<?xml version="1.0" encoding="UTF-8"?>
<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="488" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://historysoa.com/items/show/488?output=omeka-xml" accessDate="2026-10-19T00:48:39+00:00">
  <fileContainer>
    <file fileId="532">
      <src>https://historysoa.com/files/original/5/488/1903-12-01-The-Author-14-3.pdf</src>
      <authentication>3de35e1fc697f63c0569c0099ae72a3a</authentication>
      <elementSetContainer>
        <elementSet elementSetId="4">
          <name>PDF Text</name>
          <description/>
          <elementContainer>
            <element elementId="87">
              <name>Text</name>
              <description/>
              <elementTextContainer>
                <elementText elementTextId="6115">
                  <text>����������������������������</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </file>
  </fileContainer>
  <collection collectionId="5">
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3615">
                <text>The Author</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3616">
                <text>&lt;em&gt;The Author&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3617">
                <text>A digitised run of the Society of Authors' monthly periodical, &lt;em&gt;The Author&lt;/em&gt;, 1890&lt;span&gt;–&lt;/span&gt;1914, made available together for the first time.&lt;br /&gt;&lt;br /&gt;Currently users can browse issues and &lt;a href="https://historysoa.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Index&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;exhibit=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items&amp;amp;sort_field=Dublin+Core%2CTitle"&gt;indices&lt;/a&gt; (not available for all volumes). Full text search for all issues, and other additional search functionality, will be added in 2022.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3618">
                <text>1890–1914</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3619">
                <text>The-Author-Issues</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </collection>
  <itemType itemTypeId="19">
    <name>Publication</name>
    <description/>
    <elementContainer>
      <element elementId="76">
        <name>Date</name>
        <description>The date of an event (in YYYY, YYYY-MM or YYYY-MM-DD format)</description>
        <elementTextContainer>
          <elementText elementTextId="6120">
            <text>1903-12-01</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="89">
        <name>Volume</name>
        <description/>
        <elementTextContainer>
          <elementText elementTextId="6121">
            <text>14</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="90">
        <name>Issue</name>
        <description/>
        <elementTextContainer>
          <elementText elementTextId="6122">
            <text>3</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="91">
        <name>Pages</name>
        <description>Page range in volume</description>
        <elementTextContainer>
          <elementText elementTextId="6123">
            <text>57–84</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="92">
        <name>Ngram Date</name>
        <description>Version of the date in YYYYMMDD format for use by the Ngram plugin</description>
        <elementTextContainer>
          <elementText elementTextId="6717">
            <text>19031201</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="94">
        <name>Ngram Text</name>
        <description>Version of the text with no HTML formatting for use by the Ngram plugin</description>
        <elementTextContainer>
          <elementText elementTextId="7151">
            <text>Che Huthor.&#13;
&#13;
(The Organ of the Incorporated Society of Authors.&#13;
&#13;
Monthly.)&#13;
&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
&#13;
 &#13;
&#13;
Vou. XTV.—No. 3.&#13;
&#13;
DECEMBER 1sT, 1903.&#13;
&#13;
[Prick SIXPENCE.&#13;
&#13;
 &#13;
&#13;
TELEPHONE NUMBER :&#13;
&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS:&#13;
&#13;
AUTORIDAD, LONDON.&#13;
&#13;
a&#13;
&#13;
THE&#13;
UNVEILING OF THE MEMORIAL&#13;
TO SIR WALTER BESANT.&#13;
&#13;
—— 9&#13;
&#13;
ORD MONKSWELL, the Chairman&#13;
&#13;
of the London County Council, has&#13;
&#13;
kindly undertaken the duty of unveiling&#13;
&#13;
the Memorial to Sir Walter Besant. The&#13;
&#13;
ceremony will take place in the Crypt of&#13;
&#13;
St. Paul’s Cathedral on the afternoon of&#13;
Friday, December 11th, at 3 o’clock.&#13;
&#13;
It is hoped that those members of the&#13;
Society who care for the memory of Sir&#13;
Walter Besant, and are grateful for his&#13;
unselfish and earnest labours on behalf of&#13;
his fellow writers, will make every effort&#13;
to be present.&#13;
&#13;
es&#13;
NOTICES.&#13;
&#13;
OR the opinions expressed in papers that are&#13;
signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
to be the case.&#13;
&#13;
Tue Editor begs to inform members of the&#13;
Authors’ Society and other readers of The Author&#13;
VoL, XIV.&#13;
&#13;
 &#13;
&#13;
that the cases which are from time to time quoted&#13;
in The Author are cases that have come before the&#13;
notice or to the knowledge of the Secretary of the&#13;
Society, and that those members of the Society&#13;
who desire to have the names of the publishers&#13;
concerned can obtain them on application.&#13;
&#13;
a&#13;
&#13;
List of Members.&#13;
&#13;
TuE List of Members of the Society of Authors&#13;
published October, 1902, at the price of 6d., and&#13;
the elections from October, 1902, to July, 1903, as&#13;
a supplemental list, at the price of 2d., can now be&#13;
obtained at the offices of the Society.&#13;
&#13;
They will be sold to members or associates of&#13;
the Society only.&#13;
&#13;
od&#13;
&#13;
The Pension Fund of the Society.&#13;
&#13;
THE investments of the Pension Fund at&#13;
present standing in the names of the Trustees are&#13;
as follows.&#13;
&#13;
This is a statement of the actual stock; the&#13;
money value can be easily worked out at the current&#13;
price of the market :—&#13;
&#13;
ORO FE oor es £1000 0 0&#13;
Wocal Wioans 20... 500 0 0&#13;
Victorian Government 8 % Consoli-&#13;
&#13;
dated Inscribed Stock ............... 291 19 11&#13;
&#13;
War Oa 2630090. ee 20r 9 8&#13;
oval... 6. oe £1,993 9 2&#13;
&#13;
Subscriptions.&#13;
1908. £ 8s. d.&#13;
Jan. 1, Pickthall, Marmaduke 010 &amp;&#13;
» Deane, Rey. A.C. . 010 O&#13;
Jan. 4, Anonymous : 0 5 0&#13;
» Heath, Miss Helena : ~ 0 5 0&#13;
&gt;» Russell, G. H. : : 11.0&#13;
58 THE AUTHOR.&#13;
&#13;
Jan. 16, White, Mrs. Caroline&#13;
&#13;
», Bedford, Miss Jessie&#13;
Jan. 19, Shiers-Mason, Mrs.&#13;
Jan. 20, Cobbett, Miss Alice :&#13;
Jan. 30, Minniken, Miss Bertha M. M.&#13;
Jan. 31, Whishaw, Fred. : -&#13;
Feb. 3, Reynolds, Mrs. Fred&#13;
Feb. 11, Lincoln, C. .&#13;
Feb. 16, Hardy, J. Herbert .&#13;
&#13;
» Haggard, Major Arthur .&#13;
Feb. 23, Finnemore, John .&#13;
Mar. 2, Moor, Mrs. St. C.&#13;
Mar. 5, Dutton, Mrs. Carrie&#13;
Apl. 10, Bird, CO. P..&#13;
Apl. 10, Campbell, Miss Montgomery .&#13;
May Lees, R. J...&#13;
&#13;
Wright, J. Fondi .&#13;
&#13;
Nov. 138, Longe, "Miss Julia .&#13;
&#13;
Donations.&#13;
&#13;
Jan. 8, Wheelright, Miss H. :&#13;
»,  Middlemass, Miss Jean . :&#13;
Jan. 6, Avebury, The Right Hon.&#13;
&#13;
The Lord .&#13;
» Gribble, Francis&#13;
Jan. 13, Boddington, Miss Helen .&#13;
Jan. 17, White, Mrs. Wollaston .&#13;
» Miller, Miss E. T. .&#13;
Jan. 19, Kemp, Miss Geraldine&#13;
Jan. 20, Sheldon, Mrs. French&#13;
Jan. 29, Roe, Mrs. Harcourt&#13;
Feb. 9, Sher wood, Mrs. .&#13;
Feb. 16, Hocking, The Rey. Silas&#13;
Feb. 18, Boulding, J. W. .&#13;
5, Ord, Hubert H.&#13;
Feb. 20, Price, Miss Eleanor&#13;
» Carlile, Rev. J. C..&#13;
Feb. 24, Dixon, Mrs.&#13;
Feb. 26, Speakman, Mrs...&#13;
Mar. 5, Parker, Mrs. Nella&#13;
Mar. 16, Hallward, N.L. .&#13;
Mar. 20, Henry, Miss Alice .&#13;
», Mathieson, Miss Annie .&#13;
» Browne, T, A. (“ Rolfe Boldre-&#13;
wood”’) ‘&#13;
Mar. 23, Ward, Mrs. Humphry&#13;
Apl. 2, Hutton, The Rev. W. H&#13;
Apl. 14, Tournier, Theodore&#13;
May King, Paul H. :&#13;
S Wynne, Charles Whitw orth&#13;
», 21, Orred J. Randal :&#13;
June 12, Colles, W. Morris .&#13;
» Bateman, Stringer .&#13;
* = Aton. 3.&#13;
» Mallett, Reddie&#13;
Oct. 27, Sturgis, Julian&#13;
&#13;
=&#13;
&#13;
rt&#13;
OOH OO OHS OHOL ON OHA ONO SO OL OUT OT&#13;
&#13;
cCorocoroocoooorSSOSC’®&#13;
He&#13;
&#13;
eoooamoccoeosoooooo™&#13;
&#13;
SCeorocounooeocorooocoroeon oo&#13;
&#13;
e on} I&#13;
_&#13;
&#13;
_&#13;
&#13;
eouncoorocouncocorH&#13;
ecoaoecoecoocoo ccoocoooceocoononoonoonaoeo on&#13;
&#13;
eooocoocorocooconNnNorFH&#13;
&#13;
or&#13;
&#13;
Nov. 2, Stanton, V. H. ;&#13;
Nov. 18, Benecke, Miss Ida. ;&#13;
Nov. 23, Harraden, Miss Beatrice&#13;
&#13;
The following members have also made subserip-&#13;
tions or donations :—&#13;
&#13;
Meredith, George, President of the Society.&#13;
1 hompson, Sir poy Bart., F.R.C.S.&#13;
Rashdall, The Rey. H&#13;
&#13;
Guthrie, "Anstey.&#13;
&#13;
Robertson, C. B.&#13;
&#13;
Dowsett, C. F.&#13;
&#13;
There are in addition other subscribers who do&#13;
not desire that either their names or the amount&#13;
they are subscribing should be printed.&#13;
&#13;
—___&#13;
&#13;
FROM THE COMMITTEE.&#13;
&#13;
A&#13;
&#13;
At the meeting of the Committee held on the&#13;
2nd of November, 18 members and associates were&#13;
elected, bringing the total for the curftent yeaup&#13;
to 182.&#13;
&#13;
The date for the unveiling of the Besant&#13;
Memorial was discussed and the necessary details&#13;
considered. The full statement of the arrange-&#13;
ments is set forth on another page. There were&#13;
one or two other matters on “ the agenda,” but no&#13;
contentious business. One case, which was laid&#13;
before the Committee, they did not see their&#13;
way to take up, and it was hoped that another case,&#13;
dealing with accounts, would be satisfactorily&#13;
settled between the secretary and the publisher,&#13;
without any need of further action.&#13;
&#13;
Se&#13;
&#13;
Cases.&#13;
&#13;
Since the last statement was issued twelve cases&#13;
have been in the Secretary’s hands for settlement.&#13;
Four of these refer to the return of MSS., three to&#13;
the rendering of accounts, four to the payment or&#13;
rather the non-payment of money, and the last to&#13;
false representation. MSS., accounts and money&#13;
are the most frequent causes for the Secretary’s&#13;
interference, as will be seen by those members who&#13;
read the monthly statement of the Society’s work.&#13;
Of the twelve cases four have been concluded and&#13;
eight are still unsettled. Of the former, in the one&#13;
dealing with MS., the MS. has been returned and&#13;
forwarded to the author; in the one dealing with&#13;
accounts, the necessary documents have been&#13;
supplied; and in the two demands for the payment&#13;
of money the amount due has been forwarded to&#13;
the office.&#13;
&#13;
Out of the cases reported in former issues there&#13;
&#13;
 &#13;
 &#13;
&#13;
_~ Prothero, G. W.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR. 59&#13;
&#13;
‘are only three still open. One of these, it is&#13;
possible, will have to be abandoned owing to the&#13;
fact that the member resides abroad ; the other two,&#13;
although the authors are unwilling to follow up their&#13;
‘demands by an action in Court, will probably be&#13;
satisfactorily settled.&#13;
&#13;
—_—&#13;
&#13;
November Elections.&#13;
&#13;
81, Congoumbruto,&#13;
Leghorn, Italy.&#13;
&#13;
6, Sidney Terrace,&#13;
New Road, Ports-&#13;
mouth, Hants.&#13;
&#13;
Wiscombe Park, Coly-&#13;
ton, Devon.&#13;
&#13;
Carmichael Montgomery .&#13;
&#13;
Eagleman, E. J. (Colin&#13;
Conway)&#13;
&#13;
Edmonds, Miss&#13;
&#13;
Eldridge, Robey F. . Daylesford, Newport,&#13;
Isle of Wight.&#13;
&#13;
Fevez, Miss Coralie Westdale, Streatham,&#13;
S.W.&#13;
&#13;
Firth, C. H. 2, Northmoor Road,&#13;
Oxford.&#13;
&#13;
Madeira Hotel, Shank-&#13;
lin, Isle of Wight.&#13;
Spixworth Park, Nor-&#13;
&#13;
wich.&#13;
St. Ives, Cornwall.&#13;
The Hut, Fairlie, N.B.&#13;
24, Bedford Square,&#13;
&#13;
Howell, Miss Constance .&#13;
Longe, Miss Julia G.&#13;
&#13;
Marriott, Charles&#13;
Morgan, Mrs. .&#13;
&#13;
WC.&#13;
&#13;
Smedley, Miss Constance. 119, Ashley Gardens,&#13;
BWo&#13;
&#13;
Shore, Miss Emily K. 29, Norfolk Mansions,&#13;
Battersea Park, 8S. W.&#13;
&#13;
Sparrow, A. G. Daisy Mere House,&#13;
Near Buxton.&#13;
Stirling, Mrs. (Percival 30, Sussex Villas, W.&#13;
Pickering)&#13;
Wyatt, DaviesErnest R.J. 7, Bridge Street, Cam-&#13;
bridge.&#13;
20, Kew Gardens Road,&#13;
&#13;
Kew.&#13;
&#13;
Yosall, J. H., M.P.,&#13;
&#13;
PENSION FunD.&#13;
&#13;
THE Pension Fund Committee held a meeting&#13;
on Monday, November 2nd, at the offices of the&#13;
Society, 39, Old Queen Street, Storey’s Gate, in&#13;
order to deal with the moneys which the trustees&#13;
had intimated were at their disposal for the&#13;
allotment of a fresh pension.&#13;
&#13;
The Committee granted a pension of £25 a&#13;
year to Miss Helen M. Burnside, whose work as a&#13;
writer of verse and whose books for children are&#13;
well known.&#13;
&#13;
Among those who supported her application may&#13;
be mentioned the following :—&#13;
&#13;
Mr. Mackenzie Bell, Miss Rosa Nouchette Carey,&#13;
Sir A. C. Mackenzie, Miss M. Montresor, Mr.&#13;
Algernon Swinburne, Mrs. Humphry Ward, Mr.&#13;
Watts-Dunton, Mr. Arthur Waugh, Mr. W. H.&#13;
Wilkins, and others.&#13;
&#13;
In order to give members of the Society, should&#13;
they desire to appoint a fresh member to the&#13;
Pension Fund Committee, full time to act, it has&#13;
been thought advisable to place in Zhe Author a&#13;
full statement of the method of election under the&#13;
scheme for administration of the Pension Fund.&#13;
Under that scheme the Committee is composed of&#13;
three members elected by the Committee of the&#13;
Society, three members elected by the Society at&#13;
the General Meeting, and the chairman of the&#13;
Society for the time being, ew officio. The three&#13;
members elected at the general meeting when the&#13;
fund was started were Mr. Morley Roberts, Mr.&#13;
M. H. Spielmann, and Mrs. Alec Tweedie.&#13;
&#13;
According to the rules it is the turn of Mr.&#13;
M. H. Spielmann to resign his position on the Com-&#13;
mittee. In tendering his resignation he submits&#13;
his name for re-election.&#13;
&#13;
The members have power to put forward other&#13;
names under Clause 9, which runs as follows :—&#13;
&#13;
“ Any candidate for election to the Pension Fund Com-&#13;
mittee by the members of the Society (not being a retiring&#13;
member of such Committee) shall be nominated in writing&#13;
to the seeretary, at least three weeks prior to the general&#13;
meeting at which such candidate is to be proposed, and&#13;
the nomination of each such candidate shall be subscribed&#13;
by, at least, three members of the Society. A list of the&#13;
candidates so nominated shall be sent to the members of&#13;
the Society with the annual report of the Managing Com-&#13;
mittee, and those candidates obtaining the most votes at&#13;
the general meeting shall be elected to serve on the Pension&#13;
Fund Committee.”&#13;
&#13;
In case any member should desire to refer to&#13;
the list of members, a copy complete, with the&#13;
exception of those members referred to in the note&#13;
at the beginning, can be obtained at the Society’s&#13;
office.&#13;
&#13;
It would be as well, therefore, should any of the&#13;
members desire to put forward candidates, to take&#13;
the matter within their immediate consideration.&#13;
The general meeting of the Society has usually&#13;
been held towards the end of February or the&#13;
beginning of March. ‘This notice will be repeated&#13;
in the January number of The Author. It is&#13;
essential that all nominations should be in the&#13;
hands of the secretary before the 31st of January,&#13;
1904.&#13;
&#13;
o—~&lt;&gt; «-&#13;
&#13;
 &#13;
60&#13;
&#13;
AFLALO AND COOK vy. LAWRENCE AND&#13;
BULLEN.&#13;
&#13;
—1——+ —&#13;
&#13;
HIS case came before the House of Lords on&#13;
November 13th, the defendant company&#13;
having appealed from the judgments given&#13;
&#13;
in the Court of First Instance and in the Court of&#13;
Appeal to the House of Lords. The facts of the&#13;
case may be briefly set forth as follows :—&#13;
&#13;
The plaintiff, Aflalo, conceived a scheme for the&#13;
publication of a work to be called “The Encyclo-&#13;
peedia of Sport.” The defendants determined to&#13;
adopt the scheme making the plaintiff, Aflalo,&#13;
editor under an agreement, the chief terms of&#13;
which were as follows :—&#13;
&#13;
That for his editorial services the plaintiff&#13;
should be paid £500, and a further sum to cover&#13;
expenses of postage, etc. :&#13;
&#13;
That the plaintiff should write, without further&#13;
fee, 7,000 words as special articles, and contribute&#13;
all the unsigned articles that might be required.&#13;
&#13;
That the plaintiff should be entitled to pursue&#13;
his literary work so far as it did not interfere with&#13;
the performance of his editorial duties.&#13;
&#13;
That the defendants might determine the agree-&#13;
ment under certain conditions.&#13;
&#13;
Under this agreement the work was produced,&#13;
and the plaintiff Aflalo contributed an article,&#13;
entitled “Sea Fishing.” Prior to the commence-&#13;
ment of the action he was registered as the holder&#13;
of the copyright. The plaintiff Aflalo, as editor,&#13;
further arranged with the co-plaintiff Cook, for&#13;
the latter to contribute certain articles at certain&#13;
prices on terms contained in a letter dated June 2nd,&#13;
1896. The following, omitting the formal parts,&#13;
is a copy :—&#13;
&#13;
“IT am now requested by Messrs. Lawrence and Bullen&#13;
to definitely ask you to undertake for their forthcoming&#13;
“Encyclopedia of Sports and Pastimes” the following&#13;
work. Of the angling article 5,000 words and separate&#13;
articles of 5,000 each on trout and pike.&#13;
&#13;
“The former (angling) we should want in by the middle&#13;
of July, the two latter will do later. The remuneration&#13;
will be at the rate of £2 per thousand, payable ordinarily&#13;
when the work is passed for press, but if you prefer letting&#13;
us have all the trout and pike articles in by August I&#13;
understand the publishers will make no difficulty about&#13;
paying for the whole by October. Will you also see Senior&#13;
about your share in the angling article, and also let us know&#13;
if these terms are satisfactory.”&#13;
&#13;
These articles were written and appeared in the&#13;
“Encyclopedia.” Prior to the commencement of&#13;
the action the plaintiff Cook was registered as the&#13;
proprietor of the copyright in his articles. In&#13;
neither of the agreements with the plaintiffs (i.e.,&#13;
the above-mentioned agreement and letter) was&#13;
there any express stipulation as to the proprietor-&#13;
ship of or copyright in any of the articles so&#13;
contributed by them.&#13;
&#13;
THE AUTHOR.&#13;
&#13;
In 1900 the defendants published a book, entitled&#13;
“The Young Sportsman,” containing copies of each&#13;
of the said articles or substantial portions of them.&#13;
The plaintiffs alleged that such reproduction in-&#13;
fringed their copyright, and further that it was a&#13;
publication of the said articles separately or singly&#13;
within the meaning of section 18 of the Copyright&#13;
Act. The plaintiffs claimed injunction and&#13;
damages.&#13;
&#13;
The defendants put in issue the allegations of the&#13;
plaintiffs. They denied that the plaintiffs were&#13;
the holders of the copyright in the articles, and&#13;
claimed that an implied term of the agreement&#13;
between them and the plaintiff Aflalo was that the&#13;
copyright should belong to the defendants as pro-&#13;
prietors of the “ Encyclopedia,” or that alternately,&#13;
the plaintiff became their servant for the purpose&#13;
contemplated in the agreement, and all the work&#13;
he did was their absolute property.&#13;
&#13;
That the plaintiff Cook was employed by them&#13;
upon the terms contained in the letter of June&#13;
