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                  <text>The Author .
of the Incorporated

( The Organ

VOL .

XXII . - No .

MARCH

6.

Society of Authors

Monthly .)

.

1 , 1912 .

( PRICE SIXPENCE

CONTENTS .
PAGK
141
141
141
142
145
147
149
152
154
155
155
156
157
157
• 157

Notices
TheSociety
' s Funds
List of Members
ThePensionFund
Committee
Notes ...
Bookspublishedby Members ...
Literary, Dramatic andMusical Notes
ParisNotes...
GramophoneRecords
Action for Libel ...
FrenchLaw Case...
MagazineContents
How toUse the Society ...
Warningsto the Producers of Books...
Warningsto Dramatic Authors

Ø

G

“ Good

.

P

:::
:::
:::

Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch
Remittances
General Notes
CommitteeElection
A Remarkable Agreement
A Literary Agency Agreement
, and Music
The British Society of Authors, Composers
Publishers
.
Critics and Criticism
The Copyright Act , 1
Correspondence ...

...

. PUTNAM ' S SONS .

comedy, genuinely

witty , and never vulgar .”

—

6

Daily Chronicle .

)=

.

mer of
Women

Three

Last

Century

."

of

Diaries

the

Author of “

THE

EVELYN ST . LEGER .

By

PAGE
158
158
158
158
158
158
159
159
160

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THE SHAPE OF
WORLD .

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STREET

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THE MAUVE LIBRARY
Series

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165
167
160
171

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Address : " AUTORIDAD , LONDON .”

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PRESIDENT .

THOMAS HARDY ,
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.

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ART .

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TYPEWRITING .

PLAYS
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Author of plays produced in Great Britain
and America . Adapter of several novels to the
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pictureof life Spain the TenthCentury
not onlygivesan interesting
but ringswith thestirandclashof battle the sacking conventsandthe
mustering bravemenunderthebanner thetrue Church defence
of
their countryand their faith againsttheinfidel PrincessRiquilda, the
daughterof the Sovereign
countof Barcelona verysweetandnatural
girl spite her royalbirth and courseshe lovedby twomen one
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other traitor whodeserts theMoorishcampand betrayshis country
into thehandsof the enemy But FelipedeCerdanathetraitor treated
poetic
with touch that
andhis feverishpassionfor Riquilda, which
humbleand tender as well as cruelandrevengefulhassomething
more
livingabout than onefinds theordinaryloverofthenovel. Thewhole
verythoroughly carryingwith
book vividandstirring, andsucceeds
theatmosphere the earlyMiddle Ages TheMorningPost.
Theauthordepictswith remarkable
forceandpowerthegloriouspastof
old Barcelonaand on this warlike foundationshe hasbaseda stirring
distinguishedbymanyof thecharacteristics
romance
of the besthistorical
fiction
Mrs Kendall Park' style possesses
much animation andher
descriptive
passages
areexcellent From historicalaswell
romantic
point of view the book
deeplyinterestingone andcannotfail be
readwith pleasure NewYork Herald Paris)
EVELYN BARBER
typicaljoung Sheffielder his class
Michael Beresfordthe hero
whom Miss Barberhas focussedwith almost pitilessexactitude Miss
Barbers heroine extremely
attractive andwehavealsolittle snapshots
quitedelightful hamour- RebeccaBeresfordUncle Horatio. Cousin
Drucilla and others Thereare too someinterestingpassages
anentthe
Boys Brigadeandothersdescribingthe workof Women Settlement
the slums. We readthe bookwith muchinterestand enjoymentas
anticipationforitssuccessor Shefeld
causeus lookwith pleasurable
Daily Telegraph
Will make goodreading householdsthatarenot infectedwith the
diseased
forlu themodernspirit
freshandwholesome Scotaman

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With all the sparklingwit and satirewithwhichthelittle bookteema
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When just about two years ago Mr Stuart Young published
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�ADVERTISEMENTS .

STREET , STRAND,

Era

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MR

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JOHN

.

Judges are SIR

The

given

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,

particulars

in

Full

on

.

EDWARDES

weekly

published

Saturday

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The

all

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THE

of

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CHICAGO

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AVENUE

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MICHIGAN

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special offer

SOUTH

or for

no

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at

America

for

a

'

,

COMPANY

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produce

of

millions

THE AUTHOR
410

any reader

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value
mechanical production

keep the 100

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THE PUBLISHERS CIRCULAR

THE DIAL

ADDRESS

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.”

our readers who wish

THE DIAL

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the excellence

advise

copies

month with their Spectator

place with the best that any country
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to

general way what
being done
Those who wish
know
the literary
world
America cannot
better than subscribe
THE DIAL
semi monthly
journal devoted entirely
say that
literature
We will undertake
one who
regret
arranging
acting
interested
literature would
our advice and

�.

PRICE SIXPENCE

be

an

to

of

there

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.

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.

,

Authors

obtained

the price

of

the Society

at

,

can now

be of

.

of

,

July
includes elections
members and associates

,

7d

be

,

the Society

1907

to

post free

.

at

.

dozen

blank

pages have been

added

at

,

6d
.

the offices

of

to

on

accepted

Members
October

1907 and will
sold
the Society only
A

be

articles which cannot

XXII

.

.

return
VOL

.

be

,

or

.

on

of all

and letters are invited
Communications
the
literary matters treated from the
Editor
standpoint
art
no other
business but
Every effort will
subjects whatever
made

of

of

M
1

published

by

.

HE List

MEMBERS

OF

It of

,

39

,

.,

,

LIST

S
.W

's

,

of

to

for The Author
should
Communications
addressed
the Offices
the Society
Old
Storey
Queen
Street
Gate
and should
reach
the Editor not later than the 21st
each
month

to

be

.

.

6d

58

in

or

to

its

, ,

on

of

a

if

to

or

,

.

CONTRIBUTIONS

of

of

to

to

,

of

in

to

.
AND

The Editor
The Author begs
remind
members
the Society that although the paper
production would
sent
them
free
cost
very heavy charge
the resources
the
Society
great many members did not forward
subscription for
the Secretary the modest
the year
be is
a

on

of

.

of

,

of

concerned can obtain

application
ARTICLES

of

to

n

of

to

or

in

of

of

on

the publishers

be

no

do

time
time members
the Society
desire
make donations
its funds
recognition
work that has been done for
them
The Committee acting
the suggestion
one
these members
place
have decided
this permanent paragraph
The Author
order
that members may be cognisant
those funds
which these contributions may be paid
The funds suitable for this purpose are
The
Capital Fund
kept
This fund
reserve
necessary for the Society
case
incur heavy
expenditure
prin
fighting
question
either
ciple
assisting
obtain copyright reform
dealing with any other matter
closely
connected with the work
the Society
slowly
The Pension Fund
This fund
increasing and
hoped will
time cover the
needs
all the members
the Society

of

to

'

of

FUNDS

'S

is

.

TROM

the
inform
members
THE Editor begs
Authors Society and other readers
The Author
that the cases which are quoted
The Author are
cases that have come before the notice
the
knowledge
the Secretary
the Society and that
those members
the Society who desire
have
them

.

THE SOCIETY

case

the names

.

to

if

are

as

expressing the opinion
taken
especially stated
unless such

to

the

in

of

.

be

the Committee
be

to of

must

or

or

papers that are
the authors alone
para
the papers

is

the opinions expressed

signed
initialled
responsible
None

F

D

,

,

be is

.

NOTICES

to

,

,

be

it

,

LONDON

is

AUTORIDAD

graphs

.

[

.

impression
among
seems
readers
The
Author that the Committee are
personally
responsible for the bona fides
the
advertisers
the Committee desire
stated
that this not and could not possibly
the case
Although
care
exercised that
undesirable
advertisements
inserted they
not accept and
never have accepted any liability
Members should apply
the Secretary for advice
special information
desired

.

ADDRESS

,

TELEGRAPHIC

OR

.

,

ADVERTISEMENTS

As

VICTORIA

.

374

.)

.

BESANT

:

NUMBER

Monthly

Authors

1912

1

MARCH

:

TELEPHONE

No

.
6
.

.—

.

XXII

Society

BY SIR WALTER

FOUNDED
VOL

Incorporated

of

Organ

the

(

of

The

The Autbor .

the

�THE AUTHOR

PENSION

FUND .

The list printed below includes
fresh dona
subscriptions
tions
and
donations
and
subscriptions
not hitherto acknowledged received
by
promised
the ſund from
October
1911

,

1

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Gusse Edmund
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Nov
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Nov

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.

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in

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:

below

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Bankers
Order for
County and Westminster

to

invested
amounts
fully set out
the list

of

,

.,

.

and

is

Hd

.

198

now

'

of

.

in

to

money

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,

case

in

another

made
£4 846

Committee that
for the payment
any application should be
Fund

sum available

'

.

at

in

for

to

further
pension

is
a

in

informing the Pension

there

to

,

of

.

5
%

in

of

to

.

of

of

of

,

on

a

,

as

I

of

January the secretary
the society laid
before the trustees
the Pension Fund the
accounts for the year 1911
settled by the
accountants
with
full statement
the result
the appeal recently made
behalf
the Fund
After giving the matter
full consideration
the
trustees instructed the secretary
invest the sum
Antofagasta
£500
the purchase
and
Railway
Bolivian
Preferred Ordinary Stock
and Central Argentine Railway Ordinary
Stock
The amounts purchased
the present prices are
the former and £232
£237
the latter stock
The trustees desire
thank the members
the
society
the generous support which they have
given
the Pension Fund and have much pleasure

does not include
either donations given
October
nor
does
include sub
scriptions paid
compliance with promises made
before
The full list
annual subscribers
the fund
appeared
the November issue
The Author
The secretary would like
state that
has
received three bankers
orders
answer
the
recent appeal unsigned without any covering letter
He would be glad therefore
those members who
may have sent
recognising them
these orders
from their description would write
the secretary
the matter
Bankers Order for 10s drawn
the London
County and Westminster Bank Maidstone
Bankers Order for 10s drawn
the National
England Baker Street
Provincial Bank

prior

on

of

TN

It

.

THE PENSION FUND

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end of the list for the convenience of those who
desire to add future elections as they are chronicled
from month to month in these pages.

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Jones Henry Arthur
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THE AUTHOR .

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Nov . 3 , Balme , Mrs . Nettleton
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Nov. 4 , Cayzer , Charles ( 3rd Donation )

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Nov . 6 , Daniell , Mrs . E .

Nov . 13 , Anon . .
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Nov . 20 , Grant, John G .

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25 , Gysi , Max
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Nor. 29 , Stutfield , H . E . M .
Nov . 29 , Gibbs , F . L . A . . .
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Nov . 29 , Spurrier , Steven
Nov. 29, Kinloch , Alexander
Nov . 29 , Webling , Peggy .
Nov . 29 , Barclay , Mrs . Hubert .
Nov . 29 , Gibbs , Miss C . E .
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Nov . 29 , Batty , Mrs . Braithwaite
Nov . 29 , Spielmann ,Mr. and Mrs . M .
Nov . 29 , Begbie , Harold
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Dec. 8, Ord , H . W . .
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Dec . 10 , Hawkins , A . Hope
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11 , Bland , Mrs. E . Nesbit .
11 , De Morgan , Wm .
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Dec . 16 , Glenconner , Lady .
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Dec . 16 , Royds , The Rev . T . F . .
Dec . 18 , Moore , Mrs. Stuart
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28 , McKellar , Campbell D .
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Dec . 18 , Dawson , Frank
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Dec . 21 , Clifford , Mrs . W . K .
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Dec . 22 , Francis , Beard
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Dec . 22 , Horridge , Frank .
Dec . 28 , Dawson , Forbes
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Jan . 3, Durrant , W . Scott .
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Jan . 4 , Smith , Bertram
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Jan . 4, Buckrose , J . E .
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Jan . 4, Lathbury , Miss Eva

Jan . 5, Wilson , Dr. Albert .

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Jan . 6, Blundell , Miss Alice

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Jan . 6 , Garbutt ,

W. H .
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. 9, Chamberlaype , Miss Effie
Jan . 9, Hamel , Frank
Jan . 10 , Allen , W . Bird
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Jan . 10, Crellin , H . M .
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Jan . 10 , Smith , Herbert W .
Jan . 12 , Randall , F . J .
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Jan . 13 , P. H . and M . K . .
Jan . 15 , Clark , Henry W . . .
Jan . 17 , Rankin , Mrs . F . M .
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Jan . 18 , Paternoster , Sidney
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Jan . 20 , M -Ewan , Miss Madge
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Jan . 22 , Mackenzie , Miss J .
Jan . 22 , Reiss , Miss Erna .
Jan . 22 , Grisewood , R . Norman

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Jan . 24 ,Williamson , C . N . and Mrs . C . N .

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�THE AUTHOR .

,

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Feb . 12 , King, A . R . .
.
Feb . 13 , Ayre , Miss G . B . .

Feb . 14 , Gibson , Miss L . S .
Feb . 15 , Henley , Mrs. W . E .
Feb

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Westall ,

W.

Percival

Feb . 17 , Raphael , Mrs .
Feb . 19 , Cabourn , John

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Feb . 21, Hinkson , H . A ., and Mrs .

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'

The Editor regrets that Mr. Robert Hichens
contribution of £3 3s , was put down as a donation ,
whereas it should have been entered as an annual
subscription . He hastens to correct the mistake .

COMMITTEE
MEETING of
offices of the

bad one from his point of view .
The solicitor also
reported that one case dealing with accounts had
been settled during the month .
The secretary then mentioned a case of infringe

ment of copyright

by a bookseller who
in Australia
had imported an American
edition , and it was
decided to instruct the society ' s Australian lawyers
to take action .
Another case of infringement had
been put down on the agenda , but the committee
were informed it had been
settled .
The secretary
from
one of the members
against a paper for work done ,
and the committee decided to instruct the solicitors
to proceed , subject to the author being willing to
co - operate .
also

agreement .
An agency agreement wbich had been settled
by a sub -committee , and circulated to the members
of the Committee of Management , was next read ,
and adopted .
A vote of thanks was passed to the
The
for the work they had done .
sub - committee
agreement , which is based
on an agency agree
ment, settled some time ago by the Dramatic
Sub -Committee , is printed on another page .
to elect a com
The committee then proceeded
to
posers ' sub - committee , as it had been decided
form a separate section of the society for composers ,
to work on the same lines as the dramatic section

is working under the Dramatic Sub - Committee .
The following gentlemen were elected and have
consented to undertake the duties

NOTES .

:

Granville Bantock ,
Percy Buck ,
Thomas F . Dunhill ,
Cecil Forsyth ,
John B . McEwen ,
Sir Charles Villiers Stanford ,
Herbert , Sullivan ,

5th . After the minutes of the last meeting
had been read and signed , the committee proceeded
to
elect
18 new
members and associates whose
names appear on another page.
This is one of

with

publisher

to

.

In

to a
dispute between a member and a publisher , which
had been adjourned from
the previous month , the
committee decided to appoint an arbitrator under
a
clause in the agreement making arbitration
necessary
the next case against the same

.

's

it

he

an

as

,

it

no

,

an

,

to

be

his

,

it

to

was decided
take immediate action
rights
The next question
was one between
author and his agent and here
after careful consideration
was decided that
help could
given
the author
was bound
by
agreement
although
exceedingly
was

maintain the author

its

dealt

cases

case , relating

.

The annual report which had been settled
was adopted
and will
issued
members and associates
with the usual notice
general meeting
Letters from the advertisement agents
The
Author were read raising
certain points
the

,

the

In one

Talbot ,

Wallace

.

reported

solicitor

Howard
William

The question of the Nobel Prize Committee was
again
A
before the Committee of Management .
letter from Lord Avebury , the Chairman
of that
committee , was read , together with a communication
which his lordship had received from the Swedish
Academy .
to refer
the
The committee
decided
whole matter to the Council of the Society at
next meeting
sub committee

-

the largest elections which has ever taken place in
any one month , since the foundation of the society ,
and having regard to the satisfactory election in
January , it is felt that the year 1912 has opened in
an auspicious manner.
The

letter

a

a claim

The committee then discussed , at some length , an
article which appears in another column of " The
a publisher ' s forms of
Author ," dealing with

the committee was held at the
society on Monday , February

during the month .

read

respecting

by
of to a

12

.

0
6

of

Loraine , Lady
Feb . 12, Ainslie , Miss K .

.

··
··
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··
··
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··
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d.

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in

Feb

Feb

0

8.

be

Feb

to subscription ) .
. 30 , S . F . G .
. 3, Douglas , James A . .
. 6 , Parker , Mrs . Nella .
. 6, Allen , Mrs . James 1.
. 10 , Whibley , C . .
.

(

,

Feb

Viss Beatrice
.
Mrs. Florence H . .
:
30 , Weyman , Stanley (in addition

,

Jan
Feb

£

26 , Way ,
30 , Saies ,

.

Jan .
Jan .
Jan .

145

�THE AUTHOR .
.,

of

for

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as

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to

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Albert

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Bridge

S
W

,
Road

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.

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Edinburgh

.

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Le Mesurier

.

106
Park Road
Loughborough
Norden

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Robert

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, .

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Cavendish

Street
the Hill

Street
Square

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on

Harrow
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High

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Invera von Christ
,

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Dudley

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Miss Emily

Buck Percy
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Buxton
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Mesurier
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on

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Bernard

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be

to

of

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to

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Colne

Lancashire
Princes Gate
Torphichen Street

.

.

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Eastlemes

Baden Powell
Bayly Jones Miss Jane

(

,

to

-

the Dramatic
Sub Committee
the
society and the Dramatists
Club Sub Committee
could meet
order
settle the final form
the
treaty
carry
The secretary was instructed
through the matter and report
date

in

.

of

.

Athenæum Club

B

G

Miss

.

,
J.
B
.

,

Ayre

Elections

,
yetas

as

.

,

he

that

settlement
the general treaty between the
Dramatic Sub Committee and the Dramatists Club
was discussed
was decided
forward
letter
the secretary
the sub committee appointed
enquire
that club
consider the treaty and
to

a

.

is

of

Atlay

- -

-

to to

to

a

,

but would

the French society
society was not
forwarded when ready

from

be by

be

to

issued

The sub committee decided
obtain information
the subject from other countries
procedure
The method
followed
the

what

. to

, to

a

of

an

at .

of

,

to

February

of

an

's

of .

.

-

no

further information

the report
completed

be

to

to

is

,

.

it

to

It

.
G
.

,

There are still three small claims open from the
former months
the others have either been settled
handed over
the solicitors
the society
:

.

,

.

of

-

,
if

on

in

, ,

to

.
R
.
C
.

,

a

to

.

to

.

,

.

,

'

at

of

record

or

at

.

,

of

be

to to

an

,

of

of

on

of

of of

The February meeting
the Dramatic
Sub
Committee
the Society
Authors was held
Friday the 16th
the offices
the society
The minutes
the previous meeting having
been read and signed the secretary laid before the
meeting
agreement which had been forwarded
purporting
the society by one
the members
entered into between the Travelling
Theatre
Managers
Association and dramatic authors
The
agreement was considered and Mr Raleigh explained
some length the position
the association
appoint
was decided
consisting
sub committee
Mr Cecil Raleigh Mr
Carton and Mr
Bernard Shaw
confer with the representative
possible
arrange
the association
order
satisfactory terms
the dramatists
behalf
inside the society
The secretary received instruc
representative
enquire
the association
tions
appointment
whether he would make
meet
coming
the sub committee with
view
some
agreement
productions
The contract
for cinematograph
adjourned from the last meeting was rediscussed
yet obtained
The secretary reported that
had

of

.

.

,

SUB COMMITTEE

-

DRAMATIC

to

.

,

Buxton

to

Mr. Dudley

and

as

Wrench

Cases .
DURING the past month twelve cases have been
placed
in
the hands of the secretary . Four of
these refer to claims
the return
MSS and
three cases the MSS have been returned and
Two claims
the members concerned
forwarded
one
for accounts and money have been dealt with
the
the solicitors
transferred
has had
society
answer the letters
the publisher refused
which were written
the secretary the
negotiation
other case
still
course
the
publisher
although
has answered the secretary
yet delivered the accounts
There
letters has not
contract which
breach
was one case referring
and one case
settled
has been satisfactorily
Two claims
which accounts only were claimed
they
members are still open
for money due
There
have only recently come into the office
the infringement
was one case referring
hand
performing rights which had
taken
immediately
glad
report that
The secretary
has been terminated satisfactorily
There was
also one case with regard
the settlement
the
exact terms
contract which
also
has been
negotiated
Seven
cases out
the twelve are
already
very healthy
end
This

,

delivery of their accounts . It was decided to refer
, with certain instructions , to the solicitors .
It was decided to invest
£150 of the Life
Membership
Subscriptions
purchase
in
the
of
Antofogasta and Bolivia Railway Five per cent . Pre
secretary
ferred Ordinary
Stock , and the
was
authorised to carry out the committee 's instructions .
Two suggestions on minor points connected with
the management of the society were considered , but
it was felt that it would not be to the advantage of
the members to adopt either of them .
The secretary reported that two members had
paid life membership
subscriptions — Mrs . Stanley
them

in

146

�THE AUTHOR .
, Harold

Cantrill

.

Dorridge , Warwick shire .
Beauchamp
House ,

.

15,

.

.

Chesser , Mrs. E . Sloan
Colvile

,

.

Rex

.

Dunhill , Thomas Frederick

Gloucester.

Colinette
Putney .

17

,

,

Road

Road ,

Frances

Windsor .

Forsyth , Cecil

.

.

.

Fox , Esther

.

.

.

69, Tressillian Road ,
St. John ' s, S. E .

B.

.

.

.

Ardmore

Saie

.

.

.

Hinton

Gray , Miss Annabel

.

.

1 Mechlin

Griffiths, Miss

.

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Ridgeway,

Freer,

.

H

Freestone

,

T.

N

.

mo
Hamilton , Cosmo

.

.

Hope , Graham

.

.

.

.

.

Leigh , Miss Gertrude

.

Livens ,

Street ,

Baker

Kent.

,

,

,

Gravesend

,

Chambers
Bournemouth .

Mansions ,
Brook Green , S . W .

Land

,

Dormans
Surrey .

L4 Uc. Albany, Picca
dilly , W .
Women 's Amalgama
ted Unionist
and

99, Hallam
Street ,
Portland Place , W .
Nesbit Cottage , Win
chelsea , Sussex .

, Miss Mary

.

Poole

,

M . C . Conway
( Oslay )

.

Poore , Niss L . C .
Simpson , Violet A .

.

.

coln .

St.

John ' s

H 2,

.

.

.

.

.

.

College

,

Cambridge .
The
Villa .
Nelson

,

,

Clevedon
Somerset .
37 ,
Queen 's Gate
Gardens , S . W .
E . I. United
Service
Club .

Rainhill , Liverpool .

Wallis , Arthur

F

Webster , William
Whibley , Charles

.
H

.

.

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B.

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, Louis

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14 ,

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30 ,

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BOOKS

2c, Hyde Park Man
sions , N . W .
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31 , Stratford

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Howard
(William
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( Claude Odilé )
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W

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Mansions,
East
Street ,

G .,

W.

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F . R . S.

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SUCCESS . By Una L . SILBERRAD . 7
x 5. 316 pp .
Constable . 68.
THE PRISON WITHOUT A WALL . By R. STRAUS . 73 x 5.
307 pp . Heinemann . 68.
THE DEVIL 'S WIND . By PATRICIA WENTWORTH
(MRS .
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HONESTY . By M . E. FRANCIS . 74
. 320 pp. Hodder &amp;
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THE PRINCIPAL GIRL . By J . C. SNAITH . 73 x 5. 312 pp .
Methuen . 68

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He
for the Dublin Museum
of
thoroughly revised
Art
edition
Early Christian
Irt Ireland

,

THE ORIGIN OF LIFE . Being an Account of Experiments
with certain Superheated Saline Solutions in Hermetically
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pp
BASTIAN . 119 . New York : Putnams. $1.50 n .

appear

a

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“

New

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&amp;

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of L.

republished
collaboration
also
Messrs
Wellingborough
Perkins
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Messrs Simpkin Marshall
This will
timed
000 copies
third edition making

'

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takes

by
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second
edition
appear shortly from the
Mary
Pendered
house
Messrs Mills
Boon through the courtesy
Messrs Methuen
who have kindly cancelled
1899
when the
them
the agreement made
My Garden
little
novel first appeared
anthology and memorandum book for Nature lovers
compiled by the same author and Alice Stronach

.

By FRANCIS
John Lane . $ 1.25 n .

Y.

which

from

title

at

PsychE .

History
She was the writer
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and
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1911
The book was very favourably received and
being included
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those accepted
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Where the Hedgerows End and other Fairy
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There
are seven
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the

,

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MUSICAL ART . By Sir HUBERT PARRY .
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By RALPH NEVILL . 336 pp . New
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MORE

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January 18, after a brief illness , Miss Ida
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short for her to have formed a high opinion of
N

.

MISCELLANEOUS

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JUVENILE .
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LITERARY , DRAMATIC , AND MUSICAL

",

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Romance for
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$2.50 n .

of

$ 1. 50 n .

$2 n.

”,

THE BLUE BIRD . A Fairy Play in Six Acts . By MAURICE
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DE MATTOS . With 25 Illustrations in Colour by F .
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Co .

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TOPOGRAPHY .
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,
"

THE LEAVES OF THE TREE ; STUDIES IN BIOGRAPHY .
By ARTHUR C. BENSON .
154 pp . New York : Putnam .

149

�THE AUTHOR .

150

Mr. Vladimir Cernicoff , the Russian pianist , has
Mr. Theodore Holland ' s new pianoforte
pieces , “ Prelude ” and
Song ," in his
“ Cradle
recent tour in Germany .
Messrs . F . V . White &amp; Co . published , last month ,
a theatrical novel by Gertrude Warden , entitled
“ The Path of Virtue . "
Miss Warden has had

subject ;

and some 250 authors in all are repre
The Anthology will appear in the Oxford
Editions of Standard Authors .
“ The Open Valley , " a new novel by Mrs . Herbert
A . Watson (Helen H . Watson ), has been published
by Messrs . Cassell &amp; Co. in February .
Messrs .
Mills &amp; Boon are issuing early in the new year

included

seventeen years ' experience
of stage work
in
London , the provinces and America .
Two of Dr. Reinhardt 's books are being issued
by Stead 's Publishing House , Kingsway .
The
first is entitled “ Science and the Soul, " and deals
with a subject of universal interest .
It is issued
at 2s.
The other book is a new edition of Dr.
Reinhardt ' s ls , treatise , “ Diet and the Maximum
upwards of ten
Duration
of Life, " of which
thousand copies have already been issued .
“ Dead Men ' s Bells ” is the title of Mr. Frederick
Niven 's new book .
Mr. Martin Secker is the

reprint of Mrs . Watson 's novel “ The
a cheap
Captain ' s Daughter . "
We have been asked to note that the English
Review , commencing with the January
number ,
1912 , will be issued at the reduced price of 1s.
(12s . 6d . annual subscription , post free to all parts of
the world ) .

Mr. George

A . Birmingham
has just published
Lighter Side of Irish Life , ” with sixteen colour
illustrations by Henry W . Kerr , R . S . A ., at the

“ The

publisher .

February
The
World 's
Work
for
contains
article by Mr. H . F . Prevost Battersby on
“ Tolstoy as a Schoolmaster .”
The same issue con tains an article entitled “ Agricultural Education
vid the Dairy ,” by “ Home Counties .”
It treats of
aspects of dairying and agricultural progress in the

an

Netherlands .

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novel entitled
The Right Hand
Chapman
Messrs
Hall have just issued the
fourth volume
the two shilling edition
the
John Westacott
novels
This volume
Mark
Tillotson the novel that deals with the Cornish
coast and the river scenery
the Elbe the charac

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edited
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Leonard will
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poetry
passages
Frowde
consists
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books
all their aspects
libraries
and reading grouped according
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whose fortunate circumstances are discounted
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mind

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the recent annual meeting
that
body particulars
which may
obtained from
the secretary Mr James Baker
The address
the Association
La Belle Sauvage
Taking Notes
Crosby
Henrietta
Miss
gives the impressions
Heath
little girl
daughter
concerning
eleven
dramatic critic
her family and her friends
John Lane the
Bodley Head
the London publisher
There
mingling
humour and pathos
the book
published
which
also
America
where the
publishers are the John Lane Co
Bloundelle Burton has recently published
President
of

1212

Literary Year Book
will we understand
published by Mr John Ouseley
future

Fly

original
and modern literature
and
Suffering
included
the Problem
Christianity and modern thought
the Light
James Yoxall
was unanimously elected
classical

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February issue
The Treasury
The

&amp; Co ., is designed to appeal alike to the
general reader and the theological student . Special
interesting
given
attention
is
to
and difficult
passages with the
the best modern Hebrew
Many parallels are quoted from
scholarships

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Its
literary societies senior schools etc
appeal
presents
and
not too archaic
Chaucerese
frolicsome story
the sixth wooing and marriage

Crusade

. F . T . Royd ' s new book , “ Job and the
of Suffering ,” published by Messrs . Wells ,

Problem

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price of 5s . net, from
the house of T . X . Foulis .
The book is written
in Mr. Birmingham 's best
vein , and has many good stories , but there is also a
great deal of sound information about the people ,
their habits and customs .
The illustrations are
quite first class and well reproduced .
City , " Miss Winifred Boggs ' new
“ Vagabond
book , is published by Messrs . Putnams. The action
of the story takes place in the New Forest .
The Rev

The Poetry Review for February has an article
on The Lyric , by Darrell Figgis .
Irene Osgood has published , through
Messrs .
respectively ,
Weekes
&amp; Co. , four songs , entitled
“ I Wonder , " " Wood
Violets ,” “ The Coronation
the Pixies
and
Petitions
playlet
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Homeland
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Rowland
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Co
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last month
Mirage
new valse
Mr Holland entitled
come out
the Albert Hall
the 6th
this

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Eveleigh Nash
deals with that rather ticklish
subject the Nonconformist conscience
The title

Two books
Professor Skeat have reached
English
edition and are now ready
viz
Dialects
Pitt Press
and
The Place names
Cambridgeshire
Cambridge Antiquarian Society
writing
Derek Vane
now
serial story for
the National Press Agency Ltd
and half
dozen
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subsequent strange events are
subject
new
novel
Rita
Mrs Desmond
Humphreys
published by Mr
will shortly

Miss Elizabeth Harden
small book
member
the society entitled
The Land
Shadows
Mad
March
Hare and commended
Mr Lloyd George has
lately appeared
Messrs
Smith and Sons
are the publishers the price
The book
skit
the present Government
pen

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of

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many

Justice
song

Letters
Louise
Life
Love and
Immortality
Madame Jean Delaire depicts much
the intellectual
and emotional unrest
the
present day reflected
the mind
brilliant
woman
the world
who
the form
letters
written
old friend across the seas reveals her
struggles towards truth and
clear understanding
the great world problems
Messrs
William
Rider
Son Ltd
are the publishers
Messrs John Long Ltd have recently published
novel called
The Spinale
which
from
the

“

a

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Co
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&amp;

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of

Veeni the Master
new novel
Fifield
Lamport
The dissolution
the world Earth
and the reincarnation
the world Zan and the

new

February Agnes
Heinemann published
new novel
Esther
Mr
Leonard Bastin has published through
Messrs Cassell
Co
Wonders
Plant Life
published

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the title
new
the pen
Mr Hamilton Drummond
Stanley Paul
Messrs
have just
published
this story the author breaks fresh
ground touching the weird and supernatural
tells
one Corley who weary
humdrum
exist
strange society
ence makes the acquaintance
The Society for Promoting Queer Results and
the many remarkable experiences which befall
consequence
him
Messrs Stanley Paul
have also published
The

novel
which

Failure

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.

of

of

histrionic achieve

the

Messrs . Sir Isaac
Pitman
and
Sons have
published , at ls . “ Mothercraft , " another
volume
from
Mrs . Chadwick ' s pen .
Mr. Andrew Melrose announces for immediate
publication , a volume by Mr . G . H . Perris dealing
with Great Britain 's foreign policy .
Mr. Perris '
provide
has been primarily
this
volume
record
facts and only secondarily
discussion
tendencies and principles
detailed narrative
given
the Moroccan crisis
last autumn
published under the title
the volume which will
Our Foreign Policy and
Edward Grey

.
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critical estimate
ments

Church

Mrs . Ellis H . Chadwick has published , through
. Herbert and Daniel , a volume on “ Mrs .
Gaskell : with Selections from her Works , " which
has been
included in the Regent Library Series
issued by that firm .

It

of

-

Co
.

&amp;

an

of

his day
The dazzling society
the
salons and the tinsel glories
the
Comédie Française
the period are made
live
again
brief portraits
Diderot
Holbach
Borellet Suard Mme Riccoboni Mlle
Clairon
and others
Dr Hedgcock has many stories
tell
tragedy comedy and farce
the great master
and gives many examples
his drolleries his witty
sallies and his amusing escapades
He also gives
women

philosophic

. John

Messrs

Messrs

In is

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8

,

at

.

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.

.

,

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her own work at the Studio Theatre , 92 , Victoria
Street, Westminster , S . W . , on March 10 , at
8 p .m .
She will be assisted by Mr. Julian Gade,
Mrs. Norman Ma Owan (of “ Monsieur Beau caire ” ) , and others .
The reading , which comprises
fantasies , stories , and poems , is under the patronage
of Lord Montagu of Beaulieu , the Hon . Lady B .
Fremantle , Mr. Israel Zangwill, and Mr. Theodore
Watts -Dunton . Tickets at 23. 6d . each can be
obtained from Miss
Bloch
John Street
Adelphi
Messrs Stanley Paul
have recently pub
lished
intimate study
the social and artistic
life
David Garrick entitled
David Garrick and
Hedgcock
his French Friends
The
author deals largely with the great actor
friend
ships with the distinguished
French
men and

.

month
valse .

of

ters being English , with the exception of the
Raphaellis .
The author , James Baker , is now
engaged upon a volume upon Austria , to be illus trated in colour by Donald Maxwell .
Miss Regina Miriam Bloch will give a reading of

151

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Playfair Miss Marie Löhr and Miss Clare Greet
face
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White
dramatic sketch
one act and deals with
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France
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Saarbruck

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comedy
Arthur Pinero
four acts
The
Mind the Paint Girl was produced
the Duke
February
York
Theatre
The play
deals
with the life
off the stage
musical
comedy girls
well
their admirers
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Mr
entirely different
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that
his former books

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Father and

her fortune and the lady returns
the restaurant
where she confides
one
the customers
solicitor who promises
act for her
breach
promise action without knowing that the defendant
one
his clients
The baronet consults him
pacify the lady even
and the two endeavour
tually with success
Miss Amy Willard Mr
Spencer Geach and Mr Edward Leith are
the
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the British
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Mrs Gaunt
book
illus
trated with 100 plates from photographs taken
herself
On February
Mr Martin Secker published

Mr

lady cashier coming into
unexpected
theatre
inheritance from
uncle abroad leaves her employ
spend her inheritance
ment and proceeds
the
appears
subsequently
Continent
that
money should have gone
nearer relative whose
death had been too hastily assumed
Meanwhile
the lady has become engaged
baronet who
promptly throws her over
learning the truth

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Mary

Miss Edyth Latimer Miss Margaret Halstan Mr
William Haviland Mr James Hearn and Mr
Fay
one act play
The Lady Cashier
Paull was produced
the Coronet Theatre
February
preceding
Baby Mine
that

G

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of

is

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to

he

a

of

of

,

a

old woman

Alone
West
was published
Mr Werner Laurie
January
overland
Mrs Gaunt made
journey along the Gold Coast and then turned
inland
canoe
the little known Voltaa river
paths across the hilly country into
and thence
territory
Togo
the German
She visited the
sleeping sickness camp
Mount Klutow made
her way
Lome the capital and thence overland
territory once more
again
Keta
British
Sunyani
She next visited Ashanti and journeyed
which now
one
the richest possessions

.

Mrs
Africa

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The third volume
Messis
Putnam
Song
Mauve Library
The End
simple tale of life
Jeannette Marks
little Welsh village
and the theme
the love
between the heroine
baby boy
hero

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Yeats ' Morality “ The Hour Glass ," Father Adder
Epiphany
Twelfth Night
Interlude
and
Lady Gregory
Miracle Play
The Travelling
Man were the plays produced
The cast included

.

: a-

of

Leathart .
The new edition , which completes the
ninth thousand of the book , will be issued in the
form
the Homeland
Pocket Books
half
crown nett
Mr John Long will publish shortly new novel
Mr Charles Igglesden author
from the pen
Flutter with Fate
and several topographical
works
Kent
Clouds
the title
Mr
Igglesden
new novel which
describes the efforts
the son
tradesman
raise
farmhouse girl
the status that
himself holds Mr Igglesden
the course
the story gives the reader glimpses
historic spots
Kent

A

152

DRAMATIC

Mr John

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also writes
excellent intro
duction
her work
Several historians
hare
written accounts
this wonderful woman
One
grandsons wrote the life
Catherine
Jean
Médicis
and devoted several pages
this book
Spanish monk
the exploits
his ancestress
being exiled from
the historian
Burriel
his

of

.

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résumé

1463 1509
une
Renaissance italienne
the famous
book
Pier
very cleverly compiled

,

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of

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a

triple bill
The Morality Play Society presented
ast month
the Court Theatre when four perform
plays by
ances were given
Yeats the Ilon
Adderley
and Rev
and Lady Gregory
Mr

SFORZA

Pasolini
Marc Helys who

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a

befriends
flower girl
broken down cabman and
alien interpreter
His efforts towards the
demption
these three
wasters
are not how
ever
successful
and the vagrancy problem
part remains unsolved
which they are
The
cast includes Mr Dennis Eadie
Miss Margaret
Morris
Mr Whitford Kane and Mr Wilfrid
an

PARIS NOTES

-

is
a

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a

to

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at

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,

Galsworthy
new play
The Pigeon
was produced
the Royalty
Theatre last month
great hearted artist who hates
The Pigeon
eing suffer
consequence he
see
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The book
well written and the characters are
very true
life and excellently portrayed
Among pamphlets which should
extremely
interesting
the English
this juncture
one
Biard
Aunet Ministre plénipotentiaire
La Ligue
Libre Echange
Liberté com

writes

of

Aunet

.

which

on

-

is

Vice President
this
great authority
the subject
on

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Biard

League

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child whom she adores and she and her husband
live their own life
Presently
new interest comes into her existence
She makes the acquaintance
certain Antoine
They are soon
very friendly terms
Bellême
and they discover that they have many ideas
common
As time goes
the two become
each other and just
the situation
becom
ing difficult Lucien Mirar dies
The lovers marry
and
after their marriage that the tragedy com
mences
After the birth
their child the mother
realises how much more her first born son
her
An estrangement gradually begins between the two
parents and when the younger child
feeling that
he
unwelcome member
the family leaves
each

is

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quite

such

Renomée
Gaston Rageot
curious
and extremely complex psychological study
Lucien
literary celebrity
celebrity who makes
Mirar
copy
his various love affairs
His wife
charming woman who had married
the age
twenty and whose romance had been
very brief
one
At the time when the story opens she
quite reconciled
her lot and has accepted the
position
literary celebrity
the wife
She has

all

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Prisoner
War
She
Poison the Pope
Her
trial
Her Liberation after fourteen months
Prison
Her Struggles and Intrigues
recover
her States
The Education
her Youngest Son
The Last Years and Death
Catherine
The story
her youngest son
novel
itself
He was the greatest warrior
his times and
history
known
Jean des Bandes Noires
He was also called Foudre
Guerre
Grand
country
Diable and for the fame brought
Italia
1526
was wounded while fighting
amputation
and died
the result
the age
twenty eight
fascinating
The whole book will
found
any work
fiction
Catherine
attempt

and

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of

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Family

.

as

.

of

of

,

have

Assassination
the Duke Milan
and his
Court
His Death
Splendour
and Misery
the Court
Forli
Intrigues
Lorenzo
Medicis
Assassination
Catherine
Husband
She and her Children
Triumph and
the Hands
the Assassins
Vengeance
Catherine
Her second Marriage
Her third Marriage
Catherine and the Borgia

accused

able

his character his tastes and his ideas
As time goes
he and Caillou find they have much
common and they confide
each other accord
ingly
Pierre Mille makes the acquaintance
the
among others
various friends
Caillou
Boulot

they surname
street Arab whom
syndicate
and for whom they form
may
later
order that
convalescent
very touching
home
The pathos
this chapter
Various books
the psychology
the child

families
The Italian edition
Caterina Sforza
two huge volumes and contains 435 documents
most
which had never before been published
splendidly illustrated
The work
and
one
the most complete accounts
existence
the Italy
that period
the policy
various States
and
the life intrigues and conspiracies
present
very rare
various Courts
The book
print and the blocks
out
the illustra
tions were destroyed
fire
Marc Helys
be congratulated
the clever way
which she
comparatively
has reduced this enormous work
giving
story
small edition
real life
interesting
any novel
The titles
the chapters give
idea
some
the subjects touched upon
The Court
Milan
Catherine engaged
the Nephew

Sixtus
Sixtus

first conversation with Caillou
From
this first conversa
understand something
the child

years

five

of

.

