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                  <text>The Elutbor .
( The Organ

VOL .

XXI . - No.

the Incorporated

of

1,

APRIL

7.

of Authors .

Society

Monthly . )

1911 .

[ PRICE SIXPENCE

CONTENTS.
PAGE
153
153
153
154
154
157
158
159
162
163
164
164
165
165
165

Notices
TheSocietys Funds
List of Members...
The PensionFund
CommitteeNotes
Bookspublishedby Members
Bookspublished in America by Members...
Literary, Dramaticand Musical Notes
Paris Notes
...
...
...
...
The Public Domain
Copyright in Fiction and Cinematograph Representations
MagazineContents
.
How to Use the Society
Warnings to the Producers of Books
Warnings to Dramatic Authors
...

'

PAGE
166
166
166
166
166
166
167
168
168
171
175
179
180
181

Registration of Scenariosand Original Plays
Dramatic Authors and Agents
Warnings to Musical Composers
Stamping Music ...
The Reading Branch ...
Remittances
General Notes ...
Committee Election
General Meetings
Thackerayand the Dig
Literature
Style in Literature
About Edwin Drood
Short Reviews ...
Correspondence

PUBLICATIONS OF THE SOCIETY .
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2nd Edition
Sir WALTER BESANT
HERBERT THRING and Illustrative Examples
Giving the Terms
Periodicals and their contributors
which the different Magazines
and Periodicals deal with MSS and Contributions
Society
price
Authors
List
Members
Published October 1907

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SQUIRE SPRIGGE
this work compiled from the
agreements proposed
offices the various forms
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carefully explained
Authors
examined
and their meaning
with
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various kinds
fraud which have been made possible
the different clauses therein
By
Being additional facts
Addenda
the Above
HERBERT THRING
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With comments and
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Published ten months
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Issued
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placing Novels with the best
Managers
this Agency have exceptional facilities
unique knowledge
Magazine Periodical and
They have also
the Buying and Selling
During the past six years they have placed Serials Short Stories Articles and
Newspaper
Fiction
very
Black and White Illustrations
all the leading British Colonial and American publications
Expert
favourable terms
New Authors
real promise receive encouragement
and helpful advice
brought
Many
knowledge
placing
bear upon every MS with
view
the best advantage
Authors whose names are now well known were introduced
the reading public through the Managers
long and close personal and business connection with the principal Publishers
this Agency who have
and Editors
The

Publishers

.

—

WILLIAM

MOLLISON

.

ADVISER MR

DRAMATIC

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Mr William Mollison the well known London and provincial actor who acts dramatic adviser
Messrs Cotterill
Cromb has played Richelieu
The Musketeers
the Haymarket
Cardinal
Drury Lane and Pistol
King Henry
Colonne
Daute
with Henry Irving
the Lyceum
partnership
produced
and
was for some time
with Lewis Waller
He
The Bonnie Briar Rose
the
James
and has since played the part
Lauchlan Campbell
the provinces over thousand times He
profound an impression when
also took
tour John Galsworthy
remarkable play
Strife
which created
great hit with
Mr Frohman produced
the Duke
York
Theatre
More recently
made
one
the Child
The Touch
act sketch
Messrs Cotterill
romb
clients have thus the advantage
Mr Mollison great influence and
.

experience

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68

SONS

Stoughton

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GEORGE ROUTLEDGE

you

copy

Authors are invited
send their names
and particulars of their publications
the Editor for insertion
the next issue
due
notice of which will be sent them
course
Address

Hodder

REMARKABLE OFFER

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with
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for contributors
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Many thanks for the help which the
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The Author
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VOL XXI

It of

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of

List
Members
the Society
Authors
published October 1907 can now be obtained
the offices
the Society
the price
July
post frec 74d
includes elections
1907 and will
sold
members and associates
the Society only
the
dozen blank pages have been added
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Communications and letters are invited
the
literary matters treated
Editor
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LIST

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Communications
for
The Author should
the Offices
the Society
Old
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Queen Street
Gate
and should
reach the Editor not later than the 21st
each
addressed

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be

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to

or

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paid
which these contributions may
The funds suitable for this purpose
The
Capital Fund
kept
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reserve
necessary for the Society
case
incur heavy
prin
fighting question
expenditure
either
ciple
assisting
obtain copyright reform
dealing
any other matter closely
with
connected with the work
the Society
slowly
The Pension
Fund
This fund
increasing and
hoped will
time cover the
needs
the members
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CONTRIBUTIONS

Editor
The Author begs
the Society that although

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remind
the paper
production would
sent
them
free
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very heavy charge
the resources
the
great many members did not forward
Society
subscription for
the Secretary the modest
the year
THE

FUNDS

ROM time
time members
the Society
desire
make donations
its funds
recognition
work that has been done for
them
The Committee acting
the suggestion
place
one
these members
have decided
this permanent paragraph
The Author
order
that members may be cognisant
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SOCIETY

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Authors Society and other readers
The Author
that the cases which are quoted
The Author are
the
cases that have come before the notice
knowledge
the Secretary
the Society and that
those members
the Society who desire
have
the names
the publishers concerned can obtain
them

Members should apply
the Secretary for advice
special information
desired

or

of

or

the Committee

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the opinions expressed
papers that are
signed
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any liability
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LONDON

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AUTORIDAD

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ADDRESS

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:

TELEGRAPHIC

ADVERTISEMENTS

VICTORIA

.

374

PRICE SIXPENCE

1911

:

NUMBER

1ST

to

APRIL

BESANT
[

No

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Monthly

Authors

SIR WALTER

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March meeting
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After the reading
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the previous
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Alfred

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Edginton Miss May
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1911 .

Jan . 2, Northcote , The Rev .
Jan . 2, Mackenzie, Miss J .
Jan . 3 , Church ,
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March
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THE PENSION FUND .

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Feb

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Feb

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end of the list for the convenience
of those who
desire to add future elections as they are chronicled
from month to month in these pages .

.

.

.

.

154

-

-

�THE AUTHOR .
arrangements could be made by which Consuls or
Commercial Correspondents
could notify to the
Commercial Intelligence Branch for transmission
to the Society of Authors the title of any English
play mentioned in the local newspapers as being in
the course of performance , so as to safeguard
British authors' interests . He reported that the
matter was now being considered by the departments concerned , and he hoped that good might
result .

Following this statement , the committee turned

155

purpose , the secretary was instructed to apply to
the member for the fullest information
as to th
ownership of the copyright , date of publication ,
and other particulars necessary to make the case
clear .
On the receipt of the opinion
the matter
will be reconsidered by the committee .
The solicitor then furnished the committee with
a report of the work he had in hand for the society .
Of ten small County Court cases four had been
settled .
In two others default summonses had been
issued and served .
In one of the remaining
cases

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The secretary reported that two members

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In

States
this case the committee
take the opinion
United States
any could
ascertain what relief
obtained under the United States law
For this

the United

under discussion
expenditure incidental
The question
the
summoning
the Dramatists
Conference was next
considered
the committee who sanctioned pay
ments for the hiring
the hall printing
etc
circulars
The literary agency agreement drafted by the
secretary was laid before the meeting and
was
adjourn discussion
decided
this document
establishing
well
the question
loan fund
the next meeting when
was possible both matters
be

out

rights
one
performance

of of of

the dramatic
cinematograph

of

of

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the members

by
a

the infringement

the Board
Trade the view
the important point that was

to

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In

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take the matter further
The next case before the committee arose

be

to

.

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to

he

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the committee

to

had pressed
the case
before
had sent the papers
the society
solicitor and the solicitor had expressed the same
opinion
that given
the secretary
the
circumstances the committee decided they could not

the member

communicate

the committee

by
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go ,

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to

the conclusion that
against the magazine

the magazine
the author would
bound
prove
the bankruptcy
After the conclusion
the cases the committee
proceeded with the consideration
the ordinary
business
the society
The first matter related
the Copyright Bill and
letter from the president
covering
the Publishers
Association
certain
resolutions
from
that body was laid before the
committee together with correspondence that had
passed between the secretary
the society and the
permanent secretary
the Board
Trade
The
secretary was instructed
write
the president
the
Publishers
Association
and also
of

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to

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to

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up
in

had come
established

paid for
that some
the instalments should
full but for the balance owing
the liquidation

of

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to

to

were involved
The solicitor
having made
report
the society
the history
the publishing
concern the committee decided
after some discussion
take steps
throw
the
whole concern into bankruptcy not only for the
benefit
authors already involved
but also
becoming mixed
order
save other writers from
this company
reported
The secretary
case
laid before the
brought charge
society
member
which
against one
the big magazines
He stated that
having investigated and considered the papers he

-

twelve members

that
the end the MS would
found
the
portion
the MS had been returned
last case
and
was hoped that the balance would be
forthcoming
magazine
money due
one claim against
for serial matter supplied
had been arranged

of

a

In

to of

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a

an

to

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willingly reconsider the matter
bankrupt publisher
the next case
that

decided
lawyer

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investigate
consideration

accountant

After careful

to

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up

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he

the publisher
the committee
came
the conclusion that the case was hardly
justify such
enough
strong
course
and
they were unable
proceed with
regretted
but stated
that
the author could produce any
further evidence
establish his contention they
pay for

books

to

they were waiting for the affidavit of the member
before issuing the default summons . One claim it
current year up to seventy - two .
There were ten
had been necessary to abandon owing to the author
resignations , bringing the resignations
being too
give evidence and the two remain
the year
rathering claims had been arranged
forty five
the satisfaction
The number
elections
resignations rather below
above and the number
the authors
Three claims had been raised
the
the average
return
MSS one had been abandoned owing
Cases
The
first
case
considered
the
insufficient evidence
another the paper had
alleged error
publisher
gone into bankruptcy and matters were
committee related
state
present
accounts
statement prepared by the member
confusion
that
was impossible
satisfactory answer though
expressed
his desire that the society should
obtain
was hoped

Twenty to the election of members and associates .
five were elected , bringing the elections for the

the

�THE AUTHOR .

156

society had become life members ; that Mr. Arnold
Haultain had made a donation of £1 ls. to the

correct title , and

to

of
in

to

to

, of

,

on

.

of

in

or

to

these cases the negotiations must
long time

,

take

in

to

to

.

a

to

on

,

.

In

,

In

necessarily

.

.

Germany

a

of on

.

to

,

be

be

,

should be laid before the conference for discussion
put forward
and that other subjects should
which resolutions should
moved one subject
particular interest
dramatists being the single
licence for music halls and theatres

Nearly all the cases open from last month have
placed
either been closed
the hands
the
Society
solicitors
two cases the Society was
carry the matters further owing
unable
lack
proper evidence
legal claim
which
base
Three cases that are still open refer two
matters
the United States and one
an action
'
to s

Sub Committee

of

,

Dramatic

-

of

be

a

to

for

,

-

present

the

publisher

in

to

to

of

a

be

.

of

.

a

,

.

of

a

to

It

ment candidates for appointment
the Dramatic
Sub Committee
the current year and that the
report

.

for

is impossible

so

do

to

it

if

how when that title is proved it
to take action if the infringement has
Capital Fund ; and Miss E . M . Ducat a donation
occurred before registration . Holders of literary
of £1 to the same fund , out of money recovered by copyright have, at least , the satisfaction of knowing
the society .
that they may register at any time before action is
coinmenced , and thus far they have a considerable
advantage over their unfortunate
brethren , the
artists .
DRAMATIC SUB- COMMITTEE .
There was one claim for the return of MSS ., and
A SPECIAL meeting of the Dramatic
Sub -Com
this has been successful , and two matters came into
mittee was held on Friday , March 3. After thethe Secretary ' s hands in regard to the duplication
minutes of the previous meeting had been signed ,
of titles .
These matters are very often difficult to
the secretary placed before the members a case
settle , but in the present instances , the Secretary
which had recently come into his hands , with refer
was bound to advise the members that they had not
ence to the infringement of a work of one of the
established any property in their titles by user . In
members by a cinematograph performance in the
most of these cases , if any question arises before the
United States of America .
The sub - committee
book is published or the play performed , it is
referred the matter to the Committee
of Manage
possible to come to some arrangement satisfactory
ment , with a strong recommendation that the Com
to both parties , as the offending party is usually
mittee of Management should give the matter their
an innocent offender and is willing
to fall in with
earnest consideration , first , by ascertaining the exact
the views of a brother author, if such views do
legal rights of the member , and , secondly , by guard
not necessitate a heavy financial loss .
ing those rights by an action for injunction and
There were three demands
accounts
One
damages
was possible
these has terminated satisfactorily and two are still
The next matter under discussion was
proposal
the course of negotiation
There have been two
call conference
the dramatists
disputes
the Society
agreements one
which has had
was decided that
vote should
taken with
transferred
the solicitors and one has been
recommending
view
Manage
the Committee
settled owing
by the
given
the explanation
a

.

Cases

it

.

,

.

,

Glover

Road

's

,

Gun

Plain

, .

,

.

,

.

W

Lauderdale
sions
Writers Club
folk Street
Harrow
the

Man

134

,

10

.C

,

W

Hill

-

-

on

,

Alexander

-

is

Kinloch

Nor

. .

,

.

,

W

'

,

.

,

-

Mrs

,

Bond Street Ealing

,

.

.

,

39
,

Birmingham

Comins Miss Catherine
May Clapham
Hutton Edward
Hynes Hurst

Institute

Midland

, .

,

Rutland

,

,
in

to

17

.

.

,
.
B
.
.
H

,

to

Boughton

,

a

to

is

it

;

Salisbury

Reigate

.

of

to

be

It

.

Blair

,

,

.

at

a

,

. .
.

. .

.
G
.

,

Winterbourne

in

is

,

of

in

is

come before
serious matter which will have
the Committee
their next meeting
One case
copyright the
dealing with the infringement
Secretary was obliged
advise the member could
not
carried forward owing
defect
the
title
dealt with artistic copyright and all those
who know anything about Copyright Law know
hopelessly unsatisfactory artistic copyright
how
prove
for the artist
how
almost impossible

Broomfield
Sheffield
The Manor House
ner

.

of

,

, of

.

.

one has been settled and one
still
the course
negotiation
Of five for money only two have
been satisfactorily settled and the remaining three
negotiation
are
the course
One however

Arnold Mrs
Ayscough
John

0

,

March Elections

to

in

of

DURING the past month sixteen cases have been
the hands
the Secretary when
has been
necessary for him
intervene between the author
The cases have been
and the opposite party
Of two for accounts and money
various kinds

�THE AUTHOR .

, Gordon Terrace ,
Wightman Road ,
,

25 ,

Chenies
Chambers ,

'

U .S .A .

327 pp . Melrose . 68.
TREVOR LORDSHIP . By Mrs . HUBERT BARCLAY . 78 X 53 .
389 pp . Macmillan . 68.

: .

,

68
.

.

6d

.38

.

(

.

By
ROAD
Second Edition

Mason

.pp
.

x
5

.

.

By

.

.

.

.

. 7
.n58 5X
. ..

,

. W

:

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:

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.

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.

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X

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X

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THE
BROKEN
Impression
Smith Elder

..

of

A

.

.”

.
.6d
n
.

.

OF

REFERENCE

OF

BOOKS

THE GREEN BOOK
February 1911
LONDON SOCIETY
Edited
DOUGLAS SLADEN and
WIGMORE
524
Whittaker
CONCISEETYMOLOGICAL
DICTIONARY OF THE ENGLISH
By the Reverend WALTER
LANGUAGE
SKEAT
Litt
etc New and Corrected Impression
664
Oxford Clarendon Press London Frowde

Seventh
352

.pp

of

.

9
x

.

6d
.
n
.

of

.

.pp

By LAURENCE NORTH . Martin .
Secker . 68.
By Mulvy OUSELEY .
THE JEWESS .
John
Ouseley
THE LORD
By HARPER CURTIS
DOLLAR
319
Blackwoods
Sons
By Mrs BELLOC LOWNDES
JANE OGLANDER
268 pp
Heinemann
THE INTELLECTUALS
AN EXPERIMENT
IRISH CLUB
LIFE
CANON SHEEHAN
386 pp
Longmans

.pp

.

.

.

.pp

in

:

IN

"

J

.of .

ls

IMPATIENT GRISELDA .

73

in

it

to

,

of

,

,

,

,

BIOGRAPHY

Being Reminiscences
CASTLE AND COURT HOUSE
Thirty Years
By RAMSAY COLLES
Ireland
53
320
Werner Laurie
128.
TIMOTHE BRICH
DOCTOR OF PHISICKE
Memoir
By WILLIAM
The Father
Modern
Shorthand
CARLTON
With Photographs and Facsimiles
205
Elliot Stock
108

306

to

to

is

,
it

ofIn

.

It

in .

of

Co
-

is

by

of

in

to to ,

as

as

is

WHILE every effort
keep
made
the compilers
this list
accurate and exhaustive
possible they have
attaining this object owing
somedifficulty
the fact
that many
the books mentioned are not sent
the cffice
consequence
the members
necessary
rely
largely upon lists
books which appear
literary and
hoped however
other papers
that members will
operate
the compiling
this list and by sending
particulars
their works help
substantially
make
accurate

THE LONELY ROAD . By A . E . JACOMB . 73
x 5. 307 pp .
Melrose . 6s.
A REAPER OF THE WHIRLWIND . By
VIOLET TWEEDALE .
74 x 5. 480 pp .
John Long . 6.
CANTACUTE
TOWERS . By CECIL ADAIR . 78 X 5. 315 pp .
Stanley Paul . 68.
THE KESTREL . By REGINALD
E . SALWEY .
73 x 5.
288 pp . Digby Long . 6s.
THE SECRET OF THE DRAGON . By MARY L . PENDERED .
7 x 5. 347 pp . Harpers. 6s .
THE STRANGER FROM IONIA . By W . P. KELLY. 78 X 5 .
426 pp . Routledge . 6s .
A WILDERNESS OF MONKEYS .
By FREDERICK NIVEN .
78 x 5 . 283 pp . Martin Secker . 6s .
By E. PHILLIPS OPPENHEIM .
THE FALLING
STAR .
78 x 5 . 366 pp . Hodder &amp; Stoughton . 68.
VICTIMISED . By C. E . BASEVI . 78 x 5. 320 pp . John
Long . 6s.
THE GREEN CURVE AND OTHER STORIES . By OLE LUK
OIE . Cheap edition . 7
X 5. 318 pp .
Blackwood .

.

by

PUBLISHED BY MEMBERS .

BOOKS

By MAUDE ANNESLEY .
SHADOW SHAPES .
73 x
.
312 pp . Methuen . 68.
OIL OF SPIKENARD . By E . M . SMITH -DAMPIER . 78 X 5.

.

.

52
.

Whiting , Miss Lilian

,

Langham
Street ,
Portland Place , W .
The Brunswick , Boston ,

22

.

.

.

. .

.

84
X IN

, Albert ,

Street .

van der

M D

Wilson

, France .

,
Club
Club , Dover

Bath
Bath

FICTION

MOTHERS AND FATHERS . By MRS . MAXWELL
ARMFIELD
(CONSTANCE SMEDLEY ).
7.1 X 43. Chatto &amp; Windus .
68.
Por AU FEU . By MARMADUKE PICKTHALL . 73 x 5 .
374 pp . Murray . 6s .
THE STORY OF CECILIA . By KATHERINE
TYNAN . 73 x 5 .
304 pp . Smith , Elder . 6s.
KNIGHT CHECKS QUEEN . By Mrs. L . LOCKHART LANG .
74 x 5. 325 pp . Alston Rivers, 68.
JUST TO GET MARRIED . By CICELY HAMILTON . 8 x 5.
309 pp . Chapman &amp; Hall . 6s .
THE PATRICIAN . By JOHN GALSWORTHY . 71 x 5 . 339 pp .
Heinemann . 68.

5

Veer , Miss Lenore

Street

Blooms

Bastia , Corsica

..

.

Francis

,

bury .
Langford Place , Lang
ford , Bristol .

.

Southwell , Miss Edith H .
Toye ,

Park

S. E .

X

.

Street , S . W .
72 , Lewisham

Victoria

.

Somers, John

Palace

Gardens ,

Charlotte

Miss

Fell

35 Westminster

W

.

N.

.

.

,

Hornsey

Minster Court , York .

71

.
.

THE ADVENTURE : A Romantic
Variation on a Homeric
Theme . By HENRY BRYAN BINNS . 7} x 51 .
104 pp .
Firfield . 28. 6d . n .
MUSIC - DRAMA OF THE FUTURE : UTHER AND IGRAINE
By R. BOUGHTON and R. R.
CHORAL DRAMA.
BUCK
LEY . 8.1 x 51 . 93 pp . Reeves . 28, n .

D
.
D

.
.

DRAMA .

1

E

.

.

Smith ,

Street ,

.)

, E . A.

heath , S. E .
Wimpole
W.

.

Max

Noble , T . Tertius
Nye , Reginald R .

Seaforth

96 .

6s
. .

,

.

.

68
.

Montesole

.

CLASSICAL .
BEOWULF
AND THE FINNSBURG
FRAGMENT. A Trans
lation into Modern English Prose . By John R .
CLARK
HALL . Second Edition , Revised and Enlarged . 8 x 5 .
287 pp . Swan Sonnenschien &amp; Co . 78. 6d . n .

.

Matthay , Tobias

, West

minster , S . W .
59 , Lee Road , Black -

6
,

Malim , Miss M . C .

Barton Street

157

.
A
.

. 9,

.
n
.

Lowndes , F .S .A . .

�THE AUTHOR .

158

. Nelson .
VIXEN . By M . E . BRADDON . 73 X 41 . 565
7d . n .
Popular Edition .)
POTIPHAR 'S WIFE . By L . PARKES . (
77 X 44 . 303 pp . Milne . 18. n.
By ROBERT HICHENS .
THE DWELLER ON THE THRESHOLD .
71 x 5. 313 pp . Methuen . 68.
By REGINALD TURNER . 71 x 5.
KING PHILIP THE GAY .
349 pp . Greening . 68.
,
RIDEOUT , QUAKER . By UNA L . SILBERRAD
SAMPSON
pp

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THE SWING OF THE PENDULUM .
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316 pp. Collins. 31d . n .
Palmer .
A BED OF ROSES . By W . L . GEORGE . Frank
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.

.

. .

SCIENCE .

of Experiments
THE ORIGIN OF LIFE : Being an Account
in Hermetically
with certain Superheated Saline Solutions ,
, .R.S.
Sealed Vessels . * By H . CHARLTON BASTIAN M . D. F
Containing numerous
pp
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ten
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Johnson ' s Court , Fleet Street . 38. 6d. n .
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. By B. L . HUT
A HISTORY OF FACTORY LEGISLATION
by SIDNEY
CHINS and A . S. HARRISON . With a Preface
King . 68. n .
WEBB . 83 x 53 . 304 pp . P . S.
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.pp

54 n
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X 6d G

. .

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B
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.pp.

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:

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$
3
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By. F
:
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Co

John

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By

12
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FULLER
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OF
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OF

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3

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OF

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1
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W.

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OF

'S :

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Play
HENRY BRYAN BIxxs
THE ADVENTURE
Huebsch
New York
DILEMMA GETTING MARRIED and THE
THE DOCTOR
BERNARD
BLANCO POSNET
SHOWING UP
Brentanos
New York
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SHAW

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7 48
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OF
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CONAN DOYLE
SONGS OF THE ROAD
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137 pp
MAURICE BARING
THE COLLECTED POEMS
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349
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407 pp . New York : John Lane Co . $1.50 .
THE INTELLECTUALS
: AN EXPERIMENT IN IRISH CLUB
New
LIFE . By The Rev . CANON P. A . SUEEHAN .
Longmans
York :
. $1.50 n .

JUVENILE .
WE OF THE NEVER -NEVER .
340 pp.

Macmillan

.

$ 1.50.

By Mrs . ÆNEAS

GUNN ,

LITERARY .
LIFE OF JOHN RUSKIN . By ASHMORE WINGATE . 203 pp .
Scribner . $1.
DIMINUTIVE DRAMAS . By MAURICE BARING . 224 pp .
Boston : Houghton Mifflin . $ 1. 25 n .
By G . K . CHESTERTON ,
ALARMS AND DISCURSIONS .
New York : Dodd Mead . $ 1. 50 n.

MEDICAL .
ALCOHOL AND THE HUMAN
BODY .
BY SIR VICTOR
HORSLEY and DR . MARY D . STURGE . 290 pp . New
York : Macmillan
40 cents n.

SOCIOLOGY .
SOULS IN ACTION IN THE CRUCIBLE OF THE NEW LIFE :
By
Expanding the Narrative of Twice -born
Men .
HAROLD BEGBIE . 310 pp. New York : Doran . $1.25 n .

AND

MUSICAL

NOTES .

By

the Rev . Prof. Skeat
edition of his “ Etymological
Dictionary
of the English Language, ”
published at the price of 58 . nett with thick paper ,
6s . nett with thin paper , by the Oxford University
Press .
The dictionary was originally published in
1882 , and after passing through several editions,
appeared
in 1901 so largely rearranged
and re
practically
book .
a new
as to become
written
The present edition is a revision of the edition of
1901.
There is no need to recommend this book to the
English student and the British public .
The Rev .
Prof . Skeat 's position as an English scholar is so

W

E

V

must

congratulate

on the fresh

well known and his work has become so well estab
lished that the public is sure to welcome this fresh

Of the two different publications the edition
with thin paper is perhaps the more satisfactory ;
it is easily handled , lighter , and does not lack dis
tinctness or careful production .
“ Oil of Spike nard ,' a romance by E . N . Smith
Dampier , was published
Mr. Andrew Melrose .

at the end of February

by

“ Old Chinese Porcelain
and Works of Art in
China ,” by A . W . Bahr , contains illustrations and
brief descriptions of pottery , Porcelain , jade and
other artıc 'es selected from the first Art Exhibition
held in China , viz . , at Shanghai in 1908 .
There
are 12 coloured plates from the pictures by the
Chinese artist , Wong Chun Hai , and more than
100 black -and -white illustrations. Messrs . Cassell
&amp; Co . are the publishers .
“ The Great Betrayal ,” by Harold Wintle , is a

novel that deals with the efforts of

a foreign

power

to obtain British State secrets with the connivance
of the Foreign Secretary . Messrs. John Ouseley ,
Limited , are the publishers .
The new edition of Dr. Clark Hall 's “ Beowulf ”
contains , besides a revised translation , a great deal
of matter intended to form a sort of introduction
to the study of the poem , and an interesting and

exhaustive index of the things mentioned
in it ,
with numerous illustrations . It is hoped that this
illustrated index will be useful to archæologists as
well as to students of Beowulf . As an experiment ,
a metrical rendering
of the Finnsburg Fragment
has been inserted , as well as the prose translation .

Messrs . Swan Sonnenschien &amp; Co . are the publishers .
In “ A Small Collection of Japanese Lacquer , "
Mr. James Orage gives a brief account of the
history and manufacture of lacquer and of the
various kinds of lacquer work , followed by a detailed
description
of the articles , which are of varied

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the Prague Art Museums Imperial
upon
Councillor Franz Borovsky
the numerous

The first number

journal
Vestnik
just appeared

Mr Birrell would take the chair
the dinner
May
Thursday
Lord Tennyson was
president
elected
the society and Sir Alfred
Bateman was elected treasurer
the retirement
Mr Edward Dicey who had held that post since
1888 Those present included Sir Edward Brabrook
Mr Percy
Thornton
Mr Richard Bentley
Mr Sidney Lee Mr Maurice Hewlett Mr Edmund
Gosse Mr Anthony Hope Hawkins and Mr
Spielmann
Miss
Everest has just published her fourth
song
The Love
the Night for the Day
dedicated
Her Highness the Princess Pretiva
Cooch Behar
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September 1911
The Polar Star
the title
new novel
Lady Helen Forbes which Messrs Duckworth
have just published

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authors whose literary work was valuable though
appeal and
limited
these writers exist
ence
the proceeds
their works was impossible
The report showed that the income
the fund
the year amounted
088 and that £2 770 was
grants
forty one applicants
voted
Since the
society
foundation
1790
the total sum dis
grants was £160 757
tributed
Professor
Ker seconded the adoption
the report which was
carried
The chairman announced that the King
had consented
become patron
the society and

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the autumn
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The Emotions
Martha
Mrs
Maxwell Armfield has been running
The Girls
Messrs

Liverpool

Lundy
North Devon and the Island
The annual general meeting
the Royal Literary
Fund was held
March
Sir Alfred Bateman
submitting the report mentioned that among the
Fund cases was one
author whose name was
not unknown who was receiving only £10
Every month they had cases
novel from his pen

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give the complete biography
she has endeavoured
each separately before their marriage and his
again after death
from
some new material gained
friendship
from
Miss Whiting
with their son
Mr Barrett Browning
The book comes from

,

Manchester

in

where , was published in the Scottish Geographical
Magazine for February
Mrs Vassel responsible also for the articles
Paris which have been appearing
the Evening
Standard
since June last and now bear her signa
Burlington
ture
On January
she lectured
House
Annam for the Royal Geographical
Society
Mr George Hansby Russell new novel will
April
published
early
Mr John Murray
May
The title will
Ivor
and the story

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Court House
There
besides the political
interest
the book much literary interest
con
nection with the Young Ireland literary movement
and the work
the Dublin University dons
Mr Andrew Melrose announces the publication
Jacomb new novel
The Lonely Road
Miss Lilian Whiting has just completed
book

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and denls with
social interest not touched
his previous
England
volume contrasting present day life
century ago
with that
Mr
Werner Laurie has just published Mr
thirty
Ramsay Colles volume
reminiscences
years
Ireland under the title
Castle and
work

in the summer .
An article by the same
writer, entitled “ An Elephant Hunt ” appeared in
the February issue of The Badminton Magazine,
while Mrs. Vassel ' s lecture on the Philippines
form

is

and include over 60 inros (medicine boxes ) .
by Messrs . Y . Imaizumi ,
examined
S . Fujiya , assistant director of the
Department
of Fine Arts, Imperial Museum ,
Tokyo .
A limited
edition of the book has been
printed , and the publishers are The Times Book
Club of 376 - 384 Oxford Street , W .
Mr. J . C . Wright is shortly to publish through
Changes
Mr. Robert Scott ,
new book
Century
This
continuation
his previous

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Mr James Welch and
Mr Leslie Carter are
the caste
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The Caravanners
one act
Beatrice Heron Maxwell was produced
for the
Hastings
first time
the Gaiety
Theatre

woman
life torn
shreds
the mere
story
for existence
shattered ideals
triumpbs
and sorry
The title of the novel
application
path
ironical
the heroine
difficulty and
beset
with every kind
published by Mr Frank
danger
The book
Palmer
Count Plunkett
author
has been nominated
Royal Irish Academy

Mr

play
Mr Anthony Hope
The Prisoner
Zenda
was revived
the Lyceum
Theatre
March
where
was played by
caste which
included Mr Henry Ainley Miss Ethel Warwick
and Mr Fred Morgan
one act play
William
Gilbert called
The Hooligan
was produced
the Coliseum
February
the end
Its theme
the agony
condemned murderer who with apparently but
to

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which won
£200
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Daily News competition
and was after
wards published
book form
America
be
England this summer by Messrs
brought out
eight different
Cassell
has run serially
English newspapers
George
Bed
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the

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read
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May
International Press Congress
Rome
journalists
the facilities given
the English
Houses
Parliament
His novel
John Westa
cott
has just been issued
the popular two
shilling series
Privilege
Love
the mystery story
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At the annual meeting of the Bristol District of
the Institute of Journalists held in Bristol on the
10th
Mr James Baker
the special
correspondent and honorary secretary
the British
International Association
Journalists
was

“

3s. 6d . each

a

Granville Bantock , Hubert Bath , William Wallace ,
Young, and many
R . Vaughan Williams , Dalhousie
others .
Tickets are procurable from the honorary
secretary of the club by members at 2s . 6d . each
( five tickets half -a - guinea ) and by non -members at

play

published

was

last month
simultaneously
London and New York
the
former city
Mr
Fifield and
the latter
Mr
Buesch
described
romantic variation
Homeric theme
While
the episode which suggested the play
told
the
Odyssey
belongs
the folk lore
all times
symbolical rather than classical
and races
and
such Mr Binns has treated
with some
thing
the breadth and freedom
demanded
prospect
motive
There
the play being
seen
the London stage
Rococo
one act farce
Mr Granville
Barker which was produced
the Court Theatre
last month
quarrel
The piece relates
middle class home respecting the ownership
rococo vase
The caste included Mr Norman
Montagu Love and
Page Miss Kate Bishop
Miss Agnes Thomas
The same occasion witnessed
peasant
play
the revival
Mr John Masefield
life
The Tragedy
Nan
was interpreted
company
which
included
Miss Lillah

,

The committee of the Imperial Club , Hove ,
Miss
hare arranged with Miss A . E . Keeton
Keeton and
and Miss
Grainger Kerr to give one of their studies of
modern British song , at the club ' s premises , 2 and
Saturday afternoon ,
4 First Avenue, Hove , on
April 8. at 3. 15 .
The illustrations
include
works by the following composers : Ernest Austin ,

DRAMATIC
The Adventure
Bryan Binns which

by

announces for publication
a
(author of “ A Wife
from
the
Forbidden
Land " ) entitled “ Dick
Comerford 's Wager .”
The scene of the story is
laid in the country amidst the hunting gentry of a
hundred years ago .
A . P . Crouch

A

Scott

novel by

at

Mr. Robert

new

Messrs . Constable &amp; Co . , à volume called
of Britain : Scenes from
Shepherd
Life Past and Present ," from the best authorities ,
by Adelaide L . J. Gosset . There are to be sixty
illustrations from drawings and photographs .
through

“ Shepherds

“

edition of Tom Gallon 's popular novel, “ The
Great Gay Road , " a dramatised version of which
produced
touring
has been
and is now
the
provinces .

161

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postage stamps with theirs
our coins with
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Germain Breton
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Necessity
last chapters under the heading
union and collaboration among doctors
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article entitled
faut choisir
the subject
the Triple
Entente
Russia
France
and England
Louis Bertrand pub
lishes his lecture
Gustave Flaubert
excel
lent series
articles has been organised
this
Revue
the various French ministries
Jules
Méline writes the first one
the Ministry
Agriculture
The second article was written
Foreign Affairs
René Millet
the Ministry
The third
the Colonial Ministry was
Demartial
These articles give the public
excellent
idea
the working
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attractive psychological study
Egypte
Visions
Dr
Le Dentu
impressions
another volume
traveller who
descriptions
gives
the landscape ruins life
day together with some notions
the
past history
the legends myths religion
and
art
the Egyptians
The volume
written
conscientious
critic and
illustrated
with about

medals

Academy

XIII

for June

M

This

Roty

has awarded one
the
francs for the
history
most eloquent piece
French
Brédier professor
the College
France for
Légendes épiques
work
and another
one
thousand francs
Louis Battifol for his work
vingt ans
Roi Louis
The reception
arranged
General Langlois
the Academy

M “

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Emile Collas

the first Duc and Duchesse
Orléans
takes
back
the beginning
the fifteenth
century
The story
Valentine
Milan
one
the most fascinating
French history
La Plus Forte
Alain
Valvert
extremely modern novel
We see the young girl
who
medical student imagines her indepen
dence
dearer
her than
else
the world
She witnesses the results
the vaunted indepen
dence
some
her women friends
The whole
book

Sorbonne
The French

Gobert Prizes

' .

history

Milan

interesting

of

to

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biography

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book

of

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the series

Luxembourg Museum and the interesting series
peasants
Mme Merignac
the types
the
various provinces
France ordered from her
the Mint
the Museum
the Monnaie
At the Sorbonne this winter two American
professors are giving
series
lectures one
which consists
four lectures
Chaucer Malory
Spenser and Shakespeare
When will there be
English lecturer
English
literature
the
,

"

,

by

Revanche

Madame Juliette Adam
describes many
political events from 1877
1880
life
active
that
Madame Adam surrounded
she has always been by the men who have made
history there
naturally
very much
that
intensely interesting
this volume
The letters
which she publishes add greatly
the value
the

's

to

”,

of to

.

l'

Abandon

la

de

PRÈS

To

Roty works
the best known
those visitors
study the metallic history
Paris who wish
the nation
we would recommend among other
collections

PARIS NOTES

of

,

our

byà

a

by

.

has ruined

ago , in reply to a letter bearing the new French
stamp with Roty ' s incomparable
design of La
Semeuse
(the simple figure of a woman scattering
seed
as she passes along with
the rising sun
beyond her ), I received an eloquent letter ending
with the words : “ How is it that they do these

de

he

the girl whom

an

of

at

in

ult
.
of

sister

The death
of Roty , the celebrated
French
medallist , will be regretted by the whole French
nation .
As M . Roger -Milés very aptly says :
“ The metallic history of a nation
bears the exact
reflection of the psychology of that nation .” From
part of Africa , some years
an almost uninhabited

of

Maugham ' s new
comedy
Somerset
and Fishes ” was produced at the Duke
of York 's Theatre on February 24 . The chief
character is a Canon of the Church , and the action
of the piece centres round the various schemes of
this very worldly church dignitary for his social
advancement .
The play was interpreted by a caste
which included Mr. Robert Loraine , Mr. Athol
Stewart , Miss Florence Haydon , and Miss Mary
Barton .
A copyright performance
of Mr . Spencer
T.
James ' piece in one act, “ The Death - Trap , "
took place at the Alexandra Hall , Leeds , on the
18th
The story concerns the trapping
midnight
army officer
London flat
the
W.

M

Mr.

“ Loaves

.
.
."

162

�THE AUTHOR .
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of

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is

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compel
The common sense remedy would
print
publishers
each volume the date
publication
and
decide that during
number
years
say sixty years
determined
the
property
literary work shall
vested
the
author
his representatives
After sixty years
perty
the work should become public
this
way there would no longer
any uncertainty On
opening
book we should know immediately what
was its position with regard
the public
quitable
would
once simple and
two
very good reasons against its adoption
a

to is

-

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ity

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he

of .

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recall the incident the most that comes into my
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mind
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once conceived the idea
reveal
writer who had fallen into
the public
forgotten the writer
name
When

this neglected

property for fifty years only
whereas another
the mere fact
the author living fifty years after
publication
will remain private property
century
anomaly which nothing can
This
justify

of

of

a

's

be

In

of to

a

friend

all
-

's

so
—

in

of
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;

of

in

In

,

.

and not
the death
author
its author
the event
One literary work
dying the day after publication
remains private

It

12

,

of

,

,

St
.

,

.”

in

a

to

friend
through

to

U

publisher
mine
was
some second hand books
shop
suburban brooker
and
disappoint the dealer who was very attentive
not
he purchased
few volumes at random
nothing remarkable
this there
what
more remarkable
that
had the curio
literary
read these
derelicts
And
still more
remarkable thing
that one
these books seemed
very valuable work
him
The discovery
masterpiece
always
publisher
treat for

my

an

,

's

,
a

a

thought

was compelled much against his will
abandon his project
and
the same time the
public was also deprived
interesting literary
exhumation
This demonstrates
that the laws governing
public property
the field
literature are
defective
what way are they defective
literary copy
this respect that the termination
right ought only
based upon the age
work

.

DOMAIN

an

92

“

.

,

[

in

, Le

day
looking

be

to

to

.

:

,

—

My friend

.

”
(

Ber

Translated from
article signed Fred Isly appearing
Pèle Véle
rue
Lazare
Paris
March
1911 headed
Domaine Public

NE

on

;

on

,

,

,

?

was not

to

.

)

médicosociale

).

PUBLIC

THE

ing

us

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A

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(

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et (
la

d

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'l

La

Le

Lemerre

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(

Abandon
Revanche
Valentine
Milan
Plon
Plus Forte
Perrin
Egypte
Visions
Perrin
Milieu médical
Question
nard Grasset

?

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in

be

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la
(

Après

Paris

.

de

Vaugirard

to

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As

in us

if

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since

be

,

'

.

of

.

HALLARD

ALYS

ascertained whether fifty years
the day when Savourot had
this life
Without consulting the death
every parish
France and the colonies

elapsed

had

departed
registers

country

any other

How was

it

he
is ”

d

-

,

d

.

