
informing the Pension Fund Committee that
there
further sum available for the payment
another pension
case any application
should
made
The money
now
invested
amounts
fully set out
846 198
and
the list

on

TN

It .

1912

received

January

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NOTES

.

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a

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as

of

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in

of up

,

at

of

on

of

meeting
the committee was held
The
the 4th
the society
the offices
reporting
committee have much pleasure
elections
32 elections which brings the total
for the current year
100
This number
considerably
excess
the number for the corre
sponding period
1911
The issue
the first
applications for subscriptions
arrears brought
resignations
usual
number
but though the
number was considerable
was hardly above the
average
percentage was
former years and
owing
lower
the increase
numbers
the
society
report
the legal cases
The solicitors made
a

on

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In

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175

�THB AUTHOR .

.

their previous meeting

The
considered , and the treaty was finally settled .
secretary was instructed to write to the secretary
of the Dramatists ' Club Sub - Committee , with a full
statement of what had taken place and with the
complete copy .
The next question before the sub -committee was

the date of the Annual Conference of Dramatists .
The sub - committee decided that it would be best
to defer the selection of the date until the mandate

being

able

,

in

,

be .

's

consult

As

which they had received at the last Conference to
deal with the Managerial Treaty had been carried
through , and the sub - committee were in a position
to report to the Conference on this and other
matters.
the registration
of
A small point touching
scenarios was also considered , and the sub - com
mittee decided that one copy of a scenario would
suffice for purposes of registration , although the
stampa
always
society would
to
be willing
duplicate copy if the member so desired .
The sub - committee then discussed a suggestion
of one of the members , that a schedule of prices
the society
office for reference
should
sent
settled notice will
soon
the schedule
order that they
dramatists who are members
may have the advantage when settling agreements
,

at of

of

on

,

of

's

to

tioned , but the committee decided that it would be
inexpedient to take action in the matter at the
present time unless a specific charge could be made
The committee authorised the affixing of the
society
transfers dealing with the
seal
certain
purchase
account
the Capital Fund
stock
the society which purchase had been authorised

The ordinary monthly meeting of the Dramatic
- Committee was held on Friday , March 15,
at 3 o ' clock . After the ruinutes of the former
meeting had been read and signed , the alterations
and amendments to the Managerial Treaty sug
gested at the joint meeting of the sub -committee
Sub - Committee , were
and the Dramatists ' Club
Sub

is

points which had been raised in committee .
of the
A proposal in regard to the conduct
business of authors by literary agents was men -

II.

,

Copyright Sub -Committee was referred back to the
for re - consideration of one or two

sub -committee

were then referred back in order to be discussed at
the next meeting of the Dramatic Sub - Committee ,
and it is hoped that a final settlement will be come
to at that meeting .

to

had been raised , namely , the collection of gramo
phone fees .
A Music Publishing Agreement which had been
by the
laid before the Committee of Management

On Thursday , March
7, the
Dramatic
Sub
Committee met a sub - committee of the Dramatists '
Club and discussed
with the latter the proposed
alterations in the Managerial Treaty .
The two
through the treaty clause by
committees went
very
clause , and came to agreement , with
few
alterations and reservations .
The points reserved

at

March issue of The Author .
The committee undertook to watch carefully the
rights of composers in regard to the question that

.

I.

lie

summer .
A letter from the Premier of Canada was
also read , as well as one from a Canadian correspon dent of the society , the last making a statement as
to the action in respect of copyright legislation
which was being taken in the Dominion .
The secretary reported what had been done , at
the suggestion of the Composers ' Sub - Committee ,
and with the sanction of the chairman of the Com mittee of Management , respecting an organisation
which had originally called itself the Society of
British Authors , Composers and Music Publishers .
in the
A full statement of the position appeared

SUB - COMMITTEE

DRAMATIC

as

of

Canadian copyright .
A
Sir Gilbert Parker to the
chairman expressing among other things his regret
that he had been obliged to return to England , but
stating that he hoped to put forward the views of
the society when he visited Canada again in the
discussed
the question
was read
from

letter

The secretary reported that Lady Loraine , Mr.
Thomas F . Dunhill and Mr. Raymond Needham
had joined
the society as life members , and that
Mr. Gordon Craig had made a donation of £1 18.
to the Capital Account .

to

a clause in the publisher 's agreement , the publisher
the committee
bad submitted
a proposal which
decided
to advise the author to accept .
The
solicitors were instructed to write to the member
to that effect .
The secretary then placed before the committee
correspondence which had passed between himself
and a member , following a decision of the com
The
mittee
made at their previous meeting .
the secretary ' s letters ,
committee , while approving
decided that no further action could be taken . The
verification of accounts between one of the members
and a publisher extending over a series of years was
next considered , and the committee advised the
member to ask the publisher , in the first instance ,
for further details , and next to allow an accountant
to be appointed to investigate
the books .
If the
publisher 's answer was not satisfactory , the matter
was to be referred again to the committee .
After the cases had been considered , the committee

of

176

the

schedule

and receive

�THE AUTHOR .

to

for

2. Not to employ any agents or agencies without careful
enquiry into their financial position and stability .
enquir
3. Not to enter into any contract
sheet publication
which contains any conditions whatsoever with regard
their rights
mechanical reproduction

.

of

by

all

be

to

at an

,

.

of

-o

it

.

, of

to

of

co

a

of

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to

be

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in

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of

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of
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,

.

question was accordingly adjourned
The next matter before the sub committee was

-

'

.

is

with the rules
issued under the Act
1911
by the Board
Trade dealing with the collection
gramophone fees and that they could not advise
composers until these rules were before them
The

of to

's

of

,

and French societies and he read
letter from the secretary
the company pointing
out the advantages
the company and its methods
lengthy discussion the sub
business
After
committee came
the conclusion that they were
bound
defer action until they were acquainted
to

no

he

,

of

,
.

with the German

of

of

of of

of

to
,

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to to

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of

7
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of

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: 19
,

of ,

or

,

,

in

is

of

,

on

it

a

to

.

of

of

of

,

of

The position
the society which originally called
Society
Authors Composers
itself the British
and Music Publishers and the action that had been
regard
taken
this society were reported
had been
The secretary also reported that
communication with the secretary of the Mechanical
Copyright Licenses Company which was working

to

SECOND meeting was held
the offices
the
After the
Society
March
Authors
reading
the minutes
the previous meeting
gramophone fees was discussed
the question

,

an

to

in

of
by

it .
"

is
,

It a

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a

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Parliament

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,

to

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(

of

to

,

to

,

of

to

in

in

,

as

or

,
in

of

It

.

1

.

invitation from
Bechstein Hall
They decided
however
view
the line the publishers had
adopt
dealing with the composers
chosen
property that
would
inadvisable
attend
Mr Arthur Somervell was elected
member
ption
the sub committee under the power
Management
given by the Committee
and
was
Sidney Jones
join
decided
ask Mr
The
resignation
one
the members already elected
was laid before the sub committee
and
was
decided
ask
the member
reconsider his
decision
to

,
of

a

in

Sub Committee

Society
The Incorporated
Authors and the Society
British Composers desire
direct the attention
all the
composers
their powers and
the United Kingdom
regard
their
rights
the mechanical reproduction
1911 which
defined by the Copyright Act
works
authorise
declares that the composer has the sole right
any mechanical reproduction
prohibit the making
mechanical
Nomatter what assignment
his compositions
rights the composer may have made before the passing
assignment and confers
the Act the Act annuls such
solely upon the composer all royalties derived from such
this
make the latter part
order
mechanical rights
the
sub section
statement quite clear section
quoted
Notwithstanding any
Act should
full
assignment made before the passing
the
this Act
copyright
musical work any rights conferred by this
authorising the making
respect
the making
Act
which the work may
means
contrivances
mechanically performed shall belong
the author
his
legal personal representatives and not
the assignee and
and for the
the royalties aforesaid shall be payable
benefit
the author
the work
his legal personal
representatives
From this
obvious that the music publisher has
locus standi whatever
the matter and
has no more
right
royalties
decide upon
division
the composer
than upon
division of any other of his private property
composers
certain that agencies for the collection
royalties
for
reasonable consideration
will come into
strongly impressed upon all
existence
therefore
composers
exclusively
property
part with the
which
Not
theirs by Act

fees

The sub committee considered
attend meeting
the publishers
called for the Tuesday following

,

by

to

to

,

of

of

.

of

,

Composers

from

Vanifesto

Rights

AND GRAMOPHONE

their

-

,

.

in

-

of

it

to

to

.

,

it

of
on

COMPOSERS

instruments and
was decided
obtain
the
information available
this point for the sub
committee agreed
that
must depend upon the
form
these rules and how far they might secure
rights what advice should
given
the composer
composers about appointing
agents
collect

to

on -

of

was

24

of

'

-

Sub Com
held
February
Saturday
As The Author had
already gone
Press before the meeting was held
was too late
chronicle
the March issue
Sir Charles Villiers Stanford was unanimously
elected chairman
the sub committee
and after
his election the committee proceeded
consider
certain
circulars
which
had
been
issued
the formation
music publishing firms referring
the British Society
Authors Composers and
Music Publishers
After
careful study
the
objects and rules
society
the proposed
which
reference was made
the last issue
The Author
the committee decided subject
the approval
Management
the Committee
issue manifesto
the situation and after careful consideration
draft which had been prepared
the chairman the
manifesto assumed the following form

Authors

.

of

the Composers

to

first meeting
the Society

The
mittee

,

,

-

of

be

of

A

.

-

to

SUB COMMITTEE

'

COMPOSERS

in

The Society
hearty
British Composers
accord
with
the action
the sub committee
joined
allowed their names
the manifesto
further question arose
the probable rules
and regulations
the Board
Trade for the
collection
fees for the reproduction
mechanical
of

.

a

to

advice from the secretary . Such advice and infor dienasol of any member
mation is already at the disposal of any member
who desires it , but the sub - committee considered it
desirable
have
schedule authoritatively fixed

177

�THE AUTHOR

the

in

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it

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a no .

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he is

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be

it

so

a

the

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,

Belsize Lane

+

.

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Hampstead

Elystan
Ralph Hamon

,

63
,

.

.

Balliol
ford

College

,

Bellairs

M

Beardsley

Gardens

.

,

Bainbrigge Miss Marion

Bedford

S

.

,

Hugh

.

,
N
.W
.

,

Arthur

Elections

.

of

,

settled

Arnold

,

to

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to

of

to

satisfactorily

Anderson

,

It

.

of

is

in

,

is

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One was

March

, ,

,

in

,

or

accounts

,

to

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is
a

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in

:.
.

of
of

in
in

placed

of

to

,

,

,

to

of

;

of

on

of

.

the past month

there have been fifteen
The
the secretary
secretary
the
The
the
the hands
hands
month varies but little
number from month
membership
On the
spite
the large increase
show
good sign
tends
whole perhaps
that either the authors dramatists and composers
the publishers editors and dramatic producers
does not
their contracts
are more careful
necessarily show that the contracts made are better
though there
considerable evidence
contracts
spite
the attention the
the case
that this
the
time
committee have drawn from time
strange contracts which some publishers issue
the rendering
the cases referred
Three
cases

as

,

.

in

,

.
a

,

.

Cases
DURING

as

,

of
in

;

is

is

to

as
a

,

the solicitors
have been settled
Of the two the
the settlement
the secretary one refers
hands
case
accounts and the other refers
copyright
infringement
one
the colonies
long time open
letters
The latter has been
long time going backwards and
necessarily take
forwards but
far
must
stated with recret
the
that
no answer has been obtained

.

per

a

or

.

it

per

£20

of

£20

Of the cases left over from former monthis there
are only two still outstanding
the hands
the
secretary
The others have either been placed with
or

to

by

by

Crozier

's

's

Beattie

in

.

in

.

,

pension

Crommelin

J.

and

Dr
.

,

annum
annum

The last claim
deals with the settlement
contract
behalf
one
the members who
negotiations
lives
distant colony
are being
carried through satisfactorily

.

of

,

of

a

of

at

(

)

of

increase Miss

the MSS

of

,

15

,

of on

of

THE Pension Fund Committee
the society met
February
Thursday
and after the minutes
they
the previous meeting had been signed
the
the secretary the report
received from
the fund
out the position
trustees setting
The secretary reported that £300 had been invested
by the trustees the investments appear
another
the disposal
£40 was
sum
and that
column
the committee for pensions
the committee decided
After consideration

,

of

in

of

In

to

in

a

to

be

a

COMMITTEE

.

FUND

be

,

as

.

's

as

to

in

.

MSS
There were three claims for the return
have all been settled
has been frequently
pointed out that
sometimes difficult
sub
legal claim
stantiate
cases where MSS bave
publishers
been forwarded
editors and others
general rule they are very anxious
but
make what efforts they can
search for and return
These

PENSION

to

.
of

I'

brought
hoped will
satisfactory
and
conclusion and the last one
the claim
foreign country will necessarily be prolonged

It

in

,

,
a

to

.

on

be in

, .

of

a a

A

to

,

.

the chair
Several names were mentioned
and the secretary
arrange the details
was instructed
letter from
music publisher together with
his contract with
member
the society was laid
before the committee for their consideration and
the secretary was instructed
make
note
The Author
the matter

the

bankruptcy there
As
usual
cases
money for the unfortunate author whether
paper
contributor
claimant for royalties
the assets being all swept away by the claim
the
debenture holders
Of the four remaining cases
placed
one had
the solicitors hands and
bas since been settled
one has only recently come
negotiation
into the office
one
the course

;

in

of

a

as

any feeling
rather than that there should
bias
might arise were
composer
such
musical

to

placed

,

,

be

a

to

at

.

-

to

instructed
call
The sub committee decided
special chairman
preside
ask
the meeting

to

at

Association
secretary was

forwarded

hands
and the third has
only just come into the office
many
here have been
nine claims
money
the hands
the secretary and
satisfactory
report that
three
the cases the
money has been paid and forwarded
the author
concerned
two
the remaining cases
was
impossible
obtain satisfaction
the company
against which the claims were made
bankrupt

,

a

'

members
the Music Publishers
subsequent meeting
which the
to

It

.

in

,

to

if
of

, in

tary and others reported how these rights were dealt
England
with
other countries and
was
possible
decided
discuss
the matter with

were rendered
and
The second case had
the society
solicitors

author

is

-

a

,

.

,

of

copyright and other matters dealing
widened term
Again
with this special right under the new Act
very lengthy discussion
there was
and the secre

accounts

.

is

to

,

of

('

of

rights .
the question
of performing
Since the
opyright Act this point has
passing
the new
increasing importance owing
been
one
the

it

178

Ox

�THE AUTHOR .
,

Birkhead

.

Alice

.

,

20

Kingdom

Road

,

179

BOOKS PUBLISHED

. Hampstead ,
N. W .
41, Porchester Square ,
W

Chater

, Arthur

Common

Curwen

,

.

.

.

las
Thomas

.

.

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, Maud .

Denham

,

Arnold

.

.

.

.

Holland , Bryan T .
Ivimey , John .

.

.

.

.

5,

Mrs .

Mabel

“

, Martin J .

.

Mildred , Sister Mary , O .S. B .

“

Richings

, Emily

,

Troly - Curten

Ladies

.

.
.
.

Mary Gertrude

Mary ,

.

Co. Clare , Ireland :

, Play
, Sussex .
The Knoll , Sandling ,
Maidstone .

Playden Cottage
den

*

John

Douglas .

.

Millwall E .
Campden House
Court , Kensington ,

42 ,

Harley Street ,

W.

Manor House ,
Martinstown

1,
2

,

,

Dorchester .

Albert , Place ,

Kensington ,

W

.

Mansions ,
Westminster S. W .
Carlisle

13,

Place ,
Kensington ,

Eden

S. W .

Anna

“

Wood norton , May
field

Wyman , Bernard

Wynn Williams,

House ,

Co. Clare .
Caherush
House
Miltown - Malbay ,

66 ,

.

.

W . Lloyd

Trevanwyn

."

, Sussex .

Winnington

Northwich

.

BIOGRAPHY .

BOOKS OF REFERENCE .
THE PUBLIC Schools YEAR BOOK , 1912. Edited by H .
F . W . DEANE and W . A . Evans.
71
5.
709 pp .
The Year Book Press .

W.

.

, Marthe

,

Athæneum

Club .
Ennistymon

S.

Walker ,
Lynn .”

Devizes

Lanarkshire

Agnes

, Arthur

Steegmann

Wilts .

."

Savill , Agnes F ., M . D .
Shortt , Miss L . M .
Somervell

,

Springhill .

Frank

Mrs .

A . D . Pickering

.

The Haven

.

Marshall, Archibald .

Pickering .

Arundel Mansions ,

Fulham

Lascelles , Mrs . K . “ Pellen
Hawker ."
.
Macnamara , Francis .
McHugh

Hall Road , N . W .
Lawton Street ,
Newcastle -on - Tyne.
Alfrick , Worcester .
5,

1,

WHILE every effort is made by the compilers to keep
this list as accurate and exhaustive as possible , they have
some difficulty in attaining this object owing to the fact
that many of the books mentioned are not sent to the office
by the members . In consequence , it is necessary to rely
largely upon lists of books which appear in literary and
other papers . It is hoped , however , that members will
co- operate in the compiling of this list and , by sending
particulars of their works , help to make it substantially
accurate .
NAPOLEON : Our
Last Great Man . By ELYSTAN M .
BEARDSLEY . (Revised Re -issue . ) 71 x 41
184 pp .
Digby Long . 38. 6d . n .
THE COMEDY OF CATHERINE THE GREAT . By FRANCIS
GRIBBLE . 9 x 51. 336 pp . Eveleigh Nash . 158. n .
By ALLAN FEA .
THE REAL CAPTAIN CLEVELAND .
9 x 51. 256 pp . Martin Secker .
88. 6d . n .

Australia .

.
.

King ."

,

Perth , West

.
.

,

Ter

Whitehouse

race , Corstorphine

Midlothian .
Workington , Camber
land .
Perth Public Library ,

German , Edward
Gregson , Mrs . Ada

Kingsland

W.

,

8

BY MEMBERS .

Hall ,

38. 6d . n .

BOOKS FOR

THE

YOUNG .

ENGLISH
CHURCH HISTORY FOR CHILDREN , VOL .
. , A. D. 1500 - -- 1911. By MARY E . SHIPLEY . 73 x 5.
286 pp . Methuen . 28. 6d . n .

AN

III

DRAMA .
CHAUCER REDIVIVUS : A Playlet for the Open Air or Hall .
By W . S. DURRANT . 78 X 44. 32 pp . Allen . 6d . n.
THE SECRET WOMAN .
A Play in Five Acts. By EDEN
PHILLPOTTS . 64 X 5. 90 pp . Duckworth . 28.
THE NEXT RELIGION . By ISRAEL
ZANGWILL . A Play
in Three Acts. 81 x 51. 104 pp . Heinemann . 28. 6d . n .
IRISH PLAYS . By
AND OTHER
SHAKESPEARE ' S END
CONAL O' RIORDAN (Norreys Connell ) . 73 x 5 . 167 pp .
Swift . 38. 60 , n.
By ELLA
THE BROWNIES AND OTHER SHORT PLAYS .
ERSKINE . 87 X 51 . 36 pp . Truslove &amp; Hanson
2s. 6d . n.

FICTION .

By GILBERT CANNAN . 77 x 5.
BROTHER .
301 pp . Heinemann . 68.
THE BODY OF HIS DESIRE : A Romance of the Soul. By
MRS . CAMPBELL PRAED , 8 x õ. 344 pp . Cassell . 6s.
THE VICTORIES OF OLIVIA AND OTHER STORIES . By
EVELYN SHARP . 73 x 5
328 pp . Macmillan . 6s.
TWINKLE . By ARTHUR H . HOLMES . 7 * 5 . 313 pp .
Duckworth . 68.
THE GUESTS OF HERCULES . By C. N . and A . M .
WILLIAMSON , 78 x 5. 461 pp . Methuen . 68.
THE MATADOR OF THE Five TOWAS , AND OTHER STORIES .
By ARNOLD BENNETT . 73 x 51. 325 pp .
Methuen .
68.
THE RED MAN ' S SECRET. By F . FRANKFORT Moore ,
78 X 5. 336 pp . Hutchinson . 6s .
THE RIVER OF UNREST . By BERTRAM MITFORD . 7 x
5.
304 pp . Ward Lock . 68.
GRIM JUSTICE : Toe Study of a Conscience . By Rita .
78 x 5. 430 pp . Eveleigh Nash . 68 .
THE UNHOLY ESTATE . By DJUGLAS SLADEN . 78 X 43 .
435 pp . Stanley Paul . 6s.
THE TRAGIC PRINCE . By R . K . WEEKES and A . R .
WEEKES . 73 x 5. 350 pp . Melrose . 68.
MEMORY CORNER . By TOM GALLON . 78 x 5. 352 pp .
John Long . 6s.
LITTLE

�.

.
.pp. .6s

ppto

.

5

.

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Heinemann

SCIENCE

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SPENCER

By
F

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SHARP
MRS WILLIAM SHARP

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BEDDARD
AND THEIR ALLIES
Cambridge University Press
150
STUDY
PLANTS
BOTANY
THE MODERN
Jack
MARIE STOPES Ph
104
KNIPE
THE PAST
EVOLUTION
128
Daniel
242
Herbert
64
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Constable
By WILLIAM
POEMS

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and

Manners

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68
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Life and

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SECCOMBE

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IN

Vol

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by
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.pp

THE WHITE WALLET
Filled by PAMELA GLENCOXXER
54
Fisher Unwin
415
By CHARLES and MARY LAMB
MISCELLANEOUS PROSE
Edited
Lucas
570
Methuen
PRAISE OF OXFORD
An Anthology
Prose and

5x
,
n .
.
.

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n
.

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.

.

of

upon

THAT MATTER

.

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.

28
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.

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Routledge
Papers

.

.

256

.pp

74 of
x
5

THINGS
are

,

.

OF

.

POLITICAL

HOME RULE
Selected from the speeches
Right Hon
Arthur
James
Balfour

ASPECTS
The

EARTHWORMS

.

x

9

,

.B
.

,

THE KASHMIRI LANGUAGE
comprising
By
Phrase Book
and
Vocabularies
GRIERSON
Two Volumes
160
211
Oxford
Clarendon Press
London
Frowde
128

&amp;
pp

.

6d

. . 38
.

.

&amp;

.
.
ESCOMBE

Annotated
With Appendix
THE COPYRIGHT Act 1911
By
containing the Revised Convention
Berne
201
Stevens
MACGILLIVRAY LL
Sons
58
.
n
.

ORIENTAL
MANUAL
Grammar
.
n
. pp
.

375

73
x
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78
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78
x
5

.

By

.

J.

.pp

9
X

54
.

.

By MABEL
LAW

.

By
BIRDS
COWARD
Cambridge University Press
By
Witherby
AUSTRALIA
MATHEWS
326 High Holborn

137

BIRDS

.pp
.

41

.

.

.

.

47

64
x

.

7d
.
11
.

6x
.

.

pp
. . .pp

.

.

A

SWALLOW

NATURAL HISTORY

Verse

JUVENILE
18
.
n
.

By HENRY

of

.pp

.

73
X
5

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,

.

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x
5

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5

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73

HISTORY

By CLARE
OF QUEEN
VICTORIA
Eveleigh Nash
392
158

CHILD OF SURPRISES

122

LOVELL

.

.

A

By

68
.

.

.

.

By MRS HUMPHRY WARD
ELEANOR
475
Cheap Edition
Nelson
AUSTIN
CAREER
BY VIOLET TWEEDALE
352 pp
John Long
BRAZENHEAD
THE GREAT
MAURICE HEWLETT
333
Smith Elder
By
Popular Edition
MARK
TILLOTSON
BAKER
Chapman
Hall
536

COURT

By

Williams

THE MIGRATION

8
X

.

68
. a

,

'

.

pp
.

.

.

OF

&amp; .

By CHARLES GARVICE
LOVE
SNARE
Stoughton
363
Hodder
68
THE PATH
VIRTUE
Romance
the Musical
Comedy
Stage
By GERTRUDE WARDEN
311
White
THE OLD WIVES TALE
ARNOLD BENNETT
New
Edition with
Preface
612
Hodder
Stoughton

THE EARLY
JERROLD

Jarrold

78
x
5

71 68
. .
x
5

73
X

.

.

pp
.

.

.

By

.

, .68 F

.

6x
.

.

,

.

By.

75
X
5
.

.

&amp;

pp
.

pp
. IN .
A

E

.

By

.

68
.

.

.pp

OF

.

68
.

'

MEDICAL

MISCELLANEOUS

.

DANBY.
73 x 5.
391 pp . Methuen . 68.
PAUL S PARAGON . By W . E . NORRIS . 78 x 5.
Constable
THE QUEST
GLORY
MARJORIE BOWEN
311
Methuen
THE MALABAR MAGICIAN
PENNY
344
Chatto
Windus
By
THE MAN WHO STROKED Cats and Other Stories
MORLEY ROBERTS
286
Nash
THE TRIANGLE
MARIE CONNOR LEIGHTON
315 pp
Ward Lock

Frowde

Rot

ABSOLUTE

A

383 pp

CONSUMPTION

.pp.

71 X 5.

NEW LIGHT
140

51

O

MANALIVE . By G . K . CHESTERTON
Nelson . 28. n .
JOSEPH
IN JEOPARDY . By FRANK

LITERARY

THE
PERFECT GENTLEMAN
Guide
Social Aspi
rants By HARRY GRAHAM
300
Arnold
THE BOOK OF SIMPLE DELIGHTS
By WALTER RAY
by
MOND
Illustrated
COLE
288
Dent
ROYAL
SOCIETY
LITERATURE
THE
ACADEMIC
COMMITTEE
COMMEMORATIVE
ADDRESS
ON SIR
By
ALFRED COMYN LYALL
PROTHERO
And
By
EDWARD HENRY PEMBER
COURTHORPE

By

By E . PHILLIPS OPPENHEIM . 78 x 5.
Lock . 68.
THE RUBY HEART OF KISHGAR . By ARTHUR W .
MARCHMONT . 71 x 5. 296 pp . Hodder &amp; Stoughton .
POMANDER WALK . By LOUIS N. PARKER .
78 X 5.
267 pp . Lane . 68.
LADY MOLLY OF SCOTLAND YARD . By the BARONESS
ORCZY . 74 x 5. 344 pp . Cassell . 18.
Reprint. By ARNOLD
A MAN FROM THE
NORTH .
BENNETT . 73 x 5. 264 pp . Methuen . 68.
THE CHILD OF THE DAWN . By A . C. BENSON . 87 x 51.
314 pp . Smith , Elder &amp; Co . 78. 6d . n .
By CONSTANCE SMEDLEY (MRS.
COMMONERS ' RIGHTS.
MAXWELL ARMFIELD ) . 74 x 5 . 416 pp . Chatto &amp;
Windus . 68.
THE HOUSE ON THE MALL . By EDGAR JEPSON . 78 X
4 . 314 pp . Hutchinson . 68.
VIOLET FORSTER ' S LOVER . By RICHARD MARSH . 73 x
5. 342 pp . Cassell . 68.
A LADDER OF SWORDS . By SIR GILBERT
PARKER .
252 pp . 61 x 41. Everett . 7d . n .
A CHORD ONCE STRUCK . By JOHN SOMERS . Murray and
Evenden . 6s.
By EMMA
THE HOUSE OF ROBERSHAYE .
BROOKE .
74 X 5. 370 pp . Smith , Elder &amp; Co . 68.
THE FOREST
ON THE HILL . By EDEN
PHILLPOTTS .
74 x 5, 370 pp . Murray . 68.
FOR THE QUEEN
320 pp . Ward

.

THE AUTHOR .

180

�THE AUTHOR .
MISCELLANEOUS .

SOCIOLOGY .
CHANGE IN THE VILLAGE . By GEORGE BOURNE . 74 x 5.
309 pp . Duckworth . 58. D.
THE INFLUENCE OF CHRISTIANITY UPON SOCIAL AND
POLITICAL IDEAS . By A . J . CARLYLE , D.LITT . 71. X 5.
129 pp . Mowbray .
28. n.
IN THE HAND OF THE POTTER : A Study of Christianity
By
BEGBIE . ( Popular Edition . )
HAROLD
in Action.
71 x 41. 191 pp . Hodder &amp; Stoughton . 18. n .

SPORT.
By ARNOLD
HAULTAIN .
THE MYSTERY OF GOLF .
78 x 54
Revised and Enlarged .
Second Edition .
249 pp . New York : The Macmillan Co. 2s. 60 , n .
YEAR . By W . S. Dixon . 7 * 57 . 212 pp .
THE HUNTING
Ham -Smith . 68. n.

THEOLOGY .
The VISITATION OF THE SICK : Some Practical Reflections
for the Use of the Clergy and others engaged in Parochial
Visitation . By the Rev . THEODORE JOHNSON (Introduc
tion by the BISHOP OF CHICHESTER ) . 63 X 44 . 134 pp .

Allen . 18. 60 , n.
READINGS. By E . G . ROMANES . 54 X
SHORT LENTEN
39. 44 pp . Churchman ' s Penny Library , Mowbray .
CHRISTIANITY AND THE SOCIAL ORDER . By R. J . CAMP
BELL . New and Cheaper Edition . 78 X 5 . 283 pp .
Chapman &amp; Hall . 28. n.
THOUGHTS ON ULTIMATE PROBLEMS . By F . W . FRANK
LAND . Fifth and Revised Edition . 7 X 41 . 133 pp .
Nutt . 18. 6d . n .

TRAVEL .

THE BRITISH WEST INDIES : Their History , Resources ,
and Progress . By A . E . ASPINALL . 84 x 59 . 435 pp .
Sir Isaac Pitman . 18. 6d . n.
OLD TOURAINE . The Life and History of the Chateaux of
By T. A. Cook , F. S. A .
Edition .
Sixth
the Loire .
(With new Preface .) Two vols . 78 X 5. 287 + 279 pp .
Rivington . 168. n.
FINLAND : The Land of a Thousand Lakes . By. E. YOUNG .
9 x 51 . 313 pp . Chapman &amp; Hall .
78. 6d . n.
A WINTER HOLIDAY
IN PORTUGAL . Ey CAPTAIN
B.
pp
GRANVILLE BAKER . 9 X 51. 324
. Stanley Paul .
128. 6d. n.

BOOKS PUBLISHED
IN AMERICA
MEMBERS .
BIOGRAPHY

BY

.

AN IMPERIAL VICTIM : MARIE LOUISE , ARCHDUCHESS
OF AUSTRIA , EMPRESS OF THE FRENCH , DUCHESS OF
KARMA . With 34 illustrations , including two photo
gravure frontispieces . In two volumes . By MRS . EDITH
E . CUTHELL . 393 pp . New York : Brentanos .
$6 n .

FICTION

.

PARADISE FARM . By KATHARINE TYNAX . 272 pp . New
$ 1. 20 n.
York : Duffield .
TOLL BAR . By MRS . J. E .
New York : Putnam . $1.35 n.

THE

BUCKROSE

.

363 pp .

THAT LURES. By PERCY J . BREBNER .
$1.50 .
New York : H. K . Fly Co .
THE GREAT GAY ROAD . By Tom GALLON .
POLLYHOOLY . By EDGAR JEPSON . 344 pp . Indianapolis :
Bobbs -Merrill . $1. 25 1 .
THE HOUSE OF ROBERSHAYE . By EMMA BROOKE . New
York : Duffield .
THE LIGHT
319 pp .

181

By
H.
RACE
REGENERATION .
OF
THE PROBLEM
HAVELOCK ELLIS . 67 pp . New York : Moffat , Yard .
50 cents n.
By C. W .
THE METHODS OF RACE
REGENERATION
.
SALEEBY , 64 pp . New York : Moffat , Yard . 50 cents n .

MUSIC .
MUSIC AND NATIONALISM . By CECIL FORSYTH .
New York : Macmillan .
$2 n .

359 pp .

POEMS .
EMBLEMS OF LOVE DESIGNED IN SEVERAL DISCOURSES ,
By LASCELLES ABERCROMBIE . 213 pp . New York :
$1. 50 n .
John Lane Co .

TRAVEL .

THE RUSSIAN PEOPLE . With four maps . By the Hon .
MAURICE BARING . 366 pp . New York : Doran . $3.50 n .

LITERARY , DRAMATIC ,

AND

MUSICAL

NOTES .
announces ,
with “ The War God , " by Mr.
Israel Zangwill , produced at His Majesty 's
Theatre , the same author ' s prohibited play, “ The
Next Religion ” ; also the first volume of “ The
Selected Writings of William Sharp ,” edited by his
fiya
in
a series to be completed
wife Mrs Sham

M

R

. WILLIAM HEINEMANN
uniform

volumes , uniform
with
“ The Works of
Fiona
the late
Macleod , " the pseudonyni under which
William Sharp was so well known .
Mr. John Galsworthy has published with the same
house his first book of poetry , entitled “ Wild Oats :
Moods , Songs , and Doggerels . " Uniform with this
volume will be “ The Lure of the Sea , ” by J . E .
Patterson , the novelist , and author of the auto
biography “ My Vagabondage , " published in the
autumn of last year .
Mr. Hamilton Hartz has set to music the verses
by Riccardo Stephens , “ Sleep and Death ," which
lately appeared in the Westminster Gazette .
Mr. Eveleigh Nash will publish Riccardo

Stephen s forthcoming novel “ The Mummy, " and
his one - act tragedy , “ The Right to Kill,” is to
be played by the Oncomers at the Little Theatre , in
June .
“ The
British West Indies : their History ,
Resources , and Progress ," by Algernon E . Aspinall,
by Messrs . Sir Isaac
was published
last month
Pitman &amp; Sons , Ltd . The author gives a connected
narrative dealing with the history , resources , and
the recent rapid progress of the West
Indian
colonies , of interest to the general reader as well as
tourist , settler , and capitalist .
to the intending
Chapters are also devoted to such live questions as

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Stoneladies

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new novel

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a

Radium
Terrors
novel
Albert Dorringt
The American rights
have been purchased
City New York
Doubleday
Page
Garden
appeared serially
The Radium
Terrors
Munsey
Pall Mall Magazine and with Frank
York
New
published
Messrs Hutchinson
March
“

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to

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Eveleigh

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Professor Benson remarked that Realism was not
viewing
new method
new ideal but
much
expressing
and
life
The realist must allow things
appear before their significance appeared
unlike
so

it

,

&amp;

Mr

“

in

“

of

.”

In

on

of

A

.
C
.

Professor
Benson lertured before the Royal
Society
Literature last month
Realism
English
Fiction
the course
bis lecture

to

.
H
.

by

and

,

.

of

Paris

S

of for

,

Granville Baker
new book
travel
Holiday
Portugal
published
Stanley Paul
by Messrs
this volume
Co
described with pen pencil and brush the scenic
Portugal
charm
claims
winter resort
Winter

.

in

, .

's

Captain

,

of

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May

.

of

of

.

to

knowledge
the public
since
their
many of the
history
assumed
earlier
tragedies
classical times
Metropolitan
Magazine will
The New
York
Antique
shortly publish
series
articles
Furniture
from the pen
Mr Armiger Barclay
ections
Mr and Mrs Armiger Barclay book
Letiers from Fleet Street will shorıly appear
Comædisa
the leading literary and theatrical daily

fund
1790
amounted
£162 882
chairman
mentioned
that Mr
Owen
Seaman
would preside
the Annual Dinner
16

-

in s
’

."

of

.
in

appeal

the

The

.

,
- of

to

“

a

.

's

of

Miss Arabella Kenealy new novel
The Woman
Hunter
Mr Arthur Dillon forthcoming volume deals
with early incidents
the mythical story
the
House
Tantalus
The pri sint revival
inte
rest
the Greek drama should make the subject

of

a

,

. .

R

,

h

,

&amp;

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,

”

.

by

”,

“

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.

,

are included
have added
their
series
The Apple
Temple Thurston
Eden
The same pub
lisliers announce the publication of
second edi ion

its

a

"

.

-

among others

Messrs Stanley Paul
sixpenny
Clear Type

“

.

,

a

an

Co .

&amp;

.

,

Rudyard
Sims

Commonwealth
and its people
Messrs
John
Ouseley are the publishers
Literary Fund
The annual meeting
the
was held last month Sir Alfred Bateman presiding
moving the adoption
the report
Alfred
stated
that
far from decreasing
the claims
the fund were rather
the increase
The receipts
authors even from novels were very poor
instanced the case
the author whose agreement
appeared
the last issue and added that from
very miser
financial point of view literature was
able profession
until the suprrior rauks were
During the year £2 125 had been voted
reached
grants
applicants
while
the total
grants since the foundation
sum
distributed

In

of

,

.

of

in

,

.
T
.

George

remains the best reference book for the
guidance
selecting titles
authors who
their
publications
title
are anxious
avoid using
By
already
consulting
taken
the English
they may
Catalogue
unintentional
often avoid
appropriation
and the rather disagreeable conse
quences which sometimes result
Messrs Sampson
Low
are the publishers
What Lay Bepeath
Coo
Australian mining story
which the bush life
presented
pictures
the reader
well
the

of

,

of

.

of

is

”,

,

.

A

Cochrane

works

in

”

-

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in

.

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's

in

by

led

by of
J a

, .

Watson

Alfred

Quiller Cou

the reader
Messrs
John Ouseley Limited have issued
second edition
The Bothers
Married Life
Sadler
We have received the English Catalogue
Books
1911
This publication
now
75th year
gives under author and title the size
issue
publication
price month
books
and publisher
issued
the United Kingdom during 1911
complete list
published
the absence
titles

of

.

w

rk

at

'

to

,

.

s

be '

to

is

a

a

a

.
an

”,

William

Poems from

anticipa
must not chuckle
and the issue must seem
was
arrives
him when

is

on .

,

:

is

“

in

to

,

of

,
”

“

A

“

It

included

Kipling Sir

romanticist
results
surprise
murh
tion

“
A

-

.

of

on

.

in is

of

.

by

“

is

",

.

&amp;

Co

to

.

-

those of trade with Canada and Federation .
A
map and twenty fire full page plate illustrations
are added
Among the spring books
come from Messrs
Sidelights
Smith Elder
Arabic Spam
her History and Art
Mrs Bernhard Whishaw
This book
the fruit
some nine years residence
Spain
and study
Mrs Whishaw
now
Spain
the forthcoming edition
the Guide
appear
for Herr Baedeker
1913
Tom Gallon
new novel entitled
The scene
Memory Corner
found
Old Hamp
Memory
stead
Into
little house
Corner
boy with
comes
marvellous tenor voice exploited
by
unscrupulous foreigner
The rise
the young
singer his triumphs and the quaint tragedy
his
the book
love story form the theme
by
entitled
Violet
Tweedale
new
novel
published by Mr John Llong
Austin
Career
young Guardsman
deals with the life
who
early
entaliglement with
his career gets into
young peeress and the story describes the Bohemian
als
lite
the pair
Paris
Messrs Kegan Paul
announce the public
cation
little anthology entitled The Friendly
Dog
Parsons who contributes also
short
original introduction
The poems included are
arranged chronologically
complete poems only being

the

THE AUTHOR .

182

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has been issued

in

.

of

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Charles

Wyndham
The next production
Theatre due
this month
The Kangaroo
Vachell
Milestones
Arnold Bennett and Edward
Knoblaugh now running
the Royalty Theatre
early

,

of

.

to

,

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in

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Herbert Waring
Kipps was produced
The dramatic version
the Vaudeville Theatre
March
The play
opens
the emporium
familiar
the readers
the book and traces
did the book the progress
Kipps following his sudden acquisition
wealth
Mr Wells and Mr Rudolf Besier are responsible
the play which includes
cast Mr Frederick

.

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,

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A

Mr

The Widow
publisher

with neither time nor eyes for
however
dissuade her from
During his
goes abroad
grass
absence
has made the acquaintance
widow
whose presence
London
his return
jealousy with results entirely
kindles the widow
satisfactory
The cast
included Mr
Tilford

leaves the widow
himself
Unable
the undertaking

Co

,

be

,

19

, .

S
.W

,

.

Circus
Particulars can
obtained
the Hon Secretary
Overstrand Mansions
Battersea Park
The condensed version
The Geisha
was
produced
February
the Palace Theatre
Risque
Mr
the author
this version
The composer Mr Sidney Jones conducted the
orchestra
the occasion
compressed
version
The
Adventure
Lady Ursula
February
was also played
The
performance
Mr Anthony Hope comedy took
place
Two scenes
the Hippodrome Manchester
were taken and the cast included Miss Evelyn

March

prepare the biography
her late husband
man
some public importance and many private
failings
engrossed
does
she become
the
work that she persuades herself that her husband
possessed
the virtues which she ascribes
him
the record
his career
John Tilford who
contemplates marriage with the widow disapproves
recognising that
the idea
the biography

&amp;

",

on

at

)

by

“

be of

19

, (

,

18

,

at by

Piccadilly

from

Manchester

Lady Marrable has been persuaded

”,

.

Theatre

first production
The Next Religion
given
Israel Zangwill will
the New Players
Thursday
two private performances matinées
and Friday April
and
the Pavilion Theatre
The

Millard and

of

by

in a

,
or
,

to

,

“

in

theatre
and
assumes
addresses himself
reasonable intelligence
indeed but
hoped that
narrow clique

“

DRAMA

do of be

fill

a

is

in a

, ,

.

untheatrical

audience
means
students
the drama and more especially those
who desire
take part
the marked revival
dramatic literature
both sides
the Atlantic
will find profit
handbook
the lack
which
has hitherto
been
felt and regretted
Messrs
Chapman and Hall are the publishers
The Perfect
Widow
three act comedy
Gilbert Cannan
was produced
the Gaiety
of to

in

.”

,

,

is

Co
. .

,

to

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by

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all

in

or

.

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commission
Australia
Mathews
work which Messrs Witherby
are issuing
quarterly parts
Volume
has already appeared
forming parts from October 1910
October 1911
five numbers

Birds

the

throughout that the playright

to

on

on
a

is

at

“

a

of

,

be

.

a

H

of

writing

a

.

's

“

Sherard has just finished
new book
published
reminiscences
which will
the
spring under the title Adventures
Journalist
present engaged
novel which he
He

Robert

and

an

of

, ",
”

“

“

,

”

's

.

. ",

16

March

,

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by

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,

Poetry
among other subjects
Messi
Jarrolds
are the publishers
Woman
Deacon entitled
Renée
An article
and Love appeared
the Lady
Pictorial for

effect
other words
what
what
avoid
the endeavour
interest and
move
audience assembled
theatre
This
not then
book
criticism
but
discussion
and practical suggestion
The plays mentioned
are not criticised
for their own sake but for the
sake
the light they throw upon questions
method and expediency
The author has
belief
dramatic

of

,

a

of

,

is

“

“

",

a

. .
H
.
J.

by

"

“

.

,

at

&amp; Co . , a book

or

, through

Messrs .
entitled “ New
Light on Consumption .” The book contains a
historical résumé, and deals with the problem of
consumption the attempts
reform
and State
sanatoria
Absolute Rot
the title
collection
reprinted from
articles
the Rer
Swallow
Church magazine
The articles deal with
Peace
Temperance
Disestablishment
Science

Simpkin , Marshall

,

to cross her doorstep .
has published

Mr. Arthur Lovell

no an

man

Volpé , Mr. Leonard Calvert , Mr. 0 . B . Clarences
and Miss Christine Silver .
Although
the dramatic
movement of the past
twenty years has produced , both in England and
America , many valuable books of criticism , there
does not as yet exist in the Eoglish language any
recognised handbook
of practical craftsmanship .
“ Play- making ,” by William
Archer , is an attempt
to
this gap
While fully admitting that
rules
prescriptions cau supply the place
talent the
author believes that inexperienced talent can
greatly assisted
study
the principles

it

Francis Channon ) . It tells of two young girls who
to live in a lonely part of Derbyshire with a
cousin
who , owing to a disappointment in early
youth , leads the life of a miser , and will allow no

go

183

�THE AUTHOR .

184

PARIS NOTES .

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sixteen

History
the invitation
give the lecture
Club
London
she
May
the chase
the London Lyceum Club
taking over her own huntsmen
sound the fanfares
Histoire
Prusse Vol
Des Origines
par
mort
Grand Electeur
1688
Albert
Waddington
the various
The author dwells
influences which have contributed
the formation
He speaks
the geographical situation
Prussia
the country
State religion and
the policy
bouillet and

,

of

in

.

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of

,

.

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d

-

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.

de

to

it

as

be

to

of

is

in

but

the fanfares
France
this little volume the
Before the publication
Duchess
Uzès who
President
the Lyceum
gave
Club
France
lecture there
the
chase
which
had such
success
enlivened
was by the fanfares
blown by her gamekeepers
repeat
that she was obliged
several times
the rooms were too small for the audience
Since
then the Duchess has given another causerie
Ram

,

.

to

,

,

in

of

a

as

.

at

de

.

is

it

Forest

hunting horns best known

of

or

, of

of

in

,

,

”

a

a

of

in

of

to

M

,

,
,

of

remembered that she
master
the hounds
portrait
She also gives
Du Fouilloux the great
authority
all matters connected with the chase
since the sixteenth century some twenty four photo
gravures
hunting scenes taken
the Rambouillet

,

”,

to of

of

of

.

,

,

“

of

a

,

is

is

it

,

or

the eternal theme
the faithless husband
pleasure
wife
indeed
meet with
realising that there are other
capable
novelist
worthy
interests
life and other situations just
consideration
the intrigues and jealousies
the hundreds of individuals
who marry
haste
repent
leisure
possible for human
Chateaubriant also finds
affections
intense elsewhere
Paris
That
refreshing
too
There
breath
fresh air
through
the book
odour
forest
trees the
babbling brooks and yet
spite
murmur
predominant
this
the human interest that
one
the ever recurring tragedies
The story
family life
the modern version
the prodigal
son and
this particular case we have the beart
give
broken mother and the heroic father
added pathos
the episode
Chateaubriant

will

du

's

. -

at

is

byof a

to

of

,

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of

;
it

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Weary

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at

.

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,

"

a

or us

another have been famous
their time
by Alphonse
des Lourdines
Chateau
great literary success for the
briant
not only
refreshing book for the public
author
also

by

; -

;

;

s

;

.'

.

;

(

in

aimantes
contains sketches
which the author has
give
endeavoured with
few strokes
the pen
women
who for one reason
lifelike portrait

“

;

de ;

; de

;

;

,

Adélaïde
Marceline Desbordes
and Mérimée
celebrated Inconnue
Charles Foley has published thirty three volumes
plays His intensely
novels and short stories and
dramatic little tragedy
Heard
the Telephone
has been translated into various languages and given
many countries
Foley
also
one
the
greatest authorities
all matters relating
the
history
the Vendée
the time
the French
special study
Revolution
has made
this
period and
this part
France
His short
touching
stories sometimes inspired
dramatic
episodes brought
his notice whilst studying the
archives
that epoch are masterpieces
literature
The present volume
Femmes aimées Femmes

(

; of

;

La Grande

Joséphe
Mademoiselle
Rose Launay
Marie
Pompadour Princess Amelia
Saxony
Madame
Germaine Necker
Princesse
Lamballe
Mes
daughters
dames
Louis XV
Comtesse de Balbi
Mademoiselle Lange
Pauline Bonaparte
Madame

the favourite theme
many writers
dear

on

this book the chief interest centres
the question
paternal instinct
The father believes that
sees
his son all his own faults
little later
makes the discovery that
friend
his
the father
this son
The curious phase
the case
that
the years
come this man feels deep paternal
affection for his wife
son
affection which
would probably never have felt for
child
own
The young man has inherited
the lovable
qualities
his own father
The problem which the
author evidently lays before
whether the
kinship must necessarily ensure affection
Buisson ardent
Romain Rolland
certainly the most powerful
the series
volumes
this
author relating
the history
Jean
Christophe
Weary
life among
his
fellow
creatures exasperated
their hostility and having
many things
goes away
quiet
lost faith
village and there like Moses before the
mountain
burning bush
the bush
which
burns without
being consumed he comes
himself once more
La Chasse
Courre
the Duchess
Uzès
née Mortemart
little volume that will
read
hunting
with interest by all lovers
contains
portrait
the author
her hunting attire for

on

:

of

of

;

;

l'

Châteaumorand

Sweden

;

)

;

(
of

Marie Stuart
Diana
Orme Christine

de ;

of

Milan
Marion

is another novel
ménage
trois

“

in us

.

,

of

.

.

M

a

of

-

|

of of of

aimées , Femmes aimantes ,” by
Charles Foley , is the title of a volume con taining a series of historical studies of
twenty two famous women
Each study gives
picture
the epoch
the surroundings
which the woman
whose history we are reading
Foley has chosen for his subjects
moved
Queen Bathilde
the seventh century
Valentine

EMMES

D

is to be congratulated , not only on the fact that he
been awarded the Goncourt Academy prize , but
because he has begun his career with a wider
vision than so many of our present - jay novelists .
“ L 'Inquiète
Paternité ," by Jean Schlumberger ,

has

the

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introduces

verse
MM Andre Dumas and Sébastien Charles
tendency
Leconte
shows that there
search
for dramatic effects
the history
the past
certainly nothing
There
common between the
Esther we know
Racine and this modern concep
tion
her
the Renaissance the three act play
MM
garde
Alfred Capus and Pierre Veber
was

At

by

is

”,
to

is

of

.

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by

l'

-

de

a

It

of

.

on

“

Callet

Le Roman

Boutroux gave one
the
temps
most remarkable lectures
Pascal
présent
published
which will probably
early number
Foi Vie
the Comédie Française
Le Ménage
Donnay
Molière
five act play by Maurice
extremely interesting and curious
verse
The
staging
the Versailles
excellent and the fête
opportunity
realising
Park gives the public
something
the magnificence
Court life
those
days
the Odéon
Esther
four act play also
”

of

.

.

“

.

M

diplomatic
any foreign Power
touches
Hanotaux
and policy
the entente cordiale Turkish affairs and
the
questions concerning Bosnia and Morocco
Aiguillon une grande dame de
La Duchesse
cour
Louis XIV
the subject
extremely
interesting book by MM Paul
Estrée

arrangements

Les Annales

.
E
.

in

,

a

,

is

,

,

as
a

hitherto

for the University
Quite recently

M

.

.”

by

contains

équilibre
La Politique
1907
1911
the title
volume published
Gabriel
Hanotaux
an account
the various impor
tant events which have taken place affecting the
international situation during the last four years
Hanotaux
shows that France ought not

influenced

.

,

of

be

to

a

.

,

M

of

of

,

in

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”,

of

's

and

the
unpub

by

to

,

of

“

of

centenary

This

Nearly everyone appears
Paris this season
be
lecturing
every possible
and impossible subject
Among the most interesting and varied
these
lectures outside the Sorbonne and College
France
are those organised
the Société des Conférences
the review entitled Foi
Vie and also the lectures
organised
Sarcey
Mme Brisson the daughter

,

most

reality

the day

same
review Jules
other
Lemaitre
continues his studies
Chateaubriand
containing
and Louis Barthou gives
article
some extremely interesting letters from Lamartine
Alphonse Daudet and other literary celebrities
George Brandès the well known critic has been
spending some months
Paris and
the request
give
lecture
of his friends he consented
the Vaude
Paul Leyssac
Hans Andersen
ville Theatre recited several
the fairy tales
We are told that
the most admirable manner
George Brandès and this talented young actor are
repeat the lecture and recitations
London this
season
we would strongly recommend
opportunity
present
those who have
the day
Lectures are certainly the order

”,

. -

is

-

,

.

,

's ,

of

“

the works Weber Berlioz and Wagner
volume has been published
memento
lished matter

short sketch which

the questions
the
numbers

to

.

-

M

",

is

,

,

of

The whole volume

would find English authors who agree with him
certain
his criticisms among others Elizabeth
Barrett Browning
one
the finest
her poems
and
Buried
Crowned
entitled
Théophile Gantier
study
La Musique

writer

It

.

,

to

many

,

,

.

in , It

.

.

of

to

of

is

of

-

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the Bellerophon

interesting but with regard
the harsh judgment
England action we can only say that
Masson

A

skit

.

of

by

M

,

"

of

,
a

of

his

to

country

Frédéric Mas
Autour de Sainte Hélène by
son
the title
the latest volume which this well
Napoleon
known writer devotes
the last days
infinitely sad and
The story
these last days
tragic and the author very naturally cannot resist
England with the treacherous hospi
reproaching

,

and finishes with
In

,

.

in

”

la

M

.

,

is is
a "

his duty

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M

,

in

de

by

us

a

Jacques Tissier marsouin
Pierre Rey
very simple story but full
deep feeling
just the history
brave young colonial soldier
his hardships and struggles and his simple belief

Roz

recent numbers
most charming and witty article
Contes Gascons
Fernand Laudet entitled
These stories form
literature entirely apart and
are full
shrewd observation and
keen sense
humour
Laudet gives
several specimens
.

to in

of

he

of

,

us

of

is

present situation

and

somewhat surprised
find certain names omitted
which should certainly
included
volume
dealing with contemporary English novels
one
its
La Revue hebdomadaire publishes

on

is

an

of

.

,

.
,

to

' .

“
L

religieuse
Orientation
France actuelle
the title
book
Paul Sabatier
which
very clearly his view
the author gives
the

tality

Meredith
Thomas Hardy Mrs Humphry Ward
always interesting
and other English writers
note the impressions
the foreign critic
We are

by

of

at

of .

is in

in

all

,

-

to

future

185

M

the volume closes with the
Grand Electeur .
* La Séparation des Eglises et de l' Etat ,” by
Julien de Narfon , is a book which should be read
by
persons who are interested
the religious
evolution
France
As the question
Church
present
one
intense interest
and State
England the perusal
this book cannot fail
extremely
prove instructive
The author
broad minded man endowed with the courage
his opinions
With perfect impartiality
evokes
past history
relates the events
recent date
analyses the immediate consequences and endeavours
point out
the probable consequences
the

of the

a

Thirty Years ' War , and

death

.

�THE AUTHOR .
,

its

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bable that when the
Compagnie Française
tour

du

French
season
over the
Théâtre Shakespeare will

.

ALYS HALLARD

.

on

by is

dances

great
the fairies
You Like
was quite
success and these matinées are
continued
May
until the end
the month
Camille
poet who has
Sainte Croix
dramatist and
thrown himself heart and soul into this revival
the Shakespeare theatre with the result that
probable that these plays have never been given
with such artistic perfection
such
attention
very pro
detail and such absolute ensemble

,

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Ollendorff
Chasse
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La Poétique
Histoire
Prusse
Plon
Séparation des Eglises
Etat
Plon
Jacques Tissier marsouin
Plon
Autour
Sainte Hélène
Ollendorff
Musique
Fasquelle
La Politique de équilibre
1907 1911
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have been issued
the
under the United
States
Act
copyright
protection
granted

which
the United States
works
authors who are
subjects
citizens
the countries named
July
Belgium
1891
France Great Britain
and her possessions and Switzerland
Stat

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RELATIONS

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nothing unpleasant and wbich
which there
nevertheless
never dull
the Athénée
Camille
Sainte Croix
continuing every Thursday
his series
Shake
speare plays admirably staged
He seems
have
putting life into the plays
found the secret
Shakespeare
perhaps
and
that
giving them with
ensemble
such
one rarely
sees
The actors are all young and enthusiastic

of

COPYRIGHT

,

of

,

.

,

, .

ambitious and who sets out
life
arrivist
firmly believing himself
prepared
one
He
take advantage
all possible occasions for
climbing the ladder
fortune but
reckons
without
host and his host
this case
own heart
He falls
love with the daughter
the house
which he
the paid secretary
The
characters
this play are all well drawn and each
The author
distinct psychological study
one
congratulated
having written
play

there

STATES

a

of

.

.

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de

UNITED

in

a

as in

a

,

of

supposed
world
Just
he has arrived
friend
whispers abroad the story
his delinquency
the
marry
past
The confidence
the girl
his salvation and the play ends satisfactorily for
the public
the Athénée
Le aur dispose
Francis
play which seems likely
Croisset
have
long run
poor man who
the story

is

Mme

and

is

all

,

for

,

to

of

Bernstein has had tbe success which this author
pieces usually
win
Bernstein
has always
something
say when
writes
the story
man whose past has not been blameless but
making for himself position
the
who succeeds

and

Vidal for the musical adaptations
Hugard also
the Opéra for the

Jane

on

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du

by

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At

take place
Royale
the
Comédie
Jean
irrésistible vocation
fils Mondoucet
three
act play
Sacha Guitry
the delight
the
public
spite
The son
an ironmonger who
his bourgeois father insists
the prejudices
going
initiates his fond
the stage and later
parents into the habits and customs
theatrical
extremely amusing
life
Les Visiteurs nocturnes
Tristan Bernard
full
humour
the well known short stories
this writer
The nocturnal visitors
this case are
drug the lady
thieves who take the precaution
whose house they are about
rob
the morn
ing when the maid finds the victim
about
and
call
the police
that the victim asks
any
that the nocturnal visitors shall be found
suffering
she does from insomnia she
cost
only anxious
find
out how she can obtain more
their drug
Henry
At the Gymnase
Assaut

'

Night s Dream " was exquisitely
“ The Midsnmmer
staged , M . Simas , of the Opéra , being responsible
for the scenery
and
harmonious colouring

a

a

as

. ,

to

received with applause .
The plays of Alfred Capas
are sure to end happily , so that if things appear to
be going wrong for a time , there is never any need
despair
we are sure that
reconciliation will

go

186

and

posses

�THE AUTHOR .

now

to

he

its

,

of

in

.

in

,

to

to

for

.

to

on

,

,

.

it

.

a

.

:

,

19

,

se

,

to of

7
(
C
)

,

of

s

;

all '

agreement

at

music publisher

in

is

,

in

's

in

,

be

to

,

of

a
an

is

it

We have called the above
agreement but
not really
,

comes into force
1911 when
The agreement however goes further and asks
that the royalties which accrue
the composer
gramophone records and similar mechanical repro
Ban
ductions should be shared between composer and
publisher
fortunate that the agreement was made
before the Act was passed
for under
clause
spite
the document which has been
the Act
signed the rights
the gramophone royalties are
property
the composer
for
tion
sub
section
contains
the following proviso
Notwithstanding any assignment made before
the passing
the Copyright
Act any rights

It

to

as

in
in

to

of

12
in ), ,. of

a

of ,

,

to

to

I

of

in

on

."

be

."

to or

(
13 he

on

on

;

.

,

,

*

publisher

of

of

I

,

in of

'
it

46

paid
Two Pounds
the sum
hereby agree
assign
the
my rights and interest
present
whole
future
contingent
my
song
and
the words and music
entitled
being understood that receive
royalty
same
Great
Britain
per copy
all sold
the same
Great Britain
copies
Ireland and the Colonies
count
also five per cent
the marked price
all copies sold
the United States
200 copies
both countries
free
for novelty purposes
gramophone
Any royalties obtained
the sale
records
similar mechanical reproductions
all
equally divided between composer and
countries
consideration
day

me this

“

TN

28
.

of

,

it

.

as

,

;

,

is

,

it

so it
is

AGREEMENT

'S

A

PUBLISHER

MUSIC

is

,

and

It

.

.

,

Luxemburg

extra

business
has
far
almost destroyed
ralue
the case
comic opera and
those pieces which are performed
theatres
As
wrong for the author
transfer his copyright
wrong
the composer
transfer his
performing right
worse
the present time
owing
than
has ever been
the added rights
that the composer will acquire under the Act

England

Belgium

of

,

methods
concerned
the composer save

,

(e
)

unsuccessful

Germany

.

— –

,

1911

,

June
Norway

1910

8

14

December

UNDER

with

But
not sufficient
the music publisher
ask
the copyright
also asks
the per
right and through his successful
forming
for

PROCLAMATION

SECTION

1

PRESIDENTIAL

and study

at

Sweden

should
consideration

it

.

-L

1911

.

26

May

–

, 29
,

Rica , Cuba , Denmark , France , Germany , Great
Britain and her possessions , Italy , Mexico , the
Netherlands and possessions , Norway , Portugal ,
Spain , and Switzerland .
uxemburg
June
1910

Report which was laid before the General Meeting
on March 21 , they have dealt very fully with the
matter . We do not desire to repeat these warnings ,
so recently made , but suggest that if any member
has read the report carelessly , or failed to read it at

to as or

between the United States and the following
countries : Guatemala , Salvador, Costa Rica , Hon duras , and Nicaragua . ) (Stat . L . , vol. 35, pt . 2 ,
pp . 1934 - 1946 . )
Angust 11, 1908 – Japan . ( Treaty of May 19 ,
1908, for prott ction in China . )
(Stat. L . , vol. 35 ,
pt. 2, pp . 2044 - 2046 .)
August 11 , 1908 - Japan . ( Treaty of May 19 ,
1908 , for protection in Korea . )
(Stat . L ., vol . 35 ,
pt. 2, pp . 2041 - 2043 .)
April 9, 1910 — Austria , Belgium , Chile , Costa
as

has come when
attention
be drawn to them once again .
should
The composer should never transfer the copyright
to the publisher when he , the composer , maintains
a continuing interest in the sales .
This point has
been brought forward over and over again , and in
the book -publishing world we are glad to think that
the publishers are , save in exceptional cases , content
with a licence to publish in book form . The
music publishers should be content with a licence
to publish in song form .
So strong do the committee
feel about this
assignment of the copyright , or even about an
unlimited grant of the licence to publish during
the whole term of copyright , that in the Annual

it

April 9, 1908 - Convention between the United
States and or her powers on literary and artistic
copyrights , signed at the City of Mexico , January 27 ,
1902 .
(This treaty is effective from July 1, 1908 ,

ordinary documents , but the time

for

2255 .)

to

.

is

p

trouble to retain a copy , he never gets a copy signed
by the publisher , which he ought to receive in all
transactions of this kind .
It is some time since the
pages of The Author have commented on these extra

he for

( Treaty of November 10 ,
1905 . )
(Stat. L ., vol. 34 , pt . 3, pp . 2890 - 2891. )
September 20 , 1907 - Austria .
( But not
in Hungary .) (Stat . L . , vol . 35 , pt . 2,
cluding

.

go

vol . 34 ,

.

L .,

( Stat .

is

.

— Norway

pt . 3, pp . 3111 -3112 .)
May 11 , 1906 – Japan

song , the

a

,

. 2208 , 2213 .)
July 1 , 1905

in

he

pp

by the composer of all his rights
consideration for such assignment
being , as stated , the payment of two guineas , and
a royalty per copy on every copy of the song sold .
According to the custom in vogue , the composer
signs , this document and if he does not take the
is an assignment

it

all

November
17 , 1903 — Cuba .
(Stat . L ., vol . 33 ,
pt . 2 , p . 2324 . )
January 13, 1904 — China . ( Treaty of October 8 ,
1903, Article XI. )
( Stat . L ., vol. 33, pt . 2 ,

187

�THE AUTHOR .
'

of

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ALLOWANCE
MEMBERS OF THE SOCIETY
PER CENT
Front Page
24
Pages
Other
Hall of Page
Page
Quarter
Eighth
Page
Single Column Advertisements
per inch
per cent. made for Series Sixand
percent
Reduction
Twelve Insertions.
All letters respecting Advertisements should be addressed
BELMONT
Paternoster Square, London
&amp;

is

.,
etc
.

Étc ,

,

SCALE FOR DUVERTISENENTS

to to

be

. , to
.

fit
,

,

,
if

us

.

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to

A A

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: V
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of

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of

A

:
of

.

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By
A

Nature

.

To

.

to

at

By Lewis Melville

CONTEMPORARY
Poetry
Graves

ENGLISH REVIEW
By Frederic Harrison
Among My Books
By
The Theatre
the Future
Ivanof
English Poetry
Poetry and Rhythm
New Study
By Henry Newbolt
By Walter Sickert
Critical Calendar
By Henry Hardinge
Word
the Hammerstein Opera
By
The Censorship Scandal

—

“
us .
.
.
"

to

it

Ritchie

.

Celtic

,

of

:

.

on

Lady Thackeray

.

to

on he

,

of

is

.

to

BOOKMAN

by

so

do

no

to

at

be

he

,

,

placing this reply before
with the view
composers who are members of the Society

is

CONTENTS

BLACKWOODS
George Borrow

Musings Without Method

reply

you raise regarding
DEAR SIR
The questions
the
Agreement for
are quite unnecessary
song
copyright
and under
the
the
You assign
liberty
make any other
our agreement we are not
arrangement
consulting
you
without
you only assign
the right
On the other hand
song
able
publish the
for voice and piano you would
and this we
make any other arrangement you thought
could not agree
we may mention that our agreement
conclusion
never questioned
We are Yours faithfully
In

on

to

in

if

,

,

a

of

he

received the following

It

to

of

to

of

It

is

it
is

no

of

MAGAZINE

which would arise from the signing
the difficulties
the publisher
document namely that
such
made any other arrangement with regard
the
liberty
under his
song
would
undertaking
the
agreement and there was
publisher
pay the composer anything
such
arrangement
fresh
This warning alarmed the
composer and
wrote
the publisher enquiring
this letter
the matter were
what his views

those

,

to

.

,

in

,

,

.

)

to

of

to

is

it

(

a

of

agreement
this kind
never
transfer
copyright
never
transfer his performing right
and
above all
retain absolute control over his
gramophone rights
of

he

off

( 3 ) that if the work went
the market
would
cancel the agreement and return the licence
publish for
understood that the composer would
only grant
publish
licence
the composer
before the
The composer laid the document
secretary
The secretary
Authors
the Society
pointed out some
addition
remonstrated and

contained
the last sentence
the letter
only necessary
suggest that the sooner the
composers
compel alteration
the better
The
composer should be warned never
sign

,

clauses : ( 1) that he would put the work on the
in the usual form
on or before a certain
date ; ( 2) that he would push the work through the
ordinary
trade channels and advertise
it ;
and

market

music publishers

The only excuse for this letter must
the
ignorance
the publisher
his legal position
impossible
publisher
think that
the
standing
the firm who put forward the agree
ment and wrote the letter
under consideration
would wilfully have deceived the composer
Suffice
say that the statement made
the publisher
absolutely incorrect
The firm states
our
agreement we are not
liberty
make any other
arrangement
the song without consulting
Not only
there nothing expressly stating this
nothing that would
the agreement but there
impliedly convey this statement under the terms
the contract
The conveyance
the copyright and
the performing rights allow
the publisher
make
any other arrangement
thinks
and
way bound
pay the author any royalty
any
arrangement
further consideration
the
only bound by the agreement
pay the composer
royalty
With
all copies
the song sold
regard
the dictatorial and absurd statement
is

and not to the assignee . ”
At the beginning it was stated that this was not
really an agreement , and perhaps it would be as
well to elucidate this point further .
The composer assigns all his rights to the pub lisher for a small consideration and a continuing
royalty . What does the publisher undertake
to
Absolutely nothing . He does not undertake
do ?
to produce the work by a certain date ; he does not
undertake to keep the work on the market , and he
does not undertake
to advertise the work .
No
doubt an implied contract to publish is carried in
the assignment , otherwise the consideration would
be of no avail .
But it is quite clear that the
implied contract could easily be met by what would
really amount to a bogus publication .
Now , in order that a composer may be treated
fairly , even the most exacting of publishers would ,
without hesitation , assent to a few small plain

Authors that the whole subject
agreements has been
opened

,

conferred by the Act in respect of making , or
authorising the making of contrivances by means
of which the work may be mechanically performed
belong to the author, or his legal representatives ,

a

188

�THE AUTHOR .
But the transaction should
obtained
competent agent
with the advice
Society
the

of

(a

-

of

:

to

be

,

in

to

of

a

.

up

",

.

or

,

,

up

is

to

"

a

.

of

,

or

to

to

to

or .

to

.

or

.

to

to

to

an

is

It to

,

.

is

.

It

,

is

.

in

.

,

of

.

of

.

of of

a

to

:

A

of

.

of

an

:

.

if

.

,

to

.

or

be

.

of

copyright

AUTHORS

.

DRAMATIC

ofan

EVER

transfer

TO

a

,

. of
a

.

is
a

,
in

of

.

(
.1
)

(3
.)

so

to

it

or

an

in

of

of

.

on

by
a in

.

. of

of

a

is

-

if
a

.

for

-

:-

(
a
).

an
be

to

a

,

is

1
.

it

Selling
Outright
This
sometimes satisfactory

:

or

.

3

in

be

proper prive can

observed
are
few standing rules
agreement
There are four methods of dealing
with literary property
.

I

(

TERE

of to
a
be

is

It

,

THE PRODUCERS
BOOKS

in

OF

.

WARNINGS

TO

.

2

.

N

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
manager
There are three forms
dramatic contract for plays
three
more acts
Sale outright
the performing right
This
unsatisfactory
An author who enters into
stipulate
such
contract should
the contract
for production
the piece
certain date
proper publication
and
his name
the
play bills

IV

of

;

.

18

per

.

is

to

.

,

or

£1

Always avoid

WARNINGS

.

. to

of

.

8

The subscription
the Society
annum
£10 108 for life membership
9
.

to

.

.

IY
.

.

of

.

of

on

All other forms agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary of the Society
Stamp all agreements with the Inland Revenue stam
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld

to

prevent authors from
Some agents endeavour
the Secretary
the Society
do some publishers
Members can make their own
deductions and act accordingly

referring matters

).

(1 '
In
.)

(
2
.)

in

(3
).

(4
.)

!

.

to

be

it

This
The

General

(2
.)

.

to

to

to

,

.

of

(3 2
( (1
). .) ).

:

a

of

to

of

consideration
the contracts with publishers submitted
them by literary agents and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society
7
.

(5
.)

.

.
of

,

a

in

To

a

(3
)

. .

to

's

.

6
.

literary
No contract should be entered into with
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not

agents neglect
stamp agreements
done within fourteen days
first execution
secretary will undertake
behalf
members

Commission Agreement

The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the book
the sale price

Prospectus

Many

form

The Royalty System
perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
approximately the
possible for
author
ascertain
truth
From time
time very important figures connected
with royalties are published
The Author

,

of

in

To

(2
)

.

(
1
)

To

.

to

be

.

,

'

in

.

5

The Committee have arranged for the reception
agreements and their preservation
members
fire
proof safe
The agreements will
course be regarded as
by
only
Secretary
confidential documents
read
the
who will keep the key of the safe
The Society now offers
stamp agreements
possible
readiness for
action
npon them
keep agreements
enforce
payments due according
agreements
Fuller particu
york can be obtained
the
lars of the Society

miast

III

.

if

,

in

!f
,

,

of

.

of to of in

Remember
that
the Society
you are fighting the battles
you
other writers even
yourse
are reaping no direct benefit
and that you are
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer
4

belonging

bad

give
serial
translation rights
any publisher
bind yourself for future work
any one solicitor
As well bind yourself for the future
doctor

Not

Not

to

always

rights

of

for examination

Agreement

this case the following rules should
attended
pro
sign any agreement
which the cost
Not
duction forms part without the strictest investigation
putting the
give the publisher the power
Not
profits into his own pocket by charging for advertisements
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for office expenses
Not
allow
unless the same allowance
made
the author
give
Not
American Colonial
Continental
to to

to

send

,

.

3

any agreement whatever

the Society

, to .

to

signing

Before

the document

Profit Sharing

agreement

(6
.)

.

,

do

.

.

of

'

2
.

all

by

1

II
.

VERY

T

A

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member .
Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and
costs borne
the Society
Remember that questions connected with copyright
and publishers agreements do not fall within the experi
ordinary solicitors
ence
Therefore
not scruple
use
the Society
1.

of

.

,

managed

the Secretary

by
of a

be

.

or

USE THE SOCIETY

TO

.

HOW

189

�THE AUTHOR .

MUSIC .
.

or

6d

The Society undertakes to stamp copies of music on
behalf of
per 100
part
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

's

to

.

THE READING

BRANCH

.

is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts , those authors desirous of further information
are referred to the Secretary of the Society .

STAMPING

in

the beginning .
11. An author inust remember that the dramatic market
is exceedingly limited , and that for a novice the first object

ITTLE

can be added to the warnings given for the
assistance of producers
of books and
dramatic
authors .
It must , however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property .
The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
T

of

is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He shoul , therefore guard himself all the more carefully in

COMPOSERS .

is

9. Agreements
for collaboration
should be carefully
drawn and executed before collaboration is commenced .
10. An author should remember that production of a play

MUSICAL

TO

'

consideration .

WARNINGS

its

7. Authors should remember that performing rights in a
play are distinct from literary copyright. A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights inay be exceed .
ingly valuable . They should never be included in English
agreements without the author
obtaining
a substantial

authors should seek the advice of the
Society before putting plays into
the hands of
agents .
As the law stands at present , an agent
play
may
acquire a
who has once had a
in his hands
perpetual
claim to a percentage on the author 's fees
from it . As far as the placing
of plays is concerned,
it may be taken as a general rule that there are only
very few agents who
can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans
action
of frequent petty authorisations
with
different
individuals, and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable.
But the Society warns authors against agents who profes
to have influence with managers in the placing of plays, or
by offering to purchase
who propose to act as principals
the author ' s rights .
In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society ,

.

rights can
5 . Authors should remember that performing
be limited , and are usually limited , by town , country , and
time. This is most important .
performing
rights , but
6. Authors
should not assign
should grant a licence to perform . The legal distinction
is of great importance .

AGENTS .

AND

RAMATIC

,

be reserved .

AUTHORS

,

4 . Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one - act plays should

DRAMATIC

of

(6.) Sale of performing right or of a licence to
perform
on the basis
of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent .
An author should obtain
a
sliding
percentage on the
scale of gross receipts
system
. Should
in preference to the American
obtain a sum in advance of percentages . A fixed
play
date on or before which the
should be
performed .
performing
right
( 0.) Sale of
or of a licence to
perform
on the basis of royalties (i .e. , fixed
nightly fees ). This methou should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case.

.

190

CEMBERS will

in

a

,

is

,

of

it

,

.

of

.

,

.

to

REMITTANCES

.

of

by

to

of
by

be

,

be

or

,

the same
charged for

give notice
the Society begs
post
are acknowledged
return
All remittances should
crossed Union
London and
Chancery
Smiths Bank
Lane
registered
sent
letter only
.

.

of

to

filed subject
play will

The Secretary
that all remittances

of

.

at

.

.

2s
.

of

at

,

rules with the exception that
the price
6d per act

be

Plays may also

a be

a

to

at

Original

.

,

or
a

of

of

in

.

be

be

a

byof

to

o

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
stamped and returned
tant
One copy will
the author
and the other filed
the register
Copies
the Society
the scenario Thus filed may be obtained
any time by
the author only
small charge
typing
cover cost

is

, on

OCENARIOS

. be

.

.

is

,

.

of

AND

its

SCENARIOS

PLAYS

asof
a

REGISTRATION
OF
ORIGINAL

greatly assist the Society
this
its work by informing young writers
existence
Their MSS can
read and
composition
treated
treated by
coach
The term
MSS includes not only works
fiction
but poetry
and dramatic works and when
possible under
special arrangement
technical and scientific works The
competence and experience
Readers are writers
The
fee
one guinea
branch

�THE AUTHOR .

'

in an s

on

an

a

to

's

,

on

.

's

,

to

1

to

by

on

,
is it

of
,

if

.

.

.

..

on

a

for

,

by

."

in

.

a

is

a

,

.

It

,

in

to

is

at .

is

,

is

it

on

in

, ('

,

to

is

the Australian Act
impossible
what the coming

.

appeared

referring

FEES

an

issue

Author
article
the claim which had been put
of

last

to

the

.

GRAMOPHONE

In

,

our correspondent
commissioned from

as

are

many cases
which work

is

in

,

,

.

agreement
Now there
points out

he

,

,

:

as

in

of

as

,

('

of

to

with and
not based
anada
concerned
present moment
say
the
legislation will be

As far

as

.)

In is ,

,

(

,

's

a

all the literary work that he desires
market during the continuancy
the

mistake also
state that this Act has become
the model for recent British and coming Canadian
opyright Law which
legislation
the British
coming into force
1912 has really had nothing
do

us
a

of

.

in

of

to

as1

of

bearing
perhaps

communication
which
contract
little further elucidation
The reader
page 163
last month
Author
the agreement the author appoints his
period for the
given
sole agent during
the

to

sale

bring

's

in

,

,

,

a

on

referred
clause

as

as by be

.

of
it

an
by

to

,

'

on in

many

1905

is
a

.

published

has

copyright law which was binding
passed
only
Australia
and did not make Australia
Imperial legislation Imperial copy
independent
right still running
the Australian Colonies

to

CORRESPONDENT who

require

on

us

to

to be

he

an

-

an

COPYRIGHT

States
United
the
article taken from
Weekly and printed
another page
Publishers
follows
the author states
1905 asserted copyright indepen
Australia
com
dence from the mother country and passed
plete code which was not disallowed
the Crown
recent
fact become the model
and wbich has
British and coming Canadian legislation
This statement
little misleading
Australia
In

ex

to

,

,

.

.

AGREEMENT

AGENCY

books and has therefore read with interest the
literary agency agreement published
last month
sent

if

,

,

as

be

It

.

to

of

is

as

in

to

to

to

AUSTRALIAN

he

on

to

,

.

A

THE LITERARY

kindly
Author
two points

if

a

to

,

's

,

,

, -

is

to

a

to

an

is

he or

,

if

it

,

,

,

, , .

a

in

,

.

he

no

.

,

to

,

to

to

at

as

is

,

or

a

,

on

's
as

is

.fee

,

to

as

is

,

to

to

to

,

to

be

agency fees
untenable and there
The position
our correspondent remarks authors should
fore
agent
any way with
deal
be warned never
principal
This advice we
act
known
who
are very glad
confirm

,

,

in

to an .

an

or

,

,

If

sell for
sum down
infrequently
happens
not
have money and has faith
desires
the agent
he will possibly accept the offer and the agent will
then proceed
sell
the editor the publisher
price which
the manager
the enhanced
already knows
agent
can
obtain
But
desires
be perfectly bona fide and desires some
principal and sometimes as agent
times
act
only
the danger
still very great because
pub
offering work
natural law that when he
managers he would desire
lishers editors
sell
might
that which belonged
himself
which
capital already
get the return
able
profit
pended with
than
sell the
rather
which he would obtain merely his
author work

of to

,

to

be

in

on

is

'

on

.

,

in

willing

's

of

to

us

a

of

.

on

that the author
the author

.

.

to

to

as

position and urges
such
warn
The columns
The Author have already
different occasions drawn attention
the matter
and some remarks
the point will
found
agents
the article
authors
the October
number
There
the danger from the bonâ fide
agent and the danger from the fraudulent agent
The fraudulent agent would get
offer from
manager and then
going
editor publisher
the author would pretend
him that he had some
difficulty
placing his work
He would suggest
that he should buy the rights whatever they are
authors

“

A

in to

danger

a

of

the society has drawn our attention
the fact that there are still some agents who
addition
their agency work not infrequently
principals
act
He draws attention
the

a

AS PRINCIPALS .

AGENTS
MEMBER

the author .
In these cases it is hardly fair that
the author should be bound to pay an agent 's fee
or that the agent should
claim
his
such
commission does not arise through
the agent
introduction
but cases have occurred
where
place all his literary work
author undertaking
the agent hands during
fixed period has received
agent
claim for commission from
articles
paper and other literary
that were supplied
work where the work was specially ordered and
such
order was not obtained through the agent
introduction
will
well therefore
the
author should specifically except this work from
the agreement with the agent stating that
commission work
obtained outside
the agent
pay the
introduction
should not
bound
agent
This brings
the second point
which has reference
the note
clause
the
special markets
reservation by the author
Our
correspondent thinks that
should
made quite
writing for
clear that where
author lives
daily papers and
journalism
well
writing books and magazine articles that
should
except the journalistic market and that the agent
should not be entitled
claim commission
this
work
This
doubt was the idea
those who
they advised the
drafted
the agreement when
author
reserve certain markets but perhaps
advantage
will be
the point
members
put little more clearly before them
fee

GENERAL NOTES .

191

The

�THE AUTHOR .
of

.

by

.

In

.

.

In

to

he the

to

in

, of a
a

,

as

,

it

a

of

,

of

in

Dr
. of

to

be

of

.

to

to

,

of

of

of

to

'

to

of

as

he

.

-

.

's

,

-

's

,

of

,

,

in

a

to

of

,

of

,

.

,

.

as
a

to

in

had been transferred from the hands
the secretary
himself solicitor into the hands
the solicitors
the society and
these large proportion had ended
successfully the sum recovered for one member
matter where performing rights were concerned
amounting
£500
The Pension
Fund invest

,

by

,

,

of

of

to

.

,
-

to

of

,

.
S
.
to

.

from infringement
The contentious work
the
society during the year
heavy and
described
successful
Of the cases which had passed through
the secretary
hands alone two thirds had been
successfully carried through
and the total dealt
with might easily have been doubled by reckoning
disputes which had not been seriously maintained
Forty two cases
after the society
intervention
a

to

,

to

p
.m
.,

.

,
of

and passage
the Copyright Act and
the number
and variety
the questions which during that
arising
period were continually
for consideration
owing
changes affecting the interests
authors
being introduced unexpectedly into the Bill and
the necessity for safeguarding authors interests

a

in

,

18 21
,

,

of

,

45

,

,

,

,

Street
members being presenta somewhat smaller attend
ance than usual being no doubt due
three causes
the improbability that any controversial topic would
arise for discussion the fact that the place of meet
ing was less centrally situated than that
which
the society has been accustomed and the inclemency
of the weather
The chairman
the Committee
Management Dr
Squire Sprigge presided
asking
and opened the business
the meeting
the members present
consider
the first place
the second and third items
the agenda leaving
Accordingly
the discussion
the report
follow
Mr Owen Seaman was declared duly elected

of

,

of

.

he

a

a

by

.

, of
at on
4
.

of

Annual General Meeting
the society
Thursday March
the
the Society
Arts
John
Adelphi
forty
some thirty

was held
rooms

desired

and several

,

.

THE

,

to

87

to

of

is

.

It

of

of

as
a

,

,

.

,

'

,

in

a

so

,

ANNUAL MEETING

THE

practically

the

the
such
for
definite purpose
had joined
single subject and had
receipt
advice upon
pointed
upon having
these
Ten
then retired
insurance the
them that upon the principle
out
expected thus
society could not reasonably
consideration
give
assistance
full measure
single premium
had voluntarily rejoined
Sprigge next referred
the very heavy work done
the Copyright Committee during the introduction

of

no

.”

protected

England have
doubt
Musical publishers
long
time been taking the composers rights
for
considering
that they have got into the habit
course
matter
these rights their own
time however that composers should assert their
authority
and publishers understand their position

,

thing
complaint
the nature
all other cases the reason had been
economy
the guinea subscription
of

of

of

or

of

be

may

causes

,

be

to

or to

at

all

he

on

to

-

of

is
by
or

to

be

composition

all

of to

in

an

of

.
.
.

“

composer hereby reserves
himself the
Said
reproduce
cause
exclusive right and licence
composition
reproduced
mechanical musical
said
may make use
instruments and agrees that whenever
times attach
such licence he and his sub licensees will
said
every copy
such mechanical reproduction
copyright required
which may
composition the notice
any copyright statute under which said
required

resignations
167
amounted
inquiry
He had ascertained
other similar
with the figures
normal proportion having
bodies that this was
regard
the nature
the society and the COL
membership
ditions
but
order
ascertain
whether there might be any removable cause for
the resignations
had written personally
reply
last 150 members who had resigned
had received only one letter that put forward any
from

amounting
and comparison

to

to

.

by

,

is

,

America

the new
made

to a

although

from

see

agreement

an

.

!

the following extract
American publisher that
similar compulsory licence exists
that which will come into force under
Copyright Law the same demand
not
the American publisher

We are glad

from

history of the society , and the income for the year
from subscriptions was actually the largest that
members for the past year
The loss
accrued
had

the gramophone

to

a

publishers

by certain

forward

fees of composers .

in

192

A

for

in

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to

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of

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be

of

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to

tions and discussion upon any points
the report
which members might desire
call attention
the
Wilson rose
ask whether
Mr
interests
authors the names
the parties might
published
not
the summaries
cases taken
the society which appear
The Author
suggested
that this would give more reality
the
reports
question and referred
the article
Remarkable Agreement
The Author
March
by

of
of

In

.

The number
elections during
only once been exceeded
the
in

.

of to in

.

in

,

's

, to

,

,

conditions shown
the past year had

in by

to

.

in

,

regard
with
the appointment
scrutineers
count the votes under the society
no names having been proposed the
constitution
chairman informed the meeting that the committee
commenting upon
would appoint
due course
the report which was already
the hands
members
Dr Sprigge referred
the satisfactory
to

Secondly

.

to

in

.

,

by

.

,

Mr

no

of

in

of

placement
special
the Pension Fund Committee
1911 had amounted
£250
Morley Roberts
resigned
Mr Seaman appeal during the same year had been handsomely
having been duly proposed
responded
the committee and
and had brought
£500 more
having been
inviting ques
other
candidate
nominated
investment
1912 He concluded

member

�THE AUTHOR .
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The decision announced
the editor shall
final
binding upon
parties
any time until the date for
Plays may
sent
duly announced but
closing the competition which will
which will not be before June 30th 1912
the earliest
The winner
the £100 prize will retain one half interest
the copyright
his play
the winning play
the opinion
the editor
produced under the
the Era
sufficient merit
will
auspices
the Era and will
known
the Era Play
the author name appearing
not
she wishes
every performance
the programme

's

to ,

approval

those

,

it

,

,

of

,

in

.

,

M

.

H

.

.

thanking

himself
thanks
he associated with their vote
Thring whose continuous
their secretary Mr
labours
behalf
the society he knew were
on

not

,
if

it

at

to

of

;

Sprigge
expression

a

to he

,

,

to

.

,

a

the case
clear statement
essential
the result
satisfactory and there should
sins
omission
the table
The editor should throw his cards
good
then
the contract
the contract
bad
the author knows the best
the worst and
he
right
complain
sends
his MS
has
subsequently
example
The following may
cited
omission
error
purchase the copyright
proprietor desires
MS for £200 and states this bare fact The
ordinary
that there was
author would think
publish
but really there
implied contract
nothing
would have been much
the kind
state that the
better therefore for the proprietor
before
successful MS will be published by him
certain date
This preamble brings
the Prize Competition
published
the Era for the benefit
dramatic
material for
far
which
authors the terms
follows
our purpose are

in

to

of

,

of

to it

of

it

.

A

.

Dr

present for their

appreciated

This should

the legal position

If

to

as

a

to

.

.

to

in

There was however the fact
modern conditions
obtain accurate statistics
was difficult
that
was
the same time
work and that
for such
buy
uncertain whether members would
when
written
the chairman was proposed
thanks
vote
by Mr Anthony Hope Hawkins and having been
by Mr
seconded
Paull
was
carried
unanimously

any price

he

in

it

to

”

.

“

of

.

F

.

G

.

Wilson inquired whether the reissue
The Cost
Production
was likely
take
place before long
The chairman said that this was
matter
consult the committee
which he would prefer
He was not sorry
before replying definitely
print
have the fact that the book was out
brought
He had himself taken
his attention
and
preparing
part
the first edition
apply
the figures had ceased
feared some
of

.
.

it

its

engaged

.

it

to

,

in

a

no of

in

,

it

him

The chairman said that the subject was not new
but
had always been considered desirable
recovering money for
that the society
members
position
should occupy
disinterested indepen
suggestion that
dence
the matter with
had
gain by the disputes
any financial advantage

of

behalf .

Mr

,

entitled to the advice which

in

society and becoming

he could obtain nowhere else .
Mr. H . M . Paull asked whether the society might
not find it advantageous to charge members a per
centage upon the sums obtained by it on their

paper
Again some editors who were clear about what
giving no
they wanted were wholly unreasonable
undertaking that the work should
published and
they
publication
addition
time limit
publish any story sent up
often claimed the right
them
connection with the competition even
though
should not gain the prize again without
making
giving any time limit for publication

,

the purchase of a number of The Author for 6d .
cave a person outside the society all the information
about an individual or a particular matter that he
required , he might be tempted to content himself
with buying The Author instead of joining the

no

if

which

months ago
article appeared
The
strong
Author
Prize Competitions
and
complaint was raised against the method
which these competitions were conducted
was
clearly shown how indefinite was the statement
terms most cases and that the editor must have
the case
the legal requirements
been ignorant
Though
turned out that
most cases the
editor wanted the whole copyright yet generally
he did not make this clear Indeed the editor who
prize
gave
the best
asserted merely that
short story would not necessarily have had the
publish
his own
right
even for one insertion

to

that the proposition
The chairman replied
to a considerable
had his sympathy
advanced
There was always , however . a certain
extent .
element of danger in giving names when criticising
in the manner in which it was necessary to criticise
the fact that
in The Author , and there was also

to

COME

.

sivoid also .

.

PRIZE COMPETITION

A

on

in which
the name of the publisher was given ,
asking if it would not be advantageous to dot the
" i' s " and cross the “ t 's ” in other articles of the
same class .
The result would be that members
would know what editors and publishers to avoid ,
and editors and publishers would know what to

193

�THE AUTHOR .

use

of

in
a

An

.

no

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his

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1
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to

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all

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to

to

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should

.

to

It

though

who may have sent
the MSS
withdraw
they not care
accept the revised rules

of

the

it

be

It

.”

“

–

on

, of

'S

NEW YEAR
card issued
one
the great
publishing firms
New York bore
Fewer and
For 1912
laudable sentiment
might perbaps
assumed from
Better Books
this that the year 1911 was remarkable for the great

1

,

In

.

in

,

in

a

.

in

As matter
the United States
books
1911 was considerably
fact the figure reached
the latter year
1910
lower than that
799 new editions appeared
671 new books and
output
of

.

-

of
be or

by

of

a

a

, of

of

on

STATES NOTES

.

UNITED

-c

do

,

he

, of

to

of

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as

.

. - of

of

to

to

;

in

the terms
they are against the author
have them indefinite but tempting
may
possible before the competi
We hope
tion closes for the rules and conditions
more
definitely stated and
opportunity given
those
clear
than

no

is

is

.

It

to

,

of

.

of

,

to

is

to

be

,

be

.

all

himself the right

with that interest under the conditions laid down
most extra
the terms
the last paragraph
ordinary provision appears whereby not only does
arranging
bimself the right
the cditor reserve
play
winning
production
but
also
the
for the
any play submitted whether the winning play
Surely this statement cannot possibly
not
In

how
much

be

on

,

is on

an

is

it

it

,

as

making
market He reserves
though the author retains
half
arrangements
anything
could not
the copyright
interest

.

arrange

show

an

a

is

be

royalties
£100 will not
advance
what
ever subsequent arrangement
made but will be
£100 clear and distinct practically amounting
£100 payment for the half
the copyright
does not state who
be the owner
this balf
though
not an unreasonable deduction
make
that will belong
the proprietor
the Era
might however
some bidden actor manager
This point
concerned
the public statement
far
undertaking
There
made clear
should
this half opyright
whatever that the proprietor
place the play
the
will use any endeavour

in

,

that the winner will obtain
£100
The natural deduction from this
that the

,

in
a

,

. .

prize

We see

definitely what
does want
We think enoughi has been said
terribly indefinite
these points are
better
these competitions
have

to

of

is

"

“

a

as

.

of

-

in

,

of

is

right

they want

deadlock
clearly put forth
should
either the exact
terms for production
that the proprietor
should have the first refusal for say one month
during which terms should
arranged
these
proposals are displeasing
the owner
the other
any rate let him state
half
the copyright

it

.

in

for

.

This point

the next paragraph states that the
winner
the prize will retain one half interest
the
copyright his play
copyright under
The word
regards
play covers much more than
the new Act
under the present Act where the right
drama
divided into two parts copyright and performing

supposing

.

to

.

of

,

Copyright Act

the editor

with

terms but the editor considers the terms
unreasonable
there then would appear

of

,

,

a

or .

.

of

,

in
a

in

be

is

it

new

importance

arrange
the winner
the prize does not want
suppose the authors
any
terms with the editor
the MSS sent
arrange terms
not want

in

.

be

-

is

,

as
to

up

in it

It

under the

to himself

to

as

by

be

it

will

reserve

,

.

is

is

where
of

or

the editor

condition further states
but should the editor
produce
play he will first
any
decide
such
arrange terms with the author
We feel quite certain that the editor
the Era
everything that
desired
fair reasonable
and just when this paragraph was drafted but
impossible
paragraph more likely
conceive
frequent disputes than this one
Supposing
lead

,

-

to

:

to

is

of

It

when the decision will
made
be announced surely an important
knowledge
competition
piece
this kind
Competitors might send
their MSS and find that
year
they are held
more during
for perhaps
impossible for them
which time
would
take
any action
placing them
the matter
seems the very earliest date for closing the
competition
June 30th
1912
From
this we
take
that all the plays that are sent
will come

ment whatever

Does

the dramatist would be unable to make any
play himself
play
author who sends
prize receives no consideration what
and gets
The
ever for the right which the editor acquires

of

-

-

is
,

to

be

,

as

,

as

of

We have taken the liberty of omitting some non
essential parts
the conditions that
non essen
tial
far
the deductions desired
drawn are
concerned though not non essential from the point
competing
the dramatist
who
The main
points
which we desire
draw attention are
follows
first stated that the decision announced
the
editor shall
final and binding upon all parties
quite reasonable and fair but there
This
no state

intentional .

the exclusive right , or what does this paragraph
mean ?
If he intends to reserve to himself the
exclusive right , then any person who sends in a
play may find himself in this difficult position
that, if the editor who holds the right for arrang
ing a production does not desire to use this right,

It

The editor will not be responsible for the safety of any
manuscripts
submitted , so that copies must be kept by the
author. Every effort will be madle , however , to return all
manuscripts .
for the pro The editor reserves the right of arranging
duction of any play submitted , whether the winning play
or not ; but should he decide to produce any such play , he
will first arrange terms with the author .

11
,

194

�THE AUTHOR .
is big

to

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and Molly Elliot Seawell
The Jugglers
which have quickly made their mark
With
preserve the chronological order
out attempting
the early fictional output
1912 must
dealt with
the names occur
the mind
Riders
the Purple Sage
Zane Grey deals with the Western
Toby
Plains and Salt Lake City
Credo
Kentucky novel
Harris
The Guardian
Bartlett
concerned
with the lumbermani
and the great forests
The Heart
city and the
the other hand the background
city Boston
Humour varied
character
the
Danny
feature
Own Story
Don Marquis
compare
they
whom
Mark
Twain
Knight
Ramsey Benson
Denim
and
band

all

to

a

.

a

,

-

,

on

is

if,
be

to

of

its

affairs has
satisfactions alike
the commerci
ally successful and
the commercially unsuccessful

Certainly
wonderfully
The Healer
has had
good reception from the Press
still awaits the
getting among the Big Six
distinction
About
the same time were published Theodore Dreiser
original and very powerful
Jennie Gerhardt
may
story
noted
Julia Magruder
Her Hus

as

to

“

.

of

on do

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a

a

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24

-

be

of

1911 but too late
mentioned
the
January number
Among these
The Author
The Healer
Robert Herrick
author whose
England
work
well known
Of Mr Herrick
New
York critic has said that
comes nearer
being
real novelist than any other American

lished

of

's

a

,

”

",

"

on

of

leading place
less
them may very likely
grievance over their non appearance
feel
But
only legitimate
against
that grievance
the
American reading public
whose demand for
mental sustenance the lists are founded
would
interesting
side
side with the consensus
public opinion thus revealed
consensus
critical
produced
opinion could
not
unknown
occurrence
find
best seller being
roasted
literary review
the columps
Such
division
represented by this state
cash and credit

come
the
change
indications
the detriment
the

of

“

.
S
.

H

,
"

.”

,

“

of

”,

Prodigal Judge
Harold
Bell Wright
The
Winning
Barbara Worth
and
Harrison
long lead over the
Queed
These four had
next five
which
were Gene Stratton
Porter
Margaret Deland
The Harvester
The Iron
Mary Johnston
Long Roll
Woman
The
Molly Make Believe
Eleanor Hallowell Abbott
Barclay
and Florence
The Rosary
the
non fiction
class Arnold Bennett
How
Live
Day
Hours
and Price Collier
The
West
the East
were easily first
one
course not even among the compilers
guide
these lists pretends that they furnish
the necessarily best books
the year
Authors
place
whose names and works
not get even

in

.
in

“

's '
s

"

”,

's

in

It

of

of in

to

.

it

to

for

wait a few years more before stating which are the
novels that will live among those of last year . At
present there is still too much of the glamour of
the “ best - seller ” about some of them to allow us
to judge dispassionately .
In themeantime it may
be conceded that if the motto for 1912 is really to
be “ Fewer and Better Books, " in fiction we may
anticipate a good time coming
I wrote at some length in the last issue of these
“ Notes ” on the subject of best - sellers .
It is, how ever , so prominent a feature in connection with the
sale of books in America
that perhaps I may be
alluding
pardoned
again
The literary
papers
January
devoted some space
the
collating
the monthly lists
successful works
appears that the four novels most
demand
the States during the past year were Jeffry Farnol
Vaughan Kester
The Broad Highway
The

much

,

“

to 1911 .

1910

0

from

Was the falling -off in numbers compensated for by
an improvement in quality ? The critics say “ Yes ” ;
at least as far as fiction was concerned .
The year
1911 has already been called an annus mirabilis of
the American novel . Perhaps it would be better to

.

production

past and

authors with the
circulations
1911
For
instance
Queed
still going strong
are
The
Broad Highway
and Mr Farnol
later American
again
success
The Money Moon
The
helping the sale
Rosary
which
Mrs Barclay
other two novels
The Following
the Star
and
The Mistress
Shenstone
The Winning
appear
Barbara Worth
announced
dramatic
form
New York theatre next fall
One feature
early 1912 however
the rise
new star
say
new
the United States that
All
who
the American literary periodicals will know
Birmingham
that this refers
Mr
who has
hope
been
discovered
let
his great advan
tage
British authors certainly bare little
com
plain
when they
catch the eye
the American
public
That this
can be seen from
the fact
that both
the fiction and
the non fiction
classes
last year the list was beaded by
Briton
may
And
addition
mentioned
that
Barrie
Peter and Wendy
was the best seller
among juvenile books
December
Such record
very nearly what the sporting journalist calls
the triple crown
for Great Britain
The early months
this year have been prolific
fiction
but not very notable
other respects
given first place
Novels may therefore
our
catalogue
which must include some works pub

, ,

output of 8,530 new books and 2 ,384 new
editions — total , 10 , 914 —was chronicled ) , in the
United States there was a very distinct decrease in

F

unlike

a record

leave the recently
actually present there are
public farour
1912
of

1911 there were 10 ,440 new
editions — total , 11, 123 . So
what was the case in England (where
In

new

(

- total , 13 ,470 .
and 783

books
that ,

195

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the Sixties
both the Indian campaigns
that State and
the Civil War
Professor
University makes the
Paxon
Wisconsin
entitling his book
latter war his subject
indeed
simply
The Civil War
by Matthew
represented
Travel books
are
Negro Explorer
Henson
the North
Pole
Peary and
with
foreword
introduction
by Ernest Thompson Seton
Booker Washington

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The Arctic Prairies
Charles Sheldon
The
Wilderness
the Upper
Yukon
and
the
oddly named
The Man Who Likes Mexico
which Wallace Gillpatrick gives his narrative
years wanderings
Where Half the World

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President Theodore Roosevelt
Realizable Ideals
which were the Earl Lectures last year
the Pacific
Theological Seminary
Berkeley
California
and
Reginald Wright Kauff
The Way
Peace
Bondage
man
author
The House
Daughters
Ishmael
the book
called
England
believe

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America
Moses Coit Tyler author and Cornell
University professor comes from the pen
Jessie
Tyler Austen while the Life and Labors
Bishop
Hare Apostle
the Sioux
Howe
Ralph
Two more volumes
the
Journals
Waldo Emerson have appeared bringing the story
way
down
the year 1841
contrast one
may read Mrs
Recollections
Burton Harrison

biography

the

books
Lieutenant General Nelson
Miles
having written
Serving the Republic
ncluding
recollections
the Civil War and Brigadier General
Funston
Memories
Two Wars
Cuban and
Philippine Experiences
Another author from the

duced

“

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Story

has appeared
fancy

with

lisher
and
The Relations
the United States
and Spain
The Spanish American
War
with
two volumes
which Rear Admiral Chadwick
concludes
notable work
Two distinguished military men have also pro

.

“
A

.

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”,

as

England

Life

The

Carl Hovey

particularly

and

States are
treated
American Japanese
by
Kawakami who has written
Relations
according
Bookto Banish the Japan War Jingo
the preliminary paragraph sent out
the pub

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Merwin

Problem

its restriction
President
Batler
Columbia University asks
his countrymen the
Why should we Change our Form
question
Government
The foreign affairs
the United

of

be

it

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of

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Peirpont Morgan

Immigration

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Capital and Labour
the relations
Professors
The
Jett Lauck deal with
Jenks and

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Biographical works have not been very numerous
late but there have been several produced which
make their appeal
both sides
the Atlantic
put Robert
Among such may assuredly
Ocean
by Katharine
Louis Stevenson
California
Osbourne
Robert
Lee Man and Soldier
Page
Thomas Nelson
and the
Life
Bret

Days

States with special reference

the United

"

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Social Forces
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American
history

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Emerson Hough and
Five
George Randolph Chester

by

Unconventional Narrative

which the author prefers
remain anonymous but
has suffered
made public that she
the
widow
American diplomat
Social and political questions have engaged the

“

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s

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and Society : an

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which
the author still
remains anonymous has already been heard
England
Betty Moore
The writer
Journal
Carey hitherto better known
Mabel
the
social than
the literary world
Hers may
problem novel being concerned with mother
called
hood among the pleasure oving rich
injustice
the risk
those mentioned
give the names
must suffice
seven more novels
worthy
note among those that have recently
appeared
The Maid
the Whispering Hills
by Virgie
Douglas
Roe
Tante
Annie
Sidgwick
The Wrong Woman
Charles
Adjustment
Marguerite
Stewart
The
Bryant already
very big seller
Chain
by Carolyn Wells
Evidence
John Rawn
“

He who

Another

“ Intimacies

A

”

“

of

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as

be

a

,

.
of

.

“

and Other
twelve tales entitled
collection
Stories while with
The Man who could not Love
which gives
title
the book
Richard Harding
Davis gives us four other short stories

entitled

“

",

of by

”,

“

is

M

-

a

.

“

Mary
Her Weight
Gold
Mann
There
Mary
was Widow
Wilkins Freeman
The
Butterfly House
Meredith
Nicholson
Hoosier
Chronicle
Gouverneur
Morris has

Grave and Gay .”

to

),

it

ofe

as
“

.

so

frankly sensational piece
Ingram
Eleanor
involving motors
might
guessed
work
Cyrus Townsend Brady has two new books
The
Courage
the
and
Secret Service
Challice
famous
William
Gillette
latter
novelisation
play
Another novel derived from the stage
Bought and Paid for
Arthur Hornblow being
George Broadhurst
responsible for the version
drama George Barr McCutcheon
new story

.

in

.”

Smiling

.

Up

Comes

-

He

“

Marion Hill , treats of the American
Stage (as a classic
which
has been hailed
not
flippantly
The Chorus Lady
but none the
amusingly
less
From
the Car Behind

“

Sherman 's

Charles

“ Georgette ,” by

L

196

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past four years
have been
1911
1908
copyright
more marked
the progress
legislation than any period since copyright
legislation
began
Earlier
the twentieth
century important steps were taken
several
Germany passed
countries
1901 the two laws

.

an of

of

is

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it

permission

HE

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Publishers Weekly

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THE COPYRIGHT PROGRESS
YEARS
U
.
S
.

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by

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in

by

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and
much did the son follow
the father
footsteps
giren
that
was
the task
the
He
the Cyclopedia
second edition
revision
much
contributed
other works
similar
character but also made
name for himself
writing for the Nation
journalism
and
the
Erening
Post among other papers
PHILIP WALSH

?

As

in
a

in in

he

(

his

94 at On
,

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as

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to

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to of

usual
must conclude with the melancholy
subject
the losses
literature caused
death
during the past few
months
On December
Percival Pollard succumbed
neuritis
the brain
hospital
Baltimore
his forty second year
Probably Pollard
brilliant work
but little known
England and his journalistic career was matured
Chicago and New
York
Yet England
had
something
with the making
the man for
was educated
Eastbourne
the age
fifteen when
came
America
Besides one play
many novels came from
written
collaboration
sufficiently wide
pen
but they were not
appear among
appeal
ever
best sellers
December
John Bigelow breathed his last
home
New
York
the advanced age
leaving unfinished his
Retrospections
Active

to

of

“

in

.” ,

I

, I

,

-

by ,

that literature

actuated
clearer motive than ever
before
has turned from
the vain effort
creating beauty
and devoted itself
the effort
ascertaining life
What say the romanticists
this

in

,
J.
B
.

to

on

of

no

"

.

it,

I

; , - of

of

to

in

“

as

.

,

I

“

living wage
the
which
essential
authors
very poor
well
other men and
died
circumstances
On February
the death was
recorded
New
York
Louis Heilprin
Hungarian
birth but
American by more
century
young
than half
residence
The
Heilprin
father who brought him
the States
was one
the editors
the American Cyclopedia

art which
believed myself fighting seemed
figbt did
losing
bate my breath
For all his
seventy five years
Howells avowed himself
day

,

an

to

.

-

do

I

.

,

. -

's

at

,

2

to

on

,

.

of , of

some notable words
attention has been called
American literature
the speech
the guest
the evening
There has been
hour
our lite
rary past
have lived
Mr Howells said
when
had the least fear for our literary future
literary
nor even when the good fight for reality

Mr

;

it

of

in

the present work
Sherry
Details
the gathering
Restaurant
New York
March
celebrate the seventy fifth
birthday
William
Dean
Howells
have reached
England long ago
But
not know that special

laudator temporis acti but declared

he

-

to

22
,

-

of

”

in

”

continued
write however until within
com
paratively short time before her death though
health compelled her
last
retire
sana
Early
turium
the new year another victim
literature died
Peterson who from being
factory hand rose
philosophical
writer
subjects
He was entirely self educated until
managed
gain
the sympathy
the late
James
who enabled him
Professor William
receive some university training
But the kindness
James and other patrons could not help him

— is

is

us

he

,

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.

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. by
C
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.
.

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W

of

The Education
Women
China
Margaret
Burton general secretary
the
Chicago University
The writer
Chess Tales and Chess Miscellapies
Willard
though
Fiske who knew the great Paul Morphy
does not tell
much that
new about him

“

hitherto

in

of

have been

of

by

of -

-

no

December
the person
Mrs Margaret
writing very
Horton
Potter Black
She began
by which she
early
life
The Social Lion
being
ingenuously
first
attracted
attention
daring that her family purchased every copy
from
circulation
Mrs Potter Black
remove

of

is

to

of its

by

. ,

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.

F

,

am

I

,

the heads which

in

to

,

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,

of

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at

to

by

”,

Taussig
Economics
the Harvard
professor explains itself
title
For the grouping together
the last two books
justifica
which
about
mention there
tion except that neither
them falls conveniently
discussed

of

.

-

a

,

-

.

,

.

,

of
by

is

",

is

It

of

, .

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by

Mr

, .

be produced under the supervision of
son
Bigelow was for three years resident
Europe
namely during his tenure
the post
United
States Minister
France
1864
But
was
essentially
American
and one versed
all the
public life
phases
America while the books
which
will
remembered all made their
primary appeal
his own fellow countrymen
intensely
hard working
novelist
who ultimately
attempts
succumbed
the results
her
relieve the strain
her nerves passed away

to the
philo
course
sophical work
written
Professor
John
Elof Boodlin
Kansas
Human Efficiency
midway
placed
Horatio
Dresser might
philosophy
between
and economics
the author
endeavouring
get
the study
industrial con
Principles
psycbology
ditions
ria
The

under any

his

will

Introduction

an

to

Reality :
Knowledge

and

of

“ Truth
Theory

197

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Australian

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on

See General Note

its in in

In

.

a

.

its

,

, in

in

,

right Union and the Pan American Union
the same basis that
more comprehen
sive world union
almost sure
come about
The
nited States Canada and Australia will then
out
the cold
the only great nations
other words the nations which should have
progress are not yet responsive
the leadership
other nations

nearly

of led in be

while Portugal

family
only second
the International Copyright
nion
will
some years before amendments
can
secured
the present American code which
join the general
will permit the United States
family
nations though
will
included
the
The International Copy
Pan American brauch
that

to

,

the Berlin convention

in -

its

a

,

in

be

of

.

to

its ,

be

a of

its

a

, ,

.

in

of

to
*

rence

together

,

,
-

a

in

sive
code
All three Scandinavian
countries
adopted amendatory acts within the four years
1911 passed
new domestic code
and Russia
the first result
which was
first international
treaty with France and the final
relation through
outcome
which will probably
adherence
the Berlin convention
Holland began the discussion
law which
rescinding
passed
will probably
1912
panufacturing
clause and making possible adhe

mately
bind
importance

,

and

It

-

im

of

,

copyright

also

British

The International Copyright Union with
Great Britain and Holland
the Berlin convention and the probable adhe
rence
Russia will presently include all the great
European nations besides such powers
Japan
Liberia
and
this side
the Atlantic Haiti
while the Pan American Union brought together
the Buenos Aires conference all Latin American
countries
save
Bolivia
well
the United
States and its Buenos Aires convention will ulti
proposed accession

of

of

in

in

scope

of

the

Continental

introduces
restrictions
law
Nevertheless
distinctively
these codes are
betterments that
comparison
the restrictive features seem small
code

on

,

an

.

an

in

.

,

an

broadening

British

of

-

In
to
.

or

.

of

,

,

,

,

,

in

in

,

portance

China took its first step toward national copyright
while
1911 Turkey adopted
new and comprehen

The

hitherto foreign

,

,

in

. ,

it

in

,

,

a

Within January indeed
international copy
right treaty between the Cnited States and Hungary
has been signed Brazil has passed
international
copyright measure and progress has been made
towards relations with Mexico
the protection
mechanical music reproduction
coprright
years were also fruitful
These
the Orient
advance
other countries notably
Japan
amendatory act
1910 passed

codes

,

-

,

in

,

so

,

,

,

in

.

its

memorable

under discussion
the period only less
than its predecessors
now

Canadian

Oriental and South American countries that
say the non English
folk
have been more liberal
than we
their advance
For while all these four
codes except the British embody manufacturing
restrictions Holland and other countries are freeing
their authors and foreign authors also from such
infringement of rights
intellectual property

be .

-

of

In

.

,

of

-

,

,

by

copyright code
thus making the fifth year
passed

to in

in

,

a

a

on

in

a

,

of

copyright throughout South
future
basis for
Finally
America
1911 the new British code
comprehensiveness
was passed
second only
the American
code and superseding all previous
provisions
laws except
few specified minor acts
Within the year 1912 Canada will possibly have

proposed

and

to

-

in

,

, by

.

of

on

,

all

South

in

its

in

*

.

a

In

.

compre
1909 thorouglily
previous legislation
and
the whole
far reaching improvement
1910
the
Pan
American
Union adopted the
closely patterning
Buenos Aires convention
that
Berlin which though
far
has been ratified
only
the United States will probably form the
American
code
hepsive superseding

new

nations bound together

America
Bolivia
new copyright law Argentina
legislation and
1910 also passed comprehensive
neighbor Paraguay
example was followed
1911
The United States added substantially
help
international relations
the new
pro
code
until now twenty five powers
treaty countries
claimed
five
which
reciprocal relation with respect
also
mechanical
having practically
followed the American
music
precedent
the code
1909
This
means
includes all copyright legislation
for
several
other countries laws of more
less importance
have been passed
but surely this
remarkable
record for the short space
four years
Throughout this legislation the trend has been
distinctively
though
forward
the legislation
English peaking countries there have been retro
gressive steps despite the general advance formu
lated
the respective American British Australian
adopted

1909

'

its

in

,

,

1908
the Berlin convention put inter
tance
national relationships throughout the International
Copyright Union
new and more liberal basis
discarding
except those
all formalities
the
country
origin and adopting life and fifty years
as the international standard term
1909 the
long campaign
the United States resulted
the

1911 joined the family

by that document

L

present copyright

remarkable publishing
existing
law while Austria
1907 amended
copyright law
Australia
1905 asserted copy
right independence from the mother country and
passed
complete
code which was not disallowed
by the Crown and which has
fact become the
model for recent British and coming Canadian
legislation
But 1908 1909 1910 and 1911 were
leading event
each marked
first impor

t'

of

its

which are the foundation
system
and
1907

of

THE AUTHOR .

198

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in

,

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to

,

20

,
I

a

,

at

a

.

,

10

.

a

of

for

I

by

,
it I

,

it

,

,

,
I for

I

in

to

to

let

I

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as

in

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on

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.

to

,

,

to

to

had not beard
wrote
felt sure that
was
oversight that they had not
me know about
response
the story
had sent
October
their
request
That
was sorry
bother them but
had many applications for stories and being under
my publishers
contract
two long books
left
me
little time for stories
knew that they would
understand my difficulty

.

;

of

be on

to

on

be

to

,

to

On December
polite letter saying that

to

no

- is

of

by
of

of

,

be

as

,

is

October
story

as

.

he of

:

,

as

,

of
in

your
returning

interest

application
answer
sent
The Bystander
manu
script
the same time asking for speedy decision
had several orders for stories and Messrs Mills
my short
Boon
were publishing
book
stories this spring

On

an

,

in

.
, G
.
S
.

,

of

to

but the substance
the book
the result
some study and
incon
explanation
siderable knowledge and the methods
may
easily understood
are such
the layman
indeed
some concrete examples
delicate legal
difficulties such
the one
Limitations
Term
Copyright are highly
commended
But the author seems have lost some conciseness
his desire
clear
certain points
law
distinctly difficult
book
write
for
be too
diffuse tends only
confuse the lay mind whereas
evidently

OURTESY

SIR
The following may
readers apropos
the long delay
accepting manuscripts

so

.

of

in

,

a

is

of

's

,

,

,

in

many others

EDITORIAL

THE

&amp;

order the dis
some sort
provisions
the Act
This procedure
was hardly wise for
the new Copyright Act
1911
there
definite order laid down
the
sequence
the sections and Mr
Robertson
spite
book
its wider scope really narrows
itself down
the Act
1911
He may have
gained
some points
has undoubtedly
lost
mnent

orderly

a

rearranged

of

in ,

to

.

of

,

CORRESPONDENCE

.

or

,

on

to

,
”

,

,

on

;

is

.

the dates

the Copyright Act 1911 comes into operation
pass comment beyond the
there
little
which
imperial and
Act itself
indeed
the chapters
international copyright are not satisfactory
exhaustive
when
the importance and the width
the subject with which they deal are considered
The author has according
his own state

.)

“

on

stated

on

is

this book

as

in

;

of

to

;

is

of

in

as

,

of it

,

law

the writer had said " a work ” instead of " a book ”
he might have been nearer the mark , but even then
other matters would have to be considered , as ,
instance the consideration paid
The work
not
satisfactory
The treatise
French Copyright Law
ppendix
interesting
but again insufficient
any material use and
the
Forms
ppendix
are inadequate and misleading
C

a

Copyright
Treatise on French
Law , by Maurice
Thery ) , published by Messrs . Waterlow &amp; Sons ,
The first
these two books
the more ambitious
does not pretend
deal merely with the new law
copyright
1911 but with the general law
but
still
the author mentions
the preface that
the

,

the Copyright Act , 1911 , ” by Henry Hurrell (with

.

Mr. Oldfield 's and Mr. MacGillivray 's
books on the Copyright Law have been pro duced and passed in review two other books
have been placed on the market . " The Law of
Copyright ," by G . S. Robertson , published by the
Oxford University Press , and “ Copyright Law and
D

A

CINCE

of

LAW .

be

THE COPYRIGHT

to be too concise tends to inaccuracy .
The Appen
dices contain ( 1) the Fine Arts Copyright Act ,
1862 ; the Canada Copyright Act , 1875 ; the
Musical Copyright Acts , 1902 and 1906 , and the
Copyright Act , 1911 ; (2 ) the Berlin Convention ,
1908 ;
the Berne Convention , 1886 ; and the
Additional Act of Paris and Interpretative Declara
tion , 1896 , collated with the Berlin
Convention ,
1908 ; Countries
which have ratified the Berlin
Convention , 1908 ; ( 3 ) The United States Copyright
Act , 1909 ; Rules and Regulations for the Registra
tion of Claims to Copyright in the United States ;
Proclamation by the President of the United States .
It seems hardly necessary to publish the Berlin
Convention , 1908 , in the original French and in
translated form , and then to publish the translated
form again collated with the Berne Convention .
Mr. Hurrell ' s book fails owing to the fact that it
attempts too much in too little space . Many state
ments are made authoritatively in a few words which
need much ampler treatment : to take one instance :
persons
“ When an author agrees to give certain
the sole power of printing and publishing a book for
If
all time, that is parting with the copyright . "

to

the business of
reason to congratulate
of the past four years ,
that before the present

(A

The friends of authors

(A

' rights and of a firm basis
publishing
have abundant
themselves on this progress
and they may live in hopes
generation has passed away ,
Anierica and the other English - speaking countries
will be ready to achieve the final step toward world
union . More than sixty years ago a Philadelpbian
publisher , Philip H . Nicklin , prophesied in his
little book on copyright " a world -wide republic of
letters , " and this American
dream
will yet be
fulfilled by help of America .
for

199

�of

if

,

.

,

,
if

for

,

,

it

';

a

to

on

for

,

to

.

is to

of of

in

do

in to
?

do

.

no

,

is

is

of

it

of by

of

is

is

,

'

?

to

of

to

.

it

on

to

of

it

,

no

,

of

to

of .

,

If to

.

It

in

;

or

,

.

be A do by

in

,

.

an

be

it

if

,

it

.

A

?

a

on !

LIST

.

be

A

BLACK

of

in

to

a

:

and pubhishers

,

to

, –,

it

possible
publish
Would
not
The
magazines
from time
time
black list
etc

.

,

Yours

.]

-

,

.
on

a

be of

,

[

by

This matter has been considered frequently
the Committee but there are very strong reasons
against the publication
such
list
Moreover
application
information can always
obtained
the Secretary
Ed

.

,

his

services elsewhere

SIR
Author

to

. .

offer

!

to

asked

his

,

,
if

to

by

;

do

be

to

soon

It

!

as

is

It

a

be
a

. .

'

in

or

or

“

,

, .

do

his”

in

,

,

to

of

a

to

crude taste and should
immortal
discovered
scoop
not
Would
for the publisher
worth while
risk something
such
chance
NOVELIST

what

'

-

;

,

, .

.

is

of

of

I

he will

; ,

to

weeded out before the rest are sent
the
They are the books that are unconven
tional unsensational and artistic
the books that
uneducated
would not please the great mass
readers
say that book may not
This
not
work
art and yet please the larger public
Such
thing may happen occasionally we know
But the
chances are all against the artistic work and
favour
mediocrity
not however agree with
Tamel
that
indulges
either publisher
sorter
own
prejudices
taste
the matter
Both are ani
mated solely
business principles
The publisher
engages the reader
pick out for him novels that
will sell well and presumably
the
reader
neglects
this and merely consults
own taste
judges

,

,

on

be

,

of

.

is

it

a

is

,

a

to

,

will

man
woman
letters
aid them
their trade
humbug they might become public benefactors
finding out new talent
They might moreover
better for themselves than they are doing now
judiciously
advertised prize novel can always
pay even
made
does not positively cater for
to

."

's

of

very high character
that our work
regretfully returned because
not likely
prove
popular financial success
The initiated
are therefore perfectly aware what kind
books
is us

ing

but

'

,

to

is

“

, 's

of

or

,

a

of

We know exactly what that means
We know that
publisher
the first duty
reader
discover
not genius
works
art but the
best seller
We are familiar with the publisher letter inform

quality who are
time for those writers
honoured with this mission
maintain their dignity
and the dignity
the office they are invited
only
fulfil they should accept
conditior that
they may choose what they think best from all the
may take more time but
novels sent
detracting from
would certainly add
instead
their reputations
the publishers could get

a

,

the judges

.

to

were sent

"

suitable

. on

,

,

he

—

a

,

an

to

his

All

.

of

“

considered

of

as

.

to

,

in

.

COMPETITIONS

be

NOVEL

was glad to see “ Tamel ' s ” letter about prize
competitions and wish it could meet the eye of the
dear , deluded , ordinary public .
I wrote å briefer
one on the same lines to a daily paper some time
ago , but it did not appear .
Mr. Andrew Melrose gave the case away last year
system
when he explained
interviewer
most businesslike and reasonable system
from his
point
view
the competing novels
said
were read first by his readers and only those they

I

a of

of

‘

on

go

it

in

'

are

is

,

' .

“

',

of

'

in
,

of to

no comment !

Yours Truly ,
“ MAUD ANNESLEY ."

“

It

. .

“ A B ”

.

I make

The italics are mine .

course does not know the difference between
best novel and
best seller
believes and
will continue
believe that the two are identical
and that these competitions are
the encourage
genins
they
ment
But the chosen judges
literary ideals ought
are faithful
rebel and
protest
choosing the
them
insist
novel they think best out
the whole number sent
and this not only
the interests
literature
but
their own interests for the sake
their own
reputations
Surely they must often
blush
see
sponsors
themselves advertised
the common
place fiction that
the result
these prize com
petitions
true they excuse themselves
declaring that most
the work they receive
poor quality
and this
true enough
doubt
But why does
not occur
them that they
not
Why
they allow
receive the best work sent
only such
themselves
have foisted upon them
novels
the publishers readers think will sell

of

Yours Faithfully ,
“ The Editor ,

-

“ December 11th , 1911 .
you
MADAM , - I note that
have very
little time to write stories . We , for our part , have
very little time to read them , and are not under any
special obligation to do so. In view of the tone of
your letter , I therefore return herewith the story
entitled “ The Mediator ,' in the hope that you will
be successful in placing it elsewhere .
“ DEAR

“

it

to

be

“ TALLIS HOUSE ,
“ WHITEFRIARS ,

“

Nor
think
will help matters
writers
compete for the fact will certainly
talent decline
My opinion
not
advertised
that the
guardians
our self respect
this concern
judges
the
called
and
rests with them
spoofing
whether
not publishers shall
the innocent public with their fiction
best
competitions
novel
That innocent public

I

following

the

or

received

so

:

, '

I

On
December
12
letter , and the MS.

do

THE AUTHOR .

200

�vii

ADVERTISEMENTS .

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Essex

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Albans

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Woodstock

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HERBERT CÆSAR

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JACOBS

Maybank Road

Client says and then send
trial order

satisfied

,

.

TESTIMONIALS

-

MISS
Villa

I

).

(

inclusive

KNOWN AUTHORS

WELL

3d

1s
.

,
.C
.

,

000 Words

Postage

what

Carbon
000 words
per
000

December 4th 1911
Dear Sir
thank you for your prompt and most
have
and
excellent
satisfactory
the typing
work
extremely pleased with
ARNOLD
Signed
MRS
Sheffield

,

.

1

per

to

of

)
:
“
I

,

,

,

,

in

;

.

of

.

Read

copied accurately
promptly
and

Paper and

-

per

Duplicates

every description

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,

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Charing Cross Road London

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paper

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Mr

),

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INK ERASING PENCIL
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AUTHORS

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Authors
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indsor Magazine and
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(French and Spaoish typed .)
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Opinions selectedfromletters receivedduring
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NESBIT
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MRS
pleased
beautiful work
you
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think
MRS TOM GODFREY
you
You
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all authors who have the knowledge
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The work could not
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HUBERT completed
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.—No. 7.&#13;
APRIL 1, 1912.&#13;
(PRICE SIXPENOE.&#13;
CONTENTS.&#13;
PAGE&#13;
173&#13;
173&#13;
173&#13;
174&#13;
175&#13;
179&#13;
181&#13;
184&#13;
186&#13;
187&#13;
185&#13;
189&#13;
PAGE&#13;
190&#13;
190&#13;
190&#13;
190&#13;
190&#13;
190&#13;
191&#13;
&#13;
:&#13;
.&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
The Annual Meeting&#13;
A Prize Competition&#13;
United States Notes&#13;
The Copyright Progress of Four Years&#13;
The Copyright Law&#13;
Correspondence&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes ...&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes...&#13;
United States Copyright&#13;
A Music Publisher's Agreement&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
:&#13;
.&#13;
192&#13;
i&#13;
:&#13;
.&#13;
193&#13;
.&#13;
194&#13;
.&#13;
.&#13;
197&#13;
199&#13;
199&#13;
K Five Large Editions required to fill orders in advance on the other side.&#13;
Ready early in April.&#13;
THE MOUNTAIN GIRL&#13;
By PAYNE ERSKINE.&#13;
Illustrated by J. DUNCAN GLEASON.&#13;
Crown 8vo. 6s.&#13;
This new novel bids fair to create an unusual amount of interest. Those who have read the&#13;
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purest heroines ever portrayed.&#13;
BUY THESE FROM YOUR BOOKSELLER or BORROW FROM THE LIBRARY.&#13;
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THE BROAD HIGHWAY. By JEFFERY FARNOL.&#13;
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Ramona&#13;
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The Human Compass By BART KENNEDY.&#13;
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Desmond Rourke, Irishman By JOHN HASLETTE.&#13;
In the Shadow of Pa-Menkh By DORA LANGLOIS.&#13;
Dunleary: The Humours of a Munster Town&#13;
Lemuel of the Left Hand By ALFRED CLARK.&#13;
By EDMUND DOWNEY.&#13;
By&#13;
Hu&#13;
London : SAMPSON LOW, MARSTON &amp; CO., Ltd.&#13;
&#13;
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## p. 172 (#612) ############################################&#13;
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## p. 172 (#613) ############################################&#13;
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## p. 172 (#615) ############################################&#13;
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Academy. . . . From whatever point of view you look at it—value of its literary&#13;
contents, or its variety, or the excellence of its mechanical production—THE DIAL&#13;
is entitled to a place with the best that any country can produce. . . . We again&#13;
advise our readers who wish to keep the 100 millions of America in their eye to&#13;
watch THE DIAL.”—THE PUBLISHERS' CIRCULAR (London).&#13;
Specimen copies of THE DIAL, together with a special offer for trial subscription, will be&#13;
sent gratis to any reader of THE AUTHOR upon request.&#13;
ADDRESS&#13;
“THE DIAL” COMPANY, 410, SOUTH MICHIGAN AVENUE, CHICAGO.&#13;
*&#13;
2&#13;
&#13;
&#13;
## p. 172 (#616) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
STANLEY PAUL &amp; CO.'S LATEST 6/- NOVELS.&#13;
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THE MYSTERY OF REDMARSH FARM.&#13;
MAIDS IN MANY MOODS ... H. Louisa Bedford&#13;
DUCKWORTH'S DIAMONDS ... E. Everett-Green&#13;
VEENI THE MASTER ... ... ... R. F. Lamport&#13;
THE THREE ENVELOPES... Hamilton Drummond&#13;
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THE CHILDREN OF ALSACE (2nd Ed.) Rene Bazin&#13;
THE ACTIVITIES OF LAVIE JUTT&#13;
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THE LIFE OF CESARE BORGIA.&#13;
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ORDER IMMEDIATELY from your Library, Bookseller or Bookstall.&#13;
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When, just abont two years ago, Mr. Stuart-Young published “The Seductive Coast," rhymes dealing with life in&#13;
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“exceptional daring" of the author's outlook on the moral and social conditions of life in Nigeria. The Birmingham&#13;
Gazette gave the lead to a juster interpretation :-* Rarely do we meet with work which so unmistakably conveys the&#13;
impression of spontaneity and sincerity, combined with an admirable technique... Mr. Stuart-Young is a man&#13;
who feels strongly, who expresses what he feels, and who is skilled in verbal expression. As sheer art-work his&#13;
pages are admirable. There is a virility which commends his work where simpler sentiment would fail," and so on.&#13;
The Daily Telegraph recognised that here "was no lover of sensationalism. Whether telling of white men and&#13;
women, of their loves and their tragedies, or of the stranger folk among whom his lot is cast on the Niger Bank.&#13;
the author always shows himself possessed of the best qualities of the story-teller." The Oxford Times found in the&#13;
book "a subtle witchery which haunts the mind," while Reynolds acknowledged that here at last was someone who&#13;
“appreciates the tragedy and pathos of native Africa."&#13;
This new book is strangely appealing-it will be read by thousands of exiles,&#13;
- and appreciated by thousands of their relatives in the Old Country. -&#13;
LONDON : LYNWOOD &amp; Co., Paternoster Row, Publishers.&#13;
&#13;
&#13;
## p. 173 (#617) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.—No. 7.&#13;
APRIL 1, 1912.&#13;
[PRICE SIXPENCE.&#13;
nae&#13;
TELEPHONE NUMBER :&#13;
ADVERTISEMENTS.&#13;
374 VICTORIA.&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
TELEGRAPHIC ADDRESS :&#13;
personally responsible for the bona fides of the&#13;
AUTORIDAD, LONDON. advertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
NOTICES.&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
DoR the opinions expressed in papers that are if special information is desired.&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
THE SOCIETY'S FUNDS.&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
DROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
THE Editor begs to inform members of the&#13;
recognition of work that has been done for&#13;
Authors' Society and other readers of The Author them. The Committee, acting on the suggestion&#13;
that the cases which are quoted in The Author are of one of these members, have decided to place&#13;
cases that have come before the notice or to the this permanent paragraph in The Author in order&#13;
knowledge of the Secretary of the Society, and that that members may be cognisant of those funds to&#13;
those members of the Society who desire to have which these contributions may be paid.&#13;
the names of the publishers concerned can obtain The funds suitable for this purpose are: (1) The&#13;
them on application.&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
THE Editor of The Author begs to remind or in dealing with any other matter closely&#13;
members of the Society that, although the paper connected with the work of the Society.&#13;
is sent to them free of cost, its production would (2) The Pension Fund. This fund is slowly&#13;
be a very heavy charge on the resources of the increasing, and it is hoped will, in time, cover the&#13;
Society if a great many members did not forward needs of all the members of the Society.&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
LIST OF MEMBERS.&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each M HE List of Members of the Society of Authors,&#13;
month.&#13;
1 published October, 1907, can now be obtained&#13;
Communications and letters are invited by the at the offices of the Society at the price of&#13;
Editor on all literary matters treated from the 6d., post free 71d. It includes elections to July,&#13;
standpoint of art or business, but on no other 1907, and will be sold to members and associates&#13;
subjects whatever. Every effort will be made to of the Society only.&#13;
retorn articles which cannot be accepted.&#13;
A dozen blank pages have been added at the&#13;
VOL. XXII.&#13;
&#13;
&#13;
## p. 174 (#618) ############################################&#13;
&#13;
174&#13;
THE AUTHOR.&#13;
end of tbe list for the convenience of those who&#13;
PENSION FUND.&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
The list printed below includes all fresh dona-&#13;
tions and subscriptions (i.e., donations and&#13;
subscriptions not hitherto acknowledged) received&#13;
THE PENSION FUND.&#13;
by, or promised to, the fund from January 1,&#13;
1912.&#13;
It does not include either donations given&#13;
TN January the secretary of the society laid&#13;
prior to January 1, nor does it include sub-&#13;
before the trustees of the Pension Fund the&#13;
scriptions paid in compliance with promises made&#13;
accounts for the year 1911, as settled by the&#13;
before it.&#13;
accountants, with a full statement of the result of&#13;
The full list of apnual subscribers to the fund&#13;
the appeal recently made on behalf of the Fund.&#13;
appeared in the November issue of The Author.&#13;
After giving the matter full consideration the&#13;
The secretary would like to state that he has&#13;
trustees instructed the secretary to invest the sum&#13;
received three bankers' orders in answer to the&#13;
of £500 in the purchase of Antofagasta and&#13;
recent appeal, unsigned, without any covering letter.&#13;
Bolivian Railway 5 Preferred Ordinary Stock&#13;
He would be glad, therefore, if those members who&#13;
and Central Argentine Railway Ordinary Stock.&#13;
The amounts purchased at the present prices are&#13;
may have sent in these orders, recognising them&#13;
from their description, would write to the secretary&#13;
£237 in the former and £232 in the latter stock.&#13;
on the matter.&#13;
The trustees desire to thank the members of the&#13;
Bankers' Order for 10s. drawn on the London,&#13;
society for the generous support which they have County and Westminster Bank, Maidstone.&#13;
given to the Pension Fund, and have much pleasure&#13;
Bankers' Order for 10s. drawn on the National&#13;
in informing the Pension Fund Committee that&#13;
Provincial Bank of England, Baker Street, W.&#13;
there is a further sum available for the payment of&#13;
Bankers' Order for 5s. drawn on the London,&#13;
another pension in case any application should be&#13;
made.&#13;
County and Westminster Bank, Kensington, W.&#13;
The money now invested amounts to&#13;
£4,846 198. 4d., and is fully set out in the list&#13;
Subscriptions.&#13;
below :&#13;
1912.&#13;
£ $. d.&#13;
Consols 21°c&#13;
.£1,312 13 4 Jan. 1, Worsley, Miss Alice . .' 0 5 0&#13;
Local Loans.........&#13;
500 ( 0 Jan. 2, Sturt, George . . . . ( 5 0&#13;
Victorian Government 3° ' Consoli-&#13;
Jan. 2, Wicks, Mark (in addition t&#13;
dated Inscribed Stock.......... 291 19 11&#13;
present subscription).&#13;
( 5&#13;
London and North-Western 39%&#13;
Jan. 3, Northcote, The Rev. H..&#13;
Debenture Stock ..........&#13;
230 0 (). Jan. 3, Worsley, Miss Alice . .&#13;
Egyptian Government Irrigation&#13;
Jan. 3, Phipson, Miss E. (in addition&#13;
Trust 4% Certificates .....&#13;
200 0 0&#13;
to present subscription) . () 5 0&#13;
Cape of Good Hope 31°. Inscribed&#13;
Jan. 3, Hedgcock, F. A. .&#13;
Stock .......................&#13;
200 0 0&#13;
Jan. :), Matcham, Mrs. Eyre&#13;
Glasgow and South-Western Railway&#13;
Jan. 8, Stayton, Frank .&#13;
: 0 5 0&#13;
10%. Preference Stock .&#13;
228 0 0 Jan. 8, Canziani, Miss Estella . . 0 5 0&#13;
New Zealand 31° Stock ..&#13;
247 9 6 Jan. 10, Ropes, A. R.. .&#13;
1 1&#13;
Irish Land Act 21% Guaranteed&#13;
Jan. 12, Francis, René .&#13;
0 10 0&#13;
Stock ........&#13;
2.38 0 0 Jan. 15, Pollock, Miss Edith (in addi-&#13;
Corporation of London 21. Stock,&#13;
tion to present subscription) 05 0&#13;
1927-57 ..........&#13;
438 24 Jan. 27, Hutchinson, the Rev. H. N. . 1 1 0&#13;
Jamaica 31° Stock, 1919-19 ...... 132 18 6 Feb. 7, L. M. F., per month during&#13;
Mauritius 1°! 1937 Stock .&#13;
120 121&#13;
1912&#13;
: :&#13;
Try&#13;
. 1 0 0&#13;
Dominion of Canada C.P.R. 3!?!&#13;
Feb. 7, Letts, Miss W.M..&#13;
. 0 5 0&#13;
Land Grant Stock, 1938............. 198 3 8 Feb. 8, Cooke, W. Bourne . . . 1 1 0&#13;
Antofagasta and Bolivian Railway&#13;
Feb. 8, Annesler, Miss Maude&#13;
.&#13;
.&#13;
. ( 10 6&#13;
5% Preferred Stock ............... 237 () () Feb. 9, O'Donnell, Miss Petronella : 0) 5 0&#13;
Central Argentine Railway Ordinary&#13;
March 6, Curwen, Miss Maud . : 0&#13;
Stock ..&#13;
232 ( 0) March 6, Anderson, Arthur . . 1 1 0&#13;
— March 15, George, W. L. (in addition&#13;
Total ....................£4,846 19 4&#13;
to present subscription). ( 10 O&#13;
༌ ༤་&#13;
......&#13;
་ེ&#13;
་ ༌&#13;
༤་ ལ་ ༌&#13;
......&#13;
....&#13;
&#13;
&#13;
## p. 175 (#619) ############################################&#13;
&#13;
THE AUTHOR.&#13;
175&#13;
erro&#13;
...........................&#13;
er or&#13;
Donations.&#13;
1912.&#13;
Jan. 2, Risque, W. H. .&#13;
Jan. 2, Dart, Miss Edith.&#13;
Jan. 3, “K."&#13;
Jan. 3, Church, Sir Arthur.&#13;
Jan. 3, Durrant, W. Scott .&#13;
Jan. 3, Tighe, Henry .&#13;
Jan. 3, Grant, Lady Sybil .&#13;
Jan. 4, Smith, Bertram&#13;
Jan. 4, Buckrose, J. E.&#13;
Jan. 4, Lathbury, Miss Eva&#13;
Jan. 5, Wilson, Dr. Albert .&#13;
Jan. 5, Craven, A. Scott .&#13;
Jan. 6, Blundell, Miss Alice&#13;
Jan. 6, Garbutt, W. H.&#13;
Jan. 6, Serjeant, Miss Constance&#13;
Jan. 9, Chamberlayne, Miss Effie&#13;
Jan. 9, Hamel, Frank&#13;
Jan. 10, Allen, W. Bird .&#13;
Jan. 10, Crellin, H. X. .&#13;
Jan. 10, Smith, Herbert W.&#13;
•&#13;
Jan. 12, Randall, F. J.&#13;
Jan. 13, P. H. and M. K..&#13;
Jan. 15, Clark, Henry W...&#13;
Jan. 17, Rankin, Mrs. F. M.&#13;
Jan. 18, Paternoster, Sidney&#13;
Jan. 20, M'Ewan, Miss Madge.&#13;
Jan. 2:2, Kave-Smith. Miss Sheila .&#13;
Jan. 22, Mackenzie, Miss J. .&#13;
Jan. 22, Reiss, Miss Erna . .&#13;
.Jan. 22, Grisewood, R. Norman . .&#13;
Jan. 23, Machen, Arthur.&#13;
.Jan. 24, Williamson, C. N. and Mrs.(&#13;
Jan. 26, Way, Miss Beatrice&#13;
Jan, 30, Saies, Mrs. Florence H.. :&#13;
Jan. 30, Weyman, Stanley (in addition&#13;
to subscription).&#13;
Jan. 30, S. F. G. . .&#13;
Feb. 3, Douglas, James A. .&#13;
Feb. 6, Parker, Mrs. Nella .&#13;
Feb. 6, Allen, Mrs. James 1.&#13;
Feb. 10, Whibley, C. . .&#13;
Feb. 12, Loraine, Lady&#13;
.&#13;
Feb. 12, Ainslie, Miss K. .&#13;
Feb. 12, King, A. R.. .&#13;
Feb. 13, Ayre, Miss G. B. .&#13;
Feb. 14, Gibson, Miss L. S.&#13;
Feb. 15, Henley, Mrs. E. W. .&#13;
Feb. 15, Westall, W. Percival . .&#13;
Feb. 17, Raplmel, Mrs. .&#13;
Feb. 19, Cabourn, John . .&#13;
Feb. 19, Gibbs, F. L. A. .&#13;
.&#13;
Feb. 21, Hinkson, H. A., and Mrs. .&#13;
Feb. 24, Hamilton, Cosmo&#13;
Feb. 27, Plowman, Miss Mary . .&#13;
Feb. 28, Aspinall, A. E. .&#13;
.&#13;
March 2, Montisole, Max. .&#13;
£ s. d.&#13;
£ s. d. March 9, Pickering, Mrs. Frank . 0 10 0&#13;
0 10 0 March 15, Trevanwyn, John . . 1 1 0&#13;
0 10 6 March 16, O'Higgins, H. J. . . 1 1 0&#13;
10 0 March 18, Wallis-Healy, F. C. . . () 3 0&#13;
1 1 0 March 18, Schwarz, Prof. Ernest . 0 5 0&#13;
5 0 March 19, Wallace, Sir Donald Mac-&#13;
( 10 0&#13;
kenzie, K.C.V.O. . . 5 5 0&#13;
0 March 21, Wharton, Leonard . () 5&#13;
20 0 0&#13;
1 1 0&#13;
0 5 0&#13;
0 10 0&#13;
COMMITTEE NOTES.&#13;
0 10 0&#13;
0 10 0&#13;
M HE March meeting of the committee was held&#13;
0 5 0&#13;
at the offices of the society on the 4th. The&#13;
0 5 0&#13;
committee have much pleasure in reporting&#13;
1 1 0 32 elections, which brings the total of elections&#13;
1 1 0 for the current year up to 100. This number is&#13;
0 5 o considerably in excess of the number for the corre-&#13;
2 2 O sponding period of 1911. The issue of the first&#13;
1 0 applications for subscriptions in arrears brought as&#13;
2 2 0 usual a number of resignations, but though the&#13;
0 5 0 number was considerable, it was hardly above the&#13;
0 5 0 average of former years, and in percentage was&#13;
1 1 0 lower, owing to the increase in numbers of the&#13;
( 5 ( society.&#13;
() 10 0 The solicitors made a report on the legal cases&#13;
0 5 0 handled during the month. In one case, where the&#13;
committee had sanctioned the issue of a writ for the&#13;
0 5 0) return of a MS., the publisher had handed over the&#13;
1 1 0 MS., and the matter had been settled. In another&#13;
5 j ( case, involving a long dispute on accounts delivered&#13;
0 5 0 by a publisher, a settlement had been arranged and&#13;
( 8 6 a form of agreement dealing with the issues had&#13;
been drafted and was only awaiting execution.&#13;
1 1 0 A question arising out of the infringement of an&#13;
1 1 0 author's dramatic rights had been settled. The&#13;
1 0 0 defendant had abandoned the production and with-&#13;
0 10 0 drawn the piece. A claim of a member, considered&#13;
1 1 0 at the previous meeting, for a quantum meruit&#13;
0 10 6 for work done against a newspaper had been satisfied.&#13;
5 0 0 The stipulated amount had been paid. Payment&#13;
5 () had also been made under a judgment obtained by the&#13;
() society in another newspaper case. There was also&#13;
a claiin by a member against a publisher for accounts&#13;
0 5 () which had not been rendered for some time, and for&#13;
1 1 0 payment of the sum due under those accounts. As&#13;
0 5 0 the publisher had neglected to answer the secretary's&#13;
0 5 0) letters, the matter had been transferred to the&#13;
( j ( solicitors, whose negotiations with the firm had&#13;
0 10 0 produced a promise of speedy settlement. The&#13;
1 1 0 Solicitors bad been forced to issue a writ in another&#13;
1 1 0 matter of accounts referred to them, as the defen-&#13;
26 dant had refused to produce a proper statement. In&#13;
( 10 ( a case in which the society had threatened a pub-&#13;
() 10 ( lisher with the appointment of an arbitrator, under&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
·&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 176 (#620) ############################################&#13;
&#13;
176&#13;
THB AUTHOR.&#13;
II.&#13;
a clause in the publisher's agreement, the publisher The secretary reported that Lady Loraine, Mr.&#13;
bad submitted a proposal which the committee Thomas F. Dunhill and Mr. Raymond Needham&#13;
decided to advise the author to accept. The had joined the society as life members, and that&#13;
solicitors were instructed to write to the member Mr. Gordon Craig had made a donation of £1 18.&#13;
to that effect.&#13;
to the Capital Account.&#13;
The secretary then placed before the committee&#13;
correspondence which had passed between himself&#13;
and a member, following a decision of the com-&#13;
mittee made at their previous meeting. The&#13;
DRAMATIC SUB-COMMITTEE.&#13;
committee, while approving the secretary's letters,&#13;
decided that no further action could be taken. The&#13;
I.&#13;
verification of accounts between one of the members On Thursday, March 7, the Dramatic Sub-&#13;
and a publisher extending over a series of years was Committee met a sub-committee of the Dramatists'&#13;
next considered, and the committee advised the Club and discussed with the latter the proposed&#13;
member to ask the publisher, in the first instance, alterations in the Managerial Treaty. The two&#13;
for further details, and next to allow an accountant committees went through the treaty clause by&#13;
to be appointed to investigate the books. If the clause, and came to agreement, with very few&#13;
publisher's answer was not satisfactory, the matter alterations and reservations. The points reserved&#13;
was to be referred again to the committee.&#13;
were then referred back in order to be discussed at&#13;
After the cases had been considered, the committee the next meeting of the Dramatic Sub-Committee,&#13;
discussed the question of Canadian copyright. A and it is hoped that a final settlement will be come&#13;
letter was read from Sir Gilbert Parker to the to at that meeting.&#13;
chairman expressing among other things his regret&#13;
that he had been obliged to return to England, but&#13;
stating that he hoped to put forward the views of The ordinary monthly meeting of the Dramatic&#13;
the society when he visited Canada again in the Sub-Committee was held on Friday, March 15,&#13;
summer. A letter from the Premier of Canada was at 3 o'clock. After the ruinutes of the former&#13;
also read, as well as one from a Canadian correspon- meeting had been read and signed, the alterations&#13;
dent of the society, the last making a statement as and amendments to the Managerial Treaty sug-&#13;
to the action in respect of copyright legislation gested at the joint meeting of the sub-committee&#13;
which was being taken in the Dominion.&#13;
and the Dramatists' Club Sub-Committee, were&#13;
The secretary reported what had been done, at considered, and the treaty was finally settled. The&#13;
the suggestion of the Composers' Sub-Committee, secretary was instructed to write to the secretary&#13;
and with the sanction of the chairman of the Com- of the Dramatists' Club Sub-Committee, with a full&#13;
mittee of Management, respecting an organisation statement of what had taken place and with the&#13;
which had originally called itself the Society of complete copy.&#13;
British Authors, Composers and Music Publishers. The next question before the sub-committee was&#13;
A full statement of the position appeared in the the date of the Annual Conference of Dramatists.&#13;
March issue of The Author.&#13;
The sub-committee decided that it would be best&#13;
The committee undertook to watch carefully the to defer the selection of the date until the mandate&#13;
rights of composers in regard to the question that which they had received at the last Conference to&#13;
had been raised, namely, the collection of gramo deal with the Managerial Treaty had been carried&#13;
phone fees.&#13;
through, and the sub-committee were in a position&#13;
A Music Publishing Agreement which had been to report to the Conference on this and other&#13;
laid before the Committee of Management by the matters.&#13;
Copyright Sub-Committee was referred back to the A small point touching the registration of&#13;
sub-committee for re-consideration of one or two scenarios was also considered, and the sub-com-&#13;
points which had been raised in committee.&#13;
mittee decided that one copy of a scenario would&#13;
A proposal in regard to the conduct of the suffice for purposes of registration, although the&#13;
business of authors by literary agents was men- society would always be willing to stampa&#13;
tioned, but the committee decided that it would be duplicate copy if the member so desired.&#13;
inexpedient to take action in the matter at the The sub-committee then discussed a suggestion&#13;
present time unless a specific charge could be made of one of the members, that a schedule of prices&#13;
The committee authorised the affixing of the should lie at the society's office for reference. As&#13;
society's seal to certain transfers dealing with the soon as the schedule is settled, notice will be sent&#13;
purchase of stock on account of the Capital Fund of to dramatists who are members, in order that they&#13;
the society, which purchase had been authorised at may have the advantage, when settling agreements,&#13;
their previous meeting.&#13;
of being able to consult the schedule and receive&#13;
&#13;
&#13;
## p. 177 (#621) ############################################&#13;
&#13;
THE AUTHOR.&#13;
177&#13;
advice from the secretary. Such advice and infor- 2. Not to employ any agents or agencies without careful&#13;
mation is already at the disposal of any member&#13;
dienasol of any member enquiry into their financial position and stability.&#13;
enquir&#13;
who desires it, but the sub-committee considered it&#13;
3. Not to enter into any contract for sheet publication&#13;
which contains any conditions whatsoever with regard to&#13;
desirable to have a schedule authoritatively fixed. their rights of mechanical reproduction.&#13;
The Society of British Composers, in hearty&#13;
accord with the action of the sub-committee,&#13;
COMPOSERS' SUB-COMMITTEE.&#13;
allowed their names to be joined in the manifesto.&#13;
A further question arose as to the probable rules&#13;
and regulations of the Board of Trade for the&#13;
The first meeting of the Composers' Sub-Com- collection of fees for the reproduction by mechanical&#13;
mittee of the Society of Authors was held on instruments, and it was decided to obtain all the&#13;
Saturday, February 24. As The Author had information available on this point, for the sub-&#13;
already gone to Press before the meeting was held committee agreed that it must depend upon the&#13;
it was too late to chronicle it in the March issue. form of these rules and how far they might secure&#13;
Sir Charles Villiers Stanford was unanimously the composer's rights what advice should be given&#13;
elected chairman of the sub-committee, and after to composers about appointing agents to collect&#13;
his election the committee proceeded to consider their fees.&#13;
certain circulars which had been issued by The sub-committee considered an invitation from&#13;
music publishing firms referring to the formation the publishers to attend a meeting at Bechstein Hall&#13;
of the British Society of Authors, Composers, and called for the Tuesday following. They decided,&#13;
Music Publishers. After a careful study of the however, in view of the line the publishers had&#13;
objects and rules of the proposed society (to which chosen to adopt in dealing with the composers'&#13;
reference was made in the last issue of The Author), property, that it would be inadvisable to attend.&#13;
the committee decided, subject to the approval of Mr. Arthur Somervell was elected a member of&#13;
the Committee of Management, to issue a manifesto the sub-committee under the power of co-option&#13;
on the situation, and after careful consideration of a given by the Committee of Management, and it was&#13;
draft which had been prepared by the chairman, the decided to ask Mr. Sidney Jones to join. The&#13;
manifesto assumed the following form :-&#13;
resignation of one of the members already elected&#13;
COMPOSERS AND GRAMOPHONE Rights.&#13;
was laid before the sub-committee, and it was&#13;
decided to ask the member to reconsider his&#13;
Vanifesto from Composers' Sub-Committee.&#13;
decision.&#13;
The Incorporated Society of Authors and the Society of&#13;
British Composers desire to direct the attention of all the&#13;
composers in the United Kingdom to their powers and&#13;
rights in regard to the mechanical reproduction of their&#13;
works, as defined by the Copyright Act of 1911, which&#13;
A SECOND meeting was held at the offices of the&#13;
declares that the composer has the sole right to authorise&#13;
or prohibit the making of any mechanical reproduction of Society of Authors on March 9. After the&#13;
his compositions. No matter what assignment of mechanical reading of the minutes of the previous meeting&#13;
rights the composer may have made before the passing of the question of gramophone fees was discussed.&#13;
the Act, the Act annuls such an assignment, and confers&#13;
The position of the society, which originally called&#13;
T&#13;
solely upon the composer all royalties derived from such&#13;
mechanical rights. In order to make the latter part of this itself the British Society of Authors, Composers&#13;
statement quite clear, section 19, sub-section 7 (c) of the and Music Publishers, and the action that had been&#13;
Act should be quoted in full : “ Notwithstanding any taken in regard to this society were reported.&#13;
assignment made before the passing of this Act of the&#13;
The secretary also reported that he had been in&#13;
copyright in a musical work, any rights conferred by this&#13;
Act, in respect of the making, or authorising the making,&#13;
communication with the secretary of the Mechanical&#13;
of contrivances by means of which the work may be Copyright Licenses Company, which was working&#13;
mechanically performed, shall belong to the author or his with the German and French societies, and he read&#13;
legal personal representatives and not to the assignee, and&#13;
a letter from the secretary of the company pointing&#13;
the royalties aforesaid shall be payable to, and for the&#13;
benefit of, the author of the work or his legal personal&#13;
out the advantages of the company and its methods&#13;
representatives."&#13;
of business. After a lengthy discussion the sub-&#13;
From this it is obvious that the music publisher has no committee came to the conclusion that they were&#13;
locus standi whatever in the matter, and he has no more bound to defer action until they were acquainted&#13;
right to decide upon a division of the composer's royalties&#13;
than upon a division of any other of his private property.&#13;
with the rules to be issued under the Act of 1911&#13;
It is certain that agencies for the collection of composers' by the Board of Trade dealing with the collection&#13;
royalties, for a reasonable consideration, will come into of gramophone fees, and that they could not advise&#13;
existence. It is, therefore, strongly impressed upon all composers until these rules were before them. The&#13;
composers :&#13;
1. Not to part with the property which is exclusively question was accordingly adjourned.&#13;
.theirs by Act of Parliament.&#13;
The next matter before the sub-committee was&#13;
II.&#13;
&#13;
&#13;
## p. 178 (#622) ############################################&#13;
&#13;
178&#13;
THE AUTHOR.&#13;
the question of performing rights. Since the accounts were rendered and forwarded to the&#13;
passing of the new ('opyright Act this point has author. The second case had to be placed in the&#13;
been one of increasing importance, owing to the hands of the society's solicitors, and the third has&#13;
widened term of copyright and other matters dealing only just come into the office.&#13;
with this special right under the new Act. Again, I'here have been as many as nine claims for&#13;
there was a very lengthy discussion, and the secre- money in the hands of the secretary, and it is&#13;
tary and others reported how these rights were dealt satisfactory to report that in three of the cases the&#13;
with in other countries and in England. It was money has been paid and forwarded to the author&#13;
decided, if possible, to discuss the matter with concerned. In two of the remaining cases it was&#13;
members of the Music Publishers' Association at impossible to obtain satisfaction, as the company&#13;
a subsequent meeting which the secretary was against which the claims were made is bankrupt.&#13;
instructed to call. The sub-committee decided to As is usual in cases of bankruptcy, there is no&#13;
ask a special chairman to preside at the meeting, money for the unfortunate author, whether he is a&#13;
rather than that there should be any feeling of bias contributor to a paper or a claimant for royalties..&#13;
such as might arise were a musical composer in the assets being all swept away by the claim of the&#13;
the chair.&#13;
debenture holders. Of the four remaining cases,&#13;
Several names were mentioned, and the secretary one had to be placed in the solicitors' hands and&#13;
was instructed to arrange the details.&#13;
bas since been settled ; one has only recently come&#13;
A letter from a music publisher, together with into the office ; one is in the course of negotiation,&#13;
his contract with a member of the society, was laid and it is hoped will be brought to a satisfactory&#13;
before the committee for their consideration, and conclusion, and the last one, as the claim is in a&#13;
the secretary was instructed to make a note in foreign country, will necessarily be prolonged.&#13;
The Author on the matter.&#13;
There were three claims for the return of MSS..&#13;
These have all been settled. It has been frequently&#13;
pointed out that it is sometimes difficult to sub-&#13;
PENSION FUND COMMITTEE.&#13;
stantiate a legal claim in cases where MSS, bave&#13;
been forwarded to publishers, editors, and others,&#13;
THE Pension Fund Committee of the society met&#13;
but, as a general rule, they are very anxious to&#13;
on Thursday, February 15, and after the minutes&#13;
make what efforts they can to search for and return&#13;
of the previous meeting had been signed, they&#13;
the MSS.&#13;
received from the secretary the report of the&#13;
The last claim deals with the settlement of a&#13;
trustees setting out the position of the fund.&#13;
contract on behalf of one of the members who&#13;
The secretary reported that £300 had been invested&#13;
lives in a distant colony ; negotiations are being&#13;
by the trustees (the investments appear in another&#13;
carried through satisfactorily.&#13;
column) and that a sum of £40 was at the disposal&#13;
Of the cases left over from former monthis there.&#13;
of the committee for pensions.&#13;
are only two still outstanding in the hands of the&#13;
After consideration, the committee decided to&#13;
secretary. The others have either been placed with&#13;
increase Miss Crommelin's pension by £20 per&#13;
the solicitors or have been settled. Of the two in the&#13;
annum, and Dr. J. Beattie Crozier's by £20 per&#13;
hands of the secretary one refers to the settlement&#13;
annum.&#13;
of accounts, and the other refers to a case of&#13;
infringement of copyright in one of the colonies.&#13;
Cases.&#13;
The latter has been a long time open, as letters&#13;
necessarily take a long time going backwards and&#13;
DURING the past month there have been fifteen forwards, but so far it must be stated with recret.&#13;
cases placed in the hands of the secretary.&#13;
in the hands of the secretary:. The&#13;
The&#13;
that no answer has been obtained.&#13;
the&#13;
number from month to month varies but little in&#13;
spite of the large increase in membership. On the&#13;
whole, perhaps, it is a good sign. It tends to show&#13;
that either the authors, dramatists and composers,&#13;
March Elections.&#13;
or the publishers, editors and dramatic producers,&#13;
are more careful in their contracts. It does not Anderson, Arthur . . +Belsize Lane,&#13;
necessarily show that the contracts made are better&#13;
Hampstead, N.W.&#13;
contracts, though there is considerable evidence Arnold, Hugh . . . 63, Bedford Gardens,&#13;
that this is the case in spite of the attention the&#13;
committee have drawn from time to time to the Bainbrigge, Miss Marion S.&#13;
strange contracts which some publishers issue. Beardsley, Elystan M.&#13;
Three of the cases referred to the rendering of Bellairs, Ralph Hamon Balliol College, Ox-&#13;
accounts. One was satisfactorily settled, the&#13;
ford.&#13;
&#13;
&#13;
## p. 179 (#623) ############################################&#13;
&#13;
THE AUTHOR.&#13;
179&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
las&#13;
Birkhead, Alice . . 20, Kingdom Road,&#13;
W. Hampstead,&#13;
N.W.&#13;
Chater, Arthur G. . . 41, Porchester Square,&#13;
W.&#13;
Common, Thomas . . 8, Whitehouse Ter-&#13;
race, Corstorphine,&#13;
Midlothian.&#13;
Curwen, Maud . . . Workington, Camber-&#13;
land.&#13;
Denham, Arnold . . Perth Public Library,&#13;
Perth, West&#13;
Australia.&#13;
German, Edward . . 5, Hall Road, N.W.&#13;
Gregson, Mrs. Ada . . 5, Lawton Street,&#13;
Newcastle-on-Tyne.&#13;
Holland, Bryan T. . . Alfrick, Worcester.&#13;
Ivimey, John . . . 1, Arundel Mansions,&#13;
Fulham.&#13;
Kingsland, Mrs. “Mabel The Haven, Devizes,&#13;
King."&#13;
Wilts.&#13;
Lascelles, Mrs. K. “Pellen Ladies Athæneum&#13;
Hawker."&#13;
Club.&#13;
Macnamara, Francis . . Ennistymon House,&#13;
Co. Clare.&#13;
McHugh, Martin J. . Caherush House&#13;
Miltown - Malbay,&#13;
Co. Clare, Ireland:&#13;
Marshall, Archibald . . Playden Cottage, Play-&#13;
den, Sussex.&#13;
Mildred, Sister Mary, O.S.B. The Knoll, Sandling,&#13;
Maidstone.&#13;
Pickering. Mrs. Frank Springhill. Douglas.&#13;
“ A. D. Pickering."&#13;
Lanarkshire.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the office&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
BIOGRAPHY.&#13;
NAPOLEON : Our Last Great Man. By ELYSTAN M.&#13;
BEARDSLEY. (Revised Re-issue.) 71 x 41 184 pp.&#13;
Digby Long. 38. 6d. n.&#13;
THE COMEDY OF CATHERINE THE GREAT. By FRANCIS&#13;
GRIBBLE. 9 x 51. 336 pp. Eveleigh Nash. 158. n.&#13;
THE REAL CAPTAIN CLEVELAND. By ALLAN FEA.&#13;
9 x 51. 256 pp. Martin Secker. 88. 6d. n.&#13;
BOOKS OF REFERENCE.&#13;
THE PUBLIC Schools YEAR BOOK, 1912. Edited by H.&#13;
F. W. DEANE and W. A. Evans. 71 5. 709 pp.&#13;
The Year Book Press. 38. 6d. n.&#13;
BOOKS FOR THE YOUNG.&#13;
AN ENGLISH CHURCH HISTORY FOR CHILDREN, VOL.&#13;
III., A.D. 1500---1911. By MARY E. SHIPLEY. 73 x 5.&#13;
286 pp. Methuen. 28. 6d. n.&#13;
DRAMA.&#13;
CHAUCER REDIVIVUS : A Playlet for the Open Air or Hall.&#13;
By W. S. DURRANT. 78 X 44. 32 pp. Allen. 6d. n.&#13;
THE SECRET WOMAN. A Play in Five Acts. By EDEN&#13;
PHILLPOTTS. 64 X 5. 90 pp. Duckworth. 28.&#13;
THE NEXT RELIGION. By ISRAEL ZANGWILL. A Play&#13;
in Three Acts. 81 x 51. 104 pp. Heinemann. 28. 6d. n.&#13;
SHAKESPEARE'S END AND OTHER IRISH PLAYS. By&#13;
CONAL O'RIORDAN (Norreys Connell). 73 x 5. 167 pp.&#13;
Swift. 38. 60, n.&#13;
THE BROWNIES AND OTHER SHORT PLAYS. By ELLA&#13;
ERSKINE. 87 X 51. 36 pp. Truslove &amp; Hanson&#13;
2s. 6d. n.&#13;
FICTION.&#13;
LITTLE BROTHER. By GILBERT CANNAN. 77 x 5.&#13;
301 pp. Heinemann. 68.&#13;
THE BODY OF HIS DESIRE: A Romance of the Soul. By&#13;
MRS. CAMPBELL PRAED, 8 x õ. 344 pp. Cassell. 6s.&#13;
THE VICTORIES OF OLIVIA AND OTHER STORIES. By&#13;
EVELYN SHARP. 73 x 5 328 pp. Macmillan. 6s.&#13;
TWINKLE. By ARTHUR H. HOLMES. 7 * 5. 313 pp.&#13;
Duckworth. 68.&#13;
THE GUESTS OF HERCULES. By C. N. and A. M.&#13;
WILLIAMSON, 78 x 5. 461 pp. Methuen. 68.&#13;
THE MATADOR OF THE Five TOWAS, AND OTHER STORIES.&#13;
By ARNOLD BENNETT. 73 x 51. 325 pp. Methuen.&#13;
68.&#13;
THE RED MAN'S SECRET. By F. FRANKFORT Moore,&#13;
78 X 5. 336 pp. Hutchinson. 6s.&#13;
THE RIVER OF UNREST. By BERTRAM MITFORD. 7 x&#13;
5. 304 pp. Ward Lock. 68.&#13;
GRIM JUSTICE: Toe Study of a Conscience. By Rita.&#13;
78 x 5. 430 pp. Eveleigh Nash. 68.&#13;
THE UNHOLY ESTATE. By DJUGLAS SLADEN. 78 X 43.&#13;
435 pp. Stanley Paul. 6s.&#13;
THE TRAGIC PRINCE. By R. K. WEEKES and A. R.&#13;
WEEKES. 73 x 5. 350 pp. Melrose. 68.&#13;
MEMORY CORNER. By TOM GALLON. 78 x 5. 352 pp.&#13;
John Long. 6s.&#13;
Millwall E.&#13;
Richings, Emily Agnes. 42, Campden House&#13;
Court, Kensington,&#13;
W.&#13;
Savill, Agnes F., M.D. . 66, Harley Street, W.&#13;
Shortt, Miss L. M. . Manor House,&#13;
Martinstown,&#13;
Dorchester.&#13;
Somervell, Arthur . . 1, Albert, Place,&#13;
Kensington, W.&#13;
Steegmann, Mary Gertrude 2, Carlisle Mansions,&#13;
Westminster S.W.&#13;
Troly-Curten, Marthe . 13, Eden Place,&#13;
S. Kensington,&#13;
S.W.&#13;
Walker, Mary, “Anna Wood norton, May-&#13;
Lynn.”&#13;
field, Sussex.&#13;
Wyman, Bernard . . Winnington Hall,&#13;
Northwich.&#13;
Wynn Williams, W. Lloyd&#13;
* John Trevanwyn."&#13;
&#13;
&#13;
## p. 180 (#624) ############################################&#13;
&#13;
180&#13;
THE AUTHOR.&#13;
FOR THE QUEEN. By E. PHILLIPS OPPENHEIM. 78 x 5.&#13;
320 pp. Ward Lock. 68.&#13;
THE RUBY HEART OF KISHGAR. By ARTHUR W.&#13;
MARCHMONT. 71 x 5. 296 pp. Hodder &amp; Stoughton.&#13;
POMANDER WALK. By LOUIS N. PARKER. 78 X 5.&#13;
267 pp. Lane. 68.&#13;
LADY MOLLY OF SCOTLAND YARD. By the BARONESS&#13;
ORCZY. 74 x 5. 344 pp. Cassell. 18.&#13;
A MAN FROM THE NORTH. Reprint. By ARNOLD&#13;
BENNETT. 73 x 5. 264 pp. Methuen. 68.&#13;
THE CHILD OF THE DAWN. By A. C. BENSON. 87 x 51.&#13;
314 pp. Smith, Elder &amp; Co. 78. 6d. n.&#13;
COMMONERS' RIGHTS. By CONSTANCE SMEDLEY (MRS.&#13;
MAXWELL ARMFIELD). 74 x 5. 416 pp. Chatto &amp;&#13;
Windus. 68.&#13;
THE HOUSE ON THE MALL. By EDGAR JEPSON. 78 X&#13;
4. 314 pp. Hutchinson. 68.&#13;
VIOLET FORSTER'S LOVER. By RICHARD MARSH. 73 x&#13;
5. 342 pp. Cassell. 68.&#13;
A LADDER OF SWORDS. By SIR GILBERT PARKER.&#13;
252 pp. 61 x 41. Everett. 7d. n.&#13;
A CHORD ONCE STRUCK. By JOHN SOMERS. Murray and&#13;
Evenden. 6s.&#13;
THE HOUSE OF ROBERSHAYE. By EMMA BROOKE.&#13;
74 X 5. 370 pp. Smith, Elder &amp; Co. 68.&#13;
THE FOREST ON THE HILL. By EDEN PHILLPOTTS.&#13;
74 x 5, 370 pp. Murray. 68.&#13;
MANALIVE. By G. K. CHESTERTON 71 X 5. 383 pp.&#13;
Nelson. 28. n.&#13;
JOSEPH IN JEOPARDY. By FRANK DANBY. 73 x 5.&#13;
391 pp. Methuen. 68.&#13;
PAUL'S PARAGON. By W. E. NORRIS. 78 x 5. 375 pp.&#13;
Constable. 68.&#13;
THE QUEST OF GLORY. By MARJORIE BOWEN. 78 x 5&#13;
311 pp. Methuen. 68.&#13;
THE MALABAR MAGICIAN. By F. E. PENNY. 73 X 41.&#13;
344 pp. Chatto &amp; Windus. 68.&#13;
THE MAN WHO STROKED Cats, and Other Stories. By&#13;
MORLEY ROBERTS. 75 X 5. 286 pp. Nash. 68.&#13;
THE TRIANGLE. By MARIE CONNOR LEIGHTON. 71 x 5.&#13;
315 pp. Ward, Lock. 6x.&#13;
LOVE IN A SNARE. By CHARLES GARVICE. 73 x 5.&#13;
363 pp. Hodder &amp; Stoughton. 68.&#13;
THE PATH OF VIRTUE. A Romance of the Musical&#13;
Comedy Stage. By GERTRUDE WARDEN. 78 X õ.&#13;
311 pp. White. 68.&#13;
THE OLD WIVES' TALE. By ARNOLD BENNETT. A New&#13;
Edition, with a Preface. 73 X 5. 612 pp. Hodder &amp;&#13;
Stoughton. 68.&#13;
ELEANOR. By MRS. HUMPHRY WARD. 64 x 47. 475 pp.&#13;
Cheap Edition. Nelson, 7d. 11.&#13;
AUSTIN'S CAREER. BY VIOLET TWEEDALE. 78 x 5.&#13;
352 pp. John Long. 6x.&#13;
BRAZENHEAD THE GREAT. By MAURICE HEWLETT.&#13;
:7} x 5. 333 pp. Smith Elder. 38. 6d.&#13;
MARK TILLOTSON. By J. BAKER. Popular Edition.&#13;
73 X 5. 536 pp. Chapman &amp; Hall. 28. n.&#13;
LITERARY.&#13;
THE PERFECT GENTLEMAN. A Guide to Social Aspi-&#13;
rants. By HARRY GRAHAM. 78 X 5. 300 pp. Arnold. 6s.&#13;
THE BOOK OF SIMPLE DELIGHTS. By WALTER RAY.&#13;
MOND. Illustrated by H. COLE. 74 x 5. 288 pp.&#13;
Dent. 38. 6d. n.&#13;
ROYAL SOCIETY OF LITERATURE : THE ACADEMIC&#13;
COMMITTEE : COMMEMORATIVE ADDRESS ON SIR&#13;
ALFRED COMYN LYALL. By G. W. PROTHERO. And&#13;
on EDWARD HENRY PEMBER. By W. J. COURTHORPE.&#13;
8} x 51. 54 pp. Frowde. 18. n.&#13;
MEDICAL&#13;
NEW LIGHT ON CONSUMPTION. By A. LOVELL. 74 x 4.&#13;
140 pp. J. W. Williams.&#13;
MISCELLANEOUS.&#13;
ABSOLUTE Rot. By HENRY J. SWALLOW. 122 pp.&#13;
Jarrold. 18. 63, n.&#13;
NATURAL HISTORY.&#13;
THE MIGRATION OF BIRDS. By T. A. COWARD. 61 x&#13;
41. 137 pp. Cambridge University Press. 18. n.&#13;
BIRDS OF AUSTRALIA. By G. M. MATHEWS. Witherby&#13;
&amp; Co., 326, High Holborn, W.C.&#13;
ORIENTAL.&#13;
A MANUAL OF THE KASHMIRI LANGUAGE, comprising&#13;
Grammar, Phrase-Book, and Vocabularies. By G. A.&#13;
GRIERSON, C.I.E. Two Volumes. 63 X 41. 160 +&#13;
211 pp. Oxford: Clarendon Press, London : Frowde.&#13;
128. n.&#13;
POETRY.&#13;
The Hill OF VISION. By J. STEPHENS. 7 5. 131 pp.&#13;
Dublin : Maunsel. 38. 6d. n.&#13;
THE LAMP OF ENGLAND, AND OTHER VERSES, By&#13;
R. R. G. 81 x 54 125 pp. Foyle's Printing Works,&#13;
172, Askew Road, W. 38. 6d.&#13;
A CALABASH OF Kola Nuts. West African Rhymes.&#13;
By O. DAZI AKO (J. M. STUART-Young). 7 X 41.&#13;
126 pp. Lynwood. 28. 6d. n.&#13;
POLITICAL.&#13;
ASPECTS OF HOME RULE. Selected from the speeches&#13;
of The Right Hon. Arthur James Balfour, M.P.&#13;
74 x 5. 256 pp. Routledge. 28. 6d. n.&#13;
THINGS THAT MATTER. Papers upon subjects which&#13;
are, or ought to be, under discussion. By L. G. CHIOZZA&#13;
MONEY, M.P. 9 x 54. 299 pp. Methuen. 58. n.&#13;
HISTORY.&#13;
THE EARLY COURT OF QUEEN VICTORIA. By CLARE&#13;
JERROLD. 9 X 54. 392 pp. Eveleigh Nash. 158. n.&#13;
REPRINTS.&#13;
THE WHITE WALLET. Filled by PAMELA GLENCOXXER.&#13;
8 X 54. 415 pp. Fisher Unwin. 58. n.&#13;
MISCELLANEOUS PROSE. By CHARLES and MARY LAMB.&#13;
Edited by E. V. Lucas. 68 x 41. 570 pp. Methuen. 58.&#13;
IN PRAISE OF OXFORD. An Anthology in Prose and&#13;
Verse. By T. SECCOMBE and H. SPENCER SCOTT.&#13;
Vol. II. Life and Manners. 9 X 5. pp. 333-794.&#13;
Constable. 68.&#13;
POEMS. By WILLIAM SHARP. Selected and arranged by&#13;
MRS. WILLIAM SHARP. 73 x 51. 323 pp. Heinemann.&#13;
5x, n.&#13;
SCIENCE&#13;
EARTHWORMS AND THEIR ALLIES. By F, E, BEDDARD.&#13;
64 x 44. 150 pp. Cambridge University Press. ls. 1.&#13;
BOTANY, OR THE MODERN STUDY OF PLANTS. By&#13;
MARIE STOPES, Ph.D. 61 x 41. 94 pp. Jack. 6d. n.&#13;
EVOLUTION IN THE PAST. By H. R. KNIPE, 104 x 71.&#13;
242 pp. Herbert &amp; Daniel. 128. 6d. n.&#13;
JUVENILE.&#13;
A CHILD OF SURPRISES. By MABEL ESCOMBE, S.P.C.K.&#13;
18. n.&#13;
LAW.&#13;
THE COPYRIGHT Act, 1911. Annotated. With Appendix&#13;
containing the Revised Convention of Berne. By E. J.&#13;
MACGILLIVRAY, LL.B. 9 x 54. 201 pp. Stevens &amp;&#13;
Sons. 58. n.&#13;
&#13;
&#13;
## p. 181 (#625) ############################################&#13;
&#13;
THE AUTHOR.&#13;
181&#13;
SOCIOLOGY.&#13;
CHANGE IN THE VILLAGE. By GEORGE BOURNE. 74 x 5.&#13;
309 pp. Duckworth. 58. D.&#13;
THE INFLUENCE OF CHRISTIANITY UPON SOCIAL AND&#13;
POLITICAL IDEAS. By A. J. CARLYLE, D.LITT. 71. X 5.&#13;
129 pp. Mowbray. 28. n.&#13;
IN THE HAND OF THE POTTER : A Study of Christianity&#13;
in Action. By HAROLD BEGBIE. (Popular Edition.)&#13;
71 x 41. 191 pp. Hodder &amp; Stoughton. 18. n.&#13;
SPORT.&#13;
THE MYSTERY OF GOLF. By ARNOLD HAULTAIN.&#13;
Second Edition. Revised and Enlarged. 78 x 54&#13;
249 pp. New York : The Macmillan Co. 2s. 60, n.&#13;
THE HUNTING YEAR. By W. S. Dixon. 7 * 57. 212 pp.&#13;
Ham-Smith. 68. n.&#13;
MISCELLANEOUS.&#13;
THE PROBLEM OF RACE REGENERATION. By H.&#13;
HAVELOCK ELLIS. 67 pp. New York: Moffat, Yard.&#13;
50 cents n.&#13;
THE METHODS OF RACE REGENERATION. By C. W.&#13;
SALEEBY, 64 pp. New York : Moffat, Yard. 50 cents n.&#13;
MUSIC.&#13;
MUSIC AND NATIONALISM. By CECIL FORSYTH. 359 pp.&#13;
New York : Macmillan. $2 n.&#13;
POEMS.&#13;
EMBLEMS OF LOVE DESIGNED IN SEVERAL DISCOURSES,&#13;
By LASCELLES ABERCROMBIE. 213 pp. New York :&#13;
John Lane Co. $1.50 n.&#13;
TRAVEL.&#13;
THE RUSSIAN PEOPLE. With four maps. By the Hon.&#13;
MAURICE BARING. 366 pp. New York: Doran. $3.50 n.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
THEOLOGY.&#13;
The VISITATION OF THE SICK : Some Practical Reflections&#13;
for the Use of the Clergy and others engaged in Parochial&#13;
Visitation. By the Rev. THEODORE JOHNSON (Introduc-&#13;
tion by the BISHOP OF CHICHESTER). 63 X 44. 134 pp.&#13;
Allen. 18. 60, n.&#13;
SHORT LENTEN READINGS. By E. G. ROMANES. 54 X&#13;
39. 44 pp. Churchman's Penny Library, Mowbray.&#13;
CHRISTIANITY AND THE SOCIAL ORDER. By R. J. CAMP-&#13;
BELL. New and Cheaper Edition. 78 X 5. 283 pp.&#13;
Chapman &amp; Hall. 28. n.&#13;
THOUGHTS ON ULTIMATE PROBLEMS. By F. W. FRANK-&#13;
LAND. Fifth and Revised Edition. 7 X 41. 133 pp.&#13;
Nutt. 18. 6d. n.&#13;
TRAVEL.&#13;
THE BRITISH WEST INDIES : Their History, Resources,&#13;
and Progress. By A. E. ASPINALL. 84 x 59. 435 pp.&#13;
Sir Isaac Pitman. 18. 6d. n.&#13;
OLD TOURAINE. The Life and History of the Chateaux of&#13;
the Loire. By T. A. Cook, F.S.A. Sixth Edition.&#13;
(With new Preface.) Two vols. 78 X 5. 287 + 279 pp.&#13;
Rivington. 168. n.&#13;
FINLAND : The Land of a Thousand Lakes. By. E. YOUNG.&#13;
9 x 51. 313 pp. Chapman &amp; Hall. 78. 6d. n.&#13;
A WINTER HOLIDAY IN PORTUGAL. Ey CAPTAIN B.&#13;
GRANVILLE BAKER. 9 X 51. 324 pp. Stanley Paul.&#13;
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BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
M R. WILLIAM HEINEMANN announces,&#13;
uniform with “ The War God," by Mr.&#13;
Israel Zangwill, produced at His Majesty's&#13;
Theatre, the same author's prohibited play, “The&#13;
Next Religion”; also the first volume of “ The&#13;
Selected Writings of William Sharp,” edited by his&#13;
wife Mrs Sham a series to be completed in fiya&#13;
volumes, uniform with “The Works of Fiona&#13;
Macleod," the pseudonyni under which the late&#13;
William Sharp was so well known.&#13;
Mr. John Galsworthy has published with the same&#13;
house his first book of poetry, entitled “Wild Oats :&#13;
Moods, Songs, and Doggerels." Uniform with this&#13;
volume will be “ The Lure of the Sea,” by J. E.&#13;
Patterson, the novelist, and author of the auto-&#13;
biography “My Vagabondage," published in the&#13;
autumn of last year.&#13;
Mr. Hamilton Hartz has set to music the verses&#13;
by Riccardo Stephens, “Sleep and Death," which&#13;
lately appeared in the Westminster Gazette.&#13;
Mr. Eveleigh Nash will publish Riccardo&#13;
Stephen's forthcoming novel “ The Mummy," and&#13;
his one-act tragedy, “The Right to Kill,” is to&#13;
be played by the Oncomers at the Little Theatre, in&#13;
June.&#13;
“ The British West Indies : their History,&#13;
Resources, and Progress," by Algernon E. Aspinall,&#13;
was published last month by Messrs. Sir Isaac&#13;
Pitman &amp; Sons, Ltd. The author gives a connected&#13;
narrative dealing with the history, resources, and&#13;
the recent rapid progress of the West Indian&#13;
colonies, of interest to the general reader as well as&#13;
to the intending tourist, settler, and capitalist.&#13;
Chapters are also devoted to such live questions as&#13;
BIOGRAPHY.&#13;
AN IMPERIAL VICTIM : MARIE LOUISE, ARCHDUCHESS&#13;
OF AUSTRIA, EMPRESS OF THE FRENCH, DUCHESS OF&#13;
KARMA. With 34 illustrations, including two photo-&#13;
gravure frontispieces. In two volumes. By MRS. EDITH&#13;
E. CUTHELL. 393 pp. New York : Brentanos. $6 n.&#13;
FICTION.&#13;
PARADISE FARM. By KATHARINE TYNAX. 272 pp. New&#13;
York : Duffield. $1.20 n.&#13;
THE TOLL BAR. By MRS. J. E. BUCKROSE. 363 pp.&#13;
New York : Putnam. $1.35 n.&#13;
THE LIGHT THAT LURES. By PERCY J. BREBNER.&#13;
319 pp. New York : H. K. Fly Co. $1.50.&#13;
THE GREAT GAY ROAD. By Tom GALLON.&#13;
POLLYHOOLY. By EDGAR JEPSON. 344 pp. Indianapolis :&#13;
Bobbs-Merrill. $1.25 1.&#13;
THE HOUSE OF ROBERSHAYE. By EMMA BROOKE. New&#13;
York : Duffield.&#13;
&#13;
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## p. 182 (#626) ############################################&#13;
&#13;
182&#13;
THE AUTHOR.&#13;
als&#13;
those of trade with Canada and Federation. A the romanticist, he must not "chuckle in anticipa-&#13;
map and twenty-fire full-page plate illustrations tion of results," and the issue must seem to be as&#13;
are added.&#13;
murh a surprise to him when it arrives as it was to&#13;
Among the spring books to come from Messrs. the reader.&#13;
Smith Elder &amp; Co. is “ Arabic Spam : Sidelights on Messrs. John Ouseley, Limited, have issued a&#13;
her History and Art," by Mrs. Bernhard Whishaw, second edition of “The Bothers of Married Life,"&#13;
This book is the fruit of some nine years' residence by S. H. Sadler.&#13;
and study in Spain. Mrs. Whishaw is now at w.rk We have received the English Catalogue of Books&#13;
on the forthcoming edition of the “Guide to Spain” for 1911. This publication is now in its 75th year&#13;
for Herr Baedeker, to appear in 1913.&#13;
of issue. It gives, under author and title, the size,&#13;
The scene of Tom Gallon's new novel, entitled price, month of publication, and publisher of books&#13;
“Memory Corner,” is to be found in Old Hamp- issued in the United Kingdom during 1911. In&#13;
stead. Into a little house in Memory Corner the absence of a complete list of titles of published&#13;
comes a boy with a marvellous tenor voice, exploited works, it remains the best reference book for the&#13;
by an unscrupulous foreigner. The rise of the young guidance of authors who, in selecting titles for their&#13;
singer, his triumphs, and the quaint tragedy of his publications, are anxious to avoid using a title&#13;
love story form the theme of the book.&#13;
already taken. By consulting the English&#13;
A new novel by Violet Tweedale, entitled Catalogue, they may often avoid unintentional&#13;
“ Austin's Career,” is published by Mr. John Llong. appropriation, and the rather disagreeable conse-&#13;
It deals with the life of a young Guardsman, who quences which sometimes result. Messrs. Sampson&#13;
early in his career gets into an entaliglement with a Low &amp; Co., are the publishers.&#13;
young peeress, and the story describes the Bohemian “What Lay Bepeath,” by “Coo-ee,” is an&#13;
lite led by the pair in Paris.&#13;
Australian mining story, in which the bush life is&#13;
Messrs Kegan Paul &amp; Co. announce the public presented to the reader, as well as pictures of the&#13;
cation of a little anthology entitled "The Friendly Commonwealth and its people. Messrs. John&#13;
Dog,” by J. Parsons, who contributes also a short Ouseley are the publishers.&#13;
original introduction. The poems included are The annual meeting of the R..ya! Literary Fund&#13;
arranged chronologically, complete poems only being was held last month, Sir Alfred Bateman presiding.&#13;
included. Poems from Alfred Cochrane, Rudyard In moving the adoption of the report, Sir Alfred&#13;
Kipling, Sir A. T. Quiller-Cou h, George R. Sims, stated that so far from decreasing, the claims ou&#13;
William Watson, among others, are included. the fund were rather on the increase. The receipts&#13;
Messrs. Stanley Paul &amp; Co. have added to their of authors, even from novels, were very poor. He&#13;
“Clear Type ” sixpenny series “The Apple of instanced the case of the author whose agreement&#13;
Eden,” by E, Temple Thurston. The same pub- appeared in the last issue, and added that, from a&#13;
lisliers announce the publication of a second edi ion financial point of view, literature was a very miser-&#13;
of Miss Arabella Kenealy's new novel - The Woman able profession, until the suprrior rauks were&#13;
Hunter."&#13;
reached. During the year £2,125 had been voted&#13;
Mr. Arthur Dillon’s forthcoming volume deals in grants to 38 applicants, while the total&#13;
with early incidents in the mythical story of the sum distributed in grants since the foundation&#13;
House of Tantalus. The pri sint revival of inte of the fund in 1790 amounted to £162,882.&#13;
rest in the Greek drama should make the subject The chairman mentioned that Mr. Owen&#13;
appeal to the public, since a knowledge of their Seaman would preside at the Annual Dinner on&#13;
earlier history is assumed in so many of the May 16.&#13;
tragedies of classical times.&#13;
Captain Granville Baker's new book of travel,&#13;
The New York Metropolitan Magazine will “A Winter Holiday in Portugal," is published&#13;
shortly publish a series of articles on “ Antique by Messrs. Stanley Paul &amp; Co. In this volume&#13;
Furniture," from the pen of Mr. Armiger Barclay. is described with pen, pencil and brush the scenic&#13;
Se ections of Mr. and Mrs. Armiger Barclay's book, charm of Portugal, its claims as a winter resort,&#13;
“Letiers from Fleet Street,” will shorıly appear in and its manifold attractions.&#13;
Comædisa, the leading literary and theatrical daily Mr. Eveleigh Nash will shortly publish “ The&#13;
of Paris.&#13;
Radium Terrors," a novel by Albert Dorringt n.&#13;
Professor A. C. Benson lertured before the Royal The American rights have been purchased by&#13;
Society of Literature last month on “Realism in Doubleday Page, of Garden City, New York.&#13;
English Fiction.” In the course of bis lecture, “The Radium Terrors ” appeared serially in the&#13;
Professor Benson remarked that Realism was not Pall Mall Magazine, and with Frank A. Munsey,&#13;
so much a new ideal, but a new method of viewing New York.&#13;
and expressing life. The realist must allow things Messrs. Hutchinson &amp; Co. published in March a&#13;
to appear before their significance appeared ; unlike new novel, “Stoneladies," by E. M. Channon (Mrs.&#13;
&#13;
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## p. 183 (#627) ############################################&#13;
&#13;
THE AUTHOR.&#13;
183&#13;
Francis Channon). It tells of two young girls who Volpé, Mr. Leonard Calvert, Mr. 0. B. Clarences&#13;
go to live in a lonely part of Derbyshire with a and Miss Christine Silver.&#13;
cousin who, owing to a disappointment in early Although the dramatic movement of the past&#13;
youth, leads the life of a miser, and will allow no twenty years has produced, both in England and&#13;
man to cross her doorstep.&#13;
America, many valuable books of criticism, there&#13;
Mr. Arthur Lovell has published, through Messrs. does not as yet exist in the Eoglish language any&#13;
Simpkin, Marshall &amp; Co., a book entitled “ New recognised handbook of practical craftsmanship.&#13;
Light on Consumption.” The book contains a “Play-making,” by William Archer, is an attempt&#13;
historical résumé, and deals with the problem of to fill this gap. While fully admitting that no rules&#13;
consumption, the attempts at reform, and State or prescriptions cau supply the place of talent, the&#13;
sanatoria.&#13;
author believes that inexperienced talent can be&#13;
“ Absolute Rot" is the title of a collection of greatly assisted by a study of the principles of&#13;
articles by the Rer. H. J. Swallow, reprinted from dramatic effect, or, in other words, of what to do&#13;
a Church magazine. The articles deal with“ Peace," and what to avoid in the endeavour to interest and&#13;
“ Temperance," “ Disestablishment,” “ Science,” move an audience assembled in a theatre. This is&#13;
“ Poetry,” among other subjects. Messi's. Jarrolds not, then, a book of criticism, but of discussion&#13;
are the publishers.&#13;
and practical suggestion. The plays mentioned in&#13;
An article by Renée M. Deacon, entitled “Woman it are not criticised for their own sake, but for the&#13;
and Love," appeared in the Lady's Pictorial for sake of the light they throw upon questions of&#13;
March 16.&#13;
method and expediency. The author has no belief&#13;
Robert H. Sherard has just finished a new book in the “untheatrical theatre," and assumes&#13;
of reminiscences, which will be published in the throughout that the playright addresses himself to&#13;
spring under the title “ Adventures of a Journalist.” an audience of reasonable intelligence, indeed, but by&#13;
He is at present engaged on a novel which he is no means to a narrow clique. It is hoped that all&#13;
writing on commission.&#13;
students of the drama, and more especially those&#13;
“Birds of Australia," by G. M. Mathews, is a who desire to take part in the marked revival of&#13;
work which Messrs. Witherby &amp; Co. are issuing in dramatic literature on both sides of the Atlantic,&#13;
quarterly parts. Volume I. has already appeared, will find profit in a handbook, the lack of which&#13;
forming parts from October, 1910, to October, 1911, has hitherto been felt and regretted. Messrs.&#13;
or five numbers in all.&#13;
Chapman and Hall are the publishers.&#13;
“The Perfect Widow," a three-act comedy by&#13;
DRAMA.&#13;
Gilbert Cannan, was produced at the Gaiety&#13;
Theatre, Manchester, on March 18. The Widow&#13;
The first production of “The Next Religion," (Lady Marrable) has been persuaded by a publisher&#13;
by Israel Zangwill, will be given by the New Players to prepare the biography of her late husband, a&#13;
at two private performances (matinées) on Thursday man of some public importance and many private&#13;
and Friday, April 18 and 19, at the Pavilion Theatre, failings. So engrossed does she become in the&#13;
Piccadilly Circus. Particulars can be obtained work that she persuades herself that her husband&#13;
from the Hon. Secretary, 19, Overstrand Mansions, possessed all the virtues which she ascribes to him&#13;
Battersea Park, S.W.&#13;
in the record of his career. John Tilford, who&#13;
The condensed version of “The Geisha” was contemplates marriage with the widow, disapproves&#13;
produced at the Palace Theatre on February 26. of the idea of the biography, recognising that it&#13;
Mr. W. H. Risque is the author of this version. leaves the widow with neither time nor eyes for&#13;
The composer, Mr. Sidney Jones, conducted the himself. Unable, however, to dissuade her from&#13;
orchestra on the occasion.&#13;
the undertaking, he goes abroad. During his&#13;
A compressed version of “The Adventure of absence he has made the acquaintance of a “grass&#13;
Lady Ursula ” was also played in February. The widow," whose presence in London on his return&#13;
performance of Mr. Anthony Hope's comedy took kindles the widow's jealousy, with results entirely&#13;
place at the Hippodrome, Manchester. Two scenes satisfactory to Tilford. The cast included Mr.&#13;
were taken, and the cast included Miss Evelyn Charles Sugden, Viss Darraglı, and Mrs. Charles&#13;
Millard and Mr. Herbert Waring.&#13;
Sugden.&#13;
The dramatic version of “Kipps " was produced The next production at Wyndham's Theatre, due&#13;
at the Vaudeville Theatre on March 6. The play early this month, is “ The Kangaroo," by H. A.&#13;
opens in the emporium familiar to the readers of Vachell.&#13;
the book, and traces, as did the book, the progress “Milestones,” by Arnold Bennett and Edward&#13;
of Kipps following his sudden acquisition of wealth. Knoblaugh, now running at the Royalty Theatre,&#13;
Mr. Wells and Mr. Rudolf Besier are responsible has been issued in book form by Messrs. Methuen&#13;
for the play, which includes in its cast Mr. Frederick &amp; Co.&#13;
&#13;
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## p. 184 (#628) ############################################&#13;
&#13;
184&#13;
THE AUTHOR.&#13;
PARIS NOTES.&#13;
is to be congratulated, not only on the fact that he&#13;
has been awarded the Goncourt Academy prize, but&#13;
because he has begun his career with a wider&#13;
D EMMES aimées, Femmes aimantes,” by vision than so many of our present-jay novelists.&#13;
| Charles Foley, is the title of a volume con- “L'Inquiète Paternité," by Jean Schlumberger,&#13;
taining a series of historical studies of is another novel on the favourite theme of the&#13;
twenty-two famous women. Each study gives us ménage à trois, so dear to many writers, but in&#13;
a picture of the epoch, of the surroundings in this book the chief interest centres in the question&#13;
which the woman whose history we are reading of paternal instinct. The father believes that he&#13;
moved. M. Foley has chosen for his subjects: sees in his son all his own faults. A little later, he&#13;
Queen Bathilde (of the seventh century); Valentine makes the discovery that a friend of his is the father&#13;
of Milan; Marie Stuart ; Diana of Châteaumorand; of this son. The curious phase of the case is that,&#13;
Marion de l'Orme ; Christine of Sweden ; La Grande in the years to come, this man feels deep paternal&#13;
Mademoiselle ; Rose Launay; Marie Joséphe of affection for his wife's son, an affection which he&#13;
Saxony ; Madame de Pompadour ; Princess Amelia ; would probably never have felt for a child of his&#13;
Germaine Necker; Princesse de Lamballe ; Mes- own. The young man has inherited the lovable&#13;
dames, Louis XV.'s daughters ; Comtesse de Balbi ; qualities of his own father. The problem which the&#13;
Mademoiselle Lange; Pauline Bonaparte ; Madame author evidently lays before us is whether the tie of&#13;
Adélaïde ; Marceline Desbordes, and Mérimée's kinship must necessarily ensure affection ?&#13;
celebrated Inconnue.&#13;
“Le Buisson ardent,” by Romain Rolland, is&#13;
Charles Foley has published thirty-three volumes certainly the most powerful of the series of volumes&#13;
(novels and short stories) and six plays. His intensely by this author relating the history of Jean&#13;
dramatic little tragedy, “ Heard at the Telephone,” Christophe. Weary of life among his fellow&#13;
has been translated into various languages and given creatures, exasperated by their hostility, and having&#13;
in many countries. M. Foley is also one of the lost faith in many things, he goes away to a quiet&#13;
greatest authorities on all matters relating to the mountain village, and there, like Moses before the&#13;
history of the Vendée, at the time of the French burning bush, the bush which burns without&#13;
Revolution, as he has made a special study of this being consumed, he comes to himself once more.&#13;
period and of this part of France. His short “ La Chasse à Courre,” by the Duchess d'Uzès&#13;
stories, sometimes inspired by touching or dramatic (née Mortemart), is a little volume that will be read&#13;
episodes brought to his notice whilst studying the with interest by all lovers of hunting. It contains a&#13;
archives of that epoch, are masterpieces of literature. portrait of the author, in her hunting attire, for it&#13;
The present volume, “ Femmes aimées, Femmes will be remembered that she is master of the hounds.&#13;
aimantes,"contains sketches, in which the author has She also gives a portrait of Du Fouilloux, the great&#13;
endeavoured, with a few strokes of the pen, to give authority on all matters connected with the chase&#13;
us a lifelike portrait of women who, for one reason since the sixteenth century, some twenty-four photo-&#13;
or another, have been famous in their time.&#13;
gravures of hunting scenes taken in the Rambouillet&#13;
“M. des Lourdines,” by Alphonse de Chateau- Forest, and the music for sixteen of the fanfares for&#13;
briant, is not only a great literary success for the hunting horns best known in France.&#13;
author ; it is also a refreshing book for the public. Before the publication of this little volume, the&#13;
Weary of the eternal theme of the faithless husband Duchess d'Uzès, who is President of the Lyceum&#13;
or wife, it is indeed a pleasure to meet with a Club of France, gave a lecture there on the&#13;
novelist capable of realising that there are other chase, which had such success, enlivened as it&#13;
interests in life and other situations just as worthy was by the fanfares, blown by her gamekeepers,&#13;
of consideration as the intrigues and jealousies of that she was obliged to repeat it several times, as&#13;
the hundreds of individuals who marry in haste the rooms were too small for the audience. Since&#13;
to repent at leisure.&#13;
then the Duchess has given another causerie on Ram-&#13;
M.de Chateaubriant also finds it possible for human bouillet and its History. At the invitation of the&#13;
affections to be as intense elsewhere as in Paris. That, Lyceum Club of London, she is to give the lecture&#13;
too, is refreshing. There is a breath of fresh air on the chase at the London Lyceum Club in May,&#13;
through the book, an odour of forest trees, the taking over her own huntsmen to sound the fanfares.&#13;
murmur of babbling brooks, and yet, in spite of all “Histoire de Prusse, Vol. I., Des Origines à la&#13;
this, it is the human interest that is predominant. mort du Grand Electeur, 1688," par M. Albert&#13;
The story is one of the ever-recurring tragedies of Waddington. The author dwells on the various&#13;
family life, it is the modern version of the prodigal influences which have contributed to the formation&#13;
son, and in this particular case we have the beart- of Prussia. He speaks of the geographical situation&#13;
broken mother and the heroic father to give an of the country, of its State religion, and of the policy&#13;
added pathos to the episode. M. de Chateaubriant of the Hohenzollerns. We have an account of the&#13;
&#13;
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## p. 185 (#629) ############################################&#13;
&#13;
THE AUTHOR.&#13;
185&#13;
Thirty Years' War, and the volume closes with the&#13;
death of the Grand Electeur.&#13;
* La Séparation des Eglises et de l'Etat,” by&#13;
Julien de Narfon, is a book which should be read&#13;
by all persons who are interested in the religious&#13;
evolution in France. As the question of Church&#13;
and State is one of intense interest at present in&#13;
England, the perusal of this book cannot fail to&#13;
prove instructive. The author is an extremely&#13;
broad-minded man, endowed with the courage of&#13;
his opinions. With perfect impartiality he evokes&#13;
past history, relates the events of recent date,&#13;
analyses the immediate consequences, and endeavours&#13;
to point out to us the probable consequences in the&#13;
future.&#13;
“L'Orientation religieuse de la France actuelle”&#13;
is the title of a book by M. Paul Sabatier, in which&#13;
the author gives us very clearly his view of the&#13;
present situation.&#13;
" Jacques Tissier, marsouin," by M. Pierre Rey,&#13;
is a very simple story, but full of deep feeling. It&#13;
is just the history of a brave young colonial soldier,&#13;
his hardships and struggles and his simple belief in&#13;
his duty to his country.&#13;
" Autour de Sainte-Hélène," by M. Frédéric Mas-&#13;
son, is the title of the latest volume which this well-&#13;
known writer devotes to the last days of Napoleon.&#13;
The story of these last days is infinitely sad and&#13;
tragic, and the author, very naturally, cannot resist&#13;
reproaching England with the treacherous hospi-&#13;
tality of the Bellerophon. The whole volume is most&#13;
interesting, but, with regard to the harsh judgment&#13;
of England's action, we can only say that M. Masson&#13;
would find English authors who agree with him in&#13;
certain of his criticisms, among others Elizabeth&#13;
Barrett Browning, in one of the finest of her poems,&#13;
entitled “ Crowned and Buried.”&#13;
“La Musique,” by Théophile Gantier, is a study&#13;
of the works of Weber, Berlioz, and Wagner. This&#13;
volume has been published as a memento of the&#13;
writer's centenary and contains hitherto unpub-&#13;
lished matter.&#13;
“La Politique de l'équilibre-1907–1911,” is&#13;
the title of a volume published by M. Gabriel&#13;
Hanotaux. It is an account of the various impor-&#13;
tant events which have taken place affecting the&#13;
international situation during the last four years.&#13;
M. Hanotaux shows that France ought not to be&#13;
influenced by any foreign Power in its diplomatic&#13;
arrangements and policy. M. Hanotaux touches&#13;
on the entente cordiale, Turkish affairs, and on the&#13;
questions concerning Bosnia and Morocco.&#13;
“ La Duchesse d’Aiguillon, une grande dame de&#13;
la cour de Louis XIV.," is the subject of an&#13;
extremely interesting book by MM. Paul d'Estrée&#13;
and A. Callet.&#13;
“Le Roman anglais contemporain,” by M. Firmin&#13;
Roz, introduces to the French public George&#13;
Meredith, Thomas Hardy, Mrs. Humphry Ward,&#13;
and other English writers. It is always interesting&#13;
to note the impressions of the foreign critic. We are&#13;
somewhat surprised to find certain names omitted&#13;
which should certainly be included in a volume&#13;
dealing with contemporary English novels.&#13;
La Revue hebdomadaire publishes in one of its&#13;
recent numbers a most charming and witty article&#13;
by M. Fernand Laudet, entitled “ Contes Gascons.”'&#13;
These stories form a literature entirely apart and&#13;
are full of shrewd observation and a keen sense of&#13;
humour. M. Laudet gives us several specimens&#13;
and finishes with a short sketch which is, in reality,&#13;
a skit on many of the questions of the day.&#13;
In other numbers of the same review Jules&#13;
Lemaitre continues his studies of Chateaubriand,&#13;
and Louis Barthou gives an article containing&#13;
some extremely interesting letters from Lamartine,&#13;
Alphonse Daudet, and other literary celebrities.&#13;
George Brandès, the well-known critic, has been&#13;
spending some months in Paris, and, at the request&#13;
of his friends, he consented to give a lecture on&#13;
Hans Andersen. M. Paul Leyssac, of the Vaude-&#13;
ville Theatre, recited several of the fairy tales in&#13;
the most admirable manner. We are told that&#13;
George Brandès and this talented young actor are&#13;
to repeat the lecture and recitations in London this&#13;
season. If so, we would strongly recommend all&#13;
those who have an opportunity to be present.&#13;
Lectures are certainly the order of the day in&#13;
Paris this season. Nearly everyone appears to be&#13;
lecturing on every possible (and impossible) subject.&#13;
Among the most interesting and varied of these&#13;
lectures, outside the Sorbonne and College of France,&#13;
are those organised by the Société des Conférences,&#13;
the review entitled Foi et Vie, and also the lectures&#13;
organised by Mme. Brisson, the daughter of Sarcey,&#13;
for the University of Les Annales.&#13;
Quite recently M. E. Boutroux gave one of the&#13;
most remarkable lectures on “Pascal et le temps&#13;
présent,” which will probably be published in a'r&#13;
early number of Foi et Vie.&#13;
At the Comédie Française, “Le Ménage de&#13;
Molière,” a five-act play by Maurice Donnay, in&#13;
verse, is extremely interesting and curious. The&#13;
staging is excellent, and the fête in the Versailles&#13;
Park gives the public an opportunity of realising&#13;
something of the magnificence of Court life in those&#13;
days.&#13;
At the Odéon, “ Esther,” a four-act play, also in&#13;
verse, by MM. Andre Dumas and Sébastien-Charles&#13;
Leconte, shows that there is a tendency to search&#13;
for dramatic effects in the history of the past.&#13;
There is certainly nothing in common between the&#13;
Esther we know of Racine and this modern concep-&#13;
tion of her.&#13;
At the Renaissance the three-act play by MM.&#13;
Alfred Capus and Pierre Veber, “En garde,” was&#13;
&#13;
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## p. 186 (#630) ############################################&#13;
&#13;
186&#13;
THE AUTHOR.&#13;
received with applause. The plays of Alfred Capas “The Midsnmmer Night's Dream" was exquisitely&#13;
are sure to end happily, so that if things appear to staged, M. Simas, of the Opéra, being responsible&#13;
be going wrong for a time, there is never any need for the scenery and its harmonious colouring,&#13;
to despair, as we are sure that a reconciliation will M. Vidal for the musical adaptations, and Mme.&#13;
take place.&#13;
Jane Hugard, also of the Opéra, for the dances of&#13;
At the Comédie Royale, “ Jean III. ou the fairies. “As You Like It” was quite as great&#13;
l'irrésistible vocation du fils Mondoucet," a three- a success, and these matinées are to be continued&#13;
act play by Sacha Guitry, is the delight of the until the end of the month of May. M. Camille de&#13;
public. The son of an ironmonger, who, in spite Sainte Croix is a dramatist and a poet who has&#13;
of the prejudices of his bourgeois father, insists on thrown himself heart and soul into this revival of&#13;
going on the stage, and, later on, initiates his fond the Shakespeare theatre, with the result that it is&#13;
parents into the habits and customs of theatrical probable that these plays have never been given&#13;
life, is extremely amusing.&#13;
with such artistic perfection, such attention to&#13;
" Les Visiteurs nocturnes,” by Tristan Bernard, is detail, and such absolute ensemble. It is very pro-&#13;
as full of humour as the well-known short stories by bable that when the French season is over the&#13;
this writer. The nocturnal visitors in this case are Compagnie Française du Théâtre Shakespeare will&#13;
thieves, who take the precaution to drug the lady go on tour.&#13;
whose house they are about to rob. In the morn-&#13;
ALYS HALLARD.&#13;
ing, when the maid finds the victim and is about&#13;
to call for the police, all that the victim asks is&#13;
“Femmes aimées, femmes aimantes" (Tallandier).&#13;
" M. des Lourdines” (Bernard Grasset).&#13;
that the nocturnal visitors shall be found at any&#13;
“Le Buisson ardent" (Ollendorff).&#13;
cost, as, suffering as she does from insomnia, she is “La Chasse à Courre" (La Poétique).&#13;
only anxious to find out how she can obtain more&#13;
“Histoire de Prusse" (Plon).&#13;
of their drug.&#13;
“ La Séparation des Eglises et de l'Etat" (Plon).&#13;
" Jacques Tissier, marsouin" (Plon).&#13;
At the Gymnase, “ L'Assaut," by M. Henry&#13;
* Autour de Sainte-Hélène" (Ollendorff).&#13;
Bernstein, has had tbe success which this author's ** La Musique" (Fasquelle).&#13;
pieces usually win. M. Bernstein has always * La Politique de l'équilibre-1907-1911" (Plon). ·&#13;
something to say when he writes. It is the story&#13;
of a man whose past has not been blameless, but&#13;
who succeeds in making for himself a position in the UNITED STATES COPYRIGHT.&#13;
world. Just as he has arrived, a supposed friend&#13;
whispers abroad the story of his delinquency in the&#13;
INTERNATIONAL RELATIONS.&#13;
past. The confidence of the girl he is to marry is DROCLAMATIONS have been issued by the&#13;
his salvation, and the play ends satisfactorily for P President, under the United States Act&#13;
the public.&#13;
by which copyright protection is granted&#13;
At the Athénée, “ Le ('aur dispose," by Francis in the United States to works of authors who are&#13;
de Croisset, is a play which seems likely to have a citizens or subjects of the countries named :&#13;
long run. It is the story of a poor man who is July 1, 1891-Belgium, France, Great Britain&#13;
ambitious, and who sets out in life as an arrivist, and her possessions, and Switzerland. (Stat. L.,&#13;
firmly believing himself to be one. He is prepared vol. 27, pp. 981, 982.)&#13;
to take advantage of all possible occasions for April 15, 1892-Germany. (Stat. L., vol. 27,&#13;
climbing the ladder of fortune, but he reckons pp. 1021, 1022.)&#13;
without his host, and his host in this case is his October 31, 1892—Italy. (Stat. L., vol. 27,&#13;
own heart. He falls in love with the daughter of p. 1043.)&#13;
the house, in which he is the paid secretary. The May 8, 1893— Denmark. (Stat. L., vol. 28,&#13;
characters in this play are all well drawn, and each p. 1219.)&#13;
one is a distinct psychological study. The author July 20, 1893— Portugal. (Stat. L., vol. 28,&#13;
is to be congratulated on having written a play p. 1222.)&#13;
in which there is nothing unpleasant and wbich, July 10, 1895—Spain. (Stat. L., vol. 29,&#13;
nevertheless, is never dull.&#13;
p. 871.)&#13;
At the Athénée, M. Camille de Sainte Croix is February 27, 1896–Mexico. (Stat. L., vol. 29,&#13;
continuing, every Thursday, his series of Shake- p. 877.)&#13;
speare plays, admirably staged. He seems to have May 25, 1896-Chile. (Stat. L., vol. 29,&#13;
found the secret of putting life into the plays p. 880.)&#13;
of Shakespeare, and perhaps it is that he is October 19, 1899—Costa Rica. (Stat. L., rol.&#13;
giving them with an ensemble such as one rarely 31, pp. 1955, 1956.)&#13;
sees. The actors are all young and enthusiastic, November 20, 1899-Netherlands and posses-&#13;
and there is not a slow moment in any scene. sions. (Stat. L., vol. 3), p. 1961.)&#13;
&#13;
&#13;
## p. 187 (#631) ############################################&#13;
&#13;
THE AUTHOR.&#13;
187&#13;
November 17, 1903—Cuba. (Stat. L., vol. 33, it is an assignment by the composer of all his rights&#13;
pt. 2, p. 2324.)&#13;
in a song, the consideration for such assignment&#13;
January 13, 1904—China. (Treaty of October 8, being, as stated, the payment of two guineas, and&#13;
1903, Article XI.) (Stat. L., vol. 33, pt. 2, a royalty per copy on every copy of the song sold.&#13;
pp. 2208, 2213.)&#13;
According to the custom in vogue, the composer&#13;
July 1, 1905—Norway. (Stat. L., vol. 34, signs, this document and if he does not take the&#13;
pt. 3, pp. 3111-3112.)&#13;
trouble to retain a copy, he never gets a copy signed&#13;
May 11, 1906–Japan. (Treaty of November 10, by the publisher, which he ought to receive in all&#13;
1905.) (Stat. L., vol. 34, pt. 3, pp. 2890-2891.) transactions of this kind. It is some time since the&#13;
September 20, 1907-Austria. (But not in- pages of The Author have commented on these extra-&#13;
cluding Hungary.) (Stat. L., vol. 35, pt. 2, ordinary documents, but the time has come when&#13;
p. 2255.)&#13;
attention should be drawn to them once again.&#13;
April 9, 1908-Convention between the United The composer should never transfer the copyright&#13;
States and or her powers on literary and artistic to the publisher when he, the composer, maintains&#13;
copyrights, signed at the City of Mexico, January 27, a continuing interest in the sales. This point has&#13;
1902. (This treaty is effective from July 1, 1908, been brought forward over and over again, and in&#13;
as between the United States and the following the book-publishing world we are glad to think that&#13;
countries : Guatemala, Salvador, Costa Rica, Hon- the publishers are, save in exceptional cases, content&#13;
duras, and Nicaragua.) (Stat. L., vol. 35, pt. 2, with a licence to publish in book form. The&#13;
pp. 1934-1946.)&#13;
music publishers should be content with a licence&#13;
Angust 11, 1908–Japan. (Treaty of May 19, to publish in song form.&#13;
1908, for prott ction in China.) (Stat. L., vol. 35, So strong do the committee feel about this&#13;
pt. 2, pp. 2044-2046.)&#13;
assignment of the copyright, or even about an&#13;
August 11, 1908-Japan. (Treaty of May 19, unlimited grant of the licence to publish during&#13;
1908, for protection in Korea.) (Stat. L., vol. 35, the whole term of copyright, that in the Annual&#13;
pt. 2, pp. 2041-2043.)&#13;
Report which was laid before the General Meeting&#13;
April 9, 1910—Austria, Belgium, Chile, Costa on March 21, they have dealt very fully with the&#13;
Rica, Cuba, Denmark, France, Germany, Great matter. We do not desire to repeat these warnings,&#13;
Britain and her possessions, Italy, Mexico, the so recently made, but suggest that if any member&#13;
Netherlands and possessions, Norway, Portugal, has read the report carelessly, or failed to read it at&#13;
Spain, and Switzerland.&#13;
all, he should now go and study it with extra&#13;
June 29, 1910--Luxemburg.&#13;
consideration.&#13;
May 26, 1911–Sweden.&#13;
But it is not sufficient for the music publisher to&#13;
ask for the copyright ; he also asks for the per-&#13;
PRESIDENTIAL PROCLAMATION UNDER&#13;
forming right, and through his successful, or&#13;
SECTION 1 (e).&#13;
unsuccessful, methods of business he has, as far as&#13;
England is concerned, almost destroyed its ralue to&#13;
December 8, 1910–Germany.&#13;
the composer, save in the case of comic opera and&#13;
June 14, 1911—Belgium, Luxemburg, and&#13;
those pieces which are performed in theatres. As&#13;
Norway.&#13;
it is wrong for the author to transfer his copyright,&#13;
so it is wrong for the composer to transfer his&#13;
performing right. It is worse at the present time&#13;
A MUSIC PUBLISHER'S AGREEMENT.&#13;
than it has ever been, owing to the added rights&#13;
that the composer will acquire under the Act of&#13;
46 TN consideration of the sum of Two Pounds 28. paid to 1911 when it comes into force.&#13;
me this day, I hereby agree to assign to&#13;
the The agreement, however, goes further and asks&#13;
whole of my rights and interest, present, future&#13;
that the royalties which accrue to the composer on&#13;
and contingent in the words and music of my song entitled&#13;
'it being understood that I receive a royalty of Ban&#13;
gramophone records and similar mechanical repro-&#13;
per copy on all sold of the same in Great Britain,&#13;
he same in Great Britain. ductions should be shared between composer and&#13;
Ireland, and the Colonies (13 copies to count as 12), publisher.&#13;
also five per cent. on the marked price of all copies sold in It is fortunate that the agreement was made&#13;
the United States ; 200 copies in both countries to be free before the Act was passed. for under a clause in&#13;
for novelty purposes."&#13;
* Any royalties obtained on the sale of gramophone the Act, in spite of the document which has been&#13;
records, or similar mechanical reproductions, in all signed, the rights to the gramophone royalties are&#13;
countries to be equally divided between composer and the composer's property, for se, tion 19, sub-&#13;
publisher."&#13;
section 7 (C) contains the following proviso :-&#13;
We have called the above a music publisher's “ Notwithstanding any assignment made before&#13;
agreement, but it is not really an agreement at all; the passing of the Copyright Act, any rights&#13;
&#13;
&#13;
## p. 188 (#632) ############################################&#13;
&#13;
188&#13;
THE AUTHOR.&#13;
conferred by the Act in respect of making, or&#13;
authorising the making of contrivances by means&#13;
of which the work may be mechanically performed&#13;
belong to the author, or his legal representatives,&#13;
and not to the assignee.”&#13;
At the beginning it was stated that this was not&#13;
really an agreement, and perhaps it would be as&#13;
well to elucidate this point further.&#13;
The composer assigns all his rights to the pub-&#13;
lisher for a small consideration and a continuing&#13;
royalty. What does the publisher undertake to&#13;
do ? Absolutely nothing. He does not undertake&#13;
to produce the work by a certain date ; he does not&#13;
undertake to keep the work on the market, and he&#13;
does not undertake to advertise the work. No&#13;
doubt an implied contract to publish is carried in&#13;
the assignment, otherwise the consideration would&#13;
be of no avail. But it is quite clear that the&#13;
implied contract could easily be met by what would&#13;
really amount to a bogus publication.&#13;
Now, in order that a composer may be treated&#13;
fairly, even the most exacting of publishers would,&#13;
without hesitation, assent to a few small plain&#13;
clauses : (1) that he would put the work on the&#13;
market in the usual form on or before a certain&#13;
date ; (2) that he would push the work through the&#13;
ordinary trade channels and advertise it; and&#13;
(3) that if the work went off the market he would&#13;
cancel the agreement and return the licence to&#13;
publish (for it is understood that the composer would&#13;
only grant a licence to publish) to the composer.&#13;
The composer laid the document before the&#13;
secretary of the Society of Authors. The secretary&#13;
remonstrated, and, in addition, pointed out some of&#13;
the difficulties which would arise from the signing&#13;
of such a document, namely, that if the publisher&#13;
made any other arrangement with regard to the&#13;
song he would be at liberty to do so under his&#13;
agreement, and there was no undertaking by the&#13;
publisher to pay the composer anything on such&#13;
fresh arrangement. This warning alarmed the&#13;
composer, and he wrote to the publisher enquiring&#13;
what his views on the matter were. To this letter&#13;
he received the following reply :-&#13;
DEAR SIR,—The questions you raise regarding the&#13;
Agreement for “..."are quite unnecessary.&#13;
You assign to us the copyright of the song, and under&#13;
our agreement we are not at liberty to make any other&#13;
arrangement of it without consulting you.&#13;
On the other hand, if you only assign us the right to&#13;
publish the song for voice and piano, you would be able to&#13;
make any other arrangement you thought fit, and this we&#13;
could not agree to.&#13;
In conclusion, we may mention that our agreement is&#13;
never questioned.&#13;
We are, Yours faithfully,&#13;
Étc., etc.&#13;
It is with the view of placing this reply before&#13;
those composers who are members of the Society of&#13;
Authors that the whole subject of music publishers'&#13;
agreements has been re-opened.&#13;
The only excuse for this letter must be the&#13;
ignorance of the publisher as to his legal position.&#13;
It is impossible to think that a publisher of the&#13;
standing of the firm who put forward the agree-&#13;
ment and wrote the letter under consideration&#13;
would wilfully have deceived the composer. Suffice&#13;
it to say that the statement made by the publisher&#13;
is absolutely incorrect. The firm states in our&#13;
agreement we are not at liberty to make any other&#13;
arrangement of the song, without consulting you."&#13;
Not only is there nothing expressly stating this in&#13;
the agreement, but there is nothing that would&#13;
impliedly convey this statement under the terms of&#13;
the contract. The conveyance of the copyright and&#13;
the performing rights allow the publisher to make&#13;
any other arrangement he thinks fit, and he is in&#13;
no way bound to pay the author any royalty or any&#13;
further consideration on the re-arrangement. He&#13;
is only bound by the agreement to pay the composer&#13;
a royalty on all copies of the song sold. With&#13;
regard to the dictatorial and absurd statement&#13;
contained in the last sentence in the letter, it is&#13;
only necessary to suggest that the sooner the&#13;
composers compel alteration the better. The&#13;
composer should be warned never to sign an&#13;
agreement of this kind, never to transfer his&#13;
copyright, never to transfer his performing right,&#13;
and, above all, to retain absolute control over his&#13;
gramophone rights.&#13;
MAGAZINE CONTENTS.&#13;
BLACKWOODS.&#13;
Musings Without Method : George Borrow.&#13;
BOOKMAN.&#13;
Lady Thackeray Ritchie. By Lewis Melville.&#13;
CONTEMPORARY.&#13;
Celtic Nature Poetry. By A. P. Graves.&#13;
ENGLISH REVIEW.&#13;
Among My Books. By Frederic Harrison.&#13;
The Theatre of the Future. By V. Ivanof.&#13;
A New Study of English Poetry : Poetry and Rhythm.&#13;
By Henry Newbolt.&#13;
A Critical Calendar. By Walter Sickert.&#13;
A Word on the Hammerstein Opera. By Henry Hardinge.&#13;
The Censorship Scandal. By S. 0.&#13;
SCALE FOR DUVERTISENENTS.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 90 PER CENT.)&#13;
Front Page&#13;
...24 0&#13;
Other Pages&#13;
Hall of a Page ...&#13;
10 0&#13;
Quarter of a Page&#13;
... O 15 0&#13;
Eighth of a Page&#13;
Single Column Advertisements&#13;
... per inch 0 6 0&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent for&#13;
Twelve Insertions.&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
&#13;
&#13;
## p. 189 (#633) ############################################&#13;
&#13;
THE AUTHOR.&#13;
189&#13;
HOW TO USE THE SOCIETY.&#13;
1. T VERY member has a right to ask for and to receive&#13;
1 advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
npon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's york can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
miast be done within fourteen days of first execution. The&#13;
secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 108. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
'In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stam&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
IV Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager,&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
(TERE are a few standing rules to be observed in an&#13;
I agreement. There are four methods of dealing&#13;
with literary property :--&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper prive can be&#13;
&#13;
&#13;
## p. 190 (#634) ############################################&#13;
&#13;
190&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This methou should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights inay be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He shoul, therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author inust remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profes&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society,&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
CEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
o forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario Thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 2s.6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 191 (#635) ############################################&#13;
&#13;
THE AUTHOR.&#13;
191&#13;
GENERAL NOTES.&#13;
the author. In these cases it is hardly fair that&#13;
the author should be bound to pay an agent's fee&#13;
AGENTS AS PRINCIPALS.&#13;
or that the agent should claim his fee if such&#13;
commission does not arise through the agent's&#13;
A MEMBER of the society has drawn our attention introduction, but cases have occurred where an&#13;
to the fact that there are still some agents who author undertaking to place all his literary work in&#13;
in addition to their agency work not infrequently the agent's hands during a fixed period has received&#13;
act as principals. He draws attention to the a claim for commission from an agent on articles&#13;
danger of such a position and urges us to warn that were supplied to a paper and other literary&#13;
authors. The columns of The Author have already work, where the work was specially ordered, and&#13;
on different occasions drawn attention to the matter, such order was not obtained through the agent's&#13;
and some remarks on the point will be found in introduction. It will be as well, therefore, if the&#13;
the article on authors' agents in the October author should specifically except this work from&#13;
number. There is the danger from the bonâ fide the agreement with the agent, stating that on&#13;
agent and the danger from the fraudulent agent. commission work obtained outside the agent's.&#13;
The fraudulent agent would get an offer from an introduction he should not be bound to pay the&#13;
editor, publisher, or manager and then, going to agent's fee. This brings us to the second point&#13;
the author, would pretend to him that he had some which has reference to the note to clause 1 on the&#13;
difficulty in placing his work. He would suggest reservation by the author of special markets. Our&#13;
that he should buy the rights, whatever they are, correspondent thinks that it should be made quite&#13;
that the author is willing to sell for a sum down. clear that where an author lives by writing for&#13;
If the author, as not infrequently happens, daily papers and by journalism, as well as by&#13;
desires to have money and has faith in the agent, writing books and magazine articles, that he should&#13;
he will possibly accept the offer, and the agent will except the journalistic market and that the agent&#13;
then proceed to sell to the editor, the publisher, or should not be entitled to claim commission on this&#13;
the manager at the enhanced price which he work. This, no doubt, was the idea of those who&#13;
already knows he can obtain. But if an agent drafted the agreement when they advised the&#13;
desires to be perfectly bona fide and desires some- author to reserve certain markets, but, perhaps, it&#13;
times to act as principal and sometimes as agent, will be of advantage to members if the point is&#13;
the danger is still very great, because it is only a put a little more clearly before them.&#13;
natural law that when he is offering work to pub-&#13;
lishers, editors, or managers he would desire to sell&#13;
that which belonged to himself on which he might&#13;
AUSTRALIAN COPYRIGHT.&#13;
be able to get the return of capital already ex- In an article taken from the United States.&#13;
pended with a profit, rather than to sell the Publishers' Weekly, and printed on another page..&#13;
author's work, on which he would obtain merely his the author states as follows :&#13;
agency fees. The position is untenable, and there- “ Australia in 1905 asserted copyright indepen-&#13;
fore, as our correspondent remarks, authors should dence from the mother country and passed a com-&#13;
be warned never to deal in any way with an agent plete code which was not disallowed by the Crown,&#13;
who is known to act as principal. This advice we and wbich has in fact become the model for recent&#13;
are very glad to confirm.&#13;
British and coming Canadian legislation."&#13;
This statement is a little misleading. Australia&#13;
in 1905 passed a copyright law which was binding&#13;
THE LITERARY AGENCY AGREEMENT. on Australia only, and did not make Australia&#13;
A CORRESPONDENT who has published many&#13;
independent of Imperial legislation, Imperial copy-&#13;
right still running in the Australian Colonies.&#13;
books and has, therefore, read with interest the&#13;
It&#13;
is a mistake also to state that this Act has become&#13;
literary agency agreement published in last month's&#13;
Author, kindly sent us a communication bearing&#13;
the model for recent British and coming Canadian&#13;
on two points in the contract, which, perhaps,&#13;
legislation, as the British ('opyright Law, which is&#13;
require a little further elucidation. (The reader is&#13;
coming into force in 1912, has really had nothing&#13;
referred to page 163 of last month's Author.) In&#13;
to do with and is not based on the Australian Act.&#13;
clause 1 of the agreement the author appoints his&#13;
As far as ('anada is concerned, it is impossible at&#13;
as sole agent during a given period for the the present moment to say what the coming&#13;
sale of all the literary work that he desires to legislation will be.&#13;
bring to market during the continuancy of the&#13;
agreement.&#13;
GRAMOPHONE FEES.&#13;
Now, there are many cases, as our correspondent In the last issue of The Author an article&#13;
points out, in which work is commissioned from appeared referring to the claim which had been put&#13;
&#13;
&#13;
## p. 192 (#636) ############################################&#13;
&#13;
192&#13;
THE AUTHOR.&#13;
forward by certain publishers to the gramophone history of the society, and the income for the year&#13;
fees of composers.&#13;
from subscriptions was actually the largest that had&#13;
! . We are glad to see from the following extract accrued. The loss of members for the past year&#13;
from an agreement of an American publisher that from all causes amounted to 167, resignations&#13;
although a similar compulsory licence exists in amounting to 87. He had ascertained by inquiry&#13;
America, to that which will come into force under and comparison with the figures of other similar&#13;
the new Copyright Law, the same demand is not bodies that this was a normal proportion, having&#13;
made by the American publisher.&#13;
regard to the nature of the society and the COL-&#13;
“ Said . . . composer hereby reserves to himself the&#13;
ditions of membership, but in order to ascertain&#13;
exclusive right and licence to reproduce or cause to be whether there might be any removable cause for&#13;
reproduced said composition on mechanical musical the resignations, he had written personally to the&#13;
instruments and agrees that whenever he may make use of&#13;
last 150 members who had resigned. In reply he&#13;
such licence he and his sub-licensees will at all times attach&#13;
had received only one letter that put forward any.&#13;
to every copy of such mechanical reproduction of said&#13;
composition the notice of copyright required or which may&#13;
thing in the nature of a complaint. In practically&#13;
be required by any copyright statute under which said all other cases the reason had been the desired&#13;
composition is or may be protected.”&#13;
economy of the guinea subscription, and several&#13;
Musical publishers in England have, no doubt, had joined for a definite purpose, such as the&#13;
for so long a time been taking the composers' rights receipt of advice upon a single subject and had&#13;
that they have got into the habit of considering then retired. Ten of these, upon having it pointed&#13;
these rights their own, as a matter of course. It is out to them that upon the principle of insurance the&#13;
time, however, that composers should assert their society could not reasonably be expected thus to&#13;
authority, and publishers understand their position. give a full measure of assistance in consideration of&#13;
a single premium, had voluntarily rejoined. Dr.&#13;
Sprigge next referred to the very heavy work done&#13;
by the Copyright Committee during the introduction&#13;
THE ANNUAL MEETING.&#13;
and passage of the Copyright Act, and to the number&#13;
and variety of the questions which during that&#13;
period were continually arising for consideration&#13;
THE Annual General Meeting of the society owing to changes affecting the interests of authors&#13;
was held on Thursday, March 21, in the being introduced unexpectedly into the Bill and&#13;
rooms of the Society of Arts, 18, John to the necessity for safeguarding authors' interests&#13;
Street, Adelphi, at 4.45 p.m., some thirty to forty from infringement. The contentious work of the&#13;
members being presenta somewhat smaller attend society during the year he described as heavy and&#13;
ance than usual, being, no doubt, due to three causes, successful. Of the cases which had passed through&#13;
the improbability that any controversial topic would the secretary's hands alone two-thirds had been&#13;
arise for discussion, the fact that the place of meet- successfully carried through, and the total dealt&#13;
ing was less centrally situated than that to which with might easily have been doubled by reckoning&#13;
the society has been accustomed, and the inclemency disputes which had not been seriously maintained&#13;
of the weather. The chairman of the Committee after the society's intervention. Forty-two cases&#13;
of Management, Dr. S. Squire Sprigge, presided, had been transferred from the hands of the secretary,&#13;
and opened the business of the meeting by asking himself a solicitor, into the hands of the solicitors to&#13;
the members present to consider in the first place the society, and of these a large proportion had ended&#13;
the second and third items of the agenda, leaving successfully, the sum recovered for one member, in&#13;
the discussion of the report to follow. Accordingly a matter where performing rights were concerned,&#13;
Mr. Owen Seaman was declared duly elected as a amounting to £500. The Pension Fund invest-&#13;
member of the Pension Fund Committee in placement in 1911 had amounted to £250. A special&#13;
of Mr. Morley Roberts, resigned, Mr. Seaman appeal during the same year had been handsomely&#13;
having been duly proposed by the committee, and responded to and had brought in £500 more for&#13;
no other candidate having been nominated. investment in 1912. He concluded by inviting ques-&#13;
Secondly, with regard to the appointment of tions and discussion upon any points in the report to&#13;
scrutineers to count the votes under the society's which members might desire to call attention.&#13;
constitution, no names having been proposed, the Mr. G. F. Wilson rose to ask whether in the&#13;
chairman informed the meeting that the committee interests of authors the names of the parties might&#13;
would appoint in due course. In commenting upon not be published in the summaries of cases taken up&#13;
the report which was already in the hands of by the society, which appear in The Author. He&#13;
members, Dr. Sprigge referred to the satisfactory suggested that this would give more reality to the&#13;
conditions shown. The number of elections during reports in question, and referred to the article, * A&#13;
the past year had only once been exceeded in the Remarkable Agreement," in The Author of March&#13;
&#13;
&#13;
## p. 193 (#637) ############################################&#13;
&#13;
THE AUTHOR.&#13;
193&#13;
A PRIZE COMPETITION.&#13;
in which the name of the publisher was given,&#13;
asking if it would not be advantageous to dot the&#13;
"i's " and cross the “t's ” in other articles of the&#13;
same class. The result would be that members&#13;
would know what editors and publishers to avoid,&#13;
and editors and publishers would know what to&#13;
si void also.&#13;
The chairman replied that the proposition&#13;
advanced had his sympathy to a considerable&#13;
extent. There was always, however. a certain&#13;
element of danger in giving names when criticising&#13;
in the manner in which it was necessary to criticise&#13;
in The Author, and there was also the fact that&#13;
if the purchase of a number of The Author for 6d.&#13;
cave a person outside the society all the information&#13;
about an individual or a particular matter that he&#13;
required, he might be tempted to content himself&#13;
with buying The Author instead of joining the&#13;
society and becoming entitled to the advice which&#13;
he could obtain nowhere else.&#13;
Mr. H.M. Paull asked whether the society might&#13;
not find it advantageous to charge members a per-&#13;
centage upon the sums obtained by it on their&#13;
behalf.&#13;
The chairman said that the subject was not new&#13;
to him, but it had always been considered desirable&#13;
that the society in recovering money for its members&#13;
should occupy a position of disinterested indepen-&#13;
dence in the matter, with no suggestion that it had&#13;
any financial advantage to gain by the disputes in&#13;
which it engaged.&#13;
Mr. G. F. Wilson inquired whether the reissue&#13;
of “The Cost of Production ” was likely to take&#13;
place before long.&#13;
The chairman said that this was a matter as to&#13;
which he would prefer to consult the committee&#13;
before replying definitely. He was not sorry to&#13;
have the fact that the book was out of print&#13;
brought to his attention. He had himself taken&#13;
part in preparing the first edition of it, and he&#13;
feared some of the figures had ceased to apply to&#13;
modern conditions. There was, however, the fact&#13;
that it was difficult to obtain accurate statistics&#13;
for such a work, and that at the same time it was&#13;
uncertain whether members would buy it when&#13;
written.&#13;
A vote of thanks to the chairman was proposed&#13;
by Mr. Anthony Hope Hawkins, and, having been&#13;
seconded by Mr. H. M. Paull, was carried&#13;
unanimously; Dr. Sprigge, in thanking those&#13;
present for their expression of approval, said that&#13;
he associated with their vote of thanks to himself,&#13;
their secretary, Mr. G. H. Thring, whose continuous&#13;
labours on behalf of the society he knew were&#13;
appreciated by it.&#13;
COME months ago an article appeared in The&#13;
Author on Prize Competitions, and a strong&#13;
complaint was raised against the method in&#13;
which these competitions were conducted. It was&#13;
clearly shown how indefinite was the statement of&#13;
terms in most cases, and that the editor must have&#13;
been ignorant of the legal requirements of the case.&#13;
Though it turned out that in most cases the&#13;
editor wanted the whole copyright, yet generally&#13;
he did not make this clear. Indeed, the editor, who&#13;
asserted merely that he gave a prize for the best&#13;
short story, would not necessarily have had the&#13;
right to publish it even for one insertion in his own&#13;
paper..&#13;
Again, some editors, who were clear about what&#13;
they wanted, were wholly unreasonable in giving no&#13;
undertaking that the work should be published and&#13;
no time limit for publication. In addition, they&#13;
often claimed the right to publish any story sent up&#13;
to them in connection with the competition, even&#13;
though it should not gain the prize, again without&#13;
giving any time limit for publication or making&#13;
any price.&#13;
This should not be the case; . A clear statement&#13;
of the legal position is essential if the result is to be&#13;
satisfactory, and there should be no sins of omission.&#13;
The editor should throw his cards on the table ;&#13;
then, if the contract is good, or if the contract is bad,&#13;
the author knows the best or the worst, and if he&#13;
sends up his MS. he has no right to complain&#13;
subsequently.&#13;
The following may be cited as an example of an&#13;
error of omission.&#13;
proprietor desires to purchase the copyright of&#13;
a MS. for £200 and states this bare fact. The&#13;
ordinary author would think that there was an&#13;
implied contract to publish, but really there is&#13;
nothing of the kind. It would have been much&#13;
better, therefore, for the proprietor to state that the&#13;
successful MS. will be published by him on or before&#13;
a certain date.&#13;
This preamble brings us to the Prize Competition&#13;
published in the Era for the benefit of dramatic&#13;
authors, the terms of which, so far as material for&#13;
our purpose, are as follows :-&#13;
The decision announced by the editor shall be final an&#13;
binding upon all parties.&#13;
Plays may be sent in at any time until the date for&#13;
closing the competition, which will be duly announced, but&#13;
which will not be before June 30th, 1912, at the earliest.&#13;
The winner of the £100 prize will retain one-half interest&#13;
in the copyright of his play.&#13;
If the winning play be, in the opinion of the editor of&#13;
the Era, of sufficient merit, it will be produced under the&#13;
auspices of the Era, and will be known as “ the Era Play,"&#13;
the author's name appearing or not, as he or she wishes, on&#13;
the programme of every performance.&#13;
&#13;
&#13;
## p. 194 (#638) ############################################&#13;
&#13;
194&#13;
THE AUTHOR.&#13;
The editor will not be responsible for the safety of any intentional. Does the editor reserve to himself&#13;
manuscripts submitted, so that copies must be kept by the&#13;
author. Every effort will be madle, however, to return all&#13;
the exclusive right, or what does this paragraph&#13;
manuscripts.&#13;
mean? If he intends to reserve to himself the&#13;
The editor reserves the right of arranging for the pro- exclusive right, then any person who sends in a&#13;
duction of any play submitted, whether the winning play play may find himself in this difficult position&#13;
or not; but should he decide to produce any such play, he&#13;
that, if the editor who holds the right for arrang-&#13;
will first arrange terms with the author.&#13;
ing a production does not desire to use this right,&#13;
We have taken the liberty of omitting some non the dramatist would be unable to make any use of&#13;
essential parts of the conditions, that is, non-essen- his play himself. An author who sends in a play&#13;
tial as far as the deductions desired to be drawn are and gets no prize receives no consideration what-&#13;
concerned, though not non-essential from the point ever for the right which the editor acquires. The&#13;
of the dramatist who is competing. The main condition further states, “but should the editor&#13;
points to which we desire to draw attention are as decide to produce any such play, he will first&#13;
follows :-&#13;
arrange terms with the author."&#13;
It is first stated that the decision announced by the We feel quite certain that the editor of the Era&#13;
editor shall be final and binding upon all parties. desired to do everything that is fair, reasonable&#13;
This is quite reasonable and fair, but there is no state- and just when this paragraph was drafted, but it is&#13;
ment whatever as to when the decision will be made, impossible to conceive a paragraph more likely to&#13;
or where it will be announced, surely an important lead to frequent disputes than this one. Supposing&#13;
piece of knowledge in a competition of this kind. the winner of the prize does not want to arrange&#13;
Competitors might send in their MSS. and find that terms with the editor, or suppose the authors of any&#13;
they are held up for perhaps a year or more, during of the MSS, sent in do not want to arrange terms&#13;
which time it would be impossible for them to take with the editor, or supposing they want to arrange&#13;
any action in the matter of placing them.&#13;
terms, but the editor considers the terms are&#13;
It seems the very earliest date for closing the unreasonable, there then would appear to be a&#13;
competition is June 30th, 1912. From this we deadlock.&#13;
take it that all the plays that are sent in will come It should be clearly put forth, (1) either the exact&#13;
under the new Copyright Act. This point is of terms for production, or (2) that the proprietor&#13;
importance, for the next paragraph states that the should have the first refusal for, say one month,&#13;
winner of the prize will retain one-half interest in the during which terms should be arranged. If these&#13;
copyright of his play. The word “copyright" under proposals are displeasing to the owner of the other&#13;
the new Act as regards a play covers much more than half of the copyright, at any rate let him state&#13;
under the present Act, where the right in a drama definitely what he does want.&#13;
is divided into two parts, copyright and performing We think enoughi has been said to show how&#13;
right. We see that the winner will obtain a £100 terribly indefinite all these points are. It is much&#13;
prize. The natural deduction from this is that the better in these competitions to have the terms&#13;
£100 will not be an advance on royalties on what clear, even though they are against the author,&#13;
ever subsequent arrangement is made, but will be than to have them indefinite but tempting.&#13;
£100 clear and distinct, practically amounting to We hope it may be possible before the competi-&#13;
£100 payment for the half of the copyright. It tion closes for the rules and conditions to be more&#13;
does not state who is to be the owner of this balf, definitely stated, and an opportunity given to those&#13;
though it is not an unreasonable deduction to make who may have sent in the MSS. to withdraw should&#13;
that it will belong to the proprietor of the Era. It they not care to accept the revised rules.&#13;
might, however, be some bidden actor-manager as&#13;
far as the public statement is concerned. This point&#13;
should be made clear. There is no undertaking&#13;
whatever that the proprietor of this half-copyright&#13;
UNITED STATES NOTES.&#13;
will use any endeavour to place the play on the&#13;
market. He reserves to himself the right of making&#13;
all arrangements ; though the author retains a half NEW YEAR'S card issued by one of the great&#13;
interest in the copyright, he could not do anything&#13;
publishing firms of New York bore on it the&#13;
with that interest under the conditions laid down.&#13;
laudable sentiment, “ For 1912– Fewer and&#13;
In the last paragraph of the terms a most extra- Better Books.” It might perbaps be assumed from&#13;
ordinary provision appears, whereby not only does this that the year 1911 was remarkable for the great&#13;
the cditor reserve to bimself the right of arranging output of books in the United States. As a matter&#13;
for the production of the winning play, but also of of fact, the figure reached in 1911 was considerably&#13;
any play submitted, whether the winning play or lower than that in 1910. In the latter year&#13;
not. Surely this statement cannot possibly be 11,671 new books and 1,799 new editions appeared&#13;
&#13;
&#13;
## p. 195 (#639) ############################################&#13;
&#13;
THE AUTHOR.&#13;
195&#13;
-total, 13,470. In 1911 there were 10,440 new&#13;
books and 783 new editions—total, 11,123. So&#13;
that, unlike what was the case in England (where&#13;
a record output of 8,530 new books and 2,384 new&#13;
editions—total, 10,914—was chronicled), in the&#13;
United States there was a very distinct decrease in&#13;
production from 1910 to 1911.&#13;
Was the falling-off in numbers compensated for by&#13;
an improvement in quality ? The critics say“Yes”;&#13;
at least as far as fiction was concerned. The year&#13;
1911 has already been called an annus mirabilis of&#13;
the American novel. Perhaps it would be better to&#13;
wait a few years more before stating which are the&#13;
novels that will live among those of last year. At&#13;
present there is still too much of the glamour of&#13;
the “ best-seller ” about some of them to allow us&#13;
to judge dispassionately. In the meantime it may&#13;
be conceded that if the motto for 1912 is really to&#13;
be “ Fewer and Better Books," in fiction we may&#13;
anticipate a good time coming&#13;
I wrote at some length in the last issue of these&#13;
“Notes” on the subject of best-sellers. It is, how-&#13;
ever, so prominent a feature in connection with the&#13;
sale of books in America that perhaps I may be&#13;
pardoned for alluding to it again. The literary&#13;
papers devoted some space in January to the&#13;
collating of the monthly lists of successful works.&#13;
It appears that the four novels most in demand in&#13;
the States during the past year were Jeffry Farnol's&#13;
" The Broad Highway,” Vaughan Kester's “ The&#13;
Prodigal Judge,” Harold Bell Wright's “The&#13;
Winning of Barbara Worth," and H. S. Harrison's&#13;
“Queed.” These four had a long lead over the&#13;
next five, which were Gene Stratton Porter's&#13;
"The Harvester,” Margaret Deland's “ The Iron&#13;
Woman," Mary Johnston's “The Long Roll,”&#13;
Eleanor Hallowell Abbott's “ Molly Make-Believe,"&#13;
and Florence L. Barclay's “The Rosary.” In the&#13;
non-fiction class Arnold Bennett's “ How to Live&#13;
on 24 Hours a Day” and Price Collier's “ The&#13;
West in the East " were easily first.&#13;
No one, of course, not even among the compilers&#13;
of these lists, pretends that they furnish a guide to&#13;
the necessarily best books of the year. Authors&#13;
whose names and works do not get even a place,&#13;
much less a leading place, on them, may very likely&#13;
feel a grievance over their non-appearance. But&#13;
that grievance is only legitimate against the&#13;
American reading public, on whose demand for&#13;
mental sustenance the lists are founded. It would&#13;
be interesting if, side by side with the consensus of&#13;
public opinion thus revealed, a consensus of critical&#13;
opinion could be produced. It is not an unknown&#13;
occurrence to find a best-seller being “roasted” in&#13;
the columps of a literary review. Such a division&#13;
of cash and credit as is represented by this state of&#13;
affairs has its satisfactions, alike to the commerci.&#13;
ally successful and to the commercially unsuccessful.&#13;
To leave the recently past and come to the&#13;
actually present, there are no indications of a change&#13;
of public farour in 1912 to the detriment of the&#13;
authors with the big circulations in 1911. For&#13;
instance, “Queed” is still going strong, so are“ The&#13;
Broad Highway” and Mr. Farnol's later American&#13;
success, “The Money Moon.” So again is “ The&#13;
Rosary,” which is helping the sale of Mrs. Barclay's&#13;
other two novels, “ The Following of the Star" and&#13;
“The Mistress of Shenstone." “ The Winning of&#13;
Barbara Worth" is announced to appear in dramatic&#13;
form at a New York theatre next fall. One feature&#13;
of early 1912, however, is the rise of a new star&#13;
- new in the United States, that is to say. All&#13;
who see the American literary periodicals will know&#13;
that this refers to Mr. G. A. Birmingham, who has&#13;
been “discovered," let us hope to his great advan-&#13;
tage. British authors certainly bare little to com-&#13;
plain of when they do catch the eye of the American&#13;
public. That this is so can be seen from the fact&#13;
that both in the fiction and in the non-fiction&#13;
classes last year the list was beaded by a Briton.&#13;
And in addition it may be mentioned that J. M.&#13;
Barrie's “ Peter and Wendy" was the best-seller&#13;
among juvenile books in December! Such a record&#13;
is very nearly what the sporting journalist calls&#13;
“the triple crown” for Great Britain.&#13;
The early months of this year have been prolific&#13;
in fiction, but not very notable in other respects.&#13;
Novels may, therefore, be given first place in our&#13;
catalogue-which must include some works pub-&#13;
lished in 1911, but too late to be mentioned in the&#13;
January number of The Author. Among these is&#13;
“The Healer," by Robert Herrick, an author whose&#13;
work is well known in England. Of Mr. Herrick&#13;
a New York critic has said that he “comes nearer&#13;
being a real novelist than any other American.”&#13;
Certainly “The Healer” has had a wonderfully&#13;
good reception from the Press, if it still awaits the&#13;
distinction of getting among the Big Six. About&#13;
the same time were published Theodore Dreiser's&#13;
“Jennie Gerhardt” (an original and very powerful&#13;
story, it may be noted), Julia Magruder's ** Her Hus-&#13;
band," and Molly Elliot Seawell's "The Jugglers,"&#13;
all of which have quickly made their mark. With-&#13;
out attempting to preserve the chronological order,&#13;
the early fictional output of 1912 must be dealt with&#13;
as the names occur to the mind. In “ Riders of&#13;
the Purple Sage,” Zane Grey deals with the Western&#13;
Plains and Salt Lake City. “Toby," by Credo&#13;
Harris, is a Kentucky novel. “ The Guardian," by&#13;
F. 0. Bartlett, is concerned with the lumbermani&#13;
and the great forests. In “The Heart of U's,” on&#13;
the other hand, the background is a city; and the&#13;
city Boston. Humour, varied in character, is the&#13;
feature of “ Danny's Own Story," by Don Marquis&#13;
(whom they compare to Mark Twain); of “A&#13;
Knight in Denim,” by Ramsey Benson ; and of&#13;
&#13;
&#13;
## p. 196 (#640) ############################################&#13;
&#13;
196&#13;
THE AUTHOR.&#13;
Charles Sherman's “He Comes Up Smiling.” Grave and Gay.” Another book of recollections is&#13;
“Georgette,” by Marion Hill, treats of the American entitled “Intimacies of Court and Society: an&#13;
Stage (as a classic ofe which it has been hailed), not Unconventional Narrative of Unofficial Days," of&#13;
so flippantly as “The Chorus Lady,” but none the which the author prefers to remain anonymous, but&#13;
less amusingly. “From the Car Behind," by has suffered it to be made public that she is the&#13;
Eleanor M. Ingram, is a frankly sensational piece of widow of an American diplomat.&#13;
work--involving motors, as might be guessed.&#13;
Social and political questions have engaged the&#13;
Cyrus Townsend Brady has two new books, “ The attention of a few authors. “ Social Forces in&#13;
Challice of Courage” and “ Secret Service”; the American History,” by A. M. Simons, may be callel&#13;
latter a novelisation of William Gillette's famous a history of the United States with special reference&#13;
play. Another novel derived from the stage is to the relations of Capital and Labour. Professors&#13;
“ Bought and Paid for," Arthur Hornblow being J. W. Jenks and W. Jett Lauck deal with “The&#13;
responsible for the version of George Broadhurst's Immigration Problem,” and particularly with the&#13;
drama. George Barr McCutcheon's new story is subject of its restriction. President N. M. Batler,&#13;
“ Her Weight in Gold”; Mary E. Mann's “There of Columbia University, asks of his countrymen the&#13;
was a Widow"; Mary E. Wilkins Freeman's “ The question “Why should we Change our Form of&#13;
Butterfly House”; Meredith Nicholson's “A Government?" The foreign affairs of the United&#13;
Hoosier Chronicle.” Gouverneur Morris has a States are treated of in “ American-Japanese&#13;
collection of twelve tales, entitled “It, and Other Relations,” by K. K. Kawakami—who has written&#13;
Stories,” while with “The Man who could not Love” “ A Bookto Banish the Japan War Jingo,” according&#13;
(which gives its title to the book), Richard Harding to the preliminary paragraph sent out by the pub-&#13;
Davis gives us four other short stories.&#13;
lisher ; and in “ The Relations of the United States&#13;
“He who Passed,” of which the author still and Spain : The Spanish-American War," with&#13;
remains anonymous, has already been heard of in two volumes on which Rear-Admiral Chadwick&#13;
England. The writer of “ Betty Moore's Journal” concludes a notable work.&#13;
is Mabel D. Carey, hitherto better known in the Two distinguished military men have also pro-&#13;
social than in the literary world. Hers may be duced books—Lieutenant-General Nelson Miles&#13;
called a problem novel, being concerned with mother having written “Serving the Republic" (including&#13;
hood among the pleasure-loving rich.&#13;
recollections of the Civil War), and Brigadier-General&#13;
At the risk of injustice to those mentioned, it Funston “Memories of Two Wars : Cuban and&#13;
must suffice to give the names of seven more novels Philippine Experiences.” Another author from the&#13;
as worthy of note among those that have recently same State as General Funston is S. J. Crawford,&#13;
appeared :—“ The Maid of the Whispering Hills," War Governor of Kansas, who in his “ Kansas in&#13;
by Virgie E. Roe ; “Tante," by Annie Douglas the Sixties " speaks of both the Indian campaigns&#13;
Sidgwick ; “ The Wrong Woman," by Charles D. in that State and of the Civil War. Professor F.&#13;
Stewart; “ The Adjustment," by Marguerite L. Paxon, of Wisconsin University, makes the&#13;
Bryant-already a very big seller ; “A Chain of latter war his subject-indeed entitling his book&#13;
Evidence,” by Carolyn Wells ; “ John Rawn," by simply “ The Civil War.”&#13;
Emerson Hough; and “ Five Thousand an Hour," Travel books are represented by Matthew&#13;
by George Randolph Chester.&#13;
Henson's “ A Negro Explorer at the North Pole,"&#13;
Biographical works have not been very numerous with a foreword by Peary and an introduction by&#13;
of late, but there have been several produced which Booker Washington ; by Ernest Thompson Seton's&#13;
make their appeal on both sides of the Atlantic “ The Arctic Prairies"; by Charles Sheldon's “The&#13;
Ocean. Among such may assuredly be put “ Robert Wilderness of the Upper Yukon"; and by the&#13;
Louis Stevenson in California," by Katharine D. oddly-named “ The Man Who Likes Mexico," in&#13;
Osbourne; “Robert E. Lee : Man and Soldier," by which Wallace Gillpatrick gives his narrative of&#13;
Thomas Nelson Page ; and the “Life of Bret six years' wanderings. “Where Half the World is&#13;
Harte," by H. C. Merwin. “ The Life Story of Waking Up," by C. H. Poe, deals, as might no&#13;
J. Peirpont Morgan,” by Carl Hovey, has appeared doubt be guessed, with India and the Far East,&#13;
in England as well as in America, I fancy. A where the author has put in a year's travelling.&#13;
biography of Moses Coit Tyler, author and Cornell The two chief books of essays have been ex-&#13;
University professor, comes from the pen of Jessie President Theodore Roosevelt's “Realizable Ideals,"&#13;
Tyler Austen, while the “Life and Labors of Bishop which were the Earl Lectures last year at the Pacific&#13;
Hare, Apostle to the Sioux,” is by M. A. D. Howe. Theological Seminary, Berkeley, California ; and&#13;
Two more volumes of the “ Journals of Ralph - The Way of Peace," by Reginald Wright Kauff-&#13;
Waldo Emerson” have appeared, bringing the story man, author of “ The House of Bondage "-or&#13;
down to the year 1841. By way of contrast one “ Daughters of Ishmael," as the book is called in&#13;
may read Mrs. Burton Harrison's “ Recollections England, I believe.&#13;
&#13;
&#13;
## p. 197 (#641) ############################################&#13;
&#13;
THE AUTHOR.&#13;
197&#13;
“ Truth and Reality : an Introduction to the will be produced under the supervision of his son.&#13;
Theory of Knowledge," is, of course, a philo- Mr. Bigelow was for three years resident in Europe,&#13;
sophical work. It is written by Professor John namely, during his tenure of the post of United&#13;
Elof Boodlin, of Kansas. - Human Efficiency,” States Minister to France in 1864-7. But he was&#13;
by Horatio W. Dresser, might be placed midway essentially an American, and one versed in all the&#13;
between philosophy and economics, the author phases of public life in America, while the books&#13;
endeavouring to get at the study of industrial con- by which he will be remembered all made their&#13;
ditions ria psycbology. “The Principles of primary appeal to his own fellow-countrymen. An&#13;
Economics,” by F. W. Taussig, the Harvard intensely hard-working novelist, who ultimately&#13;
professor, explains itself by its title.&#13;
succumbed to the results of her attempts to&#13;
For the grouping together of the last two books relieve the strain on her nerves, passed away on&#13;
which I am about to mention there is no justifica- December 22, in the person of Mrs. Margaret&#13;
tion, except that neither of them falls conveniently Horton Potter-Black. She began writing very&#13;
under any of the heads which have been hitherto early in life ; “ The Social Lion," by which she&#13;
discussed. " The Education of Women in China” first attracted attention, being so ingenuously&#13;
is by Margaret E. Burton, general secretary of the daring that her family purchased every copy to&#13;
Y.W.C.L. at Chicago University. The writer of remove it from circulation. Mrs. Potter-Black&#13;
“Chess Tales and Chess Miscellapies” is Willard continued to write, however, until within a com-&#13;
Fiske, who knew the great Paul Morphy—though paratively short time before her death, though ill-&#13;
he does not tell us much that is new about him in health compelled her at last to retire to a sana-&#13;
the present work.&#13;
turium. Early in the new year another victim to&#13;
Details of the gathering at Sherry's Restaurant, literature died, J. B. Peterson, who from being it&#13;
New York, on March 2, to celebrate the seventy-fifth factory-hand rose to be a writer on philosophical&#13;
birthday of William Dean Howells, have reached subjects. He was entirely self-educated until he&#13;
England long ago. But I do not know that special managed to gain the sympathy of the late&#13;
attention has been called to some notable words on Professor William James, who enabled him to&#13;
American literature in the speech of the guest of receive some university training. But the kindness&#13;
the evening. “There has been no hour of our lite- of James and other patrons could not help him to&#13;
rary past, as I have lived it," Mr. Howells said, the “living wage,” which is essential to authors as&#13;
“when I had the least fear for our literary future; well as to other men, and he died in very poor&#13;
nor even when the good fight for reality in literary circumstances. On February 12 the death was&#13;
art, which I believed myself fighting, seemed to be a recorded, in New York, of Louis Heilprin, an&#13;
losing figbt, did I bate my breath.” For all his Hungarian by birth, but an American by more&#13;
seventy-five years Mr. Howells avowed himself no than half a century's residence. The young&#13;
laudator temporis acti, but declared that literature Heilprin's father, who brought him to the States,&#13;
to-day is actuated by a clearer motive than ever was one of the editors of the American Cyclopedia,&#13;
before. It has turned from “the vain effort of and so much did the son follow in the father's&#13;
creating beauty" and devoted itself to “ the effort footsteps that he was giren the task of the&#13;
of ascertaining life.” What say the romanticists revision of the Cyclopedia's second edition. He&#13;
to this ?&#13;
contributed much to other works of a similar&#13;
As usual, I must conclude with the melancholy character, but also made a name for himself in&#13;
subject of the losses to literature caused by death journalism, writing for the Nation, and the&#13;
during the past few months. On December 17 Erening Post, among other papers.&#13;
Percival Pollard succumbed to neuritis of the brain&#13;
PHILIP WALSH.&#13;
in a hospital in Baltimore, in his forty-second year.&#13;
Probably Pollard's brilliant work is but little known&#13;
in England, and his journalistic career was matured&#13;
THE COPYRIGHT PROGRESS OF FOUR&#13;
in Chicago and New York. Yet England had&#13;
something to do with the making of the man, for&#13;
YEARS.&#13;
he was educated at Eastbourne up to the age of&#13;
fifteen, when he came to America. Besides one play (Reprinted from the U.S. Publishers' Weekly, by kind&#13;
(written in collaboration) many novels came from&#13;
permission.)&#13;
his pen, but they were not of sufficiently wide M HE past four years, 1908–1911, have been&#13;
appeal ever to appear among “best sellers." more marked in the progress of copyright&#13;
On December 19, John Bigelow breathed his last&#13;
legislation than any period since copyright&#13;
at his home in New York, at the advanced age of legislation began. Earlier in the twentieth&#13;
94, leaving unfinished his “ Retrospections of an century important steps were taken in several&#13;
Active Life”—the remainder of which, it is stated, countries. Germany passed in 1901 the two laws&#13;
&#13;
&#13;
## p. 198 (#642) ############################################&#13;
&#13;
198&#13;
THE AUTHOR.&#13;
which are the foundation of its present copyright&#13;
system, and in 1907 its remarkable publishing&#13;
law, while Austria in 1907 amended its existing&#13;
copyright law. *Australia in 1905 asserted copy-&#13;
right independence from the mother country and&#13;
passed a complete code which was not disallowed&#13;
by the Crown and which has in fact become the&#13;
model for recent British and coming Canadian&#13;
legislation. But 1908, 1909, 1910 and 1911 were&#13;
each marked by a leading event of first impor-&#13;
tance. In 1908, the Berlin convention put inter-&#13;
national relationships throughout the International&#13;
Copyright Union on a new and more liberal basis,&#13;
discarding all formalities except those in the&#13;
country of origin and adopting life and fifty years&#13;
as the international standard term. In 1909, the&#13;
long campaign in the United States resulted in the&#13;
new American code of 1909, thorouglily compre-&#13;
hepsive, superseding all previous legislation, and&#13;
on the whole a far-reaching improvement. In&#13;
1910, the Pan American Union adopted the&#13;
Buenos Aires convention, closely patterning that&#13;
of Berlin, which, though so far it has been ratified&#13;
only by the United States, will probably form the&#13;
future basis for copyright throughout South&#13;
America. Finally, in 1911, the new British code&#13;
was passed, second only in comprehensiveness to&#13;
the American code, and superseding all previous&#13;
laws except a few specified minor acts or provisions.&#13;
Within the year 1912 Canada will possibly have&#13;
passed its copyright code, now under discussion,&#13;
thus making the fifth year of the period only less&#13;
memorable than its predecessors.&#13;
Within January, indeed, an international copy.&#13;
right treaty between the Cnited States and Hungary&#13;
has been signed, Brazil has passed an international&#13;
copyright measure, and progress has been made&#13;
towards relations with Mexico in the protection of&#13;
mechanical music reproduction.&#13;
These years were also fruitful in coprright&#13;
advance in other countries, notably in the Orient&#13;
Japan in 1910 passed an amendatory act of im-&#13;
portance, broadening the scope of copyright, and&#13;
China took its first step toward national copyright,&#13;
while in 1911 Turkey adopted a new and comprehen-&#13;
sive code. All three Scandinavian countries&#13;
adopted amendatory acts within the four years,&#13;
and Russia in 1911 passed a new domestic code,&#13;
the first result of which was its first international&#13;
relation through a treaty with France, and the final&#13;
outcome of which will probably be its adherence to&#13;
the Berlin convention.&#13;
Holland began the discussion of a law which&#13;
will probably be passed in 1912, rescinding its&#13;
panufacturing clause and making possible adhe-&#13;
rence to the Berlin convention, while Portugal in&#13;
1911 joined the family of nations bound together&#13;
by that document. In South America, Bolivia in&#13;
1909 adopted a new copyright law, Argentina in&#13;
1910 also passed comprehensive legislation, and its&#13;
example was followed by its neighbor, Paraguay,&#13;
in 1911. The United States added substantially&#13;
to its international relations, by help of the new&#13;
code, until now twenty-five powers are "pro-&#13;
claimed ” or treaty countries, five of which are&#13;
also in reciprocal relation with respect to mechanical&#13;
music, having practically followed the American&#13;
precedent in the code of 1909. This by no means&#13;
includes all copyright legislation, for in several&#13;
other countries laws of more or less importance&#13;
have been passed ; but surely this is a remarkable&#13;
record for the short space of four years.&#13;
Throughout this legislation, the trend has been&#13;
distinctively forward, though in the legislation of&#13;
English-speaking countries there have been retro-&#13;
gressive steps despite the general advance formu-&#13;
lated in the respective American, British, Australian&#13;
and proposed Canadian codes. Continental,&#13;
Oriental and South American countries, that is to&#13;
say the non-English folk, have been more liberal&#13;
than we in their advance. For while all these four&#13;
codes, except the British, embody manufacturing&#13;
restrictions, Holland and other countries are freeing&#13;
their authors, and foreign authors also, from such&#13;
infringement of rights in intellectual property.&#13;
The British code also introduces restrictions&#13;
hitherto foreign to British law. Nevertheless, all&#13;
these codes are 80 distinctively betterments that&#13;
the restrictive features seem small in comparison.&#13;
The International Copyright Union, with the&#13;
proposed accession of Great Britain and Holland&#13;
to the Berlin convention, and the probable adhe-&#13;
rence of Russia, will presently include all the great&#13;
European nations, besides such powers as Japan,&#13;
Liberia, and on this side of the Atlantic, Haiti;&#13;
while the Pan American Union brought together&#13;
in the Buenos Aires conference all Latin American&#13;
countries, save Bolivia, as well as the United&#13;
States, and its Buenos Aires convention will ulti-&#13;
mately bind together a family only second in&#13;
importance to that of the International Copyright&#13;
L'nion. It will be some years before amendments&#13;
can be secured to the present American code which&#13;
will permit the United States to join the general&#13;
family of nations, though it will be included in the&#13;
Pan American brauch. The International Copy.&#13;
right Union and the Pan American Union are so&#13;
nearly on the same basis that a more comprehen-&#13;
sive world union is almost sure to come about. The&#13;
t'nited States, Canada and Australia will then be&#13;
the only great nations “out in the cold"; in&#13;
other words, the nations which should have led&#13;
progress are not yet responsive to the leadership of&#13;
other nations.&#13;
* See General Note on Australian Copyright.&#13;
&#13;
&#13;
## p. 199 (#643) ############################################&#13;
&#13;
THE AUTHOR.&#13;
199&#13;
The friends of authors' rights and of a firm basis to be too concise tends to inaccuracy. The Appen-&#13;
for the business of publishing have abundant dices contain (1) the Fine Arts Copyright Act,&#13;
reason to congratulate themselves on this progress 1862 ; the Canada Copyright Act, 1875 ; the&#13;
of the past four years, and they may live in hopes Musical Copyright Acts, 1902 and 1906, and the&#13;
that before the present generation has passed away, Copyright Act, 1911; (2) the Berlin Convention,&#13;
Anierica and the other English-speaking countries 1908 ; the Berne Convention, 1886 ; and the&#13;
will be ready to achieve the final step toward world Additional Act of Paris and Interpretative Declara-&#13;
union. More than sixty years ago a Philadelpbian tion, 1896, collated with the Berlin Convention,&#13;
publisher, Philip H. Nicklin, prophesied in his 1908; Countries which have ratified the Berlin&#13;
little book on copyright " a world-wide republic of Convention, 1908 ; (3) The United States Copyright&#13;
letters," and this American dream will yet be Act, 1909 ; Rules and Regulations for the Registra-&#13;
fulfilled by help of America.&#13;
tion of Claims to Copyright in the United States ;&#13;
Proclamation by the President of the United States.&#13;
It seems hardly necessary to publish the Berlin&#13;
Convention, 1908, in the original French and in&#13;
THE COPYRIGHT LAW.&#13;
translated form, and then to publish the translated&#13;
form again collated with the Berne Convention.&#13;
Mr. Hurrell's book fails owing to the fact that it&#13;
CINCE Mr. Oldfield's and Mr. MacGillivray's attempts too much in too little space. Many state-&#13;
D books on the Copyright Law have been pro- ments are made authoritatively in a few words which&#13;
duced and passed in review two other books need much ampler treatment: to take one instance :&#13;
have been placed on the market. " The Law of “When an author agrees to give certain persons&#13;
Copyright," by G. S. Robertson, published by the the sole power of printing and publishing a book for&#13;
Oxford University Press, and “ Copyright Law and all time, that is parting with the copyright." If&#13;
the Copyright Act, 1911,” by Henry Hurrell (with a the writer had said "a work” instead of " a book”&#13;
Treatise on French Copyright Law, by Maurice he might have been nearer the mark, but even then&#13;
Thery), published by Messrs. Waterlow &amp; Sons, other matters would have to be considered, as, for&#13;
The first of these two books is the more ambitious; instance, the consideration paid. The work is not&#13;
it does not pretend to deal merely with the new law satisfactory. The treatise on French Copyright Law&#13;
of 1911, but with the general law of copyright; but (Appendix A.) is interesting, but again insufficient&#13;
still, as the author mentions in the preface that “ the to be of any material use, and the Forms&#13;
law in this book is stated as on the dates on which (Appendix C.) are inadequate and misleading.&#13;
the Copyright Act, 1911, comes into operation,”&#13;
there is little on which to pass comment beyond the&#13;
Act itself ; indeed, the chapters on imperial and&#13;
international copyright are not satisfactory or&#13;
exhaustive, when the importance and the width&#13;
CORRESPONDENCE.&#13;
of the subject with which they deal are considered.&#13;
The author has, according to his own state-&#13;
THE EDITORIAL ('OURTESY.&#13;
mnent, rearranged in some sort of order the dis-&#13;
orderly provisions of the Act. This procedure SIR,—The following may be of interest to your&#13;
was hardly wise, for in the new Copyright Act, readers apropos of the long delay in returning or&#13;
1911, there is a definite order laid down in the accepting manuscripts.&#13;
sequence of the sections, and Mr. G. S. Robertson's On October 20, in answer to an application&#13;
book, in spite of its wider scope, really narrows for a story, I sent to The Bystander a manu-&#13;
itself down to the Act of 1911. He may have script, at the same time asking for a speedy decision,&#13;
gained some points : he has undoubtedly lost as I had several orders for stories, and Messrs. Mills&#13;
many others, but the substance of the book is &amp; Boon were publishing a book of my short&#13;
evidently the result of some study and no incon- stories this spring.&#13;
siderable knowledge, and the methods of explanation On December 10, as I had not beard, I wrote&#13;
are such as may be easily understood by the layman; a polite letter saying that " I felt sure that it was by&#13;
indeed, some concrete examples of delicate legal an oversight that they had not let me know about&#13;
difficulties, such as the one on Limitations on Term the story I had sent in October in response to their&#13;
of Copyright, are highly to be commended.&#13;
request. That I was sorry to bother them, but I&#13;
But the author seems to have lost some conciseness had many applications for stories, and being under&#13;
in his desire to be clear on certain points. A law contract to my publishers for two long books, it left&#13;
book is distinctly difficult to write, for to be too me so little time for stories, I knew that they would&#13;
diffuse tends only to confuse the lay mind, whereas understand my difficulty.”&#13;
&#13;
&#13;
## p. 200 (#644) ############################################&#13;
&#13;
200&#13;
THE AUTHOR.&#13;
On December 12 I received the following&#13;
letter, and the MS. :-&#13;
“TALLIS HOUSE,&#13;
“WHITEFRIARS,&#13;
“ December 11th, 1911.&#13;
“ DEAR MADAM,-I note that you have very&#13;
little time to write stories. We, for our part, have&#13;
very little time to read them, and are not under any&#13;
special obligation to do so. In view of the tone of&#13;
your letter, I therefore return herewith the story&#13;
entitled “The Mediator,' in the hope that you will&#13;
be successful in placing it elsewhere.&#13;
“ Yours Faithfully,&#13;
“The Editor,&#13;
“ A.B.”&#13;
“ The italics are mine. I make no comment !&#13;
“Yours Truly,&#13;
“ MAUD ANNESLEY."&#13;
NOVEL COMPETITIONS.&#13;
I was glad to see “ Tamel's” letter about prize&#13;
competitions and wish it could meet the eye of the&#13;
dear, deluded, ordinary public. I wrote å briefer&#13;
one on the same lines to a daily paper some time&#13;
ago, but it did not appear.&#13;
Mr. Andrew Melrose gave the case away last year&#13;
when he explained his system to an interviewer, a&#13;
most businesslike and reasonable system—from his&#13;
point of view. All the competing novels, he said,&#13;
were read first by his readers, and only those they&#13;
considered “suitable" were sent on to the judges.&#13;
We know exactly what that means. We know that&#13;
the first duty of a publisher's reader is to discover,&#13;
not genius, or works of art, but the “best seller."&#13;
We are familiar with the publisher's letter inform&#13;
ing us that our work is of a very high character,&#13;
but is regretfully returned because it is not likely&#13;
to prove a popular, financial success. The initiated&#13;
are, therefore, perfectly aware what kind of books&#13;
will be weeded out before the rest are sent on to the&#13;
judges. They are the books that are unconven-&#13;
tional, unsensational, and artistic; the books that&#13;
would not please the great mass of uneducated&#13;
readers.&#13;
This is not to say that a book may not be a work&#13;
of art and yet please the larger public. Such a&#13;
thing may happen, occasionally, we know. But the&#13;
chances are all against the artistic work and in favour&#13;
of mediocrity.&#13;
I do not, however, agree with “Tamel” that&#13;
either publisher or sorter' indulges his own&#13;
prejudices or taste in the matter. Both are ani-&#13;
mated solely by business principles. The publisher&#13;
engages the reader to pick out for him novels that&#13;
will sell well; and, presumably, if the reader&#13;
neglects to do this and merely consults his own taste,&#13;
he will soon be asked to offer his services elsewhere!&#13;
Nor do I think it will help matters if writers of&#13;
talent decline to compete, for the fact will certainly&#13;
not be advertised. My opinion is that the&#13;
guardians of our 'self respect' in this concern are&#13;
the so-called “judges,' and it rests with them&#13;
whether or not publishers shall go on ‘spoofing&#13;
the innocent public with their fiction of best&#13;
novel' competitions. That innocent public, of&#13;
course, does not know the difference between a&#13;
best novel' and a best seller'; it believes, and&#13;
will continue to believe, that the two are identical,&#13;
and that these competitions are for the encourage-&#13;
ment of genins. But the chosen judges, if they&#13;
are faithful to literary ideals, ought to rebel and&#13;
protest. It is for them to insist on choosing the&#13;
novel they think best out of the whole number sent&#13;
in, and this not only in the interests of literature&#13;
but in their own interests, for the sake of their own&#13;
reputations. Surely they must often blush to see&#13;
themselves advertised as sponsors of the common-&#13;
place fiction that is the result of these prize com-&#13;
petitions ! It is true they excuse themselves by&#13;
declaring that most of the work they receive is of&#13;
poor quality, and this is true enough, no doubt.&#13;
But why does it not occur to them that they do not&#13;
receive the best work sent in? Why do they allow&#13;
themselves to have foisted upon them only such&#13;
novels as the publishers' readers think will sell ?&#13;
It is time for those writers of quality who are&#13;
honoured with this mission to maintain their dignity&#13;
and the dignity of the office they are invited to&#13;
fulfil; they should accept it only on conditior. that&#13;
they may choose what they think best from all the&#13;
novels sent in. It may take more time, but it&#13;
would certainly add to, instead of detracting from,&#13;
their reputations. If the publishers could get no&#13;
man or woman of letters to aid them in their trade&#13;
humbug, they might become public benefactors by&#13;
finding out new talent. They might, moreover, do&#13;
better for themselves than they are doing now. A&#13;
judiciously advertised prize novel can always be&#13;
made to pay, even if it does not positively cater for&#13;
crude taste ; and should an immortal be discovered,&#13;
what a 'scoop' for the publisher ! Would it not&#13;
be worth while to risk something on such a chance ?&#13;
A NOVELIST.&#13;
A BLACK LIST.&#13;
SIR,–Would it not be possible to publish in The&#13;
Author, from time to time, a black list of magazines&#13;
and pubhishers :&#13;
Yours, etc.&#13;
[This matter has been considered frequently by&#13;
the Committee, but there are very strong reasons&#13;
against the publication of such a list. Moreover,&#13;
information can always be obtained on application&#13;
to the Secretary.-Ed.]&#13;
&#13;
&#13;
## p. 200 (#645) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes :-&#13;
"I have just completed the rovision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without liaving been corrected or even read, and that my hand writing,&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something niore then simple&#13;
mechanical accuracy, to produce such a result-a result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
Novels &amp; Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words; 2 copies, 1/4.&#13;
(French and Spaoish typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work.'&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove to&#13;
all authors who have the good fortune to hear of you. ... You&#13;
certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): “I have never met with&#13;
anything approaching your intelligence, carefulness and promptitude."&#13;
RICHARD PRYCE, Esq.: “ The work could not be better done."&#13;
L. A. ST. JOHN. L'Isle, Dimond Road, SOUTHAMPTON.&#13;
Bitterne Park,&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
LITERARY AGENCY.&#13;
THE WEINER AGENCY, LTD.,&#13;
64, STRAND, LONDON, W.C.&#13;
Every facility for placing work of all descriptions. Apply&#13;
for prospectus, free, from Manager, Literary Department.&#13;
NOTICE TO AUTHORS.&#13;
Authors in need of a good, sound, and reliable Agent should&#13;
note that the New Agency Agreement of the Society of Authors&#13;
has been adopted in its entirety by Mr. Stanhopo W.&#13;
Sprigg (late Editor of Cassell's and the Il'indsor Magazine, and&#13;
for some years Hon. Literary Adviser to the Society of Women&#13;
Journalists), Trafalgar Buildings, Charing Cross, London, W.C.&#13;
Every facility for placing Literary Work.&#13;
SOMETHING NEW !&#13;
INK-ERASING PENCIL,&#13;
Just the thing for Authors and Business Men. Removes&#13;
writing and blots immediately, and without injury to&#13;
paper.&#13;
SEND P.O. 1/2 FOR SAMPLE.&#13;
C. Herbert Cæsar, Homefield, St. Albans.&#13;
TYPEWRITING.&#13;
The most difficult handwriting and involved copy&#13;
accurately deciphered by experts.&#13;
MISS FOWLER,&#13;
Maxwell House, Arundel Street, Strand, W.C.&#13;
on all subjects,&#13;
including&#13;
LITERARY,&#13;
Educational,&#13;
Commercial, Technical, Medical, Theological, etc., and&#13;
for all examinations.&#13;
Second-Hand at Half-Prices. New at 25 por&#13;
cent, discount.&#13;
Catalogues free. State Wants. Books sent on approval ; BOOKS&#13;
BOUGHT. Best Prices Given.&#13;
AUTHORS, ATTENTION !&#13;
ACCURACY,&#13;
ABSOLUTE SECRECY,&#13;
PUNCTUALITY&#13;
guaranteed by me in Typewritten&#13;
copies of Manuscripts, etc.&#13;
Terms : 1s. per 1,000 words; Carbon&#13;
Duplicates, 3d. per 1,000.&#13;
W. &amp; G. FOYLE,&#13;
135, Charing Cross Road, London, W.C.&#13;
TYPEWRITING.&#13;
MSS. of every description copied accurately&#13;
and promptly,&#13;
9d. per 1,000 Words&#13;
(Paper and Postage inclusive).&#13;
- WELL-KNOWN AUTHORS TESTIMONIALS.-&#13;
Read what a satisfied Client says, and then send a&#13;
trial order.&#13;
Dear Sir,&#13;
December 4th, 1911.&#13;
I have to thank you for your prompt and most&#13;
satisfactory work; the typing is excellent, and I am&#13;
extremely pleased with it.&#13;
(Signed) MRS. J. O. ARNOLD,&#13;
Sheffield.&#13;
MISS JACOBS,&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Rd., St. Albans, Herts.&#13;
York Villa, Maybank Road, s. Woodford, Essex.&#13;
&#13;
&#13;
## p. 200 (#646) ############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
|| TYPEWRITING&#13;
Opposite the British Museum.&#13;
THACKERAY HOTEL&#13;
To Authors, Clergymen,&#13;
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A WORD IN SEASON !&#13;
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WELL-IT ADDS TONE.&#13;
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Near the British Museum.&#13;
KINGSLEY HOTEL&#13;
WITH&#13;
My work is always THE BEST.&#13;
My prices are LOW.&#13;
Send your order now.&#13;
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MISS RALLING,&#13;
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Telegraphic Addresses :&#13;
Thackeray Hotel—“Thackeray, London."&#13;
Kingsley Hotel—“Bookcraft, London."&#13;
1 BRAINS&#13;
MRS. GILL'S TYPEWRITING, SHORTHAND. AUTHORS wishing to make arrange-&#13;
AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
35, LUDGATE HILL, LONDON, E.C. communicate with LYNWOOD &amp; Co.,&#13;
Telephone-8464 Central.&#13;
Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel London, E.C., who will be pleased&#13;
ligently copied, from 1s. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
POST FREE ON APPLICATION.&#13;
W.C.&#13;
Neatness and accuracy, with&#13;
promptness; 7d. per 1,000;&#13;
TYPEWRITING.&#13;
over 20,000, od. Plays ruled&#13;
and bound, 8d. Cheap duplicating.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
words; in duplicate, 1/-. Plays and General TYPEWRITING.—Auth&#13;
&#13;
&#13;
typed at 10d. per 1,000&#13;
Copying. List and specimen of work on appli words (carbon copy free). -&#13;
EXCELSIOR TYPEWRITING OFFICES,&#13;
cation.&#13;
Tel.: Bank 82.&#13;
20, Bucklersbury, E.C.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
TYPEWRITING &amp; SECRETARIAL WORK.&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
MISS M. R. HORNE,&#13;
and Others.&#13;
New Address :-&#13;
15. WIMPOLE ROAD, YIEWSLEY, MIDDLESEX. thanks for the excellent work and the promptness with which it has&#13;
been done."&#13;
Authors' MSS. carefully&#13;
"Miss M. R. HORNE has typed for me literary matter to tbo&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
Recommended by Mr. G. K. Chesterton, Baron de Worms.&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.,&#13;
Many Testimonials, of which the following is a specimen : "Many&#13;
Printed by BBADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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                    <text>The Author .
( The