,

.

is

as

Italian woman
The Pasolini family
old
the Sforza family and they both came from the
same village
Count Pasolini has written many
historical works and has exceptional opportunities
for examining the private archives
various Italian

tion
soul

,

of

of

,

an

sidered

- bio
-

be a

-

as of

Catherine
Sforza
which may
con
authentic account
this celebrated

boy

“

a

.

graphy

Wehave the author
a

a

to

us

his

to

degree
idealise her character and deeds
such
that
work
does not give
correct idea
her
Towards the end of the nineteenth century
Count Pier Desiderio
Pasolini published

departure by this
talented writer . Up to the
present Pierre Mille is chiefly known for his clever
psychological studies of Frenchmen in the colonies .
We have already drawn attention to Barnavaux
very
exile
this new book
have
delicate and subtle pyschological study
child

in

for

country , took refuge at Forli , where he lived for
many years . He was the first to examine the
archives relating to Catherine Sforza , so that it is
to him we owe the first important biography
of
this heroine . His admiration
her caused him

153

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had

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performance and
introduced into
dramatic
was undoubtedly
entitled
the protection
literary and
afforded
the statutes relating
dramatic rights
The defendants had not infringed
those statutory rights but the plaintiff claimed that
side
side with the statutory protection there
perpetual right
existed
common law
restrain
defendant company from making use
musical ideas which the plaintiff had made public
principle he could see no justification for that view
been

to

to

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claimed that
was entitled
com
ownership
mon law right
the composition and
that
could prevent anyone from using the work
his detriment
Mr Justice Joyce had held that
after publication
common law right existed
and dismissed the action
The Master
the Rolls
his judgment said
point
that
the appeal
raised
which
firmly settled
been
that
was surprised

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by

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carries
the business
manufacturers and sellers
gramophones had copied printed
transcribed
reproduction
the song for the purpose
means
gramophones
the company
The plaintiff did not rely upon any statutory copy

at

of

,

of

a

in

appeal from
decision
Mr Justice
action brought
Mr Lionel
Monckton
the well known composer who
claimed the exclusive right
make
authorise the
making
gramophone sheets for the performance
the song entitled
Moonstruck
the plaintiff
being the author
the words and the music
Feburary 1909
The song was first published
and the performing rights were assigned
George Edwardes
The defendant company which
Joyce

it

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facilitating
convention with Greece Chili and
other countries
Among the plays that have been given this reason
the various theatres are the following
Les
Brebis Perdus
three act piece
Gabriel

MONCKTON

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to

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syndicate
the protection
intel
extremely active and has several
announce
The Franco Russian
Convention has been approved
the Chamber
Deputies and
the Senate
result
this
important group
the Moscow University has
signed
contract
with the publishers Armand
rights
Colin
for the translation
the Russian
language
geological work
Professor Haug
Arrangements are now being made with
view
an

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Messrs Calmann
the
Court holds that there
sufficient difference
the
titles
the publication and also
the names
the authors published
these two firms
make
such mistakes unlikely
The French

Perrin

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1463 1509

GRAMOPHONE

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opened

with
Night Dream
Midsummer
with the scenery
specially designed
Simas
and with
entirely fresh troupe
young actors
The plays
given
are
The Taming
the Shrew
The Merchant
Venice
The Tempest
and
The Merry Wives
Windsor
put
Camille
Sainte Croix also intends
the famous Russian piece
Boris Godounov
An action has been brought against Messrs
Fayard
Calmann Lévy
Messrs
The latter
claim
that the cheap books brought out
the
Nouvelle Collection Illustrée
are constantly being
bought
mistake for the
Modern Bibliothèque
published
Messrs Fayard

lectual property
brilliant victories

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HALLARD

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Catherine Sforza

Caillou
Tili
Calmann Lévy
La Renomée
Calmann Lévy

Cawnpore

Shakes
the Athénée Theatre which has
his service
Abel Deval
being given
Thursday
every

matinée until May

M

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Camille

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from

play

four act
Cage

Sully
Paul Bourget writes
Art
Prud homme and the Comtesse
Courson
article

taken

Alfred Capus
Amour
three act piece
André
Lorde Funck Brentano and Jean Marsèle
parfait
Accord
three act comedy
Tristan Bernard and Michel Provins and
Bean
Mariage
three act comedy
Sacha Guitry

of

an

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la

à

veille

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four act play
Alfred Savoir and
Nozière from Dostoïevsky
Flambée
Mr Henry Kistemaeckers
Les Sauterelles
five
act play
Emile Fabre
Les Favorites

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The pamphlet is very clear .
The author first
explains the title of
pamphlet
He then shows
clearly the effects
protection and who benefits
protection
He gives some striking examples
protection and the maritime industries
He gives
protectionists and after
the objections raised
very brief summing
explains fully the object
presides
and
the League over which
La Revue Hebdomadaire
the Marquis
Ségur writes
interesting study
Edmond and
Jules
Goncourt and Jules Lemaître
series
articles
Chateaubriand
Fernand Laudet
biographical study
gives
Augustin
Cochin
extremely interest
and the Abbé Augustin Sicard
ing one
the
Grandes Abbayes
Grandes

a

154

-

�THE AUTHOR .

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a

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to

HARDY

HAROLD

in

in of
a

by

all

.

them

Novelists may feel some alarm lest the chance selection
of a name for one of the characters in a novel may render
them liable for damages in a libel action brought by a
person whom they had no intention
to defame , and whose
existence may have been unknown to them . Clearly some
care is necessary in adapting names for imaginary characters ,
but the alarm of novelists may be exaggerated . There is
a distinction
between works of fiction and a newspaper
article purporting to describe an actual scene taking place
real life at seaside resort
character
novel
generally regarded as an imaginary
person whereas the
by
descriptive
mention
an individual
name
newspaper may reasonably
supposed
narrative
refer
real person
in
be a ,

their works by gramophones and other contrivances
of which sounds may be mechanically
reproduced .
Manufacturers
are required , under
the Act , to pay to the owner of the copyright by
way of royalties a certain percentage on the ordinary
retail selling price of
such contrivances
sold

by means

called

A

The Court of Appeal held that both on principle
and authority the judgment of Mr. Justice Joyce
was right , and the appeal was accordingly dismissed .
Under the new Copyright Act , of course , the law
is altered in this respect , and provision is made for
musical composers with regard to the production of

attention
to some alarm which was
by that decision among novelists and other
writers of fiction ; and the result of the recent libel
action illustrates and confirms the statement , which
was as follows :
case

caused

.

unheard ; he may show or recite it to his friends ;
he may deliver his lectures to students or allow his
MS. play to be acted on special terms , provided
always that the use to which he puts it does not
amount to publication ."

a

enjoyment so far as they are compatible with non publication .
All his rights at common law are
limited until publication when they cease . Before
publication
he may keep
his work unseen
or

in his evidence that he had never heard of
the plaintiff ; but it was contended on behalf of the
latter that the story referred to the plaintiff as a
vulgar person
upon
who imposed
women , an
adventurer who was in the habit of practising mean
and petty tricks.
The Lord Chief Justice , in his summing up ,
quoted from the judgment in the “ Artemus Jones "
case reported in the Author ( January , 1910 ) , and
pointed out that the jury must be satisfied , if they
found for the plaintiff , that a reader of the paper
would reasonably think that what was published
was a libel upon a real person .
The fact that the
name in the story was the same as the plaintiff 's
did not give a right of action .
It was only one
of the circumstances in the case .
that the article in the
I t may be remembered
dealing
with
the " Artemus Jones ”
Author
stated

in

Lordship referred to the cases dealing with
author' s proprietary rights at common law , and
he quoted from the judgment of Lord Justice Farwell in Mansell v. Valley Printing Company . In
that judgment Lord Justice Farwell said , “ Every
invasion of a right of property gives a cause of
action to the owner against the invader , whether
the invasion be intentional or not , and whether it
be innocent or malicious . . . . It is an incorporeal
right of property giving to the author the fullest
rights not only of exclusion , but also of actual

His

an

155

it

.

a

.

ACTION FOR LIBEL

as
a

,

in

The story
the Pall Mall Gazette was obviously
fiction and the jury very naturally took the view
that
reasonable reader would not regard
libel upon the plaintiff

HAROLD HARDY

STORY

.

NEWSPAPER

.

story entitled
which
Sad Affair
the Pall Mall Gazette has
was published
ridiculous libel action
been the subject
The
the defendant
verdict
which resulted
motor car
plaintiff
Mr George Charles Flanders
Hitchin claimed
engineer carrying
business
the pub
his reputation
damages for injury
the hero
which the name
the story
lication
George Flanders
bore the name
which the plaintiff
the story
The incident
Hyde Park
tea party
complained had reference

CASE

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best

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publisher the
author has delivered
view
historical work with
publish the
publication
bound
the publisher
the contrary
however
work without delay
When

manuscript

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French authors

PUBLISH

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where the hero having invited two ladies
had
the entertainment declared that
conclusion
guests
come out without any money and asked his
They provided the money
pay
his behalf
disgust
the tea and left their host
The story was purely fictitious and the author
to

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he permits too long a period to elapse between the
delivery of the manuscript and the publication of
liable
find himself
the work the publisher
publish and
forbidden
the author the right
condemned
return the manuscript
Any statements which the publisher may propose
place upon the wrapper
upon the first page
respecting
composition and
the work
date

.
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POETRY REVIEW
By Darrell Figgis
The Lyric
Poetry
Notes
Arthur Lynch
By Ezra Pound
Prologomena

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with the History
France
and that the
Court held that there had not been
1896 any
the original agreement regarding that
annulment
publish the
work
1909 Lemerre prepared
History
France
Anatole France pointed
date and
out
out that the book was now
offered
then
opposed the publication
Lemerre
published
with
that the work should
the date
rvaders
announcement
original composition and statement
the author
this also
disapproral
its publication
He returned the
France objected
Anatole
000 francs took legal proceedings
inhibit the
,

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as
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of up

MAGAZINE CONTENTS

script
this history was
the volumes
the last
February
delivered
Lemerre
1882
On
Anatole
more than one occasion subsequently
with Lemerre about
France had disagreements
corre
the course
1906
books and
spondence respecting difficulties that had arisen
say nothing
Lemerre incidentally mentioned
two volumes for
France
about the History
000 francs and ought
which you have received
have you not yourself told me that
revise
which you delivered
the form
not publishable
unnecessary here
enter into
me
the arrangements ultimately made
details
say that they had nothing
1906 and will suffice

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publisher receives
work for publication
should publish
without delay even although
date for publication
has been fixed
the
author
the case reported the author explained
that
date had been fixed
advance
but
did
liberty
the refusal
the author
sanction the tardynot thence follow that the publisher was
publication
inoperative
and can neither take
choose the date and could postpone the publica
might
prejudicial
the place
the performance
the contract
tion until
time when
formerly
advantageous
made
between
the
author and the
instead
the author
The
publisher
general intention
nor prevent the injury done
the
the persons concerned which
author by tardy and inopportune publication
alone has here
considered was evidently that
The facts
the case are
follows
the work seeing that
was
historical work
published without delay
1869
Anatole France being then five and
should
The publisher
twenty entered into the employ
allowing
the publishing
had therefore
violated the contract
twenty seven
years
elapse before publication
house
Lemerre where he remained until 1878
manuscripts
reader
He received
small
When
the end
these twenty seven years
salary
publish
spite
and
addition
his other labours
desired
the author
dis
approval the statements which he proposed
prepared
order
for trifling remuneration
Subsequently he
place upon the wrapper
notices and prefaces
books
the first page could
published
with Lemerre
1873
Les Poèmes
not prevent the injury which would
done the
virtue
his
was therefore not
author
1876
Les Noces Corinthiennes
Dorés and
public
virtue
common justice
interest
moral right alone but
attracted
wide
works which
Preriously
tardy and
the termination
his engagement
that the author could oppose this
prepare
inopportune
publication
with Lemerre
was commissioned
These
are
conclusions
History
several works
which one was
accordance with justice and equity
1789 with
three volumes up
two
France
bringing the
table
additional chronological
publication
record
the date
The manu

When

�THE AUTHOR .
obtained
But the transaction should
competent agent
with the advice
the Society

of

.

,

managed by
Secretary

the

of a

be

SOCIETY .

THE

or

USE

TO

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plays

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price

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proper

be

sometimes satisfactory

for

the performing right
This
unsatisfactory
An author who enters into
such
contract should stipulate
tbe contract
for production
the piece
certain date
and for proper publication
his name
the
play bills

of

Sale outright
is

(a
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or

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more acts

three

of

.

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.

it

Outright

,
if

is

1
.

This

It

2
.

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established
manager
3
.

of

in

to

a

.

H

observed
few standing rules
agreement
dealing
There are four methods
with literary property

Selling

copyright

DRAMATIC AUTHORS

of an

TEVER

in
an

be

ITERE are

TO

so

;

THE PRODUCERS
BOOKS

.

TO

OF

transfer

.

£1

1s

.

is

to

.

or

,

.

9

WARNINGS

Always avoid

WARNINGS

.

. to

of

.

8

to

prevent authors from
Some agents endeavour
the Secretary
the Society
do some publishers
Members can make their own
deductions and act accordingly
per
The subscription
the Society
annum
£10 10s for life membership

referring matters

(3
).

.

or

be

,

is
a

.

in

of

.

,

.

The

agreement are combinations
All other forms
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the Secretary
the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements
letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
means
The inspection
those account books which belong
right
the author
We are advised that this
the
nature of common law right which cannot
denied
withheld
a

.

This

.

of

on

it

of

be

.

7

to

Many agents neglect
stamp agreements
must
done within fourteen days
first execution
Secretary will undertake
behalf
members

General

(
1
.)

.

.

of

to

,

to

to

consideration
the contracts with publishers submitted
them by literary agents and are recommended
submit
them for interpretation
and explanation
the Secretary
the Society

Agreement

(2
.)

in

a

of

to

.

6

of be

literary
entered into with
No contract should
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not

Commission

The main points are
production
Be careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

to

:

To

a

(
3
)

.

be

.

to

.

's

of

Prospectus

System

.

.

, as .

a

be

,

of

To

(
2
)

.

in

To

.

of

to

.

,

'

in

.

5

of

The Committee have arranged for the reception
agreements
members
and their preservation
fire
proof safe
regarded
The agreements will
course
confidential documents
be read only by the Secretary
who will keep the key
the safe
The Society now offers
possible action
stamp agreements
readiness for
keep agreements
upon them
enforce
payments due according
agreements
Fuller particu
lars
the Society
work can
obtained
the

The Royalty

perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible
approximately
for
author
ascertain
the
truth
From time
time very important figures connected
The Author
with royalties are published

IY
.

if

,

,

in

!f
,

,

of

no

4
.

of to of in

to

belonging
Remember always that
the Society
you are fighting the battles
you
other writers even
yourse
and that you are
direct benefit
are reaping
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer

(
1
)

(3
.)

,

for

2. Remember that questions connected with copyright
and publishers ' agreements do not fall within the experi
ence of ordinary solicitors . Therefore , do not scruple to use
the Society .
signing any agreement whatever , send
3. Before
the document to the Society
examination

Profit Sharing Agreement
bad form
agreement
this case the following rules should be attended
pro
sign any agreement
Not
which the cost
part without the strictest investigation
duction forms
give the publisher the power
putting the
Not
charging for advertisements
profits into his own pocket
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for
Not
allow
office expenses
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
up
rights
Not give
serial
translation
Not bind yourself for future work
any publisher
yourself
any
well bind
for the future
one solicitor
doctor
As ( (
(4
6 5
). .) . .)

member has a right to ask for and to receive
advice upon his agreements , his choice of a pub .
lisher , or any dispute arising in the conduct of his
The
of his property .
or the administration
business
Secretary of the Society is a solicitor ; but if there is any
special reason the Secretary will refer the case to the
Solicitors of the Society . Further , the Committee , if they
without
deem it desirable , will obtain counsel ' s opinion
any cost to the member .
Moreover , where counsel ' s
,
opinion is favourable and the sanction of the Committee
is obtained , action will be taken on bebalf of the aggrieved
member , and all costs borne by the Society .

VERY

T

�THE AUTHOR .

( 6.) Sale of performing right or of a licence to
perform
on the basis of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent .
An author should obtain a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages .
A fixed
date on or before which the play should be
performed .
( c.) Sale of performing right or of a licence to
perform
on the basis of royalties (i .e. , fixed
nightly fees ) . This method should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case.

DRAMATIC

authors should seek the advice of the
Society before putting
plays into the hands of
agents .
As the law stands at present , an agent
who has once had a play in his hands may acquire a
perpetual
claim to a percentage
on the author ' s fees
from it . As far as the placing of plays is concerned ,
it may be taken as a general rule that there are only
very few agents who can do anything for an author
that he cannot , under the guidance of the Society , do
equally well or better for himself . The collection of fees
is also a matter in which in many cases no intermediary is
required . For certain purposes , such as the collection of
fees on amateur performances , and in general the trans.
action of frequent petty authorisations
with
different
individuals , and also for the collection of fees in foreign
countries , almost all dramatic authors employ agents ; anu
in these ways the services of agents are real and valuable.
But the Society warns authors against agents who profess
to have influence with managers in the placing of plays , or
who propose to act as principals by offering to purchase
the author ' s rights . In any case, in the present state of
the law , an agent should not be employed under any
circumstances without an agreement approved of by the
Society .

WARNINGS

7. Authors should remember that performing rights in a
copyright.
play are distinct from literary
A manager
holding the performing right or licence to perform cannot
print the book of the words .
8. Never forget that United States rights may be exceed .
ingly valuable .
They should never be included in English
agreements
without the author obtaining a substantial

can be added to the warnings given for the
assistance
of producers
of books and dramatic
authors .
It must , however , be pointed out that , as
a rule , the musical publisher demands from the musical
composer a transfer of fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property . The musical composer has very often the two
rights to deal with - performing right and copyright . He
should be especially careful therefore when entering into
an agreement , and should take into particular consideration
the warnings stated above .
U

be carefully

STAMPING

or

's

to

,

.
in

. be

a .

is

,

of

it

. . ,

.

is

,

of

,

competence

and experience

The

.

to

REMITTANCES

only

.

of

to

by

be

or

,

be

,

letter

of
by

of

give notice
The Secretary
the Society begs
post
that all remittances are acknowledged
return
All remittances should
crossed Union
London and
Chancery
registered
Smith
Bank
Lane
sent
.

to

be

.

of

at

.

of

.

assist

by

of

its

its work

.

,

Readers are writers
fee
one guinea

or
a

.

.

23
.

of

at

,

a be

a

to

at

of

be

in

.

be

a

byof

to

D

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration
fee
two shillings and sixpence will
qualified assis
be carefully compared
the Secretary
stamped and returned
tant One copy will
the author
and the other filed
the register
Copies
the Society
any time by
the scenario thus filed may
obtained
the author only
typing
small charge
cover cost
Original Plays may also
filed subject
the same
play will
rules with the exception that
charged for
the price
6d per act

is

, on

CCENARIOS

6d

in

greatly

BRANCH

the Society
this
informing young writers
existence
Their MSS can
read and
composition
treated
treated by
coach
The term
MSS includes not only works
fiction
but poetry
possible under
and dramatic works
and when
special arrangement
technical and scientific works The
branch

.

.

is

EMBERS will
asof
a

AND

'

,

THE READING
M

SCENARIOS

OF

ORIGINAL PLAYS

of

its

The Society undertakes to stamp copies of music on
per 100
part
behalf of
members for the fee
100
The members stamps are kept
the Society
safe
The musical publishers communicate direct with the
Secretary
and
the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

M

REGISTRATION

.

MUSIC

,

should

of

collaboration

COMPOSERS .

.

for

MUSICAL

TO

ITTLE

T

consideration .

9. Agreements

AGENTS .

AND

RAMATIC

D

4, Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event . It is extremely
important that the amateur rights of one -act plays should
be reserved .
5 . Authors should remember that performing rights can
be limited , and are usually limited , by town , country , and
time. This is most important .
6 . Authors should not assign performing
rights, but
should grant a licence to perform . The legal distinction
is of great importance .

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown
in the fulfilment of his contract .
He should therefore guard himself all the more carefully in
the beginning .
11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con .
tracts. those authors desirous of further information
are referred to the Secretary of the Society .

AUTHORS

.

158

�THE AUTHOR .
THE

OF

PUBLICATION
TION

in

of

to

be

,

in

,

to

,

a

in

a

:

as

,

to

as

It

.

,

as is

to

's

to

be

to

limit the
be very careful
given number
editions with
either
remainder
purchase the remainder stock
case the edition
not sold out within
years
reasonable time
limited number
the latter case the publisher should
restricted
the agreement from over rinting towards the
end
the term
the agreement for
some such
restriction
not inserted the publisher can make
the time limit practically
ineffective
over
printing the book
the last year
has been
publisher has the
decided
the Courts that
right
sell any stock which remains
hand after
the expiration
the term
at

a

,

of

Authors should

,

if

-p

of

It

on

a

in

.

in

by

,

is

of

position

the licence
hopeless

if

,

technical works

is

.

of of

the case

an

is

which mention

to

,

of

of

of

of

of

a

at

to

,

to to

dramatists

in

of

it

,

of

of

the list
similar
made above

.

of

In

be

a

,

a

is

licence
power
prices

in

-

to

a

A

Composers
MUSICAL
Sub Committee having
the consideration
view
now been formed with
the musical
matters affecting the interests
composers
has been decided
the society
the
this side
facilitate the working
order
composers
keep
list
society
the office

,

,
at

by

.

of

in

of

a

position
force shortly

In

.

SUB COMMITTEE

-

' '

MUSICAL COMPOSERS

in
a

for

to

in

a

.
.

this kind the licence still remains far
thought must
given
the
the new Copyright Act will come into

Especial

to

public entertainment

.

licensed

for

place

limitation
too wide

to

,

or

order

of

however , that it may be kept up to
who have since qualified to be
entered on the Dramatic Roll of the Society are
invited to advise the Secretary , accompanying their
application with particulars of the dramatic work
they have produced .
for
It may be mentioned that the qualification
inclusion in the list is the public representation of a
play otherwise than
for copyright purposes in a

In

date , those members

as

over 200 names

.

.

on the list

,

, .

were

invitation

of that

,

placed

.

to dramatists

a result

in to

to
produced .
The enquiry was made in order
facilitate the preparation of a list of dramatists in
to their receiving com
the Society , with a view
munications relating to the work of the Dramatic
Sub - Committee of the Society , and to other matters

As

LIMITA

THE

growing tendency
past
THERE has been
publishers the licence
grant
years for authors
copy
publish
the legal term
book form
may
right
leave
the
author
licence
Such
very difficult position
any rate
There should
the
which
the agreement
clause
print the agreement should
book goes out
terminated and all rights returned
the author
otherwise the author may find himself
the
having
position
buy back from the publisher
price
the publisher
curious how
licence
publish
book which
far
the publisher
concerned may have ceased
sell rises
value
purchaser
the author appears
but even with
to

SOME two years ago members of the Society were
invited to indicate , on a form which was despatched
( if any ) they had
to them , what dramatic work

of interest

BOOKS AND
THE LICENCE

a

.

be
a

SECTION

if is to at

THE DRAMATIC

OF

if

GENERAL NOTES .

159

.

S

,

's

.

-

,

.

,

:

of .

to

of

to

a

of

In

no

, as

, on

of

10

.

of

names
nominees could be received and
nominees were put forward by the members the
nominees
the committee are elected without
opposition

.

an

on

,

in .

to

,

to

so

of

in

in

fit

to

in

of

a an

.

of

.

as

,

of

.

.

ELECTION

.

COMMITTEE

.

-

of

-

's

in

of

of

if

of

of

In

Sub Committee but
the marketing
dramatic
the
literary wares differs
some respects
agreement has been modified
meet the special
literary agency
requirements
There has been
however but little alteration
the clauses the
main difference existing
the notes which the
place before the
committee have thought
warn them against possible
order
members
and

dangers

.

the January number
The Author
full
statement was given with reference
the election
Management
for
the Committee
members
the current vear
The names
the committee
nominees for that
election were Mrs Belloc Lowndes Mr Hesketh
Savire
Prichard
Mr Arthur Rackham and Dr
Sprigge
OJ882
February
was the last day
which the

author

is

THE LITERARY AGENCY AGREEMENT
another column
this issue we publish
by
agency agreement which has been
settled
special sub committee and approved by the Com
Management
mittee
This agency agreement has been based
agreement settled some time ago by the Dramatic

,

not limited

.

assist the secretary materially
they will inform him
this list
the compilation
any
which
publication
works
musical
the
they are the composers

Members will

�THE AUTHOR .

.

up
a

to

,

it

be

,

,

,

as

by

,

of

To

.

be

of

,

.

It

in

In .

of

,

be

ON

.
to

is

1

to

.

as

,

for
a

of If ,

)

a

(

in

,

,

of

in

in

to

.
, 68

of

to

be

,

or

of

is

it

2

.

of

lishing

be

.

,

be

.

an

to a

or

on

of

,

of

,

in

cheap book form then they should
future con
guarded and made the subject
ditions
The publisher should
course undertake
produce the work
before
certain date
This
the first importance
author
The latter part
this clause should
care
fully observed
An author reading this might

.

or

-

.

by

of

of

or

,
or

is

an

or

of

of

Clause
have the
throughout

is

of

.

a of

of

a

he

,

nothing

inadvisable that the publisher
producing the
exclusive right
work
the world
for the whole term
copyright
His right should
limited
the
publish the work
exclusive licence
book form
the price
the book being
novel
the
language
United Kingdom
the English
period
any
most five years certain
pub
other rights are given such
the right
should

at

(

.

of

to

it

,
to

there

said

to

to

,

,

in

,

or

"

as

be ,

of

,

it

of

or

of

,

or

)

of

to

of

on

or

in

THE AGREEMENT

Clause

of

.

to

,

of

to

of

or

by

“

to

no

in

is

COMMENTS
regard

With

at

.

,

( of

.

in

be

.

as In

-

-y

at

in

of

on

be

or

,

) 's
,

.

( ,
of sic
)

Haymarket, S. W.

The Author with some hints
difficulties that may arise out

before the readers
the probable

If

be

be

8

as

9
.

on

of

.

10

,

were other clauses
the documents which had been
suppressed and which would have put another com
plexion
the arguments
has been decided
therefore
that one agreement should be clearly set

.

to

of

or

of

.

of

of 71

on

a

to

,

of

.

on

,

a

.

6s
. of
i5
to
4
.
5
.

6
.
7
.

any difference shall arise between the author and
the publisher touching the meaning
this agreement
the rights
liabilities
the parties thereunder the same
one
two persons
referred
the arbitration
shall
named
each party
their umpire
accordance
with the provisions
the Arbitration
Act 1889
The term
Publisher through out this agreement shall
company for the time
include the person
be deemed
being carrying
the said John Long under
the business
any future style and the benefit
well its present
this
agreement shall be transmissible accordingly
The author guarantees
the publisher that the said
any existing
way whatever
violation
work
copyright and that
libellous
contains nothing
scandalous character and that
will indemnify the pub
proceedings
d
amages
lisher from all suits claims and
and
against
costs which may
made taken
incurred
infringement
ground
work
that the said
the
him
copyright
contains anything libellous
scandalous
That
the publisher undertaking
consideration
publishing the work herein before men
the entire risk
give the publisher the first refusal
tioned the author agrees
delivery
from
one month from date
the manu
script
producing and publishing
the exclusive right

12, 13, 14, Norris Street

There are in the bands of the society a good
many agreements between authors and Mr John
print
Long and
would be instructive perhaps
them
To do this however would take
great deal
space though
may yet
con
print abstracts
sidered necessary
these
agreements would not answer the same purpose
might
thought
the suspicious that there
,

of

,

all

:

all
.

:

below

day
OF AGREEMENT made this twelfth
MEMORANDUM
of May one thousand nine hundred and nine between
termed the author of the one part and John
hereinafter
Long of 12, 13 and 14 Norris Street , Haymarket, in the
County of London hereinafter termed the publisher , of the
other part , whereby it is mutually agreed between the
parties hereto for themselves and their respective executors
and assigns (or successors as the case may
administrators
be ) as follows
1. The publisher shall at his own expense produce and
publish the work written by the author and at present
entitled "
2. The publisher shall bave the exclusive right of pro
ducing and publishing
throughout
the work
the world .
The publisher shall have the entire control of the produc
publication
tion and
and sale and terms of sale of the work
and the author shall not during the continuance of this
agreement (without the written
consent of the publisher )
publish any abridgment translation or dramatised version of
the work .
3. All copies sold of the said work within twelve months
of the date of publication shall carry no royalty to the
copies sold after the expiration
author , but on
the first
twelve months after publication
the publisher agrees
royalty
accept
pay
the author and the author agrees
per cent
the nominal published price
sales
the
royalty
per cent
edition and
the nominal
published price
any cheaper edition
the sales
editions
paid
any copies given away
No royalties shall
for review
other purposes
the interests
the work
up
Account sales shall be made
half early
June
thirty
thirtieth
and December
first and delivered and
up
making
dates
settled within five months of those
accounts
thirteen copies shall
reckoned
twelve
accordance with trade usage
The publisher shall undertake
the expenses
the
proof corrections
£3 three
the extent
author
pounds
but should such expenses exceed this amount the
author shall refund such excess
the publisher

, on

Committee of the Society of Authors desire
draw
attention to the document printed

of

to

in 68. volume form , and if the publisher accepts all or any
of them , he agrees to pay to the author and the author agrees
to accept the following royalties .
( a ) A royalty of 15 per cent . of the nominal published
price on all copies sold of the English 68. edition , after the
sale of the first 750 copies of this particular 68. edition .
(b) A royalty of 71 per cent . of the nominal published
price on all copies sold of any cheaper edition or editions .
(c) A royalty of 50 per cent , of the net profits derived
from the sale of the American copyright (if any ) .
(d) A royalty of 50 per cent. of the net profits derivel
from the sale of the Foreign rights ( if any) .
11. The said three novels to be submitted to the publisher
shall be submitted
one at a time, and only after the
publication of the one previously accepted .
12. The whole of the previous clauses in this agreement
(except in respect of royalties ) shall be deemed to apply to
the three new novels , as well as to the novel mentioned in
the first part of the agreement .
13. In the event of any copies of any of the novels pro
vided for in this agreement , being sold as a remainder , that
is , when the demand for any such work has ceased, a
royalty shall be paid to the author, on any copies thus sold,
of two and a half per cent . (24 %) of the net sum receivel .
As witness the hands of the said parties
John LONG ,
Witness : W . H .

it

1

the author 's next three new novels , suitable for publication

to

HE

M

AGREEMENT .

as

REMARKABLE

A

it
.

160

�THE AUTHOR .

on

on

.

8

,

in

to

of

.

6 a

is

of

in

be .

be

,

of

a

.

to

.

a

is

of

.

It

a

a

of

is

. .

7

of

to

. or

is

of

would

is

he

.

case

be

which

it

still better not
no

its

worse
sign

to is

8

Clause
also unsatisfactory
An author
should agree
this clause only when
con
vinced that no change could possibly be for the

a

is

on

a

to

is

It

.

in

scope
Clause
too wide
doubt
publisher
publish
fair that
author causes
really
innocence
fiction what
libel
actual person the author and not the publisher
should suffer but both
libel and obscenity
blasphemy the publisher cannot con
sedition
tract out
such responsibilities
even
the author
any case where
consents
the attempt
damages and costs may
incurred
the pub
expense
lisher
the author
the author should
have some control over the amount spent
the
necessary defence
as
a

.

by

in

's

In

be .

if

,

,

to

as

;

to of or

at

,

of

,

,

1

.
63 5

.

.

. .

town reviews

1, 234

,

to

to

of

.

presentation
public libraries

, ,,

of :.

500

sales

.

licity which
the main safeguard
the author
and the publisher
alike where either party has
attempted
broken his contract
take unfair
advantage
the other

9
an is all
.

to

.
-

to

in

in

.

to it

,

in

.

its .

.

copies printed

„

author

„

To

June 30th

Statement

By number

above

as 12

Strong objection must
Clause
taken
very unsatisfactory
this clause
Arbitration
dealing with
legal contract
method
greatest
cumbersome
and expensive
The
publisher aroids the pub
objection
all
that

if

, of

's

In

.

,

-

a be

to

,

it

to

,

1910

.

.

Jan

1911

the

91

Clause
the amount allowed for correction
typewritten
not very generous but
these days
margin
copies
£3 may
sufficient

,

.

's ,

a

, ,

to

,

in

on

or

1st

July

1911

under

.

.

under

Clause 4 can pass without comment .
With regard to Clause
5 , articles have been
written in The Author on the question of thirteen
copies counting
as twelve , to which readers are
referred . It means that the author is to allow the
publisher
per cent discount
the royalties
copies sold though the publisher
allows this
purchasers only when they purchase
discount
quantities
dozen and upwards

in

a

to

is

of to

is be

it

in

as

In

a

of

account from Mr John Long
agreement tells
own story

48

samples
as

sold

.

at

.

of

in

;

a he

under such
clause the publisher and the author
rush
these days
interests are not the same
and hurry
occurs
the publishing business just
any other business that publishers want
put novelties
the market the output during the
last two
three years sufficiently proves this fact
consequence
quite likely
pay the
would
publisher better
push
new work into circula
keeping alive one
tion
than
use his efforts
against wbich time was fighting
Save
the case
very great success
drop
would pay him
the older book
order
make the way clear for
other publications
The appended statement

'

on hand

13 copies counting

,

is

,

so

A

an

.

of of

,

to

to

If

,

in be
a to

the first
year after publication would
give the publisher
minority
the book for nothing except
cases
give the publisher his work
the author desires
nothing
prevent him from
for nothing there
doing
but
that case he should execute deed
publisher not bound
gift
explain the effect
agreement
the author however ignorant the
author may
the present possibly
handsome
being asked
one that
make
Moreover

travellers

.
•
:.

.
.

Sales 1, 149 home edition
85 colonial edition
Sales from Jan . 3, 1910 to Jan . 2, 1911 –
1, 146 home edition )
bearing no royalty ..
85 colonial editionſ
Royalty 15 per cent . on 3 copies home edition , 28 . 8d ..
The sales in the first year were sufficient to com
pensate
the publisher amply for the cost of pro
duction ; he should have put a good profit into his
own pocket . In the first six months , after becom
ing entitled to royalties , the author obtained a total
remuneration of 2s . 8d , upon a 6s. book of which .
over
1, 200 copies were sold .

all

agreement

special

.. Stock
Leaving

In

in an

clause

,,
,,

all

a

.
,

colonial

is

of

effect

„,

to

the

for

,

Therefore

depriving the author of all royalties

To country reviews

an in

think , “ Well, I have only to write to the publisher
explaining the situation , should I get an offer for
the translation rights , or otherwise , and he will
give his consent ."
This supposition
would be
entirely wrong . As a general rule , the author
would find that if an offer was made him for the
translation rights and he applied to the publisher ,
the publisher would answer , “ I could not possibly
allow you to publish a translation unless you give
me 50 per cent. of the profits ," which , judging by
Clause 10 , is the course Mr. Long would take .
Clause 3 contains , however , the most serious
part of the agreement . All publishers assert that
the largest sales of a novel occur either on subscrip tion before publication , or within the first four
months after publication . Most publishers will
inform an author that a book is dead at the end of
six months , and all publishers
will inform an
author that the ordinary novel is dead at the end of
twelve months , unless for some special reason and it would be safe to say this does not occur once
out of 500 times — a book owes some larger
vitality to the position of the author or to the
occurrence
of some unforeseen
circumstance ,

161

�THE AUTHOR .

162

.

it

his is

.
to

do
,

to

as

of

con

in

by

of of to

,

,

or

;

.

AN

see

,

in

,

all

in

to

of

to the

to

,

to

,

in

(

.

.

is

if

,

is

,

.

's

at

be

in

.,

on

If

all of of

for

.

,

to

is

6s
.

at

.

.

!

.

8d

for

or ,

,

he

no

is

2s
.

in

.

no

.

is

.

.

no

,

as

.

on

no

a

do

of

of

.

,

in

,

1,

to

is

to

,

of

an

,

of

. for

.

an

of of

all
)

to

.

,

by

to

on

,

it

of be

,

!

or

,

in

to

,

on

.

.

,

to

be

,

be of

is

or

,

"

to

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.

in

be

is

a be

"
a

of

set

“

,

up
,

,

a

,

is

to

.

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as

as

.

,

an

.,

,

,

be

all

at

no

13
,

to

to
“

a

be

,

to

",

;

,

as

of

“

's

To

It

10

no

A

12

in

.

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10

on

on

be 11

.

to

.

its

of by

,

to

of

no

.

,

it

's .

no

.

in

be

a

If

.

it

he

,

for

,

a

10

of

of

of

to

's

or

,

to

to

we of

-

or

of

,

by

to

no

;

in

, ,
.

do

of

of
he

of

on

;

be

,

at

.

50

If

by.

.

to

.

.

,

to

8d

of on

2s
.

to

,

in

,

for

go

,
if

is

It

if

as

to

no

,

of

'

,

as

;

be

a

did

Publishing
enterprise , especially in the case of
Clause 10 is a clause against which
authors
cannot be warned too strongly .
It is fatal for an
novels by beginners , doubtless contains a specu
author to bind himself to a publisher at fixed rateslative
element , but up to an edition of 1,500
copies , no novel which a publisher of any judg
for subsequent works, for it is impossible to tell
until the accounts of one book come in whether
ment would handle at his own expense runs
any serious risk
the terms for later works are fair or not . Under
of being left on his hands a
supposing
complete failure .
this agreement
the author s second
He should be able to push it
royalties
through mechanically
book
not reach
sale
750
that extent
further
paid
would
the second
book
was
therefore only beyond this point that the
successful
the first the author would receive
transaction
becomes speculative
and yet
practically
about £20 having made
the first book
this point that Mr Long asks
postpone any interest
With regard
other headings
this clause the
clients
their books
publisher should only have the right
publication
right
We
not question Mr John Long
any others that may
propose
book
form
certain prices and the date
the above terms
publication should
rigidly fixed
should not
occur
him
authors who must learn
take
per cent profits
any
take
the rights out
care
themselves
business
other people
may say that those who accept such terms
foreign
side whether they are American rights
but
rights
any
guilty
unprofessional
the outside rights are negotiated
are unquestionably
the publisher under
contract approved and
duct because they are accepting terms which would
signed
impossible
the author then the publisher should take
make
most novelists
live
per cent and
the agency charge
more
their profession
Further
the practice
other
publishers shows that
capable man
But with even the utmost correction
the author
letters
they are entered
favour that the nature
the clause admits
the
need submit
such contracts
Society
ignorance weakness
Authors would still advise
members
into
authors through
agree
publisher cannot retain
professional conscience
not
lack
his clients by satisfying them that they cannot do
prepared
better elsewhere
must
them
AGREEMENT FOR TEN NOVELS
elsewhere
agreement this time between
second
John
The criticism
Clauses
and
follows from
Long Ltd and
may
pointed out that
that
Clause
author needs some comment
many faults
contains
the first but
dates for publication being named
Clause
the
production
slightly different form
printed
the subsequent novels might
not
indefinitely
delayed
they are
when
be the
here but any member who desires
have further
applying
upon
author
next three novels
the position might
information
can
the
Secretary
given
reached that the author could earn nothing
the fullest details
the
permission
publisher should be
the author
Clause
With regard
years
allowed
remainder
book within three
Here the author binds himself
the publisher
from
the date
first publication
should
for nine subsequent novels making ten
distinctly
forth
the agremeent that when
and agrees not
write any novels for nor
print and
any other
book hasbeen
remaindered
out
offer any novels for publication
publisher than Long during
off the market the agreement should
cancelled
term
his agree
and the licences for publication
book form
ment
As the novels have
handed
the publisher each succeeding nine months from
otherwise should
returned
the author
agreement under which
sum
this
the date
the agreement this means that
nearly seven years the author
Mr Long
bound
indefinite time
the author would be working for
Long
pittance
nothing
Again
for
He receives
the
whilst Mr
can determine the agree
instance given above
the first
000 copies
ment after the publication
the first two books
get some
they
the first book
He might expect
not prove
financial success for him the
thing later but his second book
put
absolutely
the author has
such right
The author
market and the energies
the publisher may
bound
Mr Long option for nearly seven years
although he has no guarantee that John Long
switched off
the sale
this inasmuch
the
royalties
first 750 copies
this book bear
Ltd
will maintain their position
the pub
lishing world during that time
The third book and the fourth book might receive
the same treatment
There
reason why the
Mr Long does not merely take the right
publication
author who has signed this agreement should ever
book form but the exclusive right
publishing throughout the world
receive more than
each
four books
There
The terms
why the publisher
the books are published
the novels are the same
who can publish
reason
pay any royalties
any
when
likes should ever owe
the author
not
receive any royalty

�THE AUTHOR .
of them till after the sale of 900 copies , and then he
receives 2ů , in the shilling on the published price .
If the books are published at a lower price than 6s .
the author receives no royalty on the first 1, 500
copies , and afterwards 10 per cent. on the published
price .
The sale of 900 copies of a 6s. book
gives to the publisher a reasonable balance after
paying for the cost of production and advertise ments , so that when this number has been arrived
at there is no further necessity for the publisher to
push the book , if he thinks he can do better by

163

publisher
would
be getting , having been
or overpaid for the whole cost of production
and advertisements , half what the author receives ,
who has paid or overpaid the whole of the bill as
well as created the wares to be sold . To state ,
however , that a 6s. book sells right through at half
price is by no means a correct statement , 3s , 2d .
to 38 . 4d . is the average price .
The

paid

exerting

an of

in

is

of

.

to

OF

IS

IT

(

“

)

"

“

(

”
)

of

of

:

the term

of

to

to

mentioned

.

tions hereinafter

,

of

to

he

,

in

of of

of

.

