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Title A name given to the resource The Author Subject The topic of the resource <em>The Author</em> Description An account of the resource A digitised run of the Society of Authors' monthly periodical, <em>The Author</em>, 1890<span>–</span>1914, made available together for the first time.<br /><br />Currently users can browse issues and <a href="https://historysoa.com/items/browse?search=&amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;advanced%5B0%5D%5Belement_id%5D=51&amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;advanced%5B0%5D%5Bterms%5D=Index&amp;collection=&amp;type=&amp;tags=&amp;exhibit=&amp;date_search_term=&amp;submit_search=Search+For+Items&amp;sort_field=Dublin+Core%2CTitle">indices</a> (not available for all volumes). Full text search for all issues, and other additional search functionality, will be added in 2022. Date A point or period of time associated with an event in the lifecycle of the resource 1890–1914 Identifier An unambiguous reference to the resource within a given context The-Author-Issues Publication Date The date of an event (in YYYY, YYYY-MM or YYYY-MM-DD format) 1906-07-01 Volume 16 Issue 10 Pages Page range in volume 277–292 Ngram Date Version of the date in YYYYMMDD format for use by the Ngram plugin 19060701 Ngram Text Version of the text with no HTML formatting for use by the Ngram plugin Che Muthor. (The Organ of the Incorporated Society of Authors. Monthly.) FOUNDED BY SIR WALTER BESANT. Voi. XVI.—No. 10. JULY 1sT, 1906. [Prick SIXPENCE. TELEPHONE NUMBER : 374 VICTORIA. ‘TELEGRAPHIC ADDRESS : AUTORIDAD, LONDON. +—}_»—____ NOTICES. + EMBERS are reminded that Te Author is not published in August or September, only ten numbers being issued annually. The next number will appear in October. For the opinions expressed in papers that are signed or initialled the authors alone are respon- sible. None of the papers or paragraphs must be taken as expressing the opinion of the Com- mittee unless such is especially stated to be the case. Tue Editor begs to inform members of the Authors’ Society and other readers of 7he Author that the cases which are from time to time quoted in The Author are cases that have come before the notice or to the knowledge of the Secretary of the Society, and that those members of the Society who desire to have the names of the publishers concerned can obtain them on application. 1 List of Members. THE List of Members of the Society of Authors published October, 1902, at the price of 6d., and the elections from October, 1902, to July, 1903, as a supplemental list, at the price of 2d., can now be obtained at the offices of the Society. They will be sold to members or associates of the Society only. All further elections have been chronicled from month to month in these pages. Vou. XVI. THE PENSION FUND OF THE SOCIETY. —-~>— The Committee’s Decision, 1906. HE Trustees of the Pension Fund of the iE Society have reported to the Pension Fund Committee that there are sufficient funds to enable them to declare another small pension. The committee consider it is their best policy to allow the funds to accumulate for the present. They would, however, be glad to receive informa- tion, unofficially, from any member of the society of any urgent case within the member’s personal knowledge. Information of such cases, which should be as full as possible, should be sent to the Secretary, 39, Old Queen Street, Storey’s Gate, S.W., and will receive the prompt and careful attention of the committee. ge gs Investments of the Fund. Tue Trustees of the Pension Fund met at the Society’s Offices, March 5th, 1906, and having gone carefully into the accounts of the fund, decided to invest a further sum. They have now pur- chased £200 Cape of Good Hope 3% per cent. Inscribed Stock, bringing the investments of the fund to the figures set out below. This is a statement of the actual stock ; the money value can be easily worked out at the current price of the market :— DOUROIS Oe One oc ce ieee ee £1000 0 0 local owis 3. ee. 500 0 0 Victorian Government 3 % Consoli- dated Inscribed Stock ............... 29 19 11 WSE Wi0an 2.0 es ZOOL 9 8 London and North Western 3 % Deben- tite SEOCK 2.72550 200 0 0 Egyptian Government Irrigation imat 4.96 Certificates ....-:......... 2002.0 0 Cape of Good Hope 34% Inscribed SlOCK 2. 200 0 9 Motel: 22. £2,643 9 2  278 Subscriptions, 1906. £ gs. a March 7, Sinclair, Miss May 1.10 March 7, Forrest, G. W. 2 250 March 8, Simpson, W. J. 6 9 0 March 8, Browne, F. M. 0.2 4 April 12, Pryor, Francis 2 2 20 June 15, Cuming, E. W. D.. Ll 0 June 15, Skrine, Mrs. J. H. 010 O Donations, 1906. Jan. 2, Jacobs, W. W. : : a) Jan. 6, Wilkins, W. H. (Legacy) —50 0 6 Jan. 10, Middlemas, Commander A. C. 9 10 0 Feb. 5, Roe, Mrs. Harcourt : 730 ) 0 Feb. 5, Yeats, Jack B. : : --0 10 0 Feb. 12, White, Mrs. Caroline. . 0 10.0 Feb. 13, Bolton, Miss Anna ©0520 Feb. 28, Weyman, Stanley . : 2b 50 March 7, Hardy, Harold. . 7 0°10-.0 March 12, Harvey, Mrs. : : 2 0 0 March 27, Williams, Mrs. HE. L. . ~ ko 10 April 15, Caine, William. : ~ 1 L 0 April 15, Steel, Mrs. F. A. . : » 0-15. 0 June 12, Oliphant, Captain Blair . 7 8.0. 0 June 12, B.S. G. : : : . be 070 June 16, Behnke, Miss Kate E. . » 0 5. 0 June 28, G. W. Caldicott . : oi 10 —__—__—_>_+—___—_—_- COMMITTEE NOTES. —+~<> + HE meeting of the Pension Fund Committee was held on Monday, June 11th, at three o'clock, at the offices of the society. ‘The committee received and considered the report of the trustees of the fund. The committee’s decision is fully recorded on the first page of The Author under the heading of “The Pension Fund.” The attention of members is especially drawn to this statement. At four o’clock on the same afternoon the com- mittee of the society held its monthly meeting. It is satisfactory to report that the rate of election is still well maintained. Twenty-six members and associates were elected at the meeting, bringing the total for the current year up to124. This number is in advance of the elections at the corresponding period of last year. In last month’s Author mention was made of a case in the United States in which the society had obtained the opinion of an American counsel. The result of further negotiations between the parties was placed before the committee, who decided to leave the settlement in the hands of the THE AUTHOR. author concerned, though in the event of his inability to come to an arrangement they repeated their willingness, as decided at the former meet- ing, to assist the member in an action for the maintenance of his rights in the United States Courts. The case of infringement of copyright mentioned in the last issue of Zhe Author has now been settled. An umple apology has been made to the author, and the report of the settlement was placed before the committee. A complaint by a member of the society against a fellow member, with full details as set forth by both parties, was brought before the committee. After careful consideration, the committee decided that the complaint had not been substantiated and that the complainant should be informed of their decision. The next question referred to a dispute between a composer and a music publisher, in which the latter had neglected to take any notice of the letters sent him by the secretary and had refused to furnish the member with a proper state- ment of account. The committee decided to place the matter in the hands of the society’s solicitors and to issue a writ if necessary. The sale of books by The Times’ Book Club is being carefully con- sidered by the committee, but it is not desirable to make any statement on the subject at present. On another page of Zhe Author will be found a message of sympathy which has been forwarded through the British Foreign Office to the Norwegian Government on the occasion of the death of Dr. Henrik Ibsen. The secretary reported that he had that morning received a copy of the United States Copyright Bill which is going before the Senate. It’ is ciren- lated to all the members as a supplement to this month’s issue. eee i Cases. Tue secretary has dealt with a since the appearance of the list in the June num- ber of Zhe Author. One of these has been trans- ferred to the society’s solicitors, with the sanction of the committee. This case is mentioned in the Committee Notes. The next case is one of accounts, and it is hoped that the publishers will forward these in due course. There are six cases in which the secretary has had to apply for money. Two of these have already terminated successfully, the money having been paid. One of the remaining cases deals with a claim against an American publisher, and cannot, in consequence, be settled for some little time, and another deals with a paper in bankruptcy. Any action taken by the society in this case would be of no avail. In the other two cases a settlement .  \ on the question of agents. Allen, H. Warner will, no doubt, be arrived at before the issue of the next number of Zhe Author. There are three matters dealing with agents’ accounts, all of which are in course of negotiation. There is no need to say anything more at present The matter has been fully discussed in the last few numbers. Two other cases refer to the interpretation and settle- ment of agreements. One case is in the course of satisfactory negotiation, and the other case the committee have decided to take in hand if the publisher does not accept the offer made by the author with a view to settlement. There is one case remaining which deals with the question of the right to a pseudonym. It may be remembered that a case of a similar kind occurred some time ago, in which the society took counsel’s opinion. The former was satisfactorily settled, and no doubt a similar result will be effected in the present instance. —+~+ June Elections. Woodside, Purbrook, Cosham, Hants. Behnke, Miss Kate Emil. 18, Earl’s Court Square, 5. W. Benson, The Rev. Robert Catholic Rectory, Hugh Cambridge. THE AUTHOR. Letts, Miss Winifred M. . Lawson, T. Robb MacGillivray, E. J. Quetteville, The Rey. Philip W. de Rentoul, Robert Reid, M.D. Skrine, Mrs. John H. Stopford, Francis Powys . Terry, R. R. 279 4, Glendart Avenue, Blackrock, County Dublin. 90, Delaware Mansions, Elgin Avenue, W. Temple Gardens, E.C. Cote-du-Nord, Trinity, Jersey. 78, Hartington Road, Liverpool. Itchen Stoke, ford, Hants. 51, Clarendon Road, W. Cathedral Clergy House, Francis Street, Westminster, S.W. 2 os Alres- Towgood, Miss Edith 42, Drayton Court, Ethel Drayton Gardens, S.W. Wilkinson, David 103, Beckwith Street, sirkenhead, Cheshire. _¢-—<>—_e —_____—_ BOOKS PUBLISHED BY MEMBERS OF THE SOCIETY. Boynton, Major Walter Brandon, D. Chadburn, Mrs. Clarke, Lieut.-Col. J. A. Cuming, E. W.D. . Donkin, Charles, M.D. Goldacker, Miss Dagmar- yon. Grant, Mrs. Forsyth Horne, A. B. . Horridge, Frank . Hudson, H. Lindsay James, Miss Winifred Johnson, Matt. G. . Bramley Hill, Croy- don. 2edfields, Crookham, Hants. Braziers, Chipperfield, King’s Langley, Herts. Bailey’s Hotel, Glouces- ter Road, S.W. Pembroke Road, Kensington, W. St. Laurence, Bexley, Kent. 24, Porchester Gardens, Bayswater, W. Northumberland Terrace, Edinburgh. 15, Buckingham Gate, o.W: c/o London and West- minster Bank, Loth- bury, H.C. Claremont Villa, Spire Hollin, Glossop, Derbyshire. Lyceum Club, Picca- dilly, W. Thorpe Grange, Barnard Castle. 20 ? 43, + (In the following list we do not propose to give more than the titles, prices, publishers, etc., of the books enumerated, with, in special cases, such particulars as may serve to explain the scope and purpose of the work. Members are requested to forward information which will enable the Editor to supply particulars. ) ARCH Z OLOGY. By W. M. FLINDERS PETRIE. 104x 7}. 280 pp. RESEARCHES IN SINAI. With Chapters. By C. T. CUNELLY. Murray. 21s, n. STONEHENGE AND OTHER BRITISH STONE MONUMENTS. Astronomically considered by SIR NorMAN LOCKYER, K.C.B., F.B.S. 9} x 64. 340 pp. Macmillan. 10s, n. BIOGRAPHY. PORTRAITS AND JEWELS OF MARY STUART. 3y ANDREW Lang. 104 x 64. 107 pp. MacLehose. 8s. 6d. n. THE LIFE OF OSCAR WILDE. By ROBERT HARBOROUGH SHERARD. 9 x 5%. 470 pp. Werner Laurie, 12s. 6d. n. BOOKS OF REFERENCE. Tue STATESMAN’S YEAR BOOK, 1906, Edited by J, Scort KELTIE, LL.D., with the assistance of F. P. A. REN- wick, M.A., LL.B. Forty-third annual publication. 7 x 43. 1,604 pp. Macmillan, 10s. 6d. n. CLASSICAL. From Epictetus and By W. H. D. Rouse, Litt. D. Methuen, 33s. 6d. n. Worpbs OF THE ANCIENT WISE. Marcus 6% x 44. Aurelius. 366 pp.  280 EDUCATIONAL. A Juniorn ARITHMETIC. By C, PENDLEBURY and F. E. RoBINSON. 7x 43. 204 pp. Bell. 1s. 6d. ENGINEERING, ELECTRICITY IN HoMES AND WORKSHOPS: A Practical Treatise on Electrical Apparatus. By SIDNEY F. WALKER. 7} X 5. 359 pp. Whittaker. 5s. n. FICTION. AMELIA AND THE Docror. By H. G. 73x5. 319 pp. Smith Elder. 6s. Lapy Berry AcRoss THE WATER. By C, N.and A. M. WILLIAMSON. 73X54. 340 pp. Methuen. 6s. In SupsEcTION. By ELLEN THORNEYCROFT FOWLER (Mrs. A. L. FALKIN). Hutchinson & Co. 6s. THE HOUSE IN SPRING GARDENS. By MAgor ARTHUR GRIFFITHS. 745. 306 pp. Nash. 638. JENNIE BARLOWE, ADVENTURESS. By Exuior O’Don- NELL. 74x 5. 319 pp. Greening. 6s. FENWICK’S CAREER. By Mrs. HUMPHREY WARD (Edition de Luxe). Two Vols. 83x 6. 238+230 pp. Smith Elder. 218. 0, THE CARDINAL'S PAWN (Cheap Edition). By K. L. Mon'r- GomMERY. 8$x5%. 160 pp. Unwin. 6d. HARLEY GREENOAK’S CHARGE. By BERTRAM MITFORD. 74 x5. 353 pp. Chattoand Windus. 6s. PHANTASMA. By A. C. INCHBOLD. 72 X 5. Blackwood. 6s. “THALAssa !” By Mrs. BAILLIE REYNOLDS. 352 pp. Hutchinson. 6s. {OBINSON CRUSOE’S RETURN. HUTCHINSON. 376 pp. 7 is 4x 5. By Barry PAIN. 64 x 5. 168 pp. Hodder and Stoughton, Is. n. Mora. By T. W. SPEIGHT. 83 x 5}. 128 pp. Cheap Edition. Greening. 6d. THE COMPROMISE. By DoROTHEA GERARD, 7} X 5. 368 pp. Hutchinson. 6s. THE Grie oF Fear. By S. H. BURCHELL. 7} x 5}. 322 pp. Hurst and Blackett. 6s. Pau JeRoME. By Mrs. Mary Kocu. Greening. 6s. THE BRIDLE OF ANSTACE. 74 x 5.409 pp. Lane. 6s. AYLWIN. By THEODORE WATTS-DUNTON. Classics). Limited edition (with postscript). 489 pp. Frowde. 5s. n. THE Rep VAN. By ALAN ST. AUBYN. Digby Long. 6s. 7% xX 5. 320 pp. By ELIZABETH GODFREY, (The World's 6 x 4. 7% x 5. 320 pp. BEss OF THE Woops. By WARWICK DEEPING. 73 x 5. 406 pp. Harpers. 6s. AUDREY THE ACTRESS. By HORACE WYNDHAM. 7? x 5, 370 pp. E. Grant Richards. 6s. Law, Nor Justice. By FLORENCE WARDEN. 8 xX 5}. Hurst and Blackett. 6s. THE AMATEUR CRACKSMAN. 73 x 5. 368 pp. Nash. 6s. 325 pp. RAFFLES : HORNUNG. By E. W. tARDENING. GARDENING MADE Easy. By E. T. Cook. 202 pp. Country Life Office. 1s. n. My GARDEN. By EDEN PHILLPOTTS. Life Library). 9} x 53. 207 pp. Newnes. 8 x 5. (The Country 12s. 6d. n. LITERARY. TH LEGEND OF SIR PERCEVAL. Studies upon its Origin, Development, and Position in the Arthurian Cycle. By Jessie L. Weston. Vol. I. Crétien de Troyes and Wauchier de Denain. 7% x 5}. 344 pp. Nutt. 12s, 6d. n. THE AUTHOR. MILITARY. AIDS TO SCOUTING, FoR N.C.O.’s AND MEN. By Magor- GENERAL R. S. S. BADEN-POWELL, C.B. Revised and Enlarged Edition. 4%x33. 178 pp. Gale and Polden. Lg, 0: MISCELLANEOUS. PETROL PETER: OR PRETTY STORIES AND FuNNy PIc- TURES. By A. WILLIAMS. 103 x 84. 24 pp. Methuen. 8s. 6d. n. NATURAL HISTORY. ANIMAL Heroes. By ERNEST THOMPSON SETON. 8 x 6. 363 pp. Constable. 6s. n. POLITICAL. SPEECHES. By LorD CURZON, OF KEDLESTON. Vol. IY. 1904-5. 84 x 5}. 242 pp. Calcutta: Government Printing Office. POETRY. ae: ‘‘ CHLORIS AND ZEPHYRUS.” An epic in blankverse. By JULIAN KINGSTEAD. 79 pp. G. P. Putnam’s Sons. 3s. 6d. n. REPRINTS. MATTHEW ARNOLD’S POEMS. 291 pp. DRAMAS AND- Prize Porms. 154 pp. Edited by LAURIE MAa@nvs. 6 x 4. Routledge. Is. n. each. Pearut. <A fourteenth century poem, rendered into modern English by G.G. CouLTON. 53 x 43. 51 pp. Nutt.” en. TRELAWNY’S RECOLLECTIONS OF THE LAST DAYS OF SHELLEY AND Byron. With Introduction. By EDWARD DoWDEN. 201 pp. Frowde. 2s. 6d. n. THEOLOGICAL ESSAYS OF THE LATE BENJAMIN JOWETT. Selected, arranged and edited by LEWIS CAMPBELL. 267 pp. Frowde. 2s. 6d. n. TWENTY-THREE TALES. By ToLstoy. L. & A. MaupE. 271 pp. Frowde. ls. 6d. n. leather. Translated by Is. n. cloth, and SPORT. FISHERMAN’S WEATHER. By upwards of one hundred living anglers. Edited by F. G. AFLALO, F.R.G.S. 8 x 5%. 256 pp. Black. 7s. 6d. n. THEOLOGY. A SHorT HISTORY OF FREELHOUGHT. Modern. By JoHN M. ROBERTSON. Re-written and Greatly Enlarged. Two Vols. 480+ 455 pp. Watts. 21s. n. THE MODERN PILGRIMAGE: FroM THEOLOGY TO RELIGION. By R. L. BREMNER (Popular Edition). 74 x 5. 296 pp. Constable. 2s. 6d. n. REVELATIONS BY VISIONS AND VOICES. Apport, D.D. 34 pp. Griffiths. 6d. n. Ancient and Second Edition, By EpwIn A. TOPOGRAPHY. THE PLACE-NAMES OF BEDFORDSHIRE. By the Rey. W. W. Skat, Litt. D. 9 x 53. 74 pp. Cambridge: Deighton, Bell. 3s. 6d. n. TRAVEL. INDIA UNDER RoyAL Eyes. By H. F. Prevost Bat- TERSBY. 9x 6. 