VOL .

XXII. – No .

Organ

of the Incorporated

8.

Society of Authors

.

Monthly .)

1, 1912 .

MAY

[ PRICE SIXPENCE

.

CONTENTS .
PAGS
201
201
201
203
206
207
210
212
213
213
214
214
214
215

Notices
TheSociety's Funds
The Pension Fund
CommitteeNotes ...
Books published by Members
Literary , Dramatic and Musical Notes
Paris Notes...
A Curious Suggestion
United States Law
Magazine Contents
How to Use the Society ...
Warnings to the Producers of Books...
Warnings to Dramatic Authors
Registration of Scenariosand Origin

G

. P.

SONS' LIST .

THE POSTERN GATE

With nine full - page Illustrations
extra , os .
Mrs . Barclay writes , if you think of it ,with

“

'S

PUTNAM

THROUGH

THE SHAPE

in

:

colour by F . H .

A Romance
TOWNSEND .

an intuition which is nothing

Seven

in

Crown 8vo

Days .
, cloth

short of genius ." — Daily Chronicle

THE WORLD .

OF

.

-

.”

.”

.

of

full

of

is

,

,

,
in

6s
.

.
cloth extra
the book and the story

interest

.
—

II
.

Vol

THE

TRAGIC

.C
.

,

STRAND

W

.

.

.

, .

,

,

BEDFORD ST

volume

.

58

.

PLAYS

,

.

2

.

:

vols

.

by

of

."

.

of
“

“

.

Crown 8vo
situations

.,

,

charm every reader
Time
The Wheels

8vo cloth
net each
Dervorgilla
THE TRAGEDIES
Grania Kincora
The Canavans The White Cockade The Deliverer

,

.
: 1.

COMEDIES

Crown

.

-

HISTORY

LADY GREGORY
—

By

."

to

“

Vol

FOLK

will

Barclay

Little Lord Fauntleroy

CURRENT

CHARLESWORTH

There are several fine characters and dramatic
from the first page
the last
Scotsman

IRISH

in

which

.

.

MAUD

E

By

THE RELENTLESS

FLOWER

Author

's

of

happiness

uniform with Mrs

the

by

, .

,

net

message

This

BURNETT

.

,

*
*
*

a

,
is
,

HODGSON

cloth extra
sunny little story with

BLUE

THE

OF

FRANCES

is

By

LAND

8vo

A

of

old

.
.
.

“

THE

the

ST . LEGER , Author of " Diaries of Three Women of the Last Century , ”
etc .
Crown 8vo, cloth extra , 6s .
county family darkened
A story of an
obstinate egoism
the men and saved
good women
the love and spiritual strength
Brightly written
telling
neither dull nor ordinary humour and wit
Nation

EVELYN

By

24

|

PAGE
215
215
215
215
215
216
217
219
220
221
223
224
225

Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch
Remittancos
...
General Notes
...
United States Copyright
Poet and Composer
Authors and Reviewers...
Is It Worth It ? ...
“ Copyright : Its History and Its Law "
The Art of the Dramatist
Correspondence

�ADVERTISEMENTS

.

The Society of Authors
Address : " AUTORIDAD , LONDON . "

Telographic

( Incorporated ) .

Telephone No . : 314 Victoria .

PRESIDENT .

THOMAS HARDY ,
COUNCIL

O .. M

.

,

| THE RIGHT HON , THE EARL CURZON , I JUSTIN MCCARTHY .
BIR ROBERT ANDERSON , K . C. B.
G . C. S. I .
THE REV . C. H . MIDDLETON -WAKE .
SIR Wm.REYNELL ANSON , Bart ., D. C. L .
AUSTIN DOBSON.
SIR HENRY NORMAN , M. P.
LORD
Hon . THE
THE
RIGHT
SIR ARTHUR CONAN DOYLE .
SIR GILBERT PARKEK , M . P .
AVEBURY , P. C.
DOUGLAS FRESH FIELD .
J . M. BARRIE .
SIR ARTHUR PINERO .
,
EDMUND GOSSE LL . D.
THE RIGHT Hon . SIR HORACE
SiR ALFRED BATEMAN , K . C. M . G .
SYDNEY GRUNDY ,
PLUNKETT , K . P.
ROBERT BATEMAN .
,
SIR RIDER HAGGABD .
HESKETH
F . E. BEDDARD
F . R. 8.
PRICHARD .
ARTHUR RACKHAM .
MRS. HARRISON (" LUCAS MALET " ).
MR . BELLOC - LOWNDES .
ANTHONY
HOPE
HAWKINS
.
OWEN SEAMAN .
THE RIGHT HON . AUGUSTINE BIR .
E . W. HORNUNG ,
G . BERNARD SHAW .
RELL , P. O.
MAURICE
HEWLETT
.
G. R. SIMS .
MRS . E . NESBIT BLAND .
,
,
W
.
W
.
THE REV . PROF . BONNKY F . R. S.
DR . S. SQUIRE SPRIGGE ,
JACOBS
THE RIGHT HON . JAMES BRYCE , P . C.
HENRY JAMES .
FRANCIS STORR .
JEROME K . JEROME.
THE Right Hon . THE LORD BURGH
SIR CHARLES VILLIERS STANFORD,
HENRY ARTHUR JONES .
Mus. Doc .
CLERE , P. C.
MRS . HUMPHRY WARD ,
J . SCOTT KELTIE , LL . D.
HALL CAINE .
RUDYARD KIPLING .
H. G. WELLS .
J . W . COMYNS CARR .
PERCY WHITE .
SIR EDWIN RAY LANKESTER , F . R. 8.
EGERTON CABtLK , F.8. A.
EDWARD CLODD .
LADY LUGARD
(Miss FLORA
L.
FIELD -MARSHAL THE RIGHT Hon .
THE VISCOUNT WOLSELEY , K . P.,
W. MORRIS COLLES .
Shaw ).
Mrs .MÁXWELL ( M . E . BRADDON ) .
THE HON . JOAN COLLIER .
P . C., &amp; c.
BIR W. MARTIN CONWAY .
AYLMER MAUDE .

COMMITTEE
SIR ALFRED BATEMAN , K . C. M . G .
MBS . BELLOC -LOWNDES .
MRS . E . NESBIT BLAND .
J . W . COMYNS CARR .

OF MANAGEMENT .

Chairman

- DR . S. SQUIRE
MAURICE HEWLETT .
W. W. JACOBS .
AYLMER MAUDE .
HESKETH

SPRIGGE .

ARTHUR
RACKHAM .
G. BERNARD SHAW .
FRANCIS STORB ,

PRICHARD .

DRAMATIC

SUB - COMMITTEE

.

Chairman - R . C . CARTON .
RUDOLF
BESIER .
C, HADDON CHAMBERS .
ANSTEY GUTHRIE .

MISS CICELY HAMILTON .

| JEROME K . JEROME ,
W . J . LOCKE .
JUSTIN HUNTLY MOCARTHY ,
CECIL RALEIGH .

PENSION
ANSTEY GUTHRIE .
ANTHONY HOPE HAWKINS ,

| G. BERNARD SHAW .
MISS E. M. SYMONDS .
JAMES T. TANNER ,

FUND COMMITTEE

Chairman - Dr . S. SQUIRE
OWEN SEAMAN .
M . H. SPIELMANN ,

SPRIGGE .

.

MRS . ALEC TWEEDIE .
MRS. HUMPHRY WARD .

COMPOSERS ' SUB -COMMITTEE

GRANVILLE BANTOCK .
PERCY C. BUCK , Mus. Doc .
THOMAS F . DUNHILL .

ChairmanSIR

.

CHARLES VILLIERS STANFORD , Mus . Doc .
CECIL FORSYTH .
HERBERT SULLIVAN .
JOHN B. MCEWEN .
WILLIAM WALLACE .
ARTHUR
SOMERVELL .

COPYRIGHT SUB - COMMITTEE .
H. A. HINKSON .
E . J . MACGILLIVRAY

.

SIR CHARLES VILLIERS
Mus . Doc .
M. H . SPIELMANN .

STANFORD , |

ART.

| JOHN HASSALL , R. I .
THE HON . JOHN COLLIER ,
J . G . MILLAIS .
BIR W. MARTIN CONWAY .
FIELD , ROSCOk &amp; Co ., 36, Lincoln 's Inn Fields , W . C.
G . HERBERT THRING , 39 , Old Queen Street , Storey 's Gate , S. W. ) Solo

HERBERT SULLIVAN .
JAMES YOXALL , M . P.

SIR

ps.

ARTHUR RACKHAM .
M. H. SPIELMANN .
Secretary - G . HERBERT THRING ,

Legal Representative in America —JAMES BYRNE, 24, Broad Street
39, OLD

OFFICES .

QUEEN

Solicitor in England
La Société des Gens de Lettres.

,

STREET , STORDY 'S GATE , 8. W .

New

York , U . S. A .

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,

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6

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)

232

(

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9
,

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Feb

,

Feb

Letts Miss

Cooke
Annesley

'

0

237

0

Feb

THE list printed below includes
fresh dona
subscriptions
tions
and
donations
and
subscriptions
not hitherto acknowledged
received
promised
January
the fund from
1912
given
does
not include either donations
January
prior
nor does
include sub
scriptions paid
compliance with promises made
before
The full list
annual subscribers
the fund
appeared
The Author
the November issue
by
,

.

.

in

,

,
F

.,

per

06

addi

present subscription

,

Feb

. . .
8 8 7
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198

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Miss Edith

1912

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121

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Matcham
Mrs
Stayton Frank

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Canada
Land Grant Stock 1938
Antofagasta and Bolivian Railway
Preferred Stock
Central Argentine Railway Ordinary
Stock

Jan
Jan
Jan
Jan
Jan

. .
7
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132

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438

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1937

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addition
present subscription
Hedgcock

Jan

Stock

1919

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258

0

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of %

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Stock

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present subscription

0

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%

of

0

Jan
250

Miss Alice
Sturt George
Wicks Mark
addition

,

200

Worsley

Jan
Jan

,

Stock
Glasgow and South Western Railway
Stock
Preference NOCK
New Zealand 31
Stock
Irish Land Act
Guaranteed

Subscriptions
1912

. . .
2 2 1
, , ,

291

11

Consoli

Inscribed Stock
London and North Western
Debenture Stock
Irrigation
Egyptian
Government
Trust
Certificates
Cape
Good Hope
Inscribed
dated

0

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$21
%
. 70

:

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.,

is

4d

to

in

is
a

.

,

£4

of

,

Fund Committee that
further sum available for the payment
pension
should be
case any application
amounts
now
invested
The money
fully set out
198
and
the list

.

of

.

in

to

to

in

informing the Pension

there
another
made
846
below

'

at

.

.

5
%

in

The amounts purchased
the present prices are
£237
the former and £232
the latter stock
The trustees desire
thank the members
the
society for the generous support which they have
given
the Pension Fund and have much pleasure

The secretary would like to state that he
received three bankers
orders
answer
recent appeal unsigned without any covering letter
glad therefore
He would
those members who
may have sent
recognising them
these orders
from their description
would write
the secretary
the matter
the London
Bankers Order for 10s drawn
County and Westminster
Bank Maidstone
the National
Bankers Order for 10s drawn
England Baker Street
Provincial Bank
the London
Order for 58 drawn
Bankers

'

and

Ordinary Stock
Ordinary Stock

'

in

Antofagasta

on

purchase

the

of

of

£500

Bolivian Railway
Preferred
and Central Argentine Railway

the has

THE AUTHOR .

202

�THE AUTHOR .

,

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April

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One had

,

been settled and the solicitors
report the settlement
another next
judgment had been signed
case
work where judgment had been signed

of

a

.

month
dramatic
behalf
one
the members
the society
the
solicitors had got into touch with the defendant
and hoped
able
make some satisfactory

,

of

to

be

to

of

,

In

of

as to

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in

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being
increase thirty three members and associates
added
the list making the total election for the
year 133
There were six resignations
The solicitors then laid before the committee
report
the legal work done during the month
the last meeting they reported that writ had
royalties
They were
been issued for the recovery
now happy
state that the royalties and costs had
been paid and the matter settled
the second
case reported also
the last meeting where
writ
had
been
issued
the accounts had now
been
obtained
The solicitors having
elicited
full
statement from the other side now reported that
position
they were
settle
another case
chronicled last month the advice
the committee
had been accepted
the member concerned and
the case was closed
The solicitors reported that
bankruptcy case which the society had taken
behalf
one
members they were
money would
forthcoming
afraid
certain
paper
number
actions had been taken against
behalf
contributors whose payments were

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committee met
the offices
the society
April 1st According
the usual custom
the chairman
the current year was elected
this meeting being the first meeting after the
general meeting
annual
when
the
committee
Squire Sprigge
election takes place
Dr
the
proposal
Sir Alfred Bateman seconded
Mr
Hesketh Prichard was elected chairman for 1912
The committee then proceeded with the election
report another large
members and are glad

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6 , Cameron , Mrs . Charlotte
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203

�THE AUTHOR

.

to

to as

.

of

it

,

be

to

be

.

,

to

to

It

.

, :

.

to

,

,

,

,

,

in

of

,

.

of

a

a

,

,

to

.

at

.

be

:

as

.

'

in

1
.
2

for

recovered

The

Cost

of

of

issue

Production

.

be

a

.

a

of

on

.

fresh

to

the

second

ask

of

the matter

be

,

They did not think
proposal that
would

in

.

,

to

.

,

's

All these matters had the committee serious
they
consideration
After considering
the first
print further agreements from time
decided
time with comments
to

expense

it

At

if

.

in

,

will involve

the committee

in

,

the

on

view

,

of

it

be

of

of

.

its

of

to

,

be a

,

.

on

it

possible for them
moneys recovered for members
for commission
They considered that such
claim
even
could
undignified
made legally would
the
same time they wish
chronicle the fact that some
members have recognised the work
the society
capital fund
donations
The Cost
Production the
the matter
may
possible first through
committee think
the columns
The Author and finally
book
forn
issue some articles
this subject but
it

-

money

sums

published

to

to

.
J.

W

of

-

re

of

by

of

. .

.

-

-

,

'

That

should

,

of

,

.

of

.

by

fund
commission
members

,
of to

- -

com

.

.

to

of

-

re

on

.

T

.

by

-

elected

published
That further articles should
Author dealing with publishers agreements
That the society should claim for the general

.

.

,

to

in

an

of

of

-

-

.

.

The other sub committees were

The

3

,

,

of

by

as

to

of

at

fill

the vacancies
the Dramatic Sub Committee
the retirement
Mr Granville Barker
These gentlemen had
and Captain Basil Hood
been approved
the dramatic section
the
having
society
The Composers
Sub Committee
only recently been elected
the election was con
firmed

if

,

to of
-

-

its

do
an a

of

,

.

he a

be

of

re

election
the sub committees which also takes
place
the first meeting
the Committee
Management following the general meeting

caused

,

it

of

if

A

complaint
agreement
which
had signed
While the committee gave the
matter their serious consideration they instructed
express their regret that they did
the secretary
not see how they could interfere
the member
must
bound
the terms
his contract
The secretary mentioned also
action which had
come before the City
London Court
which
His Honour had referred the issues
the arbitra
ment
the secretary
the society
The
mittee authorised the secretary
act
Following the cases came the question
the

The sub commitees were
elected
Mr
Locke and Mr James
Tanner were elected

in

.

as

to

to

best

.

expenses the society
would
assist bim
member laid before the committee
against
publisher
arising out

,

in

a

to

pocket

copyright was next
The question
Russian
reported that Russia
discussed and the secretary
treaty for copyright
and France had signed
protection
He mentioned the steps which had
possible
treaty
been taken
order
obtain
between Great Britain and Russia
and
was
press the matter forward
instructed
The suggestions put forward
the general
meeting
various members were next considered
They were
follows

.

of

at

of

's

a

in
to

the member was
defray out

England

to

a

's
.

to

is

It

.

,

to

an

to

the circumstances
pay
certain
sum

A

it

on

a

of

to

in

,

in

,

to

as

a

but that
willing

The committee decided having obtained the opinion
the chairman Lord Avebury and having care
fully considered the whole situation that they could
not accept the resolution and instructed the Nobel
Prize Committee
that effect
The committee
considered that the society
should still maintain
position
recognised by the Swedish Academy
the agent for the collection
the votes

of

, - to it

as

,
to

,

to

to

In

, .

a

of

.

,

to

.

If,

,

to

,

if

.

in

solicitors
out the facts
detail
The com
mittee gave the whole matter very careful con
possible
sideration and authorised the solicitors
settle the dispute acting
arbitrators between
they
the two parties
however
found
impossible
settle they were
refer
back
the committee
The secretary
then laid before the committee
the members had received from
letter one
publisher
He was instructed with the member
authority
write
the publisher
the matter
another case the secretary put before the
committee the desire
member that the society
should take steps
discover whether his book was
being pirated
necessary
the Colonies
regard
state
this case that the society had
already taken action
the request
the member
infringement which had occurred
stop
England and had obtained
large sum for him
damages for such infringement
The committee
point out that
instructed the secretary
was
scope
outside the society
act
detectives with
discovery
infringements
copyright
view

Caine , subject to
duties , was elected
in recognition of

committee as to
literary
and the
dramatic censorships
The secretary was instructed
write
the member making the enquiry
explaining the work which the committee had done
inexpedient
would
set out fully the action
may
the committee but
well
state
importance
that matters
such
authors and
dramatists had not escaped their consideration
resolution from
the Nobel Prize Committee
requesting their disbandment was next considered

be

set

related to a dispute between two members of the
society .
The legal position , which , originally , had
been very complicated , had been made clearer by
the explanation of the complaining party , and the

without alteration , but Mr. Hall
his being willing to undertake the
to the Copyright Sub - Committee
his work on the Copyright Bill .
An enquiry was made of the
their action in respect of the

as its

another case , also for a dra reported at some length .
It

Upon

by

.

settlement

matist , the solicitors

.

In

204

�THE AUTHOR .
, it will

cases which had been taken in hand by the society .
One case of no small importance referred to the
infringement of a member 's copyright in Canada .
The second matter for discussion referred to the
question of fees from
the managers of portable

, by means of a subscription list , to
be
ascertain what support they may expect from the
They desire , however , to add that any
members .
particulars touching the cost of production can
necessary

always be obtained on application to the secretary .
A letter from the advertisement agents was read
to
to the committee , and the committee decided
is
under the present agreement which
continue
binding on the agents and the society for another
two years .
Authority was given for the affixing of the seal
of the society to a divident warrant .

JOINT COMMITTEE MEETING .

the

to

for

,

to

.

In

on

a

to

.

for

.

to

be

no so

of

dramatic

.

-

on

the

.

the secretary reported

.

read

's

.

of

of

at

-

of

THE April meeting
the Dramatic Sub Com
the society
the
mittee was held
the offices
19th
After the minutes
the previous meeting
had been

of

,

.

,

to

's

it

a

of

.

SUB COMMITTEE

-

DRAMATIC

In is

In

,

,

,

, .

of

.

of

in

.

of

.

. In

,

are

April

in

it

Trade

the Easter Vacation falling in
that
few cases
there
only
nine
this issue
month
record
Three
matters has the secretary intervened
One
accounts
these referred
the settlement
the other two cases matters
has been settled and
negotiation
are still
the course
one case
con
the publisher has offered and the author
the
sidering certain proposals
settlement
other case the publisher has pleaded first that the
principal was abroad and secondly that certain
changes were being made
the firm
Another
remaining over from the previous month lies
case
against the latter firm and the secretary has been
obliged
press for immediate settlement failing
necessary
will
transfer the claims
which
the society
solicitors
one case for the return
MS the MS has been returned
There have
money
been
two demands
One has been
recently come into the
settled and the other has
time for reply
the
office that there has been
secretary
letter
Two out
three disputes
OWING

month

,

in

be

of
.

the Board

of

was sent

to

it

to

.

,

to

.

to

to

.

,

of

be

in

to

.

in

by

paragraph
paragraph
The prin
committees
ciples laid down
The
the report were accepted
the members present
invited
then
chairman
which they thought
indicate any other directions
pro
copyright holders should
the interests
discussion
There was some
tected under these rules
points
the
embodied
and finally certain
report were agreed
The secretary was instructed
draft the report and Mr MacGillivray was kind
revising
before
enough
undertake the work

Cases .

in

,

. it

MacGillivray ' s report was forwarded with a copy
of the rules and orders to every member . The
meeting was held at the rooms of the Society of
by
opened the meeting
Arts . The Chairman
reading the report and then placed
before the

The settlement of the schedule of fees referred to
of the sub - committee was
last meeting
, as also was the
discussion
adjourned
further
for
,
question of the collection of fees for amateur rights
paid to agents
be
percentages
should
that
the
and
for such collection .

at the

to

report when it
committees together to consider the
by the Board
time
allowed
As
the
hand
.
to
came
of Trade for submitting any suggestions on the
rules was short , the meeting was called for Thurs Previous to the meeting Mr.
day , April 18 .

to serve .

,

J.

Mr

to of

referred the matter ,
the secretary
. E.
from counsel to obtain a report
MacGillivray _ and to call a meeting of the three
whom

End Managers by the chairman of the
and
considered
was
Sub - Committee
Dramatic
settled , and the secretary was instructed to obtain
the chairman 's signature and to forward the letter .
gentlemen to
The sub -committee also chose certain
the duties of
—
subject
consent
their
to
undertake
delegates to meet the representatives of the Society
, and the secretary was
of West End Managers
willing
instructed to enquire whether they would be

in

JUST before the Easter holidays the Board of
Trade forwarded to the Society of Authors the draft
of the statutory rules and orders provided under
6 , of the
19 , subsection
section 3 and section
to call
,
time
no
Copyright Act 1911 . As there was
holidays , the Chair Easter
meeting
the
after
till
a

man , to
decided

the
with
communicate
would
association
Dramatic Sub - Committee when the matter under
placed
before the annual
discussion had been
general meeting of that association , which would
take place in June .
so
The Managerial Treaty , which had taken
much of the time of the sub - committee and the
The draft
Dramatists ' Club , was finally settled .
of a letter to be sent to the chairman of the Society

that

of West

ACT REGULATIONS . "

“ COPYRIGHT

theatres , and a letter was read which had been
received from the secretary of the Travelling Theatre
Managers ' Association in which it was stated that

,

they can undertake the work

that before

feel

205

�THE AUTHOR .

.

William

Mus . Doc .

,

Norton .
Bank Cottage Grass
ington
Yorkshire

.

Burns

H .,

Sterrey , Charles

.

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Ernest

Villa

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Portsdown Man

sions , W .
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Clock

House

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206

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ART

SHAKESPEARE MEMORIAL SOUVENIR
THE SHAKE
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Edited
MRS GEORGE CORNWALLIS
WEST
113
Warne
By WILLIAM
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delivered
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WHILE every effort
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DOMESTIC ECONOMY
By MARIE
YOUNG HOUSEKEEPERS
LETTERS
Supplement
JONCOURT
MRS
PHIPSON BEALE
WHOLESOME COOKERY
the Samé Author
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aper
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Cloth

�THE AUTHOR .

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Our Future Existence
Surviving
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purviving
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Dulo Fred
VOSCIOUSNESS
primary object
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The edition will
com
volumes price
nett each
photo
frontispiece
Each volume
contain
map
gravure and
the novels
the Wessex
and poems
The author has written
new general
preface for the present edition which appears
pleted

In

.

.

51

By SIR RAY LANKESTER
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114

8
}

works
with preface and notes

Co
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.pp

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120

.

.

.

DRAMATIC
NOTES

the Urbevilles and Far from the
Madding Crowd
are the first two volumes
published
the new Wessex edition
the
prose and verse
Mr Thomas Hardy

«

7
X OF
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ON

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Jerusalem
has also appeared
has been
revised and enlarged with plan
Jerusalem
four
maps and five page illustrations
published
Messrs
Black
Free Farmer
Free State
study
Robertson Scott
Home Counties
rural life and industry
Holland
The author
has visited Holland
intervals during the past
quarter
century and has made
study
the
agriculture and horticulture
every one
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Messrs
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the United
States
Stacpoole Kenny
have published Louise
Knight
the Green Shield
romance
the days
Saint Louis
This firm previously
issued
her
Charles Borromeo
sketch
the Reforming Cardinal and
Francis
Sales
Study
the Gentle Saint
Egypt
Corn
the title
new book
Mr
Newton Bungey which Messrs Lynwood
English
Co are publishing
The scene
laid
village and the
Egypt
corn
the new rector
who
bachelor
There
considerable golfing
element
the story
Queen Alexandra
has graciously accepted
copy
Mr Isidore Ascher volume
sonnets
which Mr Arthur
Stockwell has just published
Mr Robert
Sherard has recently finished
York

;

,

Duchess

Montgomery
new
novel
The Gate
published
will shortly
Mr John
Long
The Gate openers
the germ
which
serial form through the Sunday Chronicle
under the title
Rebekah Rioter
deals with
the history
the toll agitations
South Wales
during the
Hungry Forties
George
Mr
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The City
Light
Story
Modern Paris published here

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man must hold
for the accidental slaying of
another
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by the same author has
setting
Horseshoe
Cornwall
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new
novel
Until That Day
Harold
Wintle

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of

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of

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for his former sweetheart
Yvonne Duchesse
Nevers
interwoven with the romance and many
famous personages besides the Roi Soleil appear
amongst others James
pages
his Queen

with the problem
himself responsible

: .

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,

his

of

ignorance
fate gets brain fever and when
through many trials
goes
she recovers
The
story
the love
Alain
Vicomte
Lescure
Iseult
brother
for Aileen Macnamara and

the Delhi Durbar
Mrs Cameron was
correspondent
for The Lady
Pictorial
during that period
graciously
Her Majesty
the Queen
has been
accept
pleased
set
Mrs Alice Perrin Anglo
Indian novels specially bound
Mrs Fred Reynolds will publish shortly through
Chapman
Messrs
Hall her twenty first novel
entitled
The Grey Terrace
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novel
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Her husband Victor
passionately
Saint Armand
resents
the king
embrace throws
wife from him
and riding
stormy scene with Louis
Versailles
has
As
result the Marquis disappears
and Iseult
left

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£260 Story Competition run
that magazine
Mrs Charlotte Cameron
whose last book
Woman
Winter
South America
was published
publish
Messrs Stanley Paul
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her
Greening
previous novel
Love
Life
appear
this historical romance
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Iseult Marquise
Saint Armand relates the story
the kiss she was forced
receive from Louis
Quatorze
order
save the life
her Irish
Harry Macnamara
Whig and
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208

�THE AUTHOR .

209

not only the details of agricultural organisa
tion , but also the
intimate
life of the rural
population .
Mr. William Heinemann publishes
the book .
Mrs . Alec Tweedie has an article on “ Eugenics ”
in the May Fortnightly .
It is particularly welltimed , as the first
International Congress of
Eugenics is to be held in London in July , opening
with a banquet on the 24th ,which will be attended by
prominent men and women from
over the world

Messrs . Maunsel &amp; Co . , Ltd . , of Dublin , the
publishers of the works of J . M . Synge and of
other notable books by Irish writers, inform us that
they are extending the scope of their business so as
to include in their catalogue works by British
and
American
authors generally , and that they have
opened
now
London
offices
at Oakley
House ,
Bloomsbury Street , W . C.
Messrs . Longmans, Green &amp; Co . have just pub

who are interested
the betterment
the race
The Girl
Book about Herself
the title
volume which Messrs Cassell
are publish
ing for Miss Amy
Barnard
Written
pur
style
chatty personal and confidential
pose
give helpful advice
girls
their middle
and later teens
The book
issued
net
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with
Talks
with
Children
About
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was followed by another play
bourne
Stamp Day
the Kitchen
entitled
Mr William Boyle new play Family Failing
March
the Abbey Theatre
was produced
one
Irish rural life and the theme
The play
the laziness
certain family
Irish farmers who
neglect their land until they are almost without any
relation from
The arrival
food supplies
tempo
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The Early History
Jacob Stab
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The
Hampdenshire
appeared last year has
Wonder
appearing
Candidate
for Truth
new volume
through Messrs Sidgwick
Jackson Ltd

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of

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Tom

Bright
new novel
with the
The Free Marriage
follows
Shame
same publishers Messrs Stanley Paul
prodigal father confronted with
son
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verify
unawares whose parentage he has bimself
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illustrated from photo
graphs and drawings
Mrs Barrington
War and
Woman
the title
Mr Max
published
Pemberton
new book
Messrs
May 2nd
Cassell

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Best Books
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causerie
the best books published
this
unfailing index
country during the year provides
every department
the progress made
each
and
literature
addition
science
art
number contains nearly
000 words
matters
everyone connected with books
interest
Rafael Sabatini has chosen for the title
this
the Duke
The Justice
his new novel
story Mr Sabatini presents the real Cesare Borgia
settings purely arti
but
visualises him
Co are the
Messrs Stanley Paul
ficial
They have added also
publishers
Two
their
Shilling
The
novel
Series Miss Dolf Wyllarde
story
Riding Master
modern London life with
sporting interest now
its sixth edition
Stanley Paul
Messrs
new addition
The Dream
Clear Type Sixpenny Series

May

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an

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of

of

appeared
number
which
under the title
The Librarian
about two years ago
The journal
which several new features are being introduced
independent one and representative
the
whole profession and should appeal
the librarian
publisher bookseller
and bookbuyer alike
well
the curator
museum and art gallery
the general reader
should
assistance

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the Sheffield Weekly Telegraph
Stanley Paul
Messrs
announce that
future commencing with the May issue they will
publish
The Librarian and Book World
the first

Percy

friends
Then follow reminiscences
Harrow and
Cambridge
experience
times and the author
Municipal and Parliamentary life
The last chapter
devoted
athletics and con
tains among other things
account
the contest
between the Jesus College Cambridge
oarsmen
and
the Belgian crew which took place
Ghent

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Some Things We Have
Thornton
The object
pursued
the author has been
record
various
public interest
matters
the century covered
father and
son members
the family
Birkin
Yorkshire
Thorntons
experiences
Admiral Thornton
the French
American and Burmese Wars form the staple part
the earlier chapters although intertwined with
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La Philosophie
Henri Bergson
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the French Institute writes
the preface and
Ch Pellegrini
President
Republic
the Argentine
introduction
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Under Secretary

XXeSiècle
Albert Martinez
and Maurice Lewandowski
docteur
droit
The Argentine Republic
greatly
present
seems
favour
are
judge
published
the amount
literature
quite recently
the subject
The volume which
we are now recommending
our readers has been
approved by the French Academy and
authors
have been awarded the Fabian prize
Emile

quelques Ouvriers
the French Academy
This book
valuable
account
historical interest and
absolutely reliable information
the amount
contains
The language
which the information
example
conveyed
the most admirable
French prose
Le Règne intérieur
Henri Bataillé
thoughts
volume containing
selection
this

Etienne Lamy

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Auguste
Chatillon
Quelques Euvres

automobiles cycles and
the various inventions
soaring
hitherto tried
the sky
The volume
contains some twenty two coloured and 200 black
and white illustrations
Un Champ
Paul Bernot
This little
intending explorers
guide
volume may
used
country
search
which they may make
money
The enormous natural resources
the
Argentine Republic point
the fact that
must
intelligent
veritable
Land
Canaan
for
colonist
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the lawsuit
and the costs
Critique
Pages
Doctrine
Paul
Bourget
the title
this author
latest book
Anthologie
des Humoristes
français contem
porains
Pierre Mille
This little book
the well known author
Barnavaux
col
lection
some
the most amusing pages
French writers during the last hundred years
Not
only
the little volume
the greatest interest
the ordinary reader
will
found invaluable
monologues and amusing
search
the entertainer
Among others we would
stories
recitation
especially mention the pages from authors such
Maurice Donnay Tristran Bernard
Alfred Capus
Alphonse
Allais
Courteline
and
Les Poeles
mobiles
MacNab
Le Hareng saur
Charles Gros
Guillotine par persuasion
by
paletôt
Chavette
and
Levrette

chariots and vehicles
various kinds
There are
public
later
the sedan chairs and all kinds
and private conveyances post chaises and finally
trams railway carriages above and below ground

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lawsuit has been brought against the Pathé
Cinematograph
Company
Madame Hémon who
Prosper Mérimée
the proprietor
works
story
his had been adapted for the Cinemato
graph without permission
The company has been
requested
question from its
take the number
catalogue and
pay Madame Hémon
000 francs

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months

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most remarkable
women
Vie économique
Frédéric Passy member
the French Institute
the title
small pub
lication
the eminent writer who
such
ardent pacificist
The name
the author
sufficient guarantee
the value
the little work
temps
Locomotion
travers
meurs
espace
Octave Uzanne
the sub title
picturesque and anecdotal résumé
tells
the
history
the various terrestrial and aerian means
transport
this book we have some twenty
illustrations showing the most primitive styles
“

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by

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of

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Franco Russian treaty for the protection
French literary property has now been
ratified
the Czar and the French Govern
ment When the signatures have been exchanged
the law will come into force
the end
six

M

definite and authentic account
one
the most
prolific
French women writers and one
the

et

HE

NOTES

.

PARIS

some years since the other two volumes were
George Sand have
published and many admirers
been waiting with impatience the conclusion
place
the
work which will probably take
of

. E.

,

.

,

Henry Lonsdale and Miss Nora Lerin

sa

,

,

.

.

Mr

Scanlan

Euvres
et
the third volume
value
stands first
which
work
amongst
the books that have been written
large brained woman and large hearted man
that
the gifted author
self called George Sand
Browning
styled
the English poetess Elizabeth
vie
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undoubtedly

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to

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Slavonia
Queen Margaret
deals with the flight
which she
the government
from the country
supposed
associated with her consort King
whose unbridled debaucheries drive her
Ferdinand
disgust
The cast includes Mr Stephen
forth

Sand ,
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Vladimir Karénine

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Doherty and Mr Fred
Donovan
play
The Apple
Carlton Wallace
Mr
produced
originally
the Elephant and
Eden
August
1910 was staged
Castle Theatre
Its plot
the New Princes Theatre
last month

ses

THE AUTHOR .

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Regne Intérieur
Sansot
George Sand
vie
ses euvres
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vie économique
Larousse
temps les meurs
Locomotion
travers
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Or Louis Michaud
Un Champ
Argentine
XXe siècle
Armand Colin
Philosophie
Henri Bergson
Bernard
Grasset
Delagrave
Souvenirs
Universitaires aujourd hui
Bernard Grasset
1871
Commune
Paris
Province
Fevrièr
Tallandier
Mai
Agadir
Calman Levy
Le Mystère
Congrégation
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Art inventer les Personnages
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conclusion
the subjects treated
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1907 Belgium
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translating this book
her compatriots
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Honneur japonais
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ouvrière
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part

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formerly American Ambassador
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presents
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the immense
some interesting details with regard
progress that has been made
this country since
idea
the chapters give
The titles
1884
who know the thorough
the subjects treated and

Revolu

hitherto
the interest and value
this volume
The works
the late
Henri Brisson will
they are most instructive
read with interest
La Congrégation Opinions Discours 1871
1901
volume containing the speeches made
Brisson and his various projects
He speaks
the Congregations
and he gives some inte
resting
opinions
the subject
education
great social problem
which
considers
published
Georges
curious book
Art inventer les Personnages
Polti entitled

;

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of

to

of

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Charles Victor Langlois and Emile Durkheim are
the professors chosen
the author
this study
Belge
Les Catho
E
tat
social
Euvre

active
that

André Tardieu
which
will throw much light
the
the diplomatic crisis
1911
Various
unpublished documents add considerably

by

of

an

,

be

to

,

,

studies
idea regarding
some
the professors
the
Sorbonne exercising
immense influence over the
day
French youth
Ernest Lavisse Gustave
Lanson
Charles Seignobos Henri Lichtenberger

Province

by Lieutenant

.

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savant and
celebrated statesman could
not fail
interest the public and the publication
cheaper edition making
more possible for
the book
read
the general public
wise
idea
aujourd hui
Universitaires
Pierre

,

letters

Colonel
Rousset
who took
lieutenant
the military events
tion
Mystère
Agadir

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all

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to

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by
Freycinet Member
Souvenirs
Academy
French
and
President
the
cheaper edition
the
Council
This volume
work which attracted such attention some little
Thirty years
time ago
the history
France
embracing one
the most agitated periods
the
Century written by
eminent man
Nineteenth

Commune
Paris
book written

Mai

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of

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Conscience ,” and “ Matière et Memoire .” This little
pamphlet was written at a time when the philosophy
way and would
of Bergson was just making
invaluable
his disciples
account
the extreme
given
clearness with which the exposition
this volume
Gillouin we have the Bergson
day and we see the gradual evolution
his
certainly
ideas
book
read by
who
metaphysics
are interested

Fevrièr

is

sophie , Bergson , " published by Girardi et Audebert ,
of Dole . In that little pamphlet we had a clear and
simple exposition of the first principles of Bergson .
The headings of the three divisions of the little work
were “ Kant et Bergson ,” “ Données immédiates de la

the

1871

“

since

to

years

“

eight

some

us that little masterpiece of
erudition and conciseness , entitled “ Nouvelle Philo .

M

now

of by

is

gave

A

It

Coignet

C.

T

thought .

211

�THE AUTHOR

is 5

in

of It

to

in

to of

to

,

no

is

.

.

by

to

,

is

to

in

inaccurate
wwUrave
newspaper pro
Under the law
now existing
prietor acquires by section
the Copyright Act
1842
limited copyright only
the work
the
his staff and
members
those authors who are
specially commissioned
write articles As regards
casual contributions he acquires only such rights
he bargains and pays for But what Messrs Leng
now propose
that the whole copyright given
a

of

of

in

18

of

as

to

the

also quite

engraving photograph
the case
other original was ordered by some other
person and was made for valuable consideration
pur
suance of that order then
the absence of any agreement
contrary
person
by
plate
the
the
whom such
other
original was ordered shall
the first owner
the copy
right and
where the author was
the employment
some
apprenticeship
other person under
contract
service
and the work was made
the course
his employment by
whom the author was employed
that person the person

society must
strongly warned against assigning
their copyright
much enlarged under the Act
newspaper proprietors
1911
others with
They should look with great
out taking advice
any letters sent out
publishers
distrust
by proprietors
books
music
whether

in

-

be

's

of

)

be

(

!

.

,

,

no

of

of

a

to

in

.

as

,

in

is

,

of

.

in

to

be

of

of

by

,

or

of

,

or

so

or

.

to

— be

,

of

to

,

of

.

is

in

of on

of

or

of

—

of

in

-

in

or

of

be

byin

a

,

or

: of
,

,

,

,
in

,

,

;

of

of

as

So

.

to

anof

or

in

of

be

of

to

:

as

5
)

,

to

(b
)

accordance with the terms
the letter under
mere
not one
The matter
consideration
formality but
serious importance
the owners
copyright property and all members
the

of

,

,

of

on it

him

do to

,

to

is

so

in

to ,

or

he

or

he
is

is

(

(
1
)

(a
)

where

portrait the plate

in

the new Act
itself much more extensive than
under the existing law
should
vested
them
absolutely
separate
The author existing right
publication
twenty eight years would
after
extinguished
Leng would
and apparently Messrs
any form whatever
publish the work
able
The last paragraph
the letter therefore
the
first
our opinion distinctly misleading
The
society would strongly advise authors
circum
stances
make formal assignment
the copyright

to in

a

an to

the Act

.

.

.,

&amp;

.
C
.

prior

.

.

in

W

of
an
a

to

and does not make any alteration

to

us to

,

byto

of in

or

or

)

(

Act

.

of

,

on

or

to

,

or

to

to

of

is

If

is
a

to

of

5

,

, be

to

,
in

or ,

of

is be
.
a

,

it

.

the

conditions existing
as

no

,

,

,

,

,

to

,

in

communication might lead the person
entirely wrong deduc
sent
make
newspaper desires
tion
the proprietor
obtain the copyright
the contributions from
author
has only
state when ordering
the
story
accepting
when offered that
article
willing
pay
much
condition that the
copyright
conveyed
but this form
con
tract has nothing
with the Copyright Act
1911 nor with any other Act
far
that Act
concerned the section
which the letter refers
runs
follows
section
Subject
the provisions
this Act the author
work shall
the first owner
the Copyright therein
The

whom

Leng letter
misleading
say that the assignment
But more than that
copyright
such
mere formality required

Messrs

is

th

or

by

to

.

objection
We presume therefore you will have
agreeing that from this date onward by Section
the
Copyright Act 1911 we are
entitled
all rights
every description
any article
sketch photograph
prepared by you
other contribution
written
our
behalf unless
course definite arrangements relating
any particular article
photograph are made between
the contrary
glad
We shall
have your assent
this arrange
ment which
mere formality required
the Copyright
Act and does not make any alteration
the conditions
existing prior
the Copyright Act
1911 when the
copyright
photographs was also vested
such articles
periodical
the newspaper
which they appeared
Signed
Sir
LENG
Co LTD

is

or

,

to

newspapers that the newspaper
periodi
contributors
cal which accepts such contributions should have
copyright formally
conveyed
them
the anthor
contributor

's

' ,

all

:

it

, the new Copy Daily
right
for a suggestion
inimical to the interests of authors . The letter
runs as follows
Owing to the provisions of the Copyright Act , 1911, it
is necessary that it should be understood by
occasiona

to

Sir W .

Sheffield

to of
a

.

..

of the

of

issued by Messrs

to a letter

&amp; Co ., Ltd ., proprietors
Telegraph , in which , again
Act is cited as a reason

Leng

,

C.

,

now be drawn

It does not appear under this section that the
proprietor of a newspaper is entitled to the copyright ,
except in the case where a photograph is ordered by
the proprietor or where an author is on the staff of
the paper under a contract of service or apprentice
ship . In that case the copyright in the photograph
ordered or the work done by the member of that
staff belongs to the owner of the newspaper , as a
matter of course , subject to the proviso that the
newspaper owner
the work in
cannot publish
separate
form .
But the work of occasional or
casual contributors , or anyone who is not in the
employ of the paper , does not come under section 5
all and there
reason whatever for authors
contrary
fact
the best interests
all
any work
assign their copyright
authors
the
proprietor
paper
therefore seems
us the
reference
section
the Copyright Act

.

one -third of the royalties so collected should be
handed over to the publishers .
It is needless to
repeat the details of the matter , as any member of
the society can refer to them in The Author.
The attention of the members of the society must

a

Copyright Act an excuse for collect
royalties , on the condition
that

new

ing gramophone

a

make the

in at

number of The Author an article
showing how a company promoted
by certain music publishers was proposing to

of

the March

appeared

1

shall, in the absence of any agreement to the contrary , be
the first owner of the copyright , but where the work is a
contribution
to a newspaper , magazine, or similar periodi
cal , there shall , in the absence of any agreement to the con
trary , be deemed to be reserved to the author a right to
of the work , otherwise than as a
restrain the publication
part of a newspaper , magazine , or similar periodical.

of

.

.

Co
.

IN

SUGGESTION

&amp;

CURIOUS

A

by

212

�THE AUTHOR

,

no

or

it

of

,

,

in

, ,

.

in

of to

in

a

,

to

in

.

In

,

in

.”

$
1

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14
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of

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a

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-

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A .
.

By
R

,

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M

.

.

S

.
.

Ellis

.

Austin Dobson

TO

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0 0 0 1 3 £4
to
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for 0 6 0
.

SCALE FOR ADVERTISEMENTS

..
.

of

for
a

per

20

aa
of

Six

(

ALLOWANCE
MEMBERS OF THE SOCIETY
Front Page
Pages
Other
Page
Hall of
Pago
Quarter of
Eighth of
Page
Single Column Advertisements

,

,
,

29

Co
.

.

centmade
Series
Twelve Insertions.
All letters respecting Advertisements should
BELMONT
Paternoster Square London
&amp;

Reduction

.

.

By

.

's

Biographer

a

of
is

.

.

of

Gray

to

be

of

By

.

.

of

,

James

NATIONAL

in

in

,

of

Scott

FORTNIGHTLY

of
.

or

,

By Frederic Harrison

London Journalism

By
George Meredith and His Relatives
William
Cobbett
Lewis Melville

If

“

:

pictures were copyrighted the fact that they
were published over there without any notice
entirely
any other paper would
copyright
immaterial and the fact that they did not have
knowledge that they had been copyrighted
immaterial unless those English copies had been
published with the consent
the Life Publishing
Company and without any notice
copyright upon
these

ENGLISH REVIEW
Books

in

of in

The Crisis

.

of

,

of ,

of

My

Among

,

on

,

of

to

,

for

for

by

.

in

,

a

.

,

so

By Neil Munro
Robert Louis Stephenson
By Thomas Seccombe
Borrow

's

it

CONTENTS

BOOKMAN

.

's

in

on

MAGAZINE

.

in

It

pirated certain illustrations from Life
that the
reprinting the pictures again
this side
Vail
were plainly infringing Life copyright
The Mail case was aggravated by the fact that
had infringed
third time after warning from
two previous infringements and while reparation
settlement
for the first infringement was
damages
Suit
was brought
Life
the
Circuit Court
the Southern
District
New
losing there the Mail carried the
York and
Appeals
The defences
the Circuit Court
case
The only
the Mail were involved and various
ignorance
moment however was that
one
the illustra
American copyright
the existence
tions complained
the
his charge
On this point Judge Holt
jury said
the defendant had knowledge that

,

of

on

,

by

it -

,

is

of

in of

of

an

or
,

Juil

”
–

in

“

—

, a,

illustrated Saturday supple
which
the matter
seems pirated
the language
the
got from
papers
certain foreign
not copy
righted
this country
these papers had
turn some
seems that

in

.

and Express

The Mail issues
proportion
ment

“

:

,

so

, ,

at

New

is

U

for copyright
York Mail

suit

of

won

infringement against the

to to be in

just

has

EXPRESS

AND

."

“

.

v

MAIL

a

IFE

”

LIFE
”

“
&lt;

to

of

.”

of

,

of

I

specific
notice
addition
the copyrighted
notice
the head
the paper that all the pictures
Life were covered
the copyright and must not
used without special permission
addition
respect
that there
the evidence
this case
this change
the edition containing the last
picture which was issued
The jury found for the plaintiff and the judg
Appeals
ment was confirmed
the Court
damages being assessed
the amount
043

a

.

to

CASE

of in
by

UNITED STATES LAW

he

it

he

he he

as

recall his evidence
On the other hand
the fact that they were published
Life
that the Mail and Express was
the exchange
list
Life
that copy
Life was sent
them
every week and that there was put
these
each
numbers sent
them this blue slip which contained
Life

you have

of

.

is

on

is
,
of a to so

it

is

It

.

to

a

do

to

If

.

on

be

of

quite clear from the terms
mere formality
the section referred
that such assignment
matter for the most serious consideration

about the knowledge
defendant whether these
pictures were copyrighted you have the evidence
one hand
the gentleman who testified here
that
did not know that they were copyrighted
and
did not know that they were published
of

work

copyright
copies from and which had
which
notice upon
was permitted
was authorized by
the owner
the copyright
infringe
But because the question
intent
damages recover
bears directly upon the amount
Judge Holt added
Upon that question
able

,

for

their

.

defence

,

an

copyright

the

they desire
assign
under any circumstances
the right
serial reproduction they should
very careful not specifically
but they should
assign the copyright
the suggestion that

213

In order to enable a person to set up a
in such a case that he copied a copyrighted
article in good faith when it had no notice of copy
right upon
must show that the publication
them

,

assign

never

in

should

.

is

be

;

of

a

,

it

in

,

to in

to

his

papers or periodicals which refer to the Act of 1911
in such terms as those contained in the letter quoted
above. After all a newspaper proprietor does not
protection more than the right
need for
agreement
publish the work
his columns and
by the author not
republish
any other form
for
certain time afterwards which would vary
with the nature
the paper and those who ask
necessary must
more than
dealt with carefully
The society constantly advises authors that they

.

PER CENT

inch

cent

addressed

�obtained
But the transaction
should
competent agent
with the advice
the Society

of

managed
Secretary

the

.

,

or

by
of a

.

THE SOCIETY

USE

TO

,

HOW

be

THE AUTHOR .

214

to
:

of

.

,

,
or

,

to

is

up

to

or ,

to

.

or

.

It to
is

,

.

to

to

.

in

.

,

of

.

.

a

of

:

of of

of

,

to

.

.

.

if

by

an

be

or

is
a

of

,

,
in

of

.

.

a
TO

.
for

an

in

for

of

.

.

:
of

on

by
a in

of

of

for

a

.

can

to

.

of

or

it

of an

a

are

is

contract should stipulate
tbe contract
production
the piece
certain date
and for proper publication
his name
the
play bills
such

-

price

be

,

if
a

.

proper

",

for
“

.

.

by

,
ke
or
a

,

is

It

to

to

of

.

:

DRAMATIC AUTHORS

be

of to

is

.

.

3
in
in

of

:

Outright

sometimes satisfactory

of

(a

in

to

a

to

to

of

.

copyright

plays
There
three forms
dramatic contract
three or more acts
This
the performing right
Sale outright
unsatisfactory
An author who enters into
(a
).

an

be

.

to

It

.

2

N

TO

a

.

is

I.

Selling

This

A

.

EVER

transfer

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
play with any one except
the production
established
manager

observed
are
few standing rules
dealing
agreement
There are four methods
with literary property

it

il

TTERE

to

.

an

.

(3
.)

per

THE PRODUCERS
OF BOOKS

WARNINGS

to to

is

.

1s

is

£1

.

to

the Society
£10 10s for life membership
.

,

or

.

9

subscription

Always avoid

WARNINGS

.

;

so

. to

.

8

to

prevent authors from
Some agents endeavour
referring matters
the Secretary of the Society
Members can make their own
do some publishers
deductions and act accordingly
The
annum

-

)
.

ow

.

of

. of
a

.

.

of

of

.

to

on

it

members

behalf

.

.

.

7

be

will undertake

This
The

(1
.)

to

,

to

to

to

.

of

a

of be

.

6

of

stamp agreements
Many agents neglect
first execution
done within fourteen days
must

agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements
letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld
(
2
.)

in

's

.

literary
entered into with
the Society
the Secretary
accept
without careful
Members are strongly advised not
the contracts with publishers submitted
consideration
agents
submit
by
literary
and are recommended
them
the Secretary
and explanation
them for interpretation
the Society

General
All other forms

to

To

a

to

(
3
)

To

(
2
)

.

of

Prospectus

Secretary

The Royalty System

Agreement
Commission
The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book
.

5. The Committee have arranged for the reception of
in a fire .
members ' agreements and their preservation
proof safe . The agreements will , of course , be regarded as
documents to be read only by the Secretary ,
confidential
who will keep the key of the safe . The Society now offers :
possible action
( 1) To stamp agreements in readiness
keep agreements
enforce
upon them
agreements
Fuller particu
payments due according
Society
the
work can be obtained
the
lars

any one solicitor

perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible for
approximately
author
ascertain
the
important
figures connected
truth
From time
time very
royalties
published
The Author
are
with
IY

4. Remember always that in belonging
to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .

No contract should
agent without the advice

A

II
.

(1 In
.)

(2
.)

in
in

(3
.)
..
(4
.)

III

send

for examination ,

. . for

doctor

( ( (
2 1
3
). .) .)

3. Before
the document to the Society

As well bind yourself for the future
!

signing any agreement whatever ,

.

copyright
2. Remember that questions connected with
experi
and publishers ' agreements do not fall within the
scruple to use
,
ence of ordinary solicitors . Therefore do not
the Society .

Profit Sharing Agreement
bad form
agreement
this case the following rules should be attended
pro
sign any agreement
which the cost
Not
duction forms part without the strictest investigation
give the publisher the power of putting the
Not
profits into his own pocket by charging for advertisements
his own organs
charging exchange advertise
his
Therefore keep control of the advertisements
ments
Therefore
special charge
Not
allow
office expenses
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
rights
give up serial
Not
translation
any publisher
Not bind yourself for future work
(6 (5
.) .)

member has a right to ask for and to receive
pub .
,
advice upon his agreements his choice of a
lisher , or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
, they
Solicitors of the Society . Further , the Committee if
opinion
without
deem it desirable , will obtain counsel 's
any cost to the member . Moreover , where counsel ' s
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .

VERY

1. D

�THE AUTHOR .

of great importance ,
7. Authors should remember that performing rights in a
play are distinct from literary copyright. A manager

RAMATIC

authors should seek the advice of the
Society before putting plays into the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire
a
perpetual
claim to a percentage
on the author ' s fees
placing
plays
from it . As far as the
of
is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything
for an author
that he cannot , under the guidance
of the Society , do
equally well or better for himself .
The collection of fees
is also a matter in which in many cases no intermediary
is
required . For certain purposes , such as the collection of
general
,
performances
trans
in
the
and
fees on amateur
action of frequent petty authorisations
with
different
individuals , and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; and
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights . In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

WARNINGS

is

holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed .
ingly valuable. They should never be included in English
agreements
without the author obtaining a substantial
consideration .
9. Agreements
for collaboration
should
be carefully
drawn and executed before collaboration is commenced .
10 . An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract.
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
limited , and that for a novice the first object
is exceedingly

is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .

tracts , those authors desirous of further information
are referred to the Secretary of the Society .

STAMPING

MUSIC .

The Society undertakes to stamp copies of music on
behalf of its members for the fee of 6d . per 100 or part
of 100.
The members ' stamps are kept in the Society 's
safe . The musical publishers communicate direct with the
Secretary , and the voucher is then forwarded
to the
members , who are thus saved much unnecessary trouble .

THE READING

BRANCH ,

EMBERS will

greatly
assist the Society in this
branch of its work by informing young writers
of
existence
Their MSS can
read and
composition
treated
treated by
coach
The term
MSS includes not only works of fiction
but poetry
possible
and dramatic works
and when
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The
guinea
fee
one
as
a

.

its

AND

REMITTANCES

,

of

by
of
to
by

of

or

remittances
Smiths Bank
letter only

give notice
the Society begs
post
are acknowledged
return
should
crossed Union
London and
Chanoery
registered
Lane
be sent
be

All

,

to

The Secretary
that all remittances

.

.

of

.

.

to

.

28
.
6d
.

of

,

filed subject
the same
play will
charged for
be

also

rules with the exception that
per act
at the price

a be

a

to

at

may

of

be

in

.

of

Original Plays

is

,

of

.

or
a

,

byof

be

a

D

to

,

of in

typewritten
duplicate
foolscap paper
the offices
the Society together with
registration fee
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
tant
One copy will be stamped and returned
theauthor
Copies
and the other filed
the register
the Society
the scenario thus filed may
obtained at any time by
typing
the author only
small charge
cover cost
forwarded

is

OCENARIOS

, on

,

it

,

,

PLAYS .

ITTLE

is

SCENARIOS

MUSICAL COMPOSERS .

TO

can be added to the warnings given for the
assistance
of producers
of books and
dramatic
authors . It must , however , be pointed out that , as
a rule , the musical publisher
demands from the musical
composer a transfer of fuller rights and less liberal finan .
cial terms than those obtained for literary and dramatic
property .
The musical composer has very often the two
rights to deal with - performing right and copyright. He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
T
1

M

REGISTRATION
OF
ORIGINAL

AND AGENTS .

. . ,

time. This is most important .
6 . Authors should not assign performing rights , but
should grant a licence to perform . The legal distinction

AUTHORS

. be

also in this case.
4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one- act plays should
be reserved .
5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and

DRAMATIC

a .

16.) Sale of performing right or of a licence to
perform
on the basis of percentages
on
gross receipts .
Percentages
vary between
5
per
and 15
cent .
An author should obtain a
percentage on the sliding scale of gross receipts
system . Should
in preference to the American
obtain a sum in advance of percentages .
A fixed
date on or before which
the play should be
performed .
( c. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i . e. , axed
nightly
fees ) . This method
should be always
except in cases where
the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (6 .) apply

215

�THE AUTHOR .

,

,

(

of

,

, ,

,

.

.

'

a

to

of

In

to of

to ,

to ,

,

,

. to

of

,

to

,

to

,

, .

of

,

to

,

is

of

.

a

a

no

his

it

in for

is

.

as
a

,

it

all

,

those who live by writing but also
those who
who
will be for
write for pleasure the better
profession
engage
literature
We are not quite clear what
meant by the
statement that the writer received nothing
the
may be repeated that
copyright but
copyright
circumstances
should
writer sell
in

continuing interest
when
he retains
the
publication
quite the exception
the work
though not unheard
for
author
receive
money except
royalties
sum
advance
under the agreement

,

a

of to

It

in

an is

.

of
,

as

,

,

to

to

first and second novel
Information
this
the greatest value
not only
the
secretary
but also
members
the society
happens
from
time
time
that members
without taking advice are inclined
undersell
ignorance
the literary market owing
current
prices and
current
terms
The more widely
therefore these terms are made known not only

a

byas

.

of

-

of of

of

as

,

for

kind

of

in

a

of

,

,

as
a a

be

to

TERMS

the Correspondence we publish
letter from
our members referring
the terms obtained

in

in

be

in

,

no

in

,

as

or

a

by
be

one

,

on

as

.

5

of

,
so

in

PUBLISHERS

of

of

as

by

of

of

of

of
a

in

by
,

,

, by

at

of

.
;

,

,

In
In the case , however , of any mechanical repro
ductions of such works made by a manufacturer ,
after the first day of July , 1910 , while the composer
would have no power to stop the continued sale of
such
works , or to exercise any control as to
alterations or omissions , and would only be entitled
royalty
per cept
the
his royalty would
start from the commencement
the Act July
1912 and not
the other cases
from July
1913

to

a

,

so

of

a

as
to to

be
3
:

-

to

in

(a
)

(
b
)
in

a

farthing such fraction shall
farthing
reckoned
There are one
two other sub sections such
one providing for
reconsideration
the rates
public inquiry
the Board
Trade
seven
years after the commencement
the Act and
another empowering the Board
Trade
issue
regulations
give effect
order
the clause
quoted here
but they need not
the quotations

a

no royalties shall be payable
in respect of contrivances
sold before the 1st day of July , 1913, if contrivances
reproducing the same work had been lawfully made , or
placed on sale within the parts of His Majesty ' s Dominions
to which this Act extends before the 1st day of July , 1910.

of

of
,

of or

or

to

)
be

(

ii
.

of ;

in

for

or

,

or

to

,

,

or

in

(i
.)

in

.

at

in respect of
such contrivances sold
him calculated
the rate hereinafter mentioned
Provided that
nothing
this provision shall authorise any altera
tions
omissions from the work reproduced unless
reproducing
subject
contrivances
the work
similar
alterations and omissions have been previously made
acquiescence
with the consent
the owner
the
copyright
unless such alterations
omissions
are
reasonably necessary
adaptation
the
the work
the
question
contrivances
and
for the purposes
this provision
musical work
closely associated
shall
deemed
include any words
therewith
form part
the same work but shall not
be deemed
include
contrivance
means
which
reproduced
sounds may be mechanically
Sub section
The rate
which such royalties
afore
said are
calculated shall
the case
contrivances
sold within two years
after the commencement
this Act
the person making
and
the same be 21 per cent
aforesaid after
contrivances sold
the case
per cent
the expiration
that period
the ordinary
retail selling price
the contrivance
calculated
the
prescribed manner
however that the royalty payable
respect
contrivance shall
case
less than
halfpenny for each separate musical work
which
copyright subsists reproduced thereon and where the
royalty
fraction
aforesaid includes
calculated

limited to the extent

is further

.

all

by

:

He

as

ever , he allows one firm to make such a repro
duction
may be made on
(which reproduction
whatever terms the composer is willing to accept )
then any other mechanical reproducer may similarly
mlarly
adapt his work subject to the following provisions
Section 19, sub -section 2 : That he has given the pre
scribed notice of his intention to make the contrivances ,
and has paid in the prescribed
manner
to, or for the
benefit of , the owner of the copyright in the work royalties

reproductions .

that

21

?

depends upon
The answer to this question
whether such music has or has not been adapted
If it has not been
instrument .
to a mechanical
adapted then the composer , even if he has assigned
the copygright to the publisher , can prevent any
reproduction by mechanical instruments .
If , how

power to object to any alterations in , or omissions
Moreover ,
from , his music in these contrivances .
the increase of the royalty from 24 per cent. to
19 , sub - section
for in section
5 per cent. provided
3 (b ) , which has been quoted , does not apply to such

It

the Act

to

from

is clear

)

RIGHTS .
enquiries made of the secretary
by composers , during the past few weeks , that some
uncertainty
exists as to the effect of the Gramo phone Clauses in the Copyright Act .
The question
most frequently asked is , How far do these clauses
give composers control over the mechanical repro duction of music which they have published prior
AND GRAMOPHONE

COMPOSERS

It

we have made will suffice to show the position of
authors whose works have not been adapted to
mechanical instruments , whether such works have
been published prior to , or after , the Act .
The position in regard to works which have
been adapted to mechanical instruments prior to the
Act is , however , a little different . In the case of
mechanical reproductions the composer has
such
no power to stop their continued sale , nor has he

.

GENERAL NOTES .

to

216

�THE AUTHOR .

former hearing before the House Committee
on Patents , George
Haven Putnam , on behalf of
the American
Publishers ' Copyright League , gave
a strong
defence
of the existing law .
At the
hearing this week , representatives of the Society of
American

Dramatists

MR.

'

TOWNSEND S DEFENCE

to
a

is

he

is

on

at

of
. $

a

if

-

a

of

is

a

,

for

a

no

no in

he

,

it

to

he

. ,

a

in

be

a

of

.

in

At

he

to

—

he

he

is

of

.

,

is

it

of

he

a

,

of

is

if

.

-

of

of

If of of

.

is

.

a

of

,

copyright
can

in is

of

to

for

he

.

it

to

to

be

“

a

,

so

he

there any reason why the owner
story will
injured
book
or

he

-

,

he

by

a

,

of of

, or a a

or

,

,

or of

or

-

or

,

or

.

fifty reels for each film made
can
understood that strike suits may bring
ruin
the moving picture business
My Bill provides that suit
brought
the
moving
copyright the proprietor
violation
picture theatre must prove that
had
know
ledge
copyright
the existence
the story
upon which
based
and had
reasonable
ascertaining that copyright existed
means
The
proof
upon the violator
burden
the copy
right
can prove innocence
must pay one
penalty only
provided
upon notifica
ceases
tion
continue the performance
Should
fail
heed the notice
still subject
the penal
ties provided
the present
the same time
specifically stipulated that
plea
innocence
any case where
shall not
considered
drama
play which has been produced
concerned
The enactment
the proposed law certainly
any playwright
cannot prove unjust
Nor
to

(b
),

,

of

in

,

or

“

devices
combinations
thereof where the defen
dant proves that
was not aware that
was
infringing
copyright work and could not reason
infringing the
ably have foreseen that
was
entire recovery
the copyright proprietor shall

forty
readily

from

is

, 21
, ,

in 13
.

25

of to

infringement
Provided that
the case
dramatic
dramatico musical composition
portrayal
work adaptable for dramatization
by means
exhibition through
motion pictures
talking machines phonographs
other mechanical

other

copyright story
made from
liable
penalty
one hundred dollars for the first perform
ance and fifty dollars for each subsequent perform
ance
As there are usually
least six performances
daily
which the same film
thrown
the
moving picture theatre
screen
the proprietor
penalty
liable
350
he used
scenario
copyright story
from
As there are produced

or

to of

,

of

it

as

a

,

so

up

,

it

),

of

,

on

,

.
R
.

H

(

:

of

M

of

,

1

Representative
Townsend
New
providing for practical annulment
applies
the Copyright Code
far
moving pictures came
for hearing
before the
House Committee
Patents March
January
The Bill was originally
introduced
The modified draft
introduced February
1912
20596
adds
section
fourth
the Copyright Act
1909
the following
proviso
Jersey

and

interview , Mr. Townsend thus
stands , if the
defends his Bill : “ As the law
proprietor of a moving -picture theatre exhibits a

“

Publishers

,

a newspaper

In

a

the

.)

permission
from
Weekly

.
.S

Bill

kind

U

by

HE

(

Reprinted

Composers

and

They are
theatrical organizations , were heard .
bitterly opposed to the proposed measure , declaring
that it opens the way to wholesale piracy of books
and plays by the moving - picture interests .

,

COPYRIGHT BILL

.

UNITED STATES

.

HEARINGS BEFORE COMMITTEE

At a

is

.

be

RIGHTS

understand that an attempt is being made
by certain publishing houses in Sweden to obtain
the rights in English stories for very low figures .
Some time ago we mentioned that no author should
permit the sale of the book rights for Sweden of an
ordinary full- length novel for less than a £10 note ,
and that for serial rights alone of a similar work it
is possible to obtain £5 .
Sweden is a small country , but the people are
great readers — particularly of foreign authors . It
is of the greatest importance , therefore , that writers
should not rashly accept any statement made to
respecting the value of translation rights in
them
Sweden , but should
stand out for the higher
figures .
£15 . and even £20 , have been given for
figures do not , of
These
more popular books .
course , compare with the figures given for transla
tion rights in Germany and France , but it must be
that in Germany and France the
remembered
circulation is much larger .

shall it apply to infringements of dramatic
or dramatico -musical compositions actually and for
profit being produced upon the stage in the United
States at the time of such infringement . "
“ Nor

a

SWEDISH

We

.

him

of

of The Author .

in the columns

notice to a defendant , either by service of
in a suit or other written notice serred upon

actual
process

to
a

,

explanations

not exceed the sum of one hundred dollars ; but
this shall not deprive the copyright proprietor of
any other remedy given him under this law , nor
occurring after
shall it apply to infringements

at

.

sent in the draft
of the rules and regulations under sections 3 and 19 ,
sub- section 6 , of the new Copyright Act of 1911 .
It will be seen on another page that there has been
a committee meeting to deal with the draft report .
As soon as the rules and regulations come through
in their final shape they will be published , with
now

film

AND REGULATIONS

.

BOARD OF TRADE RULES
The Board of Trade have

217

collect

�THE AUTHOR .
of

as

of

,

no

or

,

an a

in

of

,

to

.

or

,

in

in
a

is

of

.

to

to

a

or in

to

,

of

for

of

,

of the

is of

,

in

,

or

of

.

a

of

,

its

,

,

bybyin

is
to
to

,

.

a be

is

.

Anor as

at

,

of

is

of

of

or

all

is

at

.

a

as for

an

a

,

the

to

.

.

a

•

a

of of

a

,

an

to

of

“

,

or

a

if

,

law

,

.

is

is

.'

in

.

a

by

is

by

a

is

a be

,

is

of

of

to

of

.

is
in

in

contingency that
We point out that this
cannot properly
considered
court
The
motives
which
business man
influenced
the attempt
utilise property created
some
body else
the actual status
his knowledge
history
something
such property right
or

of

,
or
is

of

with

foreseen

by

'

of

,

as
a

as
)

the other
measnre like
property
this monopoly
practically taken away
control
The suggestion
that such nominal penalty might meet the require
ments
connected with the condition that such
infringement could not reasonably have been

,

-

.

,

or

to

is

to

—

is

in

to

its

in

or

,

(a

while

“

-

on

to

is

to

,

to

do

of

it

of

,

,

“

produced

this should become

the

of

in

,

'

of

may fail
the two bills

secure enactment
The
materially
remove
lessen
the obstacles that under the present
appropriation
statute stand
the way
the
for dramatic
dramatical musical purposes
the
ideas themes and characters that have been created
by the producers authors composers
artists
The protection given by the statute of 1909
lthough
line with
matter
fact
not quite
comprehensive
the protection accorded
the
to

to
,

, ,

of

to

of

on

are

I

“

writing
behalf
the publishers
the
country who
associated together
The Ameri
Copyright League and
can Publishers
behalf
also
the authors whose business interests are
the hands
these publishers and who depend upon
necessary
protect
the publishers
what
express the hope that your com
their copyrights
approval
mittee will not give
this measure

so

-

,

of

on

am

.

Patents

and that
purpose

The Briggs Townsend Bills give opportunity
appropriation
the collection
case
such
penalty not exceeding
that above referred
the sum
provision
one hundred dollars
Such
would mean simply that the protection proposed
under the law had been practically cancelled
With the one hand our government gives
producer
copyrighted property
monopoly
say
that
absolute control over the thing

,

in

,

15

.

of

Committee

worst affects but
few individual cases
equitable compensation
safely under
arrived
business competition
and with the usual oppor
tunity
bargaining
for

.

to

is

.

,

the House

There
reason why such property should
utilised without due compensation
The fact that
producer
owner may occasionally be unreasonable
his estimate
the value
his property
property but
true for
other classes
best
“

it -

.

,

,

on

:

of

of

referred

same

in

's

as

“

, .
3
,

:

to

on

.

-

to of

.

to

so

be ,

In

“

on

in

on in

like manner

of

of

.

of

,

Billing

Townsend
emasculate that portion
the copy
right law covering moving pictures
render
practically valueless
his letter
the Committee
Patents Mr
Putman said
Feb
1912
MY DEAR SIR Senate Bill 4233 bearing the
name
Senator Briggs was introduced
the
January and was referred
8th
the Committee
purpose and
Patents
This Bill
identical
phraseology with House Bill No
263 which
Representative Townsend
bears the name
and
which was introduced
the 9th
December and

business
warranted

.

,

copyright feel

consideration
the market value
probable earn
say
the material that
power first for the original owner and second
for the person desiring
make special use
the

of

.

Mr

from

ordinary
course
such payment

at

that the effect

of

the protection

of

interested

in

All

however
would

TIIE BILL

“

TO

OBJECTIONS

as

,

on

,

use

selected

duly

that have been

Authorization
such
portions
the entire material
such
material are given

of

.”

special

books

copyright

, , as

- of
be

It

.

for

a

in

my Bill

the text
for

entered

no

.

of

in

to of

to

is is

proposed

ment

in

,

dollars demanded
picture form
scene which the author would
only too glad
fifty dollars
sell outright
protect such possibilities that the amendment

owner the right
make such use
He
position similar
that
the newspaper publisher
bring into print
periodical the
who desires
text
some portion
the text
some rearrange

,

in

, a a -

by

is

a

of

an

innocent purchaser
Then
and hundreds
thousands
moving
reproduction

for

,

is

a

is

The film maker
suit
instituted

courts
both sides
the Atlantic under the
principles
the common law
performer having occasion
utilise the plot
arrangements
theme characters
scenes which
story need have
have come into existence
difficulty
securing under
equitable business
arrangement with the producer
the copyright

of

-

in

of

be

.

A

is to

are used cannot possibly know whether each and
every scenario offered
copy
protected
them
right
conspiracy
easily possible whereby
playlet may
story published
made from
copyrighted
newspaper
Seattle
for instance

“

-

is

,

it

of

-d

is

to

“

as

.

the theatre
nearly every newspaper publishing
Inasmuch
apparent
ay
copyrighted
original matter
that the manufacturers
films for moving pictures
and the proprietors
theatres
which those films

of

of

of

by

,

or

ing the owner

similar provisions
the copyright statutes
other
civilised states
These provisions
have for their purpose the
carrying
out under statute
the interpretation
property rights which have for centuries been
practicable enforced by the
accepted and
far

“
A

every theatre using the
made from such
story and can protect himself against
notify
further reproduction
the simple means
from

book

,
or

film

218

�THE AUTHOR .
its

of

is

It

.

to

of

in

,

he

if

or

is are

,

is

of

be

,

to

.

to

of

is

,

by

an to

to

,

a

,

is

.

If

he

of

.

,

to

of

.

,

,

of

,

of

a

is

in

is
a

by ,

,

to

is

to

,

.

's

no

by

of

is

,

,

,

it

.

to

's

of

of

.

,

of

a

so

,

no

it

to

as

in

he

in

if

for

,

to

.

, It

,

for the
must

,

,

,

by

,

as

an

.

If
,

,

a for

,

of

.

to

is

is

if

of

the words

of

,

if

of

- .

set

to

be

to is

music has

,

a

to

.

is

to

and the

A

the composer
the increased vitality given
practically lifeless
sum down
music
poet who would
compensate
sufficient
should
repeat his licences indefinitely
his
able
songs were popular
any
Again
the composer
the life force
compelled into the wrong channel
his
generation
loses

if

a

of

.

this view

which the com
also look upon the remuneration
Unfortunately under the
poser
able
obtain
present system
the composer
music publishing
paid very poorly and reaps but little return
therefore the poet makes
the work he gives
unreasonable payment for the licence
claim for
already pointed out the poet
use his words

be

,

If,

.

by
of

is

,

it

to

by

impress

his desire for adequate remuneration

,

-

of

is

it

,

a

as

be

very necessary

to

of

to

of

to

set

is

it

,

be

its

,

to

of

.

is

to

be

to

to

to

poet

be

,

in

to

As

.

,

of

is

It

falling dead

of

so

,

as

,

.

,

of

of

closely
perhaps
two arts
are
interwoven
the art
music and the art
poetry
they both appeal
the sense
song
hearing they have become inseparable
opera and oratorio
naturally one
this close connection
Now
poets
composers and
great importance both
poets because
importance
the enormous
given
popularity which may
their words by
import
and
which they are
the music
infrequently
composers
the
not
for
ance
therefore
case that the words inspire the music
great forward movement
there happens
embodying the life thought and character
race
importance
any period
evolution
expressed
the youthful
that these thoughts
composer should
link themselves with
able
the thoughts expressed
the youthful poet

in is

no

HERE

in

M

,

it

to

.

POET AND COMPOSER

,

of

,

of

,

his

,

's

, an ;

,

an

to

,

.

.”

byit

.

in so

be

to

,

ain

,

, -

,

be

of

its

in in

is

.
, I

.

“

to

to

be

a

is

“

sums
the poets and this
doubt
one
the
great lyric writer like Heine has
reasons why
popular
become
Not only one but many
the
great school
German composers have set the
same song
Heine
music
While
cannot
fair that the poet should
obtain
reward yet
seems reasonable that he should be content with
ordinary song allowing
moderate fee for
produced with the composer music
should
give the composer
not
bound
exclusive
licence for production with the music for
may turn out that many composers
Heine case
are inspired
words
which case the poet
should reap the benefit
the inspiration which he
gain the interpretative
has conveyed
and should
advantage
the advertisement
five com
might happen
posers set the same song
music
that only two of them became popular
the others
be

-

an

If

, .
. it

it

law

a

of

"

is

,

in

of

interpretation
wbich
equitable
purpose but effective
respectfully submitted for the
This objection
your committee
consideration
Yours respectfully
GEO HAVEN PUTNAM

use the words with his music
demand from the poet then the poet
will lose the increased vitality which
offered
him
and the composer
work will drop lifeless
years gone
composers hardly ever paid
able

extravagant

's

to in -

to

of

.

be

is

of

of

to

any
the
itself not only
phraseology

at

is or

of

It

of

.

,

by

,

be

of

of

as

“

The courts should not have placed upon them
enforcing
further responsibility than that

to

a

be

of

a

or

if

is

It

“

cation
this provision
this
true however
equally true
for copyright property
should
property
for all classes
The first thing
that the law itself shall
worded
concede adequate protection which
proposed
other divisions
the law
concede

it

to .

be

to

of

is

in
a

in

of

to

,

of

Copyrights the record
the term for which the
protected
material
may
intelligent and trust
answered that
worthy court could
depended upon
protect the
wrongful appli
interests
the producers against

strong body
young composers spring
England full
that vitality that striving
expression that unrest which
after new modes
Equally
present rampant over the whole world
strong body
poets giving utterance
there
vigorous pushing life
this fresh
The composer
song may desire
stirred
the words
set
music
met after his just request
There
ing up

be

by

to

to

as

to

as

of

or

,

A

It

copyright
work
art which bears the record
somebody
may also fairly be
the property
assumed that any person having sufficient intelli
gence
reproduction
shape
such material
one form
another has sufficient intelligence
verify
necessary
application
the Bureau

speak

In

-

in

to

is

,

he

a

is

If

.

he

did not have knowledge
the exact owner
the fact that there was any question
plea
permitted
this kind
too trivial
provision
find place
United States statute
may
fact fairly
assumed
that any book

ship

highest form
We are all aware that art in
must
worked out quite independent
sordid
commercial details
but when the artistic work
completed the sordid commercial details
bound
arise and
the composer
the poet
inade
quately paid then
will cease
exist
these
commercial details
connection with the
growth
these
two arts that we should like

be

of

concealed

is

it

It

evidence .

to

a

open

not

is

ques
within the consciousness
the individual
willing
person
appropriate without
tion
compensation property that has been created
somebody else
equally willing
certify that

be

that

219

other generations

�THE AUTHOR .

are to

his

in

it

a

.

in

,

we

to

of

,

be

a

of

few
do . for

.

of to

,

a

.

tions , however , that I am speaking , but of books
which , by the testimony of the inajority of critics ,
merit at least polite attention . Most writers , I
expect , have experienced at some time or other the
fate of finding themselves passed over in complete
silence by some or other organ of the Press . It
can be no satisfaction
to them
to know that a
possible explanation is that their publisher does not
advertise sufficiently
that particular organ
please the editor and that therefore
authors
suppression
doomed
complete ignoring
Cases
book sent out
may
granted are comparatively
notice
Coming
those which
the subject
now
may lay
receive attention
down that the
reviewer are fairness
most desirable qualities
Unfortunately the two qualities
and competence

,

,

for

by

of

a

of

,

his

an

his

and other times , the composer may fail entirely in
inspiration , and may , in consequence , be forced to
write on lines which are not truly interpretative
of the generation in which he lives . It is like the
marriage of winter and summer . Such marriages
are not usually happy .
Let the poet , therefore , be moderate in his
demands , first for the sake of his art , and secondly
for the sake of his pocket . For his art that
interpretation
poem may receive
adequate
from
contemporary
composers
pocket that his
popularity
increased
the musical setting may
bring wider circle
admirers and
wider public
for the purchase
his work

it

220

The best equipped

-

combination

.

find

to

are hard

in

to

a

as

a

in

it

ill

in

of

is

it

.

is

:

to

is

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ill

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a
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on

its

,

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to

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-

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in ”

as

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themselves

was concerned these paragraphis

,

-

books

.

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; is

.

it
.

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,

in

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in , it to

of

to

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.

,

in

of

all

be

.

to -

;

to

it

on to

notice
published
there are shoals
such
not
these worthless produc

It

.

be

a

,

that the work was not worth

in

,

be

.

an

be

it

;

all

,

is

at

no

a

for

say

second
was treated
half dozen lines
short
notice which made not the slightest pretence
deal with
About this time the Parthenon
spleen
abounded
these
short notices
full
against quite respectable authors
one particular
writing
any knowledge
line
As far

,

of

,

,

.

,

I

of of

,

be

am

,
I

is

of

.

)

to

easy

and doubtless
every year

sneers
other fears

least
there was something
learnt
full blown review however hostile
book
Now
see
some critical journals under the
heading
New Books
Books Received
the
like
short notice
which
does not necessarily
preclude
lengthier review
Here
one blighting
paragraph the critic may damn whom he likesor
may
hope
pardoned
rather dislikes
quote
personal experience
periodical
There
august publica
which
will call the Parthenon
expert
tion which prides itself particularly
criticism
Hither were sent for review copies
two books
mine
succession
After the first
lthough
enough
sold well
cover
three
figure advance and was excellently received
general
Press
had been left unreviewed the

But

from

of

.

it

to ,

,

is as

.

so

.

.

to

-

on

.

is

,

It

.

reviewing their
who are entrusted with the task
works
may sound paradoxical
say that the worst
any
notice
notice
and
not true
case
There
nevertheless
from
the author
point
being compelled
view
real injustice
copy
may
expensive net
send out
book
review
find the book ignored and thus
lose the royalty
that copy
no purpose

to

or -

.

,
it

of

;

.

the matter would not
much
The effect
the
salutary and
medicine
the patient would
the review columns would
excellent hospital
Perhaps
for authors
need hardly
said that
scarcely the case
day
that
least
England
inclined
believe
Writers
indeed have many fierce grievances against those

just

The boldest start from public
shame unknown

Afraid

,

it

of .

as

,

,

is

be

to

non numero nisi serenas
But
venture
think
that such are rare
Most
the irritable race are
very sensitive
the acid
reviews
Now were
every critic fair minded
honest
and intelligent

business

that this
paper
sometimes
For this cause
professedly written by experts may be the unfairest
authors
Of late years there has grown fashion
particularly atrocious form
able
critical attack
slashing review was painful for
The old style

(a

is
a

it

be

of

it

,

or

in

of

of

than the new balms appreciated
Some authors
happily constituted
there may be who are
proof against criticism
except when
favourable
Like the sundial they may say Horas

line

generally
the author
would not like
suggest that there
often the sordid reason
that
competitor
he sees
the author
whom
has
doing an
safe opportunity
turn
But
fear
same

the least inclined

a

of

in

of

plaint
the writer
books against the
very
man who reviews him
the Press
old one but
gets
cannot
said
that
less
bitter with the lapse
time
Rather
grows
intensity
professedly
the number
literary columns
pages increases
The multipli
potentially
friendly
cation
critics
either
unfriendly
like the simultaneous multiplication
the pleasures and pains
life
would appear
The added pains more than counterbalance the
added pleasures
the new wounds are more felt

I

M

HE

be

particular work might appear
critic
one
who has specialised
the subject with which the
dealing
speaks
author
Now
for human
nature
but
fact that
reviewer
the

of

REVIEWERS

of
a

AND

.

AUTHORS

�THE AUTHOR .

to

's

,

an

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a

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us
,

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of

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,
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it,

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as
a

If

in

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it of

of

of

,

of

a to

is

, of

at

of

,

if

--

mankind

leader

,

and

all ,

,

is

of
of

the teacher

of

by

,

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.

author

at

in -

,

to

a

of

is

,

of

may

, be

it

not all bad

of
-if

to

He will allow

our

worth
But we have had the smallest glimmer
vision that the calling
literature stands alone
above and beyond every other calling
reason
power over the minds and souls
greater
men
than that
the parson because the world
our
parish
the schoolmaster because our work
and
we have
conceived that the
for all time
it

if

to in

at

a

is

.
. K
.

G

We

,

editor

author
the criticised
wrong
defend him
under the sense
preacher
Yes
but
reviewer
like

.

.

even

consecrated
their use
Chesterton has been

is

even

objected
smarting
self

,

he "

may not

slay the editorial

a

But

that has been

an

able

we

to as

the
Try

"

,

,

.

,
or

;

of to

and we should abolish the undue influence
the
But anonymity
the pluralist critic
great fad
very
still
least pseudonymity
English journalism
and editors cling desperately
them

exactly

the

accordance with our
the calling
literature
we
genteel and dignified trade
conceive
which we may do well unto ourselves that men may
speak good
brains and
which the capital
make
make money and
the sole purpose
quickly then we shall most certainly answer that
not worth
and
we are wedded
the ink
penman
we would
well
turn
some craft
ship which
not literature
such
advertisement
writing which opens out immense possibilities for
express the excellencies
the wielding
words
payment which
rate
trade commodities
certain and highly satisfactory and therefore indeed

,

",

“

.,
"

.

and more careful reviews
append
actual name
his

obliged

to

the writer were

X
.Z

“

in “
A

get fairer

should

,

,

of

.

is

he

if

."

he

we

that the author
mankind
And

reminded
leader

been

teacher and
answer will
conception

is

is

.

of to

.

by

the
familiar with the coulisses
author
literary world
But the general reading public does
identifying say
Polonius
not dream
Redivirus
and
Blankshire Map
whose
Undoubtedly
criticisms
sees
various columns

we have

is

to

an

this
evil for which
the remedy
signed reviews
The pluralist reviewer
signatures
the
These may be known

is

Nor

provided
has many

immoral

very

article
The Hazard
past number
we have one
cogitate upon Robert
asked
worth
when
asked
say about his calling
what
had
and
Mr Arthur Lovell protest upon the question

a

is

a
six -

in

.

independent

Herbert Smith

the Pen
and all been
reply
Buchanan

of

.

a

,

,

an

be

;

of

,

the result that you get
be
the public takes

with

hostile criticisms which

TN Mr

WORTH

its

as

of

,

on

.

,

,

of

columns

IS

at

is is

am

I

.

,

,

In

removing the grievance
greater
the present day
increasing
periodicals
than ever before
and
multiply
speaking
the pluralist reviewer
The unsophisticated reader confronted with mass
probably imagines quot sententiæ tot
reviews
homines
Whereas
the contrary the fact
enemy has some
that one man who may
noticing your book
half
times the chance
dozen

it

,
is

he

,

course

Phokion

is

a

but without the effect
fact that grievance

a

of

in

is

in

to

is

of

conduct

meant for me

been made

. ,

of

complaint which has often

is

There

is

,

it

or

be

to

?

of

or

so

line

occurs

the wheel

,

of

Break

starch decree

.

of

—

of

,

,

”

to

him

,

,

-

and when

Which

deride the critic

the opportunity

.

,

at

no .

of

the only remedy

Learn

of

;

is

by

it

.

—

Probably

?

,

if

are

all

a at

“

then

lot

on

is

-

to

he

there

sad

,

to

a

,

,

,

amelioration
looked
the reviewed
None
except through the growth
feared
sense
justice
intelligence
the critic
the reading
public
optimistic
And who among the authors
enough
hope for
much
our dear friends

the

in

of

is ?

is

à

.

,

if

which

worse than before

so

to

,

the reviewer
else
makes your case seem

from

.

!

,

;

.

of

in

on

,

give him
worthless critically
does not wish
self away
contents himself with mild patronage
passages
and plentiful quotation
which seem
interesting
particularly from the introduc
him
tion
there
one for why should he read
further
Such reviews may very likely benefit the
increasing the sale
author
the book
some
intelligent
consolation
least for the absence
appreciation

concurrent retort
editorial
crusher

to

he

an

he

)

(

be

,
I

?

a

to

an

of

a

book under
alias when behold
received
explanation
an excellent review
Can any
be
suggested
personal
such
cases except that
spite
the part
some critic
grievance
The incompetent reviewer
the
author
but
less dangerous affliction
than the
unjust one
Happily he
very frequently aware
of his deficiencies and although his notice

the pulpit .
You cannot reply to him on the spot ,
and so you do not make your appeal to the original
lucky
you are permitted
audience .
You
reply
An editor will occasionally
true
insert
letter from
the author answering
the
attack upon him
but very often be
noted
with
a

written by the office -boy after
covers . But the style was not
office
further , why should an office boy nurse such malice
Again
know the case
journal which may
author
whom
always meted out these short
called the Thunderer
damnatory paragraphs until one day
published
been

of the
-boy 's ; and ,

inspection

Is

might have

221

we

�in

a

is

,

to

to

is

he

his

is

to

. ,

at

,

to

,

's

.

to

be

no

,

." .
if

.

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or

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's

.

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a

to

as

of

,

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,

or

he

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.

,

. of to

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“

,

a

of

.

no

in

is

of

to

;

it

in

in

in

a

,

to

,

of

."

“

in

as

,

,

to

in

it

of

of

,

of

of

us

let

be

,

to

,

of

.

all

of

.

,

to

of

.

to

,

of

It

of ?

of

,

,

,

be

,

of

,

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in

,

To

after

it

Is

than

all
.

.

"

to

it

worth

it,

Yes

,

Buchanan

is

a

?
"

it

Robert

.

to it

Is

give
for he that suffers most has most
Robert Buchanan asked the question
worth
That question was
little less
6

it

if

,

,

is

at a

be or

,

,

a

."

is

he

is

.
?

it

is

in

no

; of

a

on

a

as

?

,

it

.

is

he

-

's

's

. to

Heated hot with burning fears
hissing tears
And dipt
baths
And battered with the shocks
doom
shape and use

by

is

-

an

it

to 18

-

to

accepted

realise the treasures
darkness
that we too must
suffer
we would do great work that we like all
the truly great must

,

as

,

is

it

,

by

his

of

is

to

so

as

why

him

would save
best
has been ever the same
history
down the pages
from the voice
the
prophet
Let us learn
the Divine Son
that

it

as

an

.

to
-

in

as

?

of

it

an

author who
harassed
butcher
and baker
can never give
best
the world
But
this
While there are
be weigbed
the point
many other openings
which people with
brains can earn
income
certain even
be
justifiable for authors without private
small
precarious enterprise
means
launch upon such
authorship
sole means
livelihood
fair
those dependent
him
even fair
himself
For
such author
the present day

bills

asked

had beaten his music out
Matthew
Arnold
found little that was congenial
the
inspection
accept
schools
when
he had
hospitality from the noncomformist
his day who
loving zeal and pity for his ignorance made
mention
him
the family prayer
our poor
misguided brother
most saddening
think
the heart
breaking disappointments and privations that great
writers have had
face but
this not make
pessimistic
Let us rather
thankful for their
pluck and endurance ard resolv
noble example
try
ing
emulate them take heart again
Did
the world ever appreciate the message
those who

to

it is

,
to in or

?
"

it

he

Is

—
“

it

as

his

.

it

be

,

to as

.

to

of

a

,

to

as

,

,

quite
Yet withal authors must live and
true that food and raiment and cash for the rates
and taxes will not fall like manna from heaven and

Until

to

of

do

I

Is it

—
“

I

,

I

it
.

gratitude
We owe debt
Mr Herbert Smith
for bringing this question forward
for until we
authors settle
each for oneself we shall
able
accomplish no great work
Who could imagine
Shakespeare
he wrote
immortal plays
pausing
ask himself
worth
Bunyan
allegory
wrote his immortal
jail being troubled with doubts
Bedford
adequate
whether
would ultimately bring him
monetary reward
And both
these immortal
poor and obscure
any
writers were
their day
day
struggling author

Dr Fitch

friend

inspectorship
replied
Because
wanted
marry
special kind
There
course
choosing the wiser course
sacrifice involved
peculiar
doing the thing for
joy
There
habitually
which you were made and doing
feeling the thought spring
birth upon the pen
joy the like
which
felt
other profession

if

-

it

, I

it

if

In

.

it

of

my

?
”

it
,

value
and
give
worth
But when
eternal value
know that
question shall rather be
is

and

if

worth
worthy

is

on

?
”
—

?

it

it

worth
Will
because the coat
one buys
the
give my
case

of

.

his

ask
for work

to

well
myself

. of

.

in

,

“

of

it

a

in

it

certain

an old

un

–

of
its

a

will cost

and asks
length
time
will
due time perish
And
tailor has
reward
this
money for something
material
last

eternal

gold and silver
due
When
coat one considers the sum

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guineas

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to

in

the nature
value can receive
buy
one goes

authors
But
one would
call
Thomson
Wordsworth
Matthew
Arnold amateur authors
And yet each
these
pursued some other vocation
help
livelihood
Spenser and Thomson
secretaryships
Words
stamps Matthew
worth
distributor
Arnold
inspectorship
schools
When Matthew Arnold
Amateur
Spenser

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For
reason
the
mankind
the influence
the written
word
never ending
not alone through the
immortal literature
the great read
the few
but alas through the trivial fiction
mushroom
growth read
the many
from which minds
consciously receive impressions which react
other
minds only
react again and again
Thus
solidarity

what pays the best
But the author who follows
some other vocation for his living and writes
the
same time proves
use Mr Lovell
words that
say which
real author who has something
must
all costs come out whether the listeners are
many
few
and
the output
less the work
greater
will
Mr Herbert Smith will murmur

“

to

in

of

in

,

of or

no
,

of

as

in

be

of .

is

he shall have his reward

privations
enters upon it without being aware of
privations which will
and sufferings
entails
most cases undermine
health and cripple his
equally serious
usefulness
And wbat
that
always under the temptation
write poor un
worthy stuff because sad
say that
beginner

a

slow
to answer in the negative .
If we
any degree grasped
have
the awful burden
responsibility
for our influence upon the thoughts
and actions
our fellow men which we
authors
must bear whether we will
we shall begin
things our work can
realise that
the nature
adequately paid for
never
the coin
the
realm
That author who has glorified the cowardly
responsible for the
act
suicide
his novel
suicide from suggestion which
the result
the
blood
his head
And that author who has
inspired the souls
his fellows and turned many
righteousness sball shine
the stars
heaven

shall be

the

THE AUTHOR .

222

VIOLET GLADE

�THE AUTHOR .
them

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Copyright
Its History and
Law
Rogers Bowker
Houghton
Wifflin Company
Cambridge
side Press
Mass
208

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In

complaining
that
spoiling books

copyright and Inter
notice the terms
exactly
national treaties
This
the lines
Playright and Copyright
the table
all
Countries by Colles and Hardy
whom
the
author gratefully acknowledges his indebtedness
policy
As
dealing with such
matter
complicated subject
copyright
seems pre
keep the law
ferable
exists
the present
time distinct and separate from the history
its
development
probable that this book
and
might
more practical service
certain
in

of

.

in

of

as

,

In

in

against the wrongs
authors
many printers were engaged

Code

”

to

of

of

,

of a

of

of

quasi patent
The rights
were granted
other printers
provision
Venice there was
similar
the
manufacturing clause which made the
modern
privilege dependent upon the works being printed
that city
1528
Luther raised his voice
Boccaccio

other languages

Copyright the
and Foreign
chapter
summarised
and
deals with copyright
other countries both those
which belong
which belong
and those which are outside the
Copyright Union
Conspectus
Copyright
useful table called
by Countries
regis
sets out the formalities
tration and deposit
all countries the requisites
British

a

a

.

of

,

printing
printing
and
some
decades
later
privileges were developed
Italy
Aldus
printing any
Manutius was given the privilege
twenty years and
Greek texts for
term
printing works
another privilege
italics
invention
his own modelled
the handwriting

and deposit

Under International

new

to

an

of of

of

classic work and obtained
certificate
the
correctness
his copy
The earliest incunabula
came from Germany the cradle
the art

deals

Dramatic musical and artistic copyright
the
subject
the third part
the work
while the
fourth part deals with infringement and remedies
importation
and the methods and practice
the
copyright office

A

exclusive

to

the

how

as

of

of

showing

the author

,

a

-

monopolies

In

of

is

,

of

,

its

privilege
multiplying copies was first granted
some
accurate copy
the person who made

the work

the formalities
notice registration
and the manufacturing clauses

of

in

.

and

,

of

, ,

of

.

Union
The first part
this work contains matters
academical interest dealing with the nature and
copyright the early history
printing
origin

part

the second

chiefly with
with literary and general copyright
reference
the provisions
the new American
Code but incidentally mentioning analogies
the
English law
This includes the scope and subject
copyright
ownership and duration
matter

,

,

in

,

.

copyright and unpub
ance are included
under
lished works are specifically protected by special
registration

of ,

to

is in

of

of

,

.

.

.

on

,

of

by

a

. ,

in

,

-

it

of

American Code and the British Code which have
copy
taken the place
all previous legislation
right show
gratifying advance upon the earlier
Portugal bas joined the International Copy
laws
right Union
adherence
the Berlin Convention
1911 and there are hopeful indications that all
Europe will soon realise the
the countries
uniformity and join the Copyright
advantage
Union
With this object
view
Russia has
already shaped and Holland
shaping
domestic
legislation
Even
the East there has been some
progress
for China
1910
decreed copyright
protection throughout her vast empire
ancient
and reviving letters
Another further step
the
Buenos Aires Convention
1910 already ratified
by the United States which made new basis for
copyright protection throughout the Pan American

chapter
copyright
the history
the
United States contains
summary
the salient
features
the new American law
1909
Under
publication with
this code copyright
effected
registration
the copyright notice and completed
and deposit
two copies sent
the Register
Copyrights
promptly
Washington
after
oblication
The
publication
The manufacturing clause
con
printing
tinued and extended
the requirement
typesetting
and binding
well
the United
given
States
The musical composer
control
subject
over
mechanical reproductions
the
provision
compulsory licence
permits
case
any such reproduction
The copyright term
twenty eight years with
like renewal term
making fifty six years
Rights
perform
all

be

at

,

is

·

of .

of

of

to

reference
the American Code
1909 and the
British Code
1911
The publication
the work
the present time
particularly interesting
because
marks the
copyright developments
stage
new
The

term

A

in

all

to

, of

a

to

.

It

of

1

,

up

a

is

valuable and comprehensive work
copyright being thoroughly
date and
dealing with the law
copyright
countries
contains summary
the principles
copyright with special
and practice relating

an

on

THIS

legislation

The issue
ancient
classics under printers privileges
the grant
print the works
contem
an exclusive right
porary authors and
this way printers and authors
acquired
copyright
the modern sense
the
to

ITS

*

.”

AND

.

COPYRIGHT : ITS HISTORY
LAW

“

223

�THE AUTHOR

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.r

Fan

counsels have the logical complete
one has long associated with his work
separate
dramatic critic
He deals
books
with the beginning
the middle
and the end
plays
He discusses the point
attack
curiosity
shows how
sustained
and
Archer

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Play making
Manual
Chapman and Hall
Archer

usefulness

has produced

the means
which certain notable effects have
particalarly
been produced
We might name
illuminating
remarks
the elaborate ingenuity
with which Oscar Wilde though
mere beginner
the
fever heat
raised curiosity and expectation
Lady Windermere
the first act
final passage

of

not being

DRAMATIST

dramatist
cannot
say whether better plays
likely
written by people who read Mr
people who
Archer manual than
not read
any rate doubtful and the doubt seems
be shared by Mr Archer himself who states

M

reviewer
undertake

William

is
,

all

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a

Archer

his.

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Mr

detected
the looker
who sees
the game
Mr Archer analyses
causes
the conspicuous
failures
certain plays
which have been
means devoid
merit con
tain many valuable hints both express and implied
though
and
less degree
his analyses
can

most

•

HE

THE

.*

OF

THE ART

point out

useless
and
does not follow that
limited
we imagine that though
will help the neophyte
very little
the most practised dramatic hands will
perusal
able
derive profit from
All
comparative
them have had their failures
absolute and
meanshave
those compara
being due
tive failures been glorious
the sense
artistry which the public was too
subtlety
appreciate
many
inartistic
too stupid
cases they have been attributable
defects
craftsmanship wbich might have been avoided and

by

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HARDY

HAROLD

manual

may sometimes
able
that
not doing
follows that the possibilities

or

.

of

-

of

1886 which has been carefully verified extended
evidently
and brought
date
The work
the result
wide experience and great industry
pub
and will
use and interest
authors
helping them
lishers and others
realise their
copyright
rights and
secure protection
countries for every form
intellectual property

course

them

of

in

included
some
the
the Bowker Solberg volume

moreover

,

,

has

the habit natural
terms
the theatre and
can teach another man
that

thinking

of

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of

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is

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its

in

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The author

historical material

common

so
—

a

of

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or

of

;

too much historical detail and there
some con
arrangement
fusion
difficult however
for one who has during the last twenty five years
participated
copyright
development
the
conferences and the draftings
the new American
entirely separate comment from exposition
Code

that
acquired
no man
though

It

a

so

to

Historical

are illuminating and are made
explaining the meaning
some
expression undoubtedly
serve
but this work contains perhaps

,

a

give

,

to

primarily
intended
the existing law

.

of be

is

of

”

which appear
clear exposition
references which
for the purpose
statutory phrase
useful purpose

All

be

-

“

in

us

as

,

",

is

exceptionally confused and
law
the author tells
his
Fore
word
and the dominating
idea arising
from
perusal
this work
the regret that
much
history
should
be introduced
into the chapters
“

had taken the other for his model
both
them
going their own way have succeeded
the one
employing
rigid but complicated technique
other flinging technique
the winds and trusting
paradox which
wit audacity and the kind
platitudinous troism
regard
himself professes

to
a

Copyright

confusing

of

means suit Mr Bernard Shaw
Either
those two dramatists would probably have failed

a

in

it

.

form

its

in

of

,

of to

,

, it ”

of ;

of of

furnishes
illustration
contains the provisions
some
1911 which
are stated
the new code
what too generally for practical purposes
while
the
here and there are interspersed references
previous law and eren detailed statements
the
modifications
the Copyright Bill
the Committee
stage and the proposals
contained
earlier

no

an

-

on
"

.

out the British Empire
this confusion
for

early page , not only that he does not write plays , but
also that he feels incapable of writing them . More
over , though he has carefully analysed the methods
of the men who write plays both successfully and
unsuccessfully , he finds those methods so various
and contradictory that he feels it very difficult , if
not absolutely impossible , to deduce a code of rules
from them .
But that is no great matter. The
writing plays like
the arts
should
progressive and progresses
should progress
breaking
old rules and the substitution
new
The rules which suited Sardou would
ones therefor
by

chapters had been confined to the historical growth
and the other chapters had dealt
exclusively with the existing law .
For in using a
work of reference with a view to ascertaining the
law of copyright
in
a particular country , it is
embarrassing to find the introduction of paragraphs
relating to what the law used to be , or what amend ments were proposed while the Bill was before
Copyright through
Parliament
The chapter

of copyright

.

byhe

224

better

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feeling and inspired only with commercial
do not
course know with what readers
happen
the two letter writers are acquainted
have been acquainted more
less intimately during
great number
the past twenty years with
readers
and wish
state emphatically that
have
artistic

zeal

,

,

a

be

a

a

forget which
pounds
interested
should
know whether the writers who were
collaborate
twenty guineas
with me considered
suitable
payment for
week
work with the lustre and

SIR
The letters which you have published
the two last numbers
The Author
the subject
inflict quite unintention
novel competitions
great injustice
ally
the publisher
doubt
judge from what
reader
one were
Tamel
one would take that
him
Novelist say
and
any
individual
mechanical drudge devoid
.

or

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of

clearly stated
letter
invitation
that
should not have
read more than six
hope politely
seven manuscripts
declined
Another point
farce
such
take part
publisher
know that
reader and
have been
important manuscript already sifted from
mass
less
read and comparatively estimated
cannot
day
than
The publisher was therefore offering
The fee which
tedious work
full week
me
twenty
suggested was either twenty guineas
to

III

.

of

,

to

publisher

The

WRITER

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or

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NOVEL

DEAR SIR
reference
the letters
say
Tamel and
Novelist
should like
that
was recently invited
with two very well
judge one
known novelists
these competitions

be it

in

,
byif

in

-

a

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in

's

of

.

were
sorter
which might
pleasant task
should grasp very
inspiration
joyfully the merest hint
Think
the many many books that are written without
Yours truly
fancy

might not

.

CORRESPONDENCE

“

”,

”,

?

be

a

to

be

to

them

if

,
,

of

.

in

of

to

judges
and his fellow
the winning book
Messrs Lane
last competition and they did not
complain
the
low level
the books submitted

.

It
to

to

it

I

; .

to

to

it
.

to

to

,

to

-

,

may help
many
but
save them
from
the
working
mistakes
which their habit
another
and more plastic medium makes them prone

power
vouched
for
several literary men
established reputation
send
his valuable work
competition
unless he felt that winning
stepping stone
would
his career not
despised
Would not his book
unusual
strong enough
stand
fall
itself without
winning
competition
the advertisement
only remember
this moment the works
literary
one winner
She has certainly established
reputation for herself and
not
the first flight
hardly
the ranks
the
third rate
also
Benson
Mr
saw
the published opinion
is

“ foreshadow " than to “ forestall ” the climax to
which the writer is working up ; he warns us against
the danger of “ blind alley themes , " discourses of
“ character and psychology ” and “ dialogue and
details ," and insists upon the superiority , for dra matic treatment , of those subjects which involve that
* peripety " first spoken
of by Mr . A . B. Walkley 's
exceedingly interest
favourite philosopher .
It is
ing
the playgoer no less than
the playwright
dramatise their novels
and novelists who propose
will be able
learn something from
will not
any royal road
fortune
indeed introduce them

all

to

225

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DEAR SIR
Authors
petition
but

I of

judges
weary eye upon them
cast
As for the
deliberate rejection
the sorters of artistic novels
justification
there
this charge
the

their renown thrown

The reason for the continuance
these com
They are very
my mind obvious
petitions
profitable
the enterprising publisher
see
ħarm
that indeed
rather admire the clever
ness
the enterprising publisher
but think that
artistically reputable novelists should meditate long
dignify with their names
before they decide
purely commercial project
Yours truly
ARNOLD BENNETT

- ( a
or

Tamel
letter
The Author
the March No
not
little unfair
the winners
such competi
Why did the author
tions
book
unusual

of

not
member
the Society
prize winner
Novel Com
say that
venture
think

found them
better educated and more cultured
class
men
women than the average writer
novels
Self respect compels me
state that
quite
have myself been
sorter
and that
willing
any
have my artistic taste compared
impartial jury with that
the novelists
to
day
Tamel
and
Novelist seem
think
that
the judges
advertised read all the books
competition
sent
the verdict would
fairer
than
when the sorters weed out the list for
presume that neither
your correspon
them
prize competition
dents has read for
Otherwise
impossible
he would know what
lot of
books
are sent
crude illiterate and artistically worth
compelled
less
hard
the sorter
totally fail
read even
few chapters
such
gained by asking the supreme
see what would

sanction

�THE AUTHOR .

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rest were devoid
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curiously
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received nothing
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Why then should the
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promise
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prize

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thirteen copies being
counted
twelve
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The sales and the financial profit
year
the book had been
the market were
follows
Copies
Home edition sold
262
Copies
Colonial edition sold
151
seventy
Total sum received
me £73
three pounds
The circumstances under which the novel was
published were briefly these
was absolutely un
journalists
known
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giving and getting are
price of
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write now
the purely business aspect
book
For my first novel published
June 1910
nothing for the copyright but
received
obtained
per cent Royalty
all copies sold
the
English edition
price
every copy
and

to

competitions organised by any reputable publisher .
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obliged for years
time
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England since February
1910
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Authors
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Sprigg late Editor
Cassell and the Windsor Magazine, and
Women
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for some years Hon Literary Adviser
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Journalists
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MRS
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TYPEWRITING

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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.–No. 8.&#13;
MAY 1, 1912.&#13;
[PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGS&#13;
201&#13;
201&#13;
201&#13;
Notices&#13;
The Society's Funds&#13;
The Pension Fund&#13;
Committee Notes ...&#13;
Books published by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes...&#13;
A Curious Suggestion&#13;
United States Law&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Origin&#13;
203&#13;
206&#13;
207&#13;
210&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittancos ...&#13;
General Notes ...&#13;
United States Copyright&#13;
Poet and Composer&#13;
Authors and Reviewers ...&#13;
Is It Worth It? ...&#13;
“ Copyright: Its History and Its Law"&#13;
The Art of the Dramatist&#13;
Correspondence&#13;
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those members of the Society who desire to have which these contributions may be paid.&#13;
the names of the publishers concerned can obtain The funds suitable for this purpose are: (1) The&#13;
them on application.&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
ciple, or in assisting to obtain copyright reform,&#13;
THE Editor of The Author begs to remind or in dealing with any other matter closely&#13;
members of the Society that, although the paper connected with the work of the Society.&#13;
is sent to them free of cost, its production would (2) The Pension Fund. This fund is slowly&#13;
be a very heavy charge on the resources of the increasing, and it is hoped will, in time, cover the&#13;
Society if a great many members did not forward needs of all the members of the Society.&#13;
to the Secretary the modest 58. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
THE PENSION FUND.&#13;
addressed to the Offices of the Society, 39, Old&#13;
Queen Street, Storey's Gate, S.W., and should&#13;
reach the Editor not later than the 21st of each TV January the secretary of the society laid&#13;
month.&#13;
1 before the trustees of the Pension Fund the&#13;
Communications and letters are invited by the accounts for the year 1911, as settled by the&#13;
Editor on all literary matters treated from the accountants, with a full statement of the result of&#13;
standpoint of art or business, but on no other the appeal recently made on behalf of the Fund.&#13;
subjects whatever. Every effort will be made to After giving the matter full consideration the&#13;
return articles which cannot be accepted.&#13;
trustees instructed the secretary to invest the sum&#13;
VOL. XXII.&#13;
&#13;
&#13;
## p. 202 (#654) ############################################&#13;
&#13;
202&#13;
THE AUTHOR.&#13;
The secretary would like to state that he has&#13;
received three bankers' orders in answer to the&#13;
recent appeal, unsigned, without any covering letter.&#13;
He would be glad, therefore, if those members who&#13;
may have sent in these orders, recognising them&#13;
from their description, would write to the secretary&#13;
on the matter.&#13;
Bankers' Order for 10s. drawn on the London,&#13;
County and Westminster Bank, Maidstone.&#13;
Bankers' Order for 10s. drawn on the National&#13;
Provincial Bank of England, Baker Street, W.&#13;
Bankers' Order for 58. drawn on the London,&#13;
County and Westminster Bank, Kensington, W.&#13;
of £500 in the purchase of Antofagasta and&#13;
Bolivian Railway 5%. Preferred Ordinary Stock&#13;
and Central Argentine Railway Ordinary Stock.&#13;
The amounts purchased at the present prices are&#13;
£237 in the former and £232 in the latter stock.&#13;
The trustees desire to thank the members of the&#13;
society for the generous support which they have&#13;
given to the Pension Fund, and have much pleasure&#13;
in informing the Pension Fund Committee that&#13;
there is a further sum available for the payment of&#13;
another pension in case any application should be&#13;
made. The money now invested amounts to&#13;
£4,846 198. 4d., and is fully set out in the list&#13;
below :&#13;
Consols 21%&#13;
4&#13;
$70 ...........................£1,312 13&#13;
Local Loans..............................&#13;
500 0 0&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock..&#13;
...........&#13;
291 19 11&#13;
London and North-Western 3%&#13;
Debenture Stock .........&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates ......... 2000&#13;
Cape of Good Hope 31% Inscribed&#13;
Stock .........&#13;
200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock ..&#13;
228 0 0&#13;
New Zealand 31%. Stock ........ 247 9 6&#13;
Irish Land Act 21% Guaranteed&#13;
Stock .................................&#13;
258 0 0&#13;
Corporation of London 21% Stock,&#13;
1927-57 ......&#13;
438 2 4&#13;
Jamaica 31% Stock, 1919-49 ...... 132 18 6&#13;
Mauritius 4% 1937 Stock ........ 120 121&#13;
Dominion of Canada C.P.R. 31%&#13;
Land Grant Stock, 1938............. 198 3 8&#13;
Antofagasta and Bolivian Railway&#13;
5°. Preferred Stock ............... 237 0 0&#13;
Central Argentine Railway Ordinary&#13;
Stock ...&#13;
232 ( 0)&#13;
ལ་&#13;
་ ༧&#13;
NOCK ....&#13;
Subscriptions.&#13;
1912.&#13;
£ s. d.&#13;
Jan. 1, Worsley, Miss Alice . . 0 5 0&#13;
Jan. 2, Sturt, George . .&#13;
0 5 0&#13;
Jan. 2, Wicks, Mark (in addition to&#13;
present subscription). . 0 5 0&#13;
Jan. 3, Northcote, The Rev. H.. 06 6&#13;
Jan. 3, Phipson, Miss E. (in addition&#13;
to present subscription) : 050&#13;
Jan. 3, Hedgcock, F. A. .&#13;
Jan. 5, Matcham, Mrs. Eyre .&#13;
Jan. 8, Stayton, Frank .&#13;
. : 0 5&#13;
Jan. 8, Canziani, Miss Estella . . 0 5 0&#13;
Jan. 10, Ropes, A. R.. .&#13;
. 1 1 0&#13;
Jan. 12, Francis, René .&#13;
0 100&#13;
Jan. 15, Pollock, Miss Edith (in addi-&#13;
tion to present subscription) 0 5 0&#13;
Jan. 27, Hutchinson, the Rev. H. N... 1 1 0&#13;
Feb. 7, L. M. F., per month during&#13;
Feb. 7, Letts, Miss W. M. . . .050&#13;
Feb. 8, Cooke, W. Bourne . . . 1 1 0&#13;
Feb. 8, Annesley, Miss Maude . . ( 10 6&#13;
Feb. 9, O'Donnell, Miss Petronella : 0 5 0&#13;
March 6, Curwen, Miss Maud . . 0 5 0&#13;
March 6, Anderson, Arthur . . 1 1 0&#13;
March 15, George, W. L. (in addition&#13;
to present subscription). 0 10 0&#13;
April 6, Bland, ). O. P. .&#13;
. 0 10 0&#13;
April 6, Taylor, Mrs. Basil. . . 0 5 0&#13;
April 6, Forrester, J. Cliffe. . . 05&#13;
1912&#13;
·&#13;
·&#13;
·&#13;
·&#13;
.&#13;
·&#13;
1&#13;
0&#13;
0&#13;
.&#13;
.&#13;
.&#13;
.&#13;
Total&#13;
... £4,846 194&#13;
PENSION FUND.&#13;
.&#13;
.&#13;
· .&#13;
THE list printed below includes all fresh dona-&#13;
tions and subscriptions (i.e., donations and&#13;
subscriptions not hitherto acknowledged) received&#13;
by, or promised to, the fund from January 1,&#13;
1912.&#13;
It does not include either donations given&#13;
prior to January 1, nor does it include sub-&#13;
scriptions paid in compliance with promises made&#13;
before it.&#13;
The full list of annual subscribers to the fund&#13;
appeared in the November issue of The Author.&#13;
Donations.&#13;
1912.&#13;
Jan. 2, Risque, W. H. .&#13;
Jan. 2, Dart, Miss Edith .&#13;
Jan. 3, “K.” .&#13;
Jan. 3, Church, Sir Arthur.&#13;
Jan. 3, Durrant, W. Scott&#13;
Jan. 3, Tighe, Henry :&#13;
Jan. 3, Grant, Lady Sybil .&#13;
Jan. 4, Smith, Bertram&#13;
Jan. 4, Buckrose, J. E. .&#13;
·&#13;
( 10&#13;
0 10&#13;
( 10&#13;
1 1&#13;
· · ·&#13;
0&#13;
6&#13;
0&#13;
0&#13;
.&#13;
· · ·&#13;
·&#13;
· ·&#13;
·&#13;
0 100&#13;
. 1 0 0&#13;
· 20 00&#13;
. 1 1 0&#13;
·&#13;
·&#13;
&#13;
&#13;
## p. 203 (#655) ############################################&#13;
&#13;
THE AUTHOR.&#13;
203&#13;
. .&#13;
:&#13;
er co&#13;
. .&#13;
£&#13;
1&#13;
0&#13;
0&#13;
1&#13;
0&#13;
1&#13;
0&#13;
3&#13;
1&#13;
s. d&#13;
1 0&#13;
3 10&#13;
5 0&#13;
1&#13;
5 0&#13;
6 0&#13;
5 0&#13;
3 0&#13;
1 0&#13;
£ s. d.&#13;
0 5 0 March 25, Williams, Mrs. Illtyd . .&#13;
0 10 0 April 2, XX. Pen Club .&#13;
10 0 April 6, Taylor, Mrs. Basil .&#13;
10 0 April 6, Cameron, Mrs. Charlotte&#13;
0 5 0 April 10, Kenny, Mrs. L. M. Stacpoole&#13;
0 5 0 April 10, Robbins, Alfred F. .&#13;
0 5 0 April 10, Harris, Emma H. .&#13;
.&#13;
10 April 11, Ralli, C. Scaramanga.&#13;
1 10 April 11, Aitken, Robert . .&#13;
0 5 0 April 16, L. M. F. (£1 per month,&#13;
2 2 0&#13;
February, March, April)&#13;
April 22, Prior, Mrs. Melton . .&#13;
2 2 0&#13;
0 5 0&#13;
0 5 0&#13;
COMMITTEE NOTES.&#13;
c.&#13;
O&#13;
. .&#13;
.&#13;
. .&#13;
oget&#13;
. ·&#13;
3 0&#13;
0 10&#13;
0&#13;
6&#13;
· ·&#13;
· ·&#13;
·&#13;
er er en oerer er&#13;
·&#13;
·&#13;
·&#13;
Jan. 4, Lathbury, Miss Eva&#13;
.&#13;
Jan. 5, Wilson, Dr. Albert .&#13;
Jan. 5, Craven, A. Scott .&#13;
Jan. 6, Blundell, Miss Alice&#13;
Jan. 6, Garbutt, W. H. .&#13;
Jan. 6, Serjeant, Miss Constance&#13;
Jan. 9, Chamberlayne, Miss Effie&#13;
Jan. 9, Hamel, Frank&#13;
Jan. 10, Allen, W. Bird .&#13;
Jan. 10, Crellin, H. N.&#13;
Jan. 10, Smith, Herbert W.&#13;
Jan. 12, Randall, F. J.&#13;
Jan. 13, P. H. and M. K. .&#13;
•&#13;
Jan. 15, Clark, Henry W... . ,&#13;
Jan. 17, Rankin, Mrs. F. M. . .&#13;
Jan. 18, Paternoster, Sidney .&#13;
Jan. 20, M'Ewan, Miss Madge.&#13;
Jan. 22, Kaye-Smith, Miss Sheila&#13;
Jan. 22, Mackenzie, Miss J. .&#13;
Jan. 22, Reiss, Miss Erna . .&#13;
Jan. 22, Grisewood, R. Norman.&#13;
Jan. 23, Machen, Arthur.&#13;
Jan. 24, Williamson, C. N. and Mrs. J. N.&#13;
Jan. 26, Way, Miss Beatrice .&#13;
Jan. 30, Saies, Mrs. Florence H. .&#13;
Jan. 30, Weyman, Stanley (in addition&#13;
to subscription).&#13;
.&#13;
Jan. 30, S. F. G. . . . .&#13;
Feb. 3, Douglas, James A. .&#13;
Feb. 6, Parker, Mrs. Nella .&#13;
Feb. 6, Allen, Mrs. James.&#13;
Feb. 10, Whibley, C. . .&#13;
Feb. 12, Loraine, Lady .&#13;
Feb. 12, Ainslie, Miss K. . .&#13;
Feb. 12, King, A. R. . .&#13;
Feb. 13, Ayre, Miss G. B. .&#13;
Feb. 14, Gibson, Miss L. S.&#13;
Feb. 15, Henley, Mrs. E. W.&#13;
Feb. 15, Westall, W. Percival&#13;
Feb. 17, Raphael, Mrs. .&#13;
.&#13;
Feb. 19, Cabourn, John .&#13;
Feb. 19, Gibbs, F. L. A.&#13;
Feb. 21, Hinkson, H. A., and M&#13;
Feb. 24, Hamilton, Cosmo&#13;
Feb. 27, Plowman, Miss Mary.&#13;
Feb. 28, Aspinall, A. E. . .&#13;
March 2, Montesole, Max,&#13;
March 9, Pickering, Mrs. Frank .&#13;
March 15, Trevanwyn, John .&#13;
March 16, O'Higgins, H. J. .&#13;
March 18, Wallis-Healy, F. C...&#13;
March 18, Schwarz, Prof. Ernest&#13;
March 19, Wallace, Sir Donald M&#13;
kenzie, K.C.V.O..&#13;
March 21, Wharton, Leonard .&#13;
March 22, Holbach, Mrs. . . .&#13;
March 23, Parks, W. C. . .&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
errerer Bu06-&#13;
.&#13;
.&#13;
O m HE committee met at the offices of the society&#13;
on April 1st. According to the usual custom,&#13;
the chairman for the current year was elected&#13;
1 1 0 at this meeting, being the first meeting after the&#13;
5 5 0 annual general meeting, when the committee&#13;
0 5 0 election takes place. Dr. S. Squire Sprigge, on the&#13;
( 8 6 proposal of Sir Alfred Bateman, seconded by Mr.&#13;
Hesketh Prichard, was elected chairman for 1912.&#13;
1 1 0 The committee then proceeded with the election of&#13;
1 1 0 members and are glad to report another large&#13;
10 0 increase, thirty-three members and associates being&#13;
0 100 added to the list, making the total election for the&#13;
1 1 0 year 133. There were six resignations.&#13;
( 10 6 The solicitors then laid before the committee a&#13;
0 0 report of the legal work done during the month.&#13;
0 5 0 At the last meeting they reported that a writ had&#13;
O been issued for the recovery of royalties. They were&#13;
0 5 0 now happy to state that the royalties and costs had&#13;
0 been paid and the matter settled. In the second&#13;
1 1 0 case, reported also at the last meeting, where a writ&#13;
0 had been issued, the accounts had now been&#13;
0 5 0 obtained. The solicitors having elicited a full&#13;
0 5 0 statement from the other side, now reported that&#13;
O they were in a position to settle. In another case,&#13;
chronicled last month, the advice of the committee&#13;
0 had been accepted by the member concerned and&#13;
0 2 6 the case was closed. The solicitors reported that&#13;
0 10 0 in a bankruptcy case which the society had taken&#13;
6 up on behalf of one of its members, they were&#13;
0 afraid no money would be forthcoming. A certain&#13;
1 1 0 number of actions had been taken against a paper&#13;
1 1 0 on behalf of contributors whose payments were in&#13;
3 0 arrear. One had been settled, and the solicitors&#13;
0 5 0 hoped to report the settlement of another next&#13;
month as judgment had been signed. In a case of&#13;
5 5 0 dramatic work, where judgment had been signed&#13;
0 5 0 on behalf of one of the members of the society, the&#13;
5 0. solicitors had got into touch with the defendant&#13;
0 5 0 and hoped to be able to make some satisfactory&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
0&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
0&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 204 (#656) ############################################&#13;
&#13;
204&#13;
THE AUTHOR.&#13;
settlement. Upon another case, also for a dra- without alteration, but Mr. Hall Caine, subject to&#13;
matist, the solicitors reported at some length. It his being willing to undertake the duties, was elected&#13;
related to a dispute between two members of the to the Copyright Sub-Committee in recognition of&#13;
society. The legal position, which, originally, had his work on the Copyright Bill.&#13;
been very complicated, had been made clearer by An enquiry was made of the committee as to&#13;
the explanation of the complaining party, and the their action in respect of the literary and the&#13;
solicitors set out the facts in detail. The com- dramatic censorships. The secretary was instructed&#13;
mittee gave the whole matter very careful con- to write to the member making the enquiry,&#13;
sideration and authorised the solicitors, if possible, explaining the work which the committee had done.&#13;
to settle the dispute, acting as arbitrators between It would be inexpedient to set out fully the action&#13;
the two parties. If, however, they found it of the committee, but it may be as well to state&#13;
impossible to settle, they were to refer it back to that matters of such importance to authors and&#13;
the committee.&#13;
dramatists had not escaped their consideration.&#13;
The secretary then laid before the committee A resolution from the Nobel Prize Committee&#13;
a letter one of the members had received from a requesting their disbandment was next considered.&#13;
publisher. He was instructed, with the member's The committee decided, having obtained the opinion&#13;
authority, to write to the publisher on the matter. of the chairman, Lord Avebury, and having care-&#13;
In another case the secretary put before the fully considered the whole situation, that they could&#13;
committee the desire of a member that the society not accept the resolution, and instructed the Nobel&#13;
should take steps to discover whether his book was Prize Committee to that effect. The committee&#13;
being pirated in the Colonies. It is necessary to considered that the society should still maintain:&#13;
state, in regard to this case, that the society had its position, recognised by the Swedish Academy,&#13;
already taken action at the request of the member as the agent for the collection of the votes in&#13;
to stop an infringement which had occurred in England.&#13;
England, and had obtained a large sum for him The question of Russian copyright was next&#13;
as damages for such infringement. The committee discussed, and the secretary reported that Russia&#13;
instructed the secretary to point out that it was and France had signed a treaty for copyright&#13;
outside the society's scope to act as detectives with protection. He mentioned the steps which had&#13;
a view to discovery of infringements of copyright, been taken in order, if possible, to obtain a treaty&#13;
but that in the circumstances if the member was between Great Britain and Russia, and was&#13;
willing to pay a certain sum to defray out-of- instructed to press the matter forward.&#13;
pocket expenses the society would do its best to The suggestions put forward at the general&#13;
assist bim.&#13;
meeting by various members were next considered.&#13;
A member laid before the committee a complaint They were as follows:-&#13;
against a publisher, arising out of an agreement 1. That further articles should be published in&#13;
which he had signed. While the committee gave the The Author dealing with publishers' agreements.&#13;
matter their serious consideration, they instructed 2. That the society should claim for the general&#13;
the secretary to express their regret that they did fund a commission on sums of money recovered for&#13;
not see how they could interfere, as the member members.&#13;
must be bound by the terms of his contract.&#13;
3. That a fresh issue of The Cost of Production&#13;
The secretary mentioned also an action which had should be published.&#13;
come before the City of London Court, in which All these matters had the committee's serious&#13;
His Honour had referred the issues to the arbitra- consideration. After considering the first, they&#13;
ment of the secretary of the society. The com- decided to print further agreements from time to&#13;
mittee authorised the secretary to act.&#13;
time, with comments.&#13;
Following the cases came the question of the They did not think, in the matter of the second&#13;
re-election of the sub-committees, which also takes proposal, that it would be possible for them to ask&#13;
place at the first meeting of the Committee of for commission on moneys recovered for members.&#13;
Management following the general meeting.&#13;
They considered that such a claim, even if it could&#13;
The sub-commitees were re-elected. Mr. W.J. be made legally, would be undignified. At the&#13;
Locke and Mr. James T. Tanner were elected to same time they wish to chronicle the fact that some&#13;
fill the vacancies on the Dramatic Sub-Committee members have recognised the work of the society&#13;
caused by the retirement of Mr. Granville Barker by donations to its capital fund.&#13;
and Captain Basil Hood. These gentlemen had In the matter of The Cost of Production the&#13;
been approved by the dramatic section of the committee think it may be possible, first through&#13;
society. The Composers' Sub-Committee having the columns of The Author, and finally in book&#13;
only recently been elected, the election was con- forn, to issue some articles on this subject, but in&#13;
firmed. The other sub-committees were re-elected view of the expense it will involve the committee&#13;
&#13;
&#13;
## p. 205 (#657) ############################################&#13;
&#13;
THE AUTHOR.&#13;
205&#13;
feel that before they can undertake the work, it will cases which had been taken in hand by the society.&#13;
be necessary, by means of a subscription list, to One case of no small importance referred to the&#13;
ascertain what support they may expect from the infringement of a member's copyright in Canada.&#13;
members. They desire, however, to add that any The second matter for discussion referred to the&#13;
particulars touching the cost of production can question of fees from the managers of portable&#13;
always be obtained on application to the secretary. theatres, and a letter was read which had been&#13;
A letter from the advertisement agents was read received from the secretary of the Travelling Theatre&#13;
to the committee, and the committee decided to Managers' Association in which it was stated that&#13;
continue under the present agreement which is that association would communicate with the&#13;
binding on the agents and the society for another Dramatic Sub-Committee when the matter under&#13;
two years.&#13;
discussion had been placed before the annual&#13;
Authority was given for the affixing of the seal general meeting of that association, which would&#13;
of the society to a divident warrant.&#13;
take place in June.&#13;
The Managerial Treaty, which had taken so&#13;
much of the time of the sub-committee and the&#13;
Dramatists' Club, was finally settled. The draft&#13;
JOINT COMMITTEE MEETING.&#13;
of a letter to be sent to the chairman of the Society&#13;
of West End Managers by the chairman of the&#13;
“ COPYRIGHT ACT REGULATIONS."&#13;
Dramatic Sub-Committee was considered and&#13;
JUST before the Easter holidays the Board of settled, and the secretary was instructed to obtain&#13;
Trade forwarded to the Society of Authors the draft the chairman's signature and to forward the letter.&#13;
of the statutory rules and orders provided under The sub-committee also chose certain gentlemen to&#13;
section 3 and section 19, subsection 6, of the undertake-subject to their consent—the duties of&#13;
Copyright Act, 1911. As there was no time to call delegates to meet the representatives of the Society&#13;
a meeting till after the Easter holidays, the Chair- of West End Managers, and the secretary was&#13;
man, to whom the secretary referred the matter, instructed to enquire whether they would be willing&#13;
decided to obtain a report from counsel-Mr. E. to serve.&#13;
J. MacGillivray_and to call a meeting of the three The settlement of the schedule of fees referred to&#13;
committees together to consider the report when it at the last meeting of the sub-committee was&#13;
came to hand. As the time allowed by the Board adjourned for further discussion, as also was the&#13;
of Trade for submitting any suggestions on the question of the collection of fees for amateur rights,&#13;
rules was short, the meeting was called for Thurs- and the percentages that should be paid to agents&#13;
day, April 18. Previous to the meeting Mr. for such collection.&#13;
MacGillivray's report was forwarded with a copy&#13;
of the rules and orders to every member. The&#13;
Cases.&#13;
meeting was held at the rooms of the Society of&#13;
Arts. The Chairman opened the meeting by&#13;
OWING to the Easter Vacation falling in the&#13;
reading the report, and then placed it before the&#13;
month of April, there are few cases for that&#13;
committees paragraph by paragraph. The prin-&#13;
month to record in this issue. In only nine&#13;
ciples laid down in the report were accepted. The&#13;
matters has the secretary intervened. Three of&#13;
chairman then invited the members present to&#13;
these referred to the settlement of accounts. One&#13;
indicate any other directions in which they thought&#13;
has been settled, and in the other two cases matters&#13;
the interests of copyright holders should be pro-&#13;
are still in the course of negotiation. In one case&#13;
tected under these rules. There was some discussion,&#13;
the publisher has offered and the author is con-&#13;
and finally certain points to be embodied in the&#13;
sidering certain proposals of settlement. In the&#13;
report were agreed to. The secretary was instructed&#13;
other case the publisher has pleaded, first, that the&#13;
to draft the report, and Mr. MacGillivray was kind&#13;
principal was abroad, and, secondly, that certain&#13;
enough to undertake the work of revising it before&#13;
changes were being made in the firm. Another&#13;
it was sent to the Board of Trade.&#13;
case, remaining over from the previous month, lies&#13;
against the latter firm, and the secretary has been&#13;
obliged to press for immediate settlement, failing&#13;
which it will be necessary to transfer the claims to&#13;
DRAMATIC SUB-COMMITTEE.&#13;
the society's solicitors. In one case for the return&#13;
of a MS. the MS. has been returned. There have&#13;
THE April meeting of the Dramatic Sub-Com- been two demands for money. One has been&#13;
mittee was held at the offices of the society on the settled and the other has so recently come into the&#13;
19th. After the minutes of the previous meeting office that there has been no time for a reply to the&#13;
had been read the secretary reported the dramatic secretary's letter. Two out of three disputes on&#13;
&#13;
&#13;
## p. 206 (#658) ############################################&#13;
&#13;
206&#13;
THE AUTHOR.&#13;
minor points in agreements have been settled, the Quarrell, Mrs. E. A.. . Ladies' Army and&#13;
publishers having given the necessary explanations.&#13;
Navy Club, Bur-&#13;
The third is rather a difficult matter, as it refers&#13;
lington Gardens,&#13;
to a question of whether work done by a printer is&#13;
W.&#13;
up to sample and according to contract, but as Robbins, Alfred F. . . Dunheved, Villa&#13;
negotiations are proceeding it is hoped it will be&#13;
Road, S.W.&#13;
closed by next month.&#13;
Sargent, Frederic . . 162, Portsdown Man-&#13;
There is a case open, beyond the one already&#13;
sions, W.&#13;
mentioned from the former month, but as the Smith, Miss Annie Burns. 227, Kenelm Road,&#13;
member lives in South Africa the matter must&#13;
Small Heath, Bir-&#13;
necessarily be delayed.&#13;
mingham.&#13;
Two matters have been placed in the hands of Speer, William H., M.A., Poweyscourt, Bal-&#13;
the society's solicitors forth with without the inter- Mus.Doc. .&#13;
. combe, Sussex.&#13;
vention of the secretary, and these matters will be Spottiswoode, Sybil . . 2, Sion Hill Place,&#13;
referred to in the Committee Notes in the June&#13;
Bath.&#13;
issue of The Author.&#13;
Sterrey, Charles Ernest . West Hill, Manor&#13;
Avenue, Kidder-&#13;
minster.&#13;
Elections.&#13;
Taylor, Mrs, Basil (Harriet Holland Lodge, 35,&#13;
Osgood)&#13;
. . Addison Road, W.&#13;
Anderton H. Osmond . Hermitage, Broad Webb, Mrs. David (Anne&#13;
Meadow, King's Weaver).&#13;
Norton.&#13;
Wood, Mrs. A. E., clo J. B.&#13;
Bilsborough, Katie Bank Cottage, Grass Wood, Esq., C.I.E. . Indore, Central India.&#13;
Florence . . . ington, Yorkshire.&#13;
Black, Miss Clementina.&#13;
Bland, John Otway Percy The Clock House,&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
Shepperton-on-&#13;
Thames.&#13;
Bridge, Frank . . . 23, Foster Road, WHILE every effort is made by the compilers to keep&#13;
Chiswick, W. this list as accurate and exhaustive as possible, they have&#13;
Corbett-Smith, Capt.&#13;
some difficulty in attaining this object owing to the fact&#13;
Arthur.&#13;
Middle Temple, E.C.&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
Dunkler. Charlwood. . 5, Chesterfield Place, largely upon lists of books which appear in literary and&#13;
Weymouth.&#13;
other papers. It is hoped, however, that members will&#13;
Forrester, J. Cliffe. . 42, Argyle Road,&#13;
co-operate in the compiling of this list and, by sending&#13;
West Ealing.&#13;
particulars of their works, help to make it substantially&#13;
accurate,&#13;
Forsythe, R. . . . 6, Salisbury Road,&#13;
ART.&#13;
Godstone, Surrey. SHAKESPEARE MEMORIAL SOUVENIR OF THE SHAKE-&#13;
Guest, Mrs. Carmel Haden 16a, John Street, SPEARE BALL. Edited by MRS. GEORGE CORNWALLIS-&#13;
Adelphi.&#13;
WEST18 x 113. F. Warne. £5 58. n.&#13;
Harris, Mrs. E. H. . . Grey Abbey, Cocker-&#13;
ART AND THE COMMON WEAL. By WILLIAM ARCHER.&#13;
(Conway Memorial Lecture, delivered at South Place&#13;
mouth, Cumber Institute on February 23rd, 1912.) 63 X 44. 76 pp.&#13;
land.&#13;
Watts, 9d. n.&#13;
Jarvis, Winifrede (Oliver&#13;
BOOKS FOR THE YOUNG.&#13;
Dryasdust)&#13;
FIVE SHORT PLAYS FOR CHILDREN. By ANTONIA R.&#13;
Jebb, Miss Eglantyne . 6, Harvey Road,&#13;
WILLIAMS. 74 x 44. 44 pp. Year Book Press. 60.n.&#13;
Cambridge.&#13;
Jefry, John.&#13;
DOMESTIC ECONOMY.&#13;
Keate, Miss . . . Hampton Court LETTERS TO YOUNG HOUSEKEEPERS. By MARIE DE&#13;
Palace.&#13;
JONCOURT (MRS. W. PHIPSON BEALE). A Supplement&#13;
to WHOLESOME COOKERY, by the Samé Author.* 74 x 5.&#13;
Kenny, Rowland . . New Reform Club.&#13;
133 pp. Kegan Paul. 18. (Paper); 13. 6d. (Cloth).&#13;
Linecar, Arthur, (Arthur&#13;
Grim).&#13;
DRAMA,&#13;
Mackay, Mrs.&#13;
PLAY-MAKING : A Manual of Craftsmanship. By WILLIAM&#13;
Miller, Miss Dorothy 4, Hova Court, Hove,&#13;
ARCHER, 9 X 54. 371 pp. Chapman &amp; Hal. 78.6d. n.&#13;
MILESTONES : A Play in Three Acts. By ARNOLD BENNETT&#13;
Blanche&#13;
. Sussex.&#13;
and E. KNOBLAUCH, 63 X 44 126 pp. Methuen.&#13;
O'Neill, Miss Mary.&#13;
28. n.&#13;
AKING X 56. o Three Acts..126&#13;
&#13;
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## p. 207 (#659) ############################################&#13;
&#13;
THE AUTHOR.&#13;
207&#13;
FICTION.&#13;
POETRY.&#13;
IN COTTON WOOL. By W. B. MAXWELL. 78 X 5. 396 pp. THE ISCARIOT. By EDEN PHILLPOTTS. 8 X 54. 55 pp.&#13;
Hutchinson. 68.&#13;
Murray. 38. 6d. n.&#13;
FOUR CHIMNEYS. By S. MACNAUGHTAN. 74 x 44. POEMS. ' By CLIFFORD KING. 400 pp. Kegan Paul.&#13;
314 pp. Nelson. 28. n.&#13;
58. n.&#13;
THROUGH THE POSTERN GATE. By FLORENCE L, BAR- MOODS, SONGS, AND DOGGERELS. By John GALSWORTHY.&#13;
CLAY. 74 X 5. 269 pp. Putnam. 68.&#13;
9 x 54, 96 pp. Heinemann. 58. n.&#13;
THE VOICE FROM THE NIGHT. By CHARLES E. STERRY.&#13;
74 x 5. 438 pp. George Allen. 68.&#13;
POLITICAL&#13;
THE APPLE OF EDEN. By E. TEMPLE THURSTON. 8 X&#13;
CHINA IN TRANSFORMATION. By A. R. COLQUHOUN.&#13;
54. 127 pp. Stanley Paul. 6d.&#13;
THE GARDEN OF SWORDS. By MAX PEMBERTON. 71 x 5.&#13;
Revised and Enlarged. With Two Maps. 78 X 5.&#13;
328 pp. Cassell. 1s. n.&#13;
299 pp. Harper. 58. n.&#13;
THE FAMILY LIVING. By E. H. LACON WATSON. 71 X&#13;
REPRINTS.&#13;
· Ō. 371 pp. Murray. 68.&#13;
THE NIGHT LAND. By WM. HOPE HODGSON. 73 x 5. AN EASTER ANTHOLOGY. Collected, Arranged, and Edited&#13;
583 pp. Nash. 68.&#13;
by W. KNIGHT. 7 x 4?. 218 pp. Sidgwick &amp; Jackson,&#13;
SON OF THE IMMORTALS. By LOUIS TRACY. 73 x 5. 28. 6d. n.&#13;
316 pp. Ward Lock. 68.&#13;
THACKERAY'S BOOK OF SNOBS. With an Introduction by&#13;
THE STOLEN BACILLUS. By H. G. WELLS; THE GIANT G. K. CAESTERTON. 260 pp. 6 X 4. Blackie. 28. 6d. n.&#13;
FISHER. By MRS. HUBERT BARCLAY; THE THREE&#13;
KNAVES. By EDEN PHILLPOTTS. 6 X 4. Macmillan's&#13;
SPORT.&#13;
Sevenpenny Series.&#13;
SPORTSMEN AND OTHERS. By R. C. LEHMANN. 78 X 5.&#13;
THE FOUR FEATHERS. By A. E. W. MASON. 61 X 41.&#13;
226 pp. Kegan Paul. 38. 6d. n.&#13;
379 pp. (Library of Copyright Fiction.) Nelson. 6d. n.&#13;
THE HUNTING YEAR. By WILLIAM SCARTH Dixon.&#13;
THE MAJOR'S NIECE. By G. A. BIRMINGHAM. 71 x 5.&#13;
Illustrated. London : W. J. Ham Smith. 68. n.&#13;
302 pp. Smith, Elder. 38. 6d. n.&#13;
THE FAITH OF HIS FATHERS. A Story of Some Idealists.&#13;
THEOLOGY.&#13;
By A. E, JACOMB. 7 X 41. 339 pp. Melrose. ls. n.&#13;
THE CUP AND THE LIP, By STEPHEN KNOTT. 71 x 5.&#13;
BAHAISM : The Religion of Brotherhood and its Place in&#13;
Murray &amp; Evenden. 68.&#13;
the Evolution of Creeds. By F. H. SKRINE. 77 x 5.&#13;
THE DEWPOND. By CHARLES MARRIOTT. 8 X 5. 344 pp.&#13;
72 pp. Longmang. 18. 6d.&#13;
Hurst &amp; Blackett. 68.&#13;
THE ORDINARY MAN AND THE EXTRAORDINARY THING.&#13;
A BACHELOR'S COMEDY. By J. E, BUCKROSE. 73 x 5.&#13;
By HAROLD BEGBIE. 73 x 5, 256 pp. Hodder &amp;&#13;
307 pp. Mills &amp; Boon. 68.&#13;
Stoughton. 68.&#13;
ELIZABETH IN RETREAT. By MARGARET WESTRUP&#13;
TOPOGRAPHY.&#13;
(MRS. W. SYDNEY STACEY.) 7.1 x 5. 428 pp. Lane. 6s. THE LONDON MUSEUM AT KENSINGTON PALACE. Being&#13;
LOVE GILDS THE SCENE AND WOMEN GUIDE THE PLOT. an Historical Guide to the Palace and its Contents. By&#13;
By AGNES and EGERTON CASTLE. 78 X 5. 339 pp. E. LAW, F.S.A. 71 X 54. 179 pp. Hugh Rees.&#13;
Smith, Elder. 63.&#13;
THE ISLE OF WIGHT. Described by EDWARD THOMAS.&#13;
THE GOVERNESS. By MRS. ALFRED HUNT and VIOLET&#13;
9 x 63. 64 pp. Blackie. 28. n.&#13;
HUNT. With a Preface by FORD MADOX HUEFFER. WINCHESTER. Described by SIDNEY HEATH. 94 x 68.&#13;
73 X 44. 315 pp. Chatto &amp; Windus. 68.&#13;
64 pp. Blackie. 28. n.&#13;
THE KING's Kiss. An Historical Romance. By L. M.&#13;
STACPOOLE KENNY. 74 x 5. 288 pp. Digby, Long. 68.&#13;
THE WOMAN WHO TEMPTED. By GERTRUDE WARDEN.&#13;
7 x 5. 304 pp. Ward, Lock. 6s.&#13;
A GIRL FROM THE SOUTH. By CHARLES GARVICE. 7*X&#13;
5. 340 pp. Cassell. 18. n.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
TRYPHENA IN LOVE AND YOUNG SAM AND SABINA. By&#13;
NOTES.&#13;
WALTER RAYMOND. 78 X 5. 295 pp. Dent. 38. 6d.&#13;
JOHN INGERFIELD AND OTHER STORIES. By JEROME K.&#13;
JEROME. 6 X 44. 220 pp. (Cheap Reprints.) F.&#13;
Palmer. 18, n.&#13;
"M ESS of the d'Urbevilles” and “Far from the&#13;
GEOGRAPHY.&#13;
1 Madding Crowd ” are the first two volumes.&#13;
OXFORDSHIRE. By P. H. DITCHFIELD. 218 pp. Cam.&#13;
published in the new Wessex edition of the&#13;
bridge University Press.&#13;
works of Mr. Thomas Hardy in prose and verse,&#13;
with preface and notes. The edition will be com-&#13;
LITERARY.&#13;
pleted in twenty volumes, price 78. 6d. nett each.&#13;
LEAVES OF PROSE. By ANNIE MATHESON. With Two&#13;
Each volume is to contain a frontispiece in photo-&#13;
Studies. By MAY SINCLAIR. 75 X 5. 315 pp. S.&#13;
Swift. 58. n.&#13;
gravure, and a map of the Wessex of the novels&#13;
MEDICAL.&#13;
and poems. The author has written a new general&#13;
THE MOTHER'S BOOK ON THE REARING OF HEALTHY preface for the present edition, which appears in&#13;
CHILDREN. By FLORENCE STACPOOLE. 7 X 4. 120 pp. « Tess of the d'Urbevilles.” Messrs. Macmillan &amp;&#13;
Wells, Gardner. ls.&#13;
Co. are the publishers.&#13;
PHILOSOPHY.&#13;
In “Our Future Existence” or “ The Death-&#13;
THE KINGDOM OF MAN. By SIR RAY LANKESTER. New purviving VOSCIOUSNESS Olmal, Dy Dulo&#13;
Surviving Consciousness of Man," by Mr. Fred. G.&#13;
and Revised Edition. 8} 51. 114 pp. Watts. 18.n. Shaw, the author's primary object is to establish&#13;
&#13;
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## p. 208 (#660) ############################################&#13;
&#13;
208&#13;
THE AUTHOR.&#13;
the reality of a death-surviving consciousness and the end of March. The same author has a story in&#13;
to prove that this consciousness is distinct from Pearson's Magazine for April. The story, which is&#13;
and has a separate existence from the normal con- called “Cupid, Librarian,” won a £10 prize in the&#13;
sciousness of our everyday life. The book is issued £260 Story Competition run by that magazine.&#13;
at 10s. 6d. nett, and copies may be obtained from Mrs. Charlotte Cameron, whose last book, “A&#13;
the author, whose address is Neville Court, Abbey Woman's Winter in South America,” was published&#13;
Road, N.W.&#13;
by Messrs. Stanley Paul &amp; Co., is about to publish&#13;
The scene of Louise M. Stacpoole Kenny's new a novel on the Delhi Durbar. Mrs. Cameron was&#13;
novel, entitled “The King's Kiss” (Digby, Long &amp; special correspondent for The Lady's Pictorial&#13;
Co.), is to be found in the France of the seven- during that period.&#13;
teenth century. Many of the characters of her Her Majesty the Queen has been graciously&#13;
previous novel: Love is Life” (Greening &amp; Co.) pleased to accept a set of Mrs. Alice Perrin's Anglo-&#13;
appear in this historical romance. The heroine, Indian novels, specially bound.&#13;
Iseult Marquise de Saint-Armand, relates the story Mrs. Fred. Reynolds will publish shortly, through&#13;
of the kiss she was forced to receive from Louis Messrs. Chapman &amp; Hall, her twenty-first novel.&#13;
Quatorze in order to save the life of her Irish It is entitled “ The Grey Terrace," and deals largely&#13;
cousin Harry Macnamara, who as a Whig and a with the problem as to how far a man must hold&#13;
Protestant had acquired the enmity of some mem- himself responsible for the accidental slaying of&#13;
bers of the French Court. Her husband, Victor de another. The greater part of the book, like "The&#13;
Saint-Armand, passionately resents the king's Horseshoe,” by the same author, has its setting in&#13;
embrace, throws his wife from him, and, riding to Cornwall.&#13;
Versailles, has a stormy scene with Louis. As a Messrs. John Ouseley will shortly publish a new&#13;
result the Marquis disappears, and Iseult, left in novel, “Until That Day," by Harold Wintle,&#13;
ignorance of his fate, gets brain fever, and when F.R.G.S.&#13;
she recovers goes through many trials. The K. L. Montgomery's new novel, “ The Gate-&#13;
story of the love of Alain Vicomte de Lescure openers," will shortly be published by Mr. John&#13;
- Iseult's brother—for Aileen Macnamara and Long. “The Gate-openers," the germ of which&#13;
for his former sweetheart Yvonne Duchesse de ran in serial form through the Sunday Chronicle,&#13;
Nevers, is interwoven with the romance, and many under the title of “ A Rebekah Rioter," deals with&#13;
famous personages besides the Roi Soleil appear in the history of the toll agitations in South Wales&#13;
its pages, amongst others James II., his Queen, during the “Hungry Forties.”&#13;
Mary of Modena, and Frances, Duchess of Mr. W. L. George's new novel, “ The City of&#13;
Tyrconnel.&#13;
Light : a Story of Modern Paris," published here&#13;
In the United States, Benziger Brothers, New last month by Messrs. Constable &amp; Co., will be&#13;
York, have published Louise M. Stacpoole Kenny's published very shortly in the United States by&#13;
'A Knight of the Green Shield. A romance of Messrs. Brentano.&#13;
the days of Saint Louis.” This firm previously Mr. E. A. Reynolds-Ball published last month a&#13;
issued for her “St. Charles Borromeo. A sketch new work, entitled “Outfit and Equipment for the&#13;
of the Reforming Cardinal,” and “ Francis de Sales. Traveller, Explorer, and Sportsman." The work&#13;
A Study of the Gentle Saint.”&#13;
contains a chapter on outfit and equipment by Ralph&#13;
“ Corn in Egypt” is the title of a new book by Durand ; one on health for the traveller, by Mr.&#13;
Mr. E. Newton Bungey, which Messrs. Lynwood &amp; Reynolds-Ball; one on equipment for the big&#13;
Co. are publishing. The scene is laid in an English game sportsman, by F. C. Selous, as well as other&#13;
village, and the corn in Egypt" is the new rector, chapters on matters of interest to travellers.&#13;
who is a bachelor. There is a considerable golfing A second edition of Mr. Reynolds-Ball's “ Guide&#13;
element in the story.&#13;
to Jerusalem " has also appeared. It has been&#13;
H.M. Queen Alexandra has graciously accepted revised and enlarged, with plan of Jerusalem, four&#13;
a copy of Mr. Isidore Ascher's volume of sonnets, maps, and five page illustrations. It is published&#13;
which Mr. Arthur H. Stockwell has just published. by Messrs. A. &amp; C. Black.&#13;
Mr. Robert H. Sherard has recently finished a "A Free Farmer in a Free State," by J. W.&#13;
new novel entitled “My French Husband,” told in Robertson-Scott (Home Counties) is a study of&#13;
the first person by the heroine. Mr. Sherard's rural life and industry in Holland. The author&#13;
novel “After the Fault” is being translated into has visited Holland at intervals during the past&#13;
French by Monsieur Georges Bazill, and will appear quarter of a century, and has made a study of the&#13;
as a feuilleton in Le Temps newspaper.&#13;
agriculture and horticulture in every one of its&#13;
"A Little Aversion," by Clara J. Martin, was provinces, special facilities being afforded him by&#13;
published by Messrs. Arrowsmith, of Bristol, and the Dutch Department of Agriculture. The book&#13;
Messrs. Simpkin, Marshall &amp; Co., London, towards is illustrated from a number of photographs, which&#13;
&#13;
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## p. 209 (#661) ############################################&#13;
&#13;
THE AUTHOR.&#13;
209&#13;
show not only the details of agricultural organisa Messrs. Maunsel &amp; Co., Ltd., of Dublin, the&#13;
tion, but also the intimate life of the rural publishers of the works of J. M. Synge and of&#13;
population. Mr. William Heinemann publishes other notable books by Irish writers, inform us that&#13;
the book.&#13;
they are extending the scope of their business so as&#13;
Mrs. Alec Tweedie has an article on “Eugenics” to include in their catalogue works by British and&#13;
in the May Fortnightly. It is particularly well- American authors generally, and that they have&#13;
timed, as the first International Congress of now opened London offices at Oakley House,&#13;
Eugenics is to be held in London in July, opening Bloomsbury Street, W.C.&#13;
with a banquet on the 24th, which will be attended by Messrs. Longmans, Green &amp; Co. have just pub-&#13;
prominent men and women from all over the world lished a volume entitled “Some Things We Have&#13;
who are interested in the betterment of the race. Remembered," by Percy M. Thornton. The object&#13;
“The Girl's Book about Herself” is the title of pursued by the author has been to record various&#13;
a volume which Messrs. Cassell &amp; Co. are publish- matters of public interest in the century covered by&#13;
ing for Miss Amy B. Barnard, L.L.A. Written in a father and a son, members of the family of&#13;
a chatty, personal, and confidential style, its pur- Thorntons, of Birkin, in Yorkshire.&#13;
pose is to give helpful advice to girls in their middle Admiral Thornton's experiences in the French,&#13;
and later teens. The book is issued at 3s 6d. net, American and Burmese Wars form the staple part&#13;
uniform with “Talks with Children About of the earlier chapters, although intertwined with&#13;
Themselves.”&#13;
the family records and narratives concerning naval&#13;
Mr. Alfred Hurry's novel, “ The Man Who Came friends. Then follow reminiscences of Harrow and&#13;
to Life," has just been republished in cheap form Cambridge times, and the author's experience in&#13;
by the Sheffield Weekly Telegraph.&#13;
Municipal and Parliamentary life.&#13;
Messrs. Stanley Paul &amp; Co. announce that in The last chapter is devoted to athletics, and con-&#13;
future, commencing with the May issue, they will tains, among other things, an account of the contest&#13;
publish “The Librarian and Book World,” the first between the Jesus College, Cambridge, oarsmen and&#13;
number of which appeared under the title of the Belgian crew, which took place at Ghent, in&#13;
“The Librarian ”about two years ago. The journal, May, 1911.&#13;
in which several new features are being introduced, Mr. Russell Barrington's book, “ Through Greece&#13;
is an independent one and representative of the and Dalmatia," is about to be published by Messrs.&#13;
whole profession, and should appeal to the librarian, A. &amp; C. Black. The book is illustrated from photo-&#13;
publisher, bookseller, and bookbuyer alike, as well graphs and drawings by Mrs. Barrington.&#13;
as to the curator of museum and art gallery. To “War and a Woman" is the title of Mr. Max&#13;
the general reader it should be of assistance, as Pemberton's new book, to be published by Messrs.&#13;
* Best Books," a classified and annotated monthly Cassell &amp; Co. on May 2nd.&#13;
causerie on all the best books published in this Mr. J. D. Beresford, whose first two novels,&#13;
country during the year, provides an unfailing index “ The Early History of Jacob Stab]” and “The&#13;
of the progress made in every department of Hampdenshire Wonder," appeared last year, has a&#13;
science, art, and literature. In addition each new volume, “A Candidate for Truth," appearing&#13;
number contains nearly 20,000 words on all matters through Messrs. Sidgwick &amp; Jackson, Ltd.&#13;
of interest to everyone connected with books.&#13;
Mr. Rafael Sabatini has chosen for the title of&#13;
DRAMATIC.&#13;
his new novel “ The Justice of the Duke.” In this&#13;
story Mr. Sabatini presents the real Cesare Borgia “The Finishing Touch,” by “Rita,” an episode&#13;
as he visualises him, but in settings purely arti- of school life, was produced on March 28 at a&#13;
ficial. Messrs. Stanley Paul &amp; Co. are the dramatic entertainment on behalf of the National&#13;
publishers. They have added also to their “ Two Service League, given at S. Ambrose Hall, West-&#13;
Shilling ” Series, Miss Dolf Wyllarde's novel “ The bourne. It was followed by another play by “ Rita,"&#13;
Riding Master,” a story of modern London life, with entitled “Stamp Day in the Kitchen."&#13;
a sporting interest, now in its sixth edition.&#13;
Mr. William Boyle's new play, “ Family Failing,"&#13;
A new addition to Messrs. Stanley Paul &amp; Co.'s was produced at the Abbey Theatre on March 28.&#13;
“Clear Type” Sixpenny Series is “The Dream The play is one of Irish rural life, and the theme&#13;
and the Woman,” by Tom Gallon.&#13;
the laziness of a certain family of Irish farmers who&#13;
Mr. Keighley Snowden's new novel, “Bright neglect their land until they are almost without any&#13;
Shame," follows “ The Free Marriage,” with the food supplies. The arrival of a relation from&#13;
same publishers, Messrs. Stanley Paul &amp; Co. It is America re-establishes the family credit, tempo-&#13;
the story of a prodigal father confronted with a son rarily due to an erroneous idea that he is a man of&#13;
unawares, whose parentage he has bimself to verify substance, instead of one with an almost equally&#13;
and claim. An afterword pleads for bolder morals. strong aversion to industry as themselves. In the&#13;
&#13;
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## p. 210 (#662) ############################################&#13;
&#13;
210&#13;
THE AUTHOR.&#13;
cast were Mr. Arthur Sinclair, Miss Eileen “George Sand, sa vie et ses (Euvres," by&#13;
O'Doherty and Mr. Fred O'Donovan.&#13;
Vladimir Karénine. This is the third volume of a&#13;
Mr. G. Carlton Wallace's play, “ The Apple of work which undoubtedly stands first in value&#13;
Eden," originally produced at the Elephant and amongst all the books that have been written on&#13;
Castle Theatre, on August 22, 1910, was staged, that “large-brained woman and large-hearted man,&#13;
last month, at the New Princes Theatre. Its plot self-called George Sand," as the gifted author is&#13;
deals with the flight of Queen Margaret of Slavonia styled by the English poetess Elizabeth Browning.&#13;
from the country, in the government of which she It is some years since the other two volumes were&#13;
is supposed to be associated with her consort, King published, and many admirers of George Sand have&#13;
Ferdinand, whose unbridled debaucheries drive her been waiting with impatience the conclusion of a&#13;
forth in disgust. The cast includes Mr. Stephen E. work which will probably take its place as the&#13;
Scanlan, Mr. Henry Lonsdale, and Miss Nora Lerin. definite and authentic account of one of the most&#13;
prolific of French women writers and one of the&#13;
most remarkable of women.&#13;
PARIS NOTES.&#13;
“La Vie économique,” by Frédéric Passy, member&#13;
of the French Institute, is the title of a small pub-&#13;
M HE Franco-Russian treaty for the protection lication by the eminent writer, who is such an&#13;
T of French literary property has now been ardent pacificist. The name of the author is a&#13;
ratified by the Czar and the French Govern- sufficient guarantee of the value of the little work.&#13;
ment. When the signatures have been exchanged “ La Locomotion à travers le temps, les meurs,&#13;
the law will come into force at the end of six et l'espace," by Octave Uzanne, is, as the sub-title&#13;
months.&#13;
tells, a picturesque and anecdotal résumé of the&#13;
A lawsuit has been brought against the Pathé history of the various terrestrial and aerian means&#13;
Cinematograph Company by Madame Hémon, who of transport. In this book we have some twenty&#13;
is the proprietor of Prosper Mérimée's works. A illustrations showing the most primitive styles of&#13;
story of his had been adapted for the Cinemato- chariots and vehicles of various kinds. There are,&#13;
graph without permission. The company has been later on, the sedan chairs and all kinds of public&#13;
requested to take the number in question from its and private conveyances, post-chaises, and finally&#13;
catalogue and to pay Madame Hémon 1,000 francs trams, railway carriages above and below ground,&#13;
and the costs of the lawsuit.&#13;
automobiles, cycles, and all the various inventions&#13;
“Pages de Critique et de Doctrine,” by Paul hitherto tried for soaring in the sky. The volume&#13;
Bourget, is the title of this author's latest book. contains some twenty-two coloured and 200 black&#13;
“ Anthologie des Humoristes français contem- and white illustrations.&#13;
porains," by Pierre Mille. This little book, by “Un Champ d'Or,” by Paul Bernot. This little&#13;
the well-known author of “ Barnavaux," is a col volume may be used as a guide by intending explorers&#13;
lection of some of the most amusing pages of in search of a country in which they may make&#13;
French writers during the last hundred years. Not money. The enormous natural resources of the&#13;
only is the little volume of the greatest interest to Argentine Republic point to the fact that it must&#13;
the ordinary reader, it will be found invaluable to be a veritable “Land of Canaan" for an intelligent&#13;
the entertainer in search of monologues and amusing colonist.&#13;
stories for recitation. Among others, we would “L'Argentine au XXeSiècle," by Albert Martinez,&#13;
especially mention the pages from authors such as Under-Secretary of State, and Maurice Lewandowski,&#13;
Maurice Donnay, Tristran Bernard, Alfred Capus, D.L. (docteur en droit). The Argentine Republic&#13;
Alphonse Allais, Courteline, and “Les Poeles seems to be greatly in favour at present, if we are&#13;
mobiles,” by MacNab; “Le Hareng saur," by to judge by the amount of literature published&#13;
Charles Gros; “Le Guillotine par persuasion," by quite recently on the subject. The volume which&#13;
Chavette ; and “ La Levrette en paletôt,” by we are now recommending to our readers has been&#13;
Auguste de Chatillon.&#13;
approved by the French Academy, and its authors&#13;
“Quelques (Euvres et quelques Ouvriers," by have been awarded the Fabian prize. M. Emile&#13;
Etienne Lamy, of the French Academy. This book Levasseur, Member of the French Institute, writes&#13;
is valuable on account of its historical interest and the preface, and M. Ch. Pellegrini, ex-President of&#13;
the amount of absolutely reliable information it the Argentine Republic, an introduction. The&#13;
contains. The language in which the information fourth edition has been revised and brought quite&#13;
is conveyed is an example of the most admirable up to date, and two maps give an added interest to&#13;
French prose.&#13;
the volume.&#13;
“Le Règne intérieur," by Henri Bataillé, is a “La Philosophie de M. Henri Bergson," by René&#13;
volume containing a selection of thoughts by this Gillouin, is a book that will be read with interest by&#13;
author and an introduction by Denys Amiel. all who are following the present day evolution of&#13;
&#13;
&#13;
## p. 211 (#663) ############################################&#13;
&#13;
THE AUTHOR.&#13;
211&#13;
thought. It is now some eight years since&#13;
C. Coignet gave us that little masterpiece of&#13;
erudition and conciseness, entitled “Nouvelle Philo.&#13;
sophie, Bergson," published by Girardi et Audebert,&#13;
of Dole. In that little pamphlet we had a clear and&#13;
simple exposition of the first principles of Bergson.&#13;
The headings of the three divisions of the little work&#13;
were “Kant et Bergson,” “Données immédiates de la&#13;
Conscience,” and “Matière et Memoire.” This little&#13;
pamphlet was written at a time when the philosophy&#13;
of Bergson was just making its way, and would be&#13;
invaluable to his disciples on account of the extreme&#13;
clearness with which the exposition is given. In&#13;
this volume by M. Gillouin we have the Bergson of&#13;
to-day, and we see the gradual evolution of his&#13;
ideas. It is certainly a book to be read by all who&#13;
are interested in metaphysics.&#13;
“ Souvenirs," by Ch. de Freycinet, Member of&#13;
the French Academy, and ex-President of the&#13;
Council. This volume is a cheaper edition of the&#13;
work which attracted such attention some little&#13;
time ago. Thirty years of the history of France,&#13;
embracing one of the most agitated periods of the&#13;
Nineteenth Century, written by an eminent man of&#13;
letters, a savant, and a celebrated statesman, could&#13;
not fail to interest the public, and the publication&#13;
of a cheaper edition, making it more possible for&#13;
the book to be read by the general public, is a wise&#13;
idea.&#13;
“ Universitaires d'aujourd'hui,” by Pierre&#13;
Leguay, gives us, in six studies, an idea regarding&#13;
the tendencies of some of the professors of the&#13;
Sorbonne, exercising an immense influence over the&#13;
French youth of to-day. Ernest Lavisse, Gustave&#13;
Lanson, Charles Seignobos, Henri Lichtenberger,&#13;
Charles Victor Langlois, and Emile Durkheim, are&#13;
the professors chosen by the author of this study&#13;
(Euvre social de l'Etat Belge (Les Catho-&#13;
liques au pouvoir),” par Georges Goyau, presents&#13;
some interesting details with regard to the immense&#13;
progress that has been made in this country since&#13;
1884. The titles of the chapters give an idea of&#13;
the subjects treated, and all who know the thorough-&#13;
ness and the conscientious work of this author will&#13;
realise that the little pamphlet contains a store of&#13;
valuable information. “L'avènement des Catho-&#13;
liques : Leur programme social. La Protection&#13;
ouvrière. La Représentation ouvrière. La Pré-&#13;
voyance. La Protection et le Relèvement des Petits&#13;
Paysans. Le Relèvement des Petits Metiers ” are&#13;
among the subjects treated. In conclusion, M.&#13;
Goyau tells us that in 1907 Belgium did more&#13;
business in proportion to its inhabitants than any&#13;
country in the world. The statistics are as&#13;
follows :- Belgium 754 francs per head, Great&#13;
Britain 512 francs, Germany 263 francs, and&#13;
France 246 francs. The little pamphlet is well&#13;
worth reading and is quite a revelation.&#13;
“ 1871. La Commune à Paris et en Province&#13;
(Fevrièr – Mai)," is a book written by Lieutenant-&#13;
Colonel Rousset, who took an active part as&#13;
lieutenant in the military events of that Revolu-&#13;
tion.&#13;
“Le Mystère d'Agadir," by André Tardieu,&#13;
is a book which will throw much light on the&#13;
mystery of the diplomatic crisis of 1911. Various&#13;
hitherto unpublished documents add considerably&#13;
to the interest and value of this volume.&#13;
The works of the late M. Henri Brisson will be&#13;
read with interest, as they are most instructive.&#13;
“La Congrégation. Opinions et Discours (1871—&#13;
1901),” is a volume containing the speeches made&#13;
by M. Brisson, and his various projects. He speaks&#13;
of the Congregations, and he gives some inte-&#13;
resting opinions on the subject of education,&#13;
which he considers a great social problem.&#13;
A curious book is published by M. Georges&#13;
Polti, entitled “L'Art d'inventer les Personnages."&#13;
T he remarkable book by David Jayne Hill,&#13;
formerly American Ambassador to Berlin, has been&#13;
admirably translated by Mme. Emile Boutroux.&#13;
The title in French is “L'Etat Moderne et l'Orga-&#13;
nisation internationale." A preface has been&#13;
written by M. Louis Renault, member of the&#13;
Institute. Madame Boutroux has rendered great&#13;
service to her compatriots by translating this book.&#13;
At the Odéon Théâtre, “L'Honneur japonais”&#13;
has been put on admirably. Madame Sarah&#13;
Bernhardt has given the “ Reine Elisabeth,”&#13;
which the public had been anxiously awaiting for&#13;
some time; at the Théâtre Antoine " Au Soleil ; les&#13;
Petits,” and at the Athenee the “Midsummer&#13;
Night's Dream” has been admirably put on in&#13;
French by M. Camille de Saint-Croix, who is&#13;
authorised to give some outdoor performances of&#13;
the Shakespeare plays in the Saint Cloud Park.&#13;
ALYS HALLARD.&#13;
“Pages de Critique et de Doctrine" (Plon-Nourrit).&#13;
“Anthologie des Humoristes français contemporains"&#13;
(Delagrave).&#13;
• Le Regne Intérieur " (Sansot).&#13;
“George Sand, sa vie et ses euvres" (Plon).&#13;
“La vie économique" (Larousse).&#13;
"La Locomotion à travers le temps, les meurs et&#13;
l'espace” (Ollendorff).&#13;
"Un Champ d'Or” (Louis Michaud).&#13;
“L'Argentine au XXe siècle" (Armand Colin).&#13;
“La Philosophie de M. Henri Bergson " (Bernard&#13;
Grasset).&#13;
“Souvenirs” (Delagrave).&#13;
“ Universitaires d'aujourd'hui " (Bernard Grasset).&#13;
" 1871. La Commune à Paris et en Province (Fevrièr-&#13;
Mai)” (Tallandier).&#13;
"Le Mystère d'Agadir" (Calman Levy).&#13;
“La Congrégation” (Cornély).&#13;
“L'Art d'inventer les Personnages ” (Figuière).&#13;
"L'Etat Moderne et l'Organisation internationale"&#13;
(Flammarion).&#13;
&#13;
&#13;
## p. 212 (#664) ############################################&#13;
&#13;
212&#13;
THE AUTHOR.&#13;
A CURIOUS SUGGESTION.&#13;
shall, in the absence of any agreement to the contrary, be&#13;
the first owner of the copyright, but where the work is a&#13;
IN the March number of The Author an article&#13;
contribution to a newspaper, magazine, or similar periodi-&#13;
cal, there shall, in the absence of any agreement to the con-&#13;
1 appeared showing how a company promoted trary, be deemed to be reserved to the author a right to&#13;
by certain music publishers was proposing to restrain the publication of the work, otherwise than as a&#13;
make the new Copyright Act an excuse for collect part of a newspaper, magazine, or similar periodical.&#13;
ing gramophone royalties, on the condition that It does not appear under this section that the&#13;
one-third of the royalties so collected should be proprietor of a newspaper is entitled to the copyright,&#13;
handed over to the publishers. It is needless to except in the case where a photograph is ordered by&#13;
repeat the details of the matter, as any member of the proprietor or where an author is on the staff of&#13;
the society can refer to them in The Author. the paper under a contract of service or apprentice-&#13;
The attention of the members of the society must ship. In that case the copyright in the photograph&#13;
now be drawn to a letter issued by Messrs. Sir W. ordered or the work done by the member of that&#13;
C. Leng &amp; Co., Ltd., proprietors of the Sheffield staff belongs to the owner of the newspaper, as a&#13;
Daily Telegraph, in which, again, the new Copy- matter of course, subject to the proviso that the&#13;
right Act is cited as a reason for a suggestion newspaper owner cannot publish the work in&#13;
inimical to the interests of authors. The letter separate form. But the work of occasional or&#13;
runs as follows :-&#13;
casual contributors, or anyone who is not in the&#13;
Owing to the provisions of the Copyright Act, 1911, it employ of the paper, does not come under section 5&#13;
is necessary that it should be understood by all occasiona, at all, and there is no reason whatever for authors,&#13;
contributors to newspapers, that the newspaper or periodi' in fact it is contrary to the best interests of all&#13;
cal which accepts such contributions should have th&#13;
copyright formally conveyed to them by the anthor or&#13;
authors, to assign their copyright in any work to the&#13;
contributor.&#13;
proprietor of a paper. It therefore seems to us the&#13;
We presume, therefore, you will have no objection to reference to section 5 of the Copyright Act in&#13;
agreeing that from this date onward, by Section 5 of the&#13;
Messrs. Leng's letter is misleading.&#13;
Copyright Act, 1911, we are to be entitled to all rights of&#13;
every description in any article, sketch, photograph, or&#13;
But more than that, to say that the assignment&#13;
other contribution written or prepared by you on our&#13;
of such a copyright is a mere formality required by&#13;
behalf, unless, of course, definite arrangements relating to the Act and does not make any alteration in the&#13;
any particular article or photograph are made between us conditions existing prior to the Act is also quite&#13;
to the contrary.&#13;
We shall be glad to have your assent to this arrange-&#13;
inaccurate.&#13;
ment, which is a mere formality required by the Copyright&#13;
Under the law as now existing a newspaper pro-&#13;
Act, and does not make any alteration in the conditions prietor acquires by section 18 of the Copyright Act&#13;
existing prior to the Copyright Act of 1911, when the&#13;
of 1842 a limited copyright only in the work of the&#13;
copyright of such articles or photographs was also vested&#13;
members of his staff and of those authors who are&#13;
in the newspaper or periodical in which they appeared.&#13;
(Signed) Sir W. C. LENG &amp; Co., LTD.&#13;
specially commissioned to write articles. As regards&#13;
casual contributions he acquires only such rights as&#13;
The communication might lead the person to&#13;
whom it is sent to make an entirely wrong deduc-&#13;
he bargains and pays for. But what Messrs. Leng&#13;
tion. If the proprietor of a newspaper desires to&#13;
&amp; Co. now propose is that the whole copyright given&#13;
obtain the copyright in the contributions from an&#13;
by the new Act (in itself much more extensive than&#13;
author he has only to state when ordering the&#13;
under the existing law) should be vested in them&#13;
article or story, or in accepting it when offered, that&#13;
absolutely! The author's existing right of separate&#13;
he is willing to pay so much on condition that the&#13;
publication after twenty-eight years would be&#13;
copyright is conveyed to him, but this form of con-&#13;
extinguished, and apparently Messrs. Leng would&#13;
tract has nothing to do with the Copyright Act of&#13;
be able to publish the work in any form whatever.&#13;
1911, nor with any other Act. So far as that Act&#13;
The last paragraph of the letter, therefore, as the&#13;
is concerned the section to which the letter refers&#13;
first, is in our opinion distinctly misleading. The&#13;
society would strongly advise authors in no circum-&#13;
(section 5) runs as follows :-&#13;
stances to make a formal assignment of the copyright&#13;
(1) Subject to the provisions of this Act, the author of a&#13;
work shall be the first owner of the Copyright therein :-&#13;
in accordance with the terms of the letter under&#13;
(a) where in the case of an engraving, photograph, or consideration. The matter is not one of mere&#13;
portrait the plate or other original was ordered by some other formality, but of serious importance to the owners&#13;
person, and was made for valuable consideration in pur- of copyright property, and all members of the&#13;
suance of that order, then, in the absence of any agreement&#13;
to the contrary, the person by whom such plate or other&#13;
society must be strongly warned against assigning&#13;
original was ordered shall be the first owner of the copy their copyright—so much enlarged under the Act&#13;
right; and&#13;
of 1911—to newspaper proprietors or others with-&#13;
(b) where the author was in the employment of some&#13;
out taking advice. They should look with great&#13;
other person under a contract of service or apprenticeship&#13;
and the work was made in the course of his employment by&#13;
distrust on any letters sent out by publishers,&#13;
that person, the person by whom the author was employed whether of music or of books, or by proprietors of&#13;
wwUrave.&#13;
&#13;
&#13;
## p. 213 (#665) ############################################&#13;
&#13;
THE AUTHOR.&#13;
213&#13;
&lt;&#13;
papers or periodicals which refer to the Act of 1911 them. In order to enable a person to set up a&#13;
in such terms as those contained in the letter quoted defence in such a case that he copied a copyrighted&#13;
above. After all a newspaper proprietor does not article in good faith when it had no notice of copy-&#13;
need for his protection more than the right to right upon it, he must show that the publication&#13;
publish the work in his columns, and an agreement which he copies from and which had no copyright&#13;
by the author not to republish it in any other form notice upon it was permitted or was authorized by&#13;
for a certain time afterwards, which would vary the owner of the copyright.”&#13;
with the nature of the paper ; and those who ask for But, because the question of intent to infringe&#13;
more than is necessary must be dealt with carefully. bears directly upon the amount of damages recover-&#13;
The society constantly advises authors that they able, Judge Holt added : “ Upon that question&#13;
should never assign the copyright in their work about the knowledge of defendant whether these&#13;
under any circumstances. If they desire to assign pictures were copyrighted you have the evidence,&#13;
the right of serial reproduction they should do so, on one hand, of, the gentleman who testified here&#13;
but they should be very careful not specifically to that he did not know that they were copyrighted,&#13;
assign the copyright on the suggestion that it is a and he did not know that they were published in&#13;
mere formality. It is quite clear from the terms of Life, as I recall his evidence. On the other hand,&#13;
the section referred to that such assignment is a you have the fact that they were published in Life,&#13;
matter for the most serious consideration.&#13;
that the Mail and Express was on the exchange&#13;
list of Life, so that a copy of Life was sent to them&#13;
every week, and that there was put in each of these&#13;
UNITED STATES LAW CASE. numbers sent to them this blue slip, which contained&#13;
a specific notice in addition to the copyrighted&#13;
“ LIFE” v. “MAIL AND EXPRESS."&#13;
notice at the head of the paper, that all the pictures&#13;
in Life were covered by the copyright and must not&#13;
IFE” has just won a suit for copyright be used without special permission. In addition&#13;
U infringement against the New York Mail to that there is the evidence in this case in respect&#13;
and Express.&#13;
to this change in the edition containing the last&#13;
The Mail issues an illustrated Saturday supple- picture which was issued.”&#13;
ment, a proportion of the matter of which is, it The jury found for the plaintiff and the judg-&#13;
seems, pirated—or, in the language of the Juil, ment was confirmed by the Court of Appeals,&#13;
“ got from ”–certain foreign papers not copy the amount of damages being assessed at $1,043.14.&#13;
righted in this country.&#13;
It seems that in turn some of these papers had&#13;
pirated certain illustrations from Life, so that the&#13;
MAGAZINE CONTENTS.&#13;
Vail, in reprinting the pictures again on this side&#13;
were plainly infringing Life's copyright.&#13;
BOOKMAN.&#13;
The Mail's case was aggravated by the fact that&#13;
Robert Louis Stephenson. By Neil Munro.&#13;
it had infringed a third time after a warning from&#13;
Borrow. By Thomas Seccombe.&#13;
two previous infringements, and while reparation&#13;
for the first infringement was in settlement.&#13;
ENGLISH REVIEW.&#13;
Suit for damages was brought by Life in the&#13;
Among My Books. By Frederic Harrison.&#13;
Circuit Court for the Southern District of New&#13;
The Crisis in London Journalism. By R. A. Scott-James.&#13;
York, and, on losing there, the Mail carried the&#13;
FORTNIGHTLY.&#13;
case to the Circuit Court of Appeals. The defences George Meredith and His Relatives. By S. M. Ellis,&#13;
of the Mail were involved and various. The only William Cobbett. By Lewis Melville.&#13;
one of moment, however, was that of ignorance of&#13;
NATIONAL.&#13;
the existence of American copyright in the illustra-&#13;
tions complained of.&#13;
Gray's Biographer. By Austin Dobson.&#13;
On this point Judge Holt, in his charge to the&#13;
jury said : “ If the defendant had knowledge that&#13;
SCALE FOR ADVERTISEMENTS.&#13;
these pictures were copyrighted, the fact that they (ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
were published over there without any notice of Front Page&#13;
... ...£4 0 0&#13;
... ...&#13;
copyright or any other paper would be entirely&#13;
3 0 0&#13;
immaterial, and the fact that they did not have&#13;
... 0 15 0&#13;
knowledge that they had been copyrighted is Single Column Advertisements&#13;
ti per inch 0 6 0&#13;
immaterial unless those English copies had been Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
published with the consent of the Life Publishing&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
Company and without any notice of copyright upon BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
Other Pages&#13;
Hall of a Page ...&#13;
Quarter of a Pago&#13;
Eighth of a Page&#13;
... 1 10&#13;
***&#13;
"*&#13;
0&#13;
7&#13;
6&#13;
Twelve Insertions.&#13;
&#13;
&#13;
## p. 214 (#666) ############################################&#13;
&#13;
214&#13;
THE AUTHOR.&#13;
HOW TO USE THE SOCIETY.&#13;
1. D VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained, But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise.&#13;
in his ow&#13;
ments. Therefore keep control of the advertisements.&#13;
ments. Therefore ke&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author,&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher,&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are:-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in tbe contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
TTERE are a few standing rules to be observed in an&#13;
il agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 215 (#667) ############################################&#13;
&#13;
THE AUTHOR.&#13;
215&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
16.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., axed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance,&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
1 assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH,&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 28. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chanoery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 216 (#668) ############################################&#13;
&#13;
216&#13;
THE AUTHOR.&#13;
GENERAL NOTES.&#13;
we have made will suffice to show the position of&#13;
authors whose works have not been adapted to&#13;
mechanical instruments, whether such works have&#13;
COMPOSERS AND GRAMOPHONE RIGHTS. been published prior to, or after, the Act.&#13;
It is clear from enquiries made of the secretary The position in regard to works which have&#13;
by composers, during the past few weeks, that some been adapted to mechanical instruments prior to the&#13;
uncertainty exists as to the effect of the Gramo- Act is, however, a little different. In the case of&#13;
phone Clauses in the Copyright Act. The question such mechanical reproductions the composer has&#13;
most frequently asked is, How far do these clauses no power to stop their continued sale, nor has he&#13;
give composers control over the mechanical repro- power to object to any alterations in, or omissions&#13;
duction of music which they have published prior from, his music in these contrivances. Moreover,&#13;
to the Act ?&#13;
the increase of the royalty from 24 per cent. to&#13;
The answer to this question depends upon 5 per cent. provided for in section 19, sub-section&#13;
whether such music has or has not been adapted 3 (b), which has been quoted, does not apply to such&#13;
to a mechanical instrument. If it has not been reproductions. He is further limited to the extent&#13;
adapted then the composer, even if he has assigned that-&#13;
the copygright to the publisher, can prevent any no royalties shall be payable in respect of contrivances&#13;
reproduction by mechanical instruments. If, how sold before the 1st day of July, 1913, if contrivances&#13;
ever, he allows one firm to make such a repro-&#13;
reproducing the same work had been lawfully made, or&#13;
placed on sale within the parts of His Majesty's Dominions&#13;
duction (which reproduction may be made on to which this Act extends before the 1st day of July, 1910.&#13;
whatever terms the composer is willing to accept)&#13;
then any other mechanical reproducer may similarly&#13;
In the case, however, of any mechanical repro-&#13;
In&#13;
mlarly ductions of such works made by a manufacturer,&#13;
adapt his work subject to the following provisions :-&#13;
after the first day of July, 1910, while the composer&#13;
Section 19, sub-section 2: That he has given the pre-&#13;
would have no power to stop the continued sale of&#13;
scribed notice of his intention to make the contrivances,&#13;
and has paid in the prescribed manner to, or for the&#13;
such works, or to exercise any control as to&#13;
benefit of, the owner of the copyright in the work royalties&#13;
alterations or omissions, and would only be entitled&#13;
in respect of all such contrivances sold by him calculated to the 21 per cept. royalty, his royalty would&#13;
at the rate hereinafter mentioned.&#13;
start from the commencement of the Act (July,&#13;
Provided that-&#13;
(i.) nothing in this provision shall authorise any altera-&#13;
1912) and not as in the other cases, from July,&#13;
tions in, or omissions from, the work reproduced, unless&#13;
1913.&#13;
contrivances reproducing the work subject to similar&#13;
alterations and omissions have been previously made by,&#13;
or with the consent or acquiescence of, the owner of the&#13;
PUBLISHERS' TERMS.&#13;
copyright, or unless such alterations or omissions are&#13;
reasonably necessary for the adaptation of the work to the In the Correspondence we publish a letter from&#13;
contrivances in question ; and&#13;
(ii.) for the purposes of this provision, a musical work&#13;
one of our members referring to the terms obtained&#13;
shall be deemed to include any words so closely associated for a first and second novel. Information of this&#13;
therewith as to form part of the same work, but shall not kind is of the greatest value, not only to the&#13;
be deemed to include a contrivance by means of which secretary, but also to members of the society.&#13;
sounds may be mechanically reproduced,&#13;
It happens, from time to time, that members,&#13;
Sub-section 3: The rate at which such royalties as afore-&#13;
said are to be calculated shall-&#13;
without taking advice, are inclined to undersell&#13;
(a) in the case of contrivances sold within two years the literary market, owing to ignorance of current&#13;
after the commencement of this Act by the person making prices and current terms. The more widely,&#13;
the same, be 21 per cent. ; and&#13;
therefore, these terms are made known, not only to&#13;
(b) in the case of contrivances sold as aforesaid after&#13;
the expiration of that period 5 per cent. on the ordinary&#13;
those who live by writing, but also to those who&#13;
retail selling price of the contrivance calculated in the write for pleasure, the better it will be for all who&#13;
prescribed manner, so however that the royalty payable in engage in literature as a profession.&#13;
respect of a contrivance shall, in no case, be less than&#13;
We are not quite clear what is meant by the&#13;
a halfpenny for each separate musical work in which&#13;
copyright subsists reproduced thereon, and, where the&#13;
statement that the writer received nothing for the&#13;
royalty calculated as aforesaid includes a fraction of a copyright, but it may be repeated that in no&#13;
farthing, such fraction shall be reckoned as a farthing. circumstances should a writer sell his copyright&#13;
There are one or two other sub-sections such as when he retains a continuing interest in the&#13;
one providing for a reconsideration of the rates by publication of the work. It is quite the exception,&#13;
a public inquiry by the Board of Trade, seven though not unheard of, for an author to receive a&#13;
years after the commencement of the Act, and sum of money except as in advance of royalties&#13;
another empowering the Board of Trade to issue under the agreement.&#13;
regulations in order to give effect to the clause,&#13;
but they need not be quoted here, as the quotations&#13;
&#13;
&#13;
## p. 217 (#669) ############################################&#13;
&#13;
THE AUTHOR.&#13;
217&#13;
BOARD OF TRADE RULES AND REGULATIONS.&#13;
The Board of Trade have now sent in the draft&#13;
of the rules and regulations under sections 3 and 19,&#13;
sub-section 6, of the new Copyright Act of 1911.&#13;
It will be seen on another page that there has been&#13;
a committee meeting to deal with the draft report.&#13;
As soon as the rules and regulations come through&#13;
in their final shape they will be published, with&#13;
explanations, in the columns of The Author.&#13;
SWEDISH RIGHTS.&#13;
We understand that an attempt is being made&#13;
by certain publishing houses in Sweden to obtain&#13;
the rights in English stories for very low figures.&#13;
Some time ago we mentioned that no author should&#13;
permit the sale of the book rights for Sweden of an&#13;
ordinary full-length novel for less than a £10 note,&#13;
and that for serial rights alone of a similar work it&#13;
is possible to obtain £5.&#13;
Sweden is a small country, but the people are&#13;
great readers—particularly of foreign authors. It&#13;
is of the greatest importance, therefore, that writers&#13;
should not rashly accept any statement made to&#13;
them respecting the value of translation rights in&#13;
Sweden, but should stand out for the higher&#13;
figures. £15. and even £20, have been given for&#13;
more popular books. These figures do not, of&#13;
course, compare with the figures given for transla-&#13;
tion rights in Germany and France, but it must be&#13;
remembered that in Germany and France the&#13;
circulation is much larger.&#13;
not exceed the sum of one hundred dollars ; but&#13;
this shall not deprive the copyright proprietor of&#13;
any other remedy given him under this law, nor&#13;
shall it apply to infringements occurring after&#13;
actual notice to a defendant, either by service of&#13;
process in a suit or other written notice serred upon&#13;
him.&#13;
“Nor shall it apply to infringements of dramatic&#13;
or dramatico-musical compositions actually and for&#13;
profit being produced upon the stage in the United&#13;
States at the time of such infringement."&#13;
HEARINGS BEFORE COMMITTEE.&#13;
At a former hearing before the House Committee&#13;
on Patents, George Haven Putnam, on behalf of&#13;
the American Publishers' Copyright League, gave&#13;
a strong defence of the existing law. At the&#13;
hearing this week, representatives of the Society of&#13;
American Dramatists and Composers, and other&#13;
theatrical organizations, were heard. They are&#13;
bitterly opposed to the proposed measure, declaring&#13;
that it opens the way to wholesale piracy of books&#13;
and plays by the moving-picture interests.&#13;
MR. TOWNSEND'S DEFENCE.&#13;
In a newspaper interview, Mr. Townsend thus&#13;
defends his Bill : “As the law stands, if the&#13;
proprietor of a moving-picture theatre exhibits a&#13;
film made from a copyright story he is liable to a&#13;
penalty of one hundred dollars for the first perform-&#13;
ance and fifty dollars for each subsequent perform-&#13;
ance. As there are usually at least six performances&#13;
daily at which the same film is thrown on the&#13;
screen, the proprietor of a moving-picture theatre&#13;
is liable to a penalty of $350 if he used a scenario&#13;
from a copyright story. As there are produced&#13;
from forty to fifty reels for each film made, it can&#13;
be readily understood that strike suits may bring&#13;
ruin to the moving-picture business.&#13;
“My Bill provides that if suit is brought for the&#13;
violation of a copyright, the proprietor of a moving-&#13;
picture theatre must prove that he had no know-&#13;
ledge of the existence of copyright in the story&#13;
upon which it is based, and had no reasonable&#13;
means of ascertaining that copyright existed. The&#13;
burden of proof is upon the violator of the copy-&#13;
right. If he can prove innocence he must pay one&#13;
penalty only—provided he ceases, upon notifica-&#13;
tion, to continue the performance. Should he fail&#13;
to heed the notice he is still subject to the penal-&#13;
ties provided in the present. At the same time, it&#13;
is specifically stipulated that a plea of innocence&#13;
shall not be considered in any case where a drama&#13;
or play which has been produced is concerned.&#13;
“The enactment of the proposed law certainly&#13;
cannot prove unjust to any playwright. Nor is&#13;
there any reason why the owner of a copyright in&#13;
a book or a story will be injured, for he can collect&#13;
UNITED STATES COPYRIGHT BILL.&#13;
M&#13;
(Reprinted by kind permission from the U. S. Publishers&#13;
Weekly.)&#13;
HE Bill of Representative Townsend, of New&#13;
1 Jersey, providing for a practical annulment of&#13;
the Copyright Code, so far as it applies to&#13;
moving pictures, came up for hearing before the&#13;
House Committee on Patents, March 13.&#13;
The Bill was originally introduced in January,&#13;
The modified draft of it, introduced February 21,&#13;
1912 (H. R. 20596), adds to section 25 (b), fourth,&#13;
of the Copyright Act of 1909, the following&#13;
proviso:&#13;
“ Provided, that in the case of infringement of a&#13;
dramatic or dramatico-musical composition, or of a&#13;
work adaptable for dramatization or portrayal or&#13;
exhibition through or by means of motion pictures,&#13;
talking machines, phonographs, or other mechanical&#13;
devices or combinations thereof, where the defen-&#13;
dant proves that he was not aware that he was&#13;
infringing a copyright work and could not reason&#13;
ably have foreseen that he was so infringing, the&#13;
entire recovery by the copyright proprietor shall&#13;
&#13;
&#13;
## p. 218 (#670) ############################################&#13;
&#13;
218&#13;
THE AUTHOR.&#13;
from every theatre using the film made from such similar provisions of the copyright statutes of other&#13;
book or story, and can protect himself against civilised states.&#13;
further reproduction by the simple means of notify- “ These provisions have for their purpose the&#13;
ing the owner of the theatre.&#13;
carrying out under statute of the interpretation&#13;
“Inasmuch as nearly every newspaper publishing of property rights which have for centuries been&#13;
original matter to-day is copyrighted, it is apparent accepted, and as far as practicable enforced by the&#13;
that the manufacturers of films for moving-pictures courts, on both sides of the Atlantic, under the&#13;
and the proprietors of theatres in which those films principles of the common law.&#13;
are used cannot possibly know whether each and “A performer having occasion to utilise the plot,&#13;
every scenario offered to them is protected by copy- theme, characters, or arrangements of scenes which&#13;
right. A conspiracy is easily possible whereby a have come into existence in a story need have no&#13;
playlet may be made from a story published in a difficulty in securing, under an equitable business&#13;
copyrighted newspaper of Seattle, for instance, arrangement with the producer or the copyright&#13;
The film maker is an innocent purchaser. Then owner, the right to make such use. He is in a&#13;
a suit is instituted, and hundreds of thousands of position similar to that of the newspaper publisher&#13;
dollars demanded for reproduction in moving- who desires to bring into print in a periodical the&#13;
picture form of a scene which the author would be text, or some portion of the text, or some rearrange-&#13;
only too glad to sell outright for fifty dollars. It ment of the text, of books that have been duly&#13;
is to protect such possibilities that the amendment entered for copyright. Authorization for such&#13;
is proposed in my Bill.”&#13;
special use of the entire material, or of portions&#13;
selected from such material, are given in the&#13;
OBJECTIONS TO TIIE BILL.&#13;
ordinary course of business in consideration of&#13;
such payment as is warranted by the market value&#13;
All interested in the protection of copyright feel, of the material, that is to say, by its probable earn-&#13;
however, that the effect of Mr. Townsend's Billing power, first, for the original owner, and second,&#13;
would be so to emasculate that portion of the copy- for the person desiring to make a special use of the&#13;
right law covering moving-pictures as to render it same.&#13;
practically valueless.&#13;
“There is no reason why such property should be&#13;
In his letter to the Committee on Patents, Mr. utilised without due compensation. The fact that a&#13;
Putman said :-&#13;
producer or owner may occasionally be unreasonable&#13;
“ Feb. 3, 1912. in his estimate of the value of his property is as&#13;
“ MY DEAR SIR : Senate Bill 4233, bearing the true for all other classes of property, but at best or&#13;
name of Senator Briggs, was introduced on the at worst affects but a few individual cases. An&#13;
8th of January and was referred to the Committee equitable compensation is arrived at safely under&#13;
on Patents. This Bill is identical in purpose and business competition and with the usual oppor-&#13;
in phraseology with House Bill No. 15,263, which tunity for bargaining.&#13;
bears the name of Representative Townsend, and “The Briggs-Townsend Bills give opportunity for&#13;
which was introduced on the 9th of December, and the collection, in case of an appropriation such as&#13;
in like manner, referred to the House Committee that above referred to, of a penalty • not exceeding&#13;
on Patents.&#13;
the sum of one hundred dollars. Such a provision&#13;
“I am writing on behalf of the publishers of the would mean simply that the protection proposed&#13;
country who are associated together in The Ameri- under the law had been practically cancelled.&#13;
can Publishers' Copyright League, and on behalf “With the one hand our government gives to the&#13;
also of the authors whose business interests are in producer of a copyrighted property a monopoly,&#13;
the hands of these publishers and who depend upon that is to say, an absolute control over the thing&#13;
the publishers to do what is necessary to protect produced, while with the other, if a measnre like&#13;
their copyrights, to express the hope that your com- this should become law, this monopoly or property&#13;
mittee will not give its approval to this measure control is practically taken away. The suggestion&#13;
and that it may fail to secure enactment. The that such nominal penalty might meet the require-&#13;
purpose of the two bills is to remove, or materially ments is connected with the condition that such&#13;
to lessen, the obstacles that under the present infringement could not reasonably have been&#13;
statute stand in the way of the appropriation' foreseen.'&#13;
for dramatic or dramatical musical purposes of the “We point out that this is a contingency that&#13;
ideas, themes, and characters that have been created cannot properly be considered by a court. The&#13;
by the producers—authors, composers, or artists. motives by which a business man is influenced in&#13;
“The protection given by the statute of 1909 is in the attempt to utilise property created by some-&#13;
line with (although as a matter of fact is not quite body else, or the actual status of his knowledge of&#13;
so comprehensive as) the protection accorded in the the history of such property right, is something&#13;
&#13;
&#13;
## p. 219 (#671) ############################################&#13;
&#13;
THE AUTHOR.&#13;
219&#13;
that is not open to evidence. It is concealed We are all aware that art in its highest form&#13;
within the consciousness of the individual in ques- must be worked out quite independent of sordid&#13;
tion. If a person is willing to appropriate without commercial details, but when the artistic work is&#13;
compensation property that has been created by completed the sordid commercial details are bound&#13;
somebody else, he is equally willing to certify that to arise, and if the composer or the poet is inade-&#13;
he did not have knowledge as to the exact owner- quately paid, then he will cease to exist. It is of&#13;
ship, or as to the fact that there was any question. these commercial details in connection with the&#13;
A plea of this kind is too trivial to be permitted to growth of these two arts that we should like&#13;
find place in a provision of a United States statute to speak.&#13;
It may in fact fairly be assumed that any book or There is a strong body of young composers spring-&#13;
work of art which bears the record of copyright is ing up in England full of that vitality, that striving&#13;
the property of somebody. It may also fairly be after new modes of expression, that unrest which is&#13;
assumed that any person having sufficient intelli- at present rampant over the whole world. Equally,&#13;
gence to shape a reproduction of such material in there is a strong body of poets giving utterance to&#13;
one form or another has sufficient intelligence to this fresh, vigorous, pushing life. The composer,&#13;
verify, if necessary, by application to the Bureau stirred by the words of a song, may desire to set&#13;
of Copyrights, the record of the term for which the it to music. If he is met, after his just request to&#13;
material is protected.&#13;
be able to use the words with his music, by an&#13;
“It may be answered that an intelligent and trust- extravagant demand from the poet, then the poet&#13;
worthy court could be depended upon to protect the will lose the increased vitality which is offered to&#13;
interests of the producers against a wrongful appli- him, and the composer's work will drop lifeless.&#13;
cation of this provision. If this be true, however, In years gone by composers hardly ever paid&#13;
for copyright property, it should be equally true sums to the poets, and this, no doubt, is one of the&#13;
for all classes of property.&#13;
reasons why a great lyric writer like Heine has&#13;
“The first thing is that the law itself shall be so become so popular. Not only one, but many of the&#13;
worded as to concede adequate protection which in great school of German composers have set the&#13;
other divisions of the law it is proposed to concede. same song of Heine's to music. While it cannot&#13;
The courts should not have placed upon them any be fair that the poet should obtain no reward, yet&#13;
further responsibility than that of enforcing the it seems reasonable that he should be content with&#13;
interpretation of a law wbich is in itself not only a moderate fee for an ordinary song, allowing it to&#13;
equitable in purpose, but effective in its phraseology. be produced with the composer's music ; he should&#13;
"This objection is respectfully submitted for the not be bound to give the composer an exclusive&#13;
consideration of your committee. I ain,&#13;
licence for production with the music, for, as in&#13;
“ Yours respectfully,&#13;
Heine's case, it may turn out that many composers&#13;
“GEO. HAVEN PUTNAM.” are inspired by his words, in which case the poet&#13;
should reap the benefit of the inspiration which he&#13;
has conveyed, and should gain the interpretative&#13;
POET AND COMPOSER.&#13;
advantage of the advertisement, for if five com-&#13;
posers set the same song to music it might happen&#13;
that only two of them became popular, the others&#13;
HERE are, perhaps, no two arts so closely falling dead.&#13;
interwoven as the art of music and the art It is very necessary to impress this view, for the&#13;
of poetry. As they both appeal to the sense poet, in his desire for adequate remuneration, must&#13;
of hearing, they have become inseparable in song, also look upon the remuneration which the com-&#13;
opera and oratorio.&#13;
poser is able to obtain. Unfortunately, under the&#13;
Now, this close connection is naturally one of present system of music publishing, the composer&#13;
great importance both to composers and to poets. is paid very poorly, and reaps but little return for&#13;
It is of importance to poets because of the enormous the work he gives. If, therefore, the poet makes a&#13;
popularity which may be given to their words by claim for an unreasonable payment for the licence&#13;
the music to which they are set, and it is of import- to use his words, as already pointed out, the poet&#13;
ance to composers, for it is not infrequently the loses the increased vitality given by the composer&#13;
case that the words inspire the music. If, therefore, and the music is practically lifeless. A sum down&#13;
there happens to be a great forward movement should be sufficient to compensate a poet, who would&#13;
embodying the life, thought and character of a race be able to repeat his licences indefinitely if his&#13;
in any period of its evolution, it is of importance songs were popular.&#13;
that these thoughts as expressed by the youthful Again, if the life-force of the composer of any&#13;
composer should be able to link themselves with generation is compelled into the wrong channel, if his&#13;
the thoughts expressed by the youthful poet. music has to be set to the words of other generations&#13;
M&#13;
&#13;
&#13;
## p. 220 (#672) ############################################&#13;
&#13;
220&#13;
THE AUTHOR.&#13;
and other times, the composer may fail entirely in tions, however, that I am speaking, but of books&#13;
inspiration, and may, in consequence, be forced to which, by the testimony of the inajority of critics,&#13;
write on lines which are not truly interpretative merit at least polite attention. Most writers, I&#13;
of the generation in which he lives. It is like the expect, have experienced at some time or other the&#13;
marriage of winter and summer. Such marriages fate of finding themselves passed over in complete&#13;
are not usually happy.&#13;
silence by some or other organ of the Press. It&#13;
Let the poet, therefore, be moderate in his can be no satisfaction to them to know that a&#13;
demands, first for the sake of his art, and secondly possible explanation is that their publisher does not&#13;
for the sake of his pocket. For his art that his advertise sufficiently in that particular organ to&#13;
poem may receive an adequate interpretation from please the editor and that therefore his authors are&#13;
contemporary composers, for his pocket that his doomed to suppression.&#13;
popularity, increased by the musical setting, may Cases of complete ignoring of a book sent out for&#13;
bring a wider circle of admirers and a wider public notice, it may be granted, are comparatively few.&#13;
for the purchase of his work.&#13;
Coming now to the subject of those which do&#13;
receive attention, we may lay it down that the&#13;
most desirable qualities in a reviewer are fairness&#13;
and competence. Unfortunately the two qualities&#13;
AUTHORS AND REVIEWERS. are hard to find in combination. The best-equipped&#13;
critic of a particular work might appear to be one&#13;
who has specialised in the subject with which the&#13;
M HE plaint of the writer of books against the author is dealing. Now it speaks ill for human&#13;
I man who reviews him in the Press is a very nature: but it is a fact that a reviewer in the&#13;
old one, but it cannot be said that it gets same “ line of business " as the author is generally&#13;
less bitter with the lapse of time. Rather it the least inclined to be just. I would not like to&#13;
grows in intensity as the number of professedly suggest that there is often the sordid reason that&#13;
literary columns or pages increases. The multipli- he sees in the author a competitor to whom he has&#13;
cation of critics, potentially either friendly or a safe opportunity of doing an ill turn. But I fear&#13;
unfriendly, is like the simultaneous multiplication that this is sometimes so. For this cause a paper&#13;
of the pleasures and pains of life, it would appear. professedly written by experts may be the unfairest&#13;
The added pains more than counterbalance the to authors. Of late years there has grown fashion-&#13;
added pleasures ; the new wounds are more felt able a particularly atrocious form of critical attack.&#13;
than the new balms appreciated. Some authors The old style of slashing review was painful, for-&#13;
there may be who are so happily constituted as&#13;
to be proof against criticism, except when it is&#13;
The boldest start from public sneers,&#13;
Afraid of shame, unknown to other fears.&#13;
favourable. Like the sundial they may say, Horas&#13;
non numero nisi serenas. But I venture to think But at least there was something to be learnt&#13;
that such are rare. Most of the irritable race are from a full-blown review, however hostile, of a book.&#13;
very sensitive to the acid of reviews. Now, were Now we see in some critical journals under the&#13;
every critic fair-minded, honest, and intelligent, heading of “New Books," “Books Received," or the&#13;
the matter would not be much. The effect of the like, a “ short notice," which “ does not necessarily&#13;
medicine on the patient would be salutary, and preclude a lengthier review." Here in one blighting&#13;
the review columns would be an excellent hospital paragraph the critic may damn whom he likesor,&#13;
for authors. Perhaps it need hardly be said that rather, dislikes. I hope I may be pardoned if I&#13;
that is scarcely the case to-day ; least of all in quote a personal experience. There is a periodical&#13;
England, I am inclined to believe. Writers, which I will call the Parthenon, an august publica-&#13;
indeed, have many fierce grievances against those tion which prides itself particularly on its expert&#13;
who are entrusted with the task of reviewing their criticism. Hither were sent for review copies of&#13;
works.&#13;
two books of mine in succession. After the first&#13;
It may sound paradoxical to say that the worst (although it sold well enough to cover a three-&#13;
notice is no notice at all ; and it is not true, in any figure advance and was excellently received by the&#13;
case. There is, nevertheless, from the author's Press in general) had been left unreviewed, the&#13;
point of view a real injustice in being compelled to second was treated to half-a-dozen lines of short&#13;
send out a copy it may be of an expensive net notice, which made not the slightest pretence to&#13;
book) for review, to find the book ignored and thus deal with it. About this time the Parthenon&#13;
lose the royalty on that copy to no purpose. It is abounded in these “short notices” full of spleen&#13;
easy to say that the work was not worth notice; against quite respectable authors in one particular&#13;
and doubtless there are shoals of such published line of writing. As far as any knowledge of the&#13;
every year. It is not of these worthless produc- books themselves was concerned, these paragraphis&#13;
&#13;
&#13;
## p. 221 (#673) ############################################&#13;
&#13;
THE AUTHOR.&#13;
221&#13;
might have been written by the office-boy after the pulpit. You cannot reply to him on the spot,&#13;
inspection of the covers. But the style was not and so you do not make your appeal to the original&#13;
office-boy's ; and, further, why should an office- audience. You are lucky if you are permitted to&#13;
boy nurse such malice ? Again, I know the case reply at all. An editor will occasionally, it is true,&#13;
of an author to whom a journal (which may be insert a letter from the author answering the&#13;
called the Thunderer) always meted out these short attack upon him—but very often, be it noted, with&#13;
damnatory paragraphs until one day he published a concurrent retort from the reviewer or else an&#13;
a book under an alias ; when, behold! he received editorial “ crusher,” which makes your case seem&#13;
an excellent review. Can any explanation be worse than before.&#13;
suggested in such cases except that of personal Is there then no amelioration to be looked for in&#13;
spite on the part of some critic ?&#13;
the sad lot of the reviewed ? None, it is to be&#13;
The incompetent reviewer is a grievance to the feared, except through the growth of a sense of&#13;
author, but à less dangerous affliction than the justice in the critic or of intelligence in the reading&#13;
unjust one. Happily he is very frequently aware public. And who among the authors is optimistic&#13;
of his deficiencies, and, although his notice is enough to hope for so much in our dear friends ?&#13;
worthless critically, he does not wish to give him- Probably the only remedy is to&#13;
self away, so contents himself with mild patronage&#13;
and plentiful quotation of passages which seem&#13;
Learn to deride the critic's starch decree&#13;
to him interesting ; particularly from the introduc- and, when the opportunity occurs,&#13;
tion, if there is one, for why should he read&#13;
further ? Such reviews may very likely benefit the&#13;
Break him on the wheel he meant for me.&#13;
author by increasing the sale of the book—some Which line of conduct, of course, is very immoral&#13;
consolation, at least, for the absence of intelligent&#13;
appreciation.&#13;
Phokion.&#13;
There is a complaint which has often been made,&#13;
but without the effect of removing the grievance.&#13;
IS IT WORTH IT?&#13;
In fact, that grievance is greater at the present day&#13;
than ever before, and is increasing as periodicals&#13;
multiply. I am speaking of the pluralist reviewer. TN Mr. Herbert Smith's article—“ The Hazard&#13;
The unsophisticated reader, confronted with a mass 1 of the Pen," in a past number—we have one&#13;
of reviews, probably imagines quot sententiæ tot and all been asked to cogitate upon Robert&#13;
homines. Whereas, on the contrary, the fact is Buchanan's reply “Is it worth it ? ” when asked&#13;
that one man, who may be an enemy, has some what he had to say about his calling, and in&#13;
times the chance of noticing your book in half-a- Mr. Arthur Lovell's protest upon the question&#13;
dozen columns; with the result that you get six we have been reminded that “the author is the&#13;
hostile criticisms which the public takes to be teacher and leader of mankind.” And our&#13;
independent.&#13;
answer will be exactly in accordance with our&#13;
Nor is this an evil for which the remedy is conception of the calling of literature. If we&#13;
provided by signed reviews. The pluralist reviewer conceive of it as a genteel and dignified trade, in&#13;
has many signatures. These may be known to the which we may do well unto ourselves that men may&#13;
author if he is familiar with the coulisses of the speak good of us, in which the capital is brains, and&#13;
literary world. But the general reading public does the sole purpose to make money, and to make it&#13;
not dream of identifying, say, “ X.Z.," “ Polonius quickly, then we shall most certainly answer that it&#13;
Redivirus." and “A Blankshire Map," whose is not worth it, and, if we are wedded to the ink,&#13;
criticisms he sees in various columns. Undoubtedly we would do well to turn to some craft of penman-&#13;
we should get fairer and more careful reviews if ship which is not literature, such as advertisement&#13;
the writer were obliged to append his actual name writing, which opens out immense possibilities for&#13;
to them ; and we should abolish the undue influence the wielding of words to express the excellencies of&#13;
of the pluralist critic. But anonymity, or at the trade commodities at a rate of payment which is&#13;
very least pseudonymity, is still a great fad in certain and highly satisfactory, and therefore indeed&#13;
English journalism, and editors cling desperately to worth it. But if we have had the smallest glimmer&#13;
the "we" that has been consecrated to their use of a vision that the calling of literature stands alone,&#13;
Try as he may, not even G. K. Chesterton has been above and beyond every other calling by reason of&#13;
able to slay the editorial We.&#13;
its power over the minds and souls of men--greater&#13;
But even an editor is not all bad, it may be than that of the parson, because the world is our&#13;
objected. He will allow the criticised author, parish, and of the schoolmaster, because our work&#13;
smarting under the sense of wrong, to defend him- is for all time--if we have at all conceived that the&#13;
self. Yes, but a reviewer is like a preacher in author is the teacher and leader of mankind, we&#13;
&#13;
&#13;
## p. 222 (#674) ############################################&#13;
&#13;
222&#13;
THE AUTHOR.&#13;
shall be slow to answer in the negative. If we enters upon it without being aware of the privations&#13;
have in any degree grasped the awful burden of and sufferings it entails, privations which will in&#13;
responsibility for our influence upon the thoughts most cases undermine his health and cripple his&#13;
and actions of our fellow men which we as authors usefulness. And wbat is equally serious is that he&#13;
must bear, whether we will or no, we shall begin to is always under the temptation to write poor un-&#13;
realise that in the nature of things our work can worthy stuff because, sad to say, that is to a beginner&#13;
never be adequately paid for in the coin of the what pays the best. But the author, who follows&#13;
realm. That author who has glorified the cowardly some other vocation for his living and writes at the&#13;
act of suicide in his novel is responsible for the same time, proves, to use Mr. Lovell's words, that&#13;
suicide from suggestion which is the result—the “he is a real author who has something to say which&#13;
blood is on his head. And that author, who has must at all costs come out whether the listeners are&#13;
inspired the souls of his fellows and turned many to few or many," and if the output be less the work&#13;
righteousness, sball shine as the stars of heaven- will be greater. Mr. Herbert Smith will murmur,&#13;
he shall have his reward. For by reason of the “ Amateur authors." But no one would call&#13;
solidarity of mankind the influence of the written Spenser, or Thomson, or Wordsworth, or Matthew&#13;
word is never ending, not alone through the Arnold amateur authors. And yet each of these&#13;
immortal literature of the great, read by the few, pursued some other vocation as help to a livelihood&#13;
but, alas, through the trivial fiction of mushroom -Spenser and Thomson, secretaryships, Words-&#13;
growth, read by the many–from which minds un- worth, a distributor of stamps, Matthew Arnold an&#13;
consciously receive impressions which react on other inspectorship of schools. When Matthew Arnold's&#13;
minds, only to react again and again. Thus it is old friend, Dr. Fitch, asked him why he accepted&#13;
not in the nature of things that work of eternal an inspectorship he replied, “ Because I wanted to&#13;
value can receive its due in gold and silver. When marry." There is of course a special kind of&#13;
one goes to buy a coat one considers the sum of sacrifice involved in choosing the wiser course.&#13;
guineas it will cost and asks, “ Is it worth it? Will There is a peculiar joy in doing the thing for&#13;
it last a certain length of time ? ”—because the coat which you were made and doing it habitually ; in&#13;
will in due time perish. And if one buys it the feeling the thought spring to birth upon the pen-&#13;
tailor has his reward. In this case I give my a joy the like of which is felt in no other profession.&#13;
money for something of material value, and I do Until he had beaten his music out of it, Matthew&#13;
well to ask if it is worth it. But when I give Arnold found little that was congenial in the&#13;
myself for work of eternal value, I know that it is inspection of schools, when he had to accept&#13;
worth it, and my question shall rather be—“Is it hospitality from the noncomformist of his day, who,&#13;
worthy?”&#13;
in loving zeal and pity for his ignorance, made&#13;
We owe a debt of gratitude to Mr. Herbert Smith mention of him in the family prayer as “our poor&#13;
for bringing this question forward, for until we as misguided brother."&#13;
authors settle it each for oneself we shall be able to It is most saddening to think of the heart-&#13;
accomplish no great work. Who could imagine breaking disappointments and privations that great&#13;
Shakespeare, as he wrote his immortal plays, writers have had to face, but let this not make us&#13;
pausing to ask himself—“Is it worth it?" or pessimistic. Let us rather be thankful for their&#13;
Bunyan, as he wrote his immortal allegory in noble example of pluck and endurance, ard resolv-&#13;
Bedford jail, being troubled with doubts as to ing to try to emulate them, take heart again. Did&#13;
whether it would ultimately bring him an adequate the world ever appreciate the message of those who&#13;
monetary reward ? And both of these immortal would save it best? It has been ever the same all&#13;
writers were in their day as poor and obscure as any down the pages of history, from the voice of the&#13;
struggling author to-day.&#13;
prophet to that of the Divine Son. Let us learn to&#13;
Yet withal authors must live, and it is quite realise the treasures of darkness, that we too must&#13;
true that food and raiment and cash for the rates suffer if we would do great work, that we, like all&#13;
and taxes will not fall like manna from heaven, and the truly great, must be&#13;
an author who is harassed by butcher's and baker's&#13;
Heated hot with burning fears,&#13;
bills can never give of his best to the world. But&#13;
And dipt in baths of hissing tears,&#13;
the point to be weigbed is this. While there are&#13;
And battered with the shocks of doom&#13;
so many other openings by which people with&#13;
To shape and use,&#13;
brains can earn an income-certain even if it be for 6 he that suffers most has most to give"&#13;
small-18 it justifiable for authors without private Robert Buchanan asked the question. Is it&#13;
means to launch upon such a precarious enterprise worth it?" That question was a little less than&#13;
as authorship as a sole means of livelihood ? Is it&#13;
Robert Buchanan. Yes, it is worth it, after all.&#13;
fair to those dependent on him ; is it even fair to&#13;
himself ? For no such author in the present day&#13;
VIOLET GLADE&#13;
&#13;
&#13;
## p. 223 (#675) ############################################&#13;
&#13;
THE AUTHOR.&#13;
223&#13;
“ COPYRIGHT : ITS HISTORY AND ITS misprinting them, and pleading for legislation&#13;
LAW.”*&#13;
to protect literary works. The issue of ancient&#13;
classics under printers' privileges led to the grant&#13;
of an exclusive right to print the works of contem-&#13;
THIS is a valuable and comprehensive work on&#13;
porary authors, and in this way printers and authors&#13;
1 copyright, being thoroughly up to date and&#13;
acquired a copyright in the modern sense of the&#13;
dealing with the law of copyright in all&#13;
term.&#13;
countries. It contains a summary of the principles&#13;
A chapter on the history of copyright in the&#13;
and practice relating to copyright, with special United States contains a summary of the salient&#13;
reference to the American Code of 1909 and the features of the new American law of 1909. Under&#13;
British Code of 1911.&#13;
this code copyright is effected by publication with&#13;
· The publication of the work at the present time&#13;
the copyright notice, and completed by registration&#13;
is particularly interesting, because it marks the&#13;
and deposit of two copies sent to the Register of&#13;
an&#13;
new stage of copyright developments. The&#13;
Copyrights at Washington “promptly after&#13;
American Code and the British Code, which have&#13;
publication.&#13;
oblication&#13;
The manufacturing clause is con-&#13;
The&#13;
taken the place of all previous legislation on copy-&#13;
tinued and extended, by the requirement of printing&#13;
right, show a gratifying advance upon the earlier&#13;
and binding as well as typesetting in the United&#13;
laws. Portugal bas joined the International Copy-&#13;
States. The musical composer is given control&#13;
right Union by adherence to the Berlin Convention&#13;
over mechanical reproductions, subject to the&#13;
in 1911, and there are hopeful indications that all&#13;
provision for a compulsory licence in case he permits&#13;
the countries of Europe will soon realise the&#13;
any such reproduction. The copyright term is&#13;
advantage of uniformity and join the Copyright&#13;
twenty-eight years with a like renewal term,&#13;
Union. With this object in view Russia has&#13;
making fifty-six years in all. Rights of perform-&#13;
already shaped, and Holland is shaping, domestic&#13;
ance are included under copyright, and unpub-&#13;
legislation. Even in the East there has been some lished works are specifically protected by special&#13;
progress, for China in 1910 decreed copyright registration&#13;
protection throughout her vast empire of ancient In the second part of the work the author deals&#13;
and reviving letters. Another further step is the&#13;
with literary and general copyright, chiefly with&#13;
Buenos Aires Convention of 1910, already ratified&#13;
reference to the provisions of the new American&#13;
by the United States, which made a new basis for Code, but incidentally mentioning analogies of the&#13;
copyright protection throughout the Pan-American&#13;
English law. This includes the scope and subject-&#13;
Union.&#13;
matter of copyright, its ownership and duration,&#13;
The first part of this work contains matters of&#13;
the formalities as to notice, registration and deposit,&#13;
academical interest, dealing with the nature and&#13;
and the manufacturing clauses.&#13;
origin of copyright, the early history of printing&#13;
Dramatic, musical, and artistic copyright is the&#13;
and its monopolies, showing how the exclusive subject of the third part of the work : while the&#13;
privilege of multiplying copies was first granted to fourth part deals with infringement and remedies.&#13;
the person who made an accurate copy of some&#13;
importation, and the methods and practice of the&#13;
classic work and obtained a certificate of the&#13;
copyright office.&#13;
correctness of his copy. The earliest incunabula&#13;
Under International and Foreign Copyright the&#13;
came from Germany, the cradle of the art of new British Code is summarised, and a chapter&#13;
printing, and some decades later printing&#13;
deals with copyright in other countries, both those&#13;
privileges were developed in Italy. Aldus which belong&#13;
which belong to, and those which are outside, the&#13;
Manutius was given the privilege of printing any Copyright Union.&#13;
Greek texts for a term of twenty years, and A useful table called a " Conspectus of Copyright&#13;
another privilege of printing works in italics, an by Countries” sets out the formalities as to regis-&#13;
invention of his own modelled on the handwriting tration and deposit in all countries, the requisites&#13;
of Boccaccio, as a quasi-patent. The rights for&#13;
as to notice, the terms of copyright, and Inter-&#13;
other languages were granted to other printers.&#13;
national treaties. This is exactly on the lines of&#13;
In Venice there was a provision, similar to the the table in “ Playright and Copyright in all&#13;
modern manufacturing clause, which made the Countries” by Colles and Hardy, to whom the&#13;
privilege dependent upon the works being printed author gratefully acknowledges his indebtedness.&#13;
in that city. In 1528 Luther raised his voice As a matter of policy, in dealing with such a&#13;
against the wrongs of authors, complaining that complicated subject as copyright, it seems pre-&#13;
many printers were engaged in spoiling books by ferable to keep the law, as it exists at the present&#13;
* “Copyright: Its History and its Law," by Richard&#13;
time, distinct and separate from the history of its&#13;
Rogers Bowker. Houghton Wifflin Company, The River&#13;
development, and it is probable that this book&#13;
side Press, Cambridge, Mass., U.S.A. 208.&#13;
might be of more practical service, if certain&#13;
&#13;
&#13;
## p. 224 (#676) ############################################&#13;
&#13;
224&#13;
THE AUTHOR.&#13;
chapters had been confined to the historical growth early page, not only that he does not write plays, but&#13;
of copyright and the other chapters had dealt also that he feels incapable of writing them. More-&#13;
exclusively with the existing law. For in using a over, though he has carefully analysed the methods&#13;
work of reference with a view to ascertaining the of the men who write plays both successfully and&#13;
law of copyright in a particular country, it is unsuccessfully, he finds those methods so various&#13;
embarrassing to find the introduction of paragraphs and contradictory that he feels it very difficult, if&#13;
relating to what the law used to be, or what amend- not absolutely impossible, to deduce a code of rules&#13;
ments were proposed while the Bill was before from them. But that is no great matter. The art&#13;
Parliament. The chapter on" Copyright through- of writing plays, like all the arts, is, or should be.&#13;
out the British Empire” furnishes an illustration progressive, and progresses, or should progress, by the&#13;
of this confusion ; for it contains the provisions breaking of old rules and the substitution of new&#13;
of the new code of 1911, which are stated some ones therefor. The rules which suited Sardou would&#13;
what too generally for practical purposes, while by no means suit Mr. Bernard Shaw. Either of&#13;
here and there are interspersed references to the those two dramatists would probably have failed if&#13;
previous law, and eren detailed statements of the he had taken the other for his model ; both of them&#13;
modifications of the Copyright Bill in the Committee by going their own way, have succeeded, -the one&#13;
stage and the proposals it contained in its earlier employing a rigid but complicated technique, the&#13;
form.&#13;
other flinging technique to the winds, and trusting&#13;
“ Copyright law is exceptionally confused and to wit, audacity, and the kind of paradox which he&#13;
confusing," as the author tells us in his “ Fore- himself professes to regard as platitudinous troism.&#13;
word,” and the dominating idea arising from a All that is common to them is the habit, natural or&#13;
perusal of this work is the regret that so much acquired, of thinking in terms of the theatre; and&#13;
history should be introduced into the chapters no man, of course, can teach another man to do that,&#13;
which appear to be primarily intended to give a though he may sometimes be able to point out to him&#13;
clear exposition of the existing law. Historical that he is not doing so.&#13;
references, which are illuminating, and are made It follows that the possibilities of usefulness of&#13;
for the purpose of explaining the meaning of some such a manual as Mr. Archer has produced are&#13;
statutory phrase or expression, undoubtedly serve limited. It does not follow that it is useless ; and&#13;
a useful purpose ; but this work contains perhaps we imagine that, though it will help the neophyte&#13;
too much historical detail, and there is some con- very little, the most practised dramatic hands will&#13;
fusion in its arrangement. It is difficult, however, be able to derive profit from its perusal. All of&#13;
for one who has during the last twenty-five years them have had their failures, comparative if not&#13;
participated in copyright development, in the absolute; and by no means have all of those compara-&#13;
conferences and the draftings of the new American tive failures been glorious in the sense of being due&#13;
Code, to entirely separate comment from exposition. to a subtlety or an artistry which the public was too&#13;
The author has, moreover, included some of the inartistic or too stupid to appreciate. In many&#13;
historical material of the Bowker-Solberg volume cases they have been attributable to defects of&#13;
of 1886, which has been carefully verified, extended, craftsmanship wbich might have been avoided, and&#13;
and brought up to date. The work is evidently can easily be detected by the looker-on who sees&#13;
the result of a wide experience and great industry, most of the game. Mr. Archer's analyses of the&#13;
and will be of use and interest to authors, pub- causes of the conspicuous failures of certain plays&#13;
lishers, and others in helping them to realise their which have been by no means devoid of merit con-&#13;
rights and to secure protection in all copyright tain many valuable hints, both express and implied:&#13;
countries for every form of intellectual property. and so—though in a less degree-do his analyses of&#13;
HAROLD HARDY. the means by which certain notable effects have&#13;
been produced. We might name as particalarly&#13;
illuminating his remarks on the elaborate ingenuity&#13;
THE ART OF THE DRAMATIST.*&#13;
with which Oscar Wilde, though a mere beginner,&#13;
raised curiosity and expectation to fever heat in the&#13;
final passage of the first act of Lady Windermere's&#13;
M HE reviewer, not being a dramatist, cannot&#13;
Fan.&#13;
undertake to say whether better plays are M r. Archer's counsels have the logical complete-&#13;
likely to be written by people who read Mr.&#13;
ness which one has long associated with his work as&#13;
Archer's manual than by people who do not read it.&#13;
a dramatic critic. He deals in separate * books,".&#13;
It is, at any rate, doubtful; and the doubt seems to with the beginning" the middle and the end&#13;
be shared by Mr. Archer himself, who states, on an&#13;
of plays. He discusses the point of attack": he&#13;
* " Play-making : A Manual of Craftsmanship," by&#13;
shows how “ curiosity” is sustained and how&#13;
William Archer. Chapman and Hall. 78. 6d. net.&#13;
• interest” is aroused. He shows that it is better&#13;
&#13;
&#13;
## p. 225 (#677) ############################################&#13;
&#13;
THE AUTHOR.&#13;
225&#13;
to “ foreshadow" than to “forestall” the climax to&#13;
which the writer is working up; he warns us against&#13;
the danger of “blind alley themes," discourses of&#13;
“ character and psychology” and “ dialogue and&#13;
details," and insists upon the superiority, for dra-&#13;
matic treatment, of those subjects which involve that&#13;
* peripety " first spoken of by Mr. A. B. Walkley's&#13;
favourite philosopher. It is all exceedingly interest.&#13;
ing-to the playgoer, no less than to the playwright;&#13;
and novelists who propose to dramatise their novels&#13;
will be able to learn something from it. It will not,&#13;
indeed, introduce them to any royal road to fortune,&#13;
but it may help to save them from many of the&#13;
mistakes to which their habit of working in another&#13;
and more plastic medium makes them prone.&#13;
power,” vouched for by “several literary men of&#13;
established reputation,” send in his valuable work&#13;
to a competition unless he felt that winning it&#13;
would be a stepping-stone in his career not to be&#13;
despised? Would not his book, if so “unusual,”&#13;
be strong enough to stand (or fall) by itself, without&#13;
the advertisement of winning a competition ?&#13;
I only remember at this moment the works of&#13;
one winner. She has certainly established a literary&#13;
reputation for herself, and if not in the first flight&#13;
is hardly in the ranks of the “third-rate." I also&#13;
saw the published opinion of Mr. A. C. Benson&#13;
and his fellow judges on the winning book in&#13;
Messrs. Lane's last competition, and they did not&#13;
complain of the “low level ” of the books submitted&#13;
to them.&#13;
I fancy if I were a “sorter,” which might, or&#13;
might not, be a pleasant task, I should grasp very&#13;
joyfully the merest hint of inspiration. Think of&#13;
the many, many books that are written without it.&#13;
Yours truly,&#13;
“ A WRITER.”&#13;
CORRESPONDENCE.&#13;
NOVEL COMPETITIONS.&#13;
DEAR SIR, -In reference to the letters of&#13;
**Tamel ” and “A Novelist," I should like to say&#13;
that I was recently invited, with two very well-&#13;
known novelists, to judge one of these competitions.&#13;
The publisher's letter of invitation clearly stated&#13;
that I should not have to read more than six or&#13;
seven manuscripts. I declined—I hope politely-&#13;
to take part in such a farce. Another point: -I&#13;
have been a publisher's reader, and I know that an&#13;
important manuscript, already sifted from a mass,&#13;
cannot be read and comparatively estimated in less&#13;
than a day. The publisher was therefore offering&#13;
me a full week's tedious work. The fee which he&#13;
suggested was either twenty guineas or twenty&#13;
pounds—I forget which. I should be interested to&#13;
know whether the writers who were to collaborate&#13;
with me considered twenty guineas to be suitable&#13;
payment for a week's work, with the lustre and&#13;
sanction of their renown thrown in.&#13;
The reason for the continuance of these com-&#13;
petitions is to my mind obvious. They are very&#13;
profitable to the enterprising publisher. I see no&#13;
ħarm in that ; indeed I rather admire the clever-&#13;
ness of the enterprising publisher ; but I think that&#13;
artistically reputable novelists should meditate long&#13;
before they decide to dignify with their names a&#13;
purely commercial project.&#13;
Yours truly,&#13;
ARNOLD BENNETT.&#13;
III.&#13;
SIR,—The letters which you have published in&#13;
the two last numbers of The Author on the subject&#13;
of “novel competitions " inflict-quite unintention-&#13;
ally, no doubt—a great injustice on the publisher's&#13;
reader. If one were to judge from what “ Tamel”&#13;
and “A Novelist " say of him, one would take that&#13;
individual to be a mechanical drudge, devoid of any&#13;
artistic feeling and inspired only with commercial&#13;
zeal. I do not, of course, know with what readers&#13;
the two letter-writers are acquainted. I happen to&#13;
have been acquainted, more or less intimately, during&#13;
the past twenty years, with a great number of&#13;
readers, and wish to state emphatically that I have&#13;
found them a better educated and more cultured&#13;
class of men (or women) than the average writer of&#13;
novels. Self-respect compels me to state that I&#13;
have myself been a “sorter," and that I am quite&#13;
willing to have my artistic taste compared, by any&#13;
impartial jury, with that of the novelists of to-&#13;
day. “Tamel” and “A Novelist " seem to think&#13;
that if the judges, as advertised, read all the books&#13;
sent in for competition, the verdict would be fairer&#13;
than it is when the sorters weed out the list for&#13;
them. I presume that neither of your correspon-&#13;
dents has read for a prize competition. Otherwise&#13;
he would know what a lot of “impossible” books&#13;
are sent in-crude, illiterate, and artistically worth-&#13;
less. It is hard on the sorter to be compelled to&#13;
read even a few chapters of such. I totally fail to&#13;
see what would be gained by asking the supreme&#13;
judges to cast a weary eye upon them. As for the&#13;
deliberate rejection by the sorters of artistic novels,&#13;
there is no justification for this charge at all in the&#13;
II.&#13;
DEAR SIR,-I am not a member of the Society&#13;
of Authors, or a prize winner in a “Novel Com-&#13;
petition," but I venture to say that I think&#13;
* Tamel's " letter to The Author (in the March No.)&#13;
not a little unfair to the winners of such competi-&#13;
tions. Why did the author of a book of “ unusual&#13;
&#13;
&#13;
## p. 226 (#678) ############################################&#13;
&#13;
226&#13;
THE AUTHOR.&#13;
competitions organised by any reputable publisher. appointment, remorses, humiliation, health and&#13;
The fact is that an author and his personal friends strength, youth and courage, these are what the&#13;
are not necessarily the best judges of what is artistic. author may receive and give-but even then the&#13;
There are numberless authors, and their friends, price of his giving and getting are his own secret.&#13;
richement doués de suffisance et d'insuffisance, who I write now of the purely business aspect of a book.&#13;
arrogate to themselves the gift of infallible taste. For my first novel, published June, 1910, I&#13;
It is precisely to check the extravagant pretensions received nothing for the copyright, but I obtained&#13;
of such people that the poor sorter exists.&#13;
a 15 per cent. Royalty on all copies sold of the&#13;
“A Novelist ” says : “The initiated are perfectly English edition (price 6s.), and 3d. on every copy&#13;
aware what kind of books will be weeded out before sold of the Colonial edition ; thirteen copies being&#13;
the rest are sent on to the judges. They are the counted as twelve.&#13;
books that are unconventional, unsensational, and The sales, and the financial profit to myself, after&#13;
artistic ; the books that would not please the great the book had been a year on the market, were as&#13;
mass of uneducated readers.” Sir, the initiated follows, viz :-&#13;
know nothing of the sort. The initiated know that Copies of Home edition sold, 1,262.&#13;
the writer of an "unconventional” book invariably Copies of Colonial edition sold, 1,151.&#13;
deems it to be “ artistic.” The initiated also know Total sum received by me, £73 3s. 2d. (seventy-&#13;
that many unconventional books, while they show three pounds).&#13;
promise, are both artistically and commercially im The circumstances under which the novel was&#13;
possible and would stand no chance of a prize in published were briefly these-I was absolutely un-&#13;
any competition, except where the author and his known in the literary world, and to all journalists,&#13;
friends packed the bench. Why then should the critics, and fellow authors. I write under a nom&#13;
competition judges be asked to waste their time in de plume. So the sales—such as they were, owed&#13;
looking at these crude productions ?&#13;
nothing to my friends and acquaintances in the way&#13;
It is an unpleasant shock, no doubt, to have your of creating a public. The secret of my identity was&#13;
supposed masterpiece “weeded out.” But you well kept till four months or so after the book was&#13;
should not be so self-centred as to imagine that published.&#13;
the only reason possible for such a catastrophe is It received about thirty or so reviews: these were&#13;
that the sorters are base commercial persons. Let favourable, and one or two were of sufficient weight&#13;
us see the claims of the masterpiece substantiated to call some attention to the novel perhaps. But the&#13;
by successful publication, after it has failed to pass rest were devoid of all criticism of any weight or&#13;
the test of the preliminary reader, and then we shall value, and merely gave a curiously unattractive&#13;
have proof of the sorters' incompetence.&#13;
outline of the contents of the book.&#13;
READER. I published a second novel last month through&#13;
the same publisher. I received nothing for the&#13;
A PUBLISHER'S TERMS.&#13;
copyright, and exactly the same royalties as for the&#13;
first novel. I have, however, been paid the royalties&#13;
SIR,-I gather from the list of new members of for all copies subscribed for up to date of publica-&#13;
the Author's Society, published in The Author, that tion. On the date of publication I received £24.&#13;
many of them are, like myself, beginners in their For those whose terms for the publication of a&#13;
literary career. As such they may be beset with first and second novel have been less or more&#13;
questions to which their own inexperience can find favourable than mine I add the following informa-&#13;
no answer. It is probable that some feel that theytion : I am not dependent on writing for my living,&#13;
suffer from a lack of exact information with regard but under certain circumstances I might find myself&#13;
to the-not unimportant-financial side of success with an income of only £100 to live on. I employ&#13;
for a new novel. Perhaps, like myself, they would an agent, who under my present circumstances 15&#13;
like to know how many sales constitute a “success- not handicapped by my requiring him to obtain&#13;
ful first novel," and what is the average sales of a cash for me on the first terms that offer. I am&#13;
first novel, and what the average profit made by obliged for years at a time to live out of Europe and&#13;
the author from the first venture. In fact, the have not been in England since February, 1910, 80&#13;
beginner wants to know the state of the market. I find an agent very necessary. I am bound to him&#13;
Could not The Author give us data upon which to for "all novels" unless the contract is broken by&#13;
base an appreciation of financial success or failure, “mutual consent.” To my publisher I am in no&#13;
and the chances of a future income from a second or wise bound for any other novel I may write.&#13;
third novel ? This may sound sordid, but the I should he very glad of any enlightening com.&#13;
writer is far indeed from thinking that an author's ments or conclusion drawn from the above facts&#13;
work can be priced by £ s. d. alone ; the joy of and figures.&#13;
conception and execution, fame, praise, one's dis-&#13;
"A FIRST AND SECOND NOVEL."&#13;
&#13;
&#13;
## p. 226 (#679) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhond, Surrey, writes :-&#13;
"I have just completed tho rovision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without having beon corrected or even read, and that my hand writing,&#13;
I am told, is not always particularly legible, it is obvious that it&#13;
required percoption as well as care, something more than simple&#13;
mochanical accuracy, to produce such a resulta rosult which, in&#13;
conjunction with your moderate charges, seems to me to be tho best&#13;
of answers to the criticisms which have recently been directed upon&#13;
tho work of typists in the columns of The Author."&#13;
Novels &amp; Story work, 9d. 1,000 words ; 2 copies, 1/-.&#13;
Plays, ruled and covered, 1/- 1,000 words; 2 copies, 1/4.&#13;
(French and Spanish typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work."&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove to&#13;
all authors who have the good fortune to hear of you. ... You&#13;
certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): “I have never met with&#13;
anything approaching your intelligence, carefulness and pre&#13;
RICHARD PRYCE, Esq. : “ The work conld not be better done."&#13;
L. A. ST. JOHN. L'Isle, Dimond Road, SOUTHAMPTON.&#13;
Bitterne Park,&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
SCALE FOR ADVERTISEMENTS.&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
Front Page&#13;
... ... £4 0 0&#13;
Other Pages&#13;
Half of a Page...&#13;
... ... 300&#13;
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Quarter of a Page&#13;
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Eighth of a Page&#13;
0 7 6&#13;
Single Column Advertisements&#13;
por inch 0 6 0&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent. for&#13;
Twelve Insertions.&#13;
All letters respecting Advertisements should be addressed to&#13;
J. F. BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
NOTICE TO AUTHORS.&#13;
Authors in need of a good, sound, and reliable Agent should&#13;
note that the New Agency Agreement of the Society of Authors&#13;
has been adopted in its entirety by Mr. Stanhope W.&#13;
Sprigg (late Editor of Cassell's and the Windsor Magazine, and&#13;
for some years Hon. Literary Adviser to the Society of Women&#13;
Journalists), Trafalgar Buildings, Charing Cross, London, W.C.&#13;
Every facility for placing Literary Work.&#13;
TYPEWRITING.&#13;
The most difficult handwriting and involved copy&#13;
accurately deciphered by experts.&#13;
SOMETHING NEW !&#13;
INK-ERASING PENCIL,&#13;
Just the thing for Authors and Business Men. Removes&#13;
writing and blots immediately, and without injury to&#13;
SEND P.O. 1/2 FOR SAMPLE.&#13;
0. Herbert Cæsar, Homefield, St. Albans.&#13;
MISS FOWLER,&#13;
Maxwell House, Arundel Street, Strand, w.c.&#13;
paper.&#13;
BOOKS&#13;
on all subjects,&#13;
including&#13;
LITERARY,&#13;
Educational,&#13;
Commercial, Technical, Medical, Theological, etc., and&#13;
for all examinations.&#13;
Sooond-Hand at Half-Prices. Now at 25 por&#13;
cont, disoount.&#13;
Catalogues free. State Wants. Books sent on approval ; BOOKS&#13;
BOUGHT. Best Prices Given.&#13;
AUTHORS, ATTENTION !&#13;
ACCURACY,&#13;
ABSOLUTE SECRECY,&#13;
PUNCTUALITY&#13;
guaranteed by me in Typewritten&#13;
copies of Manuscripts, eto.&#13;
Terms : 1s. per 1,000 words; Carbon&#13;
Duplicates, 3d. per 1,000.&#13;
&#13;
W. &amp; G. FOYLE,&#13;
135, Charing Cross Road, London, W.C&#13;
TYPEWRITING.&#13;
Stories, Novels, Articles, Plays, &amp;c.,&#13;
8d. per 1,000 words; with FREE Carbon&#13;
Copy. Additional Carbon Copies, ld. extra&#13;
per 1,000 words, each copy.&#13;
Road what a satisfied Client says, and then send a&#13;
trial order.&#13;
Dear Sir,&#13;
December 4th, 1911.&#13;
I have to thank you for your prompt and most&#13;
satisfactory work; the typing is excellent, and I am&#13;
extremely pleased with it.&#13;
(Signed) MRS. J. O. ARNOLD,&#13;
Sheffield.&#13;
Over 5 years' experience in copying MSS. C. HERBERT CÆSAR,&#13;
C. A. GIRTON, 2, Grove Lane, Camberwell. s.c. || Homefield, Woodstock Rd., St. Albans, Herts.&#13;
&#13;
&#13;
## p. 226 (#680) ############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING&#13;
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Breakfast, single, from 5/6 to 7/6.&#13;
Table d'Hote Dinner, Six Courses, 3/-&#13;
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Telegraphic Addresses :&#13;
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LONDON, S.E.&#13;
| BRAINS.&#13;
MRS. GILL'S TYPEWRITING, SHORTHAND, AUTHORS wishing to make arrange-&#13;
AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
36, LUDGATE HILL, LONDON, E.C. communicate with LYNWOOD &amp; Co.,&#13;
Telephone-8464 Central.&#13;
Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel London, E.C., who will be pleased&#13;
ligently copied, from 18. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by I to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
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Neatness and accuracy, with&#13;
promptness ; 7d. per 1,000;&#13;
TYPEWRITING.&#13;
over 20,000, 6d. Plays ruled&#13;
and bound. 8d. Cheap duplicating.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
; in quplicate, 1/-, Plays and General | TYPEWRITING.-Authors MSS. carefully&#13;
typed at 10d. per 1,000&#13;
Copying. List and specimen of work on appli words (carbon copy free).&#13;
EXCELSIOR TYPEWRITING OFFICES,&#13;
cation.&#13;
Tel.: Bank 82.&#13;
20, Bucklersbury, E.C.&#13;
One Of NUMEROUS TESTIMONIALS.&#13;
* Miss M. R. HORNx bas typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I have nothing MISSES CONQUEST &amp; BUCHANAN,&#13;
but praise for the accuracy, speed and neatness with which she&#13;
TYPEWRITING &amp; SECRETARIAL WORK.&#13;
64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
does her work.-FRANK SAVILE."&#13;
Recommended by Mr. G. K. Chesterton, Baron de Worms.&#13;
MISS M. R. HORNE,&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.,&#13;
and Others.&#13;
New Address :-&#13;
Many Testimonials, of which the following is a specimen : " Many&#13;
5, PADCROFT ROAD, YIEWSLEY, MIDDLESEX. thanks for the excellent work and the promptness with which it has&#13;
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Printed by BBADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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.