1

The author hereby appoints
his sole agent
the
twelve months from the date
any
the
signing
this agreement for the sale
rights whatsoever and wheresoever
all the literary
bring
work that
desires
market during the
continuance
this agreement subject
the condi

for

perhaps the most important
NOTE
This clause
clause
the agreement
regard
twelve months the
the time limit
the
authors
Committee would draw the attention
agent
following points
unfair that
That whereas
working
connection for
should have all the trouble
author who could then terminate the agreement and
equally unfair
work
the agent
take advantage
agent for
long period
the author
bound
the
is

an

up
a

of

-

is

it

of

to ,

of

.

to

:-

to

if

a is

,
it

an 's

to

of

6d
. to

up

'

3s us
. ,, s

is

Agent

be

of be

to

a

is

.

a

6s
.

letter which nes
lies before
before us
usually
book

of

a

in

By

,

ls
.

.

no

.

to

on
a be is

,

of

a

,

28
.

as

in

so

or

of

.

calculations

the nett selling price

will

that

AS FOLLOWS

—

.

of

is

he

.

of

to

as

,

4

own

information

hereinafter called
The Author
and
hereinafter
called
The
AGREED
the other part WHEREBY

part

.

,

of

of

to

,

needed
Therefore
starts with all his cost
production
covered
and most probably with
sum
stipulation
£50
his pocket
there
copies
printed
the number
The
copy royalty
author gets
6s book
copies after which the royalty
000
Taking the higher figure the author receives 331
per cent
the published price
the publisher

Between
the one

in

in

or .

,

on

.

.,

£250
but he undertakes
advertise
the extent
£100
This
production
leaves him
£150
for the
cost
only
likely
further advertising
to

no

,

to

himself

as

ment

in

of

In

Mr

possession

accurate estimate
form
authors
agent status and capacity
day
MEMORANDUM
AGREEMENT made this
One
Thousand Nine Hundred
and

In

as in

the same
shown
the
clauses
the agreement printed
full
Long
another agreement
rather
John Long Ltd produces the book
the pay
are

which
enable

thereafter

all

and

sons with no qualification whatever or no financial
stability may style themselves agents . In all
cases enquiries should be made of the Society

's

,

on

.

on
a

.

9d

copies

,

3

000

The publisher wants
his next
fixed terms and
other matters

,

novels
provisions

, 15
.

to

up

.

on

six

the

to

.

a

.

3d

1s
. 68
.

edition
copy

50

,

all

advertisement , £50 when the work is set up in
type , and £25 from the author 's share of sales .
foreign and
He then transfers
the American
per cent
tbe publisher
serial rights
per copy
the English
He receives
basis

of

In another proposal from John Long , Ltd .
we have a variant of no greater promise to the
The author pays £175 - £100 on the
author .
signing of the agreement , which is to be spent in

.

The Committee desire to impress upon authors
that it is advisable that they should consult the
Authors ' Society before entrusting their business
to an agent .
There are good agents who are in
every way desirous of furthering the interests of
their clients ; but it must not be forgotten that per

to

.

PAYS

them

an

THE AUTHOR

A Sub - Committee of the Committee of Manage
ment of the Society of Authors has had under
be
the principles which should
consideration
observed in drawing up a fair agreement between
an author and a literary agent ; it will be seen
at once that the proposed agreement is closely
upon the lines of the dramatic agency agreement,
which has been found by dramatic authors to
meet many difficulties hitherto encountered by

of

sixpenny edition . With regard to the other proceeds
he claims, as before , 50 per cent . He inserts , as
we have said , a clause allowing him to repudiate
the agreement in case the first two novels are not a
financial success , but the author might see all his
ten books have a sale of 1, 000 copies each and not
be more than £50 in pocket as the total result of
seven years ' work with a total sale of 10 ,000 copies.

AGREEMENT .

AGENCY

,

Further , Mr. Long offers 2d . per copy on all the
Colonial sales and 15s . per 1, 000 on all sales of the

LITERARY

A

an

himself
elsewhere .
But if there is a
success , some 60 per cent . of the later profits go to
the publisher . And nine consecutive books are to
be published on these terms .

�THE AUTHOR .
,

of

by

he

,

to

£

of

in

.

to

In

of :-

.-

's

.

in

.

.

be

,

,

to

to

an

It

in

,

be

of

to

, be

's

,

to

is

to

in

,

an

to

at

,

of be

's ,

as
it of

.

of

,

in

by

,

at

be

.

an

.

--

an

of

in

,

as

, of

be

in

'

I.

to

.

7

in

.

by

of

.

5

,

,

of

no

as

in

in

of

of

be

on to

in

.'

in

to

to

.

be

of

to

of

to

his

-

:-

.

of

to

is

by

In

.-

, in

in on

as a

of ,

's

,

,

of

of

.

per

10

,

of

"

in

all

,

.,

,

on

to

of all

,

as

of etc

relating thereto within two weeks
the receipt
the same and shall bave the right
deductiny
commission
cent
from
such sums
accrue under any contracts arranged by him and
signed by the author during the continuance
this
agreement till the total commission
any such con

agency agreement the
NOTE
the question
especially advised against the insertion
author should
any agreement entered into between author and
clause
publisher whereby the agent authorised
the parties
the agreement
collect moneys and settle accounts
behalf
the author
The clause generally runs
the
following form
agent
The author hereby empowers
collect
money payable
and receive all sums
the author
under the term
this agreement and declares that
good and valid discharge
the agent receipt shall
persons
paying
all
such sums
them
The author
hereby authorises and empowers the publishers
treat
with his agents
his behalf
all matters concerning
agreement
any
way
this
whatsoever

a

by

on

of

by

to

.

4

is

to

hereby authorised
The agent
collect the
moneys due
any contract signed
the author
the author and negotiated
the agent during the
continuance
this agreement and shall deliver
moneys
respect
and when received by him
such contract together with
documents accounts

an

.

to

by

,

an

at

be

Upon the termination
this agreement
any
from
the causes set forth therein
save
set forth under Clause
when the special
arrangements
that clause set forth shall pre
vail the agent shall have
claim whatever upon
the author for any commission except
respect
contracts signed
the author prior
such
termination

time

as or

,
by

's

to

as

's

,

of

or

an

,

in

to

.

writing
8

so

.

,

and this agreement may forth with be terminated
writing without prejudice
notice
the author
right
bring
action for damages
otherwise
receipt
and
such notice the agent
right for
negotiating
agent for the author shall
end

may
the end
such period
decided
Clause
hereof either party
this agreement
may terminate the same by three months notice

,

as or

in

be

binding

At .

,

in

and no agreement shall

the author without his signature
Should the
agent violate this clause then any agreement
entered into by the agent shall be pull and void

on

of

,

by

or
a

, ;

personal relations
therefore
agent
the event
having
partner
partner with whom the author had
not transacted business the contract should determine
the death
that party with whom the author has had
dealings

of

on

for the author

to

, he

to

or

of

.

3

on

The agent shall not enter into agreements
any way bind the author
behalf
the author
but undertakes
agree
submit
him any offer
may succeed
ment which
obtaining
agent

the

of

or

or

s

'

any member

with his creditors
then
that case
liberty forth with
shall
notice
writing
terminate this agreement
Every contract with
NOTE
agent must involve close

the author

no

.

of ,

of

die

arrangement

,

to

this clause
and the author shall not himself during the continu
ance
this agreement
enter into any contract
without the knowledge
the agent

ment

agent

the

during the continuance of this agree
become bankrupt
enter into any

firm

to

, -

,

full informa

Should

or

.

6

,

to

conntries
furnish the

agent

in

in

obtain the fullest market
and undertakes
and when requested with
give effect
his efforts

all forms

-

his best endea

all

to

use

to

as

,

in

vours
and
author
tion

to

The agent undertakes

to as

2
.

.

of
a

,

,

in

to

, to

to

's
in

;

so

a

,

, .

any instance
Should the agent fail
carry
out the provisions
the foregoing clause this
agreement
right
far
deals with the agent
collect the moneys due shall
end and
the agent
and from the date
such failure and
default shall not be entitled
claim or deduct any
further sum by way
commission
as

a be

so

is

he

in

;

an

is

all

of of

running
through the years
copyright the agent
com
likely
mission
run into high figures the agent
remuneration
should be limited as suggested
this clause.
arranged between author and agent
sum
may however
importance
author that the
agent should continue
collect the moneys
and
that
case when the limit has been reached the Committee con
per cent shonld
charged for such collection
sider that
5

it
is
,

,

to

is ,
,
in

;

,
it

incurred
him
the course
his agency
under this agreement
regard
NOTE
this clause the Committee wonld
make the following remarks
Where under any contract

to
a

,

an It

.

in

be

an

,

to

's

expenses

,

,

.

to

If

or

in
a ,

as
a

tract amounts
and such commission
shall
be the sole remuneration
the agent and
sball
against the author for any
not have any claim

5
.

be

,

to .

, ,

of

,

a

an , of to

in

,

is

to

,

.

,

In or
or

's

for

agent ,
one reason
placing
another
unsuccessful
appears
the author
work
the author antagonistic
his best interests
some cases therefore
the term
twelve months might be an undesirable limit for the author
whereas
term
less than twelve months might
undesirable limit for the agent
Authors when entering
into these contracts will have
consider therefore what
time limit should be inserted
the author desires
reserve certain markets
these
markets
should
reserved
this clause
often
happens that
author has been dealing with
editor
publisher direct under amicable arrangements
and
therefore much more convenient and much more profit
able
the author
continue these negotiations
with
doing
future work
but
the author should
care
ful supposing he
negotiating with
publisher
for
book
reserved market that
not giving the publisher
any
rights
control over
the same work which are
the
agent hands the same advice applies
the author
negotiating with
editor
The Committee consider that
rule
advisable subject
the limitations the
might
specially
author
desire
make that the agent should
literary
output during the
have control
the author
continuance
the agency
otherwise the author and the
agent may come into con tict
the same markets and the
author may not only lose his price but also his chance
bargain

to

164

�THE AUTHOR .
of

(2
)
to

be

's

of

if

of

,

.

to

-

to to

is

of

, all

,

or

,

to

of

.

or

,

of of

It

be

be

to

,

,

of

to

to

be

a

of

in

is

of

-

,

,

in

is

,

,

of

.

of

-

is

of

,

It
its

of

to

a

of to

,

,

its if

to

.

,

to as

in

its

it

,

is

It

.

it

to

.

to

(
1
)

be

(
2
)

,

a to

.

by

on

-

it

,

to

)

by

to

,

in

is

by

it

,

.

in

be

, ,

as

in

to

.

,

on

that they should

of

join

to

they

to

's

be

to

is

a

all

force

be in

-

of

to

is

he

it

it

he

;

composers realise the strength
united
will not only
able
resist the absurd
demands which have
the past been made upon
them
but they will
able
resist the demands
and when

a

,

of

in

,

of

,

,

;

,

a

to

-

is

it

,

of

of

Act
the reason however
not far
seek after
objects and
further perusal
the new society
rules for
would appear that when the composer
period
has joined
bound for
five
years
that
loses
control orer the governance

or

,

so

,

in

no

to

so

be

absolute control after the Act comes into force but
spite
any assign
also
that he has control
prior
ment
his copyright
the passing
the

of

,

to

to

a

It

.

lishers who have
interests
those rights should
anxious
see the composers
well and
strongly protected for
quite clear from the
Act
1911
that not only has the composer

formation
submitted
that
would
much
better
have called
the Society
Music Publishers
The authors and composers
could
added
small letters afterwards
timidity
composers have
Certain
their
necessary
belong
suggested
that
this
kept
society
and controlled
music pul
publish
lishers
otherwise they will refuse
pointed out
their works but
should
that
there are still some well known publishers whose
names are not printed
the document and
that
point was ever gained
timidity and cowardice
gather
Now
the real moment for the composers
together and
take strong steps
establish
sound
control over their own property Already
the past
year one
two publishers have come forward with the
treating composers
view
more equitable lines
is

.

is

of

all

; of of

all

in to

to

is

it

by

be

,

is

,

-

,

of

to

with papers referring
the British
Composers and Music Pub
Authors
lishers setting forward the objects with which the
society
founded
and the rules
which
proposed the society should
controlled
The objects for which the society
founded are
gain control over
the rights
the composers
reproductions
the mechanical
their works
under the Copyright Act
1911
maintain
pirates and infringers and
those rights against
collect the fees due
the composers from those
rights
seems
curious thing that the pub
Society

,

u

publish

have been
they

whom

of be by

houses

no

publishing

music

circularising the composers for

,

NYERTAIX

to

in

of

,

is

it

be

.

,

THE BRITISH
SOCIETY
AUTHORS
COMPOSERS AND MUSIC PUBLISHERS

of

OF

,

to

of

to

round there
not the name
one
one author
For many years the
Authors has been inveighing against
the demands that music publishers have made upon
composers
obtain the control
both
their
performing rights and their publishing rights
and
not surprising therefore
see the suggestions
set out
the rules and objects
the British Society
Composers and Music Publishers
Authors
would
well also
this newly formed society
change
prevent
took steps
name not only
confusion with other societies already established
give the public
but
order
better idea
purposes and
the persons who are going
benefit
sent

composer
Society

.

.

to

,

as
is in

.

to

is

in

,

.

to

be

is

,

it

,
it be

in

,

to

,

-

by

circular

or

to

”, be
.

to

in of

at

."

of

is

If

It

.

is

clauses are sound and reliable there ought
society
little need
this kind and the
composer ought
able
collect his own fees
and guard
his
own interests
without much
difficulty
That the music publishers are entirely
favour
obtaining one third
what
the property of
special labour and
any
the composers without
quite clear
without any raluable consideration
the fact that seventeen
music publishing
firms
have already subscribed the rules and have shown
support this society
their readiness
which
conveys
them
one third
the fees
On the

of

of

or

,

"

,

,

be

to

is "

,

In

to

of

regard
the clause the Committee
the first part
consider that the extreme danger mentioned might
avoided by adding after the words
such sums
them
provided however that the termination
the words
this
governed by clauses contained
authority
the
day
present
existing
contract dated
and
between the author and the agent
the clause unaltered
admitted into the agreement
possible that all the
between author and publisher
precautions taken
the Agency Agreement may
nulli
strongly
impressed upon
fied
cannot therefore
too
important
the author how
that this clause should not
be allowed
stand
the agreement between the author
publisher
and
and thus become irrevocable
The danger
many modern agreements
increased ten fold when
agents the author
settled
bound
the publisher for
future books
He then becomes similarly bound
the
agent under this clause

his own property with the exception
the right
stating
whether
not he forbids the adapta
tion
his work
mechanical instruments and
not he forbids cuts and alterations and
whether
collecting the fees have
that after
the expenses
give one third
been covered he
the publisher
gauge what will
may
difficult
needed
rules
Trade
the Board
cover expenses but
royalty under the gramophone
for the payment

.

to

it

.

,

to

,

a

of

,

the

except under
allowed
some modification
as suggested
below . Members are referred to an article that appeared
( 1906) number of The Author bearing on
in the November
the subject .
In no case should the words from “ The Author " down
to " in any way whatsoever " be allowed to stand , for this
reason if for no other . If any dispute arose between the
put
publisher and
became necessary
author and
lawyer
the matter into the hands
the Society
Authors endless confusion and circumlocution
would
result owing
the fact that all the matters would have
pass first through the hands of the agent

of

Sometimes the terms are more stringent, sometimes a
little less stringent , but in no case should the clause be

165

society

whose organisation

�THE AUTHOR .

as

to

of

of of

,

of

. to

it

,

of ,

.

.

OF

.

in

's

,

in

,

to

or

in

of

on

of

to

to

.

to

of

.

of

is

In by

so

the

in
«

in

,

of

of

theIt

?

to

It

.

to

or

in

of

of

in to

of

to

to

or

of

in

of

to

at

Co
.

CHAPPELL

&amp;

.,

,

&amp;
c

."

.

20

Feb

.

Bond Street

,

,

50

New

his

be

it

to ,

of

of

do

.

of

in

to of on .

of

,

no

it

,

of

a

's

of

.

, it

is

at

of

,

is

in

.

to

of

let

:

'

by

or

to of

In

-

no

is

.

of

'

.

.

to

as

,

of

on

by

.

.

of of
“

of ,
,

of

's

of

be

to

to

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is

go

of

6

of

.”

of

to

its

to

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of

is
of to

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of

)
to

of ,

to

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,

of

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in

.

,

of

of

-,
to a
(
as

in

.
.
.

,

of

on

a

19

February
1912
SIR
The attention
the Society
Authors has been
called
circular issued by certain music publishers
the Society and
members
doubt
others inviting
composers
join the British Society
them
Authors
Composers and Music Publishers
One
the objects
this proposed Society
deal with the rights
mem
bers
the reproduction
works by mechanical instruments
propagate and obtain recognition
and another
the
rights are
basic moral principle upon which all author
founded
recognised by the composers
This moral principle
and the authors giving one third
their fees
the pub
proposed
lishers for article
the
rules runs
follows
All royalties and fees collected
behalf
the members
shall be divided amongst the respective authors composers
publishers
and
the works
thirds after deduction
the
collection
all working expenses and expenses
purely
case
musical works where there
author
words two thirds will
the composer and one third
the publisher
The rules have already been subscribed
seventeen
composers names
music publishing houses
No authors
appear
the circular
-

of

of

AND

.

of

to

by

Sir
G ,
.

am
,

it

,

COMPOSERS

a
"

on

a

,

to

,

I

.

to

Authors for protection and not
the question
their rights
mechanical instrument records omits
note one
two
vital facts
Although the new Act very properly gives
authors and
composers
exclusive right
the new form
artistic
property created
lispute that the sale
has never been
gravely
prejudices
mechanical
instrument
records
printed copies
doing directly
sale
music
and by
profit
publisher
affects the
the
entitled
make
reascn
his enterprise and the outlay
his capital
gramophone
no circumstances are
records made
works
until the publisher has first discovered them and spent
making them popular
money
And are these efforts
count for nothing
Meanwhile what has the Society
Authors really done
popular music
for the composers
this country
protect them from
has never moved hand
foot
depredations
the music pirate
was left
the efforts
fight day and
one
two music publishing houses
night and
spend thousands
pounds
preserve any
vestige
property
musical composition
this country
at all
The Society
Authors has not been any more
obtaining
successful
for the composer under thenew
Copyright Act what
his undoubted right the privilege
dispose
his musical work
his own terms
matter
published
what form
With the exception
Mr
Society
composers
serving
Howard Talbot the
list
single
their Musical Committee does not contain
name
popular music and
would be interesting
writer
many
composers
know
how
such
are included
the
membership
the Society
Society
something
practically
First
the
Authors
quite time
will
music and then
useful for the cause
Thring
for Mr
dictate
those who have stood
the
head
the battle and borne all the expense what are
proper moral basic principles
views
Yours
?

.

to

AUTHORS

PUBLISHERS

.
I,

or

be

to

7
(c
)

.

-

in

of

on

,

SOCIETY
MUSIC

.

BRITISH

,

in

,

THE

the Editor was unable
find
the Morning Post last month

-

in
a

2
(d
)

of

19 ." or
,
in

.

",
of

the Society
publishers

of

.II
for which
appeared

room

OF

1

of

M

following
correspondence
with the ex
ception
the last letter from the Society

of

be

of

;
"

.

-

.
1,

as

Herbert
morning

an

.

HE

Authors

AND PUBLISHERS

.

were laid

,

of

of

5

.

:

*

of -,
fly
TO

of

to

to

of

and Music Publishers

Composers

to

by"

.

on

-

a

is

,

,

Authors

before us

Society

THE MORNING POST
Thring
your
letter appearing
which
claims that composers

THE EDITOR

SIR
Mr
issue
this
should
be misled by

HERBERT THRING

The Incorporated

COMPOSERS

well known axiom that the Government
has the privilege
tax one class for the benefit
another but we have never known this right
exist independently
Government authority until
the rules and objects of the British Society of
It

Secretary

not have

he

should

,

why the music publishers
formed the society
this basis

reason

no

is

.

-

to

,

to

,

01

uon and manage their own collection
Tees paymg
give
their own expenses without being bound
There
the music publishers
one third

of

-

be

a

to

by

is

no

,

,

if

able for both authors and composers
the music
publishers had been dropped out entirely and there
why such
society should not
reason
formed
which the composers should control their
own rights with regard
mechanical reproduc

;

.

at

a

,

a

—

no of

be

to

on

,

to

,

in

-

as

and as
the words are concerned
after
entirely
songs
small point except
the case
the authors there seems
reason why the
publishers should be
the committee
all
society might have been very valu
Indeed such

Sect
the Copyright Act
1911 sub sect
says
The author
the work shall
the first owner
the
copyright therein
copyright
and sect
sub sect
defines
musical
work
the sole right
make any record perforated roll
other contrivance
mechanically per
means
which the work may
formed
delivered and
authorise any such acts
aforesaid
specially confirms these rights
Sect
sub sect
composers
reproduced before
their works mechanically
any assignment made before the passing
spite
the Act
the Act
Sufficient cause has been shown for warning composers
Society founded
against joining
such
basic moral
principle
and we trust that no composer will sign the
consulting
documents submitted
him without
with the
Society
Composers
Authors and its Committee
Society
assuming
The new
the title
the British
Society
Composers and Music Publishers may
Authors
possibly lead
confusion between
and the Society
Authors
the title should be altered
the Society
Composers and Authors
Music Publishers
yours faithfully

.

all

far

compels them to hand over to the music publishers
one- third of those fees which are their own .
In order that it may be quite
clear that the
society shall be managed
inequitable
on these
principles , the committee is to consist of six com posers and
authors and six publishers . As the
property which is to be controlled belongs , as far as
as
the music is concerned , entirely to the composers ,

of

166

�THE AUTHOR .
AND PUBLISHERS .

COMPOSERS

SIR , - Messrs . Chappell
&amp; Co . 's letter diverts attention
from the points at issue by raising wholly irrelevant matters.
The contention of the Society of Authors is that the pub
lishers of musical works have no right to claim a share of
the gramophone fees of composers , and that a Society to
assist them to make such a claim should not be wanted by
anyone except the music publishers . It is clearly the
purport of the Act that these fees should be taken out of
the hands of the publishers , for under sect . 19, referred
to in my former letter , in spite of assignment of copyright

167

emotions , the critical faculty has been but rarely
displayed ; at best , there is a bad record behind it .
Time, we know , has a knack of adjusting every
thing and of evening up the balance ; yet , how
often for a period has the wrong man been set up
upon a pedestal , and how seldom
has real genius
been recognised at a glance . Just think of the
life story of Galileo and of Newton , of Turner and
of Whistler , of Wagner and of Tschaikowsky : and
of

-

at to

of

or -

to

a
in it .
is

to

is

of

,

,

it

.

,

to

a

-

-h

.

.

—

of

of

,
I at

in

allof

in

;

so

,

so it

,

."

,

of

to

“

of

,

,

,

.

in

no

.

it

it it

,

it

it

it

,

; .

in

,

So

.

to

—

,

few

a

-

to at

, to
it

—

to it

-

to

it

it

,

,

in

is

of

a

by

,

,

to

of

,

.

it

or

an

its

it
.

,

,

,

of
a

;

or

a

an in

as

a

of

,

to

.

in

is

It

us

. of

-d

to

an

,

of

a

be

to

the

's

,

in he

of

primarily

be so

is

,

.

is

on

;

,

all

.

in

,
of

or

to

the intellect

the

the happenings around
last week and
yesterday and
ay
always
get
grip upon
easier
idea which fits
with
our own associations and habits
urn then
the modern newspaper
and
seeing that the production
new novel
new play occurs oftener than once
blue moon
amusing and
the critic work can
tested
to

,

in

of

to

as

so

in

,

appeal primarily

the critic
the things which

speak

Art

noting

this week

,

he

it

a

,

of

or .

the critic

time and education
comprehension

turns
the critics what less can
those who presumably are more fitted

;

if

,

”,

is as

,

of

.

to

be

a

- at

a

,

is

to

”

as
“

“

,

,

he

to

,

For whether we

time

arrive

measure and appreciate and
the early stages
takes their teaching
for the truth and gravely
swallows
That
the simple and undeniable
responsi
fact
and criticism may not burke
bility
for better
for worse
carries
unmistakable
influence
the
clearer view
But we may perhaps gain
bringing
apparent lack
the critical faculty
nearer
our own doorstep by
the investigation

T

no he

?

do

.

(

would seem nevertheless that
had
been led astray by appearances and that he had
jumped
wrong conclusion when
finding
small outward evidence
the critical faculty he
decided forthwith that
intents and purposes
the critical faculty did not exist
Of course
far
his observation went
was right
Science

of at in

in

,

.

of

.

Schopenbauer roundly asserted
that
for the most part there
such thing
the critical faculty
he
committed himself surely
statement which
any rate
not wholly inaccurate
reckoned
little better than
half truth
Clear thinker
though
men and
was and close observer

manners

reqnires

enable
meanwhile

CRITICISM

, in

-

,

of

of

.

,

G

AND

HEN

did

,

,

-

,

,

of

of

.

,

of

to

on

)

,

public

CRITICS

!

-

a

,

on

is

it

a

am
,
(S

I

of

's

to

.

on

to

to

;

it
in in
a

in

in

.

of
a

or

,

to

as

.

'
&amp; s

.

do

h

St
.

,

no

is

in

a

in

him

,

,

."

to

.

&amp;

of

be

.

of

'

- to

is

,
:- in ,
-

Co
.

&amp;

as

,

, . .

,

, of

To

of

is

*

of

of

.

in

to

in .

of

be

the

gramophone fees are
before the Act comes into force ,
this
name but
tithe
those whom
the
the absolute property
the composer
Had the Govern
critics failed
discover
ment intended the publishers
share
these gramophone
Tschaikowsky
for
interest
take some
rights they would not have inserted this special reservation
example
more
less
detail
met
the begin
the Bill
Indeed Mr William Boosey who
connected
Thening with but one man who understood
with the firm
Messrs Chappell
letter
May 4th 1911 wrote
Times
follows
Nicholas Rubinstein
Anton
Rubinstein
the
dispose
the final gramophone red erring
that
pianist and that clique
celebrated
minor
publishers
composers
reap
the
and not the
who will
the
composers who formed musical opinion
right let the new Act
the
benefit
this new statutory
po price
right
explicitly
that day would have him
shall
Russia
that the said
Parliament enact
cases
the property
the composer
Some
them
not Anton Rubinstein
believe
have receded from that
Co appear
Messrs Chappell
wrote for the Press
These were the critics whose
position when advocating the formation
The Society
duty
distinguish between good and bad
was
British Authors Composers and Music Publishers
intelligently
and
Apart from the intention
did they do this
whole
the Legislature however
clearly
heartedly did they condemn Tschaikowsky
there
reason why the composer should share
that
the gramophone fees with the music publisher
The book
Petersburg and
both
Paris he suffered
publisher might just
well demand
share the author
hearing his works first
the bitter mortification
magazine
fees from the dramatic rights
the editor
played and then
which
work has been published serially ask
have
hissed
And mark you works
royalty
share
the author
book publication
delighting
enrapturing
which are now
and
the
Messrs Chappell
Co refer
the advantage which the
entire musical world works which
modern judg
composer gains by having his work placed
the market
ment are ear marked for immortality
recognise that
but
not seem
the composer who
given the publisher
But maybe you will have
that this was
marketable commodity
Music publishers are publishers
music
not patrons
fault
the critics that the public
the real
they
music
are not entitled
judge and settles the matter for itself
control the property
the
Well
composer
every way because they may be his agents for
does
course
the long run
and
putting
certain form
the market
passing
yours faithfully
remarked
the long run
bas made
igned
few mistakes
HERBERT THRING
But
the beginning
does not
Secretary
Incorporated Society
Authors
judge
questions
this sort because
cannot
judge
genius
always
stages ahead
and the

�THE AUTHOR .
for

.

in

is

is

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of

;

in

,

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to a

no

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to

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a

to

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in

or

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of

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his

if

.”

;

,

equally

!

—

temptation
also happen
And speaking

,

it
?

,

the

no .

down

,

Then why not
but the
Dishonest
doubt
strong and anyway
these things

undeserved
kick
let them have

is

hill

with

an

up

get along
nicely
very
the one can
and the other with
undeserved leg

an

of

a

,

us
;

brings

reminder

.

temptation

a

of

-

."
in

,

-

a

,

critics have their friends and enemies like
personal point
and from
view

.

of

a

of

In

of

—

,

a

,

?

a

.

Then
the rest

,

be

is

is

-

,
“

,

of

do

we admit that the critic has some
job there are still reasons why
talent should not disclose itself
for example
wholly unheard
thing for critic
not
write
order
Editors are human and therefore
peccable
hence
business world where one
get out
not surprising
must either get
may be
find the best
however diegraceful
reviews going the way
the publishing firms
who advertise most largely
not always
happens
course but
even

aptitude for his

of

to
or

,

so

,

he

as

did

,

by

,

of

.

,

in

.

,

as in
it

a

.

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, ,

a

, as

,

.

,

no

is

-

, ,

is
a

its

a

in

is

of

-

-

to by
to
no
in

-

a

-

to

up

be

,

.

to

,

England alone
exist
men
all too small unluckily
there
band
number who have proved themselves over and
good work done
virtue
over again and who
have reached that pinnacle whence they may issue
dictum wbich without hesitation the public may
and does accept
These few
such
few
have

that first class critics

But

,

-

in

it

-t

in

to

up ,

is
a

-

it

be

is

of

in of

critical faculty
What wonder then that Schopen
hauer took things
found them and jumped
hastily
the conclusion that
for the most part
the critical faculty
not exist
Now
there
shade
shadow
doubt

.

-

,

;

,

in

,

in

,

,

,

in it it
is
or

should
that scmewhere there
weak
the chain
For whether we study the
present
the past the same short coming obtrudes
upon the notice the same apparent absence
the

matters
there are many who could do
This
man however could not his limitations made that
just
impossible
ordinary
he was
fact
reporter
scribbler
shorthand notes lacking not
only
artistic education and experience but most
woefully
any knowledge
the technique
typical
subjects
And this
much criticism
things
say that
must
and
the nature
For quite apart from the fact that cheap
newspaper production
criticism implies economy
influence
course
with
editors and
managers
there
the further fact that those men
greater parts those whose qualifications would
more especially
them for the task
are
rale
indisposed
follow the calling
critic
These
occupied
for themost part wemay well believe
rather
creative work
80

or ,

,

,

or —

of

,

in lie

a

in

, .

!

-

It

what
link

circumstances
For instance
know
estimable gentleman who served
this
few
years back
the staff
well known provincial
newspaper and who delivered judgment impartially
and weightily
music literature lawn tennis and
prize fighting
Now
course
there
con
ceivable reason why
individual should not
speak
competent
all these
with authority
force

very

an

,

in

is

in

.

It

;

it

,

in

treatment some unlooked for develop
when some
his Art
the technique
proclaims
discovery
scientist
new
then
the
public must
they cannot under
low and wait
story elling
stand
But
fiction
romance
why they have been brought
from
the
nursery
Every man woman and child
this
every other country
country and
there
no
getting away from
born critic
romance
How then when the professional critics think one
way and the public decides another
may we not
well beliere the critics
be wrong
Yet the
opinion
difference
means unusual
lengthy
easy
would
write down
catalogue
critical errors
science and
art
give them
detail
task
offensive
would
certainly be ungrateful and filling
volume
perhaps many volumes with the result
establish
the proposition
the hilt
But quite apart
from
what has just been said and what might
said
common knowledge that criticism
not

necessary
enquire whether
But
this
evidence has really any bearing
the case
purposeless
talk unless one talks
the point
and here
think we shall find that this army
incompetents
too mild description
are
way pertinent
the argument
things
begin with the very nature
such
any way represent the
that these men cannot
critical faculty which does exist they are merely
fish out
water pitchforked into criticism through

of

,

,
its

,

of

;

,

-

on

,

of

is

.

,
it

conception

ment

and deservedly so.
The others
— are
the evidence

majority

a

,

of .
or

;

an is

be

,

judgment when once
understands and
this
event
does understand
another matter
obviously when some genius
music sculpture
painting evolves unexpectedly some wholly fresh

,

place

Schopenhauer

to

to

to

,

a

of

a

is

a

or

as

is

in

.

,
,

is

to

,

,

-us

A

meets with the cold shoulder
another play
another novel
crabbed from the commencement
but achieves
immediate success and
within
the limited period which
with rare exceptions
any romance
must
reckoned the life
lives
successfully
Here
food for thought
for the
public we know has proved the soundness

their
the huge

earned

“

breakfast occupation on three mornings
We may pass over the fact that
disagreement
common amongst the authorities
say there are two sides
every
for needless
question and men can show
discernment
and
intelligence
and yet disagree
What concerns
more
when the critics are
solid agreement
solidly agree
and when the public just
differ
play
novel
hailed with
flourish
journalistic praise yet
trumpets and
chorus
instructive

out of four .

of

168

�THE AUTHOR .

the goal , seeing that this must surely
then can any man doubt , with the
facts before him , that the critical faculty , hide it
and crush it how you will, must nevertheless be
common enough ? And not only common but in
a state of very special cultivation .
reaching

be inevitable ,

ARCHIBALD

be

of

a

,

of

be

to

of

a

,

in

by

of

its

of

it

is

.

In

of in

,

in

to

is in

it

is “

",

in to

of

1

of

,

in

,

at

,

by

,

a

of

,

a

of

of

, to

.

a

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it

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us

be

to

),

in

(

1

in

"

“

.

as
to ;

by

at

,

of so be

to

of

,

by

is

,

Mr MacGillivray

.

by

is

,

as

of

by

,

,

in

.

of

õs
,

, .

lawJ

.

: of

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.B
.,

he

, ,

M

of

,
for

;

's

is

it

shown

The Copyright Act 1911
Annotated with Appendix
by
containing
Berne
the Revised Convention
MacGillivray LL
the Inner Temple barrister
Scotland
Advocates
the Faculty
and member
Digest
Copyright
the Law
The Law
Author
Copyright and
Insurance Law
London
Stevens
Pp 209
and Sons Limited
1912
Price
net

,

no

in

be
to

of

for
,

,

in

to

,

,

of .

many and varied

”,

is
or to

.

,

,

he

.
in

the date mentioned and
prolongation
The representatives
particular
and those who hold
deceased artists
their copyrights should realise that they are among
the prolonged term
the most conspicuous gainers
existing rights affected will be
but the owners
existence

in

-

in

to

; -

be

.

still

capable

of
"

in

.

.

a

of

a

is

,

in

,

of

an

is

existing law
the section the comment upon
and
the existing law being distinguished
the note
by different types
existing
that
law reminds
The expression
the United
the Act will not come into force
Kingdom until July
unless some earlier date
fixed
Order
Council and that consequently
ample time for some
they
there
consider how
will deal with valuable rights prolonged
the Act
some instances
settle the question
more
pressing importance
whether such rights will

,

,
a

,

to

,

an

of

an

is

of

.

It

.

in

,

he

,

to

but

effected
the Act
table
contents the Act
itself printed section
section
with notes the
Revised Convention
Berne signed
Berlin
carefully compiled index
November 1908
and
The notes referred
follow immediately the sections
which they refer and consist
comment upon
summary
the
followed by
the preceding section

'

for

“

,

.

it

”

's
to

in

,

,

of

the conditions under which the critic abilities
are developed
And seeing that
not possible
train humanity
one direction without many

convenient
works
class and consists
short introduction
which
includes
brief
informing summary
the principal changes

to

,

do

in

.

,

,

of

be

nothing narrow minded about him
fads
preconceived
ideas
will concede
art that
beauty may exist which has few charms
him
have found the
science
he will reckon
and
truth when once the truth has been demonstrated
then and not before
And finally
his formed
opinion
will
honest and courageous
plays the part
counsellor guide and friend and
however interesting his criticisms may
himself
they are not for himself
criticism and
the needs
outline
Such

new

in

be

it

it

do

of

so

,

then
far
general
may

in

of

:

as

has gone seems
said that the
right men
not enter the lists and
some
particular
critics
that they
not play the
game
But this does not prove that
the
most part
the critical faculty
does not exist
merely that
does not disclose itself
anyone who gives the matter
And indeed
moment
serious thought must see that the
critical faculty not only exists but must more
great profusion
ever exist
The whole tendency
higher
age
the time leads that way
age
education
and
marked refinement
wbich we are taught
consider and analyse and
always
look sympathetically
on our fellow men
The
critic
And these are the qualifications
simply
philosopher
true critic
fact
one
the firm faith that
who searches for the truth
every question
there are two sides
There

,

The argument
clear
critics

upon the provisions
Copyright Act may safely
lawyers
commended
the notice not only
but
authors
the wide sense
which the
all whose
used
the first section and
term
business
deal
their productions
usually found most
form
follows that which

or

To

else

commentary

concise

the

*
"

is

—

can

HIS

of

it
.

.

wound
nothing

,

there

1911 . *

a
it

it
;

,

as it
a

,

.

of

be

regretted

it
.

for

be

,

,
so

at

things and the inevitable

best only

.

DUNN

is

A

.

,

's

is

to

,

—

at

,

no

scoundrel
doubt who lets the thought enter his
yet some have done
for
the crisis
head
own bread and butter
hand over one
hard
and stand by starving whilst another eats
Pity indeed that the picture should thus paint
sordidly
helped
itself
But
cannot
reach
the truth means
rule cutting deep into

the heart

ACT ,

THE COPYRIGHT

for

It recalls a class of critics who , in some respects ,
may be said to stand in a category by themselves I mean the critics of technical work .
These
they
reviewers , by the conditions
under which
write , are apt to meet with a temptation quite
beyond the ordinary .
They are, of course , experts
--that is essential ; and , if expert , then it will
happen often that they , too , will have written books
on the very subject of discussion - for , that is the
way with specialists .
How , then , when a fresh
competitor enters the field ?
In a land of milk and
honey and plenty of it , the suggestion might pass
unbeeded ; but in the kingdom of literature there
is no milk and honey - except
the chosen few
and precious little bread and butter
man

169

�THE AUTHOR .

,

to

nis

of

of

a

in

so

to

,

of

.

as

,

of

of

be

to

,

of

form

.
16
, be . in

exposition

less drastic

Geo

c

.5

1
&amp;
2

in

MacGillivray

11

Mr

section

of of

refer

the much

in

of
do so
"

in

.

not here

other works
appears
which

that Act will

,

,

,

so

it

,
if to

-

of

of , by

by

.

,

-

of

's

the great measure we have recently
frequent
welcomed
had
received
but always
inadequate attention from the Legislature

,

3

.

of

,

or

of

of

,

-

by

to

or

the conditions and limitations
dramatic works
imposed upon the exercise
Section
those rights
the Act naturally affords material for comment
respect
the paragraph which modifies
the
right
the owner
the copyright twenty five
years after the author death and states conditions

as

passing

"

found timely and helpful
we have suggested
the profession which will draw direct
not only
profit from the difficulties
calls atten
which
more
those large and
we may say
tion but
important classes
brain workers who before the

to

of

We

sary
musical works retain
and now the authors
which are
their own Acts
the protection
unrepealed and literary writers have
content
summary procedure applied
with
the principle

"

-

a

be to

is

,

.

a

presentation

be made to the
by the Act to

given

in

dramatic

performance
further
the exclusive right
the Act upon non
oral delivery conferred

may

those

of their

those authors , other than musical composers , who
find themselves aggrieved by infringement . We
are reminded that musical composers will remain a
less so than
class exceptionally favoured , although
now , even when the Act comes into operation . It
was sought
Mr MacGillivray reminds
adopt the provisions
the Acts
1902 and 1906
protecting composers
the needs
other authors
strenuously opposed
all classes but this was
compromise became neces
Grand Committee that

's

,

of

be

,

is

to

,

in
a

upon
that recitation
costume may
approximating
different footing from one not

to a

possibility

conclusion , reference

In

important summary remedies

,

an

on

(2
),

11

section
which makes
unauthorised public
performance punishable
summary
conviction
this saving clause
not inserted with the result that
the question arises whether the Court might not
per
bound
convict upon the prosecution
former although he could not be proceeded against
Again attention
called
the
civil action

wills.

,

be

a

in

,

. for

occurrence . Sub -section 6 of section 2, for example ,
prevents the “ reading or recitation in public of any
reasonable extract of any published work " from
being an infringement
of the sole right of public
performance ,
which
civil action may
main
tained
but Mr MacGillivray points out that

of

the careful consideration
of authors and
who may be entrusted with the drafting

it

W

in the light of Mr. MacGillivray 's
observations
that many will turn with interest ,
after satisfying themselves as to the matters of
interpretation with regard to which he expresses no
doubt . Instances can easily be given of doubtful
points connected with transactions of not uncommon

of this kind

of

so much
conciseness of a statute which effected
within the compass of thirty - seven sections , it might
have been suggested in criticism that an Act of such
brevity , in spite of all the lucidity with which it may
be drafted , is likely to afford considerable scope for
legal argument and judicial decision in the future .
A treatise upon it written before any such decisions
have been given naturally contains many suggestions
as to doubtful questions and as to their probable
solutions .
It is to the consideration of problems

As Mr. MacGillivray observes , it
would have been much more satisfactory if the
Act had provided explicitly that any bequest of the
manuscript should be deemed to pass the owner
ship of the copyright.
He submits that this would
probably be the interpretation
which the Court
put upon the passage referred
would
to , but he
points out that doubt may well arise if a residuary
legatee were to claim to be as such the owner of
a copyright , and to argue that his right as such
residuary legatee was superior to the prima farie
right of the legatee taking the manuscript by
specific bequest .
by no
The point is certainly
means free from doubt , and may be commended to

manuscript .”