453 pp. Allen. 12s. 6d. n. FELICITY IN FRANCE. By CoNSTANCE E,MAup. 7} x 5}. 331 pp. Heinemann. 6s. 9 x 6.  THE AUTHOR. LITERARY, DRAMATIC, AND MUSICAL NOTES. ESSRS. MACMILLAN & CO. will shortly publish a book entitled “ Playright and Copyright in all Countries,’ by Mr. W. Morris Colles and Mr. Harold Hardy, barristers-at law. The primary object of the work is to enable authors to see at a glance what steps must be taken, before or after publication, to secure international protection of their copyright and dramatic rights in books and plays throughout the world. The formalities as to registration and delivery of copies, in all countries where copyright is recog- nised, are set out in detail; and the requirements of the British Colonial laws, including the Austra- lian Commonwealth Copyright Act, 1905, are specifically dealt with. The book is dedicated, by kind permission, to Sir Henry Bergne, K.C., K.C.M.G., chairman of the Authors’ Society. John Oliver Hobbes’s new novel, “ The Dream and the Business,” is a study of character and its development. It also depicts a conflict between two religious ideals, those of Roman Catholicism and of English Nonconformity. Mr. Fisher Unwin will publish the work. “Beauties of the Seventeenth Century,” by Mr. Allan Fea, published in the middle of May ‘by Messrs. Methuen & OCo., contains a series of memoirs of memorable women who figure in this period of history. Avoiding politics as far as possible, the author dips into private history and personal anecdote. The book, which is published at 12s. 6d. nett, contains 160 illustrations. “Harley Greenock’s Charge,” by Bertram Mit- ford, is a story of South Africa, the chief hero of which ig a resourceful, up-country hunter, who undertakes the guidance of an adventure-seeking young Englishman on a visit to South Africa. Messrs. Chatto and Windus are the publishers. In “ Modern Bookbindings: Their Design and Decoration,” published by Constable & Co., the author (Mr. S. T. Prideaux) draws attention to the progress in England and France in a field of work that has an increasing number of recruits and a growing and interested public. The next serial in the Monthly Review will come from the pen of Mrs. Henry De La Pasture. It will have for its title “The Lonely Lady of Grosvenor Square,” and will, in large part, be a London story. On the afternoon of June 28th Mr. Cecil Sharp delivered a concert-lecture on English Folk-Songs, at which several songs, collected by the lecturer in Somerset, were sung by Miss Mattie Kay and Mr. J. Campbell McInnes, 281 Messrs. Putnam announce the publication of a new novel by Father Robert Hugh Benson. It is a dramatic study of England in the middle of the sixteenth century, and is entitled “The Queen’s Tragedy.”’ The principal character is Mary Tudor, and her sister Elizabeth also comes prominently into the story. In “ Thoughts on Ultimate Problems.” by F. W. Frankland, published by Mr. Philip Welby, the author bases his reasoning on the theory that all existence is necessarily psychic. His conclusions as to the origin of evil and the necessity for a redeemer are, in the main, in accord with orthodox theology, including the ultimate triumph of good over evil. Mr. Frankland, however, holds the view that evil came into the world by sheer force of necessity, and “ without foresight of any of its effects.” Mr. J. J. Haldane Burgess, author of “The Treasure of Don Andres,” etc., is translating “ Rasmie’s Biiddie,” his book of Shetlandic poems, into Esperanto. The June issue of The Monthly Review con- tains an article entitled “The Gaming of Monte Carlo,” by F. Carrel. “The Life of Oscar Wilde,” by Mr. R. H. Sherard, was published by Mr. Werner Laurie last month. One of its main purposes is to dispel a number of false reports associated with Wilde’s life, as for instance the recurring rumour that he is not dead. Mr. Sherard also discusses his writings. Mr. Eden Phillpotts has written a volume entitled “ My Garden,” which contains the thoughts of a literary man who is also a gardener. It is issued from the office of Country Life. Another volume from the same office, entitled “Gardening Made Hasy,” by HE. T. Cook, is a concise little encyclopedia, at a popular price. “Paul Jerome,” by Mrs. Mary Koch, just pub- lished by Messrs. Greening & Co., is a character study. An Anglican priest, who is bound by vows to remain celibate, finds love too strong for him, marries, and suffers accordingly. We have received from Mr. Harold Thornberg, the editor, a copy of an illustrated magazine en- titled “ Dag,” published in Helsingborg, Sweden. The magazine is tastefully produced and contains a varied assortment of articles, poems, etc. The Antiquary contains an article by Miss Olive Katherine Parr, entitled ‘* Buckfast Abbey : The Pheenix of the West.” Miss Marian Bower has sold stories of 16,000 words in length to Messrs. Tillotsons and Chamber’s Journal. The same writer has also sold a 5,000-word story to Pearson’s Magazine. Miss Marian Bower has also arranged with Messrs. Ward, Lock & Co. for the publication of her next 282 TARE AUTHOR. book, which she has entitled “The Wrestlers.” The September issue of Zhe Monthly Story Magazine, New York, will contain an 8,000-word story from the pen of this writer, who is also represented in Zhe Sketch. : In view of the Warwick pageant early this month, Messrs. Black’s announcement of a colour book on Warwickshire is opportune. Mr. Clive Holland and Mr. Fred. Whitehead, R.B.A., who have collaborated in the volume, have an intimate acquaintance with the country, the result of leisurely pilgrimages over its length and breadth. From the text of the cne and the series of water- colour drawings of the other there emerges a com- plete picture of the county which lies nearest the heart of England. Messrs. Longmans, Green & Co. have in the Press the 8th edition of ‘‘ A Handbook for Steam Users” by M. Powis Bale, M.I.C.E., and Messrs. Crosby Lockwood & Son a 5th edition of “ Pumps and Pumping” by the same author. “ The Third Time of Asking,” by M. E. Francis, was produced at the Garrick Theatre on May 30th, preceding Mr. Alfred Sutro’s play, “The Fascinating Mr. Vanderveldt.” The piece refers to a rustic’s love for a girl. Owing to his fear of losing her, he has the banns put up without first asking her consent, which, however, he succeeds eventually in obtaining by the aid of various presents. The cast includes Mr. Arthur Bourchier, Miss Pamela Gaythorne and Mr. A. Whitby. A dramatic performance of ‘“ Foil and Counter- foil,” by Mary Woodifield, was given at St. George’s Hall, Langham Place, on Thursday, June 28th, by the members of the Wyndham Club, in aid of the Soldier’s Home, Guard’s Depdt, Caterham. a PARIS NOTES. i s A Vie intime d’une Reine de France au XVII* siécle ” is the title of a curious and interesting work by M. Louis Batifol. The queen is Marie de Médicis, and the epoch studied by the author is from the year 1600 to 1617. In the first chapter we have an account of the sad and lonely childhood of the little mother- less princess shut up in the great Pitti palace. ‘Two months after her mother’s death, when Marie was only five years old, her father, the Grand Duke of Tuscany, married the famous Bianca Capello. It was not until Marie was twenty-seven that her marriage with Henri IV. of France was arranged. In the following chapters we have a detailed account of the splendours and miseries of: Court life, of the expenses of the Royal household, of the old customs and traditions which had to be continued, of the king’s love affairs, of the queen’s artistic tastes and love of magnificence, and finally of her financial enterprises. The author’s object in writing this book is not so much to give us the “psychology ” of Marie de Médicis as to re- constitute the past history of France for the sake of making us understand the present. “Cette étude,” says the author, ‘‘montre comment le cadre de la cour de France, créé lentement a travers les siécles et conservé religieusement, témoigne du gott prédominant des hommes d’alors pour le- maintien scrupuleux des traditions. . . . elle indique que la royauté en France, au début du XVII siécle, loin de réaliser la théorie du pouvoir absolu . . . . est, au contraire, contenue de tous cdtés par un ensemble de forces passives plus maitresses en réalité de |’Htat que le roi lui-méme,. au nom des principes invoqués d’usages séculaires et de ‘lois fondamentales du royaume’.” ‘A travers le Féminisme suédois’* is the title of a work by Mare Hélys, giving a very thorough study of the Swedish woman. The author com- mences by explaining the characteristics and the evolution of the Swedish woman, taking us back to the days of Marguerite Valdemar, Queen of Sweden, Norway, and Denmark, and her famous Union of Calmar, concluded in 1397. Going on to modern times, the following subjects are among those treated :—The legal position of woman ; the question of the political vote ; popular education ; the teaching of housekeeping; the students of Upsal University and those of Cambridge com- pared; women and agriculture; literary women ; the modern Swedish woman, beauty, physical culture, dress, family life in Sweden ; the difference between free love and mariages de conscience and between the bachelor woman and the old maid ; the evolution of love and of the new ideal recog- nised by Swedish women. The author has studied her subject carefully and thoroughly ; she has lived among the people of whom she writes, and the result is a volume which can be relied upon for information on a subject which is only vaguely known outside the Scandinavian countries. “Notes et fragments d’histoire,” by M. Félix Rocquain, Member of the Institute, is a volume- containing a series of articles on various subjects, among which are the following :—‘ L’Hypnotisme au Moyen Age,” “ La Politique sous le Second. Empire,” “ Notes sur. Napoléon.” M. Edouard Gachot has now completed his work, entitled “‘ Campagnes de 1799,” upon which he has been engaged for ten years. The last volume is * “ A travers le Féminisme suédois” (Plon).  THE AUTHOR. on “Jourdan en Allemagne,” and “Brune en Hollande.” “T’Esprit du Temps,”* by Michel Salomon ; “Art et psychologie individuelle,’> by Lucien Arréat. ‘Les eléments du caractere,”{ by P. Malapert. — “Albert Besnard,”§ by Gabriel Mourey ; “Histoire du travail et des travailleurs,”|| by P. Brisson. “ Autour de Marie-Antoinette,” by M. Boutry,4/ with a preface by P. de Nolhac; “La lutte universelle,’** by M. Le Dantec; “ L’Eglise catholique et l’Etat sous la troisieme République (1870-1906), Tf by M. Debidour. Among recent novels are the following :— “ T’Eteignvir,”{} by M. Schalck de la Faverie. “Disparu,”§§ by Brada, is now published in volume form, after appearing as a serial in “ Lec- tures pour Tous.” It is the story of the mysterious disappearance of a bridegroom a few days before his wedding. The interest is kept up throughout the whole book until the dénouement in the last chapter. “Dona Quichotta,”’|||| by Georges de Peyrebrune, is a novel treating a subject which has been dramatised several times. It is the story of a wife who deserts her home, and of the consequences of this desertion. “ Au Pays des Pierres,’€/4€] by M. Le Roy. A small volume of poems entitled “ Fleurs Vivantes”’ has just been published by the Comte de Larmandie, Délégué of the French Societe des Gens de Lettres. Madame Fernande Blaze de Bury (Dick Berry), author of “The Storm of London,” has just com- pleted her new novel, “The Nymph.” She has written this in France, and it is a study of French life, and chiefly of life in the chéteanx of Touraine. At the monthly dinner of the Sociele des Gens de Lettres veference was made by M. de Saint- Arroman and M. Pierre Sales to the dinner of the Society of Authors, at which they were the French guests. ‘They were most agreeably impressed by the cordiality of their reception. A most interesting expedition is being organised by a French scientific review for the month of September, namely, a visit to the sites of the travels * “T/Esprit du Temps” (Perrin). + “ Art et psychologie individuelle ” (Alcan). tT “Les éléments du caractére” (Alcan). § “ Albert Besnard ” (Davous), || “‘ Histoire du travail et des travailleurs "’ (Delagraye). { ‘“ Autour de Marie-Antoinette’ (Emile-Paul), ** “Tia lutte universelle”’ (Flammarion). +t “ L’Eglise catholique et I’Etat sous la troiséme République ” (Alcan). i “TL Eteignoir ” (Dujarric). § “ Disparu” (Plon). Jil] ‘‘ Dona Quichotta”’ (Hatier). 47] “Au Pays des Pierres” (Fasquelle). 283 of Ulysses—the Ionian Islands, Greece, Italy, Sardinia, Tunis. Lectures will be given during the cruise on the problems respecting the origin and composition of the Odyssey, on the monu- ments and sites described by Homer, on the con- ditions of commerce, the state of material resources, and scientific notions, etc., at the time of the navigations of Ulysses, etc. The expedition dates from September 4th to September 30th. The fifth volume of the quarterly periodical entitled “Vers et Prose” has appeared with articles and poems by J. Moréas, Henri de Rég- nier, Verhaeren, Maurice Barrés, de Gourmont, d’Annunzio, John-Antoine Nau, Paul Fort, and other writers. In recent reviews the following articles have appeared : “Une Géographie Nouvelle,’ by Jean Brunhes, in the Revwe des Deux Mondes; ‘ Les élections de 1869,” by Emile Ollivier; “Le sentiment décoratif aux Salons de 1906,” by Robert de la Sizeranne, in the same review. In La Revue: “ Mercantilisme et Esthétique en Amérique,” by Albert Schinz; ‘Les Penseurs grecs,” by E. Faguet ; “ Le Conseil International des Femmes,” by G. Avril de Sainte-Croix. The theatrical season is now over, and dramatic authors are preparing for the autumn. M. Capus is finishing his play, “ Les Passagéres” for the Renaissance next winter. “ La Vedette,’ by M.M. Vaucaire and Peter, is ready for the 7hédtre Antoine. M. Antoine is contemplating various innovations at the Odéon, now that he is appointed munager of this second State theatre. Anys HALLARD. ee a SPANISH NOTES. — ++ rHVHE fact of Senor Nakens, the editor of a well-known Republican paper, publishing his justification for helping Morel to evade the police in Madrid has excited much commotion in Spain, inasmuch as the writer states that he considers everyone should stand by any criminal who demands protection. Such opinions, so detrimental to the safety of a country, are vehemently confuted by Colonel Luis de Figuerola Ferretti, in an article he has written for the English press. A sympathizer with such a criminal should openly take his place beside him and share his punishment, says Ferretti, but to support him secretly is much more dangerous. For, as he rightly says, if Nakens had not con- cealed his knowledge of Angiolillo’s intention to kill Canovas, the assassination would not have taken place, neither would the policeman have 284 been shot if he had not allowed Morel to continue his road to Torrejon. ‘he great demonstratioa against Anarchism in Madrid on the 17th was useful, but Colonel Ferretti regrets the harm done by the publication of such wrong principles as those of Nakens, especially as the Jmparcial frankly says, “It must be clearly understood that neither the majority or the minority of the preseut government represent the real opinions of the public or the predominant trend of the country, nor the execution of any plan for the public benefit of Spaniards, or the hope of reforms for the good of national interests.” ‘‘ No,” says the same journal, ‘they are the result of the abuses of favoritism and the system of the encasillado,” 1e., the deputies being nominated by the ministers in the lists divided into squares or casillos. On the great state occasion of the congratula- tions of the Senate being presented to King Alfonso and Queen Victoria, the young monarch said he trusted that he and his royal bride ‘‘ would achieve deeds of glory which emulate in the present day the grandeur of ages past.” “ But this aim,” he continued, “ cannot be attained without constant and intimate co-operation between Parlia- ment and the Royal Power.” Now the wedding festivities are over in Madrid, the country is again seething in the uncertain state of dissolution or non-dissolution of the Cabinet. Will Moret continue or will Maura take the helm again? Such constant chaos is the despair of all good patriots, for how can a govern- ment only in existence a few months carry out any good programme for the welfare of the country ? Colonel Figuercla Ferretti ventured to prepare a petition to King Alfonso, in November, 1902, for the adoption of the English procedure, whereby the public would show its devotion to their King and country by electing at the polls the deputies who would best support the interests of both. But although the idea received royal commenda- tion, the more narrow views of a high official led to