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.

's

to

Publications

Warnings Musical Composers
Stamping Music
The Reading Branch
Remittances
General Notes
Justin McCarthy
The Royal Literary Fund
Composers Rights
the Collection of Fees from Mecha
Reproductions
The Hazard of the Pen
Robert Browning
Compositors and Readers
the University Press
Rules
Oxford
Correspondence
..
.

PAGE
227
227
227
229
232
234
234
237
237
242
243
243
243
244
244

Nouces
The Society Funds
The Pension Fund
Committee Notes
Books published by Members
Books published
America by Members
Literary Dramatic and Musical Notes
ParisNotes
Publisher Royalty Agreements
Magazine Contents
How
Use the Society
Warnings
the Producers
Books
Warnings
Dramatic Authors
Registration of Scenariosand Original
Dramatic Authors and Agents

�ADVERTISEMENTS

of Authors

The Society
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Address : " AUTORIDAD

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( Incorporated ).

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PRESIDENT .

THOMAS HARDY ,
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SIB ROBERT ANDERSON , K . C. B.
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SIR

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�ADVERTISEMENTS .

PLAYS

-

MR . FORBES
(Member of the Incorporated

COTTERILL
Literary

DAWSON
Society

of Authors ) .

An Actor of over 25 years ' experience
class of character , play, and theatre .

Master

of Stage Craft

&amp;

Play

in every

Construction .

Author of plays produced in Great Britain
and America . Adapter of several novels to the
stage .
GIVES PRACTICAL ADVICE UPON PLAYS .
ADAPTS
STORIES TO THE STAGE .
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NO

THEORIES

No

charge for reading
opinion on a play .

. –

and giving

a

practical

stage managers

Address

of his time.

: 28 , MIDMOOR

ROAD

, WIMBLEDON , S.W .

Just out , 1/ - paper , 2) - cloth , net .
&amp; SON, Renfield
Street , Glasgow ,

SMITH

WILLIAM THOMSON
LORD KELVIN

(

),

His Way of Teaching Natural Philosophy ,
By DAVID
A. WILSON .

ANECDOTES OF BIG
CATS AND OTHER BEASTS .
BY

DAVID

METHUEN

A.

WILSON .

&amp; Co . , 6

/

Times. - " Mr. Theodore Roosevelt can recount many
stories of such scenes , while Mr. D. Wilson goes &amp;
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During the past year Messrs . Cotterill &amp; Cromb have placed
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JOHN HASLETTE ,
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,
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WRITE

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and has gained the necessary experience for this
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with the best dramatists , producers , actors , and

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&amp;

.

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50 ,

Authors ' Agent,

STREET , NEW YORK .

CHURCH

Terms,

10

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WHAT

I do

OUR AUTHORS
SAYING

Per Cent .

ABOUT

not Edit or Revise

AND
OUR

OTHERS
BOOKS

MS.

ARE

.

THE

AUTHOR OF “ THE CO-RESPONDENT " WRITES :
May 10th , 1912.
DEAR SIRS ,
We thank you for the copies of
The Co - Respondent ,"
received this morning . We were pleased to get them
carlier than the date you named , and we like the get- up
immensely .
THE

AUTHOR

OF “ CAIRN LODGE " WRITES :
May 15th , 1912.

“ Begs to acknowledge the books sent to her , she is very
pleased with the way they are got up ." .
THE REVIEWER IN “ THE MORNING LEADER " DESCRIBES
“ AUNT URSULA ' S BEQUEST " :
" A little book which deserves mention
for several
reasons .
' Aunt Ursula ' s Bequest ' is bound in very
pleasing paper boards . It contains original new fiction
about 30, 000 words of it - and it costs a shilling .
This is a
good idea in the way of pocket volumes . It is also good
intrinsically . It is a capital little tale . . . excellently
written in a sober, unpretentious way . "

MURRAY

&amp;

EVENDEN ,

Pleydell House , Pleydell Street ,
Fleet Street , E . C .

�ADVERTISEMENTS

carefully until the Volume

THE AUTHOR

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is

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Symons

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This useful invention enablessubscribers
bind up number
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and
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the Bookbinder leaving the Mechanical Binder free for the
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and handles the same an
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the only method by which The
instantly bound with the samefacility as single
Author can
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leaf and there areno wires
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The whole invention
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The Cloth
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Should an accident causeany part
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VOL XXII

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58
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TELEGRAPHIC

PRICE SIXPENCE

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374

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NUMBER

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JUNE

1,

No

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9
.

.-

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XXII

Society

BY SIR WALTER

FOUNDED
VOL

Incorporated

of

The Organ of

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(

the

The Author .

�THB AUTHOR .

228

£500
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March
March

,

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Cooke
Annesley

232

during

month

Feb

Feb
Feb
March

April
PENSION

per

1912

Letts Miss

237

£4 846

.

Feb

s.

er
5
er
5

05

addi

present subscription
tion
Hutchinson
the Rev

Jan

0

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Total

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Francis René
Pollock Miss Edith

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Feb

19

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198

Preferred Stock
Central Argentine Railway Ordinary
Stock

The list

,

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3 3
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Jan

Jan

4

18 2

121

0

Canziani Miss Estella

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132

Jan

Mark

0

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present subscription
Northcote The Rev
Phipson
Miss
addition
present subscription
Hedgcock
Matcham Mrs Eyre
Stayton Frank

Jan

,

21
%

Jamaica 31°
Stock
1919 49
Mauritius
1937 Stock
Dominion
Canada
Land Grant Stock 1938
Antofagasta and Bolivian Railway
%
of 49

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Worsley Miss Alice
Sturt George

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Glasgow and South Western Railway
Preference Stock
New Zealand
Stock
Irish Land Act
Guaranteed
Stock
Corporation
London
Stock

£

Jan
Jan

Jan

0

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31
% ..

2000

0

Certificates
Good Hope

4
%

Trust

250

19

3
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291

Subscriptions
1912

. .
7
, 27
,
L
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Government
Consoli
dated Inscribed
Stock
London
and
North Western
Debenture Stock
Irrigation
Egyptian
Government
Victorian

0

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21
%
To

below

like to state that he has
bankers ' orders in answer to the
recent appeal , unsigned , without any covering letter .
He would be glad , therefore , if those members who
may have sent in these orders , recognising them
from their description , would write to the secretary
three

:

.

,

.

to

in

for

of

to the Pension

The secretary would

received

�THE AUTHOR .

com

.

erne
0

6

1

0

5

6

0

0

0 0

3 5
10 0

1

3 0
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of

Management

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NOTES

instead

it

of

,

in

to

of

of

.

on

at

29
,

1

at

-

.

to

up

,

for

.

of

In

.

,

it

,

by

; .

's

,

to

he

his hands with the sanction
the chair
reported that
the month
had
gone into the matter and
seemed
clear that
the publisher had dealt with some rights belonging
the member
without the member
sanction
he

on

,

.

on

of

,

to

a

The issues were
little involved
other claims
but after full discussion the committee decided
take action
behalf
the member and the
The solicitor
solicitor was instructed accordingly
reported further
certain
the cases mentioned
the last issue
The Author
one instance
money the money had
claim
for the recovery

0
0
0

In

a in

0 0
0
0 0

5 5

of

.

0

0 6

1
1
5 3

0

5

containing
were

a

.

been

.

it

'

.

.

the future
In

charge for corrections
from
this publisher

forwarded

in

a

of

to

,

set

to

for at

0

to

.

time and trouble
The committee instructed the
giving
solicitor
take steps
aside this claim
the same time authority
the secretary
ask
formal vouchers where statements
account
to

5

0

in

a

's

of

,

0

10 2

1
0 0

obtained and the accounts had been settled
publisher had been settled
Another dispute with
also
the only point remaining over being the
checking
charge for corrections
the
publisher
accounts
When the voucher was pro
duced
was found that the publisher had charged
108 beyond the printers statement for his own

0

of

of

0 0 0
O 0 0 0 0
0 O
0

er

Twenty three members and associates were
the list
the current year bringing the
total elections for the year
156
Four
resignations were accepted by the committee with
regret
The solicitor then laid before the committee the
report
the cases
one dispute which had been

mittee
added

to

0 0

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,

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,

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Committee

in of

1 1

0 1
1
0
1

10 5
1 5
Berreteroreroo

0

holding its monthly meeting
May held
April
meeting
the offices
the society
the usual hour
that date
After the minutes
the previous meetings hac
been read and signed the names
authors seeking
admission
the society were laid before the com

placed

0 0

:

25

2

,

22
,

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man during

10

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April
May

d.

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kenzie
Wharton
Leonard
Holbach
Mrs

April
April

£
1

Williams Mrs Illtyd
XX Pen Club
Taylor Mrs Basil
·
Cameron Mrs Charlotte
Kenny Mrs
Stacpoole
Robbins Alfred
Harris Emma
Scaramanga
Ralli
Aitken Robert
£1 per month
February
March April
Prior Mrs Melton
Baden Powell Miss Agnes

COMMITTEE

5

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Feb
March
March
March
March
March
March
March

Mrs

April

April

addition

Percival
Raphael Mrs
Cabourn John
Gibbs
Hinkson
and Mrs
Hamilton Cosmo
Plowman Miss Mary
Aspinall
Montesole Max
Pickering Mrs Frank
Trevanwyn
John
Higgins
Wallis ealy
Schwarz Prof Ernest
Wallace Sir Donald Mac

'

Feb

Henley

Westall

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Feb
Feb
Feb

Parker

April
April

6 6

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March

11 10 10 10
16 11
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8

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James

Mrs Nella
Allen Mrs James
Whibley
Loraine Lady
12 Ainslie Miss
King
Ayre Miss
Gibson Miss

Feb
Feb

. .

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,

,

Douglas

23 22 21
,

. . .
.

. .
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.

. . . . . . . . . . .

C

. . . .

Weyman Stanley
subscription

Jan

Feb

Sidney
Paternoster
Ewan Miss Madge
Kaye Smith Miss Sheila
Mackenzie
Miss
22 Reiss Miss Erna
Grisewood
Norman
Machen Arthur

Williamson
and Mrs
Way Miss Beatrice
Saies Mrs Florence

Jan

Feb
Feb
Feb

Clark Henry
Rankin Mrs

,

.

. .

Jan
Jan

Feb
Feb
Feb
Feb
Feb

and

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. . . . . . .

Jan
Jan
Jan
Jan

Jan
Feb
Feb

0

Randall

Jan
Jan
Jan
Jan
Jan

Jan

10

1

Allen
Bird
Crellin
Smith Herbert

Jan

0

1 0 0

Jan

Jan
Jan
Jan

0

Scott

Blundell Miss Alice
Garbutt
Serjeant Miss Constance
Chamberlayne
Miss Effie
Hamel Frank

Jan

d.

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0 0 0

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£

Lathbury Miss Eva
Wilson Dr Albert

Jan
Jan
Jan
Jan
Jan
Jan

229

three

�THE AUTHOR .

.

17

to

”

-

of

at

.

or

.

a

to 's

,

-

,

to

.

to

be

inquire whether they
instructed the secretary
ready
would
undertake the duties
An agency agreement was laid before the com
mittee and attention was drawn
the percentage
charge for the collection
was proposed
fees
from
amateurs
The secretary was instructed
write
the firm concerned pointing out that the
Dramatic Sub Committee considered the suggested
fees exorbitant
and that
these
fees were not
impossible
reduced
would
the society
of

to

to

.

,

if

-

firm

the collection

to

of

place

question

their

.

dramatists

with the

in

fees

for

to be

,

advise

cineinatograph
The question
fees was again
appeared from the
before the sub committee
far
definite standard
evidence collected that
payınent bad been fixed
foreign countries
The secretary
was instructed
collect
much
guide the sub
evidence
could
order
committee
the fees they should advise
accept
members
the society
The question
brought the sub
cinematograph
fees then
the schedule
fees which
committee
proposed
place
the disposal
the dramatic
section
the society
The secretary was instructed

It

no

.

so

as

.

in

to

to

in

he

to

.

to

of

as

as

of

is

it

of

.

at

to

to

-

to

of

a

, to

.

)

to

for to of

on its

he

of

at

of

“

Treaty
which had been sent
had been forwarded
their members
consideration
The Dramatic Sub Committee now
awaits
further reply
As one
two
the
delegates named
the former meeting were unable
act the Dramatic Sub Committee selected other
members from
the society
dramatic section and

of

of

in

“

of

of

.”

to

(

it

from the
copies

of

of of

.
a

It

to

was decided
have
series
articles
The
Author dealing with the subject
The Cost
Production
the suggestion
one
the Nobel Prize Com
mittee
was decided
ask the chairman
that
Lord Avebury
convene meeting
committee
discuss the present position and the secretary was
instructed
act accordingly
On

Managerial

them

of

Agriculture

the

monthly
May

of

as

to

to

to

a

of

.

of

Minister

.

SUB -COMMITTEE

DRAMATIC

THE Dramatic Sub - Committee held
meeting
the offices
the society
The secretary reported that
had heard
Society
West End Managers that the

-

of

to

in

's

in

on

,

Sir

to

.

to

a

a

of

to

of

.

in
a

support the member
claim against the gentle
man who had ordered the articles
The question
Canadian copyright was again
brought before the committee owing
the receipt
letter from
Canadian correspondent
the
society
The chairman kindly undertook
write
Gilbert Parker who had consented
act
representative
his visit
Canada
the society
there
June
The chairman further promised
copy
forward Sir Gilbert
the letter which the
society had already sent
the
the Premier and

fully acknowledged by the committee , and the receipt
subscription
a
life membership
from
Mrs .
by the
Curlewis
( Ethel Turner ) was reported
secretary .
of

it

a

to

no

for

. ,

,

by

a

paper without
articles had been ordered for
the
editor disclosing
that the paper was run
limited liability company and the company having
gone into liquidation
money had been forth
coming
the author
The committee decided

Sir Frederick Macmillan , who was acting as Chair
of the Joint Committee , had promised to put
these additional proposals forward .
Two donations to the Capital Fund of the Society ,
(one of 108 . 6d . from Mrs . Thornton Cook , and one
of £1 18. from the Baroness de Knoop ) were grate

man

,

.

to

an

of

.

and the committee confirmed the action that had
been taken
The last legal matter dealt with the
responsibility
editor for articles which he had
ordered
The claim arose owing
the fact that the

tions , but calculated to strengthen the position of
authors and composers , had been passed , and that

to

,

a

in

It it

's

a

of

of

.

's

of

s

in

to

he

.

be

last month 's Author , between two members of the
society the solicitor stated that he was waiting for a
further report . There were two or three claims
against
a publisher
who gave the society
some
trouble last year . Particulars
of the cases were
laid before the committee , and it was decided that
the cases should be taken in band , and that as soon
as the solicitor could get a clear cause of action ,
action should be taken .
In the meantime
the
other cases should be settled
as far as possible .
Some of the disputes were so involved by delays
and other issues that they were difficult to deal with ,
but the committee felt it essential that the
publisher should be pressed
to carry out his con tracts in a businesslike fashion , for the benefit of
the authors concerned . The secretary , who had
brought before the committee a proposal to publish
an article in The Author on a clause in a publisher 's
agreement , reported that the matter was withdrawn
as the author did not desire , at the present time ,
printed
that the article should
The secretary reported that
had obtained the
place
chairman
leave
another case
the
hands
the society American lawyers
was
infringement
rights
small case
member

The secretary reported to the committee the result
of the meeting of the Joint Committee of the Society
of Authors , the Copyright Association , and the
Publishers ' Association . He stated that the society 's
report on the regulations issued by the Board of
Trade under the Copyright
Act , 1911 , had been
approved by the Joint Committee ; that some sug
gestions in no way inimical to the society 's altera

to

small County Court cases against papers for non
payment of sums due , the solicitors were glad to
report that the amounts had been paid and forwarded to the members .
In a dispute reported in

it

230

�THE AUTHOR .
-

,

-

.

for

'

to

it

to

to

of

,

of

,

,

in

to

'

of

to

of

of

,

to

of

.

,

-

a

.

of

to

of

to

.

of

to

a

,

of to

of

,

in

'

,

as

.

,

of

in

,

to

a

of

-

,

.

of

of

to

.

.

:

of

,

,

in

.

,

at

is

.,

the

on

in

;

on
a of

a

;

of .

in

.

of

is

another case the editor
present away from

the MSS
holiday but

is

;

,

his return the matter will
still
the last case
receive his close consideration
office

open

of

's ;

.

There were four claims for moneys and accounts
satisfactorily settled
one has been

Two have been

and

,

the hands
the society
solicitors
the last has only recently come into the office

placed

in

an

careful search

control

and
more
who had

.

.

of

to

,

in

it in

he of

to

of If

.

a

no

on

be

-

,

,

at

,

called
order
discuss the amount
the fees
charged and the machinery for collection

one some
the MSS have been handed
hoped
that the rest will come after

.

as

to

.

to

be

,

at

to

it

instructed
forward the list
settled
the
and
the same time the Sub Committee
association
suggested that the fees should
moderate
agreement can be reached
the
the matter
performing rights
doubt
further meeting will

be

The usual tally
cases has passed through the
May
The
the society during the month
offices
numbers have varied but little from month
month
during the present year
Fifteen cases have been
Four
these
were
claims for the
dealt with
one the MS has been returned
MSS
return

of

be

it

by

to

'

-

.

of

,

,

The list after keen debate was agreed
the
the Music
The representative
Sab Committee
he would be very
stated
Publishers Association
happy
put the question before the committee
when
their next meeting
his association
possible
might
decide upon some
trusted
joint action
Secretary
satisfactory
was
The

to

Cases

to

it

on

of

a

.

claimed

be

,

view

was decided
and after considerable discussion
make out
list
all the music
which
was
thought possible fees for performance could

.

as

, he

point

of

'

it

the publishers

from

a

,

of

at

as

to

,

Pub

a

be

.
S
.

, .

of

.

.

'

understood

the

a

'

at

,

to

a

to

,

it

'

,

on

kindly undertook
act
chairman
meeting
Mr Elkin the delegate from the Music
lishers Association explained the matter

,

in

to

to

'

of 's

.

of

be

to

in

'

.
27

,

April

to

's

,

-

on

a

special meeting
Saturday

of

the Composers
the
meet delegates
from
the Music
ascertaining
Publishers Association with
view
possible
how far under the new Act
would
for publishers and composers
secure some returns
the performing rights
The chairman
the
management
Squire Sprigge
committee
Dr
THERE was
Sub Committee
Society
office

,

on

of

,

of

of

,
of to

,

of

SUB COMMITTEE

-

'

COMPOSERS

be it

-

.

of

of

at

11
.

in

-

if

The letter
sent
the Music Publishers
regard
performing
Association
the fees
rights was finally settled
and
was decided
adjourn the question
the amount
the fees till
the next meeting
The agreement
the Mechanical Copyright
Licences Company was read
the committee but
discussion was again adjourned pending the issue
the regulations
the Board
Trade
their
final form
was decided however
send copies
the agreement
members
the Composers
Sub Committee that they might have time
consider
before the next meeting when the question would
further discussed
The Composers
Sub Committee
also
sent
Management
recommendation
the Committee
undertaking the stamping
that
addition
composers music
the society should collect the
per
gramaphone fees subject
the payment
centage
the collection
these fees was likely
importance under the new Act
be matter
Finally the secretary placed before the Sub Com
dispute between
composer
mittee
the society
publisher and the matter was referred
and
the
Management
Committee
the strong hope that
action would be taken
to

byof

in

this sub committee
Saturday
the offices
the society
May
After the minutes
the previous
meeting had been read and signed the secretary
reported the action
the Copyright Sub Committee
the matter
Messrs Curwen agreement and
this action received the approval
the Composers
Sub Committee
refer the agreement back
Management
the Committee
order
obtain
possible the approval
that body

It

in

,

-

.

-

The monthly meeting

was held

.

of

in

of of

,

.

the article that had appeared
the April issue
The Author
The action taken was approved
the sub committee

II.

of

to of

.

of

-

.

of

,

of

of

at

,

of

a

of

of

by

be

of

of

to

is

It

.

.

It for

to inquire of some dozen or so of the dramatists ,
members of the society , whether they would furnish
the Dramatic Sub -Committee with a statement of
their fees ,
the guidance
their fellow dramatic
the
was decided that the names
authors
dramatists furnishing
such information
should
kept confidential
hoped
means
the
compile
information thus collected
schedule
prices which shall assist dramatists many
whom
enter into agreements and dispose
their rights
ridiculous prices through sheer ignorance
their
position
Several
the members
the Dramatic
Sub Committee present promised
forward their
prices
own list
The secretary reported the receipt
certain
agents
letters touching the appointment
other
countries but the consideration
the matter was
adjourned
The dramatic competition
The Era was also
before the sub committee and the secretary read

231

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COUNTESS
BEXTINCK
HER LIFE
By her descendant MES
AND
TIMES
1715 1800
AUBREY LE BLOND
With over
illustrations from
original paintings facsimiles
letters
Volumes
Hutchinson
248
FOURTEEN
YEARS
DIPLOMATIC
LIFE
JAPAN
Leaves from the Diary
Baroness Albert
Anethan
With
Introduction
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WHILE every effort
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this list
accurate and exhaustive
attaining this object owing
some difficulty
the fact
that many
the books mentioned are not sent
the cffice
consequence
necessary
rely
the members
largely upon lists
literary and
books which appear
hoped however
other papers
that members will
operate
sending
the compiling
this list and
substantially
help
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the office where the
mistake has been
favour
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No
doubt
from
time
time clerks make mistakes
wrong but
and accordingly
the accounts must
strange that the mistakes should always
one side
Of four claims for money one has been settled
and the money has been forwarded
the author
concerned
one has only recently come into the
office
and the other two will most probably have
placed
the hands
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solicitors
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former
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the
hands
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solicitors
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settlement
There has been one claim
for accounts and
money
which
the accounts and cheque were
forwarded
the author but
was found that
the accounts were wrong
The publisher
having his attention drawn
the matter
imme
diately undertook
readjusted and
have them
fresh cheque made out
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wrong
however
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By THOMAS HARDY
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FROM IBSEN
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Selected
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the Elizabethan
Translation
Edited
ROUSE
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The Shakespeare Library
122
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Everest has published her first book
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and
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The publisher
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Macdonald
Strand
and
book
issued
Mr Arthur
Baker
the Public Library
Taunton
has just completed
after seven years
Miss
poetry

is

$1.35 n .

.C
.,

Merrill . $1. 23 n .
STORIES. By
THE VICTORIES OF OLIVIA , AND OTHER
$ 1.35 n.
EVELYN SHARP . New York : Macmillan .
By H . A . VACHELL .
BLINDS Down .
329 pp .
New
York : Doran .
$ 1. 20 n.
By
N
.
&amp;
A
.
M
.
WILLIAM
C.
THE GUESTS OF HERCULES .
by M . LEON BRACKER and
SON. 633 pp . lllustrated
ARTHUR H . BUCKLAND . New York : Doubleday Page .
$ 1.35.
EBB AND FLOW . By Mrs . IRWIN SMART .
279 pp .
$ 1. 25 n.
Boston : Estes .
THE DEVIL ' S WIND . By PATRICIA WENTWORTH , 427 pp .

New York : Kennerley .

the recommendation of the Academic Com
mittee , the Council of the Royal Society of
Literature has determined to award the
Gold Medal of the society to Mr. Thomas Hardy .
The last recipient was George Meredith .
The
medal is now being struck , and will be presented
to Mr. Hardy on
next birthday June
Mr Hubert Wales new book
The Spinster
was published
Mr John Long
the end
last month
Mr Fred
the notice
We regret that
published
Shaw
book
Our Future Existence
our last issue we omitted
mention that Messrs
Stanley Paul
Co
Essex Street Strand
were the publishers
W

FICTION .
THE REAL MRS . HOLYER . By E . M. CHANNON . 327 pp .
New York : Doubleday Page . $1. 20 n .
By GERTRUDE
TIMES .
AND HER
FRANCE
JULIA
$1:35 n .
ATHERTOX . 533 pp . New York : Macmillan .
By C. J .
KETTLE .
OF CAPTAIN
THE MARRIAGE
Indianapolis
CUTCLIFFE HYNE .
373 pp .
: Bobbs

SHAKESPEARE : A STUDY BY DARRELL FIGGIS .

NOTES .

N

THE GREY STOCKING , AND OTHER PLAYS . By MAURICE
$1. 25 n .
Boston : Houghton Mifflin .
BARING . 366 pp .

New York : Putnams .

LITERARY , DRAMATIC , AND MUSICAL

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April
recitals
from
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Mr
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Mr William Miles
pieces were presented
Some half
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Mr Miles including
The Keeping
the Vow
The Battle
Pause
and
No Sun ever Rose
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certain date
publication can
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within
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payment despite the rule
entitled
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serious articles
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prevent dispute subsequently
marked
not
quite clear nor
any
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thing said
verse
fiction
We regret
notice also
that some
the
American publications are adopting the practice
paying for work after publication
instead

she had

Frederick the Great and
intimacy with Marie Thérèse
Vienna
terms
Stanislaus
Poland was one
her friends and
amongst men
letters she included nearly every
one
note
published
The work
two volumes and
contains over seventy illustrations from original
paintings facsimiles
letters etc
Mr Frederic
Halford has just issued through
Messrs George Routledge
Sons
new book for
Dry Fly
angler
the dry
called the
including
Complete Manual
Man
Handbook
Entomology
The Fisherman
and The Making
Fishery
and Management
There are forty
photogravure
plates and numerous
illustrations
and diagrams printed
the text
Large
An Angler
the title
new book
which Messrs Kegan Paul
are publishing

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that the Twentieth
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Square
present
pay
Boston
not able

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new work
Charlotte
Countess Bentinck
was issued last month
Messrs Hutchinson
The subject
this
work lived
an extremely interesting period
European history
Sweden
The assassinated King
Aubrey

Sophie

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revise the selection relating
We have received from The Editor Company
Ridgewood New Jersey
little magazine published
by that company entitled The Editor
The April
good
deal
contains
before
issue which
gain
information useful
writers anxious
foot
pro
ing
the American magazine market
monthly record
vides
the requirements
the
American magazines which
would seem
alter
too quickly
make
annual record
much use
gives particulars
the author
also
the
practices
regard
the different magazines
the

issue conducted
these lines
accept
note that payment
ance
the rule
America but because the less
satisfactory method
payment
publication
being adopted
some
the American publica
tions
behoves authors and particularly British
authors
sure
the practice
American
magazines
this respect before submitting work

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The
volume contains
verbal index
the poetical
and dramatic works
the author comprised
the complete edition published
Messrs Mac
millan
Ltd
the poems contained
the
Life
Lord Tennyson by his son and published
by the same publishers
also
the suppressed
poems edited
Thomson and arranged
Messrs Sands
contains approximately
quotations and
arranged
150 000 references
strict alphabetical sequence
the different senses
the same word are frequently distinguished
price
The subscription
under separate headings
twenty five
one guinea nett
increased
shillings nett upon publication
paragraph
We regret that
our April issue
conveyed the impression that Mrs Bernard Whishaw
Baedeker
was preparing the new edition
Spain
not the case
Mrs Whishaw
This

But this practice of payment on publication ,
involving as it does a constant scrutiny by writers
of magazines which have accepted their MSS . , is
very irritating
authors
bad enough when
spot but
speak
the writer
the
when
the case
the British contributor
magazines
American
miles away from the
market
becomes practically
intolerable
clearly would not pay any author
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Messrs . George Routledge &amp; Sons
have undertaken to publish the work , provided a
sufficient number of subscribers be obtained to
justify
publication
fair number
sub
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Lord Tennyson .

235

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hated official
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for one
the men
whom she has given her heart
police spy
the girl
forced
realise that
and tragedy follows her disillusionment
the
cast were Miss Erniter Lascelles Mr Claude King
and Mr Harcourt Williams
comedy
The Five Frankforters
three acts
Captain Basil Hood was produced
the Lyric
May
picture
Theatre
The play presents
wealthy Jewish family and describes
the life
marry one
their attempt
the girls
impecunious duke
the cast are Miss Henrietta

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modern French
duel
Between
the itenis
Mr
Egerton Castle will briefly describe the development
the weapons
Tickets may be obtained
the
James
Theatre from Mr
Blake 147
Leadenhall Street
from Mr Gerald Ames
Hon Secretary Actor Sword Club 159 Brompton
Road
The performance
aid
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Mrs Dane Defence
May
was revived
the New
Theatre
the cast were Sir Charles Wyndham
Miss Mary
Moore Mr Sam Sothern
and Miss Lena Ashwell
special
The Actor
Sword
Club
announce
given
Thursday
matinee
the June
The Duel throughout the Ages
from the gladiator combat
ancient Rome
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the Legis
lative Council
New South Wales delivered
paper
May 14th
the Royal Colonial Institute
Tropical
the Settlement
Whites
Australia
The meeting was held
the Hotel
Marlborough was
Métropole
and the Duke
the chair

pamphlet
received from the Era office
the Copyright Act 1911
far
the Act affects
Dramatic and Musical Copyright
has been

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The Norse King
Bridal ballads from the
Danish and Old Norse with original verses
Smith Dampier
was published
March
Andrew Melrose
net
Mr Arthur Dillon forthcoming book will con
sist
connected trilogy
set
three tragedies
sequence
Mr Elkin Mathews already has
preparation
the volume

We have

by

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The
Sea Devils
now ready
somewhat
the nature
The Hispaniola
Plate
which
first
became known
the reading public though there
treasure seeking
nor finding
The story
laid
and around Lisbon
whence the Armada
and
sailed
which
returned
woeful plight
some
and the Inquisition
also prominent
English
the narrative
The hero
himself
Spanish girl resident
sailor and the heroine
Lisbon
Their love gets tangled however
from
the fact that
first the girl has believed her lover
Spaniard
himself
and hence
woes
Naturally enough
English
unnumbered spring
sailor and his brother
sea devils
know
well
put matters right
enough how
last
The
published
book
White
Limited
May
Mr Martin Secker published
first
Stupor Mundi
book
Lionel Allshorn entitled
the Life and Times
Frederick
the Second
King
Emperor
Sicily and
the Romans
Jerusalem
1194 1250
16s
net
The
chief interest
the subject lies
the dramatic
struggle between Frederick and the Popes
This
most gifted
the mediæral Emperors was the
object
peculiarly violent hostility
He was
excommunicated again and again and was finally
solemnly deposed from his thrones by Innocent
Lyons
the Council
The historian
Freeman
has called
the most gifted
the sons
men
sheer genius the greatest Prince who
only one other book
ever wore
crown
There
the subject
the English language and that
century ago
was published half
Bloundelle

of

. .

Mr

.

DRAMATIC

its

It deals with the struggles

.

Swimmer ,” a new

novel by Louise
in the life of a
girl poet from her baby days to her womanhood ,
and contains many sketches of poverty in
varying
phases
“ The

.

.,

publish

Gerard

Messrs . Williams &amp; Norgate
have published
The Quest : A Drama of Deliverance ," by Miss
Dorothea Hollins , author of “ The Veiled Figure ,
and Other Poems ” (Williams &amp; Norgate ) , “ The
Herbs of Medea ” (Elkin Mathews ) , and other works .
“

S
.W

political and social retrospect of the fifty years of
Victoria 's reign .
It is now published by
Messrs . Sampson Low &amp; Co .
Early in September Messrs . Mills &amp; Boon will
Queen

3
p
.m

236

Miss

�THE AUTHOR .
PARIS NOTES .
Gilles ," by M . André Lafon , has
won for
author
French Academy
prize
francs
ten thousand
psychological
study
schoolboy and with the
painful domestic tragedy there
exception
not
quite young and this
much incident
Lafon
his first novel
Academy Gobert prize has been
The French
divided this year and awarded
Louis Madelin

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Among books of interest to English readers are
“ Bernard Shaw et son (Euvre ” by Charles Cestre .
Neige ,” by Edith Wharton , another
“ Sous
la
novel by the author of « Chez les Heureux du

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before them for their consideration
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recital
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rights the author grants
the second clause the
duties the publisher undertakes and the third clause
the royalties for this paper professes
con
royalty
agreement
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and
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extremely instructive book for
who
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Academy

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the workings
the French agricultural systems
the progress realised
French agriculture and the
difficulties with which
has
contend
La Direction
Guerre
La liberté
action

AGREEMENTS .

THE AUTHOR GRANTS
literary
the evolution
the management
and musical property
has become almost
universal custom
for publishers
submit
their agreements
authors rather than for anthors
publishers
draft and submit their agreements
consequence
large number
publishers have
part and parcel
made
their agreements
ask
for everything they can possibly obtain and unless
the author
aware
the dangers and difficulties
may unwittingly
inherent
these agreements
sign away his birthright
considering the question
agreements there

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the author
the
the Père Janvier
after his lecture
the
cathedral
Notre Dame
the series
books published
the
Bibliothèque
Mouvement
social
contem
porain
Michel Augé Laribe has just brought
out his
Evolution
France agricole
reply

PUBLISHERS ' ROYALTY

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Révolution
and
Pierre
Vie
Charles
Orléans
prize
has been awarded
Laborie
Paris sous Napoléon
Napoléon
Sainte Hélène
1815
1821
Frédéric Masson
the last
the volumes
this
subject
The three volumes entitled
Autour
gave
Sainte Hélène
details with regard
the
various persons who approached the Emperor during
his captivity
the present book we have
account
that captivity and
his death
1821
published
series
books
Dogme catholique
Evolution
The first
one
Les Origines
Félix Goblet
Alviella
published
has appeared and another volume
each year
for
book
Champion for
The Berger

“ Napoléon à Sainte Hélène " (Ollendorf ) .
“ L 'Evolution du Dogme Catholique " (Emile Nourry ) .
“ Le Droit de massacrer les Hérétiques " (Emile Nourry ) .
“ Evolution de la France Agricole ” (Armand Colin ).
“ La Direction de la Guerre " (Marc Imhaus &amp; René .
Chapelot ) .
“ Histoire universelle du Travail ” ( F . Alcan ).
“ Les Ravageurs " (Delagrave ).
“ Bernard Shaw et son Cuvre ” (Mercure de France ) .
“ Sous la Neige " (Plon -Nourrit ) .

of

his

.

.

M

is

a

volume is an account of the various insects which
are harmful to agriculture . It is illustrated with

,

of

of

.

is

is

a

of

U

is

T

its

“

237

�THE AUTHOR .
to

to

of

of

to

or

in

of

the

on

on

at

as

of

on

,

,

,

.

.

5

or

of

of

)

in

or

of

of

.

of

(

be

by

to

on

in

to

to

.

or

,
to

or

of

no

in

at

be

to

as

,

of

to

. ,
of

of

of

,

in

,

,

to

or

.

in
C

all

. of
to

a

,

of

in

or
.
on on on

.

in

of

in

of

in

to

,

,

,

on

,

viz
.

all

of

of

of

,

to

. "

of
a

as

",

in to

.

of to

to

in

of

on

to

to

of

be

in

to

be

in

in

to

.

to

for

to

.

of

of

be

a

or

at

of

be

of

,

be

in

in

of

to

.

.,

. 50

to

of

be

.

.

,

,

,

If

us .

.

,

to in

the

the publisher

asks the author

to

with

,

begin

.

of

of

to

assign
The author agrees
the publisher their
successors and assigns the copyright and sole right
publication
the above work
To

.
,

.

,

of

.

a

,

to

of

on

.

If

of

of

of

in

of to

,

a

be

particular
take
consideration
printed
clauses
above
their order
Let

.

.

fit

of

.

for

be

.

as

of

be

to

.

.

in

of

or

to

.*

to

to

of

:

.

viz

is

uniformity and
owing
difficult
the lack
simplicity
prevent
the drafting
the agreements
division
clauses
these lines from overlapping
Some
making their agree
publishers have
curious method
complicated
confusing
ments both
and
When therefore
principles
have already been laid down they will not
uecessarily
repeated
It

.

to

of

,

to

's

,

.

A

.

B

If

or

,

to

,

of

If

.

be

in

assign
The author agrees
the publishers their
successors and assigns the copyright
and sole right
publication
the above work
copyright
The
therein shall
the property
the
publishers who may arrange
they think
the com
pletion and publication
the work
any moneys are received from the sale
translation
rights
receipts
expenses
other
the net
after deduction
relating thereto shall
divided
the following propor
Sixty per cent
tions
the author and forty per cent
the publishers
*

in

.

a

if

,

set

,

in it

to

).

of (

to

,

,

,

SUBMITTED BY THE PUBLISHER

of

of

or

(
4
)

is

It

CLAUSES

,

;

)

,

or

a

of

for

Britain
and Ireland , the Colonies and
dependencies thereof ) .
( 2 ) Limitations as to edition (an edition of 1,000 ,
2 ,000 , or 3 ,000 copies ) .
period
( 3 ) Limitation as to time (
three
five
seven years
Limitations which combine one
two
the
former Great Britain and Ireland for
period
seven years
now essential
out from the publishers
own agreements what the publisher thinks the
grant and
will be convenient
author ought
which the publisher
we take first those clauses
any author finds any
asks for the copyright
agreements submitted
these clauses
him for
signature he will
able
ascertain from
the
following criticisms the grounds
objection
standpoint
them from the author

to

should be limited to the publication of the
at a fixed price , say £1 18. ; 10s . 6d . ; 68 . ;
58., etc ., and it should be distinctly stated whether
the price is “ nett ” or subject to discount . The
other limitations which this clause should contain
are :
( 1) Limitations as to country ( generally Great
lisher

work

D
.

to leave the format of the book to the discretion of
the publisher .
It is important that the pub

.

The clause printed above gives a rough idea of
the model form of the clause which contains the
It is sometimes desirable
author' s conveyance .

E

form

to a

F
.

should be slightly altered when it
musical composition , but on the subject
of agreements for musical compositions , readers are
referred to the May ( 1910 ) issue of The Author .
This

as

" The Author grants to the Publisher a licence to publish
format
' in book form in
his work entitled
( or in a format agreed between Author and Publisher ) at
the published price of
in the English language . "
comes

That
consideration
the hereinafter mentioned
sell and assign
payments the author hereby agrees
copyright
publisher
the
the
the above work and the
publisher
agrees
purchase the said copyright with the
printing and publishing the work
exclusive right
serial
without revision and abridgment
and book form with
Great Britain and Ireland the British Colonies and
Dependencies
the United States
America and
Europe and
Continent
all other countries islands and
continents
That should the publisher issue special editions for sale
the
the British Colonies and Dependencies only
Europe he shall pay
the author
Continent
royalty
copies of such editions sold
ten per cent
the
Colonial edition and five per cent
the Continental
royalties
being
edition these
the net receipts
such
the same time
the royalties provided
sales and payable
eof
for
That the publisher shall have the sole right
sell
assign the American
Colonial
Continental Foreign
Trans
rights
lation Serial and Dramatic
the above work
He
pay
negotiating
distributing
shall
all costs
such sales and
copies
purposes
publisher
the work for such
and the
shall pay
the author fifty per cent
the receipts from
payable
the sale
the same such amounts
the
same time
the royalties provided for
Clause
hereof
guarantee
securing copy
That the publisher gives
right outside the United Kingdom and does not bind him
self
issue special Colonial
Continental editions
sell serial translation dramatic
other rights
The author agrees
transfer
the publishers the
remaining copyrights and all other rights
the said stories
for all foreign countries
the terms that the publishers
shall pay
the author one half
the net profit which
may
made
the publishers from the sale by them
any rights plates copies bound
sheets
for the pur
pose
publication
the said work abroad
all editions thereof
the work and
The copyright
shall belong
the publisher his executors administrators
assigns
and
purchase and the author
The publishers agree
agrees
sell the copyright
Great Britain and all other
hereinafter
parts
work entitled
the world
referred
the said work the MS
which the author
has delivered
the publishers and
future editions
thereof
consideration
the following payments
per cent
all copies sold thirteen copies being counted
twelve
The publishers shall have the right
sell copies
the
any
said work
the rights
translation
thereof
foreign countries and
terms they shall think expedient
royalty
respect
the author shall not
entitled
thereof but the net amount realised therefrom
shall
divided between the author
and the publisher
the
following proportions
per cent
viz
the author
50 per cent
the publishers
any edition
the said work shall
included
England
works published
for exclusive
sale
India
and the Colonies the author shall
entitled
receive
per cent
such sales
the actual net proceeds
copies
the ordinary edition
sold
Colonial and
exporters
other
booksellers
rate lower than the
ordinary trade price the author shall
entitled
receive
per cent
the actual net proceeds
such sales
C

What , then , should the author grant ?
His clause , which ought to be Clause I ., should
run somewhat on the following lines :

A

238

�THE AUTHOR .

.

his

.

a

to

by

to

,

be

.

in

of

he

of

for

on

him

of

.

is

to

be

is

.

.

to

be

to

of is

by

to

an

A

.

's

of

's

,

to
a

.

on

's '
, s

A of

as .

is

so

if .

to

.

.

.

to

in

.

a

,

on

.

.

,

a

,

of

in

,

,

,

&amp;

of Co
.

.

of

,

of

to of

,

on

in

.

of

, ,

of

.

it

an

,

by

on

by

in

on

of

£d
.

to

a

of

.

.

on

as

a

to

in

, ,

as
a

",

or

,

.

Mr Justice Warrington
the
first instance was upheld
songs
The plaintiff was the composer
certain
assigned his copyright
and
the defendants
subject
royalty
every
the payment
copy sold
the Defendant Company
the United
every copy sold
States and
the Defendant
Company elsewhere
The songs were published
two occasions
the Weekly Dispatch
the Willis
Music Company
advertisement
and
was
and the decision

court

by

to he an

to

by

to

,

on

is

convince

estate
The second was
somewhat similar lines but
was not
the hands
the committee
the
Appeal
society
was carried
the Court

ld

of

on

in

he

,

in

,

,
“

.

already put forward
any author there
have been cases tried
the Courts which make the
conveyance
copyright when the author retains
continuing interest suicidal
The first was Warwick Deeping and Moring
Here Mr Warwick Deeping conveyed his copyright
every
Mr Grant Richards receiving royalty
copy
the book sold
Mr Grant Richards went
bankrupt and the trustee
bankruptcy assigned
the agreement
Mr Moring
The Court held
that Mr Deeping could not claim royalties from
Moring
but could only claim damages
agreement against the bankrupt
for breach
arguments

the

not sufficient

were

It in

,

he

.

a

re
-

to

.

*

alien hand
Then

to

, ,

to

by

he

on a

of

-

by

for

of

a

,

,

he

-

re

a

synonym for
We use the words technical works
those books which for one reason
other need periodic
very wide and
give
revision
The range
detailed
list would be very cumbersome

all

the

.

to

It

be

.

A

,

.

to

,

.

,

to

.
,

,

the copyright
the former book refused
except
issue
terms which financially

convey

There are other reasons which apply
all authors
copyright the actual pro
perty
conveyed
publisher can alter that
property
long
he does not libel the author
literary reputation
But the work
the author
jury
and what may not appear
tradesmen
reputation may
pure
libel
the author
point view
sacrilege from the author
father
does not care
see his own child whipped

With the conveyance

.

,
it

,

to

is

on to

a A

as

held

make

too careful not

of

.

by

a

.

of

,

its

by

is

.

a

To

return
Clause
The reason
for our
objection
necessary
not far
seek
will
quote one instance merely
convince any author
the point
young medical man who was making his mark
specialist was swooped upon
far seeing
publisher
write
book
him
his special
subject
Ignorant
the value
his property and
perhaps rather flattered
the compliment
conveyed the copyright
wrote the book
the
publisher and received
royalty
Ten years afterwards
when
had become
famous
wanted
issue his book with the
additions and alterations necessary
account
the changes that had been made
his particular
study and the wisdom
many
had collected
fresh examples
He was unable
come
agreement with his publisher who knowing that

cannot

copyright

he

in

, of

to

or

a

,

up

suitable technical
medical work taken
educational centres sells steadily
its
year
hundreds and sometimes
thousands
right through the whole term
copyright
Though
this last paragraph
somewhat by the way
still
great truth which the careless author
contains
should fully realise

by

mentioned

,

, -

,

is

of

of

to

as

,

by

—

on

is

in

it

or

-

, of

,

,

.

It

,

of

.

*

,

in

in
a

,

,

,

,

,

as
,

,

is

it

,

to

to

Many

on

.

necessary

writers

,

,

view

on

of

first

be
a

place

consider the
such matters
for
example theological
biographical
historical sub
jects educational works scientific technical medical
and those thousand and one subjects which owing
the great advance
research are
constant
state of change
Although works
fiction are more popular with
the public financially their returns cannot compare
with the returns from the works quoted
foolish
think therefore that the society deals only with
writers
fiction
because they are more often
evidence
that
not fully aware
the vast
property
any
other works and writers
the
joining the society be
above subjects should
kept informed
the value
their property and
the difficulties with which they have
contend

point

of

the

to

In

?

which cannot be deleted .
What are the reasons for reiterating the phrase
They are many and varied
with such vehemence

,
of .
,
.

NO AUTHOR SHOULD
TRANSFER HIS COPYRIGHT
PUBLISHER WHILE HE PRESERVES
A CON TINUING INTEREST IN HIS WORK .
This phrase will be quoted and re - quoted , until,
it is hoped , the brain will receive an impression
TO A

and otherwise , were absurd .
The author then
joined the society and the secretary went into the
matter with great care , but found there was no
loophole of escape .
On his advice the author
refused to accept the terms, and proceeded to pur
chase back the copyright
at the publisher ' s own
price , and to publish with an old established house ,
By this
paying
production himself
the cost
gain control
increasingly
means alone could
valuable property
But all anthors are not
such
favourable position and other examples might
quoted where the technical writer has had
accept
the bad ternis offered
the publisher rather than
allow his work
continue before the public
slur
his reputation
But this arrangement may
preclude
from writing again
the subject
which
his life study
This
the main reason why authors
the works

to

and assigns , the copy - '

successors

.

, bis

a

assign to him

right.

239

�THE AUTHOR

no

fit

."

of

“

to

as

.

in

by

be

a

to

B
”

“

.

to

be

,

in

It

is

.

an

,

if

.

of

be in

.,

a

to

of

on

.

of

on

of

a

on

is

in

.

,

a

if

,

,

he

,

at

to

,

of be

.

of

be

'

in

,

."

- I

of is
a

,

of

,

to

,

-

to

is

it

as

,

to

of

in

to

or

of

on

of

in

in

of

on of

at

of

on

.

a

to

he

,

,
onall

or

on on

,

of

of

,

,

or

of

.

in

,

, to

.

5

of

,

.

to

. .

5

of

no

or

.

or or

of

to

10

,

,

.

is

1

of

as

,

A

.

IN

A

The latter part
Clause
with the exception
sur
words which will be mentioned
certain
The
the less
plusage
the greater includes

of

on

to

,

be

,

AUTHOR

to

of

in

C
.

in

in

,

,

of

of to

of

fit

of

.

in

to

.
It

as

.

of

be

as

of

,

.:

.

the transfer
worth while

SHOULD TRANSFER HIS COPYRIGHT
HE
PRESERVES
WHILE
PUBLISHER
HIS WORK
CONTINUING INTEREST
TO

,

it

.

to

to

viz

,

of

Comment has already been passed
may however
copyright
repeat that

NO

of

,

to

be

it

no

in

.

B

If

or

to

the publishers

,

no .

.

”

of

is

it

,

if

it for

a

is as of

of

be

be

is

it

so

the
the property
The copyright therein shall
they think
publishers who may arrange
for the com
the work
pletion and publication
translation
any moneys are received from the sale
expenses
other rights the net receipts after deduction
relating
the following propor
thereto shall be divided
Sixty per cent
the author and forty per cent
tions

in

of

.

In

“

right that

added which
word should
any way tend
confuse the issues
An
assign the copyright carries with
agreement
publication
indisputably the sole right

should

mentioned
the hereinafter
consideration
That
payments the author hereby agrees
sell and assign
the above work and the
the publisher the copyright
purchase the said copyright with the
publisher agrees
printing and publishing the work
serial
exclusive right
without revision and abridgment
and book form with
Great Britain and Ireland the British Colonies and
Dependencies
the
America and
the United States
Europe and
Continent
all other countries islands and
continents
That should the publisher issue special editions for sale
the British Colonies and Dependencies only
the
Europe
Continent
shall pay
the author
copies
royalty
per
such editions sold
ten
cent
the Colonial edition and five per cent
the Continental
royalties
being
receipts
edition these
the net
such
sales and payable
the time as the royalties provided for
Clause
hereof
That the publisher shall have the sole right
sell
assign the American
Trans
Colonial Continental Foreign
lation Serial and Dramatic rights
the above work
He
negotiating such sales and distributing
shall pay all costs
copies
the work for such purposes and the publisher
shall pay
the author fifty per cent
the receipts from
be payable at the
the same such amounts
the sale
same time
the royalties provided for
Clause
hereof
guarantee
securing copy
That the publisher gives
right outside
the United Kingdom
and does not bind
Continental editions
issue special Colonial
himself
sell serial translation dramatic
other rights
in

,

, ,

in

is

a

It

.”

,

agreements

.

,

he
is

,

if

.

,

of "

an

am

to

of

a

,

to
a

an

is

to a

,
“
of I

,

in

in

,

,

is to

It

!

!

of

,
I

,

some serious comment
When
author conveys the copyright without
conveys the translation rights the serial
limitation
rights and all the minor rights
These rights
properly marketed
are valuable
But
when
only paid
author conveys the copyright he
royalty
pub
the agreement
definite form
lication say
the published price
the work
book
form
the price
12s 6d he would not
entitled
claim anything
the sale
these other
rights unless
special stipulation
that effect were
made
the agreement
allowing these minor rights
The question
marketed by the publisher
and the division
possible profits
matter which has been discussed
discussed
this paper and may
the columns
publishers
later when considering other clauses
in

no

of

,

,

is

,

in

,

to

,

or

."

“

:

I

for

-

by

,

in its

or

it

.

,

turn round and say
the first publisher
The work
infringement
my copy
you have published
right
may
The composer when referred
infringement and
retort
Oh
No
not
have the best musical opinion that
not
The publisher
the alleged piracy
owner
the
copyright may say
have the
not going
copyright
worry
action and
and expense
regret
your com
say withdraw
must therefore
position from the market
very doubtful whether
such circumstances
the composer would have any remedy whatever
although his work might possibly have brought him
steady income
further consideration
the clause the words
publication
the above work
and sole right
sign
are surplusage and
bad draftsmanship
right that
They should
deleted
necessary
word should
omitted
define
beyond dispute
any point accurately and make

There is something , however , beyond a transfer
of copyright in this clause .
When copyright has been transferred
altera
tions may
made
the assignee which would
literary libel
amount
But
this clause the
publishers are allowed
arrange
they think
for the completion and publication
the work
very doubtful whether the author would have
any remedy
these circumstances however grievous
the alterations might
his reputation
The second clause under heading
calls also

an

.

.

of by

is on

to

to

.

.

of

on

in

of

for

admitted that the publication was made with the
knowledge and approval of the defendants .
The
plaintiff 's claim was
royalties
the sales
copies
the songs
the Weekly Dispatch
Mr
Justice Warrington held that the defendants were
not liable
The copyright was assigned
the defendants
subject only
pay
the condition that they should
royalties
copies sold
them
The Weekly
Dispatch
the property
the Associated News
papers Limited and was not sold
the Defendant
Company
agents and therefore
royalties
respect
copies contained
were payable
the
paper
Lastly
possible and this case would arise
perhaps
more frequently
the publication
composer
music than
book publication
that
may transfer his copyright
publisher
Another
publisher
perhaps another composer
lucky enough
have retained his copyright may

.

in

240

�THE AUTHOR .

of

.

50

!

to

to in a

ask

is

to

!

's

he

It

.

if

be

he

,

in

,

to

if

to

I

“

,

be

—

.

a

of

of

an

,

is

4

,

—

.”

,

no

to

do

is

.

for

a

to

,

or

is

of

an

.

to

.

in

to

to

be

.

of

.

)

in

or

of

(

by

of

on

by

to

be

of

to

of

to

no

if

is on

.

of It

to

is

to

in

,

in

an

in

.

,

at

.

to

or

of

or

-

a

he

on

,

,

,

of

of

to

in

a

this clause that

.

of

definitions relating

to

."

of

of

series

by

““
a

In

words

And
And of all
all cu
editions thereof

the

book

to

.

a

to

to

or

in

,

in

in

,

,

a

”

,

"

“

'

,

trade issued
the Publishers Association
we
reprint
impression
believe
was taken
mean
reprint but altered
unaltered
edition
The publisher
therefore
order
make
himself doubly secure can control the author
any alteration
may desire
make
his
original text can hamper
expedite any improve

,

a

.

few

separate comment

"

,

need

he

,

indeed
reaches the last
that the publisher should have

,

;

There are only
stand

in

ask

,

to

."

“

rights

absurdity

and assigns

be

be

It

no

do do

to to

his dramatic
of

point

The copyright
the work and
all editions thereof
shall belong
the publisher his executors administrators

,

,
if

's

of

to

.

be

it

sole right
what
author should ever
publisher
except under certain limitations and
that the rights mentioned include dramatic rights
nego
That the author should ask the publisher

tiate

circum
let the publisher handle them but
profit sharing arrange
allow
stances should
the
sheets
the sale
bound copies
ment
ordinary
Colonies
abroad
enter into
royalty agreement
The reasons for this state
ment have been put forward
some length
The Author for January 1902

.

be

of

,

in

at

,

as
a

to as

.

a

3,

portion
the former clause
well
Clause
really refers
what ought
the third clause
properly drafted agreement
cannot
discussed
here
But
should
noted that the publisher has the

There
little
said
this clause except
that the latter part carries considerable disadvan
arrange
may be possible
tages
the author
profits
equitable division
stereos
the sale
foolish enough
the author
and other rights

in

on of
a

.

,

,

—

-

.

a

3d

,

.

”

as

,

.

,
i.
e so
.,

his market and extend his

The author agrees
transfer
the publishers the
remaining copyrights and all other rights
the said stories
for all foreign countries
the terms that the publishers
shall pay
the author one half
the net profit which
may
made
the publishers
from the sale
them
any rights plates copies bound
sheets for the pur
publication
pose
the said work abroad
of

,
a

. 's it

as

to

.

1d

.

is

.

10

,

.

,

to

“

widen

to

interests
reputation

But under this agreement he transfers the rights
guarantee from the publisher
and
content with
anything
that the latter will
utilise these
rights
agreement for
This
not the kind
author
any
sign who has any respect for himself
desire
obtain
suitable market
his property
.

,

a

no

.

of

of on

is

10 of

is

he

,
if

,

is

of

clauses are dealt with
the clause
the beginning
should
The word
calls for remark
the publisher does not undertake
consequence
issue these editions and may
he should
desire totally neglect the author
best

form

D

in

in

,

in

, ,

.

a

be

.

,

ignorance

on

in

his

Clause
further eridence
further evidence
were needed
how far
anthor may throw him
publisher
self into the power
very wise
An author might say
would not
might say
but still
will give you these
rights
you will undertake
issue
Colonial
editions
obtain United
States copyright and
will market my work serially and
translation

an

.

”

in

.

no

he

,

in

2

it

. ,

is

fair
But he should be warned
per cent
11d
that
copy
the average prices received by publishers
copy
for the ordinary sized book whereas
pays
royalties
the
offered
the
lowest
one
publisher well
The royalties
however will
dealt with more fully when the regular royalty

Colonial editions

them

.

by

of

of

for

as

)

(

,

of

in

of

South America
These words then could prevent
the author from publishing
those countries even
although
rights there
had
Or
other words
pirate
profit until
the publisher might make
stepped
although
copyright
the author had
but the author would
debarred from making
profit himself
Clause
needs but little comment
But
emphasises the fact
drafted
the author
royalty
exceedingly low
servitude
The amount
per cent
The author receiving
the English
ignorant
the value
edition may think
literary property that the same percentage

negotiate these rights
the sole right
and that
per cent
should generously pay the author
profits
the latter
pub
sorry evidence
put forward that
lisher can openly have such printed clauses
his
agreement and
pass
the unfortunate author

E

of

, -

,

of

,

on

on

. ,

all

“

To

's

as

a

to

of

or

in

to

It

be

.

his

no

,

of

,

to

"

's

-

or

“

,

, .

the

transfer of copyright includes
exclusive right
printing and publishing
The words bowever
with
without abridg
ment materially increase the author danger and
difficulty and practically hand over
the pub
lisher that right
revision and abridgment which
being carried beyond literary libel leaves the author
protective power over
property
with
clearly understood
must
however
that
nothing
the transfer
the publisher
the
power
abridgment
revision
will allow the
publisher
putting
commit
fraud
the public
forward one man work
the work
another
Europe
the words
the Continent
other countries islands and continents wemust
also take exception
There are many countries not
reciprocal treaty with Great Britain
the pro
copyright such
tection
Russia and Turkey
Europe and the United States unless certain drastic
formalities are complied with and all the countries

241

�THE AUTHOR .

ment , and

can , so to speak , hold the author at his
beck and call ,
Of the technical writer we have already made
mention . Such a clause as the above would hamper
him , if possible , more than the mere transfer
of
his copyright .
It is bad for the writer of fiction ;
it is disastrous for the scientific and technical

so, and why does he use two different terms
two succeeding clauses ? “ Net profits ” has a
clear meaning .
It is the profit realised after the
deduction of all expenditure , i.e., the net profits
on “ the net receipts ” as opposed
to " the gross
profits " on " the gross receipts ."
In the third clause the words “ ordinary trade
price ” are elusive .
The ordinary
trade price
varies considerably , as any bookseller will tell you.
Accuracy and finality
not secured
these
They may all afford food
doubtful phrases
the lawyers
This
what the society
anxious
its members should avoid
say

in

writer .

for

is

,

.

.,

,

by

are

.

"

, “

,

on

be

--

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ADVERTISEMENTS

All letters respecting Advertisements should
Belmont
PaternosterSquare London
&amp;

so
.
? on "

,

Is

FOR

.

SCALE

ALLOWANCE
MEMBERS OF THE SOCIETY
PER CENT
Front Page
Other Pages
Page
Half of
Page
Quarter
150
Eighth of
Page
Single Column Advertisements
per inch
Reduction
cent made
Series
and
cent
Twelve Insertions.

(

.

he

,

By
A

.

.

.

.

,

NINETEENTH CENTURY
By Madame
German
Fiction
Dorothea Gerard
By Francis Gribble
Robert Browning

Recent
Longgard

a

is

it

;

at

he

.
”, ”

of

,

.”

.

.

.

s'

in

.

if

,

as

,

,
if

FORTNIGHTLY

of

in

by

,

If

so

Benson

For the Centenary
Robert Browning
Alfred
Noyes
English
and French
Poetry
Attitudes
towards
Professor Maurice Gerothwohl
By John Pollock
The Censorship

.

“

so

?

, If
“

”
?

By

of

.

it

as

'its

,

Fiction

.

it

as

,

of

to

of

a

,

in

“

to

Oilliamson

ENGLISH REVIEW
Among My Books
By Frederic Harrison
Poetry and the Modern Novel
By Compton Mackenzie
By Darrell Figgis
Robert Browning
By Ernest Newman
The Folk Song Fallacy

.

in

to

,

to

's

is
,

of

By

.

's

.

a

to

of

is

Realism

.

In

de

.

:

La

of

in

.

CORNHILL

Arc Letters
the Comtesse
With
Note by Andrew Lang
John Stuart Mill and Browning
Pauline
Phillips
Joan

of

as in is

to

on

I

By Professor George Saintsbury
Father
Sir
Robertson Nicoll

to

be

,

a

or

at

be

of

to

be

,

1

It

is

2

in

it on

in

England and abroad
tion
An author may not
understand these delightful intricacies
publisher
business
have them
his fingers
ends
finality and
There
however
terrible lack
exactitude
the use
terms
this clause
The
publisher talks about the
net amount realised
Does the publisher mean
this the net profit
why does
the transaction
not say
the next clause and the clause following he
speaks
the net proceeds
such sales
this
equivalent
the
net amount realised
that
pet profit
the
again why does
not

Alfred

BOOKMAN

Robert Browning
Robert Browning

to

, .

in

evidently very badly drafted for
Clause
the publisher holds the entire copyright
stated
on
former page he certainly holds the rights
included
this clause
was only necessary
state what he would pay the
for the publisher
anything
author
the sale
these rights
by no means follows because the
because
author
has sold
the publisher his copyright that he
all the various methods of publica
a

—
“
A

,

to

in

in

be

.

. 50

.,

,

to

.

of .
of
of

.

in

,

If

If

In

BLACKWOODS
Musings without Method
Literary Anodynes
Mus
Musset and
Strong Love Interest
Sand

Clause
this extraordinary
combination
slightly peculiar
the draftsmanship
throws
into one clause what should have been dealt with
three
not
this that
real peculiarity
consists but
the fact that the publisher
has
put himself
the first party
The man who
agrees
purchase has put himself before the man
who has the property
sell

“

CONTENTS

in

to

be

to

MAGAZINE

.

of

or

,

to

of

.

,

on

in

of

,

of

as

to

to

of
all

a

of

of

all

F . The publishers agree to purchase and the author
agrees to sell the copyright
in Great Britain and
other
parts
the world
work entitled
hereinafter
referred
the said work the MS
which the author
bas delivered
the publishers
and
future editions
thereof
the following payments viz
consideration
per cent
all copies sold thirteen copies being counted
as twelve
publishers
The
shall have the right
sell copies
the
said work
any
the rights
translation
thereof
they
expedient
foreign
terms
shall think
countries and
royalty
respect
the author shall not
entitled
thereof but the net amount realised therefrom shall
divided
between the author
and the publisher
the
following
proportions
per cent
viz
the author
50 per cent
the publishers
any edition
the said work shall
included
England
works published
for exclusive sale
India
and the Colonies the author shall
entitled
receive
per cent
the actual net proceeds
such sales
copies
the ordinary edition
sold
Colonial and
other exporters
booksellers
rate lower than the
ordinary trade price the author shall
entitled
receive
per cent
the actual net proceeds
such sales

is

242

�THE AUTHOR .

by

managed
the Secretary

,
or

of

.

But the transaction should
obtained
competent agent
with the advice
the Society

of a

be

USE THE SOCIETY .

TO

.

HOW

243

;

of

of

(a

to
:

of

of

by

or

.

",

,

or

,

.

to

or .

to

to to

or

.

,

is

up

to

to

"

a

to

.

of

,

for

by

to
his

.

a

in

to

be

)
.

-

A

II
.

(1
.) In

(2
.)

in

(3
).
(4
.)
(6

16
.) ).

As

!

.

.

It to
is

,

to

to

.

to

is

.

an

for

It

,

is

.

in

.

,

.

.

of

.

of

a

of

:

to

( ( (
3 2 1
.) .) .)

of

.

if

by

.

.

.

to

.

of

an

of

or

be

copyright

.

of

,

a

transfer

the

denied

,

is
a

.

. of
a

Always avoid

in

(2
.)

to

80

to

right

the author
We are advised that this
nature
common law right which cannot
withheld

.

to

agreement are combinations
All other forms
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
Society
the Secretary
the
Stamp all agreements with the Inland Revenue stamp
agreements
possible
Avoid
letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
.

.

of

.

of

on

it

.

General

(3
.)

.

to

be

7
.

This
The

prevent authors from
Some agents endeavour
referring matters
the Secretary
the Society
do some publishers
Members can make their own
deductions and act accordingly
8

Agreement
Commission
The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
price
Keep control of the sale
the book

:

to

to

to

,

.

the Society
Many agents neglect
stamp agreements
must
done within fourteen days
first execution
Secretary will undertake
behalf
members

System

(
1
.)

.

of

to

of

a

6
.

of

and are recommended
submit
and explanation
the Secretary

The Royalty

perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible
approximately
author
ascertain
the
very
important
figures
truth
From time
time
connected
royalties
published
The Author
are
with

of

of .
:

, as

the

No contract should be entered into with
literary
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not
consideration
the contracts with publishers submitted
them by literary agents
them for interpretation

III

a

obtained

in

can

To

a

(
3
)

. .

be

to

work

.

's

of

the Society
Prospectus

lars

be

by ,

of

.

in

To

(
2
)

.

(
1
)

To

of

to

be

.

,

'

in

.

6

The Committee
have arranged for the reception
agreements and their preservation
members
fire
proof safe
regarded
The agreements will
course
confidential documents
read only
the Secretary
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu

doctor

A

if

,

in

,

,

of

no

·
.4

of to of in

, to .

to

.

3

,

Before signing any agreement whatever
send
the document
the Society for examination
belonging
Remember always that
the Society
you are fighting the battles
you
other writers
even
yourself and that you are
are reaping
direct benefit
your calling
advancing the best interests
promoting
the independence
the writer the dramatist
the composer

of

.

the Society

.

.

to

,

do

.

of

'

do

.

2

Remember that questions connected with copyright
not fall within the experi
and publishers agreements
ordinary solicitors
ence
Therefore
not scruple
use

Profit Sharing Agreement
bad form
agreement
this case the following rules should
attended
pro
sign any agreement
Not
which the cost
duction forms part without the strictest investigation
give the publisher the power
putting the
Not
profits into
charging
own pocket
advertisements
charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for
Not
allow
office expenses
unless the same allowance
made
the author
give
Not
American Colonial
Continental
rights
rights
give
up
Not
serial
translation
Not
any publisher
bind yourself for future work
yourself
any one solicitor
well bind
for the future

.

.

all

by

D

IY

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub
lisher , or any dispute arising in the conduct of his
The
of his property .
business or the administration
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel ' s opinion
any
Moreover , where counsel ' s
cost to the member .
opinion is favourable , and the sanction of the Committee
is obtained , action will be taken on behalf of the aggrieved
member , and
costs borne
the Society

VERY

1. D

15
.

for life membership

to

it

an

in

.

or

of

be

a

of

on

of

of

a

by
a in

.

.

of

:

or

is

.

price can

-

proper

be

if
a

,

sometimes satisfactory

is

.

.

3
in

Outright

.

it

Selling
is

1
.

:

.

of

in

to

a

N U

are
few standing rules
observed
agreement
dealing
There are four methods
with literary property

This

There are three forms
dramatic contract for plays
three
more acts
Sale outright
the performing right
This
unsatisfactory
An author who enters into
such
contract should stipulate
the contract
for production
the piece
certain date
and for proper publication
his name
the
play bills
(a
.)

an

be

ERE

ofto

THE PRODUCERS
BOOKS

It

2
.

.

OF

AUTHORS

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
manager

EVER

.

TO

WARNINGS

DRAMATIC

.

per

of an

£1

is

to

Society

the

TO

WARNINGS

.

£10 10s

.

,

annum

or

.

9

The subscription

�THE AUTHOR .
DRAMATIC
T

of

of

,

an

at

,

is

of

's

on

a

in

.

do

of

,

of

an

do

,

or

in

,

of is

in

,

in

of

;

.

or

of

an

,
be

of

to

,

of

in
in by

as

In

.

.
as

,

be

, of

to

,

.

of

.

-

.

,

an

STAMPING

.

MUSIC

on

's

to

.

.
in

be

,

of

. .

,

,

is

,

of

,

of

be

or

,

.

of

to

of
by

by

give notice
the Society begs
are acknowledged
post
return
remittances should
crossed Union
London and
Chancery
Smiths
Bank
registered
Lane
sent
letter only

All

be

the same
charged for

,

.

of

to
be

filed subject
play will

The Secretary
that all remittances

.

.

.

to

REMITTANCES

.

at

to

a be

a

6d
.

of

,

.28

one guinea

a

of

be

in

at

also

rules with the exception that
per act
the price

at

fee

or

,

byof

be

a

.

of

Original Plays may

The term

.

of in

,

to

D

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration fee
two shillings and sixpence will
qualified assis
be carefully compared
the Secretary
stamped and returned
tant One copy will
the author
Copies
and the other filed
the register
the Society
any time by
the scenario thus filed may
obtained
typing
the author only
small charge
cover cost

coach

.

treated

by
a .

is

.

existence
composition

the Society
this
informing young writers
Their MSS can
read and
assist

MSS includes not only works
fiction
but poetry
and dramatic works and when
possible
under
special arrangement
technical and scientific works
The
competence and experience
Readers are writers
The
is

, on

OCENARIOS

or

in

is

work

BRANCH

by

its

of

greatly

its

as of
a

branch

treated

.

READING

EMBERS will
V

ORIGINAL PLAYS

.

of

'

,

THE

SCENARIOS AND

6d

to

its

of

.

of

.

the Society

M

OF

REGISTRATION

of

stamp copies
The Society undertakes
music
per 100
part
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and the voucher
then forwarded
the
members who are thus saved much unnecessary trouble
behalf

,

,

on

of be

the Secretary

of

are referred

to

,

of

of

of

.

a

,

An author must remember that the dramatic market
exceedingly limited and that for novice the first object
obtain adequate publication
incomplete
As these warnings must necessarily
account
the wide range
the subject
dramatic con
tracts those authors desirous
further information

.

is is
to
11
.

.

all

in . of

of
of
aa

.

is

of

:

in

,

a

to
be .

carefully

a

r

It of be

U

T

&amp;

.

be

for

should

commenced
play
An author should remember that
that production
production
play
highly speculative
very great risk
that he runs
delay and
breakdown
the fulfilment
his contract
He should therefore guard himself
the more carefully
the beginning
a

in

,

to

in
a

in

a

.

,

collaboration

drawn and executed before collaboration

ITTLE

MUSICAL COMPOSERS

TO

can
added
the warnings given for the
producers
assistance
books and dramatic
authors
pointed out that
must however
rule the musical publisher demands from the musical
composer
rights
transfer
fuller
and less liberal finan
cial terms than those obtained for literary and dramatic
property
composer
The musical
has very often the two
rights
performing right and copyright He
deal with
should
especially careful therefore when entering
into
agreement and should take into particular
consideration
the warnings stated above

.

of

to

or

.

A

7
.

8
.

.

9

As
to
as as
a
a
a

.

it
.
he

.

,

.

a

to

.

.

WARNINGS

the words

Never forget that United States rights may be exceed
English
ingly valuable
They should never be included
agreements
without the author obtaining
substantial

.

a

.

on

,

,

,

,

,

.

is

.

6

is

of

Authors should remember that performing rights
play are distinct from literary
copyright
manager
holding the performing right
perform cannot
licence

10

be

it

in

to

.

,

be

.

5

Authors should remember that performing rights can
limited and are usually limited by town country and
time
This
most important
rights
Authors
should not assign performing
but
perform
should grant
licence
The legal distinction
great importance

is

RAMATIC

is

is

a

it

,

of

- .

It

is ,

if

in

of

a

to

in

be

reserved

consideration
Agreements

AND AGENTS .

authors should seek the advice
the
Society before putting plays into
the hands
agents
present
the law stands
agent
play
who has once had
his hands may acquire
perpetual
percentage
claim
the author
fees
from
As far
plays
the placing
concerned
may
general rule that there are only
taken
very few agents who can
anything for
author
that
cannot under the guidance
the Society
equally well
better for himself
The collection
fees
many cases no intermediary
also
matter
which
required
For certain purposes such as the collection
fees
amateur performances
general the trans
and
frequent petty authorisations
action
with different
individuals
and also for the collection
foreign
fees
countries almost all dramatic authors employ agents
and
these ways the services of agents are real and valuable
But the Society warns authors against agents who profess
have influence with managers
plays
the placing
principals
who propose
offering
act
purchase
rights
any case
the author
the present state
agent should not
the law
employed under any
agreement approved
circumstances without
by the
Society

4. Plays in one act
often sold outright but
possible and
better
obtain
small nightly fee
sum
extremely
any event
paid
advance
such fees
important that the amateur rights
one act plays should

print the book

AUTHORS

of

are

(6.) Sale of performing right or of a licence to
perform
on the basis of percentages
on
vary between
gross receipts .
Percentages
5
per
a
and 15
cent .
An author should obtain
percentage on the sliding scale of gross receipts
system
preference
. Should
in
to the American
obtain a sum in advance of percentages . A fixed
play
date on or before which
the
should be
performed .
right
performing
of
to
or
a
licence
(0. ) Sale of
perform
on the basis of royalties ( i. e. , ised
nightly
fees ). This method should be always
except in cases where
the fees are
avoided
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case,

an 's

244

�THE AUTHOR .

1st

.
to

length

(4
)

; )

of be

(
(3 )1

:

;

design

.

'

in

in

to

to

in

to

to be

negotiate for the American

States

's .

,

is

the United

agent

it

sheets
an

author employs

,

to

In

a

.

if

to

duty

sold

in

the book

when

that agent

copyright

and

,

.

by

-

and secure the copyright
their contracts with
the author they not only insert clause
this effect
they fail
but also
clause
which
their negotia
paid
tions certain royalties are
the author

-

or of

circle
inch

UNITED STATES COPYRIGHT
PUBLISHERS their agreements are often anxious
place authors books
have the right
America

a

, -

of

he

,

to

shape

within

,

“

a

;

of

In

to

The

paper

no circumstances should he allow the publisher
have the control
We regret however that this
not always the view that the agent adopts
the
agent then
author does not employ
the
following reasons
should negotiate this American
publication himself
He has the whole range
the
American market
before him
he can try one
publisher after another until
assured
failure
whereas the English publisher
would most probably only write
his usual corre
spondent
the United States and
that publisher
gave his refusal would not trouble any further
indeed
there
reason why
should trouble any
securing
further
even while having the right

is

he

go

he

or
,

of

no

is

;

,

if

to

, ;

is

he

;

of

for If

,

,

an

.

,

.

,

. he

or

in

,

.

so

,

in

to

for in

is
a for

is all

be

to

an

is

.

's

-

,

a

's

on

;

of

,

he

;

in

on

be

.

,

to

,

.

,

of

,

.

of

or
of

ON

,

in

copyright
should even
far
often pays not only the English publisher but
the American publisher better
deal
sheets from
the English market than
set the work up
the
very well
United States
This may
the
two publishers concerned but
bad business
the author
whom the American copyright
valuable asset
Besides the English publisher
ought only
the agent for the author for the
production
the work
book form
the English
agent for the
and Colonial markets
not
placing
literary wares and has not the facilities
the necessary stimulus
the literary agent for
depends
the agent
livelihood
his obtaining
other markets whereas they are
mere by product
the publisher
business

the American

of to

for to

,

its

of

,

of

,

-

to

in

)

It

.”

.

set

to

for

,

.

is

no of

be

a

,
.

success

,

of

to

it

of (

in

“

's

,

30

STAMPS
MECHANICAL REPRODUCTIONS
THOSE composers and authors who are interested
the mechanical reproduction
their works
already
reproduced
whose
works have been

in

American
of

.”

of

of

in

an

is

to

,

our complaint that the present terms
the com
petition are indefinite and
seems hardly fair
ask dramatic authors
bind themselves
indefinite
the
terms without even the assurance given
editor
comments
that he the dramatist will be
quite happy
surely con
the fulness
time
firms the statement we have already made that the
terms should
more clearly
out
large number
The fact that
dramatic authors
justification for
have already submitted plays
putting forward indefinite terms
We are however indebted
The Era for their
printing the rules
article and particularly
immediately
below which
will clearly show
dramatic authors who read the issue
The Era
April
the need
our criticism and
fairness
and will emphasise
the difficulties that they may
encounter

It

's

of

.

of

*

be is

of

in
a

see no reason

to

why the dramatic author who sends
play under this competition should thereby appoint
the editor
The
Era his perpetual agent for
placing that play
only answer
The Era
that
quite
the organ
the Society
Authors will
happy about the matter
the fulness
time
This very suggestion
admission
the justice

of

,

square

enclosed

three quarters

side

,

.

, at

so

to

be

"

.
.

four
label
entirely

of

us

's

of

.

to

in

it
in

for the sale of stamps on July
important points are
adhesive

.

,

in

as of

)
is

30

.

(

it

May number
Having read the whole
The Era
comments
appears
that none
our criticisms has
really been answered
all The Era says
Possess
patience everything will come right
your souls
the end
Zwe hope
but such
result will
certainly not
due
the excellence
the con
ditions
The difficulties raised are still unsettled
and the conditions
the competition still indeter
particular the editor makes no satisfac
minate
tory answer
our objection that
reserves
the
right
arrange the production
any play sub
mitted whether the winning play
not
We still

this note now so that members may be

We give
prepared

a

The
of the comments made in The Author .
editor comments in a laughing mood on the date on
which our criticism appeared (April 1) as a significant one
We would point out that the date
the answer April
still more significant
prevented our dealing with the article
our
need

an

The

in

Play competition .

of their

is

1 in respect

form and substance of their answer is themost efficient
argument that could possibly have been given of the

If

April

;

to notice
that The Era has
with the
devoted considerable space to dealing
suggestions made in these columns in our issue of

(2
)

.

COMPETITION

pleased

are

ready to supply the
should
be
companies with stamps immediately
the Act comes into force at the beginning of July .
The Board of Trade has , we understand , come to
the following decision as to the shape and size of
the stamp : “ The adhesive label shall
be
an
adhesive paper label, square in shape , the design to
be entirely enclosed within a circle , and the side of
the label not to be greater than three - quarters of
an inch in length .”

to an

THE ERA PRIZE

We

,

mechanically
gramophone

of

GENERAL NOTES .

245

�THE AUTHOR .

it

,

of

12
. ,

'

of

a

,

,

,

or

a

be

to

.

of

If of

as he

a

a

on

a

.

of

all

a

.

to

,

to

.

to

,

,

,

,

,

so

,

,

as

to

to

-

be
,

he

as it
is

he

by

."

,

.

in

of

,

in to

on

.

-

a

of as

a

as

in

.

“

as

to

of
of

–

in

an

on

of

,

of

, ,

—

to

“

is
,

in

.

to

”,

!

on

of

.

of

in

to

but there are other authors
whom
and other methods
which cinematography may
great importance
become

deserves
History
Our Own
1905
the great
cost alas
his health for the strain
constant
labour
the book coming
the top
his Parlia
mentary struggles made him
invalid for the rest
his life was his principal achievement
this

,

its

.

to

,

than doubled and dramatists may
regular income from
this form

historian
which
familiar
most people
His
finally completed
Times

of

is

it

in

a

,

be

reproduction

by

or

,

."

no

is

in

.

's

in

so

it

to

so

.

to

CINEMATOGRAPH

of

It

is

have more

making

o

of

a

of

“

.

of

E

V

as

a

.

-w

,

have
record the death
Justin McCarthy which occurred
just before our May issue went
Press
Mr McCarthy career
historian
novelist Irish
journalist
and Parliamentary
has been
fully dealt with
the newspapers and indeed
must be
familiar
our readers that we need
add but little
the many tributes which have been
paid
the Press and elsewhere during the
past month
journalist
His early work
after
young and unknown reporter
his first start
was
editor
the Morning Star
But his daily
riting
leader
the Daily News from 1870 onwards
many years was his greatest claim
through
His essays
literature
this line
distinction
fiction were numerous perhaps the best known being
probably his work
Dear Lady Disdain
But

Mr

.
P
.,

be

or

.

a

no

to

regret

much

M

be

,

as

,

or

of

THE

time
difficult
measure the
importance
cinematography
dramatic authors
possible that
the next few years
value

will

are

of

.

on

to

,

,

to

or

,
,

;

a

,

,

,

MCCARTHY

,

is

it

,

to

of his

.

of

of

.

AND

the various branches
should not neglect
new

,

JUSTIN

be

to

is

of It

.

in

to

of

to

is

,

,

5

15

be

,

be

a

to

Technical writers
knowledge and science
opportunity

in

of

,

his

if

copyright should come under
agreement
separate
The point
one
small importance judging
examples
from
the rights which some editors
demand
from
contributors who have through
ignorance allowed them
publish without
proper
contract

EDUCATION

them

be

of

or

In
a

.

-r

- -

to

of

;

in

do

.

A

on

,

of

to

,

if

to

or

a

,

in

matters
business that the terms should
set
out with exactness
The employee should either
employer that he
careful not
offer work
employment and
has done outside his course
apprenticeship
outside
contract
service
regards
he does offer such work that the terms

At the present

exhibiting

decent livelihood and
fair
given
the performances
The Bioscope will demonstrate

matters
somewhat different character
For
instance we hear that amongst other things will
demonstrated
The amoeboid movement
leucocyte
relapsing
fever
the phenomenon
agglutination
examination
the stomach under
ays and the mosquito
doctor can gather
money and reputation from writing
treatise
these subjects there
reason why
should not
equally obtain money and reputation
teacher
through the cinematograph
X

.”

in

in

of

,
a

,

,

,

,

or

,

of

,

a

of

as

an

is be

,

to

be

to

to

,

be

,

of

,

,

to

to ,
in
a

of

,

a to

is

it
of

be is

as

serial
case
this kind
should
made
clear lest any dispute
doubt should arise that
the copyright
the serial story was not the pro
perty
hoped that the
the employer
special contract would
employer
the absence
always best
not lay claim
the copyright but

it

,

of

by

in

of

,

, As

there has been some question about this pro
necessary
warn those who are under con
apprenticeship
any work
tract
service
that
done by them which could hardly be said
done
the course
their employment they
should
take special care that they retain the
copyright
journalist
such work
the
paper mightbe employed
staff
certain
journalistic work
his spare time he might write
story and the editor
the paper might offer
run
viso

obtain
himself
remuneration
but
by the proprietors
to

of

or

in

a

of

**

in

similar periodical

hiring out these different films

of

.

:

(
b
)

Where the author was
the employment
some other
apprenticeship and the
person under
service
contract
by that
employment
his
the course
work was made
person the person
whom the author was employed shall
any agreement
the absence
the contrary
the
first owner
the copyright but where the work
newspaper magazine or
article or other contribution
any agree
similar periodical there shall
the absence
the
reserved
deemed
the coutrary
ment
right
author
restrain the publication
the work
part
magazine
newspaper
than
otherwise

,

The

section

states

It

this

to

provisos

to

,

of

of

this Act the author
the copyright

.”

a

be

of “

to

provisions

the first owner

an

1911

just received notice that the proprietors
The Bioscope the cinematograph trade journal
organising certain invitation performances with the
object
demonstrating the value
the cinemato
graph
educational medium
These perform
ances are going
take place
the mornings
Wednesday
Wednesday
June
June
and
Saturday June
from eleven
one
clock
possible for the earnest student
would
merely writing
natural history instead
book and
taking photos
make his own natural history films
of the insects
birds
mammals and then by
as of

runs

,

,

We have

of a

.

5

of

ACT, SECTION
Copyright Act

:

SECTION 5 of
follows
Subject
the
work shall
therein
There are two
second proviso

the

COPYRIGHT

as

246

�THE AUTHOR .
on

it

a

in

.

or

in

so

.

.

'

to

of

,

)

of

is

, ,
to

,

,

.

a

be

to

,

a

is

,

of six

of

be to

,

in

.

to

(

28

in

in

no

,

a

so

,

.

of

.

ofof

50

'

30

,

of

.

,

in

a

for

.

,

of

to

to

a

by

as

, are

,

.

to

be

of

of

is

of

to

.

),

,

30

,

to

,

to

. .

,

to

or

in

all

of

to

,

.

70

,

to

30

,

by

to

.”

no

.

.

.
or

a

at

,

“

of

is

It

no

-

of

inter action
those causes and the individual
genius which
scientific generalisation can class
which
scientific prophecy can foretell
The toast was responded
Sir Walter

and then
distribute the balance
per cent
the composer
the
author where there are copyright words
and
per cent
the publisher
cases where
copyright words
per cent
there are
the
composer and
per cent
the publisher
Now
composers should
consider
first
whether
the society
per cent

no .

,

to

of

he as

of

he

is

.

by the

it

.
to

.

to

of

's

”,

us

in

determined

the com
words
songs
generally paid
outright
sum
the
publisher
give the authors
seems unnecessary
equal representation with the composers
whom
the most valuable part
the property
belongs
The most important part
the rules deals with
the distribution
the royalties
collected
charge the sums collected
The short effect
first
with the expenses
collection and the maintenance

.

of

.

to

”

It

by

of

in

's

“

of

.

.

by

causes

cent

per

the authors

.

,

—

as

of

—

.

“

called sociological

the profits yet they get
mittee
Inasmuch also

(

:

.

,

in

,

its

a

is

.

Do not let
look
states
artistic
literary production
too mechanical
fashion
merely what are
Literature
not the result

right Act have
interest whatever
the
mechanical rights are given the largest repre
representation
sentation upon the committee
large that
all probability they will nearly always
majority
Boosey who
form
Even Mr William
has been the moving spirit
this matter does not
put the publishers claim higher than
per cent

an

£2

'

of

,

in

to

,

interested
literature from
the outside
public those who write themselves
authors poets
agents
and others
and those who act
for
placing the work
the latter into the hands
the
former
support
speech
The chairman
the Fund
and
work was sound and
the point
The toast
Literature
was proposed
Mr
Arthur Balfour
would have been difficult
proposer more suitable
find
the occasion
Not
only
Mr Balfour love
literature well known
but he has shown himself
one
the leading
thinkers
the work which
has put before the
public
His speech was naturally listened
with
great interest and was full
suggestive matter
those

40 of

; .

of

50

by

,

and that the total sum which had been
only twice
the 121 years history
the
exactly
Fund amounted
500
people present
There were many distinguished

exceeded

peruse the draft
Society

Protection

worthy
Mechanical Rights
Limited
successors
the original prospectus
The front page
itself containing the list
interesting
the committee
and turning
Article
we see that the committee
publishers
composed
three composers and
literary and dramatic works with
thrce authors
composer
addition
chairman who
The publishers therefore who under the Copy

30

,

. ,

of

.

·

600

,

have now been able
the Copyright

rules

of

122nd anniversary
dinner
the Royal
Literary Fund under the popular chair
mansbip
Mr Owen Seaman has been very
successful
The secretary announced that the list
dona
guineas from the King
tions was headed
that the stewards that night had subscribed nearly

E

W

.

HE

L

M

FROM

REPRODUCTIONS

ROYAL LITERARY FUND

THE

THE COLLEC
MECHANICAL

RIGHTS AND

FEES

TION OF

Raleigh

;

of

a

ill
-

death removed

COMPOSERS

£1

a

in

no

.

to is of

is

.

of

a

.

by

.

its

,

the time when

among

from

to

him

great care and dis
Fund
administered
with
very liberal and discerning
crimination and with
hand
For over
hundred years
has supplied
paid workers
very essential help
those
May the work
difficulty
time
and distress
long ago continue the future
which was begun
perhaps even genius
those days when intellect
living wage
paid for

is

served

it

on

,

to

up
he
to
us
.

he

,

he

of

to

of

to

his

in

to

works of the kind there .
Justin McCarthy was essentially a man of letters
- in spite of his boyish connection with Irish revo lutionary ideas — and he continued
devotion
literature almost
the last day
his life
His
association with the Society
Authors dates from
the year 1890 when
first joined
ranks
Although
was not actively identified with its
executive side
was elected
the Council and
manifested

We must congratulate the chairman
the
the evening
England which fills
There
Fund
similar
position
that
the Royal Literary Fund
the

success

is to

particular branch of learning .
The writer of this
paragraph well remembered the appearance of the
first four volumes in the early ' Eighties , and how
undergraduates of his
even among the thoughtless
University they raised an interest that is very rarely

247

�THE AUTHOR .
of

in

of

or

he
." is
by

“

6

,

for

be

in

to

in

2A

it

so

,

.

at

of

of it
is

as

,

to

, is

in

if

by

is

a

or

to

of

.,

of

in

5
,

,

to

.

in

to

,

in
a

of

of

to

of

,

,

its

of

of

in

of

,

a

in

,

to

be

or

of in

,

no

's

is

.

is

at

of

.

is

,

on

.

all

of

no

as be

a

by

,
at

,

in

,

6B
,

.

,

in

a

is

be is

of

be

.

of

,

for

be

,

is

It

a

),

,

to

“

on

(

”

."

,

,

;

to be

a

to .

to

of

at

,

are

of

be

if

,

they cannot undertake
reminded
the
the not very difficult task
collection
their own fees that there
societies
ready
collect fees
much more reasonable rates
and without acquiring
interest
the composer
property
hoped
possible
give full
details
another issue
this paper
should

of

.

's

to

be

in

an

of to

is

of
or

,

"

,

It

,

.

posers

what appears

It

-

of

in

.

to

as
to

“

be

to

is

of

to

,

the benefit

is

,

to to

to

.

of

,

or a

as

a

.

,

is

will not

quite clear
Firstly
Two points seem
become
inadvisable for any composer
that
member
this society
and secondly
that com

it

.

on

is

,

is

a

statements
The committee
allowed
conduct
they may sanction
defend such legal proceedings
apparently without reference
the composer who
seems that under this
the rights
the owner
perhaps for financial
rule they might neglect
rights
protect the composer
and
reasons
means
that case the composer would have

made

to

-

.

he
is ,

,

,

it

of

's

not the principal

control

alterations
composers

.

,
-

,

of

of

's

in

it

a

in is

composer

alterations are
formulated
the com
mittee
wbich
we have pointed out the
working majority
publishers will probably have
general meeting
wand approved
the
society
probable
therefore
that any

in

it

to

is

of

to

,

,

a

,

if

do

He

claim from
the
The editor
over his rights
magazine might
well claim
share
the book
production from the author
the publisher
the book claim
share
the serial rights
But the draft rules contain other interesting

.

tion

. ,

by
be is

It

.

of

in

, .

.,

,

to

share

It

is
a

it

be

on
a

to

is

,

,
,

or

so

the mechanical instrument
rights
ever
was good grows less and less but
we
not admit
was ever good
The music
publisher
reproduce
the agent
the composer
his work
certain form according
contract
royalty
and the author
based
this considera
entitled

It

or

.

is

it

if

,

be

to

a

certain however that
the near future
will
the music publisher who will have
thank the
mechanical reproducer
for
the advertisement
rather than the mechanical reproducer the music
publisher
going ahead
Mechanical reproduction
pianolas gramo
very fast
and many owners
phones etc go
the retail dealers and try these
reproductions
quite irrespective
the music
publisher
and choose the reproduction
for pur
chase
hire quite irrespective
whether they
bave heard the original played from sheet music
This practice will become more and more common
argument that
that the music publisher

a

,

he

,

of

's

a

to

not be the case but
the case
matter
decided entirely between the composer and
arbitrarily
the publisher and not
decided
company which
started
business basis and
not for the settlement
ethical questions

on

by is

he

that

percentage
these fees because
publishing the composer music
makes the
gramophone rights valuable
may
This may
entitled

i(.
e

-

.
,

,

in

.

to

to

the publisher
publisher has claimed

which has
The music

under rule
member
bound for the entire
period
membership when called upon
the
committee
transfer
the society the mechanical
may
instrument rights
his works which are
published
apparently all present and future
rights
and under clause
even
the event
his withdrawal
death
such rights shall continue
vested
and exercisable by the company
Secondly
the committee might decide
take
action
case
which
the composer might
strongly object and thirdly the committee might
respect
take action
the reproduction
the
rights
one
members and get involved
complicated and expensive law suit leaving the rest
the members
bear the expenses
the proceed
ings however indiscreetly the committee may have
acted
The only limit upon the expenses
the
royalties collected
Generally
total amount
society can only rely
the subscriptions received
But
liable for anything more
and
member
here the whole income
the members for royalties
mechanical reproductions
stake
true that the society does not claim
percentage for the publisher where the work has
any
not been published but this does not lessen
way the arguments wbich have been put forward
possible under rule
that these rules
may
that case the
altered and varied but
to

be

to

30

go

.

is

a

of

so

,

of

to

to

,

tion deducted from their fees when collected and
give
per cent
then
the publisher another
what remains
that the composer might lose
expenses
considerable percentage
his fees
and
then mulcted 30 per cent of the balance

This rule
not
terms limited
mechanical
rights alone but would extend
all rights and
practice
even
treated
limited
deprives the member
defending
all opportunity
his own property even
his own risk
Further
of

a

at

to

go

,

.

of

to

of

all

,

by

.

to

,

of

75

.

25

,

and her colonies but also
the Continent
com
per cent only of the fees which covers
mission of
per cent
all expenses the balance
clear
the composer
Under the rules proposed
issued
this limited company the composers are
have the amount
the expenses
collec

)
,

companies are
Great Britain

enforcing his claims ,
under rule
no legal
proceedings shall
instituted
undertaken
any member
respect
any work
which
interested without the sanction
the committee

be

for the collec this desirable

on

,

in

,

to

;

of

it is necessary
to appoint any agents
tion
fees
but assuming they think
they may be reminded that other
ready
collect the fees not only

,

248

�THE AUTHOR .
an

for

.”

a

in

he

,

,

,

of of

a

of

.

)

his

a

.

If

,

,
I

of

,

,
to

,

he

do

he

if

;

to

to

his

,

?

to

do
it

,

he

is

he

-

of

?

it

a

in

,

in

be

his

,

of a a

to

to

,

no

!

—

-

”

of

to

as
“

.

of

,

,

to

is

,

,
I

,

,

in

to

by

!

-

,

,

in

.

of

,

"

,

an

å

a

by

of

!

A

!

.

of

of

we

if

-

,
a

of

,

?

a

no

,

of

,

by

of be

,

in

a

,

in

at

,

in

he of

”
?

to

of

or

of

to “

as he ,

a

a

.

he

his

's

of

a

of

a

his
of to

,

to

lad

,

of

a

.

A a

(

-

it ,

of

,

be

,

or it

."

in

of

a

for

,

so

of

(

a

as

.

;

a as
a

of

,

at

as

a

it

Is

“

“

he

as

to

,

,

the Swan

his genius

and marvelled
the manner
wbich
historical
pathetic incident nay
event
divine inspiration
the embodiment
lifelike form and colour
brought
poet dream may
the magic
the
brush and the gift
artistic imagination and skill
right before her eyes
way
mere dealer
words could ever accomplish
in

,

and two clever and original writers have elected
end the unequal battle
life
suicide
proposes and what
the world
man
What
disposes are two cruelly opposite affairs
say
ninety nine Cases out
every hundred
But
have had the smallest glimmer
vision that the calling
literature stands alone
above and beyond every other calling
etc
Above
big order
and beyond every other calling
very big order
Has the writer
this stupendous declaration
masterpiece
great artist
ever stood before
of

in he

as

,

,

-

,

,

,

,

a

of

to

.

,
of to

.

be

to

,

,

,

of

,

of

; of

in

a

no

no by

,

thousand times more honour
reaping what rewards
for

A

him

he

he

;

of

'

is

,

?
”

a

,

to

is

I

substance
the labour
his pen
have
recollection that
claimed for himself
the prophetic gifts
Merlin
his own
creation Prospero
How then was
foretell that
posterity would acclaim
plays
immortal

:

,

in

in

.

in

,

of

in

is

-

,

it

As

plain fact Shakespeare wrote
matter
plays for
living
and being what apparently some
literary work affect
few beginners
scorn that
say
mean man
business contrived
penniless
person
elevate himself from
into

Avon

by

to

he

to

be

of

,

?
"

it

go

,

in

.

Who could imagine Shakespeare
wrote
his immortal plays pausing
ask himself
worth

source
income how
ask
Publishers and editors will neither feed clothe nor
house
The day
the patron has gone
He
may consider himself well fitted
pose
the
teacher and leader
mankind
modest pro
position
the way
but with his belly filled
money
pay for
with the east wind
and
night lodging he will come
learn that
place will
civilised community
course
time not among teachers and leaders but with waifs
and strays During the past ten years one real poet
the Strand
was actually herding with outcasts
.

,

of

to

of

it

Is

,

“

,

,

of

founded

spiritual visions his ethereal aims
Muses with
his lofty ambitions
sets out
school and direct
the world
how
presume
must eat and wear clothes and find
lay
somewhere
head what time
transcribes
paper
his dreams
but
he has no private

a

-

;

so

in

of

of

at

of

on

ill
-

so of

;

as

a am

I

notoriety adulation
his vanity
the shape
egotism
friends
self sufficiency
and the like
furnish any real substitute for solid and material
rewards for his industry perseverance
and per
likely
drag upon the
only
chance ability
seeing that he and such
authorship
ranks
unscrupulous traders
play into the hands
literary property against whom the more sensible
but less vainglorious members
the legion wage
perpetual warfare and
circumvent whose nefarious
Authors was for one thing
aims the Society

masterly manner
Alexander Pope performed
certainly demanded
something
his desk but
rather more mundane than the glow
achievement
his guerdon
and Dr Johnson greater
man
good
than renowned
writer which means
little esteem for the bombastic airs
deal had
the pretentious dilettante that he roundly declared
man but
blockhead ever wrote except
money
Now
almost every branch
art
whether
music painting poetry sculpture
any other form
the genius with
romance
comparatively
exceptions
few
emanates from
home none too well blessed with worldly goods
diligent search through the pages
biographical
dictionary will
think assure any doubter
the
veracity
this statement
then
child
the

's

it

of

of

of

A

so

to

disaster
the sole result
honest endeavour that
constrained
wonder how anyone claiming
question
be
bona fide writer could
induced
quietly
the sagacity
Robert Buchanan when
summed up the whole case
his career
the
words
worth
Commonsense and genius unlike ignorance and
impudence
rarely
hand
hand
But
the
person of Robert Buchanan
these two uncommon
mental gifts were compounded
and
saw with
may work
clear eyes that
whatever vineyard
worthy
the labourer
his hire
The writer who pretends that subsidiary sops

time

)

”, of

.

,

of

.

to

of

at

is

of

in

of

“

of

to

by

of

upon

no

a time I might have felt flattered
the amount
interest which appears
have been excited
the publication
my brief article entitled
The Hazard
the Pen
the columns
The Author for December
1911
At the present moment my state mind merely
optimism
one
mild surprise
the spirit
have evoked
seems
cursory examination
the official organ
the
Society
Authors for the past dozen years reveals
many letters and articles retailing personal
experiences
usage
the part
editors and
despair
many wails
publishers
the trials
and disappointments
members
their attempts
win public recognition
much heart breaking

NCE
by

could than would have been his due had he allowed
others to steal them , while he “ paused " in order
that he might hug to his breast the bubble consola
age but for all
tion that he had written “ not

,

PEN .

THE

“

OF

I

THE HAZARD

249

�THE AUTHOR .

of

,

byto

.

a

in

to

.

its

?

—

of

,

:

so
?

do

areto

.

it

—

of

,

in

of ,
I

at

of

,

,

of

;

of

I

in

!

”

a

in

to

or

he

,

of

to

do

it

is

,

byto

a

“

I

by

,

as

,

of

of

“

”

of

.

to

"

“

no

at

in

in

or

-

is

of

.

!

or

.

to

,

,

!

to

by

of

of

at

to

be

it

,

in

,

,

on

in

a

.

.

W

it

Is

it
?
”

be .

,

“
a

is
,

of

“

it

,

for

,

”

,

of

to

in

or ? ”

,

of of or

be

,

it

I

-

as

,

,

it

?

.

its

“

on

of

is

it

as

-

-

,

in

on

,

or

, ,

,

a

a

Finally
cannot
too strenuously urged
too
widely understood
that for one beloved
the
gods permitted
soar aloft
the wings
his
grey goose quill
the regions
the blest there
flights end
are how many
whose feeble
sickening thud
dolorous attics
land them with
after all
what
the mire and refuse
squalid profession
the unlucky
may
rather mourn
still repeat
Therefore
fully the forceful query
worth
HERBERT
SMITH

,

.

”

of

to

of
on

of of

to

by

on

a

of

?

or

,

of

a

to

,

of

an

professing
voluble
will
time enough
reconsider the sad reflection
one who
all events
compelled admiration for the quality
his genius
live
its printed expression
and strove

,

,
or

of .

in

be

to

of

an

,

least

.

”

“

,

in

its

of

of

-

on

",

.

,

of

,

of

I

-

so

.
”

all
.

,

us “

of

!

”

,

,

of of

,

all

,

in

or

a

,
I

and

not writing for bread serious
the field
literature care very little
quarrel with
the majority
least would pick
Dr Johnson for using the epithet
blockhead
They are shielded from the
with regard
them
grisly spectre
starvation which has transformed
many rapturous
visions
into horrible night
mares and strangled more than one votary
the
Muse
his death within recent years
Let them
gush
rhapsodise
deceived
No one injured
verbiage
When they have produced some
thing
proof
the transcendental aims they are
so

,

,
”

in

he

for

is

of

,

,

“

,

is

are

For those who

toilers

“

or
a

of

it

a

if

,

in

.

,

, of

is

is

be

a a
“

rely mainly
the wilderness
seem
detective
highly
spiced
stories
narratives
criminals
particularly
the one hand
romances
nauseous sentimentality
the other
for their
staple fare
What does the vast multitude composed
shop girls street lads and the quarter educated
products
essentially self satisfied and self
seeking age know
the illustrious ones
There
author who portrayed life
was one
them
who neither glorified nor belittled his avocation
keen
observer and
who saw with the eyes
transcribed with the pen
consummate master
his craft
allude
the late George Gissing

the men

women now
chance
finding
permanent livelihood
They
such work
writing because they knew not what else
took
because the literary calling tempted
them
independence and
dazzling prizes
They will
bang
the squalid profession
their earnings
begging and borrowing until
eked out
too
anything else and then
late for them
With
lifetime
dread experience behind me
say that
who encourages any young man
woman
look for his living
literature commits no
less than
crime
Other and weighty testimony
could adduce
support
testimony from the silent
the argument
records
the mighty dead from the records
the
Royal Literary Fund the Civil List and the
my side from newspaper
volumes
The Author
my book
cuttings
pasted
extracts
from
witnesses whose wretched stories
have gathered
word
mouth
from my own personal experience
and knowledge
But would
not look like piling
Pelion upon Ossa

,

,

as

—

or

as

;

to

of of

in

“

“ he

to

found enshrined
the temples
Cassell
Leng
Newnes Pearson
Harmsworth
Hulton
Having been
penman
quarter
sorts for
century
possessing
had prided myself
rather
wide knowledge
these Fleet Street idols
The
majority
overwhelming
control
those who
periodicals with large circulations and
exert
power over the minds and souls
men
one
must take care not
mere voice crying

of

Innumerable

writing for bread who have not the

or

of

be

or

,

as

,

disease

as

a

--

is
,

physical

be

and not infrequently
dangerous
measles
though novices
fever
and
infectious
badly
certain type when they have caught
imagine themselves
be sanctified by
visitation
the divine afflatus
And the distinctive point
tbe whole argument lies
the fact that the truly
inspired authors and poets rarely
ever indulge
concerning their art and parts
rodomontade
Here lies one whose name was writ
water
said
Keats
whom the late Lord Tennyson wrote
Had
lived
would have been the greatest
Greater than that
the parson
because
the
world
our parish and
the schoolmaster because
our work
time
Perchance the lady who penned these lines knows
copy
editors who welcome publish and pay for
religious value than the
greater
that
prayers
the parish priest and
its educational
than the dogmatics
the schoolmaster
Are they
Cacoethes

from
whose book , “ The Private Papers of Henry
Ryecroft , " l venture to take the following serious
warning , which I most earnestly
commend to
the notice of all entertaining inflated and wholly
erroneous ideas as to the powers and influence they
imagine themselves able to wield by pursuing a
literary career - a career whose limitations are only
exceeded by
disillusionment

—

have
scribendi may

..

will

it

readers

,

,

's

of

a

,

?

,

in

to

to

of

Has she ever felt her pulses throbbing , her heart
beating more rapidly , a catch in her throat , and an
inclination
to relieve the tension of her soul by
listening
tears when
to a voice
of superlative
quality , or the wondrous orchestral tone poems of a
Wagner ?
Has she ever reflected that the medical profession
has again and again produced quiet , unassuming
heroes who hare given their lives
the cause
science and
their efforts
alleviate the agony
suffering humanity
No good purpose was ever
could
served
by entertaining
tumid and quite fallacious view
my
profession trade
the writer
craft

its do

•

in

250

�THE AUTHOR .

.

of

,

“

At

of

on

to

of

to

,

by

in

so

,

.
R
.

of
a

in

.

in

.

to

"

.B
.

R

;

”,

in

to

It

by

.

“

.

to

.

of

a

on

of

.

.

,

in

a

,

“

a

, ,

.

di

at

by ,

by

"

;

its

on

of

—

to

on

a

.

A

.

at

of

-S

at

43
,

.

be

,

,

be

of to

in

or

, of

.

of

as

in

on

'

“

's

.

“

2

to

of

,

'

,

.

."

do

of

its

,

,

,

a

as

AT THE UNIVERSITY PRESS OXFORD

in

to

Table

of

“

the

the University
Henry
London

:

.
A
.

,

M

by

.

by

given

at

is

of

its

of

usefulness

Rules for Compositors and Readers
Press Oxford
Horace Hart
Frowde
1912

. ",

.

evidence

about saying that this
be
little work ought
every author
Sufficient

hesitation

most valuable
the hands

.

a

,

great speech

have

no

E

baffled

in

.

'”,

's

FOR COMPOSITORS AND READERS

,

hopelessly

he

's

of

of

RULES

.*

Sir Arthur
Browning
achieved the
Sir Arthur was

“

's

as

's

Caponsacchi

Browning
step
active
and
Eng
have added imperishably
unquestion
lish
literature
because the immense
ing unhesitating
enjoyment
life which animated
symbols
them
was wrought
into masterful
dialogue and specialised lyric
dramatic monologue
life delightedly conscious
own powers
Art can find no greater work
than that
eye

Edmund

Browning
Mr Henry
ambition
dramatic
The
The Novel
James address dealt with
Ring and the Book
and
concluded
with
quotation
the highest water
considered
what
Browning
fifty lines from
imagination
mark
Guiseppe

May

inquiring

.

so

,

man

place
would
out
this column
attempt any criticism
even appreciation
permitted per
Robert Browning
But we may
haps
quote
felicitous the closing words
the
Supplement
article
him
The Times Literary

Committee

.

“

in

,

a

so

.

in

great

Rodd read
Rennell
helley
Keats
the

memorial house

he

on

an

”
—

Pinero delivered
address
Dramatist
the line
which
Never indeed said
least success

Browning

from

's

.

at

,

Mr

passages

to

an

at

,

of

a

on

the following Saturday
Theatre
the Academic
Gosse took the chair
meeting and made the opening speech

ambition

- of on .

of

So

.

to

or

.
G
.

,

W

Kingsland and Dr Alexander Hill also
read papers
otherwise contributed their share
the commemoration
much
the celebration may be called official
There were also meeting called
Caxton Hall
the same afternoon by the Academic Committee
the Royal Society
Literature and
entertain
ment organised by the Poetry Society at the Court

Via Bocca
Leone
Sir
the unveiling

It

,

"

if ,

.
C
.

H

.

. ,

, ),

of

.

,

,

a

(a

. .

Mr

After

,

of

no

be

a

Bishop

on .
“

Boyd Carpenter followed with
paper
The Oral Interpretation of Browning
pleading that his poems would
better understood
and regarded with
more intelligent admiration
they were
read
aloud
Canon Rawnsley
Miss
Emily Hickey
founder
the Browning Society
Mr Ernest Hartley Coleridge Mr
Minchin
possession

No

to

'

,

of

,

,

of

as

's

he

Browning poems the best
which
claimed
any English poetry remained the possession
long
that
small part
mankind would form

,

to

, ,

express his
his father
the subject

the day
his birth
On the 7th
street
the
town was named
after him
and
marble tablet
telegram
unveiled
was sent
the same day
his son
Asolo by the Syndic
Venice
Venice
where the great heart
wbich was carved the
Italy beat
name
last
while
Rome
tablet was unveiled
the Mayor Signor Nathan
the house formerly occupied
the Brownings

of

on

spoke

chairman

from

to

for

the

read

writing

as of s

.

ill
,
)

R

.

(

,

memory

,

in

by

of

letter had been

Barrett Browning
Asolo
where he has long been
heartfelt thanks
the honour

to

After

.

Mr

and being supported
the
Canterbury
the Archbishop
Sidney Lee Professor Knight

,

,

Lord Tennyson Sir
and many others
from

as to

;

)

's

.

,

a

, ,

Italian Ambassador

a

of

presiding

Crewe

.

at

's

in

”

of

reception was held
the
Westminster School the Marquess

the service

Hall

a

set

18

Sir ”
(

“

's

by

“

's

, .

,

at

After
College

in

of

on

his

—

.

of

from Browning
own
Saul
canto
and
music for the occasion
Hubert Parry
the
second Mrs Browning
What would we give
our beloved
with Sir Frederick Bridge
music
sung
the poet
funeral
1889
Sir Frederick
Bridge himself was
the organ

original MSS
Here was
view
collection
Browning
forming part
and early editions
the
Forster Bequest
was
John Forster that
Browning dedicated Paracelsus
the words My
my best friend
book
and the original
MS was presented
the author
him
Italy also
The centenary was observed
the
meeting
College Hall Professor Knight exhibited
placard which he had received from Mr
copy
Barrett Browning
which the Civic Council
frequently visited
Asolo
the poet invited the
pay their compliments
citizens
his memory
tion

.

the

of

was celebrated

W

of last month

7th

first centenary of Robert Browning , born at
Camberwell on May 7 , 1812 . In London
the chief feature of the programme in honour of
the event was a service at Westminster Abbey ,
body was laid
where , in Poet 's Corner ,
the
last day
1889
The chief feature
the Abbey
service was the anthems
the first being taken

*
. "

the

N

The Poetry Society 's entertainment was arranged
by Mrs . Kendal , and was contributed to by herself ,
Lady Tree , Mme. Ada Crossley , Lady St. Davids ,
Messrs . Laurence Irving and E . H . Coleridge .
In
conclusion , Browning 's short play “ In a Balcony ”
was performed .
An exhibition was opened at the Victoria and
Albert Museum in connection with the commemora

—

ROBERT BROWNING .

251

�THE AUTHOR .
of

at

.

."

If

in

a a

's

,

in

I

a

of

on

to

:

“

he

, ,

,

.

,

,

of

or

,

.

at

.

by

as

.

,

,
I

at

,

an

to

an

,

-

of

to his

,

at on .

I

.

-

for

hour
Continuing

.

,

in

,

.
;

of

I

,

;

in

to

is

to

“

on

diatribe
The Author Mr
say
Bennett goes
The reason for the con
my mind obvious
tinuance
these competitions
They are very profitable
the enterprising pub
lisher
see no harın
that indeed
rather
admire the cleverness
the enterprising publisher
but
think that artistically reputable novelists
should meditate long before they decide
dignify
purely commercial project
with their names
Why
indignant
being asked
Mr Bennett
give his criticism and the weight
his name
Are Royal Academicians equally indignant when
of

,
,

in to

."

at

so

?

of

?

to

on

the Hanging Committee
Competitions
undoubtedly
give
young
authors
chance they would not have otherwise
Mr Arnold Bennett himself started his London
literary career
winning prize
twenty guineas
Grant Allen and many others have come before the
public
the same way
invited

Novel

. .

.

of

a

by

all in

he

fee

a

let

,

“

is

he

."

at

of

so

of

to

for

to

Scott who boasted

,

his of

,

Walter Besant who was never

help the beginner

,

to

Brontë

of

, ,

,

an

busy

;

they were
the
the noblest
would not
in

unselfish

of

how

what ought
one
one cannot but feel that

it

and

be

these men
practice
professions

of

of

of

that there was not one
all
schemes that did
serving some poor
not afford him
the means
devil
brother author
when one thinks
to

.

an

Charlotte
too

, of

six

of

a

it

is

to

he

in

.”

's

"
a

or

to

grievance seems
that the judging
seven manuscripts
would entail
full week
tedious work
This was not the opinion expressed
article
contributed
the Academy some time back
He discussing the time would take reviewer

When one calls
mind the literary men
the
past who were not
ever pricing their work
Southey patiently
much
hour when one thinks
writing helpful
kindly letters
the unknown

a

be

His

By
means let Mr Bennett refuse
con
siders too low but do not
him delude himself with
doing something
artistically
the idea that
reputable

of

-

,

a

in

?

in
a

farce

be

.

in

."

I

I

.
a

in

—

I

to

's

of

to

of

I

“

,

.

's

on

I

in

or

,

a

.

I

. -

to or

of

part

.

a

.

I.
am

,
I

any way
DEAR SIR
not publisher
connected with any publishing firm but must say
that
think Mr Arnold Bennett
letter
Novel
Competitions both unfair and misleading
He says
was recently invited with two very
judge one
well known novelists
these competi
tions
The publisher
letter
invitation clearly
that
stated
should not have
read more than six
hope politely
seven manuscripts
declined
take part
such
farce
Why should Mr Arnold Bennett
becoming one
taking
the judges
Novel Competition

all

COMPETITIONS

.

NOVEL

act

to

.

CORRESPONDENCE

.

is

a

to

.

rule never
work for less than ten shillings
piece work
But every year
raise my price
per hour
Mr Bennett has indeed raised his price
per hour
his own reckoning
the publisher
paying him
twenty fire shillings
the rate

hour

I

.

to

,

be

in
a

of

of

to

it

,

is

Greek and
furnished with
excellent index
easy for any author
which renders
minute
satisfy himself respecting what ought
done
any
perplexity
the cases which are occasions

in

is

-

to

be

,

to

an

,

,

as

.”

of

,

of

.

of

of

keep
time
time
memorials
troublesome words
As each edition
the book becomes exhausted such words are
finally
reconsidered
and their approved
form
incorporated into the pages
the forthcoming
edition
anticipated
The booklet contains
was
pages dealing with
French German Latin
and
from

, .”

J.
A
.
H
.

in

a

“

the University Press

computation

.

)

Sir

as

.

,

to

be

up

of

.

,

,

of

of

(

Press whose superlative work needs neither our
anyone else but
commendation
nor that
authorities
the highest rank such
Murray and Dr Henry Bradley are guarantors for
the correctness
the book
The booklet has been
brought
date and how carefully this
done
may
gathered from
passage
the preface
The compiler has encouraged the proof readers

given
Mr Bennett own
works out
sixteen hours
For this sixteen hours
less than three days
twenty pounds
work Mr Bennett finds the fee
twenty guineas miserably inadequate
Yet
the same article from the Academy from which
have already quoted speaking
the subject
literary remuneration
journeyman
says
As
author with the ability and inclination
turn my
any direction
request
long ago established
pen

novel the time

.

of

of

of

past

I

is

of a

,

or

.

years

or

"

,

in

.

or

ize

to

to

of

put into the hands
the com
positors and correctors
the press
the Clarendon
for

been

to read a novel right through , and he says : “ Five
pages of
novels will amount to sixteen hundred
eight words
printed matter
Reading
the rate
second the reviewer would accomplish two pages
minute and sixteen hundred pages
thirteen
hours and twenty minutes
we allow another
two hours and forty minutes for the remaining

a

Contents ," which begins , “ Some Words ending in
Some Words ending
in
-ible .
Some
ending in Some Alternative
alphabetical order
Spellings arranged
Difficult
and continues
enumerate just all those things
which present difficulties
man who
desirous
writing accurately
correcting his proofs
perfectly
Not only are the rules those which have

- able .
Words

is

252

�THE AUTHOR .

for

,

of

of

no

.

in

,

a

,

of of
1

be

)

(a

A

,

,

40

.
I ,

of

.

,
I ,

ler

-

a

I

of

15 on

, ,
.

ofa

am

.

12 A

,

.

12

;

be

as 20

;

as

12 on

to 3

,

of

of , is

.

15

to

am

,

1

to

up .

,

of ,

3d 13

to

.

on

in

“

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to

in

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of

on

of I

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, ,
I

X

to

,

X

.

,
I

do

of

so

,

)

of in

in

—

:

X

15

to

of

-

to

X

to

sense

receive the
publication
the day
royalties
advance and
account
my second agreement
much contested clause
my first was
which
omitted
trouble about
my arranging
the following
that
the event
publication
for
elsewhere
should pay the
original publisher
per cent share
and
the net proceeds
me from such reprint
That
say that supposing
and
refused
issue
shilling reprint edition
sixpenny
the book and
some other publisher was willing
should
to

,

s
it ”

'

,

of

a

gain

per
after which
copies
per cent
counted
the Colonial edition

000

upon

I

.
a

or

a

a

of

a

values

if

so

,

that we might

be counted

re
-

.

if

in

a

by

"
A

."

is

suit

500 copies

total sale
copies
per copy

£30

,

'

as

“

;

to

;

,

or

in

to

to

I

as

follow

copies

sum

A

of

is

a

,

,

regards publishers
notes
terms between those
beginning
make their way
novelists
Hitherto
my own experi
have yearned
vain
know
peculiar
ences were average
either
rich
devouring curiosity
meagre sense
have harboured
how many sales constitute
successful first
novel what are the average sales
first novel
and what the profit made
the author from the
first venture
First and Second Novel
letter
most interesting
and instructive
and
would be very satisfactory
more beginners would

sold

cent
thereafter
royalty

to

“
A

,

—

in

”

as

-

a

SIR

a

.

copies

The letter
First and Second
your May issue supplies what
surely
Novel
public comparison
long felt want namely
DEAR

or

TERMS

(

PUBLISHER

of S'

A

.
I

.

volumes disposed
per cent royalty was
501 therefore the
never reached by this book
yet
My second novel
the proof stage and
published between July and September 1912
by the same publisher
royalty
receive
all
6s
the published price
124 per cent
in .

(

,

,

I

“

as

)

”
?

ment which brings the total

is

.
is

it

of

,
I , .

a

a

,

"
£1
,
at

a

to

he

,

;

a

”

to

“

already sifted from
mass
rate
equivalent
year
remuneration
over
000
require for reading
What would
the mass
including the works which
have described and
protest
with justice
crude illiterate
and
artistically worthless
READER

,

scripts

,

,
I

“

it

to

clear that
him
important manu

even

took

of

be

in

in

all

by

.

Now Mr Bennett makes
not worth while
read

them

novel
little

it

of

.

the advertised judges
these competitions
should
read
the novels sent
asked what would
making these judges cast
gained
weary eye
upon the stuff which the
sorters
weed
out

my
my own name while
un
pen name My sales
suppose ored
my friends
the private advertisements
my identity
for
them
made
secret
which were more
reviews all
received about
less favourable
none adverse
some highly
encouraging and these from the best papers
was
second thousand
the book
second edition
observed that the home and
but
will
issued
Colonial sales added only reach
total
383 118
having been given gratis
the course
advertise
written

;

Bennett ' s

Arnold

I

Mr.

to see

to

glad

was

letter under this heading in the May issue of The
Author , for Mr. Bennett strongly supports a point
made in my own contribution to the discussion in
Speaking
the same issue
the contention that

to

II .
SIR , - I

which must be deducted the 15 per cent. claimed
by my agent “ for the first novel sold in England .”
The circumstances under which my first novel
was published were practically similar to those of
“ A First and Second Novel. ”
I was absolutely
unknown in the literary world , for though I had
had several short stories published in the magazines ,
asked for more ," I had
and had begun to be

;

."

,

“ DAVID

to
1,

Yours truly ,

be

in pounds ,

reckoned

Colonial edition , 12 copies to be counted as 12 . On
the day of publication I was paid the sum of £25 ,
“ in advance and on account of royalties . "
The sales and fiuancial profit to myself at the
end of the year were as follows :
Copies of home edition sold , 586 .
Copies of Colonial edition sold , 797 .
Total sum received by me, £26 3s . 11d ., from

a

to be

my

or

being is something not
shillings and pence .

facts

experiences as

of

better next day. " Had Mr. Arnold Bennett ,
as colonel , taken part in the review , he would prob ably have earned the lifelong gratitude of some
poor struggling private . And to help a human
being forward and to earn the gratitude of a human
fights

and figures . I hereby state my own
contribution to the question .
For my first novel , published in March , 1911 , I
obtained (on paper ) a 10 per cent . royalty on the
published price of the 6s . edition on all copies sold
up to 1.500 copies : 15 per cent. to a total sale of
3,500 copies ; and 20 per cent . thereafter , 13 copies
to be counted
as 12 ; and
3d . per copy on the

their

from

to

bave taken away in the smallest degree from Mr .
Bennett 's dignity had he consented to judge the
mation
competition in question
.
The Novel Competition has lost one of our ablest
critics . But Mr. Bennett himself is also a loser .
When Rudyard Kipling received
a letter of
encouragement from Lord Tennyson , this is what
he wrote : “ When a private is praised by his
Colonel he does not presume to thank him but he

253

�THE AUTHOR .

in

for

,

or

and

the

.

.

H

.
. .
L

, OF
I

of

.

,

a

it
.
It

.

of

of

two circumstances
Yours faithfully

these

are

,

of

a

of

.

,

of

a

, of

to

of

,

,

,

at

,

to

it

.

It

.

is

,

-

in

view

.
T
.
J.

to

this brings me

novel
obvious

.

it
.

he

if

it
.

in

,

to

And

harassed

Yours etc

H

anxious

REGISTER
SCENARIOS
register
believe
The Society has
present mainly
Probably
used
scenarios
that
me however
occurs
dramatists
make use
novelists would also do well
The new Copyright Act gives them the sole power
their novels
authorise the dramatisation
rights namely the film
new set
also creates
representation
The
rights for cinematograph
filing
the
advantages
the plot
scenario
SIR

by

is

I

if

,

no

;

on

.

by

of

all
.

at

less

present

to

.

a

he

.
,

I

I

,

log ;

-r

me

life would

one than

in

be

to

I

a

he in

of

a

reviewed

writer

,

be
,

.

in

I

a

;

is

do not know about
because
my reviewer friends have recently
Some
One admitted
me
verses
book
reviewed
had not
me than
that he was harder
No doubt
known me another did not admit
olling
that had they
start with
there was
probably
they
not have
would
me
not known
complimentary

Accepted work has been
the greatest courtesy .
inserted in due course and paid for promptly ; work
that did not meet with acceptance was sent back to
me by return of post .
I found the editor, publisher , and management
generally , exceedingly
courteous , prompt , and
thoroughly businesslike .
I wish I could speak in
the same high terms of the management of all the
journals
other papers to which I contribute . If all
were to copy the Bystander ' s methods in dealing
with contributors — prompt acceptance or rejection
of MSS., courteous replies to letters , when neces
of intelligent , vivid or
sary ; keen appreciation
detecting origin
painstaking work
smartness
prompt payment
ality
and generous and
otherwise the
all accepted work commissioned

L

)

I .

it

is
(

I

am

.

to

by

,
, I

to in

an

,

of

may
take the thing seriously and
my
just than
my efforts
labour more
know several reviewers
own creative work
man
They are all equally serious
The fact that
dealing with what
knows about
severe
high standard
doubt
has
natural
reported
should be unduly
football match

unjust

desire to advertise neither myself nor my wares , but
I am on the staff of a London paper and a con
tributor to many other papers and magazines .
From
the Bystander
I have invariably received

.

sin

,
commit some of the sins — for instance the
the tribe
pluralism
Phokion
attributed
review and criticise because
author
First
one supposes
art and because
interested
incompetent
and
However
necessary
live
ful to

.

EDITORIAL COURTESY .

;

the

INKSTER

DEAR SIR , - Having a keen sense of justice I feel
impelled to give my testimony with regard to my
own experience as a contributor to the pages of the
Bystander .
I am not a well-known writer , as I
prefer to publish all my work anonymously , and

,

AUTHORS AND REVIEWERS .
SIR , - As an author and reviewer ( though a young
one ) I may be permitted to think I have sufficient
experience to comment on “ Phokion 's ” article ,
“ Authors and Reviewers ."
As a reviewer , I naturally see the other side of
picture . Perhaps I am not sufficiently power -

LEONARD

be
a

I

Yours faithfully ,

at

consent , or on six months' notice in writing by
either party .
, like "* A First and Second Novel,” shall be
very glad
of “ any enlightening comments or
conclusions ” evoked by the above .
" A BEGINNER . "

,”
Morning
Bleeder ;
“ Distinct
reaching out of the spirit ,” Friday Tyrant .
I should add that I am a native of Bumpington .

“ Versification

is

I had been assailing the publishers for between
eight and nine years . I am bound to my agent for
“ all novels ” ; the agreement , as regards any unsold
by mutual
book , being open
to
cancellation

the first five reviews . “ Almost feminine beauty
Bugle ; “ Virile ," The
and delicacy ,” Bumpington
publishing , "
Bumpington
Clock ;
“ Well
worth
Bugle ; “ Not worth publishing , ” Morning Bleeder ;
“ Never lacking point and thought ,”
The Clock ;
“ Generally dull and lifeless , " Provincial Scooper ;

it

things considered , it was best to submit. It would
be interesting to know if any other beginners have
had such a clause in their agreements , and , if so,
what the outcome has been .
I am not dependent upon writing for a living ;
but , at the same time , I am dependent on it for
enlarging a slender income with no margin . Not
until I employed an agent did I sell a book , though

point of view as author . One can at least squeeze
humour out of the business . I quote extracts from

;

be bound to hand over 15 per cent of the profits to
X and X , though he had had nothing to do with the
venture ; his view being that it was owing to him that
position . My
the book had reached a reprintable
point of view was that it was possible quite another
book , not published by X and X ,might be responsible
for the call for a reprint of a book originally published
by them .
Yet I should be obliged to part with
15 per cent . of the profits , which to X and X would
be unearned increment . My agent supported the
publishers on this score , and I decided that , all

's

254

�ADVERTISEMENTS .

.

Literary

:

ESQ . , of Hindhend , Surrey , writes
the rovision of my novel . . . which you
" I have just
typed, and I should like to thank you for the admirable way the
sent to you
work was done. Considering that the manuscript was
my handwriting ,
without having beencorrectedor evenread, and that
legible,
particularly
that it
obvious
always
it
is
I am told. is not
rogaired perception as well as care, something more than simple
, in
which
produce
result
such a resulta
mechanical accuracy, to
conjunction with your moderate charges, seemsto me to be the best
upon
recently
directed
been
of answers to the criticisms which have
the work of typists in the columns of TheAuthor."

Plays , ruled

.)

(

,

by

.

.

.

.

,

copy

involved
experts

and

on

.

.
c
.

,

,

Strand

,

FOWLER

Arundel Street

Maxwell House

w

MISS

Ltd

.

,

JOHN QUSELEY

:

London

,

.

most difficult handwriting
accurately deciphered

by

.

S
.E
.

.

'

for

.

,

.

THE SILVER QUEEN

.

.