quoted above. That the said articles were paid for&#13;
by the defendants upon the terms contained in&#13;
the said letter, and that it was an implied term&#13;
of the plaintiff Cook’s said employment that the&#13;
copyright in the said articles should belong to the&#13;
defendants as proprietors of the “‘ Encyclopedia.”&#13;
&#13;
They admitted publishing “The Young Sports-&#13;
man,” and that as they were entitled to do they&#13;
reprinted therein the said articles or portions&#13;
thereof. And by way of counter-claim the defen-&#13;
dants claimed a deévlaration that they were the&#13;
proprietors of the copyrights in the said articles,&#13;
and an order expunging from the book of registry&#13;
the entries whereby the plaintiffs had wrongfully&#13;
registered themselves as such proprietors and&#13;
damages and costs.&#13;
&#13;
In order to assist further those interested in the&#13;
judgment we print the portion of the second section&#13;
of the Copyright Act referred to herein, and the&#13;
eighteenth section in full :—&#13;
&#13;
Section 2. “In the construction of this Act the word.&#13;
“Book” shall be construed to mean and include every&#13;
volume, part or division, of a volume, pamphlet, sheet of&#13;
letter-press, sheet of music, map, chart, or plan separately&#13;
published.”&#13;
&#13;
Section 18. “ When any publisher or other person shall,&#13;
before or at the time of the passing of this Act, have pro-&#13;
jected, conducted and carried on, or shall hereafter project,&#13;
conduct, and carry on, or be the proprietor of any encyclo-&#13;
pedia, review, magazine, periodical work, or work published&#13;
in a series of books or parts, or any book whatsoever, and’&#13;
shall have employed or shall employ any persons to compose&#13;
the same, or any volumes, parts, essays, articles or portions.&#13;
thereof, for publication in or as part of the same, and such&#13;
work, volumes, parts, essays, articles or portions shall have&#13;
been or shall hereafter be composed wrder such employ-&#13;
ment on the terms that the copyright therein shall belong&#13;
to such proprietor, projector, publisher, or conductor, and&#13;
paid for by such proprietor, projector, publisher, or con-&#13;
ductor, the copyright in every such encyclopedia, review,&#13;
magazine, periodical work, and work published in a series:&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR. 61&#13;
&#13;
of books or parts, and in every volume, part, essay, article,&#13;
and portion so composed and paid for, shall be the property&#13;
of such proprietor, projector, publisher, or other conductor,&#13;
who shall enjoy the same rights as if he were the actual&#13;
author thereof, and shall have such term of copyright&#13;
therein as is given to the authors of books by this Act;&#13;
except only that in the case of essays, articles, or portions&#13;
forming part of and first published in reviews, magazines,&#13;
or other periodical works of a like nature, after the term of&#13;
twenty-eight years from the first publication thereof respec-&#13;
tively the right of publishing the same in a separate form&#13;
shall revert to the author for the remainder of the term&#13;
given by this Act : Provided always, that during the term&#13;
of twenty-eight years the said proprietor, projector, pub-&#13;
lisher, or conductor shall not publish any such essay,&#13;
article, or portion separately or singly without the consent&#13;
previously obtained of the author thereof, or his assigns :&#13;
Provided also, that nothing herein contained shall alter or&#13;
affect the right of any person who shall have been or shall&#13;
be so employed as aforesaid to publish any such his com-&#13;
position in a separate form, who by any contract, express&#13;
or implied, may have reserved or may hereafter reserve to&#13;
himself such right; but every author reserving, retaining,&#13;
or having such right shall be entitled to the copyright in&#13;
such composition, when published in a separate form,&#13;
according to this Act, without prejudice to the right of&#13;
such proprietor, projector, publisher, or conductor as&#13;
aforesaid.”&#13;
&#13;
The case in the Court of First Instance was&#13;
heard on July 81st, 1901, before the Hon. Mr.&#13;
Justice Joyce, and judgment was given in favour&#13;
of the plaintiffs on the same date. His lordship’s&#13;
judgment is reported in the Law Reports, 1902,&#13;
1 Ch., p. 264.&#13;
&#13;
From this judgment the defendants appealed to&#13;
His Majesty’s Court of Appeal, and the appeal was&#13;
heard before the said Court, consisting of Lords&#13;
Justices Vaughan Williams, Romer, and Stirling&#13;
upon June 30th and July Ist, 1902, when their&#13;
lordships took time to consider their judgments.&#13;
Upon August 11th, 1902, their lordships inti-&#13;
mated that they desired to hear further arguments&#13;
-upon the point whether under the circumstances&#13;
and having regard to the definition of a “ book”&#13;
in section 2 of the Act and to section 3, the plain-&#13;
tiffs had any such right as entitled them to main-&#13;
tain their action—copyright or any other right.&#13;
And the said appeal was further heard and argued&#13;
efore the said Court upon December 6th, 1902,&#13;
when their lordships again took further time to&#13;
consider their judgments ; and on December 18th,&#13;
1902, they delivered judgments differing in opinion,&#13;
Lord Justice Vaughan Williams delivering judg-&#13;
ment in favour of the defendants the appellants,&#13;
whilst Lords Justices Romer and Stirling delivered&#13;
judgment in favour of the plaintiffs. The plaintiffs&#13;
accordingly obtained a second decision in their&#13;
favour. Their lordships’ judgments are reported&#13;
in the Law Reports, 1903, 1 Ch., p. 318.&#13;
&#13;
From this judgment the defendants again ap-&#13;
pealed to the House of Lords. The appeal was&#13;
heard on November 13th. Their lordships gave&#13;
their judgments as follows :—&#13;
&#13;
Tue Lorp CHANcELLOR.—My lords, if I had&#13;
not come to the conclusion that the case is covered&#13;
by authority I should have desired further time to&#13;
consider the mode in which I should express the&#13;
views I entertain.&#13;
&#13;
I think it is absolutely impossible, after the&#13;
decision arrived at just about half a century ago&#13;
upon this very point, and confirmed as it is by a&#13;
decision of the Court of Appeal, to render it&#13;
doubtful what the decision on this appeal ought to&#13;
be. Ido not deny that there may be—there pro-&#13;
bably is—a distinction between the inference of&#13;
fact that would be drawn from the fact that a&#13;
person had employed another to create something&#13;
for him if it was a mere material subject and the&#13;
rule which would apply to literary composition.&#13;
Although there is a distinction in that respect&#13;
which ought to be insisted upon, on the other&#13;
hand, literary compositions are subjects of barter&#13;
and sale. When a person is employed to create&#13;
some literary composition, and that involves some-&#13;
body else spending money for its publication, and&#13;
incurring the responsibilities and great risk that&#13;
may attend the publication, it is impossible not to&#13;
recognise the fact that some of the inferences at&#13;
all events could have been drawn from those facts&#13;
of employment and payment which would naturally&#13;
attach to the payment for something for which&#13;
another person was employed. It is not a question&#13;
of law ; it is a question of fact to be derived from&#13;
all the circumstances of the case what is the nature&#13;
of the contract entered into between the parties.&#13;
&#13;
My lords, I must say I thought that we had&#13;
arrived at some sort of concurrence by the&#13;
learned counsel themselves in the course of the&#13;
argument, that in the construction of the eighteenth&#13;
section, at all events, there were two propositions&#13;
that could not be disputed. The first was that the&#13;
bargain between the parties involving this question&#13;
of copyright need not be in writing. Secondly,&#13;
that no express words were necessary in order to&#13;
constitute the contract, such as it is, contemplated&#13;
by the statute. I must say I can entertain no&#13;
doubt that this is one of those inferences which&#13;
you are entitled to draw, but for which you can lay&#13;
down no abstract rule. That which may be im-&#13;
plied in a contract must depend very much on&#13;
what the contract is—the nature of the contract—&#13;
and whether or not the written contract displaces&#13;
every other term whatsoever ; because, in the infi-&#13;
nite variety of dealings among mankind, there are&#13;
some things which none would think of expressing&#13;
in terms, although undoubtedly they would form&#13;
part of any contract made on such a subject.&#13;
&#13;
Now, my lords, as I have said, this case, I&#13;
think, is concluded by authority, and, therefore, I&#13;
do not want to re-argue the matter; but I rather&#13;
concur with what fell from my noble and learned&#13;
62&#13;
&#13;
friend Lord Davey, that if this question had not&#13;
been raised and decided half a century ago, it would&#13;
have been open to consideration whether or not&#13;
the eighteenth section did not imply some express&#13;
contract, at all events, one way or the other ; but&#13;
where a state of law has been recognised now for&#13;
half a century and confirmed by the Court of&#13;
Appeal, it would be, I think, a startling novelty for&#13;
your lordships to treat that as res integra, which&#13;
we should determine for ourselves without reference&#13;
to previous decisions. .&#13;
&#13;
My lords, I confess I should feel great hesi-&#13;
tation in disagreeing with any proposition that&#13;
had been laid down by such a Court presided over&#13;
by such Judges as those who decided the case&#13;
in the Common Pleas, which has been referred to,&#13;
&#13;
I think, after the very careful review of&#13;
those cases that have been brought before your&#13;
lordships by the learned counsel who very ably&#13;
and candidly argued this question on the part of&#13;
the plaintiffs, it is unnecessary to go through the&#13;
whole of these authorities beyond this: if one&#13;
looks at that case in the Common Pleas, one&#13;
sees it was decided upon a special case, and&#13;
the learned Judges were unanimous in their&#13;
decision that you could infer a transfer of the&#13;
copyright from the facts, and then when you look&#13;
and see what the facts are to which they refer&#13;
as being those from which a reasonable man would&#13;
infer it, it is manifest that the question which&#13;
is raised here, about the possibility of competition,&#13;
formed no factor in the problem which the learned&#13;
Judges decided. It is said: “Here is a person&#13;
who is for the purpose of profit selling to a person&#13;
who is to adventure and risk his money in the&#13;
concern, and unless you come to the conclusion&#13;
as a matter of reasonable inference that the copy-&#13;
right in the thing so purchased was to belong to&#13;
him, the result would be that he would get nothing&#13;
for his money.”&#13;
&#13;
My lords, that is a general observation which&#13;
I think may very properly be made in the abstract.&#13;
People do not spend money except upon the hypo-&#13;
thesis that they get something for it, and unless&#13;
you give to the bargain the effect which the&#13;
language itself seems to import, that the person&#13;
who is the projector, the publisher, and who is&#13;
called “the proprietor,” is to stand in the shoes&#13;
of the actual author, and if you are to treat it&#13;
as it has been treated at the Bar here, the truth&#13;
is the projector, the publisher, and so forth would&#13;
get nothing for his money, because the whole&#13;
object of his publication might be defeated the&#13;
very next day either by the same person to whom&#13;
he had paid the money, or by any stranger who&#13;
might obtain the result of if. It seems to me,&#13;
therefore, that it would be a very unreasonable&#13;
inference to draw from such a transaction as this,&#13;
&#13;
THE AUTHOR.&#13;
&#13;
that the person who paid the money was not to&#13;
have the right which would, as a matter of business&#13;
in the case of a publisher where he is buying&#13;
literary compositions, naturally be the thing for&#13;
which he pays. He is the publisher, not the&#13;
author ; he goes to the author and buys from him&#13;
what the author composes. Under these circum-&#13;
stances, my lords, it seems to me it would be a&#13;
most unreasonable inference for one to draw from&#13;
the facts, in proof in this case, if I were not to&#13;
suppose that the person who paid that money and&#13;
incurred that risk was not to have the complete&#13;
right such as the original author would have had if&#13;
it were not published in this way, to publish it&#13;
himself.&#13;
&#13;
Therefore, my lords, I think the appeal ought&#13;
to be allowed and the judgment ought to be&#13;
reversed. ;&#13;
&#13;
As I have already intimated, another question&#13;
has been raised (I mean the words “ separately&#13;
published”) upon which I propose to give no opinion&#13;
at all. I therefore propose to leave that question,&#13;
because it is not necessary to decide it for the pur-&#13;
poses of the present case.&#13;
&#13;
Lorp S#HAND.—My lords, as your lordships&#13;
have resolved that there shall be no decision given&#13;
on the question which has been raised under&#13;
section 2 of the Statute as to the effect of the&#13;
words “separately published,” there used in regard&#13;
to the publication of the different articles, with&#13;
others in an encyclopedia or magazine, I shall say&#13;
no more than that I am certainly not prepared,&#13;
from the arguments we have heard, to agree with&#13;
Lord Justice Vaughan Williams in what he alone&#13;
has said on that subject.&#13;
&#13;
With reference to the case otherwise, I entirely&#13;
agree with what has fallen from my noble and&#13;
learned friend on the Woolsack. The question&#13;
really here to be decided is whether the copyrights&#13;
have been transferred by the publication from the&#13;
authors to the publisher.&#13;
&#13;
The case is one in which the publisher’s right&#13;
depends on its being shown that the articles were&#13;
contributed “on the terms” that the copyright in&#13;
them should belong to him. Upon that question&#13;
I think we have important facts to consider. In&#13;
dealing with it, it has not been disputed, that&#13;
although the agreement is contained in writing, it&#13;
is not necessary that the terms as to copyright&#13;
shall be expressly stated, and where as here there&#13;
are not express terms, it is enough to create a&#13;
transfer of the right, if that right be implied from&#13;
the nature and whole circumstances of the publica-&#13;
tion, and the arrangement and transaction between&#13;
the parties. As bearing upon that matter I think&#13;
in the first place a very important point is that the&#13;
publisher conceives the creation of the magazine&#13;
which he publishes as his undertaking for his&#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
profit ; that it is for the purpose of his magazine&#13;
that the articles are contributed. Again, the&#13;
articles as so contributed for the purpose of being&#13;
used in his magazine are given on his employment,&#13;
and on his payment undertaken and made.&#13;
Regarding those circumstances together, it appears&#13;
to me that the articles are contributed on the&#13;
footing that on payment under such employment&#13;
they shall become his property.&#13;
&#13;
The Statute declares that if transferred on terms&#13;
having this effect they shall be the property of the&#13;
proprietor or publisher, who shall enjoy the same&#13;
rights as if he were the “ actual author thereof.”&#13;
It appears to me that it would be inconsistent&#13;
with the notion that they were to become his&#13;
property as if he were the author and with all the&#13;
full rights of the author, that there should be still&#13;
left in the author after payment made to him a&#13;
property which would enable him to use the same&#13;
articles in other magazines. This would clearly&#13;
follow if the appellants’ contention were sound.&#13;
It would give the publisher little if any benefit for&#13;
the payment he had made, and I think that&#13;
circumstance so inconsistent with the result of the&#13;
payment made in the circumstances as of itself&#13;
sufficient to show that the practical result of what&#13;
happened between the parties, having regard also&#13;
to the clause in the Statute, is that the terms to be&#13;
inferred are that the copyright should belong to the&#13;
proprietor or publisher ; and that is to my think-&#13;
ing, therefore, the inference to be drawn from the&#13;
contract between the parties.&#13;
&#13;
On these grounds, my lords, and concurring with&#13;
all that his lordship has said upon the authority&#13;
of the cases in the past, I am of opinion that&#13;
the decision of the Court of Appeal should be&#13;
reversed.&#13;
&#13;
Lorp Davey.—My lords, I am of the same&#13;
opinion. If this matter could be regarded ag res&#13;
integra I think that there would be a great deal to&#13;
be said for a construction of the eighteenth section&#13;
such as that which was contended for by the&#13;
learned counsel in the case which was referred to&#13;
of Lamb v. Evans, viz., that it was for the publisher&#13;
or proprietor to prove an agreement that the com-&#13;
poser or author was employed upon the terms that&#13;
the copyright should belong to the publisher. But,&#13;
my lords, any such proposition as that would be&#13;
inconsistent with the law as laid down in the cases&#13;
to which my noble and learned friend has referred,&#13;
of Sweet v. Benning, and the more recent case of&#13;
Lamb v. Evans.&#13;
&#13;
My lords, the law which I understand to be laid&#13;
down in Sweet v. Benning is that it is not necessary,&#13;
according to the true constructionof the eighteenth&#13;
section of the Copyright Act, that you should find&#13;
an actual agreement that the copyright should&#13;
belong to the proprietor; nor indeed is it even&#13;
&#13;
63&#13;
&#13;
necessary to find special circumstances which lead&#13;
to that conclusion. I say so because I find that in&#13;
the case of Sweet v. Benning the special case upon&#13;
which the opinion of the Common Pleas was&#13;
delivered contained a statement that nothing was&#13;
said between the parties affecting copyright. I&#13;
can find no special circumstances stated in the&#13;
special case, and the decision seems to me to have&#13;
been founded only upon the nature of the employ-&#13;
ment, the nature of the publication and the&#13;
relation of the parties,&#13;
&#13;
My lords, Mr. Justice Joyce tells us in his&#13;
judgment: “I decide this case upon the short&#13;
ground that I see no special circumstance either&#13;
in the nature of the work or in the terms or in the&#13;
nature of the employment, from which I can infer,&#13;
or must infer, that which is not expressed, namely,&#13;
that the copyright is to belong to the proprietor.”&#13;
That being so, he says in another passage that the&#13;
consequence would not be different from what it&#13;
would be in an ordinary case. Now, my lords, [I&#13;
do not think that that decision was consistent with&#13;
Sweet v. Benning or Lamb v. Evans. I think that&#13;
what the Court has to do is to look at all the&#13;
circumstances of the case and to say as a jury,&#13;
what is the inference which you would draw ? or as&#13;
Lord Justice Bowen puts it in his judgment in&#13;
Lamb v. Evans, what is the way in which business&#13;
men would look at the question ?&#13;
&#13;
My lords, of course what the inference should be&#13;
isa matter of fact, and for my own guidance [&#13;
adopt the rule laid down by Lord Justice Kay in&#13;
Lamb v. Evans, as correctly stating what I under-&#13;
stand to be the law, and therefore I ask myself&#13;
what is the inference which I am to draw from&#13;
these circumstances ? The circumstances are that&#13;
the publisher is minded for his own profit to&#13;