the Colonel’s Court appointment being sacrificed to his patriotic aims. The King and Queen quite startled the people of San Ildefonso the other day by quietly walking out of the Palace to penetrate into the poorest streets. The greetings when they were finally recognized by the humble folk were tumultuous, and as the King realizes more and more the devotion of all classes, he will see that such republicans as Nakens would have no followers if the Polls were used for revealing the real opinions of the people, and Colonel Ferretti, who advised such public elections, will, it is hoped, have the reward of success in his efforts for his country. At the interesting meetings held by the Geogra- phical Society to celebrate the fourth centenary of THE AUTHOR. the death of Christopher Columbus, Don Ricardo Beltran y Rompide was given the Grand Cross of Merit. Such works as his “ Voyages and Discoveries of the Middle Ages in Connection with the Progress of Geography and History ” (1876), his “ History of Greek Philosophy” (1878), his “ Compendium of the History of Spain’’ (1901), are some of the books which show the scientist’s title to the decoration. The literary Réunion at the house of the Count and Countess of Villana in honour of the new Queen Victoria was a great success. The beautifully decorated rooms were crowded with the poets and authors assembled to do honour to the royal bride, who sat on a small raised platform with the young King and listened to the recitations of Sefora Pardo Bazan, the Senores Cabestany, Cano Cueto, Santos Chocano, Echegaray, Perez de Guzman, the duque de Rivas, Ferrari, etc., and the poems by Selles and Machado were written especially to celebrate the marriage which has been a subject of such enthusiasm in the country. The Infanta Dona Maria de la Paz, whose writings are well known, aud the Infanta Eulalia, who also writes, were there with the other members of the Royal family, and as such statesmen as Canalejas, General Azcarraga, Sefiores Ugarte, and Viesca, the Count of Casa Valencia, etc., were also present, the literary Réunion was quite a national féte, and the young Queen was presented with an album of parchment containing the poems and addresses written in her honour by the many dis- tinguished Spanish /it/érafeurs of the occasion. Literature has recently sustained a great loss in the death of the celebrated poet Manuel del Palacio. He, with Eusebio, Biasco Rivera, Navarrete, Roberto Robert, etc., formed the brilliant coterie whose poems were so active before the Revolution of 1868. After that time he took an active part in politics, but the author of “ El nifio de Nieve” (“The Child of Snow ”) still found his pen his most powerful weapon, for he had the gift of concentrating in four verses more than many people could put in as many pages. His verses, poems, and sonnets form a large collection. Ledesma, whose work on Cervantes was one of the best memorials of the Don Quixote celebration of last year, is now the subject of an erudite criticism by Benito Galdos, which forms part of another volume added to his “‘ Episodias Nacionales.” The celebrated novelist reminds his readers that Ledesma’s “ History of the Literature of the Middle Ages ” stamped him as a great writer, and that in his “ Historia de la Litteratura Feminina Espanola” he showed that there have been always many women in Spain who have done good work beyond that of mere domesticity. Ledesma’s book, “ Angel Guerra,” is a living picture of Toledo, and with a criticism of the writer’s work on Miguel de  THE AUTHOR. ‘Cervantes, Galdos concludes his powerful notice of his literary colleague. In art there has been as much activity lately as in literature, for the pictures lining the walls of the annual Exhibition of Fine Art in Madrid shows -great versatility and power. The flock ofsheep by Lino Casimiro Iborra is another of those present- ments in which the painter shows his perfect -acquaintance with the characteristics of animals, for although each sheep appears at first sight to be quite similar to its neighbour, they are seen to be very diverse, even in expression, and it is these touches, so slight yet so decisive, which gives the artist his high rank as an animal painter, and won for him the bronze medal at this exhibition, and the order with which he was decorated by King Alfonso XIII. The gold medal at this exhibition was carried off by Manuel Benedito for his charming picture of Breton fishwives. The silver medal was given to Ramon Pulido for his beautiful work called “ Inmaculada” (“* The Immaculate Conception’’), and the work repre- senting a cardinal receiving the homage of village folk, by César Fernandez Ardavin, is characteristic of Spanish life. Art is moreover making great strides among the women of Spain, for Antonia Jerrera is only one -of the many lady artists whose brush brings forth real works of art. As painting and music are so closely allied, I cannot close these notes without mentioning the compositions by Senora Pilar Contreras de Rodri- guez. Her talent is seen in the charming choral pieces written for the play, “The Spanish Woman’s Agricultural Era,” and her musical albums of part-songs and solos show she is as versatile as she is brilliant. Percy Horspur. ——__+—_>—_+_____—__- MAGAZINE CONTENTS. Eases BLACKWOOD’S. Musings Without Method: Sir Theodore Martin’s “** Monographs ’’—The Degradation of the Modern Stage— Racine. BOoKMAN. Dr. Richard Garnett: In Memoriam. Pollard. 2. By Sir F. T. Marzials. 4, By Beatrice Harraden. Alice Zimmern. I. By A. W. 3. By F. M. Hueffer. 5. By Agnes A. Adams, 6. By Book MontTHLY. A Thackeray Club. By Lewis Melville. A Blue Stocking and some Vignettes of the Eighteenth ‘Century. CHAMBERS’s JOURNAL. Replicas and Copies of some Great Renaissance Paint- ‘ings. By E. Govett. 285 CONTEMPORARY REVIEW. Herbert Spencer and the Master Key. By John Butler Burke. Schoolmasters and their Masters. The Truth about the Monasteries : Robert Hugh Benson. Mankind in the Making. By D. C. Pedder. A Reply. By Father By May Higgs. The Decadence of Tragedy. By Edith Searle Grossmann. CORNHILL. A Medizval Romance. By F. 8. Lady Hamilton and ‘ Horatia.” By E. 8. P. Haynes. FORTNIGHTLY. Richard Burton. By “Ouida.” Christianity and China. By A. R. Colquhoun. The Library of Petrarch. By Edward H. R. Tatcham. The English Stage in the Eighteenth Century. Part II. By H. B. Irving. Jacques Emile Blanche. By Frederick Lawton. “Words, Words, Words.” By R. W. Tyrrell. The Comédie Francaise: What it has Done for the French People. By Jules Claretie. INDEPENDENT REVIEW. The New Humanity. By G. K. Chesterton. Henry Sidgwick. By F. W. Maitland. MACMILLAN’S. The Spirit of Hidden Places. Men and Morals. Anonymous. The Decline of Ballet in Eugland, 3y Lance Fallow. By 8. L. Bensusan. Corneille. By H. C. MacDowall. MonvrH. Anagrams. By E. F. Sutcliffe. The ‘‘Forgeries” of Cardinal Vaughan. Herbert Thurston. St. Elmo’s Fire. By G. A. Bouvier. Slips of the Learned. By Beta. By the Rev. MONTHLY REVIEW. Ibsen as 1 knew Him. By William Archer. ‘Another Way of (Mountain) Love.” By F. W. Bourdillon. Three Gardens and a Garret. By A. M. Curtis. NATIONAL REVIEW. The Value of a Public School Education By Charles Lister. Latin as an Intellectual Force in Civilisation. Sonnenschien. : A Rejoinder. 3y KE, A. NINETEENTH CENTURY. The Joys of Spain. By Austin Harrison. Spain under the Saracens. By Ameer Ali. “St. Deiniol’s, Hawarden.” By Mrs. Drew. Euripides in London. By Norman Bentwich. The Salons and the Royal Academy. By H. Heathcote Statham. Some Women Poets of the Present Reign. By Isabel Clarke. PALL MALL MAGAZINE, “Edwin Drood” and the Last Days of Charles Dickens. By His Younger Daughter, Kate Perugini. A Painter of the Sea: The Life’s Work of Mr. Napier Henry, A.R.A. By J. P. Collins. Thebes of the Hundred Gates. By H. Rider Haggard, To an Opal. By Eden Phillpotts. TEMPLE BAR, John Ruskin. By W. G. Collingwood. Education of a Viscount in the Seventeenth Century. By Dorothea Townshend. 286 WARNINGS TO THE PRODUCERS OF BOOKS. eo ERE are a few standing rules to be observed in an agreement. There are four methods of dealing with literary property :-— I. Selling it Outright. This is sometimes satisfactory, if a proper price can be obtained. But the transaction should be managed by a competent agent, or with the advice of the Secretary of the Society. Il. A Profit-Sharing Agreement (a bad form of agreement). In this case the following rules should be attended to: (1.) Not to sign any agreement in which the cost of pro- duction forms a part without the strictest investigation. (2.) Not to give the publisher the power of putting the profits into his own pocket by charging for advertisements in his own organs, or by charging exchange advertise- ments. Therefore keep control of the advertisements. (3.) Not to allow a special charge for ‘office expenses,” unless the same allowance is made to the author. (4.) Not to give up American, Colonial, or Continental rights. (5.) Not to give up serial or translation rights. (6.) Not to bind yourself for future work to any publisher. As well bind yourself for the future to any one solicitor or doctor ! III. The Royalty System. This is perhaps, with certain limitations, the best form of agreement. It is above all things necessary to know what the proposed royalty means to both sides. It is now possible for an author to ascertain approximately the truth. From time to time very important figures connected with royalties are published in Zhe Author. IY. A Commission Agreement. The main points are :— (1.) Be careful to obtain a fair cost of production. (2.) Keep control of the advertisements. (3.) Keep control of the sale price of the book. General. All other forms of agreement are combinations of the four above mentioned. Such combinations are generally disastrous to the author, Never sign any agreement without competent advice from the Seczetary of the Society. Stamp all agreements with the Inland Revenue stamp. Avoid agreements by letter if possible. The main points which the Society has always demanded from the outset are :— (1.) That both sides shall know what an agreement means. (2.) The inspection of those account books which belong tothe author. We are advised that this is a right, in the nature of a common law right, which cannot be denied or withheld. (3.) Always avoid a transfer of copyright. —_—__—_+—_>__2___—___ WARNINGS TO DRAMATIC AUTHORS. Baa EVER sign an agreement without submitting it to the Secretary of the Society of Authors or some com- petent legal authority. : 2. [t is well to be extremely careful in negotiating for the production of a play with anyone except an established manager. THR AUTHOR. 8. There are three forms of dramatic contract for plays. in three or more acts :— (a.) Sale outright of the performing right. This is unsatisfactory. An author who enters into such a contract should stipulate in the contract for production of the piece by a certain date and for proper publication of his name on the play-bills. (b.) Sale of performing right or of a licence to- perform on the basis of percentages on gross receipts. Percentages vary between 5 and 15 per cent. An author should obtain a percentage on the sliding scale of gross receipts in preference to the American system, Should obtain a sum inadvance of percentages. A fixed date on or before which the play should be performed. (c.) Sale of performing right or of a licence to- perform on the basis of royalties (7.c.. fixed nightly fees). This method should be always avoided except in cases where the fees are likely to be small or difficult to collect. The other safeguards set out under heading (4.) apply also in this case. 4. Plays in one act are often sold outright, but it is- better to obtain a small nightly fee if possible, and a sum paid in advance of such fees in any event, It is extremely important that the amateur rights of one-act plays should» be reserved. 5. Authors should remember that performing rights can be limited, and are usually limited, by town, country, and time. This is most important. 6. Authors should not assign performing rights, but should grant a licence to perform. The legal distinction is- of great importance. 7. Authors should remember that performing rights in a play are distinct from literary copyright. A manager~ holding the performing right or licence to perform cannot print the book of the words. 8. Never forget that United States rights may be exceed- ingly valuable. ‘hey should never be included in English. agreements without the author obtaining a substantial consideration. 9. Agreements for collaboration should be carefully drawn and executed before collaboration is commenced. 10. An author should remember that production of a play is highly speculative: that he runs a very great risk of" delay and a breakdown in the fulfilment of his contract. He should therefore guard himself all the more carefully in the beginning. 11. An author must remember that the dramatic market is exceedingly limited, and that for a novice the first object is to obtain adequate publication. As these warnings must necessarily be incomplete, om account of the wide range of the subject of dramatic con- tracts, those authors desirous of further information: are referred to the Secretary of the Society. ——_+——_—___——_- WARNINGS TO MUSICAL COMPOSERS. ITTLE can be added to the warnings given for the assistance of producers of books and dramatic authors. It must, however, be pointed out that, as: a rule, the musical publisher demands from the musical composer a transfer of fuller rights and less liberal finan- cial terms than those obtained for literary and dramatic property. The musical composer has very often the two- rights to deal with—performing right and copyright. He-  Do THE AUTHOR. should be especially careful therefore when entering into an agreement, and should take into particular consideration the warnings stated above. —— ee HOW TO USE THE SOCIETY. a 1. VERY member has a right toask for and to receive advice upon his agreements, his choice of a pub- lisher, or any dispute arising in the conduct of his business or the administration of his property. The Secretary of the Society is a solicitor, but if there is any special reason the Secretary will refer the case to the Solicitors of the Society. Further, the Committee, if they deem it desirable, will obtain counsel’s opinion. All this without any cost to the member. 2. Remember that questions connected with copyright and publishers’ agreements do not fall within the experi- ence of ordinary solicitors. Therefore, do not scruple to use the Society. 3. Send to the Office copies of past agreements and past accounts, with a copy of the book represented. The Secretary will always be glad to have any agreements, new or old, for inspection and note. The information thus obtained may prove invaluable. 4. Before signing any agreement whatever, send the document to the Society for examination. 5. Remember always that in belonging to the Society you are fighting the battles of other writers, even if you are reaping no benefit to yourself, and that you are advancing the best interests of your calling in promoting the independence of the writer, the dramatist, the composer. 6. The Committee have now arranged for the reception of members’ agreements and their preservation in a fire- proof safe. The agreements will, of course, be regarded as confidential documents to be read only by the Secretary, who will keep the key of the safe. The Society now offers : —(1) To read and advise upon agreements and to give advice concerning publishers. (2) To stamp agreements in readiness for a possible action upon them. (3) To keep agreements. (4) To enforce payments due according to agreements. Fuller particulars of the Society’s work can be obtained in the Prospectus. 7. No contract should be entered into with a literary agent without the advice of the Secretary of the Society. Members are strongly advised not to accept without careful consideration the contracts with publishers submitted to them by literary agents, and are recommended to submit them for interpretation and explanation to the Secretary of the Society. 8. Many agents neglect to stamp agreements. This must be done within fourteen days of first execution. The Secretary will undertake it on behalf of members. 9. Some agents endeavour to prevent authors from referring matters to the Secretary of the Society; so do some publishers. Members can make their own deductions and act accordingly. 10. The subscription to the Society is. £1 1s. per annum, or £10 10s. for life membership. 