-

,
,
2

Authors MSS copied
Experienced Operator
dictation
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.-No. 9.&#13;
JUNE 1, 1912.&#13;
(PRICE SIXPENE.&#13;
CONTENTS.&#13;
PAGE&#13;
227&#13;
227&#13;
Nouces . ... ..&#13;
..&#13;
The Society's Funds&#13;
The Pension Fund&#13;
Committee Notes ...&#13;
Books published by Members ...&#13;
Books published in America by Members&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes... ...&#13;
Publisher's Royalty Agreements&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Original F&#13;
Dramatic Authors and Agents&#13;
227&#13;
229&#13;
232&#13;
234&#13;
234&#13;
237&#13;
237&#13;
PAGHZ&#13;
Warnings to Musical Composers&#13;
244&#13;
Stamping Music ...&#13;
244&#13;
The Reading Branch&#13;
244&#13;
Remittances&#13;
244&#13;
General Notes .&#13;
245&#13;
Justin McCarthy ..&#13;
246&#13;
The Royal Literary Fund&#13;
247&#13;
Composers' Rights and the Collection of&#13;
of Fees from Mecha&#13;
Reproductions&#13;
The Hazard of the Pen&#13;
249&#13;
Robert Browning...&#13;
251&#13;
Rules for Compositors and Readers at the University Press,&#13;
Oxford ... ...&#13;
251&#13;
Correspondence ...&#13;
252&#13;
247&#13;
242&#13;
243&#13;
243&#13;
243&#13;
244&#13;
244&#13;
Publications of the Society.&#13;
1. THE ANNUAL REPORT FOR 1911.&#13;
Price 1s. net.&#13;
8. THE SOCIETY OF AUTHORS.&#13;
A Record of its Action from its Foundation, By WALTER&#13;
BEBANT (Chairman of Committee, 1888-1892). Price&#13;
1s, net.&#13;
2. THE AUTHOR.&#13;
Published ten months in the year (August and September&#13;
omitted) devoted especially to the protection and main-&#13;
tenance of Literary, Dramatic, and Musical Property.&#13;
Issued to all Members gratis. Price to non-inembers,&#13;
6d.. or 58. 6d. per annum, post free. Back numbers from&#13;
1892, at 108. 6d. net, per vol.&#13;
9. THE CONTRACT OF PUBLICATION&#13;
IN GERMANY, AUSTRIA, HUNGARY,&#13;
AND SWITZERLAND. By ERNST LUNGE,&#13;
J,U,D, Price 28, 6d, net,&#13;
8. LITERATURE AND THE PENSION&#13;
LIST. By W. MORRIS COLLES, Barrister-at-&#13;
Law. Price 38. net,&#13;
10. FORMS OF AGREEMENT ISSUED BY&#13;
THE PUBLISHERS' ASSOCIATION ;&#13;
WITH COMMENTS. By G. HERBERT&#13;
THRING, and Illustrative Examples by Sir WALTER&#13;
BESANT, 2nd Edition, Price 18. net.&#13;
4. THE HISTORY OF THE SOCIETÉ DES&#13;
GENS DE LETTRES. By S. SQUIRE SPRIGGE,&#13;
Price 18. net.&#13;
6. THE COST OF PRODUCTION.&#13;
(Out of print.).&#13;
11. PERIODICALS AND THEIR CONTRI-&#13;
BUTORS. Giving the Terms on which the&#13;
different Magazines and Periodicals deal with MSS. and&#13;
Contributions. Price 6d. net.&#13;
12. SOCIETY OF AUTHORS.&#13;
List of Members. Published October, 1907, price 60. net.&#13;
6. THE VARIOUS METHODS OF PUBLI-&#13;
CATION. By S. SQUIRE SPRIGGE. In this&#13;
work, compiled from the papers in the Society's offices,&#13;
the various forms of agreements proposed by Publishers&#13;
to Authors are examined, and their meaning carefully&#13;
explained, with an account of the various kinds of fraud&#13;
which have been made possible by the different clauses&#13;
therein. Price 38, net.&#13;
13. INTERNATIONAL COPYRIGHT CON-&#13;
VENTION AS REVISED AT BERLIN,&#13;
1909. Price 18. net.&#13;
14. DRAMATIC AGENCY AGREEMENT,&#13;
34. net.&#13;
7. ADDENDA TO THE ABOVE.&#13;
By G. HERBERT THRING. Being additional facts&#13;
collected at the office of the Society since the publication&#13;
of the "Methods." With comments and advice. Price&#13;
28. net.&#13;
15. LITERARY AGENCY AGREEMENT.&#13;
31. net.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S.W.]&#13;
&#13;
&#13;
## p. 226 (#682) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON."&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY,&#13;
COUNCIL.&#13;
SIB ROBERT ANDERSON, K.C.B. BIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
THE RIGHT Hon. SIR WM. REYNELL THE RIGHT HON. THE EARL CURZON, THE REV. C. H. MIDDLETON-WAKE.&#13;
ANSON, Bart., P.C., M.P., D.C.L.&#13;
G.C.S.I.&#13;
SIR HENRY NORMAN, M.P.&#13;
THE RIGHT HON. THE LORD AUSTIN DOBSON.&#13;
SIR GILBERT PARKEK, M.P.&#13;
AVEBURY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR ARTHUR PINERO.&#13;
J. M. BARRIE.&#13;
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THE RIGHT HON. SIR HORACE&#13;
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PLUNKETT, K.P.&#13;
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F. E. BEDDARD, F.R.S.&#13;
SJR RIDER HAGGABD.&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON (“LOCAS MALET"). OWEN SEAMAN.&#13;
THE RIGHT HON. AUGUSTINE BIB. ANTHONY HOPE HAWKINS,&#13;
G. BERNARD SHAW.&#13;
RELL, P.C.&#13;
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G. R. SIMs.&#13;
MRS. E. NESBIT BLAND.&#13;
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DR. S. SQUIRE SPRIGGE,&#13;
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The Right Hon. JAMES BRYCE, P.C. HENRY JAMES.&#13;
SIR CHARLES VILLIERS STAXTORD,&#13;
TôE RIGHT Hon. THE LORD BURGH JEROME K, JEROME.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
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HALL CAINE.&#13;
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EDWARD CLODD.&#13;
LADY LUGARD (M188 FLORA L. THE VISCOUNT WOLSELEY, K.P.,&#13;
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SHAW).&#13;
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The Hon. JOHN COLLIER,&#13;
Mrs. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman-DR. S. SQUIRE SPRIGGE.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT.&#13;
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HESKETH PRICHARD.&#13;
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ANSTEY GUTHRIE.&#13;
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DRAMATIC SUB-COMMITTEE.&#13;
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JUSTIN HUNTLY MCCARTHY.&#13;
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CECIL RALEIGH,&#13;
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PENSION FUND COMMITTEE.&#13;
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PERCY C. BUCK, Mus. Doc.&#13;
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&#13;
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## p. 226 (#683) ############################################&#13;
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## p. 227 (#685) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.-No. 9.&#13;
JUNE 1, 1912.&#13;
[PRICE SIXPENCE.&#13;
VERTISEMENTS.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
· AUTORIDAD, LONDON.&#13;
As there seems to be an impression among&#13;
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never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
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DIOR the opinions expressed in papers that are&#13;
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THE SOCIETY'S FUNDS.&#13;
THE Editor begs to inform members of the&#13;
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that the cases which are quoted in The Author are&#13;
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knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
FROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
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them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
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which these contributions may be paid.&#13;
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Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
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ciple, or in assisting to obtain copyright reform,&#13;
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connected with the work of the Society.&#13;
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VOL. XXII.&#13;
THE PENSION FUND.&#13;
TN January the secretary of the society laid&#13;
I before the trustees of the Pension Fund the&#13;
accounts for the year 1911, as settled by the&#13;
accountants, with a full statement of the result of&#13;
the appeal recently made on behalf of the Fund.&#13;
After giving the matter full consideration the&#13;
trustees instructed the secretary to invest the sum&#13;
&#13;
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## p. 228 (#686) ############################################&#13;
&#13;
228&#13;
THB AUTHOR.&#13;
The secretary would like to state that he has&#13;
received three bankers' orders in answer to the&#13;
recent appeal, unsigned, without any covering letter.&#13;
He would be glad, therefore, if those members who&#13;
may have sent in these orders, recognising them&#13;
from their description, would write to the secretary&#13;
on the matter.&#13;
Bankers' Order for 10s. drawn on the London,&#13;
County and Westminster Bank, Maidstone.&#13;
Bankers' Order for 10s. drawn on the National&#13;
Provincial Bank of England, Baker Street, W.&#13;
Bankers' Order for 5s. drawn on the London,&#13;
County and Westminster Bank, Kensington, W.&#13;
£ s. d.&#13;
0 5 0&#13;
0 5 0&#13;
er er&#13;
of £500 in the purchase of Antofagasta and&#13;
Bolivian Railway 5%. Preferred Ordinary Stock&#13;
and Central Argentine Railway Ordinary Stock.&#13;
The amounts purchased at the present prices are&#13;
£237 in the former and £232 in the latter stock.&#13;
The trustees desire to thank the members of the&#13;
society for the generous support which they have&#13;
given to the Pension Fund, and have much pleasure&#13;
in informing the Pension Fund Committee that&#13;
there is a further sum available for the payment of&#13;
another pension in case any application should be&#13;
made. The money now invested amounts to&#13;
£4,846 198. 4d., and is fully set out in the list&#13;
below :&#13;
Consols 21%&#13;
To&#13;
4&#13;
..........................&#13;
...........................£1,312 13&#13;
Local Loans..................&#13;
500 0 0&#13;
Victorian Government 3% Consoli-&#13;
dated Inscribed Stock............... 291 19 11&#13;
London and North-Western 3%&#13;
Debenture Stock ........&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates ...............&#13;
2000&#13;
0&#13;
Cape of Good Hope 31% Inscribed&#13;
Stock .............&#13;
200 0 0&#13;
Glasgow and South-Western Railway&#13;
4% Preference Stock ........&#13;
228 0 0&#13;
New Zealand 31% Stock ....... 247 96&#13;
Irish Land Act 21% Guaranteed&#13;
Stock .........&#13;
258 0 0&#13;
Corporation of London 21% Stock,&#13;
1927-57 ....................&#13;
........ 438 2 4&#13;
Jamaica 31° Stock, 1919-49 ...... 132 18 6&#13;
Mauritius 49% 1937 Stock ..&#13;
..........&#13;
120 121&#13;
Dominion of Canada C.P.R. 31%&#13;
Land Grant Stock, 1938.&#13;
198 3 8&#13;
Antofagasta and Bolivian Railway&#13;
5°. Preferred Stock ...............&#13;
237 0 0&#13;
Central Argentine Railway Ordinary&#13;
Stock&#13;
232 0 0&#13;
0&#13;
5&#13;
6&#13;
0&#13;
6&#13;
05 0&#13;
0 5 0&#13;
0 50&#13;
0 5 0&#13;
1 1 0&#13;
0 10 0&#13;
.....&#13;
Subscriptions.&#13;
1912.&#13;
Jan. 1, Worsley, Miss Alice .&#13;
Jan. 2, Sturt, George . .&#13;
Jan. 2, Wicks, Mark in addition to&#13;
present subscription). .&#13;
Jan. 3, Northcote, The Rev. H. . .&#13;
Jan. 3, Phipson, Miss E. (in addition&#13;
to present subscription) .&#13;
Jan. 3, Hedgcock, F. A. .&#13;
Jan. 5, Matcham, Mrs. Eyre&#13;
.&#13;
Jan. 8. Stayton, Frank ..&#13;
Jan. 8, Canziani, Miss Estella&#13;
Jan. 10, Ropes, A. R..&#13;
Jan. 12, Francis, René .. .&#13;
Jan. 15, Pollock, Miss Edith (in addi-&#13;
tion to present subscription)&#13;
Jan. 27, Hutchinson, the Rev. H. N. .&#13;
Feb. 7, L. M. F., per month during&#13;
1912&#13;
Feb. 7, Letts, Miss W.M..&#13;
Feb. 8, Cooke, W. Bourne . .&#13;
Feb. 8, Annesley, Miss Maude .&#13;
Feb. 9, O'Donnell, Miss Petronella .&#13;
March 6, Curwen, Miss Maud , .&#13;
March 6, Anderson, Arthur&#13;
March 15, George, W. L. (in addition&#13;
to present subscription).&#13;
April 6, Bland, J. 0. P. .&#13;
April 6, Taylor, Mrs. Basil.&#13;
April 6, Forrester, J. Cliffe. .&#13;
en&#13;
100&#13;
0 5 0&#13;
1 1 0&#13;
0 10&#13;
6&#13;
0&#13;
0&#13;
5&#13;
5&#13;
0&#13;
0&#13;
1&#13;
1&#13;
0&#13;
Total ........&#13;
.....£4,846 19&#13;
4&#13;
010 0&#13;
0 100&#13;
0 5 0&#13;
0 5 0&#13;
PENSION FUND.&#13;
...&#13;
The list printed below includes all fresh dona-&#13;
tions and subscriptions (i.e., donations and&#13;
subscriptions not hitherto acknowledged) received&#13;
by, or promised to, the fund from January 1,&#13;
1912.&#13;
It does not include either donations given&#13;
prior to January 1, nor does it include sub-&#13;
scriptions paid in compliance with promises made&#13;
before it.&#13;
The full list of annual subscribers to the fund&#13;
appeared in the November issue of The Author.&#13;
Donations.&#13;
1912.&#13;
Jan. 2, Risque, W. H. .&#13;
Jan. 2, Dart, Miss Edith&#13;
Jan. 3, “K."&#13;
Jan. 3, Church, Sir Arthur .&#13;
Jan. 3, Durrant, W. Scott .&#13;
Jan. 3, Tighe, Henry . .&#13;
Jan. 3, Grant, Lady Sybil.&#13;
Jan. 4, Smith, Bertram .&#13;
Jan. 4, Buckrose, J. E.&#13;
...&#13;
0 10 0&#13;
0 10 6&#13;
0 10 0&#13;
1 1 0&#13;
0 5 0&#13;
0 10 0&#13;
1 0 0&#13;
20 0 0&#13;
1 1 0&#13;
..&#13;
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## p. 229 (#687) ############################################&#13;
&#13;
THE AUTHOR.&#13;
229&#13;
£ 8. d.&#13;
0 5 0&#13;
0 10 0&#13;
10 0&#13;
£&#13;
1&#13;
s. d.&#13;
1 0&#13;
·&#13;
0&#13;
erne er com&#13;
0&#13;
erero&#13;
0&#13;
0&#13;
1&#13;
1&#13;
5&#13;
5&#13;
1&#13;
1&#13;
5&#13;
0&#13;
0&#13;
0&#13;
0&#13;
0&#13;
March 25, Williams, Mrs. Illtyd .&#13;
April 2, XX. Pen Club ..&#13;
April 6, Taylor, Mrs. Basil . :&#13;
April 6, Cameron, Mrs. Charlotte&#13;
April 10, Kenny, Mrs. L. M. Stacpoole&#13;
April 10, Robbins, Alfred F. :&#13;
April 10, Harris, Emma H. . .&#13;
April 11, Ralli, C. Scaramanga . .&#13;
April 11, Aitken, Robert . . .&#13;
April 16, L. M. F. (£1 per month,&#13;
February, March, April)&#13;
April 22, Prior, Mrs. Melton . :&#13;
May 2, Baden-Powell, Miss Agnes :&#13;
1&#13;
0&#13;
3&#13;
1&#13;
6&#13;
5&#13;
3&#13;
1&#13;
0&#13;
0&#13;
0&#13;
0&#13;
3 0&#13;
0 10&#13;
0 5&#13;
0&#13;
6&#13;
0&#13;
2 2&#13;
0 5&#13;
0 5&#13;
errererererer ener&#13;
0&#13;
0&#13;
0&#13;
COMMITTEE NOTES.&#13;
0&#13;
·&#13;
.&#13;
.&#13;
Jan. 4, Lathbury, Miss Eva&#13;
Jan. 5, Wilson, Dr. Albert .&#13;
Jan. 5, Craven, A. Scott .&#13;
Jan. 6, Blundell, Miss Alice&#13;
Jan. 6, Garbutt, W. H. .&#13;
Jan. 6, Serjeant, Miss Constance&#13;
Jan. 9, Chamberlayne, Miss Effie&#13;
Jan. 9, Hamel, Frank&#13;
Jan. 10, Allen, W. Bird .&#13;
Jan. 10, Crellin, H. N.&#13;
Jan. 10, Smith, Herbert W.&#13;
Jan. 12, Randall, F. J. .&#13;
Jan. 13, P. H. and M. K. .&#13;
Jan. 15, Clark, Henry W. .&#13;
.&#13;
Jan. 17, Rankin, Mrs. F. M.&#13;
M. . . .&#13;
Jan. 18, Paternoster, Sidney .&#13;
Jan. 20, M'Ewan, Miss Madge.&#13;
Jan. 22, Kaye-Smith, Miss Sheila&#13;
Jan. 22, Mackenzie, Miss J. .&#13;
Jan. 22, Reiss, Miss Erna . . .&#13;
Jan. 22, Grisewood, R. Norman. .&#13;
Jan. 23, Machen, Arthur . . .&#13;
Jan. 24, Williamson, C. N. and Mrs.C&#13;
Jan. 26, Way, Miss Beatrice .&#13;
Jan. 30, Saies, Mrs. Florence H..&#13;
Jan. 30, Weyman, Stanley (in addition&#13;
to subscription).&#13;
Jan. 30, S. F. G. . .&#13;
Feb. 3, Douglas, James A. .&#13;
Feb. 6, Parker, Mrs. Nella .&#13;
.&#13;
Feb. 6, Allen, Mrs. James . . .&#13;
Feb. 10, Whibley, C. . .&#13;
Feb. 12, Loraine, Lady .&#13;
Feb. 12, Ainslie, Miss K. .&#13;
Feb. 12, King, A. R. . .&#13;
Feb. 13, Ayre, Miss G. B. ..&#13;
Feb. 14, Gibson, Miss L. S.&#13;
:&#13;
Feb. 15, Henley, Mrs. W. E.&#13;
Feb. 15, Westall, W. Percival&#13;
Feb. 17, Raphael, Mrs. .&#13;
Feb. 19, Cabourn, John .&#13;
.&#13;
Feb. 19, Gibbs, F. L. A. ..&#13;
Feb. 21, Hinkson, H. A., and Mrs.&#13;
Feb. 24, Hamilton, Cosmo&#13;
Feb. 27, Plowman, Miss Mary .&#13;
Feb. 28, Aspinall, A. E. .&#13;
March 2, Montesole, Max . .&#13;
March 9, Pickering, Mrs. Frank .&#13;
March 15, Trevanwyn, John&#13;
March 16, O'Higgins, H. J. .&#13;
March 18, Wallis-Healy, F. C..&#13;
March 18, Schwarz, Prof. Ernest .&#13;
March 19, Wallace, Sir Donald Mac-&#13;
kenzie, K.C.V.O. .&#13;
March 21, Wharton, Leonard .&#13;
March 22, Holbach, Mrs. . . .&#13;
March 23, Parks, H. C. . :&#13;
· ·&#13;
.&#13;
· ·&#13;
·&#13;
.&#13;
.&#13;
· ·&#13;
.&#13;
· · ·&#13;
0&#13;
.&#13;
M HE Committee of Management, instead of&#13;
0 5 0 1 holding its monthly meeting in May, held it on&#13;
0 5 0 April 29, meeting at the offices of the society&#13;
1 1 0 at the usual hour on that date.&#13;
5 5 0 After the minutes of the previous meetings hac&#13;
0 5 0 been read and signed the names of authors seeking&#13;
0 8 6 admission to the society were laid before the com-&#13;
mittee. Twenty-three members and associates were&#13;
1 1 0 added to the list for the current year, bringing the&#13;
1 1 0 total elections for the year up to 156. Four&#13;
1 0 0 resignations were accepted by the committee with&#13;
0 10 0 regret.&#13;
1 1 0 The solicitor then laid before the committee the&#13;
report of the cases. In one dispute which had been&#13;
placed in his hands with the sanction of the chair-&#13;
man during the month, he reported that he had&#13;
0 gone into the matter, and it seemed clear that&#13;
the publisher had dealt with some rights belonging&#13;
0 5 0 to the member, without the member's sanction.&#13;
1 1 0 The issues were a little involved by other claims;&#13;
O but after full discussion, the committee decided to&#13;
O take action on behalf of the member, and the&#13;
0 5 0 solicitor was instructed accordingly. The solicitor&#13;
0 10 0 reported further on certain of the cases mentioned&#13;
0 in the last issue of The Author. In one instance&#13;
10 a claim for the recovery of money the money had&#13;
0 2 6 been obtained and the accounts had been settled.&#13;
10 0 Another dispute with a publisher had been settled&#13;
also, the only point remaining over being the&#13;
0 checking of a charge for corrections in the&#13;
1 1 0 publisher's accounts. When the voucher was pro-&#13;
1 0 duced it was found that the publisher had charged&#13;
0 3 0 108. beyond the printers' statement for his own&#13;
0 5 0 time and trouble. The committee instructed the&#13;
solicitor to take steps to set aside this claim, giving&#13;
5 0&#13;
at the same time authority to the secretary to ask&#13;
0 5 0 for formal vouchers where statements of account&#13;
0 5 0 containing a charge for corrections in the future&#13;
0 5 0 were forwarded from this publisher. In three&#13;
Berreteroreroo&#13;
.&#13;
.&#13;
· · ·&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 230 (#688) ############################################&#13;
&#13;
230&#13;
THE AUTHOR.&#13;
small County Court cases against papers for non The secretary reported to the committee the result&#13;
payment of sums due, the solicitors were glad to of the meeting of the Joint Committee of the Society&#13;
report that the amounts had been paid and for- of Authors, the Copyright Association, and the&#13;
warded to the members. In a dispute reported in Publishers' Association. He stated that the society's&#13;
last month's Author, between two members of the report on the regulations issued by the Board of&#13;
society the solicitor stated that he was waiting for a Trade under the Copyright Act, 1911, had been&#13;
further report. There were two or three claims approved by the Joint Committee; that some sug-&#13;
against a publisher who gave the society some gestions in no way inimical to the society's altera-&#13;
trouble last year. Particulars of the cases were tions, but calculated to strengthen the position of&#13;
laid before the committee, and it was decided that authors and composers, had been passed, and that&#13;
the cases should be taken in band, and that as soon Sir Frederick Macmillan, who was acting as Chair-&#13;
as the solicitor could get a clear cause of action, man of the Joint Committee, had promised to put&#13;
action should be taken. In the meantime the these additional proposals forward.&#13;
other cases should be settled as far as possible. Two donations to the Capital Fund of the Society,&#13;
Some of the disputes were so involved by delays (one of 108. 6d. from Mrs. Thornton Cook, and one&#13;
and other issues that they were difficult to deal with, of £1 18. from the Baroness de Knoop) were grate-&#13;
but the committee felt it essential that the fully acknowledged by the committee, and the receipt&#13;
publisher should be pressed to carry out his con- of a life membership subscription from Mrs.&#13;
tracts in a businesslike fashion, for the benefit of Curlewis (Ethel Turner) was reported by the&#13;
the authors concerned. The secretary, who had secretary.&#13;
brought before the committee a proposal to publish&#13;
an article in The Author on a clause in a publisher's&#13;
DRAMATIC SUB-COMMITTEE.&#13;
agreement, reported that the matter was withdrawn&#13;
as the author did not desire, at the present time,&#13;
THE Dramatic Sub-Committee held its monthly&#13;
that the article should be printed.&#13;
meeting at the offices of the society on May 17.&#13;
The secretary reported that he had obtained the The secretary reported that he had heard from the&#13;
chairman s leave in another case to place it in the Society of West End Managers that the copies of&#13;
hands of the society's American lawyers. It was a the “ Managerial Treaty ” which had been sent to&#13;
small case of infringement of a member's rights, them had been forwarded to their members for&#13;
and the committee confirmed the action that had consideration. The Dramatic Sub-Committee now&#13;
been taken. The last legal matter dealt with the awaits a further reply. As one or two of the&#13;
responsibility of an editor for articles which he had delegates named at the former meeting were unable&#13;
ordered. The claim arose owing to the fact that the to act, the Dramatic Sub-Committee selected other&#13;
articles had been ordered for a paper without the members from the society's dramatic section, and&#13;
editor disclosing that the paper was run by a instructed the secretary to inquire whether they&#13;
limited liability company, and the company having would be ready to undertake the duties.&#13;
gone into liquidation, no money had been forth An agency agreement was laid before the com-&#13;
coming for the author. The committee decided to mittee, and attention was drawn to the percentage&#13;
support the member in a claim against the gentle it was proposed to charge for the collection of fees&#13;
man who had ordered the articles.&#13;
from amateurs. The secretary was instructed to&#13;
The question of Canadian copyright was again write to the firm concerned, pointing out that the&#13;
brought before the committee owing to the receipt Dramatic Sub-Committee considered the suggested&#13;
of a letter from a Canadian correspondent of the fees exorbitant, and that if these fees were not&#13;
society. The chairman kindly undertook to write reduced it would be impossible for the society to&#13;
to Sir Gilbert Parker, who had consented to act as advise dramatists to place the collection of their&#13;
the society's representative in Canada on his visit fees with the firm in question.&#13;
there in June. The chairman further promised to The question of cineinatograph fees was again&#13;
forward Sir Gilbert a copy of the letter which the before the sub-committee. It appeared from the&#13;
society had already sent to the Premier and to the evidence collected that so far no definite standard&#13;
Minister of Agriculture.&#13;
of payınent bad been fixed in foreign countries.&#13;
It was decided to have a series of articles in The The secretary was instructed to collect as much&#13;
Author dealing with the subject of “The Cost of evidence as he could in order to guide the sub-&#13;
Production.”&#13;
committee as to the fees they should advise&#13;
On the suggestion of one of the Nobel Prize Com- members of the society to accept. The question&#13;
mittee it was decided to ask the chairman of that of cinematograph fees then brought the sub-&#13;
committee (Lord Avebury) to convene a meeting to committee to the schedule of fees which it is&#13;
discuss the present position, and the secretary was proposed to place at the disposal of the dramatic&#13;
instructed to act accordingly.&#13;
section of the society. The secretary was instructed&#13;
&#13;
&#13;
## p. 231 (#689) ############################################&#13;
&#13;
THE AUTHOR.&#13;
231&#13;
II.&#13;
to inquire of some dozen or so of the dramatists,&#13;
members of the society, whether they would furnish&#13;
the Dramatic Sub-Committee with a statement of&#13;
their fees, for the guidance of their fellow dramatic&#13;
authors. It was decided that the names of the&#13;
dramatists furnishing such information should be&#13;
kept confidential. It is hoped by means of the&#13;
information thus collected to compile a schedule of&#13;
prices which shall assist dramatists, many of whom&#13;
enter into agreements and dispose of their rights at&#13;
ridiculous prices, through sheer ignorance of their&#13;
position. Several of the members of the Dramatic&#13;
Sub-Committee present promised to forward their&#13;
own list of prices.&#13;
The secretary reported the receipt of certain&#13;
letters touching the appointment of agents in other&#13;
countries, but the consideration of the matter was&#13;
adjourned.&#13;
The dramatic competition in The Era was also&#13;
before the sub-committee, and the secretary read&#13;
the article that had appeared in the April issue of&#13;
The Author. The action taken was approved by&#13;
the sub-committee.&#13;
The monthly meeting of this sub-committee&#13;
was held at the offices of the society on Saturday,&#13;
May 11. After the minutes of the previous&#13;
meeting had been read and signed, the secretary&#13;
reported the action of the Copyright Sub-Committee&#13;
in the matter of Messrs. Curwen's agreement, and&#13;
this action received the approval of the Composers'&#13;
Sub-Committee, to refer the agreement back to&#13;
the Committee of Management in order to obtain,&#13;
if possible, the approval of that body.&#13;
The letter to be sent to the Music Publishers'&#13;
Association in regard to the fees for performing&#13;
rights was finally settled, and it was decided to&#13;
adjourn the question of the amount of the fees till&#13;
the next meeting.&#13;
The agreement of the Mechanical Copyright&#13;
Licences Company was read to the committee, but&#13;
discussion was again adjourned pending the issue&#13;
of the regulations of the Board of Trade in their&#13;
final form. It was decided, however, to send copies&#13;
of the agreement to members of the Composers'&#13;
Sub-Committee that they might have time to consider&#13;
it before the next meeting, when the question would&#13;
be further discussed.&#13;
The Composers' Sub-Committee also sent a&#13;
recommendation to the Committee of Management&#13;
that, in addition to undertaking the stamping of&#13;
composers' music, the society should collect the&#13;
gramaphone fees, subject to the payment of a per-&#13;
centage, as the collection of these fees was likely to&#13;
be a matter of importance under the new Act.&#13;
Finally, the secretary placed before the Sub-Com-&#13;
mittee a dispute between a composer of the society&#13;
and a publisher, and the matter was referred to the&#13;
Committee of Management, in the strong hope that&#13;
action would be taken.&#13;
COMPOSERS' SUB-COMMITTEE.&#13;
THERE was a special meeting of the Composers'&#13;
Sub-Committee on Saturday, April 27, at the&#13;
Society's office, to meet delegates from the Music&#13;
Publishers' Association with a view to ascertaining&#13;
how far, under the new Act, it would be possible&#13;
for publishers and composers to secure some returns&#13;
on the performing rights. The chairman of the&#13;
committee of management, Dr. S. Squire Sprigge,&#13;
kindly undertook to act as chairman at the&#13;
meeting.&#13;
Mr. Elkin, the delegate from the Music Pub&#13;
lishers' Association explained the matter as he&#13;
understood it from the publishers' point of view,&#13;
and after considerable discussion it was decided to&#13;
make out a list of all the music on which it was&#13;
thought possible fees for performance could be&#13;
claimed.&#13;
The list, after keen debate, was agreed to by the&#13;
Sab-Committee. The representative of the Music&#13;
Publishers' Association stated he would be very&#13;
happy to put the question before the committee of&#13;
his association at their next meeting, when he&#13;
trusted it might be possible to decide upon some&#13;
satisfactory joint action. The Secretary was&#13;
instructed to forward the list, as settled, to the&#13;
association, and at the same time the Sub-Committee&#13;
suggested that the fees should be moderate. If an&#13;
agreement can be reached on the matter of the&#13;
performing rights no doubt a further meeting will&#13;
be called in order to discuss the amount of the fees&#13;
to be charged, and the machinery for collection.&#13;
Cases.&#13;
The usual tally of cases has passed through the&#13;
offices of the society during the month of May. The&#13;
numbers have varied but little from month to month&#13;
during the present year. Fifteen cases have been&#13;
dealt with. Four of these were claims for the&#13;
return of MSS. ; in one the MS. has been returned :&#13;
in one some of the MSS. have been handed in, and&#13;
it is hoped that the rest will come, after a more&#13;
careful search ; in another case the editor, who had&#13;
control of the MSS., is at present away from the&#13;
office on a holiday, but on his return the matter will&#13;
receive his close consideration ; the last case is still&#13;
open.&#13;
There were four claims for moneys and accounts.&#13;
Two have been satisfactorily settled ; one has been&#13;
placed in the hands of the society's solicitors, and&#13;
the last has only recently come into the office.&#13;
&#13;
&#13;
## p. 232 (#690) ############################################&#13;
&#13;
232&#13;
THE AUTHOR.&#13;
Of two cases for infringement of copyright, one,&#13;
rather a difficult matter, will, most probably, have&#13;
to go before the committee and be placed in the&#13;
hands of the society's solicitors ; the other, lying in&#13;
India, will take some time in settlement.&#13;
There has been one claim for accounts and&#13;
money in which the accounts and cheque were&#13;
forwarded to the author, but it was found that&#13;
the accounts were wrong. The publisher, on&#13;
having his attention drawn to the matter, imme-&#13;
diately undertook to have them readjusted and&#13;
a fresh cheque made out. It is a curious thing,&#13;
however, that out of the many cases of wrong&#13;
accounts none has come to the office where the&#13;
mistake has been in favour of the author. No&#13;
doubt from time to time clerks make mistakes&#13;
and, accordingly, the accounts must be wrong, but&#13;
it is strange that the mistakes should always be on&#13;
one side.&#13;
Of four claims for money one has been settled&#13;
and the money has been forwarded to the author&#13;
concerned ; one has only recently come into the&#13;
office, and the other two will, most probably, have&#13;
to be placed in the hands of the society's solicitors.&#13;
There are very few cases left over from former&#13;
months, and none of them is very important.&#13;
During the month one or two matters have had to&#13;
be placed in the hands of the society's solicitors,&#13;
whose report will be laid before the committee at&#13;
their meeting in June and will appear in the July&#13;
Author.&#13;
Knight, Alfred Ernest . Kingsley, Brunswick&#13;
Road, Sutton,&#13;
Surrey.&#13;
. . Aldbourne, Wilts.&#13;
Mackenzie, Miss Evelyn. Traverston, West&#13;
Road, Cambridge.&#13;
O'Reilly, W. H. . . 47, Powis Square,&#13;
Bayswater, W.&#13;
Peacock, J. Wadham Rosslyn, Newman&#13;
Road, Bromley,&#13;
Kent.&#13;
Price, Morgan Phillips Tibberton Court,&#13;
Gloucester.&#13;
Rankin, Amy Hale. . Kingswood, Warwick-&#13;
shire.&#13;
Rock, W. S.&#13;
Rosman, Alice Grant : c/o Commercial Bank&#13;
of Australia,&#13;
Bishopsgate.&#13;
Stanger, Mrs. H. Y. . New Brighton,&#13;
Cheshire.&#13;
Wilkinson, G. Jerrard . Caius House, Batter-&#13;
sea Square, S.W.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
Elections.&#13;
Barney, Charles G., Jr. 20, West 8th Street,&#13;
New York.&#13;
Burrows. Arnold , Grosvenor House,&#13;
Mold.&#13;
Davson, Gordon . . 20, Ennismore Gar-&#13;
dens, N.W.&#13;
Davson, Major H.M., R.H.A. White's Club, St.&#13;
James's.&#13;
Denny, Ernest . . 36, Loudoun Road,&#13;
St. John's Wood,&#13;
N.W.&#13;
Glass, Montague . . 504, West 143 Street,&#13;
New York, U.S.A.&#13;
Glyn, Miss Elinor . . c/o Messrs. Curtis&#13;
Brown &amp; Massie,&#13;
5, Henrietta Street,&#13;
W.C.&#13;
Gritton, John.&#13;
Hastings, Basil Macdonald Wella Willa, Pickwick&#13;
Road, Dulwich&#13;
Village.&#13;
Hawthorne, Dr. Charles 0. 63, Harley Street, W.&#13;
Jones, Sidney . . . Albany Chambers,&#13;
196, Regent Street,&#13;
W.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
BIOGRAPHY.&#13;
CHARLOTTE SOPHIE, COUNTESS BEXTINCK ; HER LIFE&#13;
AND TIMES, 1715-1800. By her descendant, MES.&#13;
AUBREY LE BLOND. With over 70 illustrations from&#13;
original paintings, facsimiles of letters, &amp;c. 2 Volumes.&#13;
Hutchinson. 248. n.&#13;
FOURTEEN YEARS OF DIPLOMATIC LIFE IN JAPAN.&#13;
Leaves from the Diary of Baroness Albert D'Anethan.&#13;
With an Introduction by H. E. BAROX KATO. 9 x 51.&#13;
471 pp. Stanley Paul. 188, n.&#13;
AN INJURED QUEEX, CAROLINE OP BRCXSWICK. By&#13;
LEWIS MELVILLE. 84 x 54. 614 pp. Hutchinson.&#13;
218. n,&#13;
BOOKS OF REFERENCE.&#13;
THE STATESMAN'S YEAR BOOK, 1912. Edited by J.&#13;
SCOTT KELTIE. Forty-ninth Annual Publication. 7 x&#13;
41 428 pp. Macmillan. 108. 60' n.&#13;
COOKERY.&#13;
LETTERS TO YOUNG HOUSEKEEPERS. By MARIE DE&#13;
JoncouRT. 77 x 5. 133 pp. Kegan Paul. Is. 6d. n.&#13;
DRAMA.&#13;
THE HERALDS OF THE DAWN. A Play in Eight Scenes.&#13;
By WILLIAM WATSON, 8 X 51. 93 pp. Lane. 45. 64. n&#13;
&#13;
&#13;
## p. 233 (#691) ############################################&#13;
&#13;
THE AUTHOR.&#13;
233&#13;
THE TRAGEDY OF AMY ROBSART. By HAROLD HARDY,&#13;
81 x 54. 95 pp. Robert Banks, Racquet Court, Fleet&#13;
Street, E.C. 28. 6d. n.&#13;
THE CLOUDS. By C. M. DOUGłty. 81 x 54. 146 pp.&#13;
Duckworth. 58. n.&#13;
FIVE LITTLE PLAYS. By ALFRED SUTRO. 7 x 5.&#13;
131 pp. Duckworth. 1s. 60, n.&#13;
FICTION.&#13;
A HEALTH UNTO HIS MAJESTY, By JUSTIN HUNTLY&#13;
MCCARTHY. 74 x 5. 364 pp. Hurst &amp; Blackett. 68.&#13;
LENA SWALLOW. By H. W. C. NEWTE. 7} X 5. 414 pp.&#13;
Mills &amp; Boon. 18. n.&#13;
ROGER'S LUCK. By ROSAMUND SOUTHEY. 71 x 5.&#13;
320 pp. Ham-Smith. 68.&#13;
WAR AND THE WOMAN. By MAX PEMBERTON. 78 X 5.&#13;
304 pp. Cassell. 68.&#13;
WINTERING HAY. By John TREVENA, 510 pp. Con.&#13;
stable. 68.&#13;
THE INVIOLABLE SANCTUARY. By G. A. BIRMINGHAM,&#13;
7} x 5. 369 pp. Nelson. 28.&#13;
THE SILVER MEDALLION. By PERCY JAMES BREBNER.&#13;
74 X 5. 346 pp. Mills &amp; Boon. 68.&#13;
THE TOWER HILL MYSTERY. By A. WILSON BARRETT.&#13;
74 x 5. 320 pp. Ward Lock. 68.&#13;
A KING AND A COWARD. By EFFIE ADELAIDE Row.&#13;
LANDS. 7 x 5. 316 pp. Hodder &amp; Stoughton. 68.&#13;
PETER RAFF. By E. PHILLIPS OPPENHEIM. 7} x 5.&#13;
247 pp. Hodder &amp; Stoughton. 28. n.&#13;
THE GREAT SHADOW, AND OTHER NAPOLEONIC TALES.&#13;
By ARTHUR CONAN DOYLE. 64 x 41. 344 pp. Nelson&#13;
nå.&#13;
TESS OF THE D'URBERVILLES. BY THOMAS HARDY.&#13;
9 x 54. 508 pp. Macmillan. 78. 6d. n.&#13;
THE VICAR OF NORMANTON. By EDWARD NOBLE.&#13;
75 X 5. 523 pp. Constable. 68. n.&#13;
THE CITY OF LIGHT: A Novel of Modern Paris. By&#13;
W. L. GEORGE. 71 x 5. 343 pp. Constable. 6s.&#13;
A CANDIDATE FOR TRUTH. By J. D. BERESFORD. 71 x 5.&#13;
403 pp. Sidgwick &amp; Jackson. 6s.&#13;
JULIA FRANCE AND HER TIMES. By GERTRUDE ATHER-&#13;
TON. 7} * 5. 516 pp. Murray. 6s.&#13;
THE JUSTICE OF THE DUKE. By RAFAEL SABATINI.&#13;
7} x 41. 286 pp. Stanley Paul. 68.&#13;
IN THE VORTEX. By CLIVE HOLLAND. 8 x 5. 348 pp.&#13;
Hurst &amp; Blackett. 6s.&#13;
KINGFISHER BLUE. By HALLIWELL SUTCLIFFE. 74 x 5.&#13;
321 pp. Smith, Elder. 6s.&#13;
THE LAND OF THE BLUE FLOWER. By FRANCES&#13;
HODGSON BURNETT. 77 x 43. 62 pp. Putnams. ls. n.&#13;
MY LORD THE FELON. “By HEADON HILL. 73 x 5.&#13;
320 pp. WARD, LOCK. 68.&#13;
THE ADVENTURES OF SHERLOCK HOLMES. By A. CONAN&#13;
DOYLE. 7 X 41. 293 pp. Smith, Elder &amp; Co. Cheap&#13;
Edition. 18. n.&#13;
FORTUNE. By J. C. SNAITH. 67 4. 365 pp. Cheap&#13;
Reprint. Nelson, 7d. n.&#13;
LOVE's OUTLAWS. By ARCHIBALD B. SPENS. 304 pp.&#13;
Digby, Long &amp; Co. 6s.&#13;
HISTORY.&#13;
A HISTORY OF THE INDIAN MUTINY. Revised and&#13;
Illustrated from the Original Documents. By G. W.&#13;
FORREST, C.I.E. Vol. III. 9 x 31. 651 pp. Black.&#13;
woods. 208. n.&#13;
SOCIETY AT ROYAL TUNBRIDGE WELLS IN THE 18TH&#13;
CENTURY AND AFTER. By LEWIS MELVILLE. 9 X 51.&#13;
315 pp. Nash. 10s. 6d. n.&#13;
MISCELLANEOUS.&#13;
THE GIRL'S BOOK ABOUT HERSELF. By AMY B, BARNARD.&#13;
8 X 51. 224 pp. Cassell. 38, 6d. n.&#13;
BROKEN EMPIRES OF THE PAST. Shall Britain join them?&#13;
Six Lectures primarily intended for Village use by&#13;
SURSUM CORDA. London: McCorquodale &amp; Co. 6d.&#13;
MUSIC, vzrok&#13;
ORGAN PLAYING. By PERCY C. BUCK, Mus. Doc. 121 x&#13;
94. 102 pp. (The Musician's Library). Macmillan, and&#13;
Stainer &amp; Bell. 43. n.&#13;
NATURAL HISTORY.&#13;
A YEAR IN THE COUNTRY. By W. PERCIVAL WESTELL,&#13;
F.L.S. 74 X 5. 164 pp. Headley. 28. 6d. n.&#13;
POETRY.&#13;
THE DREAMING ANTINOUS, AND OTHER POEMS. By&#13;
K. EVEREST. 266 pp. Erskine Macdonald, 17 Surrey&#13;
Street. Cloth. 28. 62.&#13;
THE SEA KING'S BRIDE AND OTHER POEMS FOR RECI-&#13;
TATION. By PETRONELLA O'DONNELL. 104 pp.&#13;
Alexander Moring.&#13;
IN MANTLE BLUE. By F. GWYNNE EVANS. 127 pp.&#13;
Elkin Mathews.&#13;
THE PHANTOM SHIP AND OTHER POEMS. By E. H.&#13;
VISIAK. With an Introduction by W. H. HELM. Elkin&#13;
Mathews. Cloth, 1s. 6d. ; Wrapper, 1s.&#13;
THE BRAIN OF THE NATION, AND OTHER VERSES. By&#13;
C. L. GRAVES. 71 x 5. 118 pp. Smith, Elder. 38. 6d. n.&#13;
THE CALL OF THE PRESENT. A Political Jingle. By&#13;
A. H. COCHRAN. 7 x 44. 64 pp. Simpkin, Marshali.&#13;
18. n.&#13;
THE NORSE KING'S “ BRIDAL." Ballads from the Danish&#13;
and Old Norse. By E. N. SMITH-DAMPJER. Melrose.&#13;
28. n.&#13;
VALE. A Book of Verse. By LEONARD INKSTER. Fifield.&#13;
18.&#13;
POLITICAL.&#13;
HOME RULE. By HAROLD SPENDER. With a Preface by&#13;
THE RIGHT Hon. SIR EDWARD GREY, BART.,&#13;
M.P. Second Edition, with the Text of the Home Rule&#13;
Bill, 1912, 75 X 5. 191 pp. Hodder &amp; Stoughton.&#13;
1s. n.&#13;
REPRINTS.&#13;
STUDIES AND APPRECIATIONS. Selected Writings of&#13;
William Sharp. Uniform Edition. Arranged by MRS.&#13;
WILLIAM SHARP. Vol. II. 78 X 54. 424 pp. Heine-&#13;
mann. 58. n.&#13;
FAR FROM THE MADDING CROWD. By THOMAS HARDY.&#13;
9 x 54. 464 pp. Macmillan. 78. 6d. n.&#13;
THE COLLECTED WORKS OF HENRIK IBSEN. Vol. XII.&#13;
FROM IBSEN'S WORKSHOP: NOTES, SCENARIOS, AND&#13;
DRAFTS OF THE MODERN PLAYS. Translated by&#13;
A. G. CHATER. With Introduction by WILLIAM&#13;
ARCHER. 71 x v. 528 pp. Heinemann. 48.&#13;
PLAYS AND POEMS. By OLIVER GOLDSMITH. Selected,&#13;
with an Introduction by THOMAS SECCOMBE. 6 X 4.&#13;
320 pp. Blackie. 28. 68. n.&#13;
THE MENAECHMI: The Original of Shakespeare's&#13;
“Comedy of Errors." The Latin Text, together with&#13;
the Elizabethan Translation. Edited by W. H. D.&#13;
ROUSE, Litt.D. The Shakespeare Library. 7 X 51.&#13;
122 pp. Chatto &amp; Windus. 28. 6d. n.&#13;
THEOLOGY.&#13;
MIRACLES AND HISTORY. A Study of the Virgin Birth&#13;
and the Resurrection. By The Rev. J. H. SKRINE.&#13;
9 x 6. 143 pp. Longmans. 38. 6d. n.&#13;
THE FRIENDSHIP OF CHRIST. By ROBERT HUGH&#13;
BENSON. 78 X 54. 167 pp. Longmans. 38. 6d. n.&#13;
THE PATHWAY OF SALVATION. By THE REV. T. A. LACEY.&#13;
61 X 4. 52 pp. S.P.C.K. 6d.&#13;
&#13;
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## p. 234 (#692) ############################################&#13;
&#13;
234&#13;
THE AUTHOR.&#13;
MISCELLANEOUS.&#13;
THE REVOLUTIONS OF CIVILIZATION. By PROF. W. M.&#13;
FLINDERS PETRIE. 135 pp. New York: Harpers.&#13;
75 cents, n.&#13;
THE MASTERY OF LIFE. By G. T. WRENCH. 518 pp.&#13;
New York : Kennerley. $4 n.&#13;
EARLY ESSAYS AND LECTURES. By CANON P. A. SHEE.&#13;
HAN. 354 pp. New York : Longmans. $1.60 n.&#13;
TOPOGRAPHY.&#13;
THE SEA WALLS OF THE SEVERN. By SANDFORD D.&#13;
COLE. 8! x 51. 31 pp. Bristol : Printed for private&#13;
circulation.&#13;
TRAVEL.&#13;
WANDERINGS IN ARABIA. By C. M. DOUGHTY. Being&#13;
an abridgment of “ Travels in Arabia Deserta."&#13;
Arranged with Introduction by E. GARNETT. Two&#13;
Volumes. 84 x 54. 309 + 293 pp. Duckworth. 58. n.&#13;
each volume.&#13;
THE MANTLE OF THE EAST. By E. CANDLER. 61 x 41.&#13;
372 pp. Nelson's Shilling Library.&#13;
JERUSALEM. A Practical Guide. By EUSTACE REYNOLDS&#13;
BALL. Second Edition. Revised and Enlarged. 68 x&#13;
44. 238 pp. Black. 28. 6d. n.&#13;
AGRA AND THE TAJ: A Handbook to Agra and the Taj,&#13;
Sikandra, Fatehpur-Sikrî, and the Neighbourhood. By&#13;
E. B. HAVELL. 8 x 5. 147 pp. Longmans. 58. n.&#13;
POETRY&#13;
THE EVERLASTING MERCY AND THE WIDOW IN THE&#13;
BYE STREET. By John MASEFIELD. 230 pp. New&#13;
York : Macmillan Co. $1.50 n.&#13;
ROSES, LOAVES AND OLD RHYMES. By ANNIE MATHESON.&#13;
152 pp. New York: Oxford University Press. $1.80 n.&#13;
THEOLOGY,&#13;
THE INFLUENCE OF CHRISTIANITY UPON SOCIAL AND&#13;
POLITICAL IDEAS. BY THE REV. A. J. CARLYLE.&#13;
Milwaukee, Wis. : Young Churchman. 60 cents. n.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
TRAVEL&#13;
THE BRITISH WEST INDIES : THEIR HISTORY, RESOURCES&#13;
AND PROGRESS. By ALGERNON E. ASPINALL. 434 pp.&#13;
Boston : Little, Brown. $3 n.&#13;
CHINA IN TRANSFORMATION. By A. R. COLQUHOUX.&#13;
Revised and enlarged, with two maps. 299 pp. New&#13;
York : Harper. $1.50 n.&#13;
BY DESERT WAYS TO BAGDAD. With Illustrations and a&#13;
Map. By LOUISA JEBB (MRS. ROWLAND WILKINS).&#13;
New York : Scribner. $2 n.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
ART.&#13;
JOHN LAVERY AND HIS WORK. By WALTER SHAW&#13;
SPARROW. With a Preface by R. B. CUNNINGHAME&#13;
GRAHAM. 209 pp. Boston : Estes. $3.50 n.&#13;
BIOGRAPHY.&#13;
LIFE AND LETTERS OF LAURENCE STERNE. By LEWIS&#13;
MELVILLE. Two Volumes. New York : Appleton,&#13;
$7.50 n.&#13;
OSCAR WILDE: A CRITICAL STUDY. By ARTHUR&#13;
RANSOME. New York : Kennerley. $2.50 n.&#13;
MY LADY CASTLEMAINE : BEING A LIFE OF BARBARA&#13;
VILLIERS, COUNTESS CASTLEMAINE, AFTERWARDS&#13;
DUCHESS OF CLEVELAND. With 16 illustrations,&#13;
including a photogravure frontispiece. By P. W.&#13;
SERGEANT. 356 pp. Boston. $3.50 n.&#13;
DRAMATIC.&#13;
THE GREY STOCKING, AND OTHER PLAYS. By MAURICE&#13;
BARING. 366 pp. Boston: Houghton Mifflin. $1.25 n.&#13;
FICTION.&#13;
THE REAL MRS. HOLYER. By E. M. CHANNON. 327 pp.&#13;
New York : Doubleday Page. $1.20 n.&#13;
JULIA FRANCE AND HER TIMES. By GERTRUDE&#13;
ATHERTOX. 533 pp. New York : Macmillan. $1:35 n.&#13;
THE MARRIAGE OF CAPTAIN KETTLE. By C. J.&#13;
CUTCLIFFE HYNE. 373 pp. Indianapolis : Bobbs-&#13;
Merrill. $1.23 n.&#13;
THE VICTORIES OF OLIVIA, AND OTHER STORIES. By&#13;
EVELYN SHARP. New York : Macmillan. $1.35 n.&#13;
BLINDS Down. By H. A. VACHELL. 329 pp. New&#13;
York : Doran. $1.20 n.&#13;
THE GUESTS OF HERCULES. By C. N. &amp; A. M. WILLIAM&#13;
SON. 633 pp. lllustrated by M. LEON BRACKER and&#13;
ARTHUR H. BUCKLAND. New York : Doubleday Page.&#13;
$1.35.&#13;
EBB AND FLOW. By Mrs. IRWIN SMART. 279 pp.&#13;
Boston : Estes. $1.25 n.&#13;
THE DEVIL'S WIND. By PATRICIA WENTWORTH, 427 pp.&#13;
New York : Putnams. $1.35 n.&#13;
LITERARY.&#13;
SHAKESPEARE: A STUDY BY DARRELL FIGGIS. 345 pp.&#13;
New York : Kennerley. $2 n.&#13;
N the recommendation of the Academic Com-&#13;
mittee, the Council of the Royal Society of&#13;
Literature has determined to award the&#13;
Gold Medal of the society to Mr. Thomas Hardy.&#13;
The last recipient was George Meredith. The&#13;
medal is now being struck, and will be presented&#13;
to Mr. Hardy on his next birthday, June 2.&#13;
Mr. Hubert Wales' new book, "The Spinster,"&#13;
was published by Mr. John Long at the end&#13;
of last month.&#13;
We regret that in the notice of Mr. Fred G.&#13;
Shaw's book, “ Our Future Existence," published&#13;
in our last issue, we omitted to mention that Messrs.&#13;
Stanley Paul &amp; Co., of 31, Essex Street, Strand,&#13;
W.C., were the publishers.&#13;
Miss K. Everest has published her first book of&#13;
poetry, entitled “ The Dreaming Antinous " and&#13;
other poems. The publisher is Mr. Erskine&#13;
Macdonald, 17, Surrey Street, Strand, and the&#13;
book is issued at 2s. 6d.&#13;
Mr. Arthur E. Baker, of the Public Library,&#13;
Taunton,' has just completed, after seven years&#13;
labour, a concordance to the works of the late&#13;
&#13;
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## p. 235 (#693) ############################################&#13;
&#13;
THE AUTHOR.&#13;
235&#13;
Lord Tennyson. Messrs. George Routledge &amp; Sons But this practice of payment on publication,&#13;
have undertaken to publish the work, provided a involving as it does a constant scrutiny by writers&#13;
sufficient number of subscribers be obtained to of magazines which have accepted their MSS., is&#13;
justify its publication. A fair number of sub- very irritating to authors. It is bad enough when&#13;
scriptions have been received, but more are required the writer is, so to speak, on the spot, but&#13;
'before the work can be put into print. The when, as is the case of the British contributor to&#13;
volume contains a verbal index to the poetical American magazines, he is miles away from the&#13;
and dramatic works of the author comprised in market, it becomes practically intolerable. It&#13;
the complete edition published by Messrs. Mac- clearly would not pay any author so situated to contri-&#13;
millan &amp; Co., Ltd.; the poems contained in the bute to an American issue conducted on these lines.&#13;
Life of Lord Tennyson by his son, and published It is satisfactory to note that payment on accept-&#13;
by the same publishers; also to the suppressed ance is the rule in America, but because the less&#13;
poems, edited by J. C. Thomson and arranged by satisfactory method of payment on publication&#13;
Messrs. Sands &amp; Co. It contains approximately is being adopted by some of the American publica-&#13;
150,000 references or quotations, and is arranged tions, it behoves authors, and particularly British&#13;
in strict alphabetical sequence : the different senses authors, to be sure of the practice of American&#13;
of the same word are frequently distinguished magazines in this respect before submitting work&#13;
under separate headings. The subscription price to them.&#13;
is one guinea nett, to be increased to twenty-five Mrs. Aubrey Le Blond's new work, “Charlotte&#13;
shillings nett upon publication.&#13;
Sophie, Countess Bentinck," was issued last month&#13;
We regret that a paragraph in our April issue by Messrs. Hutchinson &amp; Co. The subject of this&#13;
conveyed the impression that Mrs. Bernard Whishaw work lived in an extremely interesting period of&#13;
was preparing the new edition of “ Baedeker's European history. The assassinated King of Sweden&#13;
Spain.” This is not the case. Mrs. Whishaw's had been her suitor ; she had lived at Berlin in&#13;
work in connection with the Guide has been to close friendship with Frederick the Great, and at&#13;
revise the selection relating to Seville.&#13;
Vienna on terms of intimacy with Marie Thérèse.&#13;
We have received from The Editor Company, Stanislaus of Poland was one of her friends, and&#13;
Ridgewood, New Jersey, a little magazine, published amongst men of letters she included nearly every&#13;
by that company, entitled The Editor. The April one of note.&#13;
issue, which is before us, contains a good deal of The work is published in two volumes, and&#13;
information useful to writers anxious to gain a foot- contains over seventy illustrations from original&#13;
ing on the American magazine market. It pro- paintings, facsimiles of letters, etc.&#13;
vides a monthly record of the requirements of the Mr. Frederic M. Halford has just issued, through&#13;
American magazines, which, it would seem, alter Messrs. George Routledge &amp; Sons, a new book for&#13;
too quickly to make an annual record of much use the dry-fly angler. It is called the “Dry-Fly&#13;
to the author. It also gives particulars of the Man's Handbook : a Complete Manual,” including&#13;
practices of the different magazines in regard to the The Fisherman's Entomology ; and The Making&#13;
return of MSS., as well as the rates and times of and Management of a Fishery. There are forty&#13;
payment and other matters important to the free photogravure plates, and numerous illustrations&#13;
lance. For example, we learn from The Editor and diagrams printed in the text.&#13;
that the Twentieth Century Magazine, of 5, Park “An Angler at Large” is the title of a new book&#13;
Square, Boston, is not able, at present, “ to pay for which Messrs. Kegan Paul &amp; Co. are publishing&#13;
its serious articles.” Whether, with this informa- for Mr. William Caine, who is known to readers of&#13;
tion before them, writers will be wise to submit “The Field ” as a writer on angling under his&#13;
humorous work (which probably would need to be pseudonym of “ W. Quilliam " in the paper.&#13;
.so marked to prevent dispute subsequently) is not At the Mechanics' Institute, Bradford, on&#13;
quite clear, nor, as The Editor points out, is any. April 29, recitals from the works of Mr.&#13;
thing said of verse or fiction,&#13;
Mackenzie Bell were given by Mr. William Miles.&#13;
We regret to notice, also, that some of the Some half-a-dozen or so pieces were presented by&#13;
American publications are adopting the practice of Mr. Miles, including “The Keeping of the Vow,"&#13;
paying for work after publication instead of on “ The Battle's Pause,” and “No Sun ever Rose&#13;
acceptance. Moreover, in one case at any rate, it without Setting.”&#13;
is quite frankly stated that “no certain date of Although the late Justin McCarthy's “ History&#13;
publication can be promised.” It should be added, of Our Own Time” is so well known, there is a&#13;
however, that failing publication within a reason- most attractive piece of annal writing which he&#13;
able time from acceptance, the author would be wrote that has fallen out of sight. When the Daily&#13;
entitled to payment, despite the rule of the editor Veur's attained its jubilee in the year 1890, he&#13;
of the magazine.&#13;
compiled, as a kind of souvenir of the event, a&#13;
&#13;
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## p. 236 (#694) ############################################&#13;
&#13;
236&#13;
THE AUTHOR.&#13;
political and social retrospect of the fifty years of Messrs. Williams &amp; Norgate have published&#13;
Queen Victoria's reign. It is now published by “The Quest: A Drama of Deliverance," by Miss&#13;
Messrs. Sampson Low &amp; Co.&#13;
Dorothea Hollins, author of “The Veiled Figure,&#13;
Early in September Messrs. Mills &amp; Boon will and Other Poems” (Williams &amp; Norgate), “The&#13;
publish “ The Swimmer,” a new novel by Louise Herbs of Medea” (Elkin Mathews), and other works.&#13;
Gerard. It deals with the struggles in the life of a&#13;
girl poet from her baby days to her womanhood,&#13;
DRAMATIC.&#13;
and contains many sketches of poverty in its varying&#13;
phases.&#13;
We have received from the Era office a pamphlet&#13;
Mr. Bloundelle-Burton's new romance, “The on the Copyright Act, 1911, so far as the Act affects&#13;
Sea Devils,” now ready, is somewhat of the nature Dramatic and Musical Copyright. It has been&#13;
of “The Hispaniola Plate," by which he first compiled by Mr. A. A. Strong, who has quoted&#13;
became known to the reading public, though there is sections of the Act likely to be of importance to&#13;
no treasure-seeking—nor finding-in it. The story dramatists, adding explanations where explanations&#13;
is laid in and around Lisbon, whence the Armada have seemed necessary.&#13;
sailed, and to which it returned in woeful plight The repertory of the Abbey Theatre Company,&#13;
some of it; and the Inquisition is also prominent during the season which will open at the Court&#13;
in the narrative. The hero is himself an English Theatre on June 3, will include plays new to&#13;
sailor, and the heroine is a Spanish girl, resident in London, by Mr. William Boyle, Mr. T. C. Murray&#13;
Lisbon. Their love gets tangled, however, from and Mr. Lennox Robinson, besides Mr. W. B.&#13;
the fact that, at first, the girl has believed her lover Yeats's “ The Countess Cathleen," in its new&#13;
to be a Spaniard himself, and hence “woes version.&#13;
unnumbered spring.” Naturally enough an English “Mrs. Dane’s Defence," by Henry Arthur Jones,&#13;
sailor and his brother “sea-devils” know well was revived at the New Theatre on May 16. In&#13;
enough how to put matters right at last. The the cast were Sir Charles Wyndham, Miss Mary&#13;
book is published by F. V. White &amp; Co., Limited. Moore, Mr. Sam Sothern, and Miss Lena Ashwell.&#13;
On May 10 Mr. Martin Secker published a first The Actor's Sword Club announce a special&#13;
book by Lionel Allshorn, entitled “Stupor Mundi: matinee to be given on Thursday, the June 13,&#13;
the Life and Times of Frederick the Second, at 3 p.m., on “ The Duel throughout the Ages,"&#13;
Emperor of the Romans, King of Sicily and from the gladiator combat of ancient Rome to the&#13;
Jerusalem, 1194-1250 A.D." (16s. net.) The modern French duel. Between the itenis, Mr.&#13;
chief interest of the subject lies in the dramatic Egerton Castle will briefly describe the development&#13;
struggle between Frederick and the Popes. This of the weapons. Tickets may be obtained at the&#13;
most gifted of the mediæral Emperors was the St. James's Theatre, from Mr. J. P. Blake, 147,&#13;
object of a peculiarly violent hostility. He was Leadenhall Street, E.C., or from Mr. Gerald Ames,&#13;
excommunicated again and again, and was finally Hon. Secretary Actor's Sword Club, 159, Brompton&#13;
solemnly deposed from his thrones by Innocent IV. Road, S.W. The performance is in aid of the&#13;
in the Council of Lyons. The historian Freeman Actors' Benevolent Fund.&#13;
has called him “the most gifted of the sons of “ The Double Game," by Mr. Maurice Baring,&#13;
men ... in sheer genius the greatest Prince who was produced at the Kingsway Theatre on May 7.&#13;
ever wore a crown." There is only one other book The play deals with the Russian revolutionary&#13;
on the subject in the English language, and that movement, and the action centres round three&#13;
was published half a century ago.&#13;
characters, two men and a girl. The girl is a&#13;
“The Norse King's Bridal,” ballads from the revolutionist to whom it falls to carry out the&#13;
Danish and Old Norse, with original verses, by assassination of a hated official. After standing up&#13;
E. M. Smith-Dampier, was published in March by for one of the men to whom she has given her heart,&#13;
Andrew Melrose. 28. net.&#13;
the girl is forced to realise that he is a police spy,&#13;
Mr. Arthur Dillon's forthcoming book will con and tragedy follows her disillusionment. In the&#13;
sist of a connected trilogy, or set of three tragedies cast were Miss Erniter Lascelles, Mr. Claude King,&#13;
in a sequence. Mr. Elkin Mathews already has and Mr. Harcourt Williams.&#13;
the volume in preparation.&#13;
“ The Five Frankforters,” a comedy in three acts,&#13;
The Hon. J. M. Creed, Member of the Legis- by Captain Basil Hood, was produced at the Lyric&#13;
lative Council of New South Wales, delivered a Theatre on May 7. The play presents a picture&#13;
paper, at the Royal Colonial Institute on May 14th, of the life of a wealthy Jewish family, and describes&#13;
on the Settlement by “Whites” of Tropical their attempt to marry one of the girls to an&#13;
Australia. The meeting was held at the Hotel impecunious duke. In the cast are Miss Henrietta&#13;
Métropole, and the Duke of Marlborough was in Watson, Mr. Louis Calvert, Mr. C. M. Lowne, Miss&#13;
the chair.&#13;
Gladys Grey, and Mr. Leonard Quartermaine.&#13;
&#13;
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## p. 237 (#695) ############################################&#13;
&#13;
THE AUTHOR.&#13;
237&#13;
PARIS NOTES.&#13;
volume is an account of the various insects which&#13;
are harmful to agriculture. It is illustrated with&#13;
sixteen photogravures.&#13;
Among books of interest to English readers are&#13;
“ Bernard Shaw et son (Euvre ” by Charles Cestre.&#13;
“Sous la Neige,” by Edith Wharton, another&#13;
novel by the author of « Chez les Heureux du&#13;
Monde,” and “ Les Metteurs en scène."&#13;
ALYS HALLARD.&#13;
“Napoléon à Sainte Hélène" (Ollendorf).&#13;
“L'Evolution du Dogme Catholique" (Emile Nourry).&#13;
“Le Droit de massacrer les Hérétiques" (Emile Nourry).&#13;
“Evolution de la France Agricole” (Armand Colin).&#13;
“La Direction de la Guerre" (Marc Imhaus &amp; René.&#13;
Chapelot).&#13;
“ Histoire universelle du Travail” (F. Alcan).&#13;
“Les Ravageurs" (Delagrave).&#13;
“ Bernard Shaw et son Cuvre” (Mercure de France).&#13;
“Sous la Neige" (Plon-Nourrit).&#13;
PUBLISHERS' ROYALTY AGREEMENTS.&#13;
“T'ELÈVE Gilles," by M. André Lafon, has&#13;
U won for its author a French Academy&#13;
prize of ten thousand francs. It is a&#13;
psychological study of a schoolboy, and with the&#13;
exception of a painful domestic tragedy, there is not&#13;
much incident. M. Lafon is quite young, and this&#13;
is his first novel.&#13;
The French Academy Gobert prize has been&#13;
divided this year, and awarded to M. Louis Madelin&#13;
for his book “ La Révolution,” and to M. Pierre&#13;
Champion for his “ Vie de Charles d'Orléans.”&#13;
The Berger prize has been awarded to M. de&#13;
Laborie for his “ Paris sous Napoléon.”&#13;
“ Napoléon à Sainte Hélène (1815-1821)" by&#13;
Frédéric Masson, is the last of the volumes on this&#13;
subject. The three volumes entitled “ Autour de&#13;
Sainte Hélène ” gave us details with regard to the&#13;
various persons who approached the Emperor during&#13;
his captivity. In the present book we have an&#13;
account of that captivity and of his death in&#13;
1821.&#13;
A series of books is to be published on&#13;
* L'Evolution du Dogme catholique." The first&#13;
one, on “Les Origines,” by Félix Goblet d'Alviella,&#13;
has appeared, and another volume is to be published&#13;
each year,&#13;
“ Le Droit de massacrer les Hérétiques" is a&#13;
reply by the author of the “ Mariage des Prêtres”&#13;
to the Père Janvier, 0.P., after his lecture in the&#13;
cathedral of Notre-Dame.&#13;
In the series of books published as the&#13;
“ Bibliothèque du Mouvement social contem-&#13;
porain ” M. Michel Augé Laribe has just brought&#13;
out his “ Evolution de la France agricole.” In&#13;
this volume the author has endeavoured to explain&#13;
the workings of the French agricultural systems,&#13;
the progress realised by French agriculture, and the&#13;
difficulties with which it has to contend.&#13;
“ La Direction de la Guerre” (La liberté d'action&#13;
des généraux en chef), by the Commandant V.&#13;
Dupuis, is an extremely instructive book for all who&#13;
are interested in military questions. The author&#13;
has received the Gobert prize from the French&#13;
Academy.&#13;
“La Guerre telle qu'on la fait," by Lieutenant&#13;
Jaray, is another book on a subject of universal&#13;
interest.&#13;
A series of twelve volumes is being published on&#13;
the “ Histoire universelle du Travail.” Paul&#13;
Louis has just published one of this series on “Le&#13;
Travail dans le Monde romain," and F. Maury&#13;
another on “Les Valeurs françaises depuis dix&#13;
ans : leurs résultats, leurs garanties, and Etudes&#13;
statistiques.” They are both books that will&#13;
interest social economists.&#13;
“ Les Ravageurs,” by JH. Fabre. This&#13;
THE AUTHOR GRANTS.&#13;
TN the evolution of the management of literary&#13;
I and musical property, it has become almost&#13;
a universal custom for publishers to submit&#13;
their agreements to authors rather than for anthors&#13;
to draft and submit their agreements to publishers.&#13;
In consequence, a large number of publishers have&#13;
made it part and parcel of their agreements to ask&#13;
for everything they can possibly obtain, and unless&#13;
the author is aware of the dangers and difficulties&#13;
inherent in these agreements he may, unwittingly,&#13;
sign away his birthright.&#13;
In considering the question of agreements, there-&#13;
fore, it will assist authors if the terms and clauses&#13;
are taken from agreements which have been known&#13;
to be offered for signature, and the difficulties of the&#13;
clauses explained, rather than that a formal clause&#13;
should be laid before them for their consideration.&#13;
An agreement to be clear should be drafted in a&#13;
certain specific form. It should begin with a recital&#13;
of the parties. The first clause should indicate the&#13;
rights the author grants; the second clause the&#13;
duties the publisher undertakes, and the third clause&#13;
the royalties (for this paper professes to be a con-&#13;
sideration of a royalty agreement) and other&#13;
considerations the publisher is willing to pay for&#13;
the rights which the author grants to him.&#13;
B efore the clauses, which have been taken from&#13;
publishers' agreements, are set out, it will be as well&#13;
to state roughly what, as a general rule, it is wise&#13;
an author should grant to a publisher.&#13;
First it should be stated, and the statement can-&#13;
not be too often repeated, that&#13;
NO AUTHOR SHOULD TRANSFER HIS COPYRIGHT&#13;
TO A PUBLISHER WHILE HE PRESERVES A CON-&#13;
TINUING INTEREST IN HIS WORK.&#13;
&#13;
&#13;
## p. 238 (#696) ############################################&#13;
&#13;
238&#13;
THE AUTHOR.&#13;
What, then, should the author grant?&#13;
His clause, which ought to be Clause I., should&#13;
run somewhat on the following lines:&#13;
"The Author grants to the Publisher a licence to publish&#13;
his work entitled&#13;
'in book form in format&#13;
(or in a format agreed between Author and Publisher) at&#13;
the published price of in the English language."&#13;
This form should be slightly altered when it&#13;
comes to a musical composition, but on the subject&#13;
of agreements for musical compositions, readers are&#13;
referred to the May (1910) issue of The Author.&#13;
The clause printed above gives a rough idea of&#13;
the model form of the clause which contains the&#13;
author's conveyance. It is sometimes desirable&#13;
to leave the format of the book to the discretion of&#13;
the publisher. It is important that the pub-&#13;
lisher should be limited to the publication of the&#13;
work at a fixed price, say £1 18. ; 10s. 6d. ; 68. ;&#13;
58., etc., and it should be distinctly stated whether&#13;
the price is “ nett” or subject to discount. The&#13;
other limitations which this clause should contain&#13;
are :&#13;
(1) Limitations as to country (generally Great&#13;
Britain and Ireland, the Colonies and&#13;
dependencies thereof).&#13;
(2) Limitations as to edition (an edition of 1,000,&#13;
2,000, or 3,000 copies).&#13;
(3) Limitation as to time (for a period of three,&#13;
five, or seven years);&#13;
(4) Limitations which combine one or two of the&#13;
former (Great Britain and Ireland for a&#13;
period of seven years).&#13;
It is now essential to set out, from the publishers&#13;
own agreements what the publisher thinks the&#13;
author ought to grant, and it will be convenient if&#13;
we take, first, those clauses in which the publisher&#13;
asks for the copyright. If any author finds any of&#13;
these clauses in agreements submitted to him for&#13;
signature, he will be able to ascertain, from the&#13;
following criticisms, the grounds of objection to&#13;
them from the author's standpoint.*&#13;
C. That in consideration of the hereinafter mentioned&#13;
payments the author hereby agrees to sell and assign to&#13;
the publisher the copyright of the above work and the&#13;
publisher agrees to purchase the said copyright with the&#13;
exclusive right of printing and publishing the work in serial&#13;
and book form with or without revision and abridgment&#13;
in Great Britain and Ireland the British Colonies and&#13;
Dependencies in the United States of America and on the&#13;
Continent of Europe and in all other countries islands and&#13;
continents.&#13;
That should the publisher issue special editions for sale&#13;
in the British Colonies and Dependencies only or on the&#13;
Continent of Europe, he shall pay to the author on all&#13;
copies of such editions sold a royalty of ten per cent. on the&#13;
Colonial edition and five per cent. on the Continental&#13;
edition, these royalties being on the net receipts of such&#13;
sales and payable at the same time as the royalties provided&#13;
for in C&#13;
eof.&#13;
That the publisher shall have the sole right to sell or&#13;
assign the American, Colonial, Continental, Foreign, Trans-&#13;
lation, Serial and Dramatic rights in the above work. He&#13;
shall pay all costs of negotiating such sales and distributing&#13;
copies of the work for such purposes, and the publisher&#13;
shall pay to the author fifty per cent. of the receipts from&#13;
the sale of the same, such amounts to be payable at the&#13;
same time as the royalties provided for in Clause 5 hereof.&#13;
That the publisher gives no guarantee of securing copy-&#13;
right outside the United Kingdom and does not bind him-&#13;
self, to issue special Colonial or Continental editions or&#13;
to sell serial translation dramatic or other rights.&#13;
D. The author agrees to transfer to the publishers the&#13;
remaining copyrights and all other rights in the said stories&#13;
for all foreign countries on the terms that the publishers&#13;
shall pay to the author one half of the net profit which&#13;
may be made by the publishers from the sale by them of&#13;
any rights plates copies (bound or in sheets) for the pur-&#13;
pose of publication of the said work abroad.&#13;
E. The copyright of the work and of all editions thereof&#13;
shall belong to the publisher his executors administrators&#13;
and assigns.&#13;
F. The publishers agree to purchase and the author&#13;
agrees to sell the copyright in Great Britain and all other&#13;
parts of the world of a work entitled " ," hereinafter&#13;
referred to as the said work the MS. of which the author&#13;
has delivered to the publishers, and of all future editions&#13;
thereof in consideration of the following payments, viz.,&#13;
per cent, on all copies sold, thirteen copies being counted&#13;
as twelve.&#13;
The publishers shall have the right to sell copies of the&#13;
said work, or the rights of translation thereof on any&#13;
terms they shall think expedient to foreign countries and&#13;
the author shall not be entitled to royalty in respect&#13;
thereof, but the net amount realised therefrom shall be&#13;
divided between the author and the publisher, in the&#13;
following proportions, viz., 50 per cent. to the author&#13;
50 per cent. to the publishers.&#13;
If the said work shall be included in any edition of&#13;
works published in England for exclusive sale in India&#13;
and the Colonies, the author shall be entitled to receive&#13;
per cent. of the actual net proceeds of such sales.&#13;
If copies of the ordinary edition be sold to Colonial and&#13;
other exporters or booksellers at a rate lower than the&#13;
ordinary trade price the author shall be entitled to receive&#13;
per cent. of the actual net proceeds of such sales.&#13;
Let us take for particular consideration the&#13;
clauses printed above, in their order.&#13;
A. The author agrees to assign to the publisher their&#13;
successors and assigns the copyright and sole right of&#13;
publication of the above work.&#13;
To begin with, the publisher asks the author to&#13;
CLAUSES SUBMITTED BY THE PUBLISHER.&#13;
A. The author agrees to assign to the publishers their&#13;
successors and assigns the copyright and sole right of&#13;
publication of the above work.&#13;
B. The copyright therein shall be the property of the&#13;
publishers who may arrange as they think fit for the com-&#13;
pletion and publication of the work.&#13;
If any moneys are received from the sale of translation&#13;
or other rights the net receipts after deduction of expenses&#13;
relating thereto shall be divided in the following propor-&#13;
tions, viz. : Sixty per cent. to the author and forty per cent.&#13;
to the publishers.&#13;
* It is difficult, owing to the lack of uniformity and&#13;
simplicity in the drafting of the agreements, to prevent a&#13;
division of clauses on these lines from overlapping. Some&#13;
publishers have a curious method of making their agree-&#13;
ments both complicated and confusing. When, therefore,&#13;
principles have already been laid down they will not&#13;
uecessarily be repeated.&#13;
&#13;
&#13;
## p. 239 (#697) ############################################&#13;
&#13;
THE AUTHOR.&#13;
239&#13;
assign to him, bis successors and assigns, the copy-' and otherwise, were absurd. The author then&#13;
right.&#13;
joined the society and the secretary went into the&#13;
NO AUTHOR SHOULD TRANSFER HIS COPYRIGHT matter with great care, but found there was no&#13;
TO A PUBLISHER WHILE HE PRESERVES A CON- loophole of escape. On his advice the author&#13;
TINUING INTEREST IN HIS WORK.&#13;
refused to accept the terms, and proceeded to pur-&#13;
This phrase will be quoted and re-quoted, until, chase back the copyright at the publisher's own&#13;
it is hoped, the brain will receive an impression price, and to publish with an old established house,&#13;
which cannot be deleted.&#13;
paying for the cost of production himself. By this&#13;
What are the reasons for reiterating the phrase means alone could he gain control of his increasingly&#13;
with such vehemence? They are many and varied. valuable property. But all anthors are not in such&#13;
In the first place, it is necessary to consider the a favourable position, and other examples might be&#13;
point of view of writers on such matters, as, for quoted where the technical writer has had to accept&#13;
example, theological, biographical, historical sub- the bad ternis offered by the publisher rather than&#13;
jects, educational works, scientific, technical, medical, allow his work to continue before the public a slur&#13;
and those thousand and one subjects which, owing on his reputation. But this arrangement may&#13;
to the great advance in research, are in a constant preclude him from writing again on the subject&#13;
state of change.*&#13;
which is his life study.&#13;
Although works of fiction are more popular with This is the main reason why authors of the works&#13;
the public, financially their returns cannot compare mentioned cannot be too careful not to convey the&#13;
with the returns from the works quoted. It is foolish copyright.&#13;
to think, therefore, that the society deals only with There are other reasons which apply to all authors.&#13;
writers of fiction-because they are more often in With the conveyance of copyright the actual pro-&#13;
evidence, or that it is not fully aware of the vast perty is conveyed. A publisher can alter that&#13;
property in other works—and writers on any of the property so long as he does not libel the author's&#13;
above subjects should, by joining the society, be literary reputation. But the work is the author's,&#13;
kept informed as to the value of their property and and what may not appear to a jury of tradesmen to&#13;
the difficulties with which they have to contend. be a libel on the author's reputation, may be pure&#13;
Many a suitable technical or medical work taken sacrilege from the author's point of view. A father&#13;
up by educational centres sells steadily by its does not care to see his own child whipped by an&#13;
hundreds, and sometimes by its thousands, a year alien hand.&#13;
right through the whole term of copyright. Though Then, if the arguments already put forward&#13;
this last paragraph is somewhat by the way, it still were not sufficient to convince any author, there&#13;
contains a great truth, which the careless author have been cases tried in the Courts which make the&#13;
should fully realise.&#13;
conveyance of copyright, when the author retains a&#13;
To return to Clause A. The reason for our continuing interest, suicidal.&#13;
objection is not far to seek. It will be necessary The first was Warwick Deeping and Moring.&#13;
to quote one instance merely, to convince any author Here, Mr. Warwick Deeping conveyed his copyright&#13;
on the point.&#13;
to Mr. Grant Richards, receiving a royalty on every&#13;
A young medical man, who was making his mark copy of the book sold. Mr. Grant Richards went&#13;
as a specialist, was swooped upon by a far-seeing bankrupt, and the trustee in bankruptcy assigned&#13;
publisher to write a book for him on his special the agreement to Mr. Moring. The Court held&#13;
subject. Ignorant of the value of his property, and that Mr. Deeping could not claim royalties from&#13;
perhaps rather flattered by the compliment, he Moring &amp; Co., but could only claim damages&#13;
wrote the book, conveyed the copyright to the for breach of agreement against the bankrupt&#13;
publisher, and received a royalty.&#13;
estate.&#13;
Ten years afterwards, when he had become The second was on somewhat similar lines, but&#13;
famous, he wanted to re-issue his book with the was not in the hands of the committee of the&#13;
additions and alterations necessary on account of society. It was carried to the Court of Appeal,&#13;
the changes that had been made in his particular and the decision of Mr. Justice Warrington in the&#13;
study, and the wisdom he had collected by many court of first instance was upheld.&#13;
fresh examples. He was unable to come to an . The plaintiff was the composer of certain songs,&#13;
agreement with his publisher, who, knowing that he and he assigned his copyright to the defendants,&#13;
held the copyright in the former book, refused to subject to the payment of a royalty of £d. on every&#13;
make a re-issue, except on terms which, financially copy sold by the Defendant Company in the United&#13;
States, and ld. on every copy sold by the Defendant&#13;
* We use the words,“ technical works," as a synonym for&#13;
Company elsewhere. The songs were published on&#13;
all those books which for one reason or other need periodic&#13;
revision. The range is very wide, and to give a detailed&#13;
two occasions in the Weekly Dispatch by the Willis&#13;
list would be very cumbersome.&#13;
Music Company as an advertisement, and it was&#13;
&#13;
&#13;
## p. 240 (#698) ############################################&#13;
&#13;
240&#13;
THE AUTHOR.&#13;
admitted that the publication was made with the There is something, however, beyond a transfer&#13;
knowledge and approval of the defendants. The of copyright in this clause.&#13;
plaintiff's claim was for royalties on the sales of When copyright has been transferred no altera-&#13;
copies of the songs in the Weekly Dispatch. Mr. tions may be made by the assignee which would&#13;
Justice Warrington held that the defendants were amount to a literary libel. But in this clause the&#13;
not liable.&#13;
publishers are allowed “ to arrange as they think fit&#13;
The copyright was assigned to the defendants for the completion and publication of the work."&#13;
subject only to the condition that they should pay It is very doubtful whether the author would have&#13;
royalties on copies sold by them. The Weekly any remedy in these circumstances, however grievous&#13;
Dispatch is the property of the Associated News- the alterations might be to his reputation.&#13;
papers Limited, and was not sold by the Defendant The second clause under heading “B” calls also&#13;
Company or its agents, and therefore no royalties for some serious comment.&#13;
were payable in respect of copies contained in the When an author conveys the copyright without&#13;
paper.&#13;
limitation, he conveys the translation rights, the serial&#13;
Lastly, it is possible, and this case would arise rights, and all the minor rights. These rights, if&#13;
more frequently, perhaps, in the publication of properly marketed, are valuable. But if when&#13;
music than in book publication, that a composer an author conveys the copyright he is only paid in&#13;
may transfer his copyright to a publisher. Another the agreement a royalty on a definite form of pub-&#13;
publisher, or, perhaps, another composer, if he is lication, say on the published price of the work in&#13;
lucky enough to have retained his copyright, may book form at the price of 12s. 6d., he would not be&#13;
turn round and say to the first publisher, " The work entitled to claim anything on the sale of these other&#13;
you have published is an infringement of my copy- rights unless a special stipulation to that effect were&#13;
right." The composer when referred to may made in the agreement.&#13;
retort: “Oh! No! It is not an infringement, and The question of allowing these minor rights to be&#13;
I have the best musical opinion that it is not." marketed by the publisher, and the division of&#13;
The publisher of the alleged piracy, as owner of the possible profits, is a matter which has been discussed&#13;
copyright, may say, “I am not going to have the in the columns of this paper, and may be discussed&#13;
worry and expense of a copyright action, and I later when considering other clauses in publishers'&#13;
must therefore, I regret to say, withdraw your com- agreements.&#13;
position from the market.”&#13;
It is very doubtful whether, in such circumstances,&#13;
C. That in consideration of the hereinafter mentioned&#13;
the composer would have any remedy whatever,&#13;
payments the author hereby agrees to sell and assign to&#13;
the publisher the copyright of the above work and the&#13;
although his work might possibly have brought him publisher agrees to purchase the said copyright with the&#13;
a steady income.&#13;
exclusive right of printing and publishing the work in serial&#13;
In further consideration of the clause the words&#13;
and book form with or without revision and abridgment&#13;
in Great Britain and Ireland the British Colonies and&#13;
“and sole right of publication of the above work”.&#13;
Dependencies in the United States of America and on the&#13;
are surplusage and a sign of bad draftsmanship. Continent of Europe and in all other countries islands and&#13;
They should be deleted, for as it is right that no continents,&#13;
word should be omitted if it is necessary to define&#13;
That should the publisher issue special editions for sale&#13;
in the British Colonies and Dependencies only or on the&#13;
any point accurately and make it beyond dispute,&#13;
Continent of Europe, he shall pay to the author on all&#13;
so it is right that no word should be added which&#13;
copies of such editions sold a royalty of ten per cent, on&#13;
should in any way tend to confuse the issues. An the Colonial edition and five per cent. on the Continental&#13;
agreement to assign the copyright carries with it edition, these royalties being on the net receipts of such&#13;
sales and payable at the time as the royalties provided for&#13;
indisputably the sole right of publication.&#13;
in Clause 5 hereof.&#13;
B. The copyright therein shall be the property of the&#13;
That the publisher shall have the sole right to sell or&#13;
publishers who may arrange as they think fit for the com-&#13;
assign the American, Colonial, Continental, Foreign, Trans-&#13;
lation, Serial and Dramatic rights in the above work. He&#13;
pletion and publication of the work.&#13;
shall pay all costs of negotiating such sales and distributing&#13;
If any moneys are received from the sale of translation&#13;
copies of the work for such purposes, and the publisher&#13;
or other rights the net receipts after deduction of expenses&#13;
relating thereto shall be divided in the following propor-&#13;
shall pay to the author fifty per cent. of the receipts from&#13;
tions, viz.: Sixty per cent, to the author and forty per cent,&#13;
the sale of the same, such amounts to be payable at the&#13;
same time as the royalties provided for in Clause 5 hereof.&#13;
to the publishers.&#13;
That the publisher gives no guarantee of securing copy.&#13;
Comment has already been passed on the transfer right outside of the United Kingdom and does not bind&#13;
himself to issue special Colonial or Continental editions or&#13;
of copyright. It may, however, be worth while to&#13;
10 sell serial translation dramatic or other rights.&#13;
repeat that&#13;
NO AUTHOR SHOULD TRANSFER HIS COPYRIGHT The latter part of Clause 1, with the exception&#13;
TO A PUBLISHER WHILE HE PRESERVES A of certain words which will be mentioned, is sur-&#13;
CONTINUING INTEREST IN HIS WORK.&#13;
plusage, as the greater includes the less. The&#13;
&#13;
&#13;
## p. 241 (#699) ############################################&#13;
&#13;
THE AUTHOR.&#13;
241&#13;
transfer of copyright includes the exclusive right of the sole right to negotiate these rights ! and that&#13;
printing and publishing.&#13;
he should generously pay the author 50 per cent. of&#13;
The words, bowever, “ with or without abridg- the latter's profits !&#13;
ment" materially increase the author's danger and It is sorry evidence to put forward that a pub-&#13;
difficulty, and practically hand over to the pub- lisher can openly have such printed clauses in his&#13;
lisher that right of revision and abridgment which, agreement and ask the unfortunate author to pass&#13;
being carried beyond literary libel, leaves the author them.&#13;
with no protective power over his property.&#13;
Clause 4 is further eridence, if further evidence&#13;
It must be clearly understood, however, that were needed, of how far an anthor may throw him-&#13;
nothing in the transfer to the publisher of the self into the power of a publisher.&#13;
power of revision or abridgment will allow the An author might say—he would not be very wise&#13;
publisher to commit a fraud on the public by putting —but still be might say, “ I will give you these&#13;
forward one man's work as the work of another. rights if you will undertake to issue Colonial&#13;
To the words “on the Continent of Europe in editions, to obtain United States copyright, and&#13;
all other countries, islands and continents” we must will market my work serially and in translation&#13;
also take exception. There are many countries not form.”&#13;
in reciprocal treaty with Great Britain for the pro- But under this agreement he transfers the rights,&#13;
tection of copyright, such as Russia and Turkey in and is content with no guarantee from the publisher&#13;
Europe and the United States (unless certain drastic that the latter will do anything to utilise these&#13;
formalities are complied with) and all the countries rights.&#13;
of South America. These words then could prevent This is not the kind of agreement for an author&#13;
the author from publishing in those countries, even to sign who has any respect for himself, or any&#13;
although he had no rights there. Or, in other words, desire to obtain a suitable market for his property.&#13;
the publisher might make a profit, until a pirate&#13;
D. The author agrees to transfer to the publishers the&#13;
stepped in, although the author had no copyright,&#13;
remaining copyrights and all other rights in the said stories.&#13;
but the author would be debarred from making a for all foreign countries on the terms that the publishers&#13;
profit himself.&#13;
shall pay to the author one half of the net profit which&#13;
Clause 2 needs but little comment. But as it&#13;
may be made by the publishers from the sale by them of&#13;
any rights plates copies (bound or in sheets) for the pur-&#13;
is drafted, it emphasises the fact of the author's&#13;
pose of publication of the said work abroad. .&#13;
servitude. The amount of royalty is exceedingly low.&#13;
The author receiving 10 per cent on the English There is little to be said of this clause except&#13;
edition, may think, if he is ignorant of the value of that the latter part carries considerable disadvan-&#13;
literary property, that the same percentage on tages to the author. It may be possible to arrange&#13;
Colonial editions is fair. But he should be warned an equitable division of profits on the sale of stereos&#13;
in his ignorance that 10 per cent. is 1d. to 11d. a and other rights if the author is foolish enough to&#13;
copy on the average prices received by publishers let the publisher handle them, but in no circum-&#13;
for the ordinary sized book, whereas 3d. a copy- stances should he allow a profit-sharing arrange-&#13;
one of the lowest royalties offered—pays the ment on the sale of bound copies or sheets in the&#13;
publisher well. The royalties, however, will be Colonies or abroad to enter into an ordinary&#13;
dealt with more fully, when the regular royalty royalty agreement. The reasons for this state-&#13;
clauses are dealt with.&#13;
ment have been put forward at some length in&#13;
The word “should” at the beginning of the clause The Author for January, 1902.&#13;
calls for remark, as the publisher does not undertake&#13;
E. The copyright of the work and of all editions thereof&#13;
to issue these editions, and may, in consequence, if&#13;
shall belong to the publisher, his executors, administrators,&#13;
he should so desire, totally neglect the author's best and assigns.&#13;
interests, i.e., to widen his market and extend his&#13;
reputation.&#13;
There are only a few words in this clause that&#13;
Clause 3, as well as a portion of the former clause, stand in need of separate comment.&#13;
really refers to what ought to be the third clause in&#13;
“And of all editions thereof."&#13;
a properly drafted agreement. It cannot be discussed&#13;
here.&#13;
In a series of definitions relating to the book&#13;
But it should be noted that the publisher has the trade issued by the Publishers' Association, we&#13;
sole right to do what no author should ever ask a believe “impression " was taken to mean a reprint&#13;
publisher to do except under certain limitations, and unaltered, "edition” a reprint, but altered.&#13;
that the rights mentioned include “dramatic rights." The publisher, therefore, in order to make&#13;
That the author should ask the publisher to nego. himself doubly secure, can control the author in&#13;
tiate his dramatic rights, indeed, reaches the last any alteration he may desire to make in his&#13;
point of absurdity; that the publisher should have original text, can hamper or expedite any improve-&#13;
“And of all cu&#13;
&#13;
&#13;
## p. 242 (#700) ############################################&#13;
&#13;
242&#13;
THE AUTHOR.&#13;
ment, and can, so to speak, hold the author at his say so, and why does he use two different terms&#13;
beck and call,&#13;
in two succeeding clauses? “Net profits” has a&#13;
Of the technical writer we have already made clear meaning. It is the profit realised after the&#13;
mention. Such a clause as the above would hamper deduction of all expenditure, i.e., the net profits&#13;
him, if possible, more than the mere transfer of on “the net receipts ” as opposed to "the gross&#13;
his copyright. It is bad for the writer of fiction; profits" on "the gross receipts."&#13;
it is disastrous for the scientific and technical In the third clause the words “ordinary trade&#13;
writer.&#13;
price” are elusive. The ordinary trade price&#13;
F. The publishers agree to purchase and the author varies considerably, as any bookseller will tell you.&#13;
agrees to sell the copyright in Great Britain and all other Accuracy and finality are not secured by these&#13;
parts of the world of a work entitled “ "hereinafter doubtful phrases. They may all afford food for&#13;
referred to as the said work the MS, of which the author&#13;
bas delivered to the publishers, and of all future editions&#13;
the lawyers. This is what the society is anxious&#13;
thereof in consideration of the following payments, viz.,&#13;
its members should avoid,&#13;
per cent, on all copies sold, thirteen copies being counted&#13;
as twelve.&#13;
The publishers shall have the right to sell copies of the&#13;
said work, or the rights of translation thereof on any&#13;
MAGAZINE CONTENTS.&#13;
terms they shall think expedient to foreign countries and&#13;
the author shall not be entitled to royalty in respect&#13;
thereof, but the net amount realised therefrom shall be&#13;
BLACKWOODS.&#13;
divided between the author and the publisher, in the&#13;
Musings without Method: Literary Anodynes--Alfred de&#13;
following proportions, viz., 50 per cent. to the author&#13;
Musset and La Sand—“A Strong Love Interest.”&#13;
Mus&#13;
50 per cent. to the publishers.&#13;
If the said work shall be included in any edition of&#13;
BOOKMAN.&#13;
works published in England for exclusive sale in India&#13;
and the Colonies, the author shall be entitled to receive&#13;
Robert Browning. By Professor George Saintsbury.&#13;
Robert Browning's Father. By Sir W. Robertson Nicoll.&#13;
per cent. of the actual net proceeds of such sales.&#13;
If copies of the ordinary edition be sold to Colonial and&#13;
CORNHILL.&#13;
other exporters or booksellers at a rate lower than the&#13;
ordinary trade price, the author shall be entitled to receive Joan of Arc's Letters. By the Comtesse d'Oilliamson.&#13;
per cent. of the actual net proceeds of such sales.&#13;
With a Note by Andrew Lang.&#13;
John Stuart Mill and Browning's “Pauline."&#13;
In Clause 1 of this extraordinary combination&#13;
By M. A.&#13;
Phillips.&#13;
the draftsmanship is slightly peculiar, as it throws Realism in Fiction. By A. C. Benson.&#13;
into one clause what should have been dealt with&#13;
ENGLISH REVIEW.&#13;
in three. It is not in this that its' real peculiarity&#13;
Among My Books. By Frederic Harrison.&#13;
consists, but in the fact that the publisher has&#13;
Poetry and the Modern Novel By Compton Mackenzie.&#13;
put himself as the first party. The man who Robert Browning. By Darrell Figgis.&#13;
agrees to purchase has put himself before the man The Folk Song Fallacy. By Ernest Newman.&#13;
who has the property to sell.&#13;
FORTNIGHTLY.&#13;
Clause 2 is evidently very badly drafted, for if&#13;
For the Centenary of Robert Browning. By Alfred&#13;
the publisher holds the entire copyright, as stated&#13;
Noyes.&#13;
on a former page, he certainly holds the rights English and French Attitudes towards Poetry. By&#13;
included in this clause, as it was only necessary Professor Maurice Gerothwohl.&#13;
for the publisher to state what he would pay the The Censorship. By John Pollock.&#13;
author on the sale of these rights, if anything,&#13;
NINETEENTH CENTURY,&#13;
because it by no means follows because the author Recent German Fiction. By Madame Longard de&#13;
has sold to the publisher his copyright that he Longgard (Dorothea Gerard).&#13;
A&#13;
I on all the various methods of publica- Robert Browning. By Francis Gribble.&#13;
tion in England and abroad. An author may not&#13;
NATIONAL&#13;
understand these delightful intricacies ; it is a&#13;
The Plots of Dickens By H. C. Biron.&#13;
publisher's business to have them at his fingers'&#13;
ends.&#13;
There is, however, a terrible lack of finality and&#13;
SCALE FOR ADVERTISEMENTS.&#13;
exactitude in the use of terms in this clause. The (ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
publisher talks about the “net amount realised." Front Page&#13;
Other Pages&#13;
.. . *** *** **&#13;
3 0 0&#13;
Does the publisher mean by this the net profit on&#13;
Half of a Page&#13;
the transaction ? If so, why does he not say so ? Quarter of &amp; Page&#13;
... 0 150&#13;
Eighth of a Page&#13;
In the next clause, and the clause following, he Single Column Advertisements :&#13;
... per inch 0 6 0&#13;
speaks of the “net proceeds of such sales.” Is this Reduction of 20 per cent. made for a Series of Sis and of 25 per cent, for&#13;
Twelve Insertions.&#13;
equivalent to the “net amount realised,” that is,&#13;
the “pet profit”?&#13;
All letters respecting Advertisements should be addressed to J. F,&#13;
If so, again, why does he not Belmont &amp; Co., 29, Paternoster Square, London, E.C.&#13;
...&#13;
.. 1 10&#13;
0&#13;
&#13;
&#13;
## p. 243 (#701) ############################################&#13;
&#13;
THE AUTHOR.&#13;
243&#13;
HOW TO USE THE SOCIETY.&#13;
1. D VERY member has a right to ask for and to receive&#13;
D advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
· 4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; 80&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 15. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author,&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(6.) Not to give up serial or translation rights.&#13;
16.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production,&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com.&#13;
petent legal authority&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
U ERE are a few standing rules to be observed in an&#13;
N agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
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## p. 244 (#702) ############################################&#13;
&#13;
244&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(0.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., ised&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case,&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration,&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
r should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
T&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
U assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
&amp; rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
V branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 28. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 245 (#703) ############################################&#13;
&#13;
THE AUTHOR.&#13;
245&#13;
GENERAL NOTES.&#13;
mechanically, should be ready to supply the&#13;
gramophone companies with stamps immediately&#13;
THE ERA PRIZE COMPETITION.&#13;
the Act comes into force at the beginning of July.&#13;
We are pleased to notice that The Era has The Board of Trade has, we understand, come to&#13;
devoted considerable space to dealing with the the following decision as to the shape and size of&#13;
suggestions made in these columns in our issue of the stamp: “The adhesive label shall be an&#13;
April 1 in respect of their Play competition. The adhesive paper label, square in shape, the design to&#13;
form and substance of their answer is the most efficient be entirely enclosed within a circle, and the side of&#13;
argument that could possibly have been given of the the label not to be greater than three-quarters of&#13;
need of the comments made in The Author. The an inch in length.”&#13;
editor comments in a laughing mood on the date on We give this note now so that members may be&#13;
which our criticism appeared (April 1) as a signi- prepared for the sale of stamps on July 1st. The&#13;
ficant one. We would point out that the date of four important points are : (1) adhesive paper&#13;
the answer (April 30) is still more significant, as label ; (2) square in shape ; (3) design to be&#13;
it prevented our dealing with the article in our entirely enclosed within a circle; (4) length of&#13;
May number.&#13;
side three quarters of an inch.&#13;
Having read the whole of The Era's comments,&#13;
it appears to us that none of our criticisms has&#13;
really been answered at all. The Era says, “Possess&#13;
UNITED STATES COPYRIGHT.&#13;
your souls in patience, everything will come right PUBLISHERS in their agreements are often anxious&#13;
in the end "Zwe hope so; but such a result will to have the right to place authors' books in America&#13;
certainly not be due to the excellence of the con- and secure the copyright. In their contracts with&#13;
ditions. The difficulties raised are still unsettled, the author they not only insert a clause to this effect,&#13;
and the conditions of the competition still indeter- but also a clause by which if they fail in their negotia-&#13;
minate. In particular the editor makes no satisfac- tions certain royalties are to be paid to the author&#13;
tory answer to our objection, that he reserves the when the book is sold in sheets to the United States.&#13;
right to arrange the production of any play sub- If an author employs an agent, it is that agent's&#13;
mitted, whether the winning play or not. We still duty to negotiate for the American copyright, and&#13;
see no reason why the dramatic author who sends in a in no circumstances should he allow the publisher to&#13;
play under this competition should thereby appoint have the control. We regret, however, that this is&#13;
the editor of The Era his perpetual agent for not always the view that the agent adopts. If the&#13;
placing that play. The Era's only answer is that author does not employ an agent, then, for the&#13;
* the organ of the Society of Authors will be quite following reasons, he should negotiate this American&#13;
happy about the matter in the fulness of time.” publication himself. He has the whole range of the&#13;
This very suggestion is an admission of the justice American market before him; he can try one&#13;
of our complaint that the present terms of the com- American publisher after another until he is assured&#13;
petition are indefinite, and it seems hardly fair to of success or failure ; whereas the English publisher&#13;
ask dramatic authors to bind themselves to indefinite would, most probably, only write to his usual corre-&#13;
terms without even the assurance given in the spondent in the United States, and if that publisher&#13;
editor's comments “ that he (the dramatist) will be gave his refusal would not trouble any further ;&#13;
quite happy in the fulness of time.” It surely con- indeed, there is no reason why he should trouble any&#13;
firms the statement we have already made that the further, or, even while having the right of securing&#13;
terms should be more clearly set out.&#13;
the American copyright, he should even go so far.&#13;
The fact that a large number of dramatic authors It often pays not only the English publisher but&#13;
have already submitted plays is no justification for the American publisher better to deal in sheets from&#13;
putting forward indefinite terms.&#13;
the English market than to set the work up in the&#13;
We are, however, indebted to The Era for their United States. This may be all very well for the&#13;
article, and particularly for printing the rules two publishers concerned, but is bad business for&#13;
immediately below, which will clearly show to the author, to whom the American copyright is a&#13;
dramatic authors who read the issue of The Era for valuable asset. Besides, the English publisher&#13;
April 30 the need of our criticism and its fairness, ought only to be the agent for the author for the&#13;
and will emphasise the difficulties that they may production of the work in book form on the English&#13;
encounter.&#13;
and Colonial markets; he is not an agent for the&#13;
placing of literary wares, and has not the facilities&#13;
STAMPS ON MECHANICAL REPRODUCTIONS. or the necessary stimulus of the literary agent ; for&#13;
THOSE composers and authors who are interested the agent's livelihood depends on his obtaining&#13;
in the mechanical reproduction of their works, other markets, whereas they are a mere by-product&#13;
whose works have been already reproduced of the publisher's business.&#13;
&#13;
&#13;
## p. 246 (#704) ############################################&#13;
&#13;
246&#13;
THE AUTHOR.&#13;
COPYRIGHT ACT, SECTION 5.&#13;
We have just received notice that the proprietors&#13;
SECTION 5 of the Copyright Act, 1911, runs as&#13;
of The Bioscope, the cinematograph trade journal, are&#13;
follows:&#13;
organising certain invitation performances with the&#13;
“ Subject to the provisions of this Act, the author&#13;
object of demonstrating the value of the cinemato-&#13;
of a work shall be the first owner of the copyright&#13;
graph as an educational medium. These perform-&#13;
therein.”&#13;
ances are going to take place on the mornings of&#13;
There are two provisos to this section. The&#13;
Wednesday, June 5, Wednesday, June 12, and&#13;
Saturday, June 15, from eleven to one o'clock.&#13;
second proviso (b) states :-&#13;
It would be possible for the earnest student of&#13;
** Where the author was in the employment of some other&#13;
natural history, instead of merely writing a book and&#13;
person under a contract of service or apprenticeship and the&#13;
work was made in the course of his employment by that&#13;
taking photos, to make his own natural history films&#13;
person, the person by whom the author was employed shall,&#13;
of the insects, or birds or mammals, and then, by&#13;
in the absence of any agreement to the contrary, be the hiring out these different films, or by exhibiting them&#13;
first owner of the copyright, but where the work is an himself, to obtain a decent livelihood and a fair&#13;
article or other contribution to a newspaper, magazine, or&#13;
similar periodical, there shall, in the absence of any agree-&#13;
remuneration; but the performances to be given&#13;
ment to the coutrary, be deemed to be reserved to the by the proprietors of The Bioscope will demonstrate&#13;
author a right to restrain the publication of the work, matters of a somewhat different character. For&#13;
otherwise than as part of a newspaper, magazine, or instance, we hear that amongst other things will&#13;
similar periodical.”&#13;
be demonstrated “ The amoeboid movement of a&#13;
As there has been some question about this pro- leucocyte, relapsing fever, the phenomenon of&#13;
viso, it is necessary to warn those who are under con- agglutination, examination of the stomach under&#13;
tract of service or apprenticeship, that if any work X-rays, and the mosquito." If a doctor can gather&#13;
is done by them which could hardly be said to money and reputation from writing a treatise on&#13;
be done in the course of their employment, they these subjects there is no reason why he should not&#13;
should take special care that they retain the equally obtain money and reputation as a teacher&#13;
copyright in such work. A journalist on the through the cinematograph.&#13;
staff of a paper mightbe employed to do certain Technical writers in all the various branches of&#13;
journalistic work ; in his spare time he might write a knowledge and science should not neglect a new&#13;
story, and the editor of the paper might offer to run opportunity.&#13;
it as a serial. In a case of this kind it should be made&#13;
clear, lest any dispute or doubt should arise, that&#13;
the copyright in the serial story was not the pro-&#13;
JUSTIN MCCARTHY.&#13;
perty of the employer. It is to be hoped that the&#13;
employer, in the absence of special contract, would&#13;
not lay claim to the copyright, but it is always best V E much regret to have to record the death&#13;
in matters of business that the terms should be set&#13;
of Mr. Justin McCarthy, which occurred&#13;
out with exactness. The employee should either be&#13;
just before our May issue went to Press.&#13;
careful not to offer work to his employer that he Mr. McCarthy's career as historian, novelist, Irish&#13;
has done outside his course of employment and M.P., and Parliamentary journalist, has been so&#13;
outside his contract of service or apprenticeship, or fully dealt with in the newspapers, and, indeed,&#13;
if he does offer such work, that the terms as regards must be so familiar to our readers, that we need&#13;
copyright should come under a separate agreement. add but little to the many tributes which have been&#13;
The point is one of no small importance, judging paid to it in the Press and elsewhere during the&#13;
from examples of the rights which some editors past month. His early work as a journalist-after&#13;
demand from contributors who have through his first start as a young and unknown reporter -&#13;
ignorance allowed them to publish without a proper was as editor of the Morning Star. But his daily&#13;
contract.&#13;
leader-writing on the Daily News from 1870 onwards&#13;
through so many years, was his greatest claim to&#13;
distinction in this line of literature. His essays in&#13;
EDUCATION AND THE CINEMATOGRAPH.&#13;
fiction were numerous, perhaps the best known being&#13;
At the present time it is difficult to measure the “Dear Lady Disdain." But it is probably his work&#13;
importance of cinematography to dramatic authors. as historian by which he is, as he deserves to be,&#13;
It is possible that in the next few years its value familiar to most people. His “ History of Our Own&#13;
will have more than doubled, and dramatists may Times,” finally completed in 1905–to the great&#13;
be making a regular income from this form of cost, alas ! of his health, for the strain of constant&#13;
reproduction, but there are other authors to whom labour on the book, coming on the top of his Parlia-&#13;
and other methods in which cinematography may mentary struggles, made him an invalid for the rest&#13;
become of great importance.&#13;
of his life—was his principal achievement in this&#13;
&#13;
&#13;
## p. 247 (#705) ############################################&#13;
&#13;
THE AUTHOR.&#13;
247&#13;
particular branch of learning. The writer of this&#13;
paragraph well remembered the appearance of the&#13;
first four volumes in the early 'Eighties, and how&#13;
even among the thoughtless undergraduates of his&#13;
University they raised an interest that is very rarely&#13;
manifested in works of the kind there.&#13;
Justin McCarthy was essentially a man of letters&#13;
-in spite of his boyish connection with Irish revo-&#13;
lutionary ideas—and he continued his devotion to&#13;
literature almost to the last day of his life. His&#13;
association with the Society of Authors dates from&#13;
the year 1890, when he first joined its ranks.&#13;
Although he was not actively identified with its&#13;
executive side, he was elected to the Council, and&#13;
served on it up to the time when death removed&#13;
him from among us.&#13;
We must congratulate the chairman on the&#13;
success of the evening.&#13;
There is no Fund in England which fills a similar&#13;
position to that of the Royal Literary Fund ; the&#13;
Fund is administered with great care and dis-&#13;
crimination and with a very liberal and discerning&#13;
hand. For over a hundred years it has supplied&#13;
to those ill-paid workers very essential help in&#13;
time of difficulty and distress. May the work&#13;
which was begun so long ago continue in the future&#13;
to those days when intellect or perhaps even genius&#13;
is paid for by a living wage.&#13;
COMPOSERS' RIGHTS AND THE COLLEC-&#13;
TION OF FEES FROM MECHANICAL&#13;
REPRODUCTIONS.&#13;
THE ROYAL LITERARY FUND.&#13;
W E have now been able to peruse the draft&#13;
M HE 122nd anniversary dinner of the Royal&#13;
rules of the Copyright Protection Society&#13;
L Literary Fund, under the popular chair-&#13;
(Mechanical Rights) Limited, worthy&#13;
mansbip of Mr. Owen Seaman, has been very successors to the original prospectus.&#13;
successful.&#13;
The front page in itself, containing the list of&#13;
· The secretary announced that the list of dona. the committee, is interesting, and turning to&#13;
tions was headed by 50 guineas from the King ; Article 28 we see that the committee is to be&#13;
that the stewards that night had subscribed nearly composed of six publishers, three composers, and&#13;
£1,600, and that the total sum, which had been thrce authors of literary and dramatic works, with&#13;
exceeded only twice in the 121 years' history of the in addition a chairman who is to be a composer.&#13;
Fund, amounted to exactly £2,500.&#13;
The publishers therefore, who under the Copy-&#13;
There were many distinguished people present : right Act have no interest whatever in the&#13;
those interested in literature from the outside mechanical rights, are given the largest repre-&#13;
public, those who write themselves—authors, poets sentation upon the committee, a representation so&#13;
and others—and those who act as agents for large that in all probability they will nearly always&#13;
placing the work of the latter into the hands of the form a majority. Even Mr. William Boosey, who&#13;
former.&#13;
has been the moving spirit of this matter, does not&#13;
The chairman's speech in support of the Fund put the publishers' claim higher than 30 per cent. of&#13;
and its work was sound and to the point.&#13;
the profits, yet they get 50 per cent. of the com-&#13;
The toast of “ Literature” was proposed by Mr. mittee. Inasmuch also as the authors of words for&#13;
Arthur Balfour. It would have been difficult to songs are generally paid a sum outright by the&#13;
find a proposer more suitable to the occasion. Not publisher, it seems unnecessary to give the authors&#13;
only is Mr. Balfour's love of literature well known, an equal representation with the composers, to&#13;
but he has shown himself as one of the leading whom the most valuable part of the property&#13;
thinkers by the work which he has put before the belongs.&#13;
public. His speech was naturally listened to with The most important part of the rules deals with&#13;
great interest and was full of suggestive matter. the distribution of the royalties to be collected.&#13;
“Do not let us look,” he states, “at artistic or The short effect is first to charge the sums collected&#13;
literary production in too mechanical a fashion with the expenses of collection and the maintenance&#13;
Literature is not the result of merely what are of the society, and then to distribute the balance,&#13;
called sociological causes. It is determined by the 40 per cent. to the composer, 30 per cent. to the&#13;
inter-action of those causes and the individual author (where there are copyright words), and&#13;
genius which no scientific generalisation can class, 30 per cent. to the publisher, or in cases where&#13;
which no scientific prophecy can foretell.”&#13;
there are no copyright words 70 per cent. to the&#13;
The toast was responded to by Sir Walter composer and 30 per cent. to the publisher. Now&#13;
Raleigh.&#13;
composers should consider, first of all, whether&#13;
&#13;
&#13;
## p. 248 (#706) ############################################&#13;
&#13;
248&#13;
THE AUTHOR.&#13;
it is necessary to appoint any agents for the collec- enforcing his claims, for under rule 6, “no legal&#13;
tion of fees ; but, assuming they think this desirable, proceedings shall be instituted or undertaken by&#13;
they may be reminded that other companies are any member in respect of any work in which he is&#13;
ready to collect the fees, not only in Great Britain interested without the sanction of the committee."&#13;
and her colonies, but also on the Continent at a com This rule is not in terms limited to mechanical&#13;
mission of 25 per cent. only of the fees, which covers rights alone, but would extend to all rights, and&#13;
all expenses, the balance of 75 per cent. to go clear even if in practice it is treated as so limited it&#13;
to the composer. Under the rules proposed to be deprives the member of all opportunity of defending&#13;
issued by this limited company, the composers are his own property even at his own risk. Further,&#13;
to have the amount of all the expenses of collec- under rule 2A a member is bound for the entire&#13;
tion deducted from their fees when collected, and period of membership when called upon by the&#13;
then to give to the publisher another 30 per cent. committee to transfer to the society the mechanical&#13;
of what remains, so that the composer might lose instrument rights of his works which are or may&#13;
a considerable percentage of his fees in expenses, be published (i.e., apparently all present and future&#13;
and is then mulcted 30 per cent. of the balance, rights), and under clause 5, even in the event of&#13;
which has to go to the publisher.&#13;
his withdrawal or death, such rights shall continue&#13;
The music publisher has claimed that he is to be vested in and exercisable by the company.&#13;
entitled to a percentage of these fees because, by Secondly, the committee might decide to take&#13;
publishing the composer's music, he makes the action in a case to which the composer might&#13;
gramophone rights valuable. This may or may strongly object, and thirdly, the committee might&#13;
not be the case, but if it is the case it is a matter take action in respect of the reproduction of the&#13;
to be decided entirely between the composer and rights of one of its members, and get involved in a&#13;
the publisher and not to be decided arbitrarily by complicated and expensive law suit, leaving the rest&#13;
a company which is started on a business basis and of the members to bear the expenses of the proceed-&#13;
not for the settlement of ethical questions. It is ings, however indiscreetly the committee may have&#13;
certain, however, that in the near future it will be acted. The only limit upon the expenses is the&#13;
the music publisher who will have to thank the total amount of all royalties collected. Generally&#13;
mechanical reproducer for the advertisement, a society can only rely on the subscriptions received,&#13;
rather than the mechanical reproducer the music and no member is liable for anything more. But&#13;
publisher. Mechanical reproduction is going ahead here the whole income of the members for royalties&#13;
very fast, and many owners of pianolas, gramo- on mechanical reproductions is at stake.&#13;
phones, etc., go to the retail dealers and try these It is true that the society does not claim a&#13;
reproductions, quite irrespective of the music percentage for the publisher where the work has&#13;
publisher, and choose the reproduction for pur- not been published, but this does not lessen in any&#13;
chase or hire, quite irrespective of whether they way the arguments wbich have been put forward.&#13;
bave heard the original played from sheet music. It is possible, under rule 6B, that these rules&#13;
This practice will become more and more common, may be altered and varied, but in that case the&#13;
so that the music publisher's argument that he is alterations are “to be formulated by the com-&#13;
entitled to a share in the mechanical instrument mittee” (on wbich, as we have pointed out, the&#13;
rights, if ever it was good, grows less and less, but publishers will probably have a working majority),&#13;
we do not admit it was ever good. The music wand approved at a general meeting of the&#13;
publisher is the agent of the composer to reproduce society." It is probable, therefore, that any&#13;
his work in a certain form according to contract, alterations made will not be for the benefit of&#13;
and the author's royalty is based on this considera- composers.&#13;
tion. He is not the principal, to claim from the Two points seem to be quite clear. Firstly,&#13;
composer control over his rights. The editor of that it is inadvisable for any composer to become a&#13;
a magazine might as well claim a share in the book member of this society ; and secondly, that com-&#13;
production from the author, or the publisher of posers should be reminded, if they cannot undertake&#13;
the book claim a share of the serial rights.&#13;
what appears to be the not very difficult task of the&#13;
But the draft rules contain other interesting collection of their own fees, that there are societies&#13;
statements.&#13;
ready to collect fees at much more reasonable rates&#13;
The committee is to be allowed “to conduct or and without acquiring an interest in the composer's&#13;
defend such legal proceedings as they may sanction," property. It is hoped to be possible to give full&#13;
apparently, without reference to the composer, who details in another issue of this paper.&#13;
is the owner of the rights. It seems that under this&#13;
rule they might neglect, perhaps for financial&#13;
reasons, to protect the composer's rights, and in&#13;
that case the composer would have no means of&#13;
&#13;
&#13;
## p. 249 (#707) ############################################&#13;
&#13;
THE AUTHOR.&#13;
249&#13;
THE HAZARD OF THE PEN.&#13;
could than would have been his due had he allowed&#13;
others to steal them, while he “paused " in order&#13;
that he might hug to his breast the bubble consola-&#13;
NCE upon a time I might have felt flattered tion that he had written“ not for an age but for all&#13;
by the amount of interest which appears time.”&#13;
to have been excited by the publication of Alexander Pope performed in a masterly manner&#13;
my brief article entitled “ The Hazard of the Pen,” at his desk, but he certainly demanded something&#13;
in the columns of The Author for December, 1911. rather more mundane than the glow of achievement&#13;
At the present moment my state of mind is merely as his guerdon ; and Dr. Johnson, greater as a man&#13;
one of mild surprise at the spirit of optimism it than renowned as a writer (which means a good&#13;
seems to have evoked.&#13;
deal), had so little esteem for the bombastic airs of&#13;
A cursory examination of the official organ of the the pretentious dilettante that he roundly declared&#13;
Society of Authors for the past dozen years reveals “no man but a blockhead ever wrote except for&#13;
so many letters and articles retailing personal money." Now in almost every branch of art-&#13;
experiences of ill-usage on the part of editors and whether it be music, painting, poetry, sculpture,&#13;
publishers ; so many wails of despair at the trials romance, or any other form of it-the genius (with&#13;
and disappointments of members in their attempts comparatively few exceptions) emanates from a&#13;
to win public recognition ; so much heart-breaking home none too well blessed with worldly goods. A&#13;
disaster as the sole result of honest endeavour, that diligent search through the pages of a biographical&#13;
I am constrained to wonder how anyone claiming to dictionary will, I think, assure any doubter of the&#13;
be a bona fide writer could be induced to question veracity of this statement. If then a child of the&#13;
the sagacity of Robert Buchanan when he quietly Muses with his spiritual visions, his ethereal aims,&#13;
summed up the whole case of his career in the his lofty ambitions, sets out to school and direct&#13;
words,“ Is it worth it?"&#13;
the world-how is he to do it ?&#13;
Commonsense and genius, unlike ignorance and I presume he must eat, and wear clothes, and find&#13;
impudence, rarely go hand in hand. But in the somewhere to lay his head what time he transcribes&#13;
person of Robert Buchanan, these two uncommon his dreams to paper ; but if he has no private&#13;
mental gifts were compounded ; and he saw with source of income, how, I ask, is he to do it ?&#13;
clear eyes that in whatever vineyard he may work, Publishers and editors will neither feed, clothe, nor&#13;
the labourer is worthy of his hire.&#13;
house him. The day of the patron has gone. He&#13;
The writer who'pretends that subsidiary sops to may consider himself well fitted to pose as “the&#13;
his vanity in the shape of notoriety, adulation of teacher and leader of mankind ”-a modest pro-&#13;
friends, self-sufficiency, egotism, and the like, position, by the way !—but with his belly filled&#13;
furnish any real substitute for solid and material with the east wind, and no money to pay for a&#13;
rewards for his industry, perseverance, and, per- night's lodging, he will come to learn that, in a&#13;
chance, ability, is likely to be only a drag upon the civilised community, his place will be in course of&#13;
ranks of authorship, seeing that he and such as he time, not among teachers and leaders but with waifs&#13;
play into the hands of unscrupulous traders in and strays. During the past ten years one real poet&#13;
literary property against whom the more sensible was actually herding with outcasts in the Strand,&#13;
but less vainglorious members of the legion wage and two clever and original writers have elected to&#13;
perpetual warfare, and to circumvent whose nefarious end the unequal battle of life by-suicide!&#13;
aims the Society of Authors was, for one thing, What a man proposes and what the world&#13;
founded.&#13;
disposes are two cruelly opposite affairs in, say,&#13;
Who could imagine Shakespeare as he wrote ninety-nine Cases out of every hundred.&#13;
his immortal plays pausing to ask himself “ Is it “ But if we have had the smallest glimmer of&#13;
worth it?”&#13;
a vision that the calling of literature stands alone-&#13;
As a matter of plain fact, Shakespeare wrote his above and beyond every other calling," etc. Above&#13;
plays for a living; and, being what apparently some and beyond every other calling! A big order-&#13;
few beginners in literary work affect to scorn, that a very big order !&#13;
is to say, no mean man of business, contrived to Has the writer of this stupendous declaration&#13;
elevate himself from a penniless lad into a person of ever stood before a masterpiece by å great artist,&#13;
substance by the labour of his pen.&#13;
and marvelled at the manner in wbich an historical&#13;
I have no recollection that he claimed for himself event, a divine inspiration, a pathetic incident, nay,&#13;
the prophetic gifts of a Merlin, or of his own the embodiment in lifelike form and colour of a&#13;
creation, Prospero. How then was he to foretell that poet's dream, may be brought, by the magic of the&#13;
posterity would acclaim his plays as “immortal” ? brush and the gift of artistic imagination and skill,&#13;
: A thousand times more honour to the Swan of right before her eyes in a way no mere dealer in&#13;
Avon for reaping what rewards of his genius he words could ever accomplish ?&#13;
&#13;
&#13;
## p. 250 (#708) ############################################&#13;
&#13;
250 •&#13;
THE AUTHOR.&#13;
Has she ever felt her pulses throbbing, her heart from whose book, “ The Private Papers of Henry&#13;
beating more rapidly, a catch in her throat, and an Ryecroft," l venture to take the following serious&#13;
inclination to relieve the tension of her soul by warning, which I most earnestly commend to&#13;
tears when listening to a voice of superlative the notice of all entertaining inflated and wholly&#13;
quality, or the wondrous orchestral tone poems of a erroneous ideas as to the powers and influence they&#13;
Wagner ?&#13;
imagine themselves able to wield by pursuing a&#13;
Has she ever reflected that the medical profession literary career-a career whose limitations are only&#13;
has again and again produced quiet, unassuming exceeded by its disillusionment.&#13;
heroes who hare given their lives to the cause of “Innumerable are the men and women now&#13;
science, and in their efforts to alleviate the agony of writing for bread, who have not the least chance of&#13;
suffering humanity ?&#13;
finding in such work a permanent livelihood. They&#13;
No good purpose was ever, or could be, served took to writing because they knew not what else to&#13;
by entertaining a tumid and quite fallacious view do, or because the literary calling tempted them by&#13;
of the writer's profession, trade, or craft—as my its independence and its dazzling prizes. They will&#13;
readers will have it..&#13;
bang on to the squalid profession, their earnings&#13;
Cacoethes scribendi may be, and not infrequently eked out by begging and borrowing until it is too&#13;
is, a physical disease, as dangerous as measles or late for them to do anything else—and then ?&#13;
fever--and as infectious; though novices of a “With a lifetime of dread experience behind me,&#13;
certain type when they have caught it badly I say that he who encourages any young man or&#13;
imagine themselves to be sanctified by a visitation woman to look for his living in literature commits no&#13;
of the divine afflatus. And the distinctive point less than a crime”!&#13;
of tbe whole argument lies in the fact that the truly Other and weighty testimony I could adduce in&#13;
inspired authors and poets rarely, if ever, indulge support of the argument ; testimony from the silent&#13;
in rodomontade concerning their art and parts. records of the mighty dead, from the records of the&#13;
“ Here lies one whose name was writ in water,” said Royal Literary Fund, the Civil List, and the&#13;
Keats, of whom the late Lord Tennyson wrote, “Had volumes of The Author at my side, from newspaper&#13;
he lived, he would have been the greatest of us all.” extracts pasted in my book of cuttings, from&#13;
“Greater than that of the parson, because the witnesses whose wretched stories I have gathered&#13;
world is our parish, and of the schoolmaster, because by word of mouth—from my own personal experience&#13;
our work is for all time”!&#13;
and knowledge. But would it not look like piling&#13;
Perchance the lady who penned these lines knows Pelion upon Ossa to do so ? :&#13;
editors who welcome, publish and pay for “copy” For those who are not writing for bread, serious&#13;
that is greater in its religious value than the toilers in the field of literature care very little, as&#13;
prayers of the parish priest, and in its educational, the majority at least would pick no quarrel with&#13;
than the dogmatics of the schoolmaster. Are they Dr. Johnson for using the epithet “blockhead "&#13;
to be found enshrined in the temples of Cassell or with regard to them. They are shielded from the&#13;
Newnes, Pearson or Harmsworth, Hulton or Leng ? grisly spectre of starvation which has transformed&#13;
Having been a penman of sorts for a quarter of so many rapturous “visions” into horrible night-&#13;
a century, I had prided myself on possessing rather mares, and strangled more than one votary of the&#13;
a wide knowledge of these Fleet Street idols. The Muse to his death within recent years. Let them&#13;
overwhelming majority of those who control rhapsodise or gush! No one is injured-or deceived&#13;
periodicals with large circulations and to exert by verbiage. When they have produced some-&#13;
“ power over the minds and souls of men ” one thing in proof of the transcendental aims they are&#13;
must take care not to be a mere voice crying in so voluble in professing, it will be time enough to&#13;
the wilderness-seem to rely mainly on detective reconsider the sad reflection of one who at all events&#13;
stories, narratives of criminals, highly spiced compelled admiration for the quality of his genius,&#13;
“romances," on the one hand, or particularly and strove to live by its printed expression !&#13;
nauseous sentimentality on the other, for their Finally, it cannot be too strenuously urged, or too&#13;
staple fare.&#13;
widely understood, that for one, beloved of the&#13;
What does the vast multitude, composed as it is of gods, permitted to soar aloft on the wings of his&#13;
shop girls, street lads, and the quarter-educated “grey goose quill ” in the regions of the blest, there&#13;
products of an essentially self-satisfied and self- are—how many ? whose feeble flights end in&#13;
seeking age, know of the illustrious ones? There dolorous attics, or land them with a sickening thud&#13;
was one of them, an author who portrayed life as it in the mire and refuse of what is, after all, “a&#13;
is, who neither glorified nor belittled his avocation, squalid profession” for the unlucky.&#13;
who saw with the eyes of a keen observer, and Therefore I still repeat, it may be rather mourn-&#13;
transcribed with the pen of a consummate master fully, the forceful query, “ Is it worth it ? ”&#13;
of his craft-I allude to the late George Gissing-&#13;
HERBERT W. SMITH.&#13;
&#13;
&#13;
## p. 251 (#709) ############################################&#13;
&#13;
THE AUTHOR.&#13;
251&#13;
ROBERT BROWNING.&#13;
The Poetry Society's entertainment was arranged&#13;
by Mrs. Kendal, and was contributed to by herself,&#13;
Lady Tree, Mme. Ada Crossley, Lady St. Davids,&#13;
N the 7th of last month was celebrated the Messrs. Laurence Irving and E. H. Coleridge. In&#13;
first centenary of Robert Browning, born at conclusion, Browning's short play “ In a Balcony ”&#13;
Camberwell on May 7, 1812. In London was performed.&#13;
the chief feature of the programme in honour of An exhibition was opened at the Victoria and&#13;
the event was a service at Westminster Abbey, Albert Museum in connection with the commemora-&#13;
where, in Poet's Corner, his body was laid on the tion. Here was on view a collection of original MSS.&#13;
last day of 1889. The chief feature of the Abbey and early editions of Browning, forming part of the&#13;
service was the anthems—the first being taken Forster Bequest. It was to John Forster that&#13;
from Browning's own “ Saul ” (canto 18) and set to Browning dedicated “Paracelsus,” in the words “ My&#13;
music for the occasion by Sir Hubert Parry ; the book to my best friend. R.B."; and the original&#13;
second, Mrs. Browning's “What would we give to MS. was presented by the author to him.&#13;
our beloved,” with Sir Frederick Bridge's music, as The centenary was observed in Italy also. At the&#13;
sung at the poet's funeral in 1889. Sir Frederick meeting in College Hall Professor Knight exhibited&#13;
Bridge himself was at the organ.&#13;
a copy of a placard which he had received from Mr. R.&#13;
After the service a reception was held in the Barrett Browning, in which the Civic Council of&#13;
College Hall of Westminster School, the Marquess Asolo, so frequently visited by the poet, invited the&#13;
of Crewe presiding, and being supported by the citizens to pay their compliments to his memory on&#13;
Italian Ambassador, the Archbishop of Canterbury, the day of his birth. On the 7th a street in the&#13;
Lord Tennyson, Sir Sidney Lee, Professor Knight, town was named after him and a marble tablet&#13;
and many others. After a letter had been read unveiled. A telegram was sent on the same day to&#13;
from Mr. R. Barrett Browning, writing from his son at Asolo by the Syndic of Venice—“ Venice,&#13;
Asolo (where he has long been ill) to express his where the great heart on wbich was carved the&#13;
heartfelt thanks for the honour to his father's name of Italy beat its last " ; while at Rome a&#13;
memory, the chairman spoke on the subject of tablet was unveiled by the Mayor, Signor Nathan,&#13;
Browning's poems, the best of which he claimed, as in the house formerly occupied by the Brownings,&#13;
long as any English poetry remained the possession No. 43, Via Bocca di Leone.&#13;
of mankind, would form no small part of that After the unveiling Sir Rennell Rodd read&#13;
possession. Bishop Boyd Carpenter followed with passages from Browning at the Keats-Shelley&#13;
a paper on “The Oral Interpretation of Browning," memorial house.&#13;
pleading that his poems would be better understood, It would be out of place in this column to&#13;
and regarded with a more intelligent admiration, if attempt any criticism, or even appreciation, of&#13;
they were read aloud. Canon Rawnsley, Miss Robert Browning. But we may be permitted, per-&#13;
Emily Hickey (a founder of the Browning Society), haps, to quote as felicitous the closing words of the&#13;
Mr. Ernest Hartley Coleridge, Mr. H. C. Minchin, article on him in The Times Literary Supplement&#13;
Mr. W. G. Kingsland, and Dr. Alexander Hill also of May 2. “ Browning's “active step' and&#13;
read papers or otherwise contributed their share to inquiring eye' have added imperishably to Eng-&#13;
the commemoration.&#13;
lish literature, because the immense, unquestion-&#13;
So much of the celebration may be called official. ing, unhesitating enjoyment of life which animated&#13;
There were also a meeting called at Caxton Hall on them was wrought into masterful symbols-&#13;
the same afternoon by the Academic Committee of dramatic monologue, dialogue, and specialised lyric&#13;
the Royal Society of Literature, and an entertain- —of life delightedly conscious of its own powers.&#13;
ment organised by the Poetry Society at the Court Art can find no greater work to do than that."&#13;
Theatre on the following Saturday. Mr. Edmund&#13;
Gosse took the chair at the Academic Committee's&#13;
meeting, and made the opening speech. Sir Arthur RULES FOR COMPOSITORS AND READERS&#13;
Pinero delivered an address on “ Browning as a&#13;
Dramatist”—the line in which he achieved the&#13;
AT THE UNIVERSITY PRESS, OXFORD.*&#13;
least success. Never, indeed, said Sir Arthur, was&#13;
ambition in so great a man so hopelessly baffled W E have no hesitation about saying that this&#13;
as Browning's dramatic ambition. Mr. Henry&#13;
most valuable little work ought to be in&#13;
James's address dealt with “ The Novel in The&#13;
the hands of every author. Sufficient&#13;
Ring and the Book,'” and concluded with a evidence of its usefulness is given by the “ Table of&#13;
quotation of what he considered the highest water-&#13;
* "Rules for Compositors and Readers at the University&#13;
mark of Browning's imagination, fifty lines from Press. Oxford," by Horace Hart, M.A. London: Henry&#13;
Guiseppe Caponsacchi's great speech.&#13;
Frowde. 1912.&#13;
&#13;
&#13;
## p. 252 (#710) ############################################&#13;
&#13;
252&#13;
THE AUTHOR.&#13;
Contents," which begins, “ Some Words ending in to read a novel right through, and he says: “Five&#13;
-able. Some Words ending in -ible. Some novels will amount to sixteen hundred pages of&#13;
Words ending in -ize. Some Alternative or printed matter. Reading at the rate of eight words&#13;
Difficult Spellings arranged in alphabetical order," a second the reviewer would accomplish two pages&#13;
and continues to enumerate just all those things a minute and sixteen hundred pages in thirteen&#13;
which present difficulties to a man who is desirous hours and twenty minutes." If we allow another&#13;
of writing accurately, or of correcting his proofs two hours and forty minutes for the remaining&#13;
perfectly. Not only are the rules those which have novel the time as given by Mr. Bennett's own&#13;
been for years past put into the hands of the com computation works out at sixteen hours.&#13;
positors and correctors of the press of the Clarendon For this sixteen hours, or less than three days&#13;
Press (whose superlative work needs neither our work, Mr. Bennett finds the fee of twenty pounds,&#13;
commendation nor that of anyone else) but or twenty guineas, miserably inadequate. Yet, in&#13;
authorities of the highest rank, such as Sir J. A. H. the same article from the Academy, from which I&#13;
Murray and Dr. Henry Bradley, are guarantors for have already quoted, speaking on the subject of&#13;
the correctness of the book. The booklet has been literary remuneration, he says : “ As a journeyman&#13;
brought up to date, and how carefully this is done author, with the ability and inclination to turn my&#13;
may be gathered from a passage in the preface. pen in any direction at request, I long ago established&#13;
“The compiler has encouraged the proof-readers a rule never to work for less than ten shillings an&#13;
of the University Press from time to time to keep hour piece-work. But every year I raise my price&#13;
memorials of troublesome words. As each edition per hour.” Mr. Bennett has indeed raised his price&#13;
of the book becomes exhausted such words are per hour, for, on his own reckoning, the publisher&#13;
reconsidered, and their approved form finally is paying him at the rate of twenty-fire shillings an&#13;
incorporated into the pages of the forthcoming hour.&#13;
edition.”&#13;
Continuing his diatribe in The Author, Mr.&#13;
The booklet contains, as was to be anticipated, Bennett goes on to say, “ The reason for the con-&#13;
pages dealing with French, German, Latin, and tinuance of these competitions is to my mind obvious.&#13;
Greek, and is furnished with an excellent index, They are very profitable to the enterprising pub-&#13;
which renders it easy for any author in a minute to lisher. I see no harın in that ; indeed, I rather&#13;
satisfy himself respecting what ought to be done in admire the cleverness of the enterprising publisher;&#13;
any of the cases which are occasions of perplexity. but I think that artistically reputable novelists&#13;
should meditate long before they decide to dignify&#13;
with their names a purely commercial project."&#13;
Why is Mr. Bennett so indignant at being asked&#13;
CORRESPONDENCE.&#13;
to give his criticism and the weight of his name?&#13;
Are Royal Academicians equally indignant when&#13;
invited to act on the Hanging Committee ?&#13;
NOVEL COMPETITIONS.&#13;
Novel Competitions undoubtedly give young&#13;
authors a chance they would not have otherwise.&#13;
I.&#13;
Mr. Arnold Bennett himself started his London&#13;
DEAR SIR, I am not a publisher or in any way literary career by winning a prize of twenty guineas.&#13;
connected with any publishing firm, but I must say Grant Allen and many others have come before the&#13;
that I think Mr. Arnold Bennett's letter on Novel public in the same way.&#13;
Competitions both unfair and misleading.&#13;
By all means let Mr. Bennett refuse a fee he con-&#13;
He says, “I was recently invited with two very siders too low, but do not let him delude himself with&#13;
well-known novelists to judge one of these competi- the idea that he is doing something “ artistically&#13;
tions. The publisher's letter of invitation clearly reputable."&#13;
stated that I should not have to read more than six When one calls to mind the literary men of the&#13;
or seven manuscripts. I declined—I hope politely, past who were not for ever pricing their work at so&#13;
to take part in such a farce."&#13;
much an hour, when one thinks of Southey patiently&#13;
Why should Mr. Arnold Bennett in becoming one writing helpful, kindly letters to the unknown&#13;
of the judges in a Novel Competition be taking Charlotte Brontë, of Walter Besant, who was never&#13;
part in a farce ?&#13;
too busy to help the beginner, of Scott, who boasted&#13;
His grievance seems to be that the judging of six that there was not one of all his schemes that did&#13;
or seven manuscripts would entail "a full week's not afford him the means of serving some poor&#13;
tedious work.”&#13;
devil of a brother author ; when one thinks of all&#13;
This was not the opinion expressed in an article these men and how unselfish they were in the&#13;
he contributed to the Academy some time back. practice of what ought to be one of the noblest&#13;
He is discussing the time it would take a reviewer professions, one cannot but feel that it would not&#13;
&#13;
&#13;
## p. 253 (#711) ############################################&#13;
&#13;
THE AUTHOR.&#13;
253&#13;
mation&#13;
bave taken away in the smallest degree from Mr. from their facts and figures. I hereby state my own&#13;
Bennett's dignity had he consented to judge the experiences as my contribution to the question.&#13;
competition in question.&#13;
For my first novel, published in March, 1911, I&#13;
The Novel Competition has lost one of our ablest obtained (on paper) a 10 per cent. royalty on the&#13;
critics. But Mr. Bennett himself is also a loser. published price of the 6s. edition on all copies sold&#13;
When Rudyard Kipling received a letter of up to 1.500 copies: 15 per cent. to a total sale of&#13;
encouragement from Lord Tennyson, this is what 3,500 copies ; and 20 per cent. thereafter, 13 copies&#13;
he wrote: “When a private is praised by his to be counted as 12; and 3d. per copy on the&#13;
Colonel he does not presume to thank him but he Colonial edition, 12 copies to be counted as 12. On&#13;
fights better next day." Had Mr. Arnold Bennett, the day of publication I was paid the sum of £25,&#13;
as colonel, taken part in the review, he would prob- “in advance and on account of royalties."&#13;
ably have earned the lifelong gratitude of some The sales and fiuancial profit to myself at the&#13;
poor struggling private. And to help a human end of the year were as follows:&#13;
being forward and to earn the gratitude of a human Copies of home edition sold, 586.&#13;
being is something not to be reckoned in pounds, Copies of Colonial edition sold, 797.&#13;
shillings and pence.&#13;
Total sum received by me, £26 3s. 11d., from&#13;
Yours truly,&#13;
which must be deducted the 15 per cent. claimed&#13;
“ DAVID." by my agent “ for the first novel sold in England.”&#13;
The circumstances under which my first novel&#13;
was published were practically similar to those of&#13;
II.&#13;
“A First and Second Novel.” I was absolutely&#13;
SIR,-I was glad to see Mr. Arnold Bennett's&#13;
unknown in the literary world, for though I had&#13;
letter under this heading in the May issue of The&#13;
had several short stories published in the magazines,&#13;
Author, for Mr. Bennett strongly supports a point&#13;
and had begun to be asked for more," I had&#13;
made in my own contribution to the discussion in&#13;
written them un ler my own name, while for my&#13;
the same issue. Speaking of the contention that&#13;
novel I took a pen-name. My sales, I suppose, ored&#13;
the advertised judges in these competitions should&#13;
a little to the private advertisements of my friends,&#13;
read all the novels sent in, I asked what would be&#13;
for to them I made no secret of my identity. I&#13;
gained by making these judges cast a weary eye&#13;
received about 40 reviews, all of which were more&#13;
upon the stuff which the “sorters ” weed out.&#13;
or less favourable ; none adverse, some highly&#13;
Now Mr. Bennett makes it clear that to him it is&#13;
encouraging, and these from the best papers. A&#13;
second edition of the book (a second thousand) was&#13;
not worth while to read even “important manu-&#13;
issued ; but it will be observed that the home and&#13;
scripts, already sifted from a mass," at a rate of&#13;
Colonial sales added only reach a total of 1,383, 118&#13;
remuneration equivalent to over £1,000 a year.&#13;
having been given gratis in the course of advertise-&#13;
What would he require for reading the mass,&#13;
including the works which I have described (and, I&#13;
ment, which brings the total of volumes disposed&#13;
of to 1,501 ; therefore the 15 per cent. royalty was&#13;
protest, with justice) as “crude, illiterate, and&#13;
never reached by this book.&#13;
artistically worthless”?&#13;
READER.&#13;
My second novel is yet in the proof stage, and is&#13;
to be published between July and September, 1912,&#13;
by the same publisher. I am to receive a royalty of&#13;
A PUBLISHER'S TERMS.&#13;
124 per cent. on the published price of 6s. on all&#13;
copies sold up to 1,500 copies ; after which 15 per&#13;
DEAR SIR,—The letter of “A First and Second cent. to a total sale of 3,000 copies ; 20 per cent.&#13;
Novel” in your May issue supplies what is surely thereafter, 13 copies to be counted as 12. A&#13;
a long-felt want, namely, a public comparison of royalty of 3d, per copy on the Colonial edition, 12&#13;
notes as regards publishers' terms between those copies to be counted as 12. I am to receive the&#13;
beginning to make their way as novelists. Hitherto sum of £30 upon the day of publication, “in&#13;
I have yearned in vain to know if my own experi. advance and on account of royalties.”&#13;
ences were average, or peculiar in either a rich or a A much-contested clause in my second agreement&#13;
meagre sense ; have harboured a devouring curiosity (which I omitted to trouble about in my first) was&#13;
as to “how many sales constitute a successful first the following :—that in the event of my arranging&#13;
novel ; what are the average sales of a first novel, for re-publication elsewhere, I should pay the&#13;
and what the profit made by the author from the original publisher, X and X, 15 per cent, share in&#13;
first venture." "A First and Second Novel's” the net proceeds to me from such reprint. That is&#13;
letter is most interesting and instructive, and it to say, that supposing X and X refused to issue a&#13;
would be very satisfactory if more beginners would sixpenny or shilling reprint edition of the book, and&#13;
follow suit, so that we might gain a sense of values some other publisher was willing to do so, I should&#13;
&#13;
&#13;
## p. 254 (#712) ############################################&#13;
&#13;
254&#13;
THE AUTHOR.&#13;
be bound to hand over 15 per cent of the profits to point of view as author. One can at least squeeze&#13;
X and X, though he had had nothing to do with the humour out of the business. I quote extracts from&#13;
venture; his view being that it was owing to him that the first five reviews. “ Almost feminine beauty&#13;
the book had reached a reprintable position. My and delicacy,” Bumpington Bugle; “ Virile," The&#13;
point of view was that it was possible quite another Clock; “Well worth publishing," Bumpington&#13;
book, not published by X and X, might be responsible Bugle ; “ Not worth publishing,” Morning Bleeder ;&#13;
for the call for a reprint of a book originally published “Never lacking point and thought,” The Clock ;&#13;
by them. Yet I should be obliged to part with “ Generally dull and lifeless," Provincial Scooper ;&#13;
15 per cent. of the profits, which to X and X would “ Versification,” Morning Bleeder; “ Distinct&#13;
be unearned increment. My agent supported the reaching out of the spirit,” Friday Tyrant.&#13;
publishers on this score, and I decided that, all I should add that I am a native of Bumpington.&#13;
things considered, it was best to submit. It would&#13;
Yours faithfully,&#13;
be interesting to know if any other beginners have&#13;
LEONARD INKSTER.&#13;
had such a clause in their agreements, and, if so,&#13;
what the outcome has been.&#13;
I am not dependent upon writing for a living ;&#13;
EDITORIAL COURTESY.&#13;
but, at the same time, I am dependent on it for&#13;
DEAR SIR,-Having a keen sense of justice I feel&#13;
enlarging a slender income with no margin. Not&#13;
impelled to give my testimony with regard to my&#13;
until I employed an agent did I sell a book, though own experience as a contributor to the pages of the&#13;
I had been assailing the publishers for between&#13;
Bystander. I am not a well-known writer, as I&#13;
eight and nine years. I am bound to my agent for prefer to publish all my work anonymously, and&#13;
“all novels”; the agreement, as regards any unsold&#13;
desire to advertise neither myself nor my wares, but&#13;
book, being open to cancellation by mutual&#13;
I am on the staff of a London paper and a con-&#13;
consent, or on six months' notice in writing by&#13;
tributor to many other papers and magazines.&#13;
either party.&#13;
From the Bystander I have invariably received&#13;
I, like "* A First and Second Novel,” shall be&#13;
the greatest courtesy. Accepted work has been&#13;
very glad of “any enlightening comments or inserted in due course and paid for promptly; work&#13;
conclusions” evoked by the above.&#13;
that did not meet with acceptance was sent back to&#13;
"A BEGINNER." me by return of post.&#13;
I found the editor, publisher, and management&#13;
generally, exceedingly courteous, prompt, and&#13;
AUTHORS AND REVIEWERS.&#13;
thoroughly businesslike. I wish I could speak in&#13;
SIR, -As an author and reviewer (though a young&#13;
the same high terms of the management of all the&#13;
one) I may be permitted to think I have sufficient other papers to which I contribute. If all journals&#13;
experience to comment on “ Phokion's” article,&#13;
were to copy the Bystander's methods in dealing&#13;
“ Authors and Reviewers."&#13;
with contributors—prompt acceptance or rejection&#13;
As a reviewer, I naturally see the other side of of MSS., courteous replies to letters, when neces-&#13;
the picture. Perhaps I am not sufficiently power- sary ; keen appreciation of intelligent, vivid or&#13;
ful to commit some of the sins—for instance, the sin painstaking work ; smartness in detecting origin-&#13;
of pluralism, attributed by Phokion to the tribe. ality ; and generous and prompt payment for&#13;
First an author, I review and criticise because I am all accepted work, commissioned or otherwise, the&#13;
interested in art, and because it is (one supposes)&#13;
writer's life would be a less anxious and harassed&#13;
necessary to live. However incompetent and one than it is at present. Yours etc..&#13;
unjust I may be, I take the thing seriously, and&#13;
L. H. H.&#13;
labour more in my efforts to be just than in my&#13;
own creative work. I know several reviewers.&#13;
REGISTER OF SCENARIOS.&#13;
They are all equally serious. The fact that a man SIR,- The Society has, I believe, a register of&#13;
is severe in dealing with what he knows about is scenarios. Probably it is used, at present, mainly&#13;
natural ; he has a high standard ; no doubt, if I by dramatists. It occurs to me, however, that&#13;
reported a football match, I should be unduly novelists would also do well to make use of it.&#13;
complimentary, because I do not know about it. The new Copyright Act gives them the sole power&#13;
Some of my reviewer friends have recently to authorise the dramatisation of their novels. It&#13;
reviewed a book of verses by me. One admitted also creates a new set of rights, namely, the film&#13;
that he was harder on me than if he had not rights for cinematograph representation. The&#13;
known me ; another did not admit it. No doubt advantages of filing a scenario of the plot of the&#13;
there was log-rolling to start with, in that had they novel in view of these two circumstances are&#13;
not known me they would probably not have obvious.&#13;
Yours faithfully,&#13;
reviewed me at all. And this brings me to the&#13;
L. T. J.&#13;
&#13;
&#13;
## p. 254 (#713) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhend, Surrey, writes :-&#13;
"I have just completed the rovision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without having been corrected or even read, and that my hand writing,&#13;
I am told. is not always particularly legible, it is obvious that it&#13;
rogaired perception as well as care, something more than simple&#13;
mechanical accuracy, to produce such a resulta result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
Novels &amp; Story work, 9d. 1,000 words ; 2 copies, 1/-,&#13;
Plays, ruled and covered, 1/- 1,000 words ; 2 copies, 1/4.&#13;
(French and Spanish typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. XESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work."&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove to&#13;
all authors who have the good fortune to hear of you. ... You&#13;
certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): "I have never met with&#13;
anything approaching your intelligence, carefulness and promptitude."&#13;
RICHARD PRYCE, Esq. : “ The work could not be better done."&#13;
I ST JOHN L'Isle, Dimond Road, SOUTHAMPTON.&#13;
Bitterne Park,&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1898),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
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OIL! OIL ! OIL&#13;
Where to get it Within the Empire.&#13;
Read COO-EE'S “BLAIRS KEN.”&#13;
TYPEWRITER-COPYING.&#13;
8d. 1000 Words (free carbon copy.)&#13;
C. GIRTON, 2, GROVE LANE, CAMBERWELL, S.E.&#13;
TYPEWRITING. Authors' MSS. copied by&#13;
Experienced Operator.&#13;
DUPLICATING. Attendance locally for dictation.&#13;
MISS SOLLY, 378, Shirley Road, Southampton.&#13;
· ROOM FOR MILLIONS.&#13;
TYPEWRITING.&#13;
Healthy, Happy, Industrial Homes for the Unemployed.&#13;
Read “COO-EE'S"&#13;
THE SILVER QUEEN.&#13;
London : JOHN QUSELEY, Ltd.&#13;
The most difficult handwriting and involved copy&#13;
accurately deciphered by experts.&#13;
MISS FOWLER,&#13;
Maxwell House, Arundel Street, Strand, w.c.&#13;
on all subjects,&#13;
including&#13;
LITERARY,&#13;
Educational,&#13;
Commercial, Technical, Medical, Theological, etc., and&#13;
for all examinations.&#13;
&#13;
Booond-Hand at Half-Prices. Now at 25 por&#13;
oont. disoount.&#13;
Catalogues free. State Wants. Books sent on approval ; BOOKS&#13;
BOUGHT. Best Prices Given.&#13;
WANTED&#13;
By an Invalid, unable to walk.)&#13;
TYPEWRITING and DUPLICATING&#13;
IN ANY QUANTITY.&#13;
AUTHORS' MSS. a Speciality.&#13;
W. &amp; G. FOYLE,&#13;
135, Charing Cross Road, London, W.0&#13;
MISS MORGAN'S TYPEWRITING, SHORTHAND,&#13;
AND TRANSLATION OFFICES,&#13;
. Dunster House, Mark Lane, London, E.C.&#13;
Every description of Typewriting, Authors' MSS., Sermons,&#13;
&amp;c., undertaken at from 10d. per 1,000 words. Special&#13;
terms for large quantities or regular work.&#13;
Meetings Reported on Moderate Terms. Accuracy and&#13;
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Telephone : 12137 Central.&#13;
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Nothing Too Small ! ?&#13;
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What does the World say about Your Book ?&#13;
THE ATHENÆUM Press Cutting, Book Review and&#13;
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Literary and Dramatic Reviews supplied at very low rates.&#13;
Thorough and Reliable.&#13;
Write to F. C. GUEST, 15, Palace Chambers,&#13;
Westminster, S.W.&#13;
TELEPHONE : VICTORIA, 367.&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
&#13;
&#13;
## p. 254 (#714) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
| TYPEWRITING&#13;
Opposite the British Museum.&#13;
THACKERAY HOTEL&#13;
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My work is always THE BEST.&#13;
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Send your order now.&#13;
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U BRAINS&#13;
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AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
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Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel London, E.C., who will be pleased&#13;
Nigently copied, from 18. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
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POST FREE ON APPLICATION.&#13;
Neatness and accuracy, with&#13;
promptness; 7d. per 1,000;&#13;
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over 20,000, 6d. Plays ruled&#13;
and bound, 8d. Cheap duplicating.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
words; in duplicate, 1/-. Plays and General TYPEWRITING.–Authors'. MSS. carefully&#13;
typed at 10d. per 1,000&#13;
Copying. List and specimen of work on appli-&#13;
words (carbon copy free).-&#13;
EXCELSIOR TYPEWRITING OFFICES,&#13;
cation.&#13;
Tel.: Bank 82.&#13;
One Of NUMEROUS TESTIMONIALS. TYPEWRITING &amp; SECRETARIAL WORK.&#13;
"Miss M. R. HORNX has typed for me litorary matter to the&#13;
extent of some hundreds of thousands of words. I have nothmg MISSES CONQUEST &amp; BUCHANAN,&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.-FRANK SAVILE."&#13;
64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
Recommended by Mr. G. K. Chesterton, Baron de Worms,&#13;
MISS M. R. HORNE,&#13;
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and Others.&#13;
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Many Testimonials, of which the following is a specimen : "Many&#13;
5. PADCROFT ROAD, YIEWSLEY, MIDDLESEX thanks for the excellent work and the promptness with which it has&#13;
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at 10, Bouverie Street, London, E.C.&#13;
20, Bucklorsbury,</text>
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                    <text>The Author .
Society

( The Organ of the Incorporated

VOL .

XXII . -

No .

JULY

10.

1,

of

Monthly .)

.

Authors

1912 .

( PRICE

SIXPENCE .

CONTENTS .
PAOR
255
255
255
257
260
262
264
265
267
268
269
270
271
271

Notices
The Society' s Funds
The Pension Fund
Cornmittee Notes ...
Books publishedby Members ...
Literary , Dramatic and Musical Notes
Paris Notes...
... . ..
...
United States Notes ...
Copyright in a Newspaper Article ...
United States Law Case
A Dangerous Clanse ...
Magazine Contents
How to Use the Society...
Warnings to the Producers of B

's Shilling Fiction
net
.

.

/-

.

.

[

.

net
.

/1

.

,

HODGSON BURNETT

."

Burnett

.

Impression

,

SONS

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.

,

,

Third

W

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PUTNAM

Sphere

.

[

-

.”

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to

.
.
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of

.
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net

Little Lord Fauntleroy

BEDFORD STREET STRAND

,

.

."

.
.

Flower

is

.
.
.

Just Published

Switzerland

exceedingly well told
This dainty little story
Mrs Hodgson
has once again given her thousands
readers cause
love her

24

net

.

and love

in

of

“

FRANCES

Author
“

life and death

the Blue

of

LandBy

net

LENORE VAN DER VEER

story

of

A

.

By

/-

Times

Wayfarers
winter

1

Rosary

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—

.”

honest little story and well written

“

.)

Author

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net.

.

sold

,

BARCLAY

,

.

L

(

an

is

It

FLORENCE
"

By

100 000

1

.

The Wheels of Time
copies

of

Putnam

The

PAGE
271
272
272
272
272
272
272
273
274
275
278
280
281
282

Warnings to Dramatic Authors
Registration of Scenarios and Origins
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch
Remittances
General Notes
Obituary ...
Composers' Agreements...
The Proposed New Copyright Law of Holland
British Writers and Journalists in Touraine
Inspiration ...
...
Correspondence

�ADVERTISEMENTS

.

The Society of ,Authors (Incorporated ) .
Telegraphic

Address : " AUTORIDAD

LONDON

.”

Telephone No . : 374 Victoria

PRESIDENT .

THOMAS HARDY ,
COUNCIL

SIR ROBERT ANDERSON , K . C. B.
THE RIGHT HON . SIR WM . REYNELL
ANSON , Bart . , P. C., M . P. , D. C. L .
THE
RIGHT
HON .
THE
LORD
AVEBURY , P. O.
J . M. BARRIE .
SIR ALFRED BAT EMAN , K . C. M. G .
ROBERT BATEMAN .
F. E. BEDDARD , F . R. S.
MRS . BELLOC - LOWNDFS .
THE RIGHT Hon . AUGUSTINE BIB
RELL , P. C.
MRS . E . NESBIT BLAND .
THE REV . PROF . BONNEY , F . R .S.
The Right Hon . JAMES BRYCE, P. C.
THE RIGHT Ilon . THE LORD BORGH .
CLERE , P. C.
HALL CAINE .
J . W. COMYNS CARR ,
EGERTON CASTLE , F.8 . A .
EDWARD CLODD .
W. MORRIS COLLES .
Thk Hon . John COLLIER ,

G . C. S. I .

AUSTIN DOBSON .
SIR ARTHUR CONAN DOYLE .
DOUGLAS FRESH FIELD .
EDMUND GOSSE , C. B. , LL . D.
SYDNEY GRUNDY .
SIR RIDER HAGGARD .
MRS. HARRISON (“ Lucas MALET " ) .
ANTHONY HOPE HAWKINS .
E. W. HORNUNG .

W . W. JACOBS .

HENRY JAMES .
JEROME K . JEROM R.
HENRY ARTHUR JONES ,
J . SCOTT KELTIE , LL . D.
RUDYARD KIPLING .
SIR EDWIN RAY LANK ESTER , F. R. 8.
LADY LUGARD
(M188
FLORA
L.
SHAW ).

Mks . MAXWELL

( M . E . BRADDON ) .

OF MANAGEMENT .

AYLMER MAUDE .
HESKETH

BESIER .

PRICHARD

.

PENSION

SUB

GUTHRIE .
ANTHOXY HOPE HAWKINS .

COMMITTEE .
Carton .

I G . BERNARD SHAW .
MISS E. M . SYMONDS .
JAMES T. TANNER .

FUND COMMITTEE .

COMPOSERS

BANTOCK .
PERCY C. BUCK , Mus . Doc .
THOMAS F . DUNHILL .

-

Chairman - Dr. S. SQUIRE
OWEN SEAMAN ,
M . H . SPIELMANN .

ANSTEY

STORR ,

FRANCIS

.

JEROME K . JEROME .
W . J . LOCKE .
JUSTIN HUNTLY MCCARTHY .
CECIL RALEIGH .

CICELY HAMILTON .

GRANVILLE

ARTHUR RACKHAM .
G . BERNARD SHAW .

W. W. JACOBS .

Chairman - R. C.

Miss

OWEN SEAMAN . "
G . BERNARD SHAW ,
G. R , SIMs .
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,
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GIVES PRACTICAL ADVICE UPON PLAYS
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MARK ALLERTON
JOHN HASLETTE
CLIVE HOLLAND
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HAROLD THOMSON
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GEORGE EDGAR
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CHARLES PROCTER
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January the secretary
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VOL

WALTER
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FOUNDED BY SIR

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the
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current year
180
that
per month
the first six months
the year
There were seven resignations
The Committee
regret that this year there have been
have
large number
resignations
satisfactory
but
any
note that these resignations are not due
sympathy with the Society
lack
work
and
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beyond the
at

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in

most cases have received
usual advice
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Society
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indeed
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the Society
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report
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publisher relating
member and
breach
by the latter had been settled
£15
contract
having been paid
damages
the author
The
Secretary read
which
letter from the author
the Society for
his thanks
the author expressed

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Mrs Charlotte
Kenny Mrs
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Harris Emma
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THE AUTHOR

dispute

which

had

ariser

�THE AUTHOR .

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in

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Society

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reported that
Denley James
members

Mrs Wentworth James
the
Secretary
the Society
The
Count Plunkett and Mr
as

an

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life

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COMMITTEE

of

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21

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on

to

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of

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of

by

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,

.

and the Dramatic Sub Committee
draft
reply was before the meeting and finally
letter
was accepted
with some slight alterations
The
-

-

of

.

's

Club

in

a

of for

.

if

,

on

to

in

,

SUB

The Dramatic Sub Committee
the Society
Friday
Authors met
June
After the
minutes
the previous meeting had been signed
the first matter laid before the members was the
answer from the Society
the West End Managers
regard
the Managerial Treaty which had
been settled
the joint action
the Dramatists
in

On

to

as

.

,

on

on

of

,

it

,

in

DRAMATIC

it

. , ,

in

,

to

of

infringe
Committee decided also
take action
copyright
ment
India
behalf
one
its
members and the Secretary received instructions
put the case before the Society
Indian lawyers
of

5s
.

of

,

,

,

it

is

,

to

its

of

be

to

examined
the English Court
under
through the Foreign
commission
Office
was
decided
brief counsel
his behalf
There
dispute
agreements
were two other cases
performing rights
dealing with
both
the
advice
the solicitor
the cases seemed hardly
negotiate
matters for action
was decided
possible
settlement
each
instance
The

to

capital fund

of

,

an

.

of

no
by

a

in

of

of on

Some time ago the Society commenced
action
behalf
one
members for infringement
copyright
Switzerland
The member having

donation

.
N
.

of

,

,

,

to

,

it

infringer but
was felt
the Committee that
impress upon the proprietors
the only way
the periodical that they must not transfer rights
which they did not hold was
take action though
against the innocent infringer
hoped
who
will enforce
claim against the guilty party

the autumn
The election
the Council was again adjourned
also was the question
the Nobel Prize
Committee
the adjournment
the latter case
being necessitated owing
the illness
the
chairman
that committee Lord Avebury
letter
from
the Society
United States
lawyers
regard
legal business
the conduct
the United States was read and the Secretary
reply
was instructed
The Committee acknowledged with pleasure

G

. of

,

of

a of

to

did

to

,

it ,

,

member
maintained
and the solicitor
the
Society advised
that the paper had transferred
rights which
not hold and the Committee
accordingly
decided
take action against the
publisher
copyright
for infringement
The
music publisher
was
doubt
innocent

interested to cover expenses to start a collection
bureau , not only for those authors who , under
their literary contracts , might desire this collec .
tion , but also for dramatists and composers who
desire their fees collected
the dramatic per
formances and for their mechanical rights
This
branch
the Society
work will require preliminary
organization
may not
put into shape till
and
hoped however
1913
make
start

It

a

,

by

a

of

,

a

set

of

to

.

In

a music

.

a

,

contract for the
publisher ,
had been met with a refusal on the part of the
music publisher to carry out his contract . The
Committee
decided
to
take action .
Another
claim
was discussed , which concerned a member
and a company which had gone into liquidation
The solicitor reported that the matter was being
carried through , and that the member ' s interests
would
watched closely
another
case
dispute had arisen owing
the fact that the
proprietors
periodical which had originally
published
verses
one
the members
rights
granted
republication
had
the
publisher
verses with music
music
The
be

into
with

of

member , having entered
publication
of his work

in

Society and a publisher on a question of accounts
and the exact terms of a contract , the Committee
strongly advised , as notice of termination of the
contract had been given , that the publication
should
be
transferred
to another
house , and
support
undertook to
the member in case
of
further dispute . The solicitor reported that a

that the matter should be placed in the hands of the
solicitors ,and an accountant appointed to investigate
the publisher 's books .
The Committee received
a deputation from the
Copyright Sub -Committee and the Composers ' Sub
Committee , with reference to an agreement which
had been
settled between
the Copyright
Sub
Committee and a firm of music publishers .
An
article which appears elsewhere
in this issue of
The Author explains this matter .
The question of the collection of fees was then
considered , and it was decided , subject to the
possibility of obtaining a guarantee from members

of

of the

a member

.

case between

.

In another difficult

,

information .
A claim
of one member which had
been satisfied had , during the month , been
pressed , and the defendant thrown into bankruptcy ,
but the Committee heard with regret that it was
improbable that any money would be forthcoming

not

In another matter , arising out of a dispute on an
agreement , it was decided by the Committee to
publish an article in
The Author setting out the
dangers of the clause which the author had signed .
Another difficult matter of accounts was before the
Committee . If it was impossible to come to a
satisfactory settlement in this case they decided

as

from

A

two members of the Society , adjourned
the former meeting , was again adjourned
pending the receipt
of some further material

between

in

258

�THE AUTHOR .

.

259

secretary was instructed to forward it to the Society
article appears on another page. He also read a
letter from the Music Publishers' Association about
as early as possible .
performing rights in answer to a communication
The next question raised was the appointment of
agents in foreign
countries .
The secretary read , addressed
to them from the sub - committee , and he
letters he had received , and was instructed to reply ,
was instructed to reply thereto . The sub - committee
agreement proposed
by the
to the effect that it was hoped to discuss the matter
then
discussed
an
in the autumn , when the sub - committee was meet Mechanical Copyright Licences Company for the
ing again . The chairman of the sub -committee
collection of gramophone fees .
The secretary first
was granted powers to act during the vacation , and
referred to the article that appeared in last month ' s
it was decided to re -assemble on the third Friday
issue of The Author, and suggested that an article
should be printed in the present number dealing
in October .
Letters received from the French , German , and
with the agreement now before the Composers ' Sub
American Dramatic Societies on the subject of cinema .
Committee .
After considerable discussion , it was
tograph productions and fees were read . The secre decided to write to the agent of the company in
England and enquire whether it would be possible to
tary was instructed to obtain further information on
the matter if possible , and it was decided to get one of
discuss certain points in the agreement before it
the members of the sub -committee to draft a report
was finally accepted
or rejected . Accordingly , the
which might be circulated to the societies of other
Committee went through the agreement , clause by
countries .
clause , and the secretary was instructed to draft a
embodying
A letter received
from the Travelling
Theatre
letter
the suggestions of the sub
Managers ' Association was read and the secretary
committee on the agreement .
was instructed to reply , asking them what financial
It was decided to hold the next meeting of the
terms they proposed to offer on performances , and
sub - committee on July 13 — the last meeting before
whether they would undertake the responsibility
the vacation .

's

of

the unsettled claims have been against
Three
one paper and the secretary has received note
two more claims against the same paper
money that have pressed
Under the claims
during the last month one point
importance
point
importance
all
has arisen
Three editors have claimed exemption
authors

of

.

to

of

a

is

.

.

It

SUB COMMITTEE

-

'

COMPOSERS

.

,

of

,

to

.

was read

.

,

.

,

a

to

communication
addressed
that
the sub committee from the last meeting

-

firm

by

in

answer

later meeting
Samuel French
Messrs

.

A

consideration by them
letter received from

in

-

at ,

decided

for

responded

a

had

It was

, six

to the sub - committee ' s
that these replies should
be tabulated and copies forwarded to the members
of the sub committee
confidence
and for

members
request .

The number of cases which passed through the
hands of the secretary during the last month is con
siderably above the average . None of them is of
very great importance , most of them being small
claims for unpaid contributions and for the return
of MSS .
Of the former twelve claims have been
taken in hand ; two of these have been terminated
satisfactorily , four are in course of negotiation , and
in the remaining
cases the secretary
letters are
far unanswered but three
them have only
recently come into the office

, of

sideration of the sub - committee , with a view to
enable them
to settle a schedule
of fees . The
answers to these enquiries were laid before the sub freely and courteously
committee , showing how

Cases .

so

and expense of collection .
At the May meeting of the sub -committee , the
secretary
enquire of
had been
instructed
to
certain dramatists , members
of the society
for
particulars of their fees for the confidential
con -

.

is

is

,

.

an

for

is

It

.

is

.

as

.

a

in

of

is

's

,

is

to

,

do

to

if

be

on

in

he be

so an
.

to

of

it

is

.

.

-

,

in

's

,

an

to

of

an

.

.

sometimes waive their right
claim
the con
published
venience
the editor until the work
equally true that they could bring
but
they desired
action for the amount due
Even
editor
his contract stipulates that
publication
paid for
the work shall
this does
legally entitled
delay
not mean that
would
the publication indefinitely
Editors should carry

if

-

,
-

-

a

.

of

,

to

which had been recommended
them
the sub
publisher for non fulfilment
committee against
contract
The secretary also reported that
Management
the Committee
had decided
print
article
The
Author dealing
with
agreement
Messrs Curwen
which
had
been
settled between the Copyright
Sub Committee and
Messrs Curwen and been finally approved
This

payment until the work accepted
published
one
these cases the work has been
the
year
editor
hands for over
Of course this
position
untenable
As soon
MS
accepted the money
due
true that authors
from

In

-

a

of

by up

,

.

of

,

's

on

'

of

at

MEETING

held
15

A

the Composers Sub Committee
Saturday
the Society
offices
After the minutes
the previous meet
ing had been signed the secretary reported that the
Management
Committee
had taken
case

was
June

�THE AUTHOR .

.

55

Temple .

, Ordnance Roail , St .
John ' s Wood , N . W .
Feniton , Farnborough ,

V.

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PUBLISHED BY MEMBERS

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BOOKS

to

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in

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it

to

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7d
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by
G

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BIOGRAPHY

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OTHERS
108
Nash

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335

pp

RIDEING

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Reproduced
PAINTINGS
CHESTERTOX
Introduction
Cassell
Four Plates
111

FAMOUS

,

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I.

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HUNDRED
ONE
Colour with
152
Part

Sunderland
.

Gray Wilson

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keep
every effort
made by the compilers
possible they have
accurate and exhaustive
attaining
some difficulty
this object owing
the fact
the cffice
the books mentioned are not sent
that many
by the members
consequence
necessary
rely
largely upon lists
literary and
books which appear
hoped however
that members will
other papers
perate
this list and by sending
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substantially
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make
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another case
accountant has been appointed
check the accounts and
another matter dealing
with the return
MS the author has
wait
owing
the absence
the editor
whose
possession the MS
possible that some
the claims for money
that have come
this month will have
be placed
Of these cases there can
the solicitors hands
report until the October issue
the maga
August
zine
not published during the months
and September

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Quirote Shades
Spens Archibald

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abroad
Of the disputes left open from last month one
referring
claim
for money from
the United
be
four cases have had
has been settled
States
put into the hands
the solicitors two dealing
with the rendering
accounts one with
lost MS
copyright
and one with the infringement

be in

Hills , New
York , U . S. A .
12 ,
Arundel Place ,
Haymarket , S. W .
8 , King ' s Bench Walk ,
Bedford

( H . B. Somerville )
Nightingale
Shore
Rimmer Oswald

.

for

in

,

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may take
and
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com
both the author and the translator live

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McComas , Miss I.

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Stanley

William
Macbean
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Liddle , Samuel

L

for

In one claim
accounts and money the pub
lisher has rendered the accounts and the amount
has been agreed
but the cheque has not yet come
hand
Of three claims
accounts two have been
closed and
the third although another question
which has arisen
the dispute has been dealt with
the accounts are not yet
hand
The matter may
the solicitors
be transferred
have
involving the closing
Another matter
and
agreement has been
cancellation
carried
through
dispute about translation
rights
The last case

Knight,

,

these

.

,

Of

settled , the other
negotiation .

Jenkins , Herbert

(

MSS .

.

,

claims for the return of
four have been satisfactorily
three still being in the course of

There have been seven

Hughes , Rupert

,

their duties in a more businesslike manner
and save themselves
and the authors
endless
trouble and worry . It is needless to say , however ,
that this excuse for delay in payment does not
arise in the case of first- class journals , though there
are even exceptions to this rule .

,

through

(

260

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MUSIC .

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the Museum
Mr
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jeened
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and will
noblimation
publication and
will
issued
Messrs Grafton
Great Russell Street London
before
popular book form
the end
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during

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.

one

view
the
Duand Ruel Galleries
Paris
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THE RETURN
The Wessex Edition
the Works
Hardy
each
54
Macmillan
Thomas
THE WAY OF INITIATION
OR HOW
ATTAIN KNOW
LEDGE
THE HIGHER WORLDS
With
foreword
the
ANNIE BESANT and some biographical notes
RUDOLF STEINER PH
author by EDOUARD SCHURÉ
Vienna
Third Edition
237
Theos
Publ Soc
6d
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pages
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53
347
Swift
By
CONSTRUCTION
THE GREAT STATE ESSAYS
WELLS FRANCES EVELYN WARWICK
CHIOZZA
Harper
MONEY AND OTHERS
379 pp

THE

.

CO have published
second edition
Aristotle
Constitu
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Athens
Sir John Edwin Sandys
The text critical notes testimonia
Litt
and commentary have been carefully revised need
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Translated into
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MIRZA
DAWUD
Persia and ANANDA
Ceylon
COOMA RASWAMY
The Story
Hindu
Reign
Sati
the
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With three collotype
reproductions
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By MRS RUSSELL
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BARRINGTON
54
263 pp
Black
60
OUTFIT
AND
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FOR
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TRAVELLER
EXPLORER AND
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Edited
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Contributions from Sir Harry
Ralph
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Sladen
Wirt Gerrare
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Chancery
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Part XI
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Gurney
217 264
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NATURAL HISTORY

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HIS NAME By SIR ROBERT ANDERSON
57
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MIRACLE AND HISTORY
STUDY
THE VIRGIN BIRTH
By the Rev John HUNTLEY
AND THE RESURRECTION
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Peter
the East Oxford
Bampton Lecturer
1911 8vo
48 pp
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THE HONOUR

.

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By

,

THEODORE HOLLAND
John Church
VALSE
ASPHODEL
THEODORE HOLLAND
John
Church Co
MIGNONETTE
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THE WESTMINSTER HYMNAL
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TERRY
410
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THEOLOGY

16.
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FIRST SUITE FOR PIANOFORTE , OP .
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scudy the scenes
the
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photographs
Mr Holbach and has photo
gravure frontispiece from the portrait
Richard
South Kensington
The publication
of this book
coincides with the winning
the Newdigate Prize
by ,

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Theodore Bent and Mrs Hobson the wife
the Rev
Chancellor Hobson
have devised
maps for Bible teaching which are being
series
published
Messrs Keith Johnson
Instead
all the names and boundaries mentioned being
one map
the confusion
the scholars
different map
used for each period and the maps
bought
can
each separately
wanted
They are
inches
fact they are
wonderfully cheap and distinctly printed and will
prove invaluable
schools
the Footsteps
Richard Cæur
Lion

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poems
Miss
Everest
book
The Dreaming
Antinous
has been graciously accepted
Her
Majesty the Queen
satyric play
Mr Arthur Dillon has aaded
bringing
his trilogy which Mr Elkin Mathews
complete
out
thus expanding
his book
tetralogy and attempting the full dramatic form
the ancients
Mr Rene Francis has just published
The
Anthony
Temptation
Egyptian
and
Aesthetics
the first through Duckworth
Co
through
and the second
Martin Secker
The
Temptation
translation
Flaubert well
known work
but Mr Francis has chosen the
1849 1856
version
which was never published
even
the original until 1908
This version has
special interest for Flaubertists
that
marks
what we may almost call the pre Flaubert period
most striking contrast
the 1874 edition
The
precedel
preface
volume
from
the pen
Sir Gaston Maspero
also by
introduction
Monsieur Louis Bertrand who edited the original
very
has notes
the translator
and
full
appendices
the authorities consulted
Flaubert
the prepararion
book
The Egyptian
study
book
Egypt
the result
several years

the book will
Life Many Colours
little book
with illustrations compiled
Miss Agnes Baden Powell entitled
How Girls can
help Build
the Empire
concise course
character training for girls
all classes
now
ready and can
obtained from the Secretary
Girls Guides Headquarters
116
Victoria
Street

title

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announced
Messrs
Luzac
Co
This book
has been prepared because
the earlier English
print can now
translation
out
revised
hoped
the help
the Haidarabad
Codex
imprint
follow
the Turki text and thus
facilitate the study
Turki
one
classics
planned
include
introduction
notes
index and maps
Messrs Lynwood
Paternoster Row
have published
The Searchlight
the Throne
sequel
by
The
Peeress
The tale
by the same author
Shadow
the Purple
published
the same firm and now
fourth

of

on a

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translation
Leyden
and
Beveridge

Roses
was this month issued
Stockholm
Mr George first book
Engines
Social Progress
has been sold
the
Japanese Government
translated and made
text book
their local authorities
Wright author
Mr
the Good
publishing through
Times
Messrs Headley
Bros
collection
articles that have appeared
from time
time
well known journals
The
Bed

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1826

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Mr Somerset
the same name
not
his work but
founded
Bourgeois Gentilhomme
point out that

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sympathetically
portrayed
Mr Edward Booth has just completed
new
publish
novel which Mr Arnold
The scene
principally laid
popular seaside resort called
Spaforth
Captain Harry Graham
author
The Perfect
lately published
Gentleman
Mr Edward

ancient monuments and modern scenes
from
the aesthetic and picturesque side rather than the
point
archaeologist
guide book
view
The
object
bring out the
the author has been
Egyptian
relation
other ancient and modern
living record
general sense and
art
make
what
has seen rather than
mere catalogue
really
dates and sites
series
impressions
interesting
vivid
much that
singularly
interesting
both
and
new
country
George
translation into Swedish
Mr

by

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by

Mrs . Stanley Wrench 's new novel “ Pillars of
Smoke was published last month
Messrs John
Long
story
woman
love and sacri
fice and
the homely folk
the Midlands are

263

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There are
few touches
tenderness
relieve the cruelty
but only just enough
such
touches
make one wish for more
The lectures which
Jules Lemaître has been
giving this season
Chateaubriand
are now
published
volume form
The lectures were witty
and brilliant but the irony with which the subject
regrettable
too frequent
the note
treated
is

by

.

be

to

,

of

character and dialogue
There does not
superfluous word
the whole book
Each one carries just
each gesture tells
clever but cruel novel one that will remain
the memory thanks
the vividness
each picture

incident
appear

to

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Methuen this autumn
James Baker
has been invited
Prague
the Lord Mayor
the guest
the
for the celebrations connected with
Golden City
July
the unveiling
the statue
the
great Bohemian historian
Francis Palacky
writer
whose work the Eoglish
author has utilised
his
historical works and fiction dealing with Bohemia
and her people
The celebrations last for four days
great demonstration
and are linked with
the
National
Sokol
movement
atbletic
and
gymnastic
organisation
that will have
000
once
the remarkable evolu
members drilling
tions and bodily exercises the Sokol has originated

Mr

the title
the latest
novel
Anatole France
The epoch
that
the Revolution
and the theme more
less the fickleness
woman
We have whole
pictures
series
those days
terror and madness
and the author has chosen his types admirably
The
story has all the delicate irony
which Anatole
France has accustomed
his
books
Each
personage stands out
relief
and each one
typical
beings
whole theory
human
very little that
fashioned
the times
There
can
called ennobling
the volume
intensely
story that
the earth earthy but
regards
clever
Selection
carried
fine art

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to

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Edward Hankey
novel by Alfred
be published

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Windfrint

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love story
the
present day related
subsidiary way
some
the feminist stir and stress
the period
Most
the action takes place
London though there are
few country episodes
being the story
The Royal Road
the Life

Death
London

NOTES

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sionaries prospectors etc
Mr Reynolds Ball has
operation
had
this work the
Johnston
Mr
Selous Mr Harry
Windt
Wirt Gerrare and Cit Payton
Sarcelle
who
have contributed chapters embodying experiences
parts
published
the globe
The volume
Chancery Lane
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generally
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from
lady
the
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whom
more
for any other reason he has become engaged
The cast includes Mr
Holman Clark Miss
Fay Davis and Miss
Renée Kelly
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Outfit and Equipment
the Traveller
Explorer and Sportsman
volume edited by
Reynolds Ball
primarily for
intended

this

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Partridge
tale

Three

a

Comrades
Messrs
Cornish boys

by

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the
the present
cast
are Mr Weedon
Grossmith
Mr Godfrey
Tearle Mr Dion Boucicault
Miss Pauline Chase
and Miss Marie Löhr
Ann
Lechmere Worrall was produced
the Criterion
June
Ann
transatlantic
lady journalist and the main
interest
the play
original production

is

The
pianoforte

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revived
June
1912
years ago since the date
on

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Parkes has dramatised an episode
in his North Staffordsbire
novel of seventy years
ago , “ Potiphar ’s Wife .”
The play is in one act, and
bears the same title as the story . Mr. Wilfrid
Eaton , who knows the North Staffordshire dialect ,
customs and scenery well , intends to produce the
play in London shortly .

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The Swelling
Jordan
Coralie Stanton
and Heath Hosken
announced for early publica
story
tion
the same publishers
which
greed
supposed murder
and love play important
parts
Messrs Novello
Co have issued
new and

.

DRAMATIC

,

&amp;

published last month
Messrs Stanley Paul
Charles McEvoy
first novel
Brass Faces
Wladimia Cerricoff
the Russian pianist intro
pianoforte
duced Mr Theodore Holland
suite
his recital
the Æolian Hall
June

Mr

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264

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say

However
not with the English work
America that we are here concerned
but with the
native product
the United States
cannot
falling off
said that there has been any noticeable
though
far
books issued
the numbers
statistics not yet being available we have
wait
until the end
the year before we know whether
they
the figures have actually been maintained
quality
appear
have been
With regard
judge only by publishers advertisements
we had
might imagine that 1912 had already justified
celebrity
literary annals
claim
But
puff pre
then who pays much attention
the
liminary
guide
and the
front page
Probably
year
literature
will
realised

,

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this
spring
good
There never was such
dearth
books
the English inarket
the present
many
publishers
time and never
American
absolutely hungry for good stuff
this year
Every leading American publishing house either
has
has had its representative
London looking
for saleable books and most
them are simply
having trouble for their pains
pretty
This
strong
must
confessed
But here
the
testimony
representative
another
house
English publishers
absolutely
The spring list
poverty stricken
lacking
any books
any
Usually the spring lists contain
consequence
importance historically
biographically
books
but these are entirely missing this year
What have English publishers and still more
English authors
say
this

,

.

”

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to

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at

”

no

in

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on

a

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works that they discovered the want
big firm
representatives went
far

in

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an

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of

the Shrew
French
the Saint Cloud Park
once
week
The scenery has been designed
Simas
the Opéra and
ideal spot has been
discovered with the trees meeting overhead and

what
my last

United States Notes about the suggested
for 1912
Fewer and Better Books
that the American publishers have been com
plaining bitterly
good books
the lack
the
Apparently
early part
this year
least
how
English than
American
rather
ever

motto

its we

-

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as

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of

readers
At the Porte Saint Martin
La Flambée
still
the bill and
Athenée
also still giving
Cœur dispose
has now had
150th
representation
giving
The Shakespeare Theatre
The Taming

The

rather curious
find
view
the opening paragraphs

to

is

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"

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a

is

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in

the world
Her first book was entitled
Ren
contres
her second
Chez Eux
and the present
composed
one
series
short studies some
which have appeared
such publications
the
Revue des Deux Mondes
the
Journal des
Debats
and
Echo
Paris
The story
entitled
Un grand amour
the most dramatic
those contained
Pour une autre
Une Philosophie nouvelle
Henri Bergson
by Edouard
Roy
another book which serves
Bergson
introduction
own works
Coignet wrote one
Some ten years ago Madame
Bergson
the best introductions
works
Among translations
Maxwell
The
Guarded Flame has
last appeared
French
and will
doubt have more success
France
than most English
novels
the psychology
French
the volume will appeal
contained

dome

wrote

of

- ”

in

,

In

of

of

to

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to

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by

"

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Pour une autre
Marianne Damad
the
third volume
this writer
Jules Lemaître writes
the preface
the present one
these studies the
author endeavours
show the effects produced by
totally different rank
the meeting
individuals

forming

TT

“

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un

’

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.

volume

UNITED STATES NOTES

so

is
a

by

is

it

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of La

of

has seen much

writer

this volume
evident that
Vie tragique
Geneviève
this
the world she describes

,

the writer

for

Les Femmes dans les organisa
also written
Madame Com

is “

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pain
and from

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ALYS HALLARD .

Les Dieux ont Soif ” (Calmann Lévy ) .
Chateaubriand " (Calmann Lévy ) .
Le Marquis Réné de Girardin " (Perrin ).
Chateaubriand , Ambassadeur à Londres ” (Perrin ).
Paris pous Louis XV ." (Mercure de France ).
La Vie tragique de Geneviève ” (Calmann Lévy ).
Pour une autre ” (Bernard Grasset ) .
Une Philosophie nouvelle , Henri Bergson " (Alcan ) .
The Guarded Flame " (Plon ) .

in

Chateaubriand , Ambassadeur à Londres ,” is an
account written by the Comte d 'Antioche , from
papers that bave never before been published .
* in Paris sous Louis XV., ” by Camille Piton , is the
fourth volume on this subject by an author who is
one of the best informed . In this volume we have
reports of the police inspectors annotated by Camille
Piton .
tragique
story
“ La
Geneviève
episode taken from
resembles
life like that
imaginary story
life rather than
written
vers
the author
Louise Compain
“

and several other plays are being

in

Hallays .

Academy prize

,

also to be given
rehearsed .

-

Le Marquis René de Girardin ," (Le
de J . J . Rousseau ) ( 1735 — 1808 ), is

dernier
a book
written from hitherto unpublished documents by
André Martin Decaen , ,with a preface by André
“

ami

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Conscience

Miss Jane Addams

the London
Times
easily the foremost woman
America
discusses
bravely the white slave question with particular
Chicago the city
reference
such evil notoriety
the matter
still wider human problem
dealt
Kellog
Beyond War
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which are cast
essay form discuss the subject
the last book
well
other family problems
America
The Tariff
Our Times
which Miss Ida
Tarbell brought out originally
the American
Magazine
course
fiscal
The American
Transportation
Question
Dunn editor
importance
the Railway Gazette
volume
technical way
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Counsel
the Defense
and
The Mountain
Girl mentioned above
The latest lists
best
place
sellers show the pride
fiction falling
Gene Stratton Porter
The Harvester
Meredith
Nicholson
Hoosier
Chronicle
Emerson
Wright
Hough
Jolin Rawn
and
The
Winning
Barbara Worth
which did
well last

in

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Professor
Brander
Vistas
New
York
and Edna
Ferber
Buttered Side Down
Dorothy Canfield
The Squirrel Cage
way
becoming
best seller
distinction
the way which has already been attained

England
the book
well known
now
well
the other side
the Atlantic
Under history we find
The Contest for Cali
Elijah
Kennedy
fornia
1861
and
American
Colonial Government 1696
1765
Oliver Morton Dickerson
Politics and social
life
the United States are dealt with
The
Weyl
New Democracy
Social
History
Forces
American
Simons
Changing America
Professor
Ross
author
The Changing
Chinese
The
Initiative Referendum
and Recall
edited
Professor
Munro with chapters
Colonel
Roosevelt and others
and
The Coming

“

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"

at

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at

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short stories are

Work

Mary Antin
and
The Promised Land
Russian Jewess who tells how she discovered
many other young emigrants
America like
Harper
Joseph
Henry
The House
Harper explains itself
its title
and besides

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to

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of
of

volumes
Matthew

Work
real Mark

Professor
New York
State Board
Charities
Then there are
The
Reminiscences
James Burrill Angell
late
Michigan University
President
Out
the Rut
Business Life Story
John Adams Thayer

its

be

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Sister
Maine
Curwood
Flower
the
Bay
Chapin
North
Hudson
Anna
irginia
The Under Trail
and Mary
Bangs
High Bradford
ape Cod fifty years
ago
Gertrude Atherton has brought out
Julia
Mary
France and her Times
Wilkins Free
man
The Butterfly House
about which some
the critics freely express their disappointment
and Reginald Wright Kauffman
The Sentence
Silence
which displays more humour and less
grim tragedy than he has hitherto given
Two

Marcus Alonzo Hanna His Life and
attempt
draw
the
Herbert Croly
Philanthropic
Hanna
and
The
Josephine
Shaw
Lowell
edited
Rhinelander Stewart President
the

"

in

I

of

it

B

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's

Man

;

"

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of

;

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A

and
Vaughan Kester
The
Just and the Unjust
Maria
Davies
The
Melting
Molly
Avery Abbott
Captain
Martha Mary
Corra Harris
The Recording
Angel
Kate Langley Bosher
The Man
Lonely Land
Vance
The Bandbox
Shedd
the Isle
Strife
Will Leving
ton Comfort
Fate Knocks
the Door
Owen
Johnson
Stover
Yale
Maclean
The Mainspring
Samuel
Merwin
The
Citadel
Castle
The Green Vase
Charles Egbert
Cradock
The
Raid
the
Guerilla
John Reed Scott
The Last Try
strong
grouped together
The following may
local colour
Frederick
Palmer
Over the
Lonely Land
Pass
Arizona
Bower
Payne Erskine
Montana
The Mountain Girl
Capt
North Carolina
Alice
Lee
Joe
Isham

's

Frederick
the late

;

Defense
his Money

“

's

"

“

;

-

:

,

,

.

of

in

to

again

or I

speak

I

of

but once

. of

usual
any attempt

to

forefront

;

must
all the works
worthy
Nor shall
last wrote
notice since
any order
try
arrange the names
merit
popularity
said
Of all the following may
that they both attracted attention and according
publishers
Ellis
sold
well
John
their
Lefroy Scott
Fran
Counsel
for
the
the

disclaim

Nor is H . S . Harrison ' s “ Queed " far behind .
The two last - named hare indeed had a long innings .
It is usually easy to say what is fiction and what
is not.
But it is by no means easy to classify
accurately
proper sub
“ non - fiction " under
Biography even
heads
taken
include auto
biography and reminiscences
not over well
represented among recent American publications
Professor Josiah
Mention must however be made
Royce
William
James
which
the first and
principal item
series
addresses delivered
book form
the past and now collected
year.

in

as

of

be

!

of

rather than epoch -making . Which is not the same
as denying that — to use the ugly commercial phrase
— some quite good stuff was put on the market in
the period under notice . Otherwise I should feel
considerable diffidence in proceeding to mention
any authors below
the names
put
The serried ranks
the novelists may

.

A

266

�THE AUTHOR . .

a

its

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,

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of

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a

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the same journal

in

as

in

other matter

it

.

,

with

of

on

contended

,

,
in

.

“

on in

.

behalf
the plaintiff
published
the articles
separately
because
the later issues
the
paper contained other matter than that which
appeared with the articles when they were originally
published
1901
On the other hand
was submitted
behalf
the defendants that
the articles were republished
was

that the defendants
”

of ,

;

",

a

publish
consent
but the author has the right
ing them
separate form
after the expiration
ight years from the date
twenty
their first
publication
the newspaper

in

,

.

of

of

of

,

's

,

73
,

”

of

West

Robert

copyright was
limited
character
expressly provided by that section that the news
paper proprietor
under the circumstances
the
any time entitled
publish the
case
not
separately
singly
articles
without the author
;

-

a

of

.

,

90

;

a

an

,

for

of .

at -

in

South

LTD

by which he was
agreement made
1898
employed
weekly article on chess
contribute
billiards and draughts
The contract came
end
1906
and when the defendants acquired
republish
proceeded
the paper
1910 they
some the articles which had been contributed
agreement
the plaintiff under
was admitted that the defendants were the
owners
the copyright but under the peculiar
provisions
the Copyright Act 1842 their

is

,

a

,

of

"

on

of

at

of ,

to

of

,

,

“

Brigadier General Farley
who died
Carolina
the age
wrote
book
Point
the Early Sixties among others

plaintiff

"

by

), In

is

,

.

by

regular con
travel sketches and
tributor
the New York Sun
Next month saw
the death
the age
Clara
Barton
founder
the American Red Cross Association and
author
several works
the movement
The
Titanic wreck involved the loss
Francis Davis
painter and war correspondent for both
Millet
American and English journals
Ward Stanton
journalist and
likewise both
artist and
Jacques Futrelle whose success with the detective
novel gained
him the name
the American
Doyle
Conan
Futrelle
wife whose first novel
Secretary
appeared
Frivolous Affairs
escaped
1911 happily
from
the sinking ship

NEWSPAPERS

this action Mr Lionel Whit
field
sued
the proprietors
the Weekly
republishing
imes and Echo for damages
without
consent certain articles which
had
contributed
the paper
1901
The articles were written
the plaintiff under

,

-

,

"

by

a

in

of

or

. is

,

to

(“

Mickey Finn
English
birth but
life and training
writer
short

PROGRESSIVE

THE

of

is of

-

in

is

,

,

in
“

.

is
a

.

Jarrold

WHITFIELD

It

of

-

,

-

of

to

tion
But
Hard Labour and Other Poems
there
certain rareness
flavour which merits
notice
The author
was
convict
the
Minnesota
State Prison
The obituary unhappily swelled
the awful
disaster
the Titanic
rather large for the short
period
under notice
March
died
Ernest
American
stories and

.

of on

.

in

",

,

'

'

of

.

England
paid
contemporary
American
verse
and perhaps
nothing very recent has called for particular atten

NEWSPAPER ARTICLE

COPYRIGHT

“

of

is

”

its of

,

of

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a

On

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of
of

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H

A

·

Probably not much attention

writer and cartoonist
well
breeder
Arabian
pneumonia
York and
New
horses succumbed
Julia Harris May poetess
died
the age
the Maine
whose woods she sang
Another
the
Maine author Dr Willis Judson Beecher
Auburn Theological Seminary died about the same
time only five years younger
PHILIP WALSH
in

.

“

. . ;
H W
. .

by

-

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.
D
.

;

of

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in

of

“

of

",

by "

,
" ;
;

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;

.

A

Wonders
the Colorado Desert
James
Wright
the realm
the arts Professor
Trinity College
Harvard and also formerly
History
French
the author
Oxford
Literature
Edward Bliss Reed Assistant Professor
English
responsible for
Yale
work
English Lyrical Poetry
the Laws
Painting
Japanese
book by
the title
Japan
Bowie who has long resided
practical side
literature provides the material
History and Law
Copyright
the
from
for
Rogers
the
pen
editor
Bowker
Richard
American Publishers Weekly and Vice President
the American Authors Copyright League which
the first work
its kind dealing especially with
aspect
the American
the question
for over
thirty years

poet , is best
Rogers , the Californian
Cameron
known as the author of “ The Rosary ," a lyric
original
which , though known everywhere in
through translation never profited him
form
penny
the month
the death
At the end
the Rev Dr
the Far East
occurred
missionary
Japan and
Knox for fifteen years
religion
Japan
writer
numerous books
At the
combined
the two subjects
and
May Homer Davenport animal story
beginning

,

,

",

“

.

at

",

“

's

a

of

of

.

on

in

of

mankind and
the natural history
biological grounds
preaches peace
Among books
travel and description there
more than transient interest
number
have been
Tripoli the
Apart from Mabel Lomis Todd
Mysterious they are mainly concerned with things
by
Noteworthy are
The Yosemite
home
John Muir
Travel and Camp
the Rockies
by Dillon Wallace
the Rockies
The Spell
Enos
Mills
Three Wonderlands
the
Murphy
American West
The Pipe
by Bert Leston Taylor
The
and
smoke Carry
chapter

267

which

�THE AUTHOR .
Act with respect to the deposit of copies and
registration of such work shall have been complied

it

;

.

.”

.

in

and were served
someone
the office
about midnight the same day
Very early
the morning
March
the publica
complainant
copyrighted narrative and
tion
paraphrase thereof appeared
defendant
their
respective newspapers
The two copies
the copy
righted work were filed
the office
the Register
Copyright Washington
March
after the opening
that office
that day
On these facts the question arises Was com

the defendant

of

in

's

,

9

,

.

on

on

.
C
.,

D

,

on

.

of

CASE

LAW

,

UNITED STATES

or of

in

of

.

of

's

.

it

, .

all

to

8

March

of

.

s

18

of

-

“

of a

.

HAROLD HARDY

.

9

it

of

,

to

"

of

,

,

in

.”

.

v

in

JUDGE LACOMBE 'S OPINION

:

This proceeding grew out of a transaction referred
to in the decision on motion for preliminary injunc
tion .
The order to show cause included a restrain
ing order or temporary injunction , and it is charged
that defendant published an account of Amundsen ' s
journey to the South Pole , which was a colourable
copy of
copyrighted narrative
Many points have been argued but
will not be
necessary
discuss them
The bill was verified March
stated that
complainant
about
file two complete copies
the best edition when published
The order
show
cause and restraining
order were signed
on

in

,

is

,

is

is
"

”

in
a
”

Copyright Act

of Judge Lacombe, in fall , reads

The opinion

.

“

40s

its

and

to

injunction

an

in

plaintiff

It is clear that the words “ separately ” and
to
“ singly " are not synonymous , and according
the cases an article or story may be " published
separately , " although it is in a volume with other
articles or stories .
In the case of Johnson v.
Newnes , Mr. Justice Romer said :
“ If you find in a volume separate parts , each
distinguished or perfectly distinguishable
from the
published each part
other parts and the volume
separate
that
and clearly distinguished
the
separately published
volume
Similarly
Smith
Johnson
1863
where
certain tales entitled
The Chronicles
Stanfield
Hall were contributed
the London Journal
was held that the subsequent publication
the
weekly supplement was
publi
separate
tales
cation
within the meaning
the

,

with .”

of

came to the conclusion
publication , " and

a “ separate

been

to of

granted the
damages .

Hamilton

" separately

not

were

of

Mr. Justice
that there had

they

is

they first appeared ,
published . "

,

•

8

268

,

,

,

4

by

by

by

of

of

.

by

,

:

12

.

in

.

by

of

its

it

;

a

.

",

is

,
or

,

of

to

, in be as

of

,

of

9

in

.

in

of

,

of

.

be

or

complied

with

to

of in

in

of

been

.”

.

of

of - -

or

of

of

.

12

no

of

is

to

a

be

“

,

in

Washington
District
Columbia
two complete
copies
the best edition thereof then published
proceeding shall
No action
maintained
copyright
any work until
for infringement
respect
the provisions
the Act
the deposit
copies and registration
such work shall have

,

),

in

to

to

copyright
distinct from the
an action
enforce the same
The ruling against the validity
the temporary
injunction was made under sect
the copy
right law which provides that
pro
action
ceeding shall
maintained for infringement
copyright
any work until the provisions
this

,

.

in

a

a

a

by

(

that the right
right
maintain

publi
That after copyright has been secured
copyright
cation
the work with the notice
provided
sect
this Act there shall
promptly deposited
the Copyright Office
Copyright
the mail addressed
the Register
of

of

of

,

of

's

of

a

of

either the text
colourable version
story
Roald Amundsen
his discovery
the
South Pole the copyright
which the Times had
purchased for the United States and Canada
The Court recognises that valid copyright can
publishing
copyright
be secured
work with
imprint and was secured by the Times
the
Amundsen narrative
the present case but holds

in

be

of

of

.
I

to

.

:

That any person entitled thereto
this Act
may secure copyright for his work
publication
copyright required
thereof with the notice
this Act
etc
publication
The bill shows that such
had been
complainant
thereby
made before
was verified
copyright
had then secured
copyright and the vindication
Ownership
such ownership
suit are different things
The
provided for
latter
sect
which reads
“

of

8

or

publication

,

on

by

,

an

,

of

,

of

in

,

the Federal District
Court denied the application
the New
York Times Company for the punishment
for contempt
the Star Company publisher
the
injunction
New
York American
for violating
Judge Holt
restraining the
granted
March

.
.
.

LACOMBE

of

UDGE

on as

at

8
?

provides
“

.

is

,

ITSELF NOT AFFECTED

its

-

”

“

IN

an

this

THE
TEMPORARY
LACOMBE
DECIDES
JUDGE
INJUNCTION
THE
TIMES
COPYRIGHT
SUIT WAS GRANTED
PREMATURELY
COPY
RIGHT

plainant entitled
maintain
action such
midnight
when
the order was served
March
The action
based upon the statute
and the answer
this question must
found
provisions
Sect
the Act
March
1909
to

of

the

.)

'

(

the Editor
Weekly

of

with the kind permission
United States Publishers

Printed

�THE AUTHOR

for

of

no

12
.

of

.

of

so

of

to

as is

,

"

At

a

to

.

in

it

of

be

to

its

.

is

,

.

,

is

.

.

or 12
,

to

on

,

as

in

at

,

he

,

to

.

a

,

of

in

an

of

-

in

of

in of an

to

of

an

,
if

in

,

'

T

,

by

to

, ,

,

to

.

12

. ,

of

of

. of

of

by

of

CLAUSE

.

DANGEROUS

A

by

on

to

. ,

for

of

to

in
a

,

T

be

.

,

be
so

a

to

to

of

to

of

in

in

to

,

in of

a

of

.

of

.

of

an

author

a

a

Author

in

though

lines the
only bound for
certain number
books
one
the cases published
The
recently
clause proposed
bind the
for period
seven years
agreement coming from the office
Messrs

is

author

created

.

is

on

it

career and affect his property before
most agreements drafted
these

In

-

.

Articles have appeared
The Author
demon
strating how seriously clauses dealing with rights
future books may hinder the author
his
in

in

by

time
time the Committee have urged
pub
upon authors the danger
granting
lishers
contract
one book the right
publish future books
stated terms
Authors
should not even grant the refusal
the publication
publisher upon terms
future books
subse
quently agreed though this may not
dangerous

ROM

In

be on of

- - be

,

to

or

a

be

an

in

by

is

,

is

—

;

of

the actiou

by

.

be

,

of

-

to is

or

an

a

of

an

institution

or

as

in

or

.”

of

.

to

precede

to

of

to

.

by

in

by

by

It

grant
injunction
prevent
viola
copyright which has been secured
the
aggrieved
granted
this injunction may
equity
equity suit
bill
that
equity suit
such
covered
the phrase
a

on

is in

or

or be

in

,

to

on

,

be

copyright must

be

-

or

be

,

,

in

or
,

this Act may
served
may
the parties against whom
such injunction
granted anywhere
the United
States and shall
operative throughout the United States
proceedings
contempt
enforceable
other
any other Court
judge possessing
juris
wise
diction
the defendants
does not seem that this last quoted section
any way qualified the prohibition
the twelfth
judge
express
given
section
The Court

But

a

of

,

of of

.

.

of

.

36

.

of ,

be

anything forbidden

tion
party
upon

to

of

of

,

,

,

,

35

.

“

an

“

equity filed
any
shall have power upon bill
grant injunction
party aggrieved
prevent and
any rights secured
restrain the violations
said law according
the course and principles
equity
judge
courts
such terms
said court
may deem reasonable
Any injunction that may
granted restraining and enjoining the doing

authority

, .

,

byof or

,

be

of

of

the Philippine Islands
proceed
Sect
That civil actions suits
ings arising under this Act may
instituted
the district
which the defendant
his agent
inhabitant
which he may
found
judge thereof
Sect
That any such court

would
vital
The Court
however expressly held that this
question was not involved that the mere depositing
the books
the mails addressed
the Register
Copyright accompanied presumably
application
for registration and affidavit
manufacture
suffices
compliance with sect
This
constitute
ignores the provision
that section with regard
registration
possibly
the theory that only the
performed
acts required
the owner
the
in

all

31
.

.

“

proceedings
actions suits
under the copyright laws
the United
originally cognizable
States shall
the Circuit
Courts
the United States the District Court
any Territory
the Supreme Court
the District
Columbia
the District Courts
Alaska Hawaii
and Porto Rico and the Courts
first instance
arising

,

,

which

,

36

,

.

,

35

34

to

and

The
imes itself
discussion
the case
registration were
makes the important point that
action
the initiation
essential formality
law that there would result
interim
non
protection between the deposit
copies
the mails
Washington
and the necessary registration
daily newspaper material
interim
that
the case
be

, ,

,

be

of

be an

,

in

or

sects

:

as

Complaint refers
follows
Sect
That

read

to

-

.

,

to in

“

”

;

at

,

in

or

,

of

.

force

construction here followed
the time the person
copyright publishes his work with the
entitled
notice required presumably
has copies
his possession and could
once deposit
the mail
the two copies required addressed
the statute
prescribes
That act
his part would seem
compliance with sect
sufficient
entitle him
proceeding
maintain
his action
But until
he does this
the prohibition
of that section
imperative
Without considering the other questions presented
the application
denied

at an

of

,

at

8
,

Copyright Office
the mail addressed
the
Copyright
Register
that time therefore
proceeding could not
this action
maintained
and the injunction being issued
action whose
no binding
maintenance was prohibited could

copy
or proceeding
the infringement
apparent reason for constru
and there
ing the act
exempt such suits from the
operation
the prohibition
sect
No hard
copyright results from the
ship
the owner

of of

-

A

of

.

of

in

an

,

be

if

to

, or

to

so

as

tion
broad
this goes
the jurisdiction
the
proceedings and
courts
entertain such actions
the prohibition were operative when the injunc
tion was served the latter would
void because
made
action which could not be maintained
and
which the courts could not have jurisdiction
midnight
The papers submitted indicate that
of March
when the injunction was served the
deposited
two copies had not yet been
the

269

“ action

right

to

in

-

it

, ,

it

of as

of

or

,

in

to

of

The subject of statutory copyright being one
wholly within the powers
Congress
had full
power
any way
restrict
chose
the main
taining
proceedings
such actions
the courts
infringement
are concerned with the subject
prohibi
the rights secured by such statute

.

�THE AUTHOR .
by

,

,

an

of

is

in

,

If

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he

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to s

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in

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an

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of

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of

"

,
M
.P
.

“

Monument

the Stratford

20

TO

.

SCALE FOR ADVERTISEMENTS

.)

MEMBERS OF THE SOCIETY
PER CENT
ALLOWANCE
Front Page
Other Pages
Hall of Page
Page
015
Quarter of
Eighth
Page
Single Column Advertisements
per inch
per cent
per cent. made for Series Sixand
Reduction
welve Insertions.
6

for 0

0

.. .
. .
1
10
00

of
25

of

,

,
29
,

Co
.

All letters respectingAdvertisements should
Paternoster Square London
BELMONT

addressed

to
J.
F
.

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E be
.C
.

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a

of
20

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of a
a&amp;

300

&amp;

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By

to to

,

Workshop

Rickett
By Berric Twede

Compton

John Forster
By
Seccombe

Engraving
Dugdale
The
Geo Greenwood

(

by

an

Ibsen

From

NATIONAL

he be

to

to

of

.

A

,

to

de

to

10

-

The Centenary
Recent History

I

?

if

be

be

or a

By

Wilkie Collins

,

he

a

to

to

. it

a

It

BLACKWOODS

Without Method

BOOKMAN

.”

.

per

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L

,

Musings

A

,
If ”

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cote Statham

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of

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if

an

,

NINETEENTH CENTURY AND AFTER
By Dr
the Odes
Horace
Metrical Versions
Tyrrell
Edith Sichel
Beaumont
Pauline
Ry
Heath
the Salon and the Royal Academy
At

to

be

,

on

.

or

,

10

it

if

an

It

ENGLISH REVIEW
Henry Newbolt
English Poetry
New Study
By Walter Sichert
The Royal Academy
Lawrence
Poetry Arthur Symons Ezra Pound
Abercromby

A

.

he
is

of

it

in

I

—

to

.

it

author
has been stated that the binding
becoming
more usual demand
for future work
amongst publishers
has also received the sanc

CONTENTS

of

at

,

,

in

.

10

to
a
“

to

MAGAZINE

of

be

of

to

to

offer thinking he was
the author refused such
higher royalty
bound
would then
entitled
question
he acted fairly
under the clause
any other publisher before whom
laid the matter
per
royalty
bave been offered
state
must
but
will you give me better terms
cent
referred
inform you that any offer you make must
my former publisher
will give
see
back
Surely the answer
better terms
me similar
decline
the second publisher would
from
make any offer and the author would have
accept the
his
cent royalty proposed
original publisher
This would
serious position
only referred
enough
two books but
one
any future
refers
becomes disastrous when
author may write
novel that

by
of all

in

of

to

.

a

of

.

he If a

in

on

up

a

to

if

of

in

he

of

discharging
discrimination
work
most cases would mean that the
The clause
the same
would
bound
author who signed
publisher for the whole
his literary life practically
refuse any offer that that publisher placed
unable
say
will
The publisher has only
before him
your books
per cent
the sales
offer you
this figure
obtain the writer for ever

author

above

.

a to

in

he

,

of

quoted

T

to

as

a

be

willing
No doubt
second publisher might
offer terms for the book
were
the author
position
freedom
but
would not keep the offer
open
he understood that he was being made use
give
competitor
the same trade
order
taking
the book
similar terms
chance
was not told why his terms were sought
receiving unfair treatment
the hands
would
his fellow publisher whose
the author and

of

,

to

a

is

he

bound

.

whom
quoted

success

to

,

at

“

,

to

at

of

?
”

to

to

,

good

the author

a

, .

an

for

in

is

It

in

to
a

without referring the
the original publisher
that
under such
clause

the terms however
matter back again

indifferent

his future contracts
unshackled with regard
only too
treated well
bis publisher
will
glad
leave the publication
future works
that
publisher hands
author
not treated well
by his publisher then
place all his
forced
books with him while convinced that he
unsatisfactory
man
buisness
intolerable
position
the Society must once again
All members
sign any agreement binding them
warned not
selves
for future work and must take special care
sign
not
clause drafted
the lines
the one

.

great difficulty
obtaining release
any rate
almost impossible
author
the present condition
the literary market
go
second publisher and say
What terms will
you give me for my book
and
the same time
explain
that publisher that he cannot accept

have

a .

to

an ."

to

so

is

it

he

, of

to

.

to

is
a

This
most inadvisable arrangement for
author
enter upon
The clause practically binds
the author
offer
the publisher during the
may
term
his literary life every novel that
produce and
worded that the author would

,

.

by

by

to

on

he

to

.
.
."

heof
" “
be.

The Author shall give the publishers the first refusal
him
Should
and any future novels written
able
obtain better terms for these than the terms
suggest
the Publishers
shall offer the book
the
the terms named
Publishers
him
other publishers

The custom , if it is a growing one ,
tion of agents .
the vigour possible
must be opposed with
Authors
members
the Society
those publishers who are
The reasons given
the most just
their attitude towards authors for
desiring
bind authors for future work are not
satisfactory
publisher who has bound
author
pledged
such
clause knowing that the latter
him may and does get careless
the matter
publication
As long
turns over his money
and gets
fair percentage
he becomes quite

to

runs as

clause

's

Co . , Limited , a

&amp;

.

:

to by

George Allen
follows

to

270

�THE AUTHOR
HOW

TO

USE THE SOCIETY .

member has a right to ask for and to receive
pub
advice upon his agreements , his choice of a
lisher , or any dispute arising in the conduct of his
property .
The
of his
or the administration
business
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Further , the Committee , if they
Solicitors of the Society .
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member . Moreover , where counsel ' s
,
the
Committee
of
opinion is favourable and the sanction
is obtained , action will be taken on behalf of the aggrieved
member , and all costs borne by the Society .
1.

A

VERY

copyright
2. Remember that questions connected with
experi .
and publishers ' agreements do not fall within the
eure of ordinary solicitors . Therefore , do not scruple to use
the Society .
any agreement whatever , send
3. Before signing
the document to the Society for examination .
4. Remember always that in belonging to the Society
you are fighting the battles of other writers , even if you
are reaping no direct benefit to yourself , and that you are
advancing the best interests of your calling in promoting
the independence of the writer , the dramatist , the composer .

6 . The Committee bave arranged for the reception of
in a fire .
members ' agreements and their preservation
proof safe . The agreements will , of course , be regarded as
confidential documents to be read only by the Secretary ,
who will keep the key of the safe. The Society now offers :
( 1) To stamp agreements in readiness for a possible action
upon them .
(3) To enforce
( 2) To keep agreements .
payments due according to agreements . Fuller particu
lars of the Society ' s work can be obtained in the

Prospectus .
6. No contract should be entered into with a literary
agent without the advice of the Secretary of the Society .
Members are strongly advised not to accept without careful
the contracts with publishers submitted to
consideration
them by literary agents , and are recommended to submit
to the Secretary
and explanation
them for interpretation
of the Society .

This
7. Many agents neglect to slamp agreements .
must be done within fourteen days of first execution . The
Secretary will undertake it on behalf of members .

obtained . But the transaction
should be managed by a
competent agent, or with the advice of the Secretary of
the Society .

II

. A Profit - Sharing Agreement ( a bad form of
agreement ) .
In this case the following rules should be attended to :
( 1.) Not to sign any agreement in which the cost of pro .
duction forms a part without the strictest investigation ,
(2.) Not to give the publisher the power of putting the
profits into his own pocket by charging for advertisements
in his own organs , or by charging exchange advertise
ments . Therefore keep control of the advertisements .
(3. ) Not to allow a special charge for " office expenses , "
unless the same allowance is made to the author .
(4. ) Not to give up American , Colonial , or Continental
rights .
(5 .) Not to give up serial or translation rights .
(6. ) Not to bind yourself for future work to any publisher .
As well bind yourself for the future to any one solicitor or
doctor |

III.

WARNINGS

TO

OF

THE PRODUCERS

ERE are

a few standing rules to be observed in an
agreement .
There are four methods of dealing
with literary property

:

1. Selling it Outright .
This is sometimes satisfactory , if a proper price can be

System

.

possible for an author
approximately
to ascertain
the
truth . From time to time very important figures conpected
with royalties are published in The Author ,

IY .

Agreement .

A Commission

The
( 1.)
( 2.
( 3. )

:

main points are
Be careful to obtain a fair cost of production
Keep control of the advertisements .
Keep control of the sale price of the book .

.

General .

All other forms of agreement are combinations of the four
above mentioned .
Such combinations are generally disastrous to the author .
Never sign any agreement without competent advice from
the Secretary of the Society .
Stamp all agreements with the Inland Revenue stamp .
Avoid agreements by letter if possible .
The main points which the Society has always demanded
from the outset are
( 1.) That both sides shall know what an agreement
means .
( 2. ) The inspection of those account books which belong

:

to the author. We are advised that this is a right, in the
nature of a common law right, which cannot be denied or
with held .
(3. ) Always avoid

WARNINGS

£1 18. per

BOOKS .

The Royalty

This is perhaps , with certain limitations , the best form
of agreement . " It is above all things necessary to know
It in
what the proposed rovalty means to both sides

8. Some agents endeavour to prevent authors from
referring matters to the Secretary of the Society ; so
Members can make their own
do some publishers .
deductions and act accordingly .
is
9. The subscription to the Society
annum , or £10 10s. for life membership .

271

.

a transfer

TO

EVER

of copyright .

DRAMATIC

AUTHORS .

sign an agreement without submitting it to the
Secretary of the Society of Authors or some com
petent legal authority .
2. It is well to be extremely careful in negotiating for
the production of a play with any one except an established
manager .
3. There are three forms of dramatic contract for plays
in three or more acts
This
(a . ) Sale outright of the performing right .
An author who enters into
is unsatisfactory .
such a contract should stipulate in the contract
for production of the pi-ce by a certain dare
and for proper publication
of his name on the
play - bills ,

N

:

�272

THE AUTHOR .

( 6.) Sale of performing right or of a licence to
perform
on the basis of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent .
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages .
A fixed
date on or before which the play should be
performed .
(o.) Sale of performing right or of a licence to
perform
on the basis of royalties (1.2., fixed
nightly fees ). This method should be always
except in cases where
avoided
the fees are
likely to be small or difficult to
collect . The
other safeguards set out under heading (6. ) apply
also in this case.

DRAMATIC

authors should seek the advice of the
Society
plays into
before putting
the bands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire
a
perpetual
claim to a percentage
on the author 's fees
from it . As far as the placing of plays is concerned ,
it may be taken as a general rule that there are only
very few agents who
can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself. The collection
of fees
is also a matter in which in many cases no intermediary
is
required . For certain purposes ,
such as the collection of
fees on amateur performances , and in general the trans
action of frequent petty authorisations
with
different
individuals , and also for the collection of fees in foreign
,
; and
employ
agents
countries almost all dramatic authors
in these ways the services of agents are real and valuable .
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author 's rights .
In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

5. Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important .
6. Authors
should not assign performing rights, but
should grant a licence to perform . The legal distinction
is of great importance .

drawn and executed before collaboration is commenced .
10. An author should remember that production
of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication ,
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con
tracts . those authors desirous of further information
are referred to the Secretary of the Society .

WARNINGS
T

CYCENARIOS , typewritten

SCENARIOS
PLAYS . -

AND

in duplicate on foolscap paper
forwarded to the offices of the Society , together with
a registration
fee of two shillings and sixpence , will
be carefully compared by the Secretary or a qualified assis
tant . One copy will be stamped and returned to the author
and the other filed in the register of the Society . Copies
of the scenario thus filed may be obtained at any time by
the author only at a small charge to cover cost of typing .
Original Plays may also be filed subject to the
same
rules , with the exception that a play will be charged for
at the price of 28. 6d . per act .

TO

MUSICAL COMPOSERS .

ITTLE

can be added to the warnings given for the
assistance of producers
of books and dramatic
authors .
It must , however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal
finan .
cial terms than those obtained for literary and dramatic
property . The musical composer has very
often the two
rights to deal with - performing right
and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .

STAMPING

MUSIC .

The Society undertakes to stamp copies of music on
behalf of its members for the fee of 6d . per 100 or part
of 100.
The members ' stamps are kept in the Society ' s
safe . The musical publishers communicate direct with the
Secretary , and the voucher
is then forwarded
to the
members , who are thus saved much unnecessary trouble .

THE READING

BRANCH .

EMBERS will

greatly
assist the Society in this
branch of its work by informing young writers
of its existence .
Their MSS. can be read and
treated as a composition
is treated by a coach .
The term
,
MSS includes not only works of fiction , but poetry
and dramatic works , and when it is possible , under
special arrangement , technical and scientific works . The
Readers are writers of competence and experience . The
fee is one guinea .

M

REGISTRATION
OF
ORIGINAL

AND AGENTS .

RAMATIC

4. Plays in one act are often sold outright, but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .

7. Authors should remember that performing rights in a
play are distinct from literary copyright .
A manager
holding the performing right or licence to perform cannot
print the book of the words.
8. Never forget that United States rights may be exceed ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
consideration .
9. Agreements
for collaboration
should
be carefully

AUTHORS

REMITTANCES .
The Secretary of the Society begs to give notice
that all remittances are acknowledged by return of post,

All

remittances should be crossed Union of London and
Smiths
Bank , Chancery
Lane , or be sent by registered
letter only .

�THE AUTHOR .

we

all

his

,

is

or of

,

of

to

.
of

,

,

be

no

at

it .

of

of

pupils through the same methods
Under the new Copyright Act

of

is

therefore
that writers
technical books
and lecturers
educational subjects should
careful that their rights are not infringed

be

great importance

.

We are

COPYRIGHT

AND

LEGISLATION

relations

Ireland

to

might have ensued par
International copyright

had been

,

which

regard

,

is
a

to

.

difficulties
in

,

longer necessary

the

ticularly

,

are

authors
that
copyright per

if

their plays

Act

-

Copyright

on -

,

of

glad

to

notice that the Home Rule Bill
copyright legislation with the
leaves the question
Imperial Parliament and that Irish self government
legislate
will not include the right
the subject
copyright
very wise one
This limitation
as of

.

RIGHTS

dramatic

,

remind

no

formances

new

of

under the

to

desire

.

IRELAND

.

to

is

,

be

'

be

no

be

,

or

, '

.

DRAMATIC

We

.

is

it

; in

to

is

is

.

produced designed
French and other foreign languages and
quite certain that
distant date the
given
lectures
celebrated professors will also

on

if

a

of

If

. 's

,

is

as

Many records are being

teach
is

,

,

of

,

part

of

by

have mentioned
the position
which
the
cinematograph
taking
the matter
education
and educational problems
but
also true that
going
play no unimportant
the gramophone
it to

no

,

It

of

.

in

is

by

,

,

or

·

THE GRAMOPHONE

We

to

.

, .

so

so

is

It to

to

.

to

on

.

do

to

to

in

of

to

be

,

3

to

of

.

as 6
,
a

-

be

.

,

19

of

,

,

as
a

supplement
We print
this issue
The
Author the Statutory Rules and Orders issued by
the Board
Trade with reference
sect
and
sect
sub sect
the Copyright Act 1911
supplement
We publish these
that members
may
able
retain them separately from the
magazine
case they wish
will
great importance
many
doubt
our
members
have these copies
too early yet
speak with certainty
the point
how these
rules and regulations will work
The most im
portant are those relating
the composer property
and the compulsory reproduction license
this
kept
mechanical reproduction
the hands
few
firms the rules may work efficiently
but
quite
such reproduction becomes cheapened
possible
pianola records and
future inven
tions and gets into the hands
smaller concerns
guarantee that the
even pirates there will
composers royalties will
authors
secured
At
present howerer
all that can
done
wait
and see

.

,

1911

.

ACT

COPYRIGHT

,

there .

There
subsidiary
rights
certain
existent in the
copyright , such as rights of translation , mechanical
rights , which are dealt with in the
reproduction
Act , but for the purpose of the present note ,
impress upon the dramatist
desire
that his
copyright starts immediately
has finished
play and he
consequence
proceed
able
against
anyone making wrongful use
his
per
work either before
after publication
formance
are

,

pieces performed

the work or any substantial part thereof ."

to

force the beginning of August , but it is impossible
at present to say what will be the ultimate result .
If the Bill does pass into law , it will afford a very
important protection to the property of English
copyright holders , as much English work is at
present published in Holland , and many dramatic

he

If

,

It

in

.

IN HOLLAND

is with great pleasure we hear that there is a
Bill before the Dutch Parliament to enable Holland
Tbis is very satis to join the Berlin Convention .
factory , as Holland has been too long outside the
the Bill is
of Continental nations .
Convention
passed
into law we understand it will come into

or

COPYRIGHT

is

The Editor of “ The Author ” begs to
remind Members that there is no issue of
the magazine during the months of August
and September . He has inserted this notice ,
as letters from Members frequently come to
the office asking why the magazine has not
during those months.
been sent to them

in order to secure their rights .
Hitherto , the
dramatist has had , in addition
to his Common
Law rights in his work , two distinct rights under
the Statute , ( a ) copyright , or the sole right of
multiplying copies , and (b ) performing right , or
the sole right of authorising performances . The
former was secured by publication and the latter by
a public performance .
These performances often
proved a source of much trouble and expense to
the dramatist , and , in many cases , of very little
pleasure to his friends who made up the audience .
These three rights (Common Law , copyright, and
right ) are now included in the term
performing
by the Act as the
is defined
“ copyright , ” which
sole right “ to produce or reproduce the work or
any substantial part thereof in any material form
whatsoever , to perform , or in the case of a lecture
to deliver , the work or any substantial part thereof
in public ; if the work is unpublished , to publish

to

GENERAL NOTES .

273

permitted

separate

�THE AUTHOR .
Authors can be of any assistance the Committee
Management will only be too willing to work
harmony with the American society .

congratulate

society

.

all

an

.

,

as
a

in

.

an

a

of

.

in

of of

,

-

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.

in

as

M
.

)
of

(

.

in
a

,

at

de
-

.

a

he

;

,

to

official
and then having turned
his attention
law became
barrister
Thereafter
was
turn
Chief Judge
Chaux
Fonds member
the
Neuenburg Cantonal Court and President
the
Upon the foundation
Criminal Court
some
what summary fashion
the international Bureau
Industrial Property
1884
Droz was
appointed
the first director
and when
the
end
1887 there was adjoined
this institution
new bureau that for the International protection
copyright
the necessity
some more complete
organisation
becoming apparent
Morel was
appointed with the title
Secretary General
to

.

"

“

,

of

,

M

of

,

,

,

in

at

.

,

.

.

,

work under
Druz
Five years later
1892
he was appointed director
His post was
the
outset one
considerable difficulty and demanded
novelty
unusual tact
International offices were
and regarded
some quarters with mistrust and

,

,

a

confrères every
the Society

of

if

.

Vance and his
feel confident that

presented
instance
man who rose
Originally
engraver
humble beginnings
he entered public service first
the Swiss Canton
Neuenburg
railway
Later he was engaged

,

.

Mr

Morel

from

M

to

if

is

,

and

regret that we record the death
is with
at Bex , on May 18 last , of M . Henri Morel ,
Director of the International Bureau for the
Protection of Literary and Artistic Works , a man
who merited the regard of authors of
nations
1

. of

of

of

be

to

,

It
,

.

its

on

We wish
success

TT

,

-

In

.

to to

,

for

,

its

in

of

be

of

markets
both sides
the Atlantic
members
both societies
the organisation for carrying out
efficient and reliable
the business

HENRI MOREL .
deep

of

, -

to

to

of

be

it of

,

a

'

on

of

,

.

be

it

be

is

to

If

. ,

J.
:-

'

O

it

a

is

·

,

J.

of

, of

,

the Society their support
the following are mem
bers
the Society
Authors
Ellen Glasgow
Harvey
Higgins Louis
Vance Langdon
Mitchell and Miss Kale Douglas Wiggin
such
society
impossible
gange the
successful
advantage and assistance that
may
our
society
reports can
Confidential
sent back
wards and forwards
and matters dealing with
property
members
both sides
the water can
strengthening
be discussed with
view
the
position
the owners
that property
may
possible
subject
addition
some
society
carry
financial arrangement
each
through
respective country the work
the
other society for
members
no doubt will
great advantage also
those who have got

OBITUARY .

,

.

to

The American Society does not propose to be a
social body in any way, and we think this action is
very wise ; it is to be a business body , pure and simple ,
and if it is thoroughly well organised as such is
Amongst those who have given
bound
succeed

extended over many years , and whose latest dis
coveries have only this year been placed before the
public ; and Mr. Andrew Balfour, G . C. B ., Director of
Laboratory in the Gordon
Government
Research
Memorial College , Khartoum .

M

.

Professor Waldestein , now Sir Charles Walde
, late Head Professor of Fine Art , Cambridge ,
and for many years connected with the excavations ,
not only in Greece but also in Italy : Mr . Edmund
Gosse , C. B ., the librarian of the House of Lords,
who was one of the original members of the society ,
and has been on the council since its foundation ;
Mr. Marc Auriel Stein , now Sir Marc Auriel Stein .
K . C. I . E ., whose explorations
in Central Asia have

of

States

those members
of the
the King 's birthday

stein

,

arisen

the United

in

received

of

.

a

SOCIETY OF AUTHORS

of

AMERICAN

is with great pleasure we record the fact
that American authors have at last decided to
organise themselves into a society founded on the
model in some ways of our own society , and the
Société des gens de Lettres .
As our society ,
basing itself to some extent on the lines of the
Société des gens de Lettres differs from it in certain
details , no doubt , the American Society will , again ,
differ from the societies whose action it purposes
to follow .
It purposes to include , as our society
endeavours
to include , not only
writers and
composers and, perbaps ,
dramatists , but also
artists as far as they are illustrators of books .
We are glad to think that the moving spirit in
forming the organisation
is Mr. Louis J . Vance ,
the author of “ The Brass Bowl ” and “ The Black
Bag . ”
Mr. Vance was over in England some years
ago and joined the Society of Authors . He was
impressed
with the methods of the society , and has
done a good deal to help the society by rendering
it efficient
information
on questions
that have

have

to

THE

who
honours .

It

of
in

BIRTHDAY HONOURS .

WE must

La

copyright legislation , would have been a source of
much trouble to the owners of copyright property ,
both in Ireland and in other parts of the kingdom .
We wish it had been possible when passing the
Act of 1911 to have made the same reservation
with regard to the Colonies .

in

274

�THE AUTHOR

in

.

in

of

on

be

."

.

to
a

so

in

,

of

's

.

on

to

is

,

,

,

to

,

of

.

it

So

,
or

,

a

, ,

is

no of

.

of

's

in

a

of

of

is

the new Copyright Act which will come
trying
force this month
claim more than
the copyright and performing right namely
portion
This side
fees
the gramophone
the question has also been discussed by the Com
posers Sub Committee who deemed
advisable
the daily
have the following notice published

of a

,

-

,

in it

.

of

'

:

to

of

of

, of
.

In

be

of

7
(
c
)

-

19
,

in ,

of

.

,

,

of

of

.

of

of

or

to

of

to

as

in

,

by

in

to

to

of

of ,

by

of

,
in

of

,

,

in
a

of

be

be

or

.

's

no

he

,

his

of

of

a

a

no

."

of

of
,

,

in

it

to

to
-

, to

of

be

of

of

to

,

is

to

be of

,

as

in

is

it

'

,

of

,

I

of

,

of

-

to

for

.
of

Notwithstanding any assignment made before the
passing
this Act
the copyright
musical work
any rights conferred by this Act
respect
the making
authorising the making
contrivances
means
mechanically
performed shall
which the work may
belong
the author
his legal personal representatives
and not
the assignee and the royalties aforesaid shall
payable
and for the benefit
the author
the work
his legal personal representatives
From this
obvious that the music publisher has
locus standi whatever
the matter and
has
more
right
royalties
decide upon
division
the composer
any other
private property
than upon
division
to to
to
,

,

an

.

,

of

to

.

.
a

is

In

“

Pounds paid
consideration
the sum
hereby agree
assign
the
this day
my rights and interest present future and con
whole

me

full

:
-.

by à

,

of

,

in

its

to

it

by

work

to

,

.

and after full discussion
contract was finally settled which was approved
Management
and printed with
the Committee
May 1910
comments
The Author
Another firm has approached the Society and
equi
willingness
put forward
declared
This contract has been submitted
table agreement
the Copyright Sub Committee and after some
printed below
negotiation
was
the agreement
Management desire
settled
The Committee
give their approval
this document not because
perfect contract between composer and
publisher but because
far
advance
the
may
usual music publishers agreement
seen
reading the following which may
called
the
prevalent method
the disposal
much musical

Society
The Incorporated
Authors and the Society
British Composers desire
direct the attention
all
Kingdom
the composers
the United
their powers
regard
and rights
the mechanical reproduction
their works
defined
the Copyright
Act
1911
which declares that the Composer has the sole right
prohibit the making
any mechanical
authorise
reproduction
his compositions
No matter what assign
ment
mechanical rights the composer may have made
before the passing
the Act the Act annuls such an
assignment
and confers solely upon the composer all
royalties derived from such mechanical
rights
order
make the latter part
this statement quite clear
quoted
the Act should
section
sub section
“

.
in

by

to

.

of

meetings were held

papers

or

of

of

by

to

to

an

a

D

by

Authors was
two years ago the Society
approached
firm
music publishers who
arrange
agreement more equi
desired
composers
than
the
usual
document placed
table
before them
the best music publishers
London
The matter was referred
the Com
Management
mittee
the Copyright Sub
An agreement was put forward many
Committee

or

COME

,

to

,

into

is

doubt

to

AGREEMENTS

.

'

COMPOSERS

be

in

to

.

of

; on

."

to or

“

,

ever

,

.

ever desired

again

to

.

It

it

of

to

to or

;
-

important how
give the reasons for
Manage
the matter that the Committee
danger
long
the
statement
ment included
report which was
this assignment
last year
sept out
all the members
the Society
Under
the agreement printed above which
one
the usual pattern the publisher with
view

.

he is

he

,

from

a

a

. .

his

in

to

to

he

1

on

to

.

the absurdity
comment
standpoint
the composer
The one party assigns all his rights and the other
except the bare
party undertakes no responsibility
royalty
subject
publication
responsibility
The Author that
often repeated
has been
composer should
not assign his rights either
his copyright but should
his performing right
perform and publish
that
only grant
licence
repeat the warning
hardly worth while
hardly necessary

this bargain

of

,

of

to

,

,

it

,

.

It

April

found himself com
last
resign his directorship
His name must
the workers whose toil
be inserted among those
This
mankind
has been long and beneficial
the only praise and the only recompense that

and
pelled

in

It

.

It

to

as

be

."

of

in

to

,

,

,

. ,

an

"

fail
his forces began
his strength for after
visibly
He suffered less however from the
malady that was overpowering him than from
labours
regret that
continue
was unable
harness
die
had been always his ambition
Circumstances forbade his accomplishing his wish

the words and music of my song entitled
" it being understood that I receive a royalty of
per copy on all sold of the same in Great Britain ,
Ireland , and the Colonies ( 13 copies to count as 12), also
per
five
cent
the market price
all copies sold
the
United States 200 copies
both countries
free for
novelty purposes
Any royalties obtained
gramophone
the sale
records
similar
mechanical reproductions
all
equally
countries
divided
between composer and
publisher
tingent

"

is

.

of

in

In

the clearness
his mind
his tact his extensive
knowledge and his personal charm were universally
jest
call himself
appreciated
He was wont
The Conference
international pointsman
the last great effort
described
Berlin may
have overtaxed
was one that appears
bis life

275

a

of

to

he

.

its

that
M . Morel showed
in others with antipathy .
he fully appreciated bow delicate was his position ,
and that he possessed also the abilities necessary
perils
both
The consolidation
to cope with
presided was principally
the unions over which
due
his discretion and his excellent influence
the numerous conterences
which he took part

.

�THE AUTHOR

of

of

of

of

no

in

on as

of

or to

on

to be

of

a

or

-

.-

of

.

by

--

.

.

of

of

to

.

6

up

of

to

.
-

of of

.

—

of is

an

.

it

or

a

at .

be

.

in

of

In

of

on

an

as

in

to

an to

on

in

if

of

.

If or

in

-

.

If

. to

as

so

do

to

he

of

-

.

of to

.

or

is

or

on

orof

of

or

or
an

is
in

to no

to

.

a

of

.

of

:
--

be

.

9
.
10

11
.

.

12

if

of

be

in

be

in

or

If

to .

is

In

to

is

-

.

'

of

to
by

-

in

if
. of

in

of

if

be

in

of

of

.

's

to

be

as
a

to

in

-u

of

to

or or

by

be

.

on

of

of

by

in

in

of

. be

as

to

be

.

of

of
-

in

or
if

at

or

of

of

to

of

of

of

to

of

-

.
in

If

of

or

of

or
or

in in

to

of

.

of

.of of

.

.-

be

in

or

as

or

in

.

—

to

onof of

at

if

to

an

to

of

)

of

to

of

cr of

.

of

.

at

in

.

.

5

to to in to

:

as

in

.—

to

of

to

of

or

or of

of

of

of

.

2

3
.

in

the Work shall
left
the judg
the Publishers
Copyright
American
The publishers shall print
each copy
the Work the notice required
law
the
copyright
America
the United States
reservation
publication
and shall
the Work duly deposit the
necessary copies and enter the copyright
the Copyright
Washington
Office
Right
writing
Performing
required
the
4

reprinting and sale
ment and discretion

be to

of

of

. 24

&amp;

it
is

of

.

W

J.

of

1
.

of

(

at

writing
music
the said Work without the consent
the Composer
But subject
the rights hereinbefore
granted the Composer retains
copyright
the
and per
forming rights
the Work
Publication
The Publishers
shall bear the whole
printing publishing and advertising the said Work
cost
print and publish
and shall use their best endeavours
the said Work within
months
the date
this
agreement and
sell copies
the same
accordance
with their usual course
business
Form and price
The Publishers shall issue the Work
occasion
form
the price
may
requires
such other form
such other prices
mutually agreed between the Composer and the Publishers
publication
the production
The general management

.

.

all

day
MEMORANDUM
OF AGREEMENT made this
one thousand
nine hundred and
between
of
hereinfter called the Composer
the one part and
Curwen
Sons Limited
Berners Street London
hereinafter
termed the Pub
mutually
agreed
lishers
the other part whereby
parties
between the
hereto
for themselves and
their
respective heirs administrators and assigns
follows
Assignment
publish
licence
That
consideration
payments and subject
the hereinafter mentioned
the
termination
clauses hereinafter mentioned
the Composer
hereby agrees
assign
sell and
the Publishers
exclusive licence during the whole period
the copyright
including any renewals and extensions thereof
print
publish and sell copies
the composition
the Composer
present intituled
hereinafter
called
any part thereof
the Work
Great Britain and
Ireland her Colonies and Dependencies and further agrees
that during the currency
this agreement neither himself
assigns shall print
publish
nor his heirs executors
any copies
any
any part thereof
the said Work
adaptation
arrangement thereof within the said limits
and shall sell only such copies
are obtained from the
Publishers
and the Publishers
shall not publish any
arrangement
alteration
variation
the

13

whose permission we are enabled to
be seen to contain the principle of the licence
in place of the highly objectionable
total surrender
rights
of

will

In

submitted to
Sons , with
print it . It

&amp;

in

8
.

THE SUGGESTED AGREEMENT.
The following agreement has been
the society by Messrs . J . Curwen

before the signing
this agreement the Pub
lishers shall comply with the provisions
the law relating
performing rights
notice
reservation
Satutory Copies
The Publishers shall provide and
deposit the copies required
statute for the public
libraries
Payment
Royalties
The Publishers
shall pay the
Composer his heirs executors
assigns
royalty
the full published price
all copies sold
either notation
royalty
thirteen copies being counted
twelve but
paid
complimentary
shall
copies
the Composer
given
copies given away for the purpose
him
advertisement
Statement
Account
The publishers shall make
May
the statement
accounts annually
the 31st day
each year and shall render the account and pay the
Composer the amount due within three calendar months
from the said date
sup
Copies for Composer
The Composer shall
plied with copies
the Work for his personal use at the
full trade discount
Work not
violation
other rights
The Composer
guarantees
the Publishers that the said Work
original work and
way whatsoever
any
violation
copyright
belonging
any other person
persons
partnership
incorporated
company and that
firm
objectionable
contains nothing
libellous character
legal
agrees
representatives
and
that he and his
shall and
will hold harmless and keep indemnified the Publishers
from all suits and all manner
claims proceedings and
expenses which may be taken
incurred
the ground
that the said work
such violation
contains anything
objectionable
libellous
Prvofs
The Composer undertakes
correct the
proofs
the Work within
fourteen days
their receipt
And should
fail
then the Publishers shall
liberty
they shall consider
make such corrections
necessary
Infringements
either party has reasonable cause
for believing that the copyright
the said composition
they shall give immediate notice
has been infringed he
the other party
the Composer takes proceedings
respect
the infringement and
the Publishers desire
joined
the action they may give written notice
undertaking
the Composer
that effect and
equal sbare
pay
their part
the entire cost
the
litigation the Composer shall join them
parties
such
prosecute the action
case the Composer shall diligently
but shall retain control
the proceedings and may make
any reasonable settlement with the defendants
the
Composer and Publishers and the damages
interests
any recovered shall
firstly applied
payment
costs
any surplus shall
and
there
divided equally between
Composer and Publishers
Composer
the
after
the
infringement has come
neglects
his notice refuses
proceedings
respect
take
thereof the Publishers sball
entitled
take proceedings and on giving the Composer
indemnity
against liability for
sufficient and reasonable
costs shall
entitled
use the Composer
name
party
such proceedings
such case the Publishers
shall retain control
the proceedings and may make any
Composer and
reasonable settlement
the interests
any recovered shall
Publishers
and the damages
firstly applied
payment
any
costs and
there
surplus shall
divided
the proportion
one third
the Composer and two thirds
the Publishers
publishers liquidation
Termination
licence
the Publishers going into liquidation the
the event
licence hereunder
make print publish and sell shall
cease from the date
the winding p order but
the
event
the Publishers reconstructing
their company
amalgamating
company
themselves with
another
Composer

.

:

.

7

It is certain that agencies for the collection of composers ' royalties , for a reasonable consideration , will come
into existence . It is , therefore , strongly impressed upon all
composers
1. Not to part with the property which is exclusively
theirs by Act of Parliament.
2. Not to employ any agent or agencies without careful
enquiry into their financial position and stability :
3. Not to enter into any contract for sheet publication
which contains any conditions whatsoever with regard to
their rights of mechanical reproduction .

a

276

�THE AUTHOR .

or

a

in

on

,

to

of

to

in

be

no is

a

.

at

in

to

as

.

is

as

.

to

to

, .

of

Act

will

of

1911

be

is

to

,

l'

in .

of

,

l'

States

5

.

be taken out
the agree
ment when that Act comes into force
Clauses
and 11 may pass with but
little comment
true that
inost cases
satisfactory
have semi annual accounts but
exception was made
this special agreement by
and can

it

an is

-

in

.

in is

11

.

&amp;

-

of

the Copyright Sub Committee after discussion
the point with Messrs Curwen
Sons
Clause
almost identical with the clause

.

of

's

,

,

in

which stands
the agreement which was before the
May 1910 the view
Committee
the composer
being
and the publisher
that the corrections
necessary would
mere printer
errors
be

,

at

.

of

be

It

.

It

of

by

.

a

away with the transfer
copy
the document printed
the
this article
should
mentioned

advance
does
right demanded

beginning

as

of

of

Management
recognise the
The Committee
being
great
first clause
the agreement

,

in

,
,

9

is 10

.

.

to

of

to

he

The Composer should note that
has the right
inspect the books
common law
the Publishers which
refer
his Works published under this agreement

to

at

,

Occupation

It

,
7
,

.

6

Address

8

.

.

,

in

to

3

. a

as
to

.

or

of

to

not essential under the nited
Clause
under the Act
ineffective

Name

or

,

he

so

or

,
a

or

be

is
a

in

in

,

the above signature

do

to

'

.

is

in

,

to

—

go

Director

,

Sons Limited

,

&amp;

.

Curwen

,

.

on

to as

or

,

so

.

is

it

.

in

.

of

.

J.

Signed for

, If

,

in

for

of

's

to

of

is

as

.

to

of

to

.

of

of

.

to
.

Address

Occupation

to

,

.

of

.--

fit
.

of

.

to

-

to

on

.

Composer

the above signature

Name

Witness

is to

of

of

at

of

at

of as

.-

Signature

Witness

which are his under the
1911
for
does not undertake
sell
any part
assign these
the
the publisher
agreement
also limited with
The publisher
regard
country
publication
that
can
made
America
abroad
The composer can
foreign
either enter into
contract direct with
arrangement with
publisher
fresh
make
the English publisher
Under clause
the pub
print
lisher
further
limited
his rights
publish and sell both
the format
which the
produced and
work
the price
No alterations can be made
be sold
which
price without mutual agreement
the format
most satisfactory clause from the
This clause
point
composer
view
satisfactory
Clause
also
the publisher
thereby bound
add words necessary
reserve
the copyright
the United States and bound
through
the necessary technicalities
secure
the copyright
that country
As most composers
know the printing
music
the nited States

Act

'
+ s

or

on

of

of

to

of

if

be

year first above written

mechanical instruments
of

be

as

do

the Composer and the hand
the Publisher the day and
behalf

alteration does not amount
libel
the com
reputation
poser
Under Messrs Curwens agree
absolutely forbidden
ment the publisher
expressly
and
stated that the composer
retains the copyright and the performing right
consequence he would also retain
the work and
any fees that come
him
from reproduction

in

a

to

of

by

if

In

of

the band

Act , where the rights were divided ; and , although
the suggested agreement in its first clause gives the
exclusive licence during the whole term of copy
right , this licence is very strictly limited in the
other clauses .
The position of the composer is not under this
agreement one of absolute freedom , such as may be
looked
the future but his more advantageous
attitude will appear on further consideration
he
under the usual agreement assigns his copyright then
the publisher can publish any arrangement
altera
long
tion
the music
such arrangement

is

at

or

of

of

to

if

or

in

to

at

or

. .

15

16
.

.

17

.

18

As

Witness

too , that under tbe Act of December , 1911 , copy .
right means much more than it did under the old

is

heirs

it

bis

,

the

so

Composer

executors or assigns shall
grant a licence in similar
form to such reconstructed
or other company or firm
unless he states in writing his objection to the nature of
the reconstruction or amalgamation . And in the event of
his making such statement of objection he shall not make
an agreement with any other publisher whereby he shall
be entitled
to receive higher royalties
or any larger
remuneration than that to which he is entitled under this
agreement .
14. Termination of licence by notice .
If the Publishers
shall at the end of three years from the date of publication
any time thereafter give written notice
the
Composer that
their opinion the demand for the Work
any time
the publishers shall have
has ceased
print
allowed the same
be out
off the market for
period
not less than six calendar months and shall
receive written notice from the Composer
that effect
then
within three months
such written notice having
party
may
been received
either
the case
the
Publishers
not print an edition
use the ordinary
putting
again
methods for
the work
the market the
licence hereunder
make print publish and sell shall
cease
the event
the cesser
this licence under
either
the preceding clauses
this agreement the
Composer shall have the option
purchasing the plates
the said Work and all unsold copies
an agreed valuation
Provided
that
the Composer does not exercise that
option within three months
the cesser
the said licence
any time thereafter dispose
the Publishers may
such
plates and copies
they may think
Execution
further assurances
The Composer
agrees for himself his heirs executors and assigns
execute
such further assurances
the premises hereby assigned
may reasonably be required
Throughout this agreement words denoting the male
gender shall
held
connote the female gender
Interpretation
This agreement wherever made shall
English law
be construed according
firm

without further consideration

277

�THE AUTHOR .

its

.

.

in

set

a

be

to

of is

,

in

.

of

in

.

.

,

of at

,

of

.

of

“
a

,

.”

,

be

in

,

to

by
a

,

as

is

of

in

of

's

in

.

of

,

)

be

.

a

a

.

,

's

of

by

is

of

of to

last engaged

is

to

at of

Holland

is

Convention

,

the Berlin

to

,

hesitation
and after
disputes
respecting
the probable
many
advantage
disadvantage
adhesion

A

(

if

,

in

to

is

of

many years

many

or

A

FTER

the

photographs ipso
and exhibition
facto rules the cinematographic theatre
The whole
only
exhibition
the memoir remarks
form
presentation
magic lantern
view
The
simpler
new Dutch law will
this particular
than any other which has dealt with the same
subject
Respecting artistic copyright new ground
seems
broken
the discussion
the right
reproduction
portraits
There are here com
plications arising from the artist copyright
the
portrait and the admitted right
the living
original
forbid the multiplication and exhibition
bis portrait
and the discussion
the memoir
these crossing rights
the term may
used
fuller than we have elsewhere seen
different
presented
problem
the question
the artist
right
right
make replicas
his own work
Very
which the Dutch law will reserve
him
interesting also
question
the discussion

of of

PROPOSED NEW COPYRIGHT
LAW
OF HOLLAND
.

THE

,

rapid succession
regulates
duly

;

,

which

so

in

to

a to

, be

,

to

a

for

.

,

a

in

of

view

multiplication

be

-

,

,

to

to

.

legislation

.

.

is

. .

is to

be

,

presented

to

of
a

be

of

-e

is

by

of

It

of

under that Act

graphis

that any

of

or

of
a ,

"
)

nothing that need
said about the
The
clauses which are self xplanatory
Committee would impress upon those composers
who are members
the Society that the contract
far more advantageous
set up
the agreement
for composers than the customary absurd contracts
which are offered
them
The ruinous assign
copyright
absent
ment
again insisted that composers shonld
must
nerer assign their copyright which under the Act
1911 will include their perforining right and
should never assign
the publishers the gramo
phone rights
which they are wholly entitled

of

-

:-

).

'

“

- (
or
up
in

,

,

of to

“

(
in

In

"

any
them
the publishers
the event
becoming bankrupt
the case
limited company
going into liquidation
the licence hereunder
substitute
make print publish and sell shall cease from the date
company
the adjudication
the case
limited
substitute winding
order

There
remaining

ments regulating cinematographic representations
The memoir
observes
with much reason that
practically the legislation which rules the copyright
photographs
and exhibition
rules
the same
time the copyright and exhibition
cinemato
graphic
representations
cinematograpbic
The
reality throws upon the screen merely
theatre
number
successive photographs
These
indeed
rapidity too great
follow one another with
the
distinguish between them
able
human eye
number of different photo
but are after all only

,

-

.
,

-

,

of

of in

in

follows

at

is

.

to

of as

is

runs

,

to

of

clause

to

.

The

In

or

to

be

by

,

an

ordinary arbitration
under
allow
his
published
the reconstructed company
firm
order
meet the views
both parties
the last sentence was inserted
This clause
more
stringent and more
the disadvantage of the com
poser than the corresponding
clause
the agree
May 1910
printed
ment which
The Author
stated

work

desire that their new law shall not
servile
imitation
what has been proposed
the European
nations
the Berlin Convention but shall hare
original merits
its own
The proposed law
consequently
several respects
advance
previous legislation and
the same time
several
respects simpler As an instance of the latter feature
may be mentioned
remark made regarding enact
a

-

,

be

.

a

neration against
reconstructed
firm
The Sub
argued
composer might
Committee
that
the
object strongly for reasons which could not

profundity and
manner admirable for
the reasons for the various dispositions
proposes
Among other
the Legislature
which
particulars
forth
the memoir the following
deserve special attention
The Dutch government
cusses
exactness

in

to

he

of

a

so

do

to ,

if

.

.

set

ment should be terminated under the circumstances
out
Messrs Curwen wanted the licence
continue and urged that
the author has the
might merely
option
terminate the agreement
raising his financial remu
with
view

.

and the
of Messrs . Curwen &amp; Sons . To the
casual observer it also may seem complicated , but
the reason for its being drafted on the present lines
is as follows : - The publishers
have the exclusive
right to publish during the whole term of copy .
right . The Sub - Committee desired that the agree

is

of

Copyright Sub -Committee

between the
representative

a move to enter the Copyright Union ,
proposing such a revision of the national
copyright law as shall make this step possible .
The projected statute is presented
in an official
document : “ Session of 1911 – 1912 .
No. 227 .
New Regulation
of Copyright." This document
consists of two parts , the “ Proposed New Law ,"
and an “ Explanatory Memoir ," both of which are
of a highly interesting character .
The “ Explanatory Memoir " should be read first .
It contains a lucid explanation of why the present
Dutch copyright law requires to be revised before
Holland can join the Berlin Convention , and dis
in making

and

in
a

Clause 12 is rather complicated , but this is due
of being very inclusive in the pro visions .
It will not be so important under the Act
of 1911 .
Clause 13 was discussed at considerable length
to the intention

by

278

�THE AUTHOR .

as

, to

,

,

;

;

,

on

,

,

,

;

or

is

in

,

,

,

all

is

to

is

,

.

bybe

its

.

,

,

.

,

,

a

of

,

of

;

,

,

,

on

;

,

to

,

.

be if

,

an

as

is

of in

of

.

,

in

no

as
a

be

.

its

of

,

of

or

to

a

;

a

in

be

is

be

.

or of

byat

,

by

,

a

a

of

it

of

of

of

.

in

,

or

no

of

as

be

of

by

.

,

of

.

to

a

he

as

.

as to

)

(e

,

is

of or
at

,
if

,

on

,

to

In

.

is

of

a

of

of

of

if

of

,

in

of

.

case

.

;

in of

of in

copyright
life and fifty years
collaboration the fifty years are calcu
lated from the date
the death
the last surviving
Anonymous works have
copyright
collaborator
fifty years
The right
translation lapses
not exercised within ten years from the last day
the year
which the work was first published for
the languages
which the author hasnot given his
permission
translation
one
the countries
belonging
the international copyright union
The term

the

in

as

of

an

's

of

market

for

,

a

or

of

it

on

.

any copyright work
The modification
the
purchaser
xcept
his command
forbidden
buildings and trade designs unless
the case
the author gives his consent
the modification
long
The author retains this right
lives
he applies for them within month
The author
after seizure may claim
have pirated works
handed
over
him
and may put them
the

to

“

,

or

it

or

,

.

in

the act will involve

copy
infraction
portrait
the
command
the person represented
his
provided that the repro
relatives after his death
duction differs widely
size from the original
portrait
The possessor
the copyright
cannot publish
without the consent
the person
represented but the possessor
architectural
designs may exbibit then for sale

.

of

,

it of

of

to

in

in

,

of

its

in

it

which

forbidden
regarded
Also will
right the reproduction

,

,

.

an

of

.

“

to

of

;

of in

in

”

.

as

certain modifications

artistic works
commercial character
any product belonging
word
the
literature
science
art whatsoever
may
production
manner
Collected works
any kind will
single work
regarded
copyright
There
laws judicial decrees and
public announcements
Reproduction
journals will
news published
regarded
copyright
not
infraction
the source
indicated
but reproduction may

of

to

;

of

is

it

to

"
-

to

of
a

declares that
shall come into force
the Dutch
Kingdom
Europe
the first day
the month
following
passing
With the exception

character
and
provinces

in

so

it

,

it
.

of

in

of

its

universal practical enforcement
The new law
copyright
proposes
commercial
accord
objects designed for practical use
and here
art
again sanctions one
the most recent views
respecting
copyright
but the memoir appositely
objects
observes that both
the case
this
sort and
the case
architectural designs
will
be practically impossible
insist upon
moral
copyright
the sense
which
can be accorded
the literary author the painter
the musical
composer
improvements may
Practical needs
compel the modification
commercial design
building and
such cases protection cannot
be given the designer
expression
The memoir concludes with
the
desirability
coming into force
the new act
possible after
soon
shall have been passed
the new act itself
and the concluding article

to

.

.

so

is

,

be

or

Here the new Dutch law
one
the highest though
one
the most intangible rights
author
At
fully admits the impossibility
the same time

or

or

, -

-

's

to

of

to

is

as

.

's

's

?

,

be

to

it

is
a

un

;

,

to

it

to

- is it

of

In

,

”
—

.

to

declare
favour
boldly defends what

,

.

a

of

a

at

a

?

or

;

“

recently
commercial interests and has been only
postulated and discussed
may appear
that
many
wholly imaginary
though there are
few
authors
artists who will not immediately

also apply

plates
geographical
maps
plans designs
and
plastic works bearing
geography
arcbitecture
topography and other sciences
photographic and
cinematographic
works and works
similar

of

of

a

in

,

a

of

is

an

an he

,

is

what
has read
the illustration
books
not
uncommon phenomenon
find that
bring the illustra
difficult
even impossible
tions into harmony with the text
and this may
suggest that the above assumption
very
likely one only presuming
verified has the
copyright
artist infringed the author
He has
certainly been picking the author brains
indisputable the author
The memoir accepts
say his right
moral right
that
interdict
any modification
the work which he has pro
any
duced
This right
far removed from

.

SO

,

of

.

,

To

to is

obvious
come
the case stand when some incident
novel
poem
described by the author with the fullest
particulars
surrounding scenery and
the situa
given moment
tion of the dramatis personæ
picture representing exactly
and
artist paints

will

law itself , lack of space
compels us to mention only some salient particu
provisions are such
lars .
In general
those
Copyright will
personal
elsewhere established
writing
property
and transmissible
but only
copyright
Inherited unpublished
not subject
Copyright accorded
seizure
books pamphlets
newspapers journals and
other writings dramas
dramatic music
lecturers choregraphic works and
writing
pantomimes whose conduct
described
otherwise
music
with
without words
sketches paintings
architectural designs sculp
tures lithographs engravings and other works

in

to

.

This

howerer
one
which the
By no means
obvious
painting
sculpture
the case
the extreme instance possible how will
is

's

right

inhibitive

elementary
case
author rights are

code , the act

the Dutch criminal

the Dutch East Indies.
Of the proposed new

of

an

the original author

in

a

in

all

which , to the best of our knowledge , has not been
hitherto determined in all its aspects , namely , how
far does copyright impede the right to produce the
same idea in an entirely different form ?
A very
simple case of this is the dramatisation of novels ;
case
which
modern legislation reserves

279

�THE AUTHOR .
a

,

,

,

.

en

,

at

at

,

.

of

.

of of ;

in

to

,

de

,

a

,

to

by

in

en

's

of

of

.

,

of

,

of

.

,
M

of

to
a

of

.

,

.

,

.

of ,

M

,

of

M

all

by

,

at

de

.

In

de to

. ,

,

M

,

of

en

, .

a

at

.

'
,
.

,

,
to

,

le

,

all

to a

by

,

,

en

, in

,

in

or

,

.

,

to

at

.

,

of

de
'

Vin

a

,

.

In

,

at

,

to

Sir

,

Mockers

,

.

M

Touraine

.

the history

who

on of

,

by

.

1
P
.M

,

be

to

,

of of

at a

.

M

,

.

in

romantic

English travellers

in
a

at

.

A
.M

at

be

,

,

.

10

by

in

to

an

en

castles gave keen delight
the
After the day
Chenonceaux
reception was given by the Mayor
and Amboise
and Council
Tours
the New
Town Hall
which was illuminated for the occasion
the
artistically decorated salons
honneur was
proferred by the Maire who proposed the health
His Majesty King George
which
James
proposing the French President
Yoxall responded
speech that proved his thorough knowledge
these

Paris landed the
party
Blois
Here
once was
apparent the cordiality of the reception by
Henri
de Cardonne and the authorities who had arranged
interesting and comprehensive programme for
spent
the time
Blois
At
the party
driving
carriages for Chambord
were
route
along the banks
the Loire and soon found that
their knowledge
the link between
French and
English history was
widely and delightfully
from

or

.

in

.

M

Victor

city who had arranged
comprehensive three days
programme
motors
the principal châteaux
including
Touraine
Chinon
Chenonceaux
Azay
Laugeais
Amboise
Rideau
Loches etc
whole delightful day was devoted
Chinon and
route and over all these historic
the castles
wonders
architecture local gentlemen gave their
guides
services
and thus enhanced the value
enormously
specialist
the
tour
The
history
agriculture
architecture
folklore
all had their questions answered and the balts

of

of

,

via

as

,

,
. ,
A
. M
.
M

Hebrard

Arc

architecture and history
This with the Joan
Arc
subject
services and processions gave them much
insight into Blois bistory The
matter and
new
next morning they left the city with regret and
study the
halted
Onzaine
route for Tours
Cardonne
Chaumont where again
Château
Dufay were their historical guides
and
the
evening Tours was reached
and
the Hôtel
Univers
were cordially received
Cheverel
the president
the Syndicat and
Mockers the
leading journalist aud the other officials
the

,

in

be

to

of

of s'

A

.

,

-

de

Naleche
Adrien
Taunay
Humbert
An early morning train

honour
the 500th
martyrdom
were
celebrated and Blois and its cathedral were
féle
for the commemoration
The morning was devoted
careful study
Blois Castle under the guid
Dufay who brought out every point
ance

,

a

in

of

to

by

be

to

received
the Minister
Public Works
Senator Jean Dupuy and greetings were received
from such well known journalists
Count Etienne

the fêtes
Joan

as of

",

l'

- of , at

,

de

de

.

-

day
accomplished sans fatigue
Paris
halt
allowed the president and officials
the association

which Sir
the country
greeting
The

M

,

in

M “

.

,

.

The South Eastern and Chatham and the

Paris Orleans railways made such careful arrange
ments that the journey
Touraine
Paris was

following day
anniversary

,

,
.P
.,

M

Sir

,

of

an

of

of

,

M

a

, .

a

travellers

responded

l'

of

in

,

a

by

to

,

Cardonne and Cheverel
the idea heartily and
small space
time ensured most successful reception and pro
gramme
contained
The whole plan was
eight days one that
useful enjoyable journey
largely increase
would
the knowledge
the
greeted

the Mayor and authorities
the language
many pleasant words

Yoxall

of

,

of

of

,

To

is

.

Blois and Tours

Ville
James

A

in

,

,

by

.

of

of

,

,

,

of in

,

in

of

of

-

of

expeditions into foreign countries
the
members
the British International Associa
tion
Journalists have produced important
results not only
the shape
numerous articles
journals and magazines but also
the issue
volumes topographical
historical and
fiction
dealing with the people and homes
the lands
brought
visited
Some
these expeditions
about
invitations from the foreign authorities
entailing
have been
extensive
some weeks
travel
meet the wishes
the members whose
time
limited
short tour
Touraine was
suggested
the president
James Yoxall
gave
whose knowledge
French and France
weight
his suggestion and although this was not
important invitation
being
the occasion
accepted
Touraine and especially
the authorities
the Presidents
the Syndicat
initiative

of

by

HE

1

M

.

,

.

as

,

TOURAINE

IN

.

of

JOURNALISTS

AND

of

WRITERS

BRITISH

to

.

"

to

to

etc “
.
”

of

,

,
“

of

so

of

,

to

its

increased through M . de Cardonne and M . Dufay ,
the learned librarian of Blois .
At Chambord ample time was given to explore
get many
halls and double staircase and
hint
campaniles
the architecture
this
forest
chimneys domes towers
and
learn the
meaning
they were
the
Salamander
meet
with
often
From Chambord the drive was con
tinued through the forest and pretty villages
the
picturesque castle
Cheverny
Particular note was
taken
the garden produce cultivation
route
At
Cheverny the fine tapestries arms and armour
and the interesting room such
the Salle des
Gardes and the Bedchamber of Henri IV
were
critically explained and examined and then came
reception
the return
Blois and
the Hôtel

,

is

it

.

a

the exhibition

of

a

of

,

music

not publication

or

of

a

work
picture

,

piece

is of

or

.

A

is

as

The same rule applies to translation for dramatic
performance .
Photographic copyright has a term of fifty years .
regarded
published only when
work
manifolded for sale
The performance
dramatic

on

280

�THE AUTHOR .

, .

all

,

,

a

of

!

”

be

."

“

, ,

“

,

is

-

or

.

—

as

we

.

A

it .

in

a

.

in

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seeing that place
person
swallowed
ordinary self
He has created
but contains
no
longer
comparison
use the backneyed
his
parent
relation
that
child
And
this
the way accounts for phenomenon which
repels the reader
often
writers are capable
perusing their own works with interest and eve

.

't

anticipations about
soon
we have

by

.

at

.

.

.

was considered first whether the work was con
ceived
whole
bit
bit
started with
plan
just
all forgotten and faded
our

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Reader afterwards
Yes
met
last
disappointment
very great disappointment
disappointment
indeed
Reader and
Why can
writer part with mutual annoyance
It

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of

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do

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a

an

it

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wonder
you tell me
Reader
Won
Well
mustn
pry into the secrets
your craft
Writer Oh please we
secrets
you con
Reculer
Then tell me this
Which
the plot
the characters
ceive first
Writer
Er
little
both perhaps

er

it

.

do

so

.

do to

?

?

't

see

to

: . :

than usual and lives
state which he
con
vinced should
his normal one though
On returning
his normal state he reads over what
surprises him
He couldn
has written
again
He can explain
the reader how
was
done He can
remember whether plot
character

a

to

;

't

,

I

go a

I

:

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as

:

up

it

?

I

: :

,

Oh

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so

a

is

It

:

:

1

in

,

either
reader
writer
part
must have taken
the following
conversation
great pleasure
Reader
meet you
you mind
have admired your books
much
talking about them
Writer
thank you
don
think
No
Reader
Because
wanted
ask you
How
you set about them
they come
How
Do
you plan out
you make
book beforehand
Or
along
you
quite remember
little
can
Writer
both perhaps
plan but leave
Reader
You start with
yourself quite free
alter
the story develops
awfully good way
Writer
That does sound

of

or

as

us

of

TOST

or

they will not let the fire out
late for lunch
They write
sentences rery slowly and feel
queer catastrophe
constricted and used
Then
happens inside them
The mind
were turns
turtle sometimes with rapidity and
hidden part
comes
the top and controls the pen
Quicker and quicker the writer works his head
grows hot
spoils
looks far from handsome
the lunch and lets out the fire
He
not exactly
rapt
the contrary
feels inore himself
few

wives

be

.

.

INSPIRATION

,

to

go

,

.

“

possible
Er
forestall science
give some answer from our own experience
and
Experiences vary but most writers when they
compose seem
through some such process
They start pretty calın
promising their
follows
"

.

JAMES BAKER

-

-

these facts and the one
two hundred other facts
which they will lead her the reader gets
cross
purposes with
says
the writer
and the writer

,

;

,

,

of

France and the French nation

.

,

old

of

,

,

de

knowledge

made him
channel for exciting and extra
ordinary words
They believed
inspiration
day we have dethroned
pollo
may
But
questioned
whether
have put any adequate
theory
his place
Science
usual
not
quite ready
She has one
two more facts about
psychology and physiology
master before she
exactly how
can ascend Parnassus
and explain
mastering
books are written
And while she
and

,

,

of

,

.

- de ,

to

of

.

M

of ,

l'

city
ments
the wondrons
other members
visited other parts
France including the George
Sand country Bourges Clermont Ferrand the Puy
Dôme district gaining thus much additional

, if the writer

Then

was questioned , he would reply quite simply and
cheerfully
Apollo
inspired me
The reader
Apollo
answered
Praised
and
was well
god
Both parties assumed the intervention
poured something
who duly invoked
into the
worshipper that human converse cannot produce

To
-

so

educative
After the official tour was ended
some availed themselves
facilities
visit Poitiers
president
where
Robuchons
the Syndicat
initiatif received them and explained the monu

to blame the age in which they
is peculiarly modern .

do better

live. For their conversation
It never occurred in the past .

er

but

at

,

as

.

at

a

,

gave

,

,

Beaumont
the
cordial reception and afternoon
tea
The new discoveries
Loches keenly interested
the British writers and
Amboise
here
everyone felt the expedition was not only delightful
president

would

to -

de

club house where the Marquis

Why doesn ' t the reader
the writer explain ?
guess ?
But instead of blaming one another , they

be

a

at

.

In

.

all

English

to

“ La Presse Tonrangelle " proposed
the
Press , was replied to by the writer , who ,
in his turn , gave the Press of France , and especially
that of Tours and Touraine .
In the morning the librarian , M . Gaston Collon ,
gave much time in showing the most remarkable
very
MSS . treasures of the library, some unique ,
returning
beautiful and deeply interesting
from
Amboise
halt was made
the new golf

behalf of

281

�THE AUTHOR .

do this , but it is the absurdity
of a fond father
who rejoices in the extension of his individuality ,
and trusts that it will survive when he is gone .
Of

.

's

of

of

to six

or

a

of

to

or

,

sixto

.

.

,

so

Z

Y

X

,

or

he

.

Z

to

I

,

,

Y

to

I

;

X

is

I

to

it

I

.

,

In

,

to

,

,

on

,

.

if

is

in

or

.”

.

no

,

is

'

s

,
a to is

his

;

't .

,

at

t'

?

in

,

.

to

.

on

as be

's

.

of

, ,

-

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a

I

?

on

to

,

as

,

.

if

to

?

is

,

it

it

.

an

,

.

to a

,

-a
-

to

in

of

in

“

,

,

an

,

.

.

a

to

is

,

I

to

.

in

,

of

no

to

:
do

at

to

.

far

all

of

of

,

a

to to

it

't

,

,

a

,

of

of

a

of

as he to

of

,

,

in

?
"

,

.

a

.

is

,

,

It
It

is

It

.

find
himself with five
pounds outstanding and not
pound
his credit
the bank
He may have
endure
this state
destitution
for five
weeks
during which time he and his household have
along
rub
somehow
The irony
the situation
lies
the fact that the people who owe him money
are mostly millionaires
any other trade
Now
profession
could
his bank and say that
and
and
all
firms
the very highest standing owe him
many pounds due
various dates and giren
certain assurances his banker would be glad
let
him
overdraw
our craft
unfortunately
we
have
such facilities
have not tried
but
my bank and said
feel sure that
went
the
manager
Here
evidence that
and
and
may
owe me £528
overdraw
half that
amount
the manager would shake his head and
say
Impossible
The author
brother who
the Army
Navy
the Church and who
making half the
author
income labours under
such difficulty
know
course
agents and
that literary
publishers are often willing
finance
author
but does not this mean that the author
sacrificing his independence and
power
bargain
very well stand out for
You
can
good price and
the same time borrow money off
the man with whom you are dealing
Again
one
can borrow
from
yet isn
friends
this rather
rough
both author and friends
The remedy for this position does not strike me
being beyond the powers
the Society
suggest that the Society
would
either arranges
with one
two first class banks that
addition
keeping
member
account they should
willing
permit
overdraft
such security
the author himself
possesses
The money out
standing might very easily be made
over
the
banker who would provide funds for this purpose

or

.

is

-

to

Are not many
our awakenings similar
The
inspiration
splendid
seemed
the time but
criticism
must relegate
the waste paper
pure balderdash
basket
just this
There
comfort
get
we mayn
with
but we
get anywhere without
shouldn
Perseverance
benevolence culture and
the other qualities that
pose
good writing
are worthless
they are
not rooted
the underside
the mind

't :

author

hundred

's

all

go

,

,

,

to

,

it

to

,

as

to

is

it

-

—

.

.

. .

Walker with one eye
Walker with two
Something
live for
Nothing

as

an

is

in

of

(

,

-

-

,

-

of

)

,

1.

word serial and half
dozen
short stories enough
keep
work
one going the
best part
year
Assuming
one
has sufficient capital

go

'

:

?

?

't

a

of

.

always was unreliable
But are we not all capable
getting into
state where we put down words that
put down ordinarily
we shouldn
And
not
this capability the first step towards producing good
work
When one recalls the anecdotes about
great writers
how
Jane Austen composed
the
hubbub
the rectory drawing room how Balzac
saw from his summer house the
Comédie Humaine
disentangling and entangling against the shrubs
that surrounded him how Coleridge
the extreme
prolonged into waking his vision
case
Kubla
tempting
Khan
conclude that they
went through the same process diverse
were the
results
brought them
which
and most
tempting
conclude that we too can
through
that process with results however bad
repeat
For
inspiration
need
not imply
genius
The vain shallow writer
also inspired
and perhaps with the greater facility
He too can
put down words when his poor little
mind has
turned turtle and can declare afterwards that they
are good words
story
There
man who
like Coleridge
poem
superhuman
dreamt
splendour
was not cumbersome
like Kubla
Khan but consisted
single immortal stanza
which he managed
write down and preserve for
literature
When
was quite awake he read the
little gem
ran
follows

I

to

of

?

of

_

is

,

all

smaller fry , such as novelists , are denied it .
How
unfair ! If one writer can be inspired , are we not
inspired every one
us
The quality
our
inspiration
that
Apollo
another
matter

.

THE PEN

OF

DEAR
say “ Hear, hear ! ” to
SIR , - May
practically every word contained
in the excellent
papers of Mr. Herbert W . Smith , and at the
same
time add a suggestion of my own ?
In my experience one of the main difficulties of
authorship
the financing
one
commissions
Thus
have been asked
undertake
100 000

,

“ inspiration
and one wishes that the term was
in use , for it is far nearer
the truth than most
usage , inspiration
accounts .
In modern
is still
allowed
to poets and a few historians , but the

still

THE HAZARD

“

,"

D

I

all forms of conceit , it is the least narrowing
.
Here, then , is the process , termed by the ancients

.

CORRESPONDENCE

,

282

�THE AUTHOR .

it

.,

I

-

it

. .

of

of

on

is

of

on

be

I

is

of

I

do

I

If

. I

do

I

If

. in

to

.

in

.

to

a

I

am

it

Is

I

.

.

am

I

I

.

am

a

and laborious living
years and that enclose

pen
the last ten
name and address for
the editor
The Author
writer who receives such really

his

as

.

of

my

of

I

the information
Only
every

for

by

a

I

I

I

.

But think will risk this last retort and
merely content myself with observing that
very humble individual who has earned
bare

if

brought

do
.

great majority who

to

,

of

soon

to

would

updo

in

to

discourteous treatment
that accorded
Miss
Annesley would complain
public
those few
editors who apparently
not know how
behave
be

the level

the

very

Yours faithfully

.
Y
.
Z
.

.
SIR
For how long should
author consider
manuscript
necessary
reserve
the considera
necessary
tion
one editor
use the word
my experience
instead
reasonable
because
very few editors give
decision within
contributor
reasonable time
At the present moment three
periodicals have the same number
editors
One poem has
their hands
mine
short poems
been retained three months another six weeks and
fortnight
have
To the first editor
the third

it

to

a in

"

“

a

a

“

of

", I

?

of

of

.

. I

a

,

,

.

in

of

of

.

or

.

,

is

on
it a

,
I

of

a

an .

is

It

a

.

fair nor businesslike

? be

is

a

, 's

I I

so

I In

.

.

_

,

,

My
four letters without effect
addressed three
poem
neither published nor returned
know
two publications
As the editor myself
short manuscript
perfectly well that
decision
received pro
can be made very shortly after
viding one work
carried through with method
kept waiting
Why then should
contributor
neither
decision
unreasonable time for
is

of
so

on

I

I

.

no it

.

a

.

. I

,

to

,

do

I

to

.

I

.

a

.

I

a

.

as

the majority
The Bystander
contributed
not
But
other papers publishing fiction
MS decided
have ever once had
think
remember
promptly by The Bystander people
waited seven months
MS
önce sending them
ventured
and then having heard nothing about
reply
received
decision
ask for
fact
And again
And again
wrote again
all
assure
wrote six letters and one postcard
polite communications
you polite even painfully

,

I

.

.

is
to
a

is

or

of

to

.

is

,

by

-

courteous and business like treatment accorded him
The Bystander
indeed interesting
that
He explains that everything he sends
paper
sent back by return
either accepted
have
lucky man
For my part
post
He

a

in

the June
the prompt

,

of

Author

to

The enthusiastic tribute paid
your correspondents
one

, by

,

—

SIR

to

-

,

an

EDITORIAL COURTESY

.

*

11

.

X

.

,

,
is

ifif

,

in

.

's

a

-

-

I

re

So

.

be

.

it

I

an

.

is

.,

etc

,

of

,

on

a

will

,

in

,

,

,

an

be a

I

tion
am

II
.
do

to

as

So

?

:

)

—

.

in

of

,

,

—

.

knows that repayment
assured
deposit negotiable securities
railway stocks foreign bonds
such
the only
way
which
author can anticipate payment
the
draw
bill
his publisher
which
the
acceptor
man
fair business standing would
be discounted by the author
banker
giving
gather that publishers are shy
But
their acceptances
EDWARD CLODD
case the banker

in

to

.

.

.

to

,

to

us

.

of

a

—

.

's

(

your correspondent has had better
The Bystander than either Miss Annesley
myself
But observe that he
the staff
possible that that explains
London paper
Persorally
wonder
not
the staff
paper
mere free lance and there are
some editors who seem
think that free lance and
Fortunately such
door mat are convertible terms
number
editors are very few
sign this letter with
doubt whether
my name
shall be told that am trying
told
not
shall
advertise myself
unsigned letter
unworthy
that
considera
luck with

a

,
ALBERT KINROSS

DEAR SIRS
Bankers
not make advances
against book debts because they are intangible
securities
Firms
the highest repute are some
times granted loans without security but
each

to

refusal

evidently
.

I

,

truly

copy
NOTE
We have submitted
Mr
Mr Clodd and have received
letter
Kinross
the following reply which Mr Clodd has kindly
print
permitted
these columns

Failing ability

form

it

Clodd
Yours very

.

Edward

-

an

of

to

.

as

Mr

must
lost
wrote my MS and sent
year and two
elsewhere
Five months later
months after submitting
received my sup
posedly lost MS back again with the usual printed

or

of

,

on

I

to

.

-

dic

the Society might persuade our leading
editors and publishers , if not to pay immediately
on acceptance , at least to furnish the author with
negotiable
some
instrument which
he could
discount or not discount as his necessities
tated
get the opinion
would like
other authors
this very vital matter and especially
would
get the opinion
like
author banker
such

a

Or perhaps

283

.

at

,

*
*
*

by

.

no

it

if

of

,

be

a

I

to

--

at

,

Yours truly
nicely written
and then
last
received
AN EDITOR AND CONTRIBUTOR
the effect that my MS could not
answer
Undoubtedly very many editors are unbusi
found and that
had ever been received
The
Bystander
any rate nowadays
which there was
trace they fearednesslike and some though these

�THE AUTHOR .

I of

is

-

"

, a

to

an

.

,

am

I

to

in

a

a

.

of

of

I

,

,

as

”

“

by

as

to

as

,
.

.

PENROSE

.

A

SUGGESTION

use

,

—

-

of

to

it

in

in

of

.

in

,

of

,

, a

be
to

a

in

of

be

of

or

-

a

,

to

to

in

,

a

;

.

Yours sincerely

,

AN OLD MEMBER

.

shall be

”

's

letter

I

,

“

have just read
David
Arnold Bennett and

Mr

.

on

,

DEAR SIR
commenting

I

.

to

NOVEL COMPETITIONS

-

, a

,

to

.)

to

,

to

,

or

.

of

NEWTE

.

.

W

HORACE

Is

,

--

to

to

,

?

in

'

.

I

., .

,

etc

part
guest room would
should succeed
form
the scheme
which invalided
tired members
Society could
the Authors
invited for repose
and fresh air when unable otherwise
afford
these
Two artists
other workers joining must
course
share the right
show hospitality
turn
their comrades
Such
combination
with strict economy should
reduce expenses
cheap cottage for one
whilst bringing
less than
sweet air week end holidays and country pleasures
both men and women fellow toilers

,

of

in

,

to

it

,

be

be

,

Yours

your
DEAR SIR
correct
make
small space
ask whether some woman member
presumably alone
life with some means however
slender would correspond with the writer who has
syndicate
the
rest house
form
view
country
gain
The leading idea would
sunset
home for ageing writers hoping that one or better
still two workers
the domain
art might join
ensuring variety
interests
And
case this

(

is

a

an

:

be

to

I

,

in

I

There are other
beginners
than the
judge
Nove

Yours faithfully

,

of
of

to

II

—

a to

!

,

to

it

as

o

,

much
the openhearted
publisher somehow getting
getting the
the better
better
the simple
simple
the
author that might be
well
avoid this unhappy
consummation and
this end
have the
follow
the follow
have
ing suggestion
make
That directly
book
announced by
new
writer
old copy
The
Author should
forwarded
him
and his
gives
attention called
every issue
the advice
my own case that had
know
possessed
many hundred pounds
such knowledge
should
pocket and there must
many more whose
ignorance has cost them dearly
in

,

—
"

it

.

of

writer
has ever been kind
helping
and better ways
very doubtful way
acting
Competition

.

of

We hear

of

an

.

.”

to

to

I

I

ago

Mr

PUBLISHER

AND
so

Sir

—

AUTHOR

be
a

to

to
"

in

could have shown
David
letters
kindly and helpful
Bennett
those
speaks
Southey Scott
which were written
and Besant
their literary godchildren
and
not for
moment suppose that
the only
Years

from

M

in of

.

be

in

. ,

—

discovered
me and went out
advise me and help me
find
absolutely unknown writer
market when
was
first book was published
and before his own

.

it

as

,

a

is

.

;

.

acknowledging
his way

Bennett
and
opportunity
pablicly

a

-

to

,

,

on

is

he

,

of ,

.

in

an he

to

he

so

,

.

to

a

have

he

,

is

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Mr Arnold

author

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of

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or

on

to

the work and the manuscript
returned the editor
too often held
discourteous
We recom
mend that the author should carefully study the
proposes
pages
which
the periodical
may not send
contribute
that
article which
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subject treatment
size
Then having decided that his chance
insertion
reasonable
such grounds
should
write
the editor and ask whether he may submit
This
trouble for him
the manuscript
for the editor but future
will be
trouble
disappointment may
this way
avoided
One
more hint authors should always retain copirs
their manuscripts and should always send them
typewritten
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you

if

a member

be

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at

is

an

space

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loses

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its

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insertion later
article
returned
once the author
chance
later that chance disappears
pressure
space
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might , if

will kindly give me — although not
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Mr. Bennett may have spoken of “ taking part in
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production , but the book
most finished artistic
likely to have the best sale .
That is as it may be ,
but it is absolutely ninfair to infer that his attitude
too
man who
this affair proves him
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serve some poor devil
obliged

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a
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" WRITES :

May 10th , 1912 .
you for the copies of " The Co- Respondent , "
received this morning . We were pleased to get them
carlier than the date you named , and we like the get- up
immensely .

.