publish an “ Encyclopedia of Sport” ; he is prepared&#13;
to spend, and he does spend, a very large sum of&#13;
money, amounting to some thousands of pounds,&#13;
upon the enterprise in which he is engaged ; he&#13;
employs a gentleman to act as editor and also to&#13;
write some of the articles at a given salary, and&#13;
through the editor he employs another gentleman&#13;
named Mr. Cook to write articles for a given&#13;
remuneration. Those are all the material facts of&#13;
the case ; and I have to ask myself what is the&#13;
inference that I draw from those facts. That, I&#13;
repeat, is a matter of fact and not a matter of law.&#13;
No doubt one may gain some assistance from the&#13;
way in which a similar set of facts have been&#13;
regarded in other cases ; but after all, where it is&#13;
a question of fact each case must stand upon its&#13;
own merits.&#13;
&#13;
My lords, if I were to express my opinion as a&#13;
juryman upon the facts I have mentioned, I should&#13;
say that it was one of the terms on which these&#13;
gentlemen were employed to write articles for the&#13;
64&#13;
&#13;
« Encyclopedia,” that the copyright should belong&#13;
to the proprietor, and I say so for this reason, ‘The&#13;
‘* Encyclopeedia ” was to be his property, it was to be&#13;
his book, he was to derive the benefit and profit to&#13;
be derived from its publication ; and therefore I&#13;
should assume that in buying the articles written&#13;
by these gentlemen the inference 18 that both&#13;
parties intended that the proprietor should have&#13;
the right that was necessary for him to protect the&#13;
property which he had purchased, and adequately&#13;
to protect the enterprise for the purpose of which&#13;
these articles were intended to be used. In my&#13;
judgment he could not adequately protect the&#13;
articles which he had purchased, or his property,&#13;
in the book for the purpose of which the articles&#13;
were written and purchased, without having the&#13;
right to prevent an invasion—I hardly like to say&#13;
of the copyright, but I must say of the copyright&#13;
in those articles. ‘Therefore the inference I should&#13;
draw would be the same as was drawn in the cases&#13;
of Sweet v. Benning and Lamb v. Evans ; and for&#13;
my part 1 am perfectly prepared to adopt every&#13;
word of the judgment of Lord Justice Bowen, and&#13;
that of Lord Justice Kay, as well as the judgments&#13;
in the earlier cases. If I might choose one passage&#13;
which I think expresses my meaning in better&#13;
terms than I could use myself, I ask leave to read&#13;
this passage from the judgment of Lord Justice&#13;
Kay : “ What is the fair inference from the facts&#13;
of the case? Surely the inference is that the&#13;
man who is to go to the expense of printing and&#13;
publishing this book will, as between him and the&#13;
agents he may have employed to assist him in&#13;
the compilation of it, have in himself whatever&#13;
property the law will give him in that book.&#13;
That is the inference I should certainly draw ;&#13;
and, I think, in this case it is sufficiently clear, in&#13;
the absence of evidence to the contrary, that the&#13;
terms of employment of those several agents&#13;
involved this, that the copyright in the portions&#13;
of this book which they composed should belong&#13;
to the owner of the book.”&#13;
&#13;
Lorp Rogertson.—My lords, in my opinion&#13;
this case ought to have been decided on the&#13;
authority of Sweet v. Benning and Lamd v. Evans,&#13;
as furnishing a rule of inference applicable to the&#13;
facts of the present case.&#13;
&#13;
I do not think that the conclusion which I sup-&#13;
port is accurately described as inferring one of three&#13;
statutory requirements from the existence of two.&#13;
Whether that inference be legitimate or not must&#13;
depend on the nature and on the other conditions&#13;
of the employment ; and the cases to which I refer&#13;
do nothing to take the question out of the region&#13;
of fact. Butit is obvious that the facts of employ-&#13;
ment and of payment stand in a different category&#13;
from the terms on which employment and payment&#13;
take place, those terms being necessarily an element&#13;
&#13;
THE AUTHOR.&#13;
&#13;
or ingredient in the employment, and not a separate&#13;
or independent fact.&#13;
&#13;
Accordingly the view of the two Lords Justices&#13;
about the three conditions all requiring, by the&#13;
structure of the section, to be proved, really means&#13;
that an express agreement about copyright must be&#13;
proved, or the writer retains the copyright. Unable&#13;
as I am to accept this view, which is opposed to the&#13;
decision in Sweet v. Benning, and indeed was not&#13;
supported by Mr. Scrutton, I am free to consider&#13;
what is prima facie the proper inference ; and I&#13;
prefer, on its merits and also from its authority,&#13;
the inference of Sweet v. Benning.&#13;
&#13;
The result has been that the judgments of the&#13;
two Courts below have been reversed and dis-&#13;
charged and final judgment given that the action&#13;
be dismissed with costs,&#13;
&#13;
aa ee&#13;
&#13;
OUR BOOK AND PLAY TALK.&#13;
&#13;
oe&#13;
&#13;
ROFESSOR J. E. GORE, F.R.A.S., M.R.LA.,&#13;
&#13;
who published recently a book entitled “‘ The&#13;
&#13;
Stellar Heavens: An Introduction to the&#13;
&#13;
Study of the Stars and Nebule” (Chatto and&#13;
&#13;
Windus), has in hand a work on the constella-&#13;
&#13;
tions, with special reference to the Persian astro-&#13;
&#13;
nomer, Al-Sufi’s, “‘ Description of the Fixed Stars,”&#13;
&#13;
written in the tenth century. This will probably&#13;
&#13;
be published early next year. Professor Gore has&#13;
&#13;
also nearly ready for the press a collection of popular&#13;
&#13;
articles on astronomical and other scientific sub-&#13;
jects.&#13;
&#13;
Mr. de V. Payen-Payne, Hon. Treasurer of the&#13;
Modern Language Association, Principal of Ken-&#13;
sington Coaching College, &amp;c., &amp;c., is compiling a&#13;
“ Scientific French Reader” for Messrs. Blackie; be&#13;
is also editing a series of ‘‘Short French Readers’’&#13;
for Mr. Nutt, and is correcting Cassell’s “ French&#13;
Dictionary.” Then the Cambridge University Press&#13;
will shortly publish an abridgment of Gautier’s&#13;
“Voyage en Italie,” annotated by Mr, de VY.&#13;
Payen-Payne.&#13;
&#13;
Mr. A. C. Benson has a study of Tennyson&#13;
(Methuen’s “ Little Biographies”) coming out&#13;
very soon; also a small selection of “ Whittier,”&#13;
which is to be published by Messrs. Jack, of Hdin-&#13;
burgh; while his “ Rossetti’? (Macmillan’s ‘* Men&#13;
of Letters” series) is in the press. At the end of&#13;
this year Mr. Benson resigns his mastership at&#13;
Eton, which he has held for nineteen years, and&#13;
he will take up, with Viscount Esher, the task of&#13;
editing ‘Queen Victoria’s Correspondence from&#13;
1837—1861.”&#13;
&#13;
Major Greenwood, M.D., L.L.B., has a novel in&#13;
hand. His book, The Law Relating to the Poor&#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
Law Medical Service,” is now being advertised by&#13;
the medical press. Messrs. Bailli¢re, Tindall and&#13;
Cox are the publishers of it. :&#13;
&#13;
Mr. James Baker, F.R.G.S., F.R.Hist.Soc., is&#13;
now travelling in the East, and will be making a&#13;
tour in the Holy Land. Before leaving Clifton he&#13;
was engaged on a series of topographical articles,&#13;
and he has completed a novel on Oxford life. He&#13;
has been writing a great deal on technical educa-&#13;
tion and technical agricultural education for the&#13;
Leeds Agricultural College.&#13;
&#13;
Mr. Baker is also preparing several lectures for&#13;
the early part of 1904 on Egypt, Russia, &amp;c. He&#13;
has lately written, too, an article on the life of&#13;
Macaulay, using for it some of Macaulay’s hitherto&#13;
unpublished letters.&#13;
&#13;
Mr. Wynford Dewhurst, R.B.A., will publish&#13;
immediately through Messrs. Newnes &amp; Co. his&#13;
book, ‘‘ Impressionist Painting.’ Its price is 25s.,&#13;
and it will contain some 50,000 words and about&#13;
100 illustrations in monochrome and colours.&#13;
There will be photographs and short biographies of&#13;
leading impressionist artists. The whole is the out-&#13;
come of many years ofart study, of friendships with&#13;
the impressionist painters, and of strong conviction.&#13;
&#13;
Mr. G. B. Buckton, F.R.S., has recently published,&#13;
through Messrs. Lovell, Reeve &amp; Co., a “ Mono-&#13;
graph of the Membracide.” The family of insects&#13;
it treats of is only barely represented in this&#13;
country. A review of the extraordinary develop-&#13;
ment of the five hundred insects Mr. Buckton&#13;
draws and colours is highly suggestive. Professor&#13;
E. B. Poulton, of Oxford, adds a valuable chapter&#13;
to illustrate the effects of protective mimicry,&#13;
which he assigns as the principal cause of these&#13;
highly specialised forms.&#13;
&#13;
This monograph professes to be only pioneering&#13;
work in an almost unexplored region of entomology&#13;
—yet the spread of these curious insects is almost&#13;
world-wide. Their chiefly known homes are the&#13;
two continents of America, though the Old World&#13;
is also well represented,&#13;
&#13;
We note three important books by members&#13;
of the Society. There are Lord Wolseley’s two&#13;
volumes of “ Memoirs,’ just out; there is Sir&#13;
Gilbert Parker’s “ Old Quebec,” written in col-&#13;
laboration with Mr. Claude G. Bryan; and there&#13;
is Mr. EK. K. Chambers’ ‘‘ The Medieval Stage,” in&#13;
two volumes.&#13;
&#13;
Lord Wolseley is an active member of our Society.&#13;
He wrote an account of the China War in 1860.&#13;
He is, besides, the author of “The Soldier’s Pocket&#13;
Book,” which went through several editions ; he&#13;
has written books on Napoleon, and has contributed&#13;
numerous articles to the leading magazines of&#13;
England and America. Then last, but far from&#13;
least, there are his two volumes on the great Duke&#13;
of Marlborough,&#13;
&#13;
65&#13;
&#13;
The demand for the eighth edition of Lieut.-&#13;
Colonel E. Gunter’s “ Officer’s Field Note and&#13;
Sketch Book and Reconnaissance Aide-Mémoire,”&#13;
published by Messrs. Wm. Clowes &amp; Son, 23,&#13;
Cockspur Street, Charing Cross, in August, hag&#13;
been such that the edition is nearly exhausted.&#13;
&#13;
Mr. H. Rider Haggard’s novel, “ Stella Frege-&#13;
lins,” appears at the beginning of next year. It&#13;
is a mystical story of modern life. His romance,&#13;
“The Brethren,” a tale of the Crusades, begins in&#13;
Cassell’s Magazine next month. Mr. Hagvard is&#13;
now engaged upon a sequel to “She,” and it will&#13;
be published in the Windsor Magazine in due&#13;
course.&#13;
&#13;
Sydney C. Grier is at present finishing a his-&#13;
torical novel, which Messrs. Blackwood hope to&#13;
publish in the spring. It is called “The Great&#13;
Proconsul,” and deals with the Indian career of&#13;
Warren Hastings, from his marriage in 1777&#13;
to his return to England in 1785. The story is&#13;
told in the first person by an inmate of his&#13;
household, and aims at bringing out the lighter&#13;
and more domestic side of his character, which is&#13;
necessarily almost overlooked in the formal bio-&#13;
graphies, while preserving the historical background&#13;
intact.&#13;
&#13;
It is ten or twelve years since Sydney C. Grier&#13;
began to collect the materials for this book, and&#13;
for the past two years she has devoted herself to&#13;
it exclusively, studying as little as possible the&#13;
modern books written about Hastings, and as much&#13;
as possible the immense mass of contemporary&#13;
material still extant.&#13;
&#13;
Madame Albanesi is engaged on a novel, which,&#13;
after serial production here, and in the United&#13;
States, will be published in book form by Messrs.&#13;
Methuen &amp; Co. in England, and Messrs. McClure,&#13;
Phillips &amp; Co. in America.&#13;
&#13;
Madame Albanesi is also just finishing a series&#13;
of stories for Zhe Onlooker, which are now running.&#13;
Further, she is at work on a play—the dramatisa-&#13;
tion of one of her own books—and she has certain&#13;
serials to finish, which appear either anonymously&#13;
or under a pen-name.&#13;
&#13;
The title of Miss Jean Middlemass’s novel “ Till&#13;
Death Us Do Part” has been altered to “ Ruth&#13;
Anstey,” owing to the fact that the former title has&#13;
already been used,&#13;
&#13;
Mrs. Edith E. Cuthell’s new story for children&#13;
will run as a serial in Cassell’s Little Folks in the&#13;
last half of next year. Mrs, Cuthell, as in her&#13;
early work “ Only a Guardroom Dog,” now in its&#13;
second edition, tells of the life of an officer’s&#13;
children and their pet. But the scene is now laid&#13;
in India, and in the more remote and thrilling days&#13;
of the Mutiny. The adventures are exciting, but&#13;
all ends happily.&#13;
&#13;
Mr. F, Anstey has written a story for children&#13;
66&#13;
&#13;
called “ Only Toys.” It contains numerous illus-&#13;
trations by Mr. H. R. Millar, and tells how Santa&#13;
Claus gave the gift of speech and movement to the&#13;
toys belonging to a little boy and girl who con-&#13;
sidered themselves too big and far too clever to play&#13;
with them. Mr. Grant Richards is the publisher&#13;
of “Only Toys.”&#13;
&#13;
. yes. Bright,” by Miss Montgomery-Campbell&#13;
(Jarrolds, 1s. 6d.), a book of heroic deeds for lads,&#13;
dedicated to the Church Lads’ Brigade, has just&#13;
been published, and has received favourable notices&#13;
from the provincial press. ‘The second edition of&#13;
“Qld Days in Diplomacy,” which Miss Montgomery-&#13;
Campbell was instrumental in bringing before the&#13;
public, and for which she wrote a preface, is being&#13;
widely read, and has been warmly praised by&#13;
diplomatists. :&#13;
&#13;
Mrs. E. M. Davy’s new book of stories, “ Seven&#13;
of Them,” was published the other day. All the&#13;
tales contained in the volume have appeared in&#13;
good English and American serials.&#13;
&#13;
Two of Miss R. N. Carey’s recent books, “ Rue,&#13;
With a Difference,” and “Heart of Grace,” have&#13;
been published in cheap standard editions. “A&#13;
Passage Perilous” is being issued in Baron Tauch-&#13;
nitz’s Continental series. a ov&#13;
&#13;
Norley Chester’s new book, “ Cristina,” is just&#13;
out. It is published by Messrs. Swan Sonnen-&#13;
schein.&#13;
&#13;
Messrs. Kegan Paul, Trench, Triibner &amp; Co.&#13;
have ready a new and cheaper edition of Mr.&#13;
Austin Dobson’s ‘The Ballad of Beau Brocade,&#13;
and Other Poems of the XVIIIth Century,”&#13;
with fifty-five illustrations by Hugh Thomson,&#13;
price 2s. 6d. net, and 3s. 6d. net. There is a&#13;
special edition, limited to 250 copies, with all&#13;
the illustrations coloured by hand, at 12s. net.&#13;
&#13;
In his “ Fanny Burney” (Messrs. Macmillan’s&#13;
“ English Men of Letters ” series), Mr. Dobson has&#13;
given us a study of the surroundings in which&#13;
that famous novelist was brought up ; there is a&#13;
detailed account of Evelina and Cecilia; and a&#13;
condensed account of George III.’s Court as Miss&#13;
Burney saw it, including a touching picture of the&#13;
king’s madness.&#13;
&#13;
Owing to the success of Mr. Powis Bale’s work,&#13;
“A Handbook for Steam Users,” Messrs. Crosby&#13;
Lockwood &amp; Son will publish immediately a com-&#13;
panion volume entitled “Gas and Oil Engine&#13;
Management.”&#13;
&#13;
Mr. A. B. C. Merriman Labor, of the Colonial&#13;
Secretary’s Office, is issuing this month the second&#13;
edition of his handbook on Sierra Leone for 1904&#13;
and 1905. It is a treasury of information relating&#13;
to the Colonial and municipal governments, trade,&#13;
religion, education, army and navy, and every con-&#13;
ceivable matter of interest connected with the&#13;
Colony and its Protectorate. Its price is 3s. net,&#13;
&#13;
THE AUTHOR.&#13;
&#13;
and the publisher is Mr. John Heywood, of Man-&#13;
chester.&#13;
&#13;
The American Register, published weekly in&#13;
Paris and London (13, Rue Tronchet, and 20, Hay-&#13;
market, W.), has decided to include each week a&#13;
Supplement of Sports, without extra charge. Its&#13;
&#13;
rice is 1d.&#13;
&#13;
Mr. Haldane Macfall spent some three years&#13;
over his novel, “The Masterfolk,”” published a&#13;
short while ago by Mr. Heinemann. Curiously&#13;
enough both Mr. Wells and Mr. Bernard Shaw&#13;
touch close on the heels of the idea embodied in&#13;
“The Masterfolk.” It is in the (psychic) air, no&#13;
doubt. Oddly enough, Mr. Macfall’s first title, “ A&#13;
Strenuous Life,” was filched, all unwitting, by the&#13;
President of the United States; and the second&#13;
one, “ Youth,” was taken in all ignorance by Mr.&#13;
Conrad.&#13;
&#13;
The main scheme of the book is that of a youth&#13;
and maiden of to-day awaking into the modern&#13;
idea and the modern thought: old ideas lie crumb-&#13;
ling, new ideals are all untried, and the two move&#13;
forward with all the splendid insolence of youth to&#13;
try them. To quote his own words :—&#13;
&#13;
“T look upon the novel as the great literary means of&#13;
artistic expression to-day ; not as a mere tale, or a cold,&#13;
polished marble unity, but as a splendid artistic instrument&#13;
in which the prose of each chapter should leap to the mood&#13;
of the idea expressed, moving in slow cadence of prose to&#13;
the solemn mood, and skipping light-footedly to the jigging,&#13;
lyrical emotions. . . . Well, in some hundred movements,&#13;
or chapters if you will, I have tried to give emotionally&#13;
the lives of this pair of humans, with the secondary&#13;
harmonies of others, moving to the goal in which they&#13;
would find the meaning of life.”&#13;
&#13;
Mr. Macfall is now at work on a comedy “ of&#13;
the rollicking high-comedy complexion.”&#13;
&#13;
“‘My Lady’s Favour” is the title of a (one-act)&#13;
Little Comedy in black and white, by Mary C.&#13;
Rowsell and E Gilbert Howell. It is published by&#13;
Samuel French, Limited, 26, Southampton Street,&#13;
Strand. Miss Rowsell has also published two&#13;
musical fairy-extravaganzas for private perform-&#13;
ance, and “ Richard’s Play.” This last was written&#13;
with Mr. Joseph J. Dilley.&#13;
&#13;
Mr. George Alexander will return to the St.&#13;
James’s Theatre on January 28th, and will start&#13;
with “ Old Heidelberg.”&#13;
&#13;
It stands at present that Mr. Tree will produce&#13;
the Japanese play, “The Darling of the Gods,”&#13;
on the 28th inst. Miss Lena Ashwell will take&#13;
the part of Yo-San.&#13;
&#13;
Mr. Arthur Bourchier will produce Mr. J. L.&#13;
Toole’s version of “‘The Cricket on the Hearth,”&#13;
at the Garrick for a Christmas run. The music is&#13;
by Mr. Edward Rickett.&#13;
&#13;
Mr. Seymour Hicks’ new musical play “The&#13;
Cherry Girl” is to be produced at the Vaudeville&#13;
on or about the 10th inst.; and Messrs. Seymour&#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR. 67&#13;
&#13;
icks and Ivan Caryll’s new musical play “The&#13;
Ouy Gil” is to be plied at the Adelphi on&#13;
7th inst.&#13;
ae date Mr. E. 8. Willard will revive&#13;
“The Professor’s Love Story” at the St. James’s&#13;
re.&#13;
Tye Sideraand that Captain Basil Hood’s new&#13;
comedy, “ Love in a Cottage,” will be produced at&#13;
Terry’s Theatre early in 1904.&#13;
&#13;
When Miss Lena Ashwell was the guest of the&#13;
New Vagabonds’ Club last month, Mr. A. E. W.&#13;
Mason presided ; and amongst those present were&#13;
Mr. and Mrs. Anthony Hope, Mrs. Arthur Stannard,&#13;
Mrs. Heron-Maxwell, and Lady Colin Campbell.&#13;
&#13;
Mr. Haddon Chambers is in New York super-&#13;
intending the rehearsal of his new play “The By-&#13;
Path,” which is to be produced by Miss Annie&#13;
Russell.&#13;
&#13;
—_—_ +o o-_&#13;
&#13;
PARIS NOTES.&#13;
&#13;
+--+&#13;
&#13;
HE literary season has begun in good earnest,&#13;
and it is very evident that French authors&#13;
have not all been holiday-making, as every&#13;
&#13;
week brings us a long list of new books, and the&#13;
announcement of many new plays. Among the&#13;
most interesting of the novels which have appeared&#13;
during the last month is “Guilleri Guilloré,” by&#13;