287 TO MUSICAL COMPOSERS. —+—~@—+ A ees Society undertakes to stamp copies of music on behalf of its members for the fee of 6d. per 100 or _ part of 100. The members’ stamps are kept in the Society’s safe. The musical publishers communicate direct with the Secretary, and the voucher is then forwarded to. the members, who are thus saved much unnecessary trouble. i THE READING BRANCH. —+-—<— + —_ EMBERS will greatly assist the Society in this branch of its work by informing young writers of its existence. Their MSS. can be read and treated as a composition is treated by a coach. ‘The term MSS. includes not only works of fiction, but poetry and dramatic works, and when it is possible, under special arrangement, technical and scientific works. The Readers are writers of competence and experience. The fee is one guinea. —~>— + NOTICES. —*—>—+—. HE Editor of Zhe Author begs to remind members of the Society that, although the paper is sent to them free of charge, the cost of producing it would be a very heavy charge on the resources of the Society if a great many members did not forward to the Secretary the modest 5s. 6d. subscription for the year. Communications for “The Author” should be addressed to the Offices of the Society, 39, Old Queen Street, Storey’s Gate, S.W., and should reach the Editor not later than the 2ist of each month. All persons engaged in literary work of any kind, whether members of the Society or not, are invited to communicate to the Editor any points connected with their work which it would be advisable in the general interest to publish. Communications and letters are invited by the Editor on all subjects connected with literature, but on no other subjects whatever. Hvery effort will be made to return articles which cannot be accepted. > The Secretary of the Society begs to give notice that all remittances are acknowledged by return of post, and he requests members who do not receive an answer to important communications within two days to write to him without delay. All remittances should be crossed Union Bank of London, Chancery Lane, or be sent by registered letter only. —_«—~p>— as LEGAL AND GENERAL LIFE ASSURANCE SOCIETY. oo ENSIONS to commence at any selected age, either with or without Life Assurance, can be obtained from this Society. Full particulars can be obtained from the City Branch Manager, Legal and General Life Assurance Society, 158, Leadenhall Street, London, E.C. GENERAL NOTES. —————+ S a supplement to this number of The Author, we are circulating the draft of the American Copyright Bill. By the covering letter which has been forwarded to the Society we under- stand that the first hearing of the Bill was given on June 6th in the Senate Reading Room at the Library of Congress. ‘The letter, which was written prior to the hearing, further states :— “The hearing will be by the Senate and House Com- mittees sitting as a joint committee. This method of pro- cedure has been arranged for the convenience of the numerous participants and others who may be interested, and in recognition of the unusual character and importance of the Bill. The courtesy and consideration of these arrangements on the part of the Committees will doubtless be recognised by an ample representation at the hearing. It is especially desirable that the fullest representation of participants shall be secured at the outset when the Bill is presented, explained and supported, as may be arranged at the informal meeting on Tuesday, June 5, This latter meeting will be held at 4 p.m. at the Library of Congress.” A Copyright Act passed on 21st December, 1905, by the Government of Australia, has been sent to the Secretary of the Society, and he wrote to the Secretary of State to the Colonies, to inquire whether it had received the Royal assent, he has received the following reply :-— “5th May, 1906. “ Srr,—With reference to your letter of the 4th ultimo, I am directed by the Earl of Elgin to acquaint you that the Governor-General of Aus- tralia is now being informed that His Majesty will not be advised to exercise his powers of dis- allowance with respect to the Commonwealth Copyright Act, 1905. “‘T am, sir, your obedient servant, “C. P. Locas.” This Act cannot, of course, run counter to or supersede the Imperial Act of 1842, which binds Great Britain and all her colonies and dependencies, but like the Canadian Acts, the Indian Act, the Cape Act, and the Acts in other colonies, only affects the publication of books within the colonies mentioned. It is printed as a supplement to this month’s Author. Instead of the separate colonies passing separate Acts, it is a great pity that all the colonies should not have combined with the Imperial Government to pass a really satisfactory Imperial Copyright Law. The tendency of the present day has been to obtain uniformity in copyright all over the world, but every separate law passed by separate countries without this object in view will, of course, make further uniformity more difficult. We venture to suggest, once more, to the Premier, and to the THB AUTHOR. Government, how desirable it is that they should take up this question energetically with the view to a comprehensive settlement. On the death of Dr. Henrik Ibsen the Committee of the Society forwarded the following letter to the Foreign Office, enclosing the message of sympathy printed below, for transmission to the Norwegian Government and to the family of the distinguished dramatist. The Secretary of the Society has received a note from the Foreign Office stating that the Committee’s desire has been carried out, and that the message has been forwarded to H.M. Charge d’Affaires at Christiania :-— The Right Honble. Sir Edward Grey, P.C., &c. Sir,—The Society of Authors desire to convey to the Norwegian Government and the family of the late Dr. Ibsen an expression of their respectful sympathy on the occasion of the death of this distinguished dramatist. Iam directed by the Committee to solicit your good offices in order that the inclosed message may be transmitted to the Norwegian Government through H.M.’s Legation at Christiania. I am, sir, your obedient servant, (Signed) G. HERBERT THRING. “ The Incorporated Society of Authors of England desire to convey to the Norwegian Government the expression of their sincere regret on the occasion of the death of the distinguished author and dramatist, Dr. Henrik Ibsen. They cannot allow the occasion to pass without a request that the Government will convey to the members of the dramatist’s family the Society’s sympathy in a loss which affects not merely Norway, but the whole world.” ———— oe UNITED STATES NOTES. 1+ T seems incumbent upon me to begin my summer instalment of Notes with something about “ The Jungle” and Mr. Upton Sinclair. The book is not only at present the “biggest seller” in the United States, it is the talk of two Continents. Those cautious critics who remembered Mr. Sinclair as the author of “‘ The Journal of Arthur Stirling,” and were accordingly disposed to dis- count his statements, have been sadly undeceived. And the care taken both by the author and his publishers to secure the absolute trustworthiness of their production is a healthy sign of the times. The sensation produced by the book seems to have come as a surprise. Mr. Sinclair’s object appears to have been a general indictment of American industrial conditions from a Socialistic view-point, of which the slaughter-house exposé was to be but an incident. He disclaims the notion of having desired to stir up any special agitation of the kind which Mr. Roosevelt’s action has aroused. Possibly the importance of the matter of the  book may have caused its merits as a piece of writing to be somewhat exaggerated ; but of the fact that it is being widely read there can be no doubt. The publishers disposed of 12,000 within one week in the United States, and report a con- siderable sale in Canada, besides three large English editions up to date. The upshot will certainly be to help Bryanism ; probably also the vegetarian cause may benefit. As a piece of pure literature the success cf the season has been Owen Wister’s new story, which, even in popularity, has only quite recently been displaced by the Packington revelations. What a contrast ! The aristocratic charm of the South and the horrors of democratic Chicago, civilised life and bestial existence! In narrative quality “Tady Baltimore” is probably superior even to “The Virginian.” The teller of the story, who on one occasion is made to say, “ We’re no longer a small people living and dying for a great idea, we're a big people living and dying for money,” has been accused in some quarters of superficiality, but he is at least a real live gentleman and not a mere vehicle for epigram. Has anyone, we wonder, noticed that Mr. Wister’s hero calls King’s Port “the most wistful town in America ?” The game of pseudonymity still flourishes on this side. ‘“ Wymond Carey,” whose “No. 101” is full of exciting incident, continues to conceal his identity ; but a curious world is to learn who “Sidney McCall” is by Christmas-time, I hear. All who are interested in higher education should read Dr. Daniel Coit Gilman’s account of the launching of the University of which he was first president. He it was who largely made Johns Hopkins what it is. Two Harper books, “The Spoilers” by Rex Beach and Irving Bacheller’s “Silas Strong,” are enjoying much popularity, but neither of them can be called a work of art. The former, how- ever, contains a faithful picture of the conditions of life in the mining districts of Alaska. Miss Margaret Potter has issued the first instal- ment of a trilogy of novels (poor Frank Norris set this fashion) dealing with Russian life. The hero of “The Genius” is a thinly-disguised por- trait of Tchaikovsky. Great liberties are taken with the personality of Rubinstein, who is also introduced ; and Mozart is absurdly belittled. In “The Dawn of a To-morrow,” Frances Hodgson Burnett has told the tale of an averted suicide with a sentimental skill which will appeal to those who value the emotional above all things. Miss Frothingham’s second novel, “The Evasion,” has had the honour of being compared with “ The House of Mirth.” Boston, instead of New York, is its theatre. If we mistake not, Mr. Louis J. Vance has the THE AUTHOR. 289° makings of a good romancer. His new book, “The Private War,” published by Messrs. Apple- ton in New York, has the same é/an which caused his “Terence O’Rourke” to be received with such favour by the English public. Winston Churchill's latest novel will be out early this month. ‘ Coniston” is to be, I under- stand, quite a new departure. John Paul Jones, whose remains have recently been restored to America, has been made a popular hero by Mr. Alfred Henry Lewis. He was not in life, I fancy, such a very picturesque personage as he has now become. Mr. John S. Phillips has withdrawn from the firm of McClure. Poor San Francisco is of course fated to be exploited. “The Doomed City,” by Frank Thompson Seabright, a Californian, has, we are told, attempted to avoid exaggeration and mis- statements, which is very praiseworthy of him. “Glimpses of the San Francisco Disaster” con- tains half-tone reproductions of photographs, many of which were taken as early as six o’clock in the morning following the shock. Harper's Weekly for April 28th was devoted to the description of the catastrophe. The way in which the book-trade, in company with so many other local interests, rallied from its sudden ruin, can be described as nothing less than heroic. A work of great interest is promised for the autumn by Doubleday, Page & Co. It is “ Recol- lections and Letters of George Washington,” con- taining his correspondence with his secretary, and the latter’s account ef his death. That portion of mankind who are interested in bishops, and perhaps some others, will have wel- comed Bishop Potter’s recent work, which is not confined in its scope to the western hemisphere. Messrs. Putnam, who issue the last-named work, are the publishers of J. Hampden Dougherty’s authoritative treatise on “ The Electoral System of the United States.” A work upon “ The Ethics of Wagner’s Ring of the Nibelungen,” by Mary Elizabeth Lewis, also bears their imprint. This firm make a speciality of foreign translations. We are able to offer them our congratulations upon their excellent version of that remarkable work, Otto Weininger’s “Sex and Character.” We only wish that Arvéde Barine’s brilliant “ Louis XIV. et la Grande Mademoiselle”? had enjoyed equal good fortune. We are glad to know that M. Jaurés’s “Studies in Socialism” has not been committed to the tender mercies of the anonymous translator. Mr. Alonzo Rothschild has written an interesting study of Lincoln, and some delightful reminis- cences of “Rip Van Winkle” have appeared from the pen of his friend, Francis Wilson.  290 Two important Revolution books have been issued by Messrs. Dodd, Mead & Co. in James Schoulet’s “Americans of 1776” and J. H. Hazleton’s “The Decalration of Independence.” A memoir of Jacques Cartier, the explorer, by Dr. James Phinney Baxter, also comes from this firm. The “manuscript edition” of Thoreau’s works issued by Messrs. Houghton, Mifflin & Co. is said to have beena great success. Yet no writer seems to have had more contradictory verdicts passed upon him than the Walden recluse. Among notable travel books of recent publication are Dr. Hugh R. Mill’s “ Siege of the South Pole,” an exhaustive record of Antarctic exploration ; J. A. Harvie-Brown’s “Travels of a Naturalist in Europe,” which deals with the opposite extremity of the globe; and George Milton Fowler’s description of Porto Rico. Prof. Harry Thurston Peck’s perspicuous account of American political history from 1885 to 1905, which has been appearing under his own editorship in Zhe Bookman, will be issued in book form, much enlarged and fortified, in the autumn. It is very readable, and at the same time eminently judicial in tone. The penultimate instalment contains some very candid criticism of President Roosevelt. When writing one of his earlier books, it is said that the future chief of the Republic used “I” so frequently that the publishers had to order a fresh supply of the letter from a type-foundry ! Richard Harding-Davis’s “The Galloper” will appear in book form, with others of his plays, during the summer. He has now come to live nearer New York than he used to. Mr. Ripley Hitchcock has left Messrs. A. 8. Barnes & Co. and joined the Harper Brothers. Mr. Vincent Brown’s novel, “A Magdalen’s Husband,” is being dramatised by the English author and Mr. Belasco, and will soon be played in America. In my obituary notes special mention should be made of Professor Nathaniel Southgate Shaler, the distinguished geologist, whose remarkable excursion into the field of poetic drama I noticed some time since. He served in the Federal Army during the Civil War, but in 64 began scientific duties at Harvard. In 1873—80 he directed the Kentucky Survey, and four years later became geologist to the Atlantic Division of the United States Geological Survey. He was a voluminous writer, both on scientific and other subjects. He died at Cambridge, Mass., on April 10, in his sixty-sixth ear. William: Root Bliss, who died a day earlier, was the author of “Quaint Nantucket” and similar works. George Hermann Elwanger, who also died during THE AUTHOR. April, was an authority upon horticulture, writing some dozen books on the subject, in addition to other works, including “ Meditations on Gout, with a Consideration of its Cure through the Use of Wine”’ (1898). The list also includes the names of Mary Henry Allibone, who assisted her husband with his “Dictionary of Authors”; of Professor George Albert Wentworth, the compiler of numerous manuals on mathematics and physics; and of Carl Schurz, the biographer of Henry Clay. ——_ ee. MUSICAL COPYRIGHT. [6 Edw. 7.] A Bint tro AMEND THE Law RELATING TO Musica Copyrrieut. A.D. 1906. E it enacted by the King’s most Excellent Majesty, by and with the advice and con- sent of the Lords Spiritual and Temporal, and Commons, in this present Parliament assembled, and by the authority of the same, as follows :— Penalty for being in Possession of Pirated Music.—1. Every person who sells, exposes, offers, or has in his possession for sale any pirated music shall (unless he proves that he acted innocently) be guilty of an offence punishable on summary conviction in manner provided by the law in force in that part of the British Islands where the offence is committed, and shall be liable to imprisonment with or without hard labour for a term not exceeding one month or to a fine not exceeding five pounds, and on a second or subse- quent conviction to imprisonment with or without hard labour for a term not exceeding twvo months or to a fine not exceeding fen pounds. Any con- stable may take into custody without warrant any person who sells, exposes, offers, or has in his possession for sale any pirated music. Right of Entry by Police for Execution of Act.