M

du

,

-

M

Sous Secrétaire
Etat
Estournelles
Constant
Chef
Service des Théâtres have both joined
English delegate
the Shakespeare Committee
this French Shakespeare League
should
particulars
any readers could give
glad
England
existing Shakespearean Societies
and

of

Beaux Arts

' ,

is

.”

of ,

's

's ,

-

“

,

“

at to
a

A

.

Dujardin Beaumetz

that direction
important
And yet there was one question
one that arose had Savourot work become public
property
Certainly
the typographical appear
style furnished
ance
the book and the author
some indications but respectable publisher cannot
content himself with uncertain information
The
literary property
courts protect and rightly
Now we know that
work does not become public
property until fifty years after the author
death
of

of

de

.

M

Camille
Sainte Croix
founder
the
Théâtre Shakespeare gave
Love Labour Lost
crowded house for two performances and
present rehearsing
The Merchant
Venice
Shakespeare League
now being formed and

and

call him

the
leaf but
was that
unknown book
light and die during
seller
whom dozens come
the year
There was nothing
found out

,

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"

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is

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in .

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being played

aux

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Les Midinettes
four acts by
Louis Artus
still

being given
comedy

a

et

de

“

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all

be

Maeterlinck 's play is
that could
desired
Papa
the Gymnase
three act play
MM Robert
Flers
Armand de Caillavet

60
,

Let

Savourot

The question for the publisher was
resuscitate
Yes but
fact was Savourot dead
There was
date
the book which would help
approximate idea
form
the point and the
encyclopædias eagerly consulted were mute
the
subject
publisher
name certainly figured on

Savourot

to

" L Oiseau
bleu " at the Théâtre Réjane is
the great sensation
at present .
It certainly is
admirably
staged
and , with Georgette Leblanc ,

" " " " "

name

some such

Savourot

.

of the Comédie

,

'

the programme

from

.

Française

as

moi ”

" Après

163

�COPYRIGHT IN FICTION AND CINEMATO
GRAPH REPRESENTATIONS

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MAGAZINE

CONTENTS

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the title
Bossu
At the same time
ordered
that the bills exposed
the entrances
cinemato
graph halls should
all cases exhibit the names
the authors
represented
the scenes
and
pay costs
condemned the
Société Pathé

.

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FORTNIGHTLY

By Ford Madox Hueffer
By Filson Young
Composer
The Musician
By Francis Gribble
the Fifties
The Theâtre Français
By
Björnstjerne Björnson
Robert Machray
.

.

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as

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be

is

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Frank Harris

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SCALE FOR ADVERTISEMENTS

PER

CENT

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20

OF

TO

THE SOCIETY

300

.. .. ..
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7 1510
60
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20

Co
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All letters respecting Advertisements should
BELMONT
Paternoster Square London
&amp;

-

MEMBERS

Front Page
Other Pages
Page
Half
Page
Quarter of
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Eighth of
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Single Column Advertisements
por cont.
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Reduction
Twelve Insertions.
of
a

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ALLOWANCE

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The Romance

Christina Rossetti

an

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Mary

Dame Eleanor and Lady Macbeth
Montmorency

ENGLISH REVIEW
Renan

true

when
chooses
name
word
But the celebrity
property which
the word constitutes
attained
respected
ought
Edmond Rostand
As you ask what are my views regarding
wrote
literary works
property
the title
may
opinion that
title howsoever commonplace
has
the author when
becomes the property
stranger
such
success that
been consecrated
his
by adopting
reckons upon doing
profit
personal advantage and hopes
the con

Dewhurst
the late

:

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"

of

Literary Supplement

an

of

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to

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Ben
Suddard

no

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a

CONTEMPORARY

Impressionism
By Wynford
Shakespeare
Jonson
and

What

Clarette wrote
assert that any word
would
Le Cid

very
would
commonplace
becomes
commonplace
and
Le Misanthrope
author cannot annex the dictionary
that

he

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a

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to

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bold thing

be
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London

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a

DIVIS au

Bossu
question
whether
arose
now
The
original
regarded
Hunchback
was
doubt
authors had
The great majority
title
given
The
about the answer which should
Paul Feval case produced
counsel conducting
the
letters from leading literary men
number

day addressed

Book MONTHLY
Burns

"
M

“

de

a

“

.

's

M

nection with
Paul Feval celebrated novel
previous action against
La Société Gaumont
Lagadère
Paul
respecting the title
Le Fils

Feval had obtained
sentence that there was
commonplace title which
distinction between
might
freely used and
VIVIC
title VI some originality
which was entitled
the protection
the law

By
F

.

”

,

to

.

“

- a ”

.

,

,

BOOKMAN

Bettany
Bennett
An Appreciation
By Professor John Adams
Psychologist
Mark Twain
great American Journalist
Note
the Centenary
John Adcock
Horace Geeley
Arnold

.

M

à

in

'

by

“

In

.

's

Leon Gandillot
title
cease
particular value

opinions was
consensus
however
convince the court
The sentence
play which
decreed that the success
norel
was really the point under discussion
has
influence
the commonplace nature
title and
rejected the demand
Paul Féval fils respecting
Such
insufficient

.

of

,

In

a

by

to of

in

1

M

than 200 francs
The court however reaffirmed
the decision that the reproduction
work for
infringement
the cinematograph constitutes
author rights and condemned the defendants
pay
Madame Hémon one thousand francs
damages
Société Pathé
the second case the same
The
Paul Feval fils
was proceeded against
question was
work
novel entitled
Bossu
The Société Pathé had given
this title
had no con
cinematograph film which however

similar opinions

expressed

declared
Success causes
commonplace and gives

courts and present some features
interest
the first case Madame Hémon
who holds
rights
Prosper Mérimée brought
works
action against
La Société des anciens établissements
Pathé Frères
for having published
and offered
catalogue under the title
for sale
Châti
cinematograph
reproducing
ment
Corse
the striking episodes
the well known story
Matteo Falcone
The
Société Patbé
admitted
the fact and
pleaded
that the damage did not amount
more

“

be

named
his work ·
certainly intending
profit
would
reputation that has been already made
Marcel Prévost
Francis
Croisset
Madame
Alfonse Daudet and Madame Claude Farrère

cases
which the copyright
well
known French novels was alleged
have
represen
been infringed by cinematograph
tations have recently come before the French

to an

Anyone who

.

fusion

Misérables

.

WO

Les

THE AUTHOR .

164

�THE AUTHOR .

be managed by
the Secretary

of

.

of a

obtained
But the transaction should
competent agent
with the advice
Society
the

THE SOCIETY .

USE

TO

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or

HOW

165

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18

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in

of

EVER

or

copyright

.

of

,

be

.

DRAMATIC

AUTHORS

.

a

so

per

transfer

sign
agreement without submitting
the
Secretary
the Society
Authors
some com
petent legal authority
extremely careful
negotiating
well
for
play with any one except
the production
established

proper

price

can

be

a

,
if

sometimes satisfactory

it
to

or

of

an

in

of to
a
be

is

of

contract

for plays
.

the performing right
This
An author who enters into
on

by
a in

should stipulate
the contract
the piece
certain date
publication
his name
the

of

a

play bills

dramatic

of

unsatisfactory

such
contract
for production
and for proper

.

of

:

or

is

Sale outright

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Outright

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it

Selling

This

is

I.

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of

in

observed
dealing
methods

There are three forms
more acts

three

-

.

3
an

be

a

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n

are
few standing rules
agreement
There are four
with literary property

to

TTERE

It

manager

,

THE PRODUCERS
BOOKS

in

OF

(a
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WARNINGS

.

TO

.

2

.

N

of an

£1

is

to

the Society
life membership

for

.

.

or

.

,

£10 10s

Always avoid

WARNINGS

.

;

(3
.)

to

. to

8
.

do

subscription

9

The
annum

is

of

( (2 (
3
1
). .) .)

The inspection
those account books which belong
right
the author
We are advised that this
the
nature
common law right which cannot
denied
withheld

TO

.

of

.

of

on

it

prevent authors from
Some agents endeavour
referring matters
the Secretary of the Society
some publishers
Members
can make their own
deductions and act accordingly

means

. of
a

.

to

be

7
.

This
The

(1
.)

to

.

Many agents neglect
stamp agreements
must
done within fourteen days
first execution
Secretary will undertake
behalf
members

(2
.)

to

to

to

.

of

a

of be

,

by

All other forms agreement are combinations
the four
above mentioned
Such combinations are generally disastrous
the author
Never sign any agreement without competent advice from
the
Secreta
the Secretary of the Society
Stamp all agreements with the Inland Revenue stamp
possible
Avoid agreements by letter
The main points which the Society has always demanded
from the outset are
agreement
That both sides shall know what
to

.

No

.

6

literary
contract should
entered into with
agent without the advice
the Secretary
the Society
accept without careful
Members are strongly advised not
consideration the contracts with publishers submitted
literary agents and are recommended
them
submit
them for interpretation
and explanation
the Secretary
the Society
of

General

To

the

A

.
of
, as

:

a

(3
)

obtained

in

's

be

to

. .

To

(2
)

.

of

can

System

Agreement
Commission
The main points are
production
careful
obtain
fair cost
Keep control
the advertisements
Keep control
the sale price
the book

a

be

,

of

.

in

To

of

to

,

. '

in

.

5

work

The Royalty

perhaps with certain limitations the best form
This
agreement
above all things necessary
know
what the proposed royalty means
both sides
now
possible for
approximately the
author
ascertain
truth
From time
time very important figures connected
with royalties are published
The Author

IY
.

in

The Committee
have arranged for the reception
members agreements and their preservation
fire
proof safe
regarded
The agreements will
course
only
by
Secretary
confidential documents
be read
the
who will keep the key
the safe
The Society now offers
stamp agreements
possible action
readiness for
upon them
keep agreements
enforce
payments due according
agreements
Fuller particu
lars
the Society
Prospectus

A

II
.

(1
.) In

(2
.)

.

III

Be

.

to

,

if

to

,

,

,

of to of in

belonging

,

of

4
.

.

of

.

do

,

always

Remember
that
the Society
you are fighting the battles
you
other writers even
reaping
yourself
are
no direct benefit
and that you are
advancing the best interests
your calling
promoting
the independence
the writer the dramatist the composer

(1
)

doctor

,

to

send

give
Not
serial
translation rights
any publisher
Not
bind yourself for future work
As well bind yourself for the future
any one solicitor
!

,

's

's

on

by

.

.

document

any agreement whatever
for examination

the Society

in

,

if

,

.

,

'

of

.

the3

signing

Before

(3
.)

if

to is

.

of

;

is
a

.

,

to

,

2
.

Remember that questions connected with copyright
and publishers agreements do not fall within the experi
ordinary solicitors
use
not scruple
Therefore
ence
the Society

Profit Sharing Agreement
bad form
agreement
following
this case the
rules should
attended
pro
sign any agreement
Not
which the cost
part
investigation
duction forms
without the strictest
give the publisher the power
putting the
Not
profits into his own pocket
charging for advertisements
by charging exchange advertise
his own organs
ments
Therefore keep control
the advertisements
special charge for
Not
allow
office expenses
unless the same allowance
made
the author
give
Not
American
Colonial
Continental
rights
(
(6 5
(4
.) .)
.
. )

.

a

in

of

,

his

,

or

of or

of

it

is

,

is

of

member has a right to ask for and to receive
pub
agreements his choice
advice upon
any dispute arising
his
the conduct
lisher
business
the administration
his property
The
any
Secretary
but
there
solicitor
the Society
the
special reason the Secretary will refer the case
they
Further the Committee
the Society
Solicitors
opinion without
counsel
deem
desirable will obtain
any cost
where counsel
Moreover
the member
opinion
the Committee
favourable and the sanction
obtained action will be taken
behalf of the aggrieved
member and all costs borne
the Society

VERY

1. D

�THE AUTHOR .
( 6.) Sale

's

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do

,

of

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in

of

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by

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of

to

of

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to

the same
charged for

give notice
The Secretary
the Society heys
posi
that all remittances are acknowledged by return
All remittances should be crossed Union
London and
registered
Smiths Bank Chancery
Lane
sent
letter only

.

will

.

of

at

filed
play

subject
be

a be

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per act

Society

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28

Plays may also
with the exception that

the

REMITTANCES

to

be

in

.

Original

rules
ibe price

Readers are writers
fee
one guinea

or
a

,

byof

to

be

a

D

,

of in

typewritten
duplicate
foolscap paper
forwarded
the offices
the Society together with
registration
fee
two shillings and sixpence will
carefully compared
qualified assis
the Secretary
stamped and returned
tant
One copy will
the author
Copies
and the other filed
the register
the Society
any time by
of the scenario thus filed may
obtained
the author only
typing
small charge
cover cost

is

, on

OCENARIOS

is

an

of

no

as

in

,

,

of

as

In

.

It of be

.

-

assist

.

.

a

his

.

in

in

,

to

an 's

a

as of
a

SCENARIOS AND

PLAYS

greatly

BRANCH

its work by informing young writers
existence
Their MSS
can
read and
composition
treated
treated by
coach
The term
MSS includes not only works
fiction but poetry
possible under
and dramatic works and when
special arrangement
technical and scientific works
The
branch

its

OF

CEMBERS will

REGISTRATION
ORIGINAL

ofon

,

or

a

.

on

of

,

,

.

THE READING

a .

authors desirous of further information
are referred to the Secretary of the Society .

stamp copies
The Society undertakes
music
part
behalf of
members for the fee
6d per 100
stamps are kept
100
The members
the Society
safe
The musical publishers communicate direct with the
Secretary
and the voucher
then forwarded
the
members who are thus saved much unnecessary trouble

is

tracts , those

MUSIC
of

11. An author must remember that the dramatic market
is exceedingly limited , and that for a novice the first object
is to obtain adequate publication .
As these warnings must necessarily be incomplete , on
account of the wide range of the subject of dramatic con

to
as as
a
a

As

it
.

be

it
is

in

to

STAMPING

in

is

the more carefully

to

all

'

therefore guard himself
the beginning .

added
the warnings given for the
producers
books and dramatic
must however be pointed out that
rule the musical publisher demands from the musical
composer
transfer
fuller rights and less liberal finan
cial terms than those obtained for literary and dramatic
property
The musical composer has very often the two
rights
deal with performing right and copyright
He
especially careful therefore when entering into
should
agreement and should take into particular consideration
the warnings stated above
can
assistance
authors

its

He should

COMPOSERS

,

be carefully

should

MUSICAL

, ,

collaboration

ITTLE

of

for

WARNINGS

.

9. Agreements

drawn and executed before collaboration is commenced .
10. An author should remember that production of a play
is highly speculative : that he runs a very great risk of
delay and a breakdown in the fulfilment of his contract .

Society
agents .

,

8. Never forget that United States rights may be exceed .
ingly valuable . They should never be included in English
agreements without the author obtaining
a substantial
. consideration .

AGENTS .

AND

RAMATIC

to
be .

.

6 . Authors should not assign performing rights, but
should grant a licence to perform . The legal distinction
is of great importance .
rights in a
7. Authors should remember that performing
copyright . A manager
play are distinct from literary
holding the performing right or licence to perform cannot
words .
print the book of the
the words

AUTHORS

authors should seek the advice of the
plays into the hands of
before putting
As the law stands at present , an agent
who has once had a play in
hands may acquire
perpetual
percentage
claim
the author
fees
plays
from
far
the placing
concerned
may
general rule that there are only
taken
very few agents who can do anything for
author
that he cannot under the guidance
the Society
equally well
better for himself
The collection
fees
many cases
intermediary
also
matter
which
required
purposes
For certain
such
the collection
general the trans
fees
amateur performances
and
frequent petty authorisations
action
with different
foreign
individuals and also for the collection
fees
countries almost all dramatic authors employ agents and
agents are real and valuable
these ways the services
But the Society warns authors against agents who profess
plays
have influence with managers
the placing
principals by offering
purchase
who propose
act
any case
rights
the author
the present state
agent
employed under any
the law
should not
agreement approved
circumstances without
the
Society
D

a

4. Plays in one act are often sold outright , but it is
better to obtain a small nightly fee if possible , and a sum
paid in advance of such fees in any event .
It is extremely
important that the amateur rights of one - act plays should
be reserved .
rights can
5 . Authors should remember that performing
be limited , and are usually limited , by town , country , and
time. This is most important .

DRAMATIC

an

of performing right or of a licence to
perform
on the basis of percentages on
gross receipts .
Percentages
vary between
5
and 15 per cent.
An author should obtain
a
percentage on the sliding scale of gross receipts
in preference to the American system . Should
obtain a sum in advance of percentages . A fixed
date on or before which the play should be
performed .
( o. ) Sale of performing right or of a licence to
perform
on the basis of royalties ( i .e. , fixed
nightly fees) . This method should be always
except in cases where
avoided
the fees are
likely to be small or difficult to collect . The
other safeguards set out under heading (6.) apply
also in this case.

.

166

�THE AUTHOR .
GENERAL
ALTERATIONS

NOTES .

IN AUTHORS

' MANUSCRIPTS .

that no
contended
THE society has always
has a right to alter an
editor or publisher
, on behalf
Indeed
behalf of
of one
the
author ' s MS.
Indeed , on
one of
of the
of the society a very important case was
members
An editor
taken through the Courts on this basis .
of a responsible paper , who is also an author , has
state that an editor has absolute
right to alter an author' s MS . should he so desire
without reference to the author . On being asked
known

six

his

.

,

,

14

he

,

to

by

up

a

in

in

it

,

."

-

“

,

of

of

.

of

a

,

is

of

4

To

. .

2

; ;

.

.

;

; 9.

14

;

.

8

.

;

13

; of

.

11

off

A

;
.
7

10

;

5

.

1

:-

;

;

;
.
6

To

12

Revolt
The riddle
kinsmen

;

.

To

; to To

22

;

.

28

;

27 of

be

To

23
.

of

.

.

;

a

To

To

. ;
19
.
20

;

;

.

24

;

of 26

's

;

.

.

of ;

17

or

To

21
.

to

;

15

.

;

of

.

;

16

.

.

18

.

.

; : ;

.

. ;

;

;

35

.

32

30

is

'

Recovery

.

.

;

error
Remorse
kinsmen

lose one

s

To

Judicial

34

;

an

To

.

;

29

the dishonour
one who
loved
Loves
enemy
obstructed
love
Ambition
Struggle against God
Mistaken jealousy

an

of

from

DURATION

another column we publish
article taken
French paper dealing with the question

a

.

In

for

is

is

an

he

if

,

,

COPYRIGHT

.

on

on

of

.

to

25

in

If

,

it

to

;

,

be

.

,

.

of

at

,

go

In

the author but still the matter
serious
the
produces
expensive
author
and
book
limited edition the tax
almost impossible
in
a

prey

obtain
Hatred
kinsmen
friends
Murderous
adulterer
Madness
Fatal imprudence
Involuntary crime
love
kill kins
recognition
man
before
sacrifice to
the ideal
sacrifice for kinsmen
passion
obliged
sacrifice all
Rivalry
unequals
sacrifice one kinsmen
Adultery
Crimes
Love
learn
Rivalry

36

.

to

be

.

no

to

of

an

be

.

in

of

by

a

Deputation
see that
from
the Committee
the Welsh National Library was received
Mr
Sydney Buxton
The deputation asked that
the
obligation
new Copyright Bill there should
upon authors
send copies
their books
the
Welsh Library
We can only trust that
extra
placed upon authors and publishers
tax will
supplying gratis copies
the matter
As the law
present the tax comes very hard
stands
any steps were taken
they should
towards
reducing rather than increasing the burden
but
impossible
perhaps the Government will find
back upon the rights that have already been
granted by statute
the five libraries
supplying these gratis
most cases the cost
books comes heavier
the publisher than

. 33
. 31
.

We

hunted
Disaster
Daring effort
Carrying

COPIES

.

LIBRARY

if

to

, ,

.

so

so

,

of

off

.

"

-

“

to

,

,

of in

It

's

in

as

.
to

his

of

as

.

book called
The Thirty six Dramatic Situations
this book he digested the whole subject not only
from the point
view
the drama but from the
point
view
literature and history
The
correspondent
the Chicago Dial has set down the
analysed
brief headings under which each group
but suggests that such
list does but scant justice
Monsieur Polti ingenuity and skill
Supplication
The list
follows
The
Vengeance pursuing crime
Saviour
avenge kinsman upon kinsman
The fugitive
3 is
.

he

,

,

at

.

at

to

do

.

as

to

-

,

,

.

situations

of

a

,

as

,

in

a

be
.

to

be

it

'

to

a

as

no .

,
do

of

.

to

it it

,

he

for

to

MSS still occur

authors

SITUATIONS .
correspondence has been recorded
Dial with regard to thirty -

Goethe
conversation with
February
Eckermann under date
1830
attributed
Gozzi the statement that there could
tragic situations
but thirty six
This state
ment
Goethe set Schiller
see
could
not discover any more but according
the record
many though he took much
he could not find
pains
appears was followed
The question
Georges Polti who published
1895
Paris
be

.

to

of in

In

.

In an

In

knew
better than the author how
the
should
laid before the public
own
discretion headed all the chapters
We are glad
report that the publisher
has made amends
this mistake
but
the same time we
necessary
think
call the attention
authors
the fact that such things
alterations

THIRTY - SIX DRAMATIC
An interestimg
in the Chicago
original dramatic
appears that

In

his own MS. during publica

what he would
if
tion was altered he is reported to have answered
that the issue was not the same
We have only
quoted this instance
show how authors rightly
personal
consider any alteration
their MSS
duelling
matter
the days
doubt such
alterations might have been looked upon
personal insult
But still cases
occur and one
has come
the notice
the society recently where
England and America
book
anthor produced
the author
England
was produced exactly
had meant
For special reasons
had
carefully avoided any headings
the chapters
reader Think
America
however some proof reader think
book

.

statements

to

say

ing

It has been the custom lately at Christmas to
produce beautiful illustrated
books
in
editions
limited
to 250
to 500 copies .
The prices of
these books range from
£2 28 . to £5 5s.
The
tax , therefore , that is laid upon these editions , if
the book is £5 58 ., would be £26 58 . ; if the book
is £2 28 ., the tax would be £10 10s .
This is a serious item to be considered by the
publisher and author in working out their financial

to

been

167

�THE AUTHOR .
a

,

I.

,

,

of

,

to

,

of

to

to

.

,

of

a

on

,

. ,

,

as

.

re
-

&amp;

II
.

.
of

.,

4

a of

To

(
1
)

-

:
;

(
2
)

of

To

,

-

,

re

; the ,

in

,

of

of

of

,

to

as

3

on

for

of

to

.

no

,

be

by

,

at

262

244
209

committee
despatched
This business having
been
Mr
Hewlett said that the present occasion was the
second time that he had presided over the general
the last
meeting
would als
the society
He con
office now closd
his annual tenure
was with mixed feelīgs that
fessed that
The hairmanship
the past year
looked back
was
very difficult post and one
hich
was
glad
very easy
But
make mistakes

.

,

be

be

it

to

is

.

'

he in

,

.

on

it

he

.

It

of .

of

as

to

he

of

. ,

le

to
M

to

,

on

.
as

W

.
P
.
to

his
the assiance
think that thanks
able
Thring
colleagues
the committee and
rocks
had kept the ship under way and off
to

of

the election

.

in

in

in

,

. ,
E
.
H .
.

,

scrutineers

,

to

of

.

a

society may nominate
third member
The thanks
the society are due
the Reverend
Henry Cresswell Mr Francis Gribble Mr
Lacon Watson for their
Sergeant and Mr
act
order
sacrificing their time
kindness

a

,

a

, -

.

of

,

or .

to

of

of

.

to

of

It

be

.

123
Mackenzie Bell
repeat that one third
may
worth while
Therefore
the committee retires annually
four
members
twelve
committee consisting
The committee have the
retire
members have
any two members
the
right
nomination

,

.

.

.

re
-

.

:-

,

of

the

267

Maurice Hewlett
Sir Alfred Bateman
Aylmer Maude

. .

Jacobs

.

,

.

W

.

W

the signed
statement
recording the votes for 1911
is

following

THE

THEscrutineers

.

of

.

2

to

,

's

..

to

To

(
3
)

.

ELECTION

on

.

p
.
m

of

at

Maurice

Manage

receive
the paper were
The agenda
discuss the accounts and report
desired
and
Management
elect
the Committee
Fund Committee under the
the
Pension
member
the Pension Fund
scheme for the management
due order
Mrs Alec Tweedie having resigned
but submitting her name for
election while
name
no other candidate had been put forward
appoint scrutineers
count the votes under
the society CONSUILUIon
constitution
The chairman proposed
last year
take
Nos
and
before proceeding
the main business
the meeting
No other candidate having been
proposed
the vacancy
the Pension Fund
Committee Mrs Alec Tweedie was automatically
elected
With regard
the appointment
name being put forward and seconded
scrutineers
the meeting the chairman announced that the
necessary appointment
would
made
the

.

.

was held

Mr

the Committee

to on .

,

,

Hewlett
ment presiding

of 23
,

,

March
chairman

if

to
is

,

is

,

by

the best

under existing conditions

Thursday

,

- be

to

,

.

of

on

of

23
,

,

of

In

.

be

,

.

a

it

THE SOCIETY
The general meeting
the society

of

it

's up
,

of

,

which

that the present method
the Berlin Convention

COMMITTEE

at

.

the

to

D

,

,

of

no

,

,

of

to

registration
self
and any formalities
tend
endanger his position
Whereas under the present
arrangement for
certain fixed time the descen
an author must benefit by the work he has
dants
survival We cannot
has any power
done

if of

held

.

.

's

in

is

's

it

to

be

,

by

annual general meeting

Thursday
the Royal Society
Arts
March
the general meeting
the share
The
the Society was held
holders the Council
pass
meeting was
the annual
formal one
report
Management
the Committee
elect
adopt the accounts
the accountants for 1911 and
for the past year
As the report and accounts had been circulated
they were taken
read
and the three items
the agenda put from
the chair were duly carried
being
Messrs
Oscar Berry
elected
accountants

.

If,

.

a

is

is

of

if

THE COUNCIL MEETING

RIOR

f

of if

.

in

his all

he

for

is

,

it
an

to

's

,

of

pub
the copyright should run from the date
lication and
was the author
first book his
descendants might reap but little perhaps
value
from
the length
duration
and that which the
legislature set out
acquire would
lost
addi
publication
tion the difficult question
the date
might
constantly cropping
would
and
him
necessary
the author property
confirm

help thinking
promulgated

MEETINGS .

of

is
,

,
a

if

's ,

in

, of to of

.

family the
secure
author and
benefit
that author
work for
certain time
therefore perpetual copyright
outside the range
practical politics then the French author sug
wholly unsatisfactory
gestion
when the main
copyright protection
kept
object
mind for

,

namely

GENERAL

a

of

of

for

the duration of copyright . The author thinks it
would be a better thing for copyright to run
publication
fixed time from the date
the book
rather than for the life
the author and
fixed
time after his death and his deduction
that
copyright runs for
fixed time after the death
published just before
the author
the book
might only last
fifty
the author
death
misses the chief
years
this argument
But
copyright legislation
object
countries

Co

168

�THE AUTHOR .
in

all

.

of

to

's

as

.

.

,

's

in

,

as

in

of

At

,

, .

,

of

on

.

,

,

of

to

of

in

to

,

of

of

.

a

of

in

of

to

in

, . .

as on

in

if

in

be

of

.

of

to

,

it

,

no

no

,

to
by

of

.

to

.

,

as

to

in

,

on

.

,

go

to

, it

of

a

to

.

,

of

.

a

.

,

of

on

,

at

of

of

.

of

of

of

.

's

to

it

in

to

.

of

of

.

of

a

at

.

in

a

.

of

on

to to

.

appealed
Ward
Mrs Ward later
support the views she
the council
had just expressed and
censure the Committee
Management
The result was
council meeting

specially

a

to

,

Humphry

,

of

of

. of

as

,

of

the society he could
insist upon the right

. ;

by.

.

-

of as
a

of

of

of

,

influence

and above the members
the Committee
Management there was exactly one member
the
council present
and that member was not Mrs

.

to

of

of

of

he
,

up
a

.

-

and

have done otherwise than

really representative Academic Committee
Baillie Reynolds after complaining
the
sparse attendance
the general meeting indicative
the lack
interest
the part
the members
supported Mrs Humphry Ward
Mr Bernard Shaw said that the members
the
Management felt more strongly than
Committee
anyone else the apparent impossibility
inducing
most
the members
take any interest
the
get them out
society except when they wanted
some personal trouble
Mrs Humphry Ward
attempt
agitate the question
the Academic
point
case
The chairman put
Committee was
council
that question fully before the council
meeting
the annual meeting
that body Over
form

Mrs

to

in

to

a

,

-

in

,

of

of

importance

women
the nominating committee there cer
tainly ought
have been
substantial representa
tion on that committee of the women
the Society
Authors
Mistakes had been made
Was
beginning again
impossible now
back and

at

to

he

of

as

.

-

a

of

to

for

a

Manage
without the approval
the Committee
ment
the Society
Authors and Mr Hewlett
the
he was
did not believe that convinced

now stands Mrs
representative authority
though
its members
doubt were
The unfortunate procedure adopted
stood
the way
the trust which ought
have
given
been
the Academic
Committee
the
general body of authors
Then
the question

to

of

of

a

it

.

,

of

,

finally

Management

address Mrs
the general meet
council the question

chairman

The Academic Committee
Ward continued had
personally
distinguished

.

,

.

in

of

he

,

, ,

of

to

question

Committee

the

.

he

on

as

a

request was made
the
the Society
Authors
recommend
fourteen members
the society for
nomination upon the Academic Committee
Mr
having been selected
Douglas Freshfield and
sub committee
the Committee of Management
drew
list
names and then
this purpose
joined the sub committee
the Royal Society
joint session with whom they prepared
Literature
Nothing was done
twenty eight names
list
whole

this

the consultation
the society
the action taken
the formation
the Academic
Committee
She submitted
that
paragraph
The Author was not sufficient official
notice
intended action
She thought that the
authority and prestige
the society would be more
likely
raised
the manner hoped for by
general
Mr Hewlett the council and the society
important business
were more fully consulted

of

as to

to

of

.

&amp;

of

.

,

to

as an an in of

society was not considered
His name having then
sub committee
deal with the

been added

the adequacy

with regard

.

to .

to

of

to

.

on

,

which matter
felt that he ought
being partly responsible for the action
the society had taken
the matter
He said that
being
member
the Council
the Royal Society
meeting
Literature
attended
that body
November 1909 when
was proposed
form
Academy
Letters subsequently modified into
Academic Committee
He had explained that
chairman
the Society
Authors
could not
practical
regard any such proposal
which that
Literature
speak

close

Humphry Ward raised again
ing
she had already done

of

,

,

on

,

.

of

a

.

.

be

,

of

it

of

or

.

an

as to
it
say

stands
After calling attention
what the report had
the subject
the Musical Agreement
settled between
the society and Messrs Stainer
Bell Mr Hewlett came
the appointment
the
Academic
Committee by the Royal Society of
now

literature

office

the

of

of

in

one

of

term

to

.

,

collect

Parliament every process
But the details
the Bill were now
under consideration
the Government and
hoped for this year
could not
He had recently
had
instructive conversation with his friend Mr
William Heinemann
the subject and he sug
gested that Mr Heinemann
should be invited
meeting
Management
attend
the Committee
discuss the very important objections
the Bill

schemes affecting

Having alluded
the subject
the Pension
Fund Committee and the gratitude which every
member
the society was bound
feel with regard
Miss May Crommelin
the generous action
the report Mr Hewlett concluded by
recorded
very sincerely thanking his colleagues
the Com
Maoagement
mittee
and Mr Thring now
right hand for the sapport
always the committee
which they had given him throughout his second

of

it

's

of

least attempt

to

.

,

of

at

in

of

did

circuit

in

of

of

it

to

.

to of

,

he

in

its

a

,

in

to

.

of

a

in

in is
,

-

,

,

of

to

be

.

of

£2
, in

its

in

the

£6

for

he

Bill

the new
ambit
copyright

intervene
country

of

Mr

Turning to the report ,
. Hewlett pointed to
continued
increase both
the membership
the society and
income which was now only
short
000
Nevertheless
the member
larger than
ship
the society ought
great many more authors
there
were
England than
Also
the ranks
the society
very heavy increases
its
the society was liable
expenditure
which rendered necessary
consider
able increase
income With regard
this
felt hopeful and
was confident that
would
prestige
the society
follow upon the growth
He would not attempt
deal with the immensely
copyright which was mentioned
difficult subject
part
the report
He would however say that

169

�THE AUTHOR .
had

in

to

of

a

no

,

In

in

.

of

:

to of

iis

it

to

at

he

by the

)

it

as

(

in

to

;

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a

of

in

to

of

the of

he

?

.

to

an

of

to

of

by

of

of

,

to

a

,

of .

her

.

,

.

in

to

to

to

a

.

in

.

,

to

he

.
of

.

's

of

Mr

to

to

of

—

were

having expressed
desire
point out
Hewlett said
would like
with reference
what Mrs Ward and Mr Shaw
had said that the Society sole part
the business
No other members

speak

.

,

of of

of

.

—

of

of

-

of

. .

,

a

to

.

of

of

in

of

the whole

which

Mrs Humphry Ward rose
second time
personal explanation
make
Mr Shaw having
apparently
misunderstood
her
Whatever
objections
certain activities
women she had
represented
the very strongest desire
see them
every way
the intellectual sphere
a

;

)

a

,

Academy

Letters
This stroke
the anarchism
characteristic
men
letters was completely successful
The
Society
Authors could have immediately repu
a

British

and ratified
the members

women

,

.

on

,

of in

,

on

,

a

of

a

fledged

had been submitted
Committee
two

,

to

,

.

,

;

lay

;

.

on

its

,

if

of
of

(

of
as

full

views on the suffrage question , what other con
clusion could
be come to than the one he
expressed
Mr Douglas Freshfield said
would only refer
two points
the first place the Committee
Management was
way
free agent
matter
the constitution
the Academic Com
mittee
all that was possible was
make the best
use
invitation from the Royal Society
join
Literature
constitution and
nominate
certain number
members
out
our own body next that
had been
point out
pains
The Author
was incorrect
allege that women had been excluded from
constituting committee since every step taken
Management
the delegates
our Committee
of

its

in

of

.

; of

of

attended that the committee was in an
overwhelming majority , and the vote of censure
could have been
carried only by the votes
the
censured
No doubt this showed the confidence
the society and
the council
committee
but
the society and the council left everything
the committee they must not complain when the
committee acted
own responsibility
On the
point raised by Mrs Humphry Ward however she
was virtually quite right the Academic Committee
had not been democratically constituted by the Society
Authors but the fault
outside the society
promptly insisting
The chairman
the rights
the Society
Authors when the proposal was
sprung
him
had done precisely the right thing
Hear hear
and the next steps were the forma
provisional committee the drawing up
tion
constitution for the proposed Academy
and
finally
list
the Academicians
These could
general meeting
have been submitted
the
Society which could thus have become one
the
constituents
the new body
But whilst this
progress
was
whilst drafts
statutes were
actually being circulated among members
our
Management somebody wrote
Committee
the Times announcing
the provisional committee

to

so thinly

in

170

to

for Its

.

.

to

.

to

,

as
to to .

be

of

à

to a

be

,

in

.

's

an

.

at

general

.

at

to

to

to

—

of

,

'

be

.

to

him

to

so

of

of

, .

.

, .

()
.

, .

. .
M
.

B R

.

C

(

)

.

,

of

to

he

.

,
.
,
L
. - . E
.
N
T
.
. S.
P
.
, ,
, :

-

; if

so

the society

the annual

Marras
seconded
the vote
was carried unanimously
Mr Hewlett having briefly acknowleged this and
again referred
the help
had received through
office the meeting terminated
out his term
Chairman Mr
The members present included
Burge
Bates
Maurice Hewlett
Beddoes Sir Alfred
Bell Dr
Mackenzie
Bateman Mrs Belloc Lowndes Miss
Blods
Clements
Chase
Miss
Chase Mrs

,

of

of

do

to

interest

Mr Mowbray

,

- of

,

to

in

to

,

show

times than

thanks which

.
N
.

.

off

, ,

of

of

,

.

to

.

.)

.

she would
and when
well known

affairs

L

of

.

of

to

to

on

her

.

,

on :

As

.

a

of

.

it an to of

,

of

it

,

support her

so

do

to

or

it

to

of

.

as

on

:

a

to

an

,

.

offering

She had declined
her refusal was taken along with

thanks

doubt
get anyone
able
With regard
Mrs

exhorted them
other
meeting

herself
the question
the right
the women
representation
the society
the provisional com
mittee
Mr Shaw continuing said that he had
urged Mrs Humphry Ward
secure the rote
having women
favour
the council meeting
Academicians

Mr Charles Garvice moved
vote
the retiring chairman and expressed

whether the Society would
good
succeed
Baillie Reynolds complaint
said that members
all others too
this society were like those
apt
He
the committee
leave everything

that point but had confined

she had not dealt with

move that

its

It

to on

of

to

to

,

the Society could not have
the present list which
contained
sufficient number
eminent men
dignity and authority
give
letters
the women
that exclusion was
scandal
English Academy
Letters without women
absurdity
But even here the quaint
was
difficulty
had arisen that Mrs Humphry Ward
who championed the claims
the women
the
society wished
keep them
the committee
Mrs Humphry Ward dissented explaining that
men were concerned
improved materially

(

no to

;

,

be

.

a

.

as

,

.

of

-

nominate
Committee was
the Academic
could
not call upon the Academic
members
diated the whole affair and withdrawn from the
project
past action
Mr George Trevelyan did but that Committee
overhaul
The
right
authority
Society had
would have simply knocked the whole affair
generation
the head for
There was nothing
róle was over when
had recommended names
appointment
done but accept the situation
and allow the
the committee
As for the repre
prevent
Academic Committee
make the best
itselfsentation
women
there was nothing
origin
the committee and there
their being elected
its illegitimate
without calling attention
elected
far as the
was not the slightest doubt they would
After all there was no harm done

�THE AUTHOR

in

all

of

to

be

a

is of

to

, ,

,

.”

as he

of

be
a

--

.

of a -

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of

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,

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,

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in

-

,

on

be

“

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of

,

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in

so

it be

to

to

to

in

,

,

for

'

,

of

of

or

,

,

of

?

to

in

.

it

is to

as
,

be

of

or

,

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is

or

,

to

in

;

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a

in

,
;

't

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at

for

I .

;

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of as

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is

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,

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to

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't

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us
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do
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to

to

in

he

a

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I

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of

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,

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of

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-

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as

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he

“

,

if

as

a

in

."

of

“

of

;

of in

“

in

,

to

permit me
my part
say
absurd
ungrateful What
would
that fills mechanics
the great provincial towns when
institutes
literary men are invited
attend their festivals
Has not every literary man
mark his friends and
his circle his hundreds
his tens
thousands
readers
And has not every one had from these
constant and affecting testimonials
the esteem
which they hold him
course one
writer lot from the nature
his subject
his
genins
command the syınpathies
awaken the
many more readers than shall choose
curiosity
listen
another author but surely all get their
hearing
The literary profession
not held
disrepute
nobody wants
disparage
man
may
prac
loses his social rank whatever
tising
place
On the contrary the pen gives
the world
men who had none before
fair place
fairly achiered by their genius
any other degree
any other kind
eminence
merit
The sub
repeated when
stance
this passage
the follow
ing year
replied
literature
the Royal Literary
Fund Annual Dinner
We don
want patrons
we want friends and
thank God we have thein
despised by
and
for any idea that our calling
the world
for my part protest against and
deny the whole statement
declared
have
society
been
all sorts
this world and have
never been despised that know
don
believe
literary man
there has been
the slightest merit
the slightest mark who
not greatly advance
uis literary labours
himself
see along this
in

a

it

,

to

,
by

;

-

in

to

,

to

”

to

”

“

-

man
letters
some one not unlike
prison and have watched the beautiful
devotion
his wife
that dreary place
wrote
Why are these things not
they
described
they appear
illustrate
that strange and
good and wrong which take place
awful struggle
our hearts and
the world
the second
place
expressed the opinion that
was entirely
justified
hope
what
had written
said
that
comic writer because he describes
improvident and another
one author
may not only be guiltless
parasite
desire
vilify his profession but may really have its
spendthrifts
honour
heart
there are
parasites amongst
the satire becomes unjust
they are
good
but
such exist
have existed
subjects
comedy
men
other callings
never heard that the Bar
felt itself aggrieved
because Punch
chose
describe
Mr Dunup
insolvency
notorious state
that the picture
Shandon

ungenerously awarded
they are honestly won
That generous faith
men
letters that kindly
regard
which the whole reading nation holds
appear
clearly
them
me
be
shown
our
country every day that
question them would

of

.

noof

“

;

by

,

in

,

is1

was always proud
hold brief
for the dignity
his calling and
was
therefore with
little irritation that one
day early
1850 he found himself arraigned by
two London papers the Examiner and the Morning
fostering
Chronicle
the latter for
baneful
prejudice
against literary men
the former
stooping
for
flatter this prejudice
the public
mind
and condescending
caricature his literary
pay court
fellow labourers
order
the
non literary class
The attack was based upon
the portrayal
the literary men who figured
Thackeray
reply was
the novel
Pendennis
very much
the point
the first place
denied that the characters were exaggerated
Bludyer robbed
have seen the bookseller
whom
his books
have carried money and from
noble
brother

.