M. Charles Foley. The author has succeeded, as&#13;
usual, in getting the atmosphere of the times&#13;
about which he writes into his book. It is a novel&#13;
which, though not precisely historical, treats of&#13;
historical personages. The scene is laid in La&#13;
Vendée, that heroic province of France, the history&#13;
of which M. Foley has studied so thoroughly that&#13;
he is now considered one of the greatest authorities&#13;
on the subject.&#13;
&#13;
The plot of this new novel is based on an episode&#13;
connected with the last of the Legitimist con-&#13;
spiracies of 1832. ‘The famous Duchess of Berry&#13;
has returned from exile and landed on the French&#13;
coast, hoping to excite a movemeni i favour of&#13;
her son. She finds friends in ua Vendée who are&#13;
willing to risk their fortunes and even their lives&#13;
in the cause of the young prince. The exploits of&#13;
the courageous and fascinating young duchess,&#13;
her wanderings in disguise, and her hairbreadth&#13;
escapes are graphically described by M. Foley.&#13;
Guilloré is a young aristocrat who, thanks to his&#13;
fallen fortunes, political opinions, and the troubled&#13;
times in which he lives, is separated from his&#13;
fiancée. He, too, in his wanderings through La&#13;
Vendée, takes his life in his hands, for, although he&#13;
is not in the conspiracy, he runs the same risk ag&#13;
the duchess, whom he meets disguised as a young&#13;
man. He recognises her, but is too chivalrous to&#13;
&#13;
let her know this until he has escorted her in&#13;
safety to her destination.&#13;
&#13;
The whole story of the political intrigue and&#13;
the treachery of the man who betrays her is&#13;
woven into M. Foley’s novel.&#13;
&#13;
From the first page to the last the book is&#13;
captivating, with its melancholy Vendean atmo-&#13;
sphere and its well-defined types of aristocrat,&#13;
bourgeois and peasant. Most dramatic, too, are&#13;
many of the incidents, and intensely so the scene&#13;
in the street, when the duchess has been captured&#13;
and is being led on foot through a dense crowd of&#13;
spectators. Guilloré and his fiancée are there, too,&#13;
watching with deep pity and dreading lest any&#13;
word of insult should be uttered by the people.&#13;
When the duchess reaches him, Guilloré, alone in&#13;
all that vast assembly, takes off his hat and stands&#13;
bareheaded as she passes by. The effect of his&#13;
action is instantaneous, and all the men with one&#13;
accord “in dead silence follow his example, moved&#13;
with a feeling of respect and pity for the vanquished&#13;
heroine.”’&#13;
&#13;
“T’Hau souterraine,” by MM. Paul and Victor&#13;
Margueritte, can scarcely be called a novel. It is&#13;
a most charming psychological study woven into&#13;
a romance. Aicha is the daughter of an Arab&#13;
chief who has been compelled to submit to French&#13;
rule. On seeing that further rebellion is in vain,&#13;
he not only bows to the inevitable but he deter-&#13;
mines to make the best of it. He is soon on&#13;
friendly terms with his conquerors, who find him&#13;
most useful in his native country, so that as time&#13;
goes on he is able to take a high official post under&#13;
the new dispensation.&#13;
&#13;
In order to flatter the French he educates his&#13;
little girl in the European way, with the result&#13;
that she marries one of the French officers. The&#13;
great interest of the book lies in the conflict waged&#13;
in the Arab soul between the great force of&#13;
atavism and the new interests which come into the&#13;
girl’s life. With her native intelligence and tact&#13;
she is able to take her position as an officer’s wife&#13;
in French society, and, through her deep affection&#13;
for her husband, she becomes as it were a French-&#13;
woman at heart. But when through a terrible&#13;
catastrophe she is suddenly left a widow, the bond is&#13;
snapped which has held her to her adopted country,&#13;
and she returns to her native land to finish her&#13;
days as an Arab woman. It is the dme invisible&#13;
which is the “Eau souterraine,” as the author&#13;
explains most poetically at the close of the book.&#13;
&#13;
“Une source vive jaillit de la terre... Elle&#13;
orne la montagne et vivifiela plaine . . . Soudain,&#13;
source, ruisseau, riviére, l’eau qu’on voyait a dis-&#13;
paru . . . Mais tout &amp; coup, a quelques kilometres&#13;
ou &amp; quelques lieues, l’eau qu’on croyait perdue,&#13;
de nouveau surgit Ame invisible, eau&#13;
souterraine.”&#13;
68&#13;
&#13;
“T’Enfant 2 la Balustrade,” by M. René Boy-&#13;
lesve, is another delightful story without any&#13;
strong plot. It treats of provincial life and is&#13;
supposed to be told by a boy. We can only say&#13;
that, considering his age, the boy was marvellously&#13;
observant and philosophical. It is the history of&#13;
a certain M. Nadaud, a notary, in one of those&#13;
country towns where everyone attends to his neigh-&#13;
bour’s affairs. M. Nadaud is unfortunate enough&#13;
to offend the great man of the town by purchasing&#13;
a house which the said great man had intended to&#13;
buy. This apparently simple incident is the great&#13;
theme of the book. The notary has to endure all&#13;
kinds of tribulations and humiliations, and we are&#13;
introduced to nearly all the inhabitants of the&#13;
town, for the silent quarrel between the wealthy&#13;
man who keeps open house, and Monsieur Nadaud&#13;
is a great and momentous event in which every&#13;
person for miles round is concerned. _&#13;
&#13;
M. Boylesve excels in these provincial sketches,&#13;
and succeeds admirably in taking his reader away&#13;
from the rush and turmoil of city life to little, out-&#13;
of-the-world places, where the inhabitants are&#13;
entirely taken up with their own small interests&#13;
and rarely give a thought to what is happening&#13;
beyond the boundary of their own town.&#13;
&#13;
Madame Gautier has published the new volume&#13;
of her Memoirs as the “ Second Rang du Collier.”&#13;
This second volume is, perhaps, even more interest-&#13;
ing than the first one. Another book of souvenirs&#13;
which will be read with pleasure is “ La Cour et la&#13;
Société du Second Empire,” the second series of&#13;
which M. James de Chambrier has just published.&#13;
There are in all about forty chapters, containing&#13;
anecdotes and impressions, collected by the author,&#13;
about the various literary men, artists and histori-&#13;
cal personages of that epoch. There is a chapter&#13;
on “ Thiers et Jules Simon,” another on “ Duruy&#13;
et Napoléon III.,” some interesting notes about&#13;
Gambetta Pasteur, Caro et l’Impératrice, the&#13;
“Salons of Mme. Aubernon and Mme. Adamand,”&#13;
various anecdotes in connection with the Embassies.&#13;
Among the persons of interest who figure in this&#13;
book are also Gounod, Sardou, Sarcey, Octave&#13;
Fenillet, Mérimée, Augier, Rosa Bonheir, Sainte-&#13;
Beuve, Renan, Lamartine, Coppée, Dumas, Georges&#13;
Sand, Maupassant, Balzac, Rachel, Madame Patti,&#13;
Alphonse Daudet, and many others.&#13;
&#13;
“Monsieur de Migurac, ou Le Marquis Philo-&#13;
sophe,” by M. André Lichtenberger, is the story of&#13;
the life and adventures of a “ gentilhomme péri-&#13;
gourdin,” born in the year 1741, and is curious as&#13;
a study of habits and customs.&#13;
&#13;
“Ernest Renan en Bretagne” is a new bio-&#13;
graphy compiled by M. René d’Ys.&#13;
&#13;
M. Anatole France has also published, in pam-&#13;
phlet form, an excellent résumé of the work of&#13;
Ernest Renan. It is in reality the “Discours”&#13;
&#13;
THE AUTHOR.&#13;
&#13;
pronounced by M. France on the occasion of the&#13;
inauguration of Renan’s statue at Tréguier, and&#13;
gives an admirable idea of the great savant, both&#13;
as a man and as a conscientious thinker and&#13;
writer.&#13;
&#13;
“Forces Perdues ” is the title of the new volume&#13;
by Pierre Baudin.&#13;
&#13;
“ Petites Confessions,” by M. Paul Acker, will&#13;
appeal to amateurs of what is generally known as&#13;
“literary gossip.” The volume consists of a series&#13;
of articles entitled “ Visites” and “ Portraits&#13;
Littéraires,” which have appeared in one of the&#13;
Parisian dailies.&#13;
&#13;
Among the most interesting articles in the&#13;
French Reviews are the following :—&#13;
&#13;
In the Revue des Deux Mondes—“ La Facheuse&#13;
Equivoque,” a criticism by M. Brunetiére of “La&#13;
Religion d’autorité et la Religion de I’ esprit.”&#13;
&#13;
The “ Correspondance inédite de Sainte-Beuve ”&#13;
is also being continued in this review, and the&#13;
serial story by Mrs. Humphry Ward, “ La Fille de&#13;
Lady Rose.”&#13;
&#13;
Another serial translated from the English is&#13;
“ Anticipations,” by H. G. Wells, in La Grande&#13;
Revue.&#13;
&#13;
In this review there is an excellent article by&#13;
M. C. Bouglé, ‘Contre le Darwinisme social ”&#13;
(Les Conditions humaines de la lutte pour la vie).&#13;
&#13;
In La Renaissance Latine there ig an article&#13;
by M. Loiseau on “La Russie et les réformes&#13;
intérieures,”&#13;
&#13;
- In La Revue, M. d’Estournelles de Constant&#13;
writes on “Le Mouvement pacifique,” and speaks&#13;
in the highest terms of M. Roosevelt.&#13;
&#13;
There is also an article with some telling&#13;
statistics, by M. Lefévre, entitled, “ Comment&#13;
reconquerir la beauté, la force et la santé.”&#13;
&#13;
“Les Anglais dans le roman francais moderne”&#13;
is the title of an article by M. Leblond in the same&#13;
review.&#13;
&#13;
The Weekly Critical has opened an enquiry on&#13;
“Le Roman contemporain,’ and publishes the&#13;
letters of Madame Daudet, M. de Régnier, M.&#13;
Boylesve, Rachilde, and M. Albert Cim on the&#13;
subject.&#13;
&#13;
The great theatrical events of the month have&#13;
been the production of the two plays, “L’Adver-&#13;
saire,” by MM. Capus and E. Aréne, and “ Jeanne&#13;
Vedekind,” by M. Philippi. In the latter piece&#13;
Mme. Sarah Bernhardt plays the part of a mére&#13;
tragique to perfection, proving once more that a&#13;
true artiste can adapt herself to any réle.&#13;
&#13;
“L’Adversaire” is an immense success, both&#13;
from a literary and dramatic point of view, and&#13;
M. Guitry scores another triumph.&#13;
&#13;
M. Antoine has been playing “La Guerre au&#13;
Village,” by M. Trarieux, which is more or less a&#13;
political piece.&#13;
&#13;
 &#13;
 &#13;
&#13;
en&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
M. Bour has been fortunate in securing the play&#13;
by M. Jacques Richepin, “ Cadet Roussel,” as it&#13;
seems likely to have a long run, and M. Richepin&#13;
is also fortunate in having his piece interpreted by&#13;
an artiste of M. Bour’s talent and ability.&#13;
&#13;
The result of the differences between M. Porel&#13;
and Mme. Réjane will probably be to change the&#13;
Vaudeville programme considerably, and it is&#13;
rumoured that Mme. Réjane will take a theatre&#13;
of her own.&#13;
&#13;
As regards the success of a play, judged by a&#13;
long run, we have an example in M. Pierre&#13;
Decourcelle’s “ Deux Gosses,” (“ Two Little Vaga-&#13;
bonds.”)&#13;
&#13;
A short time ago the author feted the thousandth&#13;
representation of this piece, and since then it has&#13;
been given a hundred times more. Reckoning the&#13;
representations in countries for which it has not&#13;
been sold outright, the piece has been played more&#13;
than ten thousand times.&#13;
&#13;
Mile. Héléne Réyé, who created the réle of&#13;
Clandinet, and played it 750 consecutive nights,&#13;
is taking the same part now that it has been put&#13;
on again. She has since then created Gavroche,&#13;
in “Les Misérables,” and is certainly inimitable&#13;
as the Parisian street arab.&#13;
&#13;
There are several important plays now being&#13;
rehearsed, among‘others “ Le Retour de J érusalem ”&#13;
and “ L’ Absent.”&#13;
&#13;
Auys HaLLArD.&#13;
&#13;
—____——_+—&gt;—_-_&#13;
&#13;
“C.K. 8.” AND THE SOCIETY.&#13;
&#13;
—&#13;
&#13;
EMBERS of the Society will recollect that&#13;
&#13;
in the November number of Zhe Author&#13;
&#13;
a case was reported, in which Mr. John&#13;
&#13;
Long was the defendant, relating to a lost MS.,&#13;
&#13;
and a reply was made to some comments there-&#13;
&#13;
on printed in The Sphere by the writer signing&#13;
himself “C. K. 8.”&#13;
&#13;
In the number of The Sphere for the 14th of&#13;
November “CO. K. 8.” returned to the action of&#13;
the Society in the case, in a statement of consider-&#13;
able length, which occupied a column and a half,&#13;
and contained over 1,100 words, comprising a&#13;
number of inaccuracies and incorrect inferences&#13;
both in fact and in law.&#13;
&#13;
Consequently, on November 20th the Secretary&#13;
of the Society addressed to the Editor of a letter&#13;
correcting some of the more material errors into&#13;
which “C, K. 8.” had fallen.&#13;
&#13;
For brevity’s sake, minor matters, such as the&#13;
statement that “C. K. S.,” who had no personal&#13;
acquaintance with the publisher, happened to be&#13;
in Court, whereas the case was heard in Chambers—&#13;
&#13;
THE AUTHOR.&#13;
&#13;
69&#13;
&#13;
where only those engaged in the suit or friends of&#13;
the parties could be present—were not noticed.&#13;
&#13;
The letter was in the following terms :—&#13;
&#13;
S1r,—It is needless for me to discuss the article over the&#13;
signature of “ C, K. 8.” in the issue of The Sphere of Novem-&#13;
ber 14th point by point, as the statement of the case already&#13;
put forward in the November number of The Author answers&#13;
sufficiently the major parts of the arguments, There are&#13;
some points, however, which must be corrected.&#13;
&#13;
1. On the question touching the value of the plaintiff's&#13;
literary productions ; she received £50 and not £30 as&#13;
stated in your paper for her MS. There was ample evidence&#13;
besides of acceptances and payments and of the value of&#13;
her work.&#13;
&#13;
2. The MS. was handed in at Mr. Long’s office to a&#13;
gentleman whom the author was told was Mr. Long, and&#13;
accepted for consideration without conditions. The alleged&#13;
condition which you have printed in full cannot affect the&#13;
arrangement, as the letter containing it was sent to the&#13;
author subsequently.&#13;
&#13;
3. I regret to state that you are entirely misrepresenting&#13;
the facts when you say that I have made an incorrect&#13;
statement of the evidence. The facts were obtained from&#13;
the learned counsel who acted on behalf of the Society, and&#13;
if anything the statement does not put the matter suffi-&#13;
ciently in our favour. It is true that the Manager of the&#13;
London Parcel’s Delivery Company stated that he did not&#13;
sign for every parcel received, his reason being that people&#13;
did not necessarily demand a receipt, but he produced his&#13;
day sheet on which the name and address of every parcel&#13;
coming into the office is entered. The date and the name&#13;
of the receiving office had already been furnished by the&#13;
publisher himself, and on the day sheet of the office on the&#13;
date mentioned no parcel addressed to the plaintiff was&#13;
entered. It is the essence of the case that the evidence&#13;
produced by Mr. Long entirely failed to satisfy the learned&#13;
master that the parcel was despatched, indeed his own&#13;
counsel admitted this.&#13;
&#13;
The object of the Society is not, as you suggest, to spend.&#13;
its money on the petty persecution of publishers, but one&#13;
of its objects is to have the legal relations between authors&#13;
and editors or publishers definitely settled in as many&#13;
points as possible.&#13;
&#13;
I remain,&#13;
Yours faithfully,&#13;
(Signed) G. HERBERT THRING.&#13;
&#13;
Readers will gather from the Secretary’s letter&#13;
the nature of the main statements he thought&#13;
it expedient to notice, while any members of&#13;
the Society who wish to refer to the number of&#13;
The Sphere containing them can do so at the&#13;
Society’s office.&#13;
&#13;
The Editor of Zhe Sphere has not thought fit&#13;
to publish this letter, as he had, on the 24th of&#13;
November, undertaken, in writing, to do. The&#13;
ground he alleges is that “it is too long for publi-&#13;
cation,’’ to say nothing of being rather “truculent.”&#13;
He has preferred to give a partial paraphrase of&#13;
it so as to suit his own argument.&#13;
&#13;
Of the truculence of the letter readers can judge&#13;
for themselves. As to its length, it contains 388&#13;
words: is therefore a third of the length of the&#13;
article to which it was a reply.&#13;
&#13;
In his final note, published in Zhe Sphere of&#13;
the 28th of November—in which the Secretary’s&#13;
letter was not published—“C. K. 8.” sets out his&#13;
70&#13;
&#13;
indictment against the Society in the following&#13;
erms :—&#13;
&#13;
“T urge that the Society has no business what-&#13;
ever to persecute publishers over the question of&#13;
the return or non-return of MSS., and, further,&#13;
that the Society itself has a rule which com-&#13;
pletely stultifies its action to the effect that it&#13;
does not hold itself responsible for the safe return&#13;
of manuscripts sent to it.”&#13;
&#13;
We can one suppose that in “CO. K. 8.’s” dic-&#13;
tionary “persecute” is defined as equivalent to&#13;
“enforce legal responsibilities,’ while his reference&#13;
to the rule of the Society seems to prove that he&#13;
still fails to understand the legal position and the&#13;
bearing of the facts on this position. To insert&#13;
into a contract conditions made subsequently at&#13;
the will of either party is neither legally nor&#13;
morally justifiable. :&#13;
&#13;
“C. K.8.” further illustrates the confusion of&#13;
his mind on legal matters by referring to the case&#13;
of Aflalo ». Lawrence and Bullen, as an action&#13;
that has the appearance of a “legal vendetta ”—&#13;
to say the least, a fantastic description of a case&#13;
in which three judges decided on one side against&#13;
five on the other, and which owed its carriage&#13;
through three Courts to the action, not of the&#13;
Plaintiff, but of the Defendants.&#13;
&#13;
We are convinced that the majority of the mem-&#13;
bers of the Society will not grudge the expenditure&#13;
which has led to a final decision on a point of&#13;
law so obscure and so important to every British&#13;
Author.&#13;
&#13;
————_ +&#13;
&#13;
THE CONTRACT OF BAILMENT.&#13;
&#13;
——+-—&lt;—&#13;
&#13;
HE question of the responsibility of editors&#13;
8 and publishers for MSS. left or sent to their&#13;
offices is one that is constantly recurring,&#13;
&#13;
An interesting case against Mr. John Long&#13;
which bears on this subject has been published,&#13;
but it may be of profit to consider the matter from&#13;
@ more general point of view.&#13;
&#13;
We have before us a letter from one editor who&#13;
distinctly states that he is not responsible—we do&#13;
not know on what facts he bases his deductions—&#13;
and another editor referring to the case above&#13;
quoted made the following statement: “It is&#13;
extraordinary that an author may plant MSS, un-&#13;
invited upon an editor or a publisher, actually&#13;
leaving them at his offive, and that the editor or&#13;
publisher should be in any way responsible for&#13;
their safe return,” and goes on to say, on the&#13;
authority of some lawyer (name not mentioned),&#13;
“that if the publisher had not invited the delivery&#13;
of the MS. he does not believe he would be legally&#13;
responsible for its safe return.”&#13;
&#13;
THE AUTHOR.&#13;
&#13;
This last statement is, of course, begging the&#13;
question, the real point being whether the pub-&#13;
lisher or editor invites MSS. from authors or not—&#13;
either expressly or impliedly. What is the general&#13;
rule ?&#13;
&#13;
Is it possible to maintain that a publisher or an&#13;
editor with an advertised address does not set&#13;
himself up as a mark at which authors should&#13;
aim their MSS.; can it be maintained that an&#13;
editor or a publisher is merely a gratuitous bailee,&#13;
and that he does not receive and deal with MSS.&#13;
for his own benefit, though put forward unsolicited ?&#13;
Would not any editor be greatly hurt if he did not&#13;
receive the opportunity of considering, with a view&#13;