— 2, Any constable authorised by an order of a court of summary jurisdiction made under section one of the Musical (Summary Proceedings) Copy- right Act, 1902, to seize pirated copies of any musical work, may, between the hours of six of the clock in the morning and nine of the clock in the evening, enter any house or place named in such order, and, if necessary, use force for making such entry, whether by breaking open doors or otherwise. Definition —3. Inthis Act the expression “ pirated music” means any musical work written, printed, or otherwise reproduced without the consent law- fully given by the owner of the copyright in such musical work. Short Title and Extent—4. This Act may be cited as the Pirated Music Act, 1906, and shall extend to the British Islands. ee ime a ee  The Bill printed above has been before the House -of Commons and read a second time. It has been backed by members differing as widely in politics as Mr. Balfour, Mr. John Redmond, Sir Alfred Thomas, Mr. Enoch Edwards, Mr. Keir Hardie, Mr. Crombie and Mr. Sloan. This fact alone is sufficient to show that its passing or non-passing -does not come within the range of party politics. Mr. Caldwell has issued a memorandum in opposi- tion. It is needless to recall to the minds of readers the fact that Mr. Caldwell has throughout been the bigoted opposer of musical copyright amendment, and has, according to his lights done his best to withhold adequate protection from the unfortunate possessors of this copyright property. It is sometimes difficult to follow Mr. Caldwell’s reasoning. If he objects to any property in brain production in the shape of music, his point of view may be right or may be wrong, but it is easily understood. If, however, he acknowledges the right of property he ought also to acknowledge a right to its adequate protection. He states: ‘“ Musical copyright has the same protection and remedies at law as the most valuable work of lasting benefit to the world, and has in addition the power of seizure and other powers granted by the Act of 1902, under which enormous seizures of pirated music have taken place.” Unfortunately the peculiar character of musical production does not place music on an even base with other literary productions, and the powers at present granted for the protection of composers are still inadequate. This was pointed out in The Author when the Act of 1902 was passed. But Mr. Caldwell seems to think differently, which clearly demonstrates that he fails entirely to grasp the position. He also refers to the Royal Commission of 1878, but at that date the pirate had not discovered his simple method of obtaining a livelihood, and since that date large strides have been made in the opinions of all civilised countries as shown in recent copyright legislation, either proposed or passed, as to the value of author’s rights to the author. Lastly comes the question of cheap music. If the publisher obtains the greater benefit, as no doubt he does, owing to the ignorance and stupidity of composers, this is no argument why the property should not be protected; for what would Mr. Cald- well say when the day comes and the composers can show such public spirit for their profession, and, binding themselves together, can enforce terms on the publisher. Then Mr. Caldwell’s lack of legisla- tion will take effect in the right quarter. But merely to say that the public demand cheap music, and therefore must have it at any cost, is an economic question to which the reply is self-evident. There appear to be only two courses possible—to THE AUTHOR. 291 ask the honourable member to draft his own Bill so that those interested in musical property may have some real idea of what he looks upon as an adequate protection ; or toask him to earn his living for the period of five years either as a musical composer or a musical publisher. _[NorEe.—Since going to press the death of this Bill must be chronicled with regret.—Ep. ] 9 CORRESPONDENCE. a Srr,—As I am the writer of the signed article in The Morning Post to which Mr. Bernard Shaw referred in his speech at the annual dinner of the Society (f., Zhe Author, Vol. XVI., No. 9, pp. 269, 270), I may be permitted to doubt the accuracy of Mr. Shaw’s historical parallel between myself and Judas Iscariot. If my conduct were as he said ‘“‘ unprofessional,” the officers of the Society might have drawn my attention to the circumstance at the moment, which is rather remote. They have still the opportunity to do so, if I “sneered at the attempt of our profession to organise itself.” Humiliter me submitto. Faithfully yours, A. LANG. 1, Marloes Road, W. a Musican CopyrRicHt. Str,—The points taken by your reviewer in his notice of my ‘‘Manual of Musical Copy- right” are all worthy of notice, and will be attended to by me in any subsequent edition. There is, however, one criticism which I hope you will allow me to answer, as the reason for one alleged fault of arrangement is very simple and may be stated in a few words. I am blamed for relegating to an appendix the subject of the retrospective effect of the Inter- national Act of 1886, and not incorporating my arguments on that subject in the body of the work. The book was intended to be readable by the non-lawyer part of the community, publishers, musicians, etc. The retrospective question is of the most subtle and technical kind. I have treated it at great length, holding as I do a view which is opposed to that of most of the bar, though it is in accordance with a decision of the Court of Appeal. The subject is perfectly separable from the other subject matter. Had I interrupted the practical portions of the book to insert this severely legal argument, I 292 should have scared any non-lawyer reading con- tinuously the chapter in which it occurs. If I had given a separate chapter to it, the difference of arrangement from mine would have been merely formal, and I have somewhat reduced the quantity of matter in the body of the work, by eliminating this long essay, and thereby facilitated pro tanto the task of research. Se I repeat my thanks for the careful and judicious notice. T remain, Sir, yours truly, Epwarp CUTLER. Adgware, Hyde Park, W. —1.—<> + Future or THE NOVED. Str,—In “The Future of the Novel,” printed in The Author, I find the following alarming statements :— “‘ Everybody one has ever heard of is either writing or has written a novel”; and “In England every third woman and every twentieth man has published something or other.” It may relieve and reassure a few startled minds to learn that I am the only one of 20,000 in- habitants in a country town who has written a novel, so far as I know (and such things soon become matters of gossip), while I can confidently assert that not more than a dozen men and women here (including the newspaper staffs) have had anything published. I may add that of all my many friends very few are writers—about one in fifty ! Perhaps a literary man, in a literary set, is apt to be deceived on this point. Yours truly, M. P. —_1—<—+—__ “ Repecoa ”’—A Nove. Sir,—In continuation of my previous remarks in The Author anent this old book, it will be of interest to learn that there has recently come into my possession a small 12mo volume, published at Burton-on-Trent in 1822, entitled, “ Realities and Reflections, in which Virtue and Vice are Con- trasted,” by Ann Catharine Holbrook—mark the spelling of both christian name and surname—who is by many considered to be the writer of “ Rebecca.” Upon the fly-leaf is inscribed “ A scarce volume by this little-known Staffordshire authoress.” Therein is also pasted a cutting (apparently from some book catalogue) quoting another work of Mrs. Holbrook’s, called “The Dramatist ; or Memoirs of the Stage. With the life of the authoress, &c. Birmingham, 1809.” It is claimed THE AUTHOR. for “ Realities” that the incidents depicted are taken from “real life,” and they form a series of “tales, moral and instructive,’ addressed to the young. After careful comparison, I find many indica- tions that point to Mrs. Holbrook as being not only the writer of these short stories but of the novel under discussion also. The same highly religious tone pervades both, with a marked simi- larity in several of the characters, and the inflexible- resolve that villainy shall be exposed and punished. Moreover, in the list of subscribers given at the end of the booklet are residents at Ashby—the sur- name of “ Rebecca.’ Does not this fact offer a valuable clue to identity? For we know how often writers of fiction have sought for their heroes and heroines the names of places familiar to them.. I may add that search is still being actively prosecuted in likely quarters for the missing third volume of the novel, which it is hoped may soon be discovered. I also much desire a copy of ‘ The Dramatist”’ referred to above,as valuable light might be thrown upon Mrs. Holbrook’s work in that ‘life of the authoress” issued therewith. CECIL CLARKE. Author’s Club, 8.W. —— Srr,—For the benefit of “Agent” and others this small experience of literary agents may be of interest. [ will confess at once I am not “ worth while.” I wrote three stories, had them typed im one volume, and sent them to a literary agent’s firm, then advertising in the “ AUTHOR.” An offer was made to them for the last story in the volume. They refused it without consulting me, and declined to tell me who had made the offer or the amount, as it was “not their custom to do so.’ They pressed me to allow them to sell the last story separately, but I refused. I wished the MS. to go to America and not be hawked round Britain, but I impressed on the firm the stories were not to be detached from the volume unless sold. After a period of some months I recalled the volume, and it was returned to me with only the title page of the last story. The rest was missing. The agents knew nothing about it, but of course “my interests were fully protected.” They owned the stories had been separated and that they had no authority to do so. About five months after it was returned to me, without any explanation except it had been discovered in an editor’s office in Kentucky. Odd ! Yours truly, Rowan ORME.  SUPPLEMENT I UNITED STATES COPYRIGHT.  A BILL TO AMEND AND CONSOLIDATE THE ACIS RESPECTING COPYRIGHT. CONTENTS. PAGES ee ee Copernic (Seog, 1-3) rer eects tn 5 S uyuot-Marrmn oF CopYRIGHT (Secs. 4-7) ......-:------s----e-tesrcerercrcerettcce steers 5 Mee i Oars CoprmiceT (Bec, 8) een irrretttrrcit terete 6-7 Mow fo Smoune Corveigur (Secs. 9-17) -.-..-.--:---csc-rrerereteercr terse 7-9 Hiei crn oF Copynigur (Secs. 18-20) ----..-1i.----es cee rretteneseetnerener teense 9-10 Prormction or CopyriGut (Secs. 21-36) ......--.----s--seeeerrrneesenrteeeenenetees ese 10-15 Waasaver ov Copvergur (Secs, 37-4D) ......-...--:-se-cerettersnesetercrseeessescererteccesere es 15-16 Gopyaraur Orvicm (Secs. 46-60) .....-..--..-cecrcccereereeertsettertrsssrerenstneestsser eee 16-19 MISCELLANEOUS PROVISIONS (Secs. 61-64) ......-------seeerercerstenseterereeeseneeeeescecse rere s® 19  A BILE TO AMEND AND CONSOLIDATE THE ACTS RESPECTING COPYRIGHT. Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled, That the copyright secured by this Act shall include the sole and exclusive right :— (a) For the purposes set forth in subsection (b) hereof, to make any copy of any work or part thereof the subject of copyright under the provisions of this Act, or to abridge, adapt, or translate into another language or dialect any such work, or make any other version thereof; (b) To sell, distribute, exhibit, or let for hire, or offer or keep for sale, distribution, exhibition, or hire any copy of such work ; (c) To deliver, or authorize the delivery of, in public for profit, any copyrighted lecture, sermon, address, or similar production prepared for oral delivery ; (d) To publicly perform or represent a copyrighted dramatic work, or to convert it into a novel or other non-dramatic work ; (e) To dramatize any copyrighted non-dramatic work and roduce the same either by publication or performance ; (f) To publicly perform a copyrighted musical work, or any part thereof, or for purpose of public performance or the purposes set forth in subsection (b) hereof to make any arrangement or setting of such work, or of the melody thereof, in any system of notation ; (g) To make, sell, distribute or let for hire any device, contri- yance or appliance especially adapted in any manner whatsoever to reproduce to the ear the whole or any material part of any work published and copyrighted after this Act shall have gone into effect, or by means of any such device or appliance publicly to reproduce to the ear the whole or any material part of such work ; (h) To produce any abridgment, variation, adaptation, or arrangement of a copyrighted work of art. Suc. 2. That nothing in this Act shall be construed to annul or limit the right of the author or proprietor of an unpublished work, at common law or in equity, to prevent the copying, publication, or use of such unpublished work without his consent, or to obtain damages therefor. Suc. 3. That the copyright provided by this Act shall extend to and protect all the copyrightable component parts of the work copyrighted, any and all reproductions or copies thereof, in whatever form, style or size, and all matter reproduced therein in which copyright is already subsisting, but without extending the duration of such copyright. Sno. 4, That the works for which copyright may be secured under this Act shall include all the works of an author. Suc. 5. That the application for registration shall specify to which of the following classes the work in which copyright is claimed belongs : (a) Books, including composite and cyclopedic works, direc- tories, gazetteers, and other compilations, and new matter contained 5 Nature and Extent of Copy- right. Subject Matter of Copyright. Comp. Constitution, Art. 1, sec. 8 ; Rev. Stat., sec. 4952. Comp. Act of June 18, 1874, sec. 3 (18 Stat. at L., part 111, p. 79). Comp. Rey. Stat., sec. 4959; Act of March 3, 1891, sec. 5 (26 Stat. at L., p. 1108). Not subject matter of copy- right. Who May Obtain Copyright. Comp. Constitution, 1787, Art. 1, sec. 8; Rev. Stat., sec. 4952; Act of March 3, 1891, sec. 13 (26 Stat. at L., p. 1110). Comp. Act of March 3, 1891, sec. 13 (26 Stat. at L., p. 1110). 6 in new editions; but not including works specified in other sub- sections hereunder ; (b) Periodicals, including newspapers ; (c) Oral lectures, sermons, addresses ; (d) Dramatic compositions ; (e) Musical compositions ; (f) Maps ; (g) Works of art ; models or designs for works of art ; (h) Reproductions of a work of art ; oe (i) Drawings or plastic works of a scientific or technical character ; (j) Photographs ; (k) Prints and pictorial illustrations ; (1) Labels and prints relating to articles of manufacture, as heretofore registered in the Patent Office under the Act of June 18, 1874 : Provided, nevertheless, That the above specifications shall not be held to limit the subject matter of copyright as defined in section four of this Act, nor shall any error in classification invalidate or impair the copyright protection secured under this Act. Src. 6. That additions to copyrighted works and alterations, re- visions, abridgments, dramatizations, translations, compilations, arrangements, or other versions of works, whether copyrighted or in the public domain, shall be regarded as new works subject to copyright under the provisions of this Act ; but no such copyright shall affect the force or validity of any subsisting copyright upon the matter employed or any part thereof, or be construed to grant an exclusive right to such use of the original works. Sec. 7. That no copyright shall subsist :-— (a) In any publication of the United States government or any reprint, in whole or in part, thereof: Provided, however, That the publication or republication by the government, either separately or in a public document, of any material in which copyright is subsisting shall not be taken to cause any abridgment or annul- ment of the copyright or to authorize any use or appropriation of such copyright material, without the consent of the copyright proprietor ; (b) In the original text of a work by any author not a citizen of the United States first published without the limits of the United States prior to July first, eighteen hundred and ninety-one ; or in the original text of any work which has fallen into the public domain. Szo. 8. That the author or proprietor of any work made the subject of copyright by this Act, or his executors, administrators, or assigns, shall have copyright for such work under the conditions and for the terms specified in this Act: Provided, however, That the copyright secured by this Act shall extend to the work of an author or proprietor who is a citizen or subject of a foreign state or nation, only when such foreign author or proprietor,— (a) Shall be living within the United States at the time of the making and first