,

his introduction . Had it been so , the concessions
granted might have been
which the Government
more ample than in fact they were .
When Mr. Sydney Buxton , at the dinner of the
Authors ' Society , referred with just pride to the

subject to which anyone may reproduce the work in
question .
The points arising as to this section are
rather
too
intricate
for discussion
here , but
another matter of obscurity , more easily sum
marised , may be referred to .
The new Act has a
very important
effect upon
the doubtful , and if
the expression may be allowed “ tiresome , " condition
of the existing law as to unpublished writings of a
deceased author, more especially in respect of letters .
At the end of the 17th section , relating to post
humous works , is a sub - section to the effect that the
ownership of an author ' s manuscript after his death ,
jf acquired by his will, “ Shall be prima facie proof
of the copyright being with the owner of the

to

143 , and authors of works that have long
before the public are reminded that their
rights may be not only prolonged but enlarged , as
for example by the addition of exclusive rights of
recitation and dramatisation .
protection accorded
The enlarged
to authors
by the Act
will be much more fully grasped
by them after perusal of Mr . MacGillivray 's volume
than by unaided study of the Act itself , and ,
indeed , after such perusal they may be inclined
to congratulate themselves that his notes were not
in the hands of those members of the Labour Party
to whose “ socialistic demands " the writer refers in
on page

been

.

170

�THE AUTHOR .

its

,

,

anor

of

,

of

its

I

.

of

a

on

ofa

at

, is

is

a

,

in

is

of

.

a

I

to

;

,

to

,
I

is

its

of ;

-

,

of

a

. ,
if

in

a

,

?

to

of

to

.

of a

to

do

,

on

a

of

to

no

.

to

-

its

is

by

,

of

,

,

,

by

,

,

to

:

is

of

so

,

a

of

so

-

an

C

few

a

to

it

-

a

to

in

,

,

all

,

in

of

to

.

to

at 's

to on

of

to

to

,

,

,

to

to

be

at

at

in

I

am

.

,

be

It

is

,

I

,

a

in

-

to

—

,

is

,

Yours faithfully

,

TAMEL

,

am

I

of

be

of

it,

.

“

to

,

all

,

in

;

of

,

in

conclusion
must say that after some experi
competitions
the literary world and
good deal
talk with candidates who bare entered
my advice
any writer with self respect
them
and above
with any talent
leave them strictly
alone
Sir
ence

,

,

.

of -

a

to

in

,

of of

is

is

I

-

,

of

to

?

of

to

It

it

, .

.

to

,
I

.

few

a

a

is

it

,

;

,

to

be
a

to

.

to

it

,
of

!

to

of
by

,

is
a

,

a

,

of

of

-

-

we

is

on

.

in

,

it

.

the public eye
my views
But
for one and
not alone
likely
certainly think that
such competitions
the
the disposal
least laid
work should
judges
necessary
would always
weed out the
hopelessly poor but
copy which
weed out works
that are good and uncommon clever and original
possibly
because
some prejudice
the sorter
part seems
me
be prejudicial
fairness
the start and one would like
know upon what
go
lines and roles the sorters are instructed

of

is

us to

of

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cleverest books that have been written during the
might not stand any chance
last five years
taking
prize since
perhaps too bold and too
outspoken
greatly
too original
theme
popular
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was quickly

bringing
literature
down
mere trade
level but crowd and lower the market standard
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addition

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And
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the average
certain
the present day seems
reader
conformity
machine made story carefully sifted
any originality
Yet
are led
understand
ever
the lookout for dis
that the publisher
originality
Judges also
coveries
believe have
complained
the low level
the average
the
competitions
work submitted
Can we wonder
decide
when they are only permitted
apparently
upon
works carefully chosen for
the sorters
the purpose
young friend
cer
mine has lately sent
tain competition
work which
the opinion
several literary men
established reputation who
know him
novel
unusual power
This work
undoubtedly
very far above the average most
original beautifully written and dealing with an
absorbing and altogether novel idea
the opinion
judge and who have read
those competent
certainly one
MS
the freshest and

of

to

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judges only such works
may happen
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his own taste
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most
that
being who
very far
the publisher
reader
from being infallible
his judgment
the wares
nearly erery great
has
handle
the history
rejections till
book has been the same repeated

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selection that the
this preliminary process
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me and many others
evil
seems
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the fact
done
The objection
submitting
the
that the sorter bas the power

upon
the first chapter and con
the perusal
reject
sequently
not
most fair minded man
that work
we wonder that the prize winning stories are
generally
flat
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lukewarm notices they expire early and their
rarely heard
again
authors are
competitions
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these
There
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undoubted harın by bringing temporarily
front writers who have usually no particular message
believe
their sudden success led
and who are
themselves literary giants
the discouragement
genius
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real talent and occasionally
literary market
already overcrowded
the works
being necessary for
third rate writers without
publishers
hunt for fresh and doubtful talent
by
means easy at the present day for the
get
really
good book
unknown writer
hearing
respectable terms and the awards
competitions not only
much
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DEAR SIR , – I cannot help thinking the time has
come when authors might venture
make some
protest against the manner
sort
which certain
novel competitions
are conducted
the
course the affairs
These competitions are
houses which institute them and the conditions are
generally
perhaps
believe clearly laid down and
general
their methods are hardly fully open
considering the altogether
criticism
think
produce
the
false standards their results are apt
eyes
the public
the ranks
the novelists
place
protest
not out
particular injustice
apt
And
one way
many
done
the contributors
the
doubt necessary that the copy
schemes
subjected
preliminary weeding
sent
should
and one could hardly expect the judges
wade

of

.

in

COMPETITIONS

In

NOVEL

returned ” without having been before the judges
this was self- evident .
There can be little doubt as to the early accept
ance of the novel in question by any house of
standing , and that
publication will bring
young author success
cannot
course men
tion either the name
the author
that
the
independent
fancy rather
author
novel
person and prefers his work
make its way
sort
by its own pure merits
but this furnishes me with
required
point
the example
few words
subject that has often exercised my thoughts
My point
the evident unfairness
such
system where any work sent
the mercy
the sorter who may have
corn that
trodden

for

CORRESPONDENCE .

171

�THE AUTHOR .

its

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,

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of

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welfare

their

fellow

,
its

,

of

regulations

it

be

of

,

,

is of

,

no

is

in

of

.

of

the Society
British Com
the
the passing
whose excellent work
Copyright Act
one can deny but
still true
that the Society
Authors considering
the work
has done and
still doing has received very
composers
little support from the great bulk
many
included
are not
and cannot
whom
the Society
British Composers under

.)

.

the

posers

ED

C on
.

.

B

the committee stage
upon unremittingly

and indifferent
craftsmen
We congratulate

,

to

of
.

of

reading taking
that moment the

and
reported

,

and

1910

1911 was
place
S

.

watched

the Bill
that

Society

.

of

of

.

of

it

,

,

to

be

its

,

,

the second
From
1911
vigilance

and

interests

and we regret
state
that some
the great
composers have shown themselves utterly callous

.—

,

It

.

its

.

with

proceeded

Secretary

to

a

of

,

to

to

a

it

,

,

its

was

the political situation

their

British Composers
Berners Street
any way refute
Mr Wallace letter does not
the paragraph referred
All honour must
given
the Society
British Composers
work they have done but the Society
British
Composers
all composers
not representative
Hon

,

by

of

.

its

of

to

a

Owing

that

Yours faithfully
WILLIAM WALLACE

of

,

.

.

C

,

of

,

report
printed and circulated
the proceedings
reported
Trade
the Board
At later stage
upon the Bill and sent
own deputation
that
department
was represented
on which occasion
prominent members
by
and its honorary
counsel discussed the points specially affecting the
composer
could not
introduced
April 7th
redoubled

,

,
an

,

to

. In
B

.

S

of

.

one
the
appeared before the
members
the
Nothing further
committee and gave evidence
the committee
could be done till the Report
was issued and this was followed
the Copyright
special
Bill
1910
The society then called
meeting
members
discuss inter alia this
Bill and invited members
the Society
subsequently
attend and speak
Authors
1909

may
added
first time being

the

well
hand
were satisfied
neglected
would not

of

, ,

in

a

July

issues

show that the
have said enough
membership
spite
its restricting
composers
serious aim
had sympathies
justify
sufficiently
its efforts towards
wide
all although the majority
behalf
reform
members may never
affected
the
gramophone clauses
only
point
fair
out that the
has giren the Society
Authors every facility for getting
touch with
and the composers realising that their
members
own special society had the copyright question

think

be

by.

,

of

on to

be

to

it in

.
C
.

B

.

S

to

call witnesses

now

,

.

of

an

on

in

its

representative would
appear
that
allowed
before the committee and give evidence
certain
points
the Revised Convention
Berlin
1908
Thus
was largely owing
the action taken
that the Departmental Committee
the
originally
whose duties
were
limited
upon
examination and report
that Convention
Royal Commission with power
effect
became

clauses

only

in

a

of

,

's

of

,

a

,

on

-

composers had been
British
the committee the Society
sented
delay entered
Composers without
moment
ignoring them
protest against the injustice
the composer
behalf
efforts
Persistent
undertaking
the society receiving
resulted

gramophone

which are
considered
.

,

Copyright and
overlooked and were not repre

Departmental Committee

I

was first
formed

as a

1909

Trade had

,
it

10th

,

March

on of

of

in

. an

of

,

is

In

Times

The

announced that the Board

their mechanical instrument rights before the
At this date further the society
became law
by the
went fully into practical issues created

Bill

B

This conveys the impression that composers as a
to take steps to safeguard their
inte rests under the new Copyright Act , and that
the Society of Authors alone acted on their behalf .
very far from being the case for from
This
the first the Society
British Composers took
stating the case for the composer
active part

body neglected

S

:

gramophone clauses are not altogether
to the
liking of composers , and the comuittee of the society
regret that the Government have admitted the principle of
compulsory licence into these clauses , despite the objections
urged by the society on behalf of , though with one or two
exceptions , without much help from , musical
honourable
composers . "
“ The

to .

SIR , - In last month 's issue of The Author, page
132 , there is a paragraph referring to the Copyright
Act , which is misleading . It runs thus

On every point that concerned the composer the
society drafted memoranda , which were sent either
to the Board of Trade , to some member of the
Government , or to the private members who were
giving special attention to the composer 's welfare .
Before the committee stage was over the society
was invited by the President of the Board of Trade
upon various points which had
to confer with him
arisen
in
discussions
in committee , and this
invitation
was accepted in the light of official
recognition
of the status of the society as
representing the composer alone .
At the end of July , 1911 , before the report
stage was passed , the society , anticipating
the
clauses ” might , and
form that the “ gramophone
ultimately
to all
did , take , sent a circular
any
members cautioning them against disposing

its

THE

AND

ACT.