,

?
”

he

ing
asked
Does
not
the contrary
get friends sympathy applause money perhaps
all good and pleasant things
themselves and not

or

MELVILLE

LEWIS

HACKERAY

,

by

.

LITERATURE
By

if

in

,

,
I
be

at

OF

—

AND THE DIGNITY

— a

an

of its

to a

?

, if

at

is

a

to

scorn the notion that men
letters
class
were looked
askance
the non literary class
Does any man who has written
book worth
any poet novelist man
reading
lose
science
reputation
his character for genius
for learn

“

THACKERAY

is be to

.

,

,

of

at

;

or

all

be

to

one and
balance
vice and virtue
struck
novels
think would become impossible
they would
intolerably stupid and unnatural
and there would
lamentable end
writers and
Thirdly
laughed
readers
such compositions

of

. -

. , ,
E
.
S
.
H

.

,

W

.

.

R

W E
.

Tiddemann

—

Ser

Shaw

passed
over because we cannot afford
laughed
every character
story
And
represent
every
class
not
individual
obliged contrast
good
bad figure
have

,

-

H

, - . ,

P

.
G
.

,

Mrs

,

, ,
G
.
. F.

Toplis
mouth

Bernard

Miss Grace
Wey
Wilson
Walkes
Humphry Ward
Williamson

,

Francis

Mrs

. .

.

.

,

Bernard Shaw
Storr Miss

G

geant

.

,

'

,

O

Pendlebury
Conal
Riordan
Charles
Mountray Read Mrs Baillie Reynolds

W D

,

S

G
,
. ,
,
.

,

,

E
.
, M
C .
, .

Hine Hubert Haes Mrs Willoughby Hodg
Lowry Mowbray
Lincoln Miss Mary
Macquoid
Marras Gilbert
Marshall
son

171

of Stiggins in ‘ Pickwick ' was intended as an insult
to
dissenters
that
the attorneys
the
empire were indignant
the famous history
the firm
Quirk Gammon and Snap
Are we

as

,

,
G
, . . J.
H
F
.
.

,

Henry , Mrs . Herbert
Joseph
Cohen ,
Fisher ,
Douglas Freshfield , Charles Garvice , Anthony
Hope Hawkins Frank Hamel
Hunter Miss

.

�THE AUTHOR .

of

lot

he by

of

.”

his ,

to

a

as

,

or
he a

.

of

no

“

no

's

to

a

,

It

of

.

of

,

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if of

he

,

”,

of

in

he

of to

of

of

not

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be

“

.

.

of

he

lt

"

.

of

“

,

an at

,

a
“

in

a

to

,

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“

,

in
a

,

by

in

. he

to

I

-

.

a

a

of a

an

or

Dr
.

.

of

, ,

of

.

be

as

an

,

or

,

.

,

no

,

,

,

as

.

.

.

as

as

,

of

; on

,

.

or

'

at

it,

it

,

; ,

would have had
and Byron
and Shelley and
Hazlitt and Hunt would have been without
and
had Keats been proposed
officer how the Tory
prints would have yelled with rage and scorn

,

.

be

to

a

dinner
How Peter Pindar would have railed
Fifty years later the noble Scott would have
worn theGrand Cross and deserved
but Gifford
as

,

he

as

of

claimed the Grand Cross
Mr Gibbon would not
eligible
been
account
his dangerous
thinking opinions
and her sex
well
her
republican sentiments might have interfered with
the knighthood
the immortal Mrs
Catherine
Macaulay
How Goldsmith
would have paraded
the ribbon
Madame Cornelys
the Academy
have
free

!

“

on

-

,

of

was the first
admit that the status
improved
men
letters
class might
The money prizes which the chief among them

of

the other

suppose

,

,

-

-

to

,

to

be

.,
be

to

.”

,

on

If,

the one hand Thackeray vehemently pro
tested against the idea that those who followed the
pursuit
letters required pity and sympathy

too

have been called the Order
Minerva
badge
with
owl for
The knights
were
have worn
star
sixteen points and
yellow ribbon and good old Samuel Johnson was
talked
President
Grand Cross
Grand
Owl
the society
Now about such
Order
this there certainly may
doubts
Consider the
settling their claims the
claimants the difficulty
rows and squabbles amongst the candidates and
posterity
the subsequent decision
Beattie
would have ranked
first poet and twenty years
after the sublime Mr Hayley would
doubt hare
was

of

I

he

of

viz

.
.
.

to

,

of

,

to

is

genius

honour

While Thackeray thus declared that men
letters should share
the rewards for meritorious
services distributed
the Government
con
fessed frankly that
did not see how these honours
were
be distributed
have heard
lecture
about George the Third that
his accession the
king had mind
establish
Order for literary
Roundabout Paper
men
he wrote

it
;

.

,

us

let

Do

be

it

,

.

If

,

's

,

of or

or

,

,

am

called

for their share

,

's

or

,

in

a

. ,

of

of

be of

no

,

a

is

of

put forward

that men
letters
exempt from
are
the prose duties
this daily bread wanting tax
paying life and are not
made
work and pay
like their neighbours
inclined
and what

come
declared

at

,

at :

's

. , .

,

.
.

him

gets
cut
the whip
the driver
not
however
too prodigal
our pity upon Pegasus
exempt
There
reason why this animal should
decay any more than any
from labour
illness
gets
the other creatures
God world
the whip Pegasus very often deserves
and
for
quite ready
protest
against the
one
doctrine
which
some poetical sympathisers
are

will

as

to

by

,

,

,

.

)

property
farewell poetry and aerial flights Pegasus
only rises now like Mr Green
periods
balloon
advertised beforehand
and when the spectator
money has been paid
Pegasus trots
harness
over the stony pavement and pulls
cart
cab
behind
Often Pegasus does his work with
panting sides and trembling knees and not seldom

statesmen
and artists and civil servants why
should they
withheld from authors
He attri
buted the fact that the fountain
honour did
play upon men
letters
their comparative
poverty
Directly men
letters get rich they
and

to

,
-

,

on

to

is or his

.

“
A

himof

to

“

,
"

,

or
of

,

of

in

or

to

or

“

in

he

,

"

to

,

of

as

(

- it

us
is

,

he

,

?
”

in

his

of

I

,
',
to

of as

a

as

of

or

,

“

have you
good
you which
know
that
questions the dignity
the literary profession my
neighbour
soup
quiet
who would like
eat
the man
letters who commences the argu
thought the man
ment
Indeed
letters
received more sympathy than was due
literary man
wrote
Pendennis
has often
against
work for his bread against time
spite
will
his health
his indolence
his repugnance
the subject
which he
called
exert himself just like any other daily
Pegasus
toiler
When you want
make money
he must perhaps who has no other saleable
would

of

but

of

,

he I

,

as

a

's

literary man

,

- as

of

at

I

sit

If

.

be

a

people
sense
your table
my neighbour equal
that
begin straightway with
protest

am

I I

to

all

,

as

Sir
,
I I .
amamIf

to of is

mine

question which

settled

Brompton

.

to

a

,
it

as

“

of

troversies upon
must take
suppose that

might well have been created
was not how
any such
ever that
was particularly desirous
thought
distinction for himself but
titles and
stars and ribands are good for soldiers and sailors
tive man
letters
Thackeray

Lord

!

of

.

-

a

of

us

Ministers
men
letters and
feelings
that Thackeray
doubt had
slighted merit because
part
the debt was
paid
Thackeray
probably
him
would have
barony and
baronetcy
representa
liked

added

of

of

.”

to

accusing the public
persecuting and
class
seems
me that men
letters had best silently assume that they are
any other gentlemen nor raise piteous con
good

Instead
disparaging

the Queen

,

but

friends

,
to ”

my

never have called

should

-

I

whom

for the humble literary labours I have been engaged
in .
And therefore
I say, don 't let us be pitied
any more
Thackeray had little patience with those men
letters who suffered from the impression that they
were despised and with those who made strenuous
prejudice that was non existent
efforts
combat

get are not so high as those which fall to men of
other callings — to bishops , or to judges , or to opera
singers and actors ; nor have they received stars
and garters as yet, or peerages and governorships
military
of islands , such as fall to the
Anthony Trollope
officers
has stated
that
Thackeray held strong views that much was due

!

august table gentlemen whom
I have had the
honour of shaking by the hand , and gentlemen

it

172

�THE AUTHOR .

“

of .

by

to

to

,

of

.

"

“

,

,

in

'

a s

to

he

of

for

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aid to

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if

be

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in

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to

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to

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. ,
if

to to

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)

of

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it

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,

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on

,

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to

a

“
, of

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.

,

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!

't

.

of

,

-

;

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be
in

to

to

,

to

,

;

to

-

;

un

a

,

in

;

,

,

?

,

-

,

of

or
, by

as

a

,

of

us

,

dear

;

his life

just

to

honest

his dealings

;

each
in

him

irreproachable

in

;

:

of

.
.
.
.

an

as

,

,

to

of

;

to

of

;

of

in

;

;

as

and

;

,

of

,

God bade

-

a

on

;

a un
-

- a

.

in be

,

!

porary
merit always kind and affable with the
young members
his calling
his professional
bargains and mercantile dealings delicately honest
and grateful
one
the most charming masters
our lighter language
the constant friend
and our nation
men
letters doubly dear not
exemplar
for his wit and genius merely but
goodness probity and pure life
Here
are two examples
men most differently gifted
each pursuing bis calling
each speaking his truth

,

”,

“

at
;
if

of
do

it

to

good
what
man
letters should
man my dear
One can
but think
these last
words
the veteran Chief
Letters who had
worldly success
tasted and tested the value
prosperity
admiration
Was Irving not good
and
his works was not his life the best part
good humoured
his family gentle generous
delightful
society
affectionate
self denying
example
complete gentlemanhood
quite
spoiled
prosperity
never obsequious
the
great
worse still
the base and mean
his and other
some public men are forced
acknowledge every contem
eager
countries
)

in

,

,

as

,

, .

If
a

's

be !

to

as

as

and rest and the
yet another
call for supper
writing after
Thackeray
Roundabout Paper
Irving and Macaulay
Washington
the deaths
point his arguments
the dignity
was happy
literature by showing how they fulfilled his ideal

of

is
a

,

as

-

is

, of

a

.

on

a

:

to

,

more want warmth

(

of

us
it ,

,

,
be

is

a

to is

of

ones

's

of

,

as

,

is

its

-l

in

-

to

if

,
in

to

he

de

is

of

,

of

,

,

.

,

- .

to

,
“

old

of

him

young

of of

is

a

,

'

'

on

so

,

, if

it

;

's

to

as

is

labour

,

-

,

of

,

to

,

to

.

to

of

,

,

,

.

as

,

in

all
an

,

You would

keep

In

of

I

to

of

to

to

,

fix
?

of ”

to

, at

as

of
on

't

the same
and
your honour pure and transmit
right
name unstained
those who have
bear
though this quality
giving
You would
qualities
one
the easiest
the literary man
your earnings great
you would
out
small
help
poor brother
able
need
dress his
give him
wounds and
were but twopence
your vocation
succour
You will
letters
find saving harder than giving and spending
against the night
save be your endeavour too
coming when no man may work
when
the arm
weary with the long day
labour
when
the
brain perhaps grows dark
when the old who can
children
blessing

of

to

,
of " ,

,

his

in

I

at —

all
; amif

I
is

,

to

in

,

on

of

changed
and
Grub Street
still with
more temperate more clean iving neighbourhood
than ever
was before and
inhabitants also
general have lofty ideal
well
the literary man
Jealousy was once the bane
their calling
kept
day that noxious
passion
the calling
the whole well under control
The Croker
Macaulay feud could not
day
fought out
the
quarterlies
Human nature
not altered since
Richardson
time and
there are rakes male and
female
there were
hundred years since there
then
are
like manner envious critics now
Fielding
Thackeray wrote
his paper
How
predict
eager are they
man
fall how
willing
acknowledge his rise
man write
popular work
sure
snarled
literary man
rise
eminence out
his profes
They
sion
his
comrades are against him
can pardon his success
would
not
wiser for
they
gentlemen
France
the pen
do
esprit
corps declare that their body and
have
calling
any other feel their own
honourable
crying down any member
power and instead
light
prize
their profession who happens
support
with all their strength
The con

gracious
children
First all and
Heaven
you would pray and strive
give them such
help
endowment
love
should last certainly for
all their lives and perhaps
transmitted
their

of

-

be

for

,

in

be

“

.

be

't

to

would you
The dignity
literature however depends not
its rewards but upon the dignity
the men
letters and the contempt that was felt for Grub
Thackeray
Street
the eighteenth century was
point out largely the fault
pains
was
Grub
Street too many
the inhabitants
which
improvident
were intemperate
and
far from
respectable
and not only the minor lights but some
Things happily have
the great men also

“

to

“

.

to

.,
I

Blanchard
believe
most men
letters
pensioned
sorry
say
were
believe
they wouldn
work
and
others that the
labour which
answer the calls
the day
Suppose Sir
the one best suited
their genius
enclosing
you and
Robert Peel were
write
pension any
cheque for £20 000
instruct you
fifty deserving authors
that they might have
leisure
retire and write great work
whom

dition of literary men might be very soon changed
by a manly literary union of this kind ."
Thackeray towards the end of his life laid down
once
all the qualities that ensure the dignity
belonged
the calling
which
What ought
point
the literary man
honour nowa
days
he wrote
Roundabout Paper
Suppose friendly reader you are one
the craft
your
what legacy would you like
leave

“

!

of

!

”

of

!

Had the Star of Minerva lasted to our present
time — but I pause , not because the idea is dazzling ,
Fancy the claimants , and the row
but too awful.
Fancy the
precedence ! . .
about
their
Fancy the squabble
struggle
Fancy the dis
prizes
tribution
pensions was open
The bestowal
the same
objections
prevailing
Even
that
sentiment
provided
which regrets that means should not
enabling
for giving
them
leisure
them
perfect great works
retirement that they should
waste away their strength with fugitive literature
etc
hold
often uncalled for and dangerous
Thackeray
appreciation
had written

173

his

�THE AUTHOR .

to

it

it

to

,

I

“

as

,

?

,

to

?

be

to is a

in

a

or

to

up

it

Is

.

at

I

as

as

't

,

an

of

.

a

I

in

,

of

be

,

,

of

his

, ”.

;

;

;

be

;

to

in

in it

be To

.

if,

in

to

of

to

,

to

,

. I
or

of

,

a

in

's

of

;

ou of

us

to

,

of

.

to

say

,
“

he

,

”

to a

in

;

to

in

.

to

.do
”

as

,

I

“

faith

as
a

as
a

."

unworthiness
Therein may

.

's

,

at ,

a

of

us

LEWIS MELVILLE

.

to

,

sense

of

,

to

our shame and
poor people
Thackeray
found
confession
novelist and weekday preacher
common

"

,

,

;

.

be
,

as

no

feel otherwise
you

me

us
,

to

.

no -

us

,

as

,

't

,

to

If

?

let

to

a

as

to
a

as

able
tell the truth always and
aright according
the eyes which God
Almighty gives me
my
And
the exercise
calling
get friends and find encouragement and
sympathy
need
not tell you how very much
support
feel and
thankful for this kind
reply lightly upon this subject
Indeed
can

's

all

are

,

.”

of

,

to

as ,

may

see

,
am I

, ,
a

of

in

as

,

of

as

it,

of

-

be

.

Be

,

for

as

.

.

to

!

!

of

ye

!

to

I

to

us

,

let

for

it

to

no

of

of

of

In

,

puffery
servile
manly and honourable

.”

“

all

hope

might inspire

May honour
knights
the pen
Ah
your shield and truth tip your lances
gentie
gentle people
Be
women
Be modest
the Ogre Humbug
And
children
tender
to

the

hitting

;
if

of
to

,
a

condescending
very lofty but

may

sense

responsibility
which falls upon
man
such
station
deserved
undeserved
Who
preach
this that sets
mankind and
many things which men reverence
laugh
it

a

,

Is

a

of?

?

so

be

in

on

be

blow

filling not
part

far

who

assure you these
acknowledging
grateful
well

what
make me humble
and make me feel
almost awful

tokens
popularity

to

byto

it

all

.

."

“

at

do

To

go

us

foul

,

telling the truth

the novelist

teacher
help
can

,
I

,
to it
, " as

.

is

Is

it

“

.

,

?

it

so

,

.

do

*

men

even

should

than very grave when people praise
Thus he wrote
Dr John Brown
organising
who had been instrumental
testi
reply
monial
him
and
the Rev Joseph
Sortain who had sent him
volume
sermons
my way that
want too
wrote
love and truth are the greatest
Heaven
com
mandments and blessings
that the best
the many especially who pride themselves
their virtues most are wretchedly weak vain and
charity
preach
selfish
and
such
least

the end
the firing ceases and the
falls upon the field
Thus the weekday
preacher
the chances
the literary profession
your work honestly
amuse and instruct
your reader
day
die when your time comes
may be
and
hence with
clean
breast
may these be all yours and ours by God
will
literary crafts
Let
content with our status
Deo

night

the writer

opinion

,
I

or

us

,

,

,

or

attain
Of
the quill drivers how many have
ever drawn that prodigious prize
even right
regard
poor
ask that many should
Out
dear posterity and men
letters
come
number comes
be glad that the great immortality
up
rarely
Mankind would have
time other
gorged with old masterpieces
wise and would
that they would not occupy themselves with new
and future literary men would have no chance
livelihood
There are great men and little men
working
the field
letters
other fields
and all cannot hope for the spoils that come
the
going
victor
the battle
life
we
try for the honours
championship
we can
our duty
we can keep our place pretty
honourably ihroughout the combat
say Laus

rate truth is best , from whatever chair - from those
whence grave writers or thinkers argue , as from
Thackeray
that at which the storyteller
sits ,”
wrote in the Preface to “ Pendennis , " and else
where , in the lecture on “ Charity and Humour ,"
he enlarged on the theme . “ I can ' t help telling
the truth as I view it , and describing what I see.
describe
otherwise than
seems
me would
falsehood
that calling
which
has pleased
place me treason
Heaven
that conscience
which says that men are weak
that truth must
told
that fault must be owned
that pardon
must be prayed for and that Love reigns supreme
Thackeray took
over all
his profession very
seriously and never undervalued the responsibilities
;

;

;

as A it

a

.

at

,

“

.

it

It

in

of

it

;

; ;

do

go

it it

at

a

.

its

But the rewards of these men are rewards paid to
our service . We may not win the baton or the
epaulettes ; but God give us strength to guard the
honour of the flag ! "
To such qualities as these two men , to mention
no others , possessed , fame comes second . Fame is
an accident, a happy glorious accident, for those
upon whom
may come with
mantle falls
may come
first book
middle life
may
come
the
end
career hitherto
may come after death
may come
obscure
may not come
and
all
man can
may come
but
his best and take such reward
hope
his way
The literary character let
admit writes quite honestly but no man supposes
And
he would work perpetually but for money
quite beside the bargain
for immortality
Thackeray wrote
reasonable
look for
pretend that you are actuated
desire

out sword , and have at him .”
In this passage
Thackeray outlined his own course . Truth was
in his eyes, and it was the
the first consideration
want of truth in such works as are commonly
grouped as the Newgate School of Fiction that make
him attack them as being dishonest and therefore
immoral. “ If truth is not always pleasant , at any

of

friends ; honoured by his country ; beloved at his
fireside .
It has been the fortunate lot of both to
happiness and delight to the
give unaccountable
world , which thanks them in return with an
immense kindliness , respect , affection .
It may
not be our chance , brother scribe , to be endowed
with such , merit , or lewarded with such fame .

be

174

�THE AUTHOR .
.

flowery language of the poet , or to the
bumourist who explained his joke
he went with
treatise
scientific
all the nice exactness
Even
Scotsman
who
the way has been
jokes
much libelled
this matter
would not
stand that
obscuring

as

?

-

of

,

-

a

-

,

is

,

-

onof

of

by a

in

,

.
a

of

.
I

to

in a

,

on

it

be
,

a

,

is
a

it

,

's

on

on

be

,

or

;

to

he

by

,
I
or

by

.

a

,

,

,

.

.

,

is be

.

so

all

,

So
,

.

,

,

to

, .
.

,
I

?

's

an

of

to

,

of

of

,

of

,

,

;

in

of

be

on

as

;

-

, of

-

,

by

of

is

so

to

, for

it

,

is

,

.

as

,

is

is

, is

,

's

is

—

,

that
is

that

it

believe

personality
freely
the
on

?

of

be

it

for
to
all

.

in

be

by

be

to

a

at

is

be —

is

is

,

would
safe
played
should
the same
said
author obtrude himself

Is

.

worth

May

, in

.

it

,

of

is

,

it

.

be

,

this restriction

individuality
an

on

.

1907

;

December

,

,

at

of

to

,

in

,

.

the

the work
the moment
are simple and

,

—

a

a

it

is to

better men
But where this valuable asset
genuine property where
that quality
which can distinguish
rather than belittle
then
surely the more of
the better
Of course and
forgotten
nothing
this must never
there
all the world that cannot
overdone
times
and there
no prompting of man
soul which
why
does not need
held
check
that
every art
governed
rules
But admitting
from

to be

,

or

he
-

,

at

is

,

it

,

allin

,

in

to

in

.

,

.
it

is

, ,

November

May June 1908
,

, in

be

to

he

,

*

The Author

of

It

*

.

be

of

a

to

faithfully

and
characteristics
happens
engaged
which
The philosophical
reasons for this
necessities

See papers
February March

from
the ruck and for better
raise him
stamp
indelibly
worse
him
himself
highly
Indeed
the virtue rated that
the
evidence
our own eyes
the goal
which
struggling day by day and
the scribe
the
commodity
scarce and not
be attained by
merely trying
the end
the pitiful hunt too
olten only cheap jack mannerisms affectations
speech
the score
tricks
learnt parrot wise
can

,

,

a

,
be

in

in

of

a

.

,

;

,

; is

a

clear
the first place
his entire style with the

adapt

and

circumstances

the man the instinctive
expression
and
which
must
different from the common method
the first requisite
the equipment
perhaps
author
more than anything
else
thought

so

to ;

as

is

,

it

.

.

in

in

the right direction

The obligation
then
that
writer must rary

the natural habit

method

,

.

a

,

a

,

as

an

is

it

,

a

of

of ,

a

by

,

be

all

of

,

in

well

with

of

-

an

of

a

be

is
to

of

of

of A

.

, of

.

Of

sympathetic

treatment and that
fact the artistic result would
limited
likelihood
the degree
artistic instinct
inherent
the writer
At the same time there
remain certain practical considerations which can
ignored
not
for whilst
man may fail
see
the beauties tbat are possible
treatment
may still with study and care aroid the perpetra
tion
the ugly and the unsuitable
And though
any
this perhaps
not
achieve much
rate something
one step forward however small
could ensure

o

an

,

,

in in

of

in

stylist

S

or

,

;

,

is

,

all

,

a

be

literature

language
mere mastery
neat
stringing
dandling
words and epithets
pretty
together
musical phrases just
ever
you please
will not do when standing alone
admirable though
be and delightful enough
incomplete thing
the æsthetic sense here
duty but half fulfilled
The real need
clear
goes beyond this again and the further demand
authorsbip
comes that
the stylist
shall
šrmpathetic
master too
selection
the
treatment
his subject
this latter aspect
the question something
has been said
another place
was there
sympathetic temperament
pointed out that only

come outdoor exercise

a

be

in

,

,

to

.

it

;

,

it

of

,

to

a —
a

,

to

stylist

the absurdity
text book
the incessant intro

again there
subject
say

a

of

in

it

is or

is

's

To

in

or

Hence

twice over

Then

simple

quotations from the classics
duction
have
such
book
me
the table and despite
certain excellence
have come
see nothing
now but irritation
for when
man starts out
golf
study cricket
may
whatever
interrupted
not too well pleased
almost
every page
Shakespeare
views
some other
Apart from the distraction
subject
waste
time under the circumstances
and
clear
annoyance
too with preciosity
with pom
posity and with
the exaggerated verbiage
common amongst the earlier writers
These are
forgiven
the deadly sins that cannot
far then the position
obvious
But now
more troublesome issue arises when we ask our
right
selves
decide the extent
author
introduce
his personality
into his work
Of
course understand me
ain distinguishing be
Individuality
tween personality and individuality

—

to

is

a

of

no

of

of

I

—

I

—

author
brain
become equally fact
fancy before the reader
may be said there are twomeans
this end
Construction and Description
that
first the
marshalling
the testimony into
effective
order and then with this accomplished
the subse
quent setting forth
that testimony
effective
plan
begin with whether
essay
terms
fairy tale then the expounding
that
plan through
the medium
written
words

the

or it an is

literature in
broadest meaning
thought
reckoned the written expression
and
know
better definition than
style
this then the measure
literature can
expres
neither more nor less than the measure
conveys that thought
siveness with which
fancy one supposes
Here
some fact
the

is

its

DUNN

will

be

BY ARCHIBALD
I.

TF

become apparent later on .
Meanwhile , it
suffices to speak of examples which , in truth , are
here just as convincing as any logic .
For, what
would you say to the mathematician
who wrote in

LITERATURE .

IN

. -

STYLE

175

�THE AUTHOR .
too

,

a

he
is in

it

he

,

,

of

,

by

,

.

off

-

,

,

of

;

as

as

;
it in

it

a

,

it

,

he

of

in

-

;

of
-

to

,

a

,

in

is

an

.

,

as

,

m

!

”

I

I'

I,

am

,

It

it

,

is

,

of

his

of

,
or of

,

.

,

. in

,

to

,
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he

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,

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in

,

to

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of

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is
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it

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a

,

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is

's

—

,

specific instance and besides
good specimen
Thackeray
there
the clearest proof
work
are all the fine qualities just enumerated but
jowl with them and ready jumping
cheek
the
eye
that one overwhelming
defect
mean
walking deliberately
course that habit
before
grarely making
the curtain
bow
and

of

I

-

am

I

,

Here

ostentation

“

a

with

,

even

of

of

,

to

by

exclaiming

of

's

period
That much
least must
conceded
toughened steel
and these qualities are
author armour bright with the promise
success
Pity
then that
this armour there should
large and gaping
bave been
flaw
that the
transparently through
Achilles heel should show
Vanity Fair
take
which
For
all

, ,

.

it

,

is

; !

a

,

will be
author

,
it

of

an
an

a

is

,

.

of

Style
the Laws
insistence
the
unsatisfactory
result

the

,

a

,

.

, of

,

an

of

If,

,

in

as

-

,

is

of

of

a

up

be

is

to

.

,

of

,

is

of

,

,

on
,
in

discussing
Later
shown that too frequent
personality must produce

-

of

,

a

A

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a

it

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; I

,

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a

is

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to

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set

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to

it

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to

no

of

,

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if

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in

an

as

or

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in
a it

it ,

at

or

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a

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in

no

*

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, .

—

at

in

as

;

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of

be

,

,

's

straw who have never
are some puppets men
lived
but the reader for his enjoyment must have
faith
their existence
then there
bare
*

to

,

or

,

of

's

of

) ( to

or

he

of

is

a

of in

,

,

tale

,

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it

to

.

,

an

of

an

of

it

,

of

,

–

of

to

a

of

.

course another story
give
romance which
life
will often
the facts wbich most
any rate dressing
need hiding
into such
form that the real truth
them shall not be too
crudely apparent
the
For the art
fiction
game
juggler
which the
art
make believe
nothing unless indeed
actual happenings are
reality
they can be cloaked with
Here
air
Indeed
picture

your novel
comes
read
will look upon
believe me with the matter
fact eye he will see
merely the novelist
your clumsiness and sim
plicity the poor devil
scribe earning his bread
right and proper
and butter and
the case
precious little jam
How then will
author stand who advances
boldly
upon his
the footlights
sets his hand
heart and says
effect
Here
and
busy writing this book
remember
and
think
this and
think that and
think the other
How does
stand when he ventures upon this
without any attempt whatever
concealment
delicate question
know
because
throws
many who are famous and
down the glove
deservedly
famous
literature
There
Thackeray for example
suppose will deny that Thackeray
Now
one
great writer no one will challenge his powers
humanity
observation
his knowledge
the
men and women
virtues and weaknesses
ability
these forth fairly and squarely upon
paper together with
picture
unmistakable

,

on

.

,

,

it

on

,

In

I

do

an

of

mind
But with fiction

might
Of course were we children
for you may take away the heartbrug
laboriously
crawling over for
which
child
Sahara Desert and shake
out before his eyes and
dust
and replace
and never trouble his faith
moment
two seconds
that Sahara for
crawling over
laboriously and
back again
delightedly
before because you know
has
strange and weird power
self deception and
can run the pleasantry
his own bat
But later
imagination
few short years
that blessed
will have passed away scotched
the hard and
practical experiences
life and when that child

,

of

to
a

to

its

of

to

the extent
which
can convince the reason
the other primarily
the extent
which
can
stir up and convince the imagination
essay
the construction
therefore the
personality
introduction
author
the
omission
would seem
small account
Of
thought that
course his individuality
every turn
has any
will show itself
But
whether he elect
make his address
the first
person singular
like Macaulay and the inflated
critics
his time
the more imposing plural
appear
amusing
whether
company
finally
called
we
whether
decide
discard both and efface himself entirely
going
not know that anyone
care single
solitary brass farthing
How can
matter from
the point
view
construction
how the subject
approached provided only that the
essay
main need
attended
that
the end we
have sequence
ideas easy
follow
clearness
misunderstanding
which
shall admit
brevity which shall expound the meaning with
completeness and
more
This
the practical
aim
the whole business that the facts shall be
brought most comprehensively before the reader

string
not matter

as

;

to

)

a

,

of ,

of

an

to

an

,

of

to ,

(

's

, —

the writer art
the former
facts sometimes perhaps
attempt
give fancies the semblance
the latter
impart
imagined
facts
air
life
set
people and
reality
imagined incidents
The
one depends for
success
we see primarily

bit too obvious
bit too plain
this pulling
the Peter Waggies

in
a

of

,

as .
it

an

,

in

in

an

,

Here we
were
attempt
convey
speculative nature

pot

a

conditions

instance
consider
the different
essay and
which obtain
fiction
touch upon the two extreme poles

on
,

.

a

on

of

it,

,

.

For

thin

and aboveboard

,

' know that anyone is going to
question with any marked degree of
beyond doubt , it is something of a
discussing
But
we may start
assumption that the character
the
bearing
must have
the subject

don t

answer this
confidence ;
conundrum
off upon the
composition

statement of facts , without any skill in their pre
sentation , without deception , without finesse , a clear
exposition , in short, of a writer
and unmistakable
writing a book , in what respect , I ask , are we
playing
the game of make -believe ?
It is

is
a

his

are

a

not, what

if

it

Well, I

,

And

?

it

?

,

page

limitations

in

printed

of is

176

�THE AUTHOR .

,

it

,

as

,
”

so

I

,

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“

for

,

, -

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of

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in to

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a

-

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is

to

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in

of

-

or

,

;

or
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in

provided

he

,
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by

is

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of

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it

of

,

it

for

,

us of

let

him

.

,

,

of

is

of

of

-

is
to

question
And then you

the inevitable
?
"

,

silly fellow tell that

the game

Description

,

to

,

—

-

be

and there
adorning

the further
with such

it
,

of ;

,

it

,

course
forth
may belong

is

ofto

of

is

.

of

—

so

at in

is a

thought

of

at

of

to

,
of

is

comprehensible
setting

need

,

. of

in

,

,
I

is

it

;

at

,

of

—

,

,

be

be

it

;

is
,

of

. of

to

as

effective
the choice
phrases
Thus
words and the musical balancing
we may say that there exists the technical side
theory
the subject and the beautiful
that
practice
will
found that these two cannot
clear
think that
for
well
dissociated
the technical the first step towards the beautiful
necessary ingredient
the beautiful and
all without
that the beautiful which cannot arise

attractions

.

of

to

so

or to

would
not
the functions

,

At

technical

are

be

part and parcel
the
any rate
closely
they allied that
possible
say just exactly wnere
end
the one
the other begin

the technical must itself
of be

of

Art

the art that
many words this
certain
the outset that the
two fold
artistic writing must
business
satisfy the intelligence and
charm
the esthetic
making the thought
There
the need
sense

the
expressing
least
much

.

to

be

Turning

In

-

.
in

,

be of

so

, ;

—

,

,

its

we ask

is
a

;

of
"

- - up

of

he

be

an

,

,

views and opinions
expressed by
let them
resolutely upon
eye fixed

means but with
the danger ahead
that one might add this
perhaps that all extraneous matter shall
reservation
the
find
utterance only through the medium
all

know

—

of by It -

.

or

he

as

at

at

it

,

.

.

and important
Very well then

can the

.up

"

,

,

,

as

, ,

to

,
”

is

his

weighty
express

How

it

a

all 's

,

, ,

an it

;

on

a

to

at , as
in
,
in
a

often and
story

for

soon

,

is

it

"

.

in

,

,

It

.

80

pleases
ostensibly
ever
he may try the same experiment
showing
only
the risk
his peril always
always
jacking
hand
the risk
irre
trievably this deligbtful game
make believe
tongue tied
say that
shall
Nor
this
may
supposed have many
any way
He will
just

whilst

,

a

—

,

be

is

—

a

to

showman

-

's !

to

,
if

-

-

.”

At -

and
his
puppets
such
time
that the grown
years when
man will sigh for the bygone
the
reality
impossible
pass for
would
when the
пе
hearthrug was still Sahara
would seem then
the end that the con
clusion reaches further than we bad thought
vague thing this limit set
was
have been but
construction
the author
outward show
nearly
proves after
personality
definable
clearly the author may beat
essay
For
sound the trumpets and make his entry
the drum

*

the

interest

always
and this
the important point that
keeps within the confines
the actualities
life
that he arrogates
himself no Divine insight that
depicts the minds
other people only
humanly possible under the circumstances
the
evidence
their actions
But once let him break
away
step beyond the
from
this once
possible and the man and his abuse
logic the
palpable unreality
all will startle
out
the
whip crack
reverie with
the suddenness

is

-

!

a

of

-

of

!

desire

continuous

general

of

a

!

off

of

a

!

,

a

.

a

natural

the writer his presence
gotten
the more
—

as

is

!

,

,

ye

.

.

a

suffocatingly level headed douche upon romance
What
final knock out blow
the reader
imagination
After this
there remain
true
and deep study
life which
the fact there
fairly called
does not remain anything that may
story
The exposure has gone too far and one
inevitably and all against the
has slipped
back

mere colloquialisms must
unheeded
the run
the
story avowedly recorded by

,

.

to

different

as

a

in

)

I

,

at

(

of

dozen

that
clear
pikestaff
gods and little fishes what
But
wholesale rubbing
the gilt
the ginger
bread
What
candid display
the ropes and
pulleys
the trapdoors and machinery
What

",

is

a

of
" it
-- .
I

a

,

—

easily
course

speech
which
pass off well nigh
sentence
whilst

,

a

he

is

is

in be
“

to

is

to
a

Why

bring him forward
forth
which would seem
against his will
again
the diary form
narrative
where the author speaks throughout
from his note book
his memory
there
the
suggestion
nearly every word
his presence
hardly
But this
state the truth
for
the
practical effect
these two conditions
not quite
appears
you may observe
what
Indeed
personality
figures
there
no suggestion
all
of

is a

to

so

,

an

be

quite

presented

fashions

Then , for a last word , there is the chance that
over obtrusiveness may steal
were upon
the writer and take him unawares
There are certain
expression
terms
such
instance
upon my word
know
believe me
and

he

,

,

.

,

is

of it

,

is

it

worth there
Later
however with
the introduction
the chapters there follows
more real aggravation when direct reference back
made every here and there
antecedent happen
ings and that with
precision
nice and exact
openly reminded that
that the reader
the
story
reader and that the story
no more than
invented and recited by
much self evident writer
Nor this
the worst
For one may
Vanity Fair
point
page
have not the
novel by me and therefore cannot quote chapter
and verse
where Thackeray actually stops
make
address and explain how
this juncture some
particular character Becky Sharp
believe might

characters or as the natural outcome of the action
of the piece . A slight restriction at the most , it is in
this way that the semblance of reality is kept alive .

“

on

;

,

of

is

is

a

all
,

you

“

!”
There is that most unfortunate Preface ,
may remember , where the author announces
himself as a “ showman ” and his characters as
“ puppets .”
A small thing , perhaps , if that were
when
Preface
not
much account with
most folks and
often left unread
still for what

again

177

�THE AUTHOR .
.

of

be

a

,

,

!

,

-

to

?

-

it

,

at

,

In

.

in

a

to

a

,

in

of

.

is

of

on

,

is

to

.

,

of

to

an

,

be

in

to

it

is

, so

- its setto

,

is

.

in

no to

,

-

or

is

it

of

,

as

?

in

,

a

at

is

, :

in by of

, it

;

in

,

,

so

;

.

to

,

its

all

by

,

to

is

a

As

,

.

to

a

is

it to

,

in
a

no

it

in

a

exercise
needs
going some
energies
we
commonly
meet
half developed thing
receptive
large measure but only
doubt
though capable
modest degree perceptive
and
appreciating
picture seldom able
create one
thought
Hence
be readily communicated
a

;
.

is be

which

prompting
vigorous handling
arouse

be

to

of

's
it

,

,

.

it

in

of

.

,

's

in

he

,

,

so

clear field

some outside
it

-

on

a

it

,

is

it

,

writing

more than

is ,
to if

,
.

be

is

If
be

com

rare occasion indeed
which
not very promptly cast aside
Whence
follows
the author interest and
that
his
art that
must first discover and then fulfil those
conditions which enable the reader mind
work
thus easily and with the least expenditure
effort
by its very inevitableness
just
and
must
good
this that comes Dearest the root of all that

to

all

;
no

to
a is

in

;

.

with

concentrated
the one endeavour distracts the
necessary
attention which
for the accomplishment
the other because until advanced and perfected
apt
training the human mind
find its limit
doing one thing
time What question then
writing the author shall
that
this business
eliminate anything and everything that may distract
the reader
But just
not enough
stand aside from
the path
the over wrought athlete
refrain
pushing
from
the drowning
man
still further
beneath the surface
not enough that
appeal
the intellect we should
content merely
put
impediment
the way
The intellect
requires something
the average intellect that

a

of

in

of

,

—

of

,
—

's

not read

,

is

it

;
in

,

,

I

,

,

an

,

In

to at
to

.

of

the book

to

, !

a

in

to

;
it

as

as

.

making
inquiry into the laws
Style
Literature there are two main considerations which
prefer
once suggest themselves
first that we
and
do things easily rather than with effort
second that the mind works with greater facility
under one set
conditions than under another
These
such obvious truisms that there
need
proving them
waste time
lead
valuable
they teach us unmistakably
conclusion
that the
the comfort
author consideration must always

will

a

,
.

as

as

to

be

,

in

.

; of

in

in

is

is

,
it

to
to

a

.