publication of his work, or shall first or cotem- poraneously publish his work within the limits of the United States ; or (b) When the foreign state or nation of which such author or proprietor is a citizen or subject grants—either by treaty, conven- tion, agreement, or law—to citizens of the United States the benefit of copyright on substantially the same basis as to its own  7 citizens, or copyright protection substantially equal to the protec- tion secured to such foreign author under this Act ; or when such foreign state or nation is a party to an international agreement which provides for reciprocity in the granting of copyright, by the terms of which agreement the United States may at its pleasure become a party thereto. The existence of the reciprocal conditions aforesaid shall be determined by the President of the United States, by proclamation made from time to time, as the purposes of this Act may require. Suc. 9. That any person entitled thereto by this Act may secure copyright for his work by publication thereof with the notice of copy- right required by this Act ; and such notice shall be affixed to each copy thereof published or offered for sale in the United States by authority of the copyright proprietor. In the case of a work of art or a plastic work or drawing, such notice shall be affixed to the original also before publication thereof. In the case of a lecture or similar work intended only for oral delivery, notice of copyright shall be given at each public delivery thereof. Sec. 10. That such person may obtain registration of his claim to copyright by complying with the requirements prescribed in this Act ; and such registration shall be prima facie evidence of ownership. Registration may also be had of works of which copies are not repro- duced for sale, by the deposit, with claim of copyright, of the title and one complete printed or manuscript copy of such work, if it be a lecture or similar production, or a dramatic or musical composition ; of a photographic print, if the work be a photograph ; or of a photograph or other identifying reproduction thereof, if it be a work of art, ora plastic work or drawing ; the notice of copyright in these latter cases being affixed to the original before publication as required by section nine above. But the privilege of registration secured hereunder shall not exempt the copyright proprietor from the requirement of deposit of copies under section eleven herein where the work is later reproduced in copies for sale. Sec. 11. That not later than thirty days (but in the case of a periodical not later than ten days) after the publication of the work upon which copyright is claimed, there shall be deposited in_the Copy- right Office or in the United States mail addressed to the Register of Copyrights, Washington, District of Columbia, two complete copies of the best edition ; or if the work be a label or print relating to an article of manufacture, one such copy ; or if a contribution toa periodical for which contribution special registration is requested, one copy of the issue or issues of the periodical containing such contribution, to be deposited not later than ten days after publication ; or if the work is not reproduced in copies for sale, there shall be deposited the copy, print, photograph or other identifying reproduction required by section ten above: such copies or copy, print, photograph or other reproduction to be accompanied in each case by a claim of copyright. Src. 12. That the postmaster to whom are delivered the articles required to be deposited under section eleven above shall, if requested, give a receipt therefor ; and shall mail them to their destination without cost to the copyright claimant. Suc, 13. That of a printed book or periodical the text of the copies deposited under section eleven above shall be printed from type set within the limits of the United States, either by hand or by the aid of any kind of typesetting machine, or from plates made from type set within the limits of the United States, or if the text be produced by How to Secure Copyright. Comp. Rev. Stat., sec. 4956, as amended by the Act of March 3, 1891, sec. 3 (26 Stat. at L., p. 1107). Comp. Rev. Stat., sec. 4961. U. 8. type-set- ting and litho- graphic process. Comp. Act of March 3, 1891, sec. 3 (26 Stat. at L., p. 1107); H. R. pill no. 13355, March 2, 1904, passed by the House of Repre- sentatives April 26, 1904 (68th Cong., 2d sess.). Comp. Act of March 3, 1905. Notice of copy- right. . Comp. Rey. Stat., sec., 4962; Act of June 18, 1874, sec. 1 (18 Stat. at L., part III, p. 79); Act of March 3, 1905. 8 lithographic process, then by a process wholly performed within the limits of the United States: which requirements shall extend also to the illustrations produced by lithographic process within a printed book consisting of text and illustrations, and also to separate lithographs, except where in either case the subjects represented are located in a foreign country ; but they shall not apply to works in raised characters for the use of the blind, and they shall be subject to the provisions of section sixteen with reference to books published abroad seeking ad interim protection under this Act. In the case of the book the copies so deposited shall be accompanied by an affidavit, under the official seal of any officer authorized to administer oaths within the United States, duly made by the person claiming copyright or by his duly authorized agent or representative residing in the United States or by the printer who has printed the book, setting forth that the copies deposited have been printed from type set within the limits of the United States or from plates made from type set within the limits of the United States, or, if the text be pro- duced by lithographic process, that such process was wholly performed within the limits of the United States. Any person who for the purpose of obtaining a copyright shall knowingly be guilty of making a false affidavit as to his having complied with the above conditions shall be deemed guilty of a misdemeanor, and upon conviction thereof shall be punished by a fine of not more than one thousand dollars, and all of his rights and privileges under said copyright shall thereafter be forfeited. Such affidavit shall state also the place within the United States, and the establishment, in which such type was set or plates were made or lithographic process was performed and the date of the completion of the printing of the book or the date of publication. Sec. 14. That the notice of copyright required by section nine shall consist either of the word “ Copyright” or the abbreviation “ Copr.” or, in the case of any of the works specified in sub-sections (f) to (1) inclusive, of section five of this Act, the letter ( enclosed within a circle, thus: @), accompanied in every case by the name of the author or copyright proprietor as registered in the Copyright Office ; or, in the case of works specified in subsections (f) to (1), inclusive, of section five of this Act, by his initials, monogram, mark, or symbol, provided that on some accessible portion of the work or of the margin, back, permanent base or pedestal thereof or of the substance on which the work shall be mounted his name shall appear. But in the case of works in which copyright is subsisting when this Act shall go into effect the notice of copyright may be either in one of the forms prescribed herein or in one of those prescribed by the Act of June 18, 1874. The notice of copyright shall be applied, in the case of a book or other printed publication, upon its title-page or the page immediately following, or if a periodical, either upon the title-page or upon the first page of text of each separate number or under the title heading ; or if a work specified in subsections (f) to (1), inclusive, of section five of this Act, upon some accessible portion of the work itself or of the margin, back, permanent base or pedestal thereof, or of the substance on which the work shall be mounted. In a composite work one notice of copyright shall suffice. Upon every copy of a published musical composition in which the right of public performance is reserved there shall be imprinted under the notice of copyright the words “Right of public performance reserved ;”? in default of which no action shall be maintained nor recovery be had for any such performance although without the consent of the copyright proprietor.  a Seo. 15. That if, by reason of any error or omission, the requirements prescribed above in section eleven have not been complied with within the time therein specified, or if failure to make registration has occurred by the error or omission of any administrative officer or employee of the United States, it shall be permissible for the author or proprietor to make the required deposit and secure the necessary registration within a period of one year after the first publication of the work: Provided, That in such case no action shall be brought for infringement of the copyright until such requirements have been fully complied with : And provided further, That the privilege above afforded of completing the registration and deposit after the expiration of the period prescribed in section eleven shall not exempt the proprietor of any article which bears a notice of copyright from depositing the required copy or copies upon specific written demand therefor by the Register of Copyrights, who may make such demand at any time subsequent to the expiration of such period ; and after the said demand shall have been made, in default of the deposit of the copies of the work within one month from any part of the United States except an outlying territorial possession of the United States, or within three months from any outlying territorial possession of the United States or from any foreign country, the oe of the copyright shall be liable to a fine of one hundred ollars. Where the copyright proprietor has sought to comply with the requirements of this Act as to notice and the notice has been duly affixed to the bulk of the edition published, its omission by inadvertence from a particular copy or copies, though preventing recourse against an innocent infringer without notice, shall not invalidate the copyright nor prevent recovery for infringement against any person who after actual notification of the copyright begins an undertaking to infringe it. Sec. 16. That in the case of a book published in a foreign country before publication in this country the deposit in the Copyright Office not later than thirty days after its publication abroad of one complete copy of the foreign edition with a request for the reservation of the copyright, and a statement of the name and nationality of the author and of the copyright proprietor, and of the date of publication of the said book shall secure to the author or proprietor an ad intervm copy- right. Except as otherwise provided, the ad interim copyright thus secured shall have all the force and effect given to copyright by this Act, and shall endure as follows :— (a) In the case of a book printed abroad in a foreiyn language, for a period of two years after the first publication of the book in the foreign country ; (b) In the case of a book printed abroad in the Hnglish language or in English and one or more foreign languages, for a period of thirty days after such deposit in the Copyright Office. Suc. 17. That whenever within the period of such ad interim pro- tection an authorized edition shall be produced and published from type set within the limits of the United States or from plates made there- from, (a) of a book in the Hnglish language, or (b) of a book in a foreign language, either in the original language or in an English translation thereof, and whenever the requirements prescribed by this Act as to deposit of copies, registration, filing of affidavit and the printing of the copyright notice shall have been duly complied with, the copyright shall be extended to endure in such original book for the full terms elsewhere provided in this Act. Sno. 18. That the copyright secured by this Act shall endure,— (a) For twenty-eight years after the date of first publication in * Failure to com- ply with formali- ties. Comp. Rev. Stat., sec. 4962. Comp. Act of March 3, 1865, sec. 3 (13 Stat. at L., p. 540). Ad interim pro- tection. Comp. Act of March 3, 1905, Duration of the Copyright.  Comp. as to prints or labels, the he of June 18, 1874, sec. 3 (18 Stat. at L., part 111, p. 79). Comp. Rev. Stat., secs. 4953 and 4954, Extension of term of subsist- ing copyright. Comp. Act of Feb. 3, 1831, sec. 16 (4 Stat. at L., p. 439). Right of trans- lation. Comp. Act. of March 3, 1891, sec. 1 (26 Stat. at L., p. 1107). Protection of the Copyright. Protection for unpublished works, Infringement of copyright. Comp. Rev, Stat., sec. 3082. 10 the case of any print or label relating to articles of manufacture : Provided, That the copyright which at the time of the passing of this Act may be subsisting in any article named in this section shall endure for the balance of the term of copyright fixed by the laws then in force ; (b) For fifty years after the date of first publication in the case of any composite or collective work ; any work copyrighted by a corporate body or by the employer of the author or authors ; any abridgment, compilation, dramatization, or translation ; any post- humous work ; any arrangement or reproduction in some new form of a musical composition ; any photograph ; any reproduction of a work of art ; any print or pictorial illustration ; the copyrightable contents of any newspaper or other periodical ; and the additions or annotations to works previously published. (c) For the lifetime of the author and for fifty years after his death, in the case of his original book, lecture, dramatic or musical composition, map, work of art, drawing or plastic work of a scientific or technical character, or other original work, but not including any work specified in subsections (a) or (b) hereof ; and in the case of joint authors, during their joint lives and for fifty years after the death of the last survivor of them. In all of the above cases the term shall extend to the end of the calendar year of expiration. The copyright in a work published anonymously or under an assumed name shall subsist for the same period as if the work had been produced bearing the author’s true name. Sec. 19. That the copyright subsisting in any work at the time when this Act goes into effect may, at the expiration of the renewal term pro- vided for under existing law, be further renewed and extended by the author, if he be still living, or if he be dead, leaving a widow, by his widow, or in her default, or if no widow survive him, by his children, if any survive him, for a further period such that the entire term shall be equal to that secured by this Act : Provided, That application for such renewal and extension shall be made to the Copyright Office and duly registered therein within one year prior to the expiration of the existing term: And provided further, That, should such subsisting copyright have been assigned, or a license granted therein for publication upon payment of royalty, the copyright shall be renewed and extended only in case the assignee or licensee shall join in the application for such renewal and extension. Src. 20. That the author’s exclusive right to dramatize or translate any one of his works in which copyright is subsisting shall, after the expiration of ten years from the day on which the work was registered in the Copyright Office, continue effective only in case a dramatization or translation thereof has been produced within that period by his consent or that of his assigns, and in the case of translations shall be confined to the language of any translation so produced. Sec. 21. That every person who, without the consent of the author or proprietor first obtained, shall publish or reproduce in any manner whatsoever any unpublished copyrightable work shall be liable to the author or proprietor for all damages occasioned by such injury, and to an injunction restraining such unauthorized publication, as hereinafter provided. Sxc. 22. That any reproduction, without the consent of the author or copyright proprietor, of any work or any material part of any work in which copyright is subsisting shall be illegal and is hereby prohibited. The provisions of section thirty-eight hundred and ninety-three of  Tt the Revised Statutes, prohibiting the use of the mails in certain cases, and also the provision of section thirty-eight hundred and ninety-five of the Revised Statutes, shall apply, and the importation into the United States of any such fraudulent copies or reproductions is hereby prohibited. Suc. 23. That if any person shall infringe the copyright in any work protected under the copyright laws of the