“

COMPOSERS

COPYRIGHT

(

BRITISH

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it

THE SOCIETY

in

172

�vii

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Sir
December 4th 1911
have
thank you for your prompt and most
satisfactory
work
the typing
excellent
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extremely pleased with
Signed MRS
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            <text>The Author.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXII.- No. 6.&#13;
MARCH 1, 1912.&#13;
(PRICE SIXPENCE.&#13;
CONTENTS.&#13;
PAGK&#13;
...&#13;
141&#13;
141&#13;
Notices&#13;
The Society's Funds&#13;
List of Members&#13;
The Pension Fund&#13;
Committee Notes ...&#13;
Books published by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes...&#13;
Gramophone Records&#13;
Action for Libel ...&#13;
French Law Case ...&#13;
Magazine Contents&#13;
How to Use the Society ...&#13;
Warnings to the Producers of Books...&#13;
Warnings to Dramatic Authors&#13;
141&#13;
142&#13;
145&#13;
147&#13;
149&#13;
152&#13;
154&#13;
155&#13;
155&#13;
156&#13;
157&#13;
157&#13;
157&#13;
PAGE&#13;
Registration of Scenarios and Original Plays&#13;
158&#13;
Dramatic Authors and Agents&#13;
158&#13;
Warnings to Musical Composers&#13;
158&#13;
Stamping Music ...&#13;
158&#13;
The Reading Branch&#13;
158&#13;
Remittances&#13;
158&#13;
General Notes&#13;
159&#13;
Committee Election&#13;
159&#13;
A Remarkable Agreement&#13;
160&#13;
A Literary Agency Agreement&#13;
The British Society of Authors, Composers, and Music&#13;
Publishers .&#13;
Critics and Criticism&#13;
The Copyright Act, 1&#13;
160&#13;
Correspondence ...&#13;
171&#13;
:::::::::&#13;
165&#13;
167&#13;
•&#13;
Ø&#13;
G. P. PUTNAM'S SONS.&#13;
Ø&#13;
“Good comedy, genuinely witty, and never vulgar.”—Daily Chronicle.&#13;
THE SHAPE OF THE&#13;
WORLD.&#13;
6)=&#13;
By EVELYN ST. LEGER..&#13;
Author of “ Diaries of Three Women of the Last Century."&#13;
mer&#13;
THE MAUVE LIBRARY.&#13;
A Series of short Novels of Sentiment-fresh, happy and innocent. Each with Frontispiece. 2/- net.&#13;
“EVERYBODY'S LONESOME,” by Clara E. Laughlin.&#13;
“A MELODY IN SILVER,” by Keene Abbott.&#13;
“THE END OF A SONG," by Jeannette Marks.&#13;
*** Authors are invited to send MSS. suited to this series. Please ask for Descriptive Circular.&#13;
24, BEDFORD STREET, STRAND, LONDON, W.C.&#13;
&#13;
&#13;
## p. 140 (#572) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegraphic Address : "AUTORIDAD, LONDON.”&#13;
Telephone No. : 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, O.M.&#13;
COUNCIL,&#13;
SIR ROBERT ANDERSON, K.C.B. | THE RIGHT HON. THE EARL CURZON, JUSTIN MCCARTHY.&#13;
SIR WM.KEYNELL ANSON, Bart., D.C.L. G.C.S.J.&#13;
THE REV. C. H. MIDDLETON-WAKE.&#13;
THE RIGHT Hon. THE LORD AUSTIN DOBSON.&#13;
SIR HENRY NORMAN, M.P.&#13;
AVEBUKY, P.C.&#13;
SIR ARTHUR CONAN DOYLE.&#13;
SIR GILBERT PARKEL, M.P.&#13;
J. M. BAKRIE.&#13;
DOUGLAS FRESHFIELD.&#13;
SIR ARTHUR PINERO,&#13;
SIR ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
THE RIGHT Hon. Six HORACE&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY.&#13;
PLUNKETT, K.P.&#13;
F. E. BEDDARI), F.R.S.&#13;
SIR RIDER HAGGARD.&#13;
HESKETH PRICHARD.&#13;
MRS. BELLOC-LOWNDES.&#13;
Mrs. HARRISON (" LUCAS MALET'). ARTHUR RACKHAM.&#13;
THE RIGHT Hon. AUGUSTINE BIR. ANTHONY HOPE HAWKINS.&#13;
OWEN SEAMAN.&#13;
RELI., P.C.&#13;
E. W. HORNUNG.&#13;
G. BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
G. R. SIMS.&#13;
THK Rxv, PROF, BONNEY, F.R.S. W. W. JACOBS.&#13;
DR. S. SQUIRE SPRIGGE,&#13;
The Right Hon. JAMES BRYCE, P.C. HENRY JAMES.&#13;
FRANCIS STORR.&#13;
THE RIGHT HON. THE LORD BOBGH. JEROME K. JEROM E.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
Mus, Doc.&#13;
HALL CAINE.&#13;
J. ScorT KELTIE, LL.D.&#13;
MRS. HUMPHRY WARD,&#13;
J. W. COMENS CARR.&#13;
RUDYARD KIPLING.&#13;
H. G. WEILS.&#13;
EGERTON CASTIK, F.S.A.&#13;
SIR EDWIN RAY LANKESTER, F.R.8. PERCY WHITE.&#13;
EDWARD CLODD.&#13;
LADY LUGARD (Miss FLORA L. FIELD-MARSHAL THE RIGHT HON&#13;
W. MORRIS COLLES.&#13;
SHAW).&#13;
THE VISCOUNT WOLSELEY, K.P.,&#13;
THE HON. JOAN COLLIER.&#13;
MRS. MAXWELL (M, E. BRADDON). P.C., &amp;c.&#13;
SIR W. MARTIN CONWAY.&#13;
AYLMER MAUDE.&#13;
COMMITTEE OF MANAGEMENT.&#13;
Chairman- Dr. S. SQUIRE SPRIGGE.&#13;
SIR ALFRED BATEMAN, K.C.M.G. | MAURICE HEWLETT.&#13;
ARTHUR RACKHAM.&#13;
MRS. BELLOC-LOWNDES.&#13;
W. W. JACOBE.&#13;
G. BERNARD SHAW.&#13;
MRS. E. NESBIT BLAND,&#13;
AYLMER MAUDE.&#13;
FRANCIS STOBR.&#13;
J. W. COMYNS CARR.&#13;
HESKETH PRICHARD.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
Chairman--R. C. CARTON.&#13;
RUDOLF BESIER.&#13;
JEROME K. JEROME.&#13;
| G. BERNARD SHAW.&#13;
C. HADDON CHAMBERS.&#13;
W. J. LOCKE.&#13;
MISS E. M. SYMONDS,&#13;
ANSTEY GUTHRIE.&#13;
JUSTIN HUNTLY MCCARTHY.&#13;
JAMES T. TANNER.&#13;
Miss CICELY HAMILTON.&#13;
CECIL RALEIGH.&#13;
PENSION FUND COMMITTEE.&#13;
Chairman-Dr. S. SQUIRE SPRIGGE.&#13;
ANSTEY GUTHRIE.&#13;
| MORLEY ROBERTS.&#13;
MRS. ALEC TWEEDIE,&#13;
ANTHONY HOPE HAWKINS,&#13;
M. H. SPIELMANN.&#13;
MRS. HUMPHRY WARD.&#13;
COMPOSERS' SUB-COMMITTEE.&#13;
GRANVILLE BANTOCK.&#13;
CECIL FORSYTH,&#13;
ARTHUR SOMERVELL.&#13;
PERCY C. Buck, Mus. Doc.&#13;
John B. McEwEN.&#13;
HERBERT SULLIVAN.&#13;
THOMAS F. DUNHILL.&#13;
SIR CHARLES VILLIERS STANFORD, HOWARD TALBOT.&#13;
Mus. Doc. / WILLIAM WALLACE.&#13;
COPYRIGHT SUB-COMMITTEE.&#13;
H. A. HINKSON.&#13;
SIR CHARLES VILLIERS STANFORD, I HERBERT SULLIVAN.&#13;
E. J. MACGILLIVRAY.&#13;
Mus. Doc.&#13;
SIR JAMES YOXALL, M.P.&#13;
| M. H. SPIELMANN.&#13;
ART.&#13;
The Hon. JOHN COLLIER,&#13;
John HASSALL, R.I.&#13;
ARTHUR RACKHAM.&#13;
Bir W. MARTIN CONWAY.&#13;
J. G. MILLAIS.&#13;
| M. H. SPIELMANN.&#13;
FIELD, ROBOOK &amp; Co., 36, Lincolu's Inn Fields, W.C.&#13;
Secretary-G. HERBERT THRING,&#13;
G. HERBERT THBING, 39, Old Queen Street, Storey's Gate, 8.W. ) Soncilors.&#13;
Solicitor in England to&#13;
La Société des gens de Lettres&#13;
Legal Representative in America—JAMES BYRNE, 24, Broad Street, New York, U.S.A.&#13;
OFFICES.&#13;
39, OLD QUEEN STREET, STOREY'S GATE, 8.W.&#13;
&#13;
&#13;
## p. 140 (#573) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
TYPEWRITING.&#13;
- PLAYS&#13;
MR. FORBES DAWSON&#13;
Authors' MSS. carefully and accurately typed,&#13;
8d. per thousand words ; paper extra.&#13;
“ Remington ” machine.&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' experience in every&#13;
class of character, play, and theatre.&#13;
MISS D. BARFOOT,&#13;
Master of Stage Craft &amp; Play Construction.&#13;
Curdridge,&#13;
Author of plays produced in Great Britain&#13;
Botley, Hants.&#13;
and America. Adapter of several novels to the&#13;
stage.&#13;
ARTISTS&#13;
GIVES PRACTICAL ADVICE UPON PLAYS.&#13;
ADAPTS STORIES TO THE STAGE&#13;
Capable of illustrating Books in Colour or Black and&#13;
- NO THEORIES. —&#13;
White, are invited to communicate by letter with&#13;
No charge for reading and giving a practical | Messrs. J F. BELMONT &amp; CO.,&#13;
opinion on a play.&#13;
L 29, Paternoster Square, London, E.C.&#13;
Knows the best people in the dramatic world,&#13;
and has gained the necessary experience for this&#13;
A BARGAIN.&#13;
class of work on the stage itself, in association&#13;
The Great Barrier Reef of Australia.&#13;
with the best dramatists, producers, actors, and Exquisite Photographic Enlargements, originally published&#13;
stage managers of his time.&#13;
J. F. BELMONT &amp; Co.,&#13;
Address : 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
29, Paternoster Square, London, E.C.&#13;
at £4 4s, net; a few slightly mount-soiled subjects from the set&#13;
to be had at 2 - each, packing free, carriage forward.&#13;
“An indispensable book of reference for authors and&#13;
journalists."-- Daily Graphic.&#13;
LITERARY YEAR-BOOK (1912)&#13;
Crown 8vo.)&#13;
Price 6s. net.&#13;
[995 pages.&#13;
PRINCIPAL CONTENTS : - Authors' Directory ;&#13;
Literary Agents ; Typists ; Indexers ; Translators ;&#13;
Booksellers; Proof-correcting, etc.; Law and&#13;
Letters ; British, American, Canadian, and Indian&#13;
Periodicals (with a classified index and full&#13;
particulars for contributors); Royalty Tables ;&#13;
Publishers (British and Foreign) ; Classified List of&#13;
Publishers' Requirements (new feature); Literary&#13;
Societies and Clubs ; A classified list of cheap re-&#13;
prints (93 different series).&#13;
Opinions of Authors: _"Many thanks for the help which the&#13;
Year Book now affords."-" The Year Book is a great boon to&#13;
authors, and this year is better than ever."-"I have found The&#13;
Literary Year Book &amp; very valuable book of reference."-"I&#13;
take the opportunity of telling you how great a help the book is&#13;
to me as an author and as a working jonrnalist."&#13;
"A work with a wide reputation and one justly earned."-&#13;
The Author.&#13;
IMPORTANT TO AUTHORS.&#13;
In the “ Law and Letters " Section will be&#13;
found a careful and able exposition of the&#13;
new Copyright Act (1912).&#13;
Of all Booksellers, or of the Publishers-&#13;
GEORGE ROUTLEDGE &amp; SONS, Ltd.,&#13;
68, Carter Lane, London, E.C.&#13;
What the Papers say about some of&#13;
MURRAY &amp; EVENDEN'S RECENT SUCCESSES.&#13;
RIQUILDA, by MRS. KENDALL PARK.&#13;
"Those who enjoy the historical novel will welcome “Riquilda,' which&#13;
not only gives an interesting picture of life in Spain in the Tenth Century,&#13;
but rings with the stir and clash of battle, the sacking of convents, and the&#13;
mustering of brave men under the banner of the true Church, in defence of&#13;
their country and their faith against the infidel Princess Riquilda, the&#13;
daughter of the Sovereign count of Barcelona, is a very sweet and natural&#13;
girl in spite of her royal birth, and of course she is loved by two men, one a&#13;
brave and gentle knight, who wagen war against the invading Saracens, the&#13;
other a traitor, who deserts to the Moorish camp and betrays his country&#13;
into the hands of the enemy. But Felipe de Cerdana the traitor, is treated&#13;
with a touch that is poetic, and his feverish passion for Riquilda, which is&#13;
humble and tender, as well as cruel and revengeful, has something more&#13;
living about it than one finds in the ordinary lover of the novel. The whole&#13;
book is vivid and stirring, and succeeds very thoroughly in carrying with it&#13;
the atmosphere of the early Middle Ages." The Morning Post.&#13;
The author depicts with remarkable force and power the glorious past of&#13;
old Barcelona, and on this warlike foundation she has based a stirring&#13;
romance distinguished by many of the characteristics of the best historical&#13;
fiction ... Mrs. Kendall Park's style possesses much animation, and her&#13;
descriptive passages are excellent. From a historical as well as a romantic&#13;
point of view, the book is a deeply interesting one, and cannot fail to be&#13;
read with pleasure "-- New York Herald (Paris).&#13;
MICHAEL, by EVELYN BARBER.&#13;
"Michael Beresford. the hero, is a typical joung Sheffielder of his class&#13;
whom Miss Barber has focussed with almost pitiless exactitude. Miss&#13;
Barber s heroine is extremely attractive, and we have also little snapshots&#13;
of quite delightful hamour-Rebecca Beresford, Uncle Horatio. Cousin&#13;
Drucilla, and others. There are, too, some interesting passages anent the&#13;
Boys Brigade, and others describing the work of a Women's Settlement in&#13;
the slums. We read the book with so much interest and enjoyment as to&#13;
cause us to look with pleasurable anticipation for its successor. Shefeld&#13;
Daily Telegraph&#13;
"Will make good reading in households that are not infected with the&#13;
diseased forlu of the modern spirit.' It is fresh and wholesome. '-Scotaman.&#13;
IRRESPONSIBLE IMPRESSIONS OF&#13;
INDIA, by E. GEO. TURNBULL.&#13;
"A chatty little volume which affords a wonderfully vivid view of Indian&#13;
life and character. Mr Turnbull is observant, and his book is more&#13;
meritorious than many more ambitious works. Dundee Adı ertiser&#13;
"With all the sparkling wit and satire with which the little book teema,&#13;
it conveys a bird's-eye view of Indian life, character, and custom, which is&#13;
delightful to the man who knows not India-to the Anglo-Indian it will&#13;
have a double attraction"- Derbyshire Times.&#13;
MURRAY &amp; EVENDEN,LTD., Pleydell House, +leydell St., Fleet St., E.C.&#13;
&#13;
&#13;
## p. 140 (#574) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
Publications of the Society.&#13;
1. THE ANNUAL REPORT FOR THE 8. THE SOCIETY OF AUTHORS.&#13;
CURRENT YEAR. Price 1s net.&#13;
A Record of its Action from its Foundation. By WALTER&#13;
BESANT (Chairman of Committee, 1888–1892). Price&#13;
2. THE AUTHOR.&#13;
ls. not.&#13;
Published ten months in the year (August and September&#13;
omittel) devoted especially to the protection and main-&#13;
9. THE CONTRACT OF PUBLICATION&#13;
tenance of Literary, Dramatic, and Musical Property.&#13;
Issued to all Members gratis. Price to non-inembers,&#13;
IN GERMANY, AUSTRIA, HUNGARY,&#13;
8d., or 58. 6d. per annum, post free. Back numbers from&#13;
AND SWITZERLAND. By ERNST LUNGE,&#13;
1892, at 108. 60. net, per vol.&#13;
J.U.D, Price 28, 60, net.&#13;
3. LITERATURE AND THE PENSION&#13;
LIST. By W. MORRIS COLLEB, Barrister-at 10. FORMS OF AGREEMENT ISSUED BY&#13;
Law. Price 38. net.&#13;
THE PUBLISHERS' ASSOCIATION ;&#13;
4. THE HISTORY OF THE SOCIETE DES&#13;
WITH COMMENTS By G. HERBERT&#13;
THRING, and Illustrative Examples by Sir WALTER&#13;
GENS DE LETTRES. By S. SQUIRE SPRIGGE,&#13;
BESANT, 2nd Edition, Price 18, net.&#13;
Price 1s, net.&#13;
5. THE COST OF PRODUCTION.&#13;
11. PERIODICALS AND THEIR CONTRI-&#13;
(Out of print.).&#13;
BUTORS. Giving the Terms on which the&#13;
6. THE VARIOUS METHODS OF PUBLI-&#13;
different Magazines and Periodicals deal with MSS. and&#13;
Contributions. Price 61. net.&#13;
CATION. By S. SQUIRE SPRIGGE. In this&#13;
work, compiled from the papers in the Society's offices,&#13;
the various forms of agreements proposed by Publishers 12. SOCIETY OF AUTHORS.&#13;
to Authors are examined, and their meaning carefully&#13;
List of Members. Published October, 1907, price 61. net.&#13;
explained, with an account of the various kinds of fraud&#13;
which have been made possible by the different clauses&#13;
therein. Price 38. net.&#13;
13. INTERNATIONAL COPYRIGHT CON-&#13;
ADDENDA TO THE ABOVE.&#13;
VENTION AS REVISED AT BERLIN,&#13;
By G. HERBERT THRING. Being additional facts&#13;
nollented at the office of the Society since the publication&#13;
1909. Price 1s. net.&#13;
of the "Methods," With comments and advice. Price&#13;
28. net.&#13;
15. DRAMATIC AGENCY AGREEMENT.&#13;
7. COPYRIGHT LAW REFORM.&#13;
3d, net.&#13;
An Exposition of Lord Monkswell's Copyright Bill of&#13;
1890. With Extracts from the Report of the Commission&#13;
of 1878, the Berne Convention, and the American Copy. 16. LITERARY AGENCY AGREEMENT.&#13;
right Bill. By J. M. LELY. Price 1s. 6d. net.&#13;
34. net.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S.W.]&#13;
ORDER IMMEDIATELY from your Library, Bookseller or Bookstall.&#13;
JUST READY.-One of the most INTIMATE &amp; INTERESTING Books of Tropical (and Topical)&#13;
Verse ever published. By the author of "THE SEDUCTIVE COAST," Etc.&#13;
A CALABASH&#13;
OF KOLA NUTS&#13;
By J. M. STUART-YOUNG.&#13;
Demy 8vo, 126 pp., with an additional Glossary, 2s.6d. net.&#13;
When, just about two years ago, Mr. Stuart-Young published "The Seductive Coast," rhymes dealing with life in&#13;
Western Africa, there were not lacking critics to lift their hands in shocked amaze at what they termed the&#13;
"exceptional daring" of the author's outlook on the moral and social conditions of life in Nigeria. The Birmingham&#13;
Gazette gave the lead to a juster interpretation :- "Rarely do we meet with work which so unmistakably conveys the&#13;
impression of spontaneity and sincerity, combined with an admirable technique. . . Mr. Stuart-Young is a man&#13;
who feels strongly, who expresses what he feels, and who is skilled in verbal expression. As sheer art work his&#13;
pages are admirable. There is a virility which commends his work where simpler sentiment would fail," and so on.&#13;
The Daily Telegraph recognised that here "was no lover of sensationalism. Whether telling of white men and&#13;
women, of their loves and their tragedies, or of the stranger folk among whom his lot is cast on the Niger Bank,&#13;
the author always shows himself possessed of the best qualities of the story-teller." The Oxford Times found in the&#13;
book "a subtle witchery which haunts the mind." while Reynolds acknowledged that here at last was someone who&#13;
"appreciates the tragedy and pathos of native Africa."&#13;
This new book is strangely appealing-it will be read by thousands of exiles,&#13;
- and appreciated by thousands of their relatives in the Old Country. -&#13;
LONDON: LYNWOOD &amp; Co., Paternoster Row, Publishers.&#13;
&#13;
&#13;
## p. 140 (#575) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
LOW&#13;
callaw&#13;
Indian&#13;
thue&#13;
| Letters, Documents, Clippings, found instantly by the&#13;
Globe Wernicke&#13;
Vertical Filing System.&#13;
&#13;
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A-J&#13;
You know, of course, the necessity for filing away&#13;
correspondence, etc., so that you can turn to it at a&#13;
moment's notice. The Globe-Wernicke Filing Cabinet&#13;
enables you to keep a complete record of all corre.&#13;
spondence, documents, political literature, reports of&#13;
speeches, private notes, extracts from magazines, class&#13;
publications, art portfolios, etc. Once installed, you&#13;
will consider this Cabinet indispensable. It becomes&#13;
what might be termed a private loose-leaf encyclopædia,&#13;
providing, at all times, an absolutely up-to-date reference&#13;
work from various authorities. The system permits of&#13;
easy and immediate reference to any paper filed away,&#13;
no matter how long ago. The Cabinet also possesses&#13;
ingenious mechanical features not found in other&#13;
Cabinets.&#13;
&#13;
Scrap B ooks are out of date.&#13;
The illustration above&#13;
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&#13;
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## p. 140 (#576) ############################################&#13;
&#13;
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&#13;
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## p. 141 (#577) ############################################&#13;
&#13;
The Autbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
VOL. XXII.—No. 6.&#13;
MARCH 1, 1912.&#13;
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M HE List of Members of the Society of Authors,&#13;
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A dozen blank pages have been added at the&#13;
&#13;
&#13;
## p. 142 (#578) ############################################&#13;
&#13;
142&#13;
THE AUTHOR.&#13;
end of the list for the convenience of those who&#13;
PENSION FUND.&#13;
desire to add future elections as they are chronicled&#13;
from month to month in these pages.&#13;
The list printed below includes all fresh dona-&#13;
tions and subscriptions (i.e., donations and&#13;
subscriptions not hitherto acknowledged) received&#13;
by, or promised to, the ſund from October 1,&#13;
THE PENSION FUND.&#13;
1911.&#13;
It does not include either donations given&#13;
prior to October 1, nor does it include sub-&#13;
TN January the secretary of the society laid scriptions paid in compliance with promises made&#13;
I before the trustees of the Pension Fund the before it.&#13;
accounts for the year 1911, as settled by the The full list of annual subscribers to the fund&#13;
accountants, with a full statement of the result of appeared in the November issue of The Author.&#13;
the appeal recently made on behalf of the Fund. The secretary would like to state that he has&#13;
After giving the matter full consideration the received three bankers' orders in answer to the&#13;
trustees instructed the secretary to invest the sum recent appeal, unsigned, without any covering letter.&#13;
of £500 in the purchase of Antofagasta and He would be glad, therefore, if those members who&#13;
Bolivian Railway 5%. Preferred Ordinary Stock may have sent in these orders, recognising them&#13;
and Central Argentine Railway Ordinary Stock. from their description, would write to the secretary&#13;
The amounts purchased at the present prices are on the matter."&#13;
£237 in the former and £232 in the latter stock. Bankers' Order for 10s. drawn on the London,&#13;
The trustees desire to thank the members of the County and Westminster Bank, Maidstone.&#13;
society for the generous support which they have Bankers' Order for 10s. drawn on the National&#13;
given to the Pension Fund, and have much pleasure Provincial Bank of England, Baker Street, W.&#13;
in informing the Pension Fund Committee that Bankers' Order for 5s. drawn on the London,&#13;
there is a further sum available for the payment of County and Westminster Bank, Kensington, W.&#13;
another pension in case any application should be&#13;
made. The money now invested amounts to&#13;
Subscriptions.&#13;
£4,846 198. Hd., and is fully set out in the list&#13;
£ $. d.&#13;
below :-&#13;
Oct. 5, Bungey, E. Newton&#13;
. 0 10 0&#13;
Oct. 6, Beale, Mrs. W. Phipson . 0 5 0&#13;
Consols 23% ........&#13;
.... £1,312 13 Oct. 12, Hannay, J. 0. .&#13;
Local Loans..............................&#13;
500 0 0 Oct. 12, Mrs. Humphry Ward, an addi-&#13;
Victorian Government 3% Consoli-&#13;
tional subscription for 1912&#13;
dated Inscribed Stock...&#13;
291 19 11&#13;
--13 . . .&#13;
5 00&#13;
London and North-Western 3%&#13;
Nov. 9, Dailey, R. H. . . 0 5 0&#13;
Debenture Stock .................... 250 ( 0) Nov. 10, McCormick, E. B. . . ( 10 0&#13;
Egyptian Government Irrigation&#13;
Nov. 10, Salter, Miss E. K.&#13;
05 0&#13;
Trust +°. Certificates ........ 20000 Nov. 14, Kenny, Mrs. L. M. Stacpool ( 5 0&#13;
Cape of Good Hope 34% Inscribed&#13;
Nov. 18, Hichens, Robert.&#13;
3 3&#13;
Stock .........&#13;
200 0 0 Nov. 20, Snell, Miss Olive . .&#13;
Glasgow and South-Western Railway&#13;
Nov. 24, Locke, W. J. .&#13;
2 2 0&#13;
17. Preference Stock&#13;
228 0 0 Nov. 24, Gusse, Edmund.&#13;
1 1 0&#13;
New Zealand 31° Stock ............&#13;
247 9 6 Nov. 25, Larken, E. P.&#13;
0 5 0&#13;
Irish Land Act 20%. Guaranteed&#13;
Nov. 25, Underdown, Miss E.&#13;
0 5 0&#13;
Stock ....................&#13;
.... 258 (0) 0 Nov. 25, Walkley, S. . .&#13;
05 0&#13;
Corporation of London 21% Stock,&#13;
Nov. 25, Masefield, John..&#13;
1 1 0&#13;
1927-57 ........&#13;
+38 2 + Nov. 25, Thurston, E. Temple.&#13;
Jamaica 31%. Stock, 1919-49 ...... 132 18 6 Nov. 25, Rittenberg, Max . . 0 5 0&#13;
Mauritius 1° 1937 Stock ........ 120 121 Nov. 25, Paull, H. M. .&#13;
( 10 6&#13;
Dominion of Canada C.P.R. 31%&#13;
Nov. 25, Turner, Reginald. .&#13;
. 1 1 0&#13;
Land Grant Stock, 1938.&#13;
198 3 8 Nov, 25, Balme, Mrs. Nettleton. . 1 1 0&#13;
Antofagasta and Bolivian Railway&#13;
Nov. 25, Barne, Miss M. C. .&#13;
5%. Preferred Stock ......... 237 00 Nov. 25, Sedgwick, Anne Douglas . 0 5 0&#13;
Central Argentine Railway Ordinary&#13;
(Mrs. Basil de Selincourt)&#13;
Stock ..&#13;
232 0 0 Nov. 25, Lerden, Walter . .&#13;
010 0&#13;
Nov. 25, Channon, Mrs. Frances : 0 10 0&#13;
Total .&#13;
.... £4,816 19 Nov. 25, Toynbee, Paget. . . 0 10 0&#13;
༤༌ ༤་&#13;
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..........&#13;
&#13;
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## p. 143 (#579) ############################################&#13;
&#13;
THE AUTHOR.&#13;
143&#13;
.&#13;
2:2:,&#13;
.&#13;
0&#13;
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eror eroro Ourer&#13;
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.&#13;
£ 8. d.&#13;
£ s. d.&#13;
Nov. 25, Hood, Miss Agnes Jacomb. 0 10 0 Dec. 4, Heath, Sidney . . : 0 5 0&#13;
Nov. 25, Gilliat, The Rev. E. . . 1 1 0 Dec. 5, Macnamara, Miss Marg&#13;
Nov. 25, Macdonald, Greville , . 1 1 0 Dec. 5, Clodd, Edward .&#13;
Nov. 25, Allen, Rev. The G. W.(2 years) 0 5 0 Dec. 5, Little, Mrs. Archibald&#13;
Nov. 25, Russell, G. H. . . . 0 5 0 Dec. 5, Morton, Michael&#13;
nael . . . 1 1 0&#13;
Nov. 25, Osgood, Mrs. Irene . . 10 10 0 Dec. 6, Meredith, Mark .&#13;
: : 0 0&#13;
Nov. 25, Trench, Herbert . . 0 10 0 Dec. 8, Broster, Miss D. K. . : 0 5 0&#13;
Nov. 25, Murdoch, W. G. Burn. . 0 15 0 Dec. 11, Orczy, The Baroness . . 1 1 0&#13;
Nov. 25, Knowles, Miss Margaret . 1 1 0 Dec. 12, Bennett, Arnold . . . 5 0 0&#13;
Nov. 25, Bond, R. Warwick . . 1 1 0 Dec. 12, von Holst, Gustav&#13;
0 5 0&#13;
Nov. 25, Stockley, Mrs. .&#13;
0 10 6 Dec. 16, Cromartie, The Right Hon.&#13;
Nov. 27, Tyrrell, Miss Eleanor. 0 10 0&#13;
the Countess of (additional&#13;
Nov. 27, Prideaux, Miss S. T. . 1 0 0&#13;
subscription) . . 0 10 6&#13;
Nov. 27, Sedgwick, Prof. A. (5 years). 1 1 0 Dec. 16, Laurance, Lionel . . . . 5 0&#13;
Nov. 27, Arnold, Mrs. J. O. .. 0 10 0 Dec. 16, Allen, Mrs. Grant. . . 0 5 0&#13;
Nov. 27, Weaver, Mrs. Baillie .. () 10 0 Dec. 18, Haultain, Arnold .&#13;
1 1 0&#13;
Nov. 27, Drake, F. Maurice :&#13;
5 0 Dec. 18, Pollock, The Right Honble.&#13;
Nov. 27, Stewart, J. C. MacDougall&#13;
5 0&#13;
Sir Frederick, P.C...&#13;
.. . . 1 1 0&#13;
Nov. 27, Baldwin, Mrs. Alfred . . 1 1 0 Dec. 20, Carr, Miss Mildred E. . . 0 10 0&#13;
Nov. 27, Lucas, E. V. . . 100Dec. 20, Lewis, The Rev. Arthur : 0 5 0&#13;
Nov. 27, Hollins, Miss Dorothea&#13;
0 10 0 Dec. 30, Dodge, Miss Janet . 0 5 0&#13;
Nov. 27, Bagnall, Miss L. T. . : 0 5 0 Dec. 30, Fitzgerald, Menie Muriel . 1 1 0&#13;
Nov. 27, Young, Ernest .&#13;
0 5 0 Dec. 30, Fuller, Sir Bamfylde . : 0 10 0&#13;
Nov. 27, Teixeira de Mattos, Alexander 0 10 6 1912.&#13;
Nov. 27, Collier, The Hon. John&#13;
1 1 C Jan. 1, Worsley, Miss Alice . . ( 5 0&#13;
Nov. 27, Hughes-Gibb, Mrs. . : 0 5 0 Jan. 2, Sturt, George. : : 0 5&#13;
Nov. 27, Orde Ward, The Rev. F.&#13;
0 5&#13;
Jan. 2, Wicks, Mark (in addition to&#13;
Nov. 28, Harraden, Miss Beatrice : 220&#13;
present subscription). . ( 5 0&#13;
Nov. 28, Carlyle, The Rev. A. J.&#13;
Jan. 3, Northcote, The Rev. H. . .&#13;
Nov. 28, Montrésor, Miss F. F. . 1 1 0 Jan. 3, Worsley, Miss Alice . .&#13;
Nov. 28, Jones, Henry Arthur. 1 1 0&#13;
Jan. 3, Phipson, Miss E. (in addition&#13;
Nov. 28, Pryor, Francis .&#13;
. . + 4 0&#13;
to present subscription)&#13;
Nov. 28, Whiteing, Richard . 0 10 0 Jan. 3, Hedgcock, F. A. .. . (50&#13;
Nov. 28, Caine, William .&#13;
• 1 1 0 Jan. 5, Matcham, Mrs. Eyre ..&#13;
Nov. 28, Tuttiett, Miss M. G. .&#13;
Jan. 8, Stayton, Frank ..&#13;
0 5 0&#13;
Nov. 28, Caulfeild, Mrs. Kathleen&#13;
Jan. 8, Canziani, Miss Edith&#13;
. . 0 5 0&#13;
Nov. 28, Breaknell, Miss Mary.&#13;
0 5 0&#13;
Jan. 10, Ropes, A. R..&#13;
1 1 0&#13;
Nov. 28, James, Miss S. Boucher . 1 1 0&#13;
Jan. 12, Francis, René&#13;
. 0 10 0&#13;
Nov. 28, Martin, Miss Violet . .&#13;
Jan. 15, Pollock, Miss Edith (in addi-&#13;
Nov. 29, Pakington, The Hon. Mary. 0 5 0&#13;
tion to present subscription) 0 5 0&#13;
Nov. 29, Chase, Mr. and Mrs. Lewis&#13;
Jan. 27, Hutchinson, the Rev. H. N. . 1 1 0&#13;
Nathaniel&#13;
5 0&#13;
Feb. 7, L. M. F., per month during&#13;
Nov. 29, Skrine, The Rev. John H. 1 0 0&#13;
1912&#13;
.&#13;
.&#13;
. 1 0 0&#13;
:&#13;
Nov. 29, Travers, Miss Rosalind.&#13;
5 0 Feb. 7, Letts, Miss W. M. . . . 0 5 0&#13;
Nov. 29, Graves, Alfred P..&#13;
. ( 5 0 Feb. 8. Cooke. W. Bourne . . . 1 1 0&#13;
Nov. 29, Shaw, Fred. G. . .&#13;
Feb. 8, Annesley, Miss Maude. 0&#13;
Nov. 29, Narramore, William .&#13;
5 0 Feb. 9, O'Donnell, Miss Petronella : 0 5 0&#13;
Nov. 29, Waldstein, Charles . . 1 1 0&#13;
Nov. 29, Rutter, Frank&#13;
0 5 0&#13;
£95 8 0&#13;
Dec. 1, Lee, The Rev. Albert . 0 5 0&#13;
Donations.&#13;
Dec. 1, Romanes, Mrs. Ethel .. 0 10 0&#13;
Dec. 1, Wilton, Margaret W. . 0 5 0 Oct. 10, Guthrie, Anstey. .&#13;
20&#13;
Dec. 2, Holme, Miss.&#13;
0 10 0 Oct. 11, Baldwin, Mrs. Alfred . . 3 3 0&#13;
Dec. 4, Thomson, Lieut.-Col&#13;
0 5 0 Oct. 19, Romanne-James, Mrs. C.&#13;
15 6&#13;
Dec. 4, Begbie, Harold .&#13;
. 1 1 0 Oct. 27, “ Olivia Ramsey"&#13;
Dec. 4, Giles, Miss Edith J. F. . . 0 5 0 Nov. 3, Sprigge, Dr. S. S. (3rd Dona-&#13;
Dec. 1, Coulton, G. G. . . . 0 5 0&#13;
tion) . . . . 10 0 0&#13;
0&#13;
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## p. 144 (#580) ############################################&#13;
&#13;
144&#13;
THE AUTHOR.&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
·&#13;
.&#13;
·&#13;
·&#13;
.&#13;
·&#13;
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£ $. d.&#13;
£ $. d.&#13;
Nov. 3, Tanner, James T. (5th Dona-&#13;
Dec. 8, Falmouth, The Right Honble.&#13;
tion)&#13;
:&#13;
.&#13;
: : . 2 2 0&#13;
the Viscountess&#13;
220&#13;
Nov. 3, Balme, Mrs. Nettleton.&#13;
0 Dec. 8, Ord, H. W. . . . . ( 10 6&#13;
Nov. 4, Cayzer, Charles (3rd Donation) 30 Dec. 10, Hawkins, A. Hope .&#13;
10 0&#13;
Nov. 6, LeRiche, P. J.&#13;
10 6 Dec. 10, Pennell, Mrs. E. R. .&#13;
Nov. 6, Daniell, Mrs. E. H.&#13;
10 0 Dec. 11, Bland, Mrs. E. Nesbit .&#13;
0 10 6&#13;
Nov. 13, Anon. . . .&#13;
90 Dec. 11, De Morgan, Wm. . 5 5 0&#13;
Nov. 20, Grant, John G..&#13;
0 10 6 Dec. 12, D'Arcy, Ella Miss&#13;
0 10 6&#13;
Nov. 24, Jacobs, W. W. .&#13;
2 2 0 Dec. 16, Glenconner, Lady. .&#13;
2 ? 0)&#13;
Nov. 24, Roberts, Morley.&#13;
1 0 0 Dec. 16, Royds, The Rev. T. F..&#13;
Nov. 24, Eckersley, The Res. J.&#13;
0 5 0 Dec. 18, Moore, Mrs. Stuart .&#13;
1 1 0&#13;
Nov. 25, Besant, W. H. . . 5 5 0 Dec. 18, J. P. P. . .&#13;
Nov. 25, Hill, J. Arthur .&#13;
100 Dec. 18, Bremner, Robert L.&#13;
Nov. 25, Tansley, A. G. .&#13;
. 2 2 0 Dec. 18, Dawson, Frank ..&#13;
Nov. 25, Gysi, Max.&#13;
10 Dec. 20, Tench, Miss Mary F. A.&#13;
0 5 0&#13;
Nov. 25, Lyttelton, Hon. Mrs . 1 0 0 Dec. 21, Clifford, Mrs. W. K. .&#13;
Nov. 23, Savile, Frank&#13;
0 0 Dec. 22, Francis, Beard . .&#13;
Nor. 25, Skeat, Prof. W. W.&#13;
10 Dec. 22, Horridge, Frank .&#13;
Nov. 27, Hood, Francis . . . 0 5 0 Dec. 28, Dawson, Forbes . . . 0 10 6&#13;
Nov. 27, “ Olivia Ramsey"&#13;
. 1 1 0 Dec. 29, Longard, Madame de pro-&#13;
Nov. 27, Moffatt, Graham .&#13;
. 1 1 0&#13;
thea Gerard) .&#13;
Nov. 27, Mainwaring, Mrs.&#13;
5 5 0 Dec. 30, Workman, Mrs. F. Bullock : 100&#13;
Nor, 27, Maunder, J. H. . . . 1 1 0 Dec. 30, Swan, Miss Myra . . . ( 5 0&#13;
Nov. 27, Kennedy, E. B.:&#13;
. () 5 0 Dec. 30, Blake, J. P. . . . . 1 1 0&#13;
Nov. 27, Galsworthy, John (in addition&#13;
1912.&#13;
to subscription) . . 2 2 0 Jan. 2, Risque, W. H. . . . 010&#13;
Nov. 27, Oppenheim, E. P.&#13;
1 1 0 Jan. 2, Dart, Miss Edith . . . 0 10 6&#13;
Nov. 27, Harding, Commander Cl&#13;
Jan. 3, “K.” . . .&#13;
0 10 0&#13;
R.N. . .&#13;
0 0 Jan. 3, Church, Sir Arthur.&#13;
1 1 0&#13;
Nor. 27, Moore, Miss E. Hamilton . ( 106 Jan. 3, Durrant, W. Scott . . . 0 5 0&#13;
Nov. 27, Pilley, John. ..&#13;
0 10 0 Jan. 3, Tighe, Henry . .&#13;
0 10&#13;
Nov. 28, Martin, Mrs. Clara T...&#13;
10 6 Jan. 3, Grant, Lady Sybil .&#13;
1 0 0&#13;
Nov. 28, McKellar, Campbell D.&#13;
0 0 Jan. 4, Smith, Bertram .&#13;
20 00&#13;
Nov. 28, Wroughton, Miss Cicely . 0 5 0 Jan. 4, Buckrose, J. E. . . . 1 1 0&#13;
Nov. 28, Rankin, Miss F. M. .&#13;
5 0 Jan. 4, Lathbury, Miss Eva&#13;
Nov. 28, Harraden, Miss Beatrice&#13;
0 0 Jan. 5, Wilson, Dr. Albert .&#13;
0 10 0&#13;
Nov. 28, Gould, Gerald . . . 1 0 0 Jan. 5, Craven, A. Scott , .&#13;
0 10 0&#13;
Nov. 28, Hardy, Thomas 0. J. .&#13;
0 0 Jan. 6, Blundell, Miss Alice&#13;
0 10 0&#13;
Nov. 29, Maarten Maartens&#13;
5 0 0 Jan. 6, Garbutt, W. H.&#13;
0 5 0&#13;
Nov. 29, Bolton, Clement .&#13;
0 2 6 Jan. 6, Serjeant, Miss Constance&#13;
0 5 0&#13;
Nor. 29, Stutfield, H. E. M.&#13;
1 0 0 Jan. 9, Chamberlaype, Miss Effie&#13;
Nov. 29, Gibbs, F. L. A... . ( 10 6 Jan. 9, Hamel, Frank&#13;
Nov. 29, Spurrier, Steven.&#13;
7 6 Jan. 10, Allen, W. Bird ..&#13;
Nov. 29, Kinloch, Alexander&#13;
1 1 0 Jan. 10, Crellin, H. M. .&#13;
Nov. 29, Webling, Peggy.&#13;
0 5 0 Jan. 10, Smith, Herbert W.&#13;
Nov. 29, Barclay, Mrs. Hubert . ( 10 0 Jan. 12, Randall, F. J. .&#13;
Nov. 29, Gibbs, Miss C. E. .&#13;
0 Jan. 13, P. H. and M. K. .&#13;
Nov. 29, Batty, Mrs. Braithwaite&#13;
5 0 Jan. 15, Clark, Henry W...&#13;
Nov. 29, Spielmann, Mr. and Mrs. M. 2 2 0 Jan. 17, Rankin, Mrs. F. M. .&#13;
Nov. 29, Begbie, Harold . . 3 3 0 Jan. 18, Paternoster, Sidney .&#13;
Nov. 29, Spiers, Victor . .&#13;
0 Jan. 20, M-Ewan, Miss Madge.&#13;
Nov. 29, Wentworth, Gerald .&#13;
Jan. 2.2, Kaye-Smith, Miss Sheila&#13;
Nov. 29, Pryce, Richard . . 3 0 0 Jan. 22, Mackenzie, Miss J. . . (50)&#13;
Nov. 29, Watson, Mrs. Herbert . . () 5 0 Jan. 22, Reiss, Miss Erna . . . () 5 0&#13;
Dec. 6, Toplis, Grace . . . . 0 5 0 Jan. 22, Grisewood, R. Norman. . ( 5 )&#13;
Dec. 6, Percival, Helen A. . . . 0 5 0 Jan. 23, Machen, Arthur . . . 1 1 0&#13;
Dec. 7, Graham, Kenneth . . . 10 0 0 Jan. 24, Williamson, C. N. and Mrs. C.N. 5 5 0&#13;
·&#13;
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## p. 145 (#581) ############################################&#13;
&#13;
THE AUTHOR.&#13;
145&#13;
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···&#13;
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0&#13;
£ 8. d. bad one from his point of view. The solicitor also&#13;
Jan. 26, Way, Viss Beatrice . ( 5 0 reported that one case dealing with accounts had&#13;
Jan. 30, Saies, Mrs. Florence H.. : 0 8 6 been settled during the month.&#13;
Jan. 30, Weyman, Stanley (in addition&#13;
The secretary then mentioned a case of infringe-&#13;
to subscription).&#13;
1 0 ment of copyright in Australia by a bookseller who&#13;
Jan. 30, S. F. G.&#13;
1 1 0 had imported an American edition, and it was&#13;
Feb. 3, Douglas, James A. .&#13;
. 1 0 0 decided to instruct the society's Australian lawyers&#13;
Feb. 6, Parker, Mrs. Nella .&#13;
0 10 0 to take action. Another case of infringement had&#13;
Feb. 6, Allen, Mrs. James 1.&#13;
1 1 0 been put down on the agenda, but the committee&#13;
Feb. 10, Whibley, C. . .&#13;
0 10 6 were informed it had been settled. The secretary&#13;
Feb. 12, Loraine, Lady&#13;
5 0 0 also read a letter from one of the members&#13;
Feb. 12, Ainslie, Miss K. .&#13;
0 5 0 respecting a claim against a paper for work done,&#13;
Feb. 12, King, A. R.. .&#13;
( 10 ) and the committee decided to instruct the solicitors&#13;
Feb. 13, Ayre, Miss G. B. .&#13;
. () 5 0 to proceed, subject to the author being willing to&#13;
Feb. 14, Gibson, Miss L. S.&#13;
0 5 0 co-operate.&#13;
Feb. 15, Henley, Mrs. W. E.&#13;
1 1 0 The committee then discussed, at some length, an&#13;
Feb. 15, Westall, W. Percival&#13;
5 0 article which appears in another column of "The&#13;
Feb. 17, Raphael, Mrs. .&#13;
. 0 5 0 Author," dealing with a publisher's forms of&#13;
Feb. 19, Cabourn, John .&#13;
. 0 5 0 agreement.&#13;
Feb. 19, Gibbs, F. L. A. .&#13;
. 010&#13;
An agency agreement wbich had been settled&#13;
Feb. 21, Hinkson, H. A., and Mrs. .'110 by a sub-committee, and circulated to the members&#13;
of the Committee of Management, was next read,&#13;
£228 6 6 and adopted. A vote of thanks was passed to the&#13;
The Editor regrets that Mr. Robert Hichens'&#13;
sub-committee for the work they had done. The&#13;
agreement, which is based on an agency agree-&#13;
contribution of £3 3s, was put down as a donation,&#13;
ment, settled some time ago by the Dramatic&#13;
whereas it should have been entered as an annual&#13;
Sub-Committee, is printed on another page.&#13;
subscription. He hastens to correct the mistake.&#13;
The committee then proceeded to elect a com-&#13;
posers' sub-committee, as it had been decided to&#13;
form a separate section of the society for composers,&#13;
to work on the same lines as the dramatic section&#13;
COMMITTEE NOTES.&#13;
is working under the Dramatic Sub-Committee.&#13;
The following gentlemen were elected and have&#13;
consented to undertake the duties :-&#13;
MEETING of the committee was held at the&#13;
offices of the society on Monday, February&#13;
Granville Bantock,&#13;
5th. After the minutes of the last meeting&#13;
Percy Buck,&#13;
Thomas F. Dunhill,&#13;
had been read and signed, the committee proceeded&#13;
to elect 18 new members and associates whose&#13;
Cecil Forsyth,&#13;
John B. McEwen,&#13;
names appear on another page. This is one of&#13;
the largest elections which has ever taken place in&#13;
Sir Charles Villiers Stanford,&#13;
any one month, since the foundation of the society,&#13;
Herbert, Sullivan,&#13;
Howard Talbot,&#13;
and having regard to the satisfactory election in&#13;
January, it is felt that the year 1912 has opened in&#13;
William Wallace.&#13;
an auspicious manner.&#13;
The question of the Nobel Prize Committee was&#13;
The solicitor reported the cases dealt with again before the Committee of Management. A&#13;
during the month. In one case, relating to a letter from Lord Avebury, the Chairman of that&#13;
dispute between a member and a publisher, which committee, was read, together with a communication&#13;
had been adjourned from the previous month, the which his lordship had received from the Swedish&#13;
committee decided to appoint an arbitrator under Academy. The committee decided to refer the&#13;
a clause in the agreement making arbitration whole matter to the Council of the Society at its&#13;
necessary. In the next case against the same next meeting.&#13;
publisher it was decided to take immediate action to The annual report, which had been settled by a&#13;
maintain the author's rights. The next question sub-committee, was adopted, and will be issued to&#13;
was one between an author and his agent, and here, members and associates with the usual notice of&#13;
after careful consideration, it was decided that no general meeting.&#13;
help could be given to the author as he was bound Letters from the advertisement agents of The&#13;
by his agreement, although it was an exceedingly Author were read raising certain points in the&#13;
&#13;
&#13;
## p. 146 (#582) ############################################&#13;
&#13;
146&#13;
THE AUTHOR.&#13;
delivery of their accounts. It was decided to refer&#13;
them, with certain instructions, to the solicitors.&#13;
It was decided to invest £150 of the Life&#13;
Membership Subscriptions in the purchase of&#13;
Antofogasta and Bolivia Railway Five per cent. Pre-&#13;
ferred Ordinary Stock, and the secretary was&#13;
authorised to carry out the committee's instructions.&#13;
Two suggestions on minor points connected with&#13;
the management of the society were considered, but&#13;
it was felt that it would not be to the advantage of&#13;
the members to adopt either of them.&#13;
The secretary reported that two members had&#13;
paid life membership subscriptions—Mrs. Stanley&#13;
Wrench and Mr. Dudley Buxton.&#13;
Cases.&#13;
DURING the past month twelve cases have been&#13;
placed in the hands of the secretary. Four of&#13;
these refer to claims for the return of MSS., and&#13;
in three cases the MSS. have been returned and&#13;
forwarded to the members concerned. Two claims&#13;
for accounts and money have been dealt with ; one&#13;
has had to be transferred to the solicitors of the&#13;
society, as the publisher refused to answer the letters&#13;
which were written to him by the secretary ; the&#13;
other case is still in course of negotiation, as the&#13;
publisher, although he has answered the secretary's&#13;
letters, has not as yet delivered the accounts. There&#13;
was one case referring to breach of contract which&#13;
has been satisfactorily settled, and one case in&#13;
which accounts only were claimed. Two claims&#13;
for money due to members are still open, as they&#13;
have only recently come into the office. There&#13;
was one case referring to the infringement of&#13;
performing rights, which had to be taken in hand&#13;
immediately. The secretary is glad to report that&#13;
it has been terminated satisfactorily. There was&#13;
also one case with regard to the settlement of the&#13;
exact terms of a contract, which also has been&#13;
negotiated. Seven cases out of the twelve are&#13;
already at an end. This is a very healthy&#13;
record.&#13;
There are still three small claims open from the&#13;
former months : the others have either been settled&#13;
or handed over to the solicitors of the society.&#13;
DRAMATIC SUB-COMMITTEE.&#13;
The February meeting of the Dramatic Sub-&#13;
Committee of the Society of Authors was held at&#13;
the offices of the society on Friday, the 16th.&#13;
The minutes of the previous meeting having&#13;
been read and signed, the secretary laid before the&#13;
meeting an agreement which had been forwarded&#13;
to the society by one of the members, purporting&#13;
to be entered into between the Travelling Theatre&#13;
Managers' Association and dramatic authors. The&#13;
agreement was considered, and Mr. Raleigh explained&#13;
at some length the position of the association. It&#13;
was decided to appoint a sub-committee, consisting&#13;
of Mr. Cecil Raleigh, Mr. R. C. Carton, and Mr. G.&#13;
Bernard Shaw, to confer with the representative of&#13;
the association, in order, if possible, to arrange&#13;
satisfactory terms on behalf of the dramatists&#13;
inside the society. The secretary received instruc-&#13;
tions to enquire of the association's representative&#13;
whether he would make an appointment to meet&#13;
the sub-committee with a view to coming to some&#13;
agreement.&#13;
The contract for cinematograph productions,&#13;
adjourned from the last meeting, was rediscussed.&#13;
The secretary reported that he had as yet obtained&#13;
no further information from the French society, as&#13;
the report to be issued by that society was not yet&#13;
completed, but would be forwarded when ready.&#13;
The sub-committee decided to obtain information on&#13;
the subject from other countries.&#13;
The method of procedure to be followed in the&#13;
settlement of the general treaty between the&#13;
Dramatic Sub-Committee and the Dramatists' Club&#13;
was discussed. It was decided to forward a letter&#13;
to the secretary of the sub-committee appointed by&#13;
that club to consider the treaty, and to enquire on&#13;
what date the Dramatic Sub-Committee of the&#13;
society and the Dramatists' Club Sub-Committee&#13;
could meet in order to settle the final form of the&#13;
treaty. The secretary was instructed to carry&#13;
through the matter and report.&#13;
February Elections.&#13;
Atlay, J. B. .&#13;
Athenæum Club, S.W.&#13;
Ayre, Miss G. B. . Eastlemes, Colne,&#13;
Lancashire.&#13;
Baden-Powell, W., K.C.. 32, Princes Gate, S.W.&#13;
Bayly-Jones, Miss Jane . 24, Torphichen Street,&#13;
Edinburgh.&#13;
Bernard, H. D'Oyly . . 101, Albert Bridge&#13;
Road, S.W.&#13;
Boys, Gerald E. Le Mesurier&#13;
(Le Mesurier Boys) Barcelona, Spain.&#13;
Brebner, Percy James . The Upways, Spencer&#13;
Gardens, East Sheen,&#13;
S.W.&#13;
Brewin, The Rev. Robert. 106, Park Road,&#13;
Loughborough.&#13;
Bryan, Miss M. Theresa . Norden Court, Hen-&#13;
don, N.W.&#13;
Buchanan, Miss Emily H. Invera von, Christ-&#13;
church, Hants.&#13;
Buck, Percy C., M.A., Mus. 100, High Street,&#13;
Doc., Oxon. .. Harrow-on-the-Hill.&#13;
Buxton, Dr. Dudley W., 82, Mortimer Street,&#13;
M.D. . . . . Cavendish Square,&#13;
W.&#13;
&#13;
&#13;
## p. 147 (#583) ############################################&#13;
&#13;
THE AUTHOR.&#13;
147&#13;
Worthington, A. M., C.B.,&#13;
F.R.S.&#13;
Wright, William B. . . 14, Hume Street,&#13;
Dublin.&#13;
Yorke, Arnold . . . 30, First Avenue,&#13;
Acton Park, W.&#13;
Zangwill, Louis . . Authors' Club, S.W.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
mo&#13;
Cantrill, Harold . . Dorridge, Warwick-&#13;
shire.&#13;
Chesser, Mrs. E. Sloan . Beauchamp House,&#13;
Gloucester.&#13;
Colvile, Rex . . . 15, Colinette Road,&#13;
Putney.&#13;
Dunhill, Thomas Frederick 17, Frances Road,&#13;
Windsor.&#13;
Forsyth, Cecil . . . Blandford Mansions,&#13;
G., East Street,&#13;
Baker Street, W.&#13;
Fox, Esther T. . . . 69, Tressillian Road,&#13;
St. John's, S.E.&#13;
Freer, H. B. . . . Ardmore, Gravesend,&#13;
Kent.&#13;
Freestone, Saie. . . Hinton Chambers,&#13;
Bournemouth.&#13;
Gray, Miss Annabel . . 1, Mechlin Mansions,&#13;
Brook Green, S.W.&#13;
Griffiths, Miss N. . . Ridgeway, Dormans&#13;
Land, Surrey.&#13;
Hamilton, Cosmo . . L4 Uc. Albany, Picca-&#13;
dilly, W.&#13;
Hope, Graham . . . Women's Amalgama-&#13;
ted Unionist and&#13;
Tariff Reform&#13;
Association, 39a,&#13;
Maddox Street,&#13;
Hanover Square,&#13;
W.&#13;
Jones, Hinton . . . 99, Hallam Street,&#13;
Portland Place, W.&#13;
Leigh, Miss Gertrude . Nesbit Cottage, Win-&#13;
chelsea, Sussex.&#13;
Livens, W. Howard&#13;
(William Howard)&#13;
coln.&#13;
Morel, Jean . . . St. John's College,&#13;
(Claude Odilé)&#13;
H 2, Cambridge.&#13;
O'Donnell, Miss Petronella Nelson Villa. The&#13;
Beach, Clevedon,&#13;
Somerset.&#13;
Openshaw, Miss Mary . 37, Queen's Gate&#13;
Gardens, S.W.&#13;
Poole, M. C. Conway . E. I. United Service&#13;
(Oslay)&#13;
Club.&#13;
Poore, Niss L. C. . . Rainhill, Liverpool.&#13;
Simpson, Violet A.&#13;
Sowerby, Getha.&#13;
Spry-Palmer.&#13;
Sugden, Charles . . 2c, Hyde Park Man-&#13;
sions, N.W.&#13;
Wallis, Arthur F. . . 15, Stanley Crescent,&#13;
Webster, William H. . 31, Stratford Street,&#13;
Dewsbury Road,&#13;
Leeds.&#13;
Whibley, Charles . . Wavenden Manor,&#13;
Woburn Sands.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate.&#13;
BIOGRAPHY.&#13;
MRS. GASKELL: WITH SELECTIONS FROM HER WORKS.&#13;
By MRS. ELLIS H. CHADWICK. Regent Library Series.&#13;
7 X 44. 387 pp. Herbert &amp; Daniel. 28. 6d. n.&#13;
CHARLES DICKENS AS EDITOR. Being Letters written by&#13;
Him to William Henry Wills, his Sub-Editor. Selected&#13;
and Edited by R. C. LEHMANN. 9 x 51. 104 pp.&#13;
Smith Elder. 128. 6d. n.&#13;
A COSMOPOLITAN ACTOR : DAVID GARRICK AND HIS&#13;
FRENCH FRIENDS. By F. A. HEDGECOCK. 9 x 57.&#13;
412 pp. Stanley Paul, 10s. 6. n.&#13;
CLASSICAL.&#13;
CLASSIC MYTH AND LEGEND. By A. R. HOPE MON-&#13;
CRIEFF. 83 x 51. 440 pp. Gresham Publishing Co.&#13;
78. 64. n.&#13;
DRAMA.&#13;
Two PLAYS,!By TCHEKHOF: THE SEAGULL, THE CHERRY&#13;
ORCHARD. Translated by GEORGE CALDERON. 8 x 53.&#13;
155 pp. Grant Richards. 38. 6d. n.&#13;
THE PIGEON. A Fantasy in Three Acts. By JOHN&#13;
GALSWORTHY. 63 x 5. 83 pp. Duckworth. ls. 6d. n.&#13;
CHAUCER REDIVIVUS. A Playlet for the open air or hall.&#13;
By WILLIAM SCOTT DURRANT. George Allen &amp; Co.,&#13;
Ltd. 6d. n.&#13;
EDUCATIONAL,&#13;
WONDERS OF PLANT LIFE. By S. LEONARD BASTIN.&#13;
Cassell &amp; Co. 38. 6d.&#13;
W.&#13;
FICTION&#13;
SUCCESS. By Una L. SILBERRAD. 7 x 5. 316 pp.&#13;
Constable. 68.&#13;
THE PRISON WITHOUT A WALL. By R. STRAUS. 73 x 5.&#13;
307 pp. Heinemann. 68.&#13;
THE DEVIL'S WIND. By PATRICIA WENTWORTH (MRS.&#13;
G.F. DILLON). 73 * 5. 352 pp. Melrose.&#13;
HONESTY. By M. E. FRANCIS. 74 . 320 pp. Hodder &amp;&#13;
Stoughton. 68.&#13;
THE PRINCIPAL GIRL. By J.C. SNAITH. 73 x 5. 312 pp.&#13;
Methuen. 68&#13;
&#13;
&#13;
## p. 148 (#584) ############################################&#13;
&#13;
148&#13;
THE AUTHOR.&#13;
THE CURE. A Psychological Farce. By DESMOND COKE.&#13;
MISCELLANEOUS.&#13;
78 x 5. 310 pp. Chapman &amp; Hall.&#13;
HAVOC.&#13;
MOTHERCRAFT. By MRS. ELLIS H. CHADWICK. 77 x 5.&#13;
By E. P. OPPENHEIM. 7 x 5. 349 Pp. 126 pp. Sir Isaac Pitman &amp; Sons. lx.&#13;
Hodder &amp; Stoughton. 68.&#13;
LETTERS TO LOO ISE ON LIFE, LOVE AND IMMORTALITY.&#13;
A QUEEN OF CASTAWAYS. By John BARNETT. 77 x 5.&#13;
By JEAN DELAIRE. 192 pp. William Rider &amp; Son, Ltd.&#13;
308 pp. Methuen. 38. 6d.&#13;
28. 6d. n.&#13;
RUTH OF THE ROWLDRICH. By MRS. STANLEY WRENCH.&#13;
MUSIC.&#13;
78 * 5. 368 pp. Mills &amp; Boon. 68.&#13;
Exit ELIZA. By BARRY PAIN. 7 x 5. 120 pp. A FAIRY TALE. By THEODORE HOLLAND. Words by&#13;
Cassell. 18.&#13;
ROLAND CARSE. Boosey &amp; Co., 295, Regent Street, W.&#13;
THE SPINDLE. By ELIZABETH HARDEN. 356 pp. John MIRAGE. A Valse. By THEODORE HOLLAND. John&#13;
Long. 68.&#13;