London

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Near the British Museum ,

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THE AUTHOR

KINGSLEY HOTEL

THE REVIEWER IN " THE MORNING LEADER " DESCRIBES
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              <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.-No. 10.&#13;
JULY 1, 1912.&#13;
(PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAOR&#13;
255&#13;
255&#13;
255&#13;
257&#13;
260&#13;
PAGE&#13;
271&#13;
272&#13;
272&#13;
272&#13;
272&#13;
262&#13;
Notices&#13;
The Society's Funds&#13;
The Pension Fund&#13;
Cornmittee Notes ...&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes... ... . .. ...&#13;
United States Notes ...&#13;
Copyright in a Newspaper Article ...&#13;
United States Law Case&#13;
A Dangerous Clanse ...&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of B&#13;
Warnings to Dramatic Authors&#13;
Registration of Scenarios and Origins&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch&#13;
Remittances&#13;
General Notes&#13;
Obituary ...&#13;
Composers' Agreements...&#13;
The Proposed New Copyright Law of Holland&#13;
British Writers and Journalists in Touraine&#13;
Inspiration... ...&#13;
Correspondence&#13;
272&#13;
272&#13;
273&#13;
264&#13;
265&#13;
267&#13;
268&#13;
269&#13;
270&#13;
271&#13;
271&#13;
274&#13;
275&#13;
278&#13;
280&#13;
281&#13;
282&#13;
Putnam's Shilling Fiction&#13;
The Wheels of Time .&#13;
.&#13;
.&#13;
1/- net.&#13;
net.&#13;
(100,000 copies sold.)&#13;
By FLORENCE L. BARCLAY, Author of “The Rosary."&#13;
" It is an honest little story and well written.”—Times.&#13;
Wayfarers&#13;
1/- net.&#13;
net.&#13;
.&#13;
. By LENORE VAN DER VEER.&#13;
A winter story of life and death and love in Switzerland.&#13;
[Just Published.&#13;
The Land of the Blue Flower&#13;
.&#13;
1/- net.&#13;
net.&#13;
By FRANCES HODGSON BURNETT,&#13;
Author of “Little Lord Fauntleroy."&#13;
“This dainty little story ... is exceedingly well told ... Mrs. Hodgson Burnett&#13;
has once again given her thousands of readers cause to love her.”-Sphere.&#13;
[Third Impression.&#13;
G. P. PUTNAM'S SONS,&#13;
24, BEDFORD STREET, STRAND, W.C.&#13;
&#13;
&#13;
## p. 254 (#716) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O..M.&#13;
COUNCIL.&#13;
SIR ROBERT ANDERSON, K.C.B. SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
THE RIGHT HON. SIR WM. REYNELL THE RIGHT Hox. THE EARL CURZON, THE REV. C. H. MIDDLETON-WARE.&#13;
ANSON, Bart., P.C., M.P., D.C.L.&#13;
G.C.S.I.&#13;
SIR HENRY NORMAN, M.P.&#13;
THE RIGHT HON. THE LORD AUSTIN DOBSON.&#13;
SIR GILBERT PARKEK, M.P.&#13;
AVEBURY, P.O.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
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J. M. BARRIE.&#13;
DOUGLAS FRESH FIELD.&#13;
THE RIGHT Hox. SIR HORACE&#13;
SIR ALFRED BAT EMAN, K.C.M.G. EDMUND GOSSE, C.B., LL.D.&#13;
PLUNKETT, K.P.&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
HESKETH PRICHARD.&#13;
F. E. BEDDARD, F.R.S.&#13;
SIR RIDER HAGGARD.&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDFS.&#13;
MRS. HARRISON (“Lucas MALET"). OWEN SEAMAN."&#13;
THE RIGHT Hon. AUGUSTINE BIB ANTHONY HOPE HAWKINS.&#13;
G. BERNARD SHAW,&#13;
RELL, P.C.&#13;
E. W. HORNUNG.&#13;
G. R, SIMs.&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
DR. S. SQUIRE SPRIGGE.&#13;
THE REV. PROF. BONNEY, F.R.S. W. W. JACOBS.&#13;
FRANCIS STORR.&#13;
The Right Hon. JAMES BRYCE, P.C. HENRY JAMES.&#13;
SIR CHARLES VILLERS STAXPORD,&#13;
THE RIGHT Ilon. THE LORD BORGH. JEROME K. JEROM R.&#13;
Mus. Doc.&#13;
CLERE, P.C.&#13;
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SHAW).&#13;
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Mks. MAXWELL (M. E. BRADDON).&#13;
COMMITTEE OF MANAGEMENT.&#13;
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SIR ALFRED BATEMAN, K.C.M.G. I MAURICE HEWLETT,&#13;
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COMPOSERS' SUB-COMMITTEE.&#13;
Chairman-SIR CHARLES VILLIERS STANFORD, Mus. Doc.&#13;
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PERCY C. BUCK, Mus. Doc.&#13;
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H. A. HINKSON.&#13;
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E, J. MACGILLIVRAY.&#13;
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SIR JAMES YOXALL, M.P.&#13;
M. H. SPIELMANN.&#13;
ART.&#13;
The Hon. John COLLIER.&#13;
John HASSALL, R.I.&#13;
ARTHUR RACKHAM.&#13;
BIR W. MARTIN CONWAY.&#13;
J. G. MILLAIS.&#13;
M. H, SPIELMANX.&#13;
FIELD, ROSCOK &amp; Co., 36, Lincoln's Inn Fields, W.O.&#13;
- Secretary-G. HERBERT THRING,&#13;
G. HERBERT TUBING, 39, Old Queen Street, Storey's Gate, 8.W.)&#13;
Solicitor in England to&#13;
La Sociste des Gens de Loutre,&#13;
Legal Representative in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A,&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, 8.W.&#13;
&#13;
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## p. 254 (#717) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
iii&#13;
- PLAYS&#13;
MR. FORBES DAWSON&#13;
COTTERILL &amp; CROMB,&#13;
Literary Agents,&#13;
Lennox House, Norfolk Street,&#13;
(Member of the Incorporated Society of Authors).&#13;
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An Actor of over 25 years' experience in every&#13;
literary work (Books, Serials and Short Stories) for the&#13;
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GUNBY HADATH,&#13;
DEREK VANE,&#13;
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Master of Stage Craft &amp; Play Construction, GEORGE EDGAR,&#13;
W. HAROLD THOMSON,&#13;
ANNESLEY KENEALY, HILDA COWHAM,&#13;
CHARLES PROCTER,&#13;
ROGER POCOCK,&#13;
Author of plays produced in Great Britain&#13;
SEUMAS MACMANUS,&#13;
REEVES SHAW&#13;
and America. Adapter of several novels to the&#13;
RUBY M. AYRES,&#13;
MARK ALLERTON,&#13;
R. MURRAY GILCHRIST, JOHN HASLETTE,&#13;
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---- NO THEORIES. —&#13;
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Publications of the Society.&#13;
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4. THE HISTORY OF THE SOCIÉTÉ DES&#13;
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5. THE COST OF PRODUCTION.&#13;
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10. FORMS OF AGREEMENT ISSUED BY&#13;
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WITH COMMENTS. By G. HERBERT&#13;
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work, compiled from the papers in the Society's offices,&#13;
the various forms of agreements proposed by Publishers 13. INTERNATIONAL COPYRIGHT CON-&#13;
to Authors are examined, and their meaning carefully&#13;
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VENTION AS REVISED AT BERLIN,&#13;
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By G. HERBERT THRING. Being additional facts&#13;
collected at the office of the Society since the publication&#13;
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15. LITERARY AGENCY AGREEMENT.&#13;
28. net.&#13;
3d, net.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S.W.]&#13;
&#13;
&#13;
## p. 254 (#718) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
SAVE YOUR NUMBERS carefully until the&#13;
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A FEW PRESS OPINIONS.&#13;
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ADDRESS&#13;
&#13;
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## p. 255 (#719) ############################################&#13;
&#13;
The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.—No. 10.&#13;
JULY 1, 1912,&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
AUTORIDAD, LONDON.&#13;
ADVERTISEMENTS,&#13;
As there seems to be an impression among&#13;
readers of The Author that the Committee are&#13;
personally responsible for the bona fides of the&#13;
adrertisers, the Committee desire it to be stated&#13;
that this is not, and could not possibly be, the case.&#13;
Although care is exercised that no undesirable&#13;
advertisements be inserted, they do not accept, and&#13;
never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
nor the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
THE SOCIETY'S FUNDS.&#13;
THE Editor begs to inform members of the&#13;
Authors' Society and other readers of The Author&#13;
that the cases which are quoted in The Author are&#13;
cases that have come before the notice or to the&#13;
knowledge of the Secretary of the Society, and that&#13;
those members of the Society who desire to have&#13;
the names of the publishers concerned can obtain&#13;
them on application.&#13;
IROM time to time members of the Society&#13;
desire to make donations to its funds in&#13;
recognition of work that has been done for&#13;
them. The Committee, acting on the suggestion&#13;
of one of these members, have decided to place&#13;
this perinanent paragraph in The Author in order&#13;
that members may be cognisant of those funds to&#13;
which these contributions may be paid.&#13;
The funds suitable for this purpose are: (1) The&#13;
Capital Fund. This fund is kept in reserve in&#13;
case it is necessary for the Society to incur heavy&#13;
expenditure, either in fighting a question of prin-&#13;
ciple, or in assisting to obtain copyright reform,&#13;
or in dealing with any other matter closely&#13;
connected with the work of the Society.&#13;
(2) The Pension Fund. This fund is slowly&#13;
increasing, and it is hoped will, in time, cover the&#13;
needs of all the members of the Society.&#13;
ARTICLES AND CONTRIBUTIONS.&#13;
THE Editor of The Author begs to remind&#13;
members of the Society that, although the paper&#13;
is sent to them free of cost, its production would&#13;
be a very heavy charge on the resources of the&#13;
Society if a great many members did not forward&#13;
to the Secretary the modest 5s. 6d. subscription for&#13;
the year.&#13;
Communications for The Author should be&#13;
addressed to the Offices of the Society, 39, Old&#13;
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reach the Editor not later than the 21st of each&#13;
month.&#13;
Communications and letters are invited by the&#13;
Editor on all literary matters treated from the&#13;
standpoint of art or business, but on no other&#13;
subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
THE PENSION FUND.&#13;
TN January the secretary of the society laid&#13;
I before the trustees of the Pension Fund the&#13;
accounts for the year 1911, as settled by the&#13;
accountants, with a full statement of the result of&#13;
the appeal recently made on behalf of the Fund.&#13;
After giving the matter full consideration the&#13;
trustees instructed the secretary to invest the sum&#13;
VOL. XXII.&#13;
pued.&#13;
*&#13;
2&#13;
&#13;
&#13;
## p. 256 (#720) ############################################&#13;
&#13;
256&#13;
THE AUTHOR.&#13;
The secretary would like to state that he has&#13;
received three bankers' orders in answer to the&#13;
recent appeal, unsigned, without any covering letter.&#13;
He would be glad, therefore, if those members who&#13;
may have sent in these orders, recognising them&#13;
from their description, would write to the secretary&#13;
on the matter.&#13;
Bankers' Order for 10s. drawn on the London,&#13;
County and Westminster Bank, Maidstone.&#13;
Bankers' Order for 10s. drawn on the National&#13;
Provincial Bank of England, Baker Street, W.&#13;
Bankers' Order for 5s. drawn on the London,&#13;
County and Westminster Bank, Kensington, W.&#13;
of £500 in the purchase of Antofagasta and&#13;
Bolivian Railway 5%. Preferred Ordinary Stock&#13;
and Central Argentine Railway Ordinary Stock.&#13;
The amounts purchased at the present prices are&#13;
£237 in the former and £232 in the latter stock.&#13;
The trustees desire to thank the members of the&#13;
society for the generous support which they have&#13;
given to the Pension Fund, and have much pleasure&#13;
in informing the Pension Fund Committee that&#13;
there is a further sum available for the payment of&#13;
another pension in case any application should be&#13;
made. The money now invested amounts to&#13;
£4,846 198. 4d., and is fully set out in the list&#13;
below :-&#13;
Consols 21% ...........................£1,312 13 4&#13;
Local Loans........&#13;
.......... 500 0 0&#13;
Victorian Government 3°%Consoli-&#13;
dated Inscribed Stock... ............ 291 19 11&#13;
London and North-Western 3%&#13;
Debenture Stock ......&#13;
250 0 0&#13;
Egyptian Government Irrigation&#13;
Trust 4% Certificates ...&#13;
200 0 0&#13;
Cape of Good Hope 31% Inscribed&#13;
Stock ....................&#13;
200 0 0&#13;
Glasgow and South-Western Railway&#13;
4. Preference Stock&#13;
228 0 0&#13;
New Zealand 31% Stock ....... 247 .9 6&#13;
Irish Land Act 27% Guaranteed&#13;
Stock ........&#13;
258 0 0&#13;
Corporation of London 21% Stock,&#13;
1927-57 ......&#13;
438 2 4&#13;
Jamaica 31% Stock, 1919-49 ...... 132 18 6&#13;
Mauritius 4° 1937 Stock ....&#13;
120 121&#13;
Dominion of Canada C.P.R. 31%&#13;
Land Grant Stock, 1938............ 198 3 8&#13;
Antofagasta and Bolivian Railway&#13;
5%. Preferred Stock .......&#13;
237 0 0&#13;
Central Argentine Railway Ordinary&#13;
Stock ...........&#13;
232 ( 0)&#13;
£&#13;
0&#13;
0&#13;
0&#13;
s. d.&#13;
5 0&#13;
5 0&#13;
5 0&#13;
༠ ༤་&#13;
(&#13;
༤་ ༠ ༠ ༤་&#13;
0&#13;
0&#13;
5&#13;
0&#13;
0 10&#13;
0&#13;
0&#13;
1&#13;
5&#13;
1&#13;
0&#13;
0&#13;
Subscriptions.&#13;
1912.&#13;
.&#13;
Jan. 1, Worsley, Miss Alice . .&#13;
Jan. 2, Sturt, George . . . .&#13;
Jan. 2, Wicks, Mark (in addition to&#13;
present subscription). .&#13;
Jan. 3, Northcote, The Rev. H.'. .&#13;
Jan. 3, Phipson, Miss E. (in addition&#13;
to present subscription) .&#13;
Jan. 3. Hedgcock, F. A. . . .&#13;
Jan. 5, Matcham, Mrs. Eyre ..&#13;
Jan. 8, Stayton, Frank .&#13;
Jan. 8, Canziani, Miss Estella .&#13;
Jan. 10, Ropes, d. R..&#13;
Jan. 12, Francis, René .. .&#13;
Jan. 15, Pollock, Miss Edith (in addi-&#13;
tion to present subscription)&#13;
Jan. 27, Hutchinson, the Rev. H. N. .&#13;
Feb. 7, L. M. F., per month during&#13;
1912&#13;
„ . . . .&#13;
Feb. 7, Letts, Miss W.M. . .&#13;
Feb. 8, Cooke, W. Bourne . . .&#13;
Feb. 8, Annesley, Miss Maude.&#13;
Feb. 9, O'Donnell, Miss Petronella .&#13;
March 6, Curwen, Miss Maud . .&#13;
March 6, Anderson, Arthur . .&#13;
March 15, George, W. L. (in addition&#13;
to present subscription).&#13;
April 6, Bland, J. 0. P.&#13;
April 6, Taylor, Mrs. Basil&#13;
.&#13;
April 6, Forrester, J. Cliffe. .&#13;
June 6, Probert, W. S. .&#13;
June 6, Wheelhouse, Miss M. V.&#13;
June 6, Acland, Mrs. C. 1). . .&#13;
June 6, Spurrell, Herbert (from 1912&#13;
to 1915).&#13;
· .&#13;
June 6. Spens. Archibald B. .&#13;
0&#13;
0&#13;
1 0&#13;
5&#13;
1 1&#13;
0 10&#13;
0 5&#13;
05&#13;
1 1&#13;
6&#13;
0&#13;
0&#13;
Total .......&#13;
.£4,846 194&#13;
010 0&#13;
()&#13;
0&#13;
PENSION FUND.&#13;
ēr er er&#13;
0&#13;
0&#13;
5&#13;
0&#13;
0&#13;
5&#13;
0&#13;
The list printed below includes all fresh dona-&#13;
tions and subscriptions (i.e., donations and&#13;
subscriptions not hitherto acknowledged) received&#13;
by, or promised to, the fund from January 1,&#13;
1912.&#13;
It does not include either donations given&#13;
prior to January 1, nor does it include sub-&#13;
scriptions paid in compliance with promises made&#13;
before it.&#13;
The full list of annual subscribers to the fund&#13;
appeared in the November issue of The Author.&#13;
Donations.&#13;
1912.&#13;
Jan. 2, Risque, W. H.&#13;
Jan. 2, Dart, Miss Edith ..&#13;
Jan. 3, “K.”&#13;
0 10 0&#13;
. 0 10 6&#13;
, 010 0&#13;
,&#13;
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## p. 257 (#721) ############################################&#13;
&#13;
THE AUTHOR.&#13;
257&#13;
£ 8. d.&#13;
0 5 0&#13;
5&#13;
0&#13;
·&#13;
0&#13;
()&#13;
1&#13;
·&#13;
ce cometer errore&#13;
es el so ON&#13;
0&#13;
0&#13;
.&#13;
·&#13;
0&#13;
0&#13;
£ 8. d.&#13;
1 1 0 March 18, Schwarz, Prof. Ernest&#13;
05 () March 19, Wallace, Sir Donald Mac-&#13;
0 10 0&#13;
kenzie, K.C.V.O., .&#13;
1 0 0 March 21, Wbarton, Leonard . .&#13;
20 0 0 March 22, Holbach, Mrs. . .&#13;
1 1 0 March 23, Parks, H. C. . . .&#13;
0 5 0 March 25, Williams, Mrs. Illtyd . .&#13;
0 10 0 April 2, XX. Pen Club .&#13;
0 10 0 April 6, Taylor, Mrs. Basil . . .&#13;
10 0 April 6, Cameron, Mrs. Charlotte&#13;
0 0 April 10, Kenny, Mrs. L. M. Stacpoole&#13;
0 April 10, Robbins, Alfred F. .&#13;
0 5 0 April 10, Harris, Emma H. .&#13;
April 11, Ralli, C. Scaramanga . .&#13;
1 10 April 11, Aitken, Robert . . .&#13;
0 April 16, L. M. F. (£1 per month,&#13;
2 2 0&#13;
February, March, April)&#13;
0 April 22, Prior, Mrs. Melton . .&#13;
0 May 2, Baden-Powell, Miss Agnes&#13;
May 25, Koebel, W. H. . .&#13;
0 5 0 May 28, Harland, Mrs. Henry . .&#13;
1 1 0 May 28, Wood, Mrs. A. E.&#13;
0 5 0 June 4, Hornung, E. W. .&#13;
( 10 ) June 4, Ward, Dudley .&#13;
.&#13;
0 5 0 June 6, Worrall, Lechmere .&#13;
0 5 0 June 13, Robbins, Miss Alice E. .&#13;
..&#13;
19 orrererer&#13;
0&#13;
05&#13;
3 3&#13;
1 1&#13;
0&#13;
0&#13;
.&#13;
er ve BTN&#13;
3 0 0&#13;
0 10 6&#13;
05 0&#13;
0 10&#13;
( 10 0&#13;
0&#13;
.&#13;
0 19&#13;
5 0&#13;
.&#13;
0&#13;
0&#13;
1&#13;
5&#13;
5&#13;
1&#13;
0&#13;
0&#13;
0&#13;
.&#13;
5&#13;
0&#13;
Jan. 3, Church, Sir Arthur .&#13;
.&#13;
Jan. 3, Durrant, W. Scott .&#13;
Jan. 3, Tighe, Henry.&#13;
• .&#13;
Jan. 3, Grant, Lady Sybil . •&#13;
Jan. 4, Smith, Bertram&#13;
Jan. 4, Buckrose, J. E. .&#13;
Jan. 4, Lathbury, Miss Eva&#13;
:&#13;
Jan. 5, Wilson, Dr. Albert .&#13;
•&#13;
Jan. 5, Craven, A. Scott .&#13;
.&#13;
Jan. 6, Blundell, Miss Alice&#13;
Jan. 6, Garbutt, W. H. .. .&#13;
Jan. 6, Serjeant, Miss Constance&#13;
Jan. 9, Chamberlayne, Miss Effie&#13;
Jan. 9, Hamel, Frank&#13;
Jan. 10, Allen, W. Bird .&#13;
Jan. 10, Crellio, H. N. .&#13;
Jan. 10, Smith, Herbert W.&#13;
Jan. 12, Randall, F. J.&#13;
Jan. 13, P. H. and M. K. .&#13;
Jan. 15, Clark, Henry W...&#13;
Jan. 17, Rankin, Mrs. F. M. , .&#13;
Jan. 18, Paternoster, Sidney&#13;
.&#13;
Jan. 20, M‘Ewan, Miss Madge.&#13;
Jan. 22, Kaye-Smith, Miss Sheila .&#13;
Jan. 22, Mackenzie, Miss J. . .&#13;
Jan. 22, Reiss, Miss Erna . . .&#13;
Jan. 22, Grisewood, R. Norman .&#13;
Jan. 23, Machen, Arthur.&#13;
Jan. 24. Williamson, C. N. and Mrs. C. N.&#13;
Jan. 26, Way, Miss Beatrice .&#13;
.&#13;
Jan. 30, Saies, Mrs. Florence H. .&#13;
Jan. 30, Weyman, Stanley (in addition&#13;
to subscription) . .&#13;
Jan. 30, S. F. G. . .&#13;
.&#13;
Feb. 3, Douglas, James A. .&#13;
Feb. 6, Parker, Mrs. Nella .&#13;
Feb. 6, Allen, Mrs. James.&#13;
Feb. 10, Whibley, C. . .&#13;
.&#13;
Feb. 12, Loraine, Lady .&#13;
Feb. 12, Ainslie, Miss K. .&#13;
Feb. 12, King, A. R. . .&#13;
Feb. 13, Ayre, Miss G. B. .&#13;
Feb. 14, Gibson, Miss L. S.&#13;
Feb. 15, Henley, Mrs. W. E.&#13;
Feb. 15, Westall, W. Percival .&#13;
Feb. 17, Raphael, Mrs.&#13;
. .&#13;
Feb. 19, Cabourn, John .&#13;
Feb. 19, Gibbs, F. L. A. .&#13;
Feb. 21, Hinkson, H. A., and Mrs.&#13;
Feb. 24, Hamilton, Cosmo&#13;
Feb. 27, Plowman, Miss Mary .&#13;
Feb. 28, Aspinall, A. E. . .&#13;
March 2, Montesole, Max.&#13;
March 9, Pickering, Mrs. Frank .&#13;
March 15, Trevanwyn, John . .&#13;
March 16, O'Higgins, H. J. . .&#13;
March 18, Wallis-Healy, F. C. . :&#13;
1&#13;
5&#13;
0&#13;
0&#13;
1&#13;
5&#13;
5&#13;
8&#13;
0&#13;
0&#13;
0&#13;
6&#13;
COMMITTEE NOTES.&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
ܝܕ ܗܕܝܕܘܕ ܙ 5 ܙ ܙ&#13;
·&#13;
·&#13;
·&#13;
·&#13;
.&#13;
·&#13;
.&#13;
·&#13;
.&#13;
.&#13;
.&#13;
1 1 0 M HE June meeting of the Committee was held&#13;
1 1 0 1 at the offices of the Society, on Monday,&#13;
1 0 0&#13;
June 3. Again, there was a considerable&#13;
0 10 0 accession to the membership, 25 members and&#13;
0 associates being elected, bringing the total for the&#13;
0 10 6 current year up to 180—that is, an average of 30&#13;
0 per month for the first six months of the year.&#13;
0. There were seven resignations. The Committee&#13;
0 have to regret that this year there have been a&#13;
0 large number of resignations, but it is satisfactory&#13;
0 5 0&#13;
to note that these resignations are not due to any&#13;
1 1 0 lack of sympathy with the Society's work, and&#13;
0 5 0 that the members who have retired have made no&#13;
( 5 0 financial drain on the Society's resources-indeed,&#13;
0 5 0 in most cases, have received nothing beyond the&#13;
() 10 0 usual advice which can be obtained at the&#13;
1 1 0 Society's office.&#13;
The Society's solicitor gave a report of the cases&#13;
0 2 6 in his hands. One difficult matter between a&#13;
O member and a publisher, relating to a breach o?&#13;
6 contract by the latter had been settled, £15&#13;
0 10 0 having been paid to the author as damages. The&#13;
1 1 0 Secretary read a letter from the author in which&#13;
1 1 0 the author expressed his thanks to the Society for&#13;
0) 3 0 its assistance. A dispute which had ariser&#13;
.&#13;
.&#13;
--Eclerer&#13;
.&#13;
0&#13;
T&#13;
.&#13;
.&#13;
0 10&#13;
.&#13;
V&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 258 (#722) ############################################&#13;
&#13;
258&#13;
THE AUTHOR.&#13;
between two members of the Society, adjourned In another matter, arising out of a dispute on an&#13;
from the former meeting, was again adjourned agreement, it was decided by the Committee to&#13;
pending the receipt of some further material publish an article in The Author setting out the&#13;
information. A claim of one member which had dangers of the clause which the author had signed.&#13;
not been satisfied had, during the month, been Another difficult matter of accounts was before the&#13;
pressed, and the defendant thrown into bankruptcy, Committee. If it was impossible to come to a&#13;
but the Committee heard with regret that it was satisfactory settlement in this case they decided&#13;
improbable that any money would be forthcoming that the matter should be placed in the hands of the&#13;
In another difficult case between a member of the solicitors, and an accountant appointed to investigate&#13;
Society and a publisher on a question of accounts the publisher's books.&#13;
and the exact terms of a contract, the Committee The Committee received a deputation from the&#13;
strongly advised, as notice of termination of the Copyright Sub-Committee and the Composers' Sub-&#13;
contract had been given, that the publication Committee, with reference to an agreement which&#13;
should be transferred to another house, and had been settled between the Copyright Sub-&#13;
undertook to support the member in case of Committee and a firm of music publishers. An&#13;
further dispute. The solicitor reported that a article which appears elsewhere in this issue of&#13;
member, having entered into a contract for the The Author explains this matter.&#13;
publication of his work with a music publisher, The question of the collection of fees was then&#13;
had been met with a refusal on the part of the considered, and it was decided, subject to the&#13;
music publisher to carry out his contract. The possibility of obtaining a guarantee from members&#13;
Committee decided to take action. Another interested to cover expenses to start a collection&#13;
claim was discussed, which concerned a member bureau, not only for those authors who, under&#13;
and a company which had gone into liquidation their literary contracts, might desire this collec.&#13;
The solicitor reported that the matter was being tion, but also for dramatists and composers who&#13;
carried through, and that the member's interests desire their fees collected for the dramatic per-&#13;
would be watched closely. In another case a formances and for their mechanical rights. This&#13;
dispute had arisen owing to the fact that the branch of the Society's work will require preliminary&#13;
proprietors of a periodical, which had originally organization, and it may not be put into shape till&#13;
published a set of verses by one of the members, 1913. It is hoped, however, to make a start in&#13;
had granted rights of republication of the the autumn.&#13;
verses with music, to a music publisher. The The election to the Council was again adjourned,&#13;
member maintained, and the solicitor of the as also was the question of the Nobel Prize&#13;
Society advised, that the paper had transferred Committee, the adjournment in the latter case&#13;
rights which it did not hold, and the Committee being necessitated owing to the illness of the&#13;
decided, accordingly, to take action against the chairman of that committee, Lord Avebury.&#13;
publisher for infringement of copyright. The A letter from the Society's United States'&#13;
music publisher was, no doubt, an innocent lawyers, in regard to the conduct of legal business&#13;
infringer, but it was felt by the Committee that in the United States, was read, and the Secretary&#13;
the only way to impress upon the proprietors of was instructed to reply.&#13;
the periodical that they must not transfer rights The Committee acknowledged with pleasure, a&#13;
which they did not hold was to take action, though donation of 5s. from Mrs. Wentworth-James to the&#13;
against the innocent infringer, who, it is hoped, capital fund of the Society. The Secretary&#13;
will enforce a claim against the guilty party reported that G. N. Count Plunkett and Mr. R.&#13;
Some time ago the Society commenced an action, Denley James had joined the Society as life&#13;
on behalf of one of its members, for infringement members.&#13;
of copyright in Switzerland. The member having&#13;
to be examined in the English Court, under&#13;
commission, through the Foreign Office, it was&#13;
DRAMATIC SUB-COMMITTEE.&#13;
decided to brief counsel on his behalf. There The Dramatic Sub-Committee of the Society of&#13;
were two other cases of dispute on agreements, Authors met on Friday, June 21. After the&#13;
both dealing with performing rights. On the minutes of the previous meeting had been signed,&#13;
advice of the solicitor, as the cases seemed hardly the first matter laid before the members was the&#13;
matters for action, it was decided to negotiate a answer from the Society of the West End Managers,&#13;
settlement in each instance, if possible. The in regard to the Managerial Treaty which had&#13;
Committee decided also to take action for infringe- been settled by the joint action of the Dramatists'&#13;
ment of copyright in India on behalf of one of its Club and the Dramatic Sub-Committee. A draft&#13;
members, and the Secretary received instructions letter in reply was before the meeting, and finally&#13;
to put the case before the Society's Indian lawyers. was accepted with some slight alterations. The&#13;
&#13;
&#13;
## p. 259 (#723) ############################################&#13;
&#13;
THE AUTHOR. .&#13;
259&#13;
secretary was instructed to forward it to the Society article appears on another page. He also read a&#13;
as early as possible.&#13;
letter from the Music Publishers' Association about&#13;
The next question raised was the appointment of performing rights in answer to a communication&#13;
agents in foreign countries. The secretary read, addressed to them from the sub-committee, and he&#13;
letters he had received, and was instructed to reply, was instructed to reply thereto. The sub-committee&#13;
to the effect that it was hoped to discuss the matter then discussed an agreement proposed by the&#13;
in the autumn, when the sub-committee was meet- Mechanical Copyright Licences Company for the&#13;
ing again. The chairman of the sub-committee collection of gramophone fees. The secretary first&#13;
was granted powers to act during the vacation, and referred to the article that appeared in last month's&#13;
it was decided to re-assemble on the third Friday issue of The Author, and suggested that an article&#13;
in October.&#13;
should be printed in the present number dealing&#13;
Letters received from the French, German, and with the agreement now before the Composers' Sub-&#13;
American Dramatic Societies on the subject of cinema. Committee. After considerable discussion, it was&#13;
tograph productions and fees were read. The secre- decided to write to the agent of the company in&#13;
tary was instructed to obtain further information on England and enquire whether it would be possible to&#13;
the matter if possible, and it was decided to get one of discuss certain points in the agreement before it&#13;
the members of the sub-committee to draft a report was finally accepted or rejected. Accordingly, the&#13;
which might be circulated to the societies of other Committee went through the agreement, clause by&#13;
countries.&#13;
clause, and the secretary was instructed to draft a&#13;
A letter received from the Travelling Theatre letter embodying the suggestions of the sub-&#13;
Managers' Association was read and the secretary committee on the agreement.&#13;
was instructed to reply, asking them what financial It was decided to hold the next meeting of the&#13;
terms they proposed to offer on performances, and sub-committee on July 13—the last meeting before&#13;
whether they would undertake the responsibility the vacation.&#13;
and expense of collection.&#13;
At the May meeting of the sub-committee, the&#13;
secretary had been instructed to enquire of&#13;
Cases.&#13;
certain dramatists, members of the society for The number of cases which passed through the&#13;
particulars of their fees for the confidential con- hands of the secretary during the last month is con-&#13;
sideration of the sub-committee, with a view to siderably above the average. None of them is of&#13;
enable them to settle a schedule of fees. The very great importance, most of them being small&#13;
answers to these enquiries were laid before the sub- claims for unpaid contributions and for the return&#13;
committee, showing how freely and courteously of MSS. Of the former twelve claims have been&#13;
members had responded to the sub-committee's taken in hand ; two of these have been terminated&#13;
request. It was decided that these replies should satisfactorily, four are in course of negotiation, and&#13;
be tabulated and copies forwarded to the members in the remaining six cases the secretary's letters are&#13;
of the sub-committee, in confidence, and for so far unanswered, but three of them have only&#13;
consideration by them at a later meeting.&#13;
recently come into the office.&#13;
A letter received from Messrs. Samuel French, Three of the unsettled claims have been against&#13;
in answer to a communication addressed to that one paper, and the secretary has received note of&#13;
firm by the sub-committee, from the last meeting two more claims against the same paper.&#13;
was read.&#13;
Under the claims for money that have pressed&#13;
during the last month, one point of importance&#13;
has arisen. It is a point of importance to all&#13;
COMPOSERS' SUB-COMMITTEE.&#13;
authors. Three editors have claimed exemption&#13;
A MEETING of the Composers' Sub-Committee from payment until the work accepted is published.&#13;
was held at the Society's offices on Saturday, In one of these cases the work has been in the&#13;
June 15. After the minutes of the previous meet- editor's hands for over a year. Of course, this&#13;
ing had been signed, the secretary reported that the position is untenable. As soon as an MS. is&#13;
Committee of Management had taken up a case, accepted the money is due. It is true that authors&#13;
which had been recommended to them by the sub- sometimes waive their right to claim for the con-&#13;
committee, against a publisher for non-fulfilment venience of the editor until the work is published,&#13;
of contract. The secretary also reported that but it is equally true that they could bring an&#13;
the Committee of Management had decided to action for the amount due if they desired to do so.&#13;
print an article in The Author dealing with Even if an editor in his contract stipulates that&#13;
Messrs. Curwen's agreement, which had been the work shall be paid for on publication, this does&#13;
settled between the Copyright Sub-Committee and not mean that he would be legally entitled to delay&#13;
Messrs. Curwen, and been finally approved. This the publication indefinitely. Editors should carry&#13;
&#13;
&#13;
## p. 260 (#724) ############################################&#13;
&#13;
260&#13;
THE AUTHOR.&#13;
through their duties in a more businesslike manner Hughes, Rupert . . Bedford Hills, New&#13;
and save themselves and the authors endless&#13;
York, U.S.A.&#13;
trouble and worry. It is needless to say, however, Jenkins, Herbert . 12, Arundel Place,&#13;
that this excuse for delay in payment does not&#13;
Haymarket, S.W.&#13;
arise in the case of first-class journals, though there Knight, William Stanley 8, King's Bench Walk,&#13;
are even exceptions to this rule.&#13;
Macbean .&#13;
Temple.&#13;
There have been seven claims for the return of Liddle, Samuel . . 55, Ordnance Roail, St.&#13;
MSS. Of these four have been satisfactorily&#13;
John's Wood, N.W.&#13;
settled, the other three still being in the course of McComas, Miss I. V. Feniton, Farnborough,&#13;
negotiation.&#13;
(H. B. Somerville)&#13;
S.O., Kent.&#13;
In one claim for accounts and money the pub- Nightingale, L. H. Shore.&#13;
lisher has rendered the accounts and the amount Rimmer, Oswald . . 76, Grafton Street,&#13;
has been agreed, but the cheque has not yet come (Quirote Shades)&#13;
Fitzroy Square, W.&#13;
to hand.&#13;
Spens, Archibald B. . Caledonian Club, St.&#13;
Of three claims for accounts two have been&#13;
James', S.W.&#13;
closed, and in the third, although another question Stokes, Hubert . . c/o R. Bleazby C. E.,&#13;
which has arisen in the dispute has been dealt with,&#13;
Richardson Avenue,&#13;
the accounts are not yet to hand. The matter may&#13;
Claremont, West&#13;
have to be transferred to the solicitors.&#13;
Australia. .&#13;
Another matter, involving the closing up and Spurrell, Herbert . . Ivy Cottage, Heavi-&#13;
cancellation of an agreement has been carried&#13;
tree, Exeter.&#13;
through.&#13;
Thompson, Fred . . 5E, Portman Mansions,&#13;
The last case, a dispute about translation rights,&#13;
Baker St., W.&#13;
is still open, and it may take a little time to com Tragett, Mrs. B. C.. . 63, Wynnstay Gardens,&#13;
plete, as both the author and the translator live (largaret Larminie) Kensington, W.&#13;
abroad.&#13;
Wavell, A. J. B. . . 7, Egerton Gardens,&#13;
Of the disputes left open from last month, one,&#13;
S.W.&#13;
referring to a claim for money from the United Wheelhouse, Miss M. V. . 3, Pomona Studios,&#13;
States, has been settled ; four cases have had to be&#13;
111, New King's&#13;
put into the hands of the solicitors, two dealing&#13;
Road, S.W.&#13;
with the rendering of accounts, one with a lost MS., Whetham, Mrs. W.C. D.. Upwater Lodge, Cam-&#13;
and one with the infringement of copyright. In&#13;
bridge,&#13;
another case an accountant has been appointed to Worrall, Lech mere. Blenheim Mansions,&#13;
check the accounts, and in another matter dealing&#13;
Queen Anne's Gate,&#13;
with the return of a MS. the author has to wait&#13;
S.W.&#13;
owing to the absence of the editor in whose&#13;
possession the MS. is.&#13;
It is possible that some of the claims for money&#13;
that have come in this month will have to be placed&#13;
in the solicitors' hands. Of these cases there can&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
be no report until the October issue, as the maga-&#13;
zine is not published during the months of August&#13;
WHILE every effort is made by the compilers to keep&#13;
and September.&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
Elections.&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
Acland, Mrs. Theodore 19, Bryanston Square,&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
W.&#13;
(C.C.G.)&#13;
co-operate in the compiling of this list and, by sending&#13;
Ash, Edwin Lancelot , 56, Seymour Street, particulars of their works, help to make it substantially&#13;
Portman Square, W. accurate.&#13;
Blane William, M.I.M.E., Constitutional Club,&#13;
ART.&#13;
M.I.Mech.E. .&#13;
W.C.&#13;
ONE HUNDRED FAMOUS PAINTINGS. Reproduced in&#13;
Davis, Mrs. Ruth Helen. 11, East 79th Street, Colour, with an Introduction by G. K. CHESTERTOX.&#13;
New York City. Part I. 152 x 111. Four Plates. Cassell. 7d. n.&#13;
Hudson, Robert . . “Sea View," Ryhope,&#13;
Sunderland.&#13;
BIOGRAPHY.&#13;
Gray, Wilson . . .“ Ravensmere," Has MANY CELEBRITIES AND A FEW OTHERS. By W. H.&#13;
socks, Sussex.&#13;
RIDEING. 93 x 67. 335 pp. Nash. 108. 6d. n.&#13;
&#13;
&#13;
## p. 261 (#725) ############################################&#13;
&#13;
THE AUTHOR.&#13;
261&#13;
BRIGHT SHAME. By KEIGHLEY SNOWDEN. 74 x 5.&#13;
276 pp. Stanley Paul &amp; Co. 6s.&#13;
How 'Twas. Short Stories and Small Travels. By&#13;
STEPHEN REYNOLDS. 8 x 51. 382 pp. Macmillan.&#13;
58. n.&#13;
COOKERY.&#13;
LETTERS TO YOUNG HOUSEKEEPERS. By MARIE DE&#13;
JONCOURT (MRS. W. PHIPSON BEALE). 71 x 5.&#13;
133 pp. Paper covers, 18.; cloth, ls. 6d. Kegan&#13;
Paul &amp; Co.&#13;
DRAMA.&#13;
IRISH FOLK-HISTORY PLAYS. By LADY GREGORY.&#13;
First Series. The Tragedies Grania Kincora, Dervorgilla.&#13;
Second Series, the Tragic-Comedies The Canavans, The&#13;
White Cockade, The Deliverer. 71 X 5. 207 + 198 pp.&#13;
2 Vols. Putnam. 10s, n.&#13;
JOYZELLE. By MAURICE MAETERLINCK. Translated by&#13;
ALEXANDER TEIXEIRA DE Mattos. 64 X 41. 168 pp.&#13;
Allen. 28. 60, n.&#13;
LOVE--AND WHAT THEN. By B. MACDONALD HASTINGS.&#13;
7 X 4f. 94 pp. Sidgwick &amp; Jackson. ls. 1.&#13;
THE LAND OP HEART'S DESIRE. By W. B. YEATS,&#13;
Vol. II. of Dublin Plays. 74 x 5.45 pp. Fisher.&#13;
Unwin. ls. n.&#13;
PATRIOTS. By LENNOX ROBINSON. 49 pp. Dublin :&#13;
Maunsel, 18. n.&#13;
EDUCATIONAL.&#13;
PUBLIC SCHOOLS AT A GLANCE. Part I. (Boarding&#13;
Schools at £80 a Year and Over). A Guide for Parents&#13;
and Guardians in Selecting a Public School for their&#13;
Boys. Edited by MRS. BEVERLEY USSHER. The&#13;
Association of Standarised Knowledge, 15, Buckingham&#13;
Street, Adelphi, W.C.&#13;
THE CAILD'S PRIMER OF THE THEORY OF MUSIC. By&#13;
C. A. WEBSTER. New and Revised Edition. 70 pp.&#13;
Norello. 18. n.&#13;
THE LIVING PLANT FROM SEED TO FRUIT. By ALFRED&#13;
E. KNIGHT and EDWARD STEP, F.L.S. A Fully Illus-&#13;
trated re-issue in eighteen 7d. parts, of the Author's&#13;
Work, “ The Living Plant.” Hutchinson.&#13;
FICTION.&#13;
EVE: AN INCIDENT OF PARADISE REGAINED. By&#13;
MAARTEN MAARTENS. 7} * 5. 359 pp. Constable.&#13;
68.&#13;
PHRYNETTE MARRIED. By MARTHE TROLY.CURTIN.&#13;
73 x š. 313 pp. Grant Richards. 68.&#13;
THROUGH THEİVORY GATE. By REGINALD FARRER.&#13;
74 x 5. 296 pp. F. Palmer. 68.&#13;
NIGHTS AND DAYS. By MAUD ANNESLEY. 73 x 57.&#13;
308 pp. Mills &amp; Boon. 68.&#13;
ANNE OF THE BARRICADES. By S. R. CROCKETT. 78 X&#13;
5. 312 pp. Hodder &amp; Stoughton. 68.&#13;
IMPERTINENT REFLECTIONS. By Cosmo HAMILTON.&#13;
77 x 5. 339 pp. Stanley Paul. 28.&#13;
THE SPINSTER. By HUBERT WALES. 7) X 5. 320 pp.&#13;
John Long. 6s.&#13;
PRINCE AND PRIEST. By BERYL SYMONS. 74 x 5.&#13;
-&#13;
319 pp. Stanley Paul. 68.&#13;
SAVE US FROM OUR FRIENDS. By WILLIAM CAINE.&#13;
74 x 43.320 pp. Greening. 68.&#13;
THE LAST RESORT. By H. F. PREVOST BATTERSBY.&#13;
7} x 5. 320 pp. John Lane. 68.&#13;
ORDINARY PEOPLE. By UNA L. SILBERRAD. 6 X 44.&#13;
378 pp. Nelson. 7d. n.&#13;
THE UNCOUNTED Cost. By MARY GAUNT. 74 x 49&#13;
290 pp. Werner Laurie. 18. n.&#13;
THE ADVANCED GUARD. By S. C. GRIER. (Cheap&#13;
Reprint.) 74 x 5. 332 pp. Blackwoods. 18. n.&#13;
HYPOCRITES AND SINNERS. By VIOLET TWEEDALE&#13;
64 X 4. 318 pp. John Long. 6d. n.&#13;
THE GREY TERRACE. By MRS. FRED REYNOLDS. 73 x 5.&#13;
320 pp. Chapman &amp; Hall. 68.&#13;
EXOTIC MARTHA. By DOROTHEA GERARD. 78 x 5.&#13;
335 pp. Stanley Paul. 68.&#13;
OUT OF THE WRECK I RISE By BEATRICE HARRADEN.&#13;
71 x , 383 pp. Nelson. 28. n.&#13;
PILLARS OF SMOKE. By MRS. STANLEY WRENCH,&#13;
74 X 5. 320 pp. John Long. 6s.&#13;
THE SEA DEVILS. By John BLOUNDELLE BURTON.&#13;
8 X 5. 310 pp. F. V. White. 68.&#13;
MAN IS FIRE; WOMAN IS Tow, AND OTHER STORIES.&#13;
By HELEN MATHERS. 71 x 5. 318 pp. Jarrold.&#13;
68. n.&#13;
THE CONSIDINE LUCK. By H. A. HINKSON. 73 x 57.&#13;
Stephen Swift.&#13;
His LITTLE GIRL. By L. G. MOBERLY. 74 * 5.&#13;
296 pp. Ward, Lock.&#13;
THE DAUGHTER OF BRAHMA. By I. A. R. WYLIE.&#13;
73 x 5. 400 pp. Mills &amp; Boon. 68.&#13;
BRASS Faces. By CHARLES McEvoy. 78 x 5. 296 pp.&#13;
Stanley Paul. 68.&#13;
JESSIE BAZLEY. By BERNARD CAPES. 74 x 48.&#13;
304 pp. Constable. 68.&#13;
The GREEN OVERCOAT. By HilAIRE Belloc. 7} 5.&#13;
333 pp Arrowsmith. 68.&#13;
THE WOMAN BETWEEN. By EDMUND BOSAN QUET.&#13;
8 x 5. 320 pp. John Long. 6s.&#13;
HESTER TREFUSIS. By EFFIE ADELAIDE ROWLANDS.&#13;
78 x 5. 340 pp. Hurst &amp; Blackett. 68.&#13;
THE HISTORY OF MR. POLLY. By H. G. WELLS.&#13;
64 x 47. 274 pp. Nelson's Sevenpenny Library.&#13;
THE WOMAN IN THE FIRELIGHT. "By OLIVER SANDYS.&#13;
7 x 43. 283 pp (Popular Edition.) John Long.&#13;
18. n.&#13;
LAW.&#13;
THE GENIUS OF COMMON LAW. By THE RIGHT HONBLE.&#13;
Sir FREDERICK POLLOCK, BART.&#13;
THE LAW OF TORTS.&#13;
THE LAW OF TORTS. BY THE RIGHT Hon. SIR&#13;
BY THE&#13;
FREDERICK POLLOCK, BART., D.C.L. Ninth Edition.&#13;
84 x 54. 716 pp. Stevens &amp; Sons. 258.&#13;
A SHORT HISTORY OF ENGLISH LAW. By EDWARD&#13;
JENKS. Principal and Director of Legal Studies of the&#13;
Law Society. 9 * 5. 396 pp. Methuen. 108. 6d. n.&#13;
LITERARY.&#13;
HENRIK IBSEN. A Critical Study. By R. Ellis ROBERTS.&#13;
9 x 6. 205 pp. Martin Secker. 78. 6d. n.&#13;
THE FOUR MEN. A Farrago. By HILAIRE BELLOC.&#13;
7 x 5. 310 pp. Nelson. 28. n.&#13;
THE THREE BRONTES. By MAY SINCLAIR. 87 X 51.&#13;
257. Hutchinson bien&#13;
HIEROGLYPHICS. A note upon Ecstacy in Literature.&#13;
By ARTHUR MACHEN. Ï x 41. 202 pp. (New&#13;
Edition.) Martin Secker. 2s.6d, n.&#13;
MILITARY.&#13;
British BATTLES : WATERLOO. By HilAIRE BELLOC.&#13;
64 X 44. 206 pp. S. Swift. 1s. n.&#13;
MISCELLANEOUS.&#13;
THE HANDBOOK FOR GIRL GUIDES, OR How GIRLS CAN&#13;
HELP BUILD THE EMPIRE. By AGNES BADEN-POWELL.&#13;
in Collaboration with LIEUT.-GENERAL SIR ROBERT&#13;
BADEN-POWELL, K.C.B. 67 x 41. 472 pp. Nelson.&#13;
18. n.&#13;
THE OCCULT SIGNIFICANCE OF Blood. An Esoteric&#13;
Study. By RUDOLF STEINER, PH.D, Vienna 7 x 4!.&#13;
48 pp. T. P. S. 6d, n.&#13;
08.&#13;
&#13;
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## p. 262 (#726) ############################################&#13;
&#13;
262&#13;
THE AUTHOR. .&#13;
MUSIC.&#13;
FIRST SUITE FOR PIANOFORTE, OP. 16. i. Prelude,&#13;
D Flat ; ii. Berceuse ; iii. Scaramouche (Tarantella). By&#13;
THEODORE HOLLAND, John Church Co.&#13;
VALSE 6 ASPHODEL." By THEODORE HOLLAND. John&#13;
Church Co.&#13;
MIGNONETTE. Dance Intermezzo, for Pianoforte or&#13;
Orchestra. By THEODORE HOLLAND. John Church Co.&#13;
THE WESTMINSTER HYMNAL. The Music Edited by&#13;
R. R. TERRY, 8 X 6. 410 pp. Washbourne. 38. 6d. n.&#13;
THEOLOGY.&#13;
THE HONOUR OF HIS NAME. By SIR ROBERT ANDERSON,&#13;
K.C.B. 8 X 57. 39 pp. Nisbet. 28. 6d.&#13;
MIRACLE AND HISTORY: A STUDY IN THE VIRGIN BIRTH&#13;
AND THE RESURRECTION. By the Rev.John HUNTLEY&#13;
SKRINE, D.D., Vicar of St. Peter-in-the-East, Oxford&#13;
• Bampton Lecturer in 1911. 8vo. 48 pp. Messrs. Long.&#13;
mans &amp; Co. Paper covers, 18. n.; cloth, 28. n.&#13;
NATURAL HISTORY.&#13;
WILD FLOWERS OF THE HEDGEROW. 93 pp. WILD&#13;
FLOWERS OF THE Woon, 95 pp. (WILD FLOWERS IN&#13;
THEIR HOMES.) By W. P. WESTELL. Illustrated by&#13;
C. F. NEWALL. Werner Laurie. 18, n.&#13;
A HISTORY OF BRITISH MAMMALS. By G. E. H.&#13;
BARRETT-HAMILTON. Part XI. June 1912. 10 X 6.&#13;
217—264 pp. Gurney &amp; Jackson. 28, 60, n.&#13;
TOPOGRAPHY.&#13;
THE ROYAL HOSPITAL AT CHELSEA. By LIEUT.-COL.&#13;
NEWNHAM-DAVIS. 98 x 74. 32 pp, Raphael Tuck.&#13;
18.&#13;
TRAVEL.&#13;
THROUGH GREECE AND DALMATIA. A Diary of Impres-&#13;
sions Recorded by Pen and Picture. By MRS. RUSSELL&#13;
BARRINGTON. 8.1 x 54. 263 pp. Black. 78. 60, n.&#13;
OUTFIT AND EQUIPMENT FOR THE TRAVELLER,&#13;
EXPLORER AND SPORTSMAN. Edited by E. A.&#13;
REYNOLDS BALL. Contributions from Sir Harry&#13;
Johnston, Douglas Sladen, “Wirt Gerrare," Ralph&#13;
Durand and others. Reynolds Ball's Guides, 27, Chancery&#13;
Lane, W.C.&#13;
ORIENTAL.&#13;
BURNING AND MELTING. Being the Sūz-u-Gudāz of&#13;
Muhammad Rizā Nau'i of Khabūshān. Translated into&#13;
English by MIRZA Y. DAWUD, of Persia, and ANANDA&#13;
K. COOMA RASWAMY, of Ceylon. The Story of a Hindu&#13;
Sati, in the Reign of Akbar. With three collotype&#13;
reproductions from an MS. in the British Museum.&#13;
8 X 51. Scarlet silk. Luzac. 68.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
PHILOSOPHY.&#13;
THE GATES OF KNOWLEDGE. By RODOLF STEINER,&#13;
Ph.D.Vienna. 78 X 5. 194 pp. Theos. Publ. Soc.&#13;
38. 6d. n.&#13;
POETRY.&#13;
THE LURE OF THE SEA. By J. E. PATTERSON. 9 x 58.&#13;
102 pp. Heinemann. 58. n.&#13;
VERSES BY THE WAY. By M. H. BOURCHIER. 58 pp.&#13;
Elkin Mathews,&#13;
THE CAP OF CARE. By JAMES E. PICKERING. 64 pp.&#13;
Fifield.&#13;
PHILISTIA AND A SOUL. A Poem by ALFRED E. KNIGHT.&#13;
338 pp. Macmillan &amp; Co.&#13;
THE WIDOW IN THE BYE STREET. By JOHN&#13;
MASEFIELD, 74 x 43. 97 pp. Sidgwick &amp; Jackson.&#13;
38. 6d. n.&#13;
POLITICAL&#13;
THE GROWTH OF FREEDOM. By H. W. NEVINSON.&#13;
94 pp. 64 X 41. Jack. 6d. n.&#13;
TRIPOLI AND YOUNG ITALY. By CHAPWORTH, in&#13;
Collaboration with Miss HELEN ZIMMERN. 87 x 53.&#13;
347 pp. S. Swift.&#13;
THE GREAT STATE ESSAYS IN CONSTRUCTION. By H. G.&#13;
WELLS, FRANCES EVELYN WARWICK, L. G. CHIOZZA-&#13;
MONEY AND OTHERS. 74 X 5. 379 pp. Harper. 68.&#13;
M ESSRS. MACMILLAN &amp; CO. have published&#13;
a second edition of " Aristotle's Constitu-&#13;
tion of Athens,” by Sir John Edwin Sandys,&#13;
Litt.D., F.B.A. The text, critical notes, testimonia&#13;
and commentary have been carefully revised, need.&#13;
less repetitions removed, and supplementary notes&#13;
inserted. About fifteen pages have thus been&#13;
added to the commentary and about the same&#13;
number to the Greek index. The introduction has&#13;
also been revised and supplemented. It ends with&#13;
an enlarged bibliography, showing that, since the&#13;
publication of the previous edition, the number of&#13;
writers of scattered articles on the text or subject-&#13;
matter has risen from 135 to 240.&#13;
“ The Lover's Calendar," compiled by Mrs. H.&#13;
Havelock Ellis, was published last month by&#13;
Mosors Koron Paul&#13;
Messrs. Kegan Paul &amp; Co.&#13;
Mr. Wynford Dewhurst has received intimation&#13;
from the Ministry of Fine Arts, Paris, of the&#13;
purchase by the French Government of one of his&#13;
pictures for the Luxemburg Gallery. It is a land-&#13;
scape with figures, and has been on view at the&#13;
Duand-Ruel Galleries, Paris.&#13;
The lecture on “ How to use the British Museum&#13;
Reading Room,” delivered on several occasions&#13;
during 1911-12 at the Museum by Mr. R. A.&#13;
Peddie, has now been revised and enlarged for&#13;
noblimation and will he jeened hr Mosors Crofton&#13;
publication, and will be issued by Messrs. Grafton &amp;&#13;
Co., 69, Great Russell Street, London, W.C., before&#13;
the end of the month in popular book form.&#13;
REPRINTS.&#13;
JUDE THE OBSCURE. 494 pp. THE RETURN OF THE&#13;
NATIVE. 485 pp. The Wessex Edition of the Works of&#13;
Thomas Hardy. 9 x 54. Macmillan. 78. 6d. n. each.&#13;
THE WAY OF INITIATION ; OR, HOW TO ATTAIN KNOW-&#13;
LEDGE OF THE HIGHER WORLDS. With a foreword&#13;
by ANNIE BESANT and some biographical notes of the&#13;
author by EDOUARD SCHURÉ ; RUDOLF STEINER, PH.D.,&#13;
Vienna." Third Edition. 78 x 5. 237 pp. Theos.&#13;
Publ. Soc. 38. 6d. n.&#13;
&#13;
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## p. 263 (#727) ############################################&#13;
&#13;
THE AUTHOR.&#13;
263&#13;
Mrs. Stanley Wrench's new novel “ Pillars of its ancient monuments and modern scenes, from&#13;
Smoke” was published last month by Messrs. John the aesthetic and picturesque side, rather than the&#13;
Long. It is a story of a woman's love and sacri- archaeologist or “guide-book ” point of view. The&#13;
fice, and in it the homely folk of the Midlands are object of the author has been to bring out the&#13;
sympathetically portrayed.&#13;
relation of Egyptian to other ancient and modern&#13;
Mr. Edward Booth has just completed a new art in a general sense, and to make a living record&#13;
novel which Mr. Arnold is to publish. The scene of what he has seen rather than a mere catalogue&#13;
is principally laid at a popular seaside resort called of dates and sites ; it is really a series of&#13;
“Spaforth.”&#13;
vivid impressions of much that is interesting,&#13;
Captain Harry Graham, author of “ The Perfect both old and new, in a singularly interesting&#13;
Gentleman," lately published by Mr. Edward country.&#13;
Arnold, wishes to point out that Mr. Somerset A translation into Swedish of Mr. W. L. George's&#13;
Maugham's new play of the same name is not a “A Bed of Roses" was this month issued by&#13;
dramatised version of his work, but is founded on Gebers, of Stockholm. Mr. George's first book,&#13;
Molière's play “ Le Bourgeois Gentilhomme." “Engines of Social Progress," has been sold to the&#13;
“ The Memoirs of Babur,” a new translation of Japanese Government to be translated and made a&#13;
the Babur-nama, incorporating Leyden and text book for their local authorities.&#13;
Erskine's of 1826 A.D., by Annette S. Beveridge, is Mr. J. C. Wright, author of “In the Good old&#13;
announced by Messrs. Luzac &amp; Co. This book Times," is publishing through Messrs. Headley&#13;
has been prepared because the earlier English Bros. a collection of articles that have appeared&#13;
translation (out of print) can now be revised by from time to time in well-known journals. The&#13;
the help of the Haidarabad Codex. It is hoped to title of the book will be “Life's Many Colours.”&#13;
follow it by an imprint of the Turki text, and thus A little book, with illustrations, compiled by&#13;
to facilitate the study of Turki in one of its classics. Miss Agnes Baden-Powell entitled “How Girls can&#13;
It is planned to include an introduction, notes, help Build up the Empire" (a concise course of&#13;
index and maps.&#13;
character training for girls of all classes), is now&#13;
Messrs. Lynwood &amp; Co., 12, Paternoster Row, ready and can be obtained from the Secretary,&#13;
have published “The Searchlight on the Throne," Girls' Guides Headquarters, 116, Victoria Street,&#13;
by A Peeress. The tale is a sequel to “ The S.W.&#13;
Shadow on the Purple," by the same author, Mrs. Theodore Bent and Mrs. Hobson, the wife&#13;
published by the same firm, and now in its fourth of the Rev. Chancellor Hobson, have devised a&#13;
edition.&#13;
series of maps for Bible teaching, which are being&#13;
Miss K. Everest's book of poems, “ The Dreaming published by Messrs. Keith Johnson. Instead of&#13;
Antinous," has been graciously accepted by Her all the names and boundaries mentioned being all&#13;
Majesty the Queen.&#13;
on one map, to the confusion of the scholars a&#13;
Mr. Arthur Dillon has aaded a satyric play to different map is used for each period, and the maps&#13;
his trilogy which Mr. Elkin Mathews is bringing can be bought fir 1s. each, separately, as wanted.&#13;
out; thus expanding his book to a complete They are 30 by 40 inches. In fact, they are&#13;
tetralogy, and attempting the full dramatic form of wonderfully cheap and distinctly printed, and will&#13;
the ancients.&#13;
prove invaluable in schools.&#13;
Mr. Rene Francis has just published “The “In the Footsteps of Richard Cæur de Lion "&#13;
Temptation of St. Anthony," and “ Egyptian is the title of a new book by Maude M. Holbach&#13;
Aesthetics," the first through Duckworth &amp; Co., (the author of “ Dalmatia - the Land where&#13;
and the second through Martin Secker.. The East meets West") just published by Messrs.&#13;
* Temptation " is a translation of Flaubert's well- Stanley Paul. Mrs. Holbach visited Palestine last&#13;
known work, but Mr. Francis has chosen the year with her husband to scudy the scenes of the&#13;
1849-1856 version, which was never published Third Crusade, and the volume is illustrated with&#13;
even in the original until 1908. This version has photographs by Mr. Holbach, and has a photo-&#13;
a special interest for Flaubertists in that it marks gravure frontispiece from the portrait of Richard at&#13;
what we may almost call the pre-Flaubert period. It South Kensington. The publication of this book&#13;
is in most striking contrast to the 1874 edition. The coincides with the winning of the Newdigate Prize&#13;
volume is precedel by a preface from the pen of by a poem on “ Richard I. before Jerusalem," by&#13;
Sir Gaston Maspero, also by an introduction by Wiliam Chase Greene, an American Rhodes scholar.&#13;
Monsieur Louis Bertrand, who edited the original; Another result of Mr. and Mrs. Holbach's visit to&#13;
it has notes by the translator and very full Palestine will be the publication a little later on&#13;
appendices of the authorities consulted by Flaubert by Messrs. Kegan Paul &amp; Co. of a book on “ Bible&#13;
in the prepararion of his book. The Egyptian Ways in Bible Land,” which is their joint&#13;
book is the result of several years' study of Egypt, work.&#13;
&#13;
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## p. 264 (#728) ############################################&#13;
&#13;
264&#13;
THB AUTHOR.&#13;
DRAMATIC.&#13;
Mr. Kineton Parkes has dramatised an episode&#13;
in his North Staffordsbire novel of seventy years&#13;
ago, “ Potiphar’s Wife.” The play is in one act, and&#13;
bears the same title as the story. Mr. Wilfrid&#13;
Eaton, who knows the North Staffordshire dialect,&#13;
customs and scenery well, intends to produce the&#13;
play in London shortly.&#13;
Sir Arthur Pinero's farcical romance “ The&#13;
Amazons ” was revived on June 14, 1912. It&#13;
is some twenty years ago since the date of the&#13;
original production of this piece. In the present&#13;
cast are Mr. Weedon Grossmith, Mr. Godfrey&#13;
Tearle. Mr. Dion Boucicault. Miss Pauline Chase.&#13;
and Miss Marie Löhr.&#13;
“Ann" by Lechmere Worrall was produced at&#13;
the Criterion on June 18. Ann is a transatlantic&#13;
lady journalist, and the main interest of the play&#13;
is her pursuit of a noted author, whom she&#13;
eventually brings down, after detaching him from&#13;
the lady to whom. more to oblige his parents than&#13;
for any other reason, he has become engaged&#13;
. The cast includes Mr. E. Holman Clark. Miss&#13;
Fay Davis, and Miss Renée Kelly.&#13;
PARIS NOTES.&#13;
Messrs Stanley Paul &amp; Co., published last month&#13;
Mr. Charles McEvoy's first novel “ Brass Faces."&#13;
Wladimia Cerricoff, the Russian pianist, intro-&#13;
duced Mr. Theodore Holland's suite for pianoforte&#13;
at his recital at the Æolian Hall on June 13.&#13;
“The Swelling of Jordan,” by Coralie Stanton&#13;
and Heath Hosken, is announced for early publica-&#13;
tion by the same publishers. A story in which&#13;
greed, a supposed murder, and love play important&#13;
parts.&#13;
Messrs. Novello &amp; Co. have issued a new and&#13;
revised edition of “ The Child's Primer of the&#13;
Theory of Music," by C., A., Webster; .A.M.,&#13;
author of “The Groundwork of Music." The&#13;
book is intended as a first step for pianoforte&#13;
pupils.&#13;
“Comrades Three," by Argyll Saxby, published&#13;
by Messrs. S. W. Partridge &amp; Co., is a tale of&#13;
Cornish boys in Canada.&#13;
“ Outfit and Equipment for the Traveller,&#13;
Explorer, and Sportsman," is a volume edited by&#13;
E. A. Reynolds Ball, intended primarily for&#13;
explorers, big game shooters, and travellers in&#13;
uncivilised or semi-civilised countries generally.&#13;
At the same time, it is hoped that it may also&#13;
prove of some service to pioneer-colonists, mis-&#13;
sionaries, prospectors, etc. Mr. Reynolds-Ball has&#13;
had in this work the co-operation of Sir H. H.&#13;
Johnston, Mr. F. C. Selous, Mr. Harry de Windt,&#13;
“Wirt Gerrare," and Cit. Payton (“Sarcelle ') who&#13;
have contributed chapters embodying experiences&#13;
in all parts of the globe. The volume is published&#13;
from 27, Chancery Lane, W.C.&#13;
Mr. Wilkinson Sherren's new novel, “ Windfrint&#13;
Virgin," will be published by Mr. Ham-Smith some&#13;
time in the early autumn. It is a love story of the&#13;
present day, related in a subsidiary way to some of&#13;
the feminist stir and stress of the period. Most of&#13;
the action takes place in London, though there are&#13;
a few country episodes.&#13;
“The Royal Road,” being the story of the Life,&#13;
Death, and Resurrection of Edward Hankey, of&#13;
London, is the name of a new novel by Alfred&#13;
Ollivant, author of “ Owd, B.A.," to be published&#13;
by Messrs. Methuen this autumn.&#13;
Mr. James Baker, F.R.G.S., has been invited by&#13;
the Lord Mayor of Prague to be the guest of the&#13;
“Golden City” for the celebrations connected with&#13;
the unveiling of the statue on July 1, to the&#13;
great Bohemian historian, Francis Palacky, a writer&#13;
whose work the Eoglish author has utilised in his&#13;
historical works and fiction, dealing with Bohemia&#13;
and her people. The celebrations last for four days,&#13;
and are linked with a great demonstration of the&#13;
National Sokol movement ; an atbletic and&#13;
gymnastic organisation that will have 12,000&#13;
members drilling at once, in the remarkable evolu-&#13;
tions and bodily exercises the Sokol has originated.&#13;
“ T ES Dieux ont Soif” is the title of the latest&#13;
U novel by Anatole France. The epoch is that&#13;
of the Revolution, and the theme more or&#13;
less the fickleness of a woman. We have a whole&#13;
series of pictures of those days of terror and madness,&#13;
and the author has chosen his types admirably. The&#13;
story has all the delicate irony to which Anatole&#13;
France has accustomed us in his books. Each&#13;
personage stands out in relief, and each one is&#13;
typical of a whole theory of human beings,&#13;
fashioned by the times. There is very little that&#13;
can be called ennobling in the volume. It is a&#13;
story that is of the earth earthy, but it is intensely&#13;
clever. Selection is carried to a fine art, as regards&#13;
incident, character and dialogue. There does not&#13;
appear to be a superfluous word in the whole book.&#13;
Each one carries, just as each gesture tells. It is&#13;
a clever but cruel novel, one that will remain in&#13;
the memory, thanks to the vividness of each picture&#13;
drawn. There are a few touches of tenderness to&#13;
relieve the cruelty, but only just enough of such&#13;
touches to make one wish for more.&#13;
The lectures which M. Jules Lemaître has been&#13;
giving this season on Chateaubriand are now&#13;
published in volume form. The lectures were witty&#13;
and brilliant, but the irony with which the subject&#13;
is treated is regrettable as the note is too frequent&#13;
and becomes irritating.&#13;
&#13;
&#13;
## p. 265 (#729) ############################################&#13;
&#13;
THE AUTHOR.&#13;
265&#13;
“Le Marquis René de Girardin," (Le dernier also to be given, and several other plays are being&#13;
ami de J. J. Rousseau) (1735—1808), is a book rehearsed.&#13;
written from hitherto unpublished documents by&#13;
ALYS HALLARD.&#13;
André Martin Decaen,, with a preface by André&#13;
Hallays.&#13;
“Les Dieux ont Soif” (Calmann Lévy).&#13;
“ Chateaubriand " (Calmann Lévy).&#13;
“ Chateaubriand, Ambassadeur à Londres,” is an&#13;
“Le Marquis Réné de Girardin" (Perrin).&#13;
account written by the Comte d'Antioche, from " Chateaubriand, Ambassadeur à Londres” (Perrin).&#13;
papers that bave never before been published.&#13;
“ Paris pous Louis XV." (Mercure de France).&#13;
* in Paris sous Louis XV.,” by Camille Piton, is the&#13;
" La Vie tragique de Geneviève” (Calmann Lévy).&#13;
"Pour une autre” (Bernard Grasset).&#13;
fourth volume on this subject by an author who is “ Une Philosophie nouvelle, Henri Bergson " (Alcan).&#13;
one of the best informed. In this volume we have “ The Guarded Flame" (Plon).&#13;
reports of the police inspectors annotated by Camille&#13;
Piton.&#13;
“La Vie tragique de Geneviève ” is a story so&#13;
UNITED STATES NOTES.&#13;
life-like that it resembles an episode taken from&#13;
life rather than an imaginary story. It is written TT is rather curious to find--in view of what I&#13;
by Louise Compain, the author of “L’un vers 1 wrote in the opening paragraphs of my last&#13;
l'autre," a book which won for its writer an “ United States Notes " about the suggested&#13;
Academy prize. “Les Femmes dans les organisa- motto for 1912, “ Fewer and Better Books ”-&#13;
tions ouvrières" is also written by Madame Com- that the American publishers have been com-&#13;
pain, and from this volume it is evident that plaining bitterly of the lack of good books, in the&#13;
the writer of “La Vie tragique de Geneviève” early part of this year at least. Apparently, how-&#13;
has seen much of the world she describes in this ever, it is rather of English than of American&#13;
volume.&#13;
works that they discovered the want. One of the&#13;
“ Pour une autre," by Marianne Damad, is the big firm's representatives went so far as to say, this&#13;
third volume by this writer. Jules Lemaître writes spring : “ There never was such a dearth of good&#13;
the preface to the present one. In these studies the books on the English inarket as at the present&#13;
author endeavours to show the effects produced by time, and never so many American publishers&#13;
the meeting of individuals of totally different rank absolutely hungry for good stuff as this year.&#13;
in the world. Her first book was entitled “Ren- Every leading American publishing house either&#13;
contres,” her second “ Chez Eux," and the present has or has had its representative in London looking&#13;
one is composed of a series of short studies, some of for saleable books, and most of them are simply&#13;
which have appeared in such publications as the having trouble for their pains." This is pretty&#13;
“ Revue des Deux Mondes,” the “ Journal des strong, it must be confessed. But, here is the&#13;
Debats,” and “L'Echo de Paris.” The story, testimony of another house's representative:&#13;
entitled “Un grand amour," is the most dramatic “ The spring list of English publishers is absolutely&#13;
of those contained in “ Pour une autre."&#13;
poverty stricken. It is lacking in any books of any&#13;
“ Une Philosophie nouvelle, Henri Bergson”. consequence. Usually the spring lists contain&#13;
by Edouard Le Roy, is another book which serves books of importance, historically or biographically,&#13;
as an introduction to Bergson's own works. but these are entirely missing this year.”&#13;
Some ten years ago Madame C. Coignet wrote one What have English publishers, and still more&#13;
of the best introductions to Bergson's works. English authors, to say to this?&#13;
Among translations, W. G. Maxwell's “ The However, it is not with the English work in&#13;
Guarded Flame” has at last appeared in French, America that we are here concerned, but with the&#13;
and will no doubt have more success in France native product of the United States. It cannot be&#13;
than most English novels, as the psychology said that there has been any noticeable falling off&#13;
contained in the volume will appeal to French in the numbers of books issued so far--though,&#13;
readers.&#13;
statistics not yet being available, we have to wait&#13;
At the Porte Saint-Martin “ La Flambée" is until the end of the year before we know whether&#13;
still on the bill, and L'Athenée is also still giving the figures have actually been maintained as they&#13;
“ Le Cœur dispose.” It has now had its 150th appear to have been. With regard to quality, if&#13;
representation.&#13;
we had to judge only by publishers' advertisements,&#13;
The Shakespeare Theatre is giving “ The Taming we might imagine that 1912 had already justified&#13;
of the Shrew" in French in the Saint-Cloud Park its claim to celebrity in literary annals. But,&#13;
once a week. The scenery has been designed by then, who pays much attention to the “puff pre-&#13;
M. Simas of the Opéra, and an ideal spot has been liminary” and the “ front page ad. ” as a guide&#13;
discovered with the trees meeting overhead and to literature ? Probably it will be realised, a year&#13;
forming a dome. The “ Merchant of Venice " is hence, that the first half of 1912 was humdrum&#13;
&#13;
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## p. 266 (#730) ############################################&#13;
&#13;
266&#13;
THE AUTHOR.&#13;
rather than epoch-making. Which is not the same year. Nor is H. S. Harrison's “Queed " far behind.&#13;
as denying that—to use the ugly commercial phrase The two last-named hare indeed had a long innings.&#13;
—some quite good stuff was put on the market in It is usually easy to say what is fiction and what&#13;
the period under notice. Otherwise I should feel is not. But it is by no means easy to classify&#13;
considerable diffidence in proceeding to mention accurately “non-fiction " under its proper sub-&#13;
the names of any authors below!&#13;
heads. Biography, even if taken to include auto-&#13;
The serried ranks of the novelists may be put in biography and reminiscences, is not over-well&#13;
the forefront as usual ; but once again I must represented among recent American publications.&#13;
disclaim any attempt to speak of all the works Mention must, however, be made of Professor Josiah&#13;
worthy of notice since I last wrote. Nor shall I Royce's “ William James,” which is the first and&#13;
try to arrange the names in any order of merit or principal item in a series of addresses delivered in&#13;
of popularity. Of all the following it may be said the past and now collected in book form ; of&#13;
that they both attracted attention and, according to “Marcus Alonzo Hanna, His Life and Work,” by&#13;
their publishers, sold well :-John B. Ellis's Herbert Croly, an attempt to draw the real Mark&#13;
“ Fran"; Lefroy Scott's “ Counsel for the Hanna ; and “The Philanthropic Work of&#13;
Defense"; Frederick Isham's “ A Man and Josephine Shaw Lowell,” edited by Professor&#13;
his Money ” ; the late Vaughan Kester's “ The Rhinelander Stewart, President of the New York&#13;
Just and the Unjust ” ; Maria T. Davies's “ The State Board of Charities. Then there are “ The&#13;
Melting of Molly ” ; Avery Abbott's “ Captain Reminiscences of James Burrill Angell," late&#13;
Martha Mary” ; Corra Harris's “ The Recording President of Michigan University; “Out of the Rut,&#13;
Angel ” ; Kate Langley Bosher's “ The Man in a Business Life Story," by John Adams Thayer ;&#13;
Lonely Land”; L. J. Vance's “ The Bandbox"; and “ The Promised Land,” by Mary Antin, a&#13;
G. C. Shedd's “ the Isle of Strife " ; Will Leving. Russian Jewess, who tells how she “discovered "&#13;
ton Comfort's “ Fate Knocks at the Door”; Owen America, like so many other young emigrants.&#13;
Johnson's “ Stover at Yale” ; C. A. Maclean's “The House of Harper," by Joseph Henry&#13;
“ The Mainspring ”; Samuel Merwin's “ The Harper, explains itself by its title ; and, besides,&#13;
Citadel” ; W. R. Castle's “ The Green Vase"; the book is well known in England by now, as well&#13;
Charles Egbert Cradock's “The Raid of the as on the other side of the Atlantic.&#13;
Guerilla ” ; John Reed Scott's “ The Last Try.” Under history we find “ The Contest for Cali-&#13;
The following may be grouped together as strong fornia in 1861 ” by Elijah R. Kennedy ; and&#13;
in local colour :-Frederick Palmer's “ Over the “American Colonial Government, 1696—1765,"&#13;
Pass” (Arizona); B. M. Bower's “ Lonely Land” by Oliver Morton Dickerson. Politics and social&#13;
(Montana) : Payne Erskine's “ The Mountain Girl” life in the United States are dealt with in “The&#13;
(North Carolina): Alice L. Lee's “ Capt'n Joe's New Democracy,” by W. E. Weyl; in “Social&#13;
Sister ” (Maine) ; J.O. Curwood's “ Flower of the Forces in American History," by A. M. Simons ;&#13;
North”. (Hudson's Bay); Anna A. Chapin's in “ Changing America," by Professor E. A. Ross,&#13;
“ The Under Trail ” (Virginia); and Mary R. author of " The Changing Chinese”; in “The&#13;
Bangs's “ High Bradford” (Cape Cod fifty years Initiative, Referendum, and Recall," edited by&#13;
ago). Gertrude Atherton has brought out “ Julia Professor W. B. Munro, with chapters by Colonel&#13;
France and her Times”; Mary E. Wilkins Free Roosevelt and others; and in "The Coming&#13;
man, “ The Butterfly House,” about which some Generation,” by W. B. Forbusb. Robert Grant's&#13;
of the critics freely express their disappointment; “Convictions of a Grandfather," which are cast in&#13;
and Reginald Wright Kauffman, “ The Sentence essay form, discuss the subject of the last book as&#13;
of Silence,” which displays more humour and less well as other family problems in America.&#13;
grim tragedy than he has hitherto given us. Two “The Tariff in Our Times,” which Miss Ida M.&#13;
volumes of short stories are Professor Brander Tarbell brought out originally in the American&#13;
Matthew's - Vistas of New York,” and Edna Magazine, is of course fiscal. “The American&#13;
Ferber's “Buttered Side Down."&#13;
Transportation Question,” by S. 0. Dunn, editor of&#13;
Dorothy Canfield's “ The Squirrel Cage” is on the Railway Gazette, is a volume of importance in&#13;
its way to becoming a “best seller ”-a distinction, its technical way.&#13;
by the way, which has already been attained by In “ A New Conscience and an Ancient Evil,"&#13;
"Counsel for the Defense” and “ The Mountain Miss Jane Addams (called by the London Times&#13;
Girl," mentioned above. The latest lists of best "easily the foremost woman in America '') discusses&#13;
sellers show the pride of place in fiction falling to bravely the white slave question, with particular&#13;
Gene Stratton Porter's “ The Harvester,” Meredith reference to Chicago, the city of such evil notoriety&#13;
Nicholson's “ A Hoosier Chronicle," Emerson in the matter.&#13;
Hough's “Jolin Rawn," and H. B. Wright's “ The A still wider human problem is dealt in V. L.&#13;
Winning of Barbara Worth,” which did so well last Kellog's “ Beyond War," which is intended as a&#13;
&#13;
&#13;
## p. 267 (#731) ############################################&#13;
&#13;
THE AUTHOR. .&#13;
267&#13;
Cameron Rogers, the Californian poet, is best&#13;
known as the author of “ The Rosary," a lyric&#13;
which, though known everywhere in its original&#13;
form or through translation, never profited him a&#13;
penny. At the end of the month the death&#13;
occurred, in the Far East, of the Rev. Dr. G. W.&#13;
Knox, for fifteen years a missionary in Japan, and&#13;
writer of numerous books on religion, on Japan,&#13;
and on the two subjects combined. At the&#13;
beginning of May Homer Davenport, animal story-&#13;
writer and cartoonist as well as breeder of Arabian&#13;
horses, succumbed to pneumonia in New York, and&#13;
Julia Harris May, poetess, died, at the age of 79,&#13;
in the Maine, of whose woods she sang. Another&#13;
Maine author, Dr. Willis Judson Beecher, of the&#13;
Auburn Theological Seminary, died about the same&#13;
time, only five years younger.&#13;
PHILIP WALSH.&#13;
COPYRIGHT IN A NEWSPAPER ARTICLE.&#13;
chapter in the natural history of mankind, and&#13;
preaches peace on biological grounds.&#13;
Among books of travel and description there&#13;
have been a number of more than transient interest.&#13;
Apart from Mabel Lomis Todd's “ Tripoli the&#13;
Mysterious," they are mainly concerned with things&#13;
at home. Noteworthy are “ The Yosemite," by&#13;
John Muir; “Travel and Camp in the Rockies,”&#13;
by Dillon Wallace; “ The Spell of the Rockies,” by&#13;
Enos A. Mills ; "Three Wonderlands of the&#13;
American West," by T. D. Murphy ; “The Pipe-&#13;
smoke Carry," by Bert Leston Taylor ; and “ The&#13;
Wonders of the Colorado Desert,” by G. W. James.&#13;
In the realm of the arts, Professor C. H. Wright&#13;
of Harvard (and also formerly of Trinity College,&#13;
Oxford) is the author of "A History of French&#13;
Literature.” Edward Bliss Reed, Assistant Professor&#13;
of English at Yale, is responsible for a work on&#13;
“ English Lyrical Poetry.” “On the Laws of&#13;
Japanese Painting” is the title of a book by&#13;
H. P. Bowie, who has long resided in Japan.&#13;
· A practical side of literature provides the material&#13;
for “ Copyright, its History and Law," from the&#13;
pen of Richard Rogers Bowker, editor of the&#13;
American Publishers' Weekly and Vice-President of&#13;
the American Authors' Copyright League, which is&#13;
the first work of its kind-dealing especially with&#13;
the American aspect of the question-for over&#13;
thirty years.&#13;
Probably not much attention is paid in England&#13;
to contemporary American verse, and perhaps&#13;
nothing very recent has called for particular atten-&#13;
tion. But in “ Hard Labour, and Other Poems,"&#13;
there is a certain rareness of flavour which merits&#13;
notice. The author is or was a convict in the&#13;
Minnesota State Prison.&#13;
The obituary, unhappily swelled by the awful&#13;
disaster to the Titanic, is rather large for the short&#13;
period under notice. In March died Ernest&#13;
Jarrold (“ Mickey Finn "), English by birth, but&#13;
American by life and training, a writer of short&#13;
stories and travel sketches and a regular con-&#13;
tributor to the New York Sun. Next month saw&#13;
the death, at the age of 90, of Clara Barton,&#13;
founder of the American Red Cross Association and&#13;
author of several works on the movement. The&#13;
Titanic wreck involved the loss of Francis Davis&#13;
Millet, painter and war correspondent for both&#13;
American and English journals ; of Ward Stanton,&#13;
likewise both an artist and a journalist ; and of&#13;
Jacques Futrelle, whose success with the detective&#13;
novel gained for him the name of the American&#13;
Conan Doyle. Futrelle's wife, whose first novel,&#13;
“ Secretary of Frivolous Affairs," appeared in&#13;
1911, happily escaped from the sinking ship.&#13;
Brigadier-General Farley, who died in South&#13;
Carolina at the age of 73, wrote a book on “West&#13;
Point in the Early Sixties” among others. Robert&#13;
WHITFIELD V. PROGRESSIVE NEWSPAPERS, LTD.&#13;
THE plaintiff, in this action, Mr. Lionel Whit-&#13;
1 field, sued the proprietors of the Weekly&#13;
T'imes and Echo for damages, for republishing&#13;
without his consent certain articles which he had&#13;
contributed to the paper in 1901.&#13;
The articles were written by the plaintiff under&#13;
an agreement made in 1898, by which he was&#13;
employed to contribute a weekly article on chess,&#13;
billiards, and draughts. The contract came to an&#13;
end in 1906, and when the defendants acquired&#13;
the paper in 1910 they proceeded to republish&#13;
some of the articles, which had been contributed by&#13;
the plaintiff under his agreement.&#13;
It was admitted that the defendants were the&#13;
owners of the copyright ; but under the peculiar&#13;
provisions of s. 18 of the Copyright Act, 1842, their&#13;
copyright was of a limited character. It is&#13;
expressly provided by that section that the news-&#13;
paper proprietor, under the circumstances of the&#13;
case, is not at any time entitled to publish the&#13;
articles " separately or singly ” without the author's&#13;
consent ; but the author has the right of publish-&#13;
ing them “in a separate form ” after the expiration&#13;
of twenty-eight years, from the date of their first&#13;
publication in the newspaper.&#13;
It was contended on behalf of the plaintiff,&#13;
that the defendants had published the articles&#13;
“ separately ” ; because the later issues of the&#13;
paper contained other matter than that which&#13;
appeared with the articles when they were originally&#13;
published in 1901.&#13;
On the other hand, it was submitted on behalf of&#13;
the defendants, that as the articles were republished&#13;
with other matter in the same journal, in which&#13;
&#13;
&#13;
## p. 268 (#732) ############################################&#13;
&#13;
268&#13;
• THE AUTHOR.&#13;
they first appeared, they were not "separately Act with respect to the deposit of copies and&#13;
published."&#13;
registration of such work shall have been complied&#13;
Mr. Justice Hamilton came to the conclusion with.”&#13;
that there had been a “separate publication," and The opinion of Judge Lacombe, in fall, reads :-&#13;
granted the plaintiff an injunction and 40s.&#13;
damages.&#13;
JUDGE LACOMBE'S OPINION.&#13;
It is clear that the words “separately ” and&#13;
“singly" are not synonymous, and according to This proceeding grew out of a transaction referred&#13;
the cases an article or story may be "published to in the decision on motion for preliminary injunc-&#13;
separately," although it is in a volume with other tion. The order to show cause included a restrain-&#13;
articles or stories. In the case of Johnson v. ing order or temporary injunction, and it is charged&#13;
Newnes, Mr. Justice Romer said :&#13;
that defendant published an account of Amundsen's&#13;
“ If you find in a volume separate parts, each journey to the South Pole, which was a colourable&#13;
distinguished or perfectly distinguishable from the copy of its copyrighted narrative.&#13;
other parts, and the volume is published, each part Many points have been argued, but it will not be&#13;
that is separate and clearly distinguished in the necessary to discuss them all.&#13;
volume is " separately published.”&#13;
The bill was verified March 8; it stated that&#13;
Similarly, in Smith v. Johnson, in 1863, where complainant “is about to file two complete copies&#13;
certain tales entitled " The Chronicles of Stanfield of the best edition when published.” The order&#13;
Hall ” were contributed to the London Journal, it to show cause and restraining order were signed&#13;
was held that the subsequent publication of the March 8, and were served on someone in the office&#13;
tales in a weekly supplement was a “separate publi- of the defendant about midnight the same day.&#13;
cation” within the meaning of s. 18 of the Very early in the morning of March 9 the publica-&#13;
Copyright Act.&#13;
tion of complainant's copyrighted narrative and of&#13;
HAROLD HARDY. defendant's paraphrase thereof appeared in their&#13;
respective newspapers. The two copies of the copy-&#13;
righted work were filed in the office of the Register&#13;
UNITED STATES LAW CASE.&#13;
of Copyright, Washington, D. C., on March 9, on&#13;
or after the opening of that office on that day.&#13;
On these facts the question arises, Was com-&#13;
(Printed with the kind permission of the Editor of the plainant entitled to maintain an action such as&#13;
United States Publishers' Weekly.)&#13;
this, when the order was served at midnight on&#13;
March 8?&#13;
JUDGE LACOMBE DECIDES THE TEMPORARY&#13;
The action is based upon the statute,&#13;
INJUNCTION IN THE “ TIMES” COPYRIGHT&#13;
and the answer to this question must be found in&#13;
SUIT WAS GRANTED PREMATURELY-COPY-&#13;
its provisions. Sect. I of the Act of March 4, 1909,&#13;
RIGHT ITSELF NOT AFFECTED.&#13;
provides :-&#13;
“ That any person entitled thereto by this Act&#13;
UDGE LACOMBE, in the Federal District may secure copyright for his work by publication&#13;
Court, denied the application of the New thereof with the notice of copyright required by&#13;
York Times Company for the punishment this Act," etc.&#13;
for contempt of the Star Company, publisher of the The bill shows that such a publication had been&#13;
New York American, for violating an injunction made before it was verified ; complainant thereby&#13;
granted by Judge Holt on March 8, restraining the had then secured its copyright.&#13;
publication of either the text or a colourable version Ownership of copyright and the vindication of&#13;
of Roald Amundsen's story of his discovery of the such ownership by suit are different things. The&#13;
South Pole, the copyright of which the Times had latter is provided for in sect. 12, which reads :-&#13;
purchased for the United States and Canada.&#13;
“That after copyright has been secured by publi-&#13;
The Court recognises that a valid copyright can cation of the work with the notice of copyright, as&#13;
be secured by publishing a work with a copyright provided in sect. 9 of this Act, there shall be&#13;
imprint (and was secured by the Times in the promptly deposited in the Copyright Office, or in&#13;
Amundsen narrative in the present case), but holds the mail, addressed to the Register of Copyright,&#13;
that the right to a copyright is distinct from the Washington, District of Columbia, two complete&#13;
right to maintain an action to enforce the same. copies of the best edition thereof then published.&#13;
The ruling against the validity of the temporary ... No action or proceeding shall be maintained&#13;
injunction was made under sect. 12 of the copy- for infringement of copyright in any work until&#13;
right law, which provides that “no action or pro- the provisions of the Act in respect to the deposit&#13;
ceeding shall be maintained for infringement of of copies and registration of such work shall have&#13;
copyright in any work until the provisions of this been complied with.”&#13;
&#13;
&#13;
## p. 269 (#733) ############################################&#13;
&#13;
THE AUTHOR.&#13;
269&#13;
The subject of statutory copyright being one “action or proceeding for the infringement of copy-&#13;
wholly within the powers of Congress, it had full right," and there is no apparent reason for constru-&#13;
power to restrict, in any way it chose, the main- ing the act so as to exempt such suits from the&#13;
taining of such actions or proceedings in the courts operation of the prohibition of sect. 12. No hard-&#13;
as are concerned with the subject of infringement ship to the owner of a copyright results from the&#13;
of the rights secured by such statute. A prohibi- construction here followed. At the time the person&#13;
tion so broad as this goes to the jurisdiction of the entitled to copyright publishes his work, with the&#13;
courts to entertain such actions or proceedings, and notice required, presumably he has copies of it in&#13;
if the prohibition were operative, when the injunc- his possession and could at once deposit in the mail&#13;
tion was served, the latter would be void because the two copies required, addressed as the statute&#13;
made in an action which could not be maintained prescribes. That act on his part would seem to be&#13;
and of which the courts could not have jurisdiction. a compliance with sect. 12, sufficient to entitle him&#13;
The papers submitted indicate that at midnight to maintain his action or proceeding. But until&#13;
of March 8, when the injunction was served, the he does this, the prohibition of that section is&#13;
two copies had not yet been “ deposited in the imperative.&#13;
Copyright Office, or in the mail, addressed to the Without considering the other questions presented,&#13;
Register of Copyright”; at that time, therefore, the application is denied.&#13;
this action or proceeding could not be maintained, The T'imes itself, in its discussion of the case,&#13;
and the injunction being issued in an action whose makes the important point that, if registration were&#13;
maintenance was prohibited, could be of no binding an essential formality to the initiation of an action&#13;
force.&#13;
at law, that there would result an interim of non-&#13;
Complaint refers to sects. 34, 35, and 36, which protection between the deposit of copies in the mails&#13;
read as follows :&#13;
and the necessary registration in Washington-an&#13;
“ Sect. 31. That all actions, suits, or proceedings interim that in the case of daily newspaper material&#13;
arising under the copyright laws of the United would be vital.&#13;
States shall be originally cognizable by the Circuit The Court, however, expressly held that this&#13;
Courts of the United States, the District Court of question was not involved, that the mere depositing&#13;
any Territory, the Supreme Court of the District of the books in the mails, addressed to the Register&#13;
of Columbia, the District Courts of Alaska, Hawaii of Copyright, accompanied presumably by application&#13;
and Porto Rico, and the Courts of first instance of for registration and affidavit of manufacture, suffices&#13;
the Philippine Islands.&#13;
to constitute a compliance with sect. 12. This&#13;
“Sect. 35. That civil actions, suits, or proceed- ignores the provision of that section with regard to&#13;
ings arising under this Act may be instituted in registration, possibly on the theory that only the&#13;
the district of which the defendant or his agent is acts required to be performed by the owner of the&#13;
an inhabitant or in which he may be found.&#13;
copyright must precede institution of the actiou.&#13;
“ Sect. 36. That any such court or judge thereof&#13;
shall have power, upon bill in equity filed by any&#13;
party aggrieved, to grant injunction to prevent and&#13;
restrain the violations of any rights secured by&#13;
A DANGEROUS CLAUSE.&#13;
said law, according to the course and principles of&#13;
courts of equity on such terms as said court or judge&#13;
may deem reasonable. Any injunction that may ROM time to time the Committee have urged&#13;
be granted restraining and enjoining the doing of T upon authors the danger of granting to pub-&#13;
anything forbidden by this Act may be served on lishers, in a contract for one book, the right&#13;
the parties against whom such injunction may be to publish future books on stated terms. Authors&#13;
granted, anywhere in the United States, and shall should not even grant the refusal of the publication&#13;
be operative throughout the United States, to be of future books to a publisher upon terms to be subse-&#13;
enforceable by proceedings in contempt or other- quently agreed, though this may not be so dangerous.&#13;
wise by any other Court or judge possessing juris- Articles have appeared in The Author demon-&#13;
diction of the defendants.”&#13;
strating how seriously clauses dealing with rights&#13;
It does not seem that this last-quoted section in in future books may hinder the author in his&#13;
any way qualified the prohibition of the twelfth career and affect his property before it is created.&#13;
section. The Court or judge is given express In most agreements drafted on these lines the&#13;
authority to grant an injunction to prevent a viola- author is only bound for a certain number of books,&#13;
tion of a copyright which has been secured by the though in one of the cases published in The&#13;
party aggrieved ; this injunction may be granted Author recently a clause proposed to bind the&#13;
upon a bill of equity—that is, in an equity suit. author for a period of seven years.&#13;
But such an equity suit is covered by the phrase In an agreement coming from the office of Messrs.&#13;
&#13;
&#13;
## p. 270 (#734) ############################################&#13;
&#13;
270&#13;
THE AUTHOR.&#13;
George Allen &amp; Co., Limited, a clause runs as tion of agents. The custom, if it is a growing one,&#13;
follows:-&#13;
must be opposed with all the vigour possible by&#13;
“ The Author shall give the publishers the first refusal&#13;
members of the Society of Authors.&#13;
of ". ..." and any future novels written by him. Should The reasons given by those publishers who are&#13;
he be able to obtain better terms for these than the terms the most just in their attitude towards authors, for&#13;
the Publishers suggest he shall offer the book to the desiring to bind authors for future work, are not&#13;
Publishers on the terms named to him by other publishers."&#13;
satisfactory. A publisher who has bound an author&#13;
This is a most inadvisable arrangement for an by such a clause, knowing that the latter is pledged&#13;
author to enter upon. The clause practically binds to him, may and does get careless in the matter of&#13;
the author to offer to the publisher during the publication. As long as he turns over his money&#13;
term of his literary life every novel that he may and gets a fair percentage he becomes quite&#13;
produce, and it is so worded that the author would indifferent to the author's success. If an author,&#13;
have great difficulty in obtaining release.&#13;
unshackled with regard to his future contracts, is&#13;
It is almost impossible for an author, at any rate treated well by bis publisher, he will be only too&#13;
in the present condition of the literary market, to glad to leave the publication of future works in that&#13;
go to a second publisher and say, “ What terms will publisher's hands. If an author is not treated well&#13;
you give me for my book ?” and at the same time by his publisher, then to be forced to place all his&#13;
to explain to that publisher that he cannot accept books with him, while convinced that he is an&#13;
the terms, however good, without referring the unsatisfactory man of buisness, is an intolerable&#13;
matter back again to the original publisher to position.&#13;
whom he is bound under such a clause as that All members of the Society must, once again, be&#13;
quoted.&#13;
warned not to sign any agreement binding them-&#13;
No doubt a second publisher might be willing to selves for future work, and must take special care&#13;
offer terms for the book were the author in a not to sign a clause drafted on the lines of the one&#13;
position of freedom, but he would not keep the offer quoted above.&#13;
open if he understood that he was being made use of&#13;
in order to give a competitor in the same trade a&#13;
chance of taking up the book on similar terms. If&#13;
MAGAZINE CONTENTS.&#13;
he was not told why his terms were sought he&#13;
would be receiving unfair treatment at the hands&#13;
ENGLISH REVIEW.&#13;
of the author, and of his fellow publisher whose A New Study of English Poetry. By Henry Newbolt.&#13;
work of discrimination he is discharging.&#13;
The Royal Academy. By Walter Sichert.&#13;
The clause, in most cases, would mean that the&#13;
Poetry: Arthur Symons, Ezra Pound, D. H. Lawrence,&#13;
L. Abercromby.&#13;
author who signed it would be bound to the same&#13;
publisher for the whole of his literary life, practically&#13;
NINETEENTH CENTURY AND AFTER.&#13;
unable to refuse any offer that that publisher placed Metrical Versions of the Odes of Horace. By Dr. R. G.&#13;
before him. The publisher has only to say, “I will Tyrrell.&#13;
Pauline de Beaumont. By Edith Sichel.&#13;
offer you 10 per cent. on the sales of your books,”&#13;
At the Salon and the Royal Academy. Ry H. Heath-&#13;
to obtain the writer for ever at this figure. If cote Statham.&#13;
the author refused such an offer, thinking he was&#13;
BLACKWOODS.&#13;
entitled to a higher royalty, he would then be bound, Musings Without Method. From Ibsen's Workshop.&#13;
under the clause in question, if he acted fairly to&#13;
BOOKMAN.&#13;
any other publisher before whom he laid the matter, Wilkie Collins. By A. Compton Rickett.&#13;
to state “I bave been offered a royalty-10 per&#13;
The Centenary of John Forster. By Berric Twede.&#13;
cent.—will you give me better terms ? but I must&#13;
Recent History. By T. Seccombe.&#13;
inform you that any offer you make must be referred&#13;
NATIONAL.&#13;
back to my former publisher to see if he will give&#13;
The “ Dugdale" Engraving of the Stratford Monument.&#13;
me similar or better terms.” Surely the answer&#13;
By Geo. Greenwood, M.P.&#13;
from the second publisher would be to decline to&#13;
SCALE FOR ADVERTISEMENTS.&#13;
make any offer, and the author would have to&#13;
accept the 10 per cent. royalty proposed by his (ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
original publisher. This would be a serious position Front Page&#13;
300&#13;
enough if it only referred to one or two books, but&#13;
it becomes disastrous when it refers to any future&#13;
novel that an author may write.&#13;
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## p. 271 (#735) ############################################&#13;
&#13;
THE AUTHOR.&#13;
271&#13;
HOW TO USE THE SOCIETY.&#13;
1. A VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
eure of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination.&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
6. The Committee bave arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to slamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro.&#13;
duction forms a part without the strictest investigation,&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor |&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. "It is above all things necessary to know&#13;
what the proposed rovalty means to both sides It in&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures conpected&#13;
with royalties are published in The Author,&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2. Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author.&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :-&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
with held.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:-&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the pi-ce by a certain dare&#13;
and for proper publication of his name on the&#13;
play-bills,&#13;
ERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
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## p. 272 (#736) ############################################&#13;
&#13;
272&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(o.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (1.2., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed-&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication,&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts. those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the bands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans-&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS. -&#13;
M EMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS, includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CYCENARIOS, typewritten in duplicate on foolscap paper&#13;
forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 28. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post,&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
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## p. 273 (#737) ############################################&#13;
&#13;
THE AUTHOR.&#13;
273&#13;
GENERAL NOTES.&#13;
The Editor of “The Author” begs to&#13;
remind Members that there is no issue of&#13;
the magazine during the months of August&#13;
and September. He has inserted this notice,&#13;
as letters from Members frequently come to&#13;
the office asking why the magazine has not&#13;
been sent to them during those months.&#13;
COPYRIGHT IN HOLLAND.&#13;
It is with great pleasure we hear that there is a&#13;
Bill before the Dutch Parliament to enable Holland&#13;
to join the Berlin Convention. Tbis is very satis-&#13;
factory, as Holland has been too long outside the&#13;
Convention of Continental nations. If the Bill is&#13;
passed into law we understand it will come into&#13;
force the beginning of August, but it is impossible&#13;
at present to say what will be the ultimate result.&#13;
If the Bill does pass into law, it will afford a very&#13;
important protection to the property of English&#13;
copyright holders, as much English work is at&#13;
present published in Holland, and many dramatic&#13;
pieces performed there.&#13;
in order to secure their rights. Hitherto, the&#13;
dramatist has had, in addition to his Common&#13;
Law rights in his work, two distinct rights under&#13;
the Statute, (a) copyright, or the sole right of&#13;
multiplying copies, and (b) performing right, or&#13;
the sole right of authorising performances. The&#13;
former was secured by publication and the latter by&#13;
a public performance. These performances often&#13;
proved a source of much trouble and expense to&#13;
the dramatist, and, in many cases, of very little&#13;
pleasure to his friends who made up the audience.&#13;
These three rights (Common Law, copyright, and&#13;
performing right) are now included in the term&#13;
“copyright,” which is defined by the Act as the&#13;
sole right “to produce or reproduce the work or&#13;
any substantial part thereof in any material form&#13;
whatsoever, to perform, or in the case of a lecture&#13;
to deliver, the work or any substantial part thereof&#13;
in public ; if the work is unpublished, to publish&#13;
the work or any substantial part thereof." There&#13;
are certain subsidiary rights existent in the&#13;
copyright, such as rights of translation, mechanical&#13;
reproduction rights, which are dealt with in the&#13;
Act, but for the purpose of the present note, all we&#13;
desire to impress upon the dramatist is, that his&#13;
copyright starts immediately he has finished his&#13;
play, and he is able, in consequence, to proceed&#13;
against anyone making wrongful use of his&#13;
work either before, or after publication or per-&#13;
formance.&#13;
COPYRIGHT ACT, 1911.&#13;
We print, as a supplement to this issue of The&#13;
Author, the Statutory Rules and Orders issued by&#13;
the Board of Trade with reference to sect. 3 and&#13;
sect. 19, sub-sect. 6, of the Copyright Act, 1911.&#13;
We publish these as a supplement so that members&#13;
may be able to retain them separately from the&#13;
magazine in case they wish to do so. It will, no&#13;
doubt, be of great importance to many of our&#13;
members to have these copies. It is too early, yet,&#13;
to speak with certainty on the point of how these&#13;
rules and regulations will work. The most im-&#13;
portant are those relating to the composer's property&#13;
and the compulsory reproduction license. If this&#13;
mechanical reproduction is kept in the hands of a&#13;
few firms the rules may work efficiently, but if&#13;
such reproduction becomes cheapened, as is quite&#13;
possible, by pianola records and by future inven-&#13;
tions, and gets into the hands of smaller concerns&#13;
or even pirates, there will be no guarantee that the&#13;
·authors' or composers' royalties will be secured. At&#13;
present, howerer, all that can be done is to wait&#13;
and see.&#13;
THE GRAMOPHONE.&#13;
We have mentioned the position which the&#13;
cinematograph is taking in the matter of education&#13;
and educational problems; but it is also true that.&#13;
the gramophone is going to play no unimportant&#13;
part. Many records are being produced, designed&#13;
to teach French and other foreign languages, and&#13;
it is quite certain that at no distant date the&#13;
lectures of celebrated professors will also be given&#13;
to pupils through the same methods.&#13;
Under the new Copyright Act it is therefore of&#13;
great importance that writers of technical books&#13;
and lecturers on educational subjects should be&#13;
careful that their rights are not infringed.&#13;
IRELAND AND COPYRIGHT LEGISLATION.&#13;
We are glad to notice that the Home Rule Bill&#13;
leaves the question of copyright legislation with the&#13;
Imperial Parliament, and that Irish self-government&#13;
will not include the right to legislate on the subject&#13;
of copyright. This limitation is a very wise one,&#13;
as the difficulties which might have ensued, par-&#13;
ticularly in regard to International copyright&#13;
relations, if Ireland had been permitted separate&#13;
DRAMATIC RIGHTS.&#13;
We desire to remind dramatic authors that,&#13;
under the new Copyright Act, copyright per-&#13;
formances of their plays are no longer necessary&#13;
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## p. 274 (#738) ############################################&#13;
&#13;
274&#13;
THE AUTHOR.&#13;
copyright legislation, would have been a source of Authors can be of any assistance the Committee of&#13;
much trouble to the owners of copyright property, Management will only be too willing to work in&#13;
both in Ireland and in other parts of the kingdom. harmony with the American society.&#13;
We wish it had been possible when passing the&#13;
Act of 1911 to have made the same reservation&#13;
with regard to the Colonies.&#13;
BIRTHDAY HONOURS.&#13;
WE must congratulate those members of the&#13;
society who have received the King's birthday&#13;
THE AMERICAN SOCIETY OF AUTHORS. honours.&#13;
Professor Waldestein, now Sir Charles Walde-&#13;
It is with great pleasure we record the fact stein, late Head Professor of Fine Art, Cambridge,&#13;
that American authors have at last decided to and for many years connected with the excavations,&#13;
organise themselves into a society founded on the not only in Greece but also in Italy : Mr. Edmund&#13;
model in some ways of our own society, and the Gosse, C.B., the librarian of the House of Lords,&#13;
Société des gens de Lettres. As our society, who was one of the original members of the society,&#13;
basing itself to some extent on the lines of the and has been on the council since its foundation ;&#13;
Société des gens de Lettres differs from it in certain Mr. Marc Auriel Stein, now Sir Marc Auriel Stein.&#13;
details, no doubt, the American Society will, again, K.C.I.E., whose explorations in Central Asia have&#13;
differ from the societies whose action it purposes&#13;
extended over many years, and whose latest dis-&#13;
to follow. It purposes to include, as our society&#13;
coveries have only this year been placed before the&#13;
endeavours to include, not only writers and&#13;
public; and Mr. Andrew Balfour, G.C.B., Director of&#13;
dramatists, but also composers and, perbaps, Government Research Laboratory in the Gordon&#13;
artists as far as they are illustrators of books. Memorial College, Khartoum.&#13;
We are glad to think that the moving spirit in&#13;
forming the organisation is Mr. Louis J. Vance,&#13;
the author of “The Brass Bowl” and “ The Black&#13;
Bag.” Mr. Vance was over in England some years&#13;
ago and joined the Society of Authors. He was&#13;
OBITUARY.&#13;
impressed with the methods of the society, and has&#13;
done a good deal to help the society by rendering&#13;
it efficient information on questions that have&#13;
HENRI MOREL.&#13;
arisen in the United States.&#13;
TT is with deep regret that we record the death&#13;
The American Society does not propose to be a 1 at Bex, on May 18 last, of M. Henri Morel,&#13;
social body in any way, and we think this action is Director of the International Bureau for the&#13;
very wise; it is to be a business body, pure and simple, Protection of Literary and Artistic Works, a man&#13;
and if it is thoroughly well organised as such is who merited the regard of authors of all nations.&#13;
bound to succeed. Amongst those who have given M. Morel presented an instance of a man who rose&#13;
the Society their support, the following are mem- from humble beginnings. Originally an engraver,&#13;
bers of the Society of Authors :-Ellen Glasgow, he entered public service first in the Swiss Canton&#13;
Harvey J. O'Higgins, Louis J. Vance, Langdon of Neuenburg. Later he was engaged as a railway&#13;
· Mitchell, and Miss Kale Douglas Wiggin. If such official ; and then, having turned his attention to&#13;
a society is successful it is impossible to gange the law, became a barrister. Thereafter he was in turn&#13;
advantage and assistance that it may be to our Chief Judge at La Chaux-de-Fonds, member of the&#13;
society. Confidential reports can be sent back- Neuenburg Cantonal Court, and President of the&#13;
wards and forwards, and matters dealing with Criminal Court. Upon the foundation (in a some-&#13;
members' property on both sides of the water can what summary fashion) of the international Bureau&#13;
be discussed with a view to strengthening the of Industrial Property in 1884. M. Droz was&#13;
position of the owners of that property. In appointed as the first director, and when at the&#13;
addition, it may be possible, subject to some end of 1887 there was adjoined to this institution&#13;
financial arrangement, for each society to carry a new bureau, that for the International protection&#13;
through in its respective country the work of the of copyright, the necessity of some more complete&#13;
other society for its members. It, no doubt, will organisation becoming apparent, M. Morel was&#13;
be of great advantage also to those who have got appointed, with the title of “Secretary General,"&#13;
markets on both sides of the Atlantic to be members to work under M. Druz. Five years later, in 1892,&#13;
of both societies if the organisation for carrying out he was appointed director. His post was, at the&#13;
the business is efficient and reliable.&#13;
outset, one of considerable difficulty, and demanded&#13;
We wish Mr. Vance and his confrères every unusual tact. International offices were a novelty,&#13;
success, and feel confident that if the Society of and regarded in some quarters with mistrust, and&#13;
&#13;
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## p. 275 (#739) ############################################&#13;
&#13;
THE AUTHOR.&#13;
275&#13;
in others with antipathy. M. Morel showed that tingent in the words and music of my song entitled&#13;
he fully appreciated bow delicate was his position, "&#13;
"it being understood that I receive a royalty of&#13;
per copy on all sold of the same in Great Britain,&#13;
and that he possessed also the abilities necessary&#13;
Ireland, and the Colonies (13 copies to count as 12), also&#13;
to cope with its perils. The consolidation of both five per cent. on the market price of all copies sold in the&#13;
the unions over which he presided was principally United States ; 200 copies in both countries to be free for&#13;
due to his discretion and his excellent influence.&#13;
novelty purposes."&#13;
In the numerous conterences in which he took part,&#13;
“Any royalties obtained on the sale of gramophone&#13;
records or similar mechanical reproductions. in all&#13;
the clearness of his mind, his tact, his extensive countries to be equally divided between composer and&#13;
knowledge, and his personal charm, were universally publisher."&#13;
appreciated. He was wont in jest to call himself&#13;
"an international pointsman." The Conference of It is hardly necessary to comment on the absurdity&#13;
Berlin may be described as the last great effort of of this bargain from the composer's standpoint.&#13;
bis life. It was one that appears to have overtaxed The one party assigns all his rights and the other&#13;
his strength, for after it his forces began to fail party undertakes no responsibility except the bare&#13;
visibly. He suffered less, however, from the responsibility of publication, subject to a royalty.&#13;
malady that was overpowering him than from a It has been so often repeated in The Author that&#13;
regret that he was unable to continue his labours. a composer should not assign his rights, either&#13;
It had been always his ambition to die in harness. his performing right or his copyright, but should&#13;
Circumstances forbade his accomplishing his wish; only grant a licence to perform and publish, that&#13;
and. on April 1 last, he found himself com- it is hardly worth while to repeat the warning&#13;
pelled to resign his directorship. His name must again, or give the reasons for it. So important, how&#13;
be inserted among those of the workers whose toil ever, is the matter that the Committee of Manage-&#13;
has been long and beneficial to mankind. This is ment included a long statement of the danger of&#13;
the only praise and the only recompense that he&#13;
this assignment in last year's report, which was&#13;
ever desired.&#13;
sept out to all the members of the Society. Under&#13;
the agreement printed above, which is one of&#13;
the usual pattern, the publisher, with a view no&#13;
COMPOSERS' AGREEMENTS.&#13;
doubt to the new Copyright Act which will come&#13;
into force this month, is trying to claim more than&#13;
the copyright and performing right, namely, a&#13;
COME two years ago the Society of Authors was portion of the gramophone fees. This side of&#13;
D approached by a firm of music publishers who the question has also been discussed by the Com-&#13;
desired to arrange an agreement more equi. posers' Sub-Committee, who deemed it advisable&#13;
table to composers than the usual document placed to have the following notice published in the daily&#13;
before them by the best music publishers in papers :&#13;
London. The matter was referred by the Com-&#13;
The Incorporated Society of Authors and the Society&#13;
mittee of Management to the Copyright Sub-&#13;
of British Composers desire to direct the attention of all&#13;
Committee. An agreement was put forward, many the composers in the United Kingdom to their powers&#13;
meetings were held, and after full discussion à and rights in regard to the mechanical reproduction of&#13;
contract was finally settled which was approved by&#13;
their works, as defined by the Copyright Act of 1911,&#13;
which declares that the Composer has the sole right to&#13;
the Committee of Management and printed, with&#13;
authorise or prohibit the making of any mechanical&#13;
comments, in The Author of May, 1910.&#13;
reproduction of his compositions. No matter what assign.&#13;
Another firm has approached the Society and ment of mechanical rights the composer may have made&#13;
declared its willingness to put forward an equi-&#13;
before the passing of the Act, the Act annuls such an&#13;
assignment, and confers solely upon the composer all&#13;
table agreement. This contract has been submitted&#13;
royalties derived from such mechanical rights. In order&#13;
to the Copyright Sub-Committee, and after some to make the latter part of this statement quite clear,&#13;
negotiation the agreement printed below was section 19, sub-section 7 (c) of the Act should be quoted in&#13;
settled. The Committee of Management desire to&#13;
full:--.&#13;
give their approval to this document not because&#13;
“Notwithstanding any assignment made before the&#13;
passing of this Act of the copyright in a musical work,&#13;
it is a perfect contract between composer and any rights conferred by this Act, in respect of the making,&#13;
publisher but because it is far in advance of the or authorising the making, of contrivances by means of&#13;
usual music publishers' agreement, as may be seen&#13;
which the work may be mechanically performed shall&#13;
by reading the following, which may be called the&#13;
belong to the author or his legal personal representatives&#13;
and not to the assignee, and the royalties aforesaid shall be&#13;
prevalent method for the disposal of much musical payable to, and for the benefit of, the author of the work&#13;
work.&#13;
or his legal personal representatives."&#13;
From this it is obvious that the music publisher has no&#13;
“In consideration of the sum of Pounds paid to locus standi whatever in the matter, and he has no more&#13;
me this day, I hereby agree to assign to&#13;
the right to decide upon a division of the composer's royalties&#13;
whole of my rights and interest, present, future and con- than upon a division of any other of his private property.&#13;
&#13;
&#13;
## p. 276 (#740) ############################################&#13;
&#13;
276&#13;
THE AUTHOR.&#13;
It is certain that agencies for the collection of com-&#13;
posers' royalties, for a reasonable consideration, will come&#13;
into existence. It is, therefore, strongly impressed upon all&#13;
composers :-&#13;
1. Not to part with the property which is exclusively&#13;
theirs by Act of Parliament.&#13;
2. Not to employ any agent or agencies without careful&#13;
enquiry into their financial position and stability:&#13;
3. Not to enter into any contract for sheet publication&#13;
which contains any conditions whatsoever with regard to&#13;
their rights of mechanical reproduction.&#13;
THE SUGGESTED AGREEMENT.&#13;
The following agreement has been submitted to&#13;
the society by Messrs. J. Curwen &amp; Sons, with&#13;
whose permission we are enabled to print it. It&#13;
will be seen to contain the principle of the licence&#13;
in place of the highly objectionable total surrender&#13;
of all rights.&#13;
MEMORANDUM OF AGREEMENT made this day of&#13;
one thousand nine hundred and between&#13;
of&#13;
hereinfter called the Composer&#13;
of the one part and J. Curwen &amp; Sons Limited of 24&#13;
Berners Street London W. hereinafter termed the Pub.&#13;
lishers of the other part whereby it is mutually agreed&#13;
between the parties hereto for themselves and their&#13;
respective heirs administrators and assigns as follows :&#13;
1. Assignment of licence to publish.—That in consideration&#13;
of the hereinafter mentioned payments and subject to the&#13;
termination clauses hereinafter mentioned the Composer&#13;
hereby agrees to sell and assign to the Publishers an&#13;
exclusive licence during the whole period of the copyright&#13;
(including any renewals and extensions thereof) to print&#13;
publish and sell copies of the composition of the Composer&#13;
at present intituled&#13;
hereinafter called&#13;
the Work or of any part thereof in Great Britain and&#13;
Ireland her Colonies and Dependencies and further agrees&#13;
that during the currency of this agreement neither himself&#13;
nor his heirs executors cr assigns shall print or publish&#13;
any copies of the said Work or any part thereof or of any&#13;
adaptation or arrangement thereof within the said limits&#13;
and shall sell only such copies as are obtained from the&#13;
Publishers and the Publishers shall not publish any&#13;
arrangement of alteration in or variation in or of the&#13;
music of the said Work without the consent in writing of&#13;
the Composer. But subject to the rights hereinbefore&#13;
granted the Composer retains the copyright and per-&#13;
forming rights of the Work.&#13;
2. Publication.—The Publishers shall bear the whole&#13;
cost of printing publishing and advertising the said Work&#13;
and shall use their best endeavours to print and publish&#13;
the said Work within months of the date of this&#13;
agreement and to sell copies of the same in accordance&#13;
with their usual course of business.&#13;
3. Form and price.--The Publishers shall issue the Work&#13;
in form at the price of&#13;
or if occasion&#13;
requires in such other form or at such other prices as may be&#13;
mutually agreed between the Composer and the Publishers.&#13;
The general management of the production publication&#13;
reprinting and sale of the Work shall be left to the judg.&#13;
ment and discretion of the Publishers.&#13;
4. American Copyright.-The publishers shall print on&#13;
each copy of the Work the notice required by law of the&#13;
reservation of copyright in the United States of America&#13;
and shall on publication of the Work duly deposit the&#13;
necessary copies and enter the copyright in the Copyright&#13;
Office at Washington.&#13;
5. Performing Right.- If required in writing by the&#13;
Composer before the signing of this agreement the Pub-&#13;
lishers shall comply with the provisions of the law relating&#13;
to notice of reservation of performing rights.&#13;
6. Satutory Copies.--The Publishers shall provide and&#13;
deposit the copies required by statute for the public&#13;
libraries.&#13;
7. Payment of Royalties.-- The Publishers shall pay the&#13;
Composer his heirs executors or assigns a royalty of of&#13;
the full published price of all copies sold in either notation&#13;
thirteen copies being counted as twelve but no royalty&#13;
shall be paid to the Composer on complimentary copies&#13;
given to him or on copies given away for the purpose of&#13;
advertisement.&#13;
8. Statement of Account.-The publishers shall make up&#13;
the statement of accounts annually to the 31st day of May&#13;
in each year and shall render the account and pay the&#13;
Composer the amount due within three calendar months&#13;
from the said date.&#13;
9. Copies for Composer: -- The Composer shall be sup-&#13;
plied with copies of the Work for his personal use at the&#13;
full trade discount.&#13;
10. Work not a violation of other rights.—The Composer&#13;
guarantees to the Publishers that the said Work is an&#13;
original work and is in no way whatsoever a violation of any&#13;
copyright belonging to any other person or persons&#13;
partnership firm or incorporated company and that it&#13;
contains nothing of an objectionable or libellous character&#13;
and agrees that he and his legal representatives shall and&#13;
will hold harmless and keep indemnified the Publishers&#13;
from all suits and all manner of claims proceedings and&#13;
expenses which may be taken or incurred on the ground&#13;
that the said work is such violation or contains anything&#13;
objectionable or libellous.&#13;
11. Prvofs.-The Composer undertakes to correct the&#13;
proofs of the Work within fourteen days of their receipt.&#13;
And should he fail to do so then the Publishers shall be at&#13;
liberty to make such corrections as they shall consider&#13;
necessary.&#13;
12. Infringements.--If either party has reasonable cause&#13;
for believing that the copyright in the said composition&#13;
has been infringed he or they shall give immediate notice&#13;
to the other party. If the Composer takes proceedings&#13;
in respect of the infringement and if the Publishers desire&#13;
to be joined in the action they may give written notice&#13;
to the Composer to that effect and on an undertaking on&#13;
their part to pay an equal sbare in the entire cost of the&#13;
litigation the Composer shall join them as parties. In such&#13;
case the Composer shall diligently prosecute the action&#13;
but shall retain control of the proceedings and may make&#13;
any reasonable settlement with the defendants in the&#13;
interests of Composer and Publishers and the damages if&#13;
any recovered shall be firstly applied in payment of costs&#13;
and if there is any surplus shall be divided equally between&#13;
Composer and Publishers. If the Composer after the&#13;
infringement has come to his notice refuses or neglects&#13;
to take proceedings in respect thereof the Publishers sball&#13;
be entitled to take proceedings and on giving the Composer&#13;
a sufficient and reasonable indemnity against liability for&#13;
costs shall be entitled to use the Composer's name as a&#13;
party to such proceedings. In such case the Publishers&#13;
shall retain control of the proceedings and may make any&#13;
reasonable settlement in the interests of Composer and&#13;
Publishers and the damages if any recovered shall be&#13;
firstly applied in payment of costs and if there is any&#13;
surplus shall be divided in the proportion of one-third to&#13;
the Composer and two-thirds to the Publishers.&#13;
13. Termination of licence by publishers' liquidation.-&#13;
In the event of the Publishers going into liquidation the&#13;
licence hereunder to make print publish and sell shall&#13;
cease from the date of the winding-up order but in the&#13;
event of the Publishers reconstructing their company or&#13;
amalgamating themselves with another company or&#13;
&#13;
&#13;
## p. 277 (#741) ############################################&#13;
&#13;
THE AUTHOR.&#13;
277&#13;
firm the Composer bis heirs executors or assigns shall too, that under tbe Act of December, 1911, copy.&#13;
without further consideration grant a licence in similar right means much more than it did under the old&#13;
form to such reconstructed or other company or firm&#13;
unless he states in writing his objection to the nature of&#13;
Act, where the rights were divided ; and, although&#13;
the reconstruction or amalgamation. And in the event of the suggested agreement in its first clause gives the&#13;
his making such statement of objection he shall not make exclusive licence during the whole term of copy-&#13;
an agreement with any other publisher whereby he shall&#13;
right, this licence is very strictly limited in the&#13;
be entitled to receive higher royalties or any larger&#13;
other clauses.&#13;
remuneration than that to which he is entitled under this&#13;
agreement.&#13;
The position of the composer is not under this&#13;
14. Termination of licence by notice. If the Publishers agreement one of absolute freedom, such as may be&#13;
shall at the end of three years from the date of publication&#13;
looked for in the future, but his more advantageous&#13;
or at any time thereafter give written notice to the&#13;
Composer that in their opinion the demand for the Work&#13;
attitude will appear on further consideration. If he,&#13;
has ceased or if the publishers shall have at any time under the usual agreement, assigns his copyright, then&#13;
allowed the same to be out of print or off the market for a the publisher can publish any arrangement or altera-&#13;
period of not less than six calendar months and shall&#13;
tion of the music so long as such arrangement or&#13;
receive written notice from the Composer to that effect&#13;
then if within three months of such written notice having&#13;
alteration does not amount to a libel on the com-&#13;
been received by either party as the case may be the poser's reputation. Under Messrs. Curwens' agree-&#13;
Publishers do not print an edition or use the ordinary ment the publisher is absolutely forbidden to do&#13;
methods for putting the work again on the market the&#13;
so, and it is expressly stated that the composer&#13;
licence hereunder to make print publish and sell shall&#13;
retains the copyright and the performing right in&#13;
cease.&#13;
15. In the event of the cesser of this licence under the work and, in consequence, he would also retain&#13;
either of the preceding clauses of this agreement the any fees that come to him from reproduction on&#13;
Composer shall have the option of purchasing the plates of&#13;
mechanical instruments, which are his under the&#13;
the said Work and all unsold copies at an agreed valuation.&#13;
Provided that if the Composer does not exercise that&#13;
Act of 1911—for he does not undertake to sell or&#13;
option within three months of the cesser of the said licence assign these to the publisher in any part of the&#13;
the Publishers may at any time thereafter dispose of such agreement. The publisher is also limited with&#13;
plates and copies as they may think fit.&#13;
regard to country, so that no publication can be&#13;
16. Execution of further assurances.--- The Composer&#13;
made in America or abroad. The composer can&#13;
agrees for himself his heirs executors and assigns to execute&#13;
such further assurances of the premises hereby assigned as either enter into a contract direct with a foreign&#13;
may reasonably be required.&#13;
publisher, or make a fresh arrangement with&#13;
17. Throughout this agreement words denoting the male the English publisher. Under clause 3 the pub-&#13;
gender shall be held to connote the female gender.&#13;
18. Interpretation.--This agreement wherever made shall&#13;
lisher is further limited in his rights to print,&#13;
be construed according to English law.&#13;
publish and sell both as to the format in which the&#13;
As Witness the band of the Composer and the hand of&#13;
work is to be produced and as to the price at&#13;
on behalf of the Publisher the day and which it is to be sold. No alterations can be made&#13;
year first above written.&#13;
in the format or price without mutual agreement.&#13;
Signature of Composer. This clause is a most satisfactory clause from the&#13;
composer's point of view.&#13;
Witness to the above signature.&#13;
Clause + is also satisfactory as the publisher is&#13;
Name.&#13;
thereby bound to add words necessary to reserve&#13;
Address.&#13;
the copyright in the United States, and bound to&#13;
go through the necessary technicalities to secure&#13;
Occupation.&#13;
the copyright in that country. As most composers&#13;
Signed for J. Curwen &amp; Sons Limited,&#13;
know, the printing of music in the l'nited States is&#13;
Director,&#13;
not essential under the l'nited States Act.&#13;
Witness to the above signature.&#13;
Clause 5, under the Act of 1911, will be&#13;
ineffective and can be taken out of the agree-&#13;
Name.&#13;
ment when that Act comes into force.&#13;
Address.&#13;
Clauses 6, 7, 8, 9, 10 and 11 may pass with but&#13;
little comment. It is true that in inost cases it is&#13;
Occupation,&#13;
satisfactory to have semi-annual accounts, but an&#13;
The Composer should note that he has the right at&#13;
exception was made in this special agreement by&#13;
common law to inspect the books of the Publishers which&#13;
refer to his Works published under this agreement.&#13;
the Copyright Sub-Committee after discussion of&#13;
the point with Messrs. Curwen &amp; Sons.&#13;
The Committee of Management recognise the Clause 11 is almost identical with the clause&#13;
first clause of the agreement as being a great which stands in the agreement which was before the&#13;
advance. It does away with the transfer of copy. Committee in May, 1910, the view of the composer&#13;
right demanded by the document printed at the and the publisher being that the corrections&#13;
beginning of this article. It should be mentioned, necessary would be mere printer's errors.&#13;
&#13;
&#13;
## p. 278 (#742) ############################################&#13;
&#13;
278&#13;
THE AUTHOR.&#13;
Clause 12 is rather complicated, but this is due in making a move to enter the Copyright Union,&#13;
to the intention of being very inclusive in the pro- and is proposing such a revision of the national&#13;
visions. It will not be so important under the Act copyright law as shall make this step possible.&#13;
of 1911.&#13;
The projected statute is presented in an official&#13;
Clause 13 was discussed at considerable length document : “ Session of 1911–1912. No. 227.&#13;
between the Copyright Sub-Committee and the New Regulation of Copyright." This document&#13;
representative of Messrs. Curwen &amp; Sons. To the consists of two parts, the “ Proposed New Law,"&#13;
casual observer it also may seem complicated, but and an “Explanatory Memoir," both of which are&#13;
the reason for its being drafted on the present lines of a highly interesting character.&#13;
is as follows :-The publishers have the exclusive The “ Explanatory Memoir " should be read first.&#13;
right to publish during the whole term of copy. It contains a lucid explanation of why the present&#13;
right. The Sub-Committee desired that the agree Dutch copyright law requires to be revised before&#13;
ment should be terminated under the circumstances Holland can join the Berlin Convention, and dis-&#13;
set out. Messrs. Curwen wanted the licence to cusses in a manner admirable for its profundity and&#13;
continue, and urged that if the author has the exactness the reasons for the various dispositions&#13;
option to terminate the agreement he might merely which the Legislature proposes. Among other&#13;
do so with a view of raising his financial remu particulars set forth in the memoir the following&#13;
neration against a reconstructed firm. The Sub- deserve special attention. The Dutch government&#13;
Committee argued that the composer might desire that their new law shall not be a servile&#13;
object strongly, for reasons which could not be imitation of what has been proposed to the European&#13;
stated under an ordinary arbitration, to allow his nations by the Berlin Convention, but shall hare&#13;
work to be published by the reconstructed company original merits of its own. The proposed law is&#13;
or firm. In order to meet the views of both parties consequently in several respects in advance of&#13;
the last sentence was inserted. This clause is more previous legislation, and at the same time in several&#13;
stringent and more to the disadvantage of the com- respects simpler. As an instance of the latter feature&#13;
poser than the corresponding clause in the agree- may be mentioned a remark made regarding enact-&#13;
ment which is printed in The Author of May, 1910. ments regulating cinematographic representations.&#13;
The clause runs as follows:---&#13;
The memoir observes, with much reason, that&#13;
practically the legislation which rules the copyright&#13;
"In the event of the publishers, or any of them,&#13;
becoming bankrupt (in the case of a limited company&#13;
and exhibition of photographs, rules at the same&#13;
substitute “going into liquidation ") the licence hereunder time the copyright and exhibition of cinemato-&#13;
to make, print, publish and sell shall cease from the date graphic representations. The cinematograpbic&#13;
of the adjudication (or in the case of a limited company&#13;
theatre in reality throws upon the screen merely a&#13;
substitute “winding-up order ').&#13;
number of successive photographs. These, indeed,&#13;
There is nothing that need be said about the follow one another with a rapidity too great for the&#13;
remaining clauses which are self-explanatory. The human eye to be able to distinguish between them,&#13;
Committee would impress upon those composers but are, after all, only a number of different photo-&#13;
who are members of the Society that the contract graphis presented to view in rapid succession ; so&#13;
set up by the agreement is far more advantageous that any legislation which duly regulates the&#13;
for composers than the customary absurd contracts multiplication and exhibition of photographs ipso&#13;
which are offered to them. The ruinous assign- facto rules the cinematographic theatre. The whole&#13;
ment of copyright is absent.&#13;
exhibition is only, as the memoir remarks,“ a form&#13;
It must be again insisted that composers shonld of presentation to view by a magic lantern.” The&#13;
nerer assign their copyright which, under the Act new Dutch law will, in this particular, be simpler&#13;
of 1911, will include their perforining right, and than any other which has dealt with the same&#13;
should never assign to the publishers the gramo subject. Respecting artistic copyright new ground&#13;
phone rights to which they are wholly entitled seems to be broken in the discussion of the right&#13;
under that Act.&#13;
of reproduction of portraits. There are here com-&#13;
plications arising from the artist's copyright in the&#13;
portrait, and the admitted right of the living&#13;
THE PROPOSED NEW COPYRIGHT&#13;
original to forbid the multiplication and exhibition&#13;
of bis portrait, and the discussion in the memoir&#13;
LAW OF HOLLAND.&#13;
of these crossing rights (if the term may be used)&#13;
is fuller than we have elsewhere seen. A different&#13;
FTER many years of hesitation, and after problem is presented by the question of the artist's&#13;
many disputes respecting the probable right to make replicas of his own work, a right&#13;
advantage or disadvantage of adhesion to which the Dutch law will reserve to him. Very&#13;
the Berlin Convention, Holland is at last engaged interesting also is the discussion of a question&#13;
A&#13;
many&#13;
&#13;
&#13;
## p. 279 (#743) ############################################&#13;
&#13;
THE AUTHOR.&#13;
279&#13;
which, to the best of our knowledge, has not been the Dutch criminal code, the act will also apply to&#13;
hitherto determined in all its aspects, namely, how the Dutch East Indies.&#13;
far does copyright impede the right to produce the Of the proposed new law itself, lack of space&#13;
same idea in an entirely different form? A very compels us to mention only some salient particu-&#13;
simple case of this is the dramatisation of novels ; lars. In general its provisions are such as those&#13;
a case in which all modern legislation reserves to elsewhere established. Copyright will be personal&#13;
the original author an inhibitive right. This property, and transmissible, but only by writing.&#13;
elementary case is, howerer, one in which the Inherited unpublished copyright is not subject to&#13;
author's rights are obvious. By no means SO seizure. Copyright is accorded to books, pamphlets,&#13;
obvious is the case of a painting of a sculpture. newspapers, journals, and all other writings; dramas,&#13;
To come to the extreme instance possible, how will dramatic music, lecturers, choregraphic works and&#13;
the case stand when some incident in a novel or pantomimes whose conduct is described in writing&#13;
poem is described by the author with the fullest or otherwise ; music, with or without words ;&#13;
particulars of surrounding scenery and of the situa- sketches, paintings, architectural designs, sculp-&#13;
tion of the dramatis personæ at a given moment, tures, lithographs, engravings and other works on&#13;
and an artist paints a picture representing exactly plates ; geographical maps, plans, designs and&#13;
what he has read? In the illustration of books it plastic works bearing on arcbitecture, geography,&#13;
is not an uncommon phenomenon to find that it is topography and other sciences ; photographic and&#13;
difficult, or even impossible, to bring the illustra- cinematographic works, and works of a similar&#13;
tions into harmony with the text ; and this may character; artistic works of a commercial character,&#13;
suggest that the above assumption is a very un- and in a word to any product belonging to the&#13;
likely one; only, presuming it to be verified, has the provinces of literature, science or art, whatsoever&#13;
artist infringed the author's copyright ? He has may be its manner of production. Collected works&#13;
certainly been picking the author's brains.&#13;
of any kind will be regarded as a single work.&#13;
The memoir accepts as indisputable the author's There is no copyright in laws, judicial decrees and&#13;
“moral right”—that is to say his right to interdict public announcements.&#13;
any modification of the work which he has pro. Reproduction of news published in journals will&#13;
duced. This right is so far removed from any not be regarded as an infraction of copyright if&#13;
commercial interests, and has been only so recently the source is indicated, but reproduction may be&#13;
postulated and discussed, that it may appear to forbidden.&#13;
many to be wholly imaginary ; though there are Also will be regarded as no infraction of copy-&#13;
few authors or artists who will not immediately right the reproduction of a portrait, by or at the&#13;
declare in favour of it. Here the new Dutch law command of the person represented, or by his&#13;
boldly defends what is one of the highest, though relatives after his death, provided that the repro-&#13;
one of the most intangible rights of an author. At duction differs widely in size from the original.&#13;
the same time it fully admits the impossibility of The possessor of the copyright of a portrait&#13;
its universal practical enforcement. The new law cannot publish it without the consent of the person&#13;
proposes to accord copyright to “ commercial represented, but the possessor of architectural&#13;
art"--objects designed for practical use and here designs may exbibit then for sale.&#13;
again sanctions one of the most recent views. The modification of any copyright work by the&#13;
respecting copyright; but the memoir appositely purchaser, or at his command, is forbidden (except&#13;
observes that both in the case of objects of this in the case of buildings and trade designs) unless&#13;
sort and in the case of architectural designs, it will the author gives his consent to the modification.&#13;
be practically impossible to insist upon “moral The author retains this right as long as he lives.&#13;
copyright” in the sense in which it can be accorded The author, if he applies for them within a month&#13;
to the literary author, the painter, or the musical after seizure, may claim to have pirated works&#13;
composer. Practical needs or improvements may handed over to him, and may put them on the&#13;
compel the modification of a commercial design, or market.&#13;
of a building, and in such cases protection cannot The term of copyright is life and fifty years. In&#13;
be given the designer.&#13;
the case of collaboration the fifty years are calcu-&#13;
The memoir concludes with an expression of the lated from the date of the death of the last surviving&#13;
desirability of the new act's coming into force as collaborator. Anonymous works have a copyright&#13;
soon as possible after it shall have been passed; of fifty years. The right of translation lapses if&#13;
and the concluding article of the new act itself not exercised within ten years from the last day of&#13;
declares that it shall come into force in the Dutch the year in which the work was first published, for&#13;
Kingdom in Europe on the first day of the month the languages in which the author has not given his&#13;
following its passing. With the exception of permission for translation in one of the countries&#13;
certain modifications which the act will involve in belonging to the international copyright union.&#13;
&#13;
&#13;
## p. 280 (#744) ############################################&#13;
&#13;
280&#13;
THE AUTHOR.&#13;
The same rule applies to translation for dramatic increased through M. de Cardonne and M. Dufay,&#13;
performance.&#13;
the learned librarian of Blois.&#13;
Photographic copyright has a term of fifty years. At Chambord ample time was given to explore its&#13;
A work is regarded as published only when it is halls and double staircase, and to get many a hint&#13;
manifolded for sale. The performance of a dramatic on the architecture of this “forest of campaniles,&#13;
work, or of a piece of music, or the exhibition of chimneys, domes, towers, etc.” and to learn the&#13;
a picture is not publication.&#13;
meaning of the “Salamander" they were to meet&#13;
with so often. From Chambord the drive was con-&#13;
tinued through the forest and pretty villages, to the&#13;
picturesque castle of Cheverny. Particular note was&#13;
BRITISH WRITERS AND JOURNALISTS taken of the garden produce cultivation en route. At&#13;
IN TOURAINE.&#13;
Cheverny the fine tapestries, arms, and armour,&#13;
and the interesting room, such as the Salle des&#13;
Gardes and the Bedchamber of Henri IV. were&#13;
M HE expeditions into foreign countries by the critically explained and examined, and then came&#13;
1 members of the British International Associa- the return to Blois, and a reception at the Hôtel de&#13;
tion of Journalists have produced important Ville by the Mayor and authorities; at which Sir&#13;
results, not only in the shape of numerous articles James Yoxall, in the language of the country,&#13;
in journals and magazines, but also in the issue responded to many pleasant words. of greeting. The&#13;
of volumes topographical, historical, and of fiction, following day the fêtes in honour of the 500th&#13;
dealing with the people and homes of the lands anniversary of Joan of Arc's martyrdom were&#13;
visited. Some of these expeditions, brought celebrated, and Blois and its cathedral were en féle&#13;
about by invitations from the foreign authorities, for the commemoration. The morning was devoted&#13;
have been extensive, entailing some weeks of to a careful study of Blois Castle, under the guid-&#13;
travel. To meet the wishes of the members whose ance of M. Dufay, who brought out every point of&#13;
time is limited, a short tour in Touraine was architecture and history. This with the Joan of Arc&#13;
suggested by the president, Sir James Yoxall, M.P., services and processions gave them much subject-&#13;
whose knowledge of French and France gave matter and a new insight into Blois bistory. The&#13;
weight to his suggestion, and although this was not next morning they left the city with regret, and&#13;
the occasion of an important invitation being halted at Onzaine, en route for Tours, to study the&#13;
accepted, the authorities in Touraine, and especially Château of Chaumont, where again M. de Cardonne&#13;
the Presidents of the “Syndicat de l'initiative," at and M. Dufay were their historical guides. In the&#13;
Blois and Tours, M. M. de Cardonne and Cheverel, evening Tours was reached, and at the Hôtel de&#13;
greeted the idea heartily, and in a small space of l'Univers all were cordially received by M. Cheverel,&#13;
time ensured a most successful reception and pro- the president of the Syndicat, and M. Mockers, the&#13;
gramme. The whole plan was to be contained in leading journalist, aud the other officials of the&#13;
a useful, enjoyable journey of eight days, one that city, who had arranged a comprehensive three days'&#13;
would largely increase the knowledge of the programme by motors to all the principal châteaux&#13;
travellers. The South Eastern and Chatham and the of Touraine, including Chinon, Chenonceaux,&#13;
Paris-Orleans railways made such careful arrange. Amboise, Azay le Rideau, Laugeais, Loches, etc.&#13;
ments that the journey to Touraine via Paris was A whole delightful day was devoted to Chinon and&#13;
accomplished sans fatigue. A day's halt in Paris the castles en route, and over all these historic&#13;
allowed the president and officials of the association wonders of architecture local gentlemen gave their&#13;
to be received by the Minister of Public Works, services as guides, and thus enhanced the value&#13;
Senator Jean Dupuy, and greetings were received of the tour enormously. The specialist in&#13;
from such well-known journalists as Count Etienne architecture, or history, agriculture, or folklore,&#13;
de Naleche, M. Adrien Hebrard, M. Victor all had their questions answered, and the balts in&#13;
Taunay, M. A. Humbert.&#13;
these romantic castles gave keen delight to the&#13;
An early morning train from Paris landed the English travellers. After the day at Chenonceaux&#13;
party in Blois by 10 A.M. Here at once was and Amboise, a reception was given by the Mayor&#13;
apparent the cordiality of the reception by M. Henri and Council at Tours at the New Town Hall,&#13;
de Cardonne and the authorities, who had arranged which was illuminated for the occasion. In the&#13;
an interesting and comprehensive programme for artistically decorated salons, a Vin de'honneur was&#13;
the time to be spent at Blois. At 1 P.M. the party proferred by the Maire, who proposed the health of&#13;
were en route in carriages for Chambord, driving His Majesty King George, to which Sir James&#13;
along the banks of the Loire, and soon found that Yoxall responded by proposing the French President,&#13;
their knowledge of the link between French and in a speech that proved his thorough knowledge of&#13;
English history was to be widely and delightfully the history of Touraine. M. Mockers, who on&#13;
&#13;
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## p. 281 (#745) ############################################&#13;
&#13;
THE AUTHOR.&#13;
281&#13;
behalf of “ La Presse Tonrangelle" proposed the the writer explain? Why doesn't the reader&#13;
English Press, was replied to by the writer, who, guess ? But instead of blaming one another, they&#13;
in his turn, gave the Press of France, and especially would do better to blame the age in which they&#13;
that of Tours and Touraine.&#13;
live. For their conversation is peculiarly modern.&#13;
In the morning the librarian, M. Gaston Collon, It never occurred in the past. Then, if the writer&#13;
gave much time in showing the most remarkable was questioned, he would reply quite simply and&#13;
MSS. treasures of the library, some unique, all very. cheerfully, “Apollo inspired me." The reader&#13;
beautiful and deeply interesting. In returning answered, “ Praised be Apollo !” and all was well.&#13;
from Amboise a halt was made at the new golf Both parties assumed the intervention of a god,&#13;
club house, where the Marquis de Beaumont, the who, duly invoked, poured something into the&#13;
president, gave a cordial reception and afternoon worshipper that human converse cannot produce,&#13;
tea. The new discoveries at Loches keenly interested and made him a channel for exciting and extra-&#13;
the British writers, and as at Amboise so here ordinary words. They believed in inspiration.&#13;
everyone felt the expedition was not only delightful To-day we have dethroned A pollo. But it may&#13;
but educative. After the official tour was ended, be questioned whether we have put any adequate&#13;
some availed themselves of facilities to visit Poitiers, theory in his place. Science—as usual-is not&#13;
where M. Robuchons, president of the Syndicat de quite ready. She has one or two more facts about&#13;
l'initiatif, received them, and explained the monu- psychology and physiology to master before she&#13;
ments of the wondrons old city; other members can ascend Parnassus and explain exactly how&#13;
visited other parts of France, including the George books are written. And while she is mastering&#13;
Sand country, Bourges, Clermont-Ferrand, the Puy these facts, and the one or two hundred other facts&#13;
de Dôme district, gaining thus much additional to which they will lead her, the reader gets at cross&#13;
knowledge of France and the French nation.&#13;
purposes with the writer, and the writer says&#13;
JAMES BAKER.&#13;
“Er-er-" Is it possible to forestall science&#13;
and to give some answer from our own experience ?&#13;
Experiences vary, but most writers when they&#13;
compose seem to go through some such process as&#13;
INSPIRATION.&#13;
follows. They start pretty calın, promising their&#13;
wives they will not let the fire out or be late for lunch.&#13;
They write a few sentences rery slowly and feel&#13;
TOST of us, either as reader or writer constricted and used up. Then a queer catastrophe&#13;
1 must have taken part in the following happens inside them. The mind, as it were, turns&#13;
conversation :&#13;
turtle, sometimes with rapidity, and a hidden part&#13;
Reader : It is a great pleasure to meet you. of it comes to the top and controls the pen.&#13;
I have admired your books so much ; do you mind Quicker and quicker the writer works, his head&#13;
talking about them ?&#13;
grows hot, he looks far from handsome, he spoils&#13;
Writer : Oh, thank you, I don't think so.—No. the lunch and lets out the fire. He is not exactly&#13;
Reader : Because I wanted to ask you. How do “rapt”; on the contrary he feels inore himself&#13;
you set about them? How do they come ? Do than usual, and lives in a state which he is con-&#13;
you plan out a book beforehand ? Or do you make vinced should be his normal one, though it isn't.&#13;
it up as you go along ?&#13;
On returning to his normal state, he reads over what&#13;
Writer : I can't quite remember. A little of he has written. It surprises him. He couldn't do&#13;
both perhaps.&#13;
it again. He can't explain to the reader how it was&#13;
Reader : I see. You start with a plan, but leave done. He can't remember whether plot or character&#13;
yourself quite free to alter it as the story develops. was considered first, whether the work was con-&#13;
Writer: That does sound an awfully good way. ceived as a whole or bit by bit. If he started with&#13;
I wonder.&#13;
a plan it is all forgotten and faded, just as our&#13;
Reader : Won't you tell me? Well, I mustn't anticipations about a new place or person fade&#13;
pry into the secrets of your craft.&#13;
as soon as we have had the experience of&#13;
Writer : Oh please we've no secrets.&#13;
seeing that place or person. The reality has&#13;
Reculer : Then tell me this: Which do you con- swallowed it up. It is a reality outside his&#13;
ceive first ; the characters or the plot ?&#13;
ordinary self. He has created it but contains it no&#13;
Writer : Er--1-a little of both perhaps-er- longer ; to use the backneyed comparison, his&#13;
er-&#13;
relation to it is that of a parent to a child. And&#13;
Reader (afterwards) : Yes, I've met him at last. this, by the way, accounts for a phenomenon which&#13;
A disappointment; a very great disappointment. often repels the reader; writers are capable o&#13;
It is indeed a disappointment. Reader and perusing their own works with interest and eve&#13;
writer part with mutual annoyance. Why can't with admiration. No doubt it is absurd of them to&#13;
&#13;
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## p. 282 (#746) ############################################&#13;
&#13;
282&#13;
THE AUTHOR.&#13;
D&#13;
do this, but it is the absurdity of a fond father&#13;
CORRESPONDENCE.&#13;
who rejoices in the extension of his individuality,&#13;
and trusts that it will survive when he is gone. Of&#13;
all forms of conceit, it is the least narrowing.&#13;
THE HAZARD OF THE PEN.&#13;
Here, then, is the process, termed by the ancients&#13;
“inspiration," and one wishes that the term was&#13;
1.&#13;
still in use, for it is far nearer the truth than most&#13;
DEAR SIR,-May I say “ Hear, hear!” to&#13;
accounts. In modern usage, inspiration is still practically every word contained in the excellent&#13;
allowed to poets and a few historians, but the papers of Mr. Herbert W. Smith, and at the same&#13;
smaller fry, such as novelists, are denied it. How time add a suggestion of my own?&#13;
unfair! If one writer can be inspired, are we not&#13;
In my experience one of the main difficulties of&#13;
all inspired, every one of us? The quality of our authorship is the financing of one's commissions.&#13;
inspiration_that is another matter : ' Apollo Thus, I have been asked to undertake a 100.000&#13;
always was unreliable. But are we not all capable word serial and half-a-dozen short stories, enough&#13;
of getting into a state where we put down words that work to keep one going the best part of a&#13;
we shouldn't put down ordinarily? And is not year. Assuming one has sufficient capital to&#13;
this capability the first step towards producing good&#13;
work ? When one recalls the anecdotes about&#13;
an author to find himself with five or six&#13;
great writers-how Jane Austen composed in the&#13;
hundred pounds outstanding and not a pound to&#13;
hubbub of the rectory drawing-room, how Balzac his credit in the bank. He may have to endure&#13;
saw from his summer-house the Comédie Humaine this state of destitution for five or six weeks,&#13;
disentangling and entangling against the shrubs during which time he and his household have to&#13;
that surrounded him, how Coleridge (the extreme rub along somehow. The irony of the situation&#13;
case) prolonged into waking his vision of Kubla lies in the fact that the people who owe him money&#13;
Khan-it is tempting to conclude that they all are mostly millionaires.&#13;
went through the same process, diverse as were the&#13;
Now, in any other trade or profession he could&#13;
results to which it brought them, and most go to his bank and say that X and Y and Z, all&#13;
tempting to conclude that we, too, can go through firms of the very highest standing, owe him so&#13;
that process, with results however bad.&#13;
many pounds, due on various dates, and, giren&#13;
For—to repeat-inspiration need not imply certain assurances, his banker would be glad to let&#13;
genius. The vain shallow writer is also inspired, him overdraw. In our craft, unfortunately, we&#13;
and perhaps with the greater facility. He too can have no such facilities. I have not tried it, but I&#13;
put down words when his poor little mind has feel sure that if I went to my bank and said to the&#13;
turned turtle, and can declare afterwards that they manager, “Here is evidence that X and Y and Z&#13;
are good words. There is a story of a man who, owe me £528; may I overdraw to half that&#13;
like Coleridge, dreamt a poem of superhuman amount ?" the manager would shake his head and&#13;
splendour. It was not cumbersome like Kubla say, “Impossible.”&#13;
Khan, but consisted of a single immortal stanza, The author's brother who is in the Army or&#13;
which he managed to write down and preserve for Navy or the Church, and who is making half the&#13;
literature. When he was quite awake he read the author's income, labours under no such difficulty.&#13;
little gem. It ran as follows:&#13;
I know, of course, that literary agents and&#13;
publishers are often willing to finance an author,&#13;
Walker with one eye,&#13;
but does not this mean that the author is&#13;
Walker with two.&#13;
Something to live for,&#13;
sacrificing his independence and his power to&#13;
Nothing to do.&#13;
bargain ? You can't very well stand out for a&#13;
good price and at the same time borrow money off&#13;
Are not many of our awakenings similar ? The&#13;
the man with whom you are dealing. Again, one&#13;
inspiration seemed splendid at the time, but&#13;
can borrow from friends; yet isn't this rather&#13;
criticism must relegate it to the waste paper&#13;
rough on both author and friends ?&#13;
basket. It is pure balderdash. There is just this&#13;
The remedy for this position does not strike me&#13;
comfort: we mayn't get far with it, but we&#13;
as being beyond the powers of the Society. I&#13;
shouldn't get anywhere without it. Perseverance,&#13;
would suggest that the Society either arranges&#13;
benevolence, culture, and all the other qualities that&#13;
with one or two first-class banks, that, in addition&#13;
pose as good writing, are worthless if they are&#13;
to keeping a member's account, they should be&#13;
not rooted in the underside of the mind.&#13;
willing to permit an overdraft on such security as&#13;
the author himself possesses. The money out-&#13;
standing might very easily be made over to the&#13;
banker who would provide funds for this purpose.&#13;
&#13;
&#13;
## p. 283 (#747) ############################################&#13;
&#13;
THE AUTHOR.&#13;
283&#13;
Or perhaps the Society might persuade our leading&#13;
editors and publishers, if not to pay immediately&#13;
on acceptance, at least to furnish the author with&#13;
some negotiable instrument which he could&#13;
discount or not discount as his necessities dic-&#13;
tated.&#13;
I would like to get the opinion of other authors&#13;
on this very vital matter, and especially I would&#13;
like to get the opinion of an author-banker, such&#13;
as Mr. Edward Clodd.&#13;
Yours very truly,&#13;
ALBERT KINROSS.&#13;
(NOTE.—We have submitted a copy of Mr.&#13;
Kinross's letter to Mr. Clodd. and have received&#13;
the following reply, which Mr. Clodd has kindly&#13;
permitted us to print in these columns) :—&#13;
II.&#13;
DEAR SIRS,—Bankers do not make advances&#13;
against book debts, because they are intangible&#13;
securities. Firms of the highest repute are some-&#13;
times granted loans without security, but in each&#13;
case the banker knows that repayment is assured.&#13;
Failing ability to deposit negotiable securities,&#13;
such as railway stocks, foreign bonds, etc., the only&#13;
way in which an author can anticipate payment is&#13;
to draw a bill on his publisher, which, if the&#13;
if the&#13;
acceptor be a man of fair business standing, would&#13;
be discounted by the author's banker.&#13;
But I gather that publishers are shy in giving&#13;
their acceptances.&#13;
EDWARD CLODD.&#13;
it must be lost. So I re-wrote my MS., and sent it&#13;
elsewhere. Five months later-a year and two&#13;
months after submitting it-I received my sup-&#13;
posedly lost MS. back again with the usual printed&#13;
form of refusal.&#13;
So evidently your correspondent has had better&#13;
luck with The Bystander than either Miss Annesley&#13;
or myself. But I observe that he is on the staff of&#13;
a London paper. Is it possible that that explains&#13;
it? I wonder. Persorally I am not on the staff of&#13;
a paper. I am a mere free lance and there are&#13;
some editors who seem to think that free lance and&#13;
door mat are convertible terms. Fortunately such&#13;
editors are very few in number.&#13;
I am in doubt whether to sign this letter with&#13;
my name. If I do I shall be told that I am trying&#13;
to advertise myself. If I do not I shall be told&#13;
that an unsigned letter is unworthy of considera-&#13;
tion. But I think I will risk this last retort and&#13;
will merely content myself with observing that I&#13;
am a very humble individual who has earned a bare&#13;
and laborious living by his pen for the last ten&#13;
years, and that I enclose my name and address for&#13;
the information of the editor of The Author.&#13;
Only if every writer who receives such really&#13;
discourteous treatment as that accorded to Miss&#13;
Annesley would complain in public, those few&#13;
editors who apparently do not know how to behave&#13;
would soon be brought up to the level of the very&#13;
great majority who do.&#13;
Yours faithfully,&#13;
X. Y. Z.&#13;
11.&#13;
* EDITORIAL COURTESY.&#13;
SIR,-For how long should an author consider it&#13;
necessary to reserve a manuscript to the considera-&#13;
SIR,—The enthusiastic tribute paid in the June&#13;
tion of one editor ? I use the word “necessary"&#13;
Author by one of your correspondents to the prompt,&#13;
instead of “ reasonable," because in my experience&#13;
courteous, and business-like treatment accorded him very few editors give a contributor a decision within&#13;
by The Bystander, is indeed interesting.&#13;
a reasonable time. At the present moment three&#13;
He explains that everything he sends to that editors of periodicals have the same number of&#13;
paper is either accepted or sent back by return of short poems of mine in their hands. One poem has&#13;
post. He is a lucky man. For my part I have been retained three months, another six weeks, and&#13;
contributed to The Bystander as to the majority of the third a fortnight. To the first editor I have&#13;
other papers publishing fiction. But I do not addressed three or four letters without effect. My&#13;
think I have ever once had a MS. decided on so poem is neither published nor returned.&#13;
promptly by The Bystander people. I remember As the editor myself of two publications, I know&#13;
önce sending them a MS. I waited seven months perfectly well that a decision on a short manuscript&#13;
and then, having heard nothing about it. I ventured can be made very shortly after it is received, pro-&#13;
to ask for a decision. I received no reply so I viding one's work is carried through with method.&#13;
wrote again. And again. And again. In fact I Why, then, should a contributor be kept waiting an&#13;
wrote six letters and one postcard_all. I assure unreasonable time for a decision ? It is neither&#13;
you, polite, even painfully polite, communications fair nor businesslike.&#13;
--and then at last I received a nicely written&#13;
Yours truly,&#13;
answer to the effect that my MS. could not be&#13;
AN EDITOR AND CONTRIBUTOR.&#13;
found and that if it had ever been received by The *** Undoubtedly very many editors are unbusi-&#13;
Bystander, of which there was no trace, they fearednesslike and some though these at any rate nowadays&#13;
&#13;
&#13;
## p. 284 (#748) ############################################&#13;
&#13;
284&#13;
THE AUTHOR.&#13;
are, we think, few in number—are oblivious of the obliged if you will kindly give me—although not&#13;
position of the author who sends in contributions a member of the Society of Authors—space in&#13;
on the chance. But it is not quite possible for an which to answer it.&#13;
editor to apply what might be called a strict Mr. Bennett may have spoken of “taking part in&#13;
business routine to uncommissioned manuscripts; a farce," because he considered it absurd that the&#13;
he cannot accept at once just as many as he has “best” half-dozen novels should be picked out&#13;
room for and post the others back immediately. without reference to his judgment, and that he&#13;
The manuscripts must be read and their suitability would be expected to choose from these not the&#13;
ascertained. It frequently happens that a manu- most finished artistic production, but the book&#13;
script has no paramount claim for immediate likely to have the best sale. That is as it may be,&#13;
insertion, but has, at the same time, qualities which but it is absolutely ninfair to infer that his attitude&#13;
might, if space allowed, ensure its insertion later. in this affair proves him to be a man who is too&#13;
If such an article is returned at once the author indifferent and selfish to " serve some poor devil of&#13;
loses a chance ; if later that chance disappears, a brother author.” Mr. Arnold Bennett-and I&#13;
owing to pressure on space or closer inspection of am glad to have an opportunity of pablicly&#13;
the work, and the manuscript is returned, the editor acknowledging it—"discovered" me, and went out&#13;
is too often held to be discourteous. We recom- of his way to advise me and help me to find a&#13;
mend that the author should carefully study the market when I was an absolutely unknown writer,&#13;
pages of the periodical to which he proposes to and before his own first book was published.&#13;
contribute, so that he may not send an article which Years ago I could have shown “ David” letters&#13;
is manifestly unsuitable either in subject, treatment, from Mr. Bennett as kindly and helpful as those&#13;
or size. Then, having decided that his chance of be speaks of which were written by Southey, Scott,&#13;
insertion is reasonable on such grounds, he should and Besant to their literary godchildren, and I&#13;
write to the editor and ask whether he may submit do not for a moment suppose that I am the only&#13;
the manuscript. This is a trouble for him as it writer he has ever been kind to. There are other&#13;
will be a trouble for the editor, but future and better ways of helping beginners than the&#13;
disappointment may in this way be avoided. One very doubtful way of acting as a judge in a Nove&#13;
more hint ; authors should always retain copirs of Competition.&#13;
their manuscripts, and should always send them in&#13;
Yours faithfully,&#13;
typewritten.—ED.&#13;
M. PENROSE.&#13;
A SUGGESTION.&#13;
AUTHOR AND PUBLISHER.&#13;
Sir,—We hear so much of the openhearted&#13;
publisher somehow getting the better of the simple&#13;
o getting the better of the simple&#13;
author that it might be as well to avoid this unhappy&#13;
consummation, and to this end I have the follow-&#13;
! I have the follow&#13;
ing suggestion to make :—That directly a book is&#13;
announced by a new writer an old copy of The&#13;
Author should be forwarded to him, and his&#13;
attention called to the advice it gives in every issue.&#13;
I know, in my own case, that had I possessed&#13;
such knowledge I should be many hundred pounds&#13;
in pocket, and there must be many more whose&#13;
ignorance has cost them dearly.&#13;
Yours, etc.,&#13;
HORACE W. NEWTE.&#13;
DEAR SIR,--Is it correct to make use of your&#13;
small space to ask whether some woman-member-&#13;
presumably alone in life—with some means, however&#13;
slender, would correspond with the writer who has&#13;
in view to form a syndicate rest-house in the&#13;
country? The leading idea would be to gain a sunset&#13;
home for ageing writers, hoping that one or, better&#13;
still, two workers in the domain of art might join,&#13;
ensuring variety of interests. And in case this&#13;
should succeed, a guest-room would form part of&#13;
the scheme to which invalided or tired members of&#13;
the Authors' Society could be invited for repose&#13;
and fresh air, when unable otherwise to afford&#13;
these. (Two artists or other workers joining must,&#13;
of course, share the right to show hospitality in&#13;
turn to their comrades.) Such a combination,&#13;
with strict economy, should reduce expenses to&#13;
less than a cheap cottage for one ; whilst bringing&#13;
sweet air, week-end holidays and country pleasures&#13;
to both men and women fellow toilers.&#13;
Yours sincerely,&#13;
AN OLD MEMBER.&#13;
NOVEL COMPETITIONS.&#13;
DEAR SIR, I have just read “ David's ” letter&#13;
commenting on Mr. Arnold Bennett, and I shall be&#13;
&#13;
&#13;
## p. (#749) ################################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING, Literary &amp; Dramatic Typewriting.&#13;
"I have just comple&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes:&#13;
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typod, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without having been corrected or even read, and that my hand writing.&#13;
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Accuracy,&#13;
Absolute Secrecy,&#13;
Prompt Attention, and&#13;
Satisfaction Guaranteed.&#13;
Trial Order earnestly solicited.&#13;
Full Price List and Testimonials on application.&#13;
TYPEWRITING. Authors' MSS. copied by&#13;
Experienced Operator.&#13;
DUPLICATING. Attendance locally for dictation.&#13;
MISS SOLLY, 378, Shirley Road, Southampton.&#13;
Nothing Too Small !&#13;
Nothing Too Large!&#13;
MISS MORGAN'S TYPEWRITING, SHORTHAND,&#13;
AND TRANSLATION OFFICES.&#13;
Dunster House, Mark Lane, London, E.C.&#13;
Every description of Typewriting, Authors' MSS., Sermons,&#13;
&amp;c., undertaken at from 1 Od. per 1,000 words. Special&#13;
terms for large quantities or regular work.&#13;
Meetings Reported on Moderate Terms. Accuracy and&#13;
Promptness guaranteed.&#13;
Telephone : 12137 Central.&#13;
c. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
&#13;
&#13;
## p. (#750) ################################################&#13;
&#13;
vi&#13;
ADVERTISEMENTS.&#13;
.&#13;
Two popular Hotels in Central London.&#13;
Opposite the British Museum.&#13;
THACKERAY HOTEL&#13;
Great Russell Street, London.&#13;
Near the British Museum,&#13;
WHAT OUR AUTHORS AND OTHERS ARE&#13;
SAYING ABOUT OUR BOOKS.&#13;
THE AUTHOR OF "THE CO-RESPONDENT " WRITES :&#13;
DEAR SIRS,&#13;
May 10th, 1912.&#13;
We thank you for the copies of " The Co-Respondent,"&#13;
received this morning. We were pleased to get them&#13;
carlier than the date you named, and we like the get-up&#13;
immensely.&#13;
THE AUTHOR OF “CAIRN LODGE" WRITES:&#13;
May 15, 1912.&#13;
“ Begs to acknowledge the books sent to her, she is very&#13;
pleased with the way they are got up."&#13;
THE REVIEWER IN " THE MORNING LEADER" DESCRIBES&#13;
"AUNT URSULA'S BEQUEST":&#13;
"A little book which deserves mention for several&#13;
reasons. 'Aunt Ursula's Bequest' is bound in very&#13;
pleasing paper boards. It contains original new fiction&#13;
about 30,000 words of it--and it costs a shilling. This is a&#13;
good idea in the way of pocket volumes. It is also good&#13;
intrinsically. It is a capital little tale ... excellently&#13;
written in a sober, unpretentious way."&#13;
KINGSLEY HOTEL&#13;
Hart Street, Bloomsbury Square, London.&#13;
Passenger Lifts. Bathrooms on every Floor. Lounges&#13;
and Spacious Dining, Drawing, Writing, Reading, Billiard&#13;
and Smoking Rooms. Fireproof Floors. Perfect Sanita.&#13;
tion. Telephones. Night Porters.&#13;
Bedroom, Attendance, and Table d'Hote&#13;
Breakfast, single, from 5/6 to 7/6.&#13;
Table d'Hote Dinner, Six Courses, 3/-.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel—"Thackeray, London."&#13;
Kingsley Hotel —"Bookcraft, London."&#13;
MURRAY &amp; EVENDEN.&#13;
Pleydell House, Pleydell Street,&#13;
Fleet Street, E.C.&#13;
MRS. GILL'S TYPEWRITING. SHORTHAND. | AUTHORS wishing to make arrange-&#13;
AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
35, LUDGATE HILL, LONDON, E.C. communicate with LYNWOOD &amp; Co.,&#13;
Telephone—8464 Central.&#13;
Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel-&#13;
London, E.C., who will be pleased&#13;
ligently copied, from 1s. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
POST FREE ON APPLICATION.&#13;
W.C.&#13;
Neatness and accuracy, with&#13;
promptness ; 7d. per 1,000;&#13;
TYPEWRITING.&#13;
over 20,000, 6d. Plays ruled&#13;
and bound, 8d. Cheap duplicating.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
words; in duplicate, 1/-. Plays and General TYPEWRITING.–&#13;
typed at 10d. per 1,000&#13;
Copying. List and specimen of work on appli words (carbon copy free).-&#13;
EXCELSIOR TYPEWRITING OFFICES,&#13;
cation.&#13;
20, Bucklersbury, E.C.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
TYPEWRITING &amp; SECRETARIAL WORK.&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
but praise for the accuracy, speed and neatness with which she&#13;
84, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
Recommended by Mr. G. K. Chesterton, Baron de Worms,&#13;
MISS M. R. HORNE,&#13;
New Address :-&#13;
Many Testimonials, of which the following is a specimen : “ Many&#13;
5, PADCROFT ROAD, YIEWSLEY, MIDDLESEX. ||&#13;
thanks for the excellent work and the promptness with which it has&#13;
been done."&#13;
TVDCWDITIAN&#13;
Authors' MSS. carefully&#13;
Tel.: Bank 82.&#13;
# Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I have nothing&#13;
does her work.-FRANK SAVILE."&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.,&#13;
and Others,&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.&#13;
&#13;
&#13;
## p. 1 (#751) ##############################################&#13;
&#13;
The Author&#13;
(THE ORGAN OF THE INCORPORATED SOCIETY OF AUTHORS).&#13;
SUPPLEMENT.&#13;
COPYRIGHT ACT, 1911.&#13;
[1 &amp; 2 Geo. 5. CH. 46.]&#13;
ARRANGEMENT OF SECTIONS.&#13;
PART I.&#13;
IMPERIAL COPYRIGHT.&#13;
Rights.&#13;
Section,&#13;
1. Copyright.&#13;
2. Infringement of copyright.&#13;
3. Term of copyright.&#13;
4. Compulsory licences.&#13;
5. Ownership of copyright, &amp;c.&#13;
Civil Remedies.&#13;
6. Civil remedies for infringement of copyright.&#13;
7. Rights of owner against persons possessing or dealing with infringing copies, &amp;c.&#13;
8. Exemption of innocent infringer from liability to pay damages, &amp;c.&#13;
9. Restriction on remedies in the case of architecture.&#13;
10. Limitation of actions.&#13;
Summary Remedies.&#13;
11. Penalties for dealing with infringing copies, &amp;c.&#13;
12. Appeals to quarter sessions.&#13;
13. Extent of provisions as to summary remedies.&#13;
Importation of Copies.&#13;
14. Importation of copies.&#13;
Delivery of Books to Libraries.&#13;
15. Delivery of copies to British Museum and other libraries.&#13;
Special Provisions as to Certain Works.&#13;
16. Works of joint authors.&#13;
17. Posthumous works.&#13;
18. Provisions as to Government publications.&#13;
19. Provisions as to mechanical instruments.&#13;
20. Provision as to political speeches.&#13;
21. Provisions as to photographs.&#13;
22. Provisions as to designs registrable under 7 Edw. 7, c. 29.&#13;
23. Works of foreign authors first published in parts of His Majesty's dominions to which&#13;
* Act extends.&#13;
24. Existing works.&#13;
&#13;
&#13;
## p. 2 (#752) ##############################################&#13;
&#13;
( 2 )&#13;
Application to British Possessions.&#13;
25. Application of Act to British Dominions.&#13;
26. Legislative powers of self-governing Dominions.&#13;
27. Power of Legislatures of British possessions to pass supplemental legislation.&#13;
28. Application to protectorates.&#13;
PART II.&#13;
INTERNATIONAL COPYRIGHT,&#13;
29. Power to extend Act to foreign works.&#13;
30. Application of Part II. to British possessions.&#13;
Part III.&#13;
SUPPLEMENTAL PROVISIONS.&#13;
31. Abrogation of common law rights.&#13;
32. Provisions as to Orders in Council.&#13;
33. Saving of university copyright.&#13;
34. Saving of compensation to certain libraries.&#13;
35. Interpretation.&#13;
36. Repeal.&#13;
Short title and commencement,&#13;
SCHEDULES.&#13;
37. She&#13;
An Act to amend and consolidate the Law relating to Copyright.&#13;
[16th December, 1911.]&#13;
BE it enacted by the King's most Excellent Majesty, by and with the advice and&#13;
consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament&#13;
assembled, and by the authority of the same, as follows :-&#13;
PART 1.&#13;
IMPERIAL COPYRIGHT.&#13;
Rights.&#13;
Copyright.&#13;
1.-(1) Subject to the provisions of this Act, copyright shall subsist throughout the&#13;
parts of His Majesty's dominions to which this Act extends for the term herein-after&#13;
mentioned in every original literary dramatic musical and artistic work, if-&#13;
(a) in the case of a published work, the work was first published within such parts&#13;
of His Majesty's dominions as aforesaid ; and&#13;
(6) in the case of an unpublished work, the author was at the date of the making of&#13;
the work a British subject or resident within such parts of His Majesty's&#13;
dominions as aforesaid ;&#13;
but in no other works, except so far as the protection conferred by this Act is extended&#13;
by Orders in Council thereunder relating to self-governing dominions to which this Act&#13;
does not extend and to foreign countries.&#13;
(2) For the purposes of this Act, “copyright” means the sole right to produce or&#13;
reproduce the work or any substantial part thereof in any material form whatsoever, to&#13;
perform, or in the case of a lecture to deliver, the work or any substantial part thereof in&#13;
public; if the work is unpublished, to publish the work or any substantial part thereof;&#13;
and shall include the sole right,-&#13;
(a) to produce, reproduce, perform, or publish any translation of the work ;&#13;
(6) In the case of a dramatic work, to convert it into a novel or other non-dramatic&#13;
work ;&#13;
&#13;
&#13;
## p. 3 (#753) ##############################################&#13;
&#13;
(c) in the case of a novel or other non-dramatic work, or of an artistic work, to&#13;
convert it into a dramatic work, by way of performance in public or otherwise •&#13;
(d) in the case of a literary, dramatic, or musical work, to make any record,&#13;
perforated roll, cinematograph film, or other contrivance by means of which the&#13;
work may be mechanically performed or delivered,&#13;
and to authorise any such acts as aforesaid.&#13;
. (3) For the purposes of this Act, publication, in relation to any work, means the issue&#13;
of copies of the work to the public, and does not include the performance in public of a&#13;
dramatic or musical work, the delivery in public of a lecture, the exhibition in public of an&#13;
artistic work, or the construction of an architectural work of art, but, for the purposes of&#13;
this provision, the issue of photographs and engravings of works of sculpture and archi-&#13;
tectural works of art shall not be deemed to be publication of such works.&#13;
2.-(1) Copyright in a work shall be deemed to be infringed by any person who, Infringement&#13;
without the consent of the owner of the copyright, does anything the sole right to do which of copyright.&#13;
is by this Act conferred on the owner of the copyright : Provided that the following acts&#13;
shall not constitute an infringement of copyright :-&#13;
(i) Any fair dealing with any work for the purposes of private study, research,&#13;
criticism, review, or newspaper summary :&#13;
(ii) Where the author of an artistic work is not the owner of the copyright therein,&#13;
the use by the author of any mould, cast, sketch, plan, model or study made&#13;
by him for the purpose of the work, provided that he does not thereby repeat&#13;
or imitate the main design of that work:&#13;
(iii) The making or publishing of paintings, drawings, engravings, or photographs of&#13;
a work of sculpture or artistic craftsmanship, if permanently situate in a&#13;
public place or building, or the making or publishing of paintings, drawings,&#13;
engravings, or photographs (which are not in the nature of architectural draw-&#13;
ings or plans) of any architectural work of art :&#13;
(iv) The publication in a collection, mainly composed of non-copyright matter, bonâ&#13;
fide intended for the use of schools, and so described in the title and in any&#13;
advertisements issued by the publisher, of short passages from published literary&#13;
works not themselves published for the use of schools in which copyright sub-&#13;
subsists : Provided that not more than two of such passages from works by the&#13;
same author are published by the same publisher within five years, and that the&#13;
source from which such passages are taken is acknowledged :&#13;
(v) The publication in a newspaper of a report of a lecture delivered in public,&#13;
unless the report is prohibited by conspicuous written or printed notice affixed&#13;
before and maintained during the lecture at or about the main entrance of the&#13;
building in which the lecture is given, and, except whilst the building is being&#13;
used for public worship, in a position near the lecturer ; but nothing in this&#13;
paragraph shall affect the provisions in paragraph (i) as to newspaper&#13;
summaries :&#13;
(vi) The reading or recitation in public by one person of any reasonable extract from&#13;
any published work.&#13;
(2) Copyright in a work shall also be deemed to be infringed by any person who-&#13;
(a) sells or lets for hire, or by way of trade exposes or offers for sale or hire; or&#13;
b) distributes either for the purposes of trade or to such an extent as to affect&#13;
prejudicially the owner of the copyright; or&#13;
(c) by way of trade exhibits in public; or&#13;
id) imports for sale or hire into any part of His Majesty's dominions to which this&#13;
Act extends,&#13;
any work which to his knowledge infringes copyright or would infringe copyright if it had&#13;
been made within the part of His Majesty's dominions in or into which the sale or hiring,&#13;
exposure, offering for sale or hire, distribution, exhibition, or importation took place.&#13;
- (3) Copyright in a work shall also be deemed to be infringed by any person who for&#13;
his private profit permits a theatre or other place of entertainment to be used for the per-&#13;
formance in public of the work without the consent of the owner of the copyright, unless he&#13;
was not aware, and had no reasonable ground for suspecting, that the performance would&#13;
be an infringement of copyright,&#13;
&#13;
&#13;
## p. 4 (#754) ##############################################&#13;
&#13;
(4)&#13;
Term of copy-&#13;
3. The term for which copyright shall subsist shall, except as otherwise expressly&#13;
right.&#13;
provided by this Act, be the life of the author and a period of fifty years after his death :&#13;
Provided that at any time after the expiration of twenty-five years, or in the case of a&#13;
work in which copyright subsists at the passing of this Act thirty years, from the death of&#13;
the author of a published work, copyright in the work shall not be deemed to be infringed&#13;
by the reproduction of the work for sale if the person reproducing the work proves that he&#13;
has given the prescribed notice in writing of his intention to reproduce the work, and that&#13;
he has paid in the prescribed manner to, or for the benefit of, the owner of the copyright&#13;
royalties in respect of all copies of the work sold by him calculated at the rate of ten per&#13;
cent. on the price at which he publishes the work; and, for the purposes of this proviso,&#13;
the Board of Trade may make regulations prescribing the mode in which notices are to be&#13;
given, and the particulars to be given in such notices, and the mode, time, and frequency&#13;
of the payment of royalties, including (if they think fit) regulations requiring payment in&#13;
advance or otherwise securing the payment of royalties.&#13;
Compulsory 4. If at any time after the death of the author of a literary, dramatic, or musical work&#13;
licences.&#13;
which has been published or performed in public a complaint is made to the Judicial Com-&#13;
mittee of the Privy Council that the owner of the copyright in the work has refused to&#13;
republish or to allow the republication of the work or has refused to allow&#13;
the performance in public of the work, and that by reason of such refusal the work&#13;
is withheld from the public, the owner of the copyright may be ordered to grant a licence&#13;
to reproduce the work or perform the work in public, as the case may be, on such terms&#13;
and subject to such conditions as the Judicial Committee may think fit.&#13;
Ownership of 5.-(1) Subject to the provisions of this Act, the author of a work shall be the first&#13;
copyright, &amp;c. owner of the copyright therein :&#13;
Provided that,&#13;
(a) where, in the case of an engraving, photograph, or portrait, the plate or other&#13;
original was ordered by some other person and was made for valuable considera-&#13;
tion in pursuance of that order, then, in the absence of any agreement to the&#13;
contrary, the person by whom such plate or other original was ordered shall be&#13;
the first owner of the copyright; and&#13;
(6) where the author was in the employment of some other person under a contract of&#13;
service or apprenticeship and the work was made in the course of his employ-&#13;
ment by that person, the person by whom the author was employed shall, in the&#13;
absence of any agreement to the contrary, be the first owner of the copyright,&#13;
but where the work is an article or other contribution to a newspaper, magazine,&#13;
or similar periodical, there shall, in the absence of any agreement to the contrary,&#13;
be deemed to be reserved to the author a right to restrain the publication of the&#13;
work, otherwise than as part of a newspaper, magazine, or similar periodical.&#13;
(2) The owner of the copyright in any work may assign the right, either wholly or&#13;
partially, and either generally or subject to limitations to the United Kingdom or any self-&#13;
governing dominion or other part of His Majesty's dominions to which this Act extends,&#13;
and either for the whole term of the copyright or for any part thereof, and may grant any&#13;
interest in the right by licence, but no such assignment or grant shall be valid unless it is&#13;
in writing signed by the owner of the right in respect of which the assignment or grant is&#13;
made, or by his duly authorised agent :&#13;
Provided that, where the author of a work is the first owner of the copyright therein,&#13;
no assignment of the copyright, and no grant of any interest therein, made by him (other-&#13;
wise than by will) after the passing of this Act, shall be operative to vest in the assignee&#13;
or grantee any rights with respect to the copyright in the work beyond the expiration of&#13;
twenty-five years from the death of the author, and the reversionary interest in the copy-&#13;
right expectant on the termination of that period shall, on the death of the author,&#13;
notwithstanding any agreement to the contrary, devolve on his legal personal representatives&#13;
as part of his estate, and any agreement entered into by him as to the disposition of such&#13;
reversionary interest shall be null and void, but nothing in this proviso shall be construed&#13;
as applying to the assignment of the copyright in a collective work or a licence to publish&#13;
a work or part of a work as part of a collective work.&#13;
(3) Where, under any partial assignment of copyright, the assignee becomes entitled&#13;
&#13;
&#13;
## p. 5 (#755) ##############################################&#13;
&#13;
( 5 )&#13;
to any right comprised in copyright, the assignee as respects the right so assigned, and the&#13;
assignor as respects the rights not assigned, shall be treated for the purposes of this Act as&#13;
the owner of the copyright, and the provisions of this Act shall have effect accordingly.&#13;
Civil Remedies.&#13;
6.-(1) Where copyright in any work has been infringed, the owner of the copyright Civil reme-&#13;
shall, except as otherwise provided by this Act, be entitled to all such remedies by way of dies for&#13;
injunction or interdict, damages, accounts, and otherwise, as are or may be conferred by of&#13;
infringement&#13;
law for the infringement of a right.&#13;
(2) The costs of all parties in any proceedings in respect of the infringement of&#13;
copyright shall be in the absolute discretion of the Court.&#13;
(3) In any action for infringement of copyright in any work, the work shall be&#13;
presumed to be a work in which copyright subsists and the plaintiff shall be presumed&#13;
to be the owner of the copyright, unless the defendant puts in issue the existence of the&#13;
copyright, or, as the case may be, the title of the plaintiff, and where any such question is&#13;
in issue, then-&#13;
(a) if a name purporting to be that of the author of the work is printed or otherwise&#13;
indicated thereon in the usual manner, the person whose name is so printed or&#13;
indicated shall, unless the contrary is proved, be presumed to be the author&#13;
of the work ;&#13;
(6) if no name is so printed or indicated, or if the name so printed or indicated is not&#13;
the author's true name or the name by which he is commonly known, and a&#13;
name purporting to be that of the publisher or proprietor of the work is&#13;
printed or otherwise indicated thereon in the usual manner, the person whose&#13;
name is so printed or indicated shall, unless the contrary is proved, be presumed&#13;
to be the owner of the copyright in the work for the purposes of proceedings in&#13;
respect of the infringement of copyright therein.&#13;
7. All infringing copies of any work in which copyright subsists, or of any substantial Rights of&#13;
part thereof, and all plates used or intended to be used for the production of such infringing owner against&#13;
copies, shall be deemed to be the property of the owner of the copyright, who accordingly persons&#13;
ooonvorsin possessing or&#13;
may take proceedings for the recovery of the possession thereof or in respect of the conversion&#13;
thereof.&#13;
infringing&#13;
8. Where proceedings are taken in respect of the infringement of the copyright in copies, &amp;c.&#13;
any work and the defendant in his defence alleges that he was not aware of the existence Exemption&#13;
of innocent&#13;
of the copyright in the work, the plaintiff shall not be entitled to any remedy other than an&#13;
all infringer from&#13;
injunction or interdict in respect of the infringement if the defendant proves that at the liability to&#13;
date of the infringement he was not aware and had no reasonable ground for suspecting that pay damages,&#13;
copyright subsisted in the work.&#13;
9.-(1) Where the construction of a building or other structure which infringes or Restriction on&#13;
which, if completed, would infringe the copyright in some other work has been commenced, remedies in&#13;
the owner of the copyright shall not be entitled to obtain an injunction or interdict to the case of&#13;
architecture.&#13;
restrain the construction of such building or structure or to order its demolition.&#13;
(2) Such of the other provisions of this Act as provide that an infringing copy of a&#13;
work shall be deemed to be the property of the owner of the copyright, or as impose&#13;
summary penalties, shall not apply in any case to which this section applies.&#13;
10. An action in respect of infringement of copyright shall not be commenced after Limitation&#13;
the expiration of three years next after the infringement.&#13;
of actions.&#13;
&amp;c.&#13;
Summary Remedies.&#13;
11.-(1) If any person knowingly-&#13;
(a) makes for sale or hire any infringing copy of a work in which copyright Penalties for&#13;
subsists ; or&#13;
dealing with&#13;
(b) sells or lets for hire, or by way of trade exposes or offers for sale or hire any&#13;
any infringing&#13;
infringing copy of any such work ; or&#13;
(c) distributes infringing copies of any such work either for the purposes of trade&#13;
or to such an extent as to affect prejudicially the owner of the copyright ; or&#13;
&#13;
&#13;
## p. 6 (#756) ##############################################&#13;
&#13;
( 6&#13;
)&#13;
(d) by way of trade exhibits in public any infringing copy of any such work; or&#13;
() imports for sale or hire into the United Kingdom any infringing copy of any."&#13;
such work :&#13;
he shall be guilty of an offence under this Act and be liable on summary conviction to a&#13;
fine not exceeding forty shillings for every copy dealt with in contravention of this section,&#13;
but not exceeding fifty pounds in respect of the same transaction ; or, in the case of a second&#13;
or subsequent offence, either to such fine or to imprisonment with or without hard labour&#13;
for a term not exceeding two months.&#13;
(2) If any person knowingly makes or has in his possession any plate for the purpose,&#13;
of making infringing copies of any work in which copyright subsists, or knowingly and&#13;
for his private profit causes any such work to be performed in public without the&#13;
consent of the owner of the copyright, he shall be guilty of an offence under this Act, and&#13;
be liable on summary conviction to a fine not exceeding fifty pounds, or, in the case of&#13;
a second or subsequent offence, either to such fine or to imprisonment with or without hard&#13;
labour for a term not exceeding two months.&#13;
(3) The court before which any such proceedings are taken may, whether the alleged&#13;
offender is convicted or not, order that all copies of the work or all plates in the possession&#13;
of the alleged offender, which appear to it to be infringing copies or plates for the purpose&#13;
of making infringing copies, be destroyed or delivered up to the owner of the copyright or&#13;
otherwise dealt with as the court may think fit.&#13;
2 Edw. 7,&#13;
(4) Nothing in this section shall, as respects musical works, affect the provisions of&#13;
c. 15. the Musical (Summary Proceedings) Copyright Act, 1902, or the Musical Copyright Act,&#13;
6 Edw. 7,&#13;
1906.&#13;
c. 36.&#13;
Appeals to&#13;
12. Any person aggrieved by a summary conviction of an offence under the foregoing&#13;
quarter provisions of this Act may in England and Ireland appeal to a court of quarter sessions&#13;
sessions. and in Scotland under and in terms of the Summary Jurisdiction (Scotland) Acts.&#13;
Extent of '13. The provisions of this Act with respect to summary remedies shall extend only.to&#13;
provisions as the United Kingdom.&#13;
to summary&#13;
remedies.&#13;
Importation of Copies.&#13;
Importation 14.-(1) Copies made out of the United Kingdom of any work in which copyright&#13;
of copies. subsists wbich if made in the United Kingdom would infringe copyright, and as to which&#13;
the owner of the copyright gives notice in writing by himself or his agent to the Com-&#13;
missioners of Customs and Excise, that he is desirous that such copies should not be imported&#13;
into the United Kingdom, shall not be so imported, and shall, subject to the provisions of&#13;
this section, be deemed to be included in the table of prohibitions and restrictions contained&#13;
39 &amp; 40 Vict. in section forty-two of the Customs Consolidation Act, 1876, and that section shall apply&#13;
c. 36.&#13;
accordingly.&#13;
(2) Before detaining any such copies or taking any further proceedings with a view to&#13;
the forfeiture thereof under the law relating to the Customs, the Commissioners of Customs&#13;
and Excise may require the regulations under this section, whether as to information, con-&#13;
ditions, or other matters, to be complied with, and may satisfy themselves in accordance&#13;
with those regulations that the copies are such as are probibited by this section to be&#13;
imported.&#13;
(3) The Commissioners of Customs and Excise may make regulations, either general or -&#13;
special, respecting the detention and forfeiture of copies the importation of which is prohibited&#13;
by this section, and the conditions, if any, to be fulfilled before such detention and forfeiture,&#13;
and may, by such regulations, determine the information, notices, and security to be given,&#13;
and the evidence requisite for any of the purposes of this section, and the mode of verification&#13;
of such evidence.&#13;
(4) The regulations may apply to copies of all works the importation of copies of which&#13;
is prohibited by this section, or different regulations may be made respecting different&#13;
classes of such works.&#13;
(5) The regulations may provide for the informant reimbursing the Commissioners of&#13;
Customs and Excise all expenses and damages incurred in respect of any detention made on&#13;
his information, and of any proceedings consequent on such detention ; and may provide for&#13;
notices under any enactment repealed by this Act being treated as notices given under this&#13;
section,&#13;
&#13;
&#13;
## p. 7 (#757) ##############################################&#13;
&#13;
(&#13;
)&#13;
7&#13;
(6) The foregoing provisions of this section shall have effect as if they were part of&#13;
the Customs Consolidation Act, 1876 : Provided that, notwithstanding anything in that&#13;
Act, the Isle of Man shall not be treated as part of the United Kingdom for the purposes&#13;
of this section.&#13;
(7) This section shall, with the necessary modifications, apply to the importation into&#13;
a British possession to which this Act extends of copies of works made out of that possession.&#13;
Delivery of Books to Libraries.&#13;
15.—(1) The publisher of every book published in the United Kingdom shall, within Delivery of&#13;
one month after the publication, deliver, at his own expense, a copy of the book to the copies to&#13;
trustees of the British Museum, who shall give a written receipt for it.&#13;
British&#13;
Museum and&#13;
(2) He shall also, if written demand is made before the expiration of twelve months other&#13;
after publication, deliver within one month after receipt of that written demand or, if the libraries.&#13;
demand was made before publication, within one month after publication, to some depôt&#13;
in London named in the demand a copy of the book for, or in accordance with the&#13;
directions of, the authority having the control of each of the following libraries, namely :&#13;
the Bodleian Library, Oxford, the University Library, Cambridge, the Library of the&#13;
Faculty of Advocates at Edinburgh, and the Library of Trinity College, Dublin, and&#13;
subject to the provisions of this section the National Library of Wales. In the case of an&#13;
encyclopædia, newspaper, review, magazine, or work published in a series of numbers or&#13;
parts, the written demand may include all numbers or parts of the work which may be&#13;
subsequently published.&#13;
(3) The copy delivered to the trustees of the British Museum shall be a copy of the&#13;
whole book with all maps and illustrations belonging thereto, finished and coloured in the&#13;
same manner as the best copies of the book are published, and shall be bound, sewed, or&#13;
stiched together, and on the best paper on which the book is printed.&#13;
(4) The copy delivered for the other authorities mentioned in this section shall be on&#13;
the paper on which the largest number of copies of the book is printed for sale, and shall&#13;
be in the like condition as the books prepared for sale.&#13;
(5) The books of which copies are to be delivered to the National Library of Wales&#13;
shall not include books of such classes as may be specified in regulations to be made by the&#13;
Board of Trade.&#13;
(6) If a publisher fails to comply with this section, he shall be liable on summary&#13;
conviction to a fine not exceeding five pounds and the value of the book, and the fine&#13;
shall be paid to the trustees or authority to whom the book ought to have been&#13;
delivered.&#13;
(7) For the purposes of this section, the expression “ book " includes every part or&#13;
division of a book, pamphlet, sheet of letter-press, sheet of music, map, plan, chart or table&#13;
separately published, but shall not include any second or subsequent edition of a book unless&#13;
such edition contains additions or alterations either in the letterpress or in the maps,&#13;
prints, or other erigravings belonging thereto.&#13;
Special Provisions as to certain Works,&#13;
16.-(1) In the case of a work of joint authorship, copyright shall subsist during the Works of&#13;
life of the author who first dies and for a term of fifty years after his death, or during the joint authors.&#13;
life of the author who dies last, whichever period is the longer, and references in this Act&#13;
to the period after the expiration of any specified number of years from the death of the&#13;
author shall be construed as references to the period after the expiration of the like number of&#13;
years from the death of the author who dies first or after the death of the author who dies&#13;
last, whichever period may be the shorter, and in the provisions of this Act with respect to&#13;
the grant of compulsory licences a reference to the date of the death of the author who&#13;
dies last shall be substituted for the reference to the date of the death of the author.&#13;
(2) Where, in the case of a work of joint authorship, some one or more of the joint&#13;
authors do not satisfy the conditions conferring copyright laid down by this Act, the work&#13;
shall be treated for the purposes of this Act as if the other author or authors had been the&#13;
sole author or authors thereof :&#13;
Provided that the term of the copyright shall be the same as it would have been if all&#13;
the authors had satisfied such conditions as aforesaid.&#13;
&#13;
&#13;
## p. 8 (#758) ##############################################&#13;
&#13;
(&#13;
)&#13;
8&#13;
(3) For the purposes of this Act, “ a work of joint authorship” means a work pro-&#13;
duced by the collaboration of two or more authors in which the contribution of one author&#13;
is not distinct from the contribution of the other author or authors.&#13;
(4) Where a married woman and her husband are joint authors of a work the interest&#13;
of such married woman therein shall be her separate property.&#13;
Posthumous 17.-(1) In the case of a literary dramatic or musical work, or an engraving, in which&#13;
works.&#13;
copyright subsists at the date of the death of the author, or, in the case of a work&#13;
of joint authorship, at or immediately before the date of the death of the author who&#13;
dies last, but which has not been published, nor, in the case of a dramatic or musical work,&#13;
been performed in public, nor, in the case of a lecture, been delivered in public, before&#13;
that date, copyright shall subsist till publication, or performance or delivery in public,&#13;
whichever may first happen, and for a term of fifty years thereafter, and the proviso to&#13;
section three of this Act shall, in the case of such a work, apply as if the author had died&#13;
at the date of such publication or performance or delivery in public as aforesaid.&#13;
(2) The ownership of an author's manuscript after his death, where such ownership&#13;
has been acquired under a testamentary disposition made by the author and the manuscript&#13;
is of a work which has not been published nor performed in public nor delivered in public,&#13;
shall be primâ facie proof of the copyright being with the owner of the manuscript.&#13;
Provisions as 18. Without prejudice to any rights or privileges of the Crown, where any work has,&#13;
to Govern-&#13;
whether before or after the commencement of this Act, been prepared or published by or&#13;
ment pub-&#13;
lications.&#13;
under the direction or control of His Majesty or any Government department, the copyright&#13;
in the work shall, subject to any agreement with the author, belong to His Majesty, and in&#13;
such case shall continue for a period of fifty years from the date of the first publication of&#13;
the work.&#13;
Provisions as 19.—(1) Copyright shall subsist in records, perforated rolls, and other contrivances by&#13;
to mechanical&#13;
means of which sounds may be mechanically reproduced, in like manner as if such contri-&#13;
instruments.&#13;
vances were musical works, but the term of copyright shall be fifty years from the making&#13;
of the original plate from which the contrivance was directly or indirectly derived, and the&#13;
person who was the owner of such original plate at the time when such plate was made&#13;
shall be deemed to be the author of the work, and, where such owner is a body corporate,&#13;
the body corporate shall be deemed for the purposes of this Act to reside within the parts&#13;
of His Majesty's dominions to which this Act extends if it has established a place of business&#13;
within such parts.&#13;
(2) It shall not be deemed to be an infringement of copyright in any musical work for&#13;
any person to make within the parts of His Majesty's dominions to which this Act extends&#13;
records, perforated rolls, or other contrivances by means of which the work may be&#13;
mechanically performed, if such person proves-&#13;
(a) that such contrivances have previously been made by, or with the consent or&#13;
acquiescence of, the owner of the copyright in the work ; and .&#13;
(6) that he has given the prescribed notice of his intention to make the contrivances,&#13;
and has paid in the prescribed manner to, or for the benefit of, the owner of the&#13;
copyright in the work royalties in respect of all such contrivances sold by him,&#13;
calculated at the rate herein-after mentioned :&#13;
Provided that,&#13;
(i) nothing in this provision shall authorise any alterations in, or omissions from, the&#13;
work reproduced, unless contrivances reproducing the work subject to similar&#13;
alterations and omissions have been previously made by, or with the consent or&#13;
acquiescence of, the owner of the copyright, or unless such alterations or&#13;
omissions are reasonably necessary for the adaptation of the work to the&#13;
contrivances in question ; and&#13;
(ii) for the purposes of this provision, a musical work shall be deemed to include any&#13;
words so closely associated therewith as to form part of the same work, but&#13;
shall not be deemed to include a contrirance by means of which sounds may&#13;
be mechanically reproduced.&#13;
(3) The rate at which such royalties as aforesaid are to be calculated shall-&#13;
(a) in the case of contrivances sold within two years after the commencement of this&#13;
Act by the person making the same, be two and one-half per cent. ; and&#13;
&#13;
&#13;
## p. 9 (#759) ##############################################&#13;
&#13;
( 9 )&#13;
(6) in the case of contrivances sold as aforesaid after the expiration of that period&#13;
five per cent.&#13;
on the ordinary retail selling price of the contrivance calculated in the prescribed manner,&#13;
so however that the royalty payable in respect of a contrivance shall, in no case, be less&#13;
than a half-penny for each separate musical work in which copyright subsists reproduced&#13;
thereon, and, where the royalty calculated as aforesaid includes a fraction of a farthing,&#13;
such fraction shall be reckoned as a farthing :&#13;
Provided that, if, at any time after the expiration of seven years from the commence-&#13;
ment of this Act, it appears to the Board of Trade that such rate as aforesaid is no longer&#13;
equitable, the Board of Trade may, after holding a public inquiry, make an order either&#13;
decreasing or increasing that rate to such extent as under the circumstances may seein&#13;
just, but any order so made shall be provisional only and shall not have any effect unless&#13;
and until confirmed by Parliament; but, where an order revising the rate has been so&#13;
made and confirmed, no further revision shall be made before the expiration of fourteen&#13;
years from the date of the last revision.&#13;
(4) If any such contrivance is made reproducing two or more different works in which&#13;
copyright subsists and the owners of the copyright therein are different persons, the sums&#13;
payable by way of royalties under this section shall be apportioned amongst the several&#13;
owners of the copyright in such proportions as, failing agreement, may be determined by&#13;
arbitration.&#13;
(5) When any such contrivances by means of which a musical work may be&#13;
mechanically performed have been made, then, for the purposes of this section, the owner&#13;
of the copyright in the work shall, in relation to any person who makes the prescribed&#13;
inquiries, be deemed to have given his consent to the making of such contrivances if he&#13;
fails to reply to such inquiries within the prescribed time.&#13;
(6) For the purposes of this section, the Board of Trade may make regulations&#13;
prescribing anything which under this section is to be prescribed, and prescribing the&#13;
mode in which notices are to be given and the particulars to be given in such notices, and&#13;
the mode, time, and frequency of the payment of royalties, and any such regulations may,&#13;
if the Board think fit, include regulations requiring payment in advance or otherwise&#13;
securing the payment of royalties.&#13;
(7) In the case of musical works published before the commencement of this Act, the&#13;
foregoing provisions shall have effect, subject to the following modifications and&#13;
additions :-&#13;
(a) The conditions as to the previous making by, or with the consent or acquiescence&#13;
of, the owner of the copyright in the work, and the restrictions as to alterations&#13;
in or omissions from the work, shall not apply :&#13;
(6) The rate of two and one-half per cent. shall be substituted for the rate of five&#13;
per cent. as the rate at which royalties are to be calculated, but no royalties&#13;
shall be payable in respect of contrivances sold before the first day of July,&#13;
nineteen hundred and thirteen, if contrivances reproducing the same work had&#13;
been lawfully made, or placed on sale within the parts of His Majesty's&#13;
dominions to which this Act extends before the first day of July, nineteen&#13;
hundred and ten :&#13;
(c) Notwithstanding any assignment made before the passing of this Act of the copy-&#13;
right in a musical work, any rights conferred by this Act in respect of the&#13;
makiny, or authorising the making, of contrivances by means of which the&#13;
work may be mechanically performed shall belong to the author or his legal&#13;
personal representatives and not to the assignee, and the royalties aforesaid&#13;
shall be payable to, and for the benefit of, the author of the work or his legal&#13;
personal representatives :&#13;
(d) The saving contained in this Act of the rights and interests arising from, or in&#13;
connexion with, action taken before the commencement of this Act shall not be&#13;
construed as authorising any person who has made contrivances by means of&#13;
which the work may be mechanically performed to sell any such contrivances,&#13;
whether made before or after the passing of this Act, except on the terms and&#13;
subject to the conditions laid down in this section :&#13;
@) Where the work is a work on which copyright is conferred by an Order in&#13;
&#13;
&#13;
## p. 10 (#760) #############################################&#13;
&#13;
( 10 )&#13;
Council relating to a foreign country, the copyright so conferred shall not,&#13;
except to such extent as may be provided by the Order, include any rights with&#13;
respect to the making of records, perforated rolls, or other contrivances by&#13;
means of which the work may be mechanically performed.&#13;
(8) Notwithstanding anything in this Act, where a record, perforated roll, or other&#13;
contrivance by means of which sounds may be mechanically reproduced bas been made&#13;
before the commencement of this Act, copyright shall, as from the commencement of&#13;
this Act, subsist therein in like manner and for the like term as if this Act had been&#13;
in force at the date of the making of the original plate from which the contrivance was&#13;
directly or indirectly derived :&#13;
Provided that&#13;
(i) the person who, at the commencement of this Act, is the owner of such original&#13;
- plate shall be the first owner of such copyright ; and&#13;
(ii) nothing in this provision shall be construed as conferring copyright in any such&#13;
contrivance if the making thereof would have infringed copyright in some.&#13;
other such contrivance, if this provision had been in force at the time of the&#13;
making of the first-mentioned contrivance.&#13;
Provision as 20. Notwithstanding anything in this Act, it shall not be an infringement of copy-&#13;
to political&#13;
right in an address of a political nature delivered at a public meeting to publish a report&#13;
speeches.&#13;
thereof in a newspaper.&#13;
Provisions as&#13;
21. The term for which copyright shall subsist in photographs shall be fifty years&#13;
to photo-&#13;
graphs.&#13;
from the making of the original negative from which the photograph was directly or&#13;
indirectly derived, and the person who was owner of such negative at the time when&#13;
such negative was made shall be deemed to be the author of the work, and, where&#13;
such owner is a body corporate, the body corporate shall be deemed for the purposes&#13;
of this Act to reside within the parts of His Majesty's dominions to which this Act&#13;
extends if it has established a place of business within such parts.&#13;
Provisions as 22.-(1) This Act shall not apply to designs capable of being registered under the&#13;
to designs&#13;
Patents and Designs Act, 1907, except designs which, though capable of being so&#13;
registrable&#13;
registered, are not used or intended to be used as models or patterns to be multiplied by&#13;
under&#13;
7 Edw. 7,&#13;
any industrial process.&#13;
(2) General rules under section eighty-six of the Patents and Designs Act, 1907, may&#13;
be made for determining the conditions under which a design shall be deemed to be used&#13;
for such purposes as aforesaid.&#13;
Works of&#13;
23. If it appears to His Majesty that a foreign country does not give, or has not&#13;
foreign undertaken to give, adequate protection to the works of British authors, it shall be lawful&#13;
authors first for His Maja&#13;
for His Majesty by Order in Council to direct that such of the provisions of this Act as&#13;
published in&#13;
parts of&#13;
a confer copyright on works first published within the parts of His Majesty's dominions&#13;
His Majesty's to which this Act extends, shall not apply to works published after the date specified in&#13;
dominions to the Order, the authors whereof are subjects or citizens of such foreign country, and are&#13;
which Act&#13;
not resident in His Majesty's dominions, and thereupon those provisions shall not apply&#13;
extends.&#13;
to such works.&#13;
Existing&#13;
24.-(1) Where any person is immediately before the commencement of this Act&#13;
works.&#13;
entitled to any such right in any work as is specified in the first column of the First&#13;
Schedule to this Act, or to any interest in such a right, he shall, as from that date, be&#13;
entitled to the substituted right set forth in the second column of that schedule, or to the&#13;
same interest in such a substituted right, and to no other right or interest, and such&#13;
substituted right shall subsist for the term for which it would have subsisted if this Act&#13;
had been in force at the date when the work was made and the work had been one&#13;
entitled to copyright thereunder :&#13;
Provided that&#13;
(a) if the author of any work in which any such right as is specified in the first&#13;
column of the First Schedule to this Act subsists at the commencement of this&#13;
Act has, before that date, assigned the right or granted any interest therein for&#13;
the whole term of the right, then at the date when, but for the passing of this&#13;
Act, the right would have expired, the substituted right conferred by this section&#13;
c. 29.&#13;
&#13;
&#13;
## p. 11 (#761) #############################################&#13;
&#13;
(&#13;
)&#13;
11&#13;
shall, in the absence of express agreement, pass to the author of the work, and&#13;
any interest therein created before the commencement of this Act and then&#13;
subsisting shall determine ; but the person who immediately before the date at&#13;
which the right would so have expired was the owner of the right or interest&#13;
shall be entitled at his option either-&#13;
(i) on giving such notice as hereinafter mentioned, to an assignment of the&#13;
right or the grant of a similar interest therein for the remainder of the term&#13;
of the right for such consideration as, failing agreement, may be determined&#13;
by arbitration ; or&#13;
(ii) without any such assignment or grant, to continue to reproduce or&#13;
perform the work in like manner as theretofore subject to the payment, if&#13;
demanded by the author within three years after the date at which the right&#13;
would have so expired, of such royalties to the author as, failing agreement,&#13;
may be determined by arbitration, or, where the work is incorporated in a&#13;
collective work and the owner of the right or interest is the proprietor of that&#13;
collective work, without any such payment.&#13;
The notice above referred to must be given not more than one year nor less&#13;
than six months before the date at which the right would have so expired, and&#13;
must be sent by registered post to the author, or, if he cannot with reasonable&#13;
diligence be found, advertised in the London Gazette and in two London&#13;
newspapers:&#13;
(6) where any person has, before the twenty-sixth day of July nineteen hundred and&#13;
ten, taken any action whereby he has incurred any expenditure or liability in&#13;
connexion with the reproduction or performance of any work in a manner which&#13;
at the time was lawful, or for the purpose of or with a view to the reproduction&#13;
or performance of a work at a time when such reproduction or performance would,&#13;
but for the passing of this Act, have been lawful, nothing in this section shall&#13;
diminish or prejudice any rights or interest arising from or in connexion with&#13;
such action which are subsisting and valuable at the said date, unless the&#13;
person who by virtue of this section becomes entitled to restrain such reproduc-&#13;
tion or performance agrees to pay such compensation as, failing agreement, may&#13;
be determined by arbitration.&#13;
(2) For the purposes of this section, the expression "author" includes the legal&#13;
personal representatives of a deceased author.&#13;
(3) Subject to the provisions of section nineteen subsections (ū) and (8) and of section&#13;
thirty-three of this Act, copyright shall not subsist in any work made before the&#13;
commencement of this Act, otherwise than under, and in accordance with, the provisions&#13;
of this section.&#13;
Application to British Possessions.&#13;
25.-(1) *This Act, except such of the provisions thereof as are expressly restricted to Application&#13;
the United Kingdom, shall extend throughout His Majesty's dominions : Provided that it of Act to&#13;
shall not extend to a self-governing dominion, unless declared by the Legislature of that&#13;
dominions&#13;
dominion to be in force therein either without any modifications or additions, or with such&#13;
modifications and additions relating exclusively to procedure and remedies, or necessary&#13;
to adapt this Act to the circumstances of the dominion, as may be enacted by such&#13;
Legislature.&#13;
(2) If the Secretary of State certifies by notice published in the London Gazette that&#13;
any self-governing dominion has passed legislation under which works, the authors whereof&#13;
were at the date of the making of the works British subjects resident elsewhere than in&#13;
the dominion or (not being British subjects) were resident in the parts of His Majesty's&#13;
dominions to which this Act extends, enjoy within the dominion rights substantially&#13;
identical with those conferred by this Act, then, whilst such legislation continues in force,&#13;
the dominion shall, for the purposes of the rights conferred by this Act, be treated as if&#13;
it were a dominion to which this Act extends ; and it shall be lawful for the Secretary of&#13;
State to give such a certificate as aforesaid, notwithstanding that the remedies for&#13;
enforcing the rights, or the restrictions on the importation of copies of works, manu-&#13;
factured in a foreign country, under the law of the dominion, differ from those under&#13;
this Act,&#13;
British&#13;
&#13;
&#13;
## p. 12 (#762) #############################################&#13;
&#13;
(&#13;
)&#13;
12&#13;
Legislative&#13;
powers of&#13;
self-govern-&#13;
ing&#13;
dominions.&#13;
26.-(1) The Legislature of any self-governing dominion may, at any time, repeal&#13;
all or any of the enactments relating to copyright passed by Parliament (including this&#13;
Act) so far as they are operative within that dominion : Provided that no such repeal shall&#13;
prejudicially affect any legal rights existing at the time of the repeal, and that, on this Act&#13;
or any part thereof being so repealed by the Legislature of a self-governing dominion, that&#13;
dominion shall cease to be a dominion to which this Act extends.&#13;
(2) In any self-governing dominion to which this Act does not extend, the enactments&#13;
repealed by this Act shall, so far as they are operative in that dominion, continue in force&#13;
until repealed by the Legislature of that dominion.&#13;
(3) Where His Majesty in Council is satisfied that the law of a self-governing&#13;
dominion to which this Act does not extend provides adequate protection within the&#13;
dominion for the works (whether published or unpublished) of authors who at the time of&#13;
the making of the work were British subjects resident elsewhere than in that dominion,&#13;
His Majesty in Council may, for the purpose of giving reciprocal protection, direct that&#13;
this Act, except such parts (if any) thereof as may be specified in the Order, and subject&#13;
to any conditions contained therein, shall, within the parts of His Majesty's dominions to&#13;
which this Act extends, apply to works the authors whereof were, at the time of the making&#13;
of the work, resident within the first-mentioned dominion, and to works first published in&#13;
that dominion ; but save as provided by such an Order, works the authors whereof were&#13;
resident in a dominion to which this Act does not extend shall not, whether they are&#13;
British subjects or not, be entitled to any protection under this Act except such protection&#13;
as is by this Act conferred on works first published within the parts of His Majesty's&#13;
dominions to which this Act extends :&#13;
Provided that no such Order shall confer any rights within a self-governing dominion,&#13;
but the Governor in Council of any self-governing dominion to which this Act extends,&#13;
may, by Order, confer within that dominion the like rights as His Majesty in Council is,&#13;
under the foregoing provisions of this subsection, authorised to confer within other parts&#13;
of His Majesty's dominions.&#13;
For the purposes of this subsection, the expression “a dominion to which this Act&#13;
extends” includes a dominion which is for the purposes of this Act to be treated as if it&#13;
were a dominion to which this Act extends.&#13;
27. The Legislature of any British possession to which this Act extends may modify&#13;
or add to any of the provisions of this Act in its application to the possession, but except&#13;
so far as such modifications and additions relate to procedure and remedies, they shall&#13;
apply only to works the authors whereof were at the time of the making of the work,&#13;
resident in the possession, and to works first published in the possession.&#13;
28. His Majesty may, by Order in Council, extend this Act to any territories under&#13;
his protection and to Cyprus, and, on the making of any such Order, this Act shall, subject&#13;
to the provisions of the Order, have effect as if the territories to which it applies or Cyprus&#13;
were part of His Majesty's dominions to which this Act extends.&#13;
Power of&#13;
Legislatures&#13;
of British&#13;
possessions&#13;
to pass sup.&#13;
plemental&#13;
legislation.&#13;
Application&#13;
to protec-&#13;
torates.&#13;
PART II.&#13;
INTERNATIONAL COPYRIGHT.&#13;
Power to&#13;
extend Act&#13;
to foreign&#13;
works.&#13;
29.-(1) His Majesty may, by Order in Council, direct that this Act (except such&#13;
parts, if any, thereof as may be specified in the order) shall apply-&#13;
(a) to works first published in a foreign country to which the Order relates, in&#13;
like manner as if they were first published within the parts of His Majesty's&#13;
dominions to which this Act extends;&#13;
to literary, dramatic, musical, and artistic works, or any class thereof, the authors&#13;
whereof were at the time of the making of the work subjects or citizens of&#13;
a foreign country to which the Order relates, in like manner as if the authors&#13;
were British subjects;&#13;
(c) in respect of residence in a foreign country to which the Order relates, in like&#13;
manner as if such residence were residence in the parts of His Majesty's&#13;
dominions to which this Act extends;&#13;
&#13;
&#13;
## p. 13 (#763) #############################################&#13;
&#13;
( 13 )&#13;
and thereupon, subject to the provisions of this part of this Act and of the Order, this&#13;
Act shall apply accordingly :&#13;
Provided that,&#13;
(i) before making an Order in Council under this section in respect of any&#13;
foreign country (other than a country with which His Majesty has entered&#13;
into a convention relating to copyright), His Majesty shall be satisfied&#13;
that that foreign country has made, or has undertaken to make, such&#13;
provisions, if any, as it appears to His Majesty expedient to require for the&#13;
protection of works entitled to copyright under the provisions of Part I&#13;
of this Act;&#13;
(ii) the Order in Council may provide that the term of copyright within such&#13;
parts of His Majesty's dominions as aforesaid shall not exceed that conferred&#13;
by the law of the country to which the order relates ;&#13;
(iii) the provisions of this Act as to the delivery of copies of books shall not&#13;
apply to works first published in such country, except so far as is provided&#13;
by the Order;&#13;
(iv) the Order in Council may provide that the enjoyment of the rights conferred&#13;
by this Act shall be subject to the accomplishment of such conditions&#13;
and formalities (if any) as may be prescribed by the Order ;&#13;
in applying the provision of this Act as to ownership of copyright, the Order&#13;
in Council may make such modifications as appear necessary having&#13;
regard to the law of the foreign country;&#13;
(vi) in applying the provisions of this Act as to existing works, the Order in&#13;
Council may make such modifications as appear necessary, and may provide&#13;
that nothing in those provisions as so applied shall be construed as reviving&#13;
any right of preventing the production or importation of any translation 498.5&#13;
in any case where the right has ceased by virtue of section five of the c. 33.&#13;
International Copyright Act, 1886.&#13;
(2) An Order in Council under this section may extend to all the several countries&#13;
named or described therein. .&#13;
30.-(1) An Order in Council under this part of this Act shall apply to all His Application&#13;
• Majesty's dominions to which this Act extends ex pt self-governing dominions and any of Part 11. to&#13;
other possession specified in the order with respect to which it appears to His Majesty&#13;
✓ British&#13;
o possessions.&#13;
expedient that the Order should not apply.&#13;
(2) The Governor in Council of any self-governing dominion to wbich this Act&#13;
extends may, as respects that dominion, make the like orders as under this part of this Act&#13;
His Majesty in Council is authorised to make with respect to His Majesty's dominions&#13;
other than self-governing dominions, and the provisions of this part of this Act shall,&#13;
with the necessary modifications, apply accordingly.&#13;
(3) Where it appears to His Majesty expedient to except from the provisions of any&#13;
order any part of his dominions not being a self-governing dominion, it shall be lawful for&#13;
His Majesty by the same or any other Order in Council to declare that such order and&#13;
this Part of this Act shall not, and the same shall not, apply to such part, except so far as&#13;
is necessary for preventing any prejudice to any rights acquired previously to the date of such&#13;
Order.&#13;
PART III,&#13;
SUPPLEMENTAL PROVISIONS.&#13;
31. No person shall be entitled to copyright or any similar right in any literary, Abrogation&#13;
dramatic, musical, or artistic work, whether published or unpublished, otherwise than of common&#13;
under and in accordance with the provisions of this Act, or of any other statutory enact- law&#13;
ment for the time being in force, but nothing in this section shall be construed as&#13;
abrogating any right or jurisdiction to restrain a breach of trust or confidence.&#13;
32.-(1) His Majesty in Council may make Orders for altering, revoking, or varying Provisions as&#13;
any Order in Council made under this Act, or under any enactments repealed by this Act, to Orders in&#13;
but any Order made under this section shall not affect prejudicially any rights or interests Council.&#13;
&#13;
&#13;
## p. 14 (#764) #############################################&#13;
&#13;
(&#13;
)&#13;
14&#13;
tion.&#13;
acquired or accrued at the date when the Order comes into operation, and shall provide&#13;
for the protection of such rights and interests.&#13;
(2) Every Order in Council made under this Act shall be published in the London&#13;
Gazette and shall be laid before both Houses of Parliament as soon as may be after it is&#13;
made, and shall have effect as if enacted in this Act.&#13;
faring of&#13;
33. Nothing in this Act shall deprive any of the universities and colleges mentioned&#13;
university in the Copyright Act, 1775, of any copyright they already possess under that Act, but the&#13;
copyright.&#13;
remedies and penalties for infringement of any such copyright shall be under this Act and&#13;
15 Geo. 3,&#13;
c. 53.&#13;
not under that Act.&#13;
Saving of&#13;
34. There shall continue to be charged on, and paid out of, the Consolidated Fund&#13;
compensation of the United Kingdom such annual compensation as was immediately before the com-&#13;
to certain mencement of this Act payable in pursuance of any Act as compensation to a library for&#13;
libraries.&#13;
the loss of the right to receive gratuitous copies of books :&#13;
Provided that this compensation shall not be paid to a library in any year, unless the&#13;
Treasury are satisfied that the compensation for the previous year has been applied in the&#13;
purchase of books for the use of and to be preserved in the library.&#13;
Interpreta-&#13;
35.—(1) In this Act, unless the context otherwise requires,—&#13;
* Literary work" includes maps, charts, plans, tables, and compilations ;&#13;
“ Dramatic work” includes any piece for recitation, choreographic work or entertain-&#13;
ment in dumb show, the scenic arrangement or acting form of which is fixed in&#13;
writing or otherwise, and any cinematograph production where the arrangement or&#13;
acting form or the combination of incidents represented give the work an original&#13;
character;&#13;
“Artistic work” includes works of painting, drawing, sculpture, and artistic crafts-&#13;
manship, and architectural works of art and engravings and photographs ;&#13;
“Work of sculpture " includes casts and models;&#13;
“ Architectural work of art” means any building or structure having an artistic&#13;
character or design, in respect of such character or design, or any model for such&#13;
building or structure, provided that the protection afforded by this Act shall be&#13;
confined to the artistic character and design, and shall not extend to processes or&#13;
methods of construction :&#13;
“ Engravings” include etchings, lithographs, wood-cuts, prints, and other similar&#13;
works, not being photographs ;&#13;
“ Photograph” includes photo-lithograph and any work produced by any process&#13;
analogous to photography;&#13;
“ Cinematograph” includes any work produced by any process analogous to&#13;
cinematography;&#13;
* Collective work” means-&#13;
(a) an encyclopædia, dictionary, year book, or similar work;&#13;
(6) a newspaper, review, magazine, or similar periodical; and&#13;
(c) any work written in distinct parts by different authors, or in which works or&#13;
parts of works of different authors are incorporated;&#13;
* Infringing," when applied to a copy of a work in which copyright subsists, means&#13;
any copy, including any colourable imitation, made or imported in contravention&#13;
of the provisions of this Act;&#13;
* Performance” means any acoustic representation of a work and any visual repre-&#13;
sentation of any dramatic action in a work, including such a representation made&#13;
by means of any mechanical instrument;&#13;
* Delivery,” in relation to a lecture, includes delivery by means of any mechanical&#13;
instrument;&#13;
“ Plate” includes any stereotype or other plate, stone, block, mould, matrix, transfer,&#13;
or negative used or intended to be used for printing or reproducing copies of any work,&#13;
and any matrix or other appliance by which records, perforated rolls or other con-&#13;
trivances for the acoustic representation of the work are or are intended to be made;&#13;
“Lecture" includes address, speech, and sermon ;&#13;
* Self-governing dominion" means the Dominion of Canada, the Commonwealth of&#13;
Australia, the Dominion of New Zealand, the Union of South Africa, and&#13;
Newfoundland.&#13;
&#13;
&#13;
## p. 15 (#765) #############################################&#13;
&#13;
( 15&#13;
)&#13;
(2) For the purposes of this Act (other than those relating to infringements of copy-&#13;
right), a work shall not be deemed to be published or performed in public, and a lecture&#13;
shall not be deemed to be delivered in public, if published, performed in public, or&#13;
delivered in public, without the consent or acquiescence of the author, his executors&#13;
administrators or assigns.&#13;
(3) For the purposes of this Act, a work shall be deemed to be first published within&#13;
the parts of His Majesty's dominions to which this Act extends, notwithstanding that it has&#13;
been published simultaneously in some other place, unless the publication in such parts of&#13;
His Majesty's dominions as aforesaid is colourable only and is not intended to satisfy the&#13;
reasonable requirements of the public, and a work shall be deemed to be published&#13;
simultaneously in two places if the time between the publication in one such place and the&#13;
publication in the other place does not exceed fourteen days, or such longer period as may,&#13;
for the time being, be fixed by Order in Council.&#13;
(4) Where, in the case of an unpublished work, the making of a work has extended&#13;
over a considerable period, the conditions of this Act conferring copyright shall be deemed&#13;
to have been complied with, if the author was, during any substantial part of that period,&#13;
a British subject or a resident within the parts of His Majesty's dominions to which this&#13;
Act extends.&#13;
(5) For the purposes of the provisions of this Act as to residence, an author of a work&#13;
shall be deemed to be a resident in the parts of His Majesty's dominions to which this Act&#13;
extends if he is domiciled within any such part.&#13;
36. Subject to the provisions of this Act, the enactments mentioned in the Second Repeal.&#13;
Schedule to this Act are hereby repealed to the extent specified in the third column of that&#13;
schedule :&#13;
Provided that this repeal shall not take effect in any part of His Majesty's dominions&#13;
until this Act comes into operation in that part.&#13;
· 37.-(1) This Act may be cited as the Copyright Act, 1911.&#13;
Short title&#13;
(2) This Act shall come into operation-&#13;
and com-&#13;
(a) in the United Kingdom, on the first day of July nineteen hundred and twelve or mencement.&#13;
such earlier date as may be fixed by Order in Council ;&#13;
(6) in a self-governing dominion to which this Act extends, at such date as may be&#13;
fixed by the Legislature of that dominion;&#13;
(c) in the Channel Islands, at such date as may be fixed by the States of those&#13;
islands respectively;&#13;
(d) in any other British possession to which this Act extends, on the proclamation&#13;
thereof within the possession by the Governor.&#13;
&#13;
&#13;
## p. 16 (#766) #############################################&#13;
&#13;
(&#13;
)&#13;
16&#13;
SCHEDULES.&#13;
Section 24.&#13;
FIRST SCHEDULE.&#13;
EXISTING RIGHTS.&#13;
Existing Right.&#13;
Substituted Right,&#13;
(a) In the case of Works other than Dramatic and Musical Works.&#13;
Copyright.&#13;
| Copyright as defined by this Act.*&#13;
(6) In the case of Musical and Dramatic Works.&#13;
Both copyright and performing right&#13;
Copyright, but not performing right&#13;
. Copyright as defined by this Act.*&#13;
. Copyright as defined by this Act, except the sole&#13;
right to perform the work or any substantial part&#13;
thereof in public.&#13;
| The sole right to perform the work in public, but&#13;
none of the other rights comprised in copyright&#13;
as defined by this Act.&#13;
Performing right, but not copyright&#13;
For the purposes of this Schedule the following expressions, where used in the first column&#13;
thereof, have the following meanings :-&#13;
“ Copyright,” in the case of a work which according to the law in force immediately before&#13;
the commencement of this Act has not been published before that date and statutory&#13;
copyright wherein depends on publication, includes the right at common law (if any)&#13;
to restrain publication or other dealing with the work;&#13;
“Perforining right," in the case of a work which has not been performed in public before&#13;
the commencement of this Act, includes the right at common law (if any) to restrain&#13;
the performance thereof in public.&#13;
* In the case of an essay, article, or portion forming part of and first published in a review,&#13;
magazine, or other periodical or work of a like nature, the right shall be subject to any right of&#13;
publishing the essay, article, or portion in a separate form to which the author is entitled at the&#13;
commencement of this Act, or would, if this Act had not been passed, have become entitled&#13;
under section eighteen of the Copyright Act, 1842.&#13;
&#13;
&#13;
## p. 17 (#767) #############################################&#13;
&#13;
( 17 )&#13;
SECOND SCHEDULE.&#13;
Section 36.&#13;
ENACTMENTS REPEALED.&#13;
Session and Chapter.&#13;
Short Title.&#13;
Extent of Repeal.&#13;
8 Geo. 2, c. 13 The Engraving Copyright Act, 1734. The whole Act.&#13;
7 Geo. 3, c. 38 The Engraving Copyright Act, 1767. The whole Act.&#13;
15 Geo. 3, c. 53 The Copyright Act, 1775 . .&#13;
The whole Act.&#13;
17 Geo. 3, c. 57 The Prints Copyright Act, 1777&#13;
The whole Act.&#13;
54 Geo. 3, c. 56 The Sculpture Copyright Act, 1814 . . The whole Act.&#13;
3 &amp; 4 Will. 4, The Dramatic Copyright Act, 1833. . The whole Act.&#13;
c. 15.&#13;
5 &amp; 6 Will. 4, The Lectures Copyright Act, 1835. . The whole Act.&#13;
c. 65.&#13;
6 &amp; 7 Will. 4, | The Prints and Engravings Copyright The whole Act.&#13;
C. 59.&#13;
(Ireland) Act, 1836.&#13;
6 &amp; 7 Will. 4, The Copyright Act, 1836 . . . . The whole Act.&#13;
c. 110.&#13;
5 &amp; 6 Vict. The Copyright Act, 1842 . . . . The whole Act.&#13;
c. 45.&#13;
7 &amp; 8 Vict. The International Copyright Act, 1844 . The whole Act.&#13;
c. 12.&#13;
10 &amp; 11 Vict. The Colonial Copyright Act, 1847 . :) The whole Act.&#13;
c. 95.&#13;
15 &amp; 16 Vict. The International Copyright Act, 1852 . The whole Act.&#13;
c. 12.&#13;
25 &amp; 26 Vict. The Fine Arts Copyright Act, 1862 . . Sections one to six. In section&#13;
C. 68.&#13;
eight the words "and pursuant&#13;
“to any Act for the protection&#13;
“of copyright engravings,"&#13;
and “and in any such Act as&#13;
“aforesaid.” Sections nine to&#13;
twelve.&#13;
38 &amp; 39 Vict. The International Copyright Act, 1875 . The whole Act.&#13;
c. 12.&#13;
39 &amp; 40 Vict. The Customs Consolidation Act, 1876 . Section forty-two, from “ Books&#13;
c. 36.&#13;
“wherein " to " such copy-&#13;
“ right will expire.” Sections&#13;
forty-four, forty-five, and one&#13;
hundred and fifty-two.&#13;
4. &amp; 46 Vict. The Copyright (Musical Compositions) The whole Act.&#13;
c. 40.&#13;
Act, 1882.&#13;
49 &amp; 50 Vict. The International Copyright Act, 1886 . The whole Act.&#13;
c. 33.&#13;
51 &amp; 52 Vict. The Copyright (Musical Compositions) The whole Act.&#13;
c. 17.&#13;
Act, 1888.&#13;
52 &amp; 53 Vict. The Revenue Act, 1889 . . . . Section one, from “ Books first&#13;
c. 42.&#13;
"published” to “as provided&#13;
“in that section."&#13;
6 Edw. 7, c. 36 The Musical Copyright Act, 1906 . . In section three the words “and&#13;
“which has been registered&#13;
“in accordance with the pro-&#13;
“visions of the Copyright Act,&#13;
“ 1812, or of the International&#13;
“ Copyright Act, 1844, which&#13;
“ registration may be effected&#13;
“notwithstanding anything in&#13;
“the International Copyright&#13;
“ Act, 1886."&#13;
A.S.&#13;
&#13;
&#13;
## p. (#768) ################################################&#13;
&#13;
&#13;
&#13;
## p. 1 (#769) ##############################################&#13;
&#13;
STATUTORY RULES AND ORDERS, 1912.—No. 532.&#13;
COPYRIGHT,&#13;
THE COPYRIGHT ROYALTY SYSTEM (GENERAL) REGULATIONS, 1912.&#13;
DATED JUNE 7, 1912.&#13;
The Board of Trade, in pursuance of the powers&#13;
conferred by Section 3 of the Copyright Act, 1911,&#13;
hereby make the following regulations :-&#13;
PRELIMINARY.&#13;
(1.) These Regulations may be cited as the Copy-&#13;
right Royalty System (General) Regulations, 1912,&#13;
and shall come into operation on the 1st day of&#13;
July, 1912.&#13;
NOTICE.&#13;
(2.) The notice required by Section 3 of the&#13;
Copyright Act, 1911, shall contain the following&#13;
particulars :-&#13;
(a.) The name and address of the person&#13;
intending to reproduce the work;&#13;
(6.) the name of the work which it is intended&#13;
to reproduce and (if necessary) a descrip-&#13;
tion sufficient to identify it;&#13;
(c.) the manner in which it is intended to&#13;
reproduce the work (e.g., whether by&#13;
printing, lithography, photography, &amp;c.);&#13;
(d.) the price or prices at which it is intended&#13;
to publish the work ;&#13;
(e.) the earliest date at which any of the copies&#13;
will be delivered to a purchaser.&#13;
(3.) The notice shall, not less than one month&#13;
before any copies of the work are delivered to a&#13;
purchaser, be sent by registered post or published by&#13;
advertisement as follows :-&#13;
(a.) If the name and an address within the&#13;
United Kingdom of the owner of the&#13;
copyright, or his agent for the receipt of&#13;
notice, are known or can with reason-&#13;
able diligence be ascertained, the notice&#13;
shall be sent to such owner or agent at&#13;
such address;&#13;
(6.) if such name and address are not known&#13;
and cannot with reasonable diligence&#13;
be ascertained the notice shall be&#13;
advertised in the London Gazette ; the&#13;
advertisement in the London Gazette&#13;
shall give the particulars required by&#13;
paragraphs (a.) and (b.) of Regulation (2.),&#13;
and shall also state an address from&#13;
which a copy of the notice described in&#13;
Regulation (2.) may be obtained.&#13;
PAYMENT OF ROYALTIES.&#13;
(4.)–(a.) Unless otherwise agreed royalties shall&#13;
be payable by means of adhesive labels purchased&#13;
from the owner of the copyright and affixed to the&#13;
copies of the work.&#13;
After the person reproducing the work has given&#13;
the prescribed notice of his intention to reproduce&#13;
the work the owner of the copyright shall by&#13;
writing sent by registered post intimate to him&#13;
some reasonably convenient place within the United&#13;
Kingdom from which adhesive labels can be&#13;
obtained and on demand in writing and tender of&#13;
the price shall supply from such place adhesive&#13;
labels of the required denominations at a price equal&#13;
to the amount of royalty represented thereby.&#13;
Subject to these regulations, no copy of the work&#13;
shall be delivered to a purchaser until such label or&#13;
labels denoting the amount of royalty have been&#13;
affixed thereto.&#13;
(6.) In cases when royalties are payable by&#13;
means of adhesive labels if at any time labels of the&#13;
required denomination are not available either&#13;
because&#13;
(i.) after the expiration of fourteen days from&#13;
the date of the prescribed notice the&#13;
owner of the copyright has not duly sent&#13;
to the person reproducing the work an&#13;
intimation of some reasonably convenient&#13;
place within the United Kingdom from&#13;
which such labels can be obtained ; or&#13;
(ii.) the owner of the copyright refuses or&#13;
neglects to supply such labels within&#13;
fourteen days after demand duly made,&#13;
copies of the work may be delivered to purchasers&#13;
without having labels affixed thereto ; and the&#13;
amount of royalties shall be a debt due from the&#13;
person reproducing the work to the owner of the&#13;
&#13;
&#13;
## p. 2 (#770) ##############################################&#13;
&#13;
(&#13;
)&#13;
2&#13;
copyright, and the person reproducing the work shall the design to be entirely enclosed within a circle&#13;
keep an account of all such copies sold by bim. and the side of the label not to be greater than&#13;
(c.) For the purposes of this regulation “the i inch in length. The label shall not bear the&#13;
date of the prescribed notice ” means-&#13;
effigy of the Sovereign or any other person, nor any&#13;
(i.) in cases when the notice is required to be word mark or design such as to suggest that the&#13;
sent by registered post, the date when label is issued by or under the authority of the&#13;
the notice would in ordinary course of Government for the purpose of denoting any duty&#13;
post be delivered ;&#13;
payable to the Government.&#13;
in cases when the notice is required to be&#13;
advertised in the London Gazette, the&#13;
INTERPRETATION.&#13;
date of such advertisement.&#13;
(d.) Where royalties are by agreement payable in&#13;
(6.) In these Regulations the expression “ owner&#13;
any other mode than by means of adhesive labels&#13;
labels of the copyright” has the same meaning as in&#13;
the time and frequency of the payment shall be&#13;
Section 3 of the Copyright Act, 1911.&#13;
such as are specified in the agreement.&#13;
Dated this 7th day of June, 1912.&#13;
(e.) The adhesive label supplied as aforesaid&#13;
H. LLEWELLYN SMITH,&#13;
shall be an adhesive paper label, square in shape,&#13;
Secretary to the Board of Trade.&#13;
(ii.)&#13;
STATUTORY RULES AND ORDERS, 1912.—No. 533.&#13;
COPYRIGHT.&#13;
THE COPYRIGHT ROYALTY SYSTEM (MECHANICAL MUSICAL INSTRUMENTS)&#13;
REGULATIONS, 1912. DATED JUNE 7, 1912.&#13;
The Board of Trade, in pursuance of the powers&#13;
conferred by Section 19 (6) of the Copyright Act,&#13;
1911, hereby make the following regulations :&#13;
PRELIMINARY.&#13;
(1.) These Regulations may be cited as the Copy-&#13;
right Royalty System (Mechanical Musical Instru-&#13;
ments) Regulations, 1912, and shall 'come into&#13;
operation on the 1st day of July, 1912.&#13;
NOTICE.&#13;
(2.) The notice required by Section 19 (2) of the&#13;
Copyright Act, 1911, sball contain the following&#13;
particulars :&#13;
(a.) The name and address of the person&#13;
intending to make the contrivances ;&#13;
(b.) the name of the musical work which it is&#13;
intended to reproduce and of the author&#13;
(if known); aud (if necessary) a descrip-&#13;
tion sufficient to identify the musical&#13;
work ;&#13;
(c.) the class of contrivance on which it is&#13;
intended to reproduce the musical work&#13;
(e.g., whether discs, cylinders or music&#13;
rolls) ;&#13;
(d.) the ordinary retail selling prices of the&#13;
contrivances, and the amount of the&#13;
royalty payable on each contrivance in&#13;
respect of the musical work;&#13;
(e.) the earliest date at which any of the&#13;
contrivances will be delivered to a&#13;
purchaser ;&#13;
(f.) whether any other work is to be repro-&#13;
duced on the same contrivance with the&#13;
musical work specified in accordance&#13;
with paragraph (b.).&#13;
(3.) The notice shall, not less than 10 days&#13;
before any contrivances on which the musical work&#13;
is reproduced are delivered to a purchaser, be sent&#13;
by registered post or published by advertisement as&#13;
follows :-&#13;
(a.) If the name and an address within the&#13;
United Kingdom of the owner of the&#13;
copyright, or his agent for the receipt of&#13;
notice, are known or can with reasonable&#13;
diligence be ascertained, the notice shall&#13;
be sent to such owner or agent at such&#13;
address ;&#13;
&#13;
&#13;
## p. 3 (#771) ##############################################&#13;
&#13;
(&#13;
)&#13;
3&#13;
(6.) if such name and address are not known making the contrivances to the owner of the copy-&#13;
and cannot with reasonable diligence be right and the person making the contrivances shall&#13;
ascertained, the notice shall be advertised keep an account of all such contrivances sold by&#13;
in the London Gazette; the advertise him.&#13;
ment in the London Gazette shall give (c.) For the purposes of this Regulation “ the&#13;
the particulars required by paragraphs date of the prescribed notice" means&#13;
(a.) and (b.) of Regulation (2.), and shall (i.) in cases where the notice is required to be&#13;
also state an address from which a copy&#13;
sent by registered post, the date when&#13;
of the notice described in Regulation (2.)&#13;
the notice would in ordinary course of&#13;
may be obtained. Any number of&#13;
post be delivered ;&#13;
musical works may be included in the (ii.) in cases where the notice is required to&#13;
same advertisement.&#13;
be advertised in the London Gazette, the&#13;
The notice may be given either before&#13;
date of such advertisement.&#13;
or after the 1st day of July, 1912.&#13;
(d.) in cases where royalties are payable on con-&#13;
trivances made before the commencement of the&#13;
PAYMENT OF ROYALTIES.&#13;
Copyright Act, 1911, the person making such con-&#13;
(4.)—(a.) Unless otherwise agreed, royalties shall&#13;
trivances may give notice of his intention to sell&#13;
be payable by means of adhesive labels purchased&#13;
them, containing mutatis mutandis the same par-&#13;
from the owner of the copyright and affixed in the ticulars and given in the same manner as is pre-&#13;
manner provided by these Regulations.&#13;
scribed by these Regulations in the case of the&#13;
After the person making the contrivances has notice required by Section 19 (2) of the Copyright&#13;
given the prescribed notice of his intention to make Act, 1911.&#13;
or sell the contrivances, the owner of the copyright (e.) Where royalties are by agreement payable in&#13;
shall by writing sent by registered post intimate to any other mode than by means of adhesive labels,&#13;
bim some reasonably convenient place within the the time and frequency of the payment shall be&#13;
United Kingdom from which adhesive labels can such as are specified in the agreement.&#13;
be obtained and on demand in writing and tender (1) The adhesive label supplied as aforesaid&#13;
of the price shall supply from such place adhesive&#13;
shall be an adhesive paper label, square in shape,&#13;
labels of the required denominations at a price&#13;
the design to be entirely enclosed within a circle&#13;
equal to the amount of royalty represented thereby.&#13;
reby and the side of the label not to be greater than&#13;
and the side of the&#13;
Subject to these Regulations no contrivance shall&#13;
inch in length. The label shall not bear the&#13;
be delivered to a purchaser until such label or effigy of the Sovereign or any other person, nor&#13;
labels denoting the amount of royalty have been&#13;
any word, mark, or design such as to suggest that&#13;
affixed thereto, or in the case of cylinders, to which&#13;
the label is issued by or under the authority of the&#13;
it is not reasonably practicable to affix the labels,&#13;
Government for the purpose of denoting any duty&#13;
until such label or labels have been affixed to a payable to the Government.&#13;
carton or box enclosing the cylinder.&#13;
(b.) In cases where royalties are payable by&#13;
ORDINARY RETAIL SELLING PRICE.&#13;
means of adhesive labels if at any time labels of&#13;
the required denominations are not available either (5.) The ordinary retail selling price of any con-&#13;
because&#13;
trivance shall be calculated at the marked or&#13;
(i.) after the expiration of five days from the catalogued selling price of single copies to the&#13;
date of the prescribed notice of the public, or, if there is no such marked or catalogued&#13;
intention of the person making the con- selling price, at the highest price at which single&#13;
trivances to make or sell such contri. copies are ordinarily sold to the public.&#13;
vances the owner of the copyright has&#13;
not duly sent to the person making the&#13;
INQUIRIES&#13;
contrivances an intimation of some&#13;
reasonably convenient place within the (6.) The inquiries referred to in Section 19 (5)&#13;
United Kingdom from which such labels of the Copyright Act, 1911, shall be directed to the&#13;
can be obtained ; or&#13;
owner of the copyright by name or (if his name is&#13;
(ii.) the owner of the copyright refuses or not known and cannot with reasonable diligence be&#13;
neglects to supply such labels within ascertained) in general terms to “the owner of the&#13;
three days after demand duly made, copyright " of the musical work in respect of which&#13;
contrivances may be delivered to purchasers the inquiries are made, and shall contain-&#13;
without having labels affixed thereto or to the (a.) a statement of the name of the musical&#13;
carton or box enclosing the same ; and the amount&#13;
work in respect of which the inquiries&#13;
of royalties shall be a debt due from the person&#13;
are made and of the author (if known),&#13;
&#13;
&#13;
## p. 4 (#772) ##############################################&#13;
&#13;
( 4 )&#13;
and (if necessary) a description sufficient&#13;
to identify it;&#13;
(6.) a statement of the name, address and&#13;
occupation of the person making the&#13;
inquiries ;&#13;
(c.) an allegation that a contrivance has&#13;
previously been made by means of which&#13;
the musical work may be mechanically&#13;
performed, with the trade name (if&#13;
known) and a description of such&#13;
contrivance ;&#13;
(d.) an inquiry whether the contrivance so&#13;
described was made with the consent or&#13;
acquiescence of the owner of the copy-&#13;
right.&#13;
(7.) The inquiries shall be sent by registered&#13;
post or published by advertisement as follows ;-&#13;
(a.) if an address within the United Kingdom&#13;
of the owner of the copyright is known&#13;
or can with reasonable diligence be&#13;
ascertained the inquiries shall be sent to&#13;
such address ; or&#13;
(6.) if such address is not known and cannot&#13;
with reasonable diligence be ascertained&#13;
the inquiries shall be advertised in the&#13;
London Gazette.&#13;
(8.) The prescribed time for reply to such&#13;
inquiries shall be :-&#13;
(a.) in cases where the inquiries are required&#13;
to be sent by registered post seven days&#13;
after the date when the inquiries would&#13;
in ordinary course of post be delivered ;&#13;
(6.) in cases where the inquiries are required to&#13;
be advertised in the London Gazette seven&#13;
days after the date of such advertise-&#13;
ment.&#13;
INTERPRETATION.&#13;
(9.) In these Regulations the expression “ owner&#13;
of the copyright” has the same meaning as in&#13;
Section 19 (2) of the Copyright Act, 1911.&#13;
Dated this 7th day of June, 1912.&#13;
H. LLEWELLYN SMITH,&#13;
Secretary to the Board of Trade</text>
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                    <text>The Author
( THE ORGAN OF

THE

INCORPORATED

SOCIETY

OF

AUTHORS ).