United States by doing or causing to be done, without the consent of the copyright proprietor firat obtained in writing, any act the exclusive right to do or authorize which is by such laws reserved to such proprietor, such person shall be liable : (a) To an injunction restraining such infringement ; (b) To pay to the copyright proprietor such damages as the copyright proprietor may have suffered due to the infringement, as well as all the profits which the infringer may have made from such infringement, and in proving profits the plaintiff shall be required to prove sales only and defendant shall be required to prove every element of cost which he claims ; or in lieu of actual damages and profits, such damages as to the court shall appear just, to be assessed upon the following basis, but such damages shall in no case exceed the sum of five thousand dollars nor be less than the sum of two hundred and fifty dollars, and shall not be regarded as a penalty : (1) In the case of a painting, statue or sculpture or any device especially adapted to reproduce to the ear any copy- righted work, not less than ten dollars for every infringing copy made or sold by or found in the possession of the infringer or his agents or employees ; (2) In the case of a lecture, sermon, or address, not less than fifty dollars for every infringing delivery ; (3) In the case of a dramatic or musical composition, not less than one hundred dollars for the first and not less than fifty dollars for every subsequent infringing performance ; (4) In the case of all other works enumerated in section five of this Act, not less than one dollar for every infringing copy made or sold by or found in the possession of the intringer or his agents or employees. (c) To deliver up on oath to be impounded during the pendency of the action, upon such terms and conditions as the court may prescribe, all goods alleged to infringe a copyright ; (d) To deliver up on oath for destruction all the infringing copies or devices, as well as all plates, molds, matrices or other means for making such infringing copies. Any court given jurisdiction under section thirty-two of this Act may proceed in any action instituted for violation of any provision hereof to enter a judgment or decree enforcing any of the remedies herein provided. Sec. 24. That the proceedings for an injunction, damages and profits, and those for the seizure of infringing copies, plates, molds, matrices, etc., aforementioned, may be united in one action. Sno. 25. That any person who wilfully and for profit shall infringe any copyright secured by this Act, or who shall knowingly and wilfully aid or abet such infringement or in any wise knowingly and wilfully take part in any such infringement, shall be deemed guilty of a misdemeanor, and upon conviction thereof shall be punished by imprisonment for not exceeding one year or by a fine of not less than Remedies. Comp. Rev. Stat., sec. 4964 (as amended by Act of March 38, 1891, sec. 7, 26 Stat. at L., p- 1109) and Rev. Stat., sec. 4965 (as amended by Act of March 2, 1895, 28 Stat. at L., p. 965). Comp. Rev. Stat., sec. 4966 (as amended by Act of Jan. 6, 1897, 29 Stat. at L., p. 481). 12 one hundred dollars nor more than one thousand dollars, or both, in the discretion of the court. False notice of | Any person who, with fraudulent intent, shall insert or impress any copyright. notice of copyright required by this Act, or words of the same purport, in or upon any article for which he has not obtained copyright, or with fraudulent intent shall remove or alter the copyright notice upon an article duly vopyrighted, shall be guilty of a misdemeanor, punishable by a fine of not less than one hundred dollars and not more than one thousand dollars. Any person who shall knowingly issue or sell any article bearing a notice of United States copyright which has not been copyrighted in this country, or who shall knowingly import any article bearing such notice, or words of the same purport, which has not been copyrighted in this country, shall be liable to a fine of one hundred dollars. The importation into the United States of any article bearing such notice of copyright when there is no existing copyright thereon in the United States is prohibited, and such importations shall be proceeded against as provided by sections twenty-six to twenty-nine, inclusive, of this Act. Prohibition of SEC. 26. That any and all such fraudulent copies prohibited importa- importation. tion by this Act which are brought into the United States from any foreign country shall be seized by the collector, surveyor or other officer of the customs, or any person authorized in writing to make seizures under the customs revenue laws, in the district in which they are found; and the copies so seized shall without delay be delivered into the custody of the principal customs officer of the collection district in which the seizure is made; whereupon the said officer shall (except in cases of importation by mail) publish a notice of such seizure once a week for three successive weeks in some newspaper of the county or place where such seizure shall have been made. If no news- paper is published in such county, then such notice shall be published in some newspaper of the county in which the principal customs office of the district is situated ; and if no newspaper is published in such county, then notices shall be posted in proper public places, which : notices shall describe the articles seized and state the time, cause, and place of seizure, and shall require any person claiming such articles to appear and file with such customs officer his claim to such articles within twenty days from the date of the first publication of such notice. Sro. 27. That any person claiming the property so seized may, at any time within twenty days from the date of such first publication of Comp. Rev. Stat., sec. 3076, notice, file with the collector, or other proper officer, a claim, stating his interest in the articles seized, and deposit with such collector, or other proper officer, a bond to the United States as now prescribed by law, in the penal sum of two hundred and fifty dollars, with two sure- ties, to be approved by said collector, or other proper officer, conditioned Comp. Rev. Stat., sec. 838] that in case of the condemnation of the articles so claimed the obligors shall pay all the costs and expenses of the proceedings to obtain such condemnation. Such collector, or other proper officer, shall transmit the said bond with a duplicate list and description of the articles seized and claimed to the United States Attorney for the proper district, who shall proceed : for a condemnation of the property by information as in customs revenue 4 cases. Src. 28. 'Fhat in case the property shall be condemned it shall be delivered into the custody of the United States Marshal and destroyed in such manner as the court may direct. If not condemned the said articles shall be delivered to the importer on payment of the duty, if  13 any be due. If probable cause is found by the court as an existing fact connected with the seizure, the officer or other person making the seizure shall be entitled to a certificate affording him an absolute defense to any action on account of seizure. If no such claim shall be filed, or bond given, within the twenty days above specified, the collector, or other proper officer of the customs who has custody of the property, shall declare the same forfeited, and it shall be destroyed in such manner as shall be prescribed by the Secretary of the Treasury. Sec. 29. That mails from foreign countries shall be carefully examined by postmasters, who shall forward to the principal customs officer of the district in which the post office is situated any foreign mail package supposed to contain any article imported in violation of the provisions of this Act. Upon receipt of such package the customs officer shall detain the same in his custody and notify by mail the eddressee of the package of its detention, and require him to show cause within thirty days why the supposed prohibited articles should not be destroyed. If the person so addressed shall not appear and show cause to the contrary, the customs officer shall make formal seizure of the articles contained in the package supposed to be pro- hibited importation, and if the package contains any prohibited articles shall declare the same forfeited, whereupon said articles shall be destroyed in such manner as the Secretary of the Treasury shall direct. If upon examination the articles prove to be innocent of any violation of law the package shall be forwarded to the addressee in regular course of mail, subject to the payment of customs duty, if any be due. If the addressee appears and shows to the satisfaction of the said officer that the importation of the articles is not prohibited, the said articles shall be delivered to the addressee upon payment of the customs duty, if any be due. Sec. 30. That during the existence of the American copyright in any book the importation into the United States of any foreign edition or editions thereof (although authorized by the author or proprietor) not printed from type set within the limits of the United States or from plates made therefrom, or any plates of the same not made from type set within the limits of the United States, or any editions thereof pro- duced by lithographic process not performed within the limits of the United States, in accordance with the requirements of section thirteen of this Act, shall be and is hereby prohibited : Provided, however, 'That such prohibition shall not apply— (a) To works in raised characters for the use of the blind ; (b) To a foreign newspaper or magazine, although containing matter copyrighted in the United States printed or reprinted by authority of the copyright proprietor, unless such newspaper or magazine contains also copyright matter printed or reprinted without such authorization ; (c) To the authorized edition of a book in a foreign language or languages, of which only a translation into English has been copy- righted in this country ; (a) ‘To books in a foreign language or languages, published without the limits of the United States, but deposited and registered for an ad interim copyright under the provisions of this Act: in which case importation of copies of an authorized foreign edition shall be permitted during the ad interim term of two years, or until such time within this period as an edition shall have been produced from type set within the limits of the United States, or from plates made therefrom, or by a lithographic process performed therein as above provided ; Comp. Act of March 3, 1891, sec. 3 (26 Stat. at L., p. 1107). Comp. Act of Oct. 1, 1890, Free List, sec. 513. Comp. Act of March 3, 1891, sec. 3 (26 Stat. at L., p. 1108). Comp. Act of March 3, 1891, sec. 3 (26 Stat. at L., p. 1107). Comp. Act of March 3, 1905.  Suits : diction. Juris- 14 (e) To any book published abroad with the authorization of the author or copyright proprietor when imported under the circum- stances stated in one of the four sub-divisions following, that is to say: (1) When imported, not more than one copy at one time for use and not for sale, under permission given by the pro- prietor of the American copyright ; (2) When imported, not more than one copy at one time, by the authority or for the use of the United States ; (3) When specially imported, for use and not for sale, not more than one copy of any such book in any one invoice, in good faith, by or for any society or institution incorporated for educational, literary, philosophical, scientific or religious purposes, or for the encouragement of the fine arts, or for any college, academy, school or seminary of learning, or for any State, school, college, university or free public library in the United States: but such privilege of importation without the consent of the American copyright proprietor shall not extend to a foreign reprint of a book by an American author copy- righted in the United States unless copies of the American edition can not be supplied by the American publisher or copyright proprietor ; (4) When such books form parts of libraries or collections purchased en bloc for the use of societies, institutions or libraries designated in the foregoing paragraph; or form parts of the libraries or personal baggage belonging to persons or families arriving from foreign countries, and are not intended for sale : Provided, That copies imported as above may not lawfully be used in any way to violate the rights of the American copyright proprietor or annul or limit the copyright protection secured by this Act ; and such unlawful use shall be deemed an infringement of copyright. Src. 31. That all copies of authorized editions of copyright books imported in violation of the above provisions of this Act may be exported and returned to the country of export, provided it be shown to the satisfaction of the Secretary of the Treasury upon written application that such importation does not involve wilful negligence or fraud. If absence of wilful negligence or fraud be not established to the satisfaction of the Secretary of the Treasury, the importation shall be proceeded against as in the case of fraudulent copies in the manner prescribed by sections twenty-six to twenty-nine, inclusive, of this Act. Sec. 32. That all actions arising under the copyright laws of the United States shall be originally cognizable by the circuit courts of the United States, the district court of any Territory, the Supreme Court of the District of Columbia, the district courts of Alaska, Hawaii and Porto Rico, and the courts of first instance of the Philipine Islands. Actions arising under this Act may be instituted in the district of which the defendant is an inhabitant, or in the district where the violation of any provision of this Act has occurred. Any such court, or judge thereof, shall have power, upon bill in equity filed by any party aggrieved, to grant an injunction to prevent the violation of any right secured by said laws, according to the course and principles of courts of equity, on such terms as said court or judge may deem reasonable. Any injunction that may be granted, restraining and enjoining the doing of anything forbidden by this Act may be served on the parties against whom such injunction may be granted  15 anywhere in the United States, and shall be operative throughout the United States and be enforceable by proceedings in contempt, or other- wise, by any other court or judge possessing jurisdiction of the defendant; but the defendants, or any or either of them, may make a motion in the proper court of any other district where such a violation is alleged, to dissolve said injunction upon such reasonable notice to the plaintiff as the court or judge before whom said motion shall be made shall deem proper; service of said motion to be made on the plaintiff in person or on his attorney in the action. Said courts or judges shall have authority to enforce said injunction and to hear and determine a motion to dissolve the same, as herein provided, as fully as if the action were pending or brought in the district in which said motion is made. The clerk of the court, or judge granting the injunction, shall, when required so to do by the court hearing the application to dissolve or enforce said injunction, transmit without delay to said court a certified copy of all the papers on which the said injunction was granted that are on file in his office. When any action is brought in any place whereof the defendant is not an inhabitant, service of process shall be made by the marshal of the district of which the defendant is an inhabitant, or of the district where he may be found, upon receiving a certified copy of the process from the clerk of the court where the suit was brought, and return shall be made by said marshal to said court. Suc. 33. That the final orders, judgments or decrees of any court mentioned in section thirty-two of this Act arising under the copyright laws of the United States may be reviewed on appeal or writ of error in the manner and to the extent now provided by law for the review of cases finally determined in said courts respectively. Sec. 34. That no action shall be maintained under the provisions of this Act unless the same is commenced within three years after the cause of action arose. Src. 35. That in all recoveries under this Act full costs shall be allowed. Src. 36. That nothing in this Act shall prevent, lessen, impeach, or avoid any remedy at law or in equity which any party aggrieved by any infringement of a copyright might have had if this Act had not been passed. Suc. 37. That the copyright is distinct from the property in the material object which is the subject of copyright, and the sale or con- veyance, by gift or otherwise, of the original object shall not of itself imply the cession of the copyright ; nor shall the assignment of the copyright imply the transfer of the material object. Src. 38. That the right of translation, the right of dramatization, the right of oral delivery of a lecture, the right of representation in the case of a dramatic composition, the right of performance in the case of a musical composition, where the latter is reserved as provided in section fourteen hereof, the right to make any mechanical device by which music may be reproduced to the ear, and the right of repro- duction of a work of art or of a drawing or plastic work of a scientific or technical character shall each be deemed a separate estate subject to assignment, lease, license, gift, bequest, or inheritance. Suc. 39. That the copyright in a work of art and the ownership of the work shall be deemed to be distinct properties, and, except as pro- vided for in this Act, the copyright in any artistic work shall remain in the author of the work, even if such work be sold or disposed of by Comp. Rev. Stat., sec. 972. Transfer of Copyright.  