Church Co., 45, Wigmore Street.&#13;
THE RIGHT HAND. By J. BLOUNDELLE-BURTON. Everett&#13;
NATURAL HISTORY.&#13;
&amp; Co. 6s.&#13;
DEAD MEN'S BELLS. Ry FREDERICK NIVEN. 310 pp. THE MIGRATION OF BIRDS. By T. A. COWARD. The&#13;
Martin Secker, 68.&#13;
Cambridge Manuals of Science and Literature. 61 x 5.&#13;
THE CHINK IN THE ARMOUR. By MRS. BELLOC 137 pp. Cambridge University Press. 18. n.&#13;
LOWNDES. 73 x 5. 316 pp. Methuen. 68.&#13;
BRITISH BIRDS' NESTS, How, WHERE AND WHEN TO&#13;
THE COWARD. By R. H. BENSON. 73 x 5. 392 pp. FIND AND IDENTIFY THEM. By R. KEARTON. Part I.&#13;
Hutchinson. 68.&#13;
93 x 61. 32 pp. Cassell. 7d. n.&#13;
THE ROOM IN THE TOWER. By E. F. BENSON. 78 X 5.&#13;
338 pp. Mills &amp; Boon. 68.&#13;
POLITICAL.&#13;
FIRE IN STUBBLE. By THE BARONESS ORCZY. 73 X 5, HOME RULE. By HAROLD SPENDER. With a preface by&#13;
410 pp. Methuen. 6s.&#13;
THE RIGHT HONOURABLE SIR EDWARD GREY, BART.&#13;
ETERNAL GLORY. By CARLTON DAWE. 73 x 5. 352 pp. M.P. 7 X 5. 180 pp. Hodder &amp; Stoughton. 18. D.&#13;
Eveleigh Nash. 68.&#13;
SAM BRIGGS: His Book. By RICHARD MARSH. 7 x 5.&#13;
REFERENCE BOOKS.&#13;
304 pp. John Long. 68.&#13;
Who's WHO IN SCIENCE (International). Edited by H.&#13;
THE SINGING BONE. By R. AI'STIN FREEMAN. 78 X 5.&#13;
H. STEPHENSON. 94 x 57. 323 pp. J. &amp; A. Churchill.&#13;
312 pp. Hodder &amp; Stoughton. 28. n.&#13;
THE THREE ENVELOPES. By HAMILTON DRUMMOND.&#13;
SCIENCE.&#13;
73 X 43. 319 pp. Stanley Paul. 68.&#13;
FOURTH REPORT OF THE WELLCOME TROPICAL RESEARCH&#13;
CYNTHIA OF THE MINUTE. By L. J. VANCE. 78 x 5.&#13;
LABORATORIES AT THE GORDON MEMORIAL COLLEGE.&#13;
318 pp. Grant Richards. 68.&#13;
KHARTOUM. Vol. B. General Science. By A. BALFOCR,&#13;
RUPERT OF HENTZAU. By ANTHONY HOPE. 61 X 4.&#13;
M.D. 11 x 73. 333 pp. Published for the Department&#13;
Nelson. 7d. n.&#13;
of Education, Sudan Government, Khartoum. Ballière,&#13;
MIRANDA OF THE BALCONY. By A. E. W. MASON.&#13;
Tindall &amp; Cox.&#13;
256 pp. Macmillan. 7d. n.&#13;
188. n.&#13;
THE WOMAN HUNTER. By ARABELLA KENEALY, 7} x 5.&#13;
TRAVEL.&#13;
334 pp. Stanley Paul. 68.&#13;
THE ARCTIC PRAIRIES. By ERNEST THOMPSOS SETOS.&#13;
ESTHER. By AGNES E. JACOMB. 74 x 5. 303 pp. 9 x 51. 415 pp. Constable. 12s. 60. 11.&#13;
Heinemann. 6s.&#13;
RUINS OF DESERT CATHAY. Personal Narrative of&#13;
HERITAGE. By VALENTINA HAWTREY. 7{ x 5. 389 pp.&#13;
Explorations in Central Asia and Westernmost China.&#13;
Constable. 6s.&#13;
By M. AUREL STEIN. Two volumes. 94 X 64. 517 pp.&#13;
FELIX ('HRISTIE. By PEGGY WEBLING. 73 5. 345 pp. Macmillan. 428. n,&#13;
Methuen. 68.&#13;
SCENTED ISLES AND CORAL GARDENS. Torres Straits,&#13;
THE ENDLESS JOURNEY AND OTHER STORIES. By NETTA&#13;
German New Guinea, and the Dutch East Indies. Br&#13;
SYRETT. 73 X 43. 317 pp. Chatto &amp; Windus. 68.&#13;
C. D. MACKELLAR. 9 X 54. 351 pp. Murray. 158. Il.&#13;
THE GIFTED NAME. By MRS. FRED REYNOLDS. 73 x 5.&#13;
307 pp. Hodder &amp; Stoughton. 68.&#13;
THE CLOAK OF CONVENTION. By LESLIE MOORE. 75 X 5.&#13;
326 pp. Alston Rivers. 68.&#13;
THE OPEN VALLEY. By HELEN H. WATSON (MRS. BOOKS PUBLISHED IN AMERICA BY&#13;
HERBERT A. WATSON). 78 X 5. 344 pp. Cassell. 68.&#13;
MEMBERS.&#13;
THIRTEEN. By TEMPLE THURSTON. 78 X 5. 279 pp.&#13;
Chapman &amp; Hall. 68.&#13;
VEENI THE MASTER. - The Story of a Dream.” By&#13;
ART.&#13;
R. J. LAMPORT. 78 x 5. 305 pp. Stanley Paul. 6s.&#13;
TONY U'NREGENERATE. By JANET DODGE. 73 X 5. WHISTLER. By FRANK RUTTER. New York: Kennerler.&#13;
312 pp. Duckworth. 68.&#13;
$1 n.&#13;
A BLIND ALLEY. By S. W. SAVI. 74 x 5. Digby Long.&#13;
BIOGRAPHY.&#13;
68.&#13;
THE STORY OF EMMA, LADY HAMILTON. With 30&#13;
BARTER. By GERTIE DE S, WENTWORTH JAMES. 8 x 5.&#13;
Reproductiuns in Colour of famous Paintings and&#13;
318 pp. Everett. tis.&#13;
Engravings, and other Illustrations. 2 Volumes. By&#13;
IN LOVE'S LAND. By EFFIE A. ROWLANDS. 73 x 5. FRANK DANBY. 107 + 113 pp. New York:&#13;
319 pp. Ward Lock. 68.&#13;
Macmillan Co. $1.75.&#13;
LORD OF TRONGRAY. By J. B. HARRIS-BURLAND. 7} x 5. THE LIFE OF JOHN RUSKIN. In 2 Volumes. Vol. I.&#13;
365 pp. Greening. 68.&#13;
1819-1860; Vol. II. 1860-1900. By E. T. COOK.&#13;
JUVENILE.&#13;
540 + 615 pp. New York : Macmillan Co. $7 n.&#13;
THE ROMANTIC LIFE OF SHELLEY AND THE SEQUEL. By&#13;
WHERE THE HEDGEROWS END, AND OTHER FAIRY TALES. FRANCIS GRIBBLE. 387 pp. New York: Putnams&#13;
By - ISH BEL." 64 pp. John Ouseley. 18, n.&#13;
$4 n.&#13;
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## p. 149 (#585) ############################################&#13;
&#13;
THE AUTHOR.&#13;
149&#13;
TOPOGRAPHY.&#13;
VENICE AND VENETIA. By EDWARD HUTTON. With&#13;
14 Illustrations in Colour by MAXWELL ARMFIELD, and&#13;
12 other Illustrations. 324 pp. New York: Macmillan&#13;
Co. $2 n.&#13;
TRAVEL.&#13;
THROUGH TRACKLESS LABRADOR. By HESKETH&#13;
PRICHARD. With a Chapter on Fishing by G. M.&#13;
GATHORNE HARDY. Illustrated with a Frontispiece. By&#13;
LADY HELEN GRAHAM. A Map of the Route, and from&#13;
photographs. 244 pp. New York : Sturgis. $4 n.&#13;
THE ARCTIC PRAIRIES. A Canoe Journey of 2,000 miles in&#13;
search of Caribou. Being the Account of Voyage to the&#13;
Region North of Aylmer Lake. 415 pp. New York :&#13;
Scribner. $2.50.&#13;
THE SURGEON'S Log. Being Impressions of the Far&#13;
East. By J. JOHNSTON ABRAHAM. 388 pp. New&#13;
York : Dutton. $2.50 n.&#13;
THE LEAVES OF THE TREE; STUDIES IN BIOGRAPHY.&#13;
By ARTHUR C. BENSON. 154 pp. New York: Putnam.&#13;
$1.50 n.&#13;
THE LIFE OF JAMES MACNEILL WHISTLER. By MRS. E.&#13;
ROBINS. PENNELL &amp; JOSEPH PENNELL. Phil. :&#13;
Lippincott. $3.50 n.&#13;
DRAMA.&#13;
THE BLUE BIRD. A Fairy Play in Six Acts. By MAURICE&#13;
MAETERLINCK. Translated by ALEXANDER TEIXEIRA&#13;
DE MATTOS. With 25 Illustrations in Colour by F.&#13;
CAYLEY ROBINSON. 211 pp. New York : Dodd Mead.&#13;
$1.50 n.&#13;
FICTION.&#13;
THE BARON'S HEIR. A Sixteenth Century Romance for&#13;
Young People. By ALICE WILson Fox. With Illustra-&#13;
tions Designed by JOYCE BURGES. 352 pp. New York:&#13;
Macmillan. $1.35 n.&#13;
WHEN NO MAN PURSUETA. By M. A. BELLOC LOWNDES.&#13;
396 pp. New York : Kennerley. $1.35 n.&#13;
Havoc. By E. P. OPPENHEIM. With Illustrations in&#13;
Colour by HOWARD CHANDLER CHRISTY. 323 pp.&#13;
Boston : Little Brown. $1.25 n.&#13;
DOOR IN THE WALL AND OTHER STORIES. By H. G.&#13;
WELLS. New York: Kennerley. $1.50 n.&#13;
CHRISTOPHER. By RICHARD PRYCE. 364 pp. Boston :&#13;
Houghton Mifflin. $1.35 n.&#13;
THE MONEY MOON: A ROMANCE. By JEFFERY FARNOL.&#13;
330 pp. New York : Dodd Mead. $3.75 n.&#13;
A BED OF ROSES. By W. L. GEORGE. New York.&#13;
Brentanos. $1.35.&#13;
LITTLE LORD FAUNTLEROY. By FRANCES HODGSON&#13;
BURNETT. Newly illustrated by REGINALD BIRCH.&#13;
246 pp. New York : Scribner. $2 n.&#13;
THE COMPOSER. By AGNES &amp; EGERTON CASTLE.&#13;
289 pp. New York : Doubleday Page. $1.20.&#13;
THE CASE OF RICHARD MEYNELL. By Mrs. HUMPHRY&#13;
WARD. Illustrated by C. E. BROCK. 630 pp. New&#13;
York : Doubleday Page. $1.35 1.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
NOTES.&#13;
JUVENILE.&#13;
CHILDREN'S STORIES FROM SHAKESPEARE. By E.&#13;
NESBIT. 124 pp. New York: R. Tuck &amp; Sons. $2.&#13;
JOHN TEMPLE, Merchant Adventurer, Convict and Con-&#13;
quistadore. By RALPH DURAND. 371 pp. New York:&#13;
Macmillan. $1.25 n.&#13;
MISCELLANEOUS.&#13;
MORE LETTERS TO My Son. By WINIFRED JAMES.&#13;
134 pp. New York : Moffat, Yard. $1 n.&#13;
FLOREAT ETONA: Anecdotes and Memories of Eton&#13;
College. By RALPH NEVILL. 336 pp. New York :&#13;
Macmillan. $5 n.&#13;
MUSIC.&#13;
STYLE IN MUSICAL ART. By Sir HUBERT PARRY.&#13;
439 pp. New York : Macmillan. $3.25 n.&#13;
POST-VICTORIAN MUSIC. With other Studies and Sketches.&#13;
By C. L. GRAVES. 369 pp. New York : Macmillan&#13;
Co. $2 n.&#13;
PoᎬᎢᎡY.&#13;
PsychE. By FRANCIS COUTTS. 69 pp. New York :&#13;
John Lane. $1.25 n.&#13;
SCIENCE.&#13;
THE ORIGIN OF LIFE. Being an Account of Experiments&#13;
with certain Superheated Saline Solutions in Hermetically&#13;
Sealed Vessels. With 10 Plates, containing numerous&#13;
illustrations from Photo-micographs. By H. CHARLTON&#13;
BASTIAN. 119 pp. New York : Putnams. $1.50 n.&#13;
N January 18, after a brief illness, Miss Ida&#13;
Woodward died at Bournemouth, much&#13;
regretted. She had been a member of the&#13;
Authors' Society but for a short time, but not too&#13;
short for her to have formed a high opinion of its&#13;
utility. She was the writer of “ A History of&#13;
Purbeck,” and of “ Five English Consorts of&#13;
Foreign Princes,” published by Messrs. Methuen in&#13;
1911. The book was very favourably received, and&#13;
had the honour of being included in the list of&#13;
those accepted by their Majesties for reading during&#13;
the voyage to India.&#13;
“Where the Hedgerows End, and other Fairy&#13;
Tales," by “Ishbel," has been published by Messrs.&#13;
John Ouseley. There are seven stories in the&#13;
volume, besides the one from which it takes its&#13;
title.&#13;
A second edition of “ An Englishman," by&#13;
Mary L. Pendered, is to appear shortly from the&#13;
house of Messrs. Mills &amp; Boon, through the courtesy&#13;
of Messrs. Methuen &amp; Co., who have kindly cancelled&#13;
the agreement made by them in 1899, when the&#13;
novel first appeared. “In My Garden," a little&#13;
anthology and memorandum book for Nature lovers,&#13;
compiled by the same author and Alice Stronach in&#13;
collaboration, is also to be republished by Messrs.&#13;
Perkins &amp; Co., of Wellingborough ; London agents,&#13;
Messrs. Simpkin, Marshall &amp; Co. This will be its&#13;
third edition, making 6,000 copies. It is timed to&#13;
appear at Easter.&#13;
Count Plunkett, F.S.A., has been elected President&#13;
of the Royal Society of Antiquaries of Ireland. He&#13;
bas lately published. for the Dublin Museum of&#13;
Science and Art, a thoroughly revised edition to&#13;
Miss Stokes' “ Early Christian Irt in Ireland."&#13;
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## p. 150 (#586) ############################################&#13;
&#13;
150&#13;
THE AUTHOR.&#13;
Mr. Vladimir Cernicoff, the Russian pianist, has subject; and some 250 authors in all are repre-&#13;
included Mr. Theodore Holland's new pianoforte sented. The Anthology will appear in the Oxford&#13;
pieces, “ Prelude” and “ Cradle Song," in his Editions of Standard Authors.&#13;
recent tour in Germany.&#13;
“ The Open Valley," a new novel by Mrs. Herbert&#13;
Messrs. F. V. White &amp; Co. published, last month, A. Watson (Helen H. Watson), has been published&#13;
a theatrical novel by Gertrude Warden, entitled by Messrs. Cassell &amp; Co. in February. Messrs.&#13;
“ The Path of Virtue." Miss Warden has had Mills &amp; Boon are issuing early in the new year&#13;
seventeen years' experience of stage work in a cheap reprint of Mrs. Watson's novel “ The&#13;
London, the provinces and America.&#13;
Captain's Daughter."&#13;
Two of Dr. Reinhardt's books are being issued We have been asked to note that the English&#13;
by Stead's Publishing House, Kingsway. The Review, commencing with the January number,&#13;
first is entitled “Science and the Soul," and deals 1912, will be issued at the reduced price of 1s.&#13;
with a subject of universal interest. It is issued (12s. 6d. annual subscription, post free to all parts of&#13;
at 2s. The other book is a new edition of Dr. the world).&#13;
Reinhardt's ls, treatise, “ Diet and the Maximum Mr. George A. Birmingham has just published&#13;
Duration of Life," of which upwards of ten “The Lighter Side of Irish Life,” with sixteen colour&#13;
thousand copies have already been issued.&#13;
illustrations by Henry W. Kerr, R.S.A., at the&#13;
“ Dead Men's Bells” is the title of Mr. Frederick price of 5s. net, from the house of T. X. Foulis.&#13;
Niven's new book. Mr. Martin Secker is the The book is written in Mr. Birmingham's best&#13;
publisher.&#13;
vein, and has many good stories, but there is also a&#13;
The World's Work for February contains great deal of sound information about the people,&#13;
an article by Mr. H. F. Prevost Battersby on their habits and customs. The illustrations are&#13;
“Tolstoy as a Schoolmaster.” The same issue con- quite first class and well reproduced.&#13;
tains an article entitled “ Agricultural Education “Vagabond City," Miss Winifred Boggs' new&#13;
vid the Dairy,” by “ Home Counties.” It treats of book, is published by Messrs. Putnams. The action&#13;
aspects of dairying and agricultural progress in the of the story takes place in the New Forest.&#13;
Netherlands.&#13;
The Rev. F. T. Royd's new book, “ Job and the&#13;
The Poetry Review for February has an article Problem of Suffering,” published by Messrs. Wells,&#13;
on The Lyric, by Darrell Figgis.&#13;
Gardner &amp; Co., is designed to appeal alike to the&#13;
Irene Osgood has published, through Messrs. general reader and the theological student. Special&#13;
Weekes &amp; Co., four songs, entitled respectively, attention is given to interesting and difficult&#13;
“I Wonder," " Wood Violets,” “ The Coronation passages with the aid of the best modern Hebrew&#13;
of the Pixies” and “ Petitions.”&#13;
scholarships. Many parallels are quoted from&#13;
“ Chaucer Redivivus” (Allen, 6d.) is a playlet by classical and modern literature, and an original&#13;
Mr. Scott Durrant for the open air or hall. Its essay is included on the Problem of Suffering in&#13;
appeal is to literary societies, senior schools, etc., the Light of Christianity and modern thought.&#13;
and it presents, in not too archaic “Chaucerese," a Sir James Yoxall, M.P., was unanimously elected&#13;
frolicsome story of the sixth wooing and marriage President of the British International Association&#13;
of the Wyf of Bathe.&#13;
of Journalists, at the recent annual meeting of that&#13;
Mr. Scott Durrant has also an article in the body, particulars of which may be obtained from&#13;
February issue of The Treasury on - The Children's the secretary, Mr. James Baker. The address of&#13;
Crusade of 1212.”&#13;
the Association is La Belle Sauvage, E.C.&#13;
The “Literary Year Book” will, we understand, “ Henrietta Taking Notes," by Miss E. Crosby&#13;
in future, be published by Mr. John Ouseley. Heath, gives the impressions of a little girl of&#13;
Messrs. Chapman &amp; Hall are publishing “ The eleven, daughter of a dramatic critic, concerning&#13;
Fly in the Ointment,” a first novel by Frances her family and her friends. John Lane, the&#13;
Hammond. The heroine is a young girl, Theo Bodley Head, is the London publisher. There is&#13;
Hope, whose fortunate circumstances are discounted a mingling of humour and pathos in the book,&#13;
by the fact that from birth she is doomed to be which is also published in America, where the&#13;
"different.” The plot deals with the development publishers are the John Lane Co.&#13;
of her character from the moment when she M r. J. Bloundelle Burton has recently published.&#13;
realises her fate until, after many vicissitudes, she through Messrs. Everett &amp; Co., a novel entitled&#13;
attains happiness and peace of mind.&#13;
“The Right Hand.”&#13;
“The Book-Lovers' Anthology," edited, with Messrs. Chapman &amp; Hall have just issued the&#13;
notes, by R. M. Leonard, will be issued immediately fourth volume of the two-shilling edition of the&#13;
by Mr. Frowde. It consists of passages in poetry " John Westacott" novels. This volume is Mark&#13;
and prose relating to books in all their aspects, Tillotson,” the novel that deals with the Cornish&#13;
libraries, and reading, grouped according to the coast and the river scenery of the Elbe, the charac-&#13;
&#13;
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## p. 151 (#587) ############################################&#13;
&#13;
THE AUTHOR.&#13;
151&#13;
ters being English, with the exception of the month. Messrs. John Church &amp; Co. publish the&#13;
Raphaellis. The author, James Baker, is now valse.&#13;
engaged upon a volume upon Austria, to be illus- Mrs. Ellis H. Chadwick has published, through&#13;
trated in colour by Donald Maxwell.&#13;
Messrs. Herbert and Daniel, a volume on “Mrs.&#13;
Miss Regina Miriam Bloch will give a reading of Gaskell : with Selections from her Works," which&#13;
her own work at the Studio Theatre, 92, Victoria has been included in the Regent Library Series&#13;
Street, Westminster, S.W., on March 10, at issued by that firm.&#13;
8 p.m. She will be assisted by Mr. Julian Gade, Messrs. Sir Isaac Pitman and Sons have&#13;
Mrs. Norman Ma Owan (of “Monsieur Beau- published, at ls. “Mothercraft," another volume&#13;
caire”), and others. The reading, which comprises from Mrs. Chadwick's pen.&#13;
fantasies, stories, and poems, is under the patronage Mr. Andrew Melrose announces for immediate&#13;
of Lord Montagu of Beaulieu, the Hon. Lady B. publication, a volume by Mr. G. H. Perris dealing&#13;
Fremantle, Mr. Israel Zangwill, and Mr. Theodore with Great Britain's foreign policy. Mr. Perris'&#13;
Watts-Dunton. Tickets at 23. 6d. each can be aim has been primarily to provide in this volume a&#13;
obtained from Miss R. M. Bloch, at 8, John Street, record of facts, and only secondarily a discussion&#13;
Adelphi, W.C.&#13;
of tendencies and principles. A detailed narrative&#13;
Messrs. Stanley Paul &amp; Co. have recently pub- of the Moroccan crisis of last autumn is given in&#13;
lished an intimate study of the social and artistic the volume, which will be published under the title&#13;
life of David Garrick, entitled “ David Garrick and of“ Our Foreign Policy and Sir Edward Grey's&#13;
his French Friends,” by Dr. F. A. Hedgcock. The Failure."&#13;
author deals largely with the great actor's friend- Mr. Heinemann published in February Agnes E.&#13;
ships with the distinguished French men and Jacomb's new novel “ Esther.”&#13;
women of his day. The dazzling society of the Mr. S. Leonard Bastin has published, through&#13;
philosophic salons, and the tinsel glories of the Messrs. Cassell &amp; Co., “Wonders of Plant Life.”&#13;
Comédie Française of the period are made to live It is published at 3s. 6d.&#13;
again by brief portraits of Diderot, d'Holbach, In “Letters to Louise on Life, Love and&#13;
Borellet, Suard, Mme. Riccoboni, Mlle. Clairon, Immortality,” Madame Jean Delaire depicts much&#13;
and others. Dr. Hedgcock has many stories to tell of the intellectual and emotional unrest of the&#13;
of the great master of tragedy, comedy, and farce, present day, reflected in the mind of a brilliant&#13;
and gives many examples of his drolleries, his witty woman of the world, who, in the form of letters&#13;
sallies, and his amusing escapades. He also gives written to an old friend across the seas, reveals her&#13;
a critical estimate of Garrick's histrionic achieve struggles towards truth, and a clear understanding&#13;
ments.&#13;
of the great world problems. Messrs. William&#13;
" The Three Envelopes” is the title of a new Rider &amp; Son, Ltd., are the publishers.&#13;
novel from the pen of Mr. Hamilton Drummond Messrs. John Long, Ltd., have recently published&#13;
which Messrs. Stanley Paul &amp; Co. have just a novel called “The Spinale," which is from the&#13;
published. In this story the author breaks fresh pen of Miss Elizabeth Harden.&#13;
ground-touching the weird and supernatural. It A small book by a member of the society entitled&#13;
tells of one Corley, who, weary of humdrum exist- “ The Land of Shadows : or Mad as à March&#13;
ence, makes the acquaintance of a strange society, Hare," and commended to Mr. Lloyd George, has&#13;
“ The Society for Promoting Queer Results,” and lately appeared. Messrs. W. H. Smith and Sons&#13;
of the many remarkable experiences which befall are the publishers, the price is 6d. The book is a&#13;
him in consequence.&#13;
skit on the present Government.&#13;
Messrs. Stanley Paul &amp; Co. have also published Two books by Professor Skeat have reached a&#13;
" Veeni the Master," a new novel by R. Fifield second edition and are now ready ; viz. “ English&#13;
Lamport. The dissolution of the world Earth Dialects ” (Pitt Press); and “ The Place-names of&#13;
and the reincarnation in the world Zan, and the Cambridgeshire" (Cambridge Antiquarian Society).&#13;
many subsequent strange events are its subject. Derek Vane is now writing a serial story for&#13;
A new novel by “Rita” (Mrs. Desmond the National Press Agency, Ltd., and half a dozen&#13;
Humphreys) will shortly be published by Mr. short stories for The Throne. Stories by the same&#13;
Eveleigh Nash. It deals with that rather ticklish author are also shortly appearing in the ** London "&#13;
subject, the “Nonconformist conscience.” The title and “Novel” magazines.&#13;
is “ Grim Justice.”&#13;
A new edition of Mr. Sidney Heath's “Our&#13;
A new song by Mr. Theodore Holland, “A Fairy Homeland Churches and How to Study Them”&#13;
Tale” (words by Rowland ('arse), was published will shortly be published by the Homeland Associa-&#13;
last month by Messrs. Boosey &amp; Co.&#13;
tion. The text has been remodelled and lengthened ;&#13;
A new valse by Mr. Holland, entitled “Mirage,” the illustrations have been revised, and now include&#13;
is to come out at the Albert Hall on the 6th of this a series of architectural drawings by Mr. J. R.&#13;
&#13;
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## p. 152 (#588) ############################################&#13;
&#13;
152&#13;
THE AUTHOR.&#13;
Leathart. The new edition, which completes the Yeats' Morality “ The Hour Glass," Father Adder-&#13;
ninth thousand of the book, will be issued in the ley's “ Twelfth Night” Interlude “ Epiphany," and&#13;
form of the “Homeland” Pocket Books at half- Lady Gregory's Miracle Play “The Travelling&#13;
a-crown nett.&#13;
Man” were the plays produced. The cast included&#13;
1: Mr. John Long will publish shortly a new novel Miss Edyth Latimer, Miss Margaret Halstan, Mr.&#13;
from the pen of Mr. Charles Igglesden, author of William Haviland, Mr. James Hearn and Mr. W.&#13;
“A Flutter with Fate," and several topographical G. Fay.&#13;
works on Kent. “Clouds" is the title of Mr. A one-act play “The Lady Cashier," by H. M.&#13;
Igglesden's new novel, which describes the efforts Paull, was produced at the Coronet Theatre on&#13;
of the son of a tradesman to raise a farmhouse girl February 5, preceding “ Baby Mine” at that&#13;
to the status that he himself holds. Mr. Igglesden, theatre. A lady cashier, coming into an unexpected&#13;
in the course of the story, gives the reader glimpses inheritance from an uncle abroad, leaves her employ-&#13;
of historic spots in Kent.&#13;
ment and proceeds to spend her inheritance on the&#13;
The third volume in Messis. G. P. Putnam's Continent. It appears, subsequently, that the&#13;
Mauve Library is “ The End of a Song,” by money should have gone to a nearer relative, whose&#13;
Jeannette Marks. It is a simple tale of life in a death had been too hastily assumed. Meanwhile,&#13;
little Welsh village, and the theme is the love the lady has become engaged to a baronet, who&#13;
between the heroine (a dear old woman) and the promptly throws her over on learning the truth as&#13;
hero, a baby boy.&#13;
to her fortune, and the lady returns to the restaurant,&#13;
Mrs. Mary Gaunt's book “ Alone in West where she confides in one of the customers, a&#13;
Africa ” was published by Mr. Werner Laurie on solicitor, who promises to act for her in a breach of&#13;
January 15. Mrs. Gaunt made an overland promise action, without knowing that the defendant&#13;
journey along the Gold Coast, and then turned is one of his clients. The baronet consults him,&#13;
inland in a canoe up the little known Voltaa river, and the two endeavour to pacify the lady, even-&#13;
and thence by paths across the hilly country into tually, with success. Miss Amy Willard, Mr. E.&#13;
the German territory of Togo. She visited the Spencer Geach, and Mr. Edward Leith are in the&#13;
sleeping sickness camp at Mount Klutow, made piece.&#13;
her way to Lome, the capital, and thence overland Sir Arthur Pinero's comedy, in four acts, “ The&#13;
again to Keta, in British territory, once more. Mind the Paint' Girl," was produced at the Duke&#13;
She next visited Ashanti and journeyed to Sunyani, of York's Theatre on February 17. The play&#13;
which now is one of the richest possessions of deals with the life, off the stage, of musical&#13;
the British crown. Mrs. Gaunt's book is illus- comedy girls, as well as of their admirers. The&#13;
trated with 100 plates from photographs taken by cast includes Mr. Allen Aynesworth, Mr. Nigel&#13;
herself.&#13;
Playfair, Miss Marie Löhr, and Miss Clare Greet.&#13;
On February 23, Mr. Martin Secker published “In face of the Enemy,” by E. White, is a&#13;
Mr. Laurence North's new novel “ The Golightlys, dramatic sketch in one act, and deals with an&#13;
Father and Son." In this story Mr. North (Mr. episode during the war between France and&#13;
J. D. Symon) has written in an entirely different Germany, just after the battle of Saarbruck. It&#13;
vein from that of his former books—“Syrinx” and is published from The Booklet Press, Broadway,&#13;
“ Impatient Griselda.”&#13;
Amersham, Bucks.&#13;
DRAMATIC&#13;
Mr. John Galsworthy's new play, “ The Pigeon,"&#13;
was produced at the Royalty Theatre last month.&#13;
“ The Pigeon” is a great-hearted artist who hates&#13;
PARIS NOTES.&#13;
to see a fellow-being suffer. In consequence, he&#13;
befriends a flower-girl, a broken-down cabman, and&#13;
an alien interpreter. His efforts towards the re- “ CYATHERINE SFORZA (1463–1509): une&#13;
demption of these three “ wasters” are not, how U Héroïne de la Renaissance italienne,” is&#13;
ever, successful, and the vagrancy problem of&#13;
a résumé of the famous book by Pier-&#13;
which they are a part remains unsolved. The Desiderio Pasolini. It is very cleverly compiled&#13;
cast includes Mr. Dennis Eadie, Miss Margaret by Marc Helys, who also writes an excellent intro-&#13;
Morris, Mr. Whitford Kane, and Mr. Wilfrid duction to her work. Several historians hare&#13;
Shine.&#13;
written accounts of this wonderful woman. One&#13;
The Morality Play Society presented a triple bill of Catherine's grandsons wrote the life of Jean de&#13;
ast month at the Court Theatre, when four perform Médicis, and devoted several pages of this book to&#13;
ances were given of plays by W. B. Yeats, the Ilon. the exploits of his ancestress. A Spanish monk,&#13;
and Rev. J. G. Adderley, and Lady Gregory: Mr. the historian Burriel, on being exiled from his&#13;
&#13;
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## p. 153 (#589) ############################################&#13;
&#13;
THE AUTHOR.&#13;
153&#13;
country, took refuge at Forli, where he lived for departure by this talented writer. Up to the&#13;
many years. He was the first to examine the present Pierre Mille is chiefly known for his clever&#13;
archives relating to Catherine Sforza, so that it is psychological studies of Frenchmen in the colonies.&#13;
to him we owe the first important biography of We have already drawn attention to Barnavaux&#13;
this heroine. His admiration for her caused him in exile. In this new book we have a very&#13;
to idealise her character and deeds to such a degree delicate and subtle pyschological study of a child.&#13;
that his work does not give us a correct idea of We have the author's first conversation with Caillou,&#13;
her. Towards the end of the nineteenth century a boy of five years old. From this first conversa-&#13;
Count Pier-Desiderio Pasolini published a bio- tion he is able to understand something of the child's&#13;
graphy of Catherine Sforza, which may be con- soul, of his character, his tastes, and his ideas.&#13;
sidered as an authentic account of this celebrated As time goes on, he and Caillou find they have much&#13;
Italian woman. The Pasolini family is as old as in common, and they confide in each other accord-&#13;
the Sforza family, and they both came from the ingly. Pierre Mille makes the acquaintance of the&#13;
same village. Count Pasolini has written many various friends of Caillou ; among others of Boulot&#13;
historical works, and has exceptional opportunities and of a certain street Arab, whom they surname&#13;
for examining the private archives of various Italian “La puce," and for whom they form a syndicate&#13;
families. The Italian edition of Caterina Sforza is later on, in order that he may go to a convalescent&#13;
in two huge volumes, and contains 1,435 documents, home. The pathos of this chapter is very touching.&#13;
most of which had never before been published. Various books on the psychology of the child&#13;
The work is splendidly illustrated, and is one of have been written, but none with a more true&#13;
the most complete accounts in existence of the Italy intuition and such a delicate touch of humour.&#13;
of that period, of the policy of its various States, “ La Renomée,” by Gaston Rageot, is a curious&#13;
and of the life, intrigues and conspiracies of its and extremely complex psychological study. Lucien&#13;
various Courts. The book at present is very rare, Mirar is a literary celebrity, a celebrity who makes&#13;
as it is out of print, and the blocks of the illustra- copy of his various love affairs. His wife is a&#13;
tions were destroyed in a fire. Marc Helys is to charming woman who had married at the age of&#13;
be congratulated on the clever way in which she twenty, and whose romance had been a very brief&#13;
has reduced this enormous work to a comparatively one. At the time when the story opens, she is&#13;
small edition, giving us a story of real life as quite reconciled to her lot and has accepted the&#13;
interesting as any novel.&#13;
position of the wife of a literary celebrity. She has&#13;
The titles of the chapters give an idea of some a child whom she adores, and she and her husband&#13;
of the subjects touched upon : “ The Court of each live their own life.&#13;
Milan,” “Catherine engaged to the Nephew of Presently a new interest comes into her 'existence.&#13;
Sixtus IV.," " Assassination of the Duke of Milan," She makes the acquaintance of a certain Antoine&#13;
“Sixtus IV. and his Court,” “His Death,” Bellême. They are soon on very friendly terms&#13;
“Splendour and Misery of the Court of Forli," and they discover that they have many ideas in&#13;
“ Intrigues of Lorenzo de Medicis,” “ Assassination common. As time goes on the two become all in&#13;
of Catherine's Husband,” “ She and her Children in all to each other, and, just as the situation is becom-&#13;
the Hands of the Assassins,” “Triumph and ing difficult, Lucien Mirar dies. The lovers marry,&#13;
Vengeance of Catherine,” “ Her second Marriage," and it is after their marriage that the tragedy com-&#13;
“ Her third Marriage," - Catherine and the Borgia mences. After the birth of their child, the mother&#13;
Family,” “ Catherine a Prisoner of War,” “ She is realises how much more her first-born son is to her.&#13;
accused of an attempt to Poison the Pope,” “Her An estrangement gradually begins between the two&#13;
trial," " Her Liberation after fourteen months in parents, and when the younger child, feeling that&#13;
Prison,” “Her Struggles and Intrigues to recover he is an unwelcome member of the family, leaves&#13;
her States," “ The Education of her Youngest Son," home, the father follows him and the mother is left&#13;
“ The Last Years and Death of Catherine.”&#13;
with her first-born son and her memories of the&#13;
The story of her youngest son is a novel in itself. past.&#13;
He was the greatest warrior of his times, and is The book is well written, and the characters are&#13;
known in history as “ Jean des Bandes Noires.” all very true to life and excellently portrayed.&#13;
He was also called “ Foudre de Guerre,” “ le Grand Among pamphlets which should be extremely&#13;
Diable," and, for the fame he brought to his country, interesting to the English at this juncture is one&#13;
“ Italia.” In 1526 he was wounded while fighting, by M. Biard d'Aunet (Ministre plénipotentiaire) on&#13;
and died as the result of an amputation at the age “La Ligue du Libre-Echange et la Liberté com-&#13;
of twenty-eight.&#13;
merciale."&#13;
The whole book will be found as fascinating as M. Biard d'Aunet is Vice-President of this&#13;
any work of fiction.&#13;
League, and is a great authority on the subject on&#13;
“ Caillou et Tili,” by Pierre Mille, is quite a new which he writes.&#13;
&#13;
&#13;
## p. 154 (#590) ############################################&#13;
&#13;
154&#13;
THE AUTHOR.&#13;
-&#13;
-&#13;
-&#13;
- -&#13;
- ----&#13;
-&#13;
-&#13;
-&#13;
The pamphlet is very clear. The author first Trarieux, taken from Balzac ; “ L'Eternel Mari,"&#13;
explains the title of his pamphlet. He then shows a four-act play by M. M. Alfred Savoir, and F.&#13;
clearly the effects of protection, and who benefits by Nozière, from Dostoïevsky ; “ La Flambée," by&#13;
protection. He gives some striking examples of Mr. Henry Kistemaeckers; “Les Sauterelles," a five-&#13;
protection and the maritime industries. He gives act play, by M. Emile Fabre ; “ Les Favorites,"&#13;
the objections raised by protectionists, and, after a a four-act play, by M. Alfred Capus ; " L'Amour&#13;
very brief summing up, he explains fully the object en Cage," a three-act piece, by M. M. André&#13;
and aim of the League over which he presides. de Lorde, Funck-Brentano and Jean Marsèle;&#13;
In “ La Revue Hebdomadaire," the Marquis de “L'Accord parfait," a three-act comedy by M.M.&#13;
Ségur writes an interesting study of Edmond and Tristan Bernard and Michel Provins; and“ Un Bean&#13;
Jules de Goncourt, and Jules Lemaître a series of Mariage," a three-act comedy by M. Sacha Guitry.&#13;
articles on Chateaubriand. M. Fernand Laudet&#13;
Ahys HALLARD.&#13;
gives us a biographical study of Augustin Cochin,&#13;
and the Abbé Augustin Sicard an extremely interest “Catherine Sforza (1463-1509)” (Perrin).&#13;
ing one on the “Grandes Abbayes et Grandes&#13;
“ Caillou et Tili,” (Calmann Lévy).&#13;
“ La Renomée," (Calmann Lévy).&#13;
Abbesses à la veille de la Révolution.”&#13;
Paul Bourget writes on "l'Art de Sully&#13;
Prud'homme," and the Comtesse de Courson an&#13;
article entitled “La Tragédie de Cawnpore."&#13;
GRAMOPHONE RECORDS.&#13;
M. Camille de Sainte Croix is giving a Shakes-&#13;
peare season at the Athénée Theatre, which has&#13;
MONCKTON V. TAE GRAMOPHONE Co. LTD.&#13;
been placed at his service by M. Abel Deval. A&#13;
performance is being given every Thursday as a M HIS was an appeal from a decision of Mr. Justice&#13;
matinée until May. The season opened with a 1 Joyce in an action brought by Mr. Lionel&#13;
“ Midsummer Night's Dream,” with the scenery Monckton, the well-known composer, who&#13;
specially designed by M. Simas, and with an claimed the exclusive right to make or authorise the&#13;
entirely fresh troupe of young actors. The plays making of gramophone sheets for the performance&#13;
to be given are “ The Taming of the Shrew," of the song entitled “Moonstruck," the plaintiff&#13;
"The Merchant of Venice," “ The Tempest," and being the author of the words and the music.&#13;
“ The Merry Wives of Windsor.”&#13;
The song was first published in Feburary, 1909,&#13;
M. Camille de Sainte Croix also intends to put and the performing rights were assigned to Mr.&#13;
on the famous Russian piece, “Boris Godounov." George Edwardes. The defendant company, which&#13;
An action has been brought against Messrs. carries on the business of manufacturers and sellers&#13;
Calmann-Lévy by Messrs. Fayard. The latter of gramophones, had copied, printed, or transcribed&#13;
claim that the cheap books brought out as the the song for the purpose of reproduction by means&#13;
“ Nouvelle Collection Illustrée" are constantly being of the company's gramophones.&#13;
bought in mistake for the “Modern Bibliothèque," The plaintiff did not rely upon any statutory copy-&#13;
published by Messrs. Fayard.&#13;
right, but he claimed that he was entitled to a com-&#13;
Messrs. Calmann-Lévy have won the case, as the mon law right of ownership in the composition, and&#13;
Court holds that there is sufficient difference in the that he could prevent anyone from using the work&#13;
titles of the publication and also in the names of to his detriment. Mr. Justice Joyce had held that&#13;
the authors published by these two firms to make after publication no common law right existed,&#13;
such mistakes unlikely.&#13;
and dismissed the action.&#13;
The French syndicate for the protection of intel The Master of the Rolls in his judgment said&#13;
lectual property is extremely active, and has several that the appeal raised a point which had&#13;
brilliant victories to announce. The Franco-Russian been so firmly settled that he was surprised&#13;
Convention has been approved by the Chamber of that it had been brought before the Court. The&#13;
Deputies and by the Senate. As a result of this, plaintiff was the composer of a song which had&#13;
an important group of the Moscow University has been introduced into a dramatic performance, and&#13;
signed a contract with the publishers, Armand he was undoubtedly entitled to the protection&#13;
Colin, for the translation rights in the Russian afforded by the statutes relating to literary and&#13;
language of a geological work by Professor Haug. dramatic rights. The defendants had not infringed&#13;
Arrangements are now being made with a view to those statutory rights, but the plaintiff claimed that&#13;
facilitating a convention with Greece, Chili and side by side with the statutory protection there&#13;
other countries.&#13;
existed at common law a perpetual right to restrain&#13;
Among the plays that have been given this reason the defendant company from making use of the&#13;
in the various theatres are the following : “Les musical ideas which the plaintiff had made public. On&#13;
Brebis Perdus," a three-act piece by M. Gabriel principle he could see no justification for that view.&#13;
-&#13;
-&#13;
-&#13;
&#13;
&#13;
## p. 155 (#591) ############################################&#13;
&#13;
THE AUTHOR.&#13;
155&#13;
His Lordship referred to the cases dealing with stated in his evidence that he had never heard of&#13;
an author's proprietary rights at common law, and the plaintiff ; but it was contended on behalf of the&#13;
he quoted from the judgment of Lord Justice Far- latter that the story referred to the plaintiff as a&#13;
well in Mansell v. Valley Printing Company. In vulgar person who imposed upon women, an&#13;
that judgment Lord Justice Farwell said, “ Every adventurer who was in the habit of practising mean&#13;
invasion of a right of property gives a cause of and petty tricks.&#13;
action to the owner against the invader, whether The Lord Chief Justice, in his summing up,&#13;
the invasion be intentional or not, and whether it quoted from the judgment in the “ Artemus Jones"&#13;
be innocent or malicious . . . . It is an incorporeal case reported in the Author (January, 1910), and&#13;
right of property giving to the author the fullest pointed out that the jury must be satisfied, if they&#13;
rights not only of exclusion, but also of actual found for the plaintiff, that a reader of the paper&#13;
enjoyment so far as they are compatible with non- would reasonably think that what was published&#13;
publication. All his rights at common law are was a libel upon a real person. The fact that the&#13;
limited until publication when they cease. Before name in the story was the same as the plaintiff's&#13;
publication he may keep his work unseen or did not give a right of action. It was only one&#13;
unheard; he may show or recite it to his friends ; of the circumstances in the case.&#13;
he may deliver his lectures to students or allow his I t may be remembered that the article in the&#13;
MS. play to be acted on special terms, provided Author dealing with the "Artemus Jones ”&#13;
always that the use to which he puts it does not case called attention to some alarm which was&#13;
amount to publication."&#13;
caused by that decision among novelists and other&#13;
The Court of Appeal held that both on principle writers of fiction ; and the result of the recent libel&#13;
and authority the judgment of Mr. Justice Joyce action illustrates and confirms the statement, which&#13;
was right, and the appeal was accordingly dismissed. was as follows:&#13;
Under the new Copyright Act, of course, the law&#13;
Novelists may feel some alarm lest the chance selection&#13;
is altered in this respect, and provision is made for of a name for one of the characters in a novel may render&#13;
musical composers with regard to the production of them liable for damages in a libel action brought by a&#13;
their works by gramophones and other contrivances person whom they had no intention to defame, and whose&#13;
by means of which sounds may be mechanically&#13;
existence may have been unknown to them. Clearly some&#13;
care is necessary in adapting names for imaginary characters,&#13;
reproduced. Manufacturers are required, under&#13;
but the alarm of novelists may be exaggerated. There is&#13;
the Act, to pay to the owner of the copyright by a distinction between works of fiction and a newspaper&#13;
way of royalties a certain percentage on the ordinary article purporting to describe an actual scene taking place&#13;
retail selling price of all such contrivances sold by&#13;
in real life at a seaside resort. A character in a novel is&#13;
generally regarded as an imaginary person, whereas the&#13;
them.&#13;
mention of an individual by name in a descriptive&#13;
HAROLD HARDY. narrative in a newspaper may reasonably be supposed to&#13;
refer to a real person.&#13;
The story in the Pall Mall Gazette was obviously&#13;
fiction, and the jury very naturally took the view&#13;
ACTION FOR LIBEL.&#13;
that a reasonable reader would not regard it as a&#13;
libel upon the plaintiff.&#13;
HERO IN NEWSPAPER STORY.&#13;
HAROLD HARDY.&#13;
SHORT story entitled “ A Sad Affair " which&#13;
was published in the Pall Mall Gazette, has&#13;
been the subject of a ridiculous libel action&#13;
which resulted in a verdict for the defendant. The&#13;
FRENCH LAW CASE.&#13;
plaintiff, Mr. George Charles Flanders, a motor car&#13;
engineer carrying on business at Hitchin, claimed&#13;
(PUBLISHER'S OBLIGATION TO PUBLISH.)&#13;
damages for injury to his reputation by the pub-&#13;
lication of the story, in which the name of the hero CASE of great importance to authors, or at&#13;
bore the name of George Flanders.&#13;
least to French authors, has been recently&#13;
The incident in the story of which the plaintiff&#13;
decided in Paris.&#13;
complained had reference to a tea party in Hyde Park, It will be best first to mention the results of the&#13;
where the hero, having invited two ladies to tea, at the decisions of the Court, the Tribunal Civil de la&#13;
conclusion of the entertainment declared that he had Seine.&#13;
come out without any money, and asked his guests When an author has delivered to a publisher the&#13;
to pay on his behalf. They provided the money for manuscript of an historical work with a view to&#13;
the tea and left their host in disgust.&#13;
publication, the publisher is bound to publish the&#13;
The story was purely fictitious, and the author work without delay. If, however, on the contrary,&#13;
&#13;
&#13;
## p. 156 (#592) ############################################&#13;
&#13;
156&#13;
THE AUTHOR.&#13;
he permits too long a period to elapse between the publication, and won his case ; respecting which&#13;
delivery of the manuscript and the publication of the Gazette des Tribunaux makes the following&#13;
the work, the publisher is liable to find himself pertinent remarks :-&#13;
forbidden by the author the right to publish, and When a publisher receives a work for publication&#13;
to be condemned to return the manuscript.&#13;
he should publish it without delay, even although&#13;
Any statements which the publisher may propose no date for publication has been fixed by the&#13;
to place upon the wrapper, or upon the first page author. In the case reported the author explained&#13;
of the work, respecting its date of composition, and that no date had been fixed in advance ; but it did&#13;
the refusal of the author to sanction the tardynot thence follow that the publisher was at liberty&#13;
publication, is inoperative, and can neither take to choose the date, and could postpone the publica-&#13;
the place of the performance of the contract, tion until a time when it might be prejudicial&#13;
formerly made between the author and the instead of advantageous to the author. The&#13;
publisher, nor prevent the injury done to the general intention of the persons concerned (which&#13;
author by tardy and inopportune publication. alone has here to be considered) was evidently that&#13;
The facts of the case are as follows:-&#13;
the work, seeing that it was an historical work,&#13;
In 1869 M. Anatole France, being then five-and should be published without delay. The publisher&#13;
twenty, entered into the employ of the publishing had, therefore, violated the contract by allowing&#13;
house of Lemerre, where he remained until 1878, twenty-seven years to elapse before publication.&#13;
as a reader of manuscripts. He received a small When, at the end of these twenty-seven years he&#13;
salary, and, in addition to his other labours, desired to publish in spite of the author's dis-&#13;
prepared to order (for trifling remuneration) approval, the statements which he proposed to&#13;
notices and prefaces of books. Subsequently he place upon the wrapper or on the first page, could&#13;
published, with Lemerre, in 1873, Les Poèmes not prevent the injury which would be done the&#13;
Dorés, and in 1876 Les Noces Corinthiennes ; author. It was therefore not in virtue of his&#13;
works which attracted wide public interest. moral right alone, but in virtue of common justice,&#13;
Preriously to the termination of his engagement that the author could oppose this tardy and&#13;
with Lemerre he was commissioned to prepare inopportune publication. These are conclusions&#13;
several works, of which one was to be a History of in accordance with justice and equity.&#13;
France (in two or three volumes) up to 1789, with&#13;
an additional chronological table bringing the&#13;
record up to the date of publication. The manu-&#13;
script of the last of the volumes of this history was&#13;
MAGAZINE CONTENTS.&#13;
delivered to Lemerre on February 25, 1882. On&#13;
more than one occasion subsequently M. Anatole&#13;
POETRY REVIEW.&#13;
France had disagreements with Lemerre about&#13;
The Lyric. By Darrell Figgis.&#13;
books, and in 1906, in the course of a corre-&#13;
Notes on Poetry. By Arthur Lynch, M.P.&#13;
spondence respecting difficulties that had arisen, Prologomena. By Ezra Pound.&#13;
Lemerre incidentally mentioned, “I say nothing&#13;
BOOK MONTHLY.&#13;
about the History of France in two volumes, for&#13;
In Memory of Charles Dickens. By H. T. Jenkins.&#13;
which you have received 3,000 francs, and ought&#13;
Dickens in Paris.&#13;
to revise ; have you not yourself told me that it is&#13;
FORTNIGHTLY.&#13;
not publishable in the form in which you delivered&#13;
Vague Thoughts on Art. By John Galsworthy.&#13;
it to me?" It is unnecessary here to enter into&#13;
details of the arrangements ultimately made in&#13;
CONTEMPORARY.&#13;
1906, and will suffice to say that they had nothing The Novels of Clara Viebig. By Florence B. Low.&#13;
to do with the History of France; and that the&#13;
The Supernatural in Literature.&#13;
Court held that there had not been in 1896 any&#13;
annulment of the original agreement regarding that&#13;
SCALE FOR ADVERTISEMENTS.&#13;
work. In 1909 Lemerre prepared to publish the&#13;
History of France. M. Anatole France pointed (ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
out that the book was now out of date, and&#13;