SUPPLEMENT .

COPYRIGHT ACT ,
[1

2 Geo

&amp;

. 5.

CH

1911 .

. 46 .]
.

ARRANGEMENT OF SECTIONS
PART I.
COPYRIGHT .

.

.

,

.

.

as
to

of

.

Libraries

.

of

Books

Works

.

Certain

.

.

.

.

's

His Majesty

dominions

to

.

.
of 7,
c
.

Edw
parts

29

.

in 7

to

. .

of

as as

to

as as
as
to to
to

.

to

.

British Museum and other libraries

as

to

of

to

.

of

of

copies

Special Provisions
joint authors
Posthumous works
Provisions
Government publications
Provisions
mechanical instruments
political speeches
Provision
photographs
Provisions
designs registrable under
Provisions
foreign authors first published
Works
Act extends
Existing works
*

Copies

copies

Delivery

.

.

,

&amp;
c

.

Remedies

Importation

.

&amp;
c

.

.

in

of

to

or .

of on of

of to

.

.

Summary

24

copies

,

Works

of

Delivery

of

.

Importation

.

109 8 7
. . .
13 12
. 11

Penalties for dealing with infringing copies
Appeals
quarter sessions
provisions
summary remedies
Extent

14

.

15

Remedies

infringement
copyright
Civil remedies
Rights
dealing with infringing
owner against persons possessing
Exemption
pay damages
innocent infringer from liability
Restriction
remedies
the case
architecture
Limitation
actions

20 19 18 16
23
. 21
. . . . 17
. .
. 22

for

Civil
6.

.

Rights

Section ,
1. Copyright .
Infringement of copyright .
2.
3.
Term of copyright .
Compulsory licences .
4.
5 . Ownership of copyright , &amp;c .

&amp;
c

IMPERIAL

which

�(

)

2

Application to British
25 .
26 .

Possessions

.

Application of Act to British Dominions .
Legislative powers of self - governing Dominions .
Power of Legislatures of British possessions to pass supplemental
Application to protectorates .

27.
28 .

PART
INTERNATIONAL

legislation

.

II .
COPYRIGHT ,

Power to extend Act to foreign works .
Application of Part II . to British possessions.

29 .

30 .

Part III .
SUPPLEMENTAL

PROVISIONS .

Abrogation of common law rights .
Provisions as to Orders in Council .
Saving of university copyright .
Saving of compensation
to certain libraries .
Interpretation .
Repeal .
She
Short title and commencement ,

31.
32 .

33 .
34 .
35.
36 .
37.

SCHEDULES .

An Act

to

amend and consolidate the Law relating

to

Copyright

[ 16th

.

December

,

1911

.]

enacted by the King 's most Excellent Majesty , by and with the advice and
of the Lords Spiritual and Temporal , and Commons , in this present Parliament
assembled , and by the authority of the same, as follows

BE it

consent

:

PART
IMPERIAL

1.

COPYRIGHT

.

Rights .

- ( 1 ) Subject to the provisions of this Act, copyright shall subsist throughout the
of His Majesty 's dominions to which this Act extends
the term herein after
every original literary dramatic musical and artistic work
mentioned
published work
the case
the work was first published within such parts
His Majesty
dominions
aforesaid
and
unpublished work
the case
the author was
the date
the making
the work
British subject
resident within such parts
His Majesty
dominions
aforesaid
but
other works except
far
the protection conferred
this Act
extended
by Orders
which this Act
self governing dominions
Council thereunder relating
foreign countries
does not extend and
copyright means the sole right
produce
For the purposes
this Act
reproduce the work
any substantial part thereof
any material form whatsoever
any substantial part thereof
perform
the case
lecture
deliver the work
public
unpublished
publish the work
any substantial part thereof
the work
and shall include the sole right
produce reproduce perform
publish any translation
the work
the case
dramatic work
convert
into
novel
other non dramatic
work
,

of

's

of of

-

to

is

;

;

-

or of

a

or or

,

in

it

to or

, ,

to

,

to

,

,
,

a

in to or

”

to

.

,

“

of

a

is

,

of

to

as

by

;

so

to

of

in

;

if

In to

or

or

(
2
)

,

at

;

as

or

,

an

,

no

in

in

as

(
6
)

in

a of

's

of

(a
)

in

of
a

,

in

if

-

for

1.

parts

;

.

(6 (a
) )

Copyright

�the case of a novel or other non -dramatic work , or of an artistic work , to
convert it into a dramatic work , by way of performance in public or otherwise •
(d ) in the case of a literary , dramatic , or musical work , to make any record ,
perforated roll, cinematograph film , or other contrivance by means of which the
work may be mechanically performed or delivered ,

( c) in

and to authorise any such acts as aforesaid .
.
( 3 ) For the purposes of this Act, publication , in relation to any work , means the issue
of copies of the work to the public , and does not include the performance in public of a
dramatic or musical work , the delivery in public of a lecture , the exhibition in public of an
artistic work , or the construction of an architectural work of art , but , for the purposes of
this provision , the issue of photographs and engravings of works of sculpture and archi
tectural works of art shall not be deemed to be publication of such works .

2 . - ( 1) Copyright in a work shall be deemed to be infringed by any person who, Infringement
without the consent of the owner of the copyright, does anything the sole right to do which of copyright .
is by this Act conferred on the owner of the copyright : Provided
that the following acts
shall not constitute an infringement of copyright
( i) Any fair dealing with any work for the purposes of private study , research ,

:

of

,

of

,

of

a

in

,

if

,

in or

,

-

so

,

of

:

of

( or

of

a

by

,

,

in

of

to

i()

in

by

to

of

by

in
a

(
2
)

.

in

as

;

in

is

of

or

or

a

of

, at

,

is

a

,

in

:

is

a

byof

in

is a

or :

in

in

in

of of

of

by

:

,

,

of

any
fide intended for the use
schools
and
described
the title and
advertisements issued by the publisher
short passages from published literary
works not themselves published for the use
schools
which copyright sub
subsists
Provided that not more than two
such passages from works
the
same author are published
the same publisher within five years and that the
acknowledged
source from which such passages are taken
public
newspaper
report
The publication
lecture delivered
prohibited
conspicuous written
printed notice affixed
unless the report
before and maintained during the lecture
about the main entrance
the
building
being
given
which the lecture
and except whilst the building
position near the lecturer
used for public worship
but nothing
this
paragraph
paragraph
newspaper
shall affect the provisions
summaries
any reasonable extract from
public
The reading
recitation
one person
any published work
Copyright
work shall also be deemed
be infringed by any person who
in

(
v
)

(
vi
)

or

,

,

of

or

,

or

)

(

iv

in

)

or

,

or

a

of

iii
)

or

criticism , review , or newspaper summary :
( ii ) Where the author of an artistic work is not the owner of the copyright therein ,
the use by the author of any mould , cast , sketch , plan , model or study made
by him for the purpose of the work , provided that he does not thereby repeat
or imitate the main design of that work :
publishing
paintings drawings engravings
photographs
(
The making
sculpture
permanently situate
work
artistic craftsmanship
building
public place
publishing
paintings drawings
the making
engravings
photographs
which are not
the nature
architectural draw
any architectural work
art
plans
ings
The publication
collection mainly composed
non copyright matter bonâ

as

or

to

;

or

to

an

or

or

or

;

to

's

of

;

or

,

,

he

,

of

to

of

of

no

be

to

.

,

it

if

or

or or

,

,

or

a

of

of

,

in

an

be

in or

's

,

in
a

(
3
)

-

,

or of

his

to

,

or

for

in

of

by

) )

(
id c

of

of

,

or

(

b a
) )

or

way
sells
lets for hire
trade exposes
offers for sale
hire
affect
such
extent
trade
either for the purposes
distributes
prejudicially the owner
the copyright
public
way
trade exhibits
which this
imports
His Majesty dominions
sale
hire into any part
Act extends
any work which
knowledge infringes copyright
would infringe copyright
had
hiring
into which the sale
His Majesty dominions
been made within the part
importation took place
exposure offering for sale
exhibition
hire distribution
Copyright
be infringed by any person who for
work shall also be deemed
used for the per
other place
entertainment
theatre
his private profit permits
copyright
public
the
unless
the
owner
the
consent
the
work
without
formance
reasonable ground for suspecting that the performance would
was not aware and had
copyright
infringement

�(

of :
of a

in

he

,
be

,

in

.

of

(

)

if

fit

,

,

in

to

;

,

of

of

at

of

of
,

,

to

his

,

in

be

to

,

of

,

to

to

or in

be

fit
.

on

be
, to

a

of

be

a

the author

of

this Act

,

of

the provisions

therein

or

to

,

is

by

as

,

in

as

to

the copyright

work shall

the first

:

of

of
a

of of

,

or

,

of

in

of

to

or

to

(
1
)

Subject

-

.

5

a

of

or

public

in

at

the author

of

to is

owner

be

to

of

to

or

,

or

.

or

,

,
,

of

on

as

by

,

on
in him

,

of

,

in

in

of

(

in by

to

be

,

of

,

to

of

to

is is

or

of

a

is

of :

of no

it

be

of

in

of

or

no

,

or

,

's

to

to

to

of

of

,

,

on

-

, , ,

,

to
a

to of

,

in

or

or

by

by

,

) of

of

in

,

of

be

,

a

of

as

a

to

in

,

or

an

is

,

be

to

of

,

by

by

of a

in

by

to

of

,

by

be or

,

in

or

or

of

or

of

in

or

(6
)

(
2
)

,

in

no

or
as

,

or

,

in

,

;

of

,

by

,

of

,

byan

of

in

in

(a
)

,

,

Provided that
engraving
photograph
portrait the plate
where
the case
other
original was ordered
some other person and was made for valuable considera
any agreement
pursuance
the
the absence
that order then
tion
contrary the person
other original was ordered shall
whom such plate
the first owner
the copyright
and
where the author was
the employment
some other person under
contract
apprenticeship and the work was made
service
the course
his employ
ment
that person the person
whom the author was employed shall
the
any agreement
absence
the contrary
the first owner
the copyright
newspaper magazine
but where the work
article
other contribution
any agreement
similar periodical there shall
the absence
the contrary
right
deemed
reserved
the author
restrain the publication
the
part
newspaper magazine
work otherwise than
similar periodical
any work may assign the right either wholly
The owner
the copyright
partially and either generally
subject
any self
limitations
the United Kingdom
governing dominion
other part
His Majesty
dominions
which this Act extends
and either for the whole term
the copyright
for any part thereof and may grant any
grant shall
interest
the right
licence but
such assignment
valid unless
writing signed
grant
respect
the owner
the right
which the assignment
made
his duly authorised agent
Provided that where the author
work
the first owner
the copyright therein
assignment
grant
any interest therein made
the copyright and
him
other
operative
wise than
will after the passing
this Act shall
vest
the assignee
grantee any rights with respect
the copyright
the work beyond the expiration
twenty five years from the death
the author and the reversionary interest
the copy
right expectant
the termination
that period shall
the death
the author
any agreement
notwithstanding
his legal personal representatives
the contrary devolve

of

to

be

a

,

.

of

to

or

in

a

a

,

of

of

as

a

, of

(3
)

or

to

as

be

,

of

part
his estate and any agreement entered into
the disposition
such
reversionary interest shall
null and void but nothing
this proviso shall
construed
applying
publish
the assignment
the copyright
collective work
licence
part
part
work
collective work
work
copyright the assignee becomes entitled
Where under any partial assignment

a

. of

&amp;
c

,

to

be

in

if

or of

to

in

of

he

at of

of

or

If

.

4

any time after the death
performed

been published

which has

.

copyright

be

, ,

of

of

at

,

of

a

in

in

on

,

of

literary dramatic
musical work
complaint
made
the Judicial Com
mittee
the Privy Council that the owner
the copyright
the work has refused
republish
allow
the republication
the work
has refused
allow
public
the performance
the work
and that
reason
such refusal the work
grant
withheld from the public the owner
the copyright may
ordered
licence
reproduce the work
public
perform
the work
the case may
such terms
and subject
such conditions
the Judicial Committee may think

Compulsory
licences

Ownership

or

,

- of

a

of

,

be

at

of

in

he

.

as

which copyright shall subsist shall except
otherwise expressly
period
fifty years after his death
this Act
the life
the author and
any time after the expiration
twenty five years
Provided that
the case
work
which copyright subsists
the passing
this Act thirty years from the death
published work copyright
infringed
the author
the work shall not
deemed
by the reproduction
the work for sale
the person reproducing the work proves that
writing
reproduce the work and that
has given the prescribed notice
intention
has paid
the prescribed manner
for the benefit
the owner
the copyright
royalties
respect
all copies
the work sold by him calculated
the rate
ten per
publishes the work
cent
the price
which
and for the purposes
this proviso
the Board
Trade may make regulations prescribing the mode
which notices are
given and the particulars
given
such notices and the mode time and frequency
royalties including
they think
regulations requiring payment
the payment
royalties
advance
otherwise securing the payment
provided

.

for

3 . The term

by

Term of copy

right

)

4

�(

)

5

to any right comprised
in copyright , the assignee as respects
the right so assigned , and the
assignor as respects the rights not assigned , shall be treated for the purposes of this Act as
the owner of the copyright , and the provisions of this Act shall have effect accordingly .

Civil

.

Remedies

for

by of

of

be

of

of

be

,

in

of

in

,

of

is

,

be
,

be

or

or

is

to

is

or

so

be

,

in

in

of

,

is

,

in

of

is a

,

is

or he

of

to

or

of

so

is

of

,

if

or

by

,

or

so ;

is

's

so or

is

be

to

or

of

.

in

of

or

,

of

of of

,

for

of

be

of to

or

.

of

in

be

to

be

,

or

all

of

infringing

,

.

All

of

copyright therein
the infringement
copies
any work
any substantial
Rights
which copyright subsists
part thereof and
plates used
intended
used
the production
such infringing owner against
copies
persons
shall
deemed
the property
the owner
the copyright who accordingly possessing
ooonvorsin
may take proceedings for the recovery
respect
the possession thereof
the conversion
infringing
thereof
7

respect

or

,

is

,

in

a

of

to

printed
name purporting
that
the author
the work
otherwise
printed
indicated thereon
the usual manner the person whose name
proved be presumed
indicated shall unless the contrary
be the author
the work
printed
printed
name
indicated
the name
indicated
not
commonly known and
the author true name
the name
which
proprietor
the work
the publisher
be that
name purporting
printed
otherwise indicated thereon
the usual manner the person whose
printed
proved
presumed
name
indicated shall unless the contrary
proceedings
the owner
the copyright
the work for the purposes
no of

if

or

,

in

.

of

of

in

of

as

,
,

or

then

if

,

(
a
)
(6
)

as

,

,

in

all

of

be
a

In

to

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in

be

(2
)

(
3
)

to
in

issue

.

a

of

,

or

all

by

6 . - ( 1 ) Where copyright in any work has been infringed , the owner of the copyright Civil reme
way
shall , except as otherwise provided by this Act, be entitled to
such remedies
dies
infringement
injunction
may
interdict damages accounts and otherwise
are
conferred
right
law for the infringement
parties
respect
any proceedings
The costs
the infringement
copyright shall
the absolute discretion
the Court
any action for infringement
copyright
any work the work shall
presumed
work
which copyright subsists and the plaintiff shall be presumed
the owner
the copyright unless the defendant puts
issue the existence
the
copyright
the case may
the title
the plaintiff and where any such question

,
.
to

,

&amp;
c
.

on

a

Limitation
actions

.

commenced after

of

be

.

or

,

as

of

an

.

.

of in

or

,
to

or

an

to

or

of

not

.

in

which

offers

sale

or

or

any
hire any

or

;

of

of

any such work either
the purposes
trade
affect prejudicially the owner
the copyright
of

to

as

extent

for

work

trade exposes

;

of

by

way

copyright

for

work

for

a

copy

of

or

of ,

an

to

shall

Remedies

infringing

any

hire
or

;

or

lets for hire

such

copyright

knowingly

infringing copy
any such
distributes infringing copies
or

(b
)
(c
)

sells

sale

the case
architecture

the infringement

or

for

If

11

(a .)
(
)1

any person

of

infringement

next after

Restriction

.

years

of

respect

Summary
makes
subsists

pay damages

remedies

or

three

of

all
an

at

no

or

to

in

,

of

in

An

.

10

as

of

to

be

of

of

of

or

of

be

,

to in

of
a

(
)1

if

, .
-

9

(2
)

action

&amp;
c

of

if

of

the work

building
Where the construction
other structure which infringes
completed
which
would infringe the copyright
some other work has been commenced
injunction
the owner
the copyright shall not
entitled
obtain
interdict
restrain the construction
such building
structure
order its demolition
infringing copy
provide that
Such
the other provisions
this Act
impose
work shall
deemed
be the property
the owner
the copyright
summary penalties shall not apply
any case
which this section applies
the expiration

innocent
infringer from
liability

.

in

to

be

in

of

he

in

or

,

in

of

copyright subsisted

copies
Exemption

in

of

.

8

in

of

respect
Where proceedings are taken
the infringement
the copyright
any work and the defendant
the existence
his defence alleges that he was not aware
any remedy other than
the copyright
the work the plaintiff shall not
entitled
injunction
respect
interdict
the infringement
the defendant proves that
the
date
the infringement
was not aware and had
reasonable ground for suspecting that

Penalties
dealing with

infringing

�(

)

6

a

,

of

a

in

of

or
,

or in

to

,

to

or

a

,

to

,

an

of

in

be

,

or

,

in

be to

,

he

of

of

not

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a

or on

be

of

of

(
2
)

If

in or

.

to

or

;

or
,

of

or

to in

a

,

or

in

of

to

on

be

an

of

he

be

:

."

of

or

for

( d ) by way of trade exhibits in public any infringing copy of any such work ; or
any
( ) imports
sale
hire into the United Kingdom any infringing copy
such work
guilty
summary conviction
shall
offence under this Act and
liable
fine not exceeding forty shillings for every copy dealt with
contravention
this section
respect
but not exceeding fifty pounds
the same transaction
the case
second
subsequent offence
imprisonment with
either
such fine
without hard labour
for
term not exceeding two months
any person knowingly makes
has
his possession any plate for the purpose
making infringing copies
knowingly and
any work
which copyright subsists
public
performed
for his private profit causes any such work
without the
guilty
consent
the owner
the copyright
shall
offence under this Act and
summary conviction
liable
fine not exceeding fifty pounds
the case
imprisonment with
subsequent offence either
without hard
such fine
second

.
7
,

Edw

of

or

or

to

up

in

all

or

of

,

or

,

)

,

,

of

.

fit

as

,

in

(

.
7,

c 6 c 2
.
.
36 15
.
.

(
4
)

Edw

be

it all

or to

to

,

as

,

be

,

of of

is

or

(
3
)

,

a

.

exceeding two months
term
The court before which any such proceedings are taken may whether the alleged
copies
plates
offender
convicted
not order that
the work
the possession
infringing copies
plates for the purpose
the alleged offender which appear
making infringing copies
destroyed
delivered
the owner
the copyright
otherwise dealt with
the court may think
Nothing
respects
this section shall
musical works affect the provisions
the Musical Summary Proceedings Copyright Act 1902
the Musical Copyright Act
labour

by

.

to

)

(

.

of

an

a

.

of

to

of

,

to

be to as

in

or

by

,

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of

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of

to

,

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.

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to

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,

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of of

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1
)

.-

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2
)

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,

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to

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if

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of

.

(
3
)

,

,

of

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of

section

,

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;

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,

in

for

,

.

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(5
)

or

(
4
)

to

of

.

of

.

in

and the evidence requisite for any
the purposes
this section and the mode
verification
such evidence
copies
copies
The regulations may apply
all works the importation
which
prohibited by this section
different regulations may be made respecting different
classes
such works
The regulations may provide
the informant reimbursing the Commissioners
respect
any detention made
Customs and Excise all expenses and damages incurred
any proceedings consequent
his information and
such detention
and may provide for
notices under any enactment repealed
this Act being treated
notices given under this
is

Vict

Copies

Copies made out
any work
the United Kingdom
which copyright
subsists wbich
made
the United Kingdom would infringe copyright and
which
writing
the owner
the copyright gives notice
himself
his agent
the Com
imported
missioners
Customs and Excise that
desirous that such copies should not
imported and shall subject
into the United Kingdom
shall not
the provisions
prohibitions and restrictions contained
this section
deemed
included
the table
forty two
section
the Customs Consolidation Act 1876 and that section shall apply
accordingly
taking any further proceedings with
Before detaining any such copies
view
the forfeiture thereof under the law relating
the Customs the Commissioners
Customs
and Excise may require the regulations under this section whether
information
con
ditions
other matters
be complied with and may satisfy themselves
accordance
with those regulations that the copies are such
are probibited
this section
imported
The Commissioners
Customs and Excise may make regulations either general
special respecting the detention and forfeiture
prohibited
copies the importation
which
by this section and the conditions
any
be fulfilled before such detention and forfeiture
and may by such regulations determine the information
notices and security
be given
14

.

of

c
. 39
36&amp;
.
40

of

to

of

.

.

of

13

.

Importation

Importation
copies

summary remedies shall extend only

to

of

summary conviction
offence under the foregoing
England and Ireland appeal
quarter sessions
court
terms
the Summary Jurisdiction Scotland Acts

Scotland under and
The provisions
this Act with respect
the United Kingdom

'

as

to

summary
remedies

aggrieved

Act may

in

.

and

of

Extent
provisions

person

this

a

.

Any

provisions

in in

12

.

1906

to

Appeals
quarter
sessions

�(

7

)

that

possession

.

works made out

of

to

,

copies

Libraries

.

,
if

or

of

to

of

:

,

of

be or an

,

of

a

in

of

or

In ,

.

of

,

or

all

to

to

of

,

,

of

,

libraries

,

or

on

in of

be

,

be

.

is

,

on

on

,

of

as

,

a

of

to

all

(
3
)

be

.

,

Delivery
copies
British
Museum and
other

in

or

of

,

,

,

,

,

to

of

of

at

,

of

,

of

of
,

a

in

in

,

,

of

is

of

a

it
.

,

a

,
at

,
if

(
2
)

,

in

of

,

of

,

.

(
1
)

—

15

every book published
The publisher
the United Kingdom shall within
copy
the
the book
his own expense
deliver
one month after the publication
trustees
the British Museum who shall give
written receipt for
He shall also
written demand
made before the expiration
twelve months
after publication deliver within one month after receipt
that written demand
the
demand was made before publication
within one month after publication
some depôt
copy
London named
the demand
the book for
accordance with the
directions
the authority having the control
each
the following libraries namely
Cambridge the Library
the Bodleian Library Oxford the University Library
the
Edinburgh and the Library
Trinity College Dublin and
Faculty
Advocates
subject
the provisions
this section the National Library
Wales
the case
encyclopædia
newspaper
magazine
review
work published
series
numbers
parts
parts the written demand may include
numbers
the work which may
subsequently published
copy
The copy delivered
the trustees
the British Museum shall
the
maps and illustrations belonging thereto finished and coloured
whole book with
the
same manner
the best copies
the book are published and shall
bound sewed
together and
printed
stiched
the best paper
which the book

.

Books

of

Delivery

of

of

which this Act extends

to

British possession

to

a

(
7
)

,

.

of

for

(6 ) The foregoing provisions of this section shall have effect as if they were part of
the Customs Consolidation Act , 1876 : Provided that, notwithstanding anything
in that
Act , the Isle of Man shall not be treated as part of the United Kingdom
the purposes
this section
This section shall with the necessary modifications apply
the importation into

,

for

of

by

be

in

to

to

be

as to

be

.

for

is

of

of

as

to

,

to

or

of “

or

,

in a

or

of ,

,

,

or

in

or

Special Provisions

,

.

other erigravings belonging thereto

as

,

or

prints

"

,

-

to

,

of

,

,

certain Works

,

a

of

(
7
)

of

.

to

or

of

on

he

,

to

be

.

If

to a
a

be

(
6
)

of

of

(
5
)

of

in

be

on

(
4
)

in

The copy delivered for the other authorities mentioned
this section shall
printed
copies
the paper
which the largest number
the book
sale and shall
the like condition
the books prepared
sale
The books
which copies are
delivered
the National Library
Wales
regulations
may
specified
shall not include books
such classes
made
the
Board
Trade
publisher
comply with this section
summary
fails
shall
liable
conviction
fine not exceeding five pounds and the value
the book and the fine
authority
paid
shall
the trustees
whom
the book ought
have been
delivered
For the purposes
this section the expression
book
includes every part
division
book pamphlet sheet
letter press sheet
music map plan chart
table
separately published but shall not include any second
subsequent edition
book unless
such edition contains additions
alterations either
the letterpress
the maps

.

in

,

of

or

to

of

of

of

of

of

of

be

as

to

of

,
or

,

,

is

a

who

of

of

case

a

the

the author

of

In

(1
)

.

of of
16

copyright shall subsist during the Works
work
during the joint authors
fifty years after his death
term
first dies and for
the author who dies last whichever period
the longer and references
this Act
years
any specified number
the
from
the death
the period after the expiration
the like number
the period after the expiration
construed
references
author shall
life
life

joint authorship

of

,

of

all

if

or

it

as

be

aforesaid

.

conditions

as

such

if

as

of

of :

the authors had satisfied

.

of

byor

,

a

to

of

of of

to to in

,

of

of

in

be

do

(
2
)

,

be

a

of

,

be

years from the death
the author who dies first
after the death
the author who dies
this Act with respect
the provisions
the shorter and
last whichever period may
compulsory licences
the grant
reference
the date
the death
the author who
the death
the author
the date
substituted for the reference
dies last shall
joint authorship
Where
the case
work
some one
more
the joint
authors
not satisfy the conditions conferring copyright laid down
this Act the work
shall
treated for the purposes
this Act
the other author
authors had been the
sole author or authors thereof
Provided that the term
the copyright shall
the same
would have been

�(

8

)

( 3 ) For the purposes of this Act, “ a work of joint authorship ” means a work pro
duced by the collaboration of two or more authors in which the contribution of one author
is not distinct from the contribution of the other author or authors .
( 4 ) Where a married woman and her husband are joint authors of a work the interest
of such married woman therein shall be her separate property .
case of a literary dramatic or musical work , or an engraving , in which
subsists at the date of the death of the author , or , in the case of a work
of joint authorship , at or immediately before the date of the death of the author who
dies last , but which has not been published , nor , in the case of a dramatic or musical work ,
been performed in public , nor , in the case of a lecture , been
delivered in public , before
that date, copyright shall subsist till publication , or performance or delivery in public ,
whichever may first happen , and for a term of fifty years thereafter , and the proviso to
section three of this Act shall , in the case of such a work , apply as if the author had died
at the date of such publication or performance or delivery in public as aforesaid .
( 2) The ownership of an author ' s manuscript after his death , where such ownership
has been acquired under a testamentary disposition made by the author and the manuscript
is of a work which has not been published nor performed in public nor delivered in public ,
17 .

- ( 1 ) In the

copyright

shall be primâ facie proof of the copyright

the

of the manuscript .

.

Copyright shall subsist in records , perforated rolls , and other contrivances by
means of which sounds may be mechanically reproduced , in like manner as if such contri
vances were musical works , but the term of copyright shall be fifty years from the making
of the original plate from which the contrivance was directly or indirectly derived , and the
person who was the owner of such original plate at the time when
plate was made
such
shall be deemed to be the author of the work , and , where such owner is a body corporate ,
the body corporate shall be deemed
the purposes
this Act
reside within the parts
place
His Majesty
dominions
which this Act extends
has established
business
within such parts
infringement
copyright
any musical work
shall not
deemed
any person
make within the parts
His Majesty
dominions
which this Act extends
records perforated rolls
other contrivances by means
which
the work may
mechanically performed
such person proves
with the consent
that such contrivances have previously been made by
acquiescence
the work and
the copyright
the owner
make the contrivances
his intention
that he has given the prescribed notice
a

of

to

of

it

if

to

for

be

of

's

to

in

of

be

of an

to

or

, ,

or

.

the

him

,

by

,

of

of

,

to

all

of or

,

in

to

the prescribed manner
for the benefit
the owner
respect
the work royalties
such contrivances sold
the rate herein after mentioned
in

copyright

at in

and has paid

or

;

in

(6
)

of

of
,

of

(a
)

,

if

,

to

(
2
)
It

be

.

's

of

for

19. — ( 1)

to

,

or

,

to

of

,

of

.
;

-

be

by

in

of

of

be

to

to

by

to

a

as

at

.

be

be

so

as

,

a

be

;

of

for

in

of

to

or

,

of
,

of

,
or

or or

,

(i
)

in

in

,

-

:

calculated
Provided that
the
nothing
omissions from
this provision shall authorise any alterations
similar
work reproduced unless contrivances reproducing the work subject
with the consent
alterations and omissions have been previously made by
acquiescence
unless such alterations
the copyright
the owner
the
the work
omissions are reasonably necessary for the adaptation
question
and
contrivances
include any
deemed
musical work shall
this provision
the purposes
part
closely associated therewith
the same work but
form
words
shall not
deemed
include
contrirance
means
which sounds may
mechanically reproduced
calculated shall
aforesaid are
which such royalties
The rate
this
the case
contrivances sold within two years after the commencement
and
two and one half per cent
the person making the same
Act

(
)ii

instruments .

work

(
3
)

Provisions as
to mechanical

(a
)

Provisions as

to Govern

ment pub
lications.

being with the owner

18. Without prejudice to any rights or privileges of the Crown , where any work has ,
whether before or after the commencement of this Act , been prepared
or published by or
under the direction or control of His Majesty or any Government department , the copyright
in the work shall , subject to any agreement with the author , belong to His Majesty , and in
such case shall continue for a period of fifty years from the date of the first publication of

,

Posthumous

works.

�(
(6)

)

9

the case of contrivances sold as aforesaid after the expiration of that period
five per cent.
on the ordinary retail selling price of the contrivance calculated in the prescribed manner ,
so however that the royalty payable in respect of a contrivance
shall , in no case , be less
than a half - penny for each separate musical work in which copyright subsists reproduced
thereon , and , where the royalty calculated as aforesaid includes a fraction of a farthing ,
such fraction shall be reckoned as a farthing :
Provided that , if , at any time after the expiration of seven years from the commence
ment of this Act , it appears to the Board of Trade that such rate as aforesaid is no longer
equitable , the Board of Trade may , after holding a public inquiry , make an order either
decreasing or increasing that rate to such extent as under the circumstances may seein
just , but any order so made shall be provisional only and shall not have any effect unless
and until confirmed by Parliament ; but , where an order revising the rate has been so
made and confirmed , no further revision shall be made before the expiration of fourteen
years from the date of the last revision .
(4 ) If any such contrivance is made reproducing two or more different works in which
copyright subsists and the owners of the copyright therein
different persons the sums
payable
way
royalties under this section shall
apportioned amongst the several
failing agreement may
owners
the copyright
such proportions
determined

,

,

be

by

be

as
,

,

of

a

he

.

if

to

of

to

,

,

,

to

to

,

be

(6 to
)

then

in

in

of

of

means
which
musical work may
for the purposes
this section
the owner
any person
the copyright
the work shall
relation
who makes the prescribed
inquiries
deemed
have given his consent
the making
such contrivances
reply
fails
such inquiries within the prescribed time

(5
)

When any such contrivances
mechanically performed have been made

be

by

.

arbitration

in

of

of

by

are

in

,

in

or

,

,

in

be

to

,

of

of

.

effect

subject

to

have

,

shall

, by
,

:

following

the

,

of

this Act the
modifications
and

to

as or

no

of

, for

be

,

of

, of

in

or

:

to be

.

-

at

as

. of

,

or

in

of as
to

acquiescence
the previous making
with the consent
the owner
the copyright
the work and the restrictions
alterations
omissions from the work shall not apply
The rate
two and one half per cent shall
substituted
the rate
five
per cent
royalties
the rate
which royalties are
calculated
but
respect
July
shall be payable
contrivances sold before the first day
The conditions

,

nineteen hundred and thirteen
contrivances reproducing the same work had
lawfully made
placed
sale within the parts
His Majesty
July nineteen
dominions
which this Act extends before the first day
hundred and ten
Notwithstanding any assignment made before the passing
this Act
the copy
right
respect
musical work any rights conferred
this Act
the
makiny
authorising the making
contrivances
means
which the
his legal
the author
work may be mechanically performed shall belong
personal representatives and not
the assignee and the royalties aforesaid

,

's

of of

on

or

of

or

of

in

by

the work

or

of

,

the author

his legal
in

,

, of

in

an

,

on

by

in

on

a

is

is :

of

or

to

as

to

)

@

or

of

in

of

The saving contained
this Act
the rights and interests arising from
connexion with action taken before the commencement
this Act shall not be
authorising
any person who has made contrivances by means
construed
performed
which the work may be mechanically
sell any such contrivances
whether made before
after the passing
this Act except
the terms and
subject
the conditions laid down
this section
Where the work
work
which copyright
conferred
Order

,

(d
)

:

,

to

payable
and for the benefit
personal representatives

shall

of
,

be

to

to

of

,

of

of

by

,

a

, in

or

(
c
)

:

to

,

been

if

(
6
)

be

is

be

to

fit
of ,

of

In

musical works published before the commencement

the case
provisions

in of

(
a
)

additions

to

,

section

under

,

,

in

(7
)

if

foregoing

of

the Board
Trade may make regulations
prescribed
prescribing the
this section
and
given and the particulars
given
mode
which notices are
such notices and
royalties and any such regulations may
the mode time and frequency
the payment
the Board think
include regulations requiring payment
advance
otherwise
securing the payment
royalties

this

of

For the purposes
anything which
prescribing

�(

)

10

Council relating to a foreign country , the copyright so conferred shall not ,
except to such extent as may be provided by the Order , include any rights with
respect to the making of records , perforated rolls , or other contrivances by
means of which the work may be mechanically performed .
( 8 ) Notwithstanding anything in this Act , where a record , perforated roll , or other
contrivance by means of which sounds may be mechanically reproduced bas been made
before the commencement of this Act , copyright shall , as from the commencement of

this Act, subsist therein in like manner and for the like term as if this Act had been
force at the date of the making of the original plate from which the contrivance was
directly or indirectly derived :
Provided that
(i ) the person who , at the commencement of this Act, is the owner of such original
plate shall be the first owner of such copyright ; and
( ii ) nothing in this provision shall be construed as conferring copyright in any such
copyright in some .
contrivance if the making thereof would have infringed
other such contrivance , if this provision had been in force at the time of the
in

Provision as
to political
speeches .

Provisions as

to photo
graphs .

making of the first -mentioned contrivance .
20 . Notwithstanding anything
in this Act , it shall not be an infringement
of copy
right in an address of a political nature delivered at a public meeting to publish a report
thereof in a newspaper .

21. The term for which copyright shall subsist in photographs shall be fifty years
the making of the original negative from which the photograph was directly or
indirectly derived , and the person who was owner of such negative at the time when
such negative was made shall be deemed
to be the author of the work , and , where
such owner is a body corporate , the body corporate shall be deemed
for the purposes
of this Act to reside within the parts of His Majesty 's dominions to which this Act
from

it has

extends if

established a place of business within such

parts

.

,
be

to

be

a

be

,

or

as

of

,

's

in

,

of

,

's

in

,

or

,

to

on

of

of

to

in

it

to

of

a

to

.

as

,

If

.

to

.

such works

,

to

or

if

it

be

of of

or

to

, ,

,

of

in

,

the

in

as
is

right conferred

of

by

,

the substituted

,

at

,

have expired

of

or

to

,

of

,

Act the right would

,

at

in

of

if

of

:

to

in

at

for

a

in

as

he

,

a

in

is

as

in

to

or

,

to

to

in

is

(
)1

to

.-

24

immediately before the commencement
Where any person
this Act
any such right
any work
specified
entitled
the first column
the First
right
any interest
Schedule
this Act
such
shall
from
that date
entitled
the substituted right set forth
the second column
that schedule
the
interest and such
no other right
such
substituted right and
same interest
substituted right shall subsist
term for which
would have subsisted
this Act
had been
force
the date when the work was made and the work had been one
copyright thereunder
entitled
Provided that
any work
specified
the author
which any such right
the first
column
the First Schedule
this Act subsists
the commencement
this
granted any interest therein for
Act has before that date assigned the right
the whole term
the right then
the date when but for the passing
this

(a
)

.

Existing
works

to

.

dominions
which Act
extends

to

's

a

of

parts
His Majesty

to it

23

of
in

foreign
authors first
published

,

of

be

six

appears
foreign country does not give
His Majesty that
has not
give adequate protection
undertaken
the works
British authors
shall
lawful
Maja
for His Majesty by
for His
Order
Council
direct that such
the provisions
this Act
confer copyright
works first published within the parts
His Majesty
dominions
which this Act extends shall not apply
works published after the date specified
foreign country and are
the Order the authors whereof are subjects
citizens
such
not resident
His Majesty
dominions and thereupon those provisions shall not apply

.

Works

c
.

Provisions as
to designs
registrable
under
7 Edw . 7,
29

22 . - ( 1) This Act shall not apply to designs capable
of being registered under the
Patents and Designs Act, 1907 , except designs which , though capable of being so
registered , are not used or intended to be used as models or patterns to be multiplied by
any industrial process .
(2 ) General rules under section eighty the Patents and Designs Act 1907 may
design shall
made for determining the conditions under which
deemed
used
for such purposes
aforesaid

this section

�(

)

11

shall , in the absence of express agreement , pass to the author of the work , and
any interest therein created before the commencement of this Act and then
subsisting shall determine ; but the person who immediately before the date at
which the right would so have expired was the owner of the right or interest
shall be entitled at his option either
( i) on giving such notice as hereinafter mentioned , to an assignment of the

right or the grant of

of the right

a similar

interest therein for the remainder of the term
consideration as , failing agreement , may be determined

for such

-

in

or

or

,

"

"

of

(8
)

(
ū
)

,

in

,

,

of

,

of

in

to

of

.

a

of

,

of

.

to

as to
,

of

,

at

in

,

in

,

or

a

to in

of

a

or

of

or

,

or

by

or

be

(2
)

(3
)

-

section

.

Possessions

are

British

to

Application

.

of

this

,

of

in

,

or
,
if

in

or

a

of

a

at

of

,

or at

or

,

he

(6
)

,

,

: be

to

so

at

six

by arbitration ; or
( ii ) without any such assignment or grant , to continue to reproduce or
perform
the work in like manner as theretofore subject to the payment , if
demanded by the author within three years after the date at which the right
would have so expired , of such royalties to the author as , failing agreement ,
may be determined by arbitration , or , where the work is incorporated in a
collective work and the owner of the right or interest is the proprietor of that
collective work , without any such payment .
The notice above referred to must be given not more than one year nor less
expired and
than
months before the date
which the right would have
he cannot with reasonable
the author
must be sent by registered post
diligence
found
advertised
the London Gazette and
two London
newspapers
July nineteen hundred and
where any person has before the twenty sixth day
liability
ten
taken any action whereby
has incurred any expenditure
performance
any work
connexion with the reproduction
manner which
the time was lawful
for the purpose
with
view
the reproduction
performance would
performance
time when such reproduction
work
but for the passing
this Act have been lawful nothing
this section shall
prejudice any rights
diminish
interest arising from
connexion with
such action which are subsisting
and valuable
the said date unless the
person who
virtue
this section becomes entitled
restrain such reproduc
failing agreement may
performance agrees
pay such compensation
tion
determined by arbitration
For the purposes
this section the expression
author
includes the legal
personal representatives
deceased author
Subject
the provisions
section nineteen subsections
and
and
section
thirty three
any work made before the
this Act copyright shall not subsist
commencement
this Act otherwise than under and
accordance with
the provisions

notice published

that

,

's

in

)

in

as

be

,

,

of

of

,

of if ,

it

be by

,

,

of

,

on

or

,

a

as

;

to

,

of

,

by

,

to

a

in

of

in

of

of

or
(

at

to a

,

it

Act
to

to

the London Gazette

any self governing dominion has passed legislation under which works the authors whereof
were
the date
the making
the works British subjects resident elsewhere than
the dominion
not being British subjects were resident
the parts
His Majesty
dominions
which this Act extends enjoy within the dominion rights substantially
identical with those conferred
this Act then whilst such legislation continues
force
the dominion shall for the purposes
the rights conferred
this Act
treated
lawful for the Secretary
and
shall
which this Act extends
were
dominion
notwithstanding that the remedies for
give such
State
certificate
aforesaid
enforcing the rights
copies
the restrictions
the importation
works manu
foreign country under the law
factured
the dominion differ from those under
this Act

of

it

of

be

in

State certifies

as

,

by

of

.

If

(2
- )

the Secretary

by

, ,

or

to

of

to

to

Legislature

or or

,

by

's

:

as

of

,

-

in

be

to

a

to

,

*

.-

(1
)

25

expressly restricted
Application
This Act except such
the provisions thereof
the United Kingdom
shall extend throughout His Majesty
dominions
Provided that
British
shall not extend
self governing dominion
unless declared
the Legislature
that dominions
dominion
force therein either without any modifications
additions
with such
procedure and remedies
necessary
modifications and additions relating exclusively
adapt this Act
may
the circumstances
the dominion
enacted
such

�(

(

on

,

,

,

. -

be

so

to by

of
of
a

at

:

no

to

of

as

far

by

. - (1 )

any

so

or

26

or

ing
dominions .

The Legislature of any self - governing dominion may , at any time, repeal
copyright passed
the enactments relating
Parliament including this
they are operative within that dominion
Act
Provided that
such repeal shall
prejudicially affect any legal rights existing
the time
the repeal and that
this Act
any part thereof being
repealed
the Legislature
self governing dominion that

all

self -govern

)

Legislative
powers of

)

12

shall cease
dominion
which this Act extends
any self governing dominion
which this Act does not extend the enactments
repealed
they are operative
this Act shall
that dominion
continue
force
until repealed
the Legislature
that dominion
Where
His Majesty
Council
satisfied that the law
self governing
dominion
which this Act does not extend provides adequate protection within the
unpublished
dominion for the works whether published
authors who
the time
the making
the work were British subjects resident elsewhere than
that dominion
giving reciprocal protection direct that
His Majesty
Council may
the purpose
may
any thereof
specified
this Act except such parts
the Order and subject
any conditions contained therein shall within the parts
His Majesty dominions
which this Act extends apply
works the authors whereof were
the time
the making
the work resident within the first mentioned dominion and
works first published
provided by such
that dominion
but save
Order works the authors whereof were
resident
dominion
which this Act does not extend shall not whether they are
in

-

a

of

is

in

.

,

in

of as

far

,

so

of

at

of

,

,

to

of

at

,

,

in

,

to ,

's

of

,

in

be

an

-

as

be to

;

a

in

,

,

to

,

,

of

)

of

as

)

to

(

,

if

,

for

in

in of

(

or

to

(3
)

,

to

a

-

by

(2
)

byIn

to

dominion

to

's
is

in

it

if

as

be to

to

a

of “

.

to

,

to

,

in

.

in

to

,

by

,

.

of

at

to

of , ,

to

its

in

of

of

of

as

to

in

28

,

it

or

,

to

if

.

by

II
.

(

or

in

if

as

in

,

of

,

or

,

of

,

in

's

of

in

,

to

a

in

which this Act extends

;

dominions

to

as of
if

(
c
)

;

a

to

at

of

,

;

's

of

,

to

)

in

a

in

if

as

to

,

to

,

in

,

be

as

,

to

.

COPYRIGHT

.

's

to

,

as

of

on

,

,

to

of

(
1
)

any

in

to

works

parts

subject
Cyprus

His Majesty may
Order
Council direct that this Act except such
may
specified
thereof
the order shall apply
foreign country
works first published
which the Order relates
they were first published within
like manner
the parts
His Majesty
dominions
which this Act extends
any class thereof the authors
literary dramatic musical and artistic works
whereof were
the time
the making
the work subjects
citizens
foreign country
which the Order relates
like manner
the authors
were British subjects
foreign country
respect
like
which the Order relates
residence
manner
such residence were residence
the parts
His Majesty

(a ,
) if 29
.
-

to

INTERNATIONAL
Power

parts

which this Act
treated

Cyprus and
any such Order this Act shall
his protection and
the making
applies
the provisions
the Order have effect
the territories
which
were part
His Majesty
dominions
which this Act extends

PART

extend Act
foreign

to

,

is

Legislature

any

of

.

torates

,

of

to a

”

a
27
.

The

to

add

to

to

Application
protec

other

any British possession
which this Act extends may modify
application
the provisions
this Act
the possession
but except
procedure and remedies they shall
far
such modifications and additions relate
apply only
the work
the making
the time
works the authors whereof were
resident
the possession
and
works first published
the possession
any territories under
His Majesty may
Order
Council extend this Act
so or

of

.

.

of

to

plemental
legislation

within

.

's

of

of

under the foregoing provisions
this subsection authorised
confer
His Majesty
dominions
For the purposes
this subsection
the expression
dominion
extends
includes
dominion which
for the purposes
this Act
were
dominion
which this Act extends
Power
Legislatures
British
possessions
pass sup

, , ,

-

to a

as

-

in

,

by

,

of

no

:

to

of

on

,

or

by

is

as

any protection under this Act except such protection
British subjects
not
entitled
this Act conferred
works first published within the parts
His Majesty
dominions which this Act extends
Provided that
such Order shall confer any rights within
self governing dominion
any self governing dominion
but the Governor
Council
which this Act extends
may
Order confer within that dominion the like rights
His Majesty
Council

�(
and thereupon , subject to the provisions
Act shall apply accordingly :

)

13

of this part

Act and of the Order , this

this

of

Provided that ,
( i) before making

an Order
in
Council under this section in respect of any
country (other than a country with which His Majesty has entered
relating to copyright) , His Majesty shall be satisfied
into a convention
that that foreign country has made , or has undertaken to make , such
provisions , if any , as it appears to His Majesty expedient to require
the
protection
copyright under
works entitled
the provisions
Part

of

;

to

is

as

of

so

,

in

of

as

of

; of

by

to

,

as

to

of

be

as

as

in in

of

(

if

) be

by

in

of

;

by

to

books shall not
apply
provided
far
the Order
the Order
Council may provide that the enjoyment
the rights conferred
subject
this Act shall
the accomplishment
such
conditions
may
any
prescribed
and formalities
the Order
applying the provision
ownership
copyright the Order
this Act
appear
necessary having
Council may make such modifications
the foreign country

;

of

the law

to

regard

.5

33
.

c
.

of

all

to

11
.

of

to

of

.

o

it

to

-

ex

of

,

of

's

to as

of

of

.

for

be

the date

of

any rights acquired previously

to

as

,

to

,

so

to

in

to

it

,

to

-

a

or

,

for

preventing any prejudice

such

.

is

necessary
Order

to

-

to

his

of

by

(
3
)

of it

,

-

,

in

is

to

,

(
2
)

in

, of

.

in

to

•

to pt

in

's .(
1
)

30

Order
Council under this part
this Act shall apply
His Application
Part
self governing dominions and any
which this Act extends
dominions
British
appears
other possession specified
the order with respect
which
His Majesty possessions
expedient that the Order should not apply
any self governing
The Governor
Council
dominion
wbich this Act
this Act
under this part
extends may as respects that dominion make the like orders
His Majesty
Council
authorised
make with respect
His Majesty
dominions
other than self governing dominions and the provisions
this part
this Act shall
with the necessary modifications apply accordingly
appears
except from the provisions
any
Where
His Majesty expedient
order any part
dominions not being
self governing dominion
shall
lawful
any other Order
His Majesty
the same
Council
declare that such order and
this Part
this Act shall not and the same shall not apply
such part except
far

Majesty

to

all

.

.

in

An

as

of

of

by

.

,

in

or

described therein

in

,

be

or

so

of in

as

as

,

to

as

of

in

(

vi
)

applying the provisions
existing works the Order
this Act
appear necessary
Council may make such modifications
and may provide
reviving
applied shall
that nothing
those provisions
construed
any right
preventing
importation
any translation 498
the production
any case where the right has ceased
virtue
section
five
the
International Copyright Act 1886
An Order
Council under this section may extend
the several countries

(
2
)
named

I

of

's

as

in

of

the country
which the order relates
copies
this Act
the delivery
works first published
such country except

the law

the provisions
to

iii
)

(

iv
)

(

of

;

this Act
copyright within such
the Order
Council may provide that the term
parts
His Majesty
dominions
aforesaid shall not exceed that conferred
by

(
)ii

of

of

to

for

foreign

III

,

PART

PROVISIONS

.

SUPPLEMENTAL

as -

.

as
in

Orders
Council

to

Provisions

,

,

,

varying

this Act
interests

or byor

or

common

.

be

for

of

in

,

or

)

-

in

altering revoking
His Majesty
Council may make Orders
any Order
Council made under this Act
under any enactments repealed
but any Order made under this section shall not affect prejudicially any rights
in (
1

Abrogation
lawof

,

,

of

,

or or

of

a

to

,

in

or

32
.

in

or

to

,

or

,

for

in

,

be

31
.

copyright
any similar right
any literary
No person shall
entitled
unpublished
dramatic musical
artistic work whether published
otherwise than
any other statutory enact
under and
accordance with the provisions
this Act
ment
the time being
force but nothing
this section shall
construed
jurisdiction
confidence
trust
abrogating any right
breach
restrain

�(

)

14

acquired or accrued at the date when the Order comes into operation , and shall provide
for the protection of such rights and interests .
( 2 ) Every Order in Council made under this Act shall be published in the London
Gazette and shall be laid before both Houses of Parliament as soon as may be after it is

any such

copyright shall

Act and

under this

of
,

for

a

in

,

;

or

an

or in

is

of

,

,

,

,

to

or be

by

,

or

or

or

an

;

;

art

of

of

”

:

by

,

,

-

,

; ,

-

to ”

produced

any

process

analogous

or

”

work

to

any

by

; ”

;

analogous
photography
Cinematograph
includes
cinematography
Collective work
means

instrument

;

,

or
in

,

in

or

,

a

in

of

;

a

or

;

,

,
by

representation

a

of

;

of

of ”

,

including

such

made

includes

delivery

means

of

lecture

,

relation

by

;

a

in

any dramatic action
work
any mechanical instrument
to
a

; in of

,

”

a

to

, ,
"

of

sentation

Delivery

or

,

,

of

of

in

,

,

(c (6 (
a
) ) )
a
an

encyclopædia dictionary
year book
similar work
newspaper review magazine
similar periodical and
any work written
which works
different authors
distinct parts
parts
works
different authors are incorporated
Infringing
copy
when applied
work
which copyright subsists means
any copy including any colourable imitation made
imported
contravention
the provisions
this Act
Performance
means any acoustic representation
work and any visual repre

by means

any mechanical

.

, ,

of ,

;

be

or

,

,

South

Africa

,

of

,

the Commonwealth

of

,

,

of

"

of

;

,

"

,

Lecture
includes address speech and sermon
Self governing dominion
means the Dominion
Canada
Australia
the Dominion
New
Zealand the Union
Newfoundland

to

of

or

,
, or

by

,

be or

to

or or

or

”

Plate
includes any stereotype
other plate stone block mould matrix transfer
negative used
reproducing copies
any work
intended
used for printing
and any matrix
other appliance
which records perforated
rolls
other con
trivances for the acoustic representation
the work are
are intended
made

-

“

in

.

,

—

,

or ,

of

of

"

,

,

in of

of to or
or

”

,

“
“
“

,

,

,

;
”

,

of

construction

Engravings
include etchings lithographs wood cuts prints and other similar
works not being photographs
Photograph
any process
includes photo lithograph and any work produced

*
*
*

in

to

of

, ,

or

or

“
“
“

methods

*

to
:
a

be

use

,

"

in

”

“

painting
drawing sculpture and artistic crafts
includes works
and architectural works
and engravings and photographs
sculpture
Work
includes casts and models
Architectural work
art means any building
structure having
artistic
design
respect
design
any model for such
character
such character
building
provided that the protection afforded
structure
this Act shall
processes
confined
the artistic character and design and shall not extend

Artistic work
manship

“

as

of

to

be of

in

of

*

In

35
.
—

preserved
books for the
and
the library
this Act unless the context otherwise requires
Literary work
includes maps charts plans tables and compilations
choreographic work
Dramatic work
includes any piece for recitation
entertain
acting form
ment
dumb show the scenic arrangement
which
fixed
writing
otherwise and any cinematograph production where the arrangement
original
acting form
the combination
incidents represented give the work
character

*

to

as

,

on

be

.

to

34

of

purchase
Interpreta

( of
1
)

.

libraries

charged
There shall continue
and paid out
the Consolidated Fund
the United Kingdom
such annual compensation
was immediately before the com
pursuance
any Act
compensation
library
mencement
this Act payable
the loss
the right
receive gratuitous copies
books
paid
library
any year unless the
Provided that this compensation shall not
Treasury are satisfied that the compensation for the previous year has been applied
the

of

to

of

Saving
compensation
certain

tion .

infringement

.

remedies and penalties
not under that Act

be

.
3
,

Geo
53
.

c
. 15

copyright.

made, and shall have effect as if enacted in this Act.
33. Nothing in this Act shall deprive any of the universities and colleges mentioned
in the Copyright Act , 1775 , of any copyright they already possess under that Act , but the
of

of
university

for

faring

and

�(

)

15

( 2) For the purposes of this Act (other than those relating to infringements of copy
right ) , a work shall not be deemed to be published or performed in public , and a lecture
shall not be deemed to be delivered in public , if published , performed in public , or
delivered in public , without the consent or acquiescence of the author , his executors

administrators or assigns .
( 3) For the purposes of this Act , a work shall be deemed to be first published within
the parts of His Majesty ' s dominions to which this Act extends , notwithstanding that it has
been published simultaneously in some other place , unless the publication
in such parts of
His Majesty ' s dominions as aforesaid is colourable only and is not intended to satisfy the
reasonable requirements
of the public , and a work shall be deemed to be published
simultaneously
in two places if the time between
the publication in one such place and the
publication in the other place does not exceed fourteen days , or such longer period as may ,
for the time being , be fixed by Order in Council .
(4 ) Where , in the case of an unpublished work , the making of a work has extended
over a considerable period , the conditions of this Act conferring copyright shall be deemed
to have been complied with , if the author was , during any substantial part of that period ,
a British subject or a resident within the parts of His Majesty ' s dominions to which this

Act extends .
(5 ) For the purposes of the provisions of this Act as to residence , an author of a work
shall be deemed to be a resident in the parts of His Majesty ' s dominions to which this Act
extends

if he

is domiciled

within

any such part

.

36 . Subject to the provisions
of this Act , the enactments mentioned
in the Second
Schedule to this Act are hereby repealed to the extent specified in the third column of that

schedule :
Provided

until this Act
·

that this repeal shall not take effect
comes into operation in that part .

in any

Repeal.

part of His Majesty ' s dominions

Short title
37 . - ( 1) This Act may be cited as the Copyright Act , 1911 .
and com
( 2) This Act shall come into operation
(a ) in the United Kingdom , on the first day of July nineteen hundred and twelve or mencement
such earlier date as may be fixed by Order in Council ;
( 6 ) in a self - governing dominion to which this Act extends , at such date as may be
fixed by the Legislature of that dominion ;
( c) in the Channel Islands , at such date as may be fixed by the States of those
islands respectively ;
to which this Act extends , on the proclamation
( d ) in any other British possession

thereof within

the possession

by the Governor .

.

�(

)

16

SCHEDULES .
FIRST SCHEDULE .

Section 24.

EXISTING

RIGHTS .
Substituted Right,

Existing Right .

(a) In the case of Works other than Dramatic and Musical Works .
Copyright

| Copyright

.
( 6)

In the case

of Musical

Both copyright and performing right
Copyright

, but

not performing right

Performing right, but not copyright

and

.

Copyright

.

Copyright

right

|

as defined by this

Act . *

Dramatic Works.
as defined

by this Act .*

by this Act, except the sole
as defined
to perform the work or any substantial part

thereof in public .
The sole right to perform the work in public , but
none of the other rights comprised
in copyright
as defined by this Act .

For the purposes of this Schedule the following expressions ,where used in the first column
thereof , have the following meanings
“ Copyright , ” in the case of a work which according to the law in force immediately before
the commencement of this Act has not been published before that date and statutory
copyright wherein depends on publication , includes the right at common law ( if any )
to restrain publication or other dealing with the work ;
“ Perforining right ," in the case of a work which has not been performed in public before
the commencement of this Act , includes the right at common law ( if any ) to restrain
the performance thereof in public .

:

* In the case of an essay , article , or portion forming part of and first published in a review ,
magazine , or other periodical or work of a like nature , the right shall be subject to any right of
publishing the essay , article , or portion in a separate form to which the author is entitled at the
commencement of this Act, or would , if this Act had not been passed , have become entitled
under section eighteen of the Copyright Act , 1842 .

�(

)

17

SCHEDULE .

SECOND

ENACTMENTS

The whole Act .

.

.

.

The whole Act .

.

.

.

The whole Act

.

The whole

Act

The whole

Act

The whole

The International

Vict

The

The International

The Customs Consolidation Act

Vict

49

Vict

Copyright
Musical Compositions
Act 1882
The International Copyright Act 1886

Vict

The

Vict

.

The Revenue

The

,

,

Copyright Act 1852

.

1875

.

1862

.

Fine Arts Copyright Act

,

.

.

1847

Sections one
six
section
eight the words and pursuant
any Act for the protection
copyright
engravings
any such Act
and
and
aforesaid
Sections nine
twelve
The whole Act
”. in

,
to as "

of to

.

“

"

.

,

.”
-

.

The

.

.

Act

as

" “ “

. to

,

”

“ "

“

In

,

of

,

in

be

,

of

or

,

1886

."

“ “

“ “

“ “ “ “ “

Act

,

.
.

Section one from
Books first
published
provided
that section
section three the words
and
which has been registered
accordance with the pro
visions
the Copyright Act
1812
the International
Copyright Act 1844 which
registration may
effected
notwithstanding anything
the International Copyright
in

.

1906

.

Musical Copyright Act

,

.
7,
c
.

.

A
.
S

6

The whole

in

.

1889

.

,

Act

42

Edw

-

,

-

)

Compositions

The whole Act

.

1888

.

,

Musical

(

Copyright

,

Act

to

“ “

)

(

.

,

.
.

.

4
51c
c 52 c
c
.
.
.
.
&amp;
&amp;
&amp;
&amp;
40
17 33
.
.
.
.
50
46
53 52

The

,

Section forty two from
Books
copy
wherein
such
right will expire
Sections
forty four forty five and one
hundred and fifty two
whole Act
" -

,

1876

.

.

Act

,

12
.
39
40

Copyright

.

36

c

.

38

Vict

. &amp; c.
&amp;

Vict

39

.

“

“

“ “

"

68

In

Vict

Act

.

.

The Colonial Copyright

10
25 c 15
C
c
.
. &amp; c.
.
&amp;
&amp;
12 95
12
.
.
.
.
11
26 16

.

.

Vict

1842

.

The International Copyright Act , 1844

.

Vict .

&amp;
6
c. 45 .
7
&amp;
8

.

The

36

Copyright Act,

Vict .

5

The whole Act.

.

, 1836.
The Copyright Act , 1836 .

.

Copyright

Engravings

and

.

Act.
Act .
Act.
Act.

to

Prints

(Ireland ) Act

.

.

Act .

)

4 , | The
4,

Act , 1835

The Lectures Copyright

Act.

whole
whole
whole
whole
The whole
The whole

The
The
The
The

:

4,

The Engraving Copyright Act , 1734 .
The Engraving Copyright Act , 1767 .
The Copyright Act , 1775 .
.
The Prints Copyright Act , 1777
The Sculpture Copyright Act , 1814 .
The Dramatic Copyright Act , 1833 .

.

13
38
53
57
56
4,

Extent of Repeal.

Short Title.

.

8 Geo . 2, c.
7 Geo . 3, c.
15 Geo. 3, c.
17 Geo . 3, c .
54 Geo . 3 , c.
3 &amp; 4 Will .
c. 15.
5 &amp; 6 Will .
c. 65 .
6 &amp; 7 Will .
C. 59 .
6 &amp; 7 Will .
c. 110 .

REPEALED .

Act

Sessionand Chapter.

Section 36.

�RULES

STATUTORY

AND

,

ORDERS

1912 . — No . 532 .

COPYRIGHT ,
ROYALTY SYSTEM

JUNE 7,

The Board of Trade , in pursuance of the powers
conferred by Section 3 of the Copyright Act , 1911 ,
hereby make the following regulations

(2
.)
,
in

.

be

.
to

the

of be

to

by

to

of of

in

a

at

.

or

of

no

,

of

by

of

at

if

of

an

be

or

of

of

to

be
a

of

;

to

of

,

to

or

of

;

which such labels can
obtained
the owner
the copyright refuses
neglects
supply such labels within
fourteen days after demand duly made
copies
purchasers
the work may
delivered
without having labels affixed thereto
and the
royalties shall
amount
debt due from the
person reproducing
the work
the owner
the

(
ii
.)

at

be

by

in

;

in

to
a

to

of

,

or

;

if

be

after the expiration
fourteen days from
the date
the prescribed notice the
owner
the copyright has not duly sent
the person reproducing the work
intimation
some reasonably convenient
place within the United Kingdom
from

of

of

of

be

to

be

such address
such name and address are not known
and cannot with reasonable diligence
ascertained
the notice
shall
advertised
the London Gazette
the
advertisement
the London Gazette
required
shall give the particulars

cases when royalties
are payable
any time labels
adhesive labels
the
denomination
are not available
either

of

because

,

,

or

copyright
his agent for the receipt
notice
are known or can with reason
able diligence
ascertained the notice
agent
shall
sent
such owner

.

by

on

of

.

means
required

be

to

bya

or

thereto

affixed

an

:

If

of

(a
.)

(
2
.)

a

by

–

(a
.)

(4
.)

of

.

,

byof

as

,

be

to

.)
;

,

&amp;
c

is

it

of

at

to
a

be

(
3
.)

of

is

.g
.,

(e it

,

;

to

or

at

,

in

intended
whether
printing lithography photography
prices
the price
which
intended
publish the work
the earliest date
which any
the copies
purchaser
will
delivered

be

-

by to

it
;

the manner
which
reproduce the work

The notice shall not less than one month
before any copies
the work are delivered
purchaser
registered post
published
sent
advertisement
follows
the name and
address
within the
Kingdom
United
the owner
the

(
6
).

ROYALTIES

writing and tender
obtained and
demand
the price shall supply from such place adhesive
price equal
labels
the required denominations
royalty represented thereby
the amount
Subject
copy
these regulations
the work
purchaser until such label
shall
delivered
royalty have been
labels denoting the amount
of In

;

is

it

)

if

to

(

a

of

to

(c
.)
(d
.)
(e
.)

intended
descrip

(i
.)

of

to

(a
.)

(6
.)

the name
the work which
reproduce and
necessary
identify
tion sufficient

to

of

3

,

:

,

(2
.)

The notice required
Section
the
Copyright
Act 1911 shall contain the following
particulars
The name and address
the person
intending
reproduce the work

(6
.)

by

.

of

NOTICE

(a
.)

PAYMENT

Unless otherwise agreed royalties shall
payable
means
adhesive labels purchased
from
the owner
the copyright and affixed
the
copies
the work
After the person reproducing
work has given
reproduce
the prescribed notice
his intention
the work the owner
the copyright
shall
writing sent
registered post intimate
him
some reasonably convenient place within the United
Kingdom
from
which
adhesive
labels can
be

of ,

the

,

on

1st day

the

.

,

)

(

into operation

and shall come
July 1912

(b
.)
an of

paragraphs
Regulation
and
and shall also state
address from
copy
which
the notice described
Regulation
may
obtained

:

PRELIMINARY .
Copy
( 1.) These Regulations may be cited as
right Royalty System General Regulations 1912

.

1912

1912 .

OF

DATED

REGULATIONS,

(GENERAL )

of

THE COPYRIGHT

�of

for

.

.

,

. .

, ,

of

to

the Board

Trade

.

of

.

.

1912

in

as

”

No

,

AND ORDERS

owner

“

In

of

3

,

Secretary

.—

as

in

RULES

STATUTORY

the

H

.

,

an

aforesaid
shape

(
6
.)

in
be

of

of

in

as

be

adhesive label supplied
adhesive paper label square

these Regulations the expression
copyright
has the same meaning
Section
the Copyright Act 1911
Dated this 7th day
June 1912
LLEWELLYN SMITH
of

.

by

by

(d
.)
(e
.)

INTERPRETATION

,

of

date
such advertisement
agreement payable
Where royalties are
labels
any other mode than
means
adhesive labels
frequency
payment
the time and
the
shall
such
are specified
the agreement
The

the design to be entirely enclosed within a circle
and the side of the label not to be greater than
i inch in length . The label shall not bear the
effigy of the Sovereign or any other person , nor any
word mark or design such as to suggest that the
label is issued by or under the authority
of the
denoting any duty
Government
the purpose
payable
the Government

533

.

be

to

is

in

in

(

ii
.)

;

copyright , and the person reproducing the work shall
keep an account of all such copies sold by bim .
( c.) For the purposes of this regulation “ the
date of the prescribed notice ” means
( i.) in cases when the notice is required to be
sent by registered post , the date when
the notice would in ordinary course of
post be delivered
required
cases when the notice
the
the London Gazette
advertised

shall

)

2

to

(

.

COPYRIGHT

,

)

the
retail selling prices
the
the amount
and
contrivances
royalty payable
each contrivance
respect
the musical work
any
the earliest date
which
the
contrivances
will
delivered
purchaser
of of

of

to

be

at

be

;

to

is

in

10

(
b
.)
.

,

be

as

by

a

,

to

on

or

of

at

,

or

to

be

,

or

or

,

of

of

an

:

be

is

it

on

(
a
.)

is

;
it

a

) of

if

If

;

to

of

;

to (

) to of
;

to

of

:

is

sball contain the following

(3
.)

of

19
(
2
)

can with reasonable
notice are known
diligence
ascertained the notice shall
agent
sent
such owner
such
address

(

(c
.)

on

(
f.
)

.
by

identify the musical
tion sufficient
work
the class
contrivance
which
reproduce the musical work
intended

if

(b
.)

the

The name and address
the person
intending
make the contrivances
the name
the musical work which
reproduce and
intended
the author
descrip
necessary
known
aud

,

(a
.)

Section

before any contrivances
which the musical work
purchaser
sent
reproduced are delivered
by registered post
published
advertisement
follows
address within the
the name and
the
the owner
United Kingdom
copyright
his agent for the receipt

particulars

1911

,

(
2
.)

The notice required

repro
other work
the same contrivance with the
musical work specified
accordance
with paragraph
days
not less than
The notice shall
any

whether
duced

NOTICE

Copyright Act

;

of

(e
.)

as

'

.

the

,

operation

of

on

)

,

,

Regulations

ments

in

on

,

the ordinary

a

(d
.)

,

:

cited
the Copy
Mechanical Musical Instru
and shall come into
1912
July 1912
day

(

System

be

These Regulations may

1st

(
1
.)

.

PRELIMINARY
right Royalty

music

or

whether discs cylinders

;

(e

.g
.,

of

rolls

.

7

,

(

.

,

19

of

,

of

by

,

(6 in
)

pursuance
Trade
the powers
conferred
Section
the Copyright Act
1911 hereby make the following regulations

The Board

INSTRUMENTS

)

COPYRIGHT ROYALTY SYSTEM MECHANICAL MUSICAL
1912
REGULATIONS 1912 DATED JUNE

THE

�(

if

such name and address
are not known
and cannot with reasonable diligence be
ascertained , the notice shall be advertised
in the London Gazette ; the advertise

making the contrivances to the owner of the copy
right and the person making the contrivances shall
keep an account of all such contrivances sold by

ment

(c.) For the purposes of this Regulation
date of the prescribed notice " means
(i.) in cases where the notice is required

on

of

of

to

,

,

as

of

19

of is

(
2 in
)

in

by

.

in

of

be

,

of

by

as

.

in

a in

be

,

to

of

or

as

or

for

is

by

,

or

.

to

of
of

to

,

an

,

as

be

of in

,

of

.

to

RETAIL SELLING

PRICE

.

ORDINARY

of

any con
The ordinary retail selling price
trivance
shall
calculated
the marked
catalogued selling price
single copies
the
catalogued
public
such marked
there
selling price
which single
the highest price
copies are ordinarily sold
the public

or

at

or

at

is

no

to

of

be

.

to

,

, if

at

,

,

payable

denoting any duty

the purpose
the Government

Government

to

of

or

. -

of

of

of

after the expiration
five days from the
the
the prescribed notice
date
the person making the con
intention
sell such contri
make
trivances
vances
the owner
the copyright has
not duly sent
the person making the
contrivances
an
intimation
some
reasonably convenient place within the
United Kingdom from which such labels
to of

Where royalties are by agreement payable
adhesive labels
means
than
the payment shall
the time and frequency
the agreement
are specified
such
aforesaid
The adhesive label supplied
shape
shall
adhesive paper label square
the design
be entirely enclosed within
circle
greater than
and
the
side
the
label
not
and the side
the
length
inch
The label shall not bear the
any other person
nor
effigy
the Sovereign
any word mark
design such
suggest that
the label
issued
under the authority
the
any other mode

of by

.

at

if

a

to

or

Act 1911

or
,

to

.
or

,

to

to

of of

in

,

pre
the same manner
ticulars and given
scribed by these Regulations
the case
the
the Copyright
Section
notice required

,

to

at

of

a

in

on

a

to

to

or

made before
the commencement
the
Copyright Act 1911 the person making such con
trivances may give notice
his intention
sell
containing mutatis mutandis the same par
them

(e
).

in

.

of

by ,

by

of

to

of In or

because

(i
.)

to be
sent by registered post , the date when
the notice would in ordinary course of
post be delivered ;
( ii.) in cases where the notice is required to
be advertised in the London Gazette , the
date of such advertisement .
cases where royalties are payable
con
in

.

.

,

of

of

by

(a
.)

—

(4
.)

be

or

of be

royalty have been
labels denoting the amount
cylinders
affixed thereto
the case
which
not reasonably practicable
affix the labels
labels have been affixed
until such label
carton
box enclosing the cylinder
royalties are payable
cases where
any time labels
means
adhesive labels
the required denominations are not available either
is

“ the

trivances

Unless otherwise agreed royalties shall
payable
means
adhesive labels purchased
the
the copyright and affixed
from the owner
manner provided by these Regulations
After the person making the contrivances has
make
given the prescribed notice
his intention
sell the contrivances the owner of the copyright
registered post intimate
writing sent
shall
place within the
reasonably
convenient
some
bim
from which adhesive labels can
United Kingdom
writing and tender
demand
obtained and
the price shall supply from such place adhesive
price
labels
the required denominations
reby
equal
royalty represented
thereby
the amount
Subject
these Regulations no contrivance shall
purchaser until such label
be delivered

it

.

(
1
)

of

ROYALTIES

,

1st

OF

PAYMENT

him

(d
.)

the London Gazette shall give

in

the particulars required by paragraphs
( a .) and ( b .) of Regulation ( 2.) , and shall
also state an address from which a copy
of the notice described in Regulation ( 2. )
may be obtained .
Any number of
musical works may be included in the
same advertisement .
The notice may be given either before
July 1912
day
or after the

(b
.)

)

(5
.)

( 6.)

3

be is

if

of

of

in “

of

of

,

are

(5
)

to 19

to

to

in

)

of

or be in
(

by

,

,

(6
.)

of

"

),

(

of

if

of

statement
the name
the musical
respect
work
which the inquiries
are made and
the author
known
in

or

,

;

be
a

to

or

to

be

or

a

;

of

to

(
ii
.)

of

of

be obtained
owner
the copyright refuses
supply such labels within
neglects
three days after demand duly made
may
purchasers
contrivances
delivered
without having labels affixed thereto
the
carton
box enclosing the same and the amount
royalties shall
debt due from the person
can

the

(a
.)

or

of

INQUIRIES
The inquiries referred
Section
the Copyright Act 1911 shall
directed
the
his name
name
the copyright
owner
not known and cannot with reasonable diligence
general terms
the
the owner
ascertained
copyright
respect
the musical work
which
the inquiries
made and shall contain

�to

for

:

be

to

;

of

be

by

be

in

in

to

in

of

in

.

.

“

.

,

.

,

of

the Board

of

,

LLEWELLYN SMITH

Secretary

to

.

owner

Trade

in

these Regulations the expression
has the same meaning
the copyright
the Copyright Act 1911
Section
Dated this 7th day
June 1912

as

INTERPRETATION

H

diligence
or can with reasonable
be
ascertained the inquiries shall be sent to
such address ; or

ment

”

;

advertised
the London Gazette seven
days after the date
such advertise

of

right .
( 7. ) The inquiries shall be sent by registered
post or published by advertisement as follows
( a . ) if an address within the United Kingdom
of the owner of the copyright is known

be

( d .) an inquiry whether the contrivance
so
described was made with the consent or
acquiescence of the owner of the copy

(2
)

allegation
that a contrivance
has
previously been made by means of which
the musical work may be mechanically
performed , with the trade name ( if
of such
known ) and a description
contrivance ;

19

( c. ) an

(a
.)

inquiries ;

of the name , address and
making the
of the person

(6
.)

statement
occupation

a

( 6 . ) if such address is not known and cannot
with reasonable diligence be ascertained
the inquiries shall be advertised in the
London Gazette .
reply
(8 .) The prescribed time
such
inquiries shall
cases where the inquiries are required
registered post seven days
sent
after the date when the inquiries would
ordinary course
post
delivered
cases where the inquiries are required

In

( 6. )

sufficient

)

(
9
.)

and ( if necessary ) a description
to identify it ;

4

of

(

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                    <text>RULES

STATUTORY

AND

,

ORDERS

1912 . — No . 532 .

COPYRIGHT ,
ROYALTY SYSTEM

JUNE 7,

The Board of Trade , in pursuance of the powers
conferred by Section 3 of the Copyright Act , 1911 ,
hereby make the following regulations

(2
.)
,
in

.

be

.
to

the

of be

to

by

to

of of

in

a

at

.

or

of

no

,

of

by

of

at

if

of

an

be

or

of

of

to

be
a

of

;

to

of

,

to

or

of

;

which such labels can
obtained
the owner
the copyright refuses
neglects
supply such labels within
fourteen days after demand duly made
copies
purchasers
the work may
delivered
without having labels affixed thereto
and the
royalties shall
amount
debt due from the
person reproducing
the work
the owner
the

(
ii
.)

at

be

by

in

;

in

to
a

to

of

,

or

;

if

be

after the expiration
fourteen days from
the date
the prescribed notice the
owner
the copyright has not duly sent
the person reproducing the work
intimation
some reasonably convenient
place within the United Kingdom
from

of

of

of

be

to

be

such address
such name and address are not known
and cannot with reasonable diligence
ascertained
the notice
shall
advertised
the London Gazette
the
advertisement
the London Gazette
required
shall give the particulars

cases when royalties
are payable
any time labels
adhesive labels
the
denomination
are not available
either

of

because

,

,

or

copyright
his agent for the receipt
notice
are known or can with reason
able diligence
ascertained the notice
agent
shall
sent
such owner

.

by

on

of

.

means
required

be

to

bya

or

thereto

affixed

an

:

If

of

(a
.)

(
2
.)

a

by

–

(a
.)

(4
.)

of

.

,

byof

as

,

be

to

.)
;

,

&amp;
c

is

it

of

at

to
a

be

(
3
.)

of

is

.g
.,

(e it

,

;

to

or

at

,

in

intended
whether
printing lithography photography
prices
the price
which
intended
publish the work
the earliest date
which any
the copies
purchaser
will
delivered

be

-

by to

it
;

the manner
which
reproduce the work

The notice shall not less than one month
before any copies
the work are delivered
purchaser
registered post
published
sent
advertisement
follows
the name and
address
within the
Kingdom
United
the owner
the

(
6
).

ROYALTIES

writing and tender
obtained and
demand
the price shall supply from such place adhesive
price equal
labels
the required denominations
royalty represented thereby
the amount
Subject
copy
these regulations
the work
purchaser until such label
shall
delivered
royalty have been
labels denoting the amount
of In

;

is

it

)

if

to

(

a

of

to

(c
.)
(d
.)
(e
.)

intended
descrip

(i
.)

of

to

(a
.)

(6
.)

the name
the work which
reproduce and
necessary
identify
tion sufficient

to

of

3

,

:

,

(2
.)

The notice required
Section
the
Copyright
Act 1911 shall contain the following
particulars
The name and address
the person
intending
reproduce the work

(6
.)

by

.

of

NOTICE

(a
.)

PAYMENT

Unless otherwise agreed royalties shall
payable
means
adhesive labels purchased
from
the owner
the copyright and affixed
the
copies
the work
After the person reproducing
work has given
reproduce
the prescribed notice
his intention
the work the owner
the copyright
shall
writing sent
registered post intimate
him
some reasonably convenient place within the United
Kingdom
from
which
adhesive
labels can
be

of ,

the

,

on

1st day

the

.

,

)

(

into operation

and shall come
July 1912

(b
.)
an of

paragraphs
Regulation
and
and shall also state
address from
copy
which
the notice described
Regulation
may
obtained

:

PRELIMINARY .
Copy
( 1.) These Regulations may be cited as
right Royalty System General Regulations 1912

.

1912

1912 .

OF

DATED

REGULATIONS,

(GENERAL )

of

THE COPYRIGHT

�of

for

.

.

,

. .

, ,

of

to

the Board

Trade

.

of

.

.

1912

in

as

”

No

,

AND ORDERS

owner

“

In

of

3

,

Secretary

.—

as

in

RULES

STATUTORY

the

H

.

,

an

aforesaid
shape

(
6
.)

in
be

of

of

in

as

be

adhesive label supplied
adhesive paper label square

these Regulations the expression
copyright
has the same meaning
Section
the Copyright Act 1911
Dated this 7th day
June 1912
LLEWELLYN SMITH
of

.

by

by

(d
.)
(e
.)

INTERPRETATION

,

of

date
such advertisement
agreement payable
Where royalties are
labels
any other mode than
means
adhesive labels
frequency
payment
the time and
the
shall
such
are specified
the agreement
The

the design to be entirely enclosed within a circle
and the side of the label not to be greater than
i inch in length . The label shall not bear the
effigy of the Sovereign or any other person , nor any
word mark or design such as to suggest that the
label is issued by or under the authority
of the
denoting any duty
Government
the purpose
payable
the Government

533

.

be

to

is

in

in

(

ii
.)

;

copyright , and the person reproducing the work shall
keep an account of all such copies sold by bim .
( c.) For the purposes of this regulation “ the
date of the prescribed notice ” means
( i.) in cases when the notice is required to be
sent by registered post , the date when
the notice would in ordinary course of
post be delivered
required
cases when the notice
the
the London Gazette
advertised

shall

)

2

to

(

.

COPYRIGHT

,

)

the
retail selling prices
the
the amount
and
contrivances
royalty payable
each contrivance
respect
the musical work
any
the earliest date
which
the
contrivances
will
delivered
purchaser
of of

of

to

be

at

be

;

to

is

in

10

(
b
.)
.

,

be

as

by

a

,

to

on

or

of

at

,

or

to

be

,

or

or

,

of

of

an

:

be

is

it

on

(
a
.)

is

;
it

a

) of

if

If

;

to

of

;

to (

) to of
;

to

of

:

is

sball contain the following

(3
.)

of

19
(
2
)

can with reasonable
notice are known
diligence
ascertained the notice shall
agent
sent
such owner
such
address

(

(c
.)

on

(
f.
)

.
by

identify the musical
tion sufficient
work
the class
contrivance
which
reproduce the musical work
intended

if

(b
.)

the

The name and address
the person
intending
make the contrivances
the name
the musical work which
reproduce and
intended
the author
descrip
necessary
known
aud

,

(a
.)

Section

before any contrivances
which the musical work
purchaser
sent
reproduced are delivered
by registered post
published
advertisement
follows
address within the
the name and
the
the owner
United Kingdom
copyright
his agent for the receipt

particulars

1911

,

(
2
.)

The notice required

repro
other work
the same contrivance with the
musical work specified
accordance
with paragraph
days
not less than
The notice shall
any

whether
duced

NOTICE

Copyright Act

;

of

(e
.)

as

'

.

the

,

operation

of

on

)

,

,

Regulations

ments

in

on

,

the ordinary

a

(d
.)

,

:

cited
the Copy
Mechanical Musical Instru
and shall come into
1912
July 1912
day

(

System

be

These Regulations may

1st

(
1
.)

.

PRELIMINARY
right Royalty

music

or

whether discs cylinders

;

(e

.g
.,

of

rolls

.

7

,

(

.

,

19

of

,

of

by

,

(6 in
)

pursuance
Trade
the powers
conferred
Section
the Copyright Act
1911 hereby make the following regulations

The Board

INSTRUMENTS

)

COPYRIGHT ROYALTY SYSTEM MECHANICAL MUSICAL
1912
REGULATIONS 1912 DATED JUNE

THE

�(

if

such name and address
are not known
and cannot with reasonable diligence be
ascertained , the notice shall be advertised
in the London Gazette ; the advertise

making the contrivances to the owner of the copy
right and the person making the contrivances shall
keep an account of all such contrivances sold by

ment

(c.) For the purposes of this Regulation
date of the prescribed notice " means
(i.) in cases where the notice is required

on

of

of

to

,

,

as

of

19

of is

(
2 in
)

in

by

.

in

of

be

,

of

by

as

.

in

a in

be

,

to

of

or

as

or

for

is

by

,

or

.

to

of
of

to

,

an

,

as

be

of in

,

of

.

to

RETAIL SELLING

PRICE

.

ORDINARY

of

any con
The ordinary retail selling price
trivance
shall
calculated
the marked
catalogued selling price
single copies
the
catalogued
public
such marked
there
selling price
which single
the highest price
copies are ordinarily sold
the public

or

at

or

at

is

no

to

of

be

.

to

,

, if

at

,

,

payable

denoting any duty

the purpose
the Government

Government

to

of

or

. -

of

of

of

after the expiration
five days from the
the
the prescribed notice
date
the person making the con
intention
sell such contri
make
trivances
vances
the owner
the copyright has
not duly sent
the person making the
contrivances
an
intimation
some
reasonably convenient place within the
United Kingdom from which such labels
to of

Where royalties are by agreement payable
adhesive labels
means
than
the payment shall
the time and frequency
the agreement
are specified
such
aforesaid
The adhesive label supplied
shape
shall
adhesive paper label square
the design
be entirely enclosed within
circle
greater than
and
the
side
the
label
not
and the side
the
length
inch
The label shall not bear the
any other person
nor
effigy
the Sovereign
any word mark
design such
suggest that
the label
issued
under the authority
the
any other mode

of by

.

at

if

a

to

or

Act 1911

or
,

to

.
or

,

to

to

of of

in

,

pre
the same manner
ticulars and given
scribed by these Regulations
the case
the
the Copyright
Section
notice required

,

to

at

of

a

in

on

a

to

to

or

made before
the commencement
the
Copyright Act 1911 the person making such con
trivances may give notice
his intention
sell
containing mutatis mutandis the same par
them

(e
).

in

.

of

by ,

by

of

to

of In or

because

(i
.)

to be
sent by registered post , the date when
the notice would in ordinary course of
post be delivered ;
( ii.) in cases where the notice is required to
be advertised in the London Gazette , the
date of such advertisement .
cases where royalties are payable
con
in

.

.

,

of

of

by

(a
.)

—

(4
.)

be

or

of be

royalty have been
labels denoting the amount
cylinders
affixed thereto
the case
which
not reasonably practicable
affix the labels
labels have been affixed
until such label
carton
box enclosing the cylinder
royalties are payable
cases where
any time labels
means
adhesive labels
the required denominations are not available either
is

“ the

trivances

Unless otherwise agreed royalties shall
payable
means
adhesive labels purchased
the
the copyright and affixed
from the owner
manner provided by these Regulations
After the person making the contrivances has
make
given the prescribed notice
his intention
sell the contrivances the owner of the copyright
registered post intimate
writing sent
shall
place within the
reasonably
convenient
some
bim
from which adhesive labels can
United Kingdom
writing and tender
demand
obtained and
the price shall supply from such place adhesive
price
labels
the required denominations
reby
equal
royalty represented
thereby
the amount
Subject
these Regulations no contrivance shall
purchaser until such label
be delivered

it

.

(
1
)

of

ROYALTIES

,

1st

OF

PAYMENT

him

(d
.)

the London Gazette shall give

in

the particulars required by paragraphs
( a .) and ( b .) of Regulation ( 2.) , and shall
also state an address from which a copy
of the notice described in Regulation ( 2. )
may be obtained .
Any number of
musical works may be included in the
same advertisement .
The notice may be given either before
July 1912
day
or after the

(b
.)

)

(5
.)

( 6.)

3

be is

if

of

of

in “

of

of

,

are

(5
)

to 19

to

to

in

)

of

or be in
(

by

,

,

(6
.)

of

"

),

(

of

if

of

statement
the name
the musical
respect
work
which the inquiries
are made and
the author
known
in

or

,

;

be
a

to

or

to

be

or

a

;

of

to

(
ii
.)

of

of

be obtained
owner
the copyright refuses
supply such labels within
neglects
three days after demand duly made
may
purchasers
contrivances
delivered
without having labels affixed thereto
the
carton
box enclosing the same and the amount
royalties shall
debt due from the person
can

the

(a
.)

or

of

INQUIRIES
The inquiries referred
Section
the Copyright Act 1911 shall
directed
the
his name
name
the copyright
owner
not known and cannot with reasonable diligence
general terms
the
the owner
ascertained
copyright
respect
the musical work
which
the inquiries
made and shall contain

�to

for

:

be

to

;

of

be

by

be

in

in

to

in

of

in

.

.

“

.

,

.

,

of

the Board

of

,

LLEWELLYN SMITH

Secretary

to

.

owner

Trade

in

these Regulations the expression
has the same meaning
the copyright
the Copyright Act 1911
Section
Dated this 7th day
June 1912

as

INTERPRETATION

H

diligence
or can with reasonable
be
ascertained the inquiries shall be sent to
such address ; or

ment

”

;

advertised
the London Gazette seven
days after the date
such advertise

of

right .
( 7. ) The inquiries shall be sent by registered
post or published by advertisement as follows
( a . ) if an address within the United Kingdom
of the owner of the copyright is known

be

( d .) an inquiry whether the contrivance
so
described was made with the consent or
acquiescence of the owner of the copy

(2
)

allegation
that a contrivance
has
previously been made by means of which
the musical work may be mechanically
performed , with the trade name ( if
of such
known ) and a description
contrivance ;

19

( c. ) an

(a
.)

inquiries ;

of the name , address and
making the
of the person

(6
.)

statement
occupation

a

( 6 . ) if such address is not known and cannot
with reasonable diligence be ascertained
the inquiries shall be advertised in the
London Gazette .
reply
(8 .) The prescribed time
such
inquiries shall
cases where the inquiries are required
registered post seven days
sent
after the date when the inquiries would
ordinary course
post
delivered
cases where the inquiries are required

In

( 6. )

sufficient

)

(
9
.)

and ( if necessary ) a description
to identify it ;

4

of

(

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                    <text>S.

MAY,

31.1899

|

is R A Rºº,
SOCIETY

AUTHORS..º.

OF

(INCORPORATED.)

IBº, IEE

FO
or

COMMITTEE

E OR

Offices 4,

OF

Eº,

T.

thin

MANAGEMENT,

THE YEAR
DECEMBER,

EN DING
1898.

PORTUGAL STREET, W.C.

LONDON: HORACE

COX,

PRINTER. To THE S001ETY OF AUTHORS,

WINDSOR

HO USE,

BREAM'S

BUILDINGS,

�SOCIETY OF AUTHORS,
- ---------------

DEC., 1898.

--~~~~~~~~~~~~~~~~~~~~

PRESIDENT,
GEORGE

MEREDITH.

COUNCIL,
SIR EDw1N ARNOLD, K.C.I.E., C.S.I.
M. BARRIE.
A. W. A BECKETT.
ROBERT BATEMAN.
F. E. BEDDARD,F.R.S.
SIR HENRY BERGNE, K.C.M.G.
SIR WALTER BESANT.
|
AUGUSTINE BIRRELL, M.P.
REv. PROF. Bonney, F.R.S.
|
The RIGHT HON. JAMES BRYOE, M.P.
THE RIGHT HON. THE LORD BURGH|
CLERE, P.C.
HALL CAINE.
CASTLE,
EGERTON
F.S.A.
P. W. CLAYDEN.
EDWARD CLODD.
|
W. MORRIS COLLES.
HON. JOHN COLLIER.
SIR. W. MARTIN CONWAY.
F. MARION CRAWFORD.
THE RIGHT HON. THE LORD CURZON.
P.C.
AUSTIN DOBSON.
A. CONAN DOYLE, M.D.
A. W. DUBOURG.
PROF. MICHAEL FOSTER, F.R.S.
D. W. FRESHFIELD.
RICHARD GARNETT, C.B., LL.D.
EDMUNDGOSSE.
H. RIDER HAGGARD.
THOMAS HARDY.
Hon. Counsel E.M.

J.

ANTHoNY HoPE HAwkins.
JEROME. K. JERoME.
Scott KELTIE, LL.D.
RUDYARD KIPLING.
PROF. E. RAY LANKESTER, F.R.S.
W. E. H. LECKY, P.C.
J. M. LELY.
THE REv. W. J. Loftik, F.S.A.
SIR. A. C. MACKENZIE, Mus. Doc.
PROF. J. M. D. MEIKLEJOHN.
HERMAN C. MERIVALE.
THE REV. C. H. MIDDLETON-WAKE.
SIR LEwis MoRRIs.
HENRY NORMAN.
MISS E. A. ORMERod.
J. C. PARKINSON.
THE RIGHT HON.THE LORD PIRBRIGHT,
P.C., F.R.S.
SIR FREDERICK POLLOCK,BART., LL.D.
WALTER HERRIEs Poi,Lock.
W. BAPTISTE SCOONEs.
MISS FLORA. L. SHAw.
G. R. SIMS.
S. SQUIRE SPRIGGE.
J. J. STEvenson.
FRANCIS STORR.
WILLIAM MOY THOMAS.
H. D. TRAILL, D.C.L.
MRS, HUMPHRY WARD.
MISS CHARLOTTE M. YONGE.

J.

UNDERDOWN,Q.C.

COMMITTEE OF MANAGEMENT.
Chairman SIR.W. MARTIN CONWAY.
A. W. A BECKETT.
ANTHONY HOPE HAWKINS.
SIR WALTER BESANT.
J. SCOTT KELTIE, LL.D.
J. M. LELY.
EGERTON CASTLE, F.S.A.
HENRY NORMAN.
W. MORRIS COLLES.
D. W. FRESHFIELD.
FRANCIS STORR.
HAGGARD,
H. RIDER
ART.

SUB-COMMITTEES.

THE HON. John CoILIER (Chairman).
SIR. W. MARTIN CONWAY.
M. H. SPIELMANN.
HENRY ARTHUR JONES (Chairman).

|

MUSIC.

C. WILLIERs STANFORD, Mus. Doc.
(Chairman).
JACQUES BLUMENTHAL.

DRAMA.
A. W. A BECKETT.

I

EDWARD ROsm.

FIELD, BOSCOE,&amp; CO., Lincoln's Inn Fields.
--thing, 'BA. H. Portugal street.
solicitors: &amp;

Hºnºr

Secretary G.HERBERT THRING, B.A.

OFFICES.
4, Portugal STREET, LINGOLN's INN FIELD8, W.C.

�Report of the Committee of Management.

cocº
have much pleasure in laying the Report for
before the members of the Society. They are happy to
state that the Society is in a sound and healthy position,
financially and otherwise. During the past year another £100
has been invested on capital account, bringing the total up to

THE Committee
1898

£690, as will be seen in the accounts on page 19.
The
Committee, however, still feel the want of sufficient funds to
carry out many important requirements for the benefit of
authors, but are glad to be able to report that the growth of the
Society in this respect, though slow, is still sure.

During the past year the number of new members elected has
slightly exceeded the number of those elected in the preceding
year; but, as in the last Report, the Committee must point out
that this does not mean a corresponding increase in the number
of members of the Society. There have been, as usual, many
resignations; the Committee have also had to strike out many
names for non-payment of their subscription;
there have also
been a considerable number of deaths. The total amount of
resignations and erasions for non-payment is 120, and of deaths
ten; so that the nett increase in the members of the Society is
about 60.

With regard to the first two (resignations and erasions) the
Committee would like to put strongly before their members
that there are certain things that the Society cannot do, and

�(

4

)

further, that they cannot give the same official support to those
who join only when they are in difficulty as to older members
since it is necessary for them to consider, in taking legal steps
and incurring other expenditure, the claims of those who have
been the Society's supporters for many years.
It is owing to
these reasons that a great many resignations and erasions have
occurred. With regard to the third (deaths), it is with feelings,
of sincere regret that the Committee have to report during
the past year the deaths of some of their oldest members and
Amongst these are the following: The
D.D., William Black, the Earl of Desart,

strongest supporters.
Rev. Canon Bell,

Mrs. Haweis, Mrs. Lynn Linton, James Payn.
THE COMMITTEE.
Under the constitution of the Society, Sir Walter Besant,
Mr. J. M. Lely, and Sir A. C. Mackenzie resigned from the
Committee at the commencement
of the year in due rotation.
Lely
presented their names for
Sir Walter Besant and Mr.
re-election, and were re-elected in due course.
Mr. Scott Keltie
was elected to fill the vacancy caused by the resignation
Sir A. C. Mackenzie from the Committee.

Sir W. Martin Conway was unanimously

elected

of

Chairman of

the Committee for the year.

CORPORATE

BODIES.

As on sundry occasions it had been stated to the Committee
that corporate bodies were unable to join the Society in their
corporate capacity, the following resolution was unanimously
passed at the meeting of the Committee held on

It

was resolved

Committee would

that,

if it

was thought

elect the Chairman

June 24th

:

advisable,

the
or other officer of any

corporate association as a member of the Author's

Society, to

�(

)

5

represent such association, on payment of two guineas per
annum on behalf of such association. The Chairman or other
officer thus elected

would be entitled to all the benefits

Society for the publications

of the

of the association, and for advice

with regard to the details of the body corporate, but not to
advice on behalf of himself or any individual member of such
association.

in

all

Two or three bodies have already availed themselves of the
arrangement, and it is hoped that it will prove of service to the
Society and to such bodies, as there are many
over the
kingdom that publish works
their corporate capacity.

BILL DEALING

WITH

PREFERENTIAL CREDITORS

IN

BANKRUPTCY.

by

on

it

to

or

The Committee, during the past three
four years, have
had many complaints that
has been impossible
recover
any money due
authors
contributions which have been
magazines and papers that have subsequently gone
accepted

a

in

9,

in

of

into liquidation.
(The difficulties
the situation are set forth
this Report, page
under the cases that have been before the
Society.)
many cases reached
very
As the position

Bill

to

a

remu

magazines and periodicals
contributors
preferential creditors. They accordingly

in

to

as

authors

of

on

placing

the

draft

of

to

acute stage, owing
the authors being deprived
neration for their work, the Committee decided

to

to

of

a

to

5,

F.
B.

the basis
Palmer,
structed counsel (Mr.
New Square, Lincoln's
Inn), through their solicitors
draft
short Bill
meet
the case. The thanks
the Society are due
Mr. Palmer,

a

of

the

is

a

the Committee

of

of of to

in

who drafted the Bill
accordance with instructions, refusing
any
take
counsel's fees. The London branch
the Institute
Journalists,
whose chairman (Mr.
Beckett)
member
Society, gave their strong adherence

�(

6

)

to the principles of the Bill, and stated to the Committee that
they were pleased that the matter had been taken in hand. It
was decided to ask Sir
Willox (through Mr. a Beckett) to

J.

undertake the bringing forward of the Bill. It is understood
that Sir J. Willox has consented to do so next session.

Books ELLERS AND THE DISCOUNT QUESTION.

It will be remembered that in the Report for last year the
Committee went fully into a scheme that was approved by the
dealing with this subject, but they
Publishers
Association
found they were

unable to support the scheme, owing to cer
tain facts contained therein, which were fully set forth in a
report of the sub-committee appointed to deal with the question,
and approved by the Committee.
The main objection was
that the working

of the scheme

resulted in a restraint on the

freedom of trading.
This report considered in detail, and with very full evidence,
the whole position of the bookselling trade.

In

the beginning

the current year the Secretary of the
prepared a fresh scheme for the con
sideration of the Authors Society. The sub-committee met on
several occasions and prepared a further report, approving of
Booksellers

of

Association

the new scheme as submitted, with a few slight modifications
and suggestions. The scheme was printed in the July number
of the Author.
After the booksellers had received and con
sidered the scheme with the Society's suggestions, the matter
was laid before the publishers, and a meeting was held in the
beginning of August, between a very influential deputation of
booksellers and a committee of publishers.
The booksellers
present unanimously supported the proposed arrangement. The
Committee of the Society were asked to attend, but owing to the
date fixed were unable to send a representative. They, however,
with the full consent of the publishers, requested the Secretary

�(

7

)

to be present, in order to put forward the Society's view, and to
learn what steps were to be taken for the benefit of the trade
in the future. The meeting was held at Stationers' Hall. It
was decided by all parties present that no report should be

It is only necessary to state that the booksellers
were enthusiastic, and unanimously in support of the scheme;
that they represented, with the exception of one or two discount
booksellers in London, the whole book trade all over England;
printed.

the publishers were by no means unanimous, raising
considerable opposition to adopting any new method for the
Although they stated their willingness
distribution of books.
that

to assist the retail trade, there was an unwillingness to disturb
the ruling methods of business.

No doubt in the near future there will be some fresh develop
ments, and the publishers will explain fully their objections.
PUBLISHERS' AGREEMENTs.

It appears from the report of the meeting of the Publishers'
Association in the Publishers' Circular, that one of the first works
taken in hand by that association was the drafting of agree
ments between author and publisher. These agreements were
laid before counsel, Mr. J. Walton, Q.C., M.P., and Mr. Ingpen,
and settled by them.
The Secretary of the Society on hearing of these agreements,
wrote to the chairman of the Publishers' Association, asking

if

copies when settled for criticism
chairman very kindly consented to do.
When the agreements came to hand the Secretary criticised them
at considerable length, and in considerable detail. His criticism
he would

kindly

in the Author.

This

forward
the

was approved by the
number of the Author.

Committee,

and printed in the July
have since decided to

The Committee

reprint the agreements in pamphlet form, with the Secretary's
comments, and examples drawn from them.
The Committee

�(

)

8

all

of

be

would like to impress upon the members of the Society that
the agreements are thoroughly unsatisfactory, and that it would

unsatisfactory,

is of
of a

as

they should

so

of

It

in

to

study them, together
for
members
the Society
publishers
with the Secretary's comments,
case any firm
pity that
should submit copies
them for signature.
be good

the chairman

the

Pub

to

of

in

as

lishers' Association
his speech states
follows:
We have got two
the best commercial counsel we could
find
look through them, and see whether the agreements
of

will hold water legally; whether they express the thing clearly,
dispute; and finally, and not
and obviate all possibility
of

at

the least important, whether they are between the parties an
equitable method
arriving
the desired result.
be

to

of

no

is

It

difficult
understand how these agreements can
equitable
considered
between the parties, though
doubt from
publishers'
point
the
view they are admirably drawn
documents.
OF

PUBLISHING.
the Author under
by

THE METHODS

papers that had appeared
of of

for Consideration,

Matters

various difficulties,

the

Methods

of

been noticed

in

entitled
papers contained

of of

in

written
the
pamphlet form,
the Society, have been reprinted
Publishing.
Addenda
the Methods
These
to

Various
the title
Secretary

TO

in

ADDENDA

which some

Publishing,

had not

and others had
of

to

is

on

to

a

tion

of

sprung up since that work was first produced. The book forms
very useful appendix, and
worthy
the consideration
apply
those who are not able
the Secretary for informa
agreements.

ANNUAL DINNER.
of

at

of

The Annual Dinner
the Society took place
the Holborn
Restaurant, on Monday, May 2nd. The Bishop
London

�(

9

)

took the chair, and there were about two hundred members

of

the society and guests present.
A soirée was held subsequently in one of the salons, and after
a very pleasant evening the members and guests separated.
A full account of the speeches has been printed in the June
number of the Author.
MAGAZINES

IN LIQUIDATION.

In another part of the Report, the Committee state that they
have a Bill in preparation dealing with the question of making
contributors to magazines preferential creditors in liquidation
or bankruptcy proceedings. The reason they have taken this
matter-up strongly is that during the past year there have been
four or five cases of papers or magazines in liquidation.
In
many members of the Society have been involved.
the Secretary and the solicitors of the Society have
done their best to obtain the money due, they have been in
nearly every case unsuccessful, owing to the fact that there were
each

case

Although

available for distribution among the creditors.
It
might be to the advantage of the Society if the Committee put
forward some facts with regard to the method on which some

no assets

magazines are conducted.
They are, in some cases, started by an individual with a small
capital, who advertises largely for MSS., or obtains them through
other means.

When

his capital is nearly expended,

the whole

affair is turned into a limited liability company.
In the course
of time the limited liability company goes bankrupt, leaving all
the contracts with the authors unfulfilled

for payment for past and future work.

It

and large sums due
may happen

that the

originator of the magazine, who has been running the company
as managing director at a salary, then purchases the assets of
the bankruptcy at a small figure, and the magazine is still kept
going with the contributions of the unfortunate author creditors.
To the outside public, who do not happen to have sent in contri
B

�(

10

)

butions, the paper seems to be still running strongly.
The
it is only the proprietors who have altered.

name is the same ;

This rapid change of proprietors adds a further difficulty, as
it is almost impossible to ascertain which proprietor is
Accordingly
liable for which contract.
a further batch of
contributors

are

deceived.

There

is another device which

suggests itself to the ingenious proprietor, when he has turned
the magazine again into a company, namely, the issue of deben
tures. The debenture holders are those who, interested in the
circulation, and aware of the financial position, protect them
selves to the disadvantage of the contributors.
The only thing
that can be done under these circumstances is to drive the
into bankruptcy, and, if possible, off the market
may be a very strong measure,
and it may, in
one or two cases, hurt the authors that happen to be creditors,
but it prevents a large number of members of the Society from
again being led into these difficulties.
The cases of all the

magazine
entirely.

bankrupt

This

magazines,

however, are

not

as

bad

as

the

one

above quoted, although in nearly every case the debenture-holder
is to be met, who, on the sale of the magazine, pockets all the

leaving none for the unfortunate creditors. Members
of the Society cannot be too careful with what magazines
they deal, and to secure prompt payment from those that
are not absolutely trustworthy.
In some cases, where the
assets,

matter has been put into the Secretary's hands at once, payment
has been secured
before the final crash.
As a general rule, the
Secretary is cognizant of the financial position of magazines,
and can advise authors as to whether it is worth their while to
take stringent measures
ADVISORY

or not.
WORK

AND LEGAL CASEs.

The advisory work of the Society has been very heavy during
the past year, and shows a considerable increase on that of the
previous year.
The Committee are always glad to see members

�(

make full use of the Society;

11

)

though still, no doubt, there are

many members who would profit considerably if they used the
Society more.
Prevention is always better than cure. With
regard to the cases taken up during the past year (by cases are

points

satisfactory result.
all there have
before the Society.
Of these eight were
copyright, and the Society has had very
for infringement
settling them, although
little difficulty
three
four

In

nearly

110

a

from

been

all

meant those questions in which the Secretary interposes between
the publisher or editor and the author), the number taken in
hand shows an increase.
The settlement of the cases shows

or

to

as

so

to

to

go
place the matters
far
threaten
the hands
the Society's solicitors, and
two cases had
actually
so.
sometimes the principle
the offender
try and brazen out the infringement by making one excuse
of

in

to

or

is

It

do

to

in

of

the Secretary had

in

in

of

cases

in

is

the solicitors

a

one

has been able, after putting the matter

letter,

or,

put the
two cases the Society
the solicitors hands,
to

by

it

hands.

writing

reply, threatening
in or

in

matter

no

obtain the amount

case the first letter obtains

In

in

the Secretary

to

of

In

in

a

to

or

prepared
the Courts, should the Secretary
course.
Fifty cases have
the Society s solicitors advise such
been before the Society
which money has not been paid when
due.
about forty
these cases
has been possible for
to

always

go

be is

he

another, but when
earnest, the
sees that the Society
generally
easily
arranged.
should,
therefore,
matter
Members

is

to

every case, disastrous
contributors.
paid. With regard
dividend

It

in

is, a

in

as

is

to

in

to

enforce payment;
the other cases payment has not been
owing
bankrupt
made
the fact that the magazine
position.
Bankruptcy,
pointed
out,
nearly
has been
quite the excep

to

is

as

of

it

in

if

copyright

so

as

far

both

the

law expenses

are

concerned,

without cost

to

if

ment

of a

the infringe
and the application for money due,
the matter has been placed
the solicitors hands,
has
placed with the consent
Committee, and,
been
the

tion

�(

12

)

solicitors

or counsel on behalf of its members

as

its

matter of
is

it

it

takes up many during the year,
not
always able
take up every question. The Committee, during
the past year, have issued
those members whose cases they
guarantee.

The following

is
a

of

printed form

it:

of

have taken up,
copy

a

to

to

course; but, though

a

of

all

the member.
The Committee would be glad to be able to
report that the Society is so strong financially that it could take
up
law cases which are backed with the support

To THE SECRETARY,
SOCIETY

OF AUTHORS,

come

no settlement

myself and .......................................

of

undertake

to

Portugal Street, W.C.

to

I

1.

4,

INCORPORATED

the case between

nor to withdraw from

through the Society's

successful

to

I

of

on

Should the proceedings fail through any neglect
my part,
undertake
become responsible for
the action.

default
the costs

(Signed)

.......................................

all or

a

Solicitors the best assistance

carry the proceedings

to

in

to

I

is 2.
3.

my power
that
conclusion.

carried

on

be

will give the Society

and that
Solicitors

its

negotiations shall
Secretary.

or

or all

of

on

any proceedings which the Society's Solicitors may institute
my behalf without the concurrence
the Society's Solicitors,

�(

13

)

It is necessary, for the protection
guarantee should be signed.

of the Society, that this

During the past year there have been five cases of bankruptcy
in which the solicitors of the Society have carried through the
Unfortunately, only in one
claims of the various members.
case was there any
dividend paid, and
-

in that case a very small

one.

The Committee are glad to report that the Roxburghe Press
has now ceased to exist, being one of the bankrupt companies.
There have been twenty-three cases in which the subject in
dispute has been publishers accounts. Either the accounts have
not been rendered at the proper time, or when rendered have
not been sufficiently in detail, or have been inaccurate, and thus
necessitated careful inspection.
In the cases where accounts
have not been rendered, the Secretary has always been able to
Only in one case have the Committee
obtain them at once.
felt the necessity of sending in an accountant to check the

In

three other cases they have had to obtain a
full accountant's report of the items sent in, with a view
Owing to the report
of taking further steps if necessary.
vouchers.

being satisfactory, these

further steps have, however, proved
On two occasions a publisher refused to show
his accounts and vouchers and books on the demand of the

unnecessary.

Society. The Society at once took up the matter, and were pre
pared to carry the question into Court, as the Committee
consider it one of the gravest importance.
In both these cases,
however, the authors concerned were officials holding positions
out of England, and they were unable in consequence to support
the Society in bringing an action on their behalf. The Com
mittee regret exceedingly that they had therefore to abandon
these two cases, but they beg to state to the members that if any
case comes before the Society with no other issues involved,
except the one of a publisher refusing to produce his books and
vouch his accounts in full, they will carry that case right
C

�(

14

)

through the Courts, as it is a point of vital principle that has
been maintained by the Society ever since its foundation.
In all
other previous cases where the Society has employed its
accountant, it has found publishers willing and ready to vouch
their accounts in detail. The mere fact of a publisher refusing
to do so would lead any reasonable person to draw the deduction
that they were unable to do so, an inference which must be
harmful to any publishing house.

In twenty-eight cases the Society have had to apply for the
recovery of MSS. from editors or publishers, and in sixteen
cases they have been successful.
The Committee would like to
point out the difficulty with regard to this portion of the work
In many cases authors have no acknowledge
ment whatever of the MSS. having been received, but without
such acknowledgement it is impossible to prove anything satis
factorily.
If an author could show that the MS. has reached
of the Society.

the office, he must also be able to show that it has reached the
hands of some responsible party in the office, and finally he must
show that the persons dealing with the MSS. have been guilty
of neglect.
These points are very difficult for an author
to prove ; though some members of the Society seem to think
that under any circumstances the editors or publishers are
responsible from the moment that the author has inserted the
MS. in the Post Office, and one member went even so far as to
state that as he had not heard from the editor he might draw
the deduction that the MS. had been accepted.
The Secretary has at all times (with one exception) met with
the utmost courtesy and consideration from
editors and
publishers.
They have been ready to make search for the

MSS., and return them when found; but the Committee would
like to state that they cannot, and will not, uphold the ease
of members who bring the Society into discredit by making
discourteous and impossible demands, and using the Society's
name in such an issue.

�(

It

has come to the notice

15

)

of the Committee that writers, who

of the Society, have also used the Society's
name as a threat to editors and publishers.
While the Com
are

not

members

mittee strongly disapprove of members using the name of the
Society in an unauthorised manner, they cannot too fully

its

express their resentment at those who are not members of the
Society making use of the Society's name.
It brings odium on

of

do

to

as

to

give the same
not feel themselves bound
difficulty
those who join only when
their old
in

to

Report, that they
support

in

as

in

of

power and effect
the work of the Society, and tends to lessen
upholding the cause
authors generally.
The Committee
they have done
must also point out,
another part
the

members.

COPYRIGHT

LAW REFORM.

be

it

of

in

by

of

as

to

of

the Committee with regard
the Consolidating
Copyright
Association,
Bill
the
set forth
last year's Report, has been fully justified
the results.
The Chairman
the Copyright Association,
will
remem

The action
and Amending

a

of

it

to

to

bered, asked the Society
assist them with the Bill, with
bringing
view
before the Houses
Parliament.
The

do

in

of

in

to

in

reply that they were very willing
Committee stated
assisting
the Consolidation and Amendment
but they thought the time was inadvisable for

their utmost
Copyright,

a

to

be

to

it

taking such steps; that
impossible
pass
would
full
Consolidating and Amending Bill, and that they ought not
take further action until the Society's short Amending Bill

of

an

a

of

had passed both Houses; that the bringing forward
such
Consolidating and Amending Bill would put off Copyright
legislation for
indefinite period. At the commencement
in

was placed
Lord
reading through

second

the Society's Amending
Society
the
will call
mind the fac

the same time

to

The members

at

Lords

of

Bill.

of

the House

Bill

to
as a

this year the Copyright Association's
hands, and was pushed

Herschell's

�(

16

)

that the Society's Bill was being piloted by Lord Monkswell,
and had already passed the second reading at the former Session.
Both Bills were referred to a Committee of the House of Lords.
Considerable evidence from various quarters was given. The
Secretary of the Society appeared and gave evidence on behalf
of the Committee, setting forward their view of the position.
This evidence has been printed in the Author and other papers.
is,

The Committee of the Society would like to say that in its final

and

to

to

fit

thought

on

push forward Copy

but they regret
Copyright
the course which the
Association
adopt,
appears that the consolidation

Law Reform

owing

their utmost
Amendment,

that,
have

of

The Committee will
right

to to

do

is

as

as

state the Copyright Amendment Bill
the whole, satis
factory
literary property
concerned, though there
far
are certain points which they would like
see altered.

of a

to

in

It

be

it

the
law has been indefinitely postponed.
impossible
pass full Consolidating and Amend
will
ing Act
public business, and any small
the present state
in

of

to

be

is

on

is

It

be

put forward can always
put
standing
the excuse that the big Bill
the way.
regretted, therefore, that with all the Committee's
efforts amendment
the law has been impossible.
aside

be

amendments that may now

In

GERMAN

COPYRIGHT.
in

of

of

a

of

telegram appeared
the spring
the year
the Times
announcing the withdrawal
Germany from the Anglo-German
Convention for the protection
Authors copyright.
The
to

to

telegram referred
those treaties existing between Germany,
Prussia, and England prior
the Berne Convention.

As stated

on

in

vention.

to

as

to

Questions have arisen from time
time during the past few
years
how far these prior treaties had any effect
the
articles existing between the countries under the Berne Con
the telegram, these treaties have lost

�(

17

)

is,

their legal force in Great Britain, and have now been declared
of Germany. There
how

mull and void by the withdrawal

question, how far this withdrawal might have an
published under these treaties prior
the
retrospective, and
Berne Convention, whether the withdrawal
may bear upon past publications.
what way
The result
books

by

it

in to of in

is

effect

to

one

on

ever,

of

number

the position

CANADIAN

it

State

the German

British authors

the June number

of

was printed

to

relative

Germany.

It

Ambassador,

from

the
the

in

A

paper was received from the Secretary

Affairs, who had received

for Foreign

full statement

the April

of of

made

of

further

both countries.

was

of

document

in

A

German
Author.

in

which had lapsed

in

to

to

by

at

an

inquiry made
the Secretary
the Foreign Office was
Germany did not
the effect that the notice published
any way interfere with the Berne Convention, but merely
referred
treaties prior
that Convention, the benefit

the Author.

COPYRIGHT.

not

at

matter

is

to

in

of

on

of

During the past year the Committee have been watching very
closely the interests
any proposed
authors with regard
legislation
Copyright
Canada, but the
the subject
present ripe for any public statement.

�OF AUTHORS,

THE INCORPORATED SOCIETY

;

5

42

1898.

;

January
To Balance from 1897:
At Bank
Petty Cash in hand.

S

Year ending 31st December, 1898.
RECEIPTS.

|

the

1,

for

Revenue Account

December 31, 1898.
4

9 2

7

15

6

() 6

19
12

4 4

1,051
33 Annual Subscriptions
,, Donations
...
...
...
,, Reading Fees
Proceeds
Publicati ons
Dinner Account
Dividends on Investments, viz.:
£230
Lancashire
and Yorkshire

6 1,055

() 3 S

December 31, 1898.

, ,, , ,,

|1

Advertising

of

Expenses
Publicati ons
Legal Expenses
33 Dinner Account

7

2
1

15

11}

15
16

14
15

52 15

21,507

10

7

hand

1

---

in

Petty Cash

2 5

:

35 Balance
At Bank

d.

T.

71
399
78
78
46
465
13
156

...

4;

43 144

Rent and Gas
--Salaries
Readers Fees
Stationery

...

,, ,,

i

Typewriting
Fares
Hire of Room for General Meeting
Audit Fee
Sundries ...

39 s.

() 0 2 1. 2 2

d.

Postages and Telegrams
Housekeeper

8

By Management and Sun dry Expenses:

10

**-

£1.507

2

PAYMENTS.

15

1 6

I,

£89 156 Consols

3

°/o Pref. Stock
°ſo County

£240
Staffordshire
Stock

3:

Railway

33

of

,, ,, ,,

...

11 10
75 11
155 11
139 13

in

to

it

We have examined this Account with the Books and Vouchers, and
certify
be
accordance therewith.
MonumENT SQUARE, E.C.,
OSCAR BERRY AND CARR,
11th January, 1899.

Auditors.

�(

19

)

THE INCORPORATED SOCIETY
Capital Account for

OF AUTHORS,

the year ending 31st December, 1898.

RECEIPTS.
7

9

...

To Balance at Bank as per last Account
.879
Life Members Subscriptions during the
----Year
----...
35

1st.

10

Dec. 31st.

42114, 16

7

,

Jan.

8

1898.

PAYMENTS.
1898.

By Investment
£89 15
Consols
--Balance at Bank

4:114 16

7

100
14 16

()

6

...
...

7 ()

:

Dec. 31st.

in

to

it

We have examined this Account with the Books and Vouchers, and
certify
be
accordance therewith.
SQUARE,

MONUMENT

OSCAR BERRY AND CARR,
Auditors.

E.C.,

11th January, 1899.

£6909s.

-

be

£343

17

247

1()

99

£690

will
seen by the statement,
Of this between £400 and £450
be

which,

as

to of

-

...

£230 Lancashire and Yorkshire Railway, 34%
£240 Staffordshire 3.4% County Stock
-- -£89 15s. 6d. Consols 23%

the present price
altogether amounts

Consols since

follows:
() () 0

invested moneys

2

total

()

makes

9

This

of

1897.

a

that one hundred pounds have been invested

as in

it

as

to

to

The Committee would like
make the following remarks on
the financial statement submitted
the Society:
Taking
the first item the Capital Account,
will
seen

�(

20

)

was left to the Society in a legacy, and the remainder represents
capitalised life membership fees.

The annual subscriptions to the Society show the satisfactory
increase of £55 on the previous year. Some seventy or eighty
members have not yet paid for last year. Of the annual subscrip
tions, 450, a large number are paid by banker's orders. It is much
more convenient both for the member and for the Society

if

this

arrangement could always be carried out.
It is earnestly hoped
that members will pay by this means if they possibly can, as the
circularisation of members for non-payment is a great expense
to the Society. The Committee regret to state that about £50
is annually lost to the Society by unpaid subscriptions.
The issuing of circulars and the printing of them (which is
included under
a heavy one.
the General
payment.

Stationery )

make the charge under that head

issued during the year are for
the Dinner, and the circulars for non

The circulars
Meeting,

The legal expenses are small during the present year for this
reason, that in 1897 nearly the whole of the outstanding
solicitors charges were paid, and during the present year the
Society has received no further account. The item being so
small does not mean, however, that the work of the Society in
this branch has at all decreased.

On the contrary;

if anything,

it has risen.
The outstanding liabilities

of the Society may be reckoned as
to a total of about £500, expenses incurred for
Solicitors, and Stationery charges.
These may be

amounting
Awthor,

looked upon as current expenses,
the Committee would like.

but the amount is higher than
be reduced gradually.
The

It will

Committee trust that the members of the Society will feel their
position secure on the ground that against this £500 they have
£690 invested capital, so that practically the Society is in a
sound financial state; but of course an intact capital of at least
£500 would be far more satisfactory.

�(

21

)

The List of Publications of the Society will be found on the
During
first page of the Author and at the back of the Report.
1898 the Society has published
The Addenda to the Methods
by G. Herbert Thring.
of Publishing,
The proceeds of
publications

are derived mainly from sales, in addition to an
amount derived from the insertion of advertisements in the
Author.

�(

CONDITIONS

22

)

OF MEMBERSHIP.

subscription is one
ANNUAL SUBSCRIPTION. The
annually, payable on the 1st January of each year.

guinea

The sum of ten guineas for life
LIFE MEMBERSHIP.
membership entitles the subscriber to full membership of the
Society.
Cheques and Postal Orders should be crossed
The Union
or, The
Bank of London, Limited, Chancery Lane Branch;
London Joint Stock Bank, Limited, Westminster Branch.
Names of those who wish to be proposed as members may be
sent at any time to the Secretary at the Secretary's offices.
Subscriptions paid by members elected after 1st of October

will cover the next

year.

The Secretary can be personally consulted between the hours
It is
of Two p.m. and Five p.m., except on Saturdays.
preferable that an appointment should be made by letter.

All communications made by the Secretary to those seeking
his advice are absolutely confidential, and on this understanding
alone advice is given.

ASSOCIATES.
Persons who have not published a book can only join the
Society as Associates. The subscription and the advantages to
be obtained are the same as those of membership, the difference
being merely a nominal one. On notifying the Secretary of the
publication of a book, their names will then be transferred to

full membership.

�(

23

WA RN

IN G. S.

STAMP YOUR AGREEMENTS. Members

are most URGENTLY

warned not to neglect stamping their agreements immediately
after signature.
If this precaution is neglected for two weeks,
a fine of £10 must be paid before the agreement can be used
as a legal document.
In almost every case brought to the
Secretary the agreement, or the letter which serves for one, is

to all

no

expense

themselves

ASCERTAIN

WHAT

A

of

of

ments
members stamped for them
except the cost
the stamp.

at

without the stamp. The author may be assured that the other
party to the agreement never neglects this simple precaution.
The Society, to save trouble, undertakes to get
the agree

PROPOSED

AGREEMENT

GIVES

TO

of

a

in

to

it

to

be

as

an

arrange
BOTH SIDES BEFORE SIGNING IT-Remember that
joint venture
any other kind
ment
business whatever
instantly refused should either party refuse
would
show the
books or to let
be known what share he reserved for himself.
be

LITERARY AGENTS. Be very careful.

as

as

of

the Society are earnestly desired
warnings
widely known
possible.

MEMBERs
following

to

of

is
in

or

in as

to

as

Members cannot
the person whom they appoint
their agent.
their property almost unreservedly
his hands.
consulting the Society,
Their only safety
some friend
who has had personal experience
the agent.
too careful
They place

make the

They are

of

to

is

to

of

on

many years' work upon the dangers
the experience
exposed
which literary property
sign
any
agreement,
(1.) NEVER
which the alleged cost

based

integral part, until the figures
-

of

an

production forms
have been proved.

experienced friends

by

-

or

not recommended
Society.

by

to

(2.) NEVER
enter into any correspondence with publishers,
especially with those who advertise for MSS., who are
this

�( 24

)

(3) NEVER,

on any account whatever, to bind themselves
down to any publisher for future work.
(4.) NEVER to accept any proposal of royalty until they have
ascertained what the agreement, worked out on both
a small

and a large sale, will give to the author and

what to the publisher.
(5.) NEVER to accept any pecuniary risk or responsibility
whatever without advice.
(6.) NEVER, when a MS. has been refused by respectable
houses, to pay others, whatever promises they may put
(7.)

forward, for the production of the work.
NEVER to sign away foreign, which include American,
rights, but to keep them by special clause.
To refuse

sign any agreement containing a clause which
reserves them for the publisher.
If the publisher
insists, take away the MS. and offer it to another.
(8.) NEVER to sign any paper, either agreement or receipt,
which gives away copyright, without advice.
to

(9.)

(10.)

keep control over the advertisements, if they affect
the returns, by clause in the agreement. To reserve a
veto.
If ignorant of the subject, to make the Society
their adviser.

To

NEVER to forget that publishing is

a business,

like any

other business, totally unconnected with philanthropy,
charity, or pure love of literature.

HOW TO USE THE SOCIETY.
1. Every member has a right to advice upon his agreements,
his choice of a publisher, or any dispute arising in the conduct
of his business or the administration of his property. If the
advice sought is such as can be given
member has a

right to

best by a solicitor, the

an opinion from the Society's solicitors.

�25

)

If the case is such that counsel's opinion is desirable, the Com
mittee will obtain for him counsel's opinion. All this without
any cost to the member.
2. Remember that questions connected
with copyright and
publishers' agreements are not generally within the experience
of ordinary solicitors.
Therefore do not scruple to use the

Society first our
questions for us.

solicitors are continually

engaged upon such

3. Send to the office copies of past agreements and past
accounts, with the loan of the books represented. This is in
order to ascertain what has been the nature of your agreements

and the results to author and publisher respectively so far. The
Secretary will always be glad to have any agreements, new or
old, for inspection and note.
The information thus obtained
may prove invaluable.

4. If the examination of your previous business transactions
by the Secretary proves unfavourable, you should take advice as
to a change of publishers.
5. Before signing

any agreement whatever, send the proposed

form to the Society for examination.
6. The Society is acquainted with the methods, and in the
case of fraudulent houses the tricks of every publishing firm
in the country.
Remember that there are certain houses which
live entirely by trickery.
7. Remember always that in belonging to the Society you
are fighting the battles of other writers, even if you are reaping
no

benefit to yourself,

interests
writer.

of literature

and that you are advancing the best
in promoting the independence of the

8. Send to the Editor of the Author notes of everything
important to literature that you may hear or meet with.

�{

REGULATIONS

26

)

CONCERNING

MANUSCRIPTS,

has a staff of readers who are competent to
give a critical report upon MSS. submitted to them.
2. The fee for this service will for the future be one guinea,
1.

The Society

unless any special reason be present for making it higher
or lower. The amount must then be left to the Secretary's
discretion.

It

is requested
having upon

that a label may be sent with the MSS.,
it the author's name, the nom-de-plume

any) under which the work
written, and the address
which the MSS.
be returned.
This communica
is

7.

every case the fee and stamps for return postage must
accompany the MSS.
The fee will be given entirely to the reader.
. The readers will not attempt to give an opinion upon works
of a technical character.

to

*

In

is

4.

a report will be given upon MSS. of the
usual three vol. length, or upon collections of stories
making in the aggregate a work of that length.

For this sum

to (if

.

tion will be held as confidential.

��Publications of the Society.
THE ANNUAL REPORT.

|

That for the past year can be had on

application to the Secretary.

THE AUTHOR.

|

Members.

A. Monthly Journal devoted especially to the
Issued to all
and maintenance of Literary Property.
prices:
Back numbers are offered at the following

(Bound);

Wols. W. to

protection

Vol. I., 10s. 6d. (Bound); Wols.

VIII,

II., III.,

6s. 6d.

and

IV.,

8s. 6d. each

Annual Sub

(Unbound).

scription, 6s. 6d.

LITERATURE AND THE PENSION LIST.
CoLLEs, Barrister-at-Law.

By W. MoRRIs

3s.

|

THE HISTORY OF THE SOCIETE DES GENS DE LETTRES.

|

THE

By S. SQUIRE SPRIgGE, late Secretary to the Society.
COST OF PRODUCTION.

1s.

In this work specimens are given

of the most important forms of type, size of page, &amp;c., with estimates
showing what it costs to produce the more common kinds of books.
2s. 6d.

|

THE WARIOUS METHODS
SPRIgGE.

OF PUBLICATION. By S. SQUIRE
In this work, compiled from the papers in the Society's

offices, the various forms of agreements proposed by Publishers to
Authors are examined, and their meaning carefully explained, with
an account of the various kinds of fraud which have been made
possible by the different clauses in their agreements.

3s.

COPYRIGHT LAW REFORM.
well's Copyright

An Exposition of Lord Monks
Bill of 1890. With Extracts from the Report of

of 1878, and an Appendix containing
By
Bill.
and the American Copyright

the Commission
Convention
1s. 6d.
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M. LELY.

OF AUTHORS, A Record of its Action from its
By WALTER
BEs ANT (Chairman of Committee,

THE SOCIETY
Foundation.
1888-1892).

1s.