to publication, the MSS. of his best friend—some&#13;
popular author—if the author put forward the&#13;
reason that the editor shunned responsibility ?&#13;
&#13;
Let us reverse the argument. Is there any&#13;
publisher who lives by publishing books that come&#13;
to him as the result of his written orders only, or&#13;
is there any editor who issues his magazine com-&#13;
posed of nothing but ordered articles? In the&#13;
case of the publisher the answer must be absolutely&#13;
in the negative. In the case of the editor of a&#13;
magazine or newspaper it may be that one, or&#13;
perhaps two, out of many hundreds never print&#13;
any but solicited articles. If, then, this is the case,&#13;
if MSS. are sent in for the benefit of the publisher&#13;
or editor as well as the author, then the publisher&#13;
or editor must be more than a mere gratuitous&#13;
bailee. The bailment must be considered for the&#13;
benefit of both parties.&#13;
&#13;
Some editors and publishers try to rid them-&#13;
selves of their responsibility, legal or moral, by a&#13;
process of bluff, others by placing notices some-&#13;
where in their papers—in some cases in fairly&#13;
conspicuous positions, in others mixed up amongst&#13;
the advertisements, where an author would hardly&#13;
see them.&#13;
&#13;
The Society has taken counsel’s opinion with&#13;
regard to this custom of inserting notices and the&#13;
responsibilities of the editors under these notices.&#13;
Counsel is of opinion that if the author knew of&#13;
the notice the MS. would be considered to be sent&#13;
up subject to the terms contained in that notice,&#13;
but it would lie with the publisher or editor to&#13;
prove that the author was cognisant of the terms.&#13;
&#13;
If the author was not cognisant of the notice,&#13;
then the question would arise under the facts&#13;
already put forward. Is a MS. sent in for the&#13;
benefit of both parties or not ? Under the present&#13;
custom the question is beyond doubt that the MS.,&#13;
though unsolicited in express terms, is clearly sent&#13;
in for the benefit of both parties. Under these&#13;
circumstances the publisher or editor is more than&#13;
a mere gratuitous bailee, and would be responsible&#13;
&#13;
accordingly.&#13;
GQ. BT.&#13;
&#13;
 &#13;
   &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
&#13;
 &#13;
&#13;
ERE are a few standing rules to be observed in an&#13;
agreement. There are four methods of dealing&#13;
with literary property :—&#13;
&#13;
I. Selling it Outright.&#13;
&#13;
This is sometimes satisfactory, if a proper price can be&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
&#13;
Il. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
&#13;
In this case the following rules should be attended to:&#13;
&#13;
Ci.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
&#13;
3.) Not to allow a special charge for ‘office expenses,”&#13;
unless the same allowance is made to the author.&#13;
&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
&#13;
(5.) Not to give up serial or translation rights.&#13;
&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor !&#13;
&#13;
IiI. The Royalty System.&#13;
&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It isnow&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in Zhe Author.&#13;
&#13;
IY. A Commission Agreement.&#13;
&#13;
The main points are :—&#13;
&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
&#13;
(3.) Keep control of the sale price of the book.&#13;
&#13;
General.&#13;
&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
&#13;
Such combinations are generally disastrous to the author.&#13;
&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
&#13;
Avoid agreements by letter if possible.&#13;
&#13;
The main points which the Society has always demanded&#13;
from the outset are :—&#13;
&#13;
(.) That both sides shall know what an agreement&#13;
means.&#13;
&#13;
(2.) The inspection of those account books which belong&#13;
tothe author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
&#13;
(3.) Always avoid a transfer of copyright.&#13;
&#13;
——————_ +&#13;
&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
&#13;
ee&#13;
EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. [t is well to be extremely careful in negotiating for&#13;
the production of a play with anyone except an established&#13;
manager.&#13;
&#13;
THER AUTHOR. 71&#13;
&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :—&#13;
&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
&#13;
(b.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum inadvance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
&#13;
(¢e.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.c., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (0.) apply&#13;
also in this case.&#13;
&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction is&#13;
of great importance.&#13;
&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
&#13;
8. Never forget that United States rights may be exceed-&#13;
ingly valuable. ‘'hey should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
&#13;
10, An author should remember that production of a play&#13;
is highly speculative: that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
&#13;
 &#13;
&#13;
He&#13;
&#13;
WARNINGS TO MUSICAL COMPOSERS,&#13;
—_1—~@—+ —.&#13;
&#13;
ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
&#13;
rights to deal with—performing right and copyright, He&#13;
72&#13;
&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
&#13;
the warnings stated above.&#13;
&#13;
———— oo&#13;
&#13;
HOW TO USE THE SOCIETY.&#13;
&#13;
—&#13;
&#13;
i VERY member has a right to ask for and to receive&#13;
K advice upon his agreements, his choice of a pub-&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. | The&#13;
Secretary of the Society is a solicitor, but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion. All this&#13;
without any cost to the member.&#13;
&#13;
2. Remember that questions connected with copyright&#13;
and publishers’ agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
&#13;
the Society.&#13;
&#13;
3. Send to the Office copies of past agreements and past&#13;
accounts, with a copy of the baok represented. The&#13;
Secretary will always be glad to have any agreements, new&#13;
or old, for inspection and note. The information thus&#13;
obtained may prove invaluable.&#13;
&#13;
4. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
&#13;
5. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
&#13;
6. The Committee have now arranged for the reception&#13;
of members’ agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
—(1) To read and advise upon agreements and to give&#13;
advice concerning publishers. (2) To stamp agreements&#13;
in readiness for a possible action upon them. (3) To keep&#13;
agreements. (4) To enforce payments due according to&#13;
agreements. Fuller particulars of the Society's work&#13;
can be obtained in the Prospectus.&#13;
&#13;
7. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
&#13;
8. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members. :&#13;
&#13;
9. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society ; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
&#13;
10. The subscription to the Society is £1 41s. per&#13;
annum., or £10 10s. for life membership.&#13;
&#13;
THE AUTHOR.&#13;
&#13;
THE READING BRANCH. .&#13;
&#13;
—_——&#13;
&#13;
EMBERS will greatly assist the Society in this&#13;
VI branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
&#13;
a 0&#13;
&#13;
NOTICES.&#13;
&#13;
+&#13;
&#13;
HE Editor of The Author begs to remind members of&#13;
&#13;
the Society that, although the paper is sent to them&#13;
&#13;
free of charge, the cost of producing it would be a&#13;
&#13;
very heavy charge on the resources of the Society if a great&#13;
&#13;
many members did not forward to the Secretary the modest&#13;
5s. 6d. subscription for the year.&#13;
&#13;
Communications for Zhe Author should be addressed to&#13;
the Offices of the Society, 39, Old Queen Street, Storey’s&#13;
Gate, 8.W., and should reach the Editor not later than&#13;
the 21st of each month. :&#13;
&#13;
All persons engaged in literary work of any kind,&#13;
whether members of the Society or not, are invited to&#13;
communicate to the Editor any points connected with their&#13;
work which it would be advisable in the general interest to&#13;
publish.&#13;
&#13;
——_+——_—____—__&#13;
&#13;
Communications and letters are invited by the&#13;
Editor on all subjects connected with literature, but on&#13;
no other subjects whatever. Every effort will be made to&#13;
return articles which cannot be accepted.&#13;
&#13;
——&gt; + —&#13;
&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post,&#13;
and he requests members who do not receive an&#13;
answer to important communications within two days to&#13;
write to him without delay. All remittances should be&#13;
crossed Union Bank of London, Chancery Lane, or be sent&#13;
by registered letter only.&#13;
&#13;
a&#13;
&#13;
THE LEGAL AND GENERAL LIFE&#13;
ASSURANCE SOCIETY.&#13;
&#13;
——&#13;
&#13;
N offer has been made of a special scheme of&#13;
Endowment and Whole Life Assurance,&#13;
admitting of a material reduction off the&#13;
&#13;
ordinary premiums to members of the Society.&#13;
Full information can be obtained from J. P. Blake,&#13;
Legal and General Insurance Society (City Branch),&#13;
158, Leadenhall Street, B.C.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
of&#13;
&#13;
“&#13;
4&#13;
&#13;
THE AUTHOR. 73&#13;
&#13;
AUTHORITIES.&#13;
&#13;
Se En ie seh a&#13;
&#13;
Tue case of Aflalo and Cook v. Lawrence and&#13;
Bullen has now been finally decided. Judgment&#13;
was given in the House of Lords on November&#13;
13th, and is fully reported in another part of The&#13;
Author.&#13;
&#13;
We feel sure that members of the Society will&#13;
be glad that a point of Copyright Law of genuine&#13;
interest to all writers has been decided. The&#13;
Committee took up the question when it first came&#13;
before them—after full consideration and on the&#13;
advice of Counsel—as a matter of principle, the&#13;
amount of money involved being small. In the&#13;
Court of First Instance the plaintiffs were successful.&#13;
If the case had gone against the Society it is an&#13;
open question whether the Committee would have&#13;
considered it sufficiently important to carry to a&#13;
higher Court, but in the circumstances there was&#13;
no choice, as the defendants, against whom the&#13;
judgment stood, took the matter to the Court of&#13;
Appeal. Here, the plaintiffs, Messrs. Aflalo and&#13;
Cook, again obtained a judgment in their favour&#13;
by the opinions of two judges against one. Lord&#13;
Justice Romer and Lord Justice Stirling decided&#13;
against the appellants, Lord Justice Vaughan&#13;
Williams dissenting. The appellants were not&#13;
satisfied, and determined to take the verdict of the&#13;
last appeal—the House of Lords. Again the Com-&#13;
mittee had no choice: they were bound to go on&#13;
with the case. In the House of Lords the judges&#13;
were unanimously in favour of the appellants, and&#13;
the Society therefore became responsible for the&#13;
costs. Apart from this incident, which is of&#13;
course unfortunate, the Committee see no reason&#13;
to regret their action, which will, they feel confi-&#13;
dent, receive the support of the members. The&#13;
ease has resulted in the elucidation of an important&#13;
and difficult point of copyright law : how difficult&#13;
may be judged by the fact that the matter was decided&#13;
by the smallest majority possible out of eight judges&#13;
before whom the case was argued, that is by five&#13;
against three. This alone proves the need there&#13;
was for a definite deeision, and justifies the action&#13;
of those who were of opinion that it was a proper&#13;
case to fight in the first instance.&#13;
&#13;
It may be well to add that of the many cases&#13;
which have received the support of the Committee&#13;
this is the first in the Superior Courts in which&#13;
judgment has been given adverse to the Society.&#13;
&#13;
We hope in a subsequent number of The Author&#13;
to give in detail the alterations that it will be&#13;
necessary for members of the Society to make,&#13;
owing to the decision, in their methods of marketing&#13;
&#13;
their literary wares.&#13;
&#13;
Mempers of the Society will no doubt remember&#13;
that some months ago the Committee made, through&#13;
a letter signed by Mr. George Meredith, their&#13;
President, and the Chairman, an appeal to the&#13;
public for a sum sufficient to enable them to hand&#13;
over a replica of the Besant Memorial about to be&#13;
unveiled in the crypt of St. Paul’s, to the London,&#13;
County Council, in order that it might, under their&#13;
auspices, be erected in some suitable site on the&#13;
Thames Embankment.&#13;
&#13;
The appeal thus made has produced substantial&#13;
results, but a further sum of about £40 is required&#13;
to enable the proposal adequately to be carried out.&#13;
There are, it is believed, many members of the&#13;
Society who would be glad to see such a public&#13;
recognition of an important side of Sir Walter&#13;
Besant’s active life, his love of London and efforts&#13;
for its improvement.&#13;
&#13;
A Memorial in St. Paul’s can at best be seen but&#13;
rarely and by comparatively few, and this considera-&#13;
tion has had weight not only with the Committee,&#13;
but also with the sculptor, Mr. Frampton, who is&#13;
ready to provide the duplicate at what is practically&#13;
cost price.&#13;
&#13;
Remittances should be made payable to The&#13;
Secretary, the Society of Authors, 39, Old Queen&#13;
Street, Storey’s Gate, S.W.&#13;
&#13;
A list of subscribers will be published in a&#13;
subsequent issue.&#13;
&#13;
WE have before us a circular sent out by the&#13;
Authors’ Association, of which the Central Offices&#13;
are at Darlington, and Mr. Galloway Kyle is the&#13;
Secretary, inviting authors or intending authors&#13;
to become members.&#13;
&#13;
This is the association to which reference was&#13;
made in our number for April (1903). Its title&#13;
easily lends itself to confusion with our Society.&#13;
We therefore think it well to warn our readers&#13;
against any possible mistake. '&#13;
&#13;
The fact that a well known publisher is a Vice-&#13;
President of the Authors’ Association is perhaps&#13;
sufficient evidence of the distinction of aims between&#13;
the two bodies.&#13;
&#13;
WE are glad to see that the corporation of&#13;
Portsmouth have acquired the birthplace of Charles&#13;
Dickens with the intention of retaining it as a&#13;
permanent museum of “ the relics, manuscripts, and&#13;
writings of the great author.” This is an interest-&#13;
ing fact, and speaks well for the increasing popu-&#13;
larity of one whose reputation as a writer was stated&#13;
by common report to be fading. Though we applaud&#13;
&#13;
 &#13;
  &#13;
&#13;
74.&#13;
&#13;
 &#13;
&#13;
the action of the corporation in the case of Charles&#13;
Dickens, we think the purchase of houses of&#13;
celebrities in order to turn them into museums&#13;
may in some cases lead to absurd results, and on the&#13;
whole should be checked rather than encouraged.&#13;
&#13;
 &#13;
&#13;
We have heard of many ingenious ways of&#13;
advertising books in order to increase the sale: in&#13;
fact not so many months ago there was considerable&#13;
stir in the papers over a publisher's methods in&#13;
dealing with a MS. that had come into his possession.&#13;
We have heard of publishers advertising “The&#13;
Third Edition,” when only twenty-seven copies&#13;
have been sold, and we have heard of advertise-&#13;
ments of enormous sales which the author found&#13;
manifestly incorrect on receipt of the accounts, but&#13;
none of the stories have touched the following,&#13;
which we have taken the liberty of reprinting&#13;
from the St. James’ Gazette :&#13;
&#13;
A Parisian author had fought for many years against&#13;
poverty and ill-health, but nevertheless had produced&#13;
several novels which were considered by those who had&#13;
read them to be works of genius, but they had been total&#13;
failures as saleable commodities. On his last work he had&#13;
concentrated all his hopes of recognition and even of&#13;
existence, but on publication the book showed every sign&#13;
of going into the same limbo as its predecessors. The&#13;
author, however, hit upon a unique way of advertising it.&#13;
Acting upon the dictum that the best way to get a novel&#13;
tread is to have it publicly described as unfit to read, he&#13;
wrote from Marseilles a letter signed “An Indignant&#13;
Republican” to the authorities in Paris violently censuring&#13;
a certain work as dangerous to public morality and demand-&#13;
ing the imprisonment of its author. When inquiries were&#13;
made the writer and the author were found to be one and&#13;
the same person, but the writer’s object was accomplished.&#13;
&#13;
A recent number of our valuable contemporary,&#13;
Le Droit d@ Auteur, contains some interesting notes&#13;
on the earliest examples of authors’ successful&#13;
claims to pecuniary remuneration for their work.&#13;
The first author who appears to have succeeded in&#13;
getting paid for his rights was a Canon of Mans,&#13;
who in 1452, having composed a “ Mystery of the&#13;
Nativity, the Passion, and the Resurrection,” ceded&#13;
it to the shrievalty of Paris for ten écus of gold, a&#13;
little more than five guineas. In the sixteenth&#13;
century French dramatic authors received three&#13;
écus for each comedy. Herdy wrote seven hundred.&#13;
Later Quinault received one-ninth of the money&#13;
taken at the doors of the theatre, and thus set the&#13;
first example of royalties.&#13;
&#13;
_ Oo&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
W. E. H. LECKY.&#13;
&#13;
 &#13;
&#13;
Y the death of Mr. Lecky, the Society of&#13;
Authors has lost one of its most distin-&#13;
guished members, and Great Britain a&#13;
&#13;
man of letters who was also a man of reading.&#13;
He was for more than thirty years an interesting&#13;
and considerable figure in cultivated London&#13;
society. Though a shy man he loved company,&#13;
and such society as is “quiet, wise and good.”&#13;
So rudimentary and simple were his notions of&#13;
enjoyment, that he was fond of dining-out. He&#13;
loved the movement and the stir of life none the&#13;
less, perhaps all the more, because he was personally&#13;
ill-adapted for the race. His interest in his&#13;
fellow-men was inexhaustible. He always wanted&#13;
to know how the other half of the world lived.&#13;
Although himself cast in an unfamiliar type, he had&#13;
a very human heart and longed to be at one with his&#13;
brother man. Hiscurious, unequal, but not wholly&#13;
uninteresting book called ‘ The Map of Life,” bears&#13;
witness to his desire to be treated, not as a mere&#13;
spectator or critic, but as an actual combatant in&#13;
the battle-fields of existence. Men of the world, as&#13;
they call themselves, smiled good-humouredly and&#13;
said, “ What on earth can Lecky know of life?”&#13;
But ‘men of the world” are too apt to give them-&#13;
selves airs in such matters. Life about town, or&#13;
on the race-course, or in barracks, or in law courts,&#13;
are but phases of the great Phantasmagoria, and&#13;
Mr. Lecky with his anxious eyes, his brooding&#13;
mind, his wide reading, his experience (gained both&#13;
at home and abroad), and, above all, his sad sincerity&#13;
and freedom from idol-worship, knew a great deal&#13;
about life, though not enough, it may be, to draw&#13;
maps.&#13;
&#13;
Few men will be more missed in their accustomed&#13;
haunts than Mr. Lecky. He was one of those&#13;
friendly men who are always liked. He was a&#13;
sympathetic listener as well as an agreeable&#13;
talker. He belonged to many clubs and coteries.&#13;
He was welcome at all of them. You liked to see&#13;
his “willowy” figure steal furtively into the&#13;
room. To sit next him at dinner was always a&#13;
mild, but real pleasure. Like all good and sensible&#13;
men he was fond of the society of clever women,&#13;