Front Page&#13;
opposed the publication. Lemerre then offered Other Pages&#13;
... ... ... ... ... 3 0 0&#13;
Half of a Page ...&#13;
that the work should be published with an&#13;
... I 10&#13;
Quarter of &amp; Page&#13;
... O 15 0&#13;
announcement to its rvaders of the date of its&#13;
...O 7 6&#13;
Single Column Advertisements&#13;
per inch 0 6&#13;
original composition, and a statement of the author's&#13;
Reduction of 20 per cent. made for a Series of Six and of 25 per cent for&#13;
disapproral of its publication. To this also&#13;
M. Anatole France objected. He returned the&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
3,000 francs, took legal proceedings to inhibit the BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
Eighth of a Page&#13;
Twelve Insertions.&#13;
&#13;
&#13;
## p. 157 (#593) ############################################&#13;
&#13;
THE AUTHOR.&#13;
157&#13;
HOW TO USE THE SOCIETY.&#13;
T VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor ; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on bebalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi-&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourse!f, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire.&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 1s. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained. But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to :&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for “office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor or&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book,&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
TEVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager.&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts :&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in tbe contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
ITERE are a few standing rules to be observed in an&#13;
H agreement. There are four methods of dealing&#13;
with literary property :-&#13;
1. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 158 (#594) ############################################&#13;
&#13;
158&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(c.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4, Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con.&#13;
tracts. those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans.&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; anu&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
T ITTLE can be added to the warnings given for the&#13;
U assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan-&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble,&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
M EMBERS will greatly assist the Society in this&#13;
M branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction, but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea.&#13;
REMITTANCES.&#13;
CCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at the price of 23. 6d. per act.&#13;
The Secretary of the Society begs to give notice&#13;
that all remittances are acknowledged by return of post.&#13;
All remittances should be crossed Union of London and&#13;
Smith Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 159 (#595) ############################################&#13;
&#13;
THE AUTHOR.&#13;
159&#13;
GENERAL NOTES.&#13;
THE DRAMATIC SECTION.&#13;
SOME two years ago members of the Society were&#13;
invited to indicate, on a form which was despatched&#13;
to them, what dramatic work (if any) they had&#13;
produced. The enquiry was made in order to&#13;
facilitate the preparation of a list of dramatists in&#13;
the Society, with a view to their receiving com-&#13;
munications relating to the work of the Dramatic&#13;
Sub-Committee of the Society, and to other matters&#13;
of interest to dramatists.&#13;
As a result of that invitation, over 200 names&#13;
were placed on the list.&#13;
In order, however, that it may be kept up to&#13;
date, those members who have since qualified to be&#13;
entered on the Dramatic Roll of the Society are&#13;
invited to advise the Secretary, accompanying their&#13;
application with particulars of the dramatic work&#13;
they have produced.&#13;
It may be mentioned that the qualification for&#13;
inclusion in the list is the public representation of a&#13;
play otherwise than for copyright purposes in a&#13;
place licensed for public entertainment.&#13;
THE PUBLICATION OF BOOKS AND THE LIMITA-&#13;
TION OF THE LICENCE&#13;
THERE has been a growing tendency in past&#13;
years for authors to grant to publishers the licence&#13;
to publish in book form for the legal term of copy-&#13;
right. . Such a licence may leave the author in a&#13;
very difficult position. There should, at any rate,&#13;
be a clause in the agreement by which, if the&#13;
book goes out of print, the agreement should be&#13;
terminated and all rights returned to the author,&#13;
otherwise the author may find himself in the&#13;
position of having to buy back from the publisher&#13;
at the publisher's price. It is curious how a licence&#13;
to publish a book, which as far as the publisher&#13;
is concerned may have ceased to sell, rises in value&#13;
if the author appears as purchaser : but even with a&#13;
limitation of this kind the licence still remains far&#13;
too wide. Especial thought must be given to the&#13;
position, as the new Copyright Act will come into&#13;
force shortly.&#13;
Authors should be very careful to limit the&#13;
licence either to a given number of editions, with&#13;
power to purchase the remainder stock at remainder&#13;
prices, in case the edition is not sold out within a&#13;
reasonable time, or to a limited number of years.&#13;
In the latter case the publisher should be restricted&#13;
in the agreement from over-printing towards the&#13;
end of the term of the agreement, for if some such&#13;
restriction is not inserted, the publisher can make&#13;
the time limit practically ineffective by over-&#13;
printing the book in the last year. It has been&#13;
decided in the Courts that a publisher has the&#13;
right to sell any stock which remains on hand after&#13;
the expiration of the term.&#13;
In the case of technical works, if the licence is&#13;
not limited, an author's position is hopeless.&#13;
MUSICAL COMPOSERS' SUB-COMMITTEE.&#13;
A MUSICAL Composers' Sub-Committee having&#13;
now been formed with a view to the consideration&#13;
of matters affecting the interests of the musical&#13;
composers of the society, it has been decided, in&#13;
order to facilitate the working of this side of the&#13;
society, to keep at the office a list of composers&#13;
similar to the list of dramatists of which mention is&#13;
made above.&#13;
Members will assist the secretary materially in&#13;
the compilation of this list if they will inform him&#13;
of the publication of any musical works of which&#13;
they are the composers.&#13;
COMMITTEE ELECTION.&#13;
THE LITERARY AGENCY AGREEMENT.&#13;
In another column of this issue we publish an&#13;
agency agreement which has been settled by a&#13;
special sub-committee and approved by the Com&#13;
mittee of Management.&#13;
This agency agreement has been based on an&#13;
agreement settled some time ago by the Dramatic&#13;
Sub-Committee, but as the marketing of dramatic&#13;
and literary wares differs in some respects, so the&#13;
agreement has been modified to meet the special&#13;
requirements of literary agency. There has been&#13;
however. but little alteration in the clauses, the&#13;
main difference existing in the notes which the&#13;
committee have thought fit to place before the&#13;
members in order to warn them against possible&#13;
dangers.&#13;
In the January number of The Author a full&#13;
statement was given with reference to the election&#13;
of members to the Committee of Management for&#13;
the current vear.&#13;
The names of the committee's nominees for that&#13;
election were : Mrs. Belloc-Lowndes, Mr. Hesketh&#13;
Prichard, Mr. Arthur Rackham, and Dr S Savire&#13;
Sprigge.&#13;
OJ882&#13;
February 10 was the last day on which the&#13;
names of nominees could be received, and as no&#13;
nominees were put forward by the members, the&#13;
nominees of the committee are elected without&#13;
opposition.&#13;
&#13;
&#13;
## p. 160 (#596) ############################################&#13;
&#13;
160&#13;
THE AUTHOR.&#13;
A REMARKABLE AGREEMENT. the author's next three new novels, suitable for publication&#13;
in 68. volume form, and if the publisher accepts all or any&#13;
of them, he agrees to pay to the author and the author agrees&#13;
to accept the following royalties.&#13;
M HE Committee of the Society of Authors desire (a) A royalty of 15 per cent. of the nominal published&#13;
1 to draw attention to the document printed&#13;
price on all copies sold of the English 68. edition, after the&#13;
sale of the first 750 copies of this particular 68. edition.&#13;
below :-&#13;
(b) A royalty of 71 per cent. of the nominal published&#13;
MEMORANDUM OF AGREEMENT made this twelfth day price on all copies sold of any cheaper edition or editions.&#13;
of May one thousand nine hundred and nine between&#13;
(c) A royalty of 50 per cent, of the net profits derived&#13;
hereinafter termed the author of the one part and John from the sale of the American copyright (if any).&#13;
Long of 12, 13 and 14 Norris Street, Haymarket, in the (d) A royalty of 50 per cent. of the net profits derivel&#13;
County of London hereinafter termed the publisher, of the from the sale of the Foreign rights (if any).&#13;
other part, whereby it is mutually agreed between the 11. The said three novels to be submitted to the publisher&#13;
parties hereto for themselves and their respective executors shall be submitted one at a time, and only after the&#13;
administrators and assigns (or successors as the case may publication of the one previously accepted.&#13;
be) as follows:-&#13;
12. The whole of the previous clauses in this agreement&#13;
1. The publisher shall at his own expense produce and (except in respect of royalties) shall be deemed to apply to&#13;
publish the work written by the author and at present&#13;
the three new novels, as well as to the novel mentioned in&#13;
entitled "&#13;
the first part of the agreement.&#13;
2. The publisher shall bave the exclusive right of pro 13. In the event of any copies of any of the novels pro-&#13;
ducing and publishing the work throughout the world. vided for in this agreement, being sold as a remainder, that&#13;
The publisher shall have the entire control of the produc is, when the demand for any such work has ceased, a&#13;
tion and publication and sale and terms of sale of the work&#13;
royalty shall be paid to the author, on any copies thus sold,&#13;
and the author shall not during the continuance of this of two and a half per cent. (24%) of the net sum receivel.&#13;
agreement (without the written consent of the publisher) As witness the hands of the said parties&#13;
publish any abridgment translation or dramatised version of&#13;
John LONG,&#13;
the work.&#13;
Witness : W.H.&#13;
3. All copies sold of the said work within twelve months&#13;
12, 13, 14, Norris Street, Haymarket, S.W.&#13;
of the date of publication shall carry no royalty to the&#13;
There are in the bands of the society a good&#13;
author, but on all copies sold, after the expiration of the first&#13;
twelve months after publication, the publisher agrees to&#13;
many agreements between authors and Mr. John&#13;
pay to the author and the author agrees to accept a royalty Long, and it would be instructive, perhaps, to print&#13;
of i5 per cent. of the nominal published price on sales of the them all. To do this, however, would take up a&#13;
6s. edition, and a royalty of 71 per cent. of the nominal&#13;
great deal of space, though it may yet be con-&#13;
published price on the sales of any cheaper edition or&#13;
editions.&#13;
sidered necessary. To print abstracts of these&#13;
4. No royalties shall be paid on any copies given away agreements would not answer the same purpose, as&#13;
for review or other purposes in the interests of the work. it might be thought by the suspicious that there&#13;
5. Account sales shall be made up half-yearly at June&#13;
were other clauses in the documents which had been&#13;
thirtieth and December thirty-first and delivered and&#13;
settled within five months of those dates. In making up&#13;
suppressed and which would have put another com-&#13;
accounts, thirteen copies shall be reckoned as twelve, in plexion on the arguments. It has been decided,&#13;
accordance with trade usage.&#13;
therefore, that one agreement should be clearly set&#13;
6. The publisher shall undertake the expenses of the&#13;
before the readers of The Author, with some hints&#13;
author's proof corrections to the extent of £3 (three&#13;
pounds), but should such expenses exceed this amount, the&#13;
as to the probable difficulties that may arise out of&#13;
author shall refund such excess to the publisher.&#13;
it.&#13;
7. If any difference shall arise between the author and&#13;
COMMENTS ON THE AGREEMENT.&#13;
the publisher touching the meaning of this agreement or&#13;
the rights or liabilities of the parties thereunder, the same&#13;
With regard to Clause 1 there is nothing to be&#13;
shall be referred to the arbitration of two persons, (one to said.&#13;
be named by each party) or their umpire, in accordance In Clause 2 it is inadvisable that the publisher&#13;
with the provisions of the Arbitration Act, 1889.&#13;
should have the exclusive right of producing the&#13;
8. The term “ Publisher" through out this agreement shall&#13;
be deemed to include the person or company for the time&#13;
work throughout the world, or for the whole term&#13;
being carrying on the business of the said John Long under of copyright. His right should be limited to the&#13;
as well its present as any future style and the benefit of this exclusive licence to publish the work in book form&#13;
agreement shall be transmissible accordingly.&#13;
9. The author guarantees to the publisher that the said&#13;
at the price of 68. (the book being a novel) in the&#13;
work is in no way whatever a violation of any existing&#13;
United Kingdom, in the English language, for a&#13;
copyright and that it contains nothing of a libellous or period of, at most, five years certain. If any&#13;
scandalous character and that he will indemnify the pub- other rights are given, such as the right of pub-&#13;
lisher from all suits, claims, and proceedings, damages and&#13;
costs which may be made, taken or incurred by or against&#13;
lishing in cheap book form, then they should be&#13;
him on the ground that the said work is an infringement guarded and made the subject of future con-&#13;
of copyright or contains anything libellous or scandalous. ditions. The publisher should, of course, undertake&#13;
10. That in consideration of the publisher undertaking to produce the work on or before a certain date.&#13;
the entire risk of publishing the work herein before men-&#13;
This is of the first importance to an author.&#13;
tioned, the author agrees to give the publisher the first refusal&#13;
from (sic) one month from date of delivery of the manu-&#13;
The latter part of this clause should be care-&#13;
script of the exclusive right of producing and publishing fully observed. An author reading this might&#13;
&#13;
&#13;
## p. 161 (#597) ############################################&#13;
&#13;
THE AUTHOR.&#13;
161&#13;
.:•.&#13;
think, “Well, I have only to write to the publisher&#13;
To country reviews.&#13;
explaining the situation, should I get an offer for&#13;
„, colonial . . . 48&#13;
the translation rights, or otherwise, and he will&#13;
,, special ,&#13;
give his consent." This supposition would be&#13;
,, travellers' samples&#13;
entirely wrong. As a general rule, the author&#13;
.. Stock on hand . . 91&#13;
would find that if an offer was made him for the&#13;
Leaving sold as under-&#13;
translation rights and he applied to the publisher,&#13;
13 copies counting as 12 . 1,234&#13;
the publisher would answer, “I could not possibly Sales 1,149 home edition&#13;
allow you to publish a translation unless you give&#13;
85 colonial edition&#13;
me 50 per cent. of the profits," which, judging by Sales from Jan. 3, 1910 to Jan. 2, 1911–&#13;
Clause 10, is the course Mr. Long would take.&#13;
1,146 home edition)&#13;
Clause 3 contains, however, the most serious&#13;
85 colonial editionſ bearing no royalty..&#13;
part of the agreement. All publishers assert that Royalty 15 per cent. on 3 copies home edition, 28. 8d..&#13;
the largest sales of a novel occur either on subscrip- The sales in the first year were sufficient to com-&#13;
tion before publication, or within the first four pensate the publisher amply for the cost of pro-&#13;
months after publication. Most publishers will duction ; he should have put a good profit into his&#13;
inform an author that a book is dead at the end of own pocket. In the first six months, after becom-&#13;
six months, and all publishers will inform an ing entitled to royalties, the author obtained a total&#13;
author that the ordinary novel is dead at the end of remuneration of 2s. 8d, upon a 6s. book of which.&#13;
twelve months, unless for some special reason- over 1,200 copies were sold.&#13;
and it would be safe to say this does not occur once Clause 4 can pass without comment.&#13;
out of 500 times—a book owes some larger With regard to Clause 5, articles have been&#13;
vitality to the position of the author or to the written in The Author on the question of thirteen&#13;
occurrence of some unforeseen circumstance, copies counting as twelve, to which readers are&#13;
Therefore, the effect of a clause in an agreement referred. It means that the author is to allow the&#13;
depriving the author of all royalties for the first publisher 8 per cent. discount on the royalties on&#13;
year after publication would be to give the publisher all copies sold, though the publisher allows this&#13;
the book for nothing, except in a minority of cases. discount to purchasers only when they purchase in&#13;
If the author desires to give the publisher his work quantities of a dozen and upwards.&#13;
for nothing, there is nothing to prevent him from In Clause 6 the amount allowed for correction is&#13;
doing so ; but in that case he should execute a deed not very generous, but in these days of typewritten&#13;
of gift. A publisher is not bound to explain the effect copies a margin of £3 may be sufficient.&#13;
of an agreement to the author, however ignorant the Clause 7. Strong objection must be taken to.&#13;
author may be of the present, possibly a handsome this clause. Arbitration is a very unsatisfactory&#13;
one, that he is being asked to make. Moreover, method of dealing with a legal contract. It&#13;
under such a clause, the publisher's and the author's is cumbersome and expensive. The greatest&#13;
interests are not the same. In these days of rush objection of all is that a publisher aroids the pub-&#13;
and hurry it occurs in the publishing business, just licity which is the main safeguard of the author&#13;
as in any other business, that publishers want to and the publisher alike where either party has&#13;
put novelties on the market-the output during the broken his contract or attempted to take unfair&#13;
last two or three years sufficiently proves this fact. advantage of the other.&#13;
In consequence, it would be quite likely to pay the Clause 8 is also unsatisfactory. An author&#13;
publisher better to push a new work into circula- should agree to this clause only when he is con-&#13;
tion than to use his efforts in keeping alive one vinced that no change could possibly be for the&#13;
against wbich time was fighting. Save in the case worse, in which case it would be still better not&#13;
of a very great success, it would pay him to drop to sign at all.&#13;
the older book in order to make the way clear for Clause 9 is too wide in its scope. It is no doubt&#13;
other publications. The appended statement of fair that if an author causes a publisher to publish&#13;
account from Mr. John Long under the above in all innocence as a fiction what is really a libel on&#13;
agreement tells its own story :-.&#13;
an actual person, the author and not the publisher&#13;
should suffer ; but both as to libel and obscenity,&#13;
July 1st, 1911. Statement of sales to June 30th,&#13;
sedition, or blasphemy, the publisher cannot con-&#13;
1911-&#13;
tract out of such responsibilities even if the author&#13;
Jan. 1910. By number of copies printed . 1,500 consents to the attempt. In any case where&#13;
To author .&#13;
damages and costs may be incurred by the pub-&#13;
,, presentation .&#13;
lisher at the author's expense, the author should&#13;
„, public libraries . 5&#13;
have some control over the amount spent in the&#13;
„ town reviews . . 63&#13;
necessary defence.&#13;
&#13;
&#13;
## p. 162 (#598) ############################################&#13;
&#13;
162&#13;
THE AUTHOR.&#13;
Clause 10 is a clause against which authors Publishing enterprise, especially in the case of&#13;
cannot be warned too strongly. It is fatal for an novels by beginners, doubtless contains a specu-&#13;
author to bind himself to a publisher at fixed rateslative element, but up to an edition of 1,500&#13;
for subsequent works, for it is impossible to tell copies, no novel which a publisher of any judg-&#13;
until the accounts of one book come in whether ment would handle at his own expense runs&#13;
the terms for later works are fair or not. Under any serious risk of being left on his hands a&#13;
this agreement supposing the author's second complete failure. He should be able to push it&#13;
book did not reach a sale of 750, no royalties through mechanically to that extent, if no further.&#13;
would be paid ; if the second book was as It is therefore only beyond this point that the&#13;
successful as the first, the author would receive transaction becomes speculative; and yet it is&#13;
about £20, having made 2s. 8d. on the first book. practically to this point that Mr. Long asks his&#13;
With regard to other headings of this clause, the clients to postpone any interest in their books.&#13;
publisher should only have the right of publication We do not question Mr. John Long's right to&#13;
in book form at certain prices, and the date of propose the above terms, or any others that may&#13;
publication should be rigidly fixed ; he should not occur to him, to authors, who must learn to take&#13;
take 50 per cent. profits on any of the rights out- care of themselves in business as other people do,&#13;
side, whether they are American rights or foreign but we may say that those who accept such terms&#13;
rights. If any of the outside rights are negotiated are unquestionably guilty of unprofessional con-&#13;
for by the publisher under a contract approved and duct, because they are accepting terms which would&#13;
signed by the author, then the publisher should take make it impossible for most novelists to live by&#13;
the agency charge of 10 per cent. and no more. their profession. Further, the practice of other&#13;
But with even the utmost correction in the author's publishers shows that no capable man of letters&#13;
favour that the nature of the clause admits of, the need submit to such contracts; they are entered&#13;
Society of Authors would still advise its members into by authors through ignorance, weakness, or&#13;
not to agree to it. If a publisher cannot retain lack of professional conscience.&#13;
his clients by satisfying them that they cannot do&#13;
better elsewhere, he must be prepared to see them&#13;
AN AGREEMENT FOR TEN NOVELS.&#13;
go elsewhere.&#13;
The criticism on Clauses 11 and 12 follows from A second agreement, this time between John&#13;
that on Clause 10. It may be pointed out that no Long, Ltd., and an author, needs some comment.&#13;
dates for publication being named in Clause 10, the It contains as many faults as the first, but in&#13;
production of the subsequent novels might be a slightly different form. It is not all printed&#13;
indefinitely delayed; when, as they are to be the here, but any member who desires to have further&#13;
author's “ next three novels," the position might be information upon it can, on applying to the&#13;
reached that the author could earn nothing at all! Secretary, be given the fullest details, by the&#13;
With regard to Clause 13, no publisher should be permission of the author.&#13;
allowed to “remainder" a book within three years Here the author binds himself to the publisher&#13;
from the date of first publication. It should be for nine subsequent novels (making ten in all),&#13;
distinctly set forth in the agremeent that, when a and agrees not to write any novels for, nor to&#13;
book has been “remaindered," or is out of print and offer any novels for publication to any other&#13;
off the market, the agreement should be cancelled publisher than Long during the term of his agree-&#13;
and the licences for publication in book form, or ment. As the novels have to be handed in to&#13;
otherwise, should be returned to the author.&#13;
the publisher each succeeding nine months from&#13;
To sum up, this is an agreement under which the date of the agreement, this means that for&#13;
the author would be working for an indefinite time nearly seven years the author is bound to Mr. Long.&#13;
for a pittance. He receives nothing, in the Again, whilst Mr. Long can determine the agree-&#13;
instance given above, on the first 1,000 copies of ment after the publication of the first two books if&#13;
the first book. He might expect to get some they do not prove a financial success for him, the&#13;
thing later, but his second book is put on the author has no such right. The author is absolutely&#13;
market, and the energies of the publisher may be bound at Mr. Long's option for nearly seven years,&#13;
switched off to the sale of this, inasmuch as the although he has no guarantee that John Long,&#13;
first 750 copies of this book bear no royalties. Ltd., will maintain their position in the pub-&#13;
The third book and the fourth book might receive lishing world during that time.&#13;
the same treatment. There is no reason why the Mr. Long does not merely take the right of&#13;
author who has signed this agreement should ever publication in book form, but the exclusive right of&#13;
receive more than 2s. 8d. each for four books! There publishing throughout the world. The terms for all&#13;
is no reason why the publisher, who can publish the novels are the same. If the books are published&#13;
when he likes, should ever owe or pay any royalties. at 6s. the author is not to receive any royalty on any&#13;
&#13;
&#13;
## p. 163 (#599) ############################################&#13;
&#13;
THE AUTHOR.&#13;
163&#13;
of them till after the sale of 900 copies, and then he The publisher would be getting, having been&#13;
receives 2ů, in the shilling on the published price. paid or overpaid for the whole cost of production&#13;
If the books are published at a lower price than 6s. and advertisements, half what the author receives,&#13;
the author receives no royalty on the first 1,500 who has paid or overpaid the whole of the bill as&#13;
copies, and afterwards 10 per cent. on the published well as created the wares to be sold. To state,&#13;
price. The sale of 900 copies of a 6s. book however, that a 6s. book sells right through at half&#13;
gives to the publisher a reasonable balance after price is by no means a correct statement, 3s, 2d.&#13;
paying for the cost of production and advertise- to 38. 4d. is the average price.&#13;
ments, so that when this number has been arrived&#13;
at there is no further necessity for the publisher to&#13;
push the book, if he thinks he can do better by&#13;
exerting himself elsewhere. But if there is a&#13;
success, some 60 per cent. of the later profits go to A LITERARY AGENCY AGREEMENT.&#13;
the publisher. And nine consecutive books are to&#13;
be published on these terms.&#13;
Further, Mr. Long offers 2d. per copy on all the A Sub-Committee of the Committee of Manage-&#13;
Colonial sales and 15s. per 1,000 on all sales of the ment of the Society of Authors has had under&#13;
sixpenny edition. With regard to the other proceeds consideration the principles which should be&#13;
he claims, as before, 50 per cent. He inserts, as observed in drawing up a fair agreement between&#13;
we have said, a clause allowing him to repudiate an author and a literary agent; it will be seen&#13;
the agreement in case the first two novels are not a at once that the proposed agreement is closely&#13;
financial success, but the author might see all his upon the lines of the dramatic agency agreement,&#13;
ten books have a sale of 1,000 copies each and not which has been found by dramatic authors to&#13;
be more than £50 in pocket as the total result of meet many difficulties hitherto encountered by&#13;
seven years' work with a total sale of 10,000 copies. them.&#13;
The Committee desire to impress upon authors&#13;
THE AUTHOR PAYS.&#13;
that it is advisable that they should consult the&#13;
Authors' Society before entrusting their business&#13;
In another proposal from John Long, Ltd. to an agent. There are good agents who are in&#13;
we have a variant of no greater promise to the every way desirous of furthering the interests of&#13;
author. The author pays £175-£100 on the their clients; but it must not be forgotten that per-&#13;
signing of the agreement, which is to be spent in&#13;
sons with no qualification whatever or no financial&#13;
advertisement, £50 when the work is set up in stability may style themselves agents. In all&#13;
type, and £25 from the author's share of sales. cases enquiries should be made of the Society&#13;
He then transfers all the American, foreign, and&#13;
which is in possession of information that will&#13;
serial rights to tbe publisher on a 50 per cent. enable authors to form an accurate estimate of&#13;
basis. He receives 15. 9d. per copy on the English an agent's status and capacity.&#13;
68. edition up to 3,000 copies, and thereafter MEMORANDUM OF AGREEMENT made this day&#13;
1s. 3d. a copy. The publisher wants all his next of One Thousand Nine Hundred and&#13;
six novels on fixed terms, and in other matters Between (hereinafter called “The Author ") of&#13;
the provisions are the same as shown in the the one part and (hereinafter called “The&#13;
clauses of the agreement printed in full.&#13;
Agent”) of the other part WHEREBY IT IS AGREED&#13;
In another agreement Mr. Long, or rather AS FOLLOWS :-&#13;
John Long, Ltd., produces the book on the pay-&#13;
1. The author hereby appoints his sole agent&#13;
ment to himself of £250, but he undertakes&#13;
to advertise to the extent of £100.&#13;
for the term of twelve months from the date of the&#13;
This&#13;
signing of this agreement for the sale of any of the&#13;
leaves him £150 for the cost of production&#13;
only, as no further advertising is likely to be&#13;
rights whatsoever and wheresoever, in all the literary&#13;
work that he desires to bring to market during the&#13;
needed. Therefore he starts with all his cost of&#13;
continuance of this agreement, subject to the condi-&#13;
production covered and most probably with a sum&#13;
tions hereinafter mentioned.&#13;
of £50 or so in his pocket, as there is no stipulation&#13;
as to the number of copies to be printed. The&#13;
NOTE.—This clause is perhaps the most important clause&#13;
in the agreement.&#13;
author gets 28. a copy royalty on a 6s. book up to&#13;
In regard to the time limit of twelve months, the&#13;
4,000 copies, after which the royalty is ls. 6d. Committee would draw the attention of authors to the&#13;
Taking the higher figure, the author receives 331 following points :--That whereas it is unfair that an agent&#13;
per cent. of the published price. By the publisher's&#13;
should have all the trouble of working up a connection for&#13;
an author, who could then terminate the agreement and&#13;
own calculations in a letter which lies before us,&#13;
nes before us, take advantage of the agent's work, it is equally unfair to&#13;
the nett selling price of a 6s. book is usually 3s. the author to be bound to an agent for a long period if the&#13;
&#13;
&#13;
## p. 164 (#600) ############################################&#13;
&#13;
164&#13;
THE AUTHOR.&#13;
agent, for one reason or another, is unsuccessful in placing tract amounts to £ , and such commission shall&#13;
the author's work, or appears to the author antagonistic to&#13;
be the sole remuneration of the agent, and he sball&#13;
his best interests. In some cases, therefore, the term of&#13;
not have any claim&#13;
twelve months might be an undesirable limit for the author,&#13;
against the author for any&#13;
whereas a term of less than twelve months might be an expenses incurred by him in the course of his agency&#13;
undesirable limit for the agent. Authors, when entering under this agreement.&#13;
into these contracts, will have to consider, therefore, what&#13;
NOTE.--In regard to this clause the Committee wonld&#13;
time limit should be inserted.&#13;
If the author desires to reserve certain markets, these&#13;
make the following remarks :- Where under any contract&#13;
markets should be reserved in this clause. It often&#13;
running through the years of copyright the agent's com-&#13;
happens that an author has been dealing with an editor&#13;
mission is likely to run into high figures, the agent's&#13;
remuneration should be limited, as suggested in this clause.&#13;
or publisher direct under amicable arrangements, and it is,&#13;
therefore, much more convenient and much more profit-&#13;
to a sum to be arranged between author and agent. It&#13;
able to the author to continue these negotiations with&#13;
may, however, be of importance to an author that the&#13;
future work; but, in doing so, the author should be care-&#13;
agent should continue to collect the moneys, and in that&#13;
ful, supposing he is negotiating with a publisher for a book&#13;
case when the limit has been reached, the Committee con-&#13;
in a reserved market, that he is not giving the publisher&#13;
sider that 5 per cent. shonld be charged for such collection.&#13;
control over any rights in the same work which are in the&#13;
5. Should the agent fail in any instance to carry&#13;
agent's hands; the same advice applies to the author&#13;
negotiating with an editor. The Committee consider that,&#13;
out the provisions of the foregoing clause, this&#13;
as a rule, it is advisable, subject to the limitations the agreement, so far as it deals with the agent's right&#13;
author might specially desire to make, that the agent should to collect the moneys due, shall be at an end, and&#13;
have control of all the author's literary output during the&#13;
the agent as and from the date of such failure and&#13;
continuance of the agency; otherwise the author and the&#13;
agent may come into con tict in the same markets, and the default shall not be entitled to claim or deduct any&#13;
author may not only lose his price but also his chance of a further sum by way of commission.&#13;
bargain.&#13;
6. Should the agent or any member of the&#13;
2. The agent undertakes to use his best endea- agent's firm during the continuance of this agree-&#13;
vours to obtain the fullest market in all conntries ment die or become bankrupt or enter into any&#13;
and in all forms, and undertakes to furnish the arrangement with his creditors, then in that case&#13;
author, as and when requested, with full informa- the author shall be at liberty forth with by notice&#13;
tion as to his efforts to give effect to this clause, in writing to terminate this agreement.&#13;
and the author shall not himself, during the continu NOTE.--Every contract with an agent must involve close&#13;
ance of this agreement, enter into any contract personal relations ; therefore, in the event of an agent&#13;
without the knowledge of the agent.&#13;
having no partner, or a partner with whom the author had&#13;
not transacted business, the contract should determine by&#13;
3. The agent shall not enter into agreements on&#13;
the death of that party with whom the author has had&#13;
behalf of the author or in any way bind the author,&#13;
dealings.&#13;
but undertakes to submit to him any offer or agree-&#13;
7. At the end of such period as may be decided&#13;
ment which he may succeed in obtaining as agent in Clause I. hereof, either party to this agreement&#13;
for the author, and no agreement shall be binding may terminate the same by three months' notice in&#13;
on the author without his signature. Should the writing.&#13;
agent violate this clause, then any agreement so 8. Upon the termination of this agreement by&#13;
entered into by the agent shall be pull and void, time or from any of the causes set forth therein,&#13;
and this agreement may forth with be terminated by save as set forth under Clause 5, when the special&#13;
notice in writing, without prejudice to the author's arrangements as in that clause set forth shall pre-&#13;
right to bring an action for damages or otherwise, vail, the agent shall have no claim whatever upon&#13;
and on receipt of such notice, the agent's right for the author for any commission except in respect&#13;
negotiating as agent for the author shall be at an&#13;
of contracts signed by the author prior to such&#13;
end.&#13;
termination.&#13;
4. The agent is hereby authorised to collect the NOTE.-- In the question of an agency agreement the&#13;
moneys due to the author on any contract signed by&#13;
author should be especially advised against the insertion of&#13;
a clause in any agreement entered into between author and&#13;
the author and negotiated by the agent during the&#13;
publisher, whereby the agent is authorised by the parties to&#13;
continuance of this agreement, and shall deliver all the agreement to collect moneys and settle accounts on&#13;
moneys as and when received by him in respect of behalf of the author. The clause generally runs in the&#13;
such contract, together with all documents, accounts,&#13;
following form :- -&#13;
"The author hereby empowers his agent to collect&#13;
etc., relating thereto, within two weeks of the receipt&#13;
and receive all sums of money payable to the author&#13;
of the same, and shall bave the right of deductiny a under the term of this agreement and declares that&#13;
commission of 10 per cent. from such sums as the agent's receipt shall be good and valid discharge&#13;
accrue under any contracts arranged by him, and&#13;
to all persons paying such sums to them. The author&#13;
hereby authorises and empowers the publishers to treat&#13;
signed by the author during the continuance of this&#13;
with his agents on his behalf in all matters concerning&#13;
agreement till the total commission on any such con this agreement in any way whatsoever.'&#13;
&#13;
&#13;
## p. 165 (#601) ############################################&#13;
&#13;
THE AUTHOR.&#13;
165&#13;
Sometimes the terms are more stringent, sometimes a&#13;
little less stringent, but in no case should the clause be&#13;
allowed except under some modification as suggested&#13;
below. Members are referred to an article that appeared&#13;
in the November (1906) number of The Author bearing on&#13;
the subject.&#13;
In no case should the words from “ The Author" down&#13;
to "in any way whatsoever" be allowed to stand, for this&#13;
reason if for no other. If any dispute arose between the&#13;
author and the publisher, and it became necessary to put&#13;
the matter into the hands of a lawyer or the Society of&#13;
Authors, endless confusion and circumlocution would&#13;
result, owing to the fact that all the matters would have to&#13;
pass first through the hands of the agent.&#13;
In regard to the first part of the clause, the Committee&#13;
consider that the extreme danger mentioned might be&#13;
avoided by adding, after the words " such sums to them,”.&#13;
the words " provided, however, that the termination of this&#13;
authority is to be governed by clauses contained in the&#13;
contract dated day of and at present existing&#13;
between the author and the agent."&#13;
If the clause unaltered is admitted into the agreement&#13;
between author and publisher, it is possible that all the&#13;
precautions taken in the Agency Agreement may be nulli-&#13;
fied. It cannot, therefore, be too strongly impressed upon&#13;
the author how important it is that this clause should not&#13;
be allowed to stand in the agreement between the author&#13;
and publisher, and thus become irrevocable. The danger&#13;
is increased ten-fold when, as in many modern agreements&#13;
settled by agents, the author is bound to the publisher for&#13;
future books. He then becomes similarly bound to the&#13;
agent under this clause.&#13;
THE BRITISH SOCIETY OF AUTHORS,&#13;
COMPOSERS AND MUSIC PUBLISHERS.&#13;
of his own property, with the exception of the right&#13;
of stating. whether or not he forbids the adapta-&#13;
tion of his work to mechanical instruments, and (2)&#13;
whether or not he forbids cuts and alterations, and&#13;
that after all the expenses of collecting the fees have&#13;
been covered, he is to give one-third to the publisher.&#13;
It may be difficult to gauge what will be needed to&#13;
cover expenses, but if the Board of Trade's rules&#13;
for the payment of royalty under the gramophone&#13;
clauses are sound and reliable, there ought to be&#13;
little need of a society of this kind, and the&#13;
composer ought to be able to collect his own fees&#13;
and guard his own interests without much&#13;
difficulty.&#13;
That the music publishers are entirely in favour&#13;
of obtaining one-third of what is the property of&#13;
the composers, without any special labour and&#13;
without any raluable consideration, is quite clear in&#13;
the fact that seventeen music publishing firms&#13;
have already subscribed the rules, and have shown&#13;
their readiness to support this society, which&#13;
conveys to them one-third of the fees. On the&#13;
circular sent round there is not the name of one&#13;
composer or one author. For many years the&#13;
Society of Authors has been inveighing against&#13;
the demands that music publishers have made upon&#13;
composers to obtain the control of both their&#13;
performing rights and their publishing rights, and&#13;
it is not surprising, therefore, to see the suggestions&#13;
set out in the rules and objects of the British Society&#13;
of Authors, Composers and Music Publishers. It&#13;
would be as well also if this newly formed society&#13;
took steps to change its name, not only to prevent&#13;
confusion with other societies already established,&#13;
but in order to give the public a better idea of its&#13;
purposes and of the persons who are going to benefit&#13;
by its formation. It is submitted, that it would&#13;
be much better to have called it the Society&#13;
of Music Publishers. The authors and composers&#13;
could be added in small letters afterwards.&#13;
Certain composers have, in their timidity,&#13;
suggested that it is necessary to belong to this&#13;
society, kept by and controlled by music pul)-&#13;
lishers, as otherwise they will refuse to publish&#13;
their works, but it should be pointed out (1) that&#13;
there are still some well-known publishers whose&#13;
names are not printed on the document, and (2) that&#13;
no point was ever gained by timidity and cowardice.&#13;
Now is the real moment for the composers to gather&#13;
together and to take strong steps to establish a sound&#13;
control over their own property. Already in the past&#13;
year one or two publishers have come forward with the&#13;
view of treating composers on more equitable lines,&#13;
and when composers realise the strength of united&#13;
force, they will not only be able to resist the absurd&#13;
demands which have in the past been made upon&#13;
them, but they will be able to resist the demands&#13;
that they should join a society whose organisation&#13;
NYERTAIX music publishing houses have been&#13;
u circularising the composers for whom they&#13;
publish with papers referring to the British&#13;
Society of Authors, Composers and Music Pub-&#13;
lishers, setting forward the objects with which the&#13;
society is founded, and the rules by which it is&#13;
proposed the society should be controlled.&#13;
The objects for which the society is founded are,&#13;
to gain control over all the rights of the composers&#13;
in the mechanical reproductions of their works&#13;
under the Copyright Act of 1911; to maintain&#13;
those rights against all pirates and infringers, and&#13;
to collect the fees due to the composers from those&#13;
rights. It seems a curious thing that the pub-&#13;
lishers who have no interests in those rights, should&#13;
be so anxious to see the composers so well and&#13;
strongly protected, for it is quite clear from the&#13;
Act of 1911 that not only has the composer&#13;
absolute control after the Act comes into force, but&#13;
also that he has control, in spite of any assign-&#13;
ment of his copyright prior to the passing of the&#13;
Act ; the reason, however, is not far to seek after&#13;
a further perusal of the new society's objects and&#13;
rules, for it would appear that when the composer&#13;
has joined it he is bound for a period of five&#13;
years ; that he loses all control orer the governance&#13;
&#13;
&#13;
## p. 166 (#602) ############################################&#13;
&#13;
166&#13;
THE AUTHOR.&#13;
compels them to hand over to the music publishers&#13;
one-third of those fees which are their own.&#13;
In order that it may be quite clear that the&#13;
society shall be managed on these inequitable&#13;
principles, the committee is to consist of six com-&#13;
posers and authors and six publishers. As the&#13;
property which is to be controlled belongs, as far as&#13;
as&#13;
the music is concerned, entirely to the composers,&#13;
and as far as the words are concerned-after all a&#13;
small point, except in the case of songs—entirely&#13;
to the authors, there seems to be no reason why the&#13;
publishers should be on the committee at all.&#13;
Indeed, such a society might have been very valu-&#13;
able for both authors and composers, if the music&#13;
publishers had been dropped out entirely, and there&#13;
is no reason why such a society should not be&#13;
formed by which the composers should control their&#13;
own rights with regard to mechanical reproduc-&#13;
uon and manage their own collection 01 Tees, paymg&#13;
their own expenses, without being bound to give&#13;
one-third to the music publishers. There is no&#13;
reason why the music publishers should not have&#13;
formed the society on this basis.&#13;
It is a well-known axiom that the Government&#13;
has the privilege to tax one class for the benefit of&#13;
another, but we have never known this right to&#13;
exist independently of Government authority until&#13;
the rules and objects of the British Society of&#13;
Authors, Composers and Music Publishers were laid&#13;
before us.&#13;
Sect. 5 of the Copyright Act of 1911, sub-sect. I,&#13;
says:&#13;
* The author of the work shall be the first owner of the&#13;
copyright therein;"&#13;
and sect. 1, sub-sect. 2 (d) defines copyright in a musical&#13;
work as the sole right&#13;
" to make any record perforated roll or other contrivance&#13;
by means of which the work may be mechanically per-&#13;
formed or delivered and to authorise any such acts as&#13;
aforesaid."&#13;
Sect. 19, sub-sect. 7 (c) specially confirms these rights to&#13;
composers in their works mechanically reproduced before&#13;
the Act in spite of any assignment made before the passing&#13;