CONTRACT OF PUBLICATION in Germany, Austria,
By ERNst LUNGE, J.U.D.
Hungary, and Switzerland.
6d.
10. THE ADDENDA TO THE METHODS OF PUBLISHING."
Being Additional Facts collected
By
the
HERBERT THRING.
the Methods,
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              <text>&#13;
&#13;
S.&#13;
MAY, 31.1899 |&#13;
is R A Rºº,&#13;
SOCIETY OF AUTHORS..º.&#13;
(INCORPORATED.)&#13;
IBº, IEE F O Eº, T.&#13;
or thin&#13;
COMMITTEE OF MANAGEMENT,&#13;
E OR THE YEAR EN DING&#13;
DECEMBER, 1898.&#13;
Offices—4, PORTUGAL STREET, W.C.&#13;
LONDON: HORACE COX,&#13;
PRINTER. To THE S001ETY OF AUTHORS,&#13;
WINDSOR HO USE, BREAM'S BUILDINGS,&#13;
&#13;
## p. (#2) ##################################################&#13;
&#13;
SOCIETY OF AUTHORS, DEC., 1898.&#13;
--~~~~~~~~~~~~~~~~~~~~&#13;
- ---------------&#13;
PRESIDENT,&#13;
GEORGE MEREDITH.&#13;
COUNCIL,&#13;
SIR EDw1N ARNOLD, K.C.I.E., C.S.I. ANTHoNY HoPE HAwkins.&#13;
J. M. BARRIE. JEROME. K. JERoME.&#13;
A. W. A BECKETT. J. Scott KELTIE, LL.D.&#13;
ROBERT BATEMAN. RUDYARD KIPLING.&#13;
F. E. BEDDARD, F.R.S. PROF. E. RAY LANKESTER, F.R.S.&#13;
SIR HENRY BERGNE, K.C.M.G. W. E. H. LECKY, P.C.&#13;
|&#13;
|&#13;
|&#13;
SIR WALTER BESANT. J. M. LELY.&#13;
AUGUSTINE BIRRELL, M.P. THE REv. W. J. Loftik, F.S.A.&#13;
REv. PROF. Bonney, F.R.S. SIR. A. C. MACKENZIE, Mus. Doc.&#13;
The RIGHT HON. JAMES BRYOE, M.P. PROF. J. M. D. MEIKLEJOHN.&#13;
THE RIGHT HON. THE LORD BURGH- HERMAN C. MERIVALE.&#13;
CLERE, P.C. THE REV. C. H. MIDDLETON-WAKE.&#13;
HALL CAINE. SIR LEwis MoRRIs.&#13;
EGERTON CASTLE, F.S.A. HENRY NORMAN.&#13;
P. W. CLAYDEN. MISS E. A. ORMERod.&#13;
EDWARD CLODD. | J. C. PARKINSON.&#13;
W. MORRIS COLLES. THE RIGHT HON. THE LORD PIRBRIGHT,&#13;
HON. JOHN COLLIER. - P.C., F.R.S.&#13;
SIR. W. MARTIN CONWAY. SIR FREDERICK POLLOCK, BART., LL.D.&#13;
F. MARION CRAWFORD. WALTER HERRIEs Poi,Lock.&#13;
THE RIGHT HON. THE LORD CURZON. W. BAPTISTE SCOONEs.&#13;
P.C. MISS FLORA. L. SHAw.&#13;
AUSTIN DOBSON. G. R. SIMS.&#13;
A. CONAN DOYLE, M.D. S. SQUIRE SPRIGGE.&#13;
A. W. DUBOURG. J. J. STEvenson.&#13;
PROF. MICHAEL FOSTER, F.R.S. FRANCIS STORR.&#13;
D. W. FRESHFIELD. WILLIAM MOY THOMAS.&#13;
RICHARD GARNETT, C.B., LL.D. H. D. TRAILL, D.C.L.&#13;
EDMUND GOSSE. MRS, HUMPHRY WARD.&#13;
H. RIDER HAGGARD. MISS CHARLOTTE M. YONGE.&#13;
THOMAS HARDY.&#13;
Hon. Counsel—E. M. UNDERDOWN, Q.C.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman—SIR. W. MARTIN CONWAY.&#13;
A. W. A BECKETT. ANTHONY HOPE HAWKINS.&#13;
SIR WALTER BESANT. J. SCOTT KELTIE, LL.D.&#13;
EGERTON CASTLE, F.S.A. J. M. LELY.&#13;
W. MORRIS COLLES. HENRY NORMAN.&#13;
D. W. FRESHFIELD. FRANCIS STORR.&#13;
H. RIDER HAGGARD,&#13;
SUB-COMMITTEES.&#13;
ART. | MUSIC.&#13;
THE HON. John CoILIER (Chairman). C. WILLIERs STANFORD, Mus. Doc.&#13;
SIR. W. MARTIN CONWAY. (Chairman).&#13;
M. H. SPIELMANN. JACQUES BLUMENTHAL.&#13;
DRAMA.&#13;
HENRY ARTHUR JONES (Chairman). A. W. A BECKETT. I EDWARD ROsm.&#13;
--- FIELD, BOSCOE, &amp; CO., Lincoln's Inn Fields.&#13;
solicitors: &amp; Hºnºr thing, 'BA. H. Portugal street.&#13;
Secretary—G. HERBERT THRING, B.A.&#13;
OFFICES.&#13;
4, Portugal STREET, LINGOLN's INN FIELD8, W.C.&#13;
&#13;
&#13;
## p. (#3) ##################################################&#13;
&#13;
Report of the Committee of Management.&#13;
—cocº-&#13;
THE Committee have much pleasure in laying the Report for&#13;
1898 before the members of the Society. They are happy to&#13;
state that the Society is in a sound and healthy position,&#13;
financially and otherwise. During the past year another £100&#13;
has been invested on capital account, bringing the total up to&#13;
£690, as will be seen in the accounts on page 19. The&#13;
Committee, however, still feel the want of sufficient funds to&#13;
carry out many important requirements for the benefit of&#13;
authors, but are glad to be able to report that the growth of the&#13;
Society in this respect, though slow, is still sure.&#13;
During the past year the number of new members elected has&#13;
slightly exceeded the number of those elected in the preceding&#13;
year; but, as in the last Report, the Committee must point out&#13;
that this does not mean a corresponding increase in the number&#13;
of members of the Society. There have been, as usual, many&#13;
resignations; the Committee have also had to strike out many&#13;
names for non-payment of their subscription; there have also&#13;
been a considerable number of deaths. The total amount of&#13;
resignations and erasions for non-payment is 120, and of deaths&#13;
ten; so that the nett increase in the members of the Society is&#13;
about 60.&#13;
With regard to the first two (resignations and erasions) the&#13;
Committee would like to put strongly before their members&#13;
that there are certain things that the Society cannot do, and&#13;
&#13;
&#13;
## p. (#4) ##################################################&#13;
&#13;
( 4 )&#13;
further, that they cannot give the same official support to those&#13;
who join only when they are in difficulty as to older members&#13;
since it is necessary for them to consider, in taking legal steps&#13;
and incurring other expenditure, the claims of those who have&#13;
been the Society's supporters for many years. It is owing to&#13;
these reasons that a great many resignations and erasions have&#13;
occurred. With regard to the third (deaths), it is with feelings,&#13;
of sincere regret that the Committee have to report during&#13;
the past year the deaths of some of their oldest members and&#13;
strongest supporters. Amongst these are the following: The&#13;
Rev. Canon Bell, D.D., William Black, the Earl of Desart,&#13;
Mrs. Haweis, Mrs. Lynn Linton, James Payn.&#13;
THE COMMITTEE.&#13;
Under the constitution of the Society, Sir Walter Besant,&#13;
Mr. J. M. Lely, and Sir A. C. Mackenzie resigned from the&#13;
Committee at the commencement of the year in due rotation.&#13;
Sir Walter Besant and Mr. Lely presented their names for&#13;
re-election, and were re-elected in due course. Mr. Scott Keltie&#13;
was elected to fill the vacancy caused by the resignation of&#13;
Sir A. C. Mackenzie from the Committee.&#13;
Sir W. Martin Conway was unanimously elected Chairman of&#13;
the Committee for the year.&#13;
CORPORATE BODIES.&#13;
As on sundry occasions it had been stated to the Committee&#13;
that corporate bodies were unable to join the Society in their&#13;
corporate capacity, the following resolution was unanimously&#13;
passed at the meeting of the Committee held on June 24th :&#13;
“It was resolved that, if it was thought advisable, the&#13;
Committee would elect the Chairman or other officer of any&#13;
corporate association as a member of the Author's Society, to&#13;
&#13;
&#13;
## p. (#5) ##################################################&#13;
&#13;
( 5 )&#13;
represent such association, on payment of two guineas per&#13;
annum on behalf of such association. The Chairman or other&#13;
officer thus elected would be entitled to all the benefits of the&#13;
Society for the publications of the association, and for advice&#13;
with regard to the details of the body corporate, but not to&#13;
advice on behalf of himself or any individual member of such&#13;
association.”&#13;
Two or three bodies have already availed themselves of the&#13;
arrangement, and it is hoped that it will prove of service to the&#13;
Society and to such bodies, as there are many all over the&#13;
kingdom that publish works in their corporate capacity.&#13;
BILL DEALING WITH PREFERENTIAL CREDITORS IN&#13;
BANKRUPTCY.&#13;
The Committee, during the past three or four years, have&#13;
had many complaints that it has been impossible to recover&#13;
any money due on authors’ contributions which have been&#13;
accepted by magazines and papers that have subsequently gone&#13;
into liquidation. (The difficulties of the situation are set forth in&#13;
this Report, page 9, under the cases that have been before the&#13;
Society.) As the position in many cases reached a very&#13;
acute stage, owing to the authors being deprived of the remu-&#13;
neration for their work, the Committee decided to draft a Bill&#13;
placing authors as contributors to magazines and periodicals&#13;
on the basis of preferential creditors. They accordingly in-&#13;
structed counsel (Mr. F. B. Palmer, 5, New Square, Lincoln's&#13;
Inn), through their solicitors to draft a short Bill to meet&#13;
the case. The thanks of the Society are due to Mr. Palmer,&#13;
who drafted the Bill in accordance with instructions, refusing&#13;
to take any counsel's fees. The London branch of the Institute&#13;
of Journalists, whose chairman (Mr. a Beckett) is a member&#13;
of the Committee of the Society, gave their strong adherence&#13;
&#13;
&#13;
## p. (#6) ##################################################&#13;
&#13;
( 6 )&#13;
to the principles of the Bill, and stated to the Committee that&#13;
they were pleased that the matter had been taken in hand. It&#13;
was decided to ask Sir J. Willox (through Mr. a Beckett) to&#13;
undertake the bringing forward of the Bill. It is understood&#13;
that Sir J. Willox has consented to do so next session.&#13;
Books ELLERS AND THE DISCOUNT QUESTION.&#13;
It will be remembered that in the Report for last year the&#13;
Committee went fully into a scheme that was approved by the&#13;
Publishers’ Association dealing with this subject, but they&#13;
found they were unable to support the scheme, owing to cer-&#13;
tain facts contained therein, which were fully set forth in a&#13;
report of the sub-committee appointed to deal with the question,&#13;
and approved by the Committee. The main objection was&#13;
that the working of the scheme resulted in a restraint on the&#13;
freedom of trading.&#13;
This report considered in detail, and with very full evidence,&#13;
the whole position of the bookselling trade.&#13;
In the beginning of the current year the Secretary of the&#13;
Booksellers’ Association prepared a fresh scheme for the con-&#13;
sideration of the Authors’ Society. The sub-committee met on&#13;
several occasions and prepared a further report, approving of&#13;
the new scheme as submitted, with a few slight modifications&#13;
and suggestions. The scheme was printed in the July number&#13;
of the Author. After the booksellers had received and con-&#13;
sidered the scheme with the Society's suggestions, the matter&#13;
was laid before the publishers, and a meeting was held in the&#13;
beginning of August, between a very influential deputation of&#13;
booksellers and a committee of publishers. The booksellers&#13;
present unanimously supported the proposed arrangement. The&#13;
Committee of the Society were asked to attend, but owing to the&#13;
date fixed were unable to send a representative. They, however,&#13;
with the full consent of the publishers, requested the Secretary&#13;
&#13;
&#13;
## p. (#7) ##################################################&#13;
&#13;
( 7 )&#13;
to be present, in order to put forward the Society's view, and to&#13;
learn what steps were to be taken for the benefit of the trade&#13;
in the future. The meeting was held at Stationers' Hall. It&#13;
was decided by all parties present that no report should be&#13;
printed. It is only necessary to state that the booksellers&#13;
were enthusiastic, and unanimously in support of the scheme;&#13;
that they represented, with the exception of one or two discount&#13;
booksellers in London, the whole book trade all over England;&#13;
that the publishers were by no means unanimous, raising&#13;
considerable opposition to adopting any new method for the&#13;
distribution of books. Although they stated their willingness&#13;
to assist the retail trade, there was an unwillingness to disturb&#13;
the ruling methods of business.&#13;
No doubt in the near future there will be some fresh develop-&#13;
ments, and the publishers will explain fully their objections.&#13;
PUBLISHERS' AGREEMENTs.&#13;
It appears from the report of the meeting of the Publishers'&#13;
Association in the Publishers' Circular, that one of the first works&#13;
taken in hand by that association was the drafting of agree-&#13;
ments between author and publisher. These agreements were&#13;
laid before counsel, Mr. J. Walton, Q.C., M.P., and Mr. Ingpen,&#13;
and settled by them.&#13;
The Secretary of the Society on hearing of these agreements,&#13;
wrote to the chairman of the Publishers' Association, asking&#13;
if he would kindly forward copies when settled for criticism&#13;
in the Author. This the chairman very kindly consented to do.&#13;
When the agreements came to hand the Secretary criticised them&#13;
at considerable length, and in considerable detail. His criticism&#13;
was approved by the Committee, and printed in the July&#13;
number of the Author. The Committee have since decided to&#13;
reprint the agreements in pamphlet form, with the Secretary's&#13;
comments, and examples drawn from them. The Committee&#13;
&#13;
&#13;
## p. (#8) ##################################################&#13;
&#13;
( 8 )&#13;
would like to impress upon the members of the Society that&#13;
the agreements are thoroughly unsatisfactory, and that it would&#13;
be good for all members of the Society to study them, together&#13;
with the Secretary's comments, in case any firm of publishers&#13;
should submit copies of them for signature. It is a pity that&#13;
they should be so unsatisfactory, as the chairman of the Pub-&#13;
lishers' Association in his speech states as follows:&#13;
“We have got two of the best commercial counsel we could&#13;
find to look through them, and see whether the agreements&#13;
will hold water legally; whether they express the thing clearly,&#13;
and obviate all possibility of dispute; and finally, and not&#13;
the least important, whether they are between the parties an&#13;
equitable method of arriving at the desired result.”&#13;
It is difficult to understand how these agreements can be&#13;
considered equitable between the parties, though no doubt from&#13;
the publishers' point of view they are admirably drawn&#13;
documents.&#13;
ADDENDA TO THE METHODS OF PUBLISHING.&#13;
Various papers that had appeared in the Author under&#13;
the title of “Matters for Consideration,” written by the&#13;
Secretary of the Society, have been reprinted in pamphlet form,&#13;
entitled “Addenda to the Methods of Publishing.” These&#13;
papers contained various difficulties, of which some had not&#13;
been noticed in the “Methods of Publishing,” and others had&#13;
sprung up since that work was first produced. The book forms&#13;
a very useful appendix, and is worthy of the consideration of&#13;
those who are not able to apply to the Secretary for informa-&#13;
tion on agreements.&#13;
ANNUAL DINNER.&#13;
The Annual Dinner of the Society took place at the Holborn&#13;
Restaurant, on Monday, May 2nd. The Bishop of London&#13;
&#13;
&#13;
## p. (#9) ##################################################&#13;
&#13;
( 9 )&#13;
took the chair, and there were about two hundred members of&#13;
the society and guests present.&#13;
A soirée was held subsequently in one of the salons, and after&#13;
a very pleasant evening the members and guests separated.&#13;
A full account of the speeches has been printed in the June&#13;
number of the Author.&#13;
MAGAZINES IN LIQUIDATION.&#13;
In another part of the Report, the Committee state that they&#13;
have a Bill in preparation dealing with the question of making&#13;
contributors to magazines preferential creditors in liquidation&#13;
or bankruptcy proceedings. The reason they have taken this&#13;
matter-up strongly is that during the past year there have been&#13;
four or five cases of papers or magazines in liquidation. In&#13;
each case many members of the Society have been involved.&#13;
Although the Secretary and the solicitors of the Society have&#13;
done their best to obtain the money due, they have been in&#13;
nearly every case unsuccessful, owing to the fact that there were&#13;
no assets available for distribution among the creditors. It&#13;
might be to the advantage of the Society if the Committee put&#13;
forward some facts with regard to the method on which some&#13;
magazines are conducted.&#13;
They are, in some cases, started by an individual with a small&#13;
capital, who advertises largely for MSS., or obtains them through&#13;
other means. When his capital is nearly expended, the whole&#13;
affair is turned into a limited liability company. In the course&#13;
of time the limited liability company goes bankrupt, leaving all&#13;
the contracts with the authors unfulfilled and large sums due&#13;
for payment for past and future work. It may happen that the&#13;
originator of the magazine, who has been running the company&#13;
as managing director at a salary, then purchases the assets of&#13;
the bankruptcy at a small figure, and the magazine is still kept&#13;
going with the contributions of the unfortunate author creditors.&#13;
To the outside public, who do not happen to have sent in contri-&#13;
B&#13;
&#13;
&#13;
## p. (#10) #################################################&#13;
&#13;
( 10 )&#13;
butions, the paper seems to be still running strongly. The&#13;
name is the same ; it is only the proprietors who have altered.&#13;
This rapid change of proprietors adds a further difficulty, as&#13;
it is almost impossible to ascertain which proprietor is&#13;
liable for which contract. Accordingly a further batch of&#13;
contributors are deceived. There is another device which&#13;
suggests itself to the ingenious proprietor, when he has turned&#13;
the magazine again into a company, namely, the issue of deben-&#13;
tures. The debenture holders are those who, interested in the&#13;
circulation, and aware of the financial position, protect them-&#13;
selves to the disadvantage of the contributors. The only thing&#13;
that can be done under these circumstances is to drive the&#13;
magazine into bankruptcy, and, if possible, off the market&#13;
entirely. This may be a very strong measure, and it may, in&#13;
one or two cases, hurt the authors that happen to be creditors,&#13;
but it prevents a large number of members of the Society from&#13;
again being led into these difficulties. The cases of all the&#13;
bankrupt magazines, however, are not as bad as the one&#13;
above quoted, although in nearly every case the debenture-holder&#13;
is to be met, who, on the sale of the magazine, pockets all the&#13;
assets, leaving none for the unfortunate creditors. Members&#13;
of the Society cannot be too careful with what magazines&#13;
they deal, and to secure prompt payment from those that&#13;
are not absolutely trustworthy. In some cases, where the&#13;
matter has been put into the Secretary's hands at once, payment&#13;
has been secured before the final crash. As a general rule, the&#13;
Secretary is cognizant of the financial position of magazines,&#13;
and can advise authors as to whether it is worth their while to&#13;
take stringent measures or not.&#13;
ADVISORY WORK AND LEGAL CASEs.&#13;
The advisory work of the Society has been very heavy during&#13;
the past year, and shows a considerable increase on that of the&#13;
previous year. The Committee are always glad to see members&#13;
&#13;
&#13;
## p. (#11) #################################################&#13;
&#13;
( 11 )&#13;
make full use of the Society; though still, no doubt, there are&#13;
many members who would profit considerably if they used the&#13;
Society more. Prevention is always better than cure. With&#13;
regard to the cases taken up during the past year (by cases are&#13;
meant those questions in which the Secretary interposes between&#13;
the publisher or editor and the author), the number taken in&#13;
hand shows an increase. The settlement of the cases shows&#13;
from nearly all points a satisfactory result. In all there have&#13;
been 110 cases before the Society. Of these eight were&#13;
for infringement of copyright, and the Society has had very&#13;
little difficulty in settling them, although in three or four&#13;
the Secretary had to go so far as to threaten to place the matters&#13;
in the hands of the Society's solicitors, and in two cases had&#13;
actually to do so. It is sometimes the principle of the offender&#13;
to try and brazen out the infringement by making one excuse or&#13;
another, but when he sees that the Society is in earnest, the&#13;
matter is generally easily arranged. Members should, therefore,&#13;
always be prepared to go to the Courts, should the Secretary or&#13;
the Society’s solicitors advise such a course. Fifty cases have&#13;
been before the Society in which money has not been paid when&#13;
due. In about forty of these cases it has been possible for&#13;
the Secretary to obtain the amount by writing a letter, or,&#13;
in case the first letter obtains no reply, threatening to put the&#13;
matter in the solicitors’ hands. In one or two cases the Society&#13;
has been able, after putting the matter in the solicitors’ hands,&#13;
to enforce payment; in the other cases payment has not been&#13;
made owing to the fact that the magazine is in a bankrupt&#13;
position. Bankruptcy, as has been pointed out, is, in nearly&#13;
every case, disastrous to contributors. It is quite the excep-&#13;
tion if a dividend is paid. With regard to both the infringe-&#13;
ment of copyright and the application for money due, if&#13;
the matter has been placed in the solicitors’ hands, it has&#13;
been so placed with the consent of the Committee, and,&#13;
as far as the law expenses are concerned, without cost to&#13;
&#13;
&#13;
## p. (#12) #################################################&#13;
&#13;
( 12 )&#13;
the member. The Committee would be glad to be able to&#13;
report that the Society is so strong financially that it could take&#13;
up all law cases which are backed with the support of its&#13;
solicitors or counsel on behalf of its members as a matter of&#13;
course; but, though it takes up many during the year, it is not&#13;
always able to take up every question. The Committee, during&#13;
the past year, have issued to those members whose cases they&#13;
have taken up, a printed form of guarantee. The following is a&#13;
copy of it:&#13;
To THE SECRETARY,&#13;
INCORPORATED SOCIETY OF AUTHORS,&#13;
4, Portugal Street, W.C.&#13;
1. I undertake to come to no settlement of the case between&#13;
myself and ....................................... nor to withdraw from&#13;
any proceedings which the Society's Solicitors may institute on&#13;
my behalf without the concurrence of the Society's Solicitors,&#13;
and that all negotiations shall be carried on through the Society's&#13;
Solicitors or Secretary.&#13;
2. I will give the Society or its Solicitors the best assistance&#13;
that is in my power to carry the proceedings to a successful&#13;
conclusion.&#13;
3. Should the proceedings fail through any neglect or&#13;
default on my part, I undertake to become responsible for all&#13;
the costs of the action.&#13;
(Signed) .......................................&#13;
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## p. (#13) #################################################&#13;
&#13;
( 13 )&#13;
It is necessary, for the protection of the Society, that this&#13;
guarantee should be signed.&#13;
During the past year there have been five cases of bankruptcy&#13;
in which the solicitors of the Society have carried through the&#13;
claims of the various members. Unfortunately, only in one&#13;
case was there any dividend paid, and in that case a very small&#13;
one. -&#13;
The Committee are glad to report that the Roxburghe Press&#13;
has now ceased to exist, being one of the bankrupt companies.&#13;
There have been twenty-three cases in which the subject in&#13;
dispute has been publishers’ accounts. Either the accounts have&#13;
not been rendered at the proper time, or when rendered have&#13;
not been sufficiently in detail, or have been inaccurate, and thus&#13;
necessitated careful inspection. In the cases where accounts&#13;
have not been rendered, the Secretary has always been able to&#13;
obtain them at once. Only in one case have the Committee&#13;
felt the necessity of sending in an accountant to check the&#13;
vouchers. In three other cases they have had to obtain a&#13;
full accountant's report of the items sent in, with a view&#13;
of taking further steps if necessary. Owing to the report&#13;
being satisfactory, these further steps have, however, proved&#13;
unnecessary. On two occasions a publisher refused to show&#13;
his accounts and vouchers and books on the demand of the&#13;
Society. The Society at once took up the matter, and were pre-&#13;
pared to carry the question into Court, as the Committee&#13;
consider it one of the gravest importance. In both these cases,&#13;
however, the authors concerned were officials holding positions&#13;
out of England, and they were unable in consequence to support&#13;
the Society in bringing an action on their behalf. The Com-&#13;
mittee regret exceedingly that they had therefore to abandon&#13;
these two cases, but they beg to state to the members that if any&#13;
case comes before the Society with no other issues involved,&#13;
except the one of a publisher refusing to produce his books and&#13;
vouch his accounts in full, they will carry that case right&#13;
C&#13;
&#13;
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## p. (#14) #################################################&#13;
&#13;
( 14 )&#13;
through the Courts, as it is a point of vital principle that has&#13;
been maintained by the Society ever since its foundation. In all&#13;
other previous cases where the Society has employed its&#13;
accountant, it has found publishers willing and ready to vouch&#13;
their accounts in detail. The mere fact of a publisher refusing&#13;
to do so would lead any reasonable person to draw the deduction&#13;
that they were unable to do so, an inference which must be&#13;
harmful to any publishing house. -&#13;
In twenty-eight cases the Society have had to apply for the&#13;
recovery of MSS. from editors or publishers, and in sixteen&#13;
cases they have been successful. The Committee would like to&#13;
point out the difficulty with regard to this portion of the work&#13;
of the Society. In many cases authors have no acknowledge-&#13;
ment whatever of the MSS. having been received, but without&#13;
such acknowledgement it is impossible to prove anything satis-&#13;
factorily. If an author could show that the MS. has reached&#13;
the office, he must also be able to show that it has reached the&#13;
hands of some responsible party in the office, and finally he must&#13;
show that the persons dealing with the MSS. have been guilty&#13;
of neglect. These points are very difficult for an author&#13;
to prove ; though some members of the Society seem to think&#13;
that under any circumstances the editors or publishers are&#13;
responsible from the moment that the author has inserted the&#13;
MS. in the Post Office, and one member went even so far as to&#13;
state that as he had not heard from the editor he might draw&#13;
the deduction that the MS. had been accepted.&#13;
The Secretary has at all times (with one exception) met with&#13;
the utmost courtesy and consideration from editors and&#13;
publishers. They have been ready to make search for the&#13;
MSS., and return them when found; but the Committee would&#13;
like to state that they cannot, and will not, uphold the ease&#13;
of members who bring the Society into discredit by making&#13;
discourteous and impossible demands, and using the Society's&#13;
name in such an issue.&#13;
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## p. (#15) #################################################&#13;
&#13;
( 15 )&#13;
It has come to the notice of the Committee that writers, who&#13;
are not members of the Society, have also used the Society's&#13;
name as a threat to editors and publishers. While the Com-&#13;
mittee strongly disapprove of members using the name of the&#13;
Society in an unauthorised manner, they cannot too fully&#13;
express their resentment at those who are not members of the&#13;
Society making use of the Society's name. It brings odium on&#13;
the work of the Society, and tends to lessen its power and effect&#13;
in upholding the cause of authors generally. The Committee&#13;
must also point out, as they have done in another part of the&#13;
Report, that they do not feel themselves bound to give the same&#13;
support to those who join only when in difficulty as to their old&#13;
members.&#13;
COPYRIGHT LAW REFORM.&#13;
The action of the Committee with regard to the Consolidating&#13;
and Amending Bill of the Copyright Association, as set forth&#13;
in last year's Report, has been fully justified by the results.&#13;
The Chairman of the Copyright Association, it will be remem-&#13;
bered, asked the Society to assist them with the Bill, with a&#13;
view to bringing it before the Houses of Parliament. The&#13;
Committee stated in reply that they were very willing to do&#13;
their utmost in assisting in the Consolidation and Amendment&#13;
of Copyright, but they thought the time was inadvisable for&#13;
taking such steps; that it would be impossible to pass a full&#13;
Consolidating and Amending Bill, and that they ought not&#13;
to take further action until the Society's short Amending Bill&#13;
had passed both Houses; that the bringing forward of such&#13;
a Consolidating and Amending Bill would put off Copyright&#13;
legislation for an indefinite period. At the commencement of&#13;
this year the Copyright Association's Bill was placed in Lord&#13;
Herschell's hands, and was pushed to a second reading through&#13;
the House of Lords at the same time as the Society's Amending&#13;
Bill. The members of the Society will call to mind the fac&#13;
&#13;
&#13;
## p. (#16) #################################################&#13;
&#13;
( 16 )&#13;
that the Society's Bill was being piloted by Lord Monkswell,&#13;
and had already passed the second reading at the former Session.&#13;
Both Bills were referred to a Committee of the House of Lords.&#13;
Considerable evidence from various quarters was given. The&#13;
Secretary of the Society appeared and gave evidence on behalf&#13;
of the Committee, setting forward their view of the position.&#13;
This evidence has been printed in the Author and other papers.&#13;
The Committee of the Society would like to say that in its final&#13;
state the Copyright Amendment Bill is, on the whole, satis-&#13;
factory as far as literary property is concerned, though there&#13;
are certain points which they would like to see altered.&#13;
The Committee will do their utmost to push forward Copy-&#13;
right Law Reform and Amendment, but they regret that,&#13;
owing to the course which the Copyright Association have&#13;
thought fit to adopt, it appears that the consolidation of the&#13;
law has been indefinitely postponed.&#13;
It will be impossible to pass a full Consolidating and Amend&#13;
ing Act in the present state of public business, and any small&#13;
amendments that may now be put forward can always be put&#13;
aside on the excuse that the big Bill is standing in the way.&#13;
It is to be regretted, therefore, that with all the Committee's&#13;
efforts amendment of the law has been impossible.&#13;
GERMAN COPYRIGHT.&#13;
In the spring of the year a telegram appeared in the Times&#13;
announcing the withdrawal of Germany from the Anglo-German&#13;
Convention for the protection of Authors’ copyright. The&#13;
telegram referred to those treaties existing between Germany,&#13;
Prussia, and England prior to the Berne Convention.&#13;
Questions have arisen from time to time during the past few&#13;
years as to how far these prior treaties had any effect on the&#13;
articles existing between the countries under the Berne Con-&#13;
vention. As stated in the telegram, these treaties have lost&#13;
&#13;
&#13;
## p. (#17) #################################################&#13;
&#13;
( 17 )&#13;
their legal force in Great Britain, and have now been declared&#13;
mull and void by the withdrawal of Germany. There is, how-&#13;
ever, one question, how far this withdrawal might have an&#13;
effect on books published under these treaties prior to the&#13;
Berne Convention, whether the withdrawal is retrospective, and&#13;
in what way it may bear upon past publications. The result&#13;
of an inquiry made by the Secretary at the Foreign Office was&#13;
to the effect that the notice published by Germany did not&#13;
in any way interfere with the Berne Convention, but merely&#13;
referred to treaties prior to that Convention, the benefit of&#13;
which had lapsed in both countries. A full statement of the&#13;
German document was made in the April number of the&#13;
Author.&#13;
A further paper was received from the Secretary of State&#13;
for Foreign Affairs, who had received it from the German&#13;
Ambassador, relative to the position of British authors in&#13;
Germany. It was printed in the June number of the Author.&#13;
CANADIAN COPYRIGHT.&#13;
During the past year the Committee have been watching very&#13;
closely the interests of authors with regard to any proposed&#13;
legislation on the subject of Copyright in Canada, but the&#13;
matter is not at present ripe for any public statement.&#13;
&#13;
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## p. (#18) #################################################&#13;
&#13;
THE INCORPORATED SOCIETY OF AUTHORS,&#13;
Revenue Account for the Year ending 31st December, 1898.&#13;
To Balance from 1897:&#13;
At Bank&#13;
Petty Cash in hand.&#13;
33&#13;
,, Donations -&#13;
,, Reading Fees ...&#13;
,, Proceeds of Publicati&#13;
,, Dinner Account&#13;
Annual Subscriptions&#13;
RECEIPTS.&#13;
January 1, 1898.&#13;
5&#13;
;&#13;
|&#13;
December 31, 1898.&#13;
1,051 2&#13;
... ... ... 4 9&#13;
ons&#13;
,, Dividends on Investments, viz.:&#13;
£230 Lancashire&#13;
Railway 33 °/o Pref. Stock&#13;
£240 Staffordshire 3 °ſo County&#13;
Stock&#13;
£89 156 Consols 3: “I,&#13;
By Management and Sun&#13;
Postages and Telegrams&#13;
Housekeeper&#13;
Typewriting&#13;
Fares&#13;
Hire of Room for General Meeting&#13;
Audit Fee&#13;
Sundries ...&#13;
,, Rent and Gas ...&#13;
,, Salaries - - -&#13;
Readers’ Fees ...&#13;
,, Stationery&#13;
, Advertising&#13;
,, Expenses of Publicati&#13;
, Legal Expenses&#13;
Dinner Account&#13;
Balance :&#13;
At Bank - - -&#13;
Petty Cash in hand&#13;
33&#13;
35&#13;
and Yorkshire&#13;
7 15&#13;
6 19&#13;
() 12&#13;
PAYMENTS.&#13;
December 31, 1898.&#13;
dry Expenses:&#13;
4;&#13;
i&#13;
|1&#13;
ons&#13;
;&#13;
42&#13;
S&#13;
6–1,055&#13;
75&#13;
155&#13;
139&#13;
11 10&#13;
11 S&#13;
11 3&#13;
13 ()&#13;
6&#13;
4&#13;
4 — 15 7 2&#13;
£1.507 10 1&#13;
**-&#13;
d. 39 s. d.&#13;
2&#13;
2&#13;
1.&#13;
2&#13;
0&#13;
()&#13;
43–144 8 11}&#13;
71 15&#13;
399 2&#13;
78 15&#13;
78 16&#13;
46 6&#13;
465 1&#13;
13 14&#13;
156 15&#13;
T.&#13;
5&#13;
2 — 52 15 7&#13;
21,507 10 1&#13;
We have examined this Account with the Books and Vouchers, and&#13;
certify it to be in accordance therewith.&#13;
MonumENT SQUARE, E.C.,&#13;
OSCAR BERRY AND CARR,&#13;
11th January, 1899.&#13;
Auditors.&#13;
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## p. (#19) #################################################&#13;
&#13;
( 19 )&#13;
THE INCORPORATED SOCIETY OF AUTHORS,&#13;
Capital Account for the year ending 31st December, 1898.&#13;
RECEIPTS.&#13;
1898.&#13;
Jan. 1st. To Balance at Bank as per last Account ... .879 7 9&#13;
Dec. 31st. , Life Members’ Subscriptions during the&#13;
Year --- --- --- - - - ... 35 8 10&#13;
42114, 16 7&#13;
PAYMENTS.&#13;
1898.&#13;
Dec. 31st. By Investment :&#13;
£89 15 6 Consols ... 100 () ()&#13;
Balance at Bank - - - ... 14 16 7&#13;
– 4:114 16 7&#13;
We have examined this Account with the Books and Vouchers, and&#13;
certify it to be in accordance therewith.&#13;
OSCAR BERRY AND CARR,&#13;
MONUMENT SQUARE, E.C., Auditors.&#13;
11th January, 1899.&#13;
The Committee would like to make the following remarks on&#13;
the financial statement submitted to the Society:&#13;
Taking as the first item the Capital Account, it will be seen&#13;
that one hundred pounds have been invested in Consols since&#13;
1897. This makes a total of invested moneys as follows:&#13;
£230 Lancashire and Yorkshire Railway, 34% £343 17 0&#13;
£240 Staffordshire 3.4% County Stock ... 247 1() ()&#13;
£89 15s. 6d. Consols 23% - - - - - - - - - 99 2 ()&#13;
£690 9 ()&#13;
the present price of which, as will be seen by the statement,&#13;
altogether amounts to £6909s. Of this between £400 and £450&#13;
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## p. (#20) #################################################&#13;
&#13;
( 20 )&#13;
was left to the Society in a legacy, and the remainder represents&#13;
capitalised life membership fees.&#13;
The annual subscriptions to the Society show the satisfactory&#13;
increase of £55 on the previous year. Some seventy or eighty&#13;
members have not yet paid for last year. Of the annual subscrip-&#13;
tions, 450, a large number are paid by banker's orders. It is much&#13;
more convenient both for the member and for the Society if this&#13;
arrangement could always be carried out. It is earnestly hoped&#13;
that members will pay by this means if they possibly can, as the&#13;
circularisation of members for non-payment is a great expense&#13;
to the Society. The Committee regret to state that about £50&#13;
is annually lost to the Society by unpaid subscriptions.&#13;
The issuing of circulars and the printing of them (which is&#13;
included under “Stationery’’) make the charge under that head&#13;
a heavy one. The circulars issued during the year are for&#13;
the General Meeting, the Dinner, and the circulars for non-&#13;
payment.&#13;
The legal expenses are small during the present year for this&#13;
reason, that in 1897 nearly the whole of the outstanding&#13;
solicitors’ charges were paid, and during the present year the&#13;
Society has received no further account. The item being so&#13;
small does not mean, however, that the work of the Society in&#13;
this branch has at all decreased. On the contrary; if anything,&#13;
it has risen.&#13;
The outstanding liabilities of the Society may be reckoned as&#13;
amounting to a total of about £500, expenses incurred for&#13;
Awthor, Solicitors, and Stationery charges. These may be&#13;
looked upon as current expenses, but the amount is higher than&#13;
the Committee would like. It will be reduced gradually. The&#13;
Committee trust that the members of the Society will feel their&#13;
position secure on the ground that against this £500 they have&#13;
£690 invested capital, so that practically the Society is in a&#13;
sound financial state; but of course an intact capital of at least&#13;
£500 would be far more satisfactory.&#13;
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## p. (#21) #################################################&#13;
&#13;
( 21 )&#13;
The List of Publications of the Society will be found on the&#13;
first page of the Author and at the back of the Report. During&#13;
1898 the Society has published “The Addenda to the Methods&#13;
of Publishing,” by G. Herbert Thring. The proceeds of&#13;
publications are derived mainly from sales, in addition to an&#13;
amount derived from the insertion of advertisements in the&#13;
Author.&#13;
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## p. (#22) #################################################&#13;
&#13;
( 22 )&#13;
CONDITIONS OF MEMBERSHIP.&#13;
ANNUAL SUBSCRIPTION.—The subscription is one guinea&#13;
annually, payable on the 1st January of each year.&#13;
LIFE MEMBERSHIP. — The sum of ten guineas for life&#13;
membership entitles the subscriber to full membership of the&#13;
Society.&#13;
Cheques and Postal Orders should be crossed “The Union&#13;
Bank of London, Limited, Chancery Lane Branch; ” or, “The&#13;
London Joint Stock Bank, Limited, Westminster Branch.”&#13;
Names of those who wish to be proposed as members may be&#13;
sent at any time to the Secretary at the Secretary's offices.&#13;
Subscriptions paid by members elected after 1st of October&#13;
will cover the next year.&#13;
The Secretary can be personally consulted between the hours&#13;
of Two p.m. and Five p.m., except on Saturdays. It is&#13;
preferable that an appointment should be made by letter.&#13;
All communications made by the Secretary to those seeking&#13;
his advice are absolutely confidential, and on this understanding&#13;
alone advice is given.&#13;
ASSOCIATES.&#13;
Persons who have not published a book can only join the&#13;
Society as Associates. The subscription and the advantages to&#13;
be obtained are the same as those of membership, the difference&#13;
being merely a nominal one. On notifying the Secretary of the&#13;
publication of a book, their names will then be transferred to&#13;
full membership.&#13;
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## p. (#23) #################################################&#13;
&#13;
( 23&#13;
W A R N IN G. S.&#13;
STAMP YOUR AGREEMENTS.–Members are most URGENTLY&#13;
warned not to neglect stamping their agreements immediately&#13;
after signature. If this precaution is neglected for two weeks,&#13;
a fine of £10 must be paid before the agreement can be used&#13;
as a legal document. In almost every case brought to the&#13;
Secretary the agreement, or the letter which serves for one, is&#13;
without the stamp. The author may be assured that the other&#13;
party to the agreement never neglects this simple precaution.&#13;
The Society, to save trouble, undertakes to get all the agree-&#13;
ments of members stamped for them at no expense to themselves&#13;
except the cost of the stamp.&#13;
ASCERTAIN WHAT A PROPOSED AGREEMENT GIVES TO&#13;
BOTH SIDES BEFORE SIGNING IT-Remember that an arrange-&#13;
ment as to a joint venture in any other kind of business whatever&#13;
would be instantly refused should either party refuse to show the&#13;
books or to let it be known what share he reserved for himself.&#13;
LITERARY AGENTS.–Be very careful. Members cannot be&#13;
too careful as to the person whom they appoint as their agent.&#13;
They place their property almost unreservedly in his hands.&#13;
Their only safety is in consulting the Society, or some friend&#13;
who has had personal experience of the agent.&#13;
MEMBERs of the Society are earnestly desired to make the&#13;
following warnings as widely known as possible. They are&#13;
based on the experience of many years' work upon the dangers&#13;
to which literary property is exposed —&#13;
(1.) NEVER to sign any agreement, of which the alleged cost&#13;
of production forms an integral part, until the figures&#13;
have been proved. -&#13;
(2.) NEVER to enter into any correspondence with publishers,&#13;
especially with those who advertise for MSS., who are&#13;
not recommended by experienced friends or by this&#13;
Society. -&#13;
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## p. (#24) #################################################&#13;
&#13;
( 24 )&#13;
(3) NEVER, on any account whatever, to bind themselves&#13;
down to any publisher for future work.&#13;
(4.) NEVER to accept any proposal of royalty until they have&#13;
ascertained what the agreement, worked out on both&#13;
a small and a large sale, will give to the author and&#13;
what to the publisher.&#13;
(5.) NEVER to accept any pecuniary risk or responsibility&#13;
whatever without advice.&#13;
(6.) NEVER, when a MS. has been refused by respectable&#13;
houses, to pay others, whatever promises they may put&#13;
forward, for the production of the work.&#13;
(7.) NEVER to sign away foreign, which include American,&#13;
rights, but to keep them by special clause. To refuse&#13;
to sign any agreement containing a clause which&#13;
reserves them for the publisher. If the publisher&#13;
insists, take away the MS. and offer it to another.&#13;
(8.) NEVER to sign any paper, either agreement or receipt,&#13;
which gives away copyright, without advice.&#13;
(9.) To keep control over the advertisements, if they affect&#13;
the returns, by clause in the agreement. To reserve a&#13;
veto. If ignorant of the subject, to make the Society&#13;
their adviser.&#13;
(10.) NEVER to forget that publishing is a business, like any&#13;
other business, totally unconnected with philanthropy,&#13;
charity, or pure love of literature.&#13;
HOW TO USE THE SOCIETY.&#13;
1. Every member has a right to advice upon his agreements,&#13;
his choice of a publisher, or any dispute arising in the conduct&#13;
of his business or the administration of his property. If the&#13;
advice sought is such as can be given best by a solicitor, the&#13;
member has a right to an opinion from the Society's solicitors.&#13;
&#13;
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## p. (#25) #################################################&#13;
&#13;
25 )&#13;
If the case is such that counsel's opinion is desirable, the Com-&#13;
mittee will obtain for him counsel's opinion. All this without&#13;
any cost to the member.&#13;
2. Remember that questions connected with copyright and&#13;
publishers' agreements are not generally within the experience&#13;
of ordinary solicitors. Therefore do not scruple to use the&#13;
Society first—our solicitors are continually engaged upon such&#13;
questions for us.&#13;
3. Send to the office copies of past agreements and past&#13;
accounts, with the loan of the books represented. This is in&#13;
order to ascertain what has been the nature of your agreements&#13;
and the results to author and publisher respectively so far. The&#13;
Secretary will always be glad to have any agreements, new or&#13;
old, for inspection and note. The information thus obtained&#13;
may prove invaluable.&#13;
4. If the examination of your previous business transactions&#13;
by the Secretary proves unfavourable, you should take advice as&#13;
to a change of publishers.&#13;
5. Before signing any agreement whatever, send the proposed&#13;
form to the Society for examination. -&#13;
6. The Society is acquainted with the methods, and—in the&#13;
case of fraudulent houses—the tricks of every publishing firm&#13;
in the country. Remember that there are certain houses which&#13;
live entirely by trickery.&#13;
7. Remember always that in belonging to the Society you&#13;
are fighting the battles of other writers, even if you are reaping&#13;
no benefit to yourself, and that you are advancing the best&#13;
interests of literature in promoting the independence of the&#13;
writer.&#13;
8. Send to the Editor of the Author notes of everything&#13;
important to literature that you may hear or meet with.&#13;
&#13;
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## p. (#26) #################################################&#13;
&#13;
{ 26 )&#13;
1.&#13;
2.&#13;
4.&#13;
*&#13;
7.&#13;
REGULATIONS CONCERNING MANUSCRIPTS,&#13;
The Society has a staff of readers who are competent to&#13;
give a critical report upon MSS. submitted to them.&#13;
The fee for this service will for the future be one guinea,&#13;
unless any special reason be present for making it higher&#13;
or lower. The amount must then be left to the Secretary's&#13;
discretion.&#13;
. For this sum a report will be given upon MSS. of the&#13;
usual three vol. length, or upon collections of stories&#13;
making in the aggregate a work of that length.&#13;
In every case the fee and stamps for return postage must&#13;
accompany the MSS.&#13;
The fee will be given entirely to the reader.&#13;
. The readers will not attempt to give an opinion upon works&#13;
of a technical character.&#13;
It is requested that a label may be sent with the MSS.,&#13;
having upon it the author's name, the nom-de-plume&#13;
(if any) under which the work is written, and the address&#13;
to which the MSS. is to be returned. This communica-&#13;
tion will be held as confidential.&#13;
&#13;
&#13;
## p. (#27) #################################################&#13;
&#13;
&#13;
&#13;
## p. (#28) #################################################&#13;
&#13;
Publications of the Society.&#13;
10.&#13;
| THE ANNUAL REPORT. That for the past year can be had on&#13;
application to the Secretary.&#13;
| THE AUTHOR. A. Monthly Journal devoted especially to the&#13;
protection and maintenance of Literary Property. Issued to all&#13;
Members. Back numbers are offered at the following prices:&#13;
Vol. I., 10s. 6d. (Bound); Wols. II., III., and IV., 8s. 6d. each&#13;
(Bound); Wols. W. to VIII, 6s. 6d. (Unbound). Annual Sub-&#13;
scription, 6s. 6d.&#13;
LITERATURE AND THE PENSION LIST. By W. MoRRIs&#13;
CoLLEs, Barrister-at-Law. 3s.&#13;
| THE HISTORY OF THE SOCIETE DES GENS DE LETTRES.&#13;
By S. SQUIRE SPRIgGE, late Secretary to the Society. 1s.&#13;
| THE COST OF PRODUCTION. In this work specimens are given&#13;
of the most important forms of type, size of page, &amp;c., with estimates&#13;
showing what it costs to produce the more common kinds of books.&#13;
2s. 6d.&#13;
| THE WARIOUS METHODS OF PUBLICATION. By S. SQUIRE&#13;
SPRIgGE. In this work, compiled from the papers in the Society's&#13;
offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with&#13;
an account of the various kinds of fraud which have been made&#13;
possible by the different clauses in their agreements. 3s.&#13;
COPYRIGHT LAW REFORM. An Exposition of Lord Monks-&#13;
well's Copyright Bill of 1890. With Extracts from the Report of&#13;
the Commission of 1878, and an Appendix containing the Berne&#13;
Convention and the American Copyright Bill. By J. M. LELY.&#13;
1s. 6d.&#13;
| THE SOCIETY OF AUTHORS, A Record of its Action from its&#13;
Foundation. By WALTER BEs ANT (Chairman of Committee,&#13;
1888-1892). 1s.&#13;
| THE CONTRACT OF PUBLICATION in Germany, Austria,&#13;
Hungary, and Switzerland. By ERNst LUNGE, J.U.D. 2s. 6d.&#13;
THE ADDENDA TO THE “METHODS OF PUBLISHING."&#13;
By G. HERBERT THRING. Being Additional Facts collected at the&#13;
office of the Society since the publication of the “Methods,” with&#13;
Comments and Advice. 2s.</text>
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              <text>he Muthor.&#13;
&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
&#13;
CONDUCTED BY WALTER BESANT.&#13;
&#13;
Vou. ITI.—No. 1.] JUNE 1, 1892. [PRIcE SIXPENCE.&#13;
&#13;
 &#13;
&#13;
ee AT TS&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
CONTENTS.&#13;
&#13;
SPST&#13;
&#13;
 &#13;
&#13;
PAGE PAGE&#13;
Warnings ae ce as ae mae Boe be ae Sd Se Mixed Maxims... a as sey Sis aD hes on ces&#13;
How to Use the Society : eae es ae Boe ee ie Ode to Sleep ... te cee ee et a ao wi Sra LD!&#13;
The Authors’ Syndicate... a ae ies ae ce ageless Notes from Paris... “a oo act sar An sas Negrcke&#13;
| Notices... eee oe cs ae oes ee ae 2 we To Music eee ce ac on aoe eae wae es ag ek&#13;
| International Copyright— The Jew in Literature. By Hall Caine... aes He baz eee ae&#13;
i I—Working of the Law in France axe ey ees ae es On Literature—&#13;
Tl.—American Piracy... a ave a aN Sy ee I.—At the Royal Literary Fund ... a aes os nec oe&#13;
Ill.—Literary Theft ... ae ase aus aes as at oe Il.—At the Royal Academy Dinner See See ahs ees eore&#13;
| On Royalties ... ee Ss es any ey ee Ree ee F From the Papers—&#13;
| On Deferred Royalties eo as a ere ae she 8 I.—Fiction Manufactured by the Yard ... ies Se was oe Fi :&#13;
Two Cases of Conveying ... a a aus as a eae IL—A Curious Experiment ... ae mee aes ae eee, 028 5&#13;
A Literary Bureau ... ies es sae — wai oe cia IiI.—Personal ... ve ea nee bed my oe we 22k i&#13;
erertperatieinmn cece a D¥:—Bhomas Moore ..0 ic oa ca a ee ,&#13;
‘‘Uneut Leaves” .... os &lt;i = ae se pS od Correspondence— 4&#13;
Useful Books ... a Dis ie oe uae &lt;n cay an I.—Was there a Contract to Publish? ... a ai men ae&#13;
Notes and News aa coe ae ae isd nec a cone be II.—Magazines and Editors... oon , res met aan ae i&#13;
Fenilleton—His One Story ae oe bux zoe ire dase III.—Translations aes ne ps a ote waa 2 a&#13;
| The Literary Handmaid of the Church ... ae = aA sae kG IV.—The Literary and Art Agency... eos aS Se wae? |&#13;
| In the Name of the Prophet—Gloves_ ... oe ae a aw ele ‘*At the Author’s Head” .,, ae oe me ote srs en 220.&#13;
| Shakespeare or Bacon eee oe os oS os a -. 17 | New Books and New Editions... oe eta oe ae san OL&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
PUBLICATIONS OF THE SOCIETY. |&#13;
&#13;
. The Annual Report. That for January 1892 can be had on application to the Secretary.&#13;
&#13;
. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary * f&#13;
Property. Issued to all Members.&#13;
&#13;
. The Grievances of Authors. (The Leadenhall Press.) 2s. The Report of three Meetings on&#13;
the general subject of Literature and its defence, held at Willis’s Rooms, March, 1887,&#13;
&#13;
1&#13;
2&#13;
3&#13;
4, Literature and the Pension List. By W. Morris Coxuus, Barrister-at-Law. (Henry Glaisher,&#13;
9&#13;
6&#13;
&#13;
95, Strand, W.C.) 3s.&#13;
&#13;
. The 2 of the Societe des Gens de Lettres. By S. Squire Sprrace, Secretary to the&#13;
ociety. Is.&#13;
. The Cost of Production. In this work specimens are given of the most important forms of type,&#13;
size of page, &amp;c., with estimates showing what it costs to produce the more common kinds of&#13;
books. Henry Glaisher, 95, Strand, W.C. 2s. 6d. a#&#13;
&#13;
7. The Various Methods of Publication. By S. Squire Spriaar. In this work, compiled from the&#13;
papers in the Society’s offices, the various kinds of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the various&#13;
kinds of fraud which have been made possible by the different clauses in their agreements.&#13;
Henry Glaisher, 95, Strand, W.C. 3s.&#13;
&#13;
8. Copyright Law. Reform, An Exposition of Lord Monkswell’s Copyright Bill now before Parlia-&#13;
ment. With Extracts from the Report of the Commission of 1878, and an Appendix&#13;
containing the Berne Convention and the American Copyright Bill. By J. M. Lexy. Eyre&#13;
and Spottiswoode, 1s. 6d.&#13;
&#13;
 &#13;
&#13;
 &#13;
2&#13;
&#13;
ADVERTISEMENTS.&#13;
&#13;
 &#13;
&#13;
The Society of Authors (Sncorporated).&#13;
&#13;
Tur Riant Hon. tHe LORD TENNYSON, D.C.L.&#13;
&#13;
Sir Epwin ARNOLD, K.C.LE., C.S.I.&#13;
ALFRED AUSTIN.&#13;
&#13;
J. M. BaRRie£.&#13;
&#13;
A. W. A BECKETT.&#13;
&#13;
RosBert BATEMAN.&#13;
&#13;
Sir Henry Berene, K.C.M.G.&#13;
WALTER BESANT.&#13;
&#13;
AUGUSTINE BIRRELL, M.P.&#13;
&#13;
R. D. BuackMoreE.&#13;
&#13;
Rev: Pror. Bonney, F.R.S.&#13;
Lord BRABOURNE.&#13;
&#13;
James Bryce, M.P.&#13;
&#13;
Haxu Carine.&#13;
&#13;
P. W. CLAYDEN.&#13;
&#13;
EpWwaRrpD CLODD.&#13;
&#13;
W. Morris Couuezs.&#13;
&#13;
Hon. JoHN COLLIER.&#13;
&#13;
W. Martin Conway.&#13;
&#13;
F, Marion CRAWFORD.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
PRESIDENT.&#13;
&#13;
COUNCIL.&#13;
&#13;
OswALD CRAWFURD, C.M.G.&#13;
THE Hart or DEsaRt.&#13;
&#13;
AusTIN DOBSON.&#13;
&#13;
A. W. Dupovura.&#13;
&#13;
J. Eric Ericusen, F.R.S8.&#13;
&#13;
Pror. MicHarn Foster, F.R.S8.&#13;
HERBERT GARDNER, M.P.&#13;
RicHARD GARNETT, LL.D.&#13;
EDMUND GOSSE.&#13;
&#13;
H. Riper Haga@arp.&#13;
&#13;
THomas Harpy.&#13;
&#13;
JEROME K. JEROME.&#13;
&#13;
RupDYARD KIPLING.&#13;
&#13;
Pror. EH. Ray LAnKEsSTER, F.R.S.&#13;
J. M. Lexy. a&#13;
Rev. W. J. Lorrie, F.S.A.&#13;
&#13;
Pror. J. M. D. MerkLEJOoHN.&#13;
GrorGE MEREDITH.&#13;
&#13;
Herman C. MERIVALE.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Hon. Counsel—E. M. UNDERDOWN, Q.C.&#13;
&#13;
Rev. OC. H. Mrppieton-Wakg, F.L.S.&#13;
&#13;
Lewis Morzis.&#13;
&#13;
Pror. Max MUuuER.&#13;
&#13;
J.C. PARKINSON.&#13;
&#13;
THE EARL OF PEMBROKE AND Mont-&#13;
GOMERY.&#13;
&#13;
Siz FREDERICK PoLiock, Bart., LL.D.&#13;
&#13;
WALTER HERRIES POLLOCK.&#13;
&#13;
A. G. Ross.&#13;
&#13;
GEORGE AUGUSTUS SALA.&#13;
&#13;
W. Baptiste ScoonEs.&#13;
&#13;
G. R. Sims.&#13;
&#13;
J. J. STEVENSON.&#13;
&#13;
Jas. SULLY.&#13;
&#13;
WiuiiaAm Moy THomas.&#13;
&#13;
H. D. Trartt, D.C.L.&#13;
&#13;
Baron HENRY DE Worms,&#13;
E.R.S.&#13;
&#13;
EpmunpD YATES.&#13;
&#13;
M.P.,&#13;
&#13;
Solicitors—Messrs Frmup, Roscoz, and Co., Lincoln’s Inn Fields.&#13;
&#13;
Secretary—C. Hurprert Turine, B.A.&#13;
&#13;
OFFICES.&#13;
&#13;
4, PortueaL StreEtT, Lincoun’s Inn Finxtps, W.C.&#13;
&#13;
Now ready, Third Edition, with Additions throughout, in demy 8vo., 700 pages, price 15s.&#13;
&#13;
AN ANECDOTAL HISTORY OF THE BRITISH PARLIAMENT,&#13;
&#13;
From the Earliest Periods to the Present Time.&#13;
&#13;
WITH NOTICES OF EMINENT PARLIAMENTARY MEN, AND EXAMPLES OF THEIR ORATORY.&#13;
&#13;
CoMPILED FROM AUTHENTIC SOURCES BY&#13;
&#13;
GHORGH HENRY JENNINGS.&#13;
&#13;
CONTENTS.&#13;
&#13;
sesamin&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Part I.—Rise and Progress of Parliamentary Institutions.&#13;
&#13;
Part TI.—Personal Anecdotes: Sir Thomas More to John&#13;
Morley.&#13;
&#13;
Parr JII.—Miscellaneous. 1. Elections. 2. Privilege; Ex-&#13;
clusion of Strangers; Publication of Debates.&#13;
3. Parliamentary Usages, &amp;c. 4. Varieties.&#13;
&#13;
Apprnpix.—(A) Lists of the Parliaments of England and&#13;
of the United Kingdom.&#13;
(B) Speakers of the House of Commons.&#13;
(C) Prime Ministers, Lord Chancellors, and&#13;
Secretaries of State from 1715 to&#13;
1892. :&#13;
&#13;
Opinions of the Press of the Previous Edition.&#13;
&#13;
Ts will be in its right place either on the drawing-room table, to be&#13;
taken up in the odd ten minutes before dinner, or on the library&#13;
shelves, to serve as a permanently useful work of reference.’—&#13;
Spectator.&#13;
&#13;
‘* It would be sheer affectation to deny the fascination exercised b&#13;
the ‘Anecdotal History of Darliamene! nq in our hands. It will&#13;
prove useful to many and agreeable to more.”’—Saturday Review.&#13;
&#13;
‘As pleasant a companion for the leisure hours of a studious and&#13;
thoughtful man as anything in book shape since Selden.” — Daily&#13;
Telegraph.&#13;
&#13;
“Contains a great deal of information about our representative&#13;
&#13;
institutions in past and present times which it beh&#13;
know.”—Daily News. Pp oves all persons to&#13;
&#13;
 &#13;
&#13;
‘*May be read with pleasure and profit by Conservative and Liberal&#13;
alike.” —Manchester Courier.&#13;
&#13;
‘““A succession of anecdotes sparkling with wit, bristling with&#13;
humour, or instinct with imperishable vitality of historic oratory.”&#13;
Liverpool Albion.&#13;
&#13;
“Such a capital fund of instruction and amusement, that it is&#13;
impossible to take up the book without letting one’s eye fall on some&#13;
good anecdote or some remarkable speech.” — Shefield Daily Tele-&#13;
graph.&#13;
&#13;
Also mentioned by Mr. G. A, Sala, in ‘'The Author” of May 2, as&#13;
one among a dozen “really useful books.”&#13;
&#13;
eS" Orders may now be sent to HORACE COX, “Law Times” Office, Bream’s-buildings, E.C.&#13;
&#13;
Sab sc D ocean emanate&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
apenveenneeeinteESHEN&#13;
&#13;
 &#13;
&#13;
Che&#13;
&#13;
 &#13;
&#13;
ufthbor,&#13;
&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
&#13;
CONDUCTED BY WALTER BESANT.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Vou. III—No. 1.]&#13;
&#13;
JUNE 1, 1892.&#13;
&#13;
[PRICE SIXPENCE.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Lor the Opinions expressed in papers that are&#13;
signed or initialled the Authors alone are&#13;
responsible.&#13;
&#13;
a&#13;
&#13;
WARNINGS.&#13;
&#13;
 &#13;
&#13;
Reavers of the Author are earnestly desired to&#13;
make the following warnings as widely known as&#13;
possible. They are based on the experience of&#13;
seven years’ work upon the dangers to which literary&#13;
property is exposed :—&#13;
&#13;
(1.) Never sign any agreement of which the&#13;
alleged cost of production forms an&#13;
integral part, until you have proved the&#13;
figures.&#13;
&#13;
(2.) Never enter into any correspondence with&#13;
publishers, especially with those who&#13;
advertise for MSS., who are not recom-&#13;
mended by experienced friends or by this&#13;
Society.&#13;
&#13;
(3.) Never, on any account whatever, bind&#13;
yourself down for future work to anyone.&#13;
&#13;
(4.) Never accept any proposal of royalty&#13;
until you have ascertained exactly what&#13;
the agreement gives to the author and&#13;
what to the publisher.&#13;
&#13;
(5.) Never accept any pecuniary risk or respon-&#13;
sibility whatever without advice.&#13;
&#13;
(6.) Never, when a MS. has been refused by&#13;
respectable houses, pay others, whatever&#13;
promises they may put forward, for the&#13;
production of the work.&#13;
&#13;
(7.) Nuvur sign away American rights. Keep&#13;
them. Refuse to sign an agreement&#13;
containing a clause which reserves them&#13;
for the publisher. If the publisher&#13;
insists, take away the MS. and offer it&#13;
to another.&#13;
&#13;
VOL, III,&#13;
&#13;
(8.) Never sign an agreement or a receipt&#13;
which gives away copyright without&#13;
advice.&#13;
&#13;
(9.) Keep control over the advertisements by&#13;
clause in the agreement. Reservea veto.&#13;
If you are yourself ignorant of the sub-&#13;
ject, make the Society your agent.&#13;
&#13;
(10.) Never forget that publishing is a busi-&#13;
ness, like any other business, totally un-&#13;
connected with philanthropy, charity, or&#13;
pure love of literature. You have to do&#13;
with business men.&#13;
&#13;
Society’s Offices :—&#13;
4, Portuaat Street, Lincoun’s Inn Frexps.&#13;
&#13;
ree&#13;
&#13;
HOW TO USE THE SOCIETY.&#13;
&#13;
—————&#13;
&#13;
1. Send to the office copies of past agreements&#13;
and past accounts with the loan of the books repre-&#13;
sented. This is in order to ascertain what has&#13;
been the nature of your agreements and the&#13;
results to author and publisher respectively so&#13;
far. The secretary will always be glad to have&#13;
any agreements for inspection and note. The&#13;
information thus obtainable is invaluable.&#13;
&#13;
2. If the examination of the business trans-&#13;
actions by the Secretary proves unfavourable, you&#13;
should take advice as to a change of publishers.&#13;
&#13;
3. Before signing any agreement whatever,&#13;
send the proposed form to the Society for&#13;
examination.&#13;
&#13;
4. The Society is acquainted with the methods,&#13;
and—in the case of fraudulent houses—the tricks,&#13;
of every publishing firm in the country.&#13;
Remember that there are certain houses which live&#13;
entirely by trickery. .&#13;
&#13;
A&#13;
&#13;
Re Le er&#13;
&#13;
 &#13;
&#13;
  &#13;
&#13;
 &#13;
4 THE AUTHOR.&#13;
&#13;
5. The outward and visible signs of the&#13;
fraudulent- publisher are—(1) a virtuous and&#13;
benevolent wish to have the unquestioned conduct&#13;
of your business; (2) a virtuous, good man’s pain&#13;
at being told that his accounts must be audited ;&#13;
(3) a virtuous indignation at being asked what&#13;
his proposal gives him compared with what it&#13;
gives the author; and (4) irrepressible irritation&#13;
at any mention of the Society of Authors.&#13;
&#13;
6. Remember always that in belonging to the&#13;
Society you are fighting the battles of other&#13;
writers, even if you are reaping no benefit to&#13;
yourself, and that you are advancing the best&#13;
interests of literature in promoting the inde-&#13;
pendence of the writer.&#13;
&#13;
7. Send to the Editor of the Author notes of&#13;
anything important to literature that you may&#13;
hear or meet with.&#13;
&#13;
Oe&#13;
&#13;
THE AUTHORS’ SYNDICATE.&#13;
&#13;
 &#13;
&#13;
R. Colles desires to inform readers of the&#13;
Author— i&#13;
&#13;
1. That the Authors’ Syndicate is now in .a&#13;
position to take charge in whole or in part&#13;
of the business of members of the Society.&#13;
With, when necessary, the assistance of&#13;
the advisers of the Society it will conclude&#13;
agreements, collect royalties, examine and&#13;
pass accounts, and, generally, relieve mem-&#13;
bers of the trouble of managing business&#13;
details. All accounts opened between the&#13;
Syndicate and members are duly audited.&#13;
&#13;
2. That the establishment expenses of the&#13;
Authors’ Syndicate are defrayed entirely&#13;
out of the commission charged on rights&#13;
placed through its intervention. This&#13;
varies, and must vary, according to the&#13;
nature of the services rendered, but it is&#13;
intended to reduce the rates to the lowest&#13;
possible amount compatible with efficiency.&#13;
Meanwhile members will please accept this&#13;
intimation that they are not entitled to&#13;
the services of the Syndicate gratis.&#13;
&#13;
3. That he undertakes to work for none but&#13;
members of the Society.&#13;
&#13;
4. That his business is not to advise members&#13;
of the Society, but to manage their affairs&#13;
ae Me if they please to entrust them&#13;
&#13;
o him.&#13;
&#13;
5. That when he has any work in hand he&#13;
must have it entirely in his own hands;&#13;
in other words, that authors must not&#13;
&#13;
ask him to place certain work, and then&#13;
go about endeavouring to .place it by&#13;
themselves.&#13;
&#13;
6. That when a MSS. has been sent from pub-&#13;
lisher to publisher, and from editor to&#13;
editor, in vain, it is most likely impossible&#13;
to place it.&#13;
&#13;
7. That in the face of the present competition,&#13;
authors will do well to moderate their&#13;
expectations.&#13;
&#13;
To this it may be added, that where advice is&#13;
sought, the Secretary of the Society, and not the&#13;
Syndicate, must be consulted. On his behalf&#13;
members are requested—&#13;
&#13;
1. To place on paper briefly the points on which&#13;
&#13;
advice is asked.&#13;
&#13;
2. To send up all the letters and papers con-&#13;
nected with the case, if it is a case of&#13;
&#13;
dispute.&#13;
3. Not to conceal or keep back any of the&#13;
facts.&#13;
ee&#13;
NOTICES.&#13;
&#13;
 &#13;
&#13;
LL persons engaged in literary work of any&#13;
kind, whether members of this Society or&#13;
not, are invited to communicate to the&#13;
&#13;
Editor any points connected with their work&#13;
which it would be advisable in the general interest&#13;
to publish,&#13;
&#13;
—_—&#13;
&#13;
- Members and others who wish their MSS. read&#13;
are requested not to send them to the Office with-&#13;
out previously communicating with the Secretary.&#13;
The utmost practicable despatch is aimed at, and&#13;
MSS. are read in the order in which they are&#13;
received. It must also be distinctly understood&#13;
that the Society does not, under any cireum-&#13;
stances, undertake the publication of MSS.&#13;
&#13;
 &#13;
&#13;
The following encouraging advertisement ap-&#13;
peared the other day in a London morning paper:&#13;
—“ Smart, scholarly, versatile Writer. Expert&#13;
verbatim and picturesque descriptive reporter.&#13;
Experienced managing editor, daily, weekly.&#13;
High personal character. University man. 30s.&#13;
per week.”&#13;
&#13;
 &#13;
&#13;
The Authors’ Club is now opened in temporary&#13;
premises, at 17, St. James’s Place, St. James’s&#13;
Street. Address the Secretary for information,&#13;
rules, admission, &amp;c.&#13;
&#13;
Ses ese eee&#13;
&#13;
   &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
—&#13;
&#13;
|&#13;
{&#13;
i&#13;
&#13;
 &#13;
&#13;
wil) |&#13;
&#13;
tl |&#13;
&#13;
 &#13;
&#13;
THE AUTHOR. 5&#13;
&#13;
Will members take the trouble to ascertain&#13;
whether they have paid their subscriptions for&#13;
the year? If they will do this, and remit the&#13;
amount or a banker’s order, it will greatly assist&#13;
the Secretary, and save him the trouble of&#13;
sending out a reminder.&#13;
&#13;
So&#13;
&#13;
Members are invited to forward anything that&#13;
may be of interest or value to literature, whether&#13;
news, comments, questions, or original contribu-&#13;
tions. The short space at the command of the&#13;
editor forbids any attempt at reviewing, but&#13;
books can always be noticed if they are sent up.&#13;
&#13;
SS&#13;
&#13;
Members are most earnestly entreated to attend&#13;
to the warning numbered (3). It is a most foolish&#13;
and a most disastrous thing to bind yourself to&#13;
anyone for a term of years. Let them ask them-&#13;
selves if they would give a solicitor the collection&#13;
of their rents for five years to come, whatever&#13;
his conduct, whether he was honest or dishonest ?&#13;
Of course they would not. Why then hesitate&#13;
for a moment when they are asked to sign them-&#13;
selves into bondage for three or five years ?&#13;
&#13;
 &#13;
&#13;
Here is another illustration of the reckless way in&#13;
which accusations are flung abroad. We are in-&#13;
formed that a writerinacertain Scotch paper, about&#13;
two months ago, stated that “a curious debate has&#13;
been raging in.a small section of the literary&#13;
world as to the right of every author to have his&#13;
works reviewed by the press.” That is the first&#13;
statement. Where has that claim been advanced ?&#13;
Noone knows. The next statement is, that it origi-&#13;
natedin the Author. Such aclaim has never been&#13;
advocated by the Author. One writer did, so far&#13;
back as last August, propose the abolition of “ press&#13;
copies,” but he was on the spot challenged by the&#13;
editor, who pointed out, in a few words, the mani-&#13;
fest objections to his proposals. Then follows a&#13;
quarter of a column devoted to cheap sarcasm&#13;
and indignation against the folly of such a claim.&#13;
Once advance a preposterous falsehood, and, until&#13;
it is contradicted, nothing is easier than to fly&#13;
into a rage over it. Will not editors, who have&#13;
no interest at all in the propagation of literary&#13;
slanders, step in to protect the truth? Andis it&#13;
not the case that the law of libel includes all&#13;
those statements which are made wilfully, with the&#13;
intention of damaging the reputation of an insti-&#13;
tution or a person?&#13;
&#13;
“T hear it alleged against our Society,” writes&#13;
a correspondent, “ that it is doing great harm in&#13;
encouraging incompetent writers to persevere, and&#13;
im increasing the output of bad and mediocre&#13;
literature. What reply am I to make ?”&#13;
&#13;
The first reply that occurs is a flat denial—the&#13;
Lie Absolute. But it is as well to give the&#13;
reasons. It may be advanced (1) that the&#13;
Society has always advised, and warned, and&#13;
exhorted young writers never, on any considera-&#13;
tion whatever, to pay money on account of or&#13;
towards the costs of production. Now it is only&#13;
by the authors consenting to pay for them that&#13;
bad books can be produced. Publishers, cer-&#13;
tainly, are not so foolish as to run the risk—the&#13;
certain loss—of producing them; (2) next, that&#13;
the Society has a department which reads and&#13;
advises on MSS., and stops the publication of a&#13;
great deal of rubbish; and (3) that in letters to&#13;
those who seek our help—as well as in its pub-&#13;
lished papers—the Society is always doing its&#13;
best to dissuade the unprepared and the incom-&#13;
petent. But of lies about the work of the&#13;
Society there is no end, and will be none until&#13;
one falsehood after another has become patent&#13;
and proverbial. Those of our readers who find&#13;
any lies about us, new or old, advanced in any&#13;
paper, might do good service by sending them up&#13;
to the Secretary, with the name and date of the&#13;
paper.&#13;
&#13;
 &#13;
&#13;
“ AUTHOR, 30, fair, tall, wishes to Meet Lady, who could&#13;
capitalise production of his plays. View Matrimony.—&#13;
Address,&#13;
&#13;
The above cutting, from a provincial paper,&#13;
may be of interest to our readers: Literary&#13;
aspirants have tried many paths to fame, but&#13;
this looks like a new departure.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
How, we are asked almost every day, is the young&#13;
writer to make a beginning? He should first get&#13;
an opinion from one of the Society’s readers as to&#13;
the merits and chances of his book. It may be that&#13;
certain points would be suggested for alteration.&#13;
It may be that he finds himself recommended&#13;
to put his MS. in the fire. He should then,&#13;
if encouraged, offer his MS. to a list of houses or&#13;
of magazines recommended by the Society. There&#13;
is nothing else to be done. No one, we repeat;&#13;
can possibly help him. If those houses all refuse&#13;
him, it is not the least use trying others, and, if&#13;
he is a wise man, he will refuse to pay for the&#13;
production of his own work. If, however, as too&#13;
often happens, he is not a wise man, but believes&#13;
that he has written a great thing, and is prepared&#13;
to back his opinion to the extent of paying for&#13;
his book, then let him place his work in the hands&#13;
&#13;
ere ST eee a&#13;
&#13;
a&#13;
&#13;
 &#13;
6 THE&#13;
&#13;
of the Society, and it shall be arranged for him&#13;
without greater loss than the actual cost of pro-&#13;
duction. At least he will not be deluded by false&#13;
hopes and promises which can end in nothing.&#13;
&#13;
— 1&#13;
&#13;
The following advertisement is cut from a daily&#13;
paper :—&#13;
&#13;
“An Author can OFFER either sex constant&#13;
(spare time) Home EMPLOYMENT: remunerative&#13;
author’s work and instructions, twelve stamps.—&#13;
Letters at once to Author.”&#13;
&#13;
A correspondent answered it, and obtained the&#13;
information required. The method offers up an&#13;
endless prospect of fortune. The “ Author’ has&#13;
written a book—hence his name and title. The&#13;
constant and remunerative employment consists&#13;
in selling copies of that book. Anybody can&#13;
apply to be made an agent. In case of appoint-&#13;
ment he inserts an advertisement in the local&#13;
paper, and invites applicants to sell the book for&#13;
him. He pays the Author 3s. 45d. a dozen, and&#13;
gets 8d. a piece for them—profit 4s. 73d. a dozen,&#13;
out of which he pays, one supposes, for his&#13;
advertisement. One can but give publicity to&#13;
this magnificent opening.&#13;
&#13;
 &#13;
&#13;
Several correspondents have asked whether Mr.&#13;
P. F. Collier, who has already been mentioned in&#13;
connexion with an advertisement offering to give&#13;
English authors an immense circulation, is a&#13;
person to be trusted. There seems little doubt&#13;
that he can do what he promises, which is to runa&#13;
novel through his journal. What more he will do&#13;
is quite uncertain. We therefore repeat the&#13;
warning given in our last number. Let authors&#13;
be careful to secure the usual business arrange-&#13;
ment in an agreement before sending their work&#13;
across the Atlantic.&#13;
&#13;
mee&#13;
&#13;
INTERNATIONAL COPYRIGHT.&#13;
&#13;
 &#13;
&#13;
i&#13;
&#13;
UNSATISFACTORY WoRKING OF THE Law IN&#13;
FRANCE.&#13;
&#13;
: (The New York Tribune.)&#13;
ARIS, March 5.—A year’s experience of the&#13;
&#13;
American International Copyright law’&#13;
&#13;
has proved rather disappointing to French&#13;
authors and publishers. Armand Templier, of&#13;
Hachette and Co. ; Georges Charpentier, Eugéne&#13;
Plon and Paul Delalain, four of the leading pub-&#13;
lishers of Paris, say the law has not produced&#13;
the good effects expected. Paul Calmann-Levy,&#13;
&#13;
AUTHOR.&#13;
&#13;
another well-known publisher, said :—‘The law&#13;
is of too recent date for French authors and&#13;
publishers to be able thoroughly to appreciate its&#13;
advantages or discover its defects. We are not&#13;
yet sufficiently familiar with the details of its&#13;
application to judge it by experience or to obtain&#13;
from it all the good it may have in store for us.&#13;
In the meantime we can only look forward to its&#13;
yielding advantageous results in the future and&#13;
express our satisfaction that literary property&#13;
was at last recognised in the United States.”&#13;
Felix Aloan, publisher of scientific works, said :&#13;
“Up to the present the law has not produced&#13;
any practical results, so far as I am concerned ;&#13;
but the measure has been in operation too short&#13;
a time for me to say what may be expected&#13;
from it.”&#13;
&#13;
Count de Kératry’s part in bringing about the&#13;
passage of the law is well remembered in.&#13;
America. He is now here, and was asked his&#13;
views on the subject. The Count said: ‘The&#13;
‘manufacture clause’ in the law prevents my&#13;
country from getting any benefit from it. It is&#13;
perfectly natural that the United States should&#13;
want to protect home printing interests against&#13;
English publishers; but in France, the language&#13;
being different, our publishers can do nothing to&#13;
hurt American printers. This ‘manufacture&#13;
clause’ has raised up a Chinese wall which pre-&#13;
vents literary and artistic intercourse between&#13;
France and the United States. To secure to&#13;
Americans the printing of perhaps thirty books&#13;
per annum, it kills copyright on innumerable&#13;
works. Only two French writers have sold&#13;
American copyrights under the ngw law, and one&#13;
of themis M. Zola. But he has had such difficulty&#13;
in getting the manuscript finished in time for the&#13;
American edition to be copyrighted before publi-&#13;
cation began here that he declares he will never&#13;
again undertake to do the same thing at any&#13;
price. So far as French novels are concerned,&#13;
the new law has done nothing more nor less&#13;
than to legalise literary piracy. And this is true&#13;
also of plays. I have written to the American&#13;
friends of International Copyright begging them&#13;
to have this ‘manufacture clause ’ modified.”&#13;
&#13;
 &#13;
&#13;
II.&#13;
More Prracy. .&#13;
&#13;
John Strange Winter writes:—&lt;Apropos to your&#13;
comments inthe Author for May on piracy by the&#13;
New York Sunday News, you may like to knowthat&#13;
this precious publication recently issued the whole&#13;
of my story “ That Imp” (published here in 1887&#13;
as a shilling book) as a complete supplement and&#13;
under a different title. As I own the copyright of&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE&#13;
&#13;
the story I wrote to the editor asking him whether&#13;
the story had been offered to him, and informing&#13;
him that, whatever remuneration was credited to&#13;
the story should be sent to me. I have had no&#13;
&#13;
reply !&#13;
&#13;
 &#13;
&#13;
ERT,&#13;
Literary THEFT.&#13;
&#13;
In relation to literary theft the editor of the&#13;
Nineteenth Century has published, in a recent&#13;
number of his magazine, an emphatic condem-&#13;
nation of the “monstrous extent to which&#13;
an organised system of plunder is carried in&#13;
certain quarters.” ‘ Under pretence,” writes he,&#13;
“ of criticism, and the transparent guise of sample&#13;
extracts, the whole value of articles and essays&#13;
which may and frequently have cost a review&#13;
hundreds of pounds—is offered to the public for&#13;
a penny or even a halfpenny,” and he adds that&#13;
‘a determination has been arrived at to make an&#13;
example of such pilferers. The cases are nume-&#13;
rous in which the defence of literary piracy on the&#13;
ground of “comment, criticism, or illustration”&#13;
has been unsuccessfully raised. Perhaps the&#13;
best example is Campbell v. Scott (11 Simon,&#13;
31). In that case (as cited in “Scrutton&#13;
on Copyright,’ 2nd edit. p. 123) the de-&#13;
fendant had published a volume of 790&#13;
pages, thirty-four of which pages were taken&#13;
up with a critical essay on English poetry, while&#13;
the remaining 738 were filled with complete&#13;
pieces and extracts as illustrative specimens. Six&#13;
poems and extracts, amounting to only 733 lines&#13;
in all, were taken from copyright works of the&#13;
plaintiff, who obtained an injunction against the&#13;
continued publication, on the ground that no&#13;
sufficient critical labour or original work on the&#13;
defendant’s part was shown to justify his&#13;
selection. Not a few of these thieves think&#13;
that an acknowledgment of the source from&#13;
which they steal will excuse them. This view&#13;
is quite unsound, as was shown by Scott v.&#13;
Stanford (36 L. J. Rep. Chance. 729). There the&#13;
plaintiff had published certain statistical returns of&#13;
London imports of coal, and the defendant,&#13;
“with a full acknowledgment of his indebted-&#13;
ness” to the plaintiff, published these returns as&#13;
part of a work on the mineral statistics of the&#13;
United Kingdom, the extracted matter forming a&#13;
third of the defendant’s work. ‘The court,’&#13;
said Vice-Chancellor Page Wood, “can only look&#13;
at the result, and not at the intention,” and he&#13;
granted an injunction without hesitation. Simi-&#13;
larly the verbatim extracts from law reports in&#13;
Sweet v. Benning (16 C. B. 459), which Chief&#13;
Justice Jervis described as a “mere mechanical&#13;
stringing together of marginal or side-notes&#13;
&#13;
 &#13;
&#13;
AUTHOR. ri&#13;
&#13;
‘which the labour of the author had fashioned&#13;
&#13;
ready to the compiler’s hands,” were declared by&#13;
the Court of Common Pleas to be piratical, and&#13;
it 1s impossible to glance at the cases without&#13;
seeing that, if examples are really about to be&#13;
made, the pilferers will have a hard time of it,—&#13;
Law Journal.&#13;
&#13;
 &#13;
&#13;
recs&#13;
&#13;
ON ROYALTIES.&#13;
&#13;
HE agreements of the future will undoubtedly&#13;
be based upon a system of Royalties. The&#13;
old method of half profits—a very fair&#13;
&#13;
method.in the case of books whose circulation is&#13;
limited—has fallen hopelessly into discredit by&#13;
reason of the shameless frauds which have been&#13;
practised under its cover. The old pretence that&#13;
a successful book must be made to pay for an&#13;
unsuccessful book is now no longer advanced.&#13;
There remains the one reasonable plan that the&#13;
author and publisher divide the proceeds of each&#13;
book on some recognised scale. If it be the half&#13;
profit plan as of old, the publisher must be honest.&#13;
That is to say, he must not cheat—the explana-&#13;
tion is elementary but necessary: he must not&#13;
set down £120 as the cost when £100 was the&#13;
sum actually spent ; he must set down the exact&#13;
sum realised, without deductions, and he must&#13;
not charge advertisements for which he has not&#13;
paid. All this, again, seems elementary, yet there&#13;
remains the necessity for saying all this over and&#13;
over again. But a royalty plan removes the&#13;
temptation to be dishonest—in these ways at&#13;
least. All that is wanted is the audit of the&#13;
accounts as to two points—the number printed and&#13;
the number sold. A table of royalties was given&#13;
in the Author (June, 1891, Vol. I., No.2). This is&#13;
repeated here, on account of its great importance.&#13;
The book taken was an ordinary six-shilling&#13;
volume, running from 70,000 to 100,000 words:&#13;
We deduct from the amount realised—(1) what&#13;
the publisher pays for production, with adver-&#13;
tising; (2) what he pays the author. The&#13;
percentage is taken on the full published price.&#13;
&#13;
I.— On THE SALE OF THE FIRST 1000.&#13;
&#13;
 &#13;
&#13;
Per Cent.&#13;
&#13;
 &#13;
&#13;
5 10 15 20 25&#13;
&#13;
 &#13;
&#13;
£ £ £ £ £&#13;
(eoblusher 3: 4. ul GO 45 30 15 _—&#13;
Author a ee es 30 45 60 75&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
  &#13;
&#13;
- IJ.—On Sane or THE Next 3000.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Per Cent.&#13;
| |&#13;
5 | 10 15 | 20 | 25 | 30 | 35&#13;
|&#13;
giasleiaie\a 2&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Publisher ..| 330 285 240, 195|150|105| 60&#13;
| | |&#13;
45| 90 130 180} 225 | 270) 315&#13;
&#13;
|&#13;
&#13;
Author ...&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
TII.—On tHe Sane or An EDITION OF 10,000.&#13;
&#13;
 &#13;
&#13;
Per Cent.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
|&#13;
15 | 20 | 25 30 | 35&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
fi 4 | 21212) 2&#13;
|&#13;
&#13;
Publisher... ...| 1200 | 1050 | 900 — 450} 300&#13;
Pe&#13;
&#13;
Author ... ...| 150] 300 |450 ape 752) 1050&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
These figures ought to be a guide to the author&#13;
in a royalty agreement. If his book be one which&#13;
will not sell largely, as, e.g., a volume of critical&#13;
essays, or a treatise on some subject which&#13;
appeals to a limited circle he may consider the&#13;
first table only. If it is a book likely to have a&#13;
large sale, let him consider all three tables.&#13;
&#13;
ON DEFERRED ROYALTIES.&#13;
&#13;
 &#13;
&#13;
T is frequently urged that a book carries with&#13;
it a certain risk. We repeat, over and over&#13;
again, that the publishers who take risks&#13;
&#13;
are very, very few, and that the occasions on which&#13;
risk is taken are very, very few. However, let it be&#13;
granted that a certain book does carry risk—in&#13;
other words, that the publisher is not certain of&#13;
clearing the cost of production. As before, the&#13;
book shall be a six shillmg volume. Here is a&#13;
little table—the figures being approximate, but as&#13;
regards cost, over, rather than under the mark.&#13;
&#13;
Cost of production of the Ist edition of 1000&#13;
copies—say £100, an exaggerated estimate,&#13;
including advertising.&#13;
&#13;
Trade price of the book—say 3s. 6d.&#13;
&#13;
Number of books required to clear expenses, 572.&#13;
&#13;
Every copy that remains up to 950 copies&#13;
(allowing 50 for press copies) represents a clear&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
profit of 3s. 6d. The question is, how much of&#13;
that should go to the publisher. If we give&#13;
him half, the royalty after 572 c»xpies shou!d be&#13;
Is, gd. a copy or 29 per cent.&#13;
&#13;
Tf, however, a larger sale is expected, and a&#13;
larger number s‘1uck off, the figures will require&#13;
alteration. Suppose an edition of 3000 copies.&#13;
In this case the number required to pay the&#13;
original cost will be about 850. Then every copy&#13;
realises a clear profit of 3s. 6d. What should&#13;
the publisher take for his services in distribution,&#13;
&#13;
collection, and management? Surely a royalty of ©&#13;
&#13;
1s. 6d. would fairly meet the justice of the case.&#13;
‘he author for such a deferred royalty should&#13;
claim 2s. a copy, or a royalty of 33 per cent.&#13;
&#13;
Another plan which is usefully and profitably&#13;
employed by some publishers, is to offer a sum&#13;
of money down and a royalty to begin when&#13;
so many copies have been sold. For instance,&#13;
a six-shilling book of which the publisher knows&#13;
that he is certain to sell 1000, and will probably&#13;
sell 3000. He offers £50 down and a royalty to&#13;
commence — when? It is very simple. The&#13;
author’s £50 must be added to the cost of pro-&#13;
duction. If the publisher is to have a third of&#13;
the profits he may add on £25 to the cost of&#13;
production for himself. Then the sum is quite&#13;
simple. Fora sale of 3000 copies about 850 must&#13;
be first sold in order to defray the cost of produc-&#13;
tion. To this must be added 430 more for the&#13;
advance made to the author, and the publisher's&#13;
share. After about 1280 copies the royalty should&#13;
begin.&#13;
&#13;
Here is a very pleasing illustration of how the&#13;
latter method may be worked. An author of great&#13;
distinction had ready a book of great interest—&#13;
a book which from the nature of the subject as&#13;
well as the name and position of the author, was&#13;
sure to do well. It was published at 4s. 6d.&#13;
The pubhsher, in a friendly careless way, proposed&#13;
to advance the author £50, and to give him a&#13;
royalty—the amount does not here concern us—&#13;
after 4500 copies had been sold. That figure&#13;
was reached and passed. Suppose the sale had&#13;
stopped there, how would the account have stood ?&#13;
Roughly as follows: The publsher must have&#13;
netted £300 to the author's £50. And this,&#13;
of course, he knew very well at the outset. If&#13;
not, he did not know his own business. If these&#13;
figures are wrong, let us have the right figures—&#13;
audited, of course.&#13;
&#13;
Sires Nh aceon&#13;
&#13;
 &#13;
a a&#13;
&#13;
|&#13;
&#13;
THE&#13;
TWO CASES OF CONVEYING.&#13;
&#13;
Ss&#13;
&#13;
i&#13;
&#13;
A student’s text-book was sent to me to review&#13;
for a certain journal. From its title-page, it was&#13;
a new edition of an established work by a pro-&#13;
fessor of the subject, whose name was retained.&#13;
In the preface, the editor (an unknown name to&#13;
me) explained that he had attempted to introduce,&#13;
in a short compass, the chief results of and&#13;
research within recent years, that he had used&#13;
considerable pains to sift out what was valuable&#13;
from recent original foreign memoirs, and that&#13;
he was indebted more especially to four works of&#13;
reference, whose statements, so far as he had&#13;
taken them, he had, in nearly all cases, verified&#13;
by consulting the original researches. He was&#13;
also delightfully sarcastic about the short life of&#13;
many a piece of lore and many a piece of theory ;&#13;
he had not encumbered his pages with such&#13;
perishable matter. _ On examining the book, I&#13;
found that not a line of the former editions&#13;
remained, that it was an entirely new book, and&#13;
that it was exceedingly well done—excellent in&#13;
structure, full in matter, perspicuous in style.&#13;
The mere paragraphing showed the hand of a&#13;
master, and the subordination of parts through&#13;
some 600 pages showed that grasp which only&#13;
a long familiarity with details can give.&#13;
&#13;
A page or two at the beginning of one of the&#13;
chapters reminded me of something that I had&#13;
read before ; and on finding the same passage in&#13;
another book, I got upon the scent. Page by&#13;
page I identified the new edition of the English&#13;
text-book with a new edition of a French student’s&#13;
manual, which was one of the four “works of&#13;
reference” mentioned in the preface. At long&#13;
intervals there came a paragraph, or perhaps a&#13;
whole page, which I traced to one of the three&#13;
other “‘ works of reference ;” but these interpo-&#13;
lations were probably not a tenth part of the&#13;
whole; there were also a few little touches which&#13;
I could not account for except on the hypothesis&#13;
that they were the editor’s own.&#13;
&#13;
I wrote my review, and pointed out the facts&#13;
as above given, adding a few abstract reflections&#13;
on the ethics of compilation. However, the&#13;
editor of the journal, for reasons best known to&#13;
himself, did not print my contribution, for all the&#13;
trouble I had taken over it. Shortly after, I was&#13;
in the company of two persons, both of whom&#13;
were learned in the subject-matter of the said&#13;
text-book. I told them my story, which they&#13;
seemed to hear without surprise. One of them&#13;
said, with the obvious concurrence of the other,&#13;
“Then you do not know that X.,” meaning a&#13;
professor of the same subject, “had already&#13;
&#13;
VOL. III,&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
AUTHOR. 9&#13;
&#13;
pillaged the Frenchman in exactly the same way,&#13;
in his manual published a year or two ago?” ‘I&#13;
had not heard that, and did not relish hearing it&#13;
then, for I knew X., and knew him for a man of&#13;
religion and of high respectability. I have never&#13;
inquired whether the open secret about his manual&#13;
was the truth, and, if so, whether there were any&#13;
extenuating circumstances. But, assuming that&#13;
the information given me was true, it placed my&#13;
own discovery in a new light, and probably&#13;
explained why my review had not been published.&#13;
The editor of the journal had said to himself,&#13;
“Dat veniam corvis, vexat censura columbas,”&#13;
and had refused to do the latter. The author of&#13;
my manual had said to himself, “Render unto&#13;
Scissors the things that are Scissors’,” and again,&#13;
“They that take the scissors shall perish by the&#13;
scissors.’’ Also my man had been merely re-&#13;
editing an old book, and had placed the original&#13;
author’s name in the leading line of the&#13;
title-page (although he bragged a good. deal&#13;
in his own name in the preface), The points&#13;
of casuistry are curious. I have been told of&#13;
a parallel case, which, however, is not strictly&#13;
parallel: the case, namely, of a novelist. who&#13;
conveys from a French translation the plot, dia-&#13;
logue, and imaginative trimmings (mutatis&#13;
mutandis) of a work of fiction which had origi-&#13;
nally appeared in one of the more inaccessible&#13;
literatures of Eastern Europe.&#13;
&#13;
eT,&#13;
&#13;
Happening to have before me two elaborate&#13;
works on the same subject, one by a German of&#13;
known erudition in the earlier part of the century,&#13;
the other by a prolific English book-maker of our&#13;
own time, I noticed something the same in both ;&#13;
and, after a minute examination of the one and&#13;
the other, I discovered as follows: The German’s&#13;
work, which was written in the French language,&#13;
was in two almost equal parts, the one consisting&#13;
of his more philosophical generalities, in the form&#13;
of rather stiff prolegomena (by no means suited&#13;
to the English intellect), the other of an immense&#13;
body of facts, on which his generalities rested,&#13;
methodically arranged, and authenticated by a&#13;
truly marvellous bibliography. The English&#13;
work, to the extent of its entire design, and&#13;
perhaps three-fourths of its matter, consisted of&#13;
the German professor’s encyclopedic facts, with&#13;
the foot notes, and corresponded exactly to their&#13;
limits of time and place. The German author&#13;
was just acknowledged, among others, in an&#13;
unimportant but astute line of the English&#13;
preface ; and in three or four places of the text&#13;
the poor old man was cited, among his own&#13;
innumerable authorities, in order to be contro-&#13;
verted on some point of doctrine. The English&#13;
&#13;
B&#13;
&#13;
 &#13;
10 THE AUTHOR.&#13;
&#13;
book was reviewed in three columns of the Times&#13;
as a work of original merit, reflecting credit upon&#13;
native erudition and research. Since then the&#13;
learned author (translator and editor of the easier&#13;
half) has been decorated by his Sovereign, and&#13;
invested with a scarlet academical gown. The old&#13;
German, who was a sort of ultimus Romanorum&#13;
in his special erudition, and a professor at one of&#13;
these small universities with vast libraries, out-&#13;
lived his own generation, and was little known at&#13;
the time of his death. I doubt whether a dozen&#13;
readers of the English book would know his name&#13;
if they heard it. I inclose the names of parties&#13;
and the titles of books. A. B.&#13;
&#13;
Sect&#13;
&#13;
A LITERARY BUREAU.&#13;
&#13;
 &#13;
&#13;
PROSPECTUS lies before us of a literary&#13;
bureau conducted on bold and vigorous&#13;
principles. We think of our own puny&#13;
&#13;
and fainthearted efforts with shame when we&#13;
read this noble handling of the literary aspirant.&#13;
Why, we give our young man or young maiden&#13;
who sends us a MS. for advice, a long opinion in&#13;
detail, advice as to further proceedings, a list of&#13;
respectable periodicals, and a list of publishers&#13;
who can be trusted—or else we warn him or her&#13;
that the MS. is worthless, and send it back with&#13;
wholesome advice, either to retire from the field at&#13;
once or to put in very different work. We do all&#13;
this for a pitiful, sneaking guinea, of which the&#13;
Society gets nothing and has to pay the postage&#13;
of the MS. See, now, what the Cambridge&#13;
Literary Bureau, “ P.O. Box 3266, Boston, Mass.&#13;
U.S.A.” proffers. (Perhaps our younger friends&#13;
will, in their own interests, make a note of the&#13;
address).&#13;
&#13;
1. It reads MSS. and gives a list of paying&#13;
periodicals for 1s. every thousand words.&#13;
&#13;
2. It gives a letter of detailed advice for 4s.&#13;
&#13;
3. It revises and corrects MSS. at 4s. per hour.&#13;
&#13;
4. It corrects proofs at 3s. per hour.&#13;
&#13;
5. It type writes at 2s 6d. a thousand words.&#13;
&#13;
6. It writes shorthand at dictation for 3s. an&#13;
hour.&#13;
&#13;
7. It teaches rhetoric, composition, and proof&#13;
reading in twenty lessons for £7 Ios.&#13;
&#13;
8. It gives a list of books bearing on literary&#13;
work for tos.&#13;
&#13;
g. It reads a MS., gives a, letter of criticism and&#13;
advice, and sends a list of publishers for a fee&#13;
varying with the length of the work from £2 to £4.&#13;
&#13;
Lastly, it places MSS. on commission of 10 to&#13;
20 per cent.&#13;
&#13;
Let us see how it works, Juvenis has written&#13;
&#13;
a book. He goes to the Cambridge Literary&#13;
Bureau. It is a book of 80,000 words. First, of&#13;
course, he would like to have it read.&#13;
&#13;
fs. a.&#13;
1. For reading and sending a list of&#13;
paying periodicals... ... ... ... 4 0 0&#13;
2. Next, he would like a letter of&#13;
opinion on the work ... ... ... O10 O&#13;
3. The opinions say it ought to be&#13;
corrected. Fee for 48 hours’ work&#13;
at 4s. an hour... 9: 712-0&#13;
&#13;
4. Of course we must have it type&#13;
&#13;
written, at 2s. 6d. for 1000 words 10 O O&#13;
. He will take the course of lessons 7 10 0&#13;
. It will be useful to have the text&#13;
&#13;
of books bearing on literary work 0 10 0&#13;
7. It is absolutely necessary to have&#13;
&#13;
a list of publishers with another&#13;
&#13;
letter of criticism... 5. 3 OO&#13;
&#13;
nuvi&#13;
&#13;
a4 2 8&#13;
The literary candidate, therefore, under the&#13;
kindly auspices of this bureau begins with an&#13;
expenditure of £34 2s. He then finds out that he&#13;
is in exactly the same position as he was at the&#13;
beginning, except for the letter of advice.&#13;
Now, what happens to Juvenis when he writes&#13;
to us.&#13;
&#13;
&amp; 8 a.&#13;
&#13;
1. For reading the MS. and writing an&#13;
opinion . ae ak ee&#13;
&#13;
2. For sending a list of respectable&#13;
periodicals... 0.6 6&#13;
&#13;
3. Correction of MSS. not attempted.&#13;
&#13;
The opinion will show him where&#13;
&#13;
and how it should be corrected ... 0 0 O&#13;
4. Typewriting. This should always&#13;
&#13;
be done at 1s. 3d. a 1000 words,&#13;
&#13;
but not by the Society of Authors 0 0 0&#13;
5. Course of lessons in rhetoric. Quite&#13;
&#13;
useless. If a -young man cannot&#13;
&#13;
read for himself a book on rhetoric,&#13;
&#13;
and if he has not learned some-&#13;
&#13;
thing of the art of composition he&#13;
&#13;
had better not attempt literature. O O Oo&#13;
6. What good will such a list do for&#13;
&#13;
anybody? But the society will&#13;
&#13;
give him sucha list if he wants one 0 O O&#13;
7. An opinion from a writer of experi-&#13;
&#13;
ence and judgment (see above) ... 9 90 O&#13;
&#13;
8. A list of publishers in whom some&#13;
confidence may be placed ... .. 9 O O&#13;
Total: 6...) 0 EE&#13;
&#13;
And at the end our man is in exactly the same&#13;
position as the American candidate who has dis-&#13;
bursed £34 2s. And yet we expect to get ou!&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
A CO-OPERATIVE FIRM.&#13;
&#13;
— —&#13;
&#13;
HITHER bends the course of the stream ?&#13;
Does the prospectus before us show the&#13;
future? It is a prospectus, apparently&#13;
quite serious, of a proposed publishing house for&#13;
a special class of book. &lt;A fairly large capital is&#13;
announced, and the scheme is called co-operative.&#13;
Since, however, it is further added that a dividend&#13;
of from ro to 15 per cent. may be anticipated, it&#13;
is not clear what the promoters mean by co-opera-&#13;
tion. The prospectus provides that the ledgers&#13;
shall be so kept as to enable any customer to see&#13;
at a moment what expense has been incurred and&#13;
what sales have been effected. And it promisesa&#13;
great reduction in the way of advertising. It&#13;
- looks, therefore, as if a new commission house is&#13;
in contemplation to be run honestly. There&#13;
should be room for such a house in special, as&#13;
there certainly is in general literature. We&#13;
shall watch the progress of the enterprise, But&#13;
we must remark that co-operation should not&#13;
contemplate large dividends. In true co-opera-&#13;
tion, the capital employed receives a fair dividend,&#13;
something over the interest in consols, and the&#13;
co-operators share the rest. In such a project as&#13;
the one before us care must be taken not to fall&#13;
into the hands of a printer at the outset, or the&#13;
whole scheme may be ruined by over-charges.&#13;
&#13;
 &#13;
&#13;
&gt; 0 —&lt;——&#13;
&#13;
 &#13;
&#13;
“UNCUT LEAVES.”&#13;
&#13;
 &#13;
&#13;
HIS scheme, the programme of which was&#13;
published in the last number of the Author,&#13;
has been seriously taken up in America,&#13;
&#13;
and centres have been established in many towns.&#13;
That is to say, there are a great many periodical&#13;
gatherings of people—monthly or fortni ghtly—to&#13;
hear beforehand, articles about to appear in&#13;
various magazines. It appears that the thing has&#13;
grown out of a friendly association of American&#13;
authors for the purpose of reading their work to&#13;
each other.&#13;
writes “ Editors have met me more than halfway ;&#13;
in no case have they refused to let me have their&#13;
MSS. Some of the articles are read just before&#13;
they come out, and others may not be printed for&#13;
some time. That is immaterial. I find a mass&#13;
of able, short essays, stories, poems, and fugitive&#13;
verses, which make variety and keep up the&#13;
interest. It is noticeable that here in New York,&#13;
with all the many things going on, the men turn&#13;
out and stay through the evening.” Mr.&#13;
Lincoln is coming to London this month; we&#13;
&#13;
The director, Mr. L. J. B. Lincoln,.&#13;
&#13;
AUTHOR. II&#13;
&#13;
shall probably’ learn more of his scheme. The&#13;
following shows how it is regarded by the&#13;
American press :&#13;
&#13;
The faddest of fads is about to break out in Chicago.&#13;
Westerners have heard rumours of the exclusive method by&#13;
which Boston and New York culture regaled itself during&#13;
the past year, that of having an unpublished magazine&#13;
called Uncut Leaves read in private houses to a carefully&#13;
chosen audience. No report of the contents was permitted&#13;
to be carried out of the “academy” by the favoured ‘lis-&#13;
teners, and no mention thereof allowed to get into print.&#13;
In each of tho cities where the astute editor, Mr. Lincoln,&#13;
master of the Deerfield School of History and Romance,&#13;
has introduced his novelty, contributors to Uncut Leaves&#13;
have added immensely to its interest by reading their own&#13;
articles, the audience thus having the added enjoyment of&#13;
authors’ interpretations of their own works. The contri-&#13;
butors to past numbers of Uncut Leaves have included&#13;
the cream of living American literature, Richard Henry&#13;
Stoddard, Edmund Clarence Stedman, George W. Cable,&#13;
Sarah Orne Jewett, Margaret Deland, and more.&#13;
&#13;
At first this scheme of Uncut Leaves seems a mere fad,&#13;
an affectation without substantial warrant to recommend it&#13;
to really cultivated people. If an article be good enough&#13;
for fifty favoured persons is it not better and finer that it&#13;
should be made readily accessible to a hundred times fifty P&#13;
Is not an author’s sincere desire to reach the largest&#13;
number of readers, to be known to the greatest proportion&#13;
of his fellow men? This is undeniable. But it is equally&#13;
instinctive in an author to wish to be judged first by&#13;
the “fit, if few.” Many an article, good on the whole,&#13;
is marred by unconscious defects in execution that&#13;
only reading aloud discloses. The experiment of the&#13;
private audience is, therefore, of great value in fixing&#13;
estimates and suggesting improvements. No wounds in&#13;
literature are deeper than those so recklessly inflicted&#13;
by reviewers who, often driven with excess of work,&#13;
pronounce judgments honest according to light and time,&#13;
but precipitated without due consideration and as fatal&#13;
on the fortune and fame of what may have cost months,&#13;
a year, or years of study and work, as if every line of&#13;
the criticism had been weighed and scrutinised for only&#13;
truth and discrimination. Uncut Leaves gives an author&#13;
trial, if not before his peers, at least in the presence of those&#13;
who are bound in honour not to detract, if incompetent&#13;
to judge or unfitted by nature or lack of education to write.&#13;
&#13;
Mr. Lincoln has, therefore, devised a method of getting&#13;
disinterested judgment in advance of publication on what&#13;
doubtless will prove to be in time essentially important&#13;
additions to American literature. For, although the con-&#13;
tents of the unpublished magazine are at their author’s&#13;
pleasure, ultimately they become public, and the public as&#13;
well as the author will benefit by the judicial test to which&#13;
in private and before a considerable number of presumably&#13;
qualified jurors, they were subjected. After all, the fad has&#13;
justification. Mr. Lincoln is well known in the East among&#13;
scholars and to a large number of Chicago people, some of&#13;
whom have attended his Deerfield School of History and&#13;
Romance, and others who have heard his lectures in New&#13;
York or Boston. He is a man of wide knowledge and&#13;
authentic taste. He is now in Chicago and indications&#13;
point to a success as great as that which has characterised&#13;
his work in the East. His readings of Uncut Leaves will be&#13;
exclusively, of course, in private drawing-rooms. It is&#13;
understood that he will give here no article that has been&#13;
printed anywhere or is likely to see print for some time.&#13;
Some of the most noted of his contributors are also expected&#13;
during his stay.&#13;
&#13;
 &#13;
&#13;
Sect&#13;
&#13;
B 2&#13;
&#13;
 &#13;
12 THE AUTHOR.&#13;
&#13;
USEFUL BOOKS.&#13;
&#13;
 &#13;
&#13;
N American correspondent sends the follow-&#13;
ing list :—&#13;
&#13;
1. Murray’s New English Dictionary.&#13;
. SrormontH’s Dictionary of the&#13;
Language.&#13;
. Watxer’s Rhyming Dictionary.&#13;
Barruert’s Dictionary of Americanisms.&#13;
Cusuina’s Initials and Pseudonyms.&#13;
WueEeEwer’s Dictionary of the Noted Names&#13;
in Fiction.&#13;
7. Wricut’s Dictionary of Obsolete and Pro-&#13;
vincial English.&#13;
8. Barruerr’s Familiar Quotations.&#13;
g. Rogzt’s Thesaurus.&#13;
10. Breztow’s Handbook of Punctuation.&#13;
11. Wurte’s Words and their Uses.&#13;
12. Sxeat’s English Htymology.&#13;
13. Gummrrx’s Handbook of Poetry.&#13;
14. Assort’s How to Write Clearly.&#13;
15. Hix's Principles of Rhetoric.&#13;
16. Greenine’s Elements of Rhetoric.&#13;
17. Eartx’s Philology of the English Tongue.&#13;
18. Merxizsoun’s English Language.&#13;
&#13;
English&#13;
&#13;
vs&#13;
&#13;
aey&#13;
&#13;
recy&#13;
&#13;
NOTES AND NEWS.&#13;
&#13;
 &#13;
&#13;
HE Annual Dinner should have taken place&#13;
before this reaches our readers. We hope&#13;
&#13;
to give a good account of it in our next.&#13;
&#13;
The Author’s Club is now in full working order&#13;
in its temporary premises, 17, St. James’s Place,&#13;
St. James’s Street. Intendirg members should&#13;
forward their names immediately to the secretary.&#13;
The full subscription for the year is not called up.&#13;
&#13;
 &#13;
&#13;
Here is a case which has recently happened.&#13;
A novelist has spent some months in working a&#13;
story based upon an idea which is strong, effec-&#13;
tive, and, as he fondly believed, perfectly new.&#13;
That a man should believe any story to be&#13;
perfectly new shows a certain credulity. He&#13;
has now finished his novel and has made ex-&#13;
cellent arrangements about its appearance. But&#13;
he has learned, to his dismay, that the perfectly&#13;
new and strong idea has already—and not so very&#13;
long ago—been used by another writer. What is&#13;
he to do? Shall he lose his labour? Is the&#13;
accident that the same idea has occurred to this&#13;
other writer to stand in the way?&#13;
&#13;
ce nd&#13;
&#13;
The answer to these questions seems clear. He&#13;
did not steal the idea: this can be proved by the&#13;
time of his beginning and planning the story.&#13;
Nobody can accuse him of plagiarism. Then&#13;
what matters? Every writer has his own style,&#13;
his own method of treatment ; the two stories will&#13;
be fitted with different characters, different&#13;
plots. Let this novelist proceed with his story.&#13;
Let him, however, if he thinks well, write a&#13;
preface stating the facts, otherwise some critic&#13;
will find out the resemblance, and will, naturally,&#13;
—for such a find happens seldom—crow over&#13;
him, jump upon him, and despitefully entreat&#13;
him. I do not believe that such an accident will&#13;
injure either novel a bit.&#13;
&#13;
Se ————_&#13;
&#13;
For instance, about five years ago I wrote a&#13;
story turning on the Monmouth Rebellion, which&#13;
first appeared in the Illustrated London News.&#13;
At the sanie time Mr. Conan Doyle was also&#13;
writing a novel on the same event. Both these&#13;
novels appeared at the same time. Nobody ever&#13;
accused me of stealing my plot from Mr. Conan&#13;
Doyle. Certainly, my novel was not injured by&#13;
his, and most certainly his was not injured by&#13;
mine. “I have read your account of the&#13;
Monmouth Rebellion,” said a man to me, “and&#13;
now I am going to see what the other chap has got&#13;
to say about it.” That the same event should be&#13;
treated by two different hands begets curiosity.&#13;
There are, however, certain things which must be&#13;
avoided. For instance, some twelve years ago, in&#13;
writing astory called the “ Chaplain of the Fleet,”&#13;
it was resolved to devote two or three chapters to&#13;
Tunbridge Wells. It seems incredible that one&#13;
should have forgotten the Virginians. But I&#13;
went to Tunbridge Wells, stayed there some days,&#13;
and read all the books about the place, hunted&#13;
up contemporary essays where the place was&#13;
mentioned, and, in fact, made myself master of&#13;
the subject. When the chapters were all written&#13;
&#13;
one remembered that Thackeray had made the&#13;
place his own, so that all the work went for&#13;
&#13;
nothing, except to show how carefully and&#13;
thoroughly Thackeray had got up the subject.&#13;
We must not try to do, over again, what has been&#13;
already done by a master. But it would certainly&#13;
not deter me from publishing a story of my own&#13;
if I learned that another novelist had just&#13;
produced a story with the same—or a closely&#13;
similar—plot. Just so, in the Royal Academy, we&#13;
have the Vicar of Wakefield in one room, the&#13;
Vicar of Wakefield in the second room, the Vicar&#13;
of Wakefield in the third room, and so on.&#13;
Always by the most remarkable coincidence in the&#13;
world all the different artists hit upon the same&#13;
idea.&#13;
&#13;
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i&#13;
4&#13;
a&#13;
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 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR. 13&#13;
&#13;
In the March number of the Forwn (London:&#13;
E. Arnold) was a paper with my signature on the&#13;
work of our Society. It contained very little&#13;
that will be found new by those who have fol-&#13;
lowed our work, but it is hoped that the&#13;
paper has, before this, fallen into the hands of&#13;
many who have not. I found, in conversation&#13;
with a publisher, that he took exception to one&#13;
passage in the article. It is this, “ the first ’—&#13;
way of cheating under a certain head—“is to&#13;
charge for inserting the book in the publisher’s&#13;
own catalogues and lists, which cost him&#13;
nothing.” ‘ My lists,” said the publisher, “ cost&#13;
mea great deal.’ Quite so. But the insertion&#13;
of any book in the list costs nothing, or a few&#13;
pence. He has no right to charge for this in-&#13;
sertion as an advertisement, because a list isa&#13;
part of his machinery. He does not charge for&#13;
his rent, his furniture, his clerks. These are&#13;
part of his services: they do that part of his&#13;
work which he cannot do with his own hands.&#13;
A solicitor does not charge for his clerks, nor&#13;
does an engineer charge for his draughtsmen;&#13;
they are part of the machinery. It is high time&#13;
that this should be made quite clear.&#13;
&#13;
SS&#13;
&#13;
In Mr. Lecky’s observations, made at the dinner&#13;
of the Royal Literary Fund (quoted p. 24), there&#13;
appears to be a certain confusion of ideas, owing&#13;
partly to the power of an epigram, partly to the&#13;
prevailing ignorance in which the material&#13;
interests of literature have been so long wrapped&#13;
up. The epigram was that “the books which&#13;
live are not the books by which authors live.”&#13;
Well, but what does that mean? Shakespeare&#13;
and all the Elizabethan dramatists lived by their&#13;
books; Dryden, Pope, Addison, Prior, Steele,&#13;
lived by their books. Johnson and Goldsmith&#13;
lived by their books; Southey, Leigh Hunt,&#13;
Wordsworth, lived by their books; Macaulay&#13;
made a fortune by his books; Carlyle, Dickens,&#13;
Thackeray, George Eliot, have lived by their&#13;
books. We need not mention other novelists&#13;
who live by their books, because perhaps ordinary&#13;
stories are not the books which will live; but&#13;
surely the epigram has very little foundation.&#13;
&#13;
 &#13;
&#13;
Again, at all these dinners there is a suggestion&#13;
of the great genius in distress because the public&#13;
will not buy his books. Well, that is nonsense,&#13;
because the reading public is wise enough and&#13;
clever enough to discern the great genius and&#13;
even the little genius as soon as ever he appears.&#13;
For instance, Messrs. Stevenson, Rudyard Kipling,&#13;
and J. M. Barrie—among others—have not had&#13;
long to wait, and have never, so far as we know,&#13;
&#13;
been in any danger of starvation. In the same&#13;
way, Browning always had a following. George&#13;
Meredith has always had a following, though with&#13;
both these great writers, at first a small following&#13;
only. I do not believe that at this moment there&#13;
is any single man of letters, in any branch, who&#13;
isa neglected and a starving genius. I have sat on&#13;
the Board of the Royal Literary Fund—for two&#13;
years I was on the council. Without breach of con-&#13;
fidence, I may state that during that term, though&#13;
there were applications from many unfortunate&#13;
men and women of letters, there were none from&#13;
anyone of literary position. All were the second&#13;
and third-rate writers. Most, indeed, were&#13;
greatly to be pitied, and the Fund proved a most&#13;
beneficial institution to them; but of not one&#13;
could it be said that he or she was a genius in&#13;
distress.&#13;
&#13;
eee&#13;
&#13;
The “higher form” of literature, Mr. Lecky&#13;
said, should not be attempted by a young man&#13;
unless he possesses an income—or makes an&#13;
income—outside that work. As a rule nobody&#13;
proposes at the outset to live by literature of any&#13;
form. What are the “ higher forms” and what&#13;
are the lower? I can see no “ higher form” of&#13;
literature at all unless it be poetry. That seems&#13;
to me the very highest form of literature. But&#13;
for the rest—history, philosophy, essays, bio-&#13;
graphy, fiction, the drama, criticism—which of&#13;
these forms is higher than the other? None, so&#13;
far as I can discover. At the outset the future&#13;
author is always something else. Very often&#13;
most often—he is a journalist; or he has been&#13;
trained for some profession; he is a secretary ;&#13;
he is a clerk in the city. If he is going to be a&#13;
writer of “solid” literature, he is a professor or&#13;
lecturer, a Fellow of his college, a teacher of some&#13;
kind. The writer who begins by saying “I will&#13;
live by making books” is the writer who ends by&#13;
making periodical appeals to the Royal Literary&#13;
Fund. And of all forms of literary failure this&#13;
is the most pitiful and the most hopeless.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Here is a suggestive note. In the New York&#13;
Critic there are ‘‘ Magazine Notes” every month,&#13;
i.e., notes on the papers -which appear in the&#13;
various magazines of the month. But they are&#13;
all American magazines. In the “ Magazine&#13;
Notes” of our own papers the English magazines&#13;
are considered—and the American as well. In&#13;
other words the American magazines have got a&#13;
firm hold on the English public. What hold&#13;
have our magazines on the American public?&#13;
&#13;
 &#13;
&#13;
 &#13;
14 THE AUTHOR.&#13;
&#13;
The book of the month is ‘Nada the Lily.”&#13;
Mr. Rider Haggard has never, in my opinion,&#13;
done anything so good. Here we live among the&#13;
savages—we talk-with them, fight with them,&#13;
think withthem. That we live in an atmosphere&#13;
of barbaric cruelty, lust of blood, murder, sus-&#13;
picion, and treachery, is a part of living among&#13;
savages at all, To judge from some of the&#13;
reviews of the book, the author ought to have&#13;
presented his savages in kid gloves drinking&#13;
afternoon tea; or, as our noble savage has too&#13;
often appeared, as a nineteenth century gentle-&#13;
man of dark skin, with no clothes, and imperfectly&#13;
armed with a tomahawk or a hatchet, but of&#13;
irreproachable personal habits and great bravery.&#13;
We must take the nineteenth century civilisation&#13;
out of the noble savage altogether; we must live&#13;
with him as he is, not as the romantic schoolgirl&#13;
would like to have him; we then get Nada the Lily.&#13;
One would not recommend it to the romantic&#13;
schoolgirl—though there is nothing to raise the&#13;
blush on that fair young cheek. For men the&#13;
book is virile, and true, and pitiless. As for the&#13;
fighting, it is Homeric.&#13;
&#13;
 &#13;
&#13;
G. W.S. in the Zribune calls attention to what&#13;
he thinks is a growing coldness on the part of&#13;
this country to the people of the States. Among&#13;
other causes he mentions one that will surprise&#13;
many of us. He thinks that we are jealous of&#13;
the growing literary superiority of Americans.&#13;
This, he thinks, makes us feel small. We are&#13;
mortified because we have no one worthy to&#13;
stand up beside Howell, James, and others.&#13;
He is quite wrong. American authors may be&#13;
far ahead of us, but, such is our insular conceit,&#13;
our wooden-headed conceit, our besotted blind-&#13;
ness, that we have not yet begun to think of&#13;
American writers as superior to our own.&#13;
Howell? James? Very good men, both. But&#13;
what of Blackmore, Black, Hardy, Barrie, Steven-&#13;
son, Rudyard Kipling, Rider Haggard, Hall&#13;
Caine, Mrs. Oliphant? What of Tennyson,&#13;
Swinburne, Austin Dobson, Andrew Lang,&#13;
Morris, Arnold? We really are not in the least&#13;
jealous. If the Americans think their team&#13;
better than ours, we cannot prevent them. We&#13;
will even bow to their opinion—in their company.&#13;
In our own, we look round us and we smile.&#13;
Insular conceit! No doubt the American&#13;
opinion is right. But, right or wrong, the truth&#13;
is that we are not in the least jealous of our&#13;
American brethren on that ground.&#13;
&#13;
Watter Brsant.&#13;
&#13;
 &#13;
&#13;
es&#13;
&#13;
FEVILLETON. |&#13;
&#13;
 &#13;
&#13;
His One Srory.&#13;
&#13;
T came out ten years ago. The author was a&#13;
young medico—general practitioner in a&#13;
little country town—the Red Lamp man.&#13;
&#13;
He bought the practice with the last few hundreds&#13;
of the thousand pounds with which he started. It&#13;
was not an extensive practice because the people&#13;
in that neighbourhood never had any illness and&#13;
never died. It was alarge district; there were a&#13;
good many people who looked to him as the only&#13;
doctor accessible ; he had a dog-cart and he drove&#13;
long distances to see his patients; but the income.&#13;
was small and the prospect was gloomy. To drive&#13;
along narrow lanes with lovely hedges on either&#13;
side, ina lovely country on errands of mercy would&#13;
seem anideal life. Butthe dog-cart costs money ;&#13;
the horse demands oats; the man himself wants&#13;
food and drink and tobacco; and the weather is&#13;
not always desirable for driving in a dog-cart.&#13;
However, the young man wenton; he was young;&#13;
he was strong; he was as yet unmarried; while&#13;
there is youth there is hope; something would&#13;
happen; something sometimes does happen to&#13;
some people; but rarely to the G. P. of a country&#13;
town; or to the vicar of a country parish—where&#13;
they find themselves, there they remain until the&#13;
end.&#13;
&#13;
Something happened to this young man. As&#13;
he drove along the lanes day after day, he became&#13;
possessed of a single thought which seized him,&#13;
held him, haunted him, and talked to him, so&#13;
that he no longer marked the flight of the birds&#13;
or the song of the skylark, or the cry of the corn-&#13;
crake, or the flowers in the hedge, or the corn in&#13;
the fields, or the passing of the seasons—he forgot&#13;
them all in order to listen to his thought. A great&#13;
thought it was; not that something might happen,&#13;
but that something was actually happening, and&#13;
to himself—something grand—something wonder-&#13;
ful—something unexpected—and to himself, the&#13;
simple, obscure Red Lamp man. :&#13;
&#13;
The strange part of the thing is, that this&#13;
young man had never before suffered in any way&#13;
from excess of imagination. He was eminently&#13;
a scientific young man. Had he experienced the&#13;
prickings and pullings, and shovings of the imagi-&#13;
native temperament, he would probably have&#13;
attributed the symptoms to gouty acidity, and&#13;
treated himself accordingly. It has now, we all&#13;
know, been acknowledged that a gouty tendency&#13;
is closely connected with the imaginative tempera-&#13;
ment. He had never essayed to write a poem, a&#13;
tale, or a play. He had never thought it possible&#13;
that he could write anything, except, perhaps—&#13;
a thing he sometimes contemplated—a treatise on&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR. ts&#13;
&#13;
some disease. And how could he do that in a&#13;
country town where there was no disease? ‘On&#13;
Longevity, as induced by habits of habitual in-&#13;
toxication,’ was a subject which he felt he could&#13;
tackle from his village experience. ‘On vice of&#13;
all sorts, accompanied by immunity from disease,”&#13;
he also felt himself becoming qualified to treat.&#13;
But that scientific essay, which should launch&#13;
his name upon the sea of fame, he felt that he&#13;
was growing daily less and less qualified to under-&#13;
take.&#13;
&#13;
Therefore, as he never expected to do imagina-&#13;
tive work, he suffered this thought to take posses-&#13;
sion of him without entertaining any suspicion,&#13;
and by the time that it held him tightly in its&#13;
grasp so that it could not be thrown off, he was&#13;
perfectly pleased and contented with it.&#13;
&#13;
Hiverybody must acknowledge that it was a&#13;
very fine, stimulating, elevating, noble thought&#13;
quite the kind of thought to prevent a young&#13;
G.P. in small practice from getting disheartened,&#13;
He imagined, in fact, that the unexpected had&#13;
happened to him. It—she—came in the shape&#13;
of a woman—young—beautiful—unknown—who&#13;
took lodgings at a farm-house, went nowhere but&#13;
to church, knew nobody, received no visits, was&#13;
apparently in easy circumstances, and _ received&#13;
no letters. She was the mysterious Maiden of&#13;
romance. Then she fell ill; then he was sent&#13;
for; then he won her confidence ; then she told&#13;
her story—oh! such a story—a story at the&#13;
telling of which every sword would leap of its&#13;
own accord out of the scabbard and jump about&#13;
like anything, flourishing and threatening ; then he&#13;
became her champion—and—and—but every story&#13;
told in this brief fashion is ridiculous. This story&#13;
shall not be so mutilated and destroyed. Suffice&#13;
it to say that the story was full of romance; as&#13;
full of romance as a story can be in these days,&#13;
which are supposed by people who have no ima-&#13;
gination to be unromantic. Now, after many&#13;
months during which this story filled the young&#13;
doctor’s brain, there came a time when he must&#13;
needs write it down. Remember that he had never&#13;
before thought of writing anything down. But&#13;
there comes a time when, if a man has such a&#13;
thought, he must write it down. He cannot&#13;
choose but write it down. If he refuses, his story&#13;
turns into bitterness and gall; it is worse than&#13;
gouty acidity ; it is worse than suppressed gout.&#13;
Suppressed novel is an obscure disease, never yet&#13;
treated at all, of which all that is known is that&#13;
it generally kills unless it maddens.&#13;
&#13;
The Doctor, therefore, wrote his story. Now the&#13;
hero was himself; he put himself into the pages ;&#13;
he put the whole of himself; he put the best of&#13;
hinself, but he did not hide the rest of himself.&#13;
Consequently, it was a magnificent character that&#13;
&#13;
 &#13;
&#13;
he drew. Magnificent, says the maxim, is truth.&#13;
And, though he little suspected it, he wrote a&#13;
very true, powerful, and striking story. It still&#13;
lives on the bookstall and still sells at the railway&#13;
station; it is a book which will remain a long&#13;
time ; perhaps it will not quite die for genera-&#13;
tions. When the story was finished there&#13;
followed a time of great flatness, because he had&#13;
cleared out his brain; no more visions remained&#13;
there ; no splendid thoughts were left; he had&#13;
nothing to think about; he drove about the lanes&#13;
as of old, listening to the birds, watching the&#13;
flowers, marking the passing of the season; and&#13;
he was horribly dull.&#13;
&#13;
Then he sent his story up to London. He&#13;
chose, as happens to the modest beginner, a&#13;
person of the baser sort for his publisher. This&#13;
man promptly wrote back to say that his reader&#13;
had reported so favourably of the work that he&#13;
was able to offer the following exceptional terms:&#13;
The author to pay a quarter of the cost of the&#13;
production, and to get a quarter of the profits;&#13;
the publisher to find the rest. ““P.S. The present&#13;
offers the best chance in the whole year for the&#13;
appearance of such a work.” The author’s quarter&#13;
share of the cost was set down at £75. The&#13;
Doctor scraped together the money.&#13;
&#13;
Now, though the publisher was a thief and a&#13;
rogue, though the fourth part of the cost should&#13;
have been £25 at the outside, though with the&#13;
returns the publisher cheated right and left, he&#13;
could not wriggle out of the fact that the work&#13;
was really a great success, and that he must send&#13;
some money to his client. Besides, it was politic.&#13;
In the first year, the doctor made £150 by his&#13;
work, and saw his way, as he thought, to a steady&#13;
little income. So far, good. Unfortunately&#13;
an old friend wrote to him; pointed out that he&#13;
was in the worst possible hands; that the man&#13;
who had written so good a book could write&#13;
another; that he had a name already; and that&#13;
if he would come to town, he would himself place&#13;
him in better hands. He obeyed; he went to&#13;
London; he resolved upon a literary career; he&#13;
sold his practice; he engaged to write a second&#13;
novel.&#13;
&#13;
* * * * *&#13;
&#13;
I met this ex-G. P. the other day; he was&#13;
standing among the secondhand bookshops in&#13;
Holywell-street. His appearance was seedy and&#13;
miserable to the last degree ; his face was dejected ;&#13;
his looks were hungry. For old acquaintance&#13;
sake I lent him what he asked. He left me and&#13;
entered a tavern. This poor man had but one&#13;
story to tell; he told it, and was cheated out of&#13;
it. He received a commission to write another,&#13;
and he failed ; his failure was dismal. For, you&#13;
see, he had put the whole of himself and the&#13;
&#13;
 &#13;
   &#13;
&#13;
   &#13;
&#13;
THE&#13;
&#13;
oo&#13;
i)&#13;
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Dorna AND SUFFERING: Memorials of Elizabeth and&#13;
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illustrations. Whittaker, White Hart Street, E.C.&#13;
7s. 6d.&#13;
&#13;
BrerHamM-Epwarps, M. France of To-day. A Survey,&#13;
comparative and retrospective. In 2 vols. Vol. 1.&#13;
Percival and Co., King Street, W.C. 7s. 6d.&#13;
&#13;
Buackpurn, Henry. Academy Notes, 1892. With&#13;
&#13;
illustration of the principal pictures at Burlington&#13;
House. Edited by. The New Gallery, 1892: a com-&#13;
plete illustrated catalogue of the summer exhibition&#13;
at the New Gallery, with notes. Chatto and Windus.&#13;
Paper covers. Is. each.&#13;
 &#13;
&#13;
THE&#13;
&#13;
Henry. The&#13;
Simpkin Marshall.&#13;
&#13;
Royal Academy. Bijou.&#13;
Paper covers. 6d.&#13;
&#13;
BLACKBURN,&#13;
Edited by.&#13;
&#13;
Book Prices Current. A record of the prices at which&#13;
books have been sold at auction from December, 1890,&#13;
to November, 1891. Vol. 5. Elliot Stock.&#13;
&#13;
Bourinot, J. G. Parliamentary Procedure and Practice :&#13;
with a Review of the Origin, Growth, and Operation of&#13;
Parliamentary Institutions in the Dominion of Canada.&#13;
Second edition, revised and enlarged. Sampson Low.&#13;
&#13;
Browntow, W. R.,M.A. Lectures on Slavery and Serfdom&#13;
&#13;
in Europe. Burns and Oates. 33s. 6d.&#13;
Catrp, Pror. Essayson Literature and Philosophy. Two&#13;
vols. James Maclehose and Sons, Glasgow. 8s. 6d.&#13;
&#13;
CaMPAIGN GuIDE, THE; an Election Handbook for&#13;
Unionist Speakers. Part I., Conservative and Unionist&#13;
Work. Part II., Election Problems. Prepared by a&#13;
committee of the Council of National Union of Conser-&#13;
vative Associations for Scotland. David Douglas,&#13;
Edinburgh. Simpkin, Marshall.&#13;
&#13;
CastLE, EGERTON. Schools and Masters of Fence, from&#13;
the Middle Ages to the end of the 18th Century, with a&#13;
complete bibliography and illustrations. A new and&#13;
revised edition. George Bell. 7s. 6d.&#13;
&#13;
CHURCHILL, LoRD RANDOLPH. Men, Mines, and Animals&#13;
in South Africa. By Sampson Low.&#13;
&#13;
CurirE, H. H. T. England’s Greatest National Sin.&#13;
Being selections and reflections on our Asiatic opium&#13;
policy and traffic. Elliot Stock. Paper covers.&#13;
&#13;
CONTRIBUTIONS TOWARDS A DICTIONARY OF ENGLISH&#13;
Boox CouuectTors, as also of some foreign collectors&#13;
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of Nuremberg (1470-1530). Bernard Quaritch. Paper&#13;
covers, Is. 6d.&#13;
&#13;
Corron, J. S. Mountstuart Elphinstone, and the Making&#13;
of South-Western India. (Rulers of India Series,&#13;
edited by Sir W. W. Hunter.) At the Clarendon Press,&#13;
Oxford. 2s. 6d.&#13;
&#13;
CROCKFORD’S CLERICAL Directory for 1892. Horace&#13;
&#13;
Cox, Bream’s Building’s, H.C. 15s.&#13;
&#13;
Curzon, L. Henry. A Mirror of the Turf; or, the&#13;
Machinery of Horse Racing Revealed, showing the&#13;
Sport of Kings as it is to-day. Chapman and Hall.&#13;
8s.&#13;
&#13;
Durry, Sir C. Gavan. A Fair Constitution for Treland.&#13;
Second edition. With an appendix containing the&#13;
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on the proposal. Sampson Low. Paper covers.&#13;
&#13;
The Question of Silver. Questions of&#13;
G. P. Putnam’s Sons, Bedford Street.&#13;
&#13;
ExricH, Louis.&#13;
the Day Series.&#13;
38.&#13;
&#13;
EncGuiisH Botany; or Coloured Figures of British Plants.&#13;
Supplement to the Third edition. Part I. (Orders 1-22)&#13;
George Bell and Sons. 53.&#13;
&#13;
EPHRAEMSON, JuLIUS. Colonel Howard Vincent, M.P.,&#13;
and his United Empire Trade League: a reply. Second&#13;
edition. Brear and Co., Bradford. Paper covers, 3d.&#13;
&#13;
AUTHOR.&#13;
&#13;
33&#13;
&#13;
Evans, Joun. Posy-Rings; a Friday evening discourse at&#13;
the Royal Institution of Great Britain, March 25, 1892.&#13;
Longmans. Paper covers, 6d.&#13;
&#13;
Farrar, F. W. Darkness and Dawn, or Scenes in the Days&#13;
of Nero. A historic tale. Third edition. Longmans.&#13;
7s. Od.&#13;
&#13;
Fietpine, Henry. The Journal of a Voyage to Lisbon.&#13;
With Introduction and Notes by Austin Dobson.&#13;
Charles Whittingham and Co., the Chiswick Press.&#13;
qs. 6d. and 153s.&#13;
&#13;
Fovur1ntuéE, ALFRED. Education from a National Stand-&#13;
point. Translated and edited, with a preface, by W. J.&#13;
Greenstreet, M.A. International Education Series.&#13;
Edward Arnold. 7s. 6d.&#13;
&#13;
FRoupE, JAMES ANTHONY.&#13;
Armada, and other Essays.&#13;
&#13;
The Spanish Story of the&#13;
Longmans. 12s.&#13;
&#13;
GALE, Caprain W. A. Professional Papers of the Corps&#13;
of Royal Engineers. Edited by. Occasional Papers.&#13;
Vol. XVII., 1891. Mackay and Co., Chatham.&#13;
&#13;
GARDINER, B. W. Royal Blue Book.&#13;
tory and Parliamentary Guide.&#13;
dish Square. 5s.&#13;
&#13;
Fashionable Direc-&#13;
Princes Street, Caven-&#13;
&#13;
of Comfort :&#13;
Compiled by. Seeley,&#13;
&#13;
GIBERNE, AGNES. Beside the Waters&#13;
Thoughts from many minds.&#13;
Essex Street, Strand.&#13;
&#13;
Goutr. A weekly record of ‘‘ Ye Royal and Auncient ”’ Game.&#13;
Vol. iii. Golf Office, Copthall Avenne.&#13;
&#13;
GRADUALE SARISBURIENSE : fac-similes of the first half of&#13;
the MS. in the British Museum. Three hundred copies&#13;
printed. Bernard Quaritch—for the Plainsong and&#13;
Medixyval Music Society.&#13;
&#13;
Grey, Earu. The Commercial Policy of the British Colo-&#13;
&#13;
nies and the McKinley Tariff. Macmillan. Paper&#13;
covers, Is.&#13;
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&#13;
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tions, and numerous tables. Hazell, Watson, and Viney,&#13;
Creed Lane.&#13;
&#13;
HiILiiArp, Henry W. LL.D. Politics and Pen Pictures at&#13;
home and abroad. G. P. Putnam’s Sons, Bedford&#13;
Street. 12s. 6d.&#13;
&#13;
Houe, Dean. A Little Tour in Ireland.&#13;
with illustrations by John Leech.&#13;
Arnold, 37, Bedford Street, W.C.&#13;
&#13;
Hout, Dean. A Book about the Garden and the Gardener.&#13;
Edward Arnold. 6s.&#13;
&#13;
By an Oxonian,&#13;
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&#13;
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&#13;
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&#13;
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&#13;
 &#13;
 &#13;
&#13;
   &#13;
&#13;
16 THE&#13;
&#13;
woman of his dreams into his first book, and he&#13;
had nothing else to put; a man has got only one&#13;
self; to such a man as this comes but one vision&#13;
of a divine woman. Yet a man may fail once in&#13;
literature ; of such failures there are many, even of&#13;
good men. He was tried again—and a fourth time.&#13;
But it was no use. He had but one story to tell,&#13;
and he had told it. And how he lived; by what&#13;
shifts; and how low he sank; and into what&#13;
companionship he fell; and in what ditch -he will&#13;
die—nay—in what hospital he will die—all these&#13;
things belong to the undiscovered chronicles: the&#13;
Book of the Things Left Out.&#13;
&#13;
es&#13;
&#13;
THE LITERARY HANDMAID OF THE&#13;
CHURCH.&#13;
&#13;
 &#13;
&#13;
of May last. It was im St. James’s Hall,&#13;
and it has been, for some unknown reasons,&#13;
imperfectly reported. Neatly attired in a dress&#13;
of grey nun’s cloth, with a white cap and a high&#13;
white apron, and having a gold cross hanging&#13;
from her neck, her face still apparently in its first&#13;
youth, comely as Jerusalem, beautiful as Tirzah,&#13;
the Rose of Sharon, the Lily of the Valley, even&#13;
as the Lily among Thorns, stood before them&#13;
all, the Literary Handmaid of the Church. But&#13;
her eyes were red with weeping, and her cheek&#13;
was ashamed and aflame, and she bowed her head,&#13;
and thus she spoke, whispering and sobbing:&#13;
“‘ Hear me, my brothers, hear me! I have done evil&#13;
in the face of all the world, because I have loved&#13;
money rather than righteousness, because, always&#13;
to get more and more money, I have sweated the&#13;
helpless and had no pity for the needy; because I&#13;
have taken the work, the toil of the head and&#13;
the hand, from the poor gentlewoman who cannot&#13;
somplain, from the poor author who dares not&#13;
complain, and have given them back, not what&#13;
should be theirs by right, but a miserable dole&#13;
and a scanty pittance, and bade them go work&#13;
again for less. Yea, I have gained threefold,&#13;
fourfold, tenfold, of what I gave them, and I&#13;
repented not, but still grew greedier and more&#13;
cruel, and harder and more unjust. As the&#13;
needlewoman is sweated by her master, so have&#13;
my company of authors been sweated by me—by&#13;
the Literary Handmaid of the Church—yes—&#13;
pious women, and godly, full of Christian graces,&#13;
I have sweated them; I have sweated them!&#13;
Woe is me!” She bowed her head, and wept&#13;
before them all. Then she fell upon her knees.&#13;
“ Forgive me,” she cried ; “ I will no longer be&#13;
a sweater. Help me, you who know, help me in&#13;
&#13;
Sr held a public meeting on Friday, the zoth&#13;
&#13;
 &#13;
&#13;
AUTHOR.&#13;
&#13;
the cause of righteousness—help me to repentance.&#13;
What matter though we found bishoprics and&#13;
distribute tracts if the money has been made by&#13;
the sweat and the groans, and the labour of those&#13;
who work for us? The Lord will enter into&#13;
judgment with the ancients of His people—even&#13;
with us—for the spoil of the poor isin our House.&#13;
Therefore let us hasten to make reparation ; let&#13;
us give back all that we have wrongfully kept ;&#13;
let us deal righteously with our workers, even&#13;
though we issue few Bibles and build no Sunday-&#13;
schools at all. To what purpose is the multitude&#13;
of Bibles? It is written, “Put away the evil&#13;
of your doings; seek judgment; relieve the&#13;
oppressed; plead for the widow. My brothers,&#13;
I have sinned!”&#13;
&#13;
So she bowed her face to the ground, weeping&#13;
and crying. And all the people lifted up their&#13;
voices, and wept with her. And they arose and&#13;
took the Princes, even those who stood on a high&#13;
place around the Handmaid, and thrust them&#13;
forth from the gates, crying, “ Woe unto you&#13;
that call evil good, and good evil! That put&#13;
bitter for sweet, and sweet for bitter!” And&#13;
when they turned them again, lo! the Handmaid&#13;
of the Church stood upright once more, and her&#13;
face shone with light, and she sang aloud her joy&#13;
&#13;
- because she had put away her sweating, and&#13;
&#13;
chosen righteousness. And all the people rejoiced&#13;
with her, and they sang hymns and praises, with&#13;
thanksgiving.&#13;
&#13;
spect&#13;
&#13;
 &#13;
&#13;
IN THE NAME OF THE PROPHET—GLOVES.&#13;
&#13;
SS&#13;
&#13;
HE following letter has been sent to the&#13;
Prophet. It is mortifying to relate that&#13;
he received it in an uncongenial and un-&#13;
&#13;
sympathetic spirit. He even sent back the box of&#13;
gloves which it contained with a cold, curt,&#13;
unkind refusal to advertise the glove man in&#13;
the way suggested. Yet surely it was a most&#13;
liberal offer. An author—a mere Grub Street&#13;
man—actually refuses a box of expensive gloves,&#13;
offered him for nothing! Why, although his&#13;
daughters may be unaccustomed to kid, and&#13;
better acquainted with thread, he might at least&#13;
have sold them to his kind and generous patron,&#13;
the publisher! Absurd! In this paper we must&#13;
publicly apologise to the glove man for the rude-&#13;
ness of the author. Of course the enterprising&#13;
merchant only behaved as anybody else would&#13;
have done. The whole world knows how hard up&#13;
weare. Anauthor is of no account. However,&#13;
let him try again. All Grub Street is open to him.&#13;
The others will perhaps behave quite differently.&#13;
And think of the advertisement! Copies of his&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR. 17&#13;
&#13;
books to lie about the glove man’s beautiful show&#13;
rooms.&#13;
&#13;
© A. B., Hse.&#13;
‘“ DEAR SIR,&#13;
&#13;
‘“‘T am taking the liberty of forwarding a&#13;
sample or two of my gloves, and shall esteem it&#13;
a favour if you will allow a lady friend or two to&#13;
try them (I will, of course, exchange them for any&#13;
other size, if these sent should not happen to be&#13;
right), and if you are pleased with their fit, &amp;C.,&#13;
you perhaps might have an opportunity of bring-&#13;
ing in my name when writing some of your new&#13;
works, as being a meeting-place in London for&#13;
ladies, which is really so, my show-rooms on the&#13;
first floor, where all the Paris, Vienna, Brussels,&#13;
and other foreign makes of gloves, fans, &amp;c., are&#13;
kept, i3 frequently crowded with the very best of&#13;
London Society.&#13;
&#13;
“T was reading one of your books when this&#13;
thought occurred to me that it would give a tone&#13;
of reality to the reading, the name and address of&#13;
my house being so well known.&#13;
&#13;
“Should you be pleased to give this suggestion&#13;
athought, I shall be happy to show you my rooms&#13;
and the class of goods also. If you called at a&#13;
busy time of day, you could then form your own&#13;
opinion as to the class of ladies patronising my&#13;
place, and on my side, I shall be pleased to supply&#13;
you with one dozen pairs of any kind of gloves&#13;
you might think fit to select, and will also keep&#13;
some of the books laying about the show-room.&#13;
&#13;
“ T am, dear Sir,&#13;
“ Faithfully yours,&#13;
eG).&#13;
&#13;
The following is the cruel reply referred to&#13;
above :&#13;
&#13;
“Mr. A. B. begs to return the parcel of gloves&#13;
sent by Mr. C. D. Mr. A. B. must beg to be&#13;
excused from advertising himself or Mr. C. D.&#13;
in the fashion suggested in Mr. C. D.’s letter of&#13;
the 16th instant.”&#13;
&#13;
 &#13;
&#13;
oe&#13;
&#13;
We live in deeds, not years; in thoughts,&#13;
not breaths ;&#13;
&#13;
In feelings, not in figures on a dial.&#13;
&#13;
We should count life by heart-throbs. He&#13;
most lives&#13;
&#13;
Who thinks most, feels the noblest, acts the&#13;
best.&#13;
&#13;
Batuey.&#13;
&#13;
VOL, III.&#13;
&#13;
SHAKESPEARE OR BACON.&#13;
&#13;
 &#13;
&#13;
HE following lines were spoken by Mr.&#13;
Joseph Jefferson, the comedian, ata lecture&#13;
in “ Dramatic Art” given at Yale College,&#13;
&#13;
New Haven, on April 27th. They are taken&#13;
from the New York Critic of May 7th.&#13;
&#13;
The question’s this, if I am not mistaken,&#13;
&#13;
“Did William Shakespeare or did Francis Bacon,&#13;
Inspired by genius and by learning too,&#13;
&#13;
Compose the wondrous works we have in view ?”&#13;
The scholar Bacon was a man of knowledge,&#13;
&#13;
But inspiration isn’t taught at college.&#13;
&#13;
With all the varied gifts in Will’s possession&#13;
The wondering world asks, ‘‘ What was his profession?”&#13;
He must have been a lawyer, says the lawyer ;&#13;
He surely was a sawyer, says the sawyer ;&#13;
&#13;
The druggist says, of course he was a chemist ;&#13;
The skilled mechanic dubs him a machinist ;&#13;
&#13;
The thoughtful sage declares him but a thinker,&#13;
And every tinman swears he was a tinker.&#13;
&#13;
And so he’s claimed by every trade and factor ;—&#13;
Your pardon, gentlemen, he was an actor !&#13;
&#13;
And if you deem that I speak not aright,&#13;
&#13;
Tl prove it to you here in black and white,&#13;
&#13;
Not by the ink of modern scribes, you know,&#13;
&#13;
But by the print of centuries ago;&#13;
&#13;
For he was cast in Jonson’s famous play,&#13;
&#13;
And acted Knowell on its first essay.&#13;
&#13;
The buried King of Denmark at the Globe&#13;
&#13;
He played with Burbage in his sable robe,&#13;
&#13;
And good old Adam must not be forgot&#13;
&#13;
In “ As You Like It,” yes—or “‘as you like it not.”&#13;
If Bacon wrote the plays, pray, tell me then&#13;
Were all the wondrous sonnets from his pen&#13;
&#13;
Did Bacon, he himself a versifier,&#13;
&#13;
Resign these lovely lays and not aspire&#13;
&#13;
To be their author? Lay them on the shelf&#13;
&#13;
And only keep the bad ones for himself ?&#13;
&#13;
The argument against us most in vogue&#13;
&#13;
Is this, that William Shakespeare was a rogue—&#13;
His character assailed, his worth belied,&#13;
&#13;
And every little foible magnified.&#13;
&#13;
We know that William, one night after dark,&#13;
Went stealing deer in lonely Lucy Park,&#13;
&#13;
We also know Lord Bacon oft was prone,&#13;
&#13;
To take another’s money for his own.&#13;
&#13;
Now come, deal fairly, tell me which is worse,&#13;
To poach a stag or steal another’s purse ?&#13;
&#13;
Lord Bacon did confess to his superiors,&#13;
&#13;
That he had taken bribes from his inferiors.&#13;
From his own showing, then, it will be seen&#13;
That he both robbed his country and his queen,&#13;
A kind of aldermanic Yankee Doodle,&#13;
&#13;
Who cherished what we understand as boodle.&#13;
So if good character is to be the test of it,&#13;
&#13;
Tt seems to me that William has the best of it.&#13;
&#13;
If Shakespeare was so poor a piece of stuff,&#13;
How is it Bacon trusted him enough&#13;
To throw these valued treasures at his feet&#13;
And not so much as ask for a receipt?&#13;
Such confidence is almost a monstrosity,&#13;
And speaks of unexampled generosity.&#13;
Oh, liberal Francis, tell us why we find&#13;
Pope calling thee the ‘“‘ meanest of mankind” P&#13;
Cc&#13;
&#13;
 &#13;
 &#13;
&#13;
   &#13;
 &#13;
&#13;
18&#13;
&#13;
But now to Shakespeare let us turn, I pray,&#13;
And hear what his companions have to say.&#13;
First, then, Ben Jonson, jealous of Will’s wit,&#13;
Paid tribute when his epitaph he writ.&#13;
If other proofs are wanting than rare Ben’s&#13;
We will consult forthwith a group of friends.&#13;
Awake! Beaumont and Fletcher, Spenser, Rowe,&#13;
Arise ! and tell us, for you surely know:&#13;
Was, or was not, my client the great poet?&#13;
And if he wasn’t, don’t you think you’d know it?&#13;
These, his companions, brother playwrights, mind,&#13;
Could they be hoodwinked? Were they deaf or blind ?&#13;
I find it stated, to our bard’s discredit—&#13;
The author of the Cryptogram has said it—&#13;
That Shakespeare’s tastes were vulgar and besotted,&#13;
And all his family have been allotted&#13;
To herd and consort with the low and squalid ;&#13;
But whence the proof to make this statement valid P&#13;
They even say his daughter could not read ;&#13;
Of such a statement I can take no heed,&#13;
Except to marvel at the logic of the slight;&#13;
So, if she couldn’t read—he couldn’t write ?&#13;
Your statements are confusing, and as such&#13;
You’ve only proved that you have proved too much.&#13;
The details of three hundred years ago&#13;
We can’t accept, because we do not know.&#13;
The general facts we are prepared to swallow,&#13;
While unimportant trifies beat us hollow.&#13;
We know full well&#13;
That Nero was a sinner,&#13;
But we can’t tell&#13;
&#13;
What Nero had for dinner.&#13;
Now, prithee, take my hand, and come with me&#13;
To where once stood the famous mulberry tree.&#13;
Then on to Stratford Church, here take a peep&#13;
At where the “‘ fathers of the hamlet sleep.&#13;
They hold the place of honour for the dead,&#13;
The family of Shakespeare at the head.&#13;
Before the altar of this sacred place&#13;
They have been given burial and grace.&#13;
Your vague tradition is but a surmise ;&#13;
The proof I offer is before your eyes.&#13;
&#13;
And oh, ye actors, brothers all in Art,&#13;
&#13;
Permit me just one moment to depart&#13;
&#13;
From this my subject, urging you some day&#13;
&#13;
To seek this sacred spot, and humbly pray&#13;
&#13;
That Shakespeare’s rage toward us will kindly soften.&#13;
Because, you know, we’ve murdered him so often.&#13;
&#13;
I ask this for myself, a poor comedian :&#13;
&#13;
What should I do had I been a tragedian ?&#13;
&#13;
I could pile up a lot of other stuff,&#13;
&#13;
But I have taxed your patience quite enough;&#13;
In turning o’er the matter in my mind,&#13;
&#13;
This is the plain solution that I find:&#13;
&#13;
It surely is—“ whoe’er the cap may fit ”»—&#13;
Conceded that these wondrous plays were writ.&#13;
So if my Shakespeare’s not the very same,&#13;
&#13;
It must have been another of that name.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
spec&#13;
&#13;
13&#13;
&#13;
14.&#13;
15.&#13;
16,&#13;
17.&#13;
18,&#13;
&#13;
a)&#13;
&#13;
20.&#13;
21.&#13;
22.&#13;
23.&#13;
24.&#13;
25.&#13;
26.&#13;
27.&#13;
28.&#13;
&#13;
29.&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
MIXED MAXIMS.&#13;
&#13;
 &#13;
&#13;
. As a human being, no one is unique; as&#13;
&#13;
an individual, every one must be.&#13;
&#13;
. Pessimism is debased phantasy; poetry is&#13;
&#13;
glorified vitality.&#13;
&#13;
. An harmony between natural verity, fact,&#13;
&#13;
and artificial fallacy is often miscalled&#13;
“mystery.”&#13;
&#13;
. Chivalry is the mother-spirit in man.&#13;
. Strength without chivalry is near akin to&#13;
&#13;
devilry.&#13;
&#13;
. “The age of chivalry” is a matter of&#13;
&#13;
temperament, not of tense.&#13;
&#13;
. Romance is not behind, but within.&#13;
&#13;
. Realised ideals are always the lower ones.&#13;
&#13;
. Humility is the highway to nobility.&#13;
&#13;
. The best tense—the perfect tense—lies in&#13;
&#13;
the future.&#13;
&#13;
. Selfishness is the soul of sin.&#13;
. Motherliness, any more than selfishness, is&#13;
&#13;
not a matter of sex.&#13;
&#13;
Truth is the shell of the universe; love is&#13;
its soul.&#13;
&#13;
Better an untruth “in love” than the truth&#13;
in selfishness.&#13;
&#13;
Spitefulness apes truthfulness when used&#13;
against the other man.&#13;
&#13;
Satire strives to alleviate what cynicism&#13;
cares only to accentuate.&#13;
&#13;
Heartless humour is as worthless as is head-&#13;
less wit.&#13;
&#13;
Pure wit is rare as genius; true humour&#13;
varied as human hearts.&#13;
&#13;
Sympathy with vice sometimes poses as&#13;
charity for the vicious.&#13;
&#13;
As love inspires the purest sanctity, so&#13;
genius implies the rarest sanity.&#13;
&#13;
Providence provides opportunity ; man must&#13;
supply capacity.&#13;
&#13;
There is no such thing as a true lovers’&#13;
quarrel.&#13;
&#13;
Jealousy is a soul-eclipse, when earthy self&#13;
comes between.&#13;
&#13;
Love never entered a divorce court, for it&#13;
never degraded.&#13;
&#13;
In a perfect life love is not lieutenant but&#13;
general.&#13;
&#13;
The higher the woman the more of the&#13;
child.&#13;
&#13;
Womanly women elevate, while womanish&#13;
women deteriorate.&#13;
&#13;
A good daughter makes a better wife and a&#13;
best mother.&#13;
&#13;
Harmony makes the divinity of marriage as&#13;
of music.&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR. 19&#13;
&#13;
30. Love owes nothing to any order of man; it&#13;
&#13;
is the order of the universe.&#13;
PHINLAY GLENELG.&#13;
&#13;
ee&#13;
&#13;
ODE TO SLEEP.&#13;
&#13;
——S—-_&#13;
&#13;
I.&#13;
&#13;
A shadow thou upon some shadowy strand !&#13;
Thine is a starlit land.&#13;
Far,—very far away !&#13;
&#13;
A lotus-land of blissfulness and balm,&#13;
Where reigns an endless calm,&#13;
And all is dim and grey.&#13;
&#13;
2.&#13;
&#13;
There on a couch with slumbrous poppies spread,&#13;
Thou pillowest thy head,&#13;
And noddest in the gloom !&#13;
The drowsy nightshade ever slumbers there&#13;
And aconite may dare&#13;
Put forth its purple bloom!&#13;
&#13;
3.&#13;
In the dead silence art thou weaving still,&#13;
Weaving for good or ill,&#13;
Those unimagined dreams&#13;
Which mortals know when they shall take their rest,&#13;
Called at thy sweet behest,&#13;
To lie by Lethe’s streams!&#13;
&#13;
4.&#13;
&#13;
For when our hemisphere has lost its sun, :&#13;
When the day’s toil is done—&#13;
A hush o’er land and sea—&#13;
&#13;
Then, dost thou range this tired world again,&#13;
To carry in the train&#13;
The spirits loved by thee!&#13;
&#13;
5.&#13;
Then, armed with poppies, and blue aconite,&#13;
And mandrake creamy white,&#13;
Thou summonest thine own!&#13;
Thou leadest them thro’ glimm’ring weedless ways&#13;
To thread the dreamer’s maze&#13;
Of labyrinths unknown.&#13;
&#13;
6.&#13;
&#13;
The son of labour feels thy wings, O Sleep&#13;
Above his pallet sweep&#13;
And knows his heaven is nigh!&#13;
&#13;
But yonder monarch on his bed of down,&#13;
Despite his jewelled crown,&#13;
Thou proudly passeth by !&#13;
&#13;
F. B. Doveton.&#13;
&#13;
NOTES FROM PARIS.&#13;
&#13;
ITH what a sigh of relief must Emile&#13;
\ \ Zola have laid down his pen, three or&#13;
four days ago, after writing the word&#13;
“ Finis” at the endof La Débacle, a story which,&#13;
as he has often told me, has given him more&#13;
trouble and exacted more toil than any other of&#13;
his books. I would have given a good deal to see&#13;
that laying down, and to have had a Kodak with&#13;
me. I will wager it was not calmly done, and can&#13;
fancy the nervous little man dashing his quill not&#13;
unviciously on to the floor, with an “Ouf” and&#13;
an ‘‘ Enfin.” He is always m a rage against his&#13;
work as he works. In L’@wvre he has described&#13;
&#13;
his feelings towards the productions of his pen.&#13;
&#13;
&lt;&lt;&lt; Ss&#13;
&#13;
That contradiction of feelmgs which is one of&#13;
the principal sources of human unhappiness,&#13;
manifests itself im us authors most vividly before&#13;
and after this writing of the word “ Finis.” How&#13;
anxiously looked forward to a consummation,&#13;
with what relief and gladness effected, and then&#13;
a reaction comes, and one feels as one who has&#13;
bid farewell to a dear friend, as a mother must&#13;
feel who has borne a child in her arms for long&#13;
hours, and who, having set it down and let it go,&#13;
regrets the sweet aching and frets against the&#13;
unwelcome relief.&#13;
&#13;
 &#13;
&#13;
I was much amused the other day, in turning&#13;
over the leaves of a German magazine, which has&#13;
done me the honour of publishing a novel of&#13;
mine in German translation, to see that the trans-&#13;
lator had altered my dénouement, and with it the&#13;
whole import of my story. He makes my hero&#13;
commit suicide, who, by my authority, was left&#13;
thriving. This upset in toto the solution of the&#13;
psychological problem I had worked out. The&#13;
German publishers doubtless thought that having&#13;
paid their money they might take their choice as&#13;
to the ultimate disposal of my hero. I considered&#13;
it “ cheek.”&#13;
&#13;
Se&#13;
&#13;
It is, however, the sort of “ cheek ” that authors&#13;
whose books are reproduced abroad must get&#13;
used to. The American pirates, for instance,&#13;
seem to consider one’s work much as cooks con-&#13;
sider a piece of meat—a dish to be set to the&#13;
sauce which shall most tickle their customer’s&#13;
palates. Not only do they change titles, but they&#13;
revise and often rewrite parts of the text. Your&#13;
child comes back to you, often unrecognisable, as&#13;
though it had passed through the hands of those&#13;
Spanish manufacturers of monstrosities about&#13;
which Hugo wrote in “ L’ Homme Qui Rit.”&#13;
&#13;
 &#13;
 &#13;
&#13;
  &#13;
&#13;
   &#13;
&#13;
20&#13;
&#13;
Hugo’s executors state that in their belief the&#13;
Guernsey diary of the master, which was reported&#13;
to have been found recently, is a ‘fake,’ was&#13;
never written by Hugo, but at most by some&#13;
fellow exile, Boswell to his Johnson. I don’t&#13;
think Hugo was the man to keep a diary, for&#13;
he had other uses for his daily thoughts.&#13;
&#13;
 &#13;
&#13;
I was Hugo’s next-door neighbour in Guernsey&#13;
years ago, living in the house adjoining Haute-&#13;
ville House. Our gardens were side by side. I&#13;
was a lad. The poet had excellent plums. A&#13;
pen fastened to a fishing-rod did the trick. So&#13;
differently did Youth on one side and Old Age&#13;
on the other side of a garden-wall employ the&#13;
instrument which is mightier than the sword.&#13;
Hugo, by the way, used to work in a kind of&#13;
conservatory on the top of his house, and scan-&#13;
dalised the old maids of Hauteville, in the hot&#13;
weather, by divesting himself—when in the&#13;
fever of composition—of most of his garments.&#13;
&#13;
—&lt;—&#13;
&#13;
In England the man who has written a book,&#13;
unless this has been a commercial success, is&#13;
considered rather an ass, and will hide the fact&#13;
rather than make it known. The contrary is the&#13;
case in France. To have published a book, no&#13;
matter whether ten or ten thousand copies of it&#13;
were ‘“‘ taken up,” is to a man’s credit—gives him&#13;
a status and consideration. Many pass their&#13;
lives, satisfied with the dim aureole “ d’avoir été&#13;
édité,” round their heads. It is as good—in the&#13;
literary cafés and circles—as the violet ribbon in&#13;
the button-hole. In France the littérateur is not&#13;
judged like the soap-merchant, by pecuniary&#13;
results, and owes his gloriole to the mere fact&#13;
that he has, or thinks he has, something to say.&#13;
&#13;
—&#13;
&#13;
We are constantly reading—and, some of us,&#13;
writing—about the misdeeds and dishonesty of&#13;
American pirates. But what about the reverse&#13;
of the medal? Is it not a fact that American&#13;
authors are shamefully plundered by English&#13;
publishers? Do not scores of English journals&#13;
annex without acknowledgment—and it goes&#13;
without saying without compensation in any&#13;
form —all the best work of the American&#13;
periodical press? Soyons justes.&#13;
&#13;
 &#13;
&#13;
One of the weirdest of our confréres in Paris is&#13;
an old Polish nobleman, against whom Fortune&#13;
has been hard-hearted, and who may be seen all&#13;
day long at the Café de la Paix, working with&#13;
&#13;
THE AUTHOR.&#13;
&#13;
 &#13;
&#13;
de quoi écrire, at one of the marble tables in the&#13;
end room. A mazagran of coffee is always at his&#13;
elbow. His productions are pamphlets of hu-&#13;
manitarian tendency, and are couched in Russian&#13;
of great colour and vigour. His output is enor-&#13;
mous, and as he publishes at his own expense, he&#13;
has doubtless a large public. Each pamphlet&#13;
consists of three pages, and is tariffed at a franc.&#13;
But the great of this world, from the Emperor of&#13;
China to the Governor-General of Odessa, receive&#13;
his works gratis through the post.&#13;
&#13;
 &#13;
&#13;
I read something the other day in an English&#13;
paper about Jules Verne being a great walker and&#13;
athlete. Verne, asamatter of fact, is practically&#13;
a cripple. Two or three years ago, he suddenly&#13;
received a visit from a nephew of his, who, after&#13;
a hasty “ Bonjour, mon oncle,” drew out a revol-&#13;
ver, and blazed away at him. One bullet hit&#13;
Verne in the leg, and he has been lame ever since.&#13;
The nephew, who is now living in a lunatic&#13;
asylum, afterwards explained that he was anxious&#13;
to see his uncle a member of the French Academy,&#13;
and that he had done what he had done in order&#13;
to attract attention and sympathy to his beloved&#13;
relative.&#13;
&#13;
 &#13;
&#13;
Francois Coppée, like Dumas, has shaken the&#13;
dust off his feet on to Paris. He has retired a la&#13;
campagne, not to plant cabbage, but to write in&#13;
peace and quiet. Happy Frangois. He has found&#13;
a beautiful old-world house at Brunoy, with a big&#13;
garden, and fields and trees all around. May the&#13;
tender-hearted poet be happy here. He is one of&#13;
the most sympathetic figures in contemporary&#13;
literature. He has the great quality of heart in&#13;
days when we all cultivate our gall-bags with the&#13;
zeal with which the Strasburg goose-breeder culti-&#13;
vates the livers of his flock. He is sweet, and&#13;
tender, and gentle, and though he dons a red&#13;
flannel shirt when he writes, as unaffected and&#13;
natural as a village child.&#13;
&#13;
 &#13;
&#13;
Pailleron’s Tuesday dinners for men only are&#13;
functions, to be present at which should be the&#13;
desire of all who want to taste at the fountain&#13;
head that sparkling brewage which we call&#13;
Parisine—a tonic bitter, but delightfully refresh-&#13;
ing draught. Pailleron is all sparkle. His&#13;
repartee is now couched in faubourg slang and&#13;
crushes like a sledge hammer, now academic with&#13;
the sting of a rapier. His great hatred is&#13;
against the world of professors. Old Sorbonne&#13;
never had a more bitter foe. Get him to talk&#13;
about the sages who write for the serious review,&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
70H AUTHOR. 24&#13;
&#13;
and you will hear satire as you could like to hear&#13;
it spoken.&#13;
&#13;
Alexis Bouvier is dead. I can imagine the con-&#13;
temptuous shoulder-shiuggings with which this&#13;
item of news was dismissed in the literary cafés&#13;
of Paris. No matter that he died broken down&#13;
after a stagnation of two year’s duration, an&#13;
unhappy man, whose last months were dragged&#13;
out on the proceeds of a recent charity sale. He&#13;
wrote for money, the unpardonable act of the&#13;
writer in France. He had animmense public and&#13;
delighted them with blood-curdling feuilletons,&#13;
He did it for a living and died, without reputation,&#13;
in the shadow of starvation. I can imagine nothing&#13;
sadder than the last moments of a man of letters&#13;
who has not chosen the good part, who has gone&#13;
for money and who has failed. Chatterton died&#13;
of arsenic in his garret. It was very sad, but&#13;
how much sadder would it have been, if, instead&#13;
of falling a victim to his pride and belief in him-&#13;
self, he had come to die inthe same way and in&#13;
the same place, after trying his best to make&#13;
money, by using his pen, not as his fancy and&#13;
ideal directed, but at the dictates of the public&#13;
and the publishers. Play for a high stake and&#13;
lose. Tant pis, one pays withoutregret But to&#13;
be beaten, ruined at shove-halfpenny! Poor&#13;
Alexis Bouvier, whom Providence held on this&#13;
side of the frontier of that Promised Land towards&#13;
which the eyes of all authors are always turned !&#13;
&#13;
Paris, May 20. Rozert H. SHERARD.&#13;
&#13;
oe&#13;
&#13;
TO MUSIC.&#13;
&#13;
 &#13;
&#13;
Tones of a dying chord whose mellow strain&#13;
Burst into deepfelt music on mine ear,&#13;
Song whose fine melody thrills through me, hear&#13;
What your pulsations bring, relief from pain,—&#13;
Hail! minstrels of the air when I would fain&#13;
Sleep in the dim unconsciousness of care&#13;
That drowns the musings of a wayward lyre&#13;
Of weariness, a heart sick, world tired brain.&#13;
&#13;
Ah! Music, Music lend your minstrelsy,&#13;
And lull me into soft, subduing sleep,&#13;
Like some poor helpless babe that restless lies&#13;
Soothed by its mother’s loving lullaby,&#13;
And when my last hour comes, come song and keep&#13;
Sweet fellowship with one who with thee dies.&#13;
&#13;
AntTHONY RUDYERD.&#13;
&#13;
os&#13;
&#13;
THE JEW IN LITERATURE.&#13;
&#13;
 &#13;
&#13;
HE following address was delivered by Mr.&#13;
&#13;
Hall Caine as the guest of the new Jewish&#13;
&#13;
: community, “‘ The Maccabeans,” at a dinner&#13;
&#13;
at St. James’s Restaurant, Piccadilly, on the 10th&#13;
&#13;
ult., and is reproduced by permission of the&#13;
author. Mr. Caine said :—&#13;
&#13;
“The position of the Jew in literature is a&#13;
theme so full of suggestion that it is astonishing&#13;
that more has not been made of it. There are, at&#13;
least, two aspects which it might be regarded:&#13;
First, the Jew as a creator of literature; and&#13;
then, the Jew as the subject of it. Both points&#13;
of view would be full of surprises. On the one&#13;
hand we find an early Hebraic literature showing&#13;
a literary genius which is perhaps not to be&#13;
equalled by that of any other race. It may be&#13;
that no Jew can ever allow himself to look at the&#13;
great literature of his literary fathers with an eye&#13;
so cold, and in a light so dry as this, but I want&#13;
your indulgence while I say that the Old Testa-&#13;
ment writings, as we have got them, contain some&#13;
of the most perfect stories in the literature of the&#13;
world. Separated from its spiritual and historical&#13;
significance, regarded merely as a literary entity,&#13;
purely as a group of characters and incidents, I&#13;
do not know anything to compare in beauty,&#13;
pathos, picturesqueness, tragic power, and subli-&#13;
mity with (may I use the word without offence)&#13;
the novel, the romance which tells of the sojourn&#13;
of the Israelites in Egypt, beginning with the sell-&#13;
ing of Joseph by his brethren, and ending with&#13;
the crossing of the Red Sea by the Children of&#13;
Israel under Moses. We are first struck by the&#13;
splendour of the literary genius of the early&#13;
Hebrew, and next by the extraordinary eclipse of&#13;
that genius in the Hebrew of the middle ages.&#13;
Between the time, say of Josephus and our own&#13;
century, there were, no doubt, Hebrew writers of&#13;
great mark and influence; but am I altogether&#13;
wrong in saying that, except in a few cases, their&#13;
greatness was not creative, that it was mainly&#13;
illustrative, explanatory, critical, and scholastic ?&#13;
But if this is so, and you know best, there are&#13;
abundant and adequate reasons for it. Jewish&#13;
literary genius may easily have been choked by&#13;
the odium of medieval malevolence. Creative&#13;
powers had no force to spend on literature where&#13;
the hourly necessities were those of flesh and&#13;
blood. Nevertheless out of that darkness two&#13;
Jewish names shine as stars. One of them is the&#13;
name of a great philosopher, who, though not a&#13;
believer in your ancient faith, was nevertheless a&#13;
mind so tremendous that no Jew can help being&#13;
proud of him—I mean Spinoza. The other is&#13;
that of a wayward, wilful, heavv-laboured, sorely-&#13;
&#13;
 &#13;
   &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
22 THE AUTHOR.&#13;
&#13;
afflicted child of genius, the ‘tearful trifler,’&#13;
who, like the leper of his own thrilling story,&#13;
made joyful songs for the happy part of the&#13;
world to sing while he lay himself in a lodging of&#13;
Paris amid the odour of blankets and medicines&#13;
——an unbelieving Jew, but nevertheless a Jew&#13;
whom all Jews must be eager to claim—I mean&#13;
Heine. And now that the modern Jew has sur-&#13;
vived the barbarism of medixval oppression, the&#13;
literary genius that is in him is again beginning&#13;
to show itself. During this second half of the&#13;
19th century the Jew has made his contributions&#13;
to the sum’ of human knowledge. He is found&#13;
in nearly every walk of literary activity.&#13;
&#13;
“ And now, if I am not plunging in dangerous&#13;
waters, I would say something of the Jew as a&#13;
subject of literature. Here again we are face to&#13;
face with the old inveterate contradiction which&#13;
always dogs the feet of the Jew in his literary&#13;
character. On the other hand we have the ancient&#13;
history of an heroic people—great in prosperity,&#13;
strong in adversity ; on the other hand an abject&#13;
picture of a sort of cuckoo race, building no nest&#13;
of its own, and rearing its young in the nests of&#13;
others—an excrescent nation that trails through&#13;
the centuries with the stigma of the heretic and&#13;
the leper combined. When we think of the Jew&#13;
as a figure in literature, we first remember&#13;
Shakespeare. What does Shakespeare do with&#13;
the Jew? The answer seems to be an unwelcome&#13;
one. He talks of him constantly as a sort of&#13;
pariah dog; he uses his name as a metaphor for&#13;
cunning and duplicity ; he casts the liver of a Jew&#13;
—happily an unbelieving Jew—into the witches’&#13;
cauldron that is to work such woeful mischief,&#13;
and, above all, he puts his full-bodied conception&#13;
of the Jew into the person of Shylock. It may&#13;
be that for these offences the modern Jew, with&#13;
all his reverence for mighty genius, loves Shakes-&#13;
peare a shade the less. But my own faith in&#13;
Shakespeare is so vast, and my confidence in his&#13;
prophetic gift so absolute, that it would hurt&#13;
me to believe that in this matter of the right&#13;
attitude towards the Jew he was not (as he&#13;
assuredly was in everything else) at least three&#13;
centuries before his time. We have to remember&#13;
that Shakespeare, as a dramatist, had to earn his&#13;
bread and butter by the favour of the populace,&#13;
and that in the moral atmosphere of the people&#13;
of his day (as seen in Marlow’s ‘Jew of Malta’&#13;
and elsewhere) the Jews were an accursed race,&#13;
the enemies of mankind, and the especial foes of&#13;
Christianity. And if any Jew feels sore that the&#13;
greatest of English poets saw nothing in the&#13;
Jewish character but greed and merciless vindic-&#13;
tiveness, let him go to any theatre where the&#13;
‘Merchant of Venice’ is being played, and&#13;
watch, not the play, but the effect of it on a&#13;
&#13;
Christian audience. Above all, if it should be his&#13;
luck, as it was lately mime, to see Shylock in the&#13;
person of Mr. Irving, his grievance against&#13;
Shakespeare will be gone for ever. He will&#13;
realise that the centre of human interest is this&#13;
very man, who has been talked of as the incar-&#13;
nation of evil. Every tender touch that will make&#13;
straight to the heart will be Shylock’s—the knife&#13;
and the scales, the talk of the flesh and the blood,&#13;
will go for no more than a momentary creep of&#13;
the skin; but the downfall of the broken creature,&#13;
the taunts of the enemies who triumph over him,&#13;
the demand of the judge that he shall turn&#13;
Christian, his last word of poor human infirmity—&#13;
&#13;
I pray you give me leaye to go from hence ;&#13;
I am not well,&#13;
&#13;
—and his final exit will leave one feeling only&#13;
exhibited on the face of the spectators—a feeling&#13;
of profound pity for the man who began with&#13;
everything and everyone against him, who has&#13;
lost all, the wife he loved, the daughter who was&#13;
his sole treasure, and the wealth that had been&#13;
his bulwark against the world. All the grand&#13;
rhetoric about the quality of mercy, and all the&#13;
exquisite poetry of the scene of the moonlight&#13;
will be forgotten, and the last deposit of the&#13;
dramatist will be a plea for justice to the Jew.&#13;
Now, I cannot believe that an effect like that&#13;
could have been produced by accident, or without&#13;
the conscious design of the dramatist. In short,&#13;
my strong conviction is that, though Shakespeare&#13;
Imew that to please the groundlings of his time&#13;
it was necessary to heap contempt on the Jew,&#13;
et in his heart as a man and his brain as a seer&#13;
he felt and saw that the Jew was basely dealt&#13;
with, and that the future would justify him.&#13;
Indeed, I feel so sure of this that I challenge&#13;
contradiction on the point that during the 300&#13;
odd years in which the ‘Merchant of Venice ’&#13;
has been played the curtain can never have fallen&#13;
on the fourth act of it without the balance of&#13;
sentiment being on the side of Shylock. If that&#13;
is so, we must talk no longer of Shakespeare as&#13;
anti-Semitic. For three centuries he has been&#13;
the friend of the Jew. It is a fact worth men-&#13;
tioning that after Shakespeare and his contem-&#13;
poraries, down to our own century, no great&#13;
English writer seems to have felt the Jewish cha-&#13;
racter strongly. I can remember no important&#13;
portrait of-a Jew in Fielding or Richardson or&#13;
Smollett. Richard Cumberland certainly wrote&#13;
two plays, both on the side of Jewish sympathy,&#13;
‘The Jew’ and ‘The Jew of Mogadore,’ and&#13;
Thomas Dibden wrote at least one play, ‘The&#13;
Jew and the Doctor, with the design of vindi-&#13;
cating the Jewish character. Then of other&#13;
sort we have the usurous Jews of the comedies&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
2H AUTHOR. 23&#13;
&#13;
of Sheridan, as well as their spendthrift&#13;
Christians, one of whom, as you remember,&#13;
rejoices in the probable discovery of the&#13;
ten lost tribes of Israelites for the good reason&#13;
that he has exhausted the patience of the&#13;
other two. But perhaps the first effort on a&#13;
high level, without apology or restraint, was&#13;
made in the Isaac of York of Scott’s ‘Ivanhoe.’&#13;
After that came a small group of noble Jewish&#13;
studies, including those of Disraeli (whose theories&#13;
of the doctrine of race deserve more attention&#13;
than they receive), and George Eliot, of whom,&#13;
perhaps, we can only wish that her later genius&#13;
had vitalised Daniel Deronda as her earlier genius&#13;
had vitalised Adam Bede. But the studies of&#13;
heroic Jewish character have been astonishingly&#13;
few in English literature, and few of that few&#13;
have had a general acceptance. Only sketches of&#13;
grotesque Jews have been numerous and popular.&#13;
The Fagin of Dickens, a wonderfully vivid and no&#13;
doubt essentially realistic piece of art, has been&#13;
the father of a large family. Why is this? Is it&#13;
because the writers copy each other, having no&#13;
knowledge of better types? And if so, is their&#13;
ignorance altogether their fault or partly their&#13;
misfortune ¥ Do the Jews, in their old inveterate&#13;
distrust of the showman (and the imaginative&#13;
writer is a sort of showman), in their dislike and&#13;
fear of the man who, as novelist and dramatist,&#13;
has pursued them through the centuries with&#13;
odium and ridicule, shut themselves up from him&#13;
and so make it difficult to see the nobler qualities&#13;
which no man carries on his sleeve? Certainly it&#13;
does sometimes seem that if the walls of the&#13;
Ghetto are fallen the Jewish company is still&#13;
undispersed. The invisible bulwarks about the&#13;
Jew appear formidable to some Christians. It&#13;
has been my personal happiness to know one or&#13;
two Jews of the best type on intimate terms of&#13;
friendship, and it has therefore been easy for me&#13;
to see the ancient and heroic side of Jewish cha-&#13;
racter. May I dare to say ina company of Jews&#13;
that it would be wellif the Jew came oftener out&#13;
of the Mellah into the light and free air of the&#13;
world that is common to all men? The Jew is&#13;
notoriously assimilative and clubable, and it would&#13;
be easy for him, in England at least, to laugh the&#13;
grotesque Jew out of all claim to be regarded as&#13;
atype. The mention of Fagin recalls a very&#13;
real monstrosity which we smile at nearly as&#13;
often as we seea play of London life, but which&#13;
really almost deserves our genuine indignation—&#13;
the Jew of the modern stage. We all know the&#13;
worthy gentleman in his little shabby hat and his&#13;
long sack coat, with his nasal snuffle and his&#13;
mincing walk. The silly old buffoon is never so&#13;
high in histrionic rank as the low comedian, for&#13;
that is a jester whom the public is expected to&#13;
&#13;
laugh with, whereas the Jew is the living gargoyle&#13;
whom they are expected to laughat. His charac-&#13;
teristics are cunning and cowardice, usually tinc-&#13;
tured with the greenest stupidity. Every fool&#13;
scores off him, and his latter end is usually one&#13;
of battered hats and eclipsed eyeballs. I will not&#13;
say that this foolish person is invented solely in&#13;
order that the public may indulge itself with&#13;
laughter at the Jews, but that, some butt of ridicule&#13;
being necessary, it is safer in England to make&#13;
him a Jew than a Quaker, or a Plymouth Brother,&#13;
or even a Mormon. For the silly caricature itself,&#13;
there must perforce be some recognisable original&#13;
in life; but surely it is a poor thing if the senti-&#13;
ment of the modern English people is prepared to&#13;
accept no more serious type of Jewish character.&#13;
We remember, with a thrill of the heart, the noble-&#13;
spirited Jews of the age, and we ask ourselves if&#13;
it can be true that the English playgoer is unable&#13;
or unwilling to contemplate with delight the good&#13;
man and philanthropist in the person of a Jew.&#13;
We are assured that it is so. Some time ago a&#13;
well-known actor called on me to ask if I could&#13;
write a play that would fit him with an appro-&#13;
priate part. I took time to consider, and then&#13;
propounded a scheme that centred in a Jew. My&#13;
Jew was an heroic Jew—he did great things in a&#13;
great way, but he did them in the way of a Jew,&#13;
for he was a Jew to the inmost fibre of his being.&#13;
There lay the rock on which my craft foundered.&#13;
The actor would have nothing to say to my Jew.&#13;
‘An heroic Jew on the English stage is an impos-&#13;
sibility,’ he said. ‘We give that class of person&#13;
to the man who plays eccentric comedy.’ Now,&#13;
why was this? Was it merely that the public&#13;
had never had anything better offered to them&#13;
than the zany out of the broker’s shop in White-&#13;
chapel? Or was it that the public would reject&#13;
the heroic Jew because they had found nothing&#13;
heroic in the Jewish character to go upon? | I&#13;
concluded that there was no reason in the nature&#13;
of things why the nobler types of Jewish character&#13;
should not find acceptance in literature just as&#13;
they find it in life, and I resolved at all hazards to&#13;
make the experiment of trying an heroic Jew on&#13;
the English public. I have not yet been able to&#13;
try him on the stage, but I have, as you know,&#13;
tried him in a novel, with results which surpass&#13;
my expectations; and I believe that just as the&#13;
heroic Jew has been accepted in fiction, so he&#13;
would be accepted on the boards; and that the&#13;
dramatist will do a good work who breaks down&#13;
the absurd superstition that the English public&#13;
will take nothing in the person of a Jew but the&#13;
buffoon in a bad hat.&#13;
&#13;
“The Jews have, perhaps, always been objects&#13;
of ridicule on the stage, if not from the time of&#13;
Aristophanes, certainly through the middle ages,&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
   &#13;
&#13;
24&#13;
&#13;
in the carnivals and other festivals ; and they&#13;
have ever been known, as in the Purim plays of&#13;
the 16th and 17th centuries, to use the stage&#13;
against themselves, their rabbis, and even to some&#13;
extent their faith. It has been an accepted con-&#13;
vention throughout the centuries in many lands&#13;
that the religion and character of the Jew might&#13;
with safety be held up to the laughter not of&#13;
tolerance and good humour, but of something&#13;
like hatred and contempt as the incarnation of&#13;
impossible vices and the perpetrator of inconceiv-&#13;
able crimes, but it is, nevertheless, strange that&#13;
in those countries of Europe where hatred of the&#13;
Jews goes farthest this indisposition (which the&#13;
English actors are so sure of) to accept the heroic&#13;
Jew is not to be found. Germany, where the&#13;
party of the judenhetze is, unhappily, so power-&#13;
ful, has received with applause many plays, both&#13;
in the present and past, wherein the Jew rises to&#13;
the heights of tragedy. ‘ Uriel Acosta,’ though&#13;
not strictly a play of Judaic bias, nevertheless&#13;
deals with Jewish characters and beliefs on a&#13;
high level of serious acceptance ; and it is at once&#13;
the lasting honour, and I will say the standing&#13;
shame, of Germany, that one of the very greatest&#13;
of her sons, Lessing (a powerful and lifelong&#13;
friend of the Hebrew people), writing in the 18th&#13;
century, espoused the cause of the Jew in two&#13;
great heroic works, ‘Nathan the Wise’ and ‘ The&#13;
Jews,’ with the most obvious and deliberate in-&#13;
tention of undermining that same intolerance with&#13;
which the Judenhetzes, coming a hundred years&#13;
later, have disgraced their age and country.&#13;
Indeed, if I were asked what writer in modern&#13;
times had been the champion of the Jews in&#13;
Christendom, I think I should say Lessing, and&#13;
the weapon he used was the only one that is now&#13;
possible in the warfare against intolerance and&#13;
persecution.&#13;
&#13;
ee&#13;
&#13;
ON LITERATURE.&#13;
&#13;
 &#13;
&#13;
I.&#13;
Av vue Royat Lirerary Fund.&#13;
&#13;
T its annual dinner Mr. Lecky, the chair-&#13;
man, made a speech, of which the following&#13;
is an extract as it was reported in the&#13;
&#13;
Times : “ It was one of its peculiarities that there&#13;
were in literature large departments that could&#13;
never be made remunerative. Many of the&#13;
qualities which they most desired to see imported&#13;
into literature were directly opposed to the&#13;
pecuniary interests of those who practised them.&#13;
Tt was true now, as-it was long ago, that the&#13;
books that lived were not the books by which&#13;
&#13;
THE AUTHOR.&#13;
&#13;
 &#13;
&#13;
authors lived. Some books failed because they&#13;
did not accord with the passing taste or fashion&#13;
of the hour; some because their thought was in&#13;
advance of the time. For a long period Carlyle&#13;
found only a few readers of that “ Sartor&#13;
Resartus ” which was now the most popular of&#13;
his books. Browning totally failed to catch the&#13;
ear of the general public till years after the&#13;
publication of the very poems on which his&#13;
reputation now mainly rested. At the present&#13;
day he supposed there were more books published&#13;
than in any other period of the world’s history ;&#13;
but he also supposed that there never was @&#13;
period in literary history at which there was so&#13;
much literary talent not employed in pure litera-&#13;
ture. A great deal of our literary talent was&#13;
employed in the production of the daily and&#13;
weekly papers. No one could fail to be struck&#13;
by the excellent writing which at the present day&#13;
characterised scientific work. The writings of&#13;
such men as Herschel and Lyell among the&#13;
dead and Huxley and Tyndall among the living,&#13;
afforded conspicuous examples of this excel-&#13;
lence. A great French writer once said that&#13;
literature would lead to anything provided that&#13;
one abandoned it; and, in spite of all the charges&#13;
that had taken place in recent times, he supposed&#13;
that it was still true that no wise man would&#13;
recommend a young man to devote himself to the&#13;
higher forms of literature, unless he happened to&#13;
possess an independent competence or a self-&#13;
supporting profession.”&#13;
&#13;
 &#13;
&#13;
Il.&#13;
Av var Royat AcapemMy DINNER.&#13;
&#13;
The following is the report of Prof. Butcher’s&#13;
speech at the Royal Academy dinner, as given in&#13;
the Times :—“ Any one who in this age proposes&#13;
the toast of literature has this singular advan-&#13;
tage, that almost every one of his audience is&#13;
pretty sure at some time or another to have&#13;
committed himself to print; either he has&#13;
written a book, or edited a paper, or, at least,&#13;
produced a volume of poems. In the brillant&#13;
assemblage here this evening there are, Limagine,&#13;
those present who are so busy making literature&#13;
that they must have but few moments left for&#13;
reading it; there are also those who are making&#13;
history, arid making it so fast that they have little&#13;
leisure for studying history. Now, the makers of&#13;
literature are at present largely occupied with&#13;
recording or commenting on the sayings of the&#13;
makers of history; and they find it, I fancy, no&#13;
light task to keep pace with the makers of history,&#13;
least of all in the Easter recess. But ‘litera-&#13;
ture in this sense is probably not that which&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
the President was chiefly thinking of when he pro-&#13;
posed the toast of ‘ Literature,’ and proposed it,&#13;
if I may be allowed to say so, in such a way&#13;
as most loyally to pay back to the Greeks, and&#13;
in language which they themselves would have&#13;
delighted to listen to, his debt of nurture to them.&#13;
In the name of those authors, whom men call&#13;
dead, I would thank him for the tribute of&#13;
such praise; and I would also add a word of&#13;
private gratitude for his generous mention of&#13;
myself, who am merely the humble interpreter of&#13;
those same authors, whom I believe to be living.&#13;
Of literature there are many grades. A rail-&#13;
way guide, or a peerage, or a Blue-book is not&#13;
literature, nor even what is known as scientific&#13;
literature. At what point writing becomes&#13;
literature it is not easy to say definitely. But&#13;
there are signs to-day that the truth discovered by&#13;
tho Greeks is penetrating men’s minds—the truth,&#13;
I mean, that the writing which does not awaken&#13;
human thought, which does not engage the&#13;
emotions or hold the affections, the writing into&#13;
which beauty of form does not enter, is not&#13;
literature, but the raw material of literature.&#13;
I would not be supposed to suggest that&#13;
a British popular audience, like some Greek&#13;
audiences of which we read, is as yet in any danger&#13;
of getting ear-ache or neuralgia from some&#13;
defective harmonies of spoken or written prose.&#13;
Still the feeling begins to prevail that he who&#13;
would worthily pursue the calling of letters must&#13;
have somethmg of the spirit of the artist,&#13;
and that well-written books alone survive.&#13;
That there is apt to be a weak side to literary&#13;
estheticism, who candoubt? In ‘ Don Quixote’&#13;
we read of a certain author who was renowned&#13;
for ‘the brilliancy of his prose and the beautiful&#13;
perplexity of his expression.’ We seem to know&#13;
the type. Let the phrase be but beautiful&#13;
and rhythmical, musical and flowing, and it&#13;
matters not if the fine words conceal emptiness&#13;
beneath. A minor poet was described by an&#13;
ancient writer as ‘a strange phantom fed upon&#13;
dew and ambrosia.’ Him, too, we know. His&#13;
sustenance is not upon the solid earth. He&#13;
sings and soars; he loves and laments, he knows&#13;
not what or why; harmonious and meaningless&#13;
is his song. The cult of the meaningless is from&#13;
time to time in the ascendant. You, gentlemen,&#13;
who are Academicians are sometimes invited to&#13;
become its votaries. Not long ago I was at an&#13;
exhibition of pictures elsewhere. I stood in&#13;
wonder before a certain portrait, which I could&#13;
not understand. I begged a friend who was&#13;
initiated into the principles of the school to&#13;
explain it. The reply was, ‘Think away the head&#13;
and the face, and you have a residuum of pure&#13;
colour. Whether this doctrine is to be ac-&#13;
&#13;
AUTHOR. 25&#13;
&#13;
cepted in painting, and particularly in portrait&#13;
paimting, I do not know; but in literature&#13;
at least it means sure decay. Think away&#13;
the meaning, get rid of the context, and you&#13;
have beautiful and pure form. Yes, form is&#13;
essential, but not form without substance. Here,&#13;
again, we come back to the Greeks as the&#13;
models of the true literary spirit—the Greeks,&#13;
who were able even to make science literary, and&#13;
to produce a treatise on medicine, which bears&#13;
the stamp of the great masters of language.&#13;
They felt, indeed, that the writer is an artist, and&#13;
not an artisan; that beauty is of the essence of&#13;
literature, and that a formless work of literature&#13;
is in truth a misnomer, being dead from the out-&#13;
set. Yet the literary writer is not a maker of&#13;
fine phrases or a singer in the void. Inthe great&#13;
Greek authors the words used seem to be the direct&#13;
reflection of the thing seen. Nothing comes&#13;
between the eye and the object. They are words&#13;
of vision. Instead of the approximate, the con-&#13;
ventional, the insipid word, you have the precise&#13;
and happily expressive term. Yet the phrase&#13;
is never importunate. The style is not strained&#13;
or self-asserting. It does not seek for itself a&#13;
separate existence. And the secret of the matter&#13;
hes in this, that the writer had something to say,&#13;
and was not merely concerned as to how he&#13;
said it. He was in close contact with realities.&#13;
He touched the springs of national life. He&#13;
used, while at the same time he ennobled, the&#13;
native idiom of the people. It is the glory of&#13;
Greek literature that of all literatures it is at&#13;
once the most artistic and the most popular; and&#13;
this supreme merit belongs hardly in a less&#13;
degree to our own English literature. That is&#13;
the true democratic spirit in things literary..&#13;
And our hope, our best hope, for the literature&#13;
of the future would be that, as the democratic&#13;
movement extends and calls forth enlarged intel-&#13;
lectual sympathies, the old Hellenic harmony&#13;
may be established between that eternal love of&#13;
beauty on which all art and literature rest and&#13;
that love of scientific truth which is one of the&#13;
dominant marks of this century.”&#13;
&#13;
ee&#13;
&#13;
FROM THE PAPERS.&#13;
&#13;
——&#13;
&#13;
i&#13;
Friction MANnuracturED By THE YARD.&#13;
EW YORK can boast of many curious&#13;
institutions ; perhaps the most wonderful&#13;
is a real and fully equipped literary&#13;
factory. Mr. Edward W. Bok, the well-known&#13;
literary critic, came across the place the other&#13;
&#13;
 &#13;
   &#13;
&#13;
26 THE&#13;
&#13;
day, and in the Philadelphia Weekly Times&#13;
describes the remarkable industry. This literary&#13;
factory (he says) is hidden away in one of the&#13;
by-streets of New York, where one would never&#13;
dream of finding anything in the shape of litera-&#13;
ture. It employs over thirty people, mostly girls&#13;
and women. For the most part these girls are&#13;
intelligent. It is their duty to read all the daily&#13;
and weekly periodicals in the land. These&#13;
“exchanges ” are bought by the pound from an&#13;
old junk dealer.&#13;
&#13;
Any unusual story of city life—mostly the mis-&#13;
doings of city people—is marked by these girls&#13;
and turned over to one of three managers. These&#13;
managers, who are men, select the best of these&#13;
marked articles, and turn over such as are available&#13;
to one of a corps of five women, who digest the&#13;
happening given to them and transform it to a&#13;
skeleton or outline for a story. This shell, if it&#13;
may be so called, is then referred to the chief&#13;
manager, who turns to a large address book and&#13;
adapts the skeleton to some one of the hundred&#13;
or more writers entered on his book. Enclosed&#13;
with the skeleton is sent a blank form, of which&#13;
the following is an exact copy:&#13;
&#13;
To&#13;
&#13;
Please make of the enclosed material a —— part story,&#13;
not to exceed words for each part.&#13;
&#13;
Delivery of copy must be by at the latest.&#13;
&#13;
A cheque for dols. will be sent you upon receipt of&#13;
manuscript.&#13;
&#13;
Notify us at once whether you can carry out this commis-&#13;
sion for us.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Very respectfully,&#13;
&#13;
Now, the most remarkable part of this remarkable&#13;
literary manufactory to me, was that manager's&#13;
address book of authors upon whom he felt at&#13;
liberty to call for these “written by the yard”&#13;
stories. The book was handed to me to look over,&#13;
for my private examination, of course. There&#13;
were at least twenty writers upon that book which&#13;
the public would never think of associating with&#13;
this class of work—men and women of good lite-&#13;
rary reputation, whose work is often encountered&#13;
in some of our best magazines.&#13;
&#13;
“Not such a bad list of authors, is it?”’ laugh-&#13;
ingly said the “manager” as he noted my look&#13;
of astonishment. I was compelled to confess it&#13;
was not. “Why, those authors to whose names&#13;
you have pointed are glad to do this work for us.&#13;
Their willingness is -far greater than our ability&#13;
to supply them with ‘ plots.’ “ What in the world&#13;
do you do with these stories?”’ I asked. ‘‘ We&#13;
sell them to the cheaper sensational weeklies, to&#13;
boiler-plate factories, and to publishers of hair-&#13;
curling libraries of adventure.”&#13;
&#13;
Upon further inquiry, I found that very good&#13;
prices were paid the authors, and that, of course,&#13;
&#13;
AUTHOR.&#13;
&#13;
  &#13;
&#13;
even better rates were received by the “factory”&#13;
from their customers. The fact is this business&#13;
is of the most profitable character to its owners.&#13;
Were it a stock company, a handsome dividend&#13;
could be declared each year. The “ factory”&#13;
does not care where its authors get their material&#13;
from so long as the story, when finished, is cal-&#13;
culated to please the miscellaneons audience for&#13;
which it is intended. ‘Situations,’ and of the&#13;
most dramatic and startling character must be&#13;
frequent, and two or three murders and a rescue&#13;
or two in one chapter are not a bit too many.&#13;
Talk about writing stories to order! Here isa&#13;
completely equipped factory which actually cuts&#13;
them out with a hatchet!&#13;
&#13;
Patt Marui GAzerte.&#13;
May 23, 1892.&#13;
&#13;
 &#13;
&#13;
———&#13;
&#13;
II.&#13;
A Curious EXPERIMENT.&#13;
&#13;
The case of the editor who wants to contri-&#13;
bute an article to some other periodical than his&#13;
own is acuriousone, For the time being he has&#13;
put himself in the place of a contributor, and&#13;
feels the pangs of a timid author.&#13;
&#13;
There was once a newspaper editor who was&#13;
inspired to write an article of a light and enter-&#13;
taining character, suitable for a magazine. He&#13;
wrote it in his odd moments, and then set to&#13;
speculating whether it had any particular value.&#13;
Tt seemed to him that it had, but the reflection&#13;
that he might be prejudiced in its favour troubled&#13;
him. He had had precisely the same feeling&#13;
when someone had brought him an article that&#13;
he wanted to judge favourably. How was he to&#13;
get his own impartial judgment of his own&#13;
article? He thought about it some time, and&#13;
finally decided that the only way to get the&#13;
necessary conditions was to send himself the&#13;
article through the post, to receive it with other&#13;
contributions, and to treat it all the way through&#13;
as if it were somebody else’s.&#13;
&#13;
The plan worked like a charm. The editor&#13;
wrote a little note to himself to accompany the&#13;
article, enclosed stamps for a reply or a return&#13;
of the manuscript, and mailed the whole at the&#13;
post-office. Towards the close of the day, when&#13;
the editor was near the end of a lot of wearisome&#13;
communications, and had got himself into the&#13;
declining mood that comes with fatigue, his&#13;
article arrived. After he had allowed it to lie&#13;
for awhile he broke the seal and read it. Then&#13;
&#13;
he took a little slip, wrote on it reflectively,&#13;
inclosed it with the manuscript in a big envelope,&#13;
stuck on the stamp, sealed the envelope, and put&#13;
it into the department marked “ post-office” in&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
THE&#13;
&#13;
the tin box that hung by the side of the desk.&#13;
Next morning he received the parcel back, and&#13;
read with breathless interest this note, which&#13;
accompanied the manuscript :—&#13;
&#13;
“ Unsuitable. Too discursive and trivial in its&#13;
tone. Should have been elaborated with more&#13;
care. Many passages not needed in the presenta-&#13;
&#13;
tion of the idea. Contains promise, however.&#13;
Author is advised to try again.”—Leeds Satur-&#13;
day Journal, March 5, 1892.&#13;
&#13;
 &#13;
&#13;
TEE.&#13;
PERSONAL.&#13;
&#13;
The literary editor or book-reviewer is some-&#13;
times less bored than at others by his monotonous&#13;
task. When he receives a letter from an obscure&#13;
publishing-house, enclosing “personal gossip ”’&#13;
about the author of some forthcoming book, ac-&#13;
companied by a promise to send “a cloth copy of&#13;
the book, the moment it is issued, with the&#13;
author’s autograph,” if only he will print the said&#13;
gossip “in advance, as news,” he is easily able to&#13;
conjure up a smile. And when he receives such a&#13;
note as the following (written so recently as&#13;
April 14), he can smile again—if he be of a cynical&#13;
turn of mind: “If not out of harmony with any&#13;
of your regulations, I will greatly appreciate the&#13;
publication of something similar to the following&#13;
‘| among your literary personals.’ This is the&#13;
a) 5: 6° Mire, , who contributed to the&#13;
March , the charming little poem ‘ =&#13;
which seems to have been very kindly considerec&#13;
by the newspapers of the country, is the wife of&#13;
, the well-known journalist and writer,&#13;
whose verses are familiar to the readers of the&#13;
and .’ The “@” comes from the&#13;
“well-known writer and journalist’ whose wife’s&#13;
“charming little poem” “seems to have been&#13;
very kindly considered by the newspapers.” But&#13;
this is not the way to secure “kindly considera-&#13;
tion” for “charming little poems.” “Heaven&#13;
defend us from our friends ’’—and husbands.—&#13;
New York Critic.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
———&#13;
&#13;
LV&#13;
Tuomas Moors.&#13;
&#13;
From the diary of Thomas Moore, p. 263 :—&#13;
“19th. Some pleasant talk with Strangford&#13;
about old times, the times when he and I were&#13;
gay young gentlemen (and both almost equally&#13;
penniless) about town, and that rogue C. was&#13;
tricking us both out of the profits of our first&#13;
poetical vagaries. The price of a horse (£30)&#13;
which C. advanced, the horse falling lame at the&#13;
same time, was all that Strangford, I believe, got&#13;
&#13;
AUTHOR. 27&#13;
&#13;
from him for his ‘ Camoens,’ and my little account&#13;
was despatched in pretty much the same manner.&#13;
I remember, as vividly almost as if it took place&#13;
but yesterday, C. coming into my bedroom about&#13;
noon one day (some ball having kept me up late&#13;
the night before), and telling me that, on looking&#13;
over my account with him, he found the balance&#13;
against me toabout £60. Such a sum was to me,&#13;
at that time, almost beyond counting. I instantly&#13;
started up from my pillow exclaiming, ‘ What zs&#13;
to be done ?’ when he said very kindly, that if I&#13;
would make over to him the copyright of ‘ Little’s&#13;
Poems’ (then in their first blush of success) he&#13;
would cancel the whole account. ‘My dear&#13;
fellow,’ I exclaimed, ‘ most willingly, and thanks&#13;
for the relief you have given me.’ I cannot take&#13;
upon myself now to say how much this made the&#13;
whole amount I received for the work, but it was&#13;
something very triflmg, and C. himself told a&#13;
friend of mine, some years after, that he was in&#13;
the receipt of nearly £200 a year from the sale&#13;
of that volume.”&#13;
&#13;
Oe&#13;
&#13;
CORRESPONDENCE.&#13;
&#13;
———&gt;+- &gt;&#13;
&#13;
i&#13;
WaAs THERE A Contract to PusLisH?&#13;
R. FITZGERALD MOLLOY’S note on&#13;
&#13;
“ Magazines and Editors” reminds me&#13;
&#13;
of an experience of mine which raises a&#13;
question of some interest. In 1883 I sent an&#13;
article to the Saturday Review which was&#13;
accepted and promptly published and paid for.&#13;
Early in 1884 I submitted a second article to the&#13;
Saturday, which was also accepted, and a proof&#13;
of which I received and returned corrected.&#13;
Time passed—a considerable time--but the essay&#13;
did not appear. At last, being about to leave&#13;
England, I wrote to state the fact and to ask the&#13;
favour of payment. A cheque was promptly&#13;
forwarded to me and duly acknowledged; but&#13;
year after year went by without mv article&#13;
appearing. In 1890, having returned to England,&#13;
I wrote to the editor of the Saturday Review,&#13;
inquiring whether it was intended to shelve my&#13;
little essay definitely, and, if so, whether I might&#13;
be permitted to resume my right of property in&#13;
it, as I had kepta copy. The editor sent mea&#13;
courteous letter in reply, which, however, did not&#13;
answer my questions. Practically, it amounted&#13;
to an expression of the opinion that, as I had&#13;
been paid, I had nothing to complain of. This&#13;
view, I know, pretty generally prevails in such&#13;
eases; but, although I am myself an humble&#13;
member of the editorial guild, I cannot agree&#13;
&#13;
 &#13;
 &#13;
&#13;
28 THE ©&#13;
&#13;
with it. Surely publication is essential to the&#13;
due fulfilment of the contract between editor and&#13;
contributor. If it be withheld, ought not the&#13;
latter, after a reasonable time, to be allowed to&#13;
put his manuscript in the market again, if he has&#13;
been wise enough to keep a copy? I do not see&#13;
that he ought to be called on first to refund the&#13;
purchase money, the breach of contract not being&#13;
on his side. Moreover, he would have to take&#13;
the chance that the lapse of time would have&#13;
deprived his work of interest. In the case of my&#13;
paid-for but unpublished contribution to the&#13;
Saturday Review, however, the subject is one of&#13;
more interest now than it was in 1884. I might&#13;
give the ana the essay contained a new setting,&#13;
but, ought I to be called on to take the trouble,&#13;
and would the Saturday Review be entitled to&#13;
complain, if I did take it ?&#13;
Leita DERweEnt.&#13;
&#13;
[Leith Derwent” has fallen into a not un-&#13;
common confusion. When a paper, such as the&#13;
Saturday Review, consists entirely of unsigned&#13;
articles, the editor is as much responsible for the&#13;
opinions of each article as if he had written them&#13;
himself. The opinions are those of the paper ;&#13;
the paper is himself. He therefore has the com-&#13;
plete right of altering, suppressing, adding to,&#13;
changing, or abridging any article that is offered&#13;
to him. This right has always been exercised&#13;
without question by all editors in the case of&#13;
unsigned articles. ‘(Leith Derwent” offered a&#13;
paper which was set up by the editor, and the&#13;
copyright of which was paid for, though it is&#13;
doubtful whether the editor was legally obliged to&#13;
pay for it. There the author’s rights over the&#13;
paper ceased, except that, by the copynght law,&#13;
he could republish it after twenty-eight years.&#13;
But, says “‘ Leith Derwent,’ does not the print-&#13;
ing of the article involve a contract to publish?&#13;
Let us consider. Suppose the article was found&#13;
to contain matter against the policy advocated&#13;
by the paper, or libellous, or in any other way&#13;
dangerous and hurtful, would the editor be&#13;
held, in any court of law, obliged to publish it?&#13;
Certainly not. As for dressing up the paper im a&#13;
new setting, no one but the author can answer&#13;
the question. |&#13;
&#13;
 &#13;
&#13;
II.&#13;
Macazines AND Epirors.&#13;
&#13;
Is this experience a common one? In the year&#13;
1888 I sent a short story to a well-known&#13;
monthly magazine, whose list of contributors in-&#13;
cludes almost every famous name in contemporary&#13;
letters. Within three months I received a letter&#13;
from the editor, offermg me one guinea for the&#13;
&#13;
AUTHOR.&#13;
&#13;
use of the story. I wasa very young author then,&#13;
and not acquainted with the perfection of our&#13;
postal service ; and, albeit the sum was miserably&#13;
inadequate, I accepted. This was in June; the&#13;
story was published and paid for in November.&#13;
Now comes the strange part of the incident. Two&#13;
months later, the proprietors of the magazine—a&#13;
firm of reputation and standing—wrote to me,&#13;
enclosing a cheque for £1 5s. as “moiety of sum&#13;
received from America for the use of your story&#13;
here.” Doubtless themselves retained the other&#13;
moiety, and thus got my story for nothing, and&#13;
made besides a profit of four shillings! The ques-&#13;
tion arises, what right had they—seeing that&#13;
originally they had only paid me for the use of the&#13;
story in their magazine—to retain a part of any&#13;
sum accruing to the author over and above? I&#13;
sought advice; apparently there was no redress.&#13;
I was not then a member of the society.&#13;
&#13;
Davip Lawson JOHNSTONE.&#13;
&#13;
SS&#13;
&#13;
Ii.&#13;
&#13;
TRANSLATIONS.&#13;
Sir,&#13;
&#13;
May I ask you whether any agency exists&#13;
through which some luckless translators may&#13;
discover who may be at work upon the volumes&#13;
they fondly hope to introduce to English readers ?&#13;
When we have written to the foreign publishers,&#13;
without receiving any intimation that we are&#13;
forestalled, what other precautions can we take ?&#13;
1 have just had the pleasure of reading a review,&#13;
in a literary newspaper, of “ Countess Erika’s Ap-&#13;
prenticeship,” a pleasing German novel only sent us&#13;
last Christmas, but which I made haste to render&#13;
into English as soon as the publisher’s letter was&#13;
received. Twice before this fate has befallen my&#13;
poor pen, and once, en revanche, a poor lady met&#13;
with a similar fate through me. It was only when&#13;
my version of the ‘‘ Chancellor of the Tyrol” was&#13;
out, that a despairing letter from a fellow-worker&#13;
told me that a labour of months had been hers&#13;
in vain—that she, too, had been fired by the desire&#13;
to make English readers know that fine story.&#13;
We should be gratified for any hints which might&#13;
spare us so much labour in vain.&#13;
&#13;
Your obedient servant,&#13;
&#13;
DorotHEa RosBErts.&#13;
May 7, 1892.&#13;
&#13;
[Translators would spare themselves much&#13;
disappointment if they did not attempt work&#13;
until they had obtained the leave and licence of&#13;
theauthor. This once obtained, they are perfectly&#13;
safe.—Hp1rTor. | :&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
THE&#13;
&#13;
ING&#13;
Tue JLirerary anp Art AGENCY.&#13;
&#13;
In the report of this case, published in your&#13;
last issue, I see that “the Reverend” T. B.S.&#13;
Harington is reported to have said that he had&#13;
procured a situation through his agency for a&#13;
person as secretary to the Association for pre-&#13;
venting the Immigration of Destitute Aliens.&#13;
As I thought this might possibly refer to one of&#13;
my clerks, I have made inquiries upon the sub-&#13;
ject, and [ find no one employed by this Associa-&#13;
tion has had any dealings with Harington or&#13;
his Agency.&#13;
&#13;
The statement therefore must have been a&#13;
fabrication.&#13;
&#13;
W. H. Witkrns.&#13;
Hon. Secretary.&#13;
&#13;
Association for Preventing the&#13;
Immigration of Destitute Aliens,&#13;
158, Arlington Street, S.W.&#13;
&#13;
“AT THE AUTHOR'S HEAD.”&#13;
&#13;
SS&#13;
&#13;
Esmé Stuart has written a novel called&#13;
“ Virginie’s Husband” (Innes and Co.). The&#13;
author’s writing is well known and always&#13;
welcome. Pure in style and thought, dainty and&#13;
delicate in expression, clear of outline, and steady&#13;
in purpose, this book is fully equal to her&#13;
reputation.&#13;
&#13;
James Russell Lowell’s lectures on the English&#13;
Dramatists will be published in the autumn by&#13;
Houghton, Mifflin, and Co.&#13;
&#13;
We call attention to a book entitled ‘ Taxa-&#13;
tion, 1891-2. A History,” an anonymous work&#13;
published by Eden, Remington, and Co. It con-&#13;
tains an account of the taxation of the country,&#13;
the revenue, customs, excise, stamps, and duties&#13;
of all kinds. There is an elaborate index, and&#13;
the work will be found useful as a compendium&#13;
of the whole subject.&#13;
&#13;
The death of Mr. James Osgood has been a&#13;
great shock to many of us. In starting the firm&#13;
of Osgood, McIlvaine and Co., in Albermarle-&#13;
street, he was avowedly anxious to work on such&#13;
lines as would be approved and agreed upon&#13;
between himself and this Society. He was&#13;
singularly candid, and always ready to discuss&#13;
fairly and openly those points which cause&#13;
friction and ill-feeling between author and&#13;
publisher. O si sic omnes!&#13;
&#13;
AUTHOR. 29&#13;
&#13;
We copy from the Athenxwn the announce-&#13;
ments that Mr. P. W. Clayden is engaged upon a&#13;
political history of the last six years; that&#13;
Professor Huxley is collecting his recent essays,&#13;
and that Mr. Samuel Butler is preparing a memoir&#13;
of his grandfather, Head Master of Shrewsbury,&#13;
which will present a picture of school life early in&#13;
the century.&#13;
&#13;
Mr. Hamilton Aidé’s new novel, “ A Voyage&#13;
of Discovery,” is issued by Messrs. Osgood and&#13;
M‘Ilvaine.&#13;
&#13;
Mr. H. Savile Clarke’s contribution to the&#13;
““Whitefriars Library of Wit and Humour,” is&#13;
called “A Little Flutter. Stage, Story, and&#13;
Stanza.”&#13;
&#13;
Mr. Egerton Castle’s new book is a reprint of&#13;
seven stories which have already appeared in&#13;
magazines. It is a book to note, and to buy, and&#13;
to read.&#13;
&#13;
A coloured woman has just published a&#13;
novel in America, the first ever published by&#13;
a member of her race. It is entitled “ True&#13;
Love,’ and is fairly up to the average of&#13;
such works. The authoress, Sarah E. Farro,&#13;
is quite black of complexion, and is twenty-&#13;
six years old. Her favourite authors are&#13;
Holmes, Dickens, and Thackeray. She lives in&#13;
Chicago, where she has had a high school educa-&#13;
tion.&#13;
&#13;
London City Suburbs, by Percy Fitzgerald&#13;
and William Luker, Jun., a companion volume&#13;
to the beautifully illustrated ‘ London City,”&#13;
issued last year from the Leadenhall Press,&#13;
is announced to appear in the autumn, and&#13;
the prospectus is now ready. A list of Sub-&#13;
scribers’ names and addresses is to be printed&#13;
in the work. The Queen has accepted the&#13;
dedication.&#13;
&#13;
The fifteenth edition of an advanced mathe-&#13;
matical work is some proof of the extent of&#13;
mathematical studies. Thirty years ago Mr. W. H.&#13;
Besant, F.R.S., D.S.C., produced the first edition&#13;
of ‘“‘Elementary Hydrostatics, with Chapters on&#13;
&#13;
the Motion of Fluids and on Sound.” On an&#13;
average each edition has lasted two years. Few&#13;
books in science have so long a life. The&#13;
&#13;
publishers have always been George Bell and&#13;
Sons.&#13;
&#13;
Mrs. John Croker’s new novel, ‘‘ Interference,”&#13;
which has been running serially in India and&#13;
England, will be published simultaneously in&#13;
London (F. V. White), Canada, and America. It&#13;
is also translated into German.&#13;
&#13;
 &#13;
   &#13;
&#13;
30&#13;
&#13;
There is a complaint that the tomb of Theodore&#13;
Hook in Fulham churchyard is crumbling to&#13;
pieces. As is the tomb, sois the man. Theodore&#13;
Hook has been crumbling to pieces for many&#13;
years. Who, nowadays, reads “Jack Brag”?&#13;
His collected essays and pieces are dreary reading ;&#13;
his jokes are all old; his stories forgotten. No&#13;
one can remember many stories very long unless&#13;
they have got the humanity strong and warm.&#13;
Compare the grave of Theodore Hook with that of&#13;
Charles Lamb. The latter is neat, well cared&#13;
for, well kept, because his memory is green and&#13;
his works delight as much now as in his own&#13;
generation. If we leave off visiting the grave of&#13;
Theodore Hook, if we leave it to fall into decay,&#13;
it is because we are forgetting the man and all&#13;
he wrote.&#13;
&#13;
Mr. Charles Garvice has written, and Mr. George&#13;
Munro of New York has published, a story entitled&#13;
‘Paid For.” This is a strong tale. Many of&#13;
its situations are not very novel, but they are&#13;
strikingly treated.&#13;
&#13;
It has been arranged, through the Authors’&#13;
Syndicate that Mr. James Payn’s new story, “A&#13;
Stumble on the Threshold,” should run serially&#13;
through the Queen, beginning in July next.&#13;
The story will be published in the autumn&#13;
simultaneously by Mr. Horace Cox and Messrs.&#13;
D. Appleton and Co.&#13;
&#13;
Messrs. Chatto and Windus are holding back&#13;
Mr. Walter Besant’s “ London” until October, in&#13;
consequence of the probable near approach of the&#13;
General Election. A very large number of&#13;
publishers have made arrangements to hold over&#13;
their forthcoming volumes for the same cause.&#13;
&#13;
The Authors’ Syndicate has also arranged for&#13;
the serial publication of the following stories :—&#13;
“Capt'n Davy’s Honeymoon,” by Hall Caine,&#13;
in Lloyd’s Weekly Newspaper ; ‘‘ The Countess&#13;
Radna,’ by W. EH. Norris, in the Cornhill&#13;
Magazine; ‘The Last Sentence,” by Maxwell&#13;
Gray, in Great Thoughts; ‘‘ December Roses,”&#13;
by Mrs. Campbell Praed, in Sala’s Journal.&#13;
&#13;
Mr. E. J. Goodman’s new mystery story,&#13;
“The Fate of Herbert Wayne,’ will commence to&#13;
run in a number of newspapers in July. The&#13;
&#13;
arrangements have been made by the Authors’&#13;
Syndicate.&#13;
&#13;
Mr. Hall Caine has practically re-written the&#13;
new edition of the ‘ Scapegoat,” which has just&#13;
been published by Mr. Wm. Heinemann Several&#13;
chapters have been deleted and three new chapters&#13;
added, and the story has been largely re-cast.&#13;
&#13;
THE AUTHOR.&#13;
&#13;
 &#13;
&#13;
Mr. A. Egmont Hake has written a volume&#13;
entitled “Suffering London, or the Hygienic,&#13;
Moral, Social and Political Relation of our&#13;
Voluntary Hospitals to Society,” which, with an&#13;
introduction by Mr. Walter Besant, has just been&#13;
published by the Scientific Press Limited. The&#13;
volume undoubtedly throws a vivid light on the&#13;
whole of the hospital question, and is sure to&#13;
attract wide attention. Mr. Hake shows a wide&#13;
and many-sided knowledge of all the elements&#13;
of this great problem.&#13;
&#13;
Mr. William Toynbee’s English version of&#13;
Béranger will be issued this month by Walter&#13;
Scott Limited, in the Canterbury Poets series.&#13;
&#13;
Messrs. F. V. White and Co. will publish&#13;
during this month a new novel by John Strange&#13;
Winter under the title of ‘My Geoff; the&#13;
Experiences of a Lady Help,” in one volume. at&#13;
2s. 6d. The story has been running as a serial&#13;
during the last six months in Winter’s Weekly.&#13;
&#13;
A small illustrated volume entitled ‘“ The&#13;
Cruise of the Tomahawk; the Story of a Summer&#13;
Holiday,” is about to be published by Messrs.&#13;
Eden and Remington. It is wmitten by Mrs.&#13;
Leith-Adams, assisted by two friends, and gives&#13;
a graphic description of life on the river.&#13;
&#13;
Mrs. Leith-Adams has also a new three volume&#13;
work in the press. It is called “The Peyton&#13;
Romance,” and will be published by Messrs.&#13;
Kegan Paul, Trench, and Co.&#13;
&#13;
H.S.H. the Princess Victoria Mary of Teck,&#13;
having accepted with approval the Prelude to&#13;
the Idylls of the Queen (by William Alfred&#13;
Gibbs), has also expressed a wish for the con-&#13;
tinuation of this work. Part I. will now,&#13;
therefore, be published by Messrs. Sampson,&#13;
Low, Marston, and Co. early in June. The&#13;
profits will be given in aid of the Royal National&#13;
Lifeboat Institution.&#13;
&#13;
A correspondent asks us to call attention to a&#13;
novel called, ‘A Fellowe and his Wife.” by William&#13;
Sharp and Blanche Howard.&#13;
&#13;
“Devil Caresfoot,” the stage version of Mr.&#13;
Rider Haggard’s ‘‘ Dawn,” by C. Haddon Cham-&#13;
bers and J. Stanley Little, is to be put up for a&#13;
run in the provinces shortly, and its revival in&#13;
London is talked about.&#13;
&#13;
Mr. R. Orton Prowse has written, and Messrs.&#13;
Methuen have published, “The Poison of Asps,”&#13;
a one volume story which shows considerable&#13;
promise.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR, 31&#13;
&#13;
In our specification of the more noticeable books&#13;
issued last month, we omitted to mention “‘ Golden&#13;
Face:-A Tale of the Wild West,’ by Bertram&#13;
Mitford. A stirring story full of dramatic inci-&#13;
dent, based upon the state of affairs immediately&#13;
preceding the Sioux War of 1876. Itis published&#13;
by Trischler and Co.&#13;
&#13;
Mr. Leonard Merrick’s new two-volume novel,&#13;
“The Man Who Was Good,” is announced by&#13;
Messrs. Chatto and Windus.&#13;
&#13;
The Publisher's Circular is responsible for the&#13;
rumour that Mr. Rudyard Kipling intends to&#13;
reside permanently at Vermont, U.S.A.&#13;
&#13;
Messrs. Chatto and Windus have published&#13;
Mr. Walter Besant’s new collection of short&#13;
stories, “‘ Verbena, Camellia, Stephanotis.” The&#13;
other stories included in this volume are “ The&#13;
Doubts of Dives,” ‘The Demoniac,” and “The&#13;
Doll’s House.”&#13;
&#13;
NEW BOOKS AND NEW EDITIONS.&#13;
&#13;
————&#13;
&#13;
Theology.&#13;
&#13;
Aton, Henry, D.D. Comfort in the Wilderness. The&#13;
last sermon preached in Union Chapel, Islington, on&#13;
Sunday, April 10, by the late Henry Allon, D.D.&#13;
With portrait. Williams, Moorgate Street, E.C.&#13;
Paper covers, 6d.&#13;
&#13;
Auton, Henry D.D. The Indwelling Christ, and other&#13;
Sermons. Isbister and Co., Tavistock Street. 7s. 6d.&#13;
&#13;
Barron, Epw. Pinper, M.A. Regni Evangelium; A&#13;
Survey of the Teaching of Jesus Christ. Williams&#13;
and Norgate, Henrietta Street. 6s.&#13;
&#13;
Bru, Cuartes D.,D.D. The Name above Every Name,&#13;
and other Sermons. Edward Arnold, Bedford Street. 5s.&#13;
&#13;
Burns, WALTER. Anthems and Hymns. New and&#13;
enlarged edition. Published by the author, at Rose-&#13;
mary Street, Belfast. Cloth, 1s. 6d.&#13;
&#13;
CHURCH OF IRELAND, THE. By Thomas Olden,M.A. The&#13;
National Churches Series, edited by P. H. Ditchfield,&#13;
M.A. With maps. Wells Gardner, Paternoster Build-&#13;
ings.&#13;
&#13;
D’Atvietta, Count G. The Hibbert Lectures on the&#13;
Origin and Growth of the Conception of God, as illus-&#13;
trated by Anthropology and History. Williams and&#13;
Norgate. 10s. 6d.&#13;
&#13;
Dawson, Rev. W. J. The Church of To-morrow: a series&#13;
of addresses delivered in America, Canada, and Great&#13;
Britain. James Clarke and Co. 43s. 6d.&#13;
&#13;
Ho.isorow, Arruur. Evolution and Scripture, or the&#13;
relation between the teaching of Scripture and the con-&#13;
clusions of astronomy, geology, and biology, with an&#13;
inquiry into the nature of the Scriptures and inspira-&#13;
tion. Kegan Paul.&#13;
&#13;
Lay, Joun Warp. St. Matthew’s Gospel: Who Wrote it,&#13;
and How Far may it be Considered Apocryphal ?&#13;
Kegan Paul. 3d.&#13;
&#13;
Mactaren, AuEx., D.D. The Gospel of St. Matthew.&#13;
Vol. 1. Hodder and Stoughton. 3s. 6d.&#13;
&#13;
MopERN CuurcH, Tax: A Journal of; Scottish Religious&#13;
Life. Vol. 1. E. W. Allen, Ave Maria Lane.&#13;
&#13;
Murpuy, THomas. The Position of the Catholic Church&#13;
in England and Wales durmg the Last Two Centuries:&#13;
Retrospect and Forecast. Prize Essays. Edited for&#13;
the XV. Club by the Lord Braye, president of the club.&#13;
Burns and Oates. 2s. 6d.&#13;
&#13;
Or THE IMITATION OF CHRIST.&#13;
Kegan Paul.&#13;
&#13;
RawnsuEy, H. D. Notes for the Nile, together with a&#13;
metrical rendering of the Hymns of Ancient Egypt and&#13;
of the precepts of Ptah-Hotep (the oldest book in the&#13;
world). Heinemann, Bedford-street. 5s.&#13;
&#13;
In Latin and English.&#13;
&#13;
RoBERTSON-SmitH, W. The Old Testament in the Jewish&#13;
Church: a Course of Lectures on Biblical Criticism.&#13;
Second Edition, revised and much enlarged. A. and C.&#13;
Black.&#13;
&#13;
Srrona,T.B., M.A. A Manual of Theology. A. and C.&#13;
Black.&#13;
&#13;
Taytor, C., D.D. The Witness of Hermas to the Four&#13;
Gospels. C. J. Clay and Sons, Cambridge University&#13;
Press.&#13;
&#13;
THOROLD, Rr. Rev., A. W., D.D. Questions of Faith and&#13;
Duty. Isbister and Co., Tavistock Street, Covent&#13;
Garden.&#13;
&#13;
Tuckrmr, A. B. Witnesses of These Things. With a&#13;
preface by the Bishop of Durham. Griffith, Farran.&#13;
Is. 6d.&#13;
&#13;
WILLINK, Rev. A. Not “Death’s Dark Night;’ an&#13;
Hour’s Communion with the Dead. Skeffington and&#13;
Son, Piccadilly.&#13;
&#13;
History and Biography.&#13;
&#13;
BaiLtey, JoHN Burn. From Sinner to Saint; or, Cha-&#13;
racter Transformations. Being a few biographical&#13;
sketches of historic individuals whose moral lives under-&#13;
went a remarkable change. Chapman and Hall. 6s.&#13;
&#13;
BELLASIO, Epwarp. Cardinal Newman as a Musician.&#13;
Paper covers. Kegan Paul.&#13;
&#13;
BLoMFIEZLD, J. C.&#13;
Elliott Stock.&#13;
&#13;
Bioaa, H. Brrpwoop, M.A. The Life of Francis Duncan,&#13;
C.B., R.A., M.P., late Director of the Ambulance&#13;
Department of the Order of St. John of Jerusalem in&#13;
England. With an introduction by the Bishop of&#13;
Chester. Kegan Paul.&#13;
&#13;
Bonnar, THomAs. Biographical Sketch of George Meikle&#13;
Kemp, Architect of The Scott Monument. Edinburgh.&#13;
Blackwood.&#13;
&#13;
CuARKE, WituIaAmM. Walt Whitman. With a portrait.&#13;
Dillettante Library Series. Swan Sonnenschein and&#13;
&#13;
History of Lower and Upper Heyford.&#13;
&#13;
Co.&#13;
Craik, Henry. Swift—Selections from his Works.&#13;
Edited, with Life, Introductions, and Notes. In two&#13;
&#13;
vols. Vol. I. Clarendor Press, Oxford, and Henry&#13;
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44, Oakley-street Flats, Chel-ea, S.W.&#13;
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Authors’ MSS. carefully transcribed, 1s. 3d. per 1000&#13;
words. Plays, &amp;c., ss. per Act of 18 pages. Special&#13;
estimates given for extra copies (Carbon) on application.&#13;
Reference Kindly permitted to George Augustus Sala, Esq.&#13;
&#13;
Stickphast&#13;
&#13;
PASTE&#13;
for joining papers and sticking in scraps:&#13;
Sixpence and One Shilling, with strong useful brush.&#13;
&#13;
TO AUTHORS.&#13;
&#13;
The skilled revision, the honest and competent criticism,&#13;
and the offering of MSS. in the American market, are the&#13;
specialities of the New York Bureau of Revision.&#13;
Established 1880. Endorsed by George W. Curtis, J. R.&#13;
Lowell, and many authors.—20 W., Fourteenth-street,&#13;
New York.&#13;
&#13;
HE AUTHORS’ AGENCY. Established 1879. Proprietor, Mr. A. M. BURGHES,&#13;
&#13;
i Paternoster Row. ‘The interests of Authors capably represented. Proposed agreements and estimates&#13;
examined on behalf of Authors. MS. placed -with Publishers. ‘Transfers carefully conducted. Twenty-five years’&#13;
practical experience in all kinds of publishing and book producing. Consultation free. Terms and testimonials from&#13;
leading Authors on application to Mr. A. M. Burghes, Authors’ Agent, 1, Paternoster-row.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Printed and Published by Horace Cox, Bream’s-buildings, London, E.C.</text>
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              <text> The Muthor.&#13;
&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
&#13;
GoMDUCTED BY WALTER SESANT.&#13;
&#13;
&#13;
Vou. III.—No. 2.] JULY 1; F802. [Prick SIXPENCE.&#13;
CONTENTS.&#13;
&#13;
PAGE PAGE&#13;
Warnings ae a See es as mie ae oe .. 43 Feuilleton—Autobiography of an Article one ee ae sea DB&#13;
How to Use the Society... ies ace ies wee oe oe ee Notes from Paris. By Robert H. Sherard ... ss oer Sa OD&#13;
The Authors’ Syndicate... eae ae ae — ee .. 44 Sonnet. By Zitella Tomkins a os wee eS, ave ee OR&#13;
Notices... eae ee noe cae ore Sen eee cee ap ae Women in Journalism oe see aes ae g's ee ser (02&#13;
Literary Property— Authors by Profession. By W. Minto ... te ee as a. 64&#13;
&#13;
L.—A Publisher in Bankruptcy ee tae ves es ioe 468 Correspondence—&#13;
&#13;
Il.—Newspaper Copyright ... sr aS ee aoe meee I.—Useful Books =. aoe coe cos eae oe maa 6D&#13;
I1I.—Newspaper Copyright and the Contributor ... Pe eee IL—The ‘' Higher Literature” coe ioe ies kos S00&#13;
IV.—Serial Rights... ave ee pes ae es pe eo ae T1I.—Another Side oy ee Boe eae bee ie 00&#13;
&#13;
The Annual Dinner— IV.—Bodenstedt des Cas va tes ioe en cee te&#13;
L—The Report ... ae Bs a ies — a =e) 00 V.—Press Copies ae eee eas nae bee oe wos’ OF&#13;
e IL—The Times on the Society ... oe = a oes ae OL VIL—Editor or Proprietor... eee oe he aoe Eps&#13;
Publisher’s Expenses cee ay es oe aes aes os 62 VIL—An Obliging Publisher ... a nas es 5 ens ee&#13;
Press Copies .. cea mas oe ae ae ms Be cin OD VII1.—Literature and Independence ... cag a oes son 68&#13;
The American Societies... ae ee Yes e waa sox Oe ‘* At the Author’s Head” ... oe = ee es ais aoe OF&#13;
Our Enemies ... 5 ee 55 ee tes oe ee san Oe New Books and New Editions... a see aaa a hes Ok&#13;
Notes and News. By the Editor... ae te aoe ave Sen 8&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
1. The Annual Report. That for January 1892 can be had on application to the Secretary.&#13;
&#13;
9. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members.&#13;
&#13;
&amp; 8. The Grievances of Authors. (The Leadenhall Press.) 2s. The Report of three Meetings on&#13;
5 the general subject of Literature and its defence, held at Willis’s Rooms, March, 1887.&#13;
&#13;
4. Literature and the Pension List. By W. Morris Coxuus, Barrister-at-Law. (Henry Glaisher,&#13;
95, Strand, W.C.) 33s.&#13;
&#13;
5. The History of the Societe des Gens de Lettres. By S. Squire Spricen, Secretary to the&#13;
Society. Is.&#13;
6. The Cost of Production. In this work specimens are given of the most important forms of type,&#13;
&#13;
size of page, &amp;c., with estimates showing what it costs to produce the more common kinds of&#13;
books. Henry Glaisher, 95, Strand, W.C. 2s. 6d.&#13;
&#13;
7. The Various Methods of Publication. By S. Squire Spricer. In this work, compiled from the&#13;
papers in the Society’s offices, the various kinds of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the various&#13;
kinds of fraud which have been made possible by the different clauses in their agreements&#13;
Henry Glaisher, 95, Strand, W.C. 3s.&#13;
&#13;
a. 8. Copyright Law Reform, An Exposition of Lord Monkswell’s Copyright Bill now before Parlia-&#13;
ment. With Extracts from the Report of the Commission of 1878, and an Appendix&#13;
containing the Berne Convention and the American Copyright Bill. By J. M. Luny. Eyre&#13;
and Spottiswoode. 1s. 6d.&#13;
&#13;
 &#13;
   &#13;
&#13;
4&#13;
&#13;
|&#13;
|&#13;
i '&#13;
|&#13;
&#13;
 &#13;
&#13;
42 ADVERTISEMENTS.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
LINOTYPE COMPOSING JIAGHINE.&#13;
&#13;
SPECIALLY ADAPTED FOR BOOKWORK.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Extract from the “ Printers’ Register,’ Dec. 7, 1891:&#13;
&#13;
“The result of the contest between four American composing machines—the Linotype,&#13;
the Rogers’, the MacMillan, and the St. John Typo-bar systems—inaugurated by the American&#13;
Newspaper’ Publishers’ Association, Chicago, has been announced. The Linotype showed the&#13;
best results, composing on the first day of eight hours 47,900 ems, and nearly 49,000 ems on&#13;
the second day. The matter chosen consisted partly of sporting, market reports, and cable news,&#13;
which had to be read and corrected.”&#13;
&#13;
THE ABOVE SHOWS THAT 49,000 AMERICAN EMS, EQUAL TO 98,000 ENGLISH ENS,&#13;
WERE SET IN EIGHT HOURS—GIVING&#13;
&#13;
AN AVERAGE OF 12,250 ENS AN HOUR, CORRECTED MATTER.&#13;
&#13;
 &#13;
&#13;
AUTHORS’ CORRECTIONS&#13;
&#13;
Can be made on the Linotype Machine in about a quarter of the time occupied by hand-setting.&#13;
To demonstrate this experiments were conducted by the well-known publisher, Mr. H. Rand. Into&#13;
9200 ens of matter from the daily press a large variety of errors were purposely introduced both&#13;
in Linotypes and ordinary type. The Linotype matter was corrected in twenty-seven minutes,&#13;
while the type matter occupied an hour and a half.&#13;
&#13;
THE ECONOMIC PRINTING &amp; PUBLISHING CO. LIMITED,&#13;
&#13;
39, BOUVERIE STREET, FLEET STREET, E.C.,&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Having acquired the monopoly of Linotype Machines in London (excepting Newspaper Offices), are&#13;
in a position to quote decidedly advantageous Prices to Authors for the Composition of Books by&#13;
Linotype, and also undertake the Printing, being well equipped with Printing Machinery by the&#13;
best makers.&#13;
&#13;
 &#13;
&#13;
y&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
Che Huthor.&#13;
&#13;
(The Organ of the Incorzorated Society of Authors.&#13;
&#13;
Monthly.)&#13;
&#13;
CONDUCTED BY WALTER BESANT.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Vou. III.—No. 2.]&#13;
&#13;
JULY 1, 1892:&#13;
&#13;
[PRIcE SIXPENCE.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
for the Opinions expressed in papers that are&#13;
signed or initialled the Authors alone are&#13;
responsvble.&#13;
&#13;
WARNINGS.&#13;
&#13;
 &#13;
&#13;
Reapers of the Author are earnestly desired to&#13;
make the following warnings as widely known as&#13;
possible. They are based on the experience of&#13;
seven years’ work upon the dangers to which literary&#13;
property is exposed :—&#13;
&#13;
} (1.) NEvER sign any agreement of which the&#13;
alleged cost of production forms an&#13;
integral part, until you have proved the&#13;
figures.&#13;
&#13;
(z.) Never enter into any correspondence with&#13;
publishers, especially with those who&#13;
advertise for MSS., who are not recom-&#13;
mended by experienced friends or by this&#13;
Society.&#13;
&#13;
(3.) Never, on any account whatever, bind&#13;
yourself down for future work to any-&#13;
one,&#13;
&#13;
(4.) Never accept any proposal of royalty&#13;
until you have ascertained what the&#13;
agreement proposes to give to the&#13;
author and what to the publisher.&#13;
&#13;
4) (5.) Never accept any pecuniary risk or respon-&#13;
sibility whatever without advice.&#13;
&#13;
(6.) Nuver, when a MS. hes been refused by&#13;
respectable houses, pay others, whatever&#13;
promises they may put forward, for the&#13;
production of the work.&#13;
&#13;
(7.) Never sign away American rights. Keep&#13;
them. Refuse to sign any agreement&#13;
VOL. III.&#13;
&#13;
 &#13;
&#13;
containing a clause which reserves them&#13;
for the publisher. If the publisher&#13;
insists, take away the MS. and offer it&#13;
to another.&#13;
&#13;
(8.) Never sign an agreement or a receipt&#13;
which gives away copyright without&#13;
advice.&#13;
&#13;
(9.) Keep control over the advertisements by&#13;
clause in the agreement. Reserve a veto.&#13;
If you are yourself ignorant of the sub-&#13;
ject, make the Society your agent.&#13;
&#13;
(1o.) Never forget that publishing is a busi-&#13;
ness, like any other business, totally un-&#13;
connected with philanthropy, charity, or&#13;
pure love of literature. You have to do&#13;
with business men.&#13;
&#13;
Society’s Offices :—&#13;
4, Portueat Street, Lincoun’s Inn FIELps.&#13;
&#13;
HOW TO USE THE SOCIETY.&#13;
&#13;
 &#13;
&#13;
1. Send to the office copies of past agreements&#13;
and past accounts with the loan of the books repre-&#13;
sented. This is in order to ascertain what has&#13;
been the nature of your agreements and the&#13;
results to author and publisher respectively so&#13;
far. The secretary will always be glad to have&#13;
any agreements for inspection and note. The&#13;
information thus obtainable is invaluable.&#13;
&#13;
2. If the examination of your previous business&#13;
transactions by the Secretary proves unfavour-&#13;
able, you should take advice as toa change of&#13;
publishers.&#13;
&#13;
3. Before signing any agreement whatever,&#13;
send the proposed form to the Society for&#13;
examination.&#13;
&#13;
D2&#13;
  &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
  &#13;
&#13;
44&#13;
&#13;
~&#13;
&#13;
 &#13;
&#13;
4. The Society is acquainted with the methods,&#13;
and—in the case of fraudulent houses—the tricks,&#13;
of every publishing firm in the country.&#13;
Remember that there are certain houses which live&#13;
entirely by trickery.&#13;
&#13;
5. The outward and visible signs of the&#13;
fraudulent publisher are—(1) a virtuous and&#13;
benevolent wish to have the unquestioned conduct&#13;
of your business left entirely in his hands; (2) a&#13;
virtuous, good man’s pain at being told that his&#13;
accounts must be audited; (3) a virtuous indig-&#13;
nation at being asked what his proposal gives&#13;
him compared with what it gives the author;&#13;
and (4) irrepressible irritation at any mention of&#13;
the Society of Authors.&#13;
&#13;
6. Remember always that in belonging to the&#13;
Society you are fighting the battles of other&#13;
writers, even if you are reaping no benefit to&#13;
yourself, and that you are advancing the best&#13;
interests of literature in promoting the inde-&#13;
pendence of the writer.&#13;
&#13;
7. Send to the Editor of the Author notes of&#13;
everything important to literature that you may&#13;
hear or meet with.&#13;
&#13;
THE AUTHORS’ SYNDICATE.&#13;
&#13;
 &#13;
&#13;
R. Colles desires to inform readers of the&#13;
Author—&#13;
&#13;
1. That the Authors’ Syndicate is now m a&#13;
position to take charge in whole or in part&#13;
of the business of members of the Society.&#13;
With, when necessary, the assistance of&#13;
the advisers of the Society it will conclude&#13;
agreements, collect. royalties, examine and&#13;
pass accounts, and, generally, relieve mem-&#13;
bers of the trouble of managing business&#13;
details. All accounts opened between&#13;
the Syndicate and members are duly&#13;
audited.&#13;
&#13;
2. That the establishment expenses of the&#13;
Authors’ Syndicate are defrayed entirely&#13;
out of the commission charged on rights&#13;
placed through its intervention. This&#13;
varies, and must vary, according to the&#13;
nature of the services rendered, but it is&#13;
intended to reduce the rates to the lowest&#13;
possible amount compatible with effi-&#13;
ciency. Meanwhile members will please&#13;
accept this intimation that they are not&#13;
‘entitled to the services of the Syndicate&#13;
gratis.&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
3. That he undertakes to work for none but&#13;
members of the Society.&#13;
&#13;
4. That his business is not to advise members&#13;
of the Society, but to manage their affairs&#13;
for them if they please to entrust them&#13;
to him.&#13;
&#13;
5. That when he has any work in hand he&#13;
must have it entirely in his own hands;&#13;
in other words, that authors must not&#13;
ask him to place certain work, and then&#13;
go about endeavouring to place it by&#13;
themselves.&#13;
&#13;
6. That when a MSS. has been sent from pub-&#13;
lisher to publisher, and from editor to&#13;
editor, in vain, it is most likely impossible&#13;
to place it.&#13;
&#13;
7. That in the face of the present competition,&#13;
authors will do well to moderate their&#13;
expectations.&#13;
&#13;
To this it may be added, that where advice is&#13;
sought, the Secretary of the Society, and not the&#13;
Syndicate, must be consulted. On his behalf ©&#13;
members are requested—&#13;
&#13;
1. To place on paper briefly the points on which&#13;
advice is asked.&#13;
&#13;
2. To send up all the letters and papers con-&#13;
nected with the case, if it is a case of&#13;
&#13;
dispute.&#13;
3. Not to conceal or keep back any of the&#13;
facts.&#13;
pect&#13;
NOTICES.&#13;
&#13;
 &#13;
&#13;
HE Editor of the Author begs to remind&#13;
members of the society that, although the&#13;
paper is sent to them free of charge, the&#13;
&#13;
cost of producing it would be a very heavy —&#13;
charge on the resources of the society if a great&#13;
many members did not forward to the secretary —&#13;
the modest 6s. 6d. subscription for the year. He&#13;
finds that, while the interest in the paper increases,&#13;
and while it is acknowledged to be doing good&#13;
service by its exposures and investigations, —&#13;
there has been some tendency this year to forget&#13;
the subscription. Perhaps this reminder may be |&#13;
of use. With 800 members, besides the outside&#13;
circulation of the paper, the Author ought to&#13;
&#13;
prove a source of revenue to the society. :&#13;
&#13;
  &#13;
&#13;
 &#13;
“Io&#13;
jem pelos&#13;
&#13;
i te oe&#13;
&#13;
{Co Fao&#13;
&#13;
a= Jee&#13;
&#13;
i&#13;
&#13;
nf&#13;
&#13;
7&#13;
a&#13;
i&#13;
re&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
The Editor would also be very glad to receive&#13;
papers and communications on all subjects con-&#13;
ne ‘ted with literature from members and others.&#13;
Nothing can do more good to the society than&#13;
to make the Author complete, attractive, and&#13;
interesting. Will those who are willing to aid&#13;
in this work send their names and the special&#13;
subjects on which they are willing to write ?&#13;
&#13;
 &#13;
&#13;
All persons engaged in literary work of any&#13;
kind, whether members of this Society or not,&#13;
are invited to communicate to the Editor any&#13;
points connected with their work which it would&#13;
be advisable in the general interest to publish.&#13;
&#13;
SS =&#13;
&#13;
Members and others who wish their MSS. read&#13;
are requested not to send them to the Office with-&#13;
out previously communicating with the Secretary.&#13;
The utmost practicable despatch is aimed at, and&#13;
MSS. are read in the order in which they are&#13;
received. It must also be distinctly understood&#13;
that the Society does not, under any circum-&#13;
stances, undertake the publication of MSS.&#13;
&#13;
 &#13;
&#13;
The Authors’ Club is now opened in temporary&#13;
premises, at 17, St. James’s Place, St. James’s&#13;
Street. Address the Secretary for information,&#13;
rules of admission, &amp;c.&#13;
&#13;
 &#13;
&#13;
Will members take the trouble to ascertain&#13;
whether they have paid their subscriptions for&#13;
the year? If they will do this, and remit the&#13;
amount or a banker’s order, it will greatly assist&#13;
the Secretary, and save him the trouble of&#13;
sending out a reminder.&#13;
&#13;
—o&#13;
&#13;
Members are most earnestly entreated to attend&#13;
to the warning numbered (3). It is a most foolish&#13;
and a most disastrous thing to bind yourself to&#13;
anyone for a term of years. Let them ask them-&#13;
selves if they would give a solicitor the collection&#13;
of their rents for five years to come, whatever&#13;
his conduct, whether he was honest or dishonest ?&#13;
Of course they would not. Why then hesitate&#13;
for a moment when they are asked to sign&#13;
themselves into literary bondage for three or five&#13;
years ?P&#13;
&#13;
oS&#13;
&#13;
How, we are asked almost every day, is the&#13;
young writer to make a beginning? He should&#13;
first get an opinion from one of the Society’s&#13;
readers as to the merits and chances of his book.&#13;
&#13;
45&#13;
&#13;
It may be that certain points would be suggested&#13;
foralteration. It may be that he will find himself&#13;
recommended to put his MS. in the fire He&#13;
should then, if encouraged, offer his MS. toa list&#13;
of houses or of magazines recommended by the&#13;
Society There is nothing else to be done. No&#13;
one, we repeat, can possibly help him. If those&#13;
houses all refuse him, it is not the least use trying&#13;
others, and, if he is a wise man, he will refuse to&#13;
pay for the production of his own work. If, how-&#13;
ever, as too often happens, he is not a wise man,&#13;
but believes that be has written a great thing, and&#13;
is prepared to back his opinion to the extent of&#13;
paying for his book, then Jet him place his work&#13;
in the hands of the Society, and it shall be&#13;
arranged for him without greater loss than the&#13;
actual cost of production. At least he will not be&#13;
deluded by false hopes and promises which can&#13;
end in nothing.&#13;
&#13;
 &#13;
&#13;
Several correspondents have asked whether Mr.&#13;
P, F. Collier, who has already been mentioned in&#13;
connection with an advertisement offering to give&#13;
English authors an immense circulation, is a&#13;
person to be trusted. There scems little doubt&#13;
that he can do what he promises, which is to run&#13;
a novel through his journal. What more he will&#13;
or can do is quite uncertain We therefore repeat&#13;
the warning given in our last number. Let&#13;
authors be careful to secure the usual business&#13;
arrangement in an agreement before sending their&#13;
work across the Atlantic, either to Mr. Collier or&#13;
to any other.&#13;
&#13;
SS&#13;
&#13;
The committee of the Lowell Memorial is now&#13;
formed. The form of the Memorial has been&#13;
decided upon, and the committee are now pre-&#13;
pared to receive donations. Need we in these&#13;
pages do more than chronicle the fact ? Lowell&#13;
was so staunch a friend of the Society that every&#13;
member ought to forward something towards&#13;
this admirable and worthy object. Mr. Herbert&#13;
Thring, secretary of the Society, is also hon. sec.&#13;
to the Lowell memorial. Letters can be addressed&#13;
to him. Among the men and women of letters&#13;
on the committee are, in alphabetical order, Mrs.&#13;
Lynn Linton, Mrs. Richmond Ritchie, Miss Anne&#13;
Swanwick, Walter Besant, Augustus Birrell,&#13;
R. D. Blackmore, James Bryce, Austin Dobson,&#13;
Canon Doyle, Archdeacon Farrar, Edmund Gosse,&#13;
Rider Haggard, R. H. Hutton, Professor Huxley,&#13;
Dean Kitchen, Andrew Lang, W. E. H. Lecky,&#13;
Sidney Lee, Sidney Low, Justin M ‘Carthy,&#13;
Norman M‘Coll, James Martineau, George Mere-&#13;
dith, Sir F. Pollock, and Theodore Watts.&#13;
&#13;
 &#13;
 &#13;
&#13;
  &#13;
&#13;
46 THE&#13;
&#13;
 &#13;
&#13;
The Globe (June 11, 1892) called attention toa&#13;
very remarkable offer of the International Peace&#13;
and Arbitration Association. This society had&#13;
offered a prize of £50 for the best essay on peace,&#13;
with the condition that all the essays offered should&#13;
become their property. Who would believe that&#13;
the ignorance as to hterary property was so deep&#13;
and so extensive ? Here are a body of, apparently,&#13;
honourable men banded together for an honour-&#13;
able object. Yet they propose calmly to “ annex”’&#13;
an unknown quantity of literary property.&#13;
Suppose that only ten of the essays sent in were&#13;
worth as much as £10 each as their marketable&#13;
value. This society actually proposed to keep&#13;
this £100 in return for nothing! Would these&#13;
gentlemen make the same offer with regard to&#13;
desks say, or pictures, or cabinets, or statues ?&#13;
Certainly not. But they did not understand that&#13;
they were dealing with literary property, or that&#13;
there was any such thing as literary property.&#13;
Since this was written the society has rescinded&#13;
their original resolution. They will return the&#13;
unsuccessful essays. As an illustration of pre-&#13;
vailing ignorance as to literary property, the&#13;
above may remain.&#13;
&#13;
 &#13;
&#13;
The Globe also did good service in the same&#13;
number by making a rough classification of the&#13;
books of the month. There are 240 new books.&#13;
Of these 73 are works of fiction, mostly little&#13;
story books. One out of every four books is&#13;
meant for a student. That means that the&#13;
literature of education is 25 per cent. of our whole&#13;
literature, a fact useful to remember.&#13;
&#13;
 &#13;
&#13;
To quote again from the Globe, mention is&#13;
made of the way in which Richard Jefferies&#13;
scattered his books among different publishers.&#13;
The reason was that the returns from the sale of&#13;
his books seemed to him so much out of propor-&#13;
tion to the laudatory reviews that he thought&#13;
himself ill-treated, and so changed his publishers.&#13;
It is a great trouble therefore to get a com-&#13;
plete list of his books. In the good time to&#13;
come, when the relation of author to publisher&#13;
shall have been equitably arranged, this trouble&#13;
will not exist. Meantime, there are other sinners&#13;
besides Jefferies. It is most difficult to get all&#13;
the scattered works of Andrew Lang. Louis&#13;
Stevenson’s books are here and there. So are&#13;
Rudyard Kipling’s, so are Rider Haggard’s, so&#13;
are Thomas Hardy’s, so are William Black’s.&#13;
&#13;
 &#13;
&#13;
The dispersion of the Althorp Library is a&#13;
national loss. The books will mostly go to&#13;
&#13;
 &#13;
&#13;
AUTHOR.&#13;
&#13;
America. The sale is said to have been necessitated&#13;
by the agricultural depression. No one seems&#13;
ever to have sat down and calmly estimated what&#13;
this depression means, and what it is doing to&#13;
this country. It affects ourselves especially in&#13;
increasing enormously the number and the com-&#13;
petition of those who are trying to write. The&#13;
professional incomes at home—tfrom glebe lands,&#13;
from pew rents, in the law, in medicine, in teaching&#13;
—have shrunk so terribly that the girls of the&#13;
family are growing distracted with the desire, and&#13;
the necessity, to earn money somehow——anyhow.&#13;
&#13;
 &#13;
&#13;
The M‘Kinley Tariff is giving trouble as to the&#13;
importation of books. They must be old books:&#13;
their binding, also, must be old—at least twenty&#13;
years old. Now, the binding is very often com-&#13;
paratively new. What is to be done? Perhaps&#13;
the simplest plan would be to declare boldly the.&#13;
binding as well as the book to be more than&#13;
twenty years old.&#13;
&#13;
 &#13;
&#13;
The Literary Ladies’ Dinner was held on&#13;
June 8, at the Criterion, Mrs. Graham Tomson&#13;
was the president of the evening, and among&#13;
those present were Lady Lindsay, Lady Violet&#13;
Greville, Mrs. John Forsey, Mrs. Pennell, Miss&#13;
Clementina Black, Miss Dora ‘Tulloch, Miss&#13;
Hawke, Miss Beatrice Whitby, Mrs. Bennett&#13;
Edwards. A dinner where the guests are all&#13;
ladies seems to the undisciplined mind an insipid&#13;
thing; but then undisciplined minds are not&#13;
invited. If the ladies themselves did find it&#13;
insipid they would not repeat it. There is a&#13;
picture of the banquet in the Queen, showing&#13;
champagne glasses in the usual position. The&#13;
ladies, therefore, refreshed themselves in the&#13;
customary manner. Miss Clementina Black is&#13;
reported to have tendered a piece of advice so&#13;
excellent that it must be repeated. It was, never&#13;
to undersell men—or each other.&#13;
&#13;
ee&#13;
&#13;
ON LITERARY PROPERTY.&#13;
&#13;
 &#13;
&#13;
I.&#13;
A PusiisHER IN BANKRUPTCY.&#13;
&#13;
\ N 7E UNDERSTAND that many cases have&#13;
recently arisen in which an author,&#13;
having sold or otherwise parted. with&#13;
&#13;
his copyright to a publisher, has lost heavily by&#13;
&#13;
that publisher’s bankruptcy. Especially has this&#13;
happened in cases where the sale has been wholly&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
  &#13;
 &#13;
&#13;
IA AUTHOR,&#13;
&#13;
‘© or partly on credit, and the bankruptcy finds the&#13;
*» author in the position of unpaid creditor, with a&#13;
«new debtor in the shape of a trustee in bank-&#13;
ruptcy in the place of his publisher to look to for&#13;
¢ payment. The trustee in bankruptcy, or the&#13;
| liquidator of a company, whose legal position is&#13;
practically the same as that of a trustee in bank-&#13;
ruptcy, claims to keep the copyright and make&#13;
money out of it either by carrying on the pub-&#13;
/  lisher’s business, or selling it, but to substitute&#13;
1} the mere right to a dividend out of the bank-&#13;
rupt’s estate for the right to payment in full.&#13;
This is so hard upon the author, that at first we&#13;
» could hardly think that the claim of the trustee&#13;
( in bankruptcy could be sustained in law. But on&#13;
*) talking the matter over with more lawyers than&#13;
f&#13;
)&#13;
&#13;
 &#13;
&#13;
one, we have practically satisfied ourselves that&#13;
&#13;
the claim of the trustee in bankruptcy is in most&#13;
&#13;
cases good.&#13;
It becomes, therefore, of consequence to con-&#13;
&#13;
» sider what is the best course for an author to&#13;
| pursue. It is an awkward thing to suggest to&#13;
&#13;
i) the publisher, with whom ea hypothesi the author&#13;
i is, and wishes to continue, on friendly relations,&#13;
) that he may one day become bankrupt, but as a&#13;
| matter of business we think that in all publishing&#13;
» agreements, where the author gives credit, it would&#13;
| be well for him to stipulate that in case of the&#13;
&#13;
publisher's bankruptcy the copyright should&#13;
' revert to the author until the whole purchase&#13;
&#13;
“ money has been paid. The form of such a&#13;
&#13;
%@ stipulation may not be very easy to settle, but we&#13;
©) think that it would hold good if properly shaped,&#13;
&#13;
4 it being a general rule attaching to the ownership&#13;
&#13;
| 19 of property, that the owner “ may, upon aliena-&#13;
&#13;
') tion, qualify the interest of his alienee by a con-&#13;
&#13;
"dition defeating it on his bankruptcy, so that it&#13;
‘t will not pass to his trustee on bankruptcy :”’ (see&#13;
&#13;
"7 Williams on Bankruptcy, 5th edit., at Dp. 172.)&#13;
&#13;
' There is, however, a very important exception&#13;
©) to the general rule that a bankrupt’s “‘ property ”&#13;
6% passes to his trustee, and that is that contracts&#13;
™ involving the personal skill of the bankrupt do&#13;
o% not so pass. “It is not easy to say” (it is&#13;
&#13;
“© observed in Williams on Bankruptcy, p. 174),&#13;
&#13;
“what makes the personal skill of the bankrupt&#13;
&#13;
so of the essence of the contract as to entitle the&#13;
&#13;
other contracting party to refuse anything else ;”&#13;
but an autho.’s contract with a publisher has&#13;
been twice held by the courts to involve personal&#13;
skill on the part of the publisher as well as of&#13;
the author, so as not to be assignable, and the&#13;
case of a sale of copyright, not for money down,&#13;
but merely for royalties, seems to differ essen-&#13;
tially from the case of a sale out and out.&#13;
&#13;
The whole question of the relations between&#13;
an author and the trustees in bankruptcy of his&#13;
publisher is as difficult as it is important, and&#13;
&#13;
is&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
47&#13;
&#13;
concerns journalists as well as authors. We shall&#13;
be glad to receive from our readers, especially&#13;
from those who are learned in the law, any sug-&#13;
gestions throwing light upon the question with a&#13;
view to the amendment of the present practice so&#13;
far as may be shown to be desirable.&#13;
&#13;
So&#13;
&#13;
II,&#13;
’ NewsparErR Copyricur.&#13;
&#13;
In connection with the important question of&#13;
newspaper copyright, it may be pointed out that&#13;
the Royal Commission on Copyright of 1878 re-&#13;
ported to the effect that “much doubt appeared&#13;
to exist, in consequence of several conflicting&#13;
legal decisions, whether there is any copyright in&#13;
newspapers,” and suggested that “in any future&#13;
legislation the defect might be remedied by de-&#13;
fining what parts of a newspaper might be con-&#13;
sidered copyright, and by distinguishing between&#13;
announcements of facts and communications of a&#13;
literary character.” In compliance with the sug-&#13;
gestion, it was proposed to provide, by the&#13;
Government Bill of 1879 (introduced by the&#13;
present Duke of Rutland when Lord John&#13;
Manners), that all the clauses of the bill as to&#13;
books published in series should apply to a news-&#13;
paper, “so far as the newspaper should contain&#13;
original compositions of a literary character, but&#13;
should not apply to such portion of a newspaper&#13;
as should contain news ;”’ and, further, “ that the&#13;
publisher of a newspaper should, within one&#13;
week after the publication of every number&#13;
thereof, deliver a copy of that number to the&#13;
trustees of the British Museum, and in default&#13;
should be liable to the same fine to which the&#13;
publisher of a book is liable on failing to deliver&#13;
a copy thereof to those trustees.” Lord Monks-&#13;
well’s Bill, which was read a second time in the&#13;
House of Lords in the session of 1891, more&#13;
elaborately provided that newspaper copyright&#13;
should extend only to articles, paragraphs, com-&#13;
munications, and other parts which are composi-&#13;
tions of a literary character, and not to any&#13;
articles, paragraphs, communications, or other&#13;
parts which are designed only for the publication&#13;
of news, or to advertisements, but added that&#13;
“the making of fair and moderate extracts from&#13;
a newspaper in which there should be subsisting&#13;
copyright, and the publication thereof in any&#13;
other newspaper should not be deemed to be&#13;
infringement of copying if the source from which&#13;
the extracts have been taken is acknowledged.”&#13;
Inasmuch as the existing Copyright Act of 1845&#13;
does not mention a newspaper by name, and even&#13;
the Newspaper Libel and Registration Act, 1881,&#13;
 &#13;
&#13;
48&#13;
&#13;
which requires registration of the titles of news-&#13;
papers and of the names of all their proprietors,&#13;
is absolutely silent on the question of copyright,&#13;
a short amending bill incorporating, so far as&#13;
deemed desirable, the legal effect of the late&#13;
decision of Mr. Justice North in Walter v.&#13;
Steinkopf appears to be urgently required.— Law&#13;
Journal.&#13;
&#13;
Ss&#13;
&#13;
TI.&#13;
NewspPaPer CopyRIGHT AND THE ConrTRIBUTOR.&#13;
&#13;
The comments and the controversy on the&#13;
subject of newspaper copyright have been carried&#13;
on, with one exception, in entire disregard of&#13;
the rights of the contributor. In the court&#13;
no notice wastaken of him; he was supposed to&#13;
have no rights, or to have sold all his rights ; in fact,&#13;
he was not considered atall. At last. a letter ia&#13;
the Times of June 9 does really hint at such&#13;
a thing as the rights of the contributor. What,&#13;
in fact, does the contributor to a paper really&#13;
sell? If there is no agreement tothe contrary&#13;
he sells the exclusive right to publish for one day.&#13;
That is all. The proprietor of the paper may&#13;
claim to have bought the whole copyright of the&#13;
paper, but, without an agreement to that effect, he&#13;
would find it difficult to prove that claim. In&#13;
most cases the contribution is of ephemeral value&#13;
only, but there may arise instances in which great&#13;
damage and injustice may be done to the writer&#13;
by reproducing his work in other papers. Take,&#13;
for instance, a series of articles writen for a&#13;
magazine, to be afterwards published in volume&#13;
form. Suppose those articles are copied whole-&#13;
sale, the readers of the book are, of course, reduced&#13;
in proportion. For instance, in the case of Mr.&#13;
Rudyard Kipling’s papers, they are, presumably,&#13;
to appear ultimately m volume form; the serial&#13;
right, also presumably, is purchased by the&#13;
Times. Now, the writer in selling that right to&#13;
the Times certainly does not sell it to the wide&#13;
wide world. It is true that the Tvmes goes over&#13;
the whole world, but it is not true that the whole&#13;
world reads the Times.&#13;
&#13;
This aspect of the case becomes more serious&#13;
when we consider the present tendency of Jour-&#13;
nalism to engage the services of well-known&#13;
specialists who sign their names. Papers written&#13;
by these men have more than an ephemeral&#13;
interest and more than an ephemeral value.&#13;
It is no longer the anonymous paper, whose&#13;
authorship may perhaps be guessed from in-&#13;
ternal evidence; it is a weighed, responsible&#13;
opinion by one who has a reputation to support,&#13;
that is placed before us. To reproduce this&#13;
&#13;
paper without permission, and whether with&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
acknowledgment or not, is not only a certain&#13;
infringement of copyright which has been ac-&#13;
quired by honourable payment, but it is also a&#13;
probable injury to the writer of the paper.&#13;
&#13;
This view of the subject shows that many other&#13;
persons besides the proprietor of a paper may be&#13;
concerned in safeguarding these rights — the&#13;
contributor first, the publisher employed by the&#13;
author next, and the persons employed by the&#13;
publisher—printer, paper maker, binder. If a&#13;
series of articles, written for one paper, is copied&#13;
by all the papers of the country, the volume&#13;
which they were afterwards to form is simply&#13;
destroyed. Instead, therefore, of talk about&#13;
“tacit understanding of honourable reciprocity ”&#13;
it seems to be the real interest of all papers alike&#13;
to guard their own property with the greatest&#13;
jealousy. And if this is the result of the recent&#13;
controvery a long step will have been made in&#13;
that respect for property which lies at the bottom&#13;
of all order.”&#13;
&#13;
 &#13;
&#13;
IV.&#13;
SreriaL RicHTs.&#13;
&#13;
One of the unexpected results of the American&#13;
Copyright Act is the difficulty with which it&#13;
has surrounded the sale of serial rights. If a&#13;
story is serialised in England and is not serialised&#13;
simultaneously in the States, the American copy-&#13;
right is of course seriously jeopardised. It is&#13;
not clear that serials that run im England can&#13;
be annexed by American pirates at their own&#13;
sweet will, but, in order to protect the copy-&#13;
right in both countries, the better opinion&#13;
appears to be that formal publication in book&#13;
form should take place before the serialisation&#13;
commences in either country. This is imcon-&#13;
venient, but it is certain; and in the midst of so&#13;
much uncertainty, that is much. From this it&#13;
will be seen that the sale of serial rights, always&#13;
difficult, is becoming extremely complicated. It&#13;
will not only be necessary in future to make&#13;
arrangements a long way ahead—every story-&#13;
teller knows that magazines and journals make&#13;
their fiction arrangements twelve, twenty-four, or&#13;
even thirty-six months in advance, and arrange-&#13;
ments for 1895 have already been concluded in&#13;
many quarters by many of the foremost writers—&#13;
but, added to that, it will be necessary for the&#13;
story to be complete and ready for the press six&#13;
months before it commences to run as a serial.&#13;
In other words, writers who have not completed&#13;
their arrangements will have to choose between&#13;
a long postponement of book publication on the&#13;
one hand or the loss of their serial rights, or, if&#13;
not, of their American copyright on the other. It&#13;
&#13;
 &#13;
&#13;
 &#13;
OE&#13;
&#13;
JOS&#13;
SE&#13;
&#13;
aka&#13;
ioe&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
is desirable that authors should understand the&#13;
difficulties with which serialisation is surrounded :&#13;
they would thus save themselves much disap-&#13;
pointment. There seems to be a widespread&#13;
notion that serials can be arranged for at any&#13;
time and with no notice whatever; but it may be&#13;
taken for granted that arrangements so con-&#13;
cluded must be made on extremely bad terms,&#13;
and authors have only themselves to thank if&#13;
they do not take the trouble to ascertain the con-&#13;
ditions of the market.&#13;
&#13;
This brings us to the elementary fact which&#13;
cannot be insisted upon too strongly, or reiterated&#13;
with too much frequency—that serial rights are&#13;
the most valuable of all and of course the most&#13;
important of all. It is impossible to generalise,&#13;
but one successful novelist at least declares that&#13;
his serial rights are to his book rightsas5 tol. It&#13;
is ridiculous to imagine that editors will put them-&#13;
selves out to meet the convenience of writers&#13;
when, having regard to the importance of their&#13;
Support, they are entitled to have their own&#13;
arrangements considered. Authors who wish to&#13;
make the most of their serial rights will do well to&#13;
fall in with the conditions imposed. To arrange&#13;
for book publication first and even to fix this date&#13;
and then to expect that the story will be serialised&#13;
successfully is ridiculous. It will probably be&#13;
worth the writer’s while to postpone book publica-&#13;
tion until serial arrangements have been properly&#13;
concluded, or it has been conclusively proved&#13;
that such arrangements are impracticable. A&#13;
word may be said here as to the use of fiction in&#13;
newspapers. There is no doubt that newspapers&#13;
represent a most important and a growing&#13;
market. The capacity of the press of the world is&#13;
practically inexhaustible. At the present time&#13;
nearly all the best fiction is pre-empted by the&#13;
newspaper market, which has lately advanced&#13;
with enormous strides in this direction. The&#13;
periodicals will certainly have to look to their&#13;
laurels if they are going to hold their own against&#13;
the big provincial, Colonial, and American week-&#13;
lies. Hitherto the newspaper market has been in&#13;
the hands of middlemen who, it may be presumed,&#13;
have found it not unprofitable, but the attempt&#13;
which has been made hy the Authors’ Syndicate,&#13;
and not without a promise of success, to bring&#13;
authors into direct communication with the news.&#13;
paper press, is at least worthy of recognition.&#13;
&#13;
The greatest misapprehension exists as to the&#13;
method whereby a story can be syndicated. The&#13;
fact that much inferior fiction runs through the&#13;
columns of the provincial press is urged as a&#13;
reason for believing that a ready market can here&#13;
be found. But this is very far from being the&#13;
case. One or two agencies exist which supply&#13;
fiction by the yard and at any price you please&#13;
&#13;
VOL, III.&#13;
&#13;
AUTHOR. 49&#13;
&#13;
from 1s. 6d. per column, and it is easy to under-&#13;
stand that the quality of the wares they have to&#13;
offer is not, to say the least, remarkably high.&#13;
There does not at present exist any means of&#13;
getting into the columns of journals of this&#13;
character except through the instrumentality of&#13;
the agencies mentioned. Arrangements with&#13;
journals which only buy the best fiction in the&#13;
market are an altogether different matter, and&#13;
have to be arranged for with as much care as&#13;
with the leading periodicals of the day. I£ it be&#13;
remembered that for a story to be properly&#13;
syndicated, contracts have to be concluded in&#13;
America, Australasia, India, Africa, and through-&#13;
out Great Britain and Ireland, it will be seen at&#13;
once that much time must be occupied in carrying&#13;
through negotiations.&#13;
&#13;
To sum up, therefore, the one thing needful&#13;
to bear in mind in serialising stories is to con-&#13;
clude arrangements a long time ahead, certainly&#13;
twelve months, and better still, twenty-four&#13;
months, in advance, or making allowance for the&#13;
run of the story certainly two if not three years&#13;
before final publication in book form.&#13;
&#13;
A few words may be added here as to the sale&#13;
of serial rights, especially serial rights in short&#13;
stories. Some editors who express a not un-&#13;
natural predilection for dealing with authors&#13;
direct, send out a form of receipt which contains&#13;
the words “including copyright,” and this might&#13;
of course operate, if not as an assignment, as&#13;
evidence of a prior assignment. Authors will&#13;
do well to consider, in making any arrangements,&#13;
what rights they are really selling. It should be&#13;
borne in mind that even the serial rights of a&#13;
short story are often valuable, or become valuable.&#13;
The use can be sold over and over again in all&#13;
parts of the world unless it is limited to the&#13;
organ purchasing it in the first instance, In no&#13;
case should the copyright be thrown in as a sort&#13;
of make-weight. Collections of short stories may&#13;
in the near future be more popular than they are&#13;
now, and in any case the copyright should on&#13;
principle never be parted with except for an&#13;
adequate consideration.&#13;
&#13;
One other matter which it is important to bear&#13;
in mind, is, the desirability of a clear under-&#13;
standing as to the time when the right of re-&#13;
publication in book form or otherwise reverts to&#13;
the author. In the absence of this authors may&#13;
find valuable matter locked up in the pages of a&#13;
magazine for twenty-eight years.&#13;
 &#13;
&#13;
 &#13;
&#13;
THE ANNUAL DINNER.&#13;
&#13;
 &#13;
&#13;
HE annual dinner of the Society was held in&#13;
, the Holborn Restaurant on Tuesday, the&#13;
31st of May. The chair was taken by&#13;
Michael Foster, F.R.S., Professor of Physics in&#13;
the University of Cambridge, and Fellow of&#13;
Trinity College, Cambridge. The number of&#13;
those who sat down was 198, as many as the room&#13;
would hold. At the last the secretary was&#13;
obliged to refuse tickets. The following is a&#13;
list:&#13;
&#13;
Major-General Alexander, C.B.;_ A. W.&#13;
a’Beckett ; W. Allmgham, F.R.S.; Rev. Pro-&#13;
fessor Bonney, F.R.S.; Walter Besant; Mrs.&#13;
Walter Besant; H. C. Burdett; Miss Belloc and&#13;
Guest; F. Boyle; Mrs. Brightwen; Mrs. H.&#13;
Blackburn ; H. Blackburn; Mackenzie Bell; G.&#13;
Theodore Bent ; Dr. Bridges; James Baker ; Mrs&#13;
Batty; Aubyn Trevor Battye; Comtesse de&#13;
Brémont; Miss Ella Curtis; Oswald Orawfurd,&#13;
C.M.G.; Lieut.-Col. Campbell; F. H. Cliffe;&#13;
Miss Lily Croft ; Edward Clodd ; Mrs. Clarke ; E.&#13;
Clodd, jun.; Egerton Castle ; John B. Crozier ;&#13;
Mrs. Cox; Miss Cox; W. Morris Colles; Mrs.&#13;
Morris Colles; Thomas Catling; Mrs. Mona&#13;
Caird ; Thistleton Dyer, C.B.; G. Darwin, F.R.S. ;&#13;
Mrs. Darwin; Austen Dobson; G. Du Maurier ;&#13;
the Daily Graphic ; the Daily News; the Daily&#13;
Telegraph; the Daily Chronicle; C. F. Dowsett ;&#13;
Sir G. Douglas ; John Dennis; A. Conan Doyle;&#13;
A. W. Dubourg; Sir John Evans; Rev. Pro-&#13;
fessor Harle; Eric Erichsen, F.R.S.; Miss A.&#13;
Edwards; Mrs. Edmonds; W. Ellis; A. Esclan-&#13;
gon; Mrs. Foster; G. K. Fortescue; Michael&#13;
Foster, Jun.; Miss M. Foster; S.M. Fox; Basil&#13;
Field; Percy French; Sir A. Geikie, F.R.S. ;&#13;
R. Garnett, LL.D.; W. A. Gibbs; Francis&#13;
Gribble; Edmund Gosse; Mrs. Gosse; Corney&#13;
Grain; W. O. Greener; G. T. Grein; H.&#13;
Rider Haggard ; Miss Hector; W. Earl Hodg-&#13;
son; A. Egmont Hake; Mrs. Egmont Hake;&#13;
Mrs. Harrison ; Mr. Harrison, John Hill; T. C.&#13;
Hedderwick ; Miss V. Hunt; Rev. W. Hunt ;&#13;
Clive Holland; Henry Harland; J. D. Hutche-&#13;
son; Mrs. H. Hutcheson; Professor Huxley,&#13;
F.R.S.; Prebendary Harry Jones; T. Heath Joyce;&#13;
Mr. H. Jenner; Mrs. Jenner; C. T. C. James;&#13;
Jerome K. Jerome; R. B Sheridan Knowles;&#13;
H. G. Keene, C.LE.; Veva Karsland and Guest;&#13;
Rev. J. A. Kerr; Mrs. E. Kennard and Guest ;&#13;
Andrew Lang; Mrs. Lynn Linton; Norman&#13;
Lockyer; J. M. Lely; Mrs. Laffan; Stanley&#13;
Little; Rev. E. P. Larken; Mrs. Lefroy; Miss&#13;
Low; A. H. Lewers; Professor Ray Lankester ;&#13;
Miss Loftie; Helen Mathers; S. C. McKinney ;&#13;
Mrs. Myall; E. Martin; D. S. Meldrum; Miss&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
H. McKerlie; Rev. C. H. Middleton Wake; the&#13;
Morning Post; Charles Mercier; Rev. Prof.&#13;
Momerie; Athol Maudslay; R. L. Nettleship:&#13;
Mrs. Orpen; Mr. Orpen; J. A. Owen; Sir&#13;
William Pole, F.R.S.; G. H. Putnam; Stanley&#13;
Lane Poole; Mrs. S. Lane Poole; Arthur Pater-&#13;
son; Richard Pryce; Norman Porritt; Mrs.&#13;
R. Pennell; R. Pennell ; Pall Mall Gazette ; Mrs.&#13;
W. H. Pollock; W. H. Pollock; Miss K. Beatrice&#13;
Pownall; A. G. Ross; G. Rolt ; Sir R. Roberts; R.&#13;
Ross; Mrs. J. K. Spender; Julian Sturgis ; George&#13;
Sumner; Clement Shorter; Miss Stevenson;&#13;
J. J. Stevenson; C. J. Smith; Miss C. J. Smith ;&#13;
St. James’s Gazette; G. Anderson Smith; J. A.&#13;
Steuart; Miss A. Sargent; Sir N. Staples;&#13;
Douglas Sladen; the Standard; Dr. Sisley ;&#13;
S. 8S. Sprigge; W. Baptiste Scoones; Rev. Pro-&#13;
fessor Skeat; Ashby Sterry; G. W. Sheldon;&#13;
Frank R. Stockton; G. H. Thring ; Mrs. Thring ;&#13;
H. RB. Tedder ; Sir Richard Temple ; W. G. Thorpe ;&#13;
the Times ; Mrs. Tweedie ; Alex. Tweedie ; A. W.&#13;
Tuer; Dr. J. Todhunter; H. G. T. Taylor; E. M.&#13;
Underdown, Q.C.; Rev. C. Voysey; Humphry&#13;
Ward; Mrs. Humphry Ward; A. Warren ;&#13;
Mrs. Arthur Warren; Mrs. Iltyd Williams;&#13;
R. Whiteing; Arthur Waugh; William Watson ;&#13;
Oscar Wilde.&#13;
&#13;
After the usual loyal toasts the chairman pro-&#13;
posed “The Society.” In doing so, he said that&#13;
the great public mmd which was taught so much&#13;
and which learnt so little, seemed to be still a&#13;
great deal in the dark about the Society of&#13;
Authors. He was often asked, What is the&#13;
Society of Authors? He asked the inquirers in&#13;
turn if they realised the power of the individual&#13;
author ; if they realised that he exercised a power&#13;
such as few other individuals possessed. They&#13;
might estimate it as they pleased. They might&#13;
take the numerical estimate, or consider the value&#13;
of his autograph after he was dead. Let them&#13;
think of the power of the individual author. If&#13;
he were great it was immense; if he were&#13;
ordinary it was considerable; if he were weak&#13;
it was something, But if they bore in mind the&#13;
power of authors as a class, it was nothing&#13;
compared with that of every other profession.&#13;
That society existed for the purpose of giving&#13;
authors as a body the influence and the power&#13;
which were their due. The society was not&#13;
wrong in making a sound financial basis one of&#13;
the first objects of its labours. The present&#13;
year had been one of unbroken progress. They&#13;
now numbered no fewer than 780 members, and&#13;
they had experienced the sincerest form of&#13;
flattery—they were beginning to be copied.&#13;
There had been established in America an&#13;
authors’ society similar to their own. They had&#13;
the pleasure of having as their guest that&#13;
&#13;
  &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
evening the distinguished American novelist,&#13;
Mr. Stockton, who had been active in promoting&#13;
that society. During the past year they had lost&#13;
some members, and he could not omit in this&#13;
connection to recall the names of Lord Lytton,&#13;
whom they all looked upon as a brother, and of&#13;
Mr. Lowell, who took part in the earlier meetings&#13;
of the society. It was true that men of science&#13;
wrote a great deal. The list was numerous,&#13;
but he doubted whether they were authors&#13;
in the same sense in which one spoke of&#13;
novelists, of poets, of historians, and of those&#13;
who wrote those short outbursts of literature&#13;
called essays, or by some persons trials. He&#13;
would venture to suggest that they did not&#13;
belong to the regular army of authors, and that&#13;
at most they were volunteers. For there was one&#13;
very marked distinction between men of science&#13;
and other authors. The latter were paid for their&#13;
labours, or expected to be paid. Men of science&#13;
did not often expect to be paid; they had to pay.&#13;
He wondered whether any of them ever went&#13;
to the British Association for the Advancement&#13;
of Science. He had been there, and had&#13;
observed that the reporters of the newspapers,&#13;
when any paper was being read that was not&#13;
at all scientific, were very hard at work with&#13;
their pens, which flew with enormous rapidity.&#13;
But when any really scientific paper was read—&#13;
and that did happen sometimes—they stopped ;&#13;
and it was generally stated that “the remaining&#13;
papers were of a strictly technical character.”&#13;
Sometimes, however, a great writer appeared who&#13;
combined literary gifts with a genius for scientific&#13;
investigation ; and then such a work was pro-&#13;
duced as “The Origin of Species.” (Loud&#13;
cheers. )&#13;
&#13;
The CHarrman next proposed the toast of&#13;
“Science and Literature,” coupling with it the&#13;
names of Sir Archibald Geikie, F.R.S., Mr. R. L.&#13;
Nettleship, and Mr. Andrew Lang, who responded&#13;
in turn.&#13;
&#13;
Mr. F. R. Srocxron, who was received with&#13;
loud cheers, also replied to the toast at the in-&#13;
vitation of the chairman. After speaking of the&#13;
great demand in America for the works of&#13;
English writers, he said that, though Americans&#13;
wrote in the same language, they could never, he&#13;
thought, expect to speak in the same language;&#13;
at least he could not. He had a good many&#13;
recollections of occasions which illustrated the&#13;
truth of his statement. When he had called a&#13;
cab, and had seated himself in it, he said to&#13;
himself, ‘‘ The man who is driving me thinks, and&#13;
says to himself, ‘the man inside here isan Ameri-&#13;
can. Very likely in the course of his life he has&#13;
bought a good many English books which have&#13;
been pirated; and the authors of those books&#13;
&#13;
AUTHOR. 51&#13;
&#13;
never received a cent. I will see what I can do&#13;
to benefit myself at any rate where my fellow-&#13;
citizens, the British authors, should have been&#13;
benefited.’ ’’ When he got out of that cab he&#13;
gave the man a shilling. The driver said&#13;
““Highteenpence.” He asked whether it was&#13;
more than two miles from Charing-cross to&#13;
Ludgate-hill. The driver looked at him and&#13;
replied, “ Highteenpence.” He was impressed by&#13;
the exceeding earnestness of the driver’s face,&#13;
and he paid the sum demanded. They might&#13;
regard that as an instance of retaliation. He&#13;
thanked the company on behalf of American&#13;
authors for the compliment they had received.&#13;
(Cheers. )&#13;
The “ Health of the Chairman” followed.&#13;
&#13;
 &#13;
&#13;
ele&#13;
Tue “Times” on tHE Soctrerty.&#13;
&#13;
From the Times, June 1, 1892 :—“ Last night&#13;
the Incorporated Society of Authors dined to-&#13;
gether at the Holborn Restaurant, the chairman&#13;
being Professor Michael Foster. Perhaps there&#13;
is nothing remarkable in this bald announce-&#13;
ment; but to any one who looks back for ten&#13;
years upon the disjointed and disorganized con-&#13;
dition in which literary men then were, and how&#13;
their cliques and divisions seemed to make it&#13;
impossible for them ever to combine, the news&#13;
gives ground for reflection. It is something that&#13;
a Society of Authors should have been well and&#13;
truly incorporated, with a president and a com-&#13;
mittee and a secretary, and, above all, a subscrip-&#13;
tion list ; it is still more that it should have been&#13;
already able to perform all that, by its mere&#13;
existence and by taking action in a certain&#13;
number of typical cases, this Society has per-&#13;
formed. The vitality and comprehensiveness of&#13;
the Society, of which Lord Tennyson is the&#13;
president, were shown yesterday in more ways&#13;
than one. In the first place, a man of science&#13;
was in the chair, as though to show that, what-&#13;
ever may be the higher relations between belles&#13;
lettres and treatises on curves or nerves, authors&#13;
have common interests, whether they write in&#13;
symbols or in flowing periods. Again, the com-&#13;
prehensiveness of the Society was shown by the&#13;
presence of ladies at the dinner, which is more&#13;
than has as yet been conceded by the Royal&#13;
Academy. As to the speaking, none of it was&#13;
quite so exhilarating as Mr. Corney Grain’s song ;&#13;
but the chairman showed conclusively that a&#13;
man of science might be amusing, and, thanks to&#13;
an impromptu demand, the company was made&#13;
happy by a speech from the author of “Rudder&#13;
Grange.” The Society of Authors has not yet&#13;
&#13;
E2&#13;
   &#13;
&#13;
52&#13;
&#13;
had a long life, but it has done enough to make&#13;
its value recognised and its power to a certain&#13;
extent felt. This youngest of trade unions was as&#13;
necessary as any other union; more 80, indeed,&#13;
than almost any other, since from the nature of&#13;
the case an author is generally quite unacquainted&#13;
with the ways in which his wares may best be&#13;
brought before the public. What he does not&#13;
understand, the publisher promises to manage for&#13;
him, with the result that has often been described&#13;
by pens that have been dipped in the gall of dis-&#13;
appointment. That the Society has met a want&#13;
is shown by the growth of its members, which&#13;
now reach the large total of 780 or thereabouts ;&#13;
and that it has done no great harm to the&#13;
respectable publishers is shown by the consider-&#13;
able number of new houses that have come into&#13;
existence during the last few years, all expecting&#13;
to live by issuing books. The real good that the&#13;
Society has done, and continues to do, consists&#13;
chiefly in putting the relations between the writer&#13;
and his agent—for a publisher is nothing else—&#13;
on a businesslike footing. The mystery which&#13;
used to surround the trade of publishing has been&#13;
invaded; the author has learnt that there is&#13;
nothing in the book trade which he has not a&#13;
right to know, and that he is just as much&#13;
entitled to a fair and square agreement as if he&#13;
were selling a house or a field or a parcel of rail-&#13;
way shares. It may be said that many of the&#13;
leading firms have always recognised this obliga-&#13;
tion on their part; but the real difficulty with&#13;
which young authors, especially women, have had&#13;
to contend, is the existence of a number of&#13;
unscrupulous houses which prey on their ignorance&#13;
and simply rob them. Thanks to the publicity&#13;
which the Society of Authors gives, these firms,&#13;
which only flourish in the shade, have been much.&#13;