and preferred meeting them é¢e-a-téte to any other&#13;
way. As an afternoon caller he had great merits.&#13;
His information was varied and extensive, and he&#13;
knew about many things besides history and books.&#13;
He was an excellent judge of pictures, particularly&#13;
Spanish and Dutch. He could handle china&#13;
knowingly, and criticise furniture with severity.&#13;
A deprecatory glance of his eye, an uneasy&#13;
contortion of his sensitive frame, was more damning&#13;
than an explosion of abuse from noisier connois-&#13;
&#13;
seurs.&#13;
&#13;
qo *&#13;
ts]&#13;
zg&#13;
eae&#13;
fon&#13;
Ua&#13;
ees&#13;
wht&#13;
40&#13;
li&#13;
Stig&#13;
Nil&#13;
ei&#13;
D3&#13;
&#13;
aie&#13;
&#13;
~ be&#13;
&#13;
BL&#13;
;&#13;
&#13;
xt&#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
Of books he had a great knowledge, and for&#13;
| them he had true feeling. In talking with most&#13;
men you are often amazed to discover the books&#13;
_ they have not read, but Mr. Lecky’s catholicity&#13;
was hard to impugn. I am speaking of English&#13;
1% books.&#13;
by I well remember the first appearance of his&#13;
i, “Rise and Influence of Rationalism.” Eloquence&#13;
| is a great quality in literature, and the book was&#13;
»; aneloquent one. It was also eminently readable&#13;
| throughout; and what is more, it breathed the&#13;
| spirit of the hour. Young men, and maidens of a&#13;
«| Speculative turn of mind, read it with eagerness,&#13;
| and discussed it at the tea-table with animation,&#13;
~ whilst their elders looked on and listened with&#13;
4 mingled alarm for the future and pride in the&#13;
4 talents of their offspring. The main note of the&#13;
book was the beneficence of scepticism, the good&#13;
» done to the world by the men who first had the&#13;
% courage to say “J don’t believe you.’ The atmo-&#13;
~ Sphere is different to-day, and our young people&#13;
. have begun once again struggling to believe in&#13;
something or another, if it be only in ghosts.&#13;
&#13;
__ Of Mr. Lecky’s “ History ” this is not the place to&#13;
speak. It has throughout one rare characteristic,&#13;
» | @genuine dispassionate love of truth.&#13;
&#13;
In the House of Commons, Lecky was a per-&#13;
.| sonality. As a learned Irishman he shared with&#13;
-{ another learned Irishman, Sir Richard Jebb, an&#13;
&#13;
;- unassailable position. He was always listened to&#13;
| with the utmost attention, and was in my humble&#13;
judgment a really admirable speaker. His&#13;
_ character, of course, stood high, whilst his amiability&#13;
‘ and love of his fellow creatures were daily mani-&#13;
fested by his aspect and bearing.&#13;
&#13;
The caricaturist made free with his figure. He&#13;
would survey these productions with a melancholy&#13;
smile in which there was no bitterness. “I seem&#13;
to lend myself to caricature,” he once said to me.&#13;
In a sense he did—but only in a restricted sense.&#13;
In the nobler elements of character and indivi-&#13;
duality, Mr. Lecky showed himself both to his&#13;
friends and to his readers as the true man he was.&#13;
The Society of Authors may well mourn his loss.&#13;
&#13;
AUGUSTINE BIRRELL.&#13;
&#13;
——__———+—_2-—_____—_&#13;
&#13;
PROFESSOR THEODOR MOMMSEN.&#13;
&#13;
+&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
; N the beginning of the year we were congratu-&#13;
lating Professor Theodor Mommsen on having&#13;
received the prize for literature granted by&#13;
@ the Swedish Academy acting under the will of the&#13;
‘4 late Mr. Nobel. Now we have, with sorrow, to&#13;
©@ announce his death.&#13;
: Professor Mommsen was born on the 30th of&#13;
4) November, 1817, and was, therefore, at the date&#13;
&#13;
 &#13;
&#13;
15&#13;
&#13;
of his death, nearly eighty-six. Although born a&#13;
Dane he always considered himself a German. He&#13;
was, without doubt, in the varied fields in which&#13;
he studied, a living force. He carried light into&#13;
many of the dark places of history, and was one of&#13;
the greatest names in literature that Germany has&#13;
ever produced. His education commenced in the&#13;
gymnasium at Altona, and ended by his graduating&#13;
at the University of Kiel. It is a curious fact that&#13;
although the studies and works which made him&#13;
famous were in such dry subjects as philology,&#13;
history, and jurisprudence, yet he began his author-&#13;
ship by publishing a book of poems, with his brother,&#13;
in 1839. A few years after this date he obtained&#13;
a grant from the Government and spent a great deal&#13;
of his time in Italy and France. This, no doubt,&#13;
was the turning point in his career. From that.&#13;
moment he began his wonderful study of Roman&#13;
history, and of the subjects connected with the&#13;
Roman national life. His painstaking research&#13;
was assisted by a wonderful memory, and both&#13;
these by a brilliant insight and a fine judgment.&#13;
There is no doubt that on his work as a Roman&#13;
historian his reputation will stand in England,&#13;
To the schoolboy and the undergraduate his history&#13;
was always a bugbear. It is probable, therefore,&#13;
they may consider his fame and brilliancy over-&#13;
rated, but it is lucky for most geniuses that their&#13;
reputation does not rest on the eternal criticism of&#13;
generations of schoolboys and undergraduates.&#13;
&#13;
Although his history of Rome is undoubtedly a&#13;
wonderful production on account of the grasp of&#13;
the life of the period and the character of the&#13;
nation, yet those who applaud his methods do not&#13;
necessarily approve his deductions. Some of them&#13;
were so startling that although they struck astonish-&#13;
ment in the first instance, yet after consideration&#13;
could not alwaysstand the light of maturer criticism.&#13;
Special reference should be made to his description&#13;
of Cicero, who, with all his faults, with all his&#13;
weaknesses, and with all his cowardice, was no&#13;
doubt, judging from the correspondence that&#13;
remains to us, the most important man of letters&#13;
of his time, and judging from other historical relics&#13;
one of the greatest advocates. To him Professor&#13;
Mommsen will grant no good qualities. He&#13;
calls him “journalist in the worst sense of the&#13;
word,” “dabbler,” “short-sighted egotist,” and&#13;
“statesman without insight.” Asa set off against&#13;
Cicero he lauds Cesar to the skies. Every historian&#13;
must have his faults. No sound critic, however,&#13;
could fail to recognise his power. For this reason,&#13;
during the latter years of his life, although he&#13;
lived in a simple manner at his home in Charlotten-&#13;
burg, he has been looked upon by the younger&#13;
generation of Germany as a model to look up to&#13;
and admire, and has, received constant recognition&#13;
of his brilliant accomplishments.&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
76&#13;
&#13;
D&#13;
ENGLISH AUTHORS AND THE UNITE&#13;
&#13;
STATES RIGHTS.&#13;
&#13;
—St&#13;
&#13;
P to the end of his historical survey of&#13;
iti 5 on&#13;
American conditions, cA CO, B. ea&#13;
safe cround ; but hardly anyone converse&#13;
5&#13;
&#13;
: nos Wi inclined to&#13;
with international ine He ee are, ad&#13;
follow him further. That Hngls av bli&#13;
: lass, losing place with the United States pu ~&#13;
ha the points now : ee pear es&#13;
&#13;
: thing to remedy that ste&#13;
ee ae ae lines we should oe&#13;
a : » ici t it is no&#13;
_ «A, OG, B.” says explicitly that&#13;
oe for the British author to write oe&#13;
stuff? All he has apparently to do is to “ wake&#13;
up.”” In other words, he is, on the literary and&#13;
artistic side, safe enough; it is only as what the&#13;
Americans call a “drummer ” that he fails. Now&#13;
I believe this attitude to be not only undignified&#13;
but wholly wrong. Setting aside the great names&#13;
in American letters, who were, i the most gel&#13;
historians, essayists and poets, American author-&#13;
ship is acalling of the past few years. a oe C. B.”&#13;
oints out, it dates from the passing of the American&#13;
a capsaht Act. It has only required a very short&#13;
time for the American writer to capture and hold&#13;
the attention of his fellow countrymen, and, in the&#13;
nature of the case, his success has been won largely&#13;
at the expense of the English author. Not of&#13;
course, that the English author has suffered much&#13;
pecuniarily by the passing of the American Copy-&#13;
right Act; the cheques for literary work that&#13;
travelled either way across the ocean in the old&#13;
days were very few. Yet the broad fact remains&#13;
that, where the American used to read English&#13;
fiction, he now reads the work of men and women&#13;
of his own nationality. The man who has been&#13;
hurt by the new conditions ig certainly not&#13;
the writer of the first rank—have we any such&#13;
men now producing actively ?—not even the writer&#13;
ofthe second rank; but, beyond doubt, the writer&#13;
of the third and even lower classes. These men&#13;
were worth reprinting in the United States when&#13;
their eo ae nothing but paper and print ; they&#13;
are not worth reprinting when they have to compete&#13;
for popularity with work of equal and greater bent&#13;
iat 1s written by Americans, deals with American&#13;
as and is in harmony with the habit of mind of&#13;
: ae and women who read it.&#13;
: 18 convenient to divide authors into Classes&#13;
ee arbitrary fashion that I have just ventured&#13;
hi eee but it is rarely that any writer finds al]&#13;
des ooks in the same class. He may ascend or&#13;
pene | some of his books will be better than&#13;
others. When I gay, I fear rather discourteous]&#13;
third-class authors,” I mean the writers cha&#13;
products die with each publishing season, and have&#13;
&#13;
‘large one, and it comprises writers whose various&#13;
&#13;
 &#13;
&#13;
i im to longer existence.&#13;
in fact, no claim to long&#13;
the American publisher does not want; and he&#13;
&#13;
t want them for the reason that he cannot 0&#13;
coe? To talk of “waking up” in offering Bi&#13;
&#13;
sell them. UCT in one&#13;
such manuscripts, or “ persisting and insisting ”&#13;
&#13;
with American publishers, is to be wholly wide of&#13;
the mark, Occasionally a book of this class is&#13;
placed in the United States market ; but there is&#13;
nearly always some special reason for its appear-&#13;
ing internationally. The American may buy it&#13;
because he hopes for another and better work from&#13;
the same pen ; he may have a contra-account with&#13;
an English publisher which he is anxious to settle&#13;
—in fine, he may have a hundred different reaSons&#13;
for his acceptance. But, on its merits, he does not&#13;
want the book. The author may “wake him up”&#13;
by every mail; he may “ persist ’’ with cablegrams ;&#13;
he may “insist” in season and out of season. The&#13;
facts are not altered.&#13;
&#13;
T’o come now to the authors of the second class,&#13;
who may, not unfairly, be said to represent the&#13;
best of which we are now capable. Have such&#13;
authors any substantial grievance? I hardly think&#13;
so. The class of which I am now speaking is a&#13;
&#13;
degrees of popularity differ markedly from one&#13;
another, But for any work that shows, I will not&#13;
say genius, but even a definite talent, either in the&#13;
direction of sustained interest of narration, real&#13;
psychological insight, or careful character study,&#13;
there is a distinct American demand. And if that&#13;
demand is not supplied from this side of the&#13;
Atlantic, the fault lies with the authors them-&#13;
selves, Many men who are read here widely have&#13;
but a small American following ; not infrequently&#13;
the converse may be said to be nearer the truth.&#13;
Yet, whatever may be the hold of any individual&#13;
writer on the American public,&#13;
books as I have now in mind are worth reprinting&#13;
and copyrighting in the States, and it is, almost&#13;
without exception, possible to make the necessary&#13;
arrangements. In this connection, “names” are of&#13;
smaller importance than is often supposed. United&#13;
States publishers are more open minded than their&#13;
English brethren ; many of them are attracted&#13;
by the notion of a gamble in an unknown writer’s&#13;
work. But the work, with all respect to “ A.C, B.,”&#13;
must be good, the publisher must haye a run for&#13;
his money. With the man who has an established&#13;
following, the question is what terms he can make ;&#13;
with the unknown writer who has his reputation&#13;
still to gain, it is whether he can make an entry&#13;
at all into another circle of readers.&#13;
good work and efficient handling—I do not pretend&#13;
to disregard what may be called the commercial&#13;
&#13;
traveller aspect of the question—the result should&#13;
he satisfacto&#13;
&#13;
Of authors of the first class, it is hardly neces-&#13;
&#13;
Such books&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
nearly all such ~ i&#13;
&#13;
 &#13;
 &#13;
&#13;
“ig sary to write. As “A.C, B.” says, “ Many kinds of&#13;
~4)§ literature appeal to the whole world.”&#13;
“§ Granting the truth of the considerations I have&#13;
“lg already set down, it follows that it is only books&#13;
of the second class with which we have to concern&#13;
ourselves. “‘ A.C, B.,” while impliedly admitting&#13;
that an author may do wisely to make his English&#13;
uf arrangements through an agent’s intermediary, is of&#13;
@@ opinion that he will do better himself to attend to&#13;
eid his over-sea negotiations. In this particular, I fear&#13;
§ experience is against him. Certainly, the course&#13;
he proposes is not one that has recommended itself&#13;
to those English authors who have the largest fol-&#13;
lowing in theStates. In fact, one may say that it is&#13;
jo@ not an infrequent experience with agents to have&#13;
j proposals for the handling of work for America, while&#13;
@ the author intends to control personally his English&#13;
f business. Numerous as are the dangers and diffi-&#13;
3 culties attendant upon the sale of literary property&#13;
of in this country, the possibilities of loss in inter-&#13;
© national arrangements are far greater. I do not&#13;
y wish to cast any reflection on the integrity of&#13;
4 American firms, although the agreements that are&#13;
“18 offered from the other side are often and in many&#13;
| respects not such as would commend themselves to&#13;
any writer familiar with the practice of the best&#13;
tf London houses. But the opportunity of error is,&#13;
f in the nature of the case, much more frequent when&#13;
_ two firms, instead of only one, have to be con-&#13;
| sidered. There is the question of international&#13;
copyright ; of the synchronising of dates of appear-&#13;
ance, when, it may be, a book is serialised on one&#13;
side of the water and not on the other; of the&#13;
Canadian market, which is very often a bone of&#13;
9 contention between the English and the American&#13;
‘oq publisher. In short, it is only possible to sur-&#13;
‘a mount the difficulties inherent in the conditions&#13;
Jo obtaining by unremitting care, coupled with a&#13;
marked degree of expert knowledge. However&#13;
cool the business head” of authors may be, there&#13;
78 are, it is safe to say, not many of them who have&#13;
4 the equipment necessary, if the task involved is to&#13;
*d be grappled with successfully.&#13;
A It is possible to deal with one agent here and&#13;
another in the United States. But the course has&#13;
little to recommend it. In the first place, neither&#13;
‘8 agent can feel the interest in his client’s affairs&#13;
dé” which he would do were they entirely in his hands,&#13;
_ And, in the second, the two sets of negotiations are&#13;
02 so closely interwoven, that in practice, 1b will not&#13;
od be found possible entirely to separate them. For&#13;
9 example, the American agent may want instruc-&#13;
ii tions or information, the purport of which will&#13;
_ depend on what is being arranged with the English&#13;
_ publisher ; the man who can solve the difficulty at&#13;
once is the English agent, yet, were the course now&#13;
under discussion to be followed, the matter would&#13;
val have first of all to be referred to the author, who&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
   &#13;
   &#13;
    &#13;
  &#13;
   &#13;
   &#13;
   &#13;
  &#13;
 &#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
17&#13;
&#13;
on : his turn, have to consult his London&#13;
ae : 18 Just conceivable that a man of some&#13;
elicacy of feeling might hesitate before troubling&#13;
—possibly to a considerable extent—his agent with&#13;
work in which he had no pecuniary interest, But&#13;
leaving that point on one side, it can easily be&#13;
realised how many are the chances of confusion&#13;
and loss, Further, the London agent who is in&#13;
constant touch with one or more agents in New&#13;
York can command a degree of attention for his.&#13;
work as a whole which the individual author who&#13;
only occasionally sends MSS. across the Atlantic&#13;
cannot reasonably expect. The London agent&#13;
represents, for the American agent, a combination&#13;
of authors ; and, naturally, the affairs of a com-&#13;
bination are of more consequence than those of&#13;
any one person, unless, indeed, he be of consider-&#13;
able eminence. And, I take it, we are not now&#13;
concerned with the work of such men. Further,&#13;
the London agent is by no means confined to dealing&#13;
through an Americanagent ; with many American&#13;
houses he is probably in close personal touch, as&#13;
the result of his acquaintance with the members&#13;
of the different firms. An American publisher&#13;
when he is in London will certainly visit the chief&#13;
London agents, while—again leaving the man of&#13;
great reputation apart—it would hardly be worth&#13;
his while to call upon a number of individual&#13;
authors, whose work he nevertheless is probably&#13;
quite ready to consider.&#13;
As I understand his paper, “A.C. B.” is of opinion&#13;
that agents do not, as a class, deal efficiently with&#13;
the United States rights of books that are placed in&#13;
their hands. Without specific instances—which I&#13;
admit it would be difficult, and perhaps improper,&#13;
to give—of the neglect he complains of, discussion&#13;
of the point is difficult. But it may safely be said&#13;
that no agent who understands his business ever&#13;
loses sight of transatlantic possibilities. The notion:&#13;
that he would be tempted by a peculiarly beneficial&#13;
English contract to take no trouble to market 8&#13;
book in America is, with all courtesy, absurd, For&#13;
the better the contract that is possible here, the:&#13;
better, broadly speaking, will the American ainnde&#13;
ment be. The contention is interesting, ewer&#13;
as it is the first time that I have heard _&#13;
accused of indifference to the commercial - eo&#13;
their activities ; but Tam convinced that it . _&#13;
other value. To touch on a minor, point, a&#13;
frequently impolitic to begin negotiations&#13;
&#13;
America before a contract is signed here ; with 4&#13;
ar to the American publisher,&#13;
&#13;
me that is famili wublish&#13;
the course advised may be followed 5 but, p =&#13;
case of newer men, the best introduction to the&#13;
&#13;
American publisher is the statement that a well&#13;
&#13;
i ‘ the book.&#13;
nglish firm has taken up ol -&#13;
ee “most authors are alive to the inadvisa&#13;
&#13;
bility of allowing their English publishers to act&#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
78&#13;
&#13;
agents. From every | point of&#13;
not in the author’s interests.&#13;
oks which are never copy-&#13;
&#13;
righted in the United States, oye FED ogee&#13;
bat chance is to sell an edition in sheets. -&#13;
eae can and often does sell sheets of such publica-&#13;
&#13;
eae and I have known cases Neate ae ae -&#13;
&#13;
a to allow the Lon&#13;
&#13;
he advantage of the author&#13;
&#13;
paulieher to do the work. The question of the&#13;
&#13;
division, as betwe&#13;
&#13;
en author and publisher, of profits,&#13;
on such ‘transactions is very&#13;