Form

the reader

,

to to

,

of

,

,

always something
discussion
could wish
have reduced the final issue
its component
may be
parts
enables the attention
near
concentrate
itself more restrictedly
makes
for
better understanding
believe
the long
run
This section then deals with the question

fort

play at once and , during the earlier stages at
many dismal hours
failure
least there will
conversation rolling and listen the
Or again set
while
some talker on another subject and hey
presto
Or
confusion worse confounded
there
your head horizontally
finally rub the top
and
your belly with
the pit
circular motion and
twinkling the machinery comes
dead lock
and paralysis sets
short ask the mind
once and the simplest
issue two distinct orders
rnagnified into an achievement
act
can only
be accomplished after incessant and often laborious
practice And why
Simply because the attention
in

-

be

a

fix

Nevertheless , for the purpose B of clearer explana dividing line and
upon
tion , I propose to
taken
assume that the technical may
cover the broad principles which govern the con
the sentence and the paragraph and
struction
literature may be suitably
that all other qualities
set down under the heading
the beautiful
Form
we might say
one case
Grace
the other
precise
And though this
not
one

of

178

,

;

it

-

a of see
,

,

be

.

a

is

,

,

-

in

.

its

all

,

.

to

,

to

,

!

,

!

to

he

,

of in

it

if

a

,

,

of

.

At

in

visualised
the reader
full
significance
first glance then we are upon the brink
then the further duty
the author
most ponderous philosophical
discussion
The
stares him fairly and squarely
the face
must
helping hand
human mind
indeed
with
unfathomable
lend
The brief statement we
mystery
may
And thinking thus the temptation
insufficient for this lazy and too matter
therefore shall
be presented with
fact mind
close the volume and
shut down the page
wegreater completeness and with adequate detail lest
simpler things
Strangely
though
turn

,

of

in

,

be

,

by

of

,

all

,

be

to

.

,

,

of

of as

—

it,

as

,

,

—

be

.

The Principles

Success

Literature

."

both

in

keep them

of

,

the trick

*
*

a

to

of

,

to
of a

.

of

,

,

be

to

,

.

,

in

second

to

a

add

,

is
.

to

,

a

,

;

perhaps

in

,

of

*

a

all
;

;

.

in on
a

of

an

.

a is

in

--

—

of

on

in

at

In

.

;

,

it

as

at

of

a

is

.

,

happens
should not too readily tind them
For
the omissiou
some particular
the whole become
scarcely
problem
this problem
all barely
obscure
worthy
the name when the truth comes out
these two principles
then
that the reader
Jast and we learn that this most intricate affairshall
no circumstances
distracted but
all
depends for its elucidation
nothing more abstruse
circumstances helped
true and full understand
jug we find the basis
those laws which govern
one elementary fact that
than the admission
Style
They are
the mind can work more easily when concentrated
Literature
set forth
Economy
than when distracted
That
wet blanket
Lewes
five
number
the law
the
great ideas
Simplicity
Sequence
outburst
trifle stowed away
law
the law
the law
Variety
nutshell
Five conditions
Climax and the law
See for yourself how true this
Consider the
then
fulfilled five terms
noted
suffi
good luck will have
ciently alarming
Juggle for
But
hand
first example that comes
single ball and
instance with
the innocence
these are again
condensed and with Economy
your beart you may count yourself
master

�THE AUTHOR .
necessarily
Simplicity , and
Climax
Sequence - we fall back , on Lewes ' sugonly - Economy ,
gestion , to three main headings
Climar , and Variety .

embracing
implying

be continued .)

ABOUT EDWIN DROOD .*

six

on ,

in

a

of ,

, of

a

to

of

.

if

?

his

to

a

,

to

,

no

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on

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to

It

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as J

.
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is

in

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. ,
he

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on

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to

to

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in

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Edwin Drood
and
Andrew Lang
Puzzle
Dickens
last Plot
He considers that
Edwin Drood was dead but gives much ground for
disagreement
his conclusion
those who find
such an issue improbable and disappointing
By what machinery
The second question
, in to “

(2
)

—

.

in

.

-

”

to ?

was the crime brought home
its author
must
whether
relation
some extent
answered
no and centres round
Edwin Drood was dead
or

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4s
,

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net

Mystery

to

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up

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About Edwin Droo
University Press
1911

“

's

, .

of

,

.

an

mysterious person
she does not know
Datchery obviously someone disguised and
probably someone already pamed
the book takes
Jasper
gather
abode
elbow and begins

which

named

show
the
man was alive when he meant
development
the story that he was dead
marshals fairly all the arguments that can be found
the
one answer and
the other
favour
question
Was Edwin Drood dead
with reference
throughout
Mr Cuming Walter
Clues
the

of of

, of

,

,

,

is

.

,
in

is

,

must
taken
woman
who keeps the
opium den where Jasper goes for regular debauches
unexplained
grudge against Jasper
has
and
possesses evidence against him the importance

to

to

-

to

us

,

's

that action

old

,

in

.

to

at

,

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,

,

to

on

is

of of

and her bosom friend
Jasper
against
An

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Edwin

,

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of

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an

.

is

of

would have been
Rosa
the heroine
and
Drood
sweetheart
for wicked
love
opium fiend
whom Jasper
led into the crime
suspect the identity
comes
the villain
guardian and Edwin
Grewgious Rosa
solicitor
also
the same track
Helena Landless sister
the wrongfully accused Neville and confidante
her brother
behalf both
Rosa
determined
above

,

on

,

,

of

of

of

Drood has disappeared but certain further informa
conjecture what the
given which helps
tion
reply
the two questions formulated
Dickens

of as

of - of -

,

of

.

of

“

.

.

fragment

to

of

,

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it

if

,

to

in

be

,

brought home
author
The
breaks
the place where Edwin

was the crime

up

to

is in

it

, ;

of

all

to

questions are
Was
By what machinery

succeeded
The main vexed
Edwin Drood dead
and

intended
which would ensure the identification
the body
The first obvious explanation
this
picture
reproduced
which
book
that Jasper
who had previously
we know
removed from the body all the jewellery of whose
existence
was aware had returned
the vault
recover the incriminating ring
One school
gone
critics says that the whole meaning
Edwin
Drood
not dead
these explain the cover
the
monthly instalment by saying that the figure
the
vault
not Edwin Drood at all but someone made
resemble him
and preferably
that the
Jasper and
figure portrays
terrible hallucination
not
real flesh and blood presence
This latter by
the way
view
Another school
critics
put such
figure
says that
the cover would
unjustifiable artifice
any
have been
the part
romancer
the part
author and unthinkable
being able
like Dickens able and conscious
make any explanation
the world possible
his
obligation
readers and therefore under
cheat
them from the outset by deliberately indicating that
a

in

,

is

to

,

tell

Edwin Drood
should
added here that Jasper
the crime ass
the scene
would naturally return
after his attempt
his nephew
found out that
his action had been quite purposeless that Edwin
longer betrothed
and Rosa were
but that the
ring not given
former carried upon him
Rosa

a

at

an

,

.

.
J

of .'s

H

brochure

Edwin Drood

the story

,

in

,

,

in

a

any detailed manner
probably familiar
readers
The Author
and
not they are
cordially recommended
remove the reproach
Something
their ignorance without delay
how
recapitulation
ever must
said
the way
the plot
make any remarks
the subject intel
ligible
The Mystery
Edwin Drood
tells
jealous
the murder
the eponymous hero by
Jasper suspicion
uncle John
the murder
murder there has been falling upon
named
Neville Landless
The mystery does not
the
anthorship
the crime for almost from the first
attempt
guilty
we know
that Jasper
and believes that he has
murder
his nephew
upon

him

“

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literature

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growing
around
famous unfinished povel
which
anony
the latest contribution written by
interesting addition
mous author
The book
dated from Trinity College Cambridge
which fact together
with the scholarly
acumen
accusing finger
displayed
the writing puints
commenting
There
no need
famous professor

Dickens

dead ?
If he was not , what had become of
for the story progresses to a point
months
disappearance
after
Death alone would seem
account for his silence
But
he was dead
what was the meaning
one
the illustrations
the cover
the monthly parts which clearly shows
Jasper entering
vaulted chamber with
lantern
and finding
that chamber the erect figure

Drood

, up

UITE

together the various clues . The indications given by
Dickens himself , therefore , are that the keeper of
Puffer " ), Helena
den (“ the Princess
the opium
Landless , Grewgious , and Datchery (the unknown
tracker ) will somehow , singly or in combination ,
bring justice home to Jasper.
( 1) Was Edwin
To go back to our questions .

be

( To

179

�THE AUTHOR .

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sub title
this work
The Confessions
Publisher
we shall
anticipate what we did not find
have bestowed
probably appear
the author
has
upon his book the highest possible praise
push
For
its sale
calculated
title which

of

WHEN we admit that the

of

.

:

of

Getting On The Confessions
Werner Laurie

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at

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at

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II.

John Adams Thayer
Publisher
London

“

er

of of

),

collection

must refer our readers
the pages
Book prices
may
where
seen
how widely
George Meredith
published
work often differed
from
what
had
first written
The whole
amount realised
the MSS
the sale exceeded
£1 500

Current

by

,

of on

In

.
in

(

miscellaneous

minutely accurate descrip

given
and
will
found
great deal more than might
suspected from
mere enumeration
their
titles
For these most interesting particulars

.
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1910
2023

the MSS
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tion

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least one
sequel
American
the book makes Datchery
professional detective introduced
new character
spy upon Jasper
Edwin
Drood
friends
something
There
said
favour
these
theories and more
said against them
But
the various pros and cons will
found closely con
sidered
who plumps for Helena Landless
Mr Cuming Walters has done This
the
face
the most preposterous solution
the
puzzle
Datchery but
support
well does
cogent
and
his reasoning against any other
theory that
will find many supporters
the
course
his reasoning
shows that the
probability
Helena
Landless being Datchery
would be greatly increased by the transposition
place immediately
front
Chapter XVIII
Chapter XXIII
the last and unfinished chapter

high , but the information is , as always , of an inter
esting character . In the present case the attention
by
of authors is likely to be particularly
attracted
the sale of a number of autograph manuscripts of
George Meredith , of which all but one were the
property of his nurse , Mrs. Nicholls . (Sotheby .

be

disguise

male

at

Datchery

beneath

;

of

a

as

a

,

him

the identity
of Datchery . Datchery
is clearly
tracking Jasper down — there is no mystery about
that . Some have suggested that he was Edwin
Drood himself ; some have thought that Datchery
was an impersonation
either by the solicitor
Grewgious , or by his clerk Bazzard , who appears in
particularly foolish
the brief mention of
person but with
theatrical bent
mind
some
have thought that Helena Landless was hidden

,

180

.

its

of

or

,

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a
by

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“

the lucid manner

in

very

the

modern stage
Introduction
Mr Arthur
Bouchier
sufficient guarantee
the value
the little work which we have much pleasure
recom
mending We have been particularly
struck

.

In

.

be

,

8

1910

to

us

to

December

to

“

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unfolding
the man who has the right stuff
writing
the technique
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not appear

1910

the prices

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Elliot

Book prices Current for
record
the sales from

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6

October

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London

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1911

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III

Companion
The Dramatic Author
Manager
Reader
with
introduction
Bouchier
Mills and Boon

FRANKLY admitting that
make
dramatist
impossible the author
The Dramatic Author
Companion
doing more than
makes no pretence

.

Part

literature

.

.

Current

first part
911 contains

cases

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interesting
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secure readers
the grim tragedy
Cloisterham
scholarly and thoroughly exciting note upon
very intriguing matter

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and his pleading for their transposition
history
while this work
the one hand
very
piece
mate correction
astute
criticism
Jasper seems plucky and successful struggle from small begin
That the crime was brought home
painful
nings
the other hand
ease
we
Dickens
Life
for from Forster
undoubted
everything
else
exposition
subordination
the
Jasper
confess his crime
was intended
learn that
the scramble for remunerative advertisements
unwittingly while Sir Luke Fildes received instruc
first
advertisement makes
prison
Jasper
The
blessed word
prepare
illustration
tions
page
the preface
appearance
the second
whom detection was brought
but exactly how and
called
Confidence
and
last
the last
mystery that still defies solution
about
page but one
the last chapter and dominates the
Exactly where
some competitive
order
anyone needs
be convinced that
whole story
The Mystery
works we should place
Dickens
becoming
has
least periodical publication
considerable
matter
Drood
Edwin
hoarding
for adrertise
already become merely
many this fragment seems the promise
dispute
That such
here
that fact
English
whilements the evidence
of the finest sensational novel
things
evil absolutely destructive
state
weariness
the author
indications
others see

and

�distinguished

DRAMATISTS

.

,

brought the

23
,

I

,

it

it,

a

then

the

I

wish

now

this Society
and
must
me unjustly inade

,
I

—

of

to

say
wanted
and what
the members and associates
feel that very inadequate

to

.

of

,
of

on

of

of

Authors

would
much smaller number

,

of

to

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as

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to

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it

be

It

of

.

or

),

,

.

.

,

W

PERCY
AMES
Secretary
the Royal Society
Literature
the United Kingdom
of of

of

it

,

,

Yours faithfully

or or
,

which

it ,

's

on

on

occasion

fifteenth

.

has

been presented

,
if

of

of

to

is

It

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in

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whereas this

of an

—

to

SIR
Will you allow me
correct
your account under
General Notes
the presentation
Mr William Meredith
the
gold medal
the Royal Society
Literature which
bad been voted during
lifetime
the late George
gold
Meredith
there stated that the society
only two occasions
medal had been awarded
DEAR

error

,

a

O
M

,
.
.

GEORGE MEREDITH

,

it

I

,

am

in

,

to

reluctantly
add
what seem
steps have been taken
deciding wbo are
quate
and who are not its dramatic members for
informed that
has been decided that they are
play produced
those who have had
and that there
fore
was only
such that
notice
the pro
point out
posed
wish
confereuce was sent
accepted the being
that
that definition
piece
dramatist will become purely
luck depen
dent not upon what the writer the member
Associate
the Society
has done bas conceived
and created
but upon what has been done by
may
others with his
her work
that
just the existing condition
things that makes
perhaps
impossible
difficult
even
some
get their dramatic work
members
associates
produced and which might therefore prevent such
persons from ever being recognised
dramatists
hence the inclusion among dramatists
such
although
play
have done dramatic work
theirs may have been before the public might lead
some suggestions being made which would be

-

.

the

at

,

is

that

I all I

What
inform

CORRESPONDENCE

given

-

perhaps have reached
public than
now will
it

.

he
is

Had the opportunity been
annual meeting
the Society
might have
Thursday
March
subject
this letter before
but
SIR

,

's

of to

to

is

.”

"

in

be

.

the

of

the rest

is of

the value

to

by

"

,

and not less
the advice
particularly con
the book
The author
gratulated upon having bad the sense
insist upon
importance
every
dramatist
Aristotle
Poetics
That
evidence that the author under
writing
stands the subject upon which
" construction
impressed

181

,

are

THE AUTHOR .

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performing world

in

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“

dramatists

speedier

to

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of to in

so

HUBERT HAES

.

is !

in

of

play writers among

If, as

be

.

.

a

described
dramatist
untenable
however his
great many people who have

us

to
a

to

should
entitled
This view seems
argument
that

a

to

the above letter seems
play

,

:—

be

[

The writer

any person who has written

is

a

.

,

Faithfully yours
GRACE TOPLIS

NOTE
argue that

of

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entirely for themselves
They nominated not one
One
will
The harm
The pity
And this
always sorry
chance missed
see
slight
their fellow workers has been iniicted
the rank
As one
the whole world
the sight
impossible not
resent the undeserved
and
indignity
and all who
whom we
the leaders
justly proud
love literature
are
Can nothing
silly and mischievous
remedy
done

in

of

of
of

.

a

of

,

three names which even then would not have been
fourth
the representation the gentlemen kept

tion even might
devised
Every dramatic writer must have
beginning
just
production
every book writer
the matter
publication
must
the matter
but this seems
have been curiously overlooked
the very quarter
which one would have expected
have found
unproduced
regarded and
the inclusion

-

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to

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man

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the council
com
put any
worth while
the list they recommended
Royal Society
Society
the Academic
Committee
the Royal
demic Committee
the
Literature We women members
the Society
Authors could have promptly suggested
least

the fact
mittee
woman

the play
any
Some distinction might
made
there
real need
between those who have and have
play produced
not had
inst
distinction
made
means
the words
member
and
associate
between those authors who have and
have not had
book published
some new designa
tör

.

COMMITTEE

only dawned
me very slowly
great slight had been shown
day what
women writers by their own Society
Authors by

in to

THE ACADEMIC
DEAR SIR

making the road
world
the writer
the dramatist

the dramatic
production easier

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the wildest stretch
imagination
responsible for this
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But cannot help thinking that professional typists
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the public

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the entrance
big San Francisco hotel
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trust ALL OTHERS Cash
and really the under
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reflected now
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American publications
haphazard through the principal lines and ticking
off from
list
American journals and magazines
my list
general contributions
those open
find
twenty four
less than twenty which announce
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ments already used
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would
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magazines were
consider whether the change
distinctly for their own
proposed would not
well
the author benefit
The best pay and
the promptest payment naturally attract the best
English
work
and the quality
material
very likely under the present English custom
provided for English
suffer when that material
publications
recall when looking through for
friend many
years ago the proof sheets
book this friend had
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The punctuation
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seven