of the Act.&#13;
Sufficient cause has been shown for warning composers&#13;
against joining a Society founded on such a "basic moral&#13;
principle," and we trust that no composer will sign the&#13;
documents submitted to him without consulting with the&#13;
Society of Authors and its Committee of Composers.&#13;
The new Society by assuming the title of the British&#13;
Society of Authors, Composers and Music Publishers, may&#13;
possibly lead to confusion between it and the Society of&#13;
Authors; the title should be altered to the Society of&#13;
Music Publishers, Composers and Authors.&#13;
I am, Sir, yours faithfully,&#13;
G. HERBERT THRING,&#13;
Secretary, The Incorporated Society of Authors.&#13;
COMPOSERS AND PUBLISHERS.&#13;
TO THE EDITOR OF THE MORNING POST.&#13;
SIR, -Mr. Herbert Thring's letter appearing in your&#13;
issue of this morning, in which he claims that composers&#13;
should fly to the Society of Authors for protection and not&#13;
be misled by publishers on the question of their rights in&#13;
mechanical instrument records, omits to note one or two&#13;
vital facts.&#13;
Although the new Act very properly gives to authors and&#13;
composers an exclusive right in the new form of artistic&#13;
property created, it has never been in «lispute that the sale&#13;
of mechanical instrument records gravely prejudices the&#13;
sale of printed copies of music, and by so doing directly&#13;
affects the profit the publisher is entitled to make by&#13;
reascn of his enterprise and the outlay of his capital. In&#13;
no circumstances are gramophone records made of works&#13;
until the publisher has first discovered them and spent&#13;
money on making them popular. And are these efforts to&#13;
count for nothing?&#13;
Meanwhile what has the Society of Authors really done&#13;
for the composers of popular music in this country? It&#13;
has never moved hand or foot to protect them from the&#13;
depredations of the music pirate. It was left to the efforts&#13;
of one or two music publishing houses to fight day and&#13;
night and to spend thousands of pounds to preserve any&#13;
vestige of property in musical composition in this country&#13;
at all. The Society of Authors has not been any more&#13;
successful in obtaining for the composer under the new&#13;
Copyright Act what is his undoubted right, the privilege to&#13;
dispose of his musical work at his own terms, no matter&#13;
in what form it is published. With the exception of Mr.&#13;
Howard Talbot, the Society's list of composers serving on&#13;
their Musical Committee does not contain a single name of&#13;
a writer of popular music, and it would be interesting to&#13;
know how many such composers are included in the&#13;
membership of the Society.&#13;
First let the Society of Authors do something practically&#13;
useful for the cause of music, and then it will be quite time&#13;
for Mr. Thring to dictate to those who have stood at the&#13;
head of the battle and borne all the expense what are his&#13;
views of “ proper moral basic principles."&#13;
Yours, &amp;c.,&#13;
CHAPPELL &amp; Co.&#13;
50, New Bond Street, Feb. 20.&#13;
II.&#13;
M&#13;
HE following correspondence, with the ex-&#13;
1 ception of the last letter from the Society&#13;
for which the Editor was unable to find&#13;
room, appeared in the Morning Post last month.&#13;
THE BRITISH SOCIETY OF AUTHORS, COMPOSERS AND&#13;
MUSIC PUBLISHERS.&#13;
February 19, 1912.&#13;
SIR, --The attention of the Society of Authors has been&#13;
called to a circular issued by certain music publishers to&#13;
members of the Society, and no doubt to others, inviting&#13;
them (as composers) to join the British Society of Authors,&#13;
Composers and Music Publishers. One of the objects of&#13;
this proposed Society is to deal with the rights of its mem-&#13;
bers in the reproduction of works by mechanical instruments,&#13;
and another is to propagate and obtain recognition of the&#13;
basic moral principle upon which all author's rights are&#13;
founded. ..&#13;
This moral principle is to be recognised by the composers&#13;
and the authors giving one-third of their fees to the pub.&#13;
lishers, for article 6 of the proposed rules runs as follows :-&#13;
- All royalties and fees collected on behalf of the members&#13;
shall be divided amongst the respective authors, composers&#13;
and publishers of the works by thirds after deduction of&#13;
all working expenses and expenses of collection. In the&#13;
case of purely musical works where there is no author of&#13;
words two-thirds will go to the composer and one-third to&#13;
the publisher.”&#13;
The rules have already been subscribed by seventeen&#13;
music publishing houses. No authors' or composers' names&#13;
appear on the circular.&#13;
&#13;
&#13;
## p. 167 (#603) ############################################&#13;
&#13;
THE AUTHOR.&#13;
167&#13;
COMPOSERS AND PUBLISHERS.&#13;
emotions, the critical faculty has been but rarely&#13;
SIR,-Messrs. Chappell &amp; Co.'s letter diverts attention displayed ; at best, there is a bad record behind it.&#13;
from the points at issue by raising wholly irrelevant matters.&#13;
Time, we know, has a knack of adjusting every-&#13;
The contention of the Society of Authors is that the pub-&#13;
lishers of musical works have no right to claim a share of&#13;
thing and of evening up the balance ; yet, how&#13;
the gramophone fees of composers, and that a Society to&#13;
often for a period has the wrong man been set up&#13;
assist them to make such a claim should not be wanted by upon a pedestal, and how seldom has real genius&#13;
anyone except the music publishers. It is clearly the&#13;
been recognised at a glance. Just think of the&#13;
purport of the Act that these fees should be taken out of&#13;
the hands of the publishers, for under sect. 19, referred&#13;
life story of Galileo and of Newton, of Turner and&#13;
to in my former letter, in spite of assignment of copyright of Whistler, of Wagner and of Tschaikowsky : and&#13;
before the Act comes into force, the gramophone fees are to 'this is to name but a tithe of those whom the&#13;
be the absolute property of the composer. Had the Govern- critics failed to discover.&#13;
ment intended the publishers to share in these gramophone&#13;
Tschaikowsky-for it is of interest to take some&#13;
rights they would not have inserted this special reservation&#13;
in the Bill. Indeed, Mr. William Boosey, who is connected&#13;
example more or less in detail-met at the begin-&#13;
with the firm of Messrs. Chappell &amp; Co., in a letter to Thening with but one man who understood him-&#13;
Times of May 4th, 1911, wrote as follows:---&#13;
Nicholas Rubinstein. Anton Rubinstein, the&#13;
* To dispose of the final gramophone red-herring, that it&#13;
celebrated pianist, and that clique of minor&#13;
is the publishers, and not the composers, who will reap the&#13;
benefit of this new statutory right, let the new Act of&#13;
composers who formed musical opinion in the&#13;
Parliament enact explicitly that the said right shall in all Russia of that day would have him at po price.&#13;
cases be the property of the composer."&#13;
Some of them—not Anton Rubinstein, I believe-&#13;
Messrs. Chappell &amp; Co. appear to have receded from that&#13;
wrote for the Press. These were the critics whose&#13;
position when advocating the formation of “The Society&#13;
of British Authors, Composers and Music Publishers."&#13;
duty it was to distinguish between good and bad ;&#13;
Apart from the intention of the Legislature, however, and so intelligently did they do this, so whole-&#13;
there is clearly no reason why the composer should share heartedly did they condemn Tschaikowsky that,&#13;
the gramophone fees with the music publisher. The book&#13;
both in St. Petersburg and in Paris, he suffered&#13;
publisher might just as well demand to share the author's&#13;
fees from the dramatic rights, or the editor of a magazine&#13;
the bitter mortification of hearing his works first&#13;
in which a work has been published serially ask to have a played and then-hissed! And, mark you, works&#13;
share in the author's royalty on book publication.&#13;
which are now delighting and enrapturing the&#13;
Messrs. Chappell &amp; Co. refer to the advantage which the&#13;
entire musical world, works which in modern judg.&#13;
composer gains by having his work placed on the market,&#13;
but do not seem to recognise that it is the composer who&#13;
ment are ear-marked for immortality.&#13;
h given the publisher a marketable commodity.&#13;
But, maybe, you will have it that this was no&#13;
Music publishers are publishers of music, not patrons of fault of the critics, that the public is the real&#13;
music ; they are not entitled to control the property of the judge and settles the matter for itself. Well, so it&#13;
composer in every way because they may be his agents for&#13;
does, of course-in the long run ; and, be it&#13;
putting it in a certain form on the market.&#13;
I am, yours faithfully,&#13;
remarked in passing, in the long run it bas made&#13;
(Signed) G. HERBERT THRING, few mistakes. But at the beginning it does not&#13;
Secretary, Incorporated Society of Authors.&#13;
judge on questions of this sort because it cannot&#13;
judge ; genius is always a few stages ahead, and the&#13;
public reqnires time-time and education—to&#13;
enable it to arrive at comprehension. So, in the&#13;
CRITICS AND CRITICISM.&#13;
meanwhile, it turns to the critics—what less can it&#13;
do ?-to those who presumably are more fitted to&#13;
(HEN Schopenbauer roundly asserted, as he measure and appreciate and, in the early stages, it&#13;
did, that “ for the most part there is no takes their teaching for the truth and gravely&#13;
such thing” as “the critical faculty,” he swallows it. That is the simple and undeniable&#13;
committed himself surely to a statement which, if fact, and criticism may not burke its responsi-&#13;
not wholly inaccurate, is at any rate to be reckoned bility ; for better or for worse it carries an&#13;
little better than a half-truth. Clear thinker unmistakable influence.&#13;
though he was, and close observer of men and But we may, perhaps, gain a clearer view of the&#13;
manners, it would seem nevertheless that he had apparent lack of the critical faculty by bringing&#13;
been led astray by appearances and that he had the investigation nearer to our own doorstep, by&#13;
jumped to a wrong conclusion when, in finding noting the happenings around us of last week and&#13;
small outward evidence of the critical faculty, he this week, of yesterday and to-day. It is always&#13;
decided forthwith that to all intents and purposes easier to get a grip upon an idea which fits in with&#13;
the critical faculty did not exist.&#13;
our own associations and habits.&#13;
Of course, in so far as his observation went, he T urn, then, to the modern newspaper; and,&#13;
was right. For, whether we speak of the critic in seeing that the production of a new novel or of a&#13;
Science or of the critic in Art, of the things which new play occurs oftener than once in a blue moon,&#13;
appeal primarily to the intellect or primarily to the the critic's work can be tested as an amusing and&#13;
&#13;
&#13;
## p. 168 (#604) ############################################&#13;
&#13;
168&#13;
THE AUTHOR.&#13;
instructive breakfast occupation on three mornings earned their place, and deservedly so. The others&#13;
out of four. We may pass over the fact that the huge majority — are the evidence for&#13;
disagreement is common amongst the authorities Schopenhauer.&#13;
--for, needless to say, there are two sides to every But it is necessary to enquire whether this&#13;
question and men can show discernment and evidence has really any bearing on the case. It is&#13;
intelligence and, yet, disagree. What concerns purposeless to talk unless one talks to the point ;&#13;
us more is when the critics are in solid agreement, and here, I think, we shall find that this army of&#13;
and when the public just as solidly agree to differ. incompetents—a too mild description-are in no&#13;
A play or a novel is hailed with a flourish of way pertinent to the argument.&#13;
trumpets and a chorus of journalistic praise, yet To begin with, the very nature of things is such&#13;
meets with the cold shoulder ; another play or that these men cannot in any way represent the&#13;
another novel is crabbed from the commencement, critical faculty which does exist; they are merely&#13;
but achieves an immediate success and within fish out of water, pitchforked into criticism through&#13;
the limited period which, with rare exceptions, force of circumstances. For instance, I know a&#13;
must be reckoned the life of any romance-lives on very estimable gentleman who served this is a few&#13;
successfully. Here is food for thought ; for, the years back-on the staff of a well-known provincial&#13;
public, we know, has proved the soundness of its newspaper, and who delivered judgment impartially&#13;
judgment when once it understands; and, in this and weightily on music, literature, lawn-tennis and&#13;
event, it does understand. It is another matter, prize-fighting. Now, of course, there is no con-&#13;
obviously, when some genius in music, sculpture or ceivable reason why an individual should not be&#13;
painting evolves unexpectedly some wholly fresh competent to speak with authority on all these&#13;
conception in treatment, some unlooked-for develop- matters—there are many who could do so. This&#13;
ment in the technique of his Art, or when some man, however, could not ; his limitations made that&#13;
scientist proclaims a new discovery—then, the impossible ; he was, in fact, just an ordinary&#13;
public must lie low and wait ; they cannot under- reporter, a scribbler of shorthand notes, lacking not&#13;
stand. But in fiction, in romance, in story-telling only in artistic education and experience but, most&#13;
-why, they have been brought up to it from the woefully, in any knowledge of the technique of his&#13;
nursery! Every man, woman and child in this subjects. And this is typical of much criticism ;&#13;
country and in every other country--there is no and, in the nature of things, I say that it must be&#13;
getting away from it-is a born critic of romance. 80. For, quite apart from the fact that cheap&#13;
How, then, when the professional critics think one criticism implies economy in newspaper production&#13;
way and the public decides another-may we not an influence, of course, with editors and&#13;
well beliere the critics to be wrong? Yet, the managers—there is the further fact that those men&#13;
difference of opinion is by no means unusual. of greater parts, those whose qualifications would&#13;
It would be easy to write down a lengthy more especially fit them for the task, are as a rale&#13;
catalogue of critical errors in science and in art, to indisposed to follow the calling of a critic. These,&#13;
give them in detail-a task as offensive as it would for the most part, we may well believe to be occupied&#13;
certainly be ungrateful-and, filling a volume or rather in creative work.&#13;
perhaps many volumes with the result, so establish But, even if we admit that the critic has some&#13;
the proposition up to the hilt. But, quite apart aptitude for his job, there are still reasons why his&#13;
from what has just been said and what might be talent should not disclose itself. It is, for example,&#13;
said, it is common knowledge that criticism is not not a wholly unheard-of thing for a critic to write&#13;
what it should be, that scmewhere there is a weak “to order.” Editors are human and, therefore,&#13;
link in the chain. For, whether we study the peccable ; hence, in a business world where one&#13;
present or the past, the same short-coming obtrudes must either get on or get out, it is not surprising.&#13;
upon the notice, the same apparent absence of the however diegraceful it may be, to find the best&#13;
critical faculty. What wonder, then, that Schopen- reviews going the way of the publishing firms&#13;
hauer took things as he found them and jumped who advertise most largely. It is not always so,&#13;
hastily to the conclusion that, “ for the most part." of course, but it happens.&#13;
the critical faculty did not exist ?&#13;
Then, critics have their friends and enemies like&#13;
Now, there is no shade of a shadow of a doubt the rest of us ; and, from a personal point of view,&#13;
that first-class critics do exist. In England alone the one can get along very nicely with an&#13;
there is a band of men, all too small unluckily in undeserved leg up and the other with an equally&#13;
its number, who have proved themselves over and undeserved kick down the hill. Then, why not&#13;
over again, and who, by virtue of good work done, let them have it? Dishonest, no doubt! but the&#13;
have reached that pinnacle whence they may issue temptation is strong and, anyway—these things&#13;
a dictum wbich, without hesitation, the public may also happen.&#13;
and does accept. These few—such a few-have And speaking of temptation brings a reminder.&#13;
&#13;
&#13;
## p. 169 (#605) ############################################&#13;
&#13;
THE AUTHOR.&#13;
169&#13;
reaching the goal, seeing that this must surely&#13;
be inevitable, then can any man doubt, with the&#13;
facts before him, that the critical faculty, hide it&#13;
and crush it how you will, must nevertheless be&#13;
common enough? And not only common but in&#13;
a state of very special cultivation.&#13;
ARCHIBALD DUNN.&#13;
THE COPYRIGHT ACT, 1911.*&#13;
It recalls a class of critics who, in some respects,&#13;
may be said to stand in a category by themselves-&#13;
I mean the critics of technical work. These&#13;
reviewers, by the conditions under which they&#13;
write, are apt to meet with a temptation quite&#13;
beyond the ordinary. They are, of course, experts&#13;
--that is essential ; and, if expert, then it will&#13;
happen often that they, too, will have written books&#13;
on the very subject of discussion-for, that is the&#13;
way with specialists. How, then, when a fresh&#13;
competitor enters the field ? In a land of milk and&#13;
honey and plenty of it, the suggestion might pass&#13;
unbeeded; but in the kingdom of literature there&#13;
is no milk and honey-except for the chosen few-&#13;
and precious little bread and butter. A man is a&#13;
scoundrel, no doubt, who lets the thought enter his&#13;
head at the crisis—yet, some have done it; for it&#13;
is hard to hand over one's own bread and butter&#13;
and stand by starving whilst another eats it.&#13;
Pity, indeed, that the picture should thus paint&#13;
itself so sordidly. But it cannot be helped. To&#13;
reach the truth means, as a rule, cutting deep into&#13;
the heart of things, and the inevitable wound can&#13;
at best only be regretted—there is nothing else&#13;
for it.&#13;
The argument, then, so far as it has gone seems&#13;
clear : of critics in general it may be said that the&#13;
right men do not enter the lists, and of some&#13;
critics in particular that they do not play the&#13;
game. But this does not prove that “for the&#13;
most part” the critical faculty does not exist,&#13;
merely that it does not disclose itself.&#13;
And, indeed, anyone who gives the matter a&#13;
moment's serious thought must see that the&#13;
critical faculty not only exists but must, more-&#13;
ever, exist in great profusion. The whole tendency&#13;
of the time leads that way. It is an age of higher&#13;
education and of marked refinement, an age in&#13;
wbich we are taught to consider and analyse and&#13;
always to look sympathetically on our fellow men.&#13;
And these are the qualifications of a critic. The&#13;
true critic, in fact, is simply a philosopher-one&#13;
who searches for the truth in the firm faith that&#13;
there are two sides to every question. There is to&#13;
be nothing narrow-minded about him, no fads or&#13;
preconceived ideas ; he will concede, in art, that&#13;
beauty may exist which has few charms for him&#13;
and, in science, he will reckon to have found the&#13;
truth when once the truth has been demonstrated-&#13;
then, and not before. And, finally, in his formed&#13;
opinion, he will be honest and courageous ; for, he&#13;
plays the part of counsellor, guide and friend and,&#13;
however interesting his criticisms may be to himself,&#13;
they are not for himself.&#13;
Such is an outline of the needs of criticism and&#13;
of the conditions under which the critic's abilities&#13;
are developed. And seeing that it is not possible&#13;
to train humanity in one direction without many&#13;
M HIS concise commentary upon the provisions&#13;
1 of the new Copyright Act may safely be&#13;
commended to the notice not only of lawyers&#13;
but of “authors," in the wide sense in which the&#13;
term is used in the first section, and of all whose&#13;
business it is to deal in their productions. In&#13;
form it follows that which is usually found most&#13;
convenient in works of its class, and consists of a&#13;
short introduction, which includes a brief but&#13;
informing summary of the principal changes to be&#13;
effected by the Act, a table of contents, the Act&#13;
itself printed section by section with notes, the&#13;
Revised Convention of Berne, signed at Berlin in&#13;
November, 1908, and a carefully compiled index.&#13;
The notes referred to follow immediately the sections&#13;
to which they refer, and consist of comment upon&#13;
the preceding section, followed by a summary of the&#13;
existing law ; the section, the comment upon it and&#13;
the note as to the existing law being distinguished&#13;
by different types.&#13;
The expression “ existing " law reminds us that&#13;
the Act will not come into force in the United&#13;
Kingdom until July 1 (unless some earlier date be&#13;
fixed by Order in Council), and that consequently&#13;
there is ample time for some to consider how they&#13;
will deal with valuable rights prolonged by the Act,&#13;
or in some instances to settle the question of more&#13;
pressing importance, whether such rights will be&#13;
still in existence at the date mentioned and so&#13;
capable of prolongation. The representatives of&#13;
deceased artists in particular, and those who hold&#13;
their copyrights, should realise that they are among&#13;
the most conspicuous gainers by the prolonged term,&#13;
but the owners of existing rights affected will be&#13;
many and varied, as is shown by Mr. MacGillivray&#13;
* " 'The Copyright Act, 1911." Annotated, with Appendix&#13;
containing the Revised Convention of Berne, by E. J.&#13;
MacGillivray, LL.B., of the Inner Temple, barrister-at-law,&#13;
and member of the Faculty of Advocates in Scotland.&#13;
Author of " The Law of Copyright," " A Digest of the Law&#13;
of Copyright,” and “ Insurance Law.” London : Stevens&#13;
and Sons, Limited. 1912. Pp. 209. Price õs, net.&#13;
&#13;
&#13;
## p. 170 (#606) ############################################&#13;
&#13;
170&#13;
THE AUTHOR.&#13;
on page 143, and authors of works that have long subject to which anyone may reproduce the work in&#13;
been before the public are reminded that their question. The points arising as to this section are&#13;
rights may be not only prolonged but enlarged, as rather too intricate for discussion here, but&#13;
for example by the addition of exclusive rights of another matter of obscurity, more easily sum-&#13;
recitation and dramatisation.&#13;
marised, may be referred to. The new Act has a&#13;
The enlarged protection accorded to authors very important effect upon the doubtful, and if&#13;
by the Act will be much more fully grasped the expression may be allowed “tiresome,"condition&#13;
by them after perusal of Mr. MacGillivray's volume of the existing law as to unpublished writings of a&#13;
than by unaided study of the Act itself, and, deceased author, more especially in respect of letters.&#13;
indeed, after such perusal they may be inclined At the end of the 17th section, relating to post-&#13;
to congratulate themselves that his notes were not humous works, is a sub-section to the effect that the&#13;
in the hands of those members of the Labour Party ownership of an author's manuscript after his death,&#13;
to whose “ socialistic demands" the writer refers in jf acquired by his will, “ Shall be prima facie proof&#13;
his introduction. Had it been so, the concessions of the copyright being with the owner of the&#13;
which the Government granted might have been manuscript.” As Mr. MacGillivray observes, it&#13;
more ample than in fact they were.&#13;
would have been much more satisfactory if the&#13;
When Mr. Sydney Buxton, at the dinner of the Act had provided explicitly that any bequest of the&#13;
Authors' Society, referred with just pride to the manuscript should be deemed to pass the owner-&#13;
conciseness of a statute which effected so much ship of the copyright. He submits that this would&#13;
within the compass of thirty-seven sections, it might probably be the interpretation which the Court&#13;
have been suggested in criticism that an Act of such would put upon the passage referred to, but he&#13;
brevity, in spite of all the lucidity with which it may points out that doubt may well arise if a residuary&#13;
be drafted, is likely to afford considerable scope for legatee were to claim to be as such the owner of&#13;
legal argument and judicial decision in the future. a copyright, and to argue that his right as such&#13;
A treatise upon it written before any such decisions residuary legatee was superior to the prima farie&#13;
have been given naturally contains many suggestions right of the legatee taking the manuscript by&#13;
as to doubtful questions and as to their probable specific bequest. The point is certainly by no&#13;
solutions. It is to the consideration of problems means free from doubt, and may be commended to&#13;
of this kind in the light of Mr. MacGillivray's the careful consideration of authors and of those&#13;
observations that many will turn with interest, who may be entrusted with the drafting of their&#13;
after satisfying themselves as to the matters of wills.&#13;
interpretation with regard to which he expresses no In conclusion, reference may be made to the&#13;
doubt. Instances can easily be given of doubtful important summary remedies given by the Act to&#13;
points connected with transactions of not uncommon those authors, other than musical composers, who&#13;
occurrence. Sub-section 6 of section 2, for example, find themselves aggrieved by infringement. We&#13;
prevents the “reading or recitation in public of any are reminded that musical composers will remain a&#13;
reasonable extract of any published work" from class exceptionally favoured, although less so than&#13;
being an infringement of the sole right of public now, even when the Act comes into operation. It&#13;
performance, for which a civil action may be main was sought, as Mr. MacGillivray reminds nis, to&#13;
tained, but Mr. MacGillivray points out that in adopt the provisions of the Acts of 1902 and 1906&#13;
section 11 (2), which makes an unauthorised public protecting composers, to the needs of other authors&#13;
performance punishable on summary conviction, of all classes, but this was so strenuously opposed in&#13;
this saving clause is not inserted, with the result that Grand Committee that a compromise became neces-&#13;
the question arises whether the Court might not be sary, and now the authors of musical works retain&#13;
bound to convict upon the prosecution of a per- the protection of their own Acts, which are&#13;
former, although he could not be proceeded against unrepealed, and literary writers have to be content&#13;
in a civil action. Again, attention is called to the with the principle of summary procedure applied&#13;
possibility that a recitation in costume may be upon to other works in the much less drastic form in&#13;
a different footing from one not so approximating which it appears" in section 11 of 1 &amp; 2 Geo. 5 c. 16.&#13;
to dramatic presentation. We do not here refer Mr. MacGillivray's exposition of that Act will be&#13;
further to the exclusive right of " performance" found timely and helpful, as we have suggested,&#13;
or oral delivery conferred by the Act upon non- not only by the profession which will draw direct&#13;
dramatic works, or to the conditions and limitations profit from the difficulties to which it calls atten-&#13;
imposed upon the exercise of those rights. Section 3 tion, but by those large and, if we may say so, more&#13;
of the Act naturally affords material for comment important, classes of brain-workers, who before the&#13;
in respect of the paragraph which modifies the passing of the great measure we have recently&#13;
right of the owner of the copyright twenty-five welcomed, had received frequent but always&#13;
years after the author's death, and states conditions inadequate attention from the Legislature.&#13;
W&#13;
&#13;
&#13;
## p. 171 (#607) ############################################&#13;
&#13;
THE AUTHOR.&#13;
171&#13;
CORRESPONDENCE.&#13;
returned” without having been before the judges-&#13;
this was self-evident.&#13;
NOVEL COMPETITIONS.&#13;
There can be little doubt as to the early accept-&#13;
ance of the novel in question by any house of&#13;
DEAR SIR,–I cannot help thinking the time has standing, and that its publication will bring its&#13;
come when authors might venture to make some young author success. I cannot, of course, men-&#13;
sort of protest against the manner in which certain tion either the name of the author or that of the&#13;
“ novel competitions” are conducted.&#13;
novel ; its author is, I fancy, rather an independent&#13;
These competitions are, of course, the affairs of the sort of person, and prefers his work to make its way&#13;
houses which institute them, and the conditions are by its own pure merits ; but this furnishes me with&#13;
generally, I believe, clearly laid down, and so perhaps the example I required to point a few words on a&#13;
their methods are hardly fully open to general subject that has often exercised my thoughts.&#13;
criticism ; yet I think, considering the altogether My point is the evident unfairness of such a&#13;
false standards their results are apt to produce in the system where any work sent in is at the mercy of&#13;
eyes of the public in the ranks of the novelists, the sorter, who may have a corn that is trodden&#13;
protest is not out of place.&#13;
upon in the perusal of the first chapter, and con-&#13;
And in one way in particular injustice is apt to sequently, if not a most fair-minded man, reject&#13;
to be done to many of the contributors to the that work.&#13;
schemes. It is, no doubt, necessary that the copy C an we wonder that the prize-winning stories are&#13;
sent in should be subjected to a preliminary weeding, generally of so flat a nature that, after inspiring a&#13;
and one could hardly expect the judges to wade few lukewarm notices, they expire early and their&#13;
through the entire mass of MSS. submitted ; but it authors are so rarely heard of again?&#13;
is in this preliminary process of selection that the There is another aspect: these competitions do&#13;
evil, as it seems to me and many others, is apt to be undoubted harın by bringing temporarily to the&#13;
done. The objection, to my mind, lies in the fact front writers who have usually no particular message,&#13;
that the sorter bas the power of submitting to the and who are, by their sudden success, led to believe&#13;
judges only such works as may happen to please themselves literary giants, to the discouragement of&#13;
his own taste. The experience of most of us is that real talent and, occasionally, of genius. Surely the&#13;
the publisher's reader is a being who is very far literary market is already overcrowded by the works&#13;
from being infallible in his judgment of the wares of third-rate writers without its being necessary for&#13;
he has to handle ; the history of nearly erery great publishers to hunt for fresh and doubtful talent.&#13;
book has been the same-repeated rejections till It is by no means easy at the present day for the&#13;
some lucky chance has brought it to light. And unknown writer of a really good book to get a&#13;
the standard of acceptability according to the average hearing on respectable terms, and the awards of&#13;
“ reader” of the present day seems to be a certain competitions not only do much to lower the standard&#13;
conformity to a machine-made story carefully sifted of literature-bringing it down to a mere trade&#13;
of any originality. Yet we are led to understand level, but crowd and lower the market standard&#13;
that the publisher is ever on the lookout for dis- very seriously, in addition to creating a false ratio&#13;
coveries in originality! Judges, also, I believe, have in the public eye.&#13;
complained of the low level of the average of the But I for one, and I am not alone in my views,&#13;
work submitted to competitions. Can we wonder certainly think that in such competitions all likely&#13;
at it when they are only permitted to decide, work should be at least laid at the disposal of the&#13;
apparently, upon a few works carefully chosen for judges. It would always be necessary to weed out the&#13;
the purpose by the sorters ?&#13;
copy which is hopelessly poor, but to weed out works&#13;
A young friend of mine has lately sent to a cer- that are good and uncommon, clever and original&#13;
tain competition a work which, in the opinion of because, possibly, of some prejudice on the sorter's&#13;
several literary men of established reputation who part, seems to me to be prejudicial to fairness at&#13;
know him, is a novel of unusual power. This work the start, and one would like to know upon what&#13;
is undoubtedly very far above the average, most lines and roles the sorters are instructed to go.&#13;
original, beautifully written and dealing with an In conclusion, I must say that after some experi-&#13;
absorbing and altogether novel idea; in the opinion ence of competitions in the literary world and a&#13;
of those competent to judge and who have read it, good deal of talk with candidates who bare entered&#13;
in MS. it is certainly one of the freshest and for them, my advice to any writer with self-respect&#13;
cleverest books that have been written during the and above all with any talent is—leave them strictly&#13;
last five years. It might not stand any chance of alone.&#13;
taking a prize, since it is, perhaps, too bold and too&#13;
I am, Sir,&#13;
outspoken, too original in theme to be greatly&#13;
Yours faithfully,&#13;
popular ; but the point is that the MS. “ was quickly&#13;
TAMEL,&#13;
&#13;
&#13;
## p. 172 (#608) ############################################&#13;
&#13;
172&#13;
THE AUTHOR.&#13;
THE SOCIETY OF BRITISH COMPOSERS AND THE On every point that concerned the composer the&#13;
COPYRIGHT ACT.&#13;
society drafted memoranda, which were sent either&#13;
SIR,- In last month's issue of The Author, page&#13;
to the Board of Trade, to some member of the&#13;
132, there is a paragraph referring to the Copyright&#13;
Government, or to the private members who were&#13;
Act, which is misleading. It runs thus :-&#13;
giving special attention to the composer's welfare.&#13;
Before the committee stage was over the society&#13;
“The gramophone clauses are not altogether to the&#13;
was invited by the President of the Board of Trade&#13;
liking of composers, and the comuittee of the society&#13;
regret that the Government have admitted the principle of&#13;
to confer with him upon various points which had&#13;
compulsory licence into these clauses, despite the objections&#13;
arisen in discussions in committee, and this&#13;
urged by the society on behalf of, though with one or two invitation was accepted in the light of official&#13;
honourable exceptions, without much help from, musical recognition of the status of the society as&#13;
composers."&#13;
representing the composer alone.&#13;
This conveys the impression that composers as a At the end of July, 1911, before the report&#13;
body neglected to take steps to safeguard their stage was passed, the society, anticipating the&#13;
inte rests under the new Copyright Act, and that form that the “gramophone clauses ” might, and&#13;
the Society of Authors alone acted on their behalf. ultimately did, take, sent a circular to all its&#13;
This is very far from being the case, for from members cautioning them against disposing of any&#13;
the first the Society of British Composers took an of their mechanical-instrument rights before the&#13;
active part in stating the case for the composer. Bill became law. At this date, further, the society&#13;
In The Times of March 10th, 1909, it was first went fully into practical issues created by the&#13;
announced that the Board of Trade had formed a “gramophone clauses "—issues, it may be added,&#13;
Departmental Committee on Copyright, and as which are only now for the first time being&#13;
composers had been overlooked and were not repre- considered.&#13;
sented on the committee, the Society of British I think I have said enough to show that the&#13;
Composers, without a moment's delay, entered a S. B. C., in spite of its restricting its membership&#13;
protest against the injustice of ignoring them. to composers of serious aim, had sympathies&#13;
Persistent efforts on behalf of the composer sufficiently wide to justify its efforts towards&#13;
resulted in the society receiving an undertaking reform on behalf of all, although the majority of&#13;
that its representative would be allowed to appear its members may never be affected by the&#13;
before the committee and give evidence on certain&#13;
“ gramophone clauses.” It is only fair to point&#13;
points in the Revised Convention of Berlin, 1908. out that the S. B. C. has giren the Society of&#13;
Thus it was largely owing to the action taken by Authors every facility for getting in touch with its&#13;
the S. B. C. that the Departmental Committee, members, and the composers, realising that their&#13;
whose duties were originally limited to an own special society had the copyright question&#13;
examination and report upon that Convention, well in hand, were satisfied that their interests&#13;
became in effect a Royal Commission, with power would not be neglected.&#13;
to call witnesses. In July, 1909, one of the&#13;
Yours faithfully,&#13;
members of the S. B. C. appeared before the&#13;
WILLIAM WALLACE,&#13;
committee and gave evidence. Nothing further Hon. Secretary, Society of British Composers,&#13;
could be done till the Report of the committee&#13;
19, Berners Street, W.&#13;
was issued, and this was followed by the Copyright (Mr. Wallace's letter does not in any way refute&#13;
Bill of 1910. The society then called a special the paragraph referred to. All honour must be&#13;
meeting of its members to discuss, inter alia, this given to the Society of British Composers for the&#13;
Bill, and invited members of the Society of work they have done, but the Society of British&#13;
Authors to attend and speak. It subsequently Composers is not representative of all composers,&#13;
printed and circulated a report of the proceedings. and we regret to state that some of the great&#13;
At a later stage it reported to the Board of Trade composers have shown themselves utterly callous&#13;
upon the Bill, and sent its own deputation to that and indifferent to the welfare of their fellow&#13;
department, on which occasion it was represented craftsmen.&#13;
by its prominent members, and its honorary We congratulate the Society of British Com.&#13;
counsel discussed the points specially affecting the posers, whose excellent work in the passing of the&#13;
composer.&#13;
Copyright Act no one can deny, but it is still true&#13;
Owing to the political situation the Bill of 1910 that the Society of Authors, considering the work&#13;
could not be proceeded with, and that of 1911 was it has done, and is still doing, has received very&#13;
introduced, the second reading taking place on little support from the great bulk of composers,&#13;
April 7th, 1911. From that moment the S. B. C. many of whom are not, and cannot be included&#13;
redoubled its vigilance, and the committee stage in the Society of British Composers under its&#13;
was watched and reported upon unremittingly. regulations.—ED.)&#13;
&#13;
&#13;
## p. 172 (#609) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
TYPEWRITING. Literary &amp; Dramatic Typewriting.&#13;
HUBERT WALES, ESQ., of Hindhead, Surrey, writes :&#13;
"I have just completed the revision of my novel ... which you&#13;
typed, and I should like to thank you for the admirable way the&#13;
work was done. Considering that the manuscript was sent to you&#13;
without laving been corrected or even read, and that my hand writing,&#13;
I am told. is not always particularly legible, it is obvious that it&#13;
required perception as well as care, something niore than simple&#13;
mechanical accuracy, to produce such a resulta result which, in&#13;
conjunction with your moderate charges, seems to me to be the best&#13;
of answers to the criticisms which have recently been directed upon&#13;
the work of typists in the columns of The Author."&#13;
Novels &amp; Story work, 9d. 1,000 words; 2 copies, 1/-&#13;
Plays, ruled and covered, 1/- 1,000 words; 2 copies, 1/4.&#13;
(French and Spanish typed.)&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E. NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased ... It is beautiful work."&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove to&#13;
all authors who have the good fortune to hear of you. ... You&#13;
certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN): “I have never met with&#13;
anything approaching your intelligence, carefulness and promptitude."&#13;
RICHARD PRYCE, Esq.: "The work conld not be better done."&#13;
IST IOHN L'Isle, Dimond Road, SOUTHAMPTON&#13;
Bitterne Park,&#13;
SIKES and SIKES,&#13;
The West Kensington Typewriting Offices&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W.&#13;
Cotterill &amp; Cromb, Literary Agents,&#13;
Lennox House, Norfolk St., Strand, W.C.&#13;
SOMETHING NEW !&#13;
INK-ERASING PENCIL.&#13;
Just the thing for Authors and Business Men. Removes&#13;
writing and blots immediately, and without injury to&#13;
paper.&#13;
SEND P.O. 1/2 FOR SAMPLE.&#13;
c. Herbert Cæsar, Homefield, St. Albans.&#13;
TYPEWRITING.&#13;
MISS FOWLER, Maxwell House, Arundel&#13;
Street, Strand, W.C.&#13;
EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
Extract from Unsolicited Testimonial.-"I send yon work com-&#13;
pared to which Egyptian hieroglyphics would be child's play, and you&#13;
return the manuscript at the time requested without one single&#13;
inaccuracy. It is nothing short of marvellous."&#13;
on all subjects,&#13;
including&#13;
LITERARY,&#13;
Educational,&#13;
Commercial, Technical, Medical, Theological, etc., and&#13;
for all examinations.&#13;
Second-Hand at Half-Prices. New at 25 per&#13;
cent, disoount.&#13;
Ca'alogues free. State Wants. Books sent on approval ; BOOKS&#13;
BOUGHT. Best Prices Given.&#13;
&#13;
AUTHORS. ATTENTION!&#13;
ACCURACY,&#13;
ABSOLUTE SECRECY,&#13;
PUNCTUALITY&#13;
guaranteed by me in Typewritten&#13;
copies of Manuscripts, etc.&#13;
Terms : Is. per 1,000 words; Carbon&#13;
Duplicates, 3d. per 1,000.&#13;
W. &amp; G. FOYLE,&#13;
135, Charing Cross Road, London, W.C.&#13;
LITERARY AGENCY.&#13;
THE WEINER AGENCY, LTD.,&#13;
64, STRAND, LONDON, W.C.&#13;
Every facility for placing work of all descriptions. Apply&#13;
for prospectus, free, from Manager, Literary Department.&#13;
Read what a satisfied Client says, and then send a&#13;
trial order.&#13;
Dear Sir,&#13;
December 4th, 1911.&#13;
I have to thank you for your prompt and most&#13;
satisfactory work; the typing is excellent, and I am&#13;
extremely pleased with it.&#13;
(Signed) MRS. J. O. ARNOLD,&#13;
Sheffield.&#13;
TYPEWRITING.&#13;
8d. per 1,000 words ; with duplicate, 9d.&#13;
C. A. GIRTON,&#13;
2, Grove Lane, Camberwell, S.E.&#13;
C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Rd., St. Albans, Herts.&#13;
&#13;
&#13;
## p. 172 (#610) ############################################&#13;
&#13;
viii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
TYPEWRITING&#13;
Opposite the British Museum.&#13;
THACKERAY HOTEL&#13;
To Authors, Clergymen,&#13;
Playwrights, etc.-&#13;
A WORD IN SEASON !&#13;
Get all your work TYPED&#13;
WELL-IT ADDS TONE.&#13;
Great Russell Street, London.&#13;
Near the British Museum,&#13;
KINGSLEY HOTEL&#13;
WITH&#13;
My work is always THE BEST.&#13;
My prices are LOW.&#13;
Send your order now.&#13;
Hart Street, Bloomsbury Square, London.&#13;
All orders, large or small, receive&#13;
my personal attention.&#13;
MISS RALLING,&#13;
38, Norwood Road,&#13;
Herne Hill,&#13;
LONDON, S.E.&#13;
Passenger Lifts. Bathrooms on every Floor. Loungee&#13;
and Spacious Dining, Drawing, Writing, Reading, Billiard&#13;
and Smoking Rooms. Fireproof Floors. Perfect Sanita-&#13;
tion. Telephones. Night Porters.&#13;
Bedroom, Attendance, and Table d'Hote&#13;
Breakfast, single, from 5/6 to 7/6.&#13;
Table d'Hote Dinner, Six Courses, 3/-.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel—"Thackeray, London."&#13;
Kingsley Hotel—“Bookcraft, London."&#13;
BRAINS Herne Hill,&#13;
MRS. GILL'S TYPEWRITING, SHORTHAND. , AUTHORS wishing to make arrange-&#13;
AND TRANSLATION OFFICE, ments for Publishing are invited to&#13;
35, LUDGATE HILL, LONDON, E.C. communicate with LYNWOOD &amp; Co.,&#13;
Telephone-8464 Central.&#13;
Established 1883. Ltd., Publishers, 12, Paternoster Row,&#13;
Manuscripts of every description promptly and intel London, E.C., who will be pleased&#13;
higently copied, from 1s. per 1,000 words; special success&#13;
with work rendered indistinct by hasty writing and by to consider MSS. and advise (free).&#13;
corrections. French and German typewriting undertaken,&#13;
and typewritten translations supplied. Testimonials Please write before sending MSS.&#13;
from authors, scientists, engineers, architects, barristers.&#13;
Reference kindly permitted to Messrs. A. P. Watt &amp; Son,&#13;
CATALOGUE OF PUBLICATIONS&#13;
Literary Agents, Hastings House, Norfolk Street, Strand,&#13;
POST FREE ON APPLICATION.&#13;
W.C.&#13;
Neatness and accuracy, with&#13;
promptness; 7d. per 1,000;&#13;
TYPEWRITING.&#13;
over 20,000, od. Plays ruled&#13;
and bound, 8d. Cheap duplicating.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
DRACUP, 21, Millbrook Road, BEDFORD.&#13;
words; in duplicate, 1/-. Plays and General TYPEWRITING._Authors' mss. carefully&#13;
typed at 10d. per 1,000&#13;
Copying. List and specimen of work on appli-&#13;
Authors' MSS. carefully&#13;
words (carbon copy free). -&#13;
EXCELSIOR TYPEWRITING OFFICES,&#13;
cation.&#13;
Tel.: Bank 82.&#13;
20, Bucklorsbury, E.C.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
TYPEWRITING &amp; SECRETARIAL WORK.&#13;
"Miss M. R. HORNE has typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I have nothmg&#13;
MISSES CONQUEST &amp; BUCHANAN,&#13;
but praise for the accuracy, speed and neatness with which she&#13;
does her work.- FRANK SAVILE."&#13;
64, VICTORIA STREET, S.W. Telephone : No. 5537 Westminster.&#13;
MISS M. R. HORNE,&#13;
Miss Gertrude Tuckwell, Canon Swallow, Hilaire Belloc, Esq.&#13;
and Others.&#13;
New Address :-&#13;
15, WIMPOLE ROAD, YIEWSLEY, MIDDLESEX. thanks for the excellent work and the promptness with which it has&#13;
been done."&#13;
Recommended by Mr. G. K. Chesterton, Baron de Worms,&#13;
Many Testimonials, of which the following is a specimen :" Many&#13;
Print ed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverio Street, London, E.C.</text>
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