&#13;
often a cause of hard&#13;
feeling between the two,&#13;
&#13;
and it is emphatically&#13;
one of the points where the advice of an expert 1s&#13;
most valuable.&#13;
&#13;
as their American&#13;
&#13;
view, the practice 18&#13;
But there are certain bo&#13;
&#13;
C. F. CAZENOVE.&#13;
—_———__ + __&#13;
&#13;
THE INFLUENCE OF ENVIRONMENT ON&#13;
MEN OF LETTERS.&#13;
&#13;
—-—&lt;+—&#13;
&#13;
“« O you observe any traces of ‘ Faust,,”&#13;
asks Shelley of a friend, “in the poem&#13;
I send you? Poets—the best of them—&#13;
are a very chameleonic race ; they take the colour,&#13;
not only of what they feed on, but of the very&#13;
leaves under which they pass.”&#13;
&#13;
Shelley was thinking chiefly of the influence of&#13;
an author’s favourite books on his own productions,&#13;
but the remark is applicable to other descriptions&#13;
of leaves than book leaves, to any kind of influence&#13;
with which the poet, and in a less degree the prose-&#13;
writer, if a susceptible person, is habitually in con-&#13;
tact. From this point of view authors may be&#13;
divided into two classes—to both of which they&#13;
may belong at different periods of their lives—&#13;
those who can and those who cannot choose their&#13;
environment. When we can be sure that a writer&#13;
belongs to the former class, the environment, as an&#13;
index to his inclinations, in its turn reflects light&#13;
upon the characteristics of his own mind while&#13;
Sometimes it raises a problem. It is easy to see&#13;
why Louis Stevenson should have preferred to liv&#13;
in the South Sea Islands, and apart from the&#13;
qualities of the books composed th h ey&#13;
fact afford insight i i ae ere&#13;
&#13;
8 an insight into his nature which could&#13;
eos ee are Be if his works had been peanad&#13;
ane. Dut Stevenson also shows that a b&#13;
may be entirely indepe oo&#13;
writing hig Tae and Se b&#13;
ally Scotch fiction, * Weir of Hermi cpiees&#13;
(as ’ ermiston,”’ amon&#13;
. a ibe of Samoa. This, in the i&#13;
é sensiti thle&#13;
demonstrate that, while ‘the ee Fe tO&#13;
ment cannot be denied, wit fmch ee&#13;
Beach of Teles hess such tales as “The&#13;
presence of an overmastering iinpula es&#13;
quarter.“ Weir of Bien pulse from another&#13;
» Judging from his&#13;
&#13;
 &#13;
&#13;
ence, would seem to be of all his bookg&#13;
the one which had taken the most complete&#13;
possession of him, hence its superior merit,&#13;
&#13;
« And his own mind did like a tempest strong&#13;
&#13;
Come to him thus, and drive the weary wight along.”&#13;
&#13;
If we can easily follow Stevenson to the South&#13;
Seas, there are other writers able, like him, to choose&#13;
their own environment whose motives are for the&#13;
present inscrutable, and consequently fail to afford&#13;
light to their characters and writings. Why should&#13;
Mr. Henry James, the most subtle analyst of com-&#13;
plicated modern society, spend his life by preference&#13;
in a little Cinque Port? When we know what&#13;
secret bond attaches Mr. James to Rye, we shall&#13;
know more of him than we do, and if he does not&#13;
tell us himself, it will be a matter for his biographers&#13;
to investigate.&#13;
&#13;
One of the strongest witnesses to the influence&#13;
of environment is Shakespeare, when he deplores&#13;
the evil influence of the profession of actor upon&#13;
him, and complains that his nature is&#13;
&#13;
“ Subdued&#13;
To what it works in, like the dyer’s hand.”&#13;
&#13;
(fe Observe this image,” comments Shelley, “how&#13;
simple it is, and yet how animated with the most&#13;
intense poetry and passion.”) There is great&#13;
reason to think that Shakespeare renounced the&#13;
profession of actor long before he ceased writing&#13;
for the stage ; it is certain that as soon as he was&#13;
able he acquired property at his native place, which&#13;
he must have visited as frequently as his profes-&#13;
sional engagements would allow. It is interesting&#13;
to inquire how far an influence from this change is&#13;
atl) in his Writings, and it may be traced&#13;
with certainty. The precise date of the sonnet&#13;
seas above ic doubtful, but it certainly did&#13;
not long precede his acquisition of property at&#13;
Stratford. Within a year or two of this oven we&#13;
find him producing the most sylvan of his dramas,&#13;
&#13;
As You Like It,” more thoroughly pervaded with&#13;
the spirit of country life than anything he had&#13;
Nidan before, if we except the description of the&#13;
&#13;
orse in “‘ Venus and Adonis,” beginning&#13;
“But lo, from forth a copse that neighbours by,”&#13;
and of coursing a hare in the Same poem, beginning&#13;
pote when thou hast on foot the purblind hare,”&#13;
€ latter, especially, ig ; :&#13;
oe ) lly, a marvel of accurate&#13;
a showing that Shakespeare must have&#13;
2b’ Many a coursing match. “Ve d&#13;
Adonis,” being descri be hans a&#13;
&#13;
, us, Delng described by him ag “ the first hei&#13;
of my invention,” was i oe&#13;
1 » Was probably written not ]&#13;
after his departure from Stratford, when the tan&#13;
&#13;
Tess i : :&#13;
p sion of country life would be strong with him&#13;
&#13;
evived by his acquisit 1&#13;
&#13;
quisition of a house there and&#13;
&#13;
hi : a&#13;
'8 occasional visits, they come out in full force&#13;
&#13;
correspond&#13;
&#13;
after he has it his princi ;&#13;
whe pe it his principal residence there&#13;
&#13;
rs, culminating in the pastoral&#13;
S&#13;
&#13;
  &#13;
 &#13;
&#13;
  &#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
~sescenes in “A Winter’s Tale” (1611), where&#13;
‘fp villagers and village pastimes are painted to the&#13;
‘life. Here seems a clear instance of the effect of&#13;
ym@environment. It is an interesting question whether&#13;
od the total neglect of the country by the artificial&#13;
soe poets of a later day, such as Dryden and Pope, is&#13;
eto be attributed to their metropolitan environ-&#13;
‘om ment or to the pervading atmosphere of the period.&#13;
sd] Their opportunities for contemplating the face of&#13;
ie¥ Nature were indeed few, but they showed no dis-&#13;
‘aoe position to profit by those which they had. How&#13;
il different from Keats! who had scarcely been&#13;
vec beyond Edmonton when he produced his first&#13;
0¢ poems, which nevertheless contain couplets so&#13;
jaa instinct with the spirit of the country as this :&#13;
&#13;
‘When a tale is beautifully staid,&#13;
We feel the safety of a hawthorn glade.”&#13;
&#13;
Scott is a most signal instance of the power of&#13;
va environment. It would hardly be fair to appeal to&#13;
4 Byron as another, for he travelled with the deliberate&#13;
i intention of making poetical capital out of every-&#13;
4 thing that came in his way. He nevertheless forms&#13;
sae one of a remarkable group of English poets who&#13;
-ef have been deeply influenced by Italian environ-&#13;
om ment. The list includes Landor, Shelley, Keats,&#13;
‘ae and both the Brownings. Of these Robert Brown-&#13;
ui ing seems the most deeply influenced, doubtless&#13;
sod because as a dramatist he touched Italian life at&#13;
om more points than the rest. He is a magnificent&#13;
2a] instance of what improvement can be effected even&#13;
ai in a great poet by transplantation, provided that&#13;
ii the process is not continued so long as to pervert&#13;
“{ the original bent of his genius. The greatest&#13;
vil literary gift, however, that Italy ever made to&#13;
1@ England was not poetry, but Gibbon’s “ Decline&#13;
vg and Fall,” conceived as, sitting by the Coliseum&#13;
‘6 on a moonlight night, he heard the barefooted&#13;
‘d friars sing vespers in the Temple of Jupiter. The&#13;
af influence, however, though permanent in its effects,&#13;
-@ was too transient in its application to be reckoned&#13;
“8 among instances of environment ; but Gibbon has&#13;
told us of amore prosaic inspiration which certainly&#13;
5 deserved the name, the benefit which the historian&#13;
# who was ‘to write so fully on military matters&#13;
9% received from a spell of service in the militia.&#13;
_ It sometimes happens that a great writer spends&#13;
s a long life in an environment devoid of striking&#13;
features, and which we nevertheless feel to have&#13;
d been the best he could possibly have had. Such a&#13;
3 case was Goethe’s : he could not have been better&#13;
"4 suited than at Weimar, and yet Weimar can hardly&#13;
4 be thought to have supplied much aliment to the&#13;
4 genius of which he had given ample proofs 7&#13;
9 coming there. Its effect was to provide him her&#13;
4 the quiet, honourable, stable environment, wit -&#13;
which his calm, polished genius could work free 2&#13;
and happily, “ without haste and without rest, as&#13;
&#13;
 &#13;
&#13;
79&#13;
&#13;
he said himself. He might have found it diff l&#13;
to observe this commendable maxim if his ci seg&#13;
stances had been less easy, and his s her : tae&#13;
more perturbed. : OU as&#13;
On the whole we can but concl ib i&#13;
possible to attribute both too oe little&#13;
to environment, that it always exerts some influence&#13;
but rarely makes the author an entirely different&#13;
oon - . Baa have been under other&#13;
te » an at this influence usually&#13;
in proportion to the susceptibility of his&#13;
perament. Men of the highest genius are&#13;
consequently in one point of view the most liable&#13;
to be affected by it, but from another the least, as&#13;
the force of their minds enables them to triumph&#13;
over circumstances which would crush feebler&#13;
natures. Milton affords a memorable instance,&#13;
composing his immortal poem under a total priva-&#13;
tion of sight, and under the most adverse personal&#13;
and domestic circumstances. Here the environment&#13;
was absolutely hostile, but his past studies and his&#13;
present meditations enabled him to create for him-&#13;
self another far different one, within which his life&#13;
was in reality spent. “ Paradise Lost” could not&#13;
have been greater if his circumstances had been of&#13;
the happiest, but this is mainly owing to the ideal&#13;
and spiritual character of the poem. The vast&#13;
majority of writers who deal with more sublunary&#13;
matters will do well to adapt, as far as may be,&#13;
their environment to themselves; and, when this&#13;
is not practicable, themselves to their environment.&#13;
Too much, however, must not be expected from&#13;
even the most favourable external situation; if a&#13;
man cannot do something where he is, he is not&#13;
&#13;
‘kely to do much anywhere.&#13;
&gt; ee : R. GARNETT.&#13;
&#13;
——_—__- &gt; &gt;—_—_&#13;
&#13;
OF LETTERS.&#13;
&#13;
++&#13;
Christmas, and the big&#13;
hop was packed with&#13;
hurried customers, busily choosing their ate&#13;
Christmas gifts. Cards were being Lege!&#13;
ae ae ae a fe and&#13;
-osged much attention ;&#13;
tay Anite of all sorts sold i. eee&#13;
: a MO tek whe had stolen in unobserved&#13;
SF ck wie a hanging ealendar, half hidden&#13;
and s&#13;
&#13;
oe ea It wasa child&#13;
&#13;
ots of chattering women. Oe&#13;
&#13;
. ae ag ee years old, clad in ee sent&#13;
&#13;
abire with a battered red oh oe i&#13;
ae : ye-capped W ae,&#13;
&#13;
worn heavy boots, toe-e PE a number of little&#13;
&#13;
hair done in&#13;
Ft ial, tied up with cotton. She stood&#13;
. 2&#13;
&#13;
A PATRON&#13;
&#13;
T was two days before&#13;
country stationers §&#13;
&#13;
 &#13;
 &#13;
&#13;
80&#13;
&#13;
till and quite alone, almost under the&#13;
sane her eed was half a foot below it, _&#13;
she could have seen nothing but the skirts tha&#13;
rustled about her. After watching her for some&#13;
minutes I asked her what she wanted.&#13;
&#13;
«4 hook,” she whispered, showing a halfpenny&#13;
clutched tightly in her warm little dirty fist.&#13;
&#13;
‘A book! She had come to buy a book—she&#13;
alone out of the crowd! Her answer gave mea&#13;
thrill of joyous optimism. She represented the&#13;
new generation, the coming woman, and she&#13;
wanted to buy a book. :&#13;
&#13;
In three minutes she was out of the shop again,&#13;
&#13;
blissfully hugging two cheap toy books, and, of&#13;
course, perfectly unconscious that they had cost&#13;
more than her own cheerfully given coin. I&#13;
slipped out, too, and furtively followed her. At&#13;
the first corner she stopped to examine her trea-&#13;
sures, and in a few seconds was so absorbed in&#13;
the contents of one that she wandered on without&#13;
seeming to know where she went. The dirty&#13;
street had doubtless become a paradise ; she was&#13;
deaf and blind to everything but the wonderful&#13;
world of pictures under her gloating eyes, and did&#13;
not even notice that she had strayed from the&#13;
pavement to the road. Still watching her as she&#13;
dragged her heavily-shod feet by the gutter, I was&#13;
suddenly roused to action by the approach of a big&#13;
dray that came lumbering down upon the child,&#13;
and there was only just time to drag her out of&#13;
danger. She looked up at me with eyes full of&#13;
dream, but spoke no word, though I walked beside&#13;
= till she turned into a grimy alley to find her&#13;
home.&#13;
There I lost sight of her, but I shall not readily&#13;
forget the tiny thing in the red cap and thick&#13;
boots who brought her precious ha’penny to the&#13;
bookshop instead of the sweetstuff stall. Ag a&#13;
struggling writer of books in an age of free&#13;
hbraries and cheap newspapers, I am not ungrate-&#13;
ful to this small patron of letters for her practical&#13;
encouragement, for the thrill of hope set vibrating&#13;
when, 1n answer to my enquiry as to her wants she&#13;
piped up, shyly but firmly : “A book.”&#13;
&#13;
Bless her!” With h ly&#13;
to buy a book, er only copper she wanted&#13;
MAL, P.&#13;
&#13;
oo eo&#13;
SHOULD WELL-KNOWN WRITERS&#13;
“FARM OUT” FICTION?&#13;
N&#13;
N a recent issue of The Author a correst&#13;
I alluded Incidentally to the Tia event&#13;
: well-known writers of fiction are said to have&#13;
adopted of late years of « farming out,” as it ig&#13;
called, a proportion of the work they are commis-&#13;
sioned to do, and he appeared to take it for granted&#13;
&#13;
 &#13;
&#13;
THB AUTHOR.&#13;
&#13;
that all readers of Ze Author and all members of 6 2&#13;
the Authors’ Society must, as a matter of course, 921&#13;
agree with him that the practice is reprehensible iid;&#13;
&#13;
in the extreme.&#13;
&#13;
Now it would be interesting to know the exact |9s:&#13;
reason that leads this correspondent, and presum- ann&#13;
ably a section of the writing community, to look fo.&#13;
upon the practice of “ ghosting” for a well-known a&#13;
&#13;
: : Se ul&#13;
writer, or of “ ghosting,” for that matter, for any ©&#13;
&#13;
writer able and willing to pay a competent proxy,&#13;
&#13;
asa contemptible and iniquitous practice. Ask any ¥&#13;
&#13;
popular writer of fiction, or writer of popular fiction&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
—to be quite accurate—and he will tell you that a.&#13;
&#13;
every year the applications he receives for long §&#13;
stories as well as for short stories increased, until f&#13;
&#13;
now it has come to this :—(1) He must decline to&#13;
&#13;
undertake to get through more than a comparatively &amp;&#13;
small amount of work, and thus, in the language &amp;&#13;
&#13;
of the box-oflice, he must “turn good money&#13;
away” ; (2) he must “scamp” a portion of the&#13;
work he has agreed to do, and thus, in the long&#13;
run, ruin his well-earned reputation for producing&#13;
interesting stories ; (3) he must call in the aid of&#13;
a proxy, in other words, “ farm out” the surplus.&#13;
&#13;
As the author of two stories that have appeared&#13;
serially and in book form as the original work of a&#13;
well-known writer, and as the writer also of a&#13;
number of short stories that have appeared in&#13;
magazines and elsewhere, and purport to be the&#13;
original work of a certain well-known writer, I&#13;
think that I may claim to speak with, at any rate,&#13;
a small amount of authority on this rather interest-&#13;
ing subject, and be allowed to draw attention to&#13;
some of the advantages the system of “ farming&#13;
fiction ” may be said to possess where the interests&#13;
of the unknown writer—the ghost—the hack—the&#13;
proxy—call him what you will—are at stake.&#13;
&#13;
i may say, to begin with, that the writers for&#13;
whom I act as proxy know me sufficiently well to&#13;
be aware that | am not likely ever to blackmail&#13;
&#13;
 &#13;
&#13;
them, and in selecting a proxy this is of course an-&#13;
&#13;
extremely important consideration. They also&#13;
&#13;
know quite well that I am able to keep my own —&#13;
counsel. Now, with regard to the advantages of —&#13;
&#13;
the system, it is in the matter of remuneration&#13;
that the proxy, so to speak, “romps in” so far&#13;
ahead of the individual who writes under his own&#13;
name only. For the first long story I “ ghosted ”&#13;
I received £2 15s. a thousand words all the way&#13;
through, one-third of the total amount being paid&#13;
to me before I had written a line ; one-third when&#13;
&#13;
I had completed about one-half of the story ; one- —&#13;
&#13;
third on the day I delivered the MS. complete.&#13;
Now, supposing that I had written that story on&#13;
the chance of its being accepted by some news-&#13;
paper, some syndicate, or some publisher, what&#13;
would have happened? In the first place I should&#13;
&#13;
have worked hard for four whole months without&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
THE AUTHOR,&#13;
&#13;
“ae receiving a single shilling, and all the time I&#13;
&#13;
 &#13;
&#13;
| should have been worried by the thought that&#13;
f perhaps I should, after all, be unable to “place”&#13;
‘ed the book, in which case those four months’ hard&#13;
» work would of course have been so much time&#13;
eu) absolutely wasted. At the end of the four months&#13;
ite! T should have set to work to send the story either&#13;
to a literary agent or to a publisher. The pub-&#13;
i) lisher would have kept it for a month or six weeks&#13;
at the very least, and then probably have returned&#13;
/ it to me with a polite but unsatisfactory note to&#13;
«1 the effect that the book would not suit his house,&#13;
but that it possessed merit and might be accepted&#13;
«| by some other publisher. I should then have sent&#13;
i it elsewhere, and when several months at least had&#13;
elapsed I should—if fortune had favoured me—&#13;
| have succeeded in “ placing” it. But how much&#13;
‘4 should I then have received for it? A guinea a&#13;
(| thousand words, perhaps. Very likely not so&#13;
“§ much. And when would the cheque have been&#13;
{ paid to me? Then and there, possibly. Much&#13;
more likely many months later. Should I have&#13;
“4 received any kudos 2? None to speak of—certainly&#13;
=) not enough to compensate me for so serious a pecu-&#13;
| niary loss. Personally, therefore, I look upon the&#13;
well-known writer who “ farms out” his work as a&#13;
sort of Heaven-sent being, and not, as some appear&#13;
to consider him, a species of impostor. He satis-&#13;
| fies himself; he satisfies the proxy he employs ;&#13;
| he satisfies his publisher; and he satisfies the&#13;
| public—for by this time the public has come to&#13;
know quite well that stories and books alleged to&#13;
be the work of Blank are certain to be readable.&#13;
| Whether Blank himself actually writes the books,&#13;
) or whether he employs someone to write them for&#13;
‘{ him, is really of no great consequence so far as the&#13;
4 general reader is concerned. ‘The general reader&#13;
looks upon Blank’s name as a sort of trade mark&#13;
—nothing more. The same kind of thing goes on&#13;
‘f in trades and professions, and nobody thinks of&#13;
' grumbling. Not very many years ago, to give a&#13;
#4 single instance, the business of one of the best&#13;
vl known West End gunmakers was acquired by the&#13;
4 son of an equally famous coach-builder. The&#13;
coach-builder adopted the name of the gunmaker&#13;
for business purposes, and to this day probably&#13;
two-thirds of this gunmaker’s customers are under&#13;