our influential Council should
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course
group
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            <text>The Elutbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
VOL. XXI.-No. 7.&#13;
APRIL 1, 1911.&#13;
[PRICE SIXPENCE&#13;
CONTENTS.&#13;
PAGE&#13;
153&#13;
153&#13;
153&#13;
154&#13;
154&#13;
157&#13;
158&#13;
Notices&#13;
The Society's Funds&#13;
List of Members ...&#13;
The Pension Fund&#13;
Committee Notes&#13;
Books published by Members&#13;
Books published in America by Members ...&#13;
Literary, Dramatic and Musical Notes&#13;
Paris Notes ... ... ... ...&#13;
The Public Domain&#13;
Copyright in Fiction and Cinematograph Representations&#13;
Magazine Contents .&#13;
How to Use the Society&#13;
Warnings to the Producers of Books&#13;
Warnings to Dramatic Authors ...&#13;
Registration of Scenarios and Original Plays&#13;
Dramatic Authors and Agents&#13;
Warnings to Musical Composers&#13;
Stamping Music ...&#13;
The Reading Branch ...&#13;
Remittances&#13;
General Notes ...&#13;
Committee Election&#13;
General Meetings&#13;
Thackeray and the Dig&#13;
Literature&#13;
Style in Literature&#13;
About Edwin Drood&#13;
Short Reviews ...&#13;
Correspondence&#13;
PAGE&#13;
166&#13;
166&#13;
166&#13;
166&#13;
166&#13;
166&#13;
167&#13;
168&#13;
168&#13;
171&#13;
175&#13;
179&#13;
180&#13;
181&#13;
159&#13;
162&#13;
163&#13;
164&#13;
164&#13;
165&#13;
165&#13;
165&#13;
PUBLICATIONS OF THE SOCIETY.&#13;
1. The Annual Report for the current year. 1s.&#13;
2. The Author. Published ten months in the year (Angust and September omitted), devoted especially&#13;
to the protection and maintenance of Literary, Dramatic, and Musical Property. Issued&#13;
to all Members gratis. Price to non-members, 6d., or 58. 6d. per annum, post free. Back&#13;
numbers from 1892, at 10s. 6d. per vol.&#13;
8. Literature and the Pension List. By W. MORRIS COLLES, Barrister-at-Law. 38.&#13;
4. The History of the Société des Gens de Lettres. By S. SQUIRE SPRIGGE. 18.&#13;
8. The Cost of Production. (Out of print.)&#13;
6. The Various Methods of Publication. By S. SQUIRE SPRIGGE. In this work, compiled from the&#13;
papers in the Society's offices, the various forms of agreements proposed by Publishers to&#13;
Authors are examined, and their meaning carefully explained, with an account of the&#13;
various kinds of fraud which have been made possible by the different clauses therein. 38.&#13;
Addenda to the Above. By G. HERBERT THRING. Being additional facts collected at&#13;
the office of the Society since the publication of the “ Methods." With comments and&#13;
advice. 28.&#13;
7. Copyright Law Reform. An Exposition of Lord Monkswell's Copyright Bill of 1890. With&#13;
Extracts from the Report of the Commission of 1878, the Berne Convention, and the&#13;
American Copyright Bill. By J. M. LELY. 18. 6d.&#13;
8. The Society of Authors. A Record of its Action from its Foundation. By WALTER BESANT&#13;
(Chairman of Committee, 1888–1892). 1s.&#13;
9. The Contract of Publication in Germany, Austria, Hungary, and Switzerland. By ERNST&#13;
LUNGE, J.U.D. 28. 6d.&#13;
10. Forms of Agreement issued by the Publishers' Association; with Comments. By&#13;
G. HERBERT THRING, and Illustrative Examples by Sir WALTER BESANT. 2nd Edition. 18.&#13;
11. Periodicals and their contributors. Giving the Terms on which the different Magazines&#13;
and Periodicals deal with MSS. and Contributions. 6d.&#13;
12. Society of Authors. List of Members. Published October, 1907, price 6d.&#13;
13. International Copyright Convention as Revised at Berlin, 1909. 15.&#13;
[All prices net. Apply to the Secretary, 39, Old Queen Street, Storey's Gate, S. W.]&#13;
&#13;
&#13;
## p. 152 (#210) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
The Society of Authors (Incorporated).&#13;
Telegrapbic Address : "AUTORIDAD, LONDON,"&#13;
Telephone No.: 374 Victoria.&#13;
PRESIDENT.&#13;
THOMAS HARDY, OM&#13;
COUNCIL&#13;
SIR ROBERT ANDERSON, K.C.B. AUSTIN DOBSON.&#13;
AYLMER MAUDE.&#13;
SIR WM.REYNELL ANSON, Bart., D.O.L. SIR ARTHUR CONAN DOYLE,&#13;
JOSTIN MCCARTHY.&#13;
THE RIGHT HON. THE LORD AVE DOUGLAS FRESHFIELD.&#13;
THE REV. C. H. MIDDLETON-WAKE,&#13;
J. M. BARRIE.&#13;
(BOBY, P.C. SIR W. S. GILBERT.&#13;
SIB HENRY NORMAN,&#13;
SIB ALFRED BATEMAN, K.C.M.G. EDMUND GOSSE, LL.D.&#13;
SIR GILBERT PARKER, M.P.&#13;
ROBERT BATEMAN.&#13;
SYDNEY GRUNDY,&#13;
SIR ARTHUR PINERO.&#13;
F. E. BEDDARD, F.R.8.&#13;
H. RIDER HAGGARD.&#13;
The Right HON. SIR HORACE&#13;
MRS. BELLOC-LOWNDES.&#13;
MRS. HARRISON (“LUCAS MALET''). PLUNKETT, K.P.&#13;
THE RIGHT HON. AUGUSTINE BIR ANTHONY HOPE HAWKINB.&#13;
ARTHUR RACKHAM.&#13;
BELL, P.C.&#13;
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MRS. E. NESBIT BLAND.&#13;
MAURICE HEWLETT.&#13;
G. BERNARD SHAW.&#13;
THE REV. PROF. BONNEY, P.R.S. W. W. JACOBS,&#13;
G. R. SIMS.&#13;
THE RIGHT Hon. JAVES BRYCE, P.O. HENRY JAMES.&#13;
S. SQUIRE SPRIGGE.&#13;
THE RIGHT Hon, THE LORD BURGH. JEROME K. JEROMR.&#13;
FRANCIS STOBR.&#13;
CLERE, P.C.&#13;
HENRY ARTHUR JONES.&#13;
SIR CHARLES VILLIERS STANFORD,&#13;
HALL CAINE,&#13;
J. SCOTT KELTIE, LL.D.&#13;
Mus. Doc.&#13;
J. W. COMYNS CARR.&#13;
RUDYARD KIPLING.&#13;
MRS. HUMPHRY WARD,&#13;
KGERTON CASTLE, F.S.A.&#13;
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COMMITTEE OF MANAGEMENT.&#13;
Chairman-MAURICE HEWLETT.&#13;
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&#13;
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## p. 152 (#211) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
-PLAYS&#13;
Mr. Forbes Dawson&#13;
(Member of the Incorporated Society of Authors),&#13;
An Actor of over 25 years' continuous experience of the stage in every class of theatre, and every&#13;
class of play in all parts of the world.&#13;
Late of:—The Theatre Royal, Haymarket, Prince of Wales', Vaudeville, Gaiety, Comedy, Wyndham's,&#13;
the new and old Strand, the Playhouse (late Avenue), Terry's, and the Adelphi.&#13;
MASTER OF STAGE CRAFT AND PLAY CONSTRUCTION.&#13;
Author of many plays produced in Great Britain and America.&#13;
Adapter of several Novels to the Stage.&#13;
Gives Practical Advice upon Plays.&#13;
Dramatises Books and Short Stories.&#13;
NO THEORIES.&#13;
No charge for reading and giving a practical report on a play.&#13;
NR. FORBES Dawson is qualified to advise upon play construction and stage craft, having gone through a practica&#13;
training—not upon the London stage only--but also in the hard and varied mill of the provinces, and the dramatic&#13;
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ADDRESS: 23, MIDMOOR ROAD, WIMBLEDON, S.W.&#13;
ESTABLISHED)&#13;
(XVIII. CENT.&#13;
The Wessex Press, Taunton.&#13;
BARNICOTT &amp; PEARCE&#13;
INVITE ENQUIRIES RESPECTING PRINTING.&#13;
ESTIMATES OF COST, AND OTHER DETAILS, PROMPTLY GIVEN.&#13;
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FROM MEMORY’S SHRINE. By CARMEN SYLVA. BEING&#13;
“Is an inspiration."-Evening Standard. “Written with a charm that is quite real."---Daily Express.&#13;
PHENOMENAL SUCCESS OF A NEW AUTHOR.&#13;
ELEVENTH EDITION IN THE PRESS. Crown 8vo, cloth. Price 6s.&#13;
THE BROAD HIGHWAY: A Romance of Kent. By JEFFERY FARNOL.&#13;
LONDON: SAMPSON LOW, MARSTON &amp; CO., LD.&#13;
"FEEDING AND MANAGEMENT IN INFANCY.'&#13;
By ARTHUR A. BEALE, M.B.&#13;
Containing Chapters on-CAUSES OF INFANT MORTALITY; FOOD, AND HOW TO&#13;
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Stiff Paper Cover, 6d.; Cloth, ls.&#13;
J. F. BELMONT &amp; CO., 29, Paternoster Square, E.C.&#13;
&#13;
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## p. 152 (#212) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
“The Book Monthly is now enlarged and makes an exceedingly&#13;
pleasant and readable publication."&#13;
- CLAUDIUS CLEAR, in the British Weekly.&#13;
•&#13;
THE ..&#13;
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BARGAINS IN BOOKS.&#13;
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You know the "Book Monthly" by name-you&#13;
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&#13;
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## p. 152 (#213) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
THE AGENCY WITH INFLUENCE&#13;
Thanks to its straightforward business methods, and its strictly selective principle, the C.L.A. is now&#13;
placing literary matter with over 160 (one hundred and sixty) English Publishers and&#13;
Periodicals.&#13;
THE HIGHEST TEST of an agency's proficiency is the placing of novels by unknown authors at the&#13;
Publisher's entire risk. Clever FIRST BOOKS, recommended by the C.L.A., have been accepted&#13;
by George Allen &amp; Sons, Ouseley Ltd., Greening &amp; Co., Digby Long &amp; Co., Gardner Darton &amp; Co., Newnes Ltd.,&#13;
The Century Press, Alston Rivers, Ltd., Andrew Melrose, Longmans, Green &amp; Co., Stanley Paul &amp; Co., John&#13;
Long, Ltd., etc., at the Publisher's entire expense.&#13;
Below is reproduced one from many hundreds of generous appreciations :-&#13;
Rose Farm, Thornwood Common, Epping, Essex,&#13;
Wednesday, Varch 15th, 1911.&#13;
DEAR MR. MAGNUS,&#13;
I feel it is only due to you that I should write an unofficial letter to thank you for the very excellent terms&#13;
you have arranged for me for my first novel. If authors only knew the advantage of employing a Literary&#13;
Agent, who has so much more influence than they can possibly have, you would shortly&#13;
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With many and sincere thanks, faithfully yours,&#13;
C. JAMES (Lt.-Colonel).&#13;
16-page Prospectus free on application to-&#13;
The CAMBRIDGE LITERARY AGENCY, 115, Strand, W.C.&#13;
Or by 'Phone-1648 GERRARD.&#13;
To Authors and Journalists.&#13;
WANTED!&#13;
AUTHORS' MSS., PLAYS, AND GENERAL COPYING.&#13;
Don't hesitate. Send a trial order now. I guarantee&#13;
satisfaction. One Carbon Duplicate supplied gratis&#13;
with first order. Terms on application.&#13;
C. HERBERT CÆSAR.&#13;
Homefield, Woodstock Rd., ST. ALBANS, HERTS.&#13;
The writer, whether he aspires to write novels, short stories,&#13;
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rebuffs and drudgery being the only return for the time&#13;
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THE COURSE OF LITERARY TRAINING promoted by&#13;
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The College also undertakes Literary Agency business of all&#13;
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For full particulars write at once for Pamphlet D.M. to the LITERARY&#13;
CORRESPONDENCE COLLEGE, 9, Arundel Street, Strand, W.C.&#13;
AUTHORS' TYPEWRITING.&#13;
.&#13;
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Plays, ruled&#13;
Specimens and Price List on application.&#13;
MISS A. B. STEVENSON, Yew Tree Cottage,&#13;
SUTTON, MACCLESFIELD.&#13;
"First Lessons in Story Writing."&#13;
TYPEWRITING.&#13;
By BARRY PAIN.&#13;
2nd Edition. 28. 8d. net. 26. 8d. post free.&#13;
of this work the Westminster Gazette writes :" The&#13;
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MISS FOWLER, Maxwell House, Arundel&#13;
Street, Strand, W.C.&#13;
EXPERT IN DECIPHERING DIFFICULT HANDWRITING.&#13;
Extract from Unsolicited Testimonial.-“I send you work com-&#13;
pared to which Egyptian hieroglyphics would be child's play, and you&#13;
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" How to become an Author."&#13;
By ARNOLD BENNETT.&#13;
A Practical Guide ; full of useful hints.&#13;
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The Literary Correspondence College,&#13;
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Research, Revision, Shorthand.&#13;
THE CAMBRIDGE TYPEWRITING AGENCY,&#13;
Telephone 2308 City. 5, Duke Street, Adelphi, W.C.&#13;
&#13;
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## p. 152 (#214) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
83&#13;
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YO&#13;
COTTERILL &amp; CROMB,&#13;
Literary, Artistic, and Dramatic Agents.&#13;
The Managers of this Agency have exceptional facilities for placing Novels with the best&#13;
Publishers. They have also a unique knowledge of the Buying and Selling of Magazine, Periodical and&#13;
Newspaper Fiction. During the past six years they have placed Serials, Short Stories, Articles and&#13;
Black and White Illustrations in all the leading British, Colonial and American publications on very&#13;
favourable terms. New Authors of real promise receive encouragement and helpful advice. Expert&#13;
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Authors whose names are now well known were introduced to the reading public through the Managers of&#13;
this Agency who have a long and close personal and business connection with the principal Publishers&#13;
and Editors.&#13;
DRAMATIC ADVISER—MR. WILLIAM MOLLISON.&#13;
Mr. William Mollison, the well-known London and provincial actor, who acts as dramatic adviser&#13;
for Messrs. Cotterill &amp; Cromb, has played Richelieu in " The Musketeers," at the Haymarket ; Cardinal&#13;
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and he was for some time in partnership with Lewis Waller. He produced " The Bonnie Briar Rose" at&#13;
the St. James's, and has since played the part of Lauchlan Campbell in the provinces over a thousand times. He&#13;
also took on tour John Galsworthy's remarkable play, “Strife," which created so profound an impression when&#13;
Mr. Frohman produced it at the Duke of York's Theatre. More recently he made a great hit with a one-&#13;
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Special Announcement to Authors!&#13;
LITERARY YEAR-BOOK (1911)&#13;
Crown 8vo.]&#13;
Price 6s. net.&#13;
[970 pages.&#13;
Many would-be Competitors in&#13;
Messrs. Hodder &amp; Stoughton's&#13;
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are prevented from entering simply&#13;
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REMARKABLE OFFER!&#13;
PRINCIPAL CONTENTS : --- Authors' Directory ;&#13;
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Opinions of Authors:--"Many thanks for the help which the&#13;
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If you will send your MS. and&#13;
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C. HERBERT CÆSAR,&#13;
Homefield, Woodstock Road, St. Albans, Herts.&#13;
&#13;
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## p. 153 (#215) ############################################&#13;
&#13;
The Autbor.&#13;
(The Organ of the Incorporated Society of Authors. Monthly.)&#13;
FOUNDED BY SIR WALTER BESANT.&#13;
Vol. XXI.—No. 7.&#13;
APRIL 1ST, 1911.&#13;
[PRICE SIXPENCE.&#13;
TELEPHONE NUMBER :&#13;
374 VICTORIA.&#13;
TELEGRAPHIC ADDRESS :&#13;
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ADVERTISEMENTS.&#13;
As there seems to be an impression among&#13;
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Although care is exercised that no undesirable&#13;
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never have accepted, any liability.&#13;
Members should apply to the Secretary for advice&#13;
if special information is desired.&#13;
NOTICES.&#13;
DOR the opinions expressed in papers that are&#13;
T signed or initialled the authors alone are&#13;
responsible. None of the papers or para-&#13;
graphs must be taken as expressing the opinion&#13;
of the Committee unless such is especially stated&#13;
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THE SOCIETY'S FUNDS.&#13;
The Editor begs to inform members of the&#13;
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that the cases which are quoted in The Author are&#13;
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VOL. XXI.&#13;
M HE List of Members of the Society of Authors,&#13;
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A dozen blank pages have been added at the&#13;
&#13;
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## p. 154 (#216) ############################################&#13;
&#13;
154&#13;
THE AUTHOR.&#13;
1-&#13;
.&#13;
-&#13;
-&#13;
:&#13;
:&#13;
0 10&#13;
6&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
. end of the list for the convenience of those who&#13;
£ &amp;. d.&#13;
desire to add future elections as they are chronicled Feb. 21, Rhys, Ernest ,&#13;
from month to month in these pages.&#13;
Feb. 21, Cameron, Mrs. (Charlotte) . 1 1 0&#13;
Feb. 21, Mulliken, Mrs. .&#13;
. () 5 0&#13;
March 9, Boughton, Rutland . . 0 5 0&#13;
March 10, Somers, John . . .&#13;
THE PENSION FUND.&#13;
0 5 0&#13;
Donations.&#13;
N February 1, the trustees of the Pension&#13;
1911.&#13;
Fund of the society—after the secretary&#13;
had placed before them the financial Jan. 2, Northcote, The Rev. H.. . ( 5 0&#13;
position of the fund-decided to invest £250 in Jan. 2, Mackenzie, Miss J. .&#13;
0 50&#13;
the purchase of Consols.&#13;
Jan. 3, Church, Sir Arthur H. .&#13;
1 1 0&#13;
The amount purchased at the present price is Jan. 3, Wasteneys, Lady&#13;
0 5 0&#13;
£312 13s. 4d.&#13;
Jan. 4, P. H. and M. K. ..&#13;
2 2&#13;
This brings the invested funds to £4,377 19s. 4d. Jan. 4, Randall, F. J.&#13;
1 l&#13;
The trustees, however, have been unable to recom-&#13;
Jan. 5, W. .&#13;
0 10 0&#13;
mend the payment of any further pensions, as the Jan. 5, Crellin, H. N.&#13;
0 5 0&#13;
income at their disposal is at present exhausted. Jan. 5, S. F. G..&#13;
0 10 0&#13;
They desire to draw the attention of the members Jan. 6, Blake, J. P. .&#13;
1 1 0&#13;
of the society to this fact, in the hope that by Jan. 7, Douglas, James A. .&#13;
1 0 0&#13;
additional subscriptions and donations there will Jan. 9, Grisewood, R. Norman.&#13;
0 5 0&#13;
be sufficient funds in hand in the course of the&#13;
Jan. 10, Wharton, Leonard C. .. o) 10 0&#13;
year to declare another pension in case any im. Jan. 12, Tanner, James T.. .&#13;
portant claim is forthcoming.&#13;
Jan. 16, Kaye-Smith, Miss Sheila . () 5 0&#13;
Jan. 17, Kemp, Miss Emily G.. . 1 1 0&#13;
Consols 24%...&#13;
........... £1,312 13 4&#13;
Jan. 21, Greenstreet, The Rev. W.&#13;
0 5 9&#13;
Local Loans ........&#13;
... 500 0 0&#13;
Jan. 26, Blundell, Miss Alice . . 0 5 0&#13;
Victorian Government 3% Consoli-&#13;
Jan. 28, Benecke, Miss Ida . 0 5 0&#13;
dated Inscribed Stock&#13;
291 19 11&#13;
Jan. 30, Wilkinson, The Rev. C.J. 1 1 0&#13;
London and North-Western 3% Deben-&#13;
Feb. 2, Lawes, T. C. .&#13;
0&#13;
ture Stock .....................&#13;
.&#13;
5&#13;
250&#13;
.&#13;
0&#13;
0&#13;
.&#13;
0&#13;
Feb. 3, Dawson, Mrs. F. .&#13;
( 5 0&#13;
Egyptian Government Irrigation&#13;
Feb. 3, Tweedie, Mrs. Alec&#13;
Trust 4% Certificates ......&#13;
Feb. 10, Dale, T. F. . .&#13;
Cape of Good Hope 32% Inscribed&#13;
Feb. 13, Machen, Arthur.&#13;
( 10 )&#13;
Stock ........................&#13;
200 0 0&#13;
Feb. 21, Strachey, Lady .&#13;
Glasgow and South-Western Railway&#13;
Feb. 25, Humphreys, Mrs. (Rita)&#13;
4% Preference Stock.&#13;
228 0 0&#13;
March 3, Gibbs, F. L. A. .&#13;
( 10 0&#13;
New Zealand 32% Stock ............... 247 96&#13;
March 6, Haultain, Arnold.&#13;
1 1&#13;
Irish Land Act 23% Guaranteed Stock&#13;
0&#13;
•&#13;
258 0 0&#13;
March 9, Hardy, Harold .&#13;
: 0 10 0&#13;
Corporation of London 2% Stock,&#13;
March 9, Hutton, E. . .&#13;
. . j 0&#13;
1927-57 ...&#13;
438 2 4&#13;
March 10, Wilson, Albert .&#13;
. 0 5 0&#13;
Jamaica 31% Stock, 1919-49. ........ 132 18 6&#13;
March 16, Ward, Dudley . . .&#13;
Mauritius 4% 1937 Stock............&#13;
( 10 6&#13;
120 121&#13;
Dominion of Canada C.P.R. 31% Land&#13;
Grant Stock, 1938.......... .......... 198 3 8&#13;
COMMITTEE NOTES.&#13;
Total ............... £4,377 19 4&#13;
DHE March meeting of the Committee of the&#13;
Subscriptions,&#13;
society was held on the 6th ult., at the&#13;
1911.&#13;
£ $, d.&#13;
society's offices, 39, Old Queen Street, S.W.&#13;
After the reading of the minutes of the previous&#13;
Jan. 3, Yolland, Miss E. .&#13;
0 5 0 meeting, and arising out of them, Sir Alfred&#13;
Jan. 3, Bowen, Miss Marjorie . 1 1 0 Bateman stated that he had drawn the attention of&#13;
Jan. 9, Bolton, Miss Anna . . 0 5 0 the Advisory Committee on Commercial Intelligence&#13;
Jan. 13, Edginton, Miss May . () 5 () of the Board of Trade to the large number of&#13;
Feb. 11, Canpan, Gilbert . . . 0 10 6 dramas of British authors which were being&#13;
Feb. 15. Reynolds, Mrs. Baillie . 0 5 0 produced in the chief cities abroad. He asked if&#13;
.&#13;
-&#13;
.&#13;
-&#13;
-&#13;
.&#13;
.&#13;
200&#13;
.&#13;
.&#13;
- Conduru&#13;
.&#13;
.&#13;
.................&#13;
.&#13;
. .&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 155 (#217) ############################################&#13;
&#13;
THE AUTHOR.&#13;
155&#13;
arrangements could be made by which Consuls or purpose, the secretary was instructed to apply to&#13;
Commercial Correspondents could notify to the the member for the fullest information as to th&#13;
Commercial Intelligence Branch for transmission ownership of the copyright, date of publication,&#13;
to the Society of Authors the title of any English and other particulars necessary to make the case&#13;
play mentioned in the local newspapers as being in clear. On the receipt of the opinion the matter&#13;
the course of performance, so as to safeguard will be reconsidered by the committee.&#13;
British authors' interests. He reported that the The solicitor then furnished the committee with&#13;
matter was now being considered by the depart- a report of the work he had in hand for the society.&#13;
ments concerned, and he hoped that good might Of ten small County Court cases four had been&#13;
result.&#13;
settled. In two others default summonses had been&#13;
Following this statement, the committee turned issued and served. In one of the remaining cases&#13;
to the election of members and associates. Twenty- they were waiting for the affidavit of the member&#13;
five were elected, bringing the elections for the before issuing the default summons. One claim it&#13;
current year up to seventy-two. There were ten had been necessary to abandon owing to the author&#13;
resignations, bringing the resignations for the year being too ill to give evidence, and the two remain-&#13;
up to forty-five. The number of elections is rathering claims had been arranged to the satisfaction of&#13;
above, and the number of resignations rather below the authors. Three claims had been raised for the&#13;
the average.&#13;
return of MSS. ; one had been abandoned owing to&#13;
Cases. The first case considered by the insufficient evidence. In another the paper had&#13;
committee related to an alleged error in a publisher's gone into bankruptcy and matters were in a state&#13;
accounts. In a statement prepared by the member of confusion, so that it was impossible at present&#13;
he expressed his desire that the society should to obtain a satisfactory answer, though it was hoped&#13;
pay for an accountant to investigate the publisher's that, in the end, the MS. would be found. In the&#13;
books. After careful consideration, the committee last case a portion of the MS. had been returned.&#13;
came to the conclusion that the case was hardly and it was hoped that the balance would be&#13;
strong enough to justify such a course, and forthcoming.&#13;
regretted they were unable to proceed with it, In one claim against a magazine for money due&#13;
but stated that if the author could produce any for serial matter supplied, it had been arranged&#13;
further evidence to establish his contention, they that some of the instalments should be paid for in&#13;
would willingly reconsider the matter.&#13;
full, but for the balance, owing to the liquidation&#13;
In the next case—that of a bankrupt publisher of the magazine, the author would be bound to&#13;
-twelve members were involved. The solicitor of prove in the bankruptcy.&#13;
the society, having made a report of the history of After the conclusion of the cases, the committee&#13;
the publishing concern, the committee decided, proceeded with the consideration of the ordinary&#13;
after some discussion, to take steps to throw the business of the society. The first matter related to&#13;
whole concern into bankruptcy, not only for the the Copyright Bill, and a letter from the president&#13;
benefit of authors already involved, but also in of the Publishers' Association covering certain&#13;
order to save other writers from becoming mixed resolutions from that body was laid before the&#13;
up in this company.&#13;
committee, together with correspondence that had&#13;
The secretary reported a case laid before the passed between the secretary of the society and the&#13;
society, by a member, in which he brought a charge permanent secretary of the Board of Trade. The&#13;
against one of the big magazines. He stated that secretary was instructed to write to the president&#13;
having investigated and considered the papers, he of the Publishers' Association, and also to&#13;
had come to the conclusion that no claim could be communicate to the Board of Trade the view of&#13;
established against the magazine in question, but as the committee on the important point that was&#13;
the member had pressed for the case to go before under discussion.&#13;
the committee, he had sent the papers to the society's The question of expenditure incidental to the&#13;
solicitor, and the solicitor had expressed the same summoning of the Dramatists' Conference was next&#13;
opinion as that given by the secretary. In the considered by the committee, who sanctioned pay-&#13;
circumstances, the committee decided they could not ments for the hiring of the hall, printing of&#13;
take the matter further.&#13;
circulars, etc.&#13;
The next case before the committee arose out of The literary agency agreement drafted by the&#13;
the infringement of the dramatic rights of one of secretary was laid before the meeting, and it was&#13;
the members, by a cinematograph performance of decided to adjourn discussion of this document, as&#13;
the United States. In this case the committee well as the question of establishing a loan fund to&#13;
decided to take the opinion of a United States the next meeting, when it was possible both matters&#13;
lawyer so as to ascertain what relief (if any) could would be referred to a sub-committee.&#13;
be obtained under the United States law. For this The secretary reported that two members of the&#13;
&#13;
&#13;
## p. 156 (#218) ############################################&#13;
&#13;
156&#13;
THE AUTHOR.&#13;
society had become life members ; that Mr. Arnold a correct title, and how when that title is proved it&#13;
Haultain had made a donation of £1 ls. to the is impossible to take action if the infringement has&#13;
Capital Fund ; and Miss E. M. Ducat a donation occurred before registration. Holders of literary&#13;
of £1 to the same fund, out of money recovered by copyright have, at least, the satisfaction of knowing&#13;
the society.&#13;
that they may register at any time before action is&#13;
coinmenced, and thus far they have a considerable&#13;
advantage over their unfortunate brethren, the&#13;
DRAMATIC SUB-COMMITTEE.&#13;
artists.&#13;
There was one claim for the return of MSS., and&#13;
A SPECIAL meeting of the Dramatic Sub-Com this has been successful, and two matters came into&#13;
mittee was held on Friday, March 3. After thethe Secretary's hands in regard to the duplication&#13;
minutes of the previous meeting had been signed,&#13;
of titles. These matters are very often difficult to&#13;
the secretary placed before the members a case&#13;
settle, but in the present instances, the Secretary&#13;
which had recently come into his hands, with refer-&#13;
was bound to advise the members that they had not&#13;
ence to the infringement of a work of one of the&#13;
established any property in their titles by user. In&#13;
members by a cinematograph performance in the&#13;
most of these cases, if any question arises before the&#13;
United States of America. The sub-committee&#13;
book is published or the play performed, it is&#13;
referred the matter to the Committee of Manage-&#13;
possible to come to some arrangement satisfactory&#13;
ment, with a strong recommendation that the Com-&#13;
to both parties, as the offending party is usually&#13;
mittee of Management should give the matter their&#13;
an innocent offender and is willing to fall in with&#13;
earnest consideration, first, by ascertaining the exact&#13;
the views of a brother author, if such views do&#13;
legal rights of the member, and, secondly, by guard-&#13;
not necessitate a heavy financial loss.&#13;
ing those rights by an action for injunction and There were three demands for accounts. One of&#13;
damages if it was possible to do so.&#13;
these has terminated satisfactorily, and two are still in&#13;
The next matter under discussion was a proposal the course of negotiation. There have been two&#13;
to call a conference of the dramatists of the Society. disputes on agreements, one of which has had to&#13;
It was decided that a vote should be taken with a be transferred to the solicitors, and one has been&#13;
view to recommending to the Committee of Manage settled owing to the explanation given by the&#13;
ment, candidates for appointment to the Dramatic&#13;
publisher.&#13;
Sub-Committee for the current year, and that the&#13;
Nearly all the cases open from last month have&#13;
report of the present Dramatic Sub-Committee either been closed, or placed in the hands of the&#13;
should be laid before the conference for discussion, Society's solicitors. In two cases the Society was&#13;
and that other subjects should be put forward on unable to carry the matters further, owing to lack&#13;
which resolutions should be moved, one subject of of proper evidence on which to base a legal claim.&#13;
particular interest to dramatists being the single Three cases that are still open refer two to matters&#13;
licence for music halls and theatres.&#13;
in the United States and one to an action in&#13;
Germany. In these cases, the negotiations must&#13;
necessarily take a long time.&#13;
Cases.&#13;
DURING the past month sixteen cases have been&#13;
in the hands of the Secretary, when it has been&#13;
March Elections.&#13;
necessary for him to intervene between the author&#13;
and the opposite party. The cases have been of Arnold, Mrs. G. 0. .. Broomfield, Sheffield.&#13;
various kinds. Of two for accounts and money, Ayscough, John . . The Manor House,&#13;
one has been settled and one is still in the course&#13;
Winterbourne, Gun-&#13;
of negotiation. Of five for money only two have&#13;
ner, Salisbury Plain.&#13;
been satisfactorily settled, and the remaining three Blair, H. B. . . . 17, Glover's Road,&#13;
are in the course of negotiation. One, however,&#13;
Reigate.&#13;
is a serious matter which will have to come before Boughton, Rutland , Midland Institute,&#13;
the Committee at their next meeting. One case&#13;
Birmingham.&#13;
dealing with the infringement of copyright, the Comins, Miss Catherine 39, Bond Street, Ealing,&#13;
Secretary was obliged to advise the member could May Clapham&#13;
W.&#13;
not be carried forward owing to a defect in the Hutton, Edward . . 134, Lauderdale Man-&#13;
title. It dealt with artistic copyright, and all those&#13;
sions, W.&#13;
who know anything about Copyright Law know Hynes-Hurst, Mrs. , Writers' Club, 10, Nor-&#13;
how hopelessly unsatisfactory artistic copyright is&#13;
folk Street, W.C.&#13;
for the artist ; how it is almost impossible to prove Kinloch, Alexander Harrow-on-the-Hill.&#13;
&#13;
&#13;
## p. 157 (#219) ############################################&#13;
&#13;
THE AUTHOR.&#13;
157&#13;
Lowndes, F.S.A. .&#13;
Malim, Miss M. C.&#13;
. 9, Barton Street, West-&#13;
minster, S.W.&#13;
. 59, Lee Road, Black-&#13;
heath, S.E.&#13;
. 96. Wimpole Street,&#13;
CLASSICAL.&#13;
BEOWULF AND THE FINNSBURG FRAGMENT. A Trans-&#13;
lation into Modern English Prose. By John R. CLARK&#13;
HALL. Second Edition, Revised and Enlarged. 8 x 5.&#13;
287 pp. Swan Sonnenschien &amp; Co. 78. 6d. n.&#13;
Matthay, Tobias&#13;
.&#13;
W.&#13;
DRAMA.&#13;
THE ADVENTURE: A Romantic Variation on a Homeric&#13;
Theme. By HENRY BRYAN BINNS. 7} x 51. 104 pp.&#13;
Firfield. 28. 6d. n.&#13;
MUSIC-DRAMA OF THE FUTURE: UTHER AND IGRAINE&#13;
CHORAL DRAMA. By R. BOUGHTON and R. R. BUCK-&#13;
LEY. 8.1 x 51. 93 pp. Reeves. 28, n.&#13;
Montesole, Max . . 1, Gordon Terrace,&#13;
Wightman Road,&#13;
Hornsey, N.&#13;
Noble, T. Tertius. . Minster Court, York.&#13;
Nye, Reginald R. . . 35, Westminster Palace&#13;
Gardens, Victoria&#13;
Street, S.W.&#13;
Seaforth, E. A. . . 72, Lewisham Park,&#13;
S.E.&#13;
Smith, Miss Charlotte 25, Chenies Street&#13;
Fell&#13;
Chambers, Blooms-&#13;
bury.&#13;
Somers, John . . Langford Place, Lang-&#13;
ford, Bristol.&#13;
Southwell, Miss Edith H. Bastia, Corsica, France.&#13;
Toye, Francis . . Bath Club, Dover&#13;
. Bath Club,&#13;
Street.&#13;
Veer, Miss Lenore van der&#13;
Wilson, Albert, M.D. . 22, Langham Street,&#13;
Portland Place, W.'&#13;
Whiting, Miss Lilian . The Brunswick, Boston,&#13;
U.S.A.&#13;
BOOKS PUBLISHED BY MEMBERS.&#13;
FICTION.&#13;
MOTHERS AND FATHERS. By MRS. MAXWELL ARMFIELD&#13;
(CONSTANCE SMEDLEY). 7.1 X 43. Chatto &amp; Windus.&#13;
68.&#13;
Por AU FEU. By MARMADUKE PICKTHALL. 73 x 5.&#13;
374 pp. Murray. 6s.&#13;
THE STORY OF CECILIA. By KATHERINE TYNAN. 73 x 5.&#13;
304 pp. Smith, Elder. 6s.&#13;
KNIGHT CHECKS QUEEN. By Mrs. L. LOCKHART LANG.&#13;
74 x 5. 325 pp. Alston Rivers, 68.&#13;
JUST TO GET MARRIED. By CICELY HAMILTON. 8 x 5.&#13;
309 pp. Chapman &amp; Hall. 6s.&#13;
THE PATRICIAN. By JOHN GALSWORTHY. 71 x 5. 339 pp.&#13;
Heinemann. 68.&#13;
SHADOW SHAPES. By MAUDE ANNESLEY. 73 x .&#13;
312 pp. Methuen. 68.&#13;
OIL OF SPIKENARD. By E. M. SMITH-DAMPIER. 78 X 5.&#13;
327 pp. Melrose. 68.&#13;
TREVOR LORDSHIP. By Mrs. HUBERT BARCLAY. 78 X 53.&#13;
389 pp. Macmillan. 68.&#13;
THE LONELY ROAD. By A. E. JACOMB. 73 x 5. 307 pp.&#13;
Melrose. 6s.&#13;
A REAPER OF THE WHIRLWIND. By VIOLET TWEEDALE.&#13;
74 x 5. 480 pp. John Long. 6.&#13;
CANTACUTE TOWERS. By CECIL ADAIR. 78 X 5. 315 pp.&#13;
Stanley Paul. 68.&#13;
THE KESTREL. By REGINALD E. SALWEY. 73 x 5.&#13;
288 pp. Digby Long. 6s.&#13;
THE SECRET OF THE DRAGON. By MARY L. PENDERED.&#13;
7 x 5. 347 pp. Harpers. 6s.&#13;
THE STRANGER FROM IONIA. By W. P. KELLY. 78 X 5.&#13;
426 pp. Routledge. 6s.&#13;
A WILDERNESS OF MONKEYS. By FREDERICK NIVEN.&#13;
78 x 5. 283 pp. Martin Secker. 6s.&#13;
THE FALLING STAR. By E. PHILLIPS OPPENHEIM.&#13;
78 x 5. 366 pp. Hodder &amp; Stoughton. 68.&#13;
VICTIMISED. By C. E. BASEVI. 78 x 5. 320 pp. John&#13;
Long. 6s.&#13;
THE GREEN CURVE AND OTHER STORIES. By OLE LUK-&#13;
OIE. Cheap edition. 7 X 5. 318 pp. Blackwood.&#13;
IMPATIENT GRISELDA. By LAURENCE NORTH. Martin.&#13;
Secker. 68.&#13;
THE JEWESS. By Mulvy OUSELEY. 306 pp. John&#13;
Ouseley. 6,&#13;
THE LORD DOLLAR. By HARPER CURTIS. 319 pp.&#13;
Blackwoods &amp; Sons. 68.&#13;
JANE OGLANDER. By Mrs. BELLOC LOWNDES. 73 x 5.&#13;
268 pp. Heinemann. 6s.&#13;
THE INTELLECTUALS : AN EXPERIMENT IN IRISH CLUB-&#13;
LIFE. By CANON SHEEHAN, D.D. 84 X 52. 386 pp..&#13;
Longmans. 68.&#13;
THE BROKEN ROAD. By.A. E. W. Mason. Seventh&#13;
Impression. (Second Edition.) 71 X 5. 352 pp.&#13;
Smith, Elder. 38. 6d.&#13;
WHILE every effort is made by the compilers to keep&#13;
this list as accurate and exhaustive as possible, they have&#13;
some difficulty in attaining this object owing to the fact&#13;
that many of the books mentioned are not sent to the cffice&#13;
by the members. In consequence, it is necessary to rely&#13;
largely upon lists of books which appear in literary and&#13;
other papers. It is hoped, however, that members will&#13;
Co-operate in the compiling of this list and, by sending&#13;
particulars of their works, help to make it substantially&#13;
accurate,&#13;
BIOGRAPHY.&#13;
IN CASTLE AND COURT HOUSE: Being Reminiscences of&#13;
Thirty Years in Ireland. By RAMSAY COLLES. 9 x 53.&#13;
320 pp. Werner Laurie. 128. 6d. n.&#13;
TIMOTHE BRICH DOCTOR OF PHISICKE. A Memoir of&#13;
" The Father of Modern Shorthand.” By WILLIAM&#13;
J. CARLTON. With Photographs and Facsimiles. 87 X&#13;
of. 205 pp. Elliot Stock. 108. 6d. n.&#13;
BOOKS OF REFERENCE.&#13;
THE GREEN BOOK OF LONDON SOCIETY : February, 1911.&#13;
Edited by DOUGLAS SLADEN and W. WIGMORE. 71 X 51.&#13;
524 pp. Whittaker.&#13;
A CONCISE ETYMOLOGICAL DICTIONARY OF THE ENGLISH&#13;
LANGUAGE. By the Reverend WALTER W. SKEAT,&#13;
Litt.D., etc. New and Corrected Impression. 7 X 5..&#13;
664 pp. Oxford: Clarendon Press. London: Frowde. 58. n.&#13;
ls. n.&#13;
&#13;
&#13;
## p. 158 (#220) ############################################&#13;
&#13;
158&#13;
THE AUTHOR.&#13;
VIXEN. By M. E. BRADDON. 73 X 41. 565 pp. Nelson.&#13;
7d. n.&#13;
POTIPHAR'S WIFE. By L. PARKES. (Popular Edition.)&#13;
77 X 44. 303 pp. Milne. 18. n.&#13;
THE DWELLER ON THE THRESHOLD. By ROBERT HICHENS.&#13;
71 x 5. 313 pp. Methuen. 68.&#13;
KING PHILIP THE GAY. By REGINALD TURNER. 71 x 5.&#13;
349 pp. Greening. 68.&#13;
SAMPSON RIDEOUT, QUAKER. By UNA L. SILBERRAD,&#13;
71 x 5. 411 pp. Nelson. 28. n.&#13;
THE SWING OF THE PENDULUM. By X. MARCEL BOULE-&#13;
STiN and FRANCIS TOYE. 78 X 5. 320 pp. Nash. 68.&#13;
NEXT-OF-Kin. By M. BETHAM-EDWARDS. 6 X 4.&#13;
316 pp. Collins. 31d. n.&#13;
A BED OF ROSES. By W. L. GEORGE. Frank Palmer.&#13;
SHAVINGS. By FRANK RICHARDSON. 78 X 5. 96 pp.&#13;
Nash. 28. 6d. n.&#13;
POLITICAL&#13;
THE DANGER ZONE OF EUROPE : CHANGES AND PROBLEMS&#13;
IN THE NEAR EAST. By H. C. WOODS, F.R.G.S. 9X&#13;
54. 328 pp. Fisher Unwin. 108. 60, n.&#13;
REPRINT.&#13;
THE SENTIMENT OF THE SWORD : A Country House&#13;
Dialogue. By the late CAPTAIN SIR RICHARD F.&#13;
BURTON. Edited with notes by A. F. SIEVEKING, F.S.A.&#13;
7 X 41. 151 pp. H. Cox. 28. 6d. n.&#13;
SCIENCE.&#13;
THE ORIGIN OF LIFE: Being an Account of Experiments&#13;
with certain Superheated Saline Solutions in Hermetically&#13;
Sealed Vessels. * By H. CHARLTON BASTIAN, M.D., F.R.S.&#13;
10 x 61. 76 pp. With ten Plates. Containing numerous&#13;
Illustrations from Photomicrographs. Watts &amp; Co.,&#13;
Johnson's Court, Fleet Street. 38. 6d. n.&#13;
SOCIOLOGY.&#13;
A HISTORY OF FACTORY LEGISLATION. By B. L. HUT-&#13;
CHINS and A. S. HARRISON. With a Preface by SIDNEY&#13;
WEBB. 83 x 53. 304 pp. P. S. King. 68. n.&#13;
68.&#13;
GARDENING.&#13;
POPULAR GARDEN FLOWERS. By WALTER P. WRIGHT,&#13;
With six illustrations in colour and forty-eight photo-&#13;
graphs. 81 x 54. 367 pp. Grant Richards. 68. n.&#13;
CASSELL'S POPULAR GARDENING. Part I. Edited by&#13;
W. P. WRIGHT. 11 x 8. 48 pp. Cassell, 7d, n.&#13;
LAW.&#13;
PRINCIPLES OF CONTRACT. Eighth edition. By SIR&#13;
FREDERICK POLLOCK, D.C.L. 83 x 51. 812 pp.&#13;
Stevens &amp; Sons. 288.&#13;
LITERARY.&#13;
APPRECIATIONS AND CRITICISMS OF THE WORKS OF&#13;
CHARLES DICKENS. By G. K. CHESTERTON. 88 X 54.&#13;
243 pp. Dent. 78. 6d. n.&#13;
THE VINDICATORS OF SHAKESPEARE: A Reply to&#13;
Critics. By G. G. GREENWOOD, M.P. 71 X 5. 220 pp.&#13;
Sweeting. 35. n.&#13;
THE BURIED TEMPLE. By MAURICE MAETERLINCK,&#13;
Translated by ALFRED SUTRO. (Pocket Edition.) 68 x&#13;
47. 276 pp. Allan. 28. 6d. n.&#13;
MILITARY.&#13;
THE OUTLINES OF MILITARY GEOGRAPHY. By Col. A,&#13;
C. MACDONNELL. Two Volumes. With 19 Maps. 81x&#13;
5. 227 pp. Hugh Rees, Ltd. 128. 6d. n.&#13;
MISCELLANEOUS.&#13;
LONDON CLUBS : THE HISTORY AND TREASURES. By&#13;
RALPH NEVILL. 9 x 51. 316 pp. Chatto &amp; Windus.&#13;
MUSIC.&#13;
THE LOVE OF THE NIGHT FOR THE DAY. By KITTY&#13;
EVEREST, Stanley Webb, 1s. 4d.&#13;
TRAVEL.&#13;
A SAGA OF THE “SUNBEAM.” By HORACE G. HUTCHIN.&#13;
SON. 9 x 51. 211 pp. Longmans. 6s. 6d. n.&#13;
SOMALILAND. By ANGUS HAMILTON. 8 X 54. 366 pp.&#13;
Hutchinson. 128. 6d. n.&#13;
THE DANUBE WITH PEN AND PENCIL. By CAPT. B.&#13;
GRANVILLE BAKER. 94 X 61. 191 pp. Swan Sonnen-&#13;
schien. 158.&#13;
BOOKS PUBLISHED IN AMERICA BY&#13;
MEMBERS.&#13;
NATURAL HISTORY.&#13;
WITH NATURE AND A CAMERA : Being the Adventures and&#13;
Observations of a Field Naturalist and an Animal Photo-&#13;
grapher. By R. and CHERRY KEARTON. Popular edition.&#13;
83 X 51. 368 pp. Cassell. 58.&#13;
PHILOSOPHY.&#13;
THE WORLD OF DREAMS. By HAVELOCK ELLIS. 9 X 6.&#13;
288 pp, Constable. 78. 6d. n.&#13;
POETRY&#13;
THE STORY OF NEFREKEPTA. From a Demotic Papyrus.&#13;
Put into verse by GILBERT MURRAY. 98 x 7. 47 pp.&#13;
Oxford : Clarendon Press. London : Frowde. 48. 60, n.&#13;
SONGS OF THE ROAD. By A. CONAN DOYLE. 7 X 41.&#13;
137 pp. Smith, Elder. 58.&#13;
THE COLLECTED POEMS OF MAURICE BARING. 78 x 57,&#13;
237 pp. Lane. 58. n.&#13;
ART.&#13;
ESSAYS ON THE PURPOSE OF ART ; PAST AND PRESENT&#13;
CREEDS OF ENGLISH PAINTERS. By Mrs. RUSSELL&#13;
BARRINGTON. 421 pp. New York : Longmans.&#13;
$4.25 n.&#13;
BIOGRAPHY.&#13;
THE LIFE OF OLIVER GOLDSMITH. By F. FRANKFORT&#13;
MOORE. New York : Dutton, $3.50 n.&#13;
THE FATE OF HENRY OF NAVARRE. By JOHN BLOUN-&#13;
DELLE-BURTON. 349 pp. New York : John Lane.&#13;
$4 n.&#13;
BRAHMS. With 12 Illustrations. By J. A. FULLER-&#13;
MAITLAND. 263 pp. New York: John Lane &amp; Co.&#13;
$2.50.&#13;
THE GROWTH OF NAPOLEON: A Study in Environment.&#13;
By NORWOOD YOUNG. With Portraits and Illustrations.&#13;
418 pp. New York : Duffield. $3.75.&#13;
FRENCH MEN, WOMEN AND Books : A Series of Nineteenth&#13;
Century Studies. With 8 Portraits reproduced by special&#13;
permission. By M. BETHAM-EDWARDS. Chicago :&#13;
McClurg. $2.50 n.&#13;
DRAMATIC.&#13;
THE ADVENTURE. A Play by HENRY BRYAN BIxxs.&#13;
New York: B. W. Huebsch. $1 n.&#13;
THE DOCTOR'S DILEMMA, GETTING MARRIED, and THE&#13;
SHOWING UP OF BLANCO POSNET. By G. BERNARD&#13;
SHAW. 443 pp. New York : Brentanos. $1.50 n.&#13;
&#13;
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## p. 159 (#221) ############################################&#13;
&#13;
THE AUTHOR.&#13;
159&#13;
FICTION.&#13;
LITERARY, DRAMATIC, AND MUSICAL&#13;
MASTER AND MAID. By Mrs. L. ALLEN HARKER.&#13;
NOTES.&#13;
315 pp. New York: Scribner &amp; Sons. $1.25 n.&#13;
BERENICE. By E. PHILLIPS OPPENHEIM. 264 pp.&#13;
Boston : Little, Brown. $1.25 n.&#13;
W E must congratulate the Rev. Prof. Skeat&#13;
THE HUMAN CHORD. By ALGERNON BLACKWOOD,&#13;
V on the fresh edition of his “ Etymological&#13;
326 pp. New York : Macmillan. $1.50 n.&#13;
THE NEW MACHIAVELLI. By H. G. WELLS. New York:&#13;
Dictionary of the English Language,”&#13;
DUFFIELD. $1.35 n.&#13;
published at the price of 58. nett with thick paper,&#13;
THE ANDERSONS. By S. MACNAUGHTAN. 372 pp. New&#13;
6s. nett with thin paper, by the Oxford University&#13;
York: Dutton. $1.25 n.&#13;
THE RIDING MASTER. By DOLF WYLLARDE. 354 pp.&#13;
Press. The dictionary was originally published in&#13;
New York: John Lane &amp; Co. $1.50.&#13;
1882, and after passing through several editions,&#13;
THE VENTURE: A STORY OF THE SHADOW WORLD. By appeared in 1901 so largely rearranged and re-&#13;
R. NORMAN GRISEWOOD. New York: R. W. Fenno.&#13;
written as to become practically a new book.&#13;
TWO ON A TOWER. By THOMAS HARDY. 332 pp. New&#13;
The present edition is a revision of the edition of&#13;
York: Harper Bros. $1.25 n.&#13;
THE GREEN CURVE AND OTHER STORIES. By OLE 1901.&#13;
LUK-OIE. 313 pp. New York: Doubleday Page. There is no need to recommend this book to the&#13;
$1.20.&#13;
English student and the British public. The Rev.&#13;
THE GIRL FROM NOWHERE. By Mrs. BAILLIE REYNOLDS.&#13;
Prof. Skeat's position as an English scholar is so&#13;
307 pp. New York : Doran. $1.20 n.&#13;
THE LAME ENGLISHMAN. By WARWICK DEEPING.&#13;
well known and his work has become so well estab-&#13;
368 pp. New York: Cassell. $1.20 n.&#13;
lished that the public is sure to welcome this fresh&#13;
TREVOR LORDSHIP. By Mrs. HUBERT BARCLAY. 389 pp.&#13;
New York : Macmillan. $1.20 n.&#13;
DENRY THE AUDACIOUS. By ARNOLD BENNETT. 350 pp.&#13;
Of the two different publications the edition&#13;
New York: Dutton. $1.35 n.&#13;
with thin paper is perhaps the more satisfactory;&#13;
NONE OTHER GODS. By R. H. BENSON. St. Louis : it is easily handled, lighter, and does not lack dis-&#13;
Herder. $1.50.&#13;
tinctness or careful production.&#13;
THE JUSTICE OF THE KING. By HAMILTON DRUMMOND.&#13;
“ Oil of Spike nard,' a romance by E. N. Smith-&#13;
335 pp. New York : Macmillan. $1.20 n.&#13;
THE ROGUE'S HEIRESS. By TOM GALLON. 315 pp.&#13;
Dampier, was published at the end of February by&#13;
New York : Dillingham. $1.50.&#13;
Mr. Andrew Melrose.&#13;
THE PATRICIAN. By JOHN GALSWORTHY. 393 pp. New “Old Chinese Porcelain and Works of Art in&#13;
York : Scribner. $1.35 n.&#13;
China,” by A. W. Bahr, contains illustrations and&#13;
THE DWELLER ON THE THRESHOLD. BY ROBERT&#13;
HICHENS. 273 pp. New York: Century Co. $1.10 n.&#13;
brief descriptions of pottery, Porcelain, jade and&#13;
THE CAMERA FIEND. By E. W. HORNUNG. 346 pp. other artıc'es selected from the first Art Exhibition&#13;
New York : $1.25 n.&#13;
held in China, viz., at Shanghai in 1908. There&#13;
THE SINS OF THE CHILDREN. By HORACE NEWTE.&#13;
are 12 coloured plates from the pictures by the&#13;
407 pp. New York : John Lane Co. $1.50.&#13;
THE INTELLECTUALS: AN EXPERIMENT IN IRISH CLUB&#13;
Chinese artist, Wong Chun Hai, and more than&#13;
LIFE. By The Rev. CANON P. A. SUEEHAN. New 100 black-and-white illustrations. Messrs. Cassell&#13;
York : Longmans. $1.50 n.&#13;
&amp; Co. are the publishers.&#13;
“The Great Betrayal,” by Harold Wintle, is a&#13;
JUVENILE.&#13;
novel that deals with the efforts of a foreign power&#13;
WE OF THE NEVER-NEVER. By Mrs. ÆNEAS GUNN, to obtain British State secrets with the connivance&#13;
340 pp. Macmillan. $1.50.&#13;
of the Foreign Secretary. Messrs. John Ouseley,&#13;
Limited, are the publishers.&#13;
LITERARY.&#13;
The new edition of Dr. Clark Hall's “ Beowulf”&#13;
LIFE OF JOHN RUSKIN. By ASHMORE WINGATE. 203 pp.&#13;
contains, besides a revised translation, a great deal&#13;
Scribner. $1.&#13;
of matter intended to form a sort of introduction&#13;
DIMINUTIVE DRAMAS. By MAURICE BARING. 224 pp. to the study of the poem, and an interesting and&#13;
Boston: Houghton Mifflin. $1.25 n.&#13;
exhaustive index of the things mentioned in it,&#13;
ALARMS AND DISCURSIONS. By G. K. CHESTERTON,&#13;
New York: Dodd Mead. $1.50 n.&#13;
with numerous illustrations. It is hoped that this&#13;
illustrated index will be useful to archæologists as&#13;
MEDICAL.&#13;
well as to students of Beowulf. As an experiment,&#13;
a metrical rendering of the Finnsburg Fragment&#13;