Assignment of copyright. Foreign as- signment. Comp. Patent Act of March 3, 1897, sec. 5 (29 Stat. at L., p. 693). Comp. Rev. Stat., sec. 4955. Comp. Act of June 18, 1874, sec, 2 C18 Stat. at L., part 111, p. 79). The Copyright Office. Comp. Rev. Stat., sec. 4948 ; Act of Feb. 19, 1897 (29 Stat. at L., p. 545). Comp. Act of Feb. 19, 1897 (29 Stat. at L., p. 545). Comp. Act of Feb. 19, 1897 (29 Stat. at L., p. 545). 16 such author, unless the copyright therein be expressly assigned or disposed of in writing by him, or pass by operation of law or testamentary disposition. Src. 40. That every assignment of copyright under this Act shall be by an instrument of writing signed by the assignor. Suc. 41. That every assignment of copyright executed in a foreign country shall be acknowledged by the assignor before a consular officer or secretary of legation of the United States authorized by law to administer oaths or perform notarial acts. The certificate of such acknowledgment under the hand and official seal of such consular officer or secretary of legation shall be primd facie evidence of the execution of the instrument. Suc. 42. That every assignment of copyright shall be recorded in the Copyright Office within ninety days after its execution in the United States or within six calendar months after its execution without the limits of the United States, in default of which it shall be void as against any subsequent purchaser or mortgagee for a valuable con- sideration, without notice, whose assignment has been duly recorded. Suc. 43. That in place of the original instrument of assignment there may be sent for record a true copy of the same duly certified as such by any official authorized to take an acknowledgment to a deed. Src. 44. That the Register of Copyrights shall, upon payment of the prescribed fee, record such assignment, and shall return to the sender, with a certificate of record attached, under seal, the original instrument or the copy of the same so filed for record; and upon the payment of the fee prescribed by this Act he shall furnish to any person requesting the same a certified copy thereof, under the seal of the Copyright Office. Suc. 45. That when an assignment of the copyright in a specified book or other work has been recorded, the assignee shall have the privilege of substituting his name for that of the assignor in the statutory notice of copyright prescribed by this Act. Src. 46. That all records and other things relating to copyrights, required by law to be preserved, shall be kept and preserved in the Copyright Office, Library of Congress, District of Columbia, and shall be under the control of the Register of Copyrights, who shall, under the direction and supervision of the Librarian of Congress, perform all the duties relating to the registration of copyrights. Src. 47. That there shall be appointed by the Librarian of Congress a Register of Copyrights, at a salary of dollars per annum, and one Assistant Register of Copyrights, at a salary of dollars per annum, who shall have authority during the absence of the Register of Copyrights to attach the Copyright Office seal to all papers issued from the said office, and to sign such certificates and other papers as may be necessary. There shall also be appointed by the Librarian such subordinate assistants to the Register as may from time to time be authorized by law. Src. 48. That the Register of Copyrights shall make daily deposits in some bank in the District of Columbia, designated for this purpose by the Secretary of the Treasury as a national depository, of all moneys received to be applied as copyright fees, and shall make weekly deposits with the Secretary of the Treasury, in such manner as the latter shall direct, of all copyright fees actually applied under the provisions of this Act, and annual deposits of sums received which it has not been possible to apply as copyright fees or to return to the remitters, and  17 shall also make monthly reports to the Secretary of the Treasury and to the Librarian of Congress of the applied copyright fees for each calendar month, together with a statement of all remittances received, trust funds on hand, moneys refunded, and unapplied balances. Suc. 49. That the Register of Copyrights shall give bond to the United States in the sum of twenty thousand dollars, in form to be approved by the Solicitor of the Treasury, and with sureties satisfactory to the Secretary of the Treasury, for the faithful discharge of his duties. Sec. 50. That the Register of Copyrights shall make an annual report to the Librarian of Congress, to be printed in the Annual Report on the Library of Congress, of all copyright business for the previous fiscal year, including the number and kind of works which have been deposited in the Copyright Office during the fiscal year, under the provisions of this Act. Suc. 51. That the seal provided under the Act of July eighth, eighteen hundred and seventy, and at present used in the Copyright Office, shall continue to be the seal thereof, and by it all papers issued from the Copyright Office requiring authentication shall be authenticated. Suc. 52. That, subject to the approval of the Librarian of Congress, the Register of Copyrights shall be authorized to make reasonable rules and regulations, not inconsistent with the provisions of this Act, for the conduct of proceedings with reference to the registration of claims to copyright as provided by this Act: Provided, That no breach of such rules or regulations shall affect the validity of the copyright. Suc. 53. That the Register of Copyrights shall provide and keep such record books in the Copyright Office as are required to carry out the provisions of this Act, and whenever deposit has been made in the Copyright Office of a title or copy of any work under the provisions of this Act he shall make entry thereof. Suc. 54. That in the case of each entry the person recorded as the claimant of the copyright shall be entitled to a certificate under seal of copyright registration, to contain his name and address, the title of the work upon which copyright is claimed, the date of the deposit of the required copies of such work, and such marks as to class designation and entry number as shall fully identify the entry. In the case of a book the certificate shall also state the receipt of the affidavit required by section thirteen of this Act, and the date of the completion of the printing, or the date of the publication of the book, as stated in the said affidavit. The Register of Copyrights shall prepare a printed form for the said certificate to be filled out in each case as above provided for, which certificate sealed with the seal of the Copyright Office shall, upon payment of the prescribed fee, be given to any person making application for the same, and the said certificate shall be admitted in any court as prima facie evidence of the facts stated therein. Suc. 55. That the Register of Copyrights shall fully index all copy- right registrations, and shall print at periodic intervals a catalogue of the titles of articles deposited and registered for copyright, together with suitable indexes, and at stated intervals shall print complete and indexed catalogues for each class of copyright entries, and thereupon shall have authority to destroy the original manuscript catalogue cards containing the titles included in such printed volumes and representing the entries made during such intervals. The current catalogues of copyright entries and the index volumes herein provided for shall be admitted in any court as prima facie evidence of the facts stated therein as regards any copyright registration. Comp. Act of Feb. 19, 1897 Q9 Stat. at L., p. 545). Comp. Rev. Stat., sec. 4951. Comp. Rey. Stat., sec. 4949. Comp. Trade-mark Act of Feb. 20, 1905, sec. 26. Comp. Rev. Stat., sec. 4957. Comp. Trade-mark Act of Feb. 20, 1905, sec. 16. Catalogue of copyright entries. Comp. Act of March 3, 1891, sec. 4 (26 Stat. at L., p. 1108).  Comp. Act. of March 3, 1891, sec. 4 (26 Stat. at L., p. 1108). Disposal of ac- cumulated copy- right deposits. Copyright fees. Comp. Rev. Stat., sec. 4958 ; Act of June 18, 1874, sec. 2 (18 Stat. at L., part 11, p. 79); Act of March 3, 1891, sec. 4 (26 Stat. at L., p. 1108). 18 Suc. 56. That the said printed current catalogues as they are issued shall be promptly distributed by the Copyright Office to the collectors of customs of the United States and to the postmasters of all exchange offices of receipt of foreign mails, in accordance with revised lists of such collectors of customs and postmasters prepared by the Secretary of the Treasury and the Postmaster-General, and they shall also be furnished to all parties desiring them at a price to be determined by the Register of Copyrights not exceeding five dollars per annum for the complete catalogue of copyright entries and not exceeding one dollar per annum for the catalogues issued during the year for any one class of subjects. The consolidated catalogues and indexes shall also be supplied to all persons ordering them at such prices as may be deter- mined to be reasonable, and all subscriptions for the catalogues shall be received by the Superintendent of Public Documents, who shall forward the said publications ; and the moneys thus received shall be paid into the Treasury of the United States and accounted for under such laws and Treasury regulations as shall be in force at the time. Sec. 57. That the record books of the Copyright Office, together with the indexes to such record books, and all works deposited and retained in the Copyright Office, shall be open to public inspection at convenient times ; and copies may be taken of the copyright entries actually made in such record books, subject to such safeguards and regulations as shall be prescribed by the Register of Copyrights and approved by the Librarian of Congress. Suc. 58. That of the articles deposited in the Copyright Office under the provisions of the copyright laws of the United States or of this Act, the Librarian of Congress shall determine what books and other articles shall be transferred to the permanent collections of the Library of Congress, including the Law Library, and what other books or articles shall be placed in the reserve collections of the Library of Congress for sale or exchange, or be transferred to other governmental libraries in the District of Columbia for use therein. Sec. 59. That of any articles undisposed of as above provided, together with all titles and correspondence relating thereto, the Librarian of Congress and the Register of Copyrights jointly shall at suitable intervals determine what of these received during any period of years it is desirable or useful to preserve in the permanent files of the Copyright Office, and, after due notice as hereinafter provided, may within their discretion cause the remaining articles and other things to be destroyed: Provided, That there shall be printed in the Catalogue of Copyright Entries from February to November, inclusive, a statement of the years of receipt of such articles and a notice to permit any author, copyright proprietor, or other lawful claimant to claim and remove before the expiration of the month of November of that year anything found which relates to any of his productions deposited or registered for copyright within the period of years stated, not reserved or disposed of as provided for in sections fifty-eight and fifty-nine of this Act : And provided further, That no manuscript of an unpublished work shall be destroyed during the term of its copyright without specific notice to the author, copyright proprietor, or other lawful claimant, permitting him to claim and remove it. Suc. 60. That the Register of Copyrights shall receive, and the persons to whom the services designated are rendered shall pay, the following fees: For the registration of any work subject to copyright deposited under the provisions of this Act, one dollar, which sum is to include a certificate under seal. For every additional certificate under seal of registration made, fifty cents. For recording and certifying any  19 instrument of writing for the assignment of copyright, or for any copy of an assignment, duly certified, if not over three hundred words in length, one dollar; if more than three hundred and less than one thousand words in length, two dollars; if more than one thousand words in length, one dollar for each one thousand words and fraction thereof over three hundred words. For comparing any copy of an assignment with the record of such document in the Copyright Office and certifying the same under seal, one dollar. For recording the transfer of the proprietorship of copyrighted articles, ten cents for each title of a book or other article in addition to the fee prescribed for recording the instrument of assignment. For any requested search of Copyright Office records, indexes, or deposits, fifty cents for each full hour of time consumed in making such search. For the personal inspection of copyright record books, indexes, applications, or any article deposited, including the copying of an entry actually made in any such record book, ten cents in the case of each book or other article: Provided, That for such inspection or copying, or both, if made by or on behalf of any person party to a copyright suit already begun or if the inspection and use of a book or other deposited article is made in the reading-room of the Library of Congress, or in any division of the Library to which the said article would naturally pertain, no charge shall be made: Provided further, That only one registration at one fee shall be required in the case of several volumes of the same book or periodical deposited at the same time or of a numbered series of any work specified in subsections (h), (j), (k), and (1) of section five of this Act, where such series represents the same subject with variances only in pose or composition and the items composing it are deposited at the same time under one title with a view to a single registration. Suc. 61. That in the interpretation and construction of this Act the words “ United States” shall be construed to mean the United States and its territorial possessions, and to include and embrace all territory which is now or may hereafter be under the jurisdiction and control of the United States. Suc. 62. That in the interpretation and construction of this Act words importing the singular number shall be held to include the plural, and vice versd, except where such construction would be unreasonable, and words importing the masculine gender shall be held to include all genders, except where such construction would be absurd or unreasonable. Sno. 63. That in the interpretation and construction of this Act «“ the date of publication ” shall in the case of a work of which copies are reproduced for sale or distribution be held to be the earliest date when copies of the first authorized edition were sold or placed on sale ; and the word “author” shall include an employer in the case of works made for hire. So. 64. That all acts and parts of acts inconsistent herewith are hereby repealed, save and except section 4966 of the Revised Statutes, the provisions of which are hereby confirmed and continued in force, anything to the contrary in this Act notwithstanding. ’ BRADBURY, AGNEW, & CO. LD., PRINTERS, LONDON AND TONBRIDGE. Miscellaneous Provisions. Repealing clause. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Author, Vol. 16 Issue 10 (July 1906) Subject The topic of the resource <em>The Author</em>, Vol. 16 Issue 10 (July 1906) Type The nature or genre of the resource Publication Identifier An unambiguous reference to the resource within a given context 1906-07-01-The-Author-16-10 publications The Author