_97 the impression that Blank’s guns are built by the&#13;
son of the eminent gunmaker who actually worked&#13;
up the business and established its world-renowned&#13;
reputation. :&#13;
&#13;
The same remarks apply to the proxy writer of&#13;
' short stories. I am commissioned by ‘ that&#13;
| popular and clever writer, Blank So-and-So,” to&#13;
| write a magazine story of, say, 3,000 words, .&#13;
/ appear under his or her signature. Blank tells&#13;
me the sort of story that is wanted—the sort that&#13;
he or she knows I happen to be capable of pro-&#13;
&#13;
 &#13;
&#13;
   &#13;
   &#13;
   &#13;
  &#13;
&#13;
 &#13;
&#13;
81&#13;
&#13;
ducing—and we arrange terms. Blank agrees to&#13;
pay me at the rate of, say, three guineas, or perhaps&#13;
four guineas, a thousand words. I allow myself&#13;
perhaps a whole week, even ten days, in which to&#13;
map out, write and re-write this commissioned&#13;
story. I know that I shall be paid for it on the&#13;
day it is delivered, so I now have no need to&#13;
worry, or to wonder whether the story will ever be&#13;
published, and if so, when; and how long I shall be&#13;
kept waiting for my cheque. Now, had this story&#13;
been written on the chance of its being accepted on&#13;
its merits, I should in all probability have been&#13;
obliged to send it round to five or six magazines,&#13;
one after another, and perhaps at the end of a year&#13;
it would still be travelling about and trying to&#13;
place itself. Even if it had been accepted at once&#13;
I should not have been paid more than fourteen or&#13;
fifteen guineas for it. Very likely I should have&#13;
been compelled to accept ten, or even less, and the&#13;
cheque might still be owing, ‘the rules of this&#13;
office being not to pay until the contribution has&#13;
appeared.”&#13;
&#13;
Therefore J maintain that for the free lance not&#13;
overburdened with wealth this ‘‘ ghosting” work&#13;
is by far the more profitable, by far the more&#13;
satisfactory in more ways than one provided, he&#13;
can get the right man to commission the stories,&#13;
and provided also that he is capable of turning out&#13;
the sort of stuff required—I employ the word&#13;
“stuff” in no derogatory sense—possibly provided&#13;
also that the sight of his own production appearing&#13;
under another writer’s signature will not cause him&#13;
either mortification or annoyance.&#13;
&#13;
The life of the free lance addicted to “ ghost-&#13;
ing” is, | may add, by no means devoid of humour.&#13;
He is able to obtain upon all sides candid opinions&#13;
of his own work, opinions which often enable him&#13;
to realise his shortcomings and rectify his faults.&#13;
On one occasion, I remember, one of the books&#13;
I had “proxied” was sent to me for review,&#13;
accompanied by a note from the editor of the news-&#13;
paper—the editor is now dead—to the effect that&#13;
I might as well, for. reasons which he ae&#13;
“pepper this story of Blank’s a bit. I did the&#13;
best 1 could to “pepper” my own work, but i&#13;
admit that the task rather stuck in my throat.&#13;
When I told Blank, afterwards, what I had been&#13;
doing, he was immensely tickled. He said ib&#13;
reminded him of “poor Gilbert’s inimitable&#13;
&#13;
a8&#13;
humour. Panry.&#13;
&#13;
———_—__1———__o___—&#13;
&#13;
«A Baronet in Corduroy” is ce Hee ot&#13;
&#13;
of riod recently pub-&#13;
&#13;
romance of the Queen Anne period recen)&#13;
&#13;
lished (Grant Richards) by Mr. Albert Lee, author&#13;
of “The Frown of Majesty.”&#13;
    &#13;
&#13;
82&#13;
&#13;
INTERNATIONAL COPYRIGHT.&#13;
&#13;
—+-—&gt;—&#13;
&#13;
The following cutting came to us from the&#13;
correspondence column of a well-known ladies’&#13;
newspaper :—&#13;
&#13;
Nixa.—According to the law of International Copy-&#13;
right, no book can be translated into any other language&#13;
without the author’s permission until ten years after the&#13;
date of publication. After that lapse of time, anyone may&#13;
translate the book; but within the period the author's&#13;
permission is usually obtained without much difficulty by&#13;
applying to him—or her—through the publisher of the&#13;
book, if the author’s private address is unknown.&#13;
&#13;
It shows how dangerous a little knowledge&#13;
may be.&#13;
&#13;
From the first sentence it would appear that&#13;
International Copyright was universal, and that to&#13;
translate a book appearing in any country on any&#13;
subject within the period of ten years would be&#13;
illegal without the author’s sanction. This of&#13;
course is not the case. The Berne Convention&#13;
of 1886 and the Additional Act of Paris, 1896,&#13;
have not been signed by all the European countries,&#13;
and the United States has always stood outside.&#13;
&#13;
On a former occasion the names of those coun-&#13;
tries who were signatories have been printed in&#13;
these columns. While the statements contained&#13;
in the paragraph are abroad it would appear&#13;
advisable to print the list again.&#13;
&#13;
Germany, Belgium, Spain, France, Haiti, Italy,&#13;
Switzerland, Tunis, Monaco, Luxembourg, and&#13;
Japan have signed both the Berne Convention&#13;
and the Additional Act of Paris. Norway is a&#13;
signatory to the Berne Convention, and Denmark&#13;
signed both in July of this year. In addition, Great&#13;
Britain has a separate Convention with Austria-&#13;
Hungary. The Imperial Government signed the&#13;
Berne Convention on behalf of Great Britain and&#13;
all its Colonies, and the Additional Act of Paris&#13;
on behalf of Great Britain and the majority of its&#13;
Colonies.&#13;
&#13;
In the countries enumerated —and in those&#13;
countries only—is it possible to retain translation&#13;
rights.&#13;
&#13;
The paragraph quoted above goes on to say that&#13;
after the lapse of ten years anyone may translate&#13;
the book. ‘This was to a certain extent true under&#13;
the Berne Convention, but is entirely wrong under&#13;
the Additional Act of Paris. The Clause referring&#13;
to this runs as follows :—&#13;
&#13;
“ Authors belonging to any one of the countries of the&#13;
Union, or their lawful representatives, shall enjoy in the&#13;
other countries the exclusive right of making or authorising&#13;
the translation of their works during the entire period of&#13;
their right over the original work. Nevertheless, the&#13;
exclusive right of translation shall cease to exist if the&#13;
author shall not have availed himself of it, during the&#13;
period of ten years from the date of the first publication&#13;
of the original work, by publishing, or causing to be pub-&#13;
&#13;
ished in one of the countries of the Union, a translation in&#13;
he language for which protection is to be claimed.”&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
Accordingly, in those countries, if publication .&#13;
&#13;
is made within ten years, the author has copyright&#13;
during the entire period of his right over the&#13;
original work.&#13;
&#13;
It must be clearly stated, however, that none of&#13;
these extensions of property covered by the Berne&#13;
Convention refer to the United States. A law&#13;
based on an entirely different principle carries&#13;
copyright in that country.&#13;
&#13;
It is a mistake, therefore, to talk in this loose od&#13;
It may lead [ime&#13;
&#13;
way of International Copyright.&#13;
writers into difficulties.&#13;
&#13;
MAGAZINE CONTENTS.&#13;
&#13;
—-—&lt;—+—&#13;
&#13;
BLACKWOOD’S MAGAZINE.&#13;
&#13;
A Sketch of the Life and Adventures of the Duke De&#13;
Ripperda, the Eighteenth Century Dutchman and Rene-&#13;
gade. By Walter B. Harris.&#13;
&#13;
The Avatar of Bishwas Dass.&#13;
the pen of Mr. T. Hart Davies.&#13;
&#13;
Voltaire. ‘&#13;
&#13;
Oxford Revisited.&#13;
&#13;
Sir William Wilcocks’ Scheme for the Irrigation of&#13;
Mesopotamia by means of the River Tigris.&#13;
&#13;
Leopardi’s “ Village Saturday Eve.” Translated by Sir&#13;
Theodore Martin.&#13;
&#13;
Babes of the Highway. By Oliver Locker Lampson.&#13;
&#13;
Outside Pets.&#13;
&#13;
Scolopaxiana.&#13;
&#13;
Musings Without Method.&#13;
&#13;
Sally: A Study. By Mr. Hugh Clifford,&#13;
&#13;
An amusing story from&#13;
&#13;
THE CORNHILL MAGAZINE,&#13;
&#13;
The Fond Adventure. Part I]. By Maurice Hewlett.&#13;
&#13;
Colonial Memories: Old New Zealand, I., By Lady&#13;
Broome. :&#13;
&#13;
Whistler the Purist. By Mortimer Menpes.&#13;
&#13;
Mr. Whibley’s “ Thackeray.” By Andrew Lang.&#13;
&#13;
Lines Written in Depression. By A. D. Godley.&#13;
&#13;
Samuel Rawson Gardiner. By the Rev. W. H. Hutton,&#13;
B.D.&#13;
&#13;
Though the Windows be Darkened. By John Oxenham.&#13;
&#13;
The Grouse and the Gun-room. By Alexander Innes&#13;
Shand.&#13;
&#13;
Ferments and Fermentations.&#13;
F.R.S.&#13;
&#13;
“In Loco Parentis.”&#13;
&#13;
By W. A. Shenstone,&#13;
By Powell Millington.&#13;
&#13;
LONGMAN’S MAGAZINE.&#13;
&#13;
Nature’s Comedian (Chapters xi., xii). By W. E. Norris.&#13;
&#13;
A Turkish Redif. By Frances MacNab.&#13;
&#13;
The Suspicions of Turkentine. By Chas.&#13;
Marsh.&#13;
&#13;
Parliament in the Making. By William Auld.&#13;
&#13;
An Unrecorded Incident. By “ Rimpie.”&#13;
&#13;
Restaurant-keeping in Paris, By M. Betham-Edwards.&#13;
&#13;
Billy. By May Kendall. :&#13;
&#13;
Taurus Intervenes. By W. H. Rainsford.&#13;
&#13;
Fielding&#13;
&#13;
At the Sign of the Ship. By Andrew Lang.&#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
 &#13;
&#13;
Be&#13;
alt&#13;
&#13;
 &#13;
&#13;
THE AUTHOR.&#13;
&#13;
THE PALL MALL MAGAZINE.&#13;
&#13;
Six Weeks in North-Western Rhodesia. By Lady Sarah&#13;
Wilson.&#13;
&#13;
Blue Roses: A Fairy Tale for Impossible Women. By&#13;
Netta Syrett.&#13;
&#13;
Simple Simon: A Story. By Caroline Marriage.&#13;
&#13;
Once, Always: A Poem. By Laurence Housman.&#13;
&#13;
The Christmas Tree: A Poem. By Rosamund Marriott&#13;
‘Watson.&#13;
&#13;
The Rebuilding of London: The Site of the Great&#13;
Fire.&#13;
&#13;
The Best Man:&#13;
Hilliers.&#13;
&#13;
The Song of Dagonet. By Ernest Rhys.&#13;
&#13;
Lansdowne House. By Ernest M. Jessop.&#13;
&#13;
No Trumps or Spades: A Complete Story. By Horace&#13;
Annesley Vachell.&#13;
&#13;
Master Workers :&#13;
By Harold Begbie.&#13;
&#13;
Child Awake. By Elsie Higginbotham.&#13;
&#13;
The Play Angel. By Maude Egerton King.&#13;
&#13;
Haggards of the Rock. By H. B. Marriott Watson.&#13;
&#13;
The New Pope: An Anecdotal Narrative. By Rev.&#13;
Alex. Robertson, D.D.&#13;
&#13;
The Queen’s Quair: Book II. (Chapters iii., iv.) By&#13;
Maurice Hewlett.&#13;
&#13;
Heart's Harbour: A Poem. By Mary van Vorst.&#13;
&#13;
The Girl Who Wasn’t Prim. By G. B. Burgin.&#13;
&#13;
The Vineyard. (Chapters xvi., xvii.) By “John Oliver&#13;
Hobbes” (Mrs. Craigie).&#13;
&#13;
What makes you Sit and Sigh? A Poem.&#13;
nald Lucas, M.P.&#13;
&#13;
The Surprise. By H. Fielding Hall.&#13;
&#13;
A Visit to the Island of St. Vincent and the Souffritre.&#13;
By Lady Ernestine Edgcumbe.&#13;
&#13;
The Round Table: The Tidal Wave. By W. L. Alden.&#13;
&#13;
The Month in Caricature. By G. R. H.&#13;
&#13;
A Complete Story. By Ashton&#13;
&#13;
The Rt. Hon. John Morley, 0.M., M.P.&#13;
&#13;
By Regi-&#13;
&#13;
THE WorLD’s Work (BIRTHDAY NUMBER).&#13;
&#13;
Practical Points in the Fiscal Controversy. By J. A+&#13;
Spender.&#13;
&#13;
Motor Cars and Men.&#13;
&#13;
A Record Christmas for Fruits. By Sampson Morgan.&#13;
&#13;
Mr. Sargent’s Famous Portraits. By Mrs. Meynell.&#13;
&#13;
Trusts and Labour in New York: Amazing Revelations.&#13;
By Ray Stannard Baker.&#13;
&#13;
Mr. John Burns, M.P., on Labour, Life and Hope. By&#13;
George Turnbull.&#13;
&#13;
The Revolution among Women who Work. By Lady&#13;
Jeune.&#13;
&#13;
The First Garden City.&#13;
&#13;
Breeding Horses and Cattle.&#13;
&#13;
Volunteer Cyclists: A Scheme for Home Defence. By&#13;
Guy Speir.&#13;
&#13;
The Day’s Work of an Engine Driver.&#13;
&#13;
A Farmers’ Trust. By H. 8. Wood.&#13;
&#13;
The Problem of the Incorrigible Offender.&#13;
Hopkins.&#13;
&#13;
Irish Toys for Christmas.&#13;
&#13;
The Mystery of Radium. By J. A. Harker, D.Sc.&#13;
&#13;
The Books of the Month. (With Portraits).&#13;
&#13;
Among the World’s Workers : A Record of Industry.&#13;
&#13;
By the Editor.&#13;
&#13;
By Tighe&#13;
&#13;
83&#13;
&#13;
CORRESPONDENCE.&#13;
&#13;
“THE ‘TIMES’ ENCYCLOPADIA.”&#13;
&#13;
ASSOCIATED BOOKSELLERS OF GREAT BRITAIN&#13;
AND IRELAND.&#13;
&#13;
Secretarial Office,&#13;
1, Bathurst Street, Hyde Park,&#13;
London, W.&#13;
&#13;
Sir,—In an advertisement of “The ‘Times’&#13;
Encyclopedia” that appeared on October Ist, it&#13;
is stated that after December 19th, 1903, the work&#13;
will be sold&#13;
&#13;
“as it was before the Zimes took it in hand,&#13;
by booksellers only, in the ordinary course of&#13;
trade. The lowest price will then be £57&#13;
(net) for the cloth binding—more than double&#13;
the present price.”&#13;
&#13;
Again, on October 4th, it is stated that&#13;
‘now the normal price, the net catalogue&#13;
price, is about to replace the temporary half&#13;
price, and the normal method of sale through&#13;
the agency of booksellers is about to replace&#13;
the exceptional system of sale direct to the&#13;
public at half price and for small monthly&#13;
payments.”&#13;
&#13;
The natural inference from these statements is&#13;
that the public would have suffered materially had&#13;
the “ Encyclopedia Britannica” with its Suapple-&#13;
ment remained in the hands of the publishers and&#13;
been supplied through the booksellers. As such an&#13;
inference is injurious to the interests of the book-&#13;
sellers, we, as representing the booksellers, think&#13;
it right to place the following facts before the&#13;
public :&#13;
&#13;
(1) The “ Encyclopedia Britannica” was sup-&#13;
plied to the public through the booksellers at&#13;
£18 for years before the Times reprint&#13;
appeared.&#13;
&#13;
(2) If the Supplement had been published by&#13;
Messrs. A. &amp; C. Black at the same price per&#13;
volume as the “Encyclopedia” itself, the&#13;
published price of the Supplement would have&#13;
been, in cloth £16 10s. for the eleven&#13;
volumes. The Supplement would have been&#13;
supplied by many booksellers for cash for&#13;
about £12 7s. 6d. The total price of the&#13;
“Encyclopedia” and the Supplement would&#13;
therefore have been about £30 7s. 6d., very&#13;
much the same price as that at which the&#13;
Times has sold the work.&#13;
&#13;
(3) The work as supplied by the 7'imes on the&#13;
instalment system remained the property of the&#13;
Times until the last instalment was paid: the&#13;
work as supplied by the booksellers on credit&#13;
   &#13;
&#13;
84&#13;
&#13;
at a very little higher rate than the Times&#13;
&#13;
rate would have become the property of the&#13;
purchaser from the moment it was delivered.&#13;
&#13;
(4) The Times intimates that after December&#13;
&#13;
19th, 1903 until 1919 the booksellers will not&#13;
be allowed to sell the work at less than&#13;
£57 (net) in cloth. This is nearly twice the&#13;
“normal price” at which the booksellers&#13;
would have sold it now had it been published&#13;
by Messrs. Black, and much more than twice&#13;
the price at which they would have sold it&#13;
ten or fifteen years hence. It is not customary&#13;
to sell an Encyclopaedia at a fancy price when&#13;
much of it must of necessity be hopelessly&#13;
out of date.&#13;
&#13;
(5) Judging from the excellence of the articles&#13;
&#13;
in the “Encyclopedia Britannica,” there is&#13;
no reason to think that the excellence of the&#13;
Supplement would have been less than it is&#13;
had it been published by Messrs. Black ; and&#13;
any unprejudiced person will admit that the&#13;
production, so far as printing and binding is&#13;
concerned, was better in the edition published&#13;
by Messrs. Black than in the 7%imes reprint.&#13;
&#13;
(6) It is claimed for “The ‘Times’ Encyclo-&#13;
&#13;
peedia” that it “ will settle the simpler queries&#13;
that present themselves in daily life.” We&#13;
fail to see how this will be possible in 1919,&#13;
when the last volume will be sixteen, and the&#13;
first volume about forty years out of date.&#13;
Yours faithfully,&#13;
(Signed) Hznry W. Knay,&#13;
President of the Associated&#13;
Booksellers of Great Britain&#13;
and Ireland.&#13;
R. Bows,&#13;
Chairman of Eastern Branch.&#13;
T. Watson,&#13;
Chairman of Northern&#13;
Branch.&#13;
J. PATTERSON,&#13;
Chairman of North-Eastern&#13;
Branch.&#13;
C. J. PARKER,&#13;
Chairman of Oxford Branch.&#13;
A. WHEATON,&#13;
Chairman of Western Branch.&#13;
RospeRT MACLEHOSE,&#13;
Chairman of Scottish Branch.&#13;
ALEXANDER Dickson,&#13;
Chairman of Belfast Branch.&#13;
Witiram M‘Grr,&#13;
&#13;
Chairman of Dublin Branch.&#13;
November 5th, 1908.&#13;
&#13;
Oe&#13;
&#13;
THE AUTHOR.&#13;
&#13;
A Book Lover’s LAMENT.&#13;
&#13;
Sir,—Can you, or any member of the Society,&#13;
tell me the author and publisher of a book called&#13;
‘“‘ John Lackland,” which appeared, I think, about&#13;
a year ago.&#13;
&#13;
Ever since then I have been trying to get it&#13;
from one of the libraries in my country town, but&#13;
in vain. The librarians have written up to Mudie,&#13;
or some other London purveyor of literature, over&#13;
and over again without being able to procure the&#13;
book, and I do not see it on any list now. As it&#13;
was well reviewed as a work of note, I cannot&#13;
understand why it should be so difficult to obtain&#13;
from a library, and the fact raises a question : Are&#13;
not we poor book-lovers in the provinces utterly at&#13;
the mercy of the great distributors? They can&#13;
send us just what they choose and withhold the&#13;
books we should like to read. It is only by almost&#13;
superhuman efforts that I can get anything I want,&#13;
and I have been agitating nearly all this year for&#13;
« John Lackland.” Is it any wonder that good&#13;
books die without even being read by any but&#13;
reviewers, or that we readers in the country forget&#13;
their names when we never see them, or hear of&#13;
them after the first month ?&#13;
&#13;
Surely the great question to-day is of the dis-&#13;
tribution of books. Publishers must often be in&#13;
despair, to say nothing of authors who have,&#13;
perhaps, spent years in writing that which nobody&#13;
can get at!&#13;
&#13;
A Boox Lover at Bay.&#13;
&#13;
Tur PuBLISHER’S READER&#13;
&#13;
Str,—May I be permitted to supplement the&#13;
experience (as a Publisher’s Reader) of your corre-&#13;
spondent “H. B.” with my own? TI read MSS.&#13;
for a very prominent young publisher indeed,&#13;
giving my employer, on printed form supplied, an&#13;
outline of each story, a general criticism of style&#13;
and treatment, advice as to commercial possibilities&#13;
of the books, at a remuneration of 2s. a MS.&#13;
&#13;
But, with the Daily Mail article signed “ Stan-&#13;
&#13;
hope Sprigg,” I fear that one ought not to place :&#13;
&#13;
undue importance on the statements made. We&#13;
must remember that every man of every degree,&#13;
nowadays, be he peer or publisher, or even a literary&#13;
agent who is (or has been) on the staff of a famous.&#13;
journal, must most strenuously exert himself in&#13;
order to get an honest living.&#13;
&#13;
I am, sir, your obedient servant,&#13;
F. W. R.</text>
          </elementText>
        </elementTextContainer>
      </element>
    </elementContainer>
  </itemType>
  <elementSetContainer>
    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
      <elementContainer>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="6116">
              <text>The Author, Vol. 14 Issue 03 (December 1903)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="6117">
              <text>&lt;em&gt;The Author&lt;/em&gt;, Vol. 14 Issue 03 (December 1903)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="6118">
              <text>Publication</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
          <elementTextContainer>
            <elementText elementTextId="6119">
              <text>1903-12-01-The-Author-14-3</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
  <tagContainer>
    <tag tagId="66">
      <name>publications</name>
    </tag>
    <tag tagId="4">
      <name>The Author</name>
    </tag>
  </tagContainer>
</item>