ALCOHOL AND THE HUMAN BODY. BY SIR VICTOR&#13;
HORSLEY and DR. MARY D. STURGE. 290 pp. New&#13;
has been inserted, as well as the prose translation.&#13;
York : Macmillan 40 cents n.&#13;
Messrs. Swan Sonnenschien &amp; Co. are the publishers.&#13;
In “ A Small Collection of Japanese Lacquer,"&#13;
SOCIOLOGY.&#13;
Mr. James Orage gives a brief account of the&#13;
SOULS IN ACTION IN THE CRUCIBLE OF THE NEW LIFE:&#13;
history and manufacture of lacquer and of the&#13;
Expanding the Narrative of Twice-born Men. By various kinds of lacquer work, followed by a detailed&#13;
HAROLD BEGBIE. 310 pp. New York : Doran. $1.25 n. description of the articles, which are of varied&#13;
&#13;
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## p. 160 (#222) ############################################&#13;
&#13;
160&#13;
THE AUTHOR.&#13;
objects, and include over 60 inros (medicine boxes). form in the summer. An article by the same&#13;
All have been examined by Messrs. Y. Imaizumi, writer, entitled “ An Elephant Hunt” appeared in&#13;
director, and S. Fujiya, assistant director of the the February issue of The Badminton Magazine,&#13;
Department of Fine Arts, Imperial Museum, while Mrs. Vassel's lecture on the Philippines&#13;
Tokyo. A limited edition of the book has been delivered in December, in Manchester, Liverpool,&#13;
printed, and the publishers are The Times Book Edinburgh, Glasgow, Dundee, Rugby, and else.&#13;
Club of 376-384 Oxford Street, W.&#13;
where, was published in the Scottish Geographical&#13;
Mr. J. C. Wright is shortly to publish through Magazine for February&#13;
Mr. Robert Scott, his new book, “ Changes of a Mrs. Vassel is responsible also for the articles on&#13;
Century." This is a continuation of his previous Paris which have been appearing in the Evening&#13;
work "In the Good Old Times," and denls with Standard since June last, and now bear her signa-&#13;
topics of social interest not touched in his previous ture. On January 6 she lectured at Burlington&#13;
volume, contrasting present day life in England House on Annam for the Royal Geographical&#13;
with that of a century ago.&#13;
Society.&#13;
Mr. T. Werner Laurie has just published Mr. Mr. George Hansby Russell's new novel will be&#13;
Ramsay Colles' volume of reminiscences of thirty published by Mr. John Murray in April or early in&#13;
years in Ireland, under the title of “ In Castle and May. The title will be “Ivor," and the story is of&#13;
Court House." There is, besides the political North Devon and the Island of Lundy.&#13;
interest in the book, much literary interest in con- The annual general meeting of the Royal Literary&#13;
nection with the Young Ireland literary movement Fund was held on March 9. Sir Alfred Bateman,&#13;
and the work of the Dublin University dons. in submitting the report, mentioned that among the&#13;
Mr. Andrew Melrose announces the publication Fund's cases was one of an author, whose name was&#13;
of A. E. Jacomb's new novel “ The Lonely Road.” not unknown, who was receiving only £10 for a&#13;
Miss Lilian Whiting has just completed a book novel from his pen. Every month they had cases&#13;
on “ The Brownings : Their Life and Art,” in which of authors whose literary work was valuable, though&#13;
she has endeavoured to give the complete biography limited in its appeal, and for these writers exist-&#13;
of each, separately, before their marriage, and his, ence on the proceeds of their works was impossible.&#13;
again after death, from some new material gained The report showed that the income of the fund for&#13;
from Miss Whiting's friendship with their son, the year amounted to £4,088, and that £2,770 was&#13;
Mr. Barrett Browning. The book, comes from voted in grants to forty-one applicants. Since the&#13;
Messrs. Little, Brown &amp; Co. in the autumn.&#13;
society's foundation in 1790, the total sum dis-&#13;
A serial, “ The Emotions of Martha,” by Mrs. tributed in grants was £160,757. Professor W. P.&#13;
Maxwell Armfield, has been running in The Girls' Ker seconded the adoption of the report, which was&#13;
Own Paper since October. 1910, and will be pub. carried. The chairman announced that the King&#13;
lished in book form by the Religious Tract Society had consented to become patron of the society, and&#13;
in September, 1911.&#13;
that Mr. Birrell would take the chair at the dinner&#13;
“The Polar Star" is the title of a new novel by on Thursday, May 18. Lord Tennyson was re-&#13;
Lady Helen Forbes, which Messrs. Duckworth &amp; Co. elected president of the society, and Sir Alfred&#13;
have just published.&#13;
Bateman was elected treasurer on the retirement of&#13;
The first number of a new literary and patriotic Mr. Edward Dicey, who had held that post since&#13;
journal“ Vestnik” for the promotion of travel, has 1888. Those present included Sir Edward Brabrook,&#13;
just appeared in Prague, edited by Fr. Hlavacek. Mr. Percy M. Thornton, Mr. Richard Bentley,&#13;
In it, space is given to an article from the pen of Mr. Sidney Lee, Mr. Maurice Hewlett, Mr. Edmund&#13;
the Director of the Prague Art Museums, Imperial Gosse, Mr. Anthony Hope Hawkins, and Mr. M. H.&#13;
Councillor Franz Borovsky, upon the numerous Spielmann.&#13;
articles and books by James Baker. In this Miss K. Everest has just published her fourth&#13;
article the names of Dr. Herbert Warren, John song, “ The Love of the Night for the Day.” It&#13;
Addington Symons, Henry Whatley, the artist, is dedicated to Her Highness the Princess Pretiva of&#13;
and Walter Crane are also mentioned.&#13;
Cooch Behar. It is to be had from the publishers,&#13;
A fourth and enlarged edition has been published Messrs. Stanley Webb, 10, Museum Street, London,&#13;
of Mr. F. W. Frankland's series of short studies on W.C.&#13;
theological and metaphysical subjects, under the “Impatient Griselda " is the title of Mr. Laurence&#13;
title of “ Thoughts on Ultimate Problems." Mr. North's new novel which Mr. Martin Secker has&#13;
David Nutt is the publisher.&#13;
published recently. Mr. Laurence North has also,&#13;
Mrs. Vassel's book “ On and off Duty in Annam," in the current number of the Oxford and Cambridge&#13;
published by Messrs. Heinemann last year, is now Review, an article on “ The Earlier Oxford&#13;
appearing in French in the “ Tour du Monde,” and Magazines.”&#13;
will be published by Messrs. Hachette in volume Messrs. John Long have just published a 1s.&#13;
&#13;
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## p. 161 (#223) ############################################&#13;
&#13;
THE AUTHOR.&#13;
161&#13;
through Messrs. Constable &amp; Co., à volume called&#13;
“Shepherds of Britain : Scenes from Shepherd&#13;
Life Past and Present," from the best authorities,&#13;
by Adelaide L. J. Gosset. There are to be sixty&#13;
illustrations from drawings and photographs.&#13;
edition of Tom Gallon's popular novel, “ The&#13;
Great Gay Road," a dramatised version of which&#13;
has been produced and is now touring the&#13;
provinces.&#13;
Mr. Robert Scott announces for publication a&#13;
new novel by A. P. Crouch (author of “A Wife&#13;
from the Forbidden Land ") entitled “ Dick&#13;
Comerford's Wager.” The scene of the story is&#13;
laid in the country amidst the hunting gentry of a&#13;
hundred years ago.&#13;
The committee of the Imperial Club, Hove,&#13;
hare arranged with Miss A. E. Keeton and Miss&#13;
Keeton and Miss&#13;
Grainger Kerr to give one of their studies of&#13;
modern British song, at the club's premises, 2 and&#13;
4 First Avenue, Hove, on Saturday afternoon,&#13;
April 8. at 3.15. The illustrations include&#13;
works by the following composers: Ernest Austin,&#13;
Granville Bantock, Hubert Bath, William Wallace,&#13;
R. Vaughan Williams, Dalhousie Young, and many&#13;
others. Tickets are procurable from the honorary&#13;
secretary of the club by members at 2s. 6d. each&#13;
(five tickets half-a-guinea) and by non-members at&#13;
3s. 6d. each (five tickets, 158.).&#13;
At the annual meeting of the Bristol District of&#13;
the Institute of Journalists held in Bristol on the&#13;
10th ult., Mr. James Baker, F.R.G.S., the special&#13;
correspondent and honorary secretary of the British&#13;
International Association of Journalists, was&#13;
unanimously elected as chairman of the district,&#13;
the retiring chairman, Mr. R. J. Mickie, referring&#13;
to Mr. James Baker's work for journalism in many&#13;
countries. Mr. James Baker has been asked by&#13;
the Comité de Direction to read a paper at the&#13;
International Press Congress in Rome in May on&#13;
the facilities given to journalists in the English&#13;
Houses of Parliament. His novel “ John Westa-&#13;
cott” has just been issued in the popular two&#13;
shilling series.&#13;
“Love's Privilege," the mystery story by Stella&#13;
M. Düring, which won a £200 prize in the&#13;
Chicago Daily News competition, and was after&#13;
wards published in book form in America, is to be&#13;
brought out in England this summer by Messrs.&#13;
Cassell &amp; Co. It has run serially in eight different&#13;
English newspapers.&#13;
“A Bed of Roses," by W. L. George, is the&#13;
story of a woman's life, torn to shreds in the mere&#13;
struggle for existence a story of shattered ideals&#13;
and sorry triumpbs. The title of the novel is&#13;
ironical in its application to the heroine's path,&#13;
beset as it is with every kind of difficulty and&#13;
danger. The book is published by Mr. Frank&#13;
Palmer.&#13;
Count Plunkett (author of “Sandro Botticelli,”&#13;
&amp;c.) has been nominated a vice-president of the&#13;
Royal Irish Academy by the newly-appointed&#13;
president, Dr. Mahaffy.&#13;
Miss Adelaide L. J. Gosset is shortly to publish,&#13;
DRAMATIC.&#13;
“ The Adventure" is a play by Mr. Henry&#13;
Bryan Binns which was published last month&#13;
simultaneously in London and New York, in the&#13;
former city by Mr. A. C. Fifield and in the latter&#13;
by Mr. B. W. Buesch. It is described as “a&#13;
romantic variation on a Homeric theme." While&#13;
the episode which suggested the play is told in the&#13;
Odyssey, it belongs to the folk-lore of all times&#13;
and races. It is symbolical rather than classical,&#13;
and as such Mr. Binns has treated it with some-&#13;
thing of the breadth and freedom demanded by its&#13;
motive. There is a prospect of the play being&#13;
seen on the London stage.&#13;
“Rococo" is a one-act farce by Mr. Granville&#13;
Barker which was produced at the Court Theatre&#13;
last month. The piece relates to a quarrel in a&#13;
middle-class home respecting the ownership of&#13;
a rococo vase. The caste included Mr. Norman&#13;
Page, Miss Kate Bishop, Mr. Montagu Love, and&#13;
Miss Agnes Thomas. The same occasion witnessed&#13;
the revival of Mr. John Masefield's play of peasant&#13;
life, “The Tragedy of Nan.” It was interpreted&#13;
by a company which included Miss Lillah&#13;
McCarthy, Mr. Horace Hodges and Miss Mary&#13;
Mr. Anthony Hope's play “The Prisoner of&#13;
Zenda ” was revived at the Lyceum Theatre on&#13;
March 1, where it was played by a caste which&#13;
included Mr. Henry Ainley, Miss Ethel Warwick,&#13;
and Mr. Fred Morgan.&#13;
A one-act play by Sir William Gilbert, called&#13;
“ The Hooligan,” was produced at the Coliseum at&#13;
the end of February. Its theme is the agony of a&#13;
condemned murderer, who, with apparently but&#13;
two hours to live, works himself into such a state&#13;
of mind torture that, when at length he learns of&#13;
his reprieve, he falls dead. Mr. James Welch and&#13;
Mr. Leslie Carter are in the caste.&#13;
“The Caravanners,” a comedy in one act, by&#13;
Beatrice Heron-Maxwell, was produced for the&#13;
first time at the Gaiety Theatre, Hastings, on&#13;
February 27. It relates how a lord, travelling&#13;
incognito in a caravan, meets the lady of his heart.&#13;
Mr. J. H. Lindell and Miss V. Vallis were two of&#13;
the caste.&#13;
“Peggy," Mr. George Grossmith's adaptation of&#13;
Xamoff and Guérin's “L'Amorçage,” was produced&#13;
at the Gaiety Theatre on March 4. Mr. George&#13;
Grossmith, Mr. Edmund Payne, Miss Gabrielle&#13;
Ray and Miss Phyllis Dare are in the caste.&#13;
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## p. 162 (#224) ############################################&#13;
&#13;
162&#13;
THE AUTHOR.&#13;
Mr. W. Somerset Maugham's new comedy The death of Roty, the celebrated French&#13;
“ Loaves and Fishes” was produced at the Duke medallist, will be regretted by the whole French&#13;
of York's Theatre on February 24. The chief nation. As M. Roger-Milés very aptly says :&#13;
character is a Canon of the Church, and the action “The metallic history of a nation bears the exact&#13;
of the piece centres round the various schemes of reflection of the psychology of that nation.” From&#13;
this very worldly church dignitary for his social an almost uninhabited part of Africa, some years&#13;
advancement. The play was interpreted by a caste ago, in reply to a letter bearing the new French&#13;
which included Mr. Robert Loraine, Mr. Athol stamp with Roty's incomparable design of La&#13;
Stewart, Miss Florence Haydon, and Miss Mary Semeuse (the simple figure of a woman scattering&#13;
Barton.&#13;
seed as she passes along with the rising sun&#13;
A copyright performance of Mr. Spencer T. beyond her), I received an eloquent letter ending&#13;
James' piece in one act, “ The Death-Trap," with the words : “ How is it that they do these&#13;
took place at the Alexandra Hall, Leeds, on the things so much better in France ? Compare&#13;
18th ult. The story concerns the trapping in a our postage stamps with theirs, our coins with&#13;
London flat at midnight of an army officer by the theirs ..." The Semeuse design is, of course,&#13;
sister of the girl whom he has ruined.&#13;
the best known of Roty's works. To those visitors&#13;
to Paris who wish to study “the metallic history&#13;
of the nation,” we would recommend, among other&#13;
collections, the series of Roty's medals in the&#13;
PARIS NOTES.&#13;
Luxembourg Museum and the interesting series by&#13;
Mme. Merignac of the types of peasants in the&#13;
various provinces of France, ordered from her by&#13;
PRÈS l'Abandon de la Revanche," by the Mint for the Museum of the Monnaie.&#13;
Madame Juliette Adam, describes many At the Sorbonne this winter two American&#13;
political events from 1877 to 1880. In a professors are giving a series of lectures, one of&#13;
life as active as that of Madame Adam, surrounded which consists of four lectures on Chaucer, Malory,&#13;
as she has always been by the men who have made Spenser, and Shakespeare. When will there be an&#13;
history, there is naturally very much that is English lecturer on English literature at the&#13;
intensely interesting in this volume. The letters Sorbonne ?&#13;
which she publishes add greatly to the value of the The French Academy has awarded one of the&#13;
book.&#13;
Gobert Prizes of nine thousand francs for the&#13;
“ Valentine de Milan," by M. Emile Collas, is “most eloquent piece of French history" to&#13;
a biography as interesting as a novel. This M. Brédier, professor at the College of France, for&#13;
history of the first Duc and Duchesse d'Orléans his work “ Légendes épiques,” and another of one&#13;
takes us back to the beginning of the fifteenth thousand francs to M. Louis Battifol for his work&#13;
century. The story of Valentine de Milan is one “Le Roi Louis XIII. à vingt ans.” The reception&#13;
of the most fascinating in French history.&#13;
of General Langlois by the Academy is arranged&#13;
“ La Plus Forte," by Alain Valvert, is an for June 15.&#13;
extremely modern novel. We see the young girl in the Revue hebdomadaire M. Gabriel Hano-&#13;
who, as a medical student, imagines her indepen- taux writes an article entitled “Il faut choisir ?&#13;
dence is dearer to her than all else in the world. on the subject of the Triple Entente (Russia,&#13;
She witnesses the results of the vaunted indepen- France, and England). M. Louis Bertrand pub-&#13;
dence of some of her women friends. The whole lishes his lecture on Gustave Flaubert. An excel-&#13;
book is an attractive psychological study.&#13;
lent series of articles has been organised by this&#13;
“ Visions d'Egypte," by Dr. A. Le Dentu, is Revue on the various French ministries. M. Jules&#13;
another volume of impressions by a traveller who Méline writes the first one on the Ministry of&#13;
gives us descriptions of the landscape, ruins, life Agriculture. The second article was written by&#13;
as it is to-day, together with some notions of the M. René Millet on the Ministry of Foreign Affairs.&#13;
past history, of the legends, myths, religion, and The third on the Colonial Ministry was by M. G.&#13;
art of the Egyptians. The volume is written by a Demartial. These articles give the public an&#13;
conscientious critic, and is illustrated with about excellent idea of the working of the various&#13;
ten engravings.&#13;
machines of Government. There is also an&#13;
“ Le Milieu médical et la Question médico- extremely interesting article by the Marquis de&#13;
sociale" is the title of Dr. Grasset's latest publica- Massa on General Bourbaki. M. Germain Breton&#13;
tion, the summing up of which is contained in the writes on “ The Clergy and Politics,” M. Augustin&#13;
last chapters under the heading of “ Necessity for Filon on “Le Prince Impérial,” and Comte Jean&#13;
union and collaboration among doctors. Advice d'Elbée on “ Armand de Chateaubriand.”&#13;
to future doctors.”&#13;
M. Henry Bernstein has withdrawn his play&#13;
&#13;
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## p. 163 (#225) ############################################&#13;
&#13;
THE AUTHOR.&#13;
163&#13;
" Après moi” from the programme of the Comédie&#13;
Française.&#13;
"L'Oiseau bleu" at the Théâtre Réjane is&#13;
the great sensation at present. It certainly is&#13;
admirably staged and, with Georgette Leblanc,&#13;
Maeterlinck's play is all that could be desired.&#13;
At the Gymnase “Papa,” a three-act play by&#13;
MM. Robert de Flers et Armand de Caillavet, is&#13;
being given. At the Varietés “ Les Midinettes,"&#13;
a comedy in four acts by M. Louis Artus, is still&#13;
being played.&#13;
M. Camille de Sainte-Croix, founder of the&#13;
Théâtre Shakespeare, gave “ Love's Labour's Lost”&#13;
to a crowded house for two performances, and he is&#13;
at present rehearsing “ The Merchant of Venice.”&#13;
A Shakespeare League is now being formed, and&#13;
M. Dujardin-Beaumetz, Sous-Secrétaire d'Etat&#13;
aux Beaux Arts, and M. d'Estournelles Constant,&#13;
Chef du Service des Théâtres, have both joined&#13;
the Shakespeare Committee. As English delegate&#13;
of this French Shakespeare League I should be so&#13;
glad if any readers could give us particulars of&#13;
existing Shakespearean Societies in England or in&#13;
any other country.&#13;
ALYS HALLARD.&#13;
60, Rue de Vaugirard, Paris.&#13;
"Après l'Abandon de la Revanche" (Lemerre).&#13;
" Valentine de Milan" (Plon).&#13;
"La Plus Forte” (Perrin).&#13;
" Visions d'Egypte" (Perrin).&#13;
"Le Milieu médical et la Question médicosociale” (Ber-&#13;
nard Grasset).&#13;
some such name as Savourot. Let us call him&#13;
Savourot.&#13;
The question for the publisher was to resuscitate&#13;
Savourot. Yes; but, as a fact, was Savourot dead ?&#13;
There was no date on the book, which would help&#13;
to form an approximate idea on the point; and the&#13;
encyclopædias, eagerly consulted, were mute on the&#13;
subject. A publisher's name certainly figured on&#13;
the fly-leaf, but it was that of an unknown book-&#13;
seller, of whom dozens come to light and die during&#13;
the year. There was nothing to be found out in&#13;
that direction.&#13;
And yet there was one question, an all-important&#13;
one, that arose : had Savourot's work become public&#13;
property ? Certainly, the typographical appear-&#13;
ance of the book and the author's style furnished&#13;
some indications, but a respectable publisher cannot&#13;
content himself with uncertain information. The&#13;
courts protect—and rightly so— literary property.&#13;
Now, we know that a work does not become public&#13;
property until fifty years after the author's death.&#13;
How was it to be ascertained whether fifty years&#13;
had elapsed since the day when Savourot had&#13;
departed this life? Without consulting the death&#13;
registers of every parish in France and the colonies,&#13;
it was not to be thought of.&#13;
My friend was compelled, much against his will,&#13;
to abandon his project; and at the same time the&#13;
public was also deprived of an interesting literary&#13;
exhumation.&#13;
This demonstrates that the laws governing&#13;
public property in the field of literature are&#13;
defective. In what way are they defective ? In&#13;
this respect, that the termination of literary copy-&#13;
right ought only to be based upon the age of a&#13;
work, and not on the death of its author.&#13;
One literary work, in the event of its author&#13;
dying the day after publication, remains private&#13;
property for fifty years only ; whereas another, by&#13;
the mere fact of the author living fifty years after&#13;
its publication, will remain private property for a&#13;
century. This is an anomaly which nothing can&#13;
justify.&#13;
The common-sense remedy would be to compel&#13;
publishers to print on each volume the date* of&#13;
publication ; and to decide that during a number&#13;
of years, to be determined (say sixty years), the&#13;
property of a literary work shall be vested in the&#13;
author or his representatives. After sixty years&#13;
the work should become public pr perty. In this&#13;
way there would no longer be any uncertainty. On&#13;
opening a book we should know immediately what&#13;
was its position with regard to the public.&#13;
It would be at once simple and quitable—two&#13;
very good reasons against its adoption.&#13;
THE PUBLIC DOMAIN.&#13;
[Translated from an article signed Fred Isly, appearing&#13;
in Le Pèle. Véle, 92, rue St. Lazare, Paris, of March 12,&#13;
1911, headed “ Domaine Public.”&#13;
NE day a friend of mine, a publisher, was&#13;
U looking through some second-hand books&#13;
in a suburban brooker's shop; and so as&#13;
not to disappoint the dealer, who was very attentive,&#13;
he purchased a few volumes at random.&#13;
In this there is nothing remarkable ; what is&#13;
more remarkable is that he had the curio-ity to&#13;
read these literary derelicts. And a still more&#13;
remarkable thing is that one of these books seemed&#13;
to him to be a very valuable work. The discovery&#13;
of a masterpiece is always a treat for a publisher;&#13;
and my friend at once conceived the idea of reveal-&#13;
ing this neglected writer, who had fallen into&#13;
oblivion, to the public.&#13;
I have forgotten the writer's name. When I&#13;
recall the incident, the most that comes into my&#13;
mind is a vague sound which formulates itself into&#13;
Date of first publication is probably meant, although&#13;
the writer does not specify..&#13;
&#13;
&#13;
## p. 164 (#226) ############################################&#13;
&#13;
164&#13;
THE AUTHOR.&#13;
COPYRIGHT IN FICTION AND CINEMATO fusion. Anyone who named his work · Les&#13;
GRAPH REPRESENTATIONS. Misérables' would be certainly intending to profit&#13;
by a reputation that has been already made." M.&#13;
Marcel Prévost, M. Francis de Croisset, Madame&#13;
M WO cases in which the copyright of well Alfonse Daudet, and Madame Claude Farrère all&#13;
1 known French novels was alleged to have expressed similar opinions. M. Leon Gandillot&#13;
been infringed by cinematograph represen- declared, “ Success causes a title to cease to be&#13;
tations have recently come before the French commonplace, and gives it a particular value.”&#13;
courts, and present some features of interest.&#13;
Such a consensus of opinions was, however,&#13;
In the first case Madame Hémon, who holds insufficient to convince the court. The sentence&#13;
rights in works by Prosper Mérimée brought an decreed that the success of a norel or a play (which&#13;
action against “La Société des anciens établissements was really the point under discussion) has no&#13;
Pathé Frères” for having published, and offered influence on the commonplace nature of a title, and&#13;
for sale in a catalogue, under the title of “ Châti- rejected the demand of M. Paul Féval fils respecting&#13;
ment de Corse," a cinematograph film reproducing the title “ Bossu.” At the same time it ordered&#13;
the striking episodes of the well-known story that the bills exposed at the entrances of cinemato-&#13;
“ Matteo Falcone."&#13;
graph halls should in all cases exhibit the names&#13;
The " Société Patbé” admitted the fact, and of the authors of the scenes represented ; and&#13;
pleaded that the damage did not amount to more condemned the “ Société Pathé ” to pay costs.&#13;
than 200 francs. The court, however, reaffirmed&#13;
the decision that the reproduction of a work for&#13;
the cinematograph constitutes an infringement of&#13;
an author's rights, and condemned the defendants&#13;
MAGAZINE CONTENTS.&#13;
to pay Madame Hémon one thousand francs&#13;
damages.&#13;
In the second case the same “Société Pathé”&#13;
BOOKMAN.&#13;
was proceeded against by M. Paul Feval fils. The&#13;
Arnold Bennett: An Appreciation. By F, G, Bettany.&#13;
work' in question was à novel entitled “ Bossu.” Mark Twain as Psychologist. By Professor John Adams.&#13;
The Société Pathé had given this title to a A great American Journalist. A Note on the Centenary&#13;
cinematograph film, which, however, had no con- of Horace Geeley. By A. St. John Adcock.&#13;
nection with M. Paul Feval's celebrated novel. In&#13;
Book MONTHLY.&#13;
a previous action against “ La Société Gaumont "&#13;
Burns in London.&#13;
respecting the title “ Le Fils de Lagadère "M. Paul&#13;
CONTEMPORARY.&#13;
Feval had obtained a sentence that there was a&#13;
distinction between a commonplace title, which&#13;
What is Impressionism. By Wynford Dewhurst.&#13;
Ben Jonson and Shakespeare. By the late Mary&#13;
might be freely used, and a title of some originality s&#13;
which was entitled to the protection of the law. Literary Supplement : Dame Eleanor and Lady Macbeth.&#13;
The question now arose whether “Bossu" By J. E. G. de Montmorency.&#13;
(Hunchback) was to be regarded as an original&#13;
ENGLISH REVIEW.&#13;
title. The great majority of authors had no doubt&#13;
about the answer which should be given. The Renan : The Romance of Religion. By Frank Harris.&#13;
counsel conducting M. Paul Feval's case produced&#13;
FORTNIGHTLY.&#13;
a number of letters from leading literary men of the&#13;
day addressed to his client. M. Clarette wrote, “ It&#13;
Christina Rossetti. By Ford Madox Hueffer.&#13;
would be a very bold thing to assert that any word&#13;
The Musician as Composer. By Filson Young.&#13;
The Theâtre Français in the Fifties. By Francis Gribble.&#13;
becomes 'commonplace. ' Le Cid' would be&#13;
Björnstjerne Björnson. By Robert Machray.&#13;
commonplace and · Le Misanthrope.' It is true&#13;
that an author cannot annex the dictionary when&#13;
SCALE FOR ADVERTISEMENTS.&#13;
he chooses a name or a word. But the celebrity&#13;
attained by the word constitutes a property which&#13;
(ALLOWANCE TO MEMBERS OF THE SOCIETY 20 PER CENT.)&#13;
ought to be respected.” M. Edmond Rostand&#13;
Front Page&#13;
wrote, “ As you ask what are my views regarding&#13;
Other Pages&#13;
... ... 300&#13;
property in the title of literary works, I am of Half of a Page ...&#13;
Quarter of a Page&#13;
... O 15 0&#13;
opinion that a title, howsoever commonplace it may&#13;
0 7 6&#13;
Single Column Advertisements ...&#13;
per inch&#13;
be, becomes the property of the author when it has&#13;
60&#13;
been consecrated by such a success that a stranger&#13;
Reduction of 20 per cent. made for a Series w Six and of 25 por cont. for&#13;
Twelve Insertions.&#13;
by adopting it reckons upon doing so to his&#13;
All letters respecting Advertisements should be addressed to J. F.&#13;
personal advantage, and hopes to profit by the con- BELMONT &amp; Co., 29, Paternoster Square, London, E.C.&#13;
CU VIVIC VI DIVIS"au&#13;
Suddard.&#13;
..&#13;
...&#13;
1 10&#13;
Eighth of a Page&#13;
&#13;
&#13;
## p. 165 (#227) ############################################&#13;
&#13;
THE AUTHOR.&#13;
165&#13;
HOW TO USE THE SOCIETY.&#13;
1. D VERY member has a right to ask for and to receive&#13;
advice upon his agreements, his choice of a pub.&#13;
lisher, or any dispute arising in the conduct of his&#13;
business or the administration of his property. The&#13;
Secretary of the Society is a solicitor; but if there is any&#13;
special reason the Secretary will refer the case to the&#13;
Solicitors of the Society. Further, the Committee, if they&#13;
deem it desirable, will obtain counsel's opinion without&#13;
any cost to the member. Moreover, where counsel's&#13;
opinion is favourable, and the sanction of the Committee&#13;
is obtained, action will be taken on behalf of the aggrieved&#13;
member, and all costs borne by the Society.&#13;
2. Remember that questions connected with copyright&#13;
and publishers' agreements do not fall within the experi.&#13;
ence of ordinary solicitors. Therefore, do not scruple to use&#13;
the Society.&#13;
3. Before signing any agreement whatever, send&#13;
the document to the Society for examination,&#13;
4. Remember always that in belonging to the Society&#13;
you are fighting the battles of other writers, even if you&#13;
are reaping no direct benefit to yourself, and that you are&#13;
advancing the best interests of your calling in promoting&#13;
the independence of the writer, the dramatist, the composer.&#13;
5. The Committee have arranged for the reception of&#13;
members' agreements and their preservation in a fire-&#13;
proof safe. The agreements will, of course, be regarded as&#13;
confidential documents to be read only by the Secretary,&#13;
who will keep the key of the safe. The Society now offers :&#13;
(1) To stamp agreements in readiness for a possible action&#13;
upon them. (2) To keep agreements. (3) To enforce&#13;
payments due according to agreements. Fuller particu-&#13;
lars of the Society's work can be obtained in the&#13;
Prospectus.&#13;
6. No contract should be entered into with a literary&#13;
agent without the advice of the Secretary of the Society.&#13;
Members are strongly advised not to accept without careful&#13;
consideration the contracts with publishers submitted to&#13;
them by literary agents, and are recommended to submit&#13;
them for interpretation and explanation to the Secretary&#13;
of the Society.&#13;
7. Many agents neglect to stamp agreements. This&#13;
must be done within fourteen days of first execution. The&#13;
Secretary will undertake it on behalf of members.&#13;
8. Some agents endeavour to prevent authors from&#13;
referring matters to the Secretary of the Society; so&#13;
do some publishers. Members can make their own&#13;
deductions and act accordingly.&#13;
9. The subscription to the Society is £1 18. per&#13;
annum, or £10 10s. for life membership.&#13;
obtained But the transaction should be managed by a&#13;
competent agent, or with the advice of the Secretary of&#13;
the Society.&#13;
II. A Profit-Sharing Agreement (a bad form of&#13;
agreement).&#13;
In this case the following rules should be attended to:&#13;
(1.) Not to sign any agreement in which the cost of pro-&#13;
duction forms a part without the strictest investigation.&#13;
(2.) Not to give the publisher the power of putting the&#13;
profits into his own pocket by charging for advertisements&#13;
in his own organs, or by charging exchange advertise-&#13;
ments. Therefore keep control of the advertisements.&#13;
(3.) Not to allow a special charge for "office expenses,"&#13;
unless the same allowance is made to the author.&#13;
(4.) Not to give up American, Colonial, or Continental&#13;
rights.&#13;
(5.) Not to give up serial or translation rights.&#13;
(6.) Not to bind yourself for future work to any publisher.&#13;
As well bind yourself for the future to any one solicitor op&#13;
doctor!&#13;
III. The Royalty System.&#13;
This is perhaps, with certain limitations, the best form&#13;
of agreement. It is above all things necessary to know&#13;
what the proposed royalty means to both sides. It is now&#13;
possible for an author to ascertain approximately the&#13;
truth. From time to time very important figures connected&#13;
with royalties are published in The Author.&#13;
IY. A Commission Agreement.&#13;
The main points are :-&#13;
(1.) Be careful to obtain a fair cost of production.&#13;
(2.) Keep control of the advertisements.&#13;
(3.) Keep control of the sale price of the book.&#13;
General.&#13;
All other forms of agreement are combinations of the four&#13;
above mentioned.&#13;
Such combinations are generally disastrous to the author,&#13;
Never sign any agreement without competent advice from&#13;
the Secreta&#13;
the Secretary of the Society.&#13;
Stamp all agreements with the Inland Revenue stamp.&#13;
Avoid agreements by letter if possible.&#13;
The main points which the Society has always demanded&#13;
from the outset are :&#13;
(1.) That both sides shall know what an agreement&#13;
means.&#13;
(2.) The inspection of those account books which belong&#13;
to the author. We are advised that this is a right, in the&#13;
nature of a common law right, which cannot be denied or&#13;
withheld.&#13;
(3.) Always avoid a transfer of copyright.&#13;
WARNINGS TO DRAMATIC AUTHORS.&#13;
WARNINGS TO THE PRODUCERS&#13;
OF BOOKS.&#13;
N EVER sign an agreement without submitting it to the&#13;
Secretary of the Society of Authors or some com-&#13;
petent legal authority.&#13;
2. It is well to be extremely careful in negotiating for&#13;
the production of a play with any one except an established&#13;
manager,&#13;
3. There are three forms of dramatic contract for plays&#13;
in three or more acts:&#13;
(a.) Sale outright of the performing right. This&#13;
is unsatisfactory. An author who enters into&#13;
such a contract should stipulate in the contract&#13;
for production of the piece by a certain date&#13;
and for proper publication of his name on the&#13;
play-bills.&#13;
TTERE are a few standing rules to be observed in an&#13;
n agreement. There are four methods of dealing&#13;
with literary property :-&#13;
I. Selling it Outright.&#13;
This is sometimes satisfactory, if a proper price can be&#13;
&#13;
&#13;
## p. 166 (#228) ############################################&#13;
&#13;
166&#13;
THE AUTHOR.&#13;
DRAMATIC AUTHORS AND AGENTS.&#13;
(6.) Sale of performing right or of a licence to&#13;
perform on the basis of percentages on&#13;
gross receipts. Percentages vary between 5&#13;
and 15 per cent. An author should obtain a&#13;
percentage on the sliding scale of gross receipts&#13;
in preference to the American system. Should&#13;
obtain a sum in advance of percentages. A fixed&#13;
date on or before which the play should be&#13;
performed.&#13;
(o.) Sale of performing right or of a licence to&#13;
perform on the basis of royalties (i.e., fixed&#13;
nightly fees). This method should be always&#13;
avoided except in cases where the fees are&#13;
likely to be small or difficult to collect. The&#13;
other safeguards set out under heading (6.) apply&#13;
also in this case.&#13;
4. Plays in one act are often sold outright, but it is&#13;
better to obtain a small nightly fee if possible, and a sum&#13;
paid in advance of such fees in any event. It is extremely&#13;
important that the amateur rights of one-act plays should&#13;
be reserved.&#13;
5. Authors should remember that performing rights can&#13;
be limited, and are usually limited, by town, country, and&#13;
time. This is most important.&#13;
6. Authors should not assign performing rights, but&#13;
should grant a licence to perform. The legal distinction&#13;
is of great importance.&#13;
7. Authors should remember that performing rights in a&#13;
play are distinct from literary copyright. A manager&#13;
holding the performing right or licence to perform cannot&#13;
print the book of the words.&#13;
8. Never forget that United States rights may be exceed.&#13;
ingly valuable. They should never be included in English&#13;
agreements without the author obtaining a substantial&#13;
.consideration.&#13;
9. Agreements for collaboration should be carefully&#13;
drawn and executed before collaboration is commenced.&#13;
10. An author should remember that production of a play&#13;
is highly speculative : that he runs a very great risk of&#13;
delay and a breakdown in the fulfilment of his contract.&#13;
He should therefore guard himself all the more carefully in&#13;
the beginning.&#13;
11. An author must remember that the dramatic market&#13;
is exceedingly limited, and that for a novice the first object&#13;
is to obtain adequate publication.&#13;
As these warnings must necessarily be incomplete, on&#13;
account of the wide range of the subject of dramatic con-&#13;
tracts, those authors desirous of further information&#13;
are referred to the Secretary of the Society.&#13;
D RAMATIC authors should seek the advice of the&#13;
Society before putting plays into the hands of&#13;
agents. As the law stands at present, an agent&#13;
who has once had a play in his hands may acquire a&#13;
perpetual claim to a percentage on the author's fees&#13;
from it. As far as the placing of plays is concerned,&#13;
it may be taken as a general rule that there are only&#13;
very few agents who can do anything for an author&#13;
that he cannot, under the guidance of the Society, do&#13;
equally well or better for himself. The collection of fees&#13;
is also a matter in which in many cases no intermediary is&#13;
required. For certain purposes, such as the collection of&#13;
fees on amateur performances, and in general the trans.&#13;
action of frequent petty authorisations with different&#13;
individuals, and also for the collection of fees in foreign&#13;
countries, almost all dramatic authors employ agents; and&#13;
in these ways the services of agents are real and valuable.&#13;
But the Society warns authors against agents who profess&#13;
to have influence with managers in the placing of plays, or&#13;
who propose to act as principals by offering to purchase&#13;
the author's rights. In any case, in the present state of&#13;
the law, an agent should not be employed under any&#13;
circumstances without an agreement approved of by the&#13;
Society.&#13;
WARNINGS TO MUSICAL COMPOSERS.&#13;
the words.&#13;
ITTLE can be added to the warnings given for the&#13;
assistance of producers of books and dramatic&#13;
authors. It must, however, be pointed out that, as&#13;
a rule, the musical publisher demands from the musical&#13;
composer a transfer of fuller rights and less liberal finan.&#13;
cial terms than those obtained for literary and dramatic&#13;
property. The musical composer has very often the two&#13;
rights to deal with-performing right and copyright. He&#13;
should be especially careful therefore when entering into&#13;
an agreement, and should take into particular consideration&#13;
the warnings stated above.&#13;
STAMPING MUSIC.&#13;
The Society undertakes to stamp copies of music on&#13;
behalf of its members for the fee of 6d. per 100 or part&#13;
of 100. The members' stamps are kept in the Society's&#13;
safe. The musical publishers communicate direct with the&#13;
Secretary, and the voucher is then forwarded to the&#13;
members, who are thus saved much unnecessary trouble.&#13;
THE READING BRANCH.&#13;
REGISTRATION OF SCENARIOS AND&#13;
ORIGINAL PLAYS.&#13;
CEMBERS will greatly assist the Society in this&#13;
branch of its work by informing young writers&#13;
of its existence. Their MSS. can be read and&#13;
treated as a composition is treated by a coach. The term&#13;
MSS. includes not only works of fiction. but poetry&#13;
and dramatic works, and when it is possible, under&#13;
special arrangement, technical and scientific works. The&#13;
Readers are writers of competence and experience. The&#13;
fee is one guinea,&#13;
REMITTANCES.&#13;
OCENARIOS, typewritten in duplicate on foolscap paper&#13;
D forwarded to the offices of the Society, together with&#13;
a registration fee of two shillings and sixpence, will&#13;
be carefully compared by the Secretary or a qualified assis-&#13;
tant. One copy will be stamped and returned to the author&#13;
and the other filed in the register of the Society. Copies&#13;
of the scenario thus filed may be obtained at any time by&#13;
the author only at a small charge to cover cost of typing.&#13;
Original Plays may also be filed subject to the same&#13;
rules, with the exception that a play will be charged for&#13;
at ibe price of 28. 6d. per act.&#13;
The Secretary of the Society heys to give notice&#13;
that all remittances are acknowledged by return of posi.&#13;
All remittances should be crossed Union of London and&#13;
Smiths Bank, Chancery Lane, or be sent by registered&#13;
letter only.&#13;
&#13;
&#13;
## p. 167 (#229) ############################################&#13;
&#13;
THE AUTHOR.&#13;
167&#13;
GENERAL NOTES.&#13;
It has been the custom lately at Christmas to&#13;
produce beautiful illustrated books in editions&#13;
limited to 250 to 500 copies. The prices of&#13;
ALTERATIONS IN AUTHORS' MANUSCRIPTS.&#13;
these books range from £2 28. to £5 5s. The&#13;
THE society has always contended that no tax, therefore, that is laid upon these editions, if&#13;
editor or publisher has a right to alter an the book is £5 58., would be £26 58. ; if the book&#13;
author's MS.&#13;
Indeed, on behalf of one of the&#13;
Indeed, on behalf of one of the&#13;
is £2 28., the tax would be £10 10s.&#13;
members of the society a very important case was&#13;
This is a serious item to be considered by the&#13;
taken through the Courts on this basis. An editor publisher and author in working out their financial&#13;
of a responsible paper, who is also an author, has&#13;
statements.&#13;
been known to state that an editor has absolute&#13;
right to alter an author's MS. should he so desire&#13;
THIRTY-SIX DRAMATIC SITUATIONS.&#13;
without reference to the author. On being asked&#13;
what he would say if his own MS. during publica-&#13;
An interestimg correspondence has been recorded&#13;
tion was altered he is reported to have answered&#13;
in the Chicago Dial with regard to thirty-six&#13;
that the issue was not the same. We have only&#13;
original dramatic situations.&#13;
quoted this instance to show how authors rightly&#13;
It appears that Goethe, in his conversation with&#13;
consider any alteration in their MSS. as a personal&#13;
Eckermann, under date of February 14, 1830,&#13;
matter. In the days of duelling, no doubt, such&#13;
attributed to Gozzi the statement that there could&#13;
alterations might have been looked upon as a&#13;
be but thirty-six “tragic" situations. This state-&#13;
personal insult. But still cases do occur, and one&#13;
ment of Goethe set Schiller off to see if he could&#13;
has come to the notice of the society recently where&#13;
not discover any more, but, according to the record,&#13;
an anthor produced a book in England and America. he could not find so many, though he took much&#13;
In England it was produced exactly as the author pains to do so.&#13;
had meant it to be. For special reasons he had&#13;
The question it appears was followed up by&#13;
carefully avoided any headings to the chapters.&#13;
Georges Polti, who published in 1895 in Paris a&#13;
In America, however, some proof-reader, think-&#13;
reader Think book called “ The Thirty-six Dramatic Situations."&#13;
ing he knew better than the author how the&#13;
In this book he digested the whole subject not only&#13;
book should be laid before the public, at his own&#13;
from the point of view of the drama, but from the&#13;
discretion headed all the chapters. We are glad to&#13;
point of view of literature and history. The&#13;
report that the publisher has made amends&#13;
correspondent of the Chicago Dial has set down the&#13;
for this mistake, but at the same time we&#13;
brief headings under which each group is analysed,&#13;
think it necessary to call the attention of authors&#13;
but suggests that such a list does but scant justice&#13;
to the fact that such things as alterations in&#13;
to Monsieur Polti's ingenuity and skill.&#13;
authors' MSS. still occur.&#13;
The list is as follows:-1. Supplication ; 2. The&#13;
Saviour; 3. Vengeance pursuing crime ; 4. To&#13;
avenge kinsman upon kinsman ; 5. The fugitive&#13;
hunted ; 6. Disaster ; 7. A prey ; 8. Revolt ; 9.&#13;
LIBRARY COPIES.&#13;
Daring effort ; 10. Carrying off; 11. The riddle ;&#13;
We see that a Deputation from the Committee 12. To obtain ; 13. Hatred of kinsmen; 14.&#13;
of the Welsh National Library was received by Mr. Rivalry of kinsmen or friends ; 15. Murderous&#13;
Sydney Buxton. The deputation asked that in the adulterer ; 16. Madness ; 17. Fatal imprudence ;&#13;
new Copyright Bill there should be an obligation 18. Involuntary crime of love ; 19. To kill a kins-&#13;
upon authors to send copies of their books to the man before recognition ; 20. To sacrifice to-&#13;
Welsh Library. We can only trust that no extra the ideal ; 21. To sacrifice for kinsmen ; 22. To&#13;
tax will be placed upon authors and publishers in sacrifice all to passion ; 23. To be obliged to&#13;
the matter of supplying gratis copies. As the law sacrifice one's kinsmen ; 24. Rivalry of unequals ;&#13;
stands at present, the tax comes very hard. If 25. Adultery ; 26. Crimes of Love ; 27. To learn&#13;
any steps were taken, they should be towards the dishonour of one who is loved ; 28. Loves&#13;
reducing rather than increasing the burden ; but, obstructed ; 29. To love an enemy; 30. Ambition ;&#13;
perhaps, the Government will find it impossible to 31. Struggle against God; 32. Mistaken jealousy :&#13;
go back upon the rights that have already been 33. Judicial error ; 34. Remorse ; 35. Recovery ;&#13;
granted by statute to the five libraries.&#13;
36. To lose one's kinsmen.&#13;
In most cases the cost of supplying these gratis&#13;
books comes heavier on the publisher than on&#13;
the author, but still the matter is serious for the&#13;
COPYRIGHT DURATION.&#13;
author, and if he produces an expensive book In another column we publish an article taken&#13;