less prosperous of late, and have tended to&#13;
disappear altogether. Again, although that great&#13;
but imperfect boon to the British author, the&#13;
American Copyright Act, would never have been&#13;
passed unless the American author and printer&#13;
had wished for it, it is true to say that the&#13;
existence of a representative body like the Society&#13;
of Authors had no small influence upon its&#13;
passing. Ina word, the Society does, or can do,&#13;
most of the things that a trade union can do for&#13;
its members. There is indeed only one thing&#13;
that the public commonly associates with a trade&#13;
union which the Society has not yet suggested or&#13;
encouraged. It has not yet ordered an author’s&#13;
strike. Perhaps, with a view of limiting the&#13;
literary output, such an order, periodically issued,&#13;
might not be an unmixed evil.”&#13;
&#13;
al a&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
PUBLISHERS’ EXPENSES.&#13;
&#13;
 &#13;
&#13;
N that excellent paper the Critic of New&#13;
York (May 14) there is a paragraph which&#13;
embodies a fallacy constantly being re-&#13;
&#13;
peated. Yet it is a thing so patent that one is&#13;
astonished to find anybody led away by the&#13;
thing. It occurs in a column called the&#13;
“Younger,” and is apparently written by a lady.&#13;
After reproducing a little sum from the Author&#13;
in which the respective shares of author, pub-&#13;
lisher, and bookseller were set down under&#13;
certain royalty arrangement, the author getting&#13;
24 cents (translated_ into Americanese), the&#13;
bookseller 28 cents, and the publisher 36 cents.&#13;
Then the “Lounger” intelligently remarks as&#13;
follows :—&#13;
&#13;
There is an old saying that there are none so blind as&#13;
those who won’t see. Mr. Besant is one of these blind men,&#13;
for he won’t see that the 36 cents is not spent by the&#13;
publisher in riotous living. Books are not manufactured&#13;
and then stored away on the publisher’s shelves. They&#13;
must be put into circulation to sell, and that is one of the&#13;
heaviest of the publisher’s expenses, not to mention the&#13;
little items of advertising, rent and salaries. I am always&#13;
glad when an author makes money, but Iam not indignant&#13;
when a publisher makes a little something. He takes great&#13;
risks, much greater than an author would care to take, I&#13;
fancy.&#13;
&#13;
No one, to begin with, is indignant when a&#13;
&#13;
publisher makes a “little something.” On the&#13;
contrary, though the writer insinuates that we&#13;
are indignant when the publisher gets his&#13;
little something—poor, helpless lamb !—we are&#13;
continually, whenever we speak on the subject,&#13;
impressing upon everybody that the publisher&#13;
must receive what is equitable for his services,&#13;
and that these services are substantial. Next&#13;
we are continually impressing upon people the&#13;
truth—not evolved from imagination, but arrived&#13;
at by seven years’ experience of the management&#13;
of literary property—actual living experience—&#13;
by agreements, letters, revelations, such as no&#13;
single person can possess, and no other body of&#13;
persons have ever attempted—that the (English)&#13;
publisher, as a rule, never takes any risk at all.&#13;
With the exception of a few houses which now&#13;
and then do take a risk—there are no risks&#13;
taken. By risk, I mean the chance of not getting&#13;
back the small sum of money invested in the&#13;
production of a book. This, I say, is not&#13;
theorising or speculation—it is fact.&#13;
&#13;
Next, about this eighteen pence—this share of&#13;
36 cents. What does a publisher get paid for ?&#13;
Is the book his book? Not at all, unless he buys&#13;
it outright. It is the author’s property. Why&#13;
is he to get anything out of it at allf Why is&#13;
&#13;
he to take any share in a work in whose creation&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
ane AUTHOR. 53&#13;
&#13;
he had no part ? For services rendered. He says:&#13;
“T will publish your book. I must be paid so&#13;
much for it.” Since he does not do everything&#13;
himself, as John Ruskin’s publisher used to do,&#13;
he must have his machinery. Are we to pay him&#13;
first for his machinery and then for himself ?&#13;
Certainly not. Do we pay the carrier so much&#13;
for taking a parcel and so much more for the cart&#13;
and horse? Do we pay the lawyer so much for&#13;
his work and so much more for his rent and his&#13;
clerks, and the red tape and the ink? In busi-&#13;
ness of all kinds the machinery does not count.&#13;
If it is too expensive it can be cut down. The&#13;
first carrier was a messenger who carried&#13;
parcels under his arm. Then he started his cart.&#13;
&#13;
But he was paid no more for his cart. That&#13;
is exactly the position of the publisher. And&#13;
that is the common sense of the matter. It is&#13;
&#13;
only a question of the proportion which is justly&#13;
due to the publisher. W. B.&#13;
&#13;
PRESS COPIES.&#13;
&#13;
Ss&#13;
&#13;
 &#13;
&#13;
N the subject of Press copies our correspon-&#13;
dent, H. Haes, returns to the charge. He&#13;
proposes that if books are sent for review,&#13;
&#13;
those which are reviewed shall be paid for, and&#13;
those which are not reviewed shall be sent. back.&#13;
He thinks that by asking for a review the author&#13;
sacrifices his own dignity. He also says that&#13;
reviews of books are of interest to readers, other-&#13;
wise they would not appear. His letter will be&#13;
read with much interest, and may give rise to not&#13;
a little discussion.&#13;
&#13;
Another way of putting the question, however,&#13;
is this: An author desires, above all things, to&#13;
get a hearing. How is he to do this? How is&#13;
he to get people to ask for his books at the&#13;
libraries, the shops, and the stalls? He may&#13;
advertise in the papers—keep on advertising—&#13;
which is extremely costly ; he may send the book&#13;
for review, and trust not only to the favourable&#13;
review, but also for a more telling advertisement,&#13;
containing that favourable review. Lastly, he&#13;
may trust to the book making its own way by&#13;
being talked about. The last, when once it&#13;
happens to a fortunate author, causes his book&#13;
to run swiftly to the uttermost corners of the&#13;
globe,&#13;
&#13;
Still another way of putting it is as was&#13;
attempted in'August of last year. The passage&#13;
&#13;
was as follows (Author, August, 1891, p. 94) :—&#13;
“Unless the Editor were supplied with copies of&#13;
new books he and all authors would be at the&#13;
&#13;
mercy of the critic, who wonld go round the world&#13;
of letters and the outer offices of publishers,&#13;
begging and extorting books on the promise of a&#13;
favourable review. This would be a tyranny&#13;
unendurable. It may be said that a gentleman&#13;
could not do such things. If the reviewer had to&#13;
cadge about in order to find his own copies for&#13;
review, very few gentlemen would be left in the&#13;
profession. The extortion of books under promise&#13;
of a favourable notice is sometimes done even now.&#13;
Here followeth fact. There was a man, about&#13;
twenty years ago, a clergyman and the lecturer for&#13;
a well-known society, who persuaded a certain&#13;
geographer that he was a great man on the&#13;
London press, and actually got from him a parcel&#13;
of atlases, maps, and books on a promise of&#13;
favourable notices. He wrote no notices and he&#13;
sold the parcel for £25.”&#13;
&#13;
The distribution of press copies is certainly a&#13;
thing that requires prudence, and some knowledge&#13;
of the position of newspapers. Some publishers&#13;
pitchfork copies of books in all directions with-&#13;
out asking what kind of notice, whether favour-&#13;
able or unfavourable, they are going to get. If,&#13;
for instance, one knows beforehand that one will&#13;
have a notice of three lines among a batch, and&#13;
that the chances are three to one that it will be a&#13;
spiteful notice, what earthly reason exists for&#13;
wasting a copy worth so much good money upon&#13;
such a paper? This department of the publishing&#13;
business requires very careful overhauling.&#13;
&#13;
Another thing may be noted. A book is not&#13;
necessarily open to criticism because it is pub-&#13;
lished. If a copy is sent for review, the author&#13;
must take whatever is given him, good or bad.&#13;
He can only complain when the review misrepre-&#13;
sents or falsifies his work. On the other hand, if&#13;
he refuses a copy toacertain paper, and that&#13;
paper abuses his work, it is as if one should say&#13;
of a baker that his bread is adulterated, or of a&#13;
doctor that he is a quack. An action for libel&#13;
might certainly be brought, and would probably&#13;
prove successful.&#13;
&#13;
Considering all these points, it certainly seems&#13;
that the present system needs modification&#13;
only in certain omissions. Where the reviews&#13;
are inadequate, contemptuous, or spiteful, the&#13;
books should be withheld. In the good time&#13;
coming, when authors will take a more personal&#13;
share in the conduct of their business, they will&#13;
stipulate beforehand the papers which are to&#13;
receive the copies.&#13;
&#13;
ee&#13;
&#13;
 &#13;
  &#13;
&#13;
54 THE&#13;
&#13;
 &#13;
&#13;
THE AMERICAN SOCIETIES.&#13;
&#13;
 &#13;
&#13;
Two Rrvau Socrerrss.&#13;
\ | ENTION has already been made of the&#13;
&#13;
existence of two American associations,&#13;
&#13;
one called the Society of Authors; the&#13;
other, the Association of American Authors.&#13;
The former, of which Mrs. Katherine Hodges is&#13;
secretary, was founded about a yearago. The&#13;
latter, of which Mr. Todd is secretary, was&#13;
founded early this year. The aims and objects of&#13;
the two societies are identically the same; the&#13;
prospectus of the latter appears to be based upon&#13;
that of the former. The headquarters of both&#13;
seem to be New York. The membership of the&#13;
former is 200; that of the latter is not known.&#13;
The former has many branches scattered about&#13;
the country; notably one at Washington, which&#13;
has recently celebrated its birth by a_ great&#13;
function. The latter numbers among its members&#13;
Mr. W. D. Howells.&#13;
&#13;
All this is perhaps to be lamented ; if, however,&#13;
there should be found support sufficient for the&#13;
maintenance of two distinct societies, they might&#13;
possibly do good to each other by an honourable&#13;
rivalry. It would ill become us to attempt any&#13;
interference or advice with our American brethren.&#13;
But, this, at least, may be said. The interests at&#13;
stake should be considered before all other points.&#13;
Surely Mr. Howells and other American leaders&#13;
might be trusted to know how these interests can&#13;
best be served. The most prominent names of&#13;
the younger society are Col. Higginson, Miriam&#13;
Conway, A. W. O. Howells, Dudley Warner, and&#13;
Mrs. Moulton. Dr. Oliver Wendell Holmes is&#13;
reported to be a well wisher to the second society.&#13;
&#13;
 &#13;
&#13;
Tur AmERICAN PROSPECTUS.&#13;
&#13;
Tux following is the original prospectus of the&#13;
second society.&#13;
&#13;
“The undersigned, believing that the interests&#13;
of American authors and literature demand the&#13;
organisation of a society of American authors on&#13;
the same basis as the very successful English and&#13;
French societies, invite you to meet at the Berkeley&#13;
Lyceum, 23, West 44th-street, New York, on&#13;
May 18, at 12 m., to organise a society of&#13;
‘American Authors,’ of which all literary&#13;
workers, both men and women, may become&#13;
members, with annual dues not exceeding 5 dols.,&#13;
and having these general objects :—&#13;
&#13;
“rst. To promote sociality and a professional&#13;
spirit among authors.&#13;
&#13;
“ and. To settle disputes between authors and&#13;
&#13;
 &#13;
&#13;
AUTHOR.&#13;
&#13;
publishers, by arbitration, or by an appeal to the&#13;
courts.&#13;
&#13;
“2rd. To advise authors as to the various&#13;
methods of publishing, and see that their con-&#13;
tracts are so drawn as to protect them in their&#13;
legal rights.&#13;
&#13;
“ ath. To co-operate with publishers in bringing&#13;
about better business methods between author&#13;
and publisher.&#13;
&#13;
“sth. To secure minor reforms, such as an&#13;
extension of copyright, carriage of literary pro-&#13;
perty through the mail at the same rate as other&#13;
merchandise, and in general to advance the&#13;
interest of American authors and literature.&#13;
&#13;
“W. D. Howells, Thomas W. Higginson,&#13;
Charles D. Warner, Moncure D. Conway, George&#13;
W. Cable, Julian Hawthorne, James Grant&#13;
Wilson, Charles Burr Todd.”&#13;
&#13;
General James Grant Wilson, on behalf of the&#13;
Genealogical and Biographical Society, which&#13;
controls the Lyceum, welcomed the members, and&#13;
nominated Colonel T. W. Higginson as chairman of&#13;
the meeting. The latter, in accepting, disclaimed&#13;
any ill-feeling against publishers, and declared&#13;
himself and his associates to be animated simply&#13;
by a desire to protect authors.&#13;
&#13;
OUR ENEMIES.&#13;
&#13;
 &#13;
&#13;
IL—A Lonpon Eprror.&#13;
&#13;
HERE has been another and quite a new&#13;
iL set of charges invented against the society.&#13;
This time by a writer calling himself&#13;
“Qondon Editor” in the National Review. He&#13;
formulates a curious collection of charges. Practi-&#13;
cally, they may be reduced to one—that we are&#13;
secretly purposing to make literature a “ close pro-&#13;
fession” and to drive out of it all but ourselves.&#13;
This is very funny. Malignity could hardly be&#13;
more perverse. Last year we were charged with&#13;
encouraging bad writers and increasing the output&#13;
of bad books. This year we are accused of doing&#13;
exactly the opposite. What does it mean—this&#13;
continual and never-ending misrepresentation ?&#13;
Tt means the wriggling of the man whose&#13;
fraudulent and secret profits have been exposed.&#13;
This exposure has touched his pockets.&#13;
&#13;
The great discovery of our real intentions is —&#13;
presented very curiously by the writer of the&#13;
article. The whole work of the society, says&#13;
the discoverer, is to have a dinner once a year 5&#13;
to keep a watch on fraudulent publishers, and&#13;
to keep new comers out of literature. The&#13;
&#13;
second, he rays, has been so well done that —&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
foe AUTHOR. 55&#13;
&#13;
publishing is now as honest a trade as any. There&#13;
- remains the third.&#13;
Now, supposing it to be true—which is not the&#13;
» case—that we have been so successful as to con-&#13;
» vert the dishonest to ways of honesty—the temp-&#13;
‘station to dishonesty would still remain. The&#13;
i property whose interests we defend would still&#13;
remain, and the defence would be still a necessary.&#13;
The society would have to remain.&#13;
&#13;
But itis a special note of those who write&#13;
articles and paragraphs against the society that&#13;
they never allow the existence of literary pro-&#13;
spects. Hither they do not know that there is&#13;
such a thing, or they are silent for interested&#13;
reasons.&#13;
&#13;
We have called attention to this vast interest&#13;
# im paper after paper. Weshall continue to do so.&#13;
We will do more. We will attempt to obtain&#13;
sifigures which shall give some approximation to&#13;
| the reality of the property in question.&#13;
&#13;
As regards the stuff about a “close profes-&#13;
sion,” we need not waste time over it. Two points&#13;
sonly need be mentioned. In his haste to pick up&#13;
» stones the writer makes one most unfortunate little&#13;
‘mistake which betrays his animus. He says that&#13;
vhe has been “conning the long list of its&#13;
»members.” Of course he imagined, when he&#13;
made that statement, that there must be such a&#13;
“list available for everybody. Now, there is no&#13;
wsuch list at all. The last list of the members&#13;
was printed four or five years ago, when there&#13;
» were only 200 or so. Weare now 800. The only&#13;
4 list is in the hands of the secretary, who shows it&#13;
© to no one,&#13;
&#13;
The second point is an assertion made in the&#13;
“last page but one of the article. It is that&#13;
“people “are ceasing to buy books because books&#13;
"are generally bad.” The exact opposite is the&#13;
“truth. Whether books are good or bad, people&#13;
* are buying them more and more. The trade&#13;
increases daily ; new publishers are always&#13;
* coming into the field. And this fact is quite&#13;
“consistent with the other statement which the&#13;
‘writer advances, viz., that journalism is more&#13;
“and more attracting the brightest intellect of the&#13;
1% day.&#13;
&#13;
&amp;&#13;
&#13;
 &#13;
&#13;
II.—A Boston Enemy.&#13;
&#13;
The American Society—or Societies, if there&#13;
‘tare still two—is attracting quite the same sort of&#13;
»‘ treatment and criticism that we have ourselves&#13;
received. First, itis anew thing, therefore absurd.&#13;
Secondly, nobody wants it; and the members&#13;
‘fouly number so many. Such and such a great&#13;
®©man is uot a member ; therefore it is not wanted.&#13;
* Thirdly, it is not practical; therefore it is not&#13;
&#13;
 &#13;
&#13;
wanted. Fourthly, no author of weight has any&#13;
real grievance against the better class of American&#13;
publishers. We know all these arguments. The&#13;
last, especially, used to be very commonly used&#13;
over here, but it is used no longer. One might&#13;
just as well say that there are no pickpockets in&#13;
Oxford-street, therefore policemen may as well be&#13;
abolished. The real argument for the foundation&#13;
of such a society—that literary property is an&#13;
enormous interest, that it belongs to the creators,&#13;
that it must be defended on the behalf of the&#13;
creators—is not met or even alluded to.&#13;
&#13;
 &#13;
&#13;
aa ee&#13;
&#13;
 &#13;
&#13;
NOTES AND NEWS.&#13;
&#13;
 &#13;
&#13;
UT of our Sixty Minor Poets we have lost one&#13;
whom we would fain have kept with us. The&#13;
author of “ Ionica”’ is dead. It was but&#13;
&#13;
yesterday that the little book appeared which made&#13;
him known to all of us. His first volume, however,&#13;
had come out in 1858. The second—our friend&#13;
—of 1891, was a reprint of the former, with&#13;
additions. He lived in a small house at Hamp-&#13;
stead, very near my own; yet I have never met&#13;
or spoken to him. And now, alas! I never&#13;
shall, for he is dead. In his own words, in&#13;
“ Heraclitus :”’&#13;
And now that thou art lying, my dear old Carian guest,&#13;
A handful of grey ashes, long, long ago at rest,&#13;
&#13;
Still are thy pleasant voices, thy nightingales, awake,&#13;
For Death he taketh all away, but these he cannot take.&#13;
&#13;
We have William Cory’s nightingales. There is&#13;
an eloquent and graceful tribute to his memory in&#13;
the Speaker of June 18.&#13;
&#13;
 &#13;
&#13;
In a reported interview Mr. Grant Allen is&#13;
reported to have said, in speaking of the material&#13;
rewards of literature, that I ‘make a great deal”&#13;
of the fifty modern English writers whose incomes&#13;
are over a thousand pounds a year. This is a&#13;
little misapprehension. I do not make much of&#13;
the fact, nor do I glory in it, nor do I see in it&#13;
any special recommendation to the literary career,&#13;
seeing that in any other profession that man&#13;
succeeds poorly indeed who cannot make an&#13;
income of a thousand. But the fact was stated&#13;
in order to do something—if only a little—to&#13;
lessen the contempt in which the profession of&#13;
letters—as a profession—lies. Fifty people in&#13;
it, actually making each a thousand a year!&#13;
As a matter of fact, there are more than fifty&#13;
who do so. But the assertion was received at&#13;
first with universal derision; everybody laughed&#13;
&#13;
 &#13;
 &#13;
&#13;
56&#13;
&#13;
at it. Fifty authors with’ a thousand a year&#13;
each! Authors! Fancy, authors! Ludicrous!&#13;
Impossible! There was not, everybody felt, so&#13;
much in the whole trade. Even when the truth&#13;
is told it is a poorly paid profession. Even if&#13;
an equitable arrangement were arrived at, once&#13;
and for all, the great prizes would still be very few.&#13;
Yet there seems little cause for lamentation over&#13;
that. Since there are so few prizes there can&#13;
be few prizemen; the mass of those who follow&#13;
letters must either remain poor or they must&#13;
follow some other pursuit. Let us assure them,&#13;
if we can, of their independence and their self-&#13;
respect. Then their poverty will be a com-&#13;
paratively small evil.&#13;
&#13;
—&#13;
&#13;
Another literary monument is gone. Those&#13;
who knew Grub-street—now Milton-street—will&#13;
remember a quaint little square which stood on&#13;
its western side. It was a poor kind of square,&#13;
standing round a paved court; vehicles—except&#13;
the coster’s barrow—could not enter there. The&#13;
houses were small and mean; yet they had the&#13;
eighteenth century air. The rest of the street&#13;
was built up with vast warehouses. This alone&#13;
remained of the glorious past. Into this corner&#13;
had been driven the real associations of Grub-&#13;
street. One knew every room in every house. In&#13;
this starved Boyes; in this, Otway. Here two&#13;
translators occupied one room, and shared one bed,&#13;
one blanket, and one shirt. Johnson knew this&#13;
square. Goldsmith often came here, when he&#13;
had any money, to give it away among his poorer&#13;
brothers. Very few of them went about the&#13;
streets in complete absence of anxiety concerning&#13;
the sheriff’s man and the Compter. Sunday was&#13;
a day of relief. Here Smollett made the acquain-&#13;
tance of my Lord Potatoe. The square was&#13;
fragrant with the memories of the starveling&#13;
bards. Sham travellers abounded here who had&#13;
never been beyond Greenwich; Greek scholars&#13;
who knew not the alphabet; essayists on polite&#13;
society who never advanced beyond a sixpenny&#13;
ordinary. But now the square is gone, and a great&#13;
warehouse stands upon the spot. Grub-street is,&#13;
indeed, no more.&#13;
&#13;
 &#13;
&#13;
I hear that a young writer in a weekly paper&#13;
speaks of the air being dark with the sky signs&#13;
set up by the Society of Authors. Sky signs are&#13;
illegal; does he mean that the action of the Society&#13;
is illegal? Whether he means this or not does&#13;
not matter. What he does mean, besides, is as&#13;
plain as the biggest sky sign ever elevated above&#13;
the roofs. Let us wait. When the time comes&#13;
for the work of this young writer to be in request&#13;
by the reading public—let us hope that it will be&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
in very large request and that the time will soon&#13;
come—he will either be able to congratulate him-&#13;
self on the sky signs which have kept him, as&#13;
well as others, out of pitfalls and traps; or he&#13;
will bemoan his unfortunate lot that, by neglect-&#13;
ing these friendly sky signs, he has had to&#13;
undergo the loss and humiliation—especially the&#13;
latter—of being robbed without the power of&#13;
redress. The man who really likes to feel that&#13;
he has been fraudulently entreated is not known&#13;
to exist. Let us note, meantime, that those&#13;
who cry out the loudest upon the mercenary&#13;
spirit shown in the resolution to safeguard&#13;
literary property belong to one of four classes:&#13;
Either they are those who as yet are too young to&#13;
have any; or those who have gone through a life&#13;
of failure without being able to acquire any; or&#13;
those who think that literary property means a&#13;
ten pound note; or those who desire vehemently&#13;
to join in the plunder. Of these four classes&#13;
the third is the noisiest and the most numerous.&#13;
What is the good, they think, of talking about&#13;
literary property? There is not any such thing;&#13;
there can’t be any such thing. ‘“ Why,’ they say,&#13;
“my own publisher could only give me ten pounds&#13;
for my last book—and a book well reviewed, Sir&#13;
—a book that sold 300 copies! Absurd!”&#13;
&#13;
 &#13;
&#13;
An invitation has been sent to certain writing&#13;
persons of this country—to myself among the&#13;
rest—asking them to join in contributing to a&#13;
memorial designed to celebrate, on the 400th&#13;
anniversary of the discovery of America, the&#13;
services rendered by Columbus to mankind. Hach&#13;
contributor is to choose his own special topic.&#13;
The subject means, in other words, the services&#13;
rendered to mankind by the discovery of America.&#13;
This is rather a large subject, and I, for one,&#13;
have not felt able to comply with the invitation.&#13;
The discovery has added sixty millions of those&#13;
who speak the English language; if these sixty&#13;
millions were allied by commercial and other&#13;
bonds of brotherhood and friendship with our&#13;
own thirty millions, there would be something&#13;
worth rejoicing over, because the Anglo-Saxon&#13;
race would then be absolutely master of the&#13;
situation and impregnable. What country or&#13;
combination of countries could stand against a&#13;
federation already a hundred millions strong, and&#13;
increasing with a rapidity previously unknown in&#13;
history? But an English-speaking America,&#13;
&#13;
where no President can be elected until he has&#13;
first insulted the English nation in order to catch&#13;
the Irish vote, is not a country over which we can&#13;
be expected to rejoice quite hearti'y. I shall wait&#13;
for the 500th anniversary. By that time I hope&#13;
to find the Irish question settled somehow, and&#13;
&#13;
 &#13;
&#13;
 &#13;
THE AUTHOR. 57&#13;
&#13;
the United States in firm alliance and brother-&#13;
hood with ourselves.&#13;
&#13;
 &#13;
&#13;
Ihave received a copy of the “ Book Review&#13;
Index.” Apparently it is the first copy—Vol. 1.,&#13;
No. 1.—but no number appears in the title page.&#13;
It consists, apart from a few notes of no great&#13;
significance, of a list of books published during&#13;
the last three months, each accompanied by an&#13;
index to the papers which have noticed it. For&#13;
instance.&#13;
&#13;
ALONE ON A WIDE WipE SzEa—By W. Clark Russell—&#13;
(Chatto and Windus).—Glas. Her., 10 March; Athen.,&#13;
19 March; Scot. Lead., 17 March; Man. Guar., 29&#13;
March; Scotsman, 14 March; Leeds Mer., 28 March;&#13;
Sat. Rev., 2 April; Standard, 16 April; Nat. Obs., 2&#13;
April; Bookman, April; Spectator, 30 April; Acad., 14&#13;
May ; Morn. Post, 9 May; Novel Rev., April.&#13;
&#13;
Those writers, therefore, who desire to know&#13;
where they have been reviewed may buy the Index&#13;
and ascertain for themselves. In looking through&#13;
the pages the question arises what books have&#13;
been most reviewed during the quarter? The&#13;
answer to this question does not prove more or&#13;
less popularity, because publishers vary in their&#13;
&#13;
practice of sending out books for review. The&#13;
following results, however, are not without&#13;
interest: Lord Tennyson’s “The Foresters,”&#13;
&#13;
heads the lists with 82 reviews; Rudyard Kip-&#13;
ling’s “ Barrack Room Ballads” follows with 49&#13;
reviews; ‘after him comes Owen Meredith’s&#13;
“March” Edwin Arnold’s “ Potiphar’s Wife,”&#13;
and Charles Booth’s “‘ Temperance,” and “ Faces&#13;
and Places” by H. W. Lucy, each with about&#13;
40 reviews; and then a whole shower of&#13;
books each with its 30 reviews. Some of&#13;
them are quite unknown books. Now those who&#13;
want to see the reviews would have to buy this&#13;
Index first, write next to all the papers to order a&#13;
copy and pay for each copy. Thus one of those&#13;
which had forty reviews would have to pay&#13;
forty pence for posting letters with 7s. enclosed&#13;
for copies, and 6d. for the Index. That is to say,&#13;
it would cost him half-a-guinea for getting his&#13;
reviews with all the trouble of writing and&#13;
collecting. Now the ordinary service of cuttings&#13;
would cost him only a guinea for a hundred slips,&#13;
and at no trouble to himself.&#13;
&#13;
 &#13;
&#13;
A paragraph appears in the Publishers’ Circular&#13;
quoting at second-hand certain remarks attributed&#13;
to Mr. Gosse on the modern novel. He is reported&#13;
to have said that “in the old days the novelist&#13;
was not a professional writer, but a man of affairs&#13;
who turned aside to amuse himself by weaving&#13;
romance. But now it isa continual, professional,&#13;
&#13;
VoL. III.&#13;
&#13;
commercial grinding out of novels-—a never ending&#13;
flow of rubbish.” If Mr. Gosse said this, he&#13;
talked rubbish. It would be a fair and logical&#13;
conclusion to say—therefore Mr. Gosse did not say&#13;
this. But, perhaps, with some softening, some&#13;
exceptions offered in an unquoted context, he said&#13;
something to the effect that a good deal of&#13;
“commercial grinding” goes on. That is quite&#13;
true. ‘Commercial grinding” always goes on&#13;
whenever the article produced has a commercial&#13;
value. The ‘commercial grinding” of magazine&#13;
articles, for instant, is incessant. The only way&#13;
to stop “commercial grinding” is to stop the&#13;
commercial value, not only of novels, but of&#13;
every other form of literature. But to brand&#13;
the modern novel en bloc, as the production of a&#13;
“continual, professional, commercial grinding ”’&#13;
would be monstrous and preposterous. As for the&#13;
novelist having been at any time a man of affairs&#13;
“ who turned aside to amuse himself by weaving&#13;
romance ”’—when was that?— Were Defoe, Fielding,&#13;
Smollett, Goldsmith, Scott, Dickens, Thackeray,&#13;
Wilkie Collins, Reade, George [liot, men of&#13;
affairs who occasionally turned aside to amuse&#13;
themselves by weaving romance? Or even, to go&#13;
to other countries, were Hawthorne, George Sand,&#13;
Balzac, Dumas, men of affairs who occasionally, &amp;e.?&#13;
&#13;
If the editor of the Publishers’ Circular&#13;
had asked himself these simple questions, he would&#13;
not have been so ready to cry out upon the wares&#13;
upon which his clients and supporters grow rich.&#13;
For my own part, whenever—which .is every&#13;
other day—I see these sweeping charges made&#13;
upon the modern novel, I always ardently desire&#13;
to subject the critic to an examination in the&#13;
very works which he thus ventures to denounce.&#13;
His contempt for the modern novel would be&#13;
found to be in exact proportion to his ignorance&#13;
of the modern novel. In other words those who&#13;
ery out the loudest against the modern novel are&#13;
the people who read it the least.&#13;
&#13;
————— &gt;&#13;
&#13;
A modern novelist writing or the assumption&#13;
that Mr. Gosse did really make these remarks,&#13;
which I do not believe, says: ‘“‘ When there is&#13;
nothing else to talk about, the editor of a maga-&#13;
zine always puts in someone to have a fling at&#13;
the novelists. Very well; it shows the attention&#13;
paid to the novel. But their attentions sometimes&#13;
prove a little too pressing. Could not the editor,”&#13;
my correspondent adds, “occasionally take a&#13;
turn at the poets and the critics and the essay-&#13;
ists’ There are many novelists who would&#13;
be pleased to give a little consideration to the&#13;
practitioners in these branches, if only out of&#13;
gratitude for kindness showed to themselves ; and,&#13;
really, fair play seems to demand that the modern.&#13;
&#13;
EF&#13;
&#13;
 &#13;
 &#13;
&#13;
  &#13;
&#13;
58&#13;
&#13;
 &#13;
&#13;
poets, too, should receive a portion of the love&#13;
and admiration which they lavish upon the modern&#13;
novelists.”&#13;
&#13;
 &#13;
&#13;
The Speaker questions my contention that&#13;
there is no genius at this moment who is starv-&#13;
ing. He asks, with the careless inaccuracy which&#13;
is now so common in paragraph writing, “ What&#13;
does Mr. Besant mean by ‘real genius?’”” Now,&#13;
I did not use the word real. I said “ genius ”&#13;
without the adjective “real” at all. I also said&#13;
that there were no applications at the Royal&#13;
Literary Fund when I was a trustee from men&#13;
or women of “literary position.” Now, says the&#13;
Speaker, of course there were not, because&#13;
“literary position”? means an income. My point,&#13;
exactly—an income from literature means literary&#13;
position ; if you have genius you very soon get&#13;
that income. Then he goes on tosay: “ By ‘ real&#13;
genius’ he implies apparently ‘ successful genius ; ’&#13;
if you have a bank account, you are a ‘real&#13;
genius,’ if not, you are an ‘unfortunate man of&#13;
_letters.’” Quite so. Put an adjective which he&#13;
&#13;
did not use into the mouth of a speaker and&#13;
then you can make a man talk any rubbish you&#13;
like.&#13;
&#13;
 &#13;
&#13;
Again, therefore, I repeat. While I was on the&#13;
council of the Royal Literary Fund there were&#13;
many applications from men and women who were&#13;
unfortunate men and women of letters. There&#13;
was never one from any person, man or woman,&#13;
who had done good work. I speak of two years&#13;
only, and give this experience for what it is worth.&#13;
Never once was there an application from any&#13;
man or woman who had done good work. From&#13;
which and from other information I infer that&#13;
the world is swift to recognise good work. Well,&#13;
“but,” it may be objected ; “ what about poetry ?”&#13;
The world does not buy poetry. Poets—minor&#13;
poets—do not try to live by their verses.&#13;
Happily, that phase of starved literature has&#13;
vanished. The unfortunates are chiefly unsuc-&#13;
cessful novelists, about whom a great deal might&#13;
be written, and the unlucky tribe of those who&#13;
live by compiling books. ‘This is a tribe growing&#13;
rapidly smaller, because, first, journalism offers&#13;
much greater attractions, and because the made-&#13;
up books—books which nobody wants — are&#13;
becoming more and more discredited. A man&#13;
who will turn you out a volume on Arctic Dis-&#13;
covery, having never seen an iceberg; or a book&#13;
on Malay lands, having never seen the Narrow&#13;
Seas ; or a History of Japan, having never been&#13;
there; is rapidly finding that the man who has&#13;
experienced the pleasure of Arctic discovery, or&#13;
has lived among the Malays, or knows Japan and&#13;
&#13;
THE AUTHOR.&#13;
&#13;
the Japs, has cut him out altogether. I do not&#13;
say that the Fund has not often relieved the&#13;
wants of good men. I only say that the condi-&#13;
tions of things are changed, and that those who&#13;
now apply are unfortunate because they are&#13;
failures.&#13;
&#13;
 &#13;
&#13;
A publisher sends me a delightful little corre-&#13;
spondence. A young aspirant placed in his hands&#13;
last yeara MS. which he refused to publish. The&#13;
young author, after the manner of most young&#13;
authors, could not possibly accept the decision of&#13;
the publisher. The man was prejudiced; the&#13;
man did not know his own interest ; the man was&#13;
a fool to refuse sucha splendid thing. Therefore,&#13;
the author published the book himself, and paid&#13;
for it. He now writes to tell the publisher that he&#13;
has sold exactly twelve copies, and has about 2000&#13;
copies on his own hands. What does the society&#13;
advise ? Never, never, NEVER pay for the produc-&#13;
tion of your work. Young author, you well pay&#13;
for it. You cannot believe that no one wauts&#13;
your work. You will pay—you will learn by&#13;
experience.&#13;
&#13;
 &#13;
&#13;
The books of the month are Stevenson’s&#13;
“Wrecker,” and William Black’s “ Magic Ink.”&#13;
WaLtER BuEsant.&#13;
&#13;
eS&#13;
&#13;
FEUILLETON.&#13;
&#13;
 &#13;
&#13;
Tue AUTOBIOGRAPHY OF AN ARTICLE.&#13;
&#13;
AM an Article. I consist entirely of words:&#13;
&#13;
| twelve thousand wordsare used up in making&#13;
&#13;
me. Hach word contains so many letters. In&#13;
&#13;
an average of six letters to a word—the author of&#13;
&#13;
my being uses a good many long and Latin words&#13;
&#13;
—I have used up seventy-two thousand letters.&#13;
&#13;
I do not state this with any boastfulness, but that&#13;
&#13;
you may know and understand that I am a long&#13;
and a serious Article.&#13;
&#13;
I was brought into the world about three years&#13;
ago. My birth, I have been told, was difficult,&#13;
long, and painful. The sufferer, on many occa-&#13;
sions during the long agony of travail, declared&#13;
that I should_be the death of him; that he&#13;
should never get me finished; that he wished he&#13;
had never thought of me; that if he had known&#13;
what a trouble I should be he never would have&#13;
thought of me; that no one knew the sufferings&#13;
of one who brought forth an Article ; that if men&#13;
only did know, nobody would undertake the trouble-&#13;
some andaccursed task of literature or production of&#13;
Articles: with much more to the same effect. But&#13;
the moment his’ Article—I myself—was born, he&#13;
&#13;
 &#13;
 &#13;
 &#13;
  &#13;
  &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
  &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR. 59&#13;
&#13;
began to frisk and frolic, to dance and prance&#13;
about the room, patting me—the Article—ten-&#13;
derly, saying that there never was such an Article&#13;
known since the world began; that there was the&#13;
reputation of a lifetime in that Article; with&#13;
many other extravagances common, I believe,&#13;
to mothers with tender infants, hens who have&#13;
just laid an egg, and authors with their newly-&#13;
produced articles.&#13;
&#13;
I was a very sober, steady, even solemn, Article.&#13;
I bristled with figures, statistics, and quotations.&#13;
Acts of Parliament were considered in my pages.&#13;
There can be no doubt that I was an Article&#13;
demanding patient attention. Not one of your&#13;
flippant, humorous, comic papers; not written to&#13;
make the world laugh; but to make grave and&#13;
serious statesmen ponder and consider. I had&#13;
reason to be proud of myself; in fact I was proud&#13;
of myself.&#13;
&#13;
Not only was I a sober and serious article, but&#13;
I was written out, in a legible and beautiful hand,&#13;
upon thick and costly paper. It was easy to see&#13;
from my externals alone that Iwas an Article of&#13;
which the author was justly proud—a noble&#13;
Article—an aristocrat among Articles.&#13;
&#13;
My parent, after a careful survey of the&#13;
various magazines then before the public, resolved,&#13;
first, that he would not allow any American&#13;
journal to have me—British by birth, British I&#13;
should remain in the magazine where I was to&#13;
appear. Hetherefore forwarded me toa shilling&#13;
magazine called Burdock’s, after the illustrious&#13;
Burdock, publisher, who owns that organ. The&#13;
reasons which influenced him were, first, the fact&#13;
that the magazine was comparatively new, and&#13;
therefore presumably not so overladen with papers&#13;
as some others; and next, a je ne seas quot of&#13;
profundity, or gravity, peculiar to that organ.&#13;
Nothing frivolous had, so far, been seen in this&#13;
paper. Accordingly the author of my being sent&#13;
me on to Burdoch’s.&#13;
&#13;
It was my first journey.&#13;
&#13;
The editor took me out of my wrappings and&#13;
banged me on the table. I observed that there&#13;
were many other MSS. lying about before him.&#13;
He looked at the title—my title—all of my kind&#13;
enjoy a title—and then he turned over the pages&#13;
and looked at the signature. He thought a little&#13;
and then he wrote in the corner at the right hand&#13;
of the left page three mysterious letters—&#13;
“U. B.D.” This done he tossed the MS. aside,&#13;
and took up another, which he also tossed aside,&#13;
&#13;
Presently a boy came in and picked up the&#13;
papers. He glanced at the letters in the corner and&#13;
carried away all which lay in the same pile. I know&#13;
not what he did to the others, but as regards&#13;
myself he rubbed out the letters with a piece of&#13;
greasy indiarubber, which left an indelible stain&#13;
&#13;
on the white paper; he then filled up a printed&#13;
form which stated that the subject of the article&#13;
was not suited to the pages of Burdockh’s Maga-&#13;
zine, and that the editor sent it back with thanks.&#13;
He then tied me up—his fingers were at once&#13;
greasy and inky and muddy—and when I returned&#13;
home my condition had already altered greatly&#13;
for the worse.&#13;
&#13;
My parent received me with strong words. He&#13;
cursed Burdock’s; he wished it might never&#13;
prosper; he wished it might die; he read one of&#13;
the cursing psalms over it. When this had&#13;
calmed him he sat down and wrote to the&#13;
editor of the Marlborough, offering a paper on the&#13;
subject—my subject.&#13;
&#13;
Next day the editor replied on a printed form,&#13;
that he was unfortunately too full to admit any&#13;
new articles for the moment.&#13;
&#13;
My parent, a choleric young man, used the&#13;
same language concerning the Marlborough as he&#13;
had used concerning Burdock’s. Only he ab-&#13;
stained from reading the cursing psalm. He&#13;
also wrote off, the same day, to the editor of the&#13;
Berkeley, who answered promptly, on a printed&#13;
form, to the same effect.&#13;
&#13;
It appeared, in fact, as if nobody wanted me—&#13;
nobody—wanted—Me! This was incredible.&#13;
My parent tried three or four more editors with&#13;
a similar result in every case. Their space was&#13;
completely full; they could accept no more paper&#13;
for the present.&#13;
&#13;
At last, however, a more favourable reply came.&#13;
This editor liked the subject and would willingly&#13;
read the paper. I was sent to him. This editor&#13;
turned over the pages carelessly and then wrote a&#13;
note. Hesaid that the paper pleased him very much,&#13;
but that he thought it should receive a little hghter&#13;
treatment ; something of the sportive vein; a touch&#13;
of the humorous should be introduced. If the&#13;
author would do this, the editor would gladly&#13;
publish the article.&#13;
&#13;
The author received his MS. back again.&#13;
Heavens! how grimy I was beginning to get&#13;
already. But this was nothing compared with&#13;
what followed. For my parent began to cut me&#13;
to pieces ; he took out the stately Acts of Parlia-&#13;
ment; he suppressed quantities of the most&#13;
beautiful figures; and he put in comic anec-&#13;
dotes. Thus disfigured and with the loss of&#13;
all my original nobility, I went back to the&#13;
editor.&#13;
&#13;
What follows is a bad dream to me whenever&#13;
I think of it. For he put me on a shelf; ona&#13;
&#13;
high shelf in a dark and dirty room where gas&#13;
was burned all day long, and where they used bad&#13;
coal in a bad grate, the dust of which flew about&#13;
all day, got down the throats of the office boys&#13;
and killed them swiftly, and covered up all the&#13;
 &#13;
 &#13;
 &#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
    &#13;
&#13;
60&#13;
&#13;
hopeless MSS. My editor put me up there and&#13;
left me there, and forgot me there.&#13;
&#13;
I lay there a year—forgotten by everybody,&#13;
even by my parent, who by this time had other&#13;
children to look after. I was quite forgotten. I&#13;
lay there helpless, wondering why I had been born&#13;
at all; why any of my companions had been born ;&#13;
hidden below an inch of black dry dust, that got&#13;
between the leaves and made me grimy through&#13;
and through.&#13;
&#13;
One day the editor looked in.&#13;
&#13;
“ What are these?” he asked. “Take them&#13;
down and send them back to their authors. No!&#13;
T shall write nothing. Least said soonest mended.&#13;
The writers will come along to-morrow with more&#13;
stuff just the same. I shan’t make any apology&#13;
to any of the crew.”&#13;
&#13;
So I returned again tomy parent. Nowin my&#13;
absence a thing had happened. The very points&#13;
advocated by him in Me had been advocated by&#13;
a great statesman. He, therefore, took me again&#13;
in hand, wiped off as much as he could of the&#13;
grime, took out the funny things and put back&#13;
the figures. ‘ Now,” he said, when he had added&#13;
a clean title page—upon my word the wash and&#13;
the clean title page was as refreshing as a bath&#13;
and a clean shirt to a man— we will try them&#13;
all over again.”&#13;
&#13;
He sent me once more to Burdock’s. This time&#13;
the editor, who had entirely forgotten the previous&#13;
rejection, looked me through and sent me to the&#13;
printers. The author corrected the proof.&#13;
“Now,” I said, ‘I shall surely come out.”&#13;
&#13;
I waited—in a drawer this time—for six&#13;
months. Then another thing happened, for&#13;
an Act of Parliament was passed embodying all&#13;
the suggestions. The author wrote to the editor&#13;
asking how long he was to wait. The editor sent&#13;
me back for alterations. Again I was pulled to&#13;
pieces and rewritten.&#13;
&#13;
Then I came out at last. Two years anda half&#13;
since I was first sent in.&#13;
&#13;
What attention I received on my appearance I&#13;
know not. No Article ever knows. It must have&#13;
been great, though, because Burdock’s died that&#13;
very month. Burdock’s was killed by Me!&#13;
&#13;
oe&#13;
&#13;
NOTES FROM PARIS.&#13;
&#13;
 &#13;
&#13;
N returning to Paris from fooling round on&#13;
&#13;
a bicycle in some of the prettiest country&#13;
imaginable, I find on my bureau table a&#13;
volume of 636 pages, on the fly-leaf of which is a&#13;
dedication in autograph from “son devoué con-&#13;
frére, Emile Zola.” This is the long-waited-for&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
“La Débicle,” by far, the most important work&#13;
that the great master has yet put forth. It is not&#13;
my place to criticise this extraordimary and epoch-&#13;
making novel which should certainly be read by&#13;
everybody who has any interest in literature, and&#13;
I accordingly content myself by subjoining the&#13;
descriptive notice, which the amiable publishers&#13;
Messrs. Charpentier and Fasquelle, enclose in&#13;
each press-copy, with a priére d’insérer. It gives&#13;
a brief description of the work, as well as certain&#13;
&#13;
indications of the enormous success that this book |&#13;
&#13;
is destined to achieve.&#13;
&#13;
“ Jamais un livre d’Emile Zola n’a été aussi im-&#13;
patiemment attendu que ‘La Débacle,’ qui sous&#13;
sa couverture jaune envahit depuis ce matin&#13;
toutes les vitrines des libraires.&#13;
&#13;
“Son succts anticipé est tel, que le jour méme&#13;
de la mise en vente, les éditeurs Charpentier et&#13;
Fasquelle répandent dans le public, pour les&#13;
seules demandes d’avance, soixante-six mille&#13;
exemplaires. Cet engouement ne sera certes pas&#13;
décu, car ’époque néfaste de 1870-71 a inspiré&#13;
au Maitre une ceuvre grandiose et terrible, com-&#13;
parable aux épopées antiques. Dans ce roman&#13;
qui captivera également les femmes, l’auteur a&#13;
choisi ses personnages principaux surtout parmi&#13;
les plus humbles, ce qui rend plus frappants&#13;
encore les tableaux de désorientation, de carnage,&#13;
d’héroisme et de désolation décrits en des pages&#13;
superbes. Malgré l’étendue inusitée de cette&#13;
ceuvre, ‘La Débicle’ est contenue en un seul&#13;
volume de la Bibliothéque-Charpentier.”’&#13;
&#13;
 &#13;
&#13;
To understand the familiar expression, dear&#13;
alike to authors and to publishers, about a book&#13;
“going off like hot cakes,’ one ought to stroll&#13;
on the boulevards the day of the publication of&#13;
one of Zola’s novels. Already early in the morn-&#13;
ing the trottoir shelves of the booksellers are&#13;
yellow with piles of copies—mountain-high—of&#13;
the new work, and hour by hour these piles&#13;
dwindle down, and are renewed by panting book-&#13;
stall clerks. A new animation is given to the&#13;
boulevards, and in every hand may be seen the&#13;
yellow back, so that a new colour is given to the&#13;
streets. An impressionist painter might make a&#13;
very striking picture out of the subject, ‘‘ Paris&#13;
on a Zola morning,” and for this he would need&#13;
not much more than his tube of light yellow.&#13;
Zola’s works are never packed up in paper and&#13;
string, but carried off hastily, as for immediate&#13;
consumption, and this, in the eyes of the book-&#13;
sellers’ clerks, means far more as a sign of his&#13;
immense popularity than the sale of ever so&#13;
many thousands. The purchasers can’t wait till&#13;
they get home to have a taste, and even to-day I&#13;
saw tardy buyers walking down the streets turn-&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
  &#13;
  &#13;
   &#13;
 &#13;
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  &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
ing over the leaves. ‘‘ La Débacle” is not, how-&#13;
ever, a book to be so lightly read. It is a work&#13;
for the study.&#13;
&#13;
 &#13;
&#13;
Professor Minto prefaces a highly interesting&#13;
account of the earnings realised by various&#13;
authors of the past, which appeared in a recent&#13;
number of the Speaker, with a good-humoured&#13;
criticism of my “ inconsistency ” in blaming the&#13;
habit of speaking about authors’ incomes and&#13;
earnings which certain journals indulge in, in&#13;
the same number of the Author in which I had&#13;
given certain particulars about the remuneration&#13;
earned by a number of noted French authors.&#13;
It does look inconsistent to be sure, but, at the&#13;
same time, is not the Author entre nous, and may&#13;
we not talk about our own affairs between our-&#13;
selves? If this is not a good excuse, I may pos-&#13;
sibly defend myself that the incriminated para-&#13;
graph was perhaps the outcome of the anger of&#13;
the Author Jekyll against the Journalistic Hyde.&#13;
Jekyll might very justly be incensed at Hyde&#13;
for not holding his tongue, because the author&#13;
and the journalist by their very natures work on&#13;
different lines. The journalist must say every-&#13;
thing, whilst with the author ne pas tout dire still&#13;
remains the great art.&#13;
&#13;
 &#13;
&#13;
Apropos of authors and journalists, I was&#13;
rather amused at reading in a recent American&#13;
magazine an article by a_ well-known lady&#13;
novelist in which writing about the “ Penalty of&#13;
Greatness” she animadverted, in no measured&#13;
language, on the custom of interviewing, which&#13;
she described as a nuisance, an impertinence, and&#13;
so forth. She added something about the “great&#13;
writer being forced to divulge his private affairs&#13;
to the newspaper hack.” It is high time that&#13;
writers of books should cease their de haut en bas&#13;
ways, their sneering little ways towards their con-&#13;
fréres of the press. There is far more good&#13;
writing in the daily press than in all but very few&#13;
novels, and it is beyond dispute that a leader by&#13;
such men as Sala and Lang, not to mention&#13;
many other names, shows as much literary skill&#13;
and artistic sense as many pages in the best con-&#13;
temporary fiction. And as to hacks this term is&#13;
foolishly inappropriate as applied to writers for&#13;
the Press, inasmuch as most journalists make far&#13;
better incomes and have a much higher and older&#13;
time of it than all but very few writers of books.&#13;
Many men who would make very good writers of&#13;
books prefer to remain journalists because their&#13;
talents lie in quick work and their hankerings are&#13;
after quick returns. Some, doubtless, also prefer&#13;
the immeasurably larger public that the news-&#13;
paper as compared to the volume assures them,&#13;
&#13;
61&#13;
&#13;
A good article is far more read and far more&#13;
noticed by the larger public than nearly any&#13;
book,&#13;
&#13;
——+ &gt;—__~&#13;
&#13;
“The great. writer” by the way is almost in-&#13;
variably delighted to see the newspaper hack and&#13;
to shovel out his experiences and opinions for his&#13;
purpose. Zola, for instance, or Daudet, or Rénan&#13;
can always be interviewed at any length, and the&#13;
same may be said of almost all French writers.&#13;
Poor De Maupassant, on the other hand, invari-&#13;
ably refused to be interviewed.”&#13;
&#13;
 &#13;
&#13;
The journalist Hyde, maugre the author&#13;
Jekyll, wants to give a few more particulars&#13;
about the earnings of the writers of the roman-&#13;
Jeuilleton which have come his way since last&#13;
month. Jules Mary, for instance, makes his&#13;
60,000 frances with one of his thrillers, and in&#13;
this way. His price for the use of a serial by a&#13;
paper is 30,000 francs. The publishers who bring&#13;
the story out in penny parts after its appearance&#13;
in the paper pay him for such use a further sum&#13;
of 25,000 francs. The book is then published in&#13;
volume form, which brings in the balance of&#13;
5000 franes. Besides these sums he always turns&#13;
a pretty additional penny by authorising its&#13;
reproduction in the country newspapers. M.&#13;
D’Ennery charges fifteen pence a line for his&#13;
feuilletons, but prefers dramatic work. His&#13;
novel, “An Angel’s Remorse,” brought him&#13;
70,000 francs. De Montépm also works “A la&#13;
ligne” and makes 70,000 frances a year with one&#13;
novel. Times have changed since the days when&#13;
the editor .of La Constitutionel was thought&#13;
to be going out of his mind when he paid Eugene&#13;
Sue 6000 francs for the serial rights of “ Les&#13;
Mystéres de Paris.”&#13;
&#13;
&lt;I&#13;
&#13;
Richebourg, who is still one of the most succes-&#13;
ful feuilletonists, was originally employed as a&#13;
clerk in the offices of the “ Societé des Gens de&#13;
Lettres.” His duty was to make up the author’s&#13;
accounts with the provincial papers, and to pay&#13;
over the large sum to which the members were&#13;
entitled. He was paid for this work £80 a&#13;
year. One day, struck by the large profits which&#13;
the feuilletonists seemed to earn, he began&#13;
reading some of ths feuilletons, for which he had&#13;
paid over such large sum-. It then struck him&#13;
that he could write as good stuff if not a jolly&#13;
sight better. He tried it, succeeded, and in a&#13;
very short time had increased his income thirty-&#13;
fold. He is now a millionaire and has shed more&#13;
blood in and caused more tears to flow over his&#13;
pages than perhaps any living writer.&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
62&#13;
&#13;
Jean Moréas, who by many is considered the&#13;
first poet in France, is one of the most curious&#13;
personalities in contemporary French literature.&#13;
Of arestless temperament, he is constantly moving&#13;
his chattels from one quarter of the town to&#13;
another. I bave found him on the heights of&#13;
Montmartre, and in remote Montrouge. Asa&#13;
rule he is very mysterious about his address, and,&#13;
being irrevocably noctambulist, is very rarely seen&#13;
except at nights. He was the founder of the&#13;
Symbolist school of poetry, and is now engaged in&#13;
forming the Ecole Romane, the members of which&#13;
are recruited amongst the dissidents fiom the&#13;
former School, which was split into parties by the&#13;
quarrels provoked by Huret's book on the literary&#13;
movement in France. Moréas may sometimes be&#13;
seen between the hours of ten o’clock and four&#13;
in the mornmg, either walking the Boulevard St.&#13;
Michael or sitting in some little frequented&#13;
marchand de vin’s shop. His three or four&#13;
disciples are always with him, and itis interesting&#13;
to see how they hang upon his lips. Moréas is a&#13;
thorough poet, and, as he walks along with his&#13;
eyeglass fixed, he mutters his rhymes aloud. He&#13;
publishes very rarely, and only after long elabo-&#13;
ration His books, which are published in very&#13;
small editions, are out of print, and copies fetch&#13;
phenomenal prices. He is an excellent swordsman&#13;
and has great personal courage. Iwas his second&#13;
in one of his duels against Darzens, and really&#13;
adwired the pluck with which he fought during&#13;
an hour and a half.&#13;
&#13;
Rosert H. SHERARD.&#13;
&#13;
Paris, June 24.&#13;
&#13;
eae&#13;
&#13;
SONNET.&#13;
&#13;
 &#13;
&#13;
ON HEARING A FRIEND PLAYING REMINISCENCES OF&#13;
WAGNER.&#13;
&#13;
Hark! in my soul, how those sweet concords flow ;&#13;
Liquid and clear; like tardy summer rain,&#13;
That drops—and stays—then hurries down again,&#13;
The while soft winds begin to stir, and blow.&#13;
&#13;
I seem to see, beneath the still moonlight&#13;
A Rhineland town; and, by some ancient tower,&#13;
Two lovers who have known foul envy’s power&#13;
Fled for communion in the quiet night.&#13;
&#13;
But all too fast the trancéd moments fly ;—&#13;
They must not linger, murmuring heart to heart ;&#13;
They hear the watchman’s solemn measured cry ;&#13;
Yet cannot tear those passionate lips apart.&#13;
&#13;
The deep toned tower clock tolls the hour supreme,&#13;
And music dies on love’s enraptured dream.&#13;
&#13;
Ziretua F. TomKIns.&#13;
Acton, 1892.&#13;
&#13;
sree&#13;
&#13;
THE AUTHOR.&#13;
&#13;
 &#13;
&#13;
WOMEN IN JOURNALISM.&#13;
&#13;
 &#13;
&#13;
with modern journalism is the rapidity&#13;
with which women have pressed into its&#13;
ranks during the last ten years.&#13;
&#13;
When, a few months ago, the idea of a club&#13;
for women journalists was promulgated, even its&#13;
promoters felt some doubt as to whether there&#13;
were a sufficient number of women engaged in&#13;
newspaper work to make such an institution&#13;
financially possible. But such fears were dissipated&#13;
within a month of the time that the idea found&#13;
articulate expression; and at this moment the&#13;
Writers’ Club (within less than a year of its&#13;
foundation) is a flourishing concern, with some&#13;
hundreds of members, all of whom are engaged&#13;
in literary, and the majority in newspaper work.&#13;
&#13;
These numbers constitute a sufficiently startling&#13;
fact when we remember that journalism as a pro-&#13;
fession for women is only a thing of yesterday;&#13;
and in that consideration of it two aspects&#13;
immediately present themselves to 2 thoughtful&#13;
person :—&#13;
&#13;
(1.) Is the effect produced on journalism by&#13;
this invasion of women a salutary one ?&#13;
&#13;
(2.) Is journalism a desirable method for&#13;
women to earn their living ?&#13;
&#13;
With regard to the first question the answer&#13;
must necessarily be of a cautious character, and&#13;
will to a great extent depend upon the attitude&#13;
taken up towards modern newspaper literature&#13;
by the individual who answers it. Those who&#13;
look upon the present condition of the press with&#13;
unalloyed satisfaction, and those who consistently&#13;
maintain in the face of anything in the way of&#13;
proof or evidence that the influence of women in&#13;
journalism, as in everything else, is necessarily a&#13;
good one, will probably regard the situation from&#13;
the optimistic point of view only. Those, how-&#13;
ever, who prize that vigour and virility of senti-&#13;
ment and writing which characterises the best&#13;
masculine pens ; who deplore the personalities,&#13;
gossip, and feminine tone which find so prominent&#13;
a place in many of the papers; who value style&#13;
and scholarship and humour, all of which stand&#13;
a chance of being neglected if not lost, will see&#13;
reason for regret that so. much of the literature&#13;
of the day is written by women.&#13;
&#13;
Nowhere, in the opinion of the present writer,&#13;
can this deteriorating and demoralising influence&#13;
be seen to better advantage than in the society&#13;
papers, which, however, it is only just to say are&#13;
as much read by men as by women.&#13;
&#13;
There area large number of so-called high class&#13;
society periodicals, the greater part of which con-&#13;
sists of the vulgarest gossip and personalities&#13;
&#13;
N | OT the least striking feature in connection&#13;
&#13;
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ibe&#13;
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a ia&#13;
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THE AUTHOR. 63&#13;
&#13;
about the conversation, mode of life, and move-&#13;
ments of persons who are in no sense of the word&#13;
“‘ public ;’ who have distinguished themselves in&#13;
no legitimate way, and often in no way at all&#13;
outside existing; and whose “smartness,” or&#13;
fastness, or money alone, make them the object&#13;
of this rubbishing tittle-tattle. Whilst, however,&#13;
a good portion of this literature is as harmless as&#13;
it is stupid, the same cannot be said of the very&#13;
latest development of feminine enterprise in the&#13;
press, which seems likely to have a flourishing&#13;
existence before it. This takes the form of&#13;
a “lady’s letter,’ and is written ostensibly by a&#13;
lady of fashion whose fastness not only goes to&#13;
the verge of disreputability, but some way beyond&#13;
it. She purports to give an account of her week’s&#13;
doings, which generally include visits to music&#13;
halls and other places not usually considered&#13;
classic ground for decent women. Somewhere or&#13;
other there is one “ Charlie’”’ or “ Jack ”’ in tow,&#13;
and this accommodating husband invariably&#13;
figures in the description so as to give the thing&#13;
presumably an air of propriety. Let any im-&#13;
partial person peruse some of this bare flippant&#13;
worthless stuff now becoming so general, and ask&#13;
himself whether it can have anything but a&#13;
vicious effect on the brainless young persons (it&#13;
is to be supposed they are young) who read it&#13;
every week. But, even if these society papers are&#13;
left out of account, it must be apparent to any&#13;
one who has an intimate acquaintance with current&#13;
newspaper literature, that the ewig weibliche&#13;
strain is far too predominant, and that the&#13;
hysterical and emasculate attitude taken up in&#13;
some quarters on certain social and other ques-&#13;
tions is a direct result of this feminine influence,&#13;
Of course a large amount of respectable journalism&#13;
is done by women, and is read by women; and&#13;
the proof of this is to be found in the existence&#13;
of so well written and ably conducted a paper as&#13;
the Queen; and in the successful launching of&#13;
the new paper for women, Hearth and Home,&#13;
which has papers on purely literary topics written&#13;
in excellent style. But (with the exception of a&#13;
few individual women who have made their&#13;
literary reputation elsewhere) the better sort of&#13;
newspaper work, which includes leader writing,&#13;
reviewing, and miscellaneous literary articles is not&#13;
in the hands of women at all, whose main busi-&#13;
ness is concerned with paragraphs and articles&#13;
about social functions, the shops, fashions,&#13;
cookery, home decoration, and reports of lectures,&#13;
meetings, weddings, and so forth. To write&#13;
&#13;
successfully upon cookery and art decoration&#13;
requires a certain amount of technical knowledge,&#13;
and women who are well up in these subjects&#13;
find a ready market and very good prices for&#13;
Carried on legitimately&#13;
&#13;
their literary wares.&#13;
&#13;
—that is to say, without puffs and bribes—this&#13;
seems a very suitable and desirable field for the&#13;
action of the feminine pen. But—and this&#13;
brings me to the second part of my inquiry—can&#13;
much be said in praise of the work of the ordi-&#13;
nary lady journalist, which involves the constant&#13;
wear and tear of reporting, night work, severe&#13;
physical strain; which necessitates, if she is to&#13;
get on, an astounding exhibition of audacity and&#13;
push, and which perpetually compels her to place&#13;
her natural impulses of reserve and unaggressive-&#13;
ness in the background, which includes the inter-&#13;
viewing of persons who are not gentlemen, and&#13;
the formation of promiscuous acquaintance ; and&#13;
which, above all, forces her to write about worth-&#13;
less trivialities, which, if she have any better sort&#13;
of aspiration or literary taste, she heartily des-&#13;
pises. As a set-off against these disadvantages,&#13;
it must be admitted that a woman possessing but&#13;
average intelligence and quickness (even if her&#13;
education be of the most limited kind), can make&#13;
a very fair living out of this sort of journalism;&#13;
whilst a woman with moderate ability, with good&#13;
education and a facile pen, and a quick eye, can&#13;
make double the income earned by her scholarly&#13;
sister who has graduated at Newnham, and become&#13;
a high school teacher—which is only another&#13;
way of stating that journalism is the one profes-&#13;
sion, vocation, or trade, or whatever its enemies&#13;
like to call it—in which the work of men and&#13;
women is paid for at precisely the same prices.&#13;
So far as I know, the real genuine life of the&#13;
woman journalist has yet to be written, and would&#13;
afford interesting and fresh ground for a female&#13;
Thackeray, if she ever arises. What a pity it is&#13;
that some enterprising Press lady does not herself&#13;
give us her experiences, and “betray the secrets&#13;
of the prison house.” We might then get a&#13;
solution of the problem that has puzzled a good&#13;
many of us, as to the reason that certain ladies,&#13;
whose scholarship is as little evident as their shy-&#13;
ness, are in the happy position of realising large&#13;
incomes. A recipe given me by an artless and&#13;
pretty young lady journalist, might be of some&#13;
use to the future novelist : ‘ Oh, it’s quite easy to&#13;
get heaps of work if the Editor ’s ‘gone on you.’”’&#13;
It must be remembered the speaker had charming&#13;
eyes and lips, but how about the women who are&#13;
not young or attractive? For them there is&#13;
nothing but hard work, unflagging alertness, per-&#13;
severance, and patience. If they have not sound&#13;
nerves and good health, God help them!&#13;
&#13;
x YZ.&#13;
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 &#13;
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64&#13;
&#13;
AUTHORS BY PROFESSION.&#13;
&#13;
 &#13;
&#13;
(Reprinted from the Speaker by kind permission&#13;
of Professor Minto.)&#13;
&#13;
The first man who is known to have called&#13;
himself an “author by profession’? — ‘ book-&#13;
seller’s drudge,” or “‘ Grub-street hack,” was the&#13;
less dignified and more common designation—&#13;
was one William Guthrie, who wrote for the&#13;
Gentleman’s Magazine before and along with&#13;
Samuel Johnson, and produced some historical&#13;
works of considerable merit. “Sir,” said his&#13;
great contemporary of him, “he is a man of&#13;
parts. He has no great regu'ar fund of know-&#13;
ledge; but by reading so long and writing so&#13;
long, he no doubt has picked up a good deal.”&#13;
But seeing that Guthrie eked out his income&#13;
from the booksellers by soliciting and taking the&#13;
pay of the Government, we had better leave him&#13;
with this compliment. The Society of Authors&#13;
would not be proud of him ; his modern analogue&#13;
is to be found in the “reptile press’ of&#13;
Germany.&#13;
&#13;
The first great “author by profession,” the&#13;
first man who made a living by his writings and&#13;
at the same time a classic reputation, was Samuel&#13;
Johnson himself. His independent and practical&#13;
spirit first put the profession or trade of author-&#13;
ship on a sound footing, and substituted the&#13;
capitalist for the patron. One of the letters&#13;
recently published by Mr. Birkbeck Hill is a&#13;
curious evidence of his business-like spirit. He&#13;
writes to a correspondent and mentions various&#13;
literary schemes suitable for “an inhabitant of&#13;
Oxford.” But he adds: “I impart these designs&#13;
to you in confidence, that what you do not make&#13;
&#13;
use of yourself shall revert to me uncommuni-’&#13;
&#13;
cated to any other. The schemes of a writer are&#13;
his property and his revenue, and therefore they&#13;
must not be made common.”&#13;
&#13;
A prior claim might be made for Pope, on the&#13;
strength of two lines in one of his “ Imitations of&#13;
Horace ”’—&#13;
&#13;
“ But (thanks to Homer) since I live and thrive&#13;
Indebted to no Prince or Peer alive.”&#13;
&#13;
Pope certainly made more money out of his books&#13;
than Johnson. Johnson got ten guineas for his&#13;
“ London,” and 1500 for his Dictionary, whereas&#13;
Pope made 8000 out of his translations of Homer.&#13;
But Pope held the profession of authorship in&#13;
high disdain. He was what, on the analogy of&#13;
“ gentleman-farmer,” might be called a “ gentle-&#13;
man-author.” He professed to write for the&#13;
passing of time and the improvement of man-&#13;
kind.&#13;
&#13;
The first authenticated sale of copyright by an&#13;
&#13;
THE AUTHOR.&#13;
&#13;
 &#13;
&#13;
author is commonly said to be Milton’s sale of&#13;
“ Paradise Lost” to Simmons. But money had&#13;
often passed between publisher and author long&#13;
before this. Fuller, the witty author of “The&#13;
Worthies,” avows as one of his objects in&#13;
publishing, “which he is not ashamed publicly&#13;
to profess,” “ to procure a moderate profit to him-&#13;
self, in compensation of his pains.” “ Hitherto,”&#13;
he boasts, no stationer hath lost by me.” He&#13;
published, however, by subscription ; that is, he&#13;
had to act as his own commercial traveller.&#13;
&#13;
This was under the Commonwealth: Fuller, a&#13;
Royalist clergyman, was driven to seek some&#13;
“honest profit” out of books by the troubles of&#13;
the times. But a century earlier there were men&#13;
who made their living, or part of their living, by&#13;
books, and yet made a certain name for them-&#13;
selves in literary history. They were not all so&#13;
fortunate as Sir Thomas Elyot, the author of the&#13;
“The Governour,’ who, when accused by his&#13;
friends of “neglecting his profit” in writing&#13;
books, mentioned this to his readers, and assured&#13;
them that he desired only their “gentyll report&#13;
and assistance agaynst them which do hate all&#13;
thynges which please not their fantasyes.”&#13;
There were others who felt moved to write, and&#13;
yet were under the necessity of trying, like Fuller,&#13;
to get some compensation for their pains.&#13;
&#13;
How was it done in the days before copyright&#13;
developed into a marketable commodity? The&#13;
printers were protected by royal privilege, and it&#13;
would seem that our earliest men of letters, from&#13;
soon after the introduction of printing, eked out&#13;
a livelihood as correctors of the press. This was&#13;
a recognised resort for the poor scholar. In the&#13;
times of persecution under Mary, several of the&#13;
Protestant refugees settled at Basle, and this,&#13;
Strype tells us, they did “upon two reasons.&#13;
One was because the people of that city were&#13;
especially very kind and courteous unto such&#13;
English as came thither for shelter; the other,&#13;
because those that were of slenderer fortunes&#13;
might have employment in the printing-houses&#13;
there, the printers of Basil in this age having&#13;
the reputation of exceeding all others in that art&#13;
throughout Germany, for the exactness and&#13;
elegancy of their printing. And they rather&#13;
chose Englishmen for the overseers and cor-&#13;
rectors of their presses, being noted for the most&#13;
careful and diligent of all others. Whereby&#13;
many poor scholars made a shift to subsist in&#13;
these hard times.”&#13;
&#13;
One of these was John Foxe, the historian of&#13;
the martyrs, who obtained employment with the&#13;
printer Oporinus (Herbst), to whom he offered&#13;
his services in what Strype calls “a handsome&#13;
epistle,” “wherein he desired to be received by&#13;
him into his service, and that he would vouchsafe&#13;
&#13;
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 &#13;
&#13;
LHE AOTHOR. 65&#13;
&#13;
to be his learned patron, being one that would&#13;
be content with a small salary.”’&#13;
&#13;
Another early instance of the printer acting as&#13;
learned patron is found in the case of Thomas&#13;
Wilson, author of the first English treatises on&#13;
logic and rhetoric. In the preface to his Logic&#13;
(1552) he says :—“ Notwithstanding I must nedes&#13;
confesse that the printer hereof, your Majestie’s&#13;
Servaunt, provoked me firste hereunto, unto&#13;
whome I have ever found myselfe greately&#13;
beholdyng, not onely at my beyng in Cambridge,&#13;
but also at al tymes els, when I most neded&#13;
helpe.” This honourable printer was the famous&#13;
Richard Grafton, of whom many creditable&#13;
things are recorded in the chronicles of printing.&#13;
&#13;
Grafton’s partner in more than one of his enter-&#13;
prises, notably in the printing of the New Testa-&#13;
ment and the Bible, was Edward Whitchurch;&#13;
and perhaps the very first authentic example of&#13;
the author by profession was a “-ervant”? with&#13;
Whitchurch, This was William Baldwin, an&#13;
Oxford man. who lived by the press, not asa&#13;
casual resource, or while waiting tor church pre-&#13;
ferment, but till at least thirty years after taking&#13;
his degree, his only other ascertained employment&#13;
being some share in the preparation of entertain-&#13;
ments for the Court.&#13;
&#13;
Baldwin is said to hive set up with his own&#13;
hands the type of his metrical version of the&#13;
Canticles ; but that, nevertheless, he held what&#13;
might be called a good literary position is proved&#13;
by his share in the “ Mirror for Magistrates.”&#13;
When Wayland, a printer of Mary’s time, projected&#13;
a continuation in English verse of Boccaccio’s “ De&#13;
Casibus Virorum Illustrium,” it was to Baldwin&#13;
he went with the idea; and the modest Baldwin,&#13;
though he would not undertake the work single-&#13;
handed, seems to have had no difficulty in getting&#13;
men of note to work under his editorship.&#13;
&#13;
This is an interesting example of the early&#13;
relations between authors and publishers. Caxton&#13;
was often his own author; but he was soon&#13;
followed by others wh:, though they could not&#13;
write themselves, could see where there was an&#13;
opening for talent. Ido not know of any instance&#13;
where the printer has suggested his subject to a&#13;
man of genius, and I rather doubt whether any&#13;
such instance is tv be found; but the sagacious&#13;
foresight of the printer has undoubtedly often&#13;
been profitable in this way to authors of talent.&#13;
Thomas Wilson is not the only author who has&#13;
been “ greately beholdynge” to a publisher for a&#13;
timely suggestion, though not a few may have&#13;
found their employer, as Johnson found Cave, a&#13;
“‘penurious paymaster.” This also was in the&#13;
nature of things.&#13;
&#13;
W. Minto.&#13;
&#13;
CORRESPONDENCE.&#13;
&#13;
 &#13;
&#13;
Ee&#13;
Usrrut Booxs.&#13;
Me I suggest that the very valuable&#13;
&#13;
list of books, useful to authors as works&#13;
&#13;
of reference, published in the Author,&#13;
would have an enhanced value if those kind&#13;
enough to submit the lists of their favourites&#13;
would append price, which they would no doubt&#13;
willingly do if you drew attention to the want of&#13;
such information by others as well as&#13;
&#13;
J. D. Hurcrsson.&#13;
&#13;
&lt;a&#13;
&#13;
iT,&#13;
Dors tHe HicHer Literature Pay?&#13;
&#13;
Most phrases, in these days, are but shams.&#13;
But if there should happen to be some truth&#13;
in the phrase ‘‘ Republic of Letters,” I may,&#13;
perhaps, be permitted to question, with Repub-&#13;
lican freedom, certain dicta of our honoured&#13;
editor. He “can see no ‘higher form’ of&#13;
literature at all, unless it be poetry.” And&#13;
philosophy—in which, of course, the whole round&#13;
of the sciences is included—he declares to be, “so&#13;
far as he can discover,” no higher a form of litera-&#13;
ture than “essays, or biography, or fiction.”&#13;
Literature, then, is to be judged by what it con-&#13;
tributes to human amusement, not by what it&#13;
contributes to human progress. And the essayists,&#13;
and biographers, and novelists of, say, the last&#13;
three hundred years, are all, as authors, on a&#13;
level of equality with—if, indeed, considering the&#13;
greater amount of amusement they have given,&#13;
not ona much higher level than—such philoso-&#13;
phers as Bacon and Newton, and Hobbes, and&#13;
Locke, and Hume, and all the scientific dis-&#13;
coverers put together down to Darwin and&#13;
Spencer, classics though their chief works will&#13;
certainly remain long after—&#13;
&#13;
Rudyards cease from kipling,&#13;
And Haggards ride no more.&#13;
&#13;
I trust that I may be allowed to record my strong&#13;
protest against judging literature, in the large&#13;
sense of the word, by a standard so low as that&#13;
which places “essays, and biography, and&#13;
fiction” on a level with works m which the laws&#13;
of the universe, and of man’s nature and history&#13;
are being progressively revealed.&#13;
&#13;
Our editor is also certain that “the :eading&#13;
public is wise enough and clever enough to dis-&#13;
cover the great genius, and even the little genius,&#13;
as soon as ever he appears.”” And in verification&#13;
&#13;
of this assertion, he “instances Messrs. Stevenson,&#13;
&#13;
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 &#13;
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&#13;
66&#13;
&#13;
Rudyard Kipling, and J.M. Barrie.” That such&#13;
a thing exists as philosophic and scientific genius,&#13;
as distinguished from the sort of genius that&#13;
“the reading public can discern as soon as ever it&#13;
appears,” is not recognised by oureditor. Had it,&#13;
indeed, been recognised, our editor’s contention in&#13;
his “‘ Notes” for June could not have been main-&#13;
tained for a moment. That contention is, that&#13;
there 1s no possibility now, in the wide bounds of&#13;
the Republic of Leiters, of the existence of such&#13;
an unfortunate as ‘“‘a neglected anda starving&#13;
genius.” Possibly this may be so, if the term&#13;
“genius” is limited to those who have a genius&#13;
for amusing. Butif the term is used in its larger,&#13;
and indeed, ordinary sense, to include philosophic&#13;
and scientific genius, I say that, under present&#13;
conditions in this country, genius, if it takes up&#13;
philosophy or science, will almost certainly en-&#13;
counter both ‘‘ neglect and starvation,” if it is&#13;
not, by private fortune, made independent of the&#13;
discernment of ‘the wise and clever reading&#13;
public.”&#13;
&#13;
For what are the facts? Not a single one of&#13;
all the men of philosophic and scientific genius&#13;
abovenamed or alluded to, could have pursued&#13;
those philosophic and scientific researches which&#13;
are the chief glory of English literature, had it&#13;
not been for private fortune, or the aid of private&#13;
friends. “If a man,’ says our editor, “is a&#13;
writer of ‘solid’ literature, he is a professor or&#13;
lecturer, a fellow of his college, a teacher of some&#13;
kind.” Possibly, if it is very ‘“ solid literature,”&#13;
this may be so. But if it is highly original&#13;
literature, immensely advancing human thought,&#13;
and hence social progress—yet, for that very&#13;
reason, neither decorously dull, nor prettily&#13;
“amusing ’’—the author of it, a Darwin, or a&#13;
Spencer, for instance, will have no change of a&#13;
professorship, and, if he is without private&#13;
fortune, will have but the dire alternative of&#13;
starvation, or abandonment of his work. Except;&#13;
perhaps, he were a mathematician, hardly one of&#13;
the great thinkers and discoverers, to whom&#13;
English literature chiefly owes its place among&#13;
literatures, was a professor, or would probably—&#13;
notwithstanding “the wisdom, and cleverness,&#13;
and quick discernment of the reading public ”»—&#13;
have been allowed to become a professor. For&#13;
consider these two significant facts :&#13;
&#13;
The late Lord Giffard, in 1887, bequeathed&#13;
£80,000 to found, at the Scottish Universities,&#13;
four Lectureship on Natural Theology, in nominat-&#13;
ing to which he enjoined, in the most express&#13;
language which it was possible to use, that these&#13;
lectures should be made the means of stimulating&#13;
the freest scientific discussion on religious sub-&#13;
jects, even to the denial of the existence of a God,&#13;
if that should be the conclusion of any mani-&#13;
&#13;
THE AUTHOR.&#13;
&#13;
 &#13;
&#13;
festly earnest thinker. What has been the&#13;
result? Not the encouragement of new thinkers,&#13;
as intended by the testator, but an ampler&#13;
endowment either of orthodox Christians or of&#13;
men whose scientific opinions have been before&#13;
the world for the last thirty years and more, and&#13;
which are now, to say the least, very seriously&#13;
questioned, if not altogether overthrown by the&#13;
later results of scientific research. Or consider&#13;
another fact, of which the reader will find fuller&#13;
particulars in a paper by Lord Rayleigh, Sec.&#13;
R. S., in Mature, 12th May, 1892. Nearly half a&#13;
century ago (1845) the now received scientific&#13;
theory of gases was anticipated by a Mr. J. J.&#13;
Waterston. But his paper—now, at length,&#13;
published by the Royal Society im full—was, at&#13;
the time, reported on as nothing but nonsense,&#13;
unfit even for reading before the Royal Society.&#13;
“Little chance for such a genius of gaining his&#13;
living as a ‘ professor.’ ”’&#13;
&#13;
J. S. Sruart GLENNIE.&#13;
&#13;
[Granted the fact that scientific research does&#13;
not by itself suffice to keep a man ; there remains&#13;
the additional fact that this is recognised, and&#13;
that no scientific man tries to live by research. So&#13;
that there is no such thing as a scientific genius&#13;
who is starving. I did not say that there could&#13;
be no such thing, but that there is not, any more&#13;
than there is a starving poet. I venture to&#13;
reassert my claim that there is no kind of&#13;
literature higher than another, unless it be&#13;
poetry.—W. B.]&#13;
&#13;
 &#13;
&#13;
III.&#13;
ANOTHER SIDE.&#13;
&#13;
In the Author for April was a _ story—&#13;
imagined of course—about a plain yuung writress&#13;
—I use the adjective as we say “a plain man,” un&#13;
homme moyen—who attained to constant publica-.&#13;
tion and high pay by nobbling editors in a—&#13;
what shall I say ?—physiological manner. It&#13;
was a good story. Every story is good until&#13;
another is told. And the teller of the other story&#13;
in this case is “ Georges de Peyrebrune ” (whose&#13;
legal status is Mme. Mathilde-Georgina-Hliza-&#13;
beth de Judicis) in “Le Roman d’un Bas Bleu”&#13;
(Ollendorff, 1892). This new novel is supposed&#13;
to disclose the Confessions of another young&#13;
littératrice who is by no means so plain and down-&#13;
right as our own young person, and who declares&#13;
that whenever a (French) journal or a review is.&#13;
directed by men, no authoress can get anything&#13;
inserted without “submitting to the exigencies&#13;
of these gentlemen.” Is this the moment to&#13;
quote our pseudo-Yorick, and say: “They order&#13;
this matter better in France?” ‘That is not what&#13;
&#13;
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 &#13;
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THE AUTHOR. 67&#13;
&#13;
Mile. Sylvere du Parclet says in this realistic&#13;
novel. If we believe her, every (French) editor’s&#13;
sanction is “the grotto of a satyr,” and the inter-&#13;
views between Mlle. Sylvére and the autocrat of&#13;
the grave and learned Revue des Universités,&#13;
with his fine tawny beard and his inflammatory&#13;
grey eyes, are of the most stirring actuality.&#13;
Sylvére, of course, rises superior to the occasion,&#13;
to all the occasions; but the depressing result is&#13;
that virtue is her own and only reward, for the&#13;
word goes about, and “no newspaper, no maga-&#13;
zine, will accept anything more from her.” All&#13;
she has to do is to disappear from literary life.&#13;
But before doing so, she determines to have her&#13;
revenge in writing this novel, of which the real&#13;
authoress in the flesh is now—may one be indis-&#13;
creet enough to stater—in her 46th year. She&#13;
has written some sixteen successful books, several&#13;
of which have passed through the Revue des&#13;
Deux Mondes. One supposes la moralité, or&#13;
shall we say the morality of all this, lies in the&#13;
fact that neither story, neither the French nor&#13;
the English, is true. Both can’t be, surely?&#13;
&#13;
 &#13;
&#13;
TV.&#13;
BopENSTEDT.&#13;
&#13;
Germany is not forgetful of her writers. The&#13;
grave has hardly closed over her poet Frederich&#13;
von Bodenstedt, when a committee is appointed&#13;
in Wiesbaden, his home, to collect funds for a&#13;
national memorial to the creator of Mirza Schaffy,&#13;
the poet-philosopher. In the appeal sent forth&#13;
from this committee is the note, that Bodenstedt&#13;
will live in the minds of Ger mans of all shades of&#13;
politics or thought; but, “a nation only honours&#13;
itself when it shows itself thankful to its mind-&#13;
heroes, even after the grave has received their&#13;
mortal remains,’ Frederich von Bodenstedt had&#13;
a marvellous knowledge of English literature; a&#13;
list of his works on Shakespeare would fill a&#13;
column of the Author, and in his last letter to&#13;
me, he refers to the demand for a new edition of&#13;
his translation of Shakespeare’s Sonnets; and I&#13;
well remember, the last time I was with him in&#13;
his study in Wiesbaden, his outburst of sarcasm&#13;
and anger when a Halle Professor asked him his&#13;
opinion as to the Bacon authorship of Shakes-&#13;
peare. His powerful brain (he had an immense&#13;
head) and abnormal memory made him a most&#13;
interesting conversationalist ; but perhaps I may&#13;
be allowed to speak of him more fully at another&#13;
date.&#13;
&#13;
James Baxur.&#13;
&#13;
Vv.&#13;
Press Copies.&#13;
&#13;
As, from a reference in this month’s issue of&#13;
the Author to a letter of mine which appeared in&#13;
the last August number, advocating the abolition&#13;
of presentation copies of books to the press, it&#13;
might appear that there are insurmountable&#13;
objections to the proposal bemg carried out, I&#13;
would like to be allowed to state my case again,&#13;
and perhaps strengthen it in the light of further&#13;
experience&#13;
&#13;
A journal is conducted for the profit of its&#13;
owner. He does all he can to interest his readers,&#13;
and enhance its circulation. Reviews of books&#13;
are inserted because it is believed that they will&#13;
interest the readers, and thereby assist the sale of&#13;
the paper. Some books that are sent to be&#13;
reviewed are not reviewed, because it is believed&#13;
that an account of them would not interest the&#13;
readers. The readers of the paper (the public)&#13;
are the persons considered in deciding whether a&#13;
book shall be reviewed or not. The author of&#13;
the work is not considered, because the review is&#13;
not written for his benefit. The review is written&#13;
for the benefit of the paper, the profit of the&#13;
proprietor, not for that of the author. The&#13;
author may benefit by the review. The review&#13;
may be unfavourable to the author, even inju-&#13;
rious. To say that the object of the review is&#13;
the injury of the author is as much reason as to&#13;
say that the object is his benefit. The result of&#13;
the review to the author, its benefit or detriment&#13;
to him, is accidental and incidental.&#13;
&#13;
Books are now given to journals for review so&#13;
that the author may benefit by the publicity thus&#13;
obtained. He does not always obtain this pub-&#13;
licity. The publicity is not always to his benefit.&#13;
&#13;
By presenting copies to the press, the author or&#13;
publisher asks for the benefit of publicity. The&#13;
proprietor of the journal gives or refuses it ac-&#13;
cording as he thinks it will interest his readers or&#13;
not—will or will ‘not advance his own interests.&#13;
The author or publisher does not take up an in-&#13;
dependent position. The newspaper proprietor&#13;
would be bound to come to him for the sake of&#13;
the interests of his paper, his own interests, if&#13;
the author or publisher did not run after him.&#13;
The author or publisher sacrifices his position and&#13;
his dignity. He seems to think that only he&#13;
gains through the review, whereas the journal&#13;
gains as much through him as he does through&#13;
it. The author or publisher, when he advertises&#13;
a book, does not plead that the announcement is&#13;
for the benefit of the paper or the public, and&#13;
should therefore not be charged for. That would&#13;
&#13;
be as reasonable as the plea that the review is&#13;
for the benefit of the author, and therefore should&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
    &#13;
&#13;
68&#13;
&#13;
be paid for (by presentation of a copy of the&#13;
book).&#13;
&#13;
No matter how the anomaly of asking for a&#13;
review has come about, the position is now a false&#13;
one, and the review is not areturn service for&#13;
the presentation of the book. That there is&#13;
not always a review in return for it proves that.&#13;
&#13;
Were journals to purchase the books they want&#13;
to review, there would no longer be the scandal of&#13;
presentation copies of books, both reviewed and&#13;
unreviewed, being sold by the needy or greedy&#13;
into whose hands they fall.&#13;
&#13;
The Author should be the sole exception in&#13;
favour of a press copy, because it is the organ of&#13;
the authors’ own organisation, and to present a&#13;
copy for review by its own organisation would be&#13;
furthering the author’s own interests.&#13;
&#13;
The proposal is this. Let copies be sent to the&#13;
press, exactly as is done now. Let the books that&#13;
are not reviewed be returned to the sender. Let&#13;
the books that are retained for review be paid for&#13;
by the proprietor of the journal. Thus can the&#13;
anomaly of “ press copies’ be abolished, and the&#13;
independence of authors and of the press be more&#13;
firmly established.&#13;
&#13;
H. Hazs.&#13;
&#13;
[The question is referred to on p. 53.]&#13;
&#13;
 &#13;
&#13;
VI.&#13;
Epitor OR PROPRIETOR ?&#13;
&#13;
In the year 1888, I was asked by the editor&#13;
of a paper well known and widely circulated in&#13;
Ireland, to write a weekly letter for it; the&#13;
payment to be a guinea a week. I wrote for three&#13;
months, and then sent a note to the manager to&#13;
remind him. In answer to this I got a cheque&#13;
fo the amount due, and (as I knew the editor&#13;
personally) I wrote to him to say I had received&#13;
the money. He was just then in Paris, and&#13;
replied as follows: “I am glad you have had&#13;
your cheque from It is ‘sure henceforth to&#13;
be sent regularly every quarter. . . . ‘Out&#13;
of Town’ would now be a good title to your&#13;
letters. I read your last one here, and thought it&#13;
very good.” Now comes the curious part of the&#13;
story. Hardly had I received the editor’s letter&#13;
from Paris before an intimation was sent me&#13;
from the manager that no more letters would be&#13;
required till the following spring; it was then&#13;
Autumn, and somehow it was clear tome that I&#13;
was “chucked.” I wrote to the editor again, but&#13;
only got a vague and unsatisfactory answer.&#13;
Can anybody explain the matter ?&#13;
&#13;
[The explanation is that the proprietor of the&#13;
&#13;
paper was also the manager. The editor should&#13;
have explained that his power was limited. ]&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
VIL.&#13;
An Opiicinec PUBLISHER.&#13;
&#13;
Here is an incident that may amuse and&#13;
perhaps instruct your readers :&#13;
&#13;
A woman of fashion, wealthy, and a widow,&#13;
having no occupation, and desiring distinction,&#13;
resolved to become an author. Having taken the&#13;
first. step towards the fulfilment of her desire, and&#13;
written hundreds of pages of balderdash, she&#13;
submitted them to a publisher—a man of fair&#13;
repute, well known and much beloved. So greatly&#13;
was he struck by the excellence of the story and&#13;
the certainty of success, that he generously&#13;
offered to produce it for the sum of £150 payable&#13;
on or before date of publication. This sum was&#13;
willingly given to so gracious a benefactor. The&#13;
young novelist’s knowledge of the literary world&#13;
may be gauged when ’tis mentioned she, anxious&#13;
for a good review in the Morning Post, actually&#13;
wrote to the editor asking what his price was for&#13;
a favourable notice !&#13;
&#13;
In due time her book was born and damned.&#13;
This she was assured was the fate of all first&#13;
novels, and, nothing daunted, fearing nothing, she&#13;
wrote a second story. As proof of the paternal&#13;
kindness of publishers to young authors it may&#13;
be stated that the same publisher consented to&#13;
produce the second novel on the same terms as&#13;
the first. Before this arrangement was completed&#13;
she wisely bought herself a husband—and she&#13;
published no more.&#13;
&#13;
Firzerratp Mo.Luoy.&#13;
&#13;
 &#13;
&#13;
VIII.&#13;
LivERATURE AND INDEPENDENCE.&#13;
&#13;
I should like to be allowed to say that I&#13;
concur cordially in Mr. Lecky’s view, that young&#13;
men without independent means should not&#13;
attempt the higher forms of literature. The&#13;
more distinct their literary success, the more&#13;
certain (while they remain nameless) will be&#13;
the refusal of their work on every hand. And&#13;
for this reason. In all the higher forms of&#13;
literature, imaginative and other, there is ever&#13;
a didactic or philosophic vein—a tone of freedom,&#13;
privilege, and authority —and this the public&#13;
will not receive from any writer who has not&#13;
already made a name. &lt;A certain degree of&#13;
commercial success, which has no necessary&#13;
identity with literary success, gives him the&#13;
required status. One must not, unless or until&#13;
one is somebody, presume to teach; what is&#13;
power in the acknowledged man is pretentiousness&#13;
in the unacknowledged. It has been asked, what&#13;
are the higher forms of literature, and what the&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
i hd eed Oe ee&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR,&#13;
&#13;
lower? The higher forms of literature are the&#13;
intellectual forms, those which are exhibited in&#13;
works which appeal to brain and culture in the&#13;
reader. The reader in whom these properties are&#13;
non-resident will lay aside such works as tedious&#13;
and unprofitable ; he does quite right ; to him they&#13;
are unprofitable, and he represents ninety-nine&#13;
hundredths of the reading public. The higher&#13;
form of literature, whether embodied in poetry,&#13;
history, the drama, or the novel, is always&#13;
immediately recognisable by this stamp of intel-&#13;
lectuality. It is intellectual, and appeals to the&#13;
intellect ; where there is no intellect to respond it&#13;
is an inert factor, and this explains the coldness&#13;
of publishers towards works which are truly&#13;
worthy of production and fit to live—for intellec-&#13;
tual readers form a pitiful minority. To speak of&#13;
fiction, it may be said without offence that the&#13;
large majority of novels have no discoverable&#13;
intellectuality, and these—for the distinct reason&#13;
of their inferiority—often sell in tens of thousands.&#13;
I would suggest, at any rate, to any young man&#13;
meaning to attempt the higher forms of litera-&#13;
ture, that he first attempt that yet ‘“ higher”&#13;
form recommended by your able Paris correspon-&#13;
dent as a passport to literary acceptance, by&#13;
standing on his head on the point of Cleopatra’s&#13;
Needle for twenty-four hours! He might, after&#13;
achieving that distinction, be as ironical as&#13;
Thackeray, as sanguine as George Eliot, as dog-&#13;
matic as Carlyle, and society would bow to his&#13;
decisions. O tempora! O mores!&#13;
&#13;
C. Davenport JoNEs.&#13;
&#13;
Doc:&#13;
&#13;
“AT THE AUTHOR'S HEAD.”&#13;
&#13;
 &#13;
&#13;
“ My Stewardship,” by E. McQueen Gray (Me-&#13;
thuen). This is a book of which one is induced&#13;
at first merely to say that it carries one on with&#13;
increasing interest to the end. But it is more.&#13;
The book is a seriously subtle revelation of a&#13;
character grown, by long indulgence, solitude,&#13;
and disappointment, soured and selfish to the last:&#13;
degree. The lady concerned relates the tale, and&#13;
with it, reveals herself. It is a remarkable&#13;
study.&#13;
&#13;
“The Desert Ship,” a novel, by Jno. Bloundelle-&#13;
Burton, author of “ The Silent Shore,” and ‘“ His&#13;
Own Enemy,” is now running as a serial in&#13;
Old and Young. Arrangements are being made&#13;
for its production also in Australia and the&#13;
United States in a similar manner, as well as in&#13;
volume form in London, The story has already&#13;
&#13;
69&#13;
&#13;
attracted attention from some of the London&#13;
newspapers.&#13;
&#13;
Professor Max Miiller’s lectures on “India”&#13;
are to appear in a new edition. Mr. Gifford’s&#13;
lectures will also advance to a new edition of the&#13;
first volume, and the first appearance of the&#13;
fourth volume (Longmans.)&#13;
&#13;
The “Idylls of the Queen,” by William Alfred&#13;
Gibbs (Sampson Low and Co.) is just ready.&#13;
Whatever profits may accrue from the sale of&#13;
the book are to be given to the fund for help-&#13;
ing wives and children of our soldiers and&#13;
sailors.&#13;
&#13;
John Bickerdyke has just completed, for&#13;
Sampson Low, Marston, and Co., a revision of&#13;
the late J. G. Ffennell’s ‘Book of the Roach,”&#13;
an exhaustive work, concerning the most popular&#13;
of the British fishes. The new edition to which&#13;
an introductory chapter and numerous other&#13;
additions have been made by the editor, will first&#13;
appear, in serial form, in the Mshing Gazette.&#13;
The “ Book of the Roach” was published about&#13;
twenty years ago by Longmans, and is still the&#13;
only work devoted to the subject. Since its&#13;
publication roach anglers have increased amaz-&#13;
ingly. There are in London alone about 12,000&#13;
working men anglers, members of clubs, and who&#13;
one and all are roach fishers.&#13;
&#13;
Of Miss Augusta A. Varty-Smith’s novel&#13;
“Matthew Tindale,’ Mr. Gladstone writes :— It&#13;
is not commonplace or conventional. Were it a&#13;
jailure I should say magnis tamen excidit ausis.&#13;
‘Matthew Tindale’ is a great conception power-&#13;
fully expressed. I think the verdict was wrong,&#13;
but with being able to suggest any easy or satis-&#13;
factory escape from the situation.~ It cannot, I&#13;
think, be doubted that the writer capable of con-&#13;
ceiving and setting out Matthew is possessed of&#13;
a gift.”&#13;
&#13;
Mr. Edric Vredenburg is at present engaged on&#13;
a story that will shortly appear as a serial in the&#13;
Weekly Dispatch.&#13;
&#13;
Lady Fairlie Cuninghame publishes “A Wan-&#13;
dering Star” with Messrs. Ward and Downey.&#13;
&#13;
Mr. G. H. Jennings has produced (Horace Cox,&#13;
Law Times Office) the Third Edition of his&#13;
“ Anecdotal History of the British Parliament.”&#13;
The Dictionary is arranged under the heads of&#13;
Statesmen. For instance, under the heading&#13;
“Sir Robert Peel,’ there are eleven pages of&#13;
anecdotes, covering the whole of the career of&#13;
this great minister. An excellent reprint of an&#13;
old friend.&#13;
  &#13;
&#13;
79&#13;
&#13;
Mr. E. J. Goodman’s “The Best Tour in&#13;
Norway” is now ready. The publishers are&#13;
Sampson Low, Marston, and Company. The&#13;
illustrations and the map are beautiful—the&#13;
narrative is bright, clever, and picturesque. It&#13;
ought to be a handbook for the route followed.&#13;
&#13;
 &#13;
&#13;
“Suffering London” is an appeal on behalf&#13;
of voluntary hospitals by A. Egmont-Halle. The&#13;
book has already gone through nearly five thou-&#13;
sand copies—which, in a rough-and-ready way,&#13;
speaks for it. There is a preface, giving in brief&#13;
the history of medieval hospitals by Walter&#13;
Besant.&#13;
&#13;
The fact that the “ Vision of Martyrs,” by the&#13;
Rey. James Bownes, has gone into another edition&#13;
shows that religious poetry, at least, is not dead.&#13;
Besides the larger poem the little volume contains&#13;
hymns and other verses filled with the religious&#13;
spirit.&#13;
&#13;
In the“ Fairy Ballad Book” theauthor of “ Endy-&#13;
mion’s Dream ” has told five-and-twenty stories&#13;
—are they all old?—in verse. They are fairy&#13;
stories, told quite simply. It ought to become a&#13;
favourite with children.&#13;
&#13;
“Songs of Universal Life.” By Marcus 8. C,&#13;
Rickards, M.A., F.1.S., is published by J. Baker&#13;
and Son, Clifton. They are verses written by one&#13;
who is a true lover of nature, one who would&#13;
make of the common objects which he sees around&#13;
him a ladder to the higher philosophy. The&#13;
poetry is simple and unstrained; the thoughts&#13;
rise at times to an unexpected level.&#13;
&#13;
“Conversations with Carlyle,” by Sir Charles&#13;
Gavin Duffy, K.C.M.G., appeared originally in&#13;
the Contemporary Review. They are conversa-&#13;
tions which took place as far back'as 1845. They&#13;
were preserved by being written down every da&#13;
while the memory was fresh. The book is like&#13;
another volume added to the “ Past and Present”&#13;
and “Sartor Resartus.”’&#13;
&#13;
The Cassell Publishing Company, New York,&#13;
have just brought out a one volume novelette,&#13;
“By a Himalayan Lake,” which appeared as a&#13;
serial in.the Pictorial World, by “An Idle&#13;
Exile.” This author’s - “Indian Idyls,” and&#13;
“In Tent and Bungalow,” collections of short&#13;
stories of Anglo-Indian sport and society, have&#13;
already been published this year by the same&#13;
firm, and have beer very flatteringly noticed by&#13;
the American Press in all parts of the country.&#13;
&#13;
“Twelve Men of To-day” (Chapman and&#13;
Hall, 1s.) is a portrait gallery of twelve “ celebri-&#13;
ties.” Literature is represented by Sir Edwin&#13;
&#13;
Arnold and Rudyard Kipling.&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
Messrs. Methuen, publishers in this country of&#13;
“In Tent and Bungalow,” have in the press for&#13;
the coming season a children’s illustrated book&#13;
by “An Idle Exile,” entitled « Only a Guard.&#13;
room Dog,” descriptive of soldiers’ adventures&#13;
in the Egyptian War and in India,&#13;
&#13;
Mrs. Edith E. Cuthell’s new yachting serial&#13;
“The Wee Widow’s Cruise,” is to run this&#13;
summer in the Lady’s Pictorial, and she has just&#13;
completed for Cassell’s Magazine two serials,&#13;
One, “The Story of a Glamour,” will appear&#13;
shortly.&#13;
&#13;
“The Robber Baron of Bedford Castle,” a&#13;
story of the 13th century, founded on an old&#13;
chronicle, by Mrs. Edith E. Cuthell and the Rey.&#13;
A. J. Foster, will be published this season by&#13;
Messrs. Nelson.&#13;
&#13;
The collection of “ Black and White”’ drawings&#13;
&#13;
(with the results when reproduced by various&#13;
&#13;
processes), may be seen on any Wednesdays in&#13;
June and July, between 10 a.m. and 4 p.m. in&#13;
Mr. Henry Blackburn’s studio, 123, Victoria-&#13;
street, Westminster.&#13;
&#13;
The “ Jolly Pashas,” the Story of an Unphilan-&#13;
thropic Society, is Mr. John A. Stewart’s new&#13;
volume. It forms part of the “ Whitefriars&#13;
Library of Wit and Humour” (Henry and Co.),&#13;
This little library now numbers fifteen volumes,&#13;
some very good, some not quite so good. This&#13;
book belongs to the former kind,&#13;
&#13;
Mr. Powis Hoult’s Dialogues on the “ Efficiency o&#13;
of Prayer” should have been noticed in the last _&#13;
&#13;
number of the Author. The book represents a&#13;
controversy between four combatants—two who&#13;
affirm and two who deny.. There are in all&#13;
eight dialogues.&#13;
&#13;
It does not require the appreciative memoir&#13;
of the author by Henry James to create curiosity&#13;
as to the literary work of the late Wolcot&#13;
Balestier, presented to the world by his friend&#13;
Mr. William Heinemann. Here are three or&#13;
four stories, all that is left—except his book&#13;
collaborated with Rudyard Kipling. The little&#13;
ook is called “The Average Woman.”&#13;
&#13;
Mr. Alfred Sidgwick has published, through&#13;
Longmans, his new book called ‘“ Distinction;&#13;
and the Criticism of Beliefs.” This announce-&#13;
ment should have been made last month, but was&#13;
omitted by accident.&#13;
&#13;
Dr. Farrar’s Sermons, called “In the Days of —&#13;
my Youth,” preached to the boys of Marlborough&#13;
in the seventies, have gone into their ninth edition&#13;
(Macmillan and Co.),&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
Litt?&#13;
&#13;
1&#13;
&#13;
Wealden Painters&#13;
©1892.”&#13;
&#13;
COS&#13;
&#13;
tis&#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
Mr. J. Stanley Little has issued a pamphlet&#13;
from the office of the West Sussex Gazette,&#13;
Arundel, and the Artist, London, entitled ‘‘ The&#13;
at the Summer Exhibition,&#13;
Mr. Little traces the growth of the small&#13;
band of English romanticists settled in the&#13;
&#13;
“Weald of Sussex, Surrey, and Kent, and giving&#13;
&#13;
a&#13;
&#13;
Mark Fisher, A. D. Peppercorn, Wm. Hstall, and&#13;
G. Lion Little as its leaders, he has shown how&#13;
&#13;
-the Norwich, Nottingham, and Barbizon schools&#13;
- are the natural fathers in an artistic sense of the&#13;
&#13;
oo&#13;
=&#13;
&#13;
Kage SS pom. Bh&#13;
&#13;
ag&#13;
&#13;
a&#13;
&#13;
ae&#13;
&#13;
m&#13;
Se&#13;
&#13;
fh&#13;
&#13;
vot&#13;
Sey&#13;
&#13;
s&amp;s&#13;
bers&#13;
&#13;
itt&#13;
&#13;
bE&#13;
at&#13;
al&#13;
wh&#13;
&#13;
« entitled ‘‘ Gods and Men.”&#13;
&#13;
school of the Weald.&#13;
&#13;
Mr. Arthur Dillon has issued a book of verses&#13;
The volume contains&#13;
his drama, “King Cophetua and the Beggar&#13;
&#13;
; Maid.”&#13;
&#13;
A committee has been formed which has for its&#13;
object the placing of a memorial tablet of the&#13;
&#13;
slate Mrs. J. Dallas-Glyn in the Shakespeare&#13;
&#13;
Museum at Stratford-on-Avon. ‘The memorial is&#13;
to consist of a medallion in white marble, the&#13;
&#13;
execution of which has been entrusted to Mr. A.&#13;
» E. L. Rost, a son of the Oriental scholar.&#13;
'scriptions may be paid to Mrs. J. Morgan&#13;
| Richards, 56, Lancaster-gate, W., who is acting&#13;
&#13;
Sub-&#13;
&#13;
as hon. treasurer.&#13;
&#13;
Heinrich Heine’s “Italian Travel Sketches,”&#13;
&#13;
| translated by Elizabeth A. Sharp, has just been&#13;
&#13;
issued in the Scott Library Series.&#13;
&#13;
When Mr. J. Stanley Little first urged apon&#13;
the people of Sussex, and especially upon the&#13;
&#13;
) citizens of Horsham, the desirability of celebrating&#13;
&#13;
in a becoming fashion the centenary of Shelley’s&#13;
birth, the proposal fell flat. Now, however, there&#13;
is every prospect of something being done. Public&#13;
meetings have been held and a representative&#13;
committee appointed, and a manifesto is to be&#13;
issued to the English-speaking people, backed by&#13;
signatures of eminent men of letters, asking for&#13;
help in the founding of a Shelley Memorial&#13;
Library and Museum. There is also to be a&#13;
public meeting on August 4 at Horsham.&#13;
&#13;
The Forum for July will contain an article by&#13;
Mr. Walter Besant, on “The Encouragements of&#13;
the Literary Life.”&#13;
&#13;
Mr. Frank Mathew makes his first appearance&#13;
in the Jdler with a very powerful Irish story,&#13;
“A Connemara Miracle.” The members of the&#13;
&#13;
Idlers’ Club have settled in their customary airy&#13;
fashion, the best way to reach the North Pole.&#13;
Guy de Maupessant contributes a short, but&#13;
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best in the story of his first book, which would&#13;
appear to have been “The Family Scapegrace”&#13;
&#13;
AUTHOR.&#13;
&#13;
ay&#13;
&#13;
although most people pin their faith to “ Lost&#13;
Sir Massingberd.” A new feature is “ People I&#13;
have never met,” by Scott Rankin. Apropos of&#13;
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Cakes. A little village, far up in the Highlands,&#13;
some few months ago, took to its rugged bosom a&#13;
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feminine members of the congregation evinced a&#13;
deep interest in all his movements ; they felt it&#13;
their duty to watch over him and “keep his title&#13;
clear, to mansions in the skies,” the more so that&#13;
the Manse itself was a trifle out of repair, and&#13;
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had never heard of the magazine in question.&#13;
All they knew about it was that it sported a&#13;
salmon-pink cover. Fearing that the minister&#13;
was falling from the paths of rectitude by per-&#13;
using such a flightly-looking publication, they&#13;
determined to purchase a copy and to sit in judg-&#13;
ment on it. The magazine, unfortunately for&#13;
the minister, opened at the portrait of Miss Lottie&#13;
Collins. After a moment of silent consterna-&#13;
tion, the old lady who held it, carefully dropped&#13;
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me, the hizzie,” she exclaimed in tearful tones.&#13;
“‘ What’s the Free Kirk come to now!” The&#13;
minister, however, has not yet resigned.&#13;
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Cornwall (23d.); Colonial Reports, annual, Lagos,&#13;
1890 (13d.); Hongkong, 1890 (13d); Grenada, 1890&#13;
(13d.) Leeward Islands, 1890 (23d.) Merchant Ship-&#13;
ping, 1891 (53d.). New Forest Rifle Range, report of&#13;
the Hon. T. H. W. Pelham (3d.). Greenwich Hospital,&#13;
statement of income and expenditure for the year 1892-&#13;
93 (2d.), Eyre and Spottiswoode. Irish Land Com-&#13;
mission, return of Judicial Rents fixed during January&#13;
and February, 1892 (62d.). Census of Ireland, 1891,&#13;
vol. 4, Province of Connaught, No. 4, county of&#13;
Roscommon (11d.), Alexander Thom and Co., Dublin.&#13;
Kast India (Silver Question), Return of Correspondence&#13;
(id.); British Columbia (Loan), Treasury Memorandum&#13;
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3d.). Public Accounts, Fourth Report from the Com-&#13;
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and March 31, 1891 (2d.). Local Loans Fund—&#13;
Accounts, 1890-91 (2d.). Militia Regiments—Return for&#13;
1891 (1$d.). Census of Ireland—Part I., Vol. IL.,&#13;
Munster, No. 1., Clare, 1s. 3d. Foreign Office, Annual&#13;
Series: Reports for 1890 on the Trade of Wurtem-&#13;
burgh (id.); Report for 1891 on the Trade of the&#13;
Consular District of New Orleans (1}d.). Miscellaneous&#13;
Series: Reports on projected extension of the Tunisian&#13;
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Law on Mines (1d.) Reportfrom the Select Committee&#13;
on the Elementary Education (Teachers’ Superannua-&#13;
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Report from the Select Committee on the Salmon&#13;
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Acts Foundations (England) (9}d.). Eyre and Spottis-&#13;
woode. Census of Ireland, 1981, Part I., Vol. IV.,&#13;
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No. 3, County of Mayo (1s. 2d.). Thom Dublin.&#13;
Twentieth Annual Report of The Local Government&#13;
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sions, Annual Statement for 1891 (3s. 43d.); Sea&#13;
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Foreign Office Annual Series. No. 1045; France&#13;
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Report from the Select Committee (4d.). Foreign Office&#13;
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(Tahiti), 1891 (1d.). Navigators’ Islands (Samoa), 1891&#13;
(¢d.). Africa (Oil Rivers), 1891 (3d.). Harrison and&#13;
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Accounts (2}d.). Christ’s Hospital (Sons of Naval&#13;
Officers) Correspondence (13d.). Statute Law Revision,&#13;
Report from the Select Committee (1d.). Greenwich&#13;
Hospital, Supplementary Statement of Estimates for&#13;
1892-3 (3d.). Scotch Education Department, Returns&#13;
for 1891 (23d.), Eyre and Spottiswoode. Contagious&#13;
Diseases (Animals) Acts, 1878 to 1890, Return for 1891&#13;
as regards Ireland (g3d.), Alexander Thom and Co.,&#13;
Dublin. Post Office Savings Banks, Accounts for 1891&#13;
(jd.). Education Department, Minute of May 31&#13;
establishing a code of regulations for evening schools&#13;
(1d.).—Parliamentary Papers: Boundary Questions in&#13;
Zululand, Correspondence (1s. od.). Theatres and&#13;
Places of Entertainment, Report of the Select Com-&#13;
mittee (23d.). East India (Financial Statement) for&#13;
1892-93. Eyre and Spottiswoode. Foreign Office&#13;
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(13d.). China (Tainan), 1891 (1d.). Spain (Corunna&#13;
and District), 1891 (23d.) Miscellaneous Series:&#13;
Germany (Hamburg). Progress of Trade for 1841-&#13;
1890 (13d.). Mexico, Henequen Hemp Industry in&#13;
Yacatan (1d.). United States, Earnings of Labour and&#13;
Cost of Living in the Consular District of Chicago (3d.).&#13;
—Public Accounts, Third Report from the Committee&#13;
(13d.) Telegraphs Bill, Special Report and Report&#13;
from the Select Committee (4d.). Military Lands&#13;
Consolidation Bill, Report from the Select Committee&#13;
(id.). | East India Accounts and Estimates, 1892-1893,&#13;
Explanatory Memorandum by the Under-Secretary of&#13;
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Africa, Arrangement between Great Britain and France&#13;
(3d.) Zanzibar, Papers relating to Slave Trade and&#13;
Slavery (14d.)., Harrisonand Sons.—Convention between&#13;
Great Britain and the Netherlands defining Boundaries&#13;
in Borneo, signed in London June 20, 1891; ratifica-&#13;
tions exchanged at London May 11, 1892. Harrison&#13;
and Sons (#d.). ;&#13;
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              <text>The HMutbor.&#13;
&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
&#13;
CONDUCTED BY WALTER BESANT.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Vou. 111 —No. 3.] AUGUST 1, 1892.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
[Prick SIXPENCE.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
GCONTENTS.&#13;
&#13;
PAGE | PAGE&#13;
Warnings we eae oc ae ia Soy vee wee Ss On a Birthday. By F. B. Doveton ua me oo ae a 08&#13;
How to Use the Society... kee Bee a soe = eae More Maxims ... ee ae ay oes ee ee ae 99&#13;
The Authors’ Syndicate... Ses ase See e ae ees Mr. Saintsbury on the English Novel ... ne he See wz 100&#13;
Notices... — Ss a ase ee mee Se So 0 8D Women in Journalism—&#13;
&#13;
Literary Property— 1.—By Mary Francis Billington ie ee Sy Bye ae 0&#13;
1.—A Publisher in Bankruptcy ees One Ses Mi e388 2.—By Grace Gilchrist ...  ... a aes es oss ws 104&#13;
2.—A Charge of Plagiarism ... ae me Sate ye SOF 3.—By L. ES. .. oe ae ees ts ae aes ae Ae&#13;
3.—Yet not a Plagiarism — ei Pe a Se ce 88 The Criticism of Novels. By Henry Creswell... ees ae .» 105&#13;
&#13;
The ‘‘London Editor” Again... oe ee es ue a 88 Correspondence—&#13;
&#13;
The New Civil Pension List oes se oe See aes Be 1.—The Authors’ Fund a3 es &lt; wer Ree se 106&#13;
&#13;
The Shelley Centenary as Se a oe sa oe oo) 2.—Neither—Nor ass sy ne vee ae ee ee L0G&#13;
&#13;
L’Association Littéraire es sas ose ses oe A eo 3.—Praised, yet Refused aus se eee os oe see LOT&#13;
&#13;
The Lame Boy in the Woods. By Mackenzie Bell ... as Se Oe 4.—A Case of Honour ... as ee Oe oe es sec LOT&#13;
&#13;
Notes and News. By the Editor... ie es ose mss cae 5.—Another Case of Honour... ee ay nee fe om 107&#13;
&#13;
Feuilleton— 6.—An Agency for Literary Work ... wi os Any Bee ies&#13;
1.—The Publisher’s Reader ... oe ae ae ue oe OB ‘At the Author’s Head” ... Be se as age oe ... 108&#13;
&#13;
Notes from Paris. By Robert Sherard Osborne ae es eee OT | New Books and New Editions... os oe me Xe .» 109&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
1. The Annual Report. That for January 1892 can be had on application to the Secretary.&#13;
&#13;
9. The Author. A Monthly Journal devoted especially to the protection and maintenance of Literary&#13;
Property. Issued to all Members.&#13;
&#13;
3. The Grievances of Authors. (The Leadenhall Press.) 2s. The Report of three Meetings on&#13;
the general subject of Literature and its defence, held at Willis’s Rooms, March, 1887.&#13;
&#13;
4, Literature and the Pension List. By W.. Morgis Couuzs, Barrister-at-Law. (Henry Glaisher,&#13;
95, Strand, W.C.) 33s.&#13;
&#13;
5, The maety of the Societe des Gens de Lettres. By S. Squire Srricaz, Secretary to the&#13;
ociety. Is.&#13;
&#13;
6. The Cost of Production. In this work specimens are given of the most important forms of type,&#13;
size of page, &amp;c., with estimates showing what it costs to produce the more common kinds of&#13;
books. Henry Glaisher, 95, Strand, W.C. 2s. 6d. sat&#13;
&#13;
7. The Various Methods of Publication. By 8. Squiru Spriccx. In this work, compiled from the&#13;
papers in the Society’s offices, the various kinds of agreements proposed by Publishers to&#13;
‘Authors are examined, and their meaning carefully explained, with an account of the various&#13;
kinds of frand which have been made possible by the different clauses in their agreements,&#13;
&#13;
Henry Glaisher, 95, Strand, W.C. 3s.&#13;
&#13;
; Copyright Law Reform. An Exposition of Lord Monkswell’s Copyright Bill now before Parlia-&#13;
ment. With Extracts from the Report of the Commission of 1878, and an Appendix&#13;
containing the Berne Convention and the American Copyright Bill. By J. M. Lety. Eyre&#13;
and Spottiswoode. 1s. 6d.&#13;
&#13;
co&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
ADVERTISEMENTS.&#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
INOTYPE COMMPOSING JIAGHINE,&#13;
&#13;
SPECIALLY ADAPTED FOR BOOKWORK.&#13;
&#13;
“A MIGHTY BUT PEACEFUL REVOLUTION.”&#13;
&#13;
OPINIONS OF VARIOUS NEWSPAPERS ON THE LINOTYPE.&#13;
&#13;
For full List of Experts’ Reports and Opinions apply to the Company’s Secretary for Pamphlet.&#13;
&#13;
_“It will do away with type, and composition, and&#13;
distribution, as now practised, will be known no more.”—&#13;
Manchester Courier.&#13;
&#13;
“Saves 70 per cent. in cost of composing, and from three-&#13;
fourths to nine-tenths in time.” —Sheffield and Rotherham&#13;
Independent.&#13;
&#13;
“It bids fair to revolutionise the present system,&#13;
especially of newspaper production, for which it seems&#13;
peculiarly well adapted. The instrument is one of the most&#13;
beautiful and ingenious pieces of mechanism ever introduced&#13;
in connection with the art of printing.” —Scotsman.&#13;
&#13;
“ The absolute saving of distribution, which is reckoned&#13;
as equivalent to one quarter of the cost of composition, is&#13;
an important factor in the economy of this machine. :&#13;
With it comes emancipation from the frequent errors arising&#13;
from faulty distribution. To pye matter is impossible.&#13;
Unquestionably the most remarkable machine ever invented&#13;
in the art of printing.” —The Printers’ Register.&#13;
&#13;
“Tt stands to reason that an invention that economises as&#13;
well as expedites work, without aiming a blow at those who&#13;
had previously done without it, must be a success.” —Echo.&#13;
&#13;
“ The rapidity and accuracy of the process impressed Mr.&#13;
Gladstone very powerfully, or, as he expressed it himself, it&#13;
‘staggered ’ him.”—Daily Chronicle.&#13;
&#13;
“One of the most remarkable machines ever invented.” —&#13;
Engineer.&#13;
&#13;
“A steam-driven, type-composing and casting machine&#13;
which really promises to bring about a revolution in the&#13;
&#13;
 &#13;
&#13;
composing-rooms of newspaper and book printing offices.”&#13;
—Home and Colonial Mail.&#13;
&#13;
“ This remarkable invention promises to revolutionise all&#13;
our ideas as to type-setting by machinery. It dispenses&#13;
with movable type, and substitutes matrices in which the&#13;
letters are cast in solid lines.”—Leeds Mercury.&#13;
&#13;
“One of the most remarkable labour-saving Machines&#13;
ever devised in an age remarkable for such inventions.”&#13;
—Western Mail (Cardiff).&#13;
&#13;
“The work never stops, line after line is added with&#13;
astonishing smoothness and regularity.”—Newcastle Daily&#13;
Chronicle.&#13;
&#13;
“Has come into existence to create amazement, where&#13;
surprise hitherto found a home.&#13;
&#13;
“The Linotype, to be brief, is a machine which does away&#13;
with the present expensive and slow method of type-setting.&#13;
It performs all the work of a compositor automatically, with&#13;
greater precision and with far more rapidity. The most&#13;
important feature of the patent, however, lies in the&#13;
enormous saving it effects in the cost of setting, while a no&#13;
less startling fact is that the labour of ‘ distributing,’ or the&#13;
putting of the type back into cases, is dispensed with.”—&#13;
Admiralty and Horse Guards Gazette.&#13;
&#13;
“ Printing without types. A marvellous machine that&#13;
makes fresh types for every line. The advance of&#13;
industrial science is so rapid that this machine must, sooner&#13;
or later, come into extensive use.”—Evening News and Post&#13;
(London).&#13;
&#13;
THE ECONOMIC PRINTING &amp; PUBLISHING CO. LIMITED,&#13;
&#13;
39, BOUVERIE STREET, FLEET STREET, E.C.,&#13;
&#13;
Having acquired the monopoly of Linotype Machines in London (excepting Newspaper Offices), are&#13;
in a position to quote decidedly advantageous Prices to Authors for the Composition of Books by&#13;
Linotype, and also undertake the Printing, being well equipped with Printing Machinery by the&#13;
&#13;
best makers.&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
Che&#13;
&#13;
Fluthbor.&#13;
&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
&#13;
PONDUCTED BY WALTER BESANT.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Vou. IIIl.—No. 3.]&#13;
&#13;
AUGUST 1, 1892.&#13;
&#13;
[Prick SIXPENCE.&#13;
&#13;
 &#13;
&#13;
For the Opinions expressed in papers that are&#13;
signed: or initialled the Authors alone are&#13;
responsible.&#13;
&#13;
WARNINGS.&#13;
&#13;
———&#13;
&#13;
 &#13;
&#13;
Sprcran Warnine. — Readers are most&#13;
URGENTLY warned not to neglect stamping their&#13;
agreements immediately after signature. If this&#13;
precaution is neglected for three weeks, a fine of&#13;
£10 must be paid before the agreement can be&#13;
used as a legal document. In almost every case&#13;
brought to the secretary the agreement, or the&#13;
letter which serves for one, is without the stamp.&#13;
The author may be assured that the other side&#13;
never neglect this simple precaution. The stamp&#13;
duty varies from 6d. up to 10s. or more, according&#13;
to the form of agreement. The Society, to save&#13;
trouble, undertakes to get all the agreements of&#13;
members stamped for them at no expense to&#13;
themselves except the cost of the stamp.&#13;
&#13;
 &#13;
&#13;
Reapers of the Author are earnestly desired to&#13;
make the following warnings as widely known as&#13;
possible. They are based on the experience of&#13;
seven years’ work upon thedangersto which literary&#13;
property is exposed :—&#13;
&#13;
(1.) Never sign any agreement of which the&#13;
alleged cost of production forms an&#13;
integral part, until you have proved the&#13;
figures.&#13;
&#13;
(2.) Never enter into any correspondence with&#13;
publishers, especially with those who&#13;
advertise for MSS., who are not recom-&#13;
mended by experienced friends or by this&#13;
Society.&#13;
&#13;
VOL. IIT.&#13;
&#13;
 &#13;
&#13;
(3.) Never, on any account whatever, bind&#13;
yourself down for future work to any-&#13;
one.&#13;
&#13;
(4.) Never accept any proposal of royalty&#13;
until you have ascertained what the&#13;
agreement proposes to give to the&#13;
author and what to the publisher.&#13;
&#13;
(5.) Never accept any pecuniary risk or respon-&#13;
sibility whatever without advice.&#13;
&#13;
(6.) Never, when a MS. has been refused by&#13;
respectable houses, pay others, whatever&#13;
promises they may put forward, for the&#13;
production of the work.&#13;
&#13;
(7.) Never sign away American rights. Keep&#13;
them. Refuse to sign any agreement&#13;
containing a clause which reserves them&#13;
for the publisher. If the publisher&#13;
insists, take away the MS. and offer it&#13;
to another.&#13;
&#13;
(8.) Never sign an agreement or a receipt&#13;
which gives away copyright without&#13;
advice.&#13;
&#13;
(9.) Keep control over the advertisements by&#13;
clause in the agreement. Reservea veto.&#13;
If you are yourself ignorant of the sub-&#13;
ject, make the Society your agent.&#13;
&#13;
(10.) Never forget that publishing is a busi-&#13;
ness, like any other business, totally un-&#13;
connected with philanthropy, charity, or&#13;
pure love of literature. You have to do&#13;
with business men.&#13;
&#13;
Society’s Offices :-—&#13;
4, PortuGaL STREET, Lrncoun’s Inn FIEvDs.&#13;
&#13;
—————s ac&#13;
&#13;
bo&#13;
&#13;
 &#13;
  &#13;
&#13;
84&#13;
&#13;
 &#13;
 &#13;
&#13;
HOW TO USE THE SOCIETY.&#13;
&#13;
 &#13;
&#13;
1. Send to the office copies of past agreements&#13;
and past accounts with the loan of the books repre-&#13;
sented. This is in order to ascertain what has&#13;
been the nature of your agreements and the&#13;
results to author and publisher respectively so&#13;
far. The secretary will always be glad to have&#13;
any agreements for inspection and note. The&#13;
information thus obtainable is invaluable.&#13;
&#13;
2. If the examination of your previous business&#13;
transactions by the Secretary proves unfavour-&#13;
able, you should take advice as toa change of&#13;
publishers.&#13;
&#13;
3. Before signing any agreement whatever,&#13;
send the proposed form to the Society for&#13;
examination.&#13;
&#13;
4. The Society is acquainted with the methods,&#13;
and—in the case of fraudulent houses—the tricks,&#13;
of every publishing firm in the country.&#13;
Remember that there are certain houses which live&#13;
entirely by trickery.&#13;
&#13;
5. The outward and visible signs of the&#13;
fraudulent publisher are—(1) a virtuous and&#13;
benevolent wish to have the unquestioned conduct&#13;
of your business left entirely in his hands; (2) a&#13;
virtuous, good man’s pain at being told that his&#13;
accounts must be audited; (3) a virtuous indig-&#13;
nation at being asked what his proposal gives&#13;
him compared with what it gives the author;&#13;
and (4) irrepressible irritation at any mention of&#13;
the Society of Authors.&#13;
&#13;
6. Remember always that in belonging to the&#13;
Society you are fighting the battles of other&#13;
writers, even if you are reaping no benefit to&#13;
yourself, and that you are advancing the best&#13;
interests of literature in promoting the inde-&#13;
pendence of the writer.&#13;
&#13;
7. Send to the Editor of the Author notes of&#13;
everything important to literature that you may&#13;
hear or meet with.&#13;
&#13;
ec&#13;
&#13;
THE AUTHORS’ SYNDICATE.&#13;
&#13;
 &#13;
&#13;
R. Colles desires to inform readers of the&#13;
Author—&#13;
&#13;
1. That the Authors’ Syndicate is now in a&#13;
position to take charge in whole or in part&#13;
of the business of members of the Society.&#13;
With, when necessary, the assistance of&#13;
the advisers of the Society it will conclude&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
agreements, collect royalties, examine and&#13;
pass accounts, and, generally, relieve mem.&#13;
bers of the trouble of managing business&#13;
details. All accounts opened between&#13;
the Syndicate and members are duly&#13;
audited.&#13;
&#13;
2. That the establishment expenses of the&#13;
Authors’ Syndicate are defrayed entirely&#13;
out of the commission charged on rights&#13;
placed through its intervention. Thig&#13;
varies, and must vary, according to the&#13;
nature of the services rendered, but it is&#13;
intended to reduce the rates to the lowest&#13;
possible amount compatible with effi-&#13;
ciency. Meanwhile members will please&#13;
accept this intimation that they are not&#13;
entitled to the services of the Syndicate&#13;
gratis.&#13;
&#13;
3. That he undertakes to work for none but&#13;
members of the Society.&#13;
&#13;
4. That his business is not to advise members&#13;
of the Society, but to manage their affairs&#13;
for them if they please to entrust them&#13;
to him.&#13;
&#13;
5. That when he has any work in hand he&#13;
must have it entirely in his own hands;&#13;
in other words, that authors must not&#13;
ask him to place certain work, and then&#13;
go about endeavouring to place it by&#13;
themselves.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
6. That when a MSS. has been sent from pub- — :&#13;
&#13;
lisher to publisher, and from editor to&#13;
&#13;
editor, in vain, it is most likely impossible&#13;
to place it.&#13;
&#13;
7. That in the face of the present competition, —&#13;
authors will do well to moderate their —&#13;
&#13;
expectations.&#13;
&#13;
To this it may be added, that where advice is —&#13;
&#13;
sought, the Secretary of the Society, and not the&#13;
Syndicate, must be consulted. On his behalf&#13;
members are requested—&#13;
&#13;
1. To place on paper briefly the points on which&#13;
advice is asked.&#13;
&#13;
2. To send up adi the letters and papers con-&#13;
nected with the case, if it is a case of&#13;
dispute.&#13;
&#13;
3. Not to conceal or keep back any of the&#13;
facts. .&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
NOTICES.&#13;
&#13;
 &#13;
&#13;
FaFYNHE Editor of the Author begs to remind&#13;
oa members of the society that, although the&#13;
paper is sent to them free of charge, the&#13;
cost of producing it would be a very heavy&#13;
‘charge on the resources of the society if a great&#13;
semany members did not forward to the secretary&#13;
the modest 6s. 6d. subscription for the year. He&#13;
| finds that, while the interest in the paper increases,&#13;
}-and while it is acknowledged to be doing good&#13;
reservice by its exposures and investigations,&#13;
+ there has been some tendency this year to forget&#13;
the subscription. Perhaps this reminder may be&#13;
‘of use. With 800 members, besides the outside&#13;
“ circulation of the paper, the Author ought to&#13;
74 prove a source of revenue to the society.&#13;
&#13;
 &#13;
&#13;
The Editor is always glad to receive papers&#13;
++ and communications on all subjects connected&#13;
.with literature from members and others.&#13;
io) Nothing can do more good to the society than&#13;
-&gt; tomake the Author complete, attractive, and&#13;
‘6 interesting. Will those who are willing to aid&#13;
' 4 in this work send their names and the special&#13;
i subjects on which they are willing to write ?&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
All persons engaged in literary work of any&#13;
«) kind, whether members of this Society or not,&#13;
“. are invited to communicate to the Editor any&#13;
4 points connected with their work which it would&#13;
“| be advisable in the general interest to publish.&#13;
&#13;
 &#13;
&#13;
Members and others who wish their MSS. read&#13;
“© are requested not to send them to the Office with-&#13;
“&gt; out previously communicating with the Secretary.&#13;
‘2 The utmost practicable despatch is aimed at, and&#13;
ly’ MSS. are read in the order in which they are&#13;
4 received. It must also be distinctly understood&#13;
4) that the Society does not, under any circum-&#13;
stances, undertake the publication of MSS.&#13;
&#13;
 &#13;
&#13;
The Authors’ Club is now opened in temporary&#13;
premises, at 17, St. James’s Place, St. James’s&#13;
Street, Address the Secretary for information,&#13;
rules of admission, &amp;c.&#13;
&#13;
— i&#13;
me COs&#13;
&#13;
 &#13;
&#13;
Will members take the trouble to ascertain&#13;
* whether they have paid their subscriptions for&#13;
) the year? If they will do this, and remit the&#13;
© amount or a banker’s order, it will greatly assist&#13;
} the Secretary, and save him the trouble of&#13;
® sending out a reminder.&#13;
&#13;
 &#13;
&#13;
go&#13;
O5&#13;
x&#13;
&#13;
Members are most earnestly entreated to attend&#13;
to the warning numbered (3). It is a most foolish&#13;
and a most disastrous thing to bind yourself to&#13;
anyone for a term of years. Let them ask them-&#13;
selves if they would give a solicitor the collection&#13;
of their rents for five years to come, whatever&#13;
his conduct, whether he was honest or dishonest ?&#13;
Of course they would not. Why then hesitate&#13;
for a moment when they are asked to sign&#13;
themselves into literary bondage for three or five&#13;
years ? :&#13;
&#13;
 &#13;
&#13;
How, we are asked almost every day, is the&#13;
young writer to make a beginning? He should&#13;
first get an opinion from one of the Society’s&#13;
readers as to the merits and chances of his book.&#13;
It may be that certain points would be suggested&#13;
foralteration. Itmay be that he will find himself&#13;
recommended to put his MS. in the fire. He&#13;
should then, if encouraged, offer his MS. to a list&#13;
of houses or of magazines recommended by the&#13;
Society. There is nothing else to be done. No&#13;
one, we repeat, can possibly help him. If those&#13;
houses all refuse him, it is not the least use trymg&#13;
others, and, if he is a wise man, he will refuse to&#13;
pay for the production of his own work. If, how-&#13;
ever, as too often happens, he is not a wise man,&#13;
but believes that he has written a great thing, and&#13;
is prepared to back his opinion to the extent of&#13;
paying for his book, then let him place his work&#13;
in the hards of the Society, and it shall be&#13;
arranged for him without greater loss than the&#13;
actual cost of production. At least he will not be&#13;
deluded by false hopes and promises which can&#13;
end in nothing.&#13;
&#13;
————&#13;
&#13;
Here is an advertisement which we have great&#13;
pleasure in reproducing, name and all, for nothing.&#13;
Why should not a woman make plots for stories?&#13;
It is very certain that there are many novelists&#13;
who cannot make plots for themselves, and try&#13;
to do without:&#13;
&#13;
“Home Work.—Good Plots for novels for&#13;
Sale.—Apply Miss Smallwood, The Lees, Great&#13;
&#13;
Malvern.”&#13;
&#13;
 &#13;
&#13;
Some time ago a lady wrote offering plots at half&#13;
a guinea. This seems a ridiculously small sum&#13;
for a plot. Perhaps those of Miss Smallwood&#13;
are priced at a higher figure. Mr. Andrew Lang,&#13;
in the National Review for July, gives away a&#13;
most excellent plot, a plot so good that it is&#13;
recommended to any novelist who can command&#13;
the local colouring and the Scottish language.&#13;
Are the plots advertised provided with characters ?&#13;
Are they divided into chapters? One would like&#13;
a little fuller information.&#13;
&#13;
 &#13;
  &#13;
&#13;
 &#13;
&#13;
86&#13;
&#13;
To that poor derided thing, the novel with a&#13;
purpose, Mr. Andrew Lang, also in the July&#13;
number of the National Review, addresses words&#13;
of comfort. He calls attention to certain novels&#13;
with a purpose which have not, somehow, done so&#13;
very badly. Such are “ Don Quixote,” ‘“ Uncle&#13;
Tom’s Cabin,’ ‘Sandford and  Merton,’’&#13;
“T’Assommoir,”’ “Nicolas Nickleby,’ ‘ Bleak&#13;
House,” ‘‘ Old Mortality,” for instance. Then he&#13;
shows how Fielding, Thackeray, Goethe, are con-&#13;
stantly preaching. The fact is thatthere is nothing&#13;
the whole world loves so much as preaching—in&#13;
the active sense ; but the novelist is the only man&#13;
who is allowed to preach without taking orders.&#13;
&#13;
The mere possession of a purpose does not, by itself,&#13;
make a novel a consummate work of art: so far I do not&#13;
mind going—I can even conceive such a thing as a dull and&#13;
dismal novel with a purpose. But, on the other hand, its&#13;
possession of a purpose does not thrust a novel beyond the&#13;
pale, does not make it taboo, does not entitle us to say,&#13;
“Tt’s pretty ; but is it art?” These are the taboos which&#13;
critics invent when they simply happen not to like a book,&#13;
when, as we said, there is a pre-established discord between&#13;
their tastes and the author’s taste. Let us try to be more&#13;
honourable and sportsmanlike in criticism. Let us record&#13;
our impressions. ‘This book bores me.” “This book&#13;
amuses me.” Nothing else is genuine.&#13;
&#13;
 &#13;
&#13;
The committee of the Lowell Memorial is now&#13;
formed. The form of the Memorial has been&#13;
decided upon, and the committee are now pre-&#13;
pared to receive donations. Need we in these&#13;
pages do more than chronicle the fact? Lowell&#13;
was so staunch a friend of the Society that every&#13;
member ought to forward something towards&#13;
this admirable and worthy object. Mr. Herbert&#13;
Thring, secretary of the Society, is also hon. sec.&#13;
to the Lowell memorial. Letters can be addressed&#13;
to him. Among the men and women of letters&#13;
on the committee are, in alphabetical order, Mrs.&#13;
Lynn Linton, Mrs. Richmond Ritchie, Miss Anne&#13;
Swanwick, Walter Besant, Augustine Birrell,&#13;
R. D. Blackmore, James Bryce, Austin Dobson,&#13;
Conan Doyle, Archdeacon Farrar, Edmund Gosse,&#13;
Rider Haggard, R. H. Hutton, Professor Huxley,&#13;
Dean Kitchen, Andrew Lang, W. E. H. Lecky,&#13;
Sidney Lee, Sidney Low, Justin M‘Carthy,&#13;
Norman M‘Ooll, James Martineau, George Mere-&#13;
dith, Sir F. Pollock, and Theodore Watts.&#13;
&#13;
THE AUTHOR.&#13;
&#13;
LITERARY PROPERTY.&#13;
&#13;
 &#13;
&#13;
I.&#13;
A PusLisHeR In Banxruprcy.&#13;
&#13;
HE conclusion to be drawn from the article&#13;
&#13;
in last month’s Author on the effect of a&#13;
publisher’s bankruptcy, seems to be this:&#13;
&#13;
that every author should consider the possibility&#13;
of such an event happening when he parts with&#13;
his copyright or with any portion of it. It is sug-&#13;
gested that to hint at bankruptcy in dealing with&#13;
a publisher would be invidious ; possibly it would,&#13;
but so would it be to hint at death, though per-&#13;
haps in a less degree; death being inevitable&#13;
and so not discreditable ; and if there is anything&#13;
in the point made in your article with regard to&#13;
the personal skill of the publisher being part of&#13;
what is bargained for, assuredly there should be&#13;
a clause in every contract determining the fate&#13;
of the wrk in question, in the event of the pub-&#13;
lisher’s decease ; and if death is to be considered,&#13;
why not bankruptcy r—‘ And in the event of the&#13;
death or bankruptcy of the said A. B.”’ One can&#13;
imagine it becoming a common form, though&#13;
some skill will probably have to be exercised in&#13;
drawing it. But, common form or not, it will&#13;
often be omitted, and if it is omitted, what&#13;
then? I submit that if the author has parted&#13;
with his copyright, and the purchaser has ac-&#13;
quired it (and this will be the first, and often a&#13;
very knotty, question to be determined), then, if&#13;
he has sold it for a fixed sum, not yet paid,&#13;
he can only prove as a creditor for what&#13;
is owing to him. If he has sold it for&#13;
a royalty, he can prove for an amount&#13;
to be assessed as damages for what he has lost.&#13;
He has selected a mode of payment which has&#13;
resulted unprofitably to him. ‘tis very unfortu-&#13;
nate for him that the publisher has failed, but&#13;
can any legal member of the society of authors&#13;
regarding the matter as a lawyer, and without&#13;
sympathy or prejudice, contend that the author&#13;
can “‘sell” his copyright, and yet attach to a&#13;
valuable piece of property, which certainly is&#13;
“saleable,” a condition onerous to all future&#13;
assignees of it? If this is possible, then no doubt&#13;
it can be shown that the trustee in bankruptcy&#13;
may disclaim such an asset. It may, however,&#13;
be found that what was believed to be a sale of&#13;
the copyright was only a licence to publish upon&#13;
certain terms. Such a contract as this may no&#13;
&#13;
doubt be within the cases mentioned in your&#13;
article (Stevens v. Benning, 1 K. &amp; J. 168; Hole&#13;
v. Bradbury, 12 Ch. Div. 886) in which it was&#13;
expressly held that the copyright had not passed&#13;
to the publisher.&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
Tt must not be forgotten that minute differences&#13;
of wording may make the difference between a sale&#13;
and no sale, that agreements between authors and&#13;
publishers are often highly informal, and seldom&#13;
contemplate every possible contingency, and that&#13;
each case must stand by itself, by whatever&#13;
general principles its decision is guided. I have&#13;
assumed that the case of hardship suggested in&#13;
your article is one where the property in the copy-&#13;
right has passed before the bankruptcy took&#13;
place.&#13;
&#13;
There is one hard case of not infrequent occur-&#13;
rence which suggests itself while one is on this&#13;
subject— What happens when a magazine fails,&#13;
which has accepted an article (but not published&#13;
or paid for it) ©”&#13;
&#13;
I should be inclined to think that if it could&#13;
be established that the contract was that publi-&#13;
cation should precede payment, it would be held&#13;
to follow that the copyright intended to be sold&#13;
remained the property of the author till the&#13;
publication took place. This opinion, too, may&#13;
provoke contradiction or discussion.&#13;
&#13;
ArcHig FAIRBAIRN.&#13;
&#13;
 &#13;
&#13;
Temple, July 22.&#13;
&#13;
Tel&#13;
A CHarGsE or PLAGIARISM.&#13;
(Before Mr. Justice Wrieut, without a jury.)&#13;
GODFREY V. BRADLEY AND CO.&#13;
&#13;
This was an action brought by the administra-&#13;
tor of the late Mrs. Mary Rose Godfrey, authoress&#13;
of a three-volume novel called “‘ Loyal,” to recover&#13;
damages fo« infringement of copyright. “ Loyal ie&#13;
was written by Mrs. Godfrey in 1870 and 1871, and&#13;
published by 'Tinsleys in 1872. In 1874 the defen-&#13;
dants published in the London Journal, weekly&#13;
periodical, a story called ‘Mad Marriage.”&#13;
Between May and November, 1888, the defendants&#13;
published a reprint of “Mad Marriage, of which&#13;
the plaintiff complained, on the ground that the&#13;
plot in ‘Mad Marriage” was substantially the&#13;
same as that in “ Loyal,” the scenes and incidents&#13;
of the stories being the same, and in many places&#13;
the language being identical. For the plaintiff&#13;
Mr. Edmund Routledge and Mr. Spender were&#13;
called, and said they had read the stories “ Loyal”&#13;
and “Mad Marriage,” which were substantially&#13;
identical, and if the parts of ‘Mad Marriage”&#13;
which had been taken from “Loyal” were&#13;
eliminated, the merit of “Mad Marriage” as a&#13;
story would be gone. For the defence it was&#13;
proved that ‘‘ Mad Marriage” had been written&#13;
by Mrs. Fleming, an American lady, and was&#13;
published in the Mew York Weekly; and that&#13;
&#13;
AUTHOR. 87&#13;
&#13;
the former proprietor of the London Journal paid&#13;
Mrs. Fleming £300 for it. Several witnesses&#13;
were also called to show that the two stories&#13;
were not identical, the minor characters being&#13;
different. .&#13;
&#13;
Mr. Justice WricHt, in giving judgment,&#13;
said there was no doubt as to the fact of&#13;
the piracy, although the defendants no doubt&#13;
did it innocently. There were a succession of&#13;
similar scenes, and exact similarity of language&#13;
to corresponding characters in corresponding&#13;
situations. That showed that the comcidents of&#13;
the plot were not accidental. This coincidence of&#13;
the plots was very different to mere similarity of&#13;
literature usually found in novels. The main plot&#13;
of “Loyal” had been incorporated into ‘“ Mad&#13;
Marriage.” As to the nature of relief that&#13;
should be granted, no doubt the American&#13;
authoress would say she had worked up the&#13;
English copper and added her own gold. But,&#13;
whatever she might say, there was no doubt she&#13;
was seriously indebted to the author of “ Loyal.”&#13;
Tt was not apparent that the plaintiff had suffered&#13;
any substantial damage, and he thought the&#13;
justice of the case would be met by a judgment&#13;
for £50 with costs, the defendants being by&#13;
agreement at libe ty to go on publishing already&#13;
printed numbers ot the London Journal containing&#13;
the story of ‘ Mad Marriage.”&#13;
&#13;
Mr. R. T. Reid, Q.C., and Mr. Cababé were for&#13;
the plaintiff; Mr. Channell, QC. and Mr&#13;
Wilkinson for the defendants.&#13;
&#13;
The secretary of the Society of Authors was&#13;
subpeenaed in the above case as a technical&#13;
witness, and stated as his opinion, after reading&#13;
both books, that “Mad Marriage” was not such&#13;
a substantial copy of “Loyal” as to amount to&#13;
infringement of copyright. The case was decided&#13;
by the judge almost entirely on the similarity of&#13;
the plots.— From the Times of July 23.&#13;
&#13;
 &#13;
&#13;
The case of Godfrey v. Bradley and Co.&#13;
presents many points of interest. In the first&#13;
place we must remember that nothing is so easy&#13;
as to bring forward charges of plagiarism, while&#13;
nothing is more difficult to disprove. Further,&#13;
nothing is so likely to happen in the present&#13;
multiplication of novels than the adoption of the&#13;
same leading idea by two or more writers at the&#13;
same time or at different times. Everyone will&#13;
remember cases in which this novel or that&#13;
novel has been shown to possess the same plot&#13;
as some other. Livery novelist of any distinction&#13;
can auote letters received by him, charging him&#13;
with the appropriation of a plot, of a character,&#13;
of a situation, of a whole group of characters&#13;
and situations. In most cases, the charge is,&#13;
&#13;
 &#13;
  &#13;
&#13;
  &#13;
&#13;
88&#13;
&#13;
 &#13;
&#13;
brought by a writer of whom the world has never&#13;
heard, against a writer who is successful. One&#13;
novelist states that he has been accused of theft&#13;
by a dozen different people, concerning whom&#13;
he knows nothing, and whose works he has never&#13;
seen or heard of. Another novelist was once&#13;
accused of stealing from a well-known work by&#13;
a poet of the last generation, which is as much&#13;
as if one were to steal Barnaby Rudge or Samuel&#13;
Weller. We are, therefore, very deeply con-&#13;
cerned in the matter. If resemblance of plot&#13;
and character is to be taken as constituting&#13;
plagiarism, then all novelists are liable to be&#13;
hauled before the High Court of Justice, and&#13;
condemned in costs. And nothing can well be&#13;
more disastrous to novelists, poets, or dramatists,&#13;
than a decision against the author in such a&#13;
charge, except upon the clearest possible evidence.&#13;
&#13;
In the case above reported Mr. Thring was&#13;
invited by a well-known novelist, not concerned in&#13;
the case, to read the two books called respectively&#13;
“ Loyal” and ‘Mad Marriage,” and to give his&#13;
opinion as to whether the latter could be called a&#13;
copy of the former. He accepted, not knowing&#13;
that the plaintiff was a member of the Society ;&#13;
he could not very well guess the fact, because the&#13;
author of the first novel was deceased. After&#13;
reading both books, he came to the conclu-&#13;
sion that, though there were some points of&#13;
similarity in the plot—for instance, the sacrifice&#13;
that one brother makes for another is the same&#13;
motif in both books—yet, by the existing con-&#13;
ditions of copyright law, and by cases recently&#13;
decided. by the courts, the case was not one which&#13;
could legally be called an infringement of copy-&#13;
right. This opinion, on being subpeenaed, he&#13;
stated in court. The case was given against Mr.&#13;
Thring’s opinion, but he continues to think that&#13;
the points of similarity which certainly exist may&#13;
be explained im one or two ways, without admitting&#13;
plagiarism at all. For instance, the author of&#13;
the second work may never have read the first&#13;
work at all, or she may have read the moézf in a&#13;
review, and remembered it, while she forgot the&#13;
circumstance of having read it; or both might be&#13;
due to a common origin. Thus it was proved by&#13;
several witnesses that the minor characteristics&#13;
were different. And it does not appear from the&#13;
decision of the judge, as given by the TZimes,&#13;
that he had himself read both books.&#13;
&#13;
Mr. Thring’s action, which was authorised&#13;
perhaps hastily and without ascertaining that the&#13;
plaintiff in the case was a member of the Society,&#13;
was wholly prompted by a laudable desire to&#13;
forward the interests of the Society and its&#13;
members from the point of view set forth above.&#13;
&#13;
—S&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
IIl.&#13;
YET Not A PLAGIARISM.&#13;
&#13;
The following extract from a letter received by&#13;
the editor of this paper may show how ideas&#13;
floating in the air may take root in different&#13;
minds and produce similar fruits:&#13;
&#13;
“How did this idea come into my head when&#13;
I was in the back blocks of New South Wales&#13;
some five or six years ago, and when I had never&#13;
heard of your book or the writer? Your bookis&#13;
said to have originated the People’s Palace, and&#13;
my book is entitled ‘The: People’s Palace,’ and&#13;
I never heard of that building or its name until&#13;
I came back to London three years ago. When&#13;
ITheard the name I thought that was coincidence&#13;
enough, but when my curiosity led me to read the&#13;
book in which the idea was first put forward—but&#13;
you can perhaps imagine my feelings. You have&#13;
even named your hero Harry, the same as mine.”&#13;
&#13;
oc&#13;
&#13;
“THE LONDON EDITOR” AGAIN.&#13;
&#13;
I&#13;
&#13;
N the National Review c.f July there is an&#13;
article by myself in reply to the ‘“ London&#13;
Editor’s’”’ misrepresentations and attacks&#13;
&#13;
In that reply I point-d out what has already&#13;
appeared in the Author, that he had examined a&#13;
list which had not been published, and which he&#13;
could not possibly have seen. Very well. Hereis&#13;
his reply, added to my article as a postscript :—&#13;
&#13;
It does seem.odd that “A London Editor” should have&#13;
spoken about conning a list which no mortal eyes but those&#13;
of Mr. Besant and his immediate colleagues have ever&#13;
beheld. But the error is one of expression merely ; no dis-&#13;
regard for truth was involved in it. Although the list of&#13;
the society’s members is now concealed, it is not impossible&#13;
to con it with the mind’s eye. It was published four or five&#13;
years ago; every year since then we have had a sample of&#13;
it in the printed lists of those who attended the annual&#13;
dinner ; and the sum total of the members has been declared&#13;
from time to time. Therefore—especially when we consider&#13;
that there is constantly published a list of the council, on&#13;
which list the names of the most representative members of&#13;
the society appear—there is nothing very dreadful in the&#13;
slip of which Mr. Besant makes so much.&#13;
&#13;
He said in his article distinctly: ‘“ When one&#13;
cons the long list of the members ’’—those were&#13;
&#13;
his words. I say, ‘There is no list of the&#13;
members. You cannot con a thing which does&#13;
not exist. In saying this you deliberately give&#13;
&#13;
readers to understand that you have the present&#13;
list of members 1n your hands. Nobody from&#13;
your words could understand anything else.&#13;
And you could not have the list m your hands&#13;
because it is not published.”&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
Very well. He now says that he knows who&#13;
the members are. How?&#13;
&#13;
First, by an old list, when we were about&#13;
200 in number, which was printed some years&#13;
&#13;
0.&#13;
&#13;
F econd, by the printed lists of those who&#13;
attend the annual dinner, about a hundred and&#13;
eighty in number, at the most. Did he cut out&#13;
those lists, two of which had, when he wrote,&#13;
appeared in the Author? Or did he remember&#13;
them ?&#13;
&#13;
Third, by the list of the council, which contains&#13;
forty-five names.&#13;
&#13;
From these data he pretends to know the&#13;
850 members of the society.&#13;
&#13;
I fear that this paragraph will be set down as&#13;
—to say the least—evasive. As regards the rest,&#13;
he evades all the points, and leaves my answer&#13;
untouched. In fact, what I had to say was so&#13;
simple and straightforward that there was nothing&#13;
to answer, except to deny damaging and malig-&#13;
nant assertions disproved by every document put&#13;
forward by the society.—W. B.&#13;
&#13;
 &#13;
&#13;
T,&#13;
&#13;
“Tt is a little difficult to understand why the&#13;
efforts of a large body of representative English&#13;
men and women of letters to vindicate the dignity&#13;
of their profession, and to secure greater protec-&#13;
tion for literary property, should provoke the&#13;
wrath of any member of their own calling. Dis-&#13;
honest publishers— who, happily, are not a very&#13;
numerous body—may be expected to love the&#13;
Society of Authors no better than the thief does&#13;
the policeman; and even the honest publisher,&#13;
being human, may occasionally feel disposed to&#13;
censure it as meddlesome; but why should any&#13;
writer lift his pen against it? Whether he is a&#13;
member or not, it is working for his benefit, and&#13;
the more completely the society succeeds in the&#13;
attainment of its objects, the more reason will he&#13;
have to be glad of the day when it was called&#13;
into existence. If the supposed writer be not a&#13;
member of the society one would imagine that he&#13;
would be all the more gratefully disposed towards&#13;
it. Here are some 800 menand women of letters&#13;
subscribing their annual guinea in order that his&#13;
property, as well as theirs, may rise in value and&#13;
his calling in public esteem. Is it possible for&#13;
him to do otherwise than entertain a hearty&#13;
desire for the success of their labours? One&#13;
would be tempted to reply that it is not, were it&#13;
not that in the June number of the National&#13;
Review there appeared a paper subscribed “ A&#13;
London Editor,” to which Mr. Besant replies in&#13;
the new issue of the same magazine. The anony-&#13;
&#13;
VOL. III.&#13;
&#13;
89&#13;
&#13;
mous editor in question was careful indeed to&#13;
state that he wrote in general sympathy with the&#13;
Society of Authors, but he contrived in his criti-&#13;
cisms to dissemble his love of the society so&#13;
successfully, that it is not surprising its chairman&#13;
should have credited him with a desire to kick it&#13;
downstairs. Mr. Besant, accordingly, handles&#13;
his critic without the gloves in the July number&#13;
of the National Review and delivers a succession&#13;
of telling blows. The assailant thus converted&#13;
into the assailed is permitted by the editors of&#13;
the Review to subjoin a rejoinder to Mr. Besant’s&#13;
reply; but he would probably have been better&#13;
advised had he refrained from doing so, He&#13;
cannot attempt to deny that he is convicted of&#13;
grave inaccuracies ; and his sneers at the annual&#13;
dinner of the Society of Authors are as pointless&#13;
in themselves as they are beside the point at issue.&#13;
Why should not the society in question hold its&#13;
yearly dinner as well as any other body of crafts-&#13;
men in art or science? It has long been the&#13;
reproach of the literary calling that its members&#13;
were more divided by petty jealousies and more&#13;
incapable of union than those of almost any&#13;
other profession. If an annual dinner helps to&#13;
extinguish feud and to promote the recognition of&#13;
a common interest, it is to be hoped that that of&#13;
the Society of Authors will long continue to&#13;
draw together as numerous and representative a&#13;
company as it did a few weeks ago.” —Salisbury&#13;
and Winchester Times, July 16.&#13;
&#13;
ee&#13;
&#13;
THE CIVIL LIST.&#13;
&#13;
 &#13;
&#13;
1.&#13;
&#13;
HE Civil List Pensions for the year ending&#13;
June 20th, 1890, are now announced. They&#13;
include grants as follows:&#13;
&#13;
Literature : Miss Amelia Edwards (for services&#13;
in literature and archeology) ; three daughters of&#13;
the late Rev. F. H. Scrivener (Greek Testament&#13;
scholar) ; Mrs. Garden, daughter of the Ettrick&#13;
Shepherd ; Mrs. Freeman, widow of Professor&#13;
Freeman, the historian ; Edward Walford;&#13;
Henry Bradley (of the New English Dictionary).&#13;
&#13;
Science: Mrs. Bettany, widow of G. T. Bettany ;&#13;
Mrs. Carpenter, widow of Dr. Philip Carpenter ;&#13;
T. W. Levin (philosophy and mental science) ;&#13;
George Gore, F'.A.S., chemistry ; H. D. Dunning&#13;
(political economy).&#13;
&#13;
Thrust into the list where they do not belong,&#13;
except by what used to be called a job, the widow&#13;
of a consul, who has besides a larger grant than&#13;
any person connected with letters; and three&#13;
&#13;
i&#13;
&#13;
 &#13;
 &#13;
&#13;
go THE AUTHOR.&#13;
&#13;
daughters of the late head of a Government&#13;
department.&#13;
&#13;
A further exainination of the list shows that to&#13;
be the widow of a consul is to be assessed at a&#13;
pension of £120 a year, while to be the widow of&#13;
the greatest historian of the day only entitles one&#13;
to a pension of £100. Itfurther shows that there&#13;
is some malign influence at work in connection with&#13;
this list, which not only includes cases never con-&#13;
templated in the Resolution by virtue of which this&#13;
grant is annually made, but also excludes persons&#13;
who achieve eminence (but not fortune) in fiction&#13;
and belles lettres. Now, among the applicants&#13;
of this year was a lady whose novels have gained&#13;
her a very high place among contemporary artists.&#13;
The case was so strong and so splendidly backed&#13;
that it seemed as if it must command success,&#13;
No, she is a novelist; fiction is not literature. Let&#13;
her starve. Let the pension which should be&#13;
her’s be given to the widows and daughters of men&#13;
in the Civil Service, who have nothing whatever to&#13;
do with literature, science, or art. Further, we&#13;
remark that out of seventeen pensions eleven are&#13;
granted to widows and daughters and six only to&#13;
living people; that eight are bestowed on litera-&#13;
ture, five on science, and none at all on art; that&#13;
four are robbed of their original intention and&#13;
given away outside. We observe lastly that&#13;
poets, dramatists, actors, novelists, essayists, and&#13;
journalists, are not represented at all on the list.&#13;
Yet, even with these objections, the list is the best&#13;
that has appeared for years.&#13;
&#13;
 &#13;
&#13;
II.&#13;
&#13;
In the list above quoted it was stated that the&#13;
pension was granted to Miss Amelia B, Edwards&#13;
in recognition of her services to literature and&#13;
archeology and in consideration of her in-&#13;
adequate means of support. The Academy&#13;
states that Miss Edwards received the pension&#13;
thinking that it was in recognition of her ser-&#13;
vices to archeology ; that she never put forward&#13;
any claim on the ground of poverty; that she&#13;
had means quite sufficient, and that she never&#13;
understood that she had any claims on the&#13;
ground of services to literature. In fact, though&#13;
Miss Amelia Edwards wrote during a period of&#13;
sixteen years, namely from 1864 to 1880, half a&#13;
dozen novels, all of them reaching and maintain-&#13;
ing a high level, she was not in any sense a great&#13;
writer, nor could she be rightly spoken of as&#13;
having rendered great services to literature.&#13;
&#13;
SHELLEY CENTENARY.&#13;
&#13;
 &#13;
&#13;
ERCY BYSSHE SHELLEY was born at&#13;
Field Place, near Horsham, Sussex, on&#13;
Aug. 4, 1792. The Centenary of his&#13;
birth is, therefore, close at hand. As Shelley&#13;
was the foremost man Sussex has given to&#13;
the world of letters, the county has naturally&#13;
taken the lead in organising a centenary cele-&#13;
bration. Meetings have been held at Horsham,&#13;
and the following influential committee, fully&#13;
representative of the town and neighbourhood,&#13;
has been appointed: Mr. R. H Hurst, J.P.,&#13;
D.L. (Chairman West Sussex Quarter Sessions),&#13;
the Rev. C. J. Robinson (Vicar of Horsham), the&#13;
Rev. R. Bowcott (Vicar of Warnham), the Rev.&#13;
A. F. Young, the Rev. J. J. Marten, the Rev.&#13;
C. M. Greenway, Mrs. Prewett, Miss Sadler,&#13;
Mr. E. J. Bostock (chairman of the Local&#13;
Board), Mr. Henry Mitchell, Mr. J. F. A.&#13;
Cotching, Mr. T. Kirsopp, Mr. A. Agate, Mr.&#13;
H. Churchman, Mr. J. Harrington, Mr. S. Price,&#13;
Mr. William Sharp, Mr. J. Stanley Little, and&#13;
Mr. J. J. Robinson. With these are associated&#13;
the president and hon. secretary of the Shelley&#13;
Society, Mr. W. M. Rossetti, and Mr. T. J.&#13;
Wise.&#13;
&#13;
At a meeting of this committee, held on Friday,&#13;
June 17, it was decided that, both on general and&#13;
local grounds, the most fitting memorial to the&#13;
poet would be a ‘Shelley Library and Museum,”&#13;
to be established at Horsham. It is intended that&#13;
the institution shall absorb existing libraries, and&#13;
that it shall be governed in such a manner as to&#13;
secure the support of all sections of the com-&#13;
&#13;
munity. The library will include, in addition to —&#13;
&#13;
general literature, all such works as may be&#13;
specially connected with Shelley. In the museum&#13;
a home will be found for such personal relics&#13;
of the poet as the committee may be able to&#13;
acquire.&#13;
&#13;
The present opportunity of honouring and&#13;
perpetuating Shelley’s memory in the place of&#13;
his birth, is one of which students and lovers of&#13;
his poetry in every continent will be eager&#13;
to take advantage. For this purpose funds are&#13;
needed, and this appeal is issued in the confi-&#13;
dent belief that there must be many who&#13;
would wish to enable the committee to give&#13;
complete and substantial expression to an aim,&#13;
&#13;
so thoroughly in accord with Shelley’s message .&#13;
&#13;
to the world.&#13;
&#13;
Subscriptions may be sent to the hon. secre- —&#13;
&#13;
taries, J. Stanley Little, Buck’s Green, Rudewick,&#13;
&#13;
Horsham, Sussex; and J. J. Robinson, West S&#13;
&#13;
Sussex Gazette, Arundel, Sussex. Cheques&#13;
should be crossed “London and County Banking&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE&#13;
&#13;
Company, Limited, Horsham Branch,” and made&#13;
:payable to “The Shelley Memorial Fund.”&#13;
We have the honour to be, Sir,&#13;
Your obedient Servants,&#13;
Frederick Leighton.&#13;
Noel Paton.&#13;
Onslow Ford.&#13;
Henry Irving.&#13;
W. B. Ripon.&#13;
FE. W. Farrar.&#13;
Walter H. Pollock.&#13;
Walter Crane.&#13;
Edmund Clarence&#13;
Stedman.&#13;
EK. Lynn Linton.&#13;
Hallam Tennyson.&#13;
Thomas J. Wise.&#13;
&#13;
Tennyson.&#13;
) Coleridge.&#13;
&#13;
/ William Morris.&#13;
&#13;
c Edward Dowden.&#13;
Stopford A. Brooke.&#13;
&#13;
a Richard Garnett.&#13;
&#13;
AY W. M. Rossetti.&#13;
Leslie Stephen.&#13;
Andrew Lang.&#13;
Theodore Watts.&#13;
William Sharp.&#13;
&#13;
H. Buxton Forman.&#13;
Gabriel Sarrazin.&#13;
Walter Besant.&#13;
&#13;
R. H. Hurst, Chairman,&#13;
&#13;
J. J. Robinson, ) Hon.&#13;
&#13;
Jas. Stanley Little,&#13;
&#13;
“On behalf of the Shelley Centenary Committee&#13;
at Horsham.&#13;
&#13;
Secs.,&#13;
&#13;
 &#13;
&#13;
| It is suggested that a Shelley library and&#13;
/ museum should be erected at Horsham, the poet’s&#13;
‘ai birth place. It is unfortunate that no place can&#13;
_» be found for a monument to the poet which is free&#13;
aofrom unhappy associations, whether Horsham,&#13;
‘4 Oxford, London, or Italy. Since we cannot bring&#13;
“any remedy to this misfortune, we must endure it.&#13;
«. Aninstitute, something like the Shakespeare house&#13;
&#13;
Jat Stratford, would be an excellent form of&#13;
‘memorial. It is to be hoped that the committee&#13;
‘© will let us know before long how much money&#13;
“ithey require. A mere invitation to give some-&#13;
sidthing is not the best way to get anything.&#13;
1oW Would such an institute cost a thousand, two&#13;
-o@ thousand, ten thousand pounds ?&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
—_———_—__——— oc&#13;
&#13;
THE ASSOCIATION LITTERAIRE.&#13;
&#13;
 &#13;
&#13;
of HE secretary of the Association Littéraire&#13;
et Artistique Internationale, which boasts&#13;
&#13;
=. Of having Victor Hugo for its founder,&#13;
&#13;
rt writes to the Times (July 14, 1892), disclaiming&#13;
"4 any connection with the person Morgan, and his&#13;
“merry company. Surely that disclaiming was&#13;
&#13;
9 needless. No one ever dreamed of connecting&#13;
«if this Association with the person now awaiting&#13;
4 trial. It is, however, difficult to understand what&#13;
of the Association does or proposes to do for the&#13;
&#13;
 &#13;
&#13;
AUTHOR. of&#13;
&#13;
interests of literature and of literary men. It&#13;
holds a congress every year. This year it will be&#13;
held at Milan. Two or three years ago it was&#13;
held at London. They ignored this Society&#13;
altogether, which was one reason why not a&#13;
single man of letters attended the Congress.&#13;
&#13;
The following, however, is the programme for&#13;
the Milan meeting. In case any of our members&#13;
find themselves at Milan during the third week&#13;
of September, they may be interested in the&#13;
proceedings :—&#13;
r4® CONGRES INTERNATIONAL — MILAN&#13;
&#13;
1892.&#13;
PROGRAMME DES TRAVAUX.&#13;
&#13;
1. Etude complete de la Convention de Berne&#13;
et des modifications A y introduire en vue de la&#13;
Conférence diplomatique qui doit se réunir a&#13;
Paris en 1893 ;&#13;
&#13;
Littérature. — Thédtre. — Musique. — Arts&#13;
graphiques. — Architecture.&#13;
Rapporteurs: MM. Frédéric Baetzmann,&#13;
&#13;
Victor Souchon, Alcide Darras, Charles Lucas,&#13;
Henri Morel, Harmand, Mettetal, Buloz, G.&#13;
Maillard, Rothlisberger, G. Giacosa, Charles&#13;
Panattoni, Augusto Ferrari, Jules Lermina, c.&#13;
&#13;
2. Des rapports existant entre la protection de&#13;
la propriété intellectuelle et le développement des&#13;
littératures nationales. Rapporteur: M. Max&#13;
Nordau ;&#13;
&#13;
3. Projet de loi sur le contrat&#13;
Rapporteur: M. Eugéne Pouillet ;&#13;
&#13;
4. De la statistique internationale des ceuvres&#13;
littéraires et des régles 4 formuler pour I’¢tablisse-&#13;
ment de ladite statistique. Rapporteur: M.&#13;
Rothlisberger.&#13;
&#13;
PRoGRAMME DES Fites ET SOLENNITES.&#13;
&#13;
Excursion sur le lac de Céme et banquet&#13;
organisés et offerts aux Congressistes par la&#13;
municipalité de Milan.&#13;
&#13;
Concert offert par la Société des Auteurs Italiens.&#13;
&#13;
Excursion et banquet pique-nique a la Char-&#13;
treuse de Milan.&#13;
&#13;
Réception au Palais de la Ville.&#13;
&#13;
Inauguration au Palais de Brera du monument&#13;
élevé A la mémorie de ‘“ Paolo Ferrari,’ auteur&#13;
dramatique, ancien président de Y Association&#13;
littéraire et artistique internationale au Congres&#13;
de Rome (1883).&#13;
&#13;
Les séances du Congrés auront lieu dans les&#13;
Salles du Conseil municipal, au Palais de la&#13;
Ville de Milan, du samedi 17 au samedi 24&#13;
septembre 1892.&#13;
&#13;
Des salles seront réservées pour la réunion des&#13;
Commissions.&#13;
&#13;
Une séance préparatoire aura lieu le vendredi 16&#13;
&#13;
H 2&#13;
&#13;
d’édition.&#13;
&#13;
 &#13;
   &#13;
&#13;
g2&#13;
&#13;
septembre, dans l’aprés-midi. Les membres du&#13;
Congrés sont instamment priés d’y assister.&#13;
&#13;
Le centre de réunion amicale est établi dans les&#13;
salles dela Société la Famigha Artistica auprés&#13;
du Palais de la Ville, quis’est mise cordialement&#13;
4 la complete disposition des Congressistes.&#13;
&#13;
Le Congrés se compose :&#13;
&#13;
1. Des membres de l’Association littéraire et&#13;
artistique internationale ;&#13;
&#13;
2. Des membres de la Société des Auteurs&#13;
italiens ;&#13;
&#13;
3. Des adhérents au Congrés présentés par&#13;
deux membres de 1’Association ou par la Société&#13;
des Auteurs italiens ;&#13;
&#13;
4. Des délégués des Sociétés Frangaises et étran-&#13;
géres, désignés par le bureau de ces Sociétés et&#13;
porteurs de pouvoirs réguliers.&#13;
&#13;
Les dames sont admises.&#13;
&#13;
Les cotisations sont fixées :&#13;
&#13;
Pour les membres de |’ Association et pour les&#13;
délégués des Sociétés (non Italiennes) 4 la somme&#13;
de 20 francs.&#13;
&#13;
Pour les adhérents présentés (non Italiens) a la&#13;
somme de 30 francs.&#13;
&#13;
Pour les membres Italiens s'adresser au Comité&#13;
italien, a Milan.&#13;
&#13;
Comité Italien: — Président, M. Giovanni&#13;
Visconti-Venosta, président de la Société des&#13;
Auteurs; vice-président, M. Enrico Rosmini ;&#13;
secrétaire, M. Augusto Ferrari; membres, MM.&#13;
Carlo Baravelli; Arrigo Boito; Enrico Fano,&#13;
sénateur ; Giuseppe Giacosa; comte Emilio Gola;&#13;
Leone Fortis; Luigi Gualda; Ulrico Hepli;&#13;
Giulio Ricordi; Edoardo Sonzogno; Emilio&#13;
Treves.&#13;
&#13;
spec&#13;
&#13;
THE LAME BOY IN THE WOODS.&#13;
&#13;
 &#13;
&#13;
Each season hath its sadness, but for me&#13;
Summer hath most of all. I scarce know why,&#13;
But though its sylvan beauty soothes my soul&#13;
And brings sweet reveries—though the happy birds,&#13;
Discoursing music, stir my mind with dreams,&#13;
With melodies, with thoughts of deep delight,&#13;
Yet still there lurks within the summer’s heart,&#13;
Or in mine own, a pain—a deep, wild pain—&#13;
Which, even amid still Autumn’s ravages&#13;
I never feel, nor yet in Winter’s storms.&#13;
Is it, I ask, that Summer’s voiceless spell,&#13;
Her loveliness of copse and lea and flower&#13;
Is all too soon dissolved—that blossoms fade&#13;
When Summer’s glory dies?&#13;
&#13;
Ah, no; Ah, no!&#13;
It is that Summer’s mocking gladness lends&#13;
To loss a sharper sting when I recall&#13;
The joy of buoyant health and tireless limbs&#13;
Which others feel—a joy that knows not me.&#13;
&#13;
Macxenziz BELL.&#13;
oct&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
NOTES AND NEWS.&#13;
&#13;
 &#13;
&#13;
R. CHURTON COLLINS has published&#13;
(Macmillan and Co.) a Plea for the&#13;
recognition of English Literature at&#13;
&#13;
the Universities. That is to say, he would&#13;
separate literature from philology, and place&#13;
the former on a proper footing. The thing&#13;
has already been advocated by Goschen, and by&#13;
John Morley, by Mr. Churton Collins in the&#13;
Quarterly Review, by Matthew Arnold, Jowett,&#13;
Pater, and Froude. The plea is not one to which |&#13;
we ought to turn a deaf ear. I venture to ~&#13;
invite all who are concerned in the cultivation of&#13;
literary taste; all who desire that the noble&#13;
literature of our country should be properly&#13;
taught, and systematically studied; to procure&#13;
this book and to read it carefully; perhaps the&#13;
reader may have it in his power to forward the&#13;
views advanced ; in any case he can lend the book,&#13;
and get it talked about, which is the surest way&#13;
of advancing a book. More than ever is sucha&#13;
study as is advocated by Mr. Collins wanted at&#13;
the universities. We have, growing up among _&#13;
us, an ever increasing number of readers—&#13;
those who have learned to look upon reading ©&#13;
as a necessity, one of the simple wants of life,&#13;
Formerly only those read much who had received _&#13;
some kind of literary training. Their minds were&#13;
filled with literary traditions. These new readers —&#13;
have no literary traditions—no knowledge of —&#13;
literature. How then would a school at Oxford —&#13;
influence the new class of readers? In this way. —&#13;
It would fill the country with professors and&#13;
teachers of literature; these professors and&#13;
teachers would spread abroad a knowledge of the =&lt;&#13;
thing itself as an existent and an important sub-—&#13;
ject; they would also, quite naturally, take over&#13;
those critical duties on. the local papers,&#13;
which are now relegated as often as not&#13;
to the youngest recruit. Criticism based&#13;
on recognised standards of style, on trained&#13;
knowledge of structure and form, and on&#13;
learning exact and broad, would place litera&#13;
ture in quite a new light to the average reader.&#13;
There are a thousand reasons, in short, why @ —&#13;
school of literature must be founded, most 0&#13;
which will be suggested by an examination 0&#13;
this important little book. -&#13;
&#13;
 &#13;
&#13;
  &#13;
 &#13;
  &#13;
   &#13;
  &#13;
   &#13;
  &#13;
    &#13;
  &#13;
  &#13;
  &#13;
   &#13;
  &#13;
  &#13;
 &#13;
  &#13;
 &#13;
 &#13;
 &#13;
 &#13;
  &#13;
   &#13;
  &#13;
 &#13;
   &#13;
  &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
I am sorry to notice the death of John Mac&#13;
gregor whom I have known for five-and-twent,&#13;
years. During the last few years of his life h&#13;
had retired to Eastbourne, where his power&#13;
rapidly declined. John Macgregor was a man 0&#13;
singular activity, both mental and physical, an&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
_was also a man of great pluck and perseverance.&#13;
«4 What he did for the cause of poor and friendless&#13;
-‘lads was extraordinary ; what he tried to do with&#13;
shis “Pure Literature Society’—I believe it&#13;
J&gt;excludes Dickens on account of a strong word or&#13;
. two which has been discovered in that generally&#13;
«+ blameless novelist—was even more extraordinary.&#13;
- He wrote two or three books of travel, but his&#13;
+ literary gift was not great; he held the narrowest&#13;
views of religious doctrine, but he held them quite&#13;
clearly. They were sharply outlined in his own&#13;
= mind, and I believe they never changed. From&#13;
_ jhis point of view they were quite logical ; he was&#13;
| a leader in that declining school of which the&#13;
+ late Lord Shaftesbury was the most complete&#13;
«7 representative. John Macgregor, who knew his&#13;
‘own value, partly because he really had done&#13;
aie things considerably in the philanthropic world,&#13;
baand partly because many people took care that&#13;
- -he should not forget the fact, was one of the&#13;
'« first to introduce the canoe; he was generally&#13;
/ to be seen onthe bank before the University race.&#13;
-}, Let me add that he was a gentleman in every sense&#13;
/ 4 of the word; a gentleman born; a gentleman&#13;
b bred; and a gentleman who hated things base&#13;
ba and mean with the contempt which one should&#13;
+ bestow upon all things reptile. I learn, from a&#13;
i short notice in the Athenzum, what I did not&#13;
ron know before, that he formerly wrote for Punch.&#13;
&lt; | It is astonishing to think that John Macgregor&#13;
+ could ever have written a single line for that&#13;
periodical. It must have been a long time ago.&#13;
Was there not once a short period when Punch&#13;
 was—well—not quite so funny as usual ?&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
  &#13;
&#13;
 &#13;
&#13;
ee&#13;
&#13;
The other day I bought for fourpence and tried&#13;
“9 to read, but with only partial success, the ‘‘ Pur-&#13;
gatory of Suicides.” It is not an inviting poem.&#13;
41 I thought that the author had been dead a long&#13;
a) time. Yet he was living, and he died in the&#13;
vl middle of last month, having attained to the age&#13;
» 16 of eighty-seven. The death of Thomas Cooper&#13;
has caused quite a revival of old Chartist&#13;
‘6; memories. The survivors of the leading spirits&#13;
&#13;
«) in that movement are now very few. _ Its history&#13;
sea has never been written, though Carlyle furnished&#13;
»+ a contemporary commentary upon it.&#13;
&#13;
Sa&#13;
&#13;
Mr. Louis Stevenson appears to find the climate&#13;
1, of Samoa conducive to industry. Two more&#13;
© volumes of his are announced to be published in&#13;
61) the course of the next month, a History of Samoa&#13;
“ae and a volume containing two stories (Cassell).&#13;
«ff Three volumes, with “The Wrecker,” and“ Across&#13;
sd) the Plains,” and “David Balfour,” which is to&#13;
29% begin in the autumn, make up a very good show&#13;
&#13;
 &#13;
&#13;
93&#13;
&#13;
for the year. His friends, however, have not yet&#13;
begun to ask for less. A club conference, sitting&#13;
the other day in judgment on his recent works,&#13;
unanimously agreed that “The Wrecker” is as&#13;
good as anything he has ever done.&#13;
&#13;
 &#13;
&#13;
The writer of the interview with Mr. Gosse,&#13;
from whom a line was quoted last month, begs us&#13;
to state, in justification of his own accuracy, that&#13;
he read over his report twice to Mr. Gosse. His&#13;
accuracy was not in any way questioned, but it&#13;
is quite possible to say things in conversation,&#13;
and even to listen to a report of words which&#13;
mean more than one would commit to the printed&#13;
page. With this reservation we quite accept the&#13;
accuracy of the interviewer.&#13;
&#13;
Se&#13;
&#13;
In the new and current number of Longman’s,&#13;
Mr. Andrew Lang refers to the Author. “Is it&#13;
not,” ne asks, “a little careless to assert that&#13;
a half-crown book costs twenty-six shillings?”&#13;
Surely, but how does the question affect the&#13;
Author? I have looked carefully through the&#13;
July number, and cannot find that any such state-&#13;
ment has been made. Next, Mr. Lang refers to&#13;
my complaint—not mine alone, but that of every-&#13;
body who wants to complete the works of a&#13;
favourite author—on the scattering of books&#13;
among various houses. He says that different&#13;
publishers issue different kinds of books. True,&#13;
But in the case of popular and distinguished&#13;
writers, I do not know any publisher who would&#13;
not willingly issue all the books, whatever the&#13;
subject, which that writer might choose to put&#13;
forth. Again, after a word or two on certain late&#13;
contributions to the Author, he asks what is meant&#13;
by saying that “ Mr. Gifford’s Lectures ”’ are to be&#13;
published ? What is meant, indeed? This is a&#13;
question that has been asked by many. The&#13;
writer of that unlucky paragraph has already&#13;
received nearly as terrible a punishment as he&#13;
deserves, and the editor who passed the blunder&#13;
without notice consents to be set down as—what-&#13;
ever the reader pleases to call him.&#13;
&#13;
————&#13;
&#13;
In the same magazine and the same number,&#13;
everybody will read with delight Mr. Grant&#13;
Allen’s Biography of Lucy and Eliza&#13;
&#13;
 &#13;
&#13;
One out of the twelve essays forming Mr.&#13;
George Saintsbury’s latest book has been noticed&#13;
elsewhere, at some length, for reasons there&#13;
explained. There are, however, at least four of&#13;
&#13;
 &#13;
  &#13;
&#13;
94&#13;
&#13;
 &#13;
&#13;
the remaining essays which very closely concern&#13;
ourselves—that is, those who are presumably the&#13;
most deeply interested in literature. They are&#13;
essays on English prose style, on modern English&#13;
Prose, on the Young England Movement, and on&#13;
the Contrasts of English and French literature.&#13;
I hope that we may find room to consider their&#13;
essays in our next number.&#13;
&#13;
 &#13;
&#13;
Is there any reader of recent verse who can&#13;
name the author of the following ?&#13;
&#13;
A MEETING.&#13;
&#13;
“T can recall so well how she would look—&#13;
How at the very murmur of her dress&#13;
On entering the door, the whole room took&#13;
An air of gentleness.&#13;
“ That was so long ago, and yet his eyes&#13;
Had always, afterwards, the look that waits&#13;
And yearns, and waits again, nor can disguise&#13;
Something it contemplates.&#13;
“May we imagine it? the sob, the tears,&#13;
The long, sweet, shuddering breath ; then, on her breast,&#13;
The great, full, flooding sense of endless years&#13;
Of heaven, and her, and rest.”&#13;
&#13;
—&#13;
&#13;
The following comes from Texas, which is a&#13;
long way off :&#13;
&#13;
“Dear Sir,—Could you send me for preserva-&#13;
tion in my collection, letters or other papers,&#13;
written or signed by the following distinguished&#13;
persons? Notice letters would be of greater&#13;
interest than the signatures alone. If portraits&#13;
or photographs can be sent also, they would be&#13;
highly appreciated, adding very much to the&#13;
interest of my collection.—Sincerely yours,&#13;
&#13;
+ 3&#13;
&#13;
 &#13;
&#13;
*&#13;
&#13;
One is naturally so very desirous of adding to&#13;
the interest of a stranger ina foreign land. That&#13;
may be taken for granted! And it is so sweetly&#13;
reasonable for that foreign collector to invite com-&#13;
plete strangers in another land to strip them-&#13;
selves of valuable and interesting autographs !&#13;
And how about our own collections ?&#13;
&#13;
The letter is remarkable for another reason.&#13;
It is type written in very small type, all capitals,&#13;
on a tiny sheet of notepaper. I have long&#13;
expected the arrival of the small type-writer,&#13;
and here it is. The whole letter is not more&#13;
than an inch and a half long by three inches&#13;
broad. How delightful it will be to get rid of&#13;
the great square letter size, sometimes on thick&#13;
paper! Does this invention come from Texas?&#13;
In that case I think I must show my gratitude&#13;
and send a letter or two for preservation in this&#13;
alien’s valuable collection.&#13;
&#13;
—&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
The Dundee Advertiser has a few remarks&#13;
about the “‘ Notes from Paris”’ and Mr. Sherard’s&#13;
remarks on Zola. The article suggests that I&#13;
shall probably decline responsibility for Mr,&#13;
Sherard’s notes. [ certainly might do go,&#13;
The article also speaks of Zola as the “ unspeak- |&#13;
able,” as ‘‘ vicious and abominable ;”’ as a novelist&#13;
&#13;
-who has all the “ wickedness and more of the wit&#13;
&#13;
of either Fielding or Smollett.” I really was of&#13;
opinion that in the genius of Zola the world had&#13;
come to an understanding that it was agreed on all —&#13;
hands that Zola has very great genius. I thought&#13;
it was also understood that there were things in —&#13;
his novels which render them wholly unfit for&#13;
&#13;
school girls or young people. As we are not all&#13;
school girls, as the members of our society may&#13;
at least be allowed to recognise genius, to admire&#13;
genius, to be interested in reading about them&#13;
who are endowed with this rare and precious&#13;
quality, it was, one submits, pleasing to read in&#13;
Mr. Sherard’s notes, the enthusiasm of a young&#13;
writer for genius, and the enthusiasm of Paris—&#13;
not School Paris—for a new book by that man of&#13;
genius. And does the writer preach or teach no&#13;
morality? Does he in that most terrible of alltem-&#13;
perance tracts—‘ L’ Assommoir ’”’—teach drunken-&#13;
ness ? One might go farther and claim that inthe —&#13;
&#13;
rigid fidelity of his “vicious” scenes he disgusts&#13;
&#13;
the reader with vice. One need not, however,&#13;
seek to defend Zola in his realistic moods. There&#13;
&#13;
are things in him—as there are in a dissecting&#13;
&#13;
room—which some eyes cannot gaze upon. Allow —&#13;
for this; keep his books from the school girl, and&#13;
acknowledge the genius of the writer.&#13;
&#13;
 &#13;
&#13;
It is significant of the way in which opinion&#13;
is drifting that the Hospital is advocating the&#13;
creation of medical peerages. “ Why,” asks this&#13;
paper, “should an eminent physician, such as&#13;
Jenner or Paget, be less worthy of a peerage&#13;
than the lawyers, soldiers, sailors, and statesmen,&#13;
who have been raised to the Upper House.”&#13;
Why, indeed? And in another paper one reads&#13;
the report — repeated with approval — that the&#13;
President of the Royal Academy is to be created&#13;
a peer. It is, however, added, as if the circum-&#13;
stance would make the thing easier, that the&#13;
president is unmarried. Hereupon, one naturally&#13;
asks why the son of an artist should be less&#13;
worthy to succeed to a peerage than the son of&#13;
a brewer or of a soldier? . We are gradually&#13;
coming round, it will be observed, to the opinion&#13;
that national distinctions, if they are to be re-&#13;
tained at all, must be given for national services&#13;
&#13;
‘of all kinds; thatthe present method of scatter-&#13;
&#13;
ing abroad these distinctions brings them into&#13;
contempt; and that, though it is good for a com-&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR. 95&#13;
&#13;
~ mercial nation to honour success in commerce, it&#13;
is bad to refuse honours to those who advance&#13;
-. that nation in literature, science, and art, and every&#13;
| other liberal profession. Therefore, I repeat what&#13;
{1 [have already advanced more than once, that, if&#13;
_ national distinctions are contemptible, we ought&#13;
-to do everything in our power to get them&#13;
&#13;
i} abolished ; but if they are desirable and honour-&#13;
‘able, they should be bestowed only in return for&#13;
services to the country; and that all honourable&#13;
«&gt; services of every kind must be equally recognised.&#13;
&#13;
Watter BESANT.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
FEUILLETON.&#13;
&#13;
 &#13;
&#13;
I.&#13;
Tur PusLisHeR’s READER.&#13;
. THNHINGS were going very badly with Tom&#13;
| Denny. They had been going very badly&#13;
with him for some time.&#13;
&#13;
It was not his fault. It was certainly his mis-&#13;
“4 fortune. His contributions to literature were not&#13;
© appreciated ; the publishers refused to be bothered&#13;
» with his manuscripts. It was not his fault, as we&#13;
» said before; his style was easy, his stories were&#13;
; ingenious, and his opinions were sound. But he&#13;
was in advance of his time—he said so himself;&#13;
and this, with publishers, and even more with&#13;
editors, is worse than being behindit. Even stale&#13;
news is more marketable than prophecy. The&#13;
public prefers overripe fruit to unripe. So, while&#13;
the plagiarists and dealers in literary réchauffeés,&#13;
and other time-servers, were thriving, our friend&#13;
Tom Denny was positively starving. The only&#13;
satisfaction he could cherish was that he was&#13;
alone; he had no wife, no children, to starve&#13;
&#13;
in company with him.&#13;
&#13;
Until now he had proudly refrained from lean-&#13;
&#13;
ing upon friends and acquaintances for support&#13;
in his profession ; a profession, the true appren-&#13;
tices to which always hope a vain thing, namely,&#13;
that mere merit alone will unlock the barred gate&#13;
of the road leading to success. But as every&#13;
successful writer can tell, while merit is some-&#13;
thing, a touch of luck is everything, towards&#13;
deflecting the needle of fortune from “stormy”&#13;
to “ change,” “ fair,” and “ set fair.”&#13;
: One day, during a period of great distress, and&#13;
feeling as if he was throwing away the independ-&#13;
ence of spirit to which he had hitherto clung,&#13;
Tom set out to ask advice, and (if need be) help,&#13;
from an old schoolfellow, whose literary fortunes&#13;
were the very reverse of his own.&#13;
&#13;
George Davenport had chambers in the Temple.&#13;
&#13;
 &#13;
&#13;
  &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Although in the swing of his morning’s work, he&#13;
received Tom with a hearty welcome.&#13;
&#13;
“Haven't seen you for an age!” he com-&#13;
plained.&#13;
&#13;
Tom apologised for his neglect of an old friend,&#13;
and allowed the other to talk upon commonplace&#13;
subjects for a minute or two. Then he braced&#13;
himself for the effort, and commenced to explain&#13;
the state of his affairs.&#13;
&#13;
“JT may as well make a clean breast of it! You&#13;
know, George, that I have no regular income ;&#13;
and my relations are so aristocratic that literary&#13;
pursuits are far, very far, beneath their con-&#13;
tempt.”&#13;
&#13;
“ Brutes!’? muttered George Davenport.&#13;
&#13;
“ Well, I have worked till my health is gone.&#13;
I have written till my pigeon holes and shelves&#13;
are filled up. I have put into my work all that&#13;
my conscience demands, and my powers allow.&#13;
My manuscripts have been presented everywhere,&#13;
and have been of late almost everywhere&#13;
“declined with thanks.” Only two or three of&#13;
them are in the publishers’ hands now. I have&#13;
come to the end of my strength, of my spirit, and&#13;
of my purse. I have absolutely nothing to live&#13;
upon, and consequently nothing worth living for,&#13;
and I dare not contemplate, nor suggest the&#13;
result in prospect, if—if I cannot persuade some&#13;
kind friend to give me a hand,”&#13;
&#13;
“Good heavens, man! Is it as bad as that? a&#13;
&#13;
Tom made no reply, and hung his head to hide&#13;
the mist in his eyes.&#13;
&#13;
George Davenport looked at his watch, and&#13;
clicked the lid sharply as he restored the gold&#13;
repeater to his pocket. He made no reference&#13;
whatever to the subject upon which Tom had&#13;
spoken to him.&#13;
&#13;
“Are you in a hurry?” he inquired. “ Have&#13;
you anything particular to do?”&#13;
&#13;
Tom shook his head in reply, as if he had&#13;
nothing more to do in this life.&#13;
&#13;
“Don’t run away,” proceeded Davenport.&#13;
“Stop with me, and have some lunch and a chat&#13;
over old times.”&#13;
&#13;
Tom seemed too dispirited to offer any opposi-&#13;
tion, He was hungry, moreover, poor soul,&#13;
having scarcely known what a good meal was for&#13;
months past. Meantime, so pessimistic was his&#13;
judgment, that for a moment he suspected his&#13;
friend of offering hospitality as a set-off against&#13;
an intention to refuse help. In this he soon&#13;
admitted himself wrong.&#13;
&#13;
Lunch was served.&#13;
&#13;
Davenport dismissed his man-servant, who had&#13;
laid the table. He waited till Tom had began to&#13;
enjoy the healthy stimulus of wholesome food,&#13;
and then for the first time reverted to the object&#13;
of Tom’s visit.&#13;
&#13;
 &#13;
96&#13;
&#13;
“Can you review books?” he asked. “Why,&#13;
of course you can; I ought to have known better&#13;
than to ask.”&#13;
&#13;
“ Any fool can review a book—after his own&#13;
fashion !”’&#13;
&#13;
“ Precisely,” said George Davenport, with a&#13;
twinkle in his eye. ‘“ That is just how I review&#13;
them. You can do much better. By the bye,&#13;
why don’t you read for a publisher? The pay is&#13;
not princely ; but it’s bread and cheese, after all.”&#13;
&#13;
“Why don’t IP Chiefly because I cannot get&#13;
within a hundred miles of a publisher, so to&#13;
speak. Besides, I hate the publishers!”&#13;
&#13;
“So does everyone! Butthey areuseful. For&#13;
example, they employ me occasionally. They sent&#13;
me half-a-dozen unpublished manuscripts to read&#13;
for them a month ago—I haven’t had time to at-&#13;
tend to them yet, though they are comparatively&#13;
short—authors anonymous—unspeakable trash,&#13;
no doubt. Stay! I glanced at one of them. It&#13;
was not so very bad—rather clever, indeed—and&#13;
quite an easy and inexpensive sort of volume to&#13;
bring out. If the whole book is as interesting as&#13;
the first page I should recommend the publishers&#13;
to accept it.”&#13;
&#13;
“« What is it called ?”&#13;
&#13;
“T really cannot remember—it is a_ type-&#13;
written thing.”&#13;
&#13;
Tom sighed. His manuscripts, too, were type-&#13;
written ; but nobody recommended the publishers&#13;
to accept them.&#13;
&#13;
“Now, Tom,” exclaimed George Davenport, ‘I&#13;
wish you would do me a favour. I have been&#13;
fearfully busy lately, and I really cannot find&#13;
time to wade through the bundle of manuscripts.&#13;
No doubt the publishers are growing impatient—&#13;
to say nothing of the unfortunate authors.”&#13;
&#13;
“ Poor authors !”’ thought Tom.&#13;
&#13;
“Now, if you will do the work for me, you are&#13;
welcome to the pay, and I shall be awfully&#13;
obliged to you.”&#13;
&#13;
“ T shall be delighted,” Tom responded, seeing&#13;
through his friend’s delicately-veiled device to&#13;
assist him out of his difficulties.&#13;
&#13;
“ Well, you area good chap,” said Davenport,&#13;
continuing to assume that the favour came from&#13;
Tom. “And look here—I’ll give you a cheque&#13;
row—I might be away, or ill, or dead, don’t you&#13;
know, when you bring back your report.”&#13;
&#13;
Tom could only thank him, press his hand, and&#13;
hasten to begin the work.&#13;
&#13;
The cheque was but a small one, not large&#13;
enough to suggest that he was in receipt of&#13;
charity, but large enough to stave off the spectre&#13;
of starvation.&#13;
&#13;
Once at home, he sat at his table, and opened&#13;
the parcel of manuscripts to which his friend had&#13;
meted out such scant mercy.&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
He removed the brown paper covering. On the&#13;
top of the pile lay the type-written sheets alluded&#13;
to by Davenport.&#13;
&#13;
On reading the title, Tom Denny started and&#13;
grew pale. He ran his eye nervously over the first&#13;
few lines, and threw himself back in his chair&#13;
with an exclamation of astonishment.&#13;
&#13;
What was there in this manuscript which&#13;
aroused in him such strange emotions ? Why did&#13;
he bury his face in his hands ?&#13;
&#13;
An hour went by, but he had not turned a page,&#13;
The precious time had been spent by him in&#13;
musing, muttering, and malediction! He seemed&#13;
to have lost the power of work—to be labouring&#13;
under some inexplicable form of indecision, in-&#13;
spired by the type-written leaves.&#13;
&#13;
At last he roused himself and flung aside the&#13;
offending manuscript. Seizing upon the next one&#13;
in order, he applied himself vigorously, heart and&#13;
soul, to the duty of mastering its value and&#13;
transferring his judgment of it to paper. This&#13;
doue, he attacked the third likewise and so on&#13;
with the rest. Having thus treated all but one,&#13;
namely, the typed one, he returned the lot to their&#13;
brown paper covering, and went to bed.&#13;
&#13;
Whether he went to sleep or not, it is impossible&#13;
to say for certain. But one thing is clear; when&#13;
he went to breakfast next morning he wore a&#13;
smile on his lips, and moved with the air of a&#13;
man who had squared some difficulty and is at&#13;
peace with conscience.&#13;
&#13;
Before twenty-four hours had elapsed from his&#13;
entermg Mr. Davenport's chambers on the&#13;
previous day, Tom Denny re-entered that gentle-&#13;
man’s room, with the bundle of manuscripts&#13;
under his arm, and a conscientious type-written&#13;
report upon their merits and shortcomings,&#13;
together with some sound advice as to their&#13;
publication or the reverse—all ready for despatch&#13;
to the firm of publishers, if approved by&#13;
Davenport.&#13;
&#13;
“My dear old fellow!” exclaimed that gentle-&#13;
man, “I really cannot spare time to read what&#13;
you have written about these things, I am sure&#13;
it is all right and just what the publishers&#13;
want!”&#13;
&#13;
“Do you not know who any of the authors&#13;
are?”&#13;
&#13;
“ Not I, and I don’t want to know.”&#13;
&#13;
The bundle was sent on to the publishers without&#13;
the MSS. or the reader’s opinion being so much&#13;
as looked at by Davenport.&#13;
&#13;
Two day later Tom Denny received a note from&#13;
the publishers who had his MS. ‘“ Dear sir,”.&#13;
ran, “we should like to see you concerning the&#13;
&#13;
MS. with which you have favoured us. If you a&#13;
&#13;
could conveniently call any afternoon this week&#13;
between three and five we should be very glad to&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
- see you.—Your obedient servants, SMILES AND&#13;
&#13;
SwEETBEAM.,”&#13;
&#13;
Tom smiled. Tom read the letter&#13;
time. Tom laughed.&#13;
&#13;
He called the very next day. He was received&#13;
by Mr. Smiles himself, the senior partner. ‘‘ We&#13;
have received, Mr. Denny,” said the great man,&#13;
“an opinion on your MS. which lifts your work&#13;
quite above the average of MSS. submitted to&#13;
us. He says, in fact ’”’— here he took up a type-&#13;
written paper—“humph, ‘ plot quite fresh and&#13;
original; characters strong ; humour abundant;&#13;
situations strong; grip of the story from the&#13;
opening page.’ Well, sir, this opinion induces us&#13;
to make you an offer which you will not, I think,&#13;
refuse. We will take the whole risk of this&#13;
story ; we will publish it at our own expense and&#13;
in our best style ; and we will give you, when the&#13;
first five hundred copies of the three-volume&#13;
edition are disposed of, a ten per cent. royalty.&#13;
Does this suit you?”&#13;
&#13;
Of course it suited him. That it was a one-sided&#13;
and an iniquitous proposal he found out after-&#13;
wards. All he wanted at this moment was a start.&#13;
&#13;
And he got it. For the opinion was correct.&#13;
Tom Denny did no more than justice to his own&#13;
offspring. And Tom has now got both feet up&#13;
the first half-dozen rungs of the ladder, but&#13;
Messrs. Smiles and Sweetbeam will get no more&#13;
of his work.&#13;
&#13;
a second&#13;
&#13;
ee&#13;
&#13;
 &#13;
&#13;
NOTES FROM PARIS.&#13;
&#13;
 &#13;
&#13;
hundredth edition of “La Débicle” will&#13;
be on sale on the Paris boulevards. It&#13;
is Zola’s most brilliant success, and this fact is&#13;
the best answer that the admirers of Zola can&#13;
&#13;
4a the time these lines appear in print the&#13;
&#13;
give to -tement often made in England, that&#13;
Zola’s p larity is mainly due to the nastimess&#13;
of thes 2s he depicts and to the coarseness of&#13;
&#13;
the lang. xe he uses. There are no nasty scenes&#13;
though iaany terrible ones—in “ La Débacle,”&#13;
and the language is throughout, singularly free&#13;
from vulgarity.&#13;
&#13;
 &#13;
&#13;
Apropos of Zola, I see that a certain paper&#13;
published in Dundee has been attacking the&#13;
Editor for allowing “(a certain Mr. Sherard”’ to&#13;
eulogise this master in these columns. The&#13;
attack on Mr. Besant leads up—after various&#13;
sneers at myself and at my little ways—to an&#13;
assault on M. Zola. Enviable M. Zola to be so&#13;
so hated! The Dundee man calls him ‘“ the most&#13;
cochon of novelists,” “the unspeakable Zola,”&#13;
&#13;
VoL. III.&#13;
&#13;
AUTHOR. 97&#13;
&#13;
“vicious and abominable,” “ filthy,” ‘the in-&#13;
tolerable novelist.” Next to being well under-&#13;
stood to be completely misunderstood is the&#13;
best thing, and could I trouble Zola with such&#13;
trifles as these, I am sure he would be hugely&#13;
amused to listen to a translation of this dia-&#13;
tribe. As a matter of fact there is no&#13;
sweeter, cleaner-minded man than Emile Zola,&#13;
few more refined amongst those who have had&#13;
little chance of culture, few as artistic by&#13;
temperament, and fewer as good, as lovable,&#13;
as dignified, and as admirably-lived. Zola has&#13;
set himself the task of recording certain phases&#13;
of life in a certain period of history, and speaks&#13;
the truth absolutely. The pictures are photo-&#13;
graphic just as his conversations are phonogra-&#13;
phically reported. It is the world that is cochon,&#13;
not Zola. As works of art his books may be&#13;
attacked; but they will always remain as ethno-&#13;
logical, philological, and sociological documents&#13;
of the highest importance to the student of French&#13;
history in the third quarter of the nineteenth&#13;
century. What a dreadful place Dundee must&#13;
be!&#13;
&#13;
 &#13;
&#13;
T was at an inn the other day which was once&#13;
visited by a Scotch gentleman, who, when asked&#13;
by the landlady to dictate her his name, so that&#13;
she might write it down in the register, uttered&#13;
syllables of which it was impossible for her to&#13;
essay the writing down. She expressed her&#13;
difficulty, and the gentleman then laughed and&#13;
said, “Oh, write it down in French, ‘ Gauthier&#13;
’Ecossais”’ Under this pseudonym did Sir&#13;
Walter Scott figure on a book of the Hotel du&#13;
Grand Cerf, at the Grand Andely, in Normandy.&#13;
The inn is one of the most picturesque of houses&#13;
of entertainment, and though, as an inn, it has only&#13;
existed 150 years, as a house it dates from the&#13;
15th century. The principal room, now modern-&#13;
ised into a café with electric lights, a billiard&#13;
table, and so forth, boasts a fireplace, at. which,&#13;
as Hugo wrote, “a whole oak is used to warm us.”&#13;
It is a queer old place, full of lovely old oak&#13;
carvings. Gauthier !Ecossais must have found&#13;
it entirely after his own heart. A mile off stands,&#13;
on a prominence dominating the Seine, the&#13;
Chateau Gaillard, built by Richard Coeur de&#13;
Ton. When the stronghold was afterwards&#13;
taken, craven Lackland, skulking in Poitou,&#13;
whined out, ‘‘ Now, I have lost Normandy.”&#13;
&#13;
Se&#13;
&#13;
A familiar figure to those who sit out on the&#13;
terrasses of boulevard cafés is that of a man who,&#13;
as he walks along, cries out in doleful tones,&#13;
‘ Here is the Ruin of the publishing trade. Here&#13;
&#13;
I&#13;
&#13;
 &#13;
    &#13;
&#13;
98&#13;
&#13;
is the Despair of authors. At sixpence each. At&#13;
sixpence.’ He is commonly known as “La&#13;
Ruine des Editeurs.’’ A jovial fellow withal, by no&#13;
means showing like a prophet of woe. His busi-&#13;
ness is to buy up publisher’s remnants, and to&#13;
retail them to his best advantage. Thanks to&#13;
his clever patter, and to his skill in selecting&#13;
only books with “fetching” titles, he is always&#13;
able to dispose of his bundle of yellow backs&#13;
before midnight. I took a petit verre with him&#13;
the other night at a marchand de vins, in the&#13;
Rue de la Paix, and learned that it was “a bad&#13;
day on which he did not make his couple of louis.”&#13;
How many authors here cansay the same! He looks&#13;
on literature only as merchandise,” and “never&#13;
read a book; not he.” He had something else&#13;
to do. I consulted him as to titles, but, with the&#13;
eyes of Dundee upon me, I dare not print what&#13;
he said on his subject.&#13;
&#13;
 &#13;
&#13;
I was speaking to a very prominent French&#13;
poet the other night and elicited from him the&#13;
opinion that there are only three French poets&#13;
worth reading, Racine, La Fontaine, and himself.&#13;
As to novelists, he considered them singly and&#13;
severally so beneath contempt as not to be worth&#13;
discussing. He describes Zola as “ nothing at&#13;
all,” Flaubert as a mauvais écrivain, which ‘“ was&#13;
already something, Zola not even bemg an&#13;
écrivain at all,” and said that the only French&#13;
novelist who had ever shewed any talent was&#13;
Eugene Sue.&#13;
&#13;
 &#13;
&#13;
It was owing to Sue, by the way, that literary&#13;
gents are-not looked upon as at all eligible for&#13;
membership to one of the swellest clubs in Paris.&#13;
Since Sue’s election and enforced resignation,&#13;
professional hommes de lettres have always beet&#13;
black-balled at this house. Not that Sue made&#13;
himself particulary objectionable, but he talked&#13;
too much “shop” and flaunted his trade too much&#13;
in the face of his dandy club-mates. A certain&#13;
duke was taken faint, it is recorded, at the sight&#13;
of him correcting some galley proofs on the&#13;
green velvet of the table de jeu. Balzac hated&#13;
clubs and “life” generally, though he did have a&#13;
short period of boulevardomania, when he dressed&#13;
as a fop, and sported the famous turquoise-studded&#13;
walking-stick, As a general rule Frenchmen of&#13;
letters eschew society and its pleasures, and inso-&#13;
much are wise in their generation.&#13;
&#13;
— &gt;&#13;
&#13;
To-morrow we shall see to his last rest in&#13;
Pére Lachaise cemetery, one of the most&#13;
&#13;
sympathetic of contemporary French litterateurs,&#13;
Léon Cladel, who died yesterday at Sévres after a&#13;
&#13;
THE AUTHOR.&#13;
&#13;
 &#13;
&#13;
long and painful illness. Cladel’s work affords a&#13;
striking example of how even the most disinherited&#13;
of fortune can attain mastery in an art, the best&#13;
equipments for which will always be a careful&#13;
education, a wide culture, and other mental luxuries&#13;
which are not usually within the reach of the very&#13;
poor. Cladel was a self-made man. Not that he&#13;
made himself a rich man—God forbid, seeing&#13;
what was his trade, but. he made himself an admir-&#13;
able stylist, and proved himself to combine a most&#13;
perfect artistic temperament with the greatest and&#13;
kindest of hearts. His books, which are a!l&#13;
strongly impregnated with socialistic tendencies,&#13;
are but little known to the large public, but are&#13;
the delight of connoisseurs. His collection of&#13;
stories: ‘‘ Les Va-nu-pieds,” his famous “ Jaques&#13;
Patient,” which ruined the fortunes of that anti-&#13;
Empire publication ‘‘ L’Kurope de Francfort,” and&#13;
his novel “La Féte Votive,” are acknowledged&#13;
masterpieces. He leaves in MS two novels;&#13;
“ T.N.R.I.,”’ which is conceived in somewhat the&#13;
same spirit as was Swinburne’s “Before a Crucifix,”&#13;
and ‘“Juive Errante,” which is a biting satire on&#13;
the vices and follies of the day. Bold, too true,&#13;
and partant, too bitter even to find a publisher,&#13;
Cladel was a most generous man, and he was very&#13;
fond of animals in general, and of dogs in par-&#13;
ticular. Now there is never much wrong about a&#13;
man who is indifferent to money, and who is kind&#13;
to the humble, and who is good to dogs.&#13;
&#13;
————&#13;
&#13;
Cladel always said that he owed all he possessed&#13;
in craftmanship of style and grace of diction to&#13;
Baudelaire, who, by the way, did him the honour&#13;
of writing a preface to one of his first books.&#13;
&#13;
 &#13;
&#13;
Zola is not going to write any novel about the&#13;
Lourdes pilgrimages. He has already begun to&#13;
write the novel which will close his “ Rougon-&#13;
Macquart” series, and which is to be called “ Le&#13;
Docteur Pascal.” The MS. is to be completed at&#13;
the end of the year, and the serial publication of&#13;
the new novel will commence in the early part of&#13;
1893, in La Revue Hebdomadaire, From what&#13;
I have heard of the plot and the motive of “Le&#13;
Docteur Pascal,” I am afraid it promises to be&#13;
rather tedious.&#13;
&#13;
 &#13;
&#13;
I have noticed in one or two papers the&#13;
innuendo, dpropos of Oscar Wilde’s “ Salomé,”&#13;
that Mr. Wilde is not sufficiently acquainted with&#13;
the French language to have been able to produce&#13;
this chef d’euvre himself, and that it was written&#13;
largely in collaboration with one or other of his&#13;
nunierous French literary friends. What can an&#13;
&#13;
author who lives in England do against abomin-&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
te&#13;
&#13;
Mi&#13;
&#13;
4&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE&#13;
&#13;
able attacks of this kind? As a matter of fact,&#13;
Mr. Wilde is as admirable a French as he is a&#13;
Greek, a Latin, an English scholar, and “Salomé ”&#13;
was written from end to end exclusively and&#13;
entirely by him. I can say this, as I saw him&#13;
write most of it, and had the privilege of reading&#13;
the draft MS. I may add that before it was&#13;
copied out for the printer our mutual friend Mr.&#13;
Marcel Schwob, editor of the literary supplement&#13;
of “ L’Echo de Paris,” read it over lest any slips&#13;
had been made, and that Schwob told me that the&#13;
French was perfect throughout. No, the enemies&#13;
and critics of Oscar Wilde must just swallow the&#13;
fact that, after achieving triumphant success in&#13;
the language of the country in which he resides,&#13;
he has succeeded in writing in French a one-act&#13;
play which was considered so perfect in style,&#13;
language, and conception, that the greatest trage-&#13;
dienne of the century, Sarah Bernhardt, to write&#13;
for whom is the dream of every playwright in the&#13;
&#13;
world, was proud to be allowed the privilege of .&#13;
&#13;
producing it. Roserr H. SHERARD.&#13;
&#13;
Paris, July 22nd, 1892.&#13;
&#13;
 &#13;
&#13;
Poe&#13;
&#13;
ON A BIRTHDAY.&#13;
&#13;
=&#13;
&#13;
Another stone passed, and so much nearer home,&#13;
Where the vanished ones are.&#13;
&#13;
O’er life’s stormy sea, ’mid the darkness and foam,&#13;
There is rising a star,&#13;
&#13;
A beacon most bright, that is lighting me on&#13;
To a haven of rest,&#13;
&#13;
Where weeping for joy, in God’s garden, anon,&#13;
I shall fall on her breast.&#13;
&#13;
Her breast that of yore was my Heaven below,&#13;
When the blue skies of life&#13;
&#13;
Were clouded with care and the shadows of woe.&#13;
When I shrank from the strife&#13;
&#13;
My head pillowed there ; those long tresses of gold&#13;
Would fall down like a screen&#13;
&#13;
To shut me close in from the clamour that rolled&#13;
Through the world, and its spleen.&#13;
&#13;
* * * *&#13;
&#13;
Must be up, doing now, for the day’s waning fast,&#13;
And the night is at hand.&#13;
&#13;
The twilight is closing around me at last,&#13;
On a verge do I stand!&#13;
&#13;
The fetters of flesh are all falling away,&#13;
Larger outlook the soul,&#13;
&#13;
As it spurns in its rapture its casket of clay,&#13;
Within sight of the goal !—&#13;
&#13;
Hush! World sounds grow fainter, as fainter the light;&#13;
I must face the “‘ To-be”’ !&#13;
&#13;
Oh watchman out yonder, say what of the night&#13;
That’s the question for me.&#13;
&#13;
Will it break in a shower of glory unknown&#13;
AsI spring to the shore,&#13;
&#13;
Or clasp me for aye in some shadowy zone&#13;
When the journey is o’er?&#13;
&#13;
Exeter. F, B. Doveton.&#13;
&#13;
AUTHOR.&#13;
&#13;
99&#13;
MORE MAXIMS.&#13;
&#13;
1. The half truth is the devil’s own truth.&#13;
2. One syllable is enough to slander, more than&#13;
enough to slay.&#13;
3. A little word may curse a whole life.&#13;
4. The truest fact oft hes in “ fiction.”&#13;
5. The realities of life are not confined to its&#13;
waste products.&#13;
6. Deceit is to be distinguished from depth by&#13;
inconstancy.&#13;
7. Character is not always to be judged by the&#13;
ayes or the noes.&#13;
8. To a practised ear the voice reveals the soul.&#13;
g. The smiling eye suggests the sleeping anger.&#13;
10. Jealousy is to the lover what jaundice is to&#13;
the liver.&#13;
&#13;
11. The best cure for jealousy is true love.&#13;
&#13;
12. Who marries for kindness, marries in blind-&#13;
ness,&#13;
&#13;
13. Who loves only to get, loves not as yet.&#13;
&#13;
14. Conditional love is counterfeit love.&#13;
&#13;
15. In love there is no conditional mood nor im-&#13;
perfect tense.&#13;
&#13;
16. True love shows in deference; pure love&#13;
in reverence.&#13;
&#13;
17. Many love positively, some comparatively,&#13;
but few superlatively.&#13;
&#13;
18, Chivalry is the masculine of charity.&#13;
&#13;
19. Creed is much, conduct is more, but character&#13;
is most of all.&#13;
&#13;
20. Who knows what is true, learns what is just.&#13;
&#13;
21. Who understands woman may regulate man.&#13;
&#13;
22. To understand woman, the heart must lead&#13;
the head.&#13;
&#13;
23. First catch your heart; then capture your&#13;
public.&#13;
&#13;
24. Selfishness is not the basis of life, but the&#13;
basest.&#13;
&#13;
25. Society can cure insanity of soul when itself&#13;
gane enough.&#13;
&#13;
26. There is no talent to compare with a best&#13;
nervous system.&#13;
&#13;
27. The best cure for gout is a new pair of grand-&#13;
&#13;
fathers.&#13;
28. To a practised eye the expression reveals the&#13;
mind.&#13;
&#13;
29. Petty pity is cousin to contempt; divine pity&#13;
to chivalry.&#13;
30, To show justice one must know everything.&#13;
&#13;
PHINLAY GLENELG.&#13;
&#13;
 &#13;
   &#13;
&#13;
100&#13;
&#13;
MR. SAINTSBURY ON THE ENGLISH&#13;
NOVEL.&#13;
&#13;
 &#13;
&#13;
most and leader of living English critics—&#13;
&#13;
has published a collection of essays, among&#13;
which is one on the present condition of the&#13;
English novel. One may not agree absolutely&#13;
with every point of the essay, but it is&#13;
undoubtedly a chapter which should be read by&#13;
every one interested in the welfare of a great&#13;
department of English literature ; a department,&#13;
as I think, going to become much greater, and to&#13;
obtain much more importance in the future than&#13;
ever it has enjoyed in the past.&#13;
&#13;
To begin with, the thanks of all living novelists&#13;
are especially due to the writer for treating the&#13;
subject without making it personal. I hardly know&#13;
any other writer who could treat the subject on&#13;
general principles without personal illustrations.&#13;
Indeed, one hardly remembers any essay in the&#13;
English language on the novel which is not a&#13;
personal essay. We have articles from time to&#13;
time on this man’s novels and that man’s novels—&#13;
indeed, out of the large proportion of articles shown&#13;
in the last number of the Author to be devoted&#13;
to literature in the magazines more than the half&#13;
are devoted to this novel or that novel. No one&#13;
has treated the novel by itself as a form of litera-&#13;
ture, nor has anyone ever attempted to consider&#13;
it as possibly subject to laws and canons, and is&#13;
capable of being criticised as a work of art.&#13;
It is not many weeks since a certain weekly paper&#13;
scoffed and sniffed at a certain writer for claiming&#13;
a place for fiction among the fine arts. Mr.&#13;
Saintsbury is the first critic, so far as 1 know, who&#13;
seriously recognises the fact that the novelist,&#13;
whether he is a good novelist or not, does actually&#13;
follow, cultivate, and profess a fine art as much as&#13;
the poet, the player, or the painter. This is a&#13;
distinct step in advance, because the critic who&#13;
recognises that’ he has to deal with an art, will,&#13;
if he is worthy of being called a critic, begin to&#13;
ask what are the elementary principles of that&#13;
art, and how it differs from other arts, what are&#13;
its limitations, what its achievements, with other&#13;
pertinent questions.&#13;
&#13;
With these preliminaries, then, how does Mr.&#13;
Saintsbury think that the present English novel&#13;
stands ?&#13;
&#13;
First. of all, there is, he says, considerable&#13;
improvement in the structure of the modern&#13;
novel; “the average writing is better, and,&#13;
generally speaking, a distinct advance has been&#13;
made in the minor points of craftmanship.” At&#13;
the same time he finds that, though the novel of&#13;
the present day is largely devoted to character,&#13;
&#13;
tr accomplished critic—perhaps the fore-&#13;
&#13;
THE AUTHOR.&#13;
&#13;
there are few characters which live in the memo&#13;
&#13;
as certain old scenes live, such, for instance, as&#13;
those of Partridge at the play, of Harry Esmond&#13;
and the Prince. One is constrained to admit&#13;
a certain truth in this criticism. But at the&#13;
same time one may suggest that Tom Jones&#13;
and Esmond were read when one was eighteen&#13;
or thereabouts, and that there are certain more&#13;
modern scenes which, if read at the same age,&#13;
might have remained as clearly distinct. In&#13;
short, we get, says Mr. Saintsbury, ‘a better turn&#13;
out of average work, but we do not seem to get&#13;
the very best things.” For my own part I am&#13;
quite satisfied with this opinion. The same&#13;
causes which have produced the better turn out&#13;
of this day will operate to produce a still better&#13;
turn out to-morrow, and yet a better turn out for&#13;
the day after to-morrow. So long as the cultiva-&#13;
tion of any art is advancing, so long there is&#13;
hope for it. When it begins to decline in&#13;
technique then its critics may begin to lament.&#13;
&#13;
The return to the earliest form of writing, to the&#13;
&#13;
pure romance of adventure, on which the critic&#13;
dwells, is, he thinks, interesting and important.&#13;
The multiplication of books on manners, which&#13;
change very slightly and very slowly, produces in&#13;
the end feebleness of strain. But an appeal to&#13;
the passions and emotions which underlie manners&#13;
can never lose its freshness, because the passions&#13;
always remain. Always we must return to th:&#13;
romance for freshness. “As for what we hear&#13;
about the novel of science, the novel of new&#13;
forms of religion, the novel of altruism, and&#13;
Heaven knows what else, it is all stark naught.&#13;
The novel has nothing to do with any beliefs,&#13;
with any convictions, with any thoughts in the&#13;
strict sense, except as mere garnishings. Its&#13;
substance must always be life, not thought, con-&#13;
duct, not belief, the passions, not the intellect,&#13;
manners and morals, not creeds and theories. Its&#13;
material, its bottom, must always be either the&#13;
abiding qualities or the fleeting appearances of&#13;
social existence — guicquid agunt homines, not&#13;
quicquid cogitant.”&#13;
&#13;
As regards the last ten years there has been,&#13;
Mr. Saintsbury points out, a great stir among the&#13;
dry bones. A great deal more trouble has been&#13;
bestowed upon style, plot, general management,&#13;
and stage carpentry. ‘ Even that other symptom&#13;
of the uprising of novelists against critics, and&#13;
their demand that every newspaper shall give at&#13;
least a column to the sober and serious laudation&#13;
(for nothing else is to be thought of) of every&#13;
serious work of fiction is, though rather a gro-&#13;
tesque, a cheering and healthy sign.” Mr. Saints-&#13;
bury should really give references. One would&#13;
willingly find a place in the Author for discussion&#13;
on: such a demand, but inquiries have failed&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
' So far, then, there is advance.&#13;
&#13;
THE AUTHOR.&#13;
&#13;
hitherto to discover where it was made or by whom.&#13;
There are, how-&#13;
ever, disadvantages. The “ Young Person ” 1s too&#13;
&#13;
-. much with us, sometimes causing reactionary&#13;
&#13;
plunges into the fields which are supposed to be&#13;
forbidden on account of this wonderful creation of&#13;
the imagination. Generally, however, this bogey&#13;
ties the hands of the novelist. There is, again, a&#13;
tendency to ignore the story ; to present an endless&#13;
&#13;
| description of the process rather than the result ;&#13;
4 there is a tendency to mistake mannerism for&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Ei&#13;
va&#13;
&#13;
Try pop? ope CIS&#13;
&#13;
Pe&#13;
&#13;
 &#13;
&#13;
genius ; ina word the modern novelist is too much&#13;
of a Martha and too little of a Mary. In the&#13;
writer’s words:&#13;
&#13;
“He seems to be beguiled by the dictum—true&#13;
and important enough in itself—that novel&#13;
writing is an art. It is, and afine art. No doubt&#13;
also all art has its responsibilities. But the re-&#13;
sponsibilities of different arts are different, and&#13;
the methods of discharging them are different&#13;
too. What makes the art of literature in general&#13;
the most difficult of all is the fact that nowhere&#13;
is it more necessary to take pains, and yet that&#13;
nowhere is mere painstaking not merely so insuffi-&#13;
cient, but so likely to lead the artist wrong.&#13;
ee It isa pity that a novel should not be&#13;
well worked; but some of the greatest novels of&#13;
the world are written anything but well.”&#13;
&#13;
There are other points touched upon in this&#13;
remarkable essay. One is the fact that novelists&#13;
take themselves seriously—a thing which Mr.&#13;
Saintsbury permits, with a little contempt natural&#13;
in one who has reviewed novels for twenty years.&#13;
Yet if the writing of novels is the occupation of&#13;
a life, surely the man who employs all the life&#13;
that is given to him in this way should respect&#13;
his profession, if only out of self-respect, to say&#13;
nothing of the improvement produced in the work&#13;
itself by such respect. Again, there is the danger&#13;
of giving way to the demand for more work—and&#13;
always more—in the case of a popular writer. It&#13;
stands to reason that there can be in every&#13;
generation very few good artists in any line. But&#13;
the public demand is growing greater and greater&#13;
for this particular line of art. Therefore they&#13;
have to be contented with a good deal that is&#13;
poor stuff. What remedy is there for this evil ?&#13;
Plainly, none at all.&#13;
&#13;
There are two points in which this essay seems&#13;
to me defective. It is natural with a reviewer&#13;
who has read and reviewed every kind of novel&#13;
for many years, to estimate his average from the&#13;
whole of the stuff that has passed through his&#13;
hand. I think that here he is wrong, and for&#13;
this reason. The reviewer does not know—what&#13;
we at the society’s offices do know—the immense&#13;
number of novels which are published at the&#13;
authors’ own expense, and after they have been&#13;
&#13;
lol&#13;
&#13;
refused by every house which respects its own title&#13;
&#13;
age. The reviewer does not know—what we do&#13;
know—that there are houses which live by publish-&#13;
ing this trash. When published it has no influence&#13;
whatever ; no circulating libraries take this trash ;&#13;
no sane persons buy it ; no one sees it on the book-&#13;
stalls. The novel is printed; it is advertised ;&#13;
copies are sent for review ; editors give out their&#13;
copies for review; the review is contemptuous ;&#13;
the book is dead. Such a book ought never to&#13;
be reviewed ; it ought never to be weighed in&#13;
considering an average. When we speak of the&#13;
learning and science of Cambridge, do we give a&#13;
thought to the Poll? So when we speak of the&#13;
average novel, do we consider the wretched feeble-&#13;
ness which hardly ventures to offer itself toa&#13;
contemptuous reviewer? Again, what does Mr.&#13;
Saintsbury mean, after acknowledging that fiction&#13;
is a fine art, by saying later on that the novel is&#13;
rather 2 low form of literature? How cana fine&#13;
art be a thing which can be called low?&#13;
&#13;
Again, it has been argued that it is a waste of&#13;
time and force to review merely for purposes of&#13;
slating the poor feeble things that are never really&#13;
bornatall. For,if the reviewer is to pass a judg-&#13;
ment on them, thatis needless—they are condemned&#13;
at the outset; if he is to instruct these authors,&#13;
that is useless—these authors cannot learn ; if he&#13;
is to derive lessons for other authors from their&#13;
pages, it is impossible; you might as well derive&#13;
a lesson in drawing from a child’s artless sketch&#13;
of a pig; if he is to make readers laugh—well—it&#13;
is not dignified, though it is certainly tempting.&#13;
But, says Mr. Saintsbury, who is to know before-&#13;
hand what is good and what is bad? Well,&#13;
anyone who has read Mr. Saintsbury’s signed&#13;
work in the Academy and elsewhere, may be&#13;
perfectly certain that if he had a pile of&#13;
seventy novels, and was asked to review the&#13;
best, he would pick out that best work in ten&#13;
minutes. First of all he would toss aside all&#13;
those published by certain houses ; next he would&#13;
take up those written by unknown names; It 18&#13;
astonishing how easily, in most cases, one arrives,&#13;
with unknown names, at the verdict of condemna-&#13;
tion ; lastly, there would be the novels by the&#13;
writers whose names he knew beforehand.&#13;
&#13;
A great deal more might be said, both by Mr.&#13;
Saintsbury and by anyone commenting on his&#13;
remarks. Enough has been said to show that&#13;
this is an essay well worthy of being studied by&#13;
novelists for the suggestions it offers in their&#13;
art: and for “crib purposes, by certain&#13;
criticasters, who at present have as much know-&#13;
ledge of the art of Fiction, on which they&#13;
undertake to write, as of that other art of&#13;
painting, whose works they are equally ready&#13;
to pass in review. These gentlemen will find it&#13;
&#13;
 &#13;
   &#13;
&#13;
102&#13;
&#13;
very much in their own interests to read the&#13;
essay ; some parts they will not, perhaps, at first&#13;
understand ; but they should persevere, and most&#13;
things come in the end to the patient student.&#13;
There are a few Latin phrases here and there, but&#13;
they will perhaps have some acquaintance who&#13;
can translate these for them; and there are a few&#13;
references to past and modern literature which&#13;
they may leave unexplained.&#13;
W. Bz&#13;
&#13;
DO&#13;
&#13;
WOMEN IN JOURNALISM.&#13;
&#13;
 &#13;
&#13;
FE&#13;
&#13;
HE article contributed by “X. Y. Z.” to the&#13;
July number of the Author on the subject&#13;
of “Women in Journalism” propounded&#13;
&#13;
the two following questions :—&#13;
&#13;
“Ts the effect produced on journalism by the&#13;
invasion of women a salutary one?”&#13;
&#13;
‘Is journalism a desirable method for women&#13;
to earn their living ?”’&#13;
&#13;
The replies made by the writer are so curiously&#13;
inconclusive that some practical woman member&#13;
of the fourth estate is bound to attempt a more&#13;
adequate answer to them, and I take upon myself&#13;
the task, as I hold that, reduced by the same&#13;
tests as are employed by men to define a profes-&#13;
sional status, there are at present only very few&#13;
women who have the right to be called journalists&#13;
at all, while those of us who can fairly and fitly&#13;
claim the title have won it in a manner to make&#13;
us jealous of its dignity.&#13;
&#13;
When the project of a woman’s “ Press Club ”’&#13;
was first broached I was asked to supportit. I&#13;
opposed the movement strenuously on several&#13;
grounds, chief among them being that such a&#13;
title ought not to be used unless its promoters&#13;
were prepared to make the conditions of member-&#13;
ship strictly professional and to exclude the mere&#13;
chance paragraphist or free lance whom one was&#13;
scarcely anxious to meet upon the ground of club&#13;
equality. That condition being made, and under&#13;
the name none other was possible, it would have&#13;
&#13;
been utterly impracticable to have made any club .&#13;
&#13;
a success upon so small a membership roll as&#13;
would then have been eligible. I believe every-&#13;
one concerned regarded me as “mean” and&#13;
“nasty” for taking this line, but they saw the&#13;
justice of my contention, and ultimately adopted&#13;
the vaguer, wider name of “ Writers” for the&#13;
institution, which, so far from numbering ‘“ some&#13;
hundreds,” as stated by “X. Y. Z.,” only has&#13;
170 members, of whom the majority are certainly&#13;
not journalists, as laid down by, let us say,&#13;
&#13;
THE AUTHOR.&#13;
&#13;
  &#13;
&#13;
the Institute of Journalists or the Newspaper&#13;
Press Fund.&#13;
&#13;
To support a negative answer to the first ques-&#13;
tion, the writer falls foul of the “ ladies’ letter”&#13;
of the society paper, and calls in the Queen as an&#13;
example of what a woman’s paper ought to be,&#13;
forgetful apparently of the fact that this really&#13;
leading journal is entirely directed and con-&#13;
trolled by a lady gifted with that rarest of&#13;
powers even in a man, the true editorial genius.&#13;
To the clever lady who first perfected the&#13;
“letter”? form—and it is scarcely necessary to&#13;
say that I allude to “ Madge” of Truth, whose&#13;
society and doings are irreproachable, whose&#13;
dresses are always in good taste, and whose&#13;
gossip is invariably bright and interesting—all&#13;
credit for an original idea well worked out is due.&#13;
But here comes in the pity of it. Women, not&#13;
journalists, as “‘ Madge” in her own line dis-&#13;
tinctly is, attempted to imitate it and woefully&#13;
failed. The unsuccessful novelist, the would-be&#13;
actress, the demz mondaine even tried their hands at&#13;
it, mistaking vulgarity. for originality, and impro-&#13;
priety for wit, till the notion has been utterly&#13;
done to death, and it is a foolish policy on any&#13;
editors’ part now to adopt it, with its air of&#13;
affectation, triviality, and irresponsibility when&#13;
applied to the criticism of dress, books, pictures,&#13;
music, and plays.&#13;
&#13;
There is an inconsistency of statement between&#13;
the writer’s lament over the feminine influence&#13;
which has brought about “that emasculate and&#13;
hysterical attitude taken up in some quarters on&#13;
certain social and other questions,” and the asser-&#13;
tion a few lines further on that, ‘‘ the better sort of&#13;
newspaper work which includes leader writing,&#13;
reviewing, and miscellaneous literary articles, is&#13;
not in the hands of women at all.” Supposing&#13;
this to be the case, where would female thought&#13;
have any directing scope at all? Asa matter of&#13;
fact, neither proposition is correct, and the latter&#13;
one especially needs qualification so far as the&#13;
particular interests of women are concerned.&#13;
Compared with men, women are not newspaper&#13;
readers. To verify this, it is only necessary to stand&#13;
at the bookstall of any great terminus and watch&#13;
the relative number of the sexes who buy papers,&#13;
and then to note that nine out of ten of the women&#13;
who do so at all, will waste their penny on some&#13;
miserable novelette, or one of those hateful&#13;
messes of old jokes and American “ bits,” which&#13;
unfortunately thrive while better papers fail.&#13;
The modern editor is, however, waking to the&#13;
fact that a very large field of feminine concerns&#13;
has been long left unexplored. If full reports of&#13;
football matches and athletic meetings help to&#13;
command a sale for a paper, why should not&#13;
records of women’s industries, efforts, and amuse-&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
ments also assist in maintaining that proprietorial&#13;
pride—a good circulation ?&#13;
&#13;
There it is, therefore, that I hold that women&#13;
have a perfectly legitimate work to do in&#13;
journalism. Looking back through the files of&#13;
the Daily Graphic, I find columns and columns&#13;
of special work that I have done for the paper&#13;
on nursing, servants’ registry offices, working&#13;
women’s movements, shop girls, women’s institu-&#13;
tions, not to mention the frequent discussion of&#13;
matters of dress, needlework, cookery, jewellery,&#13;
involving, if women’s support is to be catered&#13;
for, the sympathetic treatment which it would be&#13;
unreasonable to expect from a man. Such&#13;
subjects as these, as well as all that are akin to&#13;
them in things domestic, together with the&#13;
broader life of art and work which widened&#13;
education has made possible to the sex, are in&#13;
their way as worthy of newspaper notice as sport,&#13;
finance, or even the Services them selves. Andsol&#13;
would see women as women on the press. I do not&#13;
welcome them there as mere reporters, taking&#13;
their shorthand note, and doing mechanical work&#13;
at pay below that of men. It is not pleasant to&#13;
think of them in police courts, or being jostled in&#13;
the crowd at agreat fire. But they will find that&#13;
if they come in to the profession through this&#13;
crowded doorway that they will be forced to&#13;
accept starvation wages, and that the men will&#13;
show neither chivalry nor mercy to them, for, as&#13;
a blunt Kentish reporter once put it to me ata&#13;
function at which there was royalty, a pretty&#13;
sight, and a lunch, “ T’m d——d, Miss, if I’d do&#13;
the police reporting and the Methodist meetings&#13;
at our paper if they sent out a woman just to&#13;
pick one’s few plums like this.”&#13;
&#13;
According to “X. Y. Z.” the profession is not&#13;
a desirable one for women, because “ the ordinary&#13;
lady journalists’ ” work involves, inter alia, the&#13;
constant strain of reporting, night work, the&#13;
chronicling of trivialities, and “ the interviewing&#13;
of persons who are not gentlemen.”’ This is&#13;
really a very comic catalogue of objections.&#13;
Reporting, as I have shown, is a mistake at all&#13;
on women’s parts, but it is fortunately only done&#13;
by them at present to a very limited extent, and&#13;
the “strain” about it is no greater than that of&#13;
a female elerk or telegraphist. As women are&#13;
not sub-editors or leader writers at the great&#13;
morning dailies, night work need practically never&#13;
affect them at all, unless they are in my own&#13;
almost unique position of “special correspon-&#13;
dent,” a post in which I know no other of my&#13;
sex at present, except that most womanly of&#13;
women, Mrs Crawford, the Daily News Paris&#13;
correspondent. As to the recording of small&#13;
events, I can only recall how Sir Edwin Arnold&#13;
one day at the outset of my career, when I&#13;
&#13;
103&#13;
&#13;
thought it rather, shall I say, beneath my&#13;
dignity, to goto a ragged school prize distribu-&#13;
tion in the East-end, recited to me almost im the&#13;
words of the Acts of the Apostles, the vision of&#13;
St. Peter who, falling into a trance, beheld a&#13;
great sheet let down, upon which were all sorts&#13;
of clean and unclean beasts. ‘‘ What God hath&#13;
cleansed, that call not thou common,” said the&#13;
Voice to the Apostle, and_ the “ great sheet” of&#13;
the newspaper was, according to the view of the&#13;
editor of the Daily Telegraph, an opportunity&#13;
for the writer to present the humblest httle inci-&#13;
dent in a manner neither “ common nor unclean.”&#13;
Against the undesirability of acquaintance with&#13;
“persons who are not gentlemen” may surely be&#13;
set the unrivalled opportunities the profession&#13;
affords for making advantageous and pleasant&#13;
friends. One is not editorially required to add&#13;
every secretary one may chance to meet to one’s&#13;
visiting list, and one may at least discriminate&#13;
when duchesses, demonstrators, and dustmen&#13;
may all have to be consulted. Thanks to the&#13;
calling, 1 number among my friends, men and&#13;
women whom it is a privilege to know, and who,&#13;
but for it, I should probably never have met.&#13;
&#13;
“ The real genuine life of the woman journalist&#13;
has yet to be written,” says “X.Y. Z.,” with&#13;
something of a sneer at the incomes made by&#13;
ladies “ whose scholarship is as little evident as&#13;
shyness.” My own, at least, would offer nothing&#13;
either romantic or sordid. Brought up ima far-&#13;
off Dorset rectory, I had no“ yearnings” to&#13;
leave, but I did write some “turnovers” for the&#13;
Globe which won some encouraging praise from&#13;
Captain Armstrong, while three or four articles op&#13;
the then newly enfranchised agricultural labourer&#13;
offered to the Echo brought me a proposal from&#13;
Mr. Passmore Edwards that I should joi his staff&#13;
on a trial of three months, I came straight from a&#13;
village of 200 inhabitants into London—and I&#13;
have stayed. Iwas invited to join the Daily&#13;
Graphic from its start, and there I have been&#13;
ever since. Hard work, and some sense I think of&#13;
acquiescence in office routine and discipline, have&#13;
been my pathways all along, and those I believe&#13;
are the only ones to a woman’s success in the pro-&#13;
fession. But the gifts one must possess at the&#13;
outset are so peculiar, that I believe the true&#13;
journalist is born and not made. If a man does&#13;
not own them, he plods patiently on in set grooves,&#13;
and makes and leaves no mark, Sound health,&#13;
an almost abnormal faculty of observation in the&#13;
minutest detail, quickness to suggest, readiness to&#13;
act, must be coupled to an absolutely indefinable&#13;
flair or instinct for the work, ina man. To these&#13;
qualities a woman most add a quiet reserve and&#13;
tactfulness if she is to stand alone and maintain&#13;
her womanly dignity in a big bustling office full of&#13;
&#13;
 &#13;
  &#13;
&#13;
104.&#13;
&#13;
 &#13;
&#13;
It is sheer nonsense to talk of “getting&#13;
&#13;
9:99&#13;
&#13;
men.&#13;
plenty of work if your editor is ‘gone on you,&#13;
for in journalism the reading public is the final&#13;
court of appeal. One stands or falls on one’s own&#13;
merits, and the proprietoys could not afford to&#13;
allow an editor to “go” in the direction of the&#13;
loveliest woman in the world unless her work was&#13;
good. It has been proved, over and over again in&#13;
the case of men, that unusual academic distinction&#13;
is no condition of journalistic success. Bright&#13;
human sympathy, common sense, facility of&#13;
expression, and a sense of humour, are gifts worth&#13;
more in Fleet-street than the profoundest know-&#13;
ledge of the classics or the most erudite re-&#13;
searches into the eastern languages. The field&#13;
for women’s work in journalism is a limited one I&#13;
admit fully. Very few possess the qualifications,&#13;
too, to labour in it, as those necessary for success&#13;
are by no means distinctively feminine attributes.&#13;
But to the rarely met ones who have these, who&#13;
view the work from its worthier side and its higher&#13;
possibilities, who realise that the justification of&#13;
their presence in the profession is that they should&#13;
appeal primarily as women to women, and, above&#13;
all, who possess a real intuitive temperament for&#13;
the calling, it offers a career that the most ambi-&#13;
tious need not reject.&#13;
&#13;
Mary Frances BILLINGTON.&#13;
Milford House, Strand, July 14th, 1892.&#13;
&#13;
——&lt;—&#13;
&#13;
II.&#13;
&#13;
Might I be permitted to say a few words in&#13;
answer to, and in defence of, “ Women in Jour-&#13;
nalism,” contained in the Author for July.&#13;
&#13;
In this the writer seems to think that women’s&#13;
influence in journalism is mostly of a nature to&#13;
be deplored and censured, as feeble, trivial, and&#13;
devoid of humour. “Is the invasion of women&#13;
into journalism a salutary one?’”? Why, since&#13;
women read the newspaper, should they be called&#13;
invaders because they beara part in the writing of&#13;
them? There was a time, early in the eighteenth&#13;
century, when it was deemed an invasion into a&#13;
man’s province for a woman even to read a news-&#13;
paper! And who can doubt that their influence&#13;
is salutary, when glancing at the coarse satires&#13;
and lampoons of Queen Anne’s and the Georgian&#13;
reigns, by the Wilkses and Walpoles of those&#13;
eras? When the great bulk of the middle class&#13;
&#13;
women did not read, men wrote for each other,&#13;
with the result that no woman of to-day can ever&#13;
take much pleasure in the perusal of the master-&#13;
pieces of Fielding or Smollett, Sterne or Swift,&#13;
which no doubt abound in masculine humour,&#13;
decency alone being absent. It may therefore&#13;
&#13;
THE AUTHOR.&#13;
&#13;
be safely admitted that womanly influence is&#13;
a good thing for journalism and_ literature&#13;
generally.&#13;
&#13;
“Ts journalism a desirable method for women&#13;
to earn their living?” And then the writer pro-&#13;
ceeds to insinuate how much that is derogatory&#13;
to modest womanhood there must always be in&#13;
the mode of a journalist’s life, the seeking of&#13;
interviews wish all manner of people, and the&#13;
making of ‘“ promiscuous acquaintances.” That&#13;
argument applies equally well to the life of an&#13;
actress or a singer. She, too, must often inter-&#13;
view “(men who are not gentlemen,” and rely a&#13;
good deal on personal charm and fascination for&#13;
promotion in her profession; but not more so&#13;
than the society girl who looks for social advance-&#13;
ment by the making of a wealthy marriage, and,&#13;
as Byron cynically puts it, dances “ for a liveli-&#13;
hocd.” The root of the evil being the economic&#13;
dependence of woman on man. But, may it not&#13;
be that woman journalists and workers begin to&#13;
feel the stirrings of a healthy professional ambi- |&#13;
tion which will carry them through the disagree-&#13;
ables of interviews with flirtatious editors—a&#13;
rather minor evil, seeing that the author must&#13;
most often submit the MS. to the editorial eye,&#13;
unseen.&#13;
&#13;
Perhaps we all of us, men, as well as women,&#13;
realize in the struggle for existence.&#13;
&#13;
How salt his food who fares&#13;
Upon another’s bread, how steep his path&#13;
Who treadeth up and down another’s stairs.&#13;
&#13;
The society papers are mostly in the hands of&#13;
women, it is true, and are full of vulgarity and&#13;
personality, but then, unhappily, so is Society.&#13;
Women do but hold up the mirror to it with an&#13;
unsparing hand, having less to conceal than men,&#13;
they are morally more fearless. The world does&#13;
not so much need a female Thackeray to satirize&#13;
the woman journalist ; we need, indeed, a female&#13;
Christ to preach a new Gospel to women. to&#13;
leaven the great mass of her sex. and thereby&#13;
regenerate society, of which journalism is the&#13;
faint echo.&#13;
&#13;
Gracr GILCHRIST.&#13;
&#13;
Penzance, July 19.&#13;
&#13;
 &#13;
&#13;
III.&#13;
&#13;
The writer of an article on the above in the&#13;
Author for July deplores, with ample show of&#13;
reason, what he calls the invasion of women&#13;
upon journalism. .While fully admitting, and&#13;
equally deploring the ‘deteriorating and de-&#13;
moralising influence” of which he writes, I&#13;
would submit that the cause should be sought a&#13;
little farther back. The press-woman has one&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
thing to do before all. She must satisfy her&#13;
editor. The mischief arises out of the low esti-&#13;
mate held by editors of so-called society papers&#13;
in regard to women’s intelligence and women’s&#13;
interests generally. Very few of these papers are&#13;
really edited by women, although in the case of&#13;
some specially feminine journals they are nomt-&#13;
nally. But—then there is a manager. Editors&#13;
get what they want, vulgar gossip and personali-&#13;
ties. Three in six of the women so employed are&#13;
consciously degrading their own powers, their&#13;
better sense, in the work they prepare for the&#13;
journals. Itis a case of “natural selection” by&#13;
the editor. Of all women who present themselves&#13;
as candidates for employment the well educated,&#13;
quiet, thoughtful, from whose pens nothing&#13;
vulgar is to be expected, will meet certain rejec-&#13;
tion ; while the forward, flashy, frivolous girl,&#13;
whom nothing astonishes, nothing abashes, is as&#13;
sure to find acceptance in the editorial for all she&#13;
says and does. At no period of the world’s his-&#13;
tory were women more refined, more cultured or&#13;
more gifted than are the women of England to-&#13;
day. And yet the journals teem with mere&#13;
inanity, and worse.&#13;
&#13;
In catering for his feminine readers the editor’s&#13;
notion is that fashions and highly-spiced tittle-&#13;
tattle are all that is needed. Doubtless he finds&#13;
a market, but the women journalists are not alone&#13;
to blame. i Es.&#13;
&#13;
 &#13;
&#13;
ec&#13;
&#13;
THE CRITICISM OF NOVELS.&#13;
&#13;
 &#13;
&#13;
side and on the other about reviews of&#13;
&#13;
novels; the wrongs of the author and the&#13;
grievances of the reviewer have alike been amply&#13;
ventilated ; and yet: something seems to remain&#13;
which may be said, neither by way of attack nor&#13;
of apology on either side, but with a simple aim&#13;
of looking broadly at what the criticism of current&#13;
fiction is, and of asking what is expected from&#13;
a painstaking critic.&#13;
&#13;
That the reviewer is not always painstaking—&#13;
that he is not always in a position to express his&#13;
opinion independently—that he is sometimes in-&#13;
competent—that he is very often ill-paid—and&#13;
other facts of the same sort, are beside the subject&#13;
of this paper, though no one should forget them.&#13;
But for the present “let it be granted,” as Euclid&#13;
likes to say, that the reviewer is painstaking, free,&#13;
competent—an ideal critic. It is then that the&#13;
real difficulties clearly come to light.&#13;
&#13;
And, first of all, what is asked from the&#13;
reviewer? The reply seems ready—a fairly un-&#13;
&#13;
\ GOOD deal has been written both on one&#13;
&#13;
105&#13;
&#13;
biassed and competent opinion of the value of the&#13;
book before him.&#13;
&#13;
Be it so. Only, in point of fact, this is not&#13;
always exactly what is wished. The publisher&#13;
wishes for an advertisement. He will much&#13;
prefer lukewarm praise, out of which a few lauda-&#13;
tory lines can be extracted, to a high encomium of&#13;
the work, couched in terms that he cannot quote&#13;
in his advertisements. The author wishes for an&#13;
advertisement too. How much of his vexation at&#13;
an adverse review is occasioned by finding nothing&#13;
done for his book no one knows—least of all him-&#13;
self. Men cannot read their own minds about&#13;
such matters. But the author also desires&#13;
appreciation. ‘‘ Poets and parents,” as Aristotle&#13;
has remarked, “love their own productions,” and&#13;
the author feels kindly disposed towards the&#13;
reviewer who shows himself appreciative, very&#13;
much as the mother does towards the stranger&#13;
who admires her offspring. Presumably, neither&#13;
mother nor author can avoid this little weakness.&#13;
Still, “this also is vanity.” It seems, however,&#13;
pretty clear that if author and publisher suppose&#13;
that they wish only for an unbiassed and com-&#13;
petent opinion of the value of their book they are&#13;
deceiving themselves. And the author probably&#13;
deceives himself more often than the publisher.&#13;
&#13;
But let the case be assumed of a really super-&#13;
human author, one to whom adverse criticism&#13;
presents no indigestible qualities, even one who,&#13;
well knowing that&#13;
&#13;
Whoever thinks a faultless piece to see&#13;
Thinks what ne’er was, nor is, nor e’er shall be,&#13;
&#13;
desires to see pointed out all the errors of his&#13;
work This wonderful man opens the pages of&#13;
the review, which his confiéres dread, prepared&#13;
to hail with delight, instead of indignation, the&#13;
admonitions of the critic who will teach him to&#13;
know himself.&#13;
&#13;
Probably he finds the admonitions. How much&#13;
they teach him is another question. But, is it&#13;
not odd that he should find them? ‘True, every-&#13;
one has become so accustomed to these pieces of&#13;
excellent advice addressed to authors by reviewers&#13;
that no one pauses to ask “Why these words&#13;
of counsel in the author’s ear here, in public&#13;
print?” Only consider, Whom is the critic&#13;
addressing? Is his aim to inform the public&#13;
whether this new book deserves their attention or&#13;
not? Or his aim to be to authors a schoolmaster&#13;
of their craft ? Even if the latter be his mission&#13;
the columns of the public press seem an odd&#13;
medium through which one literary man should&#13;
give another his ‘deas about how his book ought&#13;
to have been written. Still this queer practice&#13;
prevails. Presumably custom must be suppo-ed&#13;
to be its sanction, and it is not likely to be&#13;
&#13;
 &#13;
   &#13;
&#13;
106 THE&#13;
&#13;
altered whilst to give opinions about what a book&#13;
should have been is so much easier than to say&#13;
exactly what it is.&#13;
&#13;
Even, however, should the imagined ideal&#13;
reviewer confine himself to writing of the book,&#13;
leaving the author alone, other problems still&#13;
remain. Is the critic to serve the public as a&#13;
guide to what they like, or as a guide to what&#13;
they ought to like? These two things are not&#13;
the same.&#13;
&#13;
To guide the public taste to what they ought&#13;
to like is plainly the reviewer's higher office. It&#13;
is by no means what his readers always desire,&#13;
and the critic must consider his readers’ wishes,&#13;
as must everyone who writes, otherwise they will&#13;
read some one else. But neither is the man to be&#13;
envied whose task is to tell the public what they&#13;
will like. In this matter the public much&#13;
resembles a woman: a charming creature, but&#13;
a little renowned for not knowing what she&#13;
wants; or rather who knows only that she wishes&#13;
to be agreeably taken by surprise. No other&#13;
writer is really in a position so impossible as the&#13;
critic to whom the “ general reader”’ says: ‘Tell&#13;
me what I shall like.” What he will like is&#13;
sometimes nothing but what he has read before ;&#13;
sometimes something entirely new; sometimes&#13;
something that can put him in a good humour&#13;
with himself; generally something which he&#13;
fancies other people think it clever to like.&#13;
&#13;
If the unlucky reviewer of tales renounces this&#13;
hopeless task of telling people what they will&#13;
like, then he is reduced to telling them what they&#13;
ought to like. For that they are seldom thank-&#13;
ful, and he is himself confronted with new diffi-&#13;
culties. Heis asked to measure the actual merits&#13;
of each work put into his hands. But no one is&#13;
able to suggest the standard by which the work&#13;
is to be tried. Here is a formidable difficulty,&#13;
because every measure means a standard of&#13;
measurement. What is the standard in the case&#13;
of a novel? For history and science the critic&#13;
has astandard. That book is best which conveys&#13;
the greatest amount of accurate information put&#13;
in the manner most convenient to those for whose&#13;
use itis intended. But what standard (beyond&#13;
one of style, about which the public are sublimely&#13;
indifferent) can be proposed for works whose&#13;
raison d’étre is to please a taste which varies&#13;
hardly less than the fashion of dress. Some-&#13;
thing may be suggested respecting a true reflec-&#13;
tion of life as it really is, if any such thing as a&#13;
true reflection of life as it really is could be.&#13;
But it is evident that in every form and school of&#13;
fiction the view taken of the facts of life, is more&#13;
dominant than the facts themselves, and, conse-&#13;
quently, the fashion of the thought of the day&#13;
reigns supreme, All that the cleverest critic can&#13;
&#13;
 &#13;
&#13;
AUTHOR.&#13;
&#13;
do, therefore, is to indicate works likely to meet&#13;
the fashionable taste, and this fashionable taste&#13;
is ambiguous, shifting, undefined, casual to a&#13;
degree.&#13;
&#13;
C’est souvent du hasard que nait l’opinion,&#13;
&#13;
Ht c’est opinion qui fait toujours la vogue.&#13;
&#13;
To hit this shifting mark if he can is the task&#13;
of the reviewer of novels. Sometimes he misses&#13;
it. The only thing wonderful about that is that&#13;
people can be found to wonder at his doing so.&#13;
&#13;
One word more. Of how many novels might it&#13;
be said with truth—* Neither good nor bad ; just&#13;
like hundreds of others; and, whether you take to&#13;
amuse you this or one of them, cannot matter a&#13;
straw.” That would be a fairly unbiassed and&#13;
competent opinion upon many works of fiction.&#13;
Also one that no one, author, publisher, or novel&#13;
reader, would like. And the author and publisher&#13;
certainly have occasion to be grateful to the&#13;
reviewer for not saying it, when it is so often all&#13;
that there really is to be said.&#13;
&#13;
Henry CRESSWELL.&#13;
&#13;
ee&#13;
&#13;
CORRESPONDENCE.&#13;
&#13;
 &#13;
&#13;
I,&#13;
Tue Avutuors’ Funp.&#13;
&#13;
S an illustration of the value of an honour-&#13;
&#13;
able loan office to honourable authors, I&#13;
&#13;
refer the reader to Thomas Moore’s&#13;
&#13;
Diary, June 19, 1839, from Earl Russell’s Life of&#13;
him, vol. 7, p. 263.&#13;
&#13;
Those interested in the general question of&#13;
accounts as between authors and publishers, will&#13;
find a striking cor:espondence on the point from&#13;
Wordsworth to Rogers, on pages 402 to 415 (inc.),&#13;
of “ Rogers and his Contemporaries by Clayden,”&#13;
vol. 1. C. S. OaKLey.&#13;
&#13;
 &#13;
&#13;
II.&#13;
NuitHer—Nor.&#13;
&#13;
THE Atheneum (June 24), in criticising a recent&#13;
novel, finds fault with the expression “ Neither&#13;
Helena nor Caliphronas were present” as being&#13;
ungrammatical. Old-fashioned purists will pro-&#13;
bably agree with the critic: but we believe the&#13;
modern tendency in favour of the plural; and,&#13;
further, we believe the modern tendency to be&#13;
logically justifiable. The phrase is exactly equi-&#13;
&#13;
valent to ‘“ Both Helena and Caliphronas were&#13;
absent,” in which nobody would dream of ques-&#13;
tioning the correctness of the were.&#13;
say ‘‘Ni l'un ni l’autre ne sont.”&#13;
&#13;
The French&#13;
Is the critic&#13;
&#13;
 &#13;
oe&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
“ Neither he nor I am on the&#13;
&#13;
prepared to say&#13;
list?” or the still more uncouth “ Neither of us&#13;
am on the list,” which would hardly be improved&#13;
&#13;
by substituting 7s for am. An occasional dis-&#13;
cussion in the Author on points of grammar like&#13;
the one here submitted might be instructive.&#13;
&#13;
H. MC.&#13;
&#13;
 &#13;
&#13;
ET.&#13;
PRAISED—YET REFUSED.&#13;
&#13;
About two years ago I finished a novel, and&#13;
forwarded it to a publisher for his consideration.&#13;
In three months I received a letter from him, in&#13;
which he said that he “fully appreciated the&#13;
undoubted merits of the story,” but regretted&#13;
that at the present moment he was compelled to&#13;
decline it.&#13;
&#13;
T then sent the MS. to another firm, who kept&#13;
it for nine months, and then, after I had written&#13;
to them once or twice, returned it with the infor-&#13;
mation that they could not see their way to taking&#13;
the risk of producing an edition.&#13;
&#13;
The third publisher to whom I sent it retained&#13;
it for over six months, and then, after expressing&#13;
his regret at his engagements being too numerous&#13;
to undertake its publication, offered to publish it&#13;
at my expense.&#13;
&#13;
Two of the above three firms evidently con-&#13;
sidered the book good enough to be published,&#13;
but I suppose that the fact of my name being&#13;
but very little known made them decide to de-&#13;
cline it.&#13;
&#13;
Another MS. of mine was also spoken highly&#13;
of by some publishers—they enclosed me their&#13;
reader’s report—and declined.&#13;
&#13;
I formerly laboured under the delusion that if&#13;
a reader reported favourably on a MS., it was&#13;
sure to be accepted.&#13;
&#13;
Many young authors will no doubt agree with&#13;
me that, dispiriting as it is to have our MSS.&#13;
returned with the information that “our reader’s&#13;
report is not such as would encourage us to&#13;
undertake its publication,” it is far more dis-&#13;
heartening to have them praised and yet refused.&#13;
&#13;
KaLoun.&#13;
&#13;
 &#13;
&#13;
LY.&#13;
A Case or Honour.&#13;
&#13;
In the year 1881 two short stories were sub-&#13;
mitted to the editor of a Glasgow paper. These&#13;
were accepted and duly appeared. Through some&#13;
oversight no pecuniary acknowledgment was ever&#13;
made, and the author, being then new to the work,&#13;
did not think of pushing herclaim. In the mean-&#13;
time the paper changed hands, and under all the&#13;
circumstances, it seemed a forlorn hope to&#13;
&#13;
107&#13;
&#13;
approach the new editor on the subject. But&#13;
seeking the advice of the secretary of this society,&#13;
and receiving his opinion that there could be no&#13;
legal claim, though there might be a moral one,&#13;
the matter was laid before the editor in that light,&#13;
and a handsome cheque was promptly sent to the&#13;
author. When experiences concerning the shabbi-&#13;
ness of editors are so numerous, it seems only just&#13;
that an unexampled case of generosity should be&#13;
made public.&#13;
&#13;
 &#13;
&#13;
Y.&#13;
AnotHER Case oF Honour.&#13;
&#13;
Here is another encouraging story. Four years&#13;
ago a writer sent a MS. to the editor of a certain&#13;
magazine. The paper was acknowledged and&#13;
accepted. But from time to time the editor sent&#13;
an apology; he was crowded out; at last he sent&#13;
back the paper itself with the following letter :&#13;
&#13;
«The editor of much regrets the long&#13;
detention of Mr. ’s MS. Other matter of&#13;
more general interest have seemed from month&#13;
to month to claim precedence. He begs, there-&#13;
fore, to return the MS. with apologies. A cheque&#13;
for a guinea is sent in acknowledgment.”&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
VI.&#13;
Aw Aaunoy ror Lirerary Work.&#13;
&#13;
Mention has been made in the Author of&#13;
a certain agency for finding situations for ladies&#13;
and others, as governesses, secretaries, journalists,&#13;
&amp;e. This agency undertook for a fee of 5s.,&#13;
to register the names of persons seeking em-&#13;
ployment, and to advertise their requirements&#13;
in the Zimes, Morning Post, Standard, Daily&#13;
News, and other papers. Many persons appear&#13;
to have paid their money, without ever asking&#13;
themselves the two simple questions, (1) How&#13;
far 5s. would go in advertising in “ influential”&#13;
papers? (2) Whether editors, publishers, em-&#13;
ployers of all kinds were in the habit of con-&#13;
sulting this registry? However, the following&#13;
letter seems to show that such an agency need&#13;
not necessarily be a “bogus’’ coucern. The&#13;
writer says:&#13;
&#13;
“There are others, besides myself, who feel that&#13;
it is worth expending 5s. on the chance of getting&#13;
employment. If anyone would poimt out a&#13;
more exemplary agency we should, of course,&#13;
patronise it ; till then, I am afraid we, victims&#13;
though we be, shall go in tribes to the less&#13;
commendable ones. We are not able to gain&#13;
any knowledge of matters literary (I am leaving&#13;
out the artistic side altogether), which anyone&#13;
with the smallest acquaintance with the literary&#13;
&#13;
 &#13;
   &#13;
&#13;
108&#13;
&#13;
world would be able to do. We object to&#13;
advertising, and probably, should we do so, we&#13;
should advertise in the wrong papers. We&#13;
should as soon think of flymg as walking into an&#13;
office and asking if our services were required,&#13;
and it would certainly cost us five shillings in&#13;
postage to attack probable and improbable&#13;
employers through the post ; besides, that course&#13;
is more repugnant to us than risking five shillings&#13;
in the business. Indirectly I obtained an intro-&#13;
duction through an agent to a paper—a thing&#13;
which I have no cause to repent; however, I&#13;
know, as a matter of fact, that there is a large&#13;
opening for such an agency, and could it be&#13;
conducted in a thorough manner, I feel sure it&#13;
would be successful. Those in the charmed&#13;
circle of literary life have no idea what a&#13;
howling wilderness it appears to those outside,&#13;
nor how ignorant the outsider is and incapable of&#13;
managing his own affairs, especially if he is not&#13;
born with the gift of pushing himself.”&#13;
* * *&#13;
&#13;
[Certain other letters are held over for want of&#13;
&#13;
space.—Ep. |&#13;
&#13;
De&#13;
&#13;
“AT THE AUTHOR'S HEAD.”&#13;
&#13;
 &#13;
&#13;
ae HE Association of American Authors,”&#13;
a whose secretary is Mr. Charles Burr&#13;
Todd, has now issued the first Book&#13;
of Constitution, Bye-laws, &amp;c., with its first&#13;
list of members. It is not stated whether&#13;
any amalgamation has been effected or offered&#13;
with the first society, but apparently this new&#13;
association has attracted by far the better class&#13;
of writers. Among the members we observe the&#13;
names of George Cable, Oliver Wendell Holmes,&#13;
Charles Dudley Warner, Julian Hawthorne,&#13;
Edward Bellamy, William Dean Howell, Moncure&#13;
Conway, Elizabeth Ward, Mary Wilkins, Louise&#13;
Chandler Moulton, J. Chandler Harris, Margaret&#13;
Deland, Thomas Bailey Aldrich, Ella Wilcox, John&#13;
Bigelow, among many others. There are ninety-&#13;
three members in all. They propose having a&#13;
dinner in October.&#13;
&#13;
Mr. Reginald E. Salwey, author of ‘“ Wild-&#13;
water Terrace,’ publishes this month, through&#13;
Messrs. Hurst and Blackett, a new novel, in two&#13;
volumes, called ‘‘ The Finger of Scorn.”&#13;
&#13;
Kossuth, we learn from an evening paper,&#13;
though nearly ninety years of age, is still&#13;
writing his own memoirs. He reads and writes&#13;
without glasses, he is not deaf, and he lives in&#13;
Turin.&#13;
&#13;
THE AUTHOR.&#13;
&#13;
    &#13;
   &#13;
  &#13;
  &#13;
   &#13;
 &#13;
  &#13;
   &#13;
   &#13;
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     &#13;
 &#13;
  &#13;
  &#13;
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 &#13;
 &#13;
   &#13;
  &#13;
  &#13;
  &#13;
   &#13;
   &#13;
   &#13;
 &#13;
    &#13;
   &#13;
   &#13;
  &#13;
 &#13;
 &#13;
 &#13;
 &#13;
  &#13;
    &#13;
&#13;
A new edition, in eight volumes, is to appear of _&#13;
&#13;
Lord Tennyson’s complete works.&#13;
Mr. J. Stanley Little contributes an article&#13;
&#13;
entitled “A Pan-Anglican Alliance” to the&#13;
current number of ‘Greater Britain,’ wherein —&#13;
he presents for consideration an alternative —&#13;
&#13;
scheme of national unity should imperial federa.&#13;
tion prove to be impracticable.&#13;
&#13;
“More Kin than Kind,” is the title of Mr.&#13;
Loftus Tottenham’s new novel, which has just&#13;
been published by Messrs. Hurst and Blackett.&#13;
&#13;
The output of the month has been limited by&#13;
the excitement of the general election, now happily&#13;
over. There are few new books to notice, and&#13;
still fewer to announce. Among noticeable&#13;
books are Cotton’s “ Mountstuart Elphinstone”&#13;
&#13;
(Clarendon Press) ; the new edition of Herrick’s —&#13;
&#13;
Poems with Swinburne’s Preface (Laurence and&#13;
Bullen); Birrell’s “Res Judicate;” Round’s&#13;
“Geofirey de Mandeville;” and Saintsbury’s&#13;
Essays (noticed elsewhere).&#13;
&#13;
Mrs. C. E. C. Weigall is now writing the&#13;
serial story in the Quiver, ‘A Lincolnshire Lass,”&#13;
and she has just completed a serial for Cassell’s&#13;
Magazine, which will shortly appear, entitled&#13;
“A Romance of Man.” A short story by her&#13;
will also appear in an early number of Winter’s&#13;
Weekly.&#13;
&#13;
Mr. Mackenzie Bell contributes to the Christian&#13;
&#13;
Leader a poem founded on a supposed incident of&#13;
&#13;
the earlier Puritan period.&#13;
&#13;
Mr. Edward Clodd has written a memoir of&#13;
his friend Mr. H. W. Bates, which will be pre-&#13;
fixed to a reprint of the very scarce first edition of&#13;
the Nationalist onthe Amazons. Some hitherto&#13;
unpublished letters from Darwin, Wallace, and&#13;
Dr. (now Sir) Joseph Hooker will be given in the&#13;
memoir.&#13;
&#13;
Another royal poet. It is Queen Natalie of&#13;
Servia, who writes “The Poem of the Crowned&#13;
Child.”’ The crowned child is, we suppose, her&#13;
own son.&#13;
&#13;
The name of Mrs. Macquoid’s new novel is&#13;
“ Appledore Farm.” It will be published in the&#13;
autumn.&#13;
&#13;
An article by Mr. J. Ellard Gore, F.R.A.S., on&#13;
“The Secret of the Heavens,” appears in the&#13;
Gentleman’s Magazine for July, and another on&#13;
“Life in Other Worlds” in the Monthly Packet&#13;
for the same month. .&#13;
&#13;
“The Life of Jack Wilton,’ by Thomas Nash,&#13;
will be republished with an essay on Nash and&#13;
his writings by Edmund Gosse.&#13;
 &#13;
&#13;
Tah AUGLHOR.&#13;
&#13;
“The Language of Monkeys.” We have heard&#13;
~ a good deal about this grand discovery. The dis-&#13;
~ecoverer has made a book about it, which will&#13;
44 appear very shortly.&#13;
&#13;
' Another Carlyle book. This time the “ Letters&#13;
, } of Geraldine Jewsbury to Mr. Carlyle,” edited by&#13;
&lt;} Mr. Alexander Ireland.&#13;
&#13;
A new edition of Murray’s ‘“ Handbook for&#13;
&#13;
ob Norway” has been issued, edited by Mr. Thomas&#13;
i) Michell, H.R.M. Consul at Christiania.&#13;
&#13;
Mr. Lehmann’s “ Ailesbury Election and other&#13;
i papers,” from Punch, will be issued by Messrs.&#13;
© Henry and Co.&#13;
&#13;
\ A new novel by the author of “The Leaven-&#13;
os worth Case.” It is called “ Cynthia Wakeham’s&#13;
Jf Money,” and will be published by G. P. Putnam’s&#13;
oe Sons.&#13;
&#13;
A new and enlarged edition of Treloar’s,&#13;
|* «“Ludgate Hill,” is preparing.&#13;
&#13;
Mr. James Sully has been appointed Professor&#13;
io of Philosophy of Mind and Logic at University&#13;
69 College, London, in succession to Professor Croom&#13;
&#13;
€&#13;
&#13;
4 Robertson, resigned.&#13;
&#13;
: Mr. Joseph Hatton has written a novel bearing&#13;
di the title of “Under the Great Seal.”&#13;
&#13;
Mr. Andrew Tuer’s proffered prize of £100 for&#13;
7g guessing the title of a story has not been awarded.&#13;
VY No one guessed the right title.&#13;
&#13;
Professor Nichol has written a ‘ Life of Car-&#13;
yf lyle” for John Morley’s English Men of Letters.&#13;
{| It was supposed that the series had been closed.&#13;
&#13;
“ A Son of the Fens,” by T. H. Emerson, is a&#13;
4 book which will delight anybody who loves&#13;
i; the talk and the doings and the opinions&#13;
6 of those who live nearest to the earth. Mr.&#13;
7 Emerson is doing for Norfolk what Jefferies&#13;
b did for Wiltshire. His “Pictures of East&#13;
A&gt; Anglian Life,” ‘“ Wild Iife on a Tidal&#13;
7 Water,” and “Life on the Norfolk Broads,” are&#13;
‘s already known, and well known. This book, which&#13;
4 isan autobiography in the Norfolk tongue, will&#13;
* meet with many readers and many admirers.&#13;
&#13;
“ Bast and West, or Alexander’s Death,” is the&#13;
title of a book of verse written by the author of&#13;
the “Fairy Ballad Book” (G, Bell and Sons).&#13;
The tragedy which gives the title to the book is&#13;
followed by a collection of poems on general&#13;
topics, some of which are very pretty and graceful,&#13;
both metres and rhymes being of the simple kind.&#13;
Perhaps a little study of the recently-introduced&#13;
metres might be of advantage to this writer, who&#13;
shows already that she possesses the true poetic&#13;
oift.&#13;
&#13;
 &#13;
&#13;
109&#13;
&#13;
Miss Anna Swanwick will immediately produce&#13;
a work entitled “ Poets the Interpreters of their&#13;
Age” (George Bell and Sons).&#13;
&#13;
Mr. William Alfred Gibbs has produced a&#13;
volume of verse, in continuation of the “ Prelude,”&#13;
by the wish of H.S.H. Princess May ot Teck.&#13;
It is published by Messrs. Sampson Low and Ca:&#13;
and all the profits, if any, derived from the work,&#13;
will be given to the fund for helping wives and&#13;
children of soldiers and sailors. All those&#13;
interested in that fund are hereby, therefore,&#13;
invited to purchase copies. Those who are&#13;
interested in modern poetry may order the book&#13;
as a strong-spirited, and in some respects, a&#13;
noble poem.&#13;
&#13;
“Wife Yet no Wife” is the title of the new&#13;
novel about to be published by Mr. John Cole-&#13;
&#13;
man, author of “The White Lady of Rose-&#13;
mount,” “Players and Playwrights,” &amp;c. CH: J&#13;
Deane, Wine Office-court, Fleet-street.) It will&#13;
&#13;
appear first in three-volume form. The tale is&#13;
one of adventure, romance, and push of the&#13;
present day. The scene is laid alternately in&#13;
England, India, and Monte Carlo.&#13;
&#13;
NEW BOOKS AND NEW EDITIONS.&#13;
&#13;
+&#13;
&#13;
Theology.&#13;
&#13;
Buxton, Mrs. Sypney. Side Lights upon Bible History.&#13;
With illustrations. Macmillan. 5s.&#13;
&#13;
Coaatn, F. E., M.A. Man’s Great Charter: an exposition&#13;
of the first chapter of Genesis. James Nisbet.&#13;
&#13;
Mason, A. J.,D.D. The Faith of the Gospel&#13;
of Christian doctrine. New edition.&#13;
gs. Od.&#13;
&#13;
Mocarra, M. A. Stories from the Life of Our Lord: for&#13;
children of the Church. Illustrated by Wyndham&#13;
Hughes. Mowbray and Co.&#13;
&#13;
Newsout, Rev. W. C. E. Penitence and Peace, being&#13;
Addresses on the 51st and 2grd Psalms. Longmans.&#13;
2s. 6d.&#13;
&#13;
Newman, JoHn HENRY. Lectures on the Doctrine of&#13;
Justification. Sixth edition. Longmans. 35. od.&#13;
&#13;
Prrrson, ARTHUR T., D.D. The Heart of the Gospel.&#13;
Twelve sermons delivered at the Metropolitan Taber-&#13;
nacle in 1891. Passmore and Alabaster. 2s. 6d.&#13;
&#13;
Prescorr, Rev. P. Wesleyanism’ and the Bible.&#13;
Bible League. Paper covers, 6d.&#13;
&#13;
Putrir Commentary, THE. Edited by the Very Rev.&#13;
H. D. M. Spence, D.D., and by the Rev. Joseph 8.&#13;
Exell, M.A. With introductions by Archdeacon Farrer&#13;
and others. Hzekiel, vol. 2. Exposition by the Very&#13;
Rev. E. H. Plumptre, D.D., and the Rey. T. Whitelaw,&#13;
D.D. Kegan Paul.&#13;
&#13;
A manual&#13;
Longmans.&#13;
&#13;
The&#13;
&#13;
 &#13;
     &#13;
&#13;
110&#13;
&#13;
Sanpay, W.—Two Present-Day Questions: 1, Biblical&#13;
Criticism ; 2, The Social Movement. Sermons preached&#13;
before the University of Cambridge by W. Sanday,&#13;
D.D. Longmans.&#13;
&#13;
History and Biography.&#13;
AuuiEs, Mary H. History of the Church in England,&#13;
&#13;
from the beginning of the Christian Era to the Acces-&#13;
sion of Henry VIII. Burns and Oates. 6s.&#13;
&#13;
CuurcH or En@Lanp, THE: its Growth and Progress&#13;
during the Present Century. Reprinted from the&#13;
Daily Graphic. Simpkin, Marshall. Paper covers.&#13;
3d.&#13;
&#13;
CLIFFORD, IsaBeLLA G. C. The Descent of Charlotte&#13;
Compton, Baroness Ferrers de Chartley, Baroness&#13;
Compton, daughter of James Compton, Fifth Harl of&#13;
Northampton, and Elizabeth Shirley, Baroness F. de&#13;
Chartley. By her great-granddaughter. Methuen and&#13;
Co. tos. 6d.&#13;
&#13;
Compton, THroporr. A Mendip Valley, its inhabitants&#13;
and surroundings, being an enlarged and illustrated&#13;
edition of Winscombe sketches. With original illus-&#13;
trations by Edward Theodore Compton, and a chapter&#13;
on the geological history of the Mendips by Professor&#13;
C. Lloyd Morgan, F.G.S. Edward Stanford. ros. 6d.&#13;
Large paper edition, limited to 100 copies, 21s.&#13;
&#13;
Dranz, Avausta T. Letters of Archbishop Ullathorne.&#13;
Arranged by. (Sequel to the Autobiography.) Burns&#13;
and Oates.&#13;
&#13;
GREEN, J. R. A Short History of the English People.&#13;
Illustrated edition. Edited by Mrs. J. R. Green and&#13;
Miss Kate Norgate. Vol.1. Macmillan. 12s.&#13;
&#13;
Haut, JosepH. Chapters in Anglo-Irish History, relating&#13;
to Romanism and Protestantism. C. H. Kelly.&#13;
Is. 6d.&#13;
&#13;
Innes, ALEXANDER. The Life and Adventures of Chris-&#13;
topher Columbus. David Bryce and Son, Glasgow.&#13;
&#13;
JoHNsON, SamvueEn. Lives of the English Poets—Butler,&#13;
Denham. Dryden, Roscommon, Sprat, Dorset, Rochester,&#13;
Otway. Cassell’s National Library. Cassell’s. 6d.&#13;
&#13;
Kinesrorp, Wittiam, LL.D. The History of Canada.&#13;
Vol. 5. (1763-1775). With maps. Kegan Paul.&#13;
&#13;
Lecxy, W.E.H. A History of England in the Eighteenth&#13;
Century. New edition. Vol. 7. Longmans. 6s.&#13;
&#13;
Luorp, R. Duppa. Historical Chart and Notes on the&#13;
Origin of the British Victorian Monarchy. C. J.&#13;
Clark.&#13;
&#13;
PatTERson, Maurice. Johann Amos Comenuis: a Sketch&#13;
of Life and Educational Ideas. Blackie and Sons.&#13;
Paper covers.&#13;
&#13;
Payne, Epwarp J. History of the New World called&#13;
America. Vol. 1. Oxford, at the Clarendon Press;&#13;
London, Henry Frowde. 18s.&#13;
&#13;
Poon, Joun I. Studies in Mohammedanism, Historical&#13;
and Doctrinal. With a chapter on Islam in England.&#13;
Constable and Company.&#13;
&#13;
RoyrpuHouse, T.R. and TarerE., H. J. The Labour Party&#13;
in New South Wales: A History of its Formation and&#13;
Legislative Career, with biographies of the members&#13;
and the complete text of the Trade Disputes Concilia-&#13;
tion and Arbitration Act, 1892. Swan Sonnenschein&#13;
and Co. Paper covers.&#13;
&#13;
THE AUTHOR.&#13;
&#13;
Suitu, J. Manton. The Essex Lad who became England's&#13;
Greatest Preacher. Life of C. H. Spurgeon for the&#13;
young. With illustrations. Passmore and Alabaster.&#13;
Paper covers, 1s.&#13;
&#13;
Spark, F. R.and Bennett, JosepxH. History of the Leeds&#13;
Musical Festivals, 1858-1889. With portraits and&#13;
facsimile. Second edition. Novello, Ewer, and Co,&#13;
SI 58.&#13;
&#13;
THe Srory or a Prenirent Soun. Being the private&#13;
&#13;
papers of Mr. Stephen Dart. In 2 vols. R. Bentley&#13;
and Son.&#13;
&#13;
Urwicx, Wm. The Early History of Trinity College,&#13;
Dublin, 1591-1660, as told in contemporary records, on&#13;
the occasion of its tercentary. T. Fisher Unwin.&#13;
Paper covers, 1s.&#13;
&#13;
General Literature.&#13;
&#13;
AnTIQUARY, THE. A magazine devoted to the study of&#13;
the past. Vol. 25, January-June. Elliot Stock.&#13;
&#13;
Buavatsky, H. P. Nightmare Tales. Theosophical&#13;
&#13;
Publishing Society, Duke-street, Adelphi. Paper&#13;
covers. 18.&#13;
&#13;
Boox or Trinity CoLueGe, Dupuin, 1591-1891, Tur&#13;
Marcus Ward.&#13;
&#13;
Bore, J. R. Comprehensive Guide to the County of&#13;
Durham, with maps and plans. Walter Scott. 7s. 6d.&#13;
&#13;
Browne, W. A. The Merchants’ Handbook of Money,&#13;
Weights, and Measures, with their British Equivalents.&#13;
Fourth Edition. Edward Stanford. 5s.&#13;
&#13;
Can PARLIAMENT BREAK FaitH. A conversation on the&#13;
supply of water to the metropolis by companies&#13;
established on the faith of private and public Acts of&#13;
Parliament (Reported). Leadenhall Press pamphlets,&#13;
No. 2. Field and Tuer. Paper covers. 6d.&#13;
&#13;
CONGREGATIONAL CANDIDATES for the New Parliament.&#13;
James Clarke and Co. Paper covers. 2s.&#13;
&#13;
Coorrr, A. N. Our Villages: Another View. A reply to.&#13;
the Special Commissioner of the Daily News. Reprinted.&#13;
Home Words Office. Paper covers. 6d.&#13;
&#13;
Day, WitiiAm. The Racehorse in Training, with hints on&#13;
racing and racing reforms, to which is added a chapter’&#13;
on “Shoeing.’ Seventh edition. Chapman and Hall.&#13;
9s.&#13;
&#13;
D’Urpan, W. S. and MaruHew, Rey., M.A. The Birds of&#13;
Devon. With an introduction and some remarks on&#13;
the migrations of Devonshire birds. Illustrated by&#13;
&#13;
coloured plates, photographs, and maps. R. H. Porter.&#13;
21s.&#13;
&#13;
Durron, THomas, M.D. Digestion and Diet rationally&#13;
discussed. Henry Kimpton, High Holborn. 2s.&#13;
&#13;
Epmonps, Exniz. M. The Herb of Love. By Tewpyios&#13;
Apoowns. Translated by Eliz. M. Edmonds. Pseu-&#13;
donym Library. Fisher Unwin. Paper covers. 1s. 6d.&#13;
&#13;
Froupe, James A. The Spanish Story of the Armada&#13;
and other Essays, Newedition. Longmans. 6.&#13;
&#13;
Girrren, Ropert. The case against Bimetallism. George&#13;
Bell and Sons. 7s. 6d.&#13;
&#13;
Guapstonn, Right Hon. W. E. Special Aspects of the&#13;
Trish Question. A series of reflections in and since&#13;
1886. Collected from various sources and reprinted.&#13;
John Murray. Paper covers.&#13;
&#13;
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&#13;
  &#13;
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&#13;
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&#13;
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&#13;
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 &#13;
&#13;
THE AUTHOR,&#13;
&#13;
Phil. May’s Summer Annual. Edited&#13;
&#13;
ia) GRIBBLE, FRANCIS.&#13;
by. Central Publishing and Advertising Company,&#13;
&#13;
Bouverie House, Salisbury-square, E.C. Paper covers.&#13;
1B:&#13;
&#13;
1.) Haves AND Bryonp, with some side-lights by the way-&#13;
James Clarke, Fleet-street.&#13;
&#13;
| Haxes, Harry. The Discovery of America by Christopher&#13;
&#13;
Columbus. Columbian Fair edition. Robert Baur,&#13;
Wilkes-Barre, Pa. Leatherette, 50 cents.; cloth, 75&#13;
cents.&#13;
&#13;
}HanpBpook FOR TRAVELLERS IN Norway. LHighth&#13;
edition, revised. With maps and plans. John&#13;
Murray.&#13;
&#13;
/-) Haupt, Orromar. The Monetary Question in 1892.&#13;
&#13;
Effingham Wilson.&#13;
&#13;
7 Hightanp Memory, A. By an old Colonial. With 45&#13;
illustrations by the Author. Northern Chronicle&#13;
Office, Inverness. Simpkin, Marshall. Paper covers, Is.&#13;
&#13;
| Hruzy, Aurrep, M.A. Plain Words on the Eight Hours’&#13;
Day. ~ Difficulties of enforcing it by law. Petty&#13;
and Sons, London Wall. Paper covers, 1d., or 78.&#13;
per 100.&#13;
&#13;
1 Hopeerrs, E. A. B. In the Track of the Russian Famine.&#13;
The personal narrative of a journey through the famine&#13;
districts of Russia. T. Fisher Unwin.&#13;
&#13;
0) Hoouz, CHartzs H. An account of the Manuscripts of&#13;
the New Testament hitherto unedited contained in the&#13;
Library of Christ Church, Oxford. Frowde, 1s.&#13;
&#13;
foreigner’s point of&#13;
Paper covers. 6d.&#13;
&#13;
ta IRELAND’s Woes, from a view.&#13;
&#13;
Williams and Norgate.&#13;
&#13;
_ “Joun STRANGE WINTER.” My Geoff; or, the Experiences&#13;
of a Lady-Help. F. V. White and Co.&#13;
&#13;
101 Jounson-Lavis, H. J. The Prescriber’s Guide to the&#13;
Harrogate Mineral Waters. Henry Renshaw.&#13;
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Report (6s. 2d.). Land Commission (Ireland), Salaries&#13;
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before Group C., Vol. 1 (10d.). Electric and Cable&#13;
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gration (June) (3d.). Civil List Pensions (d.).&#13;
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tion: Treasury Minute (}d.). First and second Annual&#13;
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and 1892 (3d. each). Board of Agriculture—Report&#13;
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tion in 1891-92 (5d.). Education (Scotland) Training&#13;
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mary Tables and Indexes (10d.). Public Libraries Law&#13;
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Statute Law Revision, Report of the Joint Select Com-&#13;
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