in a limited edition the tax is almost impossible. from a French paper dealing with the question of&#13;
&#13;
&#13;
## p. 168 (#230) ############################################&#13;
&#13;
168&#13;
THE AUTHOR.&#13;
the duration of copyright. The author thinks it&#13;
GENERAL MEETINGS.&#13;
would be a better thing for copyright to run for a&#13;
fixed time from the date of publication of the book&#13;
I.&#13;
rather than for the life of the author and a fixed&#13;
time after his death, and his deduction is, that if&#13;
THE COUNCIL MEETING.&#13;
copyright runs for a fixed time after the death of&#13;
D RIOR to the annual general meeting, held at&#13;
the author, if the book is published just before&#13;
f the Royal Society of Arts on Thursday,&#13;
the author's death, it might only last for fifty&#13;
March 23, the general meeting of the share-&#13;
years. But in this argument he misses the chief holders, the Council of the Society, was held. The&#13;
object of copyright legislation in all countries. meeting was a formal one to pass the annual&#13;
namely, to secure to an author and his family the&#13;
report of the Committee of Management, to elect&#13;
benefit of that author's work for a certain time. If,&#13;
the accountants for 1911, and to adopt the accounts&#13;
therefore, perpetual copyright is outside the range&#13;
for the past year.&#13;
of practical politics, then the French author's sug.&#13;
As the report and accounts had been circulated&#13;
gestion is wholly unsatisfactory when the main&#13;
they were taken as read, and the three items on&#13;
object of copyright protection is kept in mind for,&#13;
the agenda, put from the chair, were duly carried,&#13;
if the copyright should run from the date of pub-&#13;
Messrs. Oscar Berry &amp; Co. being re-elected&#13;
lication and it was the author's first book, his&#13;
accountants.&#13;
descendants might reap but little, perhaps no value&#13;
from the length of duration, and that which the&#13;
II.&#13;
legislature set out to acquire would be lost. In addi-&#13;
tion, the difficult question of the date of publication&#13;
THE SOCIETY.&#13;
would be constantly cropping up, and it might be The general meeting of the society was held on&#13;
necessary to confirm the author's property to him- Thursday, March 23, at 4 p.m., Mr. Maurice&#13;
self by registration, and any formalities tend to Hewlett, chairman of the Committee of Manage-&#13;
endanger his position. Whereas, under the present ment, presiding.&#13;
arrangement for a certain fixed time, the descen- The agenda on the paper were :-(1) To receive&#13;
dants of an author must benefit by the work he has and, if desired, to discuss the accounts and report of&#13;
done if it has any power of survival. We cannot the Committee of Management ; (2) To elect a&#13;
help thinking that the present method, which is member of the Pension Fund Committee under the&#13;
promulgated by the Berlin Convention, is the best scheme for the management of the Pension Fund,&#13;
under existing conditions.&#13;
Mrs. Alec Tweedie having resigned in due order,&#13;
but submitting her name for re-election, while the&#13;
name of no other candidate had been put forward ;&#13;
(3) To appoint scrutineers to count the votes under&#13;
the society's constitution.&#13;
COMMITTEE ELECTION.&#13;
The chairman proposed, as last year, to take&#13;
Nos. 2 and 3 before proceeding to the main business&#13;
of the meeting. No other candidate having been&#13;
THE following is the signed statement of the proposed for the vacancy on the Pension Fund&#13;
scrutineers, recording the votes for 1911 :-.&#13;
Committee, Mrs. Alec Tweedie was automatically&#13;
W. W. Jacobs .&#13;
267&#13;
re-elected. With regard to the appointment of&#13;
Maurice Hewlett&#13;
262&#13;
scrutineers, no name being put forward and seconded&#13;
Sir Alfred Bateman.&#13;
at the meeting, the chairman announced that the&#13;
Aylmer Maude . .&#13;
209&#13;
necessary appointment would be made by the&#13;
committee.&#13;
Mackenzie Bell . .&#13;
123&#13;
This business having been despatched, Mr.&#13;
It may be worth while to repeat that one-third Hewlett said that the present occasion was the&#13;
of the committee retires annually. Therefore, of a second time that he had presided over the general&#13;
committee consisting of twelve members, four meeting of the society. It would als be the last,&#13;
members have to retire. The committee have the as his annual tenure of office now closd. He con-&#13;
right of nomination, or any two members of the fessed that it was with mixed feelīgs that he&#13;
society may nominate a third member.&#13;
looked back on the past year. The hairmanship&#13;
The thanks of the society are due to the Reverend was a very difficult post, and one in 'hich it was&#13;
Henry Cresswell, Mr. Francis Gribble, Mr. P. W. very easy to make mistakes. But he is glad to be&#13;
Sergeant, and Mr. E. H. Lacon Watson, for their able to think that, thanks to the assiance of his&#13;
kindness in sacrificing their time in order to act as colleagues on the committee and to M Thring, he&#13;
scrutineers in the election.&#13;
had kept the ship under way and off le rocks.&#13;
CONSUILUIon.&#13;
THE&#13;
244&#13;
&#13;
&#13;
## p. 169 (#231) ############################################&#13;
&#13;
THE AUTHOR.&#13;
169&#13;
Turning to the report, Mr. Hewlett pointed to intervene in all schemes affecting literature in this&#13;
the continued increase both in the membership of country.&#13;
the society and in its income, which was now only Having alluded to the subject of the Pension&#13;
£6 short of £2,000. Nevertheless, the member- Fund Committee and the gratitude which every&#13;
ship of the society ought to be larger than it is, member of the society was bound to feel with regard&#13;
for there were a great many more authors in to the generous action of Miss May Crommelin,&#13;
England than in the ranks of the society. Also recorded in the report, Mr. Hewlett concluded by&#13;
the society was liable to very heavy increases in its very sincerely thanking his colleagues on the Com-&#13;
expenditure, which rendered necessary a consider mittee of Maoagement, and Mr. Thring, now as&#13;
able increase in its income. With regard to this always the committee's right hand, for the sapport&#13;
he felt hopeful, and he was confident that it would which they had given him throughout his second&#13;
follow upon the growth of the society's prestige. term of office.&#13;
He would not attempt to deal with the immensely At the close of the chairman's address, Mrs.&#13;
difficult subject of copyright which was mentioned Humphry Ward raised again in the general meet-&#13;
in part of the report. He would, however, say that ing, as she had already done in council, the question&#13;
the new Bill did at least attempt to collect in one of the adequacy of the consultation of the society&#13;
ambit or circuit of Parliament every process of with regard to the action taken in the formation of&#13;
copyright. But the details of the Bill were now the Academic Committee. She submitted that a&#13;
under consideration of the Government, and it paragraph in The Author was not sufficient official&#13;
could not be hoped for this year. He had recently notice of intended action. She thought that the&#13;
had an instructive conversation with his friend, Mr. authority and prestige of the society would be more&#13;
William Heinemann, on the subject, and he sug. likely to be raised in the manner hoped for by&#13;
gested that Mr. Heinemann should be invited to Mr. Hewlett if the council and the society in general&#13;
attend a meeting of the Committee of Management were more fully consulted on important business.&#13;
to discuss the very important objections to the Bill The Academic Committee, as it now stands, Mrs.&#13;
as it now stands.&#13;
Ward continued, had no representative authority,&#13;
After calling attention to what the report had to personally distinguished though its members no&#13;
say on the subject of the Musical Agreement as doubt were. The unfortunate procedure adopted&#13;
settled between the society and Messrs. Stainer &amp; stood in the way of the trust which ought to have&#13;
Bell, Mr. Hewlett came to the appointment of the been given to the Academic Committee by the&#13;
Academic Committee by the Royal Society of general body of authors. Then, as to the question&#13;
Literature, on which matter he felt that he ought of women on the nominating committee, there cer-&#13;
to speak as being partly responsible for the action tainly ought to have been a substantial representa-&#13;
the society had taken in the matter. He said that, tion on that committee of the women of the Society&#13;
being a member of the Council of the Royal Society of Authors. Mistakes had been made. Was it&#13;
of Literature, he attended a meeting of that body impossible now to go back and, beginning again,&#13;
in November, 1909, when it was proposed to form to form a really representative Academic Committee.&#13;
an Academy of Letters, subsequently modified into Mrs. Baillie Reynolds, after complaining of the&#13;
an Academic Committee. He had explained that sparse attendance at the general meeting, indicative&#13;
as chairman of the Society of Authors he could not of the lack of interest on the part of the members,&#13;
regard any such proposal as practical in which that supported Mrs. Humphry Ward.&#13;
society was not considered. His name having then Mr. Bernard Shaw said that the members of the&#13;
been added to a sub-committee to deal with the Committee of Management felt more strongly than&#13;
whole question, finally a request was made to the anyone else the apparent impossibility of inducing&#13;
Committee of Management of the Society of Authors most of the members to take any interest in the&#13;
to recommend fourteen members of the society for society except when they wanted it to get them out&#13;
nomination upon the Academic Committee. Mr. of some personal trouble. Mrs. Humphry Ward's&#13;
Douglas Freshfield and he, having been selected by attempt to agitate the question of the Academic&#13;
the Committee of Management as a sub-committee Committee was a case in point. The chairman put&#13;
for this purpose, drew up a list of names and then that question fully before the council at a council&#13;
joined the sub-committee of the Royal Society of meeting at the annual meeting of that body. Over&#13;
Literature, in joint session with whom they prepared and above the members of the Committee of&#13;
a list of twenty-eight names. Nothing was done Management there was exactly one member of the&#13;
without the approval of the Committee of Manage council present; and that member was not Mrs.&#13;
ment of the Society of Authors, and Mr. Hewlett Humphry Ward. Mrs. Ward later on appealed&#13;
did not believe that, convinced as he was of the specially to the council to support the views she&#13;
importance and influence of the society, he could had just expressed, and to censure the Committee&#13;
have done otherwise than insist upon the right to of Management. The result was a council meeting&#13;
&#13;
&#13;
## p. 170 (#232) ############################################&#13;
&#13;
170&#13;
THE AUTHOR.&#13;
so thinly attended that the committee was in an views on the suffrage question, what other con-&#13;
overwhelming majority, and the vote of censure clusion could be come to than the one he had&#13;
could have been carried only by the votes of the expressed ?&#13;
censured. No doubt this showed the confidence of Mr. Douglas Freshfield said he would only refer&#13;
the society and of the council in its committee; to two points. In the first place, the Committee of&#13;
but if the society and the council left everything to Management was in no way a free agent in the&#13;
the committee, they must not complain when the matter of the constitution of the Academic Com-&#13;
committee acted on its own responsibility. On the mittee : all that was possible was to make the best&#13;
point raised by Mrs. Humphry Ward, however, she use of an invitation from the Royal Society of&#13;
was virtually quite right ; the Academic Committee Literature to join in iis constitution and to&#13;
had not been democratically constituted by the Society nominate a certain number of members to it out&#13;
of Authors ; but the fault lay outside the society. of our own body ; next, that (as he had been at&#13;
The chairman, in promptly insisting on the rights pains to point out in The Author) it was incorrect&#13;
of the Society of Authors when the proposal was to allege that women had been excluded from the&#13;
sprung on him, had done precisely the right thing constituting committee since every step taken by&#13;
(Hear, hear); and the next steps were the forma the delegates of our Committee of Management&#13;
tion of a provisional committee, the drawing up had been submitted to and ratified by the whole&#13;
of a constitution for the proposed Academy, and Committee, two of the members of which were&#13;
finally a list of the Academicians. These could women.&#13;
have been submitted to a general meeting of the Mrs. Humphry Ward rose a second time to&#13;
Society, which could thus have become one of the make a personal explanation, Mr. Shaw having&#13;
constituents of the new body. But whilst this apparently misunderstood her. Whatever her&#13;
was in progress—whilst drafts of statutes were objections to certain activities of women, she had&#13;
actually being circulated among members of our the very strongest desire to see them represented&#13;
Committee of Management—somebody wrote to in every way in the intellectual sphere.&#13;
the Times announcing the provisional committee No other members having expressed a desire to&#13;
as a full-fledged British Academy of Letters. speak, Mr. Hewlett said he would like to point out,&#13;
This stroke of the anarchism characteristic of with reference to what Mrs. Ward and Mr. Shaw&#13;
men of letters was completely successful. The had said, that the Society's sole part in the business&#13;
Society of Authors could have immediately repu- of the Academic Committee was to nominate&#13;
diated the whole affair and withdrawn from the members. It could not call upon the Academic&#13;
project, as Mr. George Trevelyan did ; but that Committee to overhaul its past action. The&#13;
would have simply knocked the whole affair on Society had no right or authority to do so. Its&#13;
the head for a generation. There was nothing to róle was over when it had recommended names for&#13;
be done but accept the situation, and allow the appointment to the committee. As for the repre-&#13;
Academic Committee to make the best of itselfsentation of women, there was nothing to prevent&#13;
without calling attention to its illegitimate origin. their being elected to the committee and there&#13;
After all, there was no harm done as far as the was not the slightest doubt they would be elected.&#13;
men were concerned : the Society could not have Mr. Charles Garvice moved à vote of thanks to&#13;
improved materially on the present list, which the retiring chairman, and expressed a doubt as to&#13;
contained a sufficient number of eminent men of whether the Society would be able to get anyone&#13;
letters to give it dignity and authority. As to so good to succeed him. With regard to Mrs.&#13;
the women, that exclusion was a scandal : an Baillie Reynolds' complaint, be said that members&#13;
English Academy of Letters without women on it of this society were like those of all others—too&#13;
was an absurdity. But even here the quaint apt to leave everything to the committee. He&#13;
difficulty had arisen that Mrs. Humphry Ward, exhorted them to show an interest in the society's&#13;
who championed the claims of the women of the affairs at other times than at the annual general&#13;
society, wished to keep them off the committee. meeting.&#13;
(Mrs. Humphry Ward dissented, explaining that Mr. Mowbray Marras seconded the vote of&#13;
she had not dealt with that point, but had confined thanks, which was carried unanimously.&#13;
herself to the question of the right of the women of Mr. Hewlett having briefly acknowleged this and&#13;
the society to representation on the provisional com- again referred to the help he had received through-&#13;
mittee.) Mr. Shaw, continuing, said that he had out his term of office, the meeting terminated.&#13;
urged Mrs. Humphry Ward to secure the rote of The members present included : (Chairman) Mr.&#13;
the council meeting in favour of having women Maurice Hewlett, E. S. Bates, C. (). Burge,&#13;
Academicians, offering to support her if she would Mackenzie Bell, Dr. T. P. Beddoes, Sir Alfred&#13;
move that. She had declined to do so ; and when Bateman, Mrs. Belloc-Lowndes, Miss R. M. Blods&#13;
her refusal was taken along with her well-known L. N. Chase, Mrs. L. N. Chase, Miss B. Clements-&#13;
&#13;
&#13;
## p. 171 (#233) ############################################&#13;
&#13;
THE AUTHOR.&#13;
171&#13;
Henry, Mrs. Herbert Cohen, Joseph Fisher, of Stiggins in ‘Pickwick' was intended as an insult&#13;
Douglas Freshfield, Charles Garvice, Anthony to all dissenters ; or that all the attorneys in the&#13;
Hope Hawkins, Frank Hamel, J. F. Hunter, Miss empire were indignant at the famous history of&#13;
E. M. Hine, Hubert Haes, Mrs. Willoughby Hodg- the firm of Quirk, Gammon, and Snap. Are we to&#13;
son, C. Lincoln, Miss Mary G. Lowry, Mowbray be passed over because we cannot afford to be&#13;
Marras, Gilbert S. Macquoid, H. G. Marshall, laughed at ? And if every character in a story is&#13;
Conal O'Riordan, Charles Pendlebury, D. H. to represent a class, not an individual—if every&#13;
Mountray Read, Mrs. Baillie Reynolds, P. W. Ser- bad figure is to have its obliged contrast of a good&#13;
geant, G. Bernard Shaw, Mrs. G. Bernard Shaw, one, and a balance of vice and virtue is to be&#13;
Francis Storr, Miss E. Tiddemann, Miss Grace struck—novels, I think, would become impossible,&#13;
Toplis, G. F. Wilson, W. R. Walkes, E. S. Wey- as they would be intolerably stupid and unnatural,&#13;
mouth, Mrs. Humphry Ward, W. H. Williamson. and there would be a lamentable end of writers and&#13;
readers of such compositions.” Thirdly, he laughed&#13;
to scorn the notion that men of letters as a class&#13;
were looked at askance by the non-literary class.&#13;
THACKERAY AND THE DIGNITY OF “Does any man who has written a book worth&#13;
LITERATURE.&#13;
reading—any poet, novelist, man of science--lose&#13;
reputation by his character for genius or for learn-&#13;
ing?” he asked. “Does be not, on the contrary,&#13;
By LEWIS MELVILLE.&#13;
get friends, sympathy, applause-money, perhaps ?&#13;
all good and pleasant things in themselves, and not&#13;
HACKERAY was always proud to hold a brief ungenerously awarded, as they are honestly won.&#13;
1 for the dignity of his calling, and it was, That generous faith in men of letters, that kindly&#13;
is therefore, with no little irritation that one regard in which the whole reading nation holds&#13;
day early in 1850 he found himself arraigned by them, appear to me to be so clearly shown in our&#13;
two London papers, the Examiner and the Morning country every day that to question them would be&#13;
Chronicle ; by the latter for “ fostering a baneful as absurd as, permit me to say for my part, it&#13;
prejudice” against literary men ; by the former would be ungrateful. What is it that fills mechanics'&#13;
for“ stooping to flatter” this prejudice in the public institutes in the great provincial towns when&#13;
mind, and condescending to caricature his literary literary men are invited to attend their festivals ?&#13;
fellow-labourers in order to pay court to “the Has not every literary man of mark his friends and&#13;
non-literary class." The attack was based upon his circle, his hundreds, or his tens of thousands, of&#13;
the portrayal of the literary men who figured in readers ? And has not every one had from these&#13;
the novel of “Pendennis." Thackeray's reply was constant and affecting testimonials of the esteem&#13;
very much to the point. In the first place he in which they hold him ? It is, of course, one&#13;
denied that the characters were exaggerated. “I writer's lot, from the nature of his subject or of his&#13;
have seen the bookseller whom Bludyer robbed of genins, to command the syınpathies or awaken the&#13;
his books ; I have carried money, and from a noble curiosity of many more readers than shall choose to&#13;
brother man-of-letters, to some one not unlike listen to another author; but surely all get their&#13;
Shandon in prison, and have watched the beautiful hearing. The literary profession is not held in&#13;
devotion of his wife in that dreary place,” he wrote. disrepute ; nobody wants to disparage it; no man&#13;
“Why are these things not to be described if they loses his social rank, whatever it may be, by prac-&#13;
illustrate, as they appear to do, that strange and tising it. On the contrary, the pen gives a place in&#13;
awful struggle of good and wrong which take place the world to men who had none before-a fair place,&#13;
in our hearts and in the world ? ” In the second fairly achiered by their genius, as any other degree&#13;
place, he expressed the opinion that he was entirely of eminence is by any other kind of merit.” The sub-&#13;
justified in what he had written. “I hope," he stance of this passage he repeated when in the follow-&#13;
said, “ that a comic writer, because he describes ing year he replied for literature at the Royal Literary&#13;
one author as improvident and another as a Fund's Annual Dinner. “We don't want patrons,&#13;
parasite, may not only be guiltless of a desire we want friends ; and I thank God we have thein ;&#13;
to vilify his profession, but may really have its and as for any idea that our calling is despised by&#13;
honour at heart. If there are no spendthrifts or the world, I do, for my part, protest against and&#13;
parasites amongst us, the satire becomes unjust; deny the whole statement,” he declared. “I have&#13;
but if such exist, or have existed, they are as good been in all sorts of society in this world, and I have&#13;
subjects for comedy as men of other callings. I never been despised that I know of. I don't believe&#13;
never heard that the Bar felt itself aggrieved there has been a literary man of the slightest merit&#13;
because Punch chose to describe Mr. Dunup's or of the slightest mark who did not greatly advance&#13;
notorious state of insolvency; or that the picture himself by uis literary labours. I see along this&#13;
&#13;
&#13;
## p. 172 (#234) ############################################&#13;
&#13;
172&#13;
THE AUTHOR.&#13;
august table gentlemen whom I have had the get are not so high as those which fall to men of&#13;
honour of shaking by the hand, and gentlemen other callings—to bishops, or to judges, or to opera&#13;
whom I should never have called my friends but singers and actors ; nor have they received stars&#13;
for the humble literary labours I have been engaged and garters as yet, or peerages and governorships&#13;
in. And therefore I say, don't let us be pitied of islands, such as fall to the lot of military&#13;
any more.”&#13;
officers.” Anthony Trollope has stated that&#13;
Thackeray had little patience with those men of Thackeray held strong views that much was due by&#13;
letters who suffered from the impression that they the Queen's Ministers to men of letters, and he&#13;
were despised and with those who made strenuous added that Thackeray “no doubt had his feelings&#13;
efforts to combat a prejudice that was non-existent. of slighted merit because no part of the debt was&#13;
“ Instead of accusing the public of persecuting and paid to him. Thackeray probably would have&#13;
disparaging us as a class, it seems to me that men liked a baronetcy or a barony, and as a representa-&#13;
of letters had best silently assume that they are as tive man of letters he might well have been created&#13;
good as any other gentlemen, nor raise piteous con- Lord Thackeray of Brompton. It was not, how-&#13;
troversies upon a question which all people of sense ever, that he was particularly desirous of any such&#13;
must take to be settled. If I sit at your table, I distinction for himself, but he thought if titles and&#13;
suppose that I am my neighbour's equal, as that he stars and ribands are good for soldiers and sailors&#13;
is mine. If I begin straightway with a protest and statesmen and artists and civil servants, why&#13;
of “Sir, I am a literary man, but I would have you should they be withheld from authors ? He attri-&#13;
to know I am as good as you,' which of us is it that buted the fact that the fountain of honour did not&#13;
questions the dignity of the literary profession-my play upon men of letters to their comparative&#13;
neighbour, who would like to eat his soup in quiet, poverty. “ Directly men of letters get rich they&#13;
or the man of letters, who commences the argu- will come in for their share of honour too,” he&#13;
ment ? ” Indeed, he thought the man of letters declared.&#13;
received more sympathy than was due to him. “A While Thackeray thus declared that men of&#13;
literary man," he wrote in “Pendennis," “ has often letters should share in the rewards for meritorious&#13;
to work for his bread against time, or against his services distributed by the Government, he con-&#13;
will, or in spite of his health, or of his indolence, or fessed frankly that he did not see how these honours&#13;
of his repugnance to the subject on which he is were to be distributed. “I have heard, in a lecture&#13;
called to exert himself, just like any other daily about George the Third, that, at his accession, the&#13;
toiler. When you want to make money by Pegasus king had a mind to establish an Order for literary&#13;
(as he must, perhaps, who has no other saleable men,” he wrote in a “Roundabout Paper." “lt&#13;
property) farewell poetry and aerial flights : Pegasus was to have been called the Order of Minerva-I&#13;
only rises now like Mr. Green's balloon, at periods suppose with an owl for a badge. The knights&#13;
advertised beforehand, and when the spectator's were to have worn a star of sixteen points and a&#13;
money has been paid. Pegasus trots in harness, yellow ribbon, and good old Samuel Johnson was&#13;
over the stony pavement, and pulls a cart or cab talked of as President, or Grand Cross, or Grand&#13;
behind him..Often Pegasus does his work with Owl of the society. Now about such an Order as&#13;
panting sides and trembling knees, and not seldom this there certainly may be doubts. Consider the&#13;
gets a cut of the whip of the driver. Do not let us, claimants, the difficulty of settling their claims, the&#13;
however, be too prodigal of our pity upon Pegasus. rows and squabbles amongst the candidates, and&#13;
There is no reason why this animal should be exempt the subsequent decision of posterity. Dr. Beattie&#13;
from labour, or illness, or decay, any more than any would have ranked as first poet, and twenty years&#13;
of the other creatures of God's world. If he gets after the sublime Mr. Hayley, would, no doubt, hare&#13;
the whip, Pegasus very often deserves it, and I for claimed the Grand Cross. Mr. Gibbon would not&#13;
one am quite ready to protest . . . against the have been eligible, on account of his dangerous&#13;
doctrine which some poetical sympathisers are free-thinking opinions; and her sex, as well as her&#13;
inclined to put forward, viz., that men of letters, republican sentiments, might have interfered with&#13;
and what is called genius, are to be exempt from the knighthood of the immortal Mrs. Catherine&#13;
the prose duties of this daily bread-wanting, tax- Macaulay. How Goldsmith would have paraded&#13;
paying life, and are not to be made to work and pay the ribbon at Madame Cornelys' or the Academy&#13;
like their neighbours.”&#13;
dinner! How Peter Pindar would have railed at&#13;
If, on the one hand, Thackeray vehemently pro- it! Fifty years later the noble Scott would have&#13;
tested against the idea that those who followed the worn the Grand Cross and deserved it, but Gifford&#13;
pursuit of letters required pity and sympathy, on would have had it; and Byron, and Shelley, and&#13;
the other he was the first to admit that the status Hazlitt and Hunt would have been without it; and&#13;
of men of letters as a class might be improved. had Keats been proposed as officer, how the Tory&#13;
“The money prizes which the chief among them prints would have yelled with rage and scorn!&#13;
&#13;
&#13;
## p. 173 (#235) ############################################&#13;
&#13;
THE AUTHOR.&#13;
173&#13;
Had the Star of Minerva lasted to our present dition of literary men might be very soon changed&#13;
time—but I pause, not because the idea is dazzling, by a manly literary union of this kind."&#13;
but too awful. Fancy the claimants, and the row Thackeray towards the end of his life laid down&#13;
about their precedence ! ..Fancy the once for all the qualities that ensure the dignity of&#13;
struggle! Fancy the squabble! Fancy the dis- the calling to which he belonged. “What ought&#13;
tribution of prizes !”&#13;
to be the literary man's point of honour nowa-&#13;
The bestowal of pensions was open to the same days ?” he wrote in a “ Roundabout Paper."&#13;
objections. “Even that prevailing sentiment “Suppose, friendly reader, you are one of the craft,&#13;
which regrets that means should not be provided what legacy would you like to leave to your&#13;
for giving them leisure, for enabling them to children ? First of all (and by Heaven's gracious&#13;
perfect great works in retirement, that they should help you would pray and strive to give them such&#13;
waste away their strength with fugitive literature, an endowment of love, as should last certainly for&#13;
etc., I hold to be often uncalled for and dangerous," all their lives, and perhaps be transmitted to their&#13;
Thackeray had written in his appreciation of children. You would '(by the same aid and&#13;
Blanchard. “I believe if most men of letters blessing) keep your honour pure, and transmit a&#13;
were to be pensioned— I am sorry to say I believe- name unstained to those who have a right to bear&#13;
they wouldn't work at all ; and of others, that the it. You would, though this quality of giving is&#13;
labour which is to answer the calls of the day is one of the easiest of the literary man's qualities-&#13;
the one best suited to their genius. Suppose Sir you would, out of your earnings, great or small, be&#13;
Robert Peel were to write to you, and, enclosing a able to help a poor brother in need, to dress his&#13;
cheque for £20,000, instruct you to pension any wounds, and, if it were but twopence, to give him&#13;
fifty deserving authors, so that they might have succour. . . . You will, if letters be your vocation,&#13;
leisure to retire and write 'great' work, on whom find saving harder than giving and spending. To&#13;
would you fix ?”&#13;
save be your endeavour too, against the night's&#13;
The dignity of literature, however, depends not coming when no man may work ; when the arm&#13;
on its rewards but upon the dignity of the men of is weary with the long day's labour; when the&#13;
letters, and the contempt that was felt for Grub brain perhaps grows dark ; when the old, who can&#13;
Street in the eighteenth century was, as Thackeray labour no more, want warmth and rest, and the&#13;
was at pains to point out, largely the fault of Grub young ones call for supper.” In yet another&#13;
Street, too many of the inhabitants of which “ Roundabout Paper " Thackeray, writing after&#13;
were intemperate, improvident, and far from the deaths of Washington Irving and Macaulay,&#13;
respectable, and not only the minor lights but some was happy to point his arguments on the dignity&#13;
of the great men also. Things, happily, have of literature by showing how they fulfilled his ideal&#13;
changed, and if Grub Street is still with us it is a of what a man of letters should be. “Be a good&#13;
more temperate, more clean-living neighbourhood man, my dear! One can't but think of these last&#13;
than ever it was before, and its inhabitants also, as words of the veteran Chief of Letters, who had&#13;
well as the literary man in general, have a lofty ideal tasted and tested the value of worldly success,&#13;
of their calling. Jealousy was once the bane of admiration, prosperity. Was Irving not good,&#13;
the calling ; to-day that noxious passion is kept, and, of his works, was not his life the best part ?&#13;
on the whole, well under control. The Croker- In his family gentle, generous, good-humoured,&#13;
Macaulay feud could not to-day be fought out in the affectionate, self-denying ; in society, a delightful&#13;
quarterlies. “Human nature is not altered since example of complete gentlemanhood ; quite un- ,&#13;
Richardson's time, and if there are rakes, male and spoiled by prosperity ; never obsequious to the&#13;
female, as there were a hundred years since, there great (or, worse still, to the base and mean, as&#13;
are in like manner envious critics now, as then,” some public men are forced to be in his and other&#13;
Thackeray wrote in his paper on Fielding. “How countries) ; eager to acknowledge every contem-&#13;
eager are they to predict a man's fall, how un- porary's merit ; always kind and affable with the&#13;
willing to acknowledge his rise! If a man write a young members of his calling ; in his professional&#13;
popular work he is sure to be snarled at; if a bargains and mercantile dealings delicately honest&#13;
literary man rise to eminence out of his profes- and grateful; one of the most charming masters&#13;
sion all his old comrades are against him. They of our lighter language; the constant friend to us&#13;
can't pardon his success : would it not be wiser for and our nation ; to men of letters doubly dear, not&#13;
gentlemen of the pen to do as they do in France, for his wit and genius merely, but as an exemplar&#13;
have an esprit de corps, declare that their body and of goodness, probity, and pure life. ... Here&#13;
calling is as honourable as any other, feel their own are two examples of men most differently gifted :&#13;
power, and instead of crying down any member of each pursuing bis calling ; each speaking his truth&#13;
their profession who happens to light on a prize, as God bade him ; each honest in his life ; just&#13;
support him with all their strength! The con- and irreproachable in his dealings ; dear to his&#13;
&#13;
&#13;
## p. 174 (#236) ############################################&#13;
&#13;
174&#13;
THE AUTHOR.&#13;
friends ; honoured by his country ; beloved at his out sword, and have at him.” In this passage&#13;
fireside. It has been the fortunate lot of both to Thackeray outlined his own course. Truth was&#13;
give unaccountable happiness and delight to the the first consideration in his eyes, and it was the&#13;
world, which thanks them in return with an want of truth in such works as are commonly&#13;
immense kindliness, respect, affection. It may grouped as the Newgate School of Fiction that make&#13;
not be our chance, brother scribe, to be endowed him attack them as being dishonest and therefore&#13;
with such, merit, or lewarded with such fame. immoral. “If truth is not always pleasant, at any&#13;
But the rewards of these men are rewards paid to rate truth is best, from whatever chair-from those&#13;
our service. We may not win the baton or the whence grave writers or thinkers argue, as from&#13;
epaulettes ; but God give us strength to guard the that at which the storyteller sits,” Thackeray&#13;
honour of the flag !"&#13;
wrote in the Preface to “Pendennis," and else-&#13;
To such qualities as these two men, to mention where, in the lecture on “ Charity and Humour,"&#13;
no others, possessed, fame comes second. Fame is he enlarged on the theme. “I can't help telling&#13;
an accident, a happy glorious accident, for those the truth as I view it, and describing what I see.&#13;
upon whom its mantle falls. It may come with To describe it otherwise than it seems to me would&#13;
a first book ; it may come in middle life; it be falsehood in that calling in which it has pleased&#13;
may come at the end of a career hitherto Heaven to place me ; treason to that conscience&#13;
obscure ; it may come after death ; it may come which says that men are weak ; that truth must be&#13;
and go ; it may not come at all. A man can told ; that fault must be owned ; that pardon&#13;
but do his best, and take such reward as may come must be prayed for ; and that Love reigns supreme&#13;
his way. “The literary character, let us hope or over all.” Thackeray took his profession very&#13;
admit, writes quite honestly, but no man supposes seriously, and never undervalued the responsibilities&#13;
he would work perpetually but for money. And as of the writer, even of the novelist, who, in his&#13;
for immortality, it is quite beside the bargain," opinion, should be a teacher. “I assure you these&#13;
Thackeray wrote. “Is it reasonable to look for it, tokens of what I can't help acknowledging as&#13;
or pretend that you are actuated by a desire to popularity, make me humble as well as grateful,&#13;
attain it? Of all the quill drivers, how many have and make me feel an almost awful sense of the&#13;
ever drawn that prodigious prize ? Is it even right to responsibility which falls upon a man in such a&#13;
ask that many should ? Out of a regard for poor station. Is it deserved or undeserved? Who is&#13;
dear posterity and men of letters to come, let us this that sets up to preach to mankind, and to&#13;
be glad that the great immortality number comes laugh at many things which men reverence ? I&#13;
up so rarely. Mankind would have no time other hope I may be able to tell the truth always, and to&#13;
wise, and would be so gorged with old masterpieces, see to it aright, according to the eyes which God&#13;
that they would not occupy themselves with new, Almighty gives me. And if, in the exercise of my&#13;
and future literary men would have no chance of a calling, I get friends and find encouragement and&#13;
livelihood." There are great men and little men sympathy, I need not tell you how very much I&#13;
working in the field of letters, as in other fields, feel and am thankful for this kind of support.&#13;
and all cannot hope for the spoils that come to the Indeed, I can't reply lightly upon this subject or&#13;
victor. “In the battle of life are we all going to feel otherwise than very grave when people praise&#13;
try for the honours of championship ? If we can me as you do.” Thus he wrote to Dr. John Brown,&#13;
do our duty ; if we can keep our place pretty who had been instrumental in organising a testi-&#13;
honourably ihroughout the combat, let us say Laus monial to him ; and in reply to the Rev. Joseph&#13;
Deo at the end of it, as the firing ceases, and the Sortain, who had sent him a volume of sermons,&#13;
night falls upon the field.” Thus the weekday “I want too,” he wrote, “ to say in my way that&#13;
preacher on the chances of the literary profession. love and truth are the greatest of Heaven's com-&#13;
* To do your work honestly, to amuse and instruct mandments and blessings to us ; that the best of&#13;
your reader of to-day, to die when your time comes us, the many especially who pride themselves ou&#13;
and go hence with as clean a breast as may be, their virtues most, are wretchedly weak, vain, and&#13;
may these be all yours and ours, by God's will. selfish ; and to preach such a charity at least as a&#13;
Let us be content with our status as literary crafts- common sense of our shame and unworthiness&#13;
men, telling the truth as far as may be, hitting no might inspire, to us poor people." Therein may&#13;
foul blow, condescending to no servile puffery, be found "Thackeray's confession of faith as a&#13;
filling not a very lofty, but a manly and honourable novelist and weekday preacher.&#13;
part.”&#13;
LEWIS MELVILLE.&#13;
“Ah! ye knights of the pen ! May honour be&#13;
your shield and truth tip your lances ! Be gentie&#13;
to all gentle people. Be modest to women. Be&#13;
tender to children. And as for the Ogre Humbug,&#13;
&#13;
&#13;
## p. 175 (#237) ############################################&#13;
&#13;
THE AUTHOR.&#13;
175&#13;
STYLE IN LITERATURE.&#13;
will become apparent later on. Meanwhile, it&#13;
suffices to speak of examples which, in truth, are&#13;
BY ARCHIBALD DUNN.&#13;
here just as convincing as any logic. For, what&#13;
would you say to the mathematician who wrote in&#13;
I.&#13;
the flowery language of the poet, or to the&#13;
TF literature in its broadest meaning is to be bumourist who explained his joke as he went with&#13;
I reckoned the written expression of a thought all the nice exactness of a scientific treatise ?&#13;
—and I know of no better definition than Even a Scotsman—who, by the way, has been&#13;
this—then the measure of style in literature can be much libelled in this matter of jokes--would not&#13;
neither more nor less than the measure of expres- stand that. Then, again, there is the absurdity of&#13;
siveness with which it conveys that thought. obscuring a simple subject - say, a text-book on&#13;
Here is some fact or fancy, one supposes, in the come outdoor exercise-- with the incessant intro-&#13;
author's brain ; it is to become equally fact or duction of quotations from the classics. I have&#13;
fancy before the reader.&#13;
such a book by me on the table and, despite a&#13;
To this end, it may be said, there are two means, certain excellence, I have come to see nothing in&#13;
Construction and Description; that is, first the it now but irritation ; for, when a man starts out&#13;
marshalling of all the testimony into an effective to study cricket or golf, or whatever it may be, he&#13;
order and then, with this accomplished, the subse- is not too well pleased to be interrupted on almost&#13;
quent setting forth of that testimony in effective every page by Shakespeare's views on some other&#13;
terms—a plan to begin with, whether in an essay subject. Apart from the distraction, it is a waste&#13;
or in a fairy tale, then the expounding of that of time under the circumstances and a clear&#13;
plan through the medium of written words. annoyance. So, too, with preciosity, with pom-&#13;
Hence, to be a stylist in literature is to be a stylist posity, and with all the exaggerated verbiage so&#13;
twice over. A mere mastery of language, a neat common amongst the earlier writers. These are&#13;
dandling of words and epithets, a stringing the deadly sins that cannot be forgiven.&#13;
together of musical phrases just as pretty as ever S o far, then, the position is obvious. But, now,&#13;
you please, will not do when standing alone; a more troublesome issue arises when we ask our-&#13;
admirable though it be and delightful enough to selves to decide the extent of an author's right to&#13;
the æsthetic sense, here is an incomplete thing, a introduce his personality into his work? Of&#13;
duty but half fulfilled. The real need, it is clear, course, understand me, I ain distinguishing be-&#13;
goes beyond this again and the further demand tween personality and individuality.. Individuality&#13;
comes that the stylist in authorsbip shall be —the natural habit of the man, the instinctive&#13;
master. too, of a šrmpathetic selection in the method of thought and of expression, which&#13;
treatment of his subject.&#13;
must be different from the common method-&#13;
Of this latter aspect of the question something is the first requisite in the equipment of&#13;
has been said in another place. * It was there an author ; more than anything else, perhaps,&#13;
pointed out that only a sympathetic temperament it can raise him from the ruck and, for better&#13;
could ensure a sympathetic treatment and that, in or worse, stamp him indelibly as himself.&#13;
fact, the artistic result would be limited in all Indeed, so highly is the virtue rated that, on the&#13;
likelihood by the degree of artistic instinct evidence of our own eyes, it is the goal for which&#13;
inherent in the writer. At the same time there the scribe is struggling day by day; and, as the&#13;
remain certain practical considerations which can commodity is scarce and not to be attained by&#13;
not be ignored; for, whilst a man may fail to see merely trying, so is the end of the pitiful hunt too&#13;
all the beauties tbat are possible in treatment, he olten only cheap-jack mannerisms, affectations by&#13;
may still with study and care aroid the perpetra- the score, or tricks of speech learnt parrot-wise&#13;
tion of the ugly and the unsuitable. And though from better men. But, where this valuable asset&#13;
this, perhaps, is not to achieve much, it is at any is a genuine property, where it is of that quality&#13;
rate something ; one step forward, however small, which can distinguish rather than belittle, then,&#13;
well in the right direction.&#13;
surely, the more of it the better. Of course and&#13;
The obligation then is clear, in the first place, this must never be forgotten—there is nothing in&#13;
that a writer must rary his entire style with the all the world that cannot be overdone at times,&#13;
circumstances and adapt it faithfully to the and there is no prompting of a man's soul which&#13;
necessities and characteristics of the work on does not need to be held in check—that is why&#13;
which he happens to be engaged at the moment. every art is governed by rules. But, admitting&#13;
The philosophical reasons for this are simple and this restriction, it would be safe to believe that&#13;
individuality should be played for all that it is&#13;
* See papers in The Author, November, December, 1907; worth. Is the same to be said of personality ?&#13;
February, March, May, June, 1908.&#13;
May an author obtrude himself freely on the&#13;
&#13;
&#13;
## p. 176 (#238) ############################################&#13;
&#13;
176&#13;
THE AUTHOR.&#13;
printed page? And, if not, what are his statement of facts, without any skill in their pre-&#13;
limitations ?&#13;
sentation, without deception, without finesse, a clear&#13;
Well, I don't know that anyone is going to and unmistakable exposition, in short, of a writer&#13;
answer this question with any marked degree of writing a book, in what respect, I ask, are we&#13;
confidence ; beyond doubt, it is something of a playing the game of make-believe? It is too&#13;
conundrum. But, in discussing it, we may start thin, is it pot? A bit too obvious, a bit too plain&#13;
off upon the assumption that the character of the and aboveboard, this pulling of the Peter-Waggies&#13;
composition must have a bearing on the subject. by a string! Of course, were we children it might&#13;
For instance, consider the different conditions not matter; for you may take away the heartbrug&#13;
which obtain in an essay and in fiction. Here we which a child is laboriously crawling over for a&#13;
touch upon the two extreme poles, as it were, of Sahara Desert and shake it out before his eyes and&#13;
the writer's art—the former, an attempt to convey dust it and replace it and never trouble his faith in&#13;
facts (sometimes, perhaps, of a speculative nature); that Sahara for a moment ; in two seconds he is&#13;
the latter, an attempt to give fancies the semblance back again, crawling over it as laboriously and&#13;
of facts, to impart an air of life to a set of imagined as delightedly as before ; because, you know, he has&#13;
people and of reality to imagined incidents. The a strange and weird power of self-deception and&#13;
one depends for its success, we see, primarily on can run the pleasantry off his own bat. But, later&#13;
the extent to which it can convince the reason ; on, in a few short years, that blessed imagination&#13;
the other, primarily on the extent to which it can will have passed away, scotched by the hard and&#13;
stir up and convince the imagination.&#13;
practical experiences of life, and when that child&#13;
In the construction of an essay, therefore, the comes to read your novel he will look upon it,&#13;
introduction of an author's personality, or the believe me, with the matter-of-fact eye ; he will see&#13;
omission of it, would seem of small account.* Of merely the novelist in your clumsiness and sim-&#13;
course, his individuality of thought—that is, if he plicity, the poor devil of a scribe earning his bread&#13;
has any–will show itself at every turn. But, and butter and, as is right and proper in the case,&#13;
whether he elect to make his address in the first precious little jam.&#13;
person singular or (like Macaulay and the inflated How, then, will an author stand who advances&#13;
critics of his time) in the more imposing plural; boldly to the footlights, sets his hand upon his&#13;
whether he appear as “I” or as an amusing heart, and says in effect, “ Here am I, and I'm&#13;
company called “we”; or whether he finally busy writing this book, remember, and I think&#13;
decide to discard both and efface himself entirely, this, and I think that, and I think the other ! ”&#13;
I do not know that anyone is going to care a single How does he stand when he ventures upon this&#13;
solitary brass farthing. How can it matter, from without any attempt whatever at concealment? It&#13;
the point of view of construction, how the subject is a delicate question, I know, because it throws&#13;
of an essay be approached, provided only that the down the glove to many who are famous, and&#13;
main need is attended to-that, in the end, we deservedly famous, in literature. There is&#13;
have a sequence of ideas easy to follow, a clearness Thackeray, for example.&#13;
which shall admit of no misunderstanding, a Now no one, I suppose, will deny that Thackeray&#13;
brevity which shall expound the meaning with is a great writer ; no one will challenge his powers&#13;
completeness and no more? This is the practical of observation, his knowledge of humanity, of the&#13;
aim of the whole business that the facts shall be virtues and weaknesses of men and women, or his&#13;
brought most comprehensively before the reader's ability to set these forth fairly and squarely upon&#13;
mind.&#13;
paper, together with an unmistakable picture of&#13;
But with fiction it is, of course, another story. the period. That much, at least, must be conceded,&#13;
Indeed, in a tale, in a romance which is to give a and these qualities are as toughened steel in an&#13;
picture of life, it will often be the facts wbich most author's armour, bright with the promise of success.&#13;
need hiding, or at any rate dressing up into such a Pity it is, then, that in this armour there should&#13;
form that the real truth of them shall not be too bave been so large and gaping a flaw ; that the&#13;
crudely apparent. For the art of fiction is the Achilles heel should show so transparently through&#13;
juggler's art, a game of make-believe, in which the it all. For, in “ Vanity Fair,”- which is to take a&#13;
actual happenings are as nothing unless, indeed, specific instance and, besides, a good specimen of&#13;
they can be cloaked with an air of reality. Here Thackeray's work—there is the clearest proof. In&#13;
are some puppets, men of straw, who have never it are all the fine qualities just enumerated but,&#13;
lived ; but the reader, for his enjoyment, must have cheek by jowl with them and ready jumping to the&#13;
faith in their existence. If, then, there is a bare eye, that one overwhelming defect-I mean, of&#13;
* Later on, in discussing the Laws of Style, it will be&#13;
course, that habit of walking deliberately before&#13;
shown that too frequent an insistence of the author's&#13;
the curtain, of grarely making a bow, and of&#13;
personality must produce an unsatisfactory result.&#13;
exclaiming, even with ostentation, “Here I am&#13;
&#13;
&#13;
## p. 177 (#239) ############################################&#13;
&#13;
THE AUTHOR.&#13;
177&#13;
again !” There is that most unfortunate Preface, characters or as the natural outcome of the action&#13;
you may remember, where the author announces of the piece. A slight restriction at the most, it is in&#13;
himself as a “showman” and his characters as this way that the semblance of reality is kept alive.&#13;
“puppets.” A small thing, perhaps, if that were Then, for a last word, there is the chance that&#13;
all, when a Preface is not of much account with an over-obtrusiveness may steal, as it were, upon&#13;
most folks and is often left unread; still, for what the writer and take him unawares. There are certain&#13;
it is worth, there it is. Later on, however, with terms of expression--such, for instance, as “I&#13;
the introduction of the chapters, there follows a know," "believe me," "upon my word,” and so&#13;
more real aggravation when direct reference back is forth-which would seem to bring him forward&#13;
made every here and there to antecedent happen against his will ; or, again, in the diary form of&#13;
ings, and that with so nice and exact a precision narrative, where the author speaks throughout&#13;
that the reader is openly reminded that he is the from his note-book or his memory, there is the&#13;
reader and that the story is no more than a story suggestion of his presence in nearly every word.&#13;
invented and recited by a much self-evident writer. But this is hardly to state the truth ; for, the&#13;
Nor is this to be the worst of it. For one may practical effect of these two conditions is not quite&#13;
point to a page in “ Vanity Fair"--I have not the what it appears to be. Indeed, as you may observe,&#13;
novel by me, and therefore cannot quote chapter there is no suggestion at all of personality in figures&#13;
and verse—where Thackeray actually stops to make of speech which, as mere colloquialisms, must&#13;
an address and explain how at this juncture some pass off well-nigh unheeded in the run of the&#13;
particular character (Becky Sharp, I believe) might sentence ; whilst, in a story avowedly recorded by&#13;
be presented quite easily in a dozen different the writer, his presence, if continuous, is soon for-&#13;
fashions. Why, of course! that is as clear as a gotten in the more general interest ; provided&#13;
pikestaff. But, ye gods and little fishes ! what always—and this is the important point-that he&#13;
a wholesale rubbing of the gilt off the ginger- keeps within the confines of the actualities of life,&#13;
bread! What a candid display of the ropes and that he arrogates to himself no Divine insight, that&#13;
pulleys, the trapdoors and machinery! What a he depicts the minds of other people only, as is.&#13;
suffocatingly level-headed douche upon romance ! humanly possible under the circumstances, by the&#13;
What a final knock-out blow to the reader's evidence of their actions. But, once let him break&#13;
imagination ! After this, if there remain a true away from this, once let him step beyond the&#13;
and deep study of life—which is the fact—there possible, and the man and his abuse of logic, the&#13;
does not remain anything that may be fairly called palpable unreality of it all, will startle us out of the&#13;
a story. The exposure has gone too far, and one reverie with the suddenness of a whip-crack.&#13;
has slipped back-inevitably and all against the “How," we ask - for, it is the inevitable question-&#13;
natural desire-to the "showman" and his “can the silly fellow tell that?" And then, you&#13;
* puppets.” At such a time it is that the grown know, the game is up.&#13;
man will sigh for the bygone years when the&#13;
impossible would pass for a reality, when the&#13;
hearthrug was still Sahara.&#13;
Turning to the Art of Description—the art, that&#13;
It would seem, then, in the end, that the con- is, of expressing a thought in so many words—this&#13;
clusion reaches further than we bad thought. It much at least is certain at the outset that the&#13;
was to have been but a vague thing, this limit set by business of artistic writing must be two-fold, to&#13;
construction on the author's outward show of satisfy the intelligence and to charm the esthetic&#13;
personality ; it proves, after all, definable or nearly sense. There is the need of making the thought&#13;
80. For in an essay, clearly, the author may beat comprehensible, of course ; and there is the further&#13;
the drum, sound the trumpets and make his entry need of setting it forth, of adorning it, with such&#13;
just as often and as ostensibly as ever he pleases ; attractions as may belong to the choice of effective&#13;
whilst, in a story, he may try the same experiment words and the musical balancing of phrases. Thus,&#13;
only at his peril, always at the risk of "showing we may say that there exists the technical side of&#13;
his hand,” always at the risk of jacking-up irre- the subject and the beautiful; that is, in theory.&#13;
trievably this deligbtful game of make-believe. In practice, it will be found that these two cannot&#13;
Nor is this to say that he shall be tongue-tied in well be dissociated; for, it is clear, I think, that&#13;
any way. He will, it may be supposed, have many the technical—the first step towards the beautiful&#13;
weighty and important views and opinions to —is a necessary ingredient of the beautiful, and&#13;
express. Very well, then, let them be expressed by that the beautiful which cannot arise at all without&#13;
all means, but—with an eye fixed resolutely upon the technical must itself be part and parcel of the&#13;
the danger ahead ; so that one might add this technical. At any rate, so closely are they allied that&#13;
reservation, perhaps, that all extraneous matter shall it would not be possible to say just exactly wnere&#13;
find its utterance only through the medium of the the functions of the one or the other begin to end.&#13;
пе&#13;
&#13;
&#13;
## p. 178 (#240) ############################################&#13;
&#13;
178&#13;
THE AUTHOR.&#13;
Nevertheless, for the purpose B of clearer explana- in play at once and, during the earlier stages at&#13;
tion, I propose to fix upon a dividing line and to least, there will be many dismal hours of failure.&#13;
assume that the technical may be taken to Or, again, set a conversation rolling and listen the&#13;
cover the broad principles which govern the con- while to some talker on another subject and, hey!&#13;
struction of the sentence and the paragraph, and presto! there is confusion worse confounded. Or,&#13;
that all other qualities in literature may be suitably finally, rub the top of your head horizontally and&#13;
set down under the heading of the beautiful. Form, the pit of your belly with a circular motion and, in&#13;
we might say, in one case ; Grace, in the other. a twinkling, the machinery comes to a dead-lock&#13;
And, though this is not to be as precise as one and paralysis sets in. In short, ask the mind to&#13;
could wish, it is always something in a discussion issue two distinct orders at once, and the simplest&#13;
to have reduced the final issue to its component act is rnagnified into an achievement-it can only&#13;
parts as near as may be ; it enables the attention be accomplished after incessant and often laborious&#13;
to concentrate itself more restrictedly ; it makes practice. And why? Simply because the attention&#13;
for a better understanding, I believe, in the long concentrated on the one endeavour distracts the&#13;
run.&#13;
attention which is necessary for the accomplishment&#13;
This section, then, deals with the question of of the other: because, until advanced and perfected&#13;
Form.&#13;
by training, the human mind is apt to find its limit&#13;
In making an inquiry into the laws of Style in in doing one thing at a time. What question then&#13;
Literature, there are two main considerations which that, in this business of writing, the author shall&#13;
at once suggest themselves—first, that we all prefer eliminate anything and everything that may distract&#13;
to do things easily rather than with effort ; and, the reader ?&#13;
second, that the mind works with greater facility But, just as it is not enough to stand aside from&#13;
under one set of conditions than under another. the path of the over-wrought athlete or to refrain&#13;
These—such obvious truisms that there is no need from pushing the drowning man still further&#13;
to waste time in proving them lead to a valuable beneath the surface, so is it not enough that, in an&#13;
.conclusion ; they teach us unmistakably that the appeal to the intellect, we should be content merely&#13;
author's consideration must always be the comfort to put no impediment in the way. The intellect-&#13;
of the reader. If the book is not read with com- the average intellect, that is requires something&#13;
fort, it will be a rare occasion indeed on which more than a clear field in which to exercise, it needs&#13;
it is not very promptly cast aside. Whence it some outside prompting to set it going, some&#13;
follows, in the author's interest, and in that of his vigorous handling to arouse its energies. As we&#13;
art, that he must first discover and then fulfil those meet it commonly, it is a half-developed thing ;&#13;
conditions which enable the reader's mind to work receptive no doubt in a large measure, but only in&#13;
thus easily and with the least expenditure of effort; a modest degree perceptive ; and so, though capable&#13;
and so, by its very inevitableness, it must be just of appreciating a picture, seldom able to create one.&#13;
this that comes Dearest the root of all that is good. Hence, if a thought is to be readily communicated,&#13;
in writing.&#13;
if it is to be visualised by the reader in all its full&#13;
At first glance, then, we are upon the brink of a significance, then the further duty of the author&#13;
most ponderous philosophical discussion. The stares him fairly and squarely in the face-he must&#13;
human mind, indeed! with all its unfathomable lend a helping hand. The brief statement, we see,&#13;
mystery! And, thinking thus, the temptation is may be insufficient for this lazy and too matter-of-&#13;
to shut down the page, to close the volume and fact mind; therefore shall it be presented with a&#13;
turn to simpler things. Strangely, though, wegreater completeness and with adequate detail lest,&#13;
should not too readily tind them. For, as it happens, the omissiou of some particular, the whole become&#13;
this problem is scarcely a problem at all ; barely obscure.&#13;
worthy of the name when the truth comes out at In these two principles, then that the reader&#13;
Jast and we learn that this most intricate affairshall in no circumstances be distracted, but in all&#13;
depends for its elucidation on nothing more abstruse circumstances helped to a true and full understand-&#13;
than the admission of one elementary fact—that jug---we find the basis of those laws which govern&#13;
the mind can work more easily when concentrated Style in Literature. They are, as set forth by&#13;
than when distracted. That is all ; a wet blanket Lewes, * five in number—the law of Economy, the&#13;
on an outburst of great ideas; a trifle stowed away law of Simplicity, the law of Sequence, the law of&#13;
in a nutshell.&#13;
Climax, and the law of Variety. Five conditions,&#13;
See for yourself how true this is. Consider the then, to be fulfilled, five terms to be noted, all suffi-&#13;
first example that comes to hand. Juggle, for ciently alarming. But, as good luck will have it,&#13;
instance, with a single ball and, in the innocence of these are again to be condensed and—with Economy&#13;
your beart, you may count yourself a master-&#13;
perhaps ; add a second to the trick, keep them both&#13;
* * The Principles of Success in Literature."&#13;
&#13;
&#13;
## p. 179 (#241) ############################################&#13;
&#13;
THE AUTHOR.&#13;
179&#13;
embracing Simplicity, and Climax necessarily together the various clues. The indications given by&#13;
implying Sequence-we fall back, on Lewes' sug- Dickens himself, therefore, are that the keeper of&#13;
gestion, to three main headings only-Economy, the opium den (“the Princess Puffer"), Helena&#13;
Climar, and Variety.&#13;
Landless, Grewgious, and Datchery (the unknown&#13;
(To be continued.)&#13;
tracker) will somehow, singly or in combination,&#13;
bring justice home to Jasper.&#13;
To go back to our questions. (1) Was Edwin&#13;
ABOUT EDWIN DROOD.*&#13;
Drood dead? If he was not, what had become of&#13;
him, for the story progresses to a point six months&#13;
UITE a literature is growing up around after his disappearance ? Death alone would seem&#13;
W Dickens's famous unfinished povel, to which to account for his silence. But if he was dead,&#13;
the latest contribution, written by an anony- what was the meaning of one of the illustrations on&#13;
mous author, “ H. J.," is an interesting addition. the cover to the monthly parts, which clearly shows&#13;
The book is dated from Trinity College, Cambridge, Jasper entering a vaulted chamber with a lantern,&#13;
which fact, together with the scholarly acumen and finding in that chamber the erect figure of&#13;
displayed in the writing, puints an accusing finger at Edwin Drood ? It should be added here that Jasper&#13;
a famous professor. There is no need, in commenting would naturally return to the scene of the crime, ass&#13;
upon H. J.'s brochure, to tell in any detailed manner after his attempt on his nephew he found out that&#13;
the story of Edwin Drood ; it is probably familiar to his action had been quite purposeless, that Edwin&#13;
all readers of The Author , and, if it is not, they are and Rosa were no longer betrothed, but that the&#13;
cordially recommended to remove the reproach of former carried upon him a ring, not given to Rosa&#13;
their ignorance without delay. Something, how- as intended, which would ensure the identification,&#13;
ever, must be said in the way of recapitulation of of the body. The first obvious explanation of this&#13;
the plot to make any remarks on the subject intel- picture, which is reproduced in H. J.'s book, is.&#13;
ligible. “The Mystery of Edwin Drood” tells of that Jasper, who had previously, as we know,&#13;
the murder of the eponymous hero by a jealous removed from the body all the jewellery of whose&#13;
uncle John Jasper, suspicion of the murder, if existence he was aware, had returned to the vault&#13;
murder there has been, falling upon a lad named to recover the incriminating ring. One school of&#13;
Neville Landless. The mystery does not lie in the critics says that the whole meaning is gone if Edwin&#13;
anthorship of the crime, for almost from the first Drood is not dead ; these explain the cover of the&#13;
we know that Jasper is guilty of an attempt to monthly instalment by saying that the figure in the&#13;
murder his nephew, and believes that he has vault is not Edwin Drood at all, but someone made&#13;
succeeded. The main vexed questions are (1) Was up to resemble him, or, and preferably, that the&#13;
Edwin Drood dead ? and (2) By what machinery figure portrays a terrible hallucination of Jasper, and&#13;
was the crime brought home to its author. The not a real flesh and blood presence. This latter, by&#13;
fragment breaks off at the place where Edwin the way, is H. J.'s view. Another school of critics&#13;
Drood has disappeared, but certain further informa- says that to put such a figure on the cover would&#13;
tion is given which helps us to conjecture what the have been an unjustifiable artifice on the part of any&#13;
reply of Dickens to the two questions formulated author, and unthinkable on the part of a romancer&#13;
above would have been. Rosa, the heroine, and like Dickens, able, and conscious of being able, to&#13;
Edwin Drood's sweetheart, for wicked love of make any explanation in the world possible to his&#13;
whom Jasper, an opium fiend, is led into the crime, readers, and therefore under no obligation to cheat&#13;
comes to suspect the identity of the villain. them from the outset by deliberately indicating that&#13;
Grewgious, Rosa's guardian and Edwin's solicitor, a man was alive when he meant to show in the&#13;
is also on the same track. Helena Landless, sister development of the story that he was dead. H. J.&#13;
of the wrongfully accused Neville and confidante marshals fairly all the arguments that can be found&#13;
of Rosa, is determined, in behalf both of her brother in favour of one answer and of the other to the&#13;
and her bosom friend, that action must be taken question, “ Was Edwin Drood dead ?” with reference&#13;
against Jasper. An old woman, who keeps the throughout to Mr. Cuming Walter's “ Clues to the&#13;
opium den where Jasper goes for regular debauches, Mystery of Edwin Drood,” and Mr. Andrew Lang's&#13;
has an unexplained grudge against Jasper, and “Puzzle of Dickens's last Plot.” He considers that&#13;
possesses evidence against him the importance of Edwin Drood was dead, but gives much ground for&#13;
which she does not know. A mysterious person disagreement in his conclusion to those who find&#13;
named Datchery, obviously someone disguised, and such an issue improbable and disappointing.&#13;
probably someone already pamed in the book, takes The second question—(2) “ By what machinery&#13;
up his abode at Jasper's elbow and begins to gather was the crime brought home to its author ? ”-must&#13;
be answered to some extent in relation to whether&#13;
University Press. 1911. 90 pp., 4s, net.&#13;
Edwin Drood was dead or no, and centres round.&#13;
" " About Edwin Droo&#13;
&#13;
&#13;
## p. 180 (#242) ############################################&#13;
&#13;
180&#13;
THE AUTHOR.&#13;
II.&#13;
the identity of Datchery. Datchery is clearly high, but the information is, as always, of an inter-&#13;
tracking Jasper down—there is no mystery about esting character. In the present case the attention&#13;
that. Some have suggested that he was Edwin of authors is likely to be particularly attracted by&#13;
Drood himself ; some have thought that Datchery the sale of a number of autograph manuscripts of&#13;
was an impersonation either by the solicitor George Meredith, of which all but one were the&#13;
Grewgious, or by his clerk Bazzard, who appears in property of his nurse, Mrs. Nicholls. (Sotheby.&#13;
the brief mention of him as a particularly foolish December 1, 1910. A miscellaneous collection.&#13;
person, but with a theatrical bent of mind ; some Nos. 2008—2023). A minutely accurate descrip-&#13;
have thought that Helena Landless was hidden tion of the MSS. is given ; and it will be found&#13;
beneath Datchery's male disguise ; at least, one that they represent a great deal more than might&#13;
American sequel to the book makes Datchery a be suspected from a mere enumeration of their&#13;
new character, a professional detective introduced titles. For these most interesting particulars we&#13;
by Edwin Drood's friends to spy upon Jasper. must refer our readers to the pages of“ Book-prices&#13;
There is something to be said in favour of all these Current”: where it may be seen how widely&#13;
theories, and more to be said against them. But George Meredith's published work often differed&#13;
the various pros and cons will be found closely con from what he had at first written. The whole&#13;
sidered by H. J., who plumps for Helena Landless, amount realised by the MSS. at the sale exceeded&#13;
as Mr. Cuming Walters has done. This is, on the £1,500.&#13;
face of it, the most preposterous solution of the&#13;
puzzle of Datchery, but so well does H. J. support&#13;
- John Adams Thayer : Getting On, The Confessions of&#13;
it, and so cogent is his reasoning against any other&#13;
er a Publisher.” London : T. Werner Laurie.&#13;
theory, that he will find many supporters. In the&#13;
course of his reasoning H. J. shows that the&#13;
WHEN we admit that the sub-title of this work,&#13;
probability of Helena Landless being Datchery&#13;
“ The Confessions of a Publisher,” led us to&#13;
would be greatly increased by the transposition of anticipate what we did not find in it, we shall&#13;
Chapter XVIII. to a place immediately in front of probably appear to the author to have bestowed&#13;
Chapter XXIII. (the last and unfinished chapter), upon his book the highest possible praise—it has&#13;
and his pleading for their transposition as a legiti- a title which is calculated to push its sale. For&#13;
mate correction is a very astute piece of criticism.&#13;
while this work is on the one hand a history of a&#13;
That the crime was brought home to Jasper seems&#13;
plucky and successful struggle from small begin-&#13;
undoubted, for from Forster's Life of Dickens " we nings to ease, it is on the other hand a painful&#13;
learn that Jasper was intended to confess his crime exposition of the subordination of everything else&#13;
unwittingly, while Sir Luke Fildes received instruc- to the scramble for remunerative advertisements.&#13;
tions to prepare an illustration of Jasper in prison; The “ blessed word " advertisement makes its first&#13;
but exactly how and by whom detection was brought appearance on the second page of the preface&#13;
about is a mystery that still defies solution.&#13;
(called “A Confidence”), and its last on the last&#13;
Exactly where in some competitive order of&#13;
page but one of the last chapter, and dominates the&#13;
Dickens's works we should place “ The Mystery whole story. If anyone needs to be convinced that&#13;
of Edwin Drood” is a matter of considerable at least periodical publication is becoming, or has&#13;
dispute ; to many this fragment seems the promise already become, merely hoarding for adrertise-&#13;
of the finest sensational novel in English. whilements, the evidence of that fact is here. That such&#13;
others see in it indications of the author's weariness. a state of things is an evil absolutely destructive of&#13;
We are wholly on the generous side, and welcome&#13;
literature, is self-evident.&#13;
H. J.'s interesting little book as being sure to&#13;
secure readers for the grim tragedy of Cloisterham.&#13;
III.&#13;
It is a scholarly and thoroughly exciting note upon "The Dramatic Author's Companion,” by a Theatrical&#13;
a very intriguing matter.&#13;
Manager's Reader, with an introduction by Arthur&#13;
Bouchier, M.A. Mills and Boon.&#13;
FRANKLY admitting that “ to make" a dramatist&#13;
SHORT REVIEWS.&#13;
is impossible, the author of “The Dramatic Author's&#13;
Companion” makes no pretence to doing more than&#13;
unfolding to the man who has the right stuff in bim&#13;
" Book.prices Current.” Part I. 1911. London : Elliot the technique of the difficult art of writing for the&#13;
Stock.&#13;
modern stage. An Introduction" by Mr. Arthur&#13;
M H E first part of “ Book-prices Current for Bouchier is a sufficient guarantee of the value of&#13;
1 1 911” contains a record of the sales from the little work which we have much pleasure in recom-&#13;
October 6, 1910, to December 8, 1910. In mending. We have been particularly struck by&#13;
many cases the prices do not appear to us to be very the lucid manner in which “theme," " plot," and&#13;
&#13;
&#13;
## p. 181 (#243) ############################################&#13;
&#13;
THE AUTHOR.&#13;
181&#13;
" construction" are distinguished, and not less&#13;
impressed by the value of the rest of the advice in&#13;
the book. The author is to be particularly con-&#13;
gratulated upon having bad the sense to insist upon&#13;
the importance to every dramatist of Aristotle's&#13;
"Poetics.” That is evidence that the author under-&#13;
stands the subject upon which he is writing.&#13;
CORRESPONDENCE.&#13;
GEORGE MEREDITH, O.M.&#13;
DEAR SIR,—Will you allow me to correct an&#13;
error in your account under “ General Notes ” of&#13;
the presentation to Mr. William Meredith of the&#13;
gold medal of the Royal Society of Literature which&#13;
bad been voted during his lifetime to the late George&#13;
Meredith ? It is there stated that the society's gold&#13;
medal had been awarded on only two occasions,&#13;
whereas this was the fifteenth occasion on which it&#13;
has been presented.&#13;
Yours faithfully,&#13;
PERCY W. AMES,&#13;
Secretary of the Royal Society&#13;
of Literature of the United Kingdom.&#13;
DRAMATISTS.&#13;
SIR,-Had the opportunity been given at the&#13;
annual meeting of the Society of Authors, on&#13;
Thursday, March 23, I might have brought the&#13;
subject of this letter before it, but it would then,&#13;
perhaps, have reached a much smaller number of the&#13;
public than it now will.&#13;
What I wanted to say, and what I now wish to&#13;
inform all the members and associates of this Society&#13;
is that I feel that very inadequate—and, I must&#13;
reluctantly add, what seem to me unjustly inade-&#13;
quate-steps have been taken in deciding wbo are&#13;
and who are not its dramatic members, for I am&#13;
informed that it has been decided that they are&#13;
those who have had a play produced, and that, there-&#13;
fore, it was only to such that a notice of the pro-&#13;
posed confereuce was sent. I wish to point out&#13;
that, if that definition is accepted, the being a&#13;
dramatist will become purely a piece of luck, depen-&#13;
dent not upon what the writer—the member or&#13;
Associate of the Society-has done (bas conceived&#13;
and created), but upon what has been done by&#13;
others with his or her work. It may be that it is&#13;
just the existing condition of things that makes it&#13;
difficult, or, perhaps, even impossible, for some&#13;
members or associates to get their dramatic work&#13;
produced, and which might, therefore, prevent such&#13;
persons from ever being recognised as dramatists ;&#13;
hence the inclusion among dramatists of such as&#13;
have done dramatic work, although no play of&#13;
theirs may have been before the public, might lead&#13;
to some suggestions being made which would be of&#13;
use to the dramatic world by making the road of&#13;
production easier to the dramatist-the writer of&#13;
the play.&#13;
Some distinction might be made-if there is any&#13;
real need for it-between those who have and have&#13;
not had a play produced, inst as a distinction is&#13;
made by means of the words “member” and&#13;
“associate” between those authors who have and&#13;
have not had a book published: some new designa-&#13;
tör&#13;
tion, even, might be devised.&#13;
Every dramatic writer must have a beginning in&#13;
the matter of production, just as every book-writer&#13;
must in the matter of publication, but this seems&#13;
to have been curiously overlooked in the very quarter&#13;
in which one would have expected to have found it&#13;
regarded, and so the inclusion of “unproduced”&#13;
play-writers among “dramatists " may lead to the&#13;
speedier introduction of a new era in the play-&#13;
performing world.&#13;
HUBERT HAES.&#13;
[NOTE :—The writer of the above letter seems to&#13;
argue that any person who has written a play&#13;
should be entitled to be described as a dramatist.&#13;
This view seems to us untenable. If, however, his&#13;
argument is that a great many people who have&#13;
THE ACADEMIC COMMITTEE.&#13;
DEAR SIR,- It only dawned on me very slowly&#13;
to-day what a great slight had been shown to&#13;
women writers by. their own Society of Authors by&#13;
the fact that not a man of the council or com-&#13;
mittee had thought it worth while to put any&#13;
woman's name down on the list they recommended&#13;
for the Academic Committee of the Royal Society&#13;
demic Committee of the Royal Society&#13;
of Literature. We women members of the Society&#13;
of Authors could have promptly suggested at least&#13;
three names, which even then would not have been&#13;
a fourth of the representation the gentlemen kept&#13;
entirely for themselves. They nominated not one!&#13;
The pity on't! The harm it will do ! One is&#13;
always sorry to see a chance missed! And this&#13;
slight to their fellow-workers has been iniicted in&#13;
the sight of the whole world. As one of the rank&#13;
and file, it is impossible not to resent the undeserved&#13;
indignity to the leaders of whom we--and all who&#13;
love literature—are so justly proud. Can nothing&#13;
be done to remedy so silly and mischievous a&#13;
blunder ?&#13;
Faithfully yours,&#13;
GRACE TOPLIS.&#13;
&#13;
&#13;
## p. 182 (#244) ############################################&#13;
&#13;
182&#13;
THE AUTHOR.&#13;
written plays but have not had them acted, are than two or three lines at a time and who pretend&#13;
dramatists, there is a good deal in favour of the to improve our work, must be at the root of many&#13;
argument; but if this view is to be adopted, in failures.&#13;
order to arrive at any satisfactory settlement, it&#13;
Yours truly,&#13;
would be necessary for the Society to establish a&#13;
A MEMBER.&#13;
reading branch which should confine its work to&#13;
deciding whether an unacted dramatist should be&#13;
included in the company of dramatists or not.&#13;
EDITORIAL DELAY.&#13;
This proposition would seem to be equally unten.&#13;
able. In consequence, it would seem to be much&#13;
DEAR SIR,I was pleased to see that my sugges-&#13;
better to draw the hard-and-fast line already tion in The Author as to "payment on acceptance"&#13;
settled by the Dramatic Sub-committee.-Ed.] instead of “ payment on publication” for manu-&#13;
scripts of magazine articles had met with approval;&#13;
for I have little doubt that the support accorded&#13;
to it in the letter of Mr. Frank E. Verney represents&#13;
PROFESSIONAL TYPISTS.&#13;
very wide concurrence amongst authors generally&#13;
-in any case amongst magazine writers.&#13;
DEAR SIR,— Without wishing to seem unreason. If, however, this question is one that should be&#13;
ably exacting, I must say I should like to know taken up in the interests of what I may call the&#13;
whether my experiences of professional typists are “Literary Brotherhood," what better instru-&#13;
normal.&#13;
mentality could there possibly be for effecting&#13;
Early in January, I contracted with a firm I such a purpose than that excellent and powerful&#13;
knew for the typing in duplicate of a book of about syndicate the Council of the Society of Authors ?&#13;
84,000 words; I asked the typist to quote his It gives me, therefore, great pleasure to “move"&#13;
lowest terms for a MS. of 85,000 words, and the that our influential Council should take this&#13;
agreement was for £4. I had to wait over six course.&#13;
weeks for the typescripts, though the work was No individual author, or group of authors, out-&#13;
divided up and undertaken by different hands. side the Council could possibly have the same weight&#13;
When I came to revising it and comparing it as our “Committee of Management” in so desirable&#13;
with my MSS. (which I might add was clear and a movement.&#13;
legible and ready for the printer) I found, in two. It is not, I think, possible to add to the argu-&#13;
thirds of the book the following mistakes :-&#13;
ments already used in favour of such a course ; and&#13;
“Twenty sentences, of from three to twenty it would be well if editors and proprietors of English&#13;
seven words, omitted.&#13;
magazines were to consider whether the change&#13;
“ Seventy single words omitted.&#13;
proposed would not be distinctly for their own, as&#13;
“ The punctuation and lengths of paragraphs well as for the author's benefit. The best pay and&#13;
changed, and my sentences adjusted to Procrustes' the promptest payment naturally attract the best&#13;
bed.&#13;
work; and the quality of English “material ” is&#13;
“Footnotes embodied into the matter of the very likely under the present English custom to&#13;
book.&#13;
suffer when that material is provided for English&#13;
“Fifty-three of the typists' words were substituted publications.&#13;
for mine." A few of the worst examples follow : I recall, when looking through for a friend, many&#13;
MSS.&#13;
TYPESCRIPT. years ago, the proof sheets of a book this friend had&#13;
men&#13;
those&#13;
written on America, a means he had made of a&#13;
heart . . . .&#13;
least&#13;
“ notice to the public" posted at the entrance to a&#13;
any .&#13;
many&#13;
big San Francisco hotel. It was, “In God we&#13;
compliment . . .&#13;
complaint trust : ALL OTHERS, Cash !” and really the under-&#13;
defeudants&#13;
independants lying principle seems to be reflected now, so to&#13;
mirage .&#13;
marriage speak, in American publications, for on looking&#13;
speeches.&#13;
spectacles haphazard through the principal lines and ticking&#13;
curiously&#13;
seriously off from a list of American journals and magazines&#13;
succumbing&#13;
recovering those open to general contributions, I find in my list&#13;
rempant.&#13;
permanent of twenty-four no less than twenty which announce&#13;
symptoms .&#13;
sympathy. “payment on acceptance ” one of these says, " Pay-&#13;
My handwriting, by the wildest stretch of ment from 3 cents. a word upwards on acceptance."&#13;
imagination, can scarcely be responsible for this. Nota bene, that the lowest rate is qrer £6 per&#13;
But I cannot help thinking that professional typists, thousand words! and dollars down!&#13;
who cannot keep their attention fixed for more&#13;
FRANCIS GEORGE HEATH.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
.&#13;
&#13;
&#13;
## p. 182 (#245) ############################################&#13;
&#13;
ADVERTISEMENTS.&#13;
vii&#13;
Authors' MSS. 10. 1,000 words; over 40,000, 10d. No unfair&#13;
"cutting" of prices.&#13;
Educated Operators, GOOD PAPER, Standard Machines.&#13;
Plays and Actors' Parts. Legal, General and Commercial&#13;
Documents. Duplicating. Facsimile Typewriting.&#13;
FULL TERMS ON APPLICATION. REFERENCES.&#13;
TYPEWRITING. AUTHORS wishing to make arrange-&#13;
ments for Publishing are invited to&#13;
communicate with LYNWOOD &amp; Co.,&#13;
Ltd., Publishers, 12, Paternoster Row,&#13;
SIKES and SIKES, London, E.C., who will be pleased&#13;
The West Kensington Typewriting Offices, to consider MSS. and advise (free).&#13;
(Established 1893),&#13;
223a, HAMMERSMITH ROAD, LONDON, W. Please write before sending MSS.&#13;
free&#13;
Rider's Catalogue of Psychio, Oooult,&#13;
and New Thought Publications sent post&#13;
rospectuses of New Buoks, and Sample Copy&#13;
Are prepared to consider and place MSS.&#13;
of the OCCULT REVIEW, to all applicants.&#13;
Literary Work of all kinds dealt with by Experts who&#13;
place Authors' interests first. Twenty years' experience.&#13;
Address-WILLIAM RIDER &amp; SON, Ltd.,&#13;
2, CLEMENT'S INN, W.C.&#13;
164, Aldersgate Street, London, E.C.&#13;
-M88., 9d. per 1,000 words. One&#13;
TYPEWRITING.&#13;
duplicate free ; others, 3d. per&#13;
1,000. Estimates given.&#13;
Authors' MSS. and General Copying carefully BADENOCH, 8, MOLISON STREET, DUNDEE.&#13;
typed at rates from 8d. per 1,000 words. Recommended&#13;
by a member of the Authors' Society.&#13;
TYPEWRITING.&#13;
DUPLICATING. SHORTHAND. TRANSLATIONS.&#13;
Miss E. S. MURDOCH,&#13;
First-Class Work. Excellent Testimonialy.&#13;
Glenfairlie, Avondale Road, Wolverhampton. I MISS M. HOWARD, 147, Strand, W.C.&#13;
NOTICE TO AUTHORS.&#13;
N case of any difficulties, authors may now, for a small stated fee, obtain the expert&#13;
T advice and practical assistance of a literary consultant. Mr. Stanhope W. Sprigg&#13;
(formerly Editor of “Cassell's Magazine" and reader for Messrs. Cassell &amp; Co.,&#13;
Reviewer on the “ Standard,” and Hon. Literary Adviser to the Society of Women&#13;
Journalists) has lately set up in business in this capacity, and his services have been&#13;
already utilised with marked success by a large number of writers who were not satisfied&#13;
with their work or their sales.&#13;
" MOST PROFITABLE.”&#13;
The Author of a well-known translation, which is selling by thousands, writes :-&#13;
“Many thanks for your advice. It has been most profitable.”&#13;
A popular writer of serial stories in daily newspapers says :-“You have proved a&#13;
perfect mascot to me. You seem to know unerringly the right channels of publication."&#13;
6S INYALUABLE HELP.»&#13;
The Author of one of the most successful novels this season declares :-“Your help&#13;
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The former Editor of a powerful London weekly states :-" Thanks to your kind&#13;
suggestions, I am busier than I have been for some years."&#13;
The writer of a well-known biography also writes :—“Will you allow me to express my&#13;
thanks for the extremely able and careful manner in which you have acted.”&#13;
Correspondence from authors is cordially invited. Many other letters in a similar&#13;
strain can be shown.&#13;
Address: Mr. STANHOPE W. SPRIGG, The Anchora SPSSPHAM,&#13;
TVIS&#13;
INU&#13;
B OGNOR, SUSSEX.&#13;
&#13;
&#13;
## p. 182 (#246) ############################################&#13;
&#13;
vii&#13;
ADVERTISEMENTS.&#13;
Two popular Hotels in Central London.&#13;
Opposite the British Museum.&#13;
TYPEWRITING&#13;
BRAINS.&#13;
THACKERAY HOTEL&#13;
WITH&#13;
Great Russell Street, London.&#13;
Near the British Museum.&#13;
KINGSLEY HOTEL.&#13;
Hart Street, Bloomsbury Square, London.&#13;
My work is always the same-THE BEST.&#13;
INDIFFERENT COPY TYPED WELL stands a better&#13;
chance with Editors and Publishers than&#13;
GOOD WORK TYPED BADLY.&#13;
I USE BRAINS as well as hands.&#13;
HIGH-CLASS WORK AT LOW CHARGES.&#13;
Every Order I have executed has been followed&#13;
by Repeats.&#13;
I have many Testimonials from Members of the&#13;
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MY WORK IS MY BEST REFERENCE!&#13;
I work for Authors, Clergymen, Playwrights,&#13;
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SEND ME A TRIAL ORDER NOW.&#13;
Passenger Lifts. Bathrooms on every Floor. Lounges&#13;
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tion. Telephones. Night Porters.&#13;
Bedrooms (including attendance), single, from&#13;
3/6 to 6/-,&#13;
Inclusive Charge for Bedroom, Attendance, Table d'Hote,&#13;
Breakfast and Dinner, from 8/6 to 1016 per day.&#13;
Full Tariff and Testimonials on application.&#13;
Telegraphic Addresses :&#13;
Thackeray Hotel _“Thackeray, London."&#13;
Kingsley Hotel—"Bookcraft, London."&#13;
MISS RALLING,&#13;
176, Loughborough Road, LONDON, S.W.&#13;
MRS. GILL, Typewriting Office,&#13;
writing Office, Literary &amp; Dramatic Typewriting&#13;
(Established 1883.) 35, LUDGATE HILL, E.C.&#13;
Authors' MSS. carefully copied from 1s. per 1,000&#13;
words. Duplicate copies third price, French and German&#13;
MSS. accurately copied; or typewritten English trans-&#13;
lations supplied References kindly permitted to Messrs.&#13;
A. P. Watt &amp; Son, Literary Agents, Hastings House,&#13;
Norfolk Street, Strand, W.C. Telephone 8464 Central.&#13;
AUTHORS &amp; PLAYWRIGHTS&#13;
Special facilities for placing work of every description,&#13;
Particulars from Manager, Literary Department,&#13;
WIENER AGENCY, LD.,&#13;
64, Strand, LONDON,&#13;
AND TRIBUNE BUILDING, NEW YORK.&#13;
Story work, 9d. 1,000 words; 2 copies, 1-.&#13;
Plays, ruled and covered, 1/- 1,000 words.&#13;
Opinions selected from letters received during the past twelve years :-&#13;
MRS. E, NESBIT BLAND (E. NESBIT): “I am extremely&#13;
pleased. ... It is beautiful work."&#13;
MRS. TOM GODFREY: “I think you must be a treasure trove&#13;
to all authors who have the good fortune to hear of you. ...&#13;
You certainly evince an intimate knowledge of French."&#13;
MRS. HINKSON (KATHARINE TYNAN: "I have never met&#13;
with anything approaching your intelligence, carefulness and&#13;
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RICHARD PRYCE, ESQ.: “The work could not be better&#13;
done."&#13;
LOUIS A. ST. JOHN, L'Isleite ei morda Road, Southampton.&#13;
To Authors and Dramatists.&#13;
TYPEWRITING.&#13;
Authors' MSS. copied from 9d. per 1,000&#13;
words; in duplicate, 1/-. Plays and Generaal&#13;
Copying. List and specimen of work on appli-&#13;
sation.&#13;
ONE OF NUMEROUS TESTIMONIALS.&#13;
" Migs M. R. HORNE bas typed for me literary matter to the&#13;
extent of some hundreds of thousands of words. I bavo nothing&#13;
but praise for the accuracy, speed and neatness with wbich she&#13;
does her work.-FRANK SAVILE."&#13;
AUTHORS' MS. accurately typed&#13;
from 10d. 1,000 words; over 10,000,&#13;
9d.; in duplicate, 1/-. Excellent&#13;
credentials. Yost machine. Out-&#13;
door Work also undertaken.&#13;
Miss M. M. WEST, 59, Gray's Inn Road. W.C.&#13;
MISS M. R. HORNE,&#13;
ESKDALE, WEST DRAYTON, MIDDLESEX.&#13;
Printed by BRADBURY, AGNEW, &amp; Co. LD., and Published by them for THE SOCIETY OF AUTHORS (INCORPORATED)&#13;
at 10, Bouverie Street, London